Blackmagic BMD-VHUBSMAS12G1010 Videohub 10x10 12G Video Router

Blackmagic BMD-VHUBSMAS12G1010 (BMD/VHUBSMAS12G1010, BMD_VHUBSMAS12G1010, BMDVHUBSMAS12G1010, BMD VHUBSMAS12G1010) Videohub 10x10 12G Video Router The new Blackmagic Videohub 12G-SDI video routers let you connect all your equipment without creating a complex cable mess! Blackmagic Videohub routers support 12G-SDI so they allow you to connect and route any combination of SD, HD and Ultra HD on the same router at the same time. Plus they have zero latency so are perfect for live production and broadcast! The design features an elegant front panel with LCD for labels and even live video, shortcut buttons and a machined metal spin knob with soft rubber coating that lets you browse video sources. Ethernet is also included so you can remotely control the router using a range of external hardware or software control panels. ELIMINATES COMPLEX CABLE MESS Blackmagic Videohub 12G eliminates cable mess because you can plug all your SDI equipment into the router, then do connections electronically! You don't need complex system diagrams for your studio because you can connect any video input to any video output, or even a single video input to multiple video outputs. This means monitors can view any source in the studio! You get total flexibility to handle constant change or even emergencies. It lets you use multiple HyperDeck recorders for redundant mastering. Or you can route video to multiple streaming processors for all broadcast platforms. Blackmagic Videohub 12G is also great for adding extra inputs to an ATEM switcher! THREE GREAT MODELS Blackmagic Videohub 10x10 12G Advanced 12G-SDI 10x10 zero latency video router which supports any combination of SD, HD and Ultra HD on the router at the same time. Features built in control panel with LCD and machined spin knob, SDI re-clocking and external software control. Blackmagic Videohub 20x20 12G Larger 20x20 zero latency 12G-SDI video router which supports any combination of SD, HD and Ultra HD on the router at the same time. Features built in control panel with LCD and machined spin knob, SDI re-clocking and external software control. Blackmagic Videohub 40x40 12G Largest 40x40 zero latency 12G-SDI video router which supports any combination of SD, HD and Ultra HD on the router at the same time. Features built in control panel with large LCD and machined spin knob, SDI re-clocking and external control. ELEGANTLY DESIGNED FRONT PANEL The built in front control panel lets you route video, so you get the perfect solution for live production racks that don't have the space for extra hardware panels. The front panel is similar to a Videohub Master Control Pro and it features a spin knob for browsing, direct entry buttons for speed and an LCD for displaying labels. However because the panel is built into the router, you can also see live video on the LCD! The LCD also has menus so it lets you change router settings. Shortcut Buttons The shortcut buttons allow direct entry of sources and destinations. They can also be used with the numeric keys. Plus if a button uses a dedicated input label, then they will act like a cut bus! In Button The in button switches the panel over so the spin knob and shortcut buttons will be selecting from the list of input video sources. By rolling the spin knob, you can see all your inputs. Clear Button The clear button is similar to undo and it lets you clear a new routing selection. It's the alternative to the take button, and it will clear the route to retain the current routing without change. LCD for Labels and Video The LCD has large and easy to read labels that show the connection between inputs and outputs. Plus the LCD features live video so you can scroll sources based on viewing the content of the input. Numeric Keypad The numerical keypad has a range of numbers marked 0 through to 9. It allows multiple labels, such as Mon 1, Mon 2, Mon 3 etc. You would select one of the shortcut buttons first and then the number. Out Button The out button switches the panel to selecting the output. Normally you do this first, so you know what output you are going to change. You will then see the current input, before changing it. Take Button The take button is the final conformation that you want to accept the new input selection. This eliminates mistakes! You can also disable the take function for specific outputs for live routing. Spin Knob The spin knob has a machined metal design, soft rubber coating and an electronic clutch. You can scroll labels in alphabetical order and then the clutch will stop the knob at the end of the list. CHANGE ROUTER CROSSPOINTS VISUALLY With a built in LCD, Blackmagic Videohub 12G can show you live video of all your router inputs! This means you can see all router inputs as live video before you change a route. There are also labels displayed below the live video to make it easy to identify the input you are viewing. What this means is you can scroll up and down the router sources in alphabetical order and see each input as live video, even if the inputs are different video standards. Imagine scrolling through your connections while viewing them as live video on the LCD! Plus in portable equipment racks where space is limited, the visual routing means you can see video inputs without adding an external SDI monitor. ADVANCED 12G-SDI FOR SD, HD AND ULTRA HD ROUTING All models of Blackmagic Videohub 12G feature advanced 12G-SDI connections which are multi rate so they support any SD, HD and Ultra HD video format up to 2160p60 and will connect to any SD, HD-SDI, 3G-SDI, 6G-SDI and 12G-SDI equipment. Plus Blackmagic Videohub 12G also supports routing any video standard on the same router at the same time. That means on the 40x40 model you could route up to 40 different video standards at the same time! 12G-SDI gives you high frame rate Ultra HD via a single BNC connection that also plugs into all of your regular HD equipment! With 12G-SDI you get a future proof technology that connects to the equipment you have now and in the future! FEATURES FULL SDI RE‑CLOCKING Videohub includes built in SDI re-clocking on every 12G-SDI input. SDI re-clocking regenerates the video signal for maximum video quality. This is extremely important because longer video cables degrade the signal. Expensive premium "digital" cables can help a little, but still cannot eliminate signal integrity loss due to cable lengths getting longer. With SDI re-clocking all of the SDI devices in your studio receive a regenerated signal with improved jitter performance. That means longer cable lengths, and no drop outs in your video. ADD EXTERNAL HARDWARE CONTROL PANELS All Blackmagic Videohub routers can be remotely controlled, which is vital in large broadcast studios where the equipment connected to the router is located in different areas of the building. There are 2 different types of hardware panel available. The Videohub Master Control Pro is similar to the front panel and has a spin knob, LCD and shortcut buttons. While the Videohub Smart Control Pro model features all buttons and is generally programmed so the panel controls a single router output with each button programmed to a router input. Then you can just cut along the panel buttons to change the router output instantly. It works best when you install a smart panel below each video monitor! GET ROUTER CONTROL ON MAC, WINDOWS AND IPAD If you need external router control that's affordable, then Videohub Software Control is perfect because it can be downloaded free! Videohub Software Control is available for both Mac and Windows, so you can run it on the computers you're already using for creative work. The software features large buttons that are easy to press. Each button can be customized to a router input, a router output, and has an icon assigned to help you identify it visually. The big buttons are great for use on a touchscreen PC, where the software becomes a large screen XY control panel! You can even download a version of the software for the Apple iPad! INCLUDES VIDEOHUB SETUP UTILITY When you first purchase Blackmagic Videohub 12G, all the video inputs and outputs will have simple default labels, however you can customize them to match the equipment you have connected! That’s why the Blackmagic Videohub 12G installer includes Videohub Setup software, which lets you customize the router input and output labels. You can even enable the take button to be used when changing sources, plus the take button can be enabled for each specific video output. The Videohub Setup also lets you program the buttons on the front panel, update the router software, or configure external hardware panels. The software supports Mac and Windows and can be connected via Ethernet or USB. CUSTOMIZE ROUTER CONTROL WITH THE DEVELOPER SDK Videohub includes a free software development kit so developers and system integrators can easily add protocol support for integration into broadcast automation systems. Plus all Videohub routers use a simple text based protocol thats easy to learn. This makes it very simple to create custom control solutions from all computer platforms and even embedded hardware such as Raspberry Pi and Arduino. The protocol can even be used with a Telnet app so you can experiment with controlling the router before you start coding! Plus the protocol is the same one used for the Videohub Software Control so it's well tested and includes all the features needed for complex control apps. LOCALIZED FOR 13 POPULAR LANGUAGES Blackmagic Videohub 12G supports multiple languages so you can customize it to the language you prefer. You get support for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese, Turkish, Polish and Ukrainian. Simply go into the setup menu to set the language, or you can change at any time in the future. Once a language is selected, the menus and the display on the LCD will change to the selected language. However, independent of the language you set, the input and output labels are always unicode so you can customize the labels to a mix of multiple languages! Multiple languages means you can work anywhere in the world and with any local crew! VIDEOHUB FEATURES BETTER IMAGE QUALITY Supports Multiple Formats When you need to work on global events then you need to stay updated with the latest technology and television standards. Videohub gives you support for all 525SD and 625SD, 720HD and 1080HD, and the Ultra HD video standards. Plus you can connect multiple video standards simultaneously! Embedded Audio for Audio and Video The SDI standard includes up to 32 channels of embedded audio included with the SDI video signal. The advantage to embedded audio is that it all connects with a single BNC cable and all audio remains perfectly synchronized to the video. Plus all modern SDI equipment supports embedded SDI audio! Deeper Bit Depth and Colour Precision Videohub is designed to support the highest quality video. 10-bit is the most commonly used standard as colours can be represented more accurately than 8-bit video. You can route 4:2:2 8-bit or 10-bit video in any standard, and it even works with 4:4:4 12-bit SDI up to 2160p30 for feature film!

Blackmagic BMD-VHUBSMAS12G2020 Videohub 20x20 12G Video Router

Blackmagic BMD-VHUBSMAS12G2020 (BMD/VHUBSMAS12G2020, BMD_VHUBSMAS12G2020, BMDVHUBSMAS12G2020, BMD VHUBSMAS12G2020) Videohub 20x20 12G Video Router The new Blackmagic Videohub 12G-SDI video routers let you connect all your equipment without creating a complex cable mess! Blackmagic Videohub routers support 12G-SDI so they allow you to connect and route any combination of SD, HD and Ultra HD on the same router at the same time. Plus they have zero latency so are perfect for live production and broadcast! The design features an elegant front panel with LCD for labels and even live video, shortcut buttons and a machined metal spin knob with soft rubber coating that lets you browse video sources. Ethernet is also included so you can remotely control the router using a range of external hardware or software control panels. ELIMINATES COMPLEX CABLE MESS Blackmagic Videohub 12G eliminates cable mess because you can plug all your SDI equipment into the router, then do connections electronically! You don't need complex system diagrams for your studio because you can connect any video input to any video output, or even a single video input to multiple video outputs. This means monitors can view any source in the studio! You get total flexibility to handle constant change or even emergencies. It lets you use multiple HyperDeck recorders for redundant mastering. Or you can route video to multiple streaming processors for all broadcast platforms. Blackmagic Videohub 12G is also great for adding extra inputs to an ATEM switcher! THREE GREAT MODELS Blackmagic Videohub 10x10 12G Advanced 12G-SDI 10x10 zero latency video router which supports any combination of SD, HD and Ultra HD on the router at the same time. Features built in control panel with LCD and machined spin knob, SDI re-clocking and external software control. Blackmagic Videohub 20x20 12G Larger 20x20 zero latency 12G-SDI video router which supports any combination of SD, HD and Ultra HD on the router at the same time. Features built in control panel with LCD and machined spin knob, SDI re-clocking and external software control. Blackmagic Videohub 40x40 12G Largest 40x40 zero latency 12G-SDI video router which supports any combination of SD, HD and Ultra HD on the router at the same time. Features built in control panel with large LCD and machined spin knob, SDI re-clocking and external control. ELEGANTLY DESIGNED FRONT PANEL The built in front control panel lets you route video, so you get the perfect solution for live production racks that don't have the space for extra hardware panels. The front panel is similar to a Videohub Master Control Pro and it features a spin knob for browsing, direct entry buttons for speed and an LCD for displaying labels. However because the panel is built into the router, you can also see live video on the LCD! The LCD also has menus so it lets you change router settings. Shortcut Buttons The shortcut buttons allow direct entry of sources and destinations. They can also be used with the numeric keys. Plus if a button uses a dedicated input label, then they will act like a cut bus! In Button The in button switches the panel over so the spin knob and shortcut buttons will be selecting from the list of input video sources. By rolling the spin knob, you can see all your inputs. Clear Button The clear button is similar to undo and it lets you clear a new routing selection. It's the alternative to the take button, and it will clear the route to retain the current routing without change. LCD for Labels and Video The LCD has large and easy to read labels that show the connection between inputs and outputs. Plus the LCD features live video so you can scroll sources based on viewing the content of the input. Numeric Keypad The numerical keypad has a range of numbers marked 0 through to 9. It allows multiple labels, such as Mon 1, Mon 2, Mon 3 etc. You would select one of the shortcut buttons first and then the number. Out Button The out button switches the panel to selecting the output. Normally you do this first, so you know what output you are going to change. You will then see the current input, before changing it. Take Button The take button is the final conformation that you want to accept the new input selection. This eliminates mistakes! You can also disable the take function for specific outputs for live routing. Spin Knob The spin knob has a machined metal design, soft rubber coating and an electronic clutch. You can scroll labels in alphabetical order and then the clutch will stop the knob at the end of the list. CHANGE ROUTER CROSSPOINTS VISUALLY With a built in LCD, Blackmagic Videohub 12G can show you live video of all your router inputs! This means you can see all router inputs as live video before you change a route. There are also labels displayed below the live video to make it easy to identify the input you are viewing. What this means is you can scroll up and down the router sources in alphabetical order and see each input as live video, even if the inputs are different video standards. Imagine scrolling through your connections while viewing them as live video on the LCD! Plus in portable equipment racks where space is limited, the visual routing means you can see video inputs without adding an external SDI monitor. ADVANCED 12G-SDI FOR SD, HD AND ULTRA HD ROUTING All models of Blackmagic Videohub 12G feature advanced 12G-SDI connections which are multi rate so they support any SD, HD and Ultra HD video format up to 2160p60 and will connect to any SD, HD-SDI, 3G-SDI, 6G-SDI and 12G-SDI equipment. Plus Blackmagic Videohub 12G also supports routing any video standard on the same router at the same time. That means on the 40x40 model you could route up to 40 different video standards at the same time! 12G-SDI gives you high frame rate Ultra HD via a single BNC connection that also plugs into all of your regular HD equipment! With 12G-SDI you get a future proof technology that connects to the equipment you have now and in the future! FEATURES FULL SDI RE‑CLOCKING Videohub includes built in SDI re-clocking on every 12G-SDI input. SDI re-clocking regenerates the video signal for maximum video quality. This is extremely important because longer video cables degrade the signal. Expensive premium "digital" cables can help a little, but still cannot eliminate signal integrity loss due to cable lengths getting longer. With SDI re-clocking all of the SDI devices in your studio receive a regenerated signal with improved jitter performance. That means longer cable lengths, and no drop outs in your video. ADD EXTERNAL HARDWARE CONTROL PANELS All Blackmagic Videohub routers can be remotely controlled, which is vital in large broadcast studios where the equipment connected to the router is located in different areas of the building. There are 2 different types of hardware panel available. The Videohub Master Control Pro is similar to the front panel and has a spin knob, LCD and shortcut buttons. While the Videohub Smart Control Pro model features all buttons and is generally programmed so the panel controls a single router output with each button programmed to a router input. Then you can just cut along the panel buttons to change the router output instantly. It works best when you install a smart panel below each video monitor! GET ROUTER CONTROL ON MAC, WINDOWS AND IPAD If you need external router control that's affordable, then Videohub Software Control is perfect because it can be downloaded free! Videohub Software Control is available for both Mac and Windows, so you can run it on the computers you're already using for creative work. The software features large buttons that are easy to press. Each button can be customized to a router input, a router output, and has an icon assigned to help you identify it visually. The big buttons are great for use on a touchscreen PC, where the software becomes a large screen XY control panel! You can even download a version of the software for the Apple iPad! INCLUDES VIDEOHUB SETUP UTILITY When you first purchase Blackmagic Videohub 12G, all the video inputs and outputs will have simple default labels, however you can customize them to match the equipment you have connected! That’s why the Blackmagic Videohub 12G installer includes Videohub Setup software, which lets you customize the router input and output labels. You can even enable the take button to be used when changing sources, plus the take button can be enabled for each specific video output. The Videohub Setup also lets you program the buttons on the front panel, update the router software, or configure external hardware panels. The software supports Mac and Windows and can be connected via Ethernet or USB. CUSTOMIZE ROUTER CONTROL WITH THE DEVELOPER SDK Videohub includes a free software development kit so developers and system integrators can easily add protocol support for integration into broadcast automation systems. Plus all Videohub routers use a simple text based protocol thats easy to learn. This makes it very simple to create custom control solutions from all computer platforms and even embedded hardware such as Raspberry Pi and Arduino. The protocol can even be used with a Telnet app so you can experiment with controlling the router before you start coding! Plus the protocol is the same one used for the Videohub Software Control so it's well tested and includes all the features needed for complex control apps. LOCALIZED FOR 13 POPULAR LANGUAGES Blackmagic Videohub 12G supports multiple languages so you can customize it to the language you prefer. You get support for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese, Turkish, Polish and Ukrainian. Simply go into the setup menu to set the language, or you can change at any time in the future. Once a language is selected, the menus and the display on the LCD will change to the selected language. However, independent of the language you set, the input and output labels are always unicode so you can customize the labels to a mix of multiple languages! Multiple languages means you can work anywhere in the world and with any local crew! VIDEOHUB FEATURES BETTER IMAGE QUALITY Supports Multiple Formats When you need to work on global events then you need to stay updated with the latest technology and television standards. Videohub gives you support for all 525SD and 625SD, 720HD and 1080HD, and the Ultra HD video standards. Plus you can connect multiple video standards simultaneously! Embedded Audio for Audio and Video The SDI standard includes up to 32 channels of embedded audio included with the SDI video signal. The advantage to embedded audio is that it all connects with a single BNC cable and all audio remains perfectly synchronized to the video. Plus all modern SDI equipment supports embedded SDI audio! Deeper Bit Depth and Colour Precision Videohub is designed to support the highest quality video. 10-bit is the most commonly used standard as colours can be represented more accurately than 8-bit video. You can route 4:2:2 8-bit or 10-bit video in any standard, and it even works with 4:4:4 12-bit SDI up to 2160p30 for feature film!

Blackmagic BMD-VHUBSMAS12G4040 VIDEOHUB 40X40 12G Video Router

Blackmagic BMD-VHUBSMAS12G4040 (BMD/VHUBSMAS12G4040, BMD_VHUBSMAS12G4040, BMDVHUBSMAS12G4040, BMD VHUBSMAS12G4040) VIDEOHUB 40X40 12G Video Router The new Blackmagic Videohub 12G-SDI video routers let you connect all your equipment without creating a complex cable mess! Blackmagic Videohub routers support 12G-SDI so they allow you to connect and route any combination of SD, HD and Ultra HD on the same router at the same time. Plus they have zero latency so are perfect for live production and broadcast! The design features an elegant front panel with LCD for labels and even live video, shortcut buttons and a machined metal spin knob with soft rubber coating that lets you browse video sources. Ethernet is also included so you can remotely control the router using a range of external hardware or software control panels. ELIMINATES COMPLEX CABLE MESS Blackmagic Videohub 12G eliminates cable mess because you can plug all your SDI equipment into the router, then do connections electronically! You don't need complex system diagrams for your studio because you can connect any video input to any video output, or even a single video input to multiple video outputs. This means monitors can view any source in the studio! You get total flexibility to handle constant change or even emergencies. It lets you use multiple HyperDeck recorders for redundant mastering. Or you can route video to multiple streaming processors for all broadcast platforms. Blackmagic Videohub 12G is also great for adding extra inputs to an ATEM switcher! THREE GREAT MODELS Blackmagic Videohub 10x10 12G Advanced 12G-SDI 10x10 zero latency video router which supports any combination of SD, HD and Ultra HD on the router at the same time. Features built in control panel with LCD and machined spin knob, SDI re-clocking and external software control. Blackmagic Videohub 20x20 12G Larger 20x20 zero latency 12G-SDI video router which supports any combination of SD, HD and Ultra HD on the router at the same time. Features built in control panel with LCD and machined spin knob, SDI re-clocking and external software control. Blackmagic Videohub 40x40 12G Largest 40x40 zero latency 12G-SDI video router which supports any combination of SD, HD and Ultra HD on the router at the same time. Features built in control panel with large LCD and machined spin knob, SDI re-clocking and external control. ELEGANTLY DESIGNED FRONT PANEL The built in front control panel lets you route video, so you get the perfect solution for live production racks that don't have the space for extra hardware panels. The front panel is similar to a Videohub Master Control Pro and it features a spin knob for browsing, direct entry buttons for speed and an LCD for displaying labels. However because the panel is built into the router, you can also see live video on the LCD! The LCD also has menus so it lets you change router settings. Shortcut Buttons The shortcut buttons allow direct entry of sources and destinations. They can also be used with the numeric keys. Plus if a button uses a dedicated input label, then they will act like a cut bus! In Button The in button switches the panel over so the spin knob and shortcut buttons will be selecting from the list of input video sources. By rolling the spin knob, you can see all your inputs. Clear Button The clear button is similar to undo and it lets you clear a new routing selection. It's the alternative to the take button, and it will clear the route to retain the current routing without change. LCD for Labels and Video The LCD has large and easy to read labels that show the connection between inputs and outputs. Plus the LCD features live video so you can scroll sources based on viewing the content of the input. Numeric Keypad The numerical keypad has a range of numbers marked 0 through to 9. It allows multiple labels, such as Mon 1, Mon 2, Mon 3 etc. You would select one of the shortcut buttons first and then the number. Out Button The out button switches the panel to selecting the output. Normally you do this first, so you know what output you are going to change. You will then see the current input, before changing it. Take Button The take button is the final conformation that you want to accept the new input selection. This eliminates mistakes! You can also disable the take function for specific outputs for live routing. Spin Knob The spin knob has a machined metal design, soft rubber coating and an electronic clutch. You can scroll labels in alphabetical order and then the clutch will stop the knob at the end of the list. CHANGE ROUTER CROSSPOINTS VISUALLY With a built in LCD, Blackmagic Videohub 12G can show you live video of all your router inputs! This means you can see all router inputs as live video before you change a route. There are also labels displayed below the live video to make it easy to identify the input you are viewing. What this means is you can scroll up and down the router sources in alphabetical order and see each input as live video, even if the inputs are different video standards. Imagine scrolling through your connections while viewing them as live video on the LCD! Plus in portable equipment racks where space is limited, the visual routing means you can see video inputs without adding an external SDI monitor. ADVANCED 12G-SDI FOR SD, HD AND ULTRA HD ROUTING All models of Blackmagic Videohub 12G feature advanced 12G-SDI connections which are multi rate so they support any SD, HD and Ultra HD video format up to 2160p60 and will connect to any SD, HD-SDI, 3G-SDI, 6G-SDI and 12G-SDI equipment. Plus Blackmagic Videohub 12G also supports routing any video standard on the same router at the same time. That means on the 40x40 model you could route up to 40 different video standards at the same time! 12G-SDI gives you high frame rate Ultra HD via a single BNC connection that also plugs into all of your regular HD equipment! With 12G-SDI you get a future proof technology that connects to the equipment you have now and in the future! FEATURES FULL SDI RE‑CLOCKING Videohub includes built in SDI re-clocking on every 12G-SDI input. SDI re-clocking regenerates the video signal for maximum video quality. This is extremely important because longer video cables degrade the signal. Expensive premium "digital" cables can help a little, but still cannot eliminate signal integrity loss due to cable lengths getting longer. With SDI re-clocking all of the SDI devices in your studio receive a regenerated signal with improved jitter performance. That means longer cable lengths, and no drop outs in your video. ADD EXTERNAL HARDWARE CONTROL PANELS All Blackmagic Videohub routers can be remotely controlled, which is vital in large broadcast studios where the equipment connected to the router is located in different areas of the building. There are 2 different types of hardware panel available. The Videohub Master Control Pro is similar to the front panel and has a spin knob, LCD and shortcut buttons. While the Videohub Smart Control Pro model features all buttons and is generally programmed so the panel controls a single router output with each button programmed to a router input. Then you can just cut along the panel buttons to change the router output instantly. It works best when you install a smart panel below each video monitor! GET ROUTER CONTROL ON MAC, WINDOWS AND IPAD If you need external router control that's affordable, then Videohub Software Control is perfect because it can be downloaded free! Videohub Software Control is available for both Mac and Windows, so you can run it on the computers you're already using for creative work. The software features large buttons that are easy to press. Each button can be customized to a router input, a router output, and has an icon assigned to help you identify it visually. The big buttons are great for use on a touchscreen PC, where the software becomes a large screen XY control panel! You can even download a version of the software for the Apple iPad! INCLUDES VIDEOHUB SETUP UTILITY When you first purchase Blackmagic Videohub 12G, all the video inputs and outputs will have simple default labels, however you can customize them to match the equipment you have connected! That’s why the Blackmagic Videohub 12G installer includes Videohub Setup software, which lets you customize the router input and output labels. You can even enable the take button to be used when changing sources, plus the take button can be enabled for each specific video output. The Videohub Setup also lets you program the buttons on the front panel, update the router software, or configure external hardware panels. The software supports Mac and Windows and can be connected via Ethernet or USB. CUSTOMIZE ROUTER CONTROL WITH THE DEVELOPER SDK Videohub includes a free software development kit so developers and system integrators can easily add protocol support for integration into broadcast automation systems. Plus all Videohub routers use a simple text based protocol thats easy to learn. This makes it very simple to create custom control solutions from all computer platforms and even embedded hardware such as Raspberry Pi and Arduino. The protocol can even be used with a Telnet app so you can experiment with controlling the router before you start coding! Plus the protocol is the same one used for the Videohub Software Control so it's well tested and includes all the features needed for complex control apps. LOCALIZED FOR 13 POPULAR LANGUAGES Blackmagic Videohub 12G supports multiple languages so you can customize it to the language you prefer. You get support for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese, Turkish, Polish and Ukrainian. Simply go into the setup menu to set the language, or you can change at any time in the future. Once a language is selected, the menus and the display on the LCD will change to the selected language. However, independent of the language you set, the input and output labels are always unicode so you can customize the labels to a mix of multiple languages! Multiple languages means you can work anywhere in the world and with any local crew! VIDEOHUB FEATURES BETTER IMAGE QUALITY Supports Multiple Formats When you need to work on global events then you need to stay updated with the latest technology and television standards. Videohub gives you support for all 525SD and 625SD, 720HD and 1080HD, and the Ultra HD video standards. Plus you can connect multiple video standards simultaneously! Embedded Audio for Audio and Video The SDI standard includes up to 32 channels of embedded audio included with the SDI video signal. The advantage to embedded audio is that it all connects with a single BNC cable and all audio remains perfectly synchronized to the video. Plus all modern SDI equipment supports embedded SDI audio! Deeper Bit Depth and Colour Precision Videohub is designed to support the highest quality video. 10-bit is the most commonly used standard as colours can be represented more accurately than 8-bit video. You can route 4:2:2 8-bit or 10-bit video in any standard, and it even works with 4:4:4 12-bit SDI up to 2160p30 for feature film!  

