Sony 240GB CFexpress Type A Card

Sony 240GB CFexpress Type A Card(CEAG240T) The latest CFexpress Type A cards maximise the capabilities of Sony’s cameras and the latest image processing engines that they employ. These compact cards are a must-have for creators seeking higher levels of performance, dependability, and creative potential. CFexpress Type A G Series with high-capacity lineup The CFexpress Type A G Series lineup has capacity up to 1920 GB, for long video shoots and high-speed still image bursts. The 1920 GB (CEA-G1920T), the 960 GB (CEA-G960T), the 480 GB (CEA-G480T), and the 240 GB (CEA-G240T) cards support the CFexpress 4 standard11, with read speeds of up to 1800 MB/s and write speeds of up to 1700 MB/s12. Built tough for pro use, they offer 5x the drop strength and 10x the bend resistance of the CFexpress Type A standard13, along with dust and moisture resistance.14 Extraordinary response speed The 1920 GB (CEA-G1920T), the 960 GB (CEA-G960T), the 480 GB (CEA-G480T), and the 240 GB (CEA-G240T) cards use advanced flash memory control technology to deliver write speeds of up to 1700 MB/s and read speeds of up to 1800 MB/s15, reducing data transfer wait times when used with the optional MRW-G3 card reader. Dependable videography Sony's CFexpress Type A cards are optimised for continuous, high-bandwidth data writing, making them ideal for professional high-bitrate video recording, such as 4K 120p capture, where dependability is critical. They also carry the VPG (Video Performance Guarantee) 400 certification for extra reassurance and video recording stability. Faster workflows with our CFexpress Type A card reader Optimised for Sony's CFexpress Type A memory cards, the optional MRW-G3 card reader16 lets you transfer data via USB 40Gbps interface and take full advantage of high-speed backups and more efficient workflows. For the roughest places Thanks to Sony's unique TOUGH specification, our CFexpress Type A cards offer over ten times greater bend resistance than standard CFexpress cards. Designed for absolute dependability, their rigidity is tested to 150 newtons to protect your card data during drops from up to 7.5 metres – five times17 that mandated by the CFexpress Type A standard18. For the toughest conditions You can rely on Sony's CFexpress Type A memory cards to work faultlessly in extreme temperatures, harsh electrostatic environments, and under intense UV light and X-rays. With IP57-rated dust and moisture ingress protection14, your data is safe even from a drop at the beach or accidentally getting tossed in the washing machine18. File Rescue: Recover lost files Even if things go wrong, you can avoid disaster with downloadable rescue software for Sony memory card customers that recovers accidentally deleted files and corrupted photos and videos in various common formats19.

Sony FE 50-150mm F2 GM Lens

Sony FE 50-150mm F2 GM Lens(SEL50150GM) The Sony FE 50-150mm f2 G Master Lens offers a constant f2 aperture and 11-blade diaphragm for smooth, spherical bokeh and excellent low-light performance. Its newly designed G Master optics deliver high contrast and resolution across the frame. Four XD Linear Motors ensure fast, reliable autofocus and precise subject tracking—even during high-frame-rate capture up to 4K 120p on Alpha cameras.

Sony Alpha 1 II Full-frame Mirrorless Camera

Sony Alpha 1 II Full-frame Mirrorless Camera ILCE-1M2B, Alpha II, Sony ILCE-1M2B, Sony Alpha II, ILCE-1M2B camera The Sony Alpha 1 II is Sony's latest flagship full-frame mirrorless camera, designed to deliver exceptional speed, resolution, and advanced AI capabilities for professional photographers and videographers. Key Features: Sensor and Image Processing: 50.1-megapixel full-frame Exmor RS stacked CMOS sensor. Advanced BIONZ XR image processor for enhanced speed and performance. Continuous Shooting: Up to 30 frames per second (fps) continuous shooting with full autofocus (AF) and auto-exposure (AE) tracking. Pre-capture function allows recording up to one second before the shutter is pressed, ensuring critical moments are captured. Autofocus and AI Capabilities: Dedicated AI processing unit for improved subject recognition and tracking. Real-time Recognition AF with enhanced accuracy for humans, animals, birds, and vehicles. 759-point phase-detection AF system covering a wide area of the frame. Video Recording: 8K video recording at 30p with 10-bit 4:2:2 color depth. 4K recording up to 120p for high-quality slow-motion footage. Dynamic Active Mode for improved image stabilization during video capture. Design and Ergonomics: Body design inspired by the Sony A9 III, featuring a taller grip for improved handling. Vari-angle 3.2-inch LCD touchscreen for flexible shooting angles. Enhanced in-body image stabilization offering up to 8.5 stops of correction. Connectivity and Storage: Dual card slots supporting CFexpress Type A and SD UHS-II cards. Advanced connectivity options, including 2.5GBASE-T Ethernet and compatibility with 5G portable data transmitters for rapid data transfer and remote shooting capabilities. Additional Features: Anti-distortion shutter to minimize rolling shutter effects. Improved battery life with the NP-FZ100 rechargeable lithium-ion battery. Eco-friendly, plastic-free packaging in line with Sony's commitment to environmental sustainability. AC adapter not supplied, 27W AC adapter with PD required

Sony FE 16-25mm f/2.8 G Lens, Full Frame | f/2.8 to f/22, Autofocus (Sony E)

Sony FE 16-25mm f/2.8 G Lens, Full Frame | f/2.8 to f/22, Autofocus (Sony E) A sleek and powerful wide-angle zoom designed for E-mount mirrorless cameras, the FE 16-25mm f/2.8 G lens from Sony is an excellent carry-on lens that specializes in landscape, travel, and close-up photography.By pairing a fast f/2.8 maximum aperture with an 11-blade diaphragm, smooth, beautiful bokeh is naturally created.Additionally, this bright maximum aperture enables high-quality images to be achieved even in low-light shooting scenarios.Not only is the FE 16-25mm f/2.8 dust and moisture resistant, it also features a fluorine coating on the front lens element to repel the accumulation of fingerprints, water, and oil.The removable aperture ring is a great boon for video enthusiasts to ensure smooth transitions.° Three dedicated control ringsThree control rings are available for making quick adjustments while shooting: focus, zoom and aperture.The aperture ring can be set to click and provide tactile feedback when shooting stills, or it can be disabled for smooth, quiet control when shooting video.

Sony A6100 Camera with 16-50mm Lens

Sony A6100 Camera with 16-50mm Lens(ILCE6100LB.CEC) Capture special moments and portraits to remember and share. Thanks to stunning image quality and speed based on technology developed for our full-frame models, you can leave the hard work to the camera. The α6100 ensures you'll never miss an instant. Real-time Tracking Follow your subject with reliable precision Keeping active subjects in constant, steady focus is absolutely vital to capturing every important moment, whether you're covering a sporting event or documenting everyday life. Sony's sophisticated AI-based1 subject-tracking algorithms won't let you down, processing massive volumes of spatial data at high speed and in real time. Real-time Eye AF for human Real-time Eye AF provides continuous eye tracking when shooting portraits in motion. You can prioritise either the left or the right eye, and it works even when the face is partially hidden, backlit or facing downwards. Real-time Eye AF for animal Sony's innovative eye-detection algorithms have been adapted to animal2 as well as human, to give you sharply focused pet portraits and beautiful wildlife shots Autofocus you can rely on Wide AF area, super-fast acquisition speed and persistent tracking The camera's wide AF coverage is based on dense arrays of 425 phase-detection points and 425 contrast-detection points, for greatly increased detection accuracy. Fast performance from the latest-generation processing engine helps achieve a remarkable 0.02-second AF acquisition speed, while advanced algorithms work to predict your subject's future location. Fast continuous shooting at up to 11 frames per second, with AF/AE Impressively speedy internal processing and the high-capacity buffer memory mean you can fire off continuous shots at up to 11fps4 with after-view or 8fps4 for real-time preview, with minimal display lag. You can take around 77 shots5 in JPEG (Standard) format in one continuous burst. Silent continuous shooting at up to 8fps Silent shooting is helpful in situations where noise would be distracting, such as at live performances or when taking animal portraits. The α6100 can shoot continuously without shutter noise at up to 8fps6 with AF/AE tracking, even in AF-C mode, and with Real-time Eye AF or with Real-time Tracking Superior image resolution and natural-looking textures The APS-C sensor uses copper wiring for better conductivity and enhanced circuit processing to help optimise light-collection efficiency. In conjunction with the latest-generation image processing engine, this enables better image resolution and natural-looking textures. Cleaner images in dimly lit settings Improved noise suppression produces cleaner images in dark settings where high-sensitivity shooting is required. The native ISO sensitivity reaches a maximum ISO 32000, with expanded ISO sensitivity up to ISO 51200 for stills. Noise reduction is particularly effective in the frequently used medium-to-high sensitivity range. Lifelike skin tones The skin tone feature inherited from our latest, highly acclaimed full-frame cameras captures the natural beauty of human skin tones, helping you take portraits that look their best. Realistic colour reproduction Natural-looking images with improved colour reproduction better match what you see in real life, with more vibrant colours of flowers and similar objects as well as suppression of jaggies and false colours. Fast Hybrid AF for movies Phase-detection AF and contrast-detection AF working together Fast Hybrid AF brings high speed, accuracy and tracking performance to meet the stringent autofocus demands of 4K movies. More effective use of the focal plane phase-detection system enables more stable AF, while the contrast-detection AF system contributes to overall accuracy. Smooth, steady focus is maintained even when an object crosses in front of your subject. High-resolution 4K movie recording Full pixel readout, with no pixel binning, processes approximately 2.4 times7 as much information as is required for 4K (QFHD: 3840 x 2160) recording8, to produce movies with extraordinary detail, depth and realism. Touch tracking for movies The camera's Touch Tracking feature provides smooth, continuous focus tracking of your subject, and it can be activated with a simple touch of the display screen. Expand your movie-making options The camera can directly record movies in slow motion (up to 5x) and quick motion (up to 60x), without the need for PC post-processing. External mic input for high-quality audio The α6100 is equipped with an external microphone jack, giving you greater options for audio, to suit serious movie shooting and high-quality vlogging. Self-framing made easy It's easy to frame yourself for vlog recording and selfie shots thanks to the camera's LCD monitor, which tilts upward through a full 180 degrees. Flexible low-angle shooting The monitor tilts upward by 180° and downward by 74°, letting you more easily frame up your subject when shooting from low or high angles. Flexible low-angle shooting The monitor tilts upward by 180° and downward by 74°, letting you more easily frame up your subject when shooting from low or high angles. Customisable controls for your convenience You can set up your α6100 for maximum convenience by assigning up to eight of its keys and controls to any of 89 different shooting and playback operations. My Menu feature for quick access The camera's My Menu feature lets you register up to 30 different menu items for quick access to operations that you use often. User-interface customisation The custom settings screen illustrates the position of camera control keys and buttons, so you can confirm function assignments at a glance. Also, you can view function menu options while you're customising the function menu, for easier setup. Retractable lens with powered zoom Great for travel, this lightweight, retractable mid-range zoom collapses down to just 29.9mm. It also features a power zoom for smooth, silent, effortless zooming. Powered zoom for effortless control Shooting stills or video, a powered zoom gives you maximum creative control. For added convenience, it can be operated via a zoom rocker on selected E Mount cameras. Capture smooth, blur-free images Built-in Optical SteadyShot™ image stabilisation within the lens ensures smooth, blur-free photos and videos when shooting handheld. Smooth defocusing Instead of a standard polygon-shaped lens aperture, this lens features a 7-blade circular aperture for more natural, rounded defocusing or ‘bokeh’. Refined optical performance Aspherical lens elements minimise distortion while ED (Extra-low Dispersion) glass elements provide superior contrast, resolution, and colour fidelity.

Sony a6700 Mirrorless Camera 4K Uhd Cmos Sensor + 16-50mm F/3.5-5.6 Lens - Black

Sony a6700 Mirrorless Camera 4K Uhd Cmos Sensor + 16-50mm F/3.5-5.6 Lens - Black(ILCE6700LB) The Multi-Tool for the Multi-Hyphenate A compact synthesis of Sony's Cinema Line innovations, a-series still-image rendering quality, and advancements in AI-based recognition technology, the a6700 Mirrorless Camera puts powerful and versatile imaging capabilities into the hands of ambitious content creators. Powered-up by its combo of the latest 26.0MP back-illuminated Exmor R CMOS sensor and the BIONZ XR processor, the camera nevertheless weighs less than its predecessor, resulting in a mobile workhorse capable of an unstrained 11 fps continuous stills capture or stress-free UHD 4K video oversampled from a 6K resolution, making it a formidable multi-tool for the multi-hyphenate creative. ° 26.0MP Exmor R CMOS Sensor and BIONZ XR Processor The Sony a6700's advanced imaging system is powered by the 26MP APS-C Exmor R CMOS sensor and BIONZ XR processor, a combination introduced in the FX30 Digital Cinema Camera that is capable of 10-bit UHD 4K imagery at up to 120 fps or a top continuous shooting rate of 11 fps with AF and AE and up to 59 compressed raw still images in bursts. The introduction of the back-illuminated structure to the camera's sensor gives it a higher resolution without sacrificing sensitivity. With an ISO range of 100-32000 that's expandable to ISO50-102400 when shooting stills, the camera boasts low-light performance with minimal noise and more than 14 stops of dynamic range. ° Cinematic Video in UHD 4K Along with its powerful sensor and processor, the Sony a6700 brings a strong suite of professional video features from its Cinema Line series to everyday content creators and aspiring filmmakers. Full pixel readout from the 6K sensor creates high-quality UHD 4K video, with approximately 2.4x the data required for 4K video, minimizing moiré and aliasing. UHD 4K recording is possible with frame rates up to 120p and full HD recording up to 240p, using full 1:1 pixel readout without binning. Record in 10-bit 4:2:2 using advanced XAVC HS and XAVC S-I formats for consistent performance and quality at bitrates up to 600 Mb/s. Record for more than two hours in 4K 30p, or more than 40 minutes at 4K 60p on a 128GB card. Slow & Quick (S&Q) mode allows shooters to capture 4K video at specified steps between 1-120 fps and Full HD between 1-240 fps, depending on the format. These settings will allow you to slow down action as well as speed up a slow-moving scene. S-Cinetone can be used to deliver distinct colors and healthy-looking skin tone rendering that is based on technology from the professional Cinema Line cameras, such as the VENICE. This color profile offers natural mid-tones, soft colors, and especially well-controlled highlights. The S-Log3 and S-Gamut3.Cine Gamma Curves allow for more than 14 stops of dynamic range and allows for increased post-production flexibility, including matching video from other Sony Cinema Line cameras. Creative Looks can be baked into the recorded footage to create a specific mood during recording and minimize the need for editing. User-created LUTs and presets can be set for accurately monitoring footage or previewing a specific look during shooting and can be applied to the camera's monitor, EVF, or HDMI output. The camera supports instant time-lapse settings with framerate, recording, light, and interval customization. ° AI-Powered Autofocus and Image Stabilization (Autofocus) The Sony a6700's AI Processing Unit brings a host of enhanced capabilities to the camera's autofocus and image stabilization systems, ensuring smooth handling and clarity no matter the shooting conditions. The camera's 759 phase detection points, covering 93% of the image area, are enhanced with AI-powered subject recognition performance and real-time tracking. Other autofocus features include focus bracketing in up to 299 images with sequentially-shifted focus points, focus accuracy in low light down to EV -3.0, focus breathing compensation, autofocus assist, focus mapping, and focus peaking during autofocus. ° AI-Enhanced Framing   Additionally, the AI Processing Unit recognizes and tracks subjects when recording video, allowing for adjustment of the speed and sensitivity of the tracking, auto-cropping to focus in on a subject, touch-adjustment of the tracked subject, and customized framing location

Sony a6700 Mirrorless Camera UHD 4:2:2 CMOS Sensor - Black

Sony a6700 Mirrorless Camera UHD 4:2:2 CMOS Sensor - Black(ILCE6700B) The Multi-Tool for the Multi-Hyphenate A compact synthesis of Sony's Cinema Line innovations, a-series still-image rendering quality, and advancements in AI-based recognition technology, the a6700 Mirrorless Camera puts powerful and versatile imaging capabilities into the hands of ambitious content creators. Powered-up by its combo of the latest 26.0MP back-illuminated Exmor R CMOS sensor and the BIONZ XR processor, the camera nevertheless weighs less than its predecessor, resulting in a mobile workhorse capable of an unstrained 11 fps continuous stills capture or stress-free UHD 4K video oversampled from a 6K resolution, making it a formidable multi-tool for the multi-hyphenate creative. ° 26.0MP Exmor R CMOS Sensor and BIONZ XR Processor The Sony a6700's advanced imaging system is powered by the 26MP APS-C Exmor R CMOS sensor and BIONZ XR processor, a combination introduced in the FX30 Digital Cinema Camera that is capable of 10-bit UHD 4K imagery at up to 120 fps or a top continuous shooting rate of 11 fps with AF and AE and up to 59 compressed raw still images in bursts. The introduction of the back-illuminated structure to the camera's sensor gives it a higher resolution without sacrificing sensitivity. With an ISO range of 100-32000 that's expandable to ISO50-102400 when shooting stills, the camera boasts low-light performance with minimal noise and more than 14 stops of dynamic range. ° Cinematic Video in UHD 4K Along with its powerful sensor and processor, the Sony a6700 brings a strong suite of professional video features from its Cinema Line series to everyday content creators and aspiring filmmakers. Full pixel readout from the 6K sensor creates high-quality UHD 4K video, with approximately 2.4x the data required for 4K video, minimizing moiré and aliasing. UHD 4K recording is possible with frame rates up to 120p and full HD recording up to 240p, using full 1:1 pixel readout without binning. Record in 10-bit 4:2:2 using advanced XAVC HS and XAVC S-I formats for consistent performance and quality at bitrates up to 600 Mb/s. Record for more than two hours in 4K 30p, or more than 40 minutes at 4K 60p on a 128GB card. Slow & Quick (S&Q) mode allows shooters to capture 4K video at specified steps between 1-120 fps and Full HD between 1-240 fps, depending on the format. These settings will allow you to slow down action as well as speed up a slow-moving scene. S-Cinetone can be used to deliver distinct colors and healthy-looking skin tone rendering that is based on technology from the professional Cinema Line cameras, such as the VENICE. This color profile offers natural mid-tones, soft colors, and especially well-controlled highlights. The S-Log3 and S-Gamut3.Cine Gamma Curves allow for more than 14 stops of dynamic range and allows for increased post-production flexibility, including matching video from other Sony Cinema Line cameras. Creative Looks can be baked into the recorded footage to create a specific mood during recording and minimize the need for editing. User-created LUTs and presets can be set for accurately monitoring footage or previewing a specific look during shooting and can be applied to the camera's monitor, EVF, or HDMI output. The camera supports instant time-lapse settings with framerate, recording, light, and interval customization. ° AI-Powered Autofocus and Image Stabilization (Autofocus) The Sony a6700's AI Processing Unit brings a host of enhanced capabilities to the camera's autofocus and image stabilization systems, ensuring smooth handling and clarity no matter the shooting conditions. The camera's 759 phase detection points, covering 93% of the image area, are enhanced with AI-powered subject recognition performance and real-time tracking. Other autofocus features include focus bracketing in up to 299 images with sequentially-shifted focus points, focus accuracy in low light down to EV -3.0, focus breathing compensation, autofocus assist, focus mapping, and focus peaking during autofocus. ° AI-Enhanced Framing   Additionally, the AI Processing Unit recognizes and tracks subjects when recording video, allowing for adjustment of the speed and sensitivity of the tracking, auto-cropping to focus in on a subject, touch-adjustment of the tracked subject, and customized framing location

Sony Circular PL Filter - 72mm

Sony Circular PL Filter - 72mm(VF72CPAM2.SYH, VF72CPAM2SYH, VF72CPAM2/SYH) Designed to match the quality of Sony's esteemed G Master series lenses, this 72mm T* Circular Polarizer Filter helps to cut reflections and glare in order to enhance color rendering and tonal saturation. By filtering out light that has become polarized due to reflection from a non-metallic surface, this filter better enables photographing through windows or water and also reduces haze and UV rays to suit general landscape shooting. This filter features a ZEISS T* anti-reflective coating to minimize surface reflections and glare between the filter and lens in order to maintain high contrast and color accuracy. Additionally, its slim profile lessens the likelihood of vignetting when used with wide-angle lenses.

Sony LHP-1 Lens hood for RX1

Sony LHP-1 Lens hood for RX1(LHP1.SYH, LHP1SYH, LHP1/SYH) Ѕtор ѕtrау lіght ѕtrіkіng thе lеnѕ ѕurfасе - Сарturе ѕhаrр, hіgh соntrаѕt ѕtіllѕ bу рrеvеntіng іmаgе-dеgrаdіng lеnѕ flаrе іn mоѕt ѕhооtіng соndіtіоnѕ Рrоtесt thе lеnѕ frоm unwаntеd knосkѕ - Тhе rоbuѕt mеtаl dеѕіgn оf thе lеnѕ hооd рrоtесtѕ thе frоnt bаrrеl оf уоur Суbеr-ѕhоt RХ1 frоm unехресtеd bumрѕ аnd knосkѕ Ѕtор bаd wеаthеr frоm ruіnіng thе ѕhоt - Gеt thе drаmа оf ѕtоrmу ѕсеnеѕ wіthоut wіnd-blоwn dеbrіѕ оr drіvіng rаіn іmреdіng thе lеnѕ Тоugh mеtаl dеѕіgn - Тhе lеnѕ hооd іѕ mаdе frоm mасhіnеd-mеtаl рrесіѕеlу еngіnееrеd fоr rоbuѕt аnd еffесtіvе lіght ѕhіеldіng реrfоrmаnсе Dеѕіgnеd fоr quісk аnd еаѕу аttасhmеnt - Ѕрееdіlу аttасh uѕіng а bауоnеt-tуре fіttіng bу аlіgnіng rеd dоtѕ оn thе саmеrа аnd lеnѕ hооd аnd turnіng 90 dеgrееѕ сlосkwіѕе Uѕе fіltеrѕ аt thе ѕаmе tіmе - Gіvе уоur рhоtоѕ а dіѕtіnсtіvе ѕtуlе bу fіttіng fіltеrѕ рrіоr tо аttасhіng thе lеnѕ hооd Соmfоrtаblе ѕhооtіng thаt wоn't wеіgh уоu dоwn - Wеіghіng оnlу 16g, thе lеnѕ hооd wоn't аffесt саmеrа hаndlіng оr ѕtор уоu trаvеllіng lіght Сlаѕѕіс lооkѕ tо mаtсh уоur Суbеr-ѕhоt RХ1 - Соmрlеmеnt thе bеаutіful ѕtуlе оf уоur Суbеr-ѕhоt™ RХ1 wіth thе ѕtrіkіng mеtаllіс fіnіѕh оf thе lеnѕ hооd Ѕtоrе уоur hооd іn thе роuсh fоr еаѕу trаvеl - Тhе 65mm (w) х 22mm (h) х 65mm (d) lеnѕ hооd еаѕіlу ѕlірѕ іntо thе ѕuррlіеd роuсh fоr еаѕу trаvеl аnd ѕtоrаgе    

Sony LA-EA5 Adapter - A-Mount Lens to E-Mount Body

Sony LA-EA5 Adapter - A-Mount Lens to E-Mount Body(LAEA5.SYU) Ѕоnу hаѕ рrоduсеd mаnу mоunt аdарtеrѕ thаt аllоw thе uѕе оf dіffеrеnt lеnѕеѕ оn vаrіоuѕ Ѕоnу bоdу, but untіl nоw thеrе wаѕn't аn А-Моunt Lеnѕ tо Е-Моunt Воdу. Еntеr thе Ѕоnу LА-ЕА5 Аdарtеr. Тhіѕ аdарtеr еnаblеѕ thе uѕе оf Ѕоnу А-mоunt lеnѕеѕ оn Е-mоunt mіrrоrlеѕѕ саmеrа bоdіеѕ whіlѕt mаіntаіnіng full lеnѕ funсtіоnаlіtу іnсludіng аutоfосuѕ оn ЅЅМ, ЅАМ, аnd еvеn АF lеnѕеѕ wіthоut аn іntеrnаl mоtоr. Ѕоnу hаѕ орtіmіѕеd thе аdарtеr tо ѕuрроrt рhаѕе-dеtесtіоn аutоfосuѕ whісh іn turn mаіntаіnѕ rеаl-tіmе trасkіng аnd еуе АF, аnd еvеn 11 fрѕ соntіnuоuѕ ѕhооtіng wіth АF/АЕ trасkіng. Ѕоnу еvеn еnаblеѕ АF аnd АЕ trасkіng whеn uѕеd wіth lеnѕеѕ wіth nо іntеrnаl mоtоr (Ѕоnу А7R ІV аnd А6600). Тhе аdарtеr hаѕ а ѕlіm аnd unоbtruѕіvе суlіndrісаl dеѕіgn thаt ѕеаmlеѕѕlу аttасhеѕ tо уоur саmеrа bоdу.

Sony 15mm F1.4 G - E Mount lens

Sony 15mm F1.4 G - E Mount lens(SEL15F14G.SYX) Featuring an advanced optical design that includes one ED (Extra Low Dispersion), one Super ED and three aspherical elements ensuring outstanding resolution in this constant F1.4 aperture APS-C lens. Beautiful background defocus (bokeh) is achieved with a 7-blade circular aperture. Two Linear Motors deliver fast and accurate focusing capability for both photography and videography. An incredible Sony e-mount lens for video, the SEL15F14G delivers smooth, fast and continuous auto focus performance for movie shooting, with minimised focus breathing, focus shift, and axis shift for refined imagery. Incredibly Sharp One ED (Extra Low Dispersion), one Super ED and three aspherical elements ensure outstanding resolution in this constant F1.4 aperture, aps-c ultra wide angle lens, delivering high corner-to-corner resolution and beautiful bokeh. An excellent Sony E lens for vlogging, content creation, videography stills and photography. Beautifully Smooth Backgrounds A circular 7-blade aperture on this Sony 15mm lens creates beautiful circular background bokeh defocus effects with a constant F1.4 aperture.  Fast and Precise Autofocus  Two Linear Motors deliver fast and accurate focusing for both photography and videography. You won't miss a shot with this ultra wide angle prime lens. Bright in all Weathers A constant F1.4 maximum aperture keeps an impressive brightness that makes this an invaluable lens for content creation, stills photography and vlogging.

Sony 11mm F1.8 E Mount Lens

Sony 11mm F1.8 E Mount Lens(SEL11F18.SYX) Sony E 11mm f/1.8 Lens With an 11 mm (35mm full-frame equivalent: 16.5 mm) focal length for dynamic images and a large F1.8 aperture for deep bokeh, this 181-gram (6.4 oz.) APS-C format lens has the mobility you need to capture stunning stills and movies anywhere. It also features two linear motors for fast, precise AF that supports both stills and movies. Deep, expressive bokeh A large F1.8 max. aperture delivers expressive bokeh in deep, impressive images. 0.12 meter (0.4 ft) minimum focus and 0.2x maximum magnification let you get close to the subject while producing beautifully defocused backgrounds. Precisely controlled spherical aberration and a 7-blade circular aperture contribute significantly to this lens’s sensational bokeh. Dynamic 11 mm vistas This versatile lens’s ultra-wide 11 mm angle of view is a great choice for landscapes, architecture, interiors, and even vlogging. It offers unique visual perspectives for a wide range of subjects and situations. Excellent ultra-wide resolution Innovative optics deliver high resolution right out to the image edges. Optimal placement of three aspherical elements ideally corrects field curvature for excellent resolution throughout the image area. Three ED (Extra-low Dispersion) glass elements effectively suppress chromatic aberration and colour fringing for superb image quality. Compact, lightweight freedom This compact, lightweight lens is a perfect match for APS-C camera bodies, providing easy handling that is great for long handheld or grip-mounted shooting sessions. Spherical and aspherical elements combine to achieve stunning optical performance in a lens that is only 66 x 57.5 mm (2-5/8 x 2-3/8 in.) and weighs only 181 g (6.4 oz.) Advanced AF maximises body speed potential Two linear motors give this large-aperture lens impressively fast, precise autofocus and tracking performance for both stills and movies. AF and tracking are so responsive that the full speed potential of the body used can be fully realized so that even fast or erratically moving subjects can be reliably captured.

Sony E Pz 10-20mm F4 G Lens

Sony E Pz 10-20mm F4 G Lens(SELP1020G.SYX)  A new ultra wide angle powerzoom lens in a constant F4 aperture, offering evolved image quality and ideal operability, for both stills and movie expression. Featuring an advanced optical design that includes two ED (Extra Low Dispersion), one aspherical ED and three aspherical elements ensuring outstanding resolution in this constant F4 aperture APS-C lens. Beautiful background defocus (bokeh) is achieved with a 7-blade circular aperture. Two Linear Motors deliver fast and accurate focusing capability for both photography and videography.  An incredible Sony e-mount lens for video, the SELP1020G delivers smooth, fast and continuous auto focus performance for movie shooting, with minimised focus breathing, focus shift when zooming, and axis shift when zooming for refined imagery.

Sony FE 20-70mm F4 G SYX Full Frame E Lens

Sony FE 20-70mm F4 G SYX Full Frame E Lens(SEL2070G.SYX) The advanced optical design includes three ED (Extra Low Dispersion), two AA (Advanced Aspherical), one ED (Extra Low Dispersion Aspherical) and one aspherical element, ensuring outstanding resolution with this Sony camera lens. Beautiful background defocus (bokeh) is achieved with a 9-blade circular aperture. Two XD (Extreme Dynamic) Linear Motors with their complex construction deliver faster, more accurate focusing capabilities for both photography and videography. An incredible Sony E-mount lens for video, the SEL2070G delivers smooth, fast, continuous autofocus performance for movie shooting, with minimised focus breathing, and focus shift and axis shift when zooming, for refined imagery. INCREDIBLY SHARP One ED (Extra Low Dispersion Aspherical), three ED, two AD (Advanced Aspherical) and one aspherical element ensure outstanding resolution in this constant F4 aperture G standard zoom lens, delivering high corner-to-corner resolution and beautiful bokeh. This is an excellent Sony full-frame lens for content creation, stills photography and videography. BEAUTIFULLY SMOOTH BACKGROUNDS A circular 9-blade aperture on this Sony G 20-70mm lens creates beautiful circular background bokeh defocus effects with a constant F4 aperture. FAST AND PRECISE AUTOFOCUS Two XD (Extreme Dynamic) Linear Motors with their complex construction deliver faster, more accurate focusing for filmmaking and photography. You won't miss a shot with this ultra wide standard zoom camera lens. BRIGHT IN ALL WEATHERS A constant F4 maximum aperture throughout the zoom range keeps the brightness even when the focal length changes. The front element on this Sony G lens features a fluorine coating that repels water, oil and other contaminants, while making it easy to wipe off any dust or fingerprints. PROFESSIONAL ERGONOMICS A dust- and moisture-resistant design, along with versatile controls, makes this Sony G lens ideal to use in the most difficult scenarios—both indoors and outdoors. The focus breathing feature is also compatible on this ultra wide angle standard zoom lens. BUILT FOR THE FUTURE   Sony lenses allow you to take full advantage of your next Sony camera's features.

Sony FE 16-35mm f2.8 G Master II Lens

Sony FE 16-35mm f2.8 G Master II Lens(SEL1635GM2.SYX) Introducing the FE 16-35 F2.8 GM II, the game-changing G Master wide-angle zoom lens from Sony. Designed to meet the evolving needs of photographers and videographers, this lens combines unrivalled optical performance, lightning-fast autofocus, and exceptional versatility in a more compact and lightweight form. Its advanced manufacturing technology ensures high resolution, reduced chromatic aberration, and minimized flare and ghosting, making it perfect for capturing outstanding images. With four XD Linear Motors, this lens offers extraordinary AF performance, agile tracking, and even breathing compensation making it ideal for both Photography and filmmaking. As the world's smallest and lightest F2.8 wide-angle zoom, it provides unequaled mobility and reduces the total system weight when combined with other bright lenses. Experience superior control and reliability with its dust and moisture-resistant design and fluorine coating. The SEL1635GM2 empowers creators to realize their creative vision with cutting-edge lens technology.

Sony FE 300mm F2.8 Gm Oss G Master Full-frame Telephoto Lens

Sony FE 300mm F2.8 Gm Oss G Master Full-frame Telephoto Lens(SEL300F28GM.SYX, SEL300F28GM SYX,  SEL300F28GM/SYX) Introducing the FE 300mm F2.8 GM OSS, Sony's latest game-changing G Master telephoto lens. Designed to meet the changing needs of professionals, this lens combines unrivalled optical performance, lightning-fast autofocus, and exceptional versatility in an extremely compact and lightweight form. Its advanced manufacturing technology ensures high resolution, reduced chromatic aberration, and minimised flare and ghosting, making it perfect for capturing outstanding content—ideal for sports and wildlife. With two XD Linear Motors, this lens offers extraordinary AF performance, agile tracking, and even focus breathing compensation, making it ideal for both photography and filmmaking. The smallest and lightest F2.8 telephoto, it provides unparalleled mobility, ergonomics, and balance. Experience superior control and reliability with its dust and moisture-resistant design and fluorine coating. The SEL300F28GM empowers creators to realise their creative vision with cutting-edge lens technology. Lightning-Fast Autofocus: Smooth & Precise, Ideal for Sports and Wildlife Photography Including Sony's own XD Linear Motor technology, this lens delivers excellent autofocus performance, ensuring precise, fast, and silent focusing for professional photographers and filmmakers. Designed to keep up with the latest AI-based autofocus in Sony Alpha cameras* and provide the user with a seamless experience when tracking fast-moving subjects, it is ideal for sports and wildlife subjects. *On selected cameras. GMaster Quality: Stunning Resolution & Bokeh The new G Master telephoto FE 300mm F2.8 GM OSS lens integrates the best optics from our G Master lens range to deliver the most exquisite image quality from the centre to the corner of the image. Any ghosting or flare is minimised even when shooting against a direct light source - delivering professional-quality content in any situation. Lightweight for Extraordinary Mobility Developed with unique Sony optical solutions, the FE 300mm F2.8 GM OSS lens offers incredible versatility and mobility. Weighing just 1470g and with the weight concentrated toward the rear, it's designed for handheld use on long shooting days. With teleconverter compatibility, it adds remarkable versatility for tracking fast-moving subjects. Precision & Reliability: Built for Excellence The FE 300mm F2.8 GM OSS offers a versatile shooting experience and excellent controls for professionals. Embrace all the best functionalities of Sony lenses, including four customizable focus hold buttons, built-in optical image stabilization, and a function ring for assigning additional functions. With a dust and moisture-resistant design and a fluorine coating on the front element, it delivers high reliability both indoors and outdoors. Built for the Future   Sony lenses enable you to make the most of your next Sony camera's capabilities. Pair them with the latest Alpha camera and unlock extraordinary features, such as capturing up to 30 frames per second with the Alpha 1. Experience flawless autofocus tracking in stunning 4K120p resolution, elevating your photography and filmmaking to new heights.

Sony a9 III Full-frame Mirrorless Camera

Sony a9 III Full-frame Mirrorless Camera(ILCE9M3B.CEC) The Alpha 9 III is a revolution in camera design tailored for sports and wildlife photography. This latest addition to the Alpha 9 series is a groundbreaking development, featuring a newly developed Exmor RS™ image sensor - the world’s first Full-frame stacked 24.6MP CMOS sensor to feature a global shutter system. Say good-bye to distortion in fast-moving scenes and witness zero viewfinder blackout during still image capture. Shoot continuous bursts at an astounding 120 frames per second with full AF and AE tracking. The Alpha 9 III AI processing unit ensures unparalleled subject recognition accuracy. It features a 1/80000 second maximum shutter speed for freezing fast objects, along with flash sync seamlessly at all shutter speeds up to the maximum 1/80000 second, eliminating the illumination drop-off seen with High-Speed Sync (HSS) and enabling you to capture challenging scenes. Experience the power of one frame.  A New Technological Leap Step into a new era of photography with the Alpha 9 III, featuring a newly developed Exmor RS™ image sensor that is the world’s first Full-Frame stacked 24.6MP CMOS sensor to feature a global shutter system. No more distortion in fast-paced scenes. This cutting-edge technology guarantees perfect shots every time, even in video. Shoot high-resolution 4K 120fps video without cropping, enabling precise angle previsualization. With 6K oversampling, it delivers exceptional 4K image quality.  Capture all fleeting moments Blackout-Free Continuous Shooting at up to 120 fps, ensuring no more missed shots, and with the AI processing unit, every subject is recognized and captured with stunning precision. Additionally, the new pre-capture feature and burst continuous shooting mode enables you to either speed up the frame rate or capture the action before you press the shutter button, all while preserving the option to shoot in RAW. Fastest and most accurate Autofocus yet In addition to Sony's exceptional AI-based AF, this camera now detects subjects' eyes from a distance, providing extra tools for professionals to capture uncompromisingly sharp shots. It's also paired with a 9.44 million-dot EVF and rapid refresh rates, that guarantee that your subjects stay in focus no matter how dynamic the scene. Experience sharper, clearer focus that extends beyond your expectations. Lightning-Fast Shooting For the first time, experience a blistering shutter speed of 1/80,000 second, enabling you to freeze moments that your eye couldn't perceive. What's more, the flash sync speed has been enhanced to match any shutter speed you wish to use. Unleash your portrait photography creativity even in broad daylight. The Ultimate Professional Tool   The Alpha 9 III has been meticulously crafted with professionals in mind, focusing on both comfort and execution speed. This camera offers a robust and durable body design, featuring a new grip for enhanced handling. With a 4-axis multi-angle screen, new customizable buttons, and improved connectivity, it's designed to meet the demands of professional photographers.

Sony A7C Mirrorless Camera with 28-60mm Lens (Black)

Sony A7C Mirrorless Camera with 28-60mm Lens (Black)(ILCE-7CL/B, ILCE7CL/B, ILCE/7CL/B ) Compact and capable, the black Sony Alpha a7C mixes the quality and advantages of a full-frame sensor with an especially portable and sleek body design. Featuring a 24.2MP Exmor R BSI CMOS sensor, the a7C offers hybrid abilities to suit both photo and video recording needs along with a form factor for everyday, all-day carry. The full-frame sensor and BIONZ X image processor offer up to a 15 stop dynamic range along with UHD 4K video recording, extended sensitivity from ISO 50-204800, and a top continuous shooting rate of 10 fps for working with moving subjects. The sensor also houses a Fast Hybrid AF system, which uses 693 phase-detection points and 425 contrast detection areas for quick, intelligent, and precise autofocus performance with support for Real-time Eye AF and Tracking AF technologies. Also benefiting both photo and video needs is 5-axis in-body image stabilization, which compensates for up to five stops of camera shake for sharper handheld shooting. Compared to other a7-series camera bodies, the a7C has a distinctly sleeker profile that mimics the styling of a rangefinder, with an offset viewfinder and a streamlined top plate. The re-positioned electronic viewfinder is a 0.39"-type OLED with 2.36m-dot resolution and is complemented by a 3.0" side-opening vari-angle touchscreen LCD. Built-in Wi-Fi and Bluetooth also enable wireless connectivity for remote camera control and sharing files to a connected mobile device. 24.2MP Exmor R BSI CMOS Sensor and BIONZ X Image Processor Featuring a back-illuminated design, the full-frame 24.2-megapixel Exmor R CMOS sensor works with the BIONZ X image processor to offer high-resolution stills and video while minimizing noise and improving speed. This sensor structure works with a gapless on-chip lens design and an anti-reflection coating to improve light collection and enhance detail. Also, the copper wiring layer dramatically improves data transmission speed for creating 14-bit, high-resolution stills with a native sensitivity range from ISO 100-51200, which can be further expanded to ISO 50-204800. Also, it enables internal UHD 4K video recording with a wide dynamic range using the full width of the full-frame sensor. The BIONZ X processor also works in conjunction with a high-speed front-end LSI to realize faster processing times along with the ability to capture an impressive 15-stop dynamic range at low sensitivity values. The sensor and processor combination also avails fast continuous shooting at up to 10 fps at full resolution, for approximately consecutive JPEGs or 115 consecutive raw files, and with full-time AF/AE when working with either a mechanical shutter or an electronic shutter. UHD 4K Video Recording in XAVC S Format Internal recording of UHD 4K videos is possible in multiple frame rates up to 30 fps and using 2.4x oversampling renders greater detail and full pixel readout is possible for higher quality imagery with reduced moiré and aliasing. Full HD 1080p recording is also supported in frame rates up to 120 fps, and both resolutions utilize the 100 Mb/s XAVC S format contained within an MP4 wrapper with 4:2:0 8-bit sampling. The high-speed, 120 fps recording also enables 4x and 5x slow-motion movie recording with the frame rate set to either 30p or 24p. In addition to high-resolution internal recording, uncompressed HDMI output also enables the use of an optional external recorder for clean 4K recording with 4:2:2 8-bit sampling. Affording extensive customizable color and gamma controls, the a7C allows users to adjust the gamma, black level, knee, color level, and more. Also, users can use the same S-Log2 Gamma Curve that is found on high end Sony Cinema cameras that squeezes up to 1300% more dynamic range into the video signal then traditional REC709, for increased post-production flexibility. HLG (Hybrid Log-Gamma) support is also available for HDR recording within a wide color gamut and, in addition to S-Log2, S-Log3 is also available for producing an effective 14-stop dynamic range with increased grading control in the shadow to mid-tone regions of the image. FE 28-60mm f/4-5.6 Lens Included with the camera body is the wide-angle to long-normal FE 28-60mm f/4-5.6 zoom, which is characterized by its retractable design and sleek profile to complement the compact camera body. The svelte design makes this lens ideal for walkaround, everyday shooting and the flexible focal length range benefits a wide range of subject types. The optical design incorporates three aspherical elements, which help to reduce distortion and spherical aberrations and promote greater sharpness and accurate rendering. Complementing the optics is a linear motor and internal focusing design, which achieve quick and quiet autofocus performance for both photo and video needs. The lens body is also weather-sealed to permit working in trying environmental conditions.

Sony a7C II Mirrorless Camera 33MP Full-Frame Exmor R BSI Sensor, Sony E - Silver

Sony a7C II Mirrorless Camera 33MP Full-Frame Exmor R BSI Sensor, Sony E - Silver(ILCE-7CM2S.CEC, ILCE7CM2S.CEC, ILCE/7CM2S.CEC) Building off the sleek profile and full-frame sensor combination of its first-generation predecessor, the black Sony a7C II offers improved resolution, autofocus, in-body image stabilization, and video capabilities in the same compact, all-day, everyday form factor. ° 33.0MP Exmor R CMOS Sensor and BIONZ XR Processor The Sony a7C II's advanced imaging system is powered by a 33MP full-frame Exmor R CMOS sensor and the BIONZ XR processor, a combination capable of 10-bit 4K imagery at up to 30 fps or a top continuous shooting rate of 10 fps with AF and AE using either the mechanical or electronic shutter. The introduction of the back-illuminated structure to the camera's sensor gives it a higher resolution without sacrificing sensitivity. With an ISO range of 100-51200 that's expandable to ISO 50-204800, the camera boasts low-light performance with minimal noise and wide dynamic range. ° AI-Powered Autofocus and Image Stabilization The Sony a7C II's AI processing unit brings a host of enhanced capabilities to the camera's autofocus and image stabilization systems, ensuring smooth handling and clarity no matter the shooting conditions. The camera's 759 phase detection points in stills mode and 495 points in video mode, covering 94% of the image area, are enhanced with AI-powered subject recognition performance and real-time tracking. The AI processor also uses a new autoexposure algorithm, Human Pose Estimation, to prioritize exposure areas for a 20% improvement in overall exposure accuracy. The auto white balance also benefits from the improved AI processor, aiding in difficult lighting conditions. Other autofocus features include focus bracketing in up to 299 images with sequentially shifted focus points, focus accuracy in low light down to EV -4.0, focus breathing compensation, autofocus assist, focus mapping, and focus peaking during autofocus. ° Image Stabilization Now offering seven stops of shake compensation, the camera's pixel-level 5-axis optical image stabilization system, which counters five different types of camera shake encountered during handheld shooting of stills and video, is algorithmically optimized for precision detection and control down to a single pixel. The AI Processing Unit also improves communication between the body and the lens, providing more stable framing before shooting. This allows users to confidently use any lens, even adapted lenses, for critical imaging without encountering blur from camera shake. ° Advanced Rendering For stills-shooters, the a7C II offers a wide range of color renderings and compressions for optimal image quality and storage management, led by the introduction of the High Efficiency Image File (HEIF) format. Users also have the choice between Compressed and Lossless Compressed options when shooting raw. The AI Processing Unit also helps to achieve better exposure results in Auto mode with applicable algorithmic adjustments made for skin tone, backlit situations, and white balance. The same Creative Looks presets available in video are also available when shooting stills, allowing additionally for user-defined configurations with eight adjustable parameters.   For optimal viewing of stills when tethered to select monitors and televisions, the a7C II now offers a stills-designed Hybrid Log-Gamma mode that delivers accurate dynamic range in 10-bit HEIF format.  

Sony a7C II Mirrorless Camera 33MP Full-Frame Exmor R BSI Sensor, Sony E - Black

Sony a7C II Mirrorless Camera 33MP Full-Frame Exmor R BSI Sensor, Sony E - Black(ILCE-7CM2B.CEC, ILCE7CM2B.CEC, ILCE/7CM2B.CEC) Building off the sleek profile and full-frame sensor combination of its first-generation predecessor, the black Sony a7C II offers improved resolution, autofocus, in-body image stabilization, and video capabilities in the same compact, all-day, everyday form factor. ° 33.0MP Exmor R CMOS Sensor and BIONZ XR Processor The Sony a7C II's advanced imaging system is powered by a 33MP full-frame Exmor R CMOS sensor and the BIONZ XR processor, a combination capable of 10-bit 4K imagery at up to 30 fps or a top continuous shooting rate of 10 fps with AF and AE using either the mechanical or electronic shutter. The introduction of the back-illuminated structure to the camera's sensor gives it a higher resolution without sacrificing sensitivity. With an ISO range of 100-51200 that's expandable to ISO 50-204800, the camera boasts low-light performance with minimal noise and wide dynamic range. ° AI-Powered Autofocus and Image Stabilization The Sony a7C II's AI processing unit brings a host of enhanced capabilities to the camera's autofocus and image stabilization systems, ensuring smooth handling and clarity no matter the shooting conditions. The camera's 759 phase detection points in stills mode and 495 points in video mode, covering 94% of the image area, are enhanced with AI-powered subject recognition performance and real-time tracking. The AI processor also uses a new autoexposure algorithm, Human Pose Estimation, to prioritize exposure areas for a 20% improvement in overall exposure accuracy. The auto white balance also benefits from the improved AI processor, aiding in difficult lighting conditions. Other autofocus features include focus bracketing in up to 299 images with sequentially shifted focus points, focus accuracy in low light down to EV -4.0, focus breathing compensation, autofocus assist, focus mapping, and focus peaking during autofocus. ° Image Stabilization Now offering seven stops of shake compensation, the camera's pixel-level 5-axis optical image stabilization system, which counters five different types of camera shake encountered during handheld shooting of stills and video, is algorithmically optimized for precision detection and control down to a single pixel. The AI Processing Unit also improves communication between the body and the lens, providing more stable framing before shooting. This allows users to confidently use any lens, even adapted lenses, for critical imaging without encountering blur from camera shake. ° Advanced Rendering For stills-shooters, the a7C II offers a wide range of color renderings and compressions for optimal image quality and storage management, led by the introduction of the High Efficiency Image File (HEIF) format. Users also have the choice between Compressed and Lossless Compressed options when shooting raw. The AI Processing Unit also helps to achieve better exposure results in Auto mode with applicable algorithmic adjustments made for skin tone, backlit situations, and white balance. The same Creative Looks presets available in video are also available when shooting stills, allowing additionally for user-defined configurations with eight adjustable parameters.   For optimal viewing of stills when tethered to select monitors and televisions, the a7C II now offers a stills-designed Hybrid Log-Gamma mode that delivers accurate dynamic range in 10-bit HEIF format.

Sony FE Full-frame Telephoto Zoom Lens

Sony FE Full-frame Telephoto Zoom Lens(SEL-70200G2.SYX, SEL70200G2.SYX, SEL/70200G2.SYX) Compact high-resolution telephoto zoom Sony's most advanced lens technology comes together in a compact, lightweight 70-200 mm F4 telephoto zoom G Lens that delivers outstanding optical and AF performance as well as half-macro capability throughout the zoom range. Impressive handling and mobility make it an excellent choice for a wide range of still and movie applications. Spectacular G Lens rendering Excellent corner-to-corner resolution and contrast throughout the zoom range are achieved by combining AA (advanced aspherical) and aspherical lens elements. Three ED (Extra-low Dispersion) elements and one Super ED element suppress chromatic aberration and color bleeding for revealing sharpness. Exquisite full-frame bokeh is enhanced by a circular 9-blade aperture mechanism and optimized spherical aberration. Eye-opening close-up performance This is the world's first zoom lens in its class to offer half-macro capability throughout the zoom range. Minimum focusing distance is 10- 1/4 in. (0.26 m) at the wide end and 16-1/2 in. (0.42 m) at the telephoto end of the zoom range, with a maximum magnification of 0.5x throughout. New levels of zoom close-up capability offer unprecedented versatility and freedom for shooting stills as well as movies. Fast autofocus matches high-speed cameras Four of Sony's original high-thrust XD linear motors work in conjunction with precision floating focus groups to achieve extremely fast, accurate focus drive. Thrust efficiency has been dramatically improved, resulting in up to approximately a 20% increase in autofocus speed throughout the entire zoom range when shooting stills. The speed potential of high-performance α series cameras is fully realized. Focus tracking continues uninterrupted even while zooming, ensuring that important moments of the action won't be lost. Refined movie performance and imagery Linear Response MF ensures that manual focus responds directly and linearly to subtle control. The breathing compensation function provided in compatible α series cameras is fully supported, reducing unwanted image shifts while focusing. Built-in optical image stabilization can work in conjunction with the in-body stabilization in compatible α series cameras to provide extremely smooth, stable handheld footage. Top-class performance with teleconverters The FE 70-200mm F4 Macro G OSS II is fully compatible with Sony's 1.4x and 2.0x teleconverters. In addition to increasing maximum focal length, the 2.0x teleconverter make it possible to shoot life-size 1:1 macro at all focal lengths for new creative potential. Attached with the 1.4x teleconverter, it can shoot max. 0.7x macro at all focal lengths. And because the working distance does not change with the teleconverter attached, you can move in close to the subject to capture truly impressive images. Compact, mobile, reliable, and easy to use This innovative lens offers a rare blend of performance and compact mobility. It is 3-1/4 in. (82.2 mm) in diameter by 5- 7/8 in. (149 mm) in length at the wide end of the zoom range and weighs 28.1 oz. (794 g). An extending lens design was chosen to maximize portability, and a zoom lock switch is provided to prevent unwanted lens extension during transportation. Advantages of Sony's lenses for video shooting Learn the four unique advantages of using Sony's E-mount lens for video shooting. The combination of Sony's lenses and cameras will enhance your video creation experience.  

Sony alpha α7C II compact Full-Frame Camera

Sony alpha α7C II compact Full-Frame Camera(ILCE-7CM2LB.CEC, ILCE7CM2LBCEC, ILCE/7CM2LB.CEC) Sony a7C II Mirrorless Camera with 28-60mm Lens, 33MP Full-Frame Exmor R BSI Sensor, Sony E - Black Building off the sleek profile and full-frame sensor combination of its first-generation predecessor, the black Sony a7C II offers improved resolution, autofocus, in-body image stabilization, and video capabilities in the same compact, all-day, everyday form factor. ° 33.0MP Exmor R CMOS Sensor and BIONZ XR Processor The Sony a7C II's advanced imaging system is powered by a 33MP full-frame Exmor R CMOS sensor and the BIONZ XR processor, a combination capable of 10-bit 4K imagery at up to 30 fps or a top continuous shooting rate of 10 fps with AF and AE using either the mechanical or electronic shutter. The introduction of the back-illuminated structure to the camera's sensor gives it a higher resolution without sacrificing sensitivity. With an ISO range of 100-51200 that's expandable to ISO 50-204800, the camera boasts low-light performance with minimal noise and wide dynamic range. ° AI-Powered Autofocus and Image Stabilization The Sony a7C II's AI processing unit brings a host of enhanced capabilities to the camera's autofocus and image stabilization systems, ensuring smooth handling and clarity no matter the shooting conditions. The camera's 759 phase detection points in stills mode and 495 points in video mode, covering 94% of the image area, are enhanced with AI-powered subject recognition performance and real-time tracking. The AI processor also uses a new autoexposure algorithm, Human Pose Estimation, to prioritize exposure areas for a 20% improvement in overall exposure accuracy. The auto white balance also benefits from the improved AI processor, aiding in difficult lighting conditions. Other autofocus features include focus bracketing in up to 299 images with sequentially shifted focus points, focus accuracy in low light down to EV -4.0, focus breathing compensation, autofocus assist, focus mapping, and focus peaking during autofocus. ° Sony FE 28-60mm f/4-5.6 Lens Impressively compact and versatile, the Sony FE 28-60mm f/4-5.6 is a wide-angle to long-normal zoom characterized by its retractable design and sleek profile. Its svelte design makes this lens ideal for walkaround, everyday shooting, and the flexible focal length range benefits a wide range of subject types, from street shooting to portraiture to travel photography. ° Optics and AF Three aspherical elements help to reduce spherical aberrations and distortion throughout the zoom range for improved sharpness and accurate rendering. The use of specialized elements also contributes to a smaller, lighter physical design. Linear motor, along with an internal focusing mechanism, promotes fast, precise, and quiet focusing performance to suit both stills and video applications. In addition to the variety afforded by the 28-60mm focal length range, this lens also has a versatile 11.8" minimum focusing distance that enables working with close-up subjects.   Rounded seven-blade diaphragm contributes to a pleasing bokeh quality.

Sony ZVE10LBDI.EU Alpha ZV-E10 Interchangeable Lens Vlog Camera with 16-50 mm f/3.5-5.6 Lens Kit

Sony ZVE10LBDI.EU (ZVE10LBDI-EU, ZVE10LBDI/EU, ZVE10LBDIEU, ZVE10LBDI EU) Alpha ZV-E10 Interchangeable Lens Vlog Camera with 16-50 mm f/3.5-5.6 Lens Kit The new interchangeable-lens vlog camera ZV-E10 - designed for vlogging - gives you next-level 4K video quality and Full HD 120p slow motion while remaining easy to use. It packs intuitive features and a vari-angle screen, making it a perfect content creation camera, and for all types of vlogs. With a directional microphone included, clearly capture your voice while recording. Compact and lightweight, the Sony ZV-E10 provides you with endless creative shooting options with more than 60 compatible Sony lenses. Content Creation in Mind This Sony vlogging camera features quick and intuitive vlogging operations with a touch capable swivel screen, tally light, Face autoexposure to keep your face bright in dim light and a bokeh switch to blur the background. Endless Creativity With 60+ compatible Sony lenses available for this vlogger camera, explore new ways to change the look of your content and step up the quality of your creations. Next Level 4K Video The large (24.3 MP APS-C type) sensor on this compact camera lets you record outstanding 4K (up to 30p) and Full HD slow motion (up to 120P) with good low light capabities and more bokeh to blur the background. Focus on the Important Things Keep your video in focus while recording in 4K with the Real-time Eye AF system to track your subject's eye. For product reviews, activate the Product showcase mode for quick and accurate transition when showing objects at the camera. Record Hight Quality Sound Make your voice heard even in windy conditions with a directional microphone and windshield (included) or take full advantage of the Digital audio interface by attaching a Sony-compatible external audio device. Instant Streaming Sessions Use the ZV-E10 as a live streaming camera device on any platform with great image quality and audio. Simply connect the camera to your computer's USB port without the need for a capture card (UVC/UAC standard). Choose how you see the world, and pick the lens that matches your style Choose just the right lens from Sony's extensive range of E-mount lenses, and bring your vlog to the next level with stunning and unique imagery. Incorporate background scenery into your script with a wide-angle lens, or make the subject grab the viewer's attention by using a fixed focal length lens with an artfully blurred background. Move in closer with a macro lens or pull in distant scenes with a telephoto lens. A large-format image sensor for professional-quality images The ZV-E10's impressive images are the result of the camera's large APS-C sized image sensor. Compared to a smartphone camera, the image sensor of the ZV-E10 is more than ten times bigger, allowing for beautiful, professional-looking images with high resolution and intricate detail. [1] APS-C [2] 1-inch [3] 1/2.3~1/3.4 inch. Efficient light collection for high-quality images with minimal noise The ZV-E10's large-format image sensor is designed to maximise light collection, producing 4K movies with high-quality images with less noise even when you're shooting in a dimly lit setting. Instant access to control buttons When you're shooting a vlog session the last thing you want to do is fumble for buttons. With the ZV-E10 you'll find the MOVIE button right on top, for quick access. There's also a handy zoom lever, and a Still/Movie/S&Q button that lets you easily switch between still images, normal videos and Slow & Quick Motion modes. Designed for easy selfie and vlog shoots Weighing in at just 364 grams (12.8 ounces) the ZV-E10 is ready to hit the road with you whenever you’re ready to vlog. The side-opening vari-angle LCD screen makes it easy to take selfies and check your framing, even when you're shooting from high or low positions, and the ergonomic grip is designed for a safe and stable hold. 4K video with oversampling for greater detail The camera's internal 4K video recordings are made using a full-pixel readout from the sensor, allowing the collection of approximately 2.4 times as much data as is required for 4K (roughly equivalent to 6K). This oversampling means that the recorded footage has more visual data condensed into every frame, resulting in remarkably detailed video imagery. (A) 2.4 times information. Let Real-time Tracking do the focusing work for you The ZV-E10's AI-driven Real-time Tracking is intuitive to use. Simply touch the monitor to indicate the subject you want to focus on and Real-time Tracking will take it from there, keeping a steady hold on the subject. Fast, precise autofocus Even quick-moving subjects stay in focus thanks to the ZV-E10's Fast Hybrid AF system. With 425 phase-detection points covering around 84% of the sensor's image area, this wide coverage and dense AF point placement help to precisely capture subjects that might otherwise be difficult to focus on. Protection against recording failures The ZV-E10 tells you at a glance that whether or not you are recording. A recording lamp on the front of the camera lights up in red, and the LCD monitor also displays a bold red frame, letting you know when recording is in progress. Precise focus transitions for smooth-looking product reviews With just the press of a button, you can activate the ZV-E10's Product Showcase Setting, ideal for product review videos. With the setting activated, whenever you hold a product up in front of the camera the focus will shift automatically to that object, and then back to your face again when you move the product out of frame. This setting is available even when image stabilisation is set to Active. Easy background blur control There's no need for complicated manual adjustments – just press a single button to turn background blurring (bokeh) on and off. The button switches between a blurred, bokeh-rich background and a clearly focused one, skipping all the complex setting. Leave it up to the camera to focus on you With the ZV-E10 you can concentrate on the more creative aspects of vlogging. The camera's Eye AF feature uses sophisticated detection algorithms to recognise and track a subject's eyes quickly and accurately, keeping a tight focus on a person's eyes. Stay brightly lit wherever you go Even when lighting conditions change abruptly, the ZV-E10 makes sure that you'll always be brightly lit. From direct sunlight and backlit angles to shadows and dimly lit interior corners, the camera detects the subject's face and automatically handles changes in brightness, performing rapid exposure adjustments to compensate. Smooth, soft skin appearance The ZV-E10 features a Soft Skin Effect to smooth your skin's appearance. The feature is designed to smooth out your skin while preserving sharpness in the eye and mouth regions. You can select from four levels (from "off" to "high") to determine the level of this effect, depending on your preference. Natural-looking skin tones The ZV-E10 is designed to produce healthy and natural-looking skin tones for everyone without extra editing. Thanks to the ZV-E10’s natural colour tuning, the camera automatically fine-tunes skin appearance. Designed for clear voice recording Equipped with a built-in Directional 3-Capsule Mic, the ZV-E10 records voices clearly even in crowded settings. It's optimised to capture voices in front of the camera with fewer distracting ambient sounds, perfect for vlogging use. Easy sped-up and slowed-down motion The camera's Slow & Quick Motion modes record videos up to 5x slower than real time or up to 60x faster. You can record at up to 50 Mbps with full HD quality, and it's all done in-camera, so you don't need to do any editing on a PC. You can also do high-speed full HD recording at 120fps to create high-resolution slow-motion sequences in post production. Smooth and stable images even while walking The ZV-E10 will help keep things smooth and steady when you're on the move. Active Mode electronic image stabilisation delivers stable video footage with minimal shake and blur during hand-held recording, and it's available even when the Product Showcase Setting is on.    

