Canon EOS C50 Cinema Camera

Canon 7034C011AA (70-34C0-11AA, 70/34C0/11AA, 70-34C0/11AA, 70 34C0 11AA) EOS C50 Cinema Camera The Canon EOS C50 is designed for creators who thrive under pressure—built for professionals working solo or in small crews. From interviews to social content, weddings to indie films, this ultra-lightweight camera earns its spot on every production. As Canon’s smallest professional cinema camera, it opens the door to true cinematic storytelling. Powered by a 7K Full Frame sensor, the EOS C50 delivers Open Gate RAW recording, 32MP stills, and pro-level connectivity in a sleek, modular design. Positioned between the EOS R5 C and C70, it bridges the gap between Canon’s V Series and Cinema EOS lineup, offering creators advanced video performance without fully stepping into high-end cinema gear. It’s Canon’s fifth RF-mount Cinema EOS model and the second hybrid in the series, blending mirrorless flexibility with cinema-grade features. Cinematic 7K Full Frame Capture Capture breathtaking detail with Canon’s 7K Full Frame CMOS sensor, Dual Base ISO (800/6400), and 15+ stops of dynamic range. Shoot 32MP stills at 40fps with ISO up to 64,000, or create oversampled 4K with Canon’s signature color science. Open Gate Flexibility Record in 12-bit RAW (6960x4640, 3:2) for ultimate versatility—perfect for widescreen, vertical, or anamorphic formats. Switch seamlessly between Full Frame, Super 35mm, and Super 16mm crop modes. RF Mount Versatility Take advantage of Canon’s RF mount with access to prime, zoom, hybrid, and cinema lenses, plus metadata support, fast AF/IS, and full compatibility with PL/EF lenses via adapters. Precision Autofocus Experience lightning-fast autofocus with Dual Pixel CMOS AF II, enhanced face, eye, and animal tracking, EOS iTR AF X, Focus Guide, and fully customizable AF speed controls. High Frame Rates Record Cinema RAW Light up to 7K 60p, plus 4K 120p and 2K 180p. Capture oversampled 4K 10-bit XF-AVC or HEVC in multiple formats, with CFexpress Type B and UHS-II SD card slots for smooth workflows and proxy recording. Professional Connectivity Includes HDMI, timecode, mic and headphone ports, USB-C, and a detachable handle with dual XLR inputs. Built-in Wi-Fi and USB-C enable IP streaming, UVC/UAC output, remote control, and Multi-Function Shoe support. Compact, Ergonomic Design Canon’s most compact Cinema EOS features a 3" articulating touchscreen, detachable top handle, 14 assignable buttons, tally lamp, active cooling, and multiple mounts—ideal for handheld use, gimbals, or drones. Multi-Camera Ready Seamlessly integrate with Canon’s XC Protocol accessories and apps for live production, studio control, or multi-cam setups with timecode sync and unified settings management. Future-Ready for VFX & VR The EOS C50 supports real-time lens metadata for virtual production, fully compatible with Unreal Engine and After Effects. Pair it with Canon’s RF 5.2mm Dual Fisheye to capture immersive 180° VR experiences.