Blackmagic ATEM 4 M/E Constellation 4K

Blackmagic ATEM 4 M/E Constellation 4K(BMD-SWATEMSCN2/2ME4/4K, BMD SWATEMSCN2/2ME4/4K, BMD-SWATEMSCN2/2ME4/4K) Introducing ATEM Constellation, the world’s most powerful HD and 4K live production switchers! These incredibly powerful switchers are available in 4 great models, including a 1 M/E model with 10 inputs, a 2 M/E model with 20 inputs and two massive 4 M/E models with 40 inputs! Plus each SDI input features a full standards converter! ATEM Constellation includes advanced features such as DVEs, ATEM advanced chroma keyers, media players, multiviews, and SuperSource processors! Plus the built in Fairlight audio mixer includes a compressor, limiter, 6 band parametric EQ and expander on each input. The free ATEM Software Control is included, or you can add a 1 M/E, 2 M/E or 4 M/E ATEM Advanced Panel. SERIOUSLY ADVANCED BROADCAST POWER ATEM Constellation switchers feature a compact rack mount design with a built in control panel. This allows operation of the switcher, critical during setup or for emergency use. Also included is a large LCD so you can see program output and change switcher settings via on screen menus. The compact design is perfect for portable live production, with the rear of the switcher including connections for 3G-SDI or 12G-SDI inputs, aux outputs, balanced audio and Ethernet for control. The top 4 M/E models even include RS-422 for serial control and MADI digital audio connections. Even with all this power, ATEM Constellation is extremely quiet with its innovative high efficiency thermal system. 4 POWERFUL MODELS ATEM 1 M/E Constellation HD Powerful 1 M/E live production switcher includes 10 standards converted 3G-SDI inputs, 6 x 3G-SDI outputs, DVE, 4 chroma keyers, a 16 way multiview, media players, talkback and USB webcam output. ATEM 2 M/E Constellation HD The 2 M/E model doubles the features of the 1 M/E model with 20 x 3G‑SDI inputs, 12 x 3G-SDI outputs, 2 DVEs, 8 ATEM Advanced Keyers, 2 multiviews and a SuperSource for a total of 6 DVEs. ATEM 4 M/E Constellation HD The massive 4 M/E model doubles the features of the 2 M/E model with 40 x 3G-SDI inputs, 24 x 3G-SDI outputs, 4 DVEs, 16 ATEM Advanced Keyers, 4 multiviews and 2 SuperSource for 12 x DVEs in total. ATEM 4 M/E Constellation 4K Massive 4 M/E Ultra HD live production switcher with 40 standards converted 12G‑SDI inputs, 24 12G-SDI aux outputs,16 ATEM Advanced Keyers, 4 multiviews and 2 SuperSource for a total of 12 DVEs. DESIGNED FOR MASSIVE LIVE EVENTS With 4 powerful models, ATEM Constellation switchers are ideal for concerts and music festivals because you can place cameras on all areas of the stage for amazing coverage. Even live sports benefit from the huge number of inputs and DVEs let you build multi-layer compositions to cover the action. The fastest way to produce programming is live. With powerful internal graphics and lots of ATEM advanced chroma keyers, you get everything you need for complex program production. ATEM Constellation is also perfect for house of worship programming as it’s big enough to allow professional results, but it’s very simple to learn so it’s easy to train a volunteer crew. TRUE BROADCAST STYLE MIX EFFECTS SWITCHING ATEM Constellation uses a professional "program/preview" style operation, which is the exact same way large broadcasters use live production switchers. This means you are using the same type of switcher used by the television industry. Both the free ATEM Software Control and the optional hardware ATEM Advanced Panels will allow program/preview style switching. This means you can select a source on the preview bus to ensure it’s correct before pushing the CUT or AUTO button to switch it on air. This 2 step program/preview process means far fewer mistakes. Program/preview operation means ATEM Constellation is the best solution for training students for a career in broadcast television. FULL FRONT PANEL CONTROL With a control panel built into the front panel, you can simply walk up and operate the ATEM Constellation at any time. ATEM Constellation has similar features to ATEM Mini, so it’s a fantastic upgrade when you need a bigger switcher. Plus the front panel control buttons are the same premium type used on full sized panels so they are extremely reliable. You can even control keyers, media and fade to black from the front panel. There is an industry standard 5 pin talkback headset connector on the front panel, with controls for talkback control. Plus the front panel LCD and menu buttons also allow almost every single operational feature of the switcher to be accessed. UP TO 40 STANDARDS CONVERTED SDI INPUTS. The ATEM Constellation family features HD models that have up to 40 independent 3G-SDI inputs as well as a 4K model with 12G-SDI inputs, with each input featuring its own dedicated up and cross converter. That means it’s possible to convert any 1080p input source to the video standard of the switcher. That means you could have each switcher SDI input running a different television standard and all the inputs will just work. On the ATEM 4 M/E Constellation models, you can even loop out audio channels 1, 2, 3 and 4 from SDI inputs 1 to 30 to the two MADI digital audio outputs, so you can hand off the switcher input audio to an external audio engineer for mixing. UP TO 24 CUSTOMIZABLE SDI OUTPUTS The ATEM Constellation family has a massive number of fully independent outputs. Even the small 1 M/E model has 6 x 3G-SDI outputs. The 2 M/E model has 12 x 3G-SDI outputs and the 4 M/E models have either a massive 24 x 3G-SDI or 12G-SDI outputs. These SDI outputs are very powerful because you can independently route any SDI input or any internal source to each SDI output. That’s perfect for running independent feeds to stage screens, master recorders and streaming processors. Or use the SDI outputs for ISO recorders, where each deck will get a resynchronized switcher input with matching timecode. All SDI outputs contain program audio, RP-188 timecode, SDI camera control, tally and talkback. USB WEBCAM OUTPUT FOR VIDEO SOFTWARE For live streaming, the USB-C connection on ATEM Constellation operates as a webcam source. That means you can plug into a computer and get working with any video software. The software is tricked into thinking the ATEM Constellation is a common webcam, but it's really a live production switcher. That guarantees full compatibility with any video software in full resolution 1080HD quality. Choose any software you like, such as Zoom, Microsoft Teams or Skype for a new way to do presentations with a professional multi camera broadcast quality style. The ATEM Constellation webcam output also works with streaming software such as Open Broadcaster, XSplit Broadcaster and more. CHOOSE FROM HARDWARE OR SOFTWARE CONTROL PANELS All ATEM switchers feature a wide range of hardware and software control options, plus it’s possible to share control panels between all ATEM models for different events. Included with ATEM Constellation is a free software based control panel for Mac and Windows. The software connects to the switcher via Ethernet or USB and you can control the switcher, upload media, mix audio and control cameras. Then, when you need more power, you can add an ATEM Advanced Panel for professional switching or an ATEM Camera Control Panel for controlling cameras. There's even an ATEM developer SDK so you can build your own custom automation control solution. INCLUDES MULTIVIEW WITH LABELS, TALLY AND METERS The built in multiview lets you monitor multiple sources on a single monitor. The 1 M/E model includes 1 multiview, the 2 M/E model has 2 independent multiviews and the 4 M/E models have 4 independent multiviews. All external SDI inputs, plus all internal video sources can be routed to any view. All multiviews are fully customizable and can be independently set to 4, 7, 10, 13 or 16 simultaneous views. That’s up to 32 views in total on the 2 M/E model and a massive 64 views across 4 monitors with the 4 M/E models. You can add the tally border plus source label and VU meters as an overlay on each view. Plus a red and green border will show tally on each view, so you know what sources are on air. BROADCAST TRANSITIONS, DVE, STINGERS AND MORE. ATEM Constellation includes a wide range of broadcast quality native transitions such as mix, dip, wipe, and more. All transitions can be customized in the system control menus with adjustments for border color, border width, position, direction and a lot more. The ATEM Constellation switcher includes a powerful digital video effects processor for DVE transitions, which can be used to squeeze the current picture off screen revealing a new video under it. The DVE can even be used to create graphic wipe transitions. To eliminate errors, ATEM Constellation features a preview transition feature so you can setup your transitions before you switch it on air. BUILT IN DVE FOR VIDEO EFFECTS ATEM Constellation features up to 4 independent DVEs, depending on the model, that let you reposition graphics and create picture in picture compositions. You get amazing quality and the DVE supports position, resize and scale, all in real time. The DVE lets you create professional picture in picture effects with customizable 3D borders, shadows and lighting. DVEs can also be used to create amazing DVE transitions with squeeze and swoosh effects for adding excitement to your programming. You can even combine DVE transitions with custom graphics to create your own graphic wipe transitions. Then the 2 and 4 M/E models include SuperSource processors for even more DVEs. PROFESSIONAL BROADCAST TALKBACK To keep crews working as a single creative team, ATEM Constellation features built in talkback. Talkback supports a 5 pin XLR headset connector, plus a rear mounted RJ12 connector for interfacing with industry standard talkback systems such as ClearCom or RTS. You get full talkback control including program and engineering loops, sidetone control for hearing the headset mic into the headphones and program mix. ATEM Constellation also supports SDI talkback that uses SDI channels 15 and 16 for 2-way communication with Blackmagic Design cameras. You can even use channels 13 and 14 for engineering talkback. It’s even possible to mix the talkback mic into the program audio for voiceovers. INTERNAL MEDIA FOR STILLS AND MOTION GRAPHICS The built in media pool stores broadcast quality RGBA graphics and animations that can be played back instantly by the 2 or 4 media players. Media players simply appear as additional input sources on the ATEM Constellation, so you don’t have to use extra SDI inputs for graphics. The built in media pool holds graphics for use with the media players and the 1 M/E model can hold 20 stills and 200 frame animations, the 2 M/E model can hold 40 stills and 400 frame animations and the 4 M/E models can hold 60 stills and up to 400 frame animations. You can easily manage all of your media using the included ATEM Software Control or download directly from Photoshop using the ATEM Photoshop plug-in. INCLUDES NEW ATEM ADVANCED CHROMA KEYS For news or virtual set work, ATEM Constellation is perfect as it features lots of ATEM advanced keyers for high quality chroma or luminance keying. The chroma keyer is incredibly powerful and features a color picker to sample background colors for automatic generation of the key parameters. You get precise controls for edge and flare, and there is even a foreground color corrector so you can match the "look" of the foreground layer to the background layer making seamless compositions possible. The keyer can also be used for pattern and DVE keying. You get 4 ATEM Advanced Keyers on the 1 M/E model, 8 ATEM Advanced Keyers on the 2 M/E model and 16 ATEM Advanced Keyers on the 4 M/E models. CREATE AMAZING VIRTUAL SETS With 4 upstream chroma keyers per M/E row, you get the perfect solution for building virtual sets. With so many ATEM advanced chroma keyers, you can use a keyer per camera to create a seamless composition of the camera over the custom background. Even the 1 M/E model has enough keyers to generate a 4 camera virtual set. You can use external image processors for virtual sets, or you can even build a fixed camera virtual set by loading pre rendered still image backgrounds from the media players and media pool. You can setup macros to change cameras and load the correct background into the media players. With so much flexibility, you can experiment to try out different studio setups. POWERFUL SUPERSOURCE PROCESSING. In addition to the DVEs in the M/E rows, the 2 M/E and 4 M/E models include powerful SuperSource multi layer processors with 4 extra DVE layers plus a background layer, that all appear to ATEM Constellation as an additional input source. Any switcher video input can be used for each SuperSource DVE, then it’s all layered together over a media pool custom background. SuperSource is just like having an extra multi-layer VFX switcher built in. SuperSource is perfect for doing picture in picture displays for interviews because you can set up the effect while keeping the main DVEs free for other tasks. The ATEM 4 M/E Constellation models even have 2 completely independent SuperSource processors. MULTI RATE SDI FOR HD AND ULTRA HD VIDEO STANDARDS With up to 40 multi rate SDI input connections, depending on the model, the ATEM Constellation is compatible with all types of video sources. You can connect equipment in HD or Ultra HD television standards including 720p, 1080i,1080p and 2160p formats. Only multi rate SDI allows switching between formats so you can instantly adapt to the needs of the job you are doing anywhere in the world. The SDI inputs will also handle embedded audio and mix audio from all video inputs. The program outputs include talkback, tally and camera control information. So you can connect any of the switcher SDI outputs back to the camera for program return, camera control, and talkback. THE FIRST SWITCHER WITH TRULY PROFESSIONAL AUDIO ATEM Constellation is the world’s first live production switcher that fully embraces live professional audio production. All SDI inputs are connected to a built in Fairlight audio mixer that features 6 band parametric EQ, compressor, limiter, noise gate and expander on each input. On the ATEM 4 M/E Constellation models there are 2 MADI outputs for breaking out channels 1, 2, 3 and 4 of the first 30 SDI inputs out to an external audio engineer, plus a MADI input for allowing an extra 32 external audio channels in to the audio mixer. The Fairlight audio mixer even has additional inputs for mixing audio from analog inputs, talkback microphones for voice over and more. PROFESSIONAL FAIRLIGHT AUDIO MIXER With a built in Fairlight audio mixer, the ATEM Constellation makes it possible to do extremely complex live sound mixing. The internal mixer has up to 156 input channels, for the biggest audio mixer in a live production switcher. Audio is de-embedded from all the SDI video inputs and passed to the audio mixer. Then the 4 M/E models have extra audio mixer input channels for the MADI audio inputs. Each input channel features the highest quality 6 band parametric EQ and compressor, limiter, expander and noise gate as well as full panning. All this audio power can be controlled via the ATEM Software Control or a Mackie compatible panel. INCLUDES FREE SOFTWARE CONTROL PANEL The ATEM Software Control Panel gives you total control over your switcher and is included free. The ATEM Software Control Panel features a beautifully designed interface with a visual switcher and parameter palettes for making quick adjustments. Multiple users can connect to the switcher via Ethernet and all work on different parts of the event at the same time. The ATEM Software Control also lets you access camera control, audio mixing, media, macro programming and even control of HyperDeck disk recorders. You can even save the full state of the switcher as XML files, plus all media is backed up from the media pool. Plus you can run the software on Mac or Windows. ADD THE SPEED AND POWER OF AN ATEM HARDWARE PANEL Only ATEM Constellation has such as wide range of control panel options with 3 models of ATEM Advanced Panels available. ATEM Advanced Panels feature an industry standard, familiar M/E style layout. Each panel has built-in LCDs for menus, high quality buttons with customizable illumination color, a DVE joystick plus T-bar fader. You can even setup and trigger Macros. All rows of M/E buttons include integrated LCDs for dynamic input button labeling. The 1 M/E model features a single M/E row with 10 input buttons. The 2 M/E models features 2 M/E rows with 20, 30 or 40 input buttons depending on the model. The massive 4 M/E model features 4 M/E rows with 40 input buttons per row and 4 independent system control LCD screens. GET INDUSTRY STANDARD PROFESSIONAL CAMERA CONTROL The new ATEM Camera Control Panel provides 4 industry standard camera controllers for the same workflow as camera chains costing hundreds of thousands of dollars. Designed to be portable, ATEM Camera Control Panel can be placed on a desktop or on a slide out rack shelf. All control commands are sent to the cameras using the SDI camera control protocol which is supported by cameras such as Blackmagic URSA Broadcast and Blackmagic Studio Cameras. You get dedicated controls including CCU style joystick and controls for RGB camera color, master gain, black, iris and more. Plus all controls are arranged in a familiar broadcast layout perfect for both experienced or new operators. COMPATIBLE WITH BLACKMAGIC CAMERAS, PANELS, DECKS AND MORE ATEM switchers are powerful because they can grow and expand with you. Add an ATEM Advanced Panel to get professional industry standard switcher control. Then add an ATEM Camera Control Panel for fast control and color balancing of up to four cameras. For cameras, Blackmagic Studio Cameras make great studio cameras as they have tally, talkback and control all built into the compact and very portable design. For mastering, Blackmagic HyperDeck Studio recorders are perfect because they include popular file formats such as ProRes, H.264 and DNx. You can even live stream using an UltraStudio or Blackmagic Web Presenter. Then add a Micro Converter SDI to HDMI 3G converter for HDMI monitoring. ALL FEATURES INCLUDED. NO HIDDEN COSTS Unlike other switchers, all features are included in the purchase price. That means you get all features fully enabled and always ready for use. There are no license fees to allow you to use features and no ongoing monthly costs. This means you'll never experience a license expiring 5 minutes before your program starts. Advanced features such as multiview, SuperSource, DVEs or the ATEM Advanced Keyers are always enabled and always ready to use. Plus, you can use the free ATEM Software Control on an unlimited number of computers. That’s important when you divide up the workload with separate people for audio mix, graphics prep, camera control and switcher operation.

BLACKMAGIC ATEM Television Studio HD8

BLACKMAGIC ATEM Television Studio HD8(BMD-SWATEMTVSTA/HD08, BMD SWATEMTVSTA/HD08, BMD/SWATEMTVSTA/HD08) THE WORLD'S MOST PORTABLE ALL-IN-ONE TELEVISION STUDIO The new ATEM Television Studio is a professional live production switcher built into a broadcast control panel so it can be used for high end work while being extremely portable. This means you can use it in small venues that don't have the access for equipment racks or broadcast vans. You get a powerful switcher with 8 standards converted SDI inputs, aux outputs, 4 chroma keyers, 2 downstream keyers, SuperSource, 2 media players and lots of transitions. Plus it includes a whole television studio of features such as hardware streaming, recording, audio mixer, talkback, multiview and optional internal network shared storage. There's even an ISO model that records all 8 inputs for editing. THREE GREAT ATEM TELEVISION STUDIO MODELS ATEM Television Studio HD8 Compact live production switcher with built in broadcast control panel, 8 x 3G‑SDI inputs, streaming, recording, multiview, DVE, keyers, USB webcam, media players, talkback and optional cloud storage. ATEM Television Studio HD8 ISO Powerful ISO model includes all the features of ATEM Television Studio HD plus adds ISO recording of all 8 inputs and supports up to 8 remote cameras with control and tally for each camera. ATEM Television Studio 4K8 Powerful Ultra HD live production switcher similar to the non ISO HD model, however includes 8 x 12G-SDI inputs, 10 12G-SDI aux outputs for external recorders, 4 port 10G Ethernet switch and more. BRING MULTI CAMERA LIVE PRODUCTION TO ANY LOCATION Compact Broadcast Vans With the all in one design, you can build a new generation of ultra compact broadcast vans. You don't need racks of equipment, so you can eliminate clutter for a much nicer work environment. For stability, you can even mount the switcher inset into the desk. Music Venues and Clubs Some of the most exciting venues, such as downstairs music venues or comedy clubs, are too small for racks of video equipment. However ATEM Television Studio can be carried into any venue. It’s also easy to pack up, even if the venue is still crowded. Online Education ATEM Television Studio is perfect for creating education content. As the ISO model records the video inputs, you can finesse edits, replace shots and even add colour correction. Plus you can even connect to Zoom to incorporate live chat with students. Live Sports ATEM Television Studio is perfect for live sports because it has a simple design that's easy for community volunteers to use. It can be installed into sports clubs or taken on the road with the team. With up to 8 cameras, you'll catch all the exciting angles. SELF CONTAINED BROADCAST QUALITY SWITCHER The ATEM Television Studio combines a switcher and control panel into the same unit, so it’s extremely portable. You get everything you need. The front panel includes buttons for selecting sources, triggering transitions and setting up video effects. Plus the buttons are the same high-end type used on expensive broadcast switchers. You also get a built in t-bar for manual transition control. The front panel even has an innovative audio mixer control area with live metering on a dedicated LCD. There are also buttons for recording and streaming control, plus live aux switching that lets you change aux outputs between all 8 cameras, program, preview or the multiview. CONNECT UP TO 8 BROADCAST CAMERAS With 8 SDI video inputs, ATEM Television Studio lets you connect multiple cameras for different views of the performance. Video cameras with SDI outputs, such as Blackmagic Studio Camera or Blackmagic URSA Broadcast G2, are much better quality as they have better low light performance and use professional lenses. All video sources will re-sync to the switcher, even if they operate at different video standards. Everything just works so setup on location is easy and you don't have to worry about technical problems. Imagine taking advantage of the creative freedom of multi camera live production for interviews, advertorials, theater productions, music performances, sports and more. INCLUDES PRODUCTION, POST PRODUCTION AND DISTRIBUTION Live Production You get an incredibly powerful 8 input switcher with both program and aux outputs so you have everything you need for mobile production. That means you can connect up to 8 cameras. Plus you get professional camera control, talkback and audio mixing all designed into a familiar broadcast panel. Post Production The ISO model records all inputs into separate files so you can edit using any NLE that supports multi-cam. That's possible because all files have perfect timecode sync. Plus with built in network storage, you can edit while recording. Multiple users can even share media and collaborate. Distribution With a built in hardware streaming engine, you can live stream your event to a global audience. Recording to H.264 files with AAC audio means you get the correct format to upload to YouTube. Plus you share live broadcasts with your audience by using the aux outputs and large screens and projectors. EASY TO USE AND FAST TO LEARN There's never been a switcher that’s easier to use, as you simply press any of the program row buttons on the front panel to cut between video sources. Or you can pre select a source on the preview row and then choose between cut or effect transitions by selecting the cut or auto buttons. You can select from exciting transitions such as dissolve, or more dramatic effects such as dip to colour, DVE squeeze and DVE push. You can even add a DVE for picture in picture effects with customized graphics. There are also media players which let you store graphics with alpha channels for titles and graphics that you can load as live video inputs. Then you can live stream the results. TRUE BROADCAST STYLE MIX EFFECTS SWITCHING ATEM Television Studio uses a professional program/preview style of operation, which is exactly the way large broadcasters use live production switchers. However ATEM Television Studio can be switched to A/B style switching, which is easier when it's used by volunteers or community groups. However, if you want to operate the switcher like a broadcast professional then the program/preview is perfect. This means a source won't be put on air until you press the cut or auto button. This 2 step process means you see what you are selecting before putting it to air, so you get fewer mistakes. Plus program/preview operation is a fantastic way to train students for a career in broadcast television. EASY TO ADD EXCITING VIDEO EFFECTS One of the benefits of ATEM Television Studio is the range of professional built in video effects. The cut button ensures an instant cut when switching between sources. The t-bar fader can be used to transition video effects, or you can do the transition automatically by pressing the auto button. Auto uses the transition duration set in the system control. You can also select the type of effect you want including mix, which does a smooth transition between sources, or dip which transitions via a third video source, such as a colour generator. There is a wide range of SMPTE wipes included, plus fun DVE effects that slide or squeeze the image off screen when transitioning between video sources. INCLUDES LOADS OF EXTREMELY CREATIVE TRANSITIONS ATEM Television Studio includes the same kind of transitions found on expensive broadcast switchers. This means the effects and transitions can be customized in many different ways, so they are surprisingly powerful. You'll never stop finding new ways of using them. That’s because all transitions can be customized by adjusting parameters such as duration, border colour, border width, position and direction. You can even use the DVE with a wipe transition, where the DVE moves a graphic over the wipe edge. That's called a graphic wipe and it’s often used in sports broadcasting. The preview transition button can be used to set up effects offline, which is great for eliminating mistakes. BUILT IN DVE FOR BROADCAST VIDEO EFFECTS ATEM Television Studio features an independent DVE that lets you reposition graphics and create picture in picture compositions. You get amazing quality and the DVE supports position, resize and scale, all in real time. The DVE lets you create professional picture in picture effects with customizable 3D borders, shadows and lighting. DVEs can also be used to create amazing DVE transitions with squeeze, swoosh and push effects for adding excitement to your programming. You can even combine DVE transitions with custom graphics to create your own graphic wipe transitions. Pus there is also a SuperSource multi layer processing engine with 4 extra DVEs. SUPPORTS INTERNAL MEDIA FOR STILLS AND MOTION GRAPHICS The built in media pool stores broadcast quality graphics and animations that can be played back using the built in media players. Media players appear as independent sources so you don't need to waste any of the SDI inputs for graphics. For highest quality, all media supports RGB colourspace with alpha channel, allowing transparency and layering. The media pool can hold 20 HD or Ultra HD resolution stills. Depending on the model, motion graphics clips for animations and stingers can be up to 720 frames in 720HD, 360 frames in 1080HD and 90 frames in 2160 Ultra HD. The ATEM Software Control allows you to upload and manage media. You can even prepare graphics in Adobe Photoshop and then download to the media pool using the free ATEM Photoshop plug-in. INCLUDES 4 ATEM ADVANCED CHROMA KEYERS ATEM Television Studio is perfect for news and on-set presentation work because it features 4 ATEM Advanced Chroma Keyers for green screen keying effects. The chroma keyers are incredibly powerful and include features such as a colour picker to sample background colours for automatic generation of the key parameters. You get precise controls for edge and flare, and there is even a foreground colour corrector so you can match the foreground and background layers for seamless compositions. You can even use it for title overlays by creating graphics with a green or blue background. With 4 ATEM Advanced Chroma Keyers, ATEM Television Studio is perfect for creating fixed camera virtual sets. POWERFUL SUPERSOURCE PROCESSING In addition to the DVE in the ATEM Television Studio, there is also a powerful SuperSource multi layer processor. SuperSource gives you 4 extra DVE layers plus a background layer, all layered together as an additional input source. Any video input can be used as sources for each DVE, then it’s all layered together over a media pool custom background or live video. SuperSource is perfect for doing multiple picture in picture displays with people being interviewed because you can set up the effect so the viewer can see each person being interviewed all within a stylish graphic. SuperSource is just like having a completely independent multi-layer VFX switcher built in. UP TO 8 STANDARDS CONVERTED SDI INPUTS The ATEM Television Studio HD models feature 8 independent 3G-SDI inputs, and the 4K model has 8 12G-SDI inputs. Each SDI input has a dedicated standards converter so any 720 HD, 1080 HD or 2160 Ultra HD input source will be converted to the standard of the switcher. That means each SDI input could have a different television standard and all inputs will just work. SDI input audio channels 1, 2, 3 and 4 can also be manually routed to various embedded audio channels in the program and aux outputs. Plus you can even router out audio channels 1 and 2 from the SDI inputs to the MADI digital audio output, so you can hand off the switcher input audio to an external audio engineer for mixing. PROFESSIONAL SDI OUTPUTS WITH 16 CHANNEL EMBEDDED AUDIO The ATEM Television Studio includes up to nine SDI program outputs so you get enough connections to send a separate program return feed to all of your cameras. That’s important because the SDI program return is used to send tally, talkback and control information back to the cameras. You also get dedicated aux outputs for driving stage monitors and master recorders. Two of the aux outputs can be live switched using dedicated buttons on the control panel. One of the aux outputs also includes an on screen counter for presenter monitoring. Plus you can manually route audio into all 16 embedded audio channels in the SDI outputs. There's also a dedicated 3G-SDI and HDMI output for the multiview. BUILT IN AUDIO MIXER WITH 6 BAND EQ, COMPRESSOR AND LIMITER With a built in Fairlight audio mixer, ATEM Television Studio makes it possible to do complex live sound mixing. The internal mixer features enough channels for all SDI inputs, as well as extra channels for the XLR, RCA and MADI inputs. Each input channel features the highest quality 6 band parametric EQ, compressor, limiter, expander and noise gate as well as level and pan controls. You can mix all these input channels together at the same time, or you can set video sources to "audio follow video". The audio mixer is extremely powerful and it can be adjusted from the front panel using the dedicated audio mixer controls and LCD. Plus you can also mix audio using ATEM Software Control. BUILT-IN MULTIVIEW SUPPORTS 16 SOURCES ON A SINGLE MONITOR When doing larger live productions with multiple cameras, it’s vital to see all your video sources at the same time on a single monitor. ATEM Television Studio includes a professional multiview that lets you see all video inputs, preview and program on a single SDI or HDMI monitor. You can even send the multiview to the aux outputs. Each camera view includes tally indicators so you know when each source is on-air, plus each view has custom labels and audio meters. You can fully customize the multiview layout with up to 16 simultaneous views. You can also select one of the additional status views that lets you track recording, streaming and the audio mixer status, right from the multiview. LIVE STREAM TO A GLOBAL AUDIENCE ATEM Television Studio has a built in hardware streaming engine for live streaming to a global audience. That means you can live stream to services such as YouTube, Facebook and Twitch in better video quality and without dropped frames. Streaming works using the Ethernet connection to the internet, or you can connect a smartphone to use mobile data. Then you simply select the streaming service and enter the streaming key using ATEM Software Control. This makes streaming easy to setup, and the convenient data rate indicator shows the internet speed required. If you're technically minded, you can even update the streaming profiles in an XML settings file to add new services. CONNECT 5G OR 4G PHONES FOR MOBILE DATA If you’re doing live production on location then the ATEM Television Studio supports mobile data by connecting an Apple or Android phone to the USB port. It's also a great backup for the main Ethernet connection. Phone tethering works with the latest high speed 5G phones plus the more common 4G phones. The ATEM switcher will detect when a phone is connected and automatically switch its internet connection to use it if the Ethernet connection is lost. When connected, the phone will also power from the USB port so it always remains charged and ready to go. By using phone tethering and mobile data, you get the perfect mobile production solution that can be transported anywhere. OUTPUTS TO ANY SOFTWARE THAT SUPPORTS USB WEBCAMS You can use any video software with ATEM Television Studio because the USB connection will emulate a webcam. That means you can plug into a computer and use any video software that works with a webcam. The software is tricked into thinking the ATEM Television Studio is a common webcam, but it's really a live production switcher. That guarantees full compatibility with any video software and in full resolution 1080HD quality. Imagine doing a presentation from a professional broadcast studio to software such as Zoom, Teams or Skype. For streaming, the webcam output also works with streaming software such as Open Broadcaster, XSplit Broadcaster and more. RECORD TO INTERNAL STORAGE OR USB DISKS ATEM Television Studio supports recording to external USB flash disks. Or if an optional M.2 flash disk is installed, you can record directly to internal network shared storage. The internal storage plus any external USB disks will be available to share over the local Ethernet network so other people can work on post production tasks such as editing, colour correction and graphics preparation. All recordings are in H.264 format with AAC audio for broadcast quality video and small file sizes. You can also connect multiple USB disks, so recording will continue if a disk becomes full. You even get buttons on the control panel to start recording and you can see record status in the multiview. INTERNAL STORAGE SUPPORTS MULTIPLE USERS The ATEM Television Studio is also a fast network disk if you install an optional M.2 flash memory card inside the switcher. Flash memory is extremely fast so it can keep up with recording multiple ISO video files while lots of external simultaneous users all work on separate computers for editing, colour correction, VFX and audio post production. Plus the internal network storage is extremely easy to set up. You can also sync the storage to Dropbox and Google Drive, so recordings can be distributed between other ATEM Television Studios or Blackmagic Cloud Stores in different locations, even on lower cost internet connections. That’s the perfect global media sync solution. EDIT LIVE PRODUCTION WITH SEPARATE ISO RECORDINGS The ATEM Television Studio HD ISO model allows you to edit your live event as it can record all inputs to separate video files. You get 8 separate video input files with matching timecode and sync, plus the program video is also recorded into a separate master video file. This means you can edit using any NLE software that supports multi-cam editing. You can use any edit software that supports multi-cam because all input ISO video files will have matching timecode and be in perfect sync. Now it's easy to re-edit your show after the event, so your work will be absolutely perfect. Plus audio is recorded into separate WAV files so you can even professionally remix your audio. FULL INTEGRATION WITH DAVINCI RESOLVE Only ATEM Television Studio HD8 ISO is fully integrated into DaVinci Resolve. This means you can edit, colour correct, add VFX and audio mixing to your live production. Plus DaVinci Resolve is a free download for Mac, Windows and Linux, so there's no monthly license costs. Simply open the project and you'll see your live production as an edit timeline. You can trim edits and remove shots you don't want. In the cut page, the sync bin will show alternative shots in a multiview display. If you want to replace a shot, then simply click an alternative. Finally, you can add professional DaVinci colour correction. You can even relink to Blackmagic RAW camera files if you want to finish in Ultra HD. DISTRIBUTE FILES GLOBALLY With support for Dropbox and Google Drive sync, you can share files globally. That’s extremely important when working with video files that have long record durations so become large. If you need to work in multiple locations, then each user needs to have instant access to these files, even when most internet connections are too slow. While the internet is often too slow to access large video files in real time, it is perfect for syncing files to a storage provider such as Dropbox or Google Drive. Multiple Blackmagic Cloud Stores can sync down for local access in each location. Then everyone has a copy of their media on local network storage. It's the simplest solution for global media sync. Add Cloud Service Make sure your ATEM Television Studio is connected to the internet. Enter in your Dropbox or Google Drive account details, so the switcher can get access to allow sync. Set Sync Folders Next you need to set the sync folders. That tells the ATEM Television Studio where to sync its files to the remote Dropbox or Google Drive. You can have multiple sync folders for different jobs. Set Sync Direction Now set the sync direction. One direction is good when you have local files you want to share, but not enough room for everyone’s files. Both directions means everyone gets the same set of files. CONNECT TO REMOTE INTERNET CAMERAS Another exciting feature on the ATEM Television Studio HD8 ISO model is that it can connect to remote cameras. The Blackmagic URSA Broadcast G2, Blackmagic Studio Camera 4K Pro G2 and Blackmagic Studio Camera 6K Pro cameras can live stream in H.264 direct to the switcher. If you're connected to the local network, then simply select the camera in the input menu. However if the switcher is set to a fixed external IP address, then you can export an XML file with the camera settings to live stream from anywhere on the internet. Simply load the XML file into the camera. Plus you even get camera control and tally. Program audio is also sent back to the camera which is great for live interviews. INCLUDES FREE ATEM SOFTWARE CONTROL PANEL The ATEM Software Control app unlocks the hidden power of ATEM Television Studio by allowing access to all the features in the switcher. ATEM Software Control features a visual switcher user interface with parameter palettes for making adjustments. Although you can connect via USB, if you connect using Ethernet you can run multiple copies of ATEM Software Control on different computers. The software lets you live switch, mix audio, colour correct in the cameras and manage media. You can also build and run complex macros from the software. Plus you can save the switcher state as an XML file for recalling jobs later. You can even control trigger external HyperDeck recorders. LOCALIZED FOR 13 POPULAR LANGUAGES ATEM Television Studio supports multiple languages in the menus and in the ATEM Software Control, so you can customize it to the language you prefer. You get support for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese, Turkish, Polish and Ukrainian languages. Simply go into the setup menu to change the language, or you can always switch to another language at any time in the future. Once a language is selected, the menus on all the LCDs will change to the selected language. Multiple language support means ATEM Television Studio is perfect for doing live production work anywhere in the world and with any crew. DESIGNED TO BE EASY TO REPAIR With so many features built in, it’s vital that ATEM Television Studio can be easily repaired. Plus, there is already a lot of built in redundancy, with 4 Ethernet connections, up to 9 program SDI outputs, 2 USB ports and 2 power connections. However if someone trips on a cable and breaks a connector, then you need to be able to repair the connector at low cost. All the internal electronic PCBs are modular, so any qualified technician can buy a replacement and easily swap the board. This includes the connector PCBs, which can be purchased separately. All the technician needs to do is remove the bottom cover and replace the PCB. A large broadcaster could even buy the boards as a spare parts kit. FLEXIBLE AND REDUNDANT POWER The all in one design of ATEM Television Studio includes a built in power supply so you don’t have to carry around an external power brick. Simply plug it into any AC mains outlet and start live production. The international power supply automatically works from 100 to 240V AC, so you can use it anywhere in the world. Plus, ATEM Television Studio includes both AC and DC power connections. A broadcast standard XLR 12V DC power connection is included which is perfect for backup power or for running on batteries. That means you can use it in extremely remote locations. Plus, if the internal power supply should malfunction, then you can simply connect an external DC supply to keep running. ADD AUDIO EXPANSION FOR MORE MICROPHONES If you're building a podcasting studio or you need more microphones, then the ATEM Microphone Converter allows audio input expansion. It connects to the ATEM Television Studio using the MADI port, so there's no complex setup and you can daisy chain units to add more inputs. Each converter has 4 analogue inputs that are mic/line selectable and have phantom power. The design features amazing quality with an extremely low noise floor of -129dBV, a dynamic range of 131dB(A), low distortion of 0.002% and uniform tolerances across all channels. It even uses 8 separate ADCs on each input to collectively extend the dynamic range. Plus it has a fun HDMI monitoring output with scrolling audio waveforms. ADD THE ULTIMATE COMPACT STUDIO CAMERA When you need cameras that are perfectly designed for ATEM Television Studio then the new Blackmagic Studio Cameras are an ideal choice. Blackmagic Studio Cameras have the same features as large studio cameras, miniaturized into a single compact and portable design. Plus with digital film camera dynamic range and colour science, the cameras can handle extremely difficult lighting conditions while producing cinematic looking images. The sensor features an ISO up to 25,600 so you can create amazing images even in dimly lit venues. Advanced features include talkback, tally, camera control, built in colour corrector and Blackmagic RAW recording. You can even add focus and zoom controllers. MATCH CAMERAS WITH AN ATEM CAMERA CONTROL PANEL When working on live production, it’s critical all cameras are perfectly colour matched for a consistent look as you transition between different sources. ATEM Television Studio has camera control built in, however if you add a dedicated ATEM Camera Control Panel then you can adjust cameras using the same style of controls that are standard in the broadcast industry. Each camera controller includes an LCD screen with buttons and knobs for live camera adjustments, so you get a very clear indication of each camera’s parameters. The large joystick allows direct adjustment of iris and rotates to set black level. There are even red, green and blue knobs for fine control of camera colour tint. COMPATIBLE WITH BLACKMAGIC CAMERAS, PANELS, DECKS AND MORE ATEM Television Studio is even more powerful as it can be expanded to grow with you. Blackmagic Studio Cameras are a great solution as they are a professional broadcast studio cameras with tally, talkback and camera control, all miniaturized into a small and portable design. Of course, the full URSA Broadcast G2 is a broadcast style camera that uses B4 lenses, and has optional SMPTE fiber connections. If you want to control cameras using the same style of control broadcasters use, then you can add an ATEM Camera Control Panel for control and colour balancing of up to four cameras. For mastering, Blackmagic HyperDeck Studio recorders allow you to add recording in ProRes and DNx formats.

