DJI Osmo Pocket 4P Vlog Combo

DJI CP.OS.00000662.01 (CP/OS/00000662/01, CP-OS-00000662-01, CP-OS/00000662/01, CPOS0000066201) Osmo Pocket 4P Vlog Combo Elevate Your Storytelling with 17 Stops of Dynamic Range and True 3x Optical Zoom The next generation of handheld content creation has officially arrived. The all-new DJI Osmo Pocket 4P Vlog Combo Kit redefines what is possible for creators on the move, bundling DJI’s most advanced pocket gimbal camera with a complete suite of pro-grade audio, lighting, and monitoring accessories. Designed specifically for professional videographers, lifestyle vloggers, cinematic documentarians, and independent content creators, this all-in-one production kit delivers Hollywood-caliber production value from a form factor that fits comfortably in the palm of your hand. Revolutionary Dual-Sensor Imaging Engine At the absolute core of the Osmo Pocket 4P is a groundbreaking dual-camera architecture that changes the landscape of pocket stabilization forever. Moving away from traditional single-lens layouts, the Pocket 4P features a primary 1-inch CMOS Wide-Angle Camera (20mm equivalent, $f/2.0$) paired seamlessly with a secondary 1/1.28-inch CMOS Mid-Telephoto Camera (60mm equivalent, $f/1.8$). For the first time in a handheld camera of this size, you can capture wide, sweeping environmental establishing shots, and instantly push to a native, lossless 3x optical zoom to compress the background and shoot tack-sharp portraits with natural, organic bokeh. Whether you are capturing broad architectural designs or tight, expressive facial interviews, this multi-focal lens system handles every scenario without a single drop in resolution. Cinematic LOFIC Highlight Recovery & 10-Bit D-Log 2 Harsh midday sun and complex night photography are no longer a challenge. By integrating advanced LOFIC (Lateral Overflow Integration Capacitor) technology directly onto the primary 1-inch sensor, the DJI Pocket 4P delivers an unprecedented 17 stops of dynamic range. This allows the camera to effortlessly retain deep shadow data while completely neutralizing highlight clipping—such as bright skies or neon signs—that would destroy detail on lesser sensors. Combined with full 10-bit color depth and the professional D-Log 2 color space, editors can confidently push color grading to match high-end mirrorless and cinema cameras perfectly in post-production. Pro-Tier High-Speed Frame Rates & Artificial Intelligence Action sequences and smooth cinematic slow-motion are handled with flawless precision. The Osmo Pocket 4P captures breathtaking 4K resolution at up to 60fps, and scales up to an elite 4K at 240fps for hyper-fluid slow-motion playbacks. This extreme computing power is stabilized by DJI’s iconic, upgraded 3-axis mechanical gimbal system, making shaky handheld camera work a thing of the past. Furthermore, the new Smart Follow 8.0 AI tracking algorithm ensures that your subject stays locked perfectly dead-center. The intelligent software tracks faces, bodies, and fast-moving objects evenly across the entire zoom spectrum—even when jumping dynamically between the wide-angle and 3x telephoto lenses. The Complete Vlog Combo Accessories Ecosystem The Vlog Kit configuration is meticulously curated to eliminate the need for third-party add-ons, giving you a complete broadcast studio out of a single box. DJI Mic Mini 2 Transmitter: Ensure pristine, ultra-crisp audio. This ultra-lightweight, clip-on wireless microphone pairs natively with the Pocket 4P, recording high-fidelity 48kHz, 16-bit sound with onboard environment noise cancellation. Viewfinder Remote Controller: Step away from the camera and remain in absolute control. This modular wireless remote features a dedicated display and joystick, allowing you to frame shots, adjust parameters, and pan the gimbal from afar. Snap-on LED Fill Light: Achieve flattering skin tones in total darkness. The magnetic fill light mounts securely to provide adjustable, balanced lighting with variable color temperatures. Mini Tripod & Carrying Case: The stable base unfolds instantly for stationary vlogs or long-exposure time-lapses, while the structured, weather-resistant storage bag neatly protects your entire layout during travel. Lightning-Fast Power and Next-Gen Connectivity Built for rigorous daily deployment, the camera is powered by an optimized 1,545 mAh Li-ion battery delivering up to 210 minutes of continuous recording. When you run low on power, the high-efficiency Power Delivery (PD) protocol gets you back in the field faster than ever: charge from 0% to 80% in just 18 minutes, or hit a full 100% capacity in 32 minutes using a standard 65W PD block. Workflow efficiency is further enhanced by 103GB of fast internal storage, expandable up to 1TB via microSD. Offloading your day’s work is instantaneous, utilizing dual-band Wi-Fi 6 for rapid wireless sharing or a high-speed USB 3.1 wired connection capable of data transfer speeds up to 800MB/s.

Samyang AF 18mm F2.8 Sony FE - 8011

Samyang AF 18mm F2.8 Sony FE - 8011 Autofocus, full frame, compact, ultra wide-angle lens - Sony FE Mount   Tiny But Super Wide Breathtakingly lightweight with super wide angle of view, Tiny but amazing in performance. The AF 18mm F2.8 FE is the first ultra-wide-angle lens from the Tiny series lineup. Its unbelievable lightweight (145g), super wide-angle of view (100Ëš), easily holdable in one hand, high performance and spectacular design make this lens perfect for mirrorless cameras and offer incomparable satisfaction to the users.   A Tiny, Ultra-Lightweight Lens At 145g (excl. hood & cap), this is the most lightweight & compact lens in the current AF 18mm wide-angle segment. Without a heavy lens weighing you down, you can effortlessly photograph every precious moment.   A Prime Lens with 8 Specialized Elements A prime lens that contains 8 specialized elements out of 9 in total (3 aspherical, 2 high refractive, 3 low dispersion) means a high level of sharpness, with low chromatic aberration and minimal distortion, for excellent landscape pictures, indoor shots, travel photos, and astrophotography...all in high definition, with clear colours, allowing a beautiful finish to any photograph.   Employs a Linear Stepping Motor The lens delivers fast & stable autofocusing by using a Linear Stepping Motor. The enhanced Samyang AF turns every moment into a work of art you can experience.   A Wide-Angle Lens with Depth With the full-frame 100Ëš angle of view of the AF 18mm F2.8 FE, you can capture sweeping vistas in one magnificent shot. Its ability to demonstrate a broad depth and perspective enables every photographer to show off their creative side.   The Ultimate Travel Companion With minimal size, a wide angle-of-view and amazing definition, travellers can capture every magical vacation moment. The lens combines Samyang’s signature refinement and colour rendering, all in one lightweight lens, made for travel.   A Multi-Use Lens for Any Occasion Whether you want to capture nature’s magnificence with a gimbal for stabilized filming, or even a drone, the AF 18mm F2.8 FE is the perfect compact lens to fulfil all your photography needs.

Samyang AF 14-24mm F2.8 Sony FE - 8018

Samyang AF 14-24mm F2.8 Sony FE - 8018 Versatile Super-Wide ZOOM Lens - FE   The AF 14-24mm F2.8 FE is a super-light and compact super-wide zoom lens, measuring only 88.8mm (3.5in) in length and weighing 445g. Even when fully zoomed out, the lens remains compact.   The lens, a remarkable joint development between Schneider-Kreuznach and LK Samyang, offers outstanding performance in every situation while maintaining a compact design.   Experience the ultimate super wide-angle zoom lens (114.2º - 84.1º), engineered for a true 14mm focal length. Perfect for capturing the beauty of landscapes, cityscapes, night skies, architecture, interiors, and environmental portraits, this lens inspires creativity in every shot.   Superb Resolution Crisp and Clear, Even in the Dark Experience superb resolution across the entire expansive frame—from the center to the far edges. With an advanced optical design of 15 elements in 11 groups, it delivers exceptional sharpness even at its wide-open f/2.8.   Its effective correction of chromatic aberration and sagittal coma positions it as the go-to lens for capturing breathtaking nightscapes and astrophotography.   Super Precise Fast, Quiet, and Accurate Autofocus Featuring a SAMYANG linear stepping motor, this lens provides fast and silent autofocus performance. Its accurate focus tracking guarantees sharp images, even when photographing fast-moving subjects.   Super Close-Up Go Closer, Go Bolder With a consistent minimum focusing distance of just 0.18m from 14mm to 24mm, you can achieve up to 0.26x magnification for impactful close-up shots. An ultra-wide perspective enhances scale, making nearby objects stand out dramatically against a beautifully blurred background.   Filter Play. No Limits This lens stands out from conventional ultra-wide zooms by allowing the easy attachment of 77 mm front filters. This feature lets you use polarizers and ND filters to achieve desired effects and enhance image quality.   User-Friendly Features The lens is designed with user-friendly focus and zoom rings, alongside a reliable AF/MF switch on the barrel, ensuring that you can make quick adjustments to your settings with ease.   Custom Button The default setting for the custom button is the focus lock. While you hold the button, the current focus is locked, and releasing it will disable this function. You also have the flexibility to customize this button to suit your preferred function through the camera body settings at any time. Aperture Ring Additionally, with the Samyang Lens Manager, you can confidently use the focus ring as an aperture ring in autofocus (AF) mode, giving you enhanced control and flexibility in your photography. Easy Firmware Update The lens is equipped with a USB port that allows for seamless firmware updates via a direct cable connection. This ensures easy access to the latest software features and performance enhancements.   Weather Sealing The lens features weather-sealing, providing protection against water droplets, light rain, snow, and dust. *The lens is not guaranteed to be dust- and drip-resistant in all situations and under all conditions.

Samyang AF 35-150mm F2-2.8 Sony FE - 8017

Samyang AF 35-150mm F2-2.8 Sony FE - 8017 Autofocus, full frame, wide-angle to short-telephoto zoom lens - Sony FE Mount The Samyang AF 35–150mm F2–2.8 is a fast, all-round zoom lens designed for versatility and performance. With a bright F2 aperture at 35mm and F2.8 at 150mm, it covers five key focal lengths—35mm, 50mm, 85mm, 135mm, and 150mm—making it ideal for portraits, events, travel, and commercial shoots. Incorporating Samyang’s 2nd Generation premium design, the lens fully supports Sony mirrorless features including Hybrid AF, Eye AF, Direct Manual Focus (DMF), and AF Assist for seamless operation. Offering a wide zoom range in a single compact lens, it eliminates the need to switch lenses frequently, enhancing convenience for photographers who want flexibility without compromising image quality. Optimized for portraiture, it also performs exceptionally well for everyday and professional content creation. The lens construction features 21 elements in 18 groups, including 2 ASP, 1 HB, 3 HR, and 6 ED elements, ensuring outstanding optical performance, sharpness, and contrast from edge to edge. The Linear Stepping Motor (STM) provides fast, precise, and near-silent autofocus, perfect for both stills and video, while maintaining accurate focus tracking from close-up to infinity. Its bright aperture also enables creative depth of field, higher shutter speeds, and cleaner low-light shots. With an F2–F2.8 aperture and 9 diaphragm blades, the lens produces a smooth, creamy bokeh that beautifully separates the subject from the background. The elegant 2nd Generation design introduces Samyang’s hidden red ring, improved tactile feedback for focus and zoom rings, and a lock switch to secure the lens at 35mm during transport. Advanced functionality includes two soft focus buttons that can store focus points and three customizable mode switches programmable via the Samyang Lens Station, offering added creative control for different shooting styles. For video creators, the lens supports Dolly Zoom effects, cinematic autofocus with smooth transitions, linear manual focus control, and digital par-focal technology that maintains focus while zooming—features typically found in high-end cine lenses.   Built for durability, the lens features weather sealing at 11 key points, protecting it from dust, light rain, and snow for reliable outdoor performance. With a minimum focusing distance of 0.33m at 35mm and 0.85m at 150mm, it excels at close-up photography, capturing striking portraits, product shots, and food imagery with pleasing background blur.

Samyang V-AF 20mm T1.9 Sony FE - 6852

Unified Form Factor – Compact & Lightweight The Samyang V-AF series is designed with a unified form factor across five focal lengths (from ultra-wide to medium-telephoto), ensuring seamless compatibility with gimbals and drones. Measuring only 73 × 70mm and weighing under 300g, it allows quick lens changes without the need to rebalance or reset your equipment—perfect for fast-paced shoots. Tally Lamp – Enhanced Convenience A built-in tally lamp positioned on the front and mount index provides an instant visual indicator of recording status. This feature makes video production easier and more efficient, even in compact setups or single-operator environments. 8K Support & Consistent Color Tone The V-AF lineup delivers 8K resolution in a compact, lightweight body, ideal for handheld, gimbal, drone, or studio shooting. Every lens in the series is color-matched, ensuring uniform tones when switching between focal lengths. The 9-blade aperture produces soft, natural bokeh for a cinematic look. Custom Switch & Button   Equipped with a Focus Save feature—typically found in professional cinema lenses—the V-AF also includes a custom switch and button that can be expanded via firmware updates. These functions offer video-specific control options, making it a perfect choice for filmmakers, students, and aspiring cinematographers.

Samyang V-AF 45mm T1.9 Sony FE - 6855

Unified Form Factor – Compact & Lightweight Design The Samyang V-AF series is engineered for maximum compatibility with gimbals and drones, featuring a unified form factor across five focal lengths (Ultra-Wide to Medium-Telephoto). Measuring just 73 × 70mm and weighing under 300g, it allows effortless lens swaps without rebalancing your rig — perfect for fast-paced shooting environments. Tally Lamp – Streamlined Video Workflow A built-in tally lamp on both the front and mount index clearly indicates when recording is in progress, ensuring smoother production flow. Ideal for compact setups or solo creators, this feature eliminates guesswork and improves usability in tight spaces. 8K Resolution & Consistent Color Tone Designed to support 8K ultra-high resolution, the V-AF series combines premium optical quality with a lightweight build, making it ideal for handheld, gimbal, drone, or studio use. All lenses are color-matched to maintain consistent tones across the range, while the 9-blade aperture produces smooth, cinematic bokeh for natural background blur. Custom Switch & Button for Creators   The lens includes a Focus Save feature—commonly found in professional cinema equipment—and a customizable mode that can be expanded via firmware updates. Tailored for filmmakers, students, and content creators, it delivers advanced cinematic control and flexibility in a compact design.

Accsoon SeeMo Pro Adapter for iOS devices

Accsoon ACSUIT02S (ACS-UIT02S, ACS/UIT02S, ACS UIT02S, ACS_UIT02S) SeeMo Pro Adapter for iOS devices The SeeMo Pro is a monitoring/recording/streaming adapter for iOS devices that can accept HD signals up to 1080p 60fps over either HD SDI or HDMI. With HD SDI input and loop out, the SeeMo Pro SDI is incredibly power-efficient and can flexibly power iPhones and iPads. In combination with the Accsoon SEE app, it transforms iPad or iPhone into a fully featured production monitor with a complete set of professional tools. Transforms iOS Devices Into Production Monitors The Accsoon SeeMo Pro SDI is a small box that goes in-between your camera or other SDI/HDMI source and your iOS device via Lightning or USB-C cable. Professional Monitoring Solution Superb Image Quality on Latest iPhones and iPads. Live Streaming Without Limits Facebook YouTube Twitch Tik-Tok Power Your iOS Device Discover the Enhanced Power Capability of SeeMo Pro 5v | 2.4A Flexible Powering (NPF/DC) The SeeMo Pro runs off standard NP-F style batteries or via a 2-pin DC connector. NP-F style batteries 2-pin DC connector Rugged Build For Professional Work SeeMo Pro SDI features a tough lightweight aluminum body with multiple 1/4”-20 anti-rotation mounting points for flexibility. Get More Out Of Accsoon See App Gray Histogram LUTs Mirror Zebra False Colour Overlay Waveform Colour Range Audio level Marker Focus Peaking RGB Screenshot Grids Desqueeze Accsoon SDK Partners Switcher Studio TVU Networks Prolycht Zacuto

DZOFILM Pictor 12-25mm T2.8 Super35 Parfocal Zoom Lens PL/EF Mount

DZOFilm DZO-7220004W (DZO-7220004W, DZO-7220004W, DZO-7220004W, DZO-7220004W, DZO-Pictor-12-25-T2.8-White, DZO/Pictor/12/25/T2.8/White, DZO Pictor 12 25 T2.8 White, DZOPictor12-25T2.8White) Pictor 12-25mm T2.8 Super35 Parfocal Zoom Lens PL/EF Mount DZOFilm 12–25mm: Expanding the Cinematic Perspective The 12–25mm ultra-wide-angle lens extends beyond the limits of human vision, capturing an expansive visual spectrum. Its dramatic perspective effect emphasizes the foreground while enhancing depth of field and creating a sense of visual tension, making it ideal for immersive storytelling. Exceptional Optical Design with Minimal Distortion Engineered with precision, this lens significantly reduces distortion, even at its widest aperture, ensuring sharp, majestic, and surreal imagery. This makes it perfect for grand, cinematic compositions without sacrificing optical integrity. Close-Up Shooting with a Unique Perspective With a minimum focusing distance of 0.4m (15.74")—less than an arm’s length—the lens allows for tight close-ups even in confined spaces. The carefully controlled curvature of field maintains image accuracy, pulling the audience closer to the subject and enhancing emotional engagement. Deeper Depth of Field, Expansive Backgrounds A wider field of view (FOV) and deeper depth of field (DOF) enable filmmakers to capture more of the surrounding environment, clearly defining the relationship between subjects and their surroundings. By expanding the perceived distance between objects and the background, the lens enhances the artistic sense of space, creating dynamic and visually compelling frames. With its versatility, precision, and immersive optical performance, the 12–25mm lens is an essential tool for filmmakers seeking expansive, cinematic visuals with depth and realism.

Panasonic Lumix Panasonic Battery Grip DMW-BG2E (S1RII)

Panasonic Battery Grip DMW-BG2E (S1RII) Battery grip compatible with DC-S1RM2E

DZOFILM Marlin 1.6x Expander PL Lens to L Mount Camera

DZOFilm DZO-EXPLL-BLK (DZO/EXPLL-BLK, DZO/EXPLL/BLK, DZOEXPLLBLK, DZO EXPLL BLK)(DZO-Marlin-1.6x-Expander-PL-L, DZO/Marlin/1.6x/Expander/PL/L, DZO Marlin 1.6x Expander PL L, DZOMarlin1.6xExpanderPLL) Marlin 1.6x Expander PL Lens to L Mount Camera Expand Your Vision, Explore The Envision - DZOFILM Marlin 1.6x Expander. Converts Super 35 Pictor Zoom lenses to cover Full Frame or Vista Vision. Multiplies focal length by 1.6x with only 1.5 stops light loss. Maintains superb image quality without decreasing resolution. Marlin enables the use of S35 lenses to compatible with FF and Vista Vision cameras, which facilitates the use of lenses for more possibilities. Minor flange back adjustment through this ring, no need to use shims(Excl. PL-PL, PL-LPL versions). In order to achieve the best image performance, the FBD can be quickly adjusted without removing the lens and camera. Detachable supporting base and stainless steel mount. Marlin is compatible with a wide variety of lenses in the market. The distance from the flange plane of lens to the rear shall less than PL: 19.64mm. (Marlin Adapter Clearance Check tool can be downloaded and check the suitability).

DZOFILM Marlin 1.6x Expander for PL Lens-PL Mount Camera

DZOFilm DZO-EXPLPL-BLK (DZO/EXPLPL-BLK, DZO/EXPLPL/BLK, DZOEXPLPLBLK, DZO EXPLPL BLK)(DZO-Marlin-1.6x-Expander-PL-PL, DZO/Marlin/1.6x/Expander/PL/PL, DZO Marlin 1.6x Expander PL PL, DZOMarlin1.6xExpanderPLPL) Marlin 1.6x Expander for PL Lens-PL Mount Camera Increases the Focal Length And Magnifies the Image Circle by 1.6x Converts Super 35 Pictor Zoom lenses to cover Full Frame or Vista Vision. Multiplies focal length by 1.6x with only 1.5 stops light loss. Retains Outstanding Optical Performance and Operability Maintains superb image quality without decreasing resolution. Marlin enables the use of S35 lenses to compatible with FF and Vista Vision cameras, which facilitates the use of lenses for more possibilities. A Special Ring Achieves Quick Flange Back Adjustment Minor flange back adjustment through this ring, no need to use shims(Excl. PL-PL, PL-LPL versions). In order to achieve the best image performance, the FBD can be quickly adjusted without removing the lens and camera. Solid and Sturdy Detachable supporting base and stainless steel mount. Alternative and Compact Mounting System Meets Multiple Needs PL-E/RF/L/LPL/PL, a total of 5 different mounts. Broad Compatibility Marlin is compatible with a wide variety of lenses in the market. The distance from the flange plane of lens to the rear shall less than PL: 19.64mm. (Marlin Adapter Clearance Check tool can be downloaded and check the suitability)

Sony Alpha 1 II Full-frame Mirrorless Camera

Sony Alpha 1 II Full-frame Mirrorless Camera ILCE-1M2B, Alpha II, Sony ILCE-1M2B, Sony Alpha II, ILCE-1M2B camera The Sony Alpha 1 II is Sony's latest flagship full-frame mirrorless camera, designed to deliver exceptional speed, resolution, and advanced AI capabilities for professional photographers and videographers. Key Features: Sensor and Image Processing: 50.1-megapixel full-frame Exmor RS stacked CMOS sensor. Advanced BIONZ XR image processor for enhanced speed and performance. Continuous Shooting: Up to 30 frames per second (fps) continuous shooting with full autofocus (AF) and auto-exposure (AE) tracking. Pre-capture function allows recording up to one second before the shutter is pressed, ensuring critical moments are captured. Autofocus and AI Capabilities: Dedicated AI processing unit for improved subject recognition and tracking. Real-time Recognition AF with enhanced accuracy for humans, animals, birds, and vehicles. 759-point phase-detection AF system covering a wide area of the frame. Video Recording: 8K video recording at 30p with 10-bit 4:2:2 color depth. 4K recording up to 120p for high-quality slow-motion footage. Dynamic Active Mode for improved image stabilization during video capture. Design and Ergonomics: Body design inspired by the Sony A9 III, featuring a taller grip for improved handling. Vari-angle 3.2-inch LCD touchscreen for flexible shooting angles. Enhanced in-body image stabilization offering up to 8.5 stops of correction. Connectivity and Storage: Dual card slots supporting CFexpress Type A and SD UHS-II cards. Advanced connectivity options, including 2.5GBASE-T Ethernet and compatibility with 5G portable data transmitters for rapid data transfer and remote shooting capabilities. Additional Features: Anti-distortion shutter to minimize rolling shutter effects. Improved battery life with the NP-FZ100 rechargeable lithium-ion battery. Eco-friendly, plastic-free packaging in line with Sony's commitment to environmental sustainability. AC adapter not supplied, 27W AC adapter with PD required

Canon EOS R1

Canon EOS R1 For sports, news and action photographers, looking to shoot career-defining work, Canon developed the EOS R1 – their flagship camera with speed and advanced technologies at its core.   Shoot career-defining images and video, even when the pressure is on, capturing transient moments at up to 40fps with exceptional image quality and AF. Game-changing speed and precision is backed up by a simple, reliable workflow that lets you get your work to the client fast. Seamless hybrid functionality lets you shoot superb 6K 60p video and even capture stills and video simultaneously.   The EOS R1 lets you capture fleeting moments and freeze action at 1/64,000sec, while Action Priority focus mode recognises and anticipates moments in key sports. A back-illuminated, stacked sensor offers incredible sensitivity and virtually no rolling-shutter distortion.   24.2 megapixel, back-illuminated, stacked sensor The EOS R1 features a 24.2-megapixel full-frame sensor that uses a back-illuminated, stacked design to deliver superb sensitivity, brilliant resolution and incredible speed. A low-pass filter has 16-point separation that effectively reduces false colour and moiré while preserving fine detail. The EOS R1’s Dual Pixel Intelligent AF uses Cross-Type AF that is sensitive to both horizontal and vertical detail. These increases focusing accuracy and speed in low light and low-contrast conditions.    The speed you need Capture fleeting moments with a customisable continuous shooting speed of up to 40fps, a 1/64,000 sec. top shutter speed and virtually zero rolling-shutter distortion. Pre-capture lets photographers capture moments before the shutter release is pressed.   Focusing on performance Deep-learning and Cross-type AF identifies and tracks subjects with phenomenal accuracy. The DIGIC Accelerator processor powers Action Priority mode, which automatically determines the main subject in football, volleyball and basketball, moving AF areas accordingly.   Hybrid creativity Shoot superb 6K video using frame rates up to 60p and using a wide variety of formats. Dual Shooting lets you cover the same event with Full HD video and 17-megapixel (16:9) photos – capturing stills and video separately and simultaneously.   Get home in first place Win the race – getting photos and video back to your client right when they need them. Lightning-fast connectivity is easy to use when the pressure’s on. Wi-Fi 6E1 with MIMO antennas, and 2.5G BASE-T ethernet, deliver super-stable performance   The ultimate photographic assistant Our flagship EOS is packed with advanced technology, including an 8.5-stop Image Stabilizer, a best-in-class 9.44m-dot electronic viewfinder, and in-camera image upscaling and noise reduction. Be inspired by the superb build quality that pros around the world have come to love.   DIGIC Accelerator The EOS R1 sees DIGIC Accelerator and DIGIC X image processors working alongside each other for phenomenal performance. AF tracking of people, animals and objects is improved – even objects that are momentarily obscured from view are tracked continuously and kept in sharp focus. Action priority recognises key events in football, basketball and volleyball and moves the active AF area. Stills and video can be captured simultaneously, thanks to the DIGIC Accelerator’s ability to process large volumes of data at speed.   Action Priority focus mode When shooting photos with the EOS R1’s advanced electronic shutter, the camera’s DIGIC Accelerator processor lets it identify significant actions in three sports: football, basketball and volleyball. The camera automatically switches the active AF areas to a person performing the kind of a critical action that has traditionally been hard to shoot, such as a shot from a high-speed pass.   Go large, with In-camera upscaling Deep-learning means that images can be upscaled in-camera by up to four times, generating high-resolution versions for cropping or printing at huge sizes. The same deep-learning capability delivers incredible noise reduction for smooth, detailed images at high ISO sensitivities   Advanced 9.44m-dot electronic viewfinder The EOS R1’s electronic viewfinder (EVF) is superior to an optical viewfinder in many ways. It’s 9.44m-dot high resolution provides an exceptionally clear and detailed view of a scene, with blackout-free continuous shooting at up to 40fps. It’s comfortable for extended periods too, with variable magnification and a locking adjustable dioptre. A larger eyecup is available for complete immersion in the shooting experience.   Next-generation Eye Control AF Select an AF point, or a subject to track, simply by looking at it. The use of newly developed optics and a revised line-of-sight algorithm enhances the accuracy of the system, compared with the EOS R3, and broadens the angle over which the system is effective, for a more natural experience.   Creativity through technology Since 1989, Canon EOS-1 series cameras have led the way for professional sports, news and action photographers. As the result of 35 years of evolution the EOS R1 looks to the future as our flagship EOS camera.   Autofocus powered by deep learning The EOS R1 harnesses the power of deep-learning to identify subjects, while its DIGIC Accelerator processor tracks and captures them more accurately than ever. Action Priority mode can even identify the subject based on the action, helping you predict what is coming next.   Dual Pixel Intelligent AF with Cross-type AF points EOS R1 has Cross-type AF that is sensitive to horizontal and vertical detail. This gives more sensitivity and precision, especially in low light and low-contrast conditions.   Jaw-dropping image quality A new 24-megapixel sensor delivers incredible results. A lightning-fast, stacked CMOS design is sensitive in low light. A low-pass filter with 16 point separation reduces moiré and false colour while still capturing very detailed resolution.   Stills and video. Separately and simultaneously Designed for professional hybrid shooters covering events. With the EOS R1’s Dual Shooting function switched on, a press of the shutter-release button while shooting Full HD video captures 5616x3168 pixel (17MP) JPG photos at up to 10fps using the same shutter speed – all without interrupting video capture.   Extraordinary Performance - Now as standard Freeze fleeting moments in time like never before: 40 frames per second continuous shooting pairs with a lightning-fast 1/64,000 sec electronic shutter and minimal rolling shutter distortion for incredible results.   Go back in time with continuous shooting Half press the shutter release button to begin continuously buffering 20 frames. At the moment you take the shot, these ‘pre-captured’ frames are stored too. At EOS R1’s maximum 40fps shooting speed, this means you’ll record the half-second before you pressed the shutter release. At slower shooting speeds, the pre-capture time gets longer, giving you even more flexibility.

Canon EOS R5 Mark II

Canon EOS R5 Mark II  Master the moment with incredible speed, resolution and all-round performance Experience incredible 45-megapixel resolution combined with blazing-fast speeds of up to 30fps and up to 8K 60p RAW video. This powerhouse excels in every genre of visual storytelling. Powered by DIGIC Accelerator technology, it features Dual Pixel Intelligent AF, next-generation Eye Control AF, and Action Priority mode. With a maximum ISO sensitivity of 51,200 (expandable to 102,400) and in-camera Neural Network noise reduction, you’ll achieve outstanding results even in low light. Plus, this highly connected camera allows you to deliver content quickly and reliably. The EOS R5 Mark II truly does it all, empowering you to conquer your creative ambitions. For photographers and filmmakers across genres—from wildlife and reportage to portraiture, filmmaking, interviews, and documentaries—the EOS R5 Mark II is the tool that will help you create your best work yet. DIGIC Accelerator meets DIGIC X for unparalleled performance The EOS R5 Mark II’s Dual Pixel Intelligent AF and Eye Control AF raise the bar for autofocus technology. It keeps fast-moving subjects in sharp focus, even when temporarily out of view. Action Priority mode tracks players in sports like football, basketball, and volleyball, adjusting the AF area in real-time to capture critical moments, such as a shot on goal from a fast pass. Where speed meets resolution No matter your creative vision, the EOS R5 Mark II delivers. Capture stunning 45-megapixel photos at 30fps with 15-frame Pre-Capture, or record impressive 8K 60p RAW video. Whatever your needs, this camera opens new possibilities for creativity. Switch to hybrid mode Shoot breathtaking 8K video using the full width of the EOS R5 Mark II’s sensor—perfect for cropping in post-production. The 8K 60p Light RAW format captures smooth motion, while 14-bit color depth ensures rich gradation and a wide dynamic range. Thanks to Dual Shooting, you can simultaneously capture 33.2-megapixel (16:9) stills at 7.5fps while recording Full HD video. Fast connectivity when it matters most Whether through Wi-Fi 6E1 or a tethered USB connection, you can quickly and reliably deliver your work to clients. An optional battery grip adds 2.5G BASE-T Ethernet for even faster connections. Advanced technology for powerful performance Packed with cutting-edge technology, including Canon’s revolutionary RF lens mount, the EOS R5 Mark II pushes creative boundaries. Its 8.5-stop Image Stabilizer lets you shoot handheld at slow shutter speeds, while customizable controls allow you to fine-tune the camera to your needs. All this is housed in a robust, agile design that inspires creativity from the moment you pick it up. Next-generation 45-megapixel stacked image sensor A new full-frame, back-illuminated stacked CMOS sensor delivers impressive resolution, dynamic range, and speed, with advanced video capabilities. Maximum ISO sensitivity of 51,200 (expandable to 102,400) is paired with in-camera neural network noise reduction for cleaner, more detailed JPEG images. DIGIC Accelerator The EOS R5 Mark II’s DIGIC Accelerator and DIGIC X processors work together to deliver exceptional performance. The system improves AF tracking of people, animals, and objects—even when briefly obscured. Action Priority mode intelligently anticipates key moments in sports like football, basketball, and volleyball, automatically adjusting the AF point. Simultaneous still and video capture Thanks to the power of the DIGIC Accelerator, you can capture high-quality stills and video simultaneously, processing large volumes of data with ease. In-camera upscaling and deep learning Harness deep-learning technology for in-camera upscaling, allowing images to be enlarged up to four times for high-resolution prints or cropping. This same technology also delivers remarkable noise reduction, resulting in smooth, detailed images even at high ISO sensitivities. Action Priority Focus Mode When using the EOS R5 Mark II’s advanced electronic shutter, the DIGIC Accelerator processor identifies critical moments in sports like football, basketball, and volleyball, automatically adjusting the AF area to capture decisive actions such as a shot made from a high-speed pass. Next-Generation Eye Control AF Choose your focus point or subject simply by looking at it. Enhanced optics and a refined line-of-sight algorithm make Eye Control AF even more accurate than in the EOS R3, and its broader field of effectiveness provides a more intuitive experience. Pre-continuous shooting The EOS R5 Mark II buffers 15 frames while the shutter release is half-pressed, storing them when you fully press the shutter. This ensures you capture moments even before you press the button. Slower shooting speeds increase the pre-capture time, giving you even more flexibility.

Canon EOS R5 Mark II W/ RF 24-105mm f/4 L IS USM

Canon EOS R5 Mark II W/ RF 24-105mm f/4 L IS USM Master the moment with incredible speed, resolution and all-round performance Incredible 45-megapixel resolution meets breath-taking speed up to 30fps and up to 8K 60p RAW video. The result is a camera that excels in every genre of visual story telling. DIGIC Accelerator technology powers Dual Pixel Intelligent AF – now with next-generation Eye Control AF and Action Priority mode. A max ISO 51,200 sensitivity (extendable to ISO 102,400) is supported by in-camera Neural Network noise reduction, for amazing results in low light. And this super-connected camera lets you get content to the client quickly, reliably and easily. The EOS R5 Mark II masters it all and lets you conquer your creative ambitions.   For photographers and filmmakers of all genres from wildlife, reportage and portrait photography to filmmaking, interviewing and documentaries., the EOS R5 Mark II is a camera that empowers you to shoot your most creative work yet.       DIGIC Accelerator meets DIGIC X for exceptional performance   EOS R5 Mark II’s Dual Pixel Intelligent AF and Eye Control AF set new standards. Sharp focus is maintained on moving subjects, even when briefly obscured from view. Action Priority mode detects players in football, basketball and volleyball, moving the active AF area in response to specific actions – such as a shot on goal made from a high-speed pass.       Where speed meets resolution   Whatever the story, the EOS R5 Mark II speaks your language. Shoot incredible 45-megapixel photos at 30fps speed and 15-frame Pre-Capture, or capture sumptuous 8K 60p RAW video that truly impresses. Whatever your needs, the EOS R5 Mark II unlocks new ways to be creative. Switch to hybrid   Use the full width of the EOS R5 Mark II’s sensor to shoot sensational 8K footage – rich in detail and crop-friendly during editing. 8K 60p Light RAW portrays moving subjects with silky smooth motion. 14-bit colour depth offers fine gradation and wide dynamic range. With EOS R5 Mark II’s Dual Shooting function, you can simultaneously capture 33.2-megapixel (16:9) photos at 7.5fps while also shooting Full HD video. When the pressure is on, get connected fast   Get your photos and video back to your client more quickly and reliably than ever, whether you’re connected wirelessly with Wi-Fi 6E1 or tethered via USB. Choose an optional battery grip to connect via 2.5G BASE-T Ethernet.       Powerful performance built on advanced technology   The EOS R5 Mark II is brimming with advanced technologies, including our revolutionary RF lens mount, that empowers you to be more creative. An up to 8.5-stop Image Stabilizer lets you shoot hand held with slow shutter speeds, while customisable controls let you set up the camera to suit the scene and your shooting style. All this from an agile, robust design that inspires creativity from the moment you hold it. Advanced 45-megapixel stacked image sensor   A next-generation full-frame back-illuminated stacked CMOS sensor combines stunning resolution and dynamic range with incredible speed and video capabilities. A max ISO 51,200 sensitivity (extendable to ISO 102,400) is supported by in-camera neural network noise reduction, for cleaner, more-detailed jpeg images.   DIGIC Accelerator   The EOS R5 MARK II sees DIGIC Accelerator and DIGIC X image processors working alongside each other for phenomenal performance.   AF tracking of people, animals and objects is improved – even objects that are momentarily obscured from view are tracked continuously and kept in sharp focus   Action priority recognises key events in football, basketball and volleyball and moves the active AF point in anticipation   Stills and video can be captured simultaneously, thanks to the DIGIC Accelerator’s ability to process large volumes of data at speed Go large, with in-camera upscaling   Deep-learning means that images can be upscaled in-camera by up to four times, generating high-resolution versions for cropping or printing at huge sizes. The same deep-learning capability delivers incredible noise reduction for smooth, detailed images at high ISO sensitivities Action Priority focus mode   When shooting photos with the EOS R5 Mark II’s advanced electronic shutter, the camera’s DIGIC Accelerator processor lets it identify significant actions in three sports: football, basketball and volleyball. The camera automatically switches the active AF area to a person performing the kind of a critical action that has traditionally been hard to shoot, such as a shot from a high-speed pass.   Next Generation Eye Control AF   Select an AF area, or a subject to track, simply by looking at it. The use of newly developed optics and a revised line-of-sight algorithm enhances the accuracy of the system, compared with the EOS R3, and broadens the angle over which the system is effective, for a more natural experience.       Pre-continuous shooting   15 frames are buffered continuously while the shutter-release is half pressed, and written to memory card when you actually take the shot. This lets you capture images from the previous ½ sec, so you nail that decisive moment. At slower shooting speeds, the pre-capture time increases, giving you even more flexibility.    Canon 24-105mm f/4L   Featuring fast, silent, Nano USM technology, the RF 24-105mm f/4 L IS USM zoom offers photographers and filmmakers a small, lightweight and compact general-purpose lens with 5-stops of image stabilisation and high optical quality and constant aperture. A general purpose, practical zoom for every day photography and filmmaking The RF 24-105mm f/4 L IS USM zoom offers the perfect solution for photographers and filmmakers looking for a professional quality, go anywhere, capture everything lens that can satisfy a wide range of genres.       The RF mount:   The RF mount at the heart of the EOS R System is designed to maximise lens design possibilities and features a short back focus design and wide lens throat. This has made it possible for Canon engineers to design new lenses that weren’t possible before. The RF mount also transmits data faster via a 12-pin connector meaning quicker AF and lens processing using Digital Lens Optimiser stored in the lens itself.    The RF 24-105mm f/4 L IS USM zoom features an innovative Control Ring on the barrel, offering photographers used to manual cameras a familiar and intuitive traditional control over a wide range of customisable settings. This feature gives the photographer greater and faster connection with the camera and allows full concentration to be given to the subject. The Control Ring has a reassuring and familiar ‘click’ as it rotates which can be de-clicked at service, useful for filmmakers wishing to retain the silent characteristics of the lens.       A general purpose, practical zoom for every day photography and filmmaking:   With a hugely versatile 24-105mm focal length range that encompasses the everyday needs of most photographers and filmmakers, the RF 24-105mm f/4 L IS USM zoom is the primary go-to lens particularly suited to subjects such as landscapes, portraits and travel. A fixed f/4 constant aperture ensures exposure consistency throughout the entire zoom range and allows for a smaller, more compact lens design. Weighing in at just 700g, the RF 24-105mm f/4 L IS USM is lightweight, practical and perfect for agile, handheld photography and filmmaking when covering a variety of events and genres in the same day.

Samyang V-AF 6 Lens Anamorphic kit

Samyang V-AF 6 Lens Anamorphic kit Samyang V-AF Lens: Unified Form Factor - Compact & Light The V-AF increases compatibility with gimbals and drones by applying the unified form factors with its 5 different focal lengths (Ultra-Wide to Medium-tele). By providing a compact size of 73 X 70mm and a light-weight of less than 300g, there is no need to re-set the equipment when changing the lenses. Tally Lamp - Excellent Usability The lamp located on the front and mount index helps the user to check whether a video is recorded or not while shooting. It supports video content creation more conveniently even in a small space without a lot of equipment. Support 8K and the Same Colour Tone The new V-AF series supports resolutions up to 8K in a small and lightweight form, which is well suited for use with handheld gimbals and drones, as well as for studios and location productions. All lenses within the new V-AF series are colour-matched to avoid shifts when swapping lenses, and the 9 aperture blades allow for a natural-looking bokeh. Custom Switch & Button Features the 'Focus save' function usually in professional cine equipment and custom mode that adds function by firmware, which provides video-specific functions for students and amateur users who dream of cinematographers. V-AF ANAMORPHIC MF ADAPTER 1.7X: When coupled with a selected T1.9 V-AF lenses this exclusive accessory provides the brightest Anamorphic solution on the market Electronic contacts on the adapter provide easy operation and superior resolution V-AF 6 LENS CASE: Hard Case for 6 V-AF lenses, V-AF Anamorphic Adapter, V-AF MF Adapter & Lens Station

Metabones ARRI PL Lens to RF-mount T CINE Speed Booster ULTRA 0.71x

Metabones ARRI PL Lens to RF-mount T CINE Speed Booster ULTRA 0.71x(MB_SPPL-EFR-BT2) *** Please see that this unit is a special order item. Always Enhance and Never Degrade the Performance of the Attached Master Lens. Sharper corners, less distortion, reduced vignetting  New optical design:  advanced 5-element/4-group optical design incorporating ultra-high index tantalum-based optical glass to achieve extraordinary optical performance with improved corner sharpness, distortion and reduced vignetting. Like the revolutionary original Metabones Speed Booster announced in January 2013, the Speed Booster ULTRA has a magnification of 0.71x, and so it effectively reduces the crop factor of mirrorless cameras with DX-sized sensors and Super35 camcorder, such as Sony E-mount, Fuji X-mount cameras Sony FS7 MARKII, from 1.5x to 1.07x.  However, the new ULTRA design makes very effective use of exotic materials at the furthest limit of glassmaking technology, and as a result is well corrected for use with virtually all full-frame SLR/Prime lenses regardless of exit pupil distance.  (More information can be found in the press release here) New professional Mount-Rod Support Kit is also available (not included), which is compatible with all Metabones adapters with tripod foot. 

