7Artisans 12mm f/2.8 Lens – Micro Four Thirds Mount,Used

7Artisans 12mm f/2.8 Lens – Micro Four Thirds Mount,used The 7Artisans 12mm f/2.8 is a compact ultra-wide-angle manual focus prime lens designed for Micro Four Thirds mirrorless cameras.  Offering a 24mm full-frame equivalent field of view, this lens is ideal for landscape photography, architecture, interiors, travel, street photography and video production where a wider perspective is required.    Its bright f/2.8 aperture performs well in a variety of lighting conditions while the fully manual design provides precise creative control. Multi-layer coatings help minimise flare and ghosting for improved contrast and colour reproduction.

Atomos Ninja RAW 5" HDMI Recorder with CFexpress

Atomos Ninja RAW HDMI & CFexpress 5-inch monitor-recorder with camera control Atomos Ninja RAW is a compact 5-inch HDR monitor-recorder built for high-quality capture and precise on-set monitoring in filmmaking, broadcast, and content creation. Featuring a bright 1500-nit HDR touchscreen, it delivers excellent visibility in both indoor and outdoor environments. Direct HDMI recording enables Apple ProRes and ProRes RAW capture straight from the camera sensor to CFexpress Type B or external USB-C storage for fast, reliable performance. Ninja RAW supports professional codecs including ProRes RAW, ProRes RAW HQ, ProRes 422, ProRes 422 HQ, and ProRes LT, with seamless compatibility across leading NLE platforms. USB-C camera control (for supported models) provides access to start/stop, ISO, shutter, aperture, and white balance directly from the touchscreen. Advanced monitoring tools include EL Zone™ false colour, waveform, vectorscope, and focus peaking, while creative features such as Onion Skin overlay enable frame-accurate alignment for VFX, animation, and continuity-critical production.   With dual USB-C ports for storage or network adaptors, flexible power options for studio or field use, and a rugged production-ready design, Ninja RAW combines professional monitoring and advanced ProRes RAW recording in a compact, next-generation device.

Atomos Shinobi GO 5-Inch, 1500 NIT, HDR Video & Photo monitor

Atomos Shinobi GO 5-Inch, 1500 NIT, HDR Video & Photo monitor (AOATOMSHB004,ATOMSHB004) Designed at a price-point to appeal to Digital Camera users who have probably never considered using an on-camera monitor before, the expectation is that this monitor will significantly broaden the addressable user-base for Atomos monitors.  It offers a high-quality, daylight viewable monitor at an affordable price.  Shinobi GO provides exactly what photographers and videographers need without compromising on quality, despite its lower cost. And it comes from a brand trusted by professionals worldwide 5-Inch, 1500 NIT, HDR Video & Photo monitor Daylight touchscreen monitor Designed for creators on the move Use tool like waveform monitoring, false colour and focus peaking HDMI In: Supports 4K signals up to 30p, 1080p up to 60p Locking cable adapter

Sony 17" LCD Production Monitor

Sony LMD-A170 (LMD_A170, LMD/A170, LMD A170) 17" LCD Production Monitor The LMD-A170 is a 17-inch LMD-A Series LCD monitor offers Full HD resolution, along with a lightweight and compact design. There is more than a 12% to 22% reduction in mass, 30% reduction in depth, and more than 25% reduction in power consumption, compared to Sony’s previous models. The LMD-A Series offers the same user-interface design, convenient features, functions and operability as PVM-A Series OLED picture monitors. This consistency between the PVM-A and LMD-A Series brings great user benefits when both types of monitor are used in the same network. Furthermore, LMD-A Series monitors provide versatility for a wide range of user applications both in the studio and in the field. These include DC operation, VESA mount and yoke-mount holes, and an optional protection kit. The LMD-A series offers full HD resolution, along with a lightweight and compact design. There is more than a 12% to 22% reduction in mass, 30% reduction in depth, and more than 25% reduction in power consumption, compared to Sony’s previous models. This Series also offers the same user-interface design, convenient features and functions, and operability as PVM-A Series OLED picture monitors. This consistency between the PVM-A and LMD-A Series brings great user benefits when both types of monitor are used in the same network. Furthermore, LMD-A Series monitors provide versatility for a wide range of user applications both in the studio and in the field: DC operation, VESA mount and yoke-mount holes, and an optional protection kit (LMD-A170 only). This broad and powerful professional LCD monitor continues to meet the broadest range of application needs for excellent cost:performance picture monitoring.

Sony 24-inch LCD Production Monitor

Sony LMD-A240 (LMD/A240, LMD_A240, LMD A240) 24-inch LCD Production Monitor The LMD-A240 24-inch LMD-A Series LCD monitor offers Full HD resolution, along with a lightweight and compact design. There is more than a 12% to 22% reduction in mass, 30% reduction in depth, and more than 25% reduction in power consumption, compared to Sony’s previous models. The LMD-A Series offers the same user-interface design, convenient features, functions and operability as PVM-A Series OLED picture monitors. This consistency between the PVM-A and LMD-A Series brings great user benefits when both types of monitor are used in the same network. Furthermore, LMD-A Series monitors provide versatility for a wide range of user applications both in the studio and in the field. These include DC operation, VESA mount and yoke-mount holes. Stylish lightweight and slim body with industry’s widest viewing angle Robust double-coated paint finish and stylish sharp edges chassis. Perfect for group monitoring. More than a 12% to 22% reduction in mass, 30% reduction in depth, and more than 25% reduction in power consumption, compared to Sony’s previous models. It provides cost savings for transportation and power consumption. It also saves space and weight in digital galleries. Latest camera-linkage functions Includes camera and lens metadata display and a Picture and Picture function with side by side, wipe, blending, difference and auto input switching. Ideal for OnSet and live production monitoring. User presets and password protection Secure your monitor settings for greater peace of mind. Five user presets are available. One colour temperature memory USER1 can also be password protected. 2K format display and Dual-Link HD-SDI mode This feature offers a cost effective 2K monitoring solution, ideal for OnSet digital cinematography. In addition, a Dual-link HD-SDI input is available. Multiple monitors firmware upgrade utility Save you time to upgrade simultaneously your monitors through your network.  

