BlackMagic Design BMDSMTV4K12G3 SmartView 4K G3

BlackMagic Design BMDSMTV4K12G3 SmartView 4K G3 SmartView 4K G3 features built in optical and copper SMPTE‑2110 IP video connections so you can connect directly to IP based broadcast systems. You also get two 12G-SDI inputs for connecting to a wide range of professional video equipment. Plus both the 12G-SDI and 2110 video inputs can output to a 12G-SDI loop output connection. The design still features a lightweight machined aluminum chassis and a full resolution Ultra HD LCD. The on screen overlays include focus peaking, framing guides, safe area and more. You also get built in 3D LUTs for adding creative looks, converting log film gamma or handling custom HDR profiles.   The Perfect Video Monitoring Solution Broadcast SmartView 4K is ideal for broadcast as it supports both 12G-SDI and 2110 IP up to 2160p60. Switch between SDI and IP at the push of a button. SmartView 4K follows the video input so will switch between all SD, HD or Ultra HD standards automatically.   Live Production For live production, it's vital to get a solution with features to accurately monitor cameras. Powerful camera features include focus peaking, zoom, aspect ratio markers and tally. Plus the 4K display lets you see incredibly fine camera image detail.   Fly Away Kits Fly away kits need to be portable and tough. SmartView 4K is lightweight aluminium so it's light, plus it's only a few inches deep, so allows great rack ventilation via natural convection. Plus it has lots of camera and technical monitoring features.   Anodized Machined Metal Design in Deep Black SmartView 4K features an incredibly strong machined aluminium metal design with crisp clean lines. The design is anodized in deep black, so it looks fantastic mounted in equipment racks with other Blackmagic Design equipment. Plus SmartView 4K is only a few inches deep. Because monitors are often installed at the top of equipment racks, this thin design allows a large area behind the monitor to better ventilate the whole rack and keep all the equipment cool. Along the bottom of the SmartView 4K is a range of button controls that are tilted slightly so they're easier to press. On the rear of the monitor are all the video connections, plus there's even a VESA mounting point.   Bright High Resolution Display The LCD used on SmartView 4K features an extremely high resolution so it will display every pixel in an Ultra HD image. That means you get an incredibly clean image with deep colour fidelity. To avoid messy fingerprints on the LCD screen, SmartView 4K has a row of buttons along the bottom of the screen so you can adjust all the monitor controls without touching the screen. SmartView 4K is designed for broadcast so it will instantly lock to a new video source, which is very common when the monitor is connected to a router and the input can change constantly to different timed sources. Unlike TVs, the video is not over scanned so you get all image pixels right to the edge of the LCD.   Front Panel Buttons for Monitor Control The SmartView 4K front panel includes a wide range of monitoring controls. The input button selects between the two 12G-SDI video inputs and the 2110 IP video input. The display button allows you to adjust display brightness. The H/V display is a traditional broadcast monitor function that lets you look into the image blanking. Blue only is great for checking hue from SD archive content. The zoom button lets you zoom the image in for adjusting camera focus. Peaking highlights sharp image detail and is also perfect for adjusting camera focus. The 3D LUT buttons let you enable and switch between 3D LUTs. The H and V marker buttons let you display and adjust up to 4 on screen markers.   Includes Frame Guides and Focus Peaking When you're working with cameras, SmartView 4K has everything you need to assist in framing and focus with its on screen graphic overlays. Overlays include safe area and safe title markers. Plus there are 4 separate frame guides, 2 vertical and 2 horizontal, which can be displayed simultaneously and are perfect for social media and feature film framing. The markers are all individually adjustable so you can create any aspect ratio you like. You also get on screen focus peaking, which can be turned on and off with a dedicated front panel button. Focus peaking is perfect when using SmartView 4K for remote camera monitoring, as you can ensure your remote camera has perfect focus at all times.   Get Colour Accurate Monitoring with 3D LUTs Broadcasters and feature film productions often work with SDI sources that are encoded with log film gamma or an HDR profile. This means the images can look washed out or have incorrect colours. SmartView 4K solves this problem because it includes support for 3D LUTs. This means you can use a 3D LUT to re-map the SDI or 2110 input colourspace to the SmartView 4K screen. Plus you could also use 3D LUTs for exciting creative looks. 3D LUTs are easy to use and are uploaded using the SmartView utility. You can also export DaVinci Resolve colour grades as custom 3D LUTs. Because DaVinci Resolve can be downloaded free, it costs absolutely nothing to start creating a library of exciting 3D LUTs.   Supports SD, HD and 2K DCI Film The high performance 12G-SDI and 10G Ethernet based 2110 IP inputs are multi rate so they support lower resolution SD for archive, plus HD for broadcast and 2K for feature film use. These include 525i59.94 NTSC, 625i50 PAL, 720p50, 720p59.94, 720p60, 1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p47.95, 1080p48, 1080p50, 1080p59.94, 1080p60, 1080PsF25, 1080PsF29.97, 1080PsF30, 1080i50, 1080i59.94, 1080i60, 2Kp23.98 DCI, 2Kp24 DCI, 2Kp25 DCI, 2Kp29.97 DCI, 2Kp30 DCI, 2Kp47.95 DCI, 2Kp48 DCI, 2Kp50 DCI, 2Kp59.94 DCI and 2Kp60 DCI, 2KPsF25 DCI, 2KPsF29.97 DCI and 2KPsF30 DCI. When connected to 3G-SDI sources, both level A and B video standards are supported.   Supports Ultra HD and 4K DCI Film SmartView 4K also supports Ultra HD video standards on both its 12G-SDI and the 10G Ethernet based 2110 IP video inputs. Ultra HD video standards include 2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p47.95, 2160p48, 2160p50, 2160p59.94 and 2160p60. Supported 4K film standards include 4Kp23.98 DCI, 4Kp24 DCI, 4Kp25 DCI, 4Kp29.97 DCI, 4Kp30 DCI, 4Kp47.95 DCI, 4Kp48 DCI, 4Kp50 DCI, 4Kp59.94 DCI and 4Kp60 DCI, 4KPsF25 DCI, 4KPsF29.97 DCI and 4KPsF30 DCI. This means SmartView 4K is the ideal monitor because it allows you to migrate to Ultra HD and 4K work now. Plus SmartView 4K can be software updated, so new television standards can be added when they are invented.   Connect Directly to SMPTE 2110 IP Networks Now you can build modern IP video systems because SmartView 4K fully conforms to the SMPTE‑2110 standard for IP video with both optical fiber and copper 10G Ethernet connections. SMPTE‑2110 specifies the transport, synchronization and description of video, audio and ancillary data over IP networks for broadcast. This includes support for SMPTE‑2110-20 uncompressed video, the Blackmagic IP codec for high frame rate Ultra HD as well as SMPTE‑2110-21 traffic shaping/timing, SMPTE‑2110-30 audio and SMPTE‑2110-40 support for ancillary data. Plus the selected video input can be sent out via the 10G Ethernet SMPTE‑2110 IP connection with full support for multicast out to multiple destinations.   Includes NMOS Protocol for Virtual Routing SmartView 4K supports the NMOS interface specifications so all your 2110 IP video devices can operate together as a large virtual router. Plus Videohub Smart Control can route sources to destinations on 2110 IP networks because it can act as an NMOS controller. The NMOS interface specification describes how SMPTE 2110 devices are discovered and controlled on IP networks. SmartView 4K supports IS-04 for discovery and registration of IP video devices and IS-05 for connection management between IP video devices. This means you can make connections between sources and destinations just like a traditional SDI router.   Built-in Tally Border for On Air Status When you’re working with live production, SmartView 4K supports the Blackmagic SDI Tally Protocol and illuminates a coloured border around the image, in red for on air or green for preview. This SDI tally standard is used on all ATEM live production switchers so you can simply connect the monitor to the switcher SDI outputs to get the image and the tally with a single BNC cable. This means that a director can cut between cameras and the tally information will be sent back to the SmartView 4K via the SDI video feed. This totally eliminates complex cabling and the Blackmagic SDI Tally Protocol helps you set up for jobs much faster.   Remote Control Software for Mac and Windows When you need to change settings or update the software on your SmartView 4K, then you can simply download and run the SmartView Utility software which is available free of charge on the Blackmagic Design support site. This software is available for both Mac and Windows computers and it connects via the USB connection or Ethernet when you have the SmartView 4K Ethernet connected. You can use the utility to change the monitor custom name for identifying monitors in larger systems. You can also select between 3G-SDI level A and level B formatting. To protect against unauthorized network access, Ethernet is disabled by default, but can be enabled when connecting via USB.   Develop Custom Remote Control Solutions Videohub includes a powerful remote control protocol so you can create custom remote control solutions for integrating SmartView 4K into your broadcast systems. It's extremely easy to learn because it's a simple text based protocol you can even play with using a Telnet client. This means you can create custom control solutions on all computer platforms and from embedded hardware such as Raspberry Pi and Arduino. You get full control of LCD brightness, contrast, saturation, tally, input selection and you can even activate a 3D LUT. The best way to learn the protocol is to log in using a simple Telnet app and then use the documentation in the SmartView 4K manual to try out each command.   Flexible and Redundant Power The all in one design of SmartView 4K includes a built in power supply so you don’t have to carry around an external power brick. Simply plug it into any AC mains outlet and start live production. The international power supply automatically works from 100 to 240V AC, so you can use it anywhere in the world. Plus, for safety, SmartView 4K includes both AC and 12V DC power connections. The mini converter style 12V DC power connection is perfect for backup power or for running on batteries. Running on batteries means you can use it in extremely remote locations. Plus, if the internal power supply should ever malfunction, then you can connect a DC power supply to keep running.

Blackmagic Design Micro Converter SDI to HDMI 3G

Blackmagic Design Micro Converter SDI to HDMI 3G(BMD-CONVCMIC/SH03G) Blackmagic Micro Converter SDI to HDMI 3G (BMD-CONVCMIC/SH03G). The new Blackmagic Micro Converter 3G models are incredibly tiny broadcast video converters that let you connect between consumer HDMI and professional SDI equipment. The rugged and miniaturized design makes them small enough to be used anywhere. You get professional 3G-SDI connections for working with all SD and HD formats up to 1080p60. Micro Converters use USB for power, so they can be powered directly from televisions or laptop computers. You can even purchase them without power supplies if they are not needed. Only Blackmagic Micro Converters feature custom designed electronics that conform to current global broadcast specifications, and can be updated to new standards in the future. POCKET SIZED BROADCAST QUALITY CONVERTERS Blackmagic Micro Converters are so small you can use them anywhere. That means it’s always easy to keep a few available for any urgent conversion task. Because they are extremely high quality, you can trust them for all kinds of broadcast, live production and on set use. Use them for turning any computer display, television or video projector into high quality color calibrated broadcast monitoring. They’re also perfect for converting the HDMI outputs of computers and consumer video cameras to high end SDI equipment. Imagine using a slide show running on a computer for high end broadcast quality titles in live production. You could even use them for extending long HDMI distances using SDI. PRECISION ENGINEERED BROADCAST GRADE CONVERTERS. Unlike other small SDI converters, Blackmagic Micro Converters feature the highest quality broadcast technology, miniaturized into an incredibly strong metal enclosure. Each converter has industrial standard 3G-SDI and HDMI connections with strong high quality connectors. Blackmagic Micro Converters include a USB connection for power, as well as changing settings via the converter utility on Mac and Windows. Because the USB powers the converter, you can even power it from televisions or laptop computers. There are even LEDs for power and video status. You can also buy Blackmagic Micro Converters with an AC power supply including 4 adapters for international use. BIG CONVERTER QUALITY, MINIATURIZED. Unlike cheap converters, Blackmagic Micro Converters include the highest quality signal processing and deep bit depth video pipeline. Micro Converters have been engineered with precision electronics so you get very low SDI jitter, allowing you to extend SDI cables over long distances. That’s vital for live production where equipment such as cameras can be a long distance from switchers. Blackmagic Micro Converters work with both 8 and 10-bit video formats, in RGB or YUV, and in all SD and HD formats up to 1080p60. They even support 1080p24, 1080p47.95 and 1080p48 film rates. Plus you get fully embedded audio and timecode support. UPDATE AND CHANGE SETTINGS You can also change settings and update the converter software with the free converter utility that can be downloaded from the Blackmagic Design web site. This software connects to the USB connection on the Micro Converters and runs on both Mac and Windows computers. You can use the utility to change the converter name, which can be useful for identifying which converter is used for which task. When using the bidirectional converter, you can even set the camera number, so the converter knows when it’s being controlled from a live production switcher. You can also select between level A and level B on the 3G-SDI video output. GET COLOR ACCURATE MONITORING ON ANY TYPE OF DISPLAY The Micro Converter SDI to HDMI 3G model even includes a 3D LUT for color accurate monitoring. You can apply custom looks, color and gamma changes in real time for on set monitoring. LUTs can also be applied to the 3G‑SDI loop output, allowing you to use the converter as a 3D LUT processor. You can also use 3D LUTs to get a color calibrated grading monitor using a low cost computer monitor or TV. You can even use the DaVinci Resolve primary color corrector to create amazing looks and then save them as custom 3D LUTs. Because DaVinci Resolve can be downloaded free, it costs nothing to start creating a world of custom 3D LUTs for monitoring. Imagine reproducing old film stocks. CONVERT WITH CAMERA CONTROL The new Micro Converter BiDirectional SDI/HDMI 3G model even supports camera control so you can use a Blackmagic Pocket Cinema Camera with an ATEM SDI switcher. ATEM switchers send camera control over SDI, and the converter can translate this to HDMI for the camera. Just connect SDI from the converter out to the switcher input, the switcher program out to the converter input, and then the HDMI converter input connects to the Pocket Cinema Camera. Now add a camera number in the converter utility and you’ll get control of the camera color corrector, tally and even remote recording. It even works in reverse and you can connect and control an SDI camera from an HDMI switcher such as ATEM Mini. INCLUDES HDMI TIMECODE SUPPORT The new Micro Converter 3G models use a new Blackmagic Design custom hardware design so they’re more advanced to better support the technical features that are critical to high end broadcast workflows. These features include support for HDMI and SDI timecode conversion. You even get full support for timecode in both standard definition and high definition video formats. This means if you have any HDMI device that supports timecode, you can convert it to SDI and get that timecode into larger broadcast systems. Blackmagic Micro Converters might be low cost, however they don’t miss out on advanced features needed for high end film, television and post production work. PERFECT FOR LONGER SDI CABLE LENGTHS Blackmagic Micro Converters include built in SDI re-clocking on the 3G-SDI output. The SDI re‑clocking will regenerate the SDI video, reduce SDI jitter and improve SDI eye pattern before the converter sends the signal to other equipment. This allows longer cable lengths because even degraded SDI signals can still be used. Other converters often leave out important features such as re-clocking so are not reliable for broadcast use. Blackmagic Micro Converters don’t suffer from these problems because they are a more technically advanced design. Blackmagic Micro Converters also fully comply with SMPTE 259M, SMPTE 292M, SMPTE 296M, SMPTE 424M, SMPTE 425M level A and B, broadcast standards. WIDER RANGE OF VIDEO STANDARDS Blackmagic Micro Converter 3G models support SDI formats including 525i59.94 NTSC, 625i50 PAL, 720p50, 720p59.94, 720p60, 1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p47.95, 1080p48, 1080p50, 1080p59.94, 1080p60, 1080PsF25, 1080PsF29.97, 1080PsF30, 1080i50, 1080i59.94, 1080i60, 2Kp23.98 DCI, 2Kp24 DCI, 2Kp25 DCI, 2Kp29.97 DCI, 2Kp30 DCI, 2Kp47.95 DCI, 2Kp48 DCI, 2Kp50 DCI, 2Kp59.94 DCI and 2Kp60 DCI, 2KPsF25 DCI, 2KPsF29.97 DCI and 2KPsF30 DCI. HDMI video standards include 525i59.94 NTSC, 625i50 PAL, 720p50, 720p59.94, 720p60, 1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60, 1080i50, 1080i59.94 and 1080i60. Plus 3G level A and B are supported. POWER VIA USB OR OPTIONAL POWER SUPPLY The new Blackmagic Micro Converter 3G models are powered via the same USB-C connection that’s used on newer computers and smartphones so you can power the converter from the same television or computer you are converting the video for. You can also purchase Micro Converters with an AC power supply that supports 100 to 240V AC and comes with 4 different AC socket adapters so you can plug them into outlets anywhere in the world. That’s perfect for when you’re doing international work. You can even use smartphone chargers and rechargeable battery packs to power Micro Converters on set. With so many easy to use power solutions, you’ll never be without a power supply again.

Blackmagic BMD-VHUBSMAS12G1010 Videohub 10x10 12G Video Router

Blackmagic BMD-VHUBSMAS12G1010 (BMD/VHUBSMAS12G1010, BMD_VHUBSMAS12G1010, BMDVHUBSMAS12G1010, BMD VHUBSMAS12G1010) Videohub 10x10 12G Video Router The new Blackmagic Videohub 12G-SDI video routers let you connect all your equipment without creating a complex cable mess! Blackmagic Videohub routers support 12G-SDI so they allow you to connect and route any combination of SD, HD and Ultra HD on the same router at the same time. Plus they have zero latency so are perfect for live production and broadcast! The design features an elegant front panel with LCD for labels and even live video, shortcut buttons and a machined metal spin knob with soft rubber coating that lets you browse video sources. Ethernet is also included so you can remotely control the router using a range of external hardware or software control panels. ELIMINATES COMPLEX CABLE MESS Blackmagic Videohub 12G eliminates cable mess because you can plug all your SDI equipment into the router, then do connections electronically! You don't need complex system diagrams for your studio because you can connect any video input to any video output, or even a single video input to multiple video outputs. This means monitors can view any source in the studio! You get total flexibility to handle constant change or even emergencies. It lets you use multiple HyperDeck recorders for redundant mastering. Or you can route video to multiple streaming processors for all broadcast platforms. Blackmagic Videohub 12G is also great for adding extra inputs to an ATEM switcher! THREE GREAT MODELS Blackmagic Videohub 10x10 12G Advanced 12G-SDI 10x10 zero latency video router which supports any combination of SD, HD and Ultra HD on the router at the same time. Features built in control panel with LCD and machined spin knob, SDI re-clocking and external software control. Blackmagic Videohub 20x20 12G Larger 20x20 zero latency 12G-SDI video router which supports any combination of SD, HD and Ultra HD on the router at the same time. Features built in control panel with LCD and machined spin knob, SDI re-clocking and external software control. Blackmagic Videohub 40x40 12G Largest 40x40 zero latency 12G-SDI video router which supports any combination of SD, HD and Ultra HD on the router at the same time. Features built in control panel with large LCD and machined spin knob, SDI re-clocking and external control. ELEGANTLY DESIGNED FRONT PANEL The built in front control panel lets you route video, so you get the perfect solution for live production racks that don't have the space for extra hardware panels. The front panel is similar to a Videohub Master Control Pro and it features a spin knob for browsing, direct entry buttons for speed and an LCD for displaying labels. However because the panel is built into the router, you can also see live video on the LCD! The LCD also has menus so it lets you change router settings. Shortcut Buttons The shortcut buttons allow direct entry of sources and destinations. They can also be used with the numeric keys. Plus if a button uses a dedicated input label, then they will act like a cut bus! In Button The in button switches the panel over so the spin knob and shortcut buttons will be selecting from the list of input video sources. By rolling the spin knob, you can see all your inputs. Clear Button The clear button is similar to undo and it lets you clear a new routing selection. It's the alternative to the take button, and it will clear the route to retain the current routing without change. LCD for Labels and Video The LCD has large and easy to read labels that show the connection between inputs and outputs. Plus the LCD features live video so you can scroll sources based on viewing the content of the input. Numeric Keypad The numerical keypad has a range of numbers marked 0 through to 9. It allows multiple labels, such as Mon 1, Mon 2, Mon 3 etc. You would select one of the shortcut buttons first and then the number. Out Button The out button switches the panel to selecting the output. Normally you do this first, so you know what output you are going to change. You will then see the current input, before changing it. Take Button The take button is the final conformation that you want to accept the new input selection. This eliminates mistakes! You can also disable the take function for specific outputs for live routing. Spin Knob The spin knob has a machined metal design, soft rubber coating and an electronic clutch. You can scroll labels in alphabetical order and then the clutch will stop the knob at the end of the list. CHANGE ROUTER CROSSPOINTS VISUALLY With a built in LCD, Blackmagic Videohub 12G can show you live video of all your router inputs! This means you can see all router inputs as live video before you change a route. There are also labels displayed below the live video to make it easy to identify the input you are viewing. What this means is you can scroll up and down the router sources in alphabetical order and see each input as live video, even if the inputs are different video standards. Imagine scrolling through your connections while viewing them as live video on the LCD! Plus in portable equipment racks where space is limited, the visual routing means you can see video inputs without adding an external SDI monitor. ADVANCED 12G-SDI FOR SD, HD AND ULTRA HD ROUTING All models of Blackmagic Videohub 12G feature advanced 12G-SDI connections which are multi rate so they support any SD, HD and Ultra HD video format up to 2160p60 and will connect to any SD, HD-SDI, 3G-SDI, 6G-SDI and 12G-SDI equipment. Plus Blackmagic Videohub 12G also supports routing any video standard on the same router at the same time. That means on the 40x40 model you could route up to 40 different video standards at the same time! 12G-SDI gives you high frame rate Ultra HD via a single BNC connection that also plugs into all of your regular HD equipment! With 12G-SDI you get a future proof technology that connects to the equipment you have now and in the future! FEATURES FULL SDI RE‑CLOCKING Videohub includes built in SDI re-clocking on every 12G-SDI input. SDI re-clocking regenerates the video signal for maximum video quality. This is extremely important because longer video cables degrade the signal. Expensive premium "digital" cables can help a little, but still cannot eliminate signal integrity loss due to cable lengths getting longer. With SDI re-clocking all of the SDI devices in your studio receive a regenerated signal with improved jitter performance. That means longer cable lengths, and no drop outs in your video. ADD EXTERNAL HARDWARE CONTROL PANELS All Blackmagic Videohub routers can be remotely controlled, which is vital in large broadcast studios where the equipment connected to the router is located in different areas of the building. There are 2 different types of hardware panel available. The Videohub Master Control Pro is similar to the front panel and has a spin knob, LCD and shortcut buttons. While the Videohub Smart Control Pro model features all buttons and is generally programmed so the panel controls a single router output with each button programmed to a router input. Then you can just cut along the panel buttons to change the router output instantly. It works best when you install a smart panel below each video monitor! GET ROUTER CONTROL ON MAC, WINDOWS AND IPAD If you need external router control that's affordable, then Videohub Software Control is perfect because it can be downloaded free! Videohub Software Control is available for both Mac and Windows, so you can run it on the computers you're already using for creative work. The software features large buttons that are easy to press. Each button can be customized to a router input, a router output, and has an icon assigned to help you identify it visually. The big buttons are great for use on a touchscreen PC, where the software becomes a large screen XY control panel! You can even download a version of the software for the Apple iPad! INCLUDES VIDEOHUB SETUP UTILITY When you first purchase Blackmagic Videohub 12G, all the video inputs and outputs will have simple default labels, however you can customize them to match the equipment you have connected! That’s why the Blackmagic Videohub 12G installer includes Videohub Setup software, which lets you customize the router input and output labels. You can even enable the take button to be used when changing sources, plus the take button can be enabled for each specific video output. The Videohub Setup also lets you program the buttons on the front panel, update the router software, or configure external hardware panels. The software supports Mac and Windows and can be connected via Ethernet or USB. CUSTOMIZE ROUTER CONTROL WITH THE DEVELOPER SDK Videohub includes a free software development kit so developers and system integrators can easily add protocol support for integration into broadcast automation systems. Plus all Videohub routers use a simple text based protocol thats easy to learn. This makes it very simple to create custom control solutions from all computer platforms and even embedded hardware such as Raspberry Pi and Arduino. The protocol can even be used with a Telnet app so you can experiment with controlling the router before you start coding! Plus the protocol is the same one used for the Videohub Software Control so it's well tested and includes all the features needed for complex control apps. LOCALIZED FOR 13 POPULAR LANGUAGES Blackmagic Videohub 12G supports multiple languages so you can customize it to the language you prefer. You get support for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese, Turkish, Polish and Ukrainian. Simply go into the setup menu to set the language, or you can change at any time in the future. Once a language is selected, the menus and the display on the LCD will change to the selected language. However, independent of the language you set, the input and output labels are always unicode so you can customize the labels to a mix of multiple languages! Multiple languages means you can work anywhere in the world and with any local crew! VIDEOHUB FEATURES BETTER IMAGE QUALITY Supports Multiple Formats When you need to work on global events then you need to stay updated with the latest technology and television standards. Videohub gives you support for all 525SD and 625SD, 720HD and 1080HD, and the Ultra HD video standards. Plus you can connect multiple video standards simultaneously! Embedded Audio for Audio and Video The SDI standard includes up to 32 channels of embedded audio included with the SDI video signal. The advantage to embedded audio is that it all connects with a single BNC cable and all audio remains perfectly synchronized to the video. Plus all modern SDI equipment supports embedded SDI audio! Deeper Bit Depth and Colour Precision Videohub is designed to support the highest quality video. 10-bit is the most commonly used standard as colours can be represented more accurately than 8-bit video. You can route 4:2:2 8-bit or 10-bit video in any standard, and it even works with 4:4:4 12-bit SDI up to 2160p30 for feature film!

Blackmagic BMD-VHUBSMAS12G2020 Videohub 20x20 12G Video Router

Blackmagic BMD-VHUBSMAS12G2020 (BMD/VHUBSMAS12G2020, BMD_VHUBSMAS12G2020, BMDVHUBSMAS12G2020, BMD VHUBSMAS12G2020) Videohub 20x20 12G Video Router The new Blackmagic Videohub 12G-SDI video routers let you connect all your equipment without creating a complex cable mess! Blackmagic Videohub routers support 12G-SDI so they allow you to connect and route any combination of SD, HD and Ultra HD on the same router at the same time. Plus they have zero latency so are perfect for live production and broadcast! The design features an elegant front panel with LCD for labels and even live video, shortcut buttons and a machined metal spin knob with soft rubber coating that lets you browse video sources. Ethernet is also included so you can remotely control the router using a range of external hardware or software control panels. ELIMINATES COMPLEX CABLE MESS Blackmagic Videohub 12G eliminates cable mess because you can plug all your SDI equipment into the router, then do connections electronically! You don't need complex system diagrams for your studio because you can connect any video input to any video output, or even a single video input to multiple video outputs. This means monitors can view any source in the studio! You get total flexibility to handle constant change or even emergencies. It lets you use multiple HyperDeck recorders for redundant mastering. Or you can route video to multiple streaming processors for all broadcast platforms. Blackmagic Videohub 12G is also great for adding extra inputs to an ATEM switcher! THREE GREAT MODELS Blackmagic Videohub 10x10 12G Advanced 12G-SDI 10x10 zero latency video router which supports any combination of SD, HD and Ultra HD on the router at the same time. Features built in control panel with LCD and machined spin knob, SDI re-clocking and external software control. Blackmagic Videohub 20x20 12G Larger 20x20 zero latency 12G-SDI video router which supports any combination of SD, HD and Ultra HD on the router at the same time. Features built in control panel with LCD and machined spin knob, SDI re-clocking and external software control. Blackmagic Videohub 40x40 12G Largest 40x40 zero latency 12G-SDI video router which supports any combination of SD, HD and Ultra HD on the router at the same time. Features built in control panel with large LCD and machined spin knob, SDI re-clocking and external control. ELEGANTLY DESIGNED FRONT PANEL The built in front control panel lets you route video, so you get the perfect solution for live production racks that don't have the space for extra hardware panels. The front panel is similar to a Videohub Master Control Pro and it features a spin knob for browsing, direct entry buttons for speed and an LCD for displaying labels. However because the panel is built into the router, you can also see live video on the LCD! The LCD also has menus so it lets you change router settings. Shortcut Buttons The shortcut buttons allow direct entry of sources and destinations. They can also be used with the numeric keys. Plus if a button uses a dedicated input label, then they will act like a cut bus! In Button The in button switches the panel over so the spin knob and shortcut buttons will be selecting from the list of input video sources. By rolling the spin knob, you can see all your inputs. Clear Button The clear button is similar to undo and it lets you clear a new routing selection. It's the alternative to the take button, and it will clear the route to retain the current routing without change. LCD for Labels and Video The LCD has large and easy to read labels that show the connection between inputs and outputs. Plus the LCD features live video so you can scroll sources based on viewing the content of the input. Numeric Keypad The numerical keypad has a range of numbers marked 0 through to 9. It allows multiple labels, such as Mon 1, Mon 2, Mon 3 etc. You would select one of the shortcut buttons first and then the number. Out Button The out button switches the panel to selecting the output. Normally you do this first, so you know what output you are going to change. You will then see the current input, before changing it. Take Button The take button is the final conformation that you want to accept the new input selection. This eliminates mistakes! You can also disable the take function for specific outputs for live routing. Spin Knob The spin knob has a machined metal design, soft rubber coating and an electronic clutch. You can scroll labels in alphabetical order and then the clutch will stop the knob at the end of the list. CHANGE ROUTER CROSSPOINTS VISUALLY With a built in LCD, Blackmagic Videohub 12G can show you live video of all your router inputs! This means you can see all router inputs as live video before you change a route. There are also labels displayed below the live video to make it easy to identify the input you are viewing. What this means is you can scroll up and down the router sources in alphabetical order and see each input as live video, even if the inputs are different video standards. Imagine scrolling through your connections while viewing them as live video on the LCD! Plus in portable equipment racks where space is limited, the visual routing means you can see video inputs without adding an external SDI monitor. ADVANCED 12G-SDI FOR SD, HD AND ULTRA HD ROUTING All models of Blackmagic Videohub 12G feature advanced 12G-SDI connections which are multi rate so they support any SD, HD and Ultra HD video format up to 2160p60 and will connect to any SD, HD-SDI, 3G-SDI, 6G-SDI and 12G-SDI equipment. Plus Blackmagic Videohub 12G also supports routing any video standard on the same router at the same time. That means on the 40x40 model you could route up to 40 different video standards at the same time! 12G-SDI gives you high frame rate Ultra HD via a single BNC connection that also plugs into all of your regular HD equipment! With 12G-SDI you get a future proof technology that connects to the equipment you have now and in the future! FEATURES FULL SDI RE‑CLOCKING Videohub includes built in SDI re-clocking on every 12G-SDI input. SDI re-clocking regenerates the video signal for maximum video quality. This is extremely important because longer video cables degrade the signal. Expensive premium "digital" cables can help a little, but still cannot eliminate signal integrity loss due to cable lengths getting longer. With SDI re-clocking all of the SDI devices in your studio receive a regenerated signal with improved jitter performance. That means longer cable lengths, and no drop outs in your video. ADD EXTERNAL HARDWARE CONTROL PANELS All Blackmagic Videohub routers can be remotely controlled, which is vital in large broadcast studios where the equipment connected to the router is located in different areas of the building. There are 2 different types of hardware panel available. The Videohub Master Control Pro is similar to the front panel and has a spin knob, LCD and shortcut buttons. While the Videohub Smart Control Pro model features all buttons and is generally programmed so the panel controls a single router output with each button programmed to a router input. Then you can just cut along the panel buttons to change the router output instantly. It works best when you install a smart panel below each video monitor! GET ROUTER CONTROL ON MAC, WINDOWS AND IPAD If you need external router control that's affordable, then Videohub Software Control is perfect because it can be downloaded free! Videohub Software Control is available for both Mac and Windows, so you can run it on the computers you're already using for creative work. The software features large buttons that are easy to press. Each button can be customized to a router input, a router output, and has an icon assigned to help you identify it visually. The big buttons are great for use on a touchscreen PC, where the software becomes a large screen XY control panel! You can even download a version of the software for the Apple iPad! INCLUDES VIDEOHUB SETUP UTILITY When you first purchase Blackmagic Videohub 12G, all the video inputs and outputs will have simple default labels, however you can customize them to match the equipment you have connected! That’s why the Blackmagic Videohub 12G installer includes Videohub Setup software, which lets you customize the router input and output labels. You can even enable the take button to be used when changing sources, plus the take button can be enabled for each specific video output. The Videohub Setup also lets you program the buttons on the front panel, update the router software, or configure external hardware panels. The software supports Mac and Windows and can be connected via Ethernet or USB. CUSTOMIZE ROUTER CONTROL WITH THE DEVELOPER SDK Videohub includes a free software development kit so developers and system integrators can easily add protocol support for integration into broadcast automation systems. Plus all Videohub routers use a simple text based protocol thats easy to learn. This makes it very simple to create custom control solutions from all computer platforms and even embedded hardware such as Raspberry Pi and Arduino. The protocol can even be used with a Telnet app so you can experiment with controlling the router before you start coding! Plus the protocol is the same one used for the Videohub Software Control so it's well tested and includes all the features needed for complex control apps. LOCALIZED FOR 13 POPULAR LANGUAGES Blackmagic Videohub 12G supports multiple languages so you can customize it to the language you prefer. You get support for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese, Turkish, Polish and Ukrainian. Simply go into the setup menu to set the language, or you can change at any time in the future. Once a language is selected, the menus and the display on the LCD will change to the selected language. However, independent of the language you set, the input and output labels are always unicode so you can customize the labels to a mix of multiple languages! Multiple languages means you can work anywhere in the world and with any local crew! VIDEOHUB FEATURES BETTER IMAGE QUALITY Supports Multiple Formats When you need to work on global events then you need to stay updated with the latest technology and television standards. Videohub gives you support for all 525SD and 625SD, 720HD and 1080HD, and the Ultra HD video standards. Plus you can connect multiple video standards simultaneously! Embedded Audio for Audio and Video The SDI standard includes up to 32 channels of embedded audio included with the SDI video signal. The advantage to embedded audio is that it all connects with a single BNC cable and all audio remains perfectly synchronized to the video. Plus all modern SDI equipment supports embedded SDI audio! Deeper Bit Depth and Colour Precision Videohub is designed to support the highest quality video. 10-bit is the most commonly used standard as colours can be represented more accurately than 8-bit video. You can route 4:2:2 8-bit or 10-bit video in any standard, and it even works with 4:4:4 12-bit SDI up to 2160p30 for feature film!

Blackmagic BMD-VHUBSMAS12G4040 VIDEOHUB 40X40 12G Video Router

Blackmagic BMD-VHUBSMAS12G4040 (BMD/VHUBSMAS12G4040, BMD_VHUBSMAS12G4040, BMDVHUBSMAS12G4040, BMD VHUBSMAS12G4040) VIDEOHUB 40X40 12G Video Router The new Blackmagic Videohub 12G-SDI video routers let you connect all your equipment without creating a complex cable mess! Blackmagic Videohub routers support 12G-SDI so they allow you to connect and route any combination of SD, HD and Ultra HD on the same router at the same time. Plus they have zero latency so are perfect for live production and broadcast! The design features an elegant front panel with LCD for labels and even live video, shortcut buttons and a machined metal spin knob with soft rubber coating that lets you browse video sources. Ethernet is also included so you can remotely control the router using a range of external hardware or software control panels. ELIMINATES COMPLEX CABLE MESS Blackmagic Videohub 12G eliminates cable mess because you can plug all your SDI equipment into the router, then do connections electronically! You don't need complex system diagrams for your studio because you can connect any video input to any video output, or even a single video input to multiple video outputs. This means monitors can view any source in the studio! You get total flexibility to handle constant change or even emergencies. It lets you use multiple HyperDeck recorders for redundant mastering. Or you can route video to multiple streaming processors for all broadcast platforms. Blackmagic Videohub 12G is also great for adding extra inputs to an ATEM switcher! THREE GREAT MODELS Blackmagic Videohub 10x10 12G Advanced 12G-SDI 10x10 zero latency video router which supports any combination of SD, HD and Ultra HD on the router at the same time. Features built in control panel with LCD and machined spin knob, SDI re-clocking and external software control. Blackmagic Videohub 20x20 12G Larger 20x20 zero latency 12G-SDI video router which supports any combination of SD, HD and Ultra HD on the router at the same time. Features built in control panel with LCD and machined spin knob, SDI re-clocking and external software control. Blackmagic Videohub 40x40 12G Largest 40x40 zero latency 12G-SDI video router which supports any combination of SD, HD and Ultra HD on the router at the same time. Features built in control panel with large LCD and machined spin knob, SDI re-clocking and external control. ELEGANTLY DESIGNED FRONT PANEL The built in front control panel lets you route video, so you get the perfect solution for live production racks that don't have the space for extra hardware panels. The front panel is similar to a Videohub Master Control Pro and it features a spin knob for browsing, direct entry buttons for speed and an LCD for displaying labels. However because the panel is built into the router, you can also see live video on the LCD! The LCD also has menus so it lets you change router settings. Shortcut Buttons The shortcut buttons allow direct entry of sources and destinations. They can also be used with the numeric keys. Plus if a button uses a dedicated input label, then they will act like a cut bus! In Button The in button switches the panel over so the spin knob and shortcut buttons will be selecting from the list of input video sources. By rolling the spin knob, you can see all your inputs. Clear Button The clear button is similar to undo and it lets you clear a new routing selection. It's the alternative to the take button, and it will clear the route to retain the current routing without change. LCD for Labels and Video The LCD has large and easy to read labels that show the connection between inputs and outputs. Plus the LCD features live video so you can scroll sources based on viewing the content of the input. Numeric Keypad The numerical keypad has a range of numbers marked 0 through to 9. It allows multiple labels, such as Mon 1, Mon 2, Mon 3 etc. You would select one of the shortcut buttons first and then the number. Out Button The out button switches the panel to selecting the output. Normally you do this first, so you know what output you are going to change. You will then see the current input, before changing it. Take Button The take button is the final conformation that you want to accept the new input selection. This eliminates mistakes! You can also disable the take function for specific outputs for live routing. Spin Knob The spin knob has a machined metal design, soft rubber coating and an electronic clutch. You can scroll labels in alphabetical order and then the clutch will stop the knob at the end of the list. CHANGE ROUTER CROSSPOINTS VISUALLY With a built in LCD, Blackmagic Videohub 12G can show you live video of all your router inputs! This means you can see all router inputs as live video before you change a route. There are also labels displayed below the live video to make it easy to identify the input you are viewing. What this means is you can scroll up and down the router sources in alphabetical order and see each input as live video, even if the inputs are different video standards. Imagine scrolling through your connections while viewing them as live video on the LCD! Plus in portable equipment racks where space is limited, the visual routing means you can see video inputs without adding an external SDI monitor. ADVANCED 12G-SDI FOR SD, HD AND ULTRA HD ROUTING All models of Blackmagic Videohub 12G feature advanced 12G-SDI connections which are multi rate so they support any SD, HD and Ultra HD video format up to 2160p60 and will connect to any SD, HD-SDI, 3G-SDI, 6G-SDI and 12G-SDI equipment. Plus Blackmagic Videohub 12G also supports routing any video standard on the same router at the same time. That means on the 40x40 model you could route up to 40 different video standards at the same time! 12G-SDI gives you high frame rate Ultra HD via a single BNC connection that also plugs into all of your regular HD equipment! With 12G-SDI you get a future proof technology that connects to the equipment you have now and in the future! FEATURES FULL SDI RE‑CLOCKING Videohub includes built in SDI re-clocking on every 12G-SDI input. SDI re-clocking regenerates the video signal for maximum video quality. This is extremely important because longer video cables degrade the signal. Expensive premium "digital" cables can help a little, but still cannot eliminate signal integrity loss due to cable lengths getting longer. With SDI re-clocking all of the SDI devices in your studio receive a regenerated signal with improved jitter performance. That means longer cable lengths, and no drop outs in your video. ADD EXTERNAL HARDWARE CONTROL PANELS All Blackmagic Videohub routers can be remotely controlled, which is vital in large broadcast studios where the equipment connected to the router is located in different areas of the building. There are 2 different types of hardware panel available. The Videohub Master Control Pro is similar to the front panel and has a spin knob, LCD and shortcut buttons. While the Videohub Smart Control Pro model features all buttons and is generally programmed so the panel controls a single router output with each button programmed to a router input. Then you can just cut along the panel buttons to change the router output instantly. It works best when you install a smart panel below each video monitor! GET ROUTER CONTROL ON MAC, WINDOWS AND IPAD If you need external router control that's affordable, then Videohub Software Control is perfect because it can be downloaded free! Videohub Software Control is available for both Mac and Windows, so you can run it on the computers you're already using for creative work. The software features large buttons that are easy to press. Each button can be customized to a router input, a router output, and has an icon assigned to help you identify it visually. The big buttons are great for use on a touchscreen PC, where the software becomes a large screen XY control panel! You can even download a version of the software for the Apple iPad! INCLUDES VIDEOHUB SETUP UTILITY When you first purchase Blackmagic Videohub 12G, all the video inputs and outputs will have simple default labels, however you can customize them to match the equipment you have connected! That’s why the Blackmagic Videohub 12G installer includes Videohub Setup software, which lets you customize the router input and output labels. You can even enable the take button to be used when changing sources, plus the take button can be enabled for each specific video output. The Videohub Setup also lets you program the buttons on the front panel, update the router software, or configure external hardware panels. The software supports Mac and Windows and can be connected via Ethernet or USB. CUSTOMIZE ROUTER CONTROL WITH THE DEVELOPER SDK Videohub includes a free software development kit so developers and system integrators can easily add protocol support for integration into broadcast automation systems. Plus all Videohub routers use a simple text based protocol thats easy to learn. This makes it very simple to create custom control solutions from all computer platforms and even embedded hardware such as Raspberry Pi and Arduino. The protocol can even be used with a Telnet app so you can experiment with controlling the router before you start coding! Plus the protocol is the same one used for the Videohub Software Control so it's well tested and includes all the features needed for complex control apps. LOCALIZED FOR 13 POPULAR LANGUAGES Blackmagic Videohub 12G supports multiple languages so you can customize it to the language you prefer. You get support for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese, Turkish, Polish and Ukrainian. Simply go into the setup menu to set the language, or you can change at any time in the future. Once a language is selected, the menus and the display on the LCD will change to the selected language. However, independent of the language you set, the input and output labels are always unicode so you can customize the labels to a mix of multiple languages! Multiple languages means you can work anywhere in the world and with any local crew! VIDEOHUB FEATURES BETTER IMAGE QUALITY Supports Multiple Formats When you need to work on global events then you need to stay updated with the latest technology and television standards. Videohub gives you support for all 525SD and 625SD, 720HD and 1080HD, and the Ultra HD video standards. Plus you can connect multiple video standards simultaneously! Embedded Audio for Audio and Video The SDI standard includes up to 32 channels of embedded audio included with the SDI video signal. The advantage to embedded audio is that it all connects with a single BNC cable and all audio remains perfectly synchronized to the video. Plus all modern SDI equipment supports embedded SDI audio! Deeper Bit Depth and Colour Precision Videohub is designed to support the highest quality video. 10-bit is the most commonly used standard as colours can be represented more accurately than 8-bit video. You can route 4:2:2 8-bit or 10-bit video in any standard, and it even works with 4:4:4 12-bit SDI up to 2160p30 for feature film!  

Blackmagic ATEM 4 M/E Constellation 4K

Blackmagic ATEM 4 M/E Constellation 4K(BMD-SWATEMSCN2/2ME4/4K, BMD SWATEMSCN2/2ME4/4K, BMD-SWATEMSCN2/2ME4/4K) Introducing ATEM Constellation, the world’s most powerful HD and 4K live production switchers! These incredibly powerful switchers are available in 4 great models, including a 1 M/E model with 10 inputs, a 2 M/E model with 20 inputs and two massive 4 M/E models with 40 inputs! Plus each SDI input features a full standards converter! ATEM Constellation includes advanced features such as DVEs, ATEM advanced chroma keyers, media players, multiviews, and SuperSource processors! Plus the built in Fairlight audio mixer includes a compressor, limiter, 6 band parametric EQ and expander on each input. The free ATEM Software Control is included, or you can add a 1 M/E, 2 M/E or 4 M/E ATEM Advanced Panel. SERIOUSLY ADVANCED BROADCAST POWER ATEM Constellation switchers feature a compact rack mount design with a built in control panel. This allows operation of the switcher, critical during setup or for emergency use. Also included is a large LCD so you can see program output and change switcher settings via on screen menus. The compact design is perfect for portable live production, with the rear of the switcher including connections for 3G-SDI or 12G-SDI inputs, aux outputs, balanced audio and Ethernet for control. The top 4 M/E models even include RS-422 for serial control and MADI digital audio connections. Even with all this power, ATEM Constellation is extremely quiet with its innovative high efficiency thermal system. 4 POWERFUL MODELS ATEM 1 M/E Constellation HD Powerful 1 M/E live production switcher includes 10 standards converted 3G-SDI inputs, 6 x 3G-SDI outputs, DVE, 4 chroma keyers, a 16 way multiview, media players, talkback and USB webcam output. ATEM 2 M/E Constellation HD The 2 M/E model doubles the features of the 1 M/E model with 20 x 3G‑SDI inputs, 12 x 3G-SDI outputs, 2 DVEs, 8 ATEM Advanced Keyers, 2 multiviews and a SuperSource for a total of 6 DVEs. ATEM 4 M/E Constellation HD The massive 4 M/E model doubles the features of the 2 M/E model with 40 x 3G-SDI inputs, 24 x 3G-SDI outputs, 4 DVEs, 16 ATEM Advanced Keyers, 4 multiviews and 2 SuperSource for 12 x DVEs in total. ATEM 4 M/E Constellation 4K Massive 4 M/E Ultra HD live production switcher with 40 standards converted 12G‑SDI inputs, 24 12G-SDI aux outputs,16 ATEM Advanced Keyers, 4 multiviews and 2 SuperSource for a total of 12 DVEs. DESIGNED FOR MASSIVE LIVE EVENTS With 4 powerful models, ATEM Constellation switchers are ideal for concerts and music festivals because you can place cameras on all areas of the stage for amazing coverage. Even live sports benefit from the huge number of inputs and DVEs let you build multi-layer compositions to cover the action. The fastest way to produce programming is live. With powerful internal graphics and lots of ATEM advanced chroma keyers, you get everything you need for complex program production. ATEM Constellation is also perfect for house of worship programming as it’s big enough to allow professional results, but it’s very simple to learn so it’s easy to train a volunteer crew. TRUE BROADCAST STYLE MIX EFFECTS SWITCHING ATEM Constellation uses a professional "program/preview" style operation, which is the exact same way large broadcasters use live production switchers. This means you are using the same type of switcher used by the television industry. Both the free ATEM Software Control and the optional hardware ATEM Advanced Panels will allow program/preview style switching. This means you can select a source on the preview bus to ensure it’s correct before pushing the CUT or AUTO button to switch it on air. This 2 step program/preview process means far fewer mistakes. Program/preview operation means ATEM Constellation is the best solution for training students for a career in broadcast television. FULL FRONT PANEL CONTROL With a control panel built into the front panel, you can simply walk up and operate the ATEM Constellation at any time. ATEM Constellation has similar features to ATEM Mini, so it’s a fantastic upgrade when you need a bigger switcher. Plus the front panel control buttons are the same premium type used on full sized panels so they are extremely reliable. You can even control keyers, media and fade to black from the front panel. There is an industry standard 5 pin talkback headset connector on the front panel, with controls for talkback control. Plus the front panel LCD and menu buttons also allow almost every single operational feature of the switcher to be accessed. UP TO 40 STANDARDS CONVERTED SDI INPUTS. The ATEM Constellation family features HD models that have up to 40 independent 3G-SDI inputs as well as a 4K model with 12G-SDI inputs, with each input featuring its own dedicated up and cross converter. That means it’s possible to convert any 1080p input source to the video standard of the switcher. That means you could have each switcher SDI input running a different television standard and all the inputs will just work. On the ATEM 4 M/E Constellation models, you can even loop out audio channels 1, 2, 3 and 4 from SDI inputs 1 to 30 to the two MADI digital audio outputs, so you can hand off the switcher input audio to an external audio engineer for mixing. UP TO 24 CUSTOMIZABLE SDI OUTPUTS The ATEM Constellation family has a massive number of fully independent outputs. Even the small 1 M/E model has 6 x 3G-SDI outputs. The 2 M/E model has 12 x 3G-SDI outputs and the 4 M/E models have either a massive 24 x 3G-SDI or 12G-SDI outputs. These SDI outputs are very powerful because you can independently route any SDI input or any internal source to each SDI output. That’s perfect for running independent feeds to stage screens, master recorders and streaming processors. Or use the SDI outputs for ISO recorders, where each deck will get a resynchronized switcher input with matching timecode. All SDI outputs contain program audio, RP-188 timecode, SDI camera control, tally and talkback. USB WEBCAM OUTPUT FOR VIDEO SOFTWARE For live streaming, the USB-C connection on ATEM Constellation operates as a webcam source. That means you can plug into a computer and get working with any video software. The software is tricked into thinking the ATEM Constellation is a common webcam, but it's really a live production switcher. That guarantees full compatibility with any video software in full resolution 1080HD quality. Choose any software you like, such as Zoom, Microsoft Teams or Skype for a new way to do presentations with a professional multi camera broadcast quality style. The ATEM Constellation webcam output also works with streaming software such as Open Broadcaster, XSplit Broadcaster and more. CHOOSE FROM HARDWARE OR SOFTWARE CONTROL PANELS All ATEM switchers feature a wide range of hardware and software control options, plus it’s possible to share control panels between all ATEM models for different events. Included with ATEM Constellation is a free software based control panel for Mac and Windows. The software connects to the switcher via Ethernet or USB and you can control the switcher, upload media, mix audio and control cameras. Then, when you need more power, you can add an ATEM Advanced Panel for professional switching or an ATEM Camera Control Panel for controlling cameras. There's even an ATEM developer SDK so you can build your own custom automation control solution. INCLUDES MULTIVIEW WITH LABELS, TALLY AND METERS The built in multiview lets you monitor multiple sources on a single monitor. The 1 M/E model includes 1 multiview, the 2 M/E model has 2 independent multiviews and the 4 M/E models have 4 independent multiviews. All external SDI inputs, plus all internal video sources can be routed to any view. All multiviews are fully customizable and can be independently set to 4, 7, 10, 13 or 16 simultaneous views. That’s up to 32 views in total on the 2 M/E model and a massive 64 views across 4 monitors with the 4 M/E models. You can add the tally border plus source label and VU meters as an overlay on each view. Plus a red and green border will show tally on each view, so you know what sources are on air. BROADCAST TRANSITIONS, DVE, STINGERS AND MORE. ATEM Constellation includes a wide range of broadcast quality native transitions such as mix, dip, wipe, and more. All transitions can be customized in the system control menus with adjustments for border color, border width, position, direction and a lot more. The ATEM Constellation switcher includes a powerful digital video effects processor for DVE transitions, which can be used to squeeze the current picture off screen revealing a new video under it. The DVE can even be used to create graphic wipe transitions. To eliminate errors, ATEM Constellation features a preview transition feature so you can setup your transitions before you switch it on air. BUILT IN DVE FOR VIDEO EFFECTS ATEM Constellation features up to 4 independent DVEs, depending on the model, that let you reposition graphics and create picture in picture compositions. You get amazing quality and the DVE supports position, resize and scale, all in real time. The DVE lets you create professional picture in picture effects with customizable 3D borders, shadows and lighting. DVEs can also be used to create amazing DVE transitions with squeeze and swoosh effects for adding excitement to your programming. You can even combine DVE transitions with custom graphics to create your own graphic wipe transitions. Then the 2 and 4 M/E models include SuperSource processors for even more DVEs. PROFESSIONAL BROADCAST TALKBACK To keep crews working as a single creative team, ATEM Constellation features built in talkback. Talkback supports a 5 pin XLR headset connector, plus a rear mounted RJ12 connector for interfacing with industry standard talkback systems such as ClearCom or RTS. You get full talkback control including program and engineering loops, sidetone control for hearing the headset mic into the headphones and program mix. ATEM Constellation also supports SDI talkback that uses SDI channels 15 and 16 for 2-way communication with Blackmagic Design cameras. You can even use channels 13 and 14 for engineering talkback. It’s even possible to mix the talkback mic into the program audio for voiceovers. INTERNAL MEDIA FOR STILLS AND MOTION GRAPHICS The built in media pool stores broadcast quality RGBA graphics and animations that can be played back instantly by the 2 or 4 media players. Media players simply appear as additional input sources on the ATEM Constellation, so you don’t have to use extra SDI inputs for graphics. The built in media pool holds graphics for use with the media players and the 1 M/E model can hold 20 stills and 200 frame animations, the 2 M/E model can hold 40 stills and 400 frame animations and the 4 M/E models can hold 60 stills and up to 400 frame animations. You can easily manage all of your media using the included ATEM Software Control or download directly from Photoshop using the ATEM Photoshop plug-in. INCLUDES NEW ATEM ADVANCED CHROMA KEYS For news or virtual set work, ATEM Constellation is perfect as it features lots of ATEM advanced keyers for high quality chroma or luminance keying. The chroma keyer is incredibly powerful and features a color picker to sample background colors for automatic generation of the key parameters. You get precise controls for edge and flare, and there is even a foreground color corrector so you can match the "look" of the foreground layer to the background layer making seamless compositions possible. The keyer can also be used for pattern and DVE keying. You get 4 ATEM Advanced Keyers on the 1 M/E model, 8 ATEM Advanced Keyers on the 2 M/E model and 16 ATEM Advanced Keyers on the 4 M/E models. CREATE AMAZING VIRTUAL SETS With 4 upstream chroma keyers per M/E row, you get the perfect solution for building virtual sets. With so many ATEM advanced chroma keyers, you can use a keyer per camera to create a seamless composition of the camera over the custom background. Even the 1 M/E model has enough keyers to generate a 4 camera virtual set. You can use external image processors for virtual sets, or you can even build a fixed camera virtual set by loading pre rendered still image backgrounds from the media players and media pool. You can setup macros to change cameras and load the correct background into the media players. With so much flexibility, you can experiment to try out different studio setups. POWERFUL SUPERSOURCE PROCESSING. In addition to the DVEs in the M/E rows, the 2 M/E and 4 M/E models include powerful SuperSource multi layer processors with 4 extra DVE layers plus a background layer, that all appear to ATEM Constellation as an additional input source. Any switcher video input can be used for each SuperSource DVE, then it’s all layered together over a media pool custom background. SuperSource is just like having an extra multi-layer VFX switcher built in. SuperSource is perfect for doing picture in picture displays for interviews because you can set up the effect while keeping the main DVEs free for other tasks. The ATEM 4 M/E Constellation models even have 2 completely independent SuperSource processors. MULTI RATE SDI FOR HD AND ULTRA HD VIDEO STANDARDS With up to 40 multi rate SDI input connections, depending on the model, the ATEM Constellation is compatible with all types of video sources. You can connect equipment in HD or Ultra HD television standards including 720p, 1080i,1080p and 2160p formats. Only multi rate SDI allows switching between formats so you can instantly adapt to the needs of the job you are doing anywhere in the world. The SDI inputs will also handle embedded audio and mix audio from all video inputs. The program outputs include talkback, tally and camera control information. So you can connect any of the switcher SDI outputs back to the camera for program return, camera control, and talkback. THE FIRST SWITCHER WITH TRULY PROFESSIONAL AUDIO ATEM Constellation is the world’s first live production switcher that fully embraces live professional audio production. All SDI inputs are connected to a built in Fairlight audio mixer that features 6 band parametric EQ, compressor, limiter, noise gate and expander on each input. On the ATEM 4 M/E Constellation models there are 2 MADI outputs for breaking out channels 1, 2, 3 and 4 of the first 30 SDI inputs out to an external audio engineer, plus a MADI input for allowing an extra 32 external audio channels in to the audio mixer. The Fairlight audio mixer even has additional inputs for mixing audio from analog inputs, talkback microphones for voice over and more. PROFESSIONAL FAIRLIGHT AUDIO MIXER With a built in Fairlight audio mixer, the ATEM Constellation makes it possible to do extremely complex live sound mixing. The internal mixer has up to 156 input channels, for the biggest audio mixer in a live production switcher. Audio is de-embedded from all the SDI video inputs and passed to the audio mixer. Then the 4 M/E models have extra audio mixer input channels for the MADI audio inputs. Each input channel features the highest quality 6 band parametric EQ and compressor, limiter, expander and noise gate as well as full panning. All this audio power can be controlled via the ATEM Software Control or a Mackie compatible panel. INCLUDES FREE SOFTWARE CONTROL PANEL The ATEM Software Control Panel gives you total control over your switcher and is included free. The ATEM Software Control Panel features a beautifully designed interface with a visual switcher and parameter palettes for making quick adjustments. Multiple users can connect to the switcher via Ethernet and all work on different parts of the event at the same time. The ATEM Software Control also lets you access camera control, audio mixing, media, macro programming and even control of HyperDeck disk recorders. You can even save the full state of the switcher as XML files, plus all media is backed up from the media pool. Plus you can run the software on Mac or Windows. ADD THE SPEED AND POWER OF AN ATEM HARDWARE PANEL Only ATEM Constellation has such as wide range of control panel options with 3 models of ATEM Advanced Panels available. ATEM Advanced Panels feature an industry standard, familiar M/E style layout. Each panel has built-in LCDs for menus, high quality buttons with customizable illumination color, a DVE joystick plus T-bar fader. You can even setup and trigger Macros. All rows of M/E buttons include integrated LCDs for dynamic input button labeling. The 1 M/E model features a single M/E row with 10 input buttons. The 2 M/E models features 2 M/E rows with 20, 30 or 40 input buttons depending on the model. The massive 4 M/E model features 4 M/E rows with 40 input buttons per row and 4 independent system control LCD screens. GET INDUSTRY STANDARD PROFESSIONAL CAMERA CONTROL The new ATEM Camera Control Panel provides 4 industry standard camera controllers for the same workflow as camera chains costing hundreds of thousands of dollars. Designed to be portable, ATEM Camera Control Panel can be placed on a desktop or on a slide out rack shelf. All control commands are sent to the cameras using the SDI camera control protocol which is supported by cameras such as Blackmagic URSA Broadcast and Blackmagic Studio Cameras. You get dedicated controls including CCU style joystick and controls for RGB camera color, master gain, black, iris and more. Plus all controls are arranged in a familiar broadcast layout perfect for both experienced or new operators. COMPATIBLE WITH BLACKMAGIC CAMERAS, PANELS, DECKS AND MORE ATEM switchers are powerful because they can grow and expand with you. Add an ATEM Advanced Panel to get professional industry standard switcher control. Then add an ATEM Camera Control Panel for fast control and color balancing of up to four cameras. For cameras, Blackmagic Studio Cameras make great studio cameras as they have tally, talkback and control all built into the compact and very portable design. For mastering, Blackmagic HyperDeck Studio recorders are perfect because they include popular file formats such as ProRes, H.264 and DNx. You can even live stream using an UltraStudio or Blackmagic Web Presenter. Then add a Micro Converter SDI to HDMI 3G converter for HDMI monitoring. ALL FEATURES INCLUDED. NO HIDDEN COSTS Unlike other switchers, all features are included in the purchase price. That means you get all features fully enabled and always ready for use. There are no license fees to allow you to use features and no ongoing monthly costs. This means you'll never experience a license expiring 5 minutes before your program starts. Advanced features such as multiview, SuperSource, DVEs or the ATEM Advanced Keyers are always enabled and always ready to use. Plus, you can use the free ATEM Software Control on an unlimited number of computers. That’s important when you divide up the workload with separate people for audio mix, graphics prep, camera control and switcher operation.