Metabones Canon EF Lens to RF-mount T CINE Speed Booster ULTRA 0.71x

Metabones Canon EF Lens to RF-mount T CINE Speed Booster ULTRA 0.71x(MB_SPEF-EFR-BT2) Use this Metabones Canon EF Lens to RF-Mount T CINE Speed Booster ULTRA 0.71x (EOS-R) to adapt Canon EF-mount full-frame lenses to the new Canon RF mount. Filmmakers are now able to mitigate most of the 4k video crop factor of EOS-R (1.75x) and EOS-RP (1.63x), and reduce it to 1.24x and 1.15x respectively to support the newly EOS C70 (Super 35mm sensor). The field of view is now much closer to still photo mode. The Speed Booster is not intended for still photography but will work if the camera is configured to APS-C mode. It uses an advanced 5-element/4-group optical design by Caldwell Photographic, incorporating ultra-high index, tantalum-based optical glass to achieve extraordinary optical performance with improved corner sharpness, distortion, and reduced vignetting. The Speed Booster ULTRA has a magnification of 0.71x, effectively reducing the crop factor of 4k video on EOS-R and EOS-RP from 1.75x to 1.24x. It has a design that makes very effective use of exotic materials at the furthest limit of glassmaking technology, and as a result is well corrected for use with virtually all full-frame SLR lenses regardless of exit pupil distance. The Speed Booster ULTRA performs extremely well with professional-grade f/2.8 zoom lenses such as the 24-70mm f/2.8 and 70-200mm f/2.8 zooms by Canon to produce 17-50mm f/2.0 and 50-142mm f/2.0 high-speed zooms, respectively. Similarly, high-speed fixed focal length lenses including a 50mm f/1.2 will be transformed into a 35.5mm f/0.9 lens with excellent contrast and resolution from the center all the way to the edges of the image. Mechanical Patented positive-lock EF lens mount The tripod foot is detachable and compatible with Arca-Swiss, Markins and Photo Clam ball heads Flocking to reduce internal reflection Satin surface finish Aluminum alloy and brass construction with chromium plating Rubber gasket protects the RF mount connection from dust and moisture Electronic Autofocus speed is properly adjusted to account for and leverage the shorter focal length and the brighter maximum aperture Dual-pixel autofocus (DPAF) and video AF support It is powered by the camera body as with most lenses, no external power source required LED indicator shows communication status Build-in multi-function control wheel (turn/ push-in) for assignable functions (eg. ISO, shutter speed or aperture control, depth-of-field preview) Store EXIF data (lens name, focal length, and maximum/minimum aperture) for one manual lens in the adapter Image stabilization (IS) lens support Focal length and aperture are adjusted in EXIF Optical Increase maximum aperture by 1 stop with a maximum output aperture of f/0.9 Advanced 5-element/4-group optical design incorporating ultra-high index tantalum-based optical glass by Caldwell Photographic Increase MTF and makes lens 0.71x wider Compatibility Canon RF camera (under APS-C crop mode) EOS-R, EOS-RP, EOS-R5, EOS-R6, EOS-C70 RED Komodo camera Canon EF-mount lens Canon EF-extender (teleconverter) Carl Zeiss EF-mount lens Sigma EF-mount lens Tamron EF-mount lens Tokina EF-mount lens Contax N mount lenses modified to Canon EF by Conurus   Contax 645 NAM-1 adapter modified to Canon EF by Conurus

BirdDog Maki Ultra 20X Zoom Box Camera - White

BirdDog Maki Ultra 20X Zoom Box Camera - White(BDPMKU20XW) Introducing the new MAKI Ultra - where compact innovation meets powerful performance. Named after the sushi roll, the handy MAKI Ultra box camera delivers big shots, in tight spaces. This little powerhouse packs in lightning-fast autofocus and 4K60 capabilities to ensure you catch every moment with stunning precision. With enhanced network reliability through NDI® | HX3 integration, you can trust MAKI Ultra to deliver top-quality video without breaking a sweat. Intuitive physical buttons located on the side of the camera give you seamless control, dive into your creative zone without getting bogged down in technical stuff Say hello to your new favourite sidekick for capturing moments in detail and in style – killing it Every. Single. Shot. 12x and 20x Zoom available.*NDI | HX2 and NDI | HX3 supported. TALLY LIGHT Professional results need professional tools. MAKI Ultra sports the most visible and effective Tally system available. Up front with a large, daylight visible border. Your cast and crew will always know where to look to keep your audience engaged and your look polished. COMPACT, YET MIGHTY The MAKI Ultra boasts a compact footprint helping you capture those unusual and engaging camera angles with ease. With MAKI Ultra you can deliver killer POV shots that put your audience right in the game at eSports events, or attach MAKI Ultra to a band rig to capture incredible angles of your drummers or instrumentalists, be they in a band or a house of worship. Wherever the action is, MAKI Ultra ensures you never miss a beat. NDI® | HX3 The X1 and X1 Ultra deliver superior network performance via NDI® | HX3 integration. Significantly reducing network impact while maintaining excellent image quality, meaning it's more friendly in more network environments. BirdDog’s NDI® | HX3 surpasses certification parameters, delivering quality and performance you can count on. SUPER-FAST AUTOFOCUS It’s fast AF. MAKI Ultra's super-fast autofocus is a game-changer for dynamic content and fast-paced environments. Equipped with a laser and powered by advanced automatic focusing algorithms, MAKI Ultra ensures rapid and accurate autofocus. Whether your subjects are zipping across the frame or moving closer and further away from the camera, MAKI Ultra keeps them sharp and in focus. Every. Single. Time. ON-BOARD BUTTONS   MAKI Ultra's intuitive physical buttons mean that once you’ve set it up, you can just reach in and make quick adjustments to zoom and focus and access the onscreen menu. No awkwardly placed controls or a walk back to your controller. One and done, on to the next task.

Dedolight DMTSB420-SR Tripple stud boom with sliding receptacle. Length 42 cm.

Dedolight DMTSB420-SR (DMTSB420SR, DMTSB420_SR, DMTSB420/SR, DMTSB420 SR) Tripple stud boom with sliding receptacle. Length 42 cm. The Triple Stud Boom with Sliding Receptacle from Dedolight is 42cm in length.      

Dedolight DP400IR2 Series 400 Iris assembly

Dedolight DP400IR2 (DP400I-R2,DP400I_R2, DP400I R2, DP400I/R2) Series 400 Iris assembly This 18-Leaf Iris Assembly is a front-attaching accessory for the Dedolight DP400 and DP1200 projectors and the Prolycht DP400KU185-P and DP400KU150-P projectors that uses a sliding tab to adjust the amount of light and its beam angle. At its narrowest diameter, a tab drops into place to completely block the light.   A new item in the dedolight projection arsenal, this is the DP400IR2 dedicated 18-leaf Iris assembly. This dedicated Iris assembly is compatible with the Dedo DP400 and 1200 projectors as well as Prolycht DP400KU185-P or DP400KU150-P projectors. Just like the other dedicated projection assemblies, this iris assembly mounts between the DP400CON or DP400CON-AP condensers and DP400LH lens holder. A sliding tab smoothly collapses or expands the iris to get the desired circle size. At its narrowest diameter, a tab drops into place to completely block the center and gives the appearance that the iris is fully closed. This allows users to do collapsing iris gags with no light passing through when the iris can't be collapsed further.      

Shure Double Lyre Boom Pole Mount for VP89L

Shure Double Lyre Boom Pole Mount for VP89L(SHUA89LMBA) Boom mount adapter secures a VP89L End-Address Shotgun Condenser Microphone to a boom pole. Features include Lyre technology for excellent isolation against handling noise and a soft-feel grip to prevent the microphone from twisting or slipping.

Marshall VAC-12HUC HDMI to USB-C Converter

Marshall VAC-12HUC (VAC/12HUC, VAC_12HUC, VAC12HUC, VAC 12HUC) HDMI to USB-C Converter 10-bit input sampling makes a visible difference The VAC-12HUC converts HDMI 2.0 to USB-C (USB3.0/USB2.0) up to UHD 3840x2160p at 30fps. HDMI input has active loop-thru allowing the original high-quality source to be routed to monitors or other equipment as a pass thru. Common applications include live streaming, video conferencing and other PC or MAC-based applications. Power is supplied by the USB-C connection to the host computer reducing clutter and eliminating the need for an external power supply. The rugged and compact design makes for easy portability and mobility. The VAC-12HUC's simple plug-and-play design uses UVC protocol to enable itself as a Camera Device. UVC protocol allows the host computer to set the parameters for the USB stream such as resolution, frame rate and aspect ratio.

Canon Rf 24-240mm F4-6.3 Lens

Canon Rf 24-240mm F4-6.3 Lens(3684C005) The photographic lens Canon RF 24-240mm F4-6.3 IS USM with RF mount, covering an impressive wide-angle to super-telephoto range, is a true all-in-one lens for nearly any shooting situation. Its 10x zoom range is complemented by an Optical Image Stabilizer, which compensates for up to five stops of camera shake to better realize sharp imagery when shooting handheld.   Dynamic IS of the Canon RF 24-240mm F4-6.3 also benefits video recording, and better compensates for footage shot while walking or moving. Benefitting both stills and video is a Nano USM autofocus motor, which delivers quick, quiet, and precise focusing performance. Additionally, the lens also features a unique customizable Control Ring, which can be configured to adjust a variety of exposure settings, including aperture, ISO, and exposure compensation.

Canon 18-150mm F3.5-6.3 - Rf-S stm lens

Canon 18-150mm F3.5-6.3 - Rf-S stm lens(5564C005) With a powerful 18-150mm zoom range the RF-S 18-150mm F3.5-6.3 IS STM lens is an affordable wide-to-telephoto zoom that packs several lenses in one, perfect for APS-C R System cameras. With super-quiet STM focusing that’s fast and responsive, it’s a great general-purpose lens for landscapes, wildlife, travel, sports photography and even great close-ups thanks to an optical design that lets you focus as close as 12 cm. Compact, and lightweight, it has a streamlined look with all function switches controlled directly from the camera for a simplified design while a 4.5-stop optical Image Stabilizer adds extra versatility to help overcome camera shake, even in low-light.

Canon Rf 24mm F1.8 Macro Is Stm lens

Canon Rf 24mm F1.8 Macro Is Stm lens(5668C005) This compact and lightweight 24mm lens combines a wide-angle field-of-view with a fast aperture for shooting creatively, even in low light. A 5-stops Optical Image Stabilizer¹ allows longer shutter speeds for hand-held shooting and slick video with more stabilisation (6.5-stops) on offer when used with an EOS R series camera featuring an In Body Image Stabilizer. A minimum focusing distance of 14 cm (0.5x magnification or half life-size) is a real advantage for creative wide-angle and lets you get extra close, showing your subject within its environment. A customisable Control Ring and a separate Focus Ring allows fine control of focusing, ISO, aperture or changing AF method.

Canon Drop-In Variable ND Filter

Canon Drop-In Variable ND Filter(3446C001) A neutral density filter for controlling exposure in movies and prolonging shutter speeds for a variety of creative movement effects in photographs.

Canon RF 5.2mm Dual Fisheye RF VR Lens

Canon RF 5.2mm Dual Fisheye RF VR Lens(5554C005) Capture views that are more than virtual Capture the world in virtual reality thanks to the RF 5.2mm F2.8L DUAL FISHEYE; a compact, stereoscopic L-series RF lens capable of capturing super-sharp content that – with the rest of Canon’s EOS VR SYSTEM, including a camera and software solution – transforms footage into a truly breathtaking visual experience, immersing you within the environment. Canon RF 5.2mm F2.8L DUAL FISHEYE lens A virtual reality lens that simplifies the capture and post-production of professional 180° VR content. Experience the video below through using a VR headset (for a fully immersive and stereoscopic experience), a mobile device or computer. An inspirational story captured by VR Director, Mary Matheson and Director of Photography, Richard Stegmann. Amazingly practical (3D) 180° VR capture The compact, single mount design simplifies quick camera setups for professional stereoscopic 180° VR capture, when using compatible high resolution, Full Frame, RF mount cameras, such as the EOS R51 and R5 C. Efficient and simplified workflow Featuring a stereoscopic 190° field of view, two offset circular fisheye images are perfectly synchronised and recorded side-by-side onto a single Full Frame sensor, ready for Canon’s powerful EOS VR Utility2/plug-in2 to seamlessly process for final edit, requiring no additional stitching. RAW (8K / 60P) video workflow Compatible RAW video files taken with supported cameras (including 8K / 60P RAW LT files from the EOS R5 C) are automatically processed within EOS VR Utility, further simplifying a RAW workflow with higher frame rates. High quality image capture Featuring perfectly aligned, dual forward facing fisheye lenses, the RF 5.2mm F2.8L DUAL FISHEYE utilises two UD elements per lens to correct for aberrations plus Canon’s special SWC coatings to reduce ghosting and flare, even in backlit conditions. Fast f/2.8 aperture for low light shooting The RF 5.2mm F2.8L DUAL FISHEYE performs superbly in low light thanks to a fast f/2.8 aperture with accurately synchronised exposure and precise control via a dual Electro Magnetic Diaphragm (EMD) design. L-series build and weather resistance Because it’s an L-series lens, the RF 5.2mm F2.8L DUAL FISHEYE is built for professional use. It is dust and splash resistant and features fluorine coatings to repel water and dirt on the lens surface. Gel filter holder for precise exposure control   The RF 5.2mm F2.8L DUAL FISHEYE has a rear-mounted gelatin filter holder for pre-cut ND gels which can be used to help precisely control light levels when in use on 180° VR video productions.

Sony LA-EA5 Adapter - A-Mount Lens to E-Mount Body

Sony LA-EA5 Adapter - A-Mount Lens to E-Mount Body(LAEA5.SYU) Ѕоnу hаѕ рrоduсеd mаnу mоunt аdарtеrѕ thаt аllоw thе uѕе оf dіffеrеnt lеnѕеѕ оn vаrіоuѕ Ѕоnу bоdу, but untіl nоw thеrе wаѕn't аn А-Моunt Lеnѕ tо Е-Моunt Воdу. Еntеr thе Ѕоnу LА-ЕА5 Аdарtеr. Тhіѕ аdарtеr еnаblеѕ thе uѕе оf Ѕоnу А-mоunt lеnѕеѕ оn Е-mоunt mіrrоrlеѕѕ саmеrа bоdіеѕ whіlѕt mаіntаіnіng full lеnѕ funсtіоnаlіtу іnсludіng аutоfосuѕ оn ЅЅМ, ЅАМ, аnd еvеn АF lеnѕеѕ wіthоut аn іntеrnаl mоtоr. Ѕоnу hаѕ орtіmіѕеd thе аdарtеr tо ѕuрроrt рhаѕе-dеtесtіоn аutоfосuѕ whісh іn turn mаіntаіnѕ rеаl-tіmе trасkіng аnd еуе АF, аnd еvеn 11 fрѕ соntіnuоuѕ ѕhооtіng wіth АF/АЕ trасkіng. Ѕоnу еvеn еnаblеѕ АF аnd АЕ trасkіng whеn uѕеd wіth lеnѕеѕ wіth nо іntеrnаl mоtоr (Ѕоnу А7R ІV аnd А6600). Тhе аdарtеr hаѕ а ѕlіm аnd unоbtruѕіvе суlіndrісаl dеѕіgn thаt ѕеаmlеѕѕlу аttасhеѕ tо уоur саmеrа bоdу.

Sony FE 16-35mm f2.8 G Master II Lens

Sony FE 16-35mm f2.8 G Master II Lens(SEL1635GM2.SYX) Introducing the FE 16-35 F2.8 GM II, the game-changing G Master wide-angle zoom lens from Sony. Designed to meet the evolving needs of photographers and videographers, this lens combines unrivalled optical performance, lightning-fast autofocus, and exceptional versatility in a more compact and lightweight form. Its advanced manufacturing technology ensures high resolution, reduced chromatic aberration, and minimized flare and ghosting, making it perfect for capturing outstanding images. With four XD Linear Motors, this lens offers extraordinary AF performance, agile tracking, and even breathing compensation making it ideal for both Photography and filmmaking. As the world's smallest and lightest F2.8 wide-angle zoom, it provides unequaled mobility and reduces the total system weight when combined with other bright lenses. Experience superior control and reliability with its dust and moisture-resistant design and fluorine coating. The SEL1635GM2 empowers creators to realize their creative vision with cutting-edge lens technology.

Canon CN-R 50mm T1.3 L F Prime Lens

Canon CN-R 50mm T1.3 L F Prime Lens(6402C001AA) Offering exceptional optical performance, excellent colour reproduction, professional robust design and ultra-fast lens data communication, Canon CN-R Prime lenses are perfect for RF mount cameras such as the EOS R5 C and EOS C70. The lenses range from 14mm to 135mm and are well-suited for professional video productions including drama, documentaries and music videos. RF Mount cinema lenses for professional productions Step into cinematic filmmaking with a range of RF Mount Cine Prime lenses that offer ultra-fast, real-time metadata capture plus all-new features such as in-camera electronic distortion correction. Uncompromised full-frame creativity Bring a new dimension to your creativity with lenses that boast T-stops up to T1.3 with broad focal lengths covering ultra-wide to telephoto, all with shallow depth-of-field. These lenses can also be utilised on Super 35mm sensor RF mount cameras for extra versatility. Exceptional optical performance Meet the demanding requirements of professional 4K, 8K and HDR productions. These lenses produce exceptional clarity with minimal focus breathing, alongside authentic warm colour and skin tone reproduction. Mechanical precision in a compact design With a smooth and consistent 300-degree focus rotation, consistent gear positions / front diameter and a compact, robust and drip-proof design, offering a no-compromise lightweight solution for professional productions. Refined ergonomics, redefined handling Confidently secure your lenses without the need for an adapter when utilising RF mount Cinema EOS cameras such as the EOS C70 and EOS R5 C. With a newly developed fixed ring design, CN-R Prime lenses make handheld operation more comfortable, intuitive, and efficient.

Canon CN-R 85mm T1.3 L F Prime Lens

Canon CN-R 85mm T1.3 L F Prime Lens(6403C001AA) Offering exceptional optical performance, excellent colour reproduction, professional robust design and ultra-fast lens data communication, Canon CN-R Prime lenses are perfect for RF mount cameras such as the EOS R5 C and EOS C70. The lenses range from 14mm to 135mm and are well suited for professional video productions including drama, documentaries and music videos. RF Mount cinema lenses for professional productions Step into cinematic filmmaking with a range of RF Mount Cine Prime lenses that offer ultra-fast, real-time metadata capture plus all-new features such as in-camera electronic distortion correction.  Uncompromised full frame creativity Bring a new dimension to your creativity with lenses that boast T-stops up to T1.3 with broad focal lengths covering ultra-wide to telephoto, all with shallow depth-of-field. These lenses can also be utilised on Super 35mm sensor RF mount cameras for extra versatility. Exceptional optical performance Meet the demanding requirements of professional 4K, 8K and HDR productions. These lenses produce exceptional clarity with minimal focus breathing, alongside authentic warm colour and skin tone reproduction.  Mechanical precision in a compact design With a smooth and consistent 300-degree focus rotation, consistent gear positions / front diameter and a compact, robust and drip-proof design, offering a no-compromise lightweight solution for professional productions. Refined ergonomics, redefined handling Confidently secure your lenses without the need for an adapter when utilising RF mount Cinema EOS cameras such as the EOS C70 and EOS R5 C. With a newly developed fixed ring design, CN-R Prime lenses make handheld operation more comfortable, intuitive, and efficient.

Canon CN-R 135mm T2.2 L F Prime Lens

Canon CN-R 135mm T2.2 L F Prime Lens(6404C001AA) Offering exceptional optical performance, excellent colour reproduction, professional robust design and ultra-fast lens data communication, Canon CN-R Prime lenses are perfect for RF mount cameras such as the EOS R5 C and EOS C70. The lenses range from 14mm to 135mm and are well suited for professional video productions including drama, documentaries and music videos. RF Mount cinema lenses for professional productions Step into cinematic filmmaking with a range of RF Mount Cine Prime lenses that offer ultra-fast, real-time metadata capture plus all-new features such as in-camera electronic distortion correction.  Uncompromised full frame creativity Bring a new dimension to your creativity with lenses that boast T-stops up to T1.3 with broad focal lengths covering ultra-wide to telephoto, all with shallow depth-of-field. These lenses can also be utilised on Super 35mm sensor RF mount cameras for extra versatility. Exceptional optical performance Meet the demanding requirements of professional 4K, 8K and HDR productions. These lenses produce exceptional clarity with minimal focus breathing, alongside authentic warm colour and skin tone reproduction.  Mechanical precision in a compact design With a smooth and consistent 300-degree focus rotation, consistent gear positions / front diameter and a compact, robust and drip-proof design, offering a no-compromise lightweight solution for professional productions. Refined ergonomics, redefined handling Confidently secure your lenses without the need for an adapter when utilising RF mount Cinema EOS cameras such as the EOS C70 and EOS R5 C. With a newly developed fixed ring design, CN-R Prime lenses make handheld operation more comfortable, intuitive, and efficient.

Canon Rf 10-20mm f/4 L Is Stm Lens

Canon Rf 10-20mm f/4 L Is Stm Lens(6182C005AA) Redefining the professional ultrawide-angle zoom lens with the RF 10-20mm F4L IS STM. Wider, smaller and with more features than its rivals, this lens empowers photographers and filmmakers with the performance they need to realise their creative ambitions. Whatever you shoot, and wherever you shoot it, the RF 10-20mm F4L IS STM gives you extra creative options for photography and filmmaking. Ultrawide focal lengths from 10mm to 20mm let you put more in the frame and create dramatic perspectives. An advanced Image Stabilizer lets you shoot pin-sharp photos handheld in low light, as well as gimbal-smooth video. All this from a pro-grade lens that weighs just 570g – light enough to earn a permanent place in your bag. The ultimate ultrawide for photos and video Get more in the frame and create dramatic perspectives – Add  extra foreground interest and shoot tight interiors and architecture. It’s great for creative establishing shots when filmmaking too. Ultrawide, ultraportable Weighing just 570g, the RF 10-20mm F4L IS STM deserves a permanent place in your bag. Take the ultrawide viewpoint to more places more often and take a different perspective to usual. Every detail – just how it should be Expect incredible sharpness and clarity with virtually no distortion – so straight lines remain straight, even at the edges of the frame. All thanks to an advanced optical formula. Stabilisation that just works Photo or video. Centre or edge. A Peripheral Control Image Stabilizer gives up to five stops of protection against camera shake – six stops with an EOS featuring in-body stabilisation. Built for the professionals A constant f/4 maximum aperture gives consistent exposures through the zoom range. A lens function button and control ring allow instinctive shooting. Naturally, the RF 10-20mm F4L IS STM is resistant to dust and moisture too. Ultrawide, ultracompact The RF 10-20mm F4L IS STM is the widest AF zoom ever made for a full-frame camera*, with an angle of view up to 130˚. The RF mount’s short back-focus and large lens-mount allow amazing image quality from a compact design.  In fact, the RF 10-20mm F4L IS STM is 610g lighter, and 2cm smaller in width and length, than the EF11-24mm F4L USM, despite offering a wider angle of view and more technology, such as IS.   The lens has three glass-moulded aspherical elements for high-resolution performance. Advanced lens coatings minimise ghosting and flare.

Canon Rf 200-800mm f/6.3-9 Is Usm Lens

Canon Rf 200-800mm f/6.3-9 Is Usm Lens(6263C005AA) Capture distant subjects with a power you never thought possible. The RF 200-800mm F6.3-9 IS USM blends Canon’s renowned optical prowess into a practical lens and works in harmony with your EOS R series camera, delivering a flexible 200-800mm zoom range for sports, nature and wildlife moments previously out of reach. A Closer Look at the RF 200-800MM F6.3-9 IS USM Discover the key features and technologies that make the RF 200-800mm F6.3-9 IS USM such a useable and powerful super telephoto zoom. A Powerful Zoom with Astonishing Reach Discover the many different scenarios where this lens could deliver a whole new level of impact for your photography. Reach the unreachable Achieve images you never thought possible, from wildlife to sports. Thanks to an 800mm maximum focal length1 plus extender compatibility with the whole AF area2, the RF 200-800mm F6.3-9 IS USM has incredible power to pull even small subjects right into the frame, from as close as 0.8m. Create impact with ease Make a statement and capture attention-grabbing images easily. With up to 5.5-stops of optical image stabilisation3 you can shoot handheld, letting you react quickly to situations as they happen. Capture subjects with greater clarity Inside, three UD lenses correct chromatic aberration while a Super Spectra coating reduces ghosting and flare. A Nano USM keeps moving subjects in sharp focus, providing fast, quiet and accurate AF while a nine-blade aperture gives you beautiful background rendering. Keep on shooting, even in changeable conditions Get the shot you want, even when hiking to a location where the elements might be against you, with dust and moisture resistance equivalent to our pro L-series lenses, and white exterior paint for reliable optical performance when shooting out in the sun. Extra practicality for greater control   Balance your camera and lens for comfort by using the attached tripod collar when you’re in a fixed position for extended periods. Lens function buttons help you shoot instinctively while zoom torque adjustment and a combined Focus and Control Ring let you shoot smarter.

Canon Rf-s 10-18mm f/4.5-6.3 Is Stm Lens

Canon Rf-s 10-18mm f/4.5-6.3 Is Stm Lens(6262C005AA) Explore the wider world and creatively capture images and video in new, dynamic, ways with this ultra-wide RF-S lens. Discover the key features and technologies in the RF-S 10-18mm F4.5-6.3 IS STM. A Lightweight Lens for Super Wide Images Discover the many different scenarios where this lens could deliver a whole new level of impact for your photography.  An ultra-wide zoom for versatile views Get more in the shot even when you can’t stand back and experiment with foregrounds, backgrounds, scale and size. Capture wide views, up close or far away, indoors or out for stills and video. Explore, experiment and enjoy ultra-wide creativity Discover angles you never thought possible. A 0.5x magnification allows stunning wide close-up shots while a combined lens control and focus ring helps you fine tune images while you shoot. Take control and shoot handheld Shoot or film in low light without reaching for a tripod. A 4-stop Optical Image Stabilizer1 produces smooth, shake-free results while Movie Digital IS gives super smooth videos even while walking. Small enough to take anywhere Thanks to the RF mount, the RF-S 10-18mm F4.5-6.3 IS STM is Canon’s smallest and lightest ultra-wide zoom, featuring a lens retraction mechanism to make it even smaller when not shooting – ideal when you can only take a smaller bag. It’s the perfect wide lens to take on your travels. Shoot great movies, let the lens do the work   Stunning quality movies come easily thanks to an STM motor that performs smoothly for cinematic quality focus pulls. Focus breathing correction compatibility2 provides a consistent, natural looking field of view when you are shifting focus.

Canon EOS R50 Mirrorless Camera With RF-S 18-45mm

Canon EOS R50 Mirrorless Camera With RF-S 18-45mm(5811C031) Create your best, top performing content with the Canon EOS R50 that shoots professional-looking stills and 4K 30p movies to show off your creativity. Featuring a compact, lightweight design and a large 24.2 megapixel APS-C sized sensor, this EOS R mirrorless all-rounder delivers your passion to your followers in true-to-life quality. Capture more angles than you thought possible due to the flexible Vari-angle touchscreen. When you need to block out distractions, shoot through the electronic viewfinder for the most immersive experience. A great portable camera, the EOS R50’s deep learning Dual Pixel CMOS AF II automatically recognises, focusses on and tracks your moving subject, so you never miss a shot. Your creative breakthrough awaits. Designed for active creators, the compact and lightweight Canon EOS R50 features a Vari-Angle touchscreen, an electronic viewfinder and a grip that fits naturally in your hand Whether you’re shooting still or moving people, animals or vehicles, the EOS R50 instinctively detects and tracks your subject thanks to the Dual Pixel CMOS Auto Focus II Continuous high-speed silent shooting at up to 15 fps with electronic shutter – or at 12 fps with a mechanical shutter – so you catch every moment The ultra-compact RF-S 18-45mm F4.5-6.3 IS STM Lens is a superb match for the EOS R50 and delivers outstanding quality in a compact size. Retracts to just 44.3 mm in length, offering featherweight portability at 130 g Capture razor-sharp detail and control depth of field for genuine portraits without digital mimicry – even in low light – thanks to the high resolution 24.2 megapixel APS-C sized sensor Transform your filmmaking with UHD 4K 30p video oversampled from 6K. Expand your creativity in the edit by cropping and zooming while retaining Full HD resolution. For a more cinematic perspective, slow down your subject by 4 times Break boundaries, not your flow. The EOS R50 effortlessly connects to smart devices via Bluetooth® and Wi-Fi, so it’s easy to share photos and upload to your followers. Control the camera remotely with the Canon Camera Connect app for alternative viewpoints. RF-S 18-45MM F4.5-6.3 IS STM Start your EOS R APS-C mirrorless journey with a lens that covers all your photo and video needs. The RF-S 18-45mm F4.5-6.3 IS STM is light and compact, offering a 4-stop optical Image Stabilizer plus a useful 18-45mm1 zoom range for great results every day. Capture everyday moments with a lens that is perfect for great pictures and video. With a useful zoom range and close focusing this APS-C lens for the EOS R-series is ideal for lifestyle situations. Compact, lightweight and quiet, its 4-stop optical Image Stabilizer adds extra versatility to help overcome camera shake, even in dimly lit situations. The perfect starter lens for exploration Capture life in all its glory with a compact APS-C zoom for the EOS R series that packs in a 29-72mm (35mm equiv.) zoom range. It’s ideal for travel, family or even vlogging and can be easily stowed away in your kit bag Sharp, stable handheld images and video Never worry about having to use flash when you have 4-stops of image stabilisation to hand. For sure and steady shots this lens has you covered, with even more compensation on offer when used with compatible cameras. Smooth, quiet focus with creative control An STM motor allows smooth, silent and accurate focusing while a seven blade, circular f/4.5-6.3 aperture is perfect for creating artistic out of focus highlights or 'bokeh'. Experiment with manual focusing Go manual and get close with a higher magnification in MF mode. It’s the perfect solution for capturing subjects in glorious detail and allows you get as close as to 15cm with a 0.25x magnification. Lightweight, compact – perfect for every day   The combined weight of the RF-S 18-45mm F4.5-6.3 IS STM and an EOS R APS-C mirrorless camera offers a significant weight savings compared to a DSLR equivalent. Less weight means you can use for longer – and never miss a moment.

Canon EOS R50 Mirrorless Camera With RF-S 18-45mm Lens (White)

Canon EOS R50 Mirrorless Camera With RF-S 18-45mm Lens (White)(5812C029) Canon Europe today announces the new EOS R50 – the perfect gateway into the EOS R range for content creators looking to step up from their smartphone. With the ability to shoot 4K video, impressive audio and sharp stills, this versatile camera does it all. Its easy to use interface, simplified ergonomics and advanced new automatic modes ensure professional looking results. The EOS R50 is perfect for all aspiring creators seeking a dedicated camera to refine their style in both stills and video. EOS R50 is a small and easy to use APS-C mirrorless camera designed with content creators in mind Shoot with ease The EOS R50’s lightweight design and comfortable grip means active content creators can take it anywhere. Compose a shot at any angle with the vari-angle touch screen – up high, down low or with the camera facing you for vlogging and selfies. The touch screen interface, electronic viewfinder and simplified layout of controls make the camera intuitive to use. Creative assist automatically offers the ideal settings for different scenes, while creative bracketing provides multiple looks for each image. This makes the EOS R50 ideal for anyone new to mirrorless looking for a camera they can develop their skills with at their own pace. Create like a professional The high resolution 24.2 megapixel APS-C sized sensor offers genuine control over depth of field, taking sharp detailed stills with beautifully blurred backgrounds, and records UHD 4K 30p video oversampled from 6K. Automatic in-camera image merging guarantees focus when capturing subjects close up. The camera also has reduced digital noise and controlled highlights when shooting at night, and more contrast when there’s a wide dynamic range. The EOS R50 gives users the power to do more and expand creativity, with Dual Pixel CMOS Auto Focus II that detects and tracks people, animals and vehicles to quickly focus on subjects, even if they are moving. This is supported by continuous shooting at 12fps using the electronic first curtain and 15fps silent electronic shutter to ensure creators never miss a moment. RF lens compatibility and access to the EF lens range with an adapter makes shooting anything possible. From ultra-wide angle to super telephoto, versatile zooms to fixed lenses – the EOS R50 consistently delivers artistic results. Featuring a multi-function hot shoe, vloggers can easily connect external accessories such as a microphone to the camera, which is more resistant to noise interference than when connected via a cable. The multi-function shoe can also be used to supply power from the camera to new accessories meaning users are free from the hassle of power management when creating content on the go. Connect and share seamlessly The camera gives ambitious content creators the ability to break boundaries without breaking their flow. Seamless Wi-Fi and Bluetooth connectivity1 enables image and movie transfer using the Camera Connect app for instant sharing and remote shooting. Perfect for vlogging or group photos, the Bluetooth connection also allows simple control with the BR-E1 remote control or a smartphone to take images or start and stop recording. It’s also possible to use the EOS R50 as a webcam using UVC/UAC over a USB connection, requiring no additional software, to achieve professional quality live streams and video conferencing. Canon has also made updates to image.canon, expanding its use to a number of new users with Adobe Lightroom movie and corporate support enabling compatibility with a range of services including Frame.io and Google Photo accountsTM 2.

Canon EOS R50 Mirrorless Camera Body, Black

Canon EOS R50 Mirrorless Camera Body, Black(5811C030) The new Canon EOS R50 is the perfect gateway into the EOS R range for active content creators looking to level up from their smartphone to a dedicated, mirrorless camera. This do-it-all camera offers the complete stills and video package combining lightweight, compact design with a large 24.2MP APS-C sized sensor for thumb-stopping results.  Shoot instinctively with Dual Pixel CMOS Auto Focus II that detects your subject, while UHD 4K 30p video oversampled from 6K lets you realise your movie ideas in crystal clear detail.  Fits into life’s adventures Designed for active creators, the compact and lightweight Canon EOS R50 features a Vari-Angle touchscreen, electronic viewfinder and a grip that fits naturally in your hand.   Get the inimitable Canon look Capture razor-sharp detail and control depth of field for genuine portraits without digital mimicry, thanks to the high resolution 24.2MP APS-C sized sensor.  Focuses faster than you Whether you’re shooting, the EOS R50 instinctively detects and tracks your subject due to the Dual Pixel CMOS Auto Focus II. Results guaranteed.  Production-ready UHD 4K filming Capture superior detail in your movies with UHD 4K 30p video oversampled from 6K. Expand your creativity in the edit by cropping and zooming while retaining Full HD resolution.  Seamless sharing and connectivity  Break boundaries, not your flow. With seamless Bluetooth® and Wi-Fi connectivity, the Camera Connect app enables image and movie transfer for instant sharing and remote shooting.

Sony a7C II Mirrorless Camera 33MP Full-Frame Exmor R BSI Sensor, Sony E - Silver

Sony a7C II Mirrorless Camera 33MP Full-Frame Exmor R BSI Sensor, Sony E - Silver(ILCE-7CM2S.CEC, ILCE7CM2S.CEC, ILCE/7CM2S.CEC) Building off the sleek profile and full-frame sensor combination of its first-generation predecessor, the black Sony a7C II offers improved resolution, autofocus, in-body image stabilization, and video capabilities in the same compact, all-day, everyday form factor. ° 33.0MP Exmor R CMOS Sensor and BIONZ XR Processor The Sony a7C II's advanced imaging system is powered by a 33MP full-frame Exmor R CMOS sensor and the BIONZ XR processor, a combination capable of 10-bit 4K imagery at up to 30 fps or a top continuous shooting rate of 10 fps with AF and AE using either the mechanical or electronic shutter. The introduction of the back-illuminated structure to the camera's sensor gives it a higher resolution without sacrificing sensitivity. With an ISO range of 100-51200 that's expandable to ISO 50-204800, the camera boasts low-light performance with minimal noise and wide dynamic range. ° AI-Powered Autofocus and Image Stabilization The Sony a7C II's AI processing unit brings a host of enhanced capabilities to the camera's autofocus and image stabilization systems, ensuring smooth handling and clarity no matter the shooting conditions. The camera's 759 phase detection points in stills mode and 495 points in video mode, covering 94% of the image area, are enhanced with AI-powered subject recognition performance and real-time tracking. The AI processor also uses a new autoexposure algorithm, Human Pose Estimation, to prioritize exposure areas for a 20% improvement in overall exposure accuracy. The auto white balance also benefits from the improved AI processor, aiding in difficult lighting conditions. Other autofocus features include focus bracketing in up to 299 images with sequentially shifted focus points, focus accuracy in low light down to EV -4.0, focus breathing compensation, autofocus assist, focus mapping, and focus peaking during autofocus. ° Image Stabilization Now offering seven stops of shake compensation, the camera's pixel-level 5-axis optical image stabilization system, which counters five different types of camera shake encountered during handheld shooting of stills and video, is algorithmically optimized for precision detection and control down to a single pixel. The AI Processing Unit also improves communication between the body and the lens, providing more stable framing before shooting. This allows users to confidently use any lens, even adapted lenses, for critical imaging without encountering blur from camera shake. ° Advanced Rendering For stills-shooters, the a7C II offers a wide range of color renderings and compressions for optimal image quality and storage management, led by the introduction of the High Efficiency Image File (HEIF) format. Users also have the choice between Compressed and Lossless Compressed options when shooting raw. The AI Processing Unit also helps to achieve better exposure results in Auto mode with applicable algorithmic adjustments made for skin tone, backlit situations, and white balance. The same Creative Looks presets available in video are also available when shooting stills, allowing additionally for user-defined configurations with eight adjustable parameters.   For optimal viewing of stills when tethered to select monitors and televisions, the a7C II now offers a stills-designed Hybrid Log-Gamma mode that delivers accurate dynamic range in 10-bit HEIF format.  

Sony a7C II Mirrorless Camera 33MP Full-Frame Exmor R BSI Sensor, Sony E - Black

Sony a7C II Mirrorless Camera 33MP Full-Frame Exmor R BSI Sensor, Sony E - Black(ILCE-7CM2B.CEC, ILCE7CM2B.CEC, ILCE/7CM2B.CEC) Building off the sleek profile and full-frame sensor combination of its first-generation predecessor, the black Sony a7C II offers improved resolution, autofocus, in-body image stabilization, and video capabilities in the same compact, all-day, everyday form factor. ° 33.0MP Exmor R CMOS Sensor and BIONZ XR Processor The Sony a7C II's advanced imaging system is powered by a 33MP full-frame Exmor R CMOS sensor and the BIONZ XR processor, a combination capable of 10-bit 4K imagery at up to 30 fps or a top continuous shooting rate of 10 fps with AF and AE using either the mechanical or electronic shutter. The introduction of the back-illuminated structure to the camera's sensor gives it a higher resolution without sacrificing sensitivity. With an ISO range of 100-51200 that's expandable to ISO 50-204800, the camera boasts low-light performance with minimal noise and wide dynamic range. ° AI-Powered Autofocus and Image Stabilization The Sony a7C II's AI processing unit brings a host of enhanced capabilities to the camera's autofocus and image stabilization systems, ensuring smooth handling and clarity no matter the shooting conditions. The camera's 759 phase detection points in stills mode and 495 points in video mode, covering 94% of the image area, are enhanced with AI-powered subject recognition performance and real-time tracking. The AI processor also uses a new autoexposure algorithm, Human Pose Estimation, to prioritize exposure areas for a 20% improvement in overall exposure accuracy. The auto white balance also benefits from the improved AI processor, aiding in difficult lighting conditions. Other autofocus features include focus bracketing in up to 299 images with sequentially shifted focus points, focus accuracy in low light down to EV -4.0, focus breathing compensation, autofocus assist, focus mapping, and focus peaking during autofocus. ° Image Stabilization Now offering seven stops of shake compensation, the camera's pixel-level 5-axis optical image stabilization system, which counters five different types of camera shake encountered during handheld shooting of stills and video, is algorithmically optimized for precision detection and control down to a single pixel. The AI Processing Unit also improves communication between the body and the lens, providing more stable framing before shooting. This allows users to confidently use any lens, even adapted lenses, for critical imaging without encountering blur from camera shake. ° Advanced Rendering For stills-shooters, the a7C II offers a wide range of color renderings and compressions for optimal image quality and storage management, led by the introduction of the High Efficiency Image File (HEIF) format. Users also have the choice between Compressed and Lossless Compressed options when shooting raw. The AI Processing Unit also helps to achieve better exposure results in Auto mode with applicable algorithmic adjustments made for skin tone, backlit situations, and white balance. The same Creative Looks presets available in video are also available when shooting stills, allowing additionally for user-defined configurations with eight adjustable parameters.   For optimal viewing of stills when tethered to select monitors and televisions, the a7C II now offers a stills-designed Hybrid Log-Gamma mode that delivers accurate dynamic range in 10-bit HEIF format.

