Canon 4082C045 EOS R6 Mirrorless Camera and RF 24-105mm F4-7.1 IS STM Lens

Canon 4082C045 (EOS-R6+RF 24-105mm, EOS/R6+RF/24-105mm, EOS_R6+RF_24_105mm, EOSR6RF24105mm, EOS R6 RF 24 105mm, eos r6 + rf 24-105mm f4-7.1 is) EOS R6 Mirrorless Camera and RF 24-105mm F4-7.1 IS STM Lens The EOS R6 is a full-frame mirrorless camera that’s so advanced it can shoot silently at up to 20 fps¹ with electronic shutter or at 12 fps¹ with a mechanical shutter, capture 4K 60p video and is sensitive up to ISO 102,400 for amazing low-light photography. Next-generation image stabilisation allows hand-held photography at shutter speeds up to 8 stops² longer than normal without camera shake. This kit comes with an RF 24-105mm F4-7.1 IS STM standard zoom lens, which is ideal for everything from landscape photography to portraits and photojournalism. The Canon EOS R6 excels in all areas but particularly in action photography and videography on the move. Those shooting wedding photography, event photography and documentary projects will love its lightning-fast AF that recognises heads, eyes and bodies – not just in human subjects but also in cats, dogs and birds too. Shoot continuously at 20 fps¹ with zero shutter noise, or at 12 fps¹ with a mechanical shutter, capturing split second moments in time – perfect for action photography Enjoy the perfect balance of resolution, low-light photography and dynamic range, from the 20 megapixel CMOS sensor and DIGIC X image processor in this enthusiast mirrorless camera The included RF 24-105mm F4-7.1 IS STM lens covers focal lengths from wide angle to telephoto, making it a superb all-rounder for many different types of photography Get as close as 13cm from your subject, for captivating close-ups packed full of amazing detail, thanks to the lens’s Centre Focus Macro mode Shoot in very low light, thanks to a maximum ISO 102,400 and autofocus that’s sensitive down to -6.5EV – a class-leading performance in a full-frame mirrorless camera Use motion blur creatively and shoot confidently in low light. The EOS R6 incorporates a 5-axis Image Stabilizer that can work together with a lens’s own IS system to deliver up to 8 stops² of protection against camera shake Focus on the action in as little as 0.05 sec³, with a Dual Pixel CMOS AF II autofocus system that covers virtually 100 per cent of the frame when in the automatic tracking modes – recognising and tracking faces, eyes and bodies in humans, cats, dogs and birds, or choose from up to 6072 selectable AF areas. Take your filmmaking projects up a gear. The EOS R6 shoots beautiful 4K 60p video footage with 10 bit colour, Canon Log 1 and support for HDR PQ. It also offers frame rates up to 120p at Full HD resolution When shooting video, the EOS R6’s advanced image stabilisation and tracking AF systems give you a creative advantage: footage is smooth and stable, and the faces and eyes of your subjects are kept in sharp focus Stay in control of audio too, with headphone and microphone sockets. This 4K mirrorless camera features a micro HDMI connection that allows video to be captured on an external recorder Take a bright, clear view of the world through the EOS R6’s superb 3.69 million dot viewfinder that previews exactly which picture effects are being used. A 3-inch 1.62M dot Vari-Angle LCD screen helps composition from different angles and a tough, weather-resistant body protects against dust and moisture Dual card slots support ultrafast UHS-II SD media. Back up files as you shoot, save JPEGs and RAW files to different cards, and even store photos and movie footage separately The EOS R6 uses 2.4GHz Wi-Fi to upload images directly to the cloud via image.canon and to link with smart devices for file sharing and remote camera control. Always-on Bluetooth®⁴ makes it easy to get connected

Canon 3795C006 EOS C300 Mark III - Body Only

Canon 3795C006 EOS C300 Mark III camera - Body Only. Equipped with a newly developed 4K S35mm sensor and DIGIC DV7 image processor, the new Canon EOS C300 Mark III delivers an exceptional high-resolution image with 16+ stops of latitude. It also has an impressive low light capability, with improved low noise, of up to ISO 102,400 where the human eye cannot easily see. The DGO sensor is a newly-developed imaging system that generates HDR video by reading out each pixel with different gains. It combines images using pixels shot with a saturation-prioritising amplifier for bright areas, and a low noise-prioritising amplifier for darker areas, resulting in higher dynamic range. It is also compatible with Dual Pixel CMOS AF. The EOS C300 Mark III supports continuous 4K recording at up to 120fps, both in Cinema RAW Light and XF-AVC. In 2K (crop) mode, frame rates from 12 fps up to 150 fps can also be set for greater creative freedom, while a dedicated Slow & Fast button, provides quick access to the desired Slow & Fast setting. Dual card slots enable simultaneous internal recording of 4K Cinema RAW Light files (10/12-bit) or 4K XF-AVC files (4:2:2 10-bit) onto CFexpress cards. XF-AVC supports ALL-I which delivers the best quality, and Long-GOP which enables longer recording times through higher compression. A Proxy can also be recorded onto an SD card, making editing work more efficient. The EOS C300 Mark III incorporates Electronic Image Stabilization (IS) into the camera body, supporting 5-axis camera shake correction. Even when used with lenses with no electronic lens communication, Electronic IS is possible by manually inputting the focal length. The EOS C300 Mark III provides support for optional interchangeable lens mounts for different project requirements. EF lens mount provides perfect compatibility with a huge range of Canon EF lenses including EF Cine Primes, while the optional PL mount supports the Cooke/i system. Additionally, B4 mount adapters are also available (for EF or PL mounts) to use with B4 lenses. Optional Extension Units offer a flexible modular design and configuration capability to cater for a variety of production requirements. Extension Unit 1 offers multi-camera support with a Genlock interface, while Extension Unit 2 adds further interfaces, such as two more XLR inputs, ideal for broadcast applications and a V-Lock battery mount for extended recording times. The optional EVF Unit is ideal for hand-held use but also answers user’s demands to make it easily removable for gimbal applications. Approx. 1,750g lightweight body enables it to be comfortably rigged with gimbals, hand-held rigs, making it ideal for various shooting conditions.