BLACKMAGIC ATEM Television Studio HD8

BLACKMAGIC ATEM Television Studio HD8(BMD-SWATEMTVSTA/HD08, BMD SWATEMTVSTA/HD08, BMD/SWATEMTVSTA/HD08) THE WORLD'S MOST PORTABLE ALL-IN-ONE TELEVISION STUDIO The new ATEM Television Studio is a professional live production switcher built into a broadcast control panel so it can be used for high end work while being extremely portable. This means you can use it in small venues that don't have the access for equipment racks or broadcast vans. You get a powerful switcher with 8 standards converted SDI inputs, aux outputs, 4 chroma keyers, 2 downstream keyers, SuperSource, 2 media players and lots of transitions. Plus it includes a whole television studio of features such as hardware streaming, recording, audio mixer, talkback, multiview and optional internal network shared storage. There's even an ISO model that records all 8 inputs for editing. THREE GREAT ATEM TELEVISION STUDIO MODELS ATEM Television Studio HD8 Compact live production switcher with built in broadcast control panel, 8 x 3G‑SDI inputs, streaming, recording, multiview, DVE, keyers, USB webcam, media players, talkback and optional cloud storage. ATEM Television Studio HD8 ISO Powerful ISO model includes all the features of ATEM Television Studio HD plus adds ISO recording of all 8 inputs and supports up to 8 remote cameras with control and tally for each camera. ATEM Television Studio 4K8 Powerful Ultra HD live production switcher similar to the non ISO HD model, however includes 8 x 12G-SDI inputs, 10 12G-SDI aux outputs for external recorders, 4 port 10G Ethernet switch and more. BRING MULTI CAMERA LIVE PRODUCTION TO ANY LOCATION Compact Broadcast Vans With the all in one design, you can build a new generation of ultra compact broadcast vans. You don't need racks of equipment, so you can eliminate clutter for a much nicer work environment. For stability, you can even mount the switcher inset into the desk. Music Venues and Clubs Some of the most exciting venues, such as downstairs music venues or comedy clubs, are too small for racks of video equipment. However ATEM Television Studio can be carried into any venue. It’s also easy to pack up, even if the venue is still crowded. Online Education ATEM Television Studio is perfect for creating education content. As the ISO model records the video inputs, you can finesse edits, replace shots and even add colour correction. Plus you can even connect to Zoom to incorporate live chat with students. Live Sports ATEM Television Studio is perfect for live sports because it has a simple design that's easy for community volunteers to use. It can be installed into sports clubs or taken on the road with the team. With up to 8 cameras, you'll catch all the exciting angles. SELF CONTAINED BROADCAST QUALITY SWITCHER The ATEM Television Studio combines a switcher and control panel into the same unit, so it’s extremely portable. You get everything you need. The front panel includes buttons for selecting sources, triggering transitions and setting up video effects. Plus the buttons are the same high-end type used on expensive broadcast switchers. You also get a built in t-bar for manual transition control. The front panel even has an innovative audio mixer control area with live metering on a dedicated LCD. There are also buttons for recording and streaming control, plus live aux switching that lets you change aux outputs between all 8 cameras, program, preview or the multiview. CONNECT UP TO 8 BROADCAST CAMERAS With 8 SDI video inputs, ATEM Television Studio lets you connect multiple cameras for different views of the performance. Video cameras with SDI outputs, such as Blackmagic Studio Camera or Blackmagic URSA Broadcast G2, are much better quality as they have better low light performance and use professional lenses. All video sources will re-sync to the switcher, even if they operate at different video standards. Everything just works so setup on location is easy and you don't have to worry about technical problems. Imagine taking advantage of the creative freedom of multi camera live production for interviews, advertorials, theater productions, music performances, sports and more. INCLUDES PRODUCTION, POST PRODUCTION AND DISTRIBUTION Live Production You get an incredibly powerful 8 input switcher with both program and aux outputs so you have everything you need for mobile production. That means you can connect up to 8 cameras. Plus you get professional camera control, talkback and audio mixing all designed into a familiar broadcast panel. Post Production The ISO model records all inputs into separate files so you can edit using any NLE that supports multi-cam. That's possible because all files have perfect timecode sync. Plus with built in network storage, you can edit while recording. Multiple users can even share media and collaborate. Distribution With a built in hardware streaming engine, you can live stream your event to a global audience. Recording to H.264 files with AAC audio means you get the correct format to upload to YouTube. Plus you share live broadcasts with your audience by using the aux outputs and large screens and projectors. EASY TO USE AND FAST TO LEARN There's never been a switcher that’s easier to use, as you simply press any of the program row buttons on the front panel to cut between video sources. Or you can pre select a source on the preview row and then choose between cut or effect transitions by selecting the cut or auto buttons. You can select from exciting transitions such as dissolve, or more dramatic effects such as dip to colour, DVE squeeze and DVE push. You can even add a DVE for picture in picture effects with customized graphics. There are also media players which let you store graphics with alpha channels for titles and graphics that you can load as live video inputs. Then you can live stream the results. TRUE BROADCAST STYLE MIX EFFECTS SWITCHING ATEM Television Studio uses a professional program/preview style of operation, which is exactly the way large broadcasters use live production switchers. However ATEM Television Studio can be switched to A/B style switching, which is easier when it's used by volunteers or community groups. However, if you want to operate the switcher like a broadcast professional then the program/preview is perfect. This means a source won't be put on air until you press the cut or auto button. This 2 step process means you see what you are selecting before putting it to air, so you get fewer mistakes. Plus program/preview operation is a fantastic way to train students for a career in broadcast television. EASY TO ADD EXCITING VIDEO EFFECTS One of the benefits of ATEM Television Studio is the range of professional built in video effects. The cut button ensures an instant cut when switching between sources. The t-bar fader can be used to transition video effects, or you can do the transition automatically by pressing the auto button. Auto uses the transition duration set in the system control. You can also select the type of effect you want including mix, which does a smooth transition between sources, or dip which transitions via a third video source, such as a colour generator. There is a wide range of SMPTE wipes included, plus fun DVE effects that slide or squeeze the image off screen when transitioning between video sources. INCLUDES LOADS OF EXTREMELY CREATIVE TRANSITIONS ATEM Television Studio includes the same kind of transitions found on expensive broadcast switchers. This means the effects and transitions can be customized in many different ways, so they are surprisingly powerful. You'll never stop finding new ways of using them. That’s because all transitions can be customized by adjusting parameters such as duration, border colour, border width, position and direction. You can even use the DVE with a wipe transition, where the DVE moves a graphic over the wipe edge. That's called a graphic wipe and it’s often used in sports broadcasting. The preview transition button can be used to set up effects offline, which is great for eliminating mistakes. BUILT IN DVE FOR BROADCAST VIDEO EFFECTS ATEM Television Studio features an independent DVE that lets you reposition graphics and create picture in picture compositions. You get amazing quality and the DVE supports position, resize and scale, all in real time. The DVE lets you create professional picture in picture effects with customizable 3D borders, shadows and lighting. DVEs can also be used to create amazing DVE transitions with squeeze, swoosh and push effects for adding excitement to your programming. You can even combine DVE transitions with custom graphics to create your own graphic wipe transitions. Pus there is also a SuperSource multi layer processing engine with 4 extra DVEs. SUPPORTS INTERNAL MEDIA FOR STILLS AND MOTION GRAPHICS The built in media pool stores broadcast quality graphics and animations that can be played back using the built in media players. Media players appear as independent sources so you don't need to waste any of the SDI inputs for graphics. For highest quality, all media supports RGB colourspace with alpha channel, allowing transparency and layering. The media pool can hold 20 HD or Ultra HD resolution stills. Depending on the model, motion graphics clips for animations and stingers can be up to 720 frames in 720HD, 360 frames in 1080HD and 90 frames in 2160 Ultra HD. The ATEM Software Control allows you to upload and manage media. You can even prepare graphics in Adobe Photoshop and then download to the media pool using the free ATEM Photoshop plug-in. INCLUDES 4 ATEM ADVANCED CHROMA KEYERS ATEM Television Studio is perfect for news and on-set presentation work because it features 4 ATEM Advanced Chroma Keyers for green screen keying effects. The chroma keyers are incredibly powerful and include features such as a colour picker to sample background colours for automatic generation of the key parameters. You get precise controls for edge and flare, and there is even a foreground colour corrector so you can match the foreground and background layers for seamless compositions. You can even use it for title overlays by creating graphics with a green or blue background. With 4 ATEM Advanced Chroma Keyers, ATEM Television Studio is perfect for creating fixed camera virtual sets. POWERFUL SUPERSOURCE PROCESSING In addition to the DVE in the ATEM Television Studio, there is also a powerful SuperSource multi layer processor. SuperSource gives you 4 extra DVE layers plus a background layer, all layered together as an additional input source. Any video input can be used as sources for each DVE, then it’s all layered together over a media pool custom background or live video. SuperSource is perfect for doing multiple picture in picture displays with people being interviewed because you can set up the effect so the viewer can see each person being interviewed all within a stylish graphic. SuperSource is just like having a completely independent multi-layer VFX switcher built in. UP TO 8 STANDARDS CONVERTED SDI INPUTS The ATEM Television Studio HD models feature 8 independent 3G-SDI inputs, and the 4K model has 8 12G-SDI inputs. Each SDI input has a dedicated standards converter so any 720 HD, 1080 HD or 2160 Ultra HD input source will be converted to the standard of the switcher. That means each SDI input could have a different television standard and all inputs will just work. SDI input audio channels 1, 2, 3 and 4 can also be manually routed to various embedded audio channels in the program and aux outputs. Plus you can even router out audio channels 1 and 2 from the SDI inputs to the MADI digital audio output, so you can hand off the switcher input audio to an external audio engineer for mixing. PROFESSIONAL SDI OUTPUTS WITH 16 CHANNEL EMBEDDED AUDIO The ATEM Television Studio includes up to nine SDI program outputs so you get enough connections to send a separate program return feed to all of your cameras. That’s important because the SDI program return is used to send tally, talkback and control information back to the cameras. You also get dedicated aux outputs for driving stage monitors and master recorders. Two of the aux outputs can be live switched using dedicated buttons on the control panel. One of the aux outputs also includes an on screen counter for presenter monitoring. Plus you can manually route audio into all 16 embedded audio channels in the SDI outputs. There's also a dedicated 3G-SDI and HDMI output for the multiview. BUILT IN AUDIO MIXER WITH 6 BAND EQ, COMPRESSOR AND LIMITER With a built in Fairlight audio mixer, ATEM Television Studio makes it possible to do complex live sound mixing. The internal mixer features enough channels for all SDI inputs, as well as extra channels for the XLR, RCA and MADI inputs. Each input channel features the highest quality 6 band parametric EQ, compressor, limiter, expander and noise gate as well as level and pan controls. You can mix all these input channels together at the same time, or you can set video sources to "audio follow video". The audio mixer is extremely powerful and it can be adjusted from the front panel using the dedicated audio mixer controls and LCD. Plus you can also mix audio using ATEM Software Control. BUILT-IN MULTIVIEW SUPPORTS 16 SOURCES ON A SINGLE MONITOR When doing larger live productions with multiple cameras, it’s vital to see all your video sources at the same time on a single monitor. ATEM Television Studio includes a professional multiview that lets you see all video inputs, preview and program on a single SDI or HDMI monitor. You can even send the multiview to the aux outputs. Each camera view includes tally indicators so you know when each source is on-air, plus each view has custom labels and audio meters. You can fully customize the multiview layout with up to 16 simultaneous views. You can also select one of the additional status views that lets you track recording, streaming and the audio mixer status, right from the multiview. LIVE STREAM TO A GLOBAL AUDIENCE ATEM Television Studio has a built in hardware streaming engine for live streaming to a global audience. That means you can live stream to services such as YouTube, Facebook and Twitch in better video quality and without dropped frames. Streaming works using the Ethernet connection to the internet, or you can connect a smartphone to use mobile data. Then you simply select the streaming service and enter the streaming key using ATEM Software Control. This makes streaming easy to setup, and the convenient data rate indicator shows the internet speed required. If you're technically minded, you can even update the streaming profiles in an XML settings file to add new services. CONNECT 5G OR 4G PHONES FOR MOBILE DATA If you’re doing live production on location then the ATEM Television Studio supports mobile data by connecting an Apple or Android phone to the USB port. It's also a great backup for the main Ethernet connection. Phone tethering works with the latest high speed 5G phones plus the more common 4G phones. The ATEM switcher will detect when a phone is connected and automatically switch its internet connection to use it if the Ethernet connection is lost. When connected, the phone will also power from the USB port so it always remains charged and ready to go. By using phone tethering and mobile data, you get the perfect mobile production solution that can be transported anywhere. OUTPUTS TO ANY SOFTWARE THAT SUPPORTS USB WEBCAMS You can use any video software with ATEM Television Studio because the USB connection will emulate a webcam. That means you can plug into a computer and use any video software that works with a webcam. The software is tricked into thinking the ATEM Television Studio is a common webcam, but it's really a live production switcher. That guarantees full compatibility with any video software and in full resolution 1080HD quality. Imagine doing a presentation from a professional broadcast studio to software such as Zoom, Teams or Skype. For streaming, the webcam output also works with streaming software such as Open Broadcaster, XSplit Broadcaster and more. RECORD TO INTERNAL STORAGE OR USB DISKS ATEM Television Studio supports recording to external USB flash disks. Or if an optional M.2 flash disk is installed, you can record directly to internal network shared storage. The internal storage plus any external USB disks will be available to share over the local Ethernet network so other people can work on post production tasks such as editing, colour correction and graphics preparation. All recordings are in H.264 format with AAC audio for broadcast quality video and small file sizes. You can also connect multiple USB disks, so recording will continue if a disk becomes full. You even get buttons on the control panel to start recording and you can see record status in the multiview. INTERNAL STORAGE SUPPORTS MULTIPLE USERS The ATEM Television Studio is also a fast network disk if you install an optional M.2 flash memory card inside the switcher. Flash memory is extremely fast so it can keep up with recording multiple ISO video files while lots of external simultaneous users all work on separate computers for editing, colour correction, VFX and audio post production. Plus the internal network storage is extremely easy to set up. You can also sync the storage to Dropbox and Google Drive, so recordings can be distributed between other ATEM Television Studios or Blackmagic Cloud Stores in different locations, even on lower cost internet connections. That’s the perfect global media sync solution. EDIT LIVE PRODUCTION WITH SEPARATE ISO RECORDINGS The ATEM Television Studio HD ISO model allows you to edit your live event as it can record all inputs to separate video files. You get 8 separate video input files with matching timecode and sync, plus the program video is also recorded into a separate master video file. This means you can edit using any NLE software that supports multi-cam editing. You can use any edit software that supports multi-cam because all input ISO video files will have matching timecode and be in perfect sync. Now it's easy to re-edit your show after the event, so your work will be absolutely perfect. Plus audio is recorded into separate WAV files so you can even professionally remix your audio. FULL INTEGRATION WITH DAVINCI RESOLVE Only ATEM Television Studio HD8 ISO is fully integrated into DaVinci Resolve. This means you can edit, colour correct, add VFX and audio mixing to your live production. Plus DaVinci Resolve is a free download for Mac, Windows and Linux, so there's no monthly license costs. Simply open the project and you'll see your live production as an edit timeline. You can trim edits and remove shots you don't want. In the cut page, the sync bin will show alternative shots in a multiview display. If you want to replace a shot, then simply click an alternative. Finally, you can add professional DaVinci colour correction. You can even relink to Blackmagic RAW camera files if you want to finish in Ultra HD. DISTRIBUTE FILES GLOBALLY With support for Dropbox and Google Drive sync, you can share files globally. That’s extremely important when working with video files that have long record durations so become large. If you need to work in multiple locations, then each user needs to have instant access to these files, even when most internet connections are too slow. While the internet is often too slow to access large video files in real time, it is perfect for syncing files to a storage provider such as Dropbox or Google Drive. Multiple Blackmagic Cloud Stores can sync down for local access in each location. Then everyone has a copy of their media on local network storage. It's the simplest solution for global media sync. Add Cloud Service Make sure your ATEM Television Studio is connected to the internet. Enter in your Dropbox or Google Drive account details, so the switcher can get access to allow sync. Set Sync Folders Next you need to set the sync folders. That tells the ATEM Television Studio where to sync its files to the remote Dropbox or Google Drive. You can have multiple sync folders for different jobs. Set Sync Direction Now set the sync direction. One direction is good when you have local files you want to share, but not enough room for everyone’s files. Both directions means everyone gets the same set of files. CONNECT TO REMOTE INTERNET CAMERAS Another exciting feature on the ATEM Television Studio HD8 ISO model is that it can connect to remote cameras. The Blackmagic URSA Broadcast G2, Blackmagic Studio Camera 4K Pro G2 and Blackmagic Studio Camera 6K Pro cameras can live stream in H.264 direct to the switcher. If you're connected to the local network, then simply select the camera in the input menu. However if the switcher is set to a fixed external IP address, then you can export an XML file with the camera settings to live stream from anywhere on the internet. Simply load the XML file into the camera. Plus you even get camera control and tally. Program audio is also sent back to the camera which is great for live interviews. INCLUDES FREE ATEM SOFTWARE CONTROL PANEL The ATEM Software Control app unlocks the hidden power of ATEM Television Studio by allowing access to all the features in the switcher. ATEM Software Control features a visual switcher user interface with parameter palettes for making adjustments. Although you can connect via USB, if you connect using Ethernet you can run multiple copies of ATEM Software Control on different computers. The software lets you live switch, mix audio, colour correct in the cameras and manage media. You can also build and run complex macros from the software. Plus you can save the switcher state as an XML file for recalling jobs later. You can even control trigger external HyperDeck recorders. LOCALIZED FOR 13 POPULAR LANGUAGES ATEM Television Studio supports multiple languages in the menus and in the ATEM Software Control, so you can customize it to the language you prefer. You get support for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese, Turkish, Polish and Ukrainian languages. Simply go into the setup menu to change the language, or you can always switch to another language at any time in the future. Once a language is selected, the menus on all the LCDs will change to the selected language. Multiple language support means ATEM Television Studio is perfect for doing live production work anywhere in the world and with any crew. DESIGNED TO BE EASY TO REPAIR With so many features built in, it’s vital that ATEM Television Studio can be easily repaired. Plus, there is already a lot of built in redundancy, with 4 Ethernet connections, up to 9 program SDI outputs, 2 USB ports and 2 power connections. However if someone trips on a cable and breaks a connector, then you need to be able to repair the connector at low cost. All the internal electronic PCBs are modular, so any qualified technician can buy a replacement and easily swap the board. This includes the connector PCBs, which can be purchased separately. All the technician needs to do is remove the bottom cover and replace the PCB. A large broadcaster could even buy the boards as a spare parts kit. FLEXIBLE AND REDUNDANT POWER The all in one design of ATEM Television Studio includes a built in power supply so you don’t have to carry around an external power brick. Simply plug it into any AC mains outlet and start live production. The international power supply automatically works from 100 to 240V AC, so you can use it anywhere in the world. Plus, ATEM Television Studio includes both AC and DC power connections. A broadcast standard XLR 12V DC power connection is included which is perfect for backup power or for running on batteries. That means you can use it in extremely remote locations. Plus, if the internal power supply should malfunction, then you can simply connect an external DC supply to keep running. ADD AUDIO EXPANSION FOR MORE MICROPHONES If you're building a podcasting studio or you need more microphones, then the ATEM Microphone Converter allows audio input expansion. It connects to the ATEM Television Studio using the MADI port, so there's no complex setup and you can daisy chain units to add more inputs. Each converter has 4 analogue inputs that are mic/line selectable and have phantom power. The design features amazing quality with an extremely low noise floor of -129dBV, a dynamic range of 131dB(A), low distortion of 0.002% and uniform tolerances across all channels. It even uses 8 separate ADCs on each input to collectively extend the dynamic range. Plus it has a fun HDMI monitoring output with scrolling audio waveforms. ADD THE ULTIMATE COMPACT STUDIO CAMERA When you need cameras that are perfectly designed for ATEM Television Studio then the new Blackmagic Studio Cameras are an ideal choice. Blackmagic Studio Cameras have the same features as large studio cameras, miniaturized into a single compact and portable design. Plus with digital film camera dynamic range and colour science, the cameras can handle extremely difficult lighting conditions while producing cinematic looking images. The sensor features an ISO up to 25,600 so you can create amazing images even in dimly lit venues. Advanced features include talkback, tally, camera control, built in colour corrector and Blackmagic RAW recording. You can even add focus and zoom controllers. MATCH CAMERAS WITH AN ATEM CAMERA CONTROL PANEL When working on live production, it’s critical all cameras are perfectly colour matched for a consistent look as you transition between different sources. ATEM Television Studio has camera control built in, however if you add a dedicated ATEM Camera Control Panel then you can adjust cameras using the same style of controls that are standard in the broadcast industry. Each camera controller includes an LCD screen with buttons and knobs for live camera adjustments, so you get a very clear indication of each camera’s parameters. The large joystick allows direct adjustment of iris and rotates to set black level. There are even red, green and blue knobs for fine control of camera colour tint. COMPATIBLE WITH BLACKMAGIC CAMERAS, PANELS, DECKS AND MORE ATEM Television Studio is even more powerful as it can be expanded to grow with you. Blackmagic Studio Cameras are a great solution as they are a professional broadcast studio cameras with tally, talkback and camera control, all miniaturized into a small and portable design. Of course, the full URSA Broadcast G2 is a broadcast style camera that uses B4 lenses, and has optional SMPTE fiber connections. If you want to control cameras using the same style of control broadcasters use, then you can add an ATEM Camera Control Panel for control and colour balancing of up to four cameras. For mastering, Blackmagic HyperDeck Studio recorders allow you to add recording in ProRes and DNx formats.

Blackmagic DeckLink IP HD

Blackmagic DeckLink IP HD(BMD-BDLKIPBIP/HD, BMD BDLKIPBIP/HD, BMD/BDLKIPBIP/HD) THE PERFECT CAPTURE AND PLAYBACK FOR 2110 IP BROADCAST SYSTEMS DeckLink IP cards are the easiest way to capture and play back video directly into 2110 IP based broadcast systems. They have the same DeckLink features so all your existing software will just work. DeckLink IP cards support multiple video channels plus each channel can capture and play back at the same time. This means you can build racks of servers generating broadcast graphics, virtual sets, or GPU based AI image processing, all directly integrated into 2110 IP broadcast infrastructure. You can even use DaVinci Resolve for 2110 IP based broadcast editing workstations. DeckLink IP features a high speed PCIe connection so it works on the latest Mac Pro, Windows and Linux computers. THREE GREAT DECKLINK IP HD MODELS DeckLink IP HD DeckLink IP features 3 channels of capture and playback to 2110 IP broadcast systems via a single RJ45 style Ethernet connection. It supports all 720p, 1080i and 1080p video standards up to 1080p60. DeckLink IP HD Optical DeckLink IP features 3 channels of capture and playback to 2110 IP broadcast systems via an SFP based optical fiber Ethernet connection. It supports all 720p, 1080i and 1080p standards up to 1080p60. DeckLink IP/SDI HD For connection to both 3G-SDI and 2110 IP systems, this model has 2 capture and playback channels to 2110 IP via RJ45 Ethernet, 3G-SDI and ref out. Supports 720p, 1080i and 1080p standards to 1080p60. 10G ETHERNET FOR MULTIPLE SMPTE 2110 IP CHANNELS DeckLink IP cards conform to the SMPTE ST2110 standard for IP video, which specifies the transport, synchronization and description of video, audio and ancillary data over managed IP networks for broadcast. It also keeps video sources in sync using a common PTP clock. DeckLink IP supports SMPTE-2110-20 uncompressed video, SMPTE-2110-21 traffic shaping/timing, SMPTE-2110-30 audio and SMPTE-2110-40 for ancillary data. The big advantage of SMPTE 2110 is all video, audio and ancillary data are transported independently over the network. Plus DeckLink IP supports multicast, which is an extremely efficient way of distributing video, audio and data from a single source to multiple destinations. BUILT IN VIDEO FIREWALL FOR TOTAL IP NETWORK SECURITY The problem with computers and 2110 IP video networks is the vulnerability to rogue software or even hackers. That’s because anyone can send data to the computer’s Ethernet connection. However DeckLink IP eliminates this problem because all video is transferred using frame buffers. It’s like a video based firewall. This means the DeckLink IP Ethernet port is isolated from anything other than video and audio. Instead, like all DeckLink cards, the video and audio are transferred to on board DeckLink frame buffers where video playback is managed and then converted to 2110 IP video channels. This means it’s totally impossible for rogue software or hackers to access the 2110 IP network directly. HIGH SPEED 4 LANE PCIE CONNECTION With a high speed 4 lane PCI Express interface, DeckLink IP cards feature a PCIe connection to the host computer that's fast enough to handle multiple HD video channels, as well as simultaneous capture and playback on each of the channels. With PCI Express, you get very low latency combined with highly accurate time synchronization to the software that's capturing or playing video. Only DeckLink IP cards give you this performance all while using a simple and low cost 4 lane PCIe connection. This means you can install DeckLink IP into compact and very low cost computers. Plus DeckLink IP HD and DeckLink IP HD Optical are low profile, so they can be installed in rack mount servers. SUPPORTS ALL SD AND HD FORMATS UP TO 1080P60 DeckLink IP connections are multi rate so they support all SD and HD formats. Plus the DeckLink IP/SDI HD model includes both 2110 IP and 3G-SDI on the same card, so it can connect to all your existing SDI broadcast equipment, while simultaneously connecting to new IP based infrastructure. Or you can just use the 3G-SDI output for local monitoring. In standard definition, DeckLink IP supports both 525i59.94 and 625i50 standards. In high definition, DeckLink IP cards support all 720p video standards up to 720p60, all 1080 interlaced standards up to 1080i60 and all 1080p standards up to 1080p60. Plus there is no complex change over as the cards can switch instantly to a new video standard. GET TRUE 10-BIT BROADCAST VIDEO QUALITY DeckLink IP cards are designed to support the highest quality video. You get support for capture and playback to popular video formats such as Apple ProRes, DNxHD or even 10-bit uncompressed, so you’re never locked into a single file format. 10-bit is the most commonly used television standard as colours can be represented with 4 times the precision of 8-bit video. Only working with 10-bit uncompressed video will ensure all images are a perfect pixel for pixel clone of the original source, so you’re always working at the absolute highest quality possible. This means you get the sharpest green screen keying, seamless VFX compositions and superior colour correction. INCLUDES NMOS PROTOCOL FOR BUILDING A VIRTUAL ROUTER DeckLink IP supports the NMOS interface specifications so all 2110 IP video devices can operate together as a large virtual router. Plus Videohub Smart Control can route sources to destinations on 2110 IP networks because it can act as an NMOS controller. The NMOS interface specification describes how SMPTE 2110 devices such as DeckLink IP are discovered and controlled on IP networks. DeckLink IP supports IS-04 for discovery and registration of IP video devices and IS-05 for connection management between IP video devices. This means you can make connections between sources and destinations just like a traditional SDI router, but all within the Ethernet network. WORKS WITH ALL POPULAR VIDEO SOFTWARE DeckLink IP supports all popular video software, so you're free to work with the tools you already know and love. DeckLink IP is perfect for using DaVinci Resolve as a 2110 IP based broadcast editing and colour correction solution. Because DeckLink IP supports capture and playback at the same time, you can even use the live grading feature in DaVinci Resolve to capture video, apply colour correction and then output it all at the same time. DeckLink IP also works with other editing software including Final Cut Pro, Media Composer, Premiere Pro and more. You can even create stunning visual effects with Fusion, After Effects and Photoshop. Plus a Windows WDM driver is also included. COMPATIBLE WITH DAVINCI RESOLVE DeckLink IP is the perfect solution for DaVinci Resolve. Only DaVinci Resolve includes Hollywood level editing, colour correction, VFX and audio post production in the single software tool. Plus DaVinci Resolve is a free download for Mac, Windows and Linux, so there are no monthly license costs. The editing uses a familiar track based layout with lots of trim and edit tools, as well as loads of high quality transitions, effects and title templates. Then you can add professional DaVinci colour correction. DaVinci colour correction supports full 32‑bit float YRGB processing with tools including primaries, secondaries, power windows, 3D object tracking, advanced AI tools and more. USE POWERFUL BROADCAST GRAPHICS TOOLS When creating broadcast graphics and titles, you will want to use the same tools graphic designers are already familiar with, so you get the most creativity, with no retraining required. All DeckLink cards work with Fusion, which is the visual effects software integrated into DaVinci Resolve, as well as Adobe After Effects and Photoshop. Fusion Studio is a powerful node based compositing VFX tool with 2D and 3D environments, hundreds of effects and more. Plus you can download and use Fusion free of charge in DaVinci Resolve. You can use the included Blackmagic Media Express software to capture and play back video into files that can be loaded into Fusion, After Effects or Photoshop. BUILD CUSTOM BROADCAST AUTOMATION SERVERS When you need to run your broadcast programming remotely, for either a large broadcast network or local television station, DeckLink IP can be easily combined within your custom broadcast automation systems. There are so many fantastic automation tools and on the Mac platform, you can use Tools On Air just: Broadcast Suite, Softron OnTheAir, MovieRecorder and OnTheAir CG. On the Windows platform, you get compatibility with Vidblaster X, Studio and Broadcast, Uniplay and Playbox AirBox. These powerful software tools work with DeckLink IP to manage all types of broadcast automation tasks, and they are proven solutions that are currently running thousands of television stations worldwide. BUILD STREAMING SERVERS FOR GLOBAL BROADCASTING DeckLink IP works the same as other DeckLink cards, so it’s also fully compatible with popular video and audio streaming software. This means you can build streaming workstations that let you live stream to millions of global viewers online. On the Mac, you get fantastic streaming solutions such as Open Broadcaster, Wirecast, Livestream Producer and more. When streaming on Windows, you get compatibility with Open Broadcaster, Xsplit Broadcaster, Wirecast and Livestream Producer. With DeckLink IP, you can take any 2110 IP feed and convert into live streams to as many online platforms as you need. Or with the ATEM Streaming Bridge, you can even link up remote broadcast networks. INCLUDES MEDIA EXPRESS SOFTWARE If you're using video software that doesn't have direct hardware support for capture and playback, then Blackmagic Media Express is the perfect solution, plus it comes free with every DeckLink. Media Express lets you capture and playback in uncompressed YUV 4:2:2 QuickTime, AVI and DPX, ProRes, DVCPRO and MJPEG file formats. It’s a fantastic solution to capture from old broadcast decks for archiving. Because the speeds of flash based storage media can vary a lot between brands, DeckLink IP also includes Blackmagic Disk Speed Test. This means you can check the speed of media disks, with the results displayed in frames per second at various television standards. DEVELOP CUSTOM SOLUTIONS WITH THE DECKLINK SDK Available free with all DeckLink cards is an advanced developer SDK for Mac, Windows and Linux that you can download free of charge. The developer SDK makes it easy to develop your own custom solutions for in house use, or to sell to other broadcasters. The DeckLink SDK provides low level control of hardware when you need flexibility, as well as high level interfaces which are a lot easier to use when you need to perform more common tasks. Thousands of manufacturers and developers use Blackmagic DeckLink cards in their products, so you get the confidence that the DeckLink SDK will provide a solid foundation for developing commercial quality broadcast solutions. USE DECKLINK IP IN YOUR PRODUCTS If you are a manufacturer who would like to use DeckLink IP in your products, then you can contact Blackmagic Design's OEM team for more information. The first step is to download the Desktop Video SDK which has the DeckLink API documentation and example code, which should be a great way to get started. However if you have any trouble getting your code to work, please contact us, or visit us at trade shows such as NAB or IBC. Our developer support engineers can offer suggestions and help you with your code. Then when you have your solution working, you can contact us to learn more about bulk buying DeckLink cards. Or if your volume is low, you can simply buy from our reseller network worldwide.

BLACKMAGIC Ultimatte 12 HD Mini

BLACKMAGIC Ultimatte 12 HD Mini(BMD-ULTMKEY12/A/HDM, BMD ULTMKEY12/A/HDM, BMD/ULTMKEY12/A/HDM) The all new Ultimatte 12 is more than the world’s best keyer, it’s an advanced real time compositing processor designed for the next generation of broadcast graphics. Ultimatte 12 features entirely new algorithms and colour science that deliver true photorealistic composites. You get incredible edge handling, greater colour separation, amazing colour fidelity and better spill suppression than ever before, even in dark shadow areas or through transparent objects such as windows. Ultimatte 12 is available in 4 amazing models, with HD, Ultra HD and even native 8K support. Imagine presenting the weather, sports, news and entertainment in a cinematic quality environment, all composited in real time. ADD AN ULTIMATTE 12 TO EACH CAMERA When you’re working live with multiple cameras shooting from different angles, it’s common for the green screens to suffer from variations. Plus the keyers built into live production switchers often have to be shared between cameras, which complicates keying because each camera sees the green screen a little differently. The new Ultimatte 12 eliminates these problems because you get incredible technology at an affordable price, allowing each camera to have a separate Ultimatte. That means each Ultimatte can be tuned to a specific camera’s view. With a dedicated Ultimatte on each camera, your compositions can go well beyond what's possible with set design, so you can create whole new worlds. GENERATE LIVE VIRTUAL ENVIRONMENTS FOR BROADCAST Whether you’re working in broadcast news, sports, film production, or magazine style entertainment programming, Ultimatte 12 has the quality for incredibly life like composites that place your talent into any scene. Plus the new Ultimatte 12 models include built in frame stores so you don't need live video sources for all inputs. You can also use Ultimatte 12 to layer computer generated augmented reality foreground objects into a scene, complete with realistic transparency that your talent can walk behind. Ultimatte 12 is also perfect for on set pre visualization in film production because it lets actors and directors watch the scene while they’re shooting. CREATE REALISTIC FIXED CAMERA VIRTUAL SETS Now you can create a massive broadcast set, even in small apartments or a basement. That's because all Ultimatte 12 models have frame stores so you can load pre rendered still frames from a 3D modeled broadcast set. This is a revolution in live production because you can now use a virtual set even if you don't have the space for a physical broadcast set. Plus without any external equipment. Just use multiple cameras, each with an Ultimatte 12 and a background frame loaded. As the backgrounds are pre rendered, they can be more photorealistic than a traditional virtual set. If the cameras don't move, the backgrounds will look perfect. Plus Ultimatte 12 is low cost, so you can use more cameras. NEW ALGORITHMS AND EXPANDED COLOUR SPACE All Ultimatte 12 models, even Ultimatte 12 HD Mini, have the same incredibly advanced image processing algorithms and a huge internal colour space. This means all models produce identical quality compositions. The processing automatically generates internal mattes so different parts of the image are processed separately based on the colours in each area. It’s like having the power of multiple Ultimatte keyers all working together on the same image. You get fine edge detail where it’s needed the most, like on hair, and smoother transitions between colours or other objects in the scene. Everything is handled by new math and sub pixel processing that’s designed for incredible quality and clarity. AUTOMATIC SCENE ANALYSIS FOR ONE TOUCH KEYING When it comes to live production, you need to work fast. Ultimatte 12 features one touch keying technology that analyzes a scene and automatically sets over a 100 parameters so you get great keys without having to do a lot of extra work. The first step is to ensure your scene is well lit and that the cameras are properly white balanced, then you simply activate the auto key and Ultimatte will do all the work for you. Plus all models include Screen Correction to compensate for unevenly lit green/blue screens. One touch keying is dramatically faster and helps you accurately pull a key with minimum effort. That leaves you free to focus on the program, while Ultimatte 12 takes care of the rest. ADD TRANSLUCENT LAYERS AND BROADCAST GRAPHICS Adding additional translucent objects, such as coloured or tinted glass and computer graphics, is virtually impossible with a traditional keyer. That’s because you can’t subtract a blue or green screen out of a semi-transparent coloured object without changing the object’s original colour. Now, with Ultimatte 12, you get a revolutionary new layer compositing mode that lets you add tinted objects on top of the foreground image. That allows a whole new generation of realistic translucent glass looks in broadcast graphics. This means that when you look through the object, or your talent walks behind it, the tinted colours are accurately preserved, making the shot look completely realistic. FAITHFULLY REPRODUCE AND RETAIN DIFFICULT COLOURS With Ultimatte 12, you get new advanced flare, edge and transition processing so you can remove the background, without affecting the colours you want to keep. What this means is you’ll be able to retain and faithfully reproduce colours that are impossible on other keyers, such as a bright yellow dress in front of a green screen. Ultimatte 12 is smart enough to isolate and treat different parts of the image separately, while also keeping the colour transitions between areas smooth. You get the highest quality compositing, so the final output looks photorealistic. Unlike other keyers, Ultimatte 12 delivers crisp clear images with vibrant colours that pop. KEY AND COMPOSITE IMAGES WITH SHADOWS AND TRANSPARENCY The improved flare algorithms in Ultimatte 12 can remove green tinting and spill from anything, which is one of the reasons why Ultimatte 12 creates true, realistic looking virtual environments. That also means you don’t have to worry about shadows or transparent objects with reflections. Ultimatte 12 automatically samples the colours, creates seamless mattes for walls, floors and other parts of the image, and then applies the necessary corrections. Shadows are properly mapped and composited onto the new background, spill is removed, and transparent objects are handled with perfection. WIDE RANGE OF VIDEO CONNECTIONS Ultimatte 12 features up to 7 different input connections, depending on the model, that are used for compositing different source elements together. These include foreground and background, along with holdout and garbage mattes, as well as additional layer inputs for superimposing additional images over the composited image. Ultimatte 12 even lets you use sources that are not synchronized when working with static shots. With the new Ultimatte 12 models, you can even operate without video sources because the internal frame stores let you load backgrounds and other elements internally. That dramatically lowers the cost of building Ultimatte based broadcast systems. Redundant Power Dual redundant 100‑240V power supplies ensure reliability in critical on‑air broadcast use USB-C USB allows you to update the firmware and connect to the Ultimatte administration utility software Fill Output If you want to layer composition in an external switcher, then you can use the fill and key output Talent Reference Connect a talent monitor so actors can see their composite Ethernet Connect to Ultimatte Software Control that’s included for Mac and Windows, or a Smart Remote 4 GPI Triggers The GPI inputs can be used to load and run a preset, or a sequence of macro style presets Matte Output This output is used with the fill output when building the composition in an external switcher Preview Monitor Monitoring loop lets an operator preview different internal sources across multiple Ultimatte units Background Input Source input containing the new background such as a virtual set video source or a matte painting Background Matte Input Used to displace opaque areas in the background so foreground elements can appear behind them Garbage Matte Input Removes areas of the foreground source that you don’t want to be included in the composite Foreground Input The foreground input is the source from your camera. This is the talent shot with the green screen Holdout Matte Input Keeps foreground objects from being keyed out such as items with similar colours to the screen colour Layer Input Downstream keyer input that allows you to superimpose sources over the foreground, such as titles Layer Matte Input This is the key for the layer source and is used when creating a composition with the layer input Program Output The main output for broadcast with background, foreground and layers all composited together FUTURE PROOF MODELS WITH ADVANCED 12G‑SDI The Ultimatte 12 4K and Ultimatte 12 8K models feature advanced 12G-SDI connections so you can operate with current HD video formats as well as future Ultra HD and 8K video formats. 12G-SDI gives you high frame rate Ultra HD via a single BNC connection that also plugs into all of your regular HD equipment. That means Ultimatte 12 4K is compatible with virtually all SD, HD, 3G, 6G and 12G-SDI equipment, and supports all HD and Ultra HD formats up to 2160p60. While the Ultimatte 12 8K model features Quad Link 12G-SDI for all video formats up to 4320p60 8K. All this means you can use Ultimatte 12 with your HD cameras now, but then instantly switch to Ultra HD or 8K when you’re ready. USE MULTIPLE ULTIMATTE UNITS ON A SINGLE MONITOR All Ultimatte 12 models feature a monitor cascade feature that lets you view the monitor output from up to eight Ultimatte units on a single SDI display. Simply connect up to eight Ultimatte units via an SDI daisy chain using the monitor input and monitor output connections, with the last Ultimatte unit then plugged into an SDI monitor. Then when you switch to monitor any specific Ultimatte unit using the Ultimatte Software Control or the Smart Remote 4, the monitor output will then clean switch, with almost zero latency, and be passed down the chain for display on the monitor. This greatly simplifies monitoring, even when working with lots of Ultimatte equipped cameras. CONTROL HDMI CAMERAS FROM SDI SWITCHERS The unique Ultimatte 12 HD Mini model has a special feature that allows conversion of SDI camera control to HDMI. This means an ATEM SDI switcher can control a HDMI connected Blackmagic Pocket Cinema Camera. All ATEM switchers send camera control over SDI, and this Ultimatte model can translate it to HDMI for the camera. Just connect SDI from the Ultimatte out to the switcher input, the switcher program out to the Ultimatte SDI input, and then the HDMI connects to the camera. Now add a camera number in the Ultimatte utility to get control of the camera colour corrector, tally and even remote record trigger. Plus you also get camera control with HDMI when used with switchers such as ATEM Mini. INCLUDES FREE ULTIMATTE SOFTWARE CONTROL All Ultimatte 12 models include the free Ultimatte Software Control for Mac and Windows. The main window has menus arranged in sections that perform different functions. Although the interface can look intimidating at first glance as it has so many different buttons and settings, it won’t take long to master, so you will quickly learn to move between settings instinctively as you build your composition. Because Ultimatte Software Control runs on a computer, you can upload the Ultimatte 12 frame stores. All settings and still frames are saved in flash memory so are preserved when the power is turned off. Plus the Ultimatte 12 4K and 8K models include 10G Ethernet for even faster file upload. Main Menu Buttons Tap the menu buttons along the top of the window to select the different input sources you want to adjust. You can also select the matte for making adjustments to the primary matte, and configure your Ultimatte 12 Functions The functions section provides specific Ultimatte settings that can be selected, enabled or disabled. For example, one of the most common controls is reset, which is located in this section if you need to restore a particular setting to its default state Groups This section of the interface contains the majority of the settings menus. For example, if you want to adjust the foreground flare controls, then simply click the foreground button, then click the Flare 1 button. The flare controls will now be visible on the main window side controls for adjustment Information and File Control This section lets you save preset files and configure some of the settings on your Ultimatte. Simply click the folder icon to save a preset. Plus settings can be copied between different models of Ultimatte 12. You can also view status and configuration by clicking on the small information icon Status Bar You can see all the Ultimatte units being controlled by the Ultimatte Software Control by looking at the status bar on the bottom of the main window. The status of each unit icon will illuminate green when identified on your network. When a unit is selected for control the icon will illuminate blue Monitor Out This is one of the most important controls and will set what images are displayed on a video monitor connected to your Ultimatte’s monitor output. You can change the monitor display between program out, foreground input, background input, combined matte view, internal matte view and fill out ADD AN OPTIONAL ULTIMATTE SMART REMOTE 4 The Ultimatte Smart Remote 4 is a touchscreen remote that connects via Ethernet to control up to eight Ultimatte 12 units. Combined with the monitor cascade, this means you can view up to eight Ultimatte 12 units without adding a video router. Smart Remote 4 also features physical buttons and knobs for finer control of the Ultimatte 12 parameters. There are also buttons for quickly loading and saving presets, and a touchscreen that gives you full control over every Ultimatte parameter. Plus the front panel of the Ultimatte rack unit also has buttons to allow recall of custom presets. You can also create custom control solutions with the easy to use text based Ultimatte control protocol.

Blackmagic Ultimatte 12 4K

Blackmagic Ultimatte 12 4K(BMD-ULTMKEY12/C/4K, BMD ULTMKEY12/C/4K, BMD/ULTMKEY12/C/4K) The all new Ultimatte 12 is more than the world’s best keyer, it’s an advanced real time compositing processor designed for the next generation of broadcast graphics. Ultimatte 12 features entirely new algorithms and colour science that deliver true photorealistic composites. You get incredible edge handling, greater colour separation, amazing colour fidelity and better spill suppression than ever before, even in dark shadow areas or through transparent objects such as windows. Ultimatte 12 is available in 4 amazing models, with HD, Ultra HD and even native 8K support. Imagine presenting the weather, sports, news and entertainment in a cinematic quality environment, all composited in real time. ADD AN ULTIMATTE 12 TO EACH CAMERA When you’re working live with multiple cameras shooting from different angles, it’s common for the green screens to suffer from variations. Plus the keyers built into live production switchers often have to be shared between cameras, which complicates keying because each camera sees the green screen a little differently. The new Ultimatte 12 eliminates these problems because you get incredible technology at an affordable price, allowing each camera to have a separate Ultimatte. That means each Ultimatte can be tuned to a specific camera’s view. With a dedicated Ultimatte on each camera, your compositions can go well beyond what's possible with set design, so you can create whole new worlds. GENERATE LIVE VIRTUAL ENVIRONMENTS FOR BROADCAST Whether you’re working in broadcast news, sports, film production, or magazine style entertainment programming, Ultimatte 12 has the quality for incredibly life like composites that place your talent into any scene. Plus the new Ultimatte 12 models include built in frame stores so you don't need live video sources for all inputs. You can also use Ultimatte 12 to layer computer generated augmented reality foreground objects into a scene, complete with realistic transparency that your talent can walk behind. Ultimatte 12 is also perfect for on set pre visualization in film production because it lets actors and directors watch the scene while they’re shooting. CREATE REALISTIC FIXED CAMERA VIRTUAL SETS Now you can create a massive broadcast set, even in small apartments or a basement. That's because all Ultimatte 12 models have frame stores so you can load pre rendered still frames from a 3D modeled broadcast set. This is a revolution in live production because you can now use a virtual set even if you don't have the space for a physical broadcast set. Plus without any external equipment. Just use multiple cameras, each with an Ultimatte 12 and a background frame loaded. As the backgrounds are pre rendered, they can be more photorealistic than a traditional virtual set. If the cameras don't move, the backgrounds will look perfect. Plus Ultimatte 12 is low cost, so you can use more cameras. NEW ALGORITHMS AND EXPANDED COLOUR SPACE All Ultimatte 12 models, even Ultimatte 12 HD Mini, have the same incredibly advanced image processing algorithms and a huge internal colour space. This means all models produce identical quality compositions. The processing automatically generates internal mattes so different parts of the image are processed separately based on the colours in each area. It’s like having the power of multiple Ultimatte keyers all working together on the same image. You get fine edge detail where it’s needed the most, like on hair, and smoother transitions between colours or other objects in the scene. Everything is handled by new math and sub pixel processing that’s designed for incredible quality and clarity. AUTOMATIC SCENE ANALYSIS FOR ONE TOUCH KEYING When it comes to live production, you need to work fast. Ultimatte 12 features one touch keying technology that analyzes a scene and automatically sets over a 100 parameters so you get great keys without having to do a lot of extra work. The first step is to ensure your scene is well lit and that the cameras are properly white balanced, then you simply activate the auto key and Ultimatte will do all the work for you. Plus all models include Screen Correction to compensate for unevenly lit green/blue screens. One touch keying is dramatically faster and helps you accurately pull a key with minimum effort. That leaves you free to focus on the program, while Ultimatte 12 takes care of the rest. ADD TRANSLUCENT LAYERS AND BROADCAST GRAPHICS Adding additional translucent objects, such as coloured or tinted glass and computer graphics, is virtually impossible with a traditional keyer. That’s because you can’t subtract a blue or green screen out of a semi-transparent coloured object without changing the object’s original colour. Now, with Ultimatte 12, you get a revolutionary new layer compositing mode that lets you add tinted objects on top of the foreground image. That allows a whole new generation of realistic translucent glass looks in broadcast graphics. This means that when you look through the object, or your talent walks behind it, the tinted colours are accurately preserved, making the shot look completely realistic. FAITHFULLY REPRODUCE AND RETAIN DIFFICULT COLOURS With Ultimatte 12, you get new advanced flare, edge and transition processing so you can remove the background, without affecting the colours you want to keep. What this means is you’ll be able to retain and faithfully reproduce colours that are impossible on other keyers, such as a bright yellow dress in front of a green screen. Ultimatte 12 is smart enough to isolate and treat different parts of the image separately, while also keeping the colour transitions between areas smooth. You get the highest quality compositing, so the final output looks photorealistic. Unlike other keyers, Ultimatte 12 delivers crisp clear images with vibrant colours that pop. KEY AND COMPOSITE IMAGES WITH SHADOWS AND TRANSPARENCY The improved flare algorithms in Ultimatte 12 can remove green tinting and spill from anything, which is one of the reasons why Ultimatte 12 creates true, realistic looking virtual environments. That also means you don’t have to worry about shadows or transparent objects with reflections. Ultimatte 12 automatically samples the colours, creates seamless mattes for walls, floors and other parts of the image, and then applies the necessary corrections. Shadows are properly mapped and composited onto the new background, spill is removed, and transparent objects are handled with perfection. WIDE RANGE OF VIDEO CONNECTIONS Ultimatte 12 features up to 7 different input connections, depending on the model, that are used for compositing different source elements together. These include foreground and background, along with holdout and garbage mattes, as well as additional layer inputs for superimposing additional images over the composited image. Ultimatte 12 even lets you use sources that are not synchronized when working with static shots. With the new Ultimatte 12 models, you can even operate without video sources because the internal frame stores let you load backgrounds and other elements internally. That dramatically lowers the cost of building Ultimatte based broadcast systems. Redundant Power Dual redundant 100‑240V power supplies ensure reliability in critical on‑air broadcast use USB-C USB allows you to update the firmware and connect to the Ultimatte administration utility software Fill Output If you want to layer composition in an external switcher, then you can use the fill and key output Talent Reference Connect a talent monitor so actors can see their composite Ethernet Connect to Ultimatte Software Control that’s included for Mac and Windows, or a Smart Remote 4 GPI Triggers The GPI inputs can be used to load and run a preset, or a sequence of macro style presets Matte Output This output is used with the fill output when building the composition in an external switcher Preview Monitor Monitoring loop lets an operator preview different internal sources across multiple Ultimatte units Background Input Source input containing the new background such as a virtual set video source or a matte painting Background Matte Input Used to displace opaque areas in the background so foreground elements can appear behind them Garbage Matte Input Removes areas of the foreground source that you don’t want to be included in the composite Foreground Input The foreground input is the source from your camera. This is the talent shot with the green screen Holdout Matte Input Keeps foreground objects from being keyed out such as items with similar colours to the screen colour Layer Input Downstream keyer input that allows you to superimpose sources over the foreground, such as titles Layer Matte Input This is the key for the layer source and is used when creating a composition with the layer input Program Output The main output for broadcast with background, foreground and layers all composited together FUTURE PROOF MODELS WITH ADVANCED 12G‑SDI The Ultimatte 12 4K and Ultimatte 12 8K models feature advanced 12G-SDI connections so you can operate with current HD video formats as well as future Ultra HD and 8K video formats. 12G-SDI gives you high frame rate Ultra HD via a single BNC connection that also plugs into all of your regular HD equipment. That means Ultimatte 12 4K is compatible with virtually all SD, HD, 3G, 6G and 12G-SDI equipment, and supports all HD and Ultra HD formats up to 2160p60. While the Ultimatte 12 8K model features Quad Link 12G-SDI for all video formats up to 4320p60 8K. All this means you can use Ultimatte 12 with your HD cameras now, but then instantly switch to Ultra HD or 8K when you’re ready. USE MULTIPLE ULTIMATTE UNITS ON A SINGLE MONITOR All Ultimatte 12 models feature a monitor cascade feature that lets you view the monitor output from up to eight Ultimatte units on a single SDI display. Simply connect up to eight Ultimatte units via an SDI daisy chain using the monitor input and monitor output connections, with the last Ultimatte unit then plugged into an SDI monitor. Then when you switch to monitor any specific Ultimatte unit using the Ultimatte Software Control or the Smart Remote 4, the monitor output will then clean switch, with almost zero latency, and be passed down the chain for display on the monitor. This greatly simplifies monitoring, even when working with lots of Ultimatte equipped cameras. CONTROL HDMI CAMERAS FROM SDI SWITCHERS The unique Ultimatte 12 HD Mini model has a special feature that allows conversion of SDI camera control to HDMI. This means an ATEM SDI switcher can control a HDMI connected Blackmagic Pocket Cinema Camera. All ATEM switchers send camera control over SDI, and this Ultimatte model can translate it to HDMI for the camera. Just connect SDI from the Ultimatte out to the switcher input, the switcher program out to the Ultimatte SDI input, and then the HDMI connects to the camera. Now add a camera number in the Ultimatte utility to get control of the camera colour corrector, tally and even remote record trigger. Plus you also get camera control with HDMI when used with switchers such as ATEM Mini. INCLUDES FREE ULTIMATTE SOFTWARE CONTROL All Ultimatte 12 models include the free Ultimatte Software Control for Mac and Windows. The main window has menus arranged in sections that perform different functions. Although the interface can look intimidating at first glance as it has so many different buttons and settings, it won’t take long to master, so you will quickly learn to move between settings instinctively as you build your composition. Because Ultimatte Software Control runs on a computer, you can upload the Ultimatte 12 frame stores. All settings and still frames are saved in flash memory so are preserved when the power is turned off. Plus the Ultimatte 12 4K and 8K models include 10G Ethernet for even faster file upload. Main Menu Buttons Tap the menu buttons along the top of the window to select the different input sources you want to adjust. You can also select the matte for making adjustments to the primary matte, and configure your Ultimatte 12 Functions The functions section provides specific Ultimatte settings that can be selected, enabled or disabled. For example, one of the most common controls is reset, which is located in this section if you need to restore a particular setting to its default state Groups This section of the interface contains the majority of the settings menus. For example, if you want to adjust the foreground flare controls, then simply click the foreground button, then click the Flare 1 button. The flare controls will now be visible on the main window side controls for adjustment Information and File Control This section lets you save preset files and configure some of the settings on your Ultimatte. Simply click the folder icon to save a preset. Plus settings can be copied between different models of Ultimatte 12. You can also view status and configuration by clicking on the small information icon Status Bar You can see all the Ultimatte units being controlled by the Ultimatte Software Control by looking at the status bar on the bottom of the main window. The status of each unit icon will illuminate green when identified on your network. When a unit is selected for control the icon will illuminate blue Monitor Out This is one of the most important controls and will set what images are displayed on a video monitor connected to your Ultimatte’s monitor output. You can change the monitor display between program out, foreground input, background input, combined matte view, internal matte view and fill out ADD AN OPTIONAL ULTIMATTE SMART REMOTE 4 The Ultimatte Smart Remote 4 is a touchscreen remote that connects via Ethernet to control up to eight Ultimatte 12 units. Combined with the monitor cascade, this means you can view up to eight Ultimatte 12 units without adding a video router. Smart Remote 4 also features physical buttons and knobs for finer control of the Ultimatte 12 parameters. There are also buttons for quickly loading and saving presets, and a touchscreen that gives you full control over every Ultimatte parameter. Plus the front panel of the Ultimatte rack unit also has buttons to allow recall of custom presets. You can also create custom control solutions with the easy to use text based Ultimatte control protocol.

