ARRI Alexa Mini Camera Kit 4:3 & RAW 216 Hours, Used

ARRI Alexa Mini Camera Kit 4:3 & RAW 216 Hours, Used Good condition 3 months warranty  Compact, lightweight, and self-contained - ARRI ALEXA Mini is the small and versatile allrounder in the ARRI camera family. The symmetrical design permits filming in any orientation, including upside-down and in portrait mode, while multiple accessory points enable highly creative mounting solutions. In addition, ALEXA Mini comes with a series of interchangeable lens mount, allowing the use of B4 video, EF mount stills lenses, or with the even ARRI Signature Primes with the LPL mount for ALEXA Mini. An ALEXA Mini can be operated in number of ways: by wireless remote control, as an A-camera with the ARRI MVF-1 multi viewfinder attached, or with an on-board monitor and controlled via the user button interface on the camera body. Designed with new-generation brushless gimbals, multicopters and other specialized rigs in mind, ALEXA Mini is light enough to be comfortably held at arm’s length in a hand rig, while its compact size also makes it ideal for tight shooting conditions, as well as underwater, aerial, car, action, and 3D shoots. With an ALEXA Mini you can literally shoot everywhere with the best image quality. The compact and lightweight ALEXA Mini is a highly versatile tool on set. In some productions it is used as a second or third camera, while in others it is the main camera throughout a shoot. As a result, it is frequently moved from one configuration to another. Any time savings that can be made during these transitions will have a big impact on the daily shooting schedule.  Therefore, ARRI has developed a studio set for ALEXA Mini. It's core is the ARRI Compact Bridge Plate CBP-1, a base plate with integrated sliding bridge plate and shoulder pad. This allows for rapid, tool-less transitions between configurations - for example from TRINITY, MAXIMA, or Steadicam stabilizers to tripod heads or an operator’s shoulder.  The Rear Accessory Bracket RAB-1 offers flexible attachment options for the Power Splitting Box Mk II, a power distribution unit available in Gold Mount and V-Mount versions, while the Side Accessory Bracket SAB-1 provides a simple interface for mounting accessories towards the rear of the camera. Many previously released ARRI camera accessories for the ALEXA Mini are fully compatible with the studio set. Three ALEXA Mini license upgrades are available, allowing users to get the most out of the camera’s 4:3 ALEV 3 sensor. The 4:3 License Key enables ALEXA Mini to record ProRes in 4:3, 4:3 cropped or 16:9 anamorphic and to de-squeeze both the viewfinder image and HD-SDI signal. The ARRIRAW License Key allows for 2.8K 16:9 ARRIRAW recording. Open Gate ARRIRAW recording is possible with cameras that have both license keys installed. The ARRI Look Library License Key offers 87 predefined creative color gradings, each in three intensities.  

ARRI Alexa Mini Camera Kit 4254 Hours,Used

ARRI Alexa Mini Camera Kit 4254 Hours,Used Fair condition 3 months warranty   Licensed Features:   • ProRes 4444XQ • 2K Recording • Custom 3d LUTs • 100-200 FPS • Log C Compact, lightweight, and self-contained - ARRI ALEXA Mini is the small and versatile allrounder in the ARRI camera family. The symmetrical design permits filming in any orientation, including upside-down and in portrait mode, while multiple accessory points enable highly creative mounting solutions. In addition, ALEXA Mini comes with a series of interchangeable lens mount, allowing the use of B4 video, EF mount stills lenses, or with the even ARRI Signature Primes with the LPL mount for ALEXA Mini. An ALEXA Mini can be operated in number of ways: by wireless remote control, as an A-camera with the ARRI MVF-1 multi viewfinder attached, or with an on-board monitor and controlled via the user button interface on the camera body. Designed with new-generation brushless gimbals, multicopters and other specialized rigs in mind, ALEXA Mini is light enough to be comfortably held at arm’s length in a hand rig, while its compact size also makes it ideal for tight shooting conditions, as well as underwater, aerial, car, action, and 3D shoots. With an ALEXA Mini you can literally shoot everywhere with the best image quality. The compact and lightweight ALEXA Mini is a highly versatile tool on set. In some productions it is used as a second or third camera, while in others it is the main camera throughout a shoot. As a result, it is frequently moved from one configuration to another. Any time savings that can be made during these transitions will have a big impact on the daily shooting schedule.  Therefore, ARRI has developed a studio set for ALEXA Mini. It's core is the ARRI Compact Bridge Plate CBP-1, a base plate with integrated sliding bridge plate and shoulder pad. This allows for rapid, tool-less transitions between configurations - for example from TRINITY, MAXIMA, or Steadicam stabilizers to tripod heads or an operator’s shoulder.  The Rear Accessory Bracket RAB-1 offers flexible attachment options for the Power Splitting Box Mk II, a power distribution unit available in Gold Mount and V-Mount versions, while the Side Accessory Bracket SAB-1 provides a simple interface for mounting accessories towards the rear of the camera. Many previously released ARRI camera accessories for the ALEXA Mini are fully compatible with the studio set. Three ALEXA Mini license upgrades are available, allowing users to get the most out of the camera’s 4:3 ALEV 3 sensor. The 4:3 License Key enables ALEXA Mini to record ProRes in 4:3, 4:3 cropped or 16:9 anamorphic and to de-squeeze both the viewfinder image and HD-SDI signal. The ARRIRAW License Key allows for 2.8K 16:9 ARRIRAW recording. Open Gate ARRIRAW recording is possible with cameras that have both license keys installed. The ARRI Look Library License Key offers 87 predefined creative color gradings, each in three intensities.  