Sony ZVE10BDI.EU Alpha ZV-E10 Interchangeable Lens Vlog Camera

Sony ZVE10BDI.EU (ZVE10BDI-EU, ZVE10BDI/EU, ZVE10BDIEU, ZVE10BDI EU) Alpha ZV-E10 Interchangeable Lens Vlog Camera Body The new interchangeable-lens vlog camera ZV-E10 - designed for vlogging - gives you next level 4K video quality and Full HD 120p slow motion while remaining easy to use. It packs intuitive features and a vari-angle screen, making it a perfect content creation camera, and for all types of vlogs. With a directional microphone included, clearly capture your voice while recording. Compact and lightweight, the Sony ZV-E10 provides you with endless creative shooting options with more than 60 compatible Sony lenses. Content Creation in Mind This Sony vlogging camera features quick and intuitive vlogging operations with a touch capable swivel screen, tally light, Face autoexposure to keep your face bright in dim light and a bokeh switch to blur the background. Endless Creativity With 60+ compatible Sony lenses available for this vlogger camera, explore new ways to change the look of your content and step up the quality of your creations. Next Level 4K Video The large (24.3 MP APS-C type) sensor on this compact camera lets you record outstanding 4K (up to 30p) and Full HD slow motion (up to 120P) with good low light capabities and more bokeh to blur the background. Focus on the Important Things Keep your video in focus while recording in 4K with the Real-time Eye AF system to track your subject's eye. For product reviews, activate the Product showcase mode for quick and accurate transition when showing objects at the camera. Record Hight Quality Sound Make your voice heard even in windy conditions with a directional microphone and windshield (included) or take full advantage of the Digital audio interface by attaching a Sony-compatible external audio device. Instant Streaming Sessions Use the ZV-E10 as a live streaming camera device on any platform with great image quality and audio. Simply connect the camera to your computer's USB port without the need for a capture card (UVC/UAC standard). Choose how you see the world, and pick the lens that matches your style Choose just the right lens from Sony's extensive range of E-mount lenses, and bring your vlog to the next level with stunning and unique imagery. Incorporate background scenery into your script with a wide-angle lens, or make the subject grab the viewer's attention by using a fixed focal length lens with an artfully blurred background. Move in closer with a macro lens or pull in distant scenes with a telephoto lens. A large-format image sensor for professional-quality images The ZV-E10's impressive images are the result of the camera's large APS-C sized image sensor. Compared to a smartphone camera, the image sensor of the ZV-E10 is more than ten times bigger, allowing for beautiful, professional-looking images with high resolution and intricate detail. [1] APS-C [2] 1-inch [3] 1/2.3~1/3.4 inch. Efficient light collection for high-quality images with minimal noise The ZV-E10's large-format image sensor is designed to maximise light collection, producing 4K movies with high-quality images with less noise even when you're shooting in a dimly lit setting. Instant access to control buttons When you're shooting a vlog session the last thing you want to do is fumble for buttons. With the ZV-E10 you'll find the MOVIE button right on top, for quick access. There's also a handy zoom lever, and a Still/Movie/S&Q button that lets you easily switch between still images, normal videos and Slow & Quick Motion modes. Designed for easy selfie and vlog shoots Weighing in at just 364 grams (12.8 ounces) the ZV-E10 is ready to hit the road with you whenever you’re ready to vlog. The side-opening vari-angle LCD screen makes it easy to take selfies and check your framing, even when you're shooting from high or low positions, and the ergonomic grip is designed for a safe and stable hold. 4K video with oversampling for greater detail The camera's internal 4K video recordings are made using a full-pixel readout from the sensor, allowing the collection of approximately 2.4 times as much data as is required for 4K (roughly equivalent to 6K). This oversampling means that the recorded footage has more visual data condensed into every frame, resulting in remarkably detailed video imagery. (A) 2.4 times information. Let Real-time Tracking do the focusing work for you The ZV-E10's AI-driven Real-time Tracking is intuitive to use. Simply touch the monitor to indicate the subject you want to focus on and Real-time Tracking will take it from there, keeping a steady hold on the subject. Fast, precise autofocus Even quick-moving subjects stay in focus thanks to the ZV-E10's Fast Hybrid AF system. With 425 phase-detection points covering around 84% of the sensor's image area, this wide coverage and dense AF point placement help to precisely capture subjects that might otherwise be difficult to focus on. Protection against recording failures The ZV-E10 tells you at a glance that whether or not you are recording. A recording lamp on the front of the camera lights up in red, and the LCD monitor also displays a bold red frame, letting you know when recording is in progress. Precise focus transitions for smooth-looking product reviews With just the press of a button, you can activate the ZV-E10's Product Showcase Setting, ideal for product review videos. With the setting activated, whenever you hold a product up in front of the camera the focus will shift automatically to that object, and then back to your face again when you move the product out of frame. This setting is available even when image stabilisation is set to Active. Easy background blur control There's no need for complicated manual adjustments – just press a single button to turn background blurring (bokeh) on and off. The button switches between a blurred, bokeh-rich background and a clearly focused one, skipping all the complex setting. Leave it up to the camera to focus on you With the ZV-E10 you can concentrate on the more creative aspects of vlogging. The camera's Eye AF feature uses sophisticated detection algorithms to recognise and track a subject's eyes quickly and accurately, keeping a tight focus on a person's eyes. Stay brightly lit wherever you go Even when lighting conditions change abruptly, the ZV-E10 makes sure that you'll always be brightly lit. From direct sunlight and backlit angles to shadows and dimly lit interior corners, the camera detects the subject's face and automatically handles changes in brightness, performing rapid exposure adjustments to compensate. Smooth, soft skin appearance The ZV-E10 features a Soft Skin Effect to smooth your skin's appearance. The feature is designed to smooth out your skin while preserving sharpness in the eye and mouth regions. You can select from four levels (from "off" to "high") to determine the level of this effect, depending on your preference. Natural-looking skin tones The ZV-E10 is designed to produce healthy and natural-looking skin tones for everyone without extra editing. Thanks to the ZV-E10’s natural colour tuning, the camera automatically fine-tunes skin appearance. Designed for clear voice recording Equipped with a built-in Directional 3-Capsule Mic, the ZV-E10 records voices clearly even in crowded settings. It's optimised to capture voices in front of the camera with fewer distracting ambient sounds, perfect for vlogging use. Easy sped-up and slowed-down motion The camera's Slow & Quick Motion modes record videos up to 5x slower than real time or up to 60x faster. You can record at up to 50 Mbps with full HD quality, and it's all done in-camera, so you don't need to do any editing on a PC. You can also do high-speed full HD recording at 120fps to create high-resolution slow-motion sequences in post production. Smooth and stable images even while walking The ZV-E10 will help keep things smooth and steady when you're on the move. Active Mode electronic image stabilisation delivers stable video footage with minimal shake and blur during hand-held recording, and it's available even when the Product Showcase Setting is on.

Sony ZV1FB.CE3 ZV-1F Vlogging Camera

Sony ZV1FB.CE3 (ZV1FB-CE3, ZV1FB/CE3, ZV1FB_CE3, ZV1FBCE3) ZV-1F Vlogging Camera The Sony ZV-1F is a digital compact vlogging camera with a Type 1 (13.2x8.8mm) sensor and a fixed 20mm equivalent lens. Designed to be your first vlog camera. From social media to YouTube video, the ZV-1F camera elevates your vlogging easily with great image and audio quality. With the Sony ZV-1F, you can truly capture it all – a group selfie along with an expansive view of the background scenery. with the camera’s ultra-wide-angle 20 mm lens that captures a wider field of view than the human visual field. Look your best regardless of where you’re shooting. Sony's new vlog camera automatically adjusts the brightness to light your face even in situations where the brightness changes, such as when backlit or entering a room. Fit everything in frame With the ZV-1F, you can truly capture it all - it allows you to snap a group selfie along with an expansive view of the background scenery. Since the camera's ultra wide-angle 20 mm lens captures a wider field of view than the human visual field, you can take images with eye-popping depth and perspective, even in narrow spaces, both indoors and outdoors. Beautiful skin tones for everyone Look your best any time you're shooting. Without any special settings, the ZV-1F will accurately capture your skin tone, ensuring you a healthy and natural look. There's also a Soft Skin Effect selectable to OFF/ Low/ Mid /High to adjust your skin smoothness. Sharp AF, bright face Using Eye AF, the camera automatically recognises human faces and eyes, making sure you stay in focus in front of the lens. Switching the focus to another subject is easy - just touch the screen. There's no need to worry about lighting either, as Face Priority AE will automatically brighten your face. Easy bokeh at the push of a button Get beautiful defocused background like a pro with just a press of the Bokeh Switch. The camera's large 1.0-type image sensor allows for true optical bokeh. Select [Defocus] to make the main subject stand out against the bokeh background, or [Clear] to keep the entire image in focus. Impressive colours to match your style Shoot beautifully coloured images from the get-go without worrying about editing. With the ZV-1F, you don't need a fancy crew for fancy colour - just choose from 10 available presets for pro-level footage that matches the scene and your style. Slow or speed at the touch of a button Capture those touching moments in slow motion or ramp up the energy for dramatic scenes – all without any editing. With the ZV-1F, you can adjust the footage speed just by pressing the S&Q button. Shoot smooth video at speeds up to 5x slower, or use hyperlapse shooting to make the video up to 60x faster and bring your vision to life. Steady footage even when walking Showing your viewers the world around you makes engaging content, but shaky footage can be a bit distracting. The ZV-1F allows you to capture video clearly even while walking. Active Mode image stabilisation5 helps to minimise image blur from handheld shooting for steadier shots. Ideal for product-review videos Put your products on centre stage with a single touch. Just set the Product Showcase Setting, and simply hold a product in the centre of the frame. The camera will automatically focus on it – with no additional gestures needed. Let your viewers concentrate on what counts, when it counts. Clear audio, anytime, anywhere Indoors or outdoors, the ZV-1F is designed to always capture your voice clearly no matter where you’re shooting. The built-in Directional 3-Capsule Mic collects sound from the front area of the camera, giving you high quality audio, so you can put your energy into creativity, instead of worrying about the sound while recording. Effortlessly portable Small and lightweight, the camera is designed to be taken out and about – just like your smartphone. Capture everyday life with ease, and grab content on the go.

Sony ILCE7CB.CEC Alpha 7C Full-Frame Mirrorless Camera

Sony ILCE7CB.CEC (ILCE7CB-CEC, ILCE7CB/CEC, ILCE7CB_CEC, ILCE7CB CEC) Alpha 7C Full-Frame Mirrorless Camera Express yourself to the fullest degree Despite the compact size of the camera body, which is the world's smallest and lightest, the α7C delivers the spectacular image quality for both stills and movies that you'd expect from a full-frame camera. Fast, wide, and steadfast AF, rapid-fire continuous shooting and a handy vari-angle LCD monitor help capture the action whenever it happens. Uncompromising quality for stills and movies Stunning image quality, only possible from a full-frame sensor Superior light collection means high-quality, low-noise images Bigger sensors create better images, and the α7C's full-frame sensor is much larger than the sensors in smartphones, compact digital cameras and similar-sized APS-C interchangeable-lens cameras. The resulting increased light collection allows for professional-quality images with reduced noise, and more retained detail in both shadows and highlights. Make a difference with a larger sensor With a full-frame sensor it’s possible to take shots and achieve impressive images that are unique to this format. The α7C’s sensor is more than twice the size of the sensors found in APS-C cameras of similar body size, and up to 30 times larger than a smartphone sensor, for stunning images with greater depth and detail. Compact size, easy operation The α7C was fashioned to be compact, lightweight and portable without compromising genuine full-frame camera performance. This goal was accomplished by developing new mechanical components, such as a space-saving shutter and optical stabilisation unit, along with layout and structural enhancements. Enjoy the full-frame advantage The α7C's full-frame sensor does more than just capture more light. Enhanced image depth, dynamic range and detail are all possible thanks to the large sensor and pixel size. Enjoy the full-frame advantage The α7C's full-frame sensor does more than just capture more light. Enhanced image depth, dynamic range and detail are all possible thanks to the large sensor and pixel size. Capture all the beauty of the world The 24.2MP10 Exmor R™ CMOS sensor works with Sony's BIONZ X™ engine to deliver superb colour reproduction along with a wide 15-stop11 dynamic range, and it helps capture details and smooth transitions across all lighting conditions in both stills and movies. Stunning images, even at fast shutter speeds and in dim light The larger pixel sizes on the sensor allow for an increased signal-to-noise ratio, for beautiful images with more detail in textures and shadow areas. Noise reduction is particularly effective at the medium- and high-ISO sensitivities required for fast-moving or poorly lit subjects. Standard ISO100-51200 is extendable to ISO50-204800 A vast E-mount lens line-up, from wide to telephoto, video and specialised Whether you're an amateur or a professional, a photographer or a movie creator, a diverse range of over 50 E-mount lenses is available to elevate your creativity. Compact full-frame lenses provide exceptional low-distortion images, even at wide focal lengths, and allow for beautiful image depth and bokeh. 4K recording for beautiful movie imagery Shallow depth of field enables bokeh effects, one of the strengths of full-frame cameras. Full-pixel readout without pixel binning allows oversampling equivalent to 6K recording, for clean images with less moiré and jaggies. Widen your expression with S-Log, HLG and Picture Profile options S-Log support captures a wide dynamic range of 14 stops, revealing fine detail in both shadows and highlights in post-production. HLG (Hybrid Log-Gamma) facilitates direct HDR playback and workflow, and Picture Profile provides various settings options for capturing images. Capture the action as it happens, in beautiful detail  State-of-the-art AF and speedy continuous shooting capability help ensure you won't miss that important split-second shot. The α7C's optical image stabilisation unit keeps it steady and blur-free whether you're shooting stills or movies. Super-accurate AF finds the subject quickly and keeps it in steady focus The α7C takes advantage of the same AF advancements as our acclaimed α9, with unique 4D FOCUS for fast subject acquisition and steadfast tracking over a wide area. A total of 693 phase-detection AF points cover approx. 93% of the image area. Never miss a moment, even with fast-moving subjects To better capture subjects in motion, the α7C shoots in continuous bursts at up to 10fps16 with AF/AE tracking, and up to fps in live-view mode. It also supports silent shooting17 at up to fps with AF/AE tracking. Depend on persistent subject tracking Reliable subject tracking translates into more successful portraits. As with previous models, you can aim at the subject and half-press the preconfigured shutter button to start Real-time Eye AF. The α7C also has a new feature that lets you press the AF-ON button to activate Real-time Tracking even when not in AF-C mode, allowing you to use Real-time Tracking immediately. Focus is maintained even when the face is partially obstructed or when the subject is wearing glasses. Real-time Eye AF for Animals tracks and focuses on animals' eyes Taking successful shots of pets and other animals is much easier with Sony's cutting-edge algorithm-based AF. Fast, precise automatic detection and tracking of an animal's eyes, rather than the tip of the nose or the whiskers, keeps everything in clear focus – simply leave it up to the camera. It works dependably even when an obstacle comes into view or when the camera's horizontal/vertical orientation changes Reliable handheld still shots and movies Zoom in, grab close-ups and capture night scenes with greater clarity The α7C's optical 5-axis image stabilisation unit compensates for five types of camera shake with no loss of image quality, even when shooting without a gimbal or when shooting in the dark. These are angular shake (pitch and yaw) that tends to occur with a telephoto lens, shift shake (X and Y axes), noticeable as magnification increases, and rotational shake (roll on Z axis), which affects nighttime shots and video. Full-frame image quality for movie creators The α7C's side-opening vari-angle monitor can be easily viewed, for example, even when a mic is attached, a gimbal is used, or when shooting from various positions. In addition, headphone and mic jacks allow you to use your favourite equipment. Plus, the large-capacity battery allows for extended shoots. All in all, the α7C is perfectly suited for vloggers and other creators. Compact, lightweight and portable even with optional grip accessories The side-opening LCD monitor makes self-vlogging easy, an optional grip and mic combination21 is perfect for cable-free vlogging, and digital mic support22 provides extra-clear sound. Popular vertical-format video is also supported, using metadata to allow vertically recorded footage to be replayed and edited in the vertical position without needing to rotate it first. Grip accessories for a quick, high-level vlog setup The optional GP-VPT2BT Bluetooth® grip controls recording and zoom operations, and doubles as a tripod for hands-free shooting. A customisable button and easy camera angle adjustment make it perfect for efficient shooting. Clear 2x zoom for flexible shooting options Sony's Clear Image Zoom maintains subject resolution with almost no deterioration of image quality. Even single-focus lenses can be used as zoom lenses, with up to 2x zoom magnification. Digital audio interface for clear sound recording When using Sony's ECM-B1M Shotgun Microphone or XLR-K3M Adaptor Kit via the MI (Multi Interface) shoe, audio is transmitted as a digital signal, for high-quality sound recording without deterioration or extra audio cables. Fine-tune AF Subject Shift Sensitivity to maintain steady focus or allow focus shift AF sensitivity is adjustable for situations with multiple subjects in motion. Levels range from "1. Persistent" to maintain stable focus on the original subject, to "5. Sensitive" to switch easily to other subjects. Use AF Transition Speed to control how fast the focus shifts When autofocus does shift from one subject to another, you can specify the speed of the transition. Seven levels are available, from smooth, leisurely transitions to fast shifts in focus. In-camera recording up to 5x slower or 60x faster than real time Varying the pace of footage is an extra creative element you can add to movies, and the α7C's S&Q mode makes it easy. It supports high-speed full HD recording at 120fps, and both slow-motion and fast-motion effects are possible in camera, with frame rates ranging from 1-120fps. The resulting footage is up to 5x slower or 60x faster than real-time action. Easy visual effects for movies Picture Effect, Creative Style and Picture Profile features are a simple way to widen your creative expression when shooting movies. They provide a wide variety of visual effects and settings, from entry-level to professional. Picture Effect and Creative Style let you leave things to the camera, so there's no need for post-production grading. Side-opening LCD monitor for flexible operation The 921-thousand-dot 3.0-type touch panel rotates 176° horizontally and 270° vertically. Use Touch Focus to shift focus instantly, or Touch Shutter to focus and capture still images with a single touch to the screen. Easy battery charging even when shooting The large-capacity Z battery tucked into the α7C's compact body can take advantage of a USB power supply. A USB Type-C® cable is all you need for charging, and you can shoot while you're charging. Sturdy dust- and moisture-resistant construction Lightweight, high-rigidity magnesium alloy is used for the camera's top, front and rear covers, and sealing is provided throughout the body to minimise dust and moisture entry. Remote shooting from mobile devices and PCs The α7C's Wi-Fi® capability makes it easy to set up remote shooting. Set up your camera at a distance and take selfies or vlog footage, using a PC, smartphone or tablet to preview, adjust settings, and operate the shutter. Quick data transfer to mobile devices for social-media sharing Photos and videos can be transferred directly to smartphones and tablets on the spot, for easy viewing, sharing and storage via 2.4 or 5GHz Wi-Fi®. One-touch transfer is possible for certain devices, with QR-code connections for others. Imaging Edge Desktop Elevate your photography with Imaging Edge Desktop applications. Use the "Edit" function to develop RAW data into high-quality photos for delivery. Get the best from Sony RAW files, and manage your productions more efficiently. Imaging Edge Mobile™ app and Movie Edit add-on for more convenient movie-making Using the α7C's built-in Wi-Fi®, shutter release and movie recording can be controlled from a smartphone or tablet, and image data can be transferred wirelessly. The Movie Edit add-on corrects camera shake after shooting.

Sony ILCE7RM5B.CEC A7RV Full-Frame Mirrorless Camera

Sony ILCE7RM5B.CEC (ILCE7RM5B-CEC, ILCE7RM5B/CEC, ILCE7RM5B_CEC, ILCE7RM5BCEC) A7RV Full-Frame Mirrorless Camera Introducing the evolution of resolution with the Sony A7RV. Packing an infallible autofocus powered by AI and fast processing speed with the latest BIONZ XR™, the Sony A7R V camera delivers high 61MP full-frame image quality and 8K video recording, unlocking unprecedented subject detail and texture. It also includes an improved 8-stop in-body stabilisation system, a unique 4-way multi-angle screen, and high resolution EVF for a refined professional shooting experience. Paired with high speed connectivity, the Sony Alpha 7RV sets a revolution for those who want to capture every detail - from landscape, to wildlife or portrait - for enthusiasts and professionals. Newly developed AI processing unit A whole new level of camera intelligence State-of-the-art AI processing uses detailed information about human forms and postures to dramatically improve the camera's subject recognition accuracy and make full use of its potential resolution. Also, subject recognition has been expanded to include a number of new subject types, including vehicles and insects. AI processing unit for advanced subject recognition The α7R V is equipped with an AI processing unit specifically dedicated to processing significant amounts of data to enable more accurate recognition of subjects and recognition of a wider range of subject types. Human pose estimation The α7R V uses subject form data to recognise movement, providing a roughly 60% improvement in human eye recognition. Human pose estimation uses learned human forms and postures to precisely recognise not just eyes, but body and head position, making it possible to lock onto and track a subject facing away from the camera or wearing a mask, for example. Recognise a wider range of subjects In addition to humans, animals and birds, the camera now recognises insects, cars, trains and airplanes, providing even greater flexibility and reliability when shooting both stills and movies. Heads and bodies are now recognised in addition to eyes (Real-time Eye AF) for the Human, Animal, and Bird settings. Improved accuracy of WB control The α7R V's AWB function has evolved in tandem with the camera's AI capabilities. In addition to the "Visible Light + IR sensor" on the front of the body, the camera's AI processing unit helps to achieve more accurate white balance in difficult lighting, such as when the subject is in shadow. A new high in α resolution The output from the 35mm full-frame back-illuminated Exmor R™ CMOS image sensor, with approximately 61.0 million effective pixels, is processed in real time to the fullest extent by the advanced BIONZ XR™ processing engine to deliver breathtaking detail in both stills and movies. Real-time Recognition AF The α7R V's AF system delivers dramatically enhanced overall performance, drawing on major improvements in subject recognition performance. Deep learning technology supports powerful Real-time Recognition AF as well as more reliable Real-time Tracking which is supported by higher Fast Hybrid AF performance over a wider area. High-quality 8K movie recording 18 The XAVC HS format enables in-camera recording of high-resolution, high-quality 8K (7680 x 4320) 24p (25p)18 movies with efficient HEVC/H.265 compression, bringing out the very best in Sony's lenses and taking full advantage of the resolution provided by the sensor and full-pixel readout. Even the finest subject details are faithfully captured. Outstanding 4K movie recording up to 60p(50p)19 Full frame and Super 35mm formats can be selected for 4K movie recording. Full pixel readout in the Super 35mm mode without the need for pixel binning20 makes 2.6x oversampling possible for 4K movies. The XAVC S-I (All-Intra) or the XAVC HS format is supported, with 10-bit 4:2:2 colour sampling. New 4-axis multi-angle LCD monitor Unprecedented monitoring flexibility Sony's newly developed 4-axis multi-angle monitor combines the utility of a conventional tilting monitor with side-opening vari-angle flexibility. It allows greater shooting freedom by providing unrestricted angle adjustment in both horizontal and vertical orientations  

Sony FE 24–70 mm F2.8 GM II Lens

Sony SEL-2470GM2 (SEL/2470GM2, SEL_2470GM2, SEL2470GM2, SEL 2470GM2) FE 24–70 mm F2.8 GM II Lens The 24-70mm F2.8 GM II is perfect for event and wedding photographers, or any professional who wants the best quality general-purpose lens for their Alpha mirrorless camera. Its advanced optical design includes two ED (Extra-Low Dispersion), two Super ED, two XA (Extreme Aspherical), and three aspherical elements, ensuring outstanding resolution with this Sony camera lens. Beautiful background defocuses (bokeh) are achieved with an 11-blade circular aperture. Four XD (Extreme Dynamic) Linear Motors with their complex construction deliver faster, more accurate focusing capabilities for both photography and videography. An incredible Sony E-mount lens for video, the SEL2470GM2 delivers smooth, fast, continuous autofocus performance for movie shooting, with minimised focus breathing, and focus shift and axis shift when zooming, for refined imagery. Next-generation G Master standard zoom The FE 24-70mm F2.8 GM is an updated “holy trinity” standard zoom, packing evolved optics and AF performance into a convenient, compact, lightweight zoom design that offers maximum mobility for both stills and movies. It is an ideal match for high-performance compact α system bodies, and will cover a wide range of shooting situations. High resolution rivals the best primes Excellent contrast at high spatial frequencies means superb resolution even at F2.8. Two high-precision XA (extreme aspherical) elements, two ED (Extra-low dispersion) glass elements, two Super ED glass elements, and a floating focus mechanism control chromatic aberration, astigmatism, distortion, and coma at all zoom and aperture settings. Nano AR Coating II subdues flare and ghosting for outstanding clarity. Stunning G Master bokeh Exquisite F2.8 bokeh extends throughout the zoom range thanks to advanced optical design and a new 11-blade aperture unit. Bokeh is enhanced by precise control of spherical aberration during design and for each lens during manufacture. Two XA elements with 0.01-micron precision suppress onion ring bokeh. Minimum focusing distance is 0.21 meters at 24 mm and 0.30 meters at 70 mm, with max. magnification of 0.32x. The most compact, lightweight, and versatile in its class The smallest and lightest2 F2.8 24-70mm zoom in its class, this lens offers unprecedented flexibility and freedom. It weighs just 695 grams, 191 grams less than the previous model. Its length has been reduced by 16 mm, and overall volume has been reduced by approximately 18%. Impressive portability and mobility make it a good choice for professional or enthusiast still or movie use in a wide range of situations. Fast, precise AF and excellent response Four of Sony’s original XD (extreme dynamic) Linear Motors, a floating focus mechanism, and advanced lens control achieve high AF precision and approximately 2x better-tracking performance while zooming than the previous model. With a compatible body it can shoot at up to 30 frames per second. The new aperture unit also contributes to high speed, enabling full AF tracking performance even when shooting with the aperture stopped down  

Sony ILCE-7M4K Alpha 7 IV Full-Frame Mirrorless Camera with FE 28-70mm F3.5-5.6 Lens

Sony ILCE-7M4K (ILCE/7M4K, ILCE_7M4K, ILCE7M4K, ILCE 7M4K) Alpha 7 IV Full-Frame Mirrorless Camera with FE 28-70mm F3.5-5.6 Lens Sony a7 IV: Beyond Basic An all-arounder that pushes beyond basic, the Sony a7 IV does double duty with strong stills and video performance. An advanced hybrid mirrorless camera, the a7 IV has the resolution and AF performance that appeals to photographers along with robust 4K 60p video recording for filmmakers and content creators. Sensor and Processor 33MP Exmor R BSI CMOS Sensor Newly developed 33MP Exmor R full-frame sensor features a back-illuminated design that promotes high clarity, low noise, and vivid color rendering. This design benefits working in low-light conditions and works in conjunction with a broad sensitivity range of ISO 100-51200. The sensor's design also achieves an impressive dynamic range of approximately 15 stops and files can be recorded in raw, JPEG, or the 10-bit HEIF format. BIONZ XR Processor Using the flagship-class BIONZ XR engine, high-speed image processing capabilities are available for fast continuous shooting, 4K video recording, and advanced AF tracking performance. The quick processing also helps to reduce rolling shutter and other motion distortions for clean rendering of moving subjects. In terms of shooting speeds, the sensor and processor enable up to 10 fps shooting, using either the mechanical or electronic shutter and with AF/AE enabled. Also, the buffer permits recording up to 828 consecutive uncompressed raw + JPEG frames when using a CFexpress Type A card. 4K 60p Video Recording in 10-Bit Making full use of the high-resolution 33MP sensor and fast processing capabilities, UHD 4K 30p XAVC HS 10-bit recording is possible using the full width of the sensor, offering 7K oversampling for impressive sharpness and realism. There is also oversampled 4K recording, via a 4.6K capture area, with a Super 35 crop, that offers UHD 4K output up to 60p in 10-bit. No recording time limit allows for unlimited clip lengths and the camera's physical design features an improved heat-dissipating structure to promote longer possible recording times; longer than one hour of continuous 4K 60p 10-bit 4:2:2 recording, for example. The a7 IV employs a pair of codecs to suit different workflows: XAVC HS, which uses HEVC/H.265 encoding to retain more detail at smaller bitrates and XAVC S-I, which is an intraframe codec for consistent performance and quality at bitrates up to 600 Mb/s. S-Cinetone, S-Log3, and Other Color and Gamma Controls S-Cinetone can be used to deliver distinct colors and healthy-looking skin tone rendering that matches the FX9 and FX6 cameras, along with the a1 and a7S III, and is based on technology from the professional Cinema Line cameras, such as the VENICE. This color profile offers natural mid-tones, soft colors, and especially well-controlled highlights. HLG (Hybrid Log-Gamma) support permits recording within a wide color gamut for producing HDR-ready content directly from the camera. S-Log3 is also available for producing a 15+-stop dynamic range with increased grading control in the shadow to mid-tone regions of the image. Fast Hybrid AF System AI-Based Autofocus Covering approximately 94% of the image area, a Fast Hybrid AF system incorporates 759 phase-detection points for quick and precise focusing in a variety of lighting conditions with sensitivity down to -4 EV. This focusing system is available for use in all recording modes, to benefit both video and stills applications. Real-time Tracking and Real-time Eye AF Borrowing from the flagship AF system, the a7 IV has tuned tracking and subject detection capabilities that lock onto subjects quickly and refines focus accurately on recognized eyes and faces of subjects: Real-time Tracking is an AI-based subject recognition system that recognizes color, pattern, and subject distance information for high accuracy and focusing speed. Beyond just tracking subjects, Real-time Eye AF fine-tunes the focusing accuracy and recognizes human, animal, and bird's eyes for critical sharpness. Real-time Eye AF even maintains focus on a subject's eye when they leave and re-enter the frame, allowing for working in more spontaneous shooting situations. AF During Video Recording and Additional Focusing Modes Real-time Eye AF is fully supported during video recording, for subject detection and tracking of human, animal, and bird eyes while shooting. For more control over how focus shifts appear during recording, seven-step AF transition speeds and five-step AF subject shift sensitivity controls let you refine how quickly focus shifts from point to point and how smoothly focusing shifts occur. Focus Map is a unique way of visualizing depth of field and functions in a similar way to peaking with a colorful overlay of the scene that indicates which parts of the scene are in front of and behind the focus point depending on the chosen aperture. A feature carried over from the FX6 digital cine camera, AF Assist lets you intuitively switch over to manual focus control for adjusting focus position when working with AF. This is a quick way to shift selective focus between various subjects in a scene while recording. A unique solution to compensate for how certain lenses perform when racking focus, Focus Breathing compensation will automatically smooth focus transitions and maintain a consistent field of view when changing the focus position during a shot. This mode crops into the image slightly and corrects for any detected shifts in composition when focusing is happening. Body Design, Connectivity, and Streaming Viewfinder and LCD Screen An improved QVGA OLED Tru-Finder EVF features a 3.68m-dot resolution that is approximately 1.6x higher in resolution than its predecessor for sharper, clearer viewing. This viewfinder supports both standard 60 fps and 120 fps frame rates for smooth motion rendering and its physical design has a long 23mm eye point, 0.78x-magnification, and 37.3° field of view. Perfect for vlogging or other self-recording needs, the side-opening 3.0" 1.03m-dot vari-angle articulating screen can be used in a front-facing orientation or can be tilted up or down to suit working from high or low shooting angles. This LCD is a touchscreen, too, for intuitive shooting control and menu navigation. Ports and Interface Full-size HDMI A port offers a more reliable connection when working with external recorders. A USB 3.2 Gen 2 Type-C port has been added, in addition to a micro-USB port, for faster, more reliable tethering support. The USB Type-C connection allows the camera to be charged or powered from the host power source while connected. Both 3.5mm headphone and external microphone ports facilitate greater control over audio recording. Multi Interface Shoe supports working with the optional ECM-B1M Shotgun Microphone or XLR-K3M XLR Adapter Kit, which provide improved, clear audio recording sound by sending a digital audio signal to the camera, opposed to an analog signal. USB Type-C port can be paired with an optional Ethernet wired LAN adapter to provide 1000BASE-T connectivity, wired remote shooting, or FTP transferring. 5-Axis SteadyShot INSIDE Image Stabilization Enhanced 5.5-stop effective 5-axis SteadyShot INSIDE image stabilization system compensates for five different types of camera shake encountered during handheld shooting of stills and video and allows users to confidently use any lens, even adapted lenses, for critical shooting without encountering blur from camera shake. For long focal lengths, the system will correct for pitch and yaw adjustments. Macro and high-magnification imagery, on the other hand, will benefit from the inclusion of horizontal and vertical shift compensation. All shooting styles will get usage out of the roll compensation. All 5 axes of stabilization will function at all times, even when used with third-party lenses and adapters or lenses with built-in optical stabilization. Additionally, specifically for video, there is also an Active IS mode that adds even more precise stabilization methods for even smoother footage straight out of camera. Advanced External Flash Control Suiting working with flash while photographing fast-moving subjects, P-TTL flash metering is possible in between each exposure when working with lo, mid, or even hi-speed continuous shooting modes. This helps to maintain stable illumination if making low-light bursts and greatly benefits working in changing light or low-light conditions. The updated flash control system also helps to reduce flash trigger lag, uses the camera's AWB information for natural color rendering, and supports adjusting select flash and transmitter units directly from the camera's interface. Wireless Connectivity and Streaming Built-in Wi-Fi enables the remote camera control and instant sharing of imagery to mobile devices for direct sharing online, and support for both 2.4 and 5 GHz bands also enables wireless tethered shooting support. This connectivity also provides remote camera control. Use of the Imaging Edge mobile app is benefitted by Bluetooth to maintain a reliable connection between the camera and mobile device. Supports Visual Story for easy cloud-based deliver of photos and videos immediately after shooting. Live streaming is possible directly from the camera simply by connecting the camera to a computer or compatible mobile device via USB, allowing the camera's video and audio capabilities to be used for live social media and video conferencing. 4K 15p, FHD 60p/30p, and HD 30p recording settings are available and there are also internal Creative Look and Soft Skin effects for a refined image quality straight from the camera. Internal recording is supported to a memory card while live streaming. UVC and UAC standards are supported for improved picture and sound quality during streaming. FE 28-70mm f/3.5-5.6 OSS Lens Included with the camera is the versatile wide-angle to portrait-length FE 28-70mm f/3.5-5.6 OSS lens. This lens features one extra-low dispersion element and three aspherical elements to control both chromatic and spherical aberrations throughout the zoom range. A linear autofocus motor, coupled with an internal focusing design, offers quick and quiet focusing performance to suit both stills and video shooting. Additionally, Optical SteadyShot image stabilization minimizes the appearance of camera shake and a weather-sealed design permits working in inclement conditions.

Sony FE 70-200mm F2.8 GM OSS II Lens

Sony SEL-70200GM2.SYX (SEL70200GM2.SYX, SEL/70200GM2.SYX, SEL_70200GM2.SYX, SEL 70200GM2.SYX) FE 70-200mm F2.8 GM OSS II Lens. Introducing the SEL70200GM2 Full Frame Lens: A large aperture but extremely lightweight lens for stills and movies. Featuring an advanced optical design that includes one XA (extreme aspherical) element for incredible corner-to-corner high-resolution, along with beautiful background defocus (bokeh). Four XD (Extreme Dynamic) Linear Motors deliver fast, precise, and quiet autofocus and tracking in this lightweight Sony G Master lens. Also an incredible lens for video, the SEL70200GM2 delivers smooth, fast, and continuous autofocus performance for movie shooting, with minimized focus breathing, focus shift when zooming, and axis shift when zooming for refined imagery. INCREDIBLY SHARP One XA (extreme aspherical) element along with two ED (Extra-Low dispersion), two Super ED and one newly developed ED aspherical elements ensure outstanding resolution in this F2.8 telephoto lens delivering high corner-to-corner resolution and beautiful bokeh, making this an excellent full-frame lens for sports, wildlife, portraits, and videography. BEAUTIFULLY SMOOTH BACKGROUNDS A circular 11-blade aperture on this 70-200mm lens creates beautiful circular background bokeh defocus effects with a large F2.8 aperture. AMAZING CLARITY AND CONTRAST Even under strong sunlight and backlighting, Sony’s new Nano AR Coating II is evenly applied to the element surface, effectively minimizing internal reflections so that flare and ghosting do not occur when using this FE lens as a sports lens, lens for wildlife, or in other light-sensitive shooting scenarios. FAST AND PRECISE Four XD (Extreme Dynamic) Linear Motors with their complex construction deliver faster and more accurate focusing than conventional lenses for both photography and videography. You won't miss a shot on this large-aperture telephoto lens. PROFESSIONAL ERGONOMICS A dust and moisture resistant design, along with versatile controls on this Sony telephoto lens makes it ideal to use in the most difficult scenarios - both indoors and outdoors. DYNAMIC PERSPECTIVES The SEL70200GM2 Sony lens offers minimized focus breathing, focus shift when zooming, and axis shift when zooming for refined imagery.    

Sony Alpha 7 IV Full-Frame Mirrorless Camera

Sony ILCE-7M4B.CEC (ILCE7M4B.CEC, ILCE/7M4B.CEC, ILCE 7M4B.CEC, ILCE_7M4B.CEC, A7 mark 4, A7 mark iv) Alpha 7 IV Full-Frame Mirrorless Camera. The α7 IV is the ideal hybrid, providing breathtaking still and movie imagery for today's creators. With groundbreaking performance in both still and movie recording, the α7 IV is the ideal hybrid, providing breathtaking imagery along with connectivity for on-the-spot delivery and distribution. The α7 IV is a camera designed to bring to life the artistic visions of today's creators. BREATHTAKING IMAGE QUALITY The 33 MP full-frame Exmor R back-illuminated sensor paired with the new Bionz XR processing power delivers outstanding professional image quality - even in low light situations - for all. Inheriting the latest color science and creative modes from professional Sony cameras, shoot true-to-life vivid images with your own style. BEST AUTOFOCUS PERFORMANCE YET Equipped with the latest Real-time Tracking and Eye AF technology (human/animal/bird) for effortless tracking of your subject while shooting photos or recording videos. In addition, the A7 IV camera shoots at up to 10 frames per second with fast buffer clearance to capture the best moment of the action unveiling in front of you. UNIQUE SHOOTING EXPERIENCE With a refined design, the A7 IV includes a fast and clear 3.69M dots electronic viewfinder, a new 3'' vari-angle touchscreen monitor, and a 5 axis In-Body Image Stabilisation (IBIS) system for a comfortable and stable shooting experience. With the inclusion of Sony's intuitive new touch-capable menu system, a dedicated Photo/Video/S&Q dial, and a dual card slot, switch seamlessly from photo and video and focus on your creativity. VIDEO CONTENT CREATION AT ITS BEST Record your content in 4K glory at up to 60p with full pixel readout and no binning for the best quality. For seasoned filmmakers, the A7 IV can record in 4:2:2 10 bits and includes S-CINETONE/S-LOG 3 picture profiles for a cinematic look and ease of editing. Paired with blazing fast Real-time autofocus technology, track your subject's eye in motion with ease - it works for humans, animals, and birds. The Alpha 7 IV also includes unique video tools such as breathing compensation, a digital audio interface to attach professional audio microphones, and a heat dissipation structure for long recording sessions. YOUR CONTENT, ALWAYS CONNECTED The new Sony A7 IV has live streaming at up to 4K15p or Full HD 60p without the need for a capture card to keep you connected with your audience at all times. With the latest USB-C gen 3.2 compatibilities, ultrafast Wi-Fi chip, and an automatic Bluetooth image backup mode on this streaming camera, transfer and share instantly your images with the world. THE BEST SONY EXPERIENCE Choose from 40+ Sony native full-frame lenses to unleash your creativity. Designed specifically for Sony cameras, experience the best quality and shooting experience with Sony lenses. UNIQUE SHOOTING EXPERIENCE With a refined design, the A7 IV includes a fast and clear 3.69M dots electronic viewfinder, a new 3'' vari-angle touchscreen monitor, and a 5 axis In-Body Image Stabilisation (IBIS) system for a comfortable and stable shooting experience. With the inclusion of Sony's intuitive new touch-capable menu system, a dedicated Photo/Video/S&Q dial, and a dual card slot, switch seamlessly from photo and video and focus on your creativity.

Sony Cfexpress Type B / Xqd USB 3.1 Gen2 Card Reader

Sony Cfexpress Type B / Xqd USB 3.1 Gen2 Card Reader (MRWG1.SYM, MRW-G1SYM, MRW/G1.SYM, MRWG1SYM)  Optimised for the Sony CFexpress Memory Card Get the most from Sony CFexpress memory cards via the USB interface, allowing data to be read extremely quickly so you can do more in less time. Save time with faster backups The MRW-G1 card reader supports the SuperSpeed USB 3.1 Gen 2 interface. Copying and backing up files at high speed boosts workflow, allowing you to get back to filming quickly.   Supports Sony XQD G series and M series memory cards Just one card reader is all you need to transfer data from CFexpress memory cards and supported XQD memory cards. Faster transfers using USB Type-C and USB 3.1 Gen 2  For much faster data transfer, connecting to the USB Type-C port on your PC (which supports Thunderbolt 3 or USB 3.1 Gen 2) is recommended. Ready to transfer with a “USB Type-C to USB Type-C” cable and “USB Type-C to USB Type-A” cable included. Compact, easy to carry Take the MRW-G1 anywhere. This USB bus powered reader fits comfortably in a pocket, case or bag.

Sony SEL-C1635G FE C 16–35mm T/3.1 G E-Mount Lens

Sony SEL-C1635G (SEL/C1635G, SEL_C1635G, SELC1635G, SELC1635G.SYX, SEL-C1635G.SYX) FE C 16–35mm T/3.1 G E-Mount Lens Cinematic images with beautiful bokeh Experience beautiful cinematic images, with excellent corner-to-corner resolution and consistent T3.1 (F2.8) large aperture from wide to telephoto for stunning background bokeh effects. Responsive manual control for content creators Adjust focus, zoom and iris with smooth, consistent precision. Enjoy fine control over realising your artistic vision with large-format sensor cameras such as the PXW-FX9 and VENICE. Shoot with extra intelligence Enjoy smart functions unique to Sony’s E-mount lens system, including AF (autofocus) support, servo zoom and zoom/iris/focus control from your camera, remote or smartphone, allowing cinematographers to concentrate on composition and focus without touching lens rings.* *Requires compatible cameras, remote controllers, smartphones and mobile apps. Unlimited expression for content creators Explore new artistic possibilities and precise creative control with Cinema Lens Series – the refined expression of Sony’s technological expertise for uncompromising content creators. This wide angle zoom lens is optimised for digital cinematography, documentary production and other premium content produced with full-frame cameras such as the FX9 and VENICE. Advanced optical design Two XA (Extreme Aspherical) lens elements and three aspheric elements minimise distortion, curvature and astigmatism. Two ED (Extra-low Dispersion) glass elements suppress colour distortion, while an advanced nano AR (Anti Reflection) coating on optical surfaces drastically reduces flare and ghosting. The floating focus mechanism is optimised for motion picture applications, ensuring outstanding resolution and very low distortion at any shooting distance. Smooth, natural bokeh An ideal partner for the full-frame sensor of Sony’s acclaimed FX9 and VENICE cameras, the consistent T3.1 (F2.8) large aperture and circular 11-blade aperture of the SELC1635G lets professional cinematographers enjoy shallow depth of field and the creation of beautifully smooth bokeh (background defocus) effects. [1] Conventional aperture [2] Circular aperture Precise, responsive manual focus Linear Response MF enables smooth, lag-free manual focus, allowing DoPs and camera operators to adjust focus accurately and intuitively. The focus ring offers a 120deg large angle of rotation for finer control, with distance scale markers for consistent focus reset during multiple takes. For complete creative control to suit any user including photographers who are used to shooting stills, SELC1635G also offers reversible zoom ring rotation, modes switchable between AF/MF and Full manual, and the option to engage ‘click stops’, providing tactile feedback for precise adjustments of the aperture ring. When the click stops are disengaged, the aperture ring moves smoothly and quietly. More options for content creators The SELC1635G has a 0.8mm pitch gear and 114mm lens diameter, which is regarded as the industry standard in cinematography, providing compatibility with a wide range of accessories include matte boxes and follow focus systems. Detachable servo zoom The included servo unit provides comfortable fingertip control for smooth, gradual zooms suitable for a slow moving drama or promotional video. Servo and Manual control are switchable by the button on the lens unit, and while set to servo, you can control zoom via camera’s handle or grip zoom.Also, the servo can be detached if preferred, making the lens lighter and more portable. Fast, accurate AF and AE The SELC1635G fully supports the Enhanced Hybrid phase/contrast detection autofocus (AF) and Auto Exposure (AE) capabilities of the FX9 full-frame camera. This breakthrough technology allows you to concentrate on framing while the camera and lens work seamlessly together to maintain focus on subjects with shallow depth of field. Alpha cameras and lenses Discover the Alpha range of interchangeable lens camera and E-mount lenses for photographers and video makers.

Sony SEL-50F25G FE 50mm F/2.5 G Lens

Sony SEL-50F25G (SEL/50F25G, SEL_50F25G, SEL50F25G, SEL-50F25G.SYX, SEL50F25G.SYX) FE 50mm F/2.5 G Lens Introducing the SEL50F25G Full Frame Lens: A wide angle lens for stills and movies. Featuring an advanced optical design that includes two aspherical elements and one ED (Extra-low Dispersion) element for incredible corner-to-corner high-resolution, along with beautiful background defocus (bokeh). Two double linear motors provide fast, precise AF with excellent tracking performance, with quiet autofocus and tracking in this compact-sized and lightweight Sony G lens. Internal focusing ensures the angle of view is stable during focusing (focus breathing minimised). An incredible video lens, the SEL50F25G delivers smooth, fast and continuous auto focus performance for movie shooting. INCREDIBLY SHARP State-of-the-art optics, using two aspherical elements and one ED (Extra-low Dispersion) glass element, deliver high resolution and suppress colour fringing in all parts of the image. Delivering high corner-to-corner resolution and beautiful bokeh, the SEL50F25G is an excellent compact, lightweight full frame lens for cityscapes, landscapes and videography, these features making it an excellent portrait lens too. BEAUTIFULLY SMOOTH BACKGROUNDS A 7-blade circular aperture on this Sony lens creates beautiful circular background bokeh defocus effects with a large F2.5 aperture. FAST AND PRECISE Two linear motors deliver fast, precise AF with excellent tracking capability, fully utilising the continuing rapid advances in the speed performance of camera bodies. Taking maximum advantage of this performance, tracking is maintained despite instantaneous changes in subject motion, making the lens ideal for situations like snap shooting of moving subjects. You'll never miss a shot with this lightweight and compact lens. SUPERB BUILD QUALITY The high-quality build uses metal (aluminium) for the exterior finish and hood, achieving a sophisticated look, contributing to increased strength and durability. The iris ring indices, focal length markings, and Sony logo on the hood of the 50mm lens, are engraved rather than printed, giving a finish with a sophisticated feel. GREAT FOR MOVIE SHOOTING The fast, precise AF with excellent tracking performance delivered by two linear motors is also quiet, making this FE  lens ideal for both still and movie shooting. A great 50mm view, intuitive operability, in a compact, lightweight design.

Sony SEL-40F25G FE 40mm F/2.5 G Lens

Sony SEL-40F25G (SEL/40F25G, SEL_40F25G, SEL40F25G, SEL-40F25G.SYX, SEL40F25G.SYX) FE 40mm F/2.5 G Lens Introducing the SEL40F25G Full Frame Lens: A wide angle lens for stills and movies. Featuring an advanced optical design that includes three aspherical elements for incredible corner-to-corner high-resolution, along with beautiful background defocus (bokeh). Two double linear motors provide fast, precise AF with excellent tracking performance, with quiet autofocus and tracking in this compact-sized and lightweight Sony G lens. Internal focusing ensures the angle of view is stable during focusing (focus breathing minimised). An incredible video lens, the SEL40F25G delivers smooth, fast and continuous auto focus performance for movie shooting. INCREDIBLY SHARP State-of-the-art optics, using three aspherical elements, deliver high resolution and suppress colour fringing in all parts of the image. Delivering high corner-to-corner resolution and beautiful bokeh, this is an excellent compact, lightweight, full frame lens for cityscapes, landscapes and videography, these features making it an ideal portrait lens too. BEAUTIFULLY SMOOTH BACKGROUNDS A 7-blade circular aperture on this Sony lens creates beautiful circular background bokeh defocus effects with a large F2.5 aperture. FAST AND PRECISE Two linear motors deliver fast, precise AF with excellent tracking capability, fully utilising the continuing rapid advances in the speed performance of camera bodies. Taking maximum advantage of this performance, tracking is maintained despite instantaneous changes in subject motion, making the lens ideal for situations like snap shooting of moving subjects. You'll never miss a shot with this lightweight and compact lens. SUPERB BUILD QUALITY The high-quality build uses metal (aluminium) for the exterior finish and hood, achieving a sophisticated look, contributing to increased strength and durability. The iris ring indices, focal length markings, and Sony logo on the hood of the 40mm lens, are engraved rather than printed, giving a finish with a sophisticated feel. GREAT FOR MOVIE SHOOTING The fast, precise AF with excellent tracking performance delivered by two linear motors is also quiet, making this FE lens ideal for both still and movie shooting. A great 40mm wide view (or when mounted on an APS-C body or shooting in Super 35mm movie format, the angle of view is 36mm equivalent), intuitive operability, in a compact, lightweight design.

Sony SEL-2860 FE 28–60mm F4–5.6 Lens

Sony SEL-2860 (SEL/2860, SEL_2860, SEL2860, SEL-2860.SYX, SEL2860.SYX) FE 28–60mm F4–5.6 Lens The wide-angle to long-normal FE 28-60mm f / 4-5.6 zoom is characterized by its modern design and elegant profile. The slim design makes this lens ideal for walkaround, everyday shooting and the flexible focal length range offers great versatility. The optical design incorporates three aspherical elements, which help reduce distortion and spherical aberrations and promote greater sharpness and accurate rendering. Complementing the optics is a linear motor and internal focusing that ensure fast and quiet autofocus performance for both photographic and video needs. The lens body is also weatherproof to allow you to work in harsh environmental conditions. With a versatile and practical focal length of 28-60mm, this lens is suitable for a variety of common subjects. In addition, the minimum focusing distance between 0.3m (wide angle) and 0.45m (telephoto) guarantees excellent results in close-ups, making the device suitable for applications such as table photography and vlogging, always with the high full-frame image quality. The linear AF motor enables the fast and precise AF performance required by the latest full-frame camera models. Thanks to the quiet motor, the device is suitable for stills as well as video shooting, while the speed and accuracy ensure maximum performance on the camera's AF functions, such as Real Time Tracking and Real Time Eye AF.

Sony SEL-24F28G FE 24 mm F2.8 G Lens

Sony SEL-24F28G (SEL/24F28G, SEL_24F28G, SEL24F28G, SEL-24F28G.SYX, SEL24F28G.SYX) FE 24 mm F2.8 G Lens Introducing the Sony SEL24F28G 24mm F2.8 G Full Frame Lens: A wide angle prime lens ideal for stills and movies. Featuring an advanced optical design that includes three aspherical elements and one ED (Extra-low Dispersion) element for incredibly high corner-to-corner resolution, along with beautiful background defocus (bokeh). Two double linear motors provide fast, precise AF with excellent tracking performance, with quiet autofocus and tracking in this compact-sized and lightweight Sony G lens. Internal focusing ensures the angle of view is stable during focusing (focus breathing minimised). An incredible video lens, this 24mm F2.8 G Full Frame Lens delivers smooth, fast and quiet autofocus for movie shooting. INCREDIBLY SHARP State-of-the-art optics, using three aspherical elements and one ED (Extra-low Dispersion) glass element, delivers high resolution and suppresses colour fringing in all parts of the image. High corner-to-corner resolution and beautiful bokeh make this an excellent compact, lightweight, wide angle lens for cityscapes, landscapes and videography. BEAUTIFULLY SMOOTH BOKEH A large F2.8, 7-blade circular aperture on this Sony lens creates beautiful background defocus. FAST AND PRECISE Two linear motors deliver fast, precise AF with excellent tracking capability, fully utilising the continuing rapid advances in the speed performance of camera bodies. Taking maximum advantage of this performance, tracking is maintained despite instantaneous changes in subject motion, making this landscape lens ideal for situations like snap shooting of moving subjects. You'll never miss a shot with this lightweight and compact lens. SUPERB BUILD QUALITY The high-quality build uses metal (aluminium) for the exterior finish and hood, achieving a sophisticated look, contributing to increased strength and durability. The iris ring indices, focal length markings and Sony logo on the hood are engraved rather than printed, giving this FE lens a finish with a premium feel. GREAT FOR MOVIE SHOOTING The fast, precise AF with excellent tracking performance delivered by two linear motors is also very quiet, making the 24mm lens ideal for both stills and movie shooting. Intuitive operability in a compact, lightweight design.

Sony SEL-1224GM FE 12-24mm F2.8 GM Lens

Sony SEL-1224GM (SEL/1224GM, SEL_1224GM, SEL1224GM, SEL-1224GM.SYX, SEL1224GM.SYX, sel-1224gm.syx) FE 12-24mm F2.8 GM Lens Sony boosts full-frame lens line-up with launch of 12-24mm G Master™, the world’s widest zoom with a constant F2.8 aperture. This compact and versatile lens is ideal for shooting landscapes, starry skies and architecture while providing extra mobility for active sports shooters who want to use ultra-wide angles. As part of Sony’s flagship G Master series lenses, it delivers outstanding image quality up to an ultra-wide 12mm angle of view with F2.8 constant aperture, combined with beautiful bokeh effects.This new lens allows the F2.8 range of Sony’s G Master lenses to extend all the way through from 12mm to 200mm** and at 12mm, offers the world’s widest zoom at F2.8*. At this focal length, it is possible to emphasise distance and create dynamic perspectives beyond the scope of the human eye. Incredibly sharp Three XA (extreme aspherical) elements ensure outstanding resolution in this F2.8 ultra-wide angle lens. Along with one aspherical element, two super ED and three ED (Extra-low Dispersion) glass elements deliver high corner-to-corner resolution and beautiful bokeh, making this an excellent full frame lens for landscapes and starscapes.  Beautifully smooth background A circular 9-blade aperture creates beautiful background bokeh defocus effects with a large aperture F2.8 that is constant throughout the entire zoom range on this Sony lens. Fast and precise  Four XD Linear (Extreme Dynamic) Motors with their complex construction deliver faster and more accurate focusing than conventional lenses for both photography and videography. Amazing clarity and contrast New Sony Nano AR Coating II effectively eliminates light anomalies - such as flare and ghosting. Professional ergonomics A dust and moisture-resistant design, along with versatile controls make it ideal to use in the most difficult scenarios - both indoors and outdoors. Dynamic perspectives With an ultra-wide 12mm angle of view, create dynamic perspectives that are beyond the scope of the human eye. Target usages: Landscape, Architecture, Night/Astro, Video, Sports

Sony ZV-1 Vlog Digital Camera

Sony ZV-1BDI (ZV/1BDI, ZV_1BDI, ZV1BDI, ZV-1BDI.EU, ZV1BDI.EU) ZV-1 Vlog Digital Camera Content creators and vloggers rejoice! The Sony ZV-1 is a compact digital camera specifically designed for those targeting the web with their photos and videos. Built on the advanced RX100-series platform, the ZV-1 retains many desirable imaging capabilities while introducing a refined physical design and specialized modes perfect for vlogging and content creation. A standout feature is the side flip-out 3.0" touchscreen, ideal for front-facing recording. The body also includes a directional 3-capsule microphone for enhanced audio recording and a Multi Interface Shoe for attaching various accessories. The ZV-1 is sleek and lightweight, with a larger right-hand grip for one-handed recording, a front tally lamp, and a large REC button on the top plate. Beyond its physical design, the ZV-1 incorporates several dedicated imaging functions, including the Product Showcase Setting for optimized focusing between faces and close-up objects, the Background Defocus function for creating shallow depth of field effects, a Skin Softening function, and a Face Priority Auto-Exposure setting to ensure correct exposures when on camera. Internally, the ZV-1 features a 20.1MP 1"-type Exmor RS stacked CMOS sensor and BIONZ X image processor with front-end LSI. This setup delivers impressively fast performance and wide-ranging sensitivity for various conditions. The camera supports Real-Time Eye AF and Real-Time Tracking for quick and precise focusing and subject tracking. It also supports UHD 4K recording at 30p with no recording limit, and a micro-HDMI port allows use with an external recorder or monitor. Footage benefits from Sony's S-Log2 and HLG picture profiles, providing refined color, dynamic range, and detail matching their professional cine cameras. The ZV-1 is equipped with a ZEISS 24-70mm-equivalent standard zoom lens with a bright f/1.8-2.8 maximum aperture range, perfect for isolating subjects and performing in low-light conditions. This versatile zoom lens also features Optical SteadyShot image stabilization, which works with electronic digital image stabilization and Active SteadyShot mode to ensure steady footage and photos in challenging lighting and shooting conditions.  

Sony ZV-1BDI-GP-VPT2BT-ECM-W2BT Vlog Camera Kit With Wireless Microphone & Shooting Grip

Sony ZV-1BDI-GP-VPT2BT-ECM-W2BT (ZV-1BDI/GP-VPT2BT/ECM-W2BT, ZV-1BDI_GP-VPT2BT_ECM-W2BT, ZV-1BDI+GP-VPT2BT+ECM-W2BT, ZV1BDI-GPVPT2BT-ECMW2BT) Vlog Camera Kit With Wireless Microphone & Shooting Grip ZV1BDI.EU Professional yet simple video creation The ZV-1 is designed for content creation with a selfie-friendly vari-angle LCD screen, body grip and a recording lamp. A directional 3-capsule mic with wind screen picks up your voice clearly with less wind noise; and the Bokeh switch and Product Showcase Setting make videos more interesting with less effort. GP-VPT2BT//CSYU An ideal grip and tripod for general photography or vlogging, with built-in BLUETOOTH® wireless remote control. Attached to a compact or mirrorless interchangeable lens camera, this shooting grip offers outstanding hold and positioning versatility for still and movie shooting. This contoured shooting grip and tripod offers wireless Bluetooth® remote control, plus outstanding comfort and stability with a wide range of cameras. ECM-W2BT AMEA Versatile wireless microphone with MIX recording function With its high-quality sound and reliable connectivity, the ECM-W2BT is an excellent choice for various styles of vlogging. A selection of recording modes facilitates use for both solo sessions and multi-person shoots.

