AU-EVA1 Compact 5.7K Super 35mm Cinema Camera package d
Panasonic PAN-AUEVA1EJ ( PAN/AUEVA1EJ, PAN AUEVA1EJ, PANAUEVA1EJ, pan-aueva1ej) (AU/EVA1, AUEVA1, AU EVA1, au-eva1) Compact 5.7K Super 35mm Cinema Camera package D includes: 1x Panasonic AU-EVA1 Compact 5.7K Super 35mm Cinema Camera (PAN-AUEVA1EJ) 1x Angel Bird AB-MP-EVA1 256GB Match Pack for the Panasonic EVA1 (2 x 128GB) (AB-MP-EVA1) 1x IDX SL-VBD96 7.2V / 70Wh / 9600mAh Lithium Ion Battery (SL-VBD96) 1x Camrade CAM-R&GB-CINEMA run&gunBag Cinema (CAM-R&GB-CINEMA) 1x Acebil i-605DX tripod (i-605DX) *Digibroadcast has put together some bespoke Panasonic packages for our clients based on our own research and surveys and holds the right to protect all of its content © 5.7K Super 35mm Sensor The Panasonic AU-EVA1 contains a newly designed 5.7K Super 35mm-sized (5720 x 3016, approx. 17.25 million pixels) sensor for capturing true cinematic images. By starting at a higher native resolution, the 5.7K sensor yields a higher resolving image when down sampled to 4K, UHD, 2K, and even 720p. The increased colour information results in a finer, more accurate finished image. Dual Native ISO of 800 & 2500 The EVA1 includes dual native ISO like the VariCam 35, VariCam LT and VariCam Pure. Utilising a process that allows the sensor to be read in a fundamentally different way, dual native ISO extracts more information from the sensor without degrading the image. This results in a camera that can switch from a standard sensitivity to a high sensitivity without an increase in noise, or other artifacts. Dual native ISO is allowing cinematographers to use less light on set, saving time and money, as well as allowing for a great variety of artistic choices. V-Log / V-Gamut The ability to capture accurate colours and rich skin tones is a must for any filmmaker. Like the VariCam lineup of cinema cameras, the EVA1 contains V-Log/V-Gamut capture to deliver high dynamic range and broad colours with a capability of creating 14 stops of dynamic range. V-Log has log curve characteristics that are somewhat reminiscent of negative film and V-Gamut delivers a colour space even larger than film. The EVA1 will also import the celebrated colourimetry of the VariCam line. High Frame Rate Recording 4K 60 fps / 2K 240 fps Users can choose between MOV wrapped codecs up to 10-bit 422 even in 4K, as well as AVCHD. Capturing internally in 4K, UHD, 2K, Full HD and HD, the EVA1 offers up to 59.94fps/50fps for 4K/UHD, up to 120fps/100fps for 2K/Full HD, or 240fps/200fps (cropped area) for high-speed capturing. Cinematic Run & Gun Weighing only 1.2Kg (body-only) with a compact form factor (17cm x 13.5cm x 13.3cm) and a removable handgrip, EVA1 can be used for efficient handheld shooting applications and can also be mounted on a drone, gimbal rig, or jib arm for complex yet smooth camera moves. The adjustable handgrip offers several controls, including menu, REC start/stop, iris and two user defined buttons. The LCD monitor features a touch-panel function and allows flexible mounting. Low-Cost Media / SD Card Recording EVA1 records to two SD card slots, with the option to capture footage with Relay Rec (continuous record) or Simul Rec (simultaneous dual record). There’s also one shot record, which enables single frame video for stop motion capture. EF-Mount Lenses The camera utilises a native EF-mount, giving shooters access to the broad EF lens ecosystem, including dozens of cinema-style prime and zoom lenses from numerous manufacturers. E.I.S. & Integrated ND Filters Electronic Image Stabilisation (EIS) is employed to compensate for camera shake and blurring, which will help smooth out handheld or shoulder-mount shots on documentary or run-and-gun projects. Behind the lens mount, an integrated ND filter wheel in 2, 4, and 6 stops allows for precise exposure control. The EVA1 also allows the IR Cut filter to be swung out of the path to the sensor at the push of a button. Unique photographic effects and night vision imagery are possible with this control over infrared. Professional Features As a professional video production tool, the EVA1 offers dual balanced XLR audio inputs with Dolby Audio™* encoding. 4K-capable video outputs in both HDMI and SDI. where each can be adjusted separately, allowing HD to be fed to a viewfinder or other third party monitor while 4K is sent to an outboard recorder or monitor. Timecode In/Out is also supported on the EVA1 unlike some other cameras in its class. With the addition of the AJ-WM50 WIFI adapter, all EVA1 menu functions can be controlled remotely on IOS or Android using the dedicated app.