ARRI Alexa 35 Camera Kit,Used

ARRI Alexa 35 Camera Kit,Used Good condition 3 months warranty    More dynamic range, contrast, and sensitivity ALEXA 35 measures at 17 stops of dynamic range (exposure latitude), far more than any other digital cinema camera. Having 1.5 stops more in the highlights and one stop more in the shadows than previous ALEXA cameras, while retaining the naturalistic film-like highlight roll-off, will be game-changing for filmmakers. Sophisticated stray-light suppression in the camera and lens mounts ensures that the full contrast range and character of each lens are captured by the sensor. Together, the increased dynamic range and stray light control make it easier to handle any lighting conditions on set, increase flexibility in post, and provide the best source for HDR (High Dynamic Range) projects. With low noise and sensitivity settings ranging from EI 160 to EI 6400, ALEXA 35is a “High ISO” camera. An optional Enhanced Sensitivity Mode can be applied to settings between EI 2560 and EI 6400, producing an even cleaner image in lowlight. This exceptional sensitivity, combined with the wider dynamic range and stray-light suppression, allows ALEXA 35 to capture the most delicate nuances of light and shadow in more situations than ever before. REVEAL Colour Science ARRI’s discussions with filmmakers and careful review of the image pipeline have led to significant improvements in image quality and a faster, easier workflow. REVEAL Colour Science is the collective name for a suite of new image processing steps used by ALEXA 35 internally and also available through leading third-party postproduction tools for ARRIRAW processing. It includes an improved debayering algorithm for cleaner compositing, a new colour engine for more accurate colour reproduction, a new wide gamut colour space for faster grading, new LogC4 encoding to contain the increased dynamic range, and newLogC4 LUTs (Look Up Tables) for improved colour fidelity. While bringing out the best of the ALEXA 35’s new sensor, REVEAL Colour Science is also backwards compatible. ARRIRAW footage captured by ALEXALF and Mini LF cameras can be processed with REVEAL Colour Science, gaining many of its advantages. This means that the ALEXA 35 and ARRI’s large-format cameras can be combined on set and can also share LogC4 LUTs in post. Enhanced creative control With its Super 35 4:3 native 4K sensor, ALEXA 35 can be used with a vast global inventory of existing lenses—modern and vintage, anamorphic and spherical, Super 35 and large format. Filmmakers wanting to shoot with ARRI cameras while having to fulfill 4K mandates now have an immeasurably broader lens choice. ARRI Textures is a unique new feature that allows cinematographers to fundamentally alter the way in which the camera records images, should they wish to. Up until now, ALEXA cameras have been pre-programmed with a default  texture that determines the amount and character of grain in the image, and the amount of contrast at different levels of detail, perceived by the viewer as sharpness. For the first time, ALEXA 35 provides the option to choose from a menu of ARRI Textures, much like selecting a film stock. Easy operation and new accessory range ALEXA 35 is the smallest fully-featured ARRI production camera ever, packing the features and processing power of a “larger” ALEXA into a Mini-sized body. Crews will be intuitively familiar with the camera’s simple menu structure; support for 1TB and 2TB Codex Compact Drives; and MVF-2 viewfinder, now with HDR. Fast and easy operation is assured through a new left-side display, Advanced Colour Match, pre-recording capability, and a slew of usability improvements such as additional user buttons. A total of 19 recording formats, incorporating efficient in-camera down-sampling and anamorphic de-squeezing, allow productions to optimize data rate, resolution, and other parameters, based on their individual needs. Mixed reality and virtual productions will benefit from the camera’s ability to record lens metadata in all common standards and output real-time streaming metadata to ARRI’s Live Link Metadata Plug-in for Unreal Engine. ARRI has crafted a new line of bespoke ALEXA 35 accessories that expand the camera’s capabilities and ensure maximum speed and versatility on set. Closely integrated electronic accessories offer additional power outputs or extended audio features. A complete new set of mechanical support items provides flexible options for any shooting situation, scaling quickly and easily from a small and lightweight setup to a full-blown production configuration. ALEXA 35 is supported by ARRI’s full suite of online tools, as well as free-of-charge standalone apps like the iPhone/iPad Camera Companion App, ARRI Reference Tool, and ARRIRAW HDE Transcoder .Temperature resistant, splash and dust-proof, and conceived with future hardware and software updates in mind, ALEXA 35 delivers robust and reliable service on set, a long product cycle, and a safe return on investment.

