Sony Burano Camera, 2 hours, Like-New

Sony Burano Camera, 2 hours, Like-New Excellent / Like-New Condition – Fully Tested, 3 months warranty   Note: This camera comes with Sony's updated IR Cut Filter for improved colour reproduction under strong lighting conditions.   Please note that the competitive price of this Sony BURANO should not be taken as an indication of its condition. This camera is in excellent, like-new condition and has been fully tested and is working correctly. We have priced this unit very competitively to achieve a quick sale, rather than because of any known fault or issue with the camera. The camera is also fitted with Sony's updated IR Cut Filter, designed to improve colour reproduction under strong lighting conditions. This represents an excellent opportunity to purchase a Sony BURANO in exceptional condition at a substantial saving compared with a new unit.   BURANO is a professional camera with a full-frame 8.6K sensor, providing high-quality images and a rich color gamut. It has multiple image scan modes, including full-frame and Super35, and offers a wide latitude of 16 stops for capturing beautiful, low-noise images in any lighting condition. BURANO also features Sonys signature S-Gamut/S-Gamut.Cine wide color space, Dual Base ISO sensitivity, and internal recording of X-OCN LT and XAVC H formats. It offers four new in-camera looks and is compatible with PL and E-mount lenses.   The cameras sensor can achieve 8K image quality with a maximum resolution of 8632 x 4856 and offers various image scan modes for different production requirements. With a wide dynamic range and color accuracy, BURANO allows for maximum flexibility in color grading. It also offers the option to switch between PL and E-mount lenses, making it a versatile choice for professional cinematographers.

Sony HVR-Z5E 14X10 Hrs+ Vinten Vision Blue Tripod,Used

Sony HVR-Z5E 14X10 Hrs+ Vinten Vision Blue Tripod,Used Good condition 3 months warranty   Sony HVR-Z5E HDV Camcorder with Vinten Vision 100 Tripod, Used The Sony HVR-Z5E is a highly regarded professional HDV camcorder, trusted by broadcasters, production companies, and event videographers for its outstanding image quality, reliable performance, and ergonomic design. Featuring three 1/3-inch Exmor™ CMOS sensors and Sony's renowned G Lens with 20x optical zoom, the HVR-Z5E delivers sharp, vibrant Full HD images with excellent low-light performance. It records to MiniDV tape in HDV or DV format and can also be used with Sony's optional CompactFlash recording unit for tapeless workflows. Paired with the professional Vinten Vision 100 fluid head tripod, this package provides exceptionally smooth pan and tilt movements with precise counterbalance adjustment, making it ideal for ENG, documentary, studio, live events, and sports broadcasting. The Vision 100 is renowned throughout the broadcast industry for its superb stability, repeatable performance, and ability to comfortably support heavier professional camera configurations. Whether you're shooting interviews, live events, documentaries, or educational content, this complete camera and tripod package offers a dependable and professional production solution.

Sony Venice 2 8K Camera Kit 277 Hours + Full Licenses,Used

Sony Venice 2 8K Camera Kit 277 Hours + Full Licenses,Used Excellent condition 3 months warranty   6x24mm Full-Frame Sensor for Cinema The Sony Venice 2 features one of two 36x24mm full-frame image sensors, designed specifically for the demands and performance of high-end cinematography. Each offers remarkable sensitivity, latitude and colour rendition, and because the sensor blocks are interchangeable, users can easily switch between sensors—without any extra firmware—and can even use the sensor from their original VENICE. The new 8K sensor can capture images up to a maximum resolution of 8640 x 5760, while the established 6K sensor offers up to 6048 x 4032. Bothoffer powerful oversampling for incredible 4K images. Creative Freedom Full-Frame full width 36 mm 8K and 6K In full-frame, you can use the full width of the sensors (8640 or 6048 pixels) for widescreen spherical 2.39:1 or Large Format Scope. FullFrame can be used creatively in several ways – forexample, to allow for extra shallow depth of field or super-wide shooting. Super35 full height 2.0x squeeze Anamorphic For anamorphic shooting and production, Super35 full height 2x squeeze anamorphic is supported. Super35 17:9 and 16:9 These popular imager sizes have native support in VENICE 2, and the 8K sensor makes it possible to capture 5.8K footage in these modes. Current Super35mm PL mount lenses can be used as well. Surround View (Look Around) Using the 6K sensor, the Sony Venice 2 camera records only the active area but the viewfinder and on-set monitors can display a 5% margin around it.Surround View supports three imager modes: 3.8K 16:9, 4K 17:9 and 4K 4:3. Phenomenal Latitude The Sony Venice 2 8K sensor has an exceptional 16 stops of latitude, while the 6K sensor boasts 15+ stops of latitude. This means that both imagers can deliver phenomenal images withvery little noise, in conditions that range from searing sunlight to almost no light. VENICE 2 also excels at High Dynamic Range imaging,allowing for unprecedented creative freedom in grading. Dual Base ISO VENICE 2 features dual base ISO, meaning that the 8K sensor offers Base ISO3200 in addition to Base ISO800, while the 6K sensor has Base ISO500 and Base ISO2500. 8K sensor excels inlow-light, High Dynamic Range capture, with an exposure latitude from 6 stops over to 10 stops under 18% Middle Gray, for a total of 16 stops. 6K sensor offers an exposure latitude from 6stops over to 9 stops under 18% Middle Gray, for a total of 15+ stops. More Colours for More Expression The Sony Venice 2 can exceed the BT.2020 colour space, with a colour range wider than DCI-P3. This means it can beautifully reproduce the true colour of the scene in front of your lens. The cameraalso provides a broad palette in the grading suite, using the established workflow of Sony’s S-Log3 and Ultra-wide Colour space, S-Gamut3. Plus, VENICE 2’s 8K and 6K sensors match colours almost perfectly, making your grading experience even better. High Frame Rate VENICE 2 can shoot at speeds of up to 120fps at 4K and 90fps at 6K, when using the 6K sensor. In combination with an anamorphic license, it also allows shooting at speeds of up to 75fps at 4K4:3 and 72fps at 4K 6:5. With the 8K sensor, VENICE 2 can achieve up to 60fps at 8.2K and 90fps at 5.8K. Fast Shutter Jello effect is something we don’t need when filming. VENICE 2 has high speed readout sensors that minimize the jello effects typical with CMOS sensors. PL Lens Mount The Sony Venice 2 comes with the industry-standard PL lens mount, and is compatible with all Super35 and full-frame PL lenses—spherical and anamorphic. The lens mount includes contacts that support Cooke/i Technology, and lens information is recorded as metadata, frame byframe. We have also added support for ZEISS eXtended Data.   Lever Lock Type E-mount E-mount offers unsurpassed compatibility with Sony lenses. E-mount (lever lock type) gives users the ability to change lenses by rotating the locking collar rather than the lens itself, which means that in mostcases lens support rigs don’t need to be removed, saves time during a production.

Sony A6500 premium E-mount Camera with XLR mount, used

Sony A6500 premium E-mount Camera with XLR mount, used Excellent Condition  The Sony a6500 is a 24.2 MP APS-C mirrorless camera featuring 5-axis in-body image stabilization (IBIS), 4K video recording, and a 425-point hybrid autofocus system. Released as a high-end, compact crop-sensor body, it offers a fast 11 fps burst rate, a large buffer, and a touchscreen, making it ideal for both action photography and hybrid content creation.   Key Features and Performance Imaging: 24.2 MP Exmor CMOS sensor with BIONZ X processor. Stabilization: 5-axis in-body image stabilization (IBIS), providing up to 5 stops of shake correction. Autofocus: 425 phase-detection points with 0.05s autofocus speed. Video: 4K recording (3840 x 2160) up to 30p, with 1080p up to 120fps for slow motion. Build: Touchscreen interface, 2.36M-dot OLED viewfinder, and a sturdy build.     Strengths Deep Buffer: Allows for extended, high-speed continuous shooting (up to 300 JPEGs). Fast AF: Exceptional tracking performance for fast-moving subjects. Compact 4K: Offers high-quality, full-pixel readout 4K video. Lens Selection: Wide range of available E-mount lenses.   Limitations Screen: The rear LCD screen does not flip up or out, which is not ideal for vlogging. Rolling Shutter: Noticeable in 4K, though manageable. Battery Life: Average, common among mirrorless cameras of its generation.   The Sony E PZ 16-50mm f/3.5-5.6 OSS (SELP1650) is a compact, retractable APS-C lens featuring built-in Optical Steady Shot (OSS) image stabilization and a Power Zoom (PZ) mechanism for smooth, silent zooming. Designed for travel, it offers a 24-75mm equivalent range, 7-blade circular aperture, and fast, quiet AF.   Key Features of the E PZ 16-50mm f/3.5-5.6 OSS: Retractable Design: The lens collapses to just 29.9mm in length when powered off, making it extremely portable. Power Zoom (PZ): A motorized zoom lever on the lens barrel allows for smooth, constant-speed zooming, ideal for video, which can also be controlled via compatible camera bodies. Optical Steady Shot (OSS): Built-in image stabilization minimizes camera shake, allowing for clearer handheld photos and videos. Optical Performance: Includes 4 aspherical elements to reduce distortion and 1 Extra-low Dispersion (ED) element for superior contrast and sharpness. Versatile Range: A 16-50mm (24-75mm equivalent) range covers wide-angle to portrait focal lengths. Aperture & Bokeh: A 7-blade circular aperture produces natural, smooth background blur (bokeh). Minimum Focusing Distance: 25cm (0.25m) at 16mm and 30cm (0.30m) at 50mm. Compact Size: Weighs approx. 116g to 107g (for II version)   The Sony XLR-A2M (often referred to within the XLR-K2M kit series) is a professional audio adapter designed to connect high-quality microphones and audio equipment to Sony mirrorless cameras (E-mount/FE-mount) and camcorders via the Multi-Interface (MI) Shoe.   Key Features and Capabilities: 2-Channel XLR Inputs: Allows for the connection of two professional, balanced XLR microphones or audio devices. Independent Controls: Features dedicated, manual controls for both channels, including recording level adjustments, attenuation (0, 10, 20 dB), and low-cut filters. Mic/Line Switching: Each channel has a switch to toggle between Mic, Mic+48V (phantom power), or Line input. Multi-Interface Shoe Connection: Direct mounting on the camera's hot shoe ensures a secure, cable-free connection for audio and power, reducing potential noise interference.   Robust Build: Features a durable, metal-bodied design.