Blackmagic DeckLink IP HD Optical

Blackmagic DeckLink IP HD Optical(BMD-BDLKIPDIP/OPT/HD, BMD BDLKIPDIP/OPT/HD, BMD/BDLKIPDIP/OPT/HD) THE PERFECT CAPTURE AND PLAYBACK FOR 2110 IP BROADCAST SYSTEMS DeckLink IP cards are the easiest way to capture and play back video directly into 2110 IP based broadcast systems. They have the same DeckLink features so all your existing software will just work. DeckLink IP cards support multiple video channels plus each channel can capture and play back at the same time. This means you can build racks of servers generating broadcast graphics, virtual sets, or GPU based AI image processing, all directly integrated into 2110 IP broadcast infrastructure. You can even use DaVinci Resolve for 2110 IP based broadcast editing workstations. DeckLink IP features a high speed PCIe connection so it works on the latest Mac Pro, Windows and Linux computers. THREE GREAT DECKLINK IP HD MODELS DeckLink IP HD DeckLink IP features 3 channels of capture and playback to 2110 IP broadcast systems via a single RJ45 style Ethernet connection. It supports all 720p, 1080i and 1080p video standards up to 1080p60. DeckLink IP HD Optical DeckLink IP features 3 channels of capture and playback to 2110 IP broadcast systems via an SFP based optical fiber Ethernet connection. It supports all 720p, 1080i and 1080p standards up to 1080p60. DeckLink IP/SDI HD For connection to both 3G-SDI and 2110 IP systems, this model has 2 capture and playback channels to 2110 IP via RJ45 Ethernet, 3G-SDI and ref out. Supports 720p, 1080i and 1080p standards to 1080p60. 10G ETHERNET FOR MULTIPLE SMPTE 2110 IP CHANNELS DeckLink IP cards conform to the SMPTE ST2110 standard for IP video, which specifies the transport, synchronization and description of video, audio and ancillary data over managed IP networks for broadcast. It also keeps video sources in sync using a common PTP clock. DeckLink IP supports SMPTE-2110-20 uncompressed video, SMPTE-2110-21 traffic shaping/timing, SMPTE-2110-30 audio and SMPTE-2110-40 for ancillary data. The big advantage of SMPTE 2110 is all video, audio and ancillary data are transported independently over the network. Plus DeckLink IP supports multicast, which is an extremely efficient way of distributing video, audio and data from a single source to multiple destinations. BUILT IN VIDEO FIREWALL FOR TOTAL IP NETWORK SECURITY The problem with computers and 2110 IP video networks is the vulnerability to rogue software or even hackers. That’s because anyone can send data to the computer’s Ethernet connection. However DeckLink IP eliminates this problem because all video is transferred using frame buffers. It’s like a video based firewall. This means the DeckLink IP Ethernet port is isolated from anything other than video and audio. Instead, like all DeckLink cards, the video and audio are transferred to on board DeckLink frame buffers where video playback is managed and then converted to 2110 IP video channels. This means it’s totally impossible for rogue software or hackers to access the 2110 IP network directly. HIGH SPEED 4 LANE PCIE CONNECTION With a high speed 4 lane PCI Express interface, DeckLink IP cards feature a PCIe connection to the host computer that's fast enough to handle multiple HD video channels, as well as simultaneous capture and playback on each of the channels. With PCI Express, you get very low latency combined with highly accurate time synchronization to the software that's capturing or playing video. Only DeckLink IP cards give you this performance all while using a simple and low cost 4 lane PCIe connection. This means you can install DeckLink IP into compact and very low cost computers. Plus DeckLink IP HD and DeckLink IP HD Optical are low profile, so they can be installed in rack mount servers. SUPPORTS ALL SD AND HD FORMATS UP TO 1080P60 DeckLink IP connections are multi rate so they support all SD and HD formats. Plus the DeckLink IP/SDI HD model includes both 2110 IP and 3G-SDI on the same card, so it can connect to all your existing SDI broadcast equipment, while simultaneously connecting to new IP based infrastructure. Or you can just use the 3G-SDI output for local monitoring. In standard definition, DeckLink IP supports both 525i59.94 and 625i50 standards. In high definition, DeckLink IP cards support all 720p video standards up to 720p60, all 1080 interlaced standards up to 1080i60 and all 1080p standards up to 1080p60. Plus there is no complex change over as the cards can switch instantly to a new video standard. GET TRUE 10-BIT BROADCAST VIDEO QUALITY DeckLink IP cards are designed to support the highest quality video. You get support for capture and playback to popular video formats such as Apple ProRes, DNxHD or even 10-bit uncompressed, so you’re never locked into a single file format. 10-bit is the most commonly used television standard as colours can be represented with 4 times the precision of 8-bit video. Only working with 10-bit uncompressed video will ensure all images are a perfect pixel for pixel clone of the original source, so you’re always working at the absolute highest quality possible. This means you get the sharpest green screen keying, seamless VFX compositions and superior colour correction. INCLUDES NMOS PROTOCOL FOR BUILDING A VIRTUAL ROUTER DeckLink IP supports the NMOS interface specifications so all 2110 IP video devices can operate together as a large virtual router. Plus Videohub Smart Control can route sources to destinations on 2110 IP networks because it can act as an NMOS controller. The NMOS interface specification describes how SMPTE 2110 devices such as DeckLink IP are discovered and controlled on IP networks. DeckLink IP supports IS-04 for discovery and registration of IP video devices and IS-05 for connection management between IP video devices. This means you can make connections between sources and destinations just like a traditional SDI router, but all within the Ethernet network. WORKS WITH ALL POPULAR VIDEO SOFTWARE DeckLink IP supports all popular video software, so you're free to work with the tools you already know and love. DeckLink IP is perfect for using DaVinci Resolve as a 2110 IP based broadcast editing and colour correction solution. Because DeckLink IP supports capture and playback at the same time, you can even use the live grading feature in DaVinci Resolve to capture video, apply colour correction and then output it all at the same time. DeckLink IP also works with other editing software including Final Cut Pro, Media Composer, Premiere Pro and more. You can even create stunning visual effects with Fusion, After Effects and Photoshop. Plus a Windows WDM driver is also included. COMPATIBLE WITH DAVINCI RESOLVE DeckLink IP is the perfect solution for DaVinci Resolve. Only DaVinci Resolve includes Hollywood level editing, colour correction, VFX and audio post production in the single software tool. Plus DaVinci Resolve is a free download for Mac, Windows and Linux, so there are no monthly license costs. The editing uses a familiar track based layout with lots of trim and edit tools, as well as loads of high quality transitions, effects and title templates. Then you can add professional DaVinci colour correction. DaVinci colour correction supports full 32‑bit float YRGB processing with tools including primaries, secondaries, power windows, 3D object tracking, advanced AI tools and more. USE POWERFUL BROADCAST GRAPHICS TOOLS When creating broadcast graphics and titles, you will want to use the same tools graphic designers are already familiar with, so you get the most creativity, with no retraining required. All DeckLink cards work with Fusion, which is the visual effects software integrated into DaVinci Resolve, as well as Adobe After Effects and Photoshop. Fusion Studio is a powerful node based compositing VFX tool with 2D and 3D environments, hundreds of effects and more. Plus you can download and use Fusion free of charge in DaVinci Resolve. You can use the included Blackmagic Media Express software to capture and play back video into files that can be loaded into Fusion, After Effects or Photoshop. BUILD CUSTOM BROADCAST AUTOMATION SERVERS When you need to run your broadcast programming remotely, for either a large broadcast network or local television station, DeckLink IP can be easily combined within your custom broadcast automation systems. There are so many fantastic automation tools and on the Mac platform, you can use Tools On Air just: Broadcast Suite, Softron OnTheAir, MovieRecorder and OnTheAir CG. On the Windows platform, you get compatibility with Vidblaster X, Studio and Broadcast, Uniplay and Playbox AirBox. These powerful software tools work with DeckLink IP to manage all types of broadcast automation tasks, and they are proven solutions that are currently running thousands of television stations worldwide. BUILD STREAMING SERVERS FOR GLOBAL BROADCASTING DeckLink IP works the same as other DeckLink cards, so it’s also fully compatible with popular video and audio streaming software. This means you can build streaming workstations that let you live stream to millions of global viewers online. On the Mac, you get fantastic streaming solutions such as Open Broadcaster, Wirecast, Livestream Producer and more. When streaming on Windows, you get compatibility with Open Broadcaster, Xsplit Broadcaster, Wirecast and Livestream Producer. With DeckLink IP, you can take any 2110 IP feed and convert into live streams to as many online platforms as you need. Or with the ATEM Streaming Bridge, you can even link up remote broadcast networks. INCLUDES MEDIA EXPRESS SOFTWARE If you're using video software that doesn't have direct hardware support for capture and playback, then Blackmagic Media Express is the perfect solution, plus it comes free with every DeckLink. Media Express lets you capture and playback in uncompressed YUV 4:2:2 QuickTime, AVI and DPX, ProRes, DVCPRO and MJPEG file formats. It’s a fantastic solution to capture from old broadcast decks for archiving. Because the speeds of flash based storage media can vary a lot between brands, DeckLink IP also includes Blackmagic Disk Speed Test. This means you can check the speed of media disks, with the results displayed in frames per second at various television standards. DEVELOP CUSTOM SOLUTIONS WITH THE DECKLINK SDK Available free with all DeckLink cards is an advanced developer SDK for Mac, Windows and Linux that you can download free of charge. The developer SDK makes it easy to develop your own custom solutions for in house use, or to sell to other broadcasters. The DeckLink SDK provides low level control of hardware when you need flexibility, as well as high level interfaces which are a lot easier to use when you need to perform more common tasks. Thousands of manufacturers and developers use Blackmagic DeckLink cards in their products, so you get the confidence that the DeckLink SDK will provide a solid foundation for developing commercial quality broadcast solutions. USE DECKLINK IP IN YOUR PRODUCTS If you are a manufacturer who would like to use DeckLink IP in your products, then you can contact Blackmagic Design's OEM team for more information. The first step is to download the Desktop Video SDK which has the DeckLink API documentation and example code, which should be a great way to get started. However if you have any trouble getting your code to work, please contact us, or visit us at trade shows such as NAB or IBC. Our developer support engineers can offer suggestions and help you with your code. Then when you have your solution working, you can contact us to learn more about bulk buying DeckLink cards. Or if your volume is low, you can simply buy from our reseller network worldwide.

BLACKMAGIC ATEM SDI

BLACKMAGIC ATEM SDI(BMD-SWATEMMXEP, BMD SWATEMMXEP, BMD/SWATEMMXEP)A NEW GENERATION OF ULTRA PORTABLE LIVE PRODUCTIONATEM SDI gives you the portable design of ATEM Mini, but its SDI connections means you can connect advanced broadcast quality cameras and recorders. This opens up a whole new world of ultra portable live production. The incredibly portable design means you can fit a whole broadcast quality live production system in a small bag or even a backpack. You can use multiple cameras on location and live stream direct to YouTube, or create a broadcast quality link back to a studio with ATEM Streaming Bridge. Unlike single camera remote shoots, ATEM SDI lets you connect multiple cameras so you can create interesting remote interviews with multiple camera angles.SELF CONTAINED BROADCAST QUALITY SWITCHERATEM SDI’s compact all in one design includes both a control panel as well as connections. The front panel includes easy to use buttons for selecting sources, video effects and transitions. The source buttons are large so it’s possible to use it by feel, letting the presenter do the switching. You even get buttons for audio mixing. The ATEM SDI Pro and Extreme models have buttons for recording and streaming control, as well as output selection buttons that let you change the video output between program, direct camera feeds and the multiview. On the rear panel there are SDI connections for cameras, extra microphone inputs, USB for webcam plus multiple SDI "aux" outputs for program video.EASY TO USE AND FAST TO LEARNThere's never been a switcher that’s easier to use, as you simply press any of the input buttons labelled by number on the front panel to cut between video sources. You can choose between cut or effects transitions by selecting the cut or auto buttons. Unlike cut, the auto button tells ATEM SDI to use a video effect when switching inputs. You can select from exciting transitions such as dissolve, or more dramatic effects such as dip to colour, DVE squeeze and DVE push. Add a DVE effect for picture in picture effects with customized picture positions and background. There are even "media players" which are a still store for titles and graphics that you can load via external software control.CONNECT UP TO 8 BROADCAST CAMERASWith 4 or 8 video inputs, depending on the model, ATEM SDI lets you connect multiple cameras for different views of the performance. Video cameras with SDI outputs such as Blackmagic Studio Camera or Blackmagic URSA Broadcast G2 are much better quality as they have better low light performance and they use professional lenses. All video sources will re-sync to the switcher, even if they operate at different video standards. Everything just works so setup on location is easy and you don't have to worry about technical problems. Imagine taking advantage of the creative freedom of multi camera live production for interviews, advertorials, theater production, music performances, sports and more.OUTPUTS WEBCAM FOR VIDEO SOFTWARETo ensure maximum compatibility, all ATEM SDI models feature USB that operates as a simple webcam source. That means you can plug into a computer and get working with any video software. The software is tricked into thinking the ATEM SDI is a common webcam, but it's really a live production switcher. That guarantees full compatibility with any video software and in full resolution 1080HD quality. Choose any software you like, such as Zoom, Microsoft Teams or Skype for a new way to do presentations with a professional multi camera broadcast quality style. The ATEM SDI webcam output also works with streaming software such as Open Broadcaster, XSplit Broadcaster and more.LIVE STREAM VIA ETHERNET ON ATEM SDI PROATEM SDI Pro and ATEM SDI Extreme models have a built in hardware streaming engine for live streaming via their ethernet connections. That means you can live stream to YouTube, Facebook and Twitch in better quality, without dropped frames and with simpler settings. Just select the streaming service and enter the streaming key. There are palettes in ATEM Software Control for streaming setup, plus streaming status is also displayed in the multiview. Streaming status is easy to understand as the data rate indicator shows internet speed required for the video format you're using. If you're technically minded, you can update the streaming profiles in an XML settings file to load new services.CONNECT 5G OR 4G PHONES FOR MOBILE DATAIf you’re doing live production on location then the ATEM SDI Pro and Extreme models support connecting an Apple or Android phone to the USB port to use mobile data. It's also a great backup for the main Ethernet connection. Phone tethering works with the latest high speed 5G phones plus the more common 4G phones. The ATEM switcher will automatically detect when a phone is connected and switch its internet connection to use it, eliminating the need for changing settings. When connected, the phone will power from the USB port so it remains charged from the switcher. By using phone tethering for mobile data, ATEM SDI Pro and ATEM SDI Extreme become the perfect mobile production solutions.RECORD DIRECT TO USB FLASH DISKS WITH ATEM SDI PROThe ATEM SDI Pro and Extreme models also support direct recording of your streaming data to USB flash disks. That means you get very long recordings in the same H.264 video files with AAC audio that you streamed, so you can direct upload to any online video site, such as YouTube or Vimeo. Recording to multiple disks is also supported via a USB hub so when a disk fills, recording can continue to a second disk so you get non-stop recording. Record settings and disk selection are set up in ATEM Software Control and you can also display the recording status in the multiview.EDIT LIVE PRODUCTION WITH SEPARATE ISO RECORDINGSThe ATEM SDI Pro ISO and Extreme ISO models allow you to edit your live event as they can record multiple video streams, including clean feeds of all inputs and program, all at the same time. Media pool images used are also saved with the video files. The video files include metadata tags such as synced timecode and camera numbers. Imagine re-editing your show with new colour grades, effects and graphics. Even the audio sources are all recorded so you can professionally remix your audio.EDIT LIVE PRODUCTION IN DAVINCI RESOLVEThe ISO models also save a DaVinci Resolve project file, so with a single click you can open your live production as a video edit. All cuts, dissolves and media pool graphics will be loaded. This means you can fine tune edit points or even completely replace shots. The DaVinci Resolve Sync Bin lets you edit shots via a multiview interface, so it's easy to use and fast. All ISO files will be automatically aligned by timecode, so you can scroll along and see all camera angles perfectly synced.ADD EXCITING VIDEO EFFECTSOne of the benefits of ATEM SDI is the professional production values that are possible using the range of built in video effects. The cut button ensures an instant cut when switching between sources. The auto button is a professional term that's used on large broadcast switchers to enable video effect transitions. There are duration buttons for video effects allowing 0.5, 1, 1.5 and 2 second settings. You can also select the type of effect you want including mix, which does a smooth transition between sources, and dip which fades via a colour during the transition. Or use fun DVE effects that move the image off screen when transitioning between sources.WORK WITH PROFESSIONAL MICROPHONESWith two independent 3.5mm stereo audio inputs, you can connect desktop and lapel microphones. You can even connect a music player to generate introduction music after the live stream commences but before the program starts. With 2 extra stereo audio inputs, you can ensure a host and guest both have lapel microphones when doing interviews. All audio inputs to ATEM SDI include buttons on the panel for adjusting audio level and enabling inputs into the audio mixer. Plus all models feature a Fairlight audio mixer with all SDI inputs and both microphone inputs connected to the audio mixer allowing live mixing from all your audio sources. The ATEM SDI Extreme also adds a headphone output.AUTOMATICALLY CONVERTS ANY SDI INPUT FORMATEach 3G-SDI video input features its own dedicated standards converter. That means ATEM SDI will automatically convert 1080p, 1080i and 720p sources to the switcher video standard. By default the switcher will set its video format automatically, however you can also set the switcher to any video standard manually. The SDI outputs are a true "aux" outputs so you can independently customize the source video routed to each SDI output. All outputs can be connected to cameras as they include camera control and tally information. On the more powerful ATEM SDI Pro and ATEM SDI Extreme models, the SDI output can also be selected to display the built in multiview.SECRET BROADCAST FEATURES BUILT INWhile ATEM SDI is easy to use, it also has very powerful high end broadcast features. ATEM SDI is even perfect for training new live production crews as it has the same features as the massive switchers used in large broadcast studios. You get an ATEM Advanced Chroma Key, Fairlight audio mixer, DVE, still store for graphics and much more. Simply run the free ATEM Software Control app on Mac or Windows while connected via USB or Ethernet to access the extended features of the ATEM SDI. With a little experimentation you can learn how to produce broadcast quality live production. Only ATEM SDI is a true broadcast switcher hidden in a tiny and affordable design.INCLUDES FREE ATEM SOFTWARE CONTROL PANELThe ATEM Software Control app unlocks the hidden power of ATEM SDI and allows access to every feature in the switcher. ATEM Software Control features a visual switcher user interface with parameter palettes for making quick adjustments. Although you can normally connect via USB, if you connect using Ethernet it's possible for multiple users to connect to ATEM SDI using separate copies of ATEM Software Control on different computers. The software lets you access full audio mixing with effects, load still frames and even do advanced macro programming. You can even save the switcher state as an XML file. If you need clip playback, you can even control HyperDeck disk recorders via Ethernet.DVE FOR PICTURE IN PICTURE, TRANSITIONS AND EFFECTSOne of the most exciting features on ATEM SDI is the built in DVE that allows picture in picture effects and DVE transitions. The DVE lets you create professional picture in picture effects with customizable 3D borders, shadows and lighting. The image quality is the same as high end ATEM switcher models and the DVE supports position, resize and scale, all in real time. The DVE can also be used to create amazing transitions with 16 different DVE squeeze and DVE push effects for adding excitement to your programming. The DVE features a "fly key" so you can use it with custom graphics to create graphic wipe transitions.PROFESSIONAL BROADCAST TRANSITIONSATEM SDI includes a wide range of broadcast quality HD native transitions such as mix, dip, wipe and more. All transitions can be customized by adjusting parameters such as duration, border colour, border width, position and direction. You can also use the DVE in transitions, allowing a graphic to be moved over the wipe edge which is called a graphic wipe, and is commonly used in sports programming. To eliminate errors, ATEM SDI has a preview transition feature so you can check your transitions before putting them to air.BUILT-IN GRAPHICS WITH PHOTOSHOP PLUG‑INThe built in "media pool" allows the loading of up to 20 separate broadcast quality RGBA graphics for titles, opening plates and logos. The media player is used to output the selected image so it appears as an extra internal video source for use in graphics and titles. You can even use still frames for complex effects such as graphic wipes. ATEM SDI can also grab stills from video and save them to the internal media pool. Graphics can be loaded via ATEM Software Control or downloaded directly from Photoshop using the ATEM Photoshop plug-in. The Photoshop Plug-in is perfect for graphics that change often, such as scoreboards, as you can download directly into the media player.INCLUDES NEW ATEM ADVANCED CHROMA KEYFor news or on-set presentation work, ATEM SDI is perfect as it features the powerful ATEM Advanced Chroma Key for green screen keying effects. The chroma keyer is incredibly powerful and features a colour picker to sample background colours for automatic generation of the key parameters. You get precise controls for edge and flare, and there is even a foreground colour corrector so you can match the foreground and background layers for seamless compositions. You can even use it for title overlays by creating graphics with a green or blue background. Plus the ATEM SDI Extreme includes a massive 4 separate ATEM Advanced Chroma Keyers, for a keyer per camera, allowing virtual set production.CREATE AMAZING VIRTUAL SETSThe ATEM SDI Extreme models include 4 upstream chroma keyers and this allows you to build exciting virtual sets. With 4 independent chroma keyers, you get a keyer per camera so you can build a virtual set for up to 4 cameras. With ATEM SDI Extreme you have 8 inputs, 4 to use for cameras and the other 4 can be connected to a virtual set computer for the rendered backgrounds. Or if you don't need to move your cameras, you can do fixed camera virtual sets by loading pre rendered still image backgrounds from the media players and media pool. You can setup macros to change cameras and load the correct background into the media players.POWERFUL SUPERSOURCE PROCESSINGIn addition to 2 independent DVEs in the ATEM SDI Extreme models, there's also a powerful SuperSource multi layer processor with 4 extra DVE layers plus a background layer, that all appear to ATEM SDI Extreme as an additional input source. Any ATEM SDI Extreme video input can be used for each SuperSource DVE, then it’s all layered together over a media pool custom background. SuperSource is perfect for doing multiple picture in picture displays with people being interviewed because you can set up the effect before putting it to air, still keeping both main DVEs free for other tasks. SuperSource is just like having an extra multi-layer VFX switcher built in.TRUE BROADCAST STYLE MIX EFFECTS SWITCHINGAlthough ATEM SDI works in "cut bus" mode when first purchased, it can also be changed to "program/preview" style operation, which is the way broadcasters normally use live production switchers. Cut bus switching is easy and selecting any input will instantly switch to that source. However if you want to operate ATEM SDI like a true professional then you can change the switcher to program/preview using ATEM Software Control settings. Mix effects operation allows a source to be selected but it won't be put on air until you press the cut or auto buttons. That 2 step program/preview process means fewer mistakes.MONITOR SOURCES AND STATUS WITH ATEM SDI PRO MULTIVIEWWhen doing larger live productions with multiple cameras, it’s very useful to see all your video sources at the same time on a single monitor. The ATEM SDI Pro and ATEM SDI Extreme models include a professional multiview that lets you see all video inputs, preview and program on a single SDI monitor. Simply select M/V button on the front panel to select the multiview. Each camera view includes tally indicators so you know when each source is on-air, and each view also has custom labels and audio meters. Plus the ATEM SDI Extreme models allow you to select up to 16 custom views. Multiview even includes status for recording, streaming and the audio mixer.BUILT IN AUDIO MIXER WITH 6 BAND EQ, COMPRESSOR AND LIMITERWith a built in Fairlight audio mixer, ATEM SDI makes it possible to do complex live sound mixing. The internal mixer features enough channels for each SDI input so you can mix audio from all sources. That’s audio from all SDI sources, plus the 2 stereo mic inputs. Each input channel features the highest quality 6 band parametric EQ and compressor, limiter, expander and noise gate as well as full panning. You can even set up the software to auto mix between inputs as you switch "AFV" or to live mix multiple sources together all at once. All this audio power can be controlled via ATEM Software Control, or you can add a Mackie compatible panel.CREATE BROADCAST LINKS WITH ATEM STREAMING BRIDGEThe ATEM Streaming Bridge is a video converter that lets you receive a H.264 stream from any ATEM SDI Pro or ATEM SDI Extreme and convert it back to video. This means you can send video to remote locations around your local Ethernet network, or via the internet globally. That's possible because it uses an advanced H.264 codec for high quality at very low data rates. This means you can create broadcast quality links back to your studio using the internet, so it's much lower cost. To make setup is easy, the ATEM software utility can create a setup files that you can email to the remote studio. ATEM Streaming Bridge is the perfect way to use ATEM SDI as a remote broadcast studio.DEVELOP CUSTOM REMOTE CONTROL SOLUTIONSThe Ethernet connection also allows customized control solutions. Even though ATEM SDI includes ATEM Software Control, you can use the Ethernet to control the ATEM remotely, anywhere in the world. A popular workflow is to use the Ethernet to allow the ATEM SDI to be positioned near the cameras, but the control is positioned remotely in a quieter space, such as a control room. Imagine using the switcher from a control room and building a professional broadcasting studio where the control room can be separated away from the performance or interviews. Ethernet allows you to add as many panels as you like all at the same time, or you can build custom solutions using the developer SDK.CONNECT A HDMI COMPUTERIf you need to connect computer graphics to ATEM SDI, then you can use a Micro Converter HDMI to SDI. Because the connection is direct, the quality is amazing. If you create graphics with a green background, then the ATEM Advanced Keyer will allow compositing titles over a live background. Computers also make fantastic media players.CONNECT A HDMI CAMERAConnect a Blackmagic Pocket Cinema Camera 4K or 6K by using a Micro Converter BiDirect SDI/HDMI. It will convert the camera HDMI to the switcher SDI input. It can also take an SDI output of the switcher and embed the camera control into the HDMI data link back to the camera. This gives you tally and colour corrector control direct from the switcher.SWITCH FASTER WITH AN ATEM 1 M/E ADVANCED PANELWith Ethernet built in, ATEM SDI can use hardware control panels for high end workflows that take advantage of the hidden broadcast features in the switcher. The ATEM 1 M/E Advanced Panel features the fast program/preview style with separate source buttons for both program and preview rows. Get direct access to all transitions automatically or manually using the t-bar. For accurate control of the DVE, the joystick provides X, Y positioning with rotation setting the DVE size. You also get LCD menus to control features that don't have dedicated knobs and buttons. You can even program and trigger macros. Plus you can still use the hardware panel if you upgrade to a bigger ATEM switcher later.GET INDUSTRY STANDARD PROFESSIONAL CAMERA CONTROLWhen working on live production, its critical all cameras are perfectly matched with good colour balance for a consistent look when transitioning between the each camera. The ATEM Camera Control Panel works with ATEM SDI and is the perfect solution for camera control. All control commands are sent to the cameras using the SDI camera control protocol which is supported by cameras such as Blackmagic URSA Broadcast and Blackmagic Studio Cameras. You get dedicated controls including CCU style joystick and controls for RGB camera colour, master gain, black, iris and more. Plus all controls are arranged in a familiar broadcast layout perfect for both experienced and new operators.COMPATIBLE WITH BLACKMAGIC CAMERAS, PANELS, DECKS AND MOREATEM SDI is even more powerful it can be expanded to grow with you. Add an ATEM Advanced Panel to get professional industry standard switcher control. Then add an ATEM Camera Control Panel for fast control and colour balancing of up to four cameras. For cameras, Blackmagic Studio Cameras make great studio cameras as they have tally and control all built into the compact and very portable design. For mastering, Blackmagic HyperDeck Studio recorders are perfect because they include popular file formats such as ProRes, H.264 and DNx. You can even live stream using an UltraStudio or Blackmagic Web Presenter. Then add a Micro Converter SDI to HDMI 3G converter for HDMI monitoring.Blackmagic URSA Broadcast G2Designed for broadcast and live production, you get a 6K sensor with +36dB of gain, wide dynamic range and B4 lens mount. Includes Blackmagic RAW, ProRes, H.264 and H.265 record file formats.Blackmagic Studio Viewfinder G2Turn URSA Mini into the ultimate live camera with a professional 7 inch studio viewfinder!Blackmagic Camera Fiber ConverterConnect cameras to live switchers up to 2 km away with video, control and power, all over a single cable!Blackmagic Studio Fiber ConverterConnect to remote cameras up to 2 km away with multiple channels of video, control and power all over a single cable!Blackmagic Studio Camera 4K ProDesigned for professional SDI switchers, you get all the features of the Plus model, as well as 12G-SDI, professional XLR audio, brighter HDR LCD and 10G Ethernet IP link.HyperDeck Studio HD MiniMiniaturized deck records H.264, ProRes or DNxHD files onto SD/UHS-II cards or external USB disks in SD/HD formats to 1080p60. Includes timecode and reference generators, 3G-SDI in/out and HDMI out.HyperDeck Studio HD ProIncludes all the features of the Plus model, and adds 2 SSD slots as well as the 2 SD card slots. Also includes machined metal search dial with clutch, SDI monitor out and XLR timecode connections.ATEM Camera Control PanelControl up to 4 cameras at one time including iris, shutter speed, white balance, master gain, pedestal, RGB and more!

Blackmagic Atem sdi Extreme Iso

Blackmagic Atem sdi Extreme Iso(BMD-SWATEMMXEPCEXTISO, BMD SWATEMMXEPCEXTISO, BMD/SWATEMMXEPCEXTISO) A NEW GENERATION OF ULTRA PORTABLE LIVE PRODUCTION ATEM SDI gives you the portable design of ATEM Mini, but its SDI connections means you can connect advanced broadcast quality cameras and recorders. This opens up a whole new world of ultra portable live production. The incredibly portable design means you can fit a whole broadcast quality live production system in a small bag or even a backpack. You can use multiple cameras on location and live stream direct to YouTube, or create a broadcast quality link back to a studio with ATEM Streaming Bridge. Unlike single camera remote shoots, ATEM SDI lets you connect multiple cameras so you can create interesting remote interviews with multiple camera angles. SELF CONTAINED BROADCAST QUALITY SWITCHER ATEM SDI’s compact all in one design includes both a control panel as well as connections. The front panel includes easy to use buttons for selecting sources, video effects and transitions. The source buttons are large so it’s possible to use it by feel, letting the presenter do the switching. You even get buttons for audio mixing. The ATEM SDI Pro and Extreme models have buttons for recording and streaming control, as well as output selection buttons that let you change the video output between program, direct camera feeds and the multiview. On the rear panel there are SDI connections for cameras, extra microphone inputs, USB for webcam plus multiple SDI "aux" outputs for program video. EASY TO USE AND FAST TO LEARN There's never been a switcher that’s easier to use, as you simply press any of the input buttons labelled by number on the front panel to cut between video sources. You can choose between cut or effects transitions by selecting the cut or auto buttons. Unlike cut, the auto button tells ATEM SDI to use a video effect when switching inputs. You can select from exciting transitions such as dissolve, or more dramatic effects such as dip to colour, DVE squeeze and DVE push. Add a DVE effect for picture in picture effects with customized picture positions and background. There are even "media players" which are a still store for titles and graphics that you can load via external software control. CONNECT UP TO 8 BROADCAST CAMERAS With 4 or 8 video inputs, depending on the model, ATEM SDI lets you connect multiple cameras for different views of the performance. Video cameras with SDI outputs such as Blackmagic Studio Camera or Blackmagic URSA Broadcast G2 are much better quality as they have better low light performance and they use professional lenses. All video sources will re-sync to the switcher, even if they operate at different video standards. Everything just works so setup on location is easy and you don't have to worry about technical problems. Imagine taking advantage of the creative freedom of multi camera live production for interviews, advertorials, theater production, music performances, sports and more. OUTPUTS WEBCAM FOR VIDEO SOFTWARE To ensure maximum compatibility, all ATEM SDI models feature USB that operates as a simple webcam source. That means you can plug into a computer and get working with any video software. The software is tricked into thinking the ATEM SDI is a common webcam, but it's really a live production switcher. That guarantees full compatibility with any video software and in full resolution 1080HD quality. Choose any software you like, such as Zoom, Microsoft Teams or Skype for a new way to do presentations with a professional multi camera broadcast quality style. The ATEM SDI webcam output also works with streaming software such as Open Broadcaster, XSplit Broadcaster and more. LIVE STREAM VIA ETHERNET ON ATEM SDI PRO ATEM SDI Pro and ATEM SDI Extreme models have a built in hardware streaming engine for live streaming via their ethernet connections. That means you can live stream to YouTube, Facebook and Twitch in better quality, without dropped frames and with simpler settings. Just select the streaming service and enter the streaming key. There are palettes in ATEM Software Control for streaming setup, plus streaming status is also displayed in the multiview. Streaming status is easy to understand as the data rate indicator shows internet speed required for the video format you're using. If you're technically minded, you can update the streaming profiles in an XML settings file to load new services. CONNECT 5G OR 4G PHONES FOR MOBILE DATA If you’re doing live production on location then the ATEM SDI Pro and Extreme models support connecting an Apple or Android phone to the USB port to use mobile data. It's also a great backup for the main Ethernet connection. Phone tethering works with the latest high speed 5G phones plus the more common 4G phones. The ATEM switcher will automatically detect when a phone is connected and switch its internet connection to use it, eliminating the need for changing settings. When connected, the phone will power from the USB port so it remains charged from the switcher. By using phone tethering for mobile data, ATEM SDI Pro and ATEM SDI Extreme become the perfect mobile production solutions. RECORD DIRECT TO USB FLASH DISKS WITH ATEM SDI PRO The ATEM SDI Pro and Extreme models also support direct recording of your streaming data to USB flash disks. That means you get very long recordings in the same H.264 video files with AAC audio that you streamed, so you can direct upload to any online video site, such as YouTube or Vimeo. Recording to multiple disks is also supported via a USB hub so when a disk fills, recording can continue to a second disk so you get non-stop recording. Record settings and disk selection are set up in ATEM Software Control and you can also display the recording status in the multiview. EDIT LIVE PRODUCTION WITH SEPARATE ISO RECORDINGS The ATEM SDI Pro ISO and Extreme ISO models allow you to edit your live event as they can record multiple video streams, including clean feeds of all inputs and program, all at the same time. Media pool images used are also saved with the video files. The video files include metadata tags such as synced timecode and camera numbers. Imagine re-editing your show with new colour grades, effects and graphics. Even the audio sources are all recorded so you can professionally remix your audio. EDIT LIVE PRODUCTION IN DAVINCI RESOLVE The ISO models also save a DaVinci Resolve project file, so with a single click you can open your live production as a video edit. All cuts, dissolves and media pool graphics will be loaded. This means you can fine tune edit points or even completely replace shots. The DaVinci Resolve Sync Bin lets you edit shots via a multiview interface, so it's easy to use and fast. All ISO files will be automatically aligned by timecode, so you can scroll along and see all camera angles perfectly synced. ADD EXCITING VIDEO EFFECTS One of the benefits of ATEM SDI is the professional production values that are possible using the range of built in video effects. The cut button ensures an instant cut when switching between sources. The auto button is a professional term that's used on large broadcast switchers to enable video effect transitions. There are duration buttons for video effects allowing 0.5, 1, 1.5 and 2 second settings. You can also select the type of effect you want including mix, which does a smooth transition between sources, and dip which fades via a colour during the transition. Or use fun DVE effects that move the image off screen when transitioning between sources. WORK WITH PROFESSIONAL MICROPHONES With two independent 3.5mm stereo audio inputs, you can connect desktop and lapel microphones. You can even connect a music player to generate introduction music after the live stream commences but before the program starts. With 2 extra stereo audio inputs, you can ensure a host and guest both have lapel microphones when doing interviews. All audio inputs to ATEM SDI include buttons on the panel for adjusting audio level and enabling inputs into the audio mixer. Plus all models feature a Fairlight audio mixer with all SDI inputs and both microphone inputs connected to the audio mixer allowing live mixing from all your audio sources. The ATEM SDI Extreme also adds a headphone output. AUTOMATICALLY CONVERTS ANY SDI INPUT FORMAT Each 3G-SDI video input features its own dedicated standards converter. That means ATEM SDI will automatically convert 1080p, 1080i and 720p sources to the switcher video standard. By default the switcher will set its video format automatically, however you can also set the switcher to any video standard manually. The SDI outputs are a true "aux" outputs so you can independently customize the source video routed to each SDI output. All outputs can be connected to cameras as they include camera control and tally information. On the more powerful ATEM SDI Pro and ATEM SDI Extreme models, the SDI output can also be selected to display the built in multiview. SECRET BROADCAST FEATURES BUILT IN While ATEM SDI is easy to use, it also has very powerful high end broadcast features. ATEM SDI is even perfect for training new live production crews as it has the same features as the massive switchers used in large broadcast studios. You get an ATEM Advanced Chroma Key, Fairlight audio mixer, DVE, still store for graphics and much more. Simply run the free ATEM Software Control app on Mac or Windows while connected via USB or Ethernet to access the extended features of the ATEM SDI. With a little experimentation you can learn how to produce broadcast quality live production. Only ATEM SDI is a true broadcast switcher hidden in a tiny and affordable design. INCLUDES FREE ATEM SOFTWARE CONTROL PANEL The ATEM Software Control app unlocks the hidden power of ATEM SDI and allows access to every feature in the switcher. ATEM Software Control features a visual switcher user interface with parameter palettes for making quick adjustments. Although you can normally connect via USB, if you connect using Ethernet it's possible for multiple users to connect to ATEM SDI using separate copies of ATEM Software Control on different computers. The software lets you access full audio mixing with effects, load still frames and even do advanced macro programming. You can even save the switcher state as an XML file. If you need clip playback, you can even control HyperDeck disk recorders via Ethernet. DVE FOR PICTURE IN PICTURE, TRANSITIONS AND EFFECTS One of the most exciting features on ATEM SDI is the built in DVE that allows picture in picture effects and DVE transitions. The DVE lets you create professional picture in picture effects with customizable 3D borders, shadows and lighting. The image quality is the same as high end ATEM switcher models and the DVE supports position, resize and scale, all in real time. The DVE can also be used to create amazing transitions with 16 different DVE squeeze and DVE push effects for adding excitement to your programming. The DVE features a "fly key" so you can use it with custom graphics to create graphic wipe transitions. PROFESSIONAL BROADCAST TRANSITIONS ATEM SDI includes a wide range of broadcast quality HD native transitions such as mix, dip, wipe and more. All transitions can be customized by adjusting parameters such as duration, border colour, border width, position and direction. You can also use the DVE in transitions, allowing a graphic to be moved over the wipe edge which is called a graphic wipe, and is commonly used in sports programming. To eliminate errors, ATEM SDI has a preview transition feature so you can check your transitions before putting them to air. BUILT-IN GRAPHICS WITH PHOTOSHOP PLUG‑IN The built in "media pool" allows the loading of up to 20 separate broadcast quality RGBA graphics for titles, opening plates and logos. The media player is used to output the selected image so it appears as an extra internal video source for use in graphics and titles. You can even use still frames for complex effects such as graphic wipes. ATEM SDI can also grab stills from video and save them to the internal media pool. Graphics can be loaded via ATEM Software Control or downloaded directly from Photoshop using the ATEM Photoshop plug-in. The Photoshop Plug-in is perfect for graphics that change often, such as scoreboards, as you can download directly into the media player. INCLUDES NEW ATEM ADVANCED CHROMA KEY For news or on-set presentation work, ATEM SDI is perfect as it features the powerful ATEM Advanced Chroma Key for green screen keying effects. The chroma keyer is incredibly powerful and features a colour picker to sample background colours for automatic generation of the key parameters. You get precise controls for edge and flare, and there is even a foreground colour corrector so you can match the foreground and background layers for seamless compositions. You can even use it for title overlays by creating graphics with a green or blue background. Plus the ATEM SDI Extreme includes a massive 4 separate ATEM Advanced Chroma Keyers, for a keyer per camera, allowing virtual set production. CREATE AMAZING VIRTUAL SETS The ATEM SDI Extreme models include 4 upstream chroma keyers and this allows you to build exciting virtual sets. With 4 independent chroma keyers, you get a keyer per camera so you can build a virtual set for up to 4 cameras. With ATEM SDI Extreme you have 8 inputs, 4 to use for cameras and the other 4 can be connected to a virtual set computer for the rendered backgrounds. Or if you don't need to move your cameras, you can do fixed camera virtual sets by loading pre rendered still image backgrounds from the media players and media pool. You can setup macros to change cameras and load the correct background into the media players. POWERFUL SUPERSOURCE PROCESSING In addition to 2 independent DVEs in the ATEM SDI Extreme models, there's also a powerful SuperSource multi layer processor with 4 extra DVE layers plus a background layer, that all appear to ATEM SDI Extreme as an additional input source. Any ATEM SDI Extreme video input can be used for each SuperSource DVE, then it’s all layered together over a media pool custom background. SuperSource is perfect for doing multiple picture in picture displays with people being interviewed because you can set up the effect before putting it to air, still keeping both main DVEs free for other tasks. SuperSource is just like having an extra multi-layer VFX switcher built in. TRUE BROADCAST STYLE MIX EFFECTS SWITCHING Although ATEM SDI works in "cut bus" mode when first purchased, it can also be changed to "program/preview" style operation, which is the way broadcasters normally use live production switchers. Cut bus switching is easy and selecting any input will instantly switch to that source. However if you want to operate ATEM SDI like a true professional then you can change the switcher to program/preview using ATEM Software Control settings. Mix effects operation allows a source to be selected but it won't be put on air until you press the cut or auto buttons. That 2 step program/preview process means fewer mistakes. MONITOR SOURCES AND STATUS WITH ATEM SDI PRO MULTIVIEW When doing larger live productions with multiple cameras, it’s very useful to see all your video sources at the same time on a single monitor. The ATEM SDI Pro and ATEM SDI Extreme models include a professional multiview that lets you see all video inputs, preview and program on a single SDI monitor. Simply select M/V button on the front panel to select the multiview. Each camera view includes tally indicators so you know when each source is on-air, and each view also has custom labels and audio meters. Plus the ATEM SDI Extreme models allow you to select up to 16 custom views. Multiview even includes status for recording, streaming and the audio mixer. BUILT IN AUDIO MIXER WITH 6 BAND EQ, COMPRESSOR AND LIMITER With a built in Fairlight audio mixer, ATEM SDI makes it possible to do complex live sound mixing. The internal mixer features enough channels for each SDI input so you can mix audio from all sources. That’s audio from all SDI sources, plus the 2 stereo mic inputs. Each input channel features the highest quality 6 band parametric EQ and compressor, limiter, expander and noise gate as well as full panning. You can even set up the software to auto mix between inputs as you switch "AFV" or to live mix multiple sources together all at once. All this audio power can be controlled via ATEM Software Control, or you can add a Mackie compatible panel. CREATE BROADCAST LINKS WITH ATEM STREAMING BRIDGE The ATEM Streaming Bridge is a video converter that lets you receive a H.264 stream from any ATEM SDI Pro or ATEM SDI Extreme and convert it back to video. This means you can send video to remote locations around your local Ethernet network, or via the internet globally. That's possible because it uses an advanced H.264 codec for high quality at very low data rates. This means you can create broadcast quality links back to your studio using the internet, so it's much lower cost. To make setup is easy, the ATEM software utility can create a setup files that you can email to the remote studio. ATEM Streaming Bridge is the perfect way to use ATEM SDI as a remote broadcast studio. DEVELOP CUSTOM REMOTE CONTROL SOLUTIONS The Ethernet connection also allows customized control solutions. Even though ATEM SDI includes ATEM Software Control, you can use the Ethernet to control the ATEM remotely, anywhere in the world. A popular workflow is to use the Ethernet to allow the ATEM SDI to be positioned near the cameras, but the control is positioned remotely in a quieter space, such as a control room. Imagine using the switcher from a control room and building a professional broadcasting studio where the control room can be separated away from the performance or interviews. Ethernet allows you to add as many panels as you like all at the same time, or you can build custom solutions using the developer SDK. CONNECT A HDMI COMPUTER If you need to connect computer graphics to ATEM SDI, then you can use a Micro Converter HDMI to SDI. Because the connection is direct, the quality is amazing. If you create graphics with a green background, then the ATEM Advanced Keyer will allow compositing titles over a live background. Computers also make fantastic media players.   CONNECT A HDMI CAMERA Connect a Blackmagic Pocket Cinema Camera 4K or 6K by using a Micro Converter BiDirect SDI/HDMI. It will convert the camera HDMI to the switcher SDI input. It can also take an SDI output of the switcher and embed the camera control into the HDMI data link back to the camera. This gives you tally and colour corrector control direct from the switcher. SWITCH FASTER WITH AN ATEM 1 M/E ADVANCED PANEL With Ethernet built in, ATEM SDI can use hardware control panels for high end workflows that take advantage of the hidden broadcast features in the switcher. The ATEM 1 M/E Advanced Panel features the fast program/preview style with separate source buttons for both program and preview rows. Get direct access to all transitions automatically or manually using the t-bar. For accurate control of the DVE, the joystick provides X, Y positioning with rotation setting the DVE size. You also get LCD menus to control features that don't have dedicated knobs and buttons. You can even program and trigger macros. Plus you can still use the hardware panel if you upgrade to a bigger ATEM switcher later. GET INDUSTRY STANDARD PROFESSIONAL CAMERA CONTROL When working on live production, its critical all cameras are perfectly matched with good colour balance for a consistent look when transitioning between the each camera. The ATEM Camera Control Panel works with ATEM SDI and is the perfect solution for camera control. All control commands are sent to the cameras using the SDI camera control protocol which is supported by cameras such as Blackmagic URSA Broadcast and Blackmagic Studio Cameras. You get dedicated controls including CCU style joystick and controls for RGB camera colour, master gain, black, iris and more. Plus all controls are arranged in a familiar broadcast layout perfect for both experienced and new operators. COMPATIBLE WITH BLACKMAGIC CAMERAS, PANELS, DECKS AND MORE ATEM SDI is even more powerful it can be expanded to grow with you. Add an ATEM Advanced Panel to get professional industry standard switcher control. Then add an ATEM Camera Control Panel for fast control and colour balancing of up to four cameras. For cameras, Blackmagic Studio Cameras make great studio cameras as they have tally and control all built into the compact and very portable design. For mastering, Blackmagic HyperDeck Studio recorders are perfect because they include popular file formats such as ProRes, H.264 and DNx. You can even live stream using an UltraStudio or Blackmagic Web Presenter. Then add a Micro Converter SDI to HDMI 3G converter for HDMI monitoring. Blackmagic URSA Broadcast G2 Designed for broadcast and live production, you get a 6K sensor with +36dB of gain, wide dynamic range and B4 lens mount. Includes Blackmagic RAW, ProRes, H.264 and H.265 record file formats. Blackmagic Studio Viewfinder G2 Turn URSA Mini into the ultimate live camera with a professional 7 inch studio viewfinder! Blackmagic Camera Fiber Converter Connect cameras to live switchers up to 2 km away with video, control and power, all over a single cable! Blackmagic Studio Fiber Converter Connect to remote cameras up to 2 km away with multiple channels of video, control and power all over a single cable! Blackmagic Studio Camera 4K Pro Designed for professional SDI switchers, you get all the features of the Plus model, as well as 12G-SDI, professional XLR audio, brighter HDR LCD and 10G Ethernet IP link. HyperDeck Studio HD Mini Miniaturized deck records H.264, ProRes or DNxHD files onto SD/UHS-II cards or external USB disks in SD/HD formats to 1080p60. Includes timecode and reference generators, 3G-SDI in/out and HDMI out. HyperDeck Studio HD Pro Includes all the features of the Plus model, and adds 2 SSD slots as well as the 2 SD card slots. Also includes machined metal search dial with clutch, SDI monitor out and XLR timecode connections. ATEM Camera Control Panel Control up to 4 cameras at one time including iris, shutter speed, white balance, master gain, pedestal, RGB and more!

