Sony Burano Camera, 2 hours, Like-New

Sony Burano Camera, 2 hours, Like-New Excellent / Like-New Condition – Fully Tested, 3 months warranty   Note: This camera comes with Sony's updated IR Cut Filter for improved colour reproduction under strong lighting conditions.   Please note that the competitive price of this Sony BURANO should not be taken as an indication of its condition. This camera is in excellent, like-new condition and has been fully tested and is working correctly. We have priced this unit very competitively to achieve a quick sale, rather than because of any known fault or issue with the camera. The camera is also fitted with Sony's updated IR Cut Filter, designed to improve colour reproduction under strong lighting conditions. This represents an excellent opportunity to purchase a Sony BURANO in exceptional condition at a substantial saving compared with a new unit.   BURANO is a professional camera with a full-frame 8.6K sensor, providing high-quality images and a rich color gamut. It has multiple image scan modes, including full-frame and Super35, and offers a wide latitude of 16 stops for capturing beautiful, low-noise images in any lighting condition. BURANO also features Sonys signature S-Gamut/S-Gamut.Cine wide color space, Dual Base ISO sensitivity, and internal recording of X-OCN LT and XAVC H formats. It offers four new in-camera looks and is compatible with PL and E-mount lenses.   The cameras sensor can achieve 8K image quality with a maximum resolution of 8632 x 4856 and offers various image scan modes for different production requirements. With a wide dynamic range and color accuracy, BURANO allows for maximum flexibility in color grading. It also offers the option to switch between PL and E-mount lenses, making it a versatile choice for professional cinematographers.

Sony J-30 Sdi Compact Digital Betacam Player, used

Sony ECM-680S Electret Condenser M/S Stereo Shotgun, used

Sony ECM-680S Stereo Shotgun Electret Condenser Microphone, Used Condition: Good The Sony ECM-680S is a professional MS (Mid-Side) stereo shotgun electret condenser microphone designed for broadcast, ENG/EFP, location recording and professional video production. Offering both stereo and monaural operation, the ECM-680S provides flexibility for a wide range of production environments. In stereo mode, it captures natural ambience and spatial sound, making it ideal for location and environmental recording. When switched to monaural mode, its highly directional super-cardioid pickup pattern is well suited to dialogue, interviews and focused sound capture. Sony's MS microphone technology combines excellent localisation with low inherent noise and a wide frequency response. Its compact and lightweight design also makes the ECM-680S suitable for both camera-mounted and boom-pole applications.

Sony DWR-S01D/DWT-B01 wireless mic kit, used

Sony DWR-S01D/DWT-B01 wireless mic kit, used S01D 38-40 - freq 606.025 - 630mhz DWT B01 33-40 - freq 566.025 - 630mhz The Sony DWR-S01D is a professional dual-channel digital wireless receiver designed for Sony's DWX Series digital wireless microphone system. Its compact design makes it particularly suitable for professional broadcast, ENG/EFP, documentary, theatre and location sound applications.   The DWR-S01D uses space diversity reception and a dual-conversion superheterodyne circuit design to provide reliable wireless audio reception. It is capable of receiving two compatible Sony wireless transmitters simultaneously, making it a practical solution for professional two-microphone setups. Key Features Professional DWX Series digital wireless receiver Two-channel reception Space diversity reception for reliable wireless performance Dual-conversion superheterodyne receiver design Supports simultaneous operation with two DWT-B01 transmitters Professional digital wireless audio system BNC-R 50 Ω RF antenna connections D-sub 15-pin audio output Wireless remote-control capability via 2.4 GHz IEEE 802.15.4 Suitable for broadcast, ENG/EFP, theatre and location production Technical Specifications Specification Details Reception type Space diversity Circuit system Dual-conversion superheterodyne RF input BNC-R, 50 Ω Sensitivity 20 dBμ or less Audio delay 2.1 ms analogue output / 1.9 ms digital output Audio output D-sub 15-pin Dimensions Approx. 88 × 119 × 31.3 mm Weight Approx. 280 g Wireless remote control 2.4 GHz IEEE 802.15.4 Operating temperature 0–50°C Storage temperature -20–60°C Frequency Bands   The DWR-S01D was produced in different frequency versions, including: U3032: 566–590 MHz U4244: 638–662 MHz CE62: 798–822 MHz CE67: 838–862 MHz   The exact frequency range depends on the individual unit's model/frequency variant. Applications   Ideal for:   Broadcast and television ENG/EFP Documentary production Theatre and live events Professional video production Location sound Camera-mounted wireless systems Professional two-channel wireless microphone setups     Sony DWT-B01 Digital Wireless Bodypack Transmitter   The Sony DWT-B01 is a professional digital wireless bodypack transmitter from Sony's DWX Series. Designed for broadcast and professional production environments, it provides high-quality digital audio transmission in a compact bodypack format.   The transmitter supports a wide range of microphone and line-level input signals, with adjustable attenuation and selectable RF output power. It is suitable for use with lavalier microphones, headset microphones and other compatible professional microphone systems.   Sony's original specification lists 1 mW/10 mW selectable transmission power, 0–48 dB audio attenuation and operation from two AA alkaline batteries.   Key Features Professional DWX Series digital wireless transmitter Compact and lightweight bodypack design Switchable 1 mW / 10 mW RF output Wide range of audio input levels Adjustable audio attenuation from 0–48 dB 3 dB attenuation steps Sony 4-pin SMC9-4S microphone input Built-in low-cut filter Wireless remote-control functionality OLED display Powered by 2 × AA alkaline batteries Supplied with a compatible lavalier microphone in the original Sony package Designed for professional broadcast and location production Technical Specifications Specification Details Product type Digital wireless bodypack transmitter RF output power 1 mW / 10 mW selectable Transmission system Crystal-controlled PLL synthesizer Channel step 125 kHz Antenna λ/4 flexible wire Occupied bandwidth 192 kHz or less Microphone input -22 dBu at 0 dB attenuation Line input +24 dBu Audio attenuation 0–48 dB Attenuation steps 3 dB Microphone connector Sony SMC9-4S, 4-pin Input impedance 4.7 kΩ or higher Frequency response 20 Hz–22 kHz THD 0.03% or less Dynamic range 106 dB or more Power 3 V DC Batteries 2 × AA/LR6 alkaline Battery life Approx. 3.5 hours* Dimensions Approx. 63 × 73 × 17 mm Weight Approx. 125 g including batteries   *Sony's published battery-life figure is based on 25°C, 10 mW output, Sony LR6 alkaline batteries, wireless remote control switched off and display set to AUTO OFF.   Frequency   The DWT-B01 was produced in different frequency versions, so the exact operating frequency depends on the individual model/variant.   For a used unit, we strongly recommend including the frequency band or channel block shown on the transmitter label in your listing.   Ideal For   The Sony DWT-B01 is suitable for:   Television and broadcast production ENG/EFP Documentary production Interviews Presentations Theatre Live events Professional video production Location sound recording Lavalier microphone applications Original Supplied Accessories   Compatibility   The DWT-B01 is designed to work within Sony's DWX digital wireless system. Sony confirms that one DWR-S01D can receive two DWT-B01 transmitters simultaneously, provided they are configured to different compatible frequencies.  

Sony PDW-U2 XDCAM disc drive unit, used

Sony PDW-U2 XDCAM disc drive unit, used   Excellent condition -   The Sony PDW-U2 is a compact, professional XDCAM Professional Disc drive designed for direct access to XDCAM media from a PC or Mac. It provides high-speed read/write access via USB 3.0 and supports a wide range of XDCAM recording formats, including XDCAM HD422, XDCAM HD, XDCAM SD, MPEG IMX and DVCAM.    Ideal for broadcast, post-production, media archiving and professional video workflows, the PDW-U2 provides a convenient way to access, transfer and manage files stored on Sony Professional Disc media.    Key Features   Supports XDCAM HD422, XDCAM HD and XDCAM SD formats Compatible with MPEG IMX and DVCAM recording formats Supports Professional Disc media up to 128GB Compatible with quad-layer write-once, dual-layer and single-layer Professional Discs USB 3.0 SuperSpeed interface for high-speed data transfer Also supports USB 2.0 Direct access to Professional Disc files from a connected PC or Mac Supports both read and write operations with compatible software/NLE systems Approximately 2.6× faster read and 1.5× faster write performance than the earlier PDW-U1 Compact and portable design Can be operated horizontally or vertically Supports XDCAM proxy video and audio Suitable for professional media ingest, transfer, editing and archiving workflows Supported Professional Disc Media    The PDW-U2 supports:    PFD128QLW — 128GB quad-layer write-once Professional Disc PFD50DLA — 50GB dual-layer Professional Disc PFD23A — 23GB single-layer Professional Disc    At 50 Mbps XDCAM HD422, recording/playback capacity is approximately 95 minutes on PFD50DLA and 43 minutes on PFD23A. Sony specifies more than four hours of HD422 50 Mbps recording on the 128GB quad-layer media.    Supported Recording Formats       Video:       MPEG HD422 — CBR, 50 Mbps   MPEG HD — HQ 35 Mbps, SP 25 Mbps, LP 18 Mbps MPEG IMX — 50/40/30 Mbps DVCAM — 25 Mbps Proxy Video — MPEG-4       Audio:       MPEG HD422 — 8 channels, 24-bit, 48 kHz   MPEG HD — 4/2 channels, 16-bit, 48 kHz   MPEG IMX — 8 channels, 16-bit/48 kHz or 4 channels, 24-bit/48 kHz DVCAM — 4 channels, 16-bit, 48 kHz Connectivity       USB: SuperSpeed USB 3.0   USB Connector: USB 3.0 Standard-B   Power: DC 12V via supplied AC adaptor    The drive allows Professional Disc media to be accessed directly from a computer using USB. Sony provides XDCAM Drive Software for managing Professional Disc media and drive functions.   The Sony PDW-U2 is particularly suited to:       Broadcast video production   Television production   Post-production facilities   XDCAM media ingest   Professional video editing   Media transfer and backup   Long-term media archiving

Sony XDCAM discs 50gb x8, used

Sony XDCAM discs 50gb x8, used Excellent condition    Sony PFD-50DLA 50GB Professional Disc – Dual-Layer Rewritable x8  The Sony PFD-50DLA is a professional 50GB dual-layer rewritable Professional Disc designed for Sony XDCAM broadcast and professional video equipment.  Using Sony's Professional Disc optical recording technology, the PFD-50DLA provides reliable, high-capacity media for professional video recording, playback, delivery and archiving. It uses a 405 nm blue-violet laser and phase-change recording technology, with a durable cartridge designed for professional production environments.   The PFD-50DLA is compatible with Sony XDCAM equipment that supports dual-layer Professional Disc media. Always check the compatibility of your specific XDCAM device before purchase.   Key Features 50GB storage capacity Dual-layer Professional Disc Rewritable media Designed for Sony XDCAM professional equipment 405 nm blue-violet laser technology Phase-change recording Maximum writing data transfer rate of 172 Mbps with two optical heads More than 1,000 erase/write cycles More than 1,000,000 read cycles Designed for professional broadcast and production environments Estimated shelf/archive life of 50 years or more under specified conditions Rugged protective cartridge design Technical Specifications Specification       Details Product type      Professional Disc Model   PFD-50DLA Capacity               50GB Disc type              Dual-layer, rewritable Recording method           Phase-change recording Laser wavelength             405 nm, blue-violet Track pitch           0.32 µm Maximum writing transfer rate   172 Mbps Disc diameter     120 mm Cartridge dimensions      128.6 × 130.6 × 9.1 mm Weight with cartridge     Approx. 183 g Erase/write cycles            ≥1,000 Read cycles         ≥1,000,000 Raw byte error rate         ≤0.0002 Estimated shelf life           ≥50 years Estimated archival life     ≥50 years Operating temperature  -5°C to +55°C Operating humidity         10–90% RH Storage temperature       -10°C to +55°C Storage humidity              5–90% RH   Specifications are based on Sony's Professional Disc documentation.   Approximate Recording Times   Recording time varies according to codec, bitrate, audio configuration and the XDCAM equipment being used.   Typical capacities include:  Recording Format            Approx. Recording Time XAVC HD 100 Mbps         46 minutes* MPEG HD422 50 Mbps  95 minutes MPEG HD 35 Mbps          145–150 minutes MPEG HD 25 Mbps          185–200 minutes MPEG HD 18 Mbps          248–265 minutes MPEG IMX 50 Mbps        Approx. 100 minutes MPEG IMX 40 Mbps        Approx. 120 minutes MPEG IMX 30 Mbps        Approx. 150 minutes DVCAM 25 Mbps              Approx. 185 minutes   Actual recording times can vary depending on the equipment, codec, number of audio channels and recording configuration.   *XAVC HD recording time is dependent on the supported XDCAM equipment and recording configuration.   Compatible Equipment   The PFD-50DLA is intended for use with Sony XDCAM equipment supporting dual-layer Professional Disc media.   It has been used with professional XDCAM recorders, camcorders and decks, including equipment from Sony's PDW series.   Please check your equipment's manual or specification before ordering to confirm PFD-50DLA compatibility.   Ideal For   The Sony PFD-50DLA is suitable for:   Professional broadcast Television production ENG/EFP XDCAM recording Professional video production Programme delivery Production masters Media exchange Long-term video archiving Professional camera and deck workflows Important Product Information   The PFD-50DLA is rewritable media, allowing the disc to be erased and recorded again. Sony specifies 1,000 or more erase/write cycles and 1,000,000 or more read cycles under its specified conditions.   For customers purchasing for archival or broadcast use, please ensure that their Sony XDCAM equipment specifically supports 50GB dual-layer Professional Disc media.   Product Summary   Sony PFD-50DLA – 50GB Dual-Layer Rewritable Professional Disc   A high-capacity professional optical recording medium for compatible Sony XDCAM broadcast equipment, offering 50GB storage, dual-layer recording, professional-grade durability and long-term archival capability.

Sony DWM-01 33 Handheld Wireless Microphone 566-630MHz, Used

Sony DWM-01 33 Handheld Wireless Microphone 566-630MHz, Used The Sony DWM-01/33 is a professional handheld digital wireless microphone designed for broadcast, live performance, presentations, and professional audio production. Operating in the 566–630MHz frequency range, this microphone delivers high-quality wireless audio transmission with reliable performance for demanding production environments.    This used Sony DWM-01/33 microphone is ideal for use with compatible Sony DWX digital wireless systems. It features a durable handheld design, dynamic microphone capsule, selectable RF output power, and professional-grade audio performance.

Sony DWM-01 33 Handheld Wireless Microphone 566-630MHz, Used

Sony DWM-01 33 Handheld Wireless Microphone 566-630MHz, Used The Sony DWM-01/33 is a professional digital handheld wireless microphone transmitter designed for demanding broadcast, live sound, theatre, corporate, and production applications. Operating within the 566–630MHz frequency range (TV Channels 33–40), it forms part of Sony's renowned DWX Digital Wireless Series, delivering exceptional audio quality, low latency, and reliable RF performance. Built with a rugged metal body for professional use, the DWM-01/33 features a high-performance dynamic microphone capsule with a supercardioid pickup pattern, providing excellent vocal clarity while minimising unwanted background noise and feedback. Selectable RF output power allows the transmitter to be optimised for a variety of operating environments, making it suitable for both indoor and outdoor productions.   This used microphone has been tested and is in full working order, making it an excellent choice for expanding an existing Sony DWX wireless system or replacing a compatible handheld transmitter. Ideal For Broadcast production Television studios Live music performances Theatre productions Corporate presentations Houses of worship Conferences and events Professional audio rental companies Film and television production   ENG and location recording

Sony HVR-Z5E 14X10 Hrs+ Vinten Vision Blue Tripod,Used

Sony HVR-Z5E 14X10 Hrs+ Vinten Vision Blue Tripod,Used Good condition 3 months warranty   Sony HVR-Z5E HDV Camcorder with Vinten Vision 100 Tripod, Used The Sony HVR-Z5E is a highly regarded professional HDV camcorder, trusted by broadcasters, production companies, and event videographers for its outstanding image quality, reliable performance, and ergonomic design. Featuring three 1/3-inch Exmor™ CMOS sensors and Sony's renowned G Lens with 20x optical zoom, the HVR-Z5E delivers sharp, vibrant Full HD images with excellent low-light performance. It records to MiniDV tape in HDV or DV format and can also be used with Sony's optional CompactFlash recording unit for tapeless workflows. Paired with the professional Vinten Vision 100 fluid head tripod, this package provides exceptionally smooth pan and tilt movements with precise counterbalance adjustment, making it ideal for ENG, documentary, studio, live events, and sports broadcasting. The Vision 100 is renowned throughout the broadcast industry for its superb stability, repeatable performance, and ability to comfortably support heavier professional camera configurations. Whether you're shooting interviews, live events, documentaries, or educational content, this complete camera and tripod package offers a dependable and professional production solution.

Sony Venice 2 8K Camera Kit 277 Hours + Full Licenses,Used

Sony Venice 2 8K Camera Kit 277 Hours + Full Licenses,Used Excellent condition 3 months warranty   6x24mm Full-Frame Sensor for Cinema The Sony Venice 2 features one of two 36x24mm full-frame image sensors, designed specifically for the demands and performance of high-end cinematography. Each offers remarkable sensitivity, latitude and colour rendition, and because the sensor blocks are interchangeable, users can easily switch between sensors—without any extra firmware—and can even use the sensor from their original VENICE. The new 8K sensor can capture images up to a maximum resolution of 8640 x 5760, while the established 6K sensor offers up to 6048 x 4032. Bothoffer powerful oversampling for incredible 4K images. Creative Freedom Full-Frame full width 36 mm 8K and 6K In full-frame, you can use the full width of the sensors (8640 or 6048 pixels) for widescreen spherical 2.39:1 or Large Format Scope. FullFrame can be used creatively in several ways – forexample, to allow for extra shallow depth of field or super-wide shooting. Super35 full height 2.0x squeeze Anamorphic For anamorphic shooting and production, Super35 full height 2x squeeze anamorphic is supported. Super35 17:9 and 16:9 These popular imager sizes have native support in VENICE 2, and the 8K sensor makes it possible to capture 5.8K footage in these modes. Current Super35mm PL mount lenses can be used as well. Surround View (Look Around) Using the 6K sensor, the Sony Venice 2 camera records only the active area but the viewfinder and on-set monitors can display a 5% margin around it.Surround View supports three imager modes: 3.8K 16:9, 4K 17:9 and 4K 4:3. Phenomenal Latitude The Sony Venice 2 8K sensor has an exceptional 16 stops of latitude, while the 6K sensor boasts 15+ stops of latitude. This means that both imagers can deliver phenomenal images withvery little noise, in conditions that range from searing sunlight to almost no light. VENICE 2 also excels at High Dynamic Range imaging,allowing for unprecedented creative freedom in grading. Dual Base ISO VENICE 2 features dual base ISO, meaning that the 8K sensor offers Base ISO3200 in addition to Base ISO800, while the 6K sensor has Base ISO500 and Base ISO2500. 8K sensor excels inlow-light, High Dynamic Range capture, with an exposure latitude from 6 stops over to 10 stops under 18% Middle Gray, for a total of 16 stops. 6K sensor offers an exposure latitude from 6stops over to 9 stops under 18% Middle Gray, for a total of 15+ stops. More Colours for More Expression The Sony Venice 2 can exceed the BT.2020 colour space, with a colour range wider than DCI-P3. This means it can beautifully reproduce the true colour of the scene in front of your lens. The cameraalso provides a broad palette in the grading suite, using the established workflow of Sony’s S-Log3 and Ultra-wide Colour space, S-Gamut3. Plus, VENICE 2’s 8K and 6K sensors match colours almost perfectly, making your grading experience even better. High Frame Rate VENICE 2 can shoot at speeds of up to 120fps at 4K and 90fps at 6K, when using the 6K sensor. In combination with an anamorphic license, it also allows shooting at speeds of up to 75fps at 4K4:3 and 72fps at 4K 6:5. With the 8K sensor, VENICE 2 can achieve up to 60fps at 8.2K and 90fps at 5.8K. Fast Shutter Jello effect is something we don’t need when filming. VENICE 2 has high speed readout sensors that minimize the jello effects typical with CMOS sensors. PL Lens Mount The Sony Venice 2 comes with the industry-standard PL lens mount, and is compatible with all Super35 and full-frame PL lenses—spherical and anamorphic. The lens mount includes contacts that support Cooke/i Technology, and lens information is recorded as metadata, frame byframe. We have also added support for ZEISS eXtended Data.   Lever Lock Type E-mount E-mount offers unsurpassed compatibility with Sony lenses. E-mount (lever lock type) gives users the ability to change lenses by rotating the locking collar rather than the lens itself, which means that in mostcases lens support rigs don’t need to be removed, saves time during a production.