Sony A1 Digital Camera Body, Used

Sony A1 Digital Camera Body, Used(FMP61611RJSH) Excellent condition, 3 months warranty  Please note: Shutter count is 8330  Introducing the Sony A1 Digital Camera Body. This incredible new high-resolution 50.1MP model from Sony offers 30fps blackout-free shooting with AF that is double the speed of the a9 II. For video shooters, 8K 30P 10-bit 4:2:0 is available with up to 30 minutes of shooting before over-heating. For those more interested in 4K, you can shoot 120P at 10-bit 4:2:2 internally. In addition, this camera also features a wide 15 stops of dynamic for stills & 15+ stops for video. We also see the World's first EVF with 240fps, strong and stable IBIS, and a vastly improved AI-based real-time tracking performance. This is Sony's advanced and innovative camera yet and is guaranteed to send shock waves through the mirrorlesss-video market. Expanded Sony A1 Digital Camera Body Key Features: Designed for Speed The Sony A1 is designed to help you to capture each and every moment - moments that would otherwise be missed whilst using slower mirrorless cameras. The impressively fast readout speed from the 50.1-megapixel image sensor and large memory buffer, allows you to capture 155 full-frame compressed RAW images or 165 full-frame JPEG images at up to 30 frames per second (electronic shutter). This incredible speed is matched by full AF and AE tracking even whilst shooting at the highest speed, all thanks to a calculation speed of up to 120AF/AE per second.  Lightning Fast Autofocus Incredible AF performance has become a norm of any Sony camera release. But the Sony A1 takes this further. The camera offers 759 phase-detection points in a high-density focal-plane phase-detection AF system, and this covers approximately 92% of the image area. This vast coverage allows for accurate tracking of complex, fast-moving subjects with ease.  Sony's already-renowned Real-time Eye AF sees an upgraded detection performance by 30% of both humans and animal, and it doesn't stop there. Wildlife photographers and videographers will be pleased to hear that the Sony A1 is equipped with impressive subject recognition which will now actually respond to birds, locking on using the same Real-time Eye AF system. This particular system has optimised algorithms that are able to quickly adapter to birds sudden movings.  The Electronic Viewfinder You might wonder how Sony can improve on their already advanced electronic viewfinders found in their Alpha series, but when it comes to the A1 - Sony has delivered. The electronic viewfinder (EVF) used in the Sony A1 has a refresh rate of 240fps - A World first. This unprecedented speed compliments the pace of which this camera has been designed to provide. The 240fps offers super-smooth playback of your video and the viewfinder will not blackout when an exposure is made, which in turn allows for seamless, uninterrupted framing and tracking, even continuous shooting.  Fast, Silent & Stress-Free The electronic shutter system contributes to this impressive speed and professional performance of this camera. The electronic shutter operates silently, without any mechanical noise and is vibration-free. It offers silent anti-flicker continues shooting and thanks to this, it is now possible to capture stress-free continuous shooting even in fluorescent or flicker-prone artificial lighting.  In addition, the impressive high-speed readout from the Exmor RS CMOS image sensor has resulted in reducing rolling shutter by up to 1.5 times when capturing stills, when compared to the Sony A9 II. And another Alpha camera first sees the electronic shutter offering flash sync up to 1/200 sec, allowing you to truly take advantage of all the benefits of electronic shutters whilst using flash.  Sensational 8K Resolution Shooting A first for the Alpha camera, the Alpha 1 provides 8K 30p 10-bit 4:2:0 XAVC HS recording, along with 8.6K oversampling for unprecedented resolution. This is a videographer's dream, combining Sony's renowned AF tech, gradation and colour reproduction performance, with 8K footage down-graded to allow for flexible 4K editing during post-production - What's not to like?  In-camera 4K recording at a max. 120 fps gives you the ability to shoot up to 5 x slow-motion video, whilst supporting 10-bit 4:2:2 recording. The Alpha 1 also incorporates S-Cinetone (an identical colour matrix that produces FX9 and FX6 colour and skin tones), delivering soft colours, intricate highlights, expressive depth and natural mid-tones within the image. 15+ stops of dynamic range can be achieved via the S-Log3 gamma curve, whilst the S-Gamut3 and S-Gamut3. Cine colour gamut settings are there to match the Alpha 1's video footage to that of pro-cine cameras such as the VENICE or FX9 to the Alpha 1 - Leads to improved coherency and harmonious detail.  Body Modifications To Improve Video Capture Sony has covered every eventuality with the Alpha 1, building a heat-dissipating structure to keep the image sensor and image processing engine temperatures stable. By doing so, it prevents overheating and makes it possible to record 8K/30p video continuously for approx. 30 minutes - All within a stylish compact camera body. The Alpha 1's incredible 50.1-megapixel sensor is backed up by high-precision stabilisation unit and gyro sensors, as well as optimised image stabilisation (up to 5.5-step shutter speed advantage). For when handheld is the only option, switch to ‘Action Mode' to improve stabilisation. A digital audio interface has also been added to the Alpha 1's Multi Interface Shoe for crisper audio recordings when using Sony ext. mics, and 5.8K oversampled readout for high-resolution 4K movies in Super 35mm mode - We are only scratching the surface of what this Sony Alpha 1 can do.  Efficient Workflow For Professionals The Sony Alpha 1 has been made with photo and video journalists in mind. For fast delivery of stills/moving-images, you are now given advanced connectivity options for reliable file transfers. These include the industry's fastest built-in wireless LAN for communication of 2.4 GHz and 5 GHz bands (3.5 times faster wireless FTP transfer speed than Alpha 9 II), USB Type-C connector, built-in 1000BASE-T LAN connector, and FTPS is now supported to ensure enhanced data security through encryption. As well as compressed and uncompressed RAW, Lossless Compressed RAW stops image degradation. A new ‘Light' JPEG/HEIF quality setting, HEIF format for 10-bit gradations, and the ability to trim images to the correct aspect ratio in-camera, add to the Alpha 1's incredible efficiency - Compatible with a range of apps, add-ons and tools.  User-Centric Reliability The Sony Alpha 1 provides the reliability and durability demanded by professional image-makers. Two media slots supporting UHS-I and UHS-II SDXC/SDHC cards, as well as new CFexpress Type A cards for maximum capacity and fast read/write speeds. The magnesium alloy chassis is incredibly durable, with Z-battery (extended via optional VG-C4EM Vertical Grip). Also included is an improved dust removal feature, shutter close function when power-off occurs to protect the image sensor, plus dust and moisture resistance. The Sony Alpha 1 can cope with harsh shooting environments, with hard-wearing HDMI Type-A connector, and USB PD (Power Delivery) support. Both Touch Focus and Touch Tracking are supported on the updated 3.0 type 1.44 million-dot (approx.) LCD monitor, with revised menu structuring for efficient navigation - Customisable setting options to prioritise your individual workflow.  