Canon Cr-n100 4K Ndi Ptz Camera (Black)

Canon Cr-n100 4K Ndi Ptz Camera (Black)(6527C003AA) The CR-N100 PTZ camera produces outstanding image quality and is equipped with powerful features and functions in a cost-effective and compact form factor that can easily be placed in a variety of settings. Featuring a Canon 1/2.3" CMOS image sensor capable of 4K UHD video capture at 30 fps, or up to 60 fps in Full HD mode, coupled with a 4K 20x optical zoom lens, the CR-N100 is a versatile tool for that can be utilized in many industries including House of Worship, Education, Broadcast, Corporate, Events and more. 1/2.3 Type CMOS Sensor The CR-N100 features a Canon 1/2.3 Type 4K UHD CMOS image sensor capable of 4K UHD video capture at 30p up to 60fps in Full HD, making the PTZ camera a strong contender for professional productions. DIGIC DV6 Image Processor Canon's DIGIC DV 6 Image Processor is essential in providing high image quality, advanced performance and convenient operability to the CR-N100. This advanced core technology component provides the image-processing power and speed that enables features such as 4K UHD video acquisition and precise Hybrid AF. Over Sampling HD Processing   The full HD recording (over sampling HD processing) takes full advantage of the image information acquired by the 4K sensor to generate beautiful high-definition full HD video. This helps content creators produce stunningly detailed FHD video when utilizing the CR-N100. Hybrid AF The CR-N100 is equipped with "Hybrid AF" – an auto focus system that combines high-precision contrast AF technology and the high-speed phase-difference AF technology to confirm auto focus from the camera. This hybrid auto focus system helps achieve auto focus faster and more reliably compared to contrast auto focus alone.  Canon 4K UHD Lens The CR-N100 features a 20x optical zoom lens and exhibits a wide viewing angle of 65.6 degrees** (horizontal). At the wide end, the 29.3 mm* lens is capable of capturing extensive scenes in tight shooting spaces such as indoor events for impressive wide shots. The camera utilizes aspheric lens elements to achieve 4K image quality while minimizing various aberrations over the entire zoom range. Furthermore, the lens structure of the CR-N100 enables real-time responsiveness in a three-dimensional space, supporting optical image stabilization, which helps keep the image capture stable by minimizing vibration. High-precision Drive Mechanism for Smooth, Responsive PTZ Performance The CR-N100 features a PT (Pan, Tilt) drive mechanism that enables multi-step speed changes from high to low speeds, providing smooth PT in tandem with the zoom. This can be linked with optional remote controllers and applications to support many kinds of video production with a single operator. The CR-N100 exhibits a variable Pan speed of .2° - 300°/second and variable Tilt speed of .2° - 180°/second. Equipped with a Tally Lamp The CR-N100 is equipped with a tally lamp located on the front of the lens section that can illuminate red when the camera is shooting. This provides clear visual indications for staff and performers to know which camera is shooting live. Scene Modes for Impressive Video Expressions There are four types of Scene Modes: Portrait mode, which exhibits a blurred background while subject is in sharp focus, Sports mode, which enhances capture of moving objects, Low Light mode, which enhances capture of bright images even in dark places, and Spotlight mode, which enhances capture of beautiful images of spotlighted objects. By selecting a Scene Mode, capture can be performed without having to adjust multiple settings within the Camera menu which aids a speedy setup and configuration allowing the operator to start shooting with impressive image expression. Built-in NDI|HX and SRT Support The CR-N100 supports multiple professional protocols for ease of integration. NDI|HX is built-in to the camera and provides high image quality, low latency, and ease of implementation. SRT is also built-in to the camera that helps provide high-quality video over unpredictable public networks. Support for Canon XC Protocol The XC Protocol is an IP protocol that controls Canon video production equipment. With XC Protocol, the CR-N100 can be remotely controlled to support a wide range of applications, which includes sports, music, live events, lecture recording, corporate meeting rooms, video production, and more. Standard Protocol The CR-N100 supports the Standard Protocol to remotely control the camera via IP. When connecting a Standard Protocol compatible remote controller to the camera over IP or serial (RS-422) the camera can be operated remotely and shooting settings can be adjusted by utilizing an optional remote controller. The Standard Protocol is widely used in video production, broadcasting and many other markets, is regarded as an industry standard, and is suitable for operation within existing workflows.

TILTA HDA-SRK Speed Rail Car Mounting Kit

TILTA HDA-SRK (HDA/SRK, HDA_SRK, HDASRK, HDA SRK) Speed Rail Car Mounting Kit Arm your vehicle with the Speed Rail Car Mounting Kit designed for the Hydra Predator and other car mounted shock absorbing arms! This kit allows you to build custom speed rail rigs to support various shock absorbing arms in multiple configurations. The kit is built around 6 pieces of speed rail, of two different sizes, that can be used on their own or interconnected to create longer pieces for specific rigging needs. The 4 adjustable mounting clamps allow you to connect the speed rail in almost any configuration. The kit includes 4 high capacity suction cups, each individually rated for 50 kg or around 110lbs. These suction cups connect to the speed rail via adjustable clamps, allowing them to be placed in almost any position in order to accommodate most vehicles easily. Utilizing 4 suction cups allows you to build an incredibly stabile foundation in which to mount shock absorbing arms or other equipment. The included Front Tow Hook Adapter allows you to connect the system to any vehicle that already has that mounting point. which helps create a secure connection that relies on more than just suction.

Kino Flo 41K Mount Wing w/ Baby Receiver Short (16mm)

Kino Flo 41K Mount Wing w/ Baby Receiver Short (16mm)(MTP-BW41S) The Kino Flo MTP-BW41S Wing Mount with Short Baby Receiver is compatible with new and old fixtures that have Twist-On mating plates. The 5/8" receiver accepts matching 5/8" male light stands and accessories.

Kino Flo 41K Mount Wing w/ Baby Receiver (16mm)

Kino Flo 41K Mount Wing w/ Baby Receiver (16mm)(MTP-BW41) Kino 41K Wing Nut Mount w/ith Baby Receiver Curve (16mm). The redesigned Twist-On fixture mount features a wing knob for easy lock down with the same gripping power and jaws for improved fixture orientation. 

Libec FD-1 Focus Demand for Canon/Fujinon Portable Lenses

Libec FD-1 Focus Demand for Canon/Fujinon Portable Lenses(FD-1) The Focus Demand from Libec provides remote servo focus control for FUJINON or Canon portable servo lenses. The focus demand features a 6-pin output connector and requires a separately available cable to control a FUJINON (12-pin) or Canon (8-pin) servo lens. It features a normal/reverse switch to change the direction of the focus wheel. The unit includes a clamp mount to mount the unit onto a tripod bar

Panasonic Lumix Panasonic Leica 12-35mm F2.8 II - Micro 4/3

Panasonic Leica 12-35mm F2.8 II - Micro 4/3 (PAN-H-ES12035E, PAN H ES12035E, PAN/H/ES12035E) LEICA DG LENS – ULTIMATE OPTICS Opt for a LEICA DG lens and get the ultimate in optical quality and performance. They naturally meet the strict quality standards set by Leica Camera AG. Thanks to the sophisticated design of these lenses, you will enjoy brilliant clarity all the way to the edges of your photos. At the same time, distortions of all kind are prevented to enable precise, sharp picture rendering. This means you have the ideal tool for pro-level images in the palm of your hand. VERSATILE HIGH PERFORMANCE Get high F2.8 brightness over the entire zoom range with this compact zoom lens. Its focal length of 12-35mm (35mm camera equivalent: 24-70mm) covers wide-angle to standard to medium telephoto shooting. Ideal for everything from capturing landscapes while traveling to top-quality snapshots. Leverage the low-light performance of F2.8 and enjoy delightful bokeh and superior closeups. Outdoors, the dust/splash/freeze-resistant design makes it ideal for creativity in nearly any conditions. SUPERB CLOSE-UP PERFORMANCE Utilizes a maximum magnification of 0.42x* and a closest focusing distance of 0.15m**, for excellent close-ups of everything from flowers to insects to table settings. *35mm camera equivalent. At focal length 17mm. **At focal length 12-17mm. SPECIAL TECHNOLOGY FOR CRYSTAL-CLEAR IMAGES Panasonic’s Nano Surface Coating minimizes unwanted ghosting and flaring, reducing the reflection of light rays across the entire light spectrum for crystal-clear images. And special glass eliminates unwanted light to minimize ghosting and flare even more powerfully. O.I.S. FOR ULTRA-SHARP PHOTOS Capture what you see on the spur of the moment. Optical image stabilization (O.I.S.) technology built directly into the lens ensures your photos will look great, with sharp, blur-free contours across the entire image. IDEAL FOR VIDEO RECORDING The lens offers fast, accurate autofocus and smooth aperture changes, critical for the modern content creator, allowing you to record beautiful 4K video and stills without disturbing your subject. DUST, SPLASH AND FREEZE-RESISTANT DESIGN LEICA DG VARIO-ELMARIT 12-35mm / F2.8 ASPH. / POWER O.I.S. is designed to keep shooting in the toughest conditions thanks to its dust- and splash-resistant construction and allows you to shoot in temperatures as low as -10 °C. ･Dust- and splash-resistant does not guarantee that damage will not occur if this lens is subjected to direct contact with dust and water. H-ES12035 LENS CONSTRUCTION The optimized configuration has 14 elements in 9 groups, including 4 ASPH, 1 UED and 1 UHR lenses to minimize aberrations and ensure superb resolution.

Kondor Blue shoulder pad air- space grey

shoulder pad air- space grey( KON-SPA, KONSPA, KON/SPA)

Kondor Blue shoulder pad air- black

shoulder pad air- black ( KON-SPA_BK, KONSPA_BK, KON/SPA_BK)

Kondor Blue director's monitor v mount kit- raven black

director's monitor v mount kit- raven black( KON-DMVK_BK, KON DMVK_BK, KON/DMVK_BK)   Speed and versatility—those were the two words that continued to inspire the design of the Kondor Blue Director’s Monitor V Mount Kit. At its essence, it’s a nato bracket and a V Mount Battery Plate, but can be expanded out or kept small depending on your production’s needs. The V Mount Kit can be mounted from the top or bottom monitor and pairs perfectly with our Monitor Nato Rails.     Building out from the main Monitor Bracket is our 12” PPSH 15mm rod and capped with Kondor Blue Hand Grips for 15mm rods. The bracket features a unique dual clamping mechanism to prevent the monitor from slipping under its own weight. The top cold shoe is a great spot for a wireless receiver, and the retractable Arri pins are ideally positioned to work in conjunction with the newly designed Kondor Blue D-Tap Hub.   Every component of the V Mount Battery Plate is machined to ensure durability and accuracy—you can confidently set the kit down without fear of the V Mount popping off.   The modular design of the V Mount Kit allows for a variety of setups and accessorizing. We can’t wait to see how it will be used on sets all over the world.

Kondor Blue director's monitor v mount kit- space grey

director's monitor v mount kit- space grey(KON-DMVK, KON-DMVK, KON-DMVK) Speed and versatility—those were the two words that continued to inspire the design of the Kondor Blue Director’s Monitor V Mount Kit. At its essence, it’s a nato bracket and a V Mount Battery Plate, but can be expanded out or kept small depending on your production’s needs. The V Mount Kit can be mounted from the top or bottom monitor and pairs perfectly with our Monitor Nato Rails. Building out from the main Monitor Bracket is our 12” PPSH 15mm rod and capped with Kondor Blue Hand Grips for 15mm rods. The bracket features a unique dual clamping mechanism to prevent the monitor from slipping under its own weight. The top cold shoe is a great spot for a wireless receiver, and the retractable Arri pins are ideally positioned to work in conjunction with the newly designed Kondor Blue D-Tap Hub. Every component of the V Mount Battery Plate is machined to ensure durability and accuracy—you can confidently set the kit down without fear of the V Mount popping off. The  modular design of the V Mount Kit allows for a variety of setups and accessorizing. We can’t wait to see how it will be used on sets all over the world.

Canon EOS R8 Mirrorless Camera Body

Canon EOS R8 Mirrorless Camera 24.2MP Full-Frame CMOS Sensor 4k60p 10-Bit   A lightweight, travel-friendly, full-frame camera body, the Canon EOS R8 Mirrorless Camera offers powerful photo and video capabilities for both photographers and multimedia content creators. Utilizing a newly developed sensor also found in the EOS R6 Mark II, the R8 features a 24.2MP CMOS sensor paired with a DIGIC X processor. Together, this combination provides outstanding stills performance, impressive 4K 60p 10-bit video, and fast autofocus.   24.2MP Full-Frame CMOS Sensor 4K60p 10-Bit Internal Video, Canon Log 3 2.36m-Dot OLED Electronic Viewfinder 3.0" 1.62m-Dot Vari-Angle Touchscreen Dual Pixel CMOS AF II 40 fps Electronic Shutter Movie Digital IS Vertical Movie Mode Microphone Input, Headphone Output Multi-Function Shoe, Wi-Fi & Bluetooth   Camera compatible with EF lenses with use of the RF to EF adapter (to be purchased separately)

Canon EOS R3 Mirrorless Camera, Body Only

Canon 4895C013 (4-895C-013, 4/895C/013, 4 895C 013, 4_895C_013) EOS R3 Mirrorless Camera, Body Only The full-frame mirrorless EOS R3 revolutionizes sports, news and wildlife photography. Freeze action with shutter speeds up to 1/64,000 sec and 30 fps burst shooting – all in total silence thanks to a ground-breaking electronic shutter. Our innovative Eye Controlled AF offers new levels of instinctive control, letting you select subjects just by looking at them. Subject Tracking keeps people, animals and vehicles sharp wherever they are in the frame. The EOS R3 shines in low light too, with a max ISO 102,400 and up to 8-stop Image Stabilizer¹. This hybrid video/stills camera also captures 6K RAW or 4K over-sampled footage – ideal for documentaries and visual storytelling. And in the fast-paced world of pro sports photography, the camera’s ethernet, Wi-Fi and smartphone connectivity helps you smash that deadline. Outpace. Outperform A camera that lets you photograph sport, wildlife and news like never before. Identify subjects just by looking at them – a truly intuitive experience – and stay ahead of the competition with 30fps continuous shooting and advanced connectivity that lets you smash your deadline. Explosive speed at 30fps Enjoy a top shutter speed of 1/64,000sec and 30fps burst shooting, with simultaneous AF/AE tracking. Mastering movement The EOS R3 captures fleeting moments at 30fps which extends up to 195fps1, revealing details that are missed with the naked eye. The camera’s back-illuminated stacked sensor is so fast it lets photographers use an electronic shutter to freeze fast movement without worrying about ‘rolling shutter’ distortion. Enjoy a top shutter speed of 1/64,000sec plus 30fps shooting with simultaneous AF/AE tracking for up to 420 frames when shooting Raw files. Want more? With custom high-speed continuous shooting, the EOS R3 can shoot customisable frame rate bursts up to 195fps, capturing exquisite detail in fast-moving subjects. Up to 50 frames can be captured in single burst with images stored as JPEG, HEIF or RAW. To help balance daylight and flash in bright conditions, or freeze fast-moving subjects, flash sync is now possible when using the camera’s electronic shutter – both with Canon Speedlites and third-party studio flash units. See. React. Respond With our next-generation Eye Control autofocus technology, the EOS R3 focuses wherever you are tracking. Advanced eye-control AF Ever used a camera that feels like it’s reading your mind? With our next-generation Eye Control autofocus technology, the EOS R3 focuses wherever you are looking. This unparalleled control over AF allows the camera to react as quickly as you do – allowing you to respond fast to ever-changing scenes. A fusion of video and still-photo performance The EOS R3 is a professional hybrid, able to capture cinematic, broadcast-quality video and sensational still photography. Bristling with features that empower filmmakers to new levels of creativity, the camera can capture oversampled 4K as well as 6K RAW footage internally to a CFexpress card. Canon Log 3 provides greater dynamic range and colour-grading possibilities. Crucially, the same object recognition available to stills photographers is also available to videographers, so you can track moving objects around the frame, keeping them in sharp focus even when working. Connected to the world Connectivity is vital for sports and news photographers. The EOS R3 uses its wired LAN socket and 2.4/5GHz Wi-Fi to talk to computer networks, laptops and mobile devices for fast, easy image sharing and remote camera control. The EOS R3 is also compatible with our Mobile File Transfer app, which lets pro photographers add metadata and transmit images from a smartphone, using either Wi-Fi or mobile phone data. The EOS R3 also features a new multifunction accessory shoe that provides data communication and power for new accessories, as well as acting as a hotshoe for existing Speedlites and triggers. Designed and built for the pros The EOS R3 is built to withstand the demands of day-to-day professional use, and whatever life throws at you. From dust storm to downpour, a tough, magnesium-alloy body is dust-and-water sealed to the same level as our legendary EOS-1D series cameras. Have the confidence to keep shooting whatever the conditions throw at you. Responsive customisable controls The EOS R3 is a professional thoroughbred. It’s shape and form are informed by our EOS-1DX series cameras, but is smaller and lighter, incorporating the design principles of the mirrorless EOS R system for superb handling. The camera offers a choice of controls, with both a multi-controller and smart controller falling instinctively within reach of your thumb. Three customisable dials on the camera body, plus a Lens Control ring on each RF mount lens, allow shutter speed, aperture, ISO and exposure compensation to be adjusted with the camera at your eye. An instant 1.6x digital teleconverter is also available at the touch of a button for extended reach – particularly useful for on-the-spot cropping with reduced need for post processing. The EOS R3 is also equipped with a four-million-dot high-resolution Vari-Angle screen, that is clear and brilliant, even in bright conditions. It lets you compose easily from creative perspectives. Dual card slots allow image files and video footage to be written to widely available SD cards (with support for UHS-II) or super-fast, next-generation CFexpress media. Use electronic shutter with flash To help you balance daylightand flash even In the bright conditions, or freeze fast-moving subjects head, flash sync Is now possible when using the camera's electronic shutter - both Canon Speedlites and third-party studio flash units.

Canon EOS R6 Mark II Mirrorless Camera Body

Canon 5666C028 (5-666-C028, 5/666/C028, 5/666-C028, 5 666 C028) EOS R6 Mark II Mirrorless Camera Body For paid shoots or for pure pleasure, the EOS R6 Mark II hybrid camera delivers innovative ways for creators to master their creativity. From event photography to filmmaking projects, this is a versatile camera for video and photography – ideal for pretty much any subject you can think of. Action photography is made simple with continuous shooting at up to 40 fps³ electronically or up to 12 fps⁴ mechanically, all with intelligent autofocus. Enjoy low light photography, shoot long exposures handheld without a tripod and tell stories in dark, atmospheric conditions. Capture steady handheld video when filmmaking, thanks to best-in-class image stabilisation. Edit and share wherever you are with Wi-Fi and Bluetooth™, FTP support and image.canon cloud image processing Intense sharpness from Dual Pixel CMOS AF II Our deep-learning AI delivers even more powerful autofocus. The EOS R6 Mark II recognises and tracks more subjects with even greater speed, reliability and precision. The freedom to shoot handheld Shoot long exposures with biting sharpness, thanks to an 8-stop Image Stabilizer. Video footage is super steady too, perfect for on-the-go filmmaking and documentaries. Race ahead of the competition Setting new speed records, the EOS R6 Mark II can shoot continuously at up to 40fps electronically, and up to 12fps mechanically. Capture the action before you press the button with Pre-shooting in RAW burst mode. Hone your filmmaking Use the full width of the EOS R6 Mark II’s sensor to capture superb oversampled 4K 60p video or 6K RAW. Focus-breathing correction and Detect-only AF make professional results easier than ever. Extreme performance in extreme conditions Capture the ambience of the moment whatever the conditions. Shoot up to ISO 102,400 sensitivity and focus in as little light as -6.5EV. Advanced Dual Pixel CMOS AF II, with eye detection The EOS R6 Mark II uses Canon’s state-of-the-art Dual Pixel CMOS AF II technology to focus and track subjects, keeping them sharp as they move through a scene. Using deep-learning artificial intelligence, we’ve programmed the camera to recognise people, vehicles (cars, motorbikes, trains and aircraft) and animals (dogs, cats, birds and horses). The type of subject to be detected can be chosen in the EOS R6 Mark II’s menu, or set to Auto if you shoot in a range of scenarios. When detecting people or animals, the EOS R6 Mark II first looks for a subject’s eyes, and it’s now possible to specify which eye (left or right) should be given priority. If the eyes can’t be seen, the camera focuses on the face instead, and if the subject turns away for a moment, the head is tracked. If the head isn’t visible, the EOS R6 Mark II will track their body. Advanced Dual Pixel CMOS AF II, with eye detection The EOS R6 Mark II uses Canon’s state-of-the-art Dual Pixel CMOS AF II technology to focus and track subjects, keeping them sharp as they move through a scene. Using deep-learning artificial intelligence, we’ve programmed the camera to recognise people, vehicles (cars, motorbikes, trains and aircraft) and animals (dogs, cats, birds and horses). The type of subject to be detected can be chosen in the EOS R6 Mark II’s menu, or set to Auto if you shoot in a range of scenarios. When detecting people or animals, the EOS R6 Mark II first looks for a subject’s eyes, and it’s now possible to specify which eye (left or right) should be given priority. If the eyes can’t be seen, the camera focuses on the face instead, and if the subject turns away for a moment, the head is tracked. If the head isn’t visible, the EOS R6 Mark II will track their body. ‘Detect only’ option for Movie Servo AF A technology shared with Canon’s Cinema EOS family, a new Movie Servo AF option – ‘Detect only’ – has been added to the EOS R6 Mark II, and is similar to the ‘Face only’ feature found in our Cinema EOS C70 camera. When this is activated, if the subject specific in the Subject to detect menu moves out of the focus area, the camera will remain at its current point of focus without refocusing on other subjects. For example, if ‘People’ is specified in the menu, focus will not change if a subject walks out of shot. Traditionally, a camera would then refocus on the background, which is often not what’s wanted, especially if the subject may be about to move back into the frame again. Focus-breathing correction The EOS R6 Mark II can use digital processing to compensate for the effects of focus breathing – the small, but noticeable changes in viewing angle or magnification that happen as some lenses undergo significant changes in focus. Full-frame 24.2-megapixel sensor The EOS R6 Mark II features a full-frame 24.2 megapixel CMOS sensor, designed by Canon. Working in tandem with a powerful DIGIC X processor, it powers many of the camera’s groundbreaking features and provides an ideal balance of resolution, low-light and speed. The new sensor is fast, powering 40fps6 continuous shooting. Compared to the EOS R6, this new sensor reduces ‘rolling shutter’ distortion, allowing the camera’s electronic shutter to be used to freeze fast-moving objects. This speed also enables oversampled 4K 60p video using the full width of the sensor, and helps power the EOS R6 Mark II’s extraordinarily quick focusing. In-camera focus bracketing When you need more depth of field than is available, the EOS R6 Mark II can deploy focus bracketing and depth compositing to help achieve perfect focus throughout the frame. After specifying the focus range and number of shots, a single press of the shutter-release button tells the camera to begin shooting, varying focus from near to far as it does so. When this sequence of images is blended together, the result is perfect depth of field for the scene. This image sequence can now be merged in-camera, creating a perfect ready-to-go result. The feature can also be used as an on-location preview of what can be achieved later in post-production, giving you the confidence that you have what you need. Depth compositing is great for shooting close-up or macro work when depth of field is limited. It also allows photographers to reduce time spent post-processing images from multiple frames and lets them achieve a result quickly, in-camera. 4K 60p full-width oversampled & 6K RAW The EOS R6 Mark II can shoot 4K 60p UHD using the full width of the EOS R6 Mark II’s sensor, with simultaneous Dual Pixel CMOS AF II focusing. Footage is created by oversampling the sensor’s 6K output, resulting in superb image quality. Improved circuit designs are highly heat efficient, allowing longer recording times of up to 610 hours, depending on ambient temperature, memory card space and battery life. For filmmakers wanting even higher performance, the EOS R6 Mark II outputs 6K RAW via its HDMI output, which can be recorded on an Atomos Ninja V+ recorder in ProRes RAW. This provides more detail, as well as the ability to adjust parameters such as white balance in post-production. Full HD proxy footage can be captured internally to a memory card. Movie pre-recording When this function is activated, video is continuously streamed through the camera in standby. Such pre-captured footage can be captured from the 3 or 5 secs before the video record button is pressed – very handy when shooting unpredictable subjects or an unmissable one-off moment. UVC support for webcam and live streaming The EOS R6 Mark II can be used as a webcam on PC and Mac computers running video-call apps such as Skype, Zoom and Teams, without having to install additional software. This plug-and-play capability is powered by industry-standard USB Video Class (UVC) and USB Audio Class (UAC) drivers that are built into Windows and MacOS operating systems. Used in this way, the EOS R6 Mark II provides improved image quality compared with standard computer webcams, letting you look your best when you need to make a great impression online. False-colour indication A technology shared with Canon’s Cinema EOS family, the EOS R6 Mark II features false colour warnings that give an easy-to-see indication of current exposure levels. Six colours, each representing a different luminance level, are overlaid on viewfinder and viewscreen images. Recording emphasis and Aspect marker When the EOS R6 Mark II’s Recording emphasis feature is turned on, a blinking red frame is visible at the edges of the frame when the camera is recording video. In addition, the EOS R6 Mark II includes an Aspect marker option, which acts as a guide to how footage will look when it’s been processed for different aspect ratios, such as 2.35:1 Cinema Scope, vertical 9:16, 5:4, and even Instagram friendly 1:1. This is very useful when shooting footage for social-media platforms, which often require different frame shapes. More exposure modes when shooting video When capturing video footage, EOS R6 Mark II users can now shoot in aperture-priority (Av) and shutter-priority (Tv) exposure modes, as well as manual (M), Program (P) and 3 custom setting modes giving more convenience and creative control. Multifunction shoe The multifunction shoe, first seen on the EOS R3, is also included on the EOS R6 Mark II, allowing a range of new accessories to be used with the camera. These include the DM-E1D digital microphone and Tascam XLR adapter, for recording high-quality sound, and a smartphone adapter – as well as new Speedlite flashes. Advanced overheat management The EOS R6 Mark II is able to capture video for longer by managing the camera’s response to rises in temperature. Advanced warning of overheating informs videographers well before shooting needs to be paused. Low-resolution standby mode helps reduce the likelihood of overheating when the camera is on standby between takes. Display frame rate and image quality are temporarily reduced, conserving power and extending recording time.

Metabones MB_EF-FG-BT1 Canon EF Lens to Fuji G-Mount T Smart Adapter GFX

Metabones MB_EF-FG-BT1 (MB-EF-FG-BT1, MB/EF-FG-BT1, MB/EF/FG/BT1, MBEFFGBT1) Canon EF Lens to Fuji G-Mount T Smart Adapter GFX Enabling full use of Canon EF-mount lenses with FUJIFILM G (GFX) medium-format mirrorless cameras, this Metabones Smart Adapter permits using these classic, optically refined lenses with a modern camera system. Electronic Canon EF mount lens to Fujifilm G-mount camera. Autofocus. Phase-detection autofocus (PDAF) is supported no matter which AF lens is used. Adapters support PDAF by translating pertinent metadata about the optics between the lens interfaces. In this way, broad support of the widest range of lenses is made possible. Lens iris/aperture is set by the controls on the camera body. Optical image stabilization (IS) lens support. Smooth iris support with the latest Canon (2009+), Tamron (SP series 2013+) and Sigma (2016+) lens models. Focal length and aperture are adjusted in EXIF (see note 3). Store EXIF data (lens name, focal length and maximum/minimum aperture) for one manual lens in the adapter. LED indicator shows communication status. Powered by camera body. With most lenses, no external power source required. Mechanical The tripod foot is detachable and compatible with Arca Swiss, Markins and Photo Clam ball heads. Flocking to reduce internal reflection. Aluminum alloy and brass construction with chromium plating. Satin surface finish. Detachable Arca-Type tripod foot compatible with Arca Swiss, Markins, and Photo Clam ball heads(clamp directly or attach to quick release plate by a 1/4"-20 screw). Tested Cameras Fujifilm GFX 50S, GFX 50R and GFX 100

Metabones MB_NFG-FG-BM1 Nikon G Lens to Fuji G Mount Adapter

Metabones MB_NFG-FG-BM1 (MB-NFG-FG-BM1, MB/NFG-FG-BM1, MB/NFG/FG/BM1, MBNFGFGBM1) Nikon G Lens to Fuji G Mount Adapter The Metabones Lens Adapter for Nikon F-Mount, G-Type Lens to FUJIFILM G-Mount GFX Camera does not support electronic communication between an attached camera and lens. To help determine the amount of light that enters a FUJIFILM G-mount GFX camera and a Nikon F-mount, G-type lens, an eight-stop aperture dial is built into this lens adapter. The aperture dial is designed to provide aperture control with full-stop increments for Nikon G-type lenses that do not have an aperture ring. Nikon AI or many post-Nikon AI lenses can have their aperture settings widened or narrowed using their built-in aperture control rings if preferred. When an image is taken with this Metabones Lens Adapter for Nikon F-Mount, G-Type Lens to FUJIFILM G-Mount GFX Camera, a matte black internal coating minimizes the potential for reflections inside the adapter barrel, which could otherwise result in unwanted glare within the image. To help prevent stress on the camera mount if the supported camera and lens combination is to be placed on a tripod, this lens adapter includes a detachable tripod foot that features 1/4"-20 threads as well as compatibility with Arca-type tripod heads. If a Nikon F-mount, G-type lens intended for 35mm film or similarly-sized full-frame camera sensors, as well as a Nikon F-mount, G-type lens for APS-C sized sensors is connected to a FUJIFILM G-mount GFX camera, it can project an image smaller than the camera's sensor was built to accept. To avoid instances of vignetting that may result from such a lens and camera combination, a Metabones 1.26x Expander for Nikon F-Mount, G-Type Lens to FUJIFILM G-Mount GFX Camera is separately available.

Metabones MB_SPNFG-NZ-BM1 Nikon G to Nikon Z-Mount Speed Booster ULTRA 0.71x - Black Matt

Metabones MB_SPNFG-NZ-BM1 (MB-SPNFG-NZ-BM1, MB/SPNFG-NZ-BM1, MB/SPNFG/NZ/BM1, MBSPNFGNZBM1) Nikon G to Nikon Z-Mount Speed Booster ULTRA 0.71x - Black Matt Sharper corners, less distortion, reduced vignetting New optical design:  advanced 5-element/4-group optical design incorporating ultra-high index tanatalum-based optical glass to achieve extraordinary optical performance with improved corner sharpness, distortion and reduced vignetting. Like the revolutionary original Metabones Speed Booster announced in January 2013, the Speed Booster ULTRA has a magnification of 0.71x, and so it effectively reduces the crop factor of mirrorless cameras with DX-sized sensors, such as Sony E-mount and Fuji X-mount cameras, from 1.5x to 1.07x.  However, the new ULTRA design makes very effective use of exotic materials at the furthest limit of glassmaking technology, and as a result is well corrected for use with virtually all full-frame SLR lenses regardless of exit pupil distance. Thus, the Speed Booster ULTRA performs extremely well with professional-grade f/2.8 zoom lenses such as the 24-70mm f/2.8 and 70-200mm f/2.8 zooms by Canon and Nikon to produce 17-50mm f/2.0 and 50-142mm f/2.0 high-speed zooms, respectively.  Similarly, high-speed fixed focal length lenses such as a 50mm f/1.2 will be transformed into a 35.5mm f/0.9 lens with excellent contrast and resolution from the center all the way to the edges of the image.    

Metabones MB_SPFD-m43-BM4 Canon FD / FL to Micro FourThirds Speed Booster ULTRA 0.71x - Black Matt

Metabones MB_SPFD-m43-BM4 (MB-SPFD-m43-BM4, MB/SPFD-m43-BM4, MB/SPFD/m43/BM4, MBSPFDm43BM4) Canon FD / FL to Micro FourThirds Speed Booster ULTRA 0.71x - Black Matt Sharper corners, less distortion, reduced vignetting New optical design:  advanced 5-element/4-group optical design incorporating ultra-high index tantalum-based optical glass to achieve extraordinary optical performance with improved corner sharpness, distortion and reduced vignetting. Like the revolutionary original Metabones Speed Booster announced in January 2013, the Speed Booster ULTRA has a magnification of 0.71x, and so it effectively reduces the crop factor of mirrorless cameras with DX-sized sensors, such as Sony E-mount and Fuji X-mount cameras, from 1.5x to 1.07x.  However, the new ULTRA design makes very effective use of exotic materials at the furthest limit of glassmaking technology, and as a result is well corrected for use with virtually all full-frame SLR lenses regardless of exit pupil distance. Thus, the Speed Booster ULTRA performs extremely well with professional-grade f/2.8 zoom lenses such as the 24-70mm f/2.8 and 70-200mm f/2.8 zooms by Canon and Nikon to produce 17-50mm f/2.0 and 50-142mm f/2.0 high-speed zooms, respectively.  Similarly, high-speed fixed focal length lenses such as a 50mm f/1.2 will be transformed into a 35.5mm f/0.9 lens with excellent contrast and resolution from the center all the way to the edges of the image.

Metabones MB_EF-X-BT1 Canon EF to X-Mount T Smart Adapter - Black Matte

Metabones MB_EF-X-BT1 (MB-EF-X-BT1, MB/EF-X-BT1, MB/EF/X/BT1, MBEFXBT1) Canon EF to X-Mount T Smart Adapter - Black Matte The Canon EF/EF-S Lens to FUJIFILM X-Mount T CINE Smart Adapter from Metabones allows a Canon EF or EF-S mount lens to be mounted onto a FUJIFILM X-Mount camera. It features precision-machined, chromium-plated mounting surfaces, and the adapter is designed to support electronic communication between the camera and lens. Aperture is set by the controls on the camera body, and optical image stabilization is also supported. Phase-detection autofocus (PDAF) is supported and the adapter supports PDAF by translating pertinent metadata about the optics between the lens interfaces. In this way, broad support of the widest range of lenses is made possible. Additionally, if an attached lens is also capable of generating EXIF metadata, the adapter passes that information for the camera to record in its metadata stream. The adapter features a positive-lock EF mount, providing a sturdy, wiggle-free, solid attachment of the lens to your camera, and internal flocking reduces the chance of internal reflections, which can degrade your image. A rubber gasket protects the X-mount connection from dust and moisture. For mounting, a detachable tripod foot is included, which is compatible with Arca-type ball heads, and the foot can also be connected to a quick-release plate by a 1/4"-20 screw. The adapter uses the camera to power the lens and does not require an additional power source. Mechanical Flocking to reduce internal reflection. Rubber gasket protects the X-mount connection from dust and moisture. Aluminum alloy and brass construction with chromium plating. Satin surface finish. Detachable tripod foot compatible with Arca Swiss Style ball head, such as Markins and Photo Clam or attach to quick release plate by a 1/4"-20 screw.    

Metabones MB_SPOM-E-BM3 Olympus OM to E-Mount Speed Booster ULTRA 0.71x - Black Matte

Metabones MB_SPOM-E-BM3 (MB-SPOM-E-BM3, MB/SPOM-E-BM3, MB/SPOM/E/BM3, MBSPOMEBM3) Olympus OM to E-Mount Speed Booster ULTRA 0.71x - Black Matte The Olympus OM Lens to Sony E-Mount Camera Speed Booster ULTRA (Version 3) from Metabones improves upon the original Metabones Speed Booster with a 5 element/4 group optical design that incorporates ultra-high refractive index tantalum-based glass for improved sharpness and reduced distortion and vignetting. The Speed Booster ULTRA allows a full-frame Olympus OM lens to be mounted to an APS-C format E-Mount camera and in doing so, increases the angle of view and increases the maximum aperture by approximately one f/stop. When a lens intended for full frame sensors or 35mm film is mounted to a camera with an APS-C sized sensor, it transmits a larger area of light than the smaller sensor was built to accept, and therefore the effective angle of view of the lens decreases. The Speed Booster condenses light from the lens and projects it onto the APS-C sensor allowing the sensor to utilize all of the lens' light and effectively reducing the crop factor of and APS-C E-Mount camera from 1.5x to 1.07x, producing a full-frame angle of view with an APS-C sensor. A corresponding increase in the maximum aperture of one f/stop makes the lens more effective in low-light situations and able to create a shallow depth of field. Metabones Speed Boosters are quality made using precision-machined brass with chromium plating on both the camera body and the lens side of the booster in order to ensure smooth mounting, quality aesthetic, and durability. This adapter has a detachable tripod foot that is compatible with Arca Swiss, Markins, and Photo Clam ball heads. Although the lens will fit physically, automatic diaphragm (AE metering), or other auto functions are not retained using this speed booster. These speed boosters are only fully compatible with mirrorless cameras housing APS-C or smaller image sensors. They will physically fit the Sony full-frame mirrorless cameras, but the camera must be set in Crop Mode to fully support the speed booster's functions. Allows a full frame Olympus OM lens to be mounted to an E-mount APS-C format camera and in doing so, increases the angle of view and increases the maximum aperture by one f/stop. The Speed Booster ULTRA design incorporates ultra-high index tantalum-based optical glass for enhanced optical performance with improved corner sharpness and reduced distortion and vignetting. This glass technology and optical design perform extremely well with professional-grade f/2.8 zoom lenses and high-speed fixed focal length lenses such as a 50mm f/1.2 which will perform as a 35.5mm f/0.9 lens with high contrast and resolution from the center to the edges of the image. Precise fit and solid connection - lens has no play, gap, or wiggling when mounted on speed booster and no adjustments are required to fit your lens. Both the camera side and the lens side of the speed booster are made of brass which is precision-machined and chrome-plated. The Speed Booster uses matte-black treatment to keep internal reflection to a minimum in order to maintain the maximum optical quality possible with the lens. The exterior features a black satin surface finish. Designed to reach infinity focus while maintaining the correct registration distance required to maintain the optical quality of CRC lenses or lenses with floating elements. The speed booster features a detachable tripod foot which is compatible with Arca Swiss, Markins, and Photo Clam ball heads. Although the lens will fit physically, automatic diaphragm (AE metering), or other auto functions are not retained using this speed booster.

Panasonic PAN-KST-WM-UE100-W Wall Mount for AW-UE100 - White

Panasonic PAN-KST-WM-UE100-W (PAN/KST-WM/UE100-W, PAN/KST/WM/UE100/W, PANKSTWMUE100W, PAN KST WM UE100 W) Wall Mount for AW-UE100 - White Wall Mount Bracket for Panasonic AW-UE100 - White. ST Moschkau GmbH has developed a mounting solution for Panasonic PTZ cameras. Each wall mount bracket consists of: A wall mounting plate with 4 elongated holes for 8mm screws. A concealed cable guide opening. An extension arm with integrated storage compartment for power supply units or converters which is equipped with ventilation slots on the top. The camera mounting level on which the original mounting bracket of the camera is mounted.

Marshall 2.8mm F1.6 10MP 4K UHD CS Mount Prime Lens

Marshall CS-2.8-10MP (CS/2.8-10MP, CS/2.8/10MP, CS2.810MP, CS 2.8 10MP) 2.8mm F1.6 10MP 4K UHD CS Mount Prime Lens The 10MP 2.8mmm f/1.6 Wide-Angle CS-Mount Manual Iris Lens from Marshall is an ultra-wide lens which features a fixed 2.8mm focal length. Compatible with 10MP sensors with a 1/1.8" image size and a CS mount, the lens is designed to deliver high-quality imagery. With an aperture of f/1.6, the lens allows for clear images in even low light conditions. The lens features manual iris and focus rings with a lock to avoid setting displacement after installation.  

Marshall 11-50mm F1.4 8MP 4K UHD CS Mount Auto-Iris Zoom Lens

Marshall CS-1150-8MP (CS/1150-8MP, CS/1150/8MP, CS11508MP, CS 1150 8MP) 11-50mm F1.4 8MP 4K UHD CS Mount Auto-Iris Zoom Lens The 8MP 11-50mm f/1.4 Varifocal CS-Mount Lens from Marshall is a varifocal lens which features a 11 to 50mm adjustable focal length. Compatible with cameras that have 8MP sensors with a 1/1.7" image size and a CS mount, the lens is designed to deliver high-quality imagery. With a maximum aperture of f/1.4, the lens allows for clear images in even low light conditions. The lens supports DC auto iris and with a lock for the manual zoom and focus control rings so you can avoid setting displacement after installation.    

Marshall 16-70mm F1.4 8MP 4K UHD C Mount Auto-Iris Zoom Lens

Marshall C-1670-8MP (C/1670-8MP, C/1670/8MP, C16708MP, C 1670 8MP) 16-70mm F1.4 8MP 4K UHD C Mount Auto-Iris Zoom Lens Marshall 16-70mm F1.4 8MP 4K UHD C Mount Auto-Iris Zoom Lens (AOV approx. 30-7°) is a varifocal lens which features a 16 to 70mm adjustable focal length. Compatible with cameras that have 8MP sensors with a 1/1.7" image size and a C mount, the lens is designed to deliver high-quality imagery. With a maximum aperture of f/1.4, the lens allows for clear images in even low light conditions. The lens supports DC auto iris and with a lock for each manual control ring (zoom and focus), you can avoid setting displacement after installation.  

Marshall 5-50mm F1.4 3MP CS Mount Auto-Iris Zoom Lens

Marshall VS-M550-5 (VS/M550-5, VS/M550/5, VSM5505, VS M550 5) 5-50mm F1.4 3MP CS Mount Auto-Iris Zoom Lens The 5-50mm F1.4 3MP CS Mount Auto-Iris Zoom Lens from Marshall Electronics is designed for use with 3MP cameras with 1/2.7" and 1/3" sensors, including Marshall Electronics' CV343, CV345, and CV365 camera models. The lens features a 51-6° horizontal field of view and an f/1.4 aperture. It is equipped with a DC auto iris as well as manual zoom and focus adjustments with lock screws.

Libec BL-F Flat-base Adapter For 75mm/100mm Bowl Tripods

Libec BL-F (BL/F, BL_F, BLF, BL F) Flat-base Adapter For 75mm/100mm Bowl Tripods The Flat Base Adapter for 75/100mm Bowl Tripods from Libec is designed to adapt flat base tripod heads to fit tripods and hi-hats with 75 or 100mm bowls, allowing you to gain the quick leveling advantage of bowl tripod legs with your flat base head. It features a stepped shape that lets you mount the adapter on tripod legs, and you can mount a flat base head with either a 1/4"-20 or 3/8"-16 threaded mounting hole. A tightening knuckle is included to secure the adapter to your legs. In addition to flat base tripod heads, the adapter can also be used to attach other accessories that have either 1/4"-20 or 3/8"-16 female threads, such as a slider, to 100mm bowls.    

Libec BL-660A Elevated Extension Adapter for 100mm Bowl Tripods

Libec BL-660A (BL/660A, BL_660A, BL660A, BL 660A) Elevated Extension Adapter for 100mm Bowl Tripods Extend the height of your 100mm bowl base tripod by 26" with this Elevated Extension Adapter for 100mm Bowl Tripods from Libec. Made from durable yet lightweight aluminum, this extension mounts on your bowl base tripod, providing a 10mm bowl for you to mount your head on.

Libec BL-100F Flat-base adapter for 100mm bowl tripods

Libec BL-100F (BL/100F, BL_100F, BL100F, BL 100F) Flat-base adapter for 100mm bowl tripods The Flat Base Adapter for 100mm Bowl Tripods from Libec is designed to adapt flat base tripod heads to fit tripods and hi-hats with 100mm bowls, allowing you to gain the quick leveling advantage of bowl tripod legs with your flat base head. It features a standard 3/8"-16 screw and includes a tightening knuckle to secure the adapter to your legs. In addition to flat base tripod heads, the adapter can also be used to attach other accessories with 3/8"-16 female threads, such as a slider, to 100mm bowls.      

