Canon EOS C50 Cinema Camera

Canon 7034C011AA (70-34C0-11AA, 70/34C0/11AA, 70-34C0/11AA, 70 34C0 11AA) EOS C50 Cinema Camera The Canon EOS C50 is designed for creators who thrive under pressure—built for professionals working solo or in small crews. From interviews to social content, weddings to indie films, this ultra-lightweight camera earns its spot on every production. As Canon’s smallest professional cinema camera, it opens the door to true cinematic storytelling. Powered by a 7K Full Frame sensor, the EOS C50 delivers Open Gate RAW recording, 32MP stills, and pro-level connectivity in a sleek, modular design. Positioned between the EOS R5 C and C70, it bridges the gap between Canon’s V Series and Cinema EOS lineup, offering creators advanced video performance without fully stepping into high-end cinema gear. It’s Canon’s fifth RF-mount Cinema EOS model and the second hybrid in the series, blending mirrorless flexibility with cinema-grade features. Cinematic 7K Full Frame Capture Capture breathtaking detail with Canon’s 7K Full Frame CMOS sensor, Dual Base ISO (800/6400), and 15+ stops of dynamic range. Shoot 32MP stills at 40fps with ISO up to 64,000, or create oversampled 4K with Canon’s signature color science. Open Gate Flexibility Record in 12-bit RAW (6960x4640, 3:2) for ultimate versatility—perfect for widescreen, vertical, or anamorphic formats. Switch seamlessly between Full Frame, Super 35mm, and Super 16mm crop modes. RF Mount Versatility Take advantage of Canon’s RF mount with access to prime, zoom, hybrid, and cinema lenses, plus metadata support, fast AF/IS, and full compatibility with PL/EF lenses via adapters. Precision Autofocus Experience lightning-fast autofocus with Dual Pixel CMOS AF II, enhanced face, eye, and animal tracking, EOS iTR AF X, Focus Guide, and fully customizable AF speed controls. High Frame Rates Record Cinema RAW Light up to 7K 60p, plus 4K 120p and 2K 180p. Capture oversampled 4K 10-bit XF-AVC or HEVC in multiple formats, with CFexpress Type B and UHS-II SD card slots for smooth workflows and proxy recording. Professional Connectivity Includes HDMI, timecode, mic and headphone ports, USB-C, and a detachable handle with dual XLR inputs. Built-in Wi-Fi and USB-C enable IP streaming, UVC/UAC output, remote control, and Multi-Function Shoe support. Compact, Ergonomic Design Canon’s most compact Cinema EOS features a 3" articulating touchscreen, detachable top handle, 14 assignable buttons, tally lamp, active cooling, and multiple mounts—ideal for handheld use, gimbals, or drones. Multi-Camera Ready Seamlessly integrate with Canon’s XC Protocol accessories and apps for live production, studio control, or multi-cam setups with timecode sync and unified settings management. Future-Ready for VFX & VR The EOS C50 supports real-time lens metadata for virtual production, fully compatible with Unreal Engine and After Effects. Pair it with Canon’s RF 5.2mm Dual Fisheye to capture immersive 180° VR experiences.

Panasonic AW-UB50E 4K Multipurpose Box Camera

Panasonic AW-UB50E 4K Multipurpose Box Camera(PANAWUB50E) The 4K multi-purpose camera AW-UB50 delivers high-quality video and simplifies video production process whether it is corporate, education or live entertainment. Delivering stunning, vivid colour reproduction, the UB50 uses a 24.2-million pixel full-frame MOS sensor and supports IP-based transmission standards such as NDI® HX2[1].   The UB50 has been optimised for cinematic video production, featuring a shallow depth of field. The model offers real-time recognition autofocus technology, enabling the camera to automatically identify the subject and keep them in focus.   Installation flexibility is front-of-mind in the design. Both models feature a compact chassis, with a sub-10cm height, width and depth, enabling installation in the tightest of spaces. It can also be used for hand-held shooting with a Gimbal, providing greater flexibility for operators.   When linked with remote camera systems on the same network, the UB50 is fully compatible with Panasonic’s AK-HRP1010 remote operation panel, with future support planned with the AW-RP150GJ remote camera controller and Panasonic live switchers. The cameras can also act as a tally control. By installing a colour profile compatible with the Panasonic AW-UE160 4K integrated camera, it is easy to match colours in mixed operation with remote cameras.