BLACKMAGIC Ultimatte 12 HD Mini

BLACKMAGIC Ultimatte 12 HD Mini(BMD-ULTMKEY12/A/HDM, BMD ULTMKEY12/A/HDM, BMD/ULTMKEY12/A/HDM) The all new Ultimatte 12 is more than the world’s best keyer, it’s an advanced real time compositing processor designed for the next generation of broadcast graphics. Ultimatte 12 features entirely new algorithms and colour science that deliver true photorealistic composites. You get incredible edge handling, greater colour separation, amazing colour fidelity and better spill suppression than ever before, even in dark shadow areas or through transparent objects such as windows. Ultimatte 12 is available in 4 amazing models, with HD, Ultra HD and even native 8K support. Imagine presenting the weather, sports, news and entertainment in a cinematic quality environment, all composited in real time. ADD AN ULTIMATTE 12 TO EACH CAMERA When you’re working live with multiple cameras shooting from different angles, it’s common for the green screens to suffer from variations. Plus the keyers built into live production switchers often have to be shared between cameras, which complicates keying because each camera sees the green screen a little differently. The new Ultimatte 12 eliminates these problems because you get incredible technology at an affordable price, allowing each camera to have a separate Ultimatte. That means each Ultimatte can be tuned to a specific camera’s view. With a dedicated Ultimatte on each camera, your compositions can go well beyond what's possible with set design, so you can create whole new worlds. GENERATE LIVE VIRTUAL ENVIRONMENTS FOR BROADCAST Whether you’re working in broadcast news, sports, film production, or magazine style entertainment programming, Ultimatte 12 has the quality for incredibly life like composites that place your talent into any scene. Plus the new Ultimatte 12 models include built in frame stores so you don't need live video sources for all inputs. You can also use Ultimatte 12 to layer computer generated augmented reality foreground objects into a scene, complete with realistic transparency that your talent can walk behind. Ultimatte 12 is also perfect for on set pre visualization in film production because it lets actors and directors watch the scene while they’re shooting. CREATE REALISTIC FIXED CAMERA VIRTUAL SETS Now you can create a massive broadcast set, even in small apartments or a basement. That's because all Ultimatte 12 models have frame stores so you can load pre rendered still frames from a 3D modeled broadcast set. This is a revolution in live production because you can now use a virtual set even if you don't have the space for a physical broadcast set. Plus without any external equipment. Just use multiple cameras, each with an Ultimatte 12 and a background frame loaded. As the backgrounds are pre rendered, they can be more photorealistic than a traditional virtual set. If the cameras don't move, the backgrounds will look perfect. Plus Ultimatte 12 is low cost, so you can use more cameras. NEW ALGORITHMS AND EXPANDED COLOUR SPACE All Ultimatte 12 models, even Ultimatte 12 HD Mini, have the same incredibly advanced image processing algorithms and a huge internal colour space. This means all models produce identical quality compositions. The processing automatically generates internal mattes so different parts of the image are processed separately based on the colours in each area. It’s like having the power of multiple Ultimatte keyers all working together on the same image. You get fine edge detail where it’s needed the most, like on hair, and smoother transitions between colours or other objects in the scene. Everything is handled by new math and sub pixel processing that’s designed for incredible quality and clarity. AUTOMATIC SCENE ANALYSIS FOR ONE TOUCH KEYING When it comes to live production, you need to work fast. Ultimatte 12 features one touch keying technology that analyzes a scene and automatically sets over a 100 parameters so you get great keys without having to do a lot of extra work. The first step is to ensure your scene is well lit and that the cameras are properly white balanced, then you simply activate the auto key and Ultimatte will do all the work for you. Plus all models include Screen Correction to compensate for unevenly lit green/blue screens. One touch keying is dramatically faster and helps you accurately pull a key with minimum effort. That leaves you free to focus on the program, while Ultimatte 12 takes care of the rest. ADD TRANSLUCENT LAYERS AND BROADCAST GRAPHICS Adding additional translucent objects, such as coloured or tinted glass and computer graphics, is virtually impossible with a traditional keyer. That’s because you can’t subtract a blue or green screen out of a semi-transparent coloured object without changing the object’s original colour. Now, with Ultimatte 12, you get a revolutionary new layer compositing mode that lets you add tinted objects on top of the foreground image. That allows a whole new generation of realistic translucent glass looks in broadcast graphics. This means that when you look through the object, or your talent walks behind it, the tinted colours are accurately preserved, making the shot look completely realistic. FAITHFULLY REPRODUCE AND RETAIN DIFFICULT COLOURS With Ultimatte 12, you get new advanced flare, edge and transition processing so you can remove the background, without affecting the colours you want to keep. What this means is you’ll be able to retain and faithfully reproduce colours that are impossible on other keyers, such as a bright yellow dress in front of a green screen. Ultimatte 12 is smart enough to isolate and treat different parts of the image separately, while also keeping the colour transitions between areas smooth. You get the highest quality compositing, so the final output looks photorealistic. Unlike other keyers, Ultimatte 12 delivers crisp clear images with vibrant colours that pop. KEY AND COMPOSITE IMAGES WITH SHADOWS AND TRANSPARENCY The improved flare algorithms in Ultimatte 12 can remove green tinting and spill from anything, which is one of the reasons why Ultimatte 12 creates true, realistic looking virtual environments. That also means you don’t have to worry about shadows or transparent objects with reflections. Ultimatte 12 automatically samples the colours, creates seamless mattes for walls, floors and other parts of the image, and then applies the necessary corrections. Shadows are properly mapped and composited onto the new background, spill is removed, and transparent objects are handled with perfection. WIDE RANGE OF VIDEO CONNECTIONS Ultimatte 12 features up to 7 different input connections, depending on the model, that are used for compositing different source elements together. These include foreground and background, along with holdout and garbage mattes, as well as additional layer inputs for superimposing additional images over the composited image. Ultimatte 12 even lets you use sources that are not synchronized when working with static shots. With the new Ultimatte 12 models, you can even operate without video sources because the internal frame stores let you load backgrounds and other elements internally. That dramatically lowers the cost of building Ultimatte based broadcast systems. Redundant Power Dual redundant 100‑240V power supplies ensure reliability in critical on‑air broadcast use USB-C USB allows you to update the firmware and connect to the Ultimatte administration utility software Fill Output If you want to layer composition in an external switcher, then you can use the fill and key output Talent Reference Connect a talent monitor so actors can see their composite Ethernet Connect to Ultimatte Software Control that’s included for Mac and Windows, or a Smart Remote 4 GPI Triggers The GPI inputs can be used to load and run a preset, or a sequence of macro style presets Matte Output This output is used with the fill output when building the composition in an external switcher Preview Monitor Monitoring loop lets an operator preview different internal sources across multiple Ultimatte units Background Input Source input containing the new background such as a virtual set video source or a matte painting Background Matte Input Used to displace opaque areas in the background so foreground elements can appear behind them Garbage Matte Input Removes areas of the foreground source that you don’t want to be included in the composite Foreground Input The foreground input is the source from your camera. This is the talent shot with the green screen Holdout Matte Input Keeps foreground objects from being keyed out such as items with similar colours to the screen colour Layer Input Downstream keyer input that allows you to superimpose sources over the foreground, such as titles Layer Matte Input This is the key for the layer source and is used when creating a composition with the layer input Program Output The main output for broadcast with background, foreground and layers all composited together FUTURE PROOF MODELS WITH ADVANCED 12G‑SDI The Ultimatte 12 4K and Ultimatte 12 8K models feature advanced 12G-SDI connections so you can operate with current HD video formats as well as future Ultra HD and 8K video formats. 12G-SDI gives you high frame rate Ultra HD via a single BNC connection that also plugs into all of your regular HD equipment. That means Ultimatte 12 4K is compatible with virtually all SD, HD, 3G, 6G and 12G-SDI equipment, and supports all HD and Ultra HD formats up to 2160p60. While the Ultimatte 12 8K model features Quad Link 12G-SDI for all video formats up to 4320p60 8K. All this means you can use Ultimatte 12 with your HD cameras now, but then instantly switch to Ultra HD or 8K when you’re ready. USE MULTIPLE ULTIMATTE UNITS ON A SINGLE MONITOR All Ultimatte 12 models feature a monitor cascade feature that lets you view the monitor output from up to eight Ultimatte units on a single SDI display. Simply connect up to eight Ultimatte units via an SDI daisy chain using the monitor input and monitor output connections, with the last Ultimatte unit then plugged into an SDI monitor. Then when you switch to monitor any specific Ultimatte unit using the Ultimatte Software Control or the Smart Remote 4, the monitor output will then clean switch, with almost zero latency, and be passed down the chain for display on the monitor. This greatly simplifies monitoring, even when working with lots of Ultimatte equipped cameras. CONTROL HDMI CAMERAS FROM SDI SWITCHERS The unique Ultimatte 12 HD Mini model has a special feature that allows conversion of SDI camera control to HDMI. This means an ATEM SDI switcher can control a HDMI connected Blackmagic Pocket Cinema Camera. All ATEM switchers send camera control over SDI, and this Ultimatte model can translate it to HDMI for the camera. Just connect SDI from the Ultimatte out to the switcher input, the switcher program out to the Ultimatte SDI input, and then the HDMI connects to the camera. Now add a camera number in the Ultimatte utility to get control of the camera colour corrector, tally and even remote record trigger. Plus you also get camera control with HDMI when used with switchers such as ATEM Mini. INCLUDES FREE ULTIMATTE SOFTWARE CONTROL All Ultimatte 12 models include the free Ultimatte Software Control for Mac and Windows. The main window has menus arranged in sections that perform different functions. Although the interface can look intimidating at first glance as it has so many different buttons and settings, it won’t take long to master, so you will quickly learn to move between settings instinctively as you build your composition. Because Ultimatte Software Control runs on a computer, you can upload the Ultimatte 12 frame stores. All settings and still frames are saved in flash memory so are preserved when the power is turned off. Plus the Ultimatte 12 4K and 8K models include 10G Ethernet for even faster file upload. Main Menu Buttons Tap the menu buttons along the top of the window to select the different input sources you want to adjust. You can also select the matte for making adjustments to the primary matte, and configure your Ultimatte 12 Functions The functions section provides specific Ultimatte settings that can be selected, enabled or disabled. For example, one of the most common controls is reset, which is located in this section if you need to restore a particular setting to its default state Groups This section of the interface contains the majority of the settings menus. For example, if you want to adjust the foreground flare controls, then simply click the foreground button, then click the Flare 1 button. The flare controls will now be visible on the main window side controls for adjustment Information and File Control This section lets you save preset files and configure some of the settings on your Ultimatte. Simply click the folder icon to save a preset. Plus settings can be copied between different models of Ultimatte 12. You can also view status and configuration by clicking on the small information icon Status Bar You can see all the Ultimatte units being controlled by the Ultimatte Software Control by looking at the status bar on the bottom of the main window. The status of each unit icon will illuminate green when identified on your network. When a unit is selected for control the icon will illuminate blue Monitor Out This is one of the most important controls and will set what images are displayed on a video monitor connected to your Ultimatte’s monitor output. You can change the monitor display between program out, foreground input, background input, combined matte view, internal matte view and fill out ADD AN OPTIONAL ULTIMATTE SMART REMOTE 4 The Ultimatte Smart Remote 4 is a touchscreen remote that connects via Ethernet to control up to eight Ultimatte 12 units. Combined with the monitor cascade, this means you can view up to eight Ultimatte 12 units without adding a video router. Smart Remote 4 also features physical buttons and knobs for finer control of the Ultimatte 12 parameters. There are also buttons for quickly loading and saving presets, and a touchscreen that gives you full control over every Ultimatte parameter. Plus the front panel of the Ultimatte rack unit also has buttons to allow recall of custom presets. You can also create custom control solutions with the easy to use text based Ultimatte control protocol.

Blackmagic Ultimatte 12 4K

Blackmagic Ultimatte 12 4K(BMD-ULTMKEY12/C/4K, BMD ULTMKEY12/C/4K, BMD/ULTMKEY12/C/4K) The all new Ultimatte 12 is more than the world’s best keyer, it’s an advanced real time compositing processor designed for the next generation of broadcast graphics. Ultimatte 12 features entirely new algorithms and colour science that deliver true photorealistic composites. You get incredible edge handling, greater colour separation, amazing colour fidelity and better spill suppression than ever before, even in dark shadow areas or through transparent objects such as windows. Ultimatte 12 is available in 4 amazing models, with HD, Ultra HD and even native 8K support. Imagine presenting the weather, sports, news and entertainment in a cinematic quality environment, all composited in real time. ADD AN ULTIMATTE 12 TO EACH CAMERA When you’re working live with multiple cameras shooting from different angles, it’s common for the green screens to suffer from variations. Plus the keyers built into live production switchers often have to be shared between cameras, which complicates keying because each camera sees the green screen a little differently. The new Ultimatte 12 eliminates these problems because you get incredible technology at an affordable price, allowing each camera to have a separate Ultimatte. That means each Ultimatte can be tuned to a specific camera’s view. With a dedicated Ultimatte on each camera, your compositions can go well beyond what's possible with set design, so you can create whole new worlds. GENERATE LIVE VIRTUAL ENVIRONMENTS FOR BROADCAST Whether you’re working in broadcast news, sports, film production, or magazine style entertainment programming, Ultimatte 12 has the quality for incredibly life like composites that place your talent into any scene. Plus the new Ultimatte 12 models include built in frame stores so you don't need live video sources for all inputs. You can also use Ultimatte 12 to layer computer generated augmented reality foreground objects into a scene, complete with realistic transparency that your talent can walk behind. Ultimatte 12 is also perfect for on set pre visualization in film production because it lets actors and directors watch the scene while they’re shooting. CREATE REALISTIC FIXED CAMERA VIRTUAL SETS Now you can create a massive broadcast set, even in small apartments or a basement. That's because all Ultimatte 12 models have frame stores so you can load pre rendered still frames from a 3D modeled broadcast set. This is a revolution in live production because you can now use a virtual set even if you don't have the space for a physical broadcast set. Plus without any external equipment. Just use multiple cameras, each with an Ultimatte 12 and a background frame loaded. As the backgrounds are pre rendered, they can be more photorealistic than a traditional virtual set. If the cameras don't move, the backgrounds will look perfect. Plus Ultimatte 12 is low cost, so you can use more cameras. NEW ALGORITHMS AND EXPANDED COLOUR SPACE All Ultimatte 12 models, even Ultimatte 12 HD Mini, have the same incredibly advanced image processing algorithms and a huge internal colour space. This means all models produce identical quality compositions. The processing automatically generates internal mattes so different parts of the image are processed separately based on the colours in each area. It’s like having the power of multiple Ultimatte keyers all working together on the same image. You get fine edge detail where it’s needed the most, like on hair, and smoother transitions between colours or other objects in the scene. Everything is handled by new math and sub pixel processing that’s designed for incredible quality and clarity. AUTOMATIC SCENE ANALYSIS FOR ONE TOUCH KEYING When it comes to live production, you need to work fast. Ultimatte 12 features one touch keying technology that analyzes a scene and automatically sets over a 100 parameters so you get great keys without having to do a lot of extra work. The first step is to ensure your scene is well lit and that the cameras are properly white balanced, then you simply activate the auto key and Ultimatte will do all the work for you. Plus all models include Screen Correction to compensate for unevenly lit green/blue screens. One touch keying is dramatically faster and helps you accurately pull a key with minimum effort. That leaves you free to focus on the program, while Ultimatte 12 takes care of the rest. ADD TRANSLUCENT LAYERS AND BROADCAST GRAPHICS Adding additional translucent objects, such as coloured or tinted glass and computer graphics, is virtually impossible with a traditional keyer. That’s because you can’t subtract a blue or green screen out of a semi-transparent coloured object without changing the object’s original colour. Now, with Ultimatte 12, you get a revolutionary new layer compositing mode that lets you add tinted objects on top of the foreground image. That allows a whole new generation of realistic translucent glass looks in broadcast graphics. This means that when you look through the object, or your talent walks behind it, the tinted colours are accurately preserved, making the shot look completely realistic. FAITHFULLY REPRODUCE AND RETAIN DIFFICULT COLOURS With Ultimatte 12, you get new advanced flare, edge and transition processing so you can remove the background, without affecting the colours you want to keep. What this means is you’ll be able to retain and faithfully reproduce colours that are impossible on other keyers, such as a bright yellow dress in front of a green screen. Ultimatte 12 is smart enough to isolate and treat different parts of the image separately, while also keeping the colour transitions between areas smooth. You get the highest quality compositing, so the final output looks photorealistic. Unlike other keyers, Ultimatte 12 delivers crisp clear images with vibrant colours that pop. KEY AND COMPOSITE IMAGES WITH SHADOWS AND TRANSPARENCY The improved flare algorithms in Ultimatte 12 can remove green tinting and spill from anything, which is one of the reasons why Ultimatte 12 creates true, realistic looking virtual environments. That also means you don’t have to worry about shadows or transparent objects with reflections. Ultimatte 12 automatically samples the colours, creates seamless mattes for walls, floors and other parts of the image, and then applies the necessary corrections. Shadows are properly mapped and composited onto the new background, spill is removed, and transparent objects are handled with perfection. WIDE RANGE OF VIDEO CONNECTIONS Ultimatte 12 features up to 7 different input connections, depending on the model, that are used for compositing different source elements together. These include foreground and background, along with holdout and garbage mattes, as well as additional layer inputs for superimposing additional images over the composited image. Ultimatte 12 even lets you use sources that are not synchronized when working with static shots. With the new Ultimatte 12 models, you can even operate without video sources because the internal frame stores let you load backgrounds and other elements internally. That dramatically lowers the cost of building Ultimatte based broadcast systems. Redundant Power Dual redundant 100‑240V power supplies ensure reliability in critical on‑air broadcast use USB-C USB allows you to update the firmware and connect to the Ultimatte administration utility software Fill Output If you want to layer composition in an external switcher, then you can use the fill and key output Talent Reference Connect a talent monitor so actors can see their composite Ethernet Connect to Ultimatte Software Control that’s included for Mac and Windows, or a Smart Remote 4 GPI Triggers The GPI inputs can be used to load and run a preset, or a sequence of macro style presets Matte Output This output is used with the fill output when building the composition in an external switcher Preview Monitor Monitoring loop lets an operator preview different internal sources across multiple Ultimatte units Background Input Source input containing the new background such as a virtual set video source or a matte painting Background Matte Input Used to displace opaque areas in the background so foreground elements can appear behind them Garbage Matte Input Removes areas of the foreground source that you don’t want to be included in the composite Foreground Input The foreground input is the source from your camera. This is the talent shot with the green screen Holdout Matte Input Keeps foreground objects from being keyed out such as items with similar colours to the screen colour Layer Input Downstream keyer input that allows you to superimpose sources over the foreground, such as titles Layer Matte Input This is the key for the layer source and is used when creating a composition with the layer input Program Output The main output for broadcast with background, foreground and layers all composited together FUTURE PROOF MODELS WITH ADVANCED 12G‑SDI The Ultimatte 12 4K and Ultimatte 12 8K models feature advanced 12G-SDI connections so you can operate with current HD video formats as well as future Ultra HD and 8K video formats. 12G-SDI gives you high frame rate Ultra HD via a single BNC connection that also plugs into all of your regular HD equipment. That means Ultimatte 12 4K is compatible with virtually all SD, HD, 3G, 6G and 12G-SDI equipment, and supports all HD and Ultra HD formats up to 2160p60. While the Ultimatte 12 8K model features Quad Link 12G-SDI for all video formats up to 4320p60 8K. All this means you can use Ultimatte 12 with your HD cameras now, but then instantly switch to Ultra HD or 8K when you’re ready. USE MULTIPLE ULTIMATTE UNITS ON A SINGLE MONITOR All Ultimatte 12 models feature a monitor cascade feature that lets you view the monitor output from up to eight Ultimatte units on a single SDI display. Simply connect up to eight Ultimatte units via an SDI daisy chain using the monitor input and monitor output connections, with the last Ultimatte unit then plugged into an SDI monitor. Then when you switch to monitor any specific Ultimatte unit using the Ultimatte Software Control or the Smart Remote 4, the monitor output will then clean switch, with almost zero latency, and be passed down the chain for display on the monitor. This greatly simplifies monitoring, even when working with lots of Ultimatte equipped cameras. CONTROL HDMI CAMERAS FROM SDI SWITCHERS The unique Ultimatte 12 HD Mini model has a special feature that allows conversion of SDI camera control to HDMI. This means an ATEM SDI switcher can control a HDMI connected Blackmagic Pocket Cinema Camera. All ATEM switchers send camera control over SDI, and this Ultimatte model can translate it to HDMI for the camera. Just connect SDI from the Ultimatte out to the switcher input, the switcher program out to the Ultimatte SDI input, and then the HDMI connects to the camera. Now add a camera number in the Ultimatte utility to get control of the camera colour corrector, tally and even remote record trigger. Plus you also get camera control with HDMI when used with switchers such as ATEM Mini. INCLUDES FREE ULTIMATTE SOFTWARE CONTROL All Ultimatte 12 models include the free Ultimatte Software Control for Mac and Windows. The main window has menus arranged in sections that perform different functions. Although the interface can look intimidating at first glance as it has so many different buttons and settings, it won’t take long to master, so you will quickly learn to move between settings instinctively as you build your composition. Because Ultimatte Software Control runs on a computer, you can upload the Ultimatte 12 frame stores. All settings and still frames are saved in flash memory so are preserved when the power is turned off. Plus the Ultimatte 12 4K and 8K models include 10G Ethernet for even faster file upload. Main Menu Buttons Tap the menu buttons along the top of the window to select the different input sources you want to adjust. You can also select the matte for making adjustments to the primary matte, and configure your Ultimatte 12 Functions The functions section provides specific Ultimatte settings that can be selected, enabled or disabled. For example, one of the most common controls is reset, which is located in this section if you need to restore a particular setting to its default state Groups This section of the interface contains the majority of the settings menus. For example, if you want to adjust the foreground flare controls, then simply click the foreground button, then click the Flare 1 button. The flare controls will now be visible on the main window side controls for adjustment Information and File Control This section lets you save preset files and configure some of the settings on your Ultimatte. Simply click the folder icon to save a preset. Plus settings can be copied between different models of Ultimatte 12. You can also view status and configuration by clicking on the small information icon Status Bar You can see all the Ultimatte units being controlled by the Ultimatte Software Control by looking at the status bar on the bottom of the main window. The status of each unit icon will illuminate green when identified on your network. When a unit is selected for control the icon will illuminate blue Monitor Out This is one of the most important controls and will set what images are displayed on a video monitor connected to your Ultimatte’s monitor output. You can change the monitor display between program out, foreground input, background input, combined matte view, internal matte view and fill out ADD AN OPTIONAL ULTIMATTE SMART REMOTE 4 The Ultimatte Smart Remote 4 is a touchscreen remote that connects via Ethernet to control up to eight Ultimatte 12 units. Combined with the monitor cascade, this means you can view up to eight Ultimatte 12 units without adding a video router. Smart Remote 4 also features physical buttons and knobs for finer control of the Ultimatte 12 parameters. There are also buttons for quickly loading and saving presets, and a touchscreen that gives you full control over every Ultimatte parameter. Plus the front panel of the Ultimatte rack unit also has buttons to allow recall of custom presets. You can also create custom control solutions with the easy to use text based Ultimatte control protocol.

BLACKMAGIC ATEM SDI

BLACKMAGIC ATEM SDI(BMD-SWATEMMXEP, BMD SWATEMMXEP, BMD/SWATEMMXEP)A NEW GENERATION OF ULTRA PORTABLE LIVE PRODUCTIONATEM SDI gives you the portable design of ATEM Mini, but its SDI connections means you can connect advanced broadcast quality cameras and recorders. This opens up a whole new world of ultra portable live production. The incredibly portable design means you can fit a whole broadcast quality live production system in a small bag or even a backpack. You can use multiple cameras on location and live stream direct to YouTube, or create a broadcast quality link back to a studio with ATEM Streaming Bridge. Unlike single camera remote shoots, ATEM SDI lets you connect multiple cameras so you can create interesting remote interviews with multiple camera angles.SELF CONTAINED BROADCAST QUALITY SWITCHERATEM SDI’s compact all in one design includes both a control panel as well as connections. The front panel includes easy to use buttons for selecting sources, video effects and transitions. The source buttons are large so it’s possible to use it by feel, letting the presenter do the switching. You even get buttons for audio mixing. The ATEM SDI Pro and Extreme models have buttons for recording and streaming control, as well as output selection buttons that let you change the video output between program, direct camera feeds and the multiview. On the rear panel there are SDI connections for cameras, extra microphone inputs, USB for webcam plus multiple SDI "aux" outputs for program video.EASY TO USE AND FAST TO LEARNThere's never been a switcher that’s easier to use, as you simply press any of the input buttons labelled by number on the front panel to cut between video sources. You can choose between cut or effects transitions by selecting the cut or auto buttons. Unlike cut, the auto button tells ATEM SDI to use a video effect when switching inputs. You can select from exciting transitions such as dissolve, or more dramatic effects such as dip to colour, DVE squeeze and DVE push. Add a DVE effect for picture in picture effects with customized picture positions and background. There are even "media players" which are a still store for titles and graphics that you can load via external software control.CONNECT UP TO 8 BROADCAST CAMERASWith 4 or 8 video inputs, depending on the model, ATEM SDI lets you connect multiple cameras for different views of the performance. Video cameras with SDI outputs such as Blackmagic Studio Camera or Blackmagic URSA Broadcast G2 are much better quality as they have better low light performance and they use professional lenses. All video sources will re-sync to the switcher, even if they operate at different video standards. Everything just works so setup on location is easy and you don't have to worry about technical problems. Imagine taking advantage of the creative freedom of multi camera live production for interviews, advertorials, theater production, music performances, sports and more.OUTPUTS WEBCAM FOR VIDEO SOFTWARETo ensure maximum compatibility, all ATEM SDI models feature USB that operates as a simple webcam source. That means you can plug into a computer and get working with any video software. The software is tricked into thinking the ATEM SDI is a common webcam, but it's really a live production switcher. That guarantees full compatibility with any video software and in full resolution 1080HD quality. Choose any software you like, such as Zoom, Microsoft Teams or Skype for a new way to do presentations with a professional multi camera broadcast quality style. The ATEM SDI webcam output also works with streaming software such as Open Broadcaster, XSplit Broadcaster and more.LIVE STREAM VIA ETHERNET ON ATEM SDI PROATEM SDI Pro and ATEM SDI Extreme models have a built in hardware streaming engine for live streaming via their ethernet connections. That means you can live stream to YouTube, Facebook and Twitch in better quality, without dropped frames and with simpler settings. Just select the streaming service and enter the streaming key. There are palettes in ATEM Software Control for streaming setup, plus streaming status is also displayed in the multiview. Streaming status is easy to understand as the data rate indicator shows internet speed required for the video format you're using. If you're technically minded, you can update the streaming profiles in an XML settings file to load new services.CONNECT 5G OR 4G PHONES FOR MOBILE DATAIf you’re doing live production on location then the ATEM SDI Pro and Extreme models support connecting an Apple or Android phone to the USB port to use mobile data. It's also a great backup for the main Ethernet connection. Phone tethering works with the latest high speed 5G phones plus the more common 4G phones. The ATEM switcher will automatically detect when a phone is connected and switch its internet connection to use it, eliminating the need for changing settings. When connected, the phone will power from the USB port so it remains charged from the switcher. By using phone tethering for mobile data, ATEM SDI Pro and ATEM SDI Extreme become the perfect mobile production solutions.RECORD DIRECT TO USB FLASH DISKS WITH ATEM SDI PROThe ATEM SDI Pro and Extreme models also support direct recording of your streaming data to USB flash disks. That means you get very long recordings in the same H.264 video files with AAC audio that you streamed, so you can direct upload to any online video site, such as YouTube or Vimeo. Recording to multiple disks is also supported via a USB hub so when a disk fills, recording can continue to a second disk so you get non-stop recording. Record settings and disk selection are set up in ATEM Software Control and you can also display the recording status in the multiview.EDIT LIVE PRODUCTION WITH SEPARATE ISO RECORDINGSThe ATEM SDI Pro ISO and Extreme ISO models allow you to edit your live event as they can record multiple video streams, including clean feeds of all inputs and program, all at the same time. Media pool images used are also saved with the video files. The video files include metadata tags such as synced timecode and camera numbers. Imagine re-editing your show with new colour grades, effects and graphics. Even the audio sources are all recorded so you can professionally remix your audio.EDIT LIVE PRODUCTION IN DAVINCI RESOLVEThe ISO models also save a DaVinci Resolve project file, so with a single click you can open your live production as a video edit. All cuts, dissolves and media pool graphics will be loaded. This means you can fine tune edit points or even completely replace shots. The DaVinci Resolve Sync Bin lets you edit shots via a multiview interface, so it's easy to use and fast. All ISO files will be automatically aligned by timecode, so you can scroll along and see all camera angles perfectly synced.ADD EXCITING VIDEO EFFECTSOne of the benefits of ATEM SDI is the professional production values that are possible using the range of built in video effects. The cut button ensures an instant cut when switching between sources. The auto button is a professional term that's used on large broadcast switchers to enable video effect transitions. There are duration buttons for video effects allowing 0.5, 1, 1.5 and 2 second settings. You can also select the type of effect you want including mix, which does a smooth transition between sources, and dip which fades via a colour during the transition. Or use fun DVE effects that move the image off screen when transitioning between sources.WORK WITH PROFESSIONAL MICROPHONESWith two independent 3.5mm stereo audio inputs, you can connect desktop and lapel microphones. You can even connect a music player to generate introduction music after the live stream commences but before the program starts. With 2 extra stereo audio inputs, you can ensure a host and guest both have lapel microphones when doing interviews. All audio inputs to ATEM SDI include buttons on the panel for adjusting audio level and enabling inputs into the audio mixer. Plus all models feature a Fairlight audio mixer with all SDI inputs and both microphone inputs connected to the audio mixer allowing live mixing from all your audio sources. The ATEM SDI Extreme also adds a headphone output.AUTOMATICALLY CONVERTS ANY SDI INPUT FORMATEach 3G-SDI video input features its own dedicated standards converter. That means ATEM SDI will automatically convert 1080p, 1080i and 720p sources to the switcher video standard. By default the switcher will set its video format automatically, however you can also set the switcher to any video standard manually. The SDI outputs are a true "aux" outputs so you can independently customize the source video routed to each SDI output. All outputs can be connected to cameras as they include camera control and tally information. On the more powerful ATEM SDI Pro and ATEM SDI Extreme models, the SDI output can also be selected to display the built in multiview.SECRET BROADCAST FEATURES BUILT INWhile ATEM SDI is easy to use, it also has very powerful high end broadcast features. ATEM SDI is even perfect for training new live production crews as it has the same features as the massive switchers used in large broadcast studios. You get an ATEM Advanced Chroma Key, Fairlight audio mixer, DVE, still store for graphics and much more. Simply run the free ATEM Software Control app on Mac or Windows while connected via USB or Ethernet to access the extended features of the ATEM SDI. With a little experimentation you can learn how to produce broadcast quality live production. Only ATEM SDI is a true broadcast switcher hidden in a tiny and affordable design.INCLUDES FREE ATEM SOFTWARE CONTROL PANELThe ATEM Software Control app unlocks the hidden power of ATEM SDI and allows access to every feature in the switcher. ATEM Software Control features a visual switcher user interface with parameter palettes for making quick adjustments. Although you can normally connect via USB, if you connect using Ethernet it's possible for multiple users to connect to ATEM SDI using separate copies of ATEM Software Control on different computers. The software lets you access full audio mixing with effects, load still frames and even do advanced macro programming. You can even save the switcher state as an XML file. If you need clip playback, you can even control HyperDeck disk recorders via Ethernet.DVE FOR PICTURE IN PICTURE, TRANSITIONS AND EFFECTSOne of the most exciting features on ATEM SDI is the built in DVE that allows picture in picture effects and DVE transitions. The DVE lets you create professional picture in picture effects with customizable 3D borders, shadows and lighting. The image quality is the same as high end ATEM switcher models and the DVE supports position, resize and scale, all in real time. The DVE can also be used to create amazing transitions with 16 different DVE squeeze and DVE push effects for adding excitement to your programming. The DVE features a "fly key" so you can use it with custom graphics to create graphic wipe transitions.PROFESSIONAL BROADCAST TRANSITIONSATEM SDI includes a wide range of broadcast quality HD native transitions such as mix, dip, wipe and more. All transitions can be customized by adjusting parameters such as duration, border colour, border width, position and direction. You can also use the DVE in transitions, allowing a graphic to be moved over the wipe edge which is called a graphic wipe, and is commonly used in sports programming. To eliminate errors, ATEM SDI has a preview transition feature so you can check your transitions before putting them to air.BUILT-IN GRAPHICS WITH PHOTOSHOP PLUG‑INThe built in "media pool" allows the loading of up to 20 separate broadcast quality RGBA graphics for titles, opening plates and logos. The media player is used to output the selected image so it appears as an extra internal video source for use in graphics and titles. You can even use still frames for complex effects such as graphic wipes. ATEM SDI can also grab stills from video and save them to the internal media pool. Graphics can be loaded via ATEM Software Control or downloaded directly from Photoshop using the ATEM Photoshop plug-in. The Photoshop Plug-in is perfect for graphics that change often, such as scoreboards, as you can download directly into the media player.INCLUDES NEW ATEM ADVANCED CHROMA KEYFor news or on-set presentation work, ATEM SDI is perfect as it features the powerful ATEM Advanced Chroma Key for green screen keying effects. The chroma keyer is incredibly powerful and features a colour picker to sample background colours for automatic generation of the key parameters. You get precise controls for edge and flare, and there is even a foreground colour corrector so you can match the foreground and background layers for seamless compositions. You can even use it for title overlays by creating graphics with a green or blue background. Plus the ATEM SDI Extreme includes a massive 4 separate ATEM Advanced Chroma Keyers, for a keyer per camera, allowing virtual set production.CREATE AMAZING VIRTUAL SETSThe ATEM SDI Extreme models include 4 upstream chroma keyers and this allows you to build exciting virtual sets. With 4 independent chroma keyers, you get a keyer per camera so you can build a virtual set for up to 4 cameras. With ATEM SDI Extreme you have 8 inputs, 4 to use for cameras and the other 4 can be connected to a virtual set computer for the rendered backgrounds. Or if you don't need to move your cameras, you can do fixed camera virtual sets by loading pre rendered still image backgrounds from the media players and media pool. You can setup macros to change cameras and load the correct background into the media players.POWERFUL SUPERSOURCE PROCESSINGIn addition to 2 independent DVEs in the ATEM SDI Extreme models, there's also a powerful SuperSource multi layer processor with 4 extra DVE layers plus a background layer, that all appear to ATEM SDI Extreme as an additional input source. Any ATEM SDI Extreme video input can be used for each SuperSource DVE, then it’s all layered together over a media pool custom background. SuperSource is perfect for doing multiple picture in picture displays with people being interviewed because you can set up the effect before putting it to air, still keeping both main DVEs free for other tasks. SuperSource is just like having an extra multi-layer VFX switcher built in.TRUE BROADCAST STYLE MIX EFFECTS SWITCHINGAlthough ATEM SDI works in "cut bus" mode when first purchased, it can also be changed to "program/preview" style operation, which is the way broadcasters normally use live production switchers. Cut bus switching is easy and selecting any input will instantly switch to that source. However if you want to operate ATEM SDI like a true professional then you can change the switcher to program/preview using ATEM Software Control settings. Mix effects operation allows a source to be selected but it won't be put on air until you press the cut or auto buttons. That 2 step program/preview process means fewer mistakes.MONITOR SOURCES AND STATUS WITH ATEM SDI PRO MULTIVIEWWhen doing larger live productions with multiple cameras, it’s very useful to see all your video sources at the same time on a single monitor. The ATEM SDI Pro and ATEM SDI Extreme models include a professional multiview that lets you see all video inputs, preview and program on a single SDI monitor. Simply select M/V button on the front panel to select the multiview. Each camera view includes tally indicators so you know when each source is on-air, and each view also has custom labels and audio meters. Plus the ATEM SDI Extreme models allow you to select up to 16 custom views. Multiview even includes status for recording, streaming and the audio mixer.BUILT IN AUDIO MIXER WITH 6 BAND EQ, COMPRESSOR AND LIMITERWith a built in Fairlight audio mixer, ATEM SDI makes it possible to do complex live sound mixing. The internal mixer features enough channels for each SDI input so you can mix audio from all sources. That’s audio from all SDI sources, plus the 2 stereo mic inputs. Each input channel features the highest quality 6 band parametric EQ and compressor, limiter, expander and noise gate as well as full panning. You can even set up the software to auto mix between inputs as you switch "AFV" or to live mix multiple sources together all at once. All this audio power can be controlled via ATEM Software Control, or you can add a Mackie compatible panel.CREATE BROADCAST LINKS WITH ATEM STREAMING BRIDGEThe ATEM Streaming Bridge is a video converter that lets you receive a H.264 stream from any ATEM SDI Pro or ATEM SDI Extreme and convert it back to video. This means you can send video to remote locations around your local Ethernet network, or via the internet globally. That's possible because it uses an advanced H.264 codec for high quality at very low data rates. This means you can create broadcast quality links back to your studio using the internet, so it's much lower cost. To make setup is easy, the ATEM software utility can create a setup files that you can email to the remote studio. ATEM Streaming Bridge is the perfect way to use ATEM SDI as a remote broadcast studio.DEVELOP CUSTOM REMOTE CONTROL SOLUTIONSThe Ethernet connection also allows customized control solutions. Even though ATEM SDI includes ATEM Software Control, you can use the Ethernet to control the ATEM remotely, anywhere in the world. A popular workflow is to use the Ethernet to allow the ATEM SDI to be positioned near the cameras, but the control is positioned remotely in a quieter space, such as a control room. Imagine using the switcher from a control room and building a professional broadcasting studio where the control room can be separated away from the performance or interviews. Ethernet allows you to add as many panels as you like all at the same time, or you can build custom solutions using the developer SDK.CONNECT A HDMI COMPUTERIf you need to connect computer graphics to ATEM SDI, then you can use a Micro Converter HDMI to SDI. Because the connection is direct, the quality is amazing. If you create graphics with a green background, then the ATEM Advanced Keyer will allow compositing titles over a live background. Computers also make fantastic media players.CONNECT A HDMI CAMERAConnect a Blackmagic Pocket Cinema Camera 4K or 6K by using a Micro Converter BiDirect SDI/HDMI. It will convert the camera HDMI to the switcher SDI input. It can also take an SDI output of the switcher and embed the camera control into the HDMI data link back to the camera. This gives you tally and colour corrector control direct from the switcher.SWITCH FASTER WITH AN ATEM 1 M/E ADVANCED PANELWith Ethernet built in, ATEM SDI can use hardware control panels for high end workflows that take advantage of the hidden broadcast features in the switcher. The ATEM 1 M/E Advanced Panel features the fast program/preview style with separate source buttons for both program and preview rows. Get direct access to all transitions automatically or manually using the t-bar. For accurate control of the DVE, the joystick provides X, Y positioning with rotation setting the DVE size. You also get LCD menus to control features that don't have dedicated knobs and buttons. You can even program and trigger macros. Plus you can still use the hardware panel if you upgrade to a bigger ATEM switcher later.GET INDUSTRY STANDARD PROFESSIONAL CAMERA CONTROLWhen working on live production, its critical all cameras are perfectly matched with good colour balance for a consistent look when transitioning between the each camera. The ATEM Camera Control Panel works with ATEM SDI and is the perfect solution for camera control. All control commands are sent to the cameras using the SDI camera control protocol which is supported by cameras such as Blackmagic URSA Broadcast and Blackmagic Studio Cameras. You get dedicated controls including CCU style joystick and controls for RGB camera colour, master gain, black, iris and more. Plus all controls are arranged in a familiar broadcast layout perfect for both experienced and new operators.COMPATIBLE WITH BLACKMAGIC CAMERAS, PANELS, DECKS AND MOREATEM SDI is even more powerful it can be expanded to grow with you. Add an ATEM Advanced Panel to get professional industry standard switcher control. Then add an ATEM Camera Control Panel for fast control and colour balancing of up to four cameras. For cameras, Blackmagic Studio Cameras make great studio cameras as they have tally and control all built into the compact and very portable design. For mastering, Blackmagic HyperDeck Studio recorders are perfect because they include popular file formats such as ProRes, H.264 and DNx. You can even live stream using an UltraStudio or Blackmagic Web Presenter. Then add a Micro Converter SDI to HDMI 3G converter for HDMI monitoring.Blackmagic URSA Broadcast G2Designed for broadcast and live production, you get a 6K sensor with +36dB of gain, wide dynamic range and B4 lens mount. Includes Blackmagic RAW, ProRes, H.264 and H.265 record file formats.Blackmagic Studio Viewfinder G2Turn URSA Mini into the ultimate live camera with a professional 7 inch studio viewfinder!Blackmagic Camera Fiber ConverterConnect cameras to live switchers up to 2 km away with video, control and power, all over a single cable!Blackmagic Studio Fiber ConverterConnect to remote cameras up to 2 km away with multiple channels of video, control and power all over a single cable!Blackmagic Studio Camera 4K ProDesigned for professional SDI switchers, you get all the features of the Plus model, as well as 12G-SDI, professional XLR audio, brighter HDR LCD and 10G Ethernet IP link.HyperDeck Studio HD MiniMiniaturized deck records H.264, ProRes or DNxHD files onto SD/UHS-II cards or external USB disks in SD/HD formats to 1080p60. Includes timecode and reference generators, 3G-SDI in/out and HDMI out.HyperDeck Studio HD ProIncludes all the features of the Plus model, and adds 2 SSD slots as well as the 2 SD card slots. Also includes machined metal search dial with clutch, SDI monitor out and XLR timecode connections.ATEM Camera Control PanelControl up to 4 cameras at one time including iris, shutter speed, white balance, master gain, pedestal, RGB and more!