Sony BURANO 300 Hours Kit with Bright Tangerine Cage, Used

BURANO 300 Hours Kit with Bright Tangerine Cage, Used(FMP61474KSBR) Excellent like-new condition, 3 months warranty  BURANO  Versatile, lightweight, and compact full-frame 8K cinema camera with 16 stops of latitude, image stabilization for PL and E-mount lenses. Easily configurable for solo and team production.  A New Era in Cinematography  BURANO is a new concept in cinema cameras. It takes VENICE’s superior image quality and usability but re-imagines it for solo and small team productions. 33% lighter than VENICE 2, more power efficient and supporting CFexpress media – it’s not just our smallest full-frame CineAlta camera, in many ways it’s our most technically advanced. Expect uncompromising image quality wherever you are, whatever the size of your crew. Smarter Shooting  BURANO makes shooting highest quality 8K simpler than you can imagine. The world’s first PL mount compatible camera with a built-in stabilisation system*. A ground-breaking combination of our unique electronic variable ND filter system with in-body image stabilisation (IBIS) in a full-frame PL and E-mount cinema camera. For the first time in a full-frame CineAlta camera, Fast Hybrid and Subject Recognition AF with AI makes it easier to get the shots you want under the most demanding scenarios. With BURANO, you don’t need a studio or big crew to excel.* As of September 2023, based on Sony research for cinema cameras with standard equipped PL mount  Shoot The Way You Want  BURANO adapts to be the camera you want to be whatever the shoot. A multi-purpose touchscreen LCD monitor, with flexible mounting system and a versatile, robust handle, allow you to easily configure BURANO for different shooting styles. A lightweight, compact chassis and ergonomic balance make it easy to switch between shoulder-mount, handheld, gimbal or drone operation. BURANO can be configured for large and small projects, solo or with an entire crew. It’s all your choice.

Sony HVR-Z7E Digital Camcorder - 3.2"LCD Screen - 1/3" CMOS - DV, Used

Sony HVR-Z7E Digital Camcorder - 3.2"LCD Screen - 1/3" CMOS - DV, Used(FMP61457KSSH) Excellent condition, 3 months warranty HVR-Z7E is the world's first HDV handheld camcorder with an interchangeable lens system, native progressive recording, and solid-state memory recording. A variety of video lenses can be attached to the HVR-Z7E, which is equipped with a universal standard 1/3-inch bayonet mount mechanism for the quick changing of lenses. Added to this a streamlined nonlinear editing workflow can be achieved using the supplied memory-recording unit, which provides HDV/DVCAM/DV file recording on a standard CompactFlash® solid-state memory card. This offers customers varying levels of flexibility and hybrid operation which is becoming an important requirement in video production. The HVR-Z7E also features 25p HDV native progressive recording mode and HDMI output. This new handheld Camcorder further enhances the operational versatility of the Sony professional HDV lineup, and opens up a world of possibilities for high-definition digital video production. Whether it's for documentaries, general TV production, low-budget movies, music videos, IPTV, education, or a wide range of corporate and event videography applications, Sony's new HVR-Z7E is ideal. NEW Interchangeable Lens System This camcorder is fitted with a new 1/3inch interchangeable lens system allowing customers either to use the supplied Carl Zeiss lens or use a whole range of other lenses available on the market. This is the first compact camcorder to offer interchangeable lens options. Flexible usage - the camera can be used for a myriad of different applications using different lenses, from TV work, through to budget movie making and with the use of still's lenses, wildlife videography. Various optional lens adaptor rings will allow conversion to 1/2inch or 2/3inch, plus an additional lens adaptor for Sony Alpha lenses. The supplied lens features professional operation with a new manual focus ring and zoom and iris rings. NEW 1/3inch ClearVid CMOS Processor Newly developed 1/3inch x 3 ClearVid CMOS processor offers high resolution, high sensitivity, wide dynamic range and excellent colour reproduction. Offers greater resolution than existing pixel-shift technologies regardless of the balance between colour elements. Offers great low-light capabilities especially important for camera operators who cannot control their ambient lighting., e.g. wedding videographers. Lower power consumption than traditional CCD's. 'Exmor' technology employed in the the new CMOS processor reduces noise in the A/D process. NEW Selectable 25p Progressive Modes The HVR-Z7E offers the ability to choose between a 25p scanning mode (sames as HVR-V1E) but also a 25p 'native' recording mode. In this native recording mode the picture is both scanned and recorded as a progressive image. Further improves the progressive reproduction by both scanning and recording progressively. Provides further flexibility of use. e.g. The camera can be used for a variety of applications from budget-movie making in 25p mode to standard interlace TV productions. Offers camera operators the use of the progressive 'filmic look', coupled with gamma curve correction makes the camera ideal for movie production. Switchable Recording and Playback- HDV1080i/DVCAM/DV The HVR-Z7e can switch between HDV1080i, DVCAM, and DV recording, providing full flexibility to record in either standard definition or high definition depending on your production needs Built-in Down-converter for SD Production The HVR-Z7e can convert material from 1080i down to 576i, and output the video signals through its i.LINK interface and other SD output connectors. This allows users to edit recorded material with a compatible nonlinear editing system using current DV editing software, as well as record SD signals to an external VTR. 1/3-inch type 3 ClearVid CMOS Sensor System The newly developed 1/3-inch type 3 ClearVid CMOS Sensor™ system has 45-degree rotated pixels on each chip in order to increase the signal density, while each pixel maintains sufficient surface area. In combination with Enhanced Imaging Processor™ (EIP), the 3 ClearVid CMOS Sensor system achieves high resolution, high sensitivity, wide dynamic range, and excellent colour reproduction. The pixel shift interpolation technique has been traditionally used in low-end 3CCD camcorders. However, it normally requires the combination of all three colour element (RGB) signals to maximize resolution. If an object lacks one or more colour elements, the resolution of the object may be degraded. The 3 ClearVid CMOS Sensor system is different. It can always produce maximum resolution, regardless of the balance between colour elements, thanks to its unique and sophisticated interpolation technology. Enhanced Functionality via the Technology of "Exmor The HVR-Z7offers cutting-edge features, such as the technology of "Exmor™" developed by Sony, which utilizes the full potential of the 3 ClearVid CMOS Sensor system. The technology of "Exmor", which features the column-parallel A/D conversion technique, is also used in the PMW-EX1 XDCAM EX camcorder and ?(Alpha)Digital SLR (Single Lens-Reflex) camera from Sony. Multiple A/D (analog to digital) converters on each pixel row convert analog signals to digital as soon as they are generated, unlike traditional technology that only has one A/D converter on each chip. The technology of "Exmor" can eliminate the influence of external noise that enters the signal chain during transfer to the A/D converter, resulting in high-quality digital signals with extremely low noise. This significantly enhances shooting in low-light environments. By adopting this groundbreaking technology, the new 1/3-inch 3 ClearVid CMOS Sensor system enables the HVR-Z7to achieve a low light sensitivity of just 1.5 lux. This will be of extreme importance to customers who shoot in lighting conditions that they can't control, e.g. wedding videographers. Wide Range of Lenses The flexible bayonet lens attachment system allows you to use a wide range of lenses. Standard 1/3-inch HD video lenses, from manufacturers such as Fujinon and Canon, can be attached directly to the HVR-Z7E. If you'd like to attach a 2/3-inch or 1/2-inch HD video lens on to the HVR-Z7E, it is possible to do so by adding a standard lens adaptor from the lens manufacturer. The HVR-Z7camcorder has 12-pin lens connectors allowing compatibility with professional ENG lenses. This feature is very useful not only for those who already have these professional HD video lenses, but also for those who prefer to use HD digital cinema lenses for their unique contrast, colour, and atmosphere. Carl Zeiss Lens for HD Video as Standard A high-quality, multi-purpose Carl Zeiss lens for HD video comes as standard with the HVR-S270E and HVR-Z7E. Stunning resolution and contrast is achieved thanks to the Carl Zeiss Vario-Sonnar™ T* coating, which suppresses unwanted reflections. A specially designed wide-angle lens is also available as an option, to suit a diverse range of shooting requirements. Alpha Lens Compatibility With a special adaptor from Sony, it is also possible to use the Alpha lens series designed for Sony Digital SLR still cameras. By using Alpha lenses in various configurations, creative effects can be achieved. This approach is ideal for filmmakers on a budget or those who already own Alpha lenses. 25p HDV Native Progressive Recording Modes The HVR-Z7newly features 25p HDV native progressive recording modes. The 3 ClearVid CMOS Sensor system and EIP create true 1080p images, which can then be recorded as progressive signals by the HVR-Z7in HDV format. The progressive HDV stream can be output from an i.LINK connector and used for progressive editing with compatible NLE software. Native progressive recording modes are suitable for output to film, CG composition, viewing on a progressive monitor, or as an Internet movie. Note: interlaced video is output from connectors other than i.LINK 25p Progressive Scan Modes In these modes, the 1080p image captured by the 3 ClearVid CMOS Sensor system is also recorded as an interlaced signal by dividing each frame into two fields. This enables compatibility with current editing and monitoring equipment that only accept interlace signals, while maintaining the quality of the 1080p image. Progressive scan modes are suitable for feature films, documentaries, and music videos, which have to be recorded as interlaced video for viewing on interlaced monitors, but want to offer a "progressive look" to their motion. A streamlined nonlinear editing workflow for HDV HDV signals can be recorded as a file on non-tape media. For example, when using the supplied CompactFlash (CF) solid-state memory recording unit - images can be stored on a standard CF card for quick nonlinear editing. The optional HVR-DR60 Hard Disk Recording Unit can be used in the same manner, with images being recorded on to its large-capacity 60GB hard drive, which provides 4.5 hours of recording time. BENEFITS : NEW Interchangeable Lens System This camcorder is fitted with a new 1/3inch interchangeable lens system allowing customers either to use the supplied Carl Zeiss lens or use a whole range of other lenses available on the market.  This is the first compact camcorder to offer interchangeable lens options.  Flexible usage - the camera can be used for a myriad of different applications using different lenses, from TV work, through to budget movie making and with the use of still's lenses, wildlife videography.  Various optional lens adaptor rings will allow conversion to 1/2inch or 2/3inch, plus an additional lens adaptor for Sony Alpha lenses.  The supplied lens features professional operation with a new manual focus ring and zoom and iris rings.   NEW 1/3inch ClearVid CMOS Processor Newly developed 1/3inch x 3 ClearVid CMOS processor offers high resolution, high sensitivity, wide dynamic range and excellent colour reproduction.  Offers greater resolution than existing pixel-shift technologies regardless of the balance between colour elements.  Offers great low-light capabilities especially important for camera operators who cannot control their ambient lighting., e.g. wedding videographers.  Lower power consumption than traditional CCD's.  'Exmor' technology employed in the the new CMOS processor reduces noise in the A/D process.   NEW Selectable 25p Progressive Modes The HVR-Z7offers the ability to choose between a 25p scanning mode (sames as HVR-V1E) but also a 25p 'native' recording mode. In this native recording mode the picture is both scanned and recorded as a progressive image.  Further improves the progressive reproduction by both scanning and recording progressively.  Provides further flexibility of use. e.g. The camera can be used for a variety of applications from budget-movie making in 25p mode to standard interlace TV productions.   Offers camera operators the use of the progressive 'filmic look', coupled with gamma curve correction makes the camera ideal for movie production. 