Sony 31inch 4K Trimaster HX Professional Master Monitor

Sony BVM-HX310 (BVM_HX310, BVM/HX310, BVM_HX310) 31inch 4K Trimaster HX Professional Master Monitor It’s the 4K HDR monitor professional colourists have been waiting for. An optimal choice for critical colour grading and CG tasks, the BVM-HX310 offers support for industry‑leading wide colour gamuts including DCI‑P3, ITU‑R BT.2020, S‑Gamut3.cine and S‑Gamut3. With consistent, faithful colour reproduction over the entire luminance range, it’s an ideal partner for cinematography production and post production workflow with Sony’s 4K cinematography cameras. Note: BVM‑HX310 does not cover the ITU-R BT.2020, S-Gamut/S-Gamut3 and S-Gamut3.cine colour space in full. Fully realising the advanced performance of the TRIMASTER HX panel, the BVM-HX310 achieves 1,000 nits* of full-screen brightness with 1,000,000:1 contrast ratio. It’s ideal for producing High Dynamic Range (HDR) content with rich, deep black areas and accurate reproduction of bright peak highlights. Together with support for a much wider colour gamut than conventional monitors, the BVM-HX310 can reproduce high-resolution HDR images with images clarity, depth and realism. As well as conventional 2.2, 2.4, 2.6, and CRT gamma, the BVM-HX310 supports standardized Electro-Optical Transfer Functions (EOTF) for HDR such as SMPTE ST.2084 and ITU-R BT.2100 (HLG). Both standards are used to meet the demands of today’s broadcast and cinematography industries. Additional EOTF tables for live and post production environments include 2.4 (HDR), S-Log2 (HDR), S-Log3 (HDR) and S-Log3 (Live HDR) – enabling easy workflows close to that of film while delivering 4K wide dynamic range. Support for VPID (Video Payload ID) identifies EOTF, colour space and RGB source information embedded in the SDI signal. Monitor settings are adjusted automatically, cutting the risk of human error in pressured live production environments. The BVM-HX310 effortlessly keeps pace with today’s production workflows. Integration in the latest system environments is streamlined with a single-cable 12G-SDI input, plus connections for 3G-SDI, HD-SDI including Single Link/Dual Link and HDMI (HDCP2.3/1.4). Easily check the effect of different LUTs while you’re on set or in post. Load customised User LUT (Look Up Table) files from a USB stick for comparison during pre-grading or with a different EOTF. See the effect of different LUTs at the touch of a button. Quad View Display mode allows instant comparison of up to four sets of custom display settings, including EOTF, Colour Space, Transfer Matrix and Colour Temperature, Contrast, Brightness and Chroma. It’s invaluable for comparing original footage with the look of different EOTF converted images. View up to four LUTs side-by-side in Quad View display mode. Minimal processing delays are a critical factor in live production and broadcasting applications. With a processing delay of less than one video frame, the BVM-HX310 is ideally suited to the demands of real time video monitoring. Interlace Display mode offers faithful reproduction of 1080i input signals, free from artefacts and picture degradation that can often occur during I/P conversion. Anyone who’s used the BVM‑X300 master monitor will feel instantly at home with the familiar front control panel of the BVM-HX310. Seven user assignable function buttons are complemented by manual controls for aperture, chroma, brightness, and contrast. Usability is enhanced further with dimmable button lights and on/off switchable indicator lights.

Sony a7S III Mirrorless Camera

Sony ILCE7SM3B.CEC (ILCE-7SM3B.CEC, ILCE7SM3B, ILCE7SM3, ILCE-7SM3, a7s III, ilce7sm3, a7s-iii) α7S III Full-Frame Mirrorless Camera Body For visual trailblazers With extreme full-frame movie performance including high sensitivity (expanded ISO up to 409600), 15-stop wide dynamic range, 4K 120p2, fast and dependable autofocusing, and extra-strong image stabilization, the α7S III again raises the bar for movie makers. Large pixels deliver high sensitivity and low noise The new full-frame 12.1-megapixel3 back-illuminated Exmor RTM CMOS image sensor packs major innovations in light-gathering, wiring and output optimization. These deliver blazing doubled readout speeds, superb image quality throughout the whole sensitivity range, 15-stop4 wide dynamic range, and reduced rolling shutter, with the sensor also providing focal-plane phase-detection AF. Up to 8x more powerful5 BIONZ XRTM image processor Along with the new sensor and its unprecedented speed, the BIONZ XR image processing engine has also been newly developed and packs up to 8x more processing power5. With a future-oriented architecture, it delivers high quality images faster for superlative still and video expression, as well as dramatically improved camera interface responsiveness. Stunning AF performance even at 4K 120p2 The new Exmor R full-frame image sensor and revolutionary BIONZ XR image-processing engine deliver always-active pinpoint AF for astonishing detail in both space and time, and stunning 4K movies even at 120 frames per second2 or in slow motion. With the resolution and depth of field only possible from a full-frame sensor, the results are spectacular. 10-bit 4:2:2 recording Record right on the camera with the amazing richness of 10-bit depth and 4:2:2 color sampling, for far greater flexibility in image grading, post-processing and compositing. All-Intra encoding available As well as Long GOP, All-Intra encoding is now provided. This encodes every frame independently at bitrates up to 600 Mbps, to capture complex motions more accurately for recording on either internal or external media, and allow more efficient editing workflows. [1] All-Intra (All-I) [2] Long GoP [3] Group of Pictures Superior quality and smaller files with XAVC HS The new XAVC HS recording format uses HEVC/H.265 encoding to achieve twice the compression efficiency of AVC/H.264 encoding, for superior image quality and smaller file sizes6. Our renowned sensitivity delivers expanded ISO 409600 The renowned sensitivity of the series scales new heights, with an expanded ISO range for movies from 80 to a remarkable 409600 (standard range 80–102400). With advanced light-gathering and output optimization, the 12.1-megapixel3 full-frame sensor achieves low noise throughout the sensitivity range, and can capture usable images in near-total darkness. S-Log3 gamma, S-Gamut3.Cine gamut as on pro camcorders The S-Log3 gamma curve and S-Gamut3.Cine color gamut, shared with pro camcorders, provide wider dynamic range and easier color matching for smoother post-production workflows.  HLG (Hybrid Log-Gamma) HLG (Hybrid Log Gamma) simplifies HDR production, producing footage for HLG-compatible BRAVIA TVs on the camera with no complex post-production, and smooth gradations from the 10-bit color depth. [1] High flexibility to fine-tune images as desired (color grading required) [2] Instant high-quality image (color grading not required) Image quality improvements The new BIONZ XR image processing engine delivers improvements in color reproduction, stability against different light sources, natural tonal gradation and roll-off, and reduced rolling shutter. 