Blackmagic Atem sdi Extreme Iso

Blackmagic Atem sdi Extreme Iso(BMD-SWATEMMXEPCEXTISO, BMD SWATEMMXEPCEXTISO, BMD/SWATEMMXEPCEXTISO) A NEW GENERATION OF ULTRA PORTABLE LIVE PRODUCTION ATEM SDI gives you the portable design of ATEM Mini, but its SDI connections means you can connect advanced broadcast quality cameras and recorders. This opens up a whole new world of ultra portable live production. The incredibly portable design means you can fit a whole broadcast quality live production system in a small bag or even a backpack. You can use multiple cameras on location and live stream direct to YouTube, or create a broadcast quality link back to a studio with ATEM Streaming Bridge. Unlike single camera remote shoots, ATEM SDI lets you connect multiple cameras so you can create interesting remote interviews with multiple camera angles. SELF CONTAINED BROADCAST QUALITY SWITCHER ATEM SDI’s compact all in one design includes both a control panel as well as connections. The front panel includes easy to use buttons for selecting sources, video effects and transitions. The source buttons are large so it’s possible to use it by feel, letting the presenter do the switching. You even get buttons for audio mixing. The ATEM SDI Pro and Extreme models have buttons for recording and streaming control, as well as output selection buttons that let you change the video output between program, direct camera feeds and the multiview. On the rear panel there are SDI connections for cameras, extra microphone inputs, USB for webcam plus multiple SDI "aux" outputs for program video. EASY TO USE AND FAST TO LEARN There's never been a switcher that’s easier to use, as you simply press any of the input buttons labelled by number on the front panel to cut between video sources. You can choose between cut or effects transitions by selecting the cut or auto buttons. Unlike cut, the auto button tells ATEM SDI to use a video effect when switching inputs. You can select from exciting transitions such as dissolve, or more dramatic effects such as dip to colour, DVE squeeze and DVE push. Add a DVE effect for picture in picture effects with customized picture positions and background. There are even "media players" which are a still store for titles and graphics that you can load via external software control. CONNECT UP TO 8 BROADCAST CAMERAS With 4 or 8 video inputs, depending on the model, ATEM SDI lets you connect multiple cameras for different views of the performance. Video cameras with SDI outputs such as Blackmagic Studio Camera or Blackmagic URSA Broadcast G2 are much better quality as they have better low light performance and they use professional lenses. All video sources will re-sync to the switcher, even if they operate at different video standards. Everything just works so setup on location is easy and you don't have to worry about technical problems. Imagine taking advantage of the creative freedom of multi camera live production for interviews, advertorials, theater production, music performances, sports and more. OUTPUTS WEBCAM FOR VIDEO SOFTWARE To ensure maximum compatibility, all ATEM SDI models feature USB that operates as a simple webcam source. That means you can plug into a computer and get working with any video software. The software is tricked into thinking the ATEM SDI is a common webcam, but it's really a live production switcher. That guarantees full compatibility with any video software and in full resolution 1080HD quality. Choose any software you like, such as Zoom, Microsoft Teams or Skype for a new way to do presentations with a professional multi camera broadcast quality style. The ATEM SDI webcam output also works with streaming software such as Open Broadcaster, XSplit Broadcaster and more. LIVE STREAM VIA ETHERNET ON ATEM SDI PRO ATEM SDI Pro and ATEM SDI Extreme models have a built in hardware streaming engine for live streaming via their ethernet connections. That means you can live stream to YouTube, Facebook and Twitch in better quality, without dropped frames and with simpler settings. Just select the streaming service and enter the streaming key. There are palettes in ATEM Software Control for streaming setup, plus streaming status is also displayed in the multiview. Streaming status is easy to understand as the data rate indicator shows internet speed required for the video format you're using. If you're technically minded, you can update the streaming profiles in an XML settings file to load new services. CONNECT 5G OR 4G PHONES FOR MOBILE DATA If you’re doing live production on location then the ATEM SDI Pro and Extreme models support connecting an Apple or Android phone to the USB port to use mobile data. It's also a great backup for the main Ethernet connection. Phone tethering works with the latest high speed 5G phones plus the more common 4G phones. The ATEM switcher will automatically detect when a phone is connected and switch its internet connection to use it, eliminating the need for changing settings. When connected, the phone will power from the USB port so it remains charged from the switcher. By using phone tethering for mobile data, ATEM SDI Pro and ATEM SDI Extreme become the perfect mobile production solutions. RECORD DIRECT TO USB FLASH DISKS WITH ATEM SDI PRO The ATEM SDI Pro and Extreme models also support direct recording of your streaming data to USB flash disks. That means you get very long recordings in the same H.264 video files with AAC audio that you streamed, so you can direct upload to any online video site, such as YouTube or Vimeo. Recording to multiple disks is also supported via a USB hub so when a disk fills, recording can continue to a second disk so you get non-stop recording. Record settings and disk selection are set up in ATEM Software Control and you can also display the recording status in the multiview. EDIT LIVE PRODUCTION WITH SEPARATE ISO RECORDINGS The ATEM SDI Pro ISO and Extreme ISO models allow you to edit your live event as they can record multiple video streams, including clean feeds of all inputs and program, all at the same time. Media pool images used are also saved with the video files. The video files include metadata tags such as synced timecode and camera numbers. Imagine re-editing your show with new colour grades, effects and graphics. Even the audio sources are all recorded so you can professionally remix your audio. EDIT LIVE PRODUCTION IN DAVINCI RESOLVE The ISO models also save a DaVinci Resolve project file, so with a single click you can open your live production as a video edit. All cuts, dissolves and media pool graphics will be loaded. This means you can fine tune edit points or even completely replace shots. The DaVinci Resolve Sync Bin lets you edit shots via a multiview interface, so it's easy to use and fast. All ISO files will be automatically aligned by timecode, so you can scroll along and see all camera angles perfectly synced. ADD EXCITING VIDEO EFFECTS One of the benefits of ATEM SDI is the professional production values that are possible using the range of built in video effects. The cut button ensures an instant cut when switching between sources. The auto button is a professional term that's used on large broadcast switchers to enable video effect transitions. There are duration buttons for video effects allowing 0.5, 1, 1.5 and 2 second settings. You can also select the type of effect you want including mix, which does a smooth transition between sources, and dip which fades via a colour during the transition. Or use fun DVE effects that move the image off screen when transitioning between sources. WORK WITH PROFESSIONAL MICROPHONES With two independent 3.5mm stereo audio inputs, you can connect desktop and lapel microphones. You can even connect a music player to generate introduction music after the live stream commences but before the program starts. With 2 extra stereo audio inputs, you can ensure a host and guest both have lapel microphones when doing interviews. All audio inputs to ATEM SDI include buttons on the panel for adjusting audio level and enabling inputs into the audio mixer. Plus all models feature a Fairlight audio mixer with all SDI inputs and both microphone inputs connected to the audio mixer allowing live mixing from all your audio sources. The ATEM SDI Extreme also adds a headphone output. AUTOMATICALLY CONVERTS ANY SDI INPUT FORMAT Each 3G-SDI video input features its own dedicated standards converter. That means ATEM SDI will automatically convert 1080p, 1080i and 720p sources to the switcher video standard. By default the switcher will set its video format automatically, however you can also set the switcher to any video standard manually. The SDI outputs are a true "aux" outputs so you can independently customize the source video routed to each SDI output. All outputs can be connected to cameras as they include camera control and tally information. On the more powerful ATEM SDI Pro and ATEM SDI Extreme models, the SDI output can also be selected to display the built in multiview. SECRET BROADCAST FEATURES BUILT IN While ATEM SDI is easy to use, it also has very powerful high end broadcast features. ATEM SDI is even perfect for training new live production crews as it has the same features as the massive switchers used in large broadcast studios. You get an ATEM Advanced Chroma Key, Fairlight audio mixer, DVE, still store for graphics and much more. Simply run the free ATEM Software Control app on Mac or Windows while connected via USB or Ethernet to access the extended features of the ATEM SDI. With a little experimentation you can learn how to produce broadcast quality live production. Only ATEM SDI is a true broadcast switcher hidden in a tiny and affordable design. INCLUDES FREE ATEM SOFTWARE CONTROL PANEL The ATEM Software Control app unlocks the hidden power of ATEM SDI and allows access to every feature in the switcher. ATEM Software Control features a visual switcher user interface with parameter palettes for making quick adjustments. Although you can normally connect via USB, if you connect using Ethernet it's possible for multiple users to connect to ATEM SDI using separate copies of ATEM Software Control on different computers. The software lets you access full audio mixing with effects, load still frames and even do advanced macro programming. You can even save the switcher state as an XML file. If you need clip playback, you can even control HyperDeck disk recorders via Ethernet. DVE FOR PICTURE IN PICTURE, TRANSITIONS AND EFFECTS One of the most exciting features on ATEM SDI is the built in DVE that allows picture in picture effects and DVE transitions. The DVE lets you create professional picture in picture effects with customizable 3D borders, shadows and lighting. The image quality is the same as high end ATEM switcher models and the DVE supports position, resize and scale, all in real time. The DVE can also be used to create amazing transitions with 16 different DVE squeeze and DVE push effects for adding excitement to your programming. The DVE features a "fly key" so you can use it with custom graphics to create graphic wipe transitions. PROFESSIONAL BROADCAST TRANSITIONS ATEM SDI includes a wide range of broadcast quality HD native transitions such as mix, dip, wipe and more. All transitions can be customized by adjusting parameters such as duration, border colour, border width, position and direction. You can also use the DVE in transitions, allowing a graphic to be moved over the wipe edge which is called a graphic wipe, and is commonly used in sports programming. To eliminate errors, ATEM SDI has a preview transition feature so you can check your transitions before putting them to air. BUILT-IN GRAPHICS WITH PHOTOSHOP PLUG‑IN The built in "media pool" allows the loading of up to 20 separate broadcast quality RGBA graphics for titles, opening plates and logos. The media player is used to output the selected image so it appears as an extra internal video source for use in graphics and titles. You can even use still frames for complex effects such as graphic wipes. ATEM SDI can also grab stills from video and save them to the internal media pool. Graphics can be loaded via ATEM Software Control or downloaded directly from Photoshop using the ATEM Photoshop plug-in. The Photoshop Plug-in is perfect for graphics that change often, such as scoreboards, as you can download directly into the media player. INCLUDES NEW ATEM ADVANCED CHROMA KEY For news or on-set presentation work, ATEM SDI is perfect as it features the powerful ATEM Advanced Chroma Key for green screen keying effects. The chroma keyer is incredibly powerful and features a colour picker to sample background colours for automatic generation of the key parameters. You get precise controls for edge and flare, and there is even a foreground colour corrector so you can match the foreground and background layers for seamless compositions. You can even use it for title overlays by creating graphics with a green or blue background. Plus the ATEM SDI Extreme includes a massive 4 separate ATEM Advanced Chroma Keyers, for a keyer per camera, allowing virtual set production. CREATE AMAZING VIRTUAL SETS The ATEM SDI Extreme models include 4 upstream chroma keyers and this allows you to build exciting virtual sets. With 4 independent chroma keyers, you get a keyer per camera so you can build a virtual set for up to 4 cameras. With ATEM SDI Extreme you have 8 inputs, 4 to use for cameras and the other 4 can be connected to a virtual set computer for the rendered backgrounds. Or if you don't need to move your cameras, you can do fixed camera virtual sets by loading pre rendered still image backgrounds from the media players and media pool. You can setup macros to change cameras and load the correct background into the media players. POWERFUL SUPERSOURCE PROCESSING In addition to 2 independent DVEs in the ATEM SDI Extreme models, there's also a powerful SuperSource multi layer processor with 4 extra DVE layers plus a background layer, that all appear to ATEM SDI Extreme as an additional input source. Any ATEM SDI Extreme video input can be used for each SuperSource DVE, then it’s all layered together over a media pool custom background. SuperSource is perfect for doing multiple picture in picture displays with people being interviewed because you can set up the effect before putting it to air, still keeping both main DVEs free for other tasks. SuperSource is just like having an extra multi-layer VFX switcher built in. TRUE BROADCAST STYLE MIX EFFECTS SWITCHING Although ATEM SDI works in "cut bus" mode when first purchased, it can also be changed to "program/preview" style operation, which is the way broadcasters normally use live production switchers. Cut bus switching is easy and selecting any input will instantly switch to that source. However if you want to operate ATEM SDI like a true professional then you can change the switcher to program/preview using ATEM Software Control settings. Mix effects operation allows a source to be selected but it won't be put on air until you press the cut or auto buttons. That 2 step program/preview process means fewer mistakes. MONITOR SOURCES AND STATUS WITH ATEM SDI PRO MULTIVIEW When doing larger live productions with multiple cameras, it’s very useful to see all your video sources at the same time on a single monitor. The ATEM SDI Pro and ATEM SDI Extreme models include a professional multiview that lets you see all video inputs, preview and program on a single SDI monitor. Simply select M/V button on the front panel to select the multiview. Each camera view includes tally indicators so you know when each source is on-air, and each view also has custom labels and audio meters. Plus the ATEM SDI Extreme models allow you to select up to 16 custom views. Multiview even includes status for recording, streaming and the audio mixer. BUILT IN AUDIO MIXER WITH 6 BAND EQ, COMPRESSOR AND LIMITER With a built in Fairlight audio mixer, ATEM SDI makes it possible to do complex live sound mixing. The internal mixer features enough channels for each SDI input so you can mix audio from all sources. That’s audio from all SDI sources, plus the 2 stereo mic inputs. Each input channel features the highest quality 6 band parametric EQ and compressor, limiter, expander and noise gate as well as full panning. You can even set up the software to auto mix between inputs as you switch "AFV" or to live mix multiple sources together all at once. All this audio power can be controlled via ATEM Software Control, or you can add a Mackie compatible panel. CREATE BROADCAST LINKS WITH ATEM STREAMING BRIDGE The ATEM Streaming Bridge is a video converter that lets you receive a H.264 stream from any ATEM SDI Pro or ATEM SDI Extreme and convert it back to video. This means you can send video to remote locations around your local Ethernet network, or via the internet globally. That's possible because it uses an advanced H.264 codec for high quality at very low data rates. This means you can create broadcast quality links back to your studio using the internet, so it's much lower cost. To make setup is easy, the ATEM software utility can create a setup files that you can email to the remote studio. ATEM Streaming Bridge is the perfect way to use ATEM SDI as a remote broadcast studio. DEVELOP CUSTOM REMOTE CONTROL SOLUTIONS The Ethernet connection also allows customized control solutions. Even though ATEM SDI includes ATEM Software Control, you can use the Ethernet to control the ATEM remotely, anywhere in the world. A popular workflow is to use the Ethernet to allow the ATEM SDI to be positioned near the cameras, but the control is positioned remotely in a quieter space, such as a control room. Imagine using the switcher from a control room and building a professional broadcasting studio where the control room can be separated away from the performance or interviews. Ethernet allows you to add as many panels as you like all at the same time, or you can build custom solutions using the developer SDK. CONNECT A HDMI COMPUTER If you need to connect computer graphics to ATEM SDI, then you can use a Micro Converter HDMI to SDI. Because the connection is direct, the quality is amazing. If you create graphics with a green background, then the ATEM Advanced Keyer will allow compositing titles over a live background. Computers also make fantastic media players.   CONNECT A HDMI CAMERA Connect a Blackmagic Pocket Cinema Camera 4K or 6K by using a Micro Converter BiDirect SDI/HDMI. It will convert the camera HDMI to the switcher SDI input. It can also take an SDI output of the switcher and embed the camera control into the HDMI data link back to the camera. This gives you tally and colour corrector control direct from the switcher. SWITCH FASTER WITH AN ATEM 1 M/E ADVANCED PANEL With Ethernet built in, ATEM SDI can use hardware control panels for high end workflows that take advantage of the hidden broadcast features in the switcher. The ATEM 1 M/E Advanced Panel features the fast program/preview style with separate source buttons for both program and preview rows. Get direct access to all transitions automatically or manually using the t-bar. For accurate control of the DVE, the joystick provides X, Y positioning with rotation setting the DVE size. You also get LCD menus to control features that don't have dedicated knobs and buttons. You can even program and trigger macros. Plus you can still use the hardware panel if you upgrade to a bigger ATEM switcher later. GET INDUSTRY STANDARD PROFESSIONAL CAMERA CONTROL When working on live production, its critical all cameras are perfectly matched with good colour balance for a consistent look when transitioning between the each camera. The ATEM Camera Control Panel works with ATEM SDI and is the perfect solution for camera control. All control commands are sent to the cameras using the SDI camera control protocol which is supported by cameras such as Blackmagic URSA Broadcast and Blackmagic Studio Cameras. You get dedicated controls including CCU style joystick and controls for RGB camera colour, master gain, black, iris and more. Plus all controls are arranged in a familiar broadcast layout perfect for both experienced and new operators. COMPATIBLE WITH BLACKMAGIC CAMERAS, PANELS, DECKS AND MORE ATEM SDI is even more powerful it can be expanded to grow with you. Add an ATEM Advanced Panel to get professional industry standard switcher control. Then add an ATEM Camera Control Panel for fast control and colour balancing of up to four cameras. For cameras, Blackmagic Studio Cameras make great studio cameras as they have tally and control all built into the compact and very portable design. For mastering, Blackmagic HyperDeck Studio recorders are perfect because they include popular file formats such as ProRes, H.264 and DNx. You can even live stream using an UltraStudio or Blackmagic Web Presenter. Then add a Micro Converter SDI to HDMI 3G converter for HDMI monitoring. Blackmagic URSA Broadcast G2 Designed for broadcast and live production, you get a 6K sensor with +36dB of gain, wide dynamic range and B4 lens mount. Includes Blackmagic RAW, ProRes, H.264 and H.265 record file formats. Blackmagic Studio Viewfinder G2 Turn URSA Mini into the ultimate live camera with a professional 7 inch studio viewfinder! Blackmagic Camera Fiber Converter Connect cameras to live switchers up to 2 km away with video, control and power, all over a single cable! Blackmagic Studio Fiber Converter Connect to remote cameras up to 2 km away with multiple channels of video, control and power all over a single cable! Blackmagic Studio Camera 4K Pro Designed for professional SDI switchers, you get all the features of the Plus model, as well as 12G-SDI, professional XLR audio, brighter HDR LCD and 10G Ethernet IP link. HyperDeck Studio HD Mini Miniaturized deck records H.264, ProRes or DNxHD files onto SD/UHS-II cards or external USB disks in SD/HD formats to 1080p60. Includes timecode and reference generators, 3G-SDI in/out and HDMI out. HyperDeck Studio HD Pro Includes all the features of the Plus model, and adds 2 SSD slots as well as the 2 SD card slots. Also includes machined metal search dial with clutch, SDI monitor out and XLR timecode connections. ATEM Camera Control Panel Control up to 4 cameras at one time including iris, shutter speed, white balance, master gain, pedestal, RGB and more!

Blackmagic ATEM Television Studio 4K8

Blackmagic ATEM Television Studio 4K8(BMD-SWATEMTVSTC/K4K8) THE WORLD'S MOST PORTABLE ALL-IN-ONE TELEVISION STUDIO The new ATEM Television Studio is a professional live production switcher built into a broadcast control panel so it can be used for high end work while being extremely portable. This means you can use it in small venues that don't have the access for equipment racks or broadcast vans. You get a powerful switcher with 8 standards converted SDI inputs, aux outputs, 4 chroma keyers, 2 downstream keyers, SuperSource, 2 media players and lots of transitions. Plus it includes a whole television studio of features such as hardware streaming, recording, audio mixer, talkback, multiview and optional internal network shared storage. There's even an ISO model that records all 8 inputs for editing. THREE GREAT ATEM TELEVISION STUDIO MODELS ATEM Television Studio HD8 Compact live production switcher with built in broadcast control panel, 8 x 3G‑SDI inputs, streaming, recording, multiview, DVE, keyers, USB webcam, media players, talkback and optional cloud storage. ATEM Television Studio HD8 ISO Powerful ISO model includes all the features of ATEM Television Studio HD plus adds ISO recording of all 8 inputs and supports up to 8 remote cameras with control and tally for each camera. ATEM Television Studio 4K8 Powerful Ultra HD live production switcher similar to the non ISO HD model, however includes 8 x 12G-SDI inputs, 10 12G-SDI aux outputs for external recorders, 4 port 10G Ethernet switch and more. BRING MULTI CAMERA LIVE PRODUCTION TO ANY LOCATION Compact Broadcast Vans With the all in one design, you can build a new generation of ultra compact broadcast vans. You don't need racks of equipment, so you can eliminate clutter for a much nicer work environment. For stability, you can even mount the switcher inset into the desk. Music Venues and Clubs Some of the most exciting venues, such as downstairs music venues or comedy clubs, are too small for racks of video equipment. However ATEM Television Studio can be carried into any venue. It’s also easy to pack up, even if the venue is still crowded. Online Education ATEM Television Studio is perfect for creating education content. As the ISO model records the video inputs, you can finesse edits, replace shots and even add colour correction. Plus you can even connect to Zoom to incorporate live chat with students. Live Sports ATEM Television Studio is perfect for live sports because it has a simple design that's easy for community volunteers to use. It can be installed into sports clubs or taken on the road with the team. With up to 8 cameras, you'll catch all the exciting angles. SELF CONTAINED BROADCAST QUALITY SWITCHER The ATEM Television Studio combines a switcher and control panel into the same unit, so it’s extremely portable. You get everything you need. The front panel includes buttons for selecting sources, triggering transitions and setting up video effects. Plus the buttons are the same high-end type used on expensive broadcast switchers. You also get a built in t-bar for manual transition control. The front panel even has an innovative audio mixer control area with live metering on a dedicated LCD. There are also buttons for recording and streaming control, plus live aux switching that lets you change aux outputs between all 8 cameras, program, preview or the multiview. CONNECT UP TO 8 BROADCAST CAMERAS With 8 SDI video inputs, ATEM Television Studio lets you connect multiple cameras for different views of the performance. Video cameras with SDI outputs, such as Blackmagic Studio Camera or Blackmagic URSA Broadcast G2, are much better quality as they have better low light performance and use professional lenses. All video sources will re-sync to the switcher, even if they operate at different video standards. Everything just works so setup on location is easy and you don't have to worry about technical problems. Imagine taking advantage of the creative freedom of multi camera live production for interviews, advertorials, theater productions, music performances, sports and more. INCLUDES PRODUCTION, POST PRODUCTION AND DISTRIBUTION Live Production You get an incredibly powerful 8 input switcher with both program and aux outputs so you have everything you need for mobile production. That means you can connect up to 8 cameras. Plus you get professional camera control, talkback and audio mixing all designed into a familiar broadcast panel. Post Production The ISO model records all inputs into separate files so you can edit using any NLE that supports multi-cam. That's possible because all files have perfect timecode sync. Plus with built in network storage, you can edit while recording. Multiple users can even share media and collaborate. Distribution With a built in hardware streaming engine, you can live stream your event to a global audience. Recording to H.264 files with AAC audio means you get the correct format to upload to YouTube. Plus you share live broadcasts with your audience by using the aux outputs and large screens and projectors. EASY TO USE AND FAST TO LEARN There's never been a switcher that’s easier to use, as you simply press any of the program row buttons on the front panel to cut between video sources. Or you can pre select a source on the preview row and then choose between cut or effect transitions by selecting the cut or auto buttons. You can select from exciting transitions such as dissolve, or more dramatic effects such as dip to colour, DVE squeeze and DVE push. You can even add a DVE for picture in picture effects with customized graphics. There are also media players which let you store graphics with alpha channels for titles and graphics that you can load as live video inputs. Then you can live stream the results. TRUE BROADCAST STYLE MIX EFFECTS SWITCHING ATEM Television Studio uses a professional program/preview style of operation, which is exactly the way large broadcasters use live production switchers. However ATEM Television Studio can be switched to A/B style switching, which is easier when it's used by volunteers or community groups. However, if you want to operate the switcher like a broadcast professional then the program/preview is perfect. This means a source won't be put on air until you press the cut or auto button. This 2 step process means you see what you are selecting before putting it to air, so you get fewer mistakes. Plus program/preview operation is a fantastic way to train students for a career in broadcast television. EASY TO ADD EXCITING VIDEO EFFECTS One of the benefits of ATEM Television Studio is the range of professional built in video effects. The cut button ensures an instant cut when switching between sources. The t-bar fader can be used to transition video effects, or you can do the transition automatically by pressing the auto button. Auto uses the transition duration set in the system control. You can also select the type of effect you want including mix, which does a smooth transition between sources, or dip which transitions via a third video source, such as a colour generator. There is a wide range of SMPTE wipes included, plus fun DVE effects that slide or squeeze the image off screen when transitioning between video sources. INCLUDES LOADS OF EXTREMELY CREATIVE TRANSITIONS ATEM Television Studio includes the same kind of transitions found on expensive broadcast switchers. This means the effects and transitions can be customized in many different ways, so they are surprisingly powerful. You'll never stop finding new ways of using them. That’s because all transitions can be customized by adjusting parameters such as duration, border colour, border width, position and direction. You can even use the DVE with a wipe transition, where the DVE moves a graphic over the wipe edge. That's called a graphic wipe and it’s often used in sports broadcasting. The preview transition button can be used to set up effects offline, which is great for eliminating mistakes. BUILT IN DVE FOR BROADCAST VIDEO EFFECTS ATEM Television Studio features an independent DVE that lets you reposition graphics and create picture in picture compositions. You get amazing quality and the DVE supports position, resize and scale, all in real time. The DVE lets you create professional picture in picture effects with customizable 3D borders, shadows and lighting. DVEs can also be used to create amazing DVE transitions with squeeze, swoosh and push effects for adding excitement to your programming. You can even combine DVE transitions with custom graphics to create your own graphic wipe transitions. Pus there is also a SuperSource multi layer processing engine with 4 extra DVEs. SUPPORTS INTERNAL MEDIA FOR STILLS AND MOTION GRAPHICS The built in media pool stores broadcast quality graphics and animations that can be played back using the built in media players. Media players appear as independent sources so you don't need to waste any of the SDI inputs for graphics. For highest quality, all media supports RGB colourspace with alpha channel, allowing transparency and layering. The media pool can hold 20 HD or Ultra HD resolution stills. Depending on the model, motion graphics clips for animations and stingers can be up to 720 frames in 720HD, 360 frames in 1080HD and 90 frames in 2160 Ultra HD. The ATEM Software Control allows you to upload and manage media. You can even prepare graphics in Adobe Photoshop and then download to the media pool using the free ATEM Photoshop plug-in. INCLUDES 4 ATEM ADVANCED CHROMA KEYERS ATEM Television Studio is perfect for news and on-set presentation work because it features 4 ATEM Advanced Chroma Keyers for green screen keying effects. The chroma keyers are incredibly powerful and include features such as a colour picker to sample background colours for automatic generation of the key parameters. You get precise controls for edge and flare, and there is even a foreground colour corrector so you can match the foreground and background layers for seamless compositions. You can even use it for title overlays by creating graphics with a green or blue background. With 4 ATEM Advanced Chroma Keyers, ATEM Television Studio is perfect for creating fixed camera virtual sets. POWERFUL SUPERSOURCE PROCESSING In addition to the DVE in the ATEM Television Studio, there is also a powerful SuperSource multi layer processor. SuperSource gives you 4 extra DVE layers plus a background layer, all layered together as an additional input source. Any video input can be used as sources for each DVE, then it’s all layered together over a media pool custom background or live video. SuperSource is perfect for doing multiple picture in picture displays with people being interviewed because you can set up the effect so the viewer can see each person being interviewed all within a stylish graphic. SuperSource is just like having a completely independent multi-layer VFX switcher built in. UP TO 8 STANDARDS CONVERTED SDI INPUTS The ATEM Television Studio HD models feature 8 independent 3G-SDI inputs, and the 4K model has 8 12G-SDI inputs. Each SDI input has a dedicated standards converter so any 720 HD, 1080 HD or 2160 Ultra HD input source will be converted to the standard of the switcher. That means each SDI input could have a different television standard and all inputs will just work. SDI input audio channels 1, 2, 3 and 4 can also be manually routed to various embedded audio channels in the program and aux outputs. Plus you can even router out audio channels 1 and 2 from the SDI inputs to the MADI digital audio output, so you can hand off the switcher input audio to an external audio engineer for mixing. PROFESSIONAL SDI OUTPUTS WITH 16 CHANNEL EMBEDDED AUDIO The ATEM Television Studio includes up to nine SDI program outputs so you get enough connections to send a separate program return feed to all of your cameras. That’s important because the SDI program return is used to send tally, talkback and control information back to the cameras. You also get dedicated aux outputs for driving stage monitors and master recorders. Two of the aux outputs can be live switched using dedicated buttons on the control panel. One of the aux outputs also includes an on screen counter for presenter monitoring. Plus you can manually route audio into all 16 embedded audio channels in the SDI outputs. There's also a dedicated 3G-SDI and HDMI output for the multiview. BUILT IN AUDIO MIXER WITH 6 BAND EQ, COMPRESSOR AND LIMITER With a built in Fairlight audio mixer, ATEM Television Studio makes it possible to do complex live sound mixing. The internal mixer features enough channels for all SDI inputs, as well as extra channels for the XLR, RCA and MADI inputs. Each input channel features the highest quality 6 band parametric EQ, compressor, limiter, expander and noise gate as well as level and pan controls. You can mix all these input channels together at the same time, or you can set video sources to "audio follow video". The audio mixer is extremely powerful and it can be adjusted from the front panel using the dedicated audio mixer controls and LCD. Plus you can also mix audio using ATEM Software Control. BUILT-IN MULTIVIEW SUPPORTS 16 SOURCES ON A SINGLE MONITOR When doing larger live productions with multiple cameras, it’s vital to see all your video sources at the same time on a single monitor. ATEM Television Studio includes a professional multiview that lets you see all video inputs, preview and program on a single SDI or HDMI monitor. You can even send the multiview to the aux outputs. Each camera view includes tally indicators so you know when each source is on-air, plus each view has custom labels and audio meters. You can fully customize the multiview layout with up to 16 simultaneous views. You can also select one of the additional status views that lets you track recording, streaming and the audio mixer status, right from the multiview. LIVE STREAM TO A GLOBAL AUDIENCE ATEM Television Studio has a built in hardware streaming engine for live streaming to a global audience. That means you can live stream to services such as YouTube, Facebook and Twitch in better video quality and without dropped frames. Streaming works using the Ethernet connection to the internet, or you can connect a smartphone to use mobile data. Then you simply select the streaming service and enter the streaming key using ATEM Software Control. This makes streaming easy to setup, and the convenient data rate indicator shows the internet speed required. If you're technically minded, you can even update the streaming profiles in an XML settings file to add new services. CONNECT 5G OR 4G PHONES FOR MOBILE DATA If you’re doing live production on location then the ATEM Television Studio supports mobile data by connecting an Apple or Android phone to the USB port. It's also a great backup for the main Ethernet connection. Phone tethering works with the latest high speed 5G phones plus the more common 4G phones. The ATEM switcher will detect when a phone is connected and automatically switch its internet connection to use it if the Ethernet connection is lost. When connected, the phone will also power from the USB port so it always remains charged and ready to go. By using phone tethering and mobile data, you get the perfect mobile production solution that can be transported anywhere. OUTPUTS TO ANY SOFTWARE THAT SUPPORTS USB WEBCAMS You can use any video software with ATEM Television Studio because the USB connection will emulate a webcam. That means you can plug into a computer and use any video software that works with a webcam. The software is tricked into thinking the ATEM Television Studio is a common webcam, but it's really a live production switcher. That guarantees full compatibility with any video software and in full resolution 1080HD quality. Imagine doing a presentation from a professional broadcast studio to software such as Zoom, Teams or Skype. For streaming, the webcam output also works with streaming software such as Open Broadcaster, XSplit Broadcaster and more. RECORD TO INTERNAL STORAGE OR USB DISKS ATEM Television Studio supports recording to external USB flash disks. Or if an optional M.2 flash disk is installed, you can record directly to internal network shared storage. The internal storage plus any external USB disks will be available to share over the local Ethernet network so other people can work on post production tasks such as editing, colour correction and graphics preparation. All recordings are in H.264 format with AAC audio for broadcast quality video and small file sizes. You can also connect multiple USB disks, so recording will continue if a disk becomes full. You even get buttons on the control panel to start recording and you can see record status in the multiview. INTERNAL STORAGE SUPPORTS MULTIPLE USERS The ATEM Television Studio is also a fast network disk if you install an optional M.2 flash memory card inside the switcher. Flash memory is extremely fast so it can keep up with recording multiple ISO video files while lots of external simultaneous users all work on separate computers for editing, colour correction, VFX and audio post production. Plus the internal network storage is extremely easy to set up. You can also sync the storage to Dropbox and Google Drive, so recordings can be distributed between other ATEM Television Studios or Blackmagic Cloud Stores in different locations, even on lower cost internet connections. That’s the perfect global media sync solution. EDIT LIVE PRODUCTION WITH SEPARATE ISO RECORDINGS The ATEM Television Studio HD ISO model allows you to edit your live event as it can record all inputs to separate video files. You get 8 separate video input files with matching timecode and sync, plus the program video is also recorded into a separate master video file. This means you can edit using any NLE software that supports multi-cam editing. You can use any edit software that supports multi-cam because all input ISO video files will have matching timecode and be in perfect sync. Now it's easy to re-edit your show after the event, so your work will be absolutely perfect. Plus audio is recorded into separate WAV files so you can even professionally remix your audio. FULL INTEGRATION WITH DAVINCI RESOLVE Only ATEM Television Studio HD8 ISO is fully integrated into DaVinci Resolve. This means you can edit, colour correct, add VFX and audio mixing to your live production. Plus DaVinci Resolve is a free download for Mac, Windows and Linux, so there's no monthly license costs. Simply open the project and you'll see your live production as an edit timeline. You can trim edits and remove shots you don't want. In the cut page, the sync bin will show alternative shots in a multiview display. If you want to replace a shot, then simply click an alternative. Finally, you can add professional DaVinci colour correction. You can even relink to Blackmagic RAW camera files if you want to finish in Ultra HD. DISTRIBUTE FILES GLOBALLY With support for Dropbox and Google Drive sync, you can share files globally. That’s extremely important when working with video files that have long record durations so become large. If you need to work in multiple locations, then each user needs to have instant access to these files, even when most internet connections are too slow. While the internet is often too slow to access large video files in real time, it is perfect for syncing files to a storage provider such as Dropbox or Google Drive. Multiple Blackmagic Cloud Stores can sync down for local access in each location. Then everyone has a copy of their media on local network storage. It's the simplest solution for global media sync. Add Cloud Service Make sure your ATEM Television Studio is connected to the internet. Enter in your Dropbox or Google Drive account details, so the switcher can get access to allow sync. Set Sync Folders Next you need to set the sync folders. That tells the ATEM Television Studio where to sync its files to the remote Dropbox or Google Drive. You can have multiple sync folders for different jobs. Set Sync Direction Now set the sync direction. One direction is good when you have local files you want to share, but not enough room for everyone’s files. Both directions means everyone gets the same set of files. CONNECT TO REMOTE INTERNET CAMERAS Another exciting feature on the ATEM Television Studio HD8 ISO model is that it can connect to remote cameras. The Blackmagic URSA Broadcast G2, Blackmagic Studio Camera 4K Pro G2 and Blackmagic Studio Camera 6K Pro cameras can live stream in H.264 direct to the switcher. If you're connected to the local network, then simply select the camera in the input menu. However if the switcher is set to a fixed external IP address, then you can export an XML file with the camera settings to live stream from anywhere on the internet. Simply load the XML file into the camera. Plus you even get camera control and tally. Program audio is also sent back to the camera which is great for live interviews. INCLUDES FREE ATEM SOFTWARE CONTROL PANEL The ATEM Software Control app unlocks the hidden power of ATEM Television Studio by allowing access to all the features in the switcher. ATEM Software Control features a visual switcher user interface with parameter palettes for making adjustments. Although you can connect via USB, if you connect using Ethernet you can run multiple copies of ATEM Software Control on different computers. The software lets you live switch, mix audio, colour correct in the cameras and manage media. You can also build and run complex macros from the software. Plus you can save the switcher state as an XML file for recalling jobs later. You can even control trigger external HyperDeck recorders. LOCALIZED FOR 13 POPULAR LANGUAGES ATEM Television Studio supports multiple languages in the menus and in the ATEM Software Control, so you can customize it to the language you prefer. You get support for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese, Turkish, Polish and Ukrainian languages. Simply go into the setup menu to change the language, or you can always switch to another language at any time in the future. Once a language is selected, the menus on all the LCDs will change to the selected language. Multiple language support means ATEM Television Studio is perfect for doing live production work anywhere in the world and with any crew. DESIGNED TO BE EASY TO REPAIR With so many features built in, it’s vital that ATEM Television Studio can be easily repaired. Plus, there is already a lot of built in redundancy, with 4 Ethernet connections, up to 9 program SDI outputs, 2 USB ports and 2 power connections. However if someone trips on a cable and breaks a connector, then you need to be able to repair the connector at low cost. All the internal electronic PCBs are modular, so any qualified technician can buy a replacement and easily swap the board. This includes the connector PCBs, which can be purchased separately. All the technician needs to do is remove the bottom cover and replace the PCB. A large broadcaster could even buy the boards as a spare parts kit. FLEXIBLE AND REDUNDANT POWER The all in one design of ATEM Television Studio includes a built in power supply so you don’t have to carry around an external power brick. Simply plug it into any AC mains outlet and start live production. The international power supply automatically works from 100 to 240V AC, so you can use it anywhere in the world. Plus, ATEM Television Studio includes both AC and DC power connections. A broadcast standard XLR 12V DC power connection is included which is perfect for backup power or for running on batteries. That means you can use it in extremely remote locations. Plus, if the internal power supply should malfunction, then you can simply connect an external DC supply to keep running. ADD AUDIO EXPANSION FOR MORE MICROPHONES If you're building a podcasting studio or you need more microphones, then the ATEM Microphone Converter allows audio input expansion. It connects to the ATEM Television Studio using the MADI port, so there's no complex setup and you can daisy chain units to add more inputs. Each converter has 4 analogue inputs that are mic/line selectable and have phantom power. The design features amazing quality with an extremely low noise floor of -129dBV, a dynamic range of 131dB(A), low distortion of 0.002% and uniform tolerances across all channels. It even uses 8 separate ADCs on each input to collectively extend the dynamic range. Plus it has a fun HDMI monitoring output with scrolling audio waveforms. ADD THE ULTIMATE COMPACT STUDIO CAMERA When you need cameras that are perfectly designed for ATEM Television Studio then the new Blackmagic Studio Cameras are an ideal choice. Blackmagic Studio Cameras have the same features as large studio cameras, miniaturized into a single compact and portable design. Plus with digital film camera dynamic range and colour science, the cameras can handle extremely difficult lighting conditions while producing cinematic looking images. The sensor features an ISO up to 25,600 so you can create amazing images even in dimly lit venues. Advanced features include talkback, tally, camera control, built in colour corrector and Blackmagic RAW recording. You can even add focus and zoom controllers. MATCH CAMERAS WITH AN ATEM CAMERA CONTROL PANEL When working on live production, it’s critical all cameras are perfectly colour matched for a consistent look as you transition between different sources. ATEM Television Studio has camera control built in, however if you add a dedicated ATEM Camera Control Panel then you can adjust cameras using the same style of controls that are standard in the broadcast industry. Each camera controller includes an LCD screen with buttons and knobs for live camera adjustments, so you get a very clear indication of each camera’s parameters. The large joystick allows direct adjustment of iris and rotates to set black level. There are even red, green and blue knobs for fine control of camera colour tint. COMPATIBLE WITH BLACKMAGIC CAMERAS, PANELS, DECKS AND MORE ATEM Television Studio is even more powerful as it can be expanded to grow with you. Blackmagic Studio Cameras are a great solution as they are a professional broadcast studio cameras with tally, talkback and camera control, all miniaturized into a small and portable design. Of course, the full URSA Broadcast G2 is a broadcast style camera that uses B4 lenses, and has optional SMPTE fiber connections. If you want to control cameras using the same style of control broadcasters use, then you can add an ATEM Camera Control Panel for control and colour balancing of up to four cameras. For mastering, Blackmagic HyperDeck Studio recorders allow you to add recording in ProRes and DNx formats.

