Sony FX2 Cinema Line Full-Frame Cinema Camera with XLR Handle Unit

Sony FX2 Cinema Line Full-Frame Interchangeable-Lens Camera with XLR Handle Bring your cinematic vision to life with the Sony FX2, powered by a 33MP full-frame sensor designed for filmmakers who demand exceptional image quality and creative control. Capture breathtaking 4K video up to 60p, rich colour depth with 4:2:2 10-bit recording, and more than 15 stops of dynamic range using S-Log3 for maximum post-production flexibility. Create your look in-camera with S-Cinetone, Creative Looks, or imported LUTs, or push your grade further in post. Advanced AI-driven real-time autofocus keeps your subject sharp and reliable, while Framing Stabilizer intelligently maintains composition—even when your subject is moving. In-Body Image Stabilization (IBIS) combined with Active and Dynamic Active modes delivers smooth, confident handheld footage. A tilting LCD monitor and newly integrated electronic viewfinder (EVF) ensure precise framing in any lighting condition. Built for professional versatility, the FX2 features a removable XLR handle for high-quality audio capture, a built-in cooling fan for extended recording sessions, and fast switching between stills, video, and S&Q modes. CineAlta-inspired ergonomics, 16-bit RAW output, and seamless Sony lens integration make the FX2 a powerful and intuitive tool for modern filmmakers. FULL-FRAME CINEMATIC PERFORMANCE Record stunning 4K video up to 60p with outstanding detail and cinematic motion. The FX2 supports advanced 4:2:2 10-bit codecs and delivers over 15 stops of dynamic range using S-Log3, offering exceptional latitude for colour grading. For a ready-to-deliver look, choose S-Cinetone, Creative Looks, or MLUTs while recording. RELIABLE FOCUS, EVERY TIME Experience fast, precise autofocus powered by real-time AI technology. Advanced subject recognition supports humans, animals, birds, and more, including accurate eye detection. Framing Stabilizer helps keep your subject centred, even during movement. STABLE HANDHELD SHOOTING Shoot confidently on the move with IBIS, enhanced by Active and Dynamic Active stabilization modes. The tilting LCD and high-resolution EVF provide flexible, accurate framing in bright or challenging environments. READY FOR ANY PRODUCTION Designed for adaptable workflows, the FX2 supports cages and accessories, includes a professional XLR audio handle, and features active cooling for long recording sessions. A dedicated still/video/S&Q switch and Log shooting mode streamline on-set operation. ADVANCED CINEMA TOOLS Step into professional filmmaking with a CineAlta-inspired user interface, 16-bit RAW output, and anamorphic de-squeeze support, meeting the demands of high-end production environments. FULL SONY SYSTEM INTEGRATION   Unlock the benefits of the Sony ecosystem with focus breathing compensation for compatible Sony lenses, enabling smooth, cinematic focus transitions. The Monitor & Control app adds advanced monitoring tools such as waveforms, along with remote operation and touch focus for a fully integrated shooting experience.

Sony Burano 8K Camera

Sony Burano 8K Camera(BURANO) Versatile, lightweight, and compact full-frame 8K cinema camera with 16 stops of latitude, image stabilisation for PL and E-mount lenses. Easily configurable for solo and team production. A New Era in Cinematography BURANO is a new concept in cinema cameras. It takes VENICE’s superior image quality and usability but re-imagines it for solo and small team productions. 33% lighter than VENICE 2, more power efficient and supporting CFexpress media – it’s not just our smallest full-frame CineAlta camera, in many ways it’s our most technically advanced. Expect uncompromising image quality wherever you are, whatever the size of your crew. Smarter Shooting BURANO makes shooting highest quality 8K simpler than you can imagine. The world’s first PL mount compatible camera with a built-in stabilisation system*. A ground-breaking combination of our unique electronic variable ND filter system with in-body image stabilisation (IBIS) in a full-frame PL and E-mount cinema camera. For the first time in a full-frame CineAlta camera, Fast Hybrid and Subject Recognition AF with AI makes it easier to get the shots you want under the most demanding scenarios. With BURANO, you don’t need a studio or big crew to excel. Shoot The Way You Want BURANO adapts to be the camera you want to be whatever the shoot. A multi-purpose touchscreen LCD monitor, with flexible mounting system and a versatile, robust handle, allow you to easily configure BURANO for different shooting styles. A lightweight, compact chassis and ergonomic balance make it easy to switch between shoulder-mount, handheld, gimbal or drone operation. BURANO can be configured for large and small projects, solo or with an entire crew. It’s all your choice. Full-Frame 8.6K Sensor BURANO has a large 36x24mm full-frame image sensor that delivers high-quality images and superb rendition with wide latitude and a rich colour gamut. It achieves the beautiful bokeh and dynamic wide-angle shooting that only a full-frame sensor can provide. 8K image quality with a maximum resolution of 8632 x 4856 and, through oversampling, it can output phenomenal looking 4K content. Multiple Image Scan Modes BURANO supports 16:9 and 17:9 readouts in full-frame (8.6K) and Super 35mm (5.8K). Image scan modes include full-frame and Super35 as well as finely optimised down sampled and high-speed modes such as 6K 60p (FF crop), 5.8K 60p (S35), and 4K 120p (S35 crop*) catering for a wide range of production requirements. *Only 17:9 in Super 35 Cropped (S25c) mode 16 Stop Latitude With a wide latitude of 16 stops*, BURANO captures beautiful, low-noise images under almost any lighting conditions. The camera’s wide dynamic range captures everything from highlights to shadows expertly with superb colour rendition, giving operators maximum flexibility in colour grading. * S-Log3 shooting. Sony measurements. Wide Colour Gamut BURANO features Sony’s signature S-Gamut/S-Gamut.Cine wide colour space that, as with the VENICE 2, covers a gamut exceeding BT.2020 and DCI-P3. S-Log3 and X-OCN also dramatically enhances creative flexibility in post-production. As BURANO offers the same colour accuracy as VENICE 2 it’s easy to use both cameras together for a seamless and efficient post-production workflow. Dual Base ISO Cinematographers worldwide love VENICE 2’s ability to switch the sensor’s sensitivity to capture clean images even in low light conditions. BURANO supports the same Dual Base ISO 800 and 3200 as VENICE 2. This means clear images with low noise whether shooting in a brightly lit environments (ISO 800) or in challenging dimly lit scenarios (ISO 3200). With BURANO, it’s possibly to shoot amazing imagery with nothing more than candlelight. Internal 16-bit X-OCN LT and XAVC H recording Despite its compact dimensions, BURANO offers internal recording of X-OCN LT* as well as our new XAVC H and proven industry standard XAVC-I format. X-OCN is Sony’s compressed RAW format that records everything that the 8.6K sensor can capture in a broad latitude 16-bit scene linear file full of rich tonal gradation. X-OCN LT’s high efficiency reduces storage requirements and accelerates file transfer times for 8K content for a post-production workflow that’s comparable to a 4K project. BURANO also features 10-bit S-Log3 with XAVC H-I HQ recording at 1200 Mbps and XAVC H-I SQ recording at 800 Mbps for 8K30p image quality. This enables even great data savings and faster post-production workflow. * Not compatible with X-OCN XT and X-OCN ST recording formats New in-camera Looks for Ready-to-Use Footage BURANO has four new looks – Warm, Cool, Vintage and Teal and Orange – to choose between alongside the established s709 and 709 (800) looks in Cine EI mode. Creatively tuned to suit typical shooting scenarios, they give the operator a choice of distinctive, engaging looks at the touch of a button. Moreover, LUT data from a shoot can be embedded in those clips’ metadata for an efficient colour workflow. s709: Kodak 2383-like natural tones and colours s709(800): Standard 709 tone curve for accurate colour reproduction Teal and Orange A modern, colourful, contrasty reformulation of the classic film look. With a strong separation between cool backgrounds and warm skin tones, it’s an ideal look for productions with a focus on human subjects. Warm A soft, gentle look with amber highlights, and flattering for skin. Cool Evokes the chill of a shadow, and the blue of twilight – ideal for midnight blue or the coolness of a city at dawn. Vintage Transports the camera’s high resolution cinema quality into a previous era. The look applies a film-like bleach bypass and faded, pale sepia effect. Lens Mount Flexibility PL Lens Mount BURANO comes with the industry-standard PL lens mount and is compatible with Super 35mm and full-frame PL lenses (spherical and anamorphic). The lens mount includes contacts that support Cooke/i Technology, and lens information is recorded as metadata, frame by frame.  Lever Lock Type E-mount E-mount lenses can be fitted when the PL mount adapter is removed. E-mount (lever lock type) gives users the ability to change lenses by rotating the locking collar rather than the lens itself, which means that in most cases lens support rigs don’t need to be removed, saving time during a production. Sony’s ever-increasing range of E-mount lenses, from ultra-wide to ultra-telephoto, are supported by the BURANO’s advanced image stabilisation and AF capabilities – ideal for mobile and single-operator projects. Anamorphic Lens De-Squeeze function BURANO comes with an anamorphic de-squeeze function as standard. The monitoring menu gives a choice from 1.3x/2.0x, based on the anamorphic lens’ magnification. The result can be seen on the LCD monitor display, and on external monitors at FHD resolution. The camera monitor output supports SDI or HDMI for X-OCN shooting, and HDMI for non-X-OCN content. In-Body Stabilisation with PL mount lenses BURANO is the world’s first cinema camera that supports in-body optical image stabilisation (IBIS) for almost any attached lens, including for the first time PL. The new, compact image stabilisation system was originally developed for the Alpha series of mirrorless cameras. Featuring a gyroscopic sensor and control algorithm, it compensates for camera shake even for handheld shooting while walking. The stabilisation is so effective that it removes the need for any extra equipment for many applications. Stabilisation is even greater with E-mount lenses, allowing more difficult shots to be captured without blurring. Camera shake data can be passed to post production for precise alignment with CGI and in volume stages. Electronic Variable ND Filter Sony’s unique electronic Variable ND Filter has been redesigned to be both smaller and compatible with the built-in image stabilisation mechanism. It can smoothly and continuously change its density from 0.6 (1/4) to 2.1 (1/128). With physical ND filters no longer needed, operators can adjust the electronic filter density by simply rotating the ND dial. Operators can maintain a constant depth of field by adjusting the electronic ND filter and the iris control together. Continuous or stepped changes can be selected with the ND STEP/VARIABLE switch, depending on the application. The [Auto ND] function automatically adjusts the filter density to give a correct exposure, effectively allowing the use of the ND filter as an alternative Auto IRIS. Catch the action with Fast Hybrid AF* Effortlessly track fast moving subjects with pin-sharp focus, even when using wide lens aperture settings to maintain a shallow depth of field with BURANO’s full-frame sensor. Originally developed by Sony’s Alpha camera engineers, enhanced Fast Hybrid AF combines phase detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. In addition, Face Detection intelligently recognises and locks on to human faces. The dedicated 627-point phase detection AF sensor covers approximately 88.7% of the whole image area, allowing consistently accurate, responsive AF tracking, even with shallow depth-of-field. AI Subject Recognition AF with touch* Our onboard AI processing unit recognises not only eye position but also accurately senses human torso and head positions. Subject Recognition AF automatically draws a frame around people’s faces when they are detected. Human pose estimation technology recognises body and head position, so you can even track a subject facing away from the camera or wearing a mask. Touch a person to focus on, and the camera will track that person precisely. Even in challenging situations like a bowed head or when hair covering a face, the camera accurately captures the eyes, so that operators can focus accurately even in the most difficult circumstances. * Over 70 E-mount lenses can use BURANO’s advanced Hybrid AF and AI Subject Recognition AF features Virtual Production made simple Up to 8K recording, 16-bit colours and a very fast sensor readout speed allow cinematographers to focus on the art of shooting virtual sets rather than technical compromises. The flawless synch with advanced Crystal LED controllers is unique in the industry. Dual CFexpress Type B Slots Sony’s new CFexpress card VPG400 allows for reliable capture at exceptional high data rates, including X-OCN LT recording in full 8K. BURANO’s dual media slots allow relay and simultaneous recording*, while versatile CFexpress Type B media are convenient for backing up and transferring data in the field. An additional SD card slot is for storing Proxy and camera setting information. * XAVC-only Smaller, Lighter, Stronger At 2.9 kg including the PL adaptor, BURANO is approximately 33% lighter than Sony’s top-of-the-line VENICE 2 digital cinema camera – a significant advantage when shooting hand-held or shoulder mounted, as well as when using with gimbal, drone, cranes and jibs. All the button and key layouts have been carefully considered to suit the new compact size and solo or team operation. The main cinematography controls are on the Operator Switch Side and can be illuminated for use in dark environments. The camera has tally lights in three positions, so operators can check status from four different directions. There’s also an optional audio beep for recording start and stop. Despite its compact size, BURANO is engineered to Sony’s highest standards of reliability with a housing constructed of sturdy magnesium alloy and aluminium for shooting in the harshest environments. Recording for hours on end is no problem with a highly efficient cooling system which is completely isolated from image sensor and other dust sensitive components. Exceptional ergonomics Intuitive Menu Control with Touch BURANO’s LCD Monitor has a quick access control menu for commonly accessed features. With a single touch, you can press to change key settings including: Codec, Imager Scan mode, Picture Size and frequency Base ISO/Sensitivity Shooting Mode Audio Levels Versatile Monitor BURANO features a 3.5 type LCD monitor that can be freely adjusted to suit the shooting style. A viewfinder loupe can be attached, autofocus is operated by touching the screen, and the display can also be mounted in a wide variety of ways to adapt to the project style. Smart Grip Flexibility Popular with operators around the world, the FS7/FX9 telescoping arm with grip control transformed shooting on the go and now with GP-VR100* we’ve made it even better for BURANO. The arm’s length is easily adjustable at the turn of a knob, while a quick-release lever adjusts the angle. Once perfectly adjusted for shooting from your shoulder or waist, Sony’s Grip Remote Control puts all the important controls at your fingertips with Zoom, Start/Stop and a range of Assign controls, including a dial you can use to adjust Iris. So, you can operate BURANO without taking your hand off the grip.

Blackmagic Cinema Camera 6K package d

Blackmagic Cinema Camera 6K(BMD-CINECAM60KLFL) package d includes: 1x Blackmagic Cinema Camera 6K BMD-CINECAM60KLFL 1x Blackmagic NP-F570 compatible battery BMD-BATT-NPF570/CAM 1x Angelbird AV PRO CFEXPRESS SE CFexpress 2.0 TYPE B 512Gb Memory card AGB-AVP512CFXBSE 1x Blackmagic BMD-CINECAMPOCHDXBT2 Pocket Camera Battery Pro Grip BMD-CINECAMPOCHDXBT2   1x Blackmagic EVF for Pocket Cinema Camera 6K Pro BMD-CINECAMPOCHDMFTEVF *Digibroadcast has put together some bespoke Blackmagic packages for our clients based on our own research and surveys and holds the right to protect all of its content © Introducing a new generation in cinematography. The new Blackmagic Cinema Camera 6K is an extremely high end digital film camera that produces precise skin tones and rich organic colours. The camera features a massive full frame 24 x 36mm 6K sensor with wide dynamic range, a very flexible L-Mount for lenses and a built in optical low pass filter that's custom designed to match the sensor. You also get fast CFexpress media and the camera can even use Pocket Cinema Camera accessories. When you are doing cloud and mobile work, the camera records both deep bit depth Blackmagic RAW and H.264 proxies at the same time. No other camera includes this level of technology, image quality and portability. GET THE "HOLLYWOOD LOOK" WITH DIGITAL FILM. Blackmagic Cinema Camera 6K has the professional features you need for feature film, television programming and documentaries, however now this same quality can be used to create cinematic content for social media, YouTube videos and more. You get the same features found on high end digital film cameras, allowing capture of deeper colours, higher image detail and a wider dynamic range between the brightest highlights and deepest shadows. It's the reason why feature films look so amazing and now you can get the same high end production values for any kind of work. Imagine shooting with large format digital film on low budget independent films, TV commercials or even corporate video. LARGE FORMAT CINEMATIC DIGITAL FILM SENSOR. Blackmagic Cinema Camera 6K features a massive full frame sensor with a native resolution of 6048 x 4032. That's almost three times larger than a Super 35 sensor and allows you to shoot with a shallow depth of field or to use anamorphic lenses uncropped for a true cinematic look. Whether you’re shooting in bright sunlight or in almost no light at all, the 13 stops of dynamic range with dual native ISO up to 25,600 provide stunning low noise images in all lighting conditions. Plus you can shoot up to 36 fps at full sensor resolution or 120 fps windowed. This amazing sensor combined with Blackmagic colour science means you get the same imaging technology as expensive digital cinema cameras. FULL FRAME FLEXIBILITY The large full frame sensor in Blackmagic Cinema Camera 6K lets you work in a variety of film formats and aspect ratios without sacrificing quality. Using the full area of the sensor gives you a unique open gate 3:2 image which also lets you reframe your shots in post production. The large sensor also lets you work in true 6:5 anamorphic without cropping, making widescreen cinematic images more detailed and in higher resolution than previously possible. You can even use the classic Super 35 sized window on the sensor to create an instant ‘close up’ version of your shot that fits seamlessly with open gate footage. All this lets you create distinctive cinematic content in the highest quality. NEXT GENERATION L‑MOUNT. Blackmagic Cinema Camera 6K features an L-Mount, an advanced lens mount designed to accommodate full frame sensors while ensuring compatibility with new and vintage lenses. With a large diameter of 51.6mm, L-Mount works with the latest full frame lenses from manufacturers such as Leica, Panasonic and Sigma. Plus, a very short flange distance of only 20mm means you can easily add adapters for a variety of lens mounts without impacting image quality. Imagine using modern high speed lenses for sharp, precise images on one shoot and then shooting a period drama with vintage photographic lenses. With L-Mount, you get a single mount that works with virtually any lens for unlimited creative choice. SHOOT INCREDIBLE HIGH DYNAMIC RANGE (HDR) IMAGES The distance between the lightest and the darkest parts of an image is called dynamic range and is measured in stops. Blackmagic Cinema Camera 6K has an incredible 13 stops of dynamic range which means it preserves more detail in the lightest and darkest areas of an image than simple video cameras can. This allows you to set exposure for an indoor scene such as a cafe and still retain the details of bright outdoor light coming through a window. You also get more colours than the standard DCI-P3 colourspace used for feature films. Plus DaVinci Resolve Studio is included with the camera, so you get total creative freedom with full exposure adjustment and recovery controls when colour grading. DUAL GAIN ISO FOR EXCEPTIONAL LOW LIGHT PERFORMANCE In digital film ISO is a measurement of the image sensor’s sensitivity to light. This means the higher the ISO number the more sensitivity to light so it’s possible to shoot using natural light even at night. The Blackmagic Cinema Camera 6K features dual native ISO up to 25,600, which means it’s optimized to minimize grain or noise in images, while maintaining the full dynamic range of the sensor. The native ISO of 400 is ideal for scenes with on-set lighting. The secondary high base ISO of 3200 is perfect when shooting in dimly lit environments. The gain is set automatically as you adjust the ISO setting, so it's easy to capture great images when you don’t have time to set up lights. MULTIPLE RESOLUTIONS AND FRAME RATES Blackmagic Cinema Camera 6K can shoot in all standard resolutions and frame rates from HD up to DCI 4K and even 6K. You can even shoot stills at 24.6 megapixels. Blackmagic Cinema Camera 6K will shoot up to 36 fps at 6048 x 4032 3:2 open gate or 60 fps at 6048 x 2520 2.4:1 and 60 fps at 4096 x 2160 4K DCI. For higher frame rates you can window the sensor and shoot up to 100 fps at 2112 x 1184 Super 16. You can even work in true anamorphic 6:5 at much higher resolutions than other cameras using anamorphic lenses in 4.8K 24 fps at 4838 x 4032. You can even shoot 120 fps in 1080HD. With Blackmagic Cinema Camera 6K, you’ll always be able to shoot the right resolution for the job. LIGHTWEIGHT CARBON FIBER POLYCARBONATE COMPOSITE The elegant design of Blackmagic Cinema Camera 6K packs an incredible number of high end digital film features into a miniaturized, handheld design based on the Pocket Cinema Camera platform. Made from lightweight carbon fiber polycarbonate composite, the camera has a multifunction handgrip with all controls for recording, ISO, WB and shutter angle right at your fingertips. Because it's an advanced digital film camera, the sensor is designed to reduce thermal noise allowing cleaner shadows and higher ISO. Plus the large 5" LCD makes it possible to get perfect focus at 6K resolution. You also get a removable battery door, 4 shock proof microphones, heavy duty lens mount and built in speaker. Fingertip Shooting Controls The front and top of the Blackmagic Cinema Camera 6K features record start/stop and still photo buttons along with dedicated controls for iris, ISO, white balance and shutter speed. The main power switch is located on the top next to a row of 3 customizable function buttons. Back Panel Controls Conveniently placed below the right thumb rest, you can quickly change shooting speed with the high frame rate button, zoom into the image with the magnifying glass, access setup menus and quickly play back shots for review. MULTIFUNCTION GRIP WITH FINGERTIP CONTROLS The multifunction handgrip features an ergonomic design that puts important functions such as ISO, WB and shutter buttons at your fingertips. There’s even a scroll wheel under your index finger for making quick iris adjustments. Additional controls go beyond those found on a DSLR, which means you don’t have to go hunting through menus on a tiny screen to find a command. The Blackmagic Cinema Camera 6K features easy to reach recording and still buttons that are placed exactly where you expect, including user assignable function keys allowing buttons for high frame rate, focus zoom, false colour and more. SHOOT IN VERTICAL ASPECT RATIO Now you can easily create cinematic content for TikTok, YouTube Shorts and more. Simply rotate the Blackmagic Cinema Camera 6K to shoot vertical aspect ratios such as 9:16 and 4:5. The on screen HUD rotates so critical information, such as frame rate, shutter angle and frame guides, are easy to view, even when the camera’s turned upside down. You can even switch on frame guides so important details stay in shot for different aspect ratios. When you import your files into DaVinci Resolve, clips are automatically tagged as vertical so they appear correctly in your timeline. Once you’ve finished your project, it’s easy to upload to your channel with direct exporting to TikTok and YouTube. POST PRODUCTION FRIENDLY FILE FORMATS Blackmagic Cinema Camera records in Blackmagic RAW to preserve control of detail, exposure and colour during post production. It also records HD H.264 proxies in real time making it easy to share media around the world in minutes. Blackmagic RAW is highly optimized, multi‑threaded, works across multiple CPU cores and is also GPU accelerated to work with Apple Metal, CUDA and OpenCL. This means your images always maintain unprecedented resolution and quality for colour, keying, compositing, reframing, stabilization and tracking in HD, 4K or 6K. Media files work on all operating systems plus you can format media cards and disks in HFS+ for Mac and ExFAT for Windows. ECORD TO CFEXPRESS CARDS OR EXTERNAL DISKS The Blackmagic Cinema Camera 6K features a built in CFexpress card recorder, and a USB-C expansion port for recording direct to external flash media disks or an SSD. CFexpress media are more durable and faster than even older media so are perfect for recording full resolution, 12-bit Blackmagic RAW files. Imagine capturing over an hour of full resolution 6K images on a single 256GB CFexpress card. The very high speed of CFexpress cards makes them perfect for mounting on your computer and editing directly from them using the included DaVinci Resolve Studio software. BLACKMAGIC RAW | THE QUALITY OF RAW AND THE SPEED OF VIDEO Blackmagic RAW is a revolutionary new format designed to capture and preserve the quality of the sensor data from your camera. Blackmagic RAW eliminates quality problems so you get stunning images with incredible detail and colour throughout the production pipeline from camera to edit, colour and mastering. It also saves camera settings as metadata so you can set ISO, white balance and exposure in camera or override them later while editing, all without any loss of quality. Blackmagic RAW files are also small and fast to use making them easy to work with. Only Blackmagic RAW gives you the highest quality, smallest files and fastest performance. Colour Temperature Setting the colour temperature tells the camera how to interpret white and other colours in an image. Instead of saving images with colour values baked in, Blackmagic RAW makes it possible for you to change the temperature in post production with DaVinci Resolve Studio. Contrast Adjusting contrast, or the tonal range of an image, can make different parts of the image stand out. While you should always try to get the best shot on set, Blackmagic RAW gives you the flexibility to adjust contrast without any loss of quality while you’re editing and colour correcting. ISO Changing the ISO adjusts the camera’s sensitivity to light. Properly exposed shots require the right combination of ISO, aperture and shutter speed. Depending on the lights and exposure settings, you may need to adjust ISO in post. Tint Adjusting tint is another way you can affect the overall colour balance of an image. Unlike saturation or midpoint which can make reds redder or yellows more yellow, adjusting tint actually lets you push the colours in different directions. Exposure In order for your images to look good, you need to make sure that it’s not too bright (overexposed) or too dark (underexposed). With Blackmagic RAW, the exposure settings can be changed in post so you can save shots that were not properly exposed. LARGE 5" LCD MONITOR Blackmagic Cinema Camera 6K features a large, bright 5 inch HDR touchscreen that makes it easy for you to frame shots and accurately focus, whatever the conditions. That means you don’t have to carry around an external monitor. On screen overlays show status and record parameters, histogram, focus peaking indicators, levels, frame guides and more. You can quickly apply 3D LUTs for monitoring shots with the desired colour and look. The LCD monitor can even be tilted up to 180 degrees flat and down to 47 degrees so it's easy to monitor your shot from virtually any position. Plus, its HDR display features 1500 nits of brightness, so you can always frame your shot, even in bright sunlight. TOUCHSCREEN FOR FAST SETUP The large LCD touchscreen displays critical information on the heads up display, or HUD, as well as access to camera setup menus. The HUD lets you see and adjust settings such as the frame rate, iris, timecode, shutter angle, white balance, ISO, audio levels and more with a single tap. You can show or hide the HUD by simply swiping up or down. Adjust settings such as white balance simply by touching the WB indicator, or change the audio levels by touching the audio meters. Everything is interactive, so you can tap any item and instantly change settings without searching through confusing menus. You can also access settings such as the digital slate, to quickly add metadata to any shot. POWERED BY BLACKMAGIC OS With the advanced Blackmagic OS, you get an intuitive and user friendly camera operating system based on the latest technology. Blackmagic OS is a true modern operating system where all camera features run independently for smoother control, plus the camera powers on virtually instantly. It features the same controls and menus as other Blackmagic Design cameras so you can move between cameras on set easily. The interface uses simple tap and swipe gestures to adjust settings, add metadata and view recording status. You also get full control over advanced camera features such as on screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings and more. GENERATION 5 COLOUR SCIENCE Featuring the same generation 5 colour science as the high end URSA Mini Pro 12K, the Blackmagic Cinema Camera 6K delivers an even greater advancement in image quality with stunning, accurate skin tones and faithful colour in every shot. You get a new dynamic 12-bit gamma curve designed to capture more colour data in the highlights and shadows, for better looking images. The colour science also handles some of the complex Blackmagic RAW image processing, so colour and dynamic range data from the sensor is preserved via metadata which you can use in post production. That means you get images that have a natural, film like response to colour adjustments in post with DaVinci Resolve. OPTIONAL VIEWFINDER FOR PROFESSIONAL SHOOTING Blackmagic Cinema Camera 6K supports an optional viewfinder to make outdoors and handheld shooting accurate and easy. You get an integrated high quality 1280 x 960 colour OLED display with built in proximity sensor, 4 element glass diopter for incredible accuracy with a wide -4 to +4 focus adjustment. A built in digital focus chart ensures you get perfect viewfinder focus setup. You can also view critical status information such as frame guides. The EVF is extremely easy to connect to the Blackmagic Cinema Camera 6K as it simply mounts on top of the camera with a single screw. The viewfinder has a 70 degree swivel range and comes with 4 different types of eyecups for both left and right eyes. PROFESSIONAL CONNECTIONS FOR CUSTOM RIGS Though small and portable, the Blackmagic Cinema Camera 6K features a wide range of connections for audio, monitoring, power and more. The camera includes a full size HDMI connector for monitoring with support for HDR and clean 10-bit output. That means you can connect an HDMI display for on set monitoring of images, with or without overlays that show critical information and camera status. There’s also mini XLR connections with 48 volt phantom power for attaching professional microphones, a 3.5 mm video camera style microphone input, headphone connection and a professional locking DC power connector. The USB-C connection lets you connect and record direct to your media disk. 4 BUILT-IN MICROPHONES AND PROFESSIONAL AUDIO INPUTS With professional, high fidelity audio recording built in you'll never have to carry around a separate sound recorder again. Blackmagic Cinema Camera features 2 mini XLR inputs with 48 volts of phantom power for connecting professional microphones such as lapel mics and booms. These mini XLR connections allow you to record 2 separate audio tracks using 2 mics, without an external mixer. The four built in mics have an extremely low noise floor and are shock and wind resistant, capturing great sound in any location. There’s also a 3.5mm audio input for connecting video camera microphones, along with a built in speaker for playback and a 3.5mm headphone jack. LOAD CUSTOM 3D LUTS TO RECREATE FILM LOOKS Digital film cameras shoot logarithmic colourspace to preserve the dynamic range, which is great for later post production, however when these files are viewed on a monitor they can look flat and washed out. 3D LUTs solve this problem because they allow you to apply a "look" to the monitor so you get an idea of how the finished images will look when editing. LUTs can be applied temporarily for monitoring only, or they can be recorded into the Blackmagic RAW files for use in post production. The Blackmagic Cinema Camera 6K works with industry standard 17 and 33 point 3D LUT files, or you can work with the built in LUTs such as Extended Video, Film to Video, Film to Rec.2020 and more. USB-C FOR EXTERNAL DISKS AND ETHERNET CONTROL The Blackmagic Cinema Camera 6K features an innovative and high speed USB-C Expansion Port that operates at up to 5 Gb/s. USB-C is available on most new computers and even provides power. That means you can connect external accessories such as flash drives and high capacity SSDs for significantly longer recording times. Best of all, when shooting is complete you can simply move the external disk to your computer and start editing and colour correction from the same disk straight away, eliminating file copying. You can also add a USB-C to Ethernet adapter to control your camera over a network via secure and easy to use REST APIs. You can even copy files off the camera via the network. GET MULTI CAMERA SHOOTS IN PERFECT SYNC Professional cameras include professional features and you also get a timecode input, allowing shooting with more than one camera while keeping perfect sync. Simply plug in an external timecode generator such as Tentacle Sync into the 3.5 mm audio jack and the camera will automatically detect timecode and lock the internal generator. Now each camera can start and stop recording and all the shots from all cameras will have the same matched timecode. Imagine shooting a music festival with multiple roving cameras. Best of all, DaVinci Resolve will automatically find and sync the shots from all cameras so you don't need to waste time sorting through thousands of shots. SHOOT STILL FRAMES UP TO 24.6 MEGAPIXELS In addition to shooting video, the Blackmagic Cinema Camera 6K can also capture high resolution stills. Simply press the dedicated stills button to record 24.6 megapixel images. Still images are saved as Blackmagic RAW, so you get a very high image quality, which is perfect for making high resolution professional prints or for later editing in DaVinci Resolve. Capturing still images is great for keeping track of continuity between shots or for sharing images to get approval from clients that are not on set. LOCALIZED IN 13 POPULAR LANGUAGES The Blackmagic Cinema Camera is designed to be used worldwide and supports 13 different languages. When setting up your camera, you can choose to work in English, German, French, Spanish, Portuguese, Italian, Polish, Russian, Ukrainian, Turkish, Chinese, Japanese or Korean. It’s easy to switch to another language so you can share your camera with other crew when traveling to locations worldwide. When you switch languages, all on screen overlays, setup menus and monitoring information will be displayed in the selected language. WIRELESS BLUETOOTH CAMERA REMOTE CONTROL If you're positioning the camera on the end of a boom, or in another hard to reach location, you can get full control via Bluetooth from up to 30 feet away. You can download the Blackmagic Camera Control app for your iPad or use third party apps such as Bluetooth+ or tRigger on your iOS and Android devices. There’s even a free developer SDK with sample code available from the Blackmagic Design developer website, so you can create your own remote camera control and digital slate solutions. Imagine building an app that can jam sync timecode and trigger all cameras to record at the same time. The possibilities are endless. POWER FROM BATTERIES, 12V DC AND RECHARGE VIA USB‑C Blackmagic Cinema Camera 6K uses high capacity NP-F570 batteries. These popular batteries come in a variety of capacities and are used around the world. A locking DC power connector is used so you won't have to worry about losing power during a shoot. Plus the included AC plug pack can power the camera or charge the battery when the camera is not in use. You also get a set of international socket adapters for worldwide use. Even the USB-C expansion port can trickle charge the battery, so you can use portable battery packs, mobile phone chargers or laptops. The optional battery grip lets you add extra batteries to dramatically extend the power of the camera so you can keep shooting all day. INCLUDES DAVINCI RESOLVE STUDIO   Blackmagic Cinema Camera 6K includes a full version of DaVinci Resolve Studio, which is the same software used in Hollywood for creating high end feature films, episodic television shows, commercials and more. DaVinci Resolve features the new cut page with intelligent editing tools and innovative new features designed to help you quickly find the footage you want, edit it together and output it fast. In addition to the new cut page, you also get DaVinci’s legendary professional editing, advanced colour correction, audio post and visual effects tools, all in a single software application. Now you can use the the same high end software that professional editors and colourists use.