Sony ILCE-7CL-S-GP-VPT2BT-KIT ILCE-7CL Digital Camera With GP-VPT2BT Wireless Remote Control

Sony ILCE-7CL-S-GP-VPT2BT-KIT (ILCE-7CL-S/GP-VPT2BT/KIT, ILCE-7CL-S_GP-VPT2BT_KIT, ILCE7CLS+GPVPT2BT-KIT, ILCE-7CL/S+GP-VPT2BT/KIT, ILCE-7CL/S+GP-VPT2BT-KIT) ILCE-7CL Digital Camera With GP-VPT2BT Wireless Remote Control Compact and capable, the black Sony Alpha a7C mixes the quality and advantages of a full-frame sensor with an especially portable and sleek body design. Featuring a 24.2MP Exmor R BSI CMOS sensor, the a7C offers hybrid abilities to suit both photo and video recording needs along with a form factor for everyday, all-day carry. The full-frame sensor and BIONZ X image processor offer up to a 15 stop dynamic range along with UHD 4K video recording, extended sensitivity from ISO 50-204800, and a top continuous shooting rate of 10 fps for working with moving subjects. The sensor also houses a Fast Hybrid AF system, which uses 693 phase-detection points and 425 contrast detection areas for quick, intelligent, and precise autofocus performance with support for Real-time Eye AF and Tracking AF technologies. Also benefiting both photo and video needs is 5-axis in-body image stabilization, which compensates for up to five stops of camera shake for sharper handheld shooting. Compared to other a7-series camera bodies, the a7C has a distinctly sleeker profile that mimics the styling of a rangefinder, with an offset viewfinder and a streamlined top plate. The re-positioned electronic viewfinder is a 0.39"-type OLED with 2.36m-dot resolution and is complemented by a 3.0" side-opening vari-angle touchscreen LCD. Built-in Wi-Fi and Bluetooth also enable wireless connectivity for remote camera control and sharing files to a connected mobile device. 24.2MP Exmor R BSI CMOS Sensor and BIONZ X Image Processor Featuring a back-illuminated design, the full-frame 24.2-megapixel Exmor R CMOS sensor works with the BIONZ X image processor to offer high-resolution stills and video while minimizing noise and improving speed. This sensor structure works with a gapless on-chip lens design and an anti-reflection coating to improve light collection and enhance detail. Also, the copper wiring layer dramatically improves data transmission speed for creating 14-bit, high-resolution stills with a native sensitivity range from ISO 100-51200, which can be further expanded to ISO 50-204800. Also, it enables internal UHD 4K video recording with a wide dynamic range using the full width of the full-frame sensor. The BIONZ X processor also works in conjunction with a high-speed front-end LSI to realize faster processing times along with the ability to capture an impressive 15-stop dynamic range at low sensitivity values. The sensor and processor combination also avails fast continuous shooting at up to 10 fps at full resolution, for approximately consecutive JPEGs or 115 consecutive raw files, and with full-time AF/AE when working with either a mechanical shutter or an electronic shutter. UHD 4K Video Recording in XAVC S Format Internal recording of UHD 4K videos is possible in multiple frame rates up to 30 fps and using 2.4x oversampling renders greater detail and full pixel readout is possible for higher quality imagery with reduced moiré and aliasing. Full HD 1080p recording is also supported in frame rates up to 120 fps, and both resolutions utilize the 100 Mb/s XAVC S format contained within an MP4 wrapper with 4:2:0 8-bit sampling. The high-speed, 120 fps recording also enables 4x and 5x slow-motion movie recording with the frame rate set to either 30p or 24p. In addition to high-resolution internal recording, uncompressed HDMI output also enables the use of an optional external recorder for clean 4K recording with 4:2:2 8-bit sampling. Affording extensive customizable color and gamma controls, the a7C allows users to adjust the gamma, black level, knee, color level, and more. Also, users can use the same S-Log2 Gamma Curve that is found on high end Sony Cinema cameras that squeezes up to 1300% more dynamic range into the video signal then traditional REC709, for increased post-production flexibility. HLG (Hybrid Log-Gamma) support is also available for HDR recording within a wide color gamut and, in addition to S-Log2, S-Log3 is also available for producing an effective 14-stop dynamic range with increased grading control in the shadow to mid-tone regions of the image. FE 28-60mm f/4-5.6 Lens Included with the camera body is the wide-angle to long-normal FE 28-60mm f/4-5.6 zoom, which is characterized by its retractable design and sleek profile to complement the compact camera body. The svelte design makes this lens ideal for walkaround, everyday shooting and the flexible focal length range benefits a wide range of subject types. The optical design incorporates three aspherical elements, which help to reduce distortion and spherical aberrations and promote greater sharpness and accurate rendering. Complementing the optics is a linear motor and internal focusing design, which achieve quick and quiet autofocus performance for both photo and video needs. The lens body is also weather-sealed to permit working in trying environmental conditions. GP-VPT2BT//CSYU   An ideal grip and tripod for general photography or vlogging, with built-in BLUETOOTH® wireless remote control. Attached to a compact or mirrorless interchangeable lens camera, this shooting grip offers outstanding hold and positioning versatility for still and movie shooting.

Sony ZV-1BDI-GP-VPT2BT ZV-1 Digital Camera and GP-VPT2BT Wireless Shooting Grip

Sony ZV-1BDI-GP-VPT2BT (ZV-1BDI/GP-VPT2BT, ZV-1BDI_GP-VPT2BT, ZV1BDIGPVPT2BT, ZV-1BDI+GP-VPT2BT) ZV-1 Digital Camera and GP-VPT2BT Wireless Shooting Grip ZV1BDI.EU The ZV-1 is designed for content creation with a selfie-friendly vari-angle LCD screen, body grip and a recording lamp. A directional 3-capsule mic with wind screen picks up your voice clearly with less wind noise; and the Bokeh switch and Product Showcase Setting make videos more interesting with less effort. GP-VPT2BT//CSYU An ideal grip and tripod for general photography or vlogging, with built-in BLUETOOTH® wireless remote control. Attached to a compact or mirrorless interchangeable lens camera, this shooting grip offers outstanding hold and positioning versatility for still and movie shooting.

Sony ILCE-9M2 Alpha 9 II Full-Frame Camera With Pro Capability

Sony ILCE-9M2 (ILCE/9M2, ILCE_9M2, ILCE9M2, ILCE9M2/B, ILCE-9M2.CEC a9 Mark II) Alpha 9 II Full-Frame Camera With Pro Capability The new Alpha 9 II builds on the impressive legacy of the original Alpha 9, maintaining groundbreaking speed performance, including blackout-free continuous shooting of up to 20 frames per second with Auto Focus and Auto Exposure tracking, 60 times per second AF calculations / AE by incorporating even more features driven directly by the voice of professionals. Updates include significantly improved connectivity and file delivery, continuous shooting up to 10fps with mechanical shutter, advanced AF performance with newly optimized algorithms, a redesigned structure to improve durability and operability, and more. Alpha 9 II includes a built-in 1000BASE-T Ethernet terminal, which enables Gigabit communication for stable, high-speed data transfer operations. In addition, file transfer via SSL or TLS encryption (FTPS) is supported for increased data security and PC remote shooting (tether) performance is improved, with reduced release delay and live view screen delay reduced when using the "Remote Camera Tool" desktop application. The speed of the camera's built-in wireless LAN functionality has also been increased by adding a stable and fast 5 GHz band (IEEE 802.11ac), in addition to the 2.4 GHz provided in Alpha 9. The IEEE 802.11a / b / g / n / ac standards are all supported. Designed to improve the speed of news agency workflow, the Alpha 9 II features a new Voice Memo feature that allows you to attach voice information to images in the form of voice memos that can be played back when the images are reviewed. Voice data can also be included with images sent to an editor, providing them with the important information they need for effective editing. Alternatively, a field photographer can also use the "Imaging Edge" application of the "Transfer & Tagging" add-on to transfer voice tags with images to their mobile device and have voice memos automatically converted to text and added to images JPEG in the form of IPTC metadata. All this can be done automatically or manually, By combining wireless voice / image transfer and automatic voice-to-text conversion with the ability to automatically transfer images with FTP-linked voice memos, you can shoot and transfer the results to an FTP server without ever having to use a smartphone. FTP settings within the app can also be sent to a camera via Bluetooth, allowing for a faster workflow.

Sony ILCE-7CL-S Alpha 7C Compact Full-Frame Camera (Silver)

Sony ILCE-7CL-S (ILCE/7CL/S, ILCE_7CL_S, ILCE7CL/S, ILCE-7CL/S, ILCE-7CL, ilce-7cl-s) Alpha 7C Compact Full-Frame Camera (Silver) Compact and lightweight Full-frame Mirrorless Digital Camera, Real-time Autofocus, 24.2 MP, Integrated 5-Axis Stabilizer, Long Battery Life (Silver) with FE 28-60mm f / 4-5.6 lens. Despite the compact body, the smallest and lightest in the world, the a7C silver version offers both stills and movies the spectacular image quality you expect from a full-frame camera. Fast, wide and stable AF, lightning fast continuous shooting and the handy angled LCD monitor help capture the action in real time. Larger sensors create more beautiful images, and the a7C's full-frame sensor is much larger than that of similarly sized smartphones, compact digital cameras, and interchangeable lens cameras with APS-C sensors. The increased amount of light captured allows you to take professional, low-noise photos, and to retain more detail in both shade and light. The back-illuminated Exmor R CMOS sensor and BIONZ X image processor work beautifully in synergy. The extra-large pixels of the 24.2-megapixel full-frame sensor collect more light, resulting in up to 15-stop dynamic range and smoother gradations from shadows to highlights. Excellent subjective resolution and noise reduction combine with precise color reproduction, for beautifully accurate skin tones and natural textures. The a7C is capable of continuous shooting at up to 10fps with AF / AE tracking, and up to 8fps in Live View mode, to keep a moving subject in focus and capture the moment precisely. Combined with silent shooting, it shoots up to 10 fps, making it possible to photograph in noise-sensitive environments or capture scenes with sleeping children or animals, without the shutter sound disturbing them. INTUITIVE USE: Internal image stabilization up to 5 stops, swiveling and touch screen, Z-type battery for longer life, digital audio interface with microphone and headphone jacks, better resistance to dust and humidity. EASILY TRANSFER YOUR CONTENT: Download the Sony Imaging Edge app to your smartphone or other smart device which will allow you to easily share and stream your content. FE 28-60mm f / 4-5.6 lens Included with the camera body the wide-angle to long-normal FE 28-60 mm f / 4-5.6 zoom is characterized by its modern design and elegant profile. The sleek design makes this lens ideal for walkaround, everyday shooting and the flexible focal length range offers great versatility. The optical design incorporates three aspherical elements, which help reduce distortion and spherical aberrations and promote greater sharpness and accurate rendering. Complementing the optics is a linear motor and internal focusing that ensure fast and quiet autofocus performance for both photographic and video needs. The lens body is also weatherproof to allow you to work in harsh environmental conditions.

Sony SEL50F12GM FE 50mm F/1.2 GM Lens

Sony SEL50F12GM (SEL-50F12GM, SEL/50F12GM, SEL_50F12GM, SEL50F12GM.SYX, SEL-50F12GM.SYX) FE 50mm F/1.2 GM Lens Introducing the SEL50F12GM Full Frame Lens: A large aperture lens for stills and movies. Featuring an advanced optical design that includes three XA (extreme aspherical) elements for incredible corner-to-corner high-resolution, along with beautiful background defocus (bokeh). Four XD (Extreme Dynamic)  Linear Motors deliver fast, precise, and quiet autofocus and tracking in this compact-sized and lightweight Sony G Master lens. Internal focusing ensures the angle of view is stable during focusing (focus breathing minimised).An incredible lens for video, the SEL50F12GM delivers smooth, fast and continuous auto focus performance for movie shooting. Incredibly Sharp Three XA (extreme aspherical) elements ensure outstanding resolution in this F1.2 prime lens delivering high corner-to-corner resolution and beautiful bokeh, making this an excellent full frame lens for portraits, landscapes, starscapes and videography. Beautifully Smooth Backgrounds A circular 11-blade aperture on this 50mm lens creates beautiful circular background bokeh defocus effects with a large F1.2 aperture. Amazing Clarity and Contrast Even under strong sunlight and backlighting, Sony’s new Nano AR Coating II is evenly applied to the element surface, effectively minimising internal reflections so that flare and ghosting do not occur when using this FE lens. Fast and Precise Four XD (Extreme Dynamic) Linear Motors with their complex construction deliver faster and more accurate focusing than conventional lenses for both photography and videography. You won't miss a shot on this large aperture lens. Professional Ergonomics A dust and moisture resistant design, along with versatile controls on this Sony prime lens makes it ideal to use in the most difficult scenarios - both indoors and outdoors. Dynamic Perspectives The SEL50F12GM Sony lens offers excellent close-up performance with a wide angle of view.

Sony SEL35F14GM FE 35mm F/1.4 GM Lens

Sony SEL35F14GM (SEL-35F14GM, SEL/35F14GM, SEL_35F14GM, SEL-35F14GM.SYX, SEL35F14GM.SYX) FE 35mm F/1.4 GM Lens The FE 35mm F1.4 GM is a must-have for Sony’s E-mount users, as in combination with Sony’s camera bodies it boasts advanced focusing capabilities - perfect for a wide range of uses such as shooting landscapes, portraits and street photography, both stills and video. Superlative resolution in a compact lens Sony’s advanced optical design and manufacturing technology brings extraordinary resolution, gorgeous bokeh, and precision focus performance to a compact lens that fits comfortably in the palm of your hand, weighing a mere 524 grams and measuring just 76 mm dia. x 96 mm with a filter diameter of Φ67mm. The FE 35mm F1.4 GM boasts advanced optical technology that delivers stunning contrast and superb resolution. Two XA (extreme aspherical) elements effectively maintain superb resolution throughout the image area. The compact 35mm lens is not only mobile and manageable, it performs admirably in difficult lighting. An ED glass element and other optical refinements effectively suppress chromatic aberration and purple fringing for breathtaking results. Beautiful bokeh for broad expressive capability The FE 35mm F1.4 GM delivers an almost circular aperture thanks to its 11-blade construction – a rare level of quality for a mobile lens. Painstaking spherical aberration control at both the design and the manufacturing stages contributes to beautiful G Master bokeh that make subjects really stand out. Two innovative XA elements allow for impossibly impressive close-ups with smooth, creamy background bokeh. The combination of F1.4 maximum aperture and the flexibility to choose the perfect shooting distance (minimum focusing distance of just 27cm with a maximum magnification of 0.23x in autofocus mode) allows for ultimate control and stunning bokeh when shooting both stills and video. Advanced focus for enhanced imagery Two of Sony’s XD (extreme dynamic) Linear Motors provide the high thrust efficiency needed for precise AF (autofocus) and tracking - resulting in outstanding resolution at any distance. State-of-the-art control algorithms, developed specifically for the XD Linear Motors, improve control response and precision whilst minimising vibration and noise for fast, smooth and silent AF performance. Advanced focusing can also be achieved when shooting at a high frame rate. Linear Response MF is ideal for creative focusing effects when shooting video as it ensures the focus ring responds to subtle control when focusing manually. The focus ring rotation translates directly to a corresponding change in focus, so control feels immediate and precise. Professional control and reliability The FE 35mm F1.4 GM offers full professional control, with a focus hold button, focus mode switch to support smooth, efficient operation. An aperture ring with switchable click stops can be turned off for movie shooting, and when used on an APS-C camera or with a Super 35 angle of view, it can be used as a standard lens equivalent to 52.5mm, making the FE 35mm F1.4 GM the perfect choice for creating videos. The focus hold button can be assigned to several other functions via a camera body menu, providing direct access to functions that are vital to photographers and videographers alike. It was created to be reliable with a dust and moisture resistant design and a fluorine front element coating that repels water, oil, and other contaminants.

Sony Alpha 1 Mirrorless Digital Camera (Body Only)

Sony ILCE1B.CEC (ILCE-1, ILCE-1/B, ILCE1B a1, Alpha1, ilce1b.cec, alpha 1) Alpha 1 Mirrorless Digital Camera (Body Only) 50.1 megapixel17 Exmor RS image sensor The α1 features a full-frame stacked back-illuminated CMOS Exmor RS™ sensor with 50.1 effective megapixels and integrated memory. In addition to delivering outstanding image quality, this allows the α1 to shoot continuously at up 30 frames per second while offering fast, precise phase-detection AF and top-quality 8K movies with full-frame 8.6K oversampling for the first time in the α series. Unprecedented performance for a new era of image making. Advanced BIONZ XR engine boosts speed by up to 8x18 The α1 features a revised system architecture with greatly enhanced processing performance from image capture through all signal processing stages. Processing latency is minimised while image processing power is dramatically increased for extraordinary image quality. User interface, network, and file management processing is distributed so that fast, stress-free control response is maintained regardless of real-time processing load. Continuous shooting at up to 30 fps19 High speed readout from the 50.1-megapixel image sensor and a large buffer memory make it possible to shoot up to approximately 165 full-frame JPEG images20 or 155 full-frame compressed RAW images21 at up to 30 frames per second19 with the electronic shutter while maintaining full AF and AE tracking performance. This can be a huge confidence-booster when timing is critical for sports and other moving subjects. Blackout-free shooting The α1 viewfinder does not black out when an exposure is made, so you have an uninterrupted view that allows smooth, seamless framing and tracking even during continuous shooting. High readout speed from the new image sensor makes it possible to refresh the live-view EVF display 24022 times per second while shooting continuous bursts, overcoming the distracting time lag that is usually associated with EVF viewing.  (A) Blackout-free Shooting  (B) Shooting with blackouts Silent, vibration-free electronic shutter The electronic shutter23 operates silently, without mechanical noise that can be disruptive when shooting sports or events in a quiet environment. The electronic shutter is also vibration-free, minimising the likelihood of vibration-induced blur and further contributing to superior image quality. And since it has no moving components the electronic shutter is much more durable than any mechanical counterpart. Anti-flicker shooting with electronic shutter High-speed readout from the new image sensor has made it possible to provide Anti-flicker Shooting with an electronic shutter for the first time24. This enables blackout-free shooting, up to 120 AF/AE tracking calculations per second, up to 30 fps continuous shooting25, silent shooting, and other advantages of the electronic shutter without flicker issues when shooting under fluorescent, LED or other flicker-prone types of artificial light.  Anti-flicker [1] ON  [2] OFF Electronic shutter flash sync + high-speed mechanical sync For the first time in an α camera, electronic shutter flash sync is possible thanks to high readout speed from the stacked CMOS sensor. All electronic shutter advantages are available at up to 1/200 sec. If you need even more speed a new mechanical shutter system allows flash sync up to 1/400 sec. (1/500 sec. APS-C), making it easier to capture dynamic action and opening the door to new creative possibilities. High resolution and sensitivity with 15-stop  dynamic range The α1 employs highly efficient noise reduction processing to deliver extraordinary resolution from its 50.1 effective megapixel image sensor. That resolution is complemented by high sensitivity with low noise, plus approximately 15 stops26 of dynamic range at lower sensitivities for smooth, natural gradations from shadows to highlights. Wide sensitivity range Even with this sensor’s high pixel count, its back-illuminated structure, gapless on-chip lenses, AR-coated seal glass and other original imaging technologies work with the new BIONZ XR image processing engine to deliver high resolution and low noise throughout a wide sensitivity range: ISO100~32000 standard, expandable to ISO50~10240027. New Real-time Eye AF bird mode In addition to Real-time Eye AF for humans and animals, the α1 employs high-level subject recognition technology to provide Real-time Eye AF for birds29. Select the bird to be tracked, and the camera will automatically detect and focus on that bird’s eye whether the bird is still or in flight. Optimized algorithms ensure that tracking is maintained even if a sitting bird suddenly takes flight, or the framing suddenly changes30. 5-axis optical in-body image stabilization for a 5.5-step28 shutter speed advantage A high-precision stabilization unit and gyro sensors, plus optimized image stabilization algorithms, achieve up to a 5.5-step shutter speed advantage, maximizing the quality of the high-resolution images derived from the camera’s 50.1-megapixel sensor. The α1 also features an Active Mode that offers outstanding stabilization for handheld movie shooting.  [1] Yaw  [2] Pitch  [3] Roll Use Creative Look to create moods in camera A selection of new Creative Looks makes it easy to create interesting moods for stills and movies right in the camera. 10 Creative Looks are provided as presets with different combinations of colour, colour depth, brightness, contrast, sharpness, and more. The presets can be used as they are or customised by the user. Customised Creative Looks can be stored as Custom Looks for later recall and use. 759 point full-area phase detection AF 75931 phase detection points in a high-density focal plane phase-detection AF system cover approximately 92% of the image area, ensuring accuracy and unfailing focus in scenes where focusing might otherwise be difficult. The 759-point focal plane phase-detection AF system works with a 425-point contrast AF system to ensure precise AF operation in any environment. Stunning realism with 8K 30p movies For the first time in the α series, the α1 offers 8K 30p32 XAVC HS recording with 8.6K oversampling for extraordinary resolution and realism. Combined with superior α1 AF, gradation, and colour reproduction performance, 8K resolution brings the world to life. 8K footage is also ideally suited to flexible 4K editing. Low-bit-rate proxy files with HD resolution can be recorded simultaneously with 8K. Tenacious Real-time Tracking The α1 includes AI-based Real-time Tracking that automatically maintains accurate focuswhile the shutter button is half-pressed. A newly developed subject recognition algorithm uses colour, pattern (brightness), and subject distance (depth) data to process spatial information in real time at high speed. α1 Real-time Tracking is faster, more accurate, and more tenacious than ever before. Full pixel readout without binning for high-res 4K Full frame and Super 35 formats can be selected for 4K movie recording. Full pixel readout in the Super 35 mode (approx. APS-C 16:9), without the need for pixel binning, makes it possible to condense approximately 2.3 times the amount of data required for 4K movies, resulting in high-resolution, high-detail 4K with minimal moiré and jaggies. Bit rates up to 600 Mbps can be used for 4K XAVC HS, XAVC S, and XAVC S-I recording.  (A) 2.3 times information S-Log3 and 10-bit HLG deliver extra depth The S-Log3 gamma curve makes it possible to achieve 15+ stops of dynamic range, while the S-Gamut3 and S-Gamut3.Cine colour gamut settings make it easy to match α1 footage with footage shot on the VENICE digital cinema camera, PXW-FX9, and other professional camcorders. An HLG (Hybrid Log-Gamma) picture profile is also provided, allowing direct playback on an HDR (HLG) compatible TV without the need for colour grading. 4K movie recording at up to 120 frames per second The α1 offers in-camera 4K recording at up to 120 frames per second33. Extraordinarily smooth 5x (max.) slow-motion imagery34 at 4K resolution provides new expressive capability. In addition to supporting 10-bit 4:2:2 recording, this feature can be used with efficient Long GOP inter-frame compression or high-quality Intra (All-I) intra-frame compression. Effective heat-dissipation for extended recording A newly developed heat dissipating structure keeps image sensor and image processing engine temperatures within their normal operating range, preventing overheating while maintaining compact body dimensions. This makes it possible to record 8K/30p or 4K/60p videos10-bit 4:2:0 video continuously for more than 30 minutes. S-Cinetone for that expressive cinematic look The α1 includes S-Cinetone, the same colour matrix that produces the highly regarded FX9 and FX6 colour and skin tones. Based on technology acquired through development of Cinema Line cameras such as VENICE, S-Cinetone delivers natural mid-tones that are essential to healthy-looking skin colour, plus soft colours and gorgeous highlights. S-Cinetone responds to a growing need for more expressive depth. 16-bit RAW output The α1 allows 16-bit RAW output to an external recorder via HDMI for maximum post-production flexibility. Full-frame 4332 x 2448 16-bit image output easily covers 4096 x 2048 DCI-4K, with a choice of frame rates and colour spaces. It is also possible to output RAW via HDMI while recording XAVC HS 4K, XAVC S 4K, or XAVC S-I 4K to internal card media. Proxy recording is also available. Seamlessly switch full-frame and APS-C formats M and S size images have the same number of pixels in the full-frame and APS-C modes36, so you can switch seamlessly between full-frame [M:M21] and APS-C [M:M21], for example, while shooting the same scene. And because the full array of 759 phase detection points is available in APS-C mode as well as full-frame mode, you get the same smooth AF performance.  [1] Full Frame  [2] APS-C Independent still and movie settings A subset of the camera’s shooting settings now change according to the selected shooting mode. This can be an advantage when you want to use different aperture, shutter speed, and other settings for shooting stills and movies. The available settings are: Aperture, Shutter Speed, Exposure Compensation, ISO Sensitivity, Metering Mode, White Balance, and Picture Profile. Pan shots with electronic shutter Using electronic shutter at low shutter speeds can reduce display response, making it difficult to follow fast subjects. Turn [Low Frame Rate Limit] ON when shooting at a shutter speed lower than 1/60 to insert blackout frames at an appropriate frame rate to improve display response and make it easier to follow the subject without display lag35. Built-in Wi-Fi supports 2x2 MIMO Built-in wireless LAN allows communication on the 2.4 GHz and 5 GHz38 bands, the latter with 2x2 MIMO support (IEEE 802.11a/b/g/n/ac) for industry-leading speed. Dual antennas ensure reliable communication, even with the camera’s durable magnesium alloy chassis. 5 GHz communication can be a notable advantage for news and sports shooters who need to deliver with reliable speed. Fast USB Type-C and 1000BASE-T network connections A USB Type-C® connector that supports fast SuperSpeed USB 10Gbps (USB 3.2) data transfer is provided. This makes high-speed PC Remote (tethered) data transfer available for smooth handling of large image files. The α1 also has a built-in 1000BASE-T LAN connector for high-speed, stable data transfers, including remote shooting. FTPS (File Transfer over SSL/TLS) is supported, allowing SSL or TLS encryption for increased data security. High-resolution viewfinder with the widest view in its class A 9.44 million-dot (approx.) electronic viewfinder with high-definition OLED display and refined optics delivers the highest resolution in its class37. It also offers 0.90x viewfinder magnification, a 41° diagonal FOV, and a 25mm high eyepoint for clear, low-distortion viewing from corner to corner. This advanced viewfinder also features up to 240 fps refresh rate with UXGA FOV for super-smooth display. HEIF: High compression with excellent image quality In addition to a versatile range of RAW and JPEG formats, the α1 includes the HEIF (High Efficiency Image File) format for smooth 10-bit gradations that provide more realistic reproduction of skies and portrait subjects where subtle, natural gradation is essential. The advanced compression technology used by the HEIF format also maintains image quality that is on a par with the best JPEGs, with approximately twice the compression. Comprehensive touch operation A revised menu structure provides easier navigation, and touch-responsive menu operation offers faster, more intuitive control. All main and function menus are touch responsive. Even more intuitive control is provided by Touch Focus and Touch Tracking. With Touch Tracking enabled, all you have to do is touch a subject on the monitor to initiate Real-time Tracking for that subject, for both stills and movies. Lossless compression plus “Light” JPEG In addition to compressed and uncompressed RAW, The α1 includes efficient lossless compression with minimal quality degradation. There is also a new “Light” JPEG size setting that results in smaller files than the “Standard” setting, allowing faster deliver for news and sports photographers who depend on speed. Two CFexpress Type A compatible media slots The α1 has two media slots that both support UHS-I and UHS-II SDXC/SDHC cards as well as new CFexpress Type A cards for higher overall capacity and faster read/write speeds. CFexpress Type A cards are ideally suited to high-speed continuous still shooting as well as high-resolution, high-bitrate movie recording. Recorded stills and movies can be saved to the memory media in numerous ways, to match a wide range of applications and needs.

Sony A7S III Full-Frame Mirrorless Camera Body

Sony ILCE7SM3B.CEC (ILCE-7SM3B.CEC, ILCE7SM3B, ILCE7SM3, ILCE-7SM3, a7s III, ilce7sm3, a7s-iii) α7S III Full-Frame Mirrorless Camera Body For visual trailblazers With extreme full-frame movie performance including high sensitivity (expanded ISO up to 409600), 15-stop wide dynamic range, 4K 120p2, fast and dependable autofocusing, and extra-strong image stabilization, the α7S III again raises the bar for movie makers. Large pixels deliver high sensitivity and low noise The new full-frame 12.1-megapixel3 back-illuminated Exmor RTM CMOS image sensor packs major innovations in light-gathering, wiring and output optimization. These deliver blazing doubled readout speeds, superb image quality throughout the whole sensitivity range, 15-stop4 wide dynamic range, and reduced rolling shutter, with the sensor also providing focal-plane phase-detection AF. Up to 8x more powerful5 BIONZ XRTM image processor Along with the new sensor and its unprecedented speed, the BIONZ XR image processing engine has also been newly developed and packs up to 8x more processing power5. With a future-oriented architecture, it delivers high quality images faster for superlative still and video expression, as well as dramatically improved camera interface responsiveness. Stunning AF performance even at 4K 120p2 The new Exmor R full-frame image sensor and revolutionary BIONZ XR image-processing engine deliver always-active pinpoint AF for astonishing detail in both space and time, and stunning 4K movies even at 120 frames per second2 or in slow motion. With the resolution and depth of field only possible from a full-frame sensor, the results are spectacular. 10-bit 4:2:2 recording Record right on the camera with the amazing richness of 10-bit depth and 4:2:2 color sampling, for far greater flexibility in image grading, post-processing and compositing. All-Intra encoding available As well as Long GOP, All-Intra encoding is now provided. This encodes every frame independently at bitrates up to 600 Mbps, to capture complex motions more accurately for recording on either internal or external media, and allow more efficient editing workflows. [1] All-Intra (All-I) [2] Long GoP [3] Group of Pictures Superior quality and smaller files with XAVC HS The new XAVC HS recording format uses HEVC/H.265 encoding to achieve twice the compression efficiency of AVC/H.264 encoding, for superior image quality and smaller file sizes6. Our renowned sensitivity delivers expanded ISO 409600 The renowned sensitivity of the series scales new heights, with an expanded ISO range for movies from 80 to a remarkable 409600 (standard range 80–102400). With advanced light-gathering and output optimization, the 12.1-megapixel3 full-frame sensor achieves low noise throughout the sensitivity range, and can capture usable images in near-total darkness. S-Log3 gamma, S-Gamut3.Cine gamut as on pro camcorders The S-Log3 gamma curve and S-Gamut3.Cine color gamut, shared with pro camcorders, provide wider dynamic range and easier color matching for smoother post-production workflows.  HLG (Hybrid Log-Gamma) HLG (Hybrid Log Gamma) simplifies HDR production, producing footage for HLG-compatible BRAVIA TVs on the camera with no complex post-production, and smooth gradations from the 10-bit color depth. [1] High flexibility to fine-tune images as desired (color grading required) [2] Instant high-quality image (color grading not required) Image quality improvements The new BIONZ XR image processing engine delivers improvements in color reproduction, stability against different light sources, natural tonal gradation and roll-off, and reduced rolling shutter. 16-bit RAW HDMI output For demanding post-production workflows, 16-bit RAW output7 is available via HDMI connection to compatible external recorders8 while XAVC HS 4K, XAVC S 4K, or XAVC S-I 4K, and proxy files are simultaneously captured in-camera. Efficient editing through proxy recording While recording high-bitrate 4K movies, HD proxies (in 8 or 10-bit depth) can be generated in-camera9. Editing the smaller proxy files reduces computer load and speeds up workflow prior to final 4K delivery. Fast Hybrid AF for accuracy and tenacity The wide-area AF uses intelligent tracking and on-sensor phase-detection covering most of the frame. The result is that every bit of supremely accurate and tenacious AF performance is extracted in combination with high-quality E-mount lenses, even when shooting moving subjects at shallow depths-of-field in 4K and at 120p frame rates2. Powerful focus control for solo shooters With AF Transition Speed selectable over 7 levels, and AF Subject Shift Sensitivity over 5 levels, you can better convey your creative intentions when switching subjects or, for example, rack focusing. A simple touch can temporarily activate AF even during manual focus operation. Real-time Eye AF for movies Real-time Eye AF uses AI to ensure pinpoint focusing precision for eyes, with performance now improved by 30 on profile or partially-obscured faces. Tenacious eye tracking lets you concentrate on composition even with a shallow focus depth.  Real-time Tracking with intuitive touch operation Real-time Tracking analyzes subject color, pattern, depth, and face information to track the subject. Touch Tracking intuitively and automatically tracks a subject touched on the LCD screen.  In-body 5-axis image stabilization A highly accurate image stabilization unit and gyro-sensor are provided, delivering 5-axis optical image stabilization. [1] Yaw [2] Roll [3] Pitch Active Mode for hand-held shooting The new Active Mode11 12 provides increased stabilization for movie shooting. To preserve image quality, the BIONZ XR processor accurately measures camera shake and compensates optically. This makes stable video possible even when shooting hand-held where space restraints prevent gimbal use, while walking, and at 4K resolution12. Digital audio interface for clear sound recording A digital audio interface added to the Multi Interface (MI) Shoe allows direct 24-bit input. Available settings are 48 kHz/16-bit 2-ch, and by using the optional XLR-K3M adaptor kit, 48 kHz/24-bit 2-ch and 48 kHz/24-bit 4-ch. Unique heat dissipation, for dependable recording A unique Sony Σ (sigma) shaped graphite heatsink is built into the image-stabilization unit. This dissipates heat 5x more effectively13 for extended recording time, without interfering with image stabilization. Movie-shooting comfort Responding to feedback from professional users, the MOVIE button has been moved to the top face for improved operability in any shooting position. Mode dial ordering and speed of switching have also been improved. High ISO sensitivity With an amazingly wide standard ISO range of 80–102400 (expandable to 40–409600 for stills), the α7S III offers incredible creative opportunities. The newly-developed image sensor and image processing algorithms produce even cleaner images and more natural textures than the previous α7S II model, even when shooting in near total darkness. Fast Hybrid AF for stills The Fast Hybrid AF system combines speed and precision. With 759 focal plane phase-detection sensors and 425 contrast-detection points distributed across most of the image area, the α7S III quickly finds and tracks your subject throughout the frame. Outstanding continuous shooting performance Use your choice of mechanical or electronic shutter for continuous burst shooting, with AF/AE tracking, at up to 10 fps14. Capture decisive moments with over 1,000 frames of continuous uncompressed RAW shooting possible15. Highly-sensitive AF for low-light focusing AF algorithm advances have allowed the α7S III to achieve autofocus in lighting conditions as dim as EV-616, where subjects are barely even visible with the naked eye. Still-image quality advances through new sensor and engine The newly-developed image sensor and image processing engine deliver improvements in color reproduction, particularly of skin tones, and texture depiction in still images.  New HEIF format and HLG image capture modes17 The HEIF image file format is supported, offering better image quality and greater compression efficiency than JPEG, plus 10-bit color. High Dynamic Range still images can also be captured in HLG mode for viewing on compatible TVs. Two CFexpress Type A-compatible media slots Both card slots support both ultra-fast CFexpress Type A cards, allowing high-bitrate recording and fast buffer clearance, and SDXC UHS-II cards. Parallel and Relay recording are also available. Vari-angle LCD monitor for comfortable movie shooting The variable-angle 1.44 million-dot18 3.0-type touch screen features a side-open design, for flexible positioning and improved visibility when mounting on gimbals or rigs. 9.44 million-dot18 high-definition electronic viewfinder The new EVF offers resolution, contrast and color unlike anything in its class19. It also offers world-leading 0.9x finder magnification20, a 41 ° diagonal field of view, and a 25-mm-high eyepoint. Advanced operability The menu structure has been redesigned to reflect feedback from both pro photographers and videographers. Camera settings are now more intuitive and the camera is more responsive to setting changes. New menu structure Based on requests from our most demanding professional users, major improvements have been made to the menu structure, for improved at-a-glance readability and reduced menu navigation. Intuitive touch operation The menu screen can be operated by touch, while the playback screen features swiping, and pinch-to-zoom. Operability of the touch functions when shooting has also been improved. 5 GHz25 Wi-Fi compatible As well as 2.4 GHz, 5 GHz25 Wi-Fi® connectivity is provided for remote operation, wireless preview, and faster and more stable data transfer of both still images and video. Wired LAN connectivity For complex, interference-prone environments, or higher bandwidth needs, 1000BASE-T wired LAN connectivity is available by connecting a compatible USB-Ethernet adaptor cable to the camera's USB Type C® port. Remote preview and shooting Either wired or wireless remote shooting is available from a PC, or from a mobile device with Imaging Edge MobileTM installed, for more efficient workflows and shooting in challenging environments. Imaging Edge DesktopTM Elevate your photography with Imaging Edge Desktop applications. Use "Remote" to control and monitor shooting live on your PC screen; "Viewer"26 to quickly preview, rate, and select photos from large image libraries; and "Edit" to develop RAW data into high-quality photos for delivery. Get the best from Sony RAW files, and manage your productions more efficiently27. Capture One for Sony Capture One Express (for Sony)28 is free award-winning editing software that provides RAW development, easy management, and powerful editing tools. Capture One Pro (for Sony) is also available for even more editing tools and tethered shooting capability.

Sony SEL-20F18G.SYX Ultra-Wide Prime Lens

Sony SEL-20F18G.SYX (SEL_20F18G.SYX, SEL20F18G.SYX, SEL/20F18G.SYX, SEL 20F18G.SYX) Ultra-Wide Prime Lens. A compact high-resolution 20mm F1.8 prime: Sony’s latest optical technology achieves impressive corner-to-corner resolution from maximum F1.8 aperture in a large-aperture wide-angle prime lens. It is also remarkably compact, and matched with an E-mount body makes up a versatile, mobile system with outstanding AF performance, control, and reliability for a wide variety of shooting needs. Ultra-wide 20mm perspectives, superb resolution from F1.8: Two AA (advanced aspherical) elements in an innovative optical design minimise aberration for outstanding corner-to-corner resolution right from the lens’s widest F1.8 aperture. Compact and lightweight for enhanced mobility and handling:  An advanced optical design that includes two AA elements is supported by a refined mechanical system in a G Lens that weighs just 373 grams (13.2 oz.). Small size and light weight enhance mobility when used with compact E-mount bodies, and make up a well-balanced system that is ideal for use on gimbals or accessory grips. The FE 20mm F1.8 G is a versatile lens for a wide variety of still and movie shooting situations. Smooth, natural-looking bokeh:  In addition to precise control of spherical aberration that has a significant influence on bokeh quality, the FE 20mm F1.8 G has a 9-blade circular aperture that contributes to smooth, creamy bokeh and natural-looking highlights that are hallmarks of the G Lens series. Realistically rendered point sources:  Two AA (advanced aspherical) elements and three ED (Extra-low Dispersion) glass elements are employed to minimise sagittal flare so that point light sources are reproduced accurately, without colour smearing. XD Linear Motors maximise AF speed, precision, and tracking: Two XD (eXtreme Dynamic) Linear Motors easily keep up with the high-speed capabilities of today’s most advanced camera bodies, taking advantage of their full autofocus speed, precision, and tracking potential to capture the most dynamic subjects. New control algorithms make it possible to drive the lens’s large focus group smoothly and without delays for responsive, silent, low-vibration autofocus. Excellent close-up performance, even for selfies: In addition to the fact that 20mm is a great focal length for selfies, this lens has a minimum focusing distance of just 0.19 meter (0.63 ft) when used in AF mode, and an even closer 0.18 meter (0.59 ft) minimum focusing distance when focused manually. It is an excellent choice for gimbal/grip mounting, whether shooting selfies or other subjects. Smooth operation and high reliability in a compact lens:  A focus hold button, focus mode switch, aperture ring, and other controls are designed and positioned for easy operation and a smooth workflow. Alternative functions that support the user’s individual shooting needs can be assigned to the focus hold button via camera body menu settings. The front lens element is fluorine coated to repel water and grime, and the lens is dust and moisture resistant design provides the reliability needed for outdoor use in challenging conditions. Lens Configuration:  Impeccable Sony G Lens design emphasises a graceful balance between high resolution and gorgeous background bokeh that can enhance the artist’s vision.

Sony 3-088-528-02 Lens Hood

Sony 3-088-528-02 (3/088/528/02, 3_088_528_02, 308852802, 3 088 528 02) Lens Hood Sony Lens hood for DSR-PD170P.

Sony 3-682-494-02 Eye Cup

Sony 3-682-494-02 (3_682-494-02, 3682-494-02, 3 682-494-02, 3/682-494-02) Eye Cup. Sony eye cup for DXF-701 HDVF-200-HDVF-20A to complete order also X-3678-187-1.

Sony BC-QZ1.CEE Charger

Sony BC-QZ1.CEE (BC_QZ1.CEE, BCQZ1.CEE, BC QZ1.CEE, BC/QZ1.CEE) Charger. Sony Charger for series Z.

Sony 368875513 Shoe Mount

Sony 368875513 (36_8875513, 368875513, 36/8875513, 36 8875513) Shoe Mount. Sony Shoe mount for PDW-700 (not all versions).

Sony X-2188-619-3 Accessory Shoe Adapter

Sony X-2188-619-3 (X_2188-619-3, X2188-619-3, X 2188-619-3, X/2188-619-3) Accessory Shoe Adapter. Sony Accesory shoe adapter for HVR-Z7E.

Sony X-2548-597-1 Lens Hood

Sony X-2548-597-1 (X_2548-597-1, X2548-597-1, X 2548-597-1, X/2548-597-1) Lens Hood. Sony Lens hood for HXR-MC50E.

Sony X25923511 Eye Cup

Sony X25923511 (X2_5923511, X25923511, X2 5923511, X2/5923511) Eye Cup. Sony Eye cup for HXR-NX100.

Sony X21898691 Rubber Eye Cup Kit

Sony X21898691 (X2_1898691, X21898691, X2 1898691, X2/1898691) Rubber Eye Cup Kit. Sony eye cup kit rubber good for HVR-S270.

Sony ACC-TRW Battery Charger Kit

Sony ACC-TRW (ACC_TRW, ACC/TRW, ACC TRW, ACCTRW) Battery Charger Kit. Sony Kit for Fw series with: 1x NP-FW50 Rechargeable high-capacity InfoLITHIUM? battery 1x Compact travel charger.

Sony AC-VQ1051D.CEE Battery Charger

Sony AC-VQ1051D.CEE (AC_VQ1051D.CEE, AC/VQ1051D.CEE, ACVQ1051D.CEE, AC VQ1051D.CEE) Battery Charger. The Sony AC Adapter and Twin Charger For L-Series Batteries is a power adapter that at the flip of a switch turns into a two-battery charger for Sony's L-series batteries. Four power cords come included. LCD display indicates: battery life, charging time, total charging time, last use year and month, and total number of charging cycles

Sony X21878661 Lens Hood

Sony X21878661 (X2_1878661, X21878661, X2 1878661, X2/1878661) Lens Hood. Sony Lens hood for VCL-HG0737K - HVR-HD1000E - PMW-100.

Sony 411006401 Lens Hood

Sony 411006401 (411 006401, 411006401, 411/006401, 411_006401) Lens Hood. Sony Lens hood for PMW-EX3.

Sony 148799441 Adaptor Vgp-ac19v46, 3 Pin

Sony 148799441 (148_799441, 148 799441, 148/799441, 148799441) Adaptor Vgp-ac19v46, 3 Pin. Sony Power supply for PXW-X160 - PXW-X180 - VAIO.

Sony BC-VM10.CEE Charger

Sony BC-VM10.CEE (BC_VM10.CEE, BCVM10.CEE, BC VM10.CEE, BC/VM10.CEE) Charger. The Sony BC-VM10 Battery Charger powers up Sony M Series batteries. Compatible with universal 100-240VAC, and featuring a retractable AC plug, the BC-VM10 is an excellent travel companion. Simply pop in your M Series battery, plug into the nearest wall outlet, and let the charger do the rest.

Sony AC-VQV10.CEE AC Adaptor, Charger

Sony AC-VQV10.CEE (AC_VQV10.CEE, ACVQV10.CEE, AC VQV10.CEE, AC/VQV10.CEE) AC Adaptor, Charger. The dual slot Sony AC-VQV10 AC Adaptor/Charger quickly charges Sony V, H, and P Series InfoLITHIUM batteries. The AC-VQV10’s consecutive charging feature automatically starts charging the second battery after the first has completed its cycle. This Adaptor/Charger also gives you the option of seeing the remaining battery life on the built-in LCD.

Sony AC-PW10AM.CEE AC Adapter

Sony AC-PW10AM.CEE (AC PW10AM.CEE, AC/PW10AM.CEE, ACPW10AM.CEE, AC PW10AM.CEE) AC Adapter. The Sony AC-PW10AM is an AC travel adapter. Compatible with all Sony DSLR cameras and can be used worldwide. Lightweight and compact.

Sony X25901871 Large Eyecup

Sony X25901871 (X2_5901871, X25901871, X2/5901871, X2 5901871) Large Eyecup. Sony Large eyecup for PXW-X70 HDR-CX900E FDR-AX100 PXW-FS5 PXW-FS5K - PXW-Z150 - PXW-Z280.

Sony X25882863 Lens Cap

Sony X25882863 (X2_5882863, X2 5882863, X2/5882863, X25882863) Lens Cap. Sony Lens cap for PXW-X70 - HXR-NX200 Ø62mm available also DSC-RX10M2 - DSC-RX10M2B - HDR-CX900E - FDR-AX100E.

Sony X23208503 Lens Hood For HDR-FX1000 And HDR-AX2000

Sony X23208503 (X2_3208503, X23208503, X2 3208503, X2/3208503) Lens Hood For HDR-FX1000 And HDR-AX2000. Sony Lens hood assy for HXR-NX5E - HDR-FX1000E.

Sony 455962501 Inside Locking Lever For PMW-300

Sony 455962501 (45_5962501, 455962501, 45 5962501, 45/5962501) Inside Locking Lever For PMW-300. Inside locking lever for Sony PMW-300 HD camcorder.

Sony 3-854-238-03 Bracket Staffa

Sony 3-854-238-03 (3_854-238-03, 3/854-238-03, 3854-238-03, 3 854-238-03) Bracket Staffa. Bracket Staffa (A), Ceiling per BRC-300.

Sony X25815831 Front Viewfinder Assembly For NEX-FS100

Sony X25815831 (X2_5815831, X2/5815831, X2 5815831, X25815831) Front Viewfinder Assembly For NEX-FS100. Front viewfinder assembly for Sony NEX-FS100 camcorder.

Sony VF-62CPK PL Filter Kit

Sony VF-62CPK (VF/62CPK, VF_62CPK, VF62CPK, vf-62cpk) PL Filter Kit This kit consists of a Circular Polarizer, UV Protection Filter and soft case Circular Polarizer Light rays which are reflected become polarized. Polarizing filters are used to select which light rays enter your camera lens. They can remove unwanted reflections from non-metallic surfaces such as water or glass and also saturate colors providing better contrast. The effect can be seen through the viewfinder and changed by rotating the filter. The filter factor varies according to how the filter is rotated and its orientation to the sun. Filter factor is between 2.3 and 2.8 (approx. +1.3 stops). UV Protection Filter Haze (UV) filters are wise initial investments. They help protect your valuable investment from dust, moisture, and scratches, which can lead to costly repairs. If desired they can be left on the lens at all times for protection. Haze filters provide additional benefits of correction for Ultraviolet (UV) light which can register on film and videotape as a bluish cast and can obscure distant details. Ultraviolet filters allow you to correct for the UV effect to varying degrees. Haze-1 filters absorb approximately 71 percent of UV. Polarizers eliminate ultraviolet rays and remove haze from outdoor shots as well as polarizing the light to remove reflections and increase color saturation without affecting the overall color balance.

Sony ALC-SH149 Lens Hood for SEL1635GM

Sony ALC-SH149 (ALC_SH149, ALC/SH149, ALCSH149, alc-sh149) Lens Hood for SEL1635GM The ALC-SH149 Lens Hood from Sony is specifically made for the FE 16-35mm f/2.8 GM lens. The hood has a petal shape design, which is made to block stray and extraneous light from entering the lens and causing lens flare. Also, the lens hood sustains accidental or sudden impact instead of the front element of the lens. Additionally, it can be used as a spare or as a replacement to the original lens hood.

Sony LA-EA3.AE 35mm Full-Frame A-Mount Adaptor

Sony LA-EA3.AE 35mm (LA-EA3.AE, LAEA3, LA-EA3, la-ea3.ae) Full-Frame A-Mount Adaptor The black A-Mount to E-Mount Lens Adapter from Sony enables you to attach any A-mount lens to an Alpha E-mount full-frame digital camera body. It supports Auto Exposure (AE) and features an aperture mechanism. The adapter is also configured with an integrated, standard 1/4"-20 tripod mount for supporting large, heavy lenses. Additionally, the ALC-B55 camera body cap and a rear lens cap are supplied.

Sony SEL-70350G.SYX E 70–350mm F4.5–6.3 G OSS Lens

Sony SEL-70350G.SYX (SEL70350G.SYX, SEL-70350G, SEL70350G, sel70350g) E 70–350mm F4.5–6.3 G OSS Lens Exquisite detail from 70 to 350 mm Optimised optical and mechanical design offers outstanding super-telephoto zoom performance for APS-C bodies (105–525 mm equiv.). Impressive G Lens quality is maintained throughout the zoom range right out to the image edges. All of this is packed into a compact, mobile 5x super-telephoto zoom lens with built-in optical image stabilisation. Coupled with α E-mount cameras from Sony, APS-C E-mount lenses deliver big camera performance. G Lens quality all the way to 350 mm (525 mm equiv.) One aspherical element and three ED (Extra-low Dispersion) glass elements in a precision optical design suppress aberration throughout the zoom range, including chromatic aberration that can be an issue at super-telephoto focal lengths. Excellent sharpness and rendering are achieved at all zoom settings, throughout the image area. Gorgeous telephoto G Lens bokeh is another advantage. Compact, mobile 5x super-telephoto zoom Although it offers a big 5x zoom range, this compact lens weighs in at just 625 g, enhancing the mobility of the entire camera system. 70–350 mm (105–525 mm equiv.) is an ideal range for a wide spectrum of subjects. Built-in optical image stabilisation makes it easier to capture crisp, blur-free imagery even when shooting handheld at super-telephoto focal lengths. XD Linear Motor in an APS-C lens Sony's original XD (extreme dynamic) linear motor technology has been applied in an APS-C lens, offering top-class autofocus performance that is fast, precise, and tenacious. Coupled with the advanced real-time AF capability of the latest compact APS-C bodies, you have a high-performance, easy-handling system for landscapes, wildlife and more. Control, reliability and mobility for any situation An Optical SteadyShot switch, customisable focus hold button, and zoom lock switch add control convenience to a lens that also features a dust and moisture resistant design2 for high reliability in challenging environmental conditions. All of this complements the lens’s portability, making pro-class control and dependability available wherever you go.

Sony SEL-55210.AE E 55–210mm F4.5–6.3 OSS (Silver)

Sony SEL-55210.AE (SEL55210.AE, SEL-55210, SEL55210, sel-55210.ae) E 55–210mm F4.5–6.3 OSS (Silver) Get closer with a compact 3.8x zoom The SEL55210 offers the reach you need for subjects such as sports and nature. Built-in image stabilisation reduces blur when shooting at long range or in low light. Coupled with α E-mount cameras from Sony, APS-C E-mount lenses deliver big camera performance.2 Capture smooth, blur-free images Built-in Optical SteadyShot™ image stabilisation within the lens ensures smooth, blur-free photos and videos when shooting handheld. Smooth defocusing Instead of a standard polygon-shaped lens aperture, this lens features a 7-blade circular aperture for more natural, rounded defocusing or ‘bokeh’. Refined optical performance Aspherical lens elements minimise distortion while ED (Extra-low Dispersion) glass elements provide superior contrast, resolution and colour fidelity. Fast, agile focusing An internal focusing mechanism means the lens barrel doesn't move, enabling a more compact design, faster autofocus response and reduced minimum focusing distances.

Sony SEL-50F18B.AE E 50mm F1.8 OSS Lens (Black)

Sony SEL-50F18B.AE (SEL50F18B.AE, SEL-50F18, SEL50F18, sel-50f18b.ae) E 50mm F1.8 OSS Lens (Black) Bright, high performance portrait lens Perfect for portraiture and a range of other subjects, the F1.8 max aperture and optical image stabilisation provide impressive picture quality, even in low-light. Coupled with α E-mount cameras from Sony, APS-C E-mount lenses deliver big camera performance. Capture smooth, blur-free images Built-in Optical SteadyShot™ image stabilisation within the lens ensures smooth, blur-free photos and videos when shooting handheld. Smooth defocusing Instead of a standard polygon-shaped lens aperture, this lens features a 7-blade circular aperture for more natural, rounded defocusing or ‘bokeh’. Refined optical performance The lens has an innovative optical design to achieve clear, high-quality images by effectively minimising distortion and chromatic aberration. Fast, agile focusing An internal focusing mechanism means the lens barrel doesn’t move, enabling a more compact design, faster autofocus response, and reduced minimum focusing distances.

Sony SEL-24F14GM.SYX FE 24mm F1.4 GM Lens

Sony SEL-24F14GM.SYX (SEL24F14GM.SYX, SEL24F14GM, SEL-24F14GM, sel24f14gm-syx) FE 24mm F1.4 GM Lens Stunning F1.4 resolution in a mobile prime lens Unsparing application of leading-edge technology achieves refined G Master performance with consistently high resolution and soft, natural bokeh even at the widest F1.4 aperture setting. The lens is both compact and the lightest in its class2, maximising portability. It also offers fast, precise AF drive, top-level control and reliability.  Advanced optical technology achieves spectacular resolution even at F1.4 Two XA (extreme aspherical) elements in an optical design that meets stringent G Master requirements contribute to consistently high resolution throughout the image area. Three ED (Extra-low Dispersion) glass elements are also included to effectively suppress chromatic aberration. This innovative optical design minimises sagittal flare so that point light sources are accurately reproduced. State-of-the-art optical design faithfully reproduces point sources A new optical design incorporating two precision XA elements suppresses sagittal flare, a common aberration in large-aperture lenses. Sagittal flare can cause an unnatural spreading of point light sources that becomes more pronounced towards the image periphery. Innovative optical design in a compact, lightweight lens A new optical design that reduces overall lens diameter by employing two XA elements, one for the front element that is normally the largest in a lens, combines with a newly developed DDSSM (Direct Drive SSM) focus drive system to achieve a remarkably light total weight of just 445 grams (15.7 oz) . The reduced size and weight of this lens makes it an ideal match for compact E-mount bodies, providing outstanding mobility. Breathtaking G Master bokeh An 11-blade circular aperture enhances soft, natural looking bokeh achieved through advanced design and a manufacturing process that includes precise control of spherical aberration. A minimum focusing distance of 0.24 m (0.79 ft) and maximum magnification of 0.17x mean close-up capability that, combined with the wide-angle view of the lens, can produce dramatic perspectives that also make good use of deep, lush bokeh. Fast, precise, quiet AF for stills and movies A newly designed high-power DDSSM optimised for this lens, delivers approximately three times greater thrust than the previous focus drive system. The increased power of the new DDSSM system provides faster, more precise, quieter autofocus drive capability, for outstanding performance when shooting stills and movies. Professional control and dependability for stills and movies Customisable focus hold button, aperture ring, aperture click switch, Linear Response MF, dust and moisture resistant design3, and fluorine front-element coating adds up to fully professional control and reliability for movies as well as stills.

Sony SEL-1655G.SYX E 16-55mm f/2.8 G Lens

Sony SEL-1655G.SYX (SEL1655G.SYX, SEL1655G, SEL-1655G, sel1655g) E 16-55mm f/2.8 G Lens Fast constant F2.8 zoom Sony's first 16–55 mm (24–82.5 mm full-frame equiv.) APS-C zoom with a constant F2.8 aperture is compact while offering performance befitting the G Lens series. A new optical design delivers excellent corner-to-corner resolution, and beautiful bokeh is available when needed. It is compact, lightweight and ideal for a wide range of subjects. Excellent G Lens resolution Two AA (advanced aspherical) and two aspherical elements suppress aberration for outstanding corner-to-corner G Lens resolution, while three ED (Extra-low Dispersion) glass elements reduce colour bleeding to a minimum. You get sharp, clear detail and natural colour throughout the zoom range at any focusing distance. Smooth, beautiful bokeh Spherical aberration has a large effect on bokeh quality, and is precisely controlled to deliver smooth, attractive bokeh in out-of-focus areas. A 9-blade circular aperture also contributes to this lens's beautiful bokeh. Sharp in-focus detail contrasts with luscious background bokeh for deep, impressive imagery. Crisp contrast Sony's original Nano AR Coating creates a precise, regular nanostructure on lens surfaces that does not interfere with light transmission while suppressing reflections that can cause flare and ghosting. Internal reflections are reduced to an absolute minimum, achieving outstanding clarity and contrast. (1. Nano AR Coating / 2. Glass / 3. Transmitted light) Fast, precise AF and tracking The same type of Sony's advanced XD (eXtreme Dynamic) linear motor used in G Master series lenses is employed in this lens. The XD Linear Motor fully utilises the speed potential of the camera body, focusing on and tracking even fast-moving subjects with outstanding speed and precision. Compact, lightweight and bright Optimised mechanical and optical design achieve a weight of just 494 g (17.5) in a compact, constant F2.8 16–55 mm (24–82.5 mm full-frame equiv.) zoom lens. This fine lens is ideal for everything from portraits to everyday snapshots, combining with compact E-mount bodies to form a highly mobile, manageable system for a wide range of photographic applications. Customisable focus hold button A focus hold button on the lens barrel is conveniently positioned for easy focus hold control. The button can also be customised via a camera menu that allows assignment of other functions, such as Right/Left Eye Select, as required. Linear Response MF Sony’s Linear Response MF feature ensures that the focus ring responds directly and linearly to subtle control when focusing manually. Focus ring rotation translates directly to a corresponding change in focus, so control feels immediate and precise. Focus mode switch A focus mode switch that allows instant switching between auto and manual focus modes can be a great advantage when shooting subjects or situations that require fine manual focus adjustment. Fluorine coated front element The front lens element features a fluorine coating that repels water, oil, and other contaminants, while making it easier to wipe off any contaminants or fingerprints that do become attached to the lens surface. Dust and moisture resistant A dust-resistant and moisture-resistant design3 provides the reliability needed for outdoor use in challenging conditions.

