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Atomos Shogun Studio 4K Monitor / Recorder 6G-SDI, HDMI

  • £1,794.00
  • RRP: £1,995.00
Status | Usually dispatched within 24 hours


  • Dual 7" Monitors in a Rackmount Chassis
  • 4K/1080p60 Recording to Multiple Codecs
  • Records 4K (3840 x 2160) up to 30 fps
  • Records 1080p up to 120 fps
  • ProRes, DNxHD, DNxHR and Encoding
  • SSD, HDD, CFAST in Drive Caddy
  • Supports 4:2:2 at 8/10/12-Bit Recording
  • UHD 4K-Capable HDMI Input
  • 6G-SDI Input and Loop-Output
  • Stores to Single or RAID HDDs or SSDs 

Atomos AO-ATOMSHSTU01 (AO/ATOMSHSTU01, AOATOMSHSTU01, AO ATOMSHSTU01, ATOMSHSTU01, ao-atomshstu01) Shogun Studio 4K Monitor / Recorder 6G-SDI, HDMI

*We also offer educational discount where the proof of educational ID is required. Please get in contact for any other informations

With play list functionality & control via RS422, Ethernet or on screen, the Shogun Studio is an affordable 4K & HD play out engine for video walls, signage and projection. Additionally, with dual channel play out capability over HDMI or 1.5/3/6/12G SDI, Genlock and 4K to HD down scaling the Shogun Studio can be used to provide scheduled, synchronized 4K, 2K and HD simultaneous play out to high resolution projector, jumbotron or signage systems.


Shogun Studio solves many of the problems faced by multi camera events with long run times. Our Master Caddy delivers affordable & reliable media while features like time lapse, pre-roll cache & 4K/HD simultaneous recording make this the perfect choice for Event professionals. Atomos's open approach with media means you record up to 2.5 hours of 4K 30p or 5 hours of 1080p60 onto a single 1TB SSD, keeping media costs less than $150 per hour. The Shogun Studio has the ability to then monitor the input, view waveforms/scopes, setup complex time lapses and simultaneously record a proxy - under pinned with the safe guard of pre-roll cache recording (8 sec for HD / 2 sec for 4K) to ensure you never miss the action.

Mobile Production

With rack space at a premium and resolution on the rise, Mobile Production professionals will welcome the ability to record, monitor, test, measure, convert and play out from a single 3RU device.

Dual codec, dual resolution recording maximises the flexibility in mobile situations. Combine the ability to record 4K resolution ISO feeds with a hardware down converted HD proxy version, record ProRes on one channel and DNxHR on the other or even playback and convert from one codec/resolution combination to another. Connecting to infrastructure is simple as well with built-in HDMI and SDI conversion that is bi-directional. Shogun Studio is ready for the 4K future, but 4K acquisition doesn’t have to mean 4K delivery – when 4K can be achieved on a HD budget and you have the capability to downscale or record codec to suit you have the perfect product now and for the future in the tight space of Mobile production.


Shogun Studio in the rack of a DIT cart arms the set with the fastest path from acquisition to editing by recording direct to 10-bit 422 ProRes, DNxHR and RAW all housed within a world class monitor with test measurement for the highest quality 4K/2K/HD viewing and setup.

For colour analysis, the RGB and Vector scopes provide real time feedback and can be overlaid in several positions on the colour accurate 7.1” 325ppi Full HD monitor. You can double check focus pulls with 2:1 zoom, focus peaking and edges only view and with 8 LUT slots on board and an infinite number on disk previewing the final result is easy. These decisions can be made with the confidence you are using a 100% sRGB factory calibrated monitor that can be calibrated over time using the optional Spyder unit. Outside of monitoring, DIT’s can start the editing process on set with favourite and reject tagging to start the formation of a play list and XML.


In security applications a wide angle lens on a 4K camera can mean a single camera replaces the equivalent of 4 x HD cameras. The Studio Shogun, with its long record time, time lapse, record scheduling and monitor zoom capability makes it the perfect weapon for 4K security applications.

In ProRes LT at 25 FPS the Shogun Studio can record 6 hours of Ultra High Definition 4K per channel, this not only provides superior resolution but also an increase in the number of frames captured per second providing a more finite approach to high resolution security recording. In applications where the additional frames aren't important, the timelapse functionality can be set up to record specific frames at specific points over a specified duration. All of this can be reviewed on the dual 7.1” Full HD monitors and easily zoomed in for closer inspection of areas of interest.

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  • Weight : 5.0kg / 11lb
  • Rack height : 3Ru
  • Rack mounting : Removable rack ears

Dimensions(W x H x D mm):

  • 447 x 152 x 251mm, 17.6 x 6.0 x 9.9” (without rack ears)
  • 490 x 152 x 251mm, 19.3 x 6.0 x 9.9” (with rack ears)
  • Construction : Steel construction for durability
  • Cooling : Actively controlled fan with heat sinks


  • Operating power (including SSD) : 20 - 60W
  • Redundant PSU : Yes
  • Compatible batteries : No
  • Input voltage (battery) : -
  • DC Out : No
  • Continuous power *Patent pending : -


  • Size : 7.1”
  • Resolution : 1920 x 1200

PPI : 320

  • Aspect ratio : 16:9 native
  • Colour standard : Rec.709 HDTV
  • Look up table (LUT) support : 3D LUT (.cube le format)