Sony URX-P2 Rx & Sony UTX-P2 Tx,( 606.025 – 630.000mhz),Used

Sony URX-P2 Rx & Sony UTX-P2 Tx,( 606.025 – 630.000mhz),Used Good condition   3 months warranty Sony UTX-P1 Channel 38-40 ( 606.025 – 630.000mhz) The UTX-P1 is a plug-on transmitter to convert a wired microphone into a wireless microphone.   Plug-on transmitter designed for use with the UWP Series tuners Operates over a wide 24 MHz frequency band Converts a wired microphone to a wireless microphone via an XLR connector Compact and lightweight body provides balanced handling Attenuator function allows adjustment of the microphone-input level Durable connecting mechanism with a microphone for dependable operation5 0 mW RF power output for stable and long-distance transmission MIC/LINE input level switchable A backlit LCD provides extensive information, including the operating channel number and frequency in MHz, attenuator level, audio-input status, RF-output status, transmitter battery status, and accumulated operating time An LED indicator for audio-input status Approximately six hours of continuous operation with two AA-size alkaline (LR6) batteries Supplied with a soft case Sony URX-P2   URX-P2 portable receiver– Compact, lightweight, and robust metal body – well-suited for use with Sony'sprofessional camcorders– Convenient auto channel scanning function, allowing automatic search forunoccupied channels. 38-40 606-630 MHz

Sony MRW-G3 CFexpress Type A USB 40Gbps Card Reader

Sony CFexpress Type A reader MRW-G3 Sony MRW-G3 CFexpress Type A Card Reader delivers ultra-fast data transfer speeds for professional photo and video workflows. Designed specifically for CFexpress Type A memory cards, the MRW-G3 supports the latest CFexpress 4 standard and USB 40Gbps connectivity for rapid offloading of high-resolution images and large video files. Optimised for Sony CEA-G Series CFexpress Type A cards, the MRW-G3 helps maximise workflow efficiency for filmmakers, photographers and content creators working with high bitrate codecs and demanding production environments. The compact and lightweight design makes it ideal for studio, location and mobile editing workflows, while the advanced heat dissipation structure ensures stable and reliable performance during extended transfers.   Key Features: • CFexpress Type A card reader • Supports latest CFexpress 4 standard • High-speed USB 40Gbps transfer • USB Type-C connectivity • Optimised for Sony CEA-G Series cards • Compatible with Windows and macOS • Supports iOS, iPadOS and Android devices • Compact and lightweight portable design • Advanced heat dissipation for stable operation • Ideal for 4K, 6K and high bitrate video workflows   Ideal for: • Sony Alpha users • Professional video production • High-speed media offload • Content creators and photographers • Studio and location workflows • 4K and high frame rate recording environments

Sony A6500 premium E-mount Camera with XLR mount, used

Sony A6500 premium E-mount Camera with XLR mount, used Excellent Condition  The Sony a6500 is a 24.2 MP APS-C mirrorless camera featuring 5-axis in-body image stabilization (IBIS), 4K video recording, and a 425-point hybrid autofocus system. Released as a high-end, compact crop-sensor body, it offers a fast 11 fps burst rate, a large buffer, and a touchscreen, making it ideal for both action photography and hybrid content creation.   Key Features and Performance Imaging: 24.2 MP Exmor CMOS sensor with BIONZ X processor. Stabilization: 5-axis in-body image stabilization (IBIS), providing up to 5 stops of shake correction. Autofocus: 425 phase-detection points with 0.05s autofocus speed. Video: 4K recording (3840 x 2160) up to 30p, with 1080p up to 120fps for slow motion. Build: Touchscreen interface, 2.36M-dot OLED viewfinder, and a sturdy build.     Strengths Deep Buffer: Allows for extended, high-speed continuous shooting (up to 300 JPEGs). Fast AF: Exceptional tracking performance for fast-moving subjects. Compact 4K: Offers high-quality, full-pixel readout 4K video. Lens Selection: Wide range of available E-mount lenses.   Limitations Screen: The rear LCD screen does not flip up or out, which is not ideal for vlogging. Rolling Shutter: Noticeable in 4K, though manageable. Battery Life: Average, common among mirrorless cameras of its generation.   The Sony E PZ 16-50mm f/3.5-5.6 OSS (SELP1650) is a compact, retractable APS-C lens featuring built-in Optical Steady Shot (OSS) image stabilization and a Power Zoom (PZ) mechanism for smooth, silent zooming. Designed for travel, it offers a 24-75mm equivalent range, 7-blade circular aperture, and fast, quiet AF.   Key Features of the E PZ 16-50mm f/3.5-5.6 OSS: Retractable Design: The lens collapses to just 29.9mm in length when powered off, making it extremely portable. Power Zoom (PZ): A motorized zoom lever on the lens barrel allows for smooth, constant-speed zooming, ideal for video, which can also be controlled via compatible camera bodies. Optical Steady Shot (OSS): Built-in image stabilization minimizes camera shake, allowing for clearer handheld photos and videos. Optical Performance: Includes 4 aspherical elements to reduce distortion and 1 Extra-low Dispersion (ED) element for superior contrast and sharpness. Versatile Range: A 16-50mm (24-75mm equivalent) range covers wide-angle to portrait focal lengths. Aperture & Bokeh: A 7-blade circular aperture produces natural, smooth background blur (bokeh). Minimum Focusing Distance: 25cm (0.25m) at 16mm and 30cm (0.30m) at 50mm. Compact Size: Weighs approx. 116g to 107g (for II version)   The Sony XLR-A2M (often referred to within the XLR-K2M kit series) is a professional audio adapter designed to connect high-quality microphones and audio equipment to Sony mirrorless cameras (E-mount/FE-mount) and camcorders via the Multi-Interface (MI) Shoe.   Key Features and Capabilities: 2-Channel XLR Inputs: Allows for the connection of two professional, balanced XLR microphones or audio devices. Independent Controls: Features dedicated, manual controls for both channels, including recording level adjustments, attenuation (0, 10, 20 dB), and low-cut filters. Mic/Line Switching: Each channel has a switch to toggle between Mic, Mic+48V (phantom power), or Line input. Multi-Interface Shoe Connection: Direct mounting on the camera's hot shoe ensures a secure, cable-free connection for audio and power, reducing potential noise interference.   Robust Build: Features a durable, metal-bodied design.

Sony sxs Pro X 120gb Memory Card, used

Sony sxs Pro X 120gb Memory Card, used(FMP61744RHSH) 3 months warranty, Excellent condition Sony sxs Pro X 120gb Memory Card  (SBP_120F, SBP/120F, SBP 120F)  SxS Pro X is the next step up from SxS Pro+ and it offers transfer speeds of up to 10Gbps (1250MB/s). This is significantly faster than the SxS Pro+’s 3.5 Gbps max read speed, and 2.8 Gbps max write speed. The claimed transfer and write speeds of the new SxS Pro X are also higher than those of the Sony AXS Memory A-Series Cards that are used in their AXS-R7 and AXS-R5 RAW recorders.

Sony URX-S03D/K33 UWP-D Portable Two-Channel Wireless Receiver, used

Sony URX-S03D/K33 UWP-D Portable Two-Channel Wireless Receiver, used(FMP61740RHSH) 3 months warranty, Excellent condition Frequency: 566.025 MHz to 630.000 MHz (UHF- TV channels 33 to 40) Sony URX-S03D/K33 (URX-S03D-K33, URX/S03D/K33, URX_S03D_K33, URXS03DK33, urx-s03d/k33) UWP-D Portable Two-Channel Wireless Receiver Digital Audio Processing for high quality sound The URX-S03D is the first two-channel portable receiver in the UWP-D Series that fits directly in the slot of Sony XDCAM and HDCAM camcorders. Working with the UTX-B03HR belt-pack transmitter, the system features easy channel setting functions, advanced functionality for stable RF transmission and Digital Audio Processing technology ensures high-quality sound. With advanced usability with Sony XDCAM and HDCAM camcorders, it also works seamlessly with Sony 800 and UWP Series transmitters. Digital Audio Processing for high quality sound Improves transient response performance between the UWP-D transmitter and receiver, providing impressive natural sound quality compared to conventional analogue wireless systems. Stable RF transmission True diversity reception system achieves highly stable reception from two adjustable receiving antennas, each with its own RF circuits. Great usability with Sony XDCAM and HDCAM camcorders The URX-S03D fits in the slot of Sony’s XDCAM camcorder with 2-channel digital audio connections directly from the DSP. It can also be matched with the slot of an HDCAM camcorder with single channel audio connection. Easy to use features Automatic channel setting function*, headphone output, USB connection for power supply and line input availability. *For customers in North and Latin America, when a /25 version of either transmitter or receiver is used with /14, /30 or /30A version of receiver or transmitter, AUTO SET (auto channel setting) function or frequency transferring function with IR sync cannot be used. Manual setting of matching frequencies is still available. Wide frequency coverage with choice of channels available The extra wide switching bandwidth covers a wide area, with a wide choice of channels available across multiple models – please refer to product specifications for more information. 14UC: 470.125 MHz to 541.875 MHz (UHF-TV channels 14 to 25) (not available in Brazil) 25UC: 536.125 MHz to 607.875 MHz (UHF-TV channels 25-36) 42LA: 638.125 MHz to 697.875 MHz (UHF-TV channels 42-51) (not available in US or Canada) Robust metal body The URX-P03 portable receiver is made of strong, durable metal. Metal construction supports reliable use in rough operating conditions. Weatherproof structure Waterproof structure of the URX-S03D makes it safe to use in extreme conditions Selectable squelch The squelch can be easily turned on or off in the menu. Compatible with a wide range of Sony camcorders PXW-X320, PXW-X400, PDW-850/750, PXW-X500, PMW-400/580, PDW-510/510P, PDW-530/530P, PDW-700/740/F800,PMW-TD300, PMW-500/350, PMW-320, (PMW-F5/F55 with CBK-55BK), HDW-F900R, HDW-650/680/800P, MSW-930P, DSR-400/400P, DSR-450WS/450WSP Oscillator Type: Crystal-controlled PLL Synthesizer Reception Type: True diversity Antenna Type: Detachable

Sony 18-110mm G OSS lens, used

Sony 18-110mm G OSS lens, used  (FMP61707KSSH) Super 35mm/APS-C power zoom for 4K movies The SELP18110G zoom lens covers the most frequently used range for Super 35 mm/APS-C movies with a constant F4 maximum aperture. G Lens optical performance delivers image quality that is suitable for 4K production throughout, right out to the image periphery. Sony SMO design minimizes image shift due to lens operation, while high-level zoom control and refined focus add to professional overall performance. For professional Super 35 mm/APS-C production This powered zoom lens delivers optimum performance in Super 35 mm/APS-C moviemaking applications, starting at 18 mm wide-angle and extending through an impressive 6.1x zoom range with a constant F4 maximum aperture. G Lens optical performance delivers image quality that is suitable for 4K throughout the zoom range, right out to the image periphery. Smooth Motion Optics meet pro cinema needs Sony's original SMO (Smooth Motion Optics) design and construction minimizes optical shifts that can have a negative impact on movie quality. Focus breathing is minimized by an internal focus mechanism, focus shift is eliminated by precise focus tracking adjustment, and axial shift is minimized by a constant-length design. High-level, versatile zoom control In addition to smooth powered zoom, mechanical manual zoom ensures control with no lag. The desired angle of view can be accurately reached without overshoot or undershoot. Zoom ring direction can be easily switched as required, smooth, slow powered zoom is supported, and an inner zoom mechanism means that the length of the lens remains constant. Refined focus operation and features The focus ring slides to switch between auto and manual focus, so the switchover can be made with no break or change in shooting posture. A 0.8 mm pitch focus gear is built right into the lens, providing direct compatibility with standard focusing accessories.  Ideal size and weight for active shooting Compact, lightweight design contributes to the kind of mobility that active movie shooting demands. Small size and low weight can be advantageous when using gimbals and other types of support, too. Optical SteadyShot Built-in Optical SteadyShot image stabilization helps to keep captured images stable and blur-free in a wide range of shooting conditions. It can be a huge advantage when shooting in low light, minimizing the need to boost ISO and possibly introduce noise, as well as when moving around with the camera. Teleconverter support This lens is fully compatible with the Sony SEL14TC 1.4x teleconverter and SEL20TC 2x teleconverter, providing extended reach while maintaining outstanding image quality and autofocus performance.  Reliable in challenging conditions A sealed dust and moisture-resistant3 design provides extra protection and ensures reliable operation in challenging environments. Shoot with confidence in light rain or windy conditions. Lens Configuration The impeccable Sony G Lens design emphasizes a graceful balance between high resolution and gorgeous background bokeh that can enhance the artist’s vision. High-performance G series standard zoom lens Powered zoom Constant F4 maximum aperture throughout zoom range Built for high-quality 4K moviemaking Dust and moisture-resistant design