Sony SEL-600F40GM.SYX FE 600mm f/4 GM OSS Lens

Sony SEL-600F40GM.SYX (SEL600F40GM.SYX, SEL-600F40GM, SEL600F40GM, sel-600f40gm.syx) FE 600mm f/4 GM OSS Lens 600-mm F4 G Master super-telephoto lens Fast autofocus plus stunning G Master resolution and gorgeous bokeh in a lightweight, well-balanced, mobile lens. Sony's original XA lens and XD linear motor technologies contribute to peak optical and mechanical performance, making it possible to capture dynamic, eye-catching images from afar. Ideal for sports, news and nature photography. XD Motors for fast, precise, tenacious AF Two XD (extreme dynamic) linear motors provide fast, precise AF and reliable tracking, bringing out the best in modern camera bodies and effortlessly maintaining accurate focus on fast-moving sports and wildlife subjects. A new control algorithm contributes to fast, quiet positioning of the large focus group with minimum delay and vibration. Large XA element enhances image quality An exacting G Master optical design maintains extremely high contrast right out to the image edges. A newly developed large XA (extreme aspherical) element and three fluorite elements suppress the chromatic aberration that can be a problem in telephoto lenses, achieving stunning resolution and detail throughout the image area. Gorgeous G Master bokeh In addition to including a new large-aperture XA (extreme aspherical) element with extremely high surface precision, each lens is individually calibrated to control spherical aberration so that gorgeous G Master bokeh is optimally balanced with high resolution. An 11-blade circular aperture further adds to the beauty of the lens's smooth bokeh. Flare-resistant for superior clarity Sony's original Nano AR Coating, flocking on critical interior surfaces, and other design refinements minimise internal reflections so that the lens is highly resistant to flare and ghosting, which can degrade image clarity. Rendering is crisp and clear even in difficult light. (1. Nano AR coating / 2. Glass / 3. Transmitted light) Extra reach with 1.4x/2.0x teleconverters3 Optional high-performance 1.4x and 2.0x teleconverters are available. The 2.0x teleconverter extends the focal length of the lens to 1,200 mm (1,800 mm on an APS-C body) with F8 maximum aperture, while maintaining outstanding optical quality as well as AF speed and precision. Dust and moisture resistant design4 A dust-resistant and moisture-resistant design provides the reliability needed for outdoor use in challenging conditions. Rigid magnesium alloy barrel components A high-rigidity magnesium alloy used for the lens barrel exterior, tripod mount and critical interior components provides the dual benefits of outstanding durability and reduced weight — both are advantages when shooting in challenging situations and environments. Light and well-balanced for easy shooting A low weight of just 3,040 grams and sublime balance make it possible to take full advantage of outstanding optical performance even when shooting handheld or on a monopod, all thanks to technology inherited from the SEL400F28GM. With a compact, lightweight E-mount body, the centre of gravity is ideally located for smooth, precise panning. Fluorine front-element coating The front lens element features a fluorine coating that repels water, oil, and other contaminants, while making it easier to wipe off any contaminants or fingerprints that do become attached to the lens surface. Lightweight carbon fibre lens hood This lightweight, durable carbon fibre lens hood also features a flocked interior, which maximises its effectiveness at blocking unwanted light which can degrade image quality. Rigid, durable mount design Designed to withstand the rigors of professional use, the number of screws used to attach the mount has been increased and other refinements have been applied to ensure maximum rigidity and reliability. Trunk-style dedicated hard case A specially designed trunk-style carrying case protects the lens from shock and vibration during transportation. Full-time DMF When the FULL TIME DMF switch is ON, manual focus is automatically engaged when the focus ring is operated, even in the AF-C mode. This capability can be used to correct focus when autofocus targets the wrong subject, for example. It is also a great way to refine focus after initial autofocus when shutter button half-press autofocus is disengaged. 3-mode Optical SteadyShot™ Optical image Stabilisation makes it easier to shoot sharp images handheld at super-telephoto focal lengths. MODE 2 offers ideal Stabilisation for panned shots, while MODE 3 provides enhanced viewfinder Stabilisation that allows easier framing of dynamic sports or wildlife action. 5-axis Stabilisation is available with compatible α bodies. Natural, linear manual focus response Linear Response MF ensures that the focus ring responds directly and linearly to subtle control when focusing manually. Focus ring rotation translates directly to a corresponding change in focus, so control feels immediate and precise. Four Customisable focus hold buttons Customisable focus hold buttons are provided in four locations for easy access when shooting in any orientation. The focus hold buttons can also be Customised via a camera menu that allows assignment of other functions, such as Eye AF, as required. Versatile function ring A versatile, convenient function ring can be switched to preset focus, assigned function control or no function via the mode selector. Smooth power focus If the function ring mode switch is set to FUNCTION and the power focus function is assigned, rotating the ring causes the lens to focus smoothly in the specified direction at a speed determined by the degree of rotation. Power focus is useful for executing smooth pull focus effects when shooting movies. Fast switching from full-frame to APS-C5  If the function ring mode switch is set to FUNCTION and the APS-C/full-frame switching function is assigned, the function ring can be rotated to instantly switch between APS-C and full-frame view angles (supported by the latest the α9 software version). Instantly focus on a predefined point Once a predefined focus point has been memorised via the SET button, rotating the function ring will instantly recall the preset focus point if the PRESET mode is active. This is an ideal way to preset focus points for fast sports action, for example. It works in the AF and MF modes, and is unaffected by focus range limiter settings. Focus range limiter for faster focus A focus range limiter switch makes it possible to limit the lens’s autofocus range to 4.5 to 15 metres, 15 metres to infinity or allow full-range autofocus with no limit. This can speed up autofocus in some situations by preventing the lens from focusing on subjects outside the target range. Durable, versatile tripod mount The tripod mount for the lens is equipped with bearings that enhance durability while promoting smooth rotation. There are also 90° click stops that can be switched ON or OFF according to the user's preference: ON for sure, fast 90° positioning, or OFF for reduced resistance and smooth rotation. Slide-in filter slot6 A filter slot accepts standard 40.5-mm ND and other filter types, as well as the optional VF-DCPL1 circular polarising filter. The VF-DCPL1 circular polarising filter can be rotated for optimum effect while installed in the lens.

Sony SEL-400F28GM.SYX FE 400mm F2.8 GM OSS Lens

Sony SEL-400F28GM.SYX (SEL-400F28GM, SEL400F28GM.SYX, SEL400F28GM, sel-400f28gm.syx) FE 400mm F2.8 GM OSS Lens Innovative G Master F2.8 super telephoto Sony’s most advanced lens technologies have been unsparingly applied in this large-aperture super telephoto lens, achieving extraordinary speed, outstanding G Master resolution and bokeh, plus professional control and reliability. Moreover, the SEL400F28GM is a remarkably lightweight super telephoto lens, providing unparalleled handheld shooting freedom. Speed that maximises body performance New XD (extreme dynamic) Linear Motors deliver higher thrust than conventional types, achieving up to 5x improvement2 in moving-subject tracking performance with current and future camera bodies. Two of these new motors and newly developed algorithms quietly drive the lens’s large-focus lens group faster and more precisely than ever before. The full-speed performance of advanced camera bodies can be applied to capturing dynamic sports or wildlife subjects. Stunning G Master resolution and bokeh Extremely high design standards ensure outstanding resolution right out to the image edges. Three fluorite elements minimise chromatic aberration. Spherical aberration is carefully controlled during design and manufacture to achieve the highest possible bokeh quality. Optional high-performance 1.4x and 2.0x tele-converters are supported3, providing outstanding resolution and contrast even at 800 mm. Remarkably lightweight at just 2.90 g (102.2 oz) An innovative optical design that includes three fluorite elements reduces the number of elements at the front of the lens barrel for a low weight of 2,895 grams (102.2 ounces). Durable magnesium alloy components also contribute to reduced weight. Portability and handling are outstanding and ideal balance affords agile, easy operation whether shooting handheld or on a monopod. Durability and reliability for challenging conditions Dust- and moisture-resistant design4 provides the reliability needed for outdoor use in harsh conditions. A durable magnesium alloy used for the lens barrel exterior, tripod mount, and interior barrel components achieves tough durability while minimising overall weight. The front lens element features a fluorine coating that helps to keep it clean while making it easier to wipe dirt and fingerprints away. Features for professional shooting needs Full-time DMF allows manual focus to be engaged simply by rotating the focus ring, even while shooting in AF-C mode. Optical image stabilisation is built in and a new Mode 35 setting features an advanced algorithm that provides optimum stabilisation for dynamic sports action while also making framing easier. Four focus-hold buttons and a focus ring with Linear Response MF further enhance versatility.

Sony SEL-35F18F FE 35mm f/1.8 Lens

Sony SEL-35F18F (SEL35F18F, sel-35f18f, sel35f18f) FE 35mm f/1.8 Lens A fast, versatile prime for all occasions Offering outstanding image quality even at its maximum F1.8 aperture, the compact, lightweight 35-mm prime lens for full-frame cameras is a versatile choice for everything from tabletop photography to the great outdoors. Fast, precise, quiet AF operation and reliable AF tracking make it suitable for shooting videos as well as stills. Full frame, fast, small and lightweight Although this fast F1.8 lens weighs a mere 280 g (9.9 oz) and is just 65.6 mm x 73 mm in size, it offers outstanding image quality that makes it a great all-around choice for photography and moviemaking. It is a full-frame lens, but balances well with APS-C bodies, providing an equivalent focal length of 52.5 mm, which is ideal for portraits and snapshots. High corner-to-corner resolution An aspherical element is strategically implemented in this lens's advanced design to suppress optical aberration and achieve high resolution right out to the image periphery. Smooth bokeh is also available when needed, supported by a nine-blade circular aperture mechanism that contributes to natural-looking bokeh.  Reliable AF tracking for any situation The narrow depth of field available at a wide F1.8 aperture makes focus critical. The quiet, fast response and high precision of this lens's linear-motor AF drive system ensure precise focus not only for stills, but also for movies where "wobbling" is employed for delicate continuous focus control. Move in for impressive close-ups A 0.22 m (0.73 ft) minimum focus distance and 0.24x maximum magnification make this lens useful for close-ups as well as general photography and moviemaking. High optical performance is maintained at close range, providing the quality needed to create stunning images of tabletop subjects, flowers and more. Customisable focus hold button A conveniently placed focus hold button not only offers easy focus hold control, but can be assigned to a variety of other functions from a menu accessed via the camera body. The focus hold button can be assigned to display grid lines to aid composition, adjust white balance and other functions that support efficient, versatile shooting. Easy manual/auto focus switching A focus mode switch that allows instant switching between auto and manual focus modes can be a great advantage when shooting subjects or situations that require fine manual focus adjustment. Dust and moisture resistant design A dust-resistant and moisture-resistant design3 provides the reliability needed for outdoor use in challenging conditions. Natural, linear manual focus response Linear Response MF ensures that the focus ring responds directly and linearly to subtle control when focusing manually. Focus ring rotation translates directly to a corresponding change in focus, so control feels immediate and precise.

Sony SEL-200600G.SYX FE 200–600mm F5.6–6.3 G OSS Lens

Sony SEL-200600G.SYX (SEL200600G.SYX, SEL-200600G, SEL200600G, sel-200600g.syx) FE 200–600mm F5.6–6.3 G OSS Lens Explore the world with 200–600 mm zoom Perfect for wildlife and more, this 200–600mm super-telephoto zoom can reach as far as 840mm or 1200mm with 1.4x and 2.0x teleconverters, with full G lens quality and AF performance. Aspherical and ED glass elements achieve superb resolution throughout the zoom range, while Sony's Nano AR Coating cuts flare and ghosting. The bokeh is gorgeous, too. Zoom to 600 mm, or 1,200 with teleconverter Compatible with optional 1.4x and 2.0x teleconverters, for a maximum focal length of 840 mm or 1,200 mm at F13. Both teleconverters are top quality, retaining outstanding image quality and AF performance. Zoom and aperture range with the 1.4x teleconverter is 280–840 mm, F8–9. With the 2.0x teleconverter the ranges are 400–1,200 mm, F11–13. High resolution throughout the zoom range Five ED (Extra-low Dispersion) glass elements and one aspherical element in a new optical design offer superb resolution and image quality throughout the zoom range. The aspherical element suppresses spherical aberration and distortion, while the ED glass elements minimise chromatic aberration, which can be a problem at super-telephoto focal lengths. Beautiful, natural G lens bokeh An 11-blade circular aperture mechanism adds to the beauty of the bokeh produced by this lens, making it possible to use the narrow depth of field available at super-telephoto focal lengths to produce striking images with deep, creamy G lens bokeh. Nano AR Coating stops flare and ghosting Sony's original Nano AR Coating has a uniform nanometre-level structure that breaks up the lens's boundary surface, significantly reducing reflections, which can cause image-degrading flare and ghosting. The overall result is superior image clarity and contrast. (1. Nano AR Coating / 2. Glass / 3. Transmitted light) 3-mode Optical SteadyShot Optical image Stabilisation makes it easier to shoot sharp images handheld at super-telephoto focal lengths. MODE 2 offers ideal Stabilisation for panned shots, while MODE 33 provides enhanced viewfinder Stabilisation that allows easier framing of erratic sports or wildlife movement. 5-axis Stabilisation is available with compatible α bodies. Fast, precise AF tracks swift subjects Sony's DDSSM (Direct Drive SSM) system has the power and precision needed to drive the lens's mechanism for remarkably fast, accurate focusing. High positioning accuracy means that no movement is wasted. Pinpoint autofocus is achieved with blazing speed. The DDSSM system is incredibly quiet, too. Three customisable focus hold buttons customisable focus hold buttons are provided in three locations 90° apart, providing easy access when shooting in horizontal orientation or vertical orientation with the camera grip up or down. Other functions can be assigned to the buttons as required. Focus range limiter for faster focus A focus range limiter switch makes it possible to limit the lens's autofocus range to 2.4 to 10 metres, 10 metres to infinity or allow full-range autofocus with no limit. This can speed up autofocus in some situations by preventing the lens from focusing on subjects outside the target range. Internal zoom supports stable shooting An internal zoom mechanism means that the length of the lens does not change while zooming, for stable handheld operation with consistent balance. Internal zoom also means that the distance between the front element and the subject does not change. Dust and moisture resistant design A dust- and moisture-resistant design provides the reliability needed for outdoor use in challenging conditions.4 Fluorine front-element coating The front lens element features a fluorine coating that repels water, oil, and other contaminants, while making it easier to wipe off any contaminants or fingerprints that do become attached to the lens surface. Natural, linear manual focus response Linear Response MF ensures that the focus ring responds directly and linearly to subtle control when focusing manually. Focus ring rotation translates directly to a corresponding change in focus, so control feels immediate and precise. Removable tripod mount A removable tripod mount allows quick attachment to or removal from a tripod so the user can easily switch between tripod and handheld shooting. The mount can also be removed for convenient transport and storage. A lock mechanism prevents accidental removal.

Sony FE 85mm f/1.4 GM Lens SEL-135F18GM.SYX

Sony SEL-135F18GM.SYX (SEL135F18GM.SYX, SEL-135F18GM, SEL135F18GM, sel-135f18gm.syx) FE 85mm f/1.4 GM Lens An F1.8 135-mm prime with superb resolution, bokeh and AF Unsparing application of Sony's most advanced optical technologies has produced a large-aperture prime telephoto lens that delivers outstanding corner-to-corner resolution even at F1.8, plus exquisite bokeh that is a hallmark of the G Master series. XA and Super ED elements deliver high resolution XA (extreme aspherical), Super ED (extra-low dispersion) glass, and ED glass elements precisely deployed in an advanced optical design effectively correct aberration, while a floating focus system works with these aberration correction measures to ensure that the highest possible resolution is maintained right out to the image edges throughout the lens's focus range. Narrow depth of field with breathtaking G Master bokeh The extremely high surface precision of XA elements, careful control of spherical aberration at both the design and the manufacturing stages and an 11-blade circular aperture all come together to produce spectacularly smooth, elegant G Master bokeh that maximises the creative potential of the narrow depth of field available with this 135-mm F1.8 lens. Dual front and rear XD linear motors achieve fast, precise, quiet AF Sony's innovative XD (extreme dynamic) linear motors also play an important role, making it possible to maintain focus on moving portrait subjects, performers on stage, or similarly dynamic subjects with impressive speed, precision, and reliability, while also providing AF control that is quiet and virtually free of vibration. Floating focus mechanism for improved close-up capability Although it is a 135-mm telephoto lens, a floating focus system that effectively controls aberration at all focusing distances has made it possible to achieve a minimum focus distance of just 0.7 m (2.3 ft) and a maximum magnification of 0.25x for close-up photography. Small accessories and other subjects can be captured with remarkable resolution and soft, beautiful background bokeh. Superior imaging plus mobility, operability and reliability The important features include customisable focus hold buttons, a focus range limiter, an aperture ring with switchable click stops, a dust/moisture resistant design2 and a fluorine coated front element. Overall, this is a lens that meets professional requirements for control and reliability for both stills and movies.

Sony SAL-85F28.AE 85mm F2.8 SAM Portrait Lens

Sony SAL-85F28.AE (SAL85F28, SAL-85F28, SAL85F28.AE, sal-85f28.ae) 85mm F2.8 SAM Portrait Lens Light, compact, mid-range telephoto Along with its versatile 85 mm focal length, this lens has a large F2.8 max. aperture enabling beautifully defocused backgrounds so you can make your subject "pop". Smooth defocusing Instead of a standard polygon-shaped lens aperture, this lens features a 7-blade circular aperture for more natural, rounded defocusing or ‘bokeh’. Refined optical performance Precision optical design minimises distortion and aberration, and ensures high contrast from the image centre all the way to the periphery. Smooth, silent autofocus Built into the lens, the Smooth Autofocus Motor (SAM) is significantly smoother and quieter than conventional camera-coupled autofocus drive systems. Say goodbye to blur Pair the lens with a camera by Sony featuring built-in SteadyShot™ image stabilisation and you’ll enjoy smooth, blur-free results when shooting handheld.

Sony SAL-70300G2.SYX 70–300mm F4.5–5.6 G SSM II lens

Sony SAL-70300G2.SYX (SAL-70300G2, SAL70300G2.SYX, SAL70300G2, sal-70300g2.syx) 70–300mm F4.5–5.6 G SSM II lens 70-300 mm range with G Lens quality This 70-300 mm zoom is an excellent choice for sports and wildlife, and 1.2 metre minimum focus makes it useful for portraits and flowers too. Nano AR Coating technology enhances clarity, and an advanced optical design achieves high contrast and resolution throughout the zoom range. AF tracking is faster than the previous model and a new dust and moisture resistant design maximizes reliability. Wide 70-300 mm zoom range An outstanding zoom range for a variety of subjects, from portraits to sports and more! A 1.2 metre minimum focusing distance makes this lens useful for close-up applications too. Outstanding clarity and contrast Sony’s original Nano AR Coating technology effectively suppresses lens surface reflections for dramatically reduced flare and ghosting, resulting in notably enhanced overall image quality. The Nano AR Coating is used in an advanced optical design that also achieves high contrast and excellent resolution throughout the zoom range. Fast tracking for sports and wildlife Responsive SSM (Super Sonic wave Motor) focus drive and new high-speed lens processing boost autofocus speed and precision by up to four times. Reliable and easy in any conditions Reliable operation in a variety of conditions is ensured by a design that prevents dust and moisture from entering the lens. Sharp, well-defined reproduction The inclusion of an ED (Extra-low Dispersion) glass element in an advanced optical design effectively suppresses chromatic aberration that can be a problem in telephoto lenses, providing superior image quality throughout the zoom range. This lens can also produce gorgeous beautifully smooth background bokeh when needed.

Sony SAL-70200G2.AE 70–200mm F2.8 G SSM II Lens

Sony SAL-70200G2.AE (SAL70200G2, SAL70200G2.AE, SAL-70200G2, sal-70200g2.ae) 70–200mm F2.8 G SSM II Lens Outstanding imagery with beautiful bokeh With a constant F2.8 maximum aperture throughout a versatile 70 mm medium telephoto to 200 mm telephoto zoom range, this lens is well suited to a wide range of subjects such as sports, portraiture, landscapes and much more. It delivers outstanding sharpness and clarity throughout the zoom range, with gorgeous background bokeh when needed. A dust and moisture resistant design contributes to consistently reliable performance when shooting outdoors. Improved performance at all focal lengths The popular 70–200 mm F2.8 G SSM lens has evolved to an even higher level in Version II, with an optical design that delivers optimum quality with digital image sensors. Reproduction of fine detail throughout the image area has been significantly enhanced, and beautiful G Lens background bokeh adds to its expressive appeal. Clear images with crisp contrast In addition to precision optical design, Sony’s Nano AR Coating technology produces a lens coating with a precisely defined regular Nano-structure that effectively suppresses reflections that can cause flare and ghosting. The overall result is superior clarity and crisp contrast that add up to outstanding definition. Faster tracking and improved response Sony’s SSM autofocus drive system is a desirable feature in itself, offering exceptionally smooth, quiet operation. A new LSI drive circuit takes that performance to a new level, achieving significantly faster autofocus subject tracking than previous models and making the SSM drive system more responsive than ever. A refined operating experience Three focus hold buttons around the lens barrel provide easy access no matter how the camera is held. Sony's thorough attention to operational ease is also apparent in a focus mode and range limiter switch, and DMF (Direct manual Focus) capability. SSM (Super Sonic wave Motor) focus drive The SSM (Super Sonic wave Motor) is a piezoelectric drive system that contributes to smooth, silent autofocus operation. Its capacity for high torque at low rotational speeds contributes to fast start and stop response as well as precise positioning. To the photographer that means quick, quiet, accurate focus. Sharp, well-defined reproduction Four ED (Extra-low Dispersion) glass elements contribute to prime-lens class sharpness throughout the zoom range, but this lens can also produce gorgeous background bokeh when needed. Dust and moisture resistant Some of the most exciting images are captured in challenging environments. A dust and moisture resistant design means that the lens will continue to perform reliably in moderately wet or dusty conditions, so you can shoot with confidence wherever those great shots are found.

Sony SAL-55300.AE DT 55–300mm F4.5–5.6 SAM lens

Sony SAL-55300.AE (SAL55300.AE, SAL-55300, SAL55300, sal-55300.ae) DT 55–300mm F4.5–5.6 SAM lens Quiet, quick, all-purpose telephoto zoom Compact, lightweight telephoto zoom lens offers smooth, silent operation and covers the all-important medium-to-long distance telephoto range. Compact and stylish interchangeable lens Designed for advanced performance at a range of focal lengths for all SLT and DSLR cameras featuring APS-C sensors Shoot at a wide-range of focal lengths A 5.5x magnification range covers focal lengths from 55 mm to 300 mm, with the power to capture wildlife and fast action Fast and quiet autofocus The whisper-quiet Smooth Autofocus Motor delivers fluid operation of the lens autofocus function — ideal for intimate shoots Higher image quality with ED glass Extra-Low Dispersion glass reduces chromatic aberrations to sharpen image quality at medium to long focal lengths Maximise coverage with a standard zoom With a standard zoom lens (DT18–55 mm F3.5–5.6) you get even broader focal coverage, from 27 mm wide angle to 450 mm super telephoto

Sony SAL-55200-2.AE DT 55–200mm F4–5.6 SAM Zoom Lens

Sony SAL-55200-2.AE (SAL55200-2.AE, SAL55200/2, SAL55200-2, sal-55200-2.ae) DT 55–200mm F4–5.6 SAM Zoom Lens Compact and versatile telephoto zoom Covering the medium to telephoto stretch of the "standard" zoom range, SAL55200-2 is a lightweight, easy-handling choice for shooting sports, wildlife and travel. Compatible with 35 mm Full Frame 2, or APS-C format A-mount cameras. Say goodbye to blur Pair the lens with a camera by Sony with SteadyShot™ INSIDE and you’ll enjoy smooth, blur-free results when shooting handheld, even zoomed-in. Smooth defocusing Instead of a standard polygon-shaped lens aperture, this lens features a 9-blade circular aperture for more natural, rounded defocusing or ‘bokeh’. Refined optical performance ED (Extra-low Dispersion) glass elements provide superior contrast, resolution and colour fidelity throughout the image, even at large aperture settings. Smooth, silent autofocus Built into the lens, the Smooth Autofocus Motor (SAM) is significantly smoother and quieter than conventional camera-coupled autofocus drive systems.

Sony SAL-50M28.AE 50mm F/2.8 Macro Prime Lens

Sony SAL-50M28.AE (SAL-50M28.AE, SAL-50M28, SAL50M28, sal-50m28.ae) 50mm F/2.8 Macro Prime Lens Crisp, sharp shots from as close as 20 cm When you want to get in close to a subject, this compact 50 mm macro lens lets you fill the frame with razor-sharp detail from a minimum 20 cm focusing distance. This 35 MM Full-Frame lens works with Sony α cameras. Say goodbye to blur Pair the lens with a camera by Sony with SteadyShot™ INSIDE and you’ll enjoy smooth, blur-free results when shooting handheld, even zoomed-in. Smooth defocusing Instead of a standard polygon-shaped lens aperture, this lens features a 7-blade circular aperture for more natural, rounded defocusing or ‘bokeh’. Refined optical performance Multiple lens elements crafted from high performance optical glass help to minimise distortion and aberration, ensuring crisp, sharp images.

Sony SAL-50F18.AE DT 50mm F1.8 SAM Portrait Lens

Sony SAL-50F18.AE (SAL50F18.AE, SAL-50F18, SAL50F18, sal-50f18.ae) DT 50mm F1.8 SAM Portrait Lens Make your subject stand out With its bright F1.8 maximum aperture, the SAL50F18 is ideal for framing and isolating your subject, even if it's competing with a busy background. Compatible with 35 mm Full Frame 2, or APS-C format A-mount cameras. Say goodbye to blur Pair the lens with a camera by Sony with SteadyShot™ INSIDE and you’ll enjoy smooth, blur-free results when shooting handheld, even zoomed-in. Smooth defocusing Instead of a standard polygon-shaped lens aperture, this lens features a 7-blade circular aperture for more natural, rounded defocusing or ‘bokeh’. Refined optical performance Multiple lens elements crafted from high performance optical glass help to minimise distortion and aberration, ensuring crisp, sharp images. Smooth, silent autofocus Built into the lens, the Smooth Autofocus Motor (SAM) is significantly smoother and quieter than conventional camera-coupled autofocus drive systems.

Sony SAL-50F14.AE 50mm f/1.4 Alpha A-Mount Standard Prime Lens

Sony SAL-50F14.AE (SAL50F14.AE, SAL-50F14, SAL50F14, sal-50f14.ae) 50mm f/1.4 Alpha A-Mount Standard Prime Lens Edge-to-edge clarity, even in low light The quintessential fast "normal" lens, the SAL50F14 offers exceptional performance, with the F1.4 aperture enabling beautiful defocus effects and low-light shooting. This 35 MM Full-Frame lens works with Sony α cameras. Say goodbye to blur Pair the lens with a camera by Sony with SteadyShot™ INSIDE and you’ll enjoy smooth, blur-free results when shooting handheld, even zoomed-in. Smooth defocusing Instead of a standard polygon-shaped lens aperture, this lens features a 7-blade circular aperture for more natural, rounded defocusing or ‘bokeh’. Refined optical performance To optimise performance, two aspherical lens elements maintain high contrast (even with the aperture wide open) and minimise distortion and flatness of the image plane.

Sony SAL-500F40G.AE 500mm f/4.0 G Telephoto Prime Lens

Sony SAL-500F40G.AE (SAL-500F40G.AE, SAL500F40G, SAL500F40G, sal-500f40G.ae) 500mm f/4.0 G Telephoto Prime Lens Perfection in a super-telephoto prime This 500 mm super-telephoto lens with a constant F4 maximum aperture is ideal for sports and wildlife photographers, providing extended telephoto reach along with top-level optical performance and features. It is exceptionally sharp with superb contrast and definition, and can produce gorgeous background bokeh when required. It can also handle heavy-duty use in outdoor conditions. Full support for high pixel count sensors Current image sensors offer resolution and overall image quality that easily surpass film and this lens features the performance necessary to take full advantage of that imaging precision. Cutting-edge G Lens technology comes together in a truly refined design that represents the very peak of α lens performance and control. Clear images with crisp contrast In addition to precision optical design, Sony’s Nano AR Coating technology produces a lens coating with a precisely defined regular Nano-structure that effectively suppresses reflections that can cause flare and ghosting. The overall result is superior clarity and crisp contrast that add up to outstanding definition. Sharp from corner to corner Three ED (Extra-low Dispersion) glass elements in a state-of-the-art optical design minimise aberration and achieve excellent image-wide sharpness, providing a perfect blend of high resolution and excellent contrast in in-focus areas with beautifully smooth background bokeh that can make the subject stand out for deep, dimensional visual impact. Dust and moisture resistant Some of the most exciting images are captured in challenging environments. A dust and moisture resistant design means that the lens will continue to perform reliably in moderately wet or dusty conditions, so you can shoot with confidence wherever those great shots are found. Faster tracking and improved response Sony’s SSM autofocus drive system is a desirable feature in itself, offering exceptionally smooth, quiet operation. A new LSI drive circuit takes that performance to a new level, achieving significantly faster autofocus subject tracking than previous models and making the SSM drive system more responsive than ever. SSM (Super Sonic wave Motor) focus drive The SSM (Super Sonic wave Motor) is a piezoelectric drive system that contributes to smooth, silent autofocus operation. Its capacity for high torque at low rotational speeds contributes to fast start and stop response as well as precise positioning. To the photographer that means quick, quiet, accurate focus. A refined operating experience Four focus hold buttons around the lens barrel provide easy access no matter how the camera is held. Sony’s thorough attention to operational ease is also apparent in dual DMF (Direct Manual Focus) modes, a focus range switch and a function that measures the distance to the subject before focusing. Carbon fibre lens hood The lens hood is an important part of a lens’s optical design and should always be used when optimum performance is desired. This lens comes supplied with a carbon-fibre lens hood that is lightweight and lined with velvet fibres that will effectively absorb spurious light.

Sony SAL-30M28.AE DT 30mm F2.8 SAM Macro Lens

Sony SAL-30M28.AE (SAL30M28.AE, SAL30M28, SAL-30M28, sal-30m28.ae) DT 30mm F2.8 SAM Macro Lens Lightweight and compact, the SAL30M28 lets you get as close as 20 mm from your subject and capture macro images with up to 1:1 magnification. Say goodbye to blur Pair the lens with a camera by Sony with SteadyShot™ INSIDE and you’ll enjoy smooth, blur-free results when shooting handheld, even zoomed-in. Smooth defocusing Instead of a standard polygon-shaped lens aperture, this lens features a 7-blade circular aperture for more natural, rounded defocusing or ‘bokeh’. Refined optical performance Multiple lens elements crafted from high performance optical glass help to minimise distortion and aberration, ensuring crisp, sharp images. Smooth, silent autofocus Built into the lens, the Smooth Autofocus Motor (SAM) is significantly smoother and quieter than conventional camera-coupled autofocus drive systems.

Sony SAL-300F28G2.AE 300mm F2.8 G SSM II Lens

Sony SAL-300F28G2.AE (SAL300F28G2.AE, SAL-300F28G2, SAL300F28G2, sal-300f28g2.ae) 300mm F2.8 G SSM II Lens Ideal for nature and action photography This large-aperture telephoto lens offers optical quality that fully supports high-resolution image sensors, plus excellent balance between contrast and background blur. With a 300 mm focal length and F2.8 maximum aperture it is a tool that nature and sports photographers will appreciate, and its lightweight design offers the mobility needed to be in the right place at the right time. Superior resolution with great bokeh A refined G Lens optical design that includes ED (Extra-low Dispersion) glass for optimum suppression of aberration gives this high-performance telephoto lens a perfect blend of high resolution and excellent contrast in in-focus areas with beautifully smooth background bokeh that can make the subject stand out for deep, dimensional visual impact. Clear images with crisp contrast In addition to precision optical design, Sony’s Nano AR Coating technology produces a lens coating with a precisely defined regular Nano-structure that effectively suppresses reflections that can cause flare and ghosting. The overall result is superior clarity and crisp contrast that add up to outstanding definition. Faster tracking and improved response Sony’s SSM autofocus drive system is a desirable feature in itself, offering exceptionally smooth, quiet operation. A new LSI drive circuit takes that performance to a new level, achieving significantly faster autofocus subject tracking than previous models and making the SSM drive system more responsive than ever. A refined operating experience Four focus hold buttons around the lens barrel provide easy access no matter how the camera is held. Sony’s thorough attention to operational ease is also apparent in dual DMF (Direct Manual Focus) modes, a focus range switch and a function that measures the distance to the subject before focusing. SSM (Super Sonic wave Motor) focus drive The SSM (Super Sonic wave Motor) is a piezoelectric drive system that contributes to smooth, silent autofocus operation. Its capacity for high torque at low rotational speeds contributes to fast start and stop response as well as precise positioning. To the photographer that means quick, quiet, accurate focus. Dust and moisture resistant Some of the most exciting images are captured in challenging environments. A dust and moisture resistant design means that the lens will continue to perform reliably in moderately wet or dusty conditions, so you can shoot with confidence wherever those great shots are found. Carbon fibre lens hood The lens hood is an important part of a lens’s optical design and should always be used when optimum performance is desired. This lens comes supplied with a carbon-fibre lens hood that is lightweight and lined with velvet fibres that will effectively absorb spurious light.

Sony SAL-2470Z2.SYX 24-70mm f/2.8 ZA SSM II Vario-Sonnar T Lens

Sony SAL-2470Z2.SYX (SAL2470Z2, SAL-2470Z2, SAL2470Z2.SYX, sal-2470Z2.syx) 24-70mm f/2.8 ZA SSM II Vario-Sonnar T Lens A popular pick for professionals using full-frame A-mount cameras, the Vario-Sonnar T* 24-70mm f/2.8 ZA SSM II Lens from Sony covers many of the most commonly used focal lengths in its wide-angle to short telephoto range, which make this optic an outstanding option for photographers working quickly in a variety of shooting situations. Offering a constant f/2.8 aperture, shooters will enjoy consistent exposure throughout the zoom range. Also, the lens design incorporates two aspherical elements to combat aberrations and uses the Zeiss T* coating to effectively eliminate flare. Operation is smooth and fast with an enhanced Super Sonic wave Motor (SSM) AF system, as well as a focus hold button and focus mode switch for intuitive control. Assisting with focus speed is an internal focus design for faster performance and reaching a minimum focus distance of 11". Additionally, it has a dust- and moisture-resistant construction and a nine-blade circular diaphragm for smooth bokeh. Based on the Zeiss Sonnar optical concept, this lens uses a design with 17 elements in 13 groups that helps create a relatively compact wide-angle zoom with improved contrast, a resistance to flare, and with minimal distortion and chromatic aberrations. A standard-length zoom designed for full-frame A-mount cameras, the 24-70mm can also be used on APS-C camera systems where it will provide a 36-105mm equivalent focal length. A constant f/2.8 maximum aperture offers consistent performance throughout the zoom range and also lends greater control over focus position for shallow depth of field techniques. Zeiss T* anti-reflective coatings have been applied to each lens surface to help minimize reflections in order to provide greater image clarity, contrast, and color fidelity. Two extra-low dispersion glass elements are featured in the lens design to help reduce chromatic aberrations and color fringing for improved clarity and color neutrality. Two aspherical elements are incorporated in the lens design to reduce astigmatism, field curvature, coma, and other monochromatic aberrations. An SSM autofocus system and internal focus mechanism provides quick, quiet, and precise autofocus performance and also contributes to more natural, intuitive manual focus control. A focus hold button and focus mode switch are present on the lens barrel for intuitive tactile control and rapid access to select settings. Dust- and moisture-sealed design better permits working in inclement conditions. Rounded nine-blade diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques.

Sony SAL-20F28.AE 20mm f/2.8 Wide Angle Prime Lens

Sony SAL-20F28.AE (SAL20F28, SAL-20F28, SAL20F28.AE, sal-20f28.ae) 20mm f/2.8 Wide Angle Prime Lens Dramatic perspective, depth and light Ideal for scenery or architecture, this rigorously corrected fixed focal length lens captures images with exaggerated perspective and minimal distortion. This 35 MM Full-Frame lens works with Sony α cameras. Say goodbye to blur Pair the lens with a camera by Sony with SteadyShot™ INSIDE and you’ll enjoy smooth, blur-free results when shooting handheld, even zoomed-in. Smooth defocusing Instead of a standard polygon-shaped lens aperture, this lens features a 7-blade circular aperture for more natural, rounded defocusing or ‘bokeh’. Refined optical performance To optimise image clarity the lens demonstrates an extremely high degree of distortion compensation, while lens coatings help reduce internal light reflection. Fast, agile focusing A rear focusing mechanism means the lens barrel doesn’t move, enabling a more compact design, faster autofocus response and reduced minimum focusing distances.

Sony SAL-18250.AE DT 18–250mm F3.5–6.3 Lens

Sony SAL-18250.AE (SAL-18250, SAL18250, SAL18250.AE, sal-18250.ae) DT 18–250mm F3.5–6.3 Lens The SAL18250 offers significant "reach" at the long end—useful for shooting distant subjects such as sports or wildlife—plus an 18 mm wide end for scenic shots. Smooth defocusing Instead of a standard polygon-shaped lens aperture, this lens features a 7-blade circular aperture for more natural, rounded defocusing or ‘bokeh’. Refined optical performance Aspherical lens elements minimise distortion while ED (Extra-low Dispersion) glass elements provide superior contrast, resolution and colour fidelity. Fast, agile focusing An internal focusing mechanism means the lens barrel doesn't move, enabling a more compact design, faster autofocus response and reduced minimum focusing distances. Say goodbye to blur Pair the lens with a camera by Sony featuring built-in SteadyShot™ image stabilisation and you’ll enjoy smooth, blur-free results when shooting handheld. Compatible with 35 mm Full Frame 2, or APS-C format A-mount cameras.

Sony SAL-18135.AE DT 18–135mm F3.5–5.6 SAM Lens

Sony SAL-18135.AE (SAL18135, SAL-18135, SAL18135.AE, sal-18135.ae) DT 18–135mm F3.5–5.6 SAM Lens An ideal lens for everyday carry on an APS-C A-mount camera, the DT 18-135mm f/3.5-5.6 SAM Lens from Sony offers outstanding versatility in a relatively compact form factor. Offering an extremely versatile 27-202.5mm equivalent zoom range, this one lens can cover most general shooting scenarios. It also uses one extra-low dispersion element and two aspherical elements to combat aberrations and flare. Ensuring optimal performance is the Smooth Autofocus Motor (SAM), a built-in system that provides smooth, quiet, and quick focusing that works well with the internal focus design to provide a minimum focus distance of 1.5'. Additionally, it has a seven-blade circular diaphragm for smooth bokeh. Covering wide-angle to telephoto perspectives, this 18-135mm zoom is designed for APS-C format A-mount cameras, where it will provide a versatile 27-202.5mm equivalent focal length. A variable f/3.5-5.6 maximum aperture helps ensure that lens size and weight is kept to a minimum. One extra-low dispersion glass element is featured in the lens design to help reduce chromatic aberrations and color fringing for improved clarity and color neutrality. Two aspherical elements are incorporated in the lens design to reduce astigmatism, field curvature, coma, and other monochromatic aberrations. By incorporating a Smooth Autofocus Motor (SAM) unit into the lens itself to drive the focusing element group, this lens is able to deliver smoother, quieter, and faster performance that coupled systems. Also, the internal focusing design helps to achieve a minimum focus distance of 1.5'.   Rounded seven-blade diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques.

Sony SAL-16F28.AE 16mm F2.8 Fisheye lens

Sony SAL-16F28.AE (SAL16F28, SAL-16F28, SAL16F28.AE, sal-16f28.ae) 16mm F2.8 Fisheye lens The SAL16F28 offers a full 180° angle of view on 35 mm format cameras (110° on APS-C format) so you can get creative with distortion, perspective and depth of field. Refined optical performance Thanks to high quality optics, the SAL16F28 fisheye lens can capture crisp, clear images throughout the focal range, even with the aperture wide open. A choice of internal filters Simply rotate a dial on the lens to select one of four internal filter settings: normal, O56 monochrome, B12 red reduction and A12 blue reduction. Say goodbye to blur  Pair the lens with a camera by Sony featuring built-in SteadyShot™ image stabilisation and you’ll enjoy smooth, blur-free results when shooting handheld.

Sony SAL-1680Z.AE Vario-Sonnar T DT 16–80mm F3.5-4.5 ZA Lens

Sony SAL-1680Z.AE (SAL1680Z, SAL-1680Z, SAL1680Z.AE, sal-1680z.ae) Vario-Sonnar T DT 16–80mm F3.5-4.5 ZA Lens Have all your bases covered with the Vario-Sonnar T* DT 16-80mm f/3.5-4.5 ZA Lens from Sony, which offers an extremely versatile 24-120mm equivalent zoom range on APS-C format A-mount cameras. Benefitting from a Zeiss design that incorporates two aspherical elements and the renowned T* coating, this zoom will help capture sharp, aberration-free images. Also, due to the use of a variable f/3.5-4.5 maximum aperture the overall size and weight is kept to a minimum. Handling and operation is intuitive, especially with an Auto Clutch mechanism that prevents the focusing ring from rotating when autofocus is engaged. Additionally, the internally focusing lens has a minimum focus distance of 1.1' and it has a seven-blade circular diaphragm for smooth bokeh. Based on the Zeiss Sonnar optical concept, this lens uses a design with 14 elements in 10 groups that helps provide a maximum aperture range of f/3.5-4.5 while simultaneously reducing flare and improving contrast. A standard-length zoom designed for Sony A-mount APS-C-format cameras, the 16-80mm will provide a versatile wide-angle to telephoto 24-120mm equivalent focal length. Two aspherical elements are incorporated in the lens design to reduce astigmatism, field curvature, coma, and other monochromatic aberrations. Zeiss T* anti-reflective coatings have been applied to each lens surface to help minimize reflections in order to provide greater image clarity, contrast, and color fidelity. An Auto Clutch mechanism prevents the focusing ring from rotating when the lens is set to autofocus, allowing for easier, and more natural feeling control over the lens. An internal focus design enables fast autofocus as well as a minimum focus distance of 1.1'. Rounded seven-blade diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques.

Sony SAL-1650.AE DT 16–50mm F2.8 SSM Lens

Sony SAL-1650.AE (SAL1650, SAL-1650, SAL1650.AE, sal1650.ae) DT 16–50mm F2.8 SSM Lens Compact, versatile mid-range zoom The SAL1650 packs first-class optical performance and a versatile 16–50 mm zoom range into a remarkably compact and lightweight lens. Say goodbye to blur Pair the lens with a camera by Sony with SteadyShot™ INSIDE and you’ll enjoy smooth, blur-free results when shooting handheld, even zoomed-in. Smooth defocusing Instead of a standard polygon-shaped lens aperture, this lens features a 7-blade circular aperture for more natural, rounded defocusing or ‘bokeh’. Refined optical performance Aspherical lens elements minimise distortion while ED (Extra-low Dispersion) glass elements provide superior contrast, resolution and colour fidelity. Focus quickly and quietly Internal focusing enables reduced minimum focusing distances and fast autofocus response while a built-in SSM (Super Sonic wave Motor) ensures silent operation.

Sony SAL-16105.AE DT 16–105mm F3.5–5.6 Wide Range Zoom Lens

Sony SAL-16105.AE (SAL16105, SAL-16105, SAL-16105.AE, sal-16105.ae) DT 16–105mm F3.5–5.6 Wide Range Zoom Lens One lens, many possibilities The 16-105 mm range of this lens is a sweet spot for many photographers; wide enough to capture scenery and interiors and long enough to reach distant subjects. Smooth defocusing Instead of a standard polygon-shaped lens aperture, this lens features a 7-blade circular aperture for more natural, rounded defocusing or ‘bokeh’. Refined optical performance Aspherical lens elements minimise distortion while ED (Extra-low Dispersion) glass elements provide superior contrast, resolution and colour fidelity. Fast, agile focusing An internal focusing mechanism means the lens barrel doesn't move, enabling a more compact design, faster autofocus response and reduced minimum focusing distances. Say goodbye to blur Pair the lens with a camera by Sony featuring built-in SteadyShot™ image stabilisation and you’ll enjoy smooth, blur-free results when shooting handheld.

Sony SAL-14TC.AE 1.4x Teleconverter Digital Camera Lens

Sony SAL-14TC.AE 1.4x (SAL-14TC, SAL14TC, SAL14TC.AE, sal14tc-ae) Teleconverter Digital Camera Lens The SAL14TC teleconverter lens increases your focal length by 1.4x without compromising image quality. A high-performance teleconverter like the SAL14TC can significantly expand the range and versatility of a single lens or a small selection of lenses, giving you a vastly greater range of shooting options without having to carry a heavy, bulky lens kit. Extend your range by 1.4x A high-performance optical design increases the focal length of compatible lenses by 1.4x without compromising image quality. Great for sports and nature photography.2 Compatible with a range of lenses The SAL14TC teleconverter is compatible with the following lenses: SAL500F40G3, SAL300F28G23, SAL70400G24, SAL70200G23, SAL135F284 Lens Configuration Impressive optical performance for Sony cameras, precision engineered for versatility and reliability in a wide range of applications.

Sony SAL-135F28.AE 135mm F2.8 (T4.5) Smooth Transition Focus lens

Sony SAL-135F28.AE (SAL135F28.AE, SAL-135F28, SAL135F28, sal-135f28.ae) 135mm F2.8 (T4.5) Smooth Transition Focus lens This unique lens has been specifically designed to deliver smooth transitions between crisp in-focus areas and creamily defocused background and foreground areas. Smooth Transition Focus Smooth Transition Focus (STF) optics produce images with high resolution at the plane of focus, melting away to beautifully diffused out of focus rendition. Say goodbye to blur Pair the lens with a camera by Sony featuring built-in SteadyShot image stabilisation and you’ll enjoy smooth, blur-free results when shooting handheld. Refined optical performance Special apodization elements cause the intensity of the defocused point light sources to fade out radially so that no sharply defined edges or geometry remain.

Sony SAL-100M28.AE 100mm f/2.8 AF Macro Autofocus Lens

Sony SAL-100M28.AE (SAL-100M28, SAL100M28, SAL100M28.AE, sal-100m28.ae) 100mm f/2.8 AF Macro Autofocus Lens The 100mm f/2.8 AF Macro Autofocus Lens from Sony is a mid-telephoto macro lens that focuses as close as 1.2' away from your subject, with a maximum reproduction ratio of 1:1 - meaning your subjects can appear life-size in these close-up images. It is compatible with Sony Alpha and Minolta Maxxum SLR cameras. Its double-floating element design eliminates aberrations and ensures sharp, high-contrast results. Its circular f/2.8 aperture provides a natural-looking, round bokeh background effect, and allows you to shoot in darker conditions due to the bright wide-open aperture. With it you can walk up to your subject and capture images from just over one foot away, in outstanding clarity and detail. It also has a 55mm front filter thread so you can attach accessory filters onto it for protection and effects. APS-C 35mm Equivalent: 150mm This 100mm lens has the 35mm equivalent viewing angle of a 150mm lens, when attached to cropped APS-C cameras. Aperture Range: f/2.8-32 With a maximum aperture of f/2.8 and minimum of f/32, this lens' high speed means you can capture images in darker conditions using faster shutter speeds and lower ISO sensitivity. Minimum Focus Distance: 1.2' Using this lens' full potential, you can get close-up images from just a foot away for exceedingly blurred backgrounds and sharp details. 9x Circular Aperture Blades Circular aperture blades produce smooth, rounded bokeh background effects when capturing spot-light sources in your pictures. Because the aperture blades form a near circle at the wide openings used for low-light shots, spot-light sources have a pleasing circular defocused effect. Filter Diameter: 55mm The 55mm front filter thread does not rotate, allowing rotating polarizing filters to be used. Auto Clutch Manual Focus Ring Thanks to this lens' Auto Clutch, the manual focus ring does not rotate in auto-focus mode which improves handling and prevents you from accidentally changing your focus. Focus Hold & Range Limiter Buttons This lens is made with a Focus Hold button and Range Limiter, which offer better focus control and performance whenever you need it. Switch between auto and manual focusing for more speed or precision, and then lock the focus to keep it right where you want it. Then, using the Range Limiter, tell your lens which end of the focusing range you want it to use in order to limit the amount of seeking time it has to do and increase AF performance.

Sony SAL-1118.AE 11-18mm f/4.5-5.6 DT Wide Angle Zoom Lens

Sony SAL-1118.AE (SAL-1118, SAL1118, sal-1118.ae) 11-18mm f/4.5-5.6 DT Wide Angle Zoom Lens Make sure you have the right tool to capture that vast landscape or tight architectural space by picking up the DT 11-18mm f/4.5-5.6 Lens from Sony. Designed specifically for Sony's APS-C A-mount DSLR cameras, it provides an equivalent zoom range of 16.5-27mm for ultra-wide imaging. It uses a variable f/4.5-5.6 maximum aperture to keep size and weight to a minimum while it incorporates various specialized elements to minimize aberrations and improve sharpness and clarity. Also, it has an internal focus mechanism that helps speed up autofocus performance to the minimum focus distance of 9.8". Additionally, it has a seven-blade circular diaphragm for smooth bokeh and it has a front filter diameter of 77mm. This ultra wide angle zoom lens was designed for Sony's APS-C DSLRs where it provides an equivalent focal length range of 16.5-27mm. It features a variable f/4.5-5.6 maximum aperture, which helps keep size and weight to a minimum. One extra-low dispersion element reduces color fringing and chromatic aberrations while three aspherical elements control spherical aberrations for improved clarity and sharpness. An internal focus mechanism provides quick, quiet, and precise autofocus performance and also contributes to more natural, intuitive manual focus control. A rounded 7-blade diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques.

Sony GP-VPT1 Shooting Grip with Mini Tripod

Sony GP-VPT1 (GP/VPT1, GP_VPT1, GPVPT1, gp-vpt1) Shooting Grip with Mini Tripod The Sony GP-VPT1 Shooting Grip with Mini Tripod provides one-handed operation of your multi-terminal equipped Sony camcorder or camera. It can also fold out into a mini tripod for hands-free use. The GP-VPT1 features a pan handle with wired remote control, adjustable grip angle, and zoom, photo, and start/stop record buttons. A hand strap, cable clamper, and carrying pouch come included. Your camera mounts to the shooting grip via a 1/4"-20 screw. The wired AV cable uses Sony's Multi Terminal connector, which plugs in to the corresponding port on compatible camcorders/cameras and lets you control zoom, take photos, and start/stop recording using the buttons found on the grip. Using the cable clamper keeps the cable out of the way while recording. The grip angle is adjustable in increments of approximately 10 degrees by pressing the angle adjust button on the side of the grip. This allows you to find the angle that is comfortable for you. For added convenience, two legs fold out from the shooting grip to turn the GP-VPT1 into a mini tripod, letting you set it on a tabletop for hands-free shooting.

Sony LCS-U21B.SYH Soft Carrying Case (Black)

Sony LCS-U21B.SYH (LCS-U21, LCSU21, LCS_U21B, lcs-u21B.syh) Soft Carrying Case (Black) The black LCS-U21 Soft Carrying Case from Sony is a medium-sized case to hold your HD camcorder, Alpha DSLR, NEX or Cyber-shot camera. The case features a movable interior divider that will help you configure your gear to suit your need. Three exterior pouches-two on the side and one in front are provided for storage. The front pocket has a built-in Memory Stick holder. Access to the case is via its front snap coupler or zipper. The case is carried by its shoulder strap or top carry handle. The LCS-U21 Soft Carrying Case is backed by a limited one-year warranty from Sony.

Sony FA-EBA1.SYU External Battery Adaptor for Flash

Sony FA-EBA1.SYU (FAEBA1.SYU, FA-EBA1, FAEBA1, fa-eba1) External Battery Adaptor for Flash Dedicated to the Sony HVL-F60RM and HVL-F60M flashes, the FA-EB1 External Battery Pack helps to reduce flash recycle times as well as provide more flashes per session. Using a battery magazine system, up to eight AA alkaline or NiMH batteries can be used to offer up to approximately 660 flashes per set of batteries, along with fast recycle times of 0.6 seconds. This magazine can also be used with just four AA batteries in place, and when in use, this pack will be used as the priority power source in order to alleviate power drain on the batteries in the flash. High-speed continuous shooting, 0.6 seconds charge time Cycle times of less than 0.6 seconds2 provide the speed that professionals need for continuous shooting. Fast battery replacement A battery magazine system allows fast battery replacement. The battery magazine can be inserted in any orientation, minimising fumbling and lost time. Eight AA batteries are stored (It can be used with four AA batteries). The External Battery Adaptor for Flash (FA-EBA1) takes priority so that minimal demand is placed on the internal HVL-F60RM batteries. Over 660 continuous flashes 660 continuous flashes can be produced with fully charged batteries, providing the endurance needed for demanding professional applications. Professional reliability To meet professional use, reliability is enhanced. For example, cable stress relief have been carefully designed for maximum durability (see illustration). Seals around enclosure joints and a rubber magazine lid gasket minimise the possibility of dust or moisture intrusion.

Sony NP-FV70A.ECN V-Series Battery Pack for Handycam Camcorders (1900mAh)

Sony NP-FV70A.ECN (NPFV70A, NP-FV70A, np-fv70a.ecn) V-Series Battery Pack for Handycam Camcorders (1900mAh) The Sony NP-FV70A is a 7.3V, 1900mAh capacity lithium-ion battery compatible with all Handycam camcorders. It's designed with Sony's V-Series InfoLITHIUM feature, which enables it to communicate remaining time in minutes to the camera's LCD, so you know exactly how much time you have left. It can be charged while connected to the camera or off a dedicated charger, such as the AC-VQV10.

Sony NP-FV50A.ECN V-Series Battery Pack for Handycam Camcorders (950mAh)

Sony NP-FV50A.ECN (NP-FV50A, NPFV50A, np-fv50a.ecn) V-Series Battery Pack for Handycam Camcorders (950mAh) The Sony NP-FV50A is a 7.3V, 950mAh capacity lithium-ion battery compatible with all Handycam camcorders. It's designed with Sony's V-Series InfoLITHIUM feature, which enables it to communicate remaining time in minutes to the camera's LCD, so you know exactly how much time you have left. It can be charged while connected to the camera or off a dedicated charger, such as the AC-VQV10.

Sony AKA-FGP1 Finger Grip for Select Action Cameras

Sony AKA-FGP1 (AKA/FGP1, AKA_FGP1, AKAFGP1, aka-fgp1) Finger Grip for Select Action Cameras Confidently shoot handheld with your action camera now that you're getting the exact shot you're after with the Finger Grip Holder from Sony. Mounting to the back of the camera, allows you to hold both the camera and the RM-LVR3 Live-View Remote in one hand, letting you frame and monitor the shots you're capturing. A finger slot ensures a secure grip and the remote mounting clip tilts 120°, so you can keep an eye on the screen whether you're go for low, normal, or high angles shots. Simple to use, the Finger Grip Holder makes an ideal accessory for travel and casual action cam use. Compatibility FDR-X3000, HDR-AS300, HDR-AS50 action cameras RM-LVR3 Live-View Remote

LCJ-RXK Leather Look Case for Sony RX100 Series

Sony LCJ-RXK (LCJ/RXK, LCJ_RXK, LCJRXK, lcj-rxk) Leather Look Case for Sony RX100 Series Dedicated to the Sony RX100 series of cameras, the LCJ-RXK Jacket Case is a sleek, protective case featuring a stylish leather-like finish. The dedicated design retains access to the camera's charging, USB, and other ports, as well as the tripod mount, and it retains access to the tilting LCD. Additionally, for carrying, a shoulder strap is included. Compatible Cameras RX100 VII RX100 VI RX100 VA RX100 V RX100 IV RX100 III RX100 II RX100

Sony ILCE-6400B.CEC Alpha a6400 Mirrorless Digital Camera (Body Only)

Sony ILCE-6400B.CEC (ILCE6400B.CEC, ILCE-6400/B, ilce-6400b.cec) Alpha a6400 Mirrorless Digital Camera (Body Only) Lightweight, compact and sturdily built, the α6400 is loadedwith impressive capabilities and features. With super-fast AF and highly precise subject tracking, it's ideal for capturing fast-moving action, while its wide sensitivity range and stunning image quality make it suitable for just about any photographic opportunity you may encounter, whether you're shooting stills or movies. Despite its compact size and light weight, the α6400 delivers speedy performance and a range of features you'd expect from a full-frame model. Whether you're taking still shots or movies, creative compositions or everyday selfie shots, you'll enjoy beautiful images that you'll want to share, on the go. Innovation in service to your creativity: Unleash your creative potential with high-level performance and advanced features such as AI-powered Real-time Eye AF; new, high-precision Real-time Tracking; high-speed continuous shooting and 4K HDR (HLG) movie-shooting. Reliable AF for great action shots: The camera's innovative AF quickly and reliably detects the position of the subject and then tracks the subject's motion, keeping it in sharp focus.  Fast continuous shooting with AF/AE at up to 11fps: Never miss a moment of the action thanks to fast internal processing and high-capacity buffer memory. Fire off shots at up to 11fps with after-view or 8fps4 for live-view, with minimal display lag, and take up to around 116 shots in JPEG (Standard) or 46 shots in compressed RAW format in one continuous burst. Silent continuous shooting at up to 8fps: When your shoot calls for absolute quiet, such as when you're photographing a live performance, silent shooting with no shutter noise allows shooting at up to 8fps with AF/AE tracking, even in AF-C mode, with Real-time Eye AF, or with Real-time Tracking, expanding your range of shooting options. Smart subject-tracking: Newly adopted AI-based subject recognition technology processes a vast amount of data to detect and track even rapidly moving subjects. Accurate eye recognition: Enhanced Real-time Eye AF reliably recognises human faces and focuses precisely on a person's eyes. There's no need for special settings – just press the shutter button. Persistent eye tracking: When AF-C is set, Real-time Eye AF maintains a stable focus on a moving subject even when part of the face is hidden, the face is backlit, or the subject is facing downwards. Choose your subject's left eye or right eye: Now you can choose Left Eye, Right Eye, or Auto from the menu in advance, leaving you free to pay more attention to composition. These selections can be assigned to custom buttons, allowing you to quickly toggle between choices while in mid-shoot.  Real-time Tracking reliably maintains focus: For sporting events and other situations where your subjects are moving quickly, keeping them in constant focus can make all the difference between catching an important, dramatic moment or missing it. A new subject-recognition algorithm holds onto moving subjects: A newly developed subject recognition algorithm processes spatial information based on colour, subject distance (depth), pattern (brightness), and face and eye information at high speed in real time. Seamless transitions from body to face and eye tracking: When shooting a distant person in motion, the tracking system captures the whole body, and the focus area will seamlessly change between the face and the eyes according to the condition of the subject.  Simply touch and track: Once Touch Tracking is set in the menu, select your subject simply by touching the monitor. For either stills or movies, the camera will begin to auto-track the subject. Enjoy beautiful, remarkably detailed images: Thanks to the large sensor and the latest image-processing engine, you can shoot whatever you encounter in your everyday life, with beautifully crisp and clear images and natural colours even in low-light settings. A 24.2-megapixel sensor plus enhanced image-processing engine: The APS-C sensor features copper wiring and enhanced circuit processing that aid in boosting light collection efficiency. In conjunction with the image-processing engine, this helps achieve superior image resolution and more natural depiction of textures. Cleaner images even in dim light: Improved noise suppression has led to cleaner image quality, even in dark scenes where high-sensitivity shooting is required. The native ISO sensitivity has increased to a maximum ISO 32000 (with expanded ISO sensitivity at a maximum ISO 102400 for stills). Noise reduction is particularly effective in the frequently used medium-to-high sensitivity range. Natural-looking images that match what you see: Image-processing algorithms inherited from full-frame cameras have led the way to more lifelike colour reproduction. Human skin tones look more natural, and reproduction of plant colours has also been improved. Creative movie production: From full-pixel readout without pixel binning enabling high-resolution 4K movie recording to HDR (HLG) and S-Log/S-Gamut options and Slow & Quick Motion recording, the α6400 is loaded with advanced capabilities to support your movie-making creativity. Create time-lapse movies: Newly introduced interval shooting, which is continuous shooting with a pause of 1-60 seconds between still shots, can be carried out within the camera. This can then be used to create time-lapse movies on a PC using the Viewer app from the Imaging EdgeTM desktop applications. Vlog with useful features: If you're shooting vlogs, the 180-degree tiltable LCD monitor is useful for framing your own shots. For sound recording, in addition to the external microphone jack there is also an optional XLR adaptor (available separately) to facilitate the use of pro-level microphones to give you better audio quality. Take advantage of various movie functions: Movies in slow motion (up to 5x) and quick motion (up to 60x) can be recorded in the camera, without post-processing on a PC. Alternatively, 120fps high-speed shooting of Full HD video can be used to create high-quality slow-motion footage in post-production. Proxy movie recording allows easier editing and previewing, and Photo Capture lets you extract stills from recorded movies. A high-resolution LCD monitor with handy touch-screen functions: The 3.0-type, 180-degree tiltable LCD screen does more than just display the scene in front of you -- it gives you quick control over a number of the camera's functions, with a variety of intuitive touch operations Touch Pad provides smooth focus-area selection: The Touch Pad function allows you to smoothly move the current focus position while you're looking through the viewfinder. Simply slide your finger across the monitor until you find the desired point you want to focus on. Touch Focus and Touch Shutter: When you want to shift the focus, even to the periphery of the frame, Touch Focus does it with a simple touch to the monitor. With Touch Shutter, you can set the focus and trip the shutter with a single touch. Touch Tracking turns on Real-time Tracking at any time: With the Touch Tracking function you can simply touch the monitor to activate Real-time Tracking for either stills or movies. The camera will instantly lock onto the target subject and keep it in constant focus. Set up your camera just the way you like: An array of customisation features, inherited from full-frame models, gives you greater flexibility and control over how your camera operates. Customised buttons put frequent operations at your fingertips: Each of the camera's eight keys and controls can be assigned to any of 89 functions and operations, with different operations depending on whether you're shooting still images or movies, or in replay mode.  My Menu and My Dial features put you in control: My Dial lets you assign frequently used functions to the control dial and control wheel for faster access when you're shooting. My Menu allows registration of up to 30 different menu items for quick access to menu items you use often. Visualised setup screen for customisation: On the custom settings screen, an illustration showing the camera's operable components shows you at a glance which button or switch you're assigning, and when you're setting up the function menu you can view the structure of the actual function screen.  Imaging Edge desktop applications: Elevate your photography with the Imaging Edge desktop applications. Use “Remote” to control and monitor shooting live on your PC screen; “Viewer” to quickly preview, rate, and select photos from large image libraries; and “Edit” to develop RAW data into high-quality photos for delivery. Get the best from Sony RAW files, and manage your productions more efficiently. Capture One for Sony: Capture One Express (for Sony) is a free award-winning editing software that provides RAW development, easy management and powerful editing tools. Capture One Pro (for Sony) can be bought for even more editing tools and tethered shooting capability. 4D FOCUS: Conventional autofocus (AF) deals with space alone. 4D FOCUS goes one step further with an innovative image sensor that picks up both space and time to capture moving subjects with new clarity, allowing you to take crisper photos than ever. Plain old AF is a thing of the past. The future of photography is in motion. Wide AF area - Capture your subject anywhere in the frame. 4D FOCUS activates AF points across a wide area, so the camera can detect subjects throughout the entire frame, instead of just the centre. Ultra-fast focus - 4D FOCUS instantly detects the distance to your subject and focuses quickly and accurately with advanced AF algorithm, so you never miss decisive moments. Steadfast tracking - Never lose sight of your subject. Our AF algorithm stays focused on the action, and even predicts your subject’s next move, without getting distracted by any obstacles in the frame.