Blackmagic Cinema Camera 6K package c

Blackmagic Cinema Camera 6K(BMD-CINECAM60KLFL) package c includes: 1x Blackmagic Cinema Camera 6K BMD-CINECAM60KLFL 1x Blackmagic NP-F570 compatible battery BMD-BATT-NPF570/CAM   1x Angelbird AV PRO CFEXPRESS SE CFexpress 2.0 TYPE B 512Gb Memory card AGB-AVP512CFXBSE 1x Blackmagic BMD-CINECAMPOCHDXBT2 Pocket Camera Battery Pro GripBMD-CINECAMPOCHDXBT2 *Digibroadcast has put together some bespoke Blackmagic packages for our clients based on our own research and surveys and holds the right to protect all of its content © Introducing a new generation in cinematography. The new Blackmagic Cinema Camera 6K is an extremely high end digital film camera that produces precise skin tones and rich organic colours. The camera features a massive full frame 24 x 36mm 6K sensor with wide dynamic range, a very flexible L-Mount for lenses and a built in optical low pass filter that's custom designed to match the sensor. You also get fast CFexpress media and the camera can even use Pocket Cinema Camera accessories. When you are doing cloud and mobile work, the camera records both deep bit depth Blackmagic RAW and H.264 proxies at the same time. No other camera includes this level of technology, image quality and portability. GET THE "HOLLYWOOD LOOK" WITH DIGITAL FILM. Blackmagic Cinema Camera 6K has the professional features you need for feature film, television programming and documentaries, however now this same quality can be used to create cinematic content for social media, YouTube videos and more. You get the same features found on high end digital film cameras, allowing capture of deeper colours, higher image detail and a wider dynamic range between the brightest highlights and deepest shadows. It's the reason why feature films look so amazing and now you can get the same high end production values for any kind of work. Imagine shooting with large format digital film on low budget independent films, TV commercials or even corporate video. LARGE FORMAT CINEMATIC DIGITAL FILM SENSOR. Blackmagic Cinema Camera 6K features a massive full frame sensor with a native resolution of 6048 x 4032. That's almost three times larger than a Super 35 sensor and allows you to shoot with a shallow depth of field or to use anamorphic lenses uncropped for a true cinematic look. Whether you’re shooting in bright sunlight or in almost no light at all, the 13 stops of dynamic range with dual native ISO up to 25,600 provide stunning low noise images in all lighting conditions. Plus you can shoot up to 36 fps at full sensor resolution or 120 fps windowed. This amazing sensor combined with Blackmagic colour science means you get the same imaging technology as expensive digital cinema cameras. FULL FRAME FLEXIBILITY The large full frame sensor in Blackmagic Cinema Camera 6K lets you work in a variety of film formats and aspect ratios without sacrificing quality. Using the full area of the sensor gives you a unique open gate 3:2 image which also lets you reframe your shots in post production. The large sensor also lets you work in true 6:5 anamorphic without cropping, making widescreen cinematic images more detailed and in higher resolution than previously possible. You can even use the classic Super 35 sized window on the sensor to create an instant ‘close up’ version of your shot that fits seamlessly with open gate footage. All this lets you create distinctive cinematic content in the highest quality. NEXT GENERATION L‑MOUNT. Blackmagic Cinema Camera 6K features an L-Mount, an advanced lens mount designed to accommodate full frame sensors while ensuring compatibility with new and vintage lenses. With a large diameter of 51.6mm, L-Mount works with the latest full frame lenses from manufacturers such as Leica, Panasonic and Sigma. Plus, a very short flange distance of only 20mm means you can easily add adapters for a variety of lens mounts without impacting image quality. Imagine using modern high speed lenses for sharp, precise images on one shoot and then shooting a period drama with vintage photographic lenses. With L-Mount, you get a single mount that works with virtually any lens for unlimited creative choice. SHOOT INCREDIBLE HIGH DYNAMIC RANGE (HDR) IMAGES The distance between the lightest and the darkest parts of an image is called dynamic range and is measured in stops. Blackmagic Cinema Camera 6K has an incredible 13 stops of dynamic range which means it preserves more detail in the lightest and darkest areas of an image than simple video cameras can. This allows you to set exposure for an indoor scene such as a cafe and still retain the details of bright outdoor light coming through a window. You also get more colours than the standard DCI-P3 colourspace used for feature films. Plus DaVinci Resolve Studio is included with the camera, so you get total creative freedom with full exposure adjustment and recovery controls when colour grading. DUAL GAIN ISO FOR EXCEPTIONAL LOW LIGHT PERFORMANCE In digital film ISO is a measurement of the image sensor’s sensitivity to light. This means the higher the ISO number the more sensitivity to light so it’s possible to shoot using natural light even at night. The Blackmagic Cinema Camera 6K features dual native ISO up to 25,600, which means it’s optimized to minimize grain or noise in images, while maintaining the full dynamic range of the sensor. The native ISO of 400 is ideal for scenes with on-set lighting. The secondary high base ISO of 3200 is perfect when shooting in dimly lit environments. The gain is set automatically as you adjust the ISO setting, so it's easy to capture great images when you don’t have time to set up lights. MULTIPLE RESOLUTIONS AND FRAME RATES Blackmagic Cinema Camera 6K can shoot in all standard resolutions and frame rates from HD up to DCI 4K and even 6K. You can even shoot stills at 24.6 megapixels. Blackmagic Cinema Camera 6K will shoot up to 36 fps at 6048 x 4032 3:2 open gate or 60 fps at 6048 x 2520 2.4:1 and 60 fps at 4096 x 2160 4K DCI. For higher frame rates you can window the sensor and shoot up to 100 fps at 2112 x 1184 Super 16. You can even work in true anamorphic 6:5 at much higher resolutions than other cameras using anamorphic lenses in 4.8K 24 fps at 4838 x 4032. You can even shoot 120 fps in 1080HD. With Blackmagic Cinema Camera 6K, you’ll always be able to shoot the right resolution for the job. LIGHTWEIGHT CARBON FIBER POLYCARBONATE COMPOSITE The elegant design of Blackmagic Cinema Camera 6K packs an incredible number of high end digital film features into a miniaturized, handheld design based on the Pocket Cinema Camera platform. Made from lightweight carbon fiber polycarbonate composite, the camera has a multifunction handgrip with all controls for recording, ISO, WB and shutter angle right at your fingertips. Because it's an advanced digital film camera, the sensor is designed to reduce thermal noise allowing cleaner shadows and higher ISO. Plus the large 5" LCD makes it possible to get perfect focus at 6K resolution. You also get a removable battery door, 4 shock proof microphones, heavy duty lens mount and built in speaker. Fingertip Shooting Controls The front and top of the Blackmagic Cinema Camera 6K features record start/stop and still photo buttons along with dedicated controls for iris, ISO, white balance and shutter speed. The main power switch is located on the top next to a row of 3 customizable function buttons. Back Panel Controls Conveniently placed below the right thumb rest, you can quickly change shooting speed with the high frame rate button, zoom into the image with the magnifying glass, access setup menus and quickly play back shots for review. MULTIFUNCTION GRIP WITH FINGERTIP CONTROLS The multifunction handgrip features an ergonomic design that puts important functions such as ISO, WB and shutter buttons at your fingertips. There’s even a scroll wheel under your index finger for making quick iris adjustments. Additional controls go beyond those found on a DSLR, which means you don’t have to go hunting through menus on a tiny screen to find a command. The Blackmagic Cinema Camera 6K features easy to reach recording and still buttons that are placed exactly where you expect, including user assignable function keys allowing buttons for high frame rate, focus zoom, false colour and more. SHOOT IN VERTICAL ASPECT RATIO Now you can easily create cinematic content for TikTok, YouTube Shorts and more. Simply rotate the Blackmagic Cinema Camera 6K to shoot vertical aspect ratios such as 9:16 and 4:5. The on screen HUD rotates so critical information, such as frame rate, shutter angle and frame guides, are easy to view, even when the camera’s turned upside down. You can even switch on frame guides so important details stay in shot for different aspect ratios. When you import your files into DaVinci Resolve, clips are automatically tagged as vertical so they appear correctly in your timeline. Once you’ve finished your project, it’s easy to upload to your channel with direct exporting to TikTok and YouTube. POST PRODUCTION FRIENDLY FILE FORMATS Blackmagic Cinema Camera records in Blackmagic RAW to preserve control of detail, exposure and colour during post production. It also records HD H.264 proxies in real time making it easy to share media around the world in minutes. Blackmagic RAW is highly optimized, multi‑threaded, works across multiple CPU cores and is also GPU accelerated to work with Apple Metal, CUDA and OpenCL. This means your images always maintain unprecedented resolution and quality for colour, keying, compositing, reframing, stabilization and tracking in HD, 4K or 6K. Media files work on all operating systems plus you can format media cards and disks in HFS+ for Mac and ExFAT for Windows. ECORD TO CFEXPRESS CARDS OR EXTERNAL DISKS The Blackmagic Cinema Camera 6K features a built in CFexpress card recorder, and a USB-C expansion port for recording direct to external flash media disks or an SSD. CFexpress media are more durable and faster than even older media so are perfect for recording full resolution, 12-bit Blackmagic RAW files. Imagine capturing over an hour of full resolution 6K images on a single 256GB CFexpress card. The very high speed of CFexpress cards makes them perfect for mounting on your computer and editing directly from them using the included DaVinci Resolve Studio software. BLACKMAGIC RAW | THE QUALITY OF RAW AND THE SPEED OF VIDEO Blackmagic RAW is a revolutionary new format designed to capture and preserve the quality of the sensor data from your camera. Blackmagic RAW eliminates quality problems so you get stunning images with incredible detail and colour throughout the production pipeline from camera to edit, colour and mastering. It also saves camera settings as metadata so you can set ISO, white balance and exposure in camera or override them later while editing, all without any loss of quality. Blackmagic RAW files are also small and fast to use making them easy to work with. Only Blackmagic RAW gives you the highest quality, smallest files and fastest performance. Colour Temperature Setting the colour temperature tells the camera how to interpret white and other colours in an image. Instead of saving images with colour values baked in, Blackmagic RAW makes it possible for you to change the temperature in post production with DaVinci Resolve Studio. Contrast Adjusting contrast, or the tonal range of an image, can make different parts of the image stand out. While you should always try to get the best shot on set, Blackmagic RAW gives you the flexibility to adjust contrast without any loss of quality while you’re editing and colour correcting. ISO Changing the ISO adjusts the camera’s sensitivity to light. Properly exposed shots require the right combination of ISO, aperture and shutter speed. Depending on the lights and exposure settings, you may need to adjust ISO in post. Tint Adjusting tint is another way you can affect the overall colour balance of an image. Unlike saturation or midpoint which can make reds redder or yellows more yellow, adjusting tint actually lets you push the colours in different directions. Exposure In order for your images to look good, you need to make sure that it’s not too bright (overexposed) or too dark (underexposed). With Blackmagic RAW, the exposure settings can be changed in post so you can save shots that were not properly exposed. LARGE 5" LCD MONITOR Blackmagic Cinema Camera 6K features a large, bright 5 inch HDR touchscreen that makes it easy for you to frame shots and accurately focus, whatever the conditions. That means you don’t have to carry around an external monitor. On screen overlays show status and record parameters, histogram, focus peaking indicators, levels, frame guides and more. You can quickly apply 3D LUTs for monitoring shots with the desired colour and look. The LCD monitor can even be tilted up to 180 degrees flat and down to 47 degrees so it's easy to monitor your shot from virtually any position. Plus, its HDR display features 1500 nits of brightness, so you can always frame your shot, even in bright sunlight. TOUCHSCREEN FOR FAST SETUP The large LCD touchscreen displays critical information on the heads up display, or HUD, as well as access to camera setup menus. The HUD lets you see and adjust settings such as the frame rate, iris, timecode, shutter angle, white balance, ISO, audio levels and more with a single tap. You can show or hide the HUD by simply swiping up or down. Adjust settings such as white balance simply by touching the WB indicator, or change the audio levels by touching the audio meters. Everything is interactive, so you can tap any item and instantly change settings without searching through confusing menus. You can also access settings such as the digital slate, to quickly add metadata to any shot. POWERED BY BLACKMAGIC OS With the advanced Blackmagic OS, you get an intuitive and user friendly camera operating system based on the latest technology. Blackmagic OS is a true modern operating system where all camera features run independently for smoother control, plus the camera powers on virtually instantly. It features the same controls and menus as other Blackmagic Design cameras so you can move between cameras on set easily. The interface uses simple tap and swipe gestures to adjust settings, add metadata and view recording status. You also get full control over advanced camera features such as on screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings and more. GENERATION 5 COLOUR SCIENCE Featuring the same generation 5 colour science as the high end URSA Mini Pro 12K, the Blackmagic Cinema Camera 6K delivers an even greater advancement in image quality with stunning, accurate skin tones and faithful colour in every shot. You get a new dynamic 12-bit gamma curve designed to capture more colour data in the highlights and shadows, for better looking images. The colour science also handles some of the complex Blackmagic RAW image processing, so colour and dynamic range data from the sensor is preserved via metadata which you can use in post production. That means you get images that have a natural, film like response to colour adjustments in post with DaVinci Resolve. OPTIONAL VIEWFINDER FOR PROFESSIONAL SHOOTING Blackmagic Cinema Camera 6K supports an optional viewfinder to make outdoors and handheld shooting accurate and easy. You get an integrated high quality 1280 x 960 colour OLED display with built in proximity sensor, 4 element glass diopter for incredible accuracy with a wide -4 to +4 focus adjustment. A built in digital focus chart ensures you get perfect viewfinder focus setup. You can also view critical status information such as frame guides. The EVF is extremely easy to connect to the Blackmagic Cinema Camera 6K as it simply mounts on top of the camera with a single screw. The viewfinder has a 70 degree swivel range and comes with 4 different types of eyecups for both left and right eyes. PROFESSIONAL CONNECTIONS FOR CUSTOM RIGS Though small and portable, the Blackmagic Cinema Camera 6K features a wide range of connections for audio, monitoring, power and more. The camera includes a full size HDMI connector for monitoring with support for HDR and clean 10-bit output. That means you can connect an HDMI display for on set monitoring of images, with or without overlays that show critical information and camera status. There’s also mini XLR connections with 48 volt phantom power for attaching professional microphones, a 3.5 mm video camera style microphone input, headphone connection and a professional locking DC power connector. The USB-C connection lets you connect and record direct to your media disk. 4 BUILT-IN MICROPHONES AND PROFESSIONAL AUDIO INPUTS With professional, high fidelity audio recording built in you'll never have to carry around a separate sound recorder again. Blackmagic Cinema Camera features 2 mini XLR inputs with 48 volts of phantom power for connecting professional microphones such as lapel mics and booms. These mini XLR connections allow you to record 2 separate audio tracks using 2 mics, without an external mixer. The four built in mics have an extremely low noise floor and are shock and wind resistant, capturing great sound in any location. There’s also a 3.5mm audio input for connecting video camera microphones, along with a built in speaker for playback and a 3.5mm headphone jack. LOAD CUSTOM 3D LUTS TO RECREATE FILM LOOKS Digital film cameras shoot logarithmic colourspace to preserve the dynamic range, which is great for later post production, however when these files are viewed on a monitor they can look flat and washed out. 3D LUTs solve this problem because they allow you to apply a "look" to the monitor so you get an idea of how the finished images will look when editing. LUTs can be applied temporarily for monitoring only, or they can be recorded into the Blackmagic RAW files for use in post production. The Blackmagic Cinema Camera 6K works with industry standard 17 and 33 point 3D LUT files, or you can work with the built in LUTs such as Extended Video, Film to Video, Film to Rec.2020 and more. USB-C FOR EXTERNAL DISKS AND ETHERNET CONTROL The Blackmagic Cinema Camera 6K features an innovative and high speed USB-C Expansion Port that operates at up to 5 Gb/s. USB-C is available on most new computers and even provides power. That means you can connect external accessories such as flash drives and high capacity SSDs for significantly longer recording times. Best of all, when shooting is complete you can simply move the external disk to your computer and start editing and colour correction from the same disk straight away, eliminating file copying. You can also add a USB-C to Ethernet adapter to control your camera over a network via secure and easy to use REST APIs. You can even copy files off the camera via the network. GET MULTI CAMERA SHOOTS IN PERFECT SYNC Professional cameras include professional features and you also get a timecode input, allowing shooting with more than one camera while keeping perfect sync. Simply plug in an external timecode generator such as Tentacle Sync into the 3.5 mm audio jack and the camera will automatically detect timecode and lock the internal generator. Now each camera can start and stop recording and all the shots from all cameras will have the same matched timecode. Imagine shooting a music festival with multiple roving cameras. Best of all, DaVinci Resolve will automatically find and sync the shots from all cameras so you don't need to waste time sorting through thousands of shots. SHOOT STILL FRAMES UP TO 24.6 MEGAPIXELS In addition to shooting video, the Blackmagic Cinema Camera 6K can also capture high resolution stills. Simply press the dedicated stills button to record 24.6 megapixel images. Still images are saved as Blackmagic RAW, so you get a very high image quality, which is perfect for making high resolution professional prints or for later editing in DaVinci Resolve. Capturing still images is great for keeping track of continuity between shots or for sharing images to get approval from clients that are not on set. LOCALIZED IN 13 POPULAR LANGUAGES The Blackmagic Cinema Camera is designed to be used worldwide and supports 13 different languages. When setting up your camera, you can choose to work in English, German, French, Spanish, Portuguese, Italian, Polish, Russian, Ukrainian, Turkish, Chinese, Japanese or Korean. It’s easy to switch to another language so you can share your camera with other crew when traveling to locations worldwide. When you switch languages, all on screen overlays, setup menus and monitoring information will be displayed in the selected language. WIRELESS BLUETOOTH CAMERA REMOTE CONTROL If you're positioning the camera on the end of a boom, or in another hard to reach location, you can get full control via Bluetooth from up to 30 feet away. You can download the Blackmagic Camera Control app for your iPad or use third party apps such as Bluetooth+ or tRigger on your iOS and Android devices. There’s even a free developer SDK with sample code available from the Blackmagic Design developer website, so you can create your own remote camera control and digital slate solutions. Imagine building an app that can jam sync timecode and trigger all cameras to record at the same time. The possibilities are endless. POWER FROM BATTERIES, 12V DC AND RECHARGE VIA USB‑C Blackmagic Cinema Camera 6K uses high capacity NP-F570 batteries. These popular batteries come in a variety of capacities and are used around the world. A locking DC power connector is used so you won't have to worry about losing power during a shoot. Plus the included AC plug pack can power the camera or charge the battery when the camera is not in use. You also get a set of international socket adapters for worldwide use. Even the USB-C expansion port can trickle charge the battery, so you can use portable battery packs, mobile phone chargers or laptops. The optional battery grip lets you add extra batteries to dramatically extend the power of the camera so you can keep shooting all day. INCLUDES DAVINCI RESOLVE STUDIO   Blackmagic Cinema Camera 6K includes a full version of DaVinci Resolve Studio, which is the same software used in Hollywood for creating high end feature films, episodic television shows, commercials and more. DaVinci Resolve features the new cut page with intelligent editing tools and innovative new features designed to help you quickly find the footage you want, edit it together and output it fast. In addition to the new cut page, you also get DaVinci’s legendary professional editing, advanced colour correction, audio post and visual effects tools, all in a single software application. Now you can use the the same high end software that professional editors and colourists use.

Blackmagic Cinema Camera 6K package b

Blackmagic Cinema Camera 6K(BMD-CINECAM60KLFL) package b includes: 1x Blackmagic Cinema Camera 6K BMD-CINECAM60KLFL 1x Blackmagic NP-F570 compatible battery BMD-BATT-NPF570/CAM 1x Angelbird AV PRO CFEXPRESS SE CFexpress 2.0 TYPE B 512Gb Memory card AGB-AVP512CFXBSE *Digibroadcast has put together some bespoke Blackmagic packages for our clients based on our own research and surveys and holds the right to protect all of its content © Introducing a new generation in cinematography. The new Blackmagic Cinema Camera 6K is an extremely high end digital film camera that produces precise skin tones and rich organic colours. The camera features a massive full frame 24 x 36mm 6K sensor with wide dynamic range, a very flexible L-Mount for lenses and a built in optical low pass filter that's custom designed to match the sensor. You also get fast CFexpress media and the camera can even use Pocket Cinema Camera accessories. When you are doing cloud and mobile work, the camera records both deep bit depth Blackmagic RAW and H.264 proxies at the same time. No other camera includes this level of technology, image quality and portability. GET THE "HOLLYWOOD LOOK" WITH DIGITAL FILM. Blackmagic Cinema Camera 6K has the professional features you need for feature film, television programming and documentaries, however now this same quality can be used to create cinematic content for social media, YouTube videos and more. You get the same features found on high end digital film cameras, allowing capture of deeper colours, higher image detail and a wider dynamic range between the brightest highlights and deepest shadows. It's the reason why feature films look so amazing and now you can get the same high end production values for any kind of work. Imagine shooting with large format digital film on low budget independent films, TV commercials or even corporate video. LARGE FORMAT CINEMATIC DIGITAL FILM SENSOR. Blackmagic Cinema Camera 6K features a massive full frame sensor with a native resolution of 6048 x 4032. That's almost three times larger than a Super 35 sensor and allows you to shoot with a shallow depth of field or to use anamorphic lenses uncropped for a true cinematic look. Whether you’re shooting in bright sunlight or in almost no light at all, the 13 stops of dynamic range with dual native ISO up to 25,600 provide stunning low noise images in all lighting conditions. Plus you can shoot up to 36 fps at full sensor resolution or 120 fps windowed. This amazing sensor combined with Blackmagic colour science means you get the same imaging technology as expensive digital cinema cameras. FULL FRAME FLEXIBILITY The large full frame sensor in Blackmagic Cinema Camera 6K lets you work in a variety of film formats and aspect ratios without sacrificing quality. Using the full area of the sensor gives you a unique open gate 3:2 image which also lets you reframe your shots in post production. The large sensor also lets you work in true 6:5 anamorphic without cropping, making widescreen cinematic images more detailed and in higher resolution than previously possible. You can even use the classic Super 35 sized window on the sensor to create an instant ‘close up’ version of your shot that fits seamlessly with open gate footage. All this lets you create distinctive cinematic content in the highest quality. NEXT GENERATION L‑MOUNT. Blackmagic Cinema Camera 6K features an L-Mount, an advanced lens mount designed to accommodate full frame sensors while ensuring compatibility with new and vintage lenses. With a large diameter of 51.6mm, L-Mount works with the latest full frame lenses from manufacturers such as Leica, Panasonic and Sigma. Plus, a very short flange distance of only 20mm means you can easily add adapters for a variety of lens mounts without impacting image quality. Imagine using modern high speed lenses for sharp, precise images on one shoot and then shooting a period drama with vintage photographic lenses. With L-Mount, you get a single mount that works with virtually any lens for unlimited creative choice. SHOOT INCREDIBLE HIGH DYNAMIC RANGE (HDR) IMAGES The distance between the lightest and the darkest parts of an image is called dynamic range and is measured in stops. Blackmagic Cinema Camera 6K has an incredible 13 stops of dynamic range which means it preserves more detail in the lightest and darkest areas of an image than simple video cameras can. This allows you to set exposure for an indoor scene such as a cafe and still retain the details of bright outdoor light coming through a window. You also get more colours than the standard DCI-P3 colourspace used for feature films. Plus DaVinci Resolve Studio is included with the camera, so you get total creative freedom with full exposure adjustment and recovery controls when colour grading. DUAL GAIN ISO FOR EXCEPTIONAL LOW LIGHT PERFORMANCE In digital film ISO is a measurement of the image sensor’s sensitivity to light. This means the higher the ISO number the more sensitivity to light so it’s possible to shoot using natural light even at night. The Blackmagic Cinema Camera 6K features dual native ISO up to 25,600, which means it’s optimized to minimize grain or noise in images, while maintaining the full dynamic range of the sensor. The native ISO of 400 is ideal for scenes with on-set lighting. The secondary high base ISO of 3200 is perfect when shooting in dimly lit environments. The gain is set automatically as you adjust the ISO setting, so it's easy to capture great images when you don’t have time to set up lights. MULTIPLE RESOLUTIONS AND FRAME RATES Blackmagic Cinema Camera 6K can shoot in all standard resolutions and frame rates from HD up to DCI 4K and even 6K. You can even shoot stills at 24.6 megapixels. Blackmagic Cinema Camera 6K will shoot up to 36 fps at 6048 x 4032 3:2 open gate or 60 fps at 6048 x 2520 2.4:1 and 60 fps at 4096 x 2160 4K DCI. For higher frame rates you can window the sensor and shoot up to 100 fps at 2112 x 1184 Super 16. You can even work in true anamorphic 6:5 at much higher resolutions than other cameras using anamorphic lenses in 4.8K 24 fps at 4838 x 4032. You can even shoot 120 fps in 1080HD. With Blackmagic Cinema Camera 6K, you’ll always be able to shoot the right resolution for the job. LIGHTWEIGHT CARBON FIBER POLYCARBONATE COMPOSITE The elegant design of Blackmagic Cinema Camera 6K packs an incredible number of high end digital film features into a miniaturized, handheld design based on the Pocket Cinema Camera platform. Made from lightweight carbon fiber polycarbonate composite, the camera has a multifunction handgrip with all controls for recording, ISO, WB and shutter angle right at your fingertips. Because it's an advanced digital film camera, the sensor is designed to reduce thermal noise allowing cleaner shadows and higher ISO. Plus the large 5" LCD makes it possible to get perfect focus at 6K resolution. You also get a removable battery door, 4 shock proof microphones, heavy duty lens mount and built in speaker. Fingertip Shooting Controls The front and top of the Blackmagic Cinema Camera 6K features record start/stop and still photo buttons along with dedicated controls for iris, ISO, white balance and shutter speed. The main power switch is located on the top next to a row of 3 customizable function buttons. Back Panel Controls Conveniently placed below the right thumb rest, you can quickly change shooting speed with the high frame rate button, zoom into the image with the magnifying glass, access setup menus and quickly play back shots for review. MULTIFUNCTION GRIP WITH FINGERTIP CONTROLS The multifunction handgrip features an ergonomic design that puts important functions such as ISO, WB and shutter buttons at your fingertips. There’s even a scroll wheel under your index finger for making quick iris adjustments. Additional controls go beyond those found on a DSLR, which means you don’t have to go hunting through menus on a tiny screen to find a command. The Blackmagic Cinema Camera 6K features easy to reach recording and still buttons that are placed exactly where you expect, including user assignable function keys allowing buttons for high frame rate, focus zoom, false colour and more. SHOOT IN VERTICAL ASPECT RATIO Now you can easily create cinematic content for TikTok, YouTube Shorts and more. Simply rotate the Blackmagic Cinema Camera 6K to shoot vertical aspect ratios such as 9:16 and 4:5. The on screen HUD rotates so critical information, such as frame rate, shutter angle and frame guides, are easy to view, even when the camera’s turned upside down. You can even switch on frame guides so important details stay in shot for different aspect ratios. When you import your files into DaVinci Resolve, clips are automatically tagged as vertical so they appear correctly in your timeline. Once you’ve finished your project, it’s easy to upload to your channel with direct exporting to TikTok and YouTube. POST PRODUCTION FRIENDLY FILE FORMATS Blackmagic Cinema Camera records in Blackmagic RAW to preserve control of detail, exposure and colour during post production. It also records HD H.264 proxies in real time making it easy to share media around the world in minutes. Blackmagic RAW is highly optimized, multi‑threaded, works across multiple CPU cores and is also GPU accelerated to work with Apple Metal, CUDA and OpenCL. This means your images always maintain unprecedented resolution and quality for colour, keying, compositing, reframing, stabilization and tracking in HD, 4K or 6K. Media files work on all operating systems plus you can format media cards and disks in HFS+ for Mac and ExFAT for Windows. ECORD TO CFEXPRESS CARDS OR EXTERNAL DISKS The Blackmagic Cinema Camera 6K features a built in CFexpress card recorder, and a USB-C expansion port for recording direct to external flash media disks or an SSD. CFexpress media are more durable and faster than even older media so are perfect for recording full resolution, 12-bit Blackmagic RAW files. Imagine capturing over an hour of full resolution 6K images on a single 256GB CFexpress card. The very high speed of CFexpress cards makes them perfect for mounting on your computer and editing directly from them using the included DaVinci Resolve Studio software. BLACKMAGIC RAW | THE QUALITY OF RAW AND THE SPEED OF VIDEO Blackmagic RAW is a revolutionary new format designed to capture and preserve the quality of the sensor data from your camera. Blackmagic RAW eliminates quality problems so you get stunning images with incredible detail and colour throughout the production pipeline from camera to edit, colour and mastering. It also saves camera settings as metadata so you can set ISO, white balance and exposure in camera or override them later while editing, all without any loss of quality. Blackmagic RAW files are also small and fast to use making them easy to work with. Only Blackmagic RAW gives you the highest quality, smallest files and fastest performance. Colour Temperature Setting the colour temperature tells the camera how to interpret white and other colours in an image. Instead of saving images with colour values baked in, Blackmagic RAW makes it possible for you to change the temperature in post production with DaVinci Resolve Studio. Contrast Adjusting contrast, or the tonal range of an image, can make different parts of the image stand out. While you should always try to get the best shot on set, Blackmagic RAW gives you the flexibility to adjust contrast without any loss of quality while you’re editing and colour correcting. ISO Changing the ISO adjusts the camera’s sensitivity to light. Properly exposed shots require the right combination of ISO, aperture and shutter speed. Depending on the lights and exposure settings, you may need to adjust ISO in post. Tint Adjusting tint is another way you can affect the overall colour balance of an image. Unlike saturation or midpoint which can make reds redder or yellows more yellow, adjusting tint actually lets you push the colours in different directions. Exposure In order for your images to look good, you need to make sure that it’s not too bright (overexposed) or too dark (underexposed). With Blackmagic RAW, the exposure settings can be changed in post so you can save shots that were not properly exposed. LARGE 5" LCD MONITOR Blackmagic Cinema Camera 6K features a large, bright 5 inch HDR touchscreen that makes it easy for you to frame shots and accurately focus, whatever the conditions. That means you don’t have to carry around an external monitor. On screen overlays show status and record parameters, histogram, focus peaking indicators, levels, frame guides and more. You can quickly apply 3D LUTs for monitoring shots with the desired colour and look. The LCD monitor can even be tilted up to 180 degrees flat and down to 47 degrees so it's easy to monitor your shot from virtually any position. Plus, its HDR display features 1500 nits of brightness, so you can always frame your shot, even in bright sunlight. TOUCHSCREEN FOR FAST SETUP The large LCD touchscreen displays critical information on the heads up display, or HUD, as well as access to camera setup menus. The HUD lets you see and adjust settings such as the frame rate, iris, timecode, shutter angle, white balance, ISO, audio levels and more with a single tap. You can show or hide the HUD by simply swiping up or down. Adjust settings such as white balance simply by touching the WB indicator, or change the audio levels by touching the audio meters. Everything is interactive, so you can tap any item and instantly change settings without searching through confusing menus. You can also access settings such as the digital slate, to quickly add metadata to any shot. POWERED BY BLACKMAGIC OS With the advanced Blackmagic OS, you get an intuitive and user friendly camera operating system based on the latest technology. Blackmagic OS is a true modern operating system where all camera features run independently for smoother control, plus the camera powers on virtually instantly. It features the same controls and menus as other Blackmagic Design cameras so you can move between cameras on set easily. The interface uses simple tap and swipe gestures to adjust settings, add metadata and view recording status. You also get full control over advanced camera features such as on screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings and more. GENERATION 5 COLOUR SCIENCE Featuring the same generation 5 colour science as the high end URSA Mini Pro 12K, the Blackmagic Cinema Camera 6K delivers an even greater advancement in image quality with stunning, accurate skin tones and faithful colour in every shot. You get a new dynamic 12-bit gamma curve designed to capture more colour data in the highlights and shadows, for better looking images. The colour science also handles some of the complex Blackmagic RAW image processing, so colour and dynamic range data from the sensor is preserved via metadata which you can use in post production. That means you get images that have a natural, film like response to colour adjustments in post with DaVinci Resolve. OPTIONAL VIEWFINDER FOR PROFESSIONAL SHOOTING Blackmagic Cinema Camera 6K supports an optional viewfinder to make outdoors and handheld shooting accurate and easy. You get an integrated high quality 1280 x 960 colour OLED display with built in proximity sensor, 4 element glass diopter for incredible accuracy with a wide -4 to +4 focus adjustment. A built in digital focus chart ensures you get perfect viewfinder focus setup. You can also view critical status information such as frame guides. The EVF is extremely easy to connect to the Blackmagic Cinema Camera 6K as it simply mounts on top of the camera with a single screw. The viewfinder has a 70 degree swivel range and comes with 4 different types of eyecups for both left and right eyes. PROFESSIONAL CONNECTIONS FOR CUSTOM RIGS Though small and portable, the Blackmagic Cinema Camera 6K features a wide range of connections for audio, monitoring, power and more. The camera includes a full size HDMI connector for monitoring with support for HDR and clean 10-bit output. That means you can connect an HDMI display for on set monitoring of images, with or without overlays that show critical information and camera status. There’s also mini XLR connections with 48 volt phantom power for attaching professional microphones, a 3.5 mm video camera style microphone input, headphone connection and a professional locking DC power connector. The USB-C connection lets you connect and record direct to your media disk. 4 BUILT-IN MICROPHONES AND PROFESSIONAL AUDIO INPUTS With professional, high fidelity audio recording built in you'll never have to carry around a separate sound recorder again. Blackmagic Cinema Camera features 2 mini XLR inputs with 48 volts of phantom power for connecting professional microphones such as lapel mics and booms. These mini XLR connections allow you to record 2 separate audio tracks using 2 mics, without an external mixer. The four built in mics have an extremely low noise floor and are shock and wind resistant, capturing great sound in any location. There’s also a 3.5mm audio input for connecting video camera microphones, along with a built in speaker for playback and a 3.5mm headphone jack. LOAD CUSTOM 3D LUTS TO RECREATE FILM LOOKS Digital film cameras shoot logarithmic colourspace to preserve the dynamic range, which is great for later post production, however when these files are viewed on a monitor they can look flat and washed out. 3D LUTs solve this problem because they allow you to apply a "look" to the monitor so you get an idea of how the finished images will look when editing. LUTs can be applied temporarily for monitoring only, or they can be recorded into the Blackmagic RAW files for use in post production. The Blackmagic Cinema Camera 6K works with industry standard 17 and 33 point 3D LUT files, or you can work with the built in LUTs such as Extended Video, Film to Video, Film to Rec.2020 and more. USB-C FOR EXTERNAL DISKS AND ETHERNET CONTROL The Blackmagic Cinema Camera 6K features an innovative and high speed USB-C Expansion Port that operates at up to 5 Gb/s. USB-C is available on most new computers and even provides power. That means you can connect external accessories such as flash drives and high capacity SSDs for significantly longer recording times. Best of all, when shooting is complete you can simply move the external disk to your computer and start editing and colour correction from the same disk straight away, eliminating file copying. You can also add a USB-C to Ethernet adapter to control your camera over a network via secure and easy to use REST APIs. You can even copy files off the camera via the network. GET MULTI CAMERA SHOOTS IN PERFECT SYNC Professional cameras include professional features and you also get a timecode input, allowing shooting with more than one camera while keeping perfect sync. Simply plug in an external timecode generator such as Tentacle Sync into the 3.5 mm audio jack and the camera will automatically detect timecode and lock the internal generator. Now each camera can start and stop recording and all the shots from all cameras will have the same matched timecode. Imagine shooting a music festival with multiple roving cameras. Best of all, DaVinci Resolve will automatically find and sync the shots from all cameras so you don't need to waste time sorting through thousands of shots. SHOOT STILL FRAMES UP TO 24.6 MEGAPIXELS In addition to shooting video, the Blackmagic Cinema Camera 6K can also capture high resolution stills. Simply press the dedicated stills button to record 24.6 megapixel images. Still images are saved as Blackmagic RAW, so you get a very high image quality, which is perfect for making high resolution professional prints or for later editing in DaVinci Resolve. Capturing still images is great for keeping track of continuity between shots or for sharing images to get approval from clients that are not on set. LOCALIZED IN 13 POPULAR LANGUAGES The Blackmagic Cinema Camera is designed to be used worldwide and supports 13 different languages. When setting up your camera, you can choose to work in English, German, French, Spanish, Portuguese, Italian, Polish, Russian, Ukrainian, Turkish, Chinese, Japanese or Korean. It’s easy to switch to another language so you can share your camera with other crew when traveling to locations worldwide. When you switch languages, all on screen overlays, setup menus and monitoring information will be displayed in the selected language. WIRELESS BLUETOOTH CAMERA REMOTE CONTROL If you're positioning the camera on the end of a boom, or in another hard to reach location, you can get full control via Bluetooth from up to 30 feet away. You can download the Blackmagic Camera Control app for your iPad or use third party apps such as Bluetooth+ or tRigger on your iOS and Android devices. There’s even a free developer SDK with sample code available from the Blackmagic Design developer website, so you can create your own remote camera control and digital slate solutions. Imagine building an app that can jam sync timecode and trigger all cameras to record at the same time. The possibilities are endless. POWER FROM BATTERIES, 12V DC AND RECHARGE VIA USB‑C Blackmagic Cinema Camera 6K uses high capacity NP-F570 batteries. These popular batteries come in a variety of capacities and are used around the world. A locking DC power connector is used so you won't have to worry about losing power during a shoot. Plus the included AC plug pack can power the camera or charge the battery when the camera is not in use. You also get a set of international socket adapters for worldwide use. Even the USB-C expansion port can trickle charge the battery, so you can use portable battery packs, mobile phone chargers or laptops. The optional battery grip lets you add extra batteries to dramatically extend the power of the camera so you can keep shooting all day. INCLUDES DAVINCI RESOLVE STUDIO   Blackmagic Cinema Camera 6K includes a full version of DaVinci Resolve Studio, which is the same software used in Hollywood for creating high end feature films, episodic television shows, commercials and more. DaVinci Resolve features the new cut page with intelligent editing tools and innovative new features designed to help you quickly find the footage you want, edit it together and output it fast. In addition to the new cut page, you also get DaVinci’s legendary professional editing, advanced colour correction, audio post and visual effects tools, all in a single software application. Now you can use the the same high end software that professional editors and colourists use.