AU-EVA1 Compact 5.7K Super 35mm Cinema Camera package F
Panasonic PAN-AUEVA1EJ ( PAN/AUEVA1EJ, PAN AUEVA1EJ, PANAUEVA1EJ, pan-aueva1ej) (AU/EVA1, AUEVA1, AU EVA1, au-eva1) Compact 5.7K Super 35mm Cinema Camera package F includes: 1x Panasonic AU-EVA1 Compact 5.7K Super 35mm Cinema Camera (PAN-AUEVA1EJ) 1x Angel Bird AB-MP-EVA1 256GB Match Pack for the Panasonic EVA1 (2 x 128GB) (AB-MP-EVA1) 1x IDX SL-VBD96 7.2V / 70Wh / 9600mAh Lithium Ion Battery (SL-VBD96) 1x Camrade CAM-R&GB-CINEMA run&gunBag Cinema (CAM-R&GB-CINEMA) 1x Canon EF 17-40mm f/4L UsM Ultra Wide Angle Zoom Lens (ef-17-40mm-f4l-usm) 1x Rode NTG2 shotgun microphone (NTG2) 1x Rode WS6 deluxe windshield for NTG2 (WS6) 1x Rode PG2-R pistol grip (PG2-R) 1x Digibroadcast 12inch 3pin XLR cable (12INCHXLR3PIN) *Digibroadcast has put together some bespoke Panasonic packages for our clients based on our own research and surveys and holds the right to protect all of its content © 5.7K Super 35mm Sensor The Panasonic AU-EVA1 contains a newly designed 5.7K Super 35mm-sized (5720 x 3016, approx. 17.25 million pixels) sensor for capturing true cinematic images. By starting at a higher native resolution, the 5.7K sensor yields a higher resolving image when down sampled to 4K, UHD, 2K, and even 720p. The increased colour information results in a finer, more accurate finished image. Dual Native ISO of 800 & 2500 The EVA1 includes dual native ISO like the VariCam 35, VariCam LT and VariCam Pure. Utilising a process that allows the sensor to be read in a fundamentally different way, dual native ISO extracts more information from the sensor without degrading the image. This results in a camera that can switch from a standard sensitivity to a high sensitivity without an increase in noise, or other artifacts. Dual native ISO is allowing cinematographers to use less light on set, saving time and money, as well as allowing for a great variety of artistic choices. V-Log / V-Gamut The ability to capture accurate colours and rich skin tones is a must for any filmmaker. Like the VariCam lineup of cinema cameras, the EVA1 contains V-Log/V-Gamut capture to deliver high dynamic range and broad colours with a capability of creating 14 stops of dynamic range. V-Log has log curve characteristics that are somewhat reminiscent of negative film and V-Gamut delivers a colour space even larger than film. The EVA1 will also import the celebrated colourimetry of the VariCam line. High Frame Rate Recording 4K 60 fps / 2K 240 fps Users can choose between MOV wrapped codecs up to 10-bit 422 even in 4K, as well as AVCHD. Capturing internally in 4K, UHD, 2K, Full HD and HD, the EVA1 offers up to 59.94fps/50fps for 4K/UHD, up to 120fps/100fps for 2K/Full HD, or 240fps/200fps (cropped area) for high-speed capturing. Cinematic Run & Gun Weighing only 1.2Kg (body-only) with a compact form factor (17cm x 13.5cm x 13.3cm) and a removable handgrip, EVA1 can be used for efficient handheld shooting applications and can also be mounted on a drone, gimbal rig, or jib arm for complex yet smooth camera moves. The adjustable handgrip offers several controls, including menu, REC start/stop, iris and two user defined buttons. The LCD monitor features a touch-panel function and allows flexible mounting. Low-Cost Media / SD Card Recording EVA1 records to two SD card slots, with the option to capture footage with Relay Rec (continuous record) or Simul Rec (simultaneous dual record). There’s also one shot record, which enables single frame video for stop motion capture. EF-Mount Lenses The camera utilises a native EF-mount, giving shooters access to the broad EF lens ecosystem, including dozens of cinema-style prime and zoom lenses from numerous manufacturers. E.I.S. & Integrated ND Filters Electronic Image Stabilisation (EIS) is employed to compensate for camera shake and blurring, which will help smooth out handheld or shoulder-mount shots on documentary or run-and-gun projects. Behind the lens mount, an integrated ND filter wheel in 2, 4, and 6 stops allows for precise exposure control. The EVA1 also allows the IR Cut filter to be swung out of the path to the sensor at the push of a button. Unique photographic effects and night vision imagery are possible with this control over infrared. Professional Features As a professional video production tool, the EVA1 offers dual balanced XLR audio inputs with Dolby Audio™* encoding. 4K-capable video outputs in both HDMI and SDI. where each can be adjusted separately, allowing HD to be fed to a viewfinder or other third party monitor while 4K is sent to an outboard recorder or monitor. Timecode In/Out is also supported on the EVA1 unlike some other cameras in its class. With the addition of the AJ-WM50 WIFI adapter, all EVA1 menu functions can be controlled remotely on IOS or Android using the dedicated app.