SONY PXW-X500 XDCAM, 282hrs, used

SONY PXW-X500 XDCAM, 282hrs, used(FMP60869LPBR) Good condition, 3 Months warranty   Sony PXW-X500//U (PX-WX-500//U, PXWX500//U, PXW/X500//U, pxw-x500//u) B4 mount Professional XDCAM Camcorder Sporting an ENG form factor and supporting a wide variety of HD and SD formats, the Sony PXW-X500 XAVC 60P 2/3" Camcorder Body features a 2/3" 3CCD sensor block and can capture full HD at up to 120 fps. This item is only the camcorder body only and does not include a lens, viewfinder, mic, or wireless receiver. It is ideal for owners who want to upgrade to a new camcorder body while retaining the other elements of their camera package, such as lens, viewfinder, and mic.   The camcorder supports XAVC, MPEG2, and MPEG4 codecs, recording to SxS or SD media cards. It features 3G-SDI, HDMI, and Composite video outputs, allowing you to incorporate the camcorder into most production pathways, and the camera's built-in wireless slot accepts your compatible wireless receiver. Built into the side of the camcorder is a flip-out LCD viewscreen that displays battery capacity, media capacity, audio levels, and you can check camera playback on the camera. The camera incorporates a variety of professional features including Sony's slow and quick motion, picture cache recording, built-in GPS, a digital extender, and HyperGamma.   Sensor   The PXW-X500 features three 2/3" Power HAD FX IT CCDs that make up its sensor block. Auto Lens Aberration Compensation Expanded ALAC provides improved lateral chromatic aberration correction. Exposure   Featuring two integrated filter wheels for exposure and image control, the ND wheel holds four optical filters, a clear, an ND 1/4, ND 1/16, and an ND 1/64. The second wheel controls electronic CC filters allowing you to adjust the camera's white balance by spinning the wheel, as if it used optical filters. Electronic CC filter settings include 3200K, 4300K, 5600K, and 6300K. Gamma Control   The camera includes Standard Gamma, as well as four different HyperGamma settings and a user selectable setting. Slow Shutter Mode   The camera features a slow shutter mode, allowing you to accumulate frames to increase exposure. You can accumulate frames in groups of 2, 3, 4, 5, 6, 7, 8, and 16 frames. Worldwide Camera   The camera is capable of recording signals compatible with NTSC and PAL broadcast systems, so you can shoot and playback your footage in virtually any country. Specialty Recording   You can access a variety of special recording modes:   Sony's Slow & Quick Motion, for off speed recording. Interval record, for a timelapse like effect. The Pool feed input allows you record a signal input via a BNC cable, which is useful in press conference type situations when there is one feed.  Media Card Slots   Dual SxS card slots allow simultaneous or relay recording, providing the same codec is being used. On Board LCD Panel   It features a color LCD panel with 960 x 540 resolution that displays video, thumbnails, menu characters, audio level, and timecode display. GPS   A GPS unit is integrated into the camera's handle, and the GPS information can be encoded into your HD footage.

Sony Burano Camera, 3 hours, Like-New

Sony Burano Camera, 3 hours, Like-New(FMP60865KSBR) Excellent / Like-New Condition – Fully Tested, 3 months warranty Note: This camera comes with Sony's updated IR Cut Filter for improved colour reproduction under strong lighting conditions.   Please note that the competitive price of this Sony BURANO should not be taken as an indication of its condition. This camera is in excellent, like-new condition and has been fully tested and is working correctly. We have priced this unit very competitively to achieve a quick sale, rather than because of any known fault or issue with the camera. The camera is also fitted with Sony's updated IR Cut Filter, designed to improve colour reproduction under strong lighting conditions. This represents an excellent opportunity to purchase a Sony BURANO in exceptional condition at a substantial saving compared with a new unit.     BURANO is a professional camera with a full-frame 8.6K sensor, providing high-quality images and a rich color gamut. It has multiple image scan modes, including full-frame and Super35, and offers a wide latitude of 16 stops for capturing beautiful, low-noise images in any lighting condition. BURANO also features Sonys signature S-Gamut/S-Gamut.Cine wide color space, Dual Base ISO sensitivity, and internal recording of X-OCN LT and XAVC H formats. It offers four new in-camera looks and is compatible with PL and E-mount lenses.   The cameras sensor can achieve 8K image quality with a maximum resolution of 8632 x 4856 and offers various image scan modes for different production requirements. With a wide dynamic range and color accuracy, BURANO allows for maximum flexibility in color grading. It also offers the option to switch between PL and E-mount lenses, making it a versatile choice for professional cinematographers.  

