Panasonic Aj-Px5000G 2/3 type, 3 Chip, Avc-ultra P2 HD camcorder, 1252 hrs, used

Panasonic Aj-Px5000G 2/3 type, 3 Chip, Avc-ultra P2 HD camcorder, 1252 hrs, used(FMP59276KSSH) Note-Missing plastic window on P2 cards cover Panasonic AVC-ULTRA offers master-quality and/or low-bit-rate 10-bit, 4:2:2 recording in Full raster HD to meet a variety of user needs from mastering to transmission. Addressing the need for high-speed file exchange, its high-resolution AVC-Proxy encodes in parallel with higher bandwidth production formats, enabling fast, efficient offline editing, at bit rates from 3.5 megabits down to 800 kilobits per second. Like the current AG-HPX600, the PX5000G provides innovative network functionality to improve workflows. The PX5000G AVC-Proxy files and Network function (wired/wireless LAN) make it possible to configure a workflow for previewing images, editing metadata, editing playlists, and uploading motion images quickly and at low cost with a PC/Mac, tablet, or smartphone. A new 3G/4G/LTE dongle for wireless workflow over a mobile network is scheduled for the near future. The camcorder incorporates a choice of AVC-LongG quality levels, including AVC-LongG50 and AVC-LongG25. Designed for applications where file size is critical, these 10-bit, 4:2:2 sampled codecs record in a much smaller file size, saving storage cost and transfer times over MPEG-2 while maintaining equal or better video quality. In the future, lower bit rate AVC-LongG12 will be made available. The PX5000G offers optional AVC-Intra200 recording, which at twice the bit rate per frame of AVC-Intra100 is visually lossless, delivering a master quality codec in an affordable, file-based camera. The AVC-Intra200 option will yield a cost-effective approach to network-level program acquisition, film-outs and higher levels of color correction. In addition to AVC-LongG and AVC-Intra100/50, the PX5000G offers standard recording in DVCPRO HD, DVCPRO50, DVCPRO and DV. In addition to 1080/60i, the AJ-PX5000G supports 24p, 30p, 60p (AVC-Intra100 only), and 720p multi HD format and SD recording. Also, 50i, 50p, and 25p are supported by 59.94 Hz/50 Hz switching. Weighing only 7.5 pounds, the camera has two microP2 slots and two standard P2 card slots, as well as an SD card slot for proxy/metadata recording. MicroP2 cards are substantially downsized to match the size of an SD card, and offer a considerable reduction in cost compared to a P2 card. Professional interfaces include MON out (can be set to output HD-SDI), HDMI out, HD/SD-SDI in/out, 3G-SDI out, genlock in for multi-camera operation, timecode in/out, USB 3.0 (host) and a two-channel UniSlot compatible wireless receiver.  The PX5000G s three 2.2M pixel MOS sensors deliver a horizontal resolution of 1000 TV lines; the camcorder achieves high F12 (59.94 Hz)/F13 (50 Hz) sensitivity and produces excellent images with an S/N ratio of 62 dB. The shoulder-type design accommodates a variety of interchangeable B4 mount 2/3 lenses.  The camcorder will be equipped with Chromatic Aberration Compensation (CAC) to maximize lens performance; Dynamic Range Stretch (DRS) function to optimize scene image contrast at the pixel level, reducing overexposure and crushed shadow content and dramatically improving human skin rendition; and a highly accurate flash band detection and compensation algorithm that minimizes partial image exposure due to strobe lighting. The PX5000G delivers seven-mode (HD/SD/FILMLIKE 1/FILMLIKE 2/FILMLIKE 3/FILM-REC/VIDEO-REC) gamma selection and extensive digital image settings. Innovative features include a smart user interface that permits accessibility to the camera extensive functions from an LCD display on the side of the camera; a 16:9, 3.5-inch, 920,000-dot resolution LCD color viewfinder, which doubles as a LCD monitor when open; a simplified waveform and vectorscope; a 10-pin remote terminal enabling remote camera operation; and an optional camera studio system. Audio capabilities include two XLR audio inputs, and recording up to four channels of 48kHz, 24-bit audio in AVC-Intra formats (16-bit in AVC-LongG, DVCPRO HD, DVCPRO and DV). Standard features include Scan Reverse for use with a cinema lens adaptor; Digital Zoom function for 2x, 3x and 4x boosts; Presettable Shutter Speed from 1/12 to 1/2000 sec plus fully variable Synchro Scan; two four-position optical filters, ND and CC, with four positions each. (The CC filters are 3200K, 4300K, 5600K and 6300K, NDs are Clear, 2, 4, 6 stops.  