Sony EX1R camcorder, 150 hours, used

Sony EX1R camcorder, used  (FMP61721KSSH) Sony's PMW-EX1R XDCAM EX HD Camcorder is the impressive successor to the popular PMW-EX1. While retaining everything that was right about the previous camera, Sony has listened to its professional users and taken several steps forward, not only improving ergonomics and convenience, but bringing a whole new set of features to the world's only full HD compact camcorder.   Like its predecessor, the PMW-EX1R's core is its three 1/2"-type CMOS sensors and 14x Fujinon zoom lens. This heavyweight imaging combo captures full 1920 x 1080 hi-def images to solid state SxS PRO memory cards (sold separately) at multiple bit rates, resolutions and frame rates. Whether you're shooting weddings, documentaries or feature films, there's a frame rate and resolution for you--from 60fps and native 23.98p recording at 720p, to 1fps at 1080i. SxS PRO cards of up to 64GB in capacity can be used. For 64GB cards, the camera will require software version 1.15 or greater installed from Sony's website. The way to install it is by downloading the version to a computer, connecting the camera to the computer by USB cable, and selecting the upgrade option in "Others" tab of the camera's menu table. If your computer has an SxS slot, you can just transfer the downloaded file onto the SxS card and then pop the card into the camera to transfer the download, which in this case also you would do through the "Others" menu. 64GB cards can record 200 minutes in HQ mode and 280 in SP mode.   But along with its already proven imaging abilities and professional workflow, the PMW-EX1R expands its usability by offering DVCAM SD recording, XDCAM HD compatibility, and HDMI output. That means no more time-consuming downconverting or transcoding to work in different formats or with different recording and playback devices. Other new features add even more convenience and flexibility, including a high-resolution 1.23MP viewfinder, Cache Record, one-click S&Q button, auto iris, and even image inversion for flipping the image while shooting with a 35mm adapter. Make no mistake: the Sony PMW-EX1R is the first HD compact camcorder that truly does have it all.   Three 1/2"-Type Exmor CMOS Sensors The PMW-EX1R is equipped with three newly developed 1/2"-type Exmor CMOS sensors, each with an effective pixel count of 1920 (H) x 1080 (V), which delivers excellent picture performance with full HD resolution. This 1/2"-type image sensor, using Sony's advanced accumulated sensor technologies, allows the camcorder to provide an excellent sensitivity of F10, a remarkable signal-to-noise ratio of 54dB, and a high horizontal resolution of 1000 TV lines (in 1920 x 1080/59.94i mode). In addition, this large 1/2"-type image sensor can capture images with a shallower depth of field than smaller-size image sensors, giving users more creative freedom of expression. What's more, the Exmor CMOS sensor's unique design deploys an A/D converter to each column of pixels, resulting in a much lower clock speed than conventional CMOS sensors. This makes it possible to greatly reduce power consumption of the camcorder and extend battery life. 1920 x 1080 HD Recording Using the "MPEG-2 Long GOP" Codec The PMW-EX1R records 1920 x 1080 full HD images using the "MPEG-2 Long GOP" codec, which conforms to the MPEG-2 MP@HL compression standard. "MPEG-2 Long GOP" is a mature codec--also adopted by the XDCAM HD and HDV 1080i series of products--which enables users to record stunning HD video and audio with highly efficient, reliable data compression. New Selectable Recording Modes Including DVCAM Recording The PMW-EX1R offers a choice of bit rates--either 35Mbs (HQ mode) or 25Mbs (SP mode)--depending on the desired picture quality and recording time. The HQ mode supports 1920 x 1080, 1440 x 1080 and 1280 x 720 resolutions. The 1440 x 1080 mode is new to the PMW-EX1R, ensuring native integration of XDCAM EX footage into an XDCAM HD Professional Disc workflow. By supporting 1440 x 1080, 35Mbs recording, material can be utilized with no transcode, just a rewrap to MXF for NLE and archiving. The SP mode supports 1440 x 1080 resolution at 25Mbs, which provides compatibility with HDV 1080i products. Footage recorded in this SP mode can be seamlessly integrated into HDV-compatible editing systems by transferring the stream from the camcorder via the i.LINK (HDV) interface.   The PMW-EX1R also supports 25Mbs DVCAM recording in either PAL or NTSC modes, again providing seamless integration into existing DVCAM workflows, offering ultimate flexibility worldwide.   Robust Nonlinear Recording Media, "SxS PRO" & "SxS-1" (<I>Sold Separately</i>) The XDCAM EX series uses high-speed SxS PRO and SxS-1 memory cards (sold separately) for its recording media. SxS PRO cards of up to 64GB in capacity can be used. For 64GB cards, the camera will require software version 1.15 or greater installed from Sony's website. The way to install it is by downloading the version to a computer, connecting the camera to the computer by USB cable, and selecting the upgrade option in "Others" tab of the camera's menu table. If your computer has an SxS slot, you can just transfer the downloaded file onto the SxS card and then pop the card into the camera to transfer the download, which in this case also you would do through the "Others" menu. 64GB cards can record 200 minutes in HQ mode and 280 in SP mode.   These cards are developed specifically for professional content creation applications with a number of key features: Compatible with ExpressCard/34 interface slot which is common on modern Windows PCs and Macs Uses PCI Express interface and achieves an extremely high "read" speed of 800 Mbs* Large storage capacity: SBP-16 (16 GB) and SBP-32 (32 GB) memory cards are available Can record up to 140 minutes of HD video and audio (using one 32-GB memory card) Compact size: approx. 75 x 34 x 5 mm (excluding the projecting parts)--half the size of the older PC Card standard Low power consumption Highly reliable: can resist shocks (up to 1500 G) and vibrations (up to 15 G) Affordability: SxS-1 media (introduced in late 2009) provides users with a lower cost alternative to SxS PRO media that offers the same high performance, but with an estimated 5-year life span when recording at full capacity once per day. Users can check the card life on their PMW-EX1R and PMW-350 camcorders and even see an alarm when the data rewriting limit is reached.     *This data-transfer speed is a theoretical value. Actual data-transfer speed depends on the file type and the performance of the PC. Wide Angle Professional 1/2" HD Lens The PMW-EX1R is equipped with a superb Fujinon 14x zoom lens specifically designed for the PMW-EX1R to offer optimum picture performance. It offers a wide angle of view of 5.8mm (equivalent to 31.4mm on a 35mm lens), and many other convenient features for both broadcasters and videographers. Unique Focus Operation - Professional Manual Focus and Auto Focus The Fujinon lens adopts a newly developed and unique focus ring mechanism, which offers two types of manual focus, plus an auto focus operation. The PMW-EX1R is equipped with two independent focus wheel mechanisms, which can be switched by sliding the focus ring itself back and forth. When the focus ring is in the front position, the lens works in the same way as a typical auto focus lens on a handheld camcorder. In this case, either manual or auto focus mode can be selected by the AF/MF switch on the lens. On the other hand, when the focus ring is set to the back position, the lens has an absolute focus position, and works in the same way as interchangeable-lens cameras, which professional users are familiar with.   Long Recording Time Utilizing a mature and highly efficient compression format together with high performance SxS memory cards, the PMW-EX1R can record superb quality HD images for an exceptional 140 minutes* on a single 32GB SxS card. As the PMW-EX1R features two memory card slots, this recording time is easily increased to 280 minutes (with two 32GB cards) and when recording across two cards, the transition is seamless without any frame loss. This feature makes the PMW-EX1R an ideal camcorder for a wide variety of content production applications, including wedding and event videography, that require a long recording time.   *When recording in HQ (35Mbs) mode, recording time may be more than the above specified figure depending on the actual bit rate that is adopted during VBR encoding. Multiple-format Recording The PMW-EX1R offers a wide array of recording formats for multiple content creation applications. In HD mode, scanning is switchable between 1920 x 1080, 1280 x 720, and 1440 x 1080 resolutions. Frame rate is also selectable from interlace and progressive: 59.94i, 50i, 29.97P, 25P, and native 23.98P.*   In addition, 59.94P and 50P progressive recording is available in 1280 x 720 mode. In SD mode, both 50/60i and 25P/30P modes are supported.   *In 1440 x 1080 and 1920 x 1080 modes, 23.98P images are handled as 23.98P and recorded as 59.94i signals through means of 2-3 pulldown. High-quality Uncompressed Audio Recording In addition to SD/HD video recording, high-quality audio is an equally significant feature in the XDCAM EX system. The PMW-EX1R camcorder records and plays back high-quality, two-channel 16-bit, 48-kHz linear PCM uncompressed audio. Built-in Stereo Microphone and Two-channel Audio Input The PMW-EX1R has a built-in stereo microphone and two XLR audio input connectors for connecting professional microphones or feeding an external-line audio source. IT Friendly With the XDCAM EX series, recordings are made as data files in the MP4 format, which is widely used in a number of recent electronic portable devices and has been standardized by ISO. For SD recording, industry accepted .AVI type-2 files have been adopted. The file-based recording allows material to be handled with great flexibility in an IT-based environment--easily available for copying, transferring, sharing, and archiving. All these operations are accomplished without any "digitizing" process required. File-based data copying allows for degradation-free dubbing of AV content, which can be performed easily on a PC or Mac. The file-based recording system also allows for material to be viewed directly on a PC or Mac--simply by inserting the SxS memory card into the ExpressCard slot, or by linking the device to the PMW-EX1R via a USB2 connection. This works in the same way as a PC or Mac reading files on an external drive. The file-based operation can dramatically improve the efficiency and quality of professional video applications. Immediate Recording Start and No Overwriting Footage By virtue of recording on flash memory cards, the PMW-EX1R can start recording virtually the instant the camcorder is turned on. Moreover, the PMW-EX1R system automatically records on an empty area of the card--there's no danger of overwriting existing content. This is extremely convenient, as camera operators do not have to worry about accidentally recording over good takes, and they don't have to search through footage for the correct position to start the next recording. In short, it means the camera is always ready for the next shot! Instant-access Thumbnail Search with "Expand" Function Each time a recording is started and stopped on the PMW-EX1R camcorder, the video and audio signals are recorded as one clip. During playback, users can cue-up to the next or previous clip simply by pressing the 'Next' or 'Previous' button, as you would do on a CD or DVD player. Furthermore, thumbnails are automatically generated for each clip as a visual reference, allowing operators to cue-up to a desired scene simply by guiding the cursor to a thumbnail and pressing the 'Play' button. For further convenience, the 'Expand' function allows one selected clip in the thumbnail display to be divided into 12 even-time intervals, each with their own thumbnail identifier. This is useful if you want to quickly search for a particular scene within a lengthy clip. New Image Inversion Function When a cine-style lens or a stills camera lens is attached to the camcorder with a DOF (Depth of Field) adapter, the image is usually rotated by 180°. The Image Inversion function normalizes the image for easy picture monitoring. This will also negate the need to flip the image in post-production. Three Independent Rings In addition to its unique focus ring, the PMW-EX1R is equipped with independent rings for zoom and iris adjustment. These are located adjacent to the focus ring, in the same layout as is common on shoulder-type camcorders. This gives users a high level of operational comfort and control. AF Assist The AF (Auto Focus) Assist function enables operators to manually change focus positions using the focus ring during AF mode. This means that AF reference focus positions can be shifted to manually changed positions. MF Assist The MF (Manual Focus) Assist function helps to precisely focus on the target subject when shooting in MF mode. When the MF Assist is turned on, auto focus is momentarily activated and finely focuses on the subject closest to the focal point of the lens at that time. One-push Auto Iris A One-push Auto Iris button has been added to the lens of the PMW-EX1R, allowing the user to go into Auto Iris mode only when this button is pushed. This is a feature seen on broadcast lenses and is used as a reference for camera operators when adjusting the iris settings. Expanded Focus At the touch of a button, the center of the screen on the LCD monitor and viewfinder can be magnified to about twice normal size, making it easier to confirm focus settings during manual focusing. Selectable Peaking The Peaking function can help operators adjust the camera's focus more accurately by altering the way pictures are displayed on the LCD monitor and viewfinder. It can enhance the outline of the image, which the camera focuses on most, and change its color to make it more visible. Enhance levels can be selected from a choice of "HIGH," "MIDDLE," and "LOW," and the outline color from "RED," "WHITE," "YELLOW," and "BLUE." Optical Image Stabilizer To minimize the blurring effect caused by hand-shake, the new lens incorporates an optical image stabilizer function that provides highly stable images. 23.98P Native Recording XDCAM EX compact camcorders are the first to be part of the legendary Sony CineAlta family. The PMW-EX1R offers native 23.98P* recording which, in combination with advanced creative features such as selectable gamma curves, makes this camcorder ideal for cinema production. *In 1440 x 1080/23.98P (SP) mode, images are handled as 23.98P and recorded as 59.94i signals through means of 2-3 pulldown.   Slow & Quick Motion Function The PMW-EX1R offers a powerful Slow & Quick Motion function--commonly known as 'over-cranking' and 'under-cranking' in film shooting--that enables users to create unique 'looks' or special effects with slow- and fast-motion images. The PMW-EX1R can capture images at frame rates selectable from 1 fps (frame per second) to 60 fps in 720P mode and from 1 fps to 30 fps in 1080P mode, in increments of 1 fps. For example, when viewed at 23.98P, images captured at 60 fps will appear 2.5 times slower than normal. Conversely, images captured at 4 fps will appear six times faster than normal. With the Slow & Quick Motion function of this camcorder, images are recorded natively without interpolating the frames. This means the quality of the slow- and fast-motion images is extremely high and incomparable to those created in the editing process. In addition, these slow- and quick-motion images can be played back immediately after shooting, without using any converters or processing on non-linear editing systems. New One-push S&Q Switch A new S&Q (Slow & Quick Motion) button has been added to the exterior of the camcorder. This allows the user to switch quickly between Normal mode and S&Q mode. In S&Q mode, a blue LED on the button lights up. When the switch is pressed, S&Q mode is activated, and the recording format and frame rate are instantly changed to the conditions previously set via the menu. Slow Shutter Function The PMW-EX1R offers a Slow Shutter function for capturing clear images in low-light environments. This allows the shutter speed to be extended to a maximum of 64 frames. The Slow Shutter function not only increases camera sensitivity but also produces a special blurring effect when shooting a moving object, for enhanced shooting creativity. The shutter speed is selectable from 2-, 3-, 4-, 5-, 6-, 7-, 8-, 16-, 32-, and 64-frame periods. Selectable Gamma Curves The PMW-EX1R camcorder offers a wide variety of gamma curves to flexibly handle contrast and give a specific 'look' to an image. In addition to four types of standard gamma curves, the PMW-EX1R provides four types of CINE Gamma (CINE 1, 2, 3, and 4), which are identical to those of other CineAlta camcorders. Operators can select the best-suited preset gamma curve, depending on scenes. New Cache Recording Function Once enabled, Cache Recording continuously streams audio and video through the camcorder's internal memory. Once the Record button is pushed, the content buffered in the camcorder's memory is recorded onto the memory media at the start of the recording clip. The caching period can be adjusted for up to 15 seconds, so in a situation such as monitoring a developing situation, Cache Record enables capturing an event up to 15 seconds before the record button is pressed. When in Cache Recording mode, an indicator on the inside panel lights up. Interval Recording Function The PMW-EX1R offers an Interval Recording function that records signals at predetermined intervals. This is convenient for shooting over long periods of time, and also when creating pictures with special effects of extremely quick motion. Frame Recording Function Frame Recording is a special feature of the PMW-EX1R camcorder that is especially useful for stop-motion/clay animation shooting. Using this function, images for predetermined frames are recorded every time the Record button is pressed. Shutter Angle Settings In addition to the electronic shutter speed controls, the PMW-EX1R also has a "shutter angle" control--which is familiar to film users. By setting the shutter speed to "angle," the PMW-EX1R automatically operates with the proper exposure time, determined by the selected frame rate and the shutter angle. Picture Profile Feature The Picture Profile feature allows camera operators to easily call up customized picture-tonal settings to suit particular shooting conditions, rather than having to readjust the camera each time--giving users greater operational efficiency. Up to six different picture-tonal settings such as the parameters of matrix, color correction, detail, gamma and knee can be saved in the memory. These settings are displayed on the LCD monitor at the touch of a button. Depth-of-field Indicator A Depth-of-field Indicator can be displayed on the LCD monitor and viewfinder to help camera operators easily recognize the depth-of-field of a scene, and thereby produce their desired images. Brightness-level Display The average brightness level of the center of a frame can be displayed on the LCD monitor and viewfinder as a percentage. This is useful when a waveform monitor is not available for shooting. Histogram Indicator The Histogram Indicator can be displayed on the LCD monitor and viewfinder, allowing operators to easily evaluate the distribution of brightness on currently captured images. This enables proper exposure control of iris, gain and gamma. 3.5" Hybrid Color LCD Screen The PMW-EX1R is equipped with a newly developed, large, easy-to-view, color LCD screen with a high resolution of 1920 x 480 pixels (horizontal resolution is 640 x 3, RGB). The LCD screen is located in an easy viewing position on top of the camera and can be flexibly rotated according to shooting angles--which is convenient when using it as a viewfinder. When not in use, it folds underneath the housing for the built-in stereo microphone. The LCD screen can also be used to instantly review recorded footage, as well as access the camera's set-up menus and view thumbnail display status indications such as audio meters, depth-of-field indicators, and the remaining memory and battery time. What's more, the Hybrid LCD screen--which comprises transmissive and reflective panels--offers clear viewing even in bright sunlight. New Easy-to-See Color LCD Viewfinder The PMW-EX1R comes equipped with a new 0.54" color LCD viewfinder, which displays high-resolution color pictures of approximately 1,226,000 pixels in a widescreen aspect ratio of 16:9, which simplifies focusing. Operators can switch between Color and Monochrome Display modes, according to their preference. Rotary Grip The grip of the PMW-EX1R can rotate 90°, which allows camera operators to flexibly adjust the angle of the grip. This gives users greater comfort during low-angle and high-angle shooting. In addition, the shape of this grip has been improved compared to the EX1 so as to better fit the user's hand. Four Assignable Buttons Frequently used functions can be programmed onto four assignable buttons, allowing operators to make rapid changes when working in the field. These can be functions such as ATW, Freeze Mix, Rec Review, Expanded Focus, Depth-of-field and more. On-handle Zoom Switch and REC Start/Stop Button In order to facilitate zoom control and recording operation during low-angle shooting, an additional zoom switch and record start/stop button are located on the carrying handle. The PMW-EX1R has a new zoom transition menu which allows camera operators to select 'soft' for smoother start/stop operation of the on-handle zoom. Shot Transition Function The Shot Transition function allows for smooth automatic scene transitions. The operator can program start and end settings for zoom, focus, and white balance into the A/B buttons and, by pressing the start button, a smooth transition will take place according to the set time. It works by automatically calculating the intermediate values during the scene transition. The start of this function can be synchronized with the camera's REC start function. The transition progress can be checked using an indicator displayed on the LCD monitor. In addition, a start timer function is also available for the Shot Transition function, helping to prevent operators from missing a shot. This function is very useful when complex camera settings are required during the scene transition--for example, when shooting subjects moving from the background to the foreground of a scene.   ATW & Hold Function The ATW (Auto Tracing White Balance) function of the PMW-EX1R automatically adjusts the camera's color temperature according to changes in lighting conditions. This function is useful when recording outside for long periods, as lighting changes gradually over time. The PMW-EX1R also has a new ATW Hold function, which allows the operator to hold auto tracing at a desired color balance via an assignable switch. Long Operating Time With the supplied BP-U30 battery attached, the PMW-EX1R can record continuously for approximately two hours, while the optional BP-U60 battery extends the operating time to approximately four hours. Wide Array of Interfaces The PMW-EX1R camcorder comes equipped with a wide range of interfaces optimized for a variety of operational needs. These include an HD-SDI output, downconverted SD-SDI output, i.LINK (HDV/DV) input/output, USB2 and analog composite/component output. There is also an HDMI output (Type A) that allows the user to show the picture on a consumer display or professional monitor equipped with an HDMI input. Noncompressed video and two channels of audio can be output. When HDMI output is selected, other outputs are not available. New IR Remote Control On Rear The PMW-EX1R has a new IR remote control receptor on the rear of its handle. This allows the user to control the PMW-EX1R with a Remote Commander both from the front and rear of the camcorder. Additional Aspect Markers For Cinematic Operation The PMW-EX1R benefits from the addition of several new aspect markers such as 1.66:1, 1.85:1, 2.35:1, and 2.4:1 for more convenient cinematic operation. Other Features Built-in ND filter wheel: 1: Clear, 2: 1/8ND, 3: 1/64ND Selectable gain: -3, 0, 3, 6, 9, 12, 18 dB High-speed picture search: x4, x15 Freeze Mix function Skin-tone Detail control Low-key saturation

Sony CBK-WA02 5GHz/2.4GHz Wireless LAN Adapter

CBK-WA02 5GHz/2.4GHz Wireless LAN Adapter Excellent Condition- 3 month peace of mind warranty The CBK-NA1E Network Module Extension Adapter is a wireless network adapter that operates on dual bands at 2.4 or 5 GHz. This allows for easy switching between frequencies for better signal transmission. The adapter is specifically designed for use with camcorders such as the PXW-X500, PXW-X200, and PXW-X180, and is attached using a 1/4-inch accessory shoe.  For even better signal transmission, the CBK-WA02 Wireless LAN adapter can be used in conjunction with the CBK-NA1E adapter. This kit consists of two units - the wireless LAN adapter and the modem attachment for 3G/4G/LTE communication. It is compatible with camcorders that support wireless LAN network operation and have the appropriate firmware, as well as with other wireless adapters with V2.0 or greater firmware installed.  The CBK-WA02 Wireless LAN adapter enables wireless data transfer from specified Sony camcorders to other devices on the same network.  The kit consists of two units: the CBK-WA02 Wireless LAN Adapter and CBK-NA1E - modem attachment for 3G/4G/LTE communication  This kit is designed for use with camcorders such as PXW-X500, PXW-X200 and PXW-X180 that are compatible with wireless LAN network operation and have appropriate firmware.  CBK-WA02 is also compatible with wireless adapters CBK-WA100 and CBK-WA101 with V2.0 or greater firmware installed.    

Sony SXS-1 32GB Memory Card, used

Sony SXS-1 32GB Memory Card, used Excellent Condition  Rugged, proven technology to support all the recording features of the XDCAM EX camera lineup 32GB, 64GB, and 128GB capacity Read speed up to 440MB/s Supports EB Streaming between card and Sony camcorders enabling constant 2 way communication and insuring stable recording while avoiding speed degradation. Enhanced media management with Memory Media Utility

Sony A1 Digital Camera Body, Used

Sony A1 Digital Camera Body, Used(FMP61611RJSH) Excellent condition, 3 months warranty  Please note: Shutter count is 8330  Introducing the Sony A1 Digital Camera Body. This incredible new high-resolution 50.1MP model from Sony offers 30fps blackout-free shooting with AF that is double the speed of the a9 II. For video shooters, 8K 30P 10-bit 4:2:0 is available with up to 30 minutes of shooting before over-heating. For those more interested in 4K, you can shoot 120P at 10-bit 4:2:2 internally. In addition, this camera also features a wide 15 stops of dynamic for stills & 15+ stops for video. We also see the World's first EVF with 240fps, strong and stable IBIS, and a vastly improved AI-based real-time tracking performance. This is Sony's advanced and innovative camera yet and is guaranteed to send shock waves through the mirrorlesss-video market. Expanded Sony A1 Digital Camera Body Key Features: Designed for Speed The Sony A1 is designed to help you to capture each and every moment - moments that would otherwise be missed whilst using slower mirrorless cameras. The impressively fast readout speed from the 50.1-megapixel image sensor and large memory buffer, allows you to capture 155 full-frame compressed RAW images or 165 full-frame JPEG images at up to 30 frames per second (electronic shutter). This incredible speed is matched by full AF and AE tracking even whilst shooting at the highest speed, all thanks to a calculation speed of up to 120AF/AE per second.  Lightning Fast Autofocus Incredible AF performance has become a norm of any Sony camera release. But the Sony A1 takes this further. The camera offers 759 phase-detection points in a high-density focal-plane phase-detection AF system, and this covers approximately 92% of the image area. This vast coverage allows for accurate tracking of complex, fast-moving subjects with ease.  Sony's already-renowned Real-time Eye AF sees an upgraded detection performance by 30% of both humans and animal, and it doesn't stop there. Wildlife photographers and videographers will be pleased to hear that the Sony A1 is equipped with impressive subject recognition which will now actually respond to birds, locking on using the same Real-time Eye AF system. This particular system has optimised algorithms that are able to quickly adapter to birds sudden movings.  The Electronic Viewfinder You might wonder how Sony can improve on their already advanced electronic viewfinders found in their Alpha series, but when it comes to the A1 - Sony has delivered. The electronic viewfinder (EVF) used in the Sony A1 has a refresh rate of 240fps - A World first. This unprecedented speed compliments the pace of which this camera has been designed to provide. The 240fps offers super-smooth playback of your video and the viewfinder will not blackout when an exposure is made, which in turn allows for seamless, uninterrupted framing and tracking, even continuous shooting.  Fast, Silent & Stress-Free The electronic shutter system contributes to this impressive speed and professional performance of this camera. The electronic shutter operates silently, without any mechanical noise and is vibration-free. It offers silent anti-flicker continues shooting and thanks to this, it is now possible to capture stress-free continuous shooting even in fluorescent or flicker-prone artificial lighting.  In addition, the impressive high-speed readout from the Exmor RS CMOS image sensor has resulted in reducing rolling shutter by up to 1.5 times when capturing stills, when compared to the Sony A9 II. And another Alpha camera first sees the electronic shutter offering flash sync up to 1/200 sec, allowing you to truly take advantage of all the benefits of electronic shutters whilst using flash.  Sensational 8K Resolution Shooting A first for the Alpha camera, the Alpha 1 provides 8K 30p 10-bit 4:2:0 XAVC HS recording, along with 8.6K oversampling for unprecedented resolution. This is a videographer's dream, combining Sony's renowned AF tech, gradation and colour reproduction performance, with 8K footage down-graded to allow for flexible 4K editing during post-production - What's not to like?  In-camera 4K recording at a max. 120 fps gives you the ability to shoot up to 5 x slow-motion video, whilst supporting 10-bit 4:2:2 recording. The Alpha 1 also incorporates S-Cinetone (an identical colour matrix that produces FX9 and FX6 colour and skin tones), delivering soft colours, intricate highlights, expressive depth and natural mid-tones within the image. 15+ stops of dynamic range can be achieved via the S-Log3 gamma curve, whilst the S-Gamut3 and S-Gamut3. Cine colour gamut settings are there to match the Alpha 1's video footage to that of pro-cine cameras such as the VENICE or FX9 to the Alpha 1 - Leads to improved coherency and harmonious detail.  Body Modifications To Improve Video Capture Sony has covered every eventuality with the Alpha 1, building a heat-dissipating structure to keep the image sensor and image processing engine temperatures stable. By doing so, it prevents overheating and makes it possible to record 8K/30p video continuously for approx. 30 minutes - All within a stylish compact camera body. The Alpha 1's incredible 50.1-megapixel sensor is backed up by high-precision stabilisation unit and gyro sensors, as well as optimised image stabilisation (up to 5.5-step shutter speed advantage). For when handheld is the only option, switch to ‘Action Mode' to improve stabilisation. A digital audio interface has also been added to the Alpha 1's Multi Interface Shoe for crisper audio recordings when using Sony ext. mics, and 5.8K oversampled readout for high-resolution 4K movies in Super 35mm mode - We are only scratching the surface of what this Sony Alpha 1 can do.  Efficient Workflow For Professionals The Sony Alpha 1 has been made with photo and video journalists in mind. For fast delivery of stills/moving-images, you are now given advanced connectivity options for reliable file transfers. These include the industry's fastest built-in wireless LAN for communication of 2.4 GHz and 5 GHz bands (3.5 times faster wireless FTP transfer speed than Alpha 9 II), USB Type-C connector, built-in 1000BASE-T LAN connector, and FTPS is now supported to ensure enhanced data security through encryption. As well as compressed and uncompressed RAW, Lossless Compressed RAW stops image degradation. A new ‘Light' JPEG/HEIF quality setting, HEIF format for 10-bit gradations, and the ability to trim images to the correct aspect ratio in-camera, add to the Alpha 1's incredible efficiency - Compatible with a range of apps, add-ons and tools.  User-Centric Reliability The Sony Alpha 1 provides the reliability and durability demanded by professional image-makers. Two media slots supporting UHS-I and UHS-II SDXC/SDHC cards, as well as new CFexpress Type A cards for maximum capacity and fast read/write speeds. The magnesium alloy chassis is incredibly durable, with Z-battery (extended via optional VG-C4EM Vertical Grip). Also included is an improved dust removal feature, shutter close function when power-off occurs to protect the image sensor, plus dust and moisture resistance. The Sony Alpha 1 can cope with harsh shooting environments, with hard-wearing HDMI Type-A connector, and USB PD (Power Delivery) support. Both Touch Focus and Touch Tracking are supported on the updated 3.0 type 1.44 million-dot (approx.) LCD monitor, with revised menu structuring for efficient navigation - Customisable setting options to prioritise your individual workflow.  