Canon EOS R10 - Body Only

Canon EOS R10 - Body Only 5331C030 5331 C030 5331-C030 5331/C030 The perfect next step in photography, whether you’re moving on from a smartphone or upgrading your DSLR. The EOS R10 lets you be creative in ways you simply couldn’t before – the only limit is your imagination. Stay focused on the subject Track subjects accurately, keeping them pin-sharp, with Dual Pixel CMOS AF II. It’s programmed with deep-learning AI to recognise people, animals and vehicles, wherever they are in the frame. Turn fleeting moments into lifelong memories Photograph fast-moving subjects with high-speed bursts of images, freezing them in time to reveal unseen detail. The EOS R10 can shoot continuously at 15fps, or bursts up to 23/30fps with its silent electronic shutter.  Video and photos from the same hybrid camera 4K/30p footage from the EOS R10 looks simply superb – it’s captured by oversampling 6K sensor data, and the results need to be seen to be believed. 4K 60p footage3 as well as Full-HD at up to 120p can also be captured. Get close and fill the frame The EOS R10’s APS-C sized sensor gives 1.6x more telephoto reach than the same focal length lens on a full-frame camera. Great for finding details in landscapes when travelling or getting close to local wildlife. Connected to the world Wherever you are, the EOS R10 helps get your content where it needs to be. Upload straight from the camera to the canon.image cloud with Wi-Fi, or connect to your smartphone for sharing to social media. Panoramic shot mode Stunning photos covering a huge angle can be shot quickly and easily using the EOS R10’s Panoramic Shot mode. The camera combines the images shot as the camera is panned, merging them together to create the final panoramic result. Photographers can choose the direction of movement – up, down, left or right – and, although any RF, RF-S, EF or EF-S lens can be used, those with built in optical IS will reduce any blurring that comes from camera movement. In-camera depth compositing When depth of field is limited, for example when shooting up close, the EOS R10 lets photographers extend and control the zone of sharpness by shooting multiple images at different focus distances then merging these using in-camera depth compositing. The results of the merge can be seen immediately, so users can get the perfect outcome. image.canon cloud RAW processing   Raw files from the EOS R10 can be processed in the image.canon cloud for the ultimate in image quality. More advanced noise and moire reduction results in more natural looking JPEG and HEIF image files.

DJI DL 50mm F2.8 Lens

DJI DL 50mm F2.8 Lens CP BX 00000024 01 CPBX0000002401 CP.BX.00000024.01 CP/BX/00000024/01 DJI DL/DL-S Lenses are professional prime lenses specially designed for aerial photography. Featured light-weighting carbon fibre casing, those lenses are able to reduce the payload of the gimbal and camera, improving the stability when shooting. With the DJI DL mount (diameter: 58mm), the lenses can be mounted onto Zenmuse X7, providing varying focal lengths. When used with Zenmuse X7, the focal length multiplier is 1.5 when taking stills.

DJI DL 24mm F2.8 Lens for the Zenmuse X7 Camera and Gimbal

DJI DL 24mm F2.8 Lens for the Zenmuse X7 Camera and Gimbal CP BX 00000032 01 CPBX0000003201 CP.BX.00000032.01 CP/BX/00000032/01 The DJI DL 24mm F2.8 LS ASPH Lens is a professional full-frame prime lens. Featuring light-weight carbon fiber casing, the lens is able to reduce the payload of the gimbal, improving overall stability while shooting. With the DJI DL mount (diameter: 58mm), the DJI DL 24mm F2.8 LS ASPH can be mounted onto Zenmuse X7 and X9 Gimbal Cameras to meet the needs of different focal lengths.

DJI Ronin Tethered Control Handle

  DJI Ronin Tethered Control Handle CPRN0000009701 CPRN0000009701 CP.RN.00000097.01 CP/RN/00000097/01 The DJI Ronin Tethered Control Handle offers extended wired control of camera focus and parameters, camera shutter, and gimbal movement when connected to the Control Cable.

DJI Ronin Expansion Base Kit

Ronin Expansion Base Kit CP RN 00000095 01 CPRN0000009501 CP.RN.00000095.01 CP/RN/00000095/01 The DJI Ronin Expansion Base Kit makes it possible to mount and control DJI RS 2 in a jib, car, slider, cable cam, and other platforms. This kit includes a DJI Ronin Tethered Control Handle for extended wired control of camera focus and parameters, camera shutter, and gimbal movement. A Universal Base Mount and External Battery Adapter allow the DJI Ronin BG30 Grip to power DJI RS 2.

Canon RF 85mm F2 MACRO IS STM Lens

Canon 4234C005 (RF-85mm-F2-MACRO-IS-STM, RF/85mm/F2/MACRO/IS/STM, RF/85mm/F2-MACRO-IS-STM, RF_85mm_F2_MACRO_IS_STM) RF 85mm F2 MACRO IS STM Lens.Take your portraits to the next level with the compact and lightweight RF 85mm F2 IS STM prime lens, which flatters your subjects and inspires you to discover beautiful detail. With its short telephoto 85mm focal length this is an ideal lens for portrait photography, producing elegant results with beautiful soft backgrounds thanks to a wide f/2 aperture. Offering huge versatility, this macro photography lens can also pick out stunning details thanks to close focusing up to 35 cm, allowing you the freedom to discover fine detail with the assurance of a 5-stop image stabilisation to let you shoot in low light. Weighing just 500 g with dimensions of just 78 cm x 90.5 cm, this Canon RF lens is unobtrusive, compact and easy to pack for exciting creative opportunities.BenefitsAchieve beautiful portraits with a natural, flattering perspective and take advantage of the lens’ shallow depth of field for soft backgrounds thanks to a wide, 9 blade apertureGo for stunning close up details of beauty, portraits and fashion thanks to 0.5x Macro capability or reveal hidden details on the move. This telephoto portrait lens will give you a new perspectiveCarry anywhere, at any time thanks to a lightweight 500 g design and compact dimensions that make the lens easy to put in a pocket or pack into a small gadget bagGet excellent results even in low light thanks to 5-stop image stabilisation which gives you the confidence to carry on shooting without a tripod when light levels have droppedEnjoy fast and silky smooth AF in stills and movies thanks to an STM motor that is quick to lock on to a subject and works in near silence to help you remain unobtrusive  

Canon EOS R5C Mirrorless Camera, Body only

Canon EOS R5C Mirrorless Camera EOS R5C EOSR5C EOS-R5C EOS/R5C For all the wedding videographers, drone camera operators, and multimedia journalists who have professional photo still and cinema video production needs, get ready for a new type of shooting experience with the EOS R5 C Mirrorless Cinema Camera from Canon. With a simple switch, the R5 C is a full featured still photo camera with all the settings of the R5 EOS mirrorless camera. When switched in the other direction, it becomes a full-frame 8K60 Cinema EOS camera that internally records 12-bit Cinema RAW Light footage. There's no more need to carry a second camera with you to your production when stills and video are available within a single compact design. The R5 C enhances a number of features in comparison to its siblings the R5 and C70, including 4K120 recording, HDMI RAW output, Canon Log 3 HLG/PQ support, unlimited recording time, a timecode port, Dual Pixel CMOS AF with eye detection, an active cooling system, a high-power LP-E6NH battery, 13 reassign able buttons, and a multi-function shoe for XLR adapters. The camera also retains the reliable features of those cameras such as Wi-Fi/Bluetooth, footage compatibility with DaVinci Resolve and Canon apps, an electronic RF mount, CFexpress/SD card slots, a similar button layout, and more. And all this is packed into a tiny 1.7 lb body that is just asking to become your go-to drone camera. Two Cameras in One Body: Photo + Cinema 45MP Stills, Full-Frame 8K CMOS Sensor Photo/Video Switch Changes Settings Menu JPEG/C-RAW, 12-Bit Cinema RAW Light Dual Pixel CMOS AF with Eye Detection Cfexpress Type-B and SD UHS-II Slots Dual-Slot Record, Unlimited Record Time Timecode DIN Port, Multi-Function Shoe 4-Channel Audio Record with XLR Adapter 13 Reassign able Buttons Common Features & Technology as the EOS R5 Canon's 45MP full-frame CMOS imaging sensor is at the heart of the EOS R5 C camera's superb image quality, which also leads the way for impressive 8K60 RAW cinematic video shooting. Focus and speed are paramount in the EOS R5 C camera, providing impressive still-image continuous capture at speeds of up to 20 fps. Dual Pixel CMOS AF II capability, to track split second movements of even the most elusive subjects. With 1053 Automatic AF zones, it is easy to photograph people with the use of Eye, Face, and Head Detection AF, or intuitively track the whole body, face, or eyes of cats, dogs, or birds with Animal Detection AF. For those with the need for speed, Canon has also included still-image vehicle subject detection to assist with accurate tracking of cars and motorcycles. Connectivity like 5 and 2.4GHz Wi-Fi and Bluetooth is also included for the transfer of still images.  

BirdDog Ceiling Mounting Kit for A200

Ceiling Mounting Kit for A200, BD-A200-CMS (BD_A200_CMS, BD/A200/CMS, A200-CMS, BD A200 CMS)

BirdDog 4K QUAD

4K QUAD, BD-4KQUAD (BD/4KQUAD, BD_4KQUAD, BD 4KQUAD, 4KQUAD) BirdDog 4K QUAD - Four channels of 12G SDI to 4Kp60 NDI Encoding and Decoding

Matthews Infinity Arm

Infinity Arm - 429627 Infinity Arm is a versatile cine arm used to mount cameras, lights, monitors and anything else you require. The Infinity Arm is a fully articulated arm equipped with 360degrees rotate-able and interchangeable, ball-in-socket, quick release tips for adding and removing accessories quickly and efficiently. The Infinity Arm is the strongest articulating cine arm on the market, with a weight capacity of 15-32lbs depending on the configuration. The Infinity Arm is manufactured in two identical sections. Both sections are equipped with removable ball-in-socket assemblies at their outer end, and joined at their common center point by a radial rosette, designed to assemble and lock the two independent arms simultaneously into their desired positions for optimal functionality and accessory placement. PATENT PENDING.

Lastolite EzyFrame Vintage Background Cover 2 x 2.3m Ink

EzyFrame Vintage Background Cover 2 x 2.3m Ink, LL LB7923 (LL_LB7923, LL/LB7923, LL-LB7923, LB7923) Ink Cover for EzyFrame Background The EzyFrame Vintage photography Background 2 x 2.3m (6.5’ x 7.5’) is a large format collapsible background concept offering a much larger shooting area for our highly successful vintage textured background surfaces, currently available as 1.5 x 2.1m (5’ x 7’) collapsible ‘pop-up’ style backgrounds. The extra width and height combined with the squarer format offers a substantially increased surface area allowing the photographer to pose multiple subjects and the use of props. Ideal for family portraits, more animated action poses, fashion and commercial shoots. Individual covers are available for users who may want to switch between photo background.

Lastolite EzyFrame Vintage Background Cover 2 x 2.3m (6'7" x 7'5") Smoke

EzyFrame Vintage Background Cover 2 x 2.3m (6'7" x 7'5") Smoke, LL_LB7929 (LL LB7929, LL-LB7929, LL/LB7929, LB7929) Smoke Cover for EzyFrame Background The EzyFrame Vintage photography Background 2 x 2.3m (6.5’ x 7.5’) is a large format collapsible background concept offering a much larger shooting area for our highly successful vintage textured background surfaces, currently available as 1.5 x 2.1m (5’ x 7’) collapsible ‘pop-up’ style backgrounds. The extra width and height combined with the squarer format offers a substantially increased surface area allowing the photographer to pose multiple subjects and the use of props. Ideal for family portraits, more animated action poses, fashion and commercial shoots. Individual covers are available for users who may want to switch between backgrounds.

Lastolite EzyFrame Vintage Background Cover 2 x 2.3m (6'7" x 7'5") Olive

EzyFrame Vintage Background Cover 2 x 2.3m (6'7" x 7'5") Olive, LL LB7925 (LL_LB7925, LL/LB7925, LL-LB7925, LB7925) Olive Cover for EzyFrame Background The EzyFrame Vintage photography Background 2 x 2.3m (6.5’ x 7.5’) is a large format collapsible background concept offering a much larger shooting area for our highly successful vintage textured background surfaces, currently available as 1.5 x 2.1m (5’ x 7’) collapsible ‘pop-up’ style backgrounds. The extra width and height combined with the squarer format offers a substantially increased surface area allowing the photographer to pose multiple subjects and the use of props. Ideal for family portraits, more animated action poses, fashion and commercial shoots. Individual covers are available for users who may want to switch between photo background.

Canon EOS 850D Kit (18-55 STM)

Canon EOS 850D Kit (18-55 STM), 3925C015AA (1620C005, 9518A007) The Canon EOS 850D comes in a portable body and offers advanced imaging capabilities with convenient controls and connectivity. The 850D can capture high-res stills and videos with a range of ISO-100-51200.  

Lastolite Vintage Collapsible 1.5m x 2.1m (5' x 7') Smoke/Concrete

Vintage Collapsible 1.5m x 2.1m (5' x 7') Smoke/Concrete, LL LB5745 (LL-LB5745, LL_LB5745, LL/LB5745, LB5745)  The Smoke / Concrete Vintage Collapsible photography Background offers a distinctive look, great for portraits, fashion and product photography. This versatile reversible photo background provides a timeless hand painted backdrop look that subtly complements the chosen subject. The darker of the two surfaces ‘Smoke’ offers a combination of grey tones with a subtle hint of green and also features a dark vignette effect. Whilst the reverse surface ‘Concrete’ offers a more evenly distributed grey tonal texture. Two great photography backgrounds in one with a collapsible, pop up construction that provides the photographer with a truly portable hand painted scroll effect background that can be easily transported by car.

Lastolite Urban Collapsible 1.5 x 2.1m Derelict Wall/Wooden Fence

Urban Collapsible 1.5 x 2.1m Derelict Wall/Wooden Fence, LL LB5715 (LL_LB5715, LL-LB5715, LL/LB5715, LB5715) The Urban photography Backgrounds have been designed using crease resistant fabric, allowing photographers to create the outdoor look in an instant, whether it’s in the studio or a client's home. Each reversible photo background has a unique urban feel and can quickly add a new dimension to any portrait sitting. No longer will you have to find locations or be controlled by the weather. The collapsible photography backgrounds are portable and quick set up; offering the ultimate solution to today’s busy photographers.In the Urban Collapsible background range there are 7 different backgrounds available, each offering two reversible textures which collapse to a third of the original size.

Lastolite Urban Collapsible 1.5m x 2.1m (5' x 7') Painted White / Industrial Grey Brick

Urban Collapsible 1.5m x 2.1m (5' x 7') Painted White / Industrial Grey Brick, LL LB5707 (LL_LB5707, LL/LB5707, LL-LB5707, LB5707) The Urban Collapsible 1.5x2.1m Painted White/Industrial Grey Brick is part of the hugely successful range of backgrounds in the Collapsible category, favoured by image makers the world over for adding variety and an alternative outdoor look to their shoots when working in a studio or the client’s location.It features a distinct monochrome brick design with dramatic tones, heavy contrast and a subtle vignette which is ideal for creating a dark theatrical background. The reverse features a complementary painted white brick design with a lighter and cleaner feeling, perfect to add a bright and fresh feel to the shoot.Great for shooting video interviews, portraits, fashion and product. This versatile reversible photography background provides a fashionable edgy look that adds a powerful and dramatic style to the chosen subject. This 2in1 background features a reversible design and a collapsible pop up construction which allows it to fold down to a third of its original size, providing today’s creative image maker with a truly portable solution.

Lastolite Urban Collapsible 1.5m x 2.1m (5' x 7') Classic Red / Distressed White Brick

Urban Collapsible 1.5m x 2.1m (5' x 7') Classic Red / Distressed White Brick, LL_LB5706 (LL-LB5706, LL/LB5706, LL LB5706, LB5706) The Urban Collapsible 1.5x2.1m Classic Red/Distressed White Brick is part of the hugely successful range of backgrounds in the Collapsible category, favoured by image makers the world over for adding variety and an alternative outdoor look to their shoots when working in a studio or the client’s location.It features a characteristic brick with gritty red and brown tones set off by a dramatic vignette, the reverse surface is a contrasting lighter rustic brick effect with a weathered painted white design featuring hints of red showing through to offer a brighter but worn result.Great for shooting video interviews, portraits, fashion and product. This versatile reversible photography background provides a fashionable edgy look that adds a powerful and dramatic style to the chosen subject. This 2in1 background feature a reversible design and a collapsible pop up construction which allows it to fold down to a third of its original size, providing today’s creative image maker with a truly portable solution.

Lastolite EzyFrame Vintage Background Cover 2 x 2.3m Walnut

EzyFrame Vintage Background Cover 2 x 2.3m Walnut, LL LB7935 (LL_LB7935, LL-LB7935, LL/LB7935, LB7935) Walnut Cover for EzyFrame Background The EzyFrame Vintage photography Background 2 x 2.3m (6.5’ x 7.5’) is a large format collapsible background concept offering a much larger shooting area for our highly successful vintage textured background surfaces, currently available as 1.5 x 2.1m (5’ x 7’) collapsible ‘pop-up’ style backgrounds. The extra width and height combined with the squarer format offers a substantially increased surface area allowing the photographer to pose multiple subjects and the use of props. Ideal for family portraits, more animated action poses, fashion and commercial shoots. Individual covers are available for users who may want to switch between photo background.

Matthews 6" Vacuum Cup With 5/8" Pin

6" Vacuum Cup With 5/8" Pin - 427000 Pump until the red marker disappears to create an amazing bond to nonporous surfaces such as car hoods and doors. Use in conjunction with the 4-Way Tilt Plate for interesting camera angles and a camera tie down strap to ensure proper safety precautions. Should you require a smaller vacuum cup for mounting your lights or camera, then the new 4-1/2" cup is recommended to fit into those tight places when either the 10" or 6" vacuum cup is too large.

Lastolite EzyFrame Vintage Background Cover 2 x 2.3m Pewter

EzyFrame Vintage Background Cover 2 x 2.3m Pewter, LL LB7937 (LL_LB7937, LL-LB7937, LL LB7937, LB7937) Pewter Cover for EzyFrame Background The EzyFrame Vintage photography Background 2 x 2.3m (6.5’ x 7.5’) is a large format collapsible background concept offering a much larger shooting area for our highly successful vintage textured background surfaces, currently available as 1.5 x 2.1m (5’ x 7’) collapsible ‘pop-up’ style backgrounds. The extra width and height combined with the squarer format offers a substantially increased surface area allowing the photographer to pose multiple subjects and the use of props. Ideal for family portraits, more animated action poses, fashion and commercial shoots. Individual covers are available for users who may want to switch between photo background.

Lastolite EzyFrame Vintage Background Cover 2 x 2.3m Crimson

EzyFrame Vintage Background Cover 2 x 2.3m Crimson, LL LB7941 (LL_LB7941, LL-LB7941, LL/LB7941, LB7941) Crimson Cover for EzyFrame Background The EzyFrame Vintage photography Background 2 x 2.3m (6.5’ x 7.5’) is a large format collapsible background concept offering a much larger shooting area for our highly successful vintage textured background surfaces, currently available as 1.5 x 2.1m (5’ x 7’) collapsible ‘pop-up’ style backgrounds. The extra width and height combined with the squarer format offers a substantially increased surface area allowing the photographer to pose multiple subjects and the use of props. Ideal for family portraits, more animated action poses, fashion and commercial shoots. Individual covers are available for users who may want to switch between photo background.

Lastolite Solo Background Support 4m Heavy Duty

Solo Background Support 4m Heavy Duty, LL LB1142 (LL_LB1142, ,LL/LB1142, LL-LB1142, LB1142) The Solo background support features a unique pivoting cross bar which makes raising the background on the supports a much easier and safer operation. Rather than step by step adjustments at each end of the support system the new pivoting connectors allow for much greater steps without making the whole structure unstable and unmanageable.The background support is available as a 3m wide or 4m wide solution. The 4m version can also be extended to 6m to accommodate wider textile backgrounds and features our heavy duty stands which allow the use of our wide width vinyl. Each kit comes with a hand carry case which fits easily into a car.

Lastolite EzyFrame Vintage Background 2 x 2.3m (6'7" x 7'5") Smoke

EzyFrame Vintage Background 2 x 2.3m (6'7" x 7'5") Smoke, LL LB7928 (LL_LB7928, LL-LB7928, LL/LB7928, LB7928) EzyFrame Vintage photography Background 2x2.3m Smoke includes: Rapid Assembly Aluminium Frame Clip on Smoke Cover Rigid Carry Case EzyFrame Vintage photography Background The EzyFrame Vintage photo Background 2 x 2.3m (6.5’ x 7.5’) is a large format collapsible background concept offering a much larger shooting area for our highly successful vintage textured background surfaces, currently available as 1.5 x 2.1m (5’ x 7’) collapsible ‘pop-up’ style backgrounds. The extra width and height combined with the squarer format offers a substantially increased surface area allowing the photographer to pose multiple subjects and the use of props. Ideal for family portraits, more animated action poses, fashion and commercial shoots. Individual covers are available for users who may want to switch between backgrounds.

Lastolite EzyFrame Vintage Background 2 x 2.3m Walnut

EzyFrame Vintage Background 2 x 2.3m Walnut, LL LB7934 (LL_LB7934, LL-LB7934, LL/LB7934, LB7934) Walnut Cover for EzyFrame Background The EzyFrame Vintage photography Background 2 x 2.3m (6.5’ x 7.5’) is a large format collapsible background concept offering a much larger shooting area for our highly successful vintage textured background surfaces, currently available as 1.5 x 2.1m (5’ x 7’) collapsible ‘pop-up’ style backgrounds. The extra width and height combined with the squarer format offers a substantially increased surface area allowing the photographer to pose multiple subjects and the use of props. Ideal for family portraits, more animated action poses, fashion and commercial shoots. Individual covers are available for users who may want to switch between photo background.

Lastolite EzyFrame Vintage Background 2 x 2.3m Sage

EzyFrame Vintage Background 2 x 2.3m Sage, LL LB7932 (LL-LB7932, LL/LB7932, LL_LB7932, LB7932) Sage Cover for EzyFrame Background The EzyFrame Vintage photography Background 2 x 2.3m (6.5’ x 7.5’) is a large format collapsible background concept offering a much larger shooting area for our highly successful vintage textured background surfaces, currently available as 1.5 x 2.1m (5’ x 7’) collapsible ‘pop-up’ style backgrounds. The extra width and height combined with the squarer format offers a substantially increased surface area allowing the photographer to pose multiple subjects and the use of props. Ideal for family portraits, more animated action poses, fashion and commercial shoots. Individual covers are available for users who may want to switch between photo background.

Lastolite EzyFrame Vintage Background 2 x 2.3m Ink

EzyFrame Vintage Background 2 x 2.3m Ink, LL LB7922 (LL_LB7922, LL-LB7922, LL/LB7922, LB7922) EzyFrame Vintage photography Background 2x2.3m Ink includes: Rapid Assembly Aluminium Frame Clip on Ink Cover Rigid Carry Case EzyFrame Vintage photography Background The EzyFrame Vintage photo Background 2 x 2.3m (6.5’ x 7.5’) is a large format collapsible background concept offering a much larger shooting area for our highly successful vintage textured photo background surfaces, currently available as 1.5 x 2.1m (5’ x 7’) collapsible ‘pop-up’ style backgrounds. The extra width and height combined with the squarer format offers a substantially increased surface area allowing the photographer to pose multiple subjects and the use of props. Ideal for family portraits, more animated action poses, fashion and commercial shoots. Individual covers are available for users who may want to switch between backgrounds

Manfrotto Reloader Tough H-83 PL; Roller

Reloader Tough H-83 PL; Roller, MB PL-RL-TH83 (MB-PL-RL-TH83, MB/PL-RL-TH83, MB_PL-RL-TH83, PL-RL-TH83) The new PRO Light Reloader Tough H-83 case is designed for travelling professional photographers and videographers. Hermetic, waterproof, and impact resistant, Tough cases are built to resist to the toughest conditions of use and certified to resist temperatures from -33 to 90 °C (-27.4 to 194 °F); Built to perfectly protect all types of equipment contents, they are based on lightweight materials with a secure release latch system. They are IP67 tested meaning that there is no ingress of dust and withstands temporary immersion in water for 30 minutes. Manufactured and designed in Italy, the Tough H-83 is ideal for travellers who do not want to compromise between safety and portability. This case fits checked-in size airline restrictions* and is provided with a 2 stage telescopic handle with self-locking system to prevent unwanted opening when carrying and transporting, and the automatic pressure release valve provides automatic regulation of the interior air pressure when on a flight. The two wheels have a larger diameter, keeping silent and stable during transport, giving optimal stability, strength, and made to be durable to last over time.The Tough H-83 features exclusive design functions that make it compatible with Manfrotto Tough Modular accessories. Six metal pins allow you to easly attach Tough Tripod bag and laptop bag (sold separately) for a more modular carrying experience.*Always check with your airline before flying for their current carry-on requirements.

Shape V-mount pivoting battery plate for Canon C70

SH-VBC70 SHVBC70 SH VBC70 SH/VBC70 Shape V-mount pivoting battery plate for Canon C70 SHAPE VBC70 Pivoting Battery Plate for Canon C70 (V-Mount) The SHAPE V-Mount pivoting battery plate for CANON C70 attaches to the rear of the top plate (C70TP) and supports a V-mount battery while leaving access to the camera’s standard battery compartment. Our V-mount battery plate provides the right battery voltage and amperage to use with your CANON C70 camera. By pivoting the battery plate, you have access to the battery of the camera and also allows hot-swap features. A swivel system let you pivot the battery plate up and down. It features 1 D-Tap port for powering accessories. It also uses a digital fuse that monitors the D-Tap ports and disables them if they exceed the set current for accessories while leaving the camera running. It connects to the camera using the SHAPE 14.4 output D-Tap power cable for Canon C70. The cable regulates the voltage from a D-Tap source to the proper 14.4 V required to power your Canon C70 camera. This allows you to power your camera using any V-mount battery with a D-Tap plug. The cable has a total end-to-end length of 15″ (38 cm). A universal cheeseplate with 1/4″-20 and 3/8”-16 threaded holes. The cheeseplate can tilt up and down with a patented 15 mm Push-button system to provide easy access to the rear screen.

Shape Sony FX6 Gold Mount pivoting battery plate

SH-GBFX6 SHGBFX6 SH GBFX6 SH/GBFX6 Shape Sony FX6 Gold Mount pivoting battery plate The SHAPE Gold Mount pivoting battery plate for Sony FX6 attaches to the rear of the top plate (FX6TP) and supports a Gold Mount battery while leaving access to the camera’s standard battery compartment. Our Gold Mount battery plate provides the right battery voltage and amperage to use with your Sony FX6 camera. By pivoting the battery plate, you have access to the BPU battery of the camera and also allows hot swap feature. A swivel system lets you pivot the battery plate up and down. It features 1 D-Tap port for powering accessories. It also uses a digital fuse that monitors the D-Tap ports and disables them if they exceed the set current for accessories while leaving the camera running. It connects to the camera using the SHAPE 19.5V output D-Tap power cable for Sony FX6. The cable regulates the voltage from a D-Tap source to the proper 19.5 V required to power an FX6 camera. This allows you to power your camera using any Gold Mount battery with a D-Tap plug. The cable has a total end-to-end length of 15″ (38 cm). A universal cheeseplate with 1/4″-20 and 3/8”-16 threaded holes. The cheeseplate can tilt up and down with a patented 15 mm Push-button system to provide easy access to the rear connector and have access to the BPU battery.

Shape Sony FX9 push-button view finder mount

SH-FX9VF SHFX9VF SH FX9VF SH/FX9VF Shape Sony FX9 push-button view finder mount Sony FX9 Push-Button Viewfinder Mount.

Shape 15mm LW to 19mm studio snap-on adapter

SH-BL19A SH BL19A SHBL19A SH/BL19A Shape 15mm LW to 19mm studio snap-on adapter SHAPE BL19A (BL-19-A) 15mm LW to 19mm Studio Snap-On Adapter. Designed to adapt 15mm lightweight accessories to 19mm studio spaced rods. Comes with a 19mm Studio offset Rod Clamp and a 15mm lightweight adapter spaced rods. Snap-On design enabling you to attach the support Snaps onto 19mm studio rods without having to remove other rod-mounted accessories. 15mm rod posts for attaching LW 15mm accessories like our Follow Focus(FFPRO). Left side of the clamp designed with 1x Anti-Twist 3/8"-16 accessory mounts. Made with a durable CNC Machined Aluminium and stainless-steel construction.

SHAPE Matte Box (swing-away)

SH-AKSWA SH AKSWA SH/AKSWA SHAKSWA SHAPE Matte Box (swing-away) A silicone matte box mounted on a CNC aluminum main frame with an outer diameter of up to 124 mm. It provides a wide field of view for a variety of wide-angle lenses.Two 4×5.6 filter trays (one rotary) with easy access handles that allow one-handed filter changes. 4×4 filters can also be installed in the trays. The frame includes two stops at the bottom of the filter trays section to prevent the filters from falling through. The removable swing-away module makes lens changes a snap. A spring pin helps to lock the mechanism closed without manually setting the pin. 2 magnets hold it in place when closed.Removable height adjustable rod block with one tightening knob allows micro-adjustment of height, ensuring compatibility with a wide range of lenses. The rod block can be re-installed directly on the main frame for a straight configuration. The complete kit allows three different configurations, (swing-away, straight and clip-on).

Shape Matte Box (clip-on)

SH-AKSCL SH AKSCL SHAKSCL SH/AKSCL SHAPE Matte Box (clip-on) A silicone matte box mounted on a CNC aluminum main frame with an outer diameter of up to 124 mm. It provides a wide field of view for a large variety of wide angle lenses. Two 4×5.6 filter trays (one rotary) with easy access handles that allow one-handed filter changes. 4×4 filters can also be installed in the trays. The frame includes two stops at the bottom of the filter trays section to prevent the filters from falling through. Removable light carbon fiber french flag can be attached on top to prevent flares. A series of adapter rings are included in the kit

Camgear V15P GS CF (100mm Bowl)

2760.0040 2760/0040 2760 0040 27600040 Real professional drag performance, selectable 6 positions pan & tilt drag including zero position, offer operators silky smooth movement and precise framing. Selectable 9 position counterbalance for ENG cameras. Thanks to newly featured zero position, it can support the lightweight ENG camera as well. With self-illuminating levelling bubble. Ideal for the ENG cameras from XDCAM to P2HD with low or high profile configuration. 100 mm bowl head, compatible with all 100 mm tripods on the market. Equipped with mini Euro plate quick-release system, which enables faster set-up of camera.

ATOMOS Ultrasync One ROW Version

ATOMOS Ultrasync One ROW Version AO-ATOMSYON01-ROW (ATOMSYON01, AO_ATOMSYON01_ROW, AO/ATOMSYON01/ROW, AO ATOMSYON01 ROW) Super compact. Lightweight. The flexibility to configure as a transmitter timecode server or as a receiver client device. The battery life allows a run time to easily last the longest shooting day. Integrating the most features to enable advanced timecode and sync options for multicamera workflows. UltraSync ONE is the smallest and most cost-effective, RF-powered wireless timecode and genlock/wordclock solution on the market.

Canon CN-E-14mm-T3.1-L-M Metric Scale

Canon CN-E-14mm-T3.1-L-M (CN-E/14mm/T3.1-L-M, CN E 14mm T3.1 L M, CN/E/14mm/T3.1/L/M, CNE14mmT3.1LM) Metric Scale. Part of Canon’s range of EF Cinema prime lenses, the CN-E14mm T3.1 L M is a lightweight, compact fixed focal length lens designed for EF mounts. It offers spectacular 4K image quality and a full-frame image circle plus great low light performance and fine creative control over focusing and depth of field. Compact, lightweight 14mm lens Compact and lightweight with a user-friendly design this 14mm prime lens is ideal for a wide range of applications and can be used with most standard accessories and matte boxes. T3.1 The CN-E14mm T3.1 L M provides fine control over the depth of field with the widest angle of view available from an EF Cinema lens. Superb 4K optical performance Large aspherical lens elements ensure sharp, consistent images in virtually every shooting situation, while the 11-blade aperture provides beautiful bokeh. Innovative construction counteracts barrel expansion and contraction to avoid temperature-induced marking discrepancies. Industry-standard controls Industry-standard manual control rings are engineered to provide smooth consistent operation. Unified front lens diameter and gear positions throughout Canon's range of EF Cinema prime lenses enable film crews to quickly change lenses without adjusting rig setups. EF mount compatible The CN-E14mm T3.1 L M lens is designed for use with EF mount cameras with either full-frame 35 mm or Super 35mm-type sensors – perfect for Cinema EOS cameras as well as Canon's range of EOS DSLRs. Contacts on the EF mount facilitate communication between camera and lens for recording of metadata, and other functions. Benefits: Compact 14mm, T3.1 prime lens Spectacular 4K image quality Full frame image circle Industry-standard manual control 11 blade diaphragm for attractive blurring Designed for EF mount 35 mm and Super 35mm cameras

Canon CN-E-35mm-T1.5-L-M Cine Prime Lens EF 35mm T1.5 Metric scale

Canon CN-E-35mm-T1.5-L-M (CN E 35mm T1.5 L M, CN/E-35mm-T1.5/L-M, CN/E/35mm/T1.5/L/M, CNE35mmT1.5LM) Cine Prime Lens EF 35mm T1.5 Metric scale. Exceptional optical performance for 4K production Great in low light with fine creative control over depth of field, the wide-angle CN-E35mm T1.5 L (M) offers spectacular 4K image quality with a full-frame image circle in a light, compact EF mount body. Compact, lightweight 35mm wide-angle lens  Compact and lightweight (1.1kg) with a user-friendly design this 35mm prime lens brings a natural perspective to wide-angle shots. It is also suitable for use in severe shooting conditions thanks to a drip-proof structure and can be used with most standard movie industry accessories and matte boxes. Large T1.5 aperture A large maximum aperture of T1.5 provides outstanding speed for shooting in low-light conditions. The large aperture also provides fine creative control over depth of field. EF mount compatible The CN-E35mm T1.5 L (M) lens is designed for use on EF mount 35 mm and Super 35mm cameras – perfect on Cinema EOS cameras as well as Canon EOS DSLRs. A contact on the EF mount facilitates communication between camera and lens. Superb 4K optical performance A 4K lens with a full-frame imaging circle offers unrivaled optical performance in professional shooting environments. Large aspherical lens elements ensure sharp, consistent images in virtually every shooting situation, while the 11-blade aperture diaphragm offers beautiful bokeh. Innovative glass construction counteracts barrel expansion and contraction to avoid temperature-induced marking discrepancies. Industry-standard controls Industry-standard manual control rings are engineered to maintain the proper amount of resistance with consistent operating torque. Unified front lens diameter and gear positions enable film crews to quickly change lenses without adjusting the rig setup.

Canon 4111C005 RF 24-105mm F4-7.1 IS STM Lens

Canon 4111C005 (4 111 C00 5, 4/111-C00-5, 4/111/C00/5, 4-111-C00-5) RF 24-105mm F4-7.1 IS STM Lens. Capture the very best of every day, from epic vistas, striking portraits, candid family moments and much more with an all-purpose lens introducing you to the exciting world of Canon’s EOS R full frame mirrorless system. Easy to use, the RF 24-105mm F4-7.1 IS STM is lightweight, compact and wonderfully versatile with an in-built 5-stop optical Image Stabilizer to help keep your images and movies rock steady – even when you’re out and about without a tripod. And as an added advantage, the lens features Centre Focus Macro with 0.5x macro performance for creative detail shots. It’s a stunning zoom that will take your photography to the next level. Benefits Full frame quality, superb 5-stop optical Image Stabilizer and fast, smooth AF See the whole story; epic vistas, tiny detail, striking portraits and candid moments plus shoot at 13 cm with 0.5x Centre Focus Macro for detail shots Thanks to a lightweight and compact design at just 395 g, it’s a practical zoom from which to start your full-frame mirrorless journey Combined focus and Lens Control Ring for intuitive, customised control over camera settings Track subjects and achieve smooth, natural focus when shooting movies thanks to the quiet STM motor that makes this lens ideal for stunning photos and video  

Canon RF-85mm-F1.2L-USM-DS Lens

Canon RF-85mm-F1.2L-USM-DS (RF85mmF1.2L-USMDS, RF/85mm/F1.2L/USM/DS, RF/85mm-F1.2L-USM-DS, RF85mmF1.2LUSMDS) Lens. The Canon RF 85mm f/1.2L USM DS is a unique portrait-length prime, characterized by its flattering focal length, exceptionally bright maximum aperture, and advanced optical design. Differentiating itself from Canon's other RF 85mm f/1.2 lens, this version features a DS (Defocus Smoothing) coating that helps to soften and smooth the bokeh quality when working at wider aperture settings, making it particularly suitable for shallow depth of field applications. Beyond the bokeh-optimized design, the optical layout of this lens incorporates a Blue Spectrum Refractive Optics element; a specially developed element that helps to nearly eliminate chromatic aberrations and color fringing for notable clarity and color accuracy. In addition to this, an ultra-low dispersion element and one aspherical element are also featured to further control various aberrations and distortion for great sharpness and resolution. Individual elements also feature an Air Sphere Coating to suppress flare and ghosting for high contrast and color fidelity when working in bright and backlit conditions. Complementing the imaging capabilities is an apt ring-type Ultrasonic Motor, which delivers fast, near-silent autofocus and full-time manual focus override. A unique Control Ring is also integrated into the lens design for intuitive control over exposure settings from the lens itself. Portrait-length prime is designed for full-frame Canon RF-mount mirrorless digital cameras. Exceptionally bright f/1.2 maximum aperture affords extensive control over depth of field for selective focus applications and also benefits working in low-light situations. Defocus Smoothing coating helps to achieve an especially soft and smooth bokeh quality when working at wide aperture positions. While this coating softens the look and feel of the out-of-focus regions in an image, sharpness is still retained on the in-focus portions for noticeable subject separation and overall three-dimensional quality. The effect is greatest when working at f/1.2, however, the DS coating requires approximately 1.3 stops more exposure than the standard version of the lens when shooting wide open. By f/3.2, the two versions of the lens have nearly identical light transmission and performance. Blue Spectrum Refractive Optics element virtually eliminates color fringing and chromatic aberrations by refracting shorter wavelengths of the visible spectrum (blue light). One aspherical element and one UD element also help to control aberrations and distortions for sharper, clearer image quality. An Air Sphere Coating (ASC) has been applied to lens elements to reduce backlit flaring and ghosting for maintained light transmission and high contrast in strong lighting conditions. Ring-type Ultrasonic Motor (USM), along with optimized focusing algorithms, a high-speed CPU, and an internal focusing design, is employed to deliver fast, precise, and quiet autofocus performance as well as full-time manual focus override. Configurable Control Ring can be used to adjust a variety of exposure settings, including aperture, ISO, and exposure compensation. As a member of the esteemed L-series, this lens has a weather-resistant design that protects against dust and moisture to enable its use in inclement conditions. Rounded 9-blade diaphragm contributes to a pleasing bokeh quality.

Canon EF-85mm-F1.2L-II-USM Lens

Canon EF-85mm-F1.2L-II-USM (EF 85mm F1.2L II USM, EF/85mm/F1.2L /II/USM, EF85mmF1.2LIIUSM, EF-85mm/F1.2L-II-USM) USM Lens. The Canon EF 85mm f/1.2L II USM Autofocus Lens is a fast lens that delivers superb optical performance. A maximum aperture of f/1.2 makes it the professional's choice for shooting without flash in low light conditions. The large aperture also provides fine control over the depth of field for compelling portrait photography. Retaining the impressive optical performance and large aperture of its predecessor, this medium telephoto lens has been improved with a Ring-type USM, high-speed CPU, and optimized algorithms to achieve an autofocus speed of approximately 1.8x faster than the original. The high-speed AF and circular aperture create a shallow depth-of-field that brings attention to the subject and blurs the background, which is ideal for portraits and weddings. Benefits Extreme f/1.2 maximum aperture Fast, quiet autofocus Super Spectra coatings Circular aperture for smooth background bokeh Integration with E-TTL II flash system

Canon RF-50mm-F1.8-STM STM Lens

Canon RF-50mm-F1.8-STM (RF 50mm F1.8 STM, RF/50mm/F1.8/STM, RF/50mm-F1.8-STM, RF50mmF1.8STM) RF 50mm f/1.8 STM Lens. The Canon RF 50mm f/1.8 STM is Compact, lightweight and affordable lens with a fast f/1.8 aperture, ideal in low light and great for creative depth-of-field. The optical design incorporates one aspherical element, which reduces spherical aberrations and distortion, and also sports a Super Spectra coating to minimize flare and ghosting for improved contrast and color accuracy. Also, an STM stepping motor offers fast, quiet, smooth, and accurate autofocus performance that is ideal for video recording as well as still shooting. The RF 50mm F1.8 STM lens is a simple yet hugely versatile lens. Its superior sharpness, great low light performance and stunning bokeh make it ideal for many types of photography and video. This modern ‘nifty fifty’ will advance your photography. Wide aperture creativity Create artistic and impactful images at lower ISO thanks to a wide f/1.8 aperture that achieves sharp focus on a subject yet delivers a beautiful blurred background. Sharp, quiet focusing The STM (Stepping Motor) technology focuses very smoothly and in near-silence, ideal for stills and video. Super Spectra Coating on the lens elements ensure quality. Compact and lightweight At 160g and 40.5mm, it is a highly compact and lightweight partner for your day-to-day shooting with EOS R-series cameras, with no adapter required.

Canon RF-800mm-f/11-IS-STM IS STM Lens

Canon RF-800mm-f/11-IS-STM (RF-800mm-f11-IS-STM, RF/800mm/f11/IS/STM, RF-800mm/f11/IS-STM, RF 800mm f/11 IS STM) RF 800mm f/11 IS STM Lens. The RF 800mm F11 IS STM is a super telephoto prime lens with exceptional 4-stop image stabilization and a higher focal length than RF600mm f/11 IS STM, aimed primarily at the casual, travel-wildlife enthusiast but also extending to aviation photography for the ultimate reach. Characterized by its retractable design and a fixed f/11 aperture, this lens's sleek profile makes handheld super-tele shooting a very real possibility, and four stop-effective optical image stabilization further helps to achieve sharp imagery when working in difficult lighting conditions. Also contributing to the reduced size is a distinct optical layout, which uses gapless dual-layer diffractive optics instead of multiple heavier individual elements, which also effectively controls color fringing and chromatic aberrations for high clarity. Complementing this design is an STM stepping motor that delivers quick and quiet autofocus performance that is suitable for both stills and video needs. Additionally, a Control Ring is also integrated into the lens design for intuitive control over exposure settings from the lens itself. If you decide you need more than 800mm, this lens is compatible with the 1.4x and 2x RF Extenders for an equivalent focal length of 1120mm or 1600mm, respectively. Bring your world closer Capture safari, aircraft or travel views and shoot the ultimate frame-filling moments in glorious detail that benefit from creative telephoto compression. Enjoy sharp, shake-free images An Optical Image Stabilizer helps to minimize the appearance of camera shake by up to four stops to better enable working in low-light conditions and with slower shutter speeds. Revolutionary size and weight Thanks to the RF mount, an F11 aperture and Diffractive Optics, the lens contracts to 281.8 mm in length when stored and weighs only 1260 g. Focus smoothly and quietly STM stepping motor offers fast, quiet, smooth, and accurate autofocus performance that is ideal for video recording as well as still shooting. An extreme telephoto for all Now it’s easy to pack a super telephoto lens in your kitbag with powerful image stabilisation and AF which is available to all enthusiasts who want to travel light.  