Blackmagic Cinema Camera 6K package a

Blackmagic Cinema Camera 6K(BMD-CINECAM60KLFL) package a includes: 1x Blackmagic Cinema Camera 6K BMD-CINECAM60KLFL 1x Blackmagic NP-F570 compatible battery BMD-BATT-NPF570/CAM *Digibroadcast has put together some bespoke Blackmagic packages for our clients based on our own research and surveys and holds the right to protect all of its content © Introducing a new generation in cinematography. The new Blackmagic Cinema Camera 6K is an extremely high end digital film camera that produces precise skin tones and rich organic colours. The camera features a massive full frame 24 x 36mm 6K sensor with wide dynamic range, a very flexible L-Mount for lenses and a built in optical low pass filter that's custom designed to match the sensor. You also get fast CFexpress media and the camera can even use Pocket Cinema Camera accessories. When you are doing cloud and mobile work, the camera records both deep bit depth Blackmagic RAW and H.264 proxies at the same time. No other camera includes this level of technology, image quality and portability. GET THE "HOLLYWOOD LOOK" WITH DIGITAL FILM. Blackmagic Cinema Camera 6K has the professional features you need for feature film, television programming and documentaries, however now this same quality can be used to create cinematic content for social media, YouTube videos and more. You get the same features found on high end digital film cameras, allowing capture of deeper colours, higher image detail and a wider dynamic range between the brightest highlights and deepest shadows. It's the reason why feature films look so amazing and now you can get the same high end production values for any kind of work. Imagine shooting with large format digital film on low budget independent films, TV commercials or even corporate video. LARGE FORMAT CINEMATIC DIGITAL FILM SENSOR. Blackmagic Cinema Camera 6K features a massive full frame sensor with a native resolution of 6048 x 4032. That's almost three times larger than a Super 35 sensor and allows you to shoot with a shallow depth of field or to use anamorphic lenses uncropped for a true cinematic look. Whether you’re shooting in bright sunlight or in almost no light at all, the 13 stops of dynamic range with dual native ISO up to 25,600 provide stunning low noise images in all lighting conditions. Plus you can shoot up to 36 fps at full sensor resolution or 120 fps windowed. This amazing sensor combined with Blackmagic colour science means you get the same imaging technology as expensive digital cinema cameras. FULL FRAME FLEXIBILITY The large full frame sensor in Blackmagic Cinema Camera 6K lets you work in a variety of film formats and aspect ratios without sacrificing quality. Using the full area of the sensor gives you a unique open gate 3:2 image which also lets you reframe your shots in post production. The large sensor also lets you work in true 6:5 anamorphic without cropping, making widescreen cinematic images more detailed and in higher resolution than previously possible. You can even use the classic Super 35 sized window on the sensor to create an instant ‘close up’ version of your shot that fits seamlessly with open gate footage. All this lets you create distinctive cinematic content in the highest quality. NEXT GENERATION L‑MOUNT. Blackmagic Cinema Camera 6K features an L-Mount, an advanced lens mount designed to accommodate full frame sensors while ensuring compatibility with new and vintage lenses. With a large diameter of 51.6mm, L-Mount works with the latest full frame lenses from manufacturers such as Leica, Panasonic and Sigma. Plus, a very short flange distance of only 20mm means you can easily add adapters for a variety of lens mounts without impacting image quality. Imagine using modern high speed lenses for sharp, precise images on one shoot and then shooting a period drama with vintage photographic lenses. With L-Mount, you get a single mount that works with virtually any lens for unlimited creative choice. SHOOT INCREDIBLE HIGH DYNAMIC RANGE (HDR) IMAGES The distance between the lightest and the darkest parts of an image is called dynamic range and is measured in stops. Blackmagic Cinema Camera 6K has an incredible 13 stops of dynamic range which means it preserves more detail in the lightest and darkest areas of an image than simple video cameras can. This allows you to set exposure for an indoor scene such as a cafe and still retain the details of bright outdoor light coming through a window. You also get more colours than the standard DCI-P3 colourspace used for feature films. Plus DaVinci Resolve Studio is included with the camera, so you get total creative freedom with full exposure adjustment and recovery controls when colour grading. DUAL GAIN ISO FOR EXCEPTIONAL LOW LIGHT PERFORMANCE In digital film ISO is a measurement of the image sensor’s sensitivity to light. This means the higher the ISO number the more sensitivity to light so it’s possible to shoot using natural light even at night. The Blackmagic Cinema Camera 6K features dual native ISO up to 25,600, which means it’s optimized to minimize grain or noise in images, while maintaining the full dynamic range of the sensor. The native ISO of 400 is ideal for scenes with on-set lighting. The secondary high base ISO of 3200 is perfect when shooting in dimly lit environments. The gain is set automatically as you adjust the ISO setting, so it's easy to capture great images when you don’t have time to set up lights. MULTIPLE RESOLUTIONS AND FRAME RATES Blackmagic Cinema Camera 6K can shoot in all standard resolutions and frame rates from HD up to DCI 4K and even 6K. You can even shoot stills at 24.6 megapixels. Blackmagic Cinema Camera 6K will shoot up to 36 fps at 6048 x 4032 3:2 open gate or 60 fps at 6048 x 2520 2.4:1 and 60 fps at 4096 x 2160 4K DCI. For higher frame rates you can window the sensor and shoot up to 100 fps at 2112 x 1184 Super 16. You can even work in true anamorphic 6:5 at much higher resolutions than other cameras using anamorphic lenses in 4.8K 24 fps at 4838 x 4032. You can even shoot 120 fps in 1080HD. With Blackmagic Cinema Camera 6K, you’ll always be able to shoot the right resolution for the job. LIGHTWEIGHT CARBON FIBER POLYCARBONATE COMPOSITE The elegant design of Blackmagic Cinema Camera 6K packs an incredible number of high end digital film features into a miniaturized, handheld design based on the Pocket Cinema Camera platform. Made from lightweight carbon fiber polycarbonate composite, the camera has a multifunction handgrip with all controls for recording, ISO, WB and shutter angle right at your fingertips. Because it's an advanced digital film camera, the sensor is designed to reduce thermal noise allowing cleaner shadows and higher ISO. Plus the large 5" LCD makes it possible to get perfect focus at 6K resolution. You also get a removable battery door, 4 shock proof microphones, heavy duty lens mount and built in speaker. Fingertip Shooting Controls The front and top of the Blackmagic Cinema Camera 6K features record start/stop and still photo buttons along with dedicated controls for iris, ISO, white balance and shutter speed. The main power switch is located on the top next to a row of 3 customizable function buttons. Back Panel Controls Conveniently placed below the right thumb rest, you can quickly change shooting speed with the high frame rate button, zoom into the image with the magnifying glass, access setup menus and quickly play back shots for review. MULTIFUNCTION GRIP WITH FINGERTIP CONTROLS The multifunction handgrip features an ergonomic design that puts important functions such as ISO, WB and shutter buttons at your fingertips. There’s even a scroll wheel under your index finger for making quick iris adjustments. Additional controls go beyond those found on a DSLR, which means you don’t have to go hunting through menus on a tiny screen to find a command. The Blackmagic Cinema Camera 6K features easy to reach recording and still buttons that are placed exactly where you expect, including user assignable function keys allowing buttons for high frame rate, focus zoom, false colour and more. SHOOT IN VERTICAL ASPECT RATIO Now you can easily create cinematic content for TikTok, YouTube Shorts and more. Simply rotate the Blackmagic Cinema Camera 6K to shoot vertical aspect ratios such as 9:16 and 4:5. The on screen HUD rotates so critical information, such as frame rate, shutter angle and frame guides, are easy to view, even when the camera’s turned upside down. You can even switch on frame guides so important details stay in shot for different aspect ratios. When you import your files into DaVinci Resolve, clips are automatically tagged as vertical so they appear correctly in your timeline. Once you’ve finished your project, it’s easy to upload to your channel with direct exporting to TikTok and YouTube. POST PRODUCTION FRIENDLY FILE FORMATS Blackmagic Cinema Camera records in Blackmagic RAW to preserve control of detail, exposure and colour during post production. It also records HD H.264 proxies in real time making it easy to share media around the world in minutes. Blackmagic RAW is highly optimized, multi‑threaded, works across multiple CPU cores and is also GPU accelerated to work with Apple Metal, CUDA and OpenCL. This means your images always maintain unprecedented resolution and quality for colour, keying, compositing, reframing, stabilization and tracking in HD, 4K or 6K. Media files work on all operating systems plus you can format media cards and disks in HFS+ for Mac and ExFAT for Windows. ECORD TO CFEXPRESS CARDS OR EXTERNAL DISKS The Blackmagic Cinema Camera 6K features a built in CFexpress card recorder, and a USB-C expansion port for recording direct to external flash media disks or an SSD. CFexpress media are more durable and faster than even older media so are perfect for recording full resolution, 12-bit Blackmagic RAW files. Imagine capturing over an hour of full resolution 6K images on a single 256GB CFexpress card. The very high speed of CFexpress cards makes them perfect for mounting on your computer and editing directly from them using the included DaVinci Resolve Studio software. BLACKMAGIC RAW | THE QUALITY OF RAW AND THE SPEED OF VIDEO Blackmagic RAW is a revolutionary new format designed to capture and preserve the quality of the sensor data from your camera. Blackmagic RAW eliminates quality problems so you get stunning images with incredible detail and colour throughout the production pipeline from camera to edit, colour and mastering. It also saves camera settings as metadata so you can set ISO, white balance and exposure in camera or override them later while editing, all without any loss of quality. Blackmagic RAW files are also small and fast to use making them easy to work with. Only Blackmagic RAW gives you the highest quality, smallest files and fastest performance. Colour Temperature Setting the colour temperature tells the camera how to interpret white and other colours in an image. Instead of saving images with colour values baked in, Blackmagic RAW makes it possible for you to change the temperature in post production with DaVinci Resolve Studio. Contrast Adjusting contrast, or the tonal range of an image, can make different parts of the image stand out. While you should always try to get the best shot on set, Blackmagic RAW gives you the flexibility to adjust contrast without any loss of quality while you’re editing and colour correcting. ISO Changing the ISO adjusts the camera’s sensitivity to light. Properly exposed shots require the right combination of ISO, aperture and shutter speed. Depending on the lights and exposure settings, you may need to adjust ISO in post. Tint Adjusting tint is another way you can affect the overall colour balance of an image. Unlike saturation or midpoint which can make reds redder or yellows more yellow, adjusting tint actually lets you push the colours in different directions. Exposure In order for your images to look good, you need to make sure that it’s not too bright (overexposed) or too dark (underexposed). With Blackmagic RAW, the exposure settings can be changed in post so you can save shots that were not properly exposed. LARGE 5" LCD MONITOR Blackmagic Cinema Camera 6K features a large, bright 5 inch HDR touchscreen that makes it easy for you to frame shots and accurately focus, whatever the conditions. That means you don’t have to carry around an external monitor. On screen overlays show status and record parameters, histogram, focus peaking indicators, levels, frame guides and more. You can quickly apply 3D LUTs for monitoring shots with the desired colour and look. The LCD monitor can even be tilted up to 180 degrees flat and down to 47 degrees so it's easy to monitor your shot from virtually any position. Plus, its HDR display features 1500 nits of brightness, so you can always frame your shot, even in bright sunlight. TOUCHSCREEN FOR FAST SETUP The large LCD touchscreen displays critical information on the heads up display, or HUD, as well as access to camera setup menus. The HUD lets you see and adjust settings such as the frame rate, iris, timecode, shutter angle, white balance, ISO, audio levels and more with a single tap. You can show or hide the HUD by simply swiping up or down. Adjust settings such as white balance simply by touching the WB indicator, or change the audio levels by touching the audio meters. Everything is interactive, so you can tap any item and instantly change settings without searching through confusing menus. You can also access settings such as the digital slate, to quickly add metadata to any shot. POWERED BY BLACKMAGIC OS With the advanced Blackmagic OS, you get an intuitive and user friendly camera operating system based on the latest technology. Blackmagic OS is a true modern operating system where all camera features run independently for smoother control, plus the camera powers on virtually instantly. It features the same controls and menus as other Blackmagic Design cameras so you can move between cameras on set easily. The interface uses simple tap and swipe gestures to adjust settings, add metadata and view recording status. You also get full control over advanced camera features such as on screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings and more. GENERATION 5 COLOUR SCIENCE Featuring the same generation 5 colour science as the high end URSA Mini Pro 12K, the Blackmagic Cinema Camera 6K delivers an even greater advancement in image quality with stunning, accurate skin tones and faithful colour in every shot. You get a new dynamic 12-bit gamma curve designed to capture more colour data in the highlights and shadows, for better looking images. The colour science also handles some of the complex Blackmagic RAW image processing, so colour and dynamic range data from the sensor is preserved via metadata which you can use in post production. That means you get images that have a natural, film like response to colour adjustments in post with DaVinci Resolve. OPTIONAL VIEWFINDER FOR PROFESSIONAL SHOOTING Blackmagic Cinema Camera 6K supports an optional viewfinder to make outdoors and handheld shooting accurate and easy. You get an integrated high quality 1280 x 960 colour OLED display with built in proximity sensor, 4 element glass diopter for incredible accuracy with a wide -4 to +4 focus adjustment. A built in digital focus chart ensures you get perfect viewfinder focus setup. You can also view critical status information such as frame guides. The EVF is extremely easy to connect to the Blackmagic Cinema Camera 6K as it simply mounts on top of the camera with a single screw. The viewfinder has a 70 degree swivel range and comes with 4 different types of eyecups for both left and right eyes. PROFESSIONAL CONNECTIONS FOR CUSTOM RIGS Though small and portable, the Blackmagic Cinema Camera 6K features a wide range of connections for audio, monitoring, power and more. The camera includes a full size HDMI connector for monitoring with support for HDR and clean 10-bit output. That means you can connect an HDMI display for on set monitoring of images, with or without overlays that show critical information and camera status. There’s also mini XLR connections with 48 volt phantom power for attaching professional microphones, a 3.5 mm video camera style microphone input, headphone connection and a professional locking DC power connector. The USB-C connection lets you connect and record direct to your media disk. 4 BUILT-IN MICROPHONES AND PROFESSIONAL AUDIO INPUTS With professional, high fidelity audio recording built in you'll never have to carry around a separate sound recorder again. Blackmagic Cinema Camera features 2 mini XLR inputs with 48 volts of phantom power for connecting professional microphones such as lapel mics and booms. These mini XLR connections allow you to record 2 separate audio tracks using 2 mics, without an external mixer. The four built in mics have an extremely low noise floor and are shock and wind resistant, capturing great sound in any location. There’s also a 3.5mm audio input for connecting video camera microphones, along with a built in speaker for playback and a 3.5mm headphone jack. LOAD CUSTOM 3D LUTS TO RECREATE FILM LOOKS Digital film cameras shoot logarithmic colourspace to preserve the dynamic range, which is great for later post production, however when these files are viewed on a monitor they can look flat and washed out. 3D LUTs solve this problem because they allow you to apply a "look" to the monitor so you get an idea of how the finished images will look when editing. LUTs can be applied temporarily for monitoring only, or they can be recorded into the Blackmagic RAW files for use in post production. The Blackmagic Cinema Camera 6K works with industry standard 17 and 33 point 3D LUT files, or you can work with the built in LUTs such as Extended Video, Film to Video, Film to Rec.2020 and more. USB-C FOR EXTERNAL DISKS AND ETHERNET CONTROL The Blackmagic Cinema Camera 6K features an innovative and high speed USB-C Expansion Port that operates at up to 5 Gb/s. USB-C is available on most new computers and even provides power. That means you can connect external accessories such as flash drives and high capacity SSDs for significantly longer recording times. Best of all, when shooting is complete you can simply move the external disk to your computer and start editing and colour correction from the same disk straight away, eliminating file copying. You can also add a USB-C to Ethernet adapter to control your camera over a network via secure and easy to use REST APIs. You can even copy files off the camera via the network. GET MULTI CAMERA SHOOTS IN PERFECT SYNC Professional cameras include professional features and you also get a timecode input, allowing shooting with more than one camera while keeping perfect sync. Simply plug in an external timecode generator such as Tentacle Sync into the 3.5 mm audio jack and the camera will automatically detect timecode and lock the internal generator. Now each camera can start and stop recording and all the shots from all cameras will have the same matched timecode. Imagine shooting a music festival with multiple roving cameras. Best of all, DaVinci Resolve will automatically find and sync the shots from all cameras so you don't need to waste time sorting through thousands of shots. SHOOT STILL FRAMES UP TO 24.6 MEGAPIXELS In addition to shooting video, the Blackmagic Cinema Camera 6K can also capture high resolution stills. Simply press the dedicated stills button to record 24.6 megapixel images. Still images are saved as Blackmagic RAW, so you get a very high image quality, which is perfect for making high resolution professional prints or for later editing in DaVinci Resolve. Capturing still images is great for keeping track of continuity between shots or for sharing images to get approval from clients that are not on set. LOCALIZED IN 13 POPULAR LANGUAGES The Blackmagic Cinema Camera is designed to be used worldwide and supports 13 different languages. When setting up your camera, you can choose to work in English, German, French, Spanish, Portuguese, Italian, Polish, Russian, Ukrainian, Turkish, Chinese, Japanese or Korean. It’s easy to switch to another language so you can share your camera with other crew when traveling to locations worldwide. When you switch languages, all on screen overlays, setup menus and monitoring information will be displayed in the selected language. WIRELESS BLUETOOTH CAMERA REMOTE CONTROL If you're positioning the camera on the end of a boom, or in another hard to reach location, you can get full control via Bluetooth from up to 30 feet away. You can download the Blackmagic Camera Control app for your iPad or use third party apps such as Bluetooth+ or tRigger on your iOS and Android devices. There’s even a free developer SDK with sample code available from the Blackmagic Design developer website, so you can create your own remote camera control and digital slate solutions. Imagine building an app that can jam sync timecode and trigger all cameras to record at the same time. The possibilities are endless. POWER FROM BATTERIES, 12V DC AND RECHARGE VIA USB‑C Blackmagic Cinema Camera 6K uses high capacity NP-F570 batteries. These popular batteries come in a variety of capacities and are used around the world. A locking DC power connector is used so you won't have to worry about losing power during a shoot. Plus the included AC plug pack can power the camera or charge the battery when the camera is not in use. You also get a set of international socket adapters for worldwide use. Even the USB-C expansion port can trickle charge the battery, so you can use portable battery packs, mobile phone chargers or laptops. The optional battery grip lets you add extra batteries to dramatically extend the power of the camera so you can keep shooting all day. INCLUDES DAVINCI RESOLVE STUDIO   Blackmagic Cinema Camera 6K includes a full version of DaVinci Resolve Studio, which is the same software used in Hollywood for creating high end feature films, episodic television shows, commercials and more. DaVinci Resolve features the new cut page with intelligent editing tools and innovative new features designed to help you quickly find the footage you want, edit it together and output it fast. In addition to the new cut page, you also get DaVinci’s legendary professional editing, advanced colour correction, audio post and visual effects tools, all in a single software application. Now you can use the the same high end software that professional editors and colourists use.