16-bit RAW HDMI output For demanding post-production workflows, 16-bit RAW output7 is available via HDMI connection to compatible external recorders8 while XAVC HS 4K, XAVC S 4K, or XAVC S-I 4K, and proxy files are simultaneously captured in-camera. Efficient editing through proxy recording While recording high-bitrate 4K movies, HD proxies (in 8 or 10-bit depth) can be generated in-camera9. Editing the smaller proxy files reduces computer load and speeds up workflow prior to final 4K delivery. Fast Hybrid AF for accuracy and tenacity The wide-area AF uses intelligent tracking and on-sensor phase-detection covering most of the frame. The result is that every bit of supremely accurate and tenacious AF performance is extracted in combination with high-quality E-mount lenses, even when shooting moving subjects at shallow depths-of-field in 4K and at 120p frame rates2. Powerful focus control for solo shooters With AF Transition Speed selectable over 7 levels, and AF Subject Shift Sensitivity over 5 levels, you can better convey your creative intentions when switching subjects or, for example, rack focusing. A simple touch can temporarily activate AF even during manual focus operation. Real-time Eye AF for movies Real-time Eye AF uses AI to ensure pinpoint focusing precision for eyes, with performance now improved by 30 on profile or partially-obscured faces. Tenacious eye tracking lets you concentrate on composition even with a shallow focus depth.  Real-time Tracking with intuitive touch operation Real-time Tracking analyzes subject color, pattern, depth, and face information to track the subject. Touch Tracking intuitively and automatically tracks a subject touched on the LCD screen.  In-body 5-axis image stabilization A highly accurate image stabilization unit and gyro-sensor are provided, delivering 5-axis optical image stabilization. [1] Yaw [2] Roll [3] Pitch Active Mode for hand-held shooting The new Active Mode11 12 provides increased stabilization for movie shooting. To preserve image quality, the BIONZ XR processor accurately measures camera shake and compensates optically. This makes stable video possible even when shooting hand-held where space restraints prevent gimbal use, while walking, and at 4K resolution12. Digital audio interface for clear sound recording A digital audio interface added to the Multi Interface (MI) Shoe allows direct 24-bit input. Available settings are 48 kHz/16-bit 2-ch, and by using the optional XLR-K3M adaptor kit, 48 kHz/24-bit 2-ch and 48 kHz/24-bit 4-ch. Unique heat dissipation, for dependable recording A unique Sony Σ (sigma) shaped graphite heatsink is built into the image-stabilization unit. This dissipates heat 5x more effectively13 for extended recording time, without interfering with image stabilization. Movie-shooting comfort Responding to feedback from professional users, the MOVIE button has been moved to the top face for improved operability in any shooting position. Mode dial ordering and speed of switching have also been improved. High ISO sensitivity With an amazingly wide standard ISO range of 80–102400 (expandable to 40–409600 for stills), the α7S III offers incredible creative opportunities. The newly-developed image sensor and image processing algorithms produce even cleaner images and more natural textures than the previous α7S II model, even when shooting in near total darkness. Fast Hybrid AF for stills The Fast Hybrid AF system combines speed and precision. With 759 focal plane phase-detection sensors and 425 contrast-detection points distributed across most of the image area, the α7S III quickly finds and tracks your subject throughout the frame. Outstanding continuous shooting performance Use your choice of mechanical or electronic shutter for continuous burst shooting, with AF/AE tracking, at up to 10 fps14. Capture decisive moments with over 1,000 frames of continuous uncompressed RAW shooting possible15. Highly-sensitive AF for low-light focusing AF algorithm advances have allowed the α7S III to achieve autofocus in lighting conditions as dim as EV-616, where subjects are barely even visible with the naked eye. Still-image quality advances through new sensor and engine The newly-developed image sensor and image processing engine deliver improvements in color reproduction, particularly of skin tones, and texture depiction in still images.  New HEIF format and HLG image capture modes17 The HEIF image file format is supported, offering better image quality and greater compression efficiency than JPEG, plus 10-bit color. High Dynamic Range still images can also be captured in HLG mode for viewing on compatible TVs. Two CFexpress Type A-compatible media slots Both card slots support both ultra-fast CFexpress Type A cards, allowing high-bitrate recording and fast buffer clearance, and SDXC UHS-II cards. Parallel and Relay recording are also available. Vari-angle LCD monitor for comfortable movie shooting The variable-angle 1.44 million-dot18 3.0-type touch screen features a side-open design, for flexible positioning and improved visibility when mounting on gimbals or rigs. 9.44 million-dot18 high-definition electronic viewfinder The new EVF offers resolution, contrast and color unlike anything in its class19. It also offers world-leading 0.9x finder magnification20, a 41 ° diagonal field of view, and a 25-mm-high eyepoint. Advanced operability The menu structure has been redesigned to reflect feedback from both pro photographers and videographers. Camera settings are now more intuitive and the camera is more responsive to setting changes. New menu structure Based on requests from our most demanding professional users, major improvements have been made to the menu structure, for improved at-a-glance readability and reduced menu navigation. Intuitive touch operation The menu screen can be operated by touch, while the playback screen features swiping, and pinch-to-zoom. Operability of the touch functions when shooting has also been improved. 5 GHz25 Wi-Fi compatible As well as 2.4 GHz, 5 GHz25 Wi-Fi® connectivity is provided for remote operation, wireless preview, and faster and more stable data transfer of both still images and video. Wired LAN connectivity For complex, interference-prone environments, or higher bandwidth needs, 1000BASE-T wired LAN connectivity is available by connecting a compatible USB-Ethernet adaptor cable to the camera's USB Type C® port. Remote preview and shooting Either wired or wireless remote shooting is available from a PC, or from a mobile device with Imaging Edge MobileTM installed, for more efficient workflows and shooting in challenging environments. Imaging Edge DesktopTM Elevate your photography with Imaging Edge Desktop applications. Use "Remote" to control and monitor shooting live on your PC screen; "Viewer"26 to quickly preview, rate, and select photos from large image libraries; and "Edit" to develop RAW data into high-quality photos for delivery. Get the best from Sony RAW files, and manage your productions more efficiently27. Capture One for Sony Capture One Express (for Sony)28 is free award-winning editing software that provides RAW development, easy management, and powerful editing tools. Capture One Pro (for Sony) is also available for even more editing tools and tethered shooting capability.