Canon RC-IP100 Touchscreen PTZ Joystick Controller

Canon RC-IP100 (RCIP100, RC/IP-100, RC-IP-100, RC/IP/100) Touchscreen PTZ Joystick Controller. Take control of your remote cameras with this robust and compact hardware controller, provides IP control for up to 100 PTZ and the controller is compatible with the Canon CR-N300 and CR-N500 PTZ cameras. The controller is equipped with a large 7” diagonal touch screen, zoom lever and joystick in order to pan, tilt, zoom and change camera picture settings with precise precision. It also features four customizable buttons and knobs to make accessing settings and controls quick and easy. The DB-9 input/output port on the back allows you to monitor camera tally information. The unit is powered using a 12V barrel power adapter. The IP100 is compatible with the proprietary Canon XC IP protocol, not a standard LAN, so you can create a private, secure network to control your cameras using the LAN port. It also features a second RJ45 port that allows you to control the cameras via RS-422 serial protocol. The bright 7" touchscreen allows you to control and configure up to 100 cameras and it can create and store up to 100 presets. *** Please see that this is a special order item.

Canon RF-600mm-f/11-IS-STM IS STM Lens

Canon RF-600mm-f/11-IS-STM (RF/600mm/f11/IS/STM, RF/600mm-f/11-IS/STM, RF 600mm f/11 IS STM, RF/600mm-f/11-IS-STM) RF 600mm f/11 IS STM. Reach out and grab your world with a 600mm super telephoto full frame lens that is lightweight, powerful and perfect for capturing distant subjects in glorious detail. An impressive and incredibly unique super-telephoto, the Canon RF 600mm f/11 IS STM is an especially compact and lightweight lens considering its long focal length. Featuring a retractable design and a fixed f/11 aperture, this lens's sleek profile makes handheld super-tele shooting a very real possibility, and optical image stabilization further helps to achieve sharp imagery when working in difficult lighting conditions. Also contributing to the reduced size is a distinct optical layout, which uses gapless dual-layer diffractive optics instead of multiple heavier individual elements, which also effectively controls color fringing and chromatic aberrations for high clarity. Complementing this design is an STM stepping motor that delivers quick and quiet autofocus performance that is suitable for both stills and video needs. Additionally, a Control Ring is also integrated into the lens design for intuitive control over exposure settings from the lens itself. If you need more reach, the 600mm is compatible with the 1.4x and 2x RF Extenders for an effective focal length of 840mm or 1200mm, respectively. Super-telephoto prime is designed for use with full-frame Canon RF-mount mirrorless digital cameras. Fixed f/11 aperture contributes to the sleek and portable form factor as well as a balanced mixture of depth of field and sharpness. Gapless dual-layer diffractive optics contribute to a marked reduction in chromatic and spherical aberrations as well as benefit the design of a relatively compact and lightweight lens. Retractable/extendable design, with a locking lens barrel, offers an impressively compact form factor considering the super-telephoto design. An Optical Image Stabilizer helps to minimize the appearance of camera shake by up to five stops to better enable working in low-light conditions and with slower shutter speeds. STM stepping motor offers fast, quiet, smooth, and accurate autofocus performance that is ideal for video recording as well as still shooting. Configurable Control Ring can be used to adjust a variety of exposure settings, including aperture, ISO, and exposure compensation. Compatible with optional Extender RF 1.4x and Extender RF 2x teleconverters to further increase the effective focal length.

Sony SEL-C1635G FE C 16–35mm T/3.1 G E-Mount Lens

Sony SEL-C1635G (SEL/C1635G, SEL_C1635G, SELC1635G, SELC1635G.SYX, SEL-C1635G.SYX) FE C 16–35mm T/3.1 G E-Mount Lens Cinematic images with beautiful bokeh Experience beautiful cinematic images, with excellent corner-to-corner resolution and consistent T3.1 (F2.8) large aperture from wide to telephoto for stunning background bokeh effects. Responsive manual control for content creators Adjust focus, zoom and iris with smooth, consistent precision. Enjoy fine control over realising your artistic vision with large-format sensor cameras such as the PXW-FX9 and VENICE. Shoot with extra intelligence Enjoy smart functions unique to Sony’s E-mount lens system, including AF (autofocus) support, servo zoom and zoom/iris/focus control from your camera, remote or smartphone, allowing cinematographers to concentrate on composition and focus without touching lens rings.* *Requires compatible cameras, remote controllers, smartphones and mobile apps. Unlimited expression for content creators Explore new artistic possibilities and precise creative control with Cinema Lens Series – the refined expression of Sony’s technological expertise for uncompromising content creators. This wide angle zoom lens is optimised for digital cinematography, documentary production and other premium content produced with full-frame cameras such as the FX9 and VENICE. Advanced optical design Two XA (Extreme Aspherical) lens elements and three aspheric elements minimise distortion, curvature and astigmatism. Two ED (Extra-low Dispersion) glass elements suppress colour distortion, while an advanced nano AR (Anti Reflection) coating on optical surfaces drastically reduces flare and ghosting. The floating focus mechanism is optimised for motion picture applications, ensuring outstanding resolution and very low distortion at any shooting distance. Smooth, natural bokeh An ideal partner for the full-frame sensor of Sony’s acclaimed FX9 and VENICE cameras, the consistent T3.1 (F2.8) large aperture and circular 11-blade aperture of the SELC1635G lets professional cinematographers enjoy shallow depth of field and the creation of beautifully smooth bokeh (background defocus) effects. [1] Conventional aperture [2] Circular aperture Precise, responsive manual focus Linear Response MF enables smooth, lag-free manual focus, allowing DoPs and camera operators to adjust focus accurately and intuitively. The focus ring offers a 120deg large angle of rotation for finer control, with distance scale markers for consistent focus reset during multiple takes. For complete creative control to suit any user including photographers who are used to shooting stills, SELC1635G also offers reversible zoom ring rotation, modes switchable between AF/MF and Full manual, and the option to engage ‘click stops’, providing tactile feedback for precise adjustments of the aperture ring. When the click stops are disengaged, the aperture ring moves smoothly and quietly. More options for content creators The SELC1635G has a 0.8mm pitch gear and 114mm lens diameter, which is regarded as the industry standard in cinematography, providing compatibility with a wide range of accessories include matte boxes and follow focus systems. Detachable servo zoom The included servo unit provides comfortable fingertip control for smooth, gradual zooms suitable for a slow moving drama or promotional video. Servo and Manual control are switchable by the button on the lens unit, and while set to servo, you can control zoom via camera’s handle or grip zoom.Also, the servo can be detached if preferred, making the lens lighter and more portable. Fast, accurate AF and AE The SELC1635G fully supports the Enhanced Hybrid phase/contrast detection autofocus (AF) and Auto Exposure (AE) capabilities of the FX9 full-frame camera. This breakthrough technology allows you to concentrate on framing while the camera and lens work seamlessly together to maintain focus on subjects with shallow depth of field. Alpha cameras and lenses Discover the Alpha range of interchangeable lens camera and E-mount lenses for photographers and video makers.

Sony SEL-50F25G FE 50mm F/2.5 G Lens

Sony SEL-50F25G (SEL/50F25G, SEL_50F25G, SEL50F25G, SEL-50F25G.SYX, SEL50F25G.SYX) FE 50mm F/2.5 G Lens Introducing the SEL50F25G Full Frame Lens: A wide angle lens for stills and movies. Featuring an advanced optical design that includes two aspherical elements and one ED (Extra-low Dispersion) element for incredible corner-to-corner high-resolution, along with beautiful background defocus (bokeh). Two double linear motors provide fast, precise AF with excellent tracking performance, with quiet autofocus and tracking in this compact-sized and lightweight Sony G lens. Internal focusing ensures the angle of view is stable during focusing (focus breathing minimised). An incredible video lens, the SEL50F25G delivers smooth, fast and continuous auto focus performance for movie shooting. INCREDIBLY SHARP State-of-the-art optics, using two aspherical elements and one ED (Extra-low Dispersion) glass element, deliver high resolution and suppress colour fringing in all parts of the image. Delivering high corner-to-corner resolution and beautiful bokeh, the SEL50F25G is an excellent compact, lightweight full frame lens for cityscapes, landscapes and videography, these features making it an excellent portrait lens too. BEAUTIFULLY SMOOTH BACKGROUNDS A 7-blade circular aperture on this Sony lens creates beautiful circular background bokeh defocus effects with a large F2.5 aperture. FAST AND PRECISE Two linear motors deliver fast, precise AF with excellent tracking capability, fully utilising the continuing rapid advances in the speed performance of camera bodies. Taking maximum advantage of this performance, tracking is maintained despite instantaneous changes in subject motion, making the lens ideal for situations like snap shooting of moving subjects. You'll never miss a shot with this lightweight and compact lens. SUPERB BUILD QUALITY The high-quality build uses metal (aluminium) for the exterior finish and hood, achieving a sophisticated look, contributing to increased strength and durability. The iris ring indices, focal length markings, and Sony logo on the hood of the 50mm lens, are engraved rather than printed, giving a finish with a sophisticated feel. GREAT FOR MOVIE SHOOTING The fast, precise AF with excellent tracking performance delivered by two linear motors is also quiet, making this FE  lens ideal for both still and movie shooting. A great 50mm view, intuitive operability, in a compact, lightweight design.

Sony SEL-40F25G FE 40mm F/2.5 G Lens

Sony SEL-40F25G (SEL/40F25G, SEL_40F25G, SEL40F25G, SEL-40F25G.SYX, SEL40F25G.SYX) FE 40mm F/2.5 G Lens Introducing the SEL40F25G Full Frame Lens: A wide angle lens for stills and movies. Featuring an advanced optical design that includes three aspherical elements for incredible corner-to-corner high-resolution, along with beautiful background defocus (bokeh). Two double linear motors provide fast, precise AF with excellent tracking performance, with quiet autofocus and tracking in this compact-sized and lightweight Sony G lens. Internal focusing ensures the angle of view is stable during focusing (focus breathing minimised). An incredible video lens, the SEL40F25G delivers smooth, fast and continuous auto focus performance for movie shooting. INCREDIBLY SHARP State-of-the-art optics, using three aspherical elements, deliver high resolution and suppress colour fringing in all parts of the image. Delivering high corner-to-corner resolution and beautiful bokeh, this is an excellent compact, lightweight, full frame lens for cityscapes, landscapes and videography, these features making it an ideal portrait lens too. BEAUTIFULLY SMOOTH BACKGROUNDS A 7-blade circular aperture on this Sony lens creates beautiful circular background bokeh defocus effects with a large F2.5 aperture. FAST AND PRECISE Two linear motors deliver fast, precise AF with excellent tracking capability, fully utilising the continuing rapid advances in the speed performance of camera bodies. Taking maximum advantage of this performance, tracking is maintained despite instantaneous changes in subject motion, making the lens ideal for situations like snap shooting of moving subjects. You'll never miss a shot with this lightweight and compact lens. SUPERB BUILD QUALITY The high-quality build uses metal (aluminium) for the exterior finish and hood, achieving a sophisticated look, contributing to increased strength and durability. The iris ring indices, focal length markings, and Sony logo on the hood of the 40mm lens, are engraved rather than printed, giving a finish with a sophisticated feel. GREAT FOR MOVIE SHOOTING The fast, precise AF with excellent tracking performance delivered by two linear motors is also quiet, making this FE lens ideal for both still and movie shooting. A great 40mm wide view (or when mounted on an APS-C body or shooting in Super 35mm movie format, the angle of view is 36mm equivalent), intuitive operability, in a compact, lightweight design.

Sony SEL-2860 FE 28–60mm F4–5.6 Lens

Sony SEL-2860 (SEL/2860, SEL_2860, SEL2860, SEL-2860.SYX, SEL2860.SYX) FE 28–60mm F4–5.6 Lens The wide-angle to long-normal FE 28-60mm f / 4-5.6 zoom is characterized by its modern design and elegant profile. The slim design makes this lens ideal for walkaround, everyday shooting and the flexible focal length range offers great versatility. The optical design incorporates three aspherical elements, which help reduce distortion and spherical aberrations and promote greater sharpness and accurate rendering. Complementing the optics is a linear motor and internal focusing that ensure fast and quiet autofocus performance for both photographic and video needs. The lens body is also weatherproof to allow you to work in harsh environmental conditions. With a versatile and practical focal length of 28-60mm, this lens is suitable for a variety of common subjects. In addition, the minimum focusing distance between 0.3m (wide angle) and 0.45m (telephoto) guarantees excellent results in close-ups, making the device suitable for applications such as table photography and vlogging, always with the high full-frame image quality. The linear AF motor enables the fast and precise AF performance required by the latest full-frame camera models. Thanks to the quiet motor, the device is suitable for stills as well as video shooting, while the speed and accuracy ensure maximum performance on the camera's AF functions, such as Real Time Tracking and Real Time Eye AF.

Sony SEL-1224GM FE 12-24mm F2.8 GM Lens

Sony SEL-1224GM (SEL/1224GM, SEL_1224GM, SEL1224GM, SEL-1224GM.SYX, SEL1224GM.SYX, sel-1224gm.syx) FE 12-24mm F2.8 GM Lens Sony boosts full-frame lens line-up with launch of 12-24mm G Master™, the world’s widest zoom with a constant F2.8 aperture. This compact and versatile lens is ideal for shooting landscapes, starry skies and architecture while providing extra mobility for active sports shooters who want to use ultra-wide angles. As part of Sony’s flagship G Master series lenses, it delivers outstanding image quality up to an ultra-wide 12mm angle of view with F2.8 constant aperture, combined with beautiful bokeh effects.This new lens allows the F2.8 range of Sony’s G Master lenses to extend all the way through from 12mm to 200mm** and at 12mm, offers the world’s widest zoom at F2.8*. At this focal length, it is possible to emphasise distance and create dynamic perspectives beyond the scope of the human eye. Incredibly sharp Three XA (extreme aspherical) elements ensure outstanding resolution in this F2.8 ultra-wide angle lens. Along with one aspherical element, two super ED and three ED (Extra-low Dispersion) glass elements deliver high corner-to-corner resolution and beautiful bokeh, making this an excellent full frame lens for landscapes and starscapes.  Beautifully smooth background A circular 9-blade aperture creates beautiful background bokeh defocus effects with a large aperture F2.8 that is constant throughout the entire zoom range on this Sony lens. Fast and precise  Four XD Linear (Extreme Dynamic) Motors with their complex construction deliver faster and more accurate focusing than conventional lenses for both photography and videography. Amazing clarity and contrast New Sony Nano AR Coating II effectively eliminates light anomalies - such as flare and ghosting. Professional ergonomics A dust and moisture-resistant design, along with versatile controls make it ideal to use in the most difficult scenarios - both indoors and outdoors. Dynamic perspectives With an ultra-wide 12mm angle of view, create dynamic perspectives that are beyond the scope of the human eye. Target usages: Landscape, Architecture, Night/Astro, Video, Sports

Sony SEL35F14GM FE 35mm F/1.4 GM Lens

Sony SEL35F14GM (SEL-35F14GM, SEL/35F14GM, SEL_35F14GM, SEL-35F14GM.SYX, SEL35F14GM.SYX) FE 35mm F/1.4 GM Lens The FE 35mm F1.4 GM is a must-have for Sony’s E-mount users, as in combination with Sony’s camera bodies it boasts advanced focusing capabilities - perfect for a wide range of uses such as shooting landscapes, portraits and street photography, both stills and video. Superlative resolution in a compact lens Sony’s advanced optical design and manufacturing technology brings extraordinary resolution, gorgeous bokeh, and precision focus performance to a compact lens that fits comfortably in the palm of your hand, weighing a mere 524 grams and measuring just 76 mm dia. x 96 mm with a filter diameter of Φ67mm. The FE 35mm F1.4 GM boasts advanced optical technology that delivers stunning contrast and superb resolution. Two XA (extreme aspherical) elements effectively maintain superb resolution throughout the image area. The compact 35mm lens is not only mobile and manageable, it performs admirably in difficult lighting. An ED glass element and other optical refinements effectively suppress chromatic aberration and purple fringing for breathtaking results. Beautiful bokeh for broad expressive capability The FE 35mm F1.4 GM delivers an almost circular aperture thanks to its 11-blade construction – a rare level of quality for a mobile lens. Painstaking spherical aberration control at both the design and the manufacturing stages contributes to beautiful G Master bokeh that make subjects really stand out. Two innovative XA elements allow for impossibly impressive close-ups with smooth, creamy background bokeh. The combination of F1.4 maximum aperture and the flexibility to choose the perfect shooting distance (minimum focusing distance of just 27cm with a maximum magnification of 0.23x in autofocus mode) allows for ultimate control and stunning bokeh when shooting both stills and video. Advanced focus for enhanced imagery Two of Sony’s XD (extreme dynamic) Linear Motors provide the high thrust efficiency needed for precise AF (autofocus) and tracking - resulting in outstanding resolution at any distance. State-of-the-art control algorithms, developed specifically for the XD Linear Motors, improve control response and precision whilst minimising vibration and noise for fast, smooth and silent AF performance. Advanced focusing can also be achieved when shooting at a high frame rate. Linear Response MF is ideal for creative focusing effects when shooting video as it ensures the focus ring responds to subtle control when focusing manually. The focus ring rotation translates directly to a corresponding change in focus, so control feels immediate and precise. Professional control and reliability The FE 35mm F1.4 GM offers full professional control, with a focus hold button, focus mode switch to support smooth, efficient operation. An aperture ring with switchable click stops can be turned off for movie shooting, and when used on an APS-C camera or with a Super 35 angle of view, it can be used as a standard lens equivalent to 52.5mm, making the FE 35mm F1.4 GM the perfect choice for creating videos. The focus hold button can be assigned to several other functions via a camera body menu, providing direct access to functions that are vital to photographers and videographers alike. It was created to be reliable with a dust and moisture resistant design and a fluorine front element coating that repels water, oil, and other contaminants.

Canon CN-E EF 20mm T1.5 (M)

The Canon CN-E 20mm T1.5 LF Cinema Prime Lens is a fixed focus manual focus lens that covers the Full Frame and Super 35 sensor formats. The lens offers a maximum aperture of T1.5, which is useful when shoot in low light situations or when you want to capture that aspect of extremely shallow depth of field. It has an 11-blade iris that provides round, fuzzy highlights for a natural-looking bokeh. The lens barrel has a gradual and uniform rotation of 300 ° from close focus to infinity, offering a high degree of precision and constant focus. The lens is equipped with gears with standard cinematic lens and is designed to minimize breathing of the focus and also has an innovative glass construction that contrasts the expansion and contraction of the barrel to avoid marking discrepancies induced by the temperature. It is double-fired, with marks on both sides of the barrel. The rear marks are located on an inclined surface, making it readable on both sides of the camera. It also has a dust and water resistant housing to minimize maintenance during normal use. Thanks to the use of anomalous dispersion glass, effective in reducing chromatic aberration, and large diameter aspherical lenses, this extraordinary 20mm Cine Prime offers high resolution 4K images over the entire frame.

Manfrotto MVGBF-CF Fast GimBoom Carbon Fibre

Manfrotto MVGBF-CF (MVGBF/CF, MVGBF CF, MVGBF_CF, MVGBFCF, mvgbf-cf) Fast GimBoom Carbon Fibre GimBoom is the revolutionary new FAST boom developed by Manfrotto with universal fitting for your Gimbal. From ground level to overhead position (drone perspective), the new Manfrotto GimBoom allows you to get more versatile and flexible use from your Gimbal, raising your production values to the next level. Thanks to its standard 3/8” and 1/4” top attachment screw, the GimBoom guarantees an easy connection with your Gimbal. It’s exceptionally compact (hand baggage size with 51cm minimum operating height) and lightweight (800g.) And, thanks to its carbon-fibre construction - capable of taking a payload of 6.5 kg at maximum extension - the GimBoom is also incredibly strong. The unique FAST Twisting Lock makes it quick and simple to deploy and extend, allowing the user to control the entire boom with a single gesture. With two risers and three telescopic sections, the full extended length is more than double (1.15m/45.27in) the minimum operating length (0.51m/20.07in), while the intuitive graphic design means locking and unlocking the boom have never been easier. Three thread connectors arranged at 120° on the top of the middle section enable the GimBoom to pair with dedicated GimBoom accessories, with a handy rubber cap to avoid damage when placing it on the ground.

Manfrotto MB-PL-RL-TL55 ProLight Reloader Tough-55 LowLid Carry-On Camera Roller Bag

Manfrotto MB-PL-RL-TL55 (MB PL-RL-TL55, MB PL RL TL55, MBPLRLTL55, MB_PL-RL-TL55, mb_pl-rl-tl55) ProLight Reloader Tough-55 LowLid Carry-On Camera Roller Bag The new Pro Light Reloader Tough L-55 case for DSLRs and premium CSCs is designed for professional travelling photographers and videographers. This case is Made in Italy with heavy-duty materials, based on lightweight and military standard, with an original Manfrotto style. IP67 testing approved: no ingress of dust and temporary immersion in water for 30 minutes. Manufactured and designed for travellers who do not want to compromise between safety and portability this case is cabin size compliant with most Airplane companies* and it is provided with 2 stage retractable trolley system. The new Pro Light Reloader Tough TL-55 has an internal removable camera organization unit with Manfrotto CPS adjustable dividers. The case can fit your DSLR with a 70/200 mm lens attached, a second camera body and 4-5 additional lenses depending on sizes. *Always check with your airline before flying for their current carry-on requirements. Be aware that overloading the bag will cause it to expand. Features Cabin Luggage This bag fits the standard to fit as carry-on luggage (due to ever changing restrictions, check with your carrier prior to departure) Camera Protection System Manfrotto's CPS – Camera Protection System has been specifically engineered and laboratory tested to garantee the highest level of protection and shock resistance where it really counts. External Tripod Connections This bag comes with the option and proper connections to attach your tripod externally. Flexi Dividers These custom designed dividers have the option to fold out of the way when needed or to be pulled out to protect your equipment in special situations. Interchangeable Dividers Both modular and easy to use, these dividers allow you to custom fit the inside of your bag around your gear by creating the exact size compartment for your gear.. Water Repellant A specially applied coating to the fabric which keeps resistant to moisture

Manfrotto MB-PL-RL-S55 Pro Light Reloader Spin-55 Carry-On Camera Roller Bag

Manfrotto MB-PL-RL-S55 (MB PL-RL-S55, MB PL RL S55, MBPLRLS55, MB_PL-RL-S55, mb_pl-rl-S55) Pro Light Reloader Spin-55 Carry-On Camera Roller Bag The new Pro Light Reloader Spin-55 Camera Roller Bag for DSLRs and premium CSCs is designed for professional travelling photographers. Manufactured and designed specifically for travellers, it fits international carry-on sizes*. This brand-new Pro Light roller bag is the hardside trolley of the collection: externally, it is made of polycarbonate material and internally of EVA molded tray to ensure lightweight and protection. It features 4 spinner double wheels to help carrying heavy gear and a front fast access for 15’’ laptop, accessories or a secondary access for photo gear. This roller bag comes with an internal organized pouch with CPS dividers for maximum flexibility of internal configuration that can be used as photo compartment or removed to use Spin-55 as normal travel luggage. It is equipped also with inner cross ribbons to hold personal items when using it as everyday suitcase. This roller bag can accommodate not only your DSLR attached with a 70/200 mm lens, a second DSLR body and up to 3-4 lenses as well as being able to comfortably fit a Premium CSC as a Sony A9 with additional lenses and a DJI Mavic Pro combo kit. Tailor your bag to suit your own equipment, with 12 protective dividers + 2 CPS internal dividers that can be easily adjusted depending what you’ve got going on that day. In addition it is equipped with 2 internal panel see-through pockets for organize all small camera accessories, cables, memory cards etc. *Always check with your airline before flying for their current carry-on requirements. Be aware that overloading the bag will cause it to expand. Features Cabin Luggage This bag fits the standard to fit as carry-on luggage (due to ever changing restrictions, check with your carrier prior to departure) Camera Protection System Manfrotto's CPS – Camera Protection System has been specifically engineered and laboratory tested to garantee the highest level of protection and shock resistance where it really counts. External Tripod Connections This bag comes with the option and proper connections to attach your tripod externally. Flexi Dividers These custom designed dividers have the option to fold out of the way when needed or to be pulled out to protect your equipment in special situations. Interchangeable Dividers Both modular and easy to use, these dividers allow you to custom fit the inside of your bag around your gear by creating the exact size compartment for your gear.. Laptop Compatible Protect your laptop during transport in the compartment. (See bag for exact sizes) Rain Protector Included fold out protector which when installed creates a barrier between the wet outside and dry inside of your bag. Water Repellant A specially applied coating to the fabric which keeps resistant to moisture

Insta360 999-8B3-E2A ONE R 1-Inch Edition Action Camera

Insta360 999-8B3-E2A (999/8B3/E2A, 999_8B3_E2A, 9998B3E2A, 999-8b3-e2a, CINAKGP/B, 85258091) ONE R 1-Inch Edition Action Camera The Insta360 ONE R 1" Edition is one of the key configurations of the modular ONE R action camera system. It includes the Core module, 1" Mod, Battery Base, and Mounting Bracket, also known as a frame. The 1" Mod features a large 1" sensor and captures up to 5.3K resolution video at 30 fps. It also captures 19MP and Raw photos. The Core module functions as the brain. It has a touchscreen live-view display with controls and is reversible so the display can be used for selfie/vlog shots. The 1" Mod and Core module mount side by side on the Battery Base, connecting into electronic contacts on it. The Battery Base has a built-in battery that powers the modules for approximately 65-70 minutes. The Battery Base is rechargeable via a USB interface. With everything thus set up, all the modules function together as one unit. When they're assembled like this and installed in the Mounting Bracket, the whole setup becomes waterproof down to 16' without any waterproof housing required. (The different modules are waterproof only after being fully assembled on the Battery Base and installed in the included Mounting Bracket.) Alternatively, for deeper waters, an optional 98' dive case is available specifically for use with the 1" Edition. The 1" Mod can be swapped out for other ONE R modules, sold separately, hence the modular aspect of the ONE R system, which ultimately allows you to approach different applications with one system. The large sensor of the 1" Mod ensures highly increased low-light capability and better detail and color at all resolutions. The 1" Mod also has built-in FlowState image stabilization that uses a scene-detection algorithm to stabilize your shots. This feature works well even in low-light conditions thanks to the large sensor. The stabilization smooths out camera shake so your images come out more balanced and professional looking. Insta360 has teamed up with Leica in the optical design of this module. The companion iOS/Android app used with the ONE R system has several creative functions that are specific to the 1" Mod. These include Starlapse mode, which automatically adjusts exposure settings to capture sweeping time-lapses of the night skies. Color Plus applies an automatic color grade to your footage, allowing you to turn standard videos into bright and colorful ones. Night Shot makes use of the 1" sensor to capture highly detailed low-light images. Other features include Slow-Mo (for 4K video and below), HDR Photo, and Voice Control.   Additional features of the ONE R include support for remote Bluetooth control from an Apple Watch or dedicated Insta360 GPS smart remote, both sold separately. The innovative, modular system also offers external mic support via an optional Insta360 USB Type-C to 3.5mm adapter. 1" Edition Key Features Core module with a touchscreen live-view display, reversible for selfie/vlog shots 1" Mod with low-light friendly 1" sensor captures up to 5.3K resolution video at 30 fps, 19MP photos in 3:2 and 16:9 aspect ratios, and Raw photos Battery Base with 65 to 70-minute built-in battery Mounting Bracket with 3-prong mount Waterproof down to 16' when the Core module, 1" Mod, and Battery Base are assembled and installed in the Mounting Bracket Optional 98' dive case supported FlowState image stabilization built into 1" Mod Starlapse mode, Color Plus, Night Shot, Slow-Mo, HDR Photo, Voice Control, and other creative features applicable with the 1" Mod via the companion iOS/Android app External mic support via an optional Insta360 USB Type-C to 3.5mm adapter Compatible Mobile Devices iOS A11 or above Android Kirin 980 or above Qualcomm Snapdragon 845 Exynos 9810 or above

Samyang 7998 XEEN 135mm T2.2 Cine Lens - PL Mount

Samyang 7998 (SAM-7998, SAM/7998, SAM_7998, SAM7998, SAM 7998, sam_7998) XEEN 135mm T2.2 Cine Lens - PL Mount Samyang's XEEN 135mm Cine Lens features an internal focus design so that the lens does not change size while focusing, minimizing breathing. Each lens in the Samyang Xeen cinema lens set is multi-coated for good contrast, glare prevention, and color matched to a factory standard, allowing you to assemble a set over time with minimal color shift. This 135mm focal length is often chosen for portraits and close-ups. The lens features dual-sided focus scales in feet, with dual-sided iris scales. The 11-bladed iris provides a round aperture for natural looking highlights and Bokeh. The lens is a manual focus and iris lens, and does not have auto focus or auto iris capability. It incorporates cinema-style focus and iris gears that share the same position across the lenses in the Xeen set. The common 114mm front diameter allows for quick lens changes when using a matte box and focus accessories. The focus ring rotates 200° from close focus to infinity; this gives you a high degree of precision and consistent focus.

Marshall CV-PTZ-BOX Internal Wall Enclosure For PTZ Cameras

Marshall CV-PTZ-BOX (CV/PTZ/BOX, CV_PTZ_BOX, CVPTZBOX, CV PTZ BOX, cv-ptz-box) Internal Wall Enclosure For PTZ Cameras Mount your CV605, CV610, CV612, CV620, or CV630 PTZ camera within a wall opening with this In-Wall Box Enclosure from Marshall Electronics. The wall enclosure fits inside a cutout in the wall that measures 9.4 x 7.4 x 3.7", and the included mounting kit provides the hardware and tools to secure it into the wall. A camera mounting plate with a 1/4"-20 screw is included to mount your PTZ camera.

Manfrotto MAN-A2018L Avenger C-Stand 18 with Sliding Leg

Manfrotto MAN-A2018L (MAN/A2018L, MAN_A2018L, A2018L, man_a2018l) Avenger C-Stand 18 with Sliding Leg Turtle base chrome plated steel stand with 3 sections and 2 risers. It features 1 sliding leg enabling you to use the stand on uneven surfaces. This stand has a maximum payload of 8kg and a maximum height of 1.75m. The stand is also available in black.

Marshall CV355-10X Compact HD Zoom Block Camera with 4.7mm-47mm 10x Zoom Lens

Marshall CV355-10X (CV355/10X, CV355_10X, CV35510X, cv355-10x) Compact HD Zoom Block Camera with 4.7mm-47mm 10x Zoom Lens Marshall CV355-10X features 10x optical (12x digital) zoom block and flexible 3GSDI/HDMI simultaneous outputs with clear HD images up to 1920×1080 at 60fps. Remote adjust and match settings include Iris, WB, Exposure, Pedestal, and many more over long distances or during setup with capable Auto settings that track environmental fluctuations. Constructed with a durable aluminium alloy body, full-sized BNC and HDMI connections, locking I/O cable carrying RS485/Audio/Power, and side impact protection panels to secure cable connections. Featuring a wide range of HD selections in 1920x1080i (interlaced), 1920x1080p and 1280x720p (progressive). Choose between 60, 59.94, 50, 30, 29.97, 25, 24, 23.98 frames per second to capture any workflow or application in every region of the world.

Canon RF-50mm-F1.2L-USM Lens

Canon RF-50mm-F1.2L-USM (RF_50mm-F1.2L-USM, RF50mm-F1.2L-USM, RF/50mm-F1.2L-USM, RF 50mm-F1.2L-USM) Lens. Distinguished by its speed, the RF 50mm f/1.2L USM from Canon is a desirable normal-length prime due to its versatile focal length and bright f/1.2 maximum aperture. This fast design excels in difficult lighting conditions and also benefits working with shallow depth of field and selective focus techniques. The optical layout incorporates one UD element and one aspherical element, which help to reduce both chromatic and spherical aberrations in order to produce greater clarity and sharpness. A rounded 10-blade diaphragm also benefits bokeh quality to suit isolating subjects with depth of field. Complementing the imaging capabilities is an apt ring-type Ultrasonic Motor, which delivers fast, near-silent autofocus and full-time manual focus override. Additionally, a unique Control Ring is integrated into the lens design for intuitive control over exposure settings from the lens itself. Normal-length prime is designed for full-frame Canon RF-mount mirrorless digital cameras. Exceptionally bright f/1.2 maximum aperture affords extensive control over depth of field for selective focus applications and also benefits working in low-light situations. One UD (Ultra-Low Dispersion) element is featured, and helps to minimize chromatic aberrations and color fringing in order to provide greater clarity and color accuracy. An aspherical element is used to correct spherical aberrations and distortion for improved sharpness and accurate rendering. Ring-type Ultrasonic Motor (USM), along with optimized focusing algorithms and a high-speed CPU, is employed to deliver fast, precise, and quiet autofocus performance as well as full-time manual focus override. Configurable Control Ring can be used to adjust a variety of exposure settings, including aperture, ISO, and exposure compensation. As a member of the esteemed L-series, this lens has a weather-resistant design that protects against dust and moisture to enable its use in inclement conditions. Rounded 10-blade diaphragm contributes to a pleasing bokeh quality.

Canon EF-75-300mm-F4.0-5.6-III-USM Zoom Lens

Canon EF-75-300mm-F4.0-5.6-III-USM (EF_75-300mm-F4.0-5.6-III-USM, EF75-300mm-F4.0-5.6-III-USM, EF/75-300mm-F4.0-5.6-III-USM, EF 75-300mm-F4.0-5.6-III-USM) Zoom Lens. The lightest 4x telephoto zoom lens in its class. Ideal for sports, portraiture, animals, etc. The telephoto effect can make the picture look compressed or have excellent background blur. At the 300mm focal length, you can fill the frame with a postcard from 4.9' away. The Micro-USM autofocus motor is quick, compact and quiet.

Canon EF-70-300mm-F4.5-5.6-DO-IS-USM Zoom Lens

Canon EF-70-300mm-F4.5-5.6-DO-IS-USM (EF_70-300mm-F4.5-5.6-DO-IS-USM, EF70-300mm-F4.5-5.6-DO-IS-USM, EF 70-300mm-F4.5-5.6-DO-IS-USM, EF/70-300mm-F4.5-5.6-DO-IS-USM) Zoom Lens. The Canon EF 70-300mm f/4.5-5.6 DO IS USM Lens is a relatively compact telephoto zoom offering superior maximum-aperture performance across its entire focal length range. It incorporates Canon's DO (Diffractive Optics) and IS (Image Stabilizing) technologies. The use of Diffraction Optics allows a lens to be shorter, lighter, and of higher image quality than comparable normal optical systems of the same focal length and aperture-while this lens is heavier than the consumer-grade EF 70-300mm f/4-5.6 IS USM lens, it is 28% shorter and uses Canon's very best ring-USM motor instead of the lighter, slower, and less costly 'micro-USM' motor. Beyond savings in mass, the DO lens performs admirably at its maximum aperture, with images that are very comparable to the "L" series telephotos. It has a circular aperture diaphragm to help create natural out-of-focus highlights, and its built-in image stabilizer allows you to handhold the lens at shutter speeds 3 steps slower than would otherwise be possible. The lens' AF is super-fast and silent with a ring-type USM that focuses down to 4.6', and features a zoom lock button that keeps the lens safe and secure when not in use or when being used at the shortest 70mm focal length setting. The EF 70-300mm f/4.5-5.6 DO IS USM is an ideal lens for sports, portraiture, animals, and other applications when you're shooting in relatively bright light. An autofocus telephoto zoom lens for both film and digital cameras Excellent maximum-aperture performance across entire zoom range Built-in image stabilizer action can be seen in the viewfinder Allows handheld images at shutter speeds 3 steps slower than without image stabilization Fast, silent autofocus with full-time manual focus override 28% Shorter than normal 70/75-300mm lenses Professionally sealed against moisture and dust ingress A superior performance, ultra-compact telephoto zoom lens with Canon's Image Stabilization. These Diffractive Optics elements are combined to reduce size and boost image quality. With rear focusing, the lens does not change length or rotate during focusing. Circular aperture diaphragm for natural-looking out of focus highlights Uses 58mm filters.

Canon CM-V1 Locking EF Mount Kit

Canon CM-V1 (CM_V1, CMV1, CM V1, CM/V1) Locking EF Mount Kit. The Canon CM-V1 Locking EF Mount Kit replaces the Canon EF mount that comes attached to your C500 Mark II. The locking mount maintains the same electronic functionality of the standard EF mount, but locks your lens into the mount to prevent play. Cinema lenses, especially zooms, require that lenses maintain a precise distance from the image plane for best results; any play between the lens and mount can cause the lens to suffer from poor optical or mechanical performance. The locking EF-C mount incorporates the EF mount electronic contacts and allows you to mount virtually any Canon EF mount lens, either the stills variety or the cinema lens variety, on your camera. The kit includes the locking EF mount and a shim kit for precisely adjusting the mount on your camera to ensure the correct flange distance.

Sony SEL-70350G.SYX E 70–350mm F4.5–6.3 G OSS Lens

Sony SEL-70350G.SYX (SEL70350G.SYX, SEL-70350G, SEL70350G, sel70350g) E 70–350mm F4.5–6.3 G OSS Lens Exquisite detail from 70 to 350 mm Optimised optical and mechanical design offers outstanding super-telephoto zoom performance for APS-C bodies (105–525 mm equiv.). Impressive G Lens quality is maintained throughout the zoom range right out to the image edges. All of this is packed into a compact, mobile 5x super-telephoto zoom lens with built-in optical image stabilisation. Coupled with α E-mount cameras from Sony, APS-C E-mount lenses deliver big camera performance. G Lens quality all the way to 350 mm (525 mm equiv.) One aspherical element and three ED (Extra-low Dispersion) glass elements in a precision optical design suppress aberration throughout the zoom range, including chromatic aberration that can be an issue at super-telephoto focal lengths. Excellent sharpness and rendering are achieved at all zoom settings, throughout the image area. Gorgeous telephoto G Lens bokeh is another advantage. Compact, mobile 5x super-telephoto zoom Although it offers a big 5x zoom range, this compact lens weighs in at just 625 g, enhancing the mobility of the entire camera system. 70–350 mm (105–525 mm equiv.) is an ideal range for a wide spectrum of subjects. Built-in optical image stabilisation makes it easier to capture crisp, blur-free imagery even when shooting handheld at super-telephoto focal lengths. XD Linear Motor in an APS-C lens Sony's original XD (extreme dynamic) linear motor technology has been applied in an APS-C lens, offering top-class autofocus performance that is fast, precise, and tenacious. Coupled with the advanced real-time AF capability of the latest compact APS-C bodies, you have a high-performance, easy-handling system for landscapes, wildlife and more. Control, reliability and mobility for any situation An Optical SteadyShot switch, customisable focus hold button, and zoom lock switch add control convenience to a lens that also features a dust and moisture resistant design2 for high reliability in challenging environmental conditions. All of this complements the lens’s portability, making pro-class control and dependability available wherever you go.

Sony SEL-400F28GM.SYX FE 400mm F2.8 GM OSS Lens

Sony SEL-400F28GM.SYX (SEL-400F28GM, SEL400F28GM.SYX, SEL400F28GM, sel-400f28gm.syx) FE 400mm F2.8 GM OSS Lens Innovative G Master F2.8 super telephoto Sony’s most advanced lens technologies have been unsparingly applied in this large-aperture super telephoto lens, achieving extraordinary speed, outstanding G Master resolution and bokeh, plus professional control and reliability. Moreover, the SEL400F28GM is a remarkably lightweight super telephoto lens, providing unparalleled handheld shooting freedom. Speed that maximises body performance New XD (extreme dynamic) Linear Motors deliver higher thrust than conventional types, achieving up to 5x improvement2 in moving-subject tracking performance with current and future camera bodies. Two of these new motors and newly developed algorithms quietly drive the lens’s large-focus lens group faster and more precisely than ever before. The full-speed performance of advanced camera bodies can be applied to capturing dynamic sports or wildlife subjects. Stunning G Master resolution and bokeh Extremely high design standards ensure outstanding resolution right out to the image edges. Three fluorite elements minimise chromatic aberration. Spherical aberration is carefully controlled during design and manufacture to achieve the highest possible bokeh quality. Optional high-performance 1.4x and 2.0x tele-converters are supported3, providing outstanding resolution and contrast even at 800 mm. Remarkably lightweight at just 2.90 g (102.2 oz) An innovative optical design that includes three fluorite elements reduces the number of elements at the front of the lens barrel for a low weight of 2,895 grams (102.2 ounces). Durable magnesium alloy components also contribute to reduced weight. Portability and handling are outstanding and ideal balance affords agile, easy operation whether shooting handheld or on a monopod. Durability and reliability for challenging conditions Dust- and moisture-resistant design4 provides the reliability needed for outdoor use in harsh conditions. A durable magnesium alloy used for the lens barrel exterior, tripod mount, and interior barrel components achieves tough durability while minimising overall weight. The front lens element features a fluorine coating that helps to keep it clean while making it easier to wipe dirt and fingerprints away. Features for professional shooting needs Full-time DMF allows manual focus to be engaged simply by rotating the focus ring, even while shooting in AF-C mode. Optical image stabilisation is built in and a new Mode 35 setting features an advanced algorithm that provides optimum stabilisation for dynamic sports action while also making framing easier. Four focus-hold buttons and a focus ring with Linear Response MF further enhance versatility.