Sony ILCE-6400LB.CEC Alpha a6400 Mirrorless Digital Camera with 16-50mm Lens

Sony ILCE-6400LB.CEC (ILCE6400LB.CEC, ILCE-6400L/B, ilce-6400lb.cec) Alpha a6400 Mirrorless Digital Camera with 16-50mm Lens Lightweight, compact and sturdily built, the α6400 is loadedwith impressive capabilities and features. With super-fast AF and highly precise subject tracking, it's ideal for capturing fast-moving action, while its wide sensitivity range and stunning image quality make it suitable for just about any photographic opportunity you may encounter, whether you're shooting stills or movies. Despite its compact size and light weight, the α6400 delivers speedy performance and a range of features you'd expect from a full-frame model. Whether you're taking still shots or movies, creative compositions or everyday selfie shots, you'll enjoy beautiful images that you'll want to share, on the go. Innovation in service to your creativity: Unleash your creative potential with high-level performance and advanced features such as AI-powered Real-time Eye AF; new, high-precision Real-time Tracking; high-speed continuous shooting and 4K HDR (HLG) movie-shooting. Reliable AF for great action shots: The camera's innovative AF quickly and reliably detects the position of the subject and then tracks the subject's motion, keeping it in sharp focus.  Fast continuous shooting with AF/AE at up to 11fps: Never miss a moment of the action thanks to fast internal processing and high-capacity buffer memory. Fire off shots at up to 11fps with after-view or 8fps4 for live-view, with minimal display lag, and take up to around 116 shots in JPEG (Standard) or 46 shots in compressed RAW format in one continuous burst. Silent continuous shooting at up to 8fps: When your shoot calls for absolute quiet, such as when you're photographing a live performance, silent shooting with no shutter noise allows shooting at up to 8fps with AF/AE tracking, even in AF-C mode, with Real-time Eye AF, or with Real-time Tracking, expanding your range of shooting options. Smart subject-tracking: Newly adopted AI-based subject recognition technology processes a vast amount of data to detect and track even rapidly moving subjects. Accurate eye recognition: Enhanced Real-time Eye AF reliably recognises human faces and focuses precisely on a person's eyes. There's no need for special settings – just press the shutter button. Persistent eye tracking: When AF-C is set, Real-time Eye AF maintains a stable focus on a moving subject even when part of the face is hidden, the face is backlit, or the subject is facing downwards. Choose your subject's left eye or right eye: Now you can choose Left Eye, Right Eye, or Auto from the menu in advance, leaving you free to pay more attention to composition. These selections can be assigned to custom buttons, allowing you to quickly toggle between choices while in mid-shoot.  Real-time Tracking reliably maintains focus: For sporting events and other situations where your subjects are moving quickly, keeping them in constant focus can make all the difference between catching an important, dramatic moment or missing it. A new subject-recognition algorithm holds onto moving subjects: A newly developed subject recognition algorithm processes spatial information based on colour, subject distance (depth), pattern (brightness), and face and eye information at high speed in real time. Seamless transitions from body to face and eye tracking: When shooting a distant person in motion, the tracking system captures the whole body, and the focus area will seamlessly change between the face and the eyes according to the condition of the subject.  Simply touch and track: Once Touch Tracking is set in the menu, select your subject simply by touching the monitor. For either stills or movies, the camera will begin to auto-track the subject. Enjoy beautiful, remarkably detailed images: Thanks to the large sensor and the latest image-processing engine, you can shoot whatever you encounter in your everyday life, with beautifully crisp and clear images and natural colours even in low-light settings. A 24.2-megapixel sensor plus enhanced image-processing engine: The APS-C sensor features copper wiring and enhanced circuit processing that aid in boosting light collection efficiency. In conjunction with the image-processing engine, this helps achieve superior image resolution and more natural depiction of textures. Cleaner images even in dim light: Improved noise suppression has led to cleaner image quality, even in dark scenes where high-sensitivity shooting is required. The native ISO sensitivity has increased to a maximum ISO 32000 (with expanded ISO sensitivity at a maximum ISO 102400 for stills). Noise reduction is particularly effective in the frequently used medium-to-high sensitivity range. Natural-looking images that match what you see: Image-processing algorithms inherited from full-frame cameras have led the way to more lifelike colour reproduction. Human skin tones look more natural, and reproduction of plant colours has also been improved. Creative movie production: From full-pixel readout without pixel binning enabling high-resolution 4K movie recording to HDR (HLG) and S-Log/S-Gamut options and Slow & Quick Motion recording, the α6400 is loaded with advanced capabilities to support your movie-making creativity. Create time-lapse movies: Newly introduced interval shooting, which is continuous shooting with a pause of 1-60 seconds between still shots, can be carried out within the camera. This can then be used to create time-lapse movies on a PC using the Viewer app from the Imaging EdgeTM desktop applications. Vlog with useful features: If you're shooting vlogs, the 180-degree tiltable LCD monitor is useful for framing your own shots. For sound recording, in addition to the external microphone jack there is also an optional XLR adaptor (available separately) to facilitate the use of pro-level microphones to give you better audio quality. Take advantage of various movie functions: Movies in slow motion (up to 5x) and quick motion (up to 60x) can be recorded in the camera, without post-processing on a PC. Alternatively, 120fps high-speed shooting of Full HD video can be used to create high-quality slow-motion footage in post-production. Proxy movie recording allows easier editing and previewing, and Photo Capture lets you extract stills from recorded movies. A high-resolution LCD monitor with handy touch-screen functions: The 3.0-type, 180-degree tiltable LCD screen does more than just display the scene in front of you -- it gives you quick control over a number of the camera's functions, with a variety of intuitive touch operations Touch Pad provides smooth focus-area selection: The Touch Pad function allows you to smoothly move the current focus position while you're looking through the viewfinder. Simply slide your finger across the monitor until you find the desired point you want to focus on. Touch Focus and Touch Shutter: When you want to shift the focus, even to the periphery of the frame, Touch Focus does it with a simple touch to the monitor. With Touch Shutter, you can set the focus and trip the shutter with a single touch. Touch Tracking turns on Real-time Tracking at any time: With the Touch Tracking function you can simply touch the monitor to activate Real-time Tracking for either stills or movies. The camera will instantly lock onto the target subject and keep it in constant focus. Set up your camera just the way you like: An array of customisation features, inherited from full-frame models, gives you greater flexibility and control over how your camera operates. Customised buttons put frequent operations at your fingertips: Each of the camera's eight keys and controls can be assigned to any of 89 functions and operations, with different operations depending on whether you're shooting still images or movies, or in replay mode.  My Menu and My Dial features put you in control: My Dial lets you assign frequently used functions to the control dial and control wheel for faster access when you're shooting. My Menu allows registration of up to 30 different menu items for quick access to menu items you use often. Visualised setup screen for customisation: On the custom settings screen, an illustration showing the camera's operable components shows you at a glance which button or switch you're assigning, and when you're setting up the function menu you can view the structure of the actual function screen. Imaging Edge desktop applications: Elevate your photography with the Imaging Edge desktop applications. Use “Remote” to control and monitor shooting live on your PC screen; “Viewer” to quickly preview, rate, and select photos from large image libraries; and “Edit” to develop RAW data into high-quality photos for delivery. Get the best from Sony RAW files, and manage your productions more efficiently. Capture One for Sony: Capture One Express (for Sony) is a free award-winning editing software that provides RAW development, easy management and powerful editing tools. Capture One Pro (for Sony) can be bought for even more editing tools and tethered shooting capability. 4D FOCUS: Conventional autofocus (AF) deals with space alone. 4D FOCUS goes one step further with an innovative image sensor that picks up both space and time to capture moving subjects with new clarity, allowing you to take crisper photos than ever. Plain old AF is a thing of the past. The future of photography is in motion. Wide AF area - Capture your subject anywhere in the frame. 4D FOCUS activates AF points across a wide area, so the camera can detect subjects throughout the entire frame, instead of just the centre. Ultra-fast focus - 4D FOCUS instantly detects the distance to your subject and focuses quickly and accurately with advanced AF algorithm, so you never miss decisive moments. Steadfast tracking - Never lose sight of your subject. Our AF algorithm stays focused on the action, and even predicts your subject’s next move, without getting distracted by any obstacles in the frame. 16-50mm Power Zoom Lens: Circular Aperture When changing your aperture to defocus the background, the light sources appear blurred. This ‘bokeh’ effect of the blurred background can be enhanced with circular aperture blades used in this lens. Conventional aperture blades have flat sides creating unappealing polygonal shaped defocussed points of light. α lenses overcome this problem through a unique design that keeps the aperture almost perfectly circular from its wide-open setting to when it is closed by 2 stops. Smoother, more natural defocusing can be obtained as a result. ED (Extra-low Dispersion) glass As focal lengths get longer, lenses built with conventional optical glass have difficulties with chromatic aberration, and as a result images suffer from lower contrast, lower color quality, and lower resolution. ED glass dramatically reduces chromatic aberration at telephoto ranges, and provides superior contrast across the entire image, even at large aperture settings. Super ED glass provides enhanced compensation for chromatic aberration. Aspherical lens elements Aspherical lens design dramatically reduces spherical aberration while also reducing lens size and weight. Spherical aberration is a slight misalignment of the light rays projected on the image plane. This is caused by differences in refraction at different points on conventional spherical lenses which degrade image quality in large-aperture lenses. Specially shaped “aspherical” elements near the diaphragm restore alignment of light rays at the image plane, maintaining high sharpness and contrast even at maximum aperture and can also be used at other points in the optical path to reduce distortion. Well-designed aspherical elements can reduce the total number of elements required in the lens, thus reducing overall size and weight. Advanced Aspherical (AA) elements are an evolved variant, featuring an extremely high thickness ratio between the center and periphery. AA elements are exceedingly difficult to produce, relying on the most advanced molding technology to consistently and precisely achieve the required shape and surface accuracy, resulting in significantly improved image accuracy and quality. Lens-based optical image stabilisation   Gyro sensors built into the lens detect even the slightest movement, and the stabilisation lens is precisely shifted to counteract any image blur that might occur. The use of precision, quiet linear motors and technology inherited from high-end Sony professional camcorders results in exceptionally quiet, effective image stabilisation that contributes to high-quality movies as well as stills.

Sony ILCE-6400MB.CEC Alpha a6400 Mirrorless Digital Camera with 18-135mm Lens

Sony ILCE-6400MB.CEC (ILCE-6400M/B, ILCE6400MB.CEC, ilce-6400Mb.Cec) Alpha a6400 Mirrorless Digital Camera with 18-135mm Lens Lightweight, compact and sturdily built, the α6400 is loadedwith impressive capabilities and features. With super-fast AF and highly precise subject tracking, it's ideal for capturing fast-moving action, while its wide sensitivity range and stunning image quality make it suitable for just about any photographic opportunity you may encounter, whether you're shooting stills or movies. Despite its compact size and light weight, the α6400 delivers speedy performance and a range of features you'd expect from a full-frame model. Whether you're taking still shots or movies, creative compositions or everyday selfie shots, you'll enjoy beautiful images that you'll want to share, on the go. Innovation in service to your creativity: Unleash your creative potential with high-level performance and advanced features such as AI-powered Real-time Eye AF; new, high-precision Real-time Tracking; high-speed continuous shooting and 4K HDR (HLG) movie-shooting. Reliable AF for great action shots: The camera's innovative AF quickly and reliably detects the position of the subject and then tracks the subject's motion, keeping it in sharp focus.  Fast continuous shooting with AF/AE at up to 11fps: Never miss a moment of the action thanks to fast internal processing and high-capacity buffer memory. Fire off shots at up to 11fps with after-view or 8fps4 for live-view, with minimal display lag, and take up to around 116 shots in JPEG (Standard) or 46 shots in compressed RAW format in one continuous burst. Silent continuous shooting at up to 8fps: When your shoot calls for absolute quiet, such as when you're photographing a live performance, silent shooting with no shutter noise allows shooting at up to 8fps with AF/AE tracking, even in AF-C mode, with Real-time Eye AF, or with Real-time Tracking, expanding your range of shooting options. Smart subject-tracking: Newly adopted AI-based subject recognition technology processes a vast amount of data to detect and track even rapidly moving subjects. Accurate eye recognition: Enhanced Real-time Eye AF reliably recognises human faces and focuses precisely on a person's eyes. There's no need for special settings – just press the shutter button. Persistent eye tracking: When AF-C is set, Real-time Eye AF maintains a stable focus on a moving subject even when part of the face is hidden, the face is backlit, or the subject is facing downwards. Choose your subject's left eye or right eye: Now you can choose Left Eye, Right Eye, or Auto from the menu in advance, leaving you free to pay more attention to composition. These selections can be assigned to custom buttons, allowing you to quickly toggle between choices while in mid-shoot.  Real-time Tracking reliably maintains focus: For sporting events and other situations where your subjects are moving quickly, keeping them in constant focus can make all the difference between catching an important, dramatic moment or missing it. A new subject-recognition algorithm holds onto moving subjects: A newly developed subject recognition algorithm processes spatial information based on colour, subject distance (depth), pattern (brightness), and face and eye information at high speed in real time. Seamless transitions from body to face and eye tracking: When shooting a distant person in motion, the tracking system captures the whole body, and the focus area will seamlessly change between the face and the eyes according to the condition of the subject.  Simply touch and track: Once Touch Tracking is set in the menu, select your subject simply by touching the monitor. For either stills or movies, the camera will begin to auto-track the subject. Enjoy beautiful, remarkably detailed images: Thanks to the large sensor and the latest image-processing engine, you can shoot whatever you encounter in your everyday life, with beautifully crisp and clear images and natural colours even in low-light settings. A 24.2-megapixel sensor plus enhanced image-processing engine: The APS-C sensor features copper wiring and enhanced circuit processing that aid in boosting light collection efficiency. In conjunction with the image-processing engine, this helps achieve superior image resolution and more natural depiction of textures. Cleaner images even in dim light: Improved noise suppression has led to cleaner image quality, even in dark scenes where high-sensitivity shooting is required. The native ISO sensitivity has increased to a maximum ISO 32000 (with expanded ISO sensitivity at a maximum ISO 102400 for stills). Noise reduction is particularly effective in the frequently used medium-to-high sensitivity range. Natural-looking images that match what you see: Image-processing algorithms inherited from full-frame cameras have led the way to more lifelike colour reproduction. Human skin tones look more natural, and reproduction of plant colours has also been improved. Creative movie production: From full-pixel readout without pixel binning enabling high-resolution 4K movie recording to HDR (HLG) and S-Log/S-Gamut options and Slow & Quick Motion recording, the α6400 is loaded with advanced capabilities to support your movie-making creativity. Create time-lapse movies: Newly introduced interval shooting, which is continuous shooting with a pause of 1-60 seconds between still shots, can be carried out within the camera. This can then be used to create time-lapse movies on a PC using the Viewer app from the Imaging EdgeTM desktop applications. Vlog with useful features: If you're shooting vlogs, the 180-degree tiltable LCD monitor is useful for framing your own shots. For sound recording, in addition to the external microphone jack there is also an optional XLR adaptor (available separately) to facilitate the use of pro-level microphones to give you better audio quality. Take advantage of various movie functions: Movies in slow motion (up to 5x) and quick motion (up to 60x) can be recorded in the camera, without post-processing on a PC. Alternatively, 120fps high-speed shooting of Full HD video can be used to create high-quality slow-motion footage in post-production. Proxy movie recording allows easier editing and previewing, and Photo Capture lets you extract stills from recorded movies. A high-resolution LCD monitor with handy touch-screen functions: The 3.0-type, 180-degree tiltable LCD screen does more than just display the scene in front of you -- it gives you quick control over a number of the camera's functions, with a variety of intuitive touch operations Touch Pad provides smooth focus-area selection: The Touch Pad function allows you to smoothly move the current focus position while you're looking through the viewfinder. Simply slide your finger across the monitor until you find the desired point you want to focus on. Touch Focus and Touch Shutter: When you want to shift the focus, even to the periphery of the frame, Touch Focus does it with a simple touch to the monitor. With Touch Shutter, you can set the focus and trip the shutter with a single touch. Touch Tracking turns on Real-time Tracking at any time: With the Touch Tracking function you can simply touch the monitor to activate Real-time Tracking for either stills or movies. The camera will instantly lock onto the target subject and keep it in constant focus. Set up your camera just the way you like: An array of customisation features, inherited from full-frame models, gives you greater flexibility and control over how your camera operates. Customised buttons put frequent operations at your fingertips: Each of the camera's eight keys and controls can be assigned to any of 89 functions and operations, with different operations depending on whether you're shooting still images or movies, or in replay mode.  My Menu and My Dial features put you in control: My Dial lets you assign frequently used functions to the control dial and control wheel for faster access when you're shooting. My Menu allows registration of up to 30 different menu items for quick access to menu items you use often. Visualised setup screen for customisation: On the custom settings screen, an illustration showing the camera's operable components shows you at a glance which button or switch you're assigning, and when you're setting up the function menu you can view the structure of the actual function screen.  Imaging Edge desktop applications: Elevate your photography with the Imaging Edge desktop applications. Use “Remote” to control and monitor shooting live on your PC screen; “Viewer” to quickly preview, rate, and select photos from large image libraries; and “Edit” to develop RAW data into high-quality photos for delivery. Get the best from Sony RAW files, and manage your productions more efficiently. Capture One for Sony: Capture One Express (for Sony) is a free award-winning editing software that provides RAW development, easy management and powerful editing tools. Capture One Pro (for Sony) can be bought for even more editing tools and tethered shooting capability. 4D FOCUS: Conventional autofocus (AF) deals with space alone. 4D FOCUS goes one step further with an innovative image sensor that picks up both space and time to capture moving subjects with new clarity, allowing you to take crisper photos than ever. Plain old AF is a thing of the past. The future of photography is in motion. Wide AF area - Capture your subject anywhere in the frame. 4D FOCUS activates AF points across a wide area, so the camera can detect subjects throughout the entire frame, instead of just the centre. Ultra-fast focus - 4D FOCUS instantly detects the distance to your subject and focuses quickly and accurately with advanced AF algorithm, so you never miss decisive moments. Steadfast tracking - Never lose sight of your subject. Our AF algorithm stays focused on the action, and even predicts your subject’s next move, without getting distracted by any obstacles in the frame. 18-135mm F3.5-5.6 Zoom Lens: The Sony SEL18135 18-135mm lens features a compact, lightweight design measuring only 67.2mm x 88mm and weighing in at a mere 325g, as well as a high magnification 7.5x optical zoom that covers the wide-ranging focal length of 18-135mm on APS-C or 27-202.5mm in 35mm equivalent focal length. The lens is an ideal fit for Sony’s popular APS-C sensor cameras including α6500, α6300 and α6000, and is an extremely useful tool for a wide range of shooting situations ranging from daily life to portraiture, landscape, nature and travel photography. The E 18-135mm F3.5-5.6 OSS produces outstanding corner-to-corner sharpness throughout the entire zoom range thanks to its advanced design featuring one aspherical lens and two Extra-Low Dispersion glass elements that minimise aberrations. This lens also allows photographers to produce close-up images with pleasing ‘bokeh’ or background defocus as a result of its maximum magnification ratio of 0.29x and minimum focus distance of 0.45m. It also offers built-in optical image stabilisation to support handheld shooting. Lightweight and Compact Design Compact (E-mount APS-C format) and lightweight (325 grams (11.5 oz.)), this lens features an optical design optimized for short flange focal distances that makes it small and manageable on its own while also contributing to notable reductions in overall system size, weight, and portability. 7.5x High-Magnification APS-C Zoom Lens A high zoom ratio provides a versatile 27mm to 202.5mm range (35mm format equivalent, 7.5x optical zoom) that covers a broad spectrum of subjects and situations: scenery, nature, portraits, and general day-to-day photography. Optical Design Achieves High Resolution A new optical design that includes one aspherical element contributes to consistently high resolution from the image centre right out to the edges, while two ED (Extra-low Dispersion) glass elements effectively suppress chromatic aberration. Close-ups with Background Bokeh An impressive minimum focusing distance of just 0.45m (1.45ft) (0.29x max. magnification) makes it easy to shoot close-ups that take advantage of the lens’s beautiful background bokeh. Beautiful Bokeh Bokeh quality is enhanced by a circular aperture design. Built-in Optical Image Stabilisation When shooting hand-held, particularly night scenes or dimly lit interiors, built-in optical image stabilization makes it easier to shoot blur-free images handheld. Fast, Precise, Quiet Focus Advanced linear motor technology quietly drives the focus group with outstanding speed and precision, making the most of the high AF performance provided by the α6000 series. Accurate focus is more easily achieved for stills and movies, even with moving subjects.

Sony ILCE-6600MB.CEC Alpha a6600 Mirrorless Digital Camera with 18-135mm Lens

Sony ILCE-6600MB.CEC (ILCE6600MB.CEC, ilce6600mb.cec, ILCE6600M/B) Alpha a6600 Mirrorless Digital Camera with 18-135mm Lens Sony a6600 Camera with 18-135mm Lens A Full-Fledged Toolkit for your Imagination The α6600 packs in the features, to deliver what you need for just about any situation you encounter – fast AF, steady image stabilisation and stunning image quality, a high-capacity battery and serious 4K HDR (HLG)1 movie shooting. Reliable and persistent AF Wide AF area, super-fast AF speed and steady subject tracking Densely distributed focus points cover around 84% of the image area, and the Fast Hybrid AF system combines the best of phase-detection AF and contrast-detection AF to achieve a world-leading 0.02-sec.2 acquisition speed. When subjects are in motion, AF points densely positioned around the subject are activated for accurate tracking. Fast continuous shooting with AF/AE at up to 11fps Shoot at up to 11fps3 with minimal display lag, and 8fps3 with live view, in bursts of up to 1164 shots in JPEG (Standard) at one time. With your settings clearly previewed in the electronic viewfinder, and the virtually real-time display, it will elevate your action shooting to a whole new level. Silent continuous shooting won't disturb the peace When the situation calls for absolute quiet, silent shooting with no shutter noise is possible at up to 8fps5, even in AF-C mode. Used with Real-time Eye AF or with Real-time Tracking it dramatically expands your range of shooting options. Initiate tracking in an instant  Initiate Real-time Tracking by half-pressing the shutter, or simply select the subject by touch, to start tracking. You can also assign "Tracking On" to a custom key, and press it to start tracking. AI-based subject tracking The camera's tracking systems rely on unique AI-based subject recognition algorithms6. These process spatial information consisting of colour, pattern (brightness), and distance (depth) data, as well as tracking the subject's eye and face, all in real time at high speeds. Real-time Eye AF for human Even when your portrait subject is on the move, Real-time Eye AF provides continuous, stable eye detection and tracking to keep your scene in focus. It also works when the subject's face is partially hidden, backlit, or facing downwards. Real-time Eye AF for animal The same eye-detection algorithms that make great portraits of people have been adapted to animals as well7, to help you get beautiful pet portraits and wildlife shots. Right/left eye AF selection by touch Not only can you prioritise the subject's left or right eye in settings, you can even do it with a simple touch to the camera's monitor screen. Smooth focus transition Depending on the condition of the subject you're tracking, the focus area will automatically and seamlessly switch between the subject's face and eyes. Real-time Tracking activation with Touch Tracking With the Touch Tracking function you can simply touch the monitor to initiate Real-time Tracking for either stills or movies. 5-axis Optical Image Stabilisation  Pitch and yaw control Compensate for angular shake, also known as pitch and yaw shake, especially evident when shooting at longer focal lengths. Horizontal and vertical axes Compensate for camera shake in the horizontal and vertical directions, most apparent at high magnifications such as macro shooting. Roll compensation Compensate for roll, or rotational shake, most obvious in hand-held, long-duration movie shooting.  How optical image stabilisation works The 5-axis in-body optical image stabilisation mechanism used on our acclaimed full-frame cameras has been adapted as the stabilisation unit for the APS-C sensor on the α6600. Relying on a highly accurate gyro sensor, it detects and compensates for camera shake along five different axes, including angular (pitch and yaw), horizontal, vertical and rotational, for stabilisation equivalent to a 5-step faster shutter setting. High Image Quality by Design  Exmor APS-C CMOS sensor and latest-generation BIONZ X image processor The 24.2-megapixel10 APS-C image sensor is optimised for highly efficient light collection, a wide sensitivity range and low-noise performance even at high ISO settings. In conjunction with the latest-generation BIONZ X image processing engine, it delivers superb image clarity and outstanding textural reproduction. Low-noise performance for high ISO sensitivity Across a wide sensitivity range of ISO 100-32000 (expanded to ISO 50-102400), the α6600 delivers excellent low-noise performance for high-quality images even in dimly lit settings. Improved colour reproduction Algorithms inherited from our highly regarded full-frame cameras are responsible for the α6600's faithful colour reproduction. Depiction of human skin tones has been significantly improved, as have the vibrant colours of flowers. Jaggies and false colours are also suppressed. True-to-life 4K HDR (HLG) movie recording Versatile movie-making capabilities Full-pixel readout with no pixel binning enables high-resolution 4K movie recording, while a new HLG (Hybrid Log-Gamma) picture profile supports instant HDR delivery. Sophisticated image stabilisation completes the picture.  Keep the focus on your subject  Working together, the camera's Fast Hybrid AF system, Real-time Tracking and Real-time Eye AF maintain steady and dependable focus on your subject, so you can enjoy the more creative aspects of movie-making.  Interval Shooting to create time-lapse movies The camera's capabilities include built-in Interval Shooting11, for time-lapse videos with a selectable shot interval of 1-60 seconds. Resulting images can be combined in high resolution on a PC, and viewed with a simple variable-speed preview function on the camera. Tell your stories in your own way The α6600 is designed for powerful film-making, so pros and enthusiasts alike can share their stories with the world. The 180°-tiltable display makes self-framing easy for vlogging or challenging shooting angles. Professional audio is also covered with an external mic jack and headphone jack for monitoring. And the improved grip ensures rock-solid, and comfortable, shooting for hours at a time.     Lens The Sony SEL18135 18-135mm lens features a compact, lightweight design measuring only 67.2mm x 88mm and weighing in at a mere 325g, as well as a high magnification 7.5x optical zoom that covers the wide-ranging focal length of 18-135mm on APS-C or 27-202.5mm in 35mm equivalent focal length. The lens is an ideal fit for Sony’s popular APS-C sensor cameras including α6500, α6300 and α6000, and is an extremely useful tool for a wide range of shooting situations ranging from daily life to portraiture, landscape, nature and travel photography. The E 18-135mm F3.5-5.6 OSS produces outstanding corner-to-corner sharpness throughout the entire zoom range thanks to its advanced design featuring one aspherical lens and two Extra-Low Dispersion glass elements that minimise aberrations. This lens also allows photographers to produce close-up images with pleasing ‘bokeh’ or background defocus as a result of its maximum magnification ratio of 0.29x and minimum focus distance of 0.45m. It also offers built-in optical image stabilisation to support handheld shooting. Lightweight and Compact Design Compact (E-mount APS-C format) and lightweight (325 grams (11.5 oz.)), this lens features an optical design optimized for short flange focal distances that makes it small and manageable on its own while also contributing to notable reductions in overall system size, weight, and portability. 7.5x High-Magnification APS-C Zoom Lens A high zoom ratio provides a versatile 27mm to 202.5mm range (35mm format equivalent, 7.5x optical zoom) that covers a broad spectrum of subjects and situations: scenery, nature, portraits, and general day-to-day photography. Optical Design Achieves High Resolution A new optical design that includes one aspherical element contributes to consistently high resolution from the image centre right out to the edges, while two ED (Extra-low Dispersion) glass elements effectively suppress chromatic aberration. Close-ups with Background Bokeh An impressive minimum focusing distance of just 0.45m (1.45ft) (0.29x max. magnification) makes it easy to shoot close-ups that take advantage of the lens’s beautiful background bokeh. Beautiful Bokeh Bokeh quality is enhanced by a circular aperture design. Built-in Optical Image Stabilisation When shooting hand-held, particularly night scenes or dimly lit interiors, built-in optical image stabilization makes it easier to shoot blur-free images handheld. Fast, Precise, Quiet Focus Advanced linear motor technology quietly drives the focus group with outstanding speed and precision, making the most of the high AF performance provided by the α6000 series. Accurate focus is more easily achieved for stills and movies, even with moving subjects.

Sony ILCE-6600B.CEC Alpha a6600 Mirrorless Digital Camera Body Only

Sony ILCE-6600B.CEC (ILCE6600B.CEC, ILCE6600/B, ilce6600b.cec) Alpha a6600 Mirrorless Digital Camera Body Only A Full-Fledged Toolkit for your Imagination The α6600 packs in the features, to deliver what you need for just about any situation you encounter – fast AF, steady image stabilisation and stunning image quality, a high-capacity battery and serious 4K HDR (HLG)1 movie shooting. Reliable and persistent AF Wide AF area, super-fast AF speed and steady subject tracking Densely distributed focus points cover around 84% of the image area, and the Fast Hybrid AF system combines the best of phase-detection AF and contrast-detection AF to achieve a world-leading 0.02-sec.2 acquisition speed. When subjects are in motion, AF points densely positioned around the subject are activated for accurate tracking. Fast continuous shooting with AF/AE at up to 11fps Shoot at up to 11fps3 with minimal display lag, and 8fps3 with live view, in bursts of up to 1164 shots in JPEG (Standard) at one time. With your settings clearly previewed in the electronic viewfinder, and the virtually real-time display, it will elevate your action shooting to a whole new level. Silent continuous shooting won't disturb the peace When the situation calls for absolute quiet, silent shooting with no shutter noise is possible at up to 8fps5, even in AF-C mode. Used with Real-time Eye AF or with Real-time Tracking it dramatically expands your range of shooting options. Initiate tracking in an instant  Initiate Real-time Tracking by half-pressing the shutter, or simply select the subject by touch, to start tracking. You can also assign "Tracking On" to a custom key, and press it to start tracking. AI-based subject tracking The camera's tracking systems rely on unique AI-based subject recognition algorithms6. These process spatial information consisting of colour, pattern (brightness), and distance (depth) data, as well as tracking the subject's eye and face, all in real time at high speeds. Real-time Eye AF for human Even when your portrait subject is on the move, Real-time Eye AF provides continuous, stable eye detection and tracking to keep your scene in focus. It also works when the subject's face is partially hidden, backlit, or facing downwards. Real-time Eye AF for animal The same eye-detection algorithms that make great portraits of people have been adapted to animals as well7, to help you get beautiful pet portraits and wildlife shots. Right/left eye AF selection by touch Not only can you prioritise the subject's left or right eye in settings, you can even do it with a simple touch to the camera's monitor screen. Smooth focus transition Depending on the condition of the subject you're tracking, the focus area will automatically and seamlessly switch between the subject's face and eyes. Real-time Tracking activation with Touch Tracking With the Touch Tracking function you can simply touch the monitor to initiate Real-time Tracking for either stills or movies. 5-axis Optical Image Stabilisation  Pitch and yaw control Compensate for angular shake, also known as pitch and yaw shake, especially evident when shooting at longer focal lengths. Horizontal and vertical axes Compensate for camera shake in the horizontal and vertical directions, most apparent at high magnifications such as macro shooting. Roll compensation Compensate for roll, or rotational shake, most obvious in hand-held, long-duration movie shooting.  How optical image stabilisation works The 5-axis in-body optical image stabilisation mechanism used on our acclaimed full-frame cameras has been adapted as the stabilisation unit for the APS-C sensor on the α6600. Relying on a highly accurate gyro sensor, it detects and compensates for camera shake along five different axes, including angular (pitch and yaw), horizontal, vertical and rotational, for stabilisation equivalent to a 5-step faster shutter setting. High Image Quality by Design Exmor APS-C CMOS sensor and latest-generation BIONZ X image processor The 24.2-megapixel10 APS-C image sensor is optimised for highly efficient light collection, a wide sensitivity range and low-noise performance even at high ISO settings. In conjunction with the latest-generation BIONZ X image processing engine, it delivers superb image clarity and outstanding textural reproduction. Low-noise performance for high ISO sensitivity Across a wide sensitivity range of ISO 100-32000 (expanded to ISO 50-102400), the α6600 delivers excellent low-noise performance for high-quality images even in dimly lit settings. Improved colour reproduction Algorithms inherited from our highly regarded full-frame cameras are responsible for the α6600's faithful colour reproduction. Depiction of human skin tones has been significantly improved, as have the vibrant colours of flowers. Jaggies and false colours are also suppressed.  True-to-life 4K HDR (HLG) movie recording Versatile movie-making capabilities Full-pixel readout with no pixel binning enables high-resolution 4K movie recording, while a new HLG (Hybrid Log-Gamma) picture profile supports instant HDR delivery. Sophisticated image stabilisation completes the picture.  Keep the focus on your subject  Working together, the camera's Fast Hybrid AF system, Real-time Tracking and Real-time Eye AF maintain steady and dependable focus on your subject, so you can enjoy the more creative aspects of movie-making.  Interval Shooting to create time-lapse movies The camera's capabilities include built-in Interval Shooting11, for time-lapse videos with a selectable shot interval of 1-60 seconds. Resulting images can be combined in high resolution on a PC, and viewed with a simple variable-speed preview function on the camera. Tell your stories in your own way The α6600 is designed for powerful film-making, so pros and enthusiasts alike can share their stories with the world. The 180°-tiltable display makes self-framing easy for vlogging or challenging shooting angles. Professional audio is also covered with an external mic jack and headphone jack for monitoring. And the improved grip ensures rock-solid, and comfortable, shooting for hours at a time.

Sony BRCWMZ330 Wall Mount Bracket

Sony BRCWMZ330 (BRC-WMZ-330, BRC/WMZ/330, BRC_WMZ_330, brcwmz330) Wall Mount Bracket This Sony Wall Mount Bracket is a wall mount kit designed for supporting BRC-Z330 and BRC-300 PTZ cameras. The wall bracket may optionally be attached to a 1-gang, 2-gang, or 4" square EO box (provided the EO box is not used as sole support).

Sony ILCE-7RM4 α7R IV 35mm full-frame camera with 61.0MP Body only

Sony ILCE-7RM4 (ILCE/7RM4, ILCE7RM4, ILCE-7R M4) α7R IV 35mm full-frame camera with 61.0 MP Body only Enter a whole new world of photographic expression with incomparable image quality and processing speed. A powerful new choice joins the α7R series with ever more advanced connectivity and enhanced reliability demanded by pros. Unimagined Subtlety 61.0-megapixel full-frame Exmor R™ CMOS sensor combined with BIONZ X™ imaging engine delivers unprecedented resolution, fine gradation, and low noise to open entirely new dimensions of detail just as pro photographers expect. The α7R IV captures the mood of each scene and the texture of aimed subjects. 61.0MP full-frame back-illuminated CMOS sensor The newly developed Exmor R CMOS image sensor boasts incomparable high resolution. Back-illuminated design exhibits high sensitivity and low noise, despite extremely high pixel count of 61.0MP The latest image processing engine The latest BIONZ X image processing engine works in tandem with front-end LSI to maximise high-resolution sensor performance while achieving up to 15-stop2 dynamic range at low ISO sensitivity. Wide standard ISO 100-32000 range Regardless of increased pixels, the α7R IV delivers highest standard ISO 320003, and reduces noise in the low- and mid-sensitivity ranges, achieving high-quality imagery. In-body 5-axis image stabilisation The in-body 5-axis image stabiliser algorithm is optimised to maximise high-resolution 61.0-megapixel1 image sensor performance. This fully supports your handheld shooting for reliability as effective as 5.5-stop4 higher shutter speed. Shoot in absolute silence Silent shooting not only provides a useful advantage in venues where quiet is required but avoids vibration that can cause camera-shake blur. Vibration-free shutter maximises extremely high α7R IV resolution for crisp clear images. Blur reducing structure A re-examined and redesigned mechanism infixes the shutter unit to suppress subtle camera shake, and enhanced image stabiliser algorithm effectively reduces image blur. Overall, the camera's high resolution is successfully maintained. Shake-free remote shutter release Remote camera operation using optional wireless remote controller (RMT-P1BT) allows you to shoot effective stills while avoiding camera shake caused by pressing the shutter release. This maximises the image sensor’s high resolution. 5.76-million-dot UXGA OLED Tru-Finder This 5.76-million-dot electronic viewfinder reproduces fine detail with approximately 1.6 times higher resolution than α7R III. You can select “High” quality mode for high-precision yet natural realism while suppressing moiré and jaggies for better concentration. Smoother image with 120/100fps5 frame rate makes it easy to track moving subjects. The highest-level burst speed in its class Regardless of remarkable image resolution, the α7R IV maintains its shooting speed of up to 10fps with a mechanical shutter (up to 8fps in live-view continuous shooting mode).7 This allows you to capture decisive moments — such as motion of wild animals — with subtle details made possible only by the 61.0MP high-resolution imaging capability. Useful 26.2MP with APS-C cropping Thanks to extraordinary image resolution, you can still maintain remarkable high-resolution images as approximately 26.2 megapixels even after cropping a full-frame image down into APS-C size. This means the α7R IV can help you proactively utilise 61.0-megapixel full-frame shooting, for example, in bird photography that tends to require cropping editing to magnify captured images. Wide AF coverage New image sensor supplies wide and high-density AF coverage with 567 phase-detection AF points (approx. 99.7% height and 74.0% width). 425-point contrast-detection AF supports precision focusing. Fast AF despite higher resolution Thanks to responsive enhanced Fast Hybrid AF, despite its large data handling, the α7R IV delivers swift AF even under dim lighting conditions, with remarkable ability to capture an aimed subject. Steadfast AF tracking further improved Increased AF points, widened coverage of AF sensor, and improved AF algorithm have further enhanced subject-tracking performance for consistent shooting, even of complex or sudden movements. High-precision AF in underlit conditions Advanced AF algorithms contribute to AF precision at light levels as low as EV-38. ‘Focus Priority in Aperture Drive’ option is for more accurate focusing in dim lighting and when aperture is stopped down. Shoot up to 68 images continuously Because buffer memory size is 1.5 times larger, the camera maintains burst shooting speed of up to approx. 68 images. With APS-C shooting mode, you can shoot approximately three times more photos than with full-frame shooting mode. Dual media slots, both supporting UHS-II Both SLOT 1 and SLOT 2 are compatible with UHS-I and UHS-II for fast mass-volume data writing. The α7R IV can simultaneously or relay record, separate RAW/JPEG data and stills/movies, and copy data between cards. Extend shooting to professional length The α7R IV uses a high-capacity NP-FZ100 battery. For longer hours of shooting, combine this with optional VG-C4EM Vertical Grip holding up to two NP-FZ100 batteries, which allows you to shoot two times more shots than with α7R IV. Rely on smart AI-based Real-time Tracking AI-based Real-time Tracking11 is newly featured to greatly increase your success rate in challenging shots. Simply designate a subject and press the shutter button halfway, and rely on the camera to steadfastly track the subject. With “Face/Eye Priority in AF” function, the α7R IV seamlessly changes tracking targets between face and eye when the subject is a person. Real-time Eye AF with animal eye tracking for more success Thanks to an improved algorithm, the α7R IV now supports animal eye in addition to human eye tracking12, allowing fast, precise, automatic detection and tracking. This animal eye support will greatly increase your success in capturing images of animals in the wild or favourite pets at home when an obstacle comes into view or the camera’s horizontal/vertical orientation often changes. Instant focusing on an eye When Face/Eye Priority in AF is on, simply half-press the shutter, press AF-ON button, or an assigned custom button. The camera takes care of focusing on a subject eye. Right/left eye selection to meet your need Now you can even select a specific eye — left or right — before or during shooting via custom button. Eye selection allows you to focus on composition, lighting, and other details. Works with Real-time Tracking for eye-catching portraits You can combine use of Real-time Eye AF with Real-time Tracking, which responds to dynamic subject motion. This teamwork enables tracking accuracy for comfortable portrait shooting. More efficient workflow Wireless and wired connective solutions for demanding prosThe α7R IV supports various options for PC Remote functions and means of data transfer including 5GHz14 Wi-Fi. Take full advantage of more choice and convenience in remote shooting operation and data backup. Wireless tethered shooting for flexible setting Use PC Remote to control the α7R IV or transfer data to PC via Imaging Edge™ ‘Remote’ software application (ver. 2.0 or later). Faster 5GHz Wi-Fi option is available for more shooting flexibility. Even faster PC Remote with wired connection via USB Use USB 3.2 Gen 1 compatible USB Type-C™ port for faster transfer with new algorithm for wired PC Remote shooting. Transfer large uncompressed RAW images smoothly without workflow interruption. Support for FTP background transfer To meet pro needs for prompt delivery, the α7R IV supports FTP background transfer during and after shooting for JPEG and RAW file delivery. Up to nine FTP servers can be assigned in advance. For full-scale flash photography Release time lag is minimised for smooth, responsive flash photography, with continuous flash shooting at up to 10fps. Select slow sync or rear curtain sync with wireless off-camera flash for enhanced versatility. Standard sync terminal A standard sync terminal enables convenient synchronisation with studio flash units and other external lighting equipment to establish desired lighting setting in studio photography. A different dimension of fidelity Now supports compositing 16 images with Pixel Shift Multi Shooting This renewed feature shifts the sensor in half or one pixel increments in a programmed order to capture 16 pixel-shifted images, composited into one high-precision image of approx. 240.8MP from original data of approx. 963.2MP (equivalent). Still images of architecture and art, etc. are reproduced in true-to-life detail, texture, colour, mood, setting, and 3D-like realism, with breathtaking fidelity. Save/Load Setting The newly added Save/Load Settings function allows you to save camera settings in SD memory card and read these from the card, for convenient sharing with other cameras as needed. Efficient image selection Apply star ratings and image protection via the review playback display right on the spot. Jumping display at every 10/100 photos and group review of continuous shots are added conveniences. Improved menu interface Illustration of custom key settings on the menu screen makes it easier to understand usage. In addition, you can switch between menu tabs using the front dial or Fn button with one hand. Steadfast AF tracking for stunning movies Meet the rigorous autofocus demands of 4K movies with enhanced Fast Hybrid AF. You have high speed, precision, and tracking performance at your command for smooth, stable AF movie shooting. Adjust AF tracking sensitivity for steady focus. Real-time Eye AF now for movie shooting Real-time Eye AF newly supports movie shooting by detecting the subject’s eyes and continuing to track one eye. As the α7R IV keeps that eye in precise focus, you can concentrate on composition. Touch Tracking for persistent focus on your subject When shooting movies, touch a subject on the LCD monitor. The α7R IV begins focusing and following with Touch Tracking. If the α7R IV spots a human eye, Real-time Eye AF activates and tracks it, too. Digital audio interface for clear sound recording Digital audio interface enhances Multi Interface Shoe (MI Shoe). Use new ECM-B1M Shotgun Microphone or new XLR Adaptor Kit to record high-quality sound with minimised deterioration.

Sony XDCA-FX9 Extension Unit for PXW-FX9 Camera

Sony XDCA-FX9 (XDCA_FX9, XDCA/FX9, XDCA FX9) (pxw-fx9) Extension Unit for PXW-FX9 Camera The XDCA-FX9 Extension Unit from Sony can be added to the back of your PXW-FX9 camera to add an ENG-style shoulder mount and additional I/O and power to your camera. The unit features a 4-pin XLR DC power input and D-Tap and 4-pin Hirose DC power outputs to power accessories and other equipment. A LAN interface and two USB ports provide live streaming and file transfer abilities, as well as compatibility with XDCAM Air streaming playback.

Sony ODC1200RE 1.2TB Rewritable Optical Disc Cartridge

Sony ODC1200RE (ODC-1200RE, ODC/1200RE, ODC_1200RE) 1.2TB Rewritable Optical Disc Cartridge Reliable and robust large-capacity media for Optical Disc Archive The 1200 GB capacity rewritableoptical disc cartridge works with the Sony Optical Disc Archive (ODA) dive unit to offer an alternative to LTO or traditional forms of data tape for the longer-term archiving of valuable assets. Sony optical disc cartridges are available in 300 GB, 600 GB, 1.2 TB and 1.5 TB capacity sizes, in re-writable and write-once formats. Low total cost of ownership The Sony optical disc cartridges are designed and manufactured to extremely high specifications, offering very fast random access to all content and files. The innovative drive design provides for a ‘dual channel’ capability and, being file format independent, it can store your assets in a data file format. The system is ideal for a wide range of deep archive requirements as well as near-online news and sports clips requiring fast and random access to any files on the disc. Optical disc complements and co-exists in an established data tape archive strategy. Ideal for deep archive and near-online archive The Sony ODA system is ideal for deep archive for very long term archiving, such as broadcaster archives where data tape does not provide the assurance or meet the need for write-once, very long-term archive requirements. It provides second copy archive at a remote site and is ideal for business continuity/disaster recovery, post house and production back-up and for video, film and stock footage archives or national archives. The system can also be used for news and sports clips that need to be near-online and as an on-line browse and proxy clip store.

Sony PFD50DLA XDCAM / XDCAM HD Dual Layer Optical Disc Media (50GB)

Sony PFD50DLA (PFD-50DLA, PFD/50DLA, PFD 50DLA) XDCAM / XDCAM HD Dual Layer Optical Disc Media (50GB) The new dual-layer disc, model PFD50DLA, has a total storage capacity of 50 GB. Professional users can record up to 4 hours 30 minutes of high-definition content on the dual-layer disc when shooting with MPEG HD420 mode at 18 Mbps, or 3 hours 20 minutes at 25 Mbps and 2 hours 30 minutes at 35 Mbps. In DVCAM mode, users can get about 3 hours 10 minutes of content onto the new disc.  The PFD50DLA media is compatible with new XDCAM HD products planned for availability in September, including the PDW-F355L camcorder, PDW-F75 deck and PDW-U1 Drive Unit. The dual-layer disc is also designed for optimum performance with future versions of the XDCAM system.  Using blue-laser technology, the new dual-layer disc can attain high density recording more than 10 times capacity that of a consumer DVD (4.7GB) using red-laser technology. The dual-layer PFD50DLA is a 12cm (5 inch) rewritable optical disc with a track pitch of 0.32 µm, encased in a protective cartridge thats designed to be resistant to dust, shock and X-rays.  With both the new dual-layer disc and original single-layer version, users can expect a minimum of 1,000 read/write/erase cycles and 1,000,000 read cycles, under specified operating conditions, and an estimated archival life of more than 50 years, according to Sony testing.  The new dual-layer media will be available in September, at the same time as the next generation of XDCAM products, with a suggested list price per disc still to be determined.

Sony Sdhc & Sdxc Card Reader Uhs-I & Uhs-II

Sony Sdhc & Sdxc Card Reader Uhs-I & Uhs-II (MRW-S1, MRW/S1, MRW S1)  One of the fastest in its class With the fast memory card reader MRW-S1, UHS-II SD cards like SF-G series can be read at a faster speed. Super-fast transfer compatibility lets you get the most of your high-speed cards. It also brings out the full performance of UHS-I and non-UHS SD memory cards. Won't slow you down The MRW-S1 card reader supports the SuperSpeed USB 3.1 Gen 1 interface to get the most from high-performance SF-G series cards. The result is copying and backing up files is far faster than through a conventional SD slot on your PC. Backups that save time and space Ideal for high-resolution still and 4K video backups from UHS-II SD cards, the MRW-S1 saves transfer time so you can get back to editing fast. Always there when you need it The pocket-size design (57 x 31 x 11mm, weight 20g) lets you take this card reader anywhere.  

Sony CAT-G128 G-Series 128GB 530MB/s CFast 2.0 Card

Sony CAT-G128 (CAT_G128, CAT/G128, CAT G128) G-Series 128GB 530MB/s CFast 2.0 Card The Sony CFast 2.0 G Series memory card offers the speed and capacity that pros and prosumers need. Whether for photography, broadcast, or cinema, the top write speed of up to 510MB/s enables continuous raw burst shooting, and top read speed of up to 530MB/s allows fast transfer of large files including 4K videos. VPG1302 support ensures a minimum 130MB/s sustained write speed for cinema-quality video recording.

Sony SV-GS96B 960GB Solid State Drive with up to 500MB Transfer Speeds

Sony SV-GS96B (SV_GS96B, SV/GS96B, SV GS96B) 960GB Solid State Drive with up to 500MB Transfer Speeds Highly durable, long-lifetime SSD for 4K and HD professional video recordings G series Professional Solid State Drive (SSD) provides reliable, high-speed, high capacity memory able to handle the high bitrates of 4K recordings for video recording devices on even the most demanding productions. The SV-GS96 provides 960GB. The professional SSD utilizes Sony’s unique advanced error correction technology to radically extend the life-time of the unit, up to 2400TBW (Terabytes Written). This means the 960GB model can be used for 10 years even if it is fully written with data five times a week. The unit is further protected by Sony’s original data protection technology to ensure less data loss even if there is a sudden power loss while shooting. The professional SSD also has a durable connector for additional security in harsh conditions. Highly durable, long-lifetime professional SSD, reduces Total Cost of Ownership Sony’s unique, advanced ECC (Error Correction Code) technology increases total Terabytes Written (TBW), which leads to a longer lifetime. Up to a total 2400TB of data can be written before the SSD reaches its limitation of write cycles. This means the 960GB model can be used for 10 years even if it is fully written with data five times a week. This longer lifetime contributes to extended replacement cycles of SSD and reduces TCO (Total Cost of Ownership). Stable, ultra-fast data writing speed ideal for higher bit rate 4K video recordings Sony’s intelligent Garbage Collection function ensures stable recordings of high bit rate 4K video without frame dropping. High reliability with data protection technology to protect against sudden power failure Sony’s original data protection technology protects data even if a sudden power failure occurs while shooting. It ensures that data is less damaged or lost if there is a sudden power shutoff while writing data onto the SSD. Durable connector for professional use A durable connector protects against harsh shooting conditions. G series Professional SSD has a durable connector that has passed the severe test of repeat insertion/removal 3000 times*, compared to six times for SATA standard. This gives professionals additional security when working in harsh conditions. Based on Sony internal testing. Actual performance may vary. Based on environmental conditions and usage. 960GB and 480GB SSD options The SV-GS96 provides 960GB capacity and the SV-GS48 provides 480GB.  

Sony Filter Adapter Kit for RX0 Camera

Sony VFA305R1.SYH (VFA305R1_SYH, VFA305R1/SYH, VFA305R1 SYH) Filter Adapter Kit for RX0 Camera The Sony Filter Adapter Kit for RX0 Camera includes a 30.5mm filter adapter, a multi-coated protective filter, and a lens hood. These components reduce the amount of undesired light entering the RX0 Camera's lens. You might consider leaving the MC filter (UV filter) attached to your RX0 camera at all times, as it both protects the camera's lens from scratches while reducing ultraviolet light. The lens hood helps eliminate unwanted reflections and glare, and the filter adapter lets you attach 30.5mm filters to achieve various effects.

Sony Ultra Wide Converter For SEL16F28 and SEL20F28

Sony VCLECU2.SYH (VCLECU2/SYH, VCLECU2_SYH, VCLECU2 SYH) (SEL-16F28, SEL/16F28) (SEL-20F28, SEL 20F28) Ultra Wide Converter For SEL16F28 and SEL20F28  Widen the persepctive of your wide-angle lens even further with the Sony VCL-ECU2 Ultra Wide Converter. This conversion lens is for the Sony SEL16F28 16mm f/2.8 and SEL20F28 20mm f/2.8 E-mount lenses. The 16mm f/2.8 Alpha E-mount lens has a 35mm equivalent length of 24mm which becomes 18mm when used with the VCL-ECF2, and the 20mm f/2.8 lens goes from a 35mm equivalent of 30mm to 24mm. It is constructed of 3 elements in 3 groups. Front and rear lens caps and a carrying case are included to help protect the lens.

Sony Fisheye Converter For SEL16F28 and SEL20F28

Sony VCLECF2.SYH (VCLECF2/SYH, VCLECF2_SYH, VCLECF2 SYH) (SEL-16F28, SEL/16F28) (SEL_20F28 , SEL 20F28) Fisheye Converter For SEL16F28 and SEL20F28  Widen the perspective of your wide-angle lens even further with the Sony VCL-ECF2 Fisheye Converter. This conversion lens is for the Sony SEL16F28 16mm f/2.8 and SEL20F28 20mm f/2.8 E-mount lenses. The 16mm f/2.8 Alpha E-mount lens has a 35mm equivalent length of 24mm which becomes 15mm when used with the VCL-ECF2, and the 20mm f/2.8 lens goes from a 35mm equivalent of 30mm to 20mm. It is constructed of 4 elements in 4 groups. Front and rear lens caps and a carrying case are included to help protect the lens.

Sony E 50mm f/1.8 OSS Lens (Silver)

Sony SEL50F18.AE (SEL50F18/AE, SEL50F18-AE, SEL50F18_AE) E 50mm f/1.8 OSS Lens (Silver) E 50mm F1.8 OSS Prime Lens This 50mm mid range telephoto lens offers a focal length that is perfect for portraiture and a range of other subjects, a bright F1.8 maximum aperture, Optical SteadyShot (OSS) image stabilization and impressive image quality, all in a surprisingly compact and lightweight package. Add responsive, quiet autofocus and aperture operation, and you have a lens that is ideally suited to shooting movies as well as stills. Circular Aperture When changing your aperture to defocus the background, the light sources appear blurred. This ‘bokeh’ effect of the blurred background can be enhanced with circular aperture blades used in this lens. Conventional aperture blades have flat sides creating unappealing polygonal shaped defocussed points of light. α lenses overcome this problem through a unique design that keeps the aperture almost perfectly circular from its wide-open setting to when it is closed by 2 stops. Smoother, more natural defocusing can be obtained as a result. Lens-based optical image stabilization Gyro sensors built into the lens detect even the slightest movement, and the stabilization lens is precisely shifted to counteract any image blur that might occur. The use of precision, quiet linear motors and technology inherited from high-end Sony professional camcorders results in exceptionally quiet, effective image stabilization that contributes to high-quality movies as well as stills. Internal focusing  Only the middle groups of the optical system move to achieve focus, so the overall length of the lens does not change. Other important benefits include fast autofocusing and a short minimum focusing distance. Also, the filter thread at the front of the lens does not rotate, which is convenient if you’re using a polarizing filter.