Blackmagic ATEM Television Studio 4K8

Blackmagic ATEM Television Studio 4K8(BMD-SWATEMTVSTC/K4K8) THE WORLD'S MOST PORTABLE ALL-IN-ONE TELEVISION STUDIO The new ATEM Television Studio is a professional live production switcher built into a broadcast control panel so it can be used for high end work while being extremely portable. This means you can use it in small venues that don't have the access for equipment racks or broadcast vans. You get a powerful switcher with 8 standards converted SDI inputs, aux outputs, 4 chroma keyers, 2 downstream keyers, SuperSource, 2 media players and lots of transitions. Plus it includes a whole television studio of features such as hardware streaming, recording, audio mixer, talkback, multiview and optional internal network shared storage. There's even an ISO model that records all 8 inputs for editing. THREE GREAT ATEM TELEVISION STUDIO MODELS ATEM Television Studio HD8 Compact live production switcher with built in broadcast control panel, 8 x 3G‑SDI inputs, streaming, recording, multiview, DVE, keyers, USB webcam, media players, talkback and optional cloud storage. ATEM Television Studio HD8 ISO Powerful ISO model includes all the features of ATEM Television Studio HD plus adds ISO recording of all 8 inputs and supports up to 8 remote cameras with control and tally for each camera. ATEM Television Studio 4K8 Powerful Ultra HD live production switcher similar to the non ISO HD model, however includes 8 x 12G-SDI inputs, 10 12G-SDI aux outputs for external recorders, 4 port 10G Ethernet switch and more. BRING MULTI CAMERA LIVE PRODUCTION TO ANY LOCATION Compact Broadcast Vans With the all in one design, you can build a new generation of ultra compact broadcast vans. You don't need racks of equipment, so you can eliminate clutter for a much nicer work environment. For stability, you can even mount the switcher inset into the desk. Music Venues and Clubs Some of the most exciting venues, such as downstairs music venues or comedy clubs, are too small for racks of video equipment. However ATEM Television Studio can be carried into any venue. It’s also easy to pack up, even if the venue is still crowded. Online Education ATEM Television Studio is perfect for creating education content. As the ISO model records the video inputs, you can finesse edits, replace shots and even add colour correction. Plus you can even connect to Zoom to incorporate live chat with students. Live Sports ATEM Television Studio is perfect for live sports because it has a simple design that's easy for community volunteers to use. It can be installed into sports clubs or taken on the road with the team. With up to 8 cameras, you'll catch all the exciting angles. SELF CONTAINED BROADCAST QUALITY SWITCHER The ATEM Television Studio combines a switcher and control panel into the same unit, so it’s extremely portable. You get everything you need. The front panel includes buttons for selecting sources, triggering transitions and setting up video effects. Plus the buttons are the same high-end type used on expensive broadcast switchers. You also get a built in t-bar for manual transition control. The front panel even has an innovative audio mixer control area with live metering on a dedicated LCD. There are also buttons for recording and streaming control, plus live aux switching that lets you change aux outputs between all 8 cameras, program, preview or the multiview. CONNECT UP TO 8 BROADCAST CAMERAS With 8 SDI video inputs, ATEM Television Studio lets you connect multiple cameras for different views of the performance. Video cameras with SDI outputs, such as Blackmagic Studio Camera or Blackmagic URSA Broadcast G2, are much better quality as they have better low light performance and use professional lenses. All video sources will re-sync to the switcher, even if they operate at different video standards. Everything just works so setup on location is easy and you don't have to worry about technical problems. Imagine taking advantage of the creative freedom of multi camera live production for interviews, advertorials, theater productions, music performances, sports and more. INCLUDES PRODUCTION, POST PRODUCTION AND DISTRIBUTION Live Production You get an incredibly powerful 8 input switcher with both program and aux outputs so you have everything you need for mobile production. That means you can connect up to 8 cameras. Plus you get professional camera control, talkback and audio mixing all designed into a familiar broadcast panel. Post Production The ISO model records all inputs into separate files so you can edit using any NLE that supports multi-cam. That's possible because all files have perfect timecode sync. Plus with built in network storage, you can edit while recording. Multiple users can even share media and collaborate. Distribution With a built in hardware streaming engine, you can live stream your event to a global audience. Recording to H.264 files with AAC audio means you get the correct format to upload to YouTube. Plus you share live broadcasts with your audience by using the aux outputs and large screens and projectors. EASY TO USE AND FAST TO LEARN There's never been a switcher that’s easier to use, as you simply press any of the program row buttons on the front panel to cut between video sources. Or you can pre select a source on the preview row and then choose between cut or effect transitions by selecting the cut or auto buttons. You can select from exciting transitions such as dissolve, or more dramatic effects such as dip to colour, DVE squeeze and DVE push. You can even add a DVE for picture in picture effects with customized graphics. There are also media players which let you store graphics with alpha channels for titles and graphics that you can load as live video inputs. Then you can live stream the results. TRUE BROADCAST STYLE MIX EFFECTS SWITCHING ATEM Television Studio uses a professional program/preview style of operation, which is exactly the way large broadcasters use live production switchers. However ATEM Television Studio can be switched to A/B style switching, which is easier when it's used by volunteers or community groups. However, if you want to operate the switcher like a broadcast professional then the program/preview is perfect. This means a source won't be put on air until you press the cut or auto button. This 2 step process means you see what you are selecting before putting it to air, so you get fewer mistakes. Plus program/preview operation is a fantastic way to train students for a career in broadcast television. EASY TO ADD EXCITING VIDEO EFFECTS One of the benefits of ATEM Television Studio is the range of professional built in video effects. The cut button ensures an instant cut when switching between sources. The t-bar fader can be used to transition video effects, or you can do the transition automatically by pressing the auto button. Auto uses the transition duration set in the system control. You can also select the type of effect you want including mix, which does a smooth transition between sources, or dip which transitions via a third video source, such as a colour generator. There is a wide range of SMPTE wipes included, plus fun DVE effects that slide or squeeze the image off screen when transitioning between video sources. INCLUDES LOADS OF EXTREMELY CREATIVE TRANSITIONS ATEM Television Studio includes the same kind of transitions found on expensive broadcast switchers. This means the effects and transitions can be customized in many different ways, so they are surprisingly powerful. You'll never stop finding new ways of using them. That’s because all transitions can be customized by adjusting parameters such as duration, border colour, border width, position and direction. You can even use the DVE with a wipe transition, where the DVE moves a graphic over the wipe edge. That's called a graphic wipe and it’s often used in sports broadcasting. The preview transition button can be used to set up effects offline, which is great for eliminating mistakes. BUILT IN DVE FOR BROADCAST VIDEO EFFECTS ATEM Television Studio features an independent DVE that lets you reposition graphics and create picture in picture compositions. You get amazing quality and the DVE supports position, resize and scale, all in real time. The DVE lets you create professional picture in picture effects with customizable 3D borders, shadows and lighting. DVEs can also be used to create amazing DVE transitions with squeeze, swoosh and push effects for adding excitement to your programming. You can even combine DVE transitions with custom graphics to create your own graphic wipe transitions. Pus there is also a SuperSource multi layer processing engine with 4 extra DVEs. SUPPORTS INTERNAL MEDIA FOR STILLS AND MOTION GRAPHICS The built in media pool stores broadcast quality graphics and animations that can be played back using the built in media players. Media players appear as independent sources so you don't need to waste any of the SDI inputs for graphics. For highest quality, all media supports RGB colourspace with alpha channel, allowing transparency and layering. The media pool can hold 20 HD or Ultra HD resolution stills. Depending on the model, motion graphics clips for animations and stingers can be up to 720 frames in 720HD, 360 frames in 1080HD and 90 frames in 2160 Ultra HD. The ATEM Software Control allows you to upload and manage media. You can even prepare graphics in Adobe Photoshop and then download to the media pool using the free ATEM Photoshop plug-in. INCLUDES 4 ATEM ADVANCED CHROMA KEYERS ATEM Television Studio is perfect for news and on-set presentation work because it features 4 ATEM Advanced Chroma Keyers for green screen keying effects. The chroma keyers are incredibly powerful and include features such as a colour picker to sample background colours for automatic generation of the key parameters. You get precise controls for edge and flare, and there is even a foreground colour corrector so you can match the foreground and background layers for seamless compositions. You can even use it for title overlays by creating graphics with a green or blue background. With 4 ATEM Advanced Chroma Keyers, ATEM Television Studio is perfect for creating fixed camera virtual sets. POWERFUL SUPERSOURCE PROCESSING In addition to the DVE in the ATEM Television Studio, there is also a powerful SuperSource multi layer processor. SuperSource gives you 4 extra DVE layers plus a background layer, all layered together as an additional input source. Any video input can be used as sources for each DVE, then it’s all layered together over a media pool custom background or live video. SuperSource is perfect for doing multiple picture in picture displays with people being interviewed because you can set up the effect so the viewer can see each person being interviewed all within a stylish graphic. SuperSource is just like having a completely independent multi-layer VFX switcher built in. UP TO 8 STANDARDS CONVERTED SDI INPUTS The ATEM Television Studio HD models feature 8 independent 3G-SDI inputs, and the 4K model has 8 12G-SDI inputs. Each SDI input has a dedicated standards converter so any 720 HD, 1080 HD or 2160 Ultra HD input source will be converted to the standard of the switcher. That means each SDI input could have a different television standard and all inputs will just work. SDI input audio channels 1, 2, 3 and 4 can also be manually routed to various embedded audio channels in the program and aux outputs. Plus you can even router out audio channels 1 and 2 from the SDI inputs to the MADI digital audio output, so you can hand off the switcher input audio to an external audio engineer for mixing. PROFESSIONAL SDI OUTPUTS WITH 16 CHANNEL EMBEDDED AUDIO The ATEM Television Studio includes up to nine SDI program outputs so you get enough connections to send a separate program return feed to all of your cameras. That’s important because the SDI program return is used to send tally, talkback and control information back to the cameras. You also get dedicated aux outputs for driving stage monitors and master recorders. Two of the aux outputs can be live switched using dedicated buttons on the control panel. One of the aux outputs also includes an on screen counter for presenter monitoring. Plus you can manually route audio into all 16 embedded audio channels in the SDI outputs. There's also a dedicated 3G-SDI and HDMI output for the multiview. BUILT IN AUDIO MIXER WITH 6 BAND EQ, COMPRESSOR AND LIMITER With a built in Fairlight audio mixer, ATEM Television Studio makes it possible to do complex live sound mixing. The internal mixer features enough channels for all SDI inputs, as well as extra channels for the XLR, RCA and MADI inputs. Each input channel features the highest quality 6 band parametric EQ, compressor, limiter, expander and noise gate as well as level and pan controls. You can mix all these input channels together at the same time, or you can set video sources to "audio follow video". The audio mixer is extremely powerful and it can be adjusted from the front panel using the dedicated audio mixer controls and LCD. Plus you can also mix audio using ATEM Software Control. BUILT-IN MULTIVIEW SUPPORTS 16 SOURCES ON A SINGLE MONITOR When doing larger live productions with multiple cameras, it’s vital to see all your video sources at the same time on a single monitor. ATEM Television Studio includes a professional multiview that lets you see all video inputs, preview and program on a single SDI or HDMI monitor. You can even send the multiview to the aux outputs. Each camera view includes tally indicators so you know when each source is on-air, plus each view has custom labels and audio meters. You can fully customize the multiview layout with up to 16 simultaneous views. You can also select one of the additional status views that lets you track recording, streaming and the audio mixer status, right from the multiview. LIVE STREAM TO A GLOBAL AUDIENCE ATEM Television Studio has a built in hardware streaming engine for live streaming to a global audience. That means you can live stream to services such as YouTube, Facebook and Twitch in better video quality and without dropped frames. Streaming works using the Ethernet connection to the internet, or you can connect a smartphone to use mobile data. Then you simply select the streaming service and enter the streaming key using ATEM Software Control. This makes streaming easy to setup, and the convenient data rate indicator shows the internet speed required. If you're technically minded, you can even update the streaming profiles in an XML settings file to add new services. CONNECT 5G OR 4G PHONES FOR MOBILE DATA If you’re doing live production on location then the ATEM Television Studio supports mobile data by connecting an Apple or Android phone to the USB port. It's also a great backup for the main Ethernet connection. Phone tethering works with the latest high speed 5G phones plus the more common 4G phones. The ATEM switcher will detect when a phone is connected and automatically switch its internet connection to use it if the Ethernet connection is lost. When connected, the phone will also power from the USB port so it always remains charged and ready to go. By using phone tethering and mobile data, you get the perfect mobile production solution that can be transported anywhere. OUTPUTS TO ANY SOFTWARE THAT SUPPORTS USB WEBCAMS You can use any video software with ATEM Television Studio because the USB connection will emulate a webcam. That means you can plug into a computer and use any video software that works with a webcam. The software is tricked into thinking the ATEM Television Studio is a common webcam, but it's really a live production switcher. That guarantees full compatibility with any video software and in full resolution 1080HD quality. Imagine doing a presentation from a professional broadcast studio to software such as Zoom, Teams or Skype. For streaming, the webcam output also works with streaming software such as Open Broadcaster, XSplit Broadcaster and more. RECORD TO INTERNAL STORAGE OR USB DISKS ATEM Television Studio supports recording to external USB flash disks. Or if an optional M.2 flash disk is installed, you can record directly to internal network shared storage. The internal storage plus any external USB disks will be available to share over the local Ethernet network so other people can work on post production tasks such as editing, colour correction and graphics preparation. All recordings are in H.264 format with AAC audio for broadcast quality video and small file sizes. You can also connect multiple USB disks, so recording will continue if a disk becomes full. You even get buttons on the control panel to start recording and you can see record status in the multiview. INTERNAL STORAGE SUPPORTS MULTIPLE USERS The ATEM Television Studio is also a fast network disk if you install an optional M.2 flash memory card inside the switcher. Flash memory is extremely fast so it can keep up with recording multiple ISO video files while lots of external simultaneous users all work on separate computers for editing, colour correction, VFX and audio post production. Plus the internal network storage is extremely easy to set up. You can also sync the storage to Dropbox and Google Drive, so recordings can be distributed between other ATEM Television Studios or Blackmagic Cloud Stores in different locations, even on lower cost internet connections. That’s the perfect global media sync solution. EDIT LIVE PRODUCTION WITH SEPARATE ISO RECORDINGS The ATEM Television Studio HD ISO model allows you to edit your live event as it can record all inputs to separate video files. You get 8 separate video input files with matching timecode and sync, plus the program video is also recorded into a separate master video file. This means you can edit using any NLE software that supports multi-cam editing. You can use any edit software that supports multi-cam because all input ISO video files will have matching timecode and be in perfect sync. Now it's easy to re-edit your show after the event, so your work will be absolutely perfect. Plus audio is recorded into separate WAV files so you can even professionally remix your audio. FULL INTEGRATION WITH DAVINCI RESOLVE Only ATEM Television Studio HD8 ISO is fully integrated into DaVinci Resolve. This means you can edit, colour correct, add VFX and audio mixing to your live production. Plus DaVinci Resolve is a free download for Mac, Windows and Linux, so there's no monthly license costs. Simply open the project and you'll see your live production as an edit timeline. You can trim edits and remove shots you don't want. In the cut page, the sync bin will show alternative shots in a multiview display. If you want to replace a shot, then simply click an alternative. Finally, you can add professional DaVinci colour correction. You can even relink to Blackmagic RAW camera files if you want to finish in Ultra HD. DISTRIBUTE FILES GLOBALLY With support for Dropbox and Google Drive sync, you can share files globally. That’s extremely important when working with video files that have long record durations so become large. If you need to work in multiple locations, then each user needs to have instant access to these files, even when most internet connections are too slow. While the internet is often too slow to access large video files in real time, it is perfect for syncing files to a storage provider such as Dropbox or Google Drive. Multiple Blackmagic Cloud Stores can sync down for local access in each location. Then everyone has a copy of their media on local network storage. It's the simplest solution for global media sync. Add Cloud Service Make sure your ATEM Television Studio is connected to the internet. Enter in your Dropbox or Google Drive account details, so the switcher can get access to allow sync. Set Sync Folders Next you need to set the sync folders. That tells the ATEM Television Studio where to sync its files to the remote Dropbox or Google Drive. You can have multiple sync folders for different jobs. Set Sync Direction Now set the sync direction. One direction is good when you have local files you want to share, but not enough room for everyone’s files. Both directions means everyone gets the same set of files. CONNECT TO REMOTE INTERNET CAMERAS Another exciting feature on the ATEM Television Studio HD8 ISO model is that it can connect to remote cameras. The Blackmagic URSA Broadcast G2, Blackmagic Studio Camera 4K Pro G2 and Blackmagic Studio Camera 6K Pro cameras can live stream in H.264 direct to the switcher. If you're connected to the local network, then simply select the camera in the input menu. However if the switcher is set to a fixed external IP address, then you can export an XML file with the camera settings to live stream from anywhere on the internet. Simply load the XML file into the camera. Plus you even get camera control and tally. Program audio is also sent back to the camera which is great for live interviews. INCLUDES FREE ATEM SOFTWARE CONTROL PANEL The ATEM Software Control app unlocks the hidden power of ATEM Television Studio by allowing access to all the features in the switcher. ATEM Software Control features a visual switcher user interface with parameter palettes for making adjustments. Although you can connect via USB, if you connect using Ethernet you can run multiple copies of ATEM Software Control on different computers. The software lets you live switch, mix audio, colour correct in the cameras and manage media. You can also build and run complex macros from the software. Plus you can save the switcher state as an XML file for recalling jobs later. You can even control trigger external HyperDeck recorders. LOCALIZED FOR 13 POPULAR LANGUAGES ATEM Television Studio supports multiple languages in the menus and in the ATEM Software Control, so you can customize it to the language you prefer. You get support for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese, Turkish, Polish and Ukrainian languages. Simply go into the setup menu to change the language, or you can always switch to another language at any time in the future. Once a language is selected, the menus on all the LCDs will change to the selected language. Multiple language support means ATEM Television Studio is perfect for doing live production work anywhere in the world and with any crew. DESIGNED TO BE EASY TO REPAIR With so many features built in, it’s vital that ATEM Television Studio can be easily repaired. Plus, there is already a lot of built in redundancy, with 4 Ethernet connections, up to 9 program SDI outputs, 2 USB ports and 2 power connections. However if someone trips on a cable and breaks a connector, then you need to be able to repair the connector at low cost. All the internal electronic PCBs are modular, so any qualified technician can buy a replacement and easily swap the board. This includes the connector PCBs, which can be purchased separately. All the technician needs to do is remove the bottom cover and replace the PCB. A large broadcaster could even buy the boards as a spare parts kit. FLEXIBLE AND REDUNDANT POWER The all in one design of ATEM Television Studio includes a built in power supply so you don’t have to carry around an external power brick. Simply plug it into any AC mains outlet and start live production. The international power supply automatically works from 100 to 240V AC, so you can use it anywhere in the world. Plus, ATEM Television Studio includes both AC and DC power connections. A broadcast standard XLR 12V DC power connection is included which is perfect for backup power or for running on batteries. That means you can use it in extremely remote locations. Plus, if the internal power supply should malfunction, then you can simply connect an external DC supply to keep running. ADD AUDIO EXPANSION FOR MORE MICROPHONES If you're building a podcasting studio or you need more microphones, then the ATEM Microphone Converter allows audio input expansion. It connects to the ATEM Television Studio using the MADI port, so there's no complex setup and you can daisy chain units to add more inputs. Each converter has 4 analogue inputs that are mic/line selectable and have phantom power. The design features amazing quality with an extremely low noise floor of -129dBV, a dynamic range of 131dB(A), low distortion of 0.002% and uniform tolerances across all channels. It even uses 8 separate ADCs on each input to collectively extend the dynamic range. Plus it has a fun HDMI monitoring output with scrolling audio waveforms. ADD THE ULTIMATE COMPACT STUDIO CAMERA When you need cameras that are perfectly designed for ATEM Television Studio then the new Blackmagic Studio Cameras are an ideal choice. Blackmagic Studio Cameras have the same features as large studio cameras, miniaturized into a single compact and portable design. Plus with digital film camera dynamic range and colour science, the cameras can handle extremely difficult lighting conditions while producing cinematic looking images. The sensor features an ISO up to 25,600 so you can create amazing images even in dimly lit venues. Advanced features include talkback, tally, camera control, built in colour corrector and Blackmagic RAW recording. You can even add focus and zoom controllers. MATCH CAMERAS WITH AN ATEM CAMERA CONTROL PANEL When working on live production, it’s critical all cameras are perfectly colour matched for a consistent look as you transition between different sources. ATEM Television Studio has camera control built in, however if you add a dedicated ATEM Camera Control Panel then you can adjust cameras using the same style of controls that are standard in the broadcast industry. Each camera controller includes an LCD screen with buttons and knobs for live camera adjustments, so you get a very clear indication of each camera’s parameters. The large joystick allows direct adjustment of iris and rotates to set black level. There are even red, green and blue knobs for fine control of camera colour tint. COMPATIBLE WITH BLACKMAGIC CAMERAS, PANELS, DECKS AND MORE ATEM Television Studio is even more powerful as it can be expanded to grow with you. Blackmagic Studio Cameras are a great solution as they are a professional broadcast studio cameras with tally, talkback and camera control, all miniaturized into a small and portable design. Of course, the full URSA Broadcast G2 is a broadcast style camera that uses B4 lenses, and has optional SMPTE fiber connections. If you want to control cameras using the same style of control broadcasters use, then you can add an ATEM Camera Control Panel for control and colour balancing of up to four cameras. For mastering, Blackmagic HyperDeck Studio recorders allow you to add recording in ProRes and DNx formats.

BLACKMAGIC Ultimatte 12 HD

BLACKMAGIC Ultimatte 12 HD(BMD-ULTMKEY12/B/HD) The all new Ultimatte 12 is more than the world’s best keyer, it’s an advanced real time compositing processor designed for the next generation of broadcast graphics. Ultimatte 12 features entirely new algorithms and colour science that deliver true photorealistic composites. You get incredible edge handling, greater colour separation, amazing colour fidelity and better spill suppression than ever before, even in dark shadow areas or through transparent objects such as windows. Ultimatte 12 is available in 4 amazing models, with HD, Ultra HD and even native 8K support. Imagine presenting the weather, sports, news and entertainment in a cinematic quality environment, all composited in real time. ADD AN ULTIMATTE 12 TO EACH CAMERA When you’re working live with multiple cameras shooting from different angles, it’s common for the green screens to suffer from variations. Plus the keyers built into live production switchers often have to be shared between cameras, which complicates keying because each camera sees the green screen a little differently. The new Ultimatte 12 eliminates these problems because you get incredible technology at an affordable price, allowing each camera to have a separate Ultimatte. That means each Ultimatte can be tuned to a specific camera’s view. With a dedicated Ultimatte on each camera, your compositions can go well beyond what's possible with set design, so you can create whole new worlds. GENERATE LIVE VIRTUAL ENVIRONMENTS FOR BROADCAST Whether you’re working in broadcast news, sports, film production, or magazine style entertainment programming, Ultimatte 12 has the quality for incredibly life like composites that place your talent into any scene. Plus the new Ultimatte 12 models include built in frame stores so you don't need live video sources for all inputs. You can also use Ultimatte 12 to layer computer generated augmented reality foreground objects into a scene, complete with realistic transparency that your talent can walk behind. Ultimatte 12 is also perfect for on set pre visualization in film production because it lets actors and directors watch the scene while they’re shooting. CREATE REALISTIC FIXED CAMERA VIRTUAL SETS Now you can create a massive broadcast set, even in small apartments or a basement. That's because all Ultimatte 12 models have frame stores so you can load pre rendered still frames from a 3D modeled broadcast set. This is a revolution in live production because you can now use a virtual set even if you don't have the space for a physical broadcast set. Plus without any external equipment. Just use multiple cameras, each with an Ultimatte 12 and a background frame loaded. As the backgrounds are pre rendered, they can be more photorealistic than a traditional virtual set. If the cameras don't move, the backgrounds will look perfect. Plus Ultimatte 12 is low cost, so you can use more cameras. NEW ALGORITHMS AND EXPANDED COLOUR SPACE All Ultimatte 12 models, even Ultimatte 12 HD Mini, have the same incredibly advanced image processing algorithms and a huge internal colour space. This means all models produce identical quality compositions. The processing automatically generates internal mattes so different parts of the image are processed separately based on the colours in each area. It’s like having the power of multiple Ultimatte keyers all working together on the same image. You get fine edge detail where it’s needed the most, like on hair, and smoother transitions between colours or other objects in the scene. Everything is handled by new math and sub pixel processing that’s designed for incredible quality and clarity. AUTOMATIC SCENE ANALYSIS FOR ONE TOUCH KEYING When it comes to live production, you need to work fast. Ultimatte 12 features one touch keying technology that analyzes a scene and automatically sets over a 100 parameters so you get great keys without having to do a lot of extra work. The first step is to ensure your scene is well lit and that the cameras are properly white balanced, then you simply activate the auto key and Ultimatte will do all the work for you. Plus all models include Screen Correction to compensate for unevenly lit green/blue screens. One touch keying is dramatically faster and helps you accurately pull a key with minimum effort. That leaves you free to focus on the program, while Ultimatte 12 takes care of the rest. ADD TRANSLUCENT LAYERS AND BROADCAST GRAPHICS Adding additional translucent objects, such as coloured or tinted glass and computer graphics, is virtually impossible with a traditional keyer. That’s because you can’t subtract a blue or green screen out of a semi-transparent coloured object without changing the object’s original colour. Now, with Ultimatte 12, you get a revolutionary new layer compositing mode that lets you add tinted objects on top of the foreground image. That allows a whole new generation of realistic translucent glass looks in broadcast graphics. This means that when you look through the object, or your talent walks behind it, the tinted colours are accurately preserved, making the shot look completely realistic. FAITHFULLY REPRODUCE AND RETAIN DIFFICULT COLOURS With Ultimatte 12, you get new advanced flare, edge and transition processing so you can remove the background, without affecting the colours you want to keep. What this means is you’ll be able to retain and faithfully reproduce colours that are impossible on other keyers, such as a bright yellow dress in front of a green screen. Ultimatte 12 is smart enough to isolate and treat different parts of the image separately, while also keeping the colour transitions between areas smooth. You get the highest quality compositing, so the final output looks photorealistic. Unlike other keyers, Ultimatte 12 delivers crisp clear images with vibrant colours that pop. KEY AND COMPOSITE IMAGES WITH SHADOWS AND TRANSPARENCY The improved flare algorithms in Ultimatte 12 can remove green tinting and spill from anything, which is one of the reasons why Ultimatte 12 creates true, realistic looking virtual environments. That also means you don’t have to worry about shadows or transparent objects with reflections. Ultimatte 12 automatically samples the colours, creates seamless mattes for walls, floors and other parts of the image, and then applies the necessary corrections. Shadows are properly mapped and composited onto the new background, spill is removed, and transparent objects are handled with perfection. WIDE RANGE OF VIDEO CONNECTIONS Ultimatte 12 features up to 7 different input connections, depending on the model, that are used for compositing different source elements together. These include foreground and background, along with holdout and garbage mattes, as well as additional layer inputs for superimposing additional images over the composited image. Ultimatte 12 even lets you use sources that are not synchronized when working with static shots. With the new Ultimatte 12 models, you can even operate without video sources because the internal frame stores let you load backgrounds and other elements internally. That dramatically lowers the cost of building Ultimatte based broadcast systems. Redundant Power Dual redundant 100‑240V power supplies ensure reliability in critical on‑air broadcast use USB-C USB allows you to update the firmware and connect to the Ultimatte administration utility software Fill Output If you want to layer composition in an external switcher, then you can use the fill and key output Talent Reference Connect a talent monitor so actors can see their composite Ethernet Connect to Ultimatte Software Control that’s included for Mac and Windows, or a Smart Remote 4 GPI Triggers The GPI inputs can be used to load and run a preset, or a sequence of macro style presets Matte Output This output is used with the fill output when building the composition in an external switcher Preview Monitor Monitoring loop lets an operator preview different internal sources across multiple Ultimatte units Background Input Source input containing the new background such as a virtual set video source or a matte painting Background Matte Input Used to displace opaque areas in the background so foreground elements can appear behind them Garbage Matte Input Removes areas of the foreground source that you don’t want to be included in the composite Foreground Input The foreground input is the source from your camera. This is the talent shot with the green screen Holdout Matte Input Keeps foreground objects from being keyed out such as items with similar colours to the screen colour Layer Input Downstream keyer input that allows you to superimpose sources over the foreground, such as titles Layer Matte Input This is the key for the layer source and is used when creating a composition with the layer input Program Output The main output for broadcast with background, foreground and layers all composited together FUTURE PROOF MODELS WITH ADVANCED 12G‑SDI The Ultimatte 12 4K and Ultimatte 12 8K models feature advanced 12G-SDI connections so you can operate with current HD video formats as well as future Ultra HD and 8K video formats. 12G-SDI gives you high frame rate Ultra HD via a single BNC connection that also plugs into all of your regular HD equipment. That means Ultimatte 12 4K is compatible with virtually all SD, HD, 3G, 6G and 12G-SDI equipment, and supports all HD and Ultra HD formats up to 2160p60. While the Ultimatte 12 8K model features Quad Link 12G-SDI for all video formats up to 4320p60 8K. All this means you can use Ultimatte 12 with your HD cameras now, but then instantly switch to Ultra HD or 8K when you’re ready. USE MULTIPLE ULTIMATTE UNITS ON A SINGLE MONITOR All Ultimatte 12 models feature a monitor cascade feature that lets you view the monitor output from up to eight Ultimatte units on a single SDI display. Simply connect up to eight Ultimatte units via an SDI daisy chain using the monitor input and monitor output connections, with the last Ultimatte unit then plugged into an SDI monitor. Then when you switch to monitor any specific Ultimatte unit using the Ultimatte Software Control or the Smart Remote 4, the monitor output will then clean switch, with almost zero latency, and be passed down the chain for display on the monitor. This greatly simplifies monitoring, even when working with lots of Ultimatte equipped cameras. CONTROL HDMI CAMERAS FROM SDI SWITCHERS The unique Ultimatte 12 HD Mini model has a special feature that allows conversion of SDI camera control to HDMI. This means an ATEM SDI switcher can control a HDMI connected Blackmagic Pocket Cinema Camera. All ATEM switchers send camera control over SDI, and this Ultimatte model can translate it to HDMI for the camera. Just connect SDI from the Ultimatte out to the switcher input, the switcher program out to the Ultimatte SDI input, and then the HDMI connects to the camera. Now add a camera number in the Ultimatte utility to get control of the camera colour corrector, tally and even remote record trigger. Plus you also get camera control with HDMI when used with switchers such as ATEM Mini.   INCLUDES FREE ULTIMATTE SOFTWARE CONTROL All Ultimatte 12 models include the free Ultimatte Software Control for Mac and Windows. The main window has menus arranged in sections that perform different functions. Although the interface can look intimidating at first glance as it has so many different buttons and settings, it won’t take long to master, so you will quickly learn to move between settings instinctively as you build your composition. Because Ultimatte Software Control runs on a computer, you can upload the Ultimatte 12 frame stores. All settings and still frames are saved in flash memory so are preserved when the power is turned off. Plus the Ultimatte 12 4K and 8K models include 10G Ethernet for even faster file upload. Main Menu Buttons Tap the menu buttons along the top of the window to select the different input sources you want to adjust. You can also select the matte for making adjustments to the primary matte, and configure your Ultimatte 12 Functions The functions section provides specific Ultimatte settings that can be selected, enabled or disabled. For example, one of the most common controls is reset, which is located in this section if you need to restore a particular setting to its default state Groups This section of the interface contains the majority of the settings menus. For example, if you want to adjust the foreground flare controls, then simply click the foreground button, then click the Flare 1 button. The flare controls will now be visible on the main window side controls for adjustment Information and File Control This section lets you save preset files and configure some of the settings on your Ultimatte. Simply click the folder icon to save a preset. Plus settings can be copied between different models of Ultimatte 12. You can also view status and configuration by clicking on the small information icon Status Bar You can see all the Ultimatte units being controlled by the Ultimatte Software Control by looking at the status bar on the bottom of the main window. The status of each unit icon will illuminate green when identified on your network. When a unit is selected for control the icon will illuminate blue Monitor Out This is one of the most important controls and will set what images are displayed on a video monitor connected to your Ultimatte’s monitor output. You can change the monitor display between program out, foreground input, background input, combined matte view, internal matte view and fill out ADD AN OPTIONAL ULTIMATTE SMART REMOTE 4 The Ultimatte Smart Remote 4 is a touchscreen remote that connects via Ethernet to control up to eight Ultimatte 12 units. Combined with the monitor cascade, this means you can view up to eight Ultimatte 12 units without adding a video router. Smart Remote 4 also features physical buttons and knobs for finer control of the Ultimatte 12 parameters. There are also buttons for quickly loading and saving presets, and a touchscreen that gives you full control over every Ultimatte parameter. Plus the front panel of the Ultimatte rack unit also has buttons to allow recall of custom presets. You can also create custom control solutions with the easy to use text based Ultimatte control protocol.

Blackmagic Atem sdi pro Iso

Blackmagic Atem sdi pro Iso(BMD-SWATEMMXEPBPRISO) A NEW GENERATION OF ULTRA PORTABLE LIVE PRODUCTION ATEM SDI gives you the portable design of ATEM Mini, but its SDI connections means you can connect advanced broadcast quality cameras and recorders. This opens up a whole new world of ultra portable live production. The incredibly portable design means you can fit a whole broadcast quality live production system in a small bag or even a backpack. You can use multiple cameras on location and live stream direct to YouTube, or create a broadcast quality link back to a studio with ATEM Streaming Bridge. Unlike single camera remote shoots, ATEM SDI lets you connect multiple cameras so you can create interesting remote interviews with multiple camera angles. SELF CONTAINED BROADCAST QUALITY SWITCHER ATEM SDI’s compact all in one design includes both a control panel as well as connections. The front panel includes easy to use buttons for selecting sources, video effects and transitions. The source buttons are large so it’s possible to use it by feel, letting the presenter do the switching. You even get buttons for audio mixing. The ATEM SDI Pro and Extreme models have buttons for recording and streaming control, as well as output selection buttons that let you change the video output between program, direct camera feeds and the multiview. On the rear panel there are SDI connections for cameras, extra microphone inputs, USB for webcam plus multiple SDI "aux" outputs for program video. EASY TO USE AND FAST TO LEARN There's never been a switcher that’s easier to use, as you simply press any of the input buttons labelled by number on the front panel to cut between video sources. You can choose between cut or effects transitions by selecting the cut or auto buttons. Unlike cut, the auto button tells ATEM SDI to use a video effect when switching inputs. You can select from exciting transitions such as dissolve, or more dramatic effects such as dip to colour, DVE squeeze and DVE push. Add a DVE effect for picture in picture effects with customized picture positions and background. There are even "media players" which are a still store for titles and graphics that you can load via external software control. CONNECT UP TO 8 BROADCAST CAMERAS With 4 or 8 video inputs, depending on the model, ATEM SDI lets you connect multiple cameras for different views of the performance. Video cameras with SDI outputs such as Blackmagic Studio Camera or Blackmagic URSA Broadcast G2 are much better quality as they have better low light performance and they use professional lenses. All video sources will re-sync to the switcher, even if they operate at different video standards. Everything just works so setup on location is easy and you don't have to worry about technical problems. Imagine taking advantage of the creative freedom of multi camera live production for interviews, advertorials, theater production, music performances, sports and more. OUTPUTS WEBCAM FOR VIDEO SOFTWARE To ensure maximum compatibility, all ATEM SDI models feature USB that operates as a simple webcam source. That means you can plug into a computer and get working with any video software. The software is tricked into thinking the ATEM SDI is a common webcam, but it's really a live production switcher. That guarantees full compatibility with any video software and in full resolution 1080HD quality. Choose any software you like, such as Zoom, Microsoft Teams or Skype for a new way to do presentations with a professional multi camera broadcast quality style. The ATEM SDI webcam output also works with streaming software such as Open Broadcaster, XSplit Broadcaster and more. LIVE STREAM VIA ETHERNET ON ATEM SDI PRO ATEM SDI Pro and ATEM SDI Extreme models have a built in hardware streaming engine for live streaming via their ethernet connections. That means you can live stream to YouTube, Facebook and Twitch in better quality, without dropped frames and with simpler settings. Just select the streaming service and enter the streaming key. There are palettes in ATEM Software Control for streaming setup, plus streaming status is also displayed in the multiview. Streaming status is easy to understand as the data rate indicator shows internet speed required for the video format you're using. If you're technically minded, you can update the streaming profiles in an XML settings file to load new services. CONNECT 5G OR 4G PHONES FOR MOBILE DATA If you’re doing live production on location then the ATEM SDI Pro and Extreme models support connecting an Apple or Android phone to the USB port to use mobile data. It's also a great backup for the main Ethernet connection. Phone tethering works with the latest high speed 5G phones plus the more common 4G phones. The ATEM switcher will automatically detect when a phone is connected and switch its internet connection to use it, eliminating the need for changing settings. When connected, the phone will power from the USB port so it remains charged from the switcher. By using phone tethering for mobile data, ATEM SDI Pro and ATEM SDI Extreme become the perfect mobile production solutions. RECORD DIRECT TO USB FLASH DISKS WITH ATEM SDI PRO The ATEM SDI Pro and Extreme models also support direct recording of your streaming data to USB flash disks. That means you get very long recordings in the same H.264 video files with AAC audio that you streamed, so you can direct upload to any online video site, such as YouTube or Vimeo. Recording to multiple disks is also supported via a USB hub so when a disk fills, recording can continue to a second disk so you get non-stop recording. Record settings and disk selection are set up in ATEM Software Control and you can also display the recording status in the multiview. EDIT LIVE PRODUCTION WITH SEPARATE ISO RECORDINGS The ATEM SDI Pro ISO and Extreme ISO models allow you to edit your live event as they can record multiple video streams, including clean feeds of all inputs and program, all at the same time. Media pool images used are also saved with the video files. The video files include metadata tags such as synced timecode and camera numbers. Imagine re-editing your show with new colour grades, effects and graphics. Even the audio sources are all recorded so you can professionally remix your audio. EDIT LIVE PRODUCTION IN DAVINCI RESOLVE The ISO models also save a DaVinci Resolve project file, so with a single click you can open your live production as a video edit. All cuts, dissolves and media pool graphics will be loaded. This means you can fine tune edit points or even completely replace shots. The DaVinci Resolve Sync Bin lets you edit shots via a multiview interface, so it's easy to use and fast. All ISO files will be automatically aligned by timecode, so you can scroll along and see all camera angles perfectly synced. ADD EXCITING VIDEO EFFECTS One of the benefits of ATEM SDI is the professional production values that are possible using the range of built in video effects. The cut button ensures an instant cut when switching between sources. The auto button is a professional term that's used on large broadcast switchers to enable video effect transitions. There are duration buttons for video effects allowing 0.5, 1, 1.5 and 2 second settings. You can also select the type of effect you want including mix, which does a smooth transition between sources, and dip which fades via a colour during the transition. Or use fun DVE effects that move the image off screen when transitioning between sources. WORK WITH PROFESSIONAL MICROPHONES With two independent 3.5mm stereo audio inputs, you can connect desktop and lapel microphones. You can even connect a music player to generate introduction music after the live stream commences but before the program starts. With 2 extra stereo audio inputs, you can ensure a host and guest both have lapel microphones when doing interviews. All audio inputs to ATEM SDI include buttons on the panel for adjusting audio level and enabling inputs into the audio mixer. Plus all models feature a Fairlight audio mixer with all SDI inputs and both microphone inputs connected to the audio mixer allowing live mixing from all your audio sources. The ATEM SDI Extreme also adds a headphone output. AUTOMATICALLY CONVERTS ANY SDI INPUT FORMAT Each 3G-SDI video input features its own dedicated standards converter. That means ATEM SDI will automatically convert 1080p, 1080i and 720p sources to the switcher video standard. By default the switcher will set its video format automatically, however you can also set the switcher to any video standard manually. The SDI outputs are a true "aux" outputs so you can independently customize the source video routed to each SDI output. All outputs can be connected to cameras as they include camera control and tally information. On the more powerful ATEM SDI Pro and ATEM SDI Extreme models, the SDI output can also be selected to display the built in multiview.   SECRET BROADCAST FEATURES BUILT IN While ATEM SDI is easy to use, it also has very powerful high end broadcast features. ATEM SDI is even perfect for training new live production crews as it has the same features as the massive switchers used in large broadcast studios. You get an ATEM Advanced Chroma Key, Fairlight audio mixer, DVE, still store for graphics and much more. Simply run the free ATEM Software Control app on Mac or Windows while connected via USB or Ethernet to access the extended features of the ATEM SDI. With a little experimentation you can learn how to produce broadcast quality live production. Only ATEM SDI is a true broadcast switcher hidden in a tiny and affordable design.   INCLUDES FREE ATEM SOFTWARE CONTROL PANEL The ATEM Software Control app unlocks the hidden power of ATEM SDI and allows access to every feature in the switcher. ATEM Software Control features a visual switcher user interface with parameter palettes for making quick adjustments. Although you can normally connect via USB, if you connect using Ethernet it's possible for multiple users to connect to ATEM SDI using separate copies of ATEM Software Control on different computers. The software lets you access full audio mixing with effects, load still frames and even do advanced macro programming. You can even save the switcher state as an XML file. If you need clip playback, you can even control HyperDeck disk recorders via Ethernet.   DVE FOR PICTURE IN PICTURE, TRANSITIONS AND EFFECTS One of the most exciting features on ATEM SDI is the built in DVE that allows picture in picture effects and DVE transitions. The DVE lets you create professional picture in picture effects with customizable 3D borders, shadows and lighting. The image quality is the same as high end ATEM switcher models and the DVE supports position, resize and scale, all in real time. The DVE can also be used to create amazing transitions with 16 different DVE squeeze and DVE push effects for adding excitement to your programming. The DVE features a "fly key" so you can use it with custom graphics to create graphic wipe transitions.   PROFESSIONAL BROADCAST TRANSITIONS ATEM SDI includes a wide range of broadcast quality HD native transitions such as mix, dip, wipe and more. All transitions can be customized by adjusting parameters such as duration, border colour, border width, position and direction. You can also use the DVE in transitions, allowing a graphic to be moved over the wipe edge which is called a graphic wipe, and is commonly used in sports programming. To eliminate errors, ATEM SDI has a preview transition feature so you can check your transitions before putting them to air.   BUILT-IN GRAPHICS WITH PHOTOSHOP PLUG‑IN The built in "media pool" allows the loading of up to 20 separate broadcast quality RGBA graphics for titles, opening plates and logos. The media player is used to output the selected image so it appears as an extra internal video source for use in graphics and titles. You can even use still frames for complex effects such as graphic wipes. ATEM SDI can also grab stills from video and save them to the internal media pool. Graphics can be loaded via ATEM Software Control or downloaded directly from Photoshop using the ATEM Photoshop plug-in. The Photoshop Plug-in is perfect for graphics that change often, such as scoreboards, as you can download directly into the media player.   INCLUDES NEW ATEM ADVANCED CHROMA KEY For news or on-set presentation work, ATEM SDI is perfect as it features the powerful ATEM Advanced Chroma Key for green screen keying effects. The chroma keyer is incredibly powerful and features a colour picker to sample background colours for automatic generation of the key parameters. You get precise controls for edge and flare, and there is even a foreground colour corrector so you can match the foreground and background layers for seamless compositions. You can even use it for title overlays by creating graphics with a green or blue background. Plus the ATEM SDI Extreme includes a massive 4 separate ATEM Advanced Chroma Keyers, for a keyer per camera, allowing virtual set production.   CREATE AMAZING VIRTUAL SETS The ATEM SDI Extreme models include 4 upstream chroma keyers and this allows you to build exciting virtual sets. With 4 independent chroma keyers, you get a keyer per camera so you can build a virtual set for up to 4 cameras. With ATEM SDI Extreme you have 8 inputs, 4 to use for cameras and the other 4 can be connected to a virtual set computer for the rendered backgrounds. Or if you don't need to move your cameras, you can do fixed camera virtual sets by loading pre rendered still image backgrounds from the media players and media pool. You can setup macros to change cameras and load the correct background into the media players.   POWERFUL SUPERSOURCE PROCESSING In addition to 2 independent DVEs in the ATEM SDI Extreme models, there's also a powerful SuperSource multi layer processor with 4 extra DVE layers plus a background layer, that all appear to ATEM SDI Extreme as an additional input source. Any ATEM SDI Extreme video input can be used for each SuperSource DVE, then it’s all layered together over a media pool custom background. SuperSource is perfect for doing multiple picture in picture displays with people being interviewed because you can set up the effect before putting it to air, still keeping both main DVEs free for other tasks. SuperSource is just like having an extra multi-layer VFX switcher built in.   TRUE BROADCAST STYLE MIX EFFECTS SWITCHING Although ATEM SDI works in "cut bus" mode when first purchased, it can also be changed to "program/preview" style operation, which is the way broadcasters normally use live production switchers. Cut bus switching is easy and selecting any input will instantly switch to that source. However if you want to operate ATEM SDI like a true professional then you can change the switcher to program/preview using ATEM Software Control settings. Mix effects operation allows a source to be selected but it won't be put on air until you press the cut or auto buttons. That 2 step program/preview process means fewer mistakes.   MONITOR SOURCES AND STATUS WITH ATEM SDI PRO MULTIVIEW When doing larger live productions with multiple cameras, it’s very useful to see all your video sources at the same time on a single monitor. The ATEM SDI Pro and ATEM SDI Extreme models include a professional multiview that lets you see all video inputs, preview and program on a single SDI monitor. Simply select M/V button on the front panel to select the multiview. Each camera view includes tally indicators so you know when each source is on-air, and each view also has custom labels and audio meters. Plus the ATEM SDI Extreme models allow you to select up to 16 custom views. Multiview even includes status for recording, streaming and the audio mixer.   BUILT IN AUDIO MIXER WITH 6 BAND EQ, COMPRESSOR AND LIMITER With a built in Fairlight audio mixer, ATEM SDI makes it possible to do complex live sound mixing. The internal mixer features enough channels for each SDI input so you can mix audio from all sources. That’s audio from all SDI sources, plus the 2 stereo mic inputs. Each input channel features the highest quality 6 band parametric EQ and compressor, limiter, expander and noise gate as well as full panning. You can even set up the software to auto mix between inputs as you switch "AFV" or to live mix multiple sources together all at once. All this audio power can be controlled via ATEM Software Control, or you can add a Mackie compatible panel.   CREATE BROADCAST LINKS WITH ATEM STREAMING BRIDGE The ATEM Streaming Bridge is a video converter that lets you receive a H.264 stream from any ATEM SDI Pro or ATEM SDI Extreme and convert it back to video. This means you can send video to remote locations around your local Ethernet network, or via the internet globally. That's possible because it uses an advanced H.264 codec for high quality at very low data rates. This means you can create broadcast quality links back to your studio using the internet, so it's much lower cost. To make setup is easy, the ATEM software utility can create a setup files that you can email to the remote studio. ATEM Streaming Bridge is the perfect way to use ATEM SDI as a remote broadcast studio.   DEVELOP CUSTOM REMOTE CONTROL SOLUTIONS The Ethernet connection also allows customized control solutions. Even though ATEM SDI includes ATEM Software Control, you can use the Ethernet to control the ATEM remotely, anywhere in the world. A popular workflow is to use the Ethernet to allow the ATEM SDI to be positioned near the cameras, but the control is positioned remotely in a quieter space, such as a control room. Imagine using the switcher from a control room and building a professional broadcasting studio where the control room can be separated away from the performance or interviews. Ethernet allows you to add as many panels as you like all at the same time, or you can build custom solutions using the developer SDK.   CONNECT A HDMI COMPUTER If you need to connect computer graphics to ATEM SDI, then you can use a Micro Converter HDMI to SDI. Because the connection is direct, the quality is amazing. If you create graphics with a green background, then the ATEM Advanced Keyer will allow compositing titles over a live background. Computers also make fantastic media players.   CONNECT A HDMI CAMERA Connect a Blackmagic Pocket Cinema Camera 4K or 6K by using a Micro Converter BiDirect SDI/HDMI. It will convert the camera HDMI to the switcher SDI input. It can also take an SDI output of the switcher and embed the camera control into the HDMI data link back to the camera. This gives you tally and colour corrector control direct from the switcher.   SWITCH FASTER WITH AN ATEM 1 M/E ADVANCED PANEL With Ethernet built in, ATEM SDI can use hardware control panels for high end workflows that take advantage of the hidden broadcast features in the switcher. The ATEM 1 M/E Advanced Panel features the fast program/preview style with separate source buttons for both program and preview rows. Get direct access to all transitions automatically or manually using the t-bar. For accurate control of the DVE, the joystick provides X, Y positioning with rotation setting the DVE size. You also get LCD menus to control features that don't have dedicated knobs and buttons. You can even program and trigger macros. Plus you can still use the hardware panel if you upgrade to a bigger ATEM switcher later.   GET INDUSTRY STANDARD PROFESSIONAL CAMERA CONTROL When working on live production, its critical all cameras are perfectly matched with good colour balance for a consistent look when transitioning between the each camera. The ATEM Camera Control Panel works with ATEM SDI and is the perfect solution for camera control. All control commands are sent to the cameras using the SDI camera control protocol which is supported by cameras such as Blackmagic URSA Broadcast and Blackmagic Studio Cameras. You get dedicated controls including CCU style joystick and controls for RGB camera colour, master gain, black, iris and more. Plus all controls are arranged in a familiar broadcast layout perfect for both experienced and new operators.   COMPATIBLE WITH BLACKMAGIC CAMERAS, PANELS, DECKS AND MORE ATEM SDI is even more powerful it can be expanded to grow with you. Add an ATEM Advanced Panel to get professional industry standard switcher control. Then add an ATEM Camera Control Panel for fast control and colour balancing of up to four cameras. For cameras, Blackmagic Studio Cameras make great studio cameras as they have tally and control all built into the compact and very portable design. For mastering, Blackmagic HyperDeck Studio recorders are perfect because they include popular file formats such as ProRes, H.264 and DNx. You can even live stream using an UltraStudio or Blackmagic Web Presenter. Then add a Micro Converter SDI to HDMI 3G converter for HDMI monitoring. Blackmagic URSA Broadcast G2 Designed for broadcast and live production, you get a 6K sensor with +36dB of gain, wide dynamic range and B4 lens mount. Includes Blackmagic RAW, ProRes, H.264 and H.265 record file formats. Blackmagic Studio Viewfinder G2 Turn URSA Mini into the ultimate live camera with a professional 7 inch studio viewfinder! Blackmagic Camera Fiber Converter Connect cameras to live switchers up to 2 km away with video, control and power, all over a single cable! Blackmagic Studio Fiber Converter Connect to remote cameras up to 2 km away with multiple channels of video, control and power all over a single cable! Blackmagic Studio Camera 4K Pro Designed for professional SDI switchers, you get all the features of the Plus model, as well as 12G-SDI, professional XLR audio, brighter HDR LCD and 10G Ethernet IP link. HyperDeck Studio HD Mini Miniaturized deck records H.264, ProRes or DNxHD files onto SD/UHS-II cards or external USB disks in SD/HD formats to 1080p60. Includes timecode and reference generators, 3G-SDI in/out and HDMI out. HyperDeck Studio HD Pro Includes all the features of the Plus model, and adds 2 SSD slots as well as the 2 SD card slots. Also includes machined metal search dial with clutch, SDI monitor out and XLR timecode connections. ATEM Camera Control Panel Control up to 4 cameras at one time including iris, shutter speed, white balance, master gain, pedestal, RGB and more!

BLACKMAGIC ATEM Microphone Converter

BLACKMAGIC ATEM Microphone Converter(BMD-SWATEMTVSTDMC, BMD SWATEMTVSTDMC) Add extra microphones to your ATEM switcher Now it’s easy to expand the MADI input on ATEM switchers so you can add multiple microphones or external audio mixers. The ATEM Microphone Converter simply plugs into the ATEM Television Studio MADI port, so there's no complex setup required and additional units can even be daisy chained for more sources. Each converter has 4 analogue inputs that are mic/line selectable and have 48V phantom power. The design features amazing audio quality with an extremely low noise floor, a wide dynamic range and very low distortion. The design even uses 8 separate ADCs on each separate input that work together to extend dynamic range. There is also an HDMI monitoring output with scrolling audio waveforms. HIGH END CONVERTER STYLE DESIGN The ATEM Microphone Converter features a familiar converter based design that has space for the analogue electronics required for high quality analogue to digital audio conversion (ADC). It features combined XLR/TRS input sockets allowing both XLR or jack cables to be connected. It also includes a MADI output with the converted audio, as well as a MADI input which allows multiple ATEM Microphone Converters to be daisy chained so more than 4 channels of audio can be embedded into a single MADI connection. There is also a 12V DC power connection plus USB and Ethernet for allowing remote admin and software updates. Switches allow control of mic/line audio input levels and to turn on phantom power. CONNECTS VIA MADI FOR MULTI CHANNEL AUDIO MADI, or Multichannel Audio Digital Interface, is a multi channel audio link standardized as AES10 by the Audio Engineering Society (AES) and it defines the data format for an interface for multiple channels of digital audio. The ATEM Microphone Converter’s MADI output embeds the 4 analogue inputs as MADI channels 1, 2, 3 and 4. ATEM Microphone Converter also includes a MADI input, which is used to loop multiple converters when you need more than 4 channels of audio on a single MADI link. This means if a second converter is connected to the input of another, the upstream converter will stack its 4 channels above the 4 channels on the downstream converter. INNOVATIVE ANALOGUE TO DIGITAL CONVERSION Each analogue input channel has an ultra low noise, fixed gain preamplifier scaled to drive a high dynamic range audio ADC, which totally eliminates using an analogue microphone preamplifier in the design so the input does not suffer from preamp gain step clicks or "zipper noise". The ATEM Microphone Converter steps outside conventional audio industry design practice of using an individual audio ADC, as each input implements analogue to digital conversion using 8 high dynamic range audio ADCs that function collectively as one ultra high dynamic range audio ADC. This means each input channel’s dynamic range is an incredible 131dB(A). Plus you get incredibly low distortion of only 0.002%. EXTREMELY LOW -129DBV NOISE FLOOR A common problem with mic converters is the higher noise floor where electrical noise is generated in the preamplifiers. The ATEM Microphone Converter eliminates this problem by using a very different design where the input is converted directly using its ultra high dynamic range conversion so you pass RAW audio to the switcher where the switcher can then apply as much gain as required for the correct audio level. This means you don't get an injection of noise caused by an analogue gain stage, so you get an extremely low fixed noise floor of -129dBV regardless of digital gain applied. You can then apply digital gain control, which is done in minute ±0.1dB gain steps that are totally inaudible. DIGITAL PREAMPLIFIER DESIGN FOR STABILITY With the wide dynamic range input that eliminates the need for an analogue preamplifier, microphone levels are adjusted by a digital preamplifier gain stage that is extremely stable. Different microphone types and brands can vary widely in analogue audio levels, so this digital gain stage allows compensation for the specific brand of microphone you use. Best of all, the digital preamplifier is processed in the full internal 32 bit RAW audio bit depth, so you're adjusting with much greater precision than the MADI audio standard can support. This results in an extremely clean and noise free gain stage. Then the final levels can be finessed on the ATEM audio mixer as you work. FEATURES PRECISELY MATCHED ANALOG INPUTS The innovative design of the ATEM Microphone Converter also has other benefits, such as extremely precise matching between input audio channels. The multi ADC per input design technique means that each analogue audio input has very similar specifications and tolerances so all input channels are statistically more uniform. Plus the unique 8 ADC input design will maintain a stable and consistent flat noise floor that won't experience the negative effects of noise floor level modulation that traditional staggered ADC designs suffer from. This means you get similar performance no matter what input you connect the microphone to, and even between multiple ATEM Microphone Converters. INCLUDES HDMI MONITORING WITH SCROLLING AUDIO WAVEFORMS ATEM Microphone Converter also includes an HDMI video monitoring output so you can connect a simple TV or computer monitor for a full status display! It includes 4 scrolling waveforms over the last 60 seconds of time, which is both informative and fun to watch! There are also audio meters to show the level at the input connector. Each channel also includes a custom label set via the software utility. There are also indicators to show the switch settings for mic/line input selection and phantom power. Plus if you daisy chain converters the monitoring output will adapt and display more than 4 channels. You can even set a converter name that will be displayed on the monitoring.