Sony 18-105 lens, E Mount, used

Sony 18-105 lens, E Mount, used (FMP61500KSSH) The Sony 18-105mm lens is a versatile all-in-one zoom lens designed for both video and still photography. Covering a wide focal range from wide-angle to medium telephoto, it is ideal for a variety of shooting scenarios including interviews, events, and general-purpose filming. Featuring a constant aperture throughout the zoom range, this lens delivers consistent exposure and smooth performance, making it particularly well suited for video work. The built-in power zoom function allows for precise and controlled zooming, while optical image stabilisation helps to reduce camera shake for sharper results.   Compact and reliable, the Sony 18-105mm is a popular choice for content creators and professionals looking for flexibility without changing lenses.

Sony ENG UHF Wireless Set: UTX-B03, URX-P03 & UTX-P03 Transmitter, Used

Sony ENG UHF Wireless Set: UTX-B03, URX-P03 & UTX-P03 Transmitter, Used (FMP61489KSSH) 566-630 MHZ Good condition, 3 months warranty  The Sony UWP-D series wireless system is a reliable, broadcast-quality audio solution designed for ENG, EFP, and professional video production. This kit includes the UTX-B03 bodypack transmitter, URX-P03 portable receiver, and UTX-P03 plug-on transmitter, offering flexible wireless audio capture for both lavalier and handheld microphone setups. Combining Sony’s digital audio processing with analogue UHF transmission, the system delivers clear, natural sound with strong signal stability. Its true diversity reception helps minimise dropouts, making it ideal for demanding field environments. The system features wide frequency coverage (up to 72 MHz bandwidth depending on region), allowing easy operation across multiple channels and environments. Designed for ease of use, it includes automatic channel scanning and IR sync for quick setup between transmitter and receiver. The compact receiver mounts easily onto cameras, while the robust metal construction ensures durability for professional use. Additional features include USB power options, adjustable audio levels, and compatibility with a wide range of Sony wireless systems, making it a versatile choice for interviews, documentaries, and on-location shoots.   Condition: Used – fully tested and in good working order (cosmetic wear may be present).  

Sony BURANO 300 Hours Kit with Bright Tangerine Cage, Used

BURANO 300 Hours Kit with Bright Tangerine Cage, Used(FMP61474KSBR) Excellent like-new condition, 3 months warranty  BURANO  Versatile, lightweight, and compact full-frame 8K cinema camera with 16 stops of latitude, image stabilization for PL and E-mount lenses. Easily configurable for solo and team production.  A New Era in Cinematography  BURANO is a new concept in cinema cameras. It takes VENICE’s superior image quality and usability but re-imagines it for solo and small team productions. 33% lighter than VENICE 2, more power efficient and supporting CFexpress media – it’s not just our smallest full-frame CineAlta camera, in many ways it’s our most technically advanced. Expect uncompromising image quality wherever you are, whatever the size of your crew. Smarter Shooting  BURANO makes shooting highest quality 8K simpler than you can imagine. The world’s first PL mount compatible camera with a built-in stabilisation system*. A ground-breaking combination of our unique electronic variable ND filter system with in-body image stabilisation (IBIS) in a full-frame PL and E-mount cinema camera. For the first time in a full-frame CineAlta camera, Fast Hybrid and Subject Recognition AF with AI makes it easier to get the shots you want under the most demanding scenarios. With BURANO, you don’t need a studio or big crew to excel.* As of September 2023, based on Sony research for cinema cameras with standard equipped PL mount  Shoot The Way You Want  BURANO adapts to be the camera you want to be whatever the shoot. A multi-purpose touchscreen LCD monitor, with flexible mounting system and a versatile, robust handle, allow you to easily configure BURANO for different shooting styles. A lightweight, compact chassis and ergonomic balance make it easy to switch between shoulder-mount, handheld, gimbal or drone operation. BURANO can be configured for large and small projects, solo or with an entire crew. It’s all your choice.

Sony 18-105 Lens, Used

Sony 18-105 Lens, Used(FMP61462KSSH) Excellent condition, 3 months warranty The Sony E PZ 18-105mm f/4 G OSS Lens is a wide-ranging zoom lens that provides a 35mm-equivalent focal length range of 27-158mm, covering wide-angle to telephoto perspectives. A constant f/4 maximum aperture offers consistent performance throughout the zoom range and is especially beneficial when working with greater zoom magnifications in low-light conditions. Also benefitting working in dim light or at the long end of the zoom range is Optical SteadyShot image stabilization, which works to minimize the appearance of camera shake by up to four shutter speed steps. The optical construction incorporates two extra-low dispersion elements and three aspherical elements to minimize distortion and chromatic aberrations while also contributing to sharper overall imagery with enhanced contrast and clarity. The internal zoom operation utilizes Handycam technology and a floating axis design to help reduce noise during use and provide smooth, controlled zooming. A zoom lever is also integrated into the lens' design for easier control over the speed of zooming with both variable and fixed-speed settings. Additionally, a separate manual focusing ring is available to provide versatile handling in regard to setting both the focus and zoom positions simultaneously.

Sony HVR-Z7E Digital Camcorder - 3.2"LCD Screen - 1/3" CMOS - DV, Used

Sony HVR-Z7E Digital Camcorder - 3.2"LCD Screen - 1/3" CMOS - DV, Used(FMP61457KSSH) Excellent condition, 3 months warranty HVR-Z7E is the world's first HDV handheld camcorder with an interchangeable lens system, native progressive recording, and solid-state memory recording. A variety of video lenses can be attached to the HVR-Z7E, which is equipped with a universal standard 1/3-inch bayonet mount mechanism for the quick changing of lenses. Added to this a streamlined nonlinear editing workflow can be achieved using the supplied memory-recording unit, which provides HDV/DVCAM/DV file recording on a standard CompactFlash® solid-state memory card. This offers customers varying levels of flexibility and hybrid operation which is becoming an important requirement in video production. The HVR-Z7E also features 25p HDV native progressive recording mode and HDMI output. This new handheld Camcorder further enhances the operational versatility of the Sony professional HDV lineup, and opens up a world of possibilities for high-definition digital video production. Whether it's for documentaries, general TV production, low-budget movies, music videos, IPTV, education, or a wide range of corporate and event videography applications, Sony's new HVR-Z7E is ideal. NEW Interchangeable Lens System This camcorder is fitted with a new 1/3inch interchangeable lens system allowing customers either to use the supplied Carl Zeiss lens or use a whole range of other lenses available on the market. This is the first compact camcorder to offer interchangeable lens options. Flexible usage - the camera can be used for a myriad of different applications using different lenses, from TV work, through to budget movie making and with the use of still's lenses, wildlife videography. Various optional lens adaptor rings will allow conversion to 1/2inch or 2/3inch, plus an additional lens adaptor for Sony Alpha lenses. The supplied lens features professional operation with a new manual focus ring and zoom and iris rings. NEW 1/3inch ClearVid CMOS Processor Newly developed 1/3inch x 3 ClearVid CMOS processor offers high resolution, high sensitivity, wide dynamic range and excellent colour reproduction. Offers greater resolution than existing pixel-shift technologies regardless of the balance between colour elements. Offers great low-light capabilities especially important for camera operators who cannot control their ambient lighting., e.g. wedding videographers. Lower power consumption than traditional CCD's. 'Exmor' technology employed in the the new CMOS processor reduces noise in the A/D process. NEW Selectable 25p Progressive Modes The HVR-Z7E offers the ability to choose between a 25p scanning mode (sames as HVR-V1E) but also a 25p 'native' recording mode. In this native recording mode the picture is both scanned and recorded as a progressive image. Further improves the progressive reproduction by both scanning and recording progressively. Provides further flexibility of use. e.g. The camera can be used for a variety of applications from budget-movie making in 25p mode to standard interlace TV productions. Offers camera operators the use of the progressive 'filmic look', coupled with gamma curve correction makes the camera ideal for movie production. Switchable Recording and Playback- HDV1080i/DVCAM/DV The HVR-Z7e can switch between HDV1080i, DVCAM, and DV recording, providing full flexibility to record in either standard definition or high definition depending on your production needs Built-in Down-converter for SD Production The HVR-Z7e can convert material from 1080i down to 576i, and output the video signals through its i.LINK interface and other SD output connectors. This allows users to edit recorded material with a compatible nonlinear editing system using current DV editing software, as well as record SD signals to an external VTR. 1/3-inch type 3 ClearVid CMOS Sensor System The newly developed 1/3-inch type 3 ClearVid CMOS Sensor™ system has 45-degree rotated pixels on each chip in order to increase the signal density, while each pixel maintains sufficient surface area. In combination with Enhanced Imaging Processor™ (EIP), the 3 ClearVid CMOS Sensor system achieves high resolution, high sensitivity, wide dynamic range, and excellent colour reproduction. The pixel shift interpolation technique has been traditionally used in low-end 3CCD camcorders. However, it normally requires the combination of all three colour element (RGB) signals to maximize resolution. If an object lacks one or more colour elements, the resolution of the object may be degraded. The 3 ClearVid CMOS Sensor system is different. It can always produce maximum resolution, regardless of the balance between colour elements, thanks to its unique and sophisticated interpolation technology. Enhanced Functionality via the Technology of "Exmor The HVR-Z7offers cutting-edge features, such as the technology of "Exmor™" developed by Sony, which utilizes the full potential of the 3 ClearVid CMOS Sensor system. The technology of "Exmor", which features the column-parallel A/D conversion technique, is also used in the PMW-EX1 XDCAM EX camcorder and ?(Alpha)Digital SLR (Single Lens-Reflex) camera from Sony. Multiple A/D (analog to digital) converters on each pixel row convert analog signals to digital as soon as they are generated, unlike traditional technology that only has one A/D converter on each chip. The technology of "Exmor" can eliminate the influence of external noise that enters the signal chain during transfer to the A/D converter, resulting in high-quality digital signals with extremely low noise. This significantly enhances shooting in low-light environments. By adopting this groundbreaking technology, the new 1/3-inch 3 ClearVid CMOS Sensor system enables the HVR-Z7to achieve a low light sensitivity of just 1.5 lux. This will be of extreme importance to customers who shoot in lighting conditions that they can't control, e.g. wedding videographers. Wide Range of Lenses The flexible bayonet lens attachment system allows you to use a wide range of lenses. Standard 1/3-inch HD video lenses, from manufacturers such as Fujinon and Canon, can be attached directly to the HVR-Z7E. If you'd like to attach a 2/3-inch or 1/2-inch HD video lens on to the HVR-Z7E, it is possible to do so by adding a standard lens adaptor from the lens manufacturer. The HVR-Z7camcorder has 12-pin lens connectors allowing compatibility with professional ENG lenses. This feature is very useful not only for those who already have these professional HD video lenses, but also for those who prefer to use HD digital cinema lenses for their unique contrast, colour, and atmosphere. Carl Zeiss Lens for HD Video as Standard A high-quality, multi-purpose Carl Zeiss lens for HD video comes as standard with the HVR-S270E and HVR-Z7E. Stunning resolution and contrast is achieved thanks to the Carl Zeiss Vario-Sonnar™ T* coating, which suppresses unwanted reflections. A specially designed wide-angle lens is also available as an option, to suit a diverse range of shooting requirements. Alpha Lens Compatibility With a special adaptor from Sony, it is also possible to use the Alpha lens series designed for Sony Digital SLR still cameras. By using Alpha lenses in various configurations, creative effects can be achieved. This approach is ideal for filmmakers on a budget or those who already own Alpha lenses. 25p HDV Native Progressive Recording Modes The HVR-Z7newly features 25p HDV native progressive recording modes. The 3 ClearVid CMOS Sensor system and EIP create true 1080p images, which can then be recorded as progressive signals by the HVR-Z7in HDV format. The progressive HDV stream can be output from an i.LINK connector and used for progressive editing with compatible NLE software. Native progressive recording modes are suitable for output to film, CG composition, viewing on a progressive monitor, or as an Internet movie. Note: interlaced video is output from connectors other than i.LINK 25p Progressive Scan Modes In these modes, the 1080p image captured by the 3 ClearVid CMOS Sensor system is also recorded as an interlaced signal by dividing each frame into two fields. This enables compatibility with current editing and monitoring equipment that only accept interlace signals, while maintaining the quality of the 1080p image. Progressive scan modes are suitable for feature films, documentaries, and music videos, which have to be recorded as interlaced video for viewing on interlaced monitors, but want to offer a "progressive look" to their motion. A streamlined nonlinear editing workflow for HDV HDV signals can be recorded as a file on non-tape media. For example, when using the supplied CompactFlash (CF) solid-state memory recording unit - images can be stored on a standard CF card for quick nonlinear editing. The optional HVR-DR60 Hard Disk Recording Unit can be used in the same manner, with images being recorded on to its large-capacity 60GB hard drive, which provides 4.5 hours of recording time. BENEFITS : NEW Interchangeable Lens System This camcorder is fitted with a new 1/3inch interchangeable lens system allowing customers either to use the supplied Carl Zeiss lens or use a whole range of other lenses available on the market.  This is the first compact camcorder to offer interchangeable lens options.  Flexible usage - the camera can be used for a myriad of different applications using different lenses, from TV work, through to budget movie making and with the use of still's lenses, wildlife videography.  Various optional lens adaptor rings will allow conversion to 1/2inch or 2/3inch, plus an additional lens adaptor for Sony Alpha lenses.  The supplied lens features professional operation with a new manual focus ring and zoom and iris rings.   NEW 1/3inch ClearVid CMOS Processor Newly developed 1/3inch x 3 ClearVid CMOS processor offers high resolution, high sensitivity, wide dynamic range and excellent colour reproduction.  Offers greater resolution than existing pixel-shift technologies regardless of the balance between colour elements.  Offers great low-light capabilities especially important for camera operators who cannot control their ambient lighting., e.g. wedding videographers.  Lower power consumption than traditional CCD's.  'Exmor' technology employed in the the new CMOS processor reduces noise in the A/D process.   NEW Selectable 25p Progressive Modes The HVR-Z7offers the ability to choose between a 25p scanning mode (sames as HVR-V1E) but also a 25p 'native' recording mode. In this native recording mode the picture is both scanned and recorded as a progressive image.  Further improves the progressive reproduction by both scanning and recording progressively.  Provides further flexibility of use. e.g. The camera can be used for a variety of applications from budget-movie making in 25p mode to standard interlace TV productions.   Offers camera operators the use of the progressive 'filmic look', coupled with gamma curve correction makes the camera ideal for movie production. 

SONY PXW-X500 XDCAM, 282hrs, used

SONY PXW-X500 XDCAM, 282hrs, used(FMP60869LPBR) Good condition, 3 Months warranty   Sony PXW-X500//U (PX-WX-500//U, PXWX500//U, PXW/X500//U, pxw-x500//u) B4 mount Professional XDCAM Camcorder Sporting an ENG form factor and supporting a wide variety of HD and SD formats, the Sony PXW-X500 XAVC 60P 2/3" Camcorder Body features a 2/3" 3CCD sensor block and can capture full HD at up to 120 fps. This item is only the camcorder body only and does not include a lens, viewfinder, mic, or wireless receiver. It is ideal for owners who want to upgrade to a new camcorder body while retaining the other elements of their camera package, such as lens, viewfinder, and mic.   The camcorder supports XAVC, MPEG2, and MPEG4 codecs, recording to SxS or SD media cards. It features 3G-SDI, HDMI, and Composite video outputs, allowing you to incorporate the camcorder into most production pathways, and the camera's built-in wireless slot accepts your compatible wireless receiver. Built into the side of the camcorder is a flip-out LCD viewscreen that displays battery capacity, media capacity, audio levels, and you can check camera playback on the camera. The camera incorporates a variety of professional features including Sony's slow and quick motion, picture cache recording, built-in GPS, a digital extender, and HyperGamma.   Sensor   The PXW-X500 features three 2/3" Power HAD FX IT CCDs that make up its sensor block. Auto Lens Aberration Compensation Expanded ALAC provides improved lateral chromatic aberration correction. Exposure   Featuring two integrated filter wheels for exposure and image control, the ND wheel holds four optical filters, a clear, an ND 1/4, ND 1/16, and an ND 1/64. The second wheel controls electronic CC filters allowing you to adjust the camera's white balance by spinning the wheel, as if it used optical filters. Electronic CC filter settings include 3200K, 4300K, 5600K, and 6300K. Gamma Control   The camera includes Standard Gamma, as well as four different HyperGamma settings and a user selectable setting. Slow Shutter Mode   The camera features a slow shutter mode, allowing you to accumulate frames to increase exposure. You can accumulate frames in groups of 2, 3, 4, 5, 6, 7, 8, and 16 frames. Worldwide Camera   The camera is capable of recording signals compatible with NTSC and PAL broadcast systems, so you can shoot and playback your footage in virtually any country. Specialty Recording   You can access a variety of special recording modes:   Sony's Slow & Quick Motion, for off speed recording. Interval record, for a timelapse like effect. The Pool feed input allows you record a signal input via a BNC cable, which is useful in press conference type situations when there is one feed.  Media Card Slots   Dual SxS card slots allow simultaneous or relay recording, providing the same codec is being used. On Board LCD Panel   It features a color LCD panel with 960 x 540 resolution that displays video, thumbnails, menu characters, audio level, and timecode display. GPS   A GPS unit is integrated into the camera's handle, and the GPS information can be encoded into your HD footage.

