148799441 Adaptor Vgp-ac19v46, 3 Pin
Sony 148799441 (148_799441, 148 799441, 148/799441, 148799441) Adaptor Vgp-ac19v46, 3 Pin. Sony Power supply for PXW-X160 - PXW-X180 - VAIO.
Sony 149299424 (149_299424, 149 299424, 149299424, 149/299424) Adaptor. Sony Power supply for PXW-X160 - PXW-X180 (replace 149251131).
149324434 AC Adaptor (AC-UES1230M T)
Sony 149324434 (149_324434, 149 324434, 149324434, 149/324434) AC Adaptor (AC-UES1230M T). Sony Power supply 230V. > 12 V.3 A for PXW-FS5 - PXW-FS7 - PXW-Z190 (AC-UES1230M T).
Sony 176684811 (17_6684811, 17 6684811, 176684811, 17/6684811) Connector Round. Sony Connector, Round TYPE PDW-F350L - RM-B150 - RM-B750.
Sony 182711121 (182/711121, 182_711121, 182711121, 182 711121) Cable and Connector. Sony Cable & connector for NEX-FS100 handle.
Sony 183599331 (183_599331, 183/599331, 183 599331, 183599331) USB Mini Cable. Sony Connection Cord USB 5P - (Spare Parts Replacement Cables).
Sony 183619511 (18_3619511, 18 3619511, 183619511, 18/3619511) DC Out Cable. Sony DC Out cable for power supply BC-U2.
Sony 184866111 (18_4866111, 18 4866111, 184866111, 18/4866111) Coiled Cable Handle. Sony Coiled cable handle for PXW-FS7.
Sony 184867213 (1-848-672-13, 1/848-672-13, 1 848 672 13, 1/848/672/13) Cable, Connection. Sony Parts and Accessories, Sony Professional Parts and Accessories, Sony Cables, PCB Cable Parts and Accessories.
3.5m Extension Head Cable AD1200PRO
Godox GD-EC1200 (GD/EC1200, GD_EC1200, GDEC1200, GD EC1200) 3.5m Extension Head Cable AD1200PRO The 3.5mm Daisy-Chained Extension Power Cable is designed for use with the Godox AD1200Pro to extend its reach from the main power pack. Perfect For This extension cable (Godox EC1200) is a great addition to any photography setup. With a total length of 3.5m, this cable provides extended reach and allows you to position lighting fixtures further away from the head. Ideal for use on a boom arm, truss system, or any other setup. Maximum Flexibility The extension power cable allows for greater flexibility, enabling you to move the powerpack closer to your shooting position or out of sight. This cable also gives you the ability to freely manoeuvre around the set if you are using the AD1200 Pro Ring Flash. Its flexible design and wide range of motion offer you the utmost control and precision, helping you capture the perfect shot. Daisy-Chained Each extension cable features one male connector and one female connector, enabling multiple cables to be connected if you require even more reach (by doing this, you may experience a slight loss of power). The 3.5mm extension power cable allows photographers to experience improved mobility and increased flexibility. With its daisy-chain design, the cable helps avoid tethering photographers to one spot, making it an ideal accessory for use with flash heads, boom stands, and other equipment.
8-pin/8-pin Remote Control Cable, 30 meter
Sony CCA-5-30/1 (CCA-5-30-1, CCA_5_30_1, CCA-5/30/1) 8-pin/8-pin Remote Control Cable, 30 meter Remote control cable for 700 series control panels. Applicable Models: HDCU-1000/1500 Camera Control Unit; CCU-790P/590P Camera Control Unit; RCP-700/701/750/751 Remote Control Panels; MSU-900/MSU-950 Master Setup Unit.
AC-VQV10.CEE AC Adaptor, Charger
Sony AC-VQV10.CEE (AC_VQV10.CEE, ACVQV10.CEE, AC VQV10.CEE, AC/VQV10.CEE) AC Adaptor, Charger. The dual slot Sony AC-VQV10 AC Adaptor/Charger quickly charges Sony V, H, and P Series InfoLITHIUM batteries. The AC-VQV10’s consecutive charging feature automatically starts charging the second battery after the first has completed its cycle. This Adaptor/Charger also gives you the option of seeing the remaining battery life on the built-in LCD.