Arri Alexa Mini Camera Kit with Full Licences, 6000hrs, used

Arri Alexa Mini Camera Kit with Full Licences, 6000hrs, used(FMP61480RPBR) Excellent Condition, 3 months warranty  Color output Rec 709, custom look or Log C Look control Import of custom 3D LUT, ASC CDL parameter (slope, offset, power, saturation) Adjustable image parameters Knee, gamma, saturation, black gamma, saturation by hue Focus and exposure control Peaking, zebra, false color White balance Manual and auto white balance Sound level -20 db(A) at standard frame rates Environmental -20 C to +50 C (-4 F to +122 F) @ 95% humidity max, non-condensing Splash and dust-proof through sealed electronics Viewfinder Multi Viewfinder MVF-1 (OLED and LCD ) with flip-out LCD screen military-grade connector to camera Control interface Soft buttons and OSD on SDI output, integration of Transvideo StarliteHD touch interface * ARRI lens motor control Built-in radio interface for ARRI lens control L-Bus motor output for daisy-chainable cforce lens control motors Wi-Fi remote control Built-in Wi-Fi interface and web-based remote control from phones, tablets and laptops Custom control Optional GPIO interface for integration with custom control interfaces Power input Lemo 8-pin, 10.5-34 V DC Video outputs 2x HD-SDI out 1.5G 3G: uncompressed HD video with embedded audio and metadata, SDI-6G interface to external CODEX recorder *  Inputs SDI-Genlock (optional activation through ARRI Service),timecode (in and output)

ARRI Alexa 35 Cinema Camera Studio Kit, 145 hours, Used

ARRI Alexa 35 Cinema Camera Studio Kit, Used Excellent condition 3 months warranty The ALEXA 35 is a 4K Super 35 camera renowned for its exceptional digital cinematography capabilities. It features a newly designed sensor that delivers 2.5 stops more dynamic range, enhanced highlight handling, superior low-light performance, and richer color reproduction. The camera also introduces REVEAL Color Science for a faster, more streamlined workflow, and ARRI Textures for creative in-camera control. With 17 stops of dynamic range and sensitivity settings up to EI 6400, the ALEXA 35 offers greater flexibility in various lighting and shooting conditions. Additionally, its compatibility with a wide range of lenses and 19 recording formats makes it a versatile, top-tier choice for filmmakers. Sensor Type: Super 35 format ARRI ALEV 4 CMOS sensor with Bayer pattern color filter array Photosites and Size: 4608 x 3164 / Ø 33.96 mm / 1.337" Photosite Pitch: 6.075 μm Frame Rates: Sensor Frame Rates: 0.75 - 120 fps Project Frame Rates: 23.976, 24, 25, 29.97, 30, 47.952, 48, 50, 59.94, 60 fps      

