PANASONIC KIT-AJ-HPX3700G CAMCORDER PACKAGE

AJ-HPX3700  Camcorder

 High-Quality P2 HD VariCam for  High-End Production, with RGB 4:4:4  Output in Full 1920 x 1080 Pixel  Resolution and P-10Log Gamma

 • 2.2-megapixel 2/3" CCD for full 1920 x 1080 HD images.

 • Dual-link HD SDI output for camera through  RGB4:4:4/10-bit log gamma signals. Compatible with uncompressed, high-end cinema workflows. 

 

 

 

• Recording formats: AVC-Intra 100/50 and DVCPRO HD. AVC-Intra 100 uses 10-bit 4:2:2 full raster sampling. HD SDI output of 23.98PsF/24PsF  video signals. 

• Variable frame rate function ranging from 1 fps to 30 fps. 

• Selectable gamma modes, including Film-Rec.

 • Scan-reverse function for film lens use.  

 

 

 

• Chromatic Aberration Compensation  (CAC) function compensates for registration error and minimizes lateral  chromatic aberration in lenses. 

• High F10 sensitivity at 2,000 lx. Minimum illumination of 0.042 lx (at 1 fps VFR and +30-dB gain-up). 

• Reliability, speed, and IT compatibility with advanced P2 card recording. 2.2-megapixel CCD (AJ-PX3700) For the AJ-HPX3700, Panasonic developed a high-density 2.2-megapixel 2/3-inch CCD that provides high-resolution full-pixel (1920 x 1080) HD images. The -HPX3700 provides a choice of progressive/interlace D video formats, supporting native 1080  23.98p/24p/25p/29.97p, as well as 1080 50i and 1080 59.94i. The camera offers a high F10 sensitivity at 2000 lux when operating in 1080i. 

1-Megapixel Progressive CCD (AJ-HPX2700)

The AJ-HPX2700\'s 1-megapixel 2/3-inch progressive combines with a digital signal processing ) circuit to output high-quality 1080/720 HD images.*1 In 720p mode, it provides variable frame rate recording over the full 1 to 60 fps range. The camera\'s high F10 sensitivity allows shooting in light as low as 0.021 lx.*2

 *1: See the Input/Output Video Format table on page 6 for details. 

 

 

 

*2: Shooting at F1.4 in variable frame rate mode at 1 fps, with +30dB gain up. 

Chromatic Aberration Compensation (CAC)

This exclusive technology works between lens and camera, allowing for a highly sophisticated algorithm to be deployed that automatically compensates the tration error that is caused mainly by lens chromatic aberration, and minimizes the neighboring blur. By using a CAC-compatible zoom lens, the P2 VariCam Series can obtain images similar to those captured with a prime lens. 

 

 

 

14-Bit Digital Processing with 12-Axis Color Correction 

We offer a 14-bit A/D conversion system along with the new highperformance DSP circuit. The 12-axis color correction matrix lets you make fine adjustments in specific color regions. Functions such as skin detail let you further fine-tune the image. 

Scan Reverse Function for Film Lens Use

The P2 VariCam Series can use an ultra prime lens and even an anamorphic lens adapter that creates a 2.35:1 aspect image for wide-screen cinematic shooting without cropping the image. Its scan reverse function cancels the image inversion that occurs when Angenieux\'s HD lens adaptor is used.

 RGB 4:4:4/10-bit Log Output (AJ-HPX3700)

 Both models come ready for system expansion with an HD SDI terminal that allows camera-through 080/24PsF output. The AJ-HPX3700 adds a second HD SDI output terminal that can serve for dual-link output. HD images can be output with RGB 4:4:4 quality and the 10-bit Log (P-10Log) gamma curve*, ideal for high-end movie production using an uncompressed recorder. 

 

 

 

VariCam's exclusive variable frame rate

Panasonic led the industry in developing the variable frame rate function. This ground-breaking function, from which VariCam takes its name, allows undercranking and overcranking to produce expressive quick-motion and slow-motion scenes. The AJ-HPX2700\'s frame rate can be set all the way from 1 to 60 fps, and the AJ-HPX3700\'s from 1 to 30 fps. *The settable frame-rate range varies with the system mode and the video format or recording format. See the Input/Output Video Format table on page 6 for details. 

 

 

 

•Normal cinematic shooting (at 24 fps or 30 fps)

The 24 fps rate refers to the same rate as used in film cameras. The 30 fps rate is the standard frame rate used in the production of TV commercials.

 •Higher-speed shooting (at over 25 fps*)

 This produces slow-motion effects. It is especially effective for high-action scenes like car chases or crashes, or to create a dramatic impact in a scene.

 *When the standard speed is 24 fps. For a tandard speed of 30 fps, anything over 31 fps will be overcranked. 

 

 

 

•Lower-speed shooting (at under 23 fps*)

This lets you attain a fast-motion effect. It can be combined with a warp-speed effect to give special emphasis to flowing water, fast-moving clouds, etc.

 *When the standard speed is 24 fps. For a standard speed of 30 fps, anything under 29 fps will be undercranked. 

PANASONIC  AJ-HVF21G VIEWFINDER

The Panasonic AJ-HVF21G is a 2" Black/White viewfinder designed specifically for the AJ-HDX900 high definition ENG camcorder. The viewfinder makes it easy to focus while providing ample resolution.

AND A TRIPOD PLATE

 

 

 

CONTACT INFORMATION:
TEL:+44 (0)208 339 6047
       +44 (0)844 873 5652
Fax :+44 (0)844 873 5653
Email: sales@digibroadcast.com