Blackmagic Cinema Camera 6K Full Frame L-Mount Camera

Blackmagic Cinema Camera 6K Full Frame L-Mount Camera(BMD-CINECAM60KLFL) Introducing a new generation in cinematography. The new Blackmagic Cinema Camera 6K is an extremely high end digital film camera that produces precise skin tones and rich organic colours. The camera features a massive full frame 24 x 36mm 6K sensor with wide dynamic range, a very flexible L-Mount for lenses and a built in optical low pass filter that's custom designed to match the sensor. You also get fast CFexpress media and the camera can even use Pocket Cinema Camera accessories. When you are doing cloud and mobile work, the camera records both deep bit depth Blackmagic RAW and H.264 proxies at the same time. No other camera includes this level of technology, image quality and portability. GET THE "HOLLYWOOD LOOK" WITH DIGITAL FILM. Blackmagic Cinema Camera 6K has the professional features you need for feature film, television programming and documentaries, however now this same quality can be used to create cinematic content for social media, YouTube videos and more. You get the same features found on high end digital film cameras, allowing capture of deeper colours, higher image detail and a wider dynamic range between the brightest highlights and deepest shadows. It's the reason why feature films look so amazing and now you can get the same high end production values for any kind of work. Imagine shooting with large format digital film on low budget independent films, TV commercials or even corporate video. LARGE FORMAT CINEMATIC DIGITAL FILM SENSOR. Blackmagic Cinema Camera 6K features a massive full frame sensor with a native resolution of 6048 x 4032. That's almost three times larger than a Super 35 sensor and allows you to shoot with a shallow depth of field or to use anamorphic lenses uncropped for a true cinematic look. Whether you’re shooting in bright sunlight or in almost no light at all, the 13 stops of dynamic range with dual native ISO up to 25,600 provide stunning low noise images in all lighting conditions. Plus you can shoot up to 36 fps at full sensor resolution or 120 fps windowed. This amazing sensor combined with Blackmagic colour science means you get the same imaging technology as expensive digital cinema cameras. FULL FRAME FLEXIBILITY The large full frame sensor in Blackmagic Cinema Camera 6K lets you work in a variety of film formats and aspect ratios without sacrificing quality. Using the full area of the sensor gives you a unique open gate 3:2 image which also lets you reframe your shots in post production. The large sensor also lets you work in true 6:5 anamorphic without cropping, making widescreen cinematic images more detailed and in higher resolution than previously possible. You can even use the classic Super 35 sized window on the sensor to create an instant ‘close up’ version of your shot that fits seamlessly with open gate footage. All this lets you create distinctive cinematic content in the highest quality. NEXT GENERATION L‑MOUNT. Blackmagic Cinema Camera 6K features an L-Mount, an advanced lens mount designed to accommodate full frame sensors while ensuring compatibility with new and vintage lenses. With a large diameter of 51.6mm, L-Mount works with the latest full frame lenses from manufacturers such as Leica, Panasonic and Sigma. Plus, a very short flange distance of only 20mm means you can easily add adapters for a variety of lens mounts without impacting image quality. Imagine using modern high speed lenses for sharp, precise images on one shoot and then shooting a period drama with vintage photographic lenses. With L-Mount, you get a single mount that works with virtually any lens for unlimited creative choice. SHOOT INCREDIBLE HIGH DYNAMIC RANGE (HDR) IMAGES The distance between the lightest and the darkest parts of an image is called dynamic range and is measured in stops. Blackmagic Cinema Camera 6K has an incredible 13 stops of dynamic range which means it preserves more detail in the lightest and darkest areas of an image than simple video cameras can. This allows you to set exposure for an indoor scene such as a cafe and still retain the details of bright outdoor light coming through a window. You also get more colours than the standard DCI-P3 colourspace used for feature films. Plus DaVinci Resolve Studio is included with the camera, so you get total creative freedom with full exposure adjustment and recovery controls when colour grading. DUAL GAIN ISO FOR EXCEPTIONAL LOW LIGHT PERFORMANCE In digital film ISO is a measurement of the image sensor’s sensitivity to light. This means the higher the ISO number the more sensitivity to light so it’s possible to shoot using natural light even at night. The Blackmagic Cinema Camera 6K features dual native ISO up to 25,600, which means it’s optimized to minimize grain or noise in images, while maintaining the full dynamic range of the sensor. The native ISO of 400 is ideal for scenes with on-set lighting. The secondary high base ISO of 3200 is perfect when shooting in dimly lit environments. The gain is set automatically as you adjust the ISO setting, so it's easy to capture great images when you don’t have time to set up lights. MULTIPLE RESOLUTIONS AND FRAME RATES Blackmagic Cinema Camera 6K can shoot in all standard resolutions and frame rates from HD up to DCI 4K and even 6K. You can even shoot stills at 24.6 megapixels. Blackmagic Cinema Camera 6K will shoot up to 36 fps at 6048 x 4032 3:2 open gate or 60 fps at 6048 x 2520 2.4:1 and 60 fps at 4096 x 2160 4K DCI. For higher frame rates you can window the sensor and shoot up to 100 fps at 2112 x 1184 Super 16. You can even work in true anamorphic 6:5 at much higher resolutions than other cameras using anamorphic lenses in 4.8K 24 fps at 4838 x 4032. You can even shoot 120 fps in 1080HD. With Blackmagic Cinema Camera 6K, you’ll always be able to shoot the right resolution for the job. LIGHTWEIGHT CARBON FIBER POLYCARBONATE COMPOSITE The elegant design of Blackmagic Cinema Camera 6K packs an incredible number of high end digital film features into a miniaturized, handheld design based on the Pocket Cinema Camera platform. Made from lightweight carbon fiber polycarbonate composite, the camera has a multifunction handgrip with all controls for recording, ISO, WB and shutter angle right at your fingertips. Because it's an advanced digital film camera, the sensor is designed to reduce thermal noise allowing cleaner shadows and higher ISO. Plus the large 5" LCD makes it possible to get perfect focus at 6K resolution. You also get a removable battery door, 4 shock proof microphones, heavy duty lens mount and built in speaker. Fingertip Shooting Controls The front and top of the Blackmagic Cinema Camera 6K features record start/stop and still photo buttons along with dedicated controls for iris, ISO, white balance and shutter speed. The main power switch is located on the top next to a row of 3 customizable function buttons. Back Panel Controls Conveniently placed below the right thumb rest, you can quickly change shooting speed with the high frame rate button, zoom into the image with the magnifying glass, access setup menus and quickly play back shots for review. MULTIFUNCTION GRIP WITH FINGERTIP CONTROLS The multifunction handgrip features an ergonomic design that puts important functions such as ISO, WB and shutter buttons at your fingertips. There’s even a scroll wheel under your index finger for making quick iris adjustments. Additional controls go beyond those found on a DSLR, which means you don’t have to go hunting through menus on a tiny screen to find a command. The Blackmagic Cinema Camera 6K features easy to reach recording and still buttons that are placed exactly where you expect, including user assignable function keys allowing buttons for high frame rate, focus zoom, false colour and more. SHOOT IN VERTICAL ASPECT RATIO Now you can easily create cinematic content for TikTok, YouTube Shorts and more. Simply rotate the Blackmagic Cinema Camera 6K to shoot vertical aspect ratios such as 9:16 and 4:5. The on screen HUD rotates so critical information, such as frame rate, shutter angle and frame guides, are easy to view, even when the camera’s turned upside down. You can even switch on frame guides so important details stay in shot for different aspect ratios. When you import your files into DaVinci Resolve, clips are automatically tagged as vertical so they appear correctly in your timeline. Once you’ve finished your project, it’s easy to upload to your channel with direct exporting to TikTok and YouTube. POST PRODUCTION FRIENDLY FILE FORMATS Blackmagic Cinema Camera records in Blackmagic RAW to preserve control of detail, exposure and colour during post production. It also records HD H.264 proxies in real time making it easy to share media around the world in minutes. Blackmagic RAW is highly optimized, multi‑threaded, works across multiple CPU cores and is also GPU accelerated to work with Apple Metal, CUDA and OpenCL. This means your images always maintain unprecedented resolution and quality for colour, keying, compositing, reframing, stabilization and tracking in HD, 4K or 6K. Media files work on all operating systems plus you can format media cards and disks in HFS+ for Mac and ExFAT for Windows. ECORD TO CFEXPRESS CARDS OR EXTERNAL DISKS The Blackmagic Cinema Camera 6K features a built in CFexpress card recorder, and a USB-C expansion port for recording direct to external flash media disks or an SSD. CFexpress media are more durable and faster than even older media so are perfect for recording full resolution, 12-bit Blackmagic RAW files. Imagine capturing over an hour of full resolution 6K images on a single 256GB CFexpress card. The very high speed of CFexpress cards makes them perfect for mounting on your computer and editing directly from them using the included DaVinci Resolve Studio software. BLACKMAGIC RAW | THE QUALITY OF RAW AND THE SPEED OF VIDEO Blackmagic RAW is a revolutionary new format designed to capture and preserve the quality of the sensor data from your camera. Blackmagic RAW eliminates quality problems so you get stunning images with incredible detail and colour throughout the production pipeline from camera to edit, colour and mastering. It also saves camera settings as metadata so you can set ISO, white balance and exposure in camera or override them later while editing, all without any loss of quality. Blackmagic RAW files are also small and fast to use making them easy to work with. Only Blackmagic RAW gives you the highest quality, smallest files and fastest performance. Colour Temperature Setting the colour temperature tells the camera how to interpret white and other colours in an image. Instead of saving images with colour values baked in, Blackmagic RAW makes it possible for you to change the temperature in post production with DaVinci Resolve Studio. Contrast Adjusting contrast, or the tonal range of an image, can make different parts of the image stand out. While you should always try to get the best shot on set, Blackmagic RAW gives you the flexibility to adjust contrast without any loss of quality while you’re editing and colour correcting. ISO Changing the ISO adjusts the camera’s sensitivity to light. Properly exposed shots require the right combination of ISO, aperture and shutter speed. Depending on the lights and exposure settings, you may need to adjust ISO in post. Tint Adjusting tint is another way you can affect the overall colour balance of an image. Unlike saturation or midpoint which can make reds redder or yellows more yellow, adjusting tint actually lets you push the colours in different directions. Exposure In order for your images to look good, you need to make sure that it’s not too bright (overexposed) or too dark (underexposed). With Blackmagic RAW, the exposure settings can be changed in post so you can save shots that were not properly exposed. LARGE 5" LCD MONITOR Blackmagic Cinema Camera 6K features a large, bright 5 inch HDR touchscreen that makes it easy for you to frame shots and accurately focus, whatever the conditions. That means you don’t have to carry around an external monitor. On screen overlays show status and record parameters, histogram, focus peaking indicators, levels, frame guides and more. You can quickly apply 3D LUTs for monitoring shots with the desired colour and look. The LCD monitor can even be tilted up to 180 degrees flat and down to 47 degrees so it's easy to monitor your shot from virtually any position. Plus, its HDR display features 1500 nits of brightness, so you can always frame your shot, even in bright sunlight. TOUCHSCREEN FOR FAST SETUP The large LCD touchscreen displays critical information on the heads up display, or HUD, as well as access to camera setup menus. The HUD lets you see and adjust settings such as the frame rate, iris, timecode, shutter angle, white balance, ISO, audio levels and more with a single tap. You can show or hide the HUD by simply swiping up or down. Adjust settings such as white balance simply by touching the WB indicator, or change the audio levels by touching the audio meters. Everything is interactive, so you can tap any item and instantly change settings without searching through confusing menus. You can also access settings such as the digital slate, to quickly add metadata to any shot. POWERED BY BLACKMAGIC OS With the advanced Blackmagic OS, you get an intuitive and user friendly camera operating system based on the latest technology. Blackmagic OS is a true modern operating system where all camera features run independently for smoother control, plus the camera powers on virtually instantly. It features the same controls and menus as other Blackmagic Design cameras so you can move between cameras on set easily. The interface uses simple tap and swipe gestures to adjust settings, add metadata and view recording status. You also get full control over advanced camera features such as on screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings and more. GENERATION 5 COLOUR SCIENCE Featuring the same generation 5 colour science as the high end URSA Mini Pro 12K, the Blackmagic Cinema Camera 6K delivers an even greater advancement in image quality with stunning, accurate skin tones and faithful colour in every shot. You get a new dynamic 12-bit gamma curve designed to capture more colour data in the highlights and shadows, for better looking images. The colour science also handles some of the complex Blackmagic RAW image processing, so colour and dynamic range data from the sensor is preserved via metadata which you can use in post production. That means you get images that have a natural, film like response to colour adjustments in post with DaVinci Resolve. OPTIONAL VIEWFINDER FOR PROFESSIONAL SHOOTING Blackmagic Cinema Camera 6K supports an optional viewfinder to make outdoors and handheld shooting accurate and easy. You get an integrated high quality 1280 x 960 colour OLED display with built in proximity sensor, 4 element glass diopter for incredible accuracy with a wide -4 to +4 focus adjustment. A built in digital focus chart ensures you get perfect viewfinder focus setup. You can also view critical status information such as frame guides. The EVF is extremely easy to connect to the Blackmagic Cinema Camera 6K as it simply mounts on top of the camera with a single screw. The viewfinder has a 70 degree swivel range and comes with 4 different types of eyecups for both left and right eyes. PROFESSIONAL CONNECTIONS FOR CUSTOM RIGS Though small and portable, the Blackmagic Cinema Camera 6K features a wide range of connections for audio, monitoring, power and more. The camera includes a full size HDMI connector for monitoring with support for HDR and clean 10-bit output. That means you can connect an HDMI display for on set monitoring of images, with or without overlays that show critical information and camera status. There’s also mini XLR connections with 48 volt phantom power for attaching professional microphones, a 3.5 mm video camera style microphone input, headphone connection and a professional locking DC power connector. The USB-C connection lets you connect and record direct to your media disk. 4 BUILT-IN MICROPHONES AND PROFESSIONAL AUDIO INPUTS With professional, high fidelity audio recording built in you'll never have to carry around a separate sound recorder again. Blackmagic Cinema Camera features 2 mini XLR inputs with 48 volts of phantom power for connecting professional microphones such as lapel mics and booms. These mini XLR connections allow you to record 2 separate audio tracks using 2 mics, without an external mixer. The four built in mics have an extremely low noise floor and are shock and wind resistant, capturing great sound in any location. There’s also a 3.5mm audio input for connecting video camera microphones, along with a built in speaker for playback and a 3.5mm headphone jack. LOAD CUSTOM 3D LUTS TO RECREATE FILM LOOKS Digital film cameras shoot logarithmic colourspace to preserve the dynamic range, which is great for later post production, however when these files are viewed on a monitor they can look flat and washed out. 3D LUTs solve this problem because they allow you to apply a "look" to the monitor so you get an idea of how the finished images will look when editing. LUTs can be applied temporarily for monitoring only, or they can be recorded into the Blackmagic RAW files for use in post production. The Blackmagic Cinema Camera 6K works with industry standard 17 and 33 point 3D LUT files, or you can work with the built in LUTs such as Extended Video, Film to Video, Film to Rec.2020 and more. USB-C FOR EXTERNAL DISKS AND ETHERNET CONTROL The Blackmagic Cinema Camera 6K features an innovative and high speed USB-C Expansion Port that operates at up to 5 Gb/s. USB-C is available on most new computers and even provides power. That means you can connect external accessories such as flash drives and high capacity SSDs for significantly longer recording times. Best of all, when shooting is complete you can simply move the external disk to your computer and start editing and colour correction from the same disk straight away, eliminating file copying. You can also add a USB-C to Ethernet adapter to control your camera over a network via secure and easy to use REST APIs. You can even copy files off the camera via the network. GET MULTI CAMERA SHOOTS IN PERFECT SYNC Professional cameras include professional features and you also get a timecode input, allowing shooting with more than one camera while keeping perfect sync. Simply plug in an external timecode generator such as Tentacle Sync into the 3.5 mm audio jack and the camera will automatically detect timecode and lock the internal generator. Now each camera can start and stop recording and all the shots from all cameras will have the same matched timecode. Imagine shooting a music festival with multiple roving cameras. Best of all, DaVinci Resolve will automatically find and sync the shots from all cameras so you don't need to waste time sorting through thousands of shots. SHOOT STILL FRAMES UP TO 24.6 MEGAPIXELS In addition to shooting video, the Blackmagic Cinema Camera 6K can also capture high resolution stills. Simply press the dedicated stills button to record 24.6 megapixel images. Still images are saved as Blackmagic RAW, so you get a very high image quality, which is perfect for making high resolution professional prints or for later editing in DaVinci Resolve. Capturing still images is great for keeping track of continuity between shots or for sharing images to get approval from clients that are not on set. LOCALIZED IN 13 POPULAR LANGUAGES The Blackmagic Cinema Camera is designed to be used worldwide and supports 13 different languages. When setting up your camera, you can choose to work in English, German, French, Spanish, Portuguese, Italian, Polish, Russian, Ukrainian, Turkish, Chinese, Japanese or Korean. It’s easy to switch to another language so you can share your camera with other crew when traveling to locations worldwide. When you switch languages, all on screen overlays, setup menus and monitoring information will be displayed in the selected language. WIRELESS BLUETOOTH CAMERA REMOTE CONTROL If you're positioning the camera on the end of a boom, or in another hard to reach location, you can get full control via Bluetooth from up to 30 feet away. You can download the Blackmagic Camera Control app for your iPad or use third party apps such as Bluetooth+ or tRigger on your iOS and Android devices. There’s even a free developer SDK with sample code available from the Blackmagic Design developer website, so you can create your own remote camera control and digital slate solutions. Imagine building an app that can jam sync timecode and trigger all cameras to record at the same time. The possibilities are endless. POWER FROM BATTERIES, 12V DC AND RECHARGE VIA USB‑C Blackmagic Cinema Camera 6K uses high capacity NP-F570 batteries. These popular batteries come in a variety of capacities and are used around the world. A locking DC power connector is used so you won't have to worry about losing power during a shoot. Plus the included AC plug pack can power the camera or charge the battery when the camera is not in use. You also get a set of international socket adapters for worldwide use. Even the USB-C expansion port can trickle charge the battery, so you can use portable battery packs, mobile phone chargers or laptops. The optional battery grip lets you add extra batteries to dramatically extend the power of the camera so you can keep shooting all day. INCLUDES DAVINCI RESOLVE STUDIO   Blackmagic Cinema Camera 6K includes a full version of DaVinci Resolve Studio, which is the same software used in Hollywood for creating high end feature films, episodic television shows, commercials and more. DaVinci Resolve features the new cut page with intelligent editing tools and innovative new features designed to help you quickly find the footage you want, edit it together and output it fast. In addition to the new cut page, you also get DaVinci’s legendary professional editing, advanced colour correction, audio post and visual effects tools, all in a single software application. Now you can use the the same high end software that professional editors and colourists use.

Sony FX30 Cinema Camera, body package e

Sony FX30 Cinema Camera package E includes: 1x Sony FX30 Cinema Camera, body 1x Sony NP-FZ100 Rechargeable Lithium-Ion Battery (2280mAh) 1x Sony CEA-G Series CFexpress Type A Memory Card 320GB 1x Sony MRW-G2 CFexpress Type A / SD Card Reader 1x Sony E-mount PZ 18-105mm F4 G OSS Lens  Leap into the world of filmmaking Sony's acclaimed line-up of Cinema Line cameras sets the standard for filmmaking, with beautiful cinematic imagery, high performance and highly efficient workflow. Enjoy hassle-free shooting with S-Cinetone™ and S-Log3 for high level grading plus numerous other features. The compact FX30 makes filmmaking more accessible than ever for up-and-coming creators.

Sony FX30 Cinema Camera, body package d

Sony FX30 Cinema Camera package D includes: 1x Sony FX30 Cinema Camera, body 1x Sony NP-FZ100 Rechargeable Lithium-Ion Battery (2280mAh) 1x Sony CEA-G Series CFexpress Type A Memory Card 320GB 1x Sony E-mount PZ 18-105mm F4 G OSS Lens  Leap into the world of filmmaking Sony's acclaimed line-up of Cinema Line cameras sets the standard for filmmaking, with beautiful cinematic imagery, high performance and highly efficient workflow. Enjoy hassle-free shooting with S-Cinetone™ and S-Log3 for high level grading plus numerous other features. The compact FX30 makes filmmaking more accessible than ever for up-and-coming creators.

Sony FX30 Cinema Camera, body package c

Sony FX30 Cinema Camera package C includes: 1x Sony FX30 Cinema Camera, body 1x Sony NP-FZ100 Rechargeable Lithium-Ion Battery (2280mAh) 1x Sony CEA-G Series CFexpress Type A Memory Card 320GB 1x Sony MRW-G2 CFexpress Type A / SD Card Reader Leap into the world of filmmaking Sony's acclaimed line-up of Cinema Line cameras sets the standard for filmmaking, with beautiful cinematic imagery, high performance and highly efficient workflow. Enjoy hassle-free shooting with S-Cinetone™ and S-Log3 for high level grading plus numerous other features. The compact FX30 makes filmmaking more accessible than ever for up-and-coming creators.

Sony FX30 Cinema Camera, body package b

Sony FX30 Cinema Camera package B includes: 1x Sony FX30 Cinema Camera, body 1x Sony NP-FZ100 Rechargeable Lithium-Ion Battery (2280mAh) 1x Sony CEA-G Series CFexpress Type A Memory Card 320GB Leap into the world of filmmaking Sony's acclaimed line-up of Cinema Line cameras sets the standard for filmmaking, with beautiful cinematic imagery, high performance and highly efficient workflow. Enjoy hassle-free shooting with S-Cinetone™ and S-Log3 for high level grading plus numerous other features. The compact FX30 makes filmmaking more accessible than ever for up-and-coming creators.

Sony FX30 Cinema Camera, body package a

Sony FX30 Cinema Camera package a includes: 1x Sony FX30 Cinema Camera, body   1x Sony NP-FZ100 Rechargeable Lithium-Ion Battery (2280mAh)    Leap into the world of filmmaking   Sony's acclaimed line-up of Cinema Line cameras sets the standard for filmmaking, with beautiful cinematic imagery, high performance and highly efficient workflow. Enjoy hassle-free shooting with S-Cinetone™ and S-Log3 for high level grading plus numerous other features. The compact FX30 makes filmmaking more accessible than ever for up-and-coming creators.

Panasonic Lumix PAN-DC-BGH1E Box-style Mirrorless Camera

Panasonic Lumix PAN-DC-BGH1E (PAN/DC-BGH1E, PAN/DC/BGH1E, PANDCBGH1E, PAN DC BGH1E) Box-style Mirrorless Camera Based on the Micro Four Thirds System, the LUMIX BGH1 offers increased flexibility and access to an extensive lens lineup, bringing together technologies Panasonic has acquired though the development of professional cinema cameras, camcorders, and the LUMIX GH series. With today’s increased demand for streaming in addition to traditional broadcasting, the LUMIX BGH1 provides a versatile solution in the form of an easy-to-use expandable camera that can be used in multi-camera, drone, IP remote control, and live-streaming environments. PROFESSIONAL-LEVEL VIDEO QUALITY ACHIEVED BY HIGH SENSITIVITY AND WIDE DYNAMIC RANGE The LUMIX BGH1 integrates a 10.2-megapixel Live MOS Sensor with Dual Native ISO technology and a Venus Engine. Dual Native ISO technology seamlessly utilises two circuits to create two separate native ISO settings, which is used in Panasonic professional Varicam models. Normally, noise increases as sensitivity rises with a single native ISO image sensor, however, an image sensor with Dual Native ISO minimises noise generation by choosing an optimal circuit to use according to the sensitivity before gain processing. As a result, the BGH1 is capable of a maximum ISO 51200 high sensitivity recording. The LUMIX BGH1 enables 4:2:0 10-bit C4K/4K 60p / 50p internal video recording. It records video with a designated gamma curve compatible with ITU-R BT.2100, and you can now choose Hybrid Log Gamma (HLG) in Photo Style. A low-bit-rate recording mode C4K/4K HEVC/H.265 for HLG is also available. The V-Log L featuring log characteristics with 13 stops of wide dynamic range is pre-installed. It is also capable of C4K/4K 4:2:2 10-bit output via HDMI. The VFR (Variable Frame Rate) lets users record overcranked / undercranked video in C4K/4K (60 fps, maximum 2.5x slower in 24p) and FHD (240 fps, maximum 10x slower in 24p)*. The minimum frame rate for quick motion video is 2 fps. * The angle of view is reduced when the frame rate is set to 201 fps. USER CONVENIENCE IN FILM PRODUCTION AND SIMPLE SCALABILITY WITH EXTERNAL DEVICES The LUMIX BGH1 benefits from a new heat dispersion structure to achieve unlimited video recording. The body frame is composed of aluminum and magnesium alloy, making the camera both durable and lightweight. The LUMIX BGH1 is a compact box-style camera complying with Power over Ethernet+ (PoE+) protocols. Control over maximum of 12 LUMIX BGH1 cameras*1 is available using Panasonic PC software ‘LUMIX Tether for Multicam’*². With a future firmware update, it will also support wired IP streaming (RTP/RTSP). In addition to a USB 3.1 Type-C port, it is also equipped with a 3G-SDI and a HDMI Type-A terminal, which can be used for simultaneous output. Furthermore, Genlock IN and Timecode IN/OUT functions which enable multi-angle synchronised video recording are available, allowing the user to build a scalable system with external monitors, rigs, and gimbals supplied from other manufacturers. The LUMIX BGH1 is equipped with a double SD Card slot for backup recording or relay recording.  

Blackmagic BMD-CINECAMPOCHDEF6K2 Pocket Cinema Camera 6K G2

Blackmagic BMD-CINECAMPOCHDEF6K2 (BMD/CINECAMPOCHDEF6K2, BMD_CINECAMPOCHDEF6K2, BMDCINECAMPOCHDEF6K2, BMD CINECAMPOCHDEF6K2) Pocket Cinema Camera 6K G2 Featuring a large 6144 x 3456 Super 35 sensor and EF lens mount, the Blackmagic Pocket Cinema Camera 6K G2 lets you use EF photographic lenses to create cinematic images with shallower depth of field. It also has an adjustable tilt LCD, viewfinder mount, mini XLR audio inputs and a NP-F570 style battery. Dramatically improve the production value of your work by upgrading to digital film! Blackmagic Pocket Cinema Camera is better than a simple video camera because it has professional features allowing you to create the same "look" as Hollywood feature films. The combination of high dynamic range, great low light performance and Blackmagic RAW gives you feature film images with precise skin tones and gorgeous organic colours. You get advanced features such as 4K, 6K G2 or 6K Pro models, large 5" LCD for easy focus, SD card and CFast media, external USB-C media disk recording, EF or MFT lens mounts and more. DaVinci Resolve Studio is also included for editing, colour correction, audio post and VFX. GET THE "HOLLYWOOD LOOK" WITH DIGITAL FILM. Pocket Cinema Camera has the professional features you need for feature film, television programming and documentaries, however now these same features can be used to revolutionize other types of work such as blog videos, YouTube content and more. You get the same features found on expensive digital film cameras, allowing capture of deeper colours, higher image detail and a wider dynamic range between the brightest highlights and deepest shadows. It's the reason why feature films look so amazing and now you can get the same high end production values for any kind of work. Imagine getting film quality on independent film, music videos, weddings, corporate videos, documentaries and more. LIGHTWEIGHT CARBON FIBER POLYCARBONATE COMPOSITE The elegant design of the Blackmagic Pocket Cinema Camera packs an incredible number of high end digital film features into a miniaturized, handheld design. Made from lightweight carbon fiber polycarbonate composite, the camera features a multifunction handgrip with all controls for recording, ISO, WB and shutter angle right at your fingertips. Because it's an advanced digital film camera, the sensor is designed to reduce thermal noise allowing cleaner shadows and higher ISO. Plus the large 5 inch LCD makes it possible to get perfect focus at 4K and 6K resolutions. You also get a removable battery door, 4 shock proof microphones, heavy duty lens mount and built in speaker. MULTIFUNCTION GRIP WITH FINGERTIP CONTROLS. The multifunction handgrip features an ergonomic design that puts important functions such as ISO, WB and shutter buttons at your fingertips. There’s even a scroll wheel under your index finger for making quick iris adjustments. Additional controls go beyond those found on a DSLR, which means you don’t have to go hunting through menus on a tiny screen to find a command. The Blackmagic Pocket Cinema Camera features easy to reach recording and still buttons that are placed exactly where you expect, including user assignable function keys allowing buttons for high frame rate, focus zoom, false colour and more. Fingertip Shooting Controls The front and top of the Blackmagic Pocket Cinema Camera features record start/stop and still photo buttons along with dedicated controls for iris, ISO, white balance and shutter speed. The main power switch is located on the top next to a row of 3 customizable function buttons. Back Panel Controls Conveniently placed below the right thumb rest, you can quickly change shooting speed with the high frame rate button, zoom into the image with the magnifying glass, access setup menus and quickly play back shots for review. HIGH RESOLUTION CINEMATIC DIGITAL FILM SENSOR The Blackmagic Pocket Cinema Camera 6K G2 features a native resolution of 6144 x 3456. Whether you’re shooting in bright sunlight or in almost no light at all, the 13 stops of dynamic range with dual native ISO up to 25,600 provide stunning low noise images in all lighting conditions. Plus the 6K models feature a larger Super 35 sensor that allows shooting with a shallow depth of field and anamorphic lenses. All models let you shoot up to 60 fps in full resolution or 120 fps windowed. An amazing sensor combined with Blackmagic colour science means you get the same imaging technology as the most expensive digital film cameras. COMPATIBLE WITH CINEMA AND PHOTOGRAPHIC LENSES With 3 models, you can choose between EF or MFT lenses, making Blackmagic Pocket Cinema Camera compatible with the largest range and most popular lenses in the world. The 6K models feature an EF lens mount so you can use lenses you already own from other cameras such as DSLR, URSA Mini Pro or even the original Blackmagic Cinema Camera. You can use commonly available photographic lenses that provide incredible creative choice and wonderful feature film quality lens effects. The active lens mount lets you adjust focus and iris from the buttons on the camera or the touch screen. For even greater flexibility, the MFT lens mount on the 4K model can be adapted to PL, C, EF or other lens types. SHOOT INCREDIBLE HIGH DYNAMIC RANGE (HDR) IMAGES The distance between the lightest and the darkest parts of an image is called dynamic range and is measured in stops. Pocket Cinema Cameras have an incredible 13 stops of dynamic range which means they preserve more detail in the lightest and darkest areas of an image than simple video cameras can. This allows you to set exposure for an indoor scene such as a cafe and still retain the details of bright outdoor light coming through a window. You also get more colours than the standard DCI-P3 colourspace used for feature films. Plus DaVinci Resolve Studio is included with the camera, so you get total creative freedom with full exposure adjustment and recovery controls when colour grading. DUAL GAIN ISO FOR EXCEPTIONAL LOW LIGHT PERFORMANCE In digital film ISO is a measurement of the image sensor’s sensitivity to light. This means the higher the ISO number the more sensitivity to light so it’s possible to shoot using natural light even at night. The Pocket Cinema Cameras feature dual gain ISO up to 25,600, which means they're optimized to minimize grain or noise in images, while maintaining the full dynamic range of the sensor. The native ISO of 400 is ideal for scenes with on-set lighting. The secondary high base ISO of 3200 is perfect when shooting in dimly lit environments. The gain is set automatically as you adjust the ISO setting, so it's easy to capture great images when you don’t have time to set up lights. MULTIPLE RESOLUTIONS AND FRAME RATES Depending on the model, the Blackmagic Pocket Cinema Camera can shoot in all standard resolutions and frame rates from HD up to DCI 4K and even 6K. You can shoot stills at 21.2 megapixels on the 6K models and 8.8 megapixels on the 4K model. The 6K models will shoot up to 50 fps at 6144 x 3456 16:9 or 60 fps at 6144 x 2560 2.4:1 and 60 fps at 5744 x 3024 17:9. For higher frame rates you can window the sensor and shoot up to 120 fps at 2.8K 2868 x 1512 17:9. You can even work in true anamorphic 6:5 using anamorphic lenses in 3.7K 60 fps at 3728 x 3104. On the 4K model you can shoot up to 60 fps 4K DCI at 4096 x 2160 and 60 fps in Ultra HD at 3840 x 2160. You can even shoot 120 fps in 1080HD. POST PRODUCTION FRIENDLY FILE FORMATS Blackmagic Pocket Cinema Camera records using standard open file formats so you don’t have to waste time transcoding media. Files are compatible with all post production software so you can work with the software of your choice, or use the included DaVinci Resolve Studio. Recording works in industry standard 10-bit Apple ProRes files in all formats up to 4K or 12-bit Blackmagic RAW in all formats up to 6K. Blackmagic RAW is the fastest growing RAW format. Developers can download and use the free Blackmagic RAW SDK to add support into their applications. Best of all media files work on all operating systems plus you can format media cards and disks in HFS+ for Mac and ExFAT for Windows. USE STANDARD SD CARDS, UHS‑II OR CFAST 2.0 MEDIA The Blackmagic Pocket Cinema Camera features built in CFast and SD UHS-II card recorders, and a USB-C expansion port for recording direct to an external media disk. You can use regular SD cards for HD or higher performance UHS-II and CFast cards for native 4K or 6K when using Blackmagic RAW. Imagine capturing over an hour of full resolution 6K images on a single 256GB SD UHS-II card. The ProRes and Blackmagic RAW files work with all video software. You can even mount the media cards on your computer and start editing directly from them using the included DaVinci Resolve Studio software. BLACKMAGIC RAW THE QUALITY OF RAW AND THE SPEED OF VIDEO Blackmagic RAW is a revolutionary new format designed to capture and preserve the quality of the sensor data from your camera. Video formats such as H.264 are highly compressed, plus add noise and weird artifacts, causing original sensor detail to be lost forever. Blackmagic RAW eliminates this problem and gives you stunning images with incredible detail and colour throughout the production pipeline from camera to edit, colour and mastering. It also saves camera settings as metadata so you can set ISO, white balance and exposure in camera or override them later while editing, all without any loss of quality. Blackmagic RAW files are also small and fast to use making them easy to work with. Only Blackmagic RAW gives you the highest quality, smallest files and fastest performance. Colour Temperature Setting the colour temperature tells the camera how to interpret white and other colours in an image. Instead of saving images with colour values baked in, Blackmagic RAW makes it possible for you to change the temperature in post production with DaVinci Resolve Studio. Contrast Adjusting contrast, or the tonal range of an image, can make different parts of the image stand out. While you should always try to get the best shot on set, Blackmagic RAW gives you the flexibility to adjust contrast without any loss of quality while you’re editing and colour correcting. ISO Changing the ISO adjusts the camera’s sensitivity to light. Properly exposed shots require the right combination of ISO, aperture and shutter speed. Depending on the lights and exposure settings, you may need to adjust ISO in post. Tint Adjusting tint is another way you can affect the overall colour balance of an image. Unlike saturation or midpoint which can make reds redder or yellows more yellow, adjusting tint actually lets you push the colours in different directions. Saturation Saturation is the strength or purity of a colour. More saturated colours are pure and less saturated colours have a percentage of gray in proportion to their hue. Adjusting saturation in Blackmagic RAW images can help make the colours visually pop or become muted. Exposure In order for your images to look good, you need to make sure that it’s not too bright (overexposed) or too dark (underexposed). With Blackmagic RAW, the exposure settings can be changed in post so you can save shots that were not properly exposed. TOUCHSCREEN FOR FAST SETUP The large LCD touchscreen displays critical information on the heads up display, or HUD, as well as access to camera setup menus. The HUD lets you see and adjust settings such as the frame rate, iris, timecode, shutter angle, white balance, ISO, audio levels and more with a single tap. You can show or hide the HUD by simply swiping up or down. Adjust settings such as white balance simply by touching the WB indicator, or change the audio levels by touching the audio meters. Everything is interactive, so you can tap any item and instantly change settings without searching through confusing menus. You can also access settings such as the digital slate, to quickly add metadata to any shot. LARGE 5" LCD MONITOR Blackmagic Pocket Cinema Camera features a large, bright 5 inch touchscreen that makes it easy for you to frame shots and accurately focus. That means you don’t have to carry around an external monitor. On screen overlays show status and record parameters, histogram, focus peaking indicators, levels, frame guides and more. You can quickly apply 3D LUTs for monitoring shots with the desired colour and look. The LCD monitor on the Pocket Cinema Camera 6K G2 and Pro models is a more advanced HDR display that can be tilted up and down so it's easy to monitor your shot from any position. Plus the 6K Pro model’s HDR display features 1500 nits of brightness, ideal for use in bright sunlight. POWERED BY BLACKMAGIC OS With the advanced Blackmagic OS, you get an intuitive and user friendly camera operating system based on the latest technology. Blackmagic OS is a true modern operating system where all camera features run independently for smoother control, plus the camera powers on virtually instantly. It features the same controls and menus as other Blackmagic Design cameras so you can move between cameras on set easily. The interface uses simple tap and swipe gestures to adjust settings, add metadata and view recording status. You also get full control over advanced camera features such as on screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings and more. LATEST GENERATION 5 COLOUR SCIENCE STUNNING SKIN TONES AND FAITHFUL COLOUR REPRODUCTION Featuring the same generation 5 colour science as the high end URSA Mini Pro 12K, thePocket Cinema Camera 6K Pro delivers an even greater advancement in image quality with stunning, accurate skin tones and faithful colour in every shot. You get a new dynamic 12-bit gamma curve designed to capture more colour data in the highlights and shadows, for better looking images. The colour science also handles some of the complex Blackmagic RAW image processing, so colour and dynamic range data from the sensor is preserved via metadata which you can use in post production. That means you get images that have a natural, film like response to colour adjustments in post with DaVinci Resolve Studio. OPTIONAL VIEWFINDER FOR PROFESSIONAL SHOOTING The Pocket Cinema Camera 6K G2 and 6K Pro supports an optional viewfinder to make outdoors and handheld shooting accurate and easy. You get an integrated high quality 1280 x 960 colour OLED display with built in proximity sensor, 4 element glass diopter for incredible accuracy with a wide -4 to +4 focus adjustment. A built in digital focus chart ensures you get perfect viewfinder focus setup. You can also view critical status information such as frame guides. The Pocket Cinema Camera Pro EVF connects quickly to the Blackmagic Pocket Cinema Camera 6K G2 and 6K Pro via a single connector. The viewfinder has a 70 degree swivel range and comes with 4 different types of eyecups for both left and right eyes. PROFESSIONAL CONNECTIONS FOR CUSTOM RIGS. Though small and portable, the Blackmagic Pocket Cinema Camera features a wide range of connections for audio, monitoring, power and more. The camera includes a full size HDMI connector for monitoring with support for HDR and clean 10-bit output. That means you can connect an HDMI display for on set monitoring of images, with or without overlays that show critical information and camera status. There’s also a mini XLR connection with 48 volt phantom power for attaching professional microphones, a 3.5 mm video camera style microphone input, headphone connection and a professional locking DC power connector. The USB-C connection lets you connect and record direct to your media disk. 4 BUILT-IN MICROPHONES AND PROFESSIONAL AUDIO INPUTS With professional, high fidelity audio recording built in you'll never have to carry around a separate sound recorder again. Blackmagic Pocket Cinema Cameras feature a mini XLR input with 48 volts of phantom power for connecting professional microphones such as lapel mics and booms. The 6K Pro model features 2 mini XLR connections, allowing you to record 2 separate audio tracks using 2 mics, without an external mixer. The four built in mics have an extremely low noise floor and are shock and wind resistant, capturing great sound in any location. There’s also a 3.5mm audio input for connecting video camera microphones, along with a built in speaker for playback and a 3.5mm headphone jack. LOAD CUSTOM 3D LUTS TO RECREATE FILM LOOKS Digital film cameras shoot logarithmic colourspace to preserve the dynamic range, which is great for later post production, however when these files are viewed on a monitor they can look flat and washed out. 3D LUTs solve this problem because they allow you to apply a "look" to the monitor so you get an idea of how the finished images will look when editing. LUTs can be applied temporarily for monitoring only, or they can be recorded into the Blackmagic RAW files for use in post production. The Pocket Cinema Camera works with industry standard 17 and 33 point 3D LUT files, or you can work with the built in LUTs such as Extended Video, Film to Video, Film to Rec.2020 and more. USB-C FOR RECORDING DIRECT TO EXTERNAL MEDIA DISKS The Blackmagic Pocket Cinema Camera features an innovative and high speed USB-C Expansion Port that operates at up to 5 Gb/s. USB-C is available on most new computers and even provides power. That means you can connect external accessories such as flash drives and SSDs for significantly longer recording times. A high speed external disk allows shooting 6K in the highest constant quality 12-bit Blackmagic RAW in the Q0 setting or at high frame rates. Best of all, when shooting is complete you can simply move the external disk to your computer and start editing and colour correction from the same disk, eliminating file copying. BUILT IN TIMECODE GENERATOR, GET FAST MULTI CAMERA SHOOTS IN PERFECT SYNC. Professional cameras include professional features and you also get a built in timecode generator, allowing shooting with more than one camera while keeping perfect sync. Simply plug in an external timecode generator such as Tentacle Sync into the 3.5 mm audio jack and the camera will automatically detect timecode and lock the internal generator. Now each camera can start and stop recording and all the shots from all cameras will have the same matched timecode. Imagine shooting a music festival with multiple roving cameras. Best of all, DaVinci Resolve will automatically find and sync the shots from all cameras so you don't need to waste time sorting through thousands of shots. SHOOT STILL FRAMES UP TO 21.2 MEGAPIXELS. In addition to shooting video, the Blackmagic Pocket Cinema Camera can also capture high resolution stills. Simply press the dedicated stills button to record 21.2 megapixel images on the 6K models or 8 megapixel images on the 4K model. Still images are saved as fully uncompressed DNG frames, so you get the maximum image quality, which is perfect for making professional prints. Capturing still images is great for keeping track of continuity between shots or for sharing images to get approval from clients that are not on set. LOCALIZED IN 13 POPULAR LANGUAGES The Blackmagic Pocket Cinema Camera is designed to be used worldwide and supports 13 different languages. When setting up your camera, you can choose to work in English, German, French, Spanish, Portuguese, Italian, Polish, Russian, Ukrainian, Turkish, Chinese, Japanese or Korean. It’s easy to switch to another language so you can share your camera with other crew when traveling to locations worldwide. When you switch languages, all on screen overlays, setup menus and monitoring information will be displayed in the selected language. WIRELESS BLUETOOTH CAMERA REMOTE CONTROL If you're positioning the camera on the end of a boom, or in another hard to reach location, you can get full control via Bluetooth from up to 30 feet away. You can download the Blackmagic Camera Control app for your iPad or use third party apps such as Bluetooth+ or tRigger on your iOS and Android devices. There’s even a free developer SDK with sample code available from the Blackmagic Design developer website, so you can create your own remote camera control and digital slate solutions. Imagine building an app that can jam sync timecode and trigger all cameras to record at the same time. The possibilities are endless. POWER FROM BATTERIES, 12V DC AND RECHARGE VIA USB‑C. The Blackmagic Pocket Cinema Camera 4K uses removable LP-E6 type batteries while the 6K G2 and 6K Pro models use larger NP-F570 batteries. A locking DC power connector is used so you won't have to worry about losing power during a shoot. Plus the included AC plug pack can power the camera and charge the battery simultaneously. You also get a set of international socket adapters for worldwide use. Even the USB-C expansion port can trickle charge the battery, so you can use portable battery packs, mobile phone chargers or laptops. The optional battery grip lets you add extra batteries to dramatically extend the power of the camera so you can keep shooting all day. USE POCKET CINEMA CAMERA AS A LIVE STUDIO CAMERA. Blackmagic Pocket Cinema Camera now works as a studio camera for live production when used with ATEM Mini. Video and control is via the HDMI connection, which is available as soon as you plug the cameras in. The record light becomes a tally light so you can see which camera is on air. The ATEM Software Control camera page has a camera control unit (CCU) style interface for adjusting and matching your cameras. Move the CCU control vertically for iris and left to right to adjust black level. It's the same as a broadcast CCU. There are also controls for colour tint to balance cameras as well as focus, gain and shutter speed. You can even ISO record Blackmagic RAW in the camera for editing later. INCLUDES DAVINCI RESOLVE STUDIO GET PROFESSIONAL EDITING, COLOUR CORRECTION, AUDIO POST AND VFX. All Pocket Cinema Camera models include a full version of DaVinci Resolve Studio, which is the same software used in Hollywood for creating high end feature films, episodic television shows, commercials and more. DaVinci Resolve features the new cut page with intelligent editing tools and innovative new features designed to help you quickly find the footage you want, edit it together and output it fast. In addition to the new cut page, you also get DaVinci’s legendary professional editing, advanced colour correction, audio post and visual effects tools, all in a single software application. Now you can use the the same high end software that professional editors and colourists use.    