Sony Distagon T* FE 35mm f/1.4 ZA Lens

Sony SEL35F14Z.SYX (SEL35F14Z/SYX, SEL35F14Z_SYX, SEL35F14Z SYX) Distagon T* FE 35mm f/1.4 ZA Lens Fast, sharp, and loaded with the latest technology, the Distagon T* FE 35mm f/1.4 ZA Lens from Sony offers full-frame E-Mount shooters a classic wide-angle focal length with excellent optical performance. The fast f/1.4 maximum aperture provides very effective low light capability and shallow depth of field control. Its advanced optical design - including aspherical and advanced aspherical (AA) lens elements combined with ZEISS T* coating - deliver outstanding image resolution and suppresses reflections for excellent contrast and clarity. The Direct Drive Super Sonic Wave AF System employs piezoelectric elements oscillating at ultrasonic frequencies to drive the focus lens with accuracy and near-silence. The quiet AF and wide aperture make this an ideal prime lens for recording video and filmmakers will love the responsive physical aperture ring that can be changed from clicked to de-clicked with the flip of a switch on the lens barrel. The circular 9-blade aperture helps to create pleasing out-of-focus highlights and a dust and moisture resistant barrel design enable this lens to be used confidently in inclement weather. Wide Angle Prime Lens for Full-Frame E-Mount Cameras This 35mm prime lens offers a moderately wide focal length, ideal for landscapes and interiors as well as documentary photography and photojournalism. Its f/1.4 maximum aperture is effective in low light and enables shallow depth of field control. When used on APS-C E-Mount cameras, it provides a 35mm focal length equivalence of 52.5mm. Direct Drive Super Sonic Wave AF Motor The quiet and precise DDSSM focus drive employs piezoelectric elements oscillating at ultrasonic frequencies to drive the focus lens groups. The system is remarkably quiet, making it ideal for video recording. It also improves the precision of "focus wobble" employed to achieve optimum focus when shooting movies. Responsive Aperture Ring A responsive aperture ring offers positive action that will satisfy professional photographers and filmmakers alike. The aperture ring click stops can be switched on or off as required. "Off" is the preferred setting for moviemaking since it results in the least aperture operation noise. When "On" the ring provides tactile feedback that is useful when shooting stills. Aspherical and Advanced Aspherical Elements Advanced Aspherical and Aspherical lens elements minimizes spherical aberration while also reducing lens size and weight. Specially shaped "aspherical" elements near the diaphragm restore alignment of light rays at the image plane, maintaining high sharpness and contrast even at maximum aperture and can also be used at other points in the optical path to reduce distortion. ZEISS T* (T-Star) Coating This lens features the ZEISS T* (T-Star) coating that virtually eliminates lens flare, internal reflection and light scattering that can otherwise occur at glass-to-air surfaces. The T* coating contributes to outstanding image quality, with high contrast and uniformly excellent resolution from edge to edge across the image frame. Robust Build Water and dust resistant sealing enable this lens to be confidently used in outdoor setting and inclement weather.  

Sony 30mm f3.5 Macro Lens (Silver) - E Mount

Sony SEL30M35.AE (SEL30M35/AE, SEL30M35_AE, SEL30M35 AE) 30mm f3.5 Macro Lens (Silver) - E Mount The SEL30M35 has been designed to offer versatile, high-performance macro capabilities in a lens that is compact, lightweight and easy to use. It is a true 1:1 macro lens with a 2.4 centimeter minimum working distance that allows tiny subjects and details to be rendered with excellent resolution and contrast. 1:1 Magnification Ratio The SEL30M35 has a 1:1 magnification ratio so that subjects can be captured at full size on the camera’s image sensor. This makes it easy to shoot quality macro close-ups of flowers, insects, and small objects. Aspherical/ED Glass Elements The SEL30M35 offers excellent image quality throughout the entire image area, with high contrast and minimal chromatic aberration from infinity to 1:1 magnification at all aperture settings. ED glass is used for the G4 element, minimising chromatic aberration and colour bleeding as well as multi-coating throughout for exceptionally clean, clear rendering Smooth Manual Focusing An easy-grip focus ring on the lens barrel gives you a solid "hands-on" feel in manual focusing. Additionally, Direct Manual Focus (DMF) allows you to focus manually after AF lock-on without the need for any switching. This can be extremely useful in situations where AF can’t lock onto the subject accurately, or when AF locks onto a point that does not match your intention. Electronic manual focus technology was originally developed for professional Sony camcorders to ensure smooth, precise focus control. Made for Movies The SEL30M35 performs equally as well when shooting video. Thanks to an internal stepping motor and rear-focusing design It has optimised video performance for smooth, quiet operation essential for high-quality movie capture. Additionally, the filter mount does not rotate during focusing for hassle-free polarized filter use. Smooth defocusing Instead of a standard polygon-shaped lens aperture, this lens features a 7-blade circular aperture for more natural, rounded defocusing or ‘bokeh’. Refined optical performance Aspherical lens elements minimise distortion while ED (Extra-low Dispersion) glass elements provide superior contrast, resolution, and colour fidelity. Fast, agile focusing An internal focusing mechanism means the lens barrel doesn’t move, enabling a more compact design, faster autofocus response, and reduced minimum focusing distances.  

Sony 24-70mm FE 24-70mm f2.8 GM Lens for E-Mount

Sony SEL2470GM.SYX (SEL2470GM/SYX, SEL2470GM_SYX, SEL2470GM SYX) 24-70mm FE 24-70mm f2.8 GM Lens for E-Mount  The Sony 24-70mm GM lens provides a wide maximum aperture of f/2.8 throughout zoom range for great low light performance and pleasing bokeh. Optically it also includes an XA (Extreme Aspherical) lens element for stunning corner-to-corner resolution throughout the zoom range. To add to this, there is one ED and one Super ED (Extra Low Dispersion) lens element for controlling axial and lateral chromatic aberration as well as producing the best possible subjective resolution. Nano AR (anti-reflective) coating also ensures superb contrast and prevention of flare and ghosting. A 9-blade circular aperture ensures soft bokeh even at small apertures, and the focusing mechanism uses a Direct Drive SSM (DDSSM) system for fast and quiet focusing for both stills and movies. This system also reduces spurious focus movements for the smoothest possible focus action. Other features include a Zoom Lock to prevent unwanted zooming caused by lens barrel weight, ergonomic placement of AF/MF switch and focus lock button, and tough build quality with dust and moisture protection. Additionally there is a hood lock system with a manual release button.

Sony FE 24-240 mm F3.5 - 6.3 OSS Lens

Sony SEL24240.SYX (SEL24240/SYX, SEL24240_SYX, SEL24240 SYX) FE 24-240 mm F3.5 - 6.3 OSS Lens A 24mm to 240mm 10x zoom range allows this one lens to cover an extensive variety of shooting situations, making it ideal for travel where reducing luggage is a priority, for landscapes, architecture, snapshots, portraits, and much more. Switch between wide angle and telephoto without having to change lenses, so more of those fleeting moments will be captured. Advanced optics effectively subdue aberration while achieving high resolution throughout the image area, and a precision linear motor drives focus for quick, smooth response. Handheld telephoto shots and low-light photography are facilitated by built-in Optical SteadyShot (OSS) image stabilization, and the design is dust and moisture resistant for reliable operation in challenging conditions.

Sony FE 2.0x Teleconverter

Sony SEL20TC.SYX (SEL20TC/SYX, SEL20TC_SYX, SEL20TC SYX) FE 2.0x Teleconverter Extending the effective focal length of the Sony FE 70-200mm f/2.8 GM OSS lens, the FE 2.0x Teleconverter renders this telephoto zoom as a 140-400mm f/5.6 lens. Extending the effective focal length of the Sony FE 70-200mm f/2.8 GM OSS lens, the FE 2.0x Teleconverter renders this telephoto zoom as a 140-400mm f/5.6 lens. The dedicated design maintains full communication between the lens and E-mount mirrorless cameras, including auto-exposure metering, autofocus, and Optical SteadyShot image stabilization. Additionally, this teleconverter also features a dust- and moisture-resistant construction, matching the lens, to benefit working in harsh environmental conditions. 2.0x teleconverter doubles the reach of the 70-200mm lens with only a two-stop loss in exposure. Dedicated design maintains a high degree of image quality as well as full electronic communication to support the use of AE, AF, and OSS. Weather-resistant design matches the construction of the 70-200mm lens itself for use in inclement conditions.    

Sony E 20mm f/2.8 Pancake Lens

Sony SEL20F28.AE (SEL20F28/AE, SEL20F28-AE, SEL20F28_AE) E 20mm f/2.8 Pancake Lens The E 20mm f/2.8 Lens from Sony, a super compact "pancake" lens designed for APS-C-format E-mount cameras where it provides a 30mm equivalent focal length. It offers shooters a fast f/2.8 aperture for use in low light and for creating images with a shallow depth of field. Benefitting image quality are three aspherical elements to minimize the appearance of aberrations while a rear focusing design improves autofocus speed and helps reach a minimum focus distance of 7.9". Additionally, the lens is equipped with a seven-blade circular diaphragm for smooth, rounded bokeh. With its pancake design, the lens only extends 0.8" from the mount, resulting in a compact and lightweight camera system. Optimized for APS-C-format cameras, this compact 20mm lens offers a wide-angle 30mm equivalent focal length. The fast f/2.8 maximum aperture permits operation in less-than-ideal lighting situations and allows photographers to capture images with shallow depth of field. Three aspherical elements are incorporated in the lens design to reduce astigmatism, field curvature, coma, and other monochromatic aberrations. The lens uses a rear focusing design that contributes to faster autofocus performance as well as a minimum focus distance of 7.9". Rounded seven-blade diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques.  

Sony E 18-55mm F3.5-5.6 OSS Versatile Zoom Lens

Sony SEL1855.AE (SEL1855/AE, SEL1855-AE, SEL1855 AE) E 18-55mm F3.5-5.6 OSS Versatile Zoom Lens The SEL1855 offers comfortable framing and capture of landscapes, snapshots, portraits and more. Built-in image stabilisation enables handheld shooting in low light. Capture smooth, blur-free images Built-in Optical SteadyShot™ image stabilisation within the lens ensures smooth, blur-free photos and videos when shooting handheld. Smooth defocusing Instead of a standard polygon-shaped lens aperture, this lens features a 7-blade circular aperture for more natural, rounded defocusing or ‘bokeh’. Refined optical performance To optimise performance, aspherical lens elements maintain high contrast (even with the aperture wide open) and minimise distortion and flatness of the image plane. Fast, agile focusing An internal focusing mechanism means the lens barrel doesn’t move, enabling a more compact design, faster autofocus response, and reduced minimum focusing distances.  

Sony 18-200mm f3.5-6.3 OSS LE Zoom Lens - E Mount

Sony SEL18200LE.AE (SEL18200LE/AE, SEL18200LE_AE, SEL18200LE AE) 18-200mm f3.5-6.3 OSS LE Zoom Lens - E Mount  Significantly smaller and lighter than comparable lenses, the Sony SEL18200LE high magnification zoom lens is perfect for a wide range of shooting situations. With a compact size achieved in part by downsizing the autofocus motor and optical image stabilization unit, this lens offers a powerful mix of versatility and image quality perfect for shooting scenarios where a light, compact camera and lens combination is optimal. The broad focal length coverage of the lens - from 18mm wide angle to 200mm telephoto (27mm to 300mm in 35mm equivalence) - makes it an ideal high-magnification "travel" lens for a wide range of shots. Capture expansive landscapes, charming portraits with pleasantly blurred backgrounds, even sports and nature shots. Optical SteadyShot (OSS) technology cuts down on blur caused by camera shake and reduces reliance on high ISO settings when shooting in dark environments. New compact and lightweight design Significantly smaller and lighter than the SEL18200 lens, the SEL18200LE is the perfect lens to cover a wide range of shooting situations. Achieved in part by downsizing the autofocus motor and optical image stabilization unit, this compact lens versatility and image quality will appeal to all users who desire a light, compact camera and lens combination. High imaging performance Equipped with two ED (Extra-low Dispersion) glass elements and four aspherical elements, the SAL-18200LE lens employs the same popular, circular aperture found in many a lenses, enabling photos with beautifully round defocus areas. Optical SteadyShot Equipped with Optical SteadyShot (OSS), the lens compensates for blur caused by camera shake. In addition to reducing blur for normal handheld photography, Optical SteadyShot also reduces reliance on high ISO settings when shooting in dark environments, greatly enhancing the effectiveness of Hand-held Twilight and Anti Motion Blur modes. 11x high-magnification zoom The broad focal length coverage of the lens — from 18 mm to 200 mm (27 mm to 300 mm in 35 mm equivalent) makes it an ideal high-magnification “travel” lens for a wide range of photography. Users can easily capture expansive landscapes, snapshots of expressive faces at a “human-vision” angle of view, charming portraits with softly blurred backgrounds and more. In addition, the telephoto capability of the lens makes it ideal for sports and nature photography. Capture smooth, blur-free images Built-in Optical SteadyShot™ image stabilisation within the lens ensures smooth, blur-free photos and videos when shooting handheld. Smooth defocusing Instead of a standard polygon-shaped lens aperture, this lens features a 7-blade circular aperture for more natural, rounded defocusing or ‘bokeh’. Refined optical performance Aspherical lens elements minimise distortion while ED (Extra-low Dispersion) glass elements provide superior contrast, resolution, and colour fidelity. Fast, agile focusing An internal focusing mechanism means the lens barrel doesn’t move, enabling a more compact design, faster autofocus response, and reduced minimum focusing distances.  

Sony E 18-200mm f/3.5-6.3 OSS Lens

Sony SEL18200.AE (SEL18200-AE, SEL18200_AE, SEL18200/AE) E 18-200mm f/3.5-6.3 OSS Lens  A versatile zoom lens, the SEL18200 features Optical SteadyShot™ with Active Mode image stabilisation – invaluable when shooting video on the move. Blur-free photos and videos Built-in Optical SteadyShot™ with Active Mode image stabilisation ensures sharp, blur-free images – even when shooting video handheld, on the move. Smooth defocusing Instead of a standard polygon-shaped lens aperture, this lens features a 7-blade circular aperture for more natural, rounded defocusing or ‘bokeh’. Refined optical performance Aspherical lens elements minimise distortion while ED (Extra-low Dispersion) glass elements provide superior contrast, resolution, and colour fidelity. Fast, agile focusing An internal focusing mechanism means the lens barrel doesn’t move, enabling a more compact design, faster autofocus response, and reduced minimum focusing distances.  

Sony 18-135mm F3.5-5.6 OSS High Magnification Zoom Lens - E-Mount

Sony SEL18135.SYX (SEL18135/SYX, SEL18135_SYX, SEL18135 SYX) 18-135mm F3.5-5.6 OSS High Magnification Zoom Lens - E-Mount  The Sony SEL18135 18-135mm lens features a compact, lightweight design measuring only 67.2mm x 88mm and weighing in at a mere 325g, as well as a high magnification 7.5x optical zoom that covers the wide-ranging focal length of 18-135mm on APS-C or 27-202.5mm in 35mm equivalent focal length. The lens is an ideal fit for Sony’s popular APS-C sensor cameras including α6500, α6300 and α6000, and is an extremely useful tool for a wide range of shooting situations ranging from daily life to portraiture, landscape, nature and travel photography. The E 18-135mm F3.5-5.6 OSS produces outstanding corner-to-corner sharpness throughout the entire zoom range thanks to its advanced design featuring one aspherical lens and two Extra-Low Dispersion glass elements that minimise aberrations. This lens also allows photographers to produce close-up images with pleasing ‘bokeh’ or background defocus as a result of its maximum magnification ratio of 0.29x and minimum focus distance of 0.45m. It also offers built-in optical image stabilisation to support handheld shooting. Lightweight and Compact Design Compact (E-mount APS-C format) and lightweight (325 grams (11.5 oz.)), this lens features an optical design optimized for short flange focal distances that makes it small and manageable on its own while also contributing to notable reductions in overall system size, weight, and portability. 7.5x High-Magnification APS-C Zoom Lens A high zoom ratio provides a versatile 27mm to 202.5mm range (35mm format equivalent, 7.5x optical zoom) that covers a broad spectrum of subjects and situations: scenery, nature, portraits, and general day-to-day photography. Optical Design Achieves High Resolution A new optical design that includes one aspherical element contributes to consistently high resolution from the image centre right out to the edges, while two ED (Extra-low Dispersion) glass elements effectively suppress chromatic aberration. Close-ups with Background Bokeh An impressive minimum focusing distance of just 0.45m (1.45ft) (0.29x max. magnification) makes it easy to shoot close-ups that take advantage of the lens’s beautiful background bokeh. Beautiful Bokeh Bokeh quality is enhanced by a circular aperture design. Built-in Optical Image Stabilisation When shooting hand-held, particularly night scenes or dimly lit interiors, built-in optical image stabilization makes it easier to shoot blur-free images handheld. Fast, Precise, Quiet Focus Advanced linear motor technology quietly drives the focus group with outstanding speed and precision, making the most of the high AF performance provided by the α6000 series. Accurate focus is more easily achieved for stills and movies, even with moving subjects.  

Sony 16mm f/2.8 Wide-Angle Alpha E-Mount Lens (sliver)

Sony SEL16F28.AE (SEL16F28/AE, SEL16F28-AE, SEL16F28_AE) 16mm f/2.8 Wide-Angle Alpha E-Mount Lens (sliver)  This lightweight and compact lens is stylishly designed to match the NEX camera series and is exceptionally portable (it will fit in your pocket). It features an internal stepping motor for smooth, accurate, and very quiet autofocusing for both photos and videos. The SEL16F28 helps to deliver clear images in low lighting situations due to its fast f/2.8 maximum aperture. This 16mm (24mm in 35mm equivalent) wide-angle lens provides an 83° angle of view and a minimum focusing distance of 9.4" (0.24m). This versatile lens provides coverage for a broad range of photo subjects including, but by no means limited to, landscapes, portraits, close-ups, and nature.

Sony FE 16-35mm F2.8 GM Lens

Sony SEL1635GM.SYX (SEL1635GM/SYX, SEL1635GM-SYX, SEL1635GM_SYX) FE 16-35mm F2.8 GM Lens G Master performance in a wide-angle F2.8 16-35mm zoom offers a wealth of opportunities to capture subjects in creative new ways. No matter what zoom setting or focus distance you shoot at, this lens delivers consistently superb resolution from corner-to-corner, with stunning background bokeh when required. A compact, lightweight design makes it manageable for active shooting. The new FE 16-35mm F2.8 GM wide-angle zoom joins the acclaimed FE 24-70mm F2.8 GM and FE 70-200mm F2.8 GM OSS to round out Sony’s line-up of F2.8 large aperture zoom lenses. Equipped with a variety of Sony’s most advanced lens technologies, it is the first wide-angle G Master model, making it ideal for an extensive variety of shooting situations - landscapes, architecture, close up portraits, sports, action and much more.  It is also exceptionally lightweight and compact, maximising portability and usability. The new lens features exceptional corner-to-corner sharpness, with an optical design that includes five aspherical elements, two of which are Sony’s original XA (extreme aspherical) elements that reduce aberration and deliver ultimate resolution throughout the entire zoom range and aperture range. The front XA element on the SEL1635GM is the largest XA element ever produced, ensuring optimum quality. There are also two ED (Extra low-Dispersion) glass elements that keep chromatic aberration to a minimum while maximising resolution, and Sony’s original Nano AR coating that suppresses internal reflections to ensure excellent image contrast and clarity. The lens features a near circular aperture shape at all settings, and the combination of the aforementioned XA element with its 11 bladed aperture design produces images with sharply focused subjects and beautifully defocused backgrounds or “bokeh”.  It also has two DDSSMs (Direct Drive Super Sonic Wave Motors) that compose a floating focusing system and ensure that AF acquisition is speedy and quiet, making it an ideal choice for shooting still images as well as movies. The SEL1635GM is dust and moisture resistant , has a fluorine coating on the front lens that helps to both prevent dust or grease marks and remove them easily if they do become a trouble. There is also a customisable focus hold button and a hood release button.

Sony 1.4x Teleconverter for E-Mount

Sony SEL14TC.SYX (SEL14TC/SYX, SEL14TC-SYX, SEL14TC_SYX) 1.4x Teleconverter for E-Mount  The Sony 1.4x Teleconverter extends the effective focal length of Sony E-Mount telephoto lenses. The teleconverter increases the lens magnification by 1.4x.  Extend your range by 1.4x Multiplies the focal length of the lens used by 1.4x without degrading optical performance, AF speed and precision, or operability. Light loss with the teleconverter is approximately 1 stop. An ideal way to extend available focal length range for sports or wildlife photography without having to carry additional large, heavy lenses.  Compatible lenses The SEL14TC teleconverter is compatible with the following lenses: SEL70200GM, SEL100400GM.

Sony 10-18mm f/4 OSS Alpha E-mount Wide-Angle Zoom Lens

Sony SEL1018.AE (SEL1018/AE, SEL1018-AE, SEL1018 AE) 10-18mm f/4 OSS Alpha E-mount Wide-Angle Zoom Lens The 10-18mm f/4 OSS Alpha E-mount Wide-Angle Zoom Lens from Sony is an ultra wide-angle E-mount zoom lens compatible with the Alpha NEX cameras and NEX Handycam Camcorders. In the 35mm format, the focal lengths are equivalent to a 15-27mm field of view which is extremely wide-angle with exaggerated perspectives- ideal for expansive landscapes, certain interiors and creative portraits and group shots. With an aperture of f/4.0 throughout the zoom range, fast shutter speeds and low ISO settings can be used even in low light for bright, sharp images. With the Optical SteadyShot Image Stabilization system it is even easier to shoot blur-free photos and videos in low light, regardless of camera shake. Three aspherical lens elements reduce spherical aberration and distortion and Super Extra-low Dispersion glass reduces chromatic aberration for high quality images even at maximum aperture. Fast autofocus is facilitated by movement of the lens elements at the rear of the lens and the 7-blade circular aperture creates smooth, circular bokeh in the out-of-focus areas within the frame. 10-18mm f/4 Super Wide-Angle Zoom Lens This lens offers a constant maximum aperture of f/4 through the entire focal length range, enabling the use of the widest aperture at every focal length. Even in low-light environments, such as outdoors at sunset, users will be able to take advantage of the bright aperture and use fast shutter speeds without unnecessarily raising ISO sensitivity. The 10-18mm (15-27mm in 35mm format) provides an ultra wide angle zoom for shooting landscapes, in tight quarters or for creative exaggerated perspectives. Image Stabilization Built-in Optical SteadyShot image stabilization system provides a 4-stop (approximate) shutter speed advantage, making it significantly easier to achieve crisp, blur-free images and video. Internal Focusing System Lens elements at the rear of the optical system move, allowing rapid auto-focus response. Optics Three Aspherical lens elements correct for spherical aberration and distortion, making it possible to shoot high-contrast, high-quality images with markedly less bleeding even at the maximum aperture. In addition, the optical system employs Super Extra-low Dispersion glass, realizing highly detailed images with reduced color aberration even at the 10mm focal length. Circular Aperture In low-light shots or nightscapes, out-of-focus light sources have a pleasing circular defocused effect.  

Sony 100mm f2.8 STF G-Master OSS FE Lens - E Mount

Sony SEL100F28GM.SYX (SEL100F28GM/SYX, SEL100F28GM_SYX, SEL100F28GM SYX) 100mm f2.8 STF G-Master OSS FE Lens - E Mount  STF™ delivers incomparable bokeh and sharpness This 100mm mid-range telephoto prime lens is a superb creative tool that offers outstanding G Master Resolution plus innovative STF (Smooth Trans Focus) optics for magnificent bokeh. It features fast, precise, quiet DDSSM autofocus, and close-up capability up to 0.25x magnification. Built-in Optical SteadyShot image stabilisation minimizes blur that can occur during low light or macro shooting. Exemplary G Master Resolution and bokeh A fitting addition to the G Master series, this lens combines extraordinary resolution and breathtakingly soft, smooth bokeh that ideally sets off the in-focus subject. The optical design, featuring an innovative optical apodization element and new 11-blade aperture, achieves consistently high performance throughout the image area.  Resolution true to the G Master name With spherical aberration compensation, ED (Extra-low Dispersion) glass, and aspherical elements, this lens boasts extreme resolution and sharpness that fulfil the demanding 50 lines per millimetre MTF requirement that is a basis for G Master optical design. That sharpness extends throughout image area. Outstanding clarity and contrast Sony’s original Nano AR Coating suppresses spurious reflections that can cause flare and ghosting, particularly in backlit situations. The result is consistently high contrast and clarity with deep blacks in the widest possible range of photographic situations. (1. Nano AR Coating / 2.Glass / 3.Transmitted light) Beautiful peripheral highlights In keeping with this lens’s emphasis on bokeh, it has been designed to minimize vignetting that can distort highlight geometry at the image periphery. Point light sources are reproduced with consistently circular bokeh throughout the image, so that sunlight filtering through or reflecting off leaves, for example, is rendered with serene elegance. Beautiful peripheral highlights In keeping with this lens’s emphasis on bokeh, it has been designed to minimize vignetting that can distort highlight geometry at the image periphery. Point light sources are reproduced with consistently circular bokeh throughout the image, so that sunlight filtering through or reflecting off leaves, for example, is rendered with serene elegance. Apodization for unbeatable bokeh An optical APD element is a special type of filter that exhibits gradually decreasing light transmission towards its periphery. It attenuates the edges of point images, resulting in exceptionally smooth, beautiful bokeh in both background and foreground areas with an absolute minimum of double-edge effects. AF that lets you concentrate on creating A DDSSM (Direct Drive SSM) focus drive system provides fast, precise, quiet autofocus. Fast, unobtrusive AF performance allows the user to concentrate fully on capturing superlative stills or movies. This lens supports both contrast AF and focal plane phase detection AF, making it an ideal match for modern high-performance Sony camera bodies. 11 blades enhance bokeh beauty Sony’s original circular aperture design has been improved with 11 blades for even greater circularity. Design and materials have been revised to ensure that a almost round aperture shape is maintained whether open or stopped down, and strict circularity standards are applied to ensure that the full beauty of STF bokeh is achieved without compromise. Get close and explore the details Because one of the main features of this lens is bokeh, it has been provided with a macro ring switch that extends the lens’s range into the macro region where bokeh can be used to great effect. The macro mode provides 0.57m (1.87 ft.) minimum focus with 0.25x maximum magnification, with no compromise in resolution performance. Professional handling and control Other advanced features that enhance operation for still photography and moviemaking include an aperture ring , switchable aperture ring click stops, a Focus Hold button, an AF/MF focus select switch, and a wide focus ring for sure, comfortable control. Advanced actuators for speed and precision DDSSM (Direct Drive SSM) employs an original Sony piezoelectric motor to directly drive the focus ring. High braking precision means that the focus ring is precisely controlled for the highest possible focus accuracy. It’s quiet too, making it ideal for shooting wildlife as well as movies. Manual focus is also smooth and responsive. Clear, blur-free images without a tripod Optical SteadyShot image stabilisation is built in, making it possible to achieve maximum subject sharpness with the lower shutter speeds. Image stabilisation in a 100mm mid-range telephoto lens is an advantage for professionals and amateurs alike. Second-generation α7 bodies additionally provide in-body 5-axis stabilisation.    

Sony 100-400mm FE f4.5-5.6 GM OSS E-Mount Lens

Sony SEL100400GM.SYX (SEL100400GM/SYX, SEL100400GM-SYX, SEL100400GM_SYX) 100-400mm FE f4.5-5.6 GM OSS E-Mount Lens The new full-frame lens maintains the high standard of resolution that is the hallmark of Sony’s flagship lineup of G Master™ lenses, while also offering incredibly fast, precise AF capabilities, a lightweight, portable design and a variety of professional functions and customisability. It’s an exceptionally powerful photographic tool for a variety of enthusiast and professional shooters, particularly those that are commonly shooting sports or wildlife. The first super-telephoto zoom in Sony’s flagship G Master series covers a versatile 100mm to 400mm range. With extraordinary resolution and fast, precise autofocus it lets you capture distant action with outstanding quality and immediacy. In addition to world-class image quality, this fine lens offers the mobility, reliability, and operability that professional applications demand.

Sony Ultra-Wide Converter for the FE 28mm F2 lens

Sony SEL075UWC.SYX (SEL075UWC/SYX, SEL075UWC_SYX, SEL075UWC SYX) Ultra-Wide Converter for the FE 28mm F2 lens This dedicated ultra-wide converter for the FE 28mm F2 lens provides an even wider 21mm focal length, and because it is specifically designed for the full-frame FE 28mm F2 it delivers imposing wide perspective with high resolution throughout the image area from infinity down to the closest focusing distance, without compromising the lens’s image quality. The sophisticated design seamlessly matches the lens, and is dust and moisture resistant for maximum reliability.

Sony Fisheye Converter for the FE 28mm F2 Lens

Sony SEL057FEC.SYX (SEL057FEC-SYX, SEL057FEC/SYX, SEL057FEC SYX) Fisheye Converter for the FE 28mm F2 Lens This dedicated conversion lens for the FE 28mm F2 provides 16mm focal length with fisheye perspective and a full 180° angle of view (diagonally). The converter has been specifically designed for the FE 28mm F2, and therefore offers expressive fisheye perspective with excellent image quality from infinity down to the closest focusing distance, without compromising the basic image quality of the lens. The sophisticated design seamlessly matches the lens, and is dust and moisture resistant for maximum reliability.

Sony Avid DNxHD Option Key for PXW-X500

Sony PXWK-502 (PXWK/502, PXWK_502, PXWK502) Avid DNxHD Option Key for PXW-X500 The Avid DNxHD Option Key for PXW-X500 from Sony adds internal 10-bit Avid DNxHD 145 and 220x codec support on your PXW-X500 camcorder. Recording is available at 1920 x 1080 resolution at frame rates of 23.98p/25p and 59.94i/50i. The license comes loaded on an SxS card that is inserted into the camcorder for installation. Once installed, the card can be removed and you can enjoy 10-bit 4:2:2 DNxHD recording on your PXW-X500.

Sony V-Series Rechargeable Battery Pack (7.4V / 25Wh / 3410mAh)

Sony NPFV100A.CE7 (NPFV100A/CE7, NPFV100A-CE7, NPFV100A CE7) V-Series Rechargeable Battery Pack (7.4V / 25Wh / 3410mAh) The Sony NP-FV100A V-Series Rechargeable Battery Pack is compatible with all Handycam camcorders and features a 3410mAh capacity. Part of Sony's InfoLITHIUM V Series, this battery is designed to communicate remaining life in minutes on compatible cameras' LCDs.

Sony Alpha a7R II Mirrorless Digital Camera (Body Only)

Sony ILCE7RM2B.CEC (ILCE7RM2B/CEC, ILCE7RM2B_CEC, ILCE7RM2B CEC) Alpha a7R II Mirrorless Digital Camera (Body Only) With a world's first full-frame 42.4-megapixel Exmor R back-illuminated structure CMOS sensor, the Alpha a7R II Mirrorless Digital Camera from Sony is prepared to take mirrorless imaging to another level. This sensor design both improves low-light operation and speeds up data throughout, enabling fast high-resolution stills and UHD 4K video recording. Working with the BIONZ X image processor, these images can be produced at sensitivities up to ISO 102,400 and at a continuous 5 fps shooting rate. Five-axis SteadyShot INSIDE image stabilization has also been implemented, compensating for vertical, horizontal, pitch, yaw, and roll movements. Speed has received a major boost with a 40% increase in speed over its predecessor. The AF system received its own massive upgrade with the use of 399 phase-detect points and 25 contrast-detect points for a speedy Fast Hybrid AF system which will offer extremely accurate tracking. The phase-detection points even extend to A-mount lenses when used with the LA-EA1 and LA-EA3 adapter. Designed to last, the updated magnesium alloy body has improved weather sealing and a robust lens mount for working with large lenses. Also, the shutter has a reduced-vibration design, cutting down shutter vibrations by about 50%. Also, it now uses an electronic front curtain shutter and is rated for 500,000 cycles. Silent shooting is also available for a quiet shooting experience when needed. Onto video, the major addition is internal UHD 4K 3840 x 2160p recording at 30 or 24 fps with the XAVC S format at 100 Mbps. This is possible using either the Super 35 crop mode, with no pixel binning, or the full-frame readout. Full HD 1920 x 1080p is still readily available at up to 60 fps and HD 1280 x 720p is possible at up to 120 fps. Additionally, the a7R II benefits from the inclusion of the S-Log2 Gamma and S-Gamut settings as well as fully customizable picture profiles. Composing and reviewing your images as you work is handled with either the 0.5" 2.36M-dot XGA OLED Tru-Finder electronic viewfinder or the 3.0" 1,228.8k-dot tilting LCD monitor. The viewfinder offers 0.78x magnification and a 4-lens system with double-sided aspherical elements for comfortable viewing. The monitor helps in odd positions by tilting up 107° and down 41°. And, to stay connected, the a7R II packs in Wi-Fi connectivity with NFC for remote operation and transfer of images to a smartphone, tablet, or computer. 42.4 MP Exmor R BSI CMOS Sensor and BIONZ X Image Processor The world's first back-illuminated full-frame sensor, the 42.4-megapixel Exmor R CMOS sensor present in the a7R II works with the BIONZ X image processor to offer high-resolution stills and video while minimizing noise and improving speed. This sensor structure works with gapless on-chip lens design and an anti-reflection coating, as well as eliminating the optical low-pass filter, to improve light collection and enhance detail. Also, the copper wiring layer dramatically improves data transmission speed for creating high-resolution 42.4-megapixel stills at sensitivities up to ISO 102,400. Also, it enables internal UHD 4K video recording with a wide dynamic range using the full-frame sensor. 5-Axis SteadyShot INSIDE Image Stabilization Packed into the svelte a7R II is a 5-axis SteadyShot INSIDE image stabilization system. This compensates for five types of camera shake encountered during handheld shooting of still images and video. This allows users to confidently use any lens, even adapted lenses, for critical imaging without encountering blur from camera shake. This system will compensate for approximately 4.5 stops of shutter speed for working with a huge variety of subjects.  For long focal lengths, the system will correct for pitch and yaw adjustments. Macro and high magnification imagery on the other hand will benefit from the inclusion of horizontal and vertical shift compensation. And, all shooting styles will get usage out of the roll compensation. All 5 axes of stabilization will function at all times, even when used with third-party lenses and adapters or lenses with built-in optical stabilization.  When using lenses that do not transmit imaging data to the camera, manual settings can be used to input the correct focal length and ensure proper stabilization. Also, the viewfinder can be used to preview the amount of compensation by pressing the shutter release button halfway or magnifying the image. Fast Hybrid AF with 399 Phase-Detect Points Lock onto your subjects quickly and without hesitation thanks to the revamped Fast Hybrid AF packed into the a7R II. It uses 399 on-sensor phase-detect AF points with 45% coverage along with 25 contrast-detect AF points in order to improve the speed, accuracy and tracking performance of the system. Faster readout thanks to the back-illuminated sensor structure also allows for tracking while shooting at the top continuous shooting rate of 5 fps. This can be captured in a burst of up to 24 frames when shooting in JPEG Fine L format at 42 MP and a continuous AF Display allows users to view the active AF points.  Another feature available with this AF system is a Lock-on AF tracking that will analyze more information from the scene to provide dramatically improved accuracy and stability. Eye AF is also available which will prioritize a subject's pupil for excellent portraits even with a shallow depth of field. UHD 4K Video Recording in XAVC S Format In addition to the first BSI full-frame sensor, the a7R II is the first full-frame camera to offer internal UHD 4K video recording at 30 or 24 fps. This is possible using either the full-frame sensor or the Super 35 format which uses oversampling with full pixel readout and no pixel binning. This limits moire and aliasing common with high-resolution sensors. Video recording also benefits from live tracking thanks to the 399 phase-detection AF points present in the Fast Hybrid AF system. An additional benefit of this camera is the ability to switch back and forth between NTSC and PAL operation for worldwide use.  When recording internally, users will record video with a 4:2:0 sampling at 8-bit, however, to even further improve image quality the a7R II has clean HDMI output for use with an external recorder. This allows users to capture 4:2:2 uncompressed video and save in an edit-ready format. Timecode and User Bit Settings The a7R II has multiple timecode recording options to meet different workflows. It has the standard 'Record Run" mode that only advances the timecode when recording, as well as "Free Run" timecode that advances the timecode even when not recording, which can be great for syncing multiple cameras at live events. It can also record timecode in both drop frame and non-drop frame modes. When recording internally the a7R II is also able to output timecode via HDMI. Customizable Picture Profiles and S-Log2 Gamma To make sure the a7R II is able to use its extensive dynamic range while recording video it incorporates extensive customizable color and gamma controls. Users can adjust the gamma, black level, knee, color level, and more. Also users can use the same S-Log2 Gamma Curve that is found on high end Sony Cinema cameras that squeezes up to 1300% more dynamic range into the video signal then traditional REC709, for increased post-production flexibility. 3.0" 1,228.8k-Dot Tilting LCD Monitor With a higher 1,228.8k-dot resolution, the LCD screen will provide shooters with an excellent screen for composing images, adjusting settings, and reviewing video and photos. It also tilts upward 107° and downward 41° for working with multiple shooting angles. Use in sunlight is improved with the implementation of WhiteMagic technology which doubles the brightness of the display through a RGBW pixel structure. 0.5" 2.36M-Dot XGA OLED Tru-Finder Electronic Viewfinder With its 4-lens optical system using double-sided aspherical elements the viewfinder faithfully displays what will appear in your recording, including the effects of your camera settings. You'll enjoy rich tonal gradations and improved contrast. High-end features like 100% frame coverage and a 0.78x magnification enable comfortable and stable eye-level composition. Redesigned Grip, Shutter Release Button, and Controls With a larger, more refined shape to the grip, users will find the a7R II to have a more secure feel and grasp even when large lenses are mounted. Also, the shutter release button has been reshaped and moved forward for a more natural shooting position and a decrease in camera shake. The controls also have been refined with new position for easier handling and improved operation. Button customization is available with the ability to assign any of 56 functions to any of the 10 customizable buttons for a more personalized setup. Magnesium Alloy Construction and Robust Lens Mount The compact form is well-built with a magnesium alloy top cover, front cover, and internal structure. The lens mount has been redesigned with a greater strength and rigidity for extra security when using larger or longer lenses. The body itself also features greater sealing for dust and moisture resistance, providing more protection when shooting out in the elements. Additionally, the optical filter on the sensor has an anti-static coating and there is an anti-dust mechanism to prevent dust from adhering to the sensor. Reduced-Vibration Shutter & Silent Shooting Cutting down on mechanical vibrations by 50% is the durable reduced-vibration shutter implemented in the a7R II. It has been tested to last for 500,000 cycles and also uses an electronic front curtain shutter. Additionally, a Silent Shutter mode is available for completely silent shooting when needed in certain environments. Audio Input & Headphone Jack The a7R II features a 3.5mm microphone input jack for compatibility with external microphones. And for users needing more the a7R II is also compatible with the Sony XLR-K2M XLR Adapter for recording professional balanced XLR audio signals with phantom power and adjustable mic/line inputs. For monitoring audio the a7R II features a 3.5mm headphone jack as well as real time audio levels for a visual reference. Built-In Wi-Fi Connectivity with NFC Built-in Wi-Fi connectivity enables the a7R II to instantly share imagery to mobile devices for direct sharing online to social networking, via email, and to cloud storage sites. NFC (Near Field Communication) is also supported, which allows for one-touch connection between the camera and compatible mobile devices; no complex set-up is required. Once connected, the linked mobile device can also display a live view image on its screen and remotely control the camera's shutter.  Additionally, PlayMemories Camera Apps are also supported via the built-in Wi-Fi connection, and allow you to personalize the camera's features depending on specific shooting styles. Apps are available to suit creating portraits, detailed close-ups, sports, time lapse, motion shot, and other specific types of imagery. Other Camera Features Picture Effect modes: Posterization (Color, B&W), Pop Color, Retro Photo, Partial Color (R/G/B/Y), High Contrast Monochrome, Toy Camera, Soft High-Key, Soft Focus, HDR Painting, Rich-Tone Monochrome, Miniature, Watercolor, and Illustration. Creative Style settings: Standard, Vivid, Neutral, Clear, Deep, Light, Portrait, Landscape, Sunset, Night Scene, Autumn Leaves, Black & White, and Sepia (all with +/- 3 step contrast, saturation, and sharpness adjustment). Color space: sRGB standard (with sYCC gamut) and Adobe RGB standard compatible with TRILUMINOS Color. Picture Profile parameters: Black Level, Gamma (Movie, Still, Cine 1-4, ITU709, ITU709 [800%], S-Log2), Black Gamma, Knee, Color Mode, Color Level, Color Phase, Color Depth, Detail, Copy, and Reset. Scene Selection modes: Portrait, Landscape, Macro, Sports Action, Sunset, Night Portrait, Night Scene, Hand-held Twilight, and Anti Motion Blur. Face Detection is available to base exposure and focus on up to eight recognized faces. Furthermore, Eye AF can be used for even greater precision by maintaining critical focus on a subject's eye. 2x Clear Image Zoom can be used to effectively double the magnification afforded by any lens in use with minimal image degradation. For even greater magnification, 1.5x and 2x Smart zoom is available, as well as 4x digital zoom. Pre-flash TTL control with flash bracketing available and a variety of flash modes, including: Flash off, auto, fill-flash, rear sync, slow sync, red-eye reduction, hi-speed sync, and wireless control.  

Sony 2/3inch Lens Adaptor for 1/2inch XDCAM HD Camcorders

Sony LO-32BMT (LO/32BMT, LO_32BMT, LO32BMT) 2/3inch Lens Adaptor for 1/2inch XDCAM HD Camcorders The Canon LO-32BMT adapter allows you to mount a 2/3" B4 bayonet lens onto any Sony 1/2" proprietary mount camera such as the new XDCAM HD series, PDW-F330/F350 while not affecting the optical quality of the lens. It is important to consider the following information when using a 2/3" lens with a LO-32BMT adapter mounted to a 1/2" camera: The images produced will appear visually more telephoto by a factor of 1.38x. The actual F-Number of a lens does not change when mounted on a different format size camera.  (If the lens is F1.9 in the 2/3 "format, the lens is also F1.9 in the 1/2" format.) The Focal Length and F-Stop markings on the 2/3” lens are correct in either format. It is highly recommended that HDTV lenses always be employed on HDTV cameras.  

Sony Backup Power Supply for MVS-8000X & MVS-7000X Processors

Sony HK-PSU05 (HK_PSU05, HK/PSU05, HK PSU05) (MVS-8000X, MVS-8000X)(MVS/7000X, MVS7000X) Power Supply Unit for MVS-8000X Processor Sony HK-PSU05 Power Supply Unit for MVS-8000X And MVS-7000X Processor.

Sony Power Supply Unit for MFS-2000 Processor and MKS-8010A Control Unit

Sony HK-PSU02 (HK_PSU02, HK/PSU02, HK PSU02) (MFS_2000, MFS/2000) (MKS8010A, MKS 8010A) Power Supply Unit for MFS-2000 Processor and MKS-8010A Control Unit The Sony HKPSU02 Redundant Power Supply unit is a backup power supply designed to give you an extra measure of protection with your MKS8010A, MKS8010B, MVE-8000A, MFS-2000.If the standard power supply in your MKS8010A, MKS8010B, MVE-8000A, MFS-2000 goes down, this unit can supply a redundant supply of power to ensure that your equipment continues to work without interruption.

Sony Backup Power Supply Unit for PFVSP3100

Sony HK-PSU01 (HK_PSU01, HK/PSU01, HK PSU01) (PFVSP-3100, PFVSP/3100) Backup Power Supply Unit for PFVSP3100 The Sony HKPSU01 Redundant Power Supply unit is a backup power supply designed to give you an extra measure of protection with your PFV-SP3100 Signal-Processing Unit. If the standard power supply in your PFV-SP3100 goes down, this unit can supply a redundant supply of power to ensure that your equipment continues to work without interruption.

Sony 50 Metre Compsite Fibre Cable

Sony CCF-50 (CCF_50, CCF/50, CCF50, ccf-50) 50 Metre Compsite Fibre Cable Sony CCF-50 (CCF5) 50 Metre Compsite Fibre Cable.

Sony Hybrid Fibre Cable for HDC-1500 Camera Family (300m)

Sony CCF-300 (CCF/300, CCF_300, CCF 300) (HDC/1500, HDC_1500) Hybrid Fibre Cable for HDC-1500 Camera Family (300m) Sony CCF-300 (CCF300) Hybrid Fibre Cable for HDC-1500 Camera Family (300m). Applicable Models: HDC-1000, HDC-1500, HDC-3300, HDCU-1000, HDCU-1500, HDCU-3300.

Sony Hybrid Fibre Cable for HDC-1500 Camera Family (200m)

Sony CCF-200 (CCF_200, CCF/200, CCF 200)(HDC_1500, HDC/1500) Hybrid Fibre Cable for HDC-1500 Camera Family (200m) Sony CCF-200 (CCF200) Hybrid Fibre Cable for HDC-1500 Camera Family (200m). Applicable Models : HDC-1000, HDC-1500, HDC-3300, HDCU-1000, HDCU-1500, HDCU-3300.

Sony Compsite Optical Fibre Cable (10m)

Sony CCF-10 (CCF_10, CCF/10, CCF 10) Compsite Optical Fibre Cable (10m) Sony CCF-10 (CCF10) Compsite Optical Fibre Cable (10m).

Sony Hybrid Fibre Cables for HDC-1500 Camera Family (100m)

Sony CCF-100 (CCF_100, CCF/100, CCF 100) (HDC/1500, HDC_1500) Hybrid Fibre Cables for HDC-1500 Camera Family (100m) Sony CCF-100 (CCF100) Hybrid Fibre Cables for HDC-1500 Camera Family (100m). Applicable Models: HDC-1000,HDC-1500, HDC-3300, HDCU-1000, HDCU-1500, HDCU-3300

Sony BRC-X1000/AC 4K PTZ Camera with 1in Exmor R CMOS Sensor and 12x Optical Zoom with AC Adapter

Sony BRC-X1000/AC (BRC/X1000/AC, BRC_X1000_AC, BRC X1000/AC) BRC-X1000/AC 4K PTZ Camera with 1in Exmor R CMOS Sensor and 12x Optical Zoom with AC Adapter The BRC-X1000 is Sony's first 4K remote camera, combining uncompromising broadcast picture quality and smooth, silent PTZ operation with the flexibility of 3G-SDI and HDMI connections. Designed for remote operation, this compact but powerful robotic camera is an ideal complement to other broadcast cameras for capturing images in hard-to-reach or unobtrusive positions. It's equally at home in TV newsrooms, remote studios and on-air suites, auditoriums, houses of worship, courtrooms or sports stadiums. It's also particularly suited to efficient multi-camera set-ups, under the control of a single operator. The 1-inch type Exmor R CMOS image sensor captures detail-packed 4K footage at 30p with four times the pixel count of Full HD, and excellent low-light sensitivity. The large image sensor also allows the creation of beautiful 'bokeh' effects with a shallow depth of field to suit any artistic intention. Speedy, near-silent PTZ operation with 12x optical zoom accommodates wide-angle scenes and tightly framed close-ups, with Clear Image Zoom 18x (4K), 24x(HD) extending this range even further without visible loss of resolution. Broadcast-friendly features include dual tally lamps for on-air operation, while operational flexibility is enhanced with options for ceiling, table top or tripod mounting. There’s also a broad range of video interfacing and remote control possibilities - plus support for PoE+ and genlock - for smooth integration into any broadcast, professional or corporate AV environment.  

Sony HD PTZ camera with 1" Exmor R CMOS sensor incl power supply unit (White)

Sony BRC-H800W/AC (BRC/H800W/AC, BRC_H800W_AC, BRC H800W AC) HD PTZ camera with 1" Exmor R CMOS sensor incl power supply unit (White) The BRC-H800 remote camera combines uncompromising broadcast picture quality and smooth, silent PTZ operation with the flexibility of 3G-SDI and HDMI connections. Designed for unattended operation, this compact but powerful robotic camera is an ideal complement to other broadcast cameras for capturing images in hard-to-reach or unobtrusive positions. It's equally at home in TV newsrooms, remote studios and on-air suites, auditoriums, houses of worship, courtrooms or sports stadiums. It's also particularly suited to efficient multi-camera set-ups, under the control of a single operator. The 1-inch type Exmor R CMOS image sensor captures crisp, low-noise Full HD images at 60p, with excellent low-light sensitivity. The large image sensor also allows the creation of beautiful 'bokeh' effects with a shallow depth of field to suit any artistic intention. Speedy, near-silent PTZ operation with 12x optical zoom accommodates wide-angle scenes and tightly framed close-ups, with Clear Image Zoom 24x(HD) extending this range even further without visible loss of resolution. Broadcast-friendly features include dual tally lamps for on-air operation, while operational flexibility is enhanced with options for ceiling, table top or tripod mounting. There’s also a broad range of video interfacing and remote control possibilities - plus support for PoE+ and genlock - for smooth integration into any broadcast, professional or corporate AV environment.

Sony HD PTZ camera with 1" Exmor R CMOS sensor Incl power supply unit (Black)

Sony BRC-H800/AC (BRC_H800/AC, BRC/H800/AC, BRC H800 AC) HD PTZ camera with 1" Exmor R CMOS sensor Incl power supply unit (Black) The BRC-H800 remote camera combines uncompromising broadcast picture quality and smooth, silent PTZ operation with the flexibility of 3G-SDI and HDMI connections. Designed for unattended operation, this compact but powerful robotic camera is an ideal complement to other broadcast cameras for capturing images in hard-to-reach or unobtrusive positions. It's equally at home in TV newsrooms, remote studios and on-air suites, auditoriums, houses of worship, courtrooms or sports stadiums. It's also particularly suited to efficient multi-camera set-ups, under the control of a single operator. The 1-inch type Exmor R CMOS image sensor captures crisp, low-noise Full HD images at 60p, with excellent low-light sensitivity. The large image sensor also allows the creation of beautiful 'bokeh' effects with a shallow depth of field to suit any artistic intention. Speedy, near-silent PTZ operation with 12x optical zoom accommodates wide-angle scenes and tightly framed close-ups, with Clear Image Zoom 24x(HD) extending this range even further without visible loss of resolution. Broadcast-friendly features include dual tally lamps for on-air operation, while operational flexibility is enhanced with options for ceiling, table top or tripod mounting. There’s also a broad range of video interfacing and remote control possibilities - plus support for PoE+ and genlock - for smooth integration into any broadcast, professional or corporate AV environment.

Sony BP-U90 Lithium-ion Battery (85 Wh)

Sony BP-U90 (BP_U90, BP/U90, BP_U90) Lithium-ion Battery (85 Wh) The BP-U90 (85 Wh) Lithium-ion battery supports professional video shooting in both the field and the studio. The BP-U90 powers XDCAM handy camcorders such as the PMW-F3L/K, PMW-200, PMW-150, PMW-100, PMW-EX3 and PMW-EX1R. The battery provides power for up to six hours, depending on the camcorder.* BP-U90 battery provides 85 Wh energy to power the PMW-200, PMW-150, PMW-100 or PMW-EX1R camcorder for up to 360 minutes. For full range of capacities and camcorder running times, see features. Intelligent INFO function displays battery status in camcorder The BP-U90 is equipped with a professional INFOfunction that shows the remaining capacity, chargingtime, and charge cycles on INFO-compatibleequipment such as Sony chargers and camcorders.

Sony Twin Battery Charger for BP-U batteries

Sony BC-U2A (BC/U2A, BC_U2A, BC U2A) Twin Battery Charger for BP-U batteries The Sony BC-U2A Dual-Bay Battery Charger / AC Adapter is a dual-bay charger that supports the simultaneous charging of two Sony BP-U90, BP-U60, BP-U60T, or BP-U30 Li-ion batteries. It also functions as an AC adapter that can be used to power a camera directly while also charging one battery simultaneously. The AC adapter provides a 12 VDC power output via an integrated cable that can be connected to any Sony camera that accepts BP-U series batteries. A selector switch on the front of the device allows you to switch between charger and AC adapter mode. Approximate Charge Times BP-U90: 190 minutes BP-U60: 150 minutes BP-U30: 130 minutes

Sony Battery Charger for BP-U batteries

Sony BC-U1A (BC_U1A, BC/U1A, BC_U1A) Battery Charger for BP-U batteries The Sony BC-U1A Battery Charger / AC Adapter is a single-bay charger supporting Sony BP-U90, BP-U60, BP-U60T, and BP-U30 batteries. It also functions as an AC adapter that can be used to power a camera directly. The AC adapter provides a 12 VDC power output via an integrated cable that can be connected to any Sony camera that accepts BP-U series batteries. A selector switch on the front of the device allows you to switch between charger and AC adapter mode.

Sony BC-DWX1 Dual Battery Charger for DWT-B03R Wireless Transmitter

Sony BC-DWX1 (BC/DWX1, BC_DWX1, BCDWX1, BC DWX1, bc-dwx1) Dual Battery Charger for DWT-B03R Wireless Transmitter The BC-DWX1 Dual Battery Charger from Sony is designed for use with the DWT-B03R DWX Series wireless transmitter and NP-BX1 battery pack (sold separately). Two-way powering allows operation with either the AC adapter (sold separately) or PoE (Power over Ethernet) format. The BC-DWX1 Dual Battery Charger can be used to monitor battery status remotely using Wireless Studio PC software. In addition, it is built with a storage charging mode for long-term battery storage, and multiple units can be connected using optional tie wraps.

Sony SV-MGS2T Atom X SSDmini (2TB)

Sony SV-MGS2T (SV/MGS2T, SV_MGS2T, SV MGS2T, sv-mgs2t) Atom X SSDmini (2TB)  This 2TB Sony Atom X SSDmini is designed specifically for the Atomos Ninja V recorder, but it works with most Atomos recorders (some recorders require an optional adapter). It supports sequential write speeds up to 500 MB/s and sequential read speeds up to 550 MB/s. The high write speed enables it to capture high-quality 4K footage in any of Atomos' codecs without dropping frames. and the read speed makes for fast offloading of material and smooth playback with no dropped frames. The housing of the SSDmini is 20% shorter than conventional SSDs as per the Atomos design, allowing it to work seamlessly with Ninja V recording monitors. The solid-state design of this SSD can provide up to 1500 G/0.5 ms of shock resistance.

Sony Sf-g Series Tough 300MB/s Sdxc Uhs-II v90 - 128gb sd card

Sony Sf-g Series Tough 300MB/s Sdxc Uhs-II v90 - 128gb sd card(SF_G1TG, SF/G1TG, SF-G1TG, sfg1tg)  Addressing the needs of photographers who are reliant upon their photographs remaining safe when their SD cards are removed from the camera, the new SF-G series TOUGH specification range combines the world’s fastest read and write speeds with an ultra-rugged design that is bend proof to 180N, and drop proof to 5 metres. For photographers who are fighting against the elements to get the perfect shot, the SF-G series TOUGH specification range of SD cards are also waterproof with an IPX8 rating and dustproof with an IP6X rating. The new SF-G series TOUGH specification range of SD cards are 18 times stronger than the SD standard with world’s first monolithic structure (one-piece molding, no empty space in the card) and materials of high-grade hardness, unlike conventional SD cards with a thin, 3-part ensemble. They are protected against typical physical damage that can affect conventional SD cards such as a broken plastic casing, broken data protection lock and broken connector ribs. This has been achieved through a new means that it is the world’s first rib-less SD card with no write protection switch. These developments ensure that the SF-G series TOUGH specification is more resistant to bending and easy to break parts are removed entirely and has been engineered by Sony to deliver the best balance of hardness and toughness. Completely sealed with one-piece molding structure, no waterdrop, dust or dirt is not allowed to come into the card, meeting highest grade of waterproof (IPX8) and dustproof(IP6X). In an industry trend, driven by Sony, full-frame mirrorless cameras such as the α9 and α7 series are packing in more and more performance in both stills and video performance. These high-end cameras rely on fast memory cards to maximise their performance and with professional photographers now using SD cards more frequently, users are demanding the levels of reliability and durability associated with other professional card types. With the world’s fastest write speed of up to 299MB/s, buffer clearing time is minimised. This allows the photographer to shoot many frames per second and capture the action that they want. The SF-G series TOUGH specification range also supports V90, the highest standard of video speed class, making it an ideal companion for shooting high resolution video. Furthermore, transferring high capacity photo and video files is made simple with the SF-G series TOUGH specification, thanks to a read speed of up to 300MB/s. This is another world’s fastest which dramatically enhances workflow efficiency after the shooting is all wrapped up. In a further acknowledgement of the practical needs of photographers, the SF-G series TOUGH specification range feature bright yellow banding design, making the card easier to spot in dark shooting conditions.   SF-G series TOUGH specification SD cards offer a series of further features, designed to give photographers peace of mind. These include an ‘SD Scan Utility’ which allows the user to check that the card is good condition and File Rescue Software which can recover data and photos that might have accidentally been deleted. Furthermore, SF-G series TOUGH specification SD cards are also X-ray proof, magnet proof, anti-static, temperature proof and feature UV Guard.

Sony FE 16-35mm F2.8 GM Series Wide Angle Zoom Lens

Sony SEL-1635GM (SEL1635GM, SEL 1635GM, SEL_1635GM, SEL/1635GM) FE 16-35mm F2.8 GM Series Wide Angle Zoom Lens Explore the world in wide-angle detail G Master performance in a wide-angle F2.8 16–35 mm zoom offers a wealth of opportunity to capture subjects in creative new ways. No matter what zoom setting or focus distance you shoot at, this lens delivers consistently superb resolution from corner to corner, with stunning background bokeh when required. A compact, lightweight design makes it manageable for active shooting. Fast, high-resolution F2.8 16–35 mm zoom The first wide-angle G Master zoom lens offers performance that will take full advantage of the high-resolution potential of the latest and future camera bodies. The most advanced Sony optical and mechanical technologies come together to deliver extraordinary rendering and clarity. High corner-to-corner resolution Uncompromised optical design achieves extremely high resolution and contrast. Landscapes, architecture, interiors and other expansive subjects are captured with outstanding corner-to-corner sharpness. Aspherical elements minimise distortion, while ED (Extra-low Dispersion) glass elements effectively control chromatic aberration. Clarity and contrast in any light Sony's original Nano AR Coating suppresses spurious reflections that can cause flare and ghosting in backlit and other challenging lighting situations, for consistently high contrast and clarity. Freedom from flare over a wide range of incident light angles provides greater framing and composing flexibility, particularly at wide-angle focal lengths. (1. Nano AR Coating / 2. Glass / 3. Transmitted light) Resolution and bokeh raised to new heights This lens features two Sony XA (extreme aspherical) elements with 0.01 micron surface precision. Distortion that tends to occur in wide-angle zoom lenses is meticulously controlled, as are astigmatism and field curvature. Unattractive onion-ring bokeh is effectively suppressed by XA (extreme aspherical) elements so that smooth, beautiful bokeh is achieved in out-of-focus areas. Gorgeous background bokeh Shooting up close at F2.8 can produce some extraordinary background bokeh. Use this capability to shoot portraits, for example, with dynamic, painterly backgrounds consisting of smooth, expressive bokeh that makes the subject stand out clearly. Optimum resolution at any focal length Consistently high resolution is achieved from infinity to the closest focusing distance. This lens employs a floating focus mechanism with two independently driven lens groups. This system helps to reduce all types of aberration to minimum levels and thereby maintain sharp, high-resolution rendering from infinity focus for landscapes, for example, all the way down to close focus for portraits and similar subjects. Light and compact for high mobility Class-leading size and weight reductions have been achieved while maintaining outstanding optical performance. This lens is an ideal match for compact E-mount bodies, providing a portable, manageable system that's easy to take along on hiking or mountaineering photo excursions. Fast, precise autofocus Two DDSSM (Direct Drive SSM) systems employing original Sony piezoelectric motors directly drive two focus groups in a floating focus configuration. The focus groups are positioned with high precision for the highest possible focus accuracy. DDSSM is quiet too, making it ideal for shooting movies as well as stills. 11 blades enhance bokeh beauty Sony's original 11-blade circular aperture contributes to even greater bokeh quality. Design and materials have been revised to maintain a round shape, and strict circularity standards are applied to ensure that the full beauty of the lens's bokeh is achieved without compromise. Fluorine coated front element The lens's front element features a fluorine coating that helps to prevent fingerprints on the lens and stop dirt from sticking, and makes it easier to wipe away any dirt and fingerprints that do appear on the lens surface. Smooth, versatile operation A focus hold button, manual focus ring, AF/MF switch and other controls provide versatile fingertip operation. The focus hold button can be customised via a body menu that allows a variety of functions to be assigned to the button to match the user's needs. High reliability in harsh conditions The overall design of this lens is dust and moisture resistant for extra protection and reliable operation in challenging environments. Shoot with confidence in light rain or windy conditions.3

Sony Alpha a7 III Digital Camera (Body Only)

Sony ILCE-7M3B (ILCE7M3B, ILCE 7M3B, ILCE/7M3B, ILCE_7M3B) Alpha a7 III Digital Camera (Body Only) Distinguished by its updated sensor design, the Alpha a7 III Mirrorless Digital Camera from Sony is a well-rounded camera suitable for both photo and video applications in a variety of working situations. Refined for improved speed and low-light performance, the full-frame 24.2MP Exmor R BSI CMOS sensor and BIONZ X image processor pair to realize an impressive 10 fps continuous shooting rate and improved autofocus performance for faster, more reliable subject tracking along with wide frame coverage. This updated Fast Hybrid AF System employs a combination of 693 phase-detection points and 425 contrast-detection areas for quicker acquirement of focus in a variety of lighting conditions, and also maintains focus on subjects more effectively. In addition to speed and AF, the processing improvements also help to realize greater image clarity and reduced noise throughout the sensitivity range from ISO 100-51200, which can further be expanded to ISO 50-204800. Video recording capabilities have also been extended for enhanced quality when recording UHD 4K video with the full width of the full-frame sensor to minimize moiré and aliasing. Additionally, benefitting both stills and video operation, the a7 III utilizes a 5-axis SteadyShot INSIDE sensor-shift image stabilization, which is now effective to minimize the appearance of camera shake by up to 5 stops. Beyond just updates to the imaging system, the a7 III's body design has also been revised to include a rear 3.0" 922k-dot touchscreen LCD, which has a tilting design to better support working from high and low angles. A 2.36m-dot Tru-Finder OLED EVF is also featured for bright and clear eye-level monitoring. For greater shooting flexibility, dual SD memory card slots are now featured, and a larger NP-FZ100 battery is also employed to achieve up to approximately 710 shots per charge. Suiting the camera's use in trying conditions, the magnesium-alloy chassis and weather-sealing also render the a7 III dust- and moisture-resistant.    

