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Atomos AO-ATOMSHGIN2 Shogun Inferno with Travel Case package c

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Atomos AO-ATOMSHGIN2 ( AO ATOMSHGIN2, ATOMSHGIN2, AO/ATOMSHGIN2) Shogun Inferno with Travel Case package c includes:

1x Atomos AO-ATOMSHGIN2 Shogun Inferno with Travel Case (AO-ATOMSHGIN2)

1x Atomos Power Kit for Flame and Inferno Series Monitors (AO-ATOMPWRKT1)

1x Atomos ATOMSUN006 HDR Sun Hood for Flame Series & Inferno (Black) (AO-ATOMSUN006)

1x Angel-Bird AB-4KRAWATOM500 Atomos MasterCaddy 4K RAW 500GB (AB-4KRAWATOM500)

*500GB will give provide approximately 5 hours of HD or 1,5 hours of 4K

*Digibroadcast has put together some bespoke Atomos packages for our clients based on our own research and surveys and holds the right to protect all of its content ©

Shogun Inferno combines our award winning HDR, high bright monitor with high resolution, high frame rate recording. Designed for the world's leading cinema cameras with both QuadLink SDI* and HDMI 2.0 connections for recording up to 4K 60p (HD 240p) video, 4K 30p Raw to CDNG and 4K 60p Raw to ProRes / DNxHR.

* Available in future firmware updates


AtomHDR image processing lets you shoot with the high brightness range of your camera’s Log profile while maintaining vibrant true-to-life colors. Conventional monitors lack this capability, displaying the brightness detail of Log but with a washed out image that makes judging exposure difficult. Be at the forefront of the HDR revolution by having a field monitor capable of resolving HDR in the field as you see it in Post Production and record the original Log image direct from the sensor for HDR grading in post production.


1500NIT 10-BIT 

The 10-bit panel resolves more colors (1.07 billion colors compared to 16.7 million for standard 8-bit panels) to ensure smooth color transitions in both HDR and SDR (standard dynamic range) shooting. The 1500nit panel brings HDR to life, accentuating high contrast scenes. While for regular SDR scenes, use the brightness slider to take advantage of the 1500nit screen for hood-free outdoor monitoring.



The AtomHDR engine lets you monitor a post production HDR image in the field on a 7" calibrated screen. For collaboration on set or in post, connect Shogun Inferno to HDR compatible larger screens, select the desired color space (Rec709, DCI P3 or Rec2020) and see the magic of HDR on larger screen sizes. Use the PQ input to connect from your NLE and use the Inferno as a monitor to grade HDR in Post.



Shogun Inferno combines high resolution recording, high frame rate recording and playback. Record Video from both HDMI and SDI cameras direct from the sensor to 4:2:2 10-bit ProRes or DNxHR up to an amazing 4K 60p or HD 240p. Record Raw over SDI up to 4K 30p either directly to CDNG or record to ProRes or DNxHR. Playback recorded ProRes or DNxHR files via the HDMI or SDI output at the same high frame rates to supporting monitors



The QuadLink SDI connections* offer the widest camera compatibility with 1.5G/3G/6G/12G SDI inputs and a single 12G SDI output. Recording RAW* from Arri, Sony, Canon and Panasonic cameras provides 4K functionality not available in some cameras whilst also offers a far more affordable solution in terms of media costs.

* Available in future firmware updates



Our flexible OS is packed with an extensive suite of scopes, all 1-touch away and simple to use. The Video OS includes tools for focus, framing & exposure (Focus peaking, 2:1/1:1 zoom, Zebra, False Color, Frame guides, SMPTE Safe Area, Waveform, RGB parade, vectorscope) along with a flexible 3D LUT implementation (use built-in LOG to Rec.709 Video or upload .cube files) and options for anamorphic de-squeeze monitoring.



Inferno features our patented continuous power system - a hot swappable dual battery system that automatically swaps to the second battery when power is low. To support the dual battery system we include a blazingly fast battery charger, two 4-cell batteries and a D-Tap to DC coiled cable to ensure continuous power in the field is all but assured.



The Shogun Inferno has multiple audio options replacing the need for a separate audio recorder. Monitor up to 8ch of embedded HDMI audio, up to 12ch of SDI audio or use the included XLR breakout cable to connect with external microphones for balanced analogue audio with 48V phantom power.



Outside of RAW and high frame rate 4:2:2 Apple ProRes / AVID DNxHR recording, the Shogun Inferno adds recording functionality not found in other recorders. Trigger start/stop recording over HDMI or SDI popular cameras, convert interlace to progressive signals on the fly with built-in 3:2 and 2:2 pulldown or use features like Pre-roll (continuous cache recording) and Time lapse to maximise your creativity.




Our built-in armor enhances protection & airflow whilst the raft of accessories (2 x NP series 4-cell batteries, fast battery charger, USB3 docking station, 2 x input XLR breakout cable, control cable, DC to D-Tap cable, 5 x Master Caddy cases, DC adapter & HDR sun hood) and the premium HPRC flight case ensures you're ready to hit the field immediately.