Sony PMW-500 XDCAM full HD camcorder w HDVF 20A Viewfinder, used

Sony PMW-500 XDCAM full HD camcorder w HDVF 20A Viewfinder, used(FMP60801KSBR) 3 months warranty, good condition The first compact camcorder with solid state recording perfect for various shooting situations! Three 2/3-inch Power HAD FX CCD sensors XDCAM HD422 camcorder recording full HD (plus SD option) The PMW-500 is Sony Professional's first XDCAM HD422 Camcorder with solid state recording. It supports full-HD 422 50-Mbps MXF record and playback based on highly developed MPEG-2 Long GOP compression technology. Equipped with three 2/3-inch type 2.2-megapixel full-HD progressive CCDs - the same sensors as used in Sony's acclaimed PDW-F800/700 XDCAM Professional Disc HD 422 camcorders. It offers a high sensitivity of F12 at 50i (F11 at 59.94i) SxS Memory Cards Combine High Transfer Speeds and High Reliability Both SxS PRO™ and SxS-1™ memory cards use the PCI Express interface to achieve an extremely high data-transfer speed of 800 Mbps, and can resist considerable shock (1500 G) and vibration (15 G). Also, a unique Salvage function serves to restore content damaged by power loss or memory disconnection during recording. HD 1920x1080 and 1280x720 Recording Using the MPEG HD 422 Codec The PMW 500 records and plays back high-definition video with 1920x1080 and 1280x720 resolutions up to 50 Mbps using MPEG-2 4:2:2P HL compression technology. 24-bit Four-channel Audio Recording The PMW500 records uncompressed four-channel, 24-bit audio in MPEG HD 422 mode or MPEG IMX mode. Each channel level can be adjusted independently by individual level controllers. Selectable Recording Modes and Video Formats In addition to high-quality MPEG HD 422 50-Mbps mode, the PMW-500 can record and play back videos at different bit rates and in a variety of video formats. The PMW-500 supports both the broadcast-standard MXF file wrapper and IT-standard MP4 file wrapper. Long Recording Time With highly efficient MPEG-2 Long GOP compression and a large-capacity SxS memory card, the PMW/500 can record high-quality HD 422 50-Mbps images for a long recording time of 110 minutes on a single 64-GB SxS memory card. The SxS memory card can be hot-swapped with two cards while shooting, without interrupting the recording. Well-balanced Compact Body Designed to be very compact and ergonomically well balanced, the PMW-500 provides a high level of mobility and comfort in various shooting situations. It inherits the design of Sony's well regarded PMW-350/320 XDCAM EX™ camcorders. The main body weighs only 3.4 kg Low power consumption The power consumption of the PMW-500 is only 29W Digital Extender With optional CBK-HD02 boards, the Digital Extender function of the PMW-500 enables images to be digitally doubled in size. Focus Magnification A magnified camera picture (x2) is available in the viewfinder, simplifying precise focus adjustment. Auto Focus Assist Function The Auto Focus Assist function enables operators to change focus positions manually using the focus ring in AF mode. Slow and Quick Motion Function The PMW-500 offers a powerful Slow and Quick Motion function that enables users to create elegant fast- and slow-motion footage. The PMW-500 can capture images at frame rates selectable from 1 fps (frame per second) to 60 fps in 720p mode and from 1 fps to 30 fps in 1080p mode, in increments of 1 fps. (With the PAL setting in UDF (MXF) mode, frame rates are selectable up to 50 fps in 720p mode and up to 25 fps in 1080p mode.) Slow Shutter A maximum of 64 frames can be accumulated using the Slow Shutter function. HyperGamma Four types of HyperGamma curve – inherited from Sony's CineAlta camcorders – are provided in addition to six standard gammas. Interval Recording Function The Interval Recording function intermittently records one frame at pre-determined intervals. This is convenient for shooting over long periods of time, and also when creating special effects with extremely rapid motion. Frame Recording Function The Frame Recording function records images for pre-determined frames every time the Record button is pressed. This is particularly useful for clay animation shooting. Optical ND Filters and Electrical CC Filters The PMW-500 camcorder comes equipped with optical ND filters and electrical CC filters. With electrical CC filters, users can easily select a colour temperature -3200K, 4300K, 5600K, or 6300K - by rotation using a camcorder-assignable switch. Gain Control Gain Control(-6 dB to +42 dB) and Turbo Gain ("Shockless gain control") provide smooth transition in gain control. Easy-to-view 3.5-inch Colour LCD Monitor The PMW-500 is equipped with a large, easy-to-view, 3.5-inch colour LCD monitor with a high resolution of approx. 921,000 effective pixels. Why not check out our full range of camcorders by visiting our Camcorders Category or shop more items from the Sony range.  

SONY BURANO 8.6K Full-Frame Cinema Camera, 33 Hours, used

SONY BURANO 8.6K Full-Frame Cinema Camera, 33 Hours, used(FMP60793LPBR) Good condition, 3 months warranty BURANO is a professional camera with a full-frame 8.6K sensor, providing high-quality images and a rich color gamut. It has multiple image scan modes, including full-frame and Super35, and offers a wide latitude of 16 stops for capturing beautiful, low-noise images in any lighting condition. BURANO also features Sonys signature S-Gamut/S-Gamut.Cine wide color space, Dual Base ISO sensitivity, and internal recording of X-OCN LT and XAVC H formats. It offers four new in-camera looks and is compatible with PL and E-mount lenses.   The cameras sensor can achieve 8K image quality with a maximum resolution of 8632 x 4856 and offers various image scan modes for different production requirements. With a wide dynamic range and color accuracy, BURANO allows for maximum flexibility in color grading. It also offers the option to switch between PL and E-mount lenses, making it a versatile choice for professional cinematographers.

Sony PMW 500 XDCAM Camcorder with HDVF20A viewfinder, used

Sony PMW 500 XDCAM Camcorder with HDVF20A viewfinder, used(FMP60790RHSH) 3 month warranty, Excellent condition Note - 829 hours used  The PMW-500 is Sony Professional’s first XDCAM HD422 Camcorder with solid state recording. It supports full-HD 422 50-Mbps MXF record and playback based on highly developed MPEG-2 Long GOP compression technology. Uniquely, it can also be switched to record in HD 420 35-Mbps MP4 format which makes for seamless integration when used alongside XDCAM EX models.  Its 2/3-inch type three Power HAD FX CCD sensors deliver the same outstanding picture quality and low-light performance as the acclaimed PDW-700, however it records onto Solid State SxS media rather than optical Professional Disc. The exceptionally ergonomic chassis is a development of the acclaimed PDW-700/F800, while already class-leading power consumption is further reduced along with weight for superb on-location usability.   Sony’s XDCAM product range sets the benchmark for high speed, exceptionally flexible, file-based workflow. XDCAM Professional Disc products were first introduced in 2004, followed by high-speed memory-based XDCAM EX in 2007. A common technology platform provides a unique hybrid workflow meeting a broad variety of customer application needs.

Sony a7S MK III w/ FE 24-105 mm F4 G OSS Lens, used

Sony a7S MK III w/ FE 24-105 mm F4 G OSS Lens, used(FMP60788JPBR) 3 Month Warranty, Good condition  Description. The Sony a7S III is a full-frame mirrorless still and video camera featuring a new 12.1 MP back-illuminated Exmor R sensor and BIONZ XR image processor for incredible image quality and speed. Film makers can shoot pro quality footage at up to 4K/120p or 4K/60p without crop with fast and precise autofocus.  Excellent optical performance and a high zoom ratio are packed into a compact, lightweight only 663 grams (23.4 oz.). The compact lightweight design extend to E-mount bodies for outstanding system mobility and handling ease. This one high-performance lens lets you shoot a wide range of subjects and situations.  