AU-EVA1 Compact 5.7K Super 35mm Cinema Camera package G
Panasonic PAN-AUEVA1EJ ( PAN/AUEVA1EJ, PAN AUEVA1EJ, PANAUEVA1EJ, pan-aueva1ej) (AU/EVA1, AUEVA1, AU EVA1, au-eva1) Compact 5.7K Super 35mm Cinema Camera package G includes: 1x Panasonic AU-EVA1 Compact 5.7K Super 35mm Cinema Camera (PAN-AUEVA1EJ) 1x Angel Bird AB-MP-EVA1 256GB Match Pack for the Panasonic EVA1 (2 x 128GB) (AB-MP-EVA1) 1x IDX SL-VBD96 7.2V / 70Wh / 9600mAh Lithium Ion Battery (SL-VBD96) 1x Camrade CAM-R&GB-CINEMA run&gunBag Cinema (CAM-R&GB-CINEMA) 1x Canon EF 17-40mm f/4L UsM Ultra Wide Angle Zoom Lens (ef-17-40mm-f4l-usm) 1x Rode NTG2 shotgun microphone (NTG2) 1x Rode WS6 deluxe windshield for NTG2 (WS6) 1x Rode PG2-R pistol grip (PG2-R) 1x Digibroadcast 12inch 3pin XLR cable (12INCHXLR3PIN) 1x Acebil i-605DX tripod (i-605DX) *Digibroadcast has put together some bespoke Panasonic packages for our clients based on our own research and surveys and holds the right to protect all of its content © 5.7K Super 35mm Sensor The Panasonic AU-EVA1 contains a newly designed 5.7K Super 35mm-sized (5720 x 3016, approx. 17.25 million pixels) sensor for capturing true cinematic images. By starting at a higher native resolution, the 5.7K sensor yields a higher resolving image when down sampled to 4K, UHD, 2K, and even 720p. The increased colour information results in a finer, more accurate finished image. Dual Native ISO of 800 & 2500 The EVA1 includes dual native ISO like the VariCam 35, VariCam LT and VariCam Pure. Utilising a process that allows the sensor to be read in a fundamentally different way, dual native ISO extracts more information from the sensor without degrading the image. This results in a camera that can switch from a standard sensitivity to a high sensitivity without an increase in noise, or other artifacts. Dual native ISO is allowing cinematographers to use less light on set, saving time and money, as well as allowing for a great variety of artistic choices. V-Log / V-Gamut The ability to capture accurate colours and rich skin tones is a must for any filmmaker. Like the VariCam lineup of cinema cameras, the EVA1 contains V-Log/V-Gamut capture to deliver high dynamic range and broad colours with a capability of creating 14 stops of dynamic range. V-Log has log curve characteristics that are somewhat reminiscent of negative film and V-Gamut delivers a colour space even larger than film. The EVA1 will also import the celebrated colourimetry of the VariCam line. High Frame Rate Recording 4K 60 fps / 2K 240 fps Users can choose between MOV wrapped codecs up to 10-bit 422 even in 4K, as well as AVCHD. Capturing internally in 4K, UHD, 2K, Full HD and HD, the EVA1 offers up to 59.94fps/50fps for 4K/UHD, up to 120fps/100fps for 2K/Full HD, or 240fps/200fps (cropped area) for high-speed capturing. Cinematic Run & Gun Weighing only 1.2Kg (body-only) with a compact form factor (17cm x 13.5cm x 13.3cm) and a removable handgrip, EVA1 can be used for efficient handheld shooting applications and can also be mounted on a drone, gimbal rig, or jib arm for complex yet smooth camera moves. The adjustable handgrip offers several controls, including menu, REC start/stop, iris and two user defined buttons. The LCD monitor features a touch-panel function and allows flexible mounting. Low-Cost Media / SD Card Recording EVA1 records to two SD card slots, with the option to capture footage with Relay Rec (continuous record) or Simul Rec (simultaneous dual record). There’s also one shot record, which enables single frame video for stop motion capture. EF-Mount Lenses The camera utilises a native EF-mount, giving shooters access to the broad EF lens ecosystem, including dozens of cinema-style prime and zoom lenses from numerous manufacturers. E.I.S. & Integrated ND Filters Electronic Image Stabilisation (EIS) is employed to compensate for camera shake and blurring, which will help smooth out handheld or shoulder-mount shots on documentary or run-and-gun projects. Behind the lens mount, an integrated ND filter wheel in 2, 4, and 6 stops allows for precise exposure control. The EVA1 also allows the IR Cut filter to be swung out of the path to the sensor at the push of a button. Unique photographic effects and night vision imagery are possible with this control over infrared. Professional Features As a professional video production tool, the EVA1 offers dual balanced XLR audio inputs with Dolby Audio™* encoding. 