Andoer D-Tap to DC Power Cable
Andoer D-Tap to DC Power Cable(ANDTAPTODC)
AO-ATOMCAB004 USB to Serial LANC Cable (6.5')
Atomos AO-ATOMCAB004 (AO/ATOMCAB004, AO_ATOMCAB004, AOATOMCAB004, ATOMCAB004, ao-atomcab004) USB to Serial LANC Cable (6.5') The Atomos USB Type-A to Serial LANC Calibration Cable allows you to connect virtually any Atomos monitor or monitor/recorder to a computer for use with select calibration systems. When using the Atomos calibration software, which is provided as a free download for Windows and Mac on the Atomos website, this cable can be used with the X-Rite i1 Display Pro calibration hardware. You can also use optional third-party calibration software, in which case the cable can be used with any calibration hardware compatible with that software, such as Datacolor Spyder systems in many cases. The cable features a USB Type-A connector on one end and has a 2.5mm LANC connector on the other end, making it compatible with almost every Atomos monitor. The cable measure 6.5′ long.
AO-ATOMDTPCB2 D-Tap to DC Locked Connector Barrel Coiled Cable
Atomos AO-ATOMDTPCB2 (AO/ATOMDTPCB2, AO_ATOMDTPCB2, AOATOMDTPCB2, ATOMDTPCB2, ao-atomdtpcb2) D-Tap to DC Locked Connector Barrel Coiled Cable The D-Tap to DC Barrel Coiled Cable from Atomos is a power cable for the Eliminator battery and most recorders.
AtomFlex Pro HDMI 2.0 Micro HDMI to Full HDMI 40cm (80cm extended)
Atomos AO-ATOM4K60C2 (AOATOM4K60C2, AO/ATOM4K60C2, AO ATOM4K60C2, ATOM4K60C2, ao-atom4k60c2) AtomFlex Pro HDMI 2.0 Micro HDMI to Full HDMI 40cm (80cm extended) The AtomFLEX HDMI (Type-A) Male to Micro-HDMI (Type-D) Male Coiled Cable lets you transmit HDMI 2.0 signals between devices and components. The coiled design reduces clutter, and the die-cast metal micro-HDMI (type-D) connector provides a stable connection. This cable supports 4K video at up to 60 fps and HD video at up to 240 fps.
Atomos Locking Micro HDMI Cable 30cm
Atomos Locking Micro HDMI Cable 30cm 4KP60 Locking HDR Micro to Full HDMI 30cm High Speed Cable
Atomos Locking Mini HDMI Cable 30cm
Atomos Locking Mini HDMI Cable 30cm 4KP60 Locking HDR Mini to Full HDMI 30cm High Speed Cable
ATOMOS UltraSync ONE to Red camera timecode/genlock sync cable
ATOMOS UltraSync ONE to Red camera timecode/genlock sync cable(AO-ATOMXCAB06) Atomos UltraSync ONE Timecode/Genlock Y-Cable for RED Camera 4-Pin Sync: Sync timecode and genlock between the UltraSync ONE and a RED camera that has a 4-pin Sync port using this UltraSync ONE Timecode/Genlock Y-Cable from Atomos. This bidirectional Y-cable features DIN and BNC connectors on one end to plug into the UltraSync ONE timecode and genlock ports, and a 4-pin LEMO-type Sync connector on the other end plugs into a RED camera such as the DSMC2 models.
