Came-TV MT-S705 (MT_S705, MT/S705, MT S705) 7 inch Ultra Brightness 2200nit HDMI Field Monitor
The Came-TV 7 inch Ultra Brightness Field Monitor has extensive monitoring tools, including histogram, focus assist, embedded audio, false colors, zebra exposure, ratio marker, anamorphic mode, zoom and more. Featuring a 7" 8-bit IPS screen with 1920x1200 resolution, 323ppi pixel density for sharper images, better text clarity, also providing professional color calibration to compensate for LCD color drift along with accurate color reproduction regardless of your shooting conditions. The MT-S705 has a wide viewing angle so that everyone on set can view the action.
The monitor uses the "golden size" 7-inch panel has a 2200nit screen which is almost 5 times the brightness of conventional field monitors allowing you shoot outdoors without reflections washing out your image. This makes it a great choice for gimbals and director's monitors, delivering a crisp image without the bulk and viewing angle restrictions of a sun hood.
We use the professional Rec.709 HD color standard with the pro instrument calibration at the factory, providing accurate color reproduction without distorted colors.
The menu controls are intuitive and easy to use. On the top of the monitor, you'll get the full button layout. Two different feature buttons which are programmable to the various features that you use the most. For example you could set one of the shortcut keys to the image flip function so that the screen can be flipped over quickly when shooting upside down. The monitor will automatically save the parameters you have previously set, keeping these settings when you turn it on next time.
The compact monitor includes 4K HDMI connection that is compatible up to 4Kp30. You can also monitor audio using the 3.5mm stereo headphone jack, or the built in speaker. The 4K HDMI inputs loop-out allowing to not only display live signals, but also send them out to other monitors simultaneously. Display live picture on multiple displays at once while still maintaining the original video quality. Connect to Wireless Transmitter and the director can monitor in real time.
1/4” mount points on the bottom for attaching the monitor to cameras and rigs. When you are using the upside down installation, you can turn on the image flip function to maintain the correct image orientation. Additionally there are VESA 75 mounting holes set in the back to attach the monitor to a sturdier mount if needed.
For power, there's a 12V DC input and a F970 battery plate (standard). You could connect the 12V DC input you get continuous power or you can run it off of Sony compatible F970 rechargeable batteries. Note: When you turn off the monitor, you need to press the power button, and you can't pull out the power cable directly.
In the box