Canon EOS C80 Cinema Camera RF Mount

Canon 6389C006 (63-89C0-06, 63/89C0-06, 63 89C0 06, 63_89C0_06) EOS C80 Cinema Camera RF Mount UNLEASH YOUR CREATIVE POTENTIAL Stay agile with the EOS C80, a compact and ergonomic powerhouse featuring a 6K full-frame BSI sensor, RF mount, and Dual Pixel CMOS AF II technology. It delivers exceptional image quality and versatility, perfect for cinema, live, and virtual production needs. A CLOSER LOOK AT THE EOS C80 Explore the standout features of the EOS C80 that elevate your professional video productions. 6K full frame BSI sensor The backside illuminated (BSI) sensor technology brings forth a striking balance of dynamic range and rich, natural color tones. Its triple base ISO system weaves together sharp clarity with low-noise performance, shaping visuals that feel both vivid and immersive. VIDEO PRODUCTION ELEVATED Full frame 6K BSI sensor Capture stunning visuals with Canon’s advanced backside illuminated (BSI) stacked CMOS sensor, offering next-level performance with triple base ISO (800 / 3200 / 12800), lifelike color reproduction, and an impressive 16 stops of dynamic range. Dual Pixel CMOS AF II with EOS iTR AF X Experience enhanced, faster autofocus technology with pinpoint accuracy and ultra-responsive tracking for faces, eyes, heads, bodies, and animals across the full sensor. Take full control with face-only recognition and customizable settings, ensuring your focus remains sharp and precise at all times. Compact, ergonomic and familiar design The updated, familiar design offers enhanced ergonomics, improved connectivity, and an upgraded joystick along with a multi-function shoe. Whether using the top handle or customizing your own rig, this camera provides the flexibility to shoot with ease, even in the most challenging conditions. Professional recording formats and high frame rates The EOS C80 supports 12-bit Cinema RAW Light LT recording at up to 6K 30P, and 4:2:2 10-bit at up to 4K 120P. It also offers oversampled 4K via XF-AVC, along with enhanced XF-AVC S and XF-HEVC S (MP4) formats, all featuring comprehensive metadata and structured filenames. Additionally, HDMI RAW output is available for use with compatible external recorders. RF mount Count on advanced prime, zoom, and cinema lenses for exceptional optical performance, real-time lens metadata, and lightning-fast AF/IS systems. Effortlessly use your PL and EF lenses with a Canon mount adapter for added versatility in your productions. Uncompromised connectivity The EOS C80 features professional on-body I/O options, including 12G-SDI, HDMI, 2x mini-XLR, Mic In, Remote, and Timecode ports. With built-in Wi-Fi and Ethernet, it supports real-time IP streaming (SRT / RTSP) and remote control via XC Protocol and the Multi-Camera Control app. The camera is also expandable through Canon’s Multi-Function Shoe for added versatility. Designed for the future The EOS C80 offers real-time lens metadata output and capture, ideal for virtual production (VP) and VFX workflows, with seamless integration with Unreal Engine and After Effects, including distortion correction data. Additionally, create immersive VR experiences using Canon’s RF 5.2mm F2.8L Dual Fisheye lens for unparalleled visual storytelling.