BMD CINEURSANMFRCAM Camera Fiber Converter
Blackmagic BMD-CINEURSANMFRCAM ( CINEURSANMFRCAM, BMDCINEURSANMFRCAM, BMD/CINEURSANMFRCAM, BMD CINEURSANMFRCAM ) Camera Fiber Converter Connect cameras to live switchers up to 2 km away with video, talkback, control and power, all over a single cable Blackmagic Camera Fiber Converter The Blackmagic Camera Fiber Converter attaches to the back of your URSA Mini or URSA Broadcast camera. In addition to converting all of the audio, video, camera control and talkback into fiber, it also adds professional studio camera controls to the back of your camera. You get control for return feeds, dual intercom controls with the ability to mix in program audio, record, focus and iris controls, headset connectors, audio and more. The camera converter also includes a VLock mount plate on the top for attaching accessories such as a professional Blackmagic Studio Viewfinder. The Blackmagic Camera Fiber Converter has connections for your Ultra HD camera feed, 3 HD return feeds, full remote camera control, PTZ, multiple channels of talkback, tally and more. Blackmagic Fiber Converters Extend and fully power cameras up to 2 km away using an open standard SMPTE fiber cable The Blackmagic Camera Fiber Converter and Blackmagic Studio Fiber Converter convert standard television industry connections for video, audio, power, talkback, and tally into a single SMPTE fiber optic cable. This allows cameras to be placed up to 2 km away from a studio or outside broadcast truck using a single convenient and incredibly durable cable. The Blackmagic Camera Fiber Converter also adds familiar broadcast studio camera controls to the rear of the camera, plus additional connections so you can use it with the talkback systems and switchers you already have. The Blackmagic fiber converters feature 12G-SDI and are designed to work with all HD and Ultra HD formats up to 2160p60. Now you can transform professional cameras such as URSA Broadcast and URSA Mini into a complete professional studio camera with all of the features you need for high end work. Place Cameras Anywhere Get cameras much closer to the action If you’re working in a studio or out at a large sporting venue, you often need to place cameras far apart. While SDI connections are common, the limited range of SDI makes it hard to use it over long distances. Traditionally, you would need to run multiple cables and expensive extenders for power, talkback, tally, video and audio. This makes set up incredibly complex and increases the chances of a technical problem. Now you can solve this problem by converting all essential connections and power into a single convenient SMPTE fiber cable that can run incredibly long distances. That means cameras can be placed anywhere and connected back to broadcast trucks parked outside of a venue or back to a central control room in a studio. Best of all, SMPTE fiber is a global broadcast industry standard so you can use cables and connection points that are commonly available. Blackmagic fiber converters are also affordable, so traditional broadcasters, new web broadcasters, AV producers, houses of worship and educators can all use the same high end broadcast technology. SMPTE Fiber for Industrial Strength and Safety Built in multi layer fail safe instantly cuts power to eliminate danger Blackmagic fiber converters work with standard SMPTE 311M hybrid electrical and fiber optic cables with standard SMPTE 304 connectors on each end. These cables feature a 2 way fiber pair, data pair and power pair, along with a central strength member that gives it the needed durability for continuous use. Once plugged in, the Blackmagic Studio Fiber Converter automatically performs safety checks and then powers up, sending an industry standard 200 volts of power over the SMPTE cable for the camera and accessories. This means you can install cameras in remote locations without having to worry about power drops over long distances. Both the studio and camera converters at each end have dedicated micro controllers that continuously monitor power status. The converters communicate with each other to ensure that both a stable optical signal is present and that the power supply is operating within safe parameters. If a damaged cable or a earth leak is detected, the power is instantly shut down to eliminate any danger to personnel. Add Studio Camera Controls Transform broadcast cameras into dedicated studio cameras Studio cameras are typically operated from the rear of the camera, but broadcast cameras usually have controls on the side of the camera. To solve this problem, the Blackmagic Camera Fiber Converter adds support for SMPTE fiber to your camera along with a wide range of controls and features to the rear of the camera, transforming it into a professional studio camera. You get 2 separate broadcast standard 5 pin talkback connections, 3 return video feeds, 2 extra audio inputs, connections for PTZ and trackers, plus additional DC and D-tap outputs for powering accessories. With all these extra controls added to the rear of the camera, you can operate the camera in the same way as traditional studio cameras. 