Canon EOS C80 Cinema Camera RF Mount

Canon 6389C006 (63-89C0-06, 63/89C0-06, 63 89C0 06, 63_89C0_06) EOS C80 Cinema Camera RF Mount UNLEASH YOUR CREATIVE POTENTIAL Stay agile with the EOS C80, a compact and ergonomic powerhouse featuring a 6K full-frame BSI sensor, RF mount, and Dual Pixel CMOS AF II technology. It delivers exceptional image quality and versatility, perfect for cinema, live, and virtual production needs. A CLOSER LOOK AT THE EOS C80 Explore the standout features of the EOS C80 that elevate your professional video productions. 6K full frame BSI sensor The backside illuminated (BSI) sensor technology brings forth a striking balance of dynamic range and rich, natural color tones. Its triple base ISO system weaves together sharp clarity with low-noise performance, shaping visuals that feel both vivid and immersive. VIDEO PRODUCTION ELEVATED Full frame 6K BSI sensor Capture stunning visuals with Canon’s advanced backside illuminated (BSI) stacked CMOS sensor, offering next-level performance with triple base ISO (800 / 3200 / 12800), lifelike color reproduction, and an impressive 16 stops of dynamic range. Dual Pixel CMOS AF II with EOS iTR AF X Experience enhanced, faster autofocus technology with pinpoint accuracy and ultra-responsive tracking for faces, eyes, heads, bodies, and animals across the full sensor. Take full control with face-only recognition and customizable settings, ensuring your focus remains sharp and precise at all times. Compact, ergonomic and familiar design The updated, familiar design offers enhanced ergonomics, improved connectivity, and an upgraded joystick along with a multi-function shoe. Whether using the top handle or customizing your own rig, this camera provides the flexibility to shoot with ease, even in the most challenging conditions. Professional recording formats and high frame rates The EOS C80 supports 12-bit Cinema RAW Light LT recording at up to 6K 30P, and 4:2:2 10-bit at up to 4K 120P. It also offers oversampled 4K via XF-AVC, along with enhanced XF-AVC S and XF-HEVC S (MP4) formats, all featuring comprehensive metadata and structured filenames. Additionally, HDMI RAW output is available for use with compatible external recorders. RF mount Count on advanced prime, zoom, and cinema lenses for exceptional optical performance, real-time lens metadata, and lightning-fast AF/IS systems. Effortlessly use your PL and EF lenses with a Canon mount adapter for added versatility in your productions. Uncompromised connectivity The EOS C80 features professional on-body I/O options, including 12G-SDI, HDMI, 2x mini-XLR, Mic In, Remote, and Timecode ports. With built-in Wi-Fi and Ethernet, it supports real-time IP streaming (SRT / RTSP) and remote control via XC Protocol and the Multi-Camera Control app. The camera is also expandable through Canon’s Multi-Function Shoe for added versatility. Designed for the future The EOS C80 offers real-time lens metadata output and capture, ideal for virtual production (VP) and VFX workflows, with seamless integration with Unreal Engine and After Effects, including distortion correction data. Additionally, create immersive VR experiences using Canon’s RF 5.2mm F2.8L Dual Fisheye lens for unparalleled visual storytelling.

Canon EOS C400 Full Frame Cinema Camera