Sony Burano Camera, 3 hours, Like-New

Sony Burano Camera, 3 hours, Like-New(FMP60865KSBR) Excellent / Like-New Condition – Fully Tested, 3 months warranty Note: This camera comes with Sony's updated IR Cut Filter for improved colour reproduction under strong lighting conditions.   Please note that the competitive price of this Sony BURANO should not be taken as an indication of its condition. This camera is in excellent, like-new condition and has been fully tested and is working correctly. We have priced this unit very competitively to achieve a quick sale, rather than because of any known fault or issue with the camera. The camera is also fitted with Sony's updated IR Cut Filter, designed to improve colour reproduction under strong lighting conditions. This represents an excellent opportunity to purchase a Sony BURANO in exceptional condition at a substantial saving compared with a new unit.     BURANO is a professional camera with a full-frame 8.6K sensor, providing high-quality images and a rich color gamut. It has multiple image scan modes, including full-frame and Super35, and offers a wide latitude of 16 stops for capturing beautiful, low-noise images in any lighting condition. BURANO also features Sonys signature S-Gamut/S-Gamut.Cine wide color space, Dual Base ISO sensitivity, and internal recording of X-OCN LT and XAVC H formats. It offers four new in-camera looks and is compatible with PL and E-mount lenses.   The cameras sensor can achieve 8K image quality with a maximum resolution of 8632 x 4856 and offers various image scan modes for different production requirements. With a wide dynamic range and color accuracy, BURANO allows for maximum flexibility in color grading. It also offers the option to switch between PL and E-mount lenses, making it a versatile choice for professional cinematographers.  

Sony PMW-500 XDCAM full HD camcorder w HDVF 20A Viewfinder, used

Sony PMW-500 XDCAM full HD camcorder w HDVF 20A Viewfinder, used(FMP60801KSBR) 3 months warranty, good condition The first compact camcorder with solid state recording perfect for various shooting situations! Three 2/3-inch Power HAD FX CCD sensors XDCAM HD422 camcorder recording full HD (plus SD option) The PMW-500 is Sony Professional's first XDCAM HD422 Camcorder with solid state recording. It supports full-HD 422 50-Mbps MXF record and playback based on highly developed MPEG-2 Long GOP compression technology. Equipped with three 2/3-inch type 2.2-megapixel full-HD progressive CCDs - the same sensors as used in Sony's acclaimed PDW-F800/700 XDCAM Professional Disc HD 422 camcorders. It offers a high sensitivity of F12 at 50i (F11 at 59.94i) SxS Memory Cards Combine High Transfer Speeds and High Reliability Both SxS PRO™ and SxS-1™ memory cards use the PCI Express interface to achieve an extremely high data-transfer speed of 800 Mbps, and can resist considerable shock (1500 G) and vibration (15 G). Also, a unique Salvage function serves to restore content damaged by power loss or memory disconnection during recording. HD 1920x1080 and 1280x720 Recording Using the MPEG HD 422 Codec The PMW 500 records and plays back high-definition video with 1920x1080 and 1280x720 resolutions up to 50 Mbps using MPEG-2 4:2:2P HL compression technology. 24-bit Four-channel Audio Recording The PMW500 records uncompressed four-channel, 24-bit audio in MPEG HD 422 mode or MPEG IMX mode. Each channel level can be adjusted independently by individual level controllers. Selectable Recording Modes and Video Formats In addition to high-quality MPEG HD 422 50-Mbps mode, the PMW-500 can record and play back videos at different bit rates and in a variety of video formats. The PMW-500 supports both the broadcast-standard MXF file wrapper and IT-standard MP4 file wrapper. Long Recording Time With highly efficient MPEG-2 Long GOP compression and a large-capacity SxS memory card, the PMW/500 can record high-quality HD 422 50-Mbps images for a long recording time of 110 minutes on a single 64-GB SxS memory card. The SxS memory card can be hot-swapped with two cards while shooting, without interrupting the recording. Well-balanced Compact Body Designed to be very compact and ergonomically well balanced, the PMW-500 provides a high level of mobility and comfort in various shooting situations. It inherits the design of Sony's well regarded PMW-350/320 XDCAM EX™ camcorders. The main body weighs only 3.4 kg Low power consumption The power consumption of the PMW-500 is only 29W Digital Extender With optional CBK-HD02 boards, the Digital Extender function of the PMW-500 enables images to be digitally doubled in size. Focus Magnification A magnified camera picture (x2) is available in the viewfinder, simplifying precise focus adjustment. Auto Focus Assist Function The Auto Focus Assist function enables operators to change focus positions manually using the focus ring in AF mode. Slow and Quick Motion Function The PMW-500 offers a powerful Slow and Quick Motion function that enables users to create elegant fast- and slow-motion footage. The PMW-500 can capture images at frame rates selectable from 1 fps (frame per second) to 60 fps in 720p mode and from 1 fps to 30 fps in 1080p mode, in increments of 1 fps. (With the PAL setting in UDF (MXF) mode, frame rates are selectable up to 50 fps in 720p mode and up to 25 fps in 1080p mode.) Slow Shutter A maximum of 64 frames can be accumulated using the Slow Shutter function. HyperGamma Four types of HyperGamma curve – inherited from Sony's CineAlta camcorders – are provided in addition to six standard gammas. Interval Recording Function The Interval Recording function intermittently records one frame at pre-determined intervals. This is convenient for shooting over long periods of time, and also when creating special effects with extremely rapid motion. Frame Recording Function The Frame Recording function records images for pre-determined frames every time the Record button is pressed. This is particularly useful for clay animation shooting. Optical ND Filters and Electrical CC Filters The PMW-500 camcorder comes equipped with optical ND filters and electrical CC filters. With electrical CC filters, users can easily select a colour temperature -3200K, 4300K, 5600K, or 6300K - by rotation using a camcorder-assignable switch. Gain Control Gain Control(-6 dB to +42 dB) and Turbo Gain ("Shockless gain control") provide smooth transition in gain control. Easy-to-view 3.5-inch Colour LCD Monitor The PMW-500 is equipped with a large, easy-to-view, 3.5-inch colour LCD monitor with a high resolution of approx. 921,000 effective pixels. Why not check out our full range of camcorders by visiting our Camcorders Category or shop more items from the Sony range.  

SONY BURANO 8.6K Full-Frame Cinema Camera, 33 Hours, used

SONY BURANO 8.6K Full-Frame Cinema Camera, 33 Hours, used(FMP60793LPBR) Good condition, 3 months warranty BURANO is a professional camera with a full-frame 8.6K sensor, providing high-quality images and a rich color gamut. It has multiple image scan modes, including full-frame and Super35, and offers a wide latitude of 16 stops for capturing beautiful, low-noise images in any lighting condition. BURANO also features Sonys signature S-Gamut/S-Gamut.Cine wide color space, Dual Base ISO sensitivity, and internal recording of X-OCN LT and XAVC H formats. It offers four new in-camera looks and is compatible with PL and E-mount lenses.   The cameras sensor can achieve 8K image quality with a maximum resolution of 8632 x 4856 and offers various image scan modes for different production requirements. With a wide dynamic range and color accuracy, BURANO allows for maximum flexibility in color grading. It also offers the option to switch between PL and E-mount lenses, making it a versatile choice for professional cinematographers.

Sony PMW 500 XDCAM Camcorder with HDVF20A viewfinder, used

Sony PMW 500 XDCAM Camcorder with HDVF20A viewfinder, used(FMP60790RHSH) 3 month warranty, Excellent condition Note - 829 hours used  The PMW-500 is Sony Professional’s first XDCAM HD422 Camcorder with solid state recording. It supports full-HD 422 50-Mbps MXF record and playback based on highly developed MPEG-2 Long GOP compression technology. Uniquely, it can also be switched to record in HD 420 35-Mbps MP4 format which makes for seamless integration when used alongside XDCAM EX models.  Its 2/3-inch type three Power HAD FX CCD sensors deliver the same outstanding picture quality and low-light performance as the acclaimed PDW-700, however it records onto Solid State SxS media rather than optical Professional Disc. The exceptionally ergonomic chassis is a development of the acclaimed PDW-700/F800, while already class-leading power consumption is further reduced along with weight for superb on-location usability.   Sony’s XDCAM product range sets the benchmark for high speed, exceptionally flexible, file-based workflow. XDCAM Professional Disc products were first introduced in 2004, followed by high-speed memory-based XDCAM EX in 2007. A common technology platform provides a unique hybrid workflow meeting a broad variety of customer application needs.

Sony a7S MK III w/ FE 24-105 mm F4 G OSS Lens, used

Sony a7S MK III w/ FE 24-105 mm F4 G OSS Lens, used(FMP60788JPBR) 3 Month Warranty, Good condition  Description. The Sony a7S III is a full-frame mirrorless still and video camera featuring a new 12.1 MP back-illuminated Exmor R sensor and BIONZ XR image processor for incredible image quality and speed. Film makers can shoot pro quality footage at up to 4K/120p or 4K/60p without crop with fast and precise autofocus.  Excellent optical performance and a high zoom ratio are packed into a compact, lightweight only 663 grams (23.4 oz.). The compact lightweight design extend to E-mount bodies for outstanding system mobility and handling ease. This one high-performance lens lets you shoot a wide range of subjects and situations.  

Sony PXW FX9 6k Full Frame XDCAM Camcorder, 890hrs, used

Sony PXW FX9 6k Full Frame XDCAM Camcorder, 890hrs, used(FMP60700RPBR) 3 months warranty,  Good Condition Combined Sony’s technology in Digital cinema camera Venice, FS series and a (Alpha) ILC cameras. Sony’s full-frame 6K sensor camera with Fast Hybrid AF, dual base ISO and cinematic colour science and S-Cinetone. The Sony PXW-FX9 is the long awaited successor to the legendary PXW-FS7 is here and it brings some fantastic upgrades with it. The FX9 has a Full Frame 6K dual native ISO sensor, VENICE colour science, upgraded auto-focus capabilities, built in genlock and timecode and much more.  The FX9 features a full frame 6K 35.7 by 18.8mm back-illuminated Exmor-R CMOS sensor. This sensor is stated to have 15 plus stops of dynamic range and has a resolution of 6008 x 3168.  You will be able to shoot QFHD full frame up to 30fps, 1080p full frame at up to 120 fps and QFHD S35 up to 60fps and 1080p S35 at up to 120fps. The planned firmware updates will bring Full frame DCI 4K up to 60p, Full HD full frame up to 180fps and QFHD in Super 35 mode at up to 120fps while using an external recorder. You can also customise the autofocus, tweaking things like the AF transition between slow, for stuff like promo videos where you want slow smooth focus movements to fast which will be great for sports. You can also change the AF subject shift sensitivity which defines how easily the focus is switched to another subject. This goes from locked if you are wanting to do a walk and talk for example to responsive which you may need to keep better general focus. You can record up to four channels of audio with a range of different input options, The FX9 has an internal scratch mic, two XLR’s, you can use a dual channel receiver with the MI shoe on the handle or you can now use the DWX series of drop in receivers and transmitters with the new XDCA -FX9 back module. The FX9 does not feature SLOG2 only SLOG3 with S-Gamut3 & S-Gamut3. Cine, this is because the SLOG2 gamma curve is designed for 8-bit whereas all of the codecs on this camera are 10-bit. They have also added an S-Cinetone colour profile which is aimed to bring the colour science from the VENICE to the FX9. Realise beautiful 4K imagery with the creative freedom made possible by oversampling a huge high resolution full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh with a truly cinematic look. 15+ stops of dynamic range and Dual Base ISO enable capture of every nuance, from subtle shadow detail to specular highlights and with an immaculate colour palette. Capturing the Impossible Make sure your story’s always clear with enhanced Fast Hybrid AF that tracks your subject with unprecedented speed, smoothness and precision. Its impact is transformative for premium documentary, commercials and event applications. Shoot in Comfort, Expand your Horizons FX9 revolutionises full-frame cinematography with peerless ergonomics and advanced technology for on-the-go shooting. The world’s first full-frame electronic variable ND filter* transforms possibilities for shooting in variable lighting conditions. Built-in Wi-Fi and 12G-SDI support advanced workflows while the optional XDCA-FX9 extension kit further expands the operational possibilities of the PXW-FX9. 6K Full-Frame “Exmor R” Sensor for Stunning Picture Quality The camera’s full-frame 6K sensor provides superb recording in DCI 4K*, Ultra HD and HD resolutions. Powerful image processing with debayering and oversampling ensures image quality beyond the limits of conventional Super 35mm sensors. The back-illuminated CMOS image sensor also uses Sony’s Exmor R technology for improved sensitivity and noise reduction. Compared to a 4K Super 35mm sensor, the FX9’s 6K sensor has over twice the surface area while providing a wider angle of view and shallower depth of field. DCI 4K (4096 x 2160 at 17:9 recording) will be available with future firmware release. Phenomenal 15+ Stops Dynamic Range for Limitless Expression FX9 offers an exceptional 15+ stops of dynamic range – beyond the normal range of human perception – allowing for unprecedented creative freedom in colour grading and post. Camera operators can concentrate on framing the scene they want while relying upon the FX9 to capture every nuance and detail using either 4K 4:2:2 10-bit internal recording or 16-bit RAW external recording.* In grading, colourists can find colour and detail beyond the normal viewing abilities of the camera operator to create a final image that exactly portrays the mood of the scene. RAW recording requires future firmware release and external recorder. Dual Baso ISO for stunning images in any light FX9 features a base sensitivity of ISO 800, providing the optimal dynamic range for typical documentary applications such as shooting outside or in brightly lit interiors. A secondary High Base sensitivity of ISO 4000 excels in low light conditions such as early morning and evening shoots while maintaining superb image quality. ISO 4000 is also ideal whenever you’re using slow lenses. Combining Dual Base ISO with the camera’s electronic variable ND Filter provides superb creative control in almost any shooting environment, with truly next generation responsiveness to changing conditions. ISO 800 and ISO 4000 are used in S-Log3, Cine EI mode. Cinematic Colour Science with S-Cinetone  S-Cinetone is the default look of FX9 that’s tuned to meet the requirements of today’s content creators with rich mid-range colours, alluring facial tones and a softer tonal look – developed with the same expertise as Sony’s world-leading VENICE digital cinematography camera. S-Cinetone means that straight out of the camera your content looks fresh and vivid, with subjects that really stand out while retaining plenty of latitude in post production thanks to the high performance full-frame image sensor. The advanced default looks delivers alluring facial tones and a softer tonal look.  Selectable Frame Rates in Both Full-Frame & Super 35  Choose your desired frame-rate from 1fps up to 180fps* for impressive quick and slow-motion footage. FX9 creates an immersive image with a wide angle look and shallower depth of field provided by its full-frame sensor in combination with quick and slow-motion. Engage your audience with this new creative look. FX9 also offers a Quality priority setting* that maximises full HD slow motion image quality with advanced oversampling technology. Up to 120fps with Ver1.0. Full-HD 180fps will be supported with future firmware In Full-frame scanning mode: selectable at 1-30fps / In S35 scanning mode: selectable at 1-60fps  Supported in future firmware update Supported in future firmware update. RAW output only Supported in the future firmware update. Scanning area is cropped around 83% of full-frame and 122% larger than S35. (diagonal) Catch the Action with Enhanced Fast Hybrid AF Effortlessly track fast moving subjects with pin-sharp focus, even when using wide lens aperture settings to maintain a shallow depth of field with the camera’s full-frame sensor. Developed by Sony’s α camera engineers, enhanced Fast Hybrid AF combines phase detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. In addition, Face Detection intelligently recognises and locks on to human faces. The dedicated 561-point phase detection AF sensor covers approximately 94% of the whole image area width and 96% of height, allowing consistently accurate, responsive AF tracking, even with fast-moving subjects. Customisable AF Settings FX9’s comprehensive autofocus settings provide the creative flexibility to integrate with any project. Customisable AF settings can be used for a wide range of situations, depending on your requirements.  7-level AF transition speeds from Fast – switching between subjects as quickly as possible – to Slow, where speed is reduced to fit a more measured shooting style, such as a historical TV drama. 5-level AF subject shift sensitivity ranges from Locked-on – ignoring other moving subjects in the frame – to Responsive that switches focus from one subject to another – ideal for snapping between race cars as they speed by. AF Assist You can control MF ring during AF shooting if AF Assist is set to ON. You can adjust the focus manually even in AF shooting, you can manually operate the ring to focus the person behind. One Push AF While you are shooting in MF, pushing One Push AF button enables you to change to the focus mode to AF. Autofocus with all E-Mount Lenses Experience smooth, responsive autofocus with every E-mount lens, including Sony’s new Cinema Lens Series with premium optical performance and operability for demanding cinematography applications. Advanced E-mount lever lock operation allows quick, easy lens exchange in the field, plus added stability and security with large lenses. World’s First Electronic Variable ND Filter for Full-Frame Sensor Realise even greater creative control with Sony’s unique built-in electronic variable neutral density (ND) filter – a world first* for professional full-frame camcorders. Set to Auto, or adjust filter density manually in smooth increments from 1/4 to 1/128 as you shoot, for perfectly exposed images without affecting depth of field as lighting conditions change. Use higher density settings with a slower shutter speed for breath taking artistic effects. The built-in variable ND filter, with no need to prepare multiple ND filters separately can be flexibly and immediately used for every exposure change situation; when you move from inside to outside, and when you shoot under the natural light condition where exposure changes moment by moment. Proven Ergonomics & Accessories Compatibility FX9 chassis is the latest refinement of the revolutionary FS7 design, so you can be sure it will feel great to shoot with from almost any position, while also offering compatibility with a large proportion of the countless FS7 accessories including U-Series batteries, chargers, E-Mount lenses, plus third-party rigs, arms and lens adapters.* The control arm is easily adjusted without tools, so FX9 adapts effortlessly to your physique and preferred shooting style – handheld, at waist level or shoulder mounted. The smart grip features an updated design, more compact than before while still holding all the key shooting controls, allowing you to concentrate on the scene without distractions. FX9 also introduces a micro USB interface for improved responsiveness and support for a wrist strap. 16-bit RAW Capability 16-bit RAW offers a phenomenal increase in post-production creative freedom to fully exploit FX9’s exceptional 15+ stops of dynamic range. FX9 supports export of 16-bit RAW at either 4K or 2K resolution using the optional XDCA-FX9 extension unit with a single BNC cable connection to compatible external RAW recorders.** RAW output will be enabled with a future firmware release. Limited to 10-bit recording during 120fps high frame rate shooting within Super35 image circle Stable, Shake-Free Handheld Footage Advanced image stabilisation information means even handheld footage can be transformed with Sony Catalyst Browse/Catalyst Prepare software* in post-production to look as smooth as if it were shot with a gimbal.Unlike in-camera or lens stabilisation, meta data generated by FX9’s built-in gyro allows you to creatively choose the balance between the level of shake-compensation and the resolution of trimmed 4K imagery. This feature is also compatible with any E-mount lens and allows for far faster processing than conventional NLE stabilisation workflows**. Catalyst Browse/Catalyst Prepare Ver.2019.2 is required. Resolution and angle of view reduced compared to native footage. LCD  Approx 1.8x higher resolution than the FS7M, with enhanced LCD with HD resolution has superb accuracy, high contrast and resolution, bringing higher visibility for focusing.  Beautifully Matched Shooting Partners  Optimised for professional cinematography applications, the light, compact, SELP28135G powered zoom lens is an ideal complement for the full frame imaging possibilities of the FX9.  Circular aperture with full-frame image circle format  Motorised servo zoom for smooth, precise zoom moves  Independent three rings for focus, zoom and iris with smooth, silent drive  You have the choice of purchasing the FX9 on its own (PXW-FX9) or with SELP28135G lens (PXW-FX9K).  Cinema Lens Series  Explore new artistic possibilities and precise creative control with Sony’s Cinema Lens Series. Purpose-built for documentary production and digital cinematography with full-frame cameras such as the FX9 and VENICE.  The first lens in the series, the FE C 16-35mm T3.1 G full-frame wide angle zoom, is due in early 2020.  Adds Shoulder-Style Operation, Advanced Networking  Further extend the capabilities of the FX9 with the optional XDCA-FX9 extension unit that optimises camera weight distribution and ergonomics for comfortable shoulder-style shooting – ideal for ENG (Electronic News Gathering) and documentary applications. The extension unit also adds advanced networking for streaming/file transfers and Genlock/Timecode for multi-camera shoots.  4-Channel Audio Input and Recording   FX9 offers superb audio capabilities with independent control dials for each channel. In applications such as interview, 4-channel audio recording enables simultaneous use of an external microphone for recording ambient sounds, the built-in microphone for voice memos by the operator, and two optional UWP Series wireless microphones for voice of interviewer and interviewee. In addition, using the optional XLR-K3M, XLR-K2M or XLR-K1M XLR adapter – with two extra XLR inputs – allows even more devices to be connected.   