Sony a7 Mark III Full Frame Digital Camera & 28-70 mm Zoom Lens

Sony ILCE-7M3KB (ILCE7M3KB, ILCE/7M3KB, ILCE 7M3KB, ILCE_7M3KB) a7 Mark III Full Frame Digital Camera & 28-70 mm Zoom Lens Distinguished by its updated sensor design, the Alpha a7 III Mirrorless Digital Camera from Sony is a well-rounded camera suitable for both photo and video applications in a variety of working situations. Refined for improved speed and low-light performance, the full-frame 24.2MP Exmor R BSI CMOS sensor and BIONZ X image processor pair to realize an impressive 10 fps continuous shooting rate and improved autofocus performance for faster, more reliable subject tracking along with wide frame coverage. This updated Fast Hybrid AF System employs a combination of 693 phase-detection points and 425 contrast-detection areas for quicker acquirement of focus in a variety of lighting conditions, and also maintains focus on subjects more effectively. In addition to speed and AF, the processing improvements also help to realize greater image clarity and reduced noise throughout the sensitivity range from ISO 100-51200, which can further be expanded to ISO 50-204800. Video recording capabilities have also been extended for enhanced quality when recording UHD 4K video with the full width of the full-frame sensor to minimize moiré and aliasing. Additionally, benefitting both stills and video operation, the a7 III utilizes a 5-axis SteadyShot INSIDE sensor-shift image stabilization, which is now effective to minimize the appearance of camera shake by up to 5 stops.   Beyond just updates to the imaging system, the a7 III's body design has also been revised to include a rear 3.0" 922k-dot touchscreen LCD, which has a tilting design to better support working from high and low angles. A 2.36m-dot Tru-Finder OLED EVF is also featured for bright and clear eye-level monitoring. For greater shooting flexibility, dual SD memory card slots are now featured, and a larger NP-FZ100 battery is also employed to achieve up to approximately 710 shots per charge. Suiting the camera's use in trying conditions, the magnesium-alloy chassis and weather-sealing also render the a7 III dust- and moisture-resistant. Gain control of expressive freedom With outstanding imaging capability and high-speed performance contained in a compact body, the α7 III gives you the power, precision and flexibility to capture once-in-a-lifetime moments just as you like. Rendering scenes in realistic detail A newly developed back-illuminated image sensor and evolved image processing system fulfill various shooting needs with high-quality imaging capabilities that you would expect only of a full-frame camera. Newly developed sensor, evolved image processor The latest technology achieves stunning processing speed A new version of the 24.2-megapixel4 Exmor R™ CMOS sensor, now featuring back-illuminated structure, is combined with the latest BIONZ X™ image processing engine and front-end LSI, and this combination achieves data readout speed that is two times faster5 and data processing capability that is 1.8 times higher5. Back-illuminated full-frame sensor Higher sensitivity and readout speed The camera’s 35mm full-frame CMOS image sensor with back-illuminated structure enhances light collection efficiency, expands circuitry scale, and, with the help of a copper wiring layer that contributes to quicker data transfer, outputs data at very high speed, while minimising noise to reveal fine details in every picture. Reducing noise in high-resolution images Up to 1.5-stop improvement in image quality Standard ISO range is extended to ISO 100-51200 (expandable to ISO 50-2048006 for stills), while Detail Reproduction and Area-specific Noise Reduction technologies maintain image details and cut noise. With highly effective performance in mid-to-high sensitivity ranges, you can shoot at high ISO with no concerns about noise and image deterioration. Dynamic range of up to approx. 15 stops Approx. 15-stop dynamic range7 at low-sensitivity settings is achieved, thanks to a revamped CMOS sensor and image processor that provide for smooth gradation from shadow to highlight. This gives you greater freedom of creative imaging. Faithful colour reproduction More accurate colour reproduction straight out of the camera Colour reproduction performance is dramatically enhanced, giving subjects that you capture more natural colour that is faithful to how the colours look in real life. Skin tones in portraits, blue skies in landscapes, and vivid hues in still life images look very realistic as a result. Steadier shots with 5-axis stabilisation The latest high-precision stabilisation uses stabilisation unit and gyro sensors and algorithms to achieve a 5.0-step8 shutter speed advantage in a system that compensates five types of camera shake with a wide range of lenses, and delivers excellent performance. 14-bit RAW output for rich gradations For smoother, more natural gradation, the latest BIONZ X image processor and front-end LSI process image signals in 16-bit form. This processor also allows 14-bit RAW9 data output, even when in silent or continuous shooting mode10. 4D FOCUS — AF performance evolves AF performance is improved using the same AF advancements as in the α9 and applying it optimally, so once the α7 III captures such unpredictably moving subjects as dancers, boxers, and wild animals in action, it won’t easily let them go. 4D FOCUS: Stunning wide coverage 693. Remarkable number of phase-detection AF points This camera features 693 phase-detection AF points11 covering approx. 93% of image area plus 425 densely positioned contrast-detection AF points12 to improve focus. 4D FOCUS: Fast AF speed Up to two times faster AF performance Combining focal-plane phase-detection AF for excellent speed and tracking plus high-precision contrast-detection AF, Sony’s sophisticated Fast Hybrid AF can capture fast-moving subjects in razor-sharp images. This system advances performance to double AF speed13. 4D FOCUS: Steadfast tracking Enhanced AF tracking for swiftly moving subjects The AF performance inherited from the α9 accounts for AF tracking with enhanced precision for continuous shooting of quick action. With faster image sensor readout, even complex subject motion can be tracked and sudden movements can be predicted with great precision, allowing you to capture decisive moments. Reliable AF down to EV-3 brightness Advanced AF algorithms contribute to high AF precision down to light levels as low as EV-314, for more reliable autofocus in dark scenes. Focal-plane phase-detection AF supports A-mount lenses 693-point focal-plane phase-detection AF not only covers a wide area and responds instantly — it offers the benefits of high tracking performance even with an A-mount lens mounted via mount adaptor LA-EA3. Eye AF revolutionises portraiture With the α7 III, Eye AF can now be used with AF-C mode, for fast, effective eye detection/tracking performance when shooting stills. The easy maintenance of optimum focus on moving subjects can totally transform your portraiture. Focus control via touch screen The α7 III has Touch Focus function, and a Touch Pad function for you to fingertip-drag the focus frame intuitively while using the viewfinder. AF in Focus Magnifier Use autofocus for stills while focus area is magnified in viewfinder/monitor, and magnify view after autofocusing. This is ideal for focusing on a small area and other precision-focus photography. More versatile AF settings all around AF tracking sensitivity for stills is adjustable in five steps. AF areas/points are changeable as you switch between horizontal and vertical orientation. Focus point settings can be assigned to custom buttons. Fast continuous shooting captures the height of a moment The α7 III can shoot in a continuous burst at up to 10 fps with AF/AE tracking1 and up to 8 fps burst shooting when shooting with live-view mode. The camera also supports silent shooting17 at up to 10 fps with AF/AE tracking at maximum resolution. Confidence-boosting continuous shooting Capture an instant action with continuous shooting of up to 10 fps — or 8 fps for live-view shooting — with AF/AE tracking1. Up to approximately 177 JPEG (standard) images, 89 compressed RAW images, or 40 uncompressed RAW images can be captured in one continuous burst. Shoot continuously in absolute silence This camera allows silent shooting17 at up to 10 fps with AF/AE tracking1. Silence is critical for various scenes, when even slight noise can mean missing a chance at an ideal shot. Anti-flicker shooting Artificial lighting flicker is detected and the shutter is timed to minimise possible exposure and colour inconsistency in images shot at high shutter speeds, as well as between continuous shots. Better operation during continuous shooting Groups of shots taken in continuous mode can be reviewed, deleted or protected quickly. You can access a menu screen and change settings20, as well as operate image playback during data writing. High-resolution 4K HDR As well as new capability of recording stunning 4K movies2 through 2.4-times21 higher oversampling, the camera features a new HLG (Hybrid Log-Gamma) picture profile, supporting instant HDR workflow. Image resolution uncompromised Full-pixel readout without binning for high-resolution 4K movies Full-pixel readout without binning in 35mm full-frame mode makes it possible to condense approx. 2.4 times21 the data required for 4K movies (QFHD: 3840 x 2160), minimising moiré and jaggies. Full-frame or Super 35mm mode can be selected as needed. Furthermore, 4K recording2 employs XAVC S format at bitrates as high as 100 Mbps. Improved Fast Hybrid AF for movie recording Fast Hybrid AF with focal-plane phase-detection AF and contrast-detection AF locks onto and smoothly tracks moving subjects. A wide AF area similar to that for still images is now available for movies too. Reduced low-end AF drive speed allows more pronounced slow focus effects. Freedom to match focus response to specific scenes is enhanced overall. HLG (Hybrid Log-Gamma)3 for instant HDR workflow A new HLG picture profile supports instantaneous HDR workflow. Movies recorded in HLG picture mode will appear true-to-life with minimised black-crush or blown highlights that can deteriorate gradation and details, without colour grading.3 [1] High flexibility to fine-tune images as desired (colour grading required) [2] Instant high-quality image (colour grading not required)  Supports S-Log3 and Slow and Quick Motion S-Log3 improves gradation from shadows to mid-tones and widens dynamic range up to 14 stops. Also, select a frame rate from 1 to 120/100 fps23 for up to 60x quick motion and 5x slow motion. Reliable features and operation in a compact body The α7 III’s operability is enhanced by fast control during shooting, dazzlingly clear views through the Tru-Finder, versatile connectivity, extended shooting endurance from various power sources, plus high durability and resistance to wet and dusty conditions. Longer battery life to shoot for more professional lengths The α7 III can use a NP-FZ100 battery with approx. 2.2 times as much capacity as a NP-FW50 battery, allowing you to shoot up to approximately 710 photos24 with one full charge. BC-QZ1 optional battery charger allows quicker charging than charging via USB. Dual media slots, UHS-II support With two media slots, including one that’s UHS-II-compatible for fast data writing, the α7 III can simultaneously or relay record, separate RAW/JPEG data and stills/movies, and copy data between cards. My Menu: faster to your favourites Register up to 30 frequently used items on the new My Menu for instant recall. You can create and customise an optimal menu for your own convenience. Rating function With rating function, you can rate recorded still images from 1 to 5 stars anywhere right on the spot, using the playback screen to perform the function if it is assigned to a custom button. New Imaging Edge software suite from Sony   Imaging Edge software suite can maximise image quality, improve production efficiency and help you finely adjust RAW-based images. Use its “Remote” to remotely control shooting while monitoring scenes via live-view PC screen; “Edit” to develop RAW data into high-quality photos; and “Viewer” to view, rate and select photos from a list of shots.29

Sony RM-VPR1.CE7 Remote Control with Multi-Terminal Cable

Sony RM-VPR1.CE7 (RMVPR1.CE7, RM-VPR1, RMVPR1, rm-vpr1.ce7) Remote Control with Multi-Terminal Cable The RM-VPR1 Remote Control with Multi-terminal Cable for Select Sony Cameras and Camcorders from Sony is a wired remote commander that allows various remote control operations to be performed without handling the camera, therefore eliminating camera shake and providing self-portrait and other control applications. When using the RM-VPR1 with most Sony cameras, you are able to control shutter, optical zoom, digital zoom and bulb function. You are also able to control video recording. The remote is also functional with the Alpha a99, a77, a65, a57 and a37 cameras but only for photo (not video) functions. Both a multi-terminal cable and remote terminal cable are included for comprehensive compatibility.

Sony Alpha a6500 Premium E-mount APS-C Camera (Body Only)

Sony ILCE6500B.CEC (ILCE6500B/CEC, ILCE6500B_CEC, ILCE6500B CEC) (a/6500, a-6500) Alpha a6500 Premium E-mount APS-C Camera (Body Only) Stable, fast, and versatile, the Alpha a6500 from Sony is an apt APS-C-format mirrorless camera well-suited for both photo and video applications. Revolving around a 24.2MP Exmor CMOS sensor and BIONZ X image processor, clean image quality is provided with a wide expandable sensitivity range to ISO 51200, along with accelerated readout speeds for internal 4K30 and Full HD 1080p120 video recording with full pixel readout.  The processor further benefits videographers with the inclusion of an S&Q (Slow & Quick) Motion setting that permits capturing Full HD video at a variety of frame rates ranging from 1-120 fps. Stills shooters also benefit from the apt processing speed, which enables continuous shooting at 11 fps for up to 301 JPEGs in a burst, as well as 14-bit raw file output. Complementing both stills and video, 5-axis SteadyShot INSIDE image stabilization minimizes the appearance of camera shake with all mounted lenses to support working with slower shutter speeds.  The sensor and processor combination also avails 4D FOCUS, which utilizes a wide-coverage 425-point phase-detection system with a 169-area contrast detection system for quick and precise focusing performance. This focusing system also enables High-density Tracking AF for more efficient and accurate tracking of moving subjects across the image frame. Increasingly versatile and fully featured in both photo and video realms, the a6500 is a fast and precise imaging tool for multimedia capture. 24.2 MP Exmor® CMOS image sensor The α6500 features an APS-C image sensor with approx. 24.2 effective megapixels plus thin wiring layer and large photodiode substrate for light collection efficiency. Combined with BIONZ X™ image processing engine, the image sensor achieves a wide sensitivity range of ISO 100-51200 with low noise. The sensor’s quick-transmission copper wiring layer helps the camera to shoot movies in 4K and Full HD at 120fps (100fps). 425 phase-detection AF points with High-density Tracking AF Technology With 425 focal plane phase-detection AF points helping to provide distinctively wide and dense AF point coverage, the α6500 focuses accurately, efficiently and reliably on subjects throughout the frame. Also, High-density Tracking AF Technology seamlessly activates AF points to cover and track subjects moving within frame with unerring precision. Fast Hybrid AF for stills and movies The α6500 features the world's fastest (0.05 sec.) AF speed. Such speed is achieved by integrating the Fast Hybrid AF’s autofocusing performance plus the BIONZ X™ image processing engine’s highly efficient, accurate handling of information. This makes for extraordinarily fast, accurate AF and tracking performance when shooting movies or stills. (1) Point of focus (2) Contrast-detection AF (3) Phase-detection AF 11fps (Hi+) continuous shooting and 8fps (Hi) live-view continuous shooting Clearly capture moving subjects with high-speed continuous shooting at up to 11fps (Hi+). Or choose among three speeds up to 8fps (Hi), for live-view continuous shooting with very little lag on the EVF or LCD screen ― it’s practically as immediate as shooting with an optical viewfinder. Huge buffer for up to 307 images (over 35 seconds) in continuous shooting Faster internal processing and a higher-capacity buffer memory now allow up to 307 images (over 36 seconds) of high-speed continuous shooting. In-body 5-axis image stabilization The α6500 compensates for five types of camera shake, extending opportunities to shoot steadier still images and movies. The new high-accuracy gyro sensor provides an image stabilization effect equivalent to a 5-steps-faster shutter speed. The camera enables you to zoom in on faraway subjects, snap detailed close-ups, capture night scenes and more ― all with minimal camera shake blur. (1) Yaw (2) Pitch (3) Roll Intuitive Touch Focus even with your eye to the viewfinder Touch Focus makes focus point selection more intuitive ― simply use a finger to touch the LCD touchscreen at the point of the image that you want to focus on. The Touch Pad function lets you shift the focus point smoothly by swiping a finger on the touchscreen, even while viewing the viewfinder. 4K movie recording 4K movie recording in the Super 35 mm format with full pixel readout and no pixel binning allows approx. 2.4 times as much information as is basically required for 4K (QFHD: 3840 x 2160). Data this rich is, in fact, equivalent to 6K data, so it clearly conveys exceptionally high resolution in 4K images. XGA OLED Tru-Finder™ The α6500 introduces a high-contrast, high-resolution, high-visibility XGA OLED Tru-Finder™. It reproduces darkness and color in very fine detail, for clear, smooth views of scenes and tracking of subjects. You can select either 120 (100fps) or 60fps (50fp) frame rate for use of this viewfinder. Eye AF (AF-C compatible) The α6500 features the Eye AF function that detects an eye and focuses on it with pinpoint accuracy even when shooting with a fast lens with aperture fully open and therefore with shallow depth of field. Eye AF also works in AF-C mode, so even if the subject moves, the wide coverage of the high-density 425-point focal plane phase-detection AF sensor maintains very accurate focus on the eyes. Lock-on AF This function maintains focus on a moving subject automatically. Simply align the target frame and the subject to be tracked. If you lose track of the subject, the camera can detect that subject and resume the Lock-on AF function when the subject reappears on the screen. High-durability shutter tested to approx. 200,000 release cycles with low vibration Enjoy less blur from vibration and a very quiet, durable shutter tested to about 200,000 shutter releases. Added braking mechanisms near the end of the rear shutter path plus elastic material as shock absorber produce these benefits. The reduced vibration also helps optimize image sensor resolution performance. Further advanced image processing system The BIONZ X™ image processing engine is supported by newly developed front-end LSI. The image processing algorithm optimized for the image sensor enhances texture reproduction and image clarity while minimizing noise, particularly in the mid-to-high sensitivity range. Slow and Quick Motion Up to 5x Slow Motion and up to 60x Quick Motion can be recorded at up to 50 Mbps in high-quality Full HD in camera. You can choose among eight shooting frame rates ranging from 1fps to 120fps (100fps), as well as 24p, 30p (25p), or 60p (50p) recording format. Slow Motion and Quick Motion footage can be played back after it is shot, without PC-based post-production processing. Focal plane phase-detection AF for A-mount lenses The α6500 offers focal plane phase-detection AF even when an A-mount lens is mounted using a mount adaptor (LA-EA3) from Sony. So you can take advantage of the autofocus system’s uniquely wide coverage provided by 425 focal plane phase-detection AF points, as well as fast, fluid tracking performance when shooting with other lenses as well as E-mount lenses. (1) A-mount lenses AF in Focus Magnifier You can use autofocus even while enlarging a selected image area on the viewfinder or LCD screen, for finer adjustment of focus, for example. Excellent for macro shooting, when accurate focusing is crucial. Gamma Display Assist and Zebra function With Gamma Display Assist, you can view images with natural contrast while recording in S-Log gamma setting, converting S-Log2 and S-Log3 into ITU709 (800%) gamma for monitoring images, or checking focus while enlarging an image on the LCD screen or viewfinder. Moreover, Zebra function simplifies exposure monitoring, especially when shooting in S-Log gamma setting. Target a video signal brightness level from 0 to 109%, and set a range between +10 and –10% of that value; zebra pattern indicates areas with that level of exposure within that range. S-Gamut/S-Log shooting S-Gamut and S-Log shooting give you flexibility to perform color grading in post-production. The S-Log3 and S-Log2 gamma curves feature wide dynamic range (up to 1300%) to minimize whiteout and blackout. The α6500 even offers impressive 14-stop latitude in S-Log3 gamma setting. The camera also supports S-Gamut, S-Gamut3 and S-Gamut3. Cine color space from Sony.brNOTE: S-Log2 and S-Log3 are premised on processing pictures. Terminals expand connectivity The camera supports line input from professional-standard audio devices with XLR terminal, with use of a separately sold XLR adaptor kit (XLR-K2M/XLR-K1M) that enables connection with various high-end microphones. This camera also supports clean HDMI output that allows uncompressed 4K and Full HD movies to be output to an external recorder or monitor. Dust and moisture resistance Comprehensive dust and moisture resistance measures that help prevent water and dust from entering the body include sealing around the buttons and dials, as well as a protective double-layered structure that tightly interlocks panels and components. Tough magnesium alloy body and robust lens mount With internal frames, rear cover, top cover and front cover constructed of magnesium alloy, α6500 is designed for solid reliability and steady handling, as its compact form readily withstands the rigors of shooting in the field. Also, the strength and rigidity of the lens mount provide an especially solid foundation for mounting and withstanding rugged use with even large, heavy lenses such as telephoto lenses. Silent shooting Silent Shooting mode releases the shutter without a sound, even in continuous shooting up to about 3fps with AF/AE tracking, so it's very convenient for shooting indoor performances, outdoor wildlife, and in other situations where silence is essential. To turn this mode on/off more intuitively and less intrusively, assign it to a customizable button. New menu interface The redesigned menu has a new categorization scheme. Now, the group name being selected can be found at the screen top, and each tab is colored differently. This allows quick access to desired menu items, which enables you to change settings smoothly even during shooting. File Name setting Each file name starts with "DSC" by default, but you can use the camera to change, register and thereby customize the file name to include the first three characters of your choice. This facilitates management of files, especially when working on assignments with multiple cameras. PlayMemories Camera Apps™ Express photographs more creatively with PlayMemories Camera Apps™, the application download service that lets you add new functions to your camera’s feature set. Choose among Time-lapse for recording images at intervals and combining them, Smart Remote Control for control of settings from a smartphone or tablet, Sky HDR (high-dynamic-range-imaging), Star Trail, Liveview Grading, Smooth Reflection and other apps. Note: Services availability depends on region. Location Information Link After the camera has been paired via Bluetooth® to the PlayMemories Mobile™ app installed on a compatible mobile phone or tablet device, it can acquire and record location data from the mobile device. The acquired location data can also be used to correct the camera’s date/time and location settings. The PlayMemories Home™ application can then be used on a personal computer to organize on a map any still images imported into the computer. One-touch remote/One-touch sharing One-touch remote makes your smartphone or tablet a viewfinder/remote control. One-touch sharing transfers photos/videos to your device for social network site (SNS) sharing. Just install a PlayMemories Mobile™ app via Wi-Fi® to your NFC-enabled Android device, then touch the device to the camera to connect them. No NFC? No problem. New QR code compatibility can also pair the devices. Supported in Capture One Express (for Sony) Capture One Express (for Sony) is one of the world’s best RAW converters, rendering precise colors and incredible detail. It contains flexible digital asset management, all the essential adjustment tools and fast, responsive performance in one customizable and integrated solution. Enhanced auto exposure functions Along with Multi, Center, and Spot metering modes, the camera features new ones including Highlight, which automatically detects the brightest area in the frame and concentrates exposure metering on that area to avoid blown highlights; and Average, which determines average metering for the entire image in order to maintain stable AE tracking performance as shooting angles change as well as predictable AE behavior. Also, when [Focus Area] parameter is set to [Flexible Spot] or [Expand Flexible Spot] the metering spot location can be linked to the focus area (selectable from Center/Focus Point Link). Moreover, standard exposure value can be adjusted from -1 to +1 stop in 1/6-stop increments, and set separately for each metering mode. Priority Set in AWB When white balance is set to Auto and incandescent lamps or similar illumination are the light sources, the color tone priority can be set to [Standard], [Ambience] or [White]. [Ambience] produces a warm tone; [White] reproduces white tones faithfully. Enhanced Remote Camera Control function When the camera is connected to a computer, you can use Remote Camera Control to take pictures or change camera settings from the computer. This computer-to-camera connection now makes it possible for you to store still images in camera as well as on the computer, so you can visually check images without leaving the camera position. It is now also possible to transfer only JPEG (rather than both JPEG and RAW) files to the computer, reducing the file data volume and allowing transferred images to be checked almost immediately.

Sony Redundant Power Supply Unit for XDCAM

Sony XDBK-101 (XDBK101, XDBK/101, xdbk-101) Redundant Power Supply Unit for XDCAM The XDBK-101 is the redundant power supply option for the XDS-1000, XDS-PD1000, and XDS-PD2000 Professional Media Station units.

Sony SMAD-P2 Shoe Mount Adaptor

Sony SMAD-P2 (SMAD/P2, SMAD_P2, SMADP2, SMAD P2, smad-p2) Shoe Mount Adaptor The Sony SMAD-P2 UWP Shoe Mount Adapter is used to mount the URX-P2 receivers onto camera accessory shoes.

Sony 35mm E-Mount 28-135mm Zoom Lens

Sony SELP28135G.SYX (SELP28135G_SYX, SELP28135G/SYX, SELP28135G-SYX, SELP28135G) 35mm E-Mount 28-135mm Zoom Lens  The SELP28135G is a powered zoom lens that has been created to satisfy professional optical and operational requirements for high-quality movie imagery, including 4K, when matched with a 35mm full frame format camera such as the α7S or a Super 35 format camcorder such as the PXW-FS7*. Focus breathing and zoom image shift have been reduced to an absolute minimum, while aspherical elements and advanced multi-coating technology effectively suppress aberration. Quiet operation is also a priority, so an SSM (Super Sonic wave Motor) drive system has been employed for precise, quiet zooming. Independent control rings for zoom, focus, and iris using physical stops are provided for the first time into an E-Mount an lens. Built-in Optical SteadyShot image stabilization adds to the extraordinary performance of this outstanding lens which is supporting a constant F4. *Zoom range increases to 42-202.5mm when using the lens on an APS-C or Super 35 camera. 35mm full frame imagery Precision optical design supports top-quality 4K production with minimum angle of view variation while focusing and axial displacement while zooming. F4 OSS with extendable zoom range The SELP28135G has minimum focus of 0.4 m (AF) / 0.95 m (MF) and has extanded zoom range of 42-202.5mm when used on an APS-C or S35 camera. High speed operation with independent control rings High-end operation and feel inherited from Sony professional equipment. Three control rings for iris, focus and zoom offer manual control for demanding large format production. Quiet operation The world’s first SSM (Super Sonic wave Motor) drive in a lens designed for moviemaking achieves quiet zoom and extra-smooth iris control. Lightweight and compact Compact, lightweight design that is also dust and moisture resistant is ideal for situations that require mobility plus reliability.s

Sony 18-200mm f3.5-6.3 OSS PowerZoom Lens

Sony SELP18200.AE (SELP18200_AE, SELP18200-AE, SELP18200/AE, SELP18200) 18-200mm f3.5-6.3 OSS PowerZoom Lens E PZ 18-200mm F3.5-6.3 OSS Power Zoom Lens This "Powered Zoom" lens produces smooth constant-speed zooms that can be difficult to achieve manually. Other features that make this lens an excellent choice for moviemaking as well as stills include a wide 11x zoom range and Optical SteadyShot image stabilisation that can keep your subjects sharp at all focal lengths, even when shooting handheld. Circular Aperture When changing your aperture to defocus the background, the light sources appear blurred. This ‘bokeh’ effect of the blurred background can be enhanced with circular aperture blades used in this lens. Conventional aperture blades have flat sides creating unappealing polygonal shaped defocussed points of light. α lenses overcome this problem through a unique design that keeps the aperture almost perfectly circular from its wide-open setting to when it is closed by 2 stops. Smoother, more natural defocusing can be obtained as a result. ED (Extra-low Dispersion) glass As focal lengths get longer, lenses built with conventional optical glass have difficulties with chromatic aberration, and as a result images suffer from lower contrast, lower colour quality, and lower resolution. ED glass dramatically reduces chromatic aberration at telephoto ranges, and provides superior contrast across the entire image, even at large aperture settings. Super ED glass provides enhanced compensation for chromatic aberration. Lens-based optical image stabilisation Gyro sensors built into the lens detect even the slightest movement, and the stabilisation lens is precisely shifted to counteract any image blur that might occur. The use of precision, quiet linear motors and technology inherited from high-end Sony professional camcorders results in exceptionally quiet, effective image stabilisation that contributes to high-quality movies as well as stills. Internal focusing Only the middle groups of the optical system move to achieve focus, so the overall length of the lens does not change. Other important benefits include fast autofocusing and a short minimum focusing distance. Also, the filter thread at the front of the lens does not rotate, which is convenient if you’re using a polarizing filter. Optical image stabilisation with Active Mode Moving around while shooting movies means more camera shake that can cause blur. Although conventional image stabilisation systems were not effective at compensating for this type of movement, “Active Mode” employs a wider range of motion for the compensation lens, achieving improved stabilisation over a greater range of camera movement. Stabilisation at the wide end of the zoom range is significantly improved, facilitating handheld movie shooting with minimum image blur.

Sony E PZ 18-105mm F4 G OSS Lens

Sony SELP18105G.AE (SELP18105GAE, SELP18105G/AE, SELP18105G_AE, SELP18105G-AE) E PZ 18-105mm F4 G OSS Lens This G Lens for E-mount cameras delivers stunning still or movie imagery with the flexibility of 6x power zoom. Maximum aperture is a constant F4 from 18mm wide angle to 105mm medium telephoto, with excellent resolution and contrast throughout. A lever and ring on the lens barrel allow zoom speed to be freely adjusted as required while maintaining a sure, stable grip.

Sony 16-50mm f3.5-5.6 OSS Lens

Sony SELP1650.AE (SELP1650-AE, SELP1650_AE, SELP1650/AE, SELP1650) 16-50mm f3.5-5.6 OSS Lens  Retractable lens with powered zoom Great for travel, this lightweight, retractable mid-range zoom collapses down to just 29.9mm. It also features a power zoom for smooth, silent, effortless zooming. Powered zoom for effortless control Shooting stills or video, a powered zoom gives you maximum creative control. For added convenience, it can be operated via a zoom rocker on selected E Mount cameras. Capture smooth, blur-free images Built-in Optical SteadyShot™ image stabilisation within the lens ensures smooth, blur-free photos and videos when shooting handheld. Smooth defocusing Instead of a standard polygon-shaped lens aperture, this lens features a 7-blade circular aperture for more natural, rounded defocusing or ‘bokeh’. Refined optical performance Aspherical lens elements minimise distortion while ED (Extra-low Dispersion) glass elements provide superior contrast, resolution, and colour fidelity.

Sony FE 70-200mm f/4 G OSS Lens

Sony SEL70200G.AE (SEL70200G/AE, SEL70200G-AE, sel70200g_ae) FE 70-200mm F/4 G OSS Lens The most advanced technology available has been applied in the G Master series, further refining acclaimed Sony G Lens performance. This model combines refined G Lens bokeh with new levels of resolution in an outstanding constant F2.8 telephoto zoom that offers unsurpassed rendering, blazing AF, and extraordinary image stabilization performance. Extraordinary detail and bokeh in one lens Specifically designed to resolve spatial frequencies with excellent contrast, this lens includes three aspherical elements, including one double-sided and one newly developed XA (extreme aspherical) element with 0.01 micron surface precision, to effectively control aberration for astonishing resolution plus glorious bokeh. Natural images without spurious colour Chromatic aberration that can be a problem in telephoto lenses is thoroughly suppressed by the use of four ED (Extra-low-Dispersion) glass elements and two Super ED glass elements. Colour bleeding is banished so the subject can be captured with maximum sharpness. Class-leading close-up performance Class-leading close-up performance with a minimum focusing distance of 0.96m and 0.25x maximum magnification is ideal for portraits, telephoto macro, and more. Contributing refinements include ED glass elements and a floating focus mechanism to control aberration that can be problematic in close-up applications. Fast AF optimized for stills and video Two heavy focus groups are rapidly and precisely positioned by separate actuators: a powerful ring SSM (Super Sonic wave Motor) actuator for the front group, and a double linear motor actuator for the rear group. Improved positioning precision works with real-time feedback from multiple position sensors to allow the body’s AF system to operate at full capacity. Further refinements for spot-on movie AF The focusing system’s double linear motor takes on the vital role of providing “wobbling” actuation for the AF contrast detection system when shooting video. An optical design that effectively minimizes focus breathing plus quiet mechanical operation further adds to focusing performance that is ideal for movies as well as stills. Outstanding clarity and contrast Advanced Nano AR Coating technology produces a lens coating with a precisely defined regular nano-structure that effectively suppresses reflections that can cause flare and ghosting, for notable improvements in clarity, contrast, and overall image quality.(1. Nano AR Coating / 2.Glass / 3.Transmitted light) 11 blades for luscious bokeh Sony’s circular aperture design has traditionally employed up to 9 blades, but this lens incorporates an 11-blade circular aperture that takes bokeh quality to new levels of smooth beauty with natural looking highlights. Operation and reliability optimized for fieldwork Rigid construction with constant lens length during focusing and zooming contribute to excellent handling in the widest range of shooting situations.Focus hold buttons can hold the focus point even during continuous AF operation, and a focus range limiter switch can be used to preset a focusing distance range for maximum AF speed. Stable even when panning To provide the greatest possible benefit from the built-in image stabilization system in the widest range of shooting situations, the SEL70200GM features switchable MODE 2 stabilization that allows image stabilization to be used with panned shots for greater clarity and impact. Stabilized for sharp, blur-free images High-performance image stabilization is built right into the lens for sharp, blur-free images with a wide range of subjects. The heavy stabilization lens is driven by a linear motor for fast, precise stabilization. 5-axis image stabilization becomes available when used with α series bodies that feature built-in image stabilization. Removable rotating tripod mount This versatile lens tripod mount allows the camera to be quickly removed from the tripod in shooting situations that require a rapid handheld response. It also features a revolving mechanism that allows quick changeover between landscape and portrait orientation. A lock mechanism prevents accidental detachment.  High reliability in harsh conditions A sealed dust and moisture resistant design and fluorine front element coating provide extra protection to ensure reliable operation in challenging environments.

Sony Sonnar T FE 55mm f/1.8 ZA Lens

Sony SEL55F18Z.AE (SEL55F18Z_AE, SEL55F18Z/AE, sel55f18z-ae) Sonnar T FE 55mm f/1.8 ZA Lens This standard prime lens with a 55mm focal length and large F1.8 maximum aperture offers stunning ZEISS Sonnar contrast and resolution for full-frame E-mount bodies. It can also create gorgeous background bokeh to set off your subject when needed. The big, bright maximum aperture means you can shoot handheld in low-light conditions while still getting outstanding sharpness and clarity.

Sony Sonnar T FE 35mm f/2.8 ZA Lens

Sony SEL35F28Z.AE (SEL 35F28ZAE, SEL35F28Z/AE, SEL35F28Z_AE, SEL-35F28Z.AE, SEL35F28Z) Sonnar T FE 35mm f/2.8 ZA Lens  Sonnar T* FE 35mm F2.8 ZA Wide-angle Prime (SEL35F28Z) Perfect for wide-angle shooting and close-ups, this bright 35mm prime lens from ZEISS delivers outstanding edge-to-edge image quality. A supplied dedicated hood matches the lens's compact form, while its dust and moisture resistant design gives you peace of mind when shooting outdoors. Crafted by ZEISS Founded in 1846, ZEISS AG is a legend in the field of camera optics. Their lenses are renowned for exceptional clarity, brightness, resolution and contrast. This one features the acclaimed ZEISS T* coating, which subdues internal reflections to minimise flare and ghosting. 35mm Full Frame imaging This 35mm Full Frame prime lens is designed to work with the latest Full Frame E-mount cameras from Sony, delivering outstanding contrast and resolution right out to the edges of the image. Advanced aspherical lens (AA lens) technology Aspherical lens technology maximises portability without sacrificing imaging power. The lens combines three aspherical elements with one ED (Extra-low Dispersion) glass element to deliver high-precision shots and breathtaking rendering – without the bulky design usually associated with similar DSLR lenses. Smooth defocusing Instead of a standard polygon-shaped lens aperture, this lens features a 7-blade circular aperture for more natural, rounded defocusing or ‘bokeh’. Refined optical performance To optimise performance, aspherical lens elements maintain high contrast (even with the aperture wide open) and minimise distortion and flatness of the image plane. Fast, agile focusing An internal focusing mechanism means the lens barrel doesn’t move, enabling a more compact design, faster autofocus response, and reduced minimum focusing distances.

Sony 28-70mm F/3.5-5.6 OSS Standard Zoom Lens - E Mount

Sony SEL2870.AE (SEL2870AE, SEL2870/AE, sel2870.ae) 28-70mm F/3.5-5.6 OSS Standard Zoom Lens - E Mount A top pick for users looking for a lightweight all-around zoom, the FE 28-70mm f/3.5-5.6 OSS Lens from Sony is a great go-to for full-frame E-mount shooters. The lens uses a variable f/3.5-5.6 maximum aperture range in order to achieve light weight and compact size and incorporates one extra-low dispersion element and three aspherical elements to minimize aberrations throughout the range. Also, it has a linear motor and internal focus that enable fast, reliable autofocusing. On top of this, the lens offers built-in Optical SteadyShot image stabilization to combat the effects of camera shake. Additionally, it is dust and moisture resistant and is equipped with a seven-blade circular diaphragm for smooth bokeh. Designed for full-frame E-mount cameras, this 28-70mm covers a versatile wide-angle to telephoto range. It also works on APS-C format cameras where it provides a 42-105mm equivalent focal length range. One extra-low dispersion glass element is featured in the lens design to help reduce chromatic aberrations and color fringing for improved clarity and color neutrality. Three aspherical elements are incorporated in the lens design to reduce astigmatism, field curvature, coma, and other monochromatic aberrations. An internal focus mechanism and linear motor contribute to faster, more responsive system and easier handling. Optical SteadyShot image stabilization helps to minimize the appearance of camera shake for sharper imagery when shooting handheld with slower shutter speeds. This stabilization system can be combined with select camera's sensor-shift type image stabilization for more effective control of camera blur. Dust- and moisture-sealed design better permits working in inclement conditions and rubberized control rings benefit handling in colder temperatures. Rounded seven-blade diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques.

Sony 24mm f1.8 ZA Sonnar T* Wide Angle Lens by Carl Zeiss - E Mount

Sony SEL24F18Z.AE (SEL24F18ZAE, SEL24F18Z/AE, sel24f18z.ae) 24mm f1.8 ZA Sonnar T* Wide Angle Lens by Carl Zeiss - E Mount  The Sony Vario-Tessar T* FE 24-70mm f/4 ZA OSS Lens is a wide-angle to portrait-length zoom lens that features a constant f/4 maximum aperture to support consistent performance in regard to exposure settings and focus placement throughout the zoom range. Five aspherical elements and one extra-low dispersion element help to reduce aberrations and distortions while contributing to notable image sharpness and clarity. A Carl Zeiss T* anti-reflective coating has also been applied to lens elements to reduce lens flare and ghosting for improved contrast and color fidelity. This lens also integrates Optical SteadyShot image stabilization to lessen the appearance of camera shake when working in low-light conditions or with longer focal lengths. Additionally, a dust- and moisture-resistant construction ensures this lens' use in tough environmental conditions. The mid-range zoom 24-70mm lens covers wide-angle to portrait-length perspectives and features a constant f/4 maximum aperture for consistent performance throughout the zoom range. Five aspherical elements and one extra-low dispersion element help minimize aberrations and distortions throughout the zoom range while contributing to high overall clarity. Tessar concept enables the lens design to be compact while maintaining high image quality and sharpness. Carl Zeiss T* anti-reflective coating lessens lens flare and ghosting for contrast-rich imagery with sustained color neutrality. Optical SteadyShot image stabilization minimizes the appearance of camera shake to better suit working with longer shutter speeds and telephoto focal lengths. Dust- and moisture-resistant design enables ensured performance when working in inclement environmental conditions. Circular diaphragm enables a smooth out-of-focus quality that is well-suited to shallow depth of field imagery.

Sony Vario-Tessar T* FE 24-70mm F4 ZA OSS E-Mount Lens

Sony SEL2470Z.AE (SEL2470ZAE, SEL2470Z/AE, sel2470z.ae) Vario-Tessar T* FE 24-70mm F4 ZA OSS E-Mount Lens The Vario-Tessar T* FE 24-70mm f/4 ZA OSS Lens from Sony, a compact full-frame option that covers wide-angle to short telephoto perspectives for working with a variety of different shooting styles and subjects. A constant f/4 aperture makes operation smooth and consistent throughout the zoom range. The lens further benefits from the use of one extra-low dispersion element and five aspherical elements to combat aberrations as well as a Zeiss T* anti-reflective coating to keep flare and ghosting to an absolute minimum. The lens is fast to focus as well due to the linear autofocus motor and an internal focus design. Additionally, the dust- and moisture-resistant lens is equipped with Optical SteadyShot image stabilization to reduce the effects of camera shake, and it has a seven-blade circular diaphragm for smooth bokeh. Based on the Zeiss Tessar optical concept, this lens uses a design with 12 elements in ten groups that helps ensure a smaller overall lens size along with reduced flaring, distortion, and chromatic aberrations. Covering wide-angle to short telephoto perspectives, this compact 24-70mm can quickly become a go-to lens for Sony's full-frame E-mount cameras. It can also be used on APS-C format cameras where it will provide a 36-105mm equivalent zoom range. A constant f/4 maximum aperture offers consistent performance throughout the zoom range and also lends greater control over focus position for shallow depth of field techniques. Zeiss T* anti-reflective coatings have been applied to each lens surface to help minimize reflections in order to provide greater image clarity, contrast, and color fidelity. One extra-low dispersion glass element is featured in the lens design to help reduce chromatic aberrations and color fringing for improved clarity and color neutrality. Five aspherical elements are incorporated in the lens design to reduce astigmatism, field curvature, coma, and other monochromatic aberrations. Optical SteadyShot image stabilization helps to minimize the appearance of camera shake for sharper imagery when shooting handheld with slower shutter speeds. This stabilization system can also be combined with select camera's sensor-shift type image stabilization for more effective control of camera blur. A linear autofocus motor and internal focus design provide quick and precise autofocus performance and enables accurate and silent focusing while recording videos. Dust- and moisture-sealed design better permits working in inclement conditions and rubberized control rings benefit handling in colder temperatures. Rounded seven-blade diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques.

Sony Vario-Tessar T* FE 16-35mm f/4 ZA OSS Lens

Sony SEL1635Z.SYX (SEL1635ZSYX, SEL1635Z/SYX, sel1635z.syx) Vario-Tessar T* FE 16-35mm f/4 ZA OSS Lens  With a dust and moisture resistant design, the compact and lightweight Sony Vario-Tessar T* FE 16-35mm f/4 ZA OSS Lens covers your wide-angle zoom needs and is designed for full-frame E-mount cameras but can also be used on APS-C E-mount cameras as well. A constant f/4 maximum aperture offers consistent performance throughout the zoom range. Benefiting working in dim light is Optical SteadyShot image stabilization, which serves to minimize the appearance of camera shake by up to four shutter speed steps. The optical construction incorporates five aspherical elements, including a large diameter AA (advanced aspherical) element, and three ED (extra-low dispersion) elements to help reduce chromatic aberrations throughout the zoom range as well as contribute to a compact overall form-factor. A Carl Zeiss T* anti-reflective coating has been applied to the lens elements to minimize lens flare and ghosting while providing enhanced contrast, clarity, and color fidelity. Wide-range zoom lens designed for full-frame E-mount cameras Constant f/4 maximum aperture enables greater consistency throughout the zoom range Features a circular aperture diaphragm that, through the use of curved blades, keeps the aperture almost perfectly circular from its wide-open setting to when it is closed for smoother, more natural defocusing highlights Optical SteadyShot image stabilization works to minimize the appearance of camera shake by up to four shutter speed steps to benefit shooting handheld in dim lighting Five aspherical elements, including one AA (advanced aspherical) element, and three ED elements helps to reduce chromatic aberrations throughout the zoom range while also maintaining a compact form-factor Carl Zeiss T* anti-reflective coating enhances contrast, clarity, and color reproduction by countering the effects of lens flare and ghosting Only the middle groups of the optical system move to achieve focus, so the overall length of the lens does not change when focusing. Also, the filter thread at the front of the lens does not rotate, which is convenient when using a polarizing filter

Sony CineAlta 4K PL mount lens pack x6 (metric)

Sony SCL-PK6/M (SCLPK6/M, SCL/PK6/M, scl-pk6/m) CineAlta 4K PL mount lens pack x6 (metric) The PMW-F55 and PMW-F5 cameras continue Sony’s efforts to offer the most flexible lens options. A PL-mount lets users choose cinematic lenses from suppliers such as Angénieux, ARRI, Canon, Carl Zeiss, Cooke, FUJIFILM and Leica. Sony is also launching a second generation of cost-effective PL mount prime lenses. Each is certified for 4K capture, and is designed to minimize geometric distortion, vignetting and breathing. A 9-blade iris delivers beautiful bokehs and the focus rings rotate 240°. The new lens series includes focal lengths of 20, 25, 35, 50, 85 and 135 mm. For easy lens changes, each has the same T2.0 aperture, the same external diameter, matte box diameter, and gear locations for follow focus and aperture. All are the same height except for the 135 mm lens. Shooters can use stills lenses by removing the supplied PL-mount adaptor to reveal the native FZ mount. This makes it easy to accept commercially available adaptors for third-party lenses, including Canon EF, Canon FD, Nikon DX, Nikon G, Leica M and even 2/3-inch B4 lenses. A third option is the use of Sony FZ-Mount lenses with auto focus servo zoom (model SCL-Z18X140.)  

Sony 11-15mm / T3.0 Wide Angle Zoom PL Mount Lens

Sony SCL-P11X15 (SCLP11X15, SCL/P11X15, scl-p11x15) 11-15mm / T3.0 Wide Angle Zoom PL Mount Lens Sony's SCL-P11X15 is a new PL mount lens for the PMW-F3 Camcorder. This wide-angle zoom 1.5x 11-16mm T3.0 aimed at high-end cinema, drama, documentary and commercial productions. The The SCL-P11X15 has been specifically designed to fit to the PMW-F3K via the camcorder’s supplied PL Mount Adapter, which also means the lens is compatible with any other PL Mount camcorder. Wide Angle Zoom 1.5x 11-16mm T3.0 - PL mount wide angle of view coupled with 1.5x zoom capabilities for flexible shooting in fast-moving situations such as high-end documentary.

Sony SAL35F14G.AE 35mm f/1.4 G Lens A-Mount Lens

Sony SAL35F14G.AE (SAL-35F14G.AE, SAL-35F14G, SAL35F14G, sal35f14g.ae) 35mm f/1.4 G Lens A-Mount Lens A fast wide prime for expressive freedom The fact that this 35 mm F1.4 prime G Lens delivers superb image quality is no surprise. Creative photographers will really appreciate its 35 mm focal length, considered the most versatile by many pros, and its bright, fast F1.4 maximum aperture that enables low-light shooting, makes it possible to increase shutter speed to capture fast action and achieve gorgeous background bokeh when needed. Superb prime lens quality for low light An F1.4 maximum aperture makes this superb lens ideal for snapshots and ambient-light photography while providing extended depth-of-field control. The ability to create smooth bokeh makes it great for portraits too. Another advantage of a large maximum aperture is that higher shutter speeds can be used when shooting fast action. Sharp, high-contrast imagery Premium G Lens optics, including moulded aspherical glass elements, achieve consistently high resolution and contrast right down to the lens's bright F1.4 maximum aperture. All types of aberration are effectively suppressed too, so that natural, life-reproduction of delicate gradations and details is achieved. From super sharp to gorgeous bokeh A 9-blade circular aperture works with this lens's F1.4 maximum aperture to produce beautifully smooth background bokeh with natural highlights when desired. Smooth background defocusing can make the in-focus focus really stand out in images with almost three-dimensional depth. Compact, manageable and versatile In addition to a remarkably compact, manageable design, this lens includes a convenient focus hold button on the lens barrel, and an auto-clutch that prevents the focus ring from rotating when autofocus is used.

Sony SAL2875.AE 28–75mm F2.8 SAM Zoom Lens

Sony SAL2875.AE (SAL-2875AE, SAL-2875, SAL2875, sal2875.ae) 28–75mm F2.8 SAM Zoom Lens This 35 MM Full-Frame lens works with Sony α cameras. A versatile lens for everyday use The SAL2875 offers an ideal balance of brightness and zoom range for a variety of situations. A constant F2.8 max aperture benefits handheld and low-light shots. Say goodbye to blur Pair the lens with a camera by Sony with SteadyShot™ INSIDE and you’ll enjoy smooth, blur-free results when shooting handheld, even zoomed-in. Smooth defocusing Instead of a standard polygon-shaped lens aperture, this lens features a 7-blade circular aperture for more natural, rounded defocusing or ‘bokeh’. Refined optical performance Aspherical lens elements minimise distortion while ED (Extra-low Dispersion) glass elements provide superior contrast, resolution and colour fidelity. Fast, smooth focusing Internal focusing enables reduced minimum focusing distances and fast autofocus response while a built-in SAM (Smooth Autofocus Motor) ensures smooth operation.

Sony SAL24F20Z.AE Distagon T 24mm F2 ZA SSM Lens

Sony SAL24F20Z.AE (SAL-24F20ZAE, SAL24F20Z, SAL-24F20Z, sal24f20z.ae) Distagon T 24mm F2 ZA SSM Lens Legendary Distagon wide-angle quality This first-rate 24 mm prime lens is an outstanding choice for landscapes, snapshots and more . It takes outstanding ZEISS Distagon® quality to a new level with precision aspherical and ED (Extra-low Dispersion) glass elements, and the large F2.0 maximum aperture and a circular aperture cooperate to deliver gorgeous bokeh effects. Extraordinary wide-angle rendering The ZEISS Distagon® design was created specifically to achieve excellent sharpness and contrast in wide-angle lenses, and it still excels in that field. The SAL24F20Z brings the Distagon® configuration up to date with the most advanced lens technology available, for unsurpassed corner-to-corner optical performance. Sharp, high-contrast imagery Two aspherical elements and two ED (Extra-low Dispersion) glass elements minimise aberration for superior sharpness and contrast throughout the image, while the ZEISS T* coating cuts flare and ghosting so that images are crisp and clear with well-defined blacks. That impressive performance is maintained at all apertures, right down to this lens’s bright F2.0 maximum. Outstanding colour and contrast ZEISS lenses are renowned for their outstanding colour reproduction and contrast. The ZEISS T* coating is an important contributing factor, effectively suppressing spurious reflections that can degrade overall image quality. Flare and ghosting are reduced for enhanced colour and contrast that give images a deep, three-dimensional feel. Get close for small subjects and details The SAL24F20Z can focus as close as 19 centimetres to capture small subjects and details with excellent quality. The large F2.0 maximum aperture and 9-blade circular aperture design can contribute to beautifully smooth background bokeh that supports the main in-focus subject in the most appealing way. SSM (Super Sonic wave Motor) focus drive The SSM (Super Sonic wave Motor) is a piezoelectric drive system that contributes to smooth, silent autofocus operation. Its capacity for high torque at low rotational speeds contributes to fast start and stop response as well as precise positioning. To the photographer that means quick, quiet, accurate focus. ED glass improves resolution and contrast The ED (Extra-low Dispersion) glass elements used in the SAL24F20Z are highly effective in reducing chromatic aberration. That not only minimises colour fringing, but also contributes to superior sharpness and contrast throughout the image area, even at large aperture settings.

Sony SAL1635Z2.SYX Vario-Sonnar T 16–35mm F2.8 ZA SSM II Lens

Sony SAL1635Z2.SYX (SAL-1635Z2.SYX, SAL1635Z2, SAL-1635Z2, sal1635z2.syx) Vario-Sonnar T 16–35mm F2.8 ZA SSM II Lens The Sony 16-35mm f/2.8 ZA SSM II Vario-Sonnar T* Lens is a fast and versatile wide-angle zoom that is designed for Sony and Minolta full-frame or APS-C A-Mount cameras. Users of compatible 35mm full-frame cameras can obtain a 107 to 63° angle of view, making this lens suitable for fitting subjects ranging from landscapes to large groups into your frame. On a Sony or Minolta APS-C A-Mount camera, this lens's angle of view becomes equivalent to that of a 24-52.5mm lens on a full-frame 35mm film camera or DSLR. Wide-angle photography on an APS-C A-Mount camera is supported, as well as the ability to replicate the narrower angle of view provided when a 50mm lens is placed on a full-frame 35mm film camera or DSLR which is a useful combination for street and travel photography. An extra-low dispersion, a super extra-low dispersion, and three aspherical elements are incorporated within the lens to maintain low distortion and corner sharpness while minimizing chromatic aberrations. Carl Zeiss T* (T-Star) lens coatings provide high contrast and uniform image resolution while helping to eliminate lens flare, internal reflection, and light scattering. Silent Super Sonic Wave autofocus motor and aperture mechanisms contribute to fast lens operation and the suppression of unwanted noise when capturing still photos as well as video clips. This lens's durable dust and weather-resistant design contributes to the versatility of Sony camera bodies that also feature weather-resistant components, allowing you to photograph in places or at times where exposure to the elements could impact camera system performance. When used with a Sony A-Mount to E-Mount Lens Adapter, or a Sony A-Mount to E-Mount Lens Adapter with Translucent Mirror Technology that helps maintain autofocus performance, full-frame or APS-C Sony E-Mount cameras can also utilize this lens. 16-35mm full-frame zoom offers a versatile wide-angle focal length on both Sony A-Mount full-frame cameras and APS-C cameras. On Sony A-Mount APS-C cameras, this lens provides a 35mm-equivalent focal length of 24-52.5mm. Full-frame or APS-C Sony E-Mount cameras can work with this lens using a Sony A-Mount to E-Mount Lens Adapter, or a Sony A-Mount to E-Mount Lens Adapter with Translucent Mirror Technology that helps maintain autofocus performance. Fast f/2.8 maximum aperture benefits working in difficult lighting conditions and also aids in selective focus control. Three aspherical elements help to maintain low distortion and corner sharpness, while one extra-low dispersion element and one super extra-low dispersion element reduce chromatic aberrations. Carl Zeiss T* (T-Star) coatings provide high contrast and uniform image resolution while helping to eliminate lens flare, internal reflection, and light scattering. Weather-resistant design permits outdoor use and contributes to the versatility of Sony camera bodies that also feature weather-resistant components. Super Sonic Wave Motor produces high torque at slow rotation. Quiet, precise, and immediate start and stop responses are provided. Silent autofocus and aperture operation prevent distracting sounds during video capture. Focusing is achieved internally, keeping the length of the lens consistent. Fast autofocus speed as well as focus tracking is maintained and the front of the lens or a polarizer mounted on it is prevented from unintentionally rotating. Once focus has been set, pressing the Focus Hold Button on the lens barrel keeps the lens locked to the selected focusing distance. Built-in Distance Encoder works in conjunction with Sony's Advanced Distance Integration flash metering system. This encoder helps a connected camera and a compatible flash take into account the distance of the subject from the camera system, helping to ensure that the correct amount of flash is used. Nine rounded diaphragm blades contribute to a pleasing out-of-focus quality and benefit the use of shallow depth of field techniques.

Sony Custom Rack Mounting Kit CCU-590P and CCU-TX50

Sony RMM-301 (RMM301, RMM/301, rmm-301)(CCU/590P, CCU_590P)(CCU TX50, CCU/TX50) Custom Rack Mounting Kit CCU-590P and CCU-TX50The Sony RMM-301 is the custom rack mounting kit for both the HDFX-100/S Triax adapters and CCU-550D Triax camera controller. This kit allows the camera controller to be mounted on a standard 19" wide equipment rack system.

Sony Rackmount Kit for Betacam SP VCRs

Sony RMM-110 (RMM110, RMM/110, rmm-110) Rackmount Kit for Betacam SP VCRsDesigned specifically for the PVW line of Betacam SP VTRs. This kit provides all the necessary parts to connect the VTR to any standard 19 inch racking system.Fits VTR to standard racking system This Rackmounting kit works with SRW-5000/5500/5800/5100 HDCAM-SR studio VTR.

Sony Rackmount Kit for PFV-L10 Interface Unit

Sony RMM-10 (RMM10, RMM/10, rmm-10) (PFV/L10, PFV_L10) Rackmount Kit for PFV-L10 Interface Unit The RMM-10 rack mount kit is designed to work with the MVS Series switchers and PFV-L10 interface unit. Standard rack mounting Allows the units to be rack mounted in all standard racks.

Sony Remote Commander with Focus, Iris and Zoom Control

Sony RM-30BP (RM30BP, RM30BP, rm-30bp) Remote Commander with Focus, Iris and Zoom Control The RM-30BP is the successor to the RM-1000BP, the industry’s first comprehensive, multifunctional remote commander.  Ideal for freelancers and small-budget productions, the lightweight remote can be handheld, placed on a table or attached to a tripod arm for operation. The RM-30BP can control most camera functions including: Lens control: one push auto / manual focus, iris and zoom control  Camera control: recording / display functions, shutter speed, white balance - including six assignable buttons  Playback and multi camera control (up to 3 cameras)  The RM-30BP can also be connected to the new MCX-500 for multi camera control directly from the switcher, and is compatible with the HXR-NX5R and PXW-FS7 v4.0, with plans to introduce compatibility for other Sony camcorders.