BLACKMAGIC ATEM Television Studio HD8 ISO

BLACKMAGIC ATEM Television Studio HD8 ISO(BMD-SWATEMTVSTC/HD08ISO) THE WORLD'S MOST PORTABLE ALL-IN-ONE TELEVISION STUDIO The new ATEM Television Studio is a professional live production switcher built into a broadcast control panel so it can be used for high end work while being extremely portable. This means you can use it in small venues that don't have the access for equipment racks or broadcast vans. You get a powerful switcher with 8 standards converted SDI inputs, aux outputs, 4 chroma keyers, 2 downstream keyers, SuperSource, 2 media players and lots of transitions. Plus it includes a whole television studio of features such as hardware streaming, recording, audio mixer, talkback, multiview and optional internal network shared storage. There's even an ISO model that records all 8 inputs for editing. THREE GREAT ATEM TELEVISION STUDIO MODELS ATEM Television Studio HD8 Compact live production switcher with built in broadcast control panel, 8 x 3G‑SDI inputs, streaming, recording, multiview, DVE, keyers, USB webcam, media players, talkback and optional cloud storage. ATEM Television Studio HD8 ISO Powerful ISO model includes all the features of ATEM Television Studio HD plus adds ISO recording of all 8 inputs and supports up to 8 remote cameras with control and tally for each camera. ATEM Television Studio 4K8 Powerful Ultra HD live production switcher similar to the non ISO HD model, however includes 8 x 12G-SDI inputs, 10 12G-SDI aux outputs for external recorders, 4 port 10G Ethernet switch and more. BRING MULTI CAMERA LIVE PRODUCTION TO ANY LOCATION Compact Broadcast Vans With the all in one design, you can build a new generation of ultra compact broadcast vans. You don't need racks of equipment, so you can eliminate clutter for a much nicer work environment. For stability, you can even mount the switcher inset into the desk. Music Venues and Clubs Some of the most exciting venues, such as downstairs music venues or comedy clubs, are too small for racks of video equipment. However ATEM Television Studio can be carried into any venue. It’s also easy to pack up, even if the venue is still crowded. Online Education ATEM Television Studio is perfect for creating education content. As the ISO model records the video inputs, you can finesse edits, replace shots and even add colour correction. Plus you can even connect to Zoom to incorporate live chat with students. Live Sports ATEM Television Studio is perfect for live sports because it has a simple design that's easy for community volunteers to use. It can be installed into sports clubs or taken on the road with the team. With up to 8 cameras, you'll catch all the exciting angles. SELF CONTAINED BROADCAST QUALITY SWITCHER The ATEM Television Studio combines a switcher and control panel into the same unit, so it’s extremely portable. You get everything you need. The front panel includes buttons for selecting sources, triggering transitions and setting up video effects. Plus the buttons are the same high-end type used on expensive broadcast switchers. You also get a built in t-bar for manual transition control. The front panel even has an innovative audio mixer control area with live metering on a dedicated LCD. There are also buttons for recording and streaming control, plus live aux switching that lets you change aux outputs between all 8 cameras, program, preview or the multiview. CONNECT UP TO 8 BROADCAST CAMERAS With 8 SDI video inputs, ATEM Television Studio lets you connect multiple cameras for different views of the performance. Video cameras with SDI outputs, such as Blackmagic Studio Camera or Blackmagic URSA Broadcast G2, are much better quality as they have better low light performance and use professional lenses. All video sources will re-sync to the switcher, even if they operate at different video standards. Everything just works so setup on location is easy and you don't have to worry about technical problems. Imagine taking advantage of the creative freedom of multi camera live production for interviews, advertorials, theater productions, music performances, sports and more. INCLUDES PRODUCTION, POST PRODUCTION AND DISTRIBUTION Live Production You get an incredibly powerful 8 input switcher with both program and aux outputs so you have everything you need for mobile production. That means you can connect up to 8 cameras. Plus you get professional camera control, talkback and audio mixing all designed into a familiar broadcast panel. Post Production The ISO model records all inputs into separate files so you can edit using any NLE that supports multi-cam. That's possible because all files have perfect timecode sync. Plus with built in network storage, you can edit while recording. Multiple users can even share media and collaborate. Distribution With a built in hardware streaming engine, you can live stream your event to a global audience. Recording to H.264 files with AAC audio means you get the correct format to upload to YouTube. Plus you share live broadcasts with your audience by using the aux outputs and large screens and projectors. EASY TO USE AND FAST TO LEARN There's never been a switcher that’s easier to use, as you simply press any of the program row buttons on the front panel to cut between video sources. Or you can pre select a source on the preview row and then choose between cut or effect transitions by selecting the cut or auto buttons. You can select from exciting transitions such as dissolve, or more dramatic effects such as dip to colour, DVE squeeze and DVE push. You can even add a DVE for picture in picture effects with customized graphics. There are also media players which let you store graphics with alpha channels for titles and graphics that you can load as live video inputs. Then you can live stream the results. TRUE BROADCAST STYLE MIX EFFECTS SWITCHING ATEM Television Studio uses a professional program/preview style of operation, which is exactly the way large broadcasters use live production switchers. However ATEM Television Studio can be switched to A/B style switching, which is easier when it's used by volunteers or community groups. However, if you want to operate the switcher like a broadcast professional then the program/preview is perfect. This means a source won't be put on air until you press the cut or auto button. This 2 step process means you see what you are selecting before putting it to air, so you get fewer mistakes. Plus program/preview operation is a fantastic way to train students for a career in broadcast television. EASY TO ADD EXCITING VIDEO EFFECTS One of the benefits of ATEM Television Studio is the range of professional built in video effects. The cut button ensures an instant cut when switching between sources. The t-bar fader can be used to transition video effects, or you can do the transition automatically by pressing the auto button. Auto uses the transition duration set in the system control. You can also select the type of effect you want including mix, which does a smooth transition between sources, or dip which transitions via a third video source, such as a colour generator. There is a wide range of SMPTE wipes included, plus fun DVE effects that slide or squeeze the image off screen when transitioning between video sources. INCLUDES LOADS OF EXTREMELY CREATIVE TRANSITIONS ATEM Television Studio includes the same kind of transitions found on expensive broadcast switchers. This means the effects and transitions can be customized in many different ways, so they are surprisingly powerful. You'll never stop finding new ways of using them. That’s because all transitions can be customized by adjusting parameters such as duration, border colour, border width, position and direction. You can even use the DVE with a wipe transition, where the DVE moves a graphic over the wipe edge. That's called a graphic wipe and it’s often used in sports broadcasting. The preview transition button can be used to set up effects offline, which is great for eliminating mistakes. BUILT IN DVE FOR BROADCAST VIDEO EFFECTS ATEM Television Studio features an independent DVE that lets you reposition graphics and create picture in picture compositions. You get amazing quality and the DVE supports position, resize and scale, all in real time. The DVE lets you create professional picture in picture effects with customizable 3D borders, shadows and lighting. DVEs can also be used to create amazing DVE transitions with squeeze, swoosh and push effects for adding excitement to your programming. You can even combine DVE transitions with custom graphics to create your own graphic wipe transitions. Pus there is also a SuperSource multi layer processing engine with 4 extra DVEs. SUPPORTS INTERNAL MEDIA FOR STILLS AND MOTION GRAPHICS The built in media pool stores broadcast quality graphics and animations that can be played back using the built in media players. Media players appear as independent sources so you don't need to waste any of the SDI inputs for graphics. For highest quality, all media supports RGB colourspace with alpha channel, allowing transparency and layering. The media pool can hold 20 HD or Ultra HD resolution stills. Depending on the model, motion graphics clips for animations and stingers can be up to 720 frames in 720HD, 360 frames in 1080HD and 90 frames in 2160 Ultra HD. The ATEM Software Control allows you to upload and manage media. You can even prepare graphics in Adobe Photoshop and then download to the media pool using the free ATEM Photoshop plug-in. INCLUDES 4 ATEM ADVANCED CHROMA KEYERS ATEM Television Studio is perfect for news and on-set presentation work because it features 4 ATEM Advanced Chroma Keyers for green screen keying effects. The chroma keyers are incredibly powerful and include features such as a colour picker to sample background colours for automatic generation of the key parameters. You get precise controls for edge and flare, and there is even a foreground colour corrector so you can match the foreground and background layers for seamless compositions. You can even use it for title overlays by creating graphics with a green or blue background. With 4 ATEM Advanced Chroma Keyers, ATEM Television Studio is perfect for creating fixed camera virtual sets. POWERFUL SUPERSOURCE PROCESSING In addition to the DVE in the ATEM Television Studio, there is also a powerful SuperSource multi layer processor. SuperSource gives you 4 extra DVE layers plus a background layer, all layered together as an additional input source. Any video input can be used as sources for each DVE, then it’s all layered together over a media pool custom background or live video. SuperSource is perfect for doing multiple picture in picture displays with people being interviewed because you can set up the effect so the viewer can see each person being interviewed all within a stylish graphic. SuperSource is just like having a completely independent multi-layer VFX switcher built in. UP TO 8 STANDARDS CONVERTED SDI INPUTS The ATEM Television Studio HD models feature 8 independent 3G-SDI inputs, and the 4K model has 8 12G-SDI inputs. Each SDI input has a dedicated standards converter so any 720 HD, 1080 HD or 2160 Ultra HD input source will be converted to the standard of the switcher. That means each SDI input could have a different television standard and all inputs will just work. SDI input audio channels 1, 2, 3 and 4 can also be manually routed to various embedded audio channels in the program and aux outputs. Plus you can even router out audio channels 1 and 2 from the SDI inputs to the MADI digital audio output, so you can hand off the switcher input audio to an external audio engineer for mixing. PROFESSIONAL SDI OUTPUTS WITH 16 CHANNEL EMBEDDED AUDIO The ATEM Television Studio includes up to nine SDI program outputs so you get enough connections to send a separate program return feed to all of your cameras. That’s important because the SDI program return is used to send tally, talkback and control information back to the cameras. You also get dedicated aux outputs for driving stage monitors and master recorders. Two of the aux outputs can be live switched using dedicated buttons on the control panel. One of the aux outputs also includes an on screen counter for presenter monitoring. Plus you can manually route audio into all 16 embedded audio channels in the SDI outputs. There's also a dedicated 3G-SDI and HDMI output for the multiview. BUILT IN AUDIO MIXER WITH 6 BAND EQ, COMPRESSOR AND LIMITER With a built in Fairlight audio mixer, ATEM Television Studio makes it possible to do complex live sound mixing. The internal mixer features enough channels for all SDI inputs, as well as extra channels for the XLR, RCA and MADI inputs. Each input channel features the highest quality 6 band parametric EQ, compressor, limiter, expander and noise gate as well as level and pan controls. You can mix all these input channels together at the same time, or you can set video sources to "audio follow video". The audio mixer is extremely powerful and it can be adjusted from the front panel using the dedicated audio mixer controls and LCD. Plus you can also mix audio using ATEM Software Control. BUILT-IN MULTIVIEW SUPPORTS 16 SOURCES ON A SINGLE MONITOR When doing larger live productions with multiple cameras, it’s vital to see all your video sources at the same time on a single monitor. ATEM Television Studio includes a professional multiview that lets you see all video inputs, preview and program on a single SDI or HDMI monitor. You can even send the multiview to the aux outputs. Each camera view includes tally indicators so you know when each source is on-air, plus each view has custom labels and audio meters. You can fully customize the multiview layout with up to 16 simultaneous views. You can also select one of the additional status views that lets you track recording, streaming and the audio mixer status, right from the multiview. LIVE STREAM TO A GLOBAL AUDIENCE ATEM Television Studio has a built in hardware streaming engine for live streaming to a global audience. That means you can live stream to services such as YouTube, Facebook and Twitch in better video quality and without dropped frames. Streaming works using the Ethernet connection to the internet, or you can connect a smartphone to use mobile data. Then you simply select the streaming service and enter the streaming key using ATEM Software Control. This makes streaming easy to setup, and the convenient data rate indicator shows the internet speed required. If you're technically minded, you can even update the streaming profiles in an XML settings file to add new services. CONNECT 5G OR 4G PHONES FOR MOBILE DATA If you’re doing live production on location then the ATEM Television Studio supports mobile data by connecting an Apple or Android phone to the USB port. It's also a great backup for the main Ethernet connection. Phone tethering works with the latest high speed 5G phones plus the more common 4G phones. The ATEM switcher will detect when a phone is connected and automatically switch its internet connection to use it if the Ethernet connection is lost. When connected, the phone will also power from the USB port so it always remains charged and ready to go. By using phone tethering and mobile data, you get the perfect mobile production solution that can be transported anywhere. OUTPUTS TO ANY SOFTWARE THAT SUPPORTS USB WEBCAMS You can use any video software with ATEM Television Studio because the USB connection will emulate a webcam. That means you can plug into a computer and use any video software that works with a webcam. The software is tricked into thinking the ATEM Television Studio is a common webcam, but it's really a live production switcher. That guarantees full compatibility with any video software and in full resolution 1080HD quality. Imagine doing a presentation from a professional broadcast studio to software such as Zoom, Teams or Skype. For streaming, the webcam output also works with streaming software such as Open Broadcaster, XSplit Broadcaster and more. RECORD TO INTERNAL STORAGE OR USB DISKS ATEM Television Studio supports recording to external USB flash disks. Or if an optional M.2 flash disk is installed, you can record directly to internal network shared storage. The internal storage plus any external USB disks will be available to share over the local Ethernet network so other people can work on post production tasks such as editing, colour correction and graphics preparation. All recordings are in H.264 format with AAC audio for broadcast quality video and small file sizes. You can also connect multiple USB disks, so recording will continue if a disk becomes full. You even get buttons on the control panel to start recording and you can see record status in the multiview. INTERNAL STORAGE SUPPORTS MULTIPLE USERS The ATEM Television Studio is also a fast network disk if you install an optional M.2 flash memory card inside the switcher. Flash memory is extremely fast so it can keep up with recording multiple ISO video files while lots of external simultaneous users all work on separate computers for editing, colour correction, VFX and audio post production. Plus the internal network storage is extremely easy to set up. You can also sync the storage to Dropbox and Google Drive, so recordings can be distributed between other ATEM Television Studios or Blackmagic Cloud Stores in different locations, even on lower cost internet connections. That’s the perfect global media sync solution. EDIT LIVE PRODUCTION WITH SEPARATE ISO RECORDINGS The ATEM Television Studio HD ISO model allows you to edit your live event as it can record all inputs to separate video files. You get 8 separate video input files with matching timecode and sync, plus the program video is also recorded into a separate master video file. This means you can edit using any NLE software that supports multi-cam editing. You can use any edit software that supports multi-cam because all input ISO video files will have matching timecode and be in perfect sync. Now it's easy to re-edit your show after the event, so your work will be absolutely perfect. Plus audio is recorded into separate WAV files so you can even professionally remix your audio. FULL INTEGRATION WITH DAVINCI RESOLVE Only ATEM Television Studio HD8 ISO is fully integrated into DaVinci Resolve. This means you can edit, colour correct, add VFX and audio mixing to your live production. Plus DaVinci Resolve is a free download for Mac, Windows and Linux, so there's no monthly license costs. Simply open the project and you'll see your live production as an edit timeline. You can trim edits and remove shots you don't want. In the cut page, the sync bin will show alternative shots in a multiview display. If you want to replace a shot, then simply click an alternative. Finally, you can add professional DaVinci colour correction. You can even relink to Blackmagic RAW camera files if you want to finish in Ultra HD. DISTRIBUTE FILES GLOBALLY With support for Dropbox and Google Drive sync, you can share files globally. That’s extremely important when working with video files that have long record durations so become large. If you need to work in multiple locations, then each user needs to have instant access to these files, even when most internet connections are too slow. While the internet is often too slow to access large video files in real time, it is perfect for syncing files to a storage provider such as Dropbox or Google Drive. Multiple Blackmagic Cloud Stores can sync down for local access in each location. Then everyone has a copy of their media on local network storage. It's the simplest solution for global media sync. Add Cloud Service Make sure your ATEM Television Studio is connected to the internet. Enter in your Dropbox or Google Drive account details, so the switcher can get access to allow sync. Set Sync Folders Next you need to set the sync folders. That tells the ATEM Television Studio where to sync its files to the remote Dropbox or Google Drive. You can have multiple sync folders for different jobs. Set Sync Direction Now set the sync direction. One direction is good when you have local files you want to share, but not enough room for everyone’s files. Both directions means everyone gets the same set of files. CONNECT TO REMOTE INTERNET CAMERAS Another exciting feature on the ATEM Television Studio HD8 ISO model is that it can connect to remote cameras. The Blackmagic URSA Broadcast G2, Blackmagic Studio Camera 4K Pro G2 and Blackmagic Studio Camera 6K Pro cameras can live stream in H.264 direct to the switcher. If you're connected to the local network, then simply select the camera in the input menu. However if the switcher is set to a fixed external IP address, then you can export an XML file with the camera settings to live stream from anywhere on the internet. Simply load the XML file into the camera. Plus you even get camera control and tally. Program audio is also sent back to the camera which is great for live interviews. INCLUDES FREE ATEM SOFTWARE CONTROL PANEL The ATEM Software Control app unlocks the hidden power of ATEM Television Studio by allowing access to all the features in the switcher. ATEM Software Control features a visual switcher user interface with parameter palettes for making adjustments. Although you can connect via USB, if you connect using Ethernet you can run multiple copies of ATEM Software Control on different computers. The software lets you live switch, mix audio, colour correct in the cameras and manage media. You can also build and run complex macros from the software. Plus you can save the switcher state as an XML file for recalling jobs later. You can even control trigger external HyperDeck recorders. LOCALIZED FOR 13 POPULAR LANGUAGES ATEM Television Studio supports multiple languages in the menus and in the ATEM Software Control, so you can customize it to the language you prefer. You get support for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese, Turkish, Polish and Ukrainian languages. Simply go into the setup menu to change the language, or you can always switch to another language at any time in the future. Once a language is selected, the menus on all the LCDs will change to the selected language. Multiple language support means ATEM Television Studio is perfect for doing live production work anywhere in the world and with any crew. DESIGNED TO BE EASY TO REPAIR With so many features built in, it’s vital that ATEM Television Studio can be easily repaired. Plus, there is already a lot of built in redundancy, with 4 Ethernet connections, up to 9 program SDI outputs, 2 USB ports and 2 power connections. However if someone trips on a cable and breaks a connector, then you need to be able to repair the connector at low cost. All the internal electronic PCBs are modular, so any qualified technician can buy a replacement and easily swap the board. This includes the connector PCBs, which can be purchased separately. All the technician needs to do is remove the bottom cover and replace the PCB. A large broadcaster could even buy the boards as a spare parts kit. FLEXIBLE AND REDUNDANT POWER The all in one design of ATEM Television Studio includes a built in power supply so you don’t have to carry around an external power brick. Simply plug it into any AC mains outlet and start live production. The international power supply automatically works from 100 to 240V AC, so you can use it anywhere in the world. Plus, ATEM Television Studio includes both AC and DC power connections. A broadcast standard XLR 12V DC power connection is included which is perfect for backup power or for running on batteries. That means you can use it in extremely remote locations. Plus, if the internal power supply should malfunction, then you can simply connect an external DC supply to keep running. ADD AUDIO EXPANSION FOR MORE MICROPHONES If you're building a podcasting studio or you need more microphones, then the ATEM Microphone Converter allows audio input expansion. It connects to the ATEM Television Studio using the MADI port, so there's no complex setup and you can daisy chain units to add more inputs. Each converter has 4 analogue inputs that are mic/line selectable and have phantom power. The design features amazing quality with an extremely low noise floor of -129dBV, a dynamic range of 131dB(A), low distortion of 0.002% and uniform tolerances across all channels. It even uses 8 separate ADCs on each input to collectively extend the dynamic range. Plus it has a fun HDMI monitoring output with scrolling audio waveforms. ADD THE ULTIMATE COMPACT STUDIO CAMERA When you need cameras that are perfectly designed for ATEM Television Studio then the new Blackmagic Studio Cameras are an ideal choice. Blackmagic Studio Cameras have the same features as large studio cameras, miniaturized into a single compact and portable design. Plus with digital film camera dynamic range and colour science, the cameras can handle extremely difficult lighting conditions while producing cinematic looking images. The sensor features an ISO up to 25,600 so you can create amazing images even in dimly lit venues. Advanced features include talkback, tally, camera control, built in colour corrector and Blackmagic RAW recording. You can even add focus and zoom controllers. MATCH CAMERAS WITH AN ATEM CAMERA CONTROL PANEL When working on live production, it’s critical all cameras are perfectly colour matched for a consistent look as you transition between different sources. ATEM Television Studio has camera control built in, however if you add a dedicated ATEM Camera Control Panel then you can adjust cameras using the same style of controls that are standard in the broadcast industry. Each camera controller includes an LCD screen with buttons and knobs for live camera adjustments, so you get a very clear indication of each camera’s parameters. The large joystick allows direct adjustment of iris and rotates to set black level. There are even red, green and blue knobs for fine control of camera colour tint. COMPATIBLE WITH BLACKMAGIC CAMERAS, PANELS, DECKS AND MORE ATEM Television Studio is even more powerful as it can be expanded to grow with you. Blackmagic Studio Cameras are a great solution as they are a professional broadcast studio cameras with tally, talkback and camera control, all miniaturized into a small and portable design. Of course, the full URSA Broadcast G2 is a broadcast style camera that uses B4 lenses, and has optional SMPTE fiber connections. If you want to control cameras using the same style of control broadcasters use, then you can add an ATEM Camera Control Panel for control and colour balancing of up to four cameras. For mastering, Blackmagic HyperDeck Studio recorders allow you to add recording in ProRes and DNx formats.

Blackmagic Hyperdeck Extreme 4K Hdr

HYPERDECK EXTREME 4K HDR BMD HYPERD RSTEX4KHDR BMDHYPERDRSTEX4KHDR BMD-HYPERD-RSTEX4KHDR BMD/HYPERD/RSTEX4KHDR Powerful Ultra HD touchscreen HyperDeck records and plays H.265 and ProRes files in all SD, HD and Ultra HD standards up to 2160p60. Includes scopes, upgradable cache plus SDI, HDMI and analogue video. HyperDeck Extreme features the trusted reliability of HyperDeck combined with new innovations such as space saving H.265 files, optional internal cache, 3D LUTs and HDR support! With the ability to record up to native 8K in H.265, you get reduced storage costs and amazing image quality. The large touch screen ensures a perfect view of your recording as well as control over all deck settings. You can then add HyperDeck Extreme Control to transform it into a traditional broadcast deck! This means HyperDeck Extreme is the perfect solution for the next generation of broadcast, live production and digital signage. MODERN DESIGN WITH TRADITIONAL CONTROLS HyperDeck Extreme has an innovative touch screen user interface with deck controls as well as a large screen to view your recording. Then add a HyperDeck Extreme Control for traditional broadcast deck controls and a large shuttle knob that feels incredibly luxurious to use. You can even rack mount the HyperDeck and the controller. HyperDeck Extreme also includes 2 media slots, 12G‑SDI, analogue connections for archiving, USB‑C external disk recording, plus a front panel speaker and headphone jack. There's also an optional cache that eliminates dropped frames if your media becomes full or is too slow. Both AC and DC power connections are also included for studio or on location use. PERFECT FOR LIVE PRODUCTION, DIGITAL SIGNAGE AND ARCHIVE With its amazing versatility, HyperDeck Extreme is also great for live production as a master recorder, clip player and for recording ISO cameras. The analogue inputs allow you to record from old video tapes, so legacy programming can be used on the latest streaming services or for use in editing. Digital signage is easy with HyperDeck Extreme as it has 10G Ethernet for fast media uploads, plus it features a simple remote control protocol. You can even use it as a field recorder as it includes HDMI, SDI and analogue inputs with built in scopes and 3D LUTs. The scopes also help you QA masters to ensure compliance with broadcast standards before streaming and broadcast. CONVERT LEGACY PROGRAMMING FOR STREAMING As streaming services have become common, preserving cultural diversity through maintaining localized content is increasingly important. The solution is to get each country’s legacy programs onto streaming services at an affordable cost. HyperDeck Extreme Control lets you connect to legacy broadcast decks, set an in and an out point, then edit. Just add HyperDeck Extreme and HyperDeck Extreme Control to each legacy deck to keep them all archiving constantly with just one operator. It’s even possible to edit across formats by using Teranex Express to convert tapes from SD to HD in one step. You can control a wide range of decks, including Digital Betacam, 1 inch C format, and Betacam SP. BIG BRIGHT SCREEN FOR EASY TOUCH CONTROL The innovative touch LCD user interface provides incredible control. On screen, there are dedicated buttons for play, stop and record, plus a mini timeline for scrolling through your recordings. You can even image swipe to jog. The LCD includes a heads up display of timecode, video standard, media status as well as audio meters. Scopes can be enabled via the touch screen as well as focus and exposure assist. There's also an extensive range of settings all controlled from the large LCD. Plus you can load and save 3D LUTs. You also get direct buttons for transport control, enabling the 3D LUT and remote enable. Then you can always add traditional deck controls with HyperDeck Extreme Control. TRADITIONAL BROADCAST DECK CONTROLS HyperDeck Extreme Control extends your HyperDeck Extreme to add traditional broadcast deck controls. It works like a traditional broadcast deck with a familiar layout. You can control up to 8 decks via industry standard RS‑422 control. You can even rack mount to the HyperDeck Extreme to create a single "broadcast deck" unit. Because it uses standard RS‑422, you can control old broadcast decks and perform edits using set in and out points. That's perfect for archiving work. Plus you can even edit between frame rates if standards converting between formats. Even the controls have been developed in-house by Blackmagic Design to ensure a premium feel with traditional styling. DUAL CFAST MEDIA FOR NON STOP RECORDING CFast media support allows you to record to commonly available flash memory cards. The H.265 files are small enough to allow long recordings on standard CFast cards. Plus there are 2 CFast card slots so you can swap out any full cards even during recording, allowing infinite length recording. CFast cards are perfect for broadcast because they are small, high speed and affordable. You can even use a Blackmagic MultiDock 10G to add SSD compatibility. With H.265, you can record up to 1,398 minutes at 8Kp60 on a 1 TB card, 3,530 minutes in 2160p60 Ultra HD and 9,446 minutes in 1080p59.94 on a 1 TB card. That’s over 23 hours in 8K and over 6 days in HD. RECORD DIRECT TO EXTERNAL USB‑C MEDIA DISKS If recording to other media types is required, then the USB‑C Expansion port lets you plug in an external flash disk for recording. USB‑C flash disks have massive capacity as they don't suffer from any size constraint. Plus, it’s possible to record to the same disk you are using or editing, so you don't need to waste time copying files before starting post production. Flash disks are so fast, they can record high data rate formats that are too big for CFast cards, such as real time ProRes in 4K or 8K. Adding a Blackmagic MultiDock 10G also makes it easy to use SSDs for compatibility with other HyperDeck models. You even get on screen menus for managing external disks using the touch screen. OPTIONAL MEDIA CACHE ELIMINATES DROPPED FRAMES Sometimes your media can fill before you change to a blank card, or if the card is too slow, then you can get dropped frames in your recording. To eliminate this problem, you can install a PCIe flash disk into HyperDeck Extreme to use as a record cache. This eliminates problems with CFast media or external disks, as the cache will automatically take over and record any content the media could not capture. Even if a card fills, recording will continue to the cache until it’s swapped. The cache even lets you record formats that are too fast for the media card or external disk. Common PCIe flash disks are used and a thermal pad is included to allow user installation. SUPPORTS 12G‑SDI, HDMI AND LEGACY ANALOGUE HyperDeck Extreme features a wide range of video and audio connections such as multi-rate 12G-SDI for SD, HD, Ultra HD and 8K devices. The 12G-SDI outputs support fill and key when playing RGBA 4:4:4:4 files. HDMI is included for consumer televisions and video projectors. For archiving work, HyperDeck also includes both balanced analogue, HiFi audio plus timecode connections. For monitoring there's even a down converted monitor SDI output that includes overlays. The USB‑C connection lets you plug in flash disks or disk arrays for recording. The latest 10G Ethernet is included for high speed upload using FTP protocols. HyperDeck even includes both AC and XLR 12V DC power connections. ADVANCED HDR SUPPORT AND BRIGHT WIDE GAMUT LCD You'll be ready for the latest HDR workflows with support for the latest HDR standards and an extremely bright screen with a wide colour gamut. The built in scopes even change to HDR scopes when working in HDR formats. Files are tagged with the correct HDR information then SDI and HDMI inputs will also automatically detect HDR video standards. Static metadata PQ and HLG formats are handled according to the ST2084 standard. The bright LCD has a wider colour gamut so can handle both Rec. 2020 and Rec. 709 colourspaces. The built in HyperDeck Extreme HDR LCD colour gamut can even handle 100% of the DCI‑P3 format. BUILT IN SCOPES ENSURE COMPLIANCE TO BROADCAST STANDARDS HyperDeck Extreme features full internal waveform monitoring so you can ensure compliance to broadcast standards when used on high end work. The waveform display provides a traditional luminance (brightness) levels view of your input or playback signal. The vectorscope display allows you to see the intensity of colour at 100% SDI reference levels. You also get RGB and YUV parade displays which are ideal for colour correction and checking for illegal levels. Histogram shows the distribution of white to black detail in your images and highlights or shadows clipping. The built in scopes can be overlaid on live video, or as a small picture in picture view at the top right of the scope. LATEST MULTIRATE 12G-SDI FOR SD, HD AND ULTRA HD You get full support for the most popular video standards. The SDI and HDMI connections are multi-rate, so handle SD, HD and Ultra HD. SD formats include NTSC and PAL. 720p HD standards include 720p50 and 59.94p. 1080i HD interlaced formats include 1080i50 and 59.94. 1080p HD formats include 1080p23.98, 24, 25, 29.97, 30, 50, 59.94 and 60p. You can even do 1080 PsF formats. Ultra HD is supported up to 2160p59.94. 2K and 4K DCI rates are available up to 25p. STANDARD H.265 AND PRORES FILES FOR WIDE COMPATIBILITY H.265 files are extremely small and range from 60:1 to 285:1 compression ratios which means much lower file sizes. Plus H.265 is now supported on all major operating systems. HyperDeck Extreme even supports ProRes 422 HQ, ProRes 422, ProRes 422 LT for recording and playback plus ProRes 4444 for playback to fill and key out. This means files will be compatible with software such as DaVinci Resolve, Media Composer, Premiere Pro or Final Cut Pro. PROFESSIONAL MULTI CHANNEL SDI AND ANALOGUE AUDIO HyperDeck Extreme includes professional audio for modern broadcasters or archiving from older broadcast decks. When working in SDI formats, you can record 2, 4, 8 or 16 channels of audio in real time. For capturing legacy programming there are 4 XLR analogue audio inputs that let you record all 4 channels from Betacam SP decks. You can monitor using 4 on screen audio meters with user selectable VU or PPM ballistics. For consumer devices such as VHS, DVD and set top boxes, there are also direct HiFi audio inputs. HyperDeck Extreme models use the latest broadcast technology, however the analogue connections have also been designed to low noise and low distortion broadcast specifications. LOCALIZED FOR POPULAR LANGUAGES Multiple languages are fully supported so you don't need to learn another language to use it. Support is included for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese and Turkish. At first start, HyperDeck Extreme will display a menu for selecting a language, plus you can still use the menus to change languages any time you need. When a language is selected, the on screen text overlays will change, as well as all menus and the overlays on the SDI monitoring output will also be displayed with the selected language. All this means HyperDeck is perfect for doing international location work with different crews. THE FASTEST NETWORKING WITH MODERN 10G ETHERNET With 10G Ethernet, HyperDeck Extreme is perfect for digital signage because remote uploads are extremely fast. What's amazing is the ethernet uploads on HyperDeck Extreme are much faster than CFast card transfer speeds. Both models use an easy text based protocol plus you can use Telnet to test control commands. Simply log into HyperDeck and then type "play" or "record" and it will execute the command. It's that simple. To upload media files remotely, you can use FTP, or even use simple FTP client software. When the ethernet protocol and FTP is used with large USB-C disk arrays, HyperDeck Extreme becomes a great broadcast server for ingest, media management and play out. TRADITIONAL RS-422 BROADCAST DECK CONTROL The most popular control connection used on broadcast decks since the early 1980s is the RS‑422 protocol. Originally developed by Sony, RS‑422 is used on almost all broadcast gear. HyperDeck Extreme features wide protocol support so you can connect it direct to broadcast systems. It also supports extra commands for the Advanced Media Protocol for managing disk recorders. When designing RS‑422 control solutions, you'll know you’re connected to a HyperDeck Extreme when you see the ID 0xF0E0 in 30/60p, 0xF1E0 in 25/50p or 0xF2E0 in 24p. The full set of support remote commands are included in the instruction manual and you can download this from the support page of our web site. COMPATIBLE WITH CONTROLLERS, SWITCHERS, CONVERTERS AND MORE   There's a wide range of Blackmagic Design products you can use with HyperDeck Extreme, including the HyperDeck Extreme Control for adding traditional broadcast deck controls. Plus it uses the industry standard RS‑422 deck control protocol so it works with any broadcast deck. Add the Blackmagic MultiDock 10G to use regular SSDs for compatibility with media from other HyperDeck models. HyperDeck Extreme is also a perfect mastering recorder with the ATEM Constellation 8K, or for clip playback and ISO recording. For monitoring, the Teranex SDI to HDMI 8K allows broadcast monitoring on a television and it also has monitor calibration, 3D LUTs and on screen scopes.

Blackmagic ATEM 2 M/E Constellation HD

ATEM 2 M/E Constellation HD BMD SWATEMSCN2 1ME2 HD BMDSWATEMSCN21ME2HD BMD-SWATEMSCN2-1ME2-HD BMD/SWATEMSCN2/1ME2/HD The Blackmagic ATEM 2 M/E Constellation HD is one of the world's most powerful HD live production switchers! Part of the incredibly powerful HD switchers are available in 3 great models, including ATEM 1 M/E Constellation HD model with 10 inputs, and the massive ATEM 4 M/E Constellation HD model with 40 inputs! Plus each SDI input features a full standards converter! ATEM Constellation includes advanced features such as DVEs, ATEM advanced chroma keyers, media players, multiviews, and SuperSource processors! Plus the built in Fairlight audio mixer includes a compressor, limiter, 6 band parametric EQ and expander on each input. The free ATEM Software Control is included, or you can add a 1 M/E, 2 M/E or 4 M/E ATEM Advanced Panel! ATEM Constellation HD switchers feature a compact rack mount design with a built in control panel. This allows operation of the switcher, critical during setup or for emergency use. Also included is a large LCD so you can see program output and change switcher settings via on screen menus. The compact design is perfect for portable live production, with the rear of the switcher including the connections for 3G-SDI inputs, 3G-SDI aux outputs, balanced audio and Ethernet for control. The top 4 M/E model even includes RS-422 for serial control and MADI digital audio connections. Even with all this power, ATEM Constellation is extremely quiet with its innovative high efficiency thermal system. The 2 M/E model doubles the features of the 1 M/E model with 20 x 3G-SDI inputs, 12 x 3G-SDI outputs, 2 DVEs, 8 ATEM Advanced Keyers, 2 multiviews and a SuperSource for a total of 6 DVEs. With 3 powerful models, ATEM Constellation HD switchers are ideal for concerts and music festivals because you can place cameras on all areas of the stage for amazing coverage! Even live sports benefit from the huge number of inputs and DVEs let you build multi-layer compositions to cover the action. The fastest way to produce programming is live! With powerful internal graphics and lots of ATEM advanced chroma keyers, you get everything you need for complex program production.   ATEM Constellation is also perfect for house of worship programming as it’s big enough to allow professional results, but it’s very simple to learn so it’s easy to train a volunteer crew!

Blackmagic ATEM 4 M/E Constellation HD

Blackmagic ATEM 4 M/E Constellation HD BMD SWATEMSCN2 1ME4 HD BMDSWATEMSCN21ME4HD BMD-SWATEMSCN2-1ME4-HD BMD/SWATEMSCN2/1ME4/HD The Blackmagic ATEM 4 M/E Constellation HD is one of the world's most powerful HD live production switchers! We have 3 incredibly powerful HD switchers available, including the  ATEM 1 M/E Constellation HD model with 10 inputs, and the ATEM 2 M/E Constellation HD model with with 20 inputs! Plus each SDI input features a full standards converter! ATEM Constellation includes advanced features such as DVEs, ATEM advanced chroma keyers, media players, multiviews, and SuperSource processors! Plus the built in Fairlight audio mixer includes a compressor, limiter, 6 band parametric EQ and expander on each input. The free ATEM Software Control is included, or you can add a 1 M/E, 2 M/E or 4 M/E ATEM Advanced Panel! ATEM Constellation HD switchers feature a compact rack mount design with a built in control panel. This allows operation of the switcher, critical during setup or for emergency use. Also included is a large LCD so you can see program output and change switcher settings via on screen menus. The compact design is perfect for portable live production, with the rear of the switcher including the connections for 3G-SDI inputs, 3G-SDI aux outputs, balanced audio and Ethernet for control. The top 4 M/E model even includes RS-422 for serial control and MADI digital audio connections. Even with all this power, ATEM Constellation is extremely quiet with its innovative high efficiency thermal system. The massive 4 M/E model doubles the features of the 2 M/E model with 40 x 3G-SDI inputs, 24 x 3G-SDI outputs, 4 DVEs, 16 ATEM Advanced Keyers, 4 multiviews and 2 SuperSource for 12 x DVEs in total. With 3 powerful models, ATEM Constellation HD switchers are ideal for concerts and music festivals because you can place cameras on all areas of the stage for amazing coverage! Even live sports benefit from the huge number of inputs and DVEs let you build multi-layer compositions to cover the action. The fastest way to produce programming is live! With powerful internal graphics and lots of ATEM advanced chroma keyers, you get everything you need for complex program production.   ATEM Constellation is also perfect for house of worship programming as it’s big enough to allow professional results, but it’s very simple to learn so it’s easy to train a volunteer crew!

Blackmagic DaVinci Speed Editor

Blackmagic DaVinci Speed Editor BMD-DV/RES/BBPNLMLEKA BMD-DV-RES-BBPNLMLEKA BMD/DV/RES/BBPNLMLEKA BMDDVRESBBPNLMLEKA BMD DV RES BBPNLMLEKA The DaVinci Resolve keyboards have been designed in conjunction with the cut page to make editing dramatically faster. You get physical controls that you can feel in your hands, making the experience much better than software only editing. Unlike a mouse, the machined metal search dial with soft rubber coating allows very accurate search and positioning of the timeline. It feels just like holding the timeline in your hand! Trim keys allow the search dial to be used for live trimming, which is faster because the search dial is larger and more accurate. Editing and trimming with the search dial is a whole new way to work! All of this means DaVinci Resolve is the next generation of editing!

BLACKMAGIC HyperDeck Studio HD Mini

BLACKMAGIC HyperDeck Studio HD Mini, BMD-HYPERD/ST/DAHM (BMD_HYPERD/ST/DAHM, BMD/HYPERD/ST/DAHM, BMD HYPERD/ST/DAHM, HYPERD/ST/DAHM) Compact modular broadcast deck

BLACKMAGIC HyperDeck Studio HD Plus

BLACKMAGIC HyperDeck Studio HD Plus, BMD-HYPERD/ST/DCHP (BMD/HYPERD/ST/DCHP, BMD_HYPERD/ST/DCHP, BMD HYPERD/ST/DCHP, HYPERD/ST/DCHP) Broadcast deck with button controls and 6G-SDI

BLACKMAGIC HyperDeck Studio HD Pro

BLACKMAGIC HyperDeck Studio HD Pro, BMD-HYPERD/ST/DFHP (BMD HYPERD/ST/DFHP, BMD_HYPERD/ST/DFHP, BMD/HYPERD/ST/DFHP, HYPERD/ST/DFHP) Full rack width broadcast deck with 2 SSD slots and 2 SD card slots

BLACKMAGIC Teranex Mini SDI to DisplayPort 8K HDR

BLACKMAGIC Teranex Mini SDI to DisplayPort 8K HDR, BMD-CONVN8TRM/AA/SDIDP (CONVN8TRM/AA/SDIDP, BMD CONVN8TRM/AA/SDIDP, BMD/CONVN8TRM/AA/SDIDP, BMD_CONVN8TRM/AA/SDIDP) Advanced 8K DisplayPort monitoring solution with dual on screen scope overlays, HDR, 33 point 3D LUTs and monitor calibration

Blackmagic BMD-HYPERD/ST/DG4P Hyperdeck Studio 4K Pro

Blackmagic BMD-HYPERD/ST/DG4P (BMDHYPERD/ST/DG4P, BMD HYPERD/ST/DG4P, BMD-HYPERD-ST/DG4P,BMD-HYPERD-ST-DG4P) Hyperdeck Studio 4K Pro. The Blackmagic Design HyperDeck Studio 4K Pro is an updated 1 RU file-based deck that features the same functionality and control of professional tape decks in a digital design. This model updates the previous HyperDeck Studio models with several features including 12G-SDI support, two added SD card slots, USB Type-C recording output, timecode input and output, Ref input and output, a redesigned jog/shuttle wheel, 10G Ethernet, and a speaker on the front. The Studio 4K Pro records uncompressed video with 10-bit 4:2:2 color using either ProRes or DNxHD codecs, as well as the H.264 and H.265 compression formats. With two SSD slots and two SD card slots, you can record almost endlessly as one SSD becomes full, recording automatically continues on to the other, and the SD card slots are also hot-swappable. The Studio 4K Pro features one 12G-SDI input, two 12G-SDI outputs, a loop-through 12G-SDI output, a dedicated SDI monitor output, and there's also one HDMI input and one HDMI output that can all output up to DCI 4K. The 4K Pro can even play ProRes 4444 files in true UHD for fill and key outputs. The ports autodetect the signal and will adjust to the SD, HD, 6G-SDI, or 12G-SDI format input. The 3-pin XLR timecode input and output allow you to sync timecode with other devices, and it also allows you to daisy-chain with other devices to create a timecode sync chain. The Studio 4K Pro is a 1 RU rack-mountable unit, with built-in rack mount ears. It features illuminated front panel button control and a heavy jog/shuttle wheel for analog scrubbing. RS-422 control is supported for external control using the Ref input and output ports. The USB Type-C port allows you to record to external disks, and you can also use it to plug into a computer to use as a source for a web stream. An integrated LCD on the front panel allows you to monitor the video and display timecode and transport information. Professional Broadcast Deck The new HyperDeck Studio recorders have been totally redesigned with dozens of new features. The advanced models have new broadcast-style front panel controls and more connections on the rear panel. The LCD screen supports both light and dark modes, plus the transport control buttons are stronger with a firm professional feel. The Pro models feature a machined metal search dial with increased mass and a soft rubber surface that feels nice to the touch. Plus the search dial features an active clutch, just like a traditional broadcast dec. With dual media slots, you can change cards without interrupting recording. The advanced models even include a front headphone connection and speaker. Mastering Recorder All models record to H.264, ProRes, and DNx files, so are perfect for recording broadcast masters, plus the 4K model adds H.265 when recording to UHD files. You can even use PCM or AAC audio. You get everything you need to send shows to broadcasters and for uploading to YouTube. ISO Recording All models feature timecode and reference generators, with outputs to loop to other HyperDecks. This means you can build a rack of HyperDeck Studios for ISO camera recording, allowing multi-cam editing after live events. You can even sync cameras to the SDI output and the SDI input has frame sync. Digital Signage HyperDeck Studio is perfect for digital signage as all models have HDMI output for connecting to large screen TVs and projectors. The built-in sync generator lets you combine multiple HyperDecks for large multiscreen video walls. There's even FTP for file upload and a protocol for remote control. Broadcast Archive HyperDeck Studio supports all SD and HD standards so it's ideal for archiving old television shows from broadcast decks such as Digital Betacam, Betacam SP, 1", U-matic, and VHS. You can even record directly to H.264 to maximize storage. For analog decks, just add a Mini Converter Analog to SDI. Bright Color LCD Status Display HyperDeck Studio features traditional deck-style transport controls, including a search dial for jog, shuttle, and scroll. The compact LCD shows timecode and transport information, plus a full-color thumbnail preview of the current clip in record or playback. It also displays information about each card's recording status, along with video format, frame rate information, and audio levels, all on the same display. The LCD includes monitoring for video, plus audio level meters, selectable between technically accurate VU or PPM ballistics. The combination of familiar VTR style controls with the built-in LCD screen makes HyperDeck Studio incredibly fast to use and very easy to learn. Traditional Broadcast Deck Controls HyperDeck Studio includes a traditional broadcast-style control panel that's very fast to use. Simply press the record button and you instantly start recording the video input to a file. You can also change the record file format from the menu. There are transport control buttons for playback, rewind, fast forward, previous clip, next clip, and more. The Pro models have a machined metal search dial that supports shuttle, jog, and scroll so you can find clips fast. Any button pressed on the front panel is sent to the rear RS-422 remote output for looping control to multiple HyperDecks. The Plus and Pro models also include a front panel speaker and headphone socket for live audio monitoring. Supports SD Cards, UHS-II Cards or SSDs All HyperDeck Studio models support recording to common SD cards and UHS-II cards so you don't need expensive custom media. However, the Pro models also add two SSD slots so you can use two different types of media. SD cards and SSDs are the perfect choices for broadcast media because they are small and very affordable. When using H.264, the files are so incredibly small you get very long recordings even on smaller low-cost cards. Plus, you can even record to external USB disks. With H.265, you can record up to 58 hours in 2160p60 Ultra HD or up to 157 hours of H.264 recording in 1080p59.94 on a 1TB card. That's over 6 days of recording in HD using a single 1TB card. Dual Media Slots for Non-Stop Recording All HyperDeck Studio models feature dual media slots for nonstop recording. When the recording card becomes full, recording automatically continues onto the next card. That's perfect when recording long live events because you can "hot swap" a full card for an empty card while recording continues in the other slot. Each slot has a status indicator to show which card is being used, either red for record or green for playback. Plus all models now feature very long file recordings to a single file for easy file distribution. HyperDeck Studio is easily repairable with each card slot using an individual PCB assembly that can be replaced if it ever becomes worn out from heavy use. Record to External USB Type-C Media Disks If recording to other types of media is required, the USB Type-C expansion port lets you plug in an external flash disk for recording. USB Type-C flash disks have unlimited capacity because they can be physically larger than an SD card or SSD. Plus, it's even possible to record to a disk array you'll use for editing, so you don't need to waste time copying files before starting post-production. Just move the disk over to a computer and instantly start editing. You can even add a Blackmagic MultiDock 10G that has 4 separate SSD media slots, so you can add compatibility with SSD media to the HyperDeck Studio Mini and Plus models. There are also menus for managing external disks on the built-in LCD. Popular ProRes, DNx, H.264, and H.265 Files HyperDeck supports the most popular codecs in use today. All models include DNx and ProRes file formats. However, all models also include H.264 in quality levels up to full 10 bit 4:2:2 when recording in NTSC, PAL, 720p, 1080p, and true 1080i interlaced formats. While the 4K model adds H.265 when recording in Ultra HD. That means you get tight 60:1 to 285:1 compression ratios for very small files at full broadcast quality. Plus you can choose uncompressed PCM audio, or even AAC audio when uploading files to YouTube. All models support both ExFAT and HFS+ disk formats and long-duration single file recordings. The Plus and Pro models even support ProRes 4444 allowing fill and key playback. Advanced Broadcast Connections Depending on the model HyperDeck Studio features a wide range of video and audio connections such as 3G-SDI, 6G-SDI, or 12G-SDI. All models include HDMI for connecting to televisions and projectors. There's even a dedicated SDI monitoring output on the Pro and Plus models with on-screen status. The Pro and Plus models include two SDI outputs so you can play ProRes 4444 files, allowing simultaneous fill and key output for keying in live production switchers. The internal timecode and reference generator connections can be looped to sync multiple units for ISO recording. The 4K model has 10G Ethernet for extremely fast network file copying. All models even include AC and locking DC power. Choose 3G-SDI, 6G-SDI, or 12G-SDI Models With multi-rate SDI, you get support for the most popular video standards. The SDI and HDMI connections will automatically switch video standards, so handle SD, HD, and Ultra HD formats depending on the model. SD formats include NTSC and PAL. 720p HD standards include 720p50 and 720p59.94p. 1080i HD interlaced formats include 1080i50 and 1080i59.94. 1080p HD formats include 1080p23.98, 24, 25, 29.97, 30, 50, 59.94, and 60p. HyperDeck can even support 1080 PsF formats. On the 4K model, Ultra HD formats up to 2160p60 are supported. Plus the 4K model supports 2K and 4K DCI rates up to 30p. HyperDeck Studio also supports level A and level B when running HD video at 3G-SDI rates. Fill and Key Outputs for Broadcast Animations The HyperDeck Studio Plus and Pro models can play ProRes 4444 HD files to the two separate SDI fill and key outputs. That means you can use HyperDeck Studio as a graphics clip player for broadcast animation because the ProRes 4444 file's alpha channel will be automatically converted to the key SDI output for real-time keying in a live production switcher. Plus the HyperDeck Studio 4K Pro model adds fill and key playback in UHD. Imagine running animated lower third titles and stingers with key channel outputs for incredibly clean multilayered titles. Plus, switchers such as Blackmagic Design ATEM models connect to HyperDeck Studio via Ethernet to trigger playback synced to transitions. USB Webcam Output for Video Software For compatibility with a wide range of computer software, HyperDeck Studio features webcam support using the USB connection. If you're not recording to an external USB disk, you can plug the HyperDeck USB connection directly into a computer to get live video into any video software. The computer is tricked into thinking the HyperDeck is a common webcam, but it's really a broadcast-quality video source. That guarantees full compatibility with any video software and in full resolution 1080 HD quality. HyperDeck Studio's USB webcam feature works with any video software including Zoom, Microsoft Teams, and Skype, or get live streaming with Open Broadcaster, XSplit Broadcaster, and more. Advanced HDR Support and Monitoring 3D LUTs You'll be ready for the latest feature film workflows with support for advanced HDR standards. All HDR status information is embedded into the SDI connections so downstream equipment can detect when HDR files are played. When recording, the SDI and HDMI inputs will also automatically detect HDR video standards and then tag the files with the correct HDR information. Static metadata PQ and HLG formats are handled according to the ST2084 standard. Plus the front panel LCD has a wider color gamut for both Rec. 2020 and Rec. 709 color spaces. HyperDeck Studio Plus and Pro models even allow you to load a 3D LUT into the monitoring output to add looks or to convert film to video gamma. Includes Professional Multi-Channel SDI Audio HyperDeck Studio includes professional multi-channel SDI audio for recording up to 16 channels. When recording from the SDI input, you can select in the menu to record 2, 4, 8, or 16 channels of audio in real time. There's extra space on the SDI monitoring status overlay, which allows the audio meter display to show the number of channels you have enabled all at the same time, and the audio meters will show 2, 4, 8, or 16 channels simultaneously. The audio meters are designed to use the correct ballistics, and you can change between different VU and PPM meter displays in the LCD menu. HyperDeck Studio is more than just a video recorder, as it also has quality sound. Incredibly Fast Network File Transfers All HyperDeck models allow media files to be uploaded remotely, using simple FTP client software. With 10G Ethernet built into the HyperDeck Studio 4K Pro model, file transfers are so fast, they are faster than the SD card or SSD media disks. For remote deck control, all models use an easy-to-learn text-based protocol, so you can use a simple terminal app like Telnet to test control commands. Simply log into the HyperDeck and then type "play" or "record" and it will execute the command. If you combine the control protocol and file transfers with a HyperDeck connected to a large USB Type-C disk array, you get a fantastic broadcast server for ingest, media management, and play out. Traditional RS-422 Broadcast Deck Control The most popular control connection used on broadcast decks since the early 1980s is the RS-422 protocol. Originally developed by Sony, RS-422 is used on almost all broadcast gear. HyperDeck Studio features wide protocol support so you can connect it directly to broadcast systems. It also supports extra commands for the Advanced Media Protocol for managing disk recorders. When designing RS-422 control solutions, you'll know you're connected to a HyperDeck Studio when you see the ID 0xF0E0 in 30/60p, 0xF1E0 in 25/50p or 0xF2E0 in 24p. The full set of support remote commands are included in the instruction manual and you can download this from the support page of our website. Built-In Timecode and Sync Generators With a timecode and sync generator built into all models, you can stack multiple units for digital signage or multi-channel recording. Each HyperDeck has dedicated outputs for reference and timecode, direct from the internal sync and timecode generators. The generators "free run" unless reference or timecode is connected to the inputs, and then generators will automatically lock. This means you can loop from HyperDeck to HyperDeck to create perfectly timed array or recorders. Blackmagic OS The innovative Blackmagic OS has been designed for high-performance film and broadcast products and it manages all functions on HyperDeck Studio. Only Blackmagic OS provides instant power on while including powerful features such as LCD with video, timecode and audio metering, monitoring with overlays, menus, fast networking, multi-disk media management, 3D LUTs plus localization. The on-screen LCD menus include settings to customize your HyperDeck Studio, plus the menus now support both light and dark mode. Blackmagic OS provides world-leading network performance and HyperDeck Studio 4K Pro can sustain data transfers at a massive 1.2 gigabytes per second on its 10G Ethernet connection. Localized for 13 Popular Languages HyperDeck Studio supports multiple languages so you don't need to learn a new language just to use it. You get support for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese, Turkish, Polish, and Ukrainian languages. When initially powered on for the first time, HyperDeck Studio will display a menu for selecting a language, plus you can always use the LCD menu to change the language at any time in the future. Once a language is selected, the LCD menus will change, plus the overlays on the SDI monitoring output will also change to the selected language. All this means HyperDeck Studio is perfect for doing work anywhere in the world. Use All Video Software and Streaming Sites HyperDeck Studio records files that are compatible with virtually all post-production software. Plus if you record in H.264, you can upload files from HyperDeck Studio direct to streaming services such as YouTube, Facebook, Vimeo, Twitter, and more. You can use popular editing software such as DaVinci Resolve, Apple Final Cut Pro, Adobe Premiere Pro, or Avid Media Composer because HyperDeck uses the same file formats used in post-production. Even VFX software such as Fusion and Adobe After Effects work with the files. Because HyperDeck records to disks formatted on computers, you can simply mount the disk on any computer and start editing without needing to transcode or convert the files. Built-In Redundancy Keeps You on Air Serious broadcasters need redundancy because it increases reliability. HyperDeck Studio includes redundant features to help ensure you stay on air. With dual media slots on all models, and the Pro models having 4 media slots, you can stay on air, even if one of the slots becomes damaged. Plus with the HyperDeck Studio HD Mini model you get 3 totally independent recorders in a single rack unit, while the HyperDeck Studio HD Plus model allows 2 independent recorders in a single rack unit. All HyperDeck models include both AC and a locking DC power connection, so you use the DC connection with an external battery pack for redundant power. Designed for Both Portable or Rack Mount Use When you need a portable broadcast solution, the HyperDeck Studio HD Mini model includes most features miniaturized into an elegant 5" wide compact design that's only one-third of a rack unit wide. That means you can fit three recorders in a single rack unit. Just use the optional Teranex Mini Rack Shelf and you can mount the three units side by side, then bolt it into a standard equipment rack. Or you can combine HyperDeck Studio Mini with other modules, such as a Teranex Mini Analog to 12G-SDI to convert the input from analog to SDI, all in the same rack which is perfect for archive work. HyperDeck Studio HD Mini looks great when it's not rack-mounted and simply used by itself on a desktop. Compatible with Switchers, Disk Docks, and Cameras There's a wide range of Blackmagic Design products you can use with HyperDeck including switchers, cameras, and streaming solutions. As the Mini and Plus models don't include SSD slots, you can add a Blackmagic MultiDock 10G to use regular SSDs, allowing compatibility with media from other HyperDeck models. HyperDeck Studio will manage all the disks for you and automatically record to disks in the MultiDock. You can even use the MultiDock with the HyperDeck Studio Pro models just to add extra SSDs for longer recording times. HyperDeck Studio is also a perfect mastering recorder when used with ATEM switchers, a clip player with fill and key, or looped on switcher inputs for ISO recording.

Blackmagic BMD-BDLKWEBPTRPRO Web Presenter HD Complete Streaming Solution

Blackmagic BMD-BDLKWEBPTRPRO (BMD/BDLKWEBPTRPRO, BMD_BDLKWEBPTRPRO, BMD BDLKWEBPTRPRO, BDLKWEBPTRPRO, BMDBDLKWEBPTRPRO, bmd_bdlkwebptrpro) Web Presenter HD Complete Streaming Solution LIVE STREAM FROM ANY 12G‑SDI VIDEO SOURCE DIRECT TO YOUTUBE, FACEBOOK, TWITTER AND MORE Now you can live stream to the world. Blackmagic Web Presenter is a complete streaming solution that includes a professional hardware streaming engine for direct streaming via Ethernet to YouTube, Facebook, Twitter and more. It’s just like a modern broadcast television transmitter for a new global streaming audience. Plus the built-in USB connections work like a webcam, so you can connect a computer and use any streaming software, or even Skype or Zoom. For redundancy, you can stream to the internet via Ethernet or connect a 5G or 4G phone to use mobile data. Web Presenter also includes a technical monitoring output that includes video, audio meters, trend graphs and even SDI technical data. LIVE STREAM TO YOUTUBE, FACEBOOK AND MORE Blackmagic Web Presenter supports the most popular streaming platforms. Plus the built-in hardware streaming engine has been designed for live streaming at professional broadcast quality. That means you get a self-contained solution for live streaming that works without dropped frames. You only need to connect it to the internet. Setup is easy, as the Web Presenter Utility software lets you select the streaming platform and update the streaming key. The utility works on Mac and Windows and connects directly via USB or remotely via Ethernet. If you're technically minded, you can even manually update the XML settings file to change specific settings or to add new streaming platforms. YOUTUBE YouTube is the most dominant live streaming platform globally and you can connect multiple web presenter to both the primary and secondary YouTube servers, allowing for full redundancy. Simply create your channel and Blackmagic Web Presenter will connect and live stream to YouTube's servers. FACEBOOK Facebook makes it easy to share live streams with friends and professional networks. This means as you start your live stream, the number of viewers can multiply dramatically as each viewer can share your show with others via their social networks. Viewer counts can keep growing as you live stream. TWITTER Twitter supports live streaming so you can create live content that you can broadcast across the globe. You can use Blackmagic Web Presenter as the source input for your Twitter video stream then tweet out the link to your audience and let them start watching. TWITCH With an audience of over 10 million daily viewers, Twitch is the world’s leading streaming video platform and community for gamers. Blackmagic Web Presenter lets you stream in incredible quality so you can broadcast via Twitch and share gameplay with friends and fans around the world. MAKE LIVE STREAMING EASY Blackmagic Web Presenter is a self-contained solution that includes a powerful hardware encoder, software for connecting to streaming platforms, and network connections. That means you don’t need to buy an expensive computer or use complicated streaming software. Simply connect an SDI video source such as a live production switcher or a camera, then connect to the internet using the built-in Ethernet connection. Or plug in a mobile phone to use mobile data. With settings built-in for popular streaming platforms, you simply need to enter a streaming key and press on air. Plus you can simultaneously use the USB webcam output to connect to a computer, allowing other video software to be used. CONNECT 5G OR 4G PHONES FOR MOBILE DATA If you're streaming from a remote location, or you need a backup for the main Ethernet connection, you can plug in an Apple or Android phone to connect to the internet via mobile data. For convenience, there are USB connections on both the front and rear panel that can be used for tethering phones. Plus it works with the latest high speed 5G phones, as well as 4G phones. Blackmagic Web Presenter will auto-detect when a phone is connected and switch its internet connection to use it. You can select Ethernet or phone priority, which makes phone internet backup fully automatic. Plus, by using phone tethering and mobile data, Web Presenter becomes the perfect remote location streaming solution. USB WEBCAM OUTPUT FOR VIDEO SOFTWARE For increased compatibility, Blackmagic Web Presenter also features two USB connections that operate as a simple webcam source. That means you can plug into any computer and work with any video software. The software is tricked into thinking the web presenter is a common webcam, but it's really a broadcast quality SDI video source. That guarantees full compatibility with any video software and in full resolution 1080 HD quality. Imagine connecting web presenter to a camera and then Skype or Zoom calling your client with live video of a shoot. Web Presenter works with any video software including Zoom, Microsoft Teams, Skype, Open Broadcaster, XSplit Broadcaster and more. BUILT-IN TECHNICAL MONITORING Traditional broadcast transmitters are critical equipment in a television station, however, now the streaming server is just as critical because millions of viewers can be watching globally. To help, Blackmagic Web Presenter includes a feature-rich technical monitoring output. The graphics-based monitoring output includes a video view, audio meters with accurate ballistics, trend graphs for codec data rates and cache fill, plus a summary of the streaming settings and detailed SDI technical information. Plus the technical monitoring output works in full 1080 HD and outputs to both SDI and HDMI. That means you can use an SDI router for monitoring multiple units, or connect a simple HDMI TV. Streaming Status There's a very large ON AIR indicator on the top left of the monitor output, so it’s always clear when you are online and streaming. Plus all your current streaming settings are displayed clearly. Video Input Status The SDI input technical details are displayed, such as video standard and ancillary data. The bit activity indicators let you see the quality and bit depth of video before H.264 encoding. Audio Input Status Audio is de-embedded from the SDI input and the channel status is displayed. The bit activity indicator lets you check for 16, 20 or 24-bit audio. You can even see which audio channels are present. Video and Audio History The audio and video technical displays also include a 6 second history display so you can see the recent video input history. This ensures you can instantly see what’s been happening. Trend Graphs The trend graphs below the video display let you see the last 60 seconds of codec data rate and cache fill. Plus codec data rate is critical for ensuring you have enough internet speed from your ISP. Video and Audio Meters A large area is dedicated to the video input display, and the large multi segment audio meter with accurate ballistics. You can even change the type of audio meter from VU, PPM and more INCLUDES WEB PRESENTER UTILITY The Blackmagic Web Presenter Utility software provides a single place to manage multiple web presenters and to update the settings and software. Simply plug directly into the front of the web presenter’s USB connection, or connect using Ethernet so you can configure remotely, which is important when you're managing multiple remote sites. The familiar menus and controls make it very easy to set up a live event, so you can get started fast. Plus the front panel LCD menus have the same settings and controls. You can even load additional services for ATEM Streaming Bridge. The Blackmagic Web Presenter Utility software is included free and runs on both Mac and Windows platforms. 12G-SDI SUPPORTS 720 HD, 1080 HD AND ULTRA HD Blackmagic Web Presenter includes a 12G‑SDI input with support for all HD and Ultra HD formats up to 2160p60. A 12G‑SDI loop output is included enabling you to loop video through more than one web presenter, so you can stream to multiple services. Blackmagic Web Presenter features Teranex conversion technology on the SDI input for incredibly clean looking video. Blackmagic Web Presenter takes the incoming HD or Ultra HD input signal and automatically converts it to high quality, low data rate 1080p HD, which is sent to the hardware H.264 encoder for streaming and to the computer when using the USB webcam outputs. All this means you can use any HD or Ultra HD source for streaming. BUILT-IN REDUNDANCY KEEPS YOU ON AIR Serious broadcasters love redundancy because it increases reliability. Blackmagic Web Presenter includes redundant features to help ensure you stay online. You get dual internet connections, so you connect to the internet using the built-in Ethernet or a tethered phone for 5G or 4G mobile data. Plus the internet automatically switches in case of an outage. Or you can use 2 separate units to stream to both the primary and secondary YouTube servers. With both AC and DC inputs, you can use a broadcast battery pack for redundant power. There are even front panel buttons and menus, plus the Blackmagic Web Presenter Utility software for control. BROADCAST LINKS WITH ATEM STREAMING BRIDGE While Blackmagic Web Presenter can send video to a wide range of streaming services, it can also be used as a private broadcast SDI video link between studios. The ATEM Streaming Bridge is a video converter that lets you receive the H.264 stream from Blackmagic Web Presenter and then convert it back to SDI video. This means you can send video between remote locations across your local Ethernet network, or via the internet globally. That's all possible due to the built-in H.264 hardware codec that decodes the Web Presenter stream. Imagine setting up multiple television studios and using ATEM Streaming Bridge and Web Presenter for video links between sites. COMPACT 1/3RD RU DESIGN Blackmagic Web Presenter is based on the modular Teranex Mini design allowing desktop or rack use. It includes a built-in AC power supply, plus a 4 pin 12V DC connection for backup power or battery operation. The extremely portable design is only 5.5 inches wide, which means you can mount 3 in a single rack unit, perfect when you need to stream to multiple independent services all at the same time. Plus you can combine Blackmagic Web Presenter with other products such as the ATEM Television Studio HD switcher for live production and streaming solution in a single rack unit. The front panel includes a USB connection, so you can plug in a computer for quick local setting changes.