SONY PXW-x400 Camcorder w/ EL-20 VF, 5000 Hours, used

SONY PXW-x400 Camcorder w/ EL-20 VF, 5000 Hours, used(FMP60647RJSH) Note : Pictures are for illustrative purposes only. Good Condition, 3 Months warranty  The PXW-X400 is an advanced shoulder camcorder that records a variety of professional broadcast quality formats including XAVC-L at 50p and 59.94p. The camcorder offers exceptional weight balance and low power consumption alongside excellent networking features and high picture quality. The reengineered design dramatically reduces the load on the operator’s right-arm. It supports Sony viewfinders including the QHD LCD CBK-VF02 and optionally available Full HD OLED HDVF-EL30 and HDVF-EL20. The camcorder also offers improved network connectivity, with built-in wireless module, embedded RJ-45 Ethernet 100B-T connector and Near Field Communication (NFC) function** for easy Wi-Fi setup and operation via a mobile or tablet with Sony’s Content Browser Mobile™ application. SD or HD-SDI (up to 1.5G) input supports pool feed recording.   High quality XAVC Long GOP recordings at 50p and 59.94p operations   The PXW-X400 supports a variety of codecs from SD to HD, including MPEG HD 422 50 Mbps in MXF (Material eXchange Format), which is widely accepted by major broadcasters worldwide, and XAVC Intra frame and XAVC Long GOP codecs. XAVC technology is based on the MPEG-4 AVC/H.264 standard, which provides an exceptional performance compression technology. XAVC provides higher picture quality and bit-depth, thus offers extended grading possibilities.   High sensitivity image making   The camcorder’s three 2/3-inch type Exmor CMOS sensors provide superb image quality with sensitivity of F12/F13 and a signal to noise ratio of 62dB. The camcorder’s digital extender offers x2, x3 or x4 operation.   Improved ergonomic design for best-in-class weight-balance   The camcorder has been redesigned to improve the weight and handling capabilities compared to predecessor models. The lighter lens grip resolves any front-heavy issues and dramatically reduces the load on the right-arm. This makes it easier to shoot for long periods and offers more stable images.   Supports Full HD OLED viewfinders*   Embedded RJ-45 connector   An embedded RJ-45 Ethernet 100B-T connector on the right side of the camcorder provides a robust and fast network connection that can be utilised for file transfer, live streaming and camera control from a web browser.   Near Field Communication* (NFC) function   A Near Field Communication (NFC) function allows easy, one-touch wireless LAN connection to a smartphone or tablet device without manual setting of the network parameters.   NFC allows close-range wireless communication between the PXW-X400 and an NFC-equipped smartphone or tablet device. This function will be available in June2016.   Built-in wireless module with Content Browser Mobile™   The camcorder’s built-in wireless module gives you more mobility with no cable needed, enabling proxy recording and file transfer or live streaming. In file transfer mode, high-resolution files and XAVC Proxy files can be transferred over wireless connection to cloud or FTP server thanks to Content Browser Mobile* (CBM) application. In “Push” mode, the CBM application enables users to monitor the currently shot video and to wirelessly control camcorder settings such as focus, zoom, iris, white balance, REC START/STOP, and more. With Content Browser Mobile V2.0 proxy trim, proxy partial clip upload, and logging are available. “In streaming” mode, high quality live streaming is provided by the advanced Sony QoS technology embedded in the camcorder and in the PWS-100RX1 network RX station .Non QoS live streaming is also possible with a third-party receiver or VLC player.   The CBM application can be downloaded from the Google Play Store or App Store.   Dedicated ONLINE button for easy network connection   A dedicated button gives simple on-off control of Network Client Mode, Auto Upload (Proxy) and Live Streaming.   Pool feed (SDI input)   An SD or HD-SDI (up to 1.5G) signal can be recorded by the camcorder, a useful function to record an external feed from another camera.   Lower power consumption   By optimising the design of the hardware, the lightweight PXW-X400 has a low power consumption of 22W (when the wireless function if off, without lens and viewfinder). This enables continuous recording operation for approximately 240 minutes with Sony’s BP-GL95A optional standard-type battery.   Simultaneous Recording on two SxS cards   The PXW-X400 offers a simultaneous recording function for peace-of-mind production. Recording is available on two SxS cards simultaneously as a backup measure within the same codec and operating point* when using the following recording formats; XAVC-Intra, XAVC-Long, MPEG HD422, or MPEG HD420.   Simultaneous recording with proxy file is supported in all combinations with the above formats an SD card.   Flexible camera system operation   The CA-FB70 Optical Fiber Camera Adaptor or the CA-TX70 Digital Triax Camera Adaptor can be attached to the PXW-X400 for live camera operation. The CA-FB70 enables the PXW-X400 to transmit signals via an optical fibre cable up to 250 m between the CA-FB70 and HXCU-FB70 Optical Fibre Camera Control Unit (CCU) with power and signal transmission. The CA-TX70 transmits signals via triax cable up to 600 m* between the CA-TX70 and HXCU-TX70 Digital Triax Camera Control Unit.  

Sony PDW-510 XDCAM Camcorder, 495 Hours, used

Sony PDW-510 XDCAM Camcorder, 495 Hours, used(FMP60636LPBR) Good Condition, 3 Months Warranty  The Sony PDW-510 XDCAM Camcorder provides the durability and reliability professionals have become accustomed to with their full line of ENG camcorders. The PDW-510 provides excellent image quality, using the same imaging technology as the highly regarded MSW-900. The XDCAM takes recording to the next level, utilizing non-linear optical Blue Laser technology. Less time logging, capturing and digitizing footage allows videographers to move seamlessly between acquisition and post-production. This increase in efficiency will result in shorter production times leading to higher profitability.   Blue Laser Optical Drive Technology The XDCAM series is anchored by blue laser disc, which allows for storage capabilities large enough to record professional quality video. Optical discs gives operators more control of the footage they acquire. This can be useful in instances such as news gathering, where footage often goes direct-to-broadcast. The hassle of rolling through tape is eliminated. Optical recording provides users with the advantages of non-linear work-flow combined the long record times that are necessary in the field. Advanced Video Chip Technology The camera uses advanced CCD technology. The Power HAD EX CCDs have specifications that approach the very highest quality FIT chips found in top-tier equipment such as those used in HDTV production. The camera has an amazing 65 dB signal to noise ratio and smear level of -140 dB. The dynamic range of the camera makes it possible to control critical details in both the very brightest and lowest lighted portions of a scene Progressive Recording The PDW-510 has the ability to record in progressive mode, which enhances image quality and can provide a more 'film-like' image. The camera can switch between standard (30 fps) and 24P modes. The 24P mode gives video the look and shutter of film, which is conventionally shot at 24 frames per second. Loop Recording Camera Operators often find themselves missing the first few seconds of action due to camera pre-roll. With the XDCAM this becomes a thing of the past! Simply set the camera to the Loop Recording mode and the camera will buffer 10 seconds of audio and video into the camera's memory. This capability can help prevent the loss of unexpected but important events occurring before the operator even has the chance to press the REC button. Thumbnail Scene Selection Blue Laser allows for quick and easy scene selection using Sony's attached LCD. Bringing up clips couldn't be any easier. Randomly access clips and review them seamlessly.  

SONY PMW-500 w/ HDVF-20A Black & White VF, 3162 Hours, used

SONY PMW-500 w/ HDVF-20A Black & White VF, 3162 Hours, used 3 Months Warranty, Good Condition The PMW-500 is the first compact camcorder with solid-state recording, making it ideal for a variety of shooting scenarios. Key Features: Three 2/3-inch Power HAD FX CCD Sensors: XDCAM HD422 camcorder capable of recording in full HD, with an optional SD format. Full-HD Recording: The PMW-500 supports 50-Mbps MXF record and playback using highly efficient MPEG-2 Long GOP compression. It’s equipped with three 2/3-inch type 2.2-megapixel full-HD progressive CCDs, the same sensors as Sony’s PDW-F800/700 XDCAM HD 422 camcorders. It boasts high sensitivity of F12 at 50i (F11 at 59.94i). SxS Memory Cards: Both SxS PRO™ and SxS-1™ memory cards provide high transfer speeds (800 Mbps) and reliability, with resistance to shock and vibration. The unique Salvage function restores content damaged by power loss or disconnection during recording. HD Recording with MPEG HD 422 Codec: The PMW-500 records in 1920x1080 and 1280x720 resolutions up to 50 Mbps using MPEG-2 4:2:2P HL compression. 24-bit Four-channel Audio Recording: The camcorder supports uncompressed 24-bit, four-channel audio recording in MPEG HD 422 or MPEG IMX mode, with independent level controls for each channel. Selectable Recording Modes and Video Formats: In addition to MPEG HD 422 50-Mbps mode, the PMW-500 supports various bit rates and formats, including both MXF and MP4 file wrappers. Extended Recording Time: Using a large-capacity SxS memory card, the PMW-500 can record HD 422 50-Mbps footage for up to 110 minutes on a single 64-GB card, with the ability to hot-swap cards without interrupting recording. Compact, Well-balanced Design: The PMW-500 inherits the ergonomically balanced design of Sony's PMW-350/320 XDCAM EX™ camcorders, offering superior mobility and comfort. The main body weighs just 3.4 kg. Low Power Consumption: The PMW-500 consumes only 29W of power, making it energy-efficient. Additional Features: Digital Extender: Optional CBK-HD02 boards enable a digital zoom that doubles the image size. Focus Magnification: A 2x magnified view in the viewfinder helps with precise focus adjustments. Auto Focus Assist: Allows for manual focus adjustments in AF mode using the focus ring. Slow and Quick Motion Function: Capture footage at frame rates between 1 fps and 60 fps in 720p mode, and between 1 fps and 30 fps in 1080p mode. In PAL settings, rates go up to 50 fps for 720p and 25 fps for 1080p. Slow Shutter: Accumulates up to 64 frames for smooth slow-motion shots. HyperGamma Curves: Four HyperGamma curves (inherited from CineAlta camcorders) and six standard gammas are available for more creative control. Interval Recording: Record one frame at pre-set intervals, ideal for time-lapse shots. Frame Recording: Record pre-determined frames for each press of the record button, useful for animation work. Optical ND and Electrical CC Filters: Optical ND filters and electrical CC filters allow for easy color temperature adjustments (3200K, 4300K, 5600K, or 6300K) with a camcorder-assignable switch. Gain Control: The camcorder offers a smooth transition in gain control with settings from -6 dB to +42 dB and a Turbo Gain feature for quick adjustments. 3.5-inch Colour LCD Monitor: The large 3.5-inch screen has a resolution of approx. 921,000 effective pixels, making it easy to view footage.

Sony URX-S03D/K42 UWP-D Portable Two-Channel Wireless Receiver, Used

Sony URX-S03D/K42 UWP-D Portable Two-Channel Wireless Receiver, Used3 months warranty – Excellent condition. UWP-D Portable Two-Channel Wireless Receiver from Sony   The URXS03D/K42 UWP-D Portable Two-Channel Wireless Receiver from Sony operates in UHF-TV channels 42-51 and fits directly in the slot of Sony XDCAM and HDCAM camcorders.   It can be used to capture audio when paired with the UTX-B03HR beltpack transmitter & microphone (sold separately) and features easy channel setting functions, stable RF transmission, and Digital Audio Processing technology for wireless audio and video applications.   The receiver can access 2,541 frequencies and offers True Diversity reception. It is built with a robust metal body and has a weatherproof structure, a selectable squelch, and wide frequency coverage with a choice of channels available. In addition, it also works seamlessly with Sony 800 and UWP Series transmitters. It includes two whip antennas.   True Diversity Reception System for Stable Reception   Wireless microphone transmission systems are typically subject to interruptions in reception (RF signal dropout). The UWP-D series reduces this to a minimum and utilizes a true diversity reception per channel. It compares the RF signals from the two antennas and automatically selects the stronger signal for output   Digital Audio Processing   Sony Digital Audio Processing is used to improve sound quality and transient response performance compared to conventional analog wireless systems. Analog companding systems cannot accurately reproduce sounds such as a bell, tee shot or handclap, but Sony Digital Audio Processing reproduces them faithfully   Direct Digital Connection to Camcorders   The URX-S03D provides a digital connection with two-channel (with XDCAM camcorders) and a single-channel (with HDCAM camcorders) via a D-sub 15-pin interface. With HDCAM camcorders, two audio signals from two transmitters can be output in the single channel as a two-channel mixing function. Sony camcorders can also show each wireless microphone's RF/AF level in the viewfinder   Automatic Channel Setting Mode   The Auto Set channel mode allows the user to find and set available frequencies to use within the operating frequencies of the system. The receiver will automatically set the transmitter channel using the IR Sync feature   Easy Channel Scan   With its Clear Channel Scan, Active Channel Scan function and IR Sync features, the system detects unoccupied channels and selects the most appropriate channel automatically for fast and easy system setup   Compatible with Sony 800 & UWP Series Wireless   DSP enables a digital compander to match Sony's analog wireless system. The WP-D Series transmitters and receivers are also compatible with Sony's WL-800 Series and UWP Series, allowing users to switch between different companding modes   Wide Frequency Coverage   The switching bandwidth covers a wide area and has a wide choice of channels available   PLL Synthesized System   The receiver achieves stable transmission and reception by using a UHF PLL (Phase Locked Loop) frequency synthesized system, which provides accurate carrier signal frequencies. This system is used in both the transmitters and tuners, so that a stable carrier is generated at the transmitter, and accurately tuned in at the tuner. This PLL-controlled system provides highly stable, user-selectable frequencies in increments of both 25 kHz and 125 kHz   Key Features   True Diversity Reception System Direct Digital Connection to Camcorder Automatic Channel-Setting Mode Fast & Easy Channel Scan Compatible with Sony 800 & UWP Systems Wide Frequency Coverage PLL Synthesized System   Sony URX-S03D/K42 UWP-D Portable Two-Channel Wireless Receiver

Sony ECM-530 Microphone, ex-demo

Sony ECM-530 High-Quality Uni-Directional Tabletop Microphone(Model: ECM-530, ECM_530, ECM/530) 3-Month Warranty, Good Condition Compact Design with Quality Audio The Sony ECM-530 is a compact tabletop microphone featuring a sleek finish and high-quality audio. It's perfect for use in lecture halls, conferences, and other settings where clear sound projection is essential. Its flexible gooseneck design allows easy adjustment, while the noise-isolated base ensures minimal interference, and discreet wiring keeps the setup tidy. The ECM-530 operates on either an 'AA' battery or phantom power, making it versatile for various environments. High Dynamic Range & Voice Pick-Up This microphone excels in large spaces such as halls, conferences, or theaters, delivering clear voice projection thanks to its wide dynamic range and excellent voice pick-up capabilities. Discreet and Flexible Design With its compact size, the ECM-530 sits unobtrusively on any surface, and its flexible gooseneck can be easily adjusted in any direction to suit your needs.  

Sony ECM-530 Microphone, ex-demo

Sony ECM-530 High-Quality Uni-Directional Tabletop Microphone(Model: ECM-530, ECM_530, ECM/530) 3-Month Warranty, Good Condition Compact Design with Quality Audio The Sony ECM-530 is a compact tabletop microphone featuring a sleek finish and high-quality audio. It's perfect for use in lecture halls, conferences, and other settings where clear sound projection is essential. Its flexible gooseneck design allows easy adjustment, while the noise-isolated base ensures minimal interference, and discreet wiring keeps the setup tidy. The ECM-530 operates on either an 'AA' battery or phantom power, making it versatile for various environments. High Dynamic Range & Voice Pick-Up This microphone excels in large spaces such as halls, conferences, or theaters, delivering clear voice projection thanks to its wide dynamic range and excellent voice pick-up capabilities. Discreet and Flexible Design With its compact size, the ECM-530 sits unobtrusively on any surface, and its flexible gooseneck can be easily adjusted in any direction to suit your needs.    

Sony ECM-680S Electret Condenser M/S Stereo Shotgun, used

Sony ECM-680S MS Stereo Shotgun Electret Condenser Microphone 3-Month Warranty, Good Condition The Sony ECM-680S is a versatile MS stereo* shotgun, electret condenser microphone, perfect for a wide range of field production and broadcast studio applications. Featuring newly developed microphone capsules, the ECM-680S provides excellent sensitivity, low inherent noise, and a broad, flat frequency response. Its standout feature is the switchable operation between a highly directional monaural mode and a stereo mode. In monaural mode, the microphone captures focused, highly directional sound, while stereo mode offers natural, spatial audio. Compact and lightweight, the ECM-680S is ideal for use with Sony’s professional camcorders and can also be mounted on a boom pole for greater flexibility. Thanks to its exceptional sound quality and versatility, the ECM-680S is an excellent choice for quality-conscious audio recording in various environments. *The MS microphone signal of the ECM-680S is internally decoded to L and R stereo outputs. This product is supported by PrimeSupport, which includes fast, hassle-free repairs and a helpline with expert technical advice, giving you peace of mind that your equipment and business are in good hands with Sony.

Sony ECM-680S Electret Condenser M/S Stereo Shotgun, used

Sony ECM-680S MS Stereo Shotgun Electret Condenser Microphone 3 Months Warranty, good condition  The Sony ECM-680S from Sony is an MS stereo* shotgun, electret condenser-type microphone, ideal for a broad range of field production and broadcast studio applications. Incorporating newly developed microphone capsules, the ECM-680S offers excellent sensitivity, low inherent noise, and a flat-and wide frequency response. The most distinguished feature of the ECM-680S is its switchable operation between a highly directional monaural mode and stereo mode. Monaural mode provides highly directional sound pickup, while stereo mode delivers natural and spatial sound. The ECM-680S is compact and lightweight, making it well-suited to use with a range of Sony professional camcorders. In addition, it can be mounted on a boom pole for more versatility. With its excellent quality and versatility, the ECM-680S is an ideal choice for quality-conscious sound gathering applications. * MS microphone signal of th e ECM- 680S is internally decoded to L and R (stereo) outputs This product comes with PrimeSupport – fast, hassle-free repairs and a helpline offering expert technical advice. Which gives you the peace of mind that Sony is looking after your equipment, and your business.  

SONY HXCU-100 HD Triax Camera Control Unit, used

SONY HXCU-100 HD Triax Camera Control Unit, used 3 Months Warranty, Good Condition The HXCU-100 Camera Control Unit connects to a Sony HXC-100 HD color camera. It performs signal processing, provides an interface for external equipment, and supplies power to the camera. The CCU features a down converter which converts HD1) signals from a camera to SD2) signals, and a simplified return video up converter which converts SD signals to HD signals. It is compatible with both HD camera system and SD camera system formats, making it flexible to use. 1) HD (High Definition) signal: Name for 1125/750-line HDTV signals 2) SD (Standard Definition) signal: Name for NTSC/PAL, 525/625 component, and 525/625 composite signals The CCU can be combined with an RCP-700/900 Remote Control Panel (optional) to form a camera control system. The CCU also supports an HKCU-FP1 CCU Control Panel (optional) which can be mounted on the front of the CCU to form a simple remote control system.  