10G Ethernet for IP Video Super fast, low latency ethernet link for video, audio and control The Blackmagic Camera Fiber Converter and the Blackmagic Studio Fiber Converter use IP video because the SMPTE fiber connection is an open standard 10G Ethernet link. That means all of your video and return feeds are IP video based using high end, lossless broadcast quality 10-bit video encoding and decoding. All other connections such as talkback, tally, camera control and lens control are also converted to low latency IP so you get incredibly reliable performance and high quality. Using IP video means the Blackmagic fiber converters are future proof and ready for customization using high speed Ethernet infrastructure in future. Dual Channel Talkback Two dual channel talkback intercoms with backup The Blackmagic Camera Fiber Converter and Blackmagic Studio Fiber Converter provide 2 dual channel digital talkback connections that are compatible with professional 5 pin XLR talkback headsets. The camera converter even has convenient controls for mixing in program return audio with your talkback headset so you can adjust the volume as needed while talking to the rest of the crew. The talkback intercoms can be used for both production and engineering. In addition, there is a backup channel available for troubleshooting in case the fiber link is down. This backup talkback channel automatically switches over and uses the data pair in the SMPTE cable if the fiber is not working. The Blackmagic Camera Fiber Converter also includes a standard 10 pin connection for tracker talkback, which is perfect when both headset connections are in use and you need to feed an additional talkback connection through to your crane operator. Designed for High End Broadcast Durable metal design, high end components and professional connections The Blackmagic Camera Fiber Converter features an extremely durable all metal design that perfectly matches URSA Broadcast, URSA Mini cameras or any camera that supports a standard battery plate. It’s built to withstand the harsh demands of outdoor field production and 24/7 operation. The Blackmagic Camera Fiber Converter features full size standard television industry connections with dust caps, along with an integrated VLock mount plate on top for adding a studio viewfinder. The Blackmagic Studio Fiber Converter is designed so that you can fit two of them side by side in a standard equipment rack using the optional rack mount kit. The optical fiber connector on the Blackmagic Studio Fiber Converter is conveniently located on the front panel, right next to the built in 5 inch LCD, so you can plug remote cameras in and instantly see the feed.
BMD CINEURSANWFRSTUD Studio Fiber Converter
Blackmagic BMD-CINEURSANWFRSTUD ( CINEURSANWFRSTUD, BMDCINEURSANWFRSTUD, BMD/CINEURSANWFRSTUD, BMD CINEURSANWFRSTUD ) Studio Fiber Converter Connect to remote cameras up to 2 km away with multiple channels of video, talkback, control and power all over a single cable Blackmagic Studio Fiber Converter The Blackmagic Studio Fiber Converter is used at the other end of your broadcast camera chain back in the studio or outside broadcast truck. It converts signals from the remote camera back into standard television industry connections that can be used with your live production switchers, audio mixers and talkback interfaces. It features a high capacity power supply to drive the cable so it can provide enough power for your camera and any accessories that you might add. The studio fiber converter includes connections for tally, two dual channel intercoms for industry standard 3rd party talkback systems, and even a backup engineering talkback channel in case the fiber goes down. You get a main Ultra HD camera feed plus 3 independent HD return feeds with full remote camera control, PTZ, tracker talkback and ethernet, all through a single SMPTE fiber cable. Plus, there is a large 5 inch LCD screen right next to the SMPTE fiber connection on the front panel for monitoring signals from the remote camera. This allows for easy patching and verification of the remote camera function. Blackmagic Fiber Converters Extend and fully power cameras up to 2 km away using an open standard SMPTE fiber cable The Blackmagic Camera Fiber Converter and Blackmagic Studio Fiber Converter convert standard television industry connections for video, audio, power, talkback, and tally into a single SMPTE fiber optic cable. This allows cameras to be placed up to 2 km away from a studio or outside broadcast truck using a single convenient and incredibly durable cable. The Blackmagic Camera Fiber Converter also adds familiar broadcast studio camera controls to the rear of the camera, plus additional connections so you can use it with the talkback systems and switchers you already have. The Blackmagic fiber converters feature 12G-SDI and are designed to work with all HD and Ultra HD formats up to 2160p60. Now you can transform professional cameras such as URSA Broadcast and URSA Mini into a complete professional studio camera with all of the features you need for high end work. Place Cameras Anywhere Get cameras much closer to the action If you’re working in a studio or out at a large sporting venue, you often need to place cameras far apart. While SDI connections are common, the limited range of SDI makes it hard to use it over long distances. Traditionally, you would need to run multiple cables and expensive extenders for power, talkback, tally, video and audio. This makes set up incredibly complex and increases the chances of a technical problem. Now you can solve this problem by converting all essential connections and power into a single convenient SMPTE fiber cable that can run incredibly long distances. That means cameras can be placed anywhere and connected back to broadcast trucks parked outside of a venue or back to a central control room in a studio. Best of all, SMPTE fiber is a global broadcast industry