Blackmagic BMD-SWATEMMINICEXT ATEM Mini Extreme Switcher

Blackmagic BMD-SWATEMMINICEXT (BMD/SWATEMMINICEXT, BMD_SWATEMMINICEXT, BMD SWATEMMINICEXT, BMDSWATEMMINICEXT, bmd-swatemminicext) ATEM Mini Extreme Switcher ATEM Mini Extreme is an advanced switcher for true professionals. You get all the ATEM Mini Pro features plus 8 HDMI inputs, 2 separate HDMI outputs, 2 USB ports and a headphone connection. There are also 4 chroma keyers, 6 picture in picture DVEs, 2 media players and a multiview with up to 16 views. EASY TO USE AND FAST TO LEARN There's never been a switcher that’s easier to use, as you simply press any of the input buttons labelled by number on the front panel to cut between video sources. You can choose between cut or effects transitions by selecting the cut or auto buttons. Unlike cut, the auto button tells ATEM Mini to use a video effect when switching inputs. You can select from exciting transitions such as dissolve, or more dramatic effects such as dip to colour, DVE squeeze and DVE push. Add a DVE effect for picture in picture effects with customized picture positions and background. There are even "media players" which are a still store for titles and graphics that you can load via external software control. STREAM LIVE INTERVIEWS ATEM Mini is perfect for interviews as you can connect multiple cameras for close ups of the host, or interviewee, as well as wide shots plus ATEM Mini is so small the host can even switch in small studios. Plus ATEM Mini Pro and Extreme models support live streaming to YouTube, Facebook and more. CONNECT UP TO 8 INDEPENDENT CAMERAS With 4 or 8 HDMI inputs depending on the model, you can connect multiple cameras for different views. Video cameras with HDMI outputs are better quality than simple webcams as they use higher quality lenses and have better low light sensitivity. All video sources will re-sync to the switcher if they operate at different video standards so you don't have to worry about connecting video devices as they all just work. Cameras with HDMI often support interchangeable lenses so you can change to wide angle lenses for wide shots and zoom lenses for close ups. Imagine taking advantage of the low light capability of better cameras for theater production, weddings, school concerts and music videos. OUTPUTS TO HDMI VIDEO AND USB WEBCAM To ensure maximum compatibility, all ATEM Mini models feature USB that operates as a simple webcam source. That means you can plug into a computer and get working with any video software. The software is tricked into thinking the ATEM Mini is a common webcam, but it's really a live production switcher. That guarantees full compatibility with any video software and in full resolution 1080HD quality. Choose any software you like, such as Zoom, Microsoft Teams or Skype for a new way to do presentations with a professional multi camera broadcast quality style. The ATEM Mini webcam output also works with streaming software such as Open Broadcaster, XSplit Broadcaster and more. LIVE STREAM VIA ETHERNET ATEM Mini Extreme models have a built in hardware streaming engine for live streaming via their ethernet connections. That means you can live stream to YouTube, Facebook and Twitch in better quality, without dropped frames and with simpler settings. Just select the streaming service and enter the streaming key. There are palettes in ATEM Software Control for streaming setup, plus streaming status is also displayed in the multiview. Streaming status is easy to understand as the data rate indicator shows internet speed required for the video format you're using. If you're technically minded, you can update the streaming profiles in an XML settings file to load new services. CONNECT 5G OR 4G PHONES FOR MOBILE DATA If you’re doing live production on location then the ATEM Mini Extreme models support connecting an Apple or Android phone to the USB port to use mobile data. It's also a great backup for the main Ethernet connection. Phone tethering works with the latest high speed 5G phones plus the more common 4G phones. The ATEM switcher will automatically detect when a phone is connected and switch its internet connection to use it, eliminating the need for changing settings. When connected, the phone will power from the USB port so it remains charged from the switcher. By using phone tethering and mobile data, ATEM Mini Extreme become the perfect mobile production solutions. WORK WITH PROFESSIONAL MICROPHONES With two independent 3.5mm stereo audio inputs, you can connect desktop and lapel microphones. You can even connect a music player to generate introduction music after the live stream commences but before the program starts. With 2 extra stereo audio inputs, you can ensure a host and guest both have lapel microphones when doing interviews. All audio inputs to ATEM Mini include buttons on the panel for adjusting audio level and enabling inputs into the audio mixer. Plus all models feature a Fairlight audio mixer with all HDMI inputs and both microphone inputs are all connected to the audio mixer so you can live mix from all audio sources. The ATEM Mini Extreme also adds a headphone output.

Blackmagic BMD-SWATEMMINIBPRISO Mini pro ISO production switcher

Blackmagic 4 HDMI input live production switcher adds recording of up to 5 separate H.264 video streams in real time. That's a clean feed of all inputs and plus the live program. A DaVinci Resolve project file is also saved so you can open your live production to adjust edits, change shots, remix audio and add colour correction.

Blackmagic BMD-SWATEMMINIBPR Atem Mini Pro

Blackmagic BMD-SWATEMMINIBPR (BMD_SWATEMMINIBPR, BMDSWATEMMINIBPR, BMD SWATEMMINIBPR, BMD/SWATEMMINIBPR) Atem Mini Pro. Introducing Low Cost, Mult Camera, Live Production With Advanced Broadcast Features: ATEM Mini switchers make it easy to create professional multi camera productions for live streaming to YouTube and innovative business presentations using Skype or Zoom. Simply connect ATEM Mini and you can switch live between 4 high quality video camera inputs for dramatically better quality images. Or connect a computer for PowerPoint slides or gaming consoles. The built in DVE allows exciting picture in picture effects, perfect for commentary. There are loads of video effects too. All ATEM Mini models have USB that works like a webcam so you can use any streaming software while the ATEM Mini Pro model adds live streaming and recording to USB disks. ATEM Mini even has secret broadcast features built in so it can do high end work. Faster Video Production Plus Live Streaming: Live production is the fastest way to complete a finished program, plus you can stream it to a live global audience via YouTube at the same time. The USB webcam output of ATEM Mini connects to any computer and looks just like a built in webcam, so all streaming software for social media platforms work. With up to 4 HDMI inputs you can set up multiple camera angles such as wide shots along with independent close ups of each person in the performance. Or you can connect to a computer with a PowerPoint slide show, video clip playback, websites or gaming consoles. All switching is in real time so you can live stream to any social media platform such as YouTube, Facebook, TwitchTV and many more. Self Contained Broadcast Quality Switcher:  ATEM Mini’s compact all in one design includes both a control panel as well as connections. The front panel includes easy to use buttons for selecting sources, video effects and transitions. The source buttons are large so it’s possible to use it by feel, letting the presenter do the switching. You even get buttons for audio mixing. On the ATEM Mini Pro model you also get buttons for record and streaming control as well as output selection buttons that let you change the video output between cameras, program and multiview. On the rear panel there are HDMI connections for cameras or computers, extra microphone inputs, USB for webcam out plus an HDMI "aux" output for program video. Atem Mini Pro:  This model includes all the features found in ATEM Mini, plus more. You get recording direct to USB flash disks in H.264 plus direct streaming via the Ethernet to YouTube Live and more. There's also a multiview with 4 cameras, media, preview and program plus status of recording, streaming and audio. Easy To Use And Fast To Learn:  There's never been a switcher that’s easier to use, as you simply press any of the input buttons labelled 1 to 4 on the front panel to cut between video sources. You can choose between cut or effects transitions by selecting the cut or auto buttons. Unlike cut, the auto button tells ATEM Mini to use a video effect when switching inputs. You can select from exciting transitions such as dissolve, or more dramatic effects such as dip to colour, DVE squeeze and DVE push. The DVE is perfect for picture in picture effects and you can instantly set up different picture positions. There is even a still store for titles and graphics accessible via external software control. Stream Live Interviews: ATEM Mini is perfect for interviews as you can connect multiple cameras for close ups of the host, or interviewee, as well as wide shots plus ATEM Mini is so small the host can even switch in small studios. You can record via the HDMI output or live stream using Open Broadcaster software. Business Presentations Via Skype:  Get dramatically better business presentations on Skype because ATEM Mini makes Skype see it as a webcam, so you can select it in the Skype settings. One camera can be a close up, another for a wide shot and a computer for PowerPoint presentations. The presenter can even use picture in picture. Live Stream Esport Competitions: Live stream eSport competitions to Twitch by simply connecting multiple gaming consoles and a camera for a presenter. ATEM Mini operates up to 60 frames per second for fast gameplay and you can use picture in picture for commentary. You can even download titles from Photoshop. Kickstarter And Investor Updates: Raise the professionalism of Kickstarter or investor presentations to fund your new product idea. Connect a camera for the presenter, a camera for a product close up and a computer for business plan slides. Then present live via Skype or Zoom and even post recordings online for investors to view later. Education And Training: ATEM Mini is perfect for educational videos. Setup is fast and easy, so you can travel to locations and record live multi camera video productions on a wide range of educational topics. Connect computers and cameras and use the ATEM Software Panel to load titles and perform video effects. Connect Up To 4 Independent Cameras: With 4 independent HDMI inputs, you can connect up to 4 high quality video cameras. Video cameras with HDMI outputs are dramatically better quality than simple webcams as they use higher quality lenses and have better low light sensitivity. All video sources will re‑sync to the switcher if they operate at different video standards so you don't have to worry about connecting video devices as they all just work. Cameras with HDMI often support interchangeable lenses so you can change to wide angle lenses for wide shots and zoom lenses for close‑ups. Imagine taking advantage of the low light capability of better cameras for theater production, weddings, school concerts and music videos. Outputs To Hdmi Video And Usb Webcam: To ensure maximum compatibility, ATEM Mini features a USB connection that operates as a simple webcam source. That means you can plug in and instantly get working with any video software. The software is tricked into thinking the ATEM Mini is a common webcam, but it's really a live production switcher. That guarantees full compatibility with any video software and in full resolution 1080HD quality. Choose any software you like, such as Open Broadcaster for live streaming, or Skype for Powerpoint presentations. ATEM Mini works with software and platforms such as Open Broadcaster, XSplit Broadcaster, YouTube Live, Facebook Live, Skype, Zoom, Twitch, Periscope, Livestream, Wirecast and more. Live Stream Via Ethernet On Atem Mini Pro:  The ATEM Mini Pro model has a built in hardware streaming engine for live streaming via its built in Ethernet connection. That means you can live stream to YouTube, Facebook and Twitch in better quality, without dropped frames and with much simpler settings. Just select the streaming service and enter the streaming key. There are palettes in ATEM Software Control for streaming setup and status, plus streaming status is also displayed in the multiview. Streaming status is easy to understand as the data rate indicator shows internet speed required for the video format you're using. If you're technically minded, you can even hack the detailed streaming profiles in the XML preference file and load new services. Record Direct To Usb Flash Disks With Atem Mini Pro: The ATEM Mini Pro model also supports direct recording of your streaming data to USB flash disks. That means you get very long recordings in the same H.264 video files with AAC audio that you streamed, so you can direct upload to any online video site, such as YouTube and Vimeo. ATEM Mini Pro supports multiple disks when used with a USB hub or Blackmagic MultiDock, so when a disk fills recording can continue to a second disk for non-stop recording. Record settings and disk selection are set up in ATEM Software Control and there's a record status view in the built in multiview. You can even trigger recording on external Blackmagic Pocket Cinema Cameras. Add Exciting Video Effects:  One of the benefits of ATEM Mini is the professional production values that are possible using the range of built in video effects. The cut button ensures an instant cut when switching between sources. The auto button is a professional term that's used on large broadcast switchers to enable video effects transitions. There are duration buttons for video effects allowing 0.5, 1, 1.5 and 2 second settings. You can also select the type of effect you want including mix, which does a smooth transition between sources, and dip which fades via a colour during the transition. Or use fun DVE effects that move the image off screen when transitioning between sources. Work With Professional Microphones: With two independent 3.5mm stereo audio inputs, you can connect desktop and lapel microphones. You can even connect a music player to generate introduction music after the live stream commences but before the program starts. With 2 extra stereo audio inputs, you can ensure a host and guest both have lapel microphones when doing interviews. All audio inputs to ATEM Mini include buttons on the panel for adjusting audio level and enabling inputs into the audio mixer. ATEM Mini features a full Fairlight audio mixer and all HDMI audio inputs and both microphone inputs are all connected separately to the audio mixer so you can live mix from all audio sources. Automatically Converts Any Hdmi Input Format: Each of the 4 HDMI inputs feature their own dedicated standards converter. That means ATEM Mini will automatically convert 1080p, 1080i and 720p sources to the video standard of the switcher. By default the switcher will set its video format automatically, however you can also set the switcher to a specific video standard you need. The HDMI output is a true "aux" output so you can clean switch each HDMI input or program to this output. You can even "direct" switch input 1 to the HDMI output for low latency eSport productions. If you're using program/preview switching, the HDMI out can be selected to preview, or on the ATEM Mini Pro model, it can be selected to display a full multiview. Secret Broadcast Features Built In: While ATEM Mini is easy to use, it's also hiding very powerful broadcast features. If you're interested in a career in the television industry, then ATEM Mini is perfect for training as it has the same features as switchers in high end broadcast studios. You get an ATEM Advanced Chroma Key, Fairlight audio mixer, DVE, still store for graphics and much more. Simply run the free ATEM Software Control app on Mac or Windows while connected via USB or Ethernet to access the extended features of the ATEM Mini. With a little experimentation you can learn how to produce broadcast quality live production. Only ATEM Mini is a true broadcast switcher hidden in a tiny and affordable design. Includes Free Atem Software Control Panel: The ATEM Software Control app unlocks the hidden power of ATEM Mini and allows access to every feature in the switcher. ATEM Software Control features a visual switcher user interface with parameter palettes for making quick adjustments. Although you can normally connect via USB, if you connect using Ethernet it's possible for multiple users to connect to ATEM Mini using separate copies of ATEM Software Control on different computers. The software lets you access full audio mixing with effects, load still frames and even do advanced macro programming. You can even save the switcher state as an XML file. If you need clip playback, you can even control HyperDeck disk recorders via Ethernet. DVE for Picture in Picture, Transitions and Effects One of the most exciting features on ATEM Mini is the digital video effects processor, commonly referred to as a "DVE", that allows picture in picture effects and crazy DVE transitions. The DVE lets you create professional picture in picture effects with customizable 3D borders, shadows and lighting. The image quality is the same as high end ATEM switcher models and the DVE supports position, resize and scale, all in real time. The DVE can also be used to create amazing transitions with 16 different DVE squeeze and DVE push effects for adding excitement to your programming. The DVE features a "fly key" so you can use it with custom graphics to create graphic wipe transitions. Professional broadcast transitions atem mini includes a wide range of broadcast quality hd native transitions such as mix, dip, wipe and more. all transitions can be customized by adjusting parameters such as duration, border colour, border width, position and direction. you can also use the dve in transitions, allowing a graphic to be moved over the wipe edge which is called a graphic wipe, and is used in sports programming. to eliminate errors, atem mini has a preview transition feature so you can check your transitions before putting them to air. Built-In Graphics With Photoshop Plug-In: The built in "media pool" allows the loading of up to 20 separate broadcast quality RGBA graphics for titles, opening plates and logos. The media player is used to output the selected image so it appears as an extra internal video source for use in graphics and titles. You can even use still frames for complex effects such as graphic wipes. ATEM Mini can even grab stills from the video output and add them to the internal media pool. Graphics can be loaded via ATEM Software Control or downloaded directly from Photoshop using the ATEM Photoshop plug-in. The Photoshop Plug-in is perfect for graphics that change often, such as scoreboards, as you can download directly into the media player. Includes New Atem Advanced Chroma Key: For news or on-set presentation work, ATEM Mini is perfect as it has an upstream ATEM Advanced Chroma Key plus an additional downstream linear keyer. The chroma keyer is incredibly powerful and features a colour picker to sample background colours for automatic generation of the key parameters. You get precise controls for edge and flare, and there is even a foreground colour corrector so you can match the foreground and background layers for seamless compositions. The keyer can also be used for pattern and DVE keying. You can even use it for title overlays by creating graphics with a green or blue background and the keyer will knock out the green and make the background transparent. True Broadcast Style Mix Effects Switching: Although ATEM Mini works in "cut bus" mode when first purchased, it can also be changed to "program/preview" style operation, which is the way large broadcasters use live production switchers. Cut bus switching is easy and selecting any input will instantly switch to that source. However if you want to operate ATEM Mini like a true professional then you can change the switcher to program/preview using ATEM Software Control. Mix effects operation allows a source to be selected but it won't be put on air until you press the cut or auto buttons. That 2 step program/preview process means fewer mistakes. Program/preview operation is best for training students for a career in broadcast. Monitor Sources And Status With Atem Mini Pro Multiview: When doing larger live productions with multiple cameras, it’s very useful to see all your video sources at the same time on a single monitor. The ATEM Mini Pro model includes a professional multiview that lets you see all 4 video inputs, plus preview and program on a single HDMI television or monitor. Simply select M/V on the front panel video output control buttons to select multiview. Each camera view includes tally indicators so you know when each source is on-air, and each view also has custom labels and audio meters. You can also see the media player so you know what graphic is selected. Plus multiview even includes status for recording, streaming and the Fairlight audio mixer. Built In Audio Mixer With 6 Band Eq, Compressor And Limiter: With a built in Fairlight audio mixer, ATEM Mini makes it possible to do complex live sound mixing. The internal mixer features a total of 12 channels so you can mix audio from all sources. That’s audio from all HDMI sources and the 2 stereo mic inputs. Each input channel features the highest quality 6 band parametric EQ and compressor, limiter, expander and noise gate as well as full panning. You can even set up the software to auto mix between inputs as you switch "AFV" or to live mix multiple sources together all at once. All this audio power can be controlled via ATEM Software Control, or you can add a Mackie compatible panel or even a massive Fairlight Audio Console. Use Ethernet Control For Wireless Internet Streaming: ATEM Software Control connects to ATEM Mini via USB or Ethernet, however the benefit of Ethernet is you can use it to share your computer's internet connection for streaming on the ATEM Mini Pro model. Simply connect ATEM Mini Pro via Ethernet and set your computer to share its internet. Using Ethernet is easy, and when launching the software, just select the ATEM Mini model. If you are streaming on ATEM Mini Pro, also set your computer to share its internet. Now you get both control and streaming via the single Ethernet cable. This provides amazing mobility as you can connect your computer to the internet using wireless connections such as WiFi or even 4G and 5G tethered phones. Control And Colour Balance Cameras: For a more broadcast style workflow, you can remote control your cameras from ATEM Mini. Blackmagic Pocket Cinema Camera 4K and 6K models can work as studio cameras with control sent via the HDMI connection to ATEM Mini. That means you can control the camera settings as well as the camera’s colour corrector from ATEM Software Control. Imagine changing ISO and tint, plus lens iris, focus and zoom, so camera operators can focus on the shot. There are two types of control interface, CCU layout for traditional tint colour control and a DaVinci colour corrector interface allowing the camera’s built in DaVinci colour corrector to add incredible digital film "looks" to your live production. Develop Custom Remote Control Solutions: The Ethernet connection also allows customized control solutions. Even though ATEM Mini includes ATEM Software Control, you can use the Ethernet to control the ATEM remotely, anywhere in the world. A popular workflow is to use the Ethernet to allow the ATEM Mini to be positioned near the HDMI cameras, but the control is positioned remotely in a quieter space, such as a control room. Imagine using the switcher from a control room and building a professional broadcasting studio where the control room can be separated away from the performance or interviews. Ethernet allows you to add as many panels as you like all at the same time, or you can build custom solutions using the developer SDK. Record To An External Hyperdeck Recorder: The HDMI program output is perfect for connecting ATEM Mini to an external recorder or monitor. ATEM Mini supports recorders such as Blackmagic Video Assist. You get a high quality output with switcher program video, plus live audio from the internal audio mixer. The HDMI output can even be connected to video projectors in large venues. If you connect ATEM Software Control you can even ISO record from one of the inputs. Plus on the more advanced ATEM Mini Pro model you can generate multiple formats by recording from the HDMI program output in ProRes while simultaneously recording the H.264 video stream to a USB flash disk.

Blackmagic BMD-HYPERD/AVIDA12/7HDR Design Video Assist 7-inch 12G HDR Monitor

Blackmagic BMD-HYPERD/AVIDA12/7HDR (BMD_HYPERD_AVIDA12_7HDR, BMD/HYPERD/AVIDA12/7HDR, BMD HYPERD AVIDA12 7HDR) Design Video Assist 7-inch 12G HDR Monitor Blackmagic Video Assist 7" 12G HDR adds professional monitoring and recording to any SDI or HDMI camera in all HD, Ultra HD, 2K and 4K DCI formats! The super bright 2500nit 7 inch HDR monitor supports 3D LUTs and features professional scopes along with powerful focus assist and exposure tools that help you accurately set focus, exposure and frame shots. Dual built in SD card recorders save files from any camera in 10-bit 4:2:2 ProRes or DNx formats. You also get two mini XLR connections with 48V of phantom power and a noise floor of -128dBV for high quality, crystal clear audio recording. Plus, you can start editing immediately because you don’t have to convert the files. Introducing Blackmagic Video Assist 12G HDR The new Blackmagic Video Assist 12G HDR adds professional monitoring and recording to any SDI or HDMI camera in all HD, Ultra HD, 2K and 4K DCI formats! The whole new design includes innovations such as brighter screens for HDR work, tally indicator, 4 built in scopes, enhanced focus assist features, 3D LUTs and native Blackmagic RAW recording from supported cameras! With 12G-SDI and HDMI 2.0 on both 5" and 7" models, you get support for recording from virtually any device in all formats up to 2160p60. The brighter touch screen ensures a perfect view of your recording for HDR digital film and when shooting outdoors in sunlight. The new design also features upgraded batteries and supports two standard Sony L‑Series batteries. This means Blackmagic Video Assist 12G is incredibly versatile and is the perfect solution for the next generation of digital cinema shoots, live production mastering and, broadcast testing and measurement. Perfect For Digital Cinema, Live Recording And Monitoring With its amazing versatility, Blackmagic Video Assist 12G is also great for recording from cameras, or even as a clip player! As the files are compatible with the HyperDeck disk recorders, you can even use Video Assist as a broadcast field recorder, or an ultra portable broadcast scope! Video Assist is a fantastic broadcast solution because you get both HDMI and 12G-SDI inputs plus it has built in scopes and 3D LUTs! The scopes also help you QA masters to ensure compliance with broadcast standards before streaming and broadcast. Modern Design With 12G‑Sdi And Bright Hdr Screens There are two models of Blackmagic Video Assist 12G, with each model including an innovative touch screen user interface with deck controls as well as a large screen to view your recording. The Blackmagic Video Assist 7" 12G model also includes 2 media slots, while both the 5" and 7" models include 12G‑SDI for high frame rate Ultra HD, analogue inputs for audio, USB‑C external disk recording, plus a front panel speaker and side mounted headphone jack! You also get 2 rear battery slots for mounting Sony L‑Series batteries, so you have enough power for the brighter HDR screens and higher speed Ultra HD electronics. Plus with 2 battery slots, you can change batteries without interrupting recording! A 12v universal power supply is included for studio or on location use. Upgrade To Better Recording For Digital Cameras Blackmagic Video Assist 12G HDR is an ideal upgrade for cameras, as it's super bright 2500nit display is bigger than the tiny displays found on consumer cameras, plus you're also adding professional focus assist features and better quality file formats. Video Assist is also a great solution for professional cameras because you can use it to upgrade older broadcast cameras to modern file formats used on the latest editing software. No matter what editing software you use, Video Assist lets you support them all, as you can record in Apple ProRes, Avid DNx and Blackmagic RAW. With both HDMI and 12G-SDI inputs you can connect it to any consumer camera, broadcast camera or even DSLR cameras. Then, on supported cameras, you can even upgrade to RAW style workflows with Blackmagic RAW. Large Hdr Monitor With Easy Touch Controls The innovative touchscreen LCD user interface provides incredible control. On screen, there are dedicated buttons for play, stop and record, plus a mini timeline for scrolling through your recordings. You can even image swipe to jog! The LCD includes a heads up display of timecode, video standard, media status as well as audio meters. Scopes can be enabled via the touch screen as well as focus and exposure assist. There's also an extensive range of settings all controlled from the large LCD. Plus you can load and save 3D LUTs. Dual Media Recorders For Uninterrupted Recording Video Assist uses commonly available SD card media, so you can record to flash memory cards that are easy to obtain. The files are small enough to allow long recordings on standard SD cards or the faster UHS-II cards. The larger Video Assist 12G 7" model even includes 2 SD card slots so you can swap out any full cards even during recording, allowing infinite length recording. Standard SD cards or the faster UHS-II cards are perfect for broadcast because they are small, high speed and affordable. Record Direct To External Usb‑C Media Disks If recording to other media types is required, then the USB‑C Expansion port lets you plug in an external flash disk for recording. USB‑C flash disks have massive capacity as they don't suffer from any size constraint. Plus, it's possible to record to the same disk you are using or editing, so you don't need to waste time copying files before starting post production. Flash disks are so fast they can record high data rate formats that are too big for some lower cost media cards, such as high frame rate Ultra HD. Imagine adding a Blackmagic MultiDock 10G for easy SSD compatibility with other recorders such as Blackmagic HyperDeck models. You even get on screen menus for managing external disks using the touch screen. Advanced 12G‑Sdi And Hdmi 2.0 Inputs And Outputs Video Assist features a wide range of video and audio connections such as multi‑rate 12G‑SDI for SD, HD, and Ultra HD SDI devices. HDMI is included for HDMI cameras and monitoring to consumer televisions and video projectors. The 7 inch model features Mini XLR inputs which are provided for audio input from microphones and external audio mixers. The USB‑C connection lets you plug in flash disks or disk arrays for recording, allowing extremely long record durations and because you're recording to a media disk, you can edit direct from this disk after the shoot, eliminating extra file copying work. Video Assist even includes a 12V DC power connection with locking power connector. HDR Support With Bright Wide Gamut LCD You'll be ready for the latest HDR workflows with support for the latest HDR standards and an extremely bright screen with a wide color gamut. Plus the high brightness screen makes outdoor shooting in bright sunlight possible! The built in scopes even change to HDR scopes when working in HDR formats! Files are tagged with the correct HDR information then SDI and HDMI inputs will also automatically detect HDR video standards. Static metadata PQ and HLG formats are handled according to the ST2084 standard. The bright LCD has a wider color gamut so it can handle both Rec. 2020 and Rec. 709 colorspaces. The built in Video Assist LCD color gamut can even handle 100% of the DCI‑P3 format. Built In Scopes Ensure Compliance To Standards Video Assist features full internal waveform monitoring so you can ensure compliance to broadcast standards and it also works great as a portable waveform monitoring solution! The waveform display provides a traditional luminance (brightness) levels view of your input or playback signal. The vectorscope display allows you to see the intensity of color at 100% SDI reference levels. You also get an RGB parade display which is ideal for color correction and checking for illegal levels. Histogram shows the distribution of white to black detail in your images and highlights or shadows clipping. The built in scopes can even be overlaid on live video, or as a small picture in picture view at the top right of the scope. Latest Multi Rate 12G‑SDI For Sd, Hd And Ultra HD You get full support for the most popular video standards. The SDI and HDMI connections are multi‑rate, so handle SD, HD, and Ultra HD. SD formats include NTSC and PAL. 720p HD standards include 720p50 and 59.94p. 1080i HD interlaced formats include 1080i50 and 59.94. 1080p HD formats include 1080p23.98, 24, 25, 29.97, 30, 50, 59.94 and 60p. You can even do 1080 PsF formats. Ultra HD is supported up to 2160p59.94. You can even record 2K and 4K DCI rates up to 25p for digital film work. Load Custom 3D Luts To Recreate Film Looks Some cameras can output logarithmic colorspace to preserve the dynamic range, which is great for later post production, however when these files are viewed on a monitor they can look flat and washed out. 3D LUTs solve this problem because they allow you to apply a "look" to the monitor so you get an idea of how the finished images will look like when editing. LUTs can be applied temporarily for monitoring only, or they can be burned into files for use in editing when capturing Blackmagic RAW. Video Assist works with industry standard 17 and 33 point 3D LUT files, or you can work with the built in LUTs such as Extended Video, Film to Video, Film to Rec.2020 and more. Post Production Friendly File Formats Video Assist records using standard open file formats so you don’t have to waste time transcoding media. Files are compatible with all post production software so you can work with the software of your choice, including DaVinci Resolve Studio. Recording works in industry standard 10‑bit Apple ProRes files in all formats and from all HDMI or SDI camera, or 12‑bit Blackmagic RAW when connected to supported cameras. Blackmagic RAW is the fastest growing RAW format and developers can download and use the free Blackmagic RAW SDK to add support to their applications. Best of all, media files work on all operating systems. The Quality Of Raw And The Speed Of Video Blackmagic RAW is a revolutionary new format designed to capture and preserve the quality of the sensor data from cameras. Video Assist supports Blackmagic RAW recording from popular cameras such as Panasonic EVA1 and Canon C300 MK II. This eliminates the problems with popular camera formats such as H.264, which are highly compressed resulting in noise and processing artifacts. Blackmagic RAW eliminates this problem and gives you stunning images with incredible detail and color throughout the production pipeline from camera to edit, color and mastering. It also saves camera settings as metadata so you can set ISO, white balance and exposure, then override them later while editing, all without any loss of quality! Only Blackmagic RAW gives you the highest quality, smallest files and fastest performance. Professional Multi Channel SDI And Analogue Audio Blackmagic Video Assist 12G includes professional audio for modern cameras or other outboard audio equipment. When working in SDI formats, you can record 2, 4, 8 or 16 channels of audio in real time. For connecting microphones the Video Assist 7" model has two XLR analogue audio inputs with phantom power that support the high definition audio sample rate of 192 kHz at uncompressed 16 and 24 bit per sample. You can monitor using on screen audio meters with user selectable VU or PPM ballistics. Blackmagic Video Assist 12G features the latest in technology, including audio, with the analogue audio connections designed to low noise and low distortion digital cinema and broadcast specifications. Localized For 11 Popular Languages Multiple languages are fully supported so you don't need to learn another language to use it! Support is included for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese and Turkish. At first start, Video Assist will display a menu for selecting a language, plus you can still use the menus to change languages any time you need. When a language is selected, the on screen text overlays will change to the selected language, as well as overlays on the video outputs when enabled. All this means Video Assist is perfect for doing international location work with different crews. Works With The World'S Most Popular Video Software The files from Blackmagic Video Assist 12G are common and are compatible with all operating systems or in most video software. Media can be formatted using ExFAT or HFS+ so you can easily access the media on computers and access the files like regular disks. DaVinci Resolve is perfect for use with Video Assist because it features editing, color correction, audio post production and visual effects all in one software application. Plus you can download DaVinci Resolve free of charge for Mac, Windows and Linux! You can also use recorded files in other popular software such as Premiere Pro and Final Cut Pro X. With Video Assist, your media is common so your files will remain readable in the future.

Blackmagic BMD-HYPERD/AVIDA12/5HDR Design Video Assist 5-inch 12G HDR Monitor

Blackmagic BMD-HYPERD/AVIDA12/5HDR (BMD_HYPERD_AVIDA12_5HDR, BMD/HYPERD/AVIDA12/5HDR) Design Video Assist 5-inch 12G HDR Monitor Blackmagic Video Assist 5" 12G HDR adds professional monitoring and recording to any SDI or HDMI camera in all HD, Ultra HD, 2K and 4K DCI formats! The super bright 2500nit 5 inch HDR monitor supports 3D LUTs and features professional scopes along with powerful focus assist and exposure tools that help you accurately set focus, exposure and frame shots. The built in SD card recorder save files in broadcast quality 10-bit 4:2:2 ProRes or DNx formats. The files are all standard, so you can start editing immediately without having to convert them! Introducing Blackmagic Video Assist 12G HDR The new Blackmagic Video Assist 12G HDR adds professional monitoring and recording to any SDI or HDMI camera in all HD, Ultra HD, 2K and 4K DCI formats! The whole new design includes innovations such as brighter screens for HDR work, tally indicator, 4 built in scopes, enhanced focus assist features, 3D LUTs and native Blackmagic RAW recording from supported cameras! With 12G-SDI and HDMI 2.0 on both 5" and 7" models, you get support for recording from virtually any device in all formats up to 2160p60. The brighter touch screen ensures a perfect view of your recording for HDR digital film and when shooting outdoors in sunlight. The new design also features upgraded batteries and supports two standard Sony L‑Series batteries. This means Blackmagic Video Assist 12G is incredibly versatile and is the perfect solution for the next generation of digital cinema shoots, live production mastering and, broadcast testing and measurement. Perfect For Digital Cinema, Live Recording And Monitoring With its amazing versatility, Blackmagic Video Assist 12G is also great for recording from cameras, or even as a clip player! As the files are compatible with the HyperDeck disk recorders, you can even use Video Assist as a broadcast field recorder, or an ultra portable broadcast scope! Video Assist is a fantastic broadcast solution because you get both HDMI and 12G-SDI inputs plus it has built in scopes and 3D LUTs! The scopes also help you QA masters to ensure compliance with broadcast standards before streaming and broadcast. Modern Design With 12G‑Sdi And Bright Hdr Screens There are two models of Blackmagic Video Assist 12G, with each model including an innovative touch screen user interface with deck controls as well as a large screen to view your recording. The Blackmagic Video Assist 7" 12G model also includes 2 media slots, while both the 5" and 7" models include 12G‑SDI for high frame rate Ultra HD, analogue inputs for audio, USB‑C external disk recording, plus a front panel speaker and side mounted headphone jack! You also get 2 rear battery slots for mounting Sony L‑Series batteries, so you have enough power for the brighter HDR screens and higher speed Ultra HD electronics. Plus with 2 battery slots, you can change batteries without interrupting recording! A 12v universal power supply is included for studio or on location use. Upgrade To Better Recording For Digital Cameras Blackmagic Video Assist 12G HDR is an ideal upgrade for cameras, as it's super bright 2500nit display is bigger than the tiny displays found on consumer cameras, plus you're also adding professional focus assist features and better quality file formats. Video Assist is also a great solution for professional cameras because you can use it to upgrade older broadcast cameras to modern file formats used on the latest editing software. No matter what editing software you use, Video Assist lets you support them all, as you can record in Apple ProRes, Avid DNx and Blackmagic RAW. With both HDMI and 12G-SDI inputs you can connect it to any consumer camera, broadcast camera or even DSLR cameras. Then, on supported cameras, you can even upgrade to RAW style workflows with Blackmagic RAW. Large Hdr Monitor With Easy Touch Controls The innovative touchscreen LCD user interface provides incredible control. On screen, there are dedicated buttons for play, stop and record, plus a mini timeline for scrolling through your recordings. You can even image swipe to jog! The LCD includes a heads up display of timecode, video standard, media status as well as audio meters. Scopes can be enabled via the touch screen as well as focus and exposure assist. There's also an extensive range of settings all controlled from the large LCD. Plus you can load and save 3D LUTs. Dual Media Recorders For Uninterrupted Recording Video Assist uses commonly available SD card media, so you can record to flash memory cards that are easy to obtain. The files are small enough to allow long recordings on standard SD cards or the faster UHS-II cards. The larger Video Assist 12G 7" model even includes 2 SD card slots so you can swap out any full cards even during recording, allowing infinite length recording. Standard SD cards or the faster UHS-II cards are perfect for broadcast because they are small, high speed and affordable. Record Direct To External Usb‑C Media Disks If recording to other media types is required, then the USB‑C Expansion port lets you plug in an external flash disk for recording. USB‑C flash disks have massive capacity as they don't suffer from any size constraint. Plus, it's possible to record to the same disk you are using or editing, so you don't need to waste time copying files before starting post production. Flash disks are so fast they can record high data rate formats that are too big for some lower cost media cards, such as high frame rate Ultra HD. Imagine adding a Blackmagic MultiDock 10G for easy SSD compatibility with other recorders such as Blackmagic HyperDeck models. You even get on screen menus for managing external disks using the touch screen. Advanced 12G‑Sdi And Hdmi 2.0 Inputs And Outputs Video Assist features a wide range of video and audio connections such as multi‑rate 12G‑SDI for SD, HD, and Ultra HD SDI devices. HDMI is included for HDMI cameras and monitoring to consumer televisions and video projectors. The 7 inch model features Mini XLR inputs which are provided for audio input from microphones and external audio mixers. The USB‑C connection lets you plug in flash disks or disk arrays for recording, allowing extremely long record durations and because you're recording to a media disk, you can edit direct from this disk after the shoot, eliminating extra file copying work. Video Assist even includes a 12V DC power connection with locking power connector. HDR Support With Bright Wide Gamut LCD You'll be ready for the latest HDR workflows with support for the latest HDR standards and an extremely bright screen with a wide color gamut. Plus the high brightness screen makes outdoor shooting in bright sunlight possible! The built in scopes even change to HDR scopes when working in HDR formats! Files are tagged with the correct HDR information then SDI and HDMI inputs will also automatically detect HDR video standards. Static metadata PQ and HLG formats are handled according to the ST2084 standard. The bright LCD has a wider color gamut so it can handle both Rec. 2020 and Rec. 709 colorspaces. The built in Video Assist LCD color gamut can even handle 100% of the DCI‑P3 format. Built In Scopes Ensure Compliance To Standards Video Assist features full internal waveform monitoring so you can ensure compliance to broadcast standards and it also works great as a portable waveform monitoring solution! The waveform display provides a traditional luminance (brightness) levels view of your input or playback signal. The vectorscope display allows you to see the intensity of color at 100% SDI reference levels. You also get an RGB parade display which is ideal for color correction and checking for illegal levels. Histogram shows the distribution of white to black detail in your images and highlights or shadows clipping. The built in scopes can even be overlaid on live video, or as a small picture in picture view at the top right of the scope. Latest Multi Rate 12G‑SDI For Sd, Hd And Ultra HD You get full support for the most popular video standards. The SDI and HDMI connections are multi‑rate, so handle SD, HD, and Ultra HD. SD formats include NTSC and PAL. 720p HD standards include 720p50 and 59.94p. 1080i HD interlaced formats include 1080i50 and 59.94. 1080p HD formats include 1080p23.98, 24, 25, 29.97, 30, 50, 59.94 and 60p. You can even do 1080 PsF formats. Ultra HD is supported up to 2160p59.94. You can even record 2K and 4K DCI rates up to 25p for digital film work. Load Custom 3D Luts To Recreate Film Looks Some cameras can output logarithmic colorspace to preserve the dynamic range, which is great for later post production, however when these files are viewed on a monitor they can look flat and washed out. 3D LUTs solve this problem because they allow you to apply a "look" to the monitor so you get an idea of how the finished images will look like when editing. LUTs can be applied temporarily for monitoring only, or they can be burned into files for use in editing when capturing Blackmagic RAW. Video Assist works with industry standard 17 and 33 point 3D LUT files, or you can work with the built in LUTs such as Extended Video, Film to Video, Film to Rec.2020 and more. Post Production Friendly File Formats Video Assist records using standard open file formats so you don’t have to waste time transcoding media. Files are compatible with all post production software so you can work with the software of your choice, including DaVinci Resolve Studio. Recording works in industry standard 10‑bit Apple ProRes files in all formats and from all HDMI or SDI camera, or 12‑bit Blackmagic RAW when connected to supported cameras. Blackmagic RAW is the fastest growing RAW format and developers can download and use the free Blackmagic RAW SDK to add support to their applications. Best of all, media files work on all operating systems. The Quality Of Raw And The Speed Of Video Blackmagic RAW is a revolutionary new format designed to capture and preserve the quality of the sensor data from cameras. Video Assist supports Blackmagic RAW recording from popular cameras such as Panasonic EVA1 and Canon C300 MK II. This eliminates the problems with popular camera formats such as H.264, which are highly compressed resulting in noise and processing artifacts. Blackmagic RAW eliminates this problem and gives you stunning images with incredible detail and color throughout the production pipeline from camera to edit, color and mastering. It also saves camera settings as metadata so you can set ISO, white balance and exposure, then override them later while editing, all without any loss of quality! Only Blackmagic RAW gives you the highest quality, smallest files and fastest performance. Professional Multi Channel SDI And Analogue Audio Blackmagic Video Assist 12G includes professional audio for modern cameras or other outboard audio equipment. When working in SDI formats, you can record 2, 4, 8 or 16 channels of audio in real time. For connecting microphones the Video Assist 7" model has two XLR analogue audio inputs with phantom power that support the high definition audio sample rate of 192 kHz at uncompressed 16 and 24 bit per sample. You can monitor using on screen audio meters with user selectable VU or PPM ballistics. Blackmagic Video Assist 12G features the latest in technology, including audio, with the analogue audio connections designed to low noise and low distortion digital cinema and broadcast specifications. Localized For 11 Popular Languages Multiple languages are fully supported so you don't need to learn another language to use it! Support is included for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese and Turkish. At first start, Video Assist will display a menu for selecting a language, plus you can still use the menus to change languages any time you need. When a language is selected, the on screen text overlays will change to the selected language, as well as overlays on the video outputs when enabled. All this means Video Assist is perfect for doing international location work with different crews. Works With The World'S Most Popular Video Software The files from Blackmagic Video Assist 12G are common and are compatible with all operating systems or in most video software. Media can be formatted using ExFAT or HFS+ so you can easily access the media on computers and access the files like regular disks. DaVinci Resolve is perfect for use with Video Assist because it features editing, color correction, audio post production and visual effects all in one software application. Plus you can download DaVinci Resolve free of charge for Mac, Windows and Linux! You can also use recorded files in other popular software such as Premiere Pro and Final Cut Pro X. With Video Assist, your media is common so your files will remain readable in the future.

Blackmagic MultiDock 10G

Blackmagic BMD-DISKMDOCK4/U10G (BMDDISKMDOCK4/U10G, BMD DISKMDOCK4/U10G, BMD/DISKMDOCK4/U10G, BMD-DISK/MDOCK4/U10G) MultiDock 10G Blackmagic MultiDock 10G is an advanced SSD dock that lets you access 4 separate SSDs via a single high speed 10 Gb/s USB‑C connection. Unlike cheap consumer adapters, Blackmagic MultiDock 10G has been specifically designed for the film and television industry and features a rack mount design with an independent SATA driver chip on each disk, ensuring much faster data transfer speeds. That's perfect for editors, colourists and media management on set! It can even be used for SSD compatibility on HyperDeck Extreme! Only Blackmagic MultiDock 10G gives you the industrial strength design you need for professional work. Premium All Metal Rack Mount Design Unlike cheap SSD docking cables, the Blackmagic MultiDock 10G is a compact 1 RU all metal design you can mount in any professional rack. Each disk slot features an illuminated disk indicator so you can see when disks are being accessed. The design is also repairable so you can replace the socket connector in each slot. Simply plug into any USB‑C Mac or Windows computer and there is no software to install. The rear panel features 2 USB‑C connections and a slide switch to allow selecting between using 4 disk slots on a single USB‑C connection, or 2 slots on each USB‑C connection for shared use. Plus, the built in AC power supply provides lots of power to run 4 SSDs or hard disks at the same time. Dock and Edit Blackmagic MultiDock supports up to 4 independent 2.5 inch SSDs so it’s possible to edit directly from the disks you recorded onto. Simply plug in your SSDs and they will mount on your Mac OS X and Windows computers like regular hard disks! Because Blackmagic MultiDock features 4 independent disk slots, you can mount all your media from a shoot all at the same time! Blackmagic MultiDock 10G is perfect for accessing media recorded with the URSA Mini Pro SSD Recorder. It's also the perfect solution to add SSD compatibility to HyperDeck Extreme 8K as it will let you interchange disks between HyperDeck Studio models. You can even stripe multiple disks together for a super-fast RAID array. Solid State Disks Solid state disks are the perfect storage solution for television because they are very fast and extremely large in size. Even a single solid-state disk is much faster than a disk array because the memory-based storage is accessed instantly without the mechanical lag, allowing a single SSD to record an entire event or film shoot. This means you get reliable, fast recording with the speed for the largest video files. With Blackmagic MultiDock 10G, it’s possible to plug in any brand of 2.5-inch solid state disk or if you need high capacity backup at low cost, a regular 2.5-inch laptop hard disk can be used. Best of all the driver is built into the operating system so no extra software is needed. Extreme 10GB/S USB-C Speed Blackmagic MultiDock uses advanced USB‑C technology so you get blazingly fast transfer speeds to your computer at up to 10 Gb/s with a single cable connection! That’s more than enough bandwidth to handle the highest resolution video formats including 8K in H.265 from HyperDeck Extreme 8K! MultiDock features a completely independent disk interface chip per disk slot so you never get slowdowns because of SATA bandwidth issues. Even though you get all 4 disks connected to a single USB‑C connection, you can also split Blackmagic MultiDock 10G and get 2 disks on one USB‑C connection and 2 disks on the second USB-C connection. That's perfect for dual computer use or increased speed. Flexible Raid Storage Unlike consumer disk arrays, Blackmagic MultiDock is a compact and robust 1 rack unit all metal design that can be quickly installed into equipment racks. The built-in power supply ensures no power is used from laptop batteries and it has enough power to run 4 high performance disks all at the same time for use in RAID configurations. Blackmagic MultiDock 10G even supports the RAID software built in to most operating systems, so you can customize your disk array for your needs. Each disk slot also features an attractive illuminated disk access indicator so you can see when your disks are being accessed. Use Any Software SSDs are so incredibly fast it's no longer necessary to use RAID arrays to get enough speed for editing. That means you can add up to 4 media disks to editing software such as DaVinci Resolve, Final Cut Pro X, Premiere Pro CC, Avid Media Composer, Autodesk Smoke and more. Blackmagic MultiDock 10G is also fantastic for backup as you can insert mechanical hard disks into the slots and backup direct to the disks. Mechanical hard disks are used on laptop computers and are extremely large and very low cost. If you're working with HyperDeck Extreme, you can also use Blackmagic MultiDock 10G to get compatibility with SSDs for interchange between HyperDeck models. Work with HyperDeck 8K HDR The secret to using Blackmagic MultiDock 10G with HyperDeck Extreme is the high-speed USB‑C port on the rear panel called External Disk. When you plug MultiDock into the HyperDeck External Disk port, it can see the SSDs and use them for recording. When using 2 HyperDeck Extreme units mounted side by side it’s possible to switch to 2 channel mode and use 2 disks with each HyperDeck. This also means it's possible to use 2 computers with a single MultiDock, one using each channel, or multiple rack mount servers can access the same MultiDock. When an SSD is inserted in MultiDock, it can be seen on the HyperDeck Extreme on-screen menus and you can select it for record and playback. Move Media Between Editing Systems If you're working in large facilities, then Blackmagic MultiDock allows media disks to be relocated simply by unplugging the disks and walking to a new location. That eliminates slow file copying and there is no need for complex network storage. This means you get the flexibility to change and move workflow as your client demands. You can even take your job from an editing room into a dedicated DaVinci Resolve colour correction room and then move to a larger theatre style room when your client arrives to review your job. With instant unplugging of media, you eliminate clunky devices hanging off cables plus you can always access the disks right from the front of the rack equipment.

Blackmagic HyperDeck Extreme Control

Blackmagic BMD-HYPERD/RSTEXCTR (BMDHYPERD/RSTEXCTR, BMD HYPERD/RSTEXCTR, BMD/HYPERD/RSTEXCTR, BMD-HYPERD/RS/TEXCTR) HyperDeck Extreme Control HyperDeck Extreme Control gives you traditional deck control features with a built-in editor for automating the ingest of legacy videotape based programming. Combined with HyperDeck Extreme, you get a professional deck solution that’s exciting and fast to use. There are transport control buttons, timecode, deck status, plus a large search dial with electronic clutch for jog, shuttle and positioning. Controlling up to 8 separate decks is possible using standard RS‑422 ensuring compatibility with virtually any type of deck. It’s even possible to edit between different video standards, so you can up convert old 4:3 interlaced SD masters to 1080p HD in 16:9 via a Teranex Express converter. Automate Editing Between Tape and HyperDeck The built-in editor allows deck to deck editing. Operating the same way as traditional decks, the controller can operate both the HyperDeck recorder and the legacy broadcast deck all from the same front panel. This allows editing of old videotape simply by selecting the player button and entering in and out points on the tape and then selecting the recorder and pressing edit. The HyperDeck Extreme Control will now cue and play the broadcast deck while recording on the HyperDeck. Often streaming services need 1080p24 masters. That’s easy as it’s possible to add an inline Teranex Express converter to de-interlace, up convert, aspect ratio convert and remove pulldown while editing. Control Up To 8 Broadcast Decks The top of the HyperDeck Extreme Control includes a row of 8 buttons for the recorder selection and a row of 8 buttons for the player selection. There’s a built-in remote-control router that makes multi deck work possible. The connections are all standard RS-422 control so each device can be plugged into one of 8 rear mounted RS-422 sockets. You can even use the 8 ports to control 8 HyperDecks. The RS-422 control has been tested to ensure compatibly with legacy broadcast decks such as the BVH-2000 series 1-inch C format machines, D2, Betacam SP and Digital Betacam broadcast decks. Familiar Broadcast VTR Style Design The transport controls are a hybrid of controls from HyperDeck as well as traditional decks. You get buttons for rewind, fast forward, stop, play and record. To protect videotape masters, recording requires pressing both REC and PLAY. There's an eject button for ejecting cassettes, an input button for changing EE/PB modes plus a pre-roll button for cueing the tape. Traditional and Elegance Transport Controls You get familiar transport controls, such as PLAY, which when pressed during a recording, will cause the recording to stop and then the deck will continue to play from the same point. To start a recording, press both the REC and PLAY button simultaneously. If you hold down the REC button while a HyperDeck is in record it will change cards. When either REW or F FWD is pressed, the deck will shuttle reverse or forward at the maximum rate. The search direction indicator will also show full speed shuttle. Available when used with HyperDeck, the SKIP REW and SKIP FWD buttons will move to the previous clip or the next clip in the recording. Premium Search Dial for Jog and Shuttle The high-quality search dial features both jog and shuttle plus an electronic clutch that stops the knob at the end of the shuttle travel or allows free spinning when in jog. HyperDeck Extreme Control replaces varispeed with a position function that allows rapid movement up and down the recording. The search dial uses twin bearings so you can free spin it for fast jog. Full Timecode Display and Deck Status Full deck status is included and this includes a large easy to read timecode display. This display indicates the timecode of the current selected deck and the timecode source switch will control what’s displayed on the time counter. The horizontal light bar indicator allows the user to see the position of the search dial and provide a visual feedback, which is important when working with remote decks. The servo indicator light will show when the deck is in play or record mode and the servo system is correctly locked. Because remote decks will still display the time counter and transport state, the remote indicator will let you know if the deck is in remote. There’s even external video reference status. Flexible In and Out Point Entry for Editing For editing, you need to enter an in and out point for the remote deck. Simply select the IN or OUT buttons and the ENTRY button simultaneously to enter the points. To display each edit point on the time counter display, simply press the IN or OUT buttons only and the time point will be shown. While the entry button is used for entering the in or out point data, you can also clear the in and out points by pressing the IN or OUT buttons while pressing DELETE. To trim edit points, you can press the TRIM + or - button while pressing the IN or OUT button, and you will advance or delay the edit point by 1 frame at each press. Pre-Roll Edits to Cue Decks For cueing decks a pre-roll button is included. When this button is pressed, the tape machine will run to the pre-roll point which is generally 5 seconds before the IN point. If you are using an older broadcast deck it could take a few minutes for the deck to get to the cue point as the machine has to spool the tape. Although a HyperDeck will cue instantly. If the PREROLL button is pressed when simultaneously pressing the IN or OUT point then the deck will cue to the IN or OUT point exactly. This feature is great for cueing to a specific location set via the IN or OUT points. Perform the Edit Automatically Once you have your in and out points set, you can perform the edit automatically by pressing the EDIT button. If the EDIT button is pressed before setting the IN point, then the current tape position will be automatically entered as the IN point, and then the editing will be performed. This means you can select the edit button and it will set the IN point and then perform the edit all in one step.