4K-capable video outputs in both HDMI and SDI. where each can be adjusted separately, allowing HD to be fed to a viewfinder or other third party monitor while 4K is sent to an outboard recorder or monitor. Timecode In/Out is also supported on the EVA1 unlike some other cameras in its class. With the addition of the AJ-WM50 WIFI adapter, all EVA1 menu functions can be controlled remotely on IOS or Android using the dedicated app.
AU-EVA1 Compact 5.7K Super 35mm Cinema Camera package H
Panasonic PAN-AUEVA1EJ ( PAN/AUEVA1EJ, PAN AUEVA1EJ, PANAUEVA1EJ, pan-aueva1ej) (AU/EVA1, AUEVA1, AU EVA1, au-eva1) Compact 5.7K Super 35mm Cinema Camera package H includes: 1x Panasonic AU-EVA1 Compact 5.7K Super 35mm Cinema Camera (PAN-AUEVA1EJ) 1x Angel Bird AB-MP-EVA1 256GB Match Pack for the Panasonic EVA1 (2 x 128GB) (AB-MP-EVA1) 1x IDX SL-VBD96 7.2V / 70Wh / 9600mAh Lithium Ion Battery (SL-VBD96) 1x Camrade CAM-R&GB-CINEMA run&gunBag Cinema (CAM-R&GB-CINEMA) 1x Canon EF 17-40mm f/4L UsM Ultra Wide Angle Zoom Lens (ef-17-40mm-f4l-usm) 1x Rode NTG2 shotgun microphone (NTG2) 1x Rode WS6 deluxe windshield for NTG2 (WS6) 1x Rode PG2-R pistol grip (PG2-R) 1x Digibroadcast 12inch 3pin XLR cable (12INCHXLR3PIN) 1x Acebil i-605DX tripod (i-605DX) 1x Sennheiser HD 200 PRO Studio Headphones (507182) 1x Sennheiser Sennheiser ew 100 ENG G4-GB (507638) *Digibroadcast has put together some bespoke Panasonic packages for our clients based on our own research and surveys and holds the right to protect all of its content © 5.7K Super 35mm Sensor The Panasonic AU-EVA1 contains a newly designed 5.7K Super 35mm-sized (5720 x 3016, approx. 17.25 million pixels) sensor for capturing true cinematic images. By starting at a higher native resolution, the 5.7K sensor yields a higher resolving image when down sampled to 4K, UHD, 2K, and even 720p. The increased colour information results in a finer, more accurate finished image. Dual Native ISO of 800 & 2500 The EVA1 includes dual native ISO like the VariCam 35, VariCam LT and VariCam Pure. Utilising a process that allows the sensor to be read in a fundamentally different way, dual native ISO extracts more information from the sensor without degrading the image. This results in a camera that can switch from a standard sensitivity to a high sensitivity without an increase in noise, or other artifacts. Dual native ISO is allowing cinematographers to use less light on set, saving time and money, as well as allowing for a great variety of artistic choices. V-Log / V-Gamut The ability to capture accurate colours and rich skin tones is a must for any filmmaker. Like the VariCam lineup of cinema cameras, the EVA1 contains V-Log/V-Gamut capture to deliver high dynamic range and broad colours with a capability of creating 14 stops of dynamic range. V-Log has log curve characteristics that are somewhat reminiscent of negative film and V-Gamut delivers a colour space even larger than film. The EVA1 will also import the celebrated colourimetry of the VariCam line. High Frame Rate Recording 4K 60 fps / 2K 240 fps Users can choose between MOV wrapped codecs up to 10-bit 422 even in 4K, as well as AVCHD. Capturing internally in 4K, UHD, 2K, Full HD and HD, the EVA1 offers up to 59.94fps/50fps for 4K/UHD, up to 120fps/100fps for 2K/Full HD, or 240fps/200fps (cropped area) for high-speed capturing. Cinematic Run & Gun Weighing only 1.2Kg (body-only) with a compact form factor (17cm x 13.5cm x 13.3cm) and a removable handgrip, EVA1 can be used for efficient handheld shooting applications and can also be mounted on a drone, gimbal rig, or jib arm for complex yet smooth camera moves. The adjustable handgrip offers several controls, including menu, REC start/stop, iris and two user defined