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Without batteries & media 709g / 25.0oz

With batteries & media 1153g / 40.7oz

Dimensions (W x H x D mm) 214 x 127 x 45mm, 8.4 x 5 x 1.8”

Construction High quality lightweight ABS Polycarbonate for durability & portability

  Built-in armor protection


Operating power 10 - 27W

Compatible batteries NP series and supporting accessories

Input voltage (battery) 6.2V to 16.8V

Battery time (based on 7.4V) -

  5200mAh - up to 1.5hrs (monitor & record 4K 30p)

  7800mAh - up to 2.2hrs (monitor & record 4K 30p)

DC In 1 x DC in (6.2 - 16.8V)

Continuous power

* Patent pending Primary-secondary battery system Change batteries without losing power Loop batteries continuously


Size 7.1”

Resolution 1920 x 1200

PPI 325

Aspect ratio 16:9 native

Color Gamut REC709 HDTV

Look up table (LUT) support 3D LUT (.cube le format)

Anamorphic de-squeeze 2x, 1.5x, 1.33x, Panasonic 8:3

Technology SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional calibration unit


AtomHDR Yes

Supported Log formats Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C,

Panasonic Vlog, JVC JLog, Red LogFilm

Supported Gamuts Sony SGamut / SGamut3 / SGamut3.cine

Canon Cinema / BT2020 / DCI P3 / DCI P3+

Panasonic V Gamut

Arri Alexa Wide Gamut

Bit depth 10-bit (8+2 FRC)

Brightness 1500nit (+/- 10%)

PQ in/out

In = Post   Out = Monitor Yes / Yes

Video input/loop out

HDMI 1 x HDMI (2.0)

SDI Quad link 4 x 3G SDI or up to 12G single link SDI

Signal Uncompressed true 10-bit or 8-bit 422

(camera dependent)

Video output (play out)

HDMI 1 x HDMI (2.0)

SDI 1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G

Signal Uncompressed true 10-bit or 8-bit 422

(playback file dependent)

Supported loop out formats

HDMI to HDMI 720p 50/60, 1080i 50/60,

1080p 24/25/30/50/60/100/120/200*/240*

2160p 24/25/30/50/60

SDI to SDI 720p 50/60, 1080i 50/60

1080pSF 24/25/30

1080p 24/25/30/50/60/100/120/200*/240*

2160p 24/25/30/50/60

Video signal conversion

HDMI to SDI 720p 50/60, 1080i 50/60,

1080p 24/25/30/50/60/100/120/200*/240*

2160p 24/25/30/50/60

SDI to HDMI 720p 50/60, 1080i 50/60,

1080p 24/25/30/50/60/100/120/200*/240*

2160p 24/25/30/50/60

Supported Codecs & frame rates (record & playback)

Raw to CDNG (Record only)* Codecs Cinema DNG for supported cameras (Sony FS5/FS7/

FS700, Canon C300MKII, C500, Panasonic Varicam



Frame rates 4K DCI / 4K UHD; 24/25/30p

2K / 1080p; 24/SF24/25/SF25/30/SF30/50/60/100/120p

Raw to ProRes / DNxHR Codecs Apple ProRes HQ, 422, LT



Frame rates 4K DCI / 4K UHD; 24/25/30/50/60p

2K*** / 1080p; 24/SF24/25/SF25/30/


Video to ProRes / DNxHR Codecs Apple ProRes HQ, 422, LT



Frame rates 4K DCI / 4K UHD; 24/25/30/50/60p

2K*** / 1080p; 24/SF24/25/SF25/30/


1080i; 50/60i

720p; 50/60p

Onboard processing

Pulldown removal 24/25/30pSF > 24/25/30p (2:2 pulldown)

60i > 24p (3:2 pulldown)

4K UHD downscale for HD monitoring Yes - Loop-out and playback (Not available in RAW)

Audio in/out (48kHz PCM audio)

HDMI 2 or 8ch 24-bit, camera dependent

SDI 12ch 48kHz 24-bit

Audio 2ch balanced XLR analog in/out

Dynamic range >90dB

Max signal level +24dBu

Max analog gain +52dB

48V Phantom Power for Mic

Remote start/stop

HDMI Auto HDMI Trigger

Supported Protocols - Canon, Sony, Atomos Open Standard

SDI SDI trigger camera selectable

Other LANC control - Slave


Playlist Yes

Genlock / LTC Yes / Yes


Pre-roll record Yes (HD 8s, 4K 2s)

Custom timelapse Yes

Meta data tagging Yes (10 tags available)

Supported media

(Approved List Only) 4K / HD (50/60/120p*)

SSD 2.5”, HDD (7,200 up to 1080p60)



SSD 2.5”, HDD (5,400 up to 1080p30)

Master caddy case Master Caddy II (included)

75mm x 105mm x 12mm

Master caddy dock 2.5” SATA to USB 2.0/3.0

Supported applications Supported Applications FCPX/FCP7+ / Media Composer

5.0+ / Premiere 5.5+

EDIUS 6.0+ / Vegas Pro 10+ / Lightworks /

Autodesk Smoke 2015

XML support FCPX XML native, FCP7 supported with conversion

(Adobe compatible)

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