Sony HSC-100R Camera with HDVF-20A viewfinder, Used

Sony HSC-100R, with HDVF-20A viewfinder , used 3 Months Warranty, Good Condition The Sony HSC-100R Digital Triax Broadcast Camera is an HD/SD camera with a digital triax CCU input. Its triax system integrates seamlessly into existing triax-based infrastructures, allowing easy upgrades, and supports cable runs up to 3,937 ft to an optional CCU. The camera features a 2/3" CCD sensor with F10 sensitivity for 1080i59.94 and F11 for 1080i50, boasting a -60dB signal-to-noise ratio. It records in 720p, 1080PsF, and down-converts to high-quality SD. Optional HZC-PSF3 software is required for 1080/29.97PsF/25PsF recording. The camera is equipped with a Sony Bayonet lens mount and offers a wide range of inputs/outputs, including XLR audio, XLR mic, HD/SD-SDI output, VF signal, return signal, SDI prompter output, genlock input, return input, and XLR intercom. Additionally, it includes an electronic color correction filter and four built-in ND filters. The camera’s 16-bit A/D converter processes images with high color precision, while the Digital Extender function enlarges the center of the image by a factor of two without decreasing sensitivity. Auto Lens Aberration Compensation 2 reduces chromatic aberration with horizontal and vertical compensation for supported lenses. The camera offers seven standard-gamma and four hyper-gamma tables for contrast adjustment, and the Multi-Matrix function allows for user-specified color adjustments. Adaptive-Matrix improves color conversion under challenging lighting, while Master White Gain enables precise, step-less gain level adjustments. Focus assist options include "Viewfinder Detail" and "Focus Assist Indicator" for easier focusing. Built for durability, the camera’s chassis is made from magnesium-alloy casting, and the integrated shoulder pad is adjustable without tools. The handle is designed for stability, featuring a protrusion for added support and a non-slip structure for a better grip. Assignable switches are located on the side and rear panels, with additional assignable buttons on the handle. Key Features: HD/SD triax CCU input for broadcast Supports existing triax infrastructures Triax cable runs up to 3,937 ft 2/3" CCD sensor with F10 sensitivity for 1080i59.94 and -60dB signal-to-noise ratio Records in 1080i59.94/50, 720p, 1080PsF Built-in SD down-converter 16-bit A/D converter 7 standard-gamma and 4 hyper-gamma tables Sony Bayonet lens mount    

Sony ECM-680S Electret Condenser M/S Stereo Shotgun, used

Sony ECM-680S MS Stereo Shotgun Electret Condenser Microphone, Used3 Months Warranty, Good conditionDescription:The Sony ECM-680S is an MS stereo* shotgun, electret condenser microphone designed for a wide range of field production and broadcast studio applications. It incorporates newly developed microphone capsules that offer excellent sensitivity, low inherent noise, and a flat, wide frequency response. The ECM-680S features switchable operation between monaural and stereo modes. In monaural mode, the microphone provides highly directional sound pickup, while stereo mode delivers natural, spatial sound, making it ideal for capturing a range of audio environments.Compact and lightweight, the ECM-680S is compatible with Sony professional camcorders and can also be mounted on a boom pole for added versatility. The microphone comes with PrimeSupport, providing fast, hassle-free repairs and expert technical advice, giving you peace of mind.*MS microphone signal of the ECM-680S is internally decoded to L and R (stereo) outputs.

Sony DWR-S01D Digital Wireless Receiver, used

Sony DWR-S01D Digital Wireless Receiver, used 3 Months Warranty, Excellent Condition Sony proudly presents its digital wireless microphone system, crafted for superior digital performance and advanced system functionality—ideal for ENG/EFP applications. This system, which includes the DWT-B01 beltpack transmitter and the DWR-S01D dual portable receiver, ensures exceptional wireless transmission of 24-bit/48-kHz digital audio. Powered by Sony's proprietary codec, it delivers low-latency, secure, and reliable operation. The system also supports up to 60% more simultaneous multi-channel operations* compared to conventional analog systems, offering users increased flexibility. With outstanding audio quality and operational versatility, Sony’s digital wireless microphone system unlocks new possibilities for professional audio applications. Slot-In Receiver for Camcorders The DWR-S01D can be directly mounted into PDW-700 XDCAM HD 422 camcorders, enabling two-channel wireless operation with a unique remote control feature via the camera’s viewfinder. It can also be used with other cameras or operated in a mixer bag using the DWA-01D adapter, supporting both AES3 digital audio and analog audio outputs. For easy setup, the receiver includes clear channel and active channel scan functions. Dual-Channel Slot-in Receiver The DWR-S01D features two tuners in one unit, improving space and weight efficiency compared to analog systems. It is compatible with XDCAM HD 422 and newer camcorders, and can be mounted on HDCAM™, XDCAM®, Digital Betacam®, and MPEG IMX® camcorders using the DWA-01D adapter. Meta-Data Transport The system supports meta-data transport from the transmitter to the camcorder’s viewfinder, allowing monitoring of RF and AF conditions, delay management, and more. Analog and AES3 Digital Audio Output The DWR-S01D offers both digital and two-channel unbalanced analog audio output options. Weatherproof Design When used with the optional DWA-01D adapter and two antennas, the DWR-S01D ensures a weatherproof setup, whether mounted on a camera or used separately. Versatile OLED Display The organic LED display provides clear, at-a-glance information, including reception channel, audio and RF signal status, user name, group, and lock status. Wireless Remote Control The duplex wireless remote control feature allows the DWR-S01D to remotely manage the transmitter, with changes on the receiver automatically transmitted to the paired transmitter. Wide Operating Frequency Range The DWR-S01D operates over a 24 MHz frequency range, equivalent to three TV channels. High-Quality Wireless Transmission The system delivers 24-bit/48-kHz digital audio transmission with a dynamic range exceeding 106 dB, a frequency response of 20 Hz to 20 kHz, and excellent transient response, all within regulated frequency bands. Sony’s original codec ensures superior sound quality. Stable and Secure Transmission Equipped with a newly developed digital modulator, the system provides highly stable wireless transmission, resistant to interference. The digital modulation and encryption ensure secure communication, reducing the risk of interception. Multi-Channel Operation The system supports large-scale, multi-channel operations with intermodulation-free channel spacing, allowing up to 16 channels to operate simultaneously within an 8-MHz frequency band.

Sony DWR-S01D Digital Wireless Receiver 606-630 Mhz, used

Sony DWR-S01D Digital Wireless Receiver, 606-630 Mhz, used 3 Months Warranty, Excellent Condition Sony is proud to introduce its digital wireless microphone system, designed for top-tier digital performance and superior functionality—perfect for advanced ENG/EFP applications. This system, consisting of the DWT-B01 beltpack transmitter and the DWR-S01D dual portable receiver, delivers outstanding wireless transmission of 24-bit/48-kHz digital audio. Utilizing Sony’s proprietary codec, it ensures low-latency, secure, and reliable operation. The system also supports up to a 60% increase in simultaneous multi-channel operations* compared to conventional analog systems, providing users with greater flexibility. With its exceptional audio quality and versatile operation, the Sony digital wireless microphone system expands the possibilities for audio applications. The slot-in receiver can be directly mounted into PDW-700 XDCAM HD 422 camcorders, enabling two-channel wireless operation, complete with a unique remote control feature accessible from the camera's viewfinder. The DWR-S01D can also be mounted on existing cameras or used within a mixer bag via the DWA-01D adapter, offering both AES3 digital audio and analog audio outputs. To simplify setup, the receiver includes clear and active channel scan functions. Dual Channel Slot-in Receiver for Camcorders The DWR-S01D houses two tuners in one compact body, improving space and weight efficiency over analog systems. This dual-channel receiver is compatible with XDCAM HD 422 and newer camcorders and can be easily mounted on HDCAM™, XDCAM®, Digital Betacam®, and MPEG IMX® camcorders using the DWA-01D adapter. Meta-Data Transport This system supports meta-data transport between the transmitter and receiver to the camcorder's viewfinder, allowing monitoring of RF and AF conditions, delay management, and more. Supports Analog or AES3 Digital Audio Output The DWR-S01D offers both digital and two-channel unbalanced analog audio interface options. Weatherproof Design When attached to a camera or used with the optional DWA-01D wireless adapter and two antennas, the DWR-S01D provides a weatherproof configuration. Versatile OLED Display The OLED display offers clear, at-a-glance information such as reception channel, audio and RF signal status, user name, group, and lock status. Wireless Remote Control A duplex wireless remote control feature allows the DWR-S01D to control the transmitter remotely. Any changes made on the receiver are automatically sent to the paired transmitter. Wide Operating Frequency Range The system supports operation across a 24 MHz frequency band (equivalent to three TV channels). Superior Wireless Transmission & Reception Quality This system delivers high-quality 24-bit/48-kHz digital audio transmission within frequency bandwidths that meet the Wireless Communication Regulations of each country. Powered by Sony's original codec, it boasts a dynamic range exceeding 106 dB, a frequency response of 20 Hz to 20 kHz, and excellent transient response. Stable and Secure Transmission Featuring a newly developed digital modulator, the system ensures highly stable wireless transmission, resistant to interference. The transmission of digitally modulated, encrypted data also ensures secure communication and reduces the risk of interception. Simultaneous Multi-Channel Operation The system supports large-scale, multi-channel operations with intermodulation-free, equally spaced channel allocation. Thanks to digital wireless technology, it significantly increases the number of simultaneous channels compared to analog systems. For instance, up to 16 channels can operate simultaneously within an 8 MHz frequency band.    

Sony DWR-S01D Digital Wireless Receiver 606-630 Mhz, used

Sony DWR-S01D Digital Wireless Receiver 606-630 Mhz, used(FMP60355KSSH) 3 Months Warranty, Excellent Condition This system, consisting of the DWT-B01 beltpack transmitter and the DWR-S01D dual portable receiver, delivers outstanding wireless transmission of 24-bit/48-kHz digital audio. Utilizing Sony’s proprietary codec, it ensures low-latency, secure, and reliable operation. The system also supports up to a 60% increase in simultaneous multi-channel operations* compared to conventional analog systems, providing users with greater flexibility. With its exceptional audio quality and versatile operation, the Sony digital wireless microphone system expands the possibilities for audio applications. The slot-in receiver can be directly mounted into PDW-700 XDCAM HD 422 camcorders, enabling two-channel wireless operation, complete with a unique remote control feature accessible from the camera's viewfinder. The DWR-S01D can also be mounted on existing cameras or used within a mixer bag via the DWA-01D adapter, offering both AES3 digital audio and analog audio outputs. To simplify setup, the receiver includes clear and active channel scan functions. Dual Channel Slot-in Receiver for Camcorders The DWR-S01D houses two tuners in one compact body, improving space and weight efficiency over analog systems. This dual-channel receiver is compatible with XDCAM HD 422 and newer camcorders and can be easily mounted on HDCAM™, XDCAM®, Digital Betacam®, and MPEG IMX® camcorders using the DWA-01D adapter. Meta-Data Transport This system supports meta-data transport between the transmitter and receiver to the camcorder's viewfinder, allowing monitoring of RF and AF conditions, delay management, and more. Supports Analog or AES3 Digital Audio Output The DWR-S01D offers both digital and two-channel unbalanced analog audio interface options. Weatherproof Design When attached to a camera or used with the optional DWA-01D wireless adapter and two antennas, the DWR-S01D provides a weatherproof configuration. Versatile OLED Display The OLED display offers clear, at-a-glance information such as reception channel, audio and RF signal status, user name, group, and lock status. Wireless Remote Control A duplex wireless remote control feature allows the DWR-S01D to control the transmitter remotely. Any changes made on the receiver are automatically sent to the paired transmitter. Wide Operating Frequency Range The system supports operation across a 24 MHz frequency band (equivalent to three TV channels). Superior Wireless Transmission & Reception Quality This system delivers high-quality 24-bit/48-kHz digital audio transmission within frequency bandwidths that meet the Wireless Communication Regulations of each country. Powered by Sony's original codec, it boasts a dynamic range exceeding 106 dB, a frequency response of 20 Hz to 20 kHz, and excellent transient response. Stable and Secure Transmission Featuring a newly developed digital modulator, the system ensures highly stable wireless transmission, resistant to interference. The transmission of digitally modulated, encrypted data also ensures secure communication and reduces the risk of interception. Simultaneous Multi-Channel Operation The system supports large-scale, multi-channel operations with intermodulation-free, equally spaced channel allocation. Thanks to digital wireless technology, it significantly increases the number of simultaneous channels compared to analog systems. For instance, up to 16 channels can operate simultaneously within an 8 MHz frequency band.

Sony DWR-S01D Digital Wireless Receiver, used

Sony DWR-S01D Digital Wireless Receiver, used 3 Months Warranty, Excellent Condition Sony proudly introduces its digital wireless microphone system, designed for high-quality digital performance and superior system functionality—ideal for advanced ENG/EFP applications. This system, comprising the DWT-B01 beltpack transmitter and the DWR-S01D dual portable tuner, provides exceptional wireless transmission of 24-bit/48-kHz digital audio. With Sony's original codec, it offers low-latency, secure, and reliable operation. Additionally, the system supports up to a 60% increase in the number of simultaneous multi-channel operations* compared to conventional analog systems, offering greater flexibility for users. With its outstanding audio quality and operational adaptability, the Sony digital wireless microphone system unlocks new possibilities for audio applications. The slot-in receiver can be directly mounted into PDW-700 XDCAM HD 422 camcorders, enabling two-channel wireless operation with a unique wireless remote control feature from the camera's viewfinder. The DWR-S01D can also be mounted on existing cameras or operated within a mixer bag via the DWA-01D adapter, supporting both AES3 digital audio or analog audio outputs. To simplify setup, the receiver includes clear channel and active channel scan functions. Dual Channel Slot-in Receiver for Camcorders The DWR-S01D incorporates two tuners in a single body, improving space and weight efficiency compared to analog systems. This dual-channel slot-in receiver is compatible with XDCAM HD 422 and newer camcorders, and can easily be mounted on HDCAM™, XDCAM®, Digital Betacam®, and MPEG IMX® camcorders using the DWA-01D adapter. Meta-Data Transport This system supports meta-data transport from the transmitter and receiver to the camcorder's viewfinder, allowing for monitoring of RF and AF conditions, delay management, and more. Supports Analog or AES3 Digital Audio Output The DWR-S01D provides both digital and two-channel unbalanced analog audio interface options. Weatherproof Design When mounted on a camera or used with the optional DWA-01D wireless adapter and two antennas, the DWR-S01D offers a weatherproof setup. Versatile OLED Display The system's organic LED display offers clear, at-a-glance information such as reception channel, audio and RF signal status, user name, user group, and lock status. Wireless Remote Control A duplex wireless remote control feature allows the DWR-S01D to control the transmitter remotely. Changes made on the receiver are automatically transmitted to the paired transmitter. Wide Operating Frequency Range The DWR-S01D supports operation over a 24 MHz frequency band (equivalent to three TV channels). Superior Quality Wireless Transmission & Reception This system delivers high-quality 24-bit/48-kHz digital audio transmission within specific frequency bandwidths that meet the Wireless Communication Regulations of each country. Powered by Sony's original codec, the system provides a dynamic range exceeding 106 dB, a wide frequency response of 20 Hz to 20 kHz, and excellent transient response. Stable and Secure Transmission Featuring a newly developed digital modulator, this system enables highly stable wireless transmission, resistant to interference. The transmission and reception of digitally modulated, encrypted data also ensures secure communication and reduces the risk of interception. Simultaneous Multi-Channel Operation The system supports large-scale, multi-channel operations with intermodulation-free, equally spaced channel allocation. Thanks to the digital wireless transmission technology, it significantly increases the number of simultaneous channels compared to current analog systems. For instance, up to 16 channels can operate simultaneously within an 8-MHz frequency band.

Sony AXS-M 512GB S24 Memory Card, Used

Sony AXS-M 512GB S24 Memory Card, Used(FMP60119NRSH) Good condition, 3 months warranty Sony AXS-512S24 512GB Media Card - compatible with AXS-R5 Recorder for use with PMW-F5, PMW-F55 and NEX-FS700. The AXS-512S24 AXS Memory (AXSM™) card is an ultra-high speed, high capacity, and high reliability flash memory media, for demanding high frame rate (HFR) 4K and 2K 16-bit linear high-resolution digital cinematography

Sony AXS R5 Recorder & HXR-IF15 Adapter, Used

Sony AXS R5 Recorder & HXR-IF15 Adapter, Used(FMP59916NRSH) Excellent Condition, Like New, 3 Months Warranty  AXS-R5 Designed to attach seamlessly to PMW-F55 and PMW-F5 cameras The bolt-on AXS-R5 recorder works with the PMW-F55 and PMW-F5 cameras to record the highest quality 16-bit RAW 2K/4K images. The recorder works with sleek, optional AXSM™ memory cards, which are compatible with an affordable optional USB 3.0 reader, the AXS-CR1.Once on a PC, the RAW files can be screened using Sony’s free RAW Viewer software. AXSM memory provides a super fast, affordable format for sensational quality recordings. Important information: AXS-R5 is compatible with NEX-FS700 when used in combination with the HXR-IFR5 interface. Version 3 (or higher) firmware is required. 16-bit RAW 2K/4K recording options for PMW-F55 and PMW-F5 CineAlta cameras Record RAW at your choice of resolutions: the PMW-F55 and PMW-F5 captures native 4K or beautiful, derived 2K.RAW recording preserves the greatest latitude for colour correction and other post processes. Sony’s 16-bit recording captures more tonal values than the human eye can differentiate.Sony RAW retains 16 times as many Red, Green and Blue gradations as 12-bit RAW and 64 times as many tones per channel as 10-bit recording. Sony 16-bit linear RAW is also the ideal point of entry into the 16-bit linear Academy Color Encoding System (ACES) workflow. Records onto ASXM™ memory cards The AXS-R5 recorder works with sleek, high-capacity AXSM™ memory cards, which are compatible with an affordable optional USB 3.0 reader, the AXS-CR1. Once on a PC, the RAW files can be screened using Sony’s free RAW Viewer software. AXSM memory provides a super fast, affordable format for sensational quality recordings. High speed shooting up to 240 fps 2KRAW with F55 and 120 fps 2K RAW with F5 The AXS-R5 allows you to record up to 240 fps 2K RAW with the F55 and up to 120 fps 2K RAW with the F5, with free planned upgrades, achieving the highest frame rates most productions will need, while retaining exceptional, 16-bit image quality. Provides simultaneous RAW and on board camera SxS recording Sony provides a coordinated “off-line, on-line” workflow with simultaneous recording for the F55 and F5 cameras to internal SxS cards and the AXS-R5 Portable Memory Recorder. For seamless conforming in post, you get matching timecode, start frame, stop frame, file names and other metadata. Real world workflows Sony understands a fundamental truth: working cameras require practical workflows.That’s why the AXS-R5 is part of a larger production platform that includes affordable media cards, affordable card readers, free RAW Viewer software and compatibility with popular NLEs and finishing tools. Lightweight modular design to maximise versatility in 2D and 3D The AXS-R5 is designed to bolt-on seamlessly to the F55 and F5 cameras, allowing the cameras to maintain a sleek, lightweight and ergonomic design. Both recorder and camera chassis are only slightly wider than a typical PL-mount prime lens, perfect for 3D rigs. Sony HXR-IFR5 (HXRIFR5, HXR/IFR5, HXR IFR5, HX-RIF-R5) (NEX_FS700E, NEX/FS700E) Interface Unit for NEX-FS700E NXCAM Camcorder The HXR-IFR5 interface unit allows the Full-HD Super Slow Motion NEX-FS700 camcorder to capture stunning 4K/2K RAW movie footage with the AXS-R5 RAW recorder. 2K and 4K RAW files shot with the FS700 can take advantage of the trail blazed by the RAW workflow of Sony’s PMW-F55/F5 CineAlta cameras. RAW files created by the NEX-FS700R/RH (FS700RAW Files) are sent to the HXR-IFR5 interface unit which docks to the AXS-R5 RAW recorder. The AXS-R5 recorder is part of the AXSM Access Memory System, which also includes the AXS-512S24 memory card and an affordable USB 3.0 reader, the AXS-CR1. Once on a fast HDD, FS700RAW files can be screened and converted using Sony’s free RAW Viewer software

Sony AXSM S24 512GB Card, used

Sony AXSM S24 512GB Card, used(FMP59914NRSH) Good Condition, 3 Months Warranty   Sony AXS-512S24 512GB Media Card - compatible with AXS-R5 Recorder for use with PMW-F5, PMW-F55 and NEX-FS700. The AXS-512S24 AXS Memory (AXSM™) card is an ultra-high speed, high capacity, and high reliability flash memory media, for demanding high frame rate (HFR) 4K and 2K 16-bit linear high-resolution digital cinematography.