Sony FX-6 Alpha Full-frame 4K Cinema Line Camera - Body Only

Sony ILME-FX6 (ILME/FX6, ILME_FX6, ILMEFX6, ILME FX6) Alpha Full-frame 4K Cinema Line Camera - Body Only Sony FX6: Compact Cinema Capture The FX6 Full-Frame Camera from Sony was developed to offer versatile, cine-style imaging in a truly compact form. With the ability to capture up to 15+ stops of dynamic range, Sony's S-Cinetone gamma for filmlike skin tones, and up to 10-bit, 4:2:2 XAVC-I recording, the FX6 is poised to both supplement your FX9 or VENICE capture and to nimbly take on documentary, gimbal, and drone shoots on its own. 4K Full-Frame Exmor R Sensor The FX6 camera combines a 4K full-frame Exmor R sensor with a BIONX XR engine for extremely sensitive capture in a range of settings, using a base ISO of 800 as well as an ISO 12800 high-sensitivity mode for nuanced low-light scenes. This 10.2 MP image sensor features back-side illumination for excellent low-light performance, 627 focal plane points for speedy phase-detection autofocus, and full-frame lens compatibility that produces a rich, immersive look. The sensor's fast scan speed minimizes rolling shutter artifacts and supports high frame rates and quick autofocus responses. Compact, Single-Operator Design Weighing just under 2 lb, the FX6 body is a full 2 lb lighter than the FX9 and measuring 6 x 4.6", it packs a full-frame sensor into a body comparable to the S35-sensor Sony FS5. While the FX6 fits seamlessly into a pro-cine on-set workflow, it also offers several features that are a boon for a single-operator user. These include fast and accurate phase-detection autofocus with both Face Detection and real-time Eye autofocus, both auto and manual ND filter settings for quick exposure compensation, and a 3.5" LCD monitor that boasts time-saving touchscreen access to key menu settings and versatile positioning for comfortable operating. In addition to improving the camera's overall stability, firmware update v1.10 adds 100p and 120p options to the Slow and Quick Motion frame rate menu when the codec is set to RAW or RAW and XAVC-I. Versatile Addition to Sony Cinema Line As part of Sony's Cinema Line, the FX6 shares key imaging features with established cameras like the VENICE and FX9. Common core attributes include a full-frame sensor, filmlike color science, a compact, lightweight form, professional connector interfaces, and advanced autofocus choices. Compared to the FX9, the FX6 differs in several specs; but many FX6 specs tick the same boxes and several improve upon the FX9: It matches the FX9's video capture up to DCI 4K60 Has the same S-Cinetone, S-Log3, and HLG gamma choices  Outputs 16-bit raw like the FX9 Sony E lens mount Offers the same 1/4 to 1/128 ND options Also provides 2-channel XLR audio inputs Wide ISO Range Choose from a base ISO of 800, a high-sensitivity 12,800 ISO for lower-light capture, and a 409,600 maximum ISO for true low-light settings. Electronically Variable ND Filters Shown with Optional Equipment Set the FX6's integrated neutral density (ND) filter system to auto for correctly exposed shots, even in changing light conditions Smoothly adjust the ND filter density manually in increments from 1/4 to 1/128 as you shoot Both options will produce properly exposed images without affecting your chosen depth of field Advanced XAVC Codec Options The FX6 is the first compact, full-frame camera to offer UHD 4K 4:2:2 capture in the high-quality yet efficient XAVC-I codec. It also enables you to choose from a range of professional XAVC Intra and XAVC Long codecs at bit rates ranging from 35 to 600 Mb/s. Expressive Cinematic Look Sony's S-Cinetone gamma curve offers a cinematic look with filmlike color, softer tones, and pleasing skin tone reproduction. Not only is this cinematic look available for in-camera viewing, but it can also be captured and output with minimal or no grading at all for a time-saving post process. The S-Cinetone, S-Log3, S-Gamut3, and S-Gamut3.Cine choices also streamline the process of matching FX6 footage with your VENICE or FX9 video and offer broad color-grading options. Image Stabilization and More with Catalyst and Metadata Pair the FX6 with Sony's Catalyst Prepare/Browse software to use metadata to stabilize your image, automatically rotate gimbal footage, and add flags for easier clip filtering in postproduction. Touchscreen 3.5" LCD Control The FX6's 3.5" LCD monitor offers both high-resolution viewing and the ease of touchscreen camera control. The LCD quick menu controls include key settings like Codec, Imager Scan Mode, Picture Size and Frequency, Base ISO/Sensitivity, Shooting Mode, and Audio Levels. Reliable Design and Construction Constructed with a lightweight yet durable magnesium alloy chassis, the FX6 body offers maximum reliability and efficiently disperses heat to enable extended recording times. Exterior seams, buttons, and interfaces have been treated with updated sealing that improves the camera's dust and moisture resistance as well. 4-Channel Audio Recording The FX6 offers up to 4-channel audio recording by combining sources from the dual XLR inputs, the 2-channel multi-interface shoe input, and the stereo mic built into the camera's top handle. This enables the simultaneous use of an external microphone for recording your main audio source and the built-in microphone for ambient sound and/or voice memos by the operator. CFexpress Media Slots and Multiple Recording Modes The FX6's dual media slots accept both rugged, high-performance, high-capacity CFexpress Type A cards and widely available UHS-II/UHS-1 SDXC cards. Note that the CFexpress Type A cards are required for 100/120 fps UHD 4K capture and 150/180/200/240 fps HD high-speed capture. Modular, Grab-and-Go Design The modular design of the FX6 enables you to pare down to its compact body for gimbal or drone use, or it can be used with separately available accessories, such as a smart grip and smart handle for fingertip control when shooting handheld. A 3.5" LCD screen can be quickly positioned on the camera at multiple locations to provide comfortable, ergonomic viewing.  