Sony PXW FX9 6k Full Frame XDCAM Camcorder, 890hrs, used

Sony PXW FX9 6k Full Frame XDCAM Camcorder, 890hrs, used(FMP60700RPBR) 3 months warranty,  Good Condition Combined Sony’s technology in Digital cinema camera Venice, FS series and a (Alpha) ILC cameras. Sony’s full-frame 6K sensor camera with Fast Hybrid AF, dual base ISO and cinematic colour science and S-Cinetone. The Sony PXW-FX9 is the long awaited successor to the legendary PXW-FS7 is here and it brings some fantastic upgrades with it. The FX9 has a Full Frame 6K dual native ISO sensor, VENICE colour science, upgraded auto-focus capabilities, built in genlock and timecode and much more.  The FX9 features a full frame 6K 35.7 by 18.8mm back-illuminated Exmor-R CMOS sensor. This sensor is stated to have 15 plus stops of dynamic range and has a resolution of 6008 x 3168.  You will be able to shoot QFHD full frame up to 30fps, 1080p full frame at up to 120 fps and QFHD S35 up to 60fps and 1080p S35 at up to 120fps. The planned firmware updates will bring Full frame DCI 4K up to 60p, Full HD full frame up to 180fps and QFHD in Super 35 mode at up to 120fps while using an external recorder. You can also customise the autofocus, tweaking things like the AF transition between slow, for stuff like promo videos where you want slow smooth focus movements to fast which will be great for sports. You can also change the AF subject shift sensitivity which defines how easily the focus is switched to another subject. This goes from locked if you are wanting to do a walk and talk for example to responsive which you may need to keep better general focus. You can record up to four channels of audio with a range of different input options, The FX9 has an internal scratch mic, two XLR’s, you can use a dual channel receiver with the MI shoe on the handle or you can now use the DWX series of drop in receivers and transmitters with the new XDCA -FX9 back module. The FX9 does not feature SLOG2 only SLOG3 with S-Gamut3 & S-Gamut3. Cine, this is because the SLOG2 gamma curve is designed for 8-bit whereas all of the codecs on this camera are 10-bit. They have also added an S-Cinetone colour profile which is aimed to bring the colour science from the VENICE to the FX9. Realise beautiful 4K imagery with the creative freedom made possible by oversampling a huge high resolution full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh with a truly cinematic look. 15+ stops of dynamic range and Dual Base ISO enable capture of every nuance, from subtle shadow detail to specular highlights and with an immaculate colour palette. Capturing the Impossible Make sure your story’s always clear with enhanced Fast Hybrid AF that tracks your subject with unprecedented speed, smoothness and precision. Its impact is transformative for premium documentary, commercials and event applications. Shoot in Comfort, Expand your Horizons FX9 revolutionises full-frame cinematography with peerless ergonomics and advanced technology for on-the-go shooting. The world’s first full-frame electronic variable ND filter* transforms possibilities for shooting in variable lighting conditions. Built-in Wi-Fi and 12G-SDI support advanced workflows while the optional XDCA-FX9 extension kit further expands the operational possibilities of the PXW-FX9. 6K Full-Frame “Exmor R” Sensor for Stunning Picture Quality The camera’s full-frame 6K sensor provides superb recording in DCI 4K*, Ultra HD and HD resolutions. Powerful image processing with debayering and oversampling ensures image quality beyond the limits of conventional Super 35mm sensors. The back-illuminated CMOS image sensor also uses Sony’s Exmor R technology for improved sensitivity and noise reduction. Compared to a 4K Super 35mm sensor, the FX9’s 6K sensor has over twice the surface area while providing a wider angle of view and shallower depth of field. DCI 4K (4096 x 2160 at 17:9 recording) will be available with future firmware release. Phenomenal 15+ Stops Dynamic Range for Limitless Expression FX9 offers an exceptional 15+ stops of dynamic range – beyond the normal range of human perception – allowing for unprecedented creative freedom in colour grading and post. Camera operators can concentrate on framing the scene they want while relying upon the FX9 to capture every nuance and detail using either 4K 4:2:2 10-bit internal recording or 16-bit RAW external recording.* In grading, colourists can find colour and detail beyond the normal viewing abilities of the camera operator to create a final image that exactly portrays the mood of the scene. RAW recording requires future firmware release and external recorder. Dual Baso ISO for stunning images in any light FX9 features a base sensitivity of ISO 800, providing the optimal dynamic range for typical documentary applications such as shooting outside or in brightly lit interiors. A secondary High Base sensitivity of ISO 4000 excels in low light conditions such as early morning and evening shoots while maintaining superb image quality. ISO 4000 is also ideal whenever you’re using slow lenses. Combining Dual Base ISO with the camera’s electronic variable ND Filter provides superb creative control in almost any shooting environment, with truly next generation responsiveness to changing conditions. ISO 800 and ISO 4000 are used in S-Log3, Cine EI mode. Cinematic Colour Science with S-Cinetone  S-Cinetone is the default look of FX9 that’s tuned to meet the requirements of today’s content creators with rich mid-range colours, alluring facial tones and a softer tonal look – developed with the same expertise as Sony’s world-leading VENICE digital cinematography camera. S-Cinetone means that straight out of the camera your content looks fresh and vivid, with subjects that really stand out while retaining plenty of latitude in post production thanks to the high performance full-frame image sensor. The advanced default looks delivers alluring facial tones and a softer tonal look.  Selectable Frame Rates in Both Full-Frame & Super 35  Choose your desired frame-rate from 1fps up to 180fps* for impressive quick and slow-motion footage. FX9 creates an immersive image with a wide angle look and shallower depth of field provided by its full-frame sensor in combination with quick and slow-motion. Engage your audience with this new creative look. FX9 also offers a Quality priority setting* that maximises full HD slow motion image quality with advanced oversampling technology. Up to 120fps with Ver1.0. Full-HD 180fps will be supported with future firmware In Full-frame scanning mode: selectable at 1-30fps / In S35 scanning mode: selectable at 1-60fps  Supported in future firmware update Supported in future firmware update. RAW output only Supported in the future firmware update. Scanning area is cropped around 83% of full-frame and 122% larger than S35. (diagonal) Catch the Action with Enhanced Fast Hybrid AF Effortlessly track fast moving subjects with pin-sharp focus, even when using wide lens aperture settings to maintain a shallow depth of field with the camera’s full-frame sensor. Developed by Sony’s α camera engineers, enhanced Fast Hybrid AF combines phase detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. In addition, Face Detection intelligently recognises and locks on to human faces. The dedicated 561-point phase detection AF sensor covers approximately 94% of the whole image area width and 96% of height, allowing consistently accurate, responsive AF tracking, even with fast-moving subjects. Customisable AF Settings FX9’s comprehensive autofocus settings provide the creative flexibility to integrate with any project. Customisable AF settings can be used for a wide range of situations, depending on your requirements.  7-level AF transition speeds from Fast – switching between subjects as quickly as possible – to Slow, where speed is reduced to fit a more measured shooting style, such as a historical TV drama. 5-level AF subject shift sensitivity ranges from Locked-on – ignoring other moving subjects in the frame – to Responsive that switches focus from one subject to another – ideal for snapping between race cars as they speed by. AF Assist You can control MF ring during AF shooting if AF Assist is set to ON. You can adjust the focus manually even in AF shooting, you can manually operate the ring to focus the person behind. One Push AF While you are shooting in MF, pushing One Push AF button enables you to change to the focus mode to AF. Autofocus with all E-Mount Lenses Experience smooth, responsive autofocus with every E-mount lens, including Sony’s new Cinema Lens Series with premium optical performance and operability for demanding cinematography applications. Advanced E-mount lever lock operation allows quick, easy lens exchange in the field, plus added stability and security with large lenses. World’s First Electronic Variable ND Filter for Full-Frame Sensor Realise even greater creative control with Sony’s unique built-in electronic variable neutral density (ND) filter – a world first* for professional full-frame camcorders. Set to Auto, or adjust filter density manually in smooth increments from 1/4 to 1/128 as you shoot, for perfectly exposed images without affecting depth of field as lighting conditions change. Use higher density settings with a slower shutter speed for breath taking artistic effects. The built-in variable ND filter, with no need to prepare multiple ND filters separately can be flexibly and immediately used for every exposure change situation; when you move from inside to outside, and when you shoot under the natural light condition where exposure changes moment by moment. Proven Ergonomics & Accessories Compatibility FX9 chassis is the latest refinement of the revolutionary FS7 design, so you can be sure it will feel great to shoot with from almost any position, while also offering compatibility with a large proportion of the countless FS7 accessories including U-Series batteries, chargers, E-Mount lenses, plus third-party rigs, arms and lens adapters.* The control arm is easily adjusted without tools, so FX9 adapts effortlessly to your physique and preferred shooting style – handheld, at waist level or shoulder mounted. The smart grip features an updated design, more compact than before while still holding all the key shooting controls, allowing you to concentrate on the scene without distractions. FX9 also introduces a micro USB interface for improved responsiveness and support for a wrist strap. 16-bit RAW Capability 16-bit RAW offers a phenomenal increase in post-production creative freedom to fully exploit FX9’s exceptional 15+ stops of dynamic range. FX9 supports export of 16-bit RAW at either 4K or 2K resolution using the optional XDCA-FX9 extension unit with a single BNC cable connection to compatible external RAW recorders.** RAW output will be enabled with a future firmware release. Limited to 10-bit recording during 120fps high frame rate shooting within Super35 image circle Stable, Shake-Free Handheld Footage Advanced image stabilisation information means even handheld footage can be transformed with Sony Catalyst Browse/Catalyst Prepare software* in post-production to look as smooth as if it were shot with a gimbal.Unlike in-camera or lens stabilisation, meta data generated by FX9’s built-in gyro allows you to creatively choose the balance between the level of shake-compensation and the resolution of trimmed 4K imagery. This feature is also compatible with any E-mount lens and allows for far faster processing than conventional NLE stabilisation workflows**. Catalyst Browse/Catalyst Prepare Ver.2019.2 is required. Resolution and angle of view reduced compared to native footage. LCD  Approx 1.8x higher resolution than the FS7M, with enhanced LCD with HD resolution has superb accuracy, high contrast and resolution, bringing higher visibility for focusing.  Beautifully Matched Shooting Partners  Optimised for professional cinematography applications, the light, compact, SELP28135G powered zoom lens is an ideal complement for the full frame imaging possibilities of the FX9.  Circular aperture with full-frame image circle format  Motorised servo zoom for smooth, precise zoom moves  Independent three rings for focus, zoom and iris with smooth, silent drive  You have the choice of purchasing the FX9 on its own (PXW-FX9) or with SELP28135G lens (PXW-FX9K).  Cinema Lens Series  Explore new artistic possibilities and precise creative control with Sony’s Cinema Lens Series. Purpose-built for documentary production and digital cinematography with full-frame cameras such as the FX9 and VENICE.  The first lens in the series, the FE C 16-35mm T3.1 G full-frame wide angle zoom, is due in early 2020.  Adds Shoulder-Style Operation, Advanced Networking  Further extend the capabilities of the FX9 with the optional XDCA-FX9 extension unit that optimises camera weight distribution and ergonomics for comfortable shoulder-style shooting – ideal for ENG (Electronic News Gathering) and documentary applications. The extension unit also adds advanced networking for streaming/file transfers and Genlock/Timecode for multi-camera shoots.  4-Channel Audio Input and Recording   FX9 offers superb audio capabilities with independent control dials for each channel. In applications such as interview, 4-channel audio recording enables simultaneous use of an external microphone for recording ambient sounds, the built-in microphone for voice memos by the operator, and two optional UWP Series wireless microphones for voice of interviewer and interviewee. In addition, using the optional XLR-K3M, XLR-K2M or XLR-K1M XLR adapter – with two extra XLR inputs – allows even more devices to be connected.   