Sony Burano 8K Camera

Sony Burano 8K Camera(BURANO) Versatile, lightweight, and compact full-frame 8K cinema camera with 16 stops of latitude, image stabilisation for PL and E-mount lenses. Easily configurable for solo and team production. A New Era in Cinematography BURANO is a new concept in cinema cameras. It takes VENICE’s superior image quality and usability but re-imagines it for solo and small team productions. 33% lighter than VENICE 2, more power efficient and supporting CFexpress media – it’s not just our smallest full-frame CineAlta camera, in many ways it’s our most technically advanced. Expect uncompromising image quality wherever you are, whatever the size of your crew. Smarter Shooting BURANO makes shooting highest quality 8K simpler than you can imagine. The world’s first PL mount compatible camera with a built-in stabilisation system*. A ground-breaking combination of our unique electronic variable ND filter system with in-body image stabilisation (IBIS) in a full-frame PL and E-mount cinema camera. For the first time in a full-frame CineAlta camera, Fast Hybrid and Subject Recognition AF with AI makes it easier to get the shots you want under the most demanding scenarios. With BURANO, you don’t need a studio or big crew to excel. Shoot The Way You Want BURANO adapts to be the camera you want to be whatever the shoot. A multi-purpose touchscreen LCD monitor, with flexible mounting system and a versatile, robust handle, allow you to easily configure BURANO for different shooting styles. A lightweight, compact chassis and ergonomic balance make it easy to switch between shoulder-mount, handheld, gimbal or drone operation. BURANO can be configured for large and small projects, solo or with an entire crew. It’s all your choice. Full-Frame 8.6K Sensor BURANO has a large 36x24mm full-frame image sensor that delivers high-quality images and superb rendition with wide latitude and a rich colour gamut. It achieves the beautiful bokeh and dynamic wide-angle shooting that only a full-frame sensor can provide. 8K image quality with a maximum resolution of 8632 x 4856 and, through oversampling, it can output phenomenal looking 4K content. Multiple Image Scan Modes BURANO supports 16:9 and 17:9 readouts in full-frame (8.6K) and Super 35mm (5.8K). Image scan modes include full-frame and Super35 as well as finely optimised down sampled and high-speed modes such as 6K 60p (FF crop), 5.8K 60p (S35), and 4K 120p (S35 crop*) catering for a wide range of production requirements. *Only 17:9 in Super 35 Cropped (S25c) mode 16 Stop Latitude With a wide latitude of 16 stops*, BURANO captures beautiful, low-noise images under almost any lighting conditions. The camera’s wide dynamic range captures everything from highlights to shadows expertly with superb colour rendition, giving operators maximum flexibility in colour grading. * S-Log3 shooting. Sony measurements. Wide Colour Gamut BURANO features Sony’s signature S-Gamut/S-Gamut.Cine wide colour space that, as with the VENICE 2, covers a gamut exceeding BT.2020 and DCI-P3. S-Log3 and X-OCN also dramatically enhances creative flexibility in post-production. As BURANO offers the same colour accuracy as VENICE 2 it’s easy to use both cameras together for a seamless and efficient post-production workflow. Dual Base ISO Cinematographers worldwide love VENICE 2’s ability to switch the sensor’s sensitivity to capture clean images even in low light conditions. BURANO supports the same Dual Base ISO 800 and 3200 as VENICE 2. This means clear images with low noise whether shooting in a brightly lit environments (ISO 800) or in challenging dimly lit scenarios (ISO 3200). With BURANO, it’s possibly to shoot amazing imagery with nothing more than candlelight. Internal 16-bit X-OCN LT and XAVC H recording Despite its compact dimensions, BURANO offers internal recording of X-OCN LT* as well as our new XAVC H and proven industry standard XAVC-I format. X-OCN is Sony’s compressed RAW format that records everything that the 8.6K sensor can capture in a broad latitude 16-bit scene linear file full of rich tonal gradation. X-OCN LT’s high efficiency reduces storage requirements and accelerates file transfer times for 8K content for a post-production workflow that’s comparable to a 4K project. BURANO also features 10-bit S-Log3 with XAVC H-I HQ recording at 1200 Mbps and XAVC H-I SQ recording at 800 Mbps for 8K30p image quality. This enables even great data savings and faster post-production workflow. * Not compatible with X-OCN XT and X-OCN ST recording formats New in-camera Looks for Ready-to-Use Footage BURANO has four new looks – Warm, Cool, Vintage and Teal and Orange – to choose between alongside the established s709 and 709 (800) looks in Cine EI mode. Creatively tuned to suit typical shooting scenarios, they give the operator a choice of distinctive, engaging looks at the touch of a button. Moreover, LUT data from a shoot can be embedded in those clips’ metadata for an efficient colour workflow. s709: Kodak 2383-like natural tones and colours s709(800): Standard 709 tone curve for accurate colour reproduction Teal and Orange A modern, colourful, contrasty reformulation of the classic film look. With a strong separation between cool backgrounds and warm skin tones, it’s an ideal look for productions with a focus on human subjects. Warm A soft, gentle look with amber highlights, and flattering for skin. Cool Evokes the chill of a shadow, and the blue of twilight – ideal for midnight blue or the coolness of a city at dawn. Vintage Transports the camera’s high resolution cinema quality into a previous era. The look applies a film-like bleach bypass and faded, pale sepia effect. Lens Mount Flexibility PL Lens Mount BURANO comes with the industry-standard PL lens mount and is compatible with Super 35mm and full-frame PL lenses (spherical and anamorphic). The lens mount includes contacts that support Cooke/i Technology, and lens information is recorded as metadata, frame by frame.  