Sony ILME-FX3 FX3 Full-frame Cinema Line Camera

Sony ILME-FX3 (ILME/FX3, ILME_FX3, ILMEFX3, ILME FX3, ILMEFX3.CEC, ILME-FX3 Alpha FX3, ilme-fx3) FX3 Full-frame Cinema Line Camera (body only) Sony Alpha FX3 ILME-FX3, the most compact Cinema Line camera was designed for solo-shooting . With the internal cooling system the FX3 can extend the shooting time and will be able to cover a wider range of shooting situations.  It records outstanding 4K full frame quality at up to 120p with minimal rolling shutter, excellent low light capabilities (up to 409,800 ISO) and a wide dynamic range thanks to its 10.2 MP Exmor R CMOS sensor and new Bionz XR processor. It allows for more shooting expressions with the inclusion of S-LOG3 and S-CINETONE picture profiles defining a new era of Cinema line cameras from Sony. The Sony FX3 also provides more freedom for shooting videos with a fast and accurate Autofocus technology including Real-time Eye Autofocus,  Real-time touch tracking and customisable autofocus tracking sensitivity. It also includes a 5axis inbody stabilisation with Active Mode, which makes it ideal for handheld shots. On top of its small form factor, the Sony FX3 includes a detachable top-handle with XLR inputs for professional microphones or audio connections. The idea of a cage with the grip and screw options is already integrated in the body design, which is emphasizing the compact form factor. The Sony Cinema line FX3 is designed for the future of cinematic expressions. FX3 New Cinematic Freedom Sony's FX3 Cinema Line camera brings the visions of passionate content creators to life. Cinematic expression is matched with reliable performance and streamlined operation to serve the needs of today's creative community. Compact and lightweight, it's easy to carry and handle.  Full-frame image capture even in dim light The FX3's full-frame image sensor is coupled with innovative light-gathering techniques to let you capture clear and usable images even in dim light. The standard ISO sensitivity of 80-102400 for movies is expandable all the way up to 409600. Wide dynamic range, wider creative expression The FX3 offers an exceptional 15+ stops1 of dynamic range to handle settings ranging from well-lit interiors and outdoors in mid-day to morning and evening shots. Capture every nuance, and allow for unprecedented cinematic freedom in colour grading. Stunning bokeh and full-frame creativity Capture the scene in cinematic 4K resolution, with the shallow depth of field, stunning bokeh and cinematic freedom made possible with a full-frame sensor. Cinematic colour science of S-Cinetone S-Cinetone colour, developed for Sony’s acclaimed FX9, is the default look on the FX3 for cinematic expression. It's precisely tuned to meet the requirements of today's content creators, with rich colour and natural skin tones that match other Cinema Line cameras without grading.  4K 120fps with every frame in focus Even at high frame rates, detailed 4K imagery is captured thanks to the FX3's high-precision AF and high-speed readout capabilities. Slow and Quick (S&Q) mode gives you full control over the shooting frame rate, for beautiful motion sequences at up to 5x slow motion (with 24p output). 10-bit S-Log3 and HDR recording for smooth gradations S-Log3 gamma curve and S-Gamut3.Cine enable shooting with high-quality colour reproduction over a wide dynamic range, and they make it easy to match up footage with shots from other Cinema Line cameras during post-production. In addition, an HLG (Hybrid Log-Gamma) HDR picture profile enables direct HDR (HLG) playback on compatible TVs with no post-production. 16-bit RAW HDMI output For demanding post-production workflows, 16-bit RAW output3 is available over HDMI connection to compatible external recorders while XAVC HS 4K, XAVC S 4K, or XAVC S-I 4K, and proxy, files are simultaneously captured in-camera. RAW video output is 4264 x 2408 [16:9] resolution, exceeding DCI-4K resolution4. Enjoy rich detail and realistic colour The FX3 is capable of 4K internal recording, 10-bit depth and 4:2:2 colour sampling with All Intra on top of Long-GOP compression. This makes it possible to push your colour grades further while still retaining natural gradation, for true editing freedom.    [1] All-Intra (All-I)   [2] Long-GOP   [3] Group of Pictures Designed for comfortable solo shooting Dependable, highly accurate autofocus The wide-area AF with intelligent tracking uses focal-plane phase-detection for tenacious subject tracking across almost the entire frame5. The Fast Hybrid AF system delivers precise focusing even when shooting at a shallow depth of field and at high frame rates of 120p in 4K (QFHD)2. Sophisticated tracking AF for steady focus Sophisticated tracking features keep your subject in steady focus, so you can concentrate on composition. Real-time Eye AF ensures precise focus on the face and eyes, while Real-time Tracking is powered by Sony's unique AI-based subject recognition algorithms. Smooth transitions and touch focus control The FX3 includes AF Transition Speed in seven settings, to easily create rack focus, and five AF Subject Shift Sensitivity settings, which allows the user to customise how easily AF will switch or stay with the locked-on subject. You can also select the subject you want to focus on simply by touching the LCD monitor. High-performance E-mount lenses for movies Experience smooth, responsive autofocus with Sony's E-mount lenses, with premium optical performance and operability for demanding cinematography applications. The unique linear-drive actuator technology in Sony's E-mount lenses provides smoother, more precise and tenacious AF performance to support your creative endeavors. High-mobility performance wherever you go With its compact size and light weight, the FX3 is designed for high mobility. The attached handle and cage-free accessory mounting holes make for fast setup, fluid shooting and quick pack-down. The main body and covers are constructed from a lightweight magnesium alloy to enhance durability and performance even in challenging environments. Attachable XLR handle A handle equipped with an XLR adaptor with two full size XLR terminals can be attached to the Multi Interface (MI) Shoe on the camera for more comfortable and stable camerawork in difficult shooting situations, such as low-position shots. In-camera image stabilisation Active Mode6,7,8 is an optical in-body 5-axis image stabilisation system that provides increased stabilisation for movie shooting. To preserve image quality, the gyroscope sensor accurately measures camera shake and compensates optically. This makes stable video possible even when shooting hand-held without gimbal use, while walking, and at 4K resolution.  [1, 2] angular shake (pitch and yaw) [3, 4] shift shake (X and Y axes), [5] rotational shake (roll on Z axis) Image stabilisation and easier editing with Catalyst Camera-shake metadata is recorded by the built-in gyro, allowing handheld footage to be smoothed out and stabilised in post-production. Using Sony's Catalyst Browse / Catalyst Prepare desktop application9 you can easily balance automated shake-compensation and image-trimming levels. Catalyst can also make effective use of recorded camera-rotation data. Expandability and operability for content creators Front and rear tally lamps Tally lights on the front and rear of the FX3 indicate whether the camera is recording at any given moment. They are clearly visible to both the camera operator and the person performing in front of the camera. Vari-angle LCD touch-panel monitor The 3.0-type (1.44 million-dot10) LCD touch-screen panel features a side-opening design to allow flexible positioning and improved visibility when the camera is mounted on gimbals. Touch-panel support also provides intuitive menu control for many camera settings. Essential controls for efficient solo shooting In addition to six customisable buttons, frequently used controls are within easy one-handed reach, leaving your other hand free for lens operation or balance. And usability is enhanced by multiple screw holes on the body and handle, allowing accessories to be attached directly. Uninterrupted 4K/60p recording For uninterrupted 4K/60p11 recording, the FX3 is designed with an innovative heat dissipation system. Heatsink placement, airflow structure and a silent cooling fan work to optimise cooling even during long shoots. XLR adaptor and digital input for quality audio In addition to the camera's convenient built-in microphone, a variety of professional microphones can be connected externally via the full-size XLR connectors on the handle through a digital audio interface via Multi Interface (MI) Shoe. Three recording formats can be selected, including 24-bit 4-channel. Digital audio recording is also possible by attaching a digital microphone such as the ECM-B1M even when the handle is not used. Dual high-speed media slots Designed for next-generation filmmaking requirements, CFexpress Type A cards support high bit-rate recording. The camera's slots are ready for CFexpress Type A as well as conventional SDXC UHS-I and UHS-II cards, and having two identical media slots makes relay or backup shooting possible. Remote camera control and network transfer A network connection, via Wi-Fi® or wired via a USB type C connector, provides support for remote control from smartphones or tablets, with either NFC one-touch or manual pairing. Remote shooting can be controlled from a PC with Sony's Imaging Edge Desktop™ application, or from a mobile device with Imaging Edge Mobile™. And captured still and movie files can be transferred using high-speed FTP. Remote preview, shooting and streaming Either wired or wireless remote shooting is available from a PC, or from a mobile device with Imaging Edge Mobile installed, for more efficient workflows and shooting in challenging environments. Imaging Edge Webcam™ enables high-image-quality online video communication.

Sony LMD-2451W 24-inch Monitor

Sony LMD-2451W (LMD2451, LMD2451W) 24-inch Monitor Sony’s LMD-2451W is a 24-inch WUXGA high grade monitor replacing the LMD-2450W.  Designed for demanding broadcast and professional applications the 2451W features a CCFL backlight with a wide colour gamut and high-fidelity colour reproduction. The LMD-2451W is 3G-SDI ready using the BKM-250TG option board and has a 1920 x 1200 resolution with wide viewing angle.  The 2451W display has 1080/60P and 50P 4:2:2 10-bit capability for 3G. An improved wave form monitor increases versatility in the field, offering the ability to support multiple colour standards, including SMPTE-C, EBU, and ITU-R709. The LMD-2451W still features Sony’s ChromaTRU™ colour processing. This technology compensates for variations in LCD colour levels commonly caused by differences in chromaticity coordinates, colour temperature and gamma curves.  

