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Atomos Shogun 7 HDR Pro Monitor Recorder Switcher

code: AO-ATOMSHG701
  • £1,297.33
  • RRP: £1,299.00
Item Available | Usually dispatched within 24 hours
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Features

  • Unbelievable HDR
  • Live multi-cam has never been more portable 
  • Single-camera storytelling in 4K, or 2K slow-mo 
  • Advanced Atomos technology
  • Blacker blacks, brighter whites
  • Record RAW, deliver accurate Dolby Vision HDR
  • Edit HDR in the field
  • Balanced audioHigh speed connections

Atomos AO-ATOMSHG701 (AO_ATOMSHG701, AO/ATOMSHG701, AO ATOMSHG701) Shogun 7 HDR Pro Monitor Recorder Switcher.

Atomos Shogun 7 is a precision HDR monitor-recorder-switcherdesigned for the film and video professional. It can be used aseither a stand-alone field monitor, recorder and switcher forevent, documentary and live in-the-field storytelling; or as a toolfor large-scale on-set episodic TV, film and cinema productionswhere multiple crew members such as focus pullers, grips andcinematographers require a consistent visual reference acrossthe field monitor ecosystem. Shogun 7’s portable size lets youmonitor, analyse and tag while on set; and check how yourcontent will look in your audience’s home via real-time DolbyVision output. With Shogun 7 you’re not locked into any format,camera manufacturer or pipeline. It is a completely flexiblemaster recording and production station.

Monitor, record and switch between 4 live HD SDI video streams(and one program stream) for flexible in-the-field directing.Enjoy the freedom of asynchronous switching and gen lock in &out to connect to existing infrastructure. Shogun 7 offers up toHDp60 SDI ISOs x 4 recording. Once you’ve finished capturingyour streams, just import the Atomos xml file into your NLE andyour timeline populates with all your edits in place. Audio is alsotaken care of, with each ISO and program record, we insert themixed analog stereo channels and embed 2 channels of digitalaudio in each recorded stream. The program stream alwaysrecords the analog feed and switches between audio inputs forthe on-camera audio to match the switched feed.

With the latest HDMI 2.0v you can capture up to 4Kp60 on anyavailable camera, or via Quad Link, Dual Link or Single Link. If slowmotion capture is important to your production, Shogun 7 lets youcapture 2K up to 240p. You can tag on-the-fly while recording fordirect-to-edit look up in Final Cut Pro X, Adobe Premiere* and AvidMedia Composer*

To make the most advanced on-set production tool for creativeenhancement, to achieve this we developed the most advancedscreen technology today, and it took us three years. We developed“Dynamic AtomHDR” screen technology into Shogun 7’s fieldmonitor makes your images blacks blacker and whites brighter.We include real-time output to Dolby Vision capable displays sothat you can quickly check that your Creative intent will translateperfectly to audiences at home. We added Apple ProRes RAWrecording to other popularly available formats. We added live a synchronous switching to record up to four real-time cameras atthe same time. 

The Shogun 7 screen is the most precise 7” field reference monitorto-date for both SDR and HDR production as well as up to 2Kp240and 4Kp60. Display your work on the world’s best HDR screen withthe first-to-market Dynamic AtomHDR backlit technology, with360 zones that revolutionises the on-camera HDR monitor game.Dynamic AtomHDR achieves an astounding 1,000,000:1 contrast ratiowith ultra-wide colour, giving you the ultimate combination of blackerthan black OLED for intense shadow detail and blazing 1500nit LCDperformance for vivid high bright and HDR performance.

Atomos and Dolby have teamed up to give you live Dolby VisionHDMI out, from any SDI or HDMI HDR camera. All courtesy ofAtomOS 10. Simply connect your Dolby Vision capable TV ormonitor to your Atomos product* and magically, automatically, theAtomOS analyses the image, queries the TV, and applies the rightcolour and brightness profiles for the maximum HDR image on thedisplay or TV. This ensures the HDR image always looks as it wascreatively intended. This is a valuable on-set reference check for thecreative director and client. This function is also available inplaybackand playout from RAW and Log recorded ProRes RAW, ProRes andDNx rushes for instant time-saving, on-set and in-studio review.Utilise playback functions like slow motion, and insert edit and inand out points to speed up playlist compilation.

Monitor analyse and tag shots, making the most of portability while being on the go. Record direct to the desired NLE editing/ grading/transcoding formats; from camera to standard industry finishing workflows, enjoy support for Apple Final Cut Pro, Avid Media Composer and Black Magic Resolve. Playback rushes on-set on-device to the best quality display or to a TV with full Dolby Vision support.

Eliminate the need for a separate audio recorder. Add 48V stereo mics via the balanced XLR breakout cable. Select Mic or Line input levels, record up to 12 channels of digital audio from HDMI or SDI. Monitor selected stereo via the 3.5mm headphone jack.

Seamlessly connect any SDI or HDMI device for monitoring and recording. Cross convert between HDMI 2.0 and 1.5G/3G/6G/12G/ Quad Link SDI in almost any combination and eliminate the need for specialist converters.