SONY PXW-x400 Camcorder w/ EL-20 VF, 5000 Hours, used

SONY PXW-x400 Camcorder w/ EL-20 VF, 5000 Hours, used(FMP60647RJSH) Note : Pictures are for illustrative purposes only. Good Condition, 3 Months warranty  The PXW-X400 is an advanced shoulder camcorder that records a variety of professional broadcast quality formats including XAVC-L at 50p and 59.94p. The camcorder offers exceptional weight balance and low power consumption alongside excellent networking features and high picture quality. The reengineered design dramatically reduces the load on the operator’s right-arm. It supports Sony viewfinders including the QHD LCD CBK-VF02 and optionally available Full HD OLED HDVF-EL30 and HDVF-EL20. The camcorder also offers improved network connectivity, with built-in wireless module, embedded RJ-45 Ethernet 100B-T connector and Near Field Communication (NFC) function** for easy Wi-Fi setup and operation via a mobile or tablet with Sony’s Content Browser Mobile™ application. SD or HD-SDI (up to 1.5G) input supports pool feed recording.   High quality XAVC Long GOP recordings at 50p and 59.94p operations   The PXW-X400 supports a variety of codecs from SD to HD, including MPEG HD 422 50 Mbps in MXF (Material eXchange Format), which is widely accepted by major broadcasters worldwide, and XAVC Intra frame and XAVC Long GOP codecs. XAVC technology is based on the MPEG-4 AVC/H.264 standard, which provides an exceptional performance compression technology. XAVC provides higher picture quality and bit-depth, thus offers extended grading possibilities.   High sensitivity image making   The camcorder’s three 2/3-inch type Exmor CMOS sensors provide superb image quality with sensitivity of F12/F13 and a signal to noise ratio of 62dB. The camcorder’s digital extender offers x2, x3 or x4 operation.   Improved ergonomic design for best-in-class weight-balance   The camcorder has been redesigned to improve the weight and handling capabilities compared to predecessor models. The lighter lens grip resolves any front-heavy issues and dramatically reduces the load on the right-arm. This makes it easier to shoot for long periods and offers more stable images.   Supports Full HD OLED viewfinders*   Embedded RJ-45 connector   An embedded RJ-45 Ethernet 100B-T connector on the right side of the camcorder provides a robust and fast network connection that can be utilised for file transfer, live streaming and camera control from a web browser.   Near Field Communication* (NFC) function   A Near Field Communication (NFC) function allows easy, one-touch wireless LAN connection to a smartphone or tablet device without manual setting of the network parameters.   NFC allows close-range wireless communication between the PXW-X400 and an NFC-equipped smartphone or tablet device. This function will be available in June2016.   Built-in wireless module with Content Browser Mobile™   The camcorder’s built-in wireless module gives you more mobility with no cable needed, enabling proxy recording and file transfer or live streaming. In file transfer mode, high-resolution files and XAVC Proxy files can be transferred over wireless connection to cloud or FTP server thanks to Content Browser Mobile* (CBM) application. In “Push” mode, the CBM application enables users to monitor the currently shot video and to wirelessly control camcorder settings such as focus, zoom, iris, white balance, REC START/STOP, and more. With Content Browser Mobile V2.0 proxy trim, proxy partial clip upload, and logging are available. “In streaming” mode, high quality live streaming is provided by the advanced Sony QoS technology embedded in the camcorder and in the PWS-100RX1 network RX station .Non QoS live streaming is also possible with a third-party receiver or VLC player.   The CBM application can be downloaded from the Google Play Store or App Store.   Dedicated ONLINE button for easy network connection   A dedicated button gives simple on-off control of Network Client Mode, Auto Upload (Proxy) and Live Streaming.   Pool feed (SDI input)   An SD or HD-SDI (up to 1.5G) signal can be recorded by the camcorder, a useful function to record an external feed from another camera.   Lower power consumption   By optimising the design of the hardware, the lightweight PXW-X400 has a low power consumption of 22W (when the wireless function if off, without lens and viewfinder). This enables continuous recording operation for approximately 240 minutes with Sony’s BP-GL95A optional standard-type battery.   Simultaneous Recording on two SxS cards   The PXW-X400 offers a simultaneous recording function for peace-of-mind production. Recording is available on two SxS cards simultaneously as a backup measure within the same codec and operating point* when using the following recording formats; XAVC-Intra, XAVC-Long, MPEG HD422, or MPEG HD420.   Simultaneous recording with proxy file is supported in all combinations with the above formats an SD card.   Flexible camera system operation   The CA-FB70 Optical Fiber Camera Adaptor or the CA-TX70 Digital Triax Camera Adaptor can be attached to the PXW-X400 for live camera operation. The CA-FB70 enables the PXW-X400 to transmit signals via an optical fibre cable up to 250 m between the CA-FB70 and HXCU-FB70 Optical Fibre Camera Control Unit (CCU) with power and signal transmission. The CA-TX70 transmits signals via triax cable up to 600 m* between the CA-TX70 and HXCU-TX70 Digital Triax Camera Control Unit.  

Sony PDW-510 XDCAM Camcorder, 495 Hours, used

Sony PDW-510 XDCAM Camcorder, 495 Hours, used(FMP60636LPBR) Good Condition, 3 Months Warranty  The Sony PDW-510 XDCAM Camcorder provides the durability and reliability professionals have become accustomed to with their full line of ENG camcorders. The PDW-510 provides excellent image quality, using the same imaging technology as the highly regarded MSW-900. The XDCAM takes recording to the next level, utilizing non-linear optical Blue Laser technology. Less time logging, capturing and digitizing footage allows videographers to move seamlessly between acquisition and post-production. This increase in efficiency will result in shorter production times leading to higher profitability.   Blue Laser Optical Drive Technology The XDCAM series is anchored by blue laser disc, which allows for storage capabilities large enough to record professional quality video. Optical discs gives operators more control of the footage they acquire. This can be useful in instances such as news gathering, where footage often goes direct-to-broadcast. The hassle of rolling through tape is eliminated. Optical recording provides users with the advantages of non-linear work-flow combined the long record times that are necessary in the field. Advanced Video Chip Technology The camera uses advanced CCD technology. The Power HAD EX CCDs have specifications that approach the very highest quality FIT chips found in top-tier equipment such as those used in HDTV production. The camera has an amazing 65 dB signal to noise ratio and smear level of -140 dB. The dynamic range of the camera makes it possible to control critical details in both the very brightest and lowest lighted portions of a scene Progressive Recording The PDW-510 has the ability to record in progressive mode, which enhances image quality and can provide a more 'film-like' image. The camera can switch between standard (30 fps) and 24P modes. The 24P mode gives video the look and shutter of film, which is conventionally shot at 24 frames per second. Loop Recording Camera Operators often find themselves missing the first few seconds of action due to camera pre-roll. With the XDCAM this becomes a thing of the past! Simply set the camera to the Loop Recording mode and the camera will buffer 10 seconds of audio and video into the camera's memory. This capability can help prevent the loss of unexpected but important events occurring before the operator even has the chance to press the REC button. Thumbnail Scene Selection Blue Laser allows for quick and easy scene selection using Sony's attached LCD. Bringing up clips couldn't be any easier. Randomly access clips and review them seamlessly.  

SONY PMW-500 w/ HDVF-20A Black & White VF, 3162 Hours, used

SONY PMW-500 w/ HDVF-20A Black & White VF, 3162 Hours, used 3 Months Warranty, Good Condition The PMW-500 is the first compact camcorder with solid-state recording, making it ideal for a variety of shooting scenarios. Key Features: Three 2/3-inch Power HAD FX CCD Sensors: XDCAM HD422 camcorder capable of recording in full HD, with an optional SD format. Full-HD Recording: The PMW-500 supports 50-Mbps MXF record and playback using highly efficient MPEG-2 Long GOP compression. It’s equipped with three 2/3-inch type 2.2-megapixel full-HD progressive CCDs, the same sensors as Sony’s PDW-F800/700 XDCAM HD 422 camcorders. It boasts high sensitivity of F12 at 50i (F11 at 59.94i). SxS Memory Cards: Both SxS PRO™ and SxS-1™ memory cards provide high transfer speeds (800 Mbps) and reliability, with resistance to shock and vibration. The unique Salvage function restores content damaged by power loss or disconnection during recording. HD Recording with MPEG HD 422 Codec: The PMW-500 records in 1920x1080 and 1280x720 resolutions up to 50 Mbps using MPEG-2 4:2:2P HL compression. 24-bit Four-channel Audio Recording: The camcorder supports uncompressed 24-bit, four-channel audio recording in MPEG HD 422 or MPEG IMX mode, with independent level controls for each channel. Selectable Recording Modes and Video Formats: In addition to MPEG HD 422 50-Mbps mode, the PMW-500 supports various bit rates and formats, including both MXF and MP4 file wrappers. Extended Recording Time: Using a large-capacity SxS memory card, the PMW-500 can record HD 422 50-Mbps footage for up to 110 minutes on a single 64-GB card, with the ability to hot-swap cards without interrupting recording. Compact, Well-balanced Design: The PMW-500 inherits the ergonomically balanced design of Sony's PMW-350/320 XDCAM EX™ camcorders, offering superior mobility and comfort. The main body weighs just 3.4 kg. Low Power Consumption: The PMW-500 consumes only 29W of power, making it energy-efficient. Additional Features: Digital Extender: Optional CBK-HD02 boards enable a digital zoom that doubles the image size. Focus Magnification: A 2x magnified view in the viewfinder helps with precise focus adjustments. Auto Focus Assist: Allows for manual focus adjustments in AF mode using the focus ring. Slow and Quick Motion Function: Capture footage at frame rates between 1 fps and 60 fps in 720p mode, and between 1 fps and 30 fps in 1080p mode. In PAL settings, rates go up to 50 fps for 720p and 25 fps for 1080p. Slow Shutter: Accumulates up to 64 frames for smooth slow-motion shots. HyperGamma Curves: Four HyperGamma curves (inherited from CineAlta camcorders) and six standard gammas are available for more creative control. Interval Recording: Record one frame at pre-set intervals, ideal for time-lapse shots. Frame Recording: Record pre-determined frames for each press of the record button, useful for animation work. Optical ND and Electrical CC Filters: Optical ND filters and electrical CC filters allow for easy color temperature adjustments (3200K, 4300K, 5600K, or 6300K) with a camcorder-assignable switch. Gain Control: The camcorder offers a smooth transition in gain control with settings from -6 dB to +42 dB and a Turbo Gain feature for quick adjustments. 3.5-inch Colour LCD Monitor: The large 3.5-inch screen has a resolution of approx. 921,000 effective pixels, making it easy to view footage.