Arri Ultra Wide set of 9 (6,8,9.5,12,14,18,25,35 & 50mm) used

Arri Ultra Wide set of 9 (6,8,9.5,12,14,18,25,35 & 50mm) used(FMP60873LPBR) Good Condition, 3 Months warranty The art of cinematography is closely tied to the art of creating the cinematographer's tools. The art of successful lens design has been advanced with a new, complete set of high speed close focus lenses: the Ultra 16 lenses. Like the Master Primes, the Ultra 16 lenses combine high speed with outstanding optical performance. With a widest stop of T1.3 they create shallow depth of field and allow shooting on tight lighting budgets or under severe time pressure. Equaled by no other Super 16 lenses in optical performance, they join the other ARRI lenses in elevating the Super 16 image to its highest possible quality.   The speed of the new Ultra 16 lenses is a super fast T1.3, which allows the creation of a shallow depth of field, a look that is often sought after in other formats. Especially for wide angle lenses in Super 16, a maximum aperture of T1.3 helps in creating a cinematic look. In addition, T1.3 facilitates shooting on tight lighting budgets or under a lot of time pressure, common in TV drama or independent feature films. The fast speed is one of the outstanding features of these new lenses, unmatched by any other Super 16 cine lens.  Fast lenses are nothing new, but cinematographers used to pay dearly for high speed with reduced optical performance and a greater propensity to flaring. The Ultra 16 lenses, like the Master Primes, change all that by combining fast speed with outstanding optical performance at all T-stops across the whole focus range. This previously unattainable goal was made possible through new manufacturing techniques, the use of exotic glass materials and large diameter aspherical and radically shaped spherical glass surfaces. The Ultra 16 lenses exhibit high contrast, high resolution, almost no chromatic aberration (color fringes) and a great resistance to flaring. They are designed as close focus lenses, and so retain their outstanding optical qualities even at minimum object distances. Incorporating aspherical glass surfaces in a lens design requires ultra-high precision in manufacturing and a complex holographic measuring process which was developed specifically for the Master Primes, now benefiting all new ARRI lens designs. The aspherical glass surface located close to the iris inside the 12, 14, 18   and 25 mm Ultra 16 lenses helps in reducing spherical aberration (the inability to focus all light rays from a point source onto a point on film). The aspherical front surface of the 6, 8 and 9.5 mm keeps the image free of geometrical distortions; straight lines stay straight, from infinity to close focus.

Arri Alexa Mini camera, 2500h used

Arri Alexa Mini camera, 2500h used(FMP60864KSBR) 3 months warranty Well looked-after Alexa Mini kit with 2,578 hours. The kit is fairly complete and in good working condition.      

Arri Signature Prime Lens Set 18,25,35,47,75,125mm, Used

Arri Signature Prime Lens Set 18,25,35,47,75,125mm, Used(FMP60843RPBR) Great Condition,  3 Months warranty Note - Full ARRI report done recently (25/05/2025) Covers Large-Format Sensors 6 x Primes Ranging from 18 to 125mm ARRI LPL LDS-2 Mount Fast T1.8 Maximum Aperture 11-Blade Iris for Smooth Bokeh Compact, Lightweight Magnesium Design Common 114mm Front Diameter Smooth Focus Fall-Off   Marked in Feet

Arri Alexa Mini Kit, 880 Hours, used

Arri Alexa Mini Kit, 880 Hours, used(FMP60798LPBR) Good condition, 3 months warranty Licences - None Serial Number - 24368 Arri Serviced - October 2024 compact, lightweight, and self-contained - ARRI ALEXA Mini is the small and versatile allrounder in the ARRI camera family. The symmetrical design permits filming in any orientation, including upside-down and in portrait mode, while multiple accessory points enable highly creative mounting solutions. In addition, ALEXA Mini comes with a series of interchangeable lens mount, allowing the use of B4 video, EF mount stills lenses, or with the even ARRI Signature Primes with the LPL mount for ALEXA Mini.  

Arri Master Grips – full set, Used

Arri Master Grips – full set, Used(FMP60727RPBR) Good Condition, 3 Months Warranty  Control run-stop, focus, iris and zoom from the handheld moosebars (motors not included).  Ideal companion for high-end run-and-gun documentary style shooting. The Master Grips provide full control of focus, iris and zoom settings on cine lenses, including adjustable motor speed, zoom response and motor limits. They also offer a comfortable way to control the integrated servo motors of ENG and EF lenses (from ALEXA Mini/AMIRA SUP 5.0 – initially only iris support for EF lenses). Mounted on tripod pan arms or studio pedestal heads, the Master Grips can be used as focus and zoom demands for multi-camera setups, such as when using the AMIRA in Multicam mode. Camera control functionality includes user button access and REC start/stop for ARRI and third-party cameras, with the latter requiring the LCUBE CUB-1 accessory, updated with CUB-1 SUP 2.0.