Canon 3794C011 EOS C500 Mark II 5.9K Full-Frame Camera Body (EF Mount)

Canon 3794C011 (379-4C0-11, 379/4C0/11, 379 4C0 11) EOS C500 Mark II 5.9K Full-Frame Camera Body (EF Mount) The Canon EOS C500 Mark II 5.9K Full-Frame Camera Body is part of the Cinema EOS lineup of cameras, and it features a full-frame CMOS sensor with an effective 18.69MP resolution. This allows it to feature a 5.9K output in full frame, and crop (window) the sensor for Super 35 and Super 16 frame sizes while maintaining a high resolution. The C500 Mark II comes with a Canon EF mount and features an interchangeable lens mount system, allowing you to swap out the mount in the field for an optional Cinema Locking EF or PL mount, thus greatly expanding the amount of glass you can use with the camera. The sensor features over 15 stops of dynamic range and Dual Pixel autofocus support, and the camera uses a DIG!C DV 7 chip for image processing. The camera internally records raw using the Canon Cinema RAW Light codec in 12- or 10-bit, or you can capture using the XF-AVC codec in 10-bit. Internal recording is done to CFexpress cards via two CFexpress card slots. 8-bit proxy recording in the XF-AVC codes, as well as JPEGs, can be captured onto an SD card via the built-in SD card slot. Supporting a variety of gamma settings including Canon Log 2 and Log 3, as well as supporting a variety of color gamuts including Cinema BT.2020, DCI-P3, and legacy BT.709. LUT importing is supported of course. The camera supports four channels of 24-bit, 48 kHz linear PCM audio recording. Sensor The full-frame CMOS sensor captures a clean, low-noise image with over 15 stops of dynamic range, and it has a color gamut that exceeds the BT-2020 specs. The sensor is capable of capturing footage in a variety of aspect formats, including DCI-4K, UHD and Anamorphic Widescreen. In addition to shooting using the sensor's full-frame size, you can use a variety of spherical and anamorphic glass designed for Super 35mm and Super 16mm capture using appropriate sensor crop modes, lens mounts, and adapters. DIG!C DV 7 Image Processor The EOS C500 Mark II uses the DiG!C DV 7 image processor that takes the extensive raw information captured from the 5.9K sensor. The DiG!C DV 7 enables high frame rate recording, Dual Pixel Auto Focus, Canon RAW Light Recording, HDR (PQ and HLG) output, electronic image stabilization, proxy recording, and oversampling processing. The high-speed DIG!C DV 7 enables the camera to simultaneously record 2K proxy files as XF-AVC 2K 4:2:0 8-bit to an SD card, while you are recording Cinema RAW Light files (5.9K, 4K Crop, or 2K Crop) to the internal CFexpress cards. Interchangeable Lens Mounts the C500 Mark II comes standard with a Canon EF lens mount that works with and has electronic iris control of a variety of Canon EF, ENG, and Canon Cine-Servo lenses. An optional EF Cine Lock mount also features the Canon EF electronic protocols, and it removes any play when mounting EF lenses to your camera. An industry-standard PL mount is also available, enabling using virtually any PL-mount lens on your C500 Mark II. The lens mounts are field-swappable by the user, and each mount comes with a set of shims for setting the correct depth. An optional B4 lens adapter is available for either the PL or EF lens mount; this adapter allows you to use B4 mount ENG-style lenses on your C500 Mark II. Dual Pixel CMOS AF with support for Touch AF and Face Detection AF DAF technology utilizes the fact that each pixel in the camera's CMOS sensor is configured with two photodiodes. Two independent image signals can then be detected at each photosite and compared using phase-difference to provide autofocus with compatible lenses. DAF can survey the scene and recognizes not only whether the subject is in focus or not, but in which direction (near or far) and by how much. Enabling auto-focus lenses to react when necessary and not have to "hunt" for focus. DAF technology can also be used to aid in manual focus. Focus information is translated to an on-screen guide that conveys to the operator the subject's current focus and direction to move in order to achieve focus. When sharp focus is achieved, the indicator turns green as a clear indication. You can also use DAF and the camera's touchscreen LCG to simulate a focus pull using preset locations. After setting two separate focus locations on the screen, the camera's set button can be used to alternate between the two focus points. The focus racking effect can be fine-tuned by adjusting AF tracking speed and response. Focus Control/Assist Focus control includes Dual Pixel CMOS AF (DAF), Manual Focus, One-Shot AF, Continuous AF, AF-Boosted MF, and Face Detection AF Shutter Settings Shutter settings include Speed, Angle, Clear Scan, Slow, or Off mode. Either 1/3 or 1/4 steps selected as speed increments. Electronic Image Stabilization A new feature to the Cinema EOS ecosystem, the C500 Mark II features built-in five-axis electronic IS that works with almost any lens, including anamorphic lenses. Optional Expansion Modules Expansion unit 1 adds genlock/sync out, remote B (RS-422), and Ethernet ports, making the camera well suited for multicamera live production and streaming. Expansion unit 2 expands the compact form factor and adds two additional XLR audio inputs, lens control port, 24-volt DC out, and D-Tap power, in addition to genlock, sync out, remote B (RS-422), and an Ethernet port. It also allows the camera to be powered using industry-standard V-mount batteries.