standard so you can use cables and connection points that are commonly available. Blackmagic fiber converters are also affordable, so traditional broadcasters, new web broadcasters, AV producers, houses of worship and educators can all use the same high end broadcast technology. SMPTE Fiber for Industrial Strength and Safety Built in multi layer fail safe instantly cuts power to eliminate danger Blackmagic fiber converters work with standard SMPTE 311M hybrid electrical and fiber optic cables with standard SMPTE 304 connectors on each end. These cables feature a 2 way fiber pair, data pair and power pair, along with a central strength member that gives it the needed durability for continuous use. Once plugged in, the Blackmagic Studio Fiber Converter automatically performs safety checks and then powers up, sending an industry standard 200 volts of power over the SMPTE cable for the camera and accessories. This means you can install cameras in remote locations without having to worry about power drops over long distances. Both the studio and camera converters at each end have dedicated micro controllers that continuously monitor power status. The converters communicate with each other to ensure that both a stable optical signal is present and that the power supply is operating within safe parameters. If a damaged cable or a earth leak is detected, the power is instantly shut down to eliminate any danger to personnel. Add Studio Camera Controls Transform broadcast cameras into dedicated studio cameras Studio cameras are typically operated from the rear of the camera, but broadcast cameras usually have controls on the side of the camera. To solve this problem, the Blackmagic Camera Fiber Converter adds support for SMPTE fiber to your camera along with a wide range of controls and features to the rear of the camera, transforming it into a professional studio camera. You get 2 separate broadcast standard 5 pin talkback connections, 3 return video feeds, 2 extra audio inputs, connections for PTZ and trackers, plus additional DC and D-tap outputs for powering accessories. With all these extra controls added to the rear of the camera, you can operate the camera in the same way as traditional studio cameras. 10G Ethernet for IP Video Super fast, low latency ethernet link for video, audio and control The Blackmagic Camera Fiber Converter and the Blackmagic Studio Fiber Converter use IP video because the SMPTE fiber connection is an open standard 10G Ethernet link. That means all of your video and return feeds are IP video based using high end, lossless broadcast quality 10-bit video encoding and decoding. All other connections such as talkback, tally, camera control and lens control are also converted to low latency IP so you get incredibly reliable performance and high quality. Using IP video means the Blackmagic fiber converters are future proof and ready for customization using high speed Ethernet infrastructure in future. Dual Channel Talkback Two dual channel talkback intercoms with backup The Blackmagic Camera Fiber Converter and Blackmagic Studio Fiber Converter provide 2 dual channel digital talkback connections that are compatible with professional 5 pin XLR talkback headsets. The camera converter even has convenient controls for mixing in program return audio with your talkback headset so you can adjust the volume as needed while talking to the rest of the crew. The talkback intercoms can be used for both production and engineering. In addition, there is a backup channel available for troubleshooting in case the fiber link is down. This backup talkback channel automatically switches over and uses the data pair in the SMPTE cable if the fiber is not working. The Blackmagic Camera Fiber Converter also includes a standard 10 pin connection for tracker talkback, which is perfect when both headset connections are in use and you need to feed an additional talkback connection through to your crane operator. Designed for High End Broadcast Durable metal design, high end components and professional connections The Blackmagic Camera Fiber Converter features an extremely durable all metal design that perfectly matches URSA Broadcast, URSA Mini cameras or any camera that supports a standard battery plate. It’s built to withstand the harsh demands of outdoor field production and 24/7 operation. The Blackmagic Camera Fiber Converter features full size standard television industry connections with dust caps, along with an integrated VLock mount plate on top for adding a studio viewfinder. The Blackmagic Studio Fiber Converter is designed so that you can fit two of them side by side in a standard equipment rack using the optional rack mount kit. The optical fiber connector on the Blackmagic Studio Fiber Converter is conveniently located on the front panel, right next to the built in 5 inch LCD, so you can plug remote cameras in and instantly see the feed.
Sony CCA-5-3 (CCA5-3, CCA/5-3, cca-5-3) Camera Control Cable - 3mThe CCA5 cable has 3 shielded pairs; (1) 75ohm coax and (2) conductors for power. Cable assembly uses Hirose style 8 pin connector. (DOESN'T WORK with SONY'S RMB150 Controller, does NOT monitor Video Out)
Control Cable for BVP and HDC Series Cameras
Sony CCA-5-10 (CCA5-10, CCA/5-10, cca-5-10) Control Cable for BVP and HDC Series CamerasThe Sony CCA-5-10 is a control cable that is specifically designed to drive Sony's line of BVP and HDC series cameras. The cable prevents multiple wires from getting tangled or tripped over, providing a clean and efficient means of connectivity.