Lever Lock Type E-mount E-mount lenses can be fitted when the PL mount adapter is removed. E-mount (lever lock type) gives users the ability to change lenses by rotating the locking collar rather than the lens itself, which means that in most cases lens support rigs don’t need to be removed, saving time during a production. Sony’s ever-increasing range of E-mount lenses, from ultra-wide to ultra-telephoto, are supported by the BURANO’s advanced image stabilisation and AF capabilities – ideal for mobile and single-operator projects. Anamorphic Lens De-Squeeze function BURANO comes with an anamorphic de-squeeze function as standard. The monitoring menu gives a choice from 1.3x/2.0x, based on the anamorphic lens’ magnification. The result can be seen on the LCD monitor display, and on external monitors at FHD resolution. The camera monitor output supports SDI or HDMI for X-OCN shooting, and HDMI for non-X-OCN content. In-Body Stabilisation with PL mount lenses BURANO is the world’s first cinema camera that supports in-body optical image stabilisation (IBIS) for almost any attached lens, including for the first time PL. The new, compact image stabilisation system was originally developed for the Alpha series of mirrorless cameras. Featuring a gyroscopic sensor and control algorithm, it compensates for camera shake even for handheld shooting while walking. The stabilisation is so effective that it removes the need for any extra equipment for many applications. Stabilisation is even greater with E-mount lenses, allowing more difficult shots to be captured without blurring. Camera shake data can be passed to post production for precise alignment with CGI and in volume stages. Electronic Variable ND Filter Sony’s unique electronic Variable ND Filter has been redesigned to be both smaller and compatible with the built-in image stabilisation mechanism. It can smoothly and continuously change its density from 0.6 (1/4) to 2.1 (1/128). With physical ND filters no longer needed, operators can adjust the electronic filter density by simply rotating the ND dial. Operators can maintain a constant depth of field by adjusting the electronic ND filter and the iris control together. Continuous or stepped changes can be selected with the ND STEP/VARIABLE switch, depending on the application. The [Auto ND] function automatically adjusts the filter density to give a correct exposure, effectively allowing the use of the ND filter as an alternative Auto IRIS. Catch the action with Fast Hybrid AF* Effortlessly track fast moving subjects with pin-sharp focus, even when using wide lens aperture settings to maintain a shallow depth of field with BURANO’s full-frame sensor. Originally developed by Sony’s Alpha camera engineers, enhanced Fast Hybrid AF combines phase detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. In addition, Face Detection intelligently recognises and locks on to human faces. The dedicated 627-point phase detection AF sensor covers approximately 88.7% of the whole image area, allowing consistently accurate, responsive AF tracking, even with shallow depth-of-field. AI Subject Recognition AF with touch* Our onboard AI processing unit recognises not only eye position but also accurately senses human torso and head positions. Subject Recognition AF automatically draws a frame around people’s faces when they are detected. Human pose estimation technology recognises body and head position, so you can even track a subject facing away from the camera or wearing a mask. Touch a person to focus on, and the camera will track that person precisely. Even in challenging situations like a bowed head or when hair covering a face, the camera accurately captures the eyes, so that operators can focus accurately even in the most difficult circumstances. * Over 70 E-mount lenses can use BURANO’s advanced Hybrid AF and AI Subject Recognition AF features Virtual Production made simple Up to 8K recording, 16-bit colours and a very fast sensor readout speed allow cinematographers to focus on the art of shooting virtual sets rather than technical compromises. The flawless synch with advanced Crystal LED controllers is unique in the industry. Dual CFexpress Type B Slots Sony’s new CFexpress card VPG400 allows for reliable capture at exceptional high data rates, including X-OCN LT recording in full 8K. BURANO’s dual media slots allow relay and simultaneous recording*, while versatile CFexpress Type B media are convenient for backing up and transferring data in the field. An additional SD card slot is for storing Proxy and camera setting information. * XAVC-only Smaller, Lighter, Stronger At 2.9 kg including the PL adaptor, BURANO is approximately 33% lighter than Sony’s top-of-the-line VENICE 2 digital cinema camera – a significant advantage when shooting hand-held or shoulder mounted, as well as when using with gimbal, drone, cranes and jibs. All the button and key layouts have been carefully considered to suit the new compact size and solo or team operation. The main cinematography controls are on the Operator Switch Side and can be illuminated for use in dark environments. The camera has tally lights in three positions, so operators can check status from four different directions. There’s also an optional audio beep for recording start and stop. Despite its compact size, BURANO is engineered to Sony’s highest standards of reliability with a housing constructed of sturdy magnesium alloy and aluminium for shooting in the harshest environments. Recording for hours on end is no problem with a highly efficient cooling system which is completely isolated from image sensor and other dust sensitive components. Exceptional ergonomics Intuitive Menu Control with Touch BURANO’s LCD Monitor has a quick access control menu for commonly accessed features. With a single touch, you can press to change key settings including: Codec, Imager Scan mode, Picture Size and frequency Base ISO/Sensitivity Shooting Mode Audio Levels Versatile Monitor BURANO features a 3.5 type LCD monitor that can be freely adjusted to suit the shooting style. A viewfinder loupe can be attached, autofocus is operated by touching the screen, and the display can also be mounted in a wide variety of ways to adapt to the project style. Smart Grip Flexibility Popular with operators around the world, the FS7/FX9 telescoping arm with grip control transformed shooting on the go and now with GP-VR100* we’ve made it even better for BURANO. The arm’s length is easily adjustable at the turn of a knob, while a quick-release lever adjusts the angle. Once perfectly adjusted for shooting from your shoulder or waist, Sony’s Grip Remote Control puts all the important controls at your fingertips with Zoom, Start/Stop and a range of Assign controls, including a dial you can use to adjust Iris. So, you can operate BURANO without taking your hand off the grip.