Sony PMW-F55 Compact CineAlta Camera

Sony PMW-F55 (PMW/F55, PMW F55, PM-WF-55, PMWF/55) Compact CineAlta Camerax The Sony PMW-F55 CineAlta 4K Digital Cinema Camera features an 8.9MP Super 35mm image sensor, capable of capturing 4K, 2K and HD resolution video in a variety of formats via the camera's internal recorder. The F55 is among the first digital motion picture cameras with a global shutter, which completely eliminates motion skew and other "rolling" shutter distortions. Sony has designed the F55 as the foundation of an exceptionally versatile, modular system. Optional components¹ of the F55 system include bolt-on recording units, a series of digital viewfinders, and camera support rigs. Notably, the AXS-R5 recorder¹ can be mounted onto the rear of the F55, enabling 4K and 2K 16-bit RAW recording and high speed frame rates of up to 240 fps in 2K². In keeping with Sony's mandate on versatility, the F55 will have a native FZ-mount, which will provide an interface for Sony's SCL-Z18x140³ auto focus servo zoom lens as well as a wide range of lens adapters, such as the included PL-mount adapter. Many digital sensors can match and even surpass traditional motion picture film for resolution and low light image quality, but with approximately 14.3 stops of dynamic range, film has maintained an advantage over most digital sensors. However, the F55's exposure latitude is rated at 14 stops of dynamic range, for truly film-like rendering of highlights and shadows. Moreover, the F55 incorporates the same color filter array technology used in Sony's flagship F65, for a color gamut that is even wider than motion picture film. On-board 4K recording requires high-data rate recording media, and the F55 will use Sony's newly developed SxS PRO+ memory cards. A 128 GB card will provide enough space for approximately 40 minutes of 4K video in the XAVC Intra 422 format. SxS PRO+ cards will also allow on-board recording of 2K video at up to 180 frames per second² as well as SStP 4:4:4 at 440 Mbps when set to RGB. 8.9MP Super 35mm CMOS Image Sensor With 8.9 effective megapixels (11.6 total MP), the Sony 4K CMOS sensor captures a true 4K 4096 x 2160 DCI-standard cinema image. The sensor approximates the size of traditional 2-perf, Super 35mm motion picture film, which allows cinematographers to use their favorite lenses on the F55 without a significant disparity in apparent angle-of-view. Internal 4K/2K/HD Recording The F55 CineAlta camera incorporates high-speed SxS PRO+ memory card recording that allows the choice of 8-bit MPEG-2 HD422 at 50 Mbps, 10-bit XAVC 2K/HD at 100 Mbps, SR Codec 10-bit MPEG4 SStP at 220/440/880 Mbps, and XAVC 4K/QFHD at 300 Mbps. All formats can be recorded at a range of interlace and progressive frame rates. Some recording settings will require a free firmware upgrade. Electronic Global Shutter Traditional CMOS sensors employ what is commonly known as a "rolling shutter." The F55 is among the first digital motion picture cameras with a global shutter, which completely eliminates motion skew and other rolling shutter distortions. Highly Modular Design In addition to the AXS-R5 recorder, a digital interface on the F55 allows for a variety of optional viewfinders. DVF-EL100 is a 0.7" OLED viewfinder with 1280 x 720 resolution. DVF-L350 is a 3.5" LCD viewfinder with 960 x 540 resolution, and the eyepiece flips up for direct monitoring. DVF-L700 is a 7" LCD viewfinder with 1920 x 1080 resolution for monitoring Full HD pixel-for-pixel. Other modular components include the optional Sony shoulder rig, which features industry-standard rosettes on both sides for quick and easy attachment of third-party hand grips and other accessories. Optional AXS-R5 "Bolt-on" Recorder The optional AXS-R5 recorder is designed to dock on the rear of the PMW-F55 and enables 4K and 2K resolution video recording in 16-bit RAW. The AXS-R5 also facilitates high speed frame rates of up to 240 fps in 2K and simultaneous RAW + on-board SxS recording. The recorder uses Sony's newly developed AXSM memory cards, which are compatible with an optional USB 3.0 reader (AXS-CR1). RAW files can be screened using Sony's free RAW Viewer software. (AXS-R5 is sold separately.) Native FZ-Mount and PL-Mount Adapter The F55 is designed to accommodate a wide range of lenses. With the PL-mount adaptor, you can take advantage of acclaimed cine optics from Angénieux, Canon, Carl Zeiss, Cooke, FUJIFILM, Leica and more. Slip off the supplied PL-mount adaptor to reveal the native FZ-mount with an 18mm flange focal distance. The FZ-mount provides an interface for native FZ lenses like Sony's SCL-Z18X140 auto focus servo zoom lens or a range of adaptors for still lenses, including Canon EF, Canon FD, Nikon F, Leica M and more. Dynamic Range Rated at 14 Stops The ability to render a range of exposure values from deepest shadows to brightest highlights is a crucial test of any digital camera. The F55 is capable of an impressive 14 stops of exposure latitude, low-light sensitivity and low noise in the blacks. The digital sensor's dynamic range approaches that of traditional motion picture film. Wider Color Gamut than Film The F55 incorporates the same advanced color filter array technology as Sony's flagship F65, for a color gamut that is even wider than motion picture film. SxS Pro+ Media Cards On-board recording of XAVC 4K and 180 fps XAVC 2K/HD requires high-data-rate recording media. The F55 will use Sony's 64 and 128 GB SxS PRO+ memory cards. A 128 GB card will provide enough space for approximately 40 minutes of 4K video in the XAVC Intra 422 format. Intuitive One-touch Interface Designed with significant input from cinematographers, the F55 features an intuitive interface for a range of controls. Instead of diving through menus, you get direct, one-touch access to key shooting parameters including frame rate, shutter speed, color temperature, ISO sensitivity and gamma. Assignable buttons mean that your favorite adjustments are always at your fingertips. Real-time 4K Output and Other Vital Connections The F55 supports real-time 4K output to a compatible monitor, via four 3G-SDI outputs. There is also HDMI, USB, DC input, a removable XLR audio module and a removable time code/genlock module. The XLR inputs accept balanced analogue signals, provide 48-Volt phantom power and will accept four channels of AES/EBU digital audio with an expected firmware upgrade. Long-life Olivine Battery and Quick Charger   The F55 takes advantage of Sony's BP-FL75 battery pack, which uses Olivine Lithium Iron Phosphate instead of conventional Lithium Ion cathodes. The result is a substantial increase in charge-discharge cycles, compared to previous Sony batteries. The Olivine battery works with Sony's BC-L90 quick charger. The camera is also compatible with Sony's BP-GL95A, GL65A, L80S and L60S batteries, which use the BC-L70 and L160 chargers.  

Sony PTZ Camera Remote Controller

Sony RM-IP500/AC (RM-IP500-AC, RM/IP500/AC, RM-IP500_AC) PTZ Camera Remote Controller This compact remote controller features a high-quality joystick that allows effortless one-handed pan, tilt and zoom adjustments of compatible Sony PTZ remote cameras. Zoom can also be controlled via the joystick or a supplementary seesaw lever; dedicated knobs and control buttons simplify direct access to frequently-needed camera functions. The RM-IP500 simplifies the building of cost-effective multi-camera content creation systems with a wide range of applications - from live events to conference halls, broadcast studios, education institutes and houses of worship. PTZ speed can be adjusted from slow to fast for more polished, professional-looking results. Up to 100* combinations of camera angles and settings can be stored as presets. Trace Memory* allows a sequence of camera moves to be stored and recalled whenever required. Up to 100 compatible Sony BRC or SRG Series PTZ remote cameras can be controlled over a standard IP network. Set-up's simple: the controller automatically assigns IP addresses to connected Sony PTZ cameras on the network, also assigning a camera number to each. Full compatibility is provided with these Sony PTZ remote camera models: BRC-X1000, BRC-H900, BRC-H800, SRG-360SHE. The RM-IP500 is an ideal partner for the Sony MCX-500 Multi-Camera Live Producer, creating a complete IP streaming and SD recording solution for a wide range of content production applications.   * Depends on camera specification. Version up might be required.