  • SuperAtom IPS panel (capacitive touch),
  • calibration to Rec.709 with optional X-Rite unit
  • Video analysis tools : Luma waveform, RGB parade, Vectorscope, Vectorscope zoom


  • Calibration in factory to Rec.709, in eld
  • calibration with optional X-Rite unit


  • AtomHDR : Yes

Supported Log formats:

  • Sony SLog2 / SLog3, Canon CLog / CLog2,
  • Arri Log C, Panasonic Vlog, JVC JLog, Red LogFilm
  • Supported Gamuts:
  • Sony SGamut / SGamut3 / SGamut3.cine /
  • Canon Cinema / BT2020 / DCI P3 / DCI P3+
  • Panasonic V Gamut / Arri Alexa Wide Gamut
  • Bit depth : 8-bit
  • Brightness : 400nit
  • PQ in/out In = Post Out = Monitor : Yes / Yes

Video Input/Loop Out:

  • HDMI : 1x HDMI (1.4b) per channel
  • SDI : 1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G per channel
  • Signal : Uncompressed true 10-bit or 8-bit 422 (camera dependent)

Video Output (Play Out):

  • HDMI : 1x HDMI (1.4b) per channel
  • SDI : 1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G (SMPTE) per channel
  • Signal : Uncompressed true 10-bit or 8-bit 422 (playback file dependent)

Supported Codecs & Frame Rates (Record & Playback):

Raw to CDNG (Record only):


  • Cinema DNG for supported cameras
  • (Sony FS5/FS7/FS700, Canon C300MKII, C500, Panasonic Varicam RAW*)

Frame rates:

  • 4K DCI / 4K UHD; 24/25/30p
  • 2K / 1080p; 24/SF24/25/SF25/30/SF30/50/60/100/120p

Raw to ProRes / DNxHR:

  • Codecs : Apple ProRes HQ, 422, LT
  • Frame rates : 4K DCI / 4K UHD; 24/25/30B
  • 2K / 1080p; 24/SF24/25/SF25/30/SF30/50/60/100/120

Video to ProRes / DNxHR:


  • Apple ProRes HQ, 422, LT

Frame rates:

  • 4K DCI / 4K UHD; 24/25/30
  • 2K*** / 1080p; 24/SF24/25/SF25/30/SF30/50/60/100/120
  • 1080i; 50/60i
  • 720p; 50/60p

Onboard Processing:


  • 24/25/30pSF - 24/25/30p (2:2 pulldown)
  • 60i - 24p (3:2 pulldown)
  • SDI : Yes - Always on
  • Analogue Audio : On HDMI/SDI loop out (Rec & Playout)
  • Audio In/Out (48kHz PCM Audio):
  • HDMI : 2 or 8ch 24-bit, camera dependent
  • SDI : 12ch 48kHz 24-bit

Analogue audio:

  • 2x XLR in & 2 x XLR out on rear per record channel.
  • Mic or line level with phantom 48V
  • Processing : Gain control on line in & headphone output
  • Maximum audio quality : 24-bit, 48kHz
  • Audio delay : Delay setting +1 to 99 frames

Remote Control:


  • Auto HDMI Trigger

Supported Protocols - Canon, Sony, Atomos Open Standard

  • SDI : SDI trigger camera selectable
  • RS422 : RS422 machine control
  • AMP : via Ethernet RJ45 10/100
  • Serial : Calibration (front)


  • HDMI : Embedded timecode from camera or video device
  • SDI : Embedded timecode from camera or video device
  • LTC In : Yes (LTC loop back)
  • GenLock In : Yes (GenLock loop back)


  • Playlist : Yes (run down or reverse order) for selected, favorite or all clips
  • Playback options : Loop in & out markets


Dual channel:

  • Record 4K master with HD proxies.
  • Record both ProRes & DNxHR versions, indepen- dent dual channel record.
  • Continuous record Single channel 4K / HD recording
  • automatically switches between drive when at capacity
  • Pre-roll record Yes (HD 8s, 4K 2s)

Custom timelapse:

  • Yes (Key frameable up to 10 video and
  • single frame Intervals, can be triggered from internal clock).
  • Meta data tagging : Yes (10 tags available)

Recording Media:

  • Drive slots : 2 (1 per record channel)
  • Drive connection types : SATA
  • Supported media (Approved List Only):
  • 4K / HD (50/60/120p*)
  • SSD 2.5”, HDD (7,200 up to 1080p60)


  • SSD 2.5”, HDD (5,400 up to 1080p30)

Master caddy case:

  • Master Caddy II (included)
  • 75mm x 105mm x 12mm

Master caddy dock:

  • 2.5” SATA to USB 2.0/3.0

Supported applications:

  • Supported Applications FCPX/FCP7+
  • Media Composer 5.0+
  • Premiere 5.5+
  • EDIUS 6.0+
  • Vegas Pro 10+
  • Lightworks
  • Autodesk Smoke 2015

XML support:

  • FCPX XML native, FCP7 supported with conversion (Adobe compatible)

Accessories included:

  • Shogun Studio unit, 2x Rack ears with screws,
  • 5x Master II Caddies, 4x Rubber feet, 2x Large rubber feet,
  • 2x IEC power cable, 1x Screen cleaning cloth
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In the Box

  • Atomos Shogun Studio 4K Monitor / Recorder 6G-SDI, HDMI
  • IEC C14 AC Cable
  • 5 x Master Caddies
  • Docking Station
  • Detachable Rack Ears
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