Blackmagic HyperDeck Extreme 8K HDR

Blackmagic BMD-HYPERD/RSTEX8KHDR (BMDHYPERD/RSTEX8KHDR, BMD HYPERD/RSTEX8KHDR, BMD/HYPERD/RSTEX8KHDR, BMD-HYPERD/RSTEX8/KHDR) HyperDeck Extreme 8K HDR The new HyperDeck Extreme 8K HDR features the trusted reliability of HyperDeck combined with new innovations such as space saving H.265 files, optional internal cache, 3D LUTs, native 8K and HDR support. With the ability to record native 8K in H.265, you get reduced storage costs and amazing image quality. The large touch screen ensures a perfect view of your recording as well as control over all deck settings. You can then add HyperDeck Extreme Control to transform it into a traditional broadcast deck. This means HyperDeck Extreme is the perfect solution for the next generation of broadcast, live production and digital signage. Modern Design with Traditional Controls HyperDeck Extreme has an innovative touch screen user interface with deck controls as well as a large screen to view your recording. Then add a HyperDeck Extreme Control for traditional broadcast deck controls and a large shuttle knob that feels incredibly luxurious to use. You can even rack mount the HyperDeck and the controller. HyperDeck Extreme also includes 2 media slots, Quad 12G-SDI for 8K, analogue connections for archiving, USB‑C external disk recording, plus a front panel speaker and headphone jack. There's also an optional cache that eliminates dropped frames if your media becomes full or is too slow. Both AC and DC power connections are also included for studio or on location use. Perfect for Live Production, Digital Signage and Archive With its amazing versatility, HyperDeck Extreme is also great for live production as a master recorder, clip player and for recording ISO cameras. The analogue inputs allow you to record from old video tapes, so legacy programming can be used on the latest streaming services or for use in editing. Digital signage in 8K is easy with HyperDeck Extreme as it has 10G Ethernet for fast media uploads, plus it features a simple remote-control protocol. You can even use it as a field recorder as it includes HDMI, SDI and analogue inputs with built in scopes and 3D LUTs. The scopes also help you QA masters to ensure compliance with broadcast standards before streaming and broadcast. Convert Legacy Programming for Streaming As streaming services have become common, preserving cultural diversity through maintaining localized content is increasingly important. The solution is to get each country’s legacy programs onto streaming services at an affordable cost. HyperDeck Extreme Control lets you connect to legacy broadcast decks, set an in and an out point, then edit. Just add HyperDeck Extreme 8K and HyperDeck Extreme Control to each legacy deck to keep them all archiving constantly with just one operator. It’s even possible to edit across formats by using Teranex Express to convert tapes from SD to HD in one step. You can control a wide range of decks, including Digital Betacam, 1-inch C format, and Betacam SP. Record and Playback Full Resolution 8K The latest Quad Link 12G-SDI is included so it’s possible to record and playback in full resolution 8K for amazing quality. The SDI connections are multi-rate, so you can use Quad Link 12G-SDI to get compatibility with other 8K products, or switch to SD, HD or Ultra HD using the single link 12G-SDI connection. To allow regular CFast cards to be recorded at high resolution 8K, HyperDeck Extreme uses modern H.265 files for 8K recording and playback. This means HyperDeck Extreme 8K is perfect for connecting to the latest 8K televisions and projectors. Plus, it’s also the perfect solution when using ATEM switchers. With 8K broadcasting already happening in Japan now, you're ready for an 8K future. Big Bright Screen for Easy Touch Control The innovative touch LCD user interface provides incredible control. On screen, there are dedicated buttons for play, stop and record, plus a mini timeline for scrolling through your recordings. You can even image swipe to jog. The LCD includes a heads up display of timecode, video standard, media status as well as audio meters. Scopes can be enabled via the touch screen as well as focus and exposure assist. There's also an extensive range of settings all controlled from the large LCD. Plus, you can load and save 3D LUTs. You also get direct buttons for transport control, enabling the 3D LUT and remote enable. Then you can always add traditional deck controls with HyperDeck Extreme Control. Traditional Broadcast Deck Controls HyperDeck Extreme Control extends your HyperDeck Extreme to add traditional broadcast deck controls. It works like a traditional broadcast deck with a familiar layout. You can control up to 8 decks via industry standard RS‑422 control. You can even rack mount to the HyperDeck Extreme to create a single "broadcast deck" unit. Because it uses standard RS‑422, you can control old broadcast decks and perform edits using set in and out points. That's perfect for archiving work. Plus, you can even edit between frame rates if standards converting between formats. Even the controls have been developed in-house by Blackmagic Design to ensure a premium feel with traditional styling. Dual CFast Media for Non-Stop Recording CFast media support allows you to record to commonly available flash memory cards. The H.265 files are small enough to allow long recordings on standard CFast cards. Plus, there are 2 CFast card slots so you can swap out any full cards even during recording, allowing infinite length recording. CFast cards are perfect for broadcast because they are small, high speed and affordable. You can even use a Blackmagic MultiDock 10G to add SSD compatibility. With H.265, you can record 498 minutes at 8Kp60 on a 1 TB card, 1,059 minutes in 2160p60 Ultra HD and 2,354 minutes in 1080p59.94 on a 1 TB card. That’s over 8 hours in 8K and over 39 hours in HD. Record Direct to External USB-C Media Disks If recording to other media types is required, then the USB‑C Expansion port lets you plug in an external flash disk for recording. USB‑C flash disks have massive capacity as they don't suffer from any size constraint. Plus, it’s possible to record to the same disk you are using or editing, so you don't need to waste time copying files before starting post production. Flash disks are so fast, they can record high data rate formats that are too big for CFast cards, such as real time ProRes in 8K. Adding a Blackmagic MultiDock 10G also makes it easy to use SSDs for compatibility with other HyperDeck models. You even get on screen menus for managing external disks using the touch screen. Optional Media Cache Eliminates Dropped Flames Sometimes your media can fill before you change to a blank card, or if the card is too slow, then you can get dropped frames in your recording. To eliminate this problem, you can install a PCIe flash disk into HyperDeck Extreme 8K to use as a record cache. This eliminates problems with CFast media or external disks, as the cache will automatically take over and record any content the media could not capture. Even if a card fills, recording will continue to the cache until it’s swapped. The cache even lets you record formats that are too fast for the media card or external disk. Common PCIe flash disks are used and a thermal pad is included to allow user installation. Advanced Quad Link 12G-SDI for 8K, HDMI and Legacy Analogue HyperDeck Extreme 8K features a wide range of video and audio connections such as multi-rate Quad Link 12G-SDI for SD, HD, Ultra HD and 8K SDI devices. The 12G-SDI outputs support fill and key when playing RGBA 4:4:4:4 files. HDMI is included for consumer televisions and video projectors. For archiving work, HyperDeck also includes both balanced analogues, HiFi audio plus timecode connections. For monitoring there's even a down converted monitor SDI output that includes overlays. The USB‑C connection lets you plug in flash disks or disk arrays for recording. The latest 10G Ethernet is included for high speed upload using FTP protocols. HyperDeck even includes both AC and XLR 12V DC power connections. Advanced HDR Support and Bright Wide Gamut LCD You'll be ready for the latest HDR workflows with support for the latest HDR standards and an extremely bright screen with a wide colour gamut. The built-in scopes even change to HDR scopes when working in HDR formats. Files are tagged with the correct HDR information then SDI and HDMI inputs will also automatically detect HDR video standards. Static metadata PQ and HLG formats are handled according to the ST2084 standard. The bright LCD has a wider colour gamut so can handle both Rec. 2020 and Rec. 709 colour spaces. The built in HyperDeck Extreme 8K HDR LCD colour gamut can even handle 100% of the DCI‑P3 format. Built-in Scopes Ensure Compliance to Broadcast Standards HyperDeck Extreme features full internal waveform monitoring so you can ensure compliance to broadcast standards when used on high end work. The waveform display provides a traditional luminance (brightness) levels view of your input or playback signal. The vector scope display allows you to see the intensity of colour at 100% SDI reference levels. You also get RGB and YUV parade displays which are ideal for colour correction and checking for illegal levels. Histogram shows the distribution of white to black detail in your images and highlights or shadows clipping. The built in scopes can be overlaid on live video, or as a small picture in picture view at the top right of the scope. Latest Multi-rate 12G-SDI for SD, HD, Ultra HD and Native 8K You get full support for the most popular video standards. The SDI and HDMI connections are multi-rate, so handle SD, HD, Ultra HD and 8K. SD formats include NTSC and PAL. 720p HD standards include 720p50 and 59.94p. 1080i HD interlaced formats include 1080i50 and 59.94. 1080p HD formats include 1080p23.98, 24, 25, 29.97, 30, 50, 59.94 and 60p. You can even do 1080 PsF formats. Ultra HD is supported up to 2160p59.94. 2K and 4K DCI rates are available up to 25p. 8K standards are included at 4320p23.98, 24, 25, 29.97, 50, 59.94 and 60p. HyperDeck Extreme also supports Level A and Level B at 3G‑SDI rates. Standard H.265 and Pro-res Files for Wide Compatibility 8K has 4 times as many pixels as Ultra HD so HyperDeck Extreme 8K uses H.265 files for 8K recording to reduce costs and make working with 8K files easy. H.265 files are extremely small and range from 60:1 to 285:1 compression ratio which means much lower file sizes. Plus H.265 are now supported on all major operating systems. You can use H.265 for all 8K, Ultra HD or progressive HD formats. HyperDeck Extreme 8K even supports ProRes 422 HQ, ProRes 422, ProRes 422 LT for recording and playback plus ProRes 4444 for playback to fill and key out. This means files will be compatible with software such as DaVinci Resolve, Media Composer, Premiere Pro or Final Cut Pro X. Professional Multi Channel SDI and Analogue Audio HyperDeck Extreme 8K HDR includes professional audio for modern broadcasters or archiving from older broadcast decks. When working in SDI formats, you can record 2, 4, 8 or 16 channels of audio in real time. For capturing legacy programming there are 4 XLR analogue audio inputs that let you record all 4 channels from Betacam SP decks. You can monitor using 4 on screen audio meters with user selectable VU or PPM ballistics. For consumer devices such as VHS, DVD and set top boxes, there are also direct HiFi audio inputs. HyperDeck Extreme 8K HDR might be the latest in 8K technology, however the analogue connections have also been designed to low noise and low distortion broadcast specifications. Localised for 11 Popular Languages Multiple languages are fully supported so you don't need to learn another language to use it. Support is included for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese and Turkish. At first start, HyperDeck Extreme 8K will display a menu for selecting a language, plus you can still use the menus to change languages any time you need. When a language is selected, the on-screen text overlays will change, as well as all menus and the overlays on the SDI monitoring output will also be displayed with the selected language. All this means HyperDeck is perfect for doing international location work with different crews. The Fastest Networking with Modern 10G Ethernet With 10G ethernet, HyperDeck Extreme 8K HDR is perfect for digital signage because remote uploads are extremely fast. What's amazing is the ethernet uploads on HyperDeck Extreme 8K HDR are much faster than CFast card transfer speeds. All models use an easy text-based protocol plus you can use Telnet to test control commands. Simply log into HyperDeck and then type "play" or "record" and it will execute the command. It's that simple. To upload media files remotely, you can use FTP, or even use simple FTP client software. When the ethernet protocol and FTP is used with large USB‑C disk arrays, HyperDeck Extreme becomes a great broadcast server for ingest, media management and playout. Traditional RS-422 Broadcast Deck Control The most popular control connection used on broadcast decks since the early 1980s is the RS‑422 protocol. Originally developed by Sony, RS‑422 is used on almost all broadcast gear. HyperDeck Extreme 8K HDR features wide protocol support so you can connect it direct to broadcast systems. It also supports extra commands for the Advanced Media Protocol for managing disk recorders. When designing RS‑422 control solutions, you'll know you’re connected to a HyperDeck Extreme 8K when you see the ID 0xF0E0 in 30/60p, 0xF1E0 in 25/50p or 0xF2E0 in 24p. The full set of support remote commands are included in the instruction manual and you can download this from the support page of our web site. Compatible with Controllers, Switchers, Converters and More There's a wide range of Blackmagic Design products you can use with HyperDeck Extreme, including the HyperDeck Extreme Control for adding traditional broadcast deck controls. Plus, it uses the industry standard RS‑422 deck control protocol so it works with any broadcast deck. Add the new Blackmagic MultiDock 10G to use regular SSDs for compatibility with media from other HyperDeck models. HyperDeck Extreme 8K is also a perfect mastering recorder with the new ATEM Constellation 8K, or for clip playback and ISO reordering. For monitoring, the Teranex SDI to HDMI 8K allows broadcast monitoring on a television and it also has monitor calibration, 3D LUTs and on-screen scopes. Works with the World’s Most Popular Video Software The files from HyperDeck Extreme 8K are common so they are compatible with all operating systems or in most video software. Media can be formatted using ExFAT or HFS+ so you can easily access the media on computers and access the files like regular disks. DaVinci Resolve is perfect for use with HyperDeck because it features editing, colour correction, audio post production and visual effects all in one software application. Plus, you can download DaVinci Resolve free of charge for Mac, Windows and Linux. You can also use recorded files in other popular software such as Premiere Pro and Final Cut Pro X. With HyperDeck, your media is common so your files will remain readable in the future.

Blackmagic DaVinci Resolve Editor Keyboard

Blackmagic BMD-DV/RES/BBPNLMLEKB (BMDDV/RES/BBPNLMLEKB, BMD DV/RES/BBPNLMLEKB, BMD/DV/RES/BBPNLMLEKB, BMD-DV/RES/BBPNLM/LEKB) DaVinci Resolve Editor Keyboard The DaVinci Resolve Editor Keyboard is designed for professional editors who need to work faster and turn around work quickly. More than just a simple keyboard, the DaVinci Resolve Editor Keyboard has been designed as an alternative way to edit that’s much faster than a mouse because you can simultaneously use both hands at the same time. You also get an integrated search dial built right into the keyboard. Simply plug the keyboard into any USB‑C computer and you are ready to go. While most keys will work as a standard USB keyboard, the DaVinci Resolve Editor Keyboard has been designed for DaVinci Resolve 16 to enable an editing experience that's dramatically faster than previously possible. Premium Metal Design: The all metal design is more robust because it’s been designed for professional editors who spend hours each day editing and demand a premium keyboard solution. Unlike modern keyboards with flat keys, the keys have a tiered profile so it’s easy to feel your way around. The key switches are the same type used by eSports keyboards and each key is certified for over a million operations. The integrated search dial is machined from solid metal and allows very precise transport and trimming control. There's even a hand rest with a soft feel to help reduce fatigue. Plus the keys caps, hand rest and key switches are all available as spare parts so the keyboard can be refreshed and repaired over time. The Fastest Editing Physically Possible: The reason the DaVinci Resolve Editor Keyboard is so fast is you can use both hands when editing. Unlike a mouse, you can use your right hand to control the position in a clip, while your left hand is setting in and out points as well as applying edits. This means you can move, mark in and out points, apply an edit, then move again, repeatedly, one after the other, again and again. It’s an extremely fast way to work, using both hands at once. You can even select points and use the search dial to live trim. The search dial is big, so trimming is very accurate. There are also transition selection buttons that let you change between a cut, dissolve and smooth cut, instantly. Integrated Search Dial Control: The integrated search dial is machined metal with rubber coating so it feels very nice to use and you always feel you have a solid control over DaVinci Resolve’s clip or timeline. There's an integrated electronic clutch that creates end stops when used for shuttle and position, all under software control. With multiple roller bearings, the search dial is very smooth and it can be spun in jog mode to allow a natural timeline scroll. The jog control allows free movement for precise positioning of the playback point. Shuttle uses the clutch and you can rotate forward and reverse wind to move up and down the timeline. Scroll allows scrolling up and down a long edit to navigate quickly. Fast Source Tape Allows Scrolling Clips: Traditional NLE software uses thousands of clips to organise media, which requires lots of drag and drop of clips which is too slow for fast turn around work such as TVCs, news, promos and training videos. Traditional tape editing allowed all media to be on a single tape for fast access to your media by shuttling up and down the tape. The innovative source button instantly creates a "source tape" of all the clips in your bin. Now you can simply scroll up and down all your media and there's no need to navigate thousands of clips. The clip being viewed is also highlighted in the bin in real time. Plus switching between the source tape and timeline is instant. Instantly Re-Sort Bin And Source Tape: The source tape uses your bin's sort order so you get lots of control over how shots are organised. This gives you the flexibility to find shots by time, camera, duration or even clip name. The moment one of the bin sort buttons is selected, the source tape will be regenerated in that bin’s sort order. Simply scroll up and down the source tape to find the shots needed. Sort by timecode to see all the bin media sorted by time, which is perfect for content shot in time order, such as live events. You can also sort by camera which is great for multi camera shoots where you lay down the wide shot first and then look for cut-aways on other cameras. You can even sort by duration and the clip name. Fast In And Out Points: Entering edit points is one of the most used functions in editing, so we designed the in and out point buttons larger in size, and to include a small space above to allow locating them by feel. That helps when doing transport control with your right hand and punching in and out points using your left hand. When selecting in and out points in the new DaVinci Resolve cut page, you are also trimming clips with these buttons. Then once the in and out points are set, just reach your fingers up to the edit buttons. The in and out points can also be used to contract the source tape to limit the clips included. Then you can change the source tape back to the whole bin by pressing the escape key. New Intelligent Keyboard Edit Modes: The editing functions are located just above the in and out keys, to allow a simple movement of your fingers to activate the edit you require. Because editing with a keyboard is quite different to editing on a computer’s user interface, the editing functions have been optimised to take advantage of the speed of a keyboard. Most edits can be performed on the source clip without needing to place edit points on the timeline itself. That's much faster as it eliminates time wasted switching between source and timeline. The edit points can automatically locate the nearest timeline edit, or even match timecode. A good example is smart insert, which locates the nearest edit and inserts at that point. Smart Insert: Smart insert is similar to the traditional insert edit function, however it’s smarter as it eliminates the need to switch to the timeline and place an in point. All you need to do is select smart insert and it will locate the nearest edit in the timeline and insert the clip in that location. Append To End: Append to end is fantastic for building edits fast. Simply select an in and out point and then append to end will add the clip to the end of the edit and increase the timeline duration. Append to end is fantastic when adding shots to an edit from content that’s been shot in time order. Ripple Overwrite: Ripple overwrite is a popular edit function and it lets you replace shots extremely quickly. When applied, it will replace the clip in the timeline with the selected clip and if the clip is a different length, it will adjust the space to accommodate the new clip and ripple the timeline duration. Close UP: Close up is best for creating two camera angles from the one camera. Simply shoot your subject with a wide or mid shot, and then when close up is applied, it will create a slightly zoomed in version of the same camera shot and place it on top of the timeline. Plus you can also apply it to a clip in the timeline. Place On Top: Place on top is similar to traditional edit functions and this edit mode will place the clip on top of the background layer that’s already in the timeline. If the timeline doesn't have a layer above the background layer, it will add a new timeline track and then place the clip on top. Source Overwrite: Source overwrite is a faster alternative to multi-cam. It automatically matches source timecode to the source timecode of the clip in the timeline and places the clip on top. If you shoot with multiple cameras and sync timecode, you can lay other camera angles on a base wide shot layer. Search Dial Live Trimming: With a high quality search dial built in, you get an extremely accurate and fast way to do trimming of edit points. The roll buttons allow the keyboard to take control of the search dial and very precisely adjust edit trimming. You can select the trim mode with your left hand while adjusting the trim with your right. Using roll trimming is easy and is operated by pressing and holding one of the roll buttons, depending on the type of trim you need to do, while then rotating the search dial. There’s also a trim editor button on the numeric keypad that allows a direct switch to trim mode, so you can scroll up and down the edit points in a timeline to allow locating and adjusting multiple edits fast. Roll In: Roll in is very similar to adjusting trim in on the software however it’s a modifier key on the keyboard. Using roll in on a transition adjusts the in point of the destination clip, while adjusting roll in on a clip adjusts its in point. All adjustments will ripple the timeline duration. Roll Out: Roll out is very similar to adjusting trim out on the software however it’s a modifier key on the keyboard. Using roll out on a transition adjusts the out point of the source clip, while adjusting roll out on a clip adjusts its out point. All adjustments will ripple the timeline duration. Roll Transition: The roll transition is similar to the roll edit. It works by rolling the transition between 2 clips and has the same affect as simultaneously adjusting the in point on the destination clip while adjusting the out point on the source clip. Roll edit does not affect timeline duration. Roll Source: Roll source is the same as slipping the source clip and it will move the shot up and down within the current clip’s in and out points. Roll source allows slipping the clip within the same duration so it won't affect the overall timeline duration. Roll Destination: Roll destination is the same as slipping the destination clip and it will move the shot up and down within the current clip’s in and out points. Roll destination allows slipping the clip within the same duration so it won't affect the overall timeline duration. Roll Duration: Roll duration is designed to allow you to change the transition length of any effect that has been applied to an edit point. When selected, adjusting the search dial will interactively adjust the duration of the transition. Because you can select the transition type, you can use roll duration to get the transition perfect. Select And 
Change Transitions Instantly: Editing software is slow at adding transitions because it requires using drag and drop to place a transition, or a keyboard shortcut for only one transition type. With DaVinci Resolve Editor Keyboard you can press a key and add or remove a transition with a single button press. The cut key will remove any transition on an edit point and leave it as a simple edit between the 2 clips. Pressing dissolve will add a 1 second dissolve between the two clips, and using roll duration will set the desired transition length. Plus if there is already a dissolve on the edit, then the key will be ignored. There's also a smooth cut button to allow jump cuts to be removed at the press of a button. Improved Davinci Keyboard: The new DaVinci Resolve Editor Keyboard also includes a revised qwerty key layout that’s been updated using feedback from professional editors. However you still get all the traditional editing features for both the cut and edit pages in DaVinci Resolve, so the core qwerty part of the keyboard still operates in a familiar way. All the standard edit modes are included on the main keyboard. Plus you get JKL trimming when you want to do playback and trimming via the keyboard and not the search dial. But you still get new features in the revised layout, such as a viewer button to allow instant change to full screen view, and it’s even possible to edit from the keyboard in full screen view. Direct Timecode Entry Keypad: When entering edit points and durations numerically, there's a keypad specifically designed for timecode entry. The F/TC button allows switching between timecode or frames. Just press the F/TC button and entry changes to frames. When typing longer timecode values, there's also a double zero button so you don't have to press the standard zero key as often. The plus and minus keys allow time values as offsets to current values vs absolute entry. A dedicated duration entry button allows you to numerically define the duration of a clip. Numeric duration entry is one of the most used functions. For example, if you need to set a 100 frame duration on a clip, just press DUR, F/TC and 100. Designed For The Desktop Or Inset Into A Console: Although the DaVinci Resolve Editor Keyboard has been designed with a modern aesthetic, there's also function to the form. The subtle edge created by the mating of the top keyboard surface and the lower chassis has a pinstripe feel to the design that allows the DaVinci Resolve Editor Keyboard to look good on a desktop. The keyboard is a fantastic match to an iMac Pro and has a subtle energy when placed on your desk. There's even fold out rear feet to increase the keyboard tilt. However the flange has a functional benefit as you can install the keyboard in a cutout of a desk or console. The keyboard will then sit almost perfectly flat on the desk surface. This creates an amazing console look.

Blackmagic ATEM Constellation 8K

Blackmagic BMDSWATEMSCN4/1ME4/8K(BMDSWATEMSCN41ME48K, BMDSWATEMSCN4/1ME4/8K, BMD/SWATEMSCN4/1ME4/8K, BMD/SWATEMSCN4-1ME4-8K) ATEM Constellation 8K. The new ATEM Constellation 8K is an Ultra HD live production switcher with so many features, you can combine them all to make an incredibly powerful 8K switcher. You get 4 M/Es, 40 x 12G‑SDI inputs, 24 x 12G‑SDI aux outputs, 4 DVEs, 16 Keyers, 4 media players, 4 multi viewers, 2 SuperSource and standards conversion on every SDI input. Then when switched to 8K, all these features combine to make a powerful 8K switcher. You even get built in talkback and a professional 156 channel Fairlight audio mixer with EQ and dynamics. That’s an audio mixer so big, you can connect and use a full Fairlight audio console. ATEM Constellation 8K has also been designed as an ideal upgrade for ATEM Television Studio. Designed For Massive Live Events With so many inputs, ATEM Constellation is ideal for concerts and music festivals because you can place cameras on all areas of the stage for amazing coverage. Even live sports benefit from the huge number of inputs and four DVEs let you build multi‑layer compositions to cover the action. The fastest way to produce programming is live. With powerful internal graphics and four ATEM Advanced Chroma Keyers, you get everything you need for complex program production. ATEM Constellation is also perfect for house of worship programming as it has the size to produce professional results, but it’s simple to learn so it’s easy to train volunteer crew. The Ultra Hd Switcher Ready For An 8K Future Because ATEM Constellation is so incredibly big, you can use it as a massive HD and Ultra HD switcher, then instantly combine all of these features together to work in native 8K. You get the power of 40 independent 12G‑SDI inputs when working in HD or Ultra HD, or when switched to 8K, these 40 inputs transform into 10 Quad Link 12G‑SDI 8K inputs. Each input even has up and cross conversion. That means you can instantly switch 720p, 1080p, 1080i, Ultra HD and 8K video standards. Plus, you get 4 independent Ultra HD multi views that also transform into a full resolution 8K multi view. Even the keyers, DVE, Super Source and downstream keyers all switch to native 8K. Seriously Advanced Broadcast Power ATEM Constellation 8K features a compact 2RU rack mount design with a built in control panel. This allows operation of the switcher, critical during setup or for emergency use. Also included is a large LCD so you can see program output and change switcher settings via on screen menus. Although only 2RU size, the rear of the switcher has a massive 40 x 12G‑SDI inputs, 24 x 12G‑SDI aux outputs, plus balanced audio, Ethernet, RS‑422 control and MADI digital audio extra inputs to the internal Fairlight audio mixer. Even with all this power, ATEM Constellation is extremely quiet with its innovative high efficiency thermal system and three low speed cooling fans. Full Front Panel Control With a built in control panel, you can simply walk up and take full control of ATEM Constellation at any time. Because it works similar to ATEM Television Studio, it’s a fantastic upgrade when you need a bigger switcher. You get incredible power with both PGM/PVW or cut‑bus style operation. The buttons are the same premium type used on full sized panels, and allow control of transitions, upstream/downstream keyers, media players and fade to black. You also get professional talkback with engineering and production loops, plus an XLR talkback headset connection. But you're never limited, as the LCD menus also allow every single operational feature of the switcher to be accessed. Massive 40 Standards Converted 12G‑Sdi Inputs. You get 40 independent 12G‑SDI inputs, with each input featuring its own dedicated up and cross converter. That means it’s possible to convert 1080p and Ultra HD sources to stunning 8K to use them in your 8K programs. When used in HD or Ultra HD, you can connect up to 40 different sources in all formats up to 2160p60. When running 8K formats, connect 10 Quad Link 12G‑SDI 8K sources in all formats up to 4320p60. You can even loop out audio channels 1, 2, 3 and 4 from SDI inputs 1 to 30 to the two MADI digital audio outputs, so you can hand off the audio from all switcher sources to an external audio engineer for mixing. 24 Customizable 12G‑Sdi Outputs ATEM Constellation 8K features 24 independently routable 12G‑SDI outputs that can be fully customized. All of these outputs are similar to aux outputs, however they're more powerful because you can route any external SDI input and all internal sources to any of these 12G‑SDI outputs. That’s flexible enough to run independent program feeds, clean feeds, or outputs for on stage projectors and video walls. It’s like having multiple switchers all running at the same time with everyone getting the custom feed they need. All 12G‑SDI outputs contain embedded program audio, plus you get mix minus support, RP‑188 embedded timecode, SDI camera control, tally and talkback. Choose From Hardware Or Software Control Panels All ATEM switchers feature a wide range of hardware and software control options, plus it’s possible to share control panels between all ATEM models for different live events. Included with ATEM Constellation is a full software based control panel for Mac and Windows. The software connects to the switcher via ethernet and you can control the switcher, upload media, mix audio and control cameras. You can even run multiple copies of the software switcher at the same time. Then, when you need more power, you can add an ATEM Advanced Panel for switching or even an ATEM Camera Control Panel allowing dedicated control of your cameras. There's even a developer SDK for your own custom control solutions. Includes 8K Multiview With Labels, Tally And Meters The built in multi views let you monitor multiple sources in a single monitor. You get 4 independent multiview outputs that can each be individually customized or transformed into a single full resolution 8K multiview when you switch to 8K. You get the stunning quality that only an 8K multiview can provide. Plus all external inputs and all internal sources can be routed to any view. Plus each multiview can be independently set to 4, 7, 10, 13 or 16 simultaneous views. Each view also has on screen status including a custom label, VU meters and tally. The four 12G‑SDI multiview outputs support HD and Ultra HD up to 2160p60, and up to 4320p60 via Quad Link 12G‑SDI when switched to 8K. Dve, Stingers And More ATEM Constellation 8K includes a wide range of broadcast quality 8K native transitions such as mix, dip, wipe, and more. All transitions can be customized by adjusting parameters such as their duration, border colour, border width, position and direction. Transitions are even fully 8K native. You also get exciting DVE transitions, perfect for graphic wipes and even stingers when used with the internal media players. To eliminate errors, ATEM Constellation also includes a preview transition feature so you can check your transitions before putting them to air. Full Resolution 8K Dve ATEM Constellation features 4 independent Ultra HD DVEs that all work together as a single full resolution 8K DVE when you switch to 8K formats. You get amazing quality and the DVE supports position, resize and scale, all in real time. The DVE lets you create professional picture in picture effects with customizable 3D borders, shadows and lighting. DVEs can also be used to create amazing DVE transitions with squeeze, push and swoosh effects for adding excitement to your programming. You can even combine DVE transitions with custom graphics to create your own graphic wipe transitions. Full Resolution 8K Dve ATEM Constellation features 4 independent Ultra HD DVEs that all work together as a single full resolution 8K DVE when you switch to 8K formats. You get amazing quality and the DVE supports position, resize and scale, all in real time. The DVE lets you create professional picture in picture effects with customizable 3D borders, shadows and lighting. DVEs can also be used to create amazing DVE transitions with squeeze, push and swoosh effects for adding excitement to your programming. You can even combine DVE transitions with custom graphics to create your own graphic wipe transitions. Internal Media For Stills And Motion Graphics The built in media pool stores broadcast quality RGBA graphics and animations that can be played back instantly by the two media players. Media players simply appear as additional input sources on the ATEM Constellation 8K, so you don’t have to use extra SDI inputs for graphics. For the highest quality, the media pool can hold up to 24 full resolution 8K stills, or 64 Ultra HD or HD stills. Motion graphics clips for use in animations and stingers can be up to 100 8K RGBA frames, 400 frames in Ultra HD or a massive 1,600 frames in 1080HD. You can easily manage all of your media using the included ATEM Software Control or download directly from Photoshop using the ATEM Photoshop plug‑in. Includes New Atem Advanced Chroma Key In 8K For news or virtual set work, ATEM Constellation is the perfect choice as it features 16 ATEM Advanced Keyers for high quality chroma or luminance keying. The chroma keyer is incredibly powerful and features a colour picker to sample background colours for automatic generation of the key parameters. You get precise controls for edge and flare, and there is even a foreground colour corrector so you can match the "look" of the foreground layer to the background layer making seamless compositions possible. The keyer can also be used for pattern and DVE keying allowing incredible versatility. Then when you switch to 8K, you still get four independent full resolution 8K ATEM Advanced Keyers. Multi Rate 12G‑Sdi For Hd, Ultra Hd And Native 8K With 40 multi rate 12G‑SDI input connections, ATEM Constellation 8K is compatible with HD, Ultra HD and 8K SDI sources. When working in HD, it's easy to operate at high frame rates up to 720p60, 1080p60 and 1080i59.94 formats. When you switch to Ultra HD, you can work in 2160p formats up to 60 frames per second all using a single 12G‑SDI connection. When switched to 8K it’s now possible to operate in 4320p formats up to 60p using Quad Link 12G‑SDI which allows real time 8K using 4 BNC cables. Only multi rate 12G‑SDI allows switching between HD, Ultra HD and 8K formats so you can instantly adapt to the needs of the job you are doing anywhere in the world. The First Switcher With Big Professional Audio ATEM Constellation 8K is the world’s first live production switcher that fully embraces live professional audio production. All SDI inputs are connected to a built in Fairlight audio mixer that features 6 band parametric EQ, compressor, limiter, noise gate and expander on each input. There is even a MADI for an extra 32 input channels into the internal audio mixer. ATEM Constellation 8K can even be connected to a professional Fairlight mixing console. Plus, there are 2 MADI outputs for breaking out channels 1, 2, 3 and 4 of the first 30 SDI inputs out for an external audio engineer. You can even mix audio from analogue inputs, talkback microphones for voice over and more. Professional Fairlight Audio Mixer With a built in Fairlight audio mixer, the ATEM Constellation makes it possible to do extremely complex live sound mixing. The internal mixer features a massive 156 channels, for the biggest audio mixer in a live production switcher. 80 mixer channels are de‑embedded from the SDI inputs, while an extra 64 audio channels are input via MADI in. Each input channel features the highest quality 6 band parametric EQ and compressor, limiter, expander and noise gate as well as full panning. You get extra channels for the analogue input, talkback microphone and media players. All this audio power can be controlled via the ATEM Software Control, a Mackie compatible panel or Fairlight Audio Console. Includes Free Software Control Panel The ATEM Software Control Panel gives you total control over your switcher and is included free. ATEM Software Control Panel features a beautifully designed interface with a visual switcher and parameter palettes for making quick adjustments. Multiple users can connect to the switcher via Ethernet and all work on different parts of the event at the same time. The ATEM Software Control also lets you access camera control, audio mixing, media, macro programming and even control of HyperDeck disk recorders. You can even save the full state of the switcher as XML files, plus all media is backed up from the media pool. Plus you can run the software on Mac or Windows. Add The Speed And Power Of An Atem Hardware Panel All ATEM switchers have a wide range of control panels allowing customization for the kind of work you do. ATEM hardware control panels feature a fast program/preview style which is the industry standard for switcher control. All transitions have direct access buttons and a t‑bar is included when performing manual blending of transitions. For accurate control of the DVE, a joystick provides X, Y positioning and rotate for DVE zoom. Then you can use the LCD menus to control features that don't have dedicated knobs and buttons. You can even setup and trigger Macros right from the panel. The ATEM panels feature internal power supplies as well as an IEC AC power connection.

Blackmagic BMD-CONVMUDCSTD/HD Up, down and cross converter, includes full NTSC/PAL standards converter

Blackmagic BMD-CONVMUDCSTD/HD ( CONVMUDCSTD/HD, BMDCONVMUDCSTD/HD, BMD/CONVMUDCSTD/HD, BMD CONVMUDCSTD/HD ) Up, down and cross converter, includes full NTSC/PAL standards converter. MINI CONVERTER UPDOWNCROSS HD Compact 3G-SDI and HDMI converter for converting any SD or HD video format to any other SD or HD format! Mini Converter UpDownCross HD is a full standards converter that lets you convert any SD or HD video format to any other SD or HD video format using high quality Teranex algorithms! Simply set the output format you need and the input format is automatically converted, protecting your equipment from receiving an incorrect signal. It’s also perfect for connecting HDMI computers to SDI projectors because it scales the computer’s video to the broadcast television output standard that you choose. Mini Converter UpDownCross HD features multi rate 3G-SDI connections for working in all formats up to 1080p60 including Level A and B devices plus computer resolution scaling via HDMI in. You also get an HDMI input, reference in, audio delay for perfect AV sync, timecode conversion and both 3G-SDI and HDMI inputs and outputs allowing you to connect to virtually anything. SIMPLE, COMPACT AND RUGGED Built for any environment Blackmagic Mini Converters are designed to be used anywhere! You can put them in equipment racks in the studio, on news trucks, or use them outside for live sports and other events. Mini Converters have a straightforward, compact design that makes them easy to use and super reliable for 24/7 operation. The built in connections are easy to access and use standard cables, plus all models feature built in mini switches to quickly change settings. There’s even a diagram with switch settings printed on the back so you never have to look for the manual. REDUNDANT SDI INPUTS Safeguard against a damaged SDI cable Anything can happen during a live production and you can’t afford to lose a signal and go off air. All Blackmagic Mini Converters with SDI inputs feature an innovative redundant SDI input so you can run a second SDI cable as a back up in case one cable is damaged! This feature is great for outdoor use, or in large, crowded venues where there’s a chance cables might get damaged. Often it makes sense to run the second cable on a different route than the first. If the main input is lost, the converter automatically switches over to the second input, so you’re always on air. ADVANCED VIDEO TECHNOLOGY True broadcast quality for professional use With the highest quality 10-bit video processing and low jitter SDI, Mini Converters are ideal for the stringent requirements of broadcast, post production and professional AV. You get incredibly low noise levels when moving between analog and digital video formats. Low SDI jitter and full SDI re-clocking means you can run long cable lengths without any loss of video quality. Specific models include up/down/cross conversion that lets you move easily between PAL and NTSC SD video standards and the high number of HD formats, and then all the way up to massive 3840 x 2160 Ultra HD resolutions. EASY CONTROL Simple to set up and update   Changing settings on Mini Converter's is as easy as using the built in function switches! This is great when you need to change settings quickly as there are no complicated menus to navigate. There’s even a printed switch diagram on each converter, so you never have to find the manual! You can also control settings using the included Converter Utility software by connecting the converter to any OS X or Windows computer! All models can be updated to the latest software via USB by simply downloading upgrades directly from the Blackmagic Design website and connecting the Mini Converter to your Mac or Windows computer! This means Mini Converters can be updated to include new video standards and technologies when they become available.

Blackmagic BMD-CONVMOF12G Converts SDI to optical fiber and optical fiber to SDI in both directions

Blackmagic BMD-CONVMOF12G (BMDCONVMOF12G, BMD/CONVMOF12G, BMD CONVMOF12G, bmd-convmof12g) Converts SDI to optical fiber and optical fiber to SDI in both directions. Mini Converter Optical Fiber 12G converts SDI to optical fiber and optical fiber to SDI in both directions at the same time, you can even have different video standards going in each direction. The 12G‑SDI connections are multi rate, which makes it compatible with all SD, HD and Ultra HD formats and equipment up to 2160p60, including Level A and B devices. You can install any standard 3G, 6G or 12G‑SDI SFP optical fiber module so you can send SDI using the same low cost optical fiber cables that are commonly used for computer networks.

Blackmagic BMD-CONVMBSH4K6G Convert SDI in SD, HD and Ultra HD to HDMI 4K with analogue and AES audio

Blackmagic BMD-CONVMBSH4K6G ( BMD CONVMBSH4K6G, BMDCONVMBSH4K6G, BMD/CONVMBSH4K6G, bmd-convmbsh4k6g ) Convert SDI in SD, HD and Ultra HD to HDMI 4K with analogue and AES audio.  Blackmagic Mini Converters are the world’s most advanced converters because they include the latest 6G-SDI technology, automatically detect the input video format and instantly change between virtually all SD, HD and Ultra HD video standards up to 2160p30. You get advanced features such as redundant SDI inputs, re-clocked loop outputs, HDMI instant lock, 33 point LUT support, and full analogue and AES/EBU audio connections so you can convert video, as well as embed or de-embed audio. Mini Converter SDI to HDMI 6G lets you convert from SDI to HDMI in SD, HD, and Ultra HD formats while de-embeding audio to HDMI, AES/EBU or balanced analogue audio. You also get advanced features such as down conversion for monitoring Ultra HD on HD HDMI monitors as well as built in 3D LUTs plus HDMI instant lock for instant video display when an SDI input is connected. The new Mini Converter SDI to HDMI 6G and Mini Converter HDMI to SDI 6G models make it possible to convert SDI to HDMI or HDMI to SDI in all formats up to 2160p30 at an even more affordable price. The Mini Converter SDI to HDMI 6G model is also dramatically more powerful with HDMI instant lock, 33 point 3D LUT support and Ultra HD to HD down conversion. HDMI instant lock can lock to a new signal in as little as 1 frame, so you get glitch free switching when changing between sources that have the same video format. New 33-point 3D LUT support lets you apply custom looks in realtime using high precision film quality look up tables. Plus you still get the same powerful Mini Converter features such as independent balanced analogue and AES/EBU digital audio connections, redundant SDI inputs to protect against cable damage and automatic switching between SD, HD and Ultra HD video standards. HDMI INSTANT LOCK Get instant image lock when using consumer HDMI TV’s HDMI televisions and projectors can take a long time to lock onto a signal when a new source is connected. HDMI Instant Lock on the Mini Converter SDI to HDMI 6G solves this problem by continuously sending an active HDMI signal to the display. When you switch to a new source that’s the same format as the previous signal it will lock in as little as 1 frame so you get glitch free clean switching. 33 POINT 3D LUT SUPPORT Create custom looks with high precision 3D LUTs Mini Converter SDI to HDMI 6G also includes a full 33 point 3D lookup table for high precision colour conversions. That means you can apply custom looks, colour and gamma changes in realtime for on set monitoring. LUTs can also be used with the SDI loop output, transforming the converter into a 3D LUT processor! The LUT’s are compatible with DaVinci Resolve so you get consistent colour on set and in post.

Blackmagic BMD CINEURSANWFRSTUD Studio Fiber Converter

Blackmagic BMD-CINEURSANWFRSTUD ( CINEURSANWFRSTUD, BMDCINEURSANWFRSTUD, BMD/CINEURSANWFRSTUD, BMD CINEURSANWFRSTUD ) Studio Fiber Converter Connect to remote cameras up to 2 km away with multiple channels of video, talkback, control and power all over a single cable Blackmagic Studio Fiber Converter The Blackmagic Studio Fiber Converter is used at the other end of your broadcast camera chain back in the studio or outside broadcast truck. It converts signals from the remote camera back into standard television industry connections that can be used with your live production switchers, audio mixers and talkback interfaces. It features a high capacity power supply to drive the cable so it can provide enough power for your camera and any accessories that you might add. The studio fiber converter includes connections for tally, two dual channel intercoms for industry standard 3rd party talkback systems, and even a backup engineering talkback channel in case the fiber goes down. You get a main Ultra HD camera feed plus 3 independent HD return feeds with full remote camera control, PTZ, tracker talkback and ethernet, all through a single SMPTE fiber cable. Plus, there is a large 5 inch LCD screen right next to the SMPTE fiber connection on the front panel for monitoring signals from the remote camera. This allows for easy patching and verification of the remote camera function. Blackmagic Fiber Converters Extend and fully power cameras up to 2 km away using an open standard SMPTE fiber cable The Blackmagic Camera Fiber Converter and Blackmagic Studio Fiber Converter convert standard television industry connections for video, audio, power, talkback, and tally into a single SMPTE fiber optic cable. This allows cameras to be placed up to 2 km away from a studio or outside broadcast truck using a single convenient and incredibly durable cable. The Blackmagic Camera Fiber Converter also adds familiar broadcast studio camera controls to the rear of the camera, plus additional connections so you can use it with the talkback systems and switchers you already have. The Blackmagic fiber converters feature 12G-SDI and are designed to work with all HD and Ultra HD formats up to 2160p60. Now you can transform professional cameras such as URSA Broadcast and URSA Mini into a complete professional studio camera with all of the features you need for high end work. Place Cameras Anywhere Get cameras much closer to the action If you’re working in a studio or out at a large sporting venue, you often need to place cameras far apart. While SDI connections are common, the limited range of SDI makes it hard to use it over long distances. Traditionally, you would need to run multiple cables and expensive extenders for power, talkback, tally, video and audio. This makes set up incredibly complex and increases the chances of a technical problem. Now you can solve this problem by converting all essential connections and power into a single convenient SMPTE fiber cable that can run incredibly long distances. That means cameras can be placed anywhere and connected back to broadcast trucks parked outside of a venue or back to a central control room in a studio. Best of all, SMPTE fiber is a global broadcast industry standard so you can use cables and connection points that are commonly available. Blackmagic fiber converters are also affordable, so traditional broadcasters, new web broadcasters, AV producers, houses of worship and educators can all use the same high end broadcast technology. SMPTE Fiber for Industrial Strength and Safety Built in multi layer fail safe instantly cuts power to eliminate danger Blackmagic fiber converters work with standard SMPTE 311M hybrid electrical and fiber optic cables with standard SMPTE 304 connectors on each end. These cables feature a 2 way fiber pair, data pair and power pair, along with a central strength member that gives it the needed durability for continuous use. Once plugged in, the Blackmagic Studio Fiber Converter automatically performs safety checks and then powers up, sending an industry standard 200 volts of power over the SMPTE cable for the camera and accessories. This means you can install cameras in remote locations without having to worry about power drops over long distances. Both the studio and camera converters at each end have dedicated micro controllers that continuously monitor power status. The converters communicate with each other to ensure that both a stable optical signal is present and that the power supply is operating within safe parameters. If a damaged cable or a earth leak is detected, the power is instantly shut down to eliminate any danger to personnel. Add Studio Camera Controls Transform broadcast cameras into dedicated studio cameras Studio cameras are typically operated from the rear of the camera, but broadcast cameras usually have controls on the side of the camera. To solve this problem, the Blackmagic Camera Fiber Converter adds support for SMPTE fiber to your camera along with a wide range of controls and features to the rear of the camera, transforming it into a professional studio camera. You get 2 separate broadcast standard 5 pin talkback connections, 3 return video feeds, 2 extra audio inputs, connections for PTZ and trackers, plus additional DC and D-tap outputs for powering accessories. With all these extra controls added to the rear of the camera, you can operate the camera in the same way as traditional studio cameras. 10G Ethernet for IP Video Super fast, low latency ethernet link for video, audio and control The Blackmagic Camera Fiber Converter and the Blackmagic Studio Fiber Converter use IP video because the SMPTE fiber connection is an open standard 10G Ethernet link. That means all of your video and return feeds are IP video based using high end, lossless broadcast quality 10-bit video encoding and decoding. All other connections such as talkback, tally, camera control and lens control are also converted to low latency IP so you get incredibly reliable performance and high quality. Using IP video means the Blackmagic fiber converters are future proof and ready for customization using high speed Ethernet infrastructure in future. Dual Channel Talkback Two dual channel talkback intercoms with backup The Blackmagic Camera Fiber Converter and Blackmagic Studio Fiber Converter provide 2 dual channel digital talkback connections that are compatible with professional 5 pin XLR talkback headsets. The camera converter even has convenient controls for mixing in program return audio with your talkback headset so you can adjust the volume as needed while talking to the rest of the crew. The talkback intercoms can be used for both production and engineering. In addition, there is a backup channel available for troubleshooting in case the fiber link is down. This backup talkback channel automatically switches over and uses the data pair in the SMPTE cable if the fiber is not working. The Blackmagic Camera Fiber Converter also includes a standard 10 pin connection for tracker talkback, which is perfect when both headset connections are in use and you need to feed an additional talkback connection through to your crane operator. Designed for High End Broadcast Durable metal design, high end components and professional connections The Blackmagic Camera Fiber Converter features an extremely durable all metal design that perfectly matches URSA Broadcast, URSA Mini cameras or any camera that supports a standard battery plate. It’s built to withstand the harsh demands of outdoor field production and 24/7 operation. The Blackmagic Camera Fiber Converter features full size standard television industry connections with dust caps, along with an integrated VLock mount plate on top for adding a studio viewfinder. The Blackmagic Studio Fiber Converter is designed so that you can fit two of them side by side in a standard equipment rack using the optional rack mount kit. The optical fiber connector on the Blackmagic Studio Fiber Converter is conveniently located on the front panel, right next to the built in 5 inch LCD, so you can plug remote cameras in and instantly see the feed.

Blackmagic BMD CINEURSANMFRCAM Camera Fiber Converter

Blackmagic BMD-CINEURSANMFRCAM ( CINEURSANMFRCAM, BMDCINEURSANMFRCAM, BMD/CINEURSANMFRCAM, BMD CINEURSANMFRCAM ) Camera Fiber Converter Connect cameras to live switchers up to 2 km away with video, talkback, control and power, all over a single cable Blackmagic Camera Fiber Converter The Blackmagic Camera Fiber Converter attaches to the back of your URSA Mini or URSA Broadcast camera. In addition to converting all of the audio, video, camera control and talkback into fiber, it also adds professional studio camera controls to the back of your camera. You get control for return feeds, dual intercom controls with the ability to mix in program audio, record, focus and iris controls, headset connectors, audio and more. The camera converter also includes a VLock mount plate on the top for attaching accessories such as a professional Blackmagic Studio Viewfinder. The Blackmagic Camera Fiber Converter has connections for your Ultra HD camera feed, 3 HD return feeds, full remote camera control, PTZ, multiple channels of talkback, tally and more. Blackmagic Fiber Converters Extend and fully power cameras up to 2 km away using an open standard SMPTE fiber cable The Blackmagic Camera Fiber Converter and Blackmagic Studio Fiber Converter convert standard television industry connections for video, audio, power, talkback, and tally into a single SMPTE fiber optic cable. This allows cameras to be placed up to 2 km away from a studio or outside broadcast truck using a single convenient and incredibly durable cable. The Blackmagic Camera Fiber Converter also adds familiar broadcast studio camera controls to the rear of the camera, plus additional connections so you can use it with the talkback systems and switchers you already have. The Blackmagic fiber converters feature 12G-SDI and are designed to work with all HD and Ultra HD formats up to 2160p60. Now you can transform professional cameras such as URSA Broadcast and URSA Mini into a complete professional studio camera with all of the features you need for high end work. Place Cameras Anywhere Get cameras much closer to the action If you’re working in a studio or out at a large sporting venue, you often need to place cameras far apart. While SDI connections are common, the limited range of SDI makes it hard to use it over long distances. Traditionally, you would need to run multiple cables and expensive extenders for power, talkback, tally, video and audio. This makes set up incredibly complex and increases the chances of a technical problem. Now you can solve this problem by converting all essential connections and power into a single convenient SMPTE fiber cable that can run incredibly long distances. That means cameras can be placed anywhere and connected back to broadcast trucks parked outside of a venue or back to a central control room in a studio. Best of all, SMPTE fiber is a global broadcast industry standard so you can use cables and connection points that are commonly available. Blackmagic fiber converters are also affordable, so traditional broadcasters, new web broadcasters, AV producers, houses of worship and educators can all use the same high end broadcast technology. SMPTE Fiber for Industrial Strength and Safety Built in multi layer fail safe instantly cuts power to eliminate danger Blackmagic fiber converters work with standard SMPTE 311M hybrid electrical and fiber optic cables with standard SMPTE 304 connectors on each end. These cables feature a 2 way fiber pair, data pair and power pair, along with a central strength member that gives it the needed durability for continuous use. Once plugged in, the Blackmagic Studio Fiber Converter automatically performs safety checks and then powers up, sending an industry standard 200 volts of power over the SMPTE cable for the camera and accessories. This means you can install cameras in remote locations without having to worry about power drops over long distances. Both the studio and camera converters at each end have dedicated micro controllers that continuously monitor power status. The converters communicate with each other to ensure that both a stable optical signal is present and that the power supply is operating within safe parameters. If a damaged cable or a earth leak is detected, the power is instantly shut down to eliminate any danger to personnel. Add Studio Camera Controls Transform broadcast cameras into dedicated studio cameras Studio cameras are typically operated from the rear of the camera, but broadcast cameras usually have controls on the side of the camera. To solve this problem, the Blackmagic Camera Fiber Converter adds support for SMPTE fiber to your camera along with a wide range of controls and features to the rear of the camera, transforming it into a professional studio camera. You get 2 separate broadcast standard 5 pin talkback connections, 3 return video feeds, 2 extra audio inputs, connections for PTZ and trackers, plus additional DC and D-tap outputs for powering accessories. With all these extra controls added to the rear of the camera, you can operate the camera in the same way as traditional studio cameras. 10G Ethernet for IP Video Super fast, low latency ethernet link for video, audio and control The Blackmagic Camera Fiber Converter and the Blackmagic Studio Fiber Converter use IP video because the SMPTE fiber connection is an open standard 10G Ethernet link. That means all of your video and return feeds are IP video based using high end, lossless broadcast quality 10-bit video encoding and decoding. All other connections such as talkback, tally, camera control and lens control are also converted to low latency IP so you get incredibly reliable performance and high quality. Using IP video means the Blackmagic fiber converters are future proof and ready for customization using high speed Ethernet infrastructure in future. Dual Channel Talkback Two dual channel talkback intercoms with backup The Blackmagic Camera Fiber Converter and Blackmagic Studio Fiber Converter provide 2 dual channel digital talkback connections that are compatible with professional 5 pin XLR talkback headsets. The camera converter even has convenient controls for mixing in program return audio with your talkback headset so you can adjust the volume as needed while talking to the rest of the crew. The talkback intercoms can be used for both production and engineering. In addition, there is a backup channel available for troubleshooting in case the fiber link is down. This backup talkback channel automatically switches over and uses the data pair in the SMPTE cable if the fiber is not working. The Blackmagic Camera Fiber Converter also includes a standard 10 pin connection for tracker talkback, which is perfect when both headset connections are in use and you need to feed an additional talkback connection through to your crane operator. Designed for High End Broadcast Durable metal design, high end components and professional connections The Blackmagic Camera Fiber Converter features an extremely durable all metal design that perfectly matches URSA Broadcast, URSA Mini cameras or any camera that supports a standard battery plate. It’s built to withstand the harsh demands of outdoor field production and 24/7 operation. The Blackmagic Camera Fiber Converter features full size standard television industry connections with dust caps, along with an integrated VLock mount plate on top for adding a studio viewfinder. The Blackmagic Studio Fiber Converter is designed so that you can fit two of them side by side in a standard equipment rack using the optional rack mount kit. The optical fiber connector on the Blackmagic Studio Fiber Converter is conveniently located on the front panel, right next to the built in 5 inch LCD, so you can plug remote cameras in and instantly see the feed.