BLACKMAGIC Ultimatte 12 HD

BLACKMAGIC Ultimatte 12 HD(BMD-ULTMKEY12/B/HD) The all new Ultimatte 12 is more than the world’s best keyer, it’s an advanced real time compositing processor designed for the next generation of broadcast graphics. Ultimatte 12 features entirely new algorithms and colour science that deliver true photorealistic composites. You get incredible edge handling, greater colour separation, amazing colour fidelity and better spill suppression than ever before, even in dark shadow areas or through transparent objects such as windows. Ultimatte 12 is available in 4 amazing models, with HD, Ultra HD and even native 8K support. Imagine presenting the weather, sports, news and entertainment in a cinematic quality environment, all composited in real time. ADD AN ULTIMATTE 12 TO EACH CAMERA When you’re working live with multiple cameras shooting from different angles, it’s common for the green screens to suffer from variations. Plus the keyers built into live production switchers often have to be shared between cameras, which complicates keying because each camera sees the green screen a little differently. The new Ultimatte 12 eliminates these problems because you get incredible technology at an affordable price, allowing each camera to have a separate Ultimatte. That means each Ultimatte can be tuned to a specific camera’s view. With a dedicated Ultimatte on each camera, your compositions can go well beyond what's possible with set design, so you can create whole new worlds. GENERATE LIVE VIRTUAL ENVIRONMENTS FOR BROADCAST Whether you’re working in broadcast news, sports, film production, or magazine style entertainment programming, Ultimatte 12 has the quality for incredibly life like composites that place your talent into any scene. Plus the new Ultimatte 12 models include built in frame stores so you don't need live video sources for all inputs. You can also use Ultimatte 12 to layer computer generated augmented reality foreground objects into a scene, complete with realistic transparency that your talent can walk behind. Ultimatte 12 is also perfect for on set pre visualization in film production because it lets actors and directors watch the scene while they’re shooting. CREATE REALISTIC FIXED CAMERA VIRTUAL SETS Now you can create a massive broadcast set, even in small apartments or a basement. That's because all Ultimatte 12 models have frame stores so you can load pre rendered still frames from a 3D modeled broadcast set. This is a revolution in live production because you can now use a virtual set even if you don't have the space for a physical broadcast set. Plus without any external equipment. Just use multiple cameras, each with an Ultimatte 12 and a background frame loaded. As the backgrounds are pre rendered, they can be more photorealistic than a traditional virtual set. If the cameras don't move, the backgrounds will look perfect. Plus Ultimatte 12 is low cost, so you can use more cameras. NEW ALGORITHMS AND EXPANDED COLOUR SPACE All Ultimatte 12 models, even Ultimatte 12 HD Mini, have the same incredibly advanced image processing algorithms and a huge internal colour space. This means all models produce identical quality compositions. The processing automatically generates internal mattes so different parts of the image are processed separately based on the colours in each area. It’s like having the power of multiple Ultimatte keyers all working together on the same image. You get fine edge detail where it’s needed the most, like on hair, and smoother transitions between colours or other objects in the scene. Everything is handled by new math and sub pixel processing that’s designed for incredible quality and clarity. AUTOMATIC SCENE ANALYSIS FOR ONE TOUCH KEYING When it comes to live production, you need to work fast. Ultimatte 12 features one touch keying technology that analyzes a scene and automatically sets over a 100 parameters so you get great keys without having to do a lot of extra work. The first step is to ensure your scene is well lit and that the cameras are properly white balanced, then you simply activate the auto key and Ultimatte will do all the work for you. Plus all models include Screen Correction to compensate for unevenly lit green/blue screens. One touch keying is dramatically faster and helps you accurately pull a key with minimum effort. That leaves you free to focus on the program, while Ultimatte 12 takes care of the rest. ADD TRANSLUCENT LAYERS AND BROADCAST GRAPHICS Adding additional translucent objects, such as coloured or tinted glass and computer graphics, is virtually impossible with a traditional keyer. That’s because you can’t subtract a blue or green screen out of a semi-transparent coloured object without changing the object’s original colour. Now, with Ultimatte 12, you get a revolutionary new layer compositing mode that lets you add tinted objects on top of the foreground image. That allows a whole new generation of realistic translucent glass looks in broadcast graphics. This means that when you look through the object, or your talent walks behind it, the tinted colours are accurately preserved, making the shot look completely realistic. FAITHFULLY REPRODUCE AND RETAIN DIFFICULT COLOURS With Ultimatte 12, you get new advanced flare, edge and transition processing so you can remove the background, without affecting the colours you want to keep. What this means is you’ll be able to retain and faithfully reproduce colours that are impossible on other keyers, such as a bright yellow dress in front of a green screen. Ultimatte 12 is smart enough to isolate and treat different parts of the image separately, while also keeping the colour transitions between areas smooth. You get the highest quality compositing, so the final output looks photorealistic. Unlike other keyers, Ultimatte 12 delivers crisp clear images with vibrant colours that pop. KEY AND COMPOSITE IMAGES WITH SHADOWS AND TRANSPARENCY The improved flare algorithms in Ultimatte 12 can remove green tinting and spill from anything, which is one of the reasons why Ultimatte 12 creates true, realistic looking virtual environments. That also means you don’t have to worry about shadows or transparent objects with reflections. Ultimatte 12 automatically samples the colours, creates seamless mattes for walls, floors and other parts of the image, and then applies the necessary corrections. Shadows are properly mapped and composited onto the new background, spill is removed, and transparent objects are handled with perfection. WIDE RANGE OF VIDEO CONNECTIONS Ultimatte 12 features up to 7 different input connections, depending on the model, that are used for compositing different source elements together. These include foreground and background, along with holdout and garbage mattes, as well as additional layer inputs for superimposing additional images over the composited image. Ultimatte 12 even lets you use sources that are not synchronized when working with static shots. With the new Ultimatte 12 models, you can even operate without video sources because the internal frame stores let you load backgrounds and other elements internally. That dramatically lowers the cost of building Ultimatte based broadcast systems. Redundant Power Dual redundant 100‑240V power supplies ensure reliability in critical on‑air broadcast use USB-C USB allows you to update the firmware and connect to the Ultimatte administration utility software Fill Output If you want to layer composition in an external switcher, then you can use the fill and key output Talent Reference Connect a talent monitor so actors can see their composite Ethernet Connect to Ultimatte Software Control that’s included for Mac and Windows, or a Smart Remote 4 GPI Triggers The GPI inputs can be used to load and run a preset, or a sequence of macro style presets Matte Output This output is used with the fill output when building the composition in an external switcher Preview Monitor Monitoring loop lets an operator preview different internal sources across multiple Ultimatte units Background Input Source input containing the new background such as a virtual set video source or a matte painting Background Matte Input Used to displace opaque areas in the background so foreground elements can appear behind them Garbage Matte Input Removes areas of the foreground source that you don’t want to be included in the composite Foreground Input The foreground input is the source from your camera. This is the talent shot with the green screen Holdout Matte Input Keeps foreground objects from being keyed out such as items with similar colours to the screen colour Layer Input Downstream keyer input that allows you to superimpose sources over the foreground, such as titles Layer Matte Input This is the key for the layer source and is used when creating a composition with the layer input Program Output The main output for broadcast with background, foreground and layers all composited together FUTURE PROOF MODELS WITH ADVANCED 12G‑SDI The Ultimatte 12 4K and Ultimatte 12 8K models feature advanced 12G-SDI connections so you can operate with current HD video formats as well as future Ultra HD and 8K video formats. 12G-SDI gives you high frame rate Ultra HD via a single BNC connection that also plugs into all of your regular HD equipment. That means Ultimatte 12 4K is compatible with virtually all SD, HD, 3G, 6G and 12G-SDI equipment, and supports all HD and Ultra HD formats up to 2160p60. While the Ultimatte 12 8K model features Quad Link 12G-SDI for all video formats up to 4320p60 8K. All this means you can use Ultimatte 12 with your HD cameras now, but then instantly switch to Ultra HD or 8K when you’re ready. USE MULTIPLE ULTIMATTE UNITS ON A SINGLE MONITOR All Ultimatte 12 models feature a monitor cascade feature that lets you view the monitor output from up to eight Ultimatte units on a single SDI display. Simply connect up to eight Ultimatte units via an SDI daisy chain using the monitor input and monitor output connections, with the last Ultimatte unit then plugged into an SDI monitor. Then when you switch to monitor any specific Ultimatte unit using the Ultimatte Software Control or the Smart Remote 4, the monitor output will then clean switch, with almost zero latency, and be passed down the chain for display on the monitor. This greatly simplifies monitoring, even when working with lots of Ultimatte equipped cameras. CONTROL HDMI CAMERAS FROM SDI SWITCHERS The unique Ultimatte 12 HD Mini model has a special feature that allows conversion of SDI camera control to HDMI. This means an ATEM SDI switcher can control a HDMI connected Blackmagic Pocket Cinema Camera. All ATEM switchers send camera control over SDI, and this Ultimatte model can translate it to HDMI for the camera. Just connect SDI from the Ultimatte out to the switcher input, the switcher program out to the Ultimatte SDI input, and then the HDMI connects to the camera. Now add a camera number in the Ultimatte utility to get control of the camera colour corrector, tally and even remote record trigger. Plus you also get camera control with HDMI when used with switchers such as ATEM Mini.   INCLUDES FREE ULTIMATTE SOFTWARE CONTROL All Ultimatte 12 models include the free Ultimatte Software Control for Mac and Windows. The main window has menus arranged in sections that perform different functions. Although the interface can look intimidating at first glance as it has so many different buttons and settings, it won’t take long to master, so you will quickly learn to move between settings instinctively as you build your composition. Because Ultimatte Software Control runs on a computer, you can upload the Ultimatte 12 frame stores. All settings and still frames are saved in flash memory so are preserved when the power is turned off. Plus the Ultimatte 12 4K and 8K models include 10G Ethernet for even faster file upload. Main Menu Buttons Tap the menu buttons along the top of the window to select the different input sources you want to adjust. You can also select the matte for making adjustments to the primary matte, and configure your Ultimatte 12 Functions The functions section provides specific Ultimatte settings that can be selected, enabled or disabled. For example, one of the most common controls is reset, which is located in this section if you need to restore a particular setting to its default state Groups This section of the interface contains the majority of the settings menus. For example, if you want to adjust the foreground flare controls, then simply click the foreground button, then click the Flare 1 button. The flare controls will now be visible on the main window side controls for adjustment Information and File Control This section lets you save preset files and configure some of the settings on your Ultimatte. Simply click the folder icon to save a preset. Plus settings can be copied between different models of Ultimatte 12. You can also view status and configuration by clicking on the small information icon Status Bar You can see all the Ultimatte units being controlled by the Ultimatte Software Control by looking at the status bar on the bottom of the main window. The status of each unit icon will illuminate green when identified on your network. When a unit is selected for control the icon will illuminate blue Monitor Out This is one of the most important controls and will set what images are displayed on a video monitor connected to your Ultimatte’s monitor output. You can change the monitor display between program out, foreground input, background input, combined matte view, internal matte view and fill out ADD AN OPTIONAL ULTIMATTE SMART REMOTE 4 The Ultimatte Smart Remote 4 is a touchscreen remote that connects via Ethernet to control up to eight Ultimatte 12 units. Combined with the monitor cascade, this means you can view up to eight Ultimatte 12 units without adding a video router. Smart Remote 4 also features physical buttons and knobs for finer control of the Ultimatte 12 parameters. There are also buttons for quickly loading and saving presets, and a touchscreen that gives you full control over every Ultimatte parameter. Plus the front panel of the Ultimatte rack unit also has buttons to allow recall of custom presets. You can also create custom control solutions with the easy to use text based Ultimatte control protocol.

Blackmagic Atem sdi pro Iso

Blackmagic Atem sdi pro Iso(BMD-SWATEMMXEPBPRISO) A NEW GENERATION OF ULTRA PORTABLE LIVE PRODUCTION ATEM SDI gives you the portable design of ATEM Mini, but its SDI connections means you can connect advanced broadcast quality cameras and recorders. This opens up a whole new world of ultra portable live production. The incredibly portable design means you can fit a whole broadcast quality live production system in a small bag or even a backpack. You can use multiple cameras on location and live stream direct to YouTube, or create a broadcast quality link back to a studio with ATEM Streaming Bridge. Unlike single camera remote shoots, ATEM SDI lets you connect multiple cameras so you can create interesting remote interviews with multiple camera angles. SELF CONTAINED BROADCAST QUALITY SWITCHER ATEM SDI’s compact all in one design includes both a control panel as well as connections. The front panel includes easy to use buttons for selecting sources, video effects and transitions. The source buttons are large so it’s possible to use it by feel, letting the presenter do the switching. You even get buttons for audio mixing. The ATEM SDI Pro and Extreme models have buttons for recording and streaming control, as well as output selection buttons that let you change the video output between program, direct camera feeds and the multiview. On the rear panel there are SDI connections for cameras, extra microphone inputs, USB for webcam plus multiple SDI "aux" outputs for program video. EASY TO USE AND FAST TO LEARN There's never been a switcher that’s easier to use, as you simply press any of the input buttons labelled by number on the front panel to cut between video sources. You can choose between cut or effects transitions by selecting the cut or auto buttons. Unlike cut, the auto button tells ATEM SDI to use a video effect when switching inputs. You can select from exciting transitions such as dissolve, or more dramatic effects such as dip to colour, DVE squeeze and DVE push. Add a DVE effect for picture in picture effects with customized picture positions and background. There are even "media players" which are a still store for titles and graphics that you can load via external software control. CONNECT UP TO 8 BROADCAST CAMERAS With 4 or 8 video inputs, depending on the model, ATEM SDI lets you connect multiple cameras for different views of the performance. Video cameras with SDI outputs such as Blackmagic Studio Camera or Blackmagic URSA Broadcast G2 are much better quality as they have better low light performance and they use professional lenses. All video sources will re-sync to the switcher, even if they operate at different video standards. Everything just works so setup on location is easy and you don't have to worry about technical problems. Imagine taking advantage of the creative freedom of multi camera live production for interviews, advertorials, theater production, music performances, sports and more. OUTPUTS WEBCAM FOR VIDEO SOFTWARE To ensure maximum compatibility, all ATEM SDI models feature USB that operates as a simple webcam source. That means you can plug into a computer and get working with any video software. The software is tricked into thinking the ATEM SDI is a common webcam, but it's really a live production switcher. That guarantees full compatibility with any video software and in full resolution 1080HD quality. Choose any software you like, such as Zoom, Microsoft Teams or Skype for a new way to do presentations with a professional multi camera broadcast quality style. The ATEM SDI webcam output also works with streaming software such as Open Broadcaster, XSplit Broadcaster and more. LIVE STREAM VIA ETHERNET ON ATEM SDI PRO ATEM SDI Pro and ATEM SDI Extreme models have a built in hardware streaming engine for live streaming via their ethernet connections. That means you can live stream to YouTube, Facebook and Twitch in better quality, without dropped frames and with simpler settings. Just select the streaming service and enter the streaming key. There are palettes in ATEM Software Control for streaming setup, plus streaming status is also displayed in the multiview. Streaming status is easy to understand as the data rate indicator shows internet speed required for the video format you're using. If you're technically minded, you can update the streaming profiles in an XML settings file to load new services. CONNECT 5G OR 4G PHONES FOR MOBILE DATA If you’re doing live production on location then the ATEM SDI Pro and Extreme models support connecting an Apple or Android phone to the USB port to use mobile data. It's also a great backup for the main Ethernet connection. Phone tethering works with the latest high speed 5G phones plus the more common 4G phones. The ATEM switcher will automatically detect when a phone is connected and switch its internet connection to use it, eliminating the need for changing settings. When connected, the phone will power from the USB port so it remains charged from the switcher. By using phone tethering for mobile data, ATEM SDI Pro and ATEM SDI Extreme become the perfect mobile production solutions. RECORD DIRECT TO USB FLASH DISKS WITH ATEM SDI PRO The ATEM SDI Pro and Extreme models also support direct recording of your streaming data to USB flash disks. That means you get very long recordings in the same H.264 video files with AAC audio that you streamed, so you can direct upload to any online video site, such as YouTube or Vimeo. Recording to multiple disks is also supported via a USB hub so when a disk fills, recording can continue to a second disk so you get non-stop recording. Record settings and disk selection are set up in ATEM Software Control and you can also display the recording status in the multiview. EDIT LIVE PRODUCTION WITH SEPARATE ISO RECORDINGS The ATEM SDI Pro ISO and Extreme ISO models allow you to edit your live event as they can record multiple video streams, including clean feeds of all inputs and program, all at the same time. Media pool images used are also saved with the video files. The video files include metadata tags such as synced timecode and camera numbers. Imagine re-editing your show with new colour grades, effects and graphics. Even the audio sources are all recorded so you can professionally remix your audio. EDIT LIVE PRODUCTION IN DAVINCI RESOLVE The ISO models also save a DaVinci Resolve project file, so with a single click you can open your live production as a video edit. All cuts, dissolves and media pool graphics will be loaded. This means you can fine tune edit points or even completely replace shots. The DaVinci Resolve Sync Bin lets you edit shots via a multiview interface, so it's easy to use and fast. All ISO files will be automatically aligned by timecode, so you can scroll along and see all camera angles perfectly synced. ADD EXCITING VIDEO EFFECTS One of the benefits of ATEM SDI is the professional production values that are possible using the range of built in video effects. The cut button ensures an instant cut when switching between sources. The auto button is a professional term that's used on large broadcast switchers to enable video effect transitions. There are duration buttons for video effects allowing 0.5, 1, 1.5 and 2 second settings. You can also select the type of effect you want including mix, which does a smooth transition between sources, and dip which fades via a colour during the transition. Or use fun DVE effects that move the image off screen when transitioning between sources. WORK WITH PROFESSIONAL MICROPHONES With two independent 3.5mm stereo audio inputs, you can connect desktop and lapel microphones. You can even connect a music player to generate introduction music after the live stream commences but before the program starts. With 2 extra stereo audio inputs, you can ensure a host and guest both have lapel microphones when doing interviews. All audio inputs to ATEM SDI include buttons on the panel for adjusting audio level and enabling inputs into the audio mixer. Plus all models feature a Fairlight audio mixer with all SDI inputs and both microphone inputs connected to the audio mixer allowing live mixing from all your audio sources. The ATEM SDI Extreme also adds a headphone output. AUTOMATICALLY CONVERTS ANY SDI INPUT FORMAT Each 3G-SDI video input features its own dedicated standards converter. That means ATEM SDI will automatically convert 1080p, 1080i and 720p sources to the switcher video standard. By default the switcher will set its video format automatically, however you can also set the switcher to any video standard manually. The SDI outputs are a true "aux" outputs so you can independently customize the source video routed to each SDI output. All outputs can be connected to cameras as they include camera control and tally information. On the more powerful ATEM SDI Pro and ATEM SDI Extreme models, the SDI output can also be selected to display the built in multiview.   SECRET BROADCAST FEATURES BUILT IN While ATEM SDI is easy to use, it also has very powerful high end broadcast features. ATEM SDI is even perfect for training new live production crews as it has the same features as the massive switchers used in large broadcast studios. You get an ATEM Advanced Chroma Key, Fairlight audio mixer, DVE, still store for graphics and much more. Simply run the free ATEM Software Control app on Mac or Windows while connected via USB or Ethernet to access the extended features of the ATEM SDI. With a little experimentation you can learn how to produce broadcast quality live production. Only ATEM SDI is a true broadcast switcher hidden in a tiny and affordable design.   INCLUDES FREE ATEM SOFTWARE CONTROL PANEL The ATEM Software Control app unlocks the hidden power of ATEM SDI and allows access to every feature in the switcher. ATEM Software Control features a visual switcher user interface with parameter palettes for making quick adjustments. Although you can normally connect via USB, if you connect using Ethernet it's possible for multiple users to connect to ATEM SDI using separate copies of ATEM Software Control on different computers. The software lets you access full audio mixing with effects, load still frames and even do advanced macro programming. You can even save the switcher state as an XML file. If you need clip playback, you can even control HyperDeck disk recorders via Ethernet.   DVE FOR PICTURE IN PICTURE, TRANSITIONS AND EFFECTS One of the most exciting features on ATEM SDI is the built in DVE that allows picture in picture effects and DVE transitions. The DVE lets you create professional picture in picture effects with customizable 3D borders, shadows and lighting. The image quality is the same as high end ATEM switcher models and the DVE supports position, resize and scale, all in real time. The DVE can also be used to create amazing transitions with 16 different DVE squeeze and DVE push effects for adding excitement to your programming. The DVE features a "fly key" so you can use it with custom graphics to create graphic wipe transitions.   PROFESSIONAL BROADCAST TRANSITIONS ATEM SDI includes a wide range of broadcast quality HD native transitions such as mix, dip, wipe and more. All transitions can be customized by adjusting parameters such as duration, border colour, border width, position and direction. You can also use the DVE in transitions, allowing a graphic to be moved over the wipe edge which is called a graphic wipe, and is commonly used in sports programming. To eliminate errors, ATEM SDI has a preview transition feature so you can check your transitions before putting them to air.   BUILT-IN GRAPHICS WITH PHOTOSHOP PLUG‑IN The built in "media pool" allows the loading of up to 20 separate broadcast quality RGBA graphics for titles, opening plates and logos. The media player is used to output the selected image so it appears as an extra internal video source for use in graphics and titles. You can even use still frames for complex effects such as graphic wipes. ATEM SDI can also grab stills from video and save them to the internal media pool. Graphics can be loaded via ATEM Software Control or downloaded directly from Photoshop using the ATEM Photoshop plug-in. The Photoshop Plug-in is perfect for graphics that change often, such as scoreboards, as you can download directly into the media player.   INCLUDES NEW ATEM ADVANCED CHROMA KEY For news or on-set presentation work, ATEM SDI is perfect as it features the powerful ATEM Advanced Chroma Key for green screen keying effects. The chroma keyer is incredibly powerful and features a colour picker to sample background colours for automatic generation of the key parameters. You get precise controls for edge and flare, and there is even a foreground colour corrector so you can match the foreground and background layers for seamless compositions. You can even use it for title overlays by creating graphics with a green or blue background. Plus the ATEM SDI Extreme includes a massive 4 separate ATEM Advanced Chroma Keyers, for a keyer per camera, allowing virtual set production.   CREATE AMAZING VIRTUAL SETS The ATEM SDI Extreme models include 4 upstream chroma keyers and this allows you to build exciting virtual sets. With 4 independent chroma keyers, you get a keyer per camera so you can build a virtual set for up to 4 cameras. With ATEM SDI Extreme you have 8 inputs, 4 to use for cameras and the other 4 can be connected to a virtual set computer for the rendered backgrounds. Or if you don't need to move your cameras, you can do fixed camera virtual sets by loading pre rendered still image backgrounds from the media players and media pool. You can setup macros to change cameras and load the correct background into the media players.   POWERFUL SUPERSOURCE PROCESSING In addition to 2 independent DVEs in the ATEM SDI Extreme models, there's also a powerful SuperSource multi layer processor with 4 extra DVE layers plus a background layer, that all appear to ATEM SDI Extreme as an additional input source. Any ATEM SDI Extreme video input can be used for each SuperSource DVE, then it’s all layered together over a media pool custom background. SuperSource is perfect for doing multiple picture in picture displays with people being interviewed because you can set up the effect before putting it to air, still keeping both main DVEs free for other tasks. SuperSource is just like having an extra multi-layer VFX switcher built in.   TRUE BROADCAST STYLE MIX EFFECTS SWITCHING Although ATEM SDI works in "cut bus" mode when first purchased, it can also be changed to "program/preview" style operation, which is the way broadcasters normally use live production switchers. Cut bus switching is easy and selecting any input will instantly switch to that source. However if you want to operate ATEM SDI like a true professional then you can change the switcher to program/preview using ATEM Software Control settings. Mix effects operation allows a source to be selected but it won't be put on air until you press the cut or auto buttons. That 2 step program/preview process means fewer mistakes.   MONITOR SOURCES AND STATUS WITH ATEM SDI PRO MULTIVIEW When doing larger live productions with multiple cameras, it’s very useful to see all your video sources at the same time on a single monitor. The ATEM SDI Pro and ATEM SDI Extreme models include a professional multiview that lets you see all video inputs, preview and program on a single SDI monitor. Simply select M/V button on the front panel to select the multiview. Each camera view includes tally indicators so you know when each source is on-air, and each view also has custom labels and audio meters. Plus the ATEM SDI Extreme models allow you to select up to 16 custom views. Multiview even includes status for recording, streaming and the audio mixer.   BUILT IN AUDIO MIXER WITH 6 BAND EQ, COMPRESSOR AND LIMITER With a built in Fairlight audio mixer, ATEM SDI makes it possible to do complex live sound mixing. The internal mixer features enough channels for each SDI input so you can mix audio from all sources. That’s audio from all SDI sources, plus the 2 stereo mic inputs. Each input channel features the highest quality 6 band parametric EQ and compressor, limiter, expander and noise gate as well as full panning. You can even set up the software to auto mix between inputs as you switch "AFV" or to live mix multiple sources together all at once. All this audio power can be controlled via ATEM Software Control, or you can add a Mackie compatible panel.   CREATE BROADCAST LINKS WITH ATEM STREAMING BRIDGE The ATEM Streaming Bridge is a video converter that lets you receive a H.264 stream from any ATEM SDI Pro or ATEM SDI Extreme and convert it back to video. This means you can send video to remote locations around your local Ethernet network, or via the internet globally. That's possible because it uses an advanced H.264 codec for high quality at very low data rates. This means you can create broadcast quality links back to your studio using the internet, so it's much lower cost. To make setup is easy, the ATEM software utility can create a setup files that you can email to the remote studio. ATEM Streaming Bridge is the perfect way to use ATEM SDI as a remote broadcast studio.   DEVELOP CUSTOM REMOTE CONTROL SOLUTIONS The Ethernet connection also allows customized control solutions. Even though ATEM SDI includes ATEM Software Control, you can use the Ethernet to control the ATEM remotely, anywhere in the world. A popular workflow is to use the Ethernet to allow the ATEM SDI to be positioned near the cameras, but the control is positioned remotely in a quieter space, such as a control room. Imagine using the switcher from a control room and building a professional broadcasting studio where the control room can be separated away from the performance or interviews. Ethernet allows you to add as many panels as you like all at the same time, or you can build custom solutions using the developer SDK.   CONNECT A HDMI COMPUTER If you need to connect computer graphics to ATEM SDI, then you can use a Micro Converter HDMI to SDI. Because the connection is direct, the quality is amazing. If you create graphics with a green background, then the ATEM Advanced Keyer will allow compositing titles over a live background. Computers also make fantastic media players.   CONNECT A HDMI CAMERA Connect a Blackmagic Pocket Cinema Camera 4K or 6K by using a Micro Converter BiDirect SDI/HDMI. It will convert the camera HDMI to the switcher SDI input. It can also take an SDI output of the switcher and embed the camera control into the HDMI data link back to the camera. This gives you tally and colour corrector control direct from the switcher.   SWITCH FASTER WITH AN ATEM 1 M/E ADVANCED PANEL With Ethernet built in, ATEM SDI can use hardware control panels for high end workflows that take advantage of the hidden broadcast features in the switcher. The ATEM 1 M/E Advanced Panel features the fast program/preview style with separate source buttons for both program and preview rows. Get direct access to all transitions automatically or manually using the t-bar. For accurate control of the DVE, the joystick provides X, Y positioning with rotation setting the DVE size. You also get LCD menus to control features that don't have dedicated knobs and buttons. You can even program and trigger macros. Plus you can still use the hardware panel if you upgrade to a bigger ATEM switcher later.   GET INDUSTRY STANDARD PROFESSIONAL CAMERA CONTROL When working on live production, its critical all cameras are perfectly matched with good colour balance for a consistent look when transitioning between the each camera. The ATEM Camera Control Panel works with ATEM SDI and is the perfect solution for camera control. All control commands are sent to the cameras using the SDI camera control protocol which is supported by cameras such as Blackmagic URSA Broadcast and Blackmagic Studio Cameras. You get dedicated controls including CCU style joystick and controls for RGB camera colour, master gain, black, iris and more. Plus all controls are arranged in a familiar broadcast layout perfect for both experienced and new operators.   COMPATIBLE WITH BLACKMAGIC CAMERAS, PANELS, DECKS AND MORE ATEM SDI is even more powerful it can be expanded to grow with you. Add an ATEM Advanced Panel to get professional industry standard switcher control. Then add an ATEM Camera Control Panel for fast control and colour balancing of up to four cameras. For cameras, Blackmagic Studio Cameras make great studio cameras as they have tally and control all built into the compact and very portable design. For mastering, Blackmagic HyperDeck Studio recorders are perfect because they include popular file formats such as ProRes, H.264 and DNx. You can even live stream using an UltraStudio or Blackmagic Web Presenter. Then add a Micro Converter SDI to HDMI 3G converter for HDMI monitoring. Blackmagic URSA Broadcast G2 Designed for broadcast and live production, you get a 6K sensor with +36dB of gain, wide dynamic range and B4 lens mount. Includes Blackmagic RAW, ProRes, H.264 and H.265 record file formats. Blackmagic Studio Viewfinder G2 Turn URSA Mini into the ultimate live camera with a professional 7 inch studio viewfinder! Blackmagic Camera Fiber Converter Connect cameras to live switchers up to 2 km away with video, control and power, all over a single cable! Blackmagic Studio Fiber Converter Connect to remote cameras up to 2 km away with multiple channels of video, control and power all over a single cable! Blackmagic Studio Camera 4K Pro Designed for professional SDI switchers, you get all the features of the Plus model, as well as 12G-SDI, professional XLR audio, brighter HDR LCD and 10G Ethernet IP link. HyperDeck Studio HD Mini Miniaturized deck records H.264, ProRes or DNxHD files onto SD/UHS-II cards or external USB disks in SD/HD formats to 1080p60. Includes timecode and reference generators, 3G-SDI in/out and HDMI out. HyperDeck Studio HD Pro Includes all the features of the Plus model, and adds 2 SSD slots as well as the 2 SD card slots. Also includes machined metal search dial with clutch, SDI monitor out and XLR timecode connections. ATEM Camera Control Panel Control up to 4 cameras at one time including iris, shutter speed, white balance, master gain, pedestal, RGB and more!