Canon 3795C006 EOS C300 Mark III - Body Only

Canon 3795C006 EOS C300 Mark III camera - Body Only. Equipped with a newly developed 4K S35mm sensor and DIGIC DV7 image processor, the new Canon EOS C300 Mark III delivers an exceptional high-resolution image with 16+ stops of latitude. It also has an impressive low light capability, with improved low noise, of up to ISO 102,400 where the human eye cannot easily see. The DGO sensor is a newly-developed imaging system that generates HDR video by reading out each pixel with different gains. It combines images using pixels shot with a saturation-prioritising amplifier for bright areas, and a low noise-prioritising amplifier for darker areas, resulting in higher dynamic range. It is also compatible with Dual Pixel CMOS AF. The EOS C300 Mark III supports continuous 4K recording at up to 120fps, both in Cinema RAW Light and XF-AVC. In 2K (crop) mode, frame rates from 12 fps up to 150 fps can also be set for greater creative freedom, while a dedicated Slow & Fast button, provides quick access to the desired Slow & Fast setting. Dual card slots enable simultaneous internal recording of 4K Cinema RAW Light files (10/12-bit) or 4K XF-AVC files (4:2:2 10-bit) onto CFexpress cards. XF-AVC supports ALL-I which delivers the best quality, and Long-GOP which enables longer recording times through higher compression. A Proxy can also be recorded onto an SD card, making editing work more efficient. The EOS C300 Mark III incorporates Electronic Image Stabilization (IS) into the camera body, supporting 5-axis camera shake correction. Even when used with lenses with no electronic lens communication, Electronic IS is possible by manually inputting the focal length. The EOS C300 Mark III provides support for optional interchangeable lens mounts for different project requirements. EF lens mount provides perfect compatibility with a huge range of Canon EF lenses including EF Cine Primes, while the optional PL mount supports the Cooke/i system. Additionally, B4 mount adapters are also available (for EF or PL mounts) to use with B4 lenses. Optional Extension Units offer a flexible modular design and configuration capability to cater for a variety of production requirements. Extension Unit 1 offers multi-camera support with a Genlock interface, while Extension Unit 2 adds further interfaces, such as two more XLR inputs, ideal for broadcast applications and a V-Lock battery mount for extended recording times. The optional EVF Unit is ideal for hand-held use but also answers user’s demands to make it easily removable for gimbal applications. Approx. 1,750g lightweight body enables it to be comfortably rigged with gimbals, hand-held rigs, making it ideal for various shooting conditions.

Canon 3794C011 EOS C500 Mark II 5.9K Full-Frame Camera Body (EF Mount)