Canon EOS C400 Full Frame Cinema Camera(6388C002) The CINEMA EOS C400 redefines versatility – designed to excel in cinematic shooting, live broadcast, and virtual production. Unleash your creativity with a 6K full frame BSI sensor and 16 stops of dynamic range. The CINEMA EOS C400 packs a 6K Full Frame BSI sensor, triple base ISO, and 18 customisable buttons into a compact, robust body. Building on Canon’s colour science to deliver warm skin tones and a naturally pleasing image. With professional connectivity, the CINEMA EOS C400 is your ally in cinema, live broadcast, and virtual production. Full frame 6K BSI sensor Capture breathtaking footage with Canon’s cutting-edge backside illuminated (BSI) sensor, delivering next-generation capabilities, triple base ISO (800 / 3200 / 12800), organic colour reproduction, and 16 stops of dynamic range. Dual Pixel CMOS AF II with EOS iTR AF X Enjoy updated, faster auto focus technology. Pin-sharp and ultra-responsive face, eye, head, body, and animal tracking covering the full sensor. Have full control with face-only recognition and customisable settings to help ensure your focus never slips. Professional recording formats and high frame rates Including 12-bit Cinema RAW Light LT / ST / HQ up to 6K 60P, and 4K 120P. Oversampled 4K 4:2:2 10-bit is available via XF-AVC and improved XF-AVC S / XF-HEVC S (MP4) formats, all featuring detailed metadata and filename structures.  RF mount Rely on cutting-edge prime, zoom, and cinema lenses for unrivalled optical performance, real-time lens metadata, and ultra-responsive AF / IS systems. Easily use your PL and EF lenses with a Canon mount adapter.   Uncompromised connectivity On-body I/O including 12G-SDI, 3G-SDI, 2x mini-XLR, Mic In, Remote, Timecode, LENS, and Genlock / SYNC / Return. Built-in Wi-Fi/Ethernet enables real-time IP streaming (SRT / RTSP) and remote control via XC Protocol. Expandable with Canon’s Multi-Function Shoe. Built for live multi-camera productions Return Input and advanced features enable live programming monitoring and compatibility with industry-standard lenses thanks to 12-pin lens interface. This is enhanced via XC Protocol accessories and smartphone applications such as the RC-IP1000 and Multi-Camera Control App. Designed for the future Real-time metadata for virtual production and VFX with support for Unreal Engine and After Effects. Genlock and organic colour reproduction make the CINEMA EOS C400 perfect in large LED volumes. And create immersive VR experiences with Canon’s RF 5.2mm F2.8L Dual Fisheye lens. What is triple base ISO?  Triple base ISO delivers the best signal-to-noise ratio at multiple amplifications. Canon's cutting-edge 6K BSI sensor measures at three base ISOs – 800, 3200, and 12800 ISO – choose between them, or use auto-switching and the CINEMA EOS C400 will pick the optimal setting.  The basics: BSI sensors The backside illuminated (BSI) sensor's improved architecture places circuity underneath the sensor plane. Benefits include increased dynamic range, auto-focus and rolling shutter performance. Why is metadata so important?   In Virtual Production and VFX workflows, camera metadata is essential to producing professional results. The CINEMA EOS C400 and Canon RF mount lenses let you extract every drop of metadata – from ISO to f stop and even distortion correction – so your post process becomes smoother than ever.