BLACKMAGIC ATEM Microphone Converter

BLACKMAGIC ATEM Microphone Converter(BMD-SWATEMTVSTDMC, BMD SWATEMTVSTDMC) Add extra microphones to your ATEM switcher Now it’s easy to expand the MADI input on ATEM switchers so you can add multiple microphones or external audio mixers. The ATEM Microphone Converter simply plugs into the ATEM Television Studio MADI port, so there's no complex setup required and additional units can even be daisy chained for more sources. Each converter has 4 analogue inputs that are mic/line selectable and have 48V phantom power. The design features amazing audio quality with an extremely low noise floor, a wide dynamic range and very low distortion. The design even uses 8 separate ADCs on each separate input that work together to extend dynamic range. There is also an HDMI monitoring output with scrolling audio waveforms. HIGH END CONVERTER STYLE DESIGN The ATEM Microphone Converter features a familiar converter based design that has space for the analogue electronics required for high quality analogue to digital audio conversion (ADC). It features combined XLR/TRS input sockets allowing both XLR or jack cables to be connected. It also includes a MADI output with the converted audio, as well as a MADI input which allows multiple ATEM Microphone Converters to be daisy chained so more than 4 channels of audio can be embedded into a single MADI connection. There is also a 12V DC power connection plus USB and Ethernet for allowing remote admin and software updates. Switches allow control of mic/line audio input levels and to turn on phantom power. CONNECTS VIA MADI FOR MULTI CHANNEL AUDIO MADI, or Multichannel Audio Digital Interface, is a multi channel audio link standardized as AES10 by the Audio Engineering Society (AES) and it defines the data format for an interface for multiple channels of digital audio. The ATEM Microphone Converter’s MADI output embeds the 4 analogue inputs as MADI channels 1, 2, 3 and 4. ATEM Microphone Converter also includes a MADI input, which is used to loop multiple converters when you need more than 4 channels of audio on a single MADI link. This means if a second converter is connected to the input of another, the upstream converter will stack its 4 channels above the 4 channels on the downstream converter. INNOVATIVE ANALOGUE TO DIGITAL CONVERSION Each analogue input channel has an ultra low noise, fixed gain preamplifier scaled to drive a high dynamic range audio ADC, which totally eliminates using an analogue microphone preamplifier in the design so the input does not suffer from preamp gain step clicks or "zipper noise". The ATEM Microphone Converter steps outside conventional audio industry design practice of using an individual audio ADC, as each input implements analogue to digital conversion using 8 high dynamic range audio ADCs that function collectively as one ultra high dynamic range audio ADC. This means each input channel’s dynamic range is an incredible 131dB(A). Plus you get incredibly low distortion of only 0.002%. EXTREMELY LOW -129DBV NOISE FLOOR A common problem with mic converters is the higher noise floor where electrical noise is generated in the preamplifiers. The ATEM Microphone Converter eliminates this problem by using a very different design where the input is converted directly using its ultra high dynamic range conversion so you pass RAW audio to the switcher where the switcher can then apply as much gain as required for the correct audio level. This means you don't get an injection of noise caused by an analogue gain stage, so you get an extremely low fixed noise floor of -129dBV regardless of digital gain applied. You can then apply digital gain control, which is done in minute ±0.1dB gain steps that are totally inaudible. DIGITAL PREAMPLIFIER DESIGN FOR STABILITY With the wide dynamic range input that eliminates the need for an analogue preamplifier, microphone levels are adjusted by a digital preamplifier gain stage that is extremely stable. Different microphone types and brands can vary widely in analogue audio levels, so this digital gain stage allows compensation for the specific brand of microphone you use. Best of all, the digital preamplifier is processed in the full internal 32 bit RAW audio bit depth, so you're adjusting with much greater precision than the MADI audio standard can support. This results in an extremely clean and noise free gain stage. Then the final levels can be finessed on the ATEM audio mixer as you work. FEATURES PRECISELY MATCHED ANALOG INPUTS The innovative design of the ATEM Microphone Converter also has other benefits, such as extremely precise matching between input audio channels. The multi ADC per input design technique means that each analogue audio input has very similar specifications and tolerances so all input channels are statistically more uniform. Plus the unique 8 ADC input design will maintain a stable and consistent flat noise floor that won't experience the negative effects of noise floor level modulation that traditional staggered ADC designs suffer from. This means you get similar performance no matter what input you connect the microphone to, and even between multiple ATEM Microphone Converters. INCLUDES HDMI MONITORING WITH SCROLLING AUDIO WAVEFORMS ATEM Microphone Converter also includes an HDMI video monitoring output so you can connect a simple TV or computer monitor for a full status display! It includes 4 scrolling waveforms over the last 60 seconds of time, which is both informative and fun to watch! There are also audio meters to show the level at the input connector. Each channel also includes a custom label set via the software utility. There are also indicators to show the switch settings for mic/line input selection and phantom power. Plus if you daisy chain converters the monitoring output will adapt and display more than 4 channels. You can even set a converter name that will be displayed on the monitoring.

BLACKMAGIC ATEM Television Studio HD8 ISO

BLACKMAGIC ATEM Television Studio HD8 ISO(BMD-SWATEMTVSTC/HD08ISO) THE WORLD'S MOST PORTABLE ALL-IN-ONE TELEVISION STUDIO The new ATEM Television Studio is a professional live production switcher built into a broadcast control panel so it can be used for high end work while being extremely portable. This means you can use it in small venues that don't have the access for equipment racks or broadcast vans. You get a powerful switcher with 8 standards converted SDI inputs, aux outputs, 4 chroma keyers, 2 downstream keyers, SuperSource, 2 media players and lots of transitions. Plus it includes a whole television studio of features such as hardware streaming, recording, audio mixer, talkback, multiview and optional internal network shared storage. There's even an ISO model that records all 8 inputs for editing. THREE GREAT ATEM TELEVISION STUDIO MODELS ATEM Television Studio HD8 Compact live production switcher with built in broadcast control panel, 8 x 3G‑SDI inputs, streaming, recording, multiview, DVE, keyers, USB webcam, media players, talkback and optional cloud storage. ATEM Television Studio HD8 ISO Powerful ISO model includes all the features of ATEM Television Studio HD plus adds ISO recording of all 8 inputs and supports up to 8 remote cameras with control and tally for each camera. ATEM Television Studio 4K8 Powerful Ultra HD live production switcher similar to the non ISO HD model, however includes 8 x 12G-SDI inputs, 10 12G-SDI aux outputs for external recorders, 4 port 10G Ethernet switch and more. BRING MULTI CAMERA LIVE PRODUCTION TO ANY LOCATION Compact Broadcast Vans With the all in one design, you can build a new generation of ultra compact broadcast vans. You don't need racks of equipment, so you can eliminate clutter for a much nicer work environment. For stability, you can even mount the switcher inset into the desk. Music Venues and Clubs Some of the most exciting venues, such as downstairs music venues or comedy clubs, are too small for racks of video equipment. However ATEM Television Studio can be carried into any venue. It’s also easy to pack up, even if the venue is still crowded. Online Education ATEM Television Studio is perfect for creating education content. As the ISO model records the video inputs, you can finesse edits, replace shots and even add colour correction. Plus you can even connect to Zoom to incorporate live chat with students. Live Sports ATEM Television Studio is perfect for live sports because it has a simple design that's easy for community volunteers to use. It can be installed into sports clubs or taken on the road with the team. With up to 8 cameras, you'll catch all the exciting angles. SELF CONTAINED BROADCAST QUALITY SWITCHER The ATEM Television Studio combines a switcher and control panel into the same unit, so it’s extremely portable. You get everything you need. The front panel includes buttons for selecting sources, triggering transitions and setting up video effects. Plus the buttons are the same high-end type used on expensive broadcast switchers. You also get a built in t-bar for manual transition control. The front panel even has an innovative audio mixer control area with live metering on a dedicated LCD. There are also buttons for recording and streaming control, plus live aux switching that lets you change aux outputs between all 8 cameras, program, preview or the multiview. CONNECT UP TO 8 BROADCAST CAMERAS With 8 SDI video inputs, ATEM Television Studio lets you connect multiple cameras for different views of the performance. Video cameras with SDI outputs, such as Blackmagic Studio Camera or Blackmagic URSA Broadcast G2, are much better quality as they have better low light performance and use professional lenses. All video sources will re-sync to the switcher, even if they operate at different video standards. Everything just works so setup on location is easy and you don't have to worry about technical problems. Imagine taking advantage of the creative freedom of multi camera live production for interviews, advertorials, theater productions, music performances, sports and more. INCLUDES PRODUCTION, POST PRODUCTION AND DISTRIBUTION Live Production You get an incredibly powerful 8 input switcher with both program and aux outputs so you have everything you need for mobile production. That means you can connect up to 8 cameras. Plus you get professional camera control, talkback and audio mixing all designed into a familiar broadcast panel. Post Production The ISO model records all inputs into separate files so you can edit using any NLE that supports multi-cam. That's possible because all files have perfect timecode sync. Plus with built in network storage, you can edit while recording. Multiple users can even share media and collaborate. Distribution With a built in hardware streaming engine, you can live stream your event to a global audience. Recording to H.264 files with AAC audio means you get the correct format to upload to YouTube. Plus you share live broadcasts with your audience by using the aux outputs and large screens and projectors. EASY TO USE AND FAST TO LEARN There's never been a switcher that’s easier to use, as you simply press any of the program row buttons on the front panel to cut between video sources. Or you can pre select a source on the preview row and then choose between cut or effect transitions by selecting the cut or auto buttons. You can select from exciting transitions such as dissolve, or more dramatic effects such as dip to colour, DVE squeeze and DVE push. You can even add a DVE for picture in picture effects with customized graphics. There are also media players which let you store graphics with alpha channels for titles and graphics that you can load as live video inputs. Then you can live stream the results. TRUE BROADCAST STYLE MIX EFFECTS SWITCHING ATEM Television Studio uses a professional program/preview style of operation, which is exactly the way large broadcasters use live production switchers. However ATEM Television Studio can be switched to A/B style switching, which is easier when it's used by volunteers or community groups. However, if you want to operate the switcher like a broadcast professional then the program/preview is perfect. This means a source won't be put on air until you press the cut or auto button. This 2 step process means you see what you are selecting before putting it to air, so you get fewer mistakes. Plus program/preview operation is a fantastic way to train students for a career in broadcast television. EASY TO ADD EXCITING VIDEO EFFECTS One of the benefits of ATEM Television Studio is the range of professional built in video effects. The cut button ensures an instant cut when switching between sources. The t-bar fader can be used to transition video effects, or you can do the transition automatically by pressing the auto button. Auto uses the transition duration set in the system control. You can also select the type of effect you want including mix, which does a smooth transition between sources, or dip which transitions via a third video source, such as a colour generator. There is a wide range of SMPTE wipes included, plus fun DVE effects that slide or squeeze the image off screen when transitioning between video sources. INCLUDES LOADS OF EXTREMELY CREATIVE TRANSITIONS ATEM Television Studio includes the same kind of transitions found on expensive broadcast switchers. This means the effects and transitions can be customized in many different ways, so they are surprisingly powerful. You'll never stop finding new ways of using them. That’s because all transitions can be customized by adjusting parameters such as duration, border colour, border width, position and direction. You can even use the DVE with a wipe transition, where the DVE moves a graphic over the wipe edge. That's called a graphic wipe and it’s often used in sports broadcasting. The preview transition button can be used to set up effects offline, which is great for eliminating mistakes. BUILT IN DVE FOR BROADCAST VIDEO EFFECTS ATEM Television Studio features an independent DVE that lets you reposition graphics and create picture in picture compositions. You get amazing quality and the DVE supports position, resize and scale, all in real time. The DVE lets you create professional picture in picture effects with customizable 3D borders, shadows and lighting. DVEs can also be used to create amazing DVE transitions with squeeze, swoosh and push effects for adding excitement to your programming. You can even combine DVE transitions with custom graphics to create your own graphic wipe transitions. Pus there is also a SuperSource multi layer processing engine with 4 extra DVEs. SUPPORTS INTERNAL MEDIA FOR STILLS AND MOTION GRAPHICS The built in media pool stores broadcast quality graphics and animations that can be played back using the built in media players. Media players appear as independent sources so you don't need to waste any of the SDI inputs for graphics. For highest quality, all media supports RGB colourspace with alpha channel, allowing transparency and layering. The media pool can hold 20 HD or Ultra HD resolution stills. Depending on the model, motion graphics clips for animations and stingers can be up to 720 frames in 720HD, 360 frames in 1080HD and 90 frames in 2160 Ultra HD. The ATEM Software Control allows you to upload and manage media. You can even prepare graphics in Adobe Photoshop and then download to the media pool using the free ATEM Photoshop plug-in. INCLUDES 4 ATEM ADVANCED CHROMA KEYERS ATEM Television Studio is perfect for news and on-set presentation work because it features 4 ATEM Advanced Chroma Keyers for green screen keying effects. The chroma keyers are incredibly powerful and include features such as a colour picker to sample background colours for automatic generation of the key parameters. You get precise controls for edge and flare, and there is even a foreground colour corrector so you can match the foreground and background layers for seamless compositions. You can even use it for title overlays by creating graphics with a green or blue background. With 4 ATEM Advanced Chroma Keyers, ATEM Television Studio is perfect for creating fixed camera virtual sets. POWERFUL SUPERSOURCE PROCESSING In addition to the DVE in the ATEM Television Studio, there is also a powerful SuperSource multi layer processor. SuperSource gives you 4 extra DVE layers plus a background layer, all layered together as an additional input source. Any video input can be used as sources for each DVE, then it’s all layered together over a media pool custom background or live video. SuperSource is perfect for doing multiple picture in picture displays with people being interviewed because you can set up the effect so the viewer can see each person being interviewed all within a stylish graphic. SuperSource is just like having a completely independent multi-layer VFX switcher built in. UP TO 8 STANDARDS CONVERTED SDI INPUTS The ATEM Television Studio HD models feature 8 independent 3G-SDI inputs, and the 4K model has 8 12G-SDI inputs. Each SDI input has a dedicated standards converter so any 720 HD, 1080 HD or 2160 Ultra HD input source will be converted to the standard of the switcher. That means each SDI input could have a different television standard and all inputs will just work. SDI input audio channels 1, 2, 3 and 4 can also be manually routed to various embedded audio channels in the program and aux outputs. Plus you can even router out audio channels 1 and 2 from the SDI inputs to the MADI digital audio output, so you can hand off the switcher input audio to an external audio engineer for mixing. PROFESSIONAL SDI OUTPUTS WITH 16 CHANNEL EMBEDDED AUDIO The ATEM Television Studio includes up to nine SDI program outputs so you get enough connections to send a separate program return feed to all of your cameras. That’s important because the SDI program return is used to send tally, talkback and control information back to the cameras. You also get dedicated aux outputs for driving stage monitors and master recorders. Two of the aux outputs can be live switched using dedicated buttons on the control panel. One of the aux outputs also includes an on screen counter for presenter monitoring. Plus you can manually route audio into all 16 embedded audio channels in the SDI outputs. There's also a dedicated 3G-SDI and HDMI output for the multiview. BUILT IN AUDIO MIXER WITH 6 BAND EQ, COMPRESSOR AND LIMITER With a built in Fairlight audio mixer, ATEM Television Studio makes it possible to do complex live sound mixing. The internal mixer features enough channels for all SDI inputs, as well as extra channels for the XLR, RCA and MADI inputs. Each input channel features the highest quality 6 band parametric EQ, compressor, limiter, expander and noise gate as well as level and pan controls. You can mix all these input channels together at the same time, or you can set video sources to "audio follow video". The audio mixer is extremely powerful and it can be adjusted from the front panel using the dedicated audio mixer controls and LCD. Plus you can also mix audio using ATEM Software Control. BUILT-IN MULTIVIEW SUPPORTS 16 SOURCES ON A SINGLE MONITOR When doing larger live productions with multiple cameras, it’s vital to see all your video sources at the same time on a single monitor. ATEM Television Studio includes a professional multiview that lets you see all video inputs, preview and program on a single SDI or HDMI monitor. You can even send the multiview to the aux outputs. Each camera view includes tally indicators so you know when each source is on-air, plus each view has custom labels and audio meters. You can fully customize the multiview layout with up to 16 simultaneous views. You can also select one of the additional status views that lets you track recording, streaming and the audio mixer status, right from the multiview. LIVE STREAM TO A GLOBAL AUDIENCE ATEM Television Studio has a built in hardware streaming engine for live streaming to a global audience. That means you can live stream to services such as YouTube, Facebook and Twitch in better video quality and without dropped frames. Streaming works using the Ethernet connection to the internet, or you can connect a smartphone to use mobile data. Then you simply select the streaming service and enter the streaming key using ATEM Software Control. This makes streaming easy to setup, and the convenient data rate indicator shows the internet speed required. If you're technically minded, you can even update the streaming profiles in an XML settings file to add new services. CONNECT 5G OR 4G PHONES FOR MOBILE DATA If you’re doing live production on location then the ATEM Television Studio supports mobile data by connecting an Apple or Android phone to the USB port. It's also a great backup for the main Ethernet connection. Phone tethering works with the latest high speed 5G phones plus the more common 4G phones. The ATEM switcher will detect when a phone is connected and automatically switch its internet connection to use it if the Ethernet connection is lost. When connected, the phone will also power from the USB port so it always remains charged and ready to go. By using phone tethering and mobile data, you get the perfect mobile production solution that can be transported anywhere. OUTPUTS TO ANY SOFTWARE THAT SUPPORTS USB WEBCAMS You can use any video software with ATEM Television Studio because the USB connection will emulate a webcam. That means you can plug into a computer and use any video software that works with a webcam. The software is tricked into thinking the ATEM Television Studio is a common webcam, but it's really a live production switcher. That guarantees full compatibility with any video software and in full resolution 1080HD quality. Imagine doing a presentation from a professional broadcast studio to software such as Zoom, Teams or Skype. For streaming, the webcam output also works with streaming software such as Open Broadcaster, XSplit Broadcaster and more. RECORD TO INTERNAL STORAGE OR USB DISKS ATEM Television Studio supports recording to external USB flash disks. Or if an optional M.2 flash disk is installed, you can record directly to internal network shared storage. The internal storage plus any external USB disks will be available to share over the local Ethernet network so other people can work on post production tasks such as editing, colour correction and graphics preparation. All recordings are in H.264 format with AAC audio for broadcast quality video and small file sizes. You can also connect multiple USB disks, so recording will continue if a disk becomes full. You even get buttons on the control panel to start recording and you can see record status in the multiview. INTERNAL STORAGE SUPPORTS MULTIPLE USERS The ATEM Television Studio is also a fast network disk if you install an optional M.2 flash memory card inside the switcher. Flash memory is extremely fast so it can keep up with recording multiple ISO video files while lots of external simultaneous users all work on separate computers for editing, colour correction, VFX and audio post production. Plus the internal network storage is extremely easy to set up. You can also sync the storage to Dropbox and Google Drive, so recordings can be distributed between other ATEM Television Studios or Blackmagic Cloud Stores in different locations, even on lower cost internet connections. That’s the perfect global media sync solution. EDIT LIVE PRODUCTION WITH SEPARATE ISO RECORDINGS The ATEM Television Studio HD ISO model allows you to edit your live event as it can record all inputs to separate video files. You get 8 separate video input files with matching timecode and sync, plus the program video is also recorded into a separate master video file. This means you can edit using any NLE software that supports multi-cam editing. You can use any edit software that supports multi-cam because all input ISO video files will have matching timecode and be in perfect sync. Now it's easy to re-edit your show after the event, so your work will be absolutely perfect. Plus audio is recorded into separate WAV files so you can even professionally remix your audio. FULL INTEGRATION WITH DAVINCI RESOLVE Only ATEM Television Studio HD8 ISO is fully integrated into DaVinci Resolve. This means you can edit, colour correct, add VFX and audio mixing to your live production. Plus DaVinci Resolve is a free download for Mac, Windows and Linux, so there's no monthly license costs. Simply open the project and you'll see your live production as an edit timeline. You can trim edits and remove shots you don't want. In the cut page, the sync bin will show alternative shots in a multiview display. If you want to replace a shot, then simply click an alternative. Finally, you can add professional DaVinci colour correction. You can even relink to Blackmagic RAW camera files if you want to finish in Ultra HD. DISTRIBUTE FILES GLOBALLY With support for Dropbox and Google Drive sync, you can share files globally. That’s extremely important when working with video files that have long record durations so become large. If you need to work in multiple locations, then each user needs to have instant access to these files, even when most internet connections are too slow. While the internet is often too slow to access large video files in real time, it is perfect for syncing files to a storage provider such as Dropbox or Google Drive. Multiple Blackmagic Cloud Stores can sync down for local access in each location. Then everyone has a copy of their media on local network storage. It's the simplest solution for global media sync. Add Cloud Service Make sure your ATEM Television Studio is connected to the internet. Enter in your Dropbox or Google Drive account details, so the switcher can get access to allow sync. Set Sync Folders Next you need to set the sync folders. That tells the ATEM Television Studio where to sync its files to the remote Dropbox or Google Drive. You can have multiple sync folders for different jobs. Set Sync Direction Now set the sync direction. One direction is good when you have local files you want to share, but not enough room for everyone’s files. Both directions means everyone gets the same set of files. CONNECT TO REMOTE INTERNET CAMERAS Another exciting feature on the ATEM Television Studio HD8 ISO model is that it can connect to remote cameras. The Blackmagic URSA Broadcast G2, Blackmagic Studio Camera 4K Pro G2 and Blackmagic Studio Camera 6K Pro cameras can live stream in H.264 direct to the switcher. If you're connected to the local network, then simply select the camera in the input menu. However if the switcher is set to a fixed external IP address, then you can export an XML file with the camera settings to live stream from anywhere on the internet. Simply load the XML file into the camera. Plus you even get camera control and tally. Program audio is also sent back to the camera which is great for live interviews. INCLUDES FREE ATEM SOFTWARE CONTROL PANEL The ATEM Software Control app unlocks the hidden power of ATEM Television Studio by allowing access to all the features in the switcher. ATEM Software Control features a visual switcher user interface with parameter palettes for making adjustments. Although you can connect via USB, if you connect using Ethernet you can run multiple copies of ATEM Software Control on different computers. The software lets you live switch, mix audio, colour correct in the cameras and manage media. You can also build and run complex macros from the software. Plus you can save the switcher state as an XML file for recalling jobs later. You can even control trigger external HyperDeck recorders. LOCALIZED FOR 13 POPULAR LANGUAGES ATEM Television Studio supports multiple languages in the menus and in the ATEM Software Control, so you can customize it to the language you prefer. You get support for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese, Turkish, Polish and Ukrainian languages. Simply go into the setup menu to change the language, or you can always switch to another language at any time in the future. Once a language is selected, the menus on all the LCDs will change to the selected language. Multiple language support means ATEM Television Studio is perfect for doing live production work anywhere in the world and with any crew. DESIGNED TO BE EASY TO REPAIR With so many features built in, it’s vital that ATEM Television Studio can be easily repaired. Plus, there is already a lot of built in redundancy, with 4 Ethernet connections, up to 9 program SDI outputs, 2 USB ports and 2 power connections. However if someone trips on a cable and breaks a connector, then you need to be able to repair the connector at low cost. All the internal electronic PCBs are modular, so any qualified technician can buy a replacement and easily swap the board. This includes the connector PCBs, which can be purchased separately. All the technician needs to do is remove the bottom cover and replace the PCB. A large broadcaster could even buy the boards as a spare parts kit. FLEXIBLE AND REDUNDANT POWER The all in one design of ATEM Television Studio includes a built in power supply so you don’t have to carry around an external power brick. Simply plug it into any AC mains outlet and start live production. The international power supply automatically works from 100 to 240V AC, so you can use it anywhere in the world. Plus, ATEM Television Studio includes both AC and DC power connections. A broadcast standard XLR 12V DC power connection is included which is perfect for backup power or for running on batteries. That means you can use it in extremely remote locations. Plus, if the internal power supply should malfunction, then you can simply connect an external DC supply to keep running. ADD AUDIO EXPANSION FOR MORE MICROPHONES If you're building a podcasting studio or you need more microphones, then the ATEM Microphone Converter allows audio input expansion. It connects to the ATEM Television Studio using the MADI port, so there's no complex setup and you can daisy chain units to add more inputs. Each converter has 4 analogue inputs that are mic/line selectable and have phantom power. The design features amazing quality with an extremely low noise floor of -129dBV, a dynamic range of 131dB(A), low distortion of 0.002% and uniform tolerances across all channels. It even uses 8 separate ADCs on each input to collectively extend the dynamic range. Plus it has a fun HDMI monitoring output with scrolling audio waveforms. ADD THE ULTIMATE COMPACT STUDIO CAMERA When you need cameras that are perfectly designed for ATEM Television Studio then the new Blackmagic Studio Cameras are an ideal choice. Blackmagic Studio Cameras have the same features as large studio cameras, miniaturized into a single compact and portable design. Plus with digital film camera dynamic range and colour science, the cameras can handle extremely difficult lighting conditions while producing cinematic looking images. The sensor features an ISO up to 25,600 so you can create amazing images even in dimly lit venues. Advanced features include talkback, tally, camera control, built in colour corrector and Blackmagic RAW recording. You can even add focus and zoom controllers. MATCH CAMERAS WITH AN ATEM CAMERA CONTROL PANEL When working on live production, it’s critical all cameras are perfectly colour matched for a consistent look as you transition between different sources. ATEM Television Studio has camera control built in, however if you add a dedicated ATEM Camera Control Panel then you can adjust cameras using the same style of controls that are standard in the broadcast industry. Each camera controller includes an LCD screen with buttons and knobs for live camera adjustments, so you get a very clear indication of each camera’s parameters. The large joystick allows direct adjustment of iris and rotates to set black level. There are even red, green and blue knobs for fine control of camera colour tint. COMPATIBLE WITH BLACKMAGIC CAMERAS, PANELS, DECKS AND MORE ATEM Television Studio is even more powerful as it can be expanded to grow with you. Blackmagic Studio Cameras are a great solution as they are a professional broadcast studio cameras with tally, talkback and camera control, all miniaturized into a small and portable design. Of course, the full URSA Broadcast G2 is a broadcast style camera that uses B4 lenses, and has optional SMPTE fiber connections. If you want to control cameras using the same style of control broadcasters use, then you can add an ATEM Camera Control Panel for control and colour balancing of up to four cameras. For mastering, Blackmagic HyperDeck Studio recorders allow you to add recording in ProRes and DNx formats.

Blackmagic ATEM 2 M/E Constellation HD

ATEM 2 M/E Constellation HD BMD SWATEMSCN2 1ME2 HD BMDSWATEMSCN21ME2HD BMD-SWATEMSCN2-1ME2-HD BMD/SWATEMSCN2/1ME2/HD The Blackmagic ATEM 2 M/E Constellation HD is one of the world's most powerful HD live production switchers! Part of the incredibly powerful HD switchers are available in 3 great models, including ATEM 1 M/E Constellation HD model with 10 inputs, and the massive ATEM 4 M/E Constellation HD model with 40 inputs! Plus each SDI input features a full standards converter! ATEM Constellation includes advanced features such as DVEs, ATEM advanced chroma keyers, media players, multiviews, and SuperSource processors! Plus the built in Fairlight audio mixer includes a compressor, limiter, 6 band parametric EQ and expander on each input. The free ATEM Software Control is included, or you can add a 1 M/E, 2 M/E or 4 M/E ATEM Advanced Panel! ATEM Constellation HD switchers feature a compact rack mount design with a built in control panel. This allows operation of the switcher, critical during setup or for emergency use. Also included is a large LCD so you can see program output and change switcher settings via on screen menus. The compact design is perfect for portable live production, with the rear of the switcher including the connections for 3G-SDI inputs, 3G-SDI aux outputs, balanced audio and Ethernet for control. The top 4 M/E model even includes RS-422 for serial control and MADI digital audio connections. Even with all this power, ATEM Constellation is extremely quiet with its innovative high efficiency thermal system. The 2 M/E model doubles the features of the 1 M/E model with 20 x 3G-SDI inputs, 12 x 3G-SDI outputs, 2 DVEs, 8 ATEM Advanced Keyers, 2 multiviews and a SuperSource for a total of 6 DVEs. With 3 powerful models, ATEM Constellation HD switchers are ideal for concerts and music festivals because you can place cameras on all areas of the stage for amazing coverage! Even live sports benefit from the huge number of inputs and DVEs let you build multi-layer compositions to cover the action. The fastest way to produce programming is live! With powerful internal graphics and lots of ATEM advanced chroma keyers, you get everything you need for complex program production.   ATEM Constellation is also perfect for house of worship programming as it’s big enough to allow professional results, but it’s very simple to learn so it’s easy to train a volunteer crew!