Sony PXW-FS7 Mark II 4K XDCAM Super 35mm Camcorder

Sony PXW-FS7M2 (PX-WFS-7M2, PXWFS7M2, PXW/FS7M2, pxw-fs7m2) Mark II 4K XDCAM Super 35mm Camcorder Expanding on the original FS7, Sony's PXW-FS7M2 XDCAM Super 35 Camera System is a flexible 4K camera system. Designed as a camera that is at home on productions as diverse as "Cinéma Vérité"-style documentaries, reality TV, commercial, and corporate applications It features a Super 35mm sized sensor that allows you to capture images with cinematic depth of field. The camera incorporates a stronger locking E-mount that is fully compatible with E-Mount lenses, and supports all electronic connections. The locking mount reduces lens play, and allows you to use most 35mm lenses including PL, EF, Leica, and Nikon via optional adapters. This stronger E-mount is ideal for using heavier-long cine-zooms without the need for additional lens support. Just behind the lens mount sits an electronic variable ND system that provides a clear filter and 3 user definable presets. The variable ND can be adjusted to provide between 2 and 7 stops of ND. The camera can capture footage to optional on-board XQD media cards in either DCI 4K (4096 x 2160) or UHD 4K (3840 x 2160) at up to 59.94 fps or HD at up to 180 fps. The camera records in your choice of XAVC-I, XAVC-L, or MPEG-2. However, MPEG-2 recording does not support the high data rates the camera is capable of generating when shooting in UHD, and is limited to recording HD video only. The camera incorporates Dual XQD media card slots that support simultaneous or relay recording. An ergonomically designed handgrip provides control of many of the camera's functions and features an adjustable length support arm. Sensor The 4K Super 35 EXMOR sensor features 14 Stops of latitude and a wide color gamut. It offers a choice of XAVC or MPEG-2 codecs. The XAVC codec can be used for 4K and HD recording, while MPEG-2 is limited to HD recording. XAVC comes in two flavors, XAVC INTRA, and XAVC Long, allowing you to encode from HD to UHD using Intra-Frame or Long GOP compression with 10-bit 4:2:2 for HD and the choice of 10-bit 4:2:2 or 8-bit 4:2:0 for UHD. XAVC intra compression is very efficient, recording at modest bit rates and XAVC Long also substantially extends the recording time while attaining very high quality and low noise. Signal Processing The Camera supports two signal processing modes; Cine-EI and Custom. Cine-EI offers three color grading spaces for electronic cinematography production. The Custom mode supports Rec-709 and Rec BT-2020 at UHD 3840 x 2160 with Y, Cb, Cr color subsampling. You can set the PXW-FS7M2 to record onboard and monitor on a BT 2020 compliant monitors via HDMI 10-bit 4:2:2 or SDI at 10-bit 4:2:2 with a 709 monitor LUT applied. Locking E-Mount The PXW-FS7M2 is equipped with a locking E-Mount that provides improved stability and strength compared to a standard E-Mount. It features a safety interlock system that helps prevent accidental disengagement of your lens from the camera body. The locking mount also reduces lens play compared to a standard E-Mount and the locking mount is strong enough to support long cine and ENG zooms that normally require a lens support. It accepts optional E-Mount lenses from Sony, Zeiss and other manufacturers. The shallow flange distance of the E-Mount allows you to mount most 35mm lens types such as PL, Canon EF, Leica, Nikon, as well as many others with simple mechanical adapters. Electronic Variable ND Behind the lens mount sits a retractable clear filter. When you engage the internal ND filters, the clear filter retracts and a stepless electronic ND filter drops into place maintaining the proper flange focal distance. You can program the electronic ND filter to act as three individual filters and rotating the filter knob will step between these presets. Additionally, you can manually adjust the density of the filter from 2 to 7 stops. One of the advantages of the electronically variable ND filter is that you can use the iris on your lens to set your depth of field, and then make exposure adjustments with the ND, as it does not introduce any color shift as the strength of the ND changes. Magnesium Construction The camera body is made from magnesium, which is lighter and stronger than aluminum. This allows the camera body to weigh only four pounds. It also incorporates a shoulder pad and is designed to sit on the operator's shoulder by extending the support arm of the SmartGrip, which allows the camera to be held in front of the operator without requiring a support rig. SmartGrip The camera includes an ergonomic handgrip that Sony calls a SmartGrip, which features Zoom, Start/Stop, and Assign controls. The SmartGrip facilitates camera operation with the right hand, leaving the left hand free to operate the lens. Both the arm and handgrip can be positioned at different angles permitting great flexibility, and it has been re-designed for additional extension adjustment. Redesigned Viewfinder and Mic Holder Mount With the PXW-FS7M2 the viewfinder and mic holder mount has been repositioned. The viewfinder and mic holder now attach to a replaceable 15mm rod. This allows you to swap out the included rod with a longer rod (not included), allowing you to move the position of the viewfinder or mic holder relative to the camera. You can adjust the position of the viewfinder so a left-eye shooter can use their left eye, while the camera is resting on their right shoulder. In addition, the viewfinder itself now rides on a square mounting rod that ensures level operation. Internal Recording The PXW-FS7M2 records internally in both DCI 4K and UHD 4K at up to 59.94 fps, and in HD up to 180 fps using XAVC-I or up to 120 fps with XAVC-L. DCI 4K (4096 x 2160) can be recorded internally without the need of an external recorder. Media Card Slots The camera features two XQD media slots that support simultaneous or relay recording. The XQD card slots are shallower on the PXW-FS7M2 compared to the FS7, making inserting and removing media cards easier. Genlock and Timecode Genlock and timecode breakout is available with an optional XDCA-FS7, this also allows for raw and ProRes recording with optional recorders.  