Canon C500 Mk II Camera Body with Eu-v2 Extension Unit

Canon C500 Mk II Camera Body with Eu-v2 Extension Unit(3794C020) New generation Cinema EOS System The Canon C500 MK II brings you a new generation Cinema EOS System with 5.9K Full Frame sensor in a compact body and delivers breathtaking image quality with Canon colour science. Newly developed technologies ensure great flexibility and reliability for all cinematographers. Breath-taking Full Frame Image Quality Canon’s own developed 5.9K full frame CMOS sensor delivers an immersive cinematic look combined with natural, smooth skin-tones and faithful colour reproduction with Canon colour science. The sensor also provides 15+ stop latitude with a wide colour space, perfect for High Dynamic Range productions. High Quality and Efficient Recording Formats The C500 Mark II features a newly developed DIGIC DV 7 image processor which enables Cinema RAW Light recording internally at 5.9K, as well as supporting recording of Canon’s XF-AVC format in 4K 4:2:2 10-bit. Simultaneous recording of the same file format is possible to the dual CFexpress card slots, with an additional SD card slot for proxy files. This multi-recording format provides efficiency and fulfils production requirements. 5.9K Over Sampling Processing for 4K The Canon C500 uses a high-quality debayering algorithm when over sampling 5.9K for 4K/UHD recording. This suppresses moiré and reduces noise, resulting in a superior quality image. Compact, Lightweight and Reliable Approx. 1,730g lightweight body enables it to be comfortably rigged with gimbals, hand-held rigs, making it ideal for various shooting conditions. Various Mount and Lens Options The Canon C500 Mark II Camera provides great support for optional interchangeable lens mounts for different project requirements. EF lens mount provides perfect compatibility with a huge range of Canon EF lenses including EF Cine Primes, while the optional PL mount supports the Cooke /i system. Additionally, B4 mount adapters are also available (for EF or PL mounts) to use with B4 lenses. Highly Configurable and Modular Design Optional Extension Units offer a flexible modular design and configuration capability to cater for a variety of production requirements. Extension Unit 1 offers multi-camera support with a Genlock interface, while Extension Unit 2 adds further interfaces, such as two more XLR inputs, ideal for broadcast applications and a V-Lock battery mount for extended recording times. The optional EVF Unit is ideal for hand-held use but also answers user’s demands to make it easily removable for gimbal applications. Pioneering Auto Focus Technology The EOS C500 Mark II features Canon’s Dual Pixel CMOS AF Technology which offers high-speed Continuous AF. Users also benefit from smooth, intuitive touch focus operation with the new 4.3-inch LCD monitor LM-V2, as well as an improved focus control that recreates a more natural focus pull. To further fine tune AF performance, the C500 II offers the ability to set the AF tracking speed and response. Extensive Auto Focus Functions Dual Pixel Focus Guide Dual Pixel CMOS AF phase-difference technology provides an innovative graphical guide that represents front/back focus deviation; the rectangle turns green when the subject is in focus, improving usability and accuracy when manual focus pulling, especially for critical focusing in 4K. Tracking AF Simply use the touchscreen to select an object in the frame and it will be tracked as it moves within it, enabling effortless subject tracking, taking all the hard work away. Face Priority AF / Face Only AF Working together with Canon Face Detection technology, Dual Pixel CMOS AF is excellent at automatically recognising a face, focusing and following it while it moves. First Cinema EOS to Support Electronic IS C500 MK II is the first Cinema EOS camera to incorporate Electronic Image Stabilization (IS) into the camera body, supporting 5-axis camera shake correction. Even when used with lenses with no electronic lens communication, Electronic IS is possible by manually inputting the focal length. Automatically Obtains Focal Length When a lens that supports data transmission is attached, focal length data is automatically received through the digital contacts for shooting with optimized Electronic IS. Electronic IS with Non-Electrical Contract Lenses Shooting with Electronic IS is possible even when a lens that does not support data transmission is attached by simply manually inputting the focal length. It is also compatible with anamorphic lenses. Focal Length can be Saved Just select focal length during shooting to shoot with an electronic IS effect optimized for the settings. High Frame Rates The Canon EOS C500 Mark II supports high frame rate recordings up to a maximum 50/60 fps at 5.9K.  In 2K (crop) mode, settings from 1fps to a maximum 120fps can also be made, increasing creative possibilities. The new Slow & Fast button gives quick access for Slow & Fast settings. Advanced Interface The EOS C500 MARK II features an advanced 12G-SDI interface which has four times the bandwidth compared to 3G-SDI, simplifying 4K workflows by enabling it to output 4K 50/60p over a single cable. Similarly, the HDMI interface can also deliver 4K 50/60p over a single cable. Full Frame ND Filter Equipped with a robust built-in electronically controlled ND filter system, C500 Mark II supports 2/4/6 and an extended 8/10 stops, making it possible to create an image with a shallow depth of field, even in the daytime. New OSD Layout Newly added On-Screen Display (OSD) peripheral displays options that do not overlay information on the screen are available – choose from several options according to your needs. Anamorphic Lens Support The C500 Mark II camera supports anamorphic lenses by electronically de-squeezing the image in the viewfinder and on connected monitors for viewing. Users can take advantage of the camera's full 5.9K resolution by using 1.3x squeeze anamorphic lenses. Popular 2x squeeze anamorphic lenses (that cover a native 1.2:1 aspect ratio on the sensor) can be used as well, using a 4:3 cropped area of the sensor. User LUT Support Users can customize their own LUTs and load them onto the camera for precise-look monitoring, also, users can apply different LUTs for each output terminal. A new dedicated LUT button gives additional operational flexibility. ACES Support   The C500 Mark II supports ACES 1.0 of the Academy Colour Encoding System. Using Canon supplied IDTs, images captured on the D206 can be imported directly into the ACES compatible systems.  