buttons. The LCD monitor features a touch-panel function and allows flexible mounting. Low-Cost Media / SD Card Recording EVA1 records to two SD card slots, with the option to capture footage with Relay Rec (continuous record) or Simul Rec (simultaneous dual record). There’s also one shot record, which enables single frame video for stop motion capture. EF-Mount Lenses The camera utilises a native EF-mount, giving shooters access to the broad EF lens ecosystem, including dozens of cinema-style prime and zoom lenses from numerous manufacturers. E.I.S. & Integrated ND Filters Electronic Image Stabilisation (EIS) is employed to compensate for camera shake and blurring, which will help smooth out handheld or shoulder-mount shots on documentary or run-and-gun projects. Behind the lens mount, an integrated ND filter wheel in 2, 4, and 6 stops allows for precise exposure control. The EVA1 also allows the IR Cut filter to be swung out of the path to the sensor at the push of a button. Unique photographic effects and night vision imagery are possible with this control over infrared. Professional Features As a professional video production tool, the EVA1 offers dual balanced XLR audio inputs with Dolby Audio™* encoding. 4K-capable video outputs in both HDMI and SDI. where each can be adjusted separately, allowing HD to be fed to a viewfinder or other third party monitor while 4K is sent to an outboard recorder or monitor. Timecode In/Out is also supported on the EVA1 unlike some other cameras in its class. With the addition of the AJ-WM50 WIFI adapter, all EVA1 menu functions can be controlled remotely on IOS or Android using the dedicated app.
BLACKMAGIC URSA Broadcast G2, BMD-CINEURSAMWC6KG2 (BMD_CINEURSAMWC6KG2, BMD CINEURSAMWC6KG2, BMD/CINEURSAMWC6KG2, CINEURSAMWC6KG2) Professional broadcast camera for HD, 4K & 6K
HDC-2400DF//U 3G Multi-Format HD System Camera
Sony HDC-2400DF//U (HDC2400DF//U, HDC-2400DF//U, hdc-2400df//u) 3G Multi-Format HD System Camera Comes with 2 Years Sony Prime Support Warranty - Beware of grey imports. 3G Multi-Format HD System Camera from Sony The HDC-2400 system camera is part of the HDC-2500 Series - successor to the HDC-1500R Series - and incorporates Sony’s advanced technologies for studio cameras. A 2/3-inch CCD and the Digital Signal Processing (DSP) with 16 bit A/D converter provides amazing picture quality with minimal noise and high dynamic range. Extra functions and enhanced body design The HDC-2400 has a camera body designed for exceptional robustness and operational efficiency. The HDC-2400 also provides more flexibility on transmission due to its side panel that can be easily replaced for HD Wireless (3rd Party) or Triax transmission (availability TBC) systems. 3G capable The HDC-2400 is 3G and a multi-format product (1080/50i,59.94i and 720/50p,59.94p). It can be fully updated to the HDC-2500 by adding option keys (23.97p/25p, 50p/59.94p, 100i/119.88i). Newly developed CCD and DSP The CCD and DSP provides incomparable picture quality due to the new 2/3-inch CCD & 16bit A/D converter, improved S/N Ratio, better low light and highlights handling. This enables more creative capabilities from variety shows to DMC productions and more realistic rendering of sport events. 1080/50P and 3G single link The HDC-2400 offers 3G capability and Beyond 1080/50P,59.94P format using the extra bandwidth: RGB 12bit output for creative shootings, 3D Transmission on one cable, extra fibre length up to 4km, double speed acquisition, gigabit Ethernet Trunk line, and more. High reliability and operational efficiency The HDC-2400 has been designed for being more robust than ever for all kind of shooting conditions of Outside Broadcasters. It new carbon fibre body provides a more solid camera body for less weight and environmental footprint. Compatibility with HDC-1500R Series accessories As the HDC-2400 is fully compatible with HDC-1500R Series cameras, it inherits their very wide choice of peripherals such as viewfinders (HDVF), Remote Control Panels (RCP) and the Sony unique Large Lens Adapters (HDLA) system.