Sony Pmw-F5 Full Hd 4K Camera, Dvf L100 Vf, 4K Raw, 1750 Hours

Sony Pmw-F5 Full Hd 4K Camera, Dvf L100 Vf, 4K Raw, 1750 Hours(FMP59141LPBR) 3 Months Warranty, Excellent Condition  Sony's PMW-F5 CineAlta camera shoots spectacular images with its 8.9 megapixels (effective) Sony 4K image sensor. You get superior, super-sampled pictures with noticeably higher contrast, rich colour reproduction and greater clarity. The camera offers robust built-in recording modes, all with vibrant 4:2:2 colour. Irresistible options include the amazing precision of 16-bit linear RAW 2K/4K recording and high speed shooting at up to 120 fps without cropping.  Multiple recording formats include MPEG-2 HD422, MPEG4 SStP, XAVC 2K/HD and 16-bit RAW 2K/4K**. You can have simultaneous recording on internal high-speed SxS PRO+ memory cards and RAW 2K/4K recording on sleek AXSM™ memory cards using the optional bolt-on AXS-R5 recorder, designed specifically to attach seamlessly to the F55 and F5 cameras. There is also high speed shooting up to120 fps XAVC 2K/HD* internally and 120 fps RAW 2K onto the AXS-R5.  Upgrade Available - AXS-R5  The bolt-on AXS-R5 recorder works with the PMW-F55 and PMW-F5 cameras to record the highest quality 16-bit RAW 2K/4K images. The recorder works with sleek, optional AXSM™ memory cards, which are compatible with an affordable optional USB 3.0 reader, the AXS-CR1 .Once on a PC, the RAW files can be screened using Sony’s free RAW Viewer software. AXSM memory provides a super fast, affordable format for sensational quality recordings. 16-bit RAW 2K/4K recording options for PMW-F55 and PMW-F5 CineAlta cameras  Record RAW at your choice of resolutions: the PMW-F55 and PMW-F5 captures native 4K or beautiful, derived 2K.RAW recording preserves the greatest latitude for colour correction and other post processes. Sony’s 16-bit recording captures more tonal values than the human eye can differentiate.Sony RAW retains 16 times as many Red, Green and Blue gradations as 12-bit RAW and 64 times as many tones per channel as 10-bit recording. Sony 16-bit linear RAW is also the ideal point of entry into the 16-bit linear Academy Color Encoding System (ACES) workflow. Records onto ASXM™ memory cards  The AXS-R5 recorder works with sleek, high-capacity AXSM™ memory cards, which are compatible with an affordable optional USB 3.0 reader, the AXS-CR1. Once on a PC, the RAW files can be screened using Sony’s free RAW Viewer software. AXSM memory provides a super fast, affordable format for sensational quality recordings. High speed shooting up to 240 fps 2KRAW with F55 and 120 fps 2K RAW with F5  The AXS-R5 allows you to record up to 240 fps 2K RAW with the F55 and up to 120 fps 2K RAW with the F5, with free planned upgrades, achieving the highest frame rates most productions will need, while retaining exceptional, 16-bit image quality. Provides simultaneous RAW and on board camera SxS recording  Sony provides a coordinated “off-line, on-line” workflow with simultaneous recording for the F55 and F5 cameras to internal SxS cards and the AXS-R5 Portable Memory Recorder. For seamless conforming in post, you get matching timecode, start frame, stop frame, file names and other metadata. Real world workflows  Sony understands a fundamental truth: working cameras require practical workflows.That’s why the AXS-R5 is part of a larger production platform that includes affordable media cards, affordable card readers, free RAW Viewer software and compatibility with popular NLEs and finishing tools. Lightweight modular design to maximise versatility in 2D and 3D    The AXS-R5 is designed to bolt-on seamlessly to the F55 and F5 cameras, allowing the cameras to maintain a sleek, lightweight and ergonomic design. Both recorder and camera chassis are only slightly wider than a typical PL-mount prime lens, perfect for 3D rigs.