Canon Eos C300 Mk III with Eu-v2 Extension Unit

Canon Eos C300 Mk III with Eu-v2 Extension Unit(3795C020) A versatile 4K Super 35mm Cinema EOS System camera Canon EOS C300 Mark III with EU-V2 Extension Unit is a cinema EOS camera with a 4K Super 35mm DGO sensor, 4K 120P Slow motion, High Dynamic Range and Dual Pixel CMOS AF. Delivering an exceptional high-resolution image with 16+ stops of latitude. It also has an impressive low light capability, with improved low noise, of up to ISO 102,400 where the human eye cannot easily see. The DGO sensor is a newly-developed imaging system that generates HDR video by reading out each pixel with different gains. It combines images using pixels shot with a saturation-prioritising amplifier for bright areas, and a low noise-prioritising amplifier for darker areas, resulting in higher dynamic range. It is also compatible with Dual Pixel CMOS AF. If you're looking for a similar camera with a more powerful sensor, we also have the Canon EOS C500 MK II  available to order. The Canon Cinema EOS C300 Mark III supports continuous 4K recording at up to 120fps, both in Cinema RAW Light and XF-AVC. In 2K (crop) mode, frame rates from 12 fps up to 150 fps can also be set for greater creative freedom, while a dedicated Slow & Fast button, provides quick access to the desired Slow & Fast setting. Dual card slots enable simultaneous internal recording of 4K Cinema RAW Light files (10/12-bit) or 4K XF-AVC files (4:2:2 10-bit) onto CFexpress cards. XF-AVC supports ALL-I which delivers the best quality, and Long-GOP which enables longer recording times through higher compression. A Proxy can also be recorded onto an SD card, making editing work more efficient. The Canon EOS C300 MK III with EU-V2 Bundle incorporates Electronic Image Stabilization (IS) into the camera body, supporting 5-axis camera shake correction. Even when used with lenses with no electronic lens communication, Electronic IS is possible by manually inputting the focal length. Canon C300 Mark III provides support for optional interchangeable lens mounts for different project requirements. EF lens mount provides perfect compatibility with a huge range of Canon EF lenses including EF Cine Primes, while the optional PL mount supports the Cooke/i system. Additionally, B4 mount adapters are also available (for EF or PL mounts) to use with B4 lenses. Optional Extension Units offer a flexible modular design and configuration capability to cater for a variety of production requirements. Extension Unit 1 offers multi-camera support with a Genlock interface, while Extension Unit 2 adds further interfaces, such as two more XLR inputs, ideal for broadcast applications and a V-Lock battery mount for extended recording times. The optional EVF Unit is ideal for hand-held use but also answers user’s demands to make it easily removable for gimbal applications. Approx. 1,750g lightweight body enables it to be comfortably rigged with gimbals, hand-held rigs, making it ideal for various shooting conditions. Canon EU-V2 Extension Unit This unit adds Genlock/SYNC, REMOTE B (RS-422), Ethernet, 2x XLR terminals, a V-mount battery plate, a 12-pin lens terminal and DC OUT 24V-2A support, attaching to the camera’s extension terminal. The Canon EU-V2 Extension Unit is designed for the new Canon C500 MK II Camera.