Weight

  • Without batteries & media: 460g / 16oz
  • With batteries & media: 732g / 26oz
  • Dimensions (W x H x D mm): 196 x 110 x 47mm, 7.7 x 4.3 x 1.85”
  • Construction: High quality lightweight ABS Polycarbonate for durability & portability

Power

  • Operating Power: 10 - 20W
  • Compatible batteries: NP-F series, D-Tap and supporting accessories
  • Input voltage (battery): 6.2V to 16.8V
  • Battery time (based on 7.4V): 5200mAh - up to 1.5hrs (monitor & record 4K), 7800mAh - up to 14hrs
  • DC In: 1 x DC in (6.2 - 16.8V)
  • Continuous power Patent pending: via optional Power Station

Touchscreen

  • Size: 7.1''
  • Resolution: 1920 x 1200
  • PPI: Over 320
  • Aspect Ratio: 16:9 native
  • Colour Standard: REC709 HDTV
  • Look up table (LUT) support: 3D LUT (.cube le format)
  • Technology: SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional calibration unit<

Video Input/Loop Out

  • HDMI: 1 x HDMI (1.4b)
  • SDI: 1 x 4K-SDI 12G/6G or HD-SDI 3G/1.5G (SMPTE)
  • Signal: Uncompressed true 10-bit or 8-bit 422 (camera dependent)

Video Output (Play Out)

  • HDMI: 1 x HDMI (1.4b)
  • SDI: 1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G (SMPTE)
  • Signal: Uncompressed true 10-bit or 8-bit 422 (playback file dependent)

Supported Loop Out Formats

  • HDMI to HDMI: 720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/120, 2160p 24/25/30
  • SDI to SDI: 720p 50/60, 1080i 50/60, 1080pSF 24/25/30, 1080p 24/25/30/50/60/120, 2160p 24/25/30

Video Signal Conversion

  • HDMI to SDI: 720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/120, 2160p 24/25/30
  • SDI to HDMI: 720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/120, 2160p 24/25/30

Supported Formats (Record & Playback)

  • 4K: 2160p 24/25/30
  • HD - high frame rate: 1080p120*, 1080p60/50
  • HD : 1080i60, 1080i50, 1080p30, 1080p25, 1080p24, 1080pSF24, 1080pSF25, 1080pSF30, 720p60, 720p50
  • 4K UHD downscale for HD monitoring: Yes - loop-out & playback (not available in RAW)
  • Anamorphic de-squeeze: 2x, 1.5x, 1.33x, Panasonic 8:3

Realtime Hardware Encoding

  • 4K - DCI RAW 4096x2160 to Supported cameras; Sony FS700, FS7, Canon C300MKII, C500: Apple ProRes HQ, 422, LT, DNxHR, HQX, HQ, SQ, LB
  • 4K-UHD 3840x2160 8/10-bit 4:2:2 to: Apple ProRes HQ, 422, LT, DNxHR, HQX, HQ, SQ, LB
  • 920x1080 8/10-bit 4:2:2 to: Apple ProRes HQ, 422, LT, DNxHR, 220x, 220, 145, 36

Onboard Processing

  • Pulldown removal: 24/25/30pSF > 24/25/30p (2:2 pulldown), > 60i > 24p (3:2 pulldown)

Audio In/Out (48kHz PCM Audio)

  • HDMI: 2 or 8ch 24-bit, camera dependent)
  • SDI: 12ch 48kHz 24-bit
  • Audio: 2ch balanced XLR analog in/out Dynamic range >90dB, Max signal level +24dBu, Max analog gain +40dB, 48V Phantom Power for Mic

Remote Start/Stop

  • HDMI: Auto HDMI Trigger, Supported Protocols - Canon, Sony, Atomos Open Standard
  • SDI: SDI trigger camera selectable
  • Other: LANC control - Slave

Playback

  • Playlist: Yes
  • Genlock / LTC: Yes

Recording

  • Pre-roll record: Yes (HD 8s, 4K 2s)
  • Custom Timelapse: Yes (HD 8s, 4K 2s)
  • Meta Data Tagging: Yes (10 tags available)
  • Supported media (Approved List at atomos.com/drives): 4K / HD (50/60/120p), CFast 2.0, SSD 2.5”, HDD (7,200 up to 1080p60), HD CFast 1.0, SSD 2.5”, HDD (5,400 up to 1080p30)
  • Master caddy case: Master Caddy II (included), 75mm x 105mm x 12mm
  • Master caddy dock: 2.5” SATA to USB 2.0/3.0
  • Supported applications: Supported Applications FCPX/FCP7+, Media Composer 5.0+, Premiere 5.5+ 
  • EDIUS 6.0+, Vegas Pro 10+, Lightworks, Autodesk Smoke 2015
  • XML support: FCPX XML native, FCP7 supported with conversion
  • (Adobe compatible)
  • Accessories included: Shogun unit, Custom HPRC Italian made carry case, 9V-3A AC adapter, Master Caddy II x 5, D-Tap adapter, 1 x 5200 mAh battery, Battery charger, XLR breakout cable, SATA 3/2 to USB 3/2 HDD/SSD docking station
  • Optional extras: Sunhood, Power Station, Spyder calibration

In the box

  • 1x Shogun 7 unit
  • 1x Master Caddy II
  • 1x 12V-3A AC power supply
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