Sony SxS Card Slot Option Board for PDW-HR1

Sony PDBK-MK1 (PDBKMK1, PDBK/MK1, pdbk-mk1) SxS Card Slot Option Board for PDW-HR1 The Sony SxS Card Slot Option Board for PDW-HR1 is an SxS Memory Card Adaptor that can be used as an option for adding 2 SxS card slots to the PDW-HR1 Professional Disc Field Station. You can use play content on SxS memory cards and copy content between professional discs and SxS memory cards via the optional board. You can directly browse files on SxS cards via the PDW-HR1 and also perform various clip transcoding and copy functions. You can copy data to and from the \UserData folder of the PDW-HR1 and thus maintain the original XDCAM EX card BPAV folder structure whenever required. Rewrapping or transcoding of XDCAM EX MP4 files to optical XDCAM MXF files during copy process is also possible using the SxS Card Slot Option Board for PDW-HR1. Consolidation of all footage on a disc using the MXF file format is also possible which is useful for XDCAM EX and optical XDCAM photographers. You can easily transcode and upconvert SD clips to HD as well as cross convert 720p material to 1080i material using the SxS Card Slot Option Board for PDW-HR1. SxS Memory Card Adaptor that can be used as an option for adding 2 SxS card slots to the PDW-HR1 Professional Disc Field Station Allow you to play content on SxS memory cards and copy content between professional discs and SxS memory cards via the optional board Allows you to directly browse files on SxS cards via the PDW-HR1 and also perform various clip transcoding and copy functions Allows copying data to and from the \UserData folder of the PDW-HR1 and thus maintaining the original XDCAM EX card BPAV folder structure whenever required Enables rewrapping or transcoding of XDCAM EX MP4 files to optical XDCAM MXF files during copy process Consolidates all footage on a disc using the MXF file format Transcodes and upconverts SD clips to HD as well as cross converts 720p material to 1080i material

Sony ODBK-102 Power Supply Unit

Sony ODBK-102 (ODBK102, ODBK/102, odbk-102) Power Supply Unit The ODBK-102 power supply unit works with the ODS-L60E PetaSite scalable library and the ODS-D77F fibre channel drive unit. The Optical Disc family of data storage products is designed to provide an extended life cycle for storing and archiving all forms of audio-visual assets and data files for the very long term.Ideal for deep archive and near-online archiveThe Sony Optical Disc Archive system is ideal for deep archive for very long term archiving, such as broadcaster archives where data tape does not provide the assurance or meet the need for write-once, very long-term archive requirements. It provides second copy archive at a remote site and is ideal for business continuity/disaster recovery, post house and production back-up and for video, film and stock footage archives or national archives. The system can also be used for news and sports clips that need to be near-online and as an on-line browse and proxy clip store.

Sony Power Supply Unit

Sony ODBK-101 (ODBK101, ODBK/101, odbk-101) Power Supply Unit The ODBK-101 power supply unit works with the ODS-L30M PetaSite scalable library and the ODS-D77F fibre channel drive unit. The Optical Disc family of data storage products is designed to provide an extended life cycle for storing and archiving all forms of audio-visual assets and data files for the very long term.Ideal for deep archive and near-online archive The Sony Optical Disc Archive system is ideal for deep archive for very long term archiving, such as broadcaster archives where data tape does not provide the assurance or meet the need for write-once, very long-term archive requirements. It provides second copy archive at a remote site and is ideal for business continuity/disaster recovery, post house and production back-up and for video, film and stock footage archives or national archives. The system can also be used for news and sports clips that need to be near-online and as an on-line browse and proxy clip store.

Sony Power Supply Extension Unit

Sony HXCE-FB70//U (HXCEFB70//U, HXCE/FB70//U, hxce-fb70//u) Power Supply Extension Unit Extends fibre connection from 250m to 10km The HXCE-FB70 is an extension module for the fibre connection between the CA-FB70 optical fibre adaptor and HXCU-FB70 optical fibre CCU. It receives power via a fibre from the HXCU-FB70. It then connects to the CA-FB70 with a single mode fibre cable. In this case, it can extend the extension distance from 250m to 250m + 10km if the CA-FB70 is powered locally. The HXCE-FB70 is designed to work with the HXC-D70 and PMW-320/350/500 camcorders. Full HD picture quality and connection for all signals The HXCE-FB70 provides the excellent picture images as well as flexible integration and the possibility to extend the operation with all signals (Tally, Intercom, Video Return and Prompter) in full HD.  

Sony CCU Extension Adapter

Sony HKCU-SM100 (HKCUSM100, HKCU/SM100, hkcu-sm100) CCU Extension Adapter The HKCU-SM100 CCU extension adaptor works with the HDCE-100 camera extension adaptor to meet the fast-growing demand for an affordable total system solution for long-distance transmission with single mode fibre cable (SMF). The HKCU-SM100 and the HDCE-100 are designed for easily converting the cable format between the camera head and base station Camera Control Unit (CCU) from SMPTE optical fibre to SMF. The HDCE-100 on its own extends the distance between camera head and CCU. With the HKCU-SM100, the maximum distance extends to 10 km. In 4K camera systems, the HDCE-100 and HKCU-SM100 can be utilised with the BPU-4000 baseband processor unit to supply power to the CA-4000 camera system adaptor or HDC-4300 camera. Easy conversion from optical fibre to single mode fibre Easy conversion of the cable format between the camera head and base station Camera Control Unit (CCU) from SMPTE optical fibre to single mode fibre cable (SMF). Long-distance transmission Provides transmission on single mode fibre between CCU and 4K, HSC and HDC series cameras of up to 10 km.

Sony Digital Triax Adapter

Sony HKC-TR27F (HKCTR27F, HKC/TR27F, hkc-tr27f) Digital Triax AdapterThe HKC-TR27 digital triax adaptor side cover for the HDC-2400/2500/2550 system cameras permits digital triax transmission with a bandwidth that allows the transmission of 1080P or 2xSloMo signals (2x1080i) over triax. Furthermore, digital triax transmission does not suffer from a decrease of SNR (Signal to Noise Ratio) over longer extensions, so the high performance signal quality can be kept over the maximum extension of 1,400m (using 14.5mm triax cable). Camera connects with HDFX-200 to HDCU-2000/2500 CCUs The digital triax transmission requires the use of an HDFX-200 converter to convert the triax signals to an SMPTE-Fibre cable to be accepted by the HDCU-2000/2500 or HDC-1000/1500Camera Control Unit (CCU). High quality digital signal transmission over conventional triax cable Existing triax infrastructure can be used with no need to install additional cables up to distances of 1,400m (using 14.5mm triax cable). Supports wide variety of frame rates The HKC-TR27 supports 1080i, 720P, 2x Slomo1080i/720P HD frame rates. 2xSloMo speed (1080i or 720P) 2xSloMo signal and normal HDTV signal is available. Camera connects with HDFX-200 to HDCU-2000/2500 CCUs The digital triax transmission requires the use of an HDFX-200 converter to convert the triax signals to an SMPTE-Fibre cable to be accepted by the Camera Control Unit (CCU).

Sony Digital Triax Adapter

Sony HKC-TR27/4E (HKCTR27/4E, HKC/TR27/4E, hkc-tr27/4e) Digital Triax Adapter The HKC-TR27 digital triax adaptor side cover for the HDC-2400/2500/2550 system cameras permits digital triax transmission with a bandwidth that allows the transmission of 1080P or 2xSloMo signals (2x1080i) over triax. Furthermore, digital triax transmission does not suffer from a decrease of SNR (Signal to Noise Ratio) over longer extensions, so the high performance signal quality can be kept over the maximum extension of 1,400m (using 14.5mm triax cable). Camera connects with HDFX-200 to HDCU-2000/2500 CCUs The digital triax transmission requires the use of an HDFX-200 converter to convert the triax signals to an SMPTE-Fibre cable to be accepted by the HDCU-2000/2500 or HDC-1000/1500Camera Control Unit (CCU). High quality digital signal transmission over conventional triax cable Existing triax infrastructure can be used with no need to install additional cables up to distances of 1,400m (using 14.5mm triax cable). Supports wide variety of frame rates The HKC-TR27 supports 1080i, 720P, 2x Slomo1080i/720P HD frame rates. 2xSloMo speed (1080i or 720P) 2xSloMo signal and normal HDTV signal is available. Camera connects with HDFX-200 to HDCU-2000/2500 CCUs The digital triax transmission requires the use of an HDFX-200 converter to convert the triax signals to an SMPTE-Fibre cable to be accepted by the Camera Control Unit (CCU).  

Sony Digital Triax Adaptor for HDC-2400/2500/2550

Sony HKC-TR27/3T (HKCTR27/3T, HKC/TR27/3T, hkc-tr27/3t) Digital Triax Adaptor for HDC-2400/2500/2550 The HKC-TR27 digital triax adaptor side cover for the HDC-2400/2500/2550 system cameras permits digital triax transmission with a bandwidth that allows the transmission of 1080P or 2xSloMo signals (2x1080i) over triax. Furthermore, digital triax transmission does not suffer from a decrease of SNR (Signal to Noise Ratio) over longer extensions, so the high performance signal quality can be kept over the maximum extension of 1,400m (using 14.5mm triax cable). Camera connects with HDFX-200 to HDCU-2000/2500 CCUs The digital triax transmission requires the use of an HDFX-200 converter to convert the triax signals to an SMPTE-Fibre cable to be accepted by the HDCU-2000/2500 or HDC-1000/1500Camera Control Unit (CCU). High quality digital signal transmission over conventional triax cable Existing triax infrastructure can be used with no need to install additional cables up to distances of 1,400m (using 14.5mm triax cable). Supports wide variety of frame rates The HKC-TR27 supports 1080i, 720P, 2x Slomo1080i/720P HD frame rates. 2xSloMo speed (1080i or 720P) 2xSloMo signal and normal HDTV signal is available. Camera connects with HDFX-200 to HDCU-2000/2500 CCUs The digital triax transmission requires the use of an HDFX-200 converter to convert the triax signals to an SMPTE-Fibre cable to be accepted by the Camera Control Unit (CCU).  

Sony CCD Extension Block Adaptor

Sony HKC-T1500 (HKCT1500, HKC/T1500, hkc-t1500) CCD Extension Block Adaptor The HKC-T1500 "split" adapter for the HDC1500 and HDC1550 multi-format high-definition cameras increases the flexibility of Sony's multi-format high-definition cameras, by allowing the image sensor assembly to be physically separated from the camera body, using up to 50 metres of multicore cable. This results in a very compact imaging assembly which may be hand held, or located to provide unique "point of view" shots. Designed for the HDC-1500 and HDC-1550 models, it supports 1080/50p operation as well as colour viewfinders such as Sony's new HDVF-C35W. The HDC1500 and HDC1550 (triax interface) portable cameras feature high-performance 2.2-megapixel 1920x1080 progressive scan CCDs, which provide enhanced image quality and stability. This CCD technology combines native 1080/60P image acquisition with a newly developed video image processor, utilizing the latest 0.11um semiconductor technology. The new cameras operate across the entire spectrum of HD standards including: Interlace 1080i mode @1080/59.94i, 50i Progressive 1080P mode @1080/23.98p, 29.97p, 24p, 25p, 50p*, 60p* Progressive 720P mode @720/59.94p, 50P * Camera head output only via dual link. Compact Imaging Assembly When the CCD block is fitted to the split adaptor, it provides a very compact unit, ideal for shooting in tight spaces, such as in a car, or for use on a motorbike. It may be hand held, or fitted to any traditional camera mounts. Light Weight The imaging assembly is also ideal where weight is critical, such as for prolonged hand-held shooting. Maximum Performance The HDC-1500 retains full performance when used in the split adaptor, giving much higher resolution than can be obtained from other dedicated compact cameras. Quick Conversion between modes The HDC-1500 optical assembly can be quickly converted between normal and "split" operation, avoiding the need for a specialist compact camera. The HKC-T1500 can be used with any HDC-1500 or 1550 camera head. Full Range of Shooting Formats There is no limitation to the operating format when the camera is fitted to the HKC-T1500 - all the HD format standards are available Interlace 1080i modes - 1080/59.94i, 50i Progressive 1080P modes - 1080/23.98p, 29.97p, 24p, 25p, 50p*, 60p* Progressive 720P mode - 720/59.94p, 50p * Camera head output only via dual link

Sony Optical Fiber Transmission Connector

Sony HKC-LC02//U (HKCLC02//U, HKC/LC02//U, hkc-lc02//u) Optical Fiber Transmission Connector The Sony HKC-LC02 Optical Fiber Transmission Connector is designed to provide Sony's HXCU-FB70 camera control unit or HXCE-FB70 power supply extension unit with a LEMO connector.

Sony Optical Fiber Transmission Connector

Sony HKC-LC01//U (HKCLC01//U, HKC/LC01//U, hkc-lc01//u) Optical Fiber Transmission Connector The Sony HKC-LC01 Optical Fiber Transmission Connector is designed to provide Sony's CA-FB70 or HXCE-FB70 with a LEMO connector for optical fiber transmission.

Sony Dual Servo Optical Filter Wheel for HDC-2400

Sony HKC-DF20 (HKCDF20, HKC/DF20, hkc-df20) (HDC_2400, HDC/2400) Dual Servo Optical Filter Wheel for HDC-2400 This Dual Optical Filter from Sony is compatible with the HDC-2400 and HDC-1700 cameras.Dual Optical Filter for HDC-2400, HDC-1700 and HDC 2000 Series cameras Supports a range of different shooting scenes and requirements.

Sony Interconnection Adapter

Sony HKC-CN20 (HKCCN20, HKC/CN20, hkc-cn20) Interconnection Adapter The HKC-CN20 is an internal attachment kit for HDC-2500 series cameras to receive exchangeable side panel. The HKC-FB20 allows the camera to benefit from fibre transmission, while the HKC-TR20 allows the camera to use triax transmission. The HKC-CN20 fits both side panels securely to the camera. Provides fibre or triax transmission options Operates with the HKC-FB20 or HKC-TR20 side panels. Allows HDC-2500 Series system cameras to operate with fibre or triax transmission Operates with the HKC-FB20 or HKC-TR20 side panels.

Sony CRT Viewfinder Adapter without Large Lens for HDC Models (Black)

Sony HDLA-1507//UB (HDLA1507//UB, HDLA/1507//UB, hdla-1507//ub) CRT Viewfinder Adapter without Large Lens for HDC Models (Black) The HDLA-1507 is a highly sophisticated large viewfinder adapter for the HDC1500, HDC1550, and HDC3300. It accepts a large viewfinder - HDVF-700A/9900 - to be used with the portable camera.

Sony Large Lens Adapter HD Cam for LCD Viewfinders (white)

Sony HDLA-1505 (HDLA1505, HDLA/1505, hdla-1505) Large Lens Adapter HD Cam for LCD Viewfinders (white) The HDLA-1505 allows operation of the HDC-1500 HD portable camera or HDC-3300 SuperMotion camera together with large studio/OB lenses and LCD viewfinders. Unlike traditional lens "build-up kits", the HDLA-1505 provides a very simple one-touch cable-free mounting of the camera so that it can be quickly and easily converted from hand-held to tripod configuration. Note: The HDLA-1505 is finished in a pale grey body colour, the same as the HDC-1000 studio camera. If required, a dark coloured version, is also available. One-touch instant docking mechanism The camera can be fitted quickly and easily into the adaptor. This unique mechanism allows the HDC-1500 to be attached and detached without removing the large lens. Quick mounting for portable camera head To provide efficient operation in studio or OB environments, the large lens adaptor has a unique design which allows the camera to be converted from hand-held to large lens configuration in just a few seconds. Cable-free operation with all connections contained in "hot shoe" mounting Utilizing a newly developed interlocking mechanism, power, video, and control signals are passed on directly from the HDC-1500 to the HDLA-1505, without requiring additional cable connections. Note that the HDVF-C730W viewfinder does require a conventional cable connection Built-in teleprompter power supply Utility power (200-240V AC) is available from the large lens adaptor, when used in conjunction with the HDCU-1000 camera control unit Same handling characteristic as full size camera All the control features and functionality traditionally associated with full size cameras are provided in this efficient operational package. Compatible with HDVF-C730W colour LCD viewfinder The HDLA-1505 is specifically designed to allow the HDVF-C730W to be mounted on the rear of the camera body. The 7" CRT viewfinder, HDVF-700A, cannot be used with this lens adaptor

Sony Dual Channel HD Fibre Optic Transmission Adapter for HDC Series

Sony HDFA-200 (HDFA200, HDFA/200, hdfa-200) Dual Channel HD Fibre Optic Transmission Adapter for HDC Series The HDFA-200 combines 1.5 Gigabit signals from two HDC-P1 or HDC-1500R cameras into a single 3G-capable fibre-optic transmission feed, reducing complexity in 3D live production. The device also incorporates a viewfinder output with multiple analytical and diagnostic modes - including several specifically for 3D use. In 3D and conventional operation, the HDFA-200 minimises the cabling required for multiple cameras in live productions. It also integrates control and intercom data into the video feed, eliminating the need for any additional cables.

Sony TM TS Adapter

Sony HDCA-702 (HDCA702, HDCA/702, hdca-702) TM TS Adapter The HDCA-702 MPEG TS Adaptor is a unique new product which enhance a workflow flexibility with various interfaces in an ultra-compact design. It provides real-time encoding of HD-SDI input signals into an MPEG TS for output via a DVB-ASI connector. One of this adaptor's applications is field news gathering, using microwave and satellite transmission. The HDCA-702 encodes camcorder output signals to MPEG TS and outputs this stream via its DVB-ASI connector at the same time the camcorder is recording. The adaptor also supports output of HDV compatible MPEG streams from i.LINK connector to use with HDV-compatible HDD units and nonlinear editing systems. MPEG Transport Stream camera adapter for Sony camcorders with V-shoe mount The HDCA-702 can be docked to Sony's camcorders without cables through the use of the camcorder's 50-pin interface. Other Sony camcorders without 50-pin interface can be connected via the HD-SDI. HD-SDI input can be used to connect other non-Sony devices to the HDCA-702 Input will automatically switched if a 1080i or 720p signal is received The transport stream bitrate can be independently set to enable the deck to output a lower data rate transport stream over DVB-ASI while recording the highest quality video on disc or SxS card Outputs a 4:2:0 MP@HL MPEG-2 stream at video data rates starting from 15 - 43.25 Mbps In 1080i mode, a 1440x1080 resolution stream will be output when the video bitrate is set to less than 35 Mbps. At video bitrates 35 Mbps or above, a 1920x1080 resolution may be selected Program/Service number, Video, Audio, and PMT PIDs can be configured for use in multiprogram transport stream applications MPEG transport stream can be output via the HDCA-702 DVB-ASI (BNC) interface or as a 25 Mbps CBR HDV stream over the 6-pin i.LINK interface

Sony Hybrid Optical Fiber Cable - 200m

Sony CCFN-200//U (CCFN200//U, CCFN/200//U, ccfn-200//u) Hybrid Optical Fiber Cable - 200m The 656.2' Hybrid Type Optical Fiber Cable from Sony is designed to connect the CA-FB70 optical fiber camera adapter to the HXCU-FB70 power supply extension unit. This cable features opticalCON connectors, which are compatible with LC connectors and offer improved strength and protection against dust. The cable can be combined with other cables for longer cable runs with the CCFN-JC1 coupler (sold separately). Fiber cable with power supply capability opticalCON connectors Designed to connect the CA-FB70 optical fiber camera adapter to the HXCU-FB70 Compatible with the HXC-D70H/K/L SD/HD studio camera kits  

Sony Hybrid Optical Fiber Cable - 150m

Sony CCFN-150//U (CCFN150-U, CCFN/150_U, ccfn-150-u) Hybrid Optical Fiber Cable - 150m The 492' Hybrid Type Optical Fiber Cable from Sony is designed to connect the CA-FB70 optical fiber camera adapter to the HXCU-FB70 power supply extension unit. This cable features opticalCON connectors, which are compatible with LC connectors and offer improved strength and protection against dust. The cable can be combined with other cables for longer cable runs with the CCFN-JC1 coupler (sold separately). Fiber cable with power supply capability opticalCON connectors Designed to connect the CA-FB70 optical fiber camera adapter to the HXCU-FB70 Compatible with the HXC-D70H/K/L SD/HD studio camera kits

Sony Hybrid Optical Fiber Cable - 100m

Sony CCFN-100//U (CCFN100//U, CCFN/100//U, ccfn-100//u) Hybrid Optical Fiber Cable - 100m The 328' Hybrid Type Optical Fiber Cable from Sony is designed to connect the CA-FB70 optical fiber camera adapter to the HXCU-FB70 power supply extension unit. This cable features opticalCON connectors, which are compatible with LC connectors and offer improved strength and protection against dust. The cable can be combined with other cables for longer cable runs with the CCFN-JC1 coupler (sold separately). Fiber cable with power supply capability opticalCON connectors Designed to connect the CA-FB70 optical fiber camera adapter to the HXCU-FB70 Compatible with the HXC-D70H/K/L SD/HD studio camera kits

Sony Hybrid Optical Fiber Cable - 25m

Sony CCFN-25//U (CCFN25//U, CCFN/25//U, ccfn-25//u) Hybrid Optical Fiber Cable - 25mThe 82' Hybrid Type Optical Fiber Cable from Sony is designed to connect the CA-FB70 optical fiber camera adapter to the HXCU-FB70 power supply extension unit. This cable features opticalCON connectors, which are compatible with LC connectors and offer improved strength and protection against dust. The cable can be combined with other cables for longer cable runs with the CCFN-JC1 coupler (sold separately). Fiber cable with power supply capability opticalCON connectors Designed to connect the CA-FB70 optical fiber camera adapter to the HXCU-FB70 Compatible with the HXC-D70H/K/L SD/HD studio camera kits

Sony 5GHz/2.4GHz Wireless LAN Adapter/Dongle

Sony CBK-WA02 (CBKWA02, CBK/WA02, cbk-wa02) 5GHz/2.4GHz Wireless LAN Adapter/DongleThe CBK-WA02 Wireless LAN adapter enables wireless data transfer from specified Sony camcorders to other devices on the same network. The kit consists of two units: the CBK-WA02 Wireless LAN Adapter and CBK-NA1E - modem attachment for 3G/4G/LTE communication.This kit is designed for use with camcorders such as PXW-X500, PXW-X200 and PXW-X180 that are compatible with wireless LAN network operation and have appropriate firmware. CBK-WA02 is also compatible with wireless adapters CBK-WA100 and CBK-WA101 with V2.0 or greater firmware installed.

2K Optical Low Pass Filter for Sony PMW-F5/F55

Sony CBK-55F2K (CBK55F2K, CBK/55F2K, cbk-55f2k) 2K Optical Low Pass Filter for Sony PMW-F5/F55The Sony 2K Optical Low Pass Filter for Sony PMW-F5/F55 is a replacement filter that softens the image your camera produces, creating a more organic look. Installing the filter does not require a service call, and will not void your warranty if properly installed. Designed to compensate for the camera's image processing when shooting at high frame rates that renders your camera's original OLPF ineffective, this filter can also be used when shooting 2K, and 4K at normal frame rates to reduce the effect of motion judder, or lend a softer look to your images. You can switch between the original OLPF that came with your camera, and the 2K OLPF to suit the needs of your production.

Sony Rechargeable Lithium-ion Battery - V-Mount 95Wh

Sony BP-GL95A (BPGL95A, BP/GL95A, bp-gl95a) Rechargeable Lithium-ion Battery - V-Mount 95WhThe BP-GL Series Lithium-ion Battery Packs come with a durable V-mount mechanism, which provides high compatibility with a variety of Sony professional camcorders, some portable VTRs, and video monitors.Compact and powerful High power in a compact and lightweight body.

Sony V-Mount Dual Battery Adapter

Sony BKW-R4 (BKWR4, BKW/R4, bkw-r4) V-Mount Dual Battery AdapterThe Sony BKW-R4 V-Mount Dual Battery Adapter for SRMASTER Portable Recorder enables DC operation of the Sony F65 Digital Motion Picture camera and the SR-R4 SRMASTER portable recorder. LEMO 8-pin DC output connector 1 or 2 BP-GL95A batteries can be mounted Approximately 1.8 hours operating time for F65RS with 2 BP-GL95A batteries

Sony V-Mount Dual Battery Adaptor for HDCAM or XDCAM Camcorder

Sony BKW-L200 (BKWL200, BKW/L200, bkw-l200) V-Mount Dual Battery Adaptor for HDCAM or XDCAM Camcorder Battery adapter for enabling the battery is connected to the HDCAM or XDCAM camcorder. The adaptor extends the operating time of HDCAM/XDCAM camcorders by allowing up to two BP-GL95A high capacity batteries to be mounted. The V-mount mechanism allows for direct attachment to an HDCAM or XDCAM camcorder. Battery adaptor works with BP-GL95A high capacity Li-Ion V-mount battery packs.

Sony Battery Adapter - 4-Pin XLR to V-Mount

Sony BKP-L551 (BKPL551, BKP/L551, bkp-l551) Battery Adapter - 4-Pin XLR to V-MountThe Sony BKP-L551 V-Mount to 4-pin XLR DC male connector battery adapter for PDW-D1. This allows equipment with a 4-Pin XLR power input to utilize V-Mount batteries. Along with the PDW-D1 this adapter will work with other XDCAM equipment. Works with range of Sony camcorders and decks Used with F35/F23 CineAlta cameras, and HDW-S280 and PDW-HD1500 recorders. More battery options Power Supply Capability from BP-GL/IL/L/M Series battery via XLR-4-pin connector.  

Sony Dual V-Mount Battery Fast Charger for BP-FLX75

Sony BC-L70A (BCL70A, BC/L70A, bc-l70a) (BP/FLX75, BP_FLX75) Dual V-Mount Battery Fast Charger for BP-FLX75 The BC-L70A can charge the BP-FLX75 Olivine lithium-ion battery in only 65 minutes. It is also capable of simultaneous, continuous charging of up to two lithium-ion* battery packs. The BC-L70A has the same light weight and compact dimensions as its predecessor, the BC-L70. Note: The BC-L70A cannot charge nickel metal hydride battery packs BP-M50 or BPM100. Efficient charging for two battery packs The BC-L70A features an advanced charging system that allows quick, efficient charging; up to two battery packs can be attached and charged simultaneously. Battery back-up Should the AC power cord be accidentally unplugged from the AC power source, a charged lithium-ion battery pack attached to the BC-L70A provides an alternate back-up power to the connected device.

Sony Power Supply & Fast Dual Charger Kit

Sony ACC-V1BPA (ACC V1BPA,  ACCV1BPA,  ACC/V1BPA, acc-v1bpa) Power Supply & Fast Dual Charger Kit Make sure your camcorder is always ready to shoot with the ACC-V1BPA dual charger/AC adaptor and InfoLITHIUM® rechargeable battery kit. Sony's ACC-V1BPA accessory kit includes the AC-VQV10 dual charger / AC adaptor and an NP-FV100 high capacity InfoLITHIUM® battery. This accessory kit offers real flexibility for professionals, giving longer battery life and faster re-charging than ever before. The AC-VQV10 can provide AC power to your camcorder or quickly charge two InfoLITHIUM batteries in sequence. It is fully compatible with InfoLITHIUM V, H & P series batteries. The NP-FV100 high capacity, long-lasting battery powers your camcorder longer than any other battery in the V-series, and has a 15% capacity increase over the NP-FH100. And because it's InfoLITHIUM you'll be able to see the remaining battery life displayed on your camcorder's screen.

Sony 1/2 Type 3CMOS Full-HD Colour Video Camera

Sony BRC-H900 (BRC/H900, BRC_H900, BRC H900) 1/2 Type 3CMOS Full-HD Colour Video Camera The BRC-H900 remote studio camera combines uncompromising broadcast picture quality with the flexibility of PTZ operation.  Designed for unattended operation, this compact but powerful robotic camera is an ideal complement to other broadcast cameras for capturing images in hard-to-reach or unobtrusive positions. It's equally at home in TV newsrooms, remote studios and on-air suites, auditoriums, houses of worship, courtrooms or outdoor sports events.  The sensitive ½-type Exmor 3CMOS image sensor captures detail-packed Full HD footage with low noise and a wide dynamic range. Smooth, speedy remote PTZ with 14x optical zoom and on-board image stabilisation accommodates wide-angle scenes and tightly framed close-ups. Broadcast-friendly features include dual tally lamps for on-air operation, while operational flexibility is enhanced with options for ceiling, table top or tripod mounting.  There’s also a broad range of video interface and remote control possibilities, simplifying smooth integration into any broadcast or professional AV environment.

Sony Lithium-ion Battery (56Wh) with power out terminal

Sony BP-U60T (BPU60T, BP U60T, BP/U60T, bp-u60t) Lithium-ion Battery (56Wh) with power out terminal The BP-U60T (85 Wh) Lithium-ion battery supports professional video shooting in both the field and the studio. The battery has a 4 Pin 2A (Max) power output. The BP-U60T powers XDCAM handy camcorders such as the PMW-200, PMW-150 andPMW-100, as well as the PMW-50 portable deck. The battery provides power for more than two hours, depending on the camcorder. Intelligent INFO function displays battery status in camcorder The BP-U60T is equipped with a professional INFOfunction that shows the remaining capacity, chargingtime, and charge cycles on INFO-compatibleequipment such as Sony chargers and camcorders.

Sony 80W/h Rechargeable Li-Ion V-Mount Battery

Sony BP-L80S (BPL80S, BP L80S, BP/L80S, bp-l80s) 80W/h Rechargeable Li-Ion V-Mount Battery The new BP-L80S joins the existing BP-L60S, BP-GL65 and BP-GL95 rechargeable Li-ion batteries in the Sony line-up. It uses the same technology as the BP-L60S but has a higher capacity of 83.5Wh.  The BP-L80S is ideal for use with the complete range of DVCAM, XDCAM, MPEG IMX, Digital Betacam and HDCAM camcorders, and can also be used with portable VTRs (such as the HDW-S280/1 and SRW-1) and battery powered picture monitors.  The BP-L and BP-GL series batteries share many operational characteristics. Both have been designed to be highly durable and reliable, making them suitable for the harshest environments encountered in the most demanding ENG and EFP applications.  There are, however, some differences in operational characteristics between the BP-L and BP-GL batteries, providing a choice of battery type depending upon the specific requirements of the user.   The BP-L80S is ideally suited to applications where the battery has to supply a high current (e.g. where the camcorder is being used with lights powered from the camcorder) and where cells are charged and then stored for a number of days before use.  The BP-GL95 is ideally suited to applications where a lower current is being supplied (e.g. where just the camcorder is being used), where the lightest possible battery is required and where there is a very quick turn around time between charging and use.  

Sony Lithium-ion battery pack 66 Wh capacity

Sony BP-GL65A (BPGL65A, BP GL65A, BP/GL65A, bp-gl65a) Lithium-ion battery pack 66 Wh capacity The Sony BP-GL65 is a Lithium Ion chemistry battery for professional camcorders and VTRs that accept V-mount batteries. This battery has a power capacity of 65 Watt Hours, enough to run a 40 watt draw over 1 ½ hours. With interactive features and lithium chemistry's light weight, these batteries offer advanced reliability and portability. Advanced Info Feature  The BP-GL series of batteries offer the most accurate power consumption and run-time information for PDW, MSW, and HDW series camcorders. Power remaining data is viewed right through the viewfinder in 10% increments. For other camera systems the LED display gives accurate power-remaining information in 20% increments Discharge Power Curve Unlike other battery chemistries, these Li-Ion batteries provide full power output with consistent voltage over the entire run-time. Low voltage battery power often triggers a warning signal once voltage falls below a certain level, usually 12 volts. The BP-GL batteries provide at least 14.4 volts almost up to the very end of their power supply.  

Sony Olivine-Type Lithium Ion V-Mount Battery Pack (75Wh)

Sony BP-FLX75 (BPFLX75, BP FLX75, BP/FLX75, bp-flx75) Olivine-Type Lithium Ion V-Mount Battery Pack (75Wh) The innovative BP-FLX75 battery uses Olivine – Lithium Iron Phosphate – instead of conventional Lithium Ion cathodes. The result is a substantial increase in charge-discharge cycles compared to previous Sony batteries – effectively doubling the battery’s lifespan. It also takes only 65 minutes to be fully charged with the BC-L90 and BC-L70A fast battery charger while still being compatible with older Sony chargers.  

Sony LA-EA4.AE 35mm Full-Frame A-Mount Adaptor

Sony LA-EA4.AE (LA-EA4.AE, LA-EA4, LAEA4, la-ea4.ae) 35mm Full-Frame A-Mount Adaptor A-mount adapter for E-mount cameras Fit A-mount lenses on a Full Frame or APS-C camera Get more from your Full Frame or APS-C E-mount camera with this A-mount lens adapter. An aperture mechanism supports auto exposure for sharp images. Smooth, responsive autofocus Crisp images with Translucent Mirror Technology Shoot stills or movies in sharp detail with a built-in 15 TTL AF system and three cross sensors. Continuous phase detection keeps shooting smooth and focused.

Sony LANC Remote Zoom Controller

Sony RM-1BP (RM1BP, RM 1BP, RM/1BP, rm-1bp) LANC Remote Zoom Controller The RM-1BP Remote Commander controller is a small hard-wired controller designed to work with any Sony HDV and DVCAM camcorders that have a LANC port. The RM-1BP Remote Commander unit attaches to the handle of most standard tripods and enables the user to remotely control focus and zoom of the camcorder, as well as offering Start-Stop record and Record/Review control. The RM-1BP Remote Commander unit offers three different zoom speed ranges, for enhanced creativity and precise control.

Sony Dual Slots SXS Pro+ and USB 3.0 Card Reader/Writer

Sony SBAC-UT100 (SBACUT100, SBAC UT100, SBAC/UT100, sbac-ut100) Dual Slots SXS Pro+ and USB 3.0 Card Reader/Writer High speed transfers from SxS PRO+ and SxS-1 cards with dual slots and daisy-chain operation The SBAC-UT100 SxS PRO+ and SxS-1 memory card reader/writer works on both Windows-based PCs and Macintosh computers. The unit provides 2x Thunderbolt 2 (TB2) interface for Mac and USB 3.0 interface for Mac and Windows for high-speed transfer of audio-visual material. The reader is also compatible with a USB 2.0 interface. Daisy-chain connection is possible to connect up to 6 units, providing up to 12 card slots. High speed transfers Read speeds of approx. 360 Mbps for two cards simultaneously from latest SxS Pro+ and SxS-1 cards using Thunderbolt 2. Daisy-chain operation Connect up to 6 units, providing up to 12 card slots, allowing simultaneous ingest up to 1800 Mbps total (300 Mbps each slot).  

Sony Quad Li-Ion Battery Charger, DC Out 6A

Sony BC-L160 (BCL160, BC L160, BC/L160, bc-l160) Quad Li-Ion Battery Charger, DC Out 6A Sony is pleased to introduce the new BC-L160 Lithium Ion Battery Charger. This new portable four (4) position charger is the successor model to the BC-M150, and offers simultaneous four battery charging. The BC-L160 offers several enhancements from the previous model such as high/low (H/L) charge voltage selection, selectable fast/slow, silent (F/S) charge model selection, as well as the ability to selectively skip the trickle charge sequence to prolong battery life. The BC-L160 is also equipped with an LCD display for easy checking of the current charging status, with indicators for Charging Capacity, Charging Cycle Time, Estimated Charging Time, Charge Mode, and Skip Function (trickle charge). A Battery Diagnostic feature is also added with the new BC-L160 (CH1 slot only). Please note: The new BC-L160 is for use with Sony professional V-Mount type lithium-ion batteries only.

Sony Compact and lightweight AC adaptor / single channel battery charger

Sony AC-DN10 (ACDN10, AC DN10, AC/DN10, ac-dn10) Compact and lightweight AC adaptor / single channel battery charger The AC-DN10 is a compact and lightweight AC adaptor/charger. It has a maximum 100W DC power supply and features a V-mount mechanism for direct attachment to compatible camcorders. Battery Charging function Direct attachment to the V-shoe of a camcorder High Speed Charging: Around 2 times faster than AC-DN1/DN2B XLR-4-pin output to power other equipment Quick charging--- a BP-GL95 can be fully charged in approximately 145 minutes Can charge batteries while supplying AC power to other equipment  

Sony XQD-S32E Memory card,Ex Demo

Sony XQD-S32E Memory card, Ex Demo Memory card 32GB 1x 32GB XQD Card  Comes with 3 months warranty

Sony ILCE7M2KB.CEC Alpha a7 II Mirrorless Digital Camera with FE 28-70mm OSS Lens

Sony ILCE7M2KB.CEC (ILC-E7M2KB.CEC, ILC/E7M2KB.CEC, ILC/E7M 2KB.CEC, ILC E7M 2KB.CEC) Alpha a7 II Mirrorless Digital Camera with FE 28-70mm OSS Lens Sony has taken their line of full-frame cameras to the next level with the Alpha a7 II Mirrorless Digital Camera with FE 28-70mm f/3.5-5.6 OSS Lens, which features 5-axis SteadyShot INSIDE image stabilization with 4.5 stops of compensation for pitch, yaw, horizontal shift, vertical shift, and roll. Operation of the 24.3-megapixel series has been streamlined with a redesigned grip, shutter release button, and customizable controls. The a7 II also features a moisture- and dust-resistant design with a magnesium alloy body and a more robust lens mount. And, with refined algorithms and better utilization of the BIONZ X image processor, the a7 II has an enhanced Fast Hybrid AF system that is about 30% faster than the previous model along with a 5 fps burst rate with continuous autofocus as well as a 40% faster start time. The 24.3-megapixel sensor enables high resolution images and low light effectiveness with its standard ISO sensitivity range of 100-25600. The BIONZ X image processor offers fast processing and operation speeds and front-end LSI (large-scale integration) improves the early stages of image processing resulting in more natural details and richer tones. And, 16-bit image processing and 14-bit RAW output preserves the detail provided by the sensor. In addition to highly detailed stills with smooth gradations, the a7 II now has access to the high-bit-rate XAVC S format with 60p, 30p, and 24p recording options, all at 50 Mbps. The look of movies can also be adjusted with picture profiles, including the addition of the S-Log2 gamma setting with a dynamic range approximately 1,300% of the standard sRGB spectrum. Timecode and user bit settings are available as well as clean HDMI output for a variety of recording options. The advanced Sony Multi-Interface shoe expands compatibility options for flash, microphone, and other accessories and, as an E-mount full-frame camera, the a7 II is compatible with all present APS-C E-mount lenses in APS-C crop mode as well as new E-mount full-frame Zeiss and Sony G-series lenses. Lens mount adapters with a tripod mount are also available to use A-mount lenses on E-mount cameras, and an optional dedicated battery grip enables stable extended shooting and vertical orientation stability. Rounding out the a7 II's imaging capabilities, both a 3.0" 1,228.8k-dot tilting LCD monitor and 2.36 million-dot OLED electronic viewfinder are available for image monitoring and review. Built-in Wi-Fi connectivity, with support for NFC, is available, too, for instant sharing of imagery from the camera as well as remote camera control from a linked mobile device. Bundled with the a7 II in this kit is the FE 28-70mm f/3.5-5.6 OSS E-mount lens. This wide-to-portrait zoom incorporates three aspherical elements and one extra-low dispersion element into its design to minimize chromatic aberrations and enhance overall image clarity. An optical SteadyShot image stabilization system has also been added to minimize the appearance of camera shake to suit working in dim lighting and with low shutter speeds. This stabilization will work with the in-body stabilization found in the camera. It has a minimum focus distance of 11.8". 24.3MP Exmor CMOS Image Sensor and BIONZ X Image Processor Incorporated into the a7II's redesigned body are a 24.3-megapixel Exmor CMOS image sensor and BIONZ X image processor, which work together to enable a wide dynamic range with minimal noise and rich, subtle gradations. The camera features an ISO range of 100-51,200 which can be expanded down to ISO 50. Also, this combination allows the a7II to reproduce details with excellent clarity. Benefitting image quality is the use of detail reproduction technology and diffraction-reducing technology which suppresses the effects of diffraction to reproduce fine details at small aperture settings. Add to this area-specific noise reduction to selectively apply different noise reduction to each area for clear imagery. Also, the sensor features 16-bit image processing with a 14-bit RAW output to preserve detail and ensure optimal quality for later adjustment. Further improved in this generation is metering performance, which is now possible down to a rated -1 EV. Also, the a7II will start up approximately 40% faster than the previous generation for almost instant on. 5-Axis SteadyShot INSIDE Image Stabilization Packed into the svelte a7II is a remarkable 5-axis SteadyShot INSIDE image stabilization system. This compensates for five types of camera shake encountered during handheld shooting of still images and video. This allows users to confidently use any lens, even adapted lenses, for critical imaging without encountering blur from camera shake. This system will compensate for approximately 4.5 stops of shutter speed for working with a huge variety of subjects. For long focal lengths, the system will correct for pitch and yaw adjustments. Macro and high magnification imagery on the other hand will benefit from the inclusion of horizontal and vertical shift compensation. And, all shooting styles will get usage out of the roll compensation. All 5 axes of stabilization will function at all times, even when used with third-party lenses and adapters or lenses with built-in optical stabilization. When using lenses that do not transmit imaging data to the camera, manual settings can be used to input the correct focal length and ensure proper stabilization. Also, the viewfinder can be used to preview the amount of compensation by pressing the shutter release button halfway or magnifying the image. Enhanced Fast Hybrid AF Utilizing 117 phase-detection and 25 contrast-detection autofocus points with a wide area of coverage, the a7II can smoothly and quickly track fast-moving subjects throughout the frame. It optimizes for both speed and accuracy with an enhanced algorithm that improves performance by about 30% when compared to previous generations. This just developed algorithm will also more accurately predict subject movement for tracking that is 1.5x more accurate. Additionally, it can capture images at a rate of 5 fps while using continuous autofocus and automatic exposure. This can be captured in a burst of up to 77 frames when shooting in JPEG Fine L format and a continuous AF Display allows users to view the active AF points. Another feature available with this AF system is a Lock-on AF tracking that will analyze more information from the scene to provide dramatically improved accuracy and stability. Eye AF is also available which will prioritize a subject's pupil for excellent portraits even with a shallow depth of field. Full HD Video Recording and XAVC S Format Shoot full HD 1920 x 1080 video at frame rates of 60p, 30p, and 24p with the high-bit-rate 50Mbps XAVC S format. This results in excellent image quality with minimal noise and artifacts without requiring a large amount of disk space. Additionally, the system using linear PCM sound for high quality audio. When recording internally, users will record video with a 4:2:0 sampling at 8-bit, however, to even further improve image quality the a7II has clean HDMI output for use with an external recorder. This allows users to capture 4:2:2 uncompressed video and save in an edit-ready format. Timecode and User Bit Settings The a7II has multiple timecode recording options to meet different workflows. It has the standard 'Record Run" mode that only advances the timecode when recording, as well as "Free Run" timecode that advances the timecode even when not recording, which can be great for syncing multiple cameras at live events. It can also record timecode in both drop frame and non-drop frame modes. When recording internally the a7II is also able to output timecode via HDMI. Customizable Colour Profiles and S-Log2 Gamma To make sure the a7II is able to use its extensive dynamic range while recording video it incorporates extensive customizable color and gamma controls. Users can adjust the gamma, black level, knee, color level, and more. Also users can use the same S-Log2 Gamma Curve that is found on high end Sony Cinema cameras that squeezes up to 1300% more dynamic range into the video signal then traditional REC709, for increased post-production flexibility. 3.0" 1,228.8k-Dot Tilting LCD Monitor With a higher 1,228.8k-dot resolution, the LCD screen will provide shooters with an excellent screen for composing images, adjusting settings, and reviewing video and photos. It also tilts upward 107° and downward 41° for working with multiple shooting angles. Use in sunlight is improved with the implementation of WhiteMagic technology which doubles the brightness of the display through a RGBW pixel structure. 0.5" 2.36M-Dot XGA OLED Tru-Finder Electronic Viewfinder With its 3-lens optical system the viewfinder faithfully displays what will appear in your recording, including the effects of your camera settings. You'll enjoy rich tonal gradations and improved contrast. High-end features like 100% frame coverage and a wide viewing angle enable comfortable and stable eye-level composition. Redesigned Grip, Shutter Release Button, and Controls With a larger, more refined shape to the grip, users will find the a7II to have a more secure feel and grasp even when large lenses are mounted. Also, the shutter release button has been reshaped and moved forward for a more natural shooting position and a decrease in camera shake. The controls also have been refined with new position for easier handling and improved operation. Button customization is available with the ability to assign any of 56 functions to any of the 10 customizable buttons for a more personalized setup. Magnesium Alloy Construction and Robust Lens Mount The compact form is well-built with a magnesium allow top cover, front cover, and internal structure. The lens mount has been redesigned with a greater strength and rigidity for extra security when using larger or longer lenses. The body itself also features greater sealing for dust and moisture resistance, providing more protection when shooting out in the elements. Additionally, the optical filter on the sensor has an anti-static coating and there is an anti-dust mechanism to prevent dust from adhering to the sensor. Audio Input & Headphone Jack The a7II features a 3.5mm microphone input jack for compatibility with external microphones. And for users needing more the a7II is also compatible with the Sony XLR-K2M XLR Adapter for recording professional balanced XLR audio signals with phantom power and adjustable mic/line inputs. For monitoring audio the a7II features a 3.5mm headphone jack as well as real time audio levels for a visual reference. Built-In Wi-Fi Connectivity with NFC Built-in Wi-Fi connectivity enables the a7II to instantly share imagery to mobile devices for direct sharing online to social networking, via email, and to cloud storage sites. NFC (Near Field Communication) is also supported, which allows for one-touch connection between the camera and compatible mobile devices; no complex set-up is required. Once connected, the linked mobile device can also display a live view image on its screen and remotely control the camera's shutter. Additionally, PlayMemories Camera Apps are also supported via the built-in Wi-Fi connection, and allow you to personalize the camera's features depending on specific shooting styles. Apps are available to suit creating portraits, detailed close-ups, sports, time lapse, motion shot, and other specific types of imagery. Other Camera Features Picture Effect modes: Posterization (Colour, B&W), Pop Colour, Retro Photo, Partial Colour (R/G/B/Y), High Contrast Monochrome, Toy Camera, Soft High-Key, Soft Focus, HDR Painting, Rich-Tone Monochrome, Miniature, Watercolor, and Illustration. Creative Style settings: Standard, Vivid, Neutral, Clear, Deep, Light, Portrait, Landscape, Sunset, Night Scene, Autumn Leaves, Black & White, and Sepia (all with +/- 3 step contrast, saturation, and sharpness adjustment). Colour space: sRGB standard (with sYCC gamut) and Adobe RGB standard compatible with TRILUMINOS Colour. Picture Profile parameters: Black Level, Gamma (Movie, Still, Cine 1-4, ITU709, ITU709 [800%], S-Log2), Black Gamma, Knee, Colour Mode, Colour Level, Colour Phase, Colour Depth, Detail, Copy, and Reset. Scene Selection modes: Portrait, Landscape, Macro, Sports Action, Sunset, Night Portrait, Night Scene, Hand-held Twilight, and Anti Motion Blur. Face Detection is available to base exposure and focus on up to eight recognized faces. Furthermore, Eye AF can be used for even greater precision by maintaining critical focus on a subject's eye. 2x Clear Image Zoom can be used to effectively double the magnification afforded by any lens in use with minimal image degradation. For even greater magnification, 1.5x and 2x Smart zoom is available, as well as 4x digital zoom. Pre-flash TTL control with flash bracketing available and a variety of flash modes, including: Flash off, auto, fill-flash, rear sync, slow sync, red-eye reduction, hi-speed sync, and wireless control  

Sony ILCE7M2B.CEC Alpha a7 II Mirrorless Digital Camera - Body Only

Sony ILCE7M2B.CEC (ILC-E7M2B.CEC, ILC/E7M2B.CEC, ILC-E7-M2B.CEC, ILC/E7M/2B.CEC) Alpha a7 II Mirrorless Digital Camera - Body Only Sony has released the α7 II (ILCE-7M2), the next in the α7 series of interchangeable-lens models and the world’s first camera with optical 5-axis image stabilisation designed for a full-frame image sensor. The camera offers outstanding image quality in a compact size and light build, and it carries on the traditions of the α7 series, which includes the world’s smallest and lightest interchangeable-lens full-frame camera (α7R). A 24.3 effective megapixel 35 mm full-frame Exmor® CMOS sensor moves along five axes to compensate for camera shake, providing optical image stabilisation equivalent to up to 4.5 steps faster shutter speed of correction for still images. Shooting sharp handheld stills and video is now possible under conditions that may have required a tripod in the past. In this and other scenarios, users can enjoy beautifully rendered images from the full-frame sensor with the convenience of image stabilisation. In-camera image stabilisation also offers sharper images for those using A-mount lenses on an optional lens adapter. World’s first full-frame camera with optical 5-axis image stabilisation Detects and corrects various camera shake along five axes for still images and video, including angular shake (pitch and yaw) that tends to occur when shooting with a telephoto lens, shift shake (along the X and Y axes) that becomes noticeable as photographing magnification increases, and rotational shake (roll) that often affects shots at night or when recording video. The full-frame image sensor moves to compensate for these kinds of camera shake. For still images, stabilisation is equivalent to up to 4.5 steps faster shutter speed of correction. Optical 5-axis image stabilisation ideal for a variety of αTM lenses  Handheld low-light shooting at slower shutter speeds becomes possible, allowing for greater creativity and mobility without the need for a tripod. The camera’s in-body image stabilisation is therefore effective even in combination with E-mount lenses without Optical SteadyShot (OSS). For A-mount lenses as well (using an optional mount adapter such as LA-EA4 or LA-EA3), camera shake is compensated for along five axes within the camera body. Users can thus make the most of the beautiful rendering power of various α lenses with the α7 II. Verify image stabilisation results with live view functionality Monitor the corrected image in real-time on the camera’s LCD screen or in the OLED viewfinder, thus allowing for fine-tuned framing and focusing even when using a telephoto or macro lens. Speedy, accurate autofocus with Fast Hybrid AF Wide AF coverage with the employment of a 117-point focal plane phase-detection AF sensor (in combination with a 25-point contrast detection AF points) 117-point focal plane phase-detection AF sensor and 25 contrast detection AF points are placed over a wide area of the screen, making use of the superb tracking capabilities of the phase detection AF and therefore enabling clear capture of moving subjects that might otherwise evade focus. 30% faster AF responsiveness  A more advanced algorithm is used to detect the subject position, enabling optimal lens drive. In a variety of scenarios, autofocus is very responsive – 30% faster than in previous models. 1.5 times the tracking ability of previous models4 with an improved motion-prediction algorithm An improved, original Sony algorithm for the prediction of moving bodies results in a 1.5 times improvement in performance in tracking a subject and predicting its next movement. Additionally, AF and automatic exposure (AE) continue to track the subject during high-speed continuous shooting (up to 5 fps), so that a sudden movement or expression of the subject is never missed. Finally, greatly improved tracking ability and subject capture are made possible through the advances in image analysis technology with “lock-on AF,” a feature that optimizes focusing on the subject in accordance with its size. Superior image quality and enriched video recording functionalities with the full-frame sensor and BIONZ XTM image processing engine 35 mm full-frame Exmor CMOS sensor for high resolution and sensitivity, with minimal noise  The camera is equipped with a full-frame Exmor CMOS image sensor with approximately 24.3 effective megapixels. High resolution and larger pixels enhance sensitivity and reduce image noise to release the full potential of lens’ optical performance. Images are rendered beautifully and bokeh effects attainable only with full-frame sensors become possible. BIONZ X image processing engine for superb detail and natural textures, less noise Loaded with an advanced BIONZ X image processing engine. The fast processing enabled by this engine enhances images in several ways, through “detail reproduction technology,” which recreates natural-looking textures even in the minute details of an image; “diffraction-reducing technology,” which prevents loss of detail when aperture stopped down; and “area-specific noise reduction,” which greatly reduces noise while maintaining exceptional detail and texture even under low light conditions such as night time and indoors. Supports high bit rate XAVC-S recording In addition to recording in AVCHD Ver. 2.0 Full HD (1920×1080) 60p (50p)/60i (50i)/24p, the camera records in XAVC-S, a consumer format derived from the professional XAVC® format. This offers outstanding Full HD video quality at a high bit rate of 50 Mbps. Long GOP compression is used, targeting differences between frames, along with the MPEG-4 AVC/H.264 codec for video. Regarding audio recording, linear PCM is used and files are saved in the MP4 format. Full-featured video recording that suits professional workflows Picture profiles enable convenient in-camera tone adjustment. The α7 II also supports the S-Log2 gamma function, which preserves a wide dynamic range, and a wide S-Gamut mode. Other features include Time Code/User Bit (useful in editing), Rec Control (for synced recording with compatible external recorders), marker display/settings, and dual video recording. Enhanced usability and reliability Grip shape and height keep the camera steady even when using a large telephoto lens. The shutter button has been shifted toward the front, to a position that feels more natural. This, along with the button’s increased size, helps reduce camera shake. Shooting comfort and convenience were a priority in design. Ten customizable buttons can be assigned to any of 56 functions. The tilting display features a White MagicTM LCD screen for exceptional visibility even under bright sunlight. Sharp, high-contrast XGA OLED Tru-Finder™ viewfinder for accurate previewing An XGA OLED Tru-Finder viewfinder with a 2.36 million dot equivalent resolution and high contrast, enabling faithful reproduction of setting adjustments, fine-tuned focusing using magnified display or peaking features, and bokeh effects. The viewfinder also allows for clear review of previous shots. Because the camera is fully APS-C-compatible, it displays the entire view even when APS-C lenses are used. Reliability that professionals can appreciate Sturdy magnesium alloy construction of the top, front cover, and internal structures ensures that the camera is both durable and light. The robust mounting structure easily handles large telephoto lenses, heavy video lenses, and many others.  Main buttons and dials are also sealed to help keep out moisture and dust, and an interlocking double layered construction of media and port covers as well as body seams ensures greater moisture and dust resistance. Overall, the camera is designed to be used by photographers in any number of situations without having to worry about the safety of their cameras. Quick startup time – 40% faster After the camera is switched on, it is ready to shoot 40% sooner than current models. Wi-Fi and NFC enabled for connectivity with mobile devices; support for PlayMemories Camera Apps that allow the camera to evolve even further Wi-Fi and NFC connectivity for mobile linking Features can be expanded with PlayMemories Camera Apps By installing an updated Lens Compensation app (enabling the storage of lens information in Exif data, compensation of recorded video, and import/export of lens compensation values), users can manually set correction values for lens peripheral shading, chromatic aberration, and distortion.        

Sony NP-F970 Battery and AC-VQ1051D Adaptor/Charger Kit

Sony ACC-L1BP (ACC_L1BP, ACC L1BP, ACCL1BP) (NP_F970 , NP/F970) (AC_VQ1051D, AC VQ1051D) NP-F970 Battery and AC-VQ1051D Adaptor/Charger Kit Sony NP-F970 (NPF970) high capacity L-series Li-Ion battery pack (6600mAH) This battery provides the longest running time of all L series batteries, with approximately 4-5 hours operation on an HVR-Z1E or up to 7 hours on a DSR-PD170P. Incorporates Sony InfoLithium technology which enables compatible camcorders to accurately report the charge remaining. VQ1051D AC Adaptor / Charger AC Adaptor / Charger for L series InfoLITHIUM™ batteries. Quick charging of up to two batteries. LCD displays battery charge status. This accessory kit offers real flexibility for professionals, giving longer battery life and faster re-charging than ever before. The AC-VQ1051D can provide AC power to your camcorder or quickly charge two InfoLITHIUM L series batteries in sequence. The NP-F970 high capacity, long-lasting battery powers your camcorder longer than any other battery in the L-series, and because its InfoLITHIUM you'll be able to see the remaining battery life displayed on your camcorders screen  

Sony DC-78 Battery Power Unit for ECM-88, ECM-44 and ECM-77 Microphones

Sony DC-78 (DC/78, DC_78, DC78, DC 78, dc-78) Battery Power Unit for ECM-88, ECM-44 and ECM-77 Microphones The DC-78 is a compact and in-line power supply for the Sony lavalier microphone range. It can be used to configure the popular ECM-44/77BC and ECM-88 for use as wired microphones. - Designed for use with Sony lavalier microphones equipped with a Sony 4-pin (SMC9-4P) connector - Two-way powering: battery operation (using an AA-size (LR6) alkaline battery) or external DC operation (12 to 48 V) - Supplied with an SMC9-4S input connector and an XLR 3-pin output connector Flexibility The DC-78 allows 'wireless ready' Sony ECM microphones (such as ECM-44BC, 77BC and 88) to be converted for use as wired microphones. The DC-78 is a compact in-line unit, with a 4-pin socket for the ECM microphone, a AA battery compartment and an XLR output connector. The DC-78 provides the flexibility of additional working methods, for example the microphone can be easily switched between a wireless and wired modes. Versatilite powering options The DC-78 allows Sony ECM microphones to powered for wired use, either by the internal AA battery or an external 48volt phantom powering.

Sony Battery Charger for Olivine Batteries

Sony BC-L90 (BCL90, BC L90, BC/L90, bc-l90) Battery Charger for Olivine Batteries The BC-L90 is a 2-slot battery charger that provides extra fast charging times for the BP-FL75 Olivine battery. The innovative BP-FL75 battery uses Olivine – Lithium Iron Phosphate – instead of conventional Lithium Ion cathodes. The result is a substantial increase in charge-discharge cycles compared to previous Sony batteries. The BP-FL75 offers perfect integration with PMW-F55 and PMW-F5 cameras. It takes 70 minutes for the BP-FL75 to be fully charged to 75Wh capacity, providing more than 1-hour operation of the PMW-F55 and PMW-F5 working with the AXS-R5 recorder. Compatible with other Sony V-Mount batteries The BC-L90 also offers normal charging time for Sony V-Mount batteries, increasing the versatility of the charger.  

Sony High Capacity Battery (5900mAh) for F-Series Cameras

Sony BP-FL75 (BP_FL75, BP/FL75, BP FL75, BPFL75) High Capacity Battery (5900mAh) for F-Series Cameras The innovative BP-FL75 battery uses Olivine – Lithium Iron Phosphate – instead of conventional Lithium Ion cathodes. The result is a substantial increase in charge-discharge cycles compared to previous Sony batteries. It also takes only 70 minutes to be fully charged with the BC-L90 fast battery charger. Perfect integration with PMW-F55 and PMW-F5 cameras. The BP-FL75 is same height as the PMW-F55 and PMW-F5 cameras, making the camera and battery package ergonomically streamlined for ease of use. Fully charged, the BP-FL75 provides more than 1-hour operation of the PMW-F55 and PMW-F5 working with the AXS-R5 recorder.  

Sony Battery Accessory Kit

Sony ACC-U60 (ACC_U60, Acc/U60, Acc U60) Battery Accessory KitConsists of BC-U2 charger, two BP-U60 batteries, and a 16 GB SxS-1™ memory card.

Sony NP-F970 L-series Info-Lithium Battery 2 Pack (7.2v, 6300mAh)

Sony 2Np-F970/B (2Np/F970/B, 2Np_F970/B, 2NpF970/B) (NP_F970, NP/F970) NP-F970 L-series Info-Lithium Battery 2 Pack (7.2v, 6300mAh) Small and lightweight, Sony's Lithium-ion batteries can be charged or discharged anytime without developing memory effect. This means they never lose their ability to hold a full charge. They also display remaining battery time on the LCD as well as in the viewfinder by continuously communicating with the camcorder. InfoLithium battery packs have a built-in micro processor that accurately calculates remaining battery life in minutes.

Sony Pdv-64N large cassette blank tape without memory

64 minute DVCAM (large cassette) blank tape without memory   DESCRIPTION:-   The Sony PDV-64N 64 Minute DVCAM Videocassette is a compact professional digital video tape format for broadcast and professional users. It is made to record and playback massive amounts of video and audio data with higher carrier-to-noise (C/N) ratios, less dropouts and more durability. DVCAM videocassette made for broadcast and professional users.Metal evaporation process for improved packing density and increased C/N ratio.DLC Protective Layer for extra durability.

Sony VCL-HG0872 Wide Angle Adapter

  Sony VCL-HG0872 Wide Angle Adapter