Sony ILME-FX3 FX3 Full-frame Cinema Line Camera Package D

Sony ILME-FX3 (ILME/FX3, ILME_FX3, ILMEFX3, ILME FX3, ILMEFX3.CEC, ILME-FX3 Alpha FX3, ilme-fx3) FX3 Full-frame Cinema Line Camera Package d includes: 1x Sony ILME-FX3 FX3 Full-frame Cinema Line Camera 1x Sony CEA-G80T 80GB CFexpress Type A Memory Card  1x Sony MRW-G2 CFexpress Type A / SD Card Reader 1x Sony NP-FZ100 Rechargeable Lithium-Ion Battery (2280mAh)   1x Camrade CAM-R&GBACKP-MEDIUM run&gunBackpack Medium Sony Alpha FX3 ILME-FX3, the most compact Cinema Line camera was designed for solo-shooting . With the internal cooling system the FX3 can extend the shooting time and will be able to cover a wider range of shooting situations.  It records outstanding 4K full frame quality at up to 120p with minimal rolling shutter, excellent low light capabilities (up to 409,800 ISO) and a wide dynamic range thanks to its 10.2 MP Exmor R CMOS sensor and new Bionz XR processor. It allows for more shooting expressions with the inclusion of S-LOG3 and S-CINETONE picture profiles defining a new era of Cinema line cameras from Sony. The Sony FX3 also provides more freedom for shooting videos with a fast and accurate Autofocus technology including Real-time Eye Autofocus,  Real-time touch tracking and customisable autofocus tracking sensitivity. It also includes a 5axis inbody stabilisation with Active Mode, which makes it ideal for handheld shots. On top of its small form factor, the Sony FX3 includes a detachable top-handle with XLR inputs for professional microphones or audio connections. The idea of a cage with the grip and screw options is already integrated in the body design, which is emphasizing the compact form factor. The Sony Cinema line FX3 is designed for the future of cinematic expressions. FX3 New Cinematic Freedom Sony's FX3 Cinema Line camera brings the visions of passionate content creators to life. Cinematic expression is matched with reliable performance and streamlined operation to serve the needs of today's creative community. Compact and lightweight, it's easy to carry and handle.  Full-frame image capture even in dim light The FX3's full-frame image sensor is coupled with innovative light-gathering techniques to let you capture clear and usable images even in dim light. The standard ISO sensitivity of 80-102400 for movies is expandable all the way up to 409600. Wide dynamic range, wider creative expression The FX3 offers an exceptional 15+ stops1 of dynamic range to handle settings ranging from well-lit interiors and outdoors in mid-day to morning and evening shots. Capture every nuance, and allow for unprecedented cinematic freedom in colour grading. Stunning bokeh and full-frame creativity Capture the scene in cinematic 4K resolution, with the shallow depth of field, stunning bokeh and cinematic freedom made possible with a full-frame sensor. Cinematic colour science of S-Cinetone S-Cinetone colour, developed for Sony’s acclaimed FX9, is the default look on the FX3 for cinematic expression. It's precisely tuned to meet the requirements of today's content creators, with rich colour and natural skin tones that match other Cinema Line cameras without grading.  4K 120fps with every frame in focus Even at high frame rates, detailed 4K imagery is captured thanks to the FX3's high-precision AF and high-speed readout capabilities. Slow and Quick (S&Q) mode gives you full control over the shooting frame rate, for beautiful motion sequences at up to 5x slow motion (with 24p output). 10-bit S-Log3 and HDR recording for smooth gradations S-Log3 gamma curve and S-Gamut3.Cine enable shooting with high-quality colour reproduction over a wide dynamic range, and they make it easy to match up footage with shots from other Cinema Line cameras during post-production. In addition, an HLG (Hybrid Log-Gamma) HDR picture profile enables direct HDR (HLG) playback on compatible TVs with no post-production. 16-bit RAW HDMI output For demanding post-production workflows, 16-bit RAW output3 is available over HDMI connection to compatible external recorders while XAVC HS 4K, XAVC S 4K, or XAVC S-I 4K, and proxy, files are simultaneously captured in-camera. RAW video output is 4264 x 2408 [16:9] resolution, exceeding DCI-4K resolution4. Enjoy rich detail and realistic colour The FX3 is capable of 4K internal recording, 10-bit depth and 4:2:2 colour sampling with All Intra on top of Long-GOP compression. This makes it possible to push your colour grades further while still retaining natural gradation, for true editing freedom.    [1] All-Intra (All-I)   [2] Long-GOP   [3] Group of Pictures Designed for comfortable solo shooting Dependable, highly accurate autofocus The wide-area AF with intelligent tracking uses focal-plane phase-detection for tenacious subject tracking across almost the entire frame5. The Fast Hybrid AF system delivers precise focusing even when shooting at a shallow depth of field and at high frame rates of 120p in 4K (QFHD)2. Sophisticated tracking AF for steady focus Sophisticated tracking features keep your subject in steady focus, so you can concentrate on composition. Real-time Eye AF ensures precise focus on the face and eyes, while Real-time Tracking is powered by Sony's unique AI-based subject recognition algorithms. Smooth transitions and touch focus control The FX3 includes AF Transition Speed in seven settings, to easily create rack focus, and five AF Subject Shift Sensitivity settings, which allows the user to customise how easily AF will switch or stay with the locked-on subject. You can also select the subject you want to focus on simply by touching the LCD monitor. High-performance E-mount lenses for movies Experience smooth, responsive autofocus with Sony's E-mount lenses, with premium optical performance and operability for demanding cinematography applications. The unique linear-drive actuator technology in Sony's E-mount lenses provides smoother, more precise and tenacious AF performance to support your creative endeavors. High-mobility performance wherever you go With its compact size and light weight, the FX3 is designed for high mobility. The attached handle and cage-free accessory mounting holes make for fast setup, fluid shooting and quick pack-down. The main body and covers are constructed from a lightweight magnesium alloy to enhance durability and performance even in challenging environments. Attachable XLR handle A handle equipped with an XLR adaptor with two full size XLR terminals can be attached to the Multi Interface (MI) Shoe on the camera for more comfortable and stable camerawork in difficult shooting situations, such as low-position shots. In-camera image stabilisation Active Mode6,7,8 is an optical in-body 5-axis image stabilisation system that provides increased stabilisation for movie shooting. To preserve image quality, the gyroscope sensor accurately measures camera shake and compensates optically. This makes stable video possible even when shooting hand-held without gimbal use, while walking, and at 4K resolution.  [1, 2] angular shake (pitch and yaw) [3, 4] shift shake (X and Y axes), [5] rotational shake (roll on Z axis) Image stabilisation and easier editing with Catalyst Camera-shake metadata is recorded by the built-in gyro, allowing handheld footage to be smoothed out and stabilised in post-production. Using Sony's Catalyst Browse / Catalyst Prepare desktop application9 you can easily balance automated shake-compensation and image-trimming levels. Catalyst can also make effective use of recorded camera-rotation data. Expandability and operability for content creators Front and rear tally lamps Tally lights on the front and rear of the FX3 indicate whether the camera is recording at any given moment. They are clearly visible to both the camera operator and the person performing in front of the camera. Vari-angle LCD touch-panel monitor The 3.0-type (1.44 million-dot10) LCD touch-screen panel features a side-opening design to allow flexible positioning and improved visibility when the camera is mounted on gimbals. Touch-panel support also provides intuitive menu control for many camera settings. Essential controls for efficient solo shooting In addition to six customisable buttons, frequently used controls are within easy one-handed reach, leaving your other hand free for lens operation or balance. And usability is enhanced by multiple screw holes on the body and handle, allowing accessories to be attached directly. Uninterrupted 4K/60p recording For uninterrupted 4K/60p11 recording, the FX3 is designed with an innovative heat dissipation system. Heatsink placement, airflow structure and a silent cooling fan work to optimise cooling even during long shoots. XLR adaptor and digital input for quality audio In addition to the camera's convenient built-in microphone, a variety of professional microphones can be connected externally via the full-size XLR connectors on the handle through a digital audio interface via Multi Interface (MI) Shoe. Three recording formats can be selected, including 24-bit 4-channel. Digital audio recording is also possible by attaching a digital microphone such as the ECM-B1M even when the handle is not used. Dual high-speed media slots Designed for next-generation filmmaking requirements, CFexpress Type A cards support high bit-rate recording. The camera's slots are ready for CFexpress Type A as well as conventional SDXC UHS-I and UHS-II cards, and having two identical media slots makes relay or backup shooting possible. Remote camera control and network transfer A network connection, via Wi-Fi® or wired via a USB type C connector, provides support for remote control from smartphones or tablets, with either NFC one-touch or manual pairing. Remote shooting can be controlled from a PC with Sony's Imaging Edge Desktop™ application, or from a mobile device with Imaging Edge Mobile™. And captured still and movie files can be transferred using high-speed FTP. Remote preview, shooting and streaming Either wired or wireless remote shooting is available from a PC, or from a mobile device with Imaging Edge Mobile installed, for more efficient workflows and shooting in challenging environments. Imaging Edge Webcam™ enables high-image-quality online video communication.

Sony ILME-FX3 FX3 Full-frame Cinema Line Camera Package c

Sony ILME-FX3 (ILME/FX3, ILME_FX3, ILMEFX3, ILME FX3, ILMEFX3.CEC, ILME-FX3 Alpha FX3, ilme-fx3) FX3 Full-frame Cinema Line Camera package c includes: 1x Sony ILME-FX3 FX3 Full-frame Cinema Line Camera 1x Sony CEA-G80T 80GB CFexpress Type A Memory Card    1x Sony MRW-G2 CFexpress Type A / SD Card Reader 1x Sony NP-FZ100 Rechargeable Lithium-Ion Battery (2280mAh) Sony Alpha FX3 ILME-FX3, the most compact Cinema Line camera was designed for solo-shooting . With the internal cooling system the FX3 can extend the shooting time and will be able to cover a wider range of shooting situations.  It records outstanding 4K full frame quality at up to 120p with minimal rolling shutter, excellent low light capabilities (up to 409,800 ISO) and a wide dynamic range thanks to its 10.2 MP Exmor R CMOS sensor and new Bionz XR processor. It allows for more shooting expressions with the inclusion of S-LOG3 and S-CINETONE picture profiles defining a new era of Cinema line cameras from Sony. The Sony FX3 also provides more freedom for shooting videos with a fast and accurate Autofocus technology including Real-time Eye Autofocus,  Real-time touch tracking and customisable autofocus tracking sensitivity. It also includes a 5axis inbody stabilisation with Active Mode, which makes it ideal for handheld shots. On top of its small form factor, the Sony FX3 includes a detachable top-handle with XLR inputs for professional microphones or audio connections. The idea of a cage with the grip and screw options is already integrated in the body design, which is emphasizing the compact form factor. The Sony Cinema line FX3 is designed for the future of cinematic expressions. FX3 New Cinematic Freedom Sony's FX3 Cinema Line camera brings the visions of passionate content creators to life. Cinematic expression is matched with reliable performance and streamlined operation to serve the needs of today's creative community. Compact and lightweight, it's easy to carry and handle.  Full-frame image capture even in dim light The FX3's full-frame image sensor is coupled with innovative light-gathering techniques to let you capture clear and usable images even in dim light. The standard ISO sensitivity of 80-102400 for movies is expandable all the way up to 409600. Wide dynamic range, wider creative expression The FX3 offers an exceptional 15+ stops1 of dynamic range to handle settings ranging from well-lit interiors and outdoors in mid-day to morning and evening shots. Capture every nuance, and allow for unprecedented cinematic freedom in colour grading. Stunning bokeh and full-frame creativity Capture the scene in cinematic 4K resolution, with the shallow depth of field, stunning bokeh and cinematic freedom made possible with a full-frame sensor. Cinematic colour science of S-Cinetone S-Cinetone colour, developed for Sony’s acclaimed FX9, is the default look on the FX3 for cinematic expression. It's precisely tuned to meet the requirements of today's content creators, with rich colour and natural skin tones that match other Cinema Line cameras without grading.  4K 120fps with every frame in focus Even at high frame rates, detailed 4K imagery is captured thanks to the FX3's high-precision AF and high-speed readout capabilities. Slow and Quick (S&Q) mode gives you full control over the shooting frame rate, for beautiful motion sequences at up to 5x slow motion (with 24p output). 10-bit S-Log3 and HDR recording for smooth gradations S-Log3 gamma curve and S-Gamut3.Cine enable shooting with high-quality colour reproduction over a wide dynamic range, and they make it easy to match up footage with shots from other Cinema Line cameras during post-production. In addition, an HLG (Hybrid Log-Gamma) HDR picture profile enables direct HDR (HLG) playback on compatible TVs with no post-production. 16-bit RAW HDMI output For demanding post-production workflows, 16-bit RAW output3 is available over HDMI connection to compatible external recorders while XAVC HS 4K, XAVC S 4K, or XAVC S-I 4K, and proxy, files are simultaneously captured in-camera. RAW video output is 4264 x 2408 [16:9] resolution, exceeding DCI-4K resolution4. Enjoy rich detail and realistic colour The FX3 is capable of 4K internal recording, 10-bit depth and 4:2:2 colour sampling with All Intra on top of Long-GOP compression. This makes it possible to push your colour grades further while still retaining natural gradation, for true editing freedom.    [1] All-Intra (All-I)   [2] Long-GOP   [3] Group of Pictures Designed for comfortable solo shooting Dependable, highly accurate autofocus The wide-area AF with intelligent tracking uses focal-plane phase-detection for tenacious subject tracking across almost the entire frame5. The Fast Hybrid AF system delivers precise focusing even when shooting at a shallow depth of field and at high frame rates of 120p in 4K (QFHD)2. Sophisticated tracking AF for steady focus Sophisticated tracking features keep your subject in steady focus, so you can concentrate on composition. Real-time Eye AF ensures precise focus on the face and eyes, while Real-time Tracking is powered by Sony's unique AI-based subject recognition algorithms. Smooth transitions and touch focus control The FX3 includes AF Transition Speed in seven settings, to easily create rack focus, and five AF Subject Shift Sensitivity settings, which allows the user to customise how easily AF will switch or stay with the locked-on subject. You can also select the subject you want to focus on simply by touching the LCD monitor. High-performance E-mount lenses for movies Experience smooth, responsive autofocus with Sony's E-mount lenses, with premium optical performance and operability for demanding cinematography applications. The unique linear-drive actuator technology in Sony's E-mount lenses provides smoother, more precise and tenacious AF performance to support your creative endeavors. High-mobility performance wherever you go With its compact size and light weight, the FX3 is designed for high mobility. The attached handle and cage-free accessory mounting holes make for fast setup, fluid shooting and quick pack-down. The main body and covers are constructed from a lightweight magnesium alloy to enhance durability and performance even in challenging environments. Attachable XLR handle A handle equipped with an XLR adaptor with two full size XLR terminals can be attached to the Multi Interface (MI) Shoe on the camera for more comfortable and stable camerawork in difficult shooting situations, such as low-position shots. In-camera image stabilisation Active Mode6,7,8 is an optical in-body 5-axis image stabilisation system that provides increased stabilisation for movie shooting. To preserve image quality, the gyroscope sensor accurately measures camera shake and compensates optically. This makes stable video possible even when shooting hand-held without gimbal use, while walking, and at 4K resolution.  [1, 2] angular shake (pitch and yaw) [3, 4] shift shake (X and Y axes), [5] rotational shake (roll on Z axis) Image stabilisation and easier editing with Catalyst Camera-shake metadata is recorded by the built-in gyro, allowing handheld footage to be smoothed out and stabilised in post-production. Using Sony's Catalyst Browse / Catalyst Prepare desktop application9 you can easily balance automated shake-compensation and image-trimming levels. Catalyst can also make effective use of recorded camera-rotation data. Expandability and operability for content creators Front and rear tally lamps Tally lights on the front and rear of the FX3 indicate whether the camera is recording at any given moment. They are clearly visible to both the camera operator and the person performing in front of the camera. Vari-angle LCD touch-panel monitor The 3.0-type (1.44 million-dot10) LCD touch-screen panel features a side-opening design to allow flexible positioning and improved visibility when the camera is mounted on gimbals. Touch-panel support also provides intuitive menu control for many camera settings. Essential controls for efficient solo shooting In addition to six customisable buttons, frequently used controls are within easy one-handed reach, leaving your other hand free for lens operation or balance. And usability is enhanced by multiple screw holes on the body and handle, allowing accessories to be attached directly. Uninterrupted 4K/60p recording For uninterrupted 4K/60p11 recording, the FX3 is designed with an innovative heat dissipation system. Heatsink placement, airflow structure and a silent cooling fan work to optimise cooling even during long shoots. XLR adaptor and digital input for quality audio In addition to the camera's convenient built-in microphone, a variety of professional microphones can be connected externally via the full-size XLR connectors on the handle through a digital audio interface via Multi Interface (MI) Shoe. Three recording formats can be selected, including 24-bit 4-channel. Digital audio recording is also possible by attaching a digital microphone such as the ECM-B1M even when the handle is not used. Dual high-speed media slots Designed for next-generation filmmaking requirements, CFexpress Type A cards support high bit-rate recording. The camera's slots are ready for CFexpress Type A as well as conventional SDXC UHS-I and UHS-II cards, and having two identical media slots makes relay or backup shooting possible. Remote camera control and network transfer A network connection, via Wi-Fi® or wired via a USB type C connector, provides support for remote control from smartphones or tablets, with either NFC one-touch or manual pairing. Remote shooting can be controlled from a PC with Sony's Imaging Edge Desktop™ application, or from a mobile device with Imaging Edge Mobile™. And captured still and movie files can be transferred using high-speed FTP. Remote preview, shooting and streaming Either wired or wireless remote shooting is available from a PC, or from a mobile device with Imaging Edge Mobile installed, for more efficient workflows and shooting in challenging environments. Imaging Edge Webcam™ enables high-image-quality online video communication.

Sony ILME-FX3 FX3 Full-frame Cinema Line Camera Package b

Sony ILME-FX3 (FX3, ILME/FX3, ILME_FX3, ILMEFX3, ILME FX3, ILMEFX3.CEC, ILME-FX3 Alpha FX3, ilme-fx3) FX3 Full-frame Cinema Line Camera Package B includes: 1x Sony ILME-FX3 FX3 Full-frame Cinema Line Camera 1x Sony CEA-G80T 80GB CFexpress Type A Memory Card 1x Sony MRW-G2 CFexpress Type A / SD Card Reader Sony Alpha FX3 ILME-FX3, the most compact Cinema Line camera was designed for solo-shooting . With the internal cooling system the FX3 can extend the shooting time and will be able to cover a wider range of shooting situations.  It records outstanding 4K full frame quality at up to 120p with minimal rolling shutter, excellent low light capabilities (up to 409,800 ISO) and a wide dynamic range thanks to its 10.2 MP Exmor R CMOS sensor and new Bionz XR processor. It allows for more shooting expressions with the inclusion of S-LOG3 and S-CINETONE picture profiles defining a new era of Cinema line cameras from Sony. The Sony FX3 also provides more freedom for shooting videos with a fast and accurate Autofocus technology including Real-time Eye Autofocus,  Real-time touch tracking and customisable autofocus tracking sensitivity. It also includes a 5axis inbody stabilisation with Active Mode, which makes it ideal for handheld shots. On top of its small form factor, the Sony FX3 includes a detachable top-handle with XLR inputs for professional microphones or audio connections. The idea of a cage with the grip and screw options is already integrated in the body design, which is emphasizing the compact form factor. The Sony Cinema line FX3 is designed for the future of cinematic expressions. FX3 New Cinematic Freedom Sony's FX3 Cinema Line camera brings the visions of passionate content creators to life. Cinematic expression is matched with reliable performance and streamlined operation to serve the needs of today's creative community. Compact and lightweight, it's easy to carry and handle.  Full-frame image capture even in dim light The FX3's full-frame image sensor is coupled with innovative light-gathering techniques to let you capture clear and usable images even in dim light. The standard ISO sensitivity of 80-102400 for movies is expandable all the way up to 409600. Wide dynamic range, wider creative expression The FX3 offers an exceptional 15+ stops1 of dynamic range to handle settings ranging from well-lit interiors and outdoors in mid-day to morning and evening shots. Capture every nuance, and allow for unprecedented cinematic freedom in colour grading. Stunning bokeh and full-frame creativity Capture the scene in cinematic 4K resolution, with the shallow depth of field, stunning bokeh and cinematic freedom made possible with a full-frame sensor. Cinematic colour science of S-Cinetone S-Cinetone colour, developed for Sony’s acclaimed FX9, is the default look on the FX3 for cinematic expression. It's precisely tuned to meet the requirements of today's content creators, with rich colour and natural skin tones that match other Cinema Line cameras without grading.  4K 120fps with every frame in focus Even at high frame rates, detailed 4K imagery is captured thanks to the FX3's high-precision AF and high-speed readout capabilities. Slow and Quick (S&Q) mode gives you full control over the shooting frame rate, for beautiful motion sequences at up to 5x slow motion (with 24p output). 10-bit S-Log3 and HDR recording for smooth gradations S-Log3 gamma curve and S-Gamut3.Cine enable shooting with high-quality colour reproduction over a wide dynamic range, and they make it easy to match up footage with shots from other Cinema Line cameras during post-production. In addition, an HLG (Hybrid Log-Gamma) HDR picture profile enables direct HDR (HLG) playback on compatible TVs with no post-production. 16-bit RAW HDMI output For demanding post-production workflows, 16-bit RAW output3 is available over HDMI connection to compatible external recorders while XAVC HS 4K, XAVC S 4K, or XAVC S-I 4K, and proxy, files are simultaneously captured in-camera. RAW video output is 4264 x 2408 [16:9] resolution, exceeding DCI-4K resolution4. Enjoy rich detail and realistic colour The FX3 is capable of 4K internal recording, 10-bit depth and 4:2:2 colour sampling with All Intra on top of Long-GOP compression. This makes it possible to push your colour grades further while still retaining natural gradation, for true editing freedom.    [1] All-Intra (All-I)   [2] Long-GOP   [3] Group of Pictures Designed for comfortable solo shooting Dependable, highly accurate autofocus The wide-area AF with intelligent tracking uses focal-plane phase-detection for tenacious subject tracking across almost the entire frame5. The Fast Hybrid AF system delivers precise focusing even when shooting at a shallow depth of field and at high frame rates of 120p in 4K (QFHD)2. Sophisticated tracking AF for steady focus Sophisticated tracking features keep your subject in steady focus, so you can concentrate on composition. Real-time Eye AF ensures precise focus on the face and eyes, while Real-time Tracking is powered by Sony's unique AI-based subject recognition algorithms. Smooth transitions and touch focus control The FX3 includes AF Transition Speed in seven settings, to easily create rack focus, and five AF Subject Shift Sensitivity settings, which allows the user to customise how easily AF will switch or stay with the locked-on subject. You can also select the subject you want to focus on simply by touching the LCD monitor. High-performance E-mount lenses for movies Experience smooth, responsive autofocus with Sony's E-mount lenses, with premium optical performance and operability for demanding cinematography applications. The unique linear-drive actuator technology in Sony's E-mount lenses provides smoother, more precise and tenacious AF performance to support your creative endeavors. High-mobility performance wherever you go With its compact size and light weight, the FX3 is designed for high mobility. The attached handle and cage-free accessory mounting holes make for fast setup, fluid shooting and quick pack-down. The main body and covers are constructed from a lightweight magnesium alloy to enhance durability and performance even in challenging environments. Attachable XLR handle A handle equipped with an XLR adaptor with two full size XLR terminals can be attached to the Multi Interface (MI) Shoe on the camera for more comfortable and stable camerawork in difficult shooting situations, such as low-position shots. In-camera image stabilisation Active Mode6,7,8 is an optical in-body 5-axis image stabilisation system that provides increased stabilisation for movie shooting. To preserve image quality, the gyroscope sensor accurately measures camera shake and compensates optically. This makes stable video possible even when shooting hand-held without gimbal use, while walking, and at 4K resolution.  [1, 2] angular shake (pitch and yaw) [3, 4] shift shake (X and Y axes), [5] rotational shake (roll on Z axis) Image stabilisation and easier editing with Catalyst Camera-shake metadata is recorded by the built-in gyro, allowing handheld footage to be smoothed out and stabilised in post-production. Using Sony's Catalyst Browse / Catalyst Prepare desktop application9 you can easily balance automated shake-compensation and image-trimming levels. Catalyst can also make effective use of recorded camera-rotation data. Expandability and operability for content creators Front and rear tally lamps Tally lights on the front and rear of the FX3 indicate whether the camera is recording at any given moment. They are clearly visible to both the camera operator and the person performing in front of the camera. Vari-angle LCD touch-panel monitor The 3.0-type (1.44 million-dot10) LCD touch-screen panel features a side-opening design to allow flexible positioning and improved visibility when the camera is mounted on gimbals. Touch-panel support also provides intuitive menu control for many camera settings. Essential controls for efficient solo shooting In addition to six customisable buttons, frequently used controls are within easy one-handed reach, leaving your other hand free for lens operation or balance. And usability is enhanced by multiple screw holes on the body and handle, allowing accessories to be attached directly. Uninterrupted 4K/60p recording For uninterrupted 4K/60p11 recording, the FX3 is designed with an innovative heat dissipation system. Heatsink placement, airflow structure and a silent cooling fan work to optimise cooling even during long shoots. XLR adaptor and digital input for quality audio In addition to the camera's convenient built-in microphone, a variety of professional microphones can be connected externally via the full-size XLR connectors on the handle through a digital audio interface via Multi Interface (MI) Shoe. Three recording formats can be selected, including 24-bit 4-channel. Digital audio recording is also possible by attaching a digital microphone such as the ECM-B1M even when the handle is not used. Dual high-speed media slots Designed for next-generation filmmaking requirements, CFexpress Type A cards support high bit-rate recording. The camera's slots are ready for CFexpress Type A as well as conventional SDXC UHS-I and UHS-II cards, and having two identical media slots makes relay or backup shooting possible. Remote camera control and network transfer A network connection, via Wi-Fi® or wired via a USB type C connector, provides support for remote control from smartphones or tablets, with either NFC one-touch or manual pairing. Remote shooting can be controlled from a PC with Sony's Imaging Edge Desktop™ application, or from a mobile device with Imaging Edge Mobile™. And captured still and movie files can be transferred using high-speed FTP. Remote preview, shooting and streaming Either wired or wireless remote shooting is available from a PC, or from a mobile device with Imaging Edge Mobile installed, for more efficient workflows and shooting in challenging environments. Imaging Edge Webcam™ enables high-image-quality online video communication.