Sony HSC-100R Camera with HDVF-20A viewfinder, Used

Sony HSC-100R, with HDVF-20A viewfinder , used 3 Months Warranty, Good Condition The Sony HSC-100R Digital Triax Broadcast Camera is an HD/SD camera with a digital triax CCU input. Its triax system integrates seamlessly into existing triax-based infrastructures, allowing easy upgrades, and supports cable runs up to 3,937 ft to an optional CCU. The camera features a 2/3" CCD sensor with F10 sensitivity for 1080i59.94 and F11 for 1080i50, boasting a -60dB signal-to-noise ratio. It records in 720p, 1080PsF, and down-converts to high-quality SD. Optional HZC-PSF3 software is required for 1080/29.97PsF/25PsF recording. The camera is equipped with a Sony Bayonet lens mount and offers a wide range of inputs/outputs, including XLR audio, XLR mic, HD/SD-SDI output, VF signal, return signal, SDI prompter output, genlock input, return input, and XLR intercom. Additionally, it includes an electronic color correction filter and four built-in ND filters. The camera’s 16-bit A/D converter processes images with high color precision, while the Digital Extender function enlarges the center of the image by a factor of two without decreasing sensitivity. Auto Lens Aberration Compensation 2 reduces chromatic aberration with horizontal and vertical compensation for supported lenses. The camera offers seven standard-gamma and four hyper-gamma tables for contrast adjustment, and the Multi-Matrix function allows for user-specified color adjustments. Adaptive-Matrix improves color conversion under challenging lighting, while Master White Gain enables precise, step-less gain level adjustments. Focus assist options include "Viewfinder Detail" and "Focus Assist Indicator" for easier focusing. Built for durability, the camera’s chassis is made from magnesium-alloy casting, and the integrated shoulder pad is adjustable without tools. The handle is designed for stability, featuring a protrusion for added support and a non-slip structure for a better grip. Assignable switches are located on the side and rear panels, with additional assignable buttons on the handle. Key Features: HD/SD triax CCU input for broadcast Supports existing triax infrastructures Triax cable runs up to 3,937 ft 2/3" CCD sensor with F10 sensitivity for 1080i59.94 and -60dB signal-to-noise ratio Records in 1080i59.94/50, 720p, 1080PsF Built-in SD down-converter 16-bit A/D converter 7 standard-gamma and 4 hyper-gamma tables Sony Bayonet lens mount    

Sony FX9 Camcorder 330 hours, used

Sony FX9 Camcorder 330 hours, used(FMP59714JPBR) 3-month warranty Excellent Condition  The Sony PXW FX9 is a professional 6K full frame camcorder, featuring a back-illuminated full frame 6K CMOS sensor with Sony’s Exmor R technology for improved sensitivity and reduced noise.  This new sensor has twice the surface area of the FS7’s 4K Supper 35mm sensor, providing a wider angle of view making it easier to gain a shallower depth of field. The FX9 also offers an exceptional 15+ stops of dynamic range, allowing unprecedented creative freedom in colour grading and post.  Camera operators can concentrate on framing the scene they want while relying upon the FX9 to capture every nuance and detail using either 4K 4:2:2 10-bit internal recording or 16-bit RAW external recording (with the XDCA-FX9 Extension Unit). The FX9 has some great focusing features, including Fast Hybrid AF, which combines phase detection AF with contrast AF to provide fast and accurate subject tracking.  As well as Eye AF with real-time tracking; high speed, high precision image processing maintains a pin-sharp focus, to capture your subjects most subtle expressions with seamless AI-based tracking.  Simply touch a subject on the viewfinder or select a face with the FX9 joystick and the camera will track and maintain focus automatically.

Sony Pmw-F5 Full Hd 4K Camera, Dvf L100 Vf, 4K Raw, 1750 Hours

Sony Pmw-F5 Full Hd 4K Camera, Dvf L100 Vf, 4K Raw, 1750 Hours(FMP59141LPBR) 3 Months Warranty, Excellent Condition  Sony's PMW-F5 CineAlta camera shoots spectacular images with its 8.9 megapixels (effective) Sony 4K image sensor. You get superior, super-sampled pictures with noticeably higher contrast, rich colour reproduction and greater clarity. The camera offers robust built-in recording modes, all with vibrant 4:2:2 colour. Irresistible options include the amazing precision of 16-bit linear RAW 2K/4K recording and high speed shooting at up to 120 fps without cropping.  Multiple recording formats include MPEG-2 HD422, MPEG4 SStP, XAVC 2K/HD and 16-bit RAW 2K/4K**. You can have simultaneous recording on internal high-speed SxS PRO+ memory cards and RAW 2K/4K recording on sleek AXSM™ memory cards using the optional bolt-on AXS-R5 recorder, designed specifically to attach seamlessly to the F55 and F5 cameras. There is also high speed shooting up to120 fps XAVC 2K/HD* internally and 120 fps RAW 2K onto the AXS-R5.  Upgrade Available - AXS-R5  The bolt-on AXS-R5 recorder works with the PMW-F55 and PMW-F5 cameras to record the highest quality 16-bit RAW 2K/4K images. The recorder works with sleek, optional AXSM™ memory cards, which are compatible with an affordable optional USB 3.0 reader, the AXS-CR1 .Once on a PC, the RAW files can be screened using Sony’s free RAW Viewer software. AXSM memory provides a super fast, affordable format for sensational quality recordings. 16-bit RAW 2K/4K recording options for PMW-F55 and PMW-F5 CineAlta cameras  Record RAW at your choice of resolutions: the PMW-F55 and PMW-F5 captures native 4K or beautiful, derived 2K.RAW recording preserves the greatest latitude for colour correction and other post processes. Sony’s 16-bit recording captures more tonal values than the human eye can differentiate.Sony RAW retains 16 times as many Red, Green and Blue gradations as 12-bit RAW and 64 times as many tones per channel as 10-bit recording. Sony 16-bit linear RAW is also the ideal point of entry into the 16-bit linear Academy Color Encoding System (ACES) workflow. Records onto ASXM™ memory cards  The AXS-R5 recorder works with sleek, high-capacity AXSM™ memory cards, which are compatible with an affordable optional USB 3.0 reader, the AXS-CR1. Once on a PC, the RAW files can be screened using Sony’s free RAW Viewer software. AXSM memory provides a super fast, affordable format for sensational quality recordings. High speed shooting up to 240 fps 2KRAW with F55 and 120 fps 2K RAW with F5  The AXS-R5 allows you to record up to 240 fps 2K RAW with the F55 and up to 120 fps 2K RAW with the F5, with free planned upgrades, achieving the highest frame rates most productions will need, while retaining exceptional, 16-bit image quality. Provides simultaneous RAW and on board camera SxS recording  Sony provides a coordinated “off-line, on-line” workflow with simultaneous recording for the F55 and F5 cameras to internal SxS cards and the AXS-R5 Portable Memory Recorder. For seamless conforming in post, you get matching timecode, start frame, stop frame, file names and other metadata. Real world workflows  Sony understands a fundamental truth: working cameras require practical workflows.That’s why the AXS-R5 is part of a larger production platform that includes affordable media cards, affordable card readers, free RAW Viewer software and compatibility with popular NLEs and finishing tools. Lightweight modular design to maximise versatility in 2D and 3D    The AXS-R5 is designed to bolt-on seamlessly to the F55 and F5 cameras, allowing the cameras to maintain a sleek, lightweight and ergonomic design. Both recorder and camera chassis are only slightly wider than a typical PL-mount prime lens, perfect for 3D rigs.