ARRI Ultra Prime 50mm T1.9 Lens, used

ARRI Ultra Prime 50mm T1.9 Lens, used(FMP60709LPBR) Excellent Condition, 3 Month warranty  The art of cinematography is closely tied to the art of creating the cinematographer's tools. The art of successful lens design has been advanced with a new, complete set of high speed close focus lenses: the Ultra 16 lenses. Like the Master Primes, the Ultra 16 lenses combine high speed with outstanding optical performance. With a widest stop of T1.3 they create shallow depth of field and allow shooting on tight lighting budgets or under severe time pressure. Equaled by no other Super 16 lenses in optical performance, they join the other ARRI lenses in elevating the Super 16 image to its highest possible quality. The speed of the new Ultra 16 lenses is a super fast T1.3, which allows the creation of a shallow depth of field, a look that is often sought after in other formats. Especially for wide angle lenses in Super 16, a maximum aperture of T1.3 helps in creating a cinematic look. In addition, T1.3 facilitates shooting on tight lighting budgets or under a lot of time pressure, common in TV drama or independent feature films. The fast speed is one of the outstanding features of these new lenses, unmatched by any other Super 16 cine lens. Fast lenses are nothing new, but cinematographers used to pay dearly for high speed with reduced optical performance and a greater propensity to flaring. The Ultra 16 lenses, like the Master Primes, change all that by combining fast speed with outstanding optical performance at all T-stops across the whole focus range. This previously unattainable goal was made possible through new manufacturing techniques, the use of exotic glass materials and large diameter aspherical and radically shaped spherical glass surfaces. The Ultra 16 lenses exhibit high contrast, high resolution, almost no chromatic aberration (color fringes) and a great resistance to flaring. They are designed as close focus lenses, and so retain their outstanding optical qualities even at minimum object distances. Incorporating aspherical glass surfaces in a lens design requires ultra-high precision in manufacturing and a complex holographic measuring process which was developed specifically for the Master Primes, now benefiting all new ARRI lens designs. The aspherical glass surface located close to the iris inside the 12, 14, 18 and 25 mm Ultra 16 lenses helps in reducing spherical aberration (the inability to focus all light rays from a point source onto a point on film). The aspherical front surface of the 6, 8 and 9.5 mm keeps the image free of geometrical distortions; straight lines stay straight, from infinity to close focus.  

Arri Alura Zoom 18-80, T2.6, PL Mount, lens, used

Arri Alura Zoom 18-80, T2.6, PL Mount, lens, used(FMP60706RPBR) Excellent Condition, 3 Months warranty ARRI and FUJINON have joined their extensive expertise to create a completely new family of modern cine zooms. Using the latest in optical design technology and innovative manufacturing techniques, the ARRI/FUJINON Alura Zooms combine the highest optical performance with an amazingly small size, weight and price. They are available as Studio zooms for use on a tripod or crane with a wider focal range, or as lightweight zooms which are significantly smaller and lighter in exchange for a reduced focal range. Matched Zooms Matched wide and long PL mount zooms for an efficient shooting pace, small size and low weight for quick and easy handling on the set. Fast and Steady T2.6 Consistent aperture over entire zoom range. Outstanding Optical Performance  

ARRI Alura Zoom Lens 45-250mm T2.6 - PL Fit, Used

ARRI Alura Zoom Lens 45-250mm T2.6 - PL Fit, Used(FMP60705RPBR) Good Condition, 3 Months Warranty ARRI / Fujinon Alura Zoom Lens 45-250/T2.6 (metres). ARRI and FUJINON have joined their extensive expertise to create a completely new family of modern cine zooms. Using the latest in optical design technology and innovative manufacturing techniques, the ARRI/FUJINON Alura Zooms combine the highest optical performance with an amazingly small size, weight and price. The Alura Zooms’ Colour characteristics, as well as their handling, are matched to existing prime lenses in ARRI’s outstanding repertoire. With two new extenders (1.4x and 2x) developed specifically for FUJINON PL mount zooms, ARRI now offers the widest range of cine lenses for all professional production demands, including zooms, high speed primes, standard speed primes, extreme wide angle and telephoto primes, macro, extenders and diopters.  

ARRIFLEX 435 camera Body 4-perf, standard IVS system, used

ARRIFLEX 435 camera Body 4-perf, standard IVS system, used(FMP60702JPBR) The Arriflex 435 is a movie camera product line created by Arri in 1995 to replace the Arriflex 35-III line. The number reflects its position as a successor camera to the Arri III and the fact that it is designed for 35 mm film. The 435 cameras are specifically designed as MOS cameras, which means that they are conventionally considered to be too loud to record usable location sound. However, this also frees the camera up to be optimized for non-sync sound uses, particularly any filming which either doesn't require sound or shooting at non-sync speed, shooting in reverse, or ramping between different speeds. As such, its potential applications are widespread, and thus it is regularly used on music videos, commercials, second unit work on features, special effects work, and motion control, among other usage. Rival Panavision even owns more 435s for rental than Arri's own hire houses; Panavisions, however, can be converted to Pan-Arri 435s where they are modified to accept Panavision lenses and accessories. In recognition of the achievements of the 435 system, AMPAS awarded Arri a Scientific and Engineering Academy Award in 1999.

