Arri Ultra Wide set of 9 (6,8,9.5,12,14,18,25,35 & 50mm) used

Arri Ultra Wide set of 9 (6,8,9.5,12,14,18,25,35 & 50mm) used(FMP60873LPBR) Good Condition, 3 Months warranty The art of cinematography is closely tied to the art of creating the cinematographer's tools. The art of successful lens design has been advanced with a new, complete set of high speed close focus lenses: the Ultra 16 lenses. Like the Master Primes, the Ultra 16 lenses combine high speed with outstanding optical performance. With a widest stop of T1.3 they create shallow depth of field and allow shooting on tight lighting budgets or under severe time pressure. Equaled by no other Super 16 lenses in optical performance, they join the other ARRI lenses in elevating the Super 16 image to its highest possible quality.   The speed of the new Ultra 16 lenses is a super fast T1.3, which allows the creation of a shallow depth of field, a look that is often sought after in other formats. Especially for wide angle lenses in Super 16, a maximum aperture of T1.3 helps in creating a cinematic look. In addition, T1.3 facilitates shooting on tight lighting budgets or under a lot of time pressure, common in TV drama or independent feature films. The fast speed is one of the outstanding features of these new lenses, unmatched by any other Super 16 cine lens.  Fast lenses are nothing new, but cinematographers used to pay dearly for high speed with reduced optical performance and a greater propensity to flaring. The Ultra 16 lenses, like the Master Primes, change all that by combining fast speed with outstanding optical performance at all T-stops across the whole focus range. This previously unattainable goal was made possible through new manufacturing techniques, the use of exotic glass materials and large diameter aspherical and radically shaped spherical glass surfaces. The Ultra 16 lenses exhibit high contrast, high resolution, almost no chromatic aberration (color fringes) and a great resistance to flaring. They are designed as close focus lenses, and so retain their outstanding optical qualities even at minimum object distances. Incorporating aspherical glass surfaces in a lens design requires ultra-high precision in manufacturing and a complex holographic measuring process which was developed specifically for the Master Primes, now benefiting all new ARRI lens designs. The aspherical glass surface located close to the iris inside the 12, 14, 18   and 25 mm Ultra 16 lenses helps in reducing spherical aberration (the inability to focus all light rays from a point source onto a point on film). The aspherical front surface of the 6, 8 and 9.5 mm keeps the image free of geometrical distortions; straight lines stay straight, from infinity to close focus.

Arri Signature Prime Lens Set 18,25,35,47,75,125mm, Used

Arri Signature Prime Lens Set 18,25,35,47,75,125mm, Used(FMP60843RPBR) Great Condition,  3 Months warranty Note - Full ARRI report done recently (25/05/2025) Covers Large-Format Sensors 6 x Primes Ranging from 18 to 125mm ARRI LPL LDS-2 Mount Fast T1.8 Maximum Aperture 11-Blade Iris for Smooth Bokeh Compact, Lightweight Magnesium Design Common 114mm Front Diameter Smooth Focus Fall-Off   Marked in Feet

ARRI Ultra Prime 50mm T1.9 Lens, used

ARRI Ultra Prime 50mm T1.9 Lens, used(FMP60709LPBR) Excellent Condition, 3 Month warranty  The art of cinematography is closely tied to the art of creating the cinematographer's tools. The art of successful lens design has been advanced with a new, complete set of high speed close focus lenses: the Ultra 16 lenses. Like the Master Primes, the Ultra 16 lenses combine high speed with outstanding optical performance. With a widest stop of T1.3 they create shallow depth of field and allow shooting on tight lighting budgets or under severe time pressure. Equaled by no other Super 16 lenses in optical performance, they join the other ARRI lenses in elevating the Super 16 image to its highest possible quality. The speed of the new Ultra 16 lenses is a super fast T1.3, which allows the creation of a shallow depth of field, a look that is often sought after in other formats. Especially for wide angle lenses in Super 16, a maximum aperture of T1.3 helps in creating a cinematic look. In addition, T1.3 facilitates shooting on tight lighting budgets or under a lot of time pressure, common in TV drama or independent feature films. The fast speed is one of the outstanding features of these new lenses, unmatched by any other Super 16 cine lens. Fast lenses are nothing new, but cinematographers used to pay dearly for high speed with reduced optical performance and a greater propensity to flaring. The Ultra 16 lenses, like the Master Primes, change all that by combining fast speed with outstanding optical performance at all T-stops across the whole focus range. This previously unattainable goal was made possible through new manufacturing techniques, the use of exotic glass materials and large diameter aspherical and radically shaped spherical glass surfaces. The Ultra 16 lenses exhibit high contrast, high resolution, almost no chromatic aberration (color fringes) and a great resistance to flaring. They are designed as close focus lenses, and so retain their outstanding optical qualities even at minimum object distances. Incorporating aspherical glass surfaces in a lens design requires ultra-high precision in manufacturing and a complex holographic measuring process which was developed specifically for the Master Primes, now benefiting all new ARRI lens designs. The aspherical glass surface located close to the iris inside the 12, 14, 18 and 25 mm Ultra 16 lenses helps in reducing spherical aberration (the inability to focus all light rays from a point source onto a point on film). The aspherical front surface of the 6, 8 and 9.5 mm keeps the image free of geometrical distortions; straight lines stay straight, from infinity to close focus.  

Arri Alura Zoom 18-80, T2.6, PL Mount, lens, used

Arri Alura Zoom 18-80, T2.6, PL Mount, lens, used(FMP60706RPBR) Excellent Condition, 3 Months warranty ARRI and FUJINON have joined their extensive expertise to create a completely new family of modern cine zooms. Using the latest in optical design technology and innovative manufacturing techniques, the ARRI/FUJINON Alura Zooms combine the highest optical performance with an amazingly small size, weight and price. They are available as Studio zooms for use on a tripod or crane with a wider focal range, or as lightweight zooms which are significantly smaller and lighter in exchange for a reduced focal range. Matched Zooms Matched wide and long PL mount zooms for an efficient shooting pace, small size and low weight for quick and easy handling on the set. Fast and Steady T2.6 Consistent aperture over entire zoom range. Outstanding Optical Performance  

ARRI Alura Zoom Lens 45-250mm T2.6 - PL Fit, Used

ARRI Alura Zoom Lens 45-250mm T2.6 - PL Fit, Used(FMP60705RPBR) Good Condition, 3 Months Warranty ARRI / Fujinon Alura Zoom Lens 45-250/T2.6 (metres). ARRI and FUJINON have joined their extensive expertise to create a completely new family of modern cine zooms. Using the latest in optical design technology and innovative manufacturing techniques, the ARRI/FUJINON Alura Zooms combine the highest optical performance with an amazingly small size, weight and price. The Alura Zooms’ Colour characteristics, as well as their handling, are matched to existing prime lenses in ARRI’s outstanding repertoire. With two new extenders (1.4x and 2x) developed specifically for FUJINON PL mount zooms, ARRI now offers the widest range of cine lenses for all professional production demands, including zooms, high speed primes, standard speed primes, extreme wide angle and telephoto primes, macro, extenders and diopters.