Sony SEL-200600G.SYX FE 200–600mm F5.6–6.3 G OSS Lens

Sony SEL-200600G.SYX (SEL200600G.SYX, SEL-200600G, SEL200600G, sel-200600g.syx) FE 200–600mm F5.6–6.3 G OSS Lens Explore the world with 200–600 mm zoom Perfect for wildlife and more, this 200–600mm super-telephoto zoom can reach as far as 840mm or 1200mm with 1.4x and 2.0x teleconverters, with full G lens quality and AF performance. Aspherical and ED glass elements achieve superb resolution throughout the zoom range, while Sony's Nano AR Coating cuts flare and ghosting. The bokeh is gorgeous, too. Zoom to 600 mm, or 1,200 with teleconverter Compatible with optional 1.4x and 2.0x teleconverters, for a maximum focal length of 840 mm or 1,200 mm at F13. Both teleconverters are top quality, retaining outstanding image quality and AF performance. Zoom and aperture range with the 1.4x teleconverter is 280–840 mm, F8–9. With the 2.0x teleconverter the ranges are 400–1,200 mm, F11–13. High resolution throughout the zoom range Five ED (Extra-low Dispersion) glass elements and one aspherical element in a new optical design offer superb resolution and image quality throughout the zoom range. The aspherical element suppresses spherical aberration and distortion, while the ED glass elements minimise chromatic aberration, which can be a problem at super-telephoto focal lengths. Beautiful, natural G lens bokeh An 11-blade circular aperture mechanism adds to the beauty of the bokeh produced by this lens, making it possible to use the narrow depth of field available at super-telephoto focal lengths to produce striking images with deep, creamy G lens bokeh. Nano AR Coating stops flare and ghosting Sony's original Nano AR Coating has a uniform nanometre-level structure that breaks up the lens's boundary surface, significantly reducing reflections, which can cause image-degrading flare and ghosting. The overall result is superior image clarity and contrast. (1. Nano AR Coating / 2. Glass / 3. Transmitted light) 3-mode Optical SteadyShot Optical image Stabilisation makes it easier to shoot sharp images handheld at super-telephoto focal lengths. MODE 2 offers ideal Stabilisation for panned shots, while MODE 33 provides enhanced viewfinder Stabilisation that allows easier framing of erratic sports or wildlife movement. 5-axis Stabilisation is available with compatible α bodies. Fast, precise AF tracks swift subjects Sony's DDSSM (Direct Drive SSM) system has the power and precision needed to drive the lens's mechanism for remarkably fast, accurate focusing. High positioning accuracy means that no movement is wasted. Pinpoint autofocus is achieved with blazing speed. The DDSSM system is incredibly quiet, too. Three customisable focus hold buttons customisable focus hold buttons are provided in three locations 90° apart, providing easy access when shooting in horizontal orientation or vertical orientation with the camera grip up or down. Other functions can be assigned to the buttons as required. Focus range limiter for faster focus A focus range limiter switch makes it possible to limit the lens's autofocus range to 2.4 to 10 metres, 10 metres to infinity or allow full-range autofocus with no limit. This can speed up autofocus in some situations by preventing the lens from focusing on subjects outside the target range. Internal zoom supports stable shooting An internal zoom mechanism means that the length of the lens does not change while zooming, for stable handheld operation with consistent balance. Internal zoom also means that the distance between the front element and the subject does not change. Dust and moisture resistant design A dust- and moisture-resistant design provides the reliability needed for outdoor use in challenging conditions.4 Fluorine front-element coating The front lens element features a fluorine coating that repels water, oil, and other contaminants, while making it easier to wipe off any contaminants or fingerprints that do become attached to the lens surface. Natural, linear manual focus response Linear Response MF ensures that the focus ring responds directly and linearly to subtle control when focusing manually. Focus ring rotation translates directly to a corresponding change in focus, so control feels immediate and precise. Removable tripod mount A removable tripod mount allows quick attachment to or removal from a tripod so the user can easily switch between tripod and handheld shooting. The mount can also be removed for convenient transport and storage. A lock mechanism prevents accidental removal.

Vocas 0640-0001 MB-600 Filter Frame

Vocas 0640-0001 (0640_0001, 0640/0001, 06400001, 0640-0001) MB-600 Filter Frame The MB-600 Filter Frame from Vocas can be used with the MB-600 matte box system. It can also be used together with the MB-600 double or single rotatable filter stage (available separately).

Vocas 0640-0002 MB-600 Filter Frame

Vocas 0640-0002 (0640_0002, 0640/0002, 06400002, 0640-0002) MB-600 Filter Frame The MB-600 Filter Frame from Vocas can be used with the MB-600 matte box system. It can also be used together with the MB-600 double or single rotatable filter stage (available separately).

Vocas 0640-0004 MB-600 Filter Frame

Vocas 0640-0004 (0640_0004, 0640/0004, 06400004, 0640-0004) MB-600 Filter Frame The MB-600 Filter Frame from Vocas can be used with the MB-600 matte box system. It can also be used together with the MB-600 double or single rotatable filter stage (available separately).

Sony SAL-2470Z2.SYX 24-70mm f/2.8 ZA SSM II Vario-Sonnar T Lens

Sony SAL-2470Z2.SYX (SAL2470Z2, SAL-2470Z2, SAL2470Z2.SYX, sal-2470Z2.syx) 24-70mm f/2.8 ZA SSM II Vario-Sonnar T Lens A popular pick for professionals using full-frame A-mount cameras, the Vario-Sonnar T* 24-70mm f/2.8 ZA SSM II Lens from Sony covers many of the most commonly used focal lengths in its wide-angle to short telephoto range, which make this optic an outstanding option for photographers working quickly in a variety of shooting situations. Offering a constant f/2.8 aperture, shooters will enjoy consistent exposure throughout the zoom range. Also, the lens design incorporates two aspherical elements to combat aberrations and uses the Zeiss T* coating to effectively eliminate flare. Operation is smooth and fast with an enhanced Super Sonic wave Motor (SSM) AF system, as well as a focus hold button and focus mode switch for intuitive control. Assisting with focus speed is an internal focus design for faster performance and reaching a minimum focus distance of 11". Additionally, it has a dust- and moisture-resistant construction and a nine-blade circular diaphragm for smooth bokeh. Based on the Zeiss Sonnar optical concept, this lens uses a design with 17 elements in 13 groups that helps create a relatively compact wide-angle zoom with improved contrast, a resistance to flare, and with minimal distortion and chromatic aberrations. A standard-length zoom designed for full-frame A-mount cameras, the 24-70mm can also be used on APS-C camera systems where it will provide a 36-105mm equivalent focal length. A constant f/2.8 maximum aperture offers consistent performance throughout the zoom range and also lends greater control over focus position for shallow depth of field techniques. Zeiss T* anti-reflective coatings have been applied to each lens surface to help minimize reflections in order to provide greater image clarity, contrast, and color fidelity. Two extra-low dispersion glass elements are featured in the lens design to help reduce chromatic aberrations and color fringing for improved clarity and color neutrality. Two aspherical elements are incorporated in the lens design to reduce astigmatism, field curvature, coma, and other monochromatic aberrations. An SSM autofocus system and internal focus mechanism provides quick, quiet, and precise autofocus performance and also contributes to more natural, intuitive manual focus control. A focus hold button and focus mode switch are present on the lens barrel for intuitive tactile control and rapid access to select settings. Dust- and moisture-sealed design better permits working in inclement conditions. Rounded nine-blade diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques.

Vocas 0410-0015 4th Tilted 4x5.65 Filter Holder for MB-455

Vocas 0410-0015 (0410 0015, 0410/0015, 04100015, 0410_0015) 4th Tilted 4x5.65 Filter Holder for MB-455. The Vocas 4th Tilted 4x5.65 Filter Holder for MB-455 installs into the hood of the Vocas MB-455 Matte Box and provides additional flair reduction.

Vocas 0420-0601 Flexible Donut Adapter Ring for MB-435 & MB-455

Vocas 0420-0601 (0420_0601, 0420/0601, 04200601, 0420-0601) Flexible Donut Adapter Ring for MB-435 & MB-455 This is a 143mm Flexible Donut Adapter Ring for the Vocas MB-435 and MB-455 matte boxes. It supports a max lens diameter of 133mm and is also compatible with round 138mm filters. It comes with 4 soft rubber donut rings (112mm, 100mm, 75mm, 50mm).

Vocas 0410-0120 138mm Adapter for Diopter Holder

Vocas 0410-0120 (0410_0120, 0410/0120, 04100120, 0410-0120) 138mm Adapter for Diopter Holder Standard 138 mm adapter for use of one diopter in the diopter holder.

Vocas 0600-0920 Director's Monitor Cage Sunshade

Vocas 0600-0920 (0600_0920, 0600/0920, 06000920, 0600-0920) Director's Monitor Cage Sunshade Improve your monitor viewing in daylight or bright locations with the Director's Monitor Cage Sunshade from Vocas. This lightproof, water-resistant shade attaches directly to the Director's Monitor Cage and is compatible with most 7" on-camera monitors. This four-sided shade is adjustable in both height and width and its bottom may be trimmed to provide easier access to the front panel of a touchscreen monitor. The Vocas Director's Monitor Cage Sunshade is constructed of foam and aluminum.

Vocas 0410-0121 Dual 138 mm Adapter for Diopter Holder

Vocas 0410-0121 (0410_0121, 0410/0121, 04100121, 0410-0121) Dual 138 mm Adapter for Diopter Holder Dual filter adapter, enables the use of two 138mm filters in the diopter holder.

Vocas 0900-0125 Separate 15mm Support for LPL Adaptors

Vocas 0900-0125 (0900_0125, 0900/0125, 09000125, 0900-0125) Separate 15mm Support for LPL Adaptors Separate 15 mm rail support for Vocas LPL adaptors. When using heavy LPL lenses, it's recommended to use support for the adaptor, to protect both the lens mount.

Vocas 0500-1570 Knob Extender

Vocas 0500-1570 (0500_1570, 0500/1570, 05001570, 0500-1570) Knob Extender The Knob Extender from Vocas helps in placing the focus knob further away from the lens. This is useful when another accessory is in the way of the follow focus knob. The extender is designed for use with the MFC-2S and MFC-6 follow focus systems.

Vocas 0900-0128 Separate 15mm Support for LPL Adaptors for Top Rails

Vocas 0900-0128 (9000_0128, 9000/0128, 90000128, 9000-0128) Separate 15mm Support for LPL Adaptors for Top Rails Separate 15 mm rail support for Vocas LPL adapters for top rails. When using heavy LPL lenses, it's recommended to use a support for the adapter, to protect both the lens mount. This support can be attached to any 15 mm top rails.

Vocas 0410-0005 Tilt Filter Unit for MB-450

Vocas 0410-0005 (0410_0005, 0410/0005, 04100005, 0410-0005) Tilt Filter Unit for MB-450 The Vocas Tilt Filter Unit offers enhanced lens flare effect reduction. Used with the MB-450 production series mattebox, the Tilt Filter Unit minimizes reflections occurring between filters and front lens. You can eliminate lens flare effect by tilting 1 filter using the Tilt Filter Unit. You can augment the lens flare reduction capabilities of the Tilt Filter Unit by placing it inside the hood of the MB-450 mattebox. This requires removal of the filter frame located in the non-rotatable filter tray.

Vocas 0370-0171 V-lock Mount Plate with 4 pin XLR Connector

Vocas 0370-0171 (0370_0171, 0370/0171, 03700171, 0370-0171) V-lock Mount Plate with 4 pin XLR Connector 15 mm Battery adapter plate including V-lock mount and cable for powering cameras with a 4 pin XLR power socket through V-lock batteries. The V-lock mount plate has a 10A fuse and 1x unregulated D-Tap. The length of the power cable is 35 cm. The kit consists of a V-lock mount plate (0370-0170) which is mounted on the battery adapter plate for 15 mm rails (0370-0105), to provide a complete V-lock powering solution on 15 mm rails.

Vocas 0620-0311 MB-600 Single Rotatable Filter Stage

Vocas 0620-0311 (0620_0311, 0620/0311, 06200311, 0620-0311) MB-600 Single Rotatable Filter Stage This filter stage attaches to the front unit or other filter stages through the mushroom connections found on each module. It allows the use of a single filter frame which can be fully rotated and features a filter frame and rotation lock. It is possible to stack multiple filter stages to increase the amount of usable filters.

Vocas 0500-1221 MFC-2 / 6 Studio Knob Standard

Vocas 0500-1221 (0500_1221, 0500/1221, 05001221, 0500-1221) MFC-2 / 6 Studio Knob Standard This is a separate focus knob for the MFC-2 / 6 follow focus The material of the knob is industrial plastic and it has a standard follow focus accessory attachment.

Vocas 0620-0312 MB-600 Double Rotatable Filter Stage

Vocas 0620-0312 (0620_0312, 0620/0312, 06200312, 0620-0312) MB-600 Double Rotatable Filter Stage This filter stage attaches to the front unit or other filter stages through the mushroom connections found on each module. It allows the use of two filter frames which can be fully rotated together and features a filter frame and rotation lock. It is possible to stack multiple filter stages to increase the amount of usable filters.

Vocas 0900-0151 LPL-mount Close Focus Adapter

Vocas 0900-0151 (0900_0151, 0900/0151, 09000151, 0900-0151) LPL-mount Close Focus Adapter When using this LPL close focus adapter on a LPL mount a macro function will be added to the lens. With the Close Focus Adapter you will extend the flange distance between lens and camera. The increase in distance is 20 mm for this adapter. When using LPL lenses with this adapter you will get a very small depth of field, like with macro lenses.

Vocas 0216-2010 MB-216 Matte Box Kit

Vocas 0216-2010 (0216_2010, 0216/2010, 02162010, 0216-2010) MB-216 Matte Box Kit The Vocas MB-216 Matte Box kit designed for any camera with 15mm LW support. This kit consists of an MB-216 matte box, a 114mm flexible cuff ring, 15mm swing away bracket and a height adjustable bars adapter.

Vocas 0500-0035 MFC-3F Follow Focus

Vocas 0500-0035 (0500_0035, 0500/0035, 05000035, 0500-0035) MFC-3F Follow Focus The unique feature of the new follow focus system MFC-3 is that the focus knob and drive gear consist of only one part, there is no transmission in the new MFC-3. This is a direct drive, and because of the elimination of internal gears, there can never be any difference in the motion going in and going out, making it 100% playless, Vocas can guarantee you that. This design also results in the MFC-3 having a 1:1 'transmission' ratio making it ideal for lenses with a small focus throw such as DSLR lenses and smaller cameras with integrated lenses. Additionally, because of the elimination of internal gears the lifespan of the product is increased dramatically. The unique shape of the drive gear teeth is what makes this all possible. These specially shaped teeth can push the gear ring of the lens up or down when rotating the focus knob the same way a camera operator is used to. The MFC-3F has one additional feature over the standard version, namely it has an adjustable friction built in. Rotating the red dial on the focus knob allows you to fine tune the internal friction of the MFC-3F yo your own preference. This follow focus is angled slightly downwards for more comfort and can be rotated horizontally to a certain extent to make operating it even more ergonomic. The rotation direction can also be reversed. This is easily done by moving the follow focus forward and backwards to let the gear grip the lens on the left or right side of the drive gear.

Vocas 0900-0116 Sony E-mount to LPL Adapter

Vocas 0900-0116 (0900_0116, 0900/0116, 09000116, 0900-0116) Sony E-mount to LPL Adapter Sony E-mount to LPL adapter excluding 15 mm rail support. This adapter allows the use of LPL lenses on E-mount cameras. The separate Vocas LPL mount cap is included. *** Please see that this is a special order item.

Vocas 0400-0436 MB-436 Matte Box

Vocas 0400-0436 (0400_0436, 0400/0436, 04000436, 0400-0436) MB-436 Matte Box The MB-436 Clip-On Matte Box from Vocas is for use with specific lenses, sensors, and 3D cameras. It is also compatible with the optional Vocas Swing Away Bracket. The MB-256 has one 4 x 5.65" filter frame and one rotatable 4 x 4" filter tray, a place for one fixed 4 x 4" filter in the front end of the hood.

Vocas 0410-0100 5-Axis Diopter Holder

Vocus 0410-0100 (0410_0100, 0410/0100, 04100100, 0410-0100) 5-Axis Diopter Holder The 5-axis diopter holder is ready to use on 15 mm rails. It allows you to enhance your creativity and enables you to shoot that previously impossible shot with adjusted and / or multiple focus planes.  The 5-axis diopter holder gives you the possibility to adjust the pitch, roll, yaw, vertical and horizontal shift. These axes can be changed independently and run through the optical axis, which means the diopter’s position to the lens will not change while tilted, rolled or rotated. So the Vocas 5-axes diopter holder will not interfere with your creativity.   The diopter holder allows any round 138 mm diopter and, due to its flexible cuff, will fit any lens perfect while preventing stray light. For additional accessories, for example a flexible flag, an interchangeable (1/4” or 3/8 “) treaded hole is available which is located at the top of the diopter holder.

Vocas 0410-0101 5-Axis Diopter Holder

Vocus 0410-0101 (0410_0101, 0410/0101, 04100101, 0410-0101) 5-Axis Diopter Holder The 5-axis diopter holder kit is ready to use on 15 mm or 19 mm rails. It allows you to enhance your creativity and enables you to shoot that previously impossible shot with adjusted and / or multiple focus planes.  The 5-axis diopter holder gives you the possibility to adjust the pitch, roll, yaw, vertical and horizontal shift. These axes can be changed independently and run through the optical axis, which means the diopter’s position to the lens will not change while tilted, rolled or rotated. So the Vocas 5-axes diopter holder will not interfere with your creativity! The diopter holder allows any round 138 mm diopter and, due to its flexible cuff, will fit any lens perfect while preventing stray light. For additional accessories, for example a flexible flag, an interchangeable (1/4” or 3/8 “) treaded hole is available which is located at the top of the diopter holder. The kit includes the 5-axis Diopter holder (0410-100) and the Universal 19 mm to 15 mm adapter (0490-0001).

Canon SS-42-IASD Zoom/Focus Servo Kit

Canon SS-42-IASD (SS/42/IASD, SS_42_IASD, ss-42-iasd) Zoom/Focus Servo Kit The Canon SS-42-IASD Zoom/Focus Servo Kit includes the FPD-400D Focus Demand, the ZSG-200M Zoom Demand, the CR-10 Tripod Handle Mount and the EC-80 Zoom Demand Cable. This kit is for select Canon broadcast video lenses. Please consult your lens manual to verify compatibility. The FPD-400D provides precision focus control and is useful in a variety of professional broadcast applications.

Canon MS-15 Economical Zoom and Focus Control Kit

Canon MS-15 (MS/15, MS_15, ms-15) Economical Zoom and Focus Control Kit The Canon MS-15M is a digital semi-servo (MS = manual/servo) rear lens controller kit for ENG/EFP lenses, including YH13 and YH14. The kit consists of flex cable, flex focus module, focus handle, and zoom demand. The MS-15M covers the complete range of precision zoom/focus functions and is useful in both field recording and broadcast environments, including live event and sports coverage.

Canon FM-12 Flexible Focus Module for Canon ENG/EFP Lenses

Canon FM-12 (FM/12, FM_12, fm-12) Flexible Focus Module for Canon ENG/EFP Lenses The Canon FM-12 is a flexible focus module for Canon EFP/ENG lenses. The module is used in conjunction with a manual focus controller, increasing critical focus precision.

Canon 3803C003 CN-E 85mm T1.3 FP X Sumire Cinema PL Mount Prime Lens

Canon 3803C003 (CN-E 85mm T1.3 FP X SUMIRE, CN-E 85mm T1.3 FP X, cn-e-85mm-pl) CN-E 85mm T1.3 FP X Sumire Cinema PL Mount Prime Lens The Sumire Prime CN-E85mm T1.3 FP X lens offers a compact, consistent lens design and proven Canon lens elements for performance and reliability in professional shooting environments. Intended for the working professional, Sumire Prime CN-E85mm T1.3 FP X lens has markings on angled surfaces on both sides of the barrel, making it easy to read focus and aperture settings from behind or from either side of the camera. Focus markings can even be switched from standard labeling to metric. The control rings are engineered to maintain the proper amount of resistance with consistent operating torque. Designed to fulfill contemporary 4K production standards, it features a full-frame imaging circle in a lightweight, compact design. This phenomenal lens is also perfect for any number of applications. It also features an 11-blade aperture diaphragm for beautiful background blur and innovative glass construction that counteracts barrel expansion and contraction to avoid temperature induced marking discrepancies. Sumire Prime Lenses Canon's brilliant Sumire Prime lenses offer spectacular optical performance for demanding high-end productions. Sharing the same gear position, front diameter and rotation angle, the lenses' compatibility with third-party accessories allows crews to easily change lenses without making adjustments to the rig setup. Perfect on the EOS C700 FF, these lenses are designed for use with the latest full-frame and Super 35mm PL-mount cameras from leading manufacturers.

Canon 3361C003 CN-E 50mm T1.3 FP X Sumire Cinema PL Mount Prime Lens

Canon 3361C003 (CN-E 50mm T1.3 FP X SUMIRE, CN-E50mm T1.3 FP X, CN-E 50MM T1.3, cn-e-50mm-pl) CN-E 50mm T1.3 FP X Sumire Cinema PL Mount Prime Lens The Sumire Prime CN-E50mm T1.3 FP X lens offers a compact, consistent lens design and proven Canon lens elements for performance and reliability in professional shooting environments. Intended for the working professional, Sumire Prime CN-E50mm T1.3 FP X lens has markings on angled surfaces on both sides of the barrel, making it easy to read focus and aperture settings from behind or from either side of the camera. Focus markings can even be switched from standard labeling to metric. The control rings are engineered to maintain the proper amount of resistance with consistent operating torque. Designed to fulfill contemporary 4K production standards, it features a full-frame imaging circle in a lightweight, compact design. This phenomenal lens is also perfect for any number of applications. It also features an 11-blade aperture diaphragm for beautiful background blur and innovative glass construction that counteracts barrel expansion and contraction to avoid temperature induced marking discrepancies. Sumire Prime Lenses Canon's brilliant Sumire Prime lenses offer spectacular optical performance for demanding high-end productions. Sharing the same gear position, front diameter and rotation angle, the lenses' compatibility with third-party accessories allows crews to easily change lenses without making adjustments to the rig setup. Perfect on the EOS C700 FF, these lenses are designed for use with the latest full-frame and Super 35mm PL-mount cameras from leading manufacturers.

Canon 3360C003 CN-E35mm T1.5 FP X Sumire Cinema PL Mount Prime Lens

Canon 3360C003 (CN-E 35mm T1.5 FP X, CN-E 35MM T1.5, cn-e-35mm-pl) CN-E35mm T1.5 FP X Sumire Cinema PL Mount Prime Lens Subtle, cinematic and expressive. Yet beautifully refined. Designed to offer delicate and subtle rendering of a subject, these seven prime lenses offer fast apertures and precise manual control with a crafted focus bokeh aimed at careful creative expression.Capture every detail with ease Specially designed ‘cinematic look’: A unique optical design offers a nuanced look at the lens’ wider aperture settings, subtly modifying textural renderings for pleasing bokeh with superb expressiveness. PL mount with Full-Frame coverage: The lens offers wide compatibility options for PL mount 35mm Full-Frame and Super 35mm cameras and can be changed to an EF mount at any authorised service facility.  Unified warm colour tone: Sumire primes inherit the same subtle warm colour tone from the Canon cinema lens range, making it easy to change lenses without affecting colour balance.  Fast and bright with beautiful bokeh: A fast T-number is thanks to a large lens diameter and together with an 11-blade iris, offers richer levels of bokeh. The lens design also significantly reduces focus breathing. Fine focusing with filter and gear consistency: With carefully developed focus resistance, delicate focus adjustments can be made over a 300-degree rotation angle. All lenses accept 105mm screw-on filters, have a 114mm diameter lens front and have consistently positioned gears for ease of use.

Canon 3802C003 CN-E20mm T1.5 FP X Sumire Cinema PL Mount Prime Lens

Canon 3802C003 (CN-E20mm-T1.5-FP-X, cn-E_20mm_t1.5_fp_x, sumire-prime-cn-e-20mm-pl) CN-E20mm T1.5 FP X Sumire Cinema PL Mount Prime Lens Subtle, cinematic and expressive. Yet beautifully refined. Designed to offer delicate and subtle rendering of a subject, these seven prime lenses offer fast apertures and precise manual control with a crafted focus bokeh aimed at careful creative expression.Capture every detail with ease Specially designed ‘cinematic look’: A unique optical design offers a nuanced look at the lens’ wider aperture settings, subtly modifying textural renderings for pleasing bokeh with superb expressiveness. PL mount with Full-Frame coverage: The lens offers wide compatibility options for PL mount 35mm Full-Frame and Super 35mm cameras and can be changed to an EF mount at any authorised service facility.  Unified warm colour tone: Sumire primes inherit the same subtle warm colour tone from the Canon cinema lens range, making it easy to change lenses without affecting colour balance.  Fast and bright with beautiful bokeh: A fast T-number is thanks to a large lens diameter and together with an 11-blade iris, offers richer levels of bokeh. The lens design also significantly reduces focus breathing. Fine focusing with filter and gear consistency: With carefully developed focus resistance, delicate focus adjustments can be made over a 300-degree rotation angle. All lenses accept 105mm screw-on filters, have a 114mm diameter lens front and have consistently positioned gears for ease of use.

Canon 3801C003 CN-E14mm T3.1 FP X Sumire Cinema PL Mount Prime Lens

Canon 3801C003 (CN-E 14mm T3.1 FP X, cn-e 14mm t3.1 fp x, CN-E_14mm_T3.1_FP_X) CN-E14mm T3.1 FP X Sumire Cinema PL Mount Prime Lens Designed to offer delicate and subtle rendering of a subject, the Canon CN-E14mm T3.1 FP X Sumire Cinema PL Mount Prime Lens offers fast aperture and precise manual control with a crafted focus bokeh aimed at careful creative expression. Specifically Designed 'Cinematic Look' A unique optical design offers a nuanced look at the lens' wider aperture settings, subtly modifying textural renderings for pleasing bokeh with superb expressiveness. PL Mount with Full-Frame Coverage The CN-E14mm lens offers wide compatibility options for PL mount 35mm Full-Frame and Super 35mm cameras and can be changed to an EF mount at any authorised service facility. Unified Warm Colour Tone Sumire primes inherit the same subtle warm colour tone from the Canon cinema lens range, making it easy to change lenses without affecting colour balance. Fast and Bright with Beautiful Bokeh A fast T-number is thanks to a large lens diameter and together with an 11-blade iris, offers richer levels of bokeh. The lens design also significantly reduces focus breathing. Fine Focusing with Filter and Gear Consistency With carefully developed focus resistance, delicate focus adjustments can be made over a 300-degree rotation angle. All lenses accept 105mm screw-on filters, have a 114mm diameter lens front and have consistently positioned gears for ease of use.

Canon 3804C003 CN-E135mm T2.2 FP X Sumire Cinema PL Mount Prime Lens

Canon 3804C003 (CN-E-135mm-T2.2-FP, CN-E/135mm/T2.2/FP, cn-E_135mm_t2.2_fp) CN-E135mm T2.2 FP X Sumire Cinema PL Mount Prime Lens Subtle, cinematic and expressive. Yet beautifully refined. Designed to offer delicate and subtle rendering of a subject, the CN-E135mm T2.2 FP X Sumire Cinema PL Mount Prime Lens offers fast aperture and precise manual control with a crafted focus bokeh aimed at careful creative expression. Specially Designed 'Cinematic Look' A unique optical design offers a nuanced look at the lens' wider aperture settings, subtly modifying textural renderings for pleasing bokeh with superb expressiveness. PL Mount with Full-Frame Coverage The lens offers wide compatibility options for PL mount 35mm Full-Frame and Super 35mm cameras and can be changed to an EF mount at any authorised service facility. Unified Warm Colour Tone Sumire primes inherit the same subtle warm colour tone from the Canon cinema lens range, making it easy to change lenses without affecting colour balance. Fast and Bright with Beautiful Bokeh A fast T-number is thanks to a large lens diameter and together with an 11-blade iris, offers richer levels of bokeh. The lens design also significantly reduces focus breathing. Fine Focusing with Filter and Gear Consistency With carefully developed focus resistance, delicate focus adjustments can be made over a 300-degree rotation angle. All lenses accept 105mm screw-on filters, have a 114mm diameter lens front and have consistently positioned gears for ease of use.

Canon 1518B009AD KJ20x8.2B KRSD 8.2-164mm HDgc ENG Zoom Lens

Canon 1518B009AD (KJ20x8.2B-KRSD, KJ20x8.2B/KRSD, KJ20x8.2B_KRSD, kj20X8.2b krsd) KJ20x8.2B KRSD 8.2-164mm HDgc ENG Zoom Lens Canon's KJ20x8.2B KRSD offers an impressive specification alongside a compact design that guarantees advanced performance and operability. Its 20x zoom lens offers a 1.0 second maximum speed over its entire zoom range, alongside a Minimum Object Distance of 0.9M (10mm with Macro). Focal lengths range from an extra-wide angle 8.2mm (60.7 degrees angular field of view horizontal in 16:9 aspect ratio) to 164mm, combining with a f/1.9 maximum reflective aperture to provide excellent operational capabilities – all in a package weighing just 1.25 kg. Optical performance that outperforms the rest - The new lens has been developed to deliver superior optical performance within its category. With tighter control of MTF across the entire image plane, a minimisation of chromatic aberrations and the maximisation of image contrast, the lens delivers superb levels of picture sharpness. Contrast is maximised thanks to substantial reduction of flare, veiling glare and internal reflections. The lens offers tight control of the geometric distortion at wide-angle settings, while spectral transmittance characteristic is to HDTV colorimetric standards. With relative light distribution optimised for more open aperture settings, uniform brightness, excellent picture sharpness and high contrast, operators can be sure of producing vividly clear HD pictures. Advanced technologies for pristine imaging - The superior optical performance of the Canon KJ20x8.2B KRSD can be attributed to a range of Canon technical innovations. A new optical design includes the precision optical element and multilayer coatings, as well as Canon’s Internal Focus – a floating optical system that vastly improves control of chromatic aberrations. The lens also incorporates Shuttle Shot, an advanced digital drive system that allows operators to precisely zoom between pre-programmed focal lengths, instantly and on-demand. Solid, reliable, rugged and Earth friendly - The KJ20x8.2B KRSD’s has been manufactured to exacting Canon standards. A range of user-friendly design features have been included, such as a compact drive unit mounted to the lens at an ergonomically designed 12.5 degree angle, to improve comfort and balance during operation. Like all of Canon’s current lenses, the lens is also designed with the environment in mind, with the use of any materials and substances potentially harmful to the environment completely eliminated. Its high-grade design also makes it suitable for shooting in a wide range of situations – offering outstanding flexibility to complement its advanced performance.

Canon 2098B004AC KJ13x6B KRSD HDgc 13x 2/3" ENG/EFP Lens

Canon 2098B004AC (KJ13x6-KRSD, KJ13x6B_KRSD, KJ13x6B/KRSD, kj13X6b krsd) KJ13x6B KRSD HDgc 13x 2/3" ENG/EFP Lens The Canon KJ13x6B KRSD HDgc 13x 2/3" ENG/EFP Lens is a 13x zoom lens for professional 2/3" HD video cameras that comes with a full-servo mode. The lens is intended for the HD News gathering, reality show and lower budget HD production markets. The focal-length range is 6-78mm with a shallow minimum object distance of 15.7" (0.4 m). KJ13x6B also offers a wide field of view of 77.3 degrees. The KJ13x6B represents a strong compromise between the demands for mobility in a handheld HDTV camera system and the high imaging performance requirements for HDTV production. High Definition Ready This HD lens weighs the same as its SD predecessor, yet it is designed specifically for HD Video. The multi-coated lens elements are designed to produce clear and sharp HD images. Improved Image Quality The lens element design greatly reduces aberrations and image distortions. These advances contribute to more balanced imaging from center to edge throughout the aperture range. Shuttle Shot The KJ13x6B also comes outfitted with Shuttle Shot, which allows the lens to memorize two focal lengths and the Digital Drive can zoom back and forth between the two positions. It can be used to zoom to the telephoto position to check focus and then return instantly to the original position or you can "shuttle" between any two zoom positions at any time. Maximum zoom time between positions is 1.2 seconds. Internal Focus for Ultimate Versatility The lens is made for the highest quality professional video cameras. The front lens element is stationary and can be used with a matte box for greater lens flair protection as well as a wide array of square and rectangular filters. Ecological Design This lens avoids the use of materials and substances potentially harmful to the environment in its construction.

Canon 3792C005 RF 70-200mm F2.8L IS USM Lens

Canon 3792C005 (RF-70-200mm-f/2.8L-IS-USM, RF/70-200mm/f/2.8L/IS/USM, RF_70-200mm_f/2.8L_IS_USM, rf 70-200mm f/2.8l is usm) RF 70-200mm F2.8L IS USM Lens For serious enthusiasts and pros looking for the ultimate telephoto zoom, the RF 70-200mm F2.8L IS USM offers exceptional image quality in a compact and lightweight body, designed to work in all conditions. This RF system lens is the smallest of its kind while providing even higher image quality compared to the legendary EF 70-200mm f/2.8L IS II USM so beloved of DSLR users. Appealing to sports, travel, portrait or wedding photographers because of its lightness and amazing 5-stop image stabilisation, the RF 70-200mm F2.8L IS USM will take your photography to new heights thanks to Dual Nano USM motors for even faster focusing, advanced lens coatings for even sharper images and L-series build quality for outstanding results in all conditions. An essential workhorse lens, with a 70-200mm focal length range, perfect for travel, wildlife, news and sport A constant f/2.8 aperture gives exceptional clarity in low light as well as excellent depth-of-field creativity For the first time in a Canon lens, dual Nano USM motors bring incredible new levels of rapid and silent continuous focusing, perfect for stills or video Fluorine coatings used on the front and rear elements allows the outer surfaces to be cleaned easily to help resist dust and scratches A 5-stop Image Stabilizer provides new levels of handholding agility, perfect for reportage or wedding work where light levels fluctuate A 9-blade aperture makes highlights really stand out and allows excellent depth-of-field creativity The build quality is distinctly L-series with weather-sealing and fluorine coatings on the front and rear elements to guard against water, dust and scratches Thanks to the lens design, it’s shorter and more compact than the EF equivalent, with improved close focusing and full-time manual focusing as well as rapid AF Zoom ring lock stops the lens from accidentally extending when travelling, making it a compact lens when stowed in a bag White heat-blocking paint ensures the lens internal components do not overheat in extreme temperatures

Canon 3447C005 RF 85mm F1.2L USM Lens

Canon 3447C005 (RF 85MM F1.2L USM, RF 85mm f/1.2L USM, rf 85mm f/1.2l usm) RF 85mm F1.2L USM Lens The Canon RF 85mm F1.2L USM lens offers a superior optical performance thanks to its advance lens design and the use of ground-breaking Canon EOS R optics. Designed with a short telephoto focal length for flattering portraits, it produces elegant and detailed results with a pleasing perspective and no distortion. Thanks to the fast speed of the RF mount, the RF 85mm F1.2L USM locks onto a subject quickly, while the Lens Control Ring provides additional control over the settings. The RF 85mm F1.2L USM is the ideal short telephoto for flattering portraits, producing elegant and detailed results with a pleasing perspective and no distortion With a fast f/1.2 aperture, the lens is superb in low light offering incredible sharpness and creative expression with pleasing and unique bokeh The lens employs Blue Spectrum Refractive (BR) optics and a UD lens element which negate colour aberrations, while a ground aspheric lens element and ASC coating prevent flare The build quality redefines L-series quality with weather-sealing and fluorine coatings on the front and rear elements to guard against water, dust and scratches The RF 85mm F1.2L USM is fast to lock onto a subject while the Lens Control Ring provides additional customisable control over settings

Canon 3680C005 RF 24-70mm F2.8L IS USM Lens

Canon 3680C005 (RF 24-70mm f/2.8L IS USM, RF 24-70MM F2.8L IS USM, rf 24-70mm f/2.8l is usm) RF 24-70mm F2.8L IS USM Lens The RF 24-70mm F2.8L IS USM is a fast RF zoom lens with the popular 24-70 mm focal length plus a fast and constant f/2.8 maximum aperture, producing exceptional optical quality. With 5-stops of image stabilisation it’s great in low light and ideal for a wide range of subjects where speed and versatility are key such as reportage, portraiture and wedding photography. Change exposure settings instantly without taking your eye away from the viewfinder, or control favoured settings all via the Lens Control Ring, ideal for a variety of situations including macro work, with focusing as close as 0.21 m.

Canon 3682C005 RF 15-35mm F2.8L IS USM Lens

Canon 3682C005 (RF-15-35mm-F2.8L-IS-USM, RF/15-35mm/F2.8L/IS/USM, RF_15-35mm_F2.8L_IS_USM, rf 15-35mm f/2.8l is usm) RF 15-35mm F2.8L IS USM Lens Capture new creative angles thanks to this fast and sharp, professional f/2.8 ultra-wide-angle zoom lens. Designed for exceptional flexibility even low light, this L-series RF lens is ideal for landscape and architectural photography thanks to its superb wide-angle quality and 5-stop Image Stabilization; producing clear and dynamic angles even in tight spaces. Enjoy rapid, accurate focusing thanks to a Nano USM motor that ensures instant and silent autofocus with exceptional smoothness ideal for shooting movies. Plus control your settings via the Lens Control Ring, for use in many situations including macro work, with focusing as close as 0.28 m.

Canon 2309C005 EF 70-200mm f/4L IS II USM Lens

Canon 2309C005 (EF 70-200mm f/4L IS II USM, EF 70-200mm f4.0L IS USM, 70-200mm f4L IS II USM, 70-200mm_f4l_is_ii_usm) EF 70-200mm f/4L IS II USM Lens Ideal for photographers on the move, the professional L-Series EF 70-200mm F/4L IS II USM is designed to deliver superb image quality for a range of subjects in a compact and lightweight design. Built to withstand the rigours of professional use, its robust and weather-sealed for durable performance and the constant f/4 maximum aperture ensures consistent exposures at every zoom setting for a truly versatile experience. With a 70-200mm zoom range suitable for landscape and photojournalism, this lens earns a permanent place in a travelling photographer’s kit bag.

Manfrotto MAN-MB-PL-RL-TH55 Pro Light Reloader Tough-55 High Lid Carry-On Camera Rollerbag

Manfrotto MAN-MB-PL-RL-TH55 (MAN/MB-PL-RL-TH55, MAN MB-PL-RL-TH55, MANMB-PL-RL-TH55, MB-PL-RL-TH55) Pro Light Reloader Tough-55 High Lid Carry-On Camera Rollerbag. Store, transport, and protect two DSLRs, an attached select 400mm f/2.8 lens, three to four additional lenses, and related accessories in the black Pro Light Reloader Tough-55 High Lid Carry-On Camera Rollerbag from Manfrotto. This lightweight case features an IP67 waterproof rating, padded touch-fastening dividers with lid foam, latch closure, and metal hasps for optional padlocks. Photographers will appreciate the included strap and pouch tripod holder system. Carry the case with the side handle or roll it with the retractable handle and built-in wheels. The Pro Light Reloader Tough H-55 has an internal removable camera organization unit that can be customized using the Manfrotto CPS adjustable dividers. The case can hold a pro DSLR with a 400/f2.8 lens attached, a second camera body, and 3-4 additional lenses depending on sizes IP67 testing approved Always check with your airline before flying for their current carry-on requirements.

Canon 9660B001 RC-V100 Remote Controller

Canon 9660B001 (RCV100, RC_V100, RC/V100, rc-v100) RC-V100 Remote Controller The Canon Remote Control RC-V100 offers camcorder users greater freedom. Whether in a studio, on location, or simply somewhere previously out of reach, it provides wired remote control of almost any camcorder function. Powerful remote control This powerful wired remote control for Canon's professional camcorders brings basic and advanced image adjustment to your fingertips. Connect via the REMOTE A socket using the standard 5m 3.5mm-2.5mm jack cable, or with the REMOTE B socket (using the optional 8-pin RR-10 and RR-100 cables) for faster performance, simultaneous operation and increased range - up to 10m and 100m respectively. Extensive control The RC-V100 combines some of the benefits of an advanced remote control and a Camera Control Unit (CCU), typically found in a studio environment. Almost any adjustable function can be controlled - from focus, iris and zoom, to user-specific options such as Custom Picture presets and specific image adjustments like knee point and slope. Record more, differently Certain scenarios demand remote camera control: when the camera is mounted on a jib for elevated shots, for example, or in scenarios that require quick adjustment to compensate for changing conditions. Thanks to remote access and control, these recording obstacles can be overcome. In combination with the RC-V100, Canon professional camcorders become even more versatile tools to help realise your creative vision. Intuitive layout for greater control The controller's intuitive layout makes control of key camera functions and image parameters easy, even if you're not an expert on the camera concerned. It has been carefully designed to be easy to understand and learn, with key features grouped together in three main sections. Common image parameters are controlled using dials, making remote image fine-tuning incredibly simple. Furthermore, user-assignable buttons are provided for added versatility. Clear and simple operation, wherever, whenever To aid operation in low-light situations, the buttons are illuminated, with the option of an audible 'beep' to confirm user selections. Firmware updates Your camera firmware may need to be updated to enable compatibility with the RC-V100. If the RC-V100's REMOTE B terminal is not already enabled, this can be done via a service update using the device's USB port. Lens control not possible with PL-mount Cinema EOS cameras or manual lenses

CamRade travelMate XL

CamRade travelMate XL(CAM_TM_XL, CAM/TM/XL, CAM TM XL)  The travelMate XL is an ultra-strong wheeled bag with telescopic trolley handle, as well as a super comfortable backpack. This way it provides extreme flexibility in safe transportation of your camera and extended accessory kits (with a maximum length of 75 cm/ 29.5 inches). On the front, a separate compartment is added to store your laptop or tablet. Various pockets and slits on both the inside and outside of the bag help you store and organise several smaller items like documents, memory cards, cables and tools. The soft-padded interior includes removable dividers with extra wide hook and loop fasteners for better adhesion to the fabric. This makes it easy to arrange the main compartment into sections to fit to your personal requirements. Some of the smart gimmicks added to these bags are the straps on the side of the main compartment flap to prevent it from falling open, and a complimentary LED light with motion sensor that lights up as soon as you open up the bag! When you use this compact and comfortably balanced backpack, your freedom of movement stays intact and you’ll have your hands free for the necessary activities to create the best shots ever.