DJI Ronin 2 ARRI Alexa Mini Power Cable
DJI Ronin 2 ARRI Alexa Mini Power Cable CP ZM 00000060 01 CPZM0000006001 CP.ZM.00000060.01 CP/ZM/00000060/01 The ARRI Alexa Mini Power Cable powers an ARRI Alexa Mini camera by connecting the BAT port on the camera to the 14.4V Accessory Power Port on Ronin 2's tilt axis.
EC2400 5m Extension Cable for P2400
Godox GD-EC2400 (GD/EC2400, GD_EC2400, GDEC2400, GD EC2400) EC2400 5m Extension Cable for P2400 The 5m Extension Cable (EC2400) is designed for use with the Godox P2400 powerpack, to extend the reach of the flash head from the main power pack. Perfect For The extension cable (EC2400) is 5 m in length, giving you more reach than the cable from the head alone. Perfect for use on a boom arm or on truss systems. Maximum Flexibility The 5m extension cable allows for greater flexibility, enabling you to move the powerpack closer to your shooting position or out of sight. This cable also gives you the ability to freely manoeuvre around the set if you or an assistant needs to hand-hold the flash head. Can be Daisy-Chained Each cable features one male connector and one female connector, enabling multiple cables to be connected if you require even more reach (by doing this, you may experience a slight loss of power). The 5m extension cable is an essential accessory for photographers who want to use their flash heads or boom stands or for photographers who want the added freedom and flexibility to move around without being tethered to one spot.
hdmi to hdmi 16" braided cable for on camera monitors
hdmi to hdmi 16" braided cable for on camera monitors (KON-HDMI16_BK, KON/HDMI16_BK, KONHDMI16_BK) Connect your camcorder to your on-camera monitor with the black 16" Braided High-Speed HDMI Cable. It supports 4K 60 Hz and 3D video and features a nylon braid. Suitable for use with Blackmagic Pocket Cinema Cameras, URSA G2 camcorders, and HDR 12G Video Assist monitors
Hybrid Optical Fiber Cable - 250m
Sony CCFN-250//U (CCFN250//U, CCFN/250//U, ccfn-250//u) Hybrid Optical Fiber Cable - 250mThe 820.2' Hybrid Type Optical Fiber Cable from Sony is designed to connect the CA-FB70 optical fiber camera adapter to the HXCU-FB70 power supply extension unit. This cable features opticalCON connectors, which are compatible with LC connectors and offer improved strength and protection against dust. The cable can be combined with other cables for longer cable runs with the CCFN-JC1 coupler (sold separately). Fiber cable with power supply capability opticalCON connectors Designed to connect the CA-FB70 optical fiber camera adapter to the HXCU-FB70 Compatible with the HXC-D70H/K/L SD/HD studio camera kits
Hybrid Optical Fiber Cable - 50m
Sony CCFN-50//U (CCFN50//U, CCFN/50//U, ccfn-50//u) Hybrid Optical Fiber Cable - 50mThe 164' Hybrid Type Optical Fiber Cable from Sony is designed to connect the CA-FB70 optical fiber camera adapter to the HXCU-FB70 power supply extension unit. This cable features opticalCON connectors, which are compatible with LC connectors and offer improved strength and protection against dust. The cable can be combined with other cables for longer cable runs with the CCFN-JC1 coupler (sold separately). Fiber cable with power supply capability opticalCON connectors Designed to connect the CA-FB70 optical fiber camera adapter to the HXCU-FB70 Compatible with the HXC-D70H/K/L SD/HD studio camera kits
MICRO4K Coiled HDMI to Micro-HDMI Cable (24'')
Shape SH-MICRO4K (SH_MICRO4K ,SHMICRO4K, SH/MICRO4K, SH MICRO4K) (MICRO-4K, MICRO/4K) MICRO4K Coiled HDMI to Micro-HDMI Cable (24'') Interface high-definition devices with the MICRO4K Coiled HDMI to Micro-HDMI Cable from SHAPE. For component connections, it features a full-size HDMI connector on one end and a micro-HDMI connector on the other end. This cable is 24" when coiled and can be extended up to 36". Its coiled design allows the cable to work in installations where shorter cables are desired.