Sony ILME-FX3 FX3 Full-frame Cinema Line Camera Package a

Sony ILME-FX3 (FX3, ILME/FX3, ILME_FX3, ILMEFX3, ILME FX3, ILMEFX3.CEC, ILME-FX3 Alpha FX3, ilme-fx3) FX3 Full-frame Cinema Line Camera Package a includes: 1x Sony ILME-FX3 FX3 Full-frame Cinema Line Camera   1x Sony CEA-G80T 80GB CFexpress Type A Memory Card Sony Alpha FX3 ILME-FX3, the most compact Cinema Line camera was designed for solo-shooting . With the internal cooling system the FX3 can extend the shooting time and will be able to cover a wider range of shooting situations.  It records outstanding 4K full frame quality at up to 120p with minimal rolling shutter, excellent low light capabilities (up to 409,800 ISO) and a wide dynamic range thanks to its 10.2 MP Exmor R CMOS sensor and new Bionz XR processor. It allows for more shooting expressions with the inclusion of S-LOG3 and S-CINETONE picture profiles defining a new era of Cinema line cameras from Sony. The Sony FX3 also provides more freedom for shooting videos with a fast and accurate Autofocus technology including Real-time Eye Autofocus,  Real-time touch tracking and customisable autofocus tracking sensitivity. It also includes a 5axis inbody stabilisation with Active Mode, which makes it ideal for handheld shots. On top of its small form factor, the Sony FX3 includes a detachable top-handle with XLR inputs for professional microphones or audio connections. The idea of a cage with the grip and screw options is already integrated in the body design, which is emphasizing the compact form factor. The Sony Cinema line FX3 is designed for the future of cinematic expressions. FX3 New Cinematic Freedom Sony's FX3 Cinema Line camera brings the visions of passionate content creators to life. Cinematic expression is matched with reliable performance and streamlined operation to serve the needs of today's creative community. Compact and lightweight, it's easy to carry and handle.  Full-frame image capture even in dim light The FX3's full-frame image sensor is coupled with innovative light-gathering techniques to let you capture clear and usable images even in dim light. The standard ISO sensitivity of 80-102400 for movies is expandable all the way up to 409600. Wide dynamic range, wider creative expression The FX3 offers an exceptional 15+ stops1 of dynamic range to handle settings ranging from well-lit interiors and outdoors in mid-day to morning and evening shots. Capture every nuance, and allow for unprecedented cinematic freedom in colour grading. Stunning bokeh and full-frame creativity Capture the scene in cinematic 4K resolution, with the shallow depth of field, stunning bokeh and cinematic freedom made possible with a full-frame sensor. Cinematic colour science of S-Cinetone S-Cinetone colour, developed for Sony’s acclaimed FX9, is the default look on the FX3 for cinematic expression. It's precisely tuned to meet the requirements of today's content creators, with rich colour and natural skin tones that match other Cinema Line cameras without grading.  4K 120fps with every frame in focus Even at high frame rates, detailed 4K imagery is captured thanks to the FX3's high-precision AF and high-speed readout capabilities. Slow and Quick (S&Q) mode gives you full control over the shooting frame rate, for beautiful motion sequences at up to 5x slow motion (with 24p output). 10-bit S-Log3 and HDR recording for smooth gradations S-Log3 gamma curve and S-Gamut3.Cine enable shooting with high-quality colour reproduction over a wide dynamic range, and they make it easy to match up footage with shots from other Cinema Line cameras during post-production. In addition, an HLG (Hybrid Log-Gamma) HDR picture profile enables direct HDR (HLG) playback on compatible TVs with no post-production. 16-bit RAW HDMI output For demanding post-production workflows, 16-bit RAW output3 is available over HDMI connection to compatible external recorders while XAVC HS 4K, XAVC S 4K, or XAVC S-I 4K, and proxy, files are simultaneously captured in-camera. RAW video output is 4264 x 2408 [16:9] resolution, exceeding DCI-4K resolution4. Enjoy rich detail and realistic colour The FX3 is capable of 4K internal recording, 10-bit depth and 4:2:2 colour sampling with All Intra on top of Long-GOP compression. This makes it possible to push your colour grades further while still retaining natural gradation, for true editing freedom.    [1] All-Intra (All-I)   [2] Long-GOP   [3] Group of Pictures Designed for comfortable solo shooting Dependable, highly accurate autofocus The wide-area AF with intelligent tracking uses focal-plane phase-detection for tenacious subject tracking across almost the entire frame5. The Fast Hybrid AF system delivers precise focusing even when shooting at a shallow depth of field and at high frame rates of 120p in 4K (QFHD)2. Sophisticated tracking AF for steady focus Sophisticated tracking features keep your subject in steady focus, so you can concentrate on composition. Real-time Eye AF ensures precise focus on the face and eyes, while Real-time Tracking is powered by Sony's unique AI-based subject recognition algorithms. Smooth transitions and touch focus control The FX3 includes AF Transition Speed in seven settings, to easily create rack focus, and five AF Subject Shift Sensitivity settings, which allows the user to customise how easily AF will switch or stay with the locked-on subject. You can also select the subject you want to focus on simply by touching the LCD monitor. High-performance E-mount lenses for movies Experience smooth, responsive autofocus with Sony's E-mount lenses, with premium optical performance and operability for demanding cinematography applications. The unique linear-drive actuator technology in Sony's E-mount lenses provides smoother, more precise and tenacious AF performance to support your creative endeavors. High-mobility performance wherever you go With its compact size and light weight, the FX3 is designed for high mobility. The attached handle and cage-free accessory mounting holes make for fast setup, fluid shooting and quick pack-down. The main body and covers are constructed from a lightweight magnesium alloy to enhance durability and performance even in challenging environments. Attachable XLR handle A handle equipped with an XLR adaptor with two full size XLR terminals can be attached to the Multi Interface (MI) Shoe on the camera for more comfortable and stable camerawork in difficult shooting situations, such as low-position shots. In-camera image stabilisation Active Mode6,7,8 is an optical in-body 5-axis image stabilisation system that provides increased stabilisation for movie shooting. To preserve image quality, the gyroscope sensor accurately measures camera shake and compensates optically. This makes stable video possible even when shooting hand-held without gimbal use, while walking, and at 4K resolution.  [1, 2] angular shake (pitch and yaw) [3, 4] shift shake (X and Y axes), [5] rotational shake (roll on Z axis) Image stabilisation and easier editing with Catalyst Camera-shake metadata is recorded by the built-in gyro, allowing handheld footage to be smoothed out and stabilised in post-production. Using Sony's Catalyst Browse / Catalyst Prepare desktop application9 you can easily balance automated shake-compensation and image-trimming levels. Catalyst can also make effective use of recorded camera-rotation data. Expandability and operability for content creators Front and rear tally lamps Tally lights on the front and rear of the FX3 indicate whether the camera is recording at any given moment. They are clearly visible to both the camera operator and the person performing in front of the camera. Vari-angle LCD touch-panel monitor The 3.0-type (1.44 million-dot10) LCD touch-screen panel features a side-opening design to allow flexible positioning and improved visibility when the camera is mounted on gimbals. Touch-panel support also provides intuitive menu control for many camera settings. Essential controls for efficient solo shooting In addition to six customisable buttons, frequently used controls are within easy one-handed reach, leaving your other hand free for lens operation or balance. And usability is enhanced by multiple screw holes on the body and handle, allowing accessories to be attached directly. Uninterrupted 4K/60p recording For uninterrupted 4K/60p11 recording, the FX3 is designed with an innovative heat dissipation system. Heatsink placement, airflow structure and a silent cooling fan work to optimise cooling even during long shoots. XLR adaptor and digital input for quality audio In addition to the camera's convenient built-in microphone, a variety of professional microphones can be connected externally via the full-size XLR connectors on the handle through a digital audio interface via Multi Interface (MI) Shoe. Three recording formats can be selected, including 24-bit 4-channel. Digital audio recording is also possible by attaching a digital microphone such as the ECM-B1M even when the handle is not used. Dual high-speed media slots Designed for next-generation filmmaking requirements, CFexpress Type A cards support high bit-rate recording. The camera's slots are ready for CFexpress Type A as well as conventional SDXC UHS-I and UHS-II cards, and having two identical media slots makes relay or backup shooting possible. Remote camera control and network transfer A network connection, via Wi-Fi® or wired via a USB type C connector, provides support for remote control from smartphones or tablets, with either NFC one-touch or manual pairing. Remote shooting can be controlled from a PC with Sony's Imaging Edge Desktop™ application, or from a mobile device with Imaging Edge Mobile™. And captured still and movie files can be transferred using high-speed FTP. Remote preview, shooting and streaming Either wired or wireless remote shooting is available from a PC, or from a mobile device with Imaging Edge Mobile installed, for more efficient workflows and shooting in challenging environments. Imaging Edge Webcam™ enables high-image-quality online video communication.

Panasonic Lumix PAN-DC-GH5M2E Compact Mirrorless Camera

Panasonic Lumix PAN-DC-GH5M2E (PAN/DC/GH5M2E, PAN_DC_GH5M2E, PANDCGH5M2E, DC-GH5M2E, LUMIX DC-GH5M2E, pan_dc-gh5m2e) Compact Mirrorless Camera The LUMIX GH5M2 is a Micro Four Thirds mirrorless camera that boasts outstanding video performance evolved from the renowned GH5. The LUMIX GH5M2 achieves C4K*1/4K 60p 4:2:0 10-bit unlimited*2 video recording and can simultaneously output 4K 4:2:2 10-bit over HDMI. It is capable of wireless live streaming in FHD/60p via the simple-to-use LUMIX Sync smartphone app, or by connecting directly to a Wi-Fi router. In addition, it will receive a future firmware update to add RTP/RTSP wired IP streaming*3. The 20.3-megapixel Digital Live MOS Sensor with AR (Anti-Reflective) coating captures details cleanly and drives excellent lens performance. The image processor has also been updated to use the latest high-speed and high-performance Venus Engine. To achieve stable handheld shooting, the Body I.S. (Image Stabiliser) in the LUMIX GH5M2 is now even more advanced, making it possible to use a 6.5-stop slower shutter speed*4. With the adoption of the latest algorithm developed for the S1H, video recording is smooth and stable even when the camera is in motion. A 3.0-inch free-angle LCD with a 3:2 aspect ratio and high resolution of 1840K dots provides touch control. Compared to the GH5, the LCD features higher luminosity and superior colour reproduction to ensure high visibility outdoors. Corresponding to 4K (4096×2160) as defined by Digital Cinema Initiatives (DCI). On condition that the camera is under the environment where the operation is guaranteed and is running on the battery. Recording time depends on the capacity of the battery and the SD Memory Card. Recording may stop in C4K/4K 60p 10-bit and Anamorphic mode automatically to protect the camera. 16Mbps cannot be selected when the RTMPS URL is set. Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=60mm (35mm camera equivalent f=120mm) when H-ES12060 is used. WIRELESS LIVE STREAMING WITH MINIMAL EQUIPMENT High-quality live streaming is possible both indoors and outdoors with minimal equipment: just the LUMIX GH5M2 and a smartphone with the LUMIX Sync app. In compliance with the RTMP/RTMPS protocol using the H.264 codec, a maximum resolution/framerate of FHD/60p at 16Mbps*1 is supported. For wired live streaming, the dedicated LUMIX Webcam Software is available for free download. Live streaming to the platforms that comply with RTMP/RTMPS is basically possible (Compatibility with all the platforms is not guaranteed.) There may be the cases where the live streaming is not possible when the service of the platform changes. For more information, please refer to the terms and conditions of the platform. 16Mbps cannot be selected when the RTMPS URL is set. HIGH QUALITY VIDEO PERFORMANCE The LUMIX GH Series features outstanding video performance for professional videography and the LUMIX GH5M2 is no exception, capable of unlimited video recording in a variety of settings. When shooting video, the GH5M2’s entire sensor area is used, enabling the user to record uncropped video from the original viewing angle of the lens. Video recording options are vast, offering internal recording up to 4K 60p and 4:2:2 10-bit 30p, or 4K/6K Anamorphic modes. To deliver high dynamic range and a broad colour spectrum, V-Log L is pre-installed in the camera, making it easy to match the colour tone with footage recorded in the S1H/S1’s V-Log and the GH5/GH5S’s V-Log L. V-Log L renders a very flat image while retaining all its colour information, which is a great benefit in post-production processing. For users who prefer to have a starting point for post-processing, there are 35 compatible conversion LUTs for VariCam cinema cameras available for free download. Practical tools like a Waveform Monitor and V-Log View Assist are also part of the GH5M2’s on-board video toolkit. Like the S1H video flagship camera of the S Series, the LUMIX GH5M2 provides two types of Cinelike gamma presets in the Photo Style menu. These modes create impressive looks with warm skin tones or delicate nuances of light and shadow even without colour grading over V-Log footage. The Cinelike D2 preset gives priority to dynamic range, while Cinelike V2 prioritizes contrast. L.Monochrome S and L.Classic Neo have also been added. All these presets are also available in Anamorphic mode. In VFR (Variable Frame Rate) recording, C4K/4K 60fps, Anamorphic 50fps and FHD 180fps are available. AF can be set before starting VFR recording. A RELIABLE TOOL FOR PROFESSIONALS Tough enough to withstand heavy field use, the LUMIX GH5M2’s full die-cast front/rear frame is composed of a magnesium alloy and the body is splash, dust, and freeze resistant* down to -10 degrees Celsius. The shutter unit is also durable for approximately 200,000 cycles. To further support use outdoors, the camera boasts a new high-capacity 2200mAh battery (DMW-BLK22) that complies with USB PD (Power Delivery) and can be recharged via AC or USB. The LUMIX GH5M2 is equipped with a double SD memory card slot compatible with V90-classified, high-speed, high-capacity UHS-II cards for Relay, Backup and Allocation Recording. With the advanced free-angle touch LCD, users can utilise the frame marker function to check the composition during recording in various common aspect ratios such as in the EVF clearly signals whether the camera is recording, while a new blue indicator shows when the camera is streaming. *Splash Resistant is a term used to describe an extra level of protection this camera offers against exposure to a minimal amount of moisture, water or dust. Splash Resistant does not guarantee that damage will not occur if this camera is subjected to direct contact with water.

Sony ILME-FX3 FX3 Full-frame Cinema Line Camera

Sony ILME-FX3 (ILME/FX3, ILME_FX3, ILMEFX3, ILME FX3, ILMEFX3.CEC, ILME-FX3 Alpha FX3, ilme-fx3) FX3 Full-frame Cinema Line Camera (body only) Sony Alpha FX3 ILME-FX3, the most compact Cinema Line camera was designed for solo-shooting . With the internal cooling system the FX3 can extend the shooting time and will be able to cover a wider range of shooting situations.  It records outstanding 4K full frame quality at up to 120p with minimal rolling shutter, excellent low light capabilities (up to 409,800 ISO) and a wide dynamic range thanks to its 10.2 MP Exmor R CMOS sensor and new Bionz XR processor. It allows for more shooting expressions with the inclusion of S-LOG3 and S-CINETONE picture profiles defining a new era of Cinema line cameras from Sony. The Sony FX3 also provides more freedom for shooting videos with a fast and accurate Autofocus technology including Real-time Eye Autofocus,  Real-time touch tracking and customisable autofocus tracking sensitivity. It also includes a 5axis inbody stabilisation with Active Mode, which makes it ideal for handheld shots. On top of its small form factor, the Sony FX3 includes a detachable top-handle with XLR inputs for professional microphones or audio connections. The idea of a cage with the grip and screw options is already integrated in the body design, which is emphasizing the compact form factor. The Sony Cinema line FX3 is designed for the future of cinematic expressions. FX3 New Cinematic Freedom Sony's FX3 Cinema Line camera brings the visions of passionate content creators to life. Cinematic expression is matched with reliable performance and streamlined operation to serve the needs of today's creative community. Compact and lightweight, it's easy to carry and handle.  Full-frame image capture even in dim light The FX3's full-frame image sensor is coupled with innovative light-gathering techniques to let you capture clear and usable images even in dim light. The standard ISO sensitivity of 80-102400 for movies is expandable all the way up to 409600. Wide dynamic range, wider creative expression The FX3 offers an exceptional 15+ stops1 of dynamic range to handle settings ranging from well-lit interiors and outdoors in mid-day to morning and evening shots. Capture every nuance, and allow for unprecedented cinematic freedom in colour grading. Stunning bokeh and full-frame creativity Capture the scene in cinematic 4K resolution, with the shallow depth of field, stunning bokeh and cinematic freedom made possible with a full-frame sensor. Cinematic colour science of S-Cinetone S-Cinetone colour, developed for Sony’s acclaimed FX9, is the default look on the FX3 for cinematic expression. It's precisely tuned to meet the requirements of today's content creators, with rich colour and natural skin tones that match other Cinema Line cameras without grading.  4K 120fps with every frame in focus Even at high frame rates, detailed 4K imagery is captured thanks to the FX3's high-precision AF and high-speed readout capabilities. Slow and Quick (S&Q) mode gives you full control over the shooting frame rate, for beautiful motion sequences at up to 5x slow motion (with 24p output). 10-bit S-Log3 and HDR recording for smooth gradations S-Log3 gamma curve and S-Gamut3.Cine enable shooting with high-quality colour reproduction over a wide dynamic range, and they make it easy to match up footage with shots from other Cinema Line cameras during post-production. In addition, an HLG (Hybrid Log-Gamma) HDR picture profile enables direct HDR (HLG) playback on compatible TVs with no post-production. 16-bit RAW HDMI output For demanding post-production workflows, 16-bit RAW output3 is available over HDMI connection to compatible external recorders while XAVC HS 4K, XAVC S 4K, or XAVC S-I 4K, and proxy, files are simultaneously captured in-camera. RAW video output is 4264 x 2408 [16:9] resolution, exceeding DCI-4K resolution4. Enjoy rich detail and realistic colour The FX3 is capable of 4K internal recording, 10-bit depth and 4:2:2 colour sampling with All Intra on top of Long-GOP compression. This makes it possible to push your colour grades further while still retaining natural gradation, for true editing freedom.    [1] All-Intra (All-I)   [2] Long-GOP   [3] Group of Pictures Designed for comfortable solo shooting Dependable, highly accurate autofocus The wide-area AF with intelligent tracking uses focal-plane phase-detection for tenacious subject tracking across almost the entire frame5. The Fast Hybrid AF system delivers precise focusing even when shooting at a shallow depth of field and at high frame rates of 120p in 4K (QFHD)2. Sophisticated tracking AF for steady focus Sophisticated tracking features keep your subject in steady focus, so you can concentrate on composition. Real-time Eye AF ensures precise focus on the face and eyes, while Real-time Tracking is powered by Sony's unique AI-based subject recognition algorithms. Smooth transitions and touch focus control The FX3 includes AF Transition Speed in seven settings, to easily create rack focus, and five AF Subject Shift Sensitivity settings, which allows the user to customise how easily AF will switch or stay with the locked-on subject. You can also select the subject you want to focus on simply by touching the LCD monitor. High-performance E-mount lenses for movies Experience smooth, responsive autofocus with Sony's E-mount lenses, with premium optical performance and operability for demanding cinematography applications. The unique linear-drive actuator technology in Sony's E-mount lenses provides smoother, more precise and tenacious AF performance to support your creative endeavors. High-mobility performance wherever you go With its compact size and light weight, the FX3 is designed for high mobility. The attached handle and cage-free accessory mounting holes make for fast setup, fluid shooting and quick pack-down. The main body and covers are constructed from a lightweight magnesium alloy to enhance durability and performance even in challenging environments. Attachable XLR handle A handle equipped with an XLR adaptor with two full size XLR terminals can be attached to the Multi Interface (MI) Shoe on the camera for more comfortable and stable camerawork in difficult shooting situations, such as low-position shots. In-camera image stabilisation Active Mode6,7,8 is an optical in-body 5-axis image stabilisation system that provides increased stabilisation for movie shooting. To preserve image quality, the gyroscope sensor accurately measures camera shake and compensates optically. This makes stable video possible even when shooting hand-held without gimbal use, while walking, and at 4K resolution.  [1, 2] angular shake (pitch and yaw) [3, 4] shift shake (X and Y axes), [5] rotational shake (roll on Z axis) Image stabilisation and easier editing with Catalyst Camera-shake metadata is recorded by the built-in gyro, allowing handheld footage to be smoothed out and stabilised in post-production. Using Sony's Catalyst Browse / Catalyst Prepare desktop application9 you can easily balance automated shake-compensation and image-trimming levels. Catalyst can also make effective use of recorded camera-rotation data. Expandability and operability for content creators Front and rear tally lamps Tally lights on the front and rear of the FX3 indicate whether the camera is recording at any given moment. They are clearly visible to both the camera operator and the person performing in front of the camera. Vari-angle LCD touch-panel monitor The 3.0-type (1.44 million-dot10) LCD touch-screen panel features a side-opening design to allow flexible positioning and improved visibility when the camera is mounted on gimbals. Touch-panel support also provides intuitive menu control for many camera settings. Essential controls for efficient solo shooting In addition to six customisable buttons, frequently used controls are within easy one-handed reach, leaving your other hand free for lens operation or balance. And usability is enhanced by multiple screw holes on the body and handle, allowing accessories to be attached directly. Uninterrupted 4K/60p recording For uninterrupted 4K/60p11 recording, the FX3 is designed with an innovative heat dissipation system. Heatsink placement, airflow structure and a silent cooling fan work to optimise cooling even during long shoots. XLR adaptor and digital input for quality audio In addition to the camera's convenient built-in microphone, a variety of professional microphones can be connected externally via the full-size XLR connectors on the handle through a digital audio interface via Multi Interface (MI) Shoe. Three recording formats can be selected, including 24-bit 4-channel. Digital audio recording is also possible by attaching a digital microphone such as the ECM-B1M even when the handle is not used. Dual high-speed media slots Designed for next-generation filmmaking requirements, CFexpress Type A cards support high bit-rate recording. The camera's slots are ready for CFexpress Type A as well as conventional SDXC UHS-I and UHS-II cards, and having two identical media slots makes relay or backup shooting possible. Remote camera control and network transfer A network connection, via Wi-Fi® or wired via a USB type C connector, provides support for remote control from smartphones or tablets, with either NFC one-touch or manual pairing. Remote shooting can be controlled from a PC with Sony's Imaging Edge Desktop™ application, or from a mobile device with Imaging Edge Mobile™. And captured still and movie files can be transferred using high-speed FTP. Remote preview, shooting and streaming Either wired or wireless remote shooting is available from a PC, or from a mobile device with Imaging Edge Mobile installed, for more efficient workflows and shooting in challenging environments. Imaging Edge Webcam™ enables high-image-quality online video communication.

Canon 4082C045 EOS R6 Mirrorless Camera and RF 24-105mm F4-7.1 IS STM Lens

Canon 4082C045 (EOS-R6+RF 24-105mm, EOS/R6+RF/24-105mm, EOS_R6+RF_24_105mm, EOSR6RF24105mm, EOS R6 RF 24 105mm, eos r6 + rf 24-105mm f4-7.1 is) EOS R6 Mirrorless Camera and RF 24-105mm F4-7.1 IS STM Lens The EOS R6 is a full-frame mirrorless camera that’s so advanced it can shoot silently at up to 20 fps¹ with electronic shutter or at 12 fps¹ with a mechanical shutter, capture 4K 60p video and is sensitive up to ISO 102,400 for amazing low-light photography. Next-generation image stabilisation allows hand-held photography at shutter speeds up to 8 stops² longer than normal without camera shake. This kit comes with an RF 24-105mm F4-7.1 IS STM standard zoom lens, which is ideal for everything from landscape photography to portraits and photojournalism. The Canon EOS R6 excels in all areas but particularly in action photography and videography on the move. Those shooting wedding photography, event photography and documentary projects will love its lightning-fast AF that recognises heads, eyes and bodies – not just in human subjects but also in cats, dogs and birds too. Shoot continuously at 20 fps¹ with zero shutter noise, or at 12 fps¹ with a mechanical shutter, capturing split second moments in time – perfect for action photography Enjoy the perfect balance of resolution, low-light photography and dynamic range, from the 20 megapixel CMOS sensor and DIGIC X image processor in this enthusiast mirrorless camera The included RF 24-105mm F4-7.1 IS STM lens covers focal lengths from wide angle to telephoto, making it a superb all-rounder for many different types of photography Get as close as 13cm from your subject, for captivating close-ups packed full of amazing detail, thanks to the lens’s Centre Focus Macro mode Shoot in very low light, thanks to a maximum ISO 102,400 and autofocus that’s sensitive down to -6.5EV – a class-leading performance in a full-frame mirrorless camera Use motion blur creatively and shoot confidently in low light. The EOS R6 incorporates a 5-axis Image Stabilizer that can work together with a lens’s own IS system to deliver up to 8 stops² of protection against camera shake Focus on the action in as little as 0.05 sec³, with a Dual Pixel CMOS AF II autofocus system that covers virtually 100 per cent of the frame when in the automatic tracking modes – recognising and tracking faces, eyes and bodies in humans, cats, dogs and birds, or choose from up to 6072 selectable AF areas. Take your filmmaking projects up a gear. The EOS R6 shoots beautiful 4K 60p video footage with 10 bit colour, Canon Log 1 and support for HDR PQ. It also offers frame rates up to 120p at Full HD resolution When shooting video, the EOS R6’s advanced image stabilisation and tracking AF systems give you a creative advantage: footage is smooth and stable, and the faces and eyes of your subjects are kept in sharp focus Stay in control of audio too, with headphone and microphone sockets. This 4K mirrorless camera features a micro HDMI connection that allows video to be captured on an external recorder Take a bright, clear view of the world through the EOS R6’s superb 3.69 million dot viewfinder that previews exactly which picture effects are being used. A 3-inch 1.62M dot Vari-Angle LCD screen helps composition from different angles and a tough, weather-resistant body protects against dust and moisture Dual card slots support ultrafast UHS-II SD media. Back up files as you shoot, save JPEGs and RAW files to different cards, and even store photos and movie footage separately The EOS R6 uses 2.4GHz Wi-Fi to upload images directly to the cloud via image.canon and to link with smart devices for file sharing and remote camera control. Always-on Bluetooth®⁴ makes it easy to get connected

Sony ILME-FX6V FX6 Full-Frame Cinema Camera Body Only package c

Sony ILME-FX6V (ILMEFX6VDI.EU, ILME-FX6 Alpha, FX6 ILME-FX6, PXW-FX6, pxw-fx6) FX6 Full-Frame Cinema Camera Body Only Package c © includes: 1x Sony ILME-FX6V FX6 Full-Frame Cinema Camera Body Only (ILME-FX6V) 1x Sony 128GB 300MB/s SDXC UHS-II TOUGH SD Card (SFG1TG)   1x Hedbox HED-BP95D Pro Battery Pack for SONY 6700mAh Li-Ion Battery (HED-BP95D) 1x Camrade CAM-R&GB-MEDIUM run&gunBag Medium Capture the impossible with expanded ISO sensitivity Capture usable images in near total darkness with an impressive ISO expanded range up to 4096001. The full-frame sensor coupled with innovative light gathering ensures limitless shooting possibilities. Stunning bokeh and full-frame creativity Realise beautiful 4K imagery with the creative freedom made possible by a full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh for a truly cinematic look. Cinematic colour science with S-Cinetone S-Cinetone colour, developed for Sony’s acclaimed FX9, is the default look on the FX6. Precisely tuned to meet the requirements of today’s content creators with rich colour and natural skin tones, it produces fresh and vivid images straight out of camera without grading, while retaining plenty of latitude for post production. Large pixels deliver high sensitivity and low noise The full-frame, back-illuminated, 10.2-megapixel2 Exmor R™ CMOS image sensor offers impressive light-gathering capability. Fast readout speeds and a dynamic range of 15+ stops3 deliver superb image quality with wide sensitivity and reduced noise. Powerful BIONZ XRTM image processor  The BIONZ XR image processing engine matches the sensor’s high-speed readout with enormous processing power. Built with a future-oriented architecture, it delivers high quality images faster and dramatically improves camera interface responsiveness. Impressive dynamic range for limitless expression At its base sensitivity of ISO8004, the FX6 offers optimal dynamic range for well-lit interiors and outdoor documentary shooting. An enhanced ISO 128004 sensitivity is designed for challenging low-light, morning and evening shots. The FX6 offers an exceptional 15+ stops3 of dynamic range ‒ beyond the perception of even the human eye in many conditions ‒ allowing for unprecedented creative freedom in colour grading and post. Fast Hybrid AF for accuracy and tenacity The wide-area AF uses intelligent tracking and on-sensor phase-detection for tenacious subject tracking across almost the entire frame (6275-point focal plane phase-detection AF covers approx. 89% of the image area). The hybrid AF system delivers precise focusing even when shooting at shallow depths of field and at 120p high frame rates in 4K (QFHD)6. Real-time Eye AF and Face Detection supported Real-time Eye AF and Face Detection ensure accurate, stable focus acquisition for interviews, events, and anywhere where precise focus on people is essential. Sophisticated real-time processing realises pinpoint eye focus even when subjects are looking down or up at steep angles, allowing the operator to concentrate fully on composing the best shot. Powerful focus control for solo shooters With AF Transition Speed selectable over 7 levels, and AF Subject Shift Sensitivity over 5 levels, you can better convey your creative intentions when switching subjects or, for example, rack focusing. Lens-ring AF subject selection When the AF Assist function is ON, rotating the focus ring instantly switches from autofocus to manual focus so that a different subject can be quickly selected. Autofocus operation resumes as soon as the user stops rotating the lens focus ring. Auto focus area/position For auto focus, you can set the target areaamong Flexible Spot, Zone, Wide and changethe position of the target area quickly duringshooting by simply touching the LCD monitor. 4K7 120fps with every frame in focus High Frame Rate shots can turn everyday action into a visual feast of elegant movement. The FX6 captures up to 120 frames per second (fps) at the 4K (QFHD) resolution. Slow and Quick (S&Q) modes give you full control over the captured frame rate from 1 to 120fps, allowing precise motion narratives, and up to a beautiful 5x Super Slow Motion (24fps output). Autofocus with Sony E-mount lenses Experience smooth, responsive autofocus with Sony E-mount lenses, with premium optical performance and operability for demanding cinematography applications. Unique actuator technology in Sony E-mount lenses provides faster and more precise AF performance, supporting your creative endeavors. Built-in electronic Variable ND Filter The FX6 features Sony’s unique built-in electronic Variable Neutral Density (ND) filter. Unlike conventional optical ND Filters, the electronic ND Filter on the FX6 can be controlled from 1/4ND to 1/128ND linearly, or set to auto. Ideal in changeable environments, there’s no need to change filters as lighting conditions change or to maintain your depth of field. Lightweight, modular and robust Despite its amazingly light 0.89kg body, the magnesium-alloy FX6 is more than tough enough for the rigours of real-world shooting. A detachable Smart Grip puts key functions at your fingertips and is easily adjustable with a single button. Grab and shoot mobility Ideal for low angle shooting, the smart handle is part of the FX6’s modular design. It’s easy to reconfigure for any application, including mounting in a gimbal, drone, or underwater housing. Magnesium body and frame for high durability with light weight To perform reliably in challenging environments, the main body, covers and top handle are made from a production-tested, lightweight magnesium alloy. The main frame achieves high strength and durability with minimum weight in order to maximise mobility. Architecture to prevent thermal shut down The custom ventilation system and chassis design help to prevent the thermal shut down of shooting8 at high frame rates and 4K (QFHD) resolutions. The number of heat sinks, the shape of air intakes and exhaust vents as well as the location of the low-noise fan9, and airflow paths have all been calculated with precision to ensure that optimum ventilation is achieved. 10-bit 4:2:2 recording Record right on the camera with the amazing richness of 10-bit depth and 4:2:2 colour sampling, for far greater flexibility in image grading, post-processing and compositing. All-Intra encoding available As well as Long GOP, internal All-Intra encoding is now provided. This encodes every frame independently at bitrates up to 600Mbps, to capture complex motion more accurately, and allow more efficient editing workflows. [1] All-Intra (All-I)  [2] Long GOP  [3] Group of Pictures 16-bit RAW SDI output  For demanding post-production workflows, 16-bit RAW output is available via SDI connection to compatible external recorders while XAVC-I files are simultaneously captured in-camera. RAW video output is 4096x2160 or 3840x2160 data from the image sensor with a choice of 59.94 / 50 / 29.97 / 25 / 24 / 23.98 frame rates10. Shooting modes that match creator workflows The FX6 offers shooting modes with preset looks like S-Cinetone that produce great-looking shots in-camera, or S-Log3 / S-Gamut3 with Cine-EI mode that capture perfectly-exposed images for post production. Scene File function allows easy look changes on-site Four preset scene file types are available for SDR shooting (S-Cinetone, Standard, Still, ITU709) and two for HDR (HLG Live, HLG Natural) plus 16 slots for imported user 3D LUTs for your preferred look without post production. Remarkable smart grip and smart handle Sony’s ergonomic Smart Grip and Smart Handle feature easy one-button adjustment. With zoom, record, and assignable control buttons, as well as a dial suitable for iris control, you can comfortably operate for hours. Professional connectivity A wide range of professional interfaces is available including 12G-SDI and HDMI outputs11, a remote interface, TC connectors for multi-camera sync, and SuperSpeed USB 5Gbps (USB 3.2) to support fluid data workflows. Multi-Interface (MI) Shoe Sony’s Multi-Interface (MI) Shoe provides power, signal and switching connections to compatible Sony accessories, including for example wireless microphone systems such as the UWP-D21 or UWP-D2212. Support for four-channel audio input and recording Four-channel audio input allows simultaneous capture of external microphones and the built-in microphone. UWP wireless microphones or XLR audio adaptors such as the XLR-K3M can also be used with the MI Shoe. Dual XLR inputs and enhanced audio capability The handle of the FX6 has two independent audio inputs, easy-access XLR connectors to connect external professional microphones. UWP series wireless microphones may also be connected via the MI Shoe. High-definition 2.76 million-dot13 flexible LCD panel The 3.5-inch LCD screen allows precise manual focusing in challenging shooting conditions. Flexible positioning of both mounting locations and angles allows comfortable shooting to suit varied preferences and rigging. Quick menu control with touch operation The LCD screen has a quick access control menu. With a single touch, you can change codec, imager scan mode, picture size and frequency, base ISO/sensitivity, shooting mode and audio levels. Dual CFexpress Type A-compatible media slots Dual media slots support CFexpress Type A cards14, along with conventional SDXC UHS-I and UHS-II cards, for fast buffer clearance and data management. Simultaneous, relay, interval and proxy modes are supported. Networked for high mobility Wi-Fi® connectivity enables a host of advanced wireless production features such as remote control via smartphones or tablets and the Content Browser Mobile app. Connect easily with either NFC one-touch or manual pairing. Metadata facilitates editing in Catalyst  The FX6 records three types of metadata: image stabilisation, clip flag, and camera rotation. These can be useful when previewing and preparing to edit in Sony’s free Catalyst Browse or cost-effective Catalyst Prepare software.