Sony AXSM S24 512GB Card, used

Sony AXSM S24 512GB Card, used(FMP59912NRSH) Good Condition, 3 Months Warranty Sony AXS-512S24 512GB Media Card - compatible with AXS-R5 Recorder for use with PMW-F5, PMW-F55 and NEX-FS700. The AXS-512S24 AXS Memory (AXSM™) card is an ultra-high speed, high capacity, and high reliability flash memory media, for demanding high frame rate (HFR) 4K and 2K 16-bit linear high-resolution digital cinematography.

SONY BVM-HX310 31-inch 4K TRIMASTER HX , 1500 Hours, used

SONY BVM-HX310 31-inch 4K TRIMASTER HX , 1500 Hours, used(FMP59888LPBR) Good condition, 3 month warranty The BVM-HX310 TRIMASTER HX™ Professional Master Monitor gives absolute confidence that you’re always seeing the true picture. Offering unrivalled 4K HDR picture quality, accuracy and consistency, it’s ideal for demanding on-set, studio and post-production applications including 4K digital cinematography. True colours It’s the 4K HDR monitor professional colourists have been waiting for. An optimal choice for critical colour grading and CG tasks, the BVM-HX310 offers support for industry‑leading wide colour gamuts including DCI‑P3, ITU‑R BT.2020, S‑Gamut3.cine and S‑Gamut3. With consistent, faithful colour reproduction over the entire luminance range, it’s an ideal partner for cinematography production and post production workflow with Sony’s 4K cinematography cameras. Note: BVM‑HX310 does not cover the ITU-R BT.2020, S-Gamut/S-Gamut3 and S-Gamut3.cine colour space in full. Ready for HDR Fully realising the advanced performance of the TRIMASTER HX panel, the BVM-HX310 achieves 1,000 nits* of full-screen brightness with 1,000,000:1 contrast ratio. It’s ideal for producing High Dynamic Range (HDR) content with rich, deep black areas and accurate reproduction of bright peak highlights. Together with support for a much wider colour gamut than conventional monitors, the BVM-HX310 can reproduce high-resolution HDR images with images clarity, depth and realism. Great HDR flexibility As well as conventional 2.2, 2.4, 2.6, and CRT gamma, the BVM-HX310 supports standardized Electro-Optical Transfer Functions (EOTF) for HDR such as SMPTE ST.2084 and ITU-R BT.2100 (HLG). Both standards are used to meet the demands of today’s broadcast and cinematography industries. Additional EOTF tables for live and post production environments include 2.4 (HDR), S-Log2 (HDR), S-Log3 (HDR) and S-Log3 (Live HDR) – enabling easy workflows close to that of film while delivering 4K wide dynamic range. Make no mistake Support for VPID (Video Payload ID) identifies EOTF, colour space and RGB source information embedded in the SDI signal. Monitor settings are adjusted automatically, cutting the risk of human error in pressured live production environments. Easy system integration The BVM-HX310 effortlessly keeps pace with today’s production workflows. Integration in the latest system environments is streamlined with a single-cable 12G-SDI input, plus connections for 3G-SDI, HD-SDI including Single Link/Dual Link and HDMI (HDCP2.3/1.4). Enhance your workflow Easily check the effect of different LUTs while you’re on set or in post. Load customised User LUT (Look Up Table) files from a USB stick* for comparison during pre-grading or with a different EOTF. See the effect of different LUTs at the touch of a button. *Note: BKM-17R controller is required. Quality assurance efficiency Quad View Display mode allows instant comparison of up to four sets of custom display settings, including EOTF, Colour Space, Transfer Matrix and Colour Temperature, Contrast, Brightness and Chroma. It’s invaluable for comparing original footage with the look of different EOTF converted images. View up to four LUTs side-by-side in Quad View display mode. Work in real time Minimal processing delays are a critical factor in live production and broadcasting applications. With a processing delay of less than one video frame, the BVM-HX310 is ideally suited to the demands of real time video monitoring. True interlace mode Interlace Display mode offers faithful reproduction of 1080i input signals, free from artefacts and picture degradation that can often occur during I/P conversion. You’re always in control Anyone who’s used the BVM‑X300 master monitor will feel instantly at home with the familiar front control panel of the BVM-HX310. Seven user assignable function buttons are complemented by manual controls for aperture, chroma, brightness, and contrast. Usability is enhanced further with dimmable button lights and on/off switchable indicator lights. More peace of mind Help’s right here when you need it. PrimeSupport goes beyond your standard warranty, giving you privileged access to expert technical advice when you need it. And that’s just the start. Depending on your Sony product and chosen level of PrimeSupport, you’ll enjoy more great benefits for extra peace of mind. Make It Your Own Instant access Save time when you’re under pressure. The BVM-HX310 can retain settings last used in the status menu, including colour space, EOTF, User Preset and more. When the menu’s opened again, everything’s instantly available. Mark your area Two flexible shooting area markers can be set anywhere on screen. It’s useful for applications like shopping channels, where you need to differentiate clearly between views of the featured product and its buying information. Password protected Multiple users can register their own password to access colour temperature and user preset data settings. This allows each user to correctly recall their own preset data, while keeping information safe from unauthorised use. Ready for action Key settings including last memory and user preset are loaded instantly when the monitor’s powered up. It’s a major time saver that’s invaluable for rental applications. Area aspect ratio markers The BVM-HX310 can display various markers, including an aspect marker, safe area marker, and centre marker. In addition to this flexible selection of marker types, detailed display settings of each marker are offered. For example, the colour, brightness, horizontal/vertical position, and width of aspect markers can all be controlled, while the height and width of safe area markers can be adjusted.

5x Sony PFD-23A Disc - 23GB, used

5x Sony PFD-23A Disc - 23GB, used(FMP59820KSSH) Excellent condition, 3 months warranty  Sony PFD-23 blank optical disc media is designed for use with all XDCAM and XDCAM HD camcorders. It offers guaranteed performance of at least 1,000 read/write cycles, ensuring reliable and long-lasting use. This media is compatible with a range of Sony camcorder models, including the PDW-680, PDW-700, PDW-F335K/2, PDW-F335L, PDW-F355L, and PDW-F800.  With the Sony PFD-23 blank optical disc media, users can confidently capture and store high-quality footage without worrying about data loss or performance issues. This versatile and durable media is an essential component for any professional videographer using Sony XDCAM or XDCAM HD camcorders.

Sony PVM-740 OLED 7.4 Director Monitor, used

Sony PVM-740 OLED 7.4 Director Monitor, used(FMP59811KSSH) Good condition, 3 months warranty  The PVM-740 is a new type of 7.4-inch high-resolution (960 x 540 pixel) portable monitor which incorporates an Organic Light-Emitting Diode (OLED) display panel with Sony's unique Super Top EmissionTM technology. Thanks to the nature of the OLED display panel and Sony's Super Top EmissionTM technology, the PVM-740 offers outstanding high-contrast images. Incorporating a 10-bit panel driver, Sony's Super Top EmissionTM OLED display panel creates lifelike and smoother-than-ever gradation from dark to bright portions of a scene. Also, an excellent blur-free quick response to fast motion benefits a variety of applications and scenes, e.g., sports broadcasting, monitoring of camera panning, and text scrolling. In addition to the high-purity deep colour reproduction characteristics inherent in Sony's Super Top EmissionTM OLED display panel, two other elements – Sony's 10-bit panel driver and ChromaTRU technologies – work effectively to emulate the colours and gammas of CRT monitors, and to support broadcast standards (SMPTE-C, EBU, and ITU-R BT.709). Incorporating a compact, lightweight, and robust aluminium die-cast body, the PVM-740 suits many different indoor and outdoor applications. The PVM-740 is equipped with standard interface connectors – a composite video, 3G/HD/SD-SDI, and HDMI – which accept a variety of video signal formats from PAL/NTSC up to 1080/50p and 60p. This PVM-740 is ideal for a wide range of professional monitoring applications including use in an editing studio, outside broadcast, acquisition, field production, engineering and even research and development.    

Sony PVM-A250 25in HD Monitor, Used

Sony PVM-A250 25in HD Monitor, Used(FMP59790RPBR) Good condition, 3 month warranty Original factory packaging PVM-A250 series Super Top Emission OLED display panels provide superior black performance and wide colour gamut. Sony PVM-A250 combining Full HD (1920 x 1080) OLED panel, a 10-bit RGB driver and a Super Top Emission OLED creates realistic and smoother gradient from dark to bright portions of scene like sunset/sunrise.  Sony TRIMASTER EL provides largest colour range within Sony range of monitors.  PVM series not only have high purity of the three primary colours but also maintain this wide colour gamut throughout the entire luminance range.  The PVM-A250 weights only 6.1kg which is about 40% slimmer than a model from previous PVM-41 series.

Sony FX9 Camcorder 330 hours, used

Sony FX9 Camcorder 330 hours, used(FMP59714JPBR) 3-month warranty Excellent Condition  The Sony PXW FX9 is a professional 6K full frame camcorder, featuring a back-illuminated full frame 6K CMOS sensor with Sony’s Exmor R technology for improved sensitivity and reduced noise.  This new sensor has twice the surface area of the FS7’s 4K Supper 35mm sensor, providing a wider angle of view making it easier to gain a shallower depth of field. The FX9 also offers an exceptional 15+ stops of dynamic range, allowing unprecedented creative freedom in colour grading and post.  Camera operators can concentrate on framing the scene they want while relying upon the FX9 to capture every nuance and detail using either 4K 4:2:2 10-bit internal recording or 16-bit RAW external recording (with the XDCA-FX9 Extension Unit). The FX9 has some great focusing features, including Fast Hybrid AF, which combines phase detection AF with contrast AF to provide fast and accurate subject tracking.  As well as Eye AF with real-time tracking; high speed, high precision image processing maintains a pin-sharp focus, to capture your subjects most subtle expressions with seamless AI-based tracking.  Simply touch a subject on the viewfinder or select a face with the FX9 joystick and the camera will track and maintain focus automatically.

Sony Hdvf C35w viewfinder, Used

Sony Hdvf C35w viewfinder, Used(FMP59433KSBR) Good condition  Sony HDVF-C35W (HDVFC35W) 3.5inch LCD electronic HD viewfinder for HDCAM camcorders sony_hdvf-c35w / HDVF-C35W//U. The HDVF-C35W 3.5-inch HD LCD colour viewfinder provides crisp, clear images from its full colour TFT-LCD display. By using a uniquely designed detachable eyepiece, camera operators can clearly view images from various positions and angles. In addition, the LCD display provides a wide viewing angle, so that a number of people can view the same picture at the same time. The viewfinder features an aspherical lens in the eyepiece to reduce aberration at each corner of the viewfinder image for more precise focusing. The HDVF-C35W 3.5-inch HD LCD colour viewfinder provides crisp, clear images from its full colour TFT-LCD display. By using a uniquely designed detachable eyepiece, camera operators can clearly view images from various positions and angles. In addition, the LCD display provides a wide viewing angle, so that a number of people can view the same picture at the same time. The viewfinder features an aspherical lens in the eyepiece to reduce aberration at each corner of the viewfinder image for more precise focusing.

Sony Axsm Card Adapter, Used

Sony Axsm Card Adapter, Used(FMP59419LPSH) Good condition, 3 months warranty This is a Sony AXSM memory card adapter, for use with the small sized cards such as the AXS-A512S24, AXS-A512S48, AXS-A1TS24, AXS-A1TS48, allowing them to be used in the AXS-CR1 reader or AXS-R5 recorder. Ideal for use with Venice, PMW-F55, PMW-F5, or NEX-FS700 2K/4K RAW workflows.

Sony Anycast AWS-G500 RGB Interface Module BKAW-550, used

Sony Anycast AWS-G500 RGB Interface Module BKAW-550, used Good condition, 3 Months Warranty The Sony BKAW-550 is an RGB input board for the Anycast Station Live Content Producer. This all-in-one unit comprises a high-quality video switcher, an audio mixer, a large LCD display, and a streaming encoder and server. This board is a standard input interface on the Anycast; an extra board allows 2 extra inputs of RGB PC video on HD-15 connectors.  

Sony Anycast AWS-G500 RGB Interface Module BKAW-550, used

Sony Anycast AWS-G500 RGB Interface Module BKAW-550, used Good condition, 3 Months Warranty The Sony BKAW-550 is an RGB input board for the Anycast Station Live Content Producer. This all-in-one unit comprises a high-quality video switcher, an audio mixer, a large LCD display, and a streaming encoder and server. This board is a standard input interface on the Anycast; an extra board allows 2 extra inputs of RGB PC video on HD-15 connectors.  

Sony Pmw-F5 Full Hd 4K Camera, Dvf L100 Vf, 4K Raw, 1750 Hours

Sony Pmw-F5 Full Hd 4K Camera, Dvf L100 Vf, 4K Raw, 1750 Hours(FMP59141LPBR) 3 Months Warranty, Excellent Condition  Sony's PMW-F5 CineAlta camera shoots spectacular images with its 8.9 megapixels (effective) Sony 4K image sensor. You get superior, super-sampled pictures with noticeably higher contrast, rich colour reproduction and greater clarity. The camera offers robust built-in recording modes, all with vibrant 4:2:2 colour. Irresistible options include the amazing precision of 16-bit linear RAW 2K/4K recording and high speed shooting at up to 120 fps without cropping.  Multiple recording formats include MPEG-2 HD422, MPEG4 SStP, XAVC 2K/HD and 16-bit RAW 2K/4K**. You can have simultaneous recording on internal high-speed SxS PRO+ memory cards and RAW 2K/4K recording on sleek AXSM™ memory cards using the optional bolt-on AXS-R5 recorder, designed specifically to attach seamlessly to the F55 and F5 cameras. There is also high speed shooting up to120 fps XAVC 2K/HD* internally and 120 fps RAW 2K onto the AXS-R5.  Upgrade Available - AXS-R5  The bolt-on AXS-R5 recorder works with the PMW-F55 and PMW-F5 cameras to record the highest quality 16-bit RAW 2K/4K images. The recorder works with sleek, optional AXSM™ memory cards, which are compatible with an affordable optional USB 3.0 reader, the AXS-CR1 .Once on a PC, the RAW files can be screened using Sony’s free RAW Viewer software. AXSM memory provides a super fast, affordable format for sensational quality recordings. 16-bit RAW 2K/4K recording options for PMW-F55 and PMW-F5 CineAlta cameras  Record RAW at your choice of resolutions: the PMW-F55 and PMW-F5 captures native 4K or beautiful, derived 2K.RAW recording preserves the greatest latitude for colour correction and other post processes. Sony’s 16-bit recording captures more tonal values than the human eye can differentiate.Sony RAW retains 16 times as many Red, Green and Blue gradations as 12-bit RAW and 64 times as many tones per channel as 10-bit recording. Sony 16-bit linear RAW is also the ideal point of entry into the 16-bit linear Academy Color Encoding System (ACES) workflow. Records onto ASXM™ memory cards  The AXS-R5 recorder works with sleek, high-capacity AXSM™ memory cards, which are compatible with an affordable optional USB 3.0 reader, the AXS-CR1. Once on a PC, the RAW files can be screened using Sony’s free RAW Viewer software. AXSM memory provides a super fast, affordable format for sensational quality recordings. High speed shooting up to 240 fps 2KRAW with F55 and 120 fps 2K RAW with F5  The AXS-R5 allows you to record up to 240 fps 2K RAW with the F55 and up to 120 fps 2K RAW with the F5, with free planned upgrades, achieving the highest frame rates most productions will need, while retaining exceptional, 16-bit image quality. Provides simultaneous RAW and on board camera SxS recording  Sony provides a coordinated “off-line, on-line” workflow with simultaneous recording for the F55 and F5 cameras to internal SxS cards and the AXS-R5 Portable Memory Recorder. For seamless conforming in post, you get matching timecode, start frame, stop frame, file names and other metadata. Real world workflows  Sony understands a fundamental truth: working cameras require practical workflows.That’s why the AXS-R5 is part of a larger production platform that includes affordable media cards, affordable card readers, free RAW Viewer software and compatibility with popular NLEs and finishing tools. Lightweight modular design to maximise versatility in 2D and 3D    The AXS-R5 is designed to bolt-on seamlessly to the F55 and F5 cameras, allowing the cameras to maintain a sleek, lightweight and ergonomic design. Both recorder and camera chassis are only slightly wider than a typical PL-mount prime lens, perfect for 3D rigs.

2 x Sony ECM-88BC Omni-Directional Miniature Lavalier Mic 4-pin connector, used

2 x Sony ECM-88BC Omni-Directional Miniature Lavalier Mic, used Sony ECM-88BC Lavalier Mic 4-Pin Omni Used 3 Months Warranty, Great Condition The Sony ECM 88BC is a miniature condenser, lavalier microphone with a 4-pin Hirose connection. The 4-pin connector enables use with Sony WRT-822B and WRT-8B bodypack transmitters. The capsule is 3.5 x 3.5 x 16.8mm, allowing natural-looking concealment on stage or camera. The electret condenser element uses a dual-diaphragm mechanism, resulting in high sensitivity. The microphone provides a flat, wide frequency response (20Hz to 20kHz) resulting in a natural sound reproduction, capturing in great detail. The water resistant design assures durability from the elements as well as moisture caused by sweat in stage applications. Miniature Design The microphones ultra-miniature design provides the level of concealment needed for the stage and on camera. 4-pin Hirose Connection The 4-pin connector enables use with Sony WRT-822B and WRT-8B bodypack transmitters. High Sonic Character The condenser element provides a wide, flat frequency response and high dynamic range resulting in clean, quiet recordings. Water Resistant The microphone is designed to resist moisture caused by the elements or sweat. 

Sony ECM-88B Condenser Microphone, used

Sony ECM-88B Condenser Microphone, used 3 month warranty Sony ECM-88B (ECM88B, ECM 88B, ECM/88B) Miniature Broadcast Quality Wired Lavalier (tie clip) Microphone with PSU The Sony ECM-88B is a miniature omni-directional electret-condenser microphone ideally suited for quality-critical applications in broadcasting, theater and field production. This lavalier mic achieves high-sensitivity and has a flat-and-wide frequency response. The ECM-88B offers extremely low handling noise with unparalleled high sound quality. The ECM-88B comes with a DC-78 power supply and it has a cable length of 8.2 feet. This model is best suited for wired lav mic applications.

10x Sony BCT-D32 Digital Betacam Cassettes Bundle, used

3 month warranty Good condition Sony BCT-D32 (BCTD32) 32 Minute Digital Betacam (Small Cassette) Blank Tape . The Digital Betacam format has set the benchmark in mainstream high-end digital acquisition, post-production and transmission.  

Sony Used SXS PRO 8GB Media Card

Used Sony SXS PRO 8GB Media Card Condition: Good ExpressCard media for XDCAM EX™ camcorders and decks. When Sony set out to develop our most advanced flash media, we based it on the ExpressCard™ standard. The ExpressCard standard is the replacement for the PC card and is supported by the same industry-wide consortium that standardized the PC card. Enter the next generation of media: Sony’s SxS PRO Memory Card. Because it uses a serial interface, it transfers at a faster bus speed, is more reliable and comes in a smaller size resulting in a significantly lower storage cost per minute of high definition video when compared to conventional PC parallel cards. And it’s designed to work with our incredibly capable XDCAM EX series of camcorders and decks, each of which features two SxS PRO Memory Card slots. Faster. Smaller. Larger Capacity. And smoother workflow too. Working together, XDCAM EX™ recording and SxS PRO media will change the way event, corporate, and industrial video is captured and posted. In addition to faster transfers, smaller size and longer record times than the PC card, the SxS PRO Memory Card increases workflow efficiency, with seamless transition from camcorder acquisition to PC or laptop for editing and archiving. The SxS PRO Memory Card is about half the size of a PC card and fits in ExpressCard 34 and 54 slot sizes. The lineup now includes the SBP-32*, SBP-16 and SBP-8 which feature 32, 16 and 8GB storage capacity.** Providing reliability, durability and expansion flexibility while offering improved performance, the SxS PRO Memory Card is rapidly becoming the flash media of choice – and the definitive media for high definition. High definition. It’s in our DNA.   

Sony XQD-S32E Memory card,Ex Demo

Sony XQD-S32E Memory card, Ex Demo Memory card 32GB 1x 32GB XQD Card  Comes with 3 months warranty