MOV-501-101-02-01 Control Cable for MRS-1 to Sony F5, F55
Movcam MOV-501-101-02-01 (MOV501-101-02-01, MOV 501-101-02-01, 501-101-02-01, MOV/501-101-02-01) MOV-501-101-02-01 Control Cable for MRS-1 to Sony F5, F55. The Control Cable from Movcam is to be used for Start / Stop REC control for the Sony F5/F55 from the SCU-1 or MCS-1.
Power-Con 2-pin (male - 45cm - NPF dummy - Ninja V, Shinobi
LR-18 LR18 LR 18 LR/18 This product is an uprated version of our LR-08 NPF dummy battery. LR-18 has been launched to cover some of the more powerful monitors such as the Ninja V and Shinobi. We have used a regulator which is able to handle the power draw required. 45cm cable length
Replacement LEMO Type to XLR Breakout Cable for Shogun
Atomos AO-ATOMCAB016 (AOATOMCAB016, AO/ATOMCAB016, AO ATOMCAB016, ATOMCAB016, ao-atomcab016) Replacement LEMO Type to XLR Breakout Cable for Shogun Lemo to XLR breakout cable for the Shogun Monitor/Recorder.
Ronin 2 ARRI Alexa Mini Start/Stop Cable
Ronin 2 ARRI Alexa Mini Start/Stop Cable CP ZM 00000046 01 CPZM0000004601 CP.ZM.00000046.01 CP/ZM/00000046/01 The ARRI Alexa Mini Start/Stop Cable controls an ARRI Alexa Mini while recording video by connecting the EXT connector on the ARRI Alexa Mini to the RSS port on Ronin 2 's Power Hub.
Ronin 2 RED RCP Control Cable CP ZM 00000053 01 CPZM0000005301 CP.ZM.00000053.01 CP/ZM/00000053/01 The RED RCP Control Cable controls a RED camera by connecting the CTRL port on the camera to the RSS Port on Ronin 2's Power Hub.
Ronin 2 Triple P-TAP Hub CP ZM 00000050 01 CPZM0000005001 CP.ZM.00000050.01 CP/ZM/00000050/01 The Triple P-TAP Breakout Box creates three P-Tap ports on Ronin 2 by connecting the Triple P-TAP Breakout Box to the 14.4 V port on the Power Hub.
Ronin2 Power Cable (2m) CP ZM 00000052 01 CPZM0000005201 CP.ZM.00000052.01 CP/ZM/00000052/01 The Ronin 2 Power Cable allows remote mounting of the Dual TB50 Battery Mount. Connect the power cable from the DC Out port on the Battery Mount to the DC In port on the Ronin 2.
RS-422 9-pin Male to 9-pin Male Serial Control Cable - 16ft
Sony RCC-5G (RCC5G, RCC/5G, rcc-5g) (RS/422, RS_422) RS-422 9-pin Male to 9-pin Male Serial Control Cable - 16ftThe Sony RCC-5GUS is a 9-pin control cable for RS-422A control protocol. The cable is 5 meters long, or about 16 feet.
Single-Mode Fiber Optic Cable - 200m
Sony CCFC-S200 (CCFCS200, CCFC/S200, ccfc-s200) Single-Mode Fiber Optic Cable - 200mThe Sony CCFC-S200 Single-Mode Fiber Optic Cable is a 656' (200m) cable designed to be used with HD pan-tilt-zoom cameras, such as the BRC-Z330, to transmit uncompressed digital data. In conjunction with an HD optical multiplex unit (such as the BRU-SF10), the CCFC-2200 cable can transmit external sync, camera control, and audio signals without deterioration.
Straight Micro HDMI to Micro HDMI Cable (50cm)
Atomos AO-ATOMCAB012 (AOATOMCAB012, AO/ATOMCAB012, AO ATOMCAB012, ATOMCAB012, ao-atomcab012) Full HDMI to Full HDMI Straight Cable (50cm) Atomos straight micro HDMI to micro HDMI cable (50cm).