Canon 4082C045 EOS R6 Mirrorless Camera and RF 24-105mm F4-7.1 IS STM Lens

Canon 4082C045 (EOS-R6+RF 24-105mm, EOS/R6+RF/24-105mm, EOS_R6+RF_24_105mm, EOSR6RF24105mm, EOS R6 RF 24 105mm, eos r6 + rf 24-105mm f4-7.1 is) EOS R6 Mirrorless Camera and RF 24-105mm F4-7.1 IS STM Lens The EOS R6 is a full-frame mirrorless camera that’s so advanced it can shoot silently at up to 20 fps¹ with electronic shutter or at 12 fps¹ with a mechanical shutter, capture 4K 60p video and is sensitive up to ISO 102,400 for amazing low-light photography. Next-generation image stabilisation allows hand-held photography at shutter speeds up to 8 stops² longer than normal without camera shake. This kit comes with an RF 24-105mm F4-7.1 IS STM standard zoom lens, which is ideal for everything from landscape photography to portraits and photojournalism. The Canon EOS R6 excels in all areas but particularly in action photography and videography on the move. Those shooting wedding photography, event photography and documentary projects will love its lightning-fast AF that recognises heads, eyes and bodies – not just in human subjects but also in cats, dogs and birds too. Shoot continuously at 20 fps¹ with zero shutter noise, or at 12 fps¹ with a mechanical shutter, capturing split second moments in time – perfect for action photography Enjoy the perfect balance of resolution, low-light photography and dynamic range, from the 20 megapixel CMOS sensor and DIGIC X image processor in this enthusiast mirrorless camera The included RF 24-105mm F4-7.1 IS STM lens covers focal lengths from wide angle to telephoto, making it a superb all-rounder for many different types of photography Get as close as 13cm from your subject, for captivating close-ups packed full of amazing detail, thanks to the lens’s Centre Focus Macro mode Shoot in very low light, thanks to a maximum ISO 102,400 and autofocus that’s sensitive down to -6.5EV – a class-leading performance in a full-frame mirrorless camera Use motion blur creatively and shoot confidently in low light. The EOS R6 incorporates a 5-axis Image Stabilizer that can work together with a lens’s own IS system to deliver up to 8 stops² of protection against camera shake Focus on the action in as little as 0.05 sec³, with a Dual Pixel CMOS AF II autofocus system that covers virtually 100 per cent of the frame when in the automatic tracking modes – recognising and tracking faces, eyes and bodies in humans, cats, dogs and birds, or choose from up to 6072 selectable AF areas. Take your filmmaking projects up a gear. The EOS R6 shoots beautiful 4K 60p video footage with 10 bit colour, Canon Log 1 and support for HDR PQ. It also offers frame rates up to 120p at Full HD resolution When shooting video, the EOS R6’s advanced image stabilisation and tracking AF systems give you a creative advantage: footage is smooth and stable, and the faces and eyes of your subjects are kept in sharp focus Stay in control of audio too, with headphone and microphone sockets. This 4K mirrorless camera features a micro HDMI connection that allows video to be captured on an external recorder Take a bright, clear view of the world through the EOS R6’s superb 3.69 million dot viewfinder that previews exactly which picture effects are being used. A 3-inch 1.62M dot Vari-Angle LCD screen helps composition from different angles and a tough, weather-resistant body protects against dust and moisture Dual card slots support ultrafast UHS-II SD media. Back up files as you shoot, save JPEGs and RAW files to different cards, and even store photos and movie footage separately The EOS R6 uses 2.4GHz Wi-Fi to upload images directly to the cloud via image.canon and to link with smart devices for file sharing and remote camera control. Always-on Bluetooth®⁴ makes it easy to get connected

Canon EOS C70 Compact Cinema Camera

Canon 4507C006 (EOS-C70, EOS/C70, EOS_C70, EOSC70, eos c70) EOS C70 Compact Cinema Camera The EOS C70 is a new generation RF Mount Cinema EOS System camera featuring Canon’s 4K Super 35mm DGO sensor. With 4K 120P Slow Motion, High Dynamic Range and Dual Pixel CMOS AF in a compact body, it takes the RF System into a brand new era.  Compact, Lightweight and Reliable The EOS C70 features a new design, including a multi-function grip with 3 customisable dials and multi-directional joystick. The camera is built to be a tough and lightweight workhorse, thanks to the carbon fibre polycarbonate body. The compact design also enables it to be comfortably rigged to drones, gimbals, hand-held or shoulder rigs, as well as FPV helmets and vehicles. A dual gain sensor that delivers more On the DGO sensor, each pixel will read out the image with two different amplification levels, one high and one low, which will then be combined to make a single image. The higher amplification read-out is optimized to capture clean details in darker areas, while the lower amplification read-out is optimized to capture the details in brighter areas. Hence, when combined together at pixel-level accuracy, the details and the qualities on both the highlight, as well as the low light areas will be maintained and enhanced which enables the camera to achieve an impressive higher dynamic range of up to 16+ stops.  The RF Mount. The future of imaging. The large diameter RF mount with its short back focus and 12-pin communication delivers a balance of optical and electronic innovation plus scintillating AF speed from Canon’s range of RF lenses. Versatile. Flexible. Reliable. Your new workhorse. The EOS C70 uses design cues from other RF mount cameras from Canon, with additional controls, environmental protection and a convenient size to fit your production rig. Dynamically different: the 4K Super 35mm sensor  Equipped with a newly developed 4K Super 35mm sensor and DIGIC DV7 image processor, the EOS C70 delivers a high-resolution image with 16+ stops of Dynamic Range.   Multiple recording formats Dual UHS-II SD card slots enable simultaneous or relay recording. XF-AVC supports ALL-I and Long-GOP, while MP4 recording offers further flexibility. Pioneering autofocus technology The EOS C70 features the renowned Dual Pixel CMOS AF (DPAF). Filmmakers can now benefit from accurate and reliable autofocus with subject tracking and face detection. Professional and practical support functions Keep your workflow smooth when shooting with the EOS C70 thanks to useful features such as Direct Touch Control, Auto ISO, Vertical shooting, as well as electronic Image Stabilizer. Professional I/O Interface Stay in control with customisable buttons, pro terminals, plus sophisticated audio controls and recording.