CamRade travelMate Large

CamRade travelMate Large(CAM_TM_LARGE, CAM/TM/LARGE, CAM TM LARGE) T The travelMate Large is an ultra-strong wheeled bag with telescopic trolley handle, as well as a super comfortable backpack. This way it provides extreme flexibility in safe transportation of your camera and accessories (with a maximum length of 52 cm/ 20.5 inches). On the front, a separate compartment is added to store your laptop or tablet. Various pockets and slits on both the inside and outside of the bag help you store and organise several smaller items like documents, memory cards, cables and tools. The soft-padded interior includes removable dividers with extra wide hook and loop fasteners for better adhesion to the fabric. This makes it easy to arrange the main compartment into sections to fit to your personal requirements. Some of the smart gimmicks added to these bags are the straps on the side of the main compartment flap to prevent it from falling open, and a complimentary LED light with motion sensor that lights up as soon as you open up the bag! When you use this compact and comfortably balanced backpack, your freedom of movement stays intact and you’ll have your hands free for the necessary activities to create the best shots ever.

CamRade travelMate 360

CamRade travelMate 360 (CAM_TM_360, CAM/TM/360, CAM TM 360) T The travelMate 360 is created to carry on board most airplanes and fits the overhead compartment. If room is limited, the rotating wheels with a 360° radius can be detached to minimise the outer measurements of the bag. Strong but lightweight padding allows this bag to carry cameras with a maximum length of 45 cm/ 17.7 inches. On the front, a separate compartment is added to store your laptop or tablet. Various pockets and slits on both the inside and outside of the bag help you store and organise several smaller items like documents, memory cards, cables and tools. The soft-padded interior includes removable dividers with extra wide hook and loop fasteners for better adhesion to the fabric. This makes it easy to arrange the main compartment into sections to fit to your personal requirements. Some of the smart gimmicks added to these bags are the straps on the side of the main compartment flap to prevent it from falling open, and a complimentary LED light with motion sensor that lights up as soon as you open up the bag!

Libec ZC-9PRO Zoom Control

Libec ZC-9PRO (ZC_9PRO, ZC/9PRO, ZC 9PRO) Zoom Control The Libec ZC-9PRO Zoom Control is a variable-speed remote zoom that clamps onto a tripod pan handle, stabilizer, or other device and controls both Canon and Fujinon ENG lenses. It includes a REC/RET button, converter switches for REC/RET and Canon/Fujinon, and an 8-pin connector cable.

Metabones MB_SPEF-EFM-BT1 Canon EF to EOS M T Speed Booster ULTRA 0.71x

Metabones MB_SPEF-EFM-BT1 (MB_SPEF_EFM_BT1, MB/SPEF/EFM BT1, MB SPEF EFM BT1) Canon EF to EOS M T Speed Booster ULTRA  0.71x This T Speed Booster Ultra 0.71x Adapter from Metabones allows a full-frame Canon EF-mount lens to be used on a Canon EF-M mount camera. The adapter's optics help to maximize the connected lens's apparent angle of view while providing a one-stop increase for the camera over the lens's aperture range. A full-frame Canon EF-mount lens is designed to project an image that is larger than a Canon EF-M mount camera's APS-C sensor. Ordinarily, that sensor would only be able capture the center portion of the projected image, creating an in-camera "crop factor." Inside this adapter, five optical elements in four groups condenses the light from the full-frame lens and effectively reduces the crop factor. This also makes available to the sensor an additional one stop of light throughout the lens's aperture range. This adapter is constructed from aluminum alloy for durability while minimizing weight and its mounting rings are made with brass to further prevent wear-and-tear. An internal, matte black coating prevents the appearance of reflections within the adapter barrel, and to help reduce stress on the camera mount when placed on a tripod, the adapter includes a detachable Arca-type compatible tripod foot with 1/4"-20 threads. This T Speed Booster Ultra 0.71x Adapter supports electronic communication between an attached camera and lens. If the lens includes autofocus, image stabilization, as well as camera-controlled aperture functions, this adapter is intended to allow use of those features. Also, if an attached lens is capable of generating EXIF metadata when used with a directly compatible camera, this adapter is designed to transfer that information, so it can be saved along with image files generated the combined Canon EF-mount lens and Canon EF-M mount camera. Allows a full-frame Canon EF-mount lens to be used on a Canon EF-M mount camera Supports electronic communication between camera and lens to enable autofocus, image stabilization, on-camera aperture control, and EXIF metadata generation when possible 0.71x magnification maximizes angle of view of combined camera and lens Provides a 1-stop increase for the camera over the lens's aperture range Five lens elements in four groups for optical clarity as well as color fidelity Internal, black matte coating minimizes the appearance of reflections within the adapter barrel Aluminum alloy components for weight reduction Brass mounting rings prevent wear-and-tear Detachable Arca-type tripod foot with 1/4"-20 threads can be used to reduces stress on a connected camera's mount Locking mechanism for secure attachment of lens with push-button release  

Metabones MB_SPHV-FG-BM1 Hasselblad V Lens to Fuji G CINE Speed Booster ULTRA 0.71x

Metabones MB_SPHV-FG-BM1 (MB_SPHV_FG_BM1, MB/SPHV/FG/BM1, MB SPHV FG BM1) Hasselblad V Lens to Fuji G CINE Speed Booster ULTRA 0.71x This CINE Speed Booster Ultra 0.71x Adapter from Metabones allows a Hasselblad V-mount lens to be used on a FUJIFILM G-Mount GFX camera. The adapter's optics help to maximize the connected lens's apparent angle of view while providing a one-stop increase for the camera over the lens's aperture range. A Hasselblad V-mount lens is designed to project an image that is larger than the sensor in a FUJIFILM G-Mount GFX camera. Ordinarily, that sensor would only be able capture the center portion of the projected image, creating an in-camera "crop factor." Inside this adapter, six optical elements in four groups condenses the light from the Hasselblad V-mount lens and effectively reduces the crop factor. This also makes available to the sensor an additional one stop of light throughout the lens's aperture range. This adapter is constructed from aluminum alloy for durability while minimizing weight and its mounting rings are made with brass to further prevent wear-and-tear. An internal, matte black coating prevents the appearance of reflections within the adapter barrel, and to help reduce stress on the camera mount when placed on a tripod, the adapter includes a removable tripod collar with a detachable Arca-type compatible tripod foot. This CINE Speed Booster Ultra 0.71x Adapter does not support electronic communication between an attached camera and lens. While any Hasselblad V-mount lens can be connected to a FUJIFILM G-Mount GFX camera with this adapter, it does not enable the use of leaf shutters. Instead, Hasselblad V-mount lenses that feature leaf shutters can be utilized along with a FUJIFILM G-Mount GFX camera's focal-plane shutter. Allows a Hasselblad V-mount lens to be used on a FUJIFILM G-Mount GFX camera 0.71x magnification maximizes angle of view of combined camera and lens Provides a 1-stop increase for the camera over the lens's aperture range Six lens elements in four groups for optical clarity as well as color fidelity Internal, black matte coating minimizes the appearance of reflections within the adapter barrel Aluminum alloy components for weight reduction  

Metabones MB_SPNFG-m43-BM4 Nikon G to BMPCC4K Speed Booster ULTRA 0.71x (Black Matt)

Metabones MB_SPNFG-m43-BM4 (MB/SPNFG/m43/BM4, MB SPNFG m43 BM4, MB_SPNFG_m43_BM4) Nikon G to BMPCC4K Speed Booster ULTRA 0.71x (Black Matt) The Speed Booster ULTRA 0.71x Adapter for Nikon F Lens to BMPCC 4K Camera from Metabones allows full-frame Nikon F-mount and G series lenses to be mounted onto a Blackmagic Design Pocket Cinema Camera 4K MFT-mount camera. While doing so, the adapter's optics help to maximize the connected lens's apparent angle of view while providing a 1-stop increase for the camera over the lens's aperture range. The adapter provides manual aperture control. If a lens intended for 35mm film or similarly sized full-frame camera sensors is connected to a camera with a Micro Four Thirds-sized sensor, it would project an image larger than the Micro Four Thirds sensor was built to accept. Able to capture only the center portion of the projected image, the effective angle of view of the lens would be narrowed, creating an in-camera crop factor. The Speed Booster 0.71x adapter condenses the light from a lens designed for 35mm film or "full-frame" camera sensors and projects it onto a Micro Four Thirds sensor. This allows the Blackmagic Pocket Cinema Camera 4K with a Micro Four Thirds sensor to utilize more of the light gathered by a connected lens, which effectively reduces the crop factor while making available to the sensor an additional 1-stop of light for each of the lens's f-stop settings. This adapter is constructed from aluminum for durability while minimizing weight, and its mounting rings are made with brass to further prevent wear and tear. The internal lens elements are designed to provide optical clarity as well as color fidelity, and a detachable tripod foot is included and features 1/4"-20 threads as well as compatibility with Arca-Swiss tripod heads. Features Allows a full-frame Nikon F-mount and G series lenses to be used with a Blackmagic Design Pocket Cinema Camera 4K MFT-mount camera 8-stop, clickless ring Manual aperture control Provides a 1-stop increase for the camera over the lens's aperture range 6 lens elements in 4 groups for optical clarity as well as color fidelity Detachable, Arca-Swiss compatible tripod foot with 1/4"-20 threads matches the BMPCC 4K camera height Aluminum components for weight reduction Brass mounting rings prevent wear and tear  

Metabones MB_SPNFG-m43-BM5 Nikon G to BMPCC4K Speed Booster XL 0.64x (Black Matt)

Metabones MB_SPNFG-m43-BM5 (MB_SPNFG_m43_BM5, MB/SPNFG-m43-BM5, MB_SPNFG-m43-BM5) Nikon G to BMPCC4K Speed Booster XL 0.64x (Black Matt) The Speed Booster XL 0.64x Adapter for Nikon F Lens to BMPCC 4K Camera from Metabones allows full-frame Nikon F-mount and G series lenses to be mounted onto a Blackmagic Design Pocket Cinema Camera 4K MFT-mount camera. While doing so, the adapter's optics help to maximize the connected lens's apparent angle of view while providing a 1.33-stop increase for the camera over the lens's aperture range. The adapter provides manual aperture control. If a lens intended for 35mm film or similarly sized full-frame camera sensors is connected to a camera with a Micro Four Thirds-sized sensor, it would project an image larger than the Micro Four Thirds sensor was built to accept. Able to capture only the center portion of the projected image, the effective angle of view of the lens would be narrowed, creating an in-camera crop factor. The Speed Booster 0.64x adapter condenses the light from a lens designed for 35mm film or "full-frame" camera sensors and projects it onto a Micro Four Thirds sensor. This allows the Blackmagic Pocket Cinema Camera 4K with a Micro Four Thirds sensor to utilize more of the light gathered by a connected lens, which effectively reduces the crop factor while making available to the sensor an additional 1.33-stop of light for each of the lens's f-stop settings. This adapter is constructed from aluminum for durability while minimizing weight, and its mounting rings are made with brass to further prevent wear and tear. The internal lens elements are designed to provide optical clarity as well as color fidelity, and a detachable tripod foot is included and features 1/4"-20 threads as well as compatibility with Arca-Swiss tripod heads. Features Allows a full-frame Nikon F-mount and G series lenses to be used with a Blackmagic Design Pocket Cinema Camera 4K MFT-mount camera 8-stop, clickless ring Manual aperture control Provides a 1.33-stop increase for the camera over the lens's aperture range 7 lens elements in 4 groups for optical clarity as well as color fidelity Detachable, Arca-Swiss compatible tripod foot with 1/4"-20 threads matches the BMPCC 4K camera height Aluminum components for weight reduction Brass mounting rings prevent wear and tear   *** Please see that this item is a special order item.

Metabones MB_SPEF-m43-BTB Canon EF to BMPCC4K T CINE Speed Booster ULTRA 0.64x

Metabones MB_SPEF-m43-BTB (MB_SPEF_m43_BTB, MB/SPEF/m43/BTB, MB SPEF m43 BTB) Canon EF to BMPCC4K T CINE Speed Booster ULTRA 0.64x The T CINE Speed Booster XL 0.64x Adapter for Canon EF Lens to BMPCC 4K from Metabones allows a full-frame Canon EF-mount lens to be mounted onto a Blackmagic Design Pocket Cinema Camera 4K MFT-mount camera. While doing so, the adapter's optics help to maximize the connected lens's apparent angle of view while providing a 1.33-stop increase for the camera over the lens's aperture range. This CINE-type adapter features a positive-lock mechanism for EF lenses. If a lens intended for 35mm film or similarly sized full-frame camera sensors is connected to a camera with a Micro Four Thirds-sized sensor, it would project an image larger than the Micro Four Thirds sensor was built to accept. Able to capture only the center portion of the projected image, the effective angle of view of the lens would be narrowed, creating an in-camera "crop factor." The T CINE Speed Booster XL 0.64x adapter condenses the light from a lens designed for 35mm film or "full-frame" camera sensors and projects it onto a Micro Four Thirds sensor. This allows the Blackmagic Pocket Cinema Camera 4K with a Micro Four Thirds sensor to utilize more of the light gathered by a connected lens, which effectively reduces the crop factor while making available to the sensor an additional 1.33-stop of light for each of the lens's f/stop settings. This adapter is constructed from aluminum for durability while minimizing weight and its mounting rings are made with brass to further prevent wear and tear. The internal lens elements are designed to provide optical clarity as well as color fidelity, and a detachable tripod foot is included and features 1/4"-20 threads as well as compatibility with Arca-Swiss tripod heads. The T CINE Speed Booster XL 0.64x adapter supports electronic communication between an attached camera and lens. If the lens includes autofocus, image stabilization, and camera-controlled aperture functions, this adapter is intended to allow those features to be used. Also, if an attached lens is capable of generating EXIF metadata when used with a directly compatible camera, the T CINE Speed Booster XL 0.64x adapter is designed to allow that information to be saved along with image files generated with a combination of the lens, a BMPCC 4K camera, and the adapter. Features Allows a full-frame Canon EF-mount lens to be used with a Blackmagic Design Pocket Cinema Camera 4K MFT-mount camera Maximizes apparent angle of view of combined camera and lens Provides a 1.33-stop increase for the camera over the lens's aperture range Integrated jog dial for incremental aperture adjustment and push-button access to lens's widest aperture setting when used with a compatible Panasonic camera 7 lens elements in 4 groups for optical clarity as well as color fidelity Supports electronic communication between camera and lens to enable autofocus, image stabilization, on-camera aperture control, and EXIF metadata generation when possible Internal coating minimizes reflections within the adapter barrel Detachable, Arca-Swiss compatible tripod foot with 1/4"-20 threads matches the BMPCC 4K camera height Aluminum components for weight reduction Brass mounting rings prevent wear and tear Special positive-lock EF mount for secure attachment of lens with push-button release  

Metabones MB_SPEF-m43-BTA Canon EF to BMPCC4K T CINE Speed Booster ULTRA 0.71x

Metabones MB_SPEF-m43-BTA (MB_SPEF/m43/BTA, MB SPEF m43 BTA, MB_SPEF_m43_BTA) Canon EF to BMPCC4K T CINE Speed Booster ULTRA 0.71x The T CINE Speed Booster ULTRA 0.71x Adapter for Canon EF Lens to BMPCC 4K from Metabones allows a full-frame Canon EF-mount lens to be mounted onto a Blackmagic Design Pocket Cinema Camera 4K MFT-mount camera. While doing so, the adapter's optics help to maximize the connected lens's apparent angle of view while providing a 1-stop increase for the camera over the lens's aperture range. This 0.71x adapter features Cinema EOS lens support for auto iris and servo zoom, and it also includes AF (autofocus) support which requires external 5V power via the micro-USB port. It also features a positive-lock mechanism for EF lenses. If a lens intended for 35mm film or similarly sized full-frame camera sensors is connected to a camera with a Micro Four Thirds-sized sensor, it would project an image larger than the Micro Four Thirds sensor was built to accept. Able to capture only the center portion of the projected image, the effective angle of view of the lens would be narrowed, creating an in-camera "crop factor." The T CINE Speed Booster ULTRA 0.71x adapter condenses the light from a lens designed for 35mm film or "full-frame" camera sensors and projects it onto a Micro Four Thirds sensor. This allows the Blackmagic Pocket Cinema Camera 4K with a Micro Four Thirds sensor to utilize more of the light gathered by a connected lens, which effectively reduces the crop factor while making available to the sensor an additional 1-stop of light for each of the lens's f/stop settings. This adapter is constructed from aluminum for durability while minimizing weight and its mounting rings are made with brass to further prevent wear and tear. The internal lens elements are designed to provide optical clarity as well as color fidelity, and a detachable tripod foot is included and features 1/4"-20 threads as well as compatibility with Arca-Swiss tripod heads. The T CINE Speed Booster ULTRA 0.71x adapter supports electronic communication between an attached camera and lens. If the lens includes autofocus, image stabilization, and camera-controlled aperture functions, this adapter is intended to allow those features to be used. Also, if an attached lens is capable of generating EXIF metadata when used with a directly compatible camera, the T CINE Speed Booster ULTRA 0.71x adapter is designed to allow that information to be saved along with image files generated with a combination of the lens, a BMPCC 4K camera, and the adapter. Features Allows a full-frame Canon EF-mount lens to be used with a Blackmagic Design Pocket Cinema Camera 4K MFT-mount camera Maximizes apparent angle of view of combined camera and lens Cinema EOS lens support, including AF (requires external 5V power via micro-USB port), auto iris, and servo zoom Provides a 1-stop increase for the camera over the lens's aperture range Integrated jog dial for incremental aperture adjustment and push-button access to lens's widest aperture setting when used with a compatible Panasonic camera 6 lens elements in 4 groups for optical clarity as well as color fidelity Supports electronic communication between camera and lens to enable autofocus, image stabilization, on-camera aperture control, and EXIF metadata generation when possible Internal coating minimizes reflections within the adapter barrel Detachable, Arca-Swiss compatible tripod foot with 1/4"-20 threads matches the BMPCC 4K camera height Aluminum components for weight reduction Brass mounting rings prevent wear and tear Special positive-lock EF mount for secure attachment of lens with push-button release  

Metabones MB_SPEF-m43-BT9 Canon EF to BMPCC4K T Speed Booster XL 0.64x

Metabones MB_SPEF-m43-BT9 (MB_SPEF_m43_BT9, MB/SPEF/m43/BT9, MB SPEF m43 BT9) Canon EF to BMPCC4K T Speed Booster XL 0.64x The T Speed Booster XL 0.64x Adapter for Canon EF Lens to BMPCC 4K from Metabones allows a full-frame Canon EF-mount lens to be mounted onto a Blackmagic Design Pocket Cinema Camera 4K MFT-mount camera. While doing so, the adapter's optics help to maximize the connected lens's apparent angle of view while providing a 1.33-stop increase for the camera over the lens's aperture range. If a lens intended for 35mm film or similarly sized full-frame camera sensors is connected to a camera with a Micro Four Thirds-sized sensor, it would project an image larger than the Micro Four Thirds sensor was built to accept. Able to capture only the center portion of the projected image, the effective angle of view of the lens would be narrowed, creating an in-camera "crop factor." The T Speed Booster XL 0.64x adapter condenses the light from a lens designed for 35mm film or "full-frame" camera sensors and projects it onto a Micro Four Thirds sensor. This allows the Blackmagic Pocket Cinema Camera 4K with a Micro Four Thirds sensor to utilize more of the light gathered by a connected lens, which effectively reduces the crop factor while making available to the sensor an additional 1.33-stop of light for each of the lens's f/stop settings. This adapter is constructed from aluminum for durability while minimizing weight and its mounting rings are made with brass to further prevent wear and tear. The internal lens elements are designed to provide optical clarity as well as color fidelity, and a detachable tripod foot is included and features 1/4"-20 threads as well as compatibility with Arca-Swiss tripod heads. The T Speed Booster XL 0.64x adapter supports electronic communication between an attached camera and lens. If the lens includes autofocus, image stabilization, and camera-controlled aperture functions, this adapter is intended to allow those features to be used. Also, if an attached lens is capable of generating EXIF metadata when used with a directly compatible camera, the T Speed Booster XL 0.64x adapter is designed to allow that information to be saved along with image files generated with a combination of the lens, a BMPCC 4K camera, and the adapter. Features Allows a full-frame Canon EF-mount lens to be used with a Blackmagic Design Pocket Cinema Camera 4K MFT-mount camera Maximizes apparent angle of view of combined camera and lens Provides a 1.33-stop increase for the camera over the lens's aperture range Integrated jog dial for incremental aperture adjustment and push-button access to lens's widest aperture setting when used with a compatible Panasonic camera 7 lens elements in 4 groups for optical clarity as well as color fidelity Supports electronic communication between camera and lens to enable autofocus, image stabilization, on-camera aperture control, and EXIF metadata generation when possible Internal coating minimizes reflections within the adapter barrel Detachable, Arca-Swiss compatible tripod foot with 1/4"-20 threads matches the BMPCC 4K camera height Aluminum components for weight reduction Brass mounting rings prevent wear and tear Locking mechanism for secure attachment of lens with push-button release

Metabones MB_SPEF-m43-BT8 EF Lens to BMPCC4K T Speed Booster ULTRA 0.71x

Metabones MB_SPEF-m43-BT8 (MB_SPEF/m43/BT8, MB_SPEF_m43_BT8, MB_SPEF-m43/BT8, mb_spef-m43-bt8) EF Lens to BMPCC4K T Speed Booster ULTRA 0.71x The T Speed Booster ULTRA 0.71x Adapter for Canon EF Lens to BMPCC 4K from Metabones allows a full-frame Canon EF-mount lens to be mounted onto a Blackmagic Design Pocket Cinema Camera 4K MFT-mount camera. While doing so, the adapter's optics help to maximize the connected lens's apparent angle of view while providing a 1-stop increase for the camera over the lens's aperture range. This 0.71x adapter features Cinema EOS lens support for auto iris and servo zoom, and it also includes AF (autofocus) support which requires external 5V power via the micro-USB port. If a lens intended for 35mm film or similarly sized full-frame camera sensors is connected to a camera with a Micro Four Thirds-sized sensor, it would project an image larger than the Micro Four Thirds sensor was built to accept. Able to capture only the center portion of the projected image, the effective angle of view of the lens would be narrowed, creating an in-camera "crop factor." The T Speed Booster ULTRA 0.71x adapter condenses the light from a lens designed for 35mm film or "full-frame" camera sensors and projects it onto a Micro Four Thirds sensor. This allows the Blackmagic Pocket Cinema Camera 4K with a Micro Four Thirds sensor to utilize more of the light gathered by a connected lens, which effectively reduces the crop factor while making available to the sensor an additional 1-stop of light for each of the lens's f/stop settings. This adapter is constructed from aluminum for durability while minimizing weight and its mounting rings are made with brass to further prevent wear and tear. The internal lens elements are designed to provide optical clarity as well as color fidelity, and a detachable tripod foot is included and features 1/4"-20 threads as well as compatibility with Arca-Swiss tripod heads. The T Speed Booster ULTRA 0.71x adapter supports electronic communication between an attached camera and lens. If the lens includes autofocus, image stabilization, and camera-controlled aperture functions, this adapter is intended to allow those features to be used. Also, if an attached lens is capable of generating EXIF metadata when used with a directly compatible camera, the T Speed Booster ULTRA 0.71x adapter is designed to allow that information to be saved along with image files generated with a combination of the lens, a BMPCC 4K camera, and the adapter.

Metabones MB_SPCN-E-BT1 Contax N Lens to Sony E-mount T Speed Booster ULTRA 0.71x Adapter

Metabones MB_SPCN-E-BT1 (MB_SPCN/E/BT1, MB_SPCN_E_BT1, MB_SPCN-E/BT1, mb_spcn-e-bt1) Contax N Lens to Sony E-mount T Speed Booster ULTRA 0.71x Adapter Owners of legendary Carl Zeiss optics in Contax N-Mount have long demanded a trusted migration path to mirrorless cameras. With the advent of Metabones® Contax N-Mount to Sony E-Mount Smart Adapter, the longing is over. Built upon the foundation of Metabones' past success, phase-detection autofocus on A9, A7R Mark III, A7 Mark III, A7R Mark II, A7 Mark II, A6500 and A6300 not only offers pinpoint accuracy but also AF speed significantly surpassing the original Contax N series AF cameras. (Tailored to single-lens reflex cameras with a traditional phase-detection autofocus system, Contax N lenses are not compatible with contrast-detection autofocus mirrorless cameras such as A7S Mark II.) Get a glimpse of the ergonomic experience of the original Contax N1 camera by using the lens' own aperture ring in aperture priority and manual exposure modes on A9, A7 series, A6500 and A6300. Fully automatic exposure and shutter priority are also available. A customizable button on the adapter can be assigned to more than 50 different functions on an A9, A7 series, A6500 or A6300 camera, including depth-of-field preview. Putting that button on the hand-grip side would have matched a genuine Contax N camera, but since that would have been next to Sony's lens release button, we opted to place this customizable button on the other side of the adapter instead, right where the thumb of your left hand is. The workmanship and attention to detail are evident from the signature Metabones design and the two electrical contacts carrying power, which are thicker in the same way as a genuine Contax N series autofocus camera. The inside of the adapter is flocked with felt to minimize internal reflection. A tripod foot compatible with Arca-Swiss style quick release is included. Metabones has a proven track record of firmware stability and timely firmware support. Firmware is user-upgradable via the adapter's micro USB port. Metabones adapters relay distance information from the lens to the camera body to enable full 5-axis in-body image stabilization of the A9, A7 Mark III series, A7 Mark II series and A6500. (The Contax 645 Makro-Planar 4/120 lens does not report distance information and supports only 3-axis in-body image stabilization.) Contax made history by offering the world's first full-frame digital camera, Contax N-Digital, in 2002. All Contax products had been discontinued by 2005, leaving some of the finest autofocus optics ever made in search of a successor. None of these lenses feature optical image stabilization, and this is where the 5-axis in-body image stabilization (SteadyShot INSIDE) of Sony A9, A7 Mark III series, A7 Mark II series and A6500 comes in as a much-needed complement. The heritage lives on, with the very same Carl Zeiss lenses from the dawn of full-frame digital photography now leveraging the latest and greatest mirrorless camera features and poised to benefit from further technological advances in the future. Speed Booster® ULTRA Speed Booster® ULTRA uses an advanced 5-element/4-group optical design by Caldwell Photographic Inc., incorporating ultra-high index tantalum-based optical glass to achieve extraordinary optical performance with improved corner sharpness, distortion and reduced vignetting. Speed Booster® ULTRA has a magnification of 0.71x,  effectively reducing the crop factor of APS-C cameras from 1.5x to 1.07x. The Speed Booster® ULTRA design makes very effective use of exotic materials at the furthest limit of glassmaking technology, and as a result is well corrected for use with virtually all full-frame SLR lenses regardless of exit pupil distance. Thus, the Speed Booster ULTRA performs extremely well with professional-grade f/2.8 zoom lenses such as the Carl Zeiss Vario-Sonnar T*2,8/17-35. Similarly, high-speed fixed focal length lenses such as the Carl Zeiss Planar T* 1,4/50 and Carl Zeiss Planar T* 1,4/85 will be transformed into f/1.0 lenses with excellent contrast and resolution from the center all the way to the edges of the image. Like all Metabones Speed Boosters, the Speed Booster ULTRA is optimized to fully account for the camera’s filter stack located near the sensor surface. This is especially critical at the extremely large apertures made possible by Speed Booster technology. As a result of this careful optimization, the complete range of Contax N and Contax 645 lenses will function flawlessly when adapted to Sony E-mount APS-C format camera bodies. (Speed Booster ULTRA cannot be used to adapt a Contax 645 lens to a full-frame E-Mount camera such as the A9 and the A7 series.)

Metabones MB_PL-X-BT1 ARRI PL Lens to Fujifilm X-mount T CINE Adapter

Metabones MB_PL-X-BT1 (MB_PL/X/BT1, MB_PL_X_BT1, MB_PL-X/BT1, mb_pl-x-bt1) ARRI PL Lens to Fujifilm X-mount T CINE Adapter Mount ARRI PL-mount lenses on your FUJIFILM X-Mount camera with this Metabones Camera Adapter. Aluminum body construction with chrome-plated mounts creates a precision fit with no gap, play, or wiggling. Felt material flocks the inside and bolsters optical quality by minimizing internal light reflections while a satin finish on the outside gives this adapter an OEM look. This adapter is designed to reach infinity focus while retaining the proper registration distance for maintaining optical quality when you are using CRC lenses or other lenses with floating elements. Because your camera's body cap cannot attach to the lens adapter, a rigid-and-removable locking dust cover is provided that allows you to disconnect your lens, leave the adapter mounted, and keep your camera's sensor protected during transportation. Additionally, a removable Arca-type tripod food is included for use with heavier lenses.

Metabones MB_CN-E-BT1 Contax N Lens to Sony E-mount T Smart Adapter

Metabones MB_CN-E-BT1 (MB_CN/E/BT1, MB_CN_E_BT1, MB_CN-E/BT1, mb_cn-e-bt1) Contax N Lens to Sony E-mount T Smart Adapter Owners of legendary Carl Zeiss optics in Contax N-Mount have long demanded a trusted migration path to mirrorless cameras. With the advent of Metabones® Contax N-Mount to Sony E-Mount Smart Adapter, the longing is over. Built upon the foundation of Metabones' past success, phase-detection autofocus on A9, A7R Mark III, A7 Mark III, A7R Mark II, A7 Mark II, A6500 and A6300 not only offers pinpoint accuracy but also AF speed significantly surpassing the original Contax N series AF cameras. (Tailored to single-lens reflex cameras with a traditional phase-detection autofocus system, Contax N lenses are not compatible with contrast-detection autofocus mirrorless cameras such as A7S Mark II.) Get a glimpse of the ergonomic experience of the original Contax N1 camera by using the lens' own aperture ring in aperture priority and manual exposure modes on A9, A7 series, A6500 and A6300. Fully automatic exposure and shutter priority are also available. A customizable button on the adapter can be assigned to more than 50 different functions on an A9, A7 series, A6500 or A6300 camera, including depth-of-field preview. Putting that button on the hand-grip side would have matched a genuine Contax N camera, but since that would have been next to Sony's lens release button, we opted to place this customizable button on the other side of the adapter instead, right where the thumb of your left hand is. The workmanship and attention to detail are evident from the signature Metabones design and the two electrical contacts carrying power, which are thicker in the same way as a genuine Contax N series autofocus camera. The inside of the adapter is flocked with felt to minimize internal reflection. A tripod foot compatible with Arca-Swiss style quick release is included. Metabones has a proven track record of firmware stability and timely firmware support. Firmware is user-upgradable via the adapter's micro USB port. Metabones adapters relay distance information from the lens to the camera body to enable full 5-axis in-body image stabilization of the A9, A7 Mark III series, A7 Mark II series and A6500. (The Contax 645 Makro-Planar 4/120 lens does not report distance information and supports only 3-axis in-body image stabilization.) Contax made history by offering the world's first full-frame digital camera, Contax N-Digital, in 2002. All Contax products had been discontinued by 2005, leaving some of the finest autofocus optics ever made in search of a successor. None of these lenses feature optical image stabilization, and this is where the 5-axis in-body image stabilization (SteadyShot INSIDE) of Sony A9, A7 Mark III series, A7 Mark II series and A6500 comes in as a much-needed complement. The heritage lives on, with the very same Carl Zeiss lenses from the dawn of full-frame digital photography now leveraging the latest and greatest mirrorless camera features and poised to benefit from further technological advances in the future.

Metabones MB_PL-EFR-BT1 ARRI PL Lens to Canon RF mount T CINE Adapter (EOS R)

Metabones MB_PL-EFR-BT1 (MB_PL/EFR/BT1, MB_PL_EFR_BT1, MB_PL-EFR/BT1, mb_pl-efr-bt1) ARRI PL Lens to Canon RF mount T CINE Adapter (EOS R) Mount ARRI PL-mount lenses on your Canon RF-Mount camera with this Metabones Camera Adapter. Aluminum body construction with chrome-plated mounts creates a precision fit with no gap, play, or wiggling. Felt material flocks the inside and bolsters optical quality by minimizing internal light reflections while a satin finish on the outside gives this adapter an OEM look. This adapter is designed to reach infinity focus while retaining the proper registration distance for maintaining optical quality when you are using CRC lenses or other lenses with floating elements. Because your camera's body cap cannot attach to the lens adapter, a rigid-and-removable locking dust cover is provided that allows you to disconnect your lens, leave the adapter mounted, and keep your camera's sensor protected during transportation. Additionally, a removable Arca-type tripod food is included for use with heavier lenses.

Dedolight DV6B Vacuum Mount with Locking Swivel Joint and 5/8" Stud

Dedolight DV6B (DL-DV6B, DL/DV6B, DL_DV6B, dv6b) Vacuum Mount with Locking Swivel Joint and 5/8" Stud Dedolight 152 mm (Approx. 6 Inch) diameter vacuum cup creates a powerful suction, enabling you to mount the dedolight head securely to windows, doors or other flat, nonporous surfaces. The swivel joint has a 16mm (Approx. 5/8 Inch) stud for easy mounting of light fixtures up to 15 kg (Approx. 33 lbs).

Dedolight DV3GA Suction Mount with Articulated Arm for Ledzilla

Dedolight DV3GA (DL-DV3GA, DL/DV3GA, DL_DV3GA, dv3ga) Suction Mount with Articulated Arm for Ledzilla The Dedolight Suction Mount with Articulated Arm for DLOBML makes it possible for you to mount the Ledzilla DLOBML (DedoLight On Board Mini LED) on a window or any other flat plane surface. This 3" (7.5 cm) suction mount comes with a vacuum pump and an articulating arm for maximum flexibility in placing the DLOBML. The Dedolight DLOBML is a tiny-but-powerful on-camera (usually) LED light. Makes it possible to mount the DLOBML light on a window or other flat, smooth surface

DLWAR Wide Angle for Dedolight Classic with Rotating Barndoors

Dedolight DLWAR (DL-DLWAR, DL/DLWAR, DL_DLWAR, dlwar) Wide Angle for Dedolight Classic with Rotating Barndoors Dedolight Wide Angle Attachment with Rotating barn door leaves give parallel shadows. Focuses like no other light.

Dedolight DSBSM Dedoflex Silver Dome, Medium (61 x 81cm)

Dedolight DSBSM (DL-DSBSM, DL/DSBSM, DL_DSBSM, dsbsm) Dedoflex Silver Dome, Medium (61 x 81cm) The Dedolight Dedoflex Medium Softbox with silver interior is designed for use with all Dedolight softlight fixtures, except the PARSOFT. With fabric intended for the heat of a continuous light, the medium softbox is ideal for work in small spaces where softening of the light is desired. The 24 x 32" size is portable and lightweight, and is suitable for a portrait of 2 people or a product shot of 4 or 5 smaller-than-a-breadbox items. The front face of the Dedoflex can be removed for easy access to the light and the interior baffle from the front.

Dedolight DP1S Universal projection attachment for DLED2 LED light heads

Dedolight DP1S (DL-DP1S, DL/DP1S, DL_DP1S, dp1s) Universal projection attachment for DLED2 LED light heads For the DLED2 and DLED3 series of lights. The Dedolight Imager Projectors take Inchpainting with light Inch to a new level.

Hawk-Woods VL-HS1 Alexa Mini Hot Swap - XLR

Hawk-Woods VL-HS1 (VL_HS1, VL/HS1, VL HS1) Alexa Mini Hot Swap - XLR Hawk-Woods V-Lok 15mm Alexa Mini/Amira adapter offers the user the use of V-Lok batteries. This adapter comes fully equipped with outputs consisting of 4x Power-con (D-Tap), 2x Lemo and 2x RS 24v Regulated outputs. This adapter offers you a hot swap solution, with a chassis mounted XLR on the side of the adapter, allowing you the use of 24v floor batteries. The product has been fitted with 12v regulators on the D-TAPs and Lemos so they will never see the 24v.  The camera will always select the battery with the highest voltage until they meet the same, then they will run down together. VL-HS1 comes with a fixed flying lead to the camera.

Hawk-Woods VL-2X2C V-Lok 2-ch Simultaneous Ultra Fast Charger

Hawk-Woods VL-2X2C (VL_2X2C, VL/2X2C, VL 2X2C) V-Lok 2-ch Simultaneous Ultra Fast Charger This dual compact V-Lok charger is Hawkwoods take on the VL-2X2 providing users with a more compact, sturdy solution for charging two V-Lok batteries simultaneously. The new design offers a sleek look with improved latch for adding and removing batteries. LED indicators are also fitted (for instructions see manual supplied) and the fixed handle has been replaced with a soft leather strap. The VL-2X2C charges at a faster rate compared to the VL-2X2P

Hawk-Woods VLM-B1 Mini V-Lok Battery Belt-Single Fitting

Hawk-Woods VLM-B1 (VLM_B1, VLM/B1, VLM B1) Mini V-Lok Battery Belt-Single Fitting The VLM-B1 is a high quality leather battery belt which is manufactured in the UK by Hawk-Woods. This belt will allow you to attach mini V-Lok batteries, this particular belt offers a single fitting, the fitting sits flush with the belt which makes this more comfortable to wear. This product is very handy for powering equipment on locations and ideal for maneuverability. This is also highly convenient for taking the weight off the camera, making light work of the task! For longer run times please refer to VLM-B2 this will offer 2x mini-vl fitting plates. Should you require different connectors or further connectors please ask before ordering via your chosen re-seller!

Hawk-Woods VLM-AS1 Atomos Inferno Mini V-Lok Monitor Fitting

Hawk-Woods VLM-AS1 (VLM_AS1, VLM/AS1, VLM AS1) Atomos Inferno Mini V-Lok Monitor Fitting Atomos Inferno Mini V-Lok monitor fitting    The adapter is designed to work with the Shogun/Ninja - Inferno/Flame range of monitors, this adapter will simply mount to the rear of the monitor allowing the use of V-Lok batteries.   A fixed flying lead will provide power to the monitor DC input.   Using the MINI V-Lok battery system, will keep weight to a minimum, however provide plenty of power to the monitor allowing you to run for longer with less battery changes. This is massive improvement from running off the Sony NPF batteries.

Hawk-Woods VLM-DC6X Mini V-Lok 15mm 12v (Reg) Power Adaptor

Hawk-Woods VLM-DC6X (VLM_DC6X, VLM/DC6X, VLM DC6X) Mini V-Lok 15mm 12v (Reg) Power Adaptor Hawk-Woods MINI version of VL-DC6X is now available. The VLM-DC6X offers a single VL fitting plate with an anodized deep back box for housing connectors and potential outputs such as fixed flying leads. The 15mm clamp is mounted to the fitting plate, this can be removed if required. This adaptor offers 4x D-TAP outputs (12v regulated). There is an option to have a fixed cable fitted to the product, please refer to our sales team or your local dealer to do this.

Hawk-Woods VLM-DC6 15mm Mini V-Lok Fitting

Hawk-Woods VLM-DC6 (VLM_DC6, VLM/DC6, VLM DC6) 15mm Mini V-Lok Fitting Hawk-Woods MINI version of VL-DC6 is now available. The VLM-DC6 offers a single V-Lok fitting plate with an anodized deep back box for housing connectors and potential outputs such as fixed flying leads. The 15mm clamp is mounted to the fitting plate, this can be removed if required.  This adaptor offers 4x D-TAP outputs (un-regulated) and 1x USB which is 5V 2A. There is an option to have a fixed cable fitted to the product, please refer to our sales team or your local dealer

Hawk-Woods VL-MCF2 RED Mini V-Lok Hotswap Camera Fitting

Hawk-Woods VL-MCF2 (VL/MCF2, VL_MCF2, VL MCF2) RED Mini V-Lok Hotswap Camera Fitting Hawk-Woods VL-MCF2 is a V-Lok fitting plate to dual V-Lok camera plate for the mini V-Lok battery system.  The adaptor will allow you to hot-swap your mini V-Lok batteries from Hawk-Woods’ current range of batteries VL-M100 and VL-M150.  This setup for the mini batteries is similar to the stack-able battery systems currently available on the market for continuous power to your equipment, however, differs in the advantage that you do not need to carry around dead weight, your batteries are technically always working with you and for you!  This adapter has been fitted with an intelligent LED system to determine battery status against the total amount of current being drawn this will give you the confidence to know when your battery needs to be changed. The LED will come on and flash at 12.7v and under meaning that your battery will soon need to be changed.  Unit comes equipped and fitted with 1x Power-con outputs.

Hawk-Woods VL-MX8 8-Channel Mini V-Lok Charger

Hawk-Woods VL-MX8 (VL_MX8, VL/MX8, VL MX8) 8-Channel Mini V-Lok Charger Our latest 8-channel V-Lok semi-sequential charger simultaneously charges four batteries at any one time, which then moves onto the other four channels. Given the chargers capability of charging 8x batteries the MX8 is still relatively small and compact compared to other chargers on the market which are of a similar size and only four channels. A fantastic option for charging your kit of batteries from a single solution. Channels one to four will charge firstly, these fittings are labelled at the front and side of charger. Channels five to eight will then charge once the charge has completed on the previous set. LED's fitted for battery status, also fitted with soft leather carry handle.

Swit LB-SU98 98Wh Battery type BP-U

Swit LB-SU98 (LB_SU98, LB/SU98, LB SU98) 98Wh Battery type BP-U The highest quality battery for cameras and professional equipment, for everyday work. Durability and reliability outweight . Built-in D-tap and USB sockets. The battery does not produce uncomfortably from the equipment and at the same time has a very large capacity and low weight. Communication with camera viewfinders. A whole range of chargers is available.    

Swit PC-P430A 4-Channel Gold Mount Battery Charger

Swit PC-P430A (PC_P430A, PC/P430A, PC P430A) 4-Channel Gold Mount Battery Charger PC-P430A can charge 4pcs Gold Mount camera batteries simultaneously. The charging output is DC16.8V, 3A each channel. LED Charging Indicators for Each Channel The PC-P430A has LED charging indicators on the front panel, indicates the real time capacity of each channel by different colors:Display Red: Battery is charging, capacity below 80%; Display Yellow: Battery is charging, capacity above 80%; Display Green: Charging finished.. AC-DC Adapting Output PC-P430A has 2x 4-pin XLR female connector on the front panel. Connected with SWIT S-7102 XLR female to male cable (optional purchase), the PC-P430A can be used as AC-DC adaptor of 2-ch DC 15V, 6A, 90W simultaneous output. Please note the AC-DC adapting output will not work when battery is charging.