ARRI FF-4 Follow Focus Set - 19mm Rods (Black Edition) used

ARRI FF-4 Follow Focus Set - 19mm Rods (Black Edition) used(FMP60682LPBR) Good Condition, 3 month warranty    ARRI FF4 Follow Focus set - 19mm bars (Black edition)   1 x Follow Focus main unit Arri K2.65221.0   1 x BA2 Adapter for 19mm rods Arri K2.65224.0 1 x 0.8 Module 6mm face Arri K2.65259.0  5 x Flat marking disk Arri K2.32701.0 (some markings)   1 x Focus Lever Speed Handle/Focus Crank Arri K2.32730.0 1 x Aluminium Case Arri K2.44965.0

Arri Ultra Prime 6 Lens Set, 16mm/24mm/32mm/50mm/85mm/135mm,used

Arri Ultra Prime 6 Lens Set, 16mm/24mm/32mm/50mm/85mm/135mm,used(FMP60671JPBR) 3 Month Warranty, Excellent Condition  Ultra Prime Lenses have the widest focal range of any prime lens set available. They are designed specifically for motion pictures but are an excellent choice for corporate and commercial work.    Ultra Prime Lenses retain their superb image quality even at close focus across the whole Super 35 frame. The Ultra Prime Lenses are lightweight standard speed lenses that are an optical match to the Arri Alura zoom Lenses.  

Arri Amira Viewfinder MVF-1, used

Arri Amira Viewfinder MVF-1, used(FMP60643LPBR) Good Condition, 3 month warranty The versatile ARRI AMIRA Viewfinder MVF-1 is a multifunctional unit combining an OLED eyepiece with a folding 3.2" LCD monitor/GUI. The MVF-1 provides two options for bright, accurate viewing of your frame and offers full access to your camera functions and menus via buttons on the LCD monitor. As you bring your eye to the EVF a proximity sensor automatically turns the OLED on/off, saving you time and battery power. The bright, high-resolution OLED features selectable camera-function displays and highly adjustable positioning using a separately available mounting bracket. The 3.2" LCD monitor provides a full camera interface and can play back recorded images for quick checks on set. The monitor's tilting function and high daylight visibility provide convenient viewing in almost any situation. Simultaneous operation enables the MVF-1 to provide a view for your camera assistant or director while the camera operator is using the OLED eyepiece. A single operator can use the LCD monitor's buttons for camera control while viewing through the OLED or the LCD as they choose. Peaking, exposure tool, and REC buttons provide quick access to critical controls, as do two user-assignable buttons. The MVF-1 can be daisy-chained with the separately available CCP-1 control panel when the CCP-1 is used to provide right-side camera control for an assistant.  

Arri Alexa Mini LF Camera Kit, 4300 Hours, used

Arri Alexa Mini LF Camera Kit, 4300 Hours (Used) 3-Month Warranty, Great Condition Description: ARRI Build Quality:With nearly a century of experience, ARRI is known for producing cameras that are robust, reliable, and user-friendly. The Alexa Mini LF inherits these qualities, making it a top choice for professionals working in demanding on-set conditions. ALEV Sensors:The ARRI ALEV III sensor delivers a film-like look with HDR capability, a feature that has been a standard since 2010. Originally developed for the ARRI ALEXA camera family, this sensor is sized similarly to a 35mm film frame. The ALEXA Mini LF uses the A2X version, which offers a slightly larger sensor than standard full frame, providing exceptional image quality and dynamic range. Image Processing:ARRI consistently strives to enhance image quality through continuous software updates, allowing cinematographers to shape their vision on set. Even footage recorded before an update benefits, as it can be re-processed with the latest image processing pipeline. Lens Mounts:Great lenses create great images, and ARRI’s precision-engineered lens mounts ensure lenses are positioned exactly where they need to be. The new ARRI LPL mount offers unique advantages, designed for larger format lenses and optimal image quality. Viewfinders:ARRI viewfinders are designed to meet the specific needs of professional camera operators, delivering fast image display, high image quality, accurate color reproduction, and features inherited from ARRI’s optical viewfinders, such as surround view. Workflow:ARRI’s workflow concept functions like a digital film lab, allowing users to view, edit, and post footage recorded with ARRI digital cameras. ARRI develops its own Software Development Kit (ARRIRAW SDK) to process ARRIRAW data into RGB images, ensuring seamless compatibility with third-party tools.