HDC-2570/4E Portable Multi-Format HD System Camera
Sony HDC-2570/4E (HDC2570/4E, HDC/2570/4E, hdc-2570/4e) Portable Multi-Format HD System Camera The HDC-2570 multi-format HD camera features digital triax transmission with a bandwidth that allows the transmission of 1080P or 2xSloMo signals (2x1080i) over triax. Furthermore, digital triax transmission does not suffer from a decrease of SNR (Signal to Noise Ratio) over longer extensions, so the high performance signal quality can be kept over the maximum extension of 1,400m (using 14.5mm triax cable). High quality imaging The HDC-2570 incorporates Sony’s most advanced technologies for studio cameras. Three2/3-inch CCD and Digital Signal Processing (DSP) with 16 bit A/D converter provides amazing picture quality with very few noise and high dynamic range. The HDC-2570 is a full feature part of the HDC-2500 Series and as such hascompatibility with all the accessory items, such as viewfinders, large lens adaptors and remote control units. High quality digital signal transmission over conventional triax cable Existing triax infrastructure can be used with noneed to install additional cables up to distances of 1,400m (using 14.5mm triax cable). Optional 3G fibre transmission or wireless transmission By exchanging the side-cover of the camera, the optional HKC-FB20 provides 3G fibre transmission, while optional third party wireless systems can easily be added to ensure transmission flexibility. It means that the camera can be used in various environments and the investment is future proofed. Supports wide variety of frame rates as a standard 1080i, 720P, 2x Slomo1080i/720P HD frame rates are supported as a standard and can be used by simply pressing a button, with no further upgrade costs. Optional 2xSloMo speed (1080i or 720P) 2xSloMo signal and normal HDTV signal is available as an option in parallel as the output of the CCU.The camera can replace a SuperMotion camera plus a normal speed camera. Dual Filter Wheel with 5 positions each Separate filter control for neutral density (incoming light) and colour temperature provides fine choice of exposure control by ND filters, to control depth-of-field. CC filters allow the adjustment of colour temperature of ambient light. Even shallow depth-of-field control is possible by using the ND filters and there is no increase in noise under high colour temperature conditions due to the use of CC filters. Full compatibility with HDC-2500 Series accessories HDC-2570 is a full feature part of the HDC-2500 Series and as such hascompatibility with all the accessory items, such as viewfinders, large lens adaptors and remote control panels. Advanced CCD and Digital Signal Processing (DSP) The HDC-2750 provides incomparable picture quality due to three 2/3-inch Power HAD FX CCDs and 16-bit A/D converter, improved S/N Ratio, better low light and highlights handling. This enables more creative capabilities from variety shows to DMC productions and more realistic rendering of sport events.