Sony ILME-FX6V FX6 Full-Frame Cinema Camera Body Only package b

Sony ILME-FX6V (ILMEFX6VDI.EU, ILME-FX6 Alpha, FX6 ILME-FX6, PXW-FX6, pxw-fx6) FX6 Full-Frame Cinema Camera Body Only package b © includes: 1x Sony ILME-FX6V FX6 Full-Frame Cinema Camera Body Only (ILME-FX6V) 1x Sony 128GB 300MB/s SDXC UHS-II TOUGH SD Card (SFG1TG) 1x Hedbox HED-BP95D Pro Battery Pack for SONY 6700mAh Li-Ion Battery (HED-BP95D) Capture the impossible with expanded ISO sensitivity Capture usable images in near total darkness with an impressive ISO expanded range up to 4096001. The full-frame sensor coupled with innovative light gathering ensures limitless shooting possibilities. Stunning bokeh and full-frame creativity Realise beautiful 4K imagery with the creative freedom made possible by a full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh for a truly cinematic look. Cinematic colour science with S-Cinetone S-Cinetone colour, developed for Sony’s acclaimed FX9, is the default look on the FX6. Precisely tuned to meet the requirements of today’s content creators with rich colour and natural skin tones, it produces fresh and vivid images straight out of camera without grading, while retaining plenty of latitude for post production. Large pixels deliver high sensitivity and low noise The full-frame, back-illuminated, 10.2-megapixel2 Exmor R™ CMOS image sensor offers impressive light-gathering capability. Fast readout speeds and a dynamic range of 15+ stops3 deliver superb image quality with wide sensitivity and reduced noise. Powerful BIONZ XRTM image processor  The BIONZ XR image processing engine matches the sensor’s high-speed readout with enormous processing power. Built with a future-oriented architecture, it delivers high quality images faster and dramatically improves camera interface responsiveness. Impressive dynamic range for limitless expression At its base sensitivity of ISO8004, the FX6 offers optimal dynamic range for well-lit interiors and outdoor documentary shooting. An enhanced ISO 128004 sensitivity is designed for challenging low-light, morning and evening shots. The FX6 offers an exceptional 15+ stops3 of dynamic range ‒ beyond the perception of even the human eye in many conditions ‒ allowing for unprecedented creative freedom in colour grading and post. Fast Hybrid AF for accuracy and tenacity The wide-area AF uses intelligent tracking and on-sensor phase-detection for tenacious subject tracking across almost the entire frame (6275-point focal plane phase-detection AF covers approx. 89% of the image area). The hybrid AF system delivers precise focusing even when shooting at shallow depths of field and at 120p high frame rates in 4K (QFHD)6. Real-time Eye AF and Face Detection supported Real-time Eye AF and Face Detection ensure accurate, stable focus acquisition for interviews, events, and anywhere where precise focus on people is essential. Sophisticated real-time processing realises pinpoint eye focus even when subjects are looking down or up at steep angles, allowing the operator to concentrate fully on composing the best shot. Powerful focus control for solo shooters With AF Transition Speed selectable over 7 levels, and AF Subject Shift Sensitivity over 5 levels, you can better convey your creative intentions when switching subjects or, for example, rack focusing. Lens-ring AF subject selection When the AF Assist function is ON, rotating the focus ring instantly switches from autofocus to manual focus so that a different subject can be quickly selected. Autofocus operation resumes as soon as the user stops rotating the lens focus ring. Auto focus area/position For auto focus, you can set the target areaamong Flexible Spot, Zone, Wide and changethe position of the target area quickly duringshooting by simply touching the LCD monitor. 4K7 120fps with every frame in focus High Frame Rate shots can turn everyday action into a visual feast of elegant movement. The FX6 captures up to 120 frames per second (fps) at the 4K (QFHD) resolution. Slow and Quick (S&Q) modes give you full control over the captured frame rate from 1 to 120fps, allowing precise motion narratives, and up to a beautiful 5x Super Slow Motion (24fps output). Autofocus with Sony E-mount lenses Experience smooth, responsive autofocus with Sony E-mount lenses, with premium optical performance and operability for demanding cinematography applications. Unique actuator technology in Sony E-mount lenses provides faster and more precise AF performance, supporting your creative endeavors. Built-in electronic Variable ND Filter The FX6 features Sony’s unique built-in electronic Variable Neutral Density (ND) filter. Unlike conventional optical ND Filters, the electronic ND Filter on the FX6 can be controlled from 1/4ND to 1/128ND linearly, or set to auto. Ideal in changeable environments, there’s no need to change filters as lighting conditions change or to maintain your depth of field. Lightweight, modular and robust Despite its amazingly light 0.89kg body, the magnesium-alloy FX6 is more than tough enough for the rigours of real-world shooting. A detachable Smart Grip puts key functions at your fingertips and is easily adjustable with a single button. Grab and shoot mobility Ideal for low angle shooting, the smart handle is part of the FX6’s modular design. It’s easy to reconfigure for any application, including mounting in a gimbal, drone, or underwater housing. Magnesium body and frame for high durability with light weight To perform reliably in challenging environments, the main body, covers and top handle are made from a production-tested, lightweight magnesium alloy. The main frame achieves high strength and durability with minimum weight in order to maximise mobility. Architecture to prevent thermal shut down The custom ventilation system and chassis design help to prevent the thermal shut down of shooting8 at high frame rates and 4K (QFHD) resolutions. The number of heat sinks, the shape of air intakes and exhaust vents as well as the location of the low-noise fan9, and airflow paths have all been calculated with precision to ensure that optimum ventilation is achieved. 10-bit 4:2:2 recording Record right on the camera with the amazing richness of 10-bit depth and 4:2:2 colour sampling, for far greater flexibility in image grading, post-processing and compositing. All-Intra encoding available As well as Long GOP, internal All-Intra encoding is now provided. This encodes every frame independently at bitrates up to 600Mbps, to capture complex motion more accurately, and allow more efficient editing workflows. [1] All-Intra (All-I)  [2] Long GOP  [3] Group of Pictures 16-bit RAW SDI output  For demanding post-production workflows, 16-bit RAW output is available via SDI connection to compatible external recorders while XAVC-I files are simultaneously captured in-camera. RAW video output is 4096x2160 or 3840x2160 data from the image sensor with a choice of 59.94 / 50 / 29.97 / 25 / 24 / 23.98 frame rates10. Shooting modes that match creator workflows The FX6 offers shooting modes with preset looks like S-Cinetone that produce great-looking shots in-camera, or S-Log3 / S-Gamut3 with Cine-EI mode that capture perfectly-exposed images for post production. Scene File function allows easy look changes on-site Four preset scene file types are available for SDR shooting (S-Cinetone, Standard, Still, ITU709) and two for HDR (HLG Live, HLG Natural) plus 16 slots for imported user 3D LUTs for your preferred look without post production. Remarkable smart grip and smart handle Sony’s ergonomic Smart Grip and Smart Handle feature easy one-button adjustment. With zoom, record, and assignable control buttons, as well as a dial suitable for iris control, you can comfortably operate for hours. Professional connectivity A wide range of professional interfaces is available including 12G-SDI and HDMI outputs11, a remote interface, TC connectors for multi-camera sync, and SuperSpeed USB 5Gbps (USB 3.2) to support fluid data workflows. Multi-Interface (MI) Shoe Sony’s Multi-Interface (MI) Shoe provides power, signal and switching connections to compatible Sony accessories, including for example wireless microphone systems such as the UWP-D21 or UWP-D2212. Support for four-channel audio input and recording Four-channel audio input allows simultaneous capture of external microphones and the built-in microphone. UWP wireless microphones or XLR audio adaptors such as the XLR-K3M can also be used with the MI Shoe. Dual XLR inputs and enhanced audio capability The handle of the FX6 has two independent audio inputs, easy-access XLR connectors to connect external professional microphones. UWP series wireless microphones may also be connected via the MI Shoe. High-definition 2.76 million-dot13 flexible LCD panel The 3.5-inch LCD screen allows precise manual focusing in challenging shooting conditions. Flexible positioning of both mounting locations and angles allows comfortable shooting to suit varied preferences and rigging. Quick menu control with touch operation The LCD screen has a quick access control menu. With a single touch, you can change codec, imager scan mode, picture size and frequency, base ISO/sensitivity, shooting mode and audio levels. Dual CFexpress Type A-compatible media slots Dual media slots support CFexpress Type A cards14, along with conventional SDXC UHS-I and UHS-II cards, for fast buffer clearance and data management. Simultaneous, relay, interval and proxy modes are supported. Networked for high mobility Wi-Fi® connectivity enables a host of advanced wireless production features such as remote control via smartphones or tablets and the Content Browser Mobile app. Connect easily with either NFC one-touch or manual pairing. Metadata facilitates editing in Catalyst  The FX6 records three types of metadata: image stabilisation, clip flag, and camera rotation. These can be useful when previewing and preparing to edit in Sony’s free Catalyst Browse or cost-effective Catalyst Prepare software.

Sony ILME-FX6V FX6 Full-Frame Cinema Camera Body Only package a

Sony ILME-FX6V (ILMEFX6VDI.EU, ILME-FX6 Alpha, FX6 ILME-FX6, PXW-FX6, pxw-fx6) FX6 Full-Frame Cinema Camera Body Only package a © includes: 1x Sony ILME-FX6V FX6 Full-Frame Cinema Camera Body Only (ILME-FX6V) 1x Sony 128GB 300MB/s SDXC UHS-II TOUGH SD Card (SFG1TG) Capture the impossible with expanded ISO sensitivity Capture usable images in near total darkness with an impressive ISO expanded range up to 4096001. The full-frame sensor coupled with innovative light gathering ensures limitless shooting possibilities. Stunning bokeh and full-frame creativity Realise beautiful 4K imagery with the creative freedom made possible by a full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh for a truly cinematic look. Cinematic colour science with S-Cinetone S-Cinetone colour, developed for Sony’s acclaimed FX9, is the default look on the FX6. Precisely tuned to meet the requirements of today’s content creators with rich colour and natural skin tones, it produces fresh and vivid images straight out of camera without grading, while retaining plenty of latitude for post production. Large pixels deliver high sensitivity and low noise The full-frame, back-illuminated, 10.2-megapixel2 Exmor R™ CMOS image sensor offers impressive light-gathering capability. Fast readout speeds and a dynamic range of 15+ stops3 deliver superb image quality with wide sensitivity and reduced noise. Powerful BIONZ XRTM image processor  The BIONZ XR image processing engine matches the sensor’s high-speed readout with enormous processing power. Built with a future-oriented architecture, it delivers high quality images faster and dramatically improves camera interface responsiveness. Impressive dynamic range for limitless expression At its base sensitivity of ISO8004, the FX6 offers optimal dynamic range for well-lit interiors and outdoor documentary shooting. An enhanced ISO 128004 sensitivity is designed for challenging low-light, morning and evening shots. The FX6 offers an exceptional 15+ stops3 of dynamic range ‒ beyond the perception of even the human eye in many conditions ‒ allowing for unprecedented creative freedom in colour grading and post. Fast Hybrid AF for accuracy and tenacity The wide-area AF uses intelligent tracking and on-sensor phase-detection for tenacious subject tracking across almost the entire frame (6275-point focal plane phase-detection AF covers approx. 89% of the image area). The hybrid AF system delivers precise focusing even when shooting at shallow depths of field and at 120p high frame rates in 4K (QFHD)6. Real-time Eye AF and Face Detection supported Real-time Eye AF and Face Detection ensure accurate, stable focus acquisition for interviews, events, and anywhere where precise focus on people is essential. Sophisticated real-time processing realises pinpoint eye focus even when subjects are looking down or up at steep angles, allowing the operator to concentrate fully on composing the best shot. Powerful focus control for solo shooters With AF Transition Speed selectable over 7 levels, and AF Subject Shift Sensitivity over 5 levels, you can better convey your creative intentions when switching subjects or, for example, rack focusing. Lens-ring AF subject selection When the AF Assist function is ON, rotating the focus ring instantly switches from autofocus to manual focus so that a different subject can be quickly selected. Autofocus operation resumes as soon as the user stops rotating the lens focus ring. Auto focus area/position For auto focus, you can set the target areaamong Flexible Spot, Zone, Wide and changethe position of the target area quickly duringshooting by simply touching the LCD monitor. 4K7 120fps with every frame in focus High Frame Rate shots can turn everyday action into a visual feast of elegant movement. The FX6 captures up to 120 frames per second (fps) at the 4K (QFHD) resolution. Slow and Quick (S&Q) modes give you full control over the captured frame rate from 1 to 120fps, allowing precise motion narratives, and up to a beautiful 5x Super Slow Motion (24fps output). Autofocus with Sony E-mount lenses Experience smooth, responsive autofocus with Sony E-mount lenses, with premium optical performance and operability for demanding cinematography applications. Unique actuator technology in Sony E-mount lenses provides faster and more precise AF performance, supporting your creative endeavors. Built-in electronic Variable ND Filter The FX6 features Sony’s unique built-in electronic Variable Neutral Density (ND) filter. Unlike conventional optical ND Filters, the electronic ND Filter on the FX6 can be controlled from 1/4ND to 1/128ND linearly, or set to auto. Ideal in changeable environments, there’s no need to change filters as lighting conditions change or to maintain your depth of field. Lightweight, modular and robust Despite its amazingly light 0.89kg body, the magnesium-alloy FX6 is more than tough enough for the rigours of real-world shooting. A detachable Smart Grip puts key functions at your fingertips and is easily adjustable with a single button. Grab and shoot mobility Ideal for low angle shooting, the smart handle is part of the FX6’s modular design. It’s easy to reconfigure for any application, including mounting in a gimbal, drone, or underwater housing. Magnesium body and frame for high durability with light weight To perform reliably in challenging environments, the main body, covers and top handle are made from a production-tested, lightweight magnesium alloy. The main frame achieves high strength and durability with minimum weight in order to maximise mobility. Architecture to prevent thermal shut down The custom ventilation system and chassis design help to prevent the thermal shut down of shooting8 at high frame rates and 4K (QFHD) resolutions. The number of heat sinks, the shape of air intakes and exhaust vents as well as the location of the low-noise fan9, and airflow paths have all been calculated with precision to ensure that optimum ventilation is achieved. 10-bit 4:2:2 recording Record right on the camera with the amazing richness of 10-bit depth and 4:2:2 colour sampling, for far greater flexibility in image grading, post-processing and compositing. All-Intra encoding available As well as Long GOP, internal All-Intra encoding is now provided. This encodes every frame independently at bitrates up to 600Mbps, to capture complex motion more accurately, and allow more efficient editing workflows. [1] All-Intra (All-I)  [2] Long GOP  [3] Group of Pictures 16-bit RAW SDI output  For demanding post-production workflows, 16-bit RAW output is available via SDI connection to compatible external recorders while XAVC-I files are simultaneously captured in-camera. RAW video output is 4096x2160 or 3840x2160 data from the image sensor with a choice of 59.94 / 50 / 29.97 / 25 / 24 / 23.98 frame rates10. Shooting modes that match creator workflows The FX6 offers shooting modes with preset looks like S-Cinetone that produce great-looking shots in-camera, or S-Log3 / S-Gamut3 with Cine-EI mode that capture perfectly-exposed images for post production. Scene File function allows easy look changes on-site Four preset scene file types are available for SDR shooting (S-Cinetone, Standard, Still, ITU709) and two for HDR (HLG Live, HLG Natural) plus 16 slots for imported user 3D LUTs for your preferred look without post production. Remarkable smart grip and smart handle Sony’s ergonomic Smart Grip and Smart Handle feature easy one-button adjustment. With zoom, record, and assignable control buttons, as well as a dial suitable for iris control, you can comfortably operate for hours. Professional connectivity A wide range of professional interfaces is available including 12G-SDI and HDMI outputs11, a remote interface, TC connectors for multi-camera sync, and SuperSpeed USB 5Gbps (USB 3.2) to support fluid data workflows. Multi-Interface (MI) Shoe Sony’s Multi-Interface (MI) Shoe provides power, signal and switching connections to compatible Sony accessories, including for example wireless microphone systems such as the UWP-D21 or UWP-D2212. Support for four-channel audio input and recording Four-channel audio input allows simultaneous capture of external microphones and the built-in microphone. UWP wireless microphones or XLR audio adaptors such as the XLR-K3M can also be used with the MI Shoe. Dual XLR inputs and enhanced audio capability The handle of the FX6 has two independent audio inputs, easy-access XLR connectors to connect external professional microphones. UWP series wireless microphones may also be connected via the MI Shoe. High-definition 2.76 million-dot13 flexible LCD panel The 3.5-inch LCD screen allows precise manual focusing in challenging shooting conditions. Flexible positioning of both mounting locations and angles allows comfortable shooting to suit varied preferences and rigging. Quick menu control with touch operation The LCD screen has a quick access control menu. With a single touch, you can change codec, imager scan mode, picture size and frequency, base ISO/sensitivity, shooting mode and audio levels. Dual CFexpress Type A-compatible media slots Dual media slots support CFexpress Type A cards14, along with conventional SDXC UHS-I and UHS-II cards, for fast buffer clearance and data management. Simultaneous, relay, interval and proxy modes are supported. Networked for high mobility Wi-Fi® connectivity enables a host of advanced wireless production features such as remote control via smartphones or tablets and the Content Browser Mobile app. Connect easily with either NFC one-touch or manual pairing. Metadata facilitates editing in Catalyst  The FX6 records three types of metadata: image stabilisation, clip flag, and camera rotation. These can be useful when previewing and preparing to edit in Sony’s free Catalyst Browse or cost-effective Catalyst Prepare software.

Sony ILCE-7M3GBDI.EU-a7MIII-24-105 Alpha A7 III Mirrorless Digital Camera

Sony ILCE-7M3GBDI.EU-a7MIII-24-105 (ILCE_7M3GBDI.EU-a7MIII-24-105, ILCE7M3GBDI.EU-a7MIII-24-105, ILCE/7M3GBDI.EU-a7MIII-24-105, ILCE 7M3GBDI.EU-a7MIII-24-105) Alpha A7 III Mirrorless Digital Camera. Distinguished by its updated sensor design, the Alpha a7 III Mirrorless Digital Camera from Sony is a well-rounded camera suitable for both photo and video applications in a variety of working situations. Refined for improved speed and low-light performance, the full-frame 24.2MP Exmor R BSI CMOS sensor and BIONZ X image processor pair to realize an impressive 10 fps continuous shooting rate and improved autofocus performance for faster, more reliable subject tracking along with wide frame coverage. This updated Fast Hybrid AF System employs a combination of 693 phase-detection points and 425 contrast-detection areas for quicker acquirement of focus in a variety of lighting conditions, and also maintains focus on subjects more effectively. In addition to speed and AF, the processing improvements also help to realize greater image clarity and reduced noise throughout the sensitivity range from ISO 100-51200, which can further be expanded to ISO 50-204800. Video recording capabilities have also been extended for enhanced quality when recording UHD 4K video with the full width of the full-frame sensor to minimize moiré and aliasing. Additionally, benefitting both stills and video operation, the a7 III utilizes a 5-axis SteadyShot INSIDE sensor-shift image stabilization, which is now effective to minimize the appearance of camera shake by up to 5 stops. Beyond just updates to the imaging system, the a7 III's body design has also been revised to include a rear 3.0" 922k-dot touchscreen LCD, which has a tilting design to better support working from high and low angles. A 2.36m-dot Tru-Finder OLED EVF is also featured for bright and clear eye-level monitoring. For greater shooting flexibility, dual SD memory card slots are now featured, and a larger NP-FZ100 battery is also employed to achieve up to approximately 710 shots per charge. Suiting the camera's use in trying conditions, the magnesium-alloy chassis and weather-sealing also render the a7 III dust- and moisture-resistant. An evolved 4D FOCUS system now employs a combination of 693 phase-detection points, which cover approximately 93% of the frame, along with 425 contrast-detection areas for reliable and quick autofocus and subject tracking performance. This Fast Hybrid AF System now achieves twice the focusing speed and more reliable tracking compared to previous a7 models, as well as improved low-light focusing. The use of phase-detection points also enables the use of A-mount lenses via the optional LA-EA3 or LA-EA1 lens mount adapters with full continuous AF/AE tracking compatibility. The apt focus system also lends itself to a variety of focusing functions for refined accuracy, including Lock-on AF, which maintains focus on moving subjects throughout the use of a configurable frame that is set over the desired moving subject, and Expand Flexible Spot, which employs neighboring focus points to retain focus on moving subjects even if the originally selected point loses focus. Additionally, Eye AF can be used to base focus on recognized subjects' eyes for portraits and is available in both AF-S and AF-C modes. Autofocus can also be used in conjunction with the Focus Magnifier function for critical focus when homing in on minute subject details. The rear touchscreen can also be used for Touch Focus control, and a Touchpad Focus Control mode lets you use the rear screen intuitively while keeping your eye to the viewfinder.

Canon 3795C006 EOS C300 Mark III - Body Only

Canon 3795C006 EOS C300 Mark III camera - Body Only. Equipped with a newly developed 4K S35mm sensor and DIGIC DV7 image processor, the new Canon EOS C300 Mark III delivers an exceptional high-resolution image with 16+ stops of latitude. It also has an impressive low light capability, with improved low noise, of up to ISO 102,400 where the human eye cannot easily see. The DGO sensor is a newly-developed imaging system that generates HDR video by reading out each pixel with different gains. It combines images using pixels shot with a saturation-prioritising amplifier for bright areas, and a low noise-prioritising amplifier for darker areas, resulting in higher dynamic range. It is also compatible with Dual Pixel CMOS AF. The EOS C300 Mark III supports continuous 4K recording at up to 120fps, both in Cinema RAW Light and XF-AVC. In 2K (crop) mode, frame rates from 12 fps up to 150 fps can also be set for greater creative freedom, while a dedicated Slow & Fast button, provides quick access to the desired Slow & Fast setting. Dual card slots enable simultaneous internal recording of 4K Cinema RAW Light files (10/12-bit) or 4K XF-AVC files (4:2:2 10-bit) onto CFexpress cards. XF-AVC supports ALL-I which delivers the best quality, and Long-GOP which enables longer recording times through higher compression. A Proxy can also be recorded onto an SD card, making editing work more efficient. The EOS C300 Mark III incorporates Electronic Image Stabilization (IS) into the camera body, supporting 5-axis camera shake correction. Even when used with lenses with no electronic lens communication, Electronic IS is possible by manually inputting the focal length. The EOS C300 Mark III provides support for optional interchangeable lens mounts for different project requirements. EF lens mount provides perfect compatibility with a huge range of Canon EF lenses including EF Cine Primes, while the optional PL mount supports the Cooke/i system. Additionally, B4 mount adapters are also available (for EF or PL mounts) to use with B4 lenses. Optional Extension Units offer a flexible modular design and configuration capability to cater for a variety of production requirements. Extension Unit 1 offers multi-camera support with a Genlock interface, while Extension Unit 2 adds further interfaces, such as two more XLR inputs, ideal for broadcast applications and a V-Lock battery mount for extended recording times. The optional EVF Unit is ideal for hand-held use but also answers user’s demands to make it easily removable for gimbal applications. Approx. 1,750g lightweight body enables it to be comfortably rigged with gimbals, hand-held rigs, making it ideal for various shooting conditions.

Canon 3794C011 EOS C500 Mark II 5.9K Full-Frame Camera Body (EF Mount)

Canon 3794C011 (379-4C0-11, 379/4C0/11, 379 4C0 11) EOS C500 Mark II 5.9K Full-Frame Camera Body (EF Mount) The Canon EOS C500 Mark II 5.9K Full-Frame Camera Body is part of the Cinema EOS lineup of cameras, and it features a full-frame CMOS sensor with an effective 18.69MP resolution. This allows it to feature a 5.9K output in full frame, and crop (window) the sensor for Super 35 and Super 16 frame sizes while maintaining a high resolution. The C500 Mark II comes with a Canon EF mount and features an interchangeable lens mount system, allowing you to swap out the mount in the field for an optional Cinema Locking EF or PL mount, thus greatly expanding the amount of glass you can use with the camera. The sensor features over 15 stops of dynamic range and Dual Pixel autofocus support, and the camera uses a DIG!C DV 7 chip for image processing. The camera internally records raw using the Canon Cinema RAW Light codec in 12- or 10-bit, or you can capture using the XF-AVC codec in 10-bit. Internal recording is done to CFexpress cards via two CFexpress card slots. 8-bit proxy recording in the XF-AVC codes, as well as JPEGs, can be captured onto an SD card via the built-in SD card slot. Supporting a variety of gamma settings including Canon Log 2 and Log 3, as well as supporting a variety of color gamuts including Cinema BT.2020, DCI-P3, and legacy BT.709. LUT importing is supported of course. The camera supports four channels of 24-bit, 48 kHz linear PCM audio recording. Sensor The full-frame CMOS sensor captures a clean, low-noise image with over 15 stops of dynamic range, and it has a color gamut that exceeds the BT-2020 specs. The sensor is capable of capturing footage in a variety of aspect formats, including DCI-4K, UHD and Anamorphic Widescreen. In addition to shooting using the sensor's full-frame size, you can use a variety of spherical and anamorphic glass designed for Super 35mm and Super 16mm capture using appropriate sensor crop modes, lens mounts, and adapters. DIG!C DV 7 Image Processor The EOS C500 Mark II uses the DiG!C DV 7 image processor that takes the extensive raw information captured from the 5.9K sensor. The DiG!C DV 7 enables high frame rate recording, Dual Pixel Auto Focus, Canon RAW Light Recording, HDR (PQ and HLG) output, electronic image stabilization, proxy recording, and oversampling processing. The high-speed DIG!C DV 7 enables the camera to simultaneously record 2K proxy files as XF-AVC 2K 4:2:0 8-bit to an SD card, while you are recording Cinema RAW Light files (5.9K, 4K Crop, or 2K Crop) to the internal CFexpress cards. Interchangeable Lens Mounts the C500 Mark II comes standard with a Canon EF lens mount that works with and has electronic iris control of a variety of Canon EF, ENG, and Canon Cine-Servo lenses. An optional EF Cine Lock mount also features the Canon EF electronic protocols, and it removes any play when mounting EF lenses to your camera. An industry-standard PL mount is also available, enabling using virtually any PL-mount lens on your C500 Mark II. The lens mounts are field-swappable by the user, and each mount comes with a set of shims for setting the correct depth. An optional B4 lens adapter is available for either the PL or EF lens mount; this adapter allows you to use B4 mount ENG-style lenses on your C500 Mark II. Dual Pixel CMOS AF with support for Touch AF and Face Detection AF DAF technology utilizes the fact that each pixel in the camera's CMOS sensor is configured with two photodiodes. Two independent image signals can then be detected at each photosite and compared using phase-difference to provide autofocus with compatible lenses. DAF can survey the scene and recognizes not only whether the subject is in focus or not, but in which direction (near or far) and by how much. Enabling auto-focus lenses to react when necessary and not have to "hunt" for focus. DAF technology can also be used to aid in manual focus. Focus information is translated to an on-screen guide that conveys to the operator the subject's current focus and direction to move in order to achieve focus. When sharp focus is achieved, the indicator turns green as a clear indication. You can also use DAF and the camera's touchscreen LCG to simulate a focus pull using preset locations. After setting two separate focus locations on the screen, the camera's set button can be used to alternate between the two focus points. The focus racking effect can be fine-tuned by adjusting AF tracking speed and response. Focus Control/Assist Focus control includes Dual Pixel CMOS AF (DAF), Manual Focus, One-Shot AF, Continuous AF, AF-Boosted MF, and Face Detection AF Shutter Settings Shutter settings include Speed, Angle, Clear Scan, Slow, or Off mode. Either 1/3 or 1/4 steps selected as speed increments. Electronic Image Stabilization A new feature to the Cinema EOS ecosystem, the C500 Mark II features built-in five-axis electronic IS that works with almost any lens, including anamorphic lenses. Optional Expansion Modules Expansion unit 1 adds genlock/sync out, remote B (RS-422), and Ethernet ports, making the camera well suited for multicamera live production and streaming. Expansion unit 2 expands the compact form factor and adds two additional XLR audio inputs, lens control port, 24-volt DC out, and D-Tap power, in addition to genlock, sync out, remote B (RS-422), and an Ethernet port. It also allows the camera to be powered using industry-standard V-mount batteries.