Canon 3794C011 (379-4C0-11, 379/4C0/11, 379 4C0 11) EOS C500 Mark II 5.9K Full-Frame Camera Body (EF Mount) The Canon EOS C500 Mark II 5.9K Full-Frame Camera Body is part of the Cinema EOS lineup of cameras, and it features a full-frame CMOS sensor with an effective 18.69MP resolution. This allows it to feature a 5.9K output in full frame, and crop (window) the sensor for Super 35 and Super 16 frame sizes while maintaining a high resolution. The C500 Mark II comes with a Canon EF mount and features an interchangeable lens mount system, allowing you to swap out the mount in the field for an optional Cinema Locking EF or PL mount, thus greatly expanding the amount of glass you can use with the camera. The sensor features over 15 stops of dynamic range and Dual Pixel autofocus support, and the camera uses a DIG!C DV 7 chip for image processing. The camera internally records raw using the Canon Cinema RAW Light codec in 12- or 10-bit, or you can capture using the XF-AVC codec in 10-bit. Internal recording is done to CFexpress cards via two CFexpress card slots. 8-bit proxy recording in the XF-AVC codes, as well as JPEGs, can be captured onto an SD card via the built-in SD card slot. Supporting a variety of gamma settings including Canon Log 2 and Log 3, as well as supporting a variety of color gamuts including Cinema BT.2020, DCI-P3, and legacy BT.709. LUT importing is supported of course. The camera supports four channels of 24-bit, 48 kHz linear PCM audio recording. Sensor The full-frame CMOS sensor captures a clean, low-noise image with over 15 stops of dynamic range, and it has a color gamut that exceeds the BT-2020 specs. The sensor is capable of capturing footage in a variety of aspect formats, including DCI-4K, UHD and Anamorphic Widescreen. In addition to shooting using the sensor's full-frame size, you can use a variety of spherical and anamorphic glass designed for Super 35mm and Super 16mm capture using appropriate sensor crop modes, lens mounts, and adapters. DIG!C DV 7 Image Processor The EOS C500 Mark II uses the DiG!C DV 7 image processor that takes the extensive raw information captured from the 5.9K sensor. The DiG!C DV 7 enables high frame rate recording, Dual Pixel Auto Focus, Canon RAW Light Recording, HDR (PQ and HLG) output, electronic image stabilization, proxy recording, and oversampling processing. The high-speed DIG!C DV 7 enables the camera to simultaneously record 2K proxy files as XF-AVC 2K 4:2:0 8-bit to an SD card, while you are recording Cinema RAW Light files (5.9K, 4K Crop, or 2K Crop) to the internal CFexpress cards. Interchangeable Lens Mounts the C500 Mark II comes standard with a Canon EF lens mount that works with and has electronic iris control of a variety of Canon EF, ENG, and Canon Cine-Servo lenses. An optional EF Cine Lock mount also features the Canon EF electronic protocols, and it removes any play when mounting EF lenses to your camera. An industry-standard PL mount is also available, enabling using virtually any PL-mount lens on your C500 Mark II. The lens mounts are field-swappable by the user, and each mount comes with a set of shims for setting the correct depth. An optional B4 lens adapter is available for either the PL or EF lens mount; this adapter allows you to use B4 mount ENG-style lenses on your C500 Mark II. Dual Pixel CMOS AF with support for Touch AF and Face Detection AF DAF technology utilizes the fact that each pixel in the camera's CMOS sensor is configured with two photodiodes. Two independent image signals can then be detected at each photosite and compared using phase-difference to provide autofocus with compatible lenses. DAF can survey the scene and recognizes not only whether the subject is in focus or not, but in which direction (near or far) and by how much. Enabling auto-focus lenses to react when necessary and not have to "hunt" for focus. DAF technology can also be used to aid in manual focus. Focus information is translated to an on-screen guide that conveys to the operator the subject's current focus and direction to move in order to achieve focus. When sharp focus is achieved, the indicator turns green as a clear indication. You can also use DAF and the camera's touchscreen LCG to simulate a focus pull using preset locations. After setting two separate focus locations on the screen, the camera's set button can be used to alternate between the two focus points. The focus racking effect can be fine-tuned by adjusting AF tracking speed and response. Focus Control/Assist Focus control includes Dual Pixel CMOS AF (DAF), Manual Focus, One-Shot AF, Continuous AF, AF-Boosted MF, and Face Detection AF Shutter Settings Shutter settings include Speed, Angle, Clear Scan, Slow, or Off mode. Either 1/3 or 1/4 steps selected as speed increments. Electronic Image Stabilization A new feature to the Cinema EOS ecosystem, the C500 Mark II features built-in five-axis electronic IS that works with almost any lens, including anamorphic lenses. Optional Expansion Modules Expansion unit 1 adds genlock/sync out, remote B (RS-422), and Ethernet ports, making the camera well suited for multicamera live production and streaming. Expansion unit 2 expands the compact form factor and adds two additional XLR audio inputs, lens control port, 24-volt DC out, and D-Tap power, in addition to genlock, sync out, remote B (RS-422), and an Ethernet port. It also allows the camera to be powered using industry-standard V-mount batteries.