Blackmagic ATEM 4 M/E Constellation HD

Blackmagic ATEM 4 M/E Constellation HD BMD SWATEMSCN2 1ME4 HD BMDSWATEMSCN21ME4HD BMD-SWATEMSCN2-1ME4-HD BMD/SWATEMSCN2/1ME4/HD The Blackmagic ATEM 4 M/E Constellation HD is one of the world's most powerful HD live production switchers! We have 3 incredibly powerful HD switchers available, including the  ATEM 1 M/E Constellation HD model with 10 inputs, and the ATEM 2 M/E Constellation HD model with with 20 inputs! Plus each SDI input features a full standards converter! ATEM Constellation includes advanced features such as DVEs, ATEM advanced chroma keyers, media players, multiviews, and SuperSource processors! Plus the built in Fairlight audio mixer includes a compressor, limiter, 6 band parametric EQ and expander on each input. The free ATEM Software Control is included, or you can add a 1 M/E, 2 M/E or 4 M/E ATEM Advanced Panel! ATEM Constellation HD switchers feature a compact rack mount design with a built in control panel. This allows operation of the switcher, critical during setup or for emergency use. Also included is a large LCD so you can see program output and change switcher settings via on screen menus. The compact design is perfect for portable live production, with the rear of the switcher including the connections for 3G-SDI inputs, 3G-SDI aux outputs, balanced audio and Ethernet for control. The top 4 M/E model even includes RS-422 for serial control and MADI digital audio connections. Even with all this power, ATEM Constellation is extremely quiet with its innovative high efficiency thermal system. The massive 4 M/E model doubles the features of the 2 M/E model with 40 x 3G-SDI inputs, 24 x 3G-SDI outputs, 4 DVEs, 16 ATEM Advanced Keyers, 4 multiviews and 2 SuperSource for 12 x DVEs in total. With 3 powerful models, ATEM Constellation HD switchers are ideal for concerts and music festivals because you can place cameras on all areas of the stage for amazing coverage! Even live sports benefit from the huge number of inputs and DVEs let you build multi-layer compositions to cover the action. The fastest way to produce programming is live! With powerful internal graphics and lots of ATEM advanced chroma keyers, you get everything you need for complex program production.   ATEM Constellation is also perfect for house of worship programming as it’s big enough to allow professional results, but it’s very simple to learn so it’s easy to train a volunteer crew!

Blackmagic BMD-HYPERD/ST/DG4P Hyperdeck Studio 4K Pro

Blackmagic BMD-HYPERD/ST/DG4P (BMDHYPERD/ST/DG4P, BMD HYPERD/ST/DG4P, BMD-HYPERD-ST/DG4P,BMD-HYPERD-ST-DG4P) Hyperdeck Studio 4K Pro. The Blackmagic Design HyperDeck Studio 4K Pro is an updated 1 RU file-based deck that features the same functionality and control of professional tape decks in a digital design. This model updates the previous HyperDeck Studio models with several features including 12G-SDI support, two added SD card slots, USB Type-C recording output, timecode input and output, Ref input and output, a redesigned jog/shuttle wheel, 10G Ethernet, and a speaker on the front. The Studio 4K Pro records uncompressed video with 10-bit 4:2:2 color using either ProRes or DNxHD codecs, as well as the H.264 and H.265 compression formats. With two SSD slots and two SD card slots, you can record almost endlessly as one SSD becomes full, recording automatically continues on to the other, and the SD card slots are also hot-swappable. The Studio 4K Pro features one 12G-SDI input, two 12G-SDI outputs, a loop-through 12G-SDI output, a dedicated SDI monitor output, and there's also one HDMI input and one HDMI output that can all output up to DCI 4K. The 4K Pro can even play ProRes 4444 files in true UHD for fill and key outputs. The ports autodetect the signal and will adjust to the SD, HD, 6G-SDI, or 12G-SDI format input. The 3-pin XLR timecode input and output allow you to sync timecode with other devices, and it also allows you to daisy-chain with other devices to create a timecode sync chain. The Studio 4K Pro is a 1 RU rack-mountable unit, with built-in rack mount ears. It features illuminated front panel button control and a heavy jog/shuttle wheel for analog scrubbing. RS-422 control is supported for external control using the Ref input and output ports. The USB Type-C port allows you to record to external disks, and you can also use it to plug into a computer to use as a source for a web stream. An integrated LCD on the front panel allows you to monitor the video and display timecode and transport information. Professional Broadcast Deck The new HyperDeck Studio recorders have been totally redesigned with dozens of new features. The advanced models have new broadcast-style front panel controls and more connections on the rear panel. The LCD screen supports both light and dark modes, plus the transport control buttons are stronger with a firm professional feel. The Pro models feature a machined metal search dial with increased mass and a soft rubber surface that feels nice to the touch. Plus the search dial features an active clutch, just like a traditional broadcast dec. With dual media slots, you can change cards without interrupting recording. The advanced models even include a front headphone connection and speaker. Mastering Recorder All models record to H.264, ProRes, and DNx files, so are perfect for recording broadcast masters, plus the 4K model adds H.265 when recording to UHD files. You can even use PCM or AAC audio. You get everything you need to send shows to broadcasters and for uploading to YouTube. ISO Recording All models feature timecode and reference generators, with outputs to loop to other HyperDecks. This means you can build a rack of HyperDeck Studios for ISO camera recording, allowing multi-cam editing after live events. You can even sync cameras to the SDI output and the SDI input has frame sync. Digital Signage HyperDeck Studio is perfect for digital signage as all models have HDMI output for connecting to large screen TVs and projectors. The built-in sync generator lets you combine multiple HyperDecks for large multiscreen video walls. There's even FTP for file upload and a protocol for remote control. Broadcast Archive HyperDeck Studio supports all SD and HD standards so it's ideal for archiving old television shows from broadcast decks such as Digital Betacam, Betacam SP, 1", U-matic, and VHS. You can even record directly to H.264 to maximize storage. For analog decks, just add a Mini Converter Analog to SDI. Bright Color LCD Status Display HyperDeck Studio features traditional deck-style transport controls, including a search dial for jog, shuttle, and scroll. The compact LCD shows timecode and transport information, plus a full-color thumbnail preview of the current clip in record or playback. It also displays information about each card's recording status, along with video format, frame rate information, and audio levels, all on the same display. The LCD includes monitoring for video, plus audio level meters, selectable between technically accurate VU or PPM ballistics. The combination of familiar VTR style controls with the built-in LCD screen makes HyperDeck Studio incredibly fast to use and very easy to learn. Traditional Broadcast Deck Controls HyperDeck Studio includes a traditional broadcast-style control panel that's very fast to use. Simply press the record button and you instantly start recording the video input to a file. You can also change the record file format from the menu. There are transport control buttons for playback, rewind, fast forward, previous clip, next clip, and more. The Pro models have a machined metal search dial that supports shuttle, jog, and scroll so you can find clips fast. Any button pressed on the front panel is sent to the rear RS-422 remote output for looping control to multiple HyperDecks. The Plus and Pro models also include a front panel speaker and headphone socket for live audio monitoring. Supports SD Cards, UHS-II Cards or SSDs All HyperDeck Studio models support recording to common SD cards and UHS-II cards so you don't need expensive custom media. However, the Pro models also add two SSD slots so you can use two different types of media. SD cards and SSDs are the perfect choices for broadcast media because they are small and very affordable. When using H.264, the files are so incredibly small you get very long recordings even on smaller low-cost cards. Plus, you can even record to external USB disks. With H.265, you can record up to 58 hours in 2160p60 Ultra HD or up to 157 hours of H.264 recording in 1080p59.94 on a 1TB card. That's over 6 days of recording in HD using a single 1TB card. Dual Media Slots for Non-Stop Recording All HyperDeck Studio models feature dual media slots for nonstop recording. When the recording card becomes full, recording automatically continues onto the next card. That's perfect when recording long live events because you can "hot swap" a full card for an empty card while recording continues in the other slot. Each slot has a status indicator to show which card is being used, either red for record or green for playback. Plus all models now feature very long file recordings to a single file for easy file distribution. HyperDeck Studio is easily repairable with each card slot using an individual PCB assembly that can be replaced if it ever becomes worn out from heavy use. Record to External USB Type-C Media Disks If recording to other types of media is required, the USB Type-C expansion port lets you plug in an external flash disk for recording. USB Type-C flash disks have unlimited capacity because they can be physically larger than an SD card or SSD. Plus, it's even possible to record to a disk array you'll use for editing, so you don't need to waste time copying files before starting post-production. Just move the disk over to a computer and instantly start editing. You can even add a Blackmagic MultiDock 10G that has 4 separate SSD media slots, so you can add compatibility with SSD media to the HyperDeck Studio Mini and Plus models. There are also menus for managing external disks on the built-in LCD. Popular ProRes, DNx, H.264, and H.265 Files HyperDeck supports the most popular codecs in use today. All models include DNx and ProRes file formats. However, all models also include H.264 in quality levels up to full 10 bit 4:2:2 when recording in NTSC, PAL, 720p, 1080p, and true 1080i interlaced formats. While the 4K model adds H.265 when recording in Ultra HD. That means you get tight 60:1 to 285:1 compression ratios for very small files at full broadcast quality. Plus you can choose uncompressed PCM audio, or even AAC audio when uploading files to YouTube. All models support both ExFAT and HFS+ disk formats and long-duration single file recordings. The Plus and Pro models even support ProRes 4444 allowing fill and key playback. Advanced Broadcast Connections Depending on the model HyperDeck Studio features a wide range of video and audio connections such as 3G-SDI, 6G-SDI, or 12G-SDI. All models include HDMI for connecting to televisions and projectors. There's even a dedicated SDI monitoring output on the Pro and Plus models with on-screen status. The Pro and Plus models include two SDI outputs so you can play ProRes 4444 files, allowing simultaneous fill and key output for keying in live production switchers. The internal timecode and reference generator connections can be looped to sync multiple units for ISO recording. The 4K model has 10G Ethernet for extremely fast network file copying. All models even include AC and locking DC power. Choose 3G-SDI, 6G-SDI, or 12G-SDI Models With multi-rate SDI, you get support for the most popular video standards. The SDI and HDMI connections will automatically switch video standards, so handle SD, HD, and Ultra HD formats depending on the model. SD formats include NTSC and PAL. 720p HD standards include 720p50 and 720p59.94p. 1080i HD interlaced formats include 1080i50 and 1080i59.94. 1080p HD formats include 1080p23.98, 24, 25, 29.97, 30, 50, 59.94, and 60p. HyperDeck can even support 1080 PsF formats. On the 4K model, Ultra HD formats up to 2160p60 are supported. Plus the 4K model supports 2K and 4K DCI rates up to 30p. HyperDeck Studio also supports level A and level B when running HD video at 3G-SDI rates. Fill and Key Outputs for Broadcast Animations The HyperDeck Studio Plus and Pro models can play ProRes 4444 HD files to the two separate SDI fill and key outputs. That means you can use HyperDeck Studio as a graphics clip player for broadcast animation because the ProRes 4444 file's alpha channel will be automatically converted to the key SDI output for real-time keying in a live production switcher. Plus the HyperDeck Studio 4K Pro model adds fill and key playback in UHD. Imagine running animated lower third titles and stingers with key channel outputs for incredibly clean multilayered titles. Plus, switchers such as Blackmagic Design ATEM models connect to HyperDeck Studio via Ethernet to trigger playback synced to transitions. USB Webcam Output for Video Software For compatibility with a wide range of computer software, HyperDeck Studio features webcam support using the USB connection. If you're not recording to an external USB disk, you can plug the HyperDeck USB connection directly into a computer to get live video into any video software. The computer is tricked into thinking the HyperDeck is a common webcam, but it's really a broadcast-quality video source. That guarantees full compatibility with any video software and in full resolution 1080 HD quality. HyperDeck Studio's USB webcam feature works with any video software including Zoom, Microsoft Teams, and Skype, or get live streaming with Open Broadcaster, XSplit Broadcaster, and more. Advanced HDR Support and Monitoring 3D LUTs You'll be ready for the latest feature film workflows with support for advanced HDR standards. All HDR status information is embedded into the SDI connections so downstream equipment can detect when HDR files are played. When recording, the SDI and HDMI inputs will also automatically detect HDR video standards and then tag the files with the correct HDR information. Static metadata PQ and HLG formats are handled according to the ST2084 standard. Plus the front panel LCD has a wider color gamut for both Rec. 2020 and Rec. 709 color spaces. HyperDeck Studio Plus and Pro models even allow you to load a 3D LUT into the monitoring output to add looks or to convert film to video gamma. Includes Professional Multi-Channel SDI Audio HyperDeck Studio includes professional multi-channel SDI audio for recording up to 16 channels. When recording from the SDI input, you can select in the menu to record 2, 4, 8, or 16 channels of audio in real time. There's extra space on the SDI monitoring status overlay, which allows the audio meter display to show the number of channels you have enabled all at the same time, and the audio meters will show 2, 4, 8, or 16 channels simultaneously. The audio meters are designed to use the correct ballistics, and you can change between different VU and PPM meter displays in the LCD menu. HyperDeck Studio is more than just a video recorder, as it also has quality sound. Incredibly Fast Network File Transfers All HyperDeck models allow media files to be uploaded remotely, using simple FTP client software. With 10G Ethernet built into the HyperDeck Studio 4K Pro model, file transfers are so fast, they are faster than the SD card or SSD media disks. For remote deck control, all models use an easy-to-learn text-based protocol, so you can use a simple terminal app like Telnet to test control commands. Simply log into the HyperDeck and then type "play" or "record" and it will execute the command. If you combine the control protocol and file transfers with a HyperDeck connected to a large USB Type-C disk array, you get a fantastic broadcast server for ingest, media management, and play out. Traditional RS-422 Broadcast Deck Control The most popular control connection used on broadcast decks since the early 1980s is the RS-422 protocol. Originally developed by Sony, RS-422 is used on almost all broadcast gear. HyperDeck Studio features wide protocol support so you can connect it directly to broadcast systems. It also supports extra commands for the Advanced Media Protocol for managing disk recorders. When designing RS-422 control solutions, you'll know you're connected to a HyperDeck Studio when you see the ID 0xF0E0 in 30/60p, 0xF1E0 in 25/50p or 0xF2E0 in 24p. The full set of support remote commands are included in the instruction manual and you can download this from the support page of our website. Built-In Timecode and Sync Generators With a timecode and sync generator built into all models, you can stack multiple units for digital signage or multi-channel recording. Each HyperDeck has dedicated outputs for reference and timecode, direct from the internal sync and timecode generators. The generators "free run" unless reference or timecode is connected to the inputs, and then generators will automatically lock. This means you can loop from HyperDeck to HyperDeck to create perfectly timed array or recorders. Blackmagic OS The innovative Blackmagic OS has been designed for high-performance film and broadcast products and it manages all functions on HyperDeck Studio. Only Blackmagic OS provides instant power on while including powerful features such as LCD with video, timecode and audio metering, monitoring with overlays, menus, fast networking, multi-disk media management, 3D LUTs plus localization. The on-screen LCD menus include settings to customize your HyperDeck Studio, plus the menus now support both light and dark mode. Blackmagic OS provides world-leading network performance and HyperDeck Studio 4K Pro can sustain data transfers at a massive 1.2 gigabytes per second on its 10G Ethernet connection. Localized for 13 Popular Languages HyperDeck Studio supports multiple languages so you don't need to learn a new language just to use it. You get support for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese, Turkish, Polish, and Ukrainian languages. When initially powered on for the first time, HyperDeck Studio will display a menu for selecting a language, plus you can always use the LCD menu to change the language at any time in the future. Once a language is selected, the LCD menus will change, plus the overlays on the SDI monitoring output will also change to the selected language. All this means HyperDeck Studio is perfect for doing work anywhere in the world. Use All Video Software and Streaming Sites HyperDeck Studio records files that are compatible with virtually all post-production software. Plus if you record in H.264, you can upload files from HyperDeck Studio direct to streaming services such as YouTube, Facebook, Vimeo, Twitter, and more. You can use popular editing software such as DaVinci Resolve, Apple Final Cut Pro, Adobe Premiere Pro, or Avid Media Composer because HyperDeck uses the same file formats used in post-production. Even VFX software such as Fusion and Adobe After Effects work with the files. Because HyperDeck records to disks formatted on computers, you can simply mount the disk on any computer and start editing without needing to transcode or convert the files. Built-In Redundancy Keeps You on Air Serious broadcasters need redundancy because it increases reliability. HyperDeck Studio includes redundant features to help ensure you stay on air. With dual media slots on all models, and the Pro models having 4 media slots, you can stay on air, even if one of the slots becomes damaged. Plus with the HyperDeck Studio HD Mini model you get 3 totally independent recorders in a single rack unit, while the HyperDeck Studio HD Plus model allows 2 independent recorders in a single rack unit. All HyperDeck models include both AC and a locking DC power connection, so you use the DC connection with an external battery pack for redundant power. Designed for Both Portable or Rack Mount Use When you need a portable broadcast solution, the HyperDeck Studio HD Mini model includes most features miniaturized into an elegant 5" wide compact design that's only one-third of a rack unit wide. That means you can fit three recorders in a single rack unit. Just use the optional Teranex Mini Rack Shelf and you can mount the three units side by side, then bolt it into a standard equipment rack. Or you can combine HyperDeck Studio Mini with other modules, such as a Teranex Mini Analog to 12G-SDI to convert the input from analog to SDI, all in the same rack which is perfect for archive work. HyperDeck Studio HD Mini looks great when it's not rack-mounted and simply used by itself on a desktop. Compatible with Switchers, Disk Docks, and Cameras There's a wide range of Blackmagic Design products you can use with HyperDeck including switchers, cameras, and streaming solutions. As the Mini and Plus models don't include SSD slots, you can add a Blackmagic MultiDock 10G to use regular SSDs, allowing compatibility with media from other HyperDeck models. HyperDeck Studio will manage all the disks for you and automatically record to disks in the MultiDock. You can even use the MultiDock with the HyperDeck Studio Pro models just to add extra SSDs for longer recording times. HyperDeck Studio is also a perfect mastering recorder when used with ATEM switchers, a clip player with fill and key, or looped on switcher inputs for ISO recording.

Blackmagic BMD-SWATEMMINICEXT ATEM Mini Extreme Switcher

Blackmagic BMD-SWATEMMINICEXT (BMD/SWATEMMINICEXT, BMD_SWATEMMINICEXT, BMD SWATEMMINICEXT, BMDSWATEMMINICEXT, bmd-swatemminicext) ATEM Mini Extreme Switcher ATEM Mini Extreme is an advanced switcher for true professionals. You get all the ATEM Mini Pro features plus 8 HDMI inputs, 2 separate HDMI outputs, 2 USB ports and a headphone connection. There are also 4 chroma keyers, 6 picture in picture DVEs, 2 media players and a multiview with up to 16 views. EASY TO USE AND FAST TO LEARN There's never been a switcher that’s easier to use, as you simply press any of the input buttons labelled by number on the front panel to cut between video sources. You can choose between cut or effects transitions by selecting the cut or auto buttons. Unlike cut, the auto button tells ATEM Mini to use a video effect when switching inputs. You can select from exciting transitions such as dissolve, or more dramatic effects such as dip to colour, DVE squeeze and DVE push. Add a DVE effect for picture in picture effects with customized picture positions and background. There are even "media players" which are a still store for titles and graphics that you can load via external software control. STREAM LIVE INTERVIEWS ATEM Mini is perfect for interviews as you can connect multiple cameras for close ups of the host, or interviewee, as well as wide shots plus ATEM Mini is so small the host can even switch in small studios. Plus ATEM Mini Pro and Extreme models support live streaming to YouTube, Facebook and more. CONNECT UP TO 8 INDEPENDENT CAMERAS With 4 or 8 HDMI inputs depending on the model, you can connect multiple cameras for different views. Video cameras with HDMI outputs are better quality than simple webcams as they use higher quality lenses and have better low light sensitivity. All video sources will re-sync to the switcher if they operate at different video standards so you don't have to worry about connecting video devices as they all just work. Cameras with HDMI often support interchangeable lenses so you can change to wide angle lenses for wide shots and zoom lenses for close ups. Imagine taking advantage of the low light capability of better cameras for theater production, weddings, school concerts and music videos. OUTPUTS TO HDMI VIDEO AND USB WEBCAM To ensure maximum compatibility, all ATEM Mini models feature USB that operates as a simple webcam source. That means you can plug into a computer and get working with any video software. The software is tricked into thinking the ATEM Mini is a common webcam, but it's really a live production switcher. That guarantees full compatibility with any video software and in full resolution 1080HD quality. Choose any software you like, such as Zoom, Microsoft Teams or Skype for a new way to do presentations with a professional multi camera broadcast quality style. The ATEM Mini webcam output also works with streaming software such as Open Broadcaster, XSplit Broadcaster and more. LIVE STREAM VIA ETHERNET ATEM Mini Extreme models have a built in hardware streaming engine for live streaming via their ethernet connections. That means you can live stream to YouTube, Facebook and Twitch in better quality, without dropped frames and with simpler settings. Just select the streaming service and enter the streaming key. There are palettes in ATEM Software Control for streaming setup, plus streaming status is also displayed in the multiview. Streaming status is easy to understand as the data rate indicator shows internet speed required for the video format you're using. If you're technically minded, you can update the streaming profiles in an XML settings file to load new services. CONNECT 5G OR 4G PHONES FOR MOBILE DATA If you’re doing live production on location then the ATEM Mini Extreme models support connecting an Apple or Android phone to the USB port to use mobile data. It's also a great backup for the main Ethernet connection. Phone tethering works with the latest high speed 5G phones plus the more common 4G phones. The ATEM switcher will automatically detect when a phone is connected and switch its internet connection to use it, eliminating the need for changing settings. When connected, the phone will power from the USB port so it remains charged from the switcher. By using phone tethering and mobile data, ATEM Mini Extreme become the perfect mobile production solutions. WORK WITH PROFESSIONAL MICROPHONES With two independent 3.5mm stereo audio inputs, you can connect desktop and lapel microphones. You can even connect a music player to generate introduction music after the live stream commences but before the program starts. With 2 extra stereo audio inputs, you can ensure a host and guest both have lapel microphones when doing interviews. All audio inputs to ATEM Mini include buttons on the panel for adjusting audio level and enabling inputs into the audio mixer. Plus all models feature a Fairlight audio mixer with all HDMI inputs and both microphone inputs are all connected to the audio mixer so you can live mix from all audio sources. The ATEM Mini Extreme also adds a headphone output.

Blackmagic BMD-SWATEMMINIBPRISO Mini pro ISO production switcher

Blackmagic 4 HDMI input live production switcher adds recording of up to 5 separate H.264 video streams in real time. That's a clean feed of all inputs and plus the live program. A DaVinci Resolve project file is also saved so you can open your live production to adjust edits, change shots, remix audio and add colour correction.

Blackmagic BMD-SWATEMMINIBPR Atem Mini Pro

Blackmagic BMD-SWATEMMINIBPR (BMD_SWATEMMINIBPR, BMDSWATEMMINIBPR, BMD SWATEMMINIBPR, BMD/SWATEMMINIBPR) Atem Mini Pro. Introducing Low Cost, Mult Camera, Live Production With Advanced Broadcast Features: ATEM Mini switchers make it easy to create professional multi camera productions for live streaming to YouTube and innovative business presentations using Skype or Zoom. Simply connect ATEM Mini and you can switch live between 4 high quality video camera inputs for dramatically better quality images. Or connect a computer for PowerPoint slides or gaming consoles. The built in DVE allows exciting picture in picture effects, perfect for commentary. There are loads of video effects too. All ATEM Mini models have USB that works like a webcam so you can use any streaming software while the ATEM Mini Pro model adds live streaming and recording to USB disks. ATEM Mini even has secret broadcast features built in so it can do high end work. Faster Video Production Plus Live Streaming: Live production is the fastest way to complete a finished program, plus you can stream it to a live global audience via YouTube at the same time. The USB webcam output of ATEM Mini connects to any computer and looks just like a built in webcam, so all streaming software for social media platforms work. With up to 4 HDMI inputs you can set up multiple camera angles such as wide shots along with independent close ups of each person in the performance. Or you can connect to a computer with a PowerPoint slide show, video clip playback, websites or gaming consoles. All switching is in real time so you can live stream to any social media platform such as YouTube, Facebook, TwitchTV and many more. Self Contained Broadcast Quality Switcher:  ATEM Mini’s compact all in one design includes both a control panel as well as connections. The front panel includes easy to use buttons for selecting sources, video effects and transitions. The source buttons are large so it’s possible to use it by feel, letting the presenter do the switching. You even get buttons for audio mixing. On the ATEM Mini Pro model you also get buttons for record and streaming control as well as output selection buttons that let you change the video output between cameras, program and multiview. On the rear panel there are HDMI connections for cameras or computers, extra microphone inputs, USB for webcam out plus an HDMI "aux" output for program video. Atem Mini Pro:  This model includes all the features found in ATEM Mini, plus more. You get recording direct to USB flash disks in H.264 plus direct streaming via the Ethernet to YouTube Live and more. There's also a multiview with 4 cameras, media, preview and program plus status of recording, streaming and audio. Easy To Use And Fast To Learn:  There's never been a switcher that’s easier to use, as you simply press any of the input buttons labelled 1 to 4 on the front panel to cut between video sources. You can choose between cut or effects transitions by selecting the cut or auto buttons. Unlike cut, the auto button tells ATEM Mini to use a video effect when switching inputs. You can select from exciting transitions such as dissolve, or more dramatic effects such as dip to colour, DVE squeeze and DVE push. The DVE is perfect for picture in picture effects and you can instantly set up different picture positions. There is even a still store for titles and graphics accessible via external software control. Stream Live Interviews: ATEM Mini is perfect for interviews as you can connect multiple cameras for close ups of the host, or interviewee, as well as wide shots plus ATEM Mini is so small the host can even switch in small studios. You can record via the HDMI output or live stream using Open Broadcaster software. Business Presentations Via Skype:  Get dramatically better business presentations on Skype because ATEM Mini makes Skype see it as a webcam, so you can select it in the Skype settings. One camera can be a close up, another for a wide shot and a computer for PowerPoint presentations. The presenter can even use picture in picture. Live Stream Esport Competitions: Live stream eSport competitions to Twitch by simply connecting multiple gaming consoles and a camera for a presenter. ATEM Mini operates up to 60 frames per second for fast gameplay and you can use picture in picture for commentary. You can even download titles from Photoshop. Kickstarter And Investor Updates: Raise the professionalism of Kickstarter or investor presentations to fund your new product idea. Connect a camera for the presenter, a camera for a product close up and a computer for business plan slides. Then present live via Skype or Zoom and even post recordings online for investors to view later. Education And Training: ATEM Mini is perfect for educational videos. Setup is fast and easy, so you can travel to locations and record live multi camera video productions on a wide range of educational topics. Connect computers and cameras and use the ATEM Software Panel to load titles and perform video effects. Connect Up To 4 Independent Cameras: With 4 independent HDMI inputs, you can connect up to 4 high quality video cameras. Video cameras with HDMI outputs are dramatically better quality than simple webcams as they use higher quality lenses and have better low light sensitivity. All video sources will re‑sync to the switcher if they operate at different video standards so you don't have to worry about connecting video devices as they all just work. Cameras with HDMI often support interchangeable lenses so you can change to wide angle lenses for wide shots and zoom lenses for close‑ups. Imagine taking advantage of the low light capability of better cameras for theater production, weddings, school concerts and music videos. Outputs To Hdmi Video And Usb Webcam: To ensure maximum compatibility, ATEM Mini features a USB connection that operates as a simple webcam source. That means you can plug in and instantly get working with any video software. The software is tricked into thinking the ATEM Mini is a common webcam, but it's really a live production switcher. That guarantees full compatibility with any video software and in full resolution 1080HD quality. Choose any software you like, such as Open Broadcaster for live streaming, or Skype for Powerpoint presentations. ATEM Mini works with software and platforms such as Open Broadcaster, XSplit Broadcaster, YouTube Live, Facebook Live, Skype, Zoom, Twitch, Periscope, Livestream, Wirecast and more. Live Stream Via Ethernet On Atem Mini Pro:  The ATEM Mini Pro model has a built in hardware streaming engine for live streaming via its built in Ethernet connection. That means you can live stream to YouTube, Facebook and Twitch in better quality, without dropped frames and with much simpler settings. Just select the streaming service and enter the streaming key. There are palettes in ATEM Software Control for streaming setup and status, plus streaming status is also displayed in the multiview. Streaming status is easy to understand as the data rate indicator shows internet speed required for the video format you're using. If you're technically minded, you can even hack the detailed streaming profiles in the XML preference file and load new services. Record Direct To Usb Flash Disks With Atem Mini Pro: The ATEM Mini Pro model also supports direct recording of your streaming data to USB flash disks. That means you get very long recordings in the same H.264 video files with AAC audio that you streamed, so you can direct upload to any online video site, such as YouTube and Vimeo. ATEM Mini Pro supports multiple disks when used with a USB hub or Blackmagic MultiDock, so when a disk fills recording can continue to a second disk for non-stop recording. Record settings and disk selection are set up in ATEM Software Control and there's a record status view in the built in multiview. You can even trigger recording on external Blackmagic Pocket Cinema Cameras. Add Exciting Video Effects:  One of the benefits of ATEM Mini is the professional production values that are possible using the range of built in video effects. The cut button ensures an instant cut when switching between sources. The auto button is a professional term that's used on large broadcast switchers to enable video effects transitions. There are duration buttons for video effects allowing 0.5, 1, 1.5 and 2 second settings. You can also select the type of effect you want including mix, which does a smooth transition between sources, and dip which fades via a colour during the transition. Or use fun DVE effects that move the image off screen when transitioning between sources. Work With Professional Microphones: With two independent 3.5mm stereo audio inputs, you can connect desktop and lapel microphones. You can even connect a music player to generate introduction music after the live stream commences but before the program starts. With 2 extra stereo audio inputs, you can ensure a host and guest both have lapel microphones when doing interviews. All audio inputs to ATEM Mini include buttons on the panel for adjusting audio level and enabling inputs into the audio mixer. ATEM Mini features a full Fairlight audio mixer and all HDMI audio inputs and both microphone inputs are all connected separately to the audio mixer so you can live mix from all audio sources. Automatically Converts Any Hdmi Input Format: Each of the 4 HDMI inputs feature their own dedicated standards converter. That means ATEM Mini will automatically convert 1080p, 1080i and 720p sources to the video standard of the switcher. By default the switcher will set its video format automatically, however you can also set the switcher to a specific video standard you need. The HDMI output is a true "aux" output so you can clean switch each HDMI input or program to this output. You can even "direct" switch input 1 to the HDMI output for low latency eSport productions. If you're using program/preview switching, the HDMI out can be selected to preview, or on the ATEM Mini Pro model, it can be selected to display a full multiview. Secret Broadcast Features Built In: While ATEM Mini is easy to use, it's also hiding very powerful broadcast features. If you're interested in a career in the television industry, then ATEM Mini is perfect for training as it has the same features as switchers in high end broadcast studios. You get an ATEM Advanced Chroma Key, Fairlight audio mixer, DVE, still store for graphics and much more. Simply run the free ATEM Software Control app on Mac or Windows while connected via USB or Ethernet to access the extended features of the ATEM Mini. With a little experimentation you can learn how to produce broadcast quality live production. Only ATEM Mini is a true broadcast switcher hidden in a tiny and affordable design. Includes Free Atem Software Control Panel: The ATEM Software Control app unlocks the hidden power of ATEM Mini and allows access to every feature in the switcher. ATEM Software Control features a visual switcher user interface with parameter palettes for making quick adjustments. Although you can normally connect via USB, if you connect using Ethernet it's possible for multiple users to connect to ATEM Mini using separate copies of ATEM Software Control on different computers. The software lets you access full audio mixing with effects, load still frames and even do advanced macro programming. You can even save the switcher state as an XML file. If you need clip playback, you can even control HyperDeck disk recorders via Ethernet. DVE for Picture in Picture, Transitions and Effects One of the most exciting features on ATEM Mini is the digital video effects processor, commonly referred to as a "DVE", that allows picture in picture effects and crazy DVE transitions. The DVE lets you create professional picture in picture effects with customizable 3D borders, shadows and lighting. The image quality is the same as high end ATEM switcher models and the DVE supports position, resize and scale, all in real time. The DVE can also be used to create amazing transitions with 16 different DVE squeeze and DVE push effects for adding excitement to your programming. The DVE features a "fly key" so you can use it with custom graphics to create graphic wipe transitions. Professional broadcast transitions atem mini includes a wide range of broadcast quality hd native transitions such as mix, dip, wipe and more. all transitions can be customized by adjusting parameters such as duration, border colour, border width, position and direction. you can also use the dve in transitions, allowing a graphic to be moved over the wipe edge which is called a graphic wipe, and is used in sports programming. to eliminate errors, atem mini has a preview transition feature so you can check your transitions before putting them to air. Built-In Graphics With Photoshop Plug-In: The built in "media pool" allows the loading of up to 20 separate broadcast quality RGBA graphics for titles, opening plates and logos. The media player is used to output the selected image so it appears as an extra internal video source for use in graphics and titles. You can even use still frames for complex effects such as graphic wipes. ATEM Mini can even grab stills from the video output and add them to the internal media pool. Graphics can be loaded via ATEM Software Control or downloaded directly from Photoshop using the ATEM Photoshop plug-in. The Photoshop Plug-in is perfect for graphics that change often, such as scoreboards, as you can download directly into the media player. Includes New Atem Advanced Chroma Key: For news or on-set presentation work, ATEM Mini is perfect as it has an upstream ATEM Advanced Chroma Key plus an additional downstream linear keyer. The chroma keyer is incredibly powerful and features a colour picker to sample background colours for automatic generation of the key parameters. You get precise controls for edge and flare, and there is even a foreground colour corrector so you can match the foreground and background layers for seamless compositions. The keyer can also be used for pattern and DVE keying. You can even use it for title overlays by creating graphics with a green or blue background and the keyer will knock out the green and make the background transparent. True Broadcast Style Mix Effects Switching: Although ATEM Mini works in "cut bus" mode when first purchased, it can also be changed to "program/preview" style operation, which is the way large broadcasters use live production switchers. Cut bus switching is easy and selecting any input will instantly switch to that source. However if you want to operate ATEM Mini like a true professional then you can change the switcher to program/preview using ATEM Software Control. Mix effects operation allows a source to be selected but it won't be put on air until you press the cut or auto buttons. That 2 step program/preview process means fewer mistakes. Program/preview operation is best for training students for a career in broadcast. Monitor Sources And Status With Atem Mini Pro Multiview: When doing larger live productions with multiple cameras, it’s very useful to see all your video sources at the same time on a single monitor. The ATEM Mini Pro model includes a professional multiview that lets you see all 4 video inputs, plus preview and program on a single HDMI television or monitor. Simply select M/V on the front panel video output control buttons to select multiview. Each camera view includes tally indicators so you know when each source is on-air, and each view also has custom labels and audio meters. You can also see the media player so you know what graphic is selected. Plus multiview even includes status for recording, streaming and the Fairlight audio mixer. Built In Audio Mixer With 6 Band Eq, Compressor And Limiter: With a built in Fairlight audio mixer, ATEM Mini makes it possible to do complex live sound mixing. The internal mixer features a total of 12 channels so you can mix audio from all sources. That’s audio from all HDMI sources and the 2 stereo mic inputs. Each input channel features the highest quality 6 band parametric EQ and compressor, limiter, expander and noise gate as well as full panning. You can even set up the software to auto mix between inputs as you switch "AFV" or to live mix multiple sources together all at once. All this audio power can be controlled via ATEM Software Control, or you can add a Mackie compatible panel or even a massive Fairlight Audio Console. Use Ethernet Control For Wireless Internet Streaming: ATEM Software Control connects to ATEM Mini via USB or Ethernet, however the benefit of Ethernet is you can use it to share your computer's internet connection for streaming on the ATEM Mini Pro model. Simply connect ATEM Mini Pro via Ethernet and set your computer to share its internet. Using Ethernet is easy, and when launching the software, just select the ATEM Mini model. If you are streaming on ATEM Mini Pro, also set your computer to share its internet. Now you get both control and streaming via the single Ethernet cable. This provides amazing mobility as you can connect your computer to the internet using wireless connections such as WiFi or even 4G and 5G tethered phones. Control And Colour Balance Cameras: For a more broadcast style workflow, you can remote control your cameras from ATEM Mini. Blackmagic Pocket Cinema Camera 4K and 6K models can work as studio cameras with control sent via the HDMI connection to ATEM Mini. That means you can control the camera settings as well as the camera’s colour corrector from ATEM Software Control. Imagine changing ISO and tint, plus lens iris, focus and zoom, so camera operators can focus on the shot. There are two types of control interface, CCU layout for traditional tint colour control and a DaVinci colour corrector interface allowing the camera’s built in DaVinci colour corrector to add incredible digital film "looks" to your live production. Develop Custom Remote Control Solutions: The Ethernet connection also allows customized control solutions. Even though ATEM Mini includes ATEM Software Control, you can use the Ethernet to control the ATEM remotely, anywhere in the world. A popular workflow is to use the Ethernet to allow the ATEM Mini to be positioned near the HDMI cameras, but the control is positioned remotely in a quieter space, such as a control room. Imagine using the switcher from a control room and building a professional broadcasting studio where the control room can be separated away from the performance or interviews. Ethernet allows you to add as many panels as you like all at the same time, or you can build custom solutions using the developer SDK. Record To An External Hyperdeck Recorder: The HDMI program output is perfect for connecting ATEM Mini to an external recorder or monitor. ATEM Mini supports recorders such as Blackmagic Video Assist. You get a high quality output with switcher program video, plus live audio from the internal audio mixer. The HDMI output can even be connected to video projectors in large venues. If you connect ATEM Software Control you can even ISO record from one of the inputs. Plus on the more advanced ATEM Mini Pro model you can generate multiple formats by recording from the HDMI program output in ProRes while simultaneously recording the H.264 video stream to a USB flash disk.