Sony 4K PTZ Camera with 1in Exmor R CMOS Sensor and 12x Optical Zoom with AC Adapter (white)

Sony BRC-X1000W/AC (BRC_X1000W_AC, BRC/X1000W/AC, BRC X1000W AC) 4K PTZ Camera with 1in Exmor R CMOS Sensor and 12x Optical Zoom with AC Adapter (white) The BRC-X1000 is Sony's first 4K remote camera, combining uncompromising broadcast picture quality and smooth, silent PTZ operation with the flexibility of 3G-SDI and HDMI connections. Designed for remote operation, this compact but powerful robotic camera is an ideal complement to other broadcast cameras for capturing images in hard-to-reach or unobtrusive positions. It's equally at home in TV newsrooms, remote studios and on-air suites, auditoriums, houses of worship, courtrooms or sports stadiums. It's also particularly suited to efficient multi-camera set-ups, under the control of a single operator. The 1-inch type Exmor R CMOS image sensor captures detail-packed 4K footage at 30p with four times the pixel count of Full HD, and excellent low-light sensitivity. The large image sensor also allows the creation of beautiful 'bokeh' effects with a shallow depth of field to suit any artistic intention. Speedy, near-silent PTZ operation with 12x optical zoom accommodates wide-angle scenes and tightly framed close-ups, with Clear Image Zoom 18x (4K), 24x(HD) extending this range even further without visible loss of resolution. Broadcast-friendly features include dual tally lamps for on-air operation, while operational flexibility is enhanced with options for ceiling, table top or tripod mounting. There’s also a broad range of video interfacing and remote control possibilities - plus support for PoE+ and genlock - for smooth integration into any broadcast, professional or corporate AV environment.

Blackmagic BMD-CINECAMPOCHDMFT4K Pocket Cinema Camera 4K

Blackmagic BMD-CINECAMPOCHDMFT4K ( BMD CINECAMPOCHDMFT4K,  BMD/CINECAMPOCHDMFT4K,  CINECAMPOCHDMFT4K ) Pocket Cinema Camera 4K The new Blackmagic Pocket Cinema Camera 4K is the camera you’ve been asking for. It features an all new handheld design that puts the latest advanced digital film technology into the palm of your hand. The Blackmagic Pocket Cinema Camera 4K has a 4/3 size sensor, 13 stops of dynamic range and dual native ISO up to 25,600. That means you get stunning HDR images and incredible low light performance. The external controls give you quick access to essential functions, while the large 5 inch touchscreen makes it easy to frame shots, focus accurately and change camera settings. Images are recorded onto standard SD/UHS-II or CFast 2.0 cards in RAW and ProRes at up to 120 frames per second. In addition, the Blackmagic Pocket Cinema Camera 4K has an MFT lens mount, built-in microphones, mini XLR input, full sized HDMI, 3D LUT support, Bluetooth, USB-C Expansion Port and more. Portable, Affordable and Professional - Now you can shoot anything in 4K The Blackmagic Pocket Cinema Camera 4K gives you the professional features you need, all in a portable and affordable design that can be used anywhere. It’s perfect for shooting independent films and documentaries, fashion shows, travel blogs, web videos, weddings, corporate video, sports and more. The incredible image quality, advanced Blackmagic Design colour science and RAW recording features let you shoot images that rival professional digital film cameras costing tens of thousands more. That means you get the image quality you need to seamlessly mix footage from the Blackmagic Pocket Cinema Camera 4K with other types of cameras used on high end Hollywood feature films and episodic television shows Elegant Modern Design - Designed to be portable, packed with features and fully expandable The portable handheld design of the Blackmagic Pocket Cinema Camera 4K gives you incredible mobility without sacrificing features. The highly compact form factor features a carbon fiber reinforced composite body that makes it extremely durable and lightweight so you can take it anywhere. You get a super bright 5” screen, 4 built in microphones, built in recorders and external buttons and dials that give you fast access to the most important functions. That means you can quickly check framing and focus, capture audio and record your files without having to carry around extra monitors, microphones, recorders and cables. You also get lots of mounting points, a mini XLR input with phantom power, Bluetooth control and more. With the Blackmagic Pocket Cinema Camera 4K you get a fully featured portable digital film camera that’s flexible and expandable. 4K Digital Film Sensor - Excellent low light performance and wide dynamic range The Blackmagic Pocket Cinema Camera 4K features a full size 4/3 sensor that gives you 4096 x 2160 resolution with an incredible 13 stops of dynamic range for true digital film quality. Because it’s full size, the 4/3 sensor reduces crop factor, giving you a wider field of view. It also has dual native ISO up to 25,600 so you get incredible low light performance. The Blackmagic Pocket Cinema Camera 4K can record at up to 60 frames per second in 4K and up to a massive 120 frames per second for windowed HD. The camera features fourth generation Blackmagic Design colour science with film, video and extended video modes. The new extended mode gives you the latitude of film with the convenience of video, so you get great looking images without having to do a lot of work in post production. MFT Lens Mount - Compatible with your current lenses The Blackmagic Pocket Cinema Camera 4K uses the same MFT (Micro Four Thirds) lens mount as the original Pocket Cinema Camera so you can use the lenses you already have. The MFT lens mount was designed specifically for smaller camera bodies with shorter flange focal distance. This means you can get high quality professional lenses that are much smaller than ever before. The MFT mount is extremely flexible and allows for different lens adapters. You can get adapters for PL, C, EF and more, so you can use lenses from manufacturers such as Canon, Nikon, Pentax, Leica and even Panavision. Blackmagic pocket cinema camera 4K Recording Media - Record using standard SD cards, UHS-II cards or CFast 2.0 media When it comes to recording, the Blackmagic Pocket Cinema Camera 4K gives you 3 kinds of media to choose from. Images can be recorded on to standard SD cards, faster UHS-II cards or CFast 2.0 cards. High definition video can be recorded using regular inexpensive SD cards. Higher performance UHS-II cards can be used for recording Ultra HD in ProRes at up to 60 frames per second and RAW at up to 30 frames per second. CFast cards can record 12-bit RAW at all supported frame rates. For longer recording times, you can also record directly to an external SSD or flash disk using the built in USB-C Expansion Port. Best of all, there’s nothing proprietary. The files will work with all professional post production software. You can even mount the media cards on your computer and start editing directly from them using the included DaVinci Resolve Studio software! Expansion Port - High speed USB-C connection for direct external recording The Blackmagic Pocket Cinema Camera 4K features an innovative high speed USB-C Expansion Port. USB-C is fast, flexible and even provides power, so it’s quickly becoming standard on all modern computers and devices. The massive bandwidth of USB-C makes it possible to connect external accessories such as flash drives and SSDs for significantly longer recording times. This can be important when shooting high quality lossless 12-bit RAW or even high frame rate 60 frame per second 4K. Best of all, when you’re done shooting you can use the same drive for editing and post production. Blackmagic OS - Get the same advanced features as larger cameras The Blackmagic Pocket Cinema Camera 4K uses the same Blackmagic OS as URSA Mini. That means you get the world’s most advanced camera operating system and many of the same professional features found on larger cameras. If you’re just getting started, you can learn how to use the Pocket Cinema Camera 4K today and move up to an URSA Mini when you’re ready. If you already use an URSA Mini, there’s nothing new to learn. You get a modern touchscreen interface that uses simple tap and swipe gestures to adjust settings, add metadata and view recording status. The Blackmagic OS gives you incredible control of advanced camera features including 3D LUTs for both recording and monitoring, HDR output via HDMI, metadata entry, custom presets, extended video format, Bluetooth remote control, external timecode from the audio input, RAW recording and more. Super Large Touchscreen - Large and bright 5” touchscreen makes focusing fast and easy The back of the Blackmagic Pocket Cinema Camera 4K features a super bright, large 5 inch touchscreen. This makes it easy for you to frame shots and accurately focus, without having to carry around an external monitor or viewfinder. You get the same menus and interface found on URSA Mini cameras, including on screen overlays for recording parameters, status, histogram, focus and peaking indicators, and playback controls. In addition, you can apply 3D LUTs so you can monitor the shot with the desired colour and look. Not only can you use the 3D LUT for monitoring, it can even be baked into the recorded footage. There’s even a speaker located near the screen, which makes it easy to quickly play back and review shots on set. Professional Audio - Built in microphones and a mini XLR input The Blackmagic Pocket Cinema Camera 4K gives you professional high fidelity audio recording so you don’t have to carry around a separate sound recorder. The camera features a mini XLR input with 48 volts of phantom power for connecting professional microphones such as lapel mics and booms. There are also built in microphones with an extremely low noise floor so you can capture great sound on location. There’s even a 3.5mm stereo audio jack so you can use different types of video camera microphones. Blackmagic pocket cinema camera 4K Advanced Connections - HDMI monitoring, mini XLR audio input, power and more Even though it’s small and portable, the Blackmagic Pocket Cinema Camera 4K has a full size HDMI connector built in. You get support for advanced features such as HDR output and a clean 10-bit output with on screen overlays showing full camera status, making it perfect for on set monitoring. There’s also a mini XLR connection with 48 volts of phantom power for attaching professional microphones, a 3.5 mm video camera style microphone input and a professional locking DC power connector. Flexible Power Options - Battery, DC and USB-C so you can shoot all day long The Blackmagic Pocket Cinema Camera 4K uses standard removable LP-E6 type batteries. You also get a locking DC power connector so it can’t be accidentally disconnected in the middle of a shoot. The included 110 - 220 volt plug pack can be used to simultaneously power the camera and charge the LP-E6 battery. Plus, it includes international socket adapters so it can be used anywhere in the world. The USB-C Expansion Port accepts power so you can charge the battery from portable battery packs, a mobile phone charger or even your laptop computer. The Blackmagic Pocket Cinema Camera 4K gives you a wide range of flexible power options so you can shoot all day. Includes DaVinci Resolve Studio - Professional editing, visual effects, colour  correction and audio post The Blackmagic Pocket Cinema Camera 4K includes a full version of DaVinci Resolve Studio, which is a complete post production solution. You get the world’s most advanced solution that combines professional editing, colour correction, audio post and visual effects all in one software tool. DaVinci Resolve is used to finish more Hollywood feature films than any other solution, so you'll get the best possible post production tools to edit native video from your camera and retain every bit of quality. Whether you’re working on major Hollywood feature films, episodic television productions, music videos, commercials or even the latest YouTube shoot, DaVinci Resolve Studio gives you a completely lossless workflow for native editing, colour correction, effects, audio and delivery, so your video always looks as good as possible. Whether you're shooting a wedding, documentary, travel blog, or even an independent film, the Blackmagic Pocket Cinema Camera 4K packs incredible high end features into a portable design that's affordable enough to be used on any type of production! The compact size gives you the mobility to get shots from any angle, while professional features such as 12-bit RAW recoring give you true digital film quality, all at a price that's affordable enough for young filmmakers, educators, corporate and wedding videographers and more! Fashion Shoot Designed with all of the features you need built in, the Pocket Cinema Camera 4K doesn’t require external accessories or a large rig to capture great images. It’s small and light enough for you to work quickly, moving from one location to another with ease. You get incredible digital film image quality, built in microphones, RAW recording and more. The Blackmagic Pocket Cinema Camera 4K is perfect to use on traditional photo shoots when you need to quickly tag shots with metadata, plus it even shoots still photos, all in one camera! Travel and Food Blogs Because it’s so small and easy to travel with, the Blackmagic Pocket Cinema Camera 4K is ideal for travel blogs and food videos. You can shoot using the advanced video mode which gives you great looking footage that you don’t have to color correct. That makes it much faster when you need to edit quickly and go straight to the web! The SD cards, UHS-II and CFast cards are small and inexpensive, which makes it easy to carry enough of them to last the entire trip! Whether you’re in a foreign country or at a local street food festival, you’ll always have enough media to capture your adventure! Documentary The Blackmagic Pocket Cinema Camera 4K is perfect for shooting documentary films! With its 4K sensor, 13 stops of dynamic range, and dual native ISO up to 25,600, you’ll get incredible images whether you’re shooting in low light or broad daylight. The ¼” thread mounting point lets you quickly set it up on a tripod. It’s also small enough to be inconspicuous when shooting outdoor nature projects. The built in microphones make it possible to capture incredible ambient sounds out in the wild! For indoor shooting, the small size makes the camera less intimidating so your talent will be more comfortable when giving on camera interviews! Documentary filmmakers also have a tendency to shoot a lot of material. The camera features a USB‑C Expansion Port which is perfect for connecting direct to a flash disk or SSD so you can shoot for hours, connect the same media disk to your computer and instantly start editing! Fast Paced Sports The incredible 4/3 image sensor and MFT lens mount let you shoot with inexpensive, high quality wide angle lenses so you can get dynamic shots of extreme action sport athletes such as skaters and snow boarders! Best of all, because the Blackmagic Pocket Cinema Camera 4K is so small and includes everything you need, it’s perfect for run and gun, guerrilla style shooting. Plus, unlike large sensor cameras, you get just the right blend of wide depth of field so you don't need to chase focus all the time, yet it still has enough shallow depth of field to keep shots looking cinematic. Imagine capturing all the excitement using high frame rate 60 frames per second 4K or an incredible 120 frames per second for regular HD! You’ll be able to work faster than ever so you can get in position, get the shot you need, and get out quickly! WeddingsBlackmagic pocket cinema camera 4K Everybody wants a beautiful wedding video, but nobody wants a large crew with a massive camera to disrupt their special day! You can operate it by yourself and the built in handle has multifunction controls that let you move around quickly. You get incredible cinematic quality 10-bit ProRes and 12-bit RAW recording that’s far better than traditional DSLR cameras. The CFast 2.0 cards are perfect for shooting short segments or guest interviews in Ultra HD. Plus, the camera’s small design is less intimidating for guests. For longer shoots, like during the ceremony, simply attach a flash disk or SSD directly via the USB-C Expansion Port! Now you can shoot weddings in stunning 4K without disrupting the guests. The incredible dynamic range makes it easy to shoot both inside and outside. The bride, groom and guests won’t even know you’re shooting video! Independent Films Whether you’re shooting a dramatic scene, romantic comedy, or action packed thriller, the Blackmagic Pocket Cinema Camera 4K will give you high end, big studio feature film quality images at a price you can afford! You get a 4K camera with amazing low light performance and true lossless 12-bit RAW recording that rivals cameras costing tens of thousands more. You can also shoot in 10‑bit ProRes which gives you great looking images and much smaller files, which is perfect for projects that shoot a lot of source material. Shots can be played back on the built in LCD or via HDMI on a television, so it’s easy to review shots with the crew, check framing and focus, and see camera settings with the on screen overlays. You even get DaVinci Resolve Studio for free, so you’ll have everything you need to shoot, edit, color, mix and master your film. Now you can afford a true digital film camera so you never have to use a DSLR again! Corporate Video Everything you need is built in, and it’s affordable enough for you to have multiple cameras to get better coverage. Plus, the extended video range shooting mode lets you capture incredible looking images so you don’t have to spend a lot of time in post production. The built in CFast 2.0 recorder can capture 4K video at up to 60 frames per second with incredible detail and clarity, which is perfect for projecting on to large screens at corporate launch events! Because it’s so affordable, the Blackmagic Pocket Cinema Camera 4K makes it easy to set up multi camera shoots so you can get more coverage from more angles than ever before. That means you’ll have the additional angles you need to create truly professional looking work! Action Camera Because of it’s small size and incredible quality, the Blackmagic Pocket Cinema Camera 4K is a great action camera. You get true high end digital film quality images that can easily be intercut with footage from larger cameras. You get full ProRes and RAW quality built into a camera that you can strap to a motor bike, wear on your body, or even put in a crash vehicle. You can control the camera remotely via Bluetooth to start and stop recording as needed and to change settings. That means you can shoot in dangerous situations without having to be too close! If you're shooting yourself, the front mounted record button and tally light makes it super easy to confirm that the camera is on and recording! Design The Blackmagic Pocket Cinema Camera 4K features a next generation design that makes it the world’s lightest, most portable and durable full featured 4K digital film camera! You get incredible mobility in a carbon fiber polycarbonate composite body that’s packed with high end professional features such as state of the art 4K image sensor, MFT lens mount, external controls, 5 inch touchscreen monitor, professional audio, USB-C Expansion Port and more! The unique portable design of the Blackmagic Pocket Cinema Camera 4K makes it perfect for use on everything from student films to big studio features! Carbon Fiber Body Designed using a space age carbon fiber polycarbonate composite, the body of the Blackmagic Pocket Cinema Camera 4K is extremely strong and light. The carbon composite material consists of a high strength polymer that’s reinforced with carbon fibers. This makes the camera body incredibly light giving it the strength and rigidity to protect it from bangs, drops and accidental breakage. That means you’ll be able to take the Blackmagic Pocket Cinema Camera 4K virtually anywhere and have the confidence to know that you’ll be able to get your shots, even under the harshest shooting conditions! Blackmagic pocket cinema camera 4KHand Held Design The Blackmagic Pocket Cinema Camera 4K features a familiar and comfortable design that has been specifically developed for shooting video so you get controls that go far beyond those found on traditional DSLR cameras. The multi function grip, which has buttons and dials placed logically for finger tip control, allows super fast access to all essential shooting functions. You get controls for recording start/stop, still photos, ISO, shutter, aperture, white balance, function buttons, power on/off and more. If you’ve ever shot with a DSLR, the Blackmagic Pocket Cinema Camera 4K will feel very familiar, but the images will look far better! Super Bright Touchscreen You’ll never have to carry around a separate monitor for focussing a high resolution shot when you’re shooting with the Blackmagic Pocket Cinema Camera 4K. That’s because it features a built in super bright 5 inch touchscreen monitor that’s perfect for framing shots and checking focus. You can even double tap on the LCD to zoom in, turn on focus peaking, focus assist and more! Plus you can use the touchscreen to access the Blackmagic OS, which lets you control all of the cameras advanced functions with simple tap and swipe gestures. You can even add metadata using the built in digital slate! High Resolution, Low Light Sensor The full size 4/3 sensor has a native resolution of 4096 x 2160 and can capture up to 13 stops of dynamic range. The sensor size is designed to match the MFT lenses, so there’s minimal crop factor which gives you a wider field of view. With dual native ISO up to 25,600, you also get excellent low light performance! You can also shoot at up to 60 frames per second for 4K and 120 frames per second for HD. Unlike other small cameras, the high performance sensor has fast refresh rates, even when shooting at low frame rates, so you get rock solid images that don’t have wobbly shutter artifacts. True Professional Audio Designed from the ground up to capture amazing high fidelity audio with incredible clarity, the Blackmagic Pocket Cinema Camera 4K features 4 built in microphones with extremely low noise for capturing the subtle detail in live sound. All this means professional audio is a major design goal for this camera. There’s also a mini XLR input with 48 volts of phantom power for connecting professional boom and lapel microphones. You can also use the 3.5mm input to connect standard video camera microphones. With the Blackmagic Pocket Cinema Camera 4K, you get professional quality audio with flexible options for microphones! USB-C Expansion Port USB-C has become the new standard on everything from computers to cell phones, because it’s very fast, provides both power and data, and has an extremely small connector. The Blackmagic Pocket Cinema Camera 4K includes a USB-C Expansion Port so you can connect peripherals such as a flash disk or SSD for long recording times. Once your recording is complete, you can simply unplug the disk and connect it to your edit workstation. The USB-C connection also handles power, so you can use a standard computer power supply or power pack to charge the internal battery! Advanced Connections The Blackmagic Pocket Cinema Camera 4K features a full size HDMI connector with support for HDR output, plus you get support for a clean 10-bit HDMI output with or without overlays for on set monitoring. There’s also a mini XLR connection with 48 volts of phantom power for attaching professional microphones, and a 3.5 mm video camera style microphone input. The 3.5mm microphone input will accept LTC timecode from an external source. You also get a professional camera style locking DC power connector. For wireless connectivity and control, you can even use Bluetooth, as well as customizing your own control solutions with the Blackmagic Bluetooth control developer SDK! Blackmagic Pocket Cinema Camera 4K features the same advanced Blackmagic OS software as URSA Mini, making it super fast to use and more intuitive than ever! All important camera functions can be accessed with a single tap on the new heads display, there's an elegant new digital slate that makes metadata entry a breeze and a dashboard that uses simple tap and swipe gestures for record settings, monitoring, audio, camera setup, presets and 3D LUTs. Each camera feature runs as a seperate high performance app which means that you get greater stability than other simple camera software! Best of all, we'll be able to add even more great new features in the future! Blackmagic pocket cinema camera 4K New Heads Up Display The heads up display, or HUD, contains critical information such as the frame rate, iris, timecode, shutter angle, white balance, ISO, audio levels and more. You can show or hide the heads up display by simply swiping up or down. For example, you can adjust settings such as white balance simply by touching the WB indicator, or change the audio levels by touching the audio meters. Everything is interactive, so if you tap any item you can instantaneously change its settings without having to search through confusing menus! Monitor Options Blackmagic Pocket Cinema Camera 4K lets you turn different monitoring tools on and off with a few simple taps! Tapping the monitor icon brings up an overlay for toggling between and adjusting settings. You can adjust zebra settings for checking exposure, focus assist tools, frame guides, grids and more! Advanced Digital Slate Direct enter metadata rightinto the camera for rapid shooting! Blackmagic Pocket Cinema Camera 4K features digital “slate” and incredible metadata features that make it extremely fast to add metadata to any shot! Simply swipe left or right to bring up the digital slate. You get intelligent predictive entry suggestions that can be added as metadata tags with a simple tap! Plus, if you start and stop recording, you can set to automatically increment the take number so you don’t have to enter them manually for each shot! You can also set your reel numbers to increment automatically each time you format a card. In addition, lens metadata is automatically detected from electronic lenses or it can be entered manually, along with production specific information, technical information and much more! All of this metadata is saved with the files and available in post production when editing and color correcting with software such as DaVinci Resolve! You can even enter the slate information wirelessly via Bluetooth from an iPad using the Blackmagic Camera Control application! Fast Camera Settings Incredible new dashboardgives you complete control! The new Blackmagic Pocket Cinema Camera 4K dashboard has six tabs with elegant, simple to understand interfaces that give you quick access and complete control over every setting and feature on the camera! Simply tap on the record, monitor, audio, setup, presets, or LUTs tab to access everything with just a few taps. The unique design of the interface offers visual consistency that puts items in the same logical order every time so you can quickly learn where settings are and remember how to change them! Simplified Recording Setup Quickly check orchange recording settings! The record tab gives you a revolutionary, fast to use interface for selecting the recording format, resolution, frame rate and more! Simply tap on RAW or ProRes and the appropriate variations such as compression ratios will light up underneath them so you can make your selection and then choose the resolution. The record tab also lets you adjust the dynamic range for film, extended video or video. You can also set the window sensor mode, frame rate, preferred card recording options, time lapse, sharpening level and more! Flexible Monitoring Options Adjust text, overlays andother options for all outputs! The monitor tab gives you total control over what is displayed on the built in LCD touchscreen, and the main HDMI output. Each output can have independent overlays and you can select to send a clean feed, zebra, focus assist, frame guides and more to any or all outputs. You can even set the resolution and choose LUTs for each output! In addition, you can also set to scale down the image display so that the interactive HUD is outside of the image area and is not covered by it. Best of all, you can define different display status text for the cinematographer and the director, and then send that information out to the HDMI output, so the right people see the right information! Professional Audio Control Adjust audio inputand monitoring settings! You can quickly adjust audio levels using the interactive HUD, but for complete control over audio settings, you can also use the audio tab on the dashboard. You can change inputs from camera mic to mini XLR, adjust headphone and speaker levels, mic levels, low cut filter and more. When adjusting mini XLR settings, you can choose whether you want to use mic or line level and turn on 48v of phantom power so you can use microphones that are not self powered! Camera Setup The quickest wayto set up your camera! Blackmagic Pocket Cinema Camera 4K makes it super fast to get your camera out of the box, set up and ready to go! The setup tab on the dashboard lets your enter the date and time, select the language, shutter measurement, electrical system, battery display, timecode and more. You can even completely customize the behavior of the camera’s 3 external function buttons to trigger presets or toggle certain features on and off! Save and Load Presets Now you can create setups for different users and productions! Different operators like to set up their cameras in different ways. Plus, different shows also can require different setups too! With Blackmagic Pocket Cinema Camera 4K, you can create and save 12 custom presets by using the presets tab in the dashboard. Presets can even be saved to SD Card, UHS-II card or CFast cards and then transferred to different cameras, making it fast to set up multiple cameras so they all have the same settings! If you often switch cameras, you can save your own presets to a CF card and load them on any Blackmagic Pocket Cinema Camera 4K on any shoot! Built in 3D LUTs Load and apply LUTs toany output or record themfor your own unique looks! 3D color lookup tables (LUTs) are used to adjust the color of the output so the director or cinematographer can see a certain “look” as they’re shooting. LUTs are extremely useful when shooting RAW or when using “film” dynamic range, both of which generally look flat when they’re shot. By using LUTs, the director and cinematographer can get a better idea of what the footage will look like after it has been color corrected in post production with software such as DaVinci Resolve. Blackmagic Pocket Cinema Camera 4K can apply 3D LUTs independently to the LCD touchscreen or the HDMI allowing them to be used for high end feature film work. Blackmagic Pocket Cinema Camera 4K allows you store up to 10 custom 3D LUTS in the camera. You can even bake the 3D LUT into your footage and record it with your unique look applied! Fast Adjustments With A Single Tap Quickly change settings and see how they affect your image in realtime!

PMW-F55/R7 CineAlta Camcorder with Sony AXS-R7 Recorder

Sony PMW-F55/R7 (PMWF55/R7, PMW/F55/R7, pmw-f55/r7) (AXS/R7, AXS_R7) CineAlta Camcorder with Sony AXS-R7 Recorder Comes with 2 Years Sony Prime Support Warranty - Beware of grey imports. Sony 4K sensor for gorgeous, super-sampled HD, 2K and 4K. The PMW-F55 CineAlta camera shoots spectacular images with its 8.9 megapixels (effective) Sony 4K image sensor, incorporating a revolutionary electronic global shutter to eliminate rolling shutter distortions. You get superb dynamic range, the widest colour gamut, and pristine image quality, whether you shoot in HD, 2K or 4K. Multiple recording formats includes HD/2K/4K on SxS memory and 16-bit RAW 2K/4K on AXSM media Multiple recording formats include MPEG-2 HD422, MPEG4 SStP*, XAVC 2K*/HD, XAVC QFHD*/4K and 16-bit RAW 2K/4K. You can have simultaneous recording on internal high-speed SxS PRO+ memory cards and RAW 2K/4K recording on sleek AXSM memory cards using the optional bolt-on AXS-R5 recorder, designed specifically to attach seamlessly to the F55 and F5 cameras. There is also high speed shooting up to 240 fps RAW 2K and 60 fps in RAW 4K recording onto the AXS-R5. Expected as a future upgrade. Recording onto the optional AXS-R5 recorder. Lightweight modular design to maximise versatility in 2D and 3D. The F55 is exceptionally small, light and modular, letting you build up the right configuration for each job – or each shot. As well as the choice of formats and internal and external recording options, you can attach a variety of viewfinders, including the revolutionary optional DVF-EL100 OLED viewfinder, PL-mount, FZ-mount and still lenses, including second-generation Sony PL-mount lenses, and extra long-life Olivine – Lithium Iron Phosphate – batteries. The chassis is only slightly wider than a typical PL-mount prime lens, perfect for 3D rigs. An optional shoulder rig provides for hand-held and shoulder-mounted shooting. Higher resolution, higher contrast LCD digital viewfinder for CineAlta cameras The DVF-L350 colour HD digital viewfinder offers LCD quality for CineAlta cameras with a digital interface, such as the PMW-F55 and PMW-F5. Take a major step forward in operating with the incredible image of this 3.5-inch* LCD viewfinder. Compared to previous Sony viewfinders, the DVF-L350 has higher resolution (960 x 540) plus ten times the contrast. And the eyepiece flips up for direct monitoring. Viewable area, measured diagonally. AXS-R7 External Recorder The durable, dust and splash-proof AXS-R7 Portable Memory Recorder attaches seamlessly to the high end F55 and F5 CineAlta cameras, speeding up the 4K production workflow without compromising quality. The AXS-R7 doubles 4K RAW recording from 60 fps up to 120 fps for the F55 camera compared to previous Sony recorders. For shooting at higher frame rates, the recorder captures 2K RAW at up to 240 fps for the F55 and F5, for playback with 10x super slow motion. Working with high-speed AXSM™ A Series memory cards, the recorder features dual memory card slots for extra security and to extend recording times. The recorder also offers 4K RAW cache recordings up to 30 seconds while in standby mode. The tough, all-metal casing makes the AXS-R7 the ideal companion to the F55 and F5 for all kinds of high-end drama, documentary and wildlife productions.

Sony PMW-F5/CBK-55BK F5 Camera + ENG Shoulder Kit

Sony PMW-F5/CBK-55BK (PMWF5CBK55BK, PMW F5 CBK 55BK, PMW/F5/CBK/55BK, pmw-f5/cbk-55bk) F5 Camera + ENG Shoulder Kit The Sony PMW-F5 offers robust built-in recording modes, all with vibrant 4:2:2 colour. Further options include the wonderful precision of 16-bit linear RAW 2K/4K recording and high speed shooting at up to 120 fps without cropping. The various recording formats available include MPEG-2 HD422, MPEG4 SStP, XAVC 2K/HD and 16-bit RAW 2K/4K. The Sony F5 has simultaneous recording on to internal high-speed SxS PRO+ memory cards and RAW 2K/4K recording on sleek AXSM™ memory cards using the optional bolt-on AXS-R5 recorder, designed specifically to attach seamlessly to both the F55 and F5 cameras. High speed shooting up to120 fps XAVC 2K/HD* internally and 120 fps RAW 2K onto the AXS-R5 is also available for the PMW-F5 camera. Sony PMW-F5 - A lightweight modular design. Small and compact the Sony PMW-F5 allows you to configure the right set-up for each project – or individual shot with it’s modular design. A range of formats, both internal and external recording options and accessories are available on the F5 camera. A range of viewfinders are available, including the revolutionary optional DVF-EL100 OLED viewfinder, PL-mount, FZ-mount and still lenses, including second-generation Sony PL-mount lenses, and extra long-life Olivine – Lithium Iron Phosphate – batteries. The chassis on the Sony PMW-F5 Camera is only slightly wider than a typical PL-mount prime lens, perfect for 3D rigs. An optional shoulder rig provides for hand-held and shoulder-mounted shooting with the Sony F5. CBK-55BK: Greater flexibility of shooting style for documentaries, sports and news The CBK-55BK build-up kit enables one-person operation of the PMW-F55 and PMW–F5 CineAlta cameras, making it easy to achieve a shooting style to suit a variety of needs while maintaining the familiar, easy-to-use interface features of traditional shoulder camcorders. Good weight balance The CK55BK shoulder mount pack has an ergonomic design usable with any lenses and featuring an adjustable shoulder pad and front block control. DWX Digital Wireless Audio Slot-in The Sony CBK-55BK provides a slot-in option for the DWX Series DWR-S02D 2 channel digital wireless receiver.

Sony PMW-F5 35mm Full HD Camcorder with LCD viewfinder package B

Sony PMW-F5 HD Camcorder with LCD viewfinder Package B © includes: Sony PMW-F5 (PMWF5 PMW F5 PMW/F5) Super 35mm Full HD 4K CMOS Sensor Compact CineAlta Camcorder - Records HD/2K on SxS memory plus 16-bit RAW 2K/4K output Sony DVF-L350 (DVFL350, DVF L350, DVF/L350, dvf-l350) LCD Viewfinder for PMW-F5, PMW-F55 *Digibroadcast has put together some bespoke Sony packages for our clients based on our own research and surveys and holds the right to protect all of its content ©

Sony PMW-F5 35mm Full HD Camcorder with OLED viewfinder package a

Sony PMW-F5 HD Camcorder with OLED viewfinder Package A© includes: Sony PMW-F5 (PMWF5 PMW F5 PMW/F5) Super 35mm Full HD 4K CMOS Sensor Compact CineAlta Camcorder - Records HD/2K on SxS memory plus 16-bit RAW 2K/4K output Sony DVF-EL100 oled 0.7-inch colour hd digital viewfinder   *Digibroadcast has put together some bespoke Sony packages for our clients based on our own research and surveys and holds the right to protect all of its content ©