Canon 3795C006 EOS C300 Mark III - Body Only

Canon 3795C006 EOS C300 Mark III camera - Body Only. Equipped with a newly developed 4K S35mm sensor and DIGIC DV7 image processor, the new Canon EOS C300 Mark III delivers an exceptional high-resolution image with 16+ stops of latitude. It also has an impressive low light capability, with improved low noise, of up to ISO 102,400 where the human eye cannot easily see. The DGO sensor is a newly-developed imaging system that generates HDR video by reading out each pixel with different gains. It combines images using pixels shot with a saturation-prioritising amplifier for bright areas, and a low noise-prioritising amplifier for darker areas, resulting in higher dynamic range. It is also compatible with Dual Pixel CMOS AF. The EOS C300 Mark III supports continuous 4K recording at up to 120fps, both in Cinema RAW Light and XF-AVC. In 2K (crop) mode, frame rates from 12 fps up to 150 fps can also be set for greater creative freedom, while a dedicated Slow & Fast button, provides quick access to the desired Slow & Fast setting. Dual card slots enable simultaneous internal recording of 4K Cinema RAW Light files (10/12-bit) or 4K XF-AVC files (4:2:2 10-bit) onto CFexpress cards. XF-AVC supports ALL-I which delivers the best quality, and Long-GOP which enables longer recording times through higher compression. A Proxy can also be recorded onto an SD card, making editing work more efficient. The EOS C300 Mark III incorporates Electronic Image Stabilization (IS) into the camera body, supporting 5-axis camera shake correction. Even when used with lenses with no electronic lens communication, Electronic IS is possible by manually inputting the focal length. The EOS C300 Mark III provides support for optional interchangeable lens mounts for different project requirements. EF lens mount provides perfect compatibility with a huge range of Canon EF lenses including EF Cine Primes, while the optional PL mount supports the Cooke/i system. Additionally, B4 mount adapters are also available (for EF or PL mounts) to use with B4 lenses. Optional Extension Units offer a flexible modular design and configuration capability to cater for a variety of production requirements. Extension Unit 1 offers multi-camera support with a Genlock interface, while Extension Unit 2 adds further interfaces, such as two more XLR inputs, ideal for broadcast applications and a V-Lock battery mount for extended recording times. The optional EVF Unit is ideal for hand-held use but also answers user’s demands to make it easily removable for gimbal applications. Approx. 1,750g lightweight body enables it to be comfortably rigged with gimbals, hand-held rigs, making it ideal for various shooting conditions.

Canon 3794C011 EOS C500 Mark II 5.9K Full-Frame Camera Body (EF Mount)