Blackmagic ATEM Constellation 8K

Blackmagic BMDSWATEMSCN4/1ME4/8K(BMDSWATEMSCN41ME48K, BMDSWATEMSCN4/1ME4/8K, BMD/SWATEMSCN4/1ME4/8K, BMD/SWATEMSCN4-1ME4-8K) ATEM Constellation 8K. The new ATEM Constellation 8K is an Ultra HD live production switcher with so many features, you can combine them all to make an incredibly powerful 8K switcher. You get 4 M/Es, 40 x 12G‑SDI inputs, 24 x 12G‑SDI aux outputs, 4 DVEs, 16 Keyers, 4 media players, 4 multi viewers, 2 SuperSource and standards conversion on every SDI input. Then when switched to 8K, all these features combine to make a powerful 8K switcher. You even get built in talkback and a professional 156 channel Fairlight audio mixer with EQ and dynamics. That’s an audio mixer so big, you can connect and use a full Fairlight audio console. ATEM Constellation 8K has also been designed as an ideal upgrade for ATEM Television Studio. Designed For Massive Live Events With so many inputs, ATEM Constellation is ideal for concerts and music festivals because you can place cameras on all areas of the stage for amazing coverage. Even live sports benefit from the huge number of inputs and four DVEs let you build multi‑layer compositions to cover the action. The fastest way to produce programming is live. With powerful internal graphics and four ATEM Advanced Chroma Keyers, you get everything you need for complex program production. ATEM Constellation is also perfect for house of worship programming as it has the size to produce professional results, but it’s simple to learn so it’s easy to train volunteer crew. The Ultra Hd Switcher Ready For An 8K Future Because ATEM Constellation is so incredibly big, you can use it as a massive HD and Ultra HD switcher, then instantly combine all of these features together to work in native 8K. You get the power of 40 independent 12G‑SDI inputs when working in HD or Ultra HD, or when switched to 8K, these 40 inputs transform into 10 Quad Link 12G‑SDI 8K inputs. Each input even has up and cross conversion. That means you can instantly switch 720p, 1080p, 1080i, Ultra HD and 8K video standards. Plus, you get 4 independent Ultra HD multi views that also transform into a full resolution 8K multi view. Even the keyers, DVE, Super Source and downstream keyers all switch to native 8K. Seriously Advanced Broadcast Power ATEM Constellation 8K features a compact 2RU rack mount design with a built in control panel. This allows operation of the switcher, critical during setup or for emergency use. Also included is a large LCD so you can see program output and change switcher settings via on screen menus. Although only 2RU size, the rear of the switcher has a massive 40 x 12G‑SDI inputs, 24 x 12G‑SDI aux outputs, plus balanced audio, Ethernet, RS‑422 control and MADI digital audio extra inputs to the internal Fairlight audio mixer. Even with all this power, ATEM Constellation is extremely quiet with its innovative high efficiency thermal system and three low speed cooling fans. Full Front Panel Control With a built in control panel, you can simply walk up and take full control of ATEM Constellation at any time. Because it works similar to ATEM Television Studio, it’s a fantastic upgrade when you need a bigger switcher. You get incredible power with both PGM/PVW or cut‑bus style operation. The buttons are the same premium type used on full sized panels, and allow control of transitions, upstream/downstream keyers, media players and fade to black. You also get professional talkback with engineering and production loops, plus an XLR talkback headset connection. But you're never limited, as the LCD menus also allow every single operational feature of the switcher to be accessed. Massive 40 Standards Converted 12G‑Sdi Inputs. You get 40 independent 12G‑SDI inputs, with each input featuring its own dedicated up and cross converter. That means it’s possible to convert 1080p and Ultra HD sources to stunning 8K to use them in your 8K programs. When used in HD or Ultra HD, you can connect up to 40 different sources in all formats up to 2160p60. When running 8K formats, connect 10 Quad Link 12G‑SDI 8K sources in all formats up to 4320p60. You can even loop out audio channels 1, 2, 3 and 4 from SDI inputs 1 to 30 to the two MADI digital audio outputs, so you can hand off the audio from all switcher sources to an external audio engineer for mixing. 24 Customizable 12G‑Sdi Outputs ATEM Constellation 8K features 24 independently routable 12G‑SDI outputs that can be fully customized. All of these outputs are similar to aux outputs, however they're more powerful because you can route any external SDI input and all internal sources to any of these 12G‑SDI outputs. That’s flexible enough to run independent program feeds, clean feeds, or outputs for on stage projectors and video walls. It’s like having multiple switchers all running at the same time with everyone getting the custom feed they need. All 12G‑SDI outputs contain embedded program audio, plus you get mix minus support, RP‑188 embedded timecode, SDI camera control, tally and talkback. Choose From Hardware Or Software Control Panels All ATEM switchers feature a wide range of hardware and software control options, plus it’s possible to share control panels between all ATEM models for different live events. Included with ATEM Constellation is a full software based control panel for Mac and Windows. The software connects to the switcher via ethernet and you can control the switcher, upload media, mix audio and control cameras. You can even run multiple copies of the software switcher at the same time. Then, when you need more power, you can add an ATEM Advanced Panel for switching or even an ATEM Camera Control Panel allowing dedicated control of your cameras. There's even a developer SDK for your own custom control solutions. Includes 8K Multiview With Labels, Tally And Meters The built in multi views let you monitor multiple sources in a single monitor. You get 4 independent multiview outputs that can each be individually customized or transformed into a single full resolution 8K multiview when you switch to 8K. You get the stunning quality that only an 8K multiview can provide. Plus all external inputs and all internal sources can be routed to any view. Plus each multiview can be independently set to 4, 7, 10, 13 or 16 simultaneous views. Each view also has on screen status including a custom label, VU meters and tally. The four 12G‑SDI multiview outputs support HD and Ultra HD up to 2160p60, and up to 4320p60 via Quad Link 12G‑SDI when switched to 8K. Dve, Stingers And More ATEM Constellation 8K includes a wide range of broadcast quality 8K native transitions such as mix, dip, wipe, and more. All transitions can be customized by adjusting parameters such as their duration, border colour, border width, position and direction. Transitions are even fully 8K native. You also get exciting DVE transitions, perfect for graphic wipes and even stingers when used with the internal media players. To eliminate errors, ATEM Constellation also includes a preview transition feature so you can check your transitions before putting them to air. Full Resolution 8K Dve ATEM Constellation features 4 independent Ultra HD DVEs that all work together as a single full resolution 8K DVE when you switch to 8K formats. You get amazing quality and the DVE supports position, resize and scale, all in real time. The DVE lets you create professional picture in picture effects with customizable 3D borders, shadows and lighting. DVEs can also be used to create amazing DVE transitions with squeeze, push and swoosh effects for adding excitement to your programming. You can even combine DVE transitions with custom graphics to create your own graphic wipe transitions. Full Resolution 8K Dve ATEM Constellation features 4 independent Ultra HD DVEs that all work together as a single full resolution 8K DVE when you switch to 8K formats. You get amazing quality and the DVE supports position, resize and scale, all in real time. The DVE lets you create professional picture in picture effects with customizable 3D borders, shadows and lighting. DVEs can also be used to create amazing DVE transitions with squeeze, push and swoosh effects for adding excitement to your programming. You can even combine DVE transitions with custom graphics to create your own graphic wipe transitions. Internal Media For Stills And Motion Graphics The built in media pool stores broadcast quality RGBA graphics and animations that can be played back instantly by the two media players. Media players simply appear as additional input sources on the ATEM Constellation 8K, so you don’t have to use extra SDI inputs for graphics. For the highest quality, the media pool can hold up to 24 full resolution 8K stills, or 64 Ultra HD or HD stills. Motion graphics clips for use in animations and stingers can be up to 100 8K RGBA frames, 400 frames in Ultra HD or a massive 1,600 frames in 1080HD. You can easily manage all of your media using the included ATEM Software Control or download directly from Photoshop using the ATEM Photoshop plug‑in. Includes New Atem Advanced Chroma Key In 8K For news or virtual set work, ATEM Constellation is the perfect choice as it features 16 ATEM Advanced Keyers for high quality chroma or luminance keying. The chroma keyer is incredibly powerful and features a colour picker to sample background colours for automatic generation of the key parameters. You get precise controls for edge and flare, and there is even a foreground colour corrector so you can match the "look" of the foreground layer to the background layer making seamless compositions possible. The keyer can also be used for pattern and DVE keying allowing incredible versatility. Then when you switch to 8K, you still get four independent full resolution 8K ATEM Advanced Keyers. Multi Rate 12G‑Sdi For Hd, Ultra Hd And Native 8K With 40 multi rate 12G‑SDI input connections, ATEM Constellation 8K is compatible with HD, Ultra HD and 8K SDI sources. When working in HD, it's easy to operate at high frame rates up to 720p60, 1080p60 and 1080i59.94 formats. When you switch to Ultra HD, you can work in 2160p formats up to 60 frames per second all using a single 12G‑SDI connection. When switched to 8K it’s now possible to operate in 4320p formats up to 60p using Quad Link 12G‑SDI which allows real time 8K using 4 BNC cables. Only multi rate 12G‑SDI allows switching between HD, Ultra HD and 8K formats so you can instantly adapt to the needs of the job you are doing anywhere in the world. The First Switcher With Big Professional Audio ATEM Constellation 8K is the world’s first live production switcher that fully embraces live professional audio production. All SDI inputs are connected to a built in Fairlight audio mixer that features 6 band parametric EQ, compressor, limiter, noise gate and expander on each input. There is even a MADI for an extra 32 input channels into the internal audio mixer. ATEM Constellation 8K can even be connected to a professional Fairlight mixing console. Plus, there are 2 MADI outputs for breaking out channels 1, 2, 3 and 4 of the first 30 SDI inputs out for an external audio engineer. You can even mix audio from analogue inputs, talkback microphones for voice over and more. Professional Fairlight Audio Mixer With a built in Fairlight audio mixer, the ATEM Constellation makes it possible to do extremely complex live sound mixing. The internal mixer features a massive 156 channels, for the biggest audio mixer in a live production switcher. 80 mixer channels are de‑embedded from the SDI inputs, while an extra 64 audio channels are input via MADI in. Each input channel features the highest quality 6 band parametric EQ and compressor, limiter, expander and noise gate as well as full panning. You get extra channels for the analogue input, talkback microphone and media players. All this audio power can be controlled via the ATEM Software Control, a Mackie compatible panel or Fairlight Audio Console. Includes Free Software Control Panel The ATEM Software Control Panel gives you total control over your switcher and is included free. ATEM Software Control Panel features a beautifully designed interface with a visual switcher and parameter palettes for making quick adjustments. Multiple users can connect to the switcher via Ethernet and all work on different parts of the event at the same time. The ATEM Software Control also lets you access camera control, audio mixing, media, macro programming and even control of HyperDeck disk recorders. You can even save the full state of the switcher as XML files, plus all media is backed up from the media pool. Plus you can run the software on Mac or Windows. Add The Speed And Power Of An Atem Hardware Panel All ATEM switchers have a wide range of control panels allowing customization for the kind of work you do. ATEM hardware control panels feature a fast program/preview style which is the industry standard for switcher control. All transitions have direct access buttons and a t‑bar is included when performing manual blending of transitions. For accurate control of the DVE, a joystick provides X, Y positioning and rotate for DVE zoom. Then you can use the LCD menus to control features that don't have dedicated knobs and buttons. You can even setup and trigger Macros right from the panel. The ATEM panels feature internal power supplies as well as an IEC AC power connection.

Blackmagic ATEM Camera Control Panel

Blackmagic BMD-SWPANELCCU4 ( SWPANELCCU4, BMDSWPANELCCU4, BMD/SWPANELCCU4, BMD SWPANELCCU4 ATEM ) Camera Control Panel Independent control for up to 4 URSA Mini, URSA Broadcast, Blackmagic Studio and Micro Studio cameras from a single control panel The ATEM Camera Control Panel is a compact remote camera control unit designed to control up to four different URSA Broadcast, URSA Mini, Blackmagic Studio or Blackmagic Micro Studio cameras. The control panel features traditional broadcast style controls and adjustments so a single person can monitor and adjust a wide range of technical parameters such as black levels, gain, colour balance, shutter speed and more. This leaves your camera operators free to focus on the more creative aspects of live production such as framing and composition. Unlike traditional CCU controllers, which have to be installed into a desk, the ATEM Camera Control Panel has been designed to be portable so it can simply be placed on any desktop or bolted down so it can be mounted in a slide out rack shelf. The controls are arranged in a familiar and logical layout, making it perfect for both experienced and new operators. Plus, it works with all ATEM switcher models CONTROL FOUR CAMERAS One person can control 4 cameras When working on live multi camera programs, it’s important to make sure all of the cameras are properly balanced and set up correctly so that you get consistent video from every angle. The ATEM Camera Control Panel features 4 camera controllers in one panel. Each camera controller includes a large LCD screen with soft buttons and knobs at the top of the panel, and a full set of professional controls below, on the main body of the panel. Scene and Camera Controls The top section lets you save and recall scene presets so you can quickly adjust cameras based on changes in the scene such as lighting. This section also includes controls for adjusting master gain, white balancing the camera and changing the camera’s shutter speed. White Balance Quickly set and adjust white balance Load Scenes Save and recall scene presets Master Gain Boost sensitivity of sensor in low light or when more depth of field is needed Shutter Speed Set the shutter speed of the camera Bars Select to output colour bars for the selected camera Gain and Pedestal Controls The center section features independent RGB controls for gain and pedestal, or white and black. This allows you to adjust the individual red, green and blue levels in your blacks and whites to compensate for unwanted colour. White Independent RGB control for gain/whites Black Adjust the RGB values for pedestal/blacks Lens and Iris Controls The bottom section features an LED camera number that indicates preview and on air status, along with a high quality professional joystick that’s used to precisely adjust the iris and master black. It also features a call button for talkback with the operator, along with a panel lock button and indicators for the network, power and cable connection to the camera. Iris Control Joystick for adjusting iris and master black. Adjust up and down for iris, rotate for master black and push to select camera to monitor Coarse Control Sets the limit of the iris control on the joystick Iris and Master Black Locks the iris and master black controls on the joystick to prevent accidental changes Master Black Controls the degree or level of black/pedestal without affecting contrast Panel Active Lock out the entire panel to prevent accidental changes Status Lights Indicate network connectivity, alarms and cable integrity Preview Used for sending the aux feed to the monitor so you don’t have to move the joystick Camera Number LED dot display that indicates camera number and on air/preview status Call Button Flashes tally light and sends tone to get operator’s attention LIVE PRODUCTION WORKFLOW Works seamlessly with ATEM switchers The ATEM Camera Control Panel connects directly to your ATEM live production switcher or ATEM hardware control panel via Ethernet. In many setups, you may be using multiple ATEM products such as an ATEM 4 M/E Broadcast Studio 4K switcher with an ATEM 1 M/E Advanced Panel and the ATEM Camera Control Panel. Ethernet can simply be looped from one ATEM device to another. FAST AND EASY CONTROL With traditional CCU controls, you can work much faster The ATEM Camera Control is incredibly fast to use as it features traditional broadcast CCU controls so you get the benefit of years of broadcast experience. You can use the knob on the LCD to set the camera number, which turns red when a camera is on the air. The main joystick control can be moved vertically to adjust the camera iris while the knob can then be rotated to change the master black level. Pressing down on the knob will let you monitor the camera you’re currently controlling via the aux output of the switcher. Simply push the knobs to rapidly switch between cameras to ensure all your cameras match colour. The ATEM Camera Control Panel is fast to set up so you can instantly start controlling the cameras that are connected to your switcher.

Blackmagic BMD-DV/RES/BBPNLMINI Davinci Resolve Mini Panel

Blackmagic BMD-DV/RES/BBPNLMINI (BMD-DV-RES-BBPNLMINI, BMD_DV_RES_BBPNLMINI, DV-RES-BBPNLMINI, DV/RES/BBPNLMINI) Davinci Resolve Mini Panel The DaVinci Resolve Mini Panel from Blackmagic Design is a step-up in functionality from the Micro panel but without all the features of the Advanced panel. It is a portable control surface suitable for those that need to switch between editing and color grading. It can sit on your desk top, in a rack, or be bolted to a surface. As with the Micro panel, it features three high-resolution, weighted trackballs and 12 control knobs for accessing essential primary color-correction tools in the Resolve software. 18 dedicated keys on the right side also give you access to the most commonly used grading features and playback controls. However, the Mini Panel also features two LCD screens that allow you to display menus or the parameters of the tools you are working with. Eight customizable soft knobs provide precise control and a quick reset by pushing the knob. Dedicated feature buttons allow you to change tools without needing to use the mouse. The Mini panel incorporates a USB Type-C and Ethernet interface. It is compatible with Mac, Windows, and select Linux systems. You can power the panel via an AC power source, a 4-pin XLR connector, or PoE. For the panel to work with Resolve, your computer must be running DaVinci Resolve 14.3 or DaVinci Resolve Studio 14.3 or later. An included USB 3.0 Type-A to USB Type-C cable provides backward compatibility for systems that are limited to USB Type-A connectors. Small enough to take with you, so you can bring it to any Resolve system (14.3 or later) and do color correction on location or at the editor's suite Shares basic layout with both Micro and Advanced Panels Interfaces with and controls software Three track balls with outer control rings Log and Offset color-correction selection buttons Buttons are backlit and light up when actuated Two LCD display screens for displaying the menu system or the parameters of the tools you are wotking with Custom control knobs with 4096 steps per rotation and push button reset Primary Correction Creative Control Knobs Control knobs are grouped into four sets of three knobs Luminance Y Lift Control: Adjust the contrast of the image in the darker areas, specifically in the Y (luminance) channel only. This adjustment allows changing the black point without changing saturation. Y Gamma Control: Adjust the contrast of the image in the mid-tone areas, specifically in the Y (luminance) channel only. This control helps add depth and extra vibrancy to shots Y Gain: You can reduce hot spots or tweak the whites to define a look. Contrast Contrast Control: Increase contrast to make the blacks darker and the whites brighter, or decrease contrast to do the opposite. Pivot: Change the center of tonality about which dark and bright parts of the image are stretched or narrowed during a contrast adjustment. Mid-Tone Detail: Affect the contrast of regions of the image with high edge detail to increase or decrease the perception of image sharpness and definition. Often used for softening facial features making it popular for beauty shots. Detail Color Boost Control: Raise the saturation in regions of the image with low saturation while leaving properly saturated areas alone. Also known as a vibrance operation, this is useful for adding color without over-saturating the image. Shadow Control: Selectively lighten or darken shadow detail without affecting your images mid-tones. Highlight Control: Enable retrieving blown-out highlight detail in high dynamic range media by lowering this parameter. This allows you to achieve a smooth blend between the retrieved highlights and unadjusted mid tones for a natural-looking image. Saturation Increases or decreases overall image saturation — you can turn your color image into a grayscale image with this control. Hue Control: Rotates all hues of the image around 360° of the color wheel. The default setting is 50, which retains the original distribution of hues. Luminance Mix Control: Controls the balance between the YRGB adjustments and Y only adjustments made using the Y channel lift, gamma, and gain controls. The system powers from either AC power or a 12 VDC source via the 4-pin XLR connector. The Mini panel can sit on a desktop, be mounted in a rack, or mounted to a surface to prevent theft or be used in a moving vehicle or on a cart.

Blackmagic BMD-DV/RES/BBPNLMIC Davinci Resolve Micro Panel

Blackmagic BMD-DV/RES/BBPNLMIC ( BMD-DV-RES-BBPNLMIC, BMD/DV/RES/BBPNLMIC, BMDDVRESBBPNLMIC, BMD DV RES BBPNLMIC, bmd-dv-res-bbpnlmic ) Davinci Resolve Micro Panel. Small, portable hardware control panel The DaVinci Resolve Micro Panel is a high quality, portable low profile panel that features three high resolution trackballs and 12 precision machined control knobs for accessing all essential primary color correction tools. Above the center trackball are keys for switching between log and offset color correction, as well as a key to display DaVinci Resolve’s full screen viewer, which is great for use with laptops. Eighteen dedicated keys on the right side also give you access to the most commonly used grading features and playback controls. DaVinci Resolve Micro Panel is perfect for independent editors and colorists that need a truly portable solution, great on set to create looks and evaluate color and lighting, ideal for quickly grading video in broadcast trucks, great for education and much more. PRIMARY CORRECTION CREATIVE CONTROLS To take your color grading to the next creative level, the DaVinci Resolve Mini and Micro panels include 12 dedicated primary color correction control knobs. These are designed to make it easy for you to stylize the look of your images and generate precise “film looks.” All knobs can be pressed to instantly reset the control. That’s perfect for when you are trying an exciting new style but get a bit lost. Simply press the knobs to reset. LIFT Adjust the contrast of the image in the darker areas, specifically in the Y (luminance) channel only. This adjustment is great for a changing the black point without changing saturation. Y GAMMA Adjust the contrast of the image in the mid-tone areas, specifically in the Y (luminance) channel only. This control helps add depth to shots, along with extra vibrancy. Y GAIN Adjust the contrast of the image in the brighter areas, specifically in the Y (luminance) channel only. You can reduce hot shots or pull the whites to make the shot look more angelic. CONTRAST Increase contrast to make the blacks darker and the whites brighter, or decrease contrast to do the opposite. Use this to improve the dynamic range and make shots pop. PIVOT Changes the center of tonality about which dark and bright parts of the image are stretched or narrowed during a contrast adjustment. MID-TONE DETAIL Increases the contrast of regions of the image with high edge detail to increase or decrease the perception of image sharpness and definition or when lowered regions of the image with low amounts of detail are softened while areas of high detail are left untouched. Great for softening facial features and popular for beauty shots. COLOUR BOOST Naturally raise the saturation in regions of the image with low saturation while leaving properly saturated areas alone. Sometimes referred to as a vibrance operation, this is great for adding color without over saturating the image. SHADOWS Selectively lighten or darken shadow detail. Raising this value retrieves shadow detail while leaving the mid-tones untouched. HIGHLIGHTS Easily retrieve blown out highlight detail in high dynamic range media by lowering this parameter to achieve a smooth blend between the retrieved highlights and the unadjusted mid tones for a natural result. SATURATION Increases or decreases overall image saturation. At higher values, colors appear more intense, while at lower values color intensity diminishes and can be adjusted until all color is gone, leaving a grayscale image. HUE Rotates all hues of the image around the full perimeter of the color wheel. The default setting is 50, which retains the original unaffected distribution of hues. LUMINANCE MIX Control the balance between the YRGB adjustments and Y only adjustments made using the Y channel lift, gamma and gain controls in the primaries palette or the un-ganged luma curve. PROFESSIONAL TRACKBALLS Trackballs provide RGB balance adjustments for lift, gamma and gain, each with a master level control. The Advanced panel also features a dedicated RGB offset and master gain trackball to adjust the tint and brightness of the entire image. The trackballs can be set to work in either log or RGB with the touch of a button. ILLUMINATED KEYS The buttons and keys on the DaVinci Resolve control panels illuminate when selected so you can easily see which controls are active. On the Advanced and Mini panels, the keys are also backlit, making it easy to clearly see each button in a dimly lit suite. QUICKLY CHANGE TOOLS The DaVinci Resolve Advanced and Mini panels include dedicated feature buttons that let you quickly change tools so you don’t have to switch back and forth between the mouse and panel. With the push of a button you can easily access tools such as the RAW palette, primary color correctors, curves, qualifiers, windows, tracker and more. STILL STORE REFERENCE MANAGEMENT Colorists constantly grab and play stills to compare grades using the gallery. The DaVinci Resolve Advanced, Mini and Micro panels have dedicated keys to quickly save and recall stills. On the DaVinci Resolve Advanced Panel you can also use the fader T-bar to wipe between saved stills and your grading timeline. TRANSPORT CONTROLS The play forward, reverse and stop transport keys on all the panels give you full control of your project timeline or deck while the Advanced panel adds a jog/shuttle knob for faster and more precise scrubbing. FLEXIBLE POWER OPTIONS The DaVinci Resolve Micro Panel is fully powered via USB so you can simply plug and play to get up and running. Power over USB means you can use it with a laptop and it will operate from the laptop’s battery, making it ideal for on set grading. The DaVinci Resolve Mini Panel also includes ethernet so it can operate via your network, making it fantastic for larger facilities. Plus, the ethernet PoE support means it can even power itself via the network connection so you don’t need to plug in the power connection.

Blackmagic BMD-CONVMASA4K Convert SDI in SD, HD or UltraHD to analogue video with down converter and audio.

Blackmagic BMD-CONVMASA4K ( CONVMASA4K, BMDCONVMASA4K, BMD CONVMASA4K, BMD/CONVMASA4K, bmd-convmasa4k) Convert SDI in SD, HD or UltraHD to analogue video with down converter and audio. The Blackmagic Mini Converter range are the worlds most advanced converters because they include the latest 6G-SDI technology, plus automatically detect the input video format and instantly change between virtually all SD, HD and Ultra HD video standards. Simply plug in and Mini Converters will convert between your equipment all automatically. You get advanced features such as redundant SDI inputs, re-clocked loop outputs and full analog and AES/EBU audio inputs and outputs so you can convert between formats as well as embed or de-embed audio all on the one converter. SDI to Analog 4K Mini Converter SDI to Analog 4K includes everything you need to convert from SD, HD, 3G and 6G-SDI video to analogue in HD/SD component, NTSC and PAL video. The built in down converter means you can even connect Ultra HD sources to component video in SD or HD as well as NTSC and PAL video. Easily connect any analog equipment such as Betacam SP, VHS, and video monitors. Easy To Use Features Broadcast, post production and professional AV environments are built using SDI equipment and cabling. It’s essential when converting to and from SDI that you maintain the highest possible video and audio quality. Mini Converters are compact, affordable and easy-to-use. Settings can be changed quickly using built-in mini switches, and with a diagram showing pin settings printed on the back you never need to refer to a manual. Mini Converters use standard broadcast video and audio connections, so you get the convenience and cost savings of using your own cables. Ultra HD and 6G-SDI Technology Make the move to Ultra HD, the broadcast standard of the future, easy. Be prepared now by installing equipment that is fully compatible with all your SD and HD-SDI infrastructure, but will also switch over to Ultra HD via 6G-SDI when you need to run Ultra HD. This means you’re ready for the future and can build your system with full Ultra HD compatibility. Ultra HD features an incredible 4 times the resolution of regular 1080 HD video for a massive 3840 x 2160 frame size. Ultra HD is amazing. The advanced 6G-SDI design also means the new Blackmagic Mini Converters models perform better when used in SD and HD formats than simple HD only converters. Standard Audio Connections Mini Converters support embedded SDI and HDMI audio and several models let you separately embed or de-embed analogue or digital audio. Mini Converters support 24 bit analogue and AES/EBU audio and use standard 1/4" audio jacks so you don't need custom cables. Highest Quality Processing With the highest quality video processing, Mini Converters are ideal for all broadcast, post production and professional AV applications. Multiple internal power supplies ensure incredibly low noise levels when moving between analog and digital video formats. Specific models include up/down/cross conversion that lets you move easily between PAL and NTSC SD video standards and the high number of HD formats in up to 3840 x 2160 Ultra HD resolutions. Easy Settings Control Changing Mini Converter's built-in mini switch settings is as easy as using a pen. This is great when you need to change settings quickly as there are no complicated menus to navigate. You can also control settings using the included Converter Utility software. Connect a Mini Converter to any Mac OS X or Windows based laptop or desktop computer. All models can be updated via USB 2.0 by simply downloading software upgrades directly from the Blackmagic Design website.

Blackmagic BMD-SWRCONV ATEM Camera Converter

Blackmagic BMD-SWRCONV ( BMDSWRCONV, BMD/SWRCONV, BMD SWRCONV, bmd-swrconv ) ATEM Camera Converter   Optic fibre camera controller with tally and intercom Extend SDI or HDMI camera feeds over 28 miles  Extend the effective cable length of SDI or HDMI-based cameras using low cost optical fibre. Imagine connecting to cameras at remote locations on racing tracks, live sporting venus or even massive golf courses! Now with ATEM Camera Converter you can have more cameras closer to the action for the most amazing shots in live production.  ATEM Camera Converter not only converts your camera to optical fiber, but it also includes talkback, external microphone input, program return feed, tally and built in battery power source! Now you can place cameras in multiple locations miles away from your switcher while keeping full broadcast HD video quality. Professional Multi-Camera Production  ATEM Camera Converter gives you essential tools for live production in a single converter. Connect your camera to the SDI or HDMI inputs to convert to optical fiber, and connect your switcher program feed to the optical fiber input to convert to SDI and HDMI for monitoring. The SDI and HDMI monitoring outputs can be switched between your camera input or optical fiber input! Professional local microphone inputs are included. ATEM Camera Converter also includes an internal battery for remote use when your cameras are located far away from power sources, as well as built in talkback and tally! Optical Fiber Link  Optical fiber is the perfect connection because it's used in computer networking and is common, affordable and easy to purchase! ATEM Camera Converter uses a single mode optical fiber pair with LC type connectors, so you get the freedom to connect your cameras up to 147,000 feet or 45KM from your switcher! INCLUDES TALKBACK In live production it's critical for your camera operators to talk to the switcher operator so you can work as a team! ATEM Camera Converter includes talkback using low cost PC headsets or iPhone-compatible headphones, so each camera can communicate with the director at the switcher. Broadcast & Consumer Connections ATEM Camera Converter connects to both HDMI and SDI video cameras! Video and audio are embedded into the optical fiber output, and microphone inputs are included for the ultimate in audio flexibility. That's perfect when you need higher quality or wireless microphones on your cameras! Perfect For All Types Of Events!  ATEM Camera Converter uses optical fiber for its connection, so you get long distances combined with full uncompressed HD video quality. This lets you move your cameras farther away from your switcher and closer to the action! Imagine placing a camera at the end of drag racing strip, at the starting gate of a horse race, or even at the far end of a golf course! Even low cost consumer HD cameras look amazing when used with ATEM Camera Converter! ATEM Camera Converter is perfect for concerts, sporting events or even lecture theaters, houses of worship, surveillance, or any remote camera location! Ultra Tough Design  ATEM Camera Converter is designed tough enough for the rigors of life on the road! For incredible strength, ATEM Camera Converter is machined from a solid billet of aircraft-grade aluminum with recessed connectors and a button control panel. This results in an incredibly strong design that can handle bumps and knocks without breaking. ATEM Camera Converter includes a side mounted clip, so you can hang it from your belt for maxiumum portability, then simply plug in your headset, camera and optical link! The built in button pad gives you control over power, microphone level, talkback and video, as well as battery indicators. You even get a USB port for software updates! Belt Clip or Camera Mount  When you need to move around, ATEM Camera Converter is perfect because it moves with you! With an integrated belt clip, you can simply snap it onto your belt, connect the cables, and move around with ease. Built in Tally Now you can clearly see when your cameras are “on airâ€Â! ATEM Camera Converter uses an open standard tally packet in the SDI output on any ATEM switcher to illuminate 2 built in tally LEDs! Battery or AC Powered ATEM Camera Converter includes a standard 12 volt input that supports operation up to 30 volt DC. That let's you use a wide range of power sources or even a car battery! Designed for Live Production  Now you can eliminate multiple boxes hanging off your camera that limit your mobility, because ATEM Camera Converter includes everything you need for operating a camera in a live production. You get a simple solution that's really 4 converters in one! The built in keyboard is located on the top, so it's easy to adjust. ATEM Camera Converter even adjusts the microphone audio level smoothly, so when adjusted on air you won't notice the level change! ATEM Camera Converter is fully bi-directional, so you can connect both your camera and a return program feed to the switcher at the same time! Broadcast Quality  ATEM Camera Converter might be affordable, but it's got full broadcast quality with 10-bit video data paths, HD-SDI video technology and support for optical fiber SDI with a high quality laser driver for long distance connections. You get a solid design that looks great, but protects the connectors and keyboard from damage during live production use. Only ATEM Camera Converter gives you the best video technology available, so you get incredible quality HD video to your switcher for a true broadcast production standard.