Sony PXW-Z450 4K 2/3-type CMOS sensor advanced shoulder Camcorder

Sony PXW-Z450 (PXWZ450, PXW/Z450, PX-WZ-450, PXW Z450) 4K 2/3-type CMOS sensor advanced shoulder Camcorder The PXW-Z450 4K UHD Shoulder Camcorder from Sony features a single Exmor R CMOS sensor with 3840 x 2160 resolution. The PXW-Z450 camcorder supports the Sony XAVC codec up to 4K UHD, 1080/59.94p and 50p recording, in addition to MPEG and DVCAM formats. In combination with the optional PWS-100RX1 Network RX Station, this camcorder enables simple yet high-quality wireless ENG workflow, providing QoS (Quality of Service)-based live streaming that will save considerable time. The PXW-Z450 Camcorder provides a variety of AV and IT interfaces including four 3G-SDI outputs, as well as RJ-45, and USB 3.0 connection ports. Its built-in wireless function and an HD/SD-SDI input that supports a pool-feed function make it even more convenient for use. This powerful, user-oriented XDCAM Series camcorder meets a broad variety of ENG and studio applications. Image Sensor The camcorder features a single 4K UHD (3840 x 2160) EXMOR R CMOS sensor. The R designation indicates it is a backlit sensor, which means that the circuitry that normally is in the front of the sensor and can limit the light reaching the sensor's photosites, has been moved to the back of the sensor. this has the effect of increasing the sensor's low light performance. Multiple Format Recording The PXW-Z450 Camcorder offers a wide array of recording formats for a variety of applications including ENG, EFP, and studio use. Developed on MPEG-4 AVC/H.264 compression, the XAVC codec provides support for the 4K UHD and Full HD format of XAVC long 4:2:2 1080/59.94p and 50p formats. The camcorder also supports SD video in a variety of resolutions using DVCAM compression. Built-in Wireless Module and ONLINE Button To support effective wireless news production workflows, the PXW-Z450 Camcorder incorporates a built-in wireless capability. It also provides an 'ONLINE' button, located on the inside panel, which lets you instantly switch on functions like Network Client Mode, Auto Proxy Upload, and Live Streaming. Embedded RJ-45 Connector This Ethernet connector provides robust and fast connection to the network and can be utilized for file transfer, live streaming, and camera control from a web browser NFC (Near Field Communication) for Easy Wireless LAN Connection An NFC function supports easy connection for launching the CBM (Content Browser Mobile) application on a smartphone or tablet. This means you can skip cumbersome setup procedures. Optimized Weight Balance Building upon its years of camera design, Sony has shifted the camcorder's center of gravity towards the back of the body to optimize the camcorder's weight balance. Low Power Consumption This camcorder achieves power consumption as low as 24W in normal recording mode. This enables continuous recording operation for approximately 160 minutes with Sony's BP-FLX75 (sold separately) standard-type battery. Supports Full HD OLED Viewfinder Equipped with two types of connectors for a viewfinder interface, the PXW-Z450 Camcorder supports a variety of Sony's viewfinders, including the Full HD OLED HDVF-EL30 and HDVF-EL20, as well as the QHD LCD CBK-VF02. The HDVF-EL30 has a 960 x 540 resolution sub-LCD panel. ONLINE Button for Easy Network Connection The PXW-Z450 Camcorder is equipped with a dedicated ONLINE button. This delivers simple one-touch operation of ON/OFF switching for three network connection functions. Content Browser Mobile (CBM) CBM application software controls the camcorder remotely and is available on both Android and iOS. Network Client Mode You can connect Sony's PWS-100RX1 Network RX Station (sold separately) to send proxy clips or live streaming with Sony's QoS technology. The PXW-Z450 Camcorder can also be controlled remotely by the RX station. Auto Upload (Proxy) Clip files recorded on the camcorder can be transmitted via a network automatically when the recording is finished. XAVC 4:2:0 Long GOP clips are supported. Live Streaming This camcorder can transfer MPEG2-TS (UDP/RTP) to a third-party decoder Three-color LED Indicator The ONLINE button indicates the status (Disabled, Ready, Enabled) in three ways (off, orange, blue). Sony's QoS Technology Sony's unique QoS (Quality of Service) technology minimizes risk of image quality degradation, image freeze, or audio disruption, and helps maintain video and audio integrity during communications. The PWS-100RX1 Network RX Station comes with Sony-original algorithms that automatically adjust bandwidths and buffer sizes to match the characteristics of wireless communications. Sony Advanced Streaming with QoS The Sony QoS Technology improves the clarity that's possible on a single 3G/4G/LTE cellular channel or your own wireless LAN network, or limited communication band of Ethernet. You get better pictures, even given the limitations of real-world networks. The endpoint of Sony's QoS streaming is the versatile PWS-100RX1 Receiver Station. 1 Conventional MPEG2-TS Streaming For maximum flexibility, Sony's XDCAM wireless solutions also support conventional MPEG-TS streaming, so that you can stream to a wide range of receivers, including compatible third-party receivers and decoders. Sony wireless solutions will stream over a wireless LAN network, or over a 3G/4G/LTE cellular network with the appropriate carrier dongle and service. You can also enjoy wired streaming over Ethernet, using the embedded RJ-45 connector, via a router/hub. Flexible file transfer During field shooting news or other time-sensitive content, you can transfer files wirelessly. So, there's no need to wait for the delivery of physical media. The receiving server gets a bit-for-bit clone of the original camera file, with all the original audio, video, and metadata. Simultaneous Recording on Two SxS Cards The PXW-Z450 Camcorder offers a simultaneous recording capability for peace-of-mind productions. Simultaneous recording is available on both SxS card slots as a backup measure. This is within the same codec and with the same operating point in the recording formats such as XAVC-Intra, XAVC-Long, MPEG HD422, or MPEG HD (420). You can also achieve simultaneous recording with a proxy file in all combinations with the above formats recording the proxy to an SD card. GPS Functionality On activation, the built-in GPS receiver module records GPS data in an MXF file and a proxy file, and automatically imposes it on the live streaming signal. It is also useful for tracking shooting locations in post-production and when station-based staffs need to map a crew's location with the PWS-100RX1 Receiver for streaming. Flexible Camera System Operation The CA-FB70 Optical Fiber Camera Adapter or the CA-TX70 Digital Triax Camera Adapter (both sold separately) can be attached to the PXW-Z450 Camcorder for live camera operation. The CA-FB70 Adapter enables the camcorder to transmit signals via an optical fiber cable up to 820' between the CA-FB70 and HXCU-FB70 Optical Fiber Camera Control Unit (CCU) with power and signal transmission. The CA-TX70 Adapter transmits signals via triax cable up to 1968' between the CATX70 and HXCU-TX70 Digital Triax Camera Control Unit. RGB Color LCD Display The PXW-Z450 Camcorder is equipped with an RGB color LCD display on the inside panel. In addition to thumbnail and menu displays, you can see and monitor video reproduction in QHD (960 x 540 pixels) resolution. Other Features Newly developed ALAC (Automatic Lens Aberration Compensation) feature decreases specific patterns of chromatic aberration caused by the lens. The camcorder supports user gamma and Focus Assist function for easier focusing on the viewfinder and provides a graphic bar indicator, while the viewfinder can indicate Waveform, Vector Scope, or Histogram. The Digital Extender function enables images to be digitally expanded two to four times in size without any loss of F-drop image sensitivity.

Sony UWP-D27 Wireless Audio Kit (TV-channel 33-41, 566,025-630,000 MHz)

Sony UWP-D27 Wireless Audio Kit (TV-channel 33-41, 566,025-630,000 MHz) UWP D27 K33 UWPD27K33 UWP-D27-K33 UWP/D27/K33 Wireless Bodypack Microphone Package This package includes a bodypack transmitter, 2-channel portable receiver, lavalier microphone, and accessories. It is easy to use, delivers high-quality sound, and integrates seamlessly with Sony cameras. The UWP-D27 is a complete wireless audio solution, perfect for on-camera interviews, live presentations, and other scenarios where capturing crisp, clear sound with minimal hassle is essential. The ECM-V1BMP omni-directional lavalier microphone connects to the lightweight and compact UTX-B40 bodypack transmitter, which is worn by the interviewee. Audio is transmitted wirelessly to the URX-P41D 2-channel portable receiver, ensuring quick and easy pairing between the transmitter and receiver. An optional Multi Interface Shoe Adaptor simplifies audio recording with compatible Sony cameras and handheld camcorders.

Sony, FX9 6K Camera + ARRI Pro-Set

Sony, FX9 6K Camera + ARRI Pro-Set(8036-K-FH) Realize beautiful 4K imagery with the creative freedom made possible by oversampling a huge high resolution full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh for a truly cinematic look. 15+ stops of dynamic range and Dual Base ISO enable you to capture every nuance, from subtle shadow detail to specular highlights, with an immaculate color palette.