HDC-2570/4M Portable Multi-Format HD System Camera
Sony HDC-2570/4M (HDC2570/4M, HDC/2570/4M, hdc-2570/4m) Portable Multi-Format HD System Camera The HDC-2570 multi-format HD camera features digital triax transmission with a bandwidth that allows the transmission of 1080P or 2xSloMo signals (2x1080i) over triax. Furthermore, digital triax transmission does not suffer from a decrease of SNR (Signal to Noise Ratio) over longer extensions, so the high performance signal quality can be kept over the maximum extension of 1,400m (using 14.5mm triax cable). High quality imaging The HDC-2570 incorporates Sony’s most advanced technologies for studio cameras. Three2/3-inch CCD and Digital Signal Processing (DSP) with 16 bit A/D converter provides amazing picture quality with very few noise and high dynamic range. The HDC-2570 is a full feature part of the HDC-2500 Series and as such hascompatibility with all the accessory items, such as viewfinders, large lens adaptors and remote control units. High quality digital signal transmission over conventional triax cable Existing triax infrastructure can be used with noneed to install additional cables up to distances of 1,400m (using 14.5mm triax cable). Optional 3G fibre transmission or wireless transmission By exchanging the side-cover of the camera, the optional HKC-FB20 provides 3G fibre transmission, while optional third party wireless systems can easily be added to ensure transmission flexibility. It means that the camera can be used in various environments and the investment is future proofed. Supports wide variety of frame rates as a standard 1080i, 720P, 2x Slomo1080i/720P HD frame rates are supported as a standard and can be used by simply pressing a button, with no further upgrade costs. Optional 2xSloMo speed (1080i or 720P) 2xSloMo signal and normal HDTV signal is available as an option in parallel as the output of the CCU.The camera can replace a SuperMotion camera plus a normal speed camera. Dual Filter Wheel with 5 positions each Separate filter control for neutral density (incoming light) and colour temperature provides fine choice of exposure control by ND filters, to control depth-of-field. CC filters allow the adjustment of colour temperature of ambient light. Even shallow depth-of-field control is possible by using the ND filters and there is no increase in noise under high colour temperature conditions due to the use of CC filters. Full compatibility with HDC-2500 Series accessories HDC-2570 is a full feature part of the HDC-2500 Series and as such hascompatibility with all the accessory items, such as viewfinders, large lens adaptors and remote control panels. Advanced CCD and Digital Signal Processing (DSP) The HDC-2750 provides incomparable picture quality due to three 2/3-inch Power HAD FX CCDs and 16-bit A/D converter, improved S/N Ratio, better low light and highlights handling. This enables more creative capabilities from variety shows to DMC productions and more realistic rendering of sport events.
4K 60P/50P PTZ CAMERA SUPPORTING NDI AND SRT Supports high bandwidth NDI for low latency transmission of high-quality 4K 60p/50p video, and SRT for high-quality and stable transmission, and also compatible with 12G-SDI output for use in a wide range of situations, from live streaming of events to studio production. SUPPORTS A WIDE VARIETY OF IP TRANSMISSION PROTOCOLS, INCLUDING NDI High bandwidth NDI that can transmit 4K video at speeds of up to 250 Mbps and full HD video up to 100 Mbps is included to provide high-quality low latency live video transmission with a single LAN cable. High efficiency low bandwidth NDI|HX is also included to enable video transmission at low bitrates. SRT is also supported to maintain stability while transmitting high-quality video, even in unstable network environments. RTMP/RTMPS provides direct streaming to live broadcasting services such as YouTube Live and Facebook Live from the camera. SUPPORTS 4K 60P/50P SHOOTING AND 12G-SDI OUTPUT Supports 4K 60p/50p video at 3840 x 2160 to provide smooth and high-quality shooting of moving images, and a wide variety of output interfaces such as 12G-SDI, 3G-SDI, HDMI, and IP. INCLUDES A WIDE-ANGLE LENS WITH A 74.1° FIELD OF VIEW AND 24X OPTICAL ZOOM A wide angle lens with a horizontal angle of view of 74.1 degrees enables a wide area to be shot from a limited installation space, and 24x optical zoom maintains high image quality at high zoom ratios. This allows shooting in large indoor spaces. SUPPORTS FREED FOR BUILDING AR/VR SYSTEMS FreeD command output enables connection with AR/VR systems. This allows the camera tracking information (pan/tilt/zoom/focus/iris) to be output together with a synchronization signal to easily build systems without an encoder. ADOPTS NEW MECHANICAL PAN/TILT FOR IMPROVED RESPONSIVENESS AND QUIETNESS The inclusion of a Direct Drive mechanism improves the responsiveness of pan/tilt and quietness during pan/tilt operations. In addition to Optical Image Stabilization (OIS), Electronic Image Stabilization (EIS) has been added for the roll direction. This provides stable video shooting even at locations utilizing robotics and rail systems, etc.