Swit S-3822A 2-Channel Gold Mount Charger

Swit S-3822A (S_3822A, S/3822A, S 3822A) 2-Channel Gold Mount Charger The portable charger S-3822A can charge 2 Gold mount batteries simultaneously. The charging output is DC 16.8V, 3A×2. S-3822A has LED charging indicators on the front panel, indicates the real time capacity of each channel by different colors. S-3822A has a 4-pin XLR female connector on the front panel.

Swit S-3812A 2-Channel Gold mount Fast Charger

Swit S-3812A (S_3812A, S/3812A, S 3812A) 2-Channel Gold mount Fast Charger S-3812A can charge 2 Gold mount batteries simultaneously at Max 6A fast charging current, to SWIT particular batteries. The charging speed is quite faster than normal chargers. The following battery models support 6A fast charging: D-8161A, S-8180A, S-8113A, S-8183A And for other batteries, the charging current is 3A.  

Swit S-8180A 220Wh High Load Gold Mount Battery Pack

Swit S-8180A (S_8180A, S/8180A, S 8180A) 220Wh High Load Gold Mount Battery Pack Normal Li-ion batteries offer 100W/8A output and suitable for most ENG cameras, but the Cine Cameras such as ALEXA require around 85W high draw which is too heavy for the normal Li-ion batteries: the battery life will be reduced if long time full draw powering. Moreover, if there’re monitor, lighting work together, and total power will be above 100W, and the normal batteries can not draw completely. Using S-8180A high-load battery, you can get MAX 140W/12A constant power output, which can drive more high power cameras, lightings and other equipments easily, and won’t reduce battery life during long time high power output.

Swit S-8110A 146Wh Gold Mount Battery Pack

Swit S-8110A (S_8110A, S/8110A, S 8110A) 146Wh Gold Mount Battery Pack S-8110A is the AntonBauer gold mount rechargeable Li-ion battery pack for professional video cameras.

Swit S-8113A 160Wh Gold Mount Battery Pack

Swit S-8113A (S_8113A, S8113A, S/8113A) 160Wh Gold Mount Battery Pack Normal Li-ion batteries offer 100W/8A output and suitable for most ENG cameras, but the Cine Cameras such as ALEXA require around 85W high draw which is too heavy for the normal Li-ion batteries: the battery life will be reduced if long time full draw powering. Moreover, if there’re monitor, lighting work together, and total power will be above 100W, and the normal batteries can not draw completely. Using S-8113A high-load battery, you can get MAX 150W/12A constant power output, which can drive more high power cameras, lightings and other equipments easily, and won’t reduce battery life during long time high power output.

Swit S-8083A 130Wh Gold Mount Battery Pack

Swit S-8083A (S_8083A, S/8083A, S 8083A) 130Wh Gold Mount Battery Pack S-8083A is the AntonBauer gold mount rechargeable Li-ion battery pack for professional video cameras.It’s compact design, smaller in size. 130Wh / 9.2Ah Capacity Consists of 12pcs 18650 battery cells, and reaches 130Wh/9.2Ah high capacity.Run approx 4 hours for normal 30W ENG cameras. AntonBauer Gold Mount Connection S-8083A is compatible with AntonBauer Gold mount type power system and we adopt the high quality connection bolts that ensure the reliable mounting. Build-in D-tap DC Output Socket A D-tap DC output socket is equipped on the top side of S-8083A battery, for DC14.4V (Nominate) connection, such as on-camera lights, monitors, wireless transmitter, etc.

Swit PB-S220A 220Wh Multi-sockets Square Digital Battery Pack

Swit PB-S220A (PB_S220A, PB/S220A, PB S220A) 220Wh Multi-sockets Square Digital Battery Pack PB-S series camera batteries are compact designed, shorter than normal batteries, and match perfectly with most of the Cine-cameras. Consists of 24pcs of high class 18650 battery cells, nominal voltage is 14.4V and reaches 220Wh / 15.3Ah high capacity. Can run approx 7 hours for normal ENG cameras and approx 2.5 hours for ARRI ALEXA.  Normal Li-ion batteries offer 100W/8A output and suitable for most ENG cameras, but the Cine Cameras such as ALEXA require around 85W high draw which is too heavy for the normal Li-ion batteries: the battery life will be reduced if long time full draw powering. Moreover, if there’re monitor, wireless system work together, and total power will be above 110W, and the normal batteries cannot draw completely. Using PB-S220A high-load battery, you can get MAX 150W/12A constant power output, which can drive more high power cameras, LCD Monitor and other equipments easily, and won’t reduce battery life during long time high power output.  PB-S220A is equipped with 4 D-tap DC output sockets, Max total load is 120W/10A, which can power other on-camera equipments together. PB-S220A is equipped with 1x USB 5V/2A output, which can be used to charge mobile phones, tablets and other portable devices. PB-S220A supports 6A fast charging by SWIT S-3812 fast charger, to save more than 50% charging time. The 220Wh PB-S220A battery can be charged from 0 to 80% after 2.3 hours, and fully charged within 3.5 hours.  The build-in LCD can displays remaining power percentage, remaining working time, low power warning, and battery cycle times, and support viewfinder info display on both SONY and RED cameras.

Swit PB-S98A 98Wh Multi-sockets Square Digital Battery

Swit PB-S98A (PB_S98A, PB/S98A, PB S98A) 98Wh Multi-sockets Square Digital Battery PB-S series camera batteries are compact designed, shorter than normal batteries, and match perfectly with most of the Cine-cameras. Consists of 12pcs of high class 18650 battery cells, nominal voltage is 14.4V and reaches 98Wh / 6.6Ah high capacity. Can run approx 3 hours for normal ENG cameras. PB-S98A is equipped with 2 D-tap DC output sockets, which can power other on-camera equipments together. The Max output current of D-tap is 8A, 100W. PB-S98A is equipped with 1x USB 5V/2A output, which can be used to charge mobile phones, tablets and other portable devices. The build-in LCD can displays remaining power percentage, remaining working time, low power warning, and battery cycle times, and support viewfinder info display on both SONY and RED cameras.

Swit S-4030 Power Station Box (Dual 24V)

Swit S-4030 (S_4030, S/4030, S 4030) Power Station Box (Dual 24V) S-4030 power station box can install 4 pieces of V-mount batteries which can provide more power and longer power supply time comparing to single Li-ion battery. It can meet the demand of different users, and is very suitable for Cine cameras, lightings for Film & Television and mobile studios.

Swit S-4020 Power Station Box (12V/24V)

Swit S-4020 (S_4020, S/4020, S 4020) Power Station Box (12V/24V) S-4020 power station box can install 4 pieces of V-mount batteries which can provide more power and longer power supply time comparing to single Li-ion battery. It can meet the demand of different users, and is very suitable for Cine cameras, lightings for Film & Television and mobile studios.

Swit S-4010 Power Station Box (Dual 12V)

Swit S-4010 (S_4010, S/4010, S 4010) Power Station Box (Dual 12V) S-4010 power station box can install 4 pieces of V-mount batteries which can provide more power and longer power supply time comparing to single Li-ion battery. It can meet the demand of different users, and is very suitable for Cine cameras, lightings for Film & Television and mobile studios.

Swit PC-P430S 4-Channel V-Mount Battery Quick Charger

Swit PC-P430S (PC_P430S, PC/P430S, PC P430S) 4-Channel V-Mount Battery Quick Charger PC-P430S can charge 4pcs V-mount camera batteries simultaneously. The charging output is DC16.8V, 3A each channel. The PC-P430S has LED charging indicators on the front panel, indicates the real time capacity of each channel by different colors:Display Red: Battery is charging, capacity below 80%; Display Yellow: Battery is charging, capacity above 80%; Display Green: Charging finished. AC-DC Adapting Output  PC-P430S has 2x 4-pin XLR female connector on the front panel. Connected with SWIT S-7102 XLR female to male cable (optional purchase), the PC-P430S can be used as AC-DC adaptor of 2-ch DC 15V, 6A, 90W simultaneous output. Please note the AC-DC adapting output will not work when battery is charging.

Swit S-8180S 220Wh High Load V-mount Battery

Swit S-8180S (S_8180S, S/8180S, S 8180S) 220Wh High Load V-mount Battery Normal Li-ion batteries offer 100W/8A output and suitable for most ENG cameras, but the Cine Cameras such as ALEXA require around 85W high draw which is too heavy for the normal Li-ion batteries: the battery life will be reduced if long time full draw powering. Moreover, if there’re monitor, lighting work together, and total power will be above 100W, and the normal batteries can not draw completely. Using S-8180S high-load battery, you can get MAX 140W/12A constant power output, which can drive more high power cameras, lightings and other equipments easily, and won’t reduce battery life during long time high power output.

Swit PB-M98S 98Wh Pocket V-mount Battery

Swit PB-M98S (PB_M98S, PB/M98S, PB M98S) 98Wh Pocket V-mount Battery The brick size V-mount batteries are always too big and heavy for field shootings, especially the handheld stabilizers, focus puller monitor, portable LED panel, or small cameras. PB-M98S Pocket V-mount battery is designed for the above applications! It’s only a DV battery size, with high capacity cells and still reaches 98Wh, and without any compromise on the DC sockets!

Swit S-8183S 240Wh High Load V-mount Battery

Swit S-8183S (S_8183S, S/8183S, S 8183S) 240Wh High Load V-mount Battery Normal Li-ion batteries offer 100W/8A output and suitable for most ENG cameras, but the Cine Cameras such as ALEXA require around 85W high draw which is too heavy for the normal Li-ion batteries: the battery life will be reduced if long time full draw powering. Moreover, if there’re monitor, lighting work together, and total power will be above 100W, and the normal batteries can not draw completely. Using S-8183S high-load battery, you can get MAX 180W/15A constant power output, which can drive more high power cameras, lightings and other equipments easily, and won’t reduce battery life during long time high power output.

Swit S-8113S 160Wh V-mount Battery

Swit S-8113S (S_8113S, S/8113S, S 8113S) 160Wh V-mount Battery Normal Li-ion batteries offer 100W/8A output and suitable for most ENG cameras, but the Cine Cameras such as ALEXA require around 85W high draw which is too heavy for the normal Li-ion batteries: the battery life will be reduced if long time full draw powering. Moreover, if there’re monitor, lighting work together, and total power will be above 100W, and the normal batteries can not draw completely. Using S-8113S high-load battery, you can get MAX 150W/12A constant power output, which can drive more high power cameras, lightings and other equipments easily, and won’t reduce battery life during long time high power output. 160Wh / 11.1Ah High Capacity Consists of 16pcs 18650 battery cells, and reaches 160Wh/11.1Ah high capacity. run approx 5 hours for normal 30W ENG cameras. 6A Fast Charging S-8113S supports 6A fast charging, to save more than 50% charging time, can be charged from 0 to 80% after 1.5 hours, and fully charged within 2.5 hours.  Build-in D-tap DC Output Socket A D-tap DC output socket is equipped on the top side of S-8113S battery, for DC14.4V (Nominate) connection, such as on-camera lights, monitors, wireless transmitter, etc.. The Max Power from D-tap is 120W, 10A. 4-level LED Power Indicator On the side of the battery, there’re 4-level LED power indicators to check the battery remaining capacity. You can get a quick view of capacity before using.  

Swit S-8083S 130Wh V-mount Battery

Swit S-8083S (S_8083S, S/8083S, S 8083S) 130Wh V-mount Battery S-8083S is the V-mount rechargeable Li-ion battery pack for professional video cameras. It’s compact design, smaller in size.

Swit PB-S220S 14.4V 220Wh Multi D-Tap Heavy-Duty Digital Battery (V-Mount)

Swit PB-S220S (PB_S220S, PB/S220S, PB S220S) 14.4V 220Wh Multi D-Tap Heavy-Duty Digital Battery (V-Mount) The SWIT PB-S220S 14.4V 220Wh Multi D-Tap Heavy-Duty Digital Battery, featuring a V-mount, has a short, square-shaped design and provides up to 150W/12A continuous output. This makes it suitable for up to the most demanding cine-cameras along with monitors and other accessories. With 220 watt hours, the PB-S220S delivers approximately 2.5 hours of power to the ARRI ALEXA and 7 hours to ENG cameras. In addition to this, it offers four D-Tap outputs — meaning you won't need splitters if you have multiple accessories to power — and a USB port for charging mobile devices. The battery has an intelligent LCD that displays remaining runtime in minutes when the battery is in use and as a percentage value when not in use or when charging. When remaining runtime is less than 15 minutes, the LCD will flash as a warning. It'll also show a warning signal with a specific warning code if the battery detects over-discharging, over-charging, circuit issues, and the like. A long press of the power-check button will display the battery's cycle times on the LCD. The PB-S220S also communicates runtime info to RED and Sony viewfinders. This battery also supports fast charging at 6A using the optional SWIT S-3812S charger, which charges 0 to 80% of the battery in 2.3 hours and provides a full charge in 3.5 hours.

Swit PB-S98S 14.4V 98Wh Dual D-Tap Heavy-Duty Digital Battery (V-Mount)

Swit PB-S98S (PB_S98S, PB/S98S, PB S98S) 14.4V 98Wh Dual D-Tap Heavy-Duty Digital Battery (V-Mount) The SWIT PB-S98S 14.4V 98Wh Dual D-Tap Heavy-Duty Digital Battery, featuring a V-mount, has a short, compact design and provides up to 100W/8A continuous output. While it's suitable for most cameras and devices and it can power an ENG camera for approximately 3 hours, its small size also makes it ideal for drones and other mobile applications. In addition to this, the PB-S98S offers two D-Tap outputs for powering accessories and a USB port for charging mobile devices. The battery has an intelligent LCD that displays remaining runtime in minutes when the battery is in use and as a percentage value when not in use or when charging. When remaining runtime is less than 15 minutes, the LCD will flash as a warning. It'll also show a warning signal with a specific warning code if the battery detects over-discharging, over-charging, circuit issues, and the like. A long press of the power-check button will display the battery's cycle times on the LCD. The PB-S98S also communicates runtime info to RED and Sony viewfinders.

Marshall CS-0734-12MP CS-Mount 7-34mm Varifocal Lens

Marshall CS-0734-12MP (CS_0734_12MP, CS/073412MP, CS 0734 12MP) CS-Mount 7-34mm Varifocal Lens The CS-Mount 7-34mm Varifocal Lens from Marshall Electronics is designed for use with 12MP cameras that have a 1/1.7" sensor. This lens has a 7-34mm focal length with a 53.6-16.7° horizontal field of view. It features a DC auto iris, along with manual operation of zoom and focus.

Marshall CS-1040-8MP 8MP 4K/UHD 10-40mm Varifocal CS Mount Lens

Marshall CS-1040-8MP (CS_1040_8MP, CS 1040 8MP, CS/1040/8MP) 8MP 4K/UHD 10-40mm Varifocal CS Mount Lens The CS-1040-8MP is a 8MP 10-40mm F1.4-F1.7 4K/UHD varifocal CS mount lens for the CV420-CS and CV420-CS true 4K60 compact cameras.

Marshall CV380-CS 4K 8.5MP 6G-SDI & HDMI CS/C-Mount Compact Camera

Marshall CV380-CS (CV380_CS, CV380/CS, CV380 CS) 8.5MP 6G-SDI & HDMI CS/C-Mount Compact Camera The CV380-CS 4K 8.5MP 6G-SDI & HDMI CS/C-Mount Compact Camera from Marshall Electronics captures up to DCI 4K resolution video at 30 fps and offers simultaneous 6G/3G/HD-SDI and HDMI output. Featuring a compact form factor, the CV380-CS is designed as a discrete solution for broadcast, house of worship, live event, courtroom, remote learning, and other applications. A CS/C lens mount and 4-pin auto iris connector provide support for a wide variety of DC auto iris varifocal and fixed focal length lenses. The camera can be adjusted and matched to other cameras remotely via an RS-485 connection offered on an included breakout cable, or using an OSD menu joystick integrated on the same cable. Image adjustments can be made to white balance, gain, tone level (red/blue), pedestal (blacks), exposure, gamma, and other factors. The camera is mountable via a universal 1/4"-20 threaded mounting hole on the bottom.

Marshall CV-LENS-PACK Electronics CV Lens Pack

Marshall CV-LENS-PACK (CV_LENS_PACK, CV/LENS/PACK, CV LENS PACK) Electronics CV Lens Pack The Marshall Electronics CV Lens Pack is an addition to the CV505-M Mini Broadcasting Camera and includes 6 lenses (2.3mm, 2.8mm, 6mm, 8mm, 12mm, and 16mm). This CV Lens Pack has been designed and manufactured with the utmost precision, and incorporates lenses with improved image quality to maximise the capability and performance for a wider variety of applications such as security, broadcast TV, and sport. Compatible with most Marshall cameras.

IDX VL-4X System Technology VL-4X 4-Channel V-Mount Charger with Power Supply

IDX VL-4X (VL_4X, VL/4X, VL 4X) System Technology VL-4X 4-Channel V-Mount Charger with Power Supply The VL-4X 4-Channel V-Mount Charger with Power Supply from IDX supports lithium-ion V-mount batteries and features sequential charging for four batteries, automatically switching to the second battery after fully charging the first, and it features simultaneous charging for two batteries when on opposite sides. It delivers up to 2.7A of quick-charge current without the noise of a typical charger thanks to a fanless design. This portable desktop charger is designed with reliable internal safety features that protect both the battery and charger from damage should faulty or misused batteries be placed on the charger. It will automatically stop charging if any attached battery reaches an overvoltage condition. It features a support stand to keep the charger upright on a flat surface.

Samyang 8008 14mm F2.8 AF Lens - Canon EF Mount

Samyang 8008 (SMY-8008, SMY/8008, SMY 8008, SMY_8008, smy-8008) 14mm F2.8 AF Lens - Canon EF Mount The AF 14mm F2.8 EF is Samyang's first autofocus lens designed for Canon full frame DSLR cameras. This light weight wide-angle lens inherits the renowned image quality of Samyang’s wide angle series and importantly, the minimised weight and motion of the focusing lens group enables fast, quiet and precise autofocus. With a total of 15 lens elements in 10 groups, this lens uses 7 special optical elements to maximise image quality. The use of 2 aspherical lenses, 4 high-refractive lenses, and 1 extra-low dispersion lens minimises distortion and aberrations while producing crystal clear resolution. Ultra Multi Coating effectively eliminates flare and ghosting to improve resolution even further. The remarkably even image quality from centre to edge of the wide 116.6 degree angle of view is very apparent on the MTF chart. This compact Samyang AF 14mm F2.8 EF weighhs only 485g (without lens caps and hood) and is the ideal travel partner to capture unforgettable moments along your journey. Weather-sealing and a built-in AF/MF switch increase usability. Beautiful bokeh and star effects can be achieved thanks to the wide aperture and 7 rounded diaphragm blades

DL-10RB-COMPACT Dolly for Select Libec, Sachtler & Vinten Tripods

Libec DL-10RB-COMPACT (DL_10RB_COMPACT, DL/10RB/COMPACT, DL 10RB COMPACT) Dolly for Select Libec, Sachtler & Vinten Tripods The DL-10RB Compact Dolly from Libec is a foldable dolly for select Libec, Sachtler, and Vinten video tripods. It features a 242.5 lb payload, locking wheels, and an aluminum structure, along with an integrated carrying handle and detachable cable guards.

Libec T150C Heavy-Duty 2-Stage Carbon Fiber Tripod Legs with 150mm Bowl

Libec T150C (T-150C, T150/C, T150 C) Heavy-Duty 2-Stage Carbon Fiber Tripod Legs with 150mm Bowl The Libec T150C is a heavy-duty set of carbon fiber tripod legs with a 150mm bowl. It supports up to 220.5 lb and offers a height range of 23 to 64" in two legs stages. Each leg has a twist leg lock knob at each stage. The legs feature spiked feet and come with a plastic cover over them. If you incorporate an optional ground spreader, the legs can be installed into the spreader with these plastic covers on. Compatible spreaders include the SP-15B ground spreader and BR-6B mid-level spreader. Optional rubber food pads are also supported, such as the FP-6B pads. The carbon fiber construction is especially suited for users who shoot on the beach or similar outdoor environments because it's corrosion resistant. Multiple 3/8"-16 and 1/4"-20 accessory mount threads are provided on two sides of the tripod, on top near the bowl base. A weight hook is also provided on one of the legs. The T150C is made in Japan. Compatible tripod heads include the Libec QH1 and QH3.

Libec T150B Heavy-Duty 2-Stage Aluminum Tripod Legs with 150mm Bowl

Libec T150B (T150-B, T150/B, T150 B) Heavy-Duty 2-Stage Aluminum Tripod Legs with 150mm Bowl The Libec T150B is a heavy-duty set of aluminum tripod legs with a 150mm bowl. It supports up to 220.5 lb and offers a height range of 23 to 64" in two legs stages. Each leg has a twist leg lock knob at each stage. The legs feature spiked feet and come with a plastic cover over them. If you incorporate an optional ground spreader, the legs can be installed into the spreader with these plastic covers on. Compatible spreaders include the SP-15B ground spreader and BR-6B mid-level spreader. Optional rubber food pads are also supported, such as the FP-6B pads. Multiple 3/8"-16 and 1/4"-20 accessory mount threads are provided on two sides of the tripod, on top near the bowl base. A weight hook is also provided on one of the legs. The T150B is made in Japan. Compatible tripod heads include the Libec QH1 and QH3.

Libec T103C Professional 2-Stage Carbon Fiber Tripod

Libec T103C (T103-C, T103/C, T103 C) Professional 2-Stage Carbon Fiber Tripod The Libec T103C is a professional 2-stage carbon fiber tripod featuring a 100mm bowl base. It supports up to 198 lb, and both leg stages have a double strut design that ensures more stable operation. With an optional SP-6B ground spreader attached, the tripod offers a height range of 24.5 to 68.5". The tripod features spiked feet and supports the optional Libec FP-6B large foot pads, sold separately. It also supports the optional BR-6B mid-spreader.

Libec TH-Z-S8-KIT Fluid Head, Tripod, 33 inch Slider & Carry Case Kit

Libec TH-Z-S8-KIT (TH_Z_S8_KIT, TH/Z/S8/KIT, th-z-s8-kit) Fluid Head, Tripod, 33 inch Slider & Carry Case Kit The Libec TH-Z S8 Kit is a highly flexible system featuring a fluid head that can be mounted directly on the 75mm tripod bowl or attached directly to the slider. This is thanks to the head's dual-function design consisting of a half ball with a flat base. The slider also has a 75mm half ball and can be mounted directly on the tripod as well. The fluid head supports up to 11 lb and features fixed counterbalance and drag and a convenient snap-in camera plate system. The slider provides a 28" travel distance, and the tripod offers a height range of 23 to 58.5". Libec TH-Z H Fluid Head The Libec TH-Z H Fluid Head is a compact dual-function tripod head with an 11 lb payload and fixed counterbalance and drag. It features a native 75mm half ball and has a flat base with a 3/8"-16 mounting thread on the bottom of the half ball. It's directly compatible with 75mm bowl tripods but can also be mounted directly on sliders and other supports via the flat base. A tie-down is included for securing it to tripods. The head has a snap-in camera plate system that lets you attach the included camera plate from above rather than slide it in from the rear. The plate has a sliding range of 1.2" once secured. It comes with a 1/4"-20 mounting screw and an anti-twist video pin beside it. A long rosette-mount pan bar is included and an optional second one is also supported. Libec TH-Z T Aluminum Tripod with Mid-Level Spreader (75mm Bowl) The Libec TH-Z T is a 2-stage aluminum tripod with a 75mm bowl base and built-in mid-level spreader. It supports up to 55 lb and is adjustable from a minimum height of 23" to a maximum height of 58.5". The integrated mid-level spreader is adjustable telescopically. Libec ALX S8 Slider (32.6") The Libec ALX S8 is a 32.6" long camera slider that features an integrated 75mm ball base with a flat bottom, allowing it to be mounted directly to 75mm bowl fluid heads as well as flat-base heads. When used on tabletop or flat surface using, the slider has a maximum load capacity of 33 lb. For smooth and wobble-free operation, the carriage features eight roller bearings positioned on the rail top and along the sides at angles. A spring-loaded friction knob allows you to adjust slide tension, while a brake knob will lock the carriage in place at any point on the rails. Using a supplied hexagon wrench, you can adjust the pushing force that the ball bearing exerts on the rail. At each end of the slider, there are 1/4"-20 and 3/8"-16 threads and a rosette for attaching various accessories. If you will be using the slider on the ground or tabletop, the slider features built-in legs with height-adjustable feet to accommodate non-level terrain. For compact storage, the legs fold up against the side of the slider, securing in place using thumb knobs. Unscrewing the knobs completely allows you to detach the legs completely and swap out the 32.6" rail for separately available 15.5" or 47" rail lengths. Libec RC-10 Tripod Carrying Case (Black) Store, transport, and protect your TH-Z or TH-X tripod with this black RC-10 Carrying Case from Libec. The case features dual carry straps and an exterior zip pocket for accessories.

Libec TH-Z-S4-KIT Fluid Head, Tripod, 15.5 inch Slider & Carry Case Kit

Libec TH-Z-S4-KIT (TH_Z_S4_KIT, TH Z S4 KIT, TH-Z S4 KIT) Fluid Head, Tripod, 15.5 inch Slider & Carry Case Kit The Libec TH-Z S4 Kit is a highly flexible system featuring a fluid head that can be mounted directly on the 75mm tripod bowl or attached directly to the slider. This is thanks to the head's dual-function design consisting of a half ball with a flat base. The slider also has a 75mm half-ball and can be mounted directly on the tripod as well. The fluid head supports up to 11 lb and features fixed counterbalance and drag and a convenient snap-in camera plate system. The slider provides a 12" travel distance, and the tripod offers a height range of 23 to 58.5". Libec TH-Z H Fluid Head The Libec TH-Z H Fluid Head is a compact dual-function tripod head with an 11 lb payload and fixed counterbalance and drag. It features a native 75mm half ball and has a flat base with a 3/8"-16 mounting thread on the bottom of the half ball. It's directly compatible with 75mm bowl tripods but can also be mounted directly on sliders and other supports via the flat base. A tie-down is included for securing it to tripods. The head has a snap-in camera plate system that lets you attach the included camera plate from above rather than slide it in from the rear. The plate has a sliding range of 1.2" once secured. It comes with a 1/4"-20 mounting screw and an anti-twist video pin beside it. A long rosette-mount pan bar is included and an optional second one is also supported. Libec TH-Z T Aluminum Tripod with Mid-Level Spreader (75mm Bowl) The Libec TH-Z T is a 2-stage aluminum tripod with a 75mm bowl base and built-in mid-level spreader. It supports up to 55 lb and is adjustable from a minimum height of 23" to a maximum height of 58.5". The integrated mid-level spreader is adjustable telescopically. Libec ALX S4 Slider (15.5") The Libec ALX S4 is a 15.5" long camera slider that features an integrated 75mm ball base with a flat bottom, allowing it to be mounted directly to 75mm bowl fluid heads as well as flat-base heads. When used on tabletop or flat surface using, the slider has a maximum load capacity of 33 lb. For smooth and wobble-free operation, the carriage features eight roller bearings positioned on the rail top and along the sides at angles. A spring-loaded friction knob allows you to adjust slide tension, while a brake knob will lock the carriage in place at any point on the rails. Using a supplied hexagon wrench, you can adjust the pushing force that the ball bearing exerts on the rail. At each end of the slider, there are 1/4"-20 and 3/8"-16 threads and a rosette for attaching various accessories. If you will be using the slider on the ground or tabletop, the slider features built-in legs with height-adjustable feet to accommodate non-level terrain. For compact storage, the legs fold up against the side of the slider, securing in place using thumb knobs. Unscrewing the knobs completely allows you to detach the legs completely and swap out the 15.5" rail for separately available 32.6" or 47" rail lengths. Libec RC-10 Tripod Carrying Case (Black) Store, transport, and protect your TH-Z or TH-X tripod with this black RC-10 Carrying Case from Libec. The case features dual carry straps and an exterior zip pocket for accessories.

Libec QD-30PD Pedestal System with QH3 Head and P1000 Pedestal

Libec QD-30PD (QD_30PD, QD/30PD, QD 30PD) Pedestal System with QH3 Head and P1000 Pedestal P1000 Pedestal  The P1000 is equipped with the tracking locking mechanism and cable guards which come standard with the large-sized double-wheel 125mm casters. The tracking locking mechanism ensures straight-line movement by locking the caster direction, while the cable guards prevent the wheels from running over the cable during studio production. Flat Base with High Compatibility Not only compatible with Libec heads but other brand heads as well. With optional accessories, ball based heads can also be attached on this pedestal. Easy-read Air Pressure Gauge Air pressure can be easily checked with the air pressure meter. Drag Knob for Upper Column Adjustment Upper column friction can be adjusted to preferred settings with the drag knob. Mid Column with Gas Spring Assist The gas spring inside the P1000 pedestal supports the mid column's elevation, allowing safe and easy height adjustments and setups with heavy equipment. High Performance Casters with Track Lock Mechanism Large High performance 125mm casters are equipped along with removable cable guards. The casters has a track lock mechanism which allows users to set and move the dolly in three different modes: Free Mode, Tracking Mode and Steer Mode. The caster's locking sound is minimal. Easy to Transport Design The P1000 can be easily disassembled into the P1000 Column, the steering handle and the dolly. This makes the P1000 easy to transport within studios and outside broadcast sites. QH-1 Head Smooth Counterbalance System The Smooth Counterbalance System is a unique Libec technology that allows the counterbalance knob to be adjusted with constant motion to smoothly reach the minimum and maximum power range. The foldaway knob is designed for easy speedy adjustments. Counterbalance Meter The counterbalance power level can be easily viewed by looking at the Counterbalance Meter, allowing users to keep an eye on their preferred counterbalance settings. Center Tilt Lock with High Safety For the camera system's safety, the head can be physically locked into a center tilt position. Even at a distance, the arrow shaped knob and Lock / Unlock symbols are visible. Flat Base and 150mm Ball Base Adapter The BL-150 ball base adapter, which converts the flat base head into a 150mm ball head, is included with the kit. 1/4" and 3/8" Screw Holes for Accessory Attachments Each side of the tripod has three screw holes for accessory attachments. New Leg Lock Knob Design The newly designed leg lock knob are easy to turn, allowing users to adjust tripod legs quickly and firmly.

Libec P1000 150mm Flat Base Pedestal System

Libec P1000 (P-1000, P/1000, P 1000) 150mm Flat Base Pedestal System The P1000 is equipped with the tracking locking mechanism and cable guards which come standard with the large-sized double-wheel 125mm / 4.9" casters. The tracking locking mechanism ensures straight-line movement by locking the caster direction, while the cable guards prevent the wheels from running over the cable during studio production.

Libec QD-10PD Pedestal System with QH1 Head and P1000 Pedestal

Libec QD-10PD (QD_10PD, QD/10PD, QD 10PD) Pedestal System with QH1 Head and P1000 Pedestal P1000 Pedestal  The P1000 is equipped with the tracking locking mechanism and cable guards which come standard with the large-sized double-wheel 125mm casters. The tracking locking mechanism ensures straight-line movement by locking the caster direction, while the cable guards prevent the wheels from running over the cable during studio production. Flat Base with High Compatibility Not only compatible with Libec heads but other brand heads as well. With optional accessories, ball based heads can also be attached on this pedestal. Easy-read Air Pressure Gauge Air pressure can be easily checked with the air pressure meter. Drag Knob for Upper Column Adjustment Upper column friction can be adjusted to preferred settings with the drag knob. Mid Column with Gas Spring Assist The gas spring inside the P1000 pedestal supports the mid column's elevation, allowing safe and easy height adjustments and setups with heavy equipment. High Performance Casters with Track Lock Mechanism Large High performance 125mm casters are equipped along with removable cable guards. The casters has a track lock mechanism which allows users to set and move the dolly in three different modes: Free Mode, Tracking Mode and Steer Mode. The caster's locking sound is minimal. Easy to Transport Design The P1000 can be easily disassembled into the P1000 Column, the steering handle and the dolly. This makes the P1000 easy to transport within studios and outside broadcast sites. QH-1 Head  Smooth Counterbalance System The Smooth Counterbalance System is a unique Libec technology that allows the counterbalance knob to be adjusted with constant motion to smoothly reach the minimum and maximum power range. The foldaway knob is designed for easy speedy adjustments. Counterbalance Meter The counterbalance power level can be easily viewed by looking at the Counterbalance Meter, allowing users to keep an eye on their preferred counterbalance settings. Center Tilt Lock with High Safety For the camera system's safety, the head can be physically locked into a center tilt position. Even at a distance, the arrow shaped knob and Lock / Unlock symbols are visible. Flat Base and 150mm Ball Base Adapter The BL-150 ball base adapter, which converts the flat base head into a 150mm ball head, is included with the kit. 1/4" and 3/8" Screw Holes for Accessory Attachments Each side of the tripod has three screw holes for accessory attachments. New Leg Lock Knob Design The newly designed leg lock knob are easy to turn, allowing users to adjust tripod legs quickly and firmly.  

Libec TH-Z-H Fluid Head

Libec TH-Z-H (TH/Z/H, TH_Z_H, th-z-h) Fluid Head The Libec TH-Z H Fluid Head is a compact dual-function tripod head with an 11 lb payload and fixed counterbalance and drag. It features a native 75mm half ball and has a flat base with a 3/8"-16 mounting thread on the bottom of the half ball. It's directly compatible with 75mm bowl tripods but can also be mounted directly on sliders and other supports via the flat base. A tie-down is included for securing it to tripods. The head has a snap-in camera plate system that lets you attach the included camera plate from above rather than slide it in from the rear. The plate has a sliding range of 1.2" once secured. It comes with a 1/4"-20 mounting screw and an anti-twist video pin beside it. A long rosette-mount pan bar is included and an optional second one is also supported.

Libec QD-10 Tripod System with Ground Spreader

Libec QD-10 (QD_10, QD/10, QD 10) Tripod System with Ground Spreader The Libec QD-10 Tripod System features the pedestal-capable QH1 4-bolt flat base fluid head and the T150B 2-stage aluminum tripod. The system is complete with the SP-15B Ground Spreader, which has individually adjustable arms. The QH1 head attaches to the tripod via an included 150mm half-ball adapter and supports up to 88 lb. It has a side-mount camera plate system and comes with two telescoping pan bars. For attaching accessories, the T150B tripod offers a total of six 1/4"-20 and 3/8"-16 mounting threads around the bowl base. Libec QH1 Fluid Head The Libec QH1 Fluid Head is a pedestal-capable heavy-duty head supporting up to 88 lb. It features a 4-bolt flat base and comes with a 150mm half ball adapter that secures via four included screws. The QH1 has a side-mount camera plate system and includes a sliding plate with dual 3/8"-16 threaded mounting screws. The head also comes with two 2-piece telescoping pan bars that allow for easier integration of optional zoom controllers. Other features include continuous counterbalance, 7-step drag, independent pan and tilt locks, and an illuminated bubble level. Libec T150B Heavy-Duty 2-Stage Aluminum Tripod Legs with 150mm Bowl The Libec T150B is a heavy-duty set of aluminum tripod legs with a 150mm bowl. It supports up to 220.5 lb and offers a height range of 23 to 64" in two legs stages. Each leg has a twist leg lock knob at each stage. The legs feature spiked feet and come with a plastic cover over them. If you incorporate an optional ground spreader, the legs can be installed into the spreader with these plastic covers on. Compatible spreaders include the SP-15B ground spreader and BR-6B mid-level spreader. Optional rubber food pads are also supported, such as the FP-6B pads. Multiple 3/8"-16 and 1/4"-20 accessory mount threads are provided on two sides of the tripod, on top near the bowl base. A weight hook is also provided on one of the legs. The T150B is made in Japan. Compatible tripod heads include the Libec QH1 and QH3. Libec SP-15B Ground Spreader for T150B & T150C Tripods  The Libec SP-15B Ground Spreader is compatible with the Libec T150B and T150C tripods. The arms are individually length-adjustable when you loosen dedicated knobs, and a pull ring is provided in the center for collapsing the spreader.

Libec TH-Z Tripod System with Mid-Level Spreader (75 mm)

Libec TH-Z (TH_Z, TH/Z, THZ, th-z) Tripod System with Mid-Level Spreader (75 mm) The Libec TH-Z Tripod System features a 75mm half ball/flat base fluid head and aluminum 2-stage tripod with a built-in spreader. It also includes a zippered soft carrying case. The head supports up to 11 lb and features fixed counterbalance and drag. It can be attached directly to the tripod or mounted directly on sliders and other support gear via the flat base, which has a 3/8"-16 mounting thread on the bottom. The head also has a snap-in camera plate system that allows for easier attachment of your camera. A pan bar is included and an optional second one is supported. The height range for the head and tripod combined is 28 to 63.5". Libec TH-Z H Fluid Head The Libec TH-Z H Fluid Head is a compact dual-function tripod head with an 11 lb payload and fixed counterbalance and drag. It features a native 75mm half ball and has a flat base with a 3/8"-16 mounting thread on the bottom of the half ball. It's directly compatible with 75mm bowl tripods but can also be mounted directly on sliders and other supports via the flat base. A tie-down is included for securing it to tripods. The head has a snap-in camera plate system that lets you attach the included camera plate from above rather than slide it in from the rear. The plate has a sliding range of 1.2" once secured. It comes with a 1/4"-20 mounting screw and an anti-twist video pin beside it. A long rosette-mount pan bar is included and an optional second one is also supported.

Libec QH3 Fluid Head

Libec QH3 (QH-3, QH/3, QH 3, qh3) Fluid Head The Libec QH3 Fluid Head is a pedestal-capable heavy-duty head supporting up to 152 lb. It features a 4-bolt flat base and comes with a 150mm half ball adapter that secures via four included screws. The QH3 has a side-mount camera plate system and includes a sliding plate with dual 3/8"-16 threaded mounting screws. The head also comes with two 2-piece telescoping pan bars that allow for easier integration of optional zoom controllers. Other features include continuous counterbalance, 7-step drag, independent pan and tilt locks, and an illuminated bubble level.  

Libec QH1 Fluid Head

Libec QH1 (QH-1, QH/1, QH_1, qh1) Fluid Head The Libec QH1 Fluid Head is a pedestal-capable heavy-duty head supporting up to 88 lb. It features a 4-bolt flat base and comes with a 150mm half ball adapter that secures via four included screws. The QH1 has a side-mount camera plate system and includes a sliding plate with dual 3/8"-16 threaded mounting screws. The head also comes with two 2-piece telescoping pan bars that allow for easier integration of optional zoom controllers. Other features include continuous counterbalance, 7-step drag, independent pan and tilt locks, and an illuminated bubble level.

Swit S-3822S 2-Channel V-mount Charger

Swit S-3822S (S_3822S, S/3822S, S 3822S) 2-Channel V-mount Charger The portable charger S-3822S can charge 2 V-mount batteries simultaneously. The charging output is DC 16.8V, 3A×2. 2-ch Simultaneous Charger Charging current: 3A per channel. LED Charging Indicators S-3822S has LED charging indicators on the front panel, indicates the real time capacity of each channel by different colours: Display Red: Battery is charging, capacity below 80%; Display Yellow: Battery is charging, capacity above 80%; Display Green: Charging finished. AC-DC Adapting Output S-3822S has a 4-pin XLR female connector on the front panel. Connected with SWIT S-7102 XLR female to male cable (optional purchase), the S-3822S can be used as AC-DC adaptor of DC 14.4V, 5A, 72W output. Please note the AC-DC adapting output will not work when battery is charging. Optimal Charging Curve Li-ion charging follows a two-period approach. The first period is constant-current. The battery is charged at the maximum charging rate. When the battery reaches a specified set-point voltage, charging circuits switch to the second period: the constant-voltage period. The charging circuit will provide only enough current to maintain the voltage, to prevent the battery from over charging. Multiple Safety Protection Design SWIT charger can identify different chemical types of batteries, and provide the correct charging program, to protect the batteries from over current, over charging, high temperature, etc.

Samyang 7493 135mm f/2.0 ED UMC Lens for Canon EF Mount

Samyang 7493 (SMY-7493, SMY/7493, SMY 7493, SMY_7493, smy-7493) 135mm f/2.0 ED UMC Lens for Canon EF Mount Work in low light and capture images with exceptional "bokeh" with the 135mm f/2.0 ED UMC Lens from Samyang, available here for Canon EF mount full frame & APS-C cameras. This all-manual telephoto prime offers a flattering perspective well-suited to portraits and other sensitive subject matter, and the fast f/2.0 maximum aperture helps ensure the image will be bright and have an extremely shallow depth-of-field. Also, this lens features one extra-low dispersion element to reduce the impact of chromatic aberrations in the final image as well as an Ultra Multi-Coating to reduce flare and ghosting. A large manual focus ring as well as a physical aperture ring are available on the lens barrel for making smooth, deliberate adjustments. Also, this lens has a minimum focus distance of 2.6' and a front filter thread diameter of 77mm. Assisting with smooth, pleasing out-of-focus elements is a circular 9-blade diaphragm. Additionally, it comes with a removable lens hood and soft pouch.

Portabrace WPC-SET WPC-1ORB & WPC-2ORB Wheeled Production Case Set (Black)

Portabrace WPC-SET (WPC_SET, WPC/SET, WPC SET) (WPC/1ORB) (WPC 2ORB) WPC-1ORB & WPC-2ORB Wheeled Production Case Set (Black)  Portabrace wheeled production cases are rugged rolling transport cases designed to protect and carry a wide range of lighting, grip and production gear, electronics, accessories, batteries, cable, and more. The cases have a lightweight yet rigid and highly-protective frame. The frame has a layer of padding and is covered in water-resistant, military-grade 1000d Cordura® fabric and water-proofed nylon-bonded triple-tacked stitching for long life and superior water-resistance in a range of unpredictable production conditions. Easily cleaned as necessary. The Wheeled Production Case's padded-rigid walls are reinforced with extra layer of lightweight rigid protection for carrying extra heavy loads. The case interior can be organized into a custom divider setup using the included padded rigid dividers. There are oversized exterior pockets for extra storage. Removable Off-Road Wheel System Each "WPC" features our removable wheel system that provides maximum stability and a smooth rolling experience while also allowing you to remove the wheels to prevent axle damage during air or van transport. The smooth rolling high-performance off-road removable wheels are made of solid rubber and have off-road treads for superior rolling on almost any surface. The wheels have smooth-rolling ball bearings and solid-steel axles to allow you to pull heavy loads comfortably and confidently.