Arri Alexa Mini Camera Kit with 4:3 and Arriraw License, 1000hrs, used

Arri Alexa Mini Camera Kit with 4:3 and Arriraw License, 1000hrs, used 3 Months Warranty, Good Condition Color output Rec 709, custom look or Log C Look control Import of custom 3D LUT, ASC CDL parameter (slope, offset, power, saturation) Adjustable image parameters Knee, gamma, saturation, black gamma, saturation by hue Focus and exposure control Peaking, zebra, false color White balance Manual and auto white balance Sound level -20 db(A) at standard frame rates Environmental -20 C to +50 C (-4 F to +122 F) @ 95% humidity max, non-condensing Splash and dust-proof through sealed electronics Viewfinder Multi Viewfinder MVF-1 (OLED and LCD ) with flip-out LCD screen military-grade connector to camera Control interface Soft buttons and OSD on SDI output, integration of Transvideo StarliteHD touch interface * ARRI lens motor control Built-in radio interface for ARRI lens control L-Bus motor output for daisy-chainable cforce lens control motors Wi-Fi remote control Built-in Wi-Fi interface and web-based remote control from phones, tablets and laptops Custom control Optional GPIO interface for integration with custom control interfaces Power input Lemo 8-pin, 10.5-34 V DC Video outputs 2x HD-SDI out 1.5G 3G: uncompressed HD video with embedded audio and metadata, SDI-6G interface to external CODEX recorder *  Inputs SDI-Genlock (optional activation through ARRI Service),timecode (in and output)

Arri Alexa Mini Camera Kit with 4:3 and Raw License, 7500hrs, used

Arri Alexa Mini Camera Kit with 4:3 and Raw License, 7500hrs, used 3 Months Warranty, Good Condition Color output Rec 709, custom look or Log C Look control Import of custom 3D LUT, ASC CDL parameter (slope, offset, power, saturation) Adjustable image parameters Knee, gamma, saturation, black gamma, saturation by hue Focus and exposure control Peaking, zebra, false color White balance Manual and auto white balance Sound level -20 db(A) at standard frame rates Environmental -20 C to +50 C (-4 F to +122 F) @ 95% humidity max, non-condensing Splash and dust-proof through sealed electronics Viewfinder Multi Viewfinder MVF-1 (OLED and LCD ) with flip-out LCD screen military-grade connector to camera Control interface Soft buttons and OSD on SDI output, integration of Transvideo StarliteHD touch interface * ARRI lens motor control Built-in radio interface for ARRI lens control L-Bus motor output for daisy-chainable cforce lens control motors Wi-Fi remote control Built-in Wi-Fi interface and web-based remote control from phones, tablets and laptops Custom control Optional GPIO interface for integration with custom control interfaces Power input Lemo 8-pin, 10.5-34 V DC Video outputs 2x HD-SDI out 1.5G 3G: uncompressed HD video with embedded audio and metadata, SDI-6G interface to external CODEX recorder * Inputs SDI-Genlock (optional activation through ARRI Service),timecode (in and output)