RED KOMODO 6K Digital Cinematography Camera 386 hours, used

RED KOMODO 6K Digital Cinematography Camera 386 hours, used(FMP59094RPBR) Good condition,  3 months warranty  KOMODO 6K is the latest breakthrough product in RED's long line of innovative image capture technology. The newest entrant into the RED lineup is a compact and highly powerful cinema camera. It features RED’s cinema grade image quality, colour science and sensor technology into a portable form factor so users can take it anywhere and adapt it to any shooting scenario. The new sensor in KOMODO is a 6K S35 global shutter sensor that breaks new technical ground by eliminating the need to sacrifice dynamic range and meets the RED standard of unmatched imagery without any creative or technical compromises. KOMODO also features a built-in Canon RF mount allowing users the flexibility to use numerous different lens adapters, such as Canon EF, PL and Leica M mount.  

Arri Alexa Mini Kit with 4:3 and Raw License, 6300 hours, used

Arri Alexa Mini Kit with 4:3 and  Raw License, 6300 hours, used(FMP59092KSSH) 3 Months Warranty, Good Condition JUST BEEN SERVICED FROM ARRI - 04/03/23 Color output Rec 709, custom look or Log C Look control Import of custom 3D LUT, ASC CDL parameter (slope, offset, power, saturation) Adjustable image parameters Knee, gamma, saturation, black gamma, saturation by hue Focus and exposure control Peaking, zebra, false color White balance Manual and auto white balance Sound level -20 dB(A) at standard frame rates Environmental -20 C to +50 C (-4 F to +122 F) @ 95% humidity max, non-condensing Splash and dust-proof through sealed electronics Viewfinder Multi Viewfinder MVF-1 (OLED and LCD ) with flip-out LCD screen

Arri Alexa Mini LF ready to shoot kit, 544 hours, Used

Arri Alexa Mini LF ready to shoot kit, 544 hours, Used 3 Months Warranty, Excellent Condition ARRI Built Quality: Almost a century of experience, an obsessive attention to detail and an intimate familiarity with the conditions on set have led to generations of ARRI cameras that are robust, reliable and simple to operate - all features that ARRI digital cameras have inherited. ALEV Sensors: ARRI's very own ALEV III sensor plays its strengths in a film-like look and feel with HDR capability (since 2010). Originally developed for ARRI ALEXA camera family, it had the same height and width as a 35mm film frame. Nowadays the ALEV III comes to live in different cameras and shapes: ALEXA 65 uses the A3X version - a 65mm sensor - whereas ALEXA LF and ALEXA Mini LF use A2X, the slightly smaller variant that covers a little bit more than "full frame". Image Processing: A steady look-out for image quality is key to delivering the best possible image through a given pipeline. In this way new developments and ways to shape the DoP's vision on set can be integrated into ARRI cameras via new software releases. ARIRAW footage recorded before such an update benefits as well as it can be re-processed through an updated pipeline. Lens Mounts: Great images derive from great lenses with their individual touch to the image. For this to happen the lens has to sit precisely where it should be, responsible for that is the lens mount. Get to know all ARRI lens mounts and find out what makes ARRI new LPL mount unique. Viewfinders: ARRI viewfinder are specifically designed to meet the needs of professional camera operators by offering an extremely fast image display, high image quality, accurate color reproduction and a number of features inherited from ARRI optical viewfinders, including surround view. Workflow: The concept behind the term "workflow" is the digital film lab. Hence being able to view, edit and "post" footage recorded with ARRI digital cameras. ARRI develop their own Software Development Kit (ARRIRAW SDK) for processing ARRIRAW data to RGB images and talk to 3rd party vendors to ensure support in their tools.  

Red Epic-W Helium 8k S35 Camcorder and Accessories, 1125 hours used

Red Epic-W Helium 8k S35 Camcorder and Accessories, 1125  hours used Excellent condition 3 month warranty  EPIC-W carries on the legacy of the original EPIC, which became the industry workhorse upon its release in 2010. Powered by the HELIUM™ 8K S35 sensor, EPIC-W is capable of shooting 8K Full Frame at up to 30 frames per second (fps).  At full 8K resolution EPIC-W captures 35.4 Megapixels images—delivering more detail and creative possibilities in every frame. With HELIUM sensor advancements, EPIC-W boasts improved low-light sensitivity and impressive dynamic range. Leveraging lightning fast data rates up to 275 MB/s, EPIC-W can record REDCODE RAW, as well as proxy 4K Apple ProRes or Avid DNxHR—simultaneously.  Joining the DSMC2 lineup, EPIC-W benefits from the advanced modularity of the RED ecosystem and offers cable-free peripherals, an integrated mounting plate, wireless control, and compatibility with a growing supply of modules and accessories. Also featuring interchangeable OLPFs and lens mounts, EPIC-W provides an all new perspective with full sensor coverage and support for your arsenal of S35 glass.