Canon 3794C011 (379-4C0-11, 379/4C0/11, 379 4C0 11) EOS C500 Mark II 5.9K Full-Frame Camera Body (EF Mount) The Canon EOS C500 Mark II 5.9K Full-Frame Camera Body is part of the Cinema EOS lineup of cameras, and it features a full-frame CMOS sensor with an effective 18.69MP resolution. This allows it to feature a 5.9K output in full frame, and crop (window) the sensor for Super 35 and Super 16 frame sizes while maintaining a high resolution. The C500 Mark II comes with a Canon EF mount and features an interchangeable lens mount system, allowing you to swap out the mount in the field for an optional Cinema Locking EF or PL mount, thus greatly expanding the amount of glass you can use with the camera. The sensor features over 15 stops of dynamic range and Dual Pixel autofocus support, and the camera uses a DIG!C DV 7 chip for image processing. The camera internally records raw using the Canon Cinema RAW Light codec in 12- or 10-bit, or you can capture using the XF-AVC codec in 10-bit. Internal recording is done to CFexpress cards via two CFexpress card slots. 8-bit proxy recording in the XF-AVC codes, as well as JPEGs, can be captured onto an SD card via the built-in SD card slot. Supporting a variety of gamma settings including Canon Log 2 and Log 3, as well as supporting a variety of color gamuts including Cinema BT.2020, DCI-P3, and legacy BT.709. LUT importing is supported of course. The camera supports four channels of 24-bit, 48 kHz linear PCM audio recording. Sensor The full-frame CMOS sensor captures a clean, low-noise image with over 15 stops of dynamic range, and it has a color gamut that exceeds the BT-2020 specs. The sensor is capable of capturing footage in a variety of aspect formats, including DCI-4K, UHD and Anamorphic Widescreen. In addition to shooting using the sensor's full-frame size, you can use a variety of spherical and anamorphic glass designed for Super 35mm and Super 16mm capture using appropriate sensor crop modes, lens mounts, and adapters. DIG!C DV 7 Image Processor The EOS C500 Mark II uses the DiG!C DV 7 image processor that takes the extensive raw information captured from the 5.9K sensor. The DiG!C DV 7 enables high frame rate recording, Dual Pixel Auto Focus, Canon RAW Light Recording, HDR (PQ and HLG) output, electronic image stabilization, proxy recording, and oversampling processing. The high-speed DIG!C DV 7 enables the camera to simultaneously record 2K proxy files as XF-AVC 2K 4:2:0 8-bit to an SD card, while you are recording Cinema RAW Light files (5.9K, 4K Crop, or 2K Crop) to the internal CFexpress cards. Interchangeable Lens Mounts the C500 Mark II comes standard with a Canon EF lens mount that works with and has electronic iris control of a variety of Canon EF, ENG, and Canon Cine-Servo lenses. An optional EF Cine Lock mount also features the Canon EF electronic protocols, and it removes any play when mounting EF lenses to your camera. An industry-standard PL mount is also available, enabling using virtually any PL-mount lens on your C500 Mark II. The lens mounts are field-swappable by the user, and each mount comes with a set of shims for setting the correct depth. An optional B4 lens adapter is available for either the PL or EF lens mount; this adapter allows you to use B4 mount ENG-style lenses on your C500 Mark II. Dual Pixel CMOS AF with support for Touch AF and Face Detection AF DAF technology utilizes the fact that each pixel in the camera's CMOS sensor is configured with two photodiodes. Two independent image signals can then be detected at each photosite and compared using phase-difference to provide autofocus with compatible lenses. DAF can survey the scene and recognizes not only whether the subject is in focus or not, but in which direction (near or far) and by how much. Enabling auto-focus lenses to react when necessary and not have to "hunt" for focus. DAF technology can also be used to aid in manual focus. Focus information is translated to an on-screen guide that conveys to the operator the subject's current focus and direction to move in order to achieve focus. When sharp focus is achieved, the indicator turns green as a clear indication. You can also use DAF and the camera's touchscreen LCG to simulate a focus pull using preset locations. After setting two separate focus locations on the screen, the camera's set button can be used to alternate between the two focus points. The focus racking effect can be fine-tuned by adjusting AF tracking speed and response. Focus Control/Assist Focus control includes Dual Pixel CMOS AF (DAF), Manual Focus, One-Shot AF, Continuous AF, AF-Boosted MF, and Face Detection AF Shutter Settings Shutter settings include Speed, Angle, Clear Scan, Slow, or Off mode. Either 1/3 or 1/4 steps selected as speed increments. Electronic Image Stabilization A new feature to the Cinema EOS ecosystem, the C500 Mark II features built-in five-axis electronic IS that works with almost any lens, including anamorphic lenses. Optional Expansion Modules Expansion unit 1 adds genlock/sync out, remote B (RS-422), and Ethernet ports, making the camera well suited for multicamera live production and streaming. Expansion unit 2 expands the compact form factor and adds two additional XLR audio inputs, lens control port, 24-volt DC out, and D-Tap power, in addition to genlock, sync out, remote B (RS-422), and an Ethernet port. It also allows the camera to be powered using industry-standard V-mount batteries.