Arri Amira camera with accessories, 1865 hours, used

Arri Amira camera with accessories, 1865 hours, used(FMP59503RPBR) Licences Applied to this Camera:  AMIRA Premium License Key,  AMIRA 4K UHD License Key The ARRI AMIRA Premium Camera Set is the most feature-packed version of this camera, including licenses for UHD 4K and 2K recording, and including the ARRI Look Library license. The AMIRA family provides optimal image quality in a ready-to-shoot form factor designed for extended handheld use. This Premium version offers frame rates up to 200 fps, ProRes 4444 and Log C capture, Wi-Fi and Ethernet remote control, and a pre-recording buffer function. It can import custom 3D LUTs, in-camera ASC CDL grading, dynamic, auto-tracking white balance, and Bluetooth audio monitoring. Additional AMIRA Premium features include a de-noising option for 4K UHD, 6G UHD-SDI output, and a 1.3x anamorphic de-squeeze function. Using the same 35mm CMOS sensor as in the ARRI ALEXA, the AMIRA Premium provides a 14-stop dynamic range, natural skin tones, and an EI range of 160 to 3200 with a native 800 ISO. It offers a selection of codecs to suit your project, from ProRes 4444 for feature productions, to the lower-bandwidth 422 (LT), suitable for digital broadcasting. This AMIRA set includes Premium and UHD Licenses, and the MVF-1 electronic viewfinder with mount and cables. The versatile AMIRA records in-camera to relatively affordable CFast 2.0 cards, with an option of simultaneously capturing to the CFast cards and an external recorder. All ProRes flavors are available up to 60 fps in ProRes 4K UHD or 3.2K, with Rec. 709 and Log C functions. The included Premium License bumps the basic AMIRA's 100 fps maximum frame rate to a top speed of 200 fps, providing even greater detail for your slow-motion shots. The buffer function captures a pre-recorded segment, enabling you to grab unpredictable wildlife, sports, and action shots. A lens mount is not included with this set; choose from separately available LDS PL, PL, EF, and B4 mounts. For greater creative control, the AMIRA Premium offers both pre-loaded LUTs and the ability to import custom-made 3D LUTs. Burn in your preferred looks, or use the LUTs for monitoring only, and choose your final look later. Peaking, zebra, false color, and dynamic auto-tracking white balance functions further enhance your image-control options. Audio features include XLR inputs, easily accessible operator-side controls, and Bluetooth compatibility. Use the AMIRA Premium's Bluetooth functions to monitor your audio via a wireless headset, or to record editing or other commentary to a fifth audio track separate from your main sound. Additional AMIRA Premium features include a quick 13-second boot-up time, efficient cooling, and easily accessible user buttons and controls. The AMIRA Premium's innovative viewfinder unit combines an OLED EVF with a fold-out LCD, providing full camera control. Note: SUP 5.0 is required for select AMIRA Premium functions.

Arri Alexa Mini Kit with 4:3 and Raw License, 6300 hours, used

Arri Alexa Mini Kit with 4:3 and  Raw License, 6300 hours, used(FMP59092KSSH) 3 Months Warranty, Good Condition JUST BEEN SERVICED FROM ARRI - 04/03/23 Color output Rec 709, custom look or Log C Look control Import of custom 3D LUT, ASC CDL parameter (slope, offset, power, saturation) Adjustable image parameters Knee, gamma, saturation, black gamma, saturation by hue Focus and exposure control Peaking, zebra, false color White balance Manual and auto white balance Sound level -20 dB(A) at standard frame rates Environmental -20 C to +50 C (-4 F to +122 F) @ 95% humidity max, non-condensing Splash and dust-proof through sealed electronics Viewfinder Multi Viewfinder MVF-1 (OLED and LCD ) with flip-out LCD screen

Arri Alexa Mini LF ready to shoot kit, 544 hours, Used

Arri Alexa Mini LF ready to shoot kit, 544 hours, Used 3 Months Warranty, Excellent Condition ARRI Built Quality: Almost a century of experience, an obsessive attention to detail and an intimate familiarity with the conditions on set have led to generations of ARRI cameras that are robust, reliable and simple to operate - all features that ARRI digital cameras have inherited. ALEV Sensors: ARRI's very own ALEV III sensor plays its strengths in a film-like look and feel with HDR capability (since 2010). Originally developed for ARRI ALEXA camera family, it had the same height and width as a 35mm film frame. Nowadays the ALEV III comes to live in different cameras and shapes: ALEXA 65 uses the A3X version - a 65mm sensor - whereas ALEXA LF and ALEXA Mini LF use A2X, the slightly smaller variant that covers a little bit more than "full frame". Image Processing: A steady look-out for image quality is key to delivering the best possible image through a given pipeline. In this way new developments and ways to shape the DoP's vision on set can be integrated into ARRI cameras via new software releases. ARIRAW footage recorded before such an update benefits as well as it can be re-processed through an updated pipeline. Lens Mounts: Great images derive from great lenses with their individual touch to the image. For this to happen the lens has to sit precisely where it should be, responsible for that is the lens mount. Get to know all ARRI lens mounts and find out what makes ARRI new LPL mount unique. Viewfinders: ARRI viewfinder are specifically designed to meet the needs of professional camera operators by offering an extremely fast image display, high image quality, accurate color reproduction and a number of features inherited from ARRI optical viewfinders, including surround view. Workflow: The concept behind the term "workflow" is the digital film lab. Hence being able to view, edit and "post" footage recorded with ARRI digital cameras. ARRI develop their own Software Development Kit (ARRIRAW SDK) for processing ARRIRAW data to RGB images and talk to 3rd party vendors to ensure support in their tools.