Blackmagic ATEM Camera Control Panel

Blackmagic BMD-SWPANELCCU4 ( SWPANELCCU4, BMDSWPANELCCU4, BMD/SWPANELCCU4, BMD SWPANELCCU4 ATEM ) Camera Control Panel Independent control for up to 4 URSA Mini, URSA Broadcast, Blackmagic Studio and Micro Studio cameras from a single control panel The ATEM Camera Control Panel is a compact remote camera control unit designed to control up to four different URSA Broadcast, URSA Mini, Blackmagic Studio or Blackmagic Micro Studio cameras. The control panel features traditional broadcast style controls and adjustments so a single person can monitor and adjust a wide range of technical parameters such as black levels, gain, colour balance, shutter speed and more. This leaves your camera operators free to focus on the more creative aspects of live production such as framing and composition. Unlike traditional CCU controllers, which have to be installed into a desk, the ATEM Camera Control Panel has been designed to be portable so it can simply be placed on any desktop or bolted down so it can be mounted in a slide out rack shelf. The controls are arranged in a familiar and logical layout, making it perfect for both experienced and new operators. Plus, it works with all ATEM switcher models CONTROL FOUR CAMERAS One person can control 4 cameras When working on live multi camera programs, it’s important to make sure all of the cameras are properly balanced and set up correctly so that you get consistent video from every angle. The ATEM Camera Control Panel features 4 camera controllers in one panel. Each camera controller includes a large LCD screen with soft buttons and knobs at the top of the panel, and a full set of professional controls below, on the main body of the panel. Scene and Camera Controls The top section lets you save and recall scene presets so you can quickly adjust cameras based on changes in the scene such as lighting. This section also includes controls for adjusting master gain, white balancing the camera and changing the camera’s shutter speed. White Balance Quickly set and adjust white balance Load Scenes Save and recall scene presets Master Gain Boost sensitivity of sensor in low light or when more depth of field is needed Shutter Speed Set the shutter speed of the camera Bars Select to output colour bars for the selected camera Gain and Pedestal Controls The center section features independent RGB controls for gain and pedestal, or white and black. This allows you to adjust the individual red, green and blue levels in your blacks and whites to compensate for unwanted colour. White Independent RGB control for gain/whites Black Adjust the RGB values for pedestal/blacks Lens and Iris Controls The bottom section features an LED camera number that indicates preview and on air status, along with a high quality professional joystick that’s used to precisely adjust the iris and master black. It also features a call button for talkback with the operator, along with a panel lock button and indicators for the network, power and cable connection to the camera. Iris Control Joystick for adjusting iris and master black. Adjust up and down for iris, rotate for master black and push to select camera to monitor Coarse Control Sets the limit of the iris control on the joystick Iris and Master Black Locks the iris and master black controls on the joystick to prevent accidental changes Master Black Controls the degree or level of black/pedestal without affecting contrast Panel Active Lock out the entire panel to prevent accidental changes Status Lights Indicate network connectivity, alarms and cable integrity Preview Used for sending the aux feed to the monitor so you don’t have to move the joystick Camera Number LED dot display that indicates camera number and on air/preview status Call Button Flashes tally light and sends tone to get operator’s attention LIVE PRODUCTION WORKFLOW Works seamlessly with ATEM switchers The ATEM Camera Control Panel connects directly to your ATEM live production switcher or ATEM hardware control panel via Ethernet. In many setups, you may be using multiple ATEM products such as an ATEM 4 M/E Broadcast Studio 4K switcher with an ATEM 1 M/E Advanced Panel and the ATEM Camera Control Panel. Ethernet can simply be looped from one ATEM device to another. FAST AND EASY CONTROL With traditional CCU controls, you can work much faster The ATEM Camera Control is incredibly fast to use as it features traditional broadcast CCU controls so you get the benefit of years of broadcast experience. You can use the knob on the LCD to set the camera number, which turns red when a camera is on the air. The main joystick control can be moved vertically to adjust the camera iris while the knob can then be rotated to change the master black level. Pressing down on the knob will let you monitor the camera you’re currently controlling via the aux output of the switcher. Simply push the knobs to rapidly switch between cameras to ensure all your cameras match colour. The ATEM Camera Control Panel is fast to set up so you can instantly start controlling the cameras that are connected to your switcher.

Blackmagic BMD-ULTMSMTREM4 SMART REMOTE 4

Blackmagic BMD-ULTMSMTREM4 ( ULTMSMTREM4, BMDULTMSMTREM4, BMD/ULTMSMTREM4, BMD ULTMSMTREM4 ) Remote Control for Ultimatte The Smart Remote 4 controls up to 8 unit id numbers of Ultimatte-12 via Ethernet or up to 8 unit id numbers of Ultimatte-11/Ultimatte-500 via RS485. Its larger display area and adjustable stand, along with brightness controls for both display and button illuminations, makes the operation user-friendly. With "Monitor Out Views" accessible from every menu, Smart Remote 4 provides the fastest and easiest navigation for every operator.

Blackmagic BMD-HDLSMTWSCOPEDUO4K2 SmartScope Duo 4K

Blackmagic BMD-HDLSMTWSCOPEDUO4K2 ( BMD-HDLSMTWSCOPEDUO4K2, BMDHDLSMTWSCOPEDUO4K2, BMD HDLSMTWSCOPEDUO4K2, bmd-hdlsmtwscopeduo4k2 ) SmartScope Duo 4K Dual 8" 6G-SDI monitors with waveform analysis INTELLIGENT SDI MONITORING WITH BROADCAST QUALITY SCOPES! When you need high quality SDI monitoring, SmartView monitors are the perfect solution! SmartView monitors are extremely thin and lightweight, so are perfect for both broadcast and portable use, and automatically switch between SD, HD and 3G-SDI video formats. There are 3 great models; SmartView HD features a large 17" display, SmartView Duo has 2 independent 8" displays and SmartScope Duo 4K adds the flexibility of built in waveform monitoring that can be assigned to either of its 8” displays. SmartView monitors are the perfect choice to add SDI monitoring anywhere you need it. You can use them for broadcast, post production, on set monitoring, flyaway kits, broadcast trucks and more. When you're working with live production switchers you can build a video wall of camera monitors in your control room and see all your sources. You can mix and match different SmartView models in a rack for a customized monitoring solution where you can view your images and choice of scope displays side by side. PERFECT MONITORING SmartView monitors are ideal for high end broadcast monitoring because they feature high quality filtering and scaling, so you retain fine detail in the image. The fully digital design with high quality SDI inputs ensures precise color that’s easy to manage across multiple displays. SmartView includes ethernet so you can connect them to your network and centrally control all your monitors from a single computer using the SmartView software utility. SmartView also includes integrated tally that is fully compatible with many switchers or automation systems. ACCURATE WAVEFORM MONITORING When you need to analyze image quality more accurately than simply looking at the picture then use SmartScope Duo 4K’s built in waveform monitoring! You can view two independent sources simultaneously and conveniently switch between monitoring or scope views whenever you need! Choose from waveform, vectorscope, RGB parade, YUV parade, histogram and audio phase and level displays, and get broadcast accurate waveform monitoring that shows everything you need to know technically about your video and audio signals. SmartScope Duo 4K removes the need for separate expensive scopes. ULTRA THIN DESIGN SmartView monitors feature an elegant front panel that is designed to allow multiple SmartView HD, SmartView Duo and SmartScope Duo 4K models to be mounted next to each other to create a beautiful wall of monitors that share the same appearance and width. Lightweight and ultra thin, SmartView is perfect for broadcast trucks and fly away kits. When you need to mount SmartView in the extreme top or bottom of an equipment rack, the units can be rotated upside down and the images will automatically flip to provide the optimum viewing angle. GREATER SDI COMPATIBILITY SmartView supports SD, HD and 3G-SDI formats SmartView has been designed for broadcast as well as post production and includes support for multiple SDI video standards, including SD, HD and 3G-SDI formats. They support new advanced video standards used in post production including 1080 progressive HD rates and even 2K over 3G-SDI. All video formats can be connected and changed at any time, because SmartView will automatically switch in less than a second to the new format. EASY ADJUSTMENTS SmartView connects via ethernet and all monitors can be adjusted remotely from one location, making it easy to match monitors. The SmartView software utility for Mac OS X and Windows lets you make changes even with a laptop and copy settings from one monitor to another. The software includes an identify function so you can find the monitor you’re adjusting even when you're working with lots of monitors. Because the adjustments are electronic, monitor color is stable over time. You can easily add new software updates for new video formats and waveform displays via USB. AMAZING SCOPES SmartScope Duo 4K includes incredible built in waveform monitoring so you can analyze video and audio signals with broadcast accuracy. THIN LIGHTWEIGHT DESIGN SmartView features an ultra thin lightweight design that’s perfect for broadcast racks, trucks and portable flyaway kits. EASY TO CONNECT SmartView’s high quality SDI inputs and loop through SDI output make it easy to connect SDI monitoring in any production environment. TECH SPECS Get support for the latest high bandwidth video standards including 1080 progressive HD and 2K over 3G-SDI.

Blackmagic BMD-HDLSMTVDUO2 Dual 8-inch SDI LCD rack monitors

Blackmagic BMD-HDLSMTVDUO2 ( HDLSMTVDUO2, BMD-HDLSMTVDUO2, BMD HDLSMTVDUO2, BMD/HDLSMTVDUO2 ) Dual 8-inch SDI LCD rack monitors Affordable SDI Monitoring with the new SmartView Duo Get the ultimate in low cost SDI monitoring with SmartView Duo. Perfect for post production, broadcast or live events, SmartView Duo features two large 8 inch LCD screens in a compact rack mount design that's less than an inch thick. SmartVideo Duo handles all SD, HD and 3 Gb/s SDI video standards, and all screens can be remotely adjusted via your ethernet network. Use SmartView Duo in racks for local monitoring, for multi monitor video walls in master control rooms or for camera monitoring for production switchers. With SmartView Duo you can afford to put SDI monitoring everywhere you need. Perfect for Live Production  SmartView Duo is perfectly designed for building a video wall for monitoring all sources into live production switchers, and because it’s so incredibly thin, it’s even perfect for portable setups where you need to save space. Imagine having all your video sources displayed on large 8 inch LCD screens so you can see camera focus and quality. Now you can build full live broadcast presentation monitoring that’s small enough to be fully portable. SmartView Duo is lightweight and thin, so it’s perfect for outside broadcast vans or even installed into portable monitor racks to reduce shipping costs of flyway kits. Monitor Everywhere Good quality SDI monitoring is expensive and often makes it hard to put monitoring on all the devices in your racks, or control rooms because costs add up quickly. SmartView Duo eliminates this problem and includes two large beautiful 8 inch displays in a compact 3 rack unit size. You get full loop though SDI connections, and ethernet network connection for setup. SmartView Duo includes easy to use software for Mac and Windows so you can see all the monitors on your network for remote adjustments. That’s perfect when you want to color match all screens in a video wall remotely from your laptop. SmartView Duo even includes tally. International Power Supply If you’re traveling all over the world, SmartView Duo is perfect because it includes a standard 12 volt power supply with socket adapters for each country. Ideal for live location use where you don’t have engineering support, a standard 12 volt power socket means you can get spare power supplies from any electrical store. Smart Ethernet Control There’s nothing more complicated than trying to match all your monitors by climbing all over your equipment and using little screwdrivers. Simply connect your SmartView Duo to your Ethernet network and use the included Mac and Windows software to adjust all your monitors from one central location. Greater SDI Compatibility SmartView Duo is designed to be used for broadcast as well as post production so it includes support for more SDI video standards, including SD, HD and 3 Gb/s SDI formats. SmartView Duo allows firmware updating so it’s easy to upgrade to new SDI video formats when they are invented, and updates are free from the Blackmagic Design web site. Broadcast and Post Production  In a busy facility you can never have enough monitors, and SmartView Duo is perfect when you need monitoring for all your equipment. Install SmartView Duo into your editing desks so you can keep track of decks and other video sources and create an exciting “mission control” environment which will blow your clients’ minds. SmartView Duo is perfect for in-rack monitoring so you always know what’s going on. Now with SmartView Duo, everyone can have that exciting “broadcast experience” of monitoring wherever it’s needed. Incredible Design  SmartView Duo features two fully independent 8 inch monitors for incredible monitoring. Each monitor includes loop through SDI video, which instantly switches between any SD, HD and 3 Gb/s SDI source, even 2K video over 3 Gb/s SDI. SmartView Duo includes no mechanical controls so it won’t suffer from damage or settings drift. When matching multiple screens in master control rooms, SmartView Duo includes loop though Ethernet for remote adjustment, even from a laptop computer. If you need to mount SmartView Duo in the extreme top or bottom of an equipment rack, SmartView Duo’s LCDs can be rotated upside down for the optimum viewing angle. SmartView Duo will automatically sense the rotation and flip both onscreen images. SmartView Duo even includes a choice of red, green or blue tally inputs. Integrated Tally  SmartView Duo includes full tally features so it’s the perfect companion for live broadcasters. Unlike a simple tally light, SmartView Duo includes tally borders that can be independently displayed in red, green or blue. Each screen features an independent tally in the three colors so you can signal to the user more than a simple on air status. Tally is connected via a standard parallel pin connector on the rear of SmartView Duo so you get full compatibility with any switcher or automation system.

Blackmagic BMD-DV/RES/BBPNLMINI Davinci Resolve Mini Panel

Blackmagic BMD-DV/RES/BBPNLMINI (BMD-DV-RES-BBPNLMINI, BMD_DV_RES_BBPNLMINI, DV-RES-BBPNLMINI, DV/RES/BBPNLMINI) Davinci Resolve Mini Panel The DaVinci Resolve Mini Panel from Blackmagic Design is a step-up in functionality from the Micro panel but without all the features of the Advanced panel. It is a portable control surface suitable for those that need to switch between editing and color grading. It can sit on your desk top, in a rack, or be bolted to a surface. As with the Micro panel, it features three high-resolution, weighted trackballs and 12 control knobs for accessing essential primary color-correction tools in the Resolve software. 18 dedicated keys on the right side also give you access to the most commonly used grading features and playback controls. However, the Mini Panel also features two LCD screens that allow you to display menus or the parameters of the tools you are working with. Eight customizable soft knobs provide precise control and a quick reset by pushing the knob. Dedicated feature buttons allow you to change tools without needing to use the mouse. The Mini panel incorporates a USB Type-C and Ethernet interface. It is compatible with Mac, Windows, and select Linux systems. You can power the panel via an AC power source, a 4-pin XLR connector, or PoE. For the panel to work with Resolve, your computer must be running DaVinci Resolve 14.3 or DaVinci Resolve Studio 14.3 or later. An included USB 3.0 Type-A to USB Type-C cable provides backward compatibility for systems that are limited to USB Type-A connectors. Small enough to take with you, so you can bring it to any Resolve system (14.3 or later) and do color correction on location or at the editor's suite Shares basic layout with both Micro and Advanced Panels Interfaces with and controls software Three track balls with outer control rings Log and Offset color-correction selection buttons Buttons are backlit and light up when actuated Two LCD display screens for displaying the menu system or the parameters of the tools you are wotking with Custom control knobs with 4096 steps per rotation and push button reset Primary Correction Creative Control Knobs Control knobs are grouped into four sets of three knobs Luminance Y Lift Control: Adjust the contrast of the image in the darker areas, specifically in the Y (luminance) channel only. This adjustment allows changing the black point without changing saturation. Y Gamma Control: Adjust the contrast of the image in the mid-tone areas, specifically in the Y (luminance) channel only. This control helps add depth and extra vibrancy to shots Y Gain: You can reduce hot spots or tweak the whites to define a look. Contrast Contrast Control: Increase contrast to make the blacks darker and the whites brighter, or decrease contrast to do the opposite. Pivot: Change the center of tonality about which dark and bright parts of the image are stretched or narrowed during a contrast adjustment. Mid-Tone Detail: Affect the contrast of regions of the image with high edge detail to increase or decrease the perception of image sharpness and definition. Often used for softening facial features making it popular for beauty shots. Detail Color Boost Control: Raise the saturation in regions of the image with low saturation while leaving properly saturated areas alone. Also known as a vibrance operation, this is useful for adding color without over-saturating the image. Shadow Control: Selectively lighten or darken shadow detail without affecting your images mid-tones. Highlight Control: Enable retrieving blown-out highlight detail in high dynamic range media by lowering this parameter. This allows you to achieve a smooth blend between the retrieved highlights and unadjusted mid tones for a natural-looking image. Saturation Increases or decreases overall image saturation — you can turn your color image into a grayscale image with this control. Hue Control: Rotates all hues of the image around 360° of the color wheel. The default setting is 50, which retains the original distribution of hues. Luminance Mix Control: Controls the balance between the YRGB adjustments and Y only adjustments made using the Y channel lift, gamma, and gain controls. The system powers from either AC power or a 12 VDC source via the 4-pin XLR connector. The Mini panel can sit on a desktop, be mounted in a rack, or mounted to a surface to prevent theft or be used in a moving vehicle or on a cart.

Blackmagic BMD-DV/RES/BBPNLMIC Davinci Resolve Micro Panel

Blackmagic BMD-DV/RES/BBPNLMIC ( BMD-DV-RES-BBPNLMIC, BMD/DV/RES/BBPNLMIC, BMDDVRESBBPNLMIC, BMD DV RES BBPNLMIC, bmd-dv-res-bbpnlmic ) Davinci Resolve Micro Panel. Small, portable hardware control panel The DaVinci Resolve Micro Panel is a high quality, portable low profile panel that features three high resolution trackballs and 12 precision machined control knobs for accessing all essential primary color correction tools. Above the center trackball are keys for switching between log and offset color correction, as well as a key to display DaVinci Resolve’s full screen viewer, which is great for use with laptops. Eighteen dedicated keys on the right side also give you access to the most commonly used grading features and playback controls. DaVinci Resolve Micro Panel is perfect for independent editors and colorists that need a truly portable solution, great on set to create looks and evaluate color and lighting, ideal for quickly grading video in broadcast trucks, great for education and much more. PRIMARY CORRECTION CREATIVE CONTROLS To take your color grading to the next creative level, the DaVinci Resolve Mini and Micro panels include 12 dedicated primary color correction control knobs. These are designed to make it easy for you to stylize the look of your images and generate precise “film looks.” All knobs can be pressed to instantly reset the control. That’s perfect for when you are trying an exciting new style but get a bit lost. Simply press the knobs to reset. LIFT Adjust the contrast of the image in the darker areas, specifically in the Y (luminance) channel only. This adjustment is great for a changing the black point without changing saturation. Y GAMMA Adjust the contrast of the image in the mid-tone areas, specifically in the Y (luminance) channel only. This control helps add depth to shots, along with extra vibrancy. Y GAIN Adjust the contrast of the image in the brighter areas, specifically in the Y (luminance) channel only. You can reduce hot shots or pull the whites to make the shot look more angelic. CONTRAST Increase contrast to make the blacks darker and the whites brighter, or decrease contrast to do the opposite. Use this to improve the dynamic range and make shots pop. PIVOT Changes the center of tonality about which dark and bright parts of the image are stretched or narrowed during a contrast adjustment. MID-TONE DETAIL Increases the contrast of regions of the image with high edge detail to increase or decrease the perception of image sharpness and definition or when lowered regions of the image with low amounts of detail are softened while areas of high detail are left untouched. Great for softening facial features and popular for beauty shots. COLOUR BOOST Naturally raise the saturation in regions of the image with low saturation while leaving properly saturated areas alone. Sometimes referred to as a vibrance operation, this is great for adding color without over saturating the image. SHADOWS Selectively lighten or darken shadow detail. Raising this value retrieves shadow detail while leaving the mid-tones untouched. HIGHLIGHTS Easily retrieve blown out highlight detail in high dynamic range media by lowering this parameter to achieve a smooth blend between the retrieved highlights and the unadjusted mid tones for a natural result. SATURATION Increases or decreases overall image saturation. At higher values, colors appear more intense, while at lower values color intensity diminishes and can be adjusted until all color is gone, leaving a grayscale image. HUE Rotates all hues of the image around the full perimeter of the color wheel. The default setting is 50, which retains the original unaffected distribution of hues. LUMINANCE MIX Control the balance between the YRGB adjustments and Y only adjustments made using the Y channel lift, gamma and gain controls in the primaries palette or the un-ganged luma curve. PROFESSIONAL TRACKBALLS Trackballs provide RGB balance adjustments for lift, gamma and gain, each with a master level control. The Advanced panel also features a dedicated RGB offset and master gain trackball to adjust the tint and brightness of the entire image. The trackballs can be set to work in either log or RGB with the touch of a button. ILLUMINATED KEYS The buttons and keys on the DaVinci Resolve control panels illuminate when selected so you can easily see which controls are active. On the Advanced and Mini panels, the keys are also backlit, making it easy to clearly see each button in a dimly lit suite. QUICKLY CHANGE TOOLS The DaVinci Resolve Advanced and Mini panels include dedicated feature buttons that let you quickly change tools so you don’t have to switch back and forth between the mouse and panel. With the push of a button you can easily access tools such as the RAW palette, primary color correctors, curves, qualifiers, windows, tracker and more. STILL STORE REFERENCE MANAGEMENT Colorists constantly grab and play stills to compare grades using the gallery. The DaVinci Resolve Advanced, Mini and Micro panels have dedicated keys to quickly save and recall stills. On the DaVinci Resolve Advanced Panel you can also use the fader T-bar to wipe between saved stills and your grading timeline. TRANSPORT CONTROLS The play forward, reverse and stop transport keys on all the panels give you full control of your project timeline or deck while the Advanced panel adds a jog/shuttle knob for faster and more precise scrubbing. FLEXIBLE POWER OPTIONS The DaVinci Resolve Micro Panel is fully powered via USB so you can simply plug and play to get up and running. Power over USB means you can use it with a laptop and it will operate from the laptop’s battery, making it ideal for on set grading. The DaVinci Resolve Mini Panel also includes ethernet so it can operate via your network, making it fantastic for larger facilities. Plus, the ethernet PoE support means it can even power itself via the network connection so you don’t need to plug in the power connection.

Blackmagic BMD-BDLKULSR4KEXTSPK PCIe Cable Kit for Ultrastudio 4K Extreme

Blackmagic Design BMD-BDLKULSR4KEXTSPK ( BDLKULSR4KEXTSPK, BMDBDLKULSR4KEXTSPK, BMD BDLKULSR4KEXTSPK, BMD/BDLKULSR4KEXTSPK ) PCIe Cable Kit for Ultrastudio 4K Extreme  

Blackmagic BMD-BDLKDUO2 Decklink Duo 2

Blackmagic BMD-BDLKDUO2 (BMD BDLKDUO2, BMDBDLKDUO2, BMD/BDLKDUO2, bmd-bdlkduo2) Decklink Duo 2 With four bi-directional SDI interfaces, the Blackmagic Design DeckLink Duo 2 is a versatile video I/O card for professional video workflows. Since each SDI interface can be configured to be either an input or an output, a computer with this card installed can be purposed as a media play-out system, a multi-screen digital signage server, a live keyer, a real-time multi-channel capture system, or a combination of the above to fit your specific workflow of the moment. A reference input is also available for syncing with other studio equipment. Processing Colorspace Conversion: Hardware based real time HD Down Conversion: Built-in, high quality software down converter from HD to SD on output. Down converted SD selectable between letterbox, anamorphic 16:9 and center cut 4:3 styles. HD Up Conversion: Built-in, high quality software up conversion from SD to 720HD or 1080HD on input. Selectable between 4:3 pillarbox, 14:9 zoom and 16:9 zoom Cross Conversion: Built-in, high quality hardware cross conversion from 720HD to 1080HD, 1080HD to 720HD on playback Real Time Effects Support: Final Cut Pro X internal effects, Premiere Pro CC Mercury Playback Engine effects, Avid Media Composer internal effects Software Compatibility The DeckLink Duo 2 interfaces with many popular NLE, DAW, and professional software programs including: Blackmagic Design: DaVinci Resolve, Fusion 8 Apple: Final Cut Pro X Adobe: Premiere Pro CC, After Effects CC, Photoshop CC Avid: Media Composer, Pro Tools Stienberg: Cubase, Nuendo

Blackmagic BMD-BDLKDVQD2 DeckLink Quad 2

Blackmagic BMD-BDLKDVQD2 ( BDLKDVQD2, BMDBDLKDVQD2, BMD BDLKDVQD2, BMD/BDLKDVQD2, bmd-bdlkdvqd2 ) DeckLink Quad 2 Eight channel configurable PCIe video capture and playback up to 1080p60 DeckLink Quad 2 features 8 independent SDI capture and playback channels in a single card! Fully compatible with the previous 4 channel model, this new model also allows 4 independent capture and playback channels but now also includes 4 extra channels that developers can use for configuring the card in any combination of up to 8 capture or 8 playback channels. This means DeckLink Quad 2 allows each of the 8 3G-SDI BNC connectors to switch direction between capture or playback in SD and HD up to 1080p60 and as a complete independent channel.

Blackmagic BMD-DV/RESSTUD DaVinci Resolve Studio Activation Key - v16

Blackmagic BMD-DV/RESSTUD (DV/RESSTUD, BMDDV/RESSTUD, BMD/DV/RESSTUD, BMD DV RESSTUD) DaVinci Resolve Studio Activation Key - v16 Originally designed for Hollywood's elite colourists, DaVinci Resolve has been used on more feature films and TV shows than anything else because it lets you create images that are simply impossible with other tools. DaVinci is also the world's fastest growing and most advanced editing software. Now, with DaVinci Resolve 14, you get incredible new Fairlight audio tools specifically designed for film and television post production. It's like getting 3 high end applications in one. All it takes is a single click to switch between editing, colour correcting, audio mastering and delivery. Best of all, if you're collaborating on a team, you can all work on the same project at the same time. DaVinci Resolve 14 is a revolution in post production. Download it for free and try it today. WHAT'S NEW! INCREDIBLE SPEED, PROFESSIONAL FAIRLIGHT AUDIO, REVOLUTIONARY COLLABORATION AND MORE! DaVinci Resolve 14 has hundreds of new features for editors, colourists and now, for the first time, audio professionals. The new playback engine dramatically increases responsiveness with up to 10x better performance for editors. You also get a whole new page with the full Fairlight audio post production tools that let you record, edit, mix, sweeten and master sound with full 3D audio space and up to 1000 channels. Colourists will find amazing new filters that include automatic facial recognition and tracking for quickly smoothing skin tones, brightening eyes, changing lip colour and more. Plus, DaVinci Resolve 14 features revolutionary new multi user collaboration tools such as bin locking, chat and timeline merging that allow editors, colourists, and sound editors to all work on the same project at the same time. All these new features make DaVinci Resolve 14 the world's most advanced post production software. PROFESSIONAL EDITING DaVinci Resolve includes virtually every imaginable editing and trimming tool available, making it perfect for both creative and online editing. The new high performance playback engine, which is up to 10x faster, makes playback instantaneous and trimming more responsive than ever, even for processor intensive formats such as H.264 and RAW. CREATIVE EDITING Familiar multi track timeline with quick edit pop-up, seven different types of edits, customizable keyboard shortcuts and more. ADVANCED TRIMMING Context sensitive trimming to ripple, roll, slip or slide based on the mouse position so you don't have to switch tools. MULTICAM EDITING Full multi camera editing with realtime 2, 4, 9 or 16 camera playback views for cutting shows on the fly. SPEED EFFECTS Quickly create constant or variable speed changes, complete with ramps and editable curves. TIMELINE CURVE EDITOR Animate and add keyframes for virtually any parameter using the inspector or the timeline based curve editor. TRANSITIONS AND EFFECTS Quickly add transitions and filters from the built in library, or add 3rd party plug ins to create incredible effects. FINISHING Powerful tools, including the new position lock, that make conforming and finishing projects for final delivery faster than ever before. COLOUR CORRECTION DaVinci Resolve has been used on more feature films and television shows than any other grading system. You get the industry's most powerful primary and secondary correction tools, advanced curve editor, tracking and stabilization, noise reduction and grain tools, Resolve FX and more. LEGENDARY QUALITY Patented YRGB colour science and 32-bit float image processing lets you achieve looks that are simply impossible with other software. PRIMARY CORRECTION Traditional primary colour wheels along with 12 advanced primary controls for quickly adjusting temperature, tint, mid-tone detail, and more. CURVE EDITORS Quickly sculpt contrast along various highlight and shadow areas of an image with separate curves and soft clipping for each channel. SECONDARIES Isolate and track different parts of an image using HSL qualifiers, keyers and basic or custom rotoscope shapes so you can make targeted corrections. HIGH DYNAMIC RANGE (HDR) Work in wide latitude and wide colour formats such as Dolby Vision, Hybrid Log Gamma, and more! BROAD FORMAT SUPPORT Work natively with camera original RAW files and virtually every other format for total control over your images at the highest quality possible. FAIRLIGHT AUDIO New professional tools for audio post production. DaVinci Resolve now includes fully featured Fairlight audio in the same software you use for editing and colour correction. You get high end mixing for up to 1,000 channels in real time, plus support for massive Fairlight audio consoles. It's a true end to end workflow that supports recording and ADR, sound editing, sound effects, sweetening and mixing. You can even mix down and master to multiple formats, including 3D audio space formats such as 5.1, 7.1 and even 22.2. UP TO 1,000 TRACKS Create up to 1,000 audio tracks with 8 main, sub and aux outputs. Add Fairlight Audio Accelerator zero latency realtime performance. EQUALIZATION AND DYNAMICS Get real time 6 band equalization, along with expander/gate, compressor and limiter dynamics on every single track. EDITING AND AUTOMATION Edit clips at up to 192kHz and 24-bit with automation for adjusting fade, levels and more, all the way down to individual audio samples. MIXING Full professional mixer with input selection, effects, insert, EQ and dynamic graphs, output selection, aux, pan, main and submix selections, and more. PLUG IN EFFECTS Add 3rd party VST plug ins for even more creative options. You can get real time processing performance for up to 6 plug ins per track. MASTERING All the tools you need for mastering. Deliver anything from mono up to stereo, 5.1, 7.1, Dolby and even 22.2, complete with full 3D panning. MEDIA AND DELIVERY DaVinci Resolve 14 makes importing, syncing and organizing footage fast! Whether you're going out to the web, tape, or theatrical distribution, DaVinci Resolve features everything you need to deliver projects in virtually any format! You'll be able to get to work quickly and output files fast, so you'll never miss a deadline. IMPORT FOOTAGE Use the media page to import footage, sync audio and prep it for editing. Simply drag and drop files from your storage into bins or even your timeline. ORGANIZE CLIPS Create free form or metadata based smart bins to organize clips. You get customizable list views, multiple bin windows and more. METADATA Use embedded metadata or add your own to sort and sync clips, change display names, detect starts and stops in Multicam angles, and much more. DELIVERY OPTIONS Output to the web, round trip projects and media with other applications, or even create digital cinema packages for theatrical distribution. RENDER QUEUE Quickly add multiple jobs to the render queue for batch processing. You can even offload output to another workstation. EASY ROUND TRIPPING DaVinci Resolve give you native compatibility with virtually all major post production file types, formats and even other applications. MULTI USER COLLABORATION REVOLUTIONARY NEW TOOLS ALLOW SIMULTANEOUS EDITING, COLOUR CORRECTION AND AUDIO POST! DaVinci Resolve 14 completely redefines post production workflows. Assistant editors can prepare footage while editors cut the picture, colourists grade the shots, and sound editors mix and finish audio, all in the same project at the same time. You no longer have to waste time conforming and you no longer have to wait for a locked edit before starting colour and audio work. That means picture editors, colourists, and sound editors can now work in parallel, leaving more time for everyone to be creative. CLIP, TIMELINE AND BIN LOCKING Locking a bin, clip or a timeline lets you safely work on a specific part of the project. You get full access and others have read access until you unlock it. BUILT IN CHAT The integrated chat client lets you speak with other members of the team without ever having to leave DaVinci Resolve so you can all stay on the same page. TIMELINE COMPARISON The visual timeline comparison tool makes it fast and easy to see differences between two timelines so you can accept and merge changes. OPEN STORAGE You don't need to buy special, expensive or proprietary storage and servers to work as a team in DaVinci Resolve. You can use any shared storage. DAVINCI RESOLVE STUDIO  UPGRADE TO DAVINCI RESOLVE STUDIO FOR EVEN MORE CREATIVE TOOLS AND OPTIONS! The free version of DaVinci Resolve has all of the professional editing, legendary colour correction and Fairlight audio tools you need for SD, HD and Ultra HD work at up to 60 frames per second. DaVinci Resolve Studio adds support for 4K and higher, along with frame rates up to 120 fps. It also includes dozens of additional image processing features and filters that are not in the free version. This includes film grain, temporal and spatial noise reduction, amazing new face enhancement tools, lens flares, lens distortion correction, optical quality blur and mist effects, match move, warping and much more. NO MONTHLY CLOUD LICENCING Unlike cloud based software, DaVinci Resolve Studio does not require a connection to the internet and there are no monthly subscription fees. Plus, you get full nonlinear editing, advanced colour correction and a massive suite of new Fairlight audio tools, all included in the one easy to buy solution. It's like getting 3 high end professional applications for the cost of one. NEW HIGH PERFORMANCE PLAYBACK ENGINE  FLY THROUGH EDITS AND COLOUR CORRECTION WITH UP TO 10X THE PERFORMANCE DaVinci Resolve 14 features an incredible new video playback engine with CPU and GPU optimizations, fast 16-bit float playback, lower latency, faster UI refresh, support for Apple Metal, and more. These upgrades combine to make DaVinci Resolve faster and far more responsive than ever. Working on long timelines with thousands of clips is incredibly fluid and editing is even more precise. Scrubbing and playback are instant, often starting before you lift your fingers off the keyboard! Powerful acceleration for processor intensive formats, like H.264, makes it possible to edit 4K material on a laptop in realtime. Whether you're working in HD or 4K, with ProRes, H.264 or even RAW images, DaVinci Resolve 14 is completely responsive and fast enough to keep up with your every move. LEGENDARY DAVINCI QUALITY UNIQUE YRGB 32-BIT FLOAT IMAGE PROCESSING DaVinci Resolve's Emmy™ award-winning image processing technology features deep 32-bit float processing combined with unique, patented YRGB colour science that processes luminance independent of colour. This allows you to adjust the luminance of video without rebalancing the colour of your highlights, midtones, or shadows. The massive internal colour space is perfect for the latest HDR and wide colour gamut workflows, and lets you generate looks that are simply impossible to create on other systems. HARDWARE CONTROL PANELS WORK FASTER, BE MORE CREATIVE AND GET ABSOLUTE CONTROL! When you have a client looking over your shoulder you need to work fast. DaVinci Resolve control panels are designed to give you fluid, hands-on control over multiple parameters at the same time, allowing you to create looks that are simply impossible with a standard mouse. All controls are logically placed near your natural hand positions and are made out of the highest quality materials. You get smooth, high resolution weighted trackballs, along with precision engineered knobs and dials that feature the perfect amount of resistance so you can accurately adjust any setting. DaVinci Resolve control panels let you instinctively touch every part of the image. FAIRLIGHT PROFESSIONAL CONSOLES MODULAR AND UPGRADABLE DESKTOP OR FREE STANDING CONSOLES! Fairlight mixing consoles provide high quality tactile controls for nearly every parameter and feature in the software. Unique user interfaces and fast to use buttons and controls allow quick mapping of the console keys into a configuration that is optimized for the task at hand, allowing you to work faster with Fairlight audio than any other tool in the world. Desktop and free standing consoles are available in a variety of configurations to meet the needs of your facility. MAC, WINDOWS AND LINUX THE ONLY POST PRODUCTION SOLUTION THAT RUNS ON ALL POPULAR PLATFORMS! DaVinci Resolve runs on all major platforms so you can use it at home or in a post facility on a Mac, at a broadcast facility running Windows, or a VFX studio on Linux. This gives you the freedom to use the platform of your choice, making it easy to integrate with your existing systems and workflows. If you're running Red Hat or CentOS Linux, you can even build your own workstation using low cost motherboards, extremely fast processors, massive amounts of RAM and up to 8 GPUs. Imagine building your own super computer for incredible real time performance. OPEN AND COMPATIBLE THE WORLD'S MOST COMPATIBLE POST PRODUCTION SOLUTION! With all of the different workflows and systems out there, you need a post production solution that's compatible and open enough to handle anything! DaVinci Resolve has been designed to work with all major file formats, media types, and post production software. You can use XML, EDLs, or AAF to move projects between DaVinci Resolve, Final Cut Pro, Avid Media Composer, and Premiere Pro. Deep integration with Fusion makes it easy to send shots out for VFX work, or you can roundtrip with software such as After Effects. For audio, projects can easily be moved between DaVinci Resolve and ProTools. When you're on a tight deadline, you can count on DaVinci Resolve to "just work!".

Blackmagic BMD-CONVMSDIDA SDI Distribution Amp

Blackmagic BMD-CONVMSDIDA (BMDCONVMSDIDA, BMD CONVMSDIDA, BMD/CONVMSDIDA, bmd-convmsdida) SDI Distribution Amp. Ideal for connecting the same signal to several devices at once. SDI distribution has an SD, HD and 3Gb/s auto switching input and provides 8 re-clocked outputs. It even handles ASI. It also supports ancillary data and embedded audio. HIGH QUALITY SDI Mini Converters are built to the highest quality standards with low SDI jitter. You get the longest SDI cable lengths combined with ultra low noise analogue video and audio for a true broadcast quality solution. You also get the latest broadcast technology such as re-clocking and 3 Gb/s SDI. NEW 3 GB/S SDI TECHNOLOGY With the latest 3 Gb/s SDI technology built into Mini Converters you get modern broadcast technology that's future proof. INTERNATIONAL POWER SUPPLY Unlike other converters, a high quality low noise universal power supply is included with international socket adapters for all countries. To stop power accidentally being disconnected, a cable tie point is included to lock down the power connection tight and secure.

Blackmagic BMD-CONVMBASA Convert from SDI to analogue in HD/SD, plus balanced AES/EBU and analogue audio

Blackamagic BMD-CONVMBASA ( BMD CONVMBASA, BMDCONVMBASA, BMD/CONVMBASA, bmd-convmbasa ) Convert from SDI to analogue in HD/SD, plus balanced AES/EBU and analogue audio. Mini Converter SDI to Analogue includes everything you need to convert from SDI to analogue in HD/SD component, NTSC and PAL video, plus balanced AES/EBU and analogue audio. Now you can easily connect equipment such as Betacam SP, VHS, and analogue video monitors to SDI based equipment. Auto Switching SD and HD  Mini Converters instantly switch between standard definition and high definition video formats and change over is automatic when the video input changes. A huge range of video standards are supported including, NTSC, PAL, 1080i/59.94, 1080i/50, 1080psf/23.98, 1080psf/24, 720p/59.94 and 720p/50 formats, plus new formats can be added via USB. Redundant SDI Input Mini Converters feature a unique redundant input for mission critical tasks such as broadcast or live events. You can connect a redundant cable to the second input, so if the main input is lost due to cable damage or any other cause, Mini Converter will automatically switch over to the redundant input cable. This lets you use Mini Converters in locations where crowds or the environment might cause cable damage, or lets you place Mini Converters in hard to reach locations such as roof mounted video projectors etc. A loop though SDI output is also provided for connecting to other devices. A loop-thru SDI connection is also great if you need more than 2 audio channels, as you can connect the loop-thru to another Mini Converter to de-embedd extra audio channels! New 3 Gb/s SDI Technology  Only Mini Converters include the latest 3 Gb/s SDI technology and upgrades can be loaded via the built in USB connection for future video format compatibility. 3 Gb/s SDI is also fully compatible with all your standard definition and high definition SDI equipment. Built in AES/EBU or Analogue Audio Standard 1/4 inch jacks are built in for balanced analogue or AES/EBU audio. Because Mini Converters use standard 1/4 inch jack connectors for all audio connections, you can use standard cables commonly avalible from any pro audio store. Unlike other converters, Mini Converters don't need custom cables, as any balanced 1/4 inch jack cable can be used. Mini Converters are also unique as the same 1/4 inch jack connections can be switched between professional balanced analogue audio, or AES/EBU digital audio. This means you only need one model of Mini Converter for both analogue and digital audio. You can select the type of audio from one of the mini switches on the side of the Mini Converter unit. On modes with AES/EBU digital audio in, a sample rate converter lets you connect to any AES/EBU source, either synchronized, or un-syncronised. On HDMI models, you also have full access to the HDMI audio embedded in the HDMI video connection. High Quality  Mini Converters are built to highest quality standards with low SDI jitter so you get the longest SDI cable lengths combined with multiple internal power supplies for ultra low noise broadcast quality analogue video and audio. Unlike other converters, Mini Converters don't use "low grade" video electronics just to save cost. Mini Converters feature the highest grade broadcast quality analogue audio and video electronics. In fact, Mini Converters uses the same analogue video design as our most expensive and award winning Multibridge Eclipse! That means you get the highest quality, all in a very affordable and incredibly compact unit. International Power Supply Unlike other converters, a universal power supply is included with international socket adapters for all countries. This lets you take Mini Converters with you to any location worldwide, and plug directly into the local power sockets. To stop power accidentally being disconnected, a cable tie point is included to lock down the power connection tight. Changing Settings  With Blackmagic Design's Mini Converters, its as simple as using a pen to change settings. Settings vary between models, and include settings such as AES/EBU or analog audio, analog video connections, and more. Cinema Style Monitoring  With the Blackmagic Design SDI to HDMI Mini Converter you can utilize a HDMI Television for budget sensitive client monitoring. Simply connect your SDI signal into the SDI to HDMI Mini Converter and then plug your HDMI cable to either a big screen HDMI television or video projector. Can you just imagine how incredible it would be having a massive 60 inch flat screen TV for your client monitoring. Go the Distance  SDI video connects long distances up to 100m, so you can connect everyone together in your facility. Cables are simple BNC coax cables so you can easily make cables to the perfect length for your needs. Industry Standard Format  Connect to any SDI deck for all industry tape formats, from DV, Digital Betacamâ„¢, D1, up to HDCAM SRâ„¢ and HD D-5. Using capture cards such as Blackmagic Design's DeckLink, you can capture to formats such as JPEG, DV to uncompressed 8 bit, 10 bit or RGB 10 bit. Uncompressed Video Quality  SDI uses a higher data rate than DV, so its got the speed to handle full resolution video in standard definition or high definition completely uncompressed. That means you can preserve video quality until you need to compress the video - such as the final compression pass for streaming or broadcast.

Blackmagic BMD-CONVNTRM/MB/HOPT HDMI to 12G optical fiber and 12G-SDI converter

Blackmagic BMD-CONVNTRM/MB/HOPT ( BMDCONVNTRMMBHOPT, BMD CONVNTRM MB HOPT, BMD/CONVNTRM/MB/HOPT, bmd-convntrm/mb/hopt ) Teranex Mini - HDMI to Optical 12G. HDMI to 12G optical fiber and 12G-SDI converter Introducing Teranex Mini, the next generation 12G-SDI converters with award winning Teranex quality and support for all SD, HD and Ultra HD formats up to 2160p60! All Teranex Minis include an internal AC power supply, professional XLR analog and AES/EBU audio connections and an ethernet connection for remote management and PoE alternate power! Teranex Mini features a user upgradable front panel that includes a color display and user controls so you can quickly monitor video and change settings right from the front of the converter! You get all of the same great features of regular mini converters and so much more. Use Anywhere The world’s most versatile converters. The all new Teranex Mini converters make building facilities and supporting all different types of video equipment easier than ever before. Teranex Mini is perfect for broadcast installations because they can be rack mounted and the optional front panel lets you see what’s being converted on the screen! They can even be remote managed over ethernet. Their compact size makes them great for portable racks at live events or in broadcast trucks, plus they have professional XLR audio connections for connecting to mixers and other audio gear! You can even use them in editing and color grading suites to drive big screen displays and projectors. Reinventing the Mini Converter The first mini converter you don’t have to hide. Teranex Minis are so small that you can use them like regular mini converters such as hiding them in cable ducts, behind equipment and attached to televisions for monitoring. Teranex Mini’s new flexible design lets you use them on the desktop where you can see them, or rack mount them in larger broadcast systems. Unlike regular mini converters, you get full size professional XLR audio connections built into the converters, plus each converter has an ethernet connection so they can be administered remotely. You get mini switches so you can change settings instantly or, when you’re doing mission critical work, you can add the optional front panel to see exactly what you’re converting. Rack Mountable The world's first 12G-SDI rack mount converters. Card based rack converters are expensive, cannot handle high SDI speeds such as 12G-SDI and you have to buy an entire rack chassis even if you only want to install one converter. Teranex Minis can be rack mounted in combinations of one or more and you can take them out and use them non rack mounted whenever you need! You get built in AC power and ethernet on every converter so there’s no single point of failure. Unlike card based converters, you can walk up and change settings from the front panel, monitor the video going through each converter, and you can also manage them remotely over ethernet! Because they’re so small you can mount them in the front or the rear of an equipment rack or road case. Advanced 12G-SDI Blazing fast 12G-SDI for SD, HD and Ultra HD. Teranex Mini converters feature cutting edge, multi rate 12G-SDI technology that’s 8 times faster than regular HD-SDI. 12G-SDI is multi rate so it will automatically detect and change between all SD, HD and Ultra HD video formats instantly, so you can connect Teranex Mini to all of your existing SD and HD equipment. 12G-SDI supports high frame rate Ultra HD up to 2160p60 on a single BNC cable so you can work in Ultra HD and keep your high frame rate production workflow for fast moving sports and action programming. Smart Thermal Design Easily handles 12G-SDI in tough environments. Teranex Mini features an innovative thermal design with crossflow cooling that keeps them running perfectly, even when rack mounted side by side and in tough environments! An intelligent thermal subsystem and internal heat pipe assist with cooling and keeps the air flowing at all times while minimizing noise. If a Teranex Mini gets too hot, you’ll instantly receive notification through the remote control ethernet utility and on the front panel. When rack mounted side by side, each Teranex Mini works together to pull air through the rack keeping them all cool and providing redundancy for each converter. Broadcast Connections True XLR audio, ethernet and built in IEC AC power connectors All Teranex Mini converters feature standard, professional broadcast quality connectors, including full size professional XLR audio connections and high speed BNC connections for handling the extremely high bandwidth of cutting edge 12G-SDI technology. All models feature a built in multi volt 90V-240V AC power supply and standard IEC AC power connector so you can use any regular power cable. The built in ethernet connection allows remote administration and can also be used to power the converter when connected to power over ethernet switch. Digital and Analog Audio Truly professional quality audio. The professional XLR connections can be switched between balanced analog or AES/EBU digital audio so you can connect to any professional analog or digital audio equipment. If you’re running pro digital audio gear, you can keep your audio digital the whole way through for perfect digital quality. With professional audio built into every converter, you can connect to pro audio gear like mixers, effects processors, compressors, limiters and more into SDI based video systems. For analog audio, Teranex Mini’s feature an extremely low noise floor of more than -115 dBFS so even analog audio background noise is virtually silent. Optical Fiber Models Build broadcast facilities using optical fiber. Optical fiber SDI is becoming more popular because it handles extremely long distances, even at the high speeds of 12G-SDI. Optical fiber cables can be installed by electricians or computer networking installers so it’s easy to use. Each model of Teranex Mini has a corresponding optical fiber model so you can run native optical fiber systems and convert directly from optical fiber to HDMI, analog video or audio. The optical fiber models still include a 12G-SDI connector so you can use them in both regular BNC or optical fiber systems. Local or Remote Control Easily control and manage your converters. Like regular Mini Converters, Teranex Mini features built in mini switches and a printed diagram on the converter so you can quickly and easily change settings. When using the optional Teranex Smart Panel, settings can be changed using the push buttons and simple on screen menus. If you’re in a larger facility using lots of converters, you can manage them over ethernet from a Mac or Windows computer using the included Converter Utility software. Highest Quality Patented Teranex Image Processing Built using high quality Teranex video processing technology, Teranex Mini is ideal for all broadcast, post production and professional video applications. You get full SDI re-clocking and low jitter so you can use longer cables and because Teranex Mini’s have been designed for 12G-SDI, you get extremely long cable lengths when running at slower SDI speeds such as 6G-SDI, 3G-SDI and HD-SDI. When converting to analog you get extremely low noise because of the high quality 12-bit video processing. When you’re running Ultra HD to analog video Teranex Mini’s will upscale or down convert to analog HD automatically.

Blackmagic BMD-CONVNTRM/MA/OPTH Teranex Mini - Optical to HDMI 12G

Blackmagic BMD-CONVNTRM/MA/OPTH ( BMDCONVNTRMMAOPTH, BMD CONVNTRM MA OPTH, BMD/CONVNTRM/MA/OPTH, bmd-convntrm/ma/opth ) Teranex Mini - Optical to HDMI 12G 12G optical fiber and 12G-SDI to HDMI converter Introducing Teranex Mini, the next generation 12G-SDI converters with award winning Teranex quality and support for all SD, HD and Ultra HD formats up to 2160p60! All Teranex Minis include an internal AC power supply, professional XLR analog and AES/EBU audio connections and an ethernet connection for remote management and PoE alternate power! Teranex Mini features a user upgradable front panel that includes a color display and user controls so you can quickly monitor video and change settings right from the front of the converter! You get all of the same great features of regular mini converters and so much more. Use Anywhere The world’s most versatile converters. The all new Teranex Mini converters make building facilities and supporting all different types of video equipment easier than ever before. Teranex Mini is perfect for broadcast installations because they can be rack mounted and the optional front panel lets you see what’s being converted on the screen! They can even be remote managed over ethernet. Their compact size makes them great for portable racks at live events or in broadcast trucks, plus they have professional XLR audio connections for connecting to mixers and other audio gear! You can even use them in editing and color grading suites to drive big screen displays and projectors. Reinventing the Mini Converter The first mini converter you don’t have to hide. Teranex Minis are so small that you can use them like regular mini converters such as hiding them in cable ducts, behind equipment and attached to televisions for monitoring. Teranex Mini’s new flexible design lets you use them on the desktop where you can see them, or rack mount them in larger broadcast systems. Unlike regular mini converters, you get full size professional XLR audio connections built into the converters, plus each converter has an ethernet connection so they can be administered remotely. You get mini switches so you can change settings instantly or, when you’re doing mission critical work, you can add the optional front panel to see exactly what you’re converting. Rack Mountable The world's first 12G-SDI rack mount converters. Card based rack converters are expensive, cannot handle high SDI speeds such as 12G-SDI and you have to buy an entire rack chassis even if you only want to install one converter. Teranex Minis can be rack mounted in combinations of one or more and you can take them out and use them non rack mounted whenever you need! You get built in AC power and ethernet on every converter so there’s no single point of failure. Unlike card based converters, you can walk up and change settings from the front panel, monitor the video going through each converter, and you can also manage them remotely over ethernet! Because they’re so small you can mount them in the front or the rear of an equipment rack or road case. Advanced 12G-SDI Blazing fast 12G-SDI for SD, HD and Ultra HD. Teranex Mini converters feature cutting edge, multi rate 12G-SDI technology that’s 8 times faster than regular HD-SDI. 12G-SDI is multi rate so it will automatically detect and change between all SD, HD and Ultra HD video formats instantly, so you can connect Teranex Mini to all of your existing SD and HD equipment. 12G-SDI supports high frame rate Ultra HD up to 2160p60 on a single BNC cable so you can work in Ultra HD and keep your high frame rate production workflow for fast moving sports and action programming. Smart Thermal Design Easily handles 12G-SDI in tough environments. Teranex Mini features an innovative thermal design with crossflow cooling that keeps them running perfectly, even when rack mounted side by side and in tough environments! An intelligent thermal subsystem and internal heat pipe assist with cooling and keeps the air flowing at all times while minimizing noise. If a Teranex Mini gets too hot, you’ll instantly receive notification through the remote control ethernet utility and on the front panel. When rack mounted side by side, each Teranex Mini works together to pull air through the rack keeping them all cool and providing redundancy for each converter. Broadcast Connections True XLR audio, ethernet and built in IEC AC power connectors All Teranex Mini converters feature standard, professional broadcast quality connectors, including full size professional XLR audio connections and high speed BNC connections for handling the extremely high bandwidth of cutting edge 12G-SDI technology. All models feature a built in multi volt 90V-240V AC power supply and standard IEC AC power connector so you can use any regular power cable. The built in ethernet connection allows remote administration and can also be used to power the converter when connected to power over ethernet switch. Digital and Analog Audio Truly professional quality audio. The professional XLR connections can be switched between balanced analog or AES/EBU digital audio so you can connect to any professional analog or digital audio equipment. If you’re running pro digital audio gear, you can keep your audio digital the whole way through for perfect digital quality. With professional audio built into every converter, you can connect to pro audio gear like mixers, effects processors, compressors, limiters and more into SDI based video systems. For analog audio, Teranex Mini’s feature an extremely low noise floor of more than -115 dBFS so even analog audio background noise is virtually silent. Optical Fiber Models Build broadcast facilities using optical fiber. Optical fiber SDI is becoming more popular because it handles extremely long distances, even at the high speeds of 12G-SDI. Optical fiber cables can be installed by electricians or computer networking installers so it’s easy to use. Each model of Teranex Mini has a corresponding optical fiber model so you can run native optical fiber systems and convert directly from optical fiber to HDMI, analog video or audio. The optical fiber models still include a 12G-SDI connector so you can use them in both regular BNC or optical fiber systems. Local or Remote Control Easily control and manage your converters. Like regular Mini Converters, Teranex Mini features built in mini switches and a printed diagram on the converter so you can quickly and easily change settings. When using the optional Teranex Smart Panel, settings can be changed using the push buttons and simple on screen menus. If you’re in a larger facility using lots of converters, you can manage them over ethernet from a Mac or Windows computer using the included Converter Utility software. Highest Quality Patented Teranex Image Processing Built using high quality Teranex video processing technology, Teranex Mini is ideal for all broadcast, post production and professional video applications. You get full SDI re-clocking and low jitter so you can use longer cables and because Teranex Mini’s have been designed for 12G-SDI, you get extremely long cable lengths when running at slower SDI speeds such as 6G-SDI, 3G-SDI and HD-SDI. When converting to analog you get extremely low noise because of the high quality 12-bit video processing. When you’re running Ultra HD to analog video Teranex Mini’s will upscale or down convert to analog HD automatically.

Blackmagic BMD-CONVNTRM/CB/AUSDI Teranex Mini - Audio to SDI 12G

Blackmagic BMD-CONVNTRM/CB/AUSDI ( CONVNTRM/CB/AUSDI,  BMDCONVNTRMCBAUSDI, BMD/CONVNTRM/CB/AUSDI, BMD CONVNTRM CB AUSDI ) Teranex Mini - Audio to SDI 12G Audio Embedder; 2 channel balanced analogue / optical / HiFi RCA, 4 channel AES/EBU Introducing Teranex Mini, the next generation 12G-SDI converters with award winning Teranex quality and support for all SD, HD and Ultra HD formats up to 2160p60! All Teranex Minis include an internal AC power supply, professional XLR analog and AES/EBU audio connections and an ethernet connection for remote management and PoE alternate power! Teranex Mini features a user upgradable front panel that includes a color display and user controls so you can quickly monitor video and change settings right from the front of the converter! You get all of the same great features of regular mini converters and so much more. Use Anywhere The world’s most versatile converters. The all new Teranex Mini converters make building facilities and supporting all different types of video equipment easier than ever before. Teranex Mini is perfect for broadcast installations because they can be rack mounted and the optional front panel lets you see what’s being converted on the screen! They can even be remote managed over ethernet. Their compact size makes them great for portable racks at live events or in broadcast trucks, plus they have professional XLR audio connections for connecting to mixers and other audio gear! You can even use them in editing and color grading suites to drive big screen displays and projectors. Reinventing the Mini Converter The first mini converter you don’t have to hide. Teranex Minis are so small that you can use them like regular mini converters such as hiding them in cable ducts, behind equipment and attached to televisions for monitoring. Teranex Mini’s new flexible design lets you use them on the desktop where you can see them, or rack mount them in larger broadcast systems. Unlike regular mini converters, you get full size professional XLR audio connections built into the converters, plus each converter has an ethernet connection so they can be administered remotely. You get mini switches so you can change settings instantly or, when you’re doing mission critical work, you can add the optional front panel to see exactly what you’re converting. Rack Mountable The world's first 12G-SDI rack mount converters. Card based rack converters are expensive, cannot handle high SDI speeds such as 12G-SDI and you have to buy an entire rack chassis even if you only want to install one converter. Teranex Minis can be rack mounted in combinations of one or more and you can take them out and use them non rack mounted whenever you need! You get built in AC power and ethernet on every converter so there’s no single point of failure. Unlike card based converters, you can walk up and change settings from the front panel, monitor the video going through each converter, and you can also manage them remotely over ethernet! Because they’re so small you can mount them in the front or the rear of an equipment rack or road case. Advanced 12G-SDI Blazing fast 12G-SDI for SD, HD and Ultra HD. Teranex Mini converters feature cutting edge, multi rate 12G-SDI technology that’s 8 times faster than regular HD-SDI. 12G-SDI is multi rate so it will automatically detect and change between all SD, HD and Ultra HD video formats instantly, so you can connect Teranex Mini to all of your existing SD and HD equipment. 12G-SDI supports high frame rate Ultra HD up to 2160p60 on a single BNC cable so you can work in Ultra HD and keep your high frame rate production workflow for fast moving sports and action programming. Smart Thermal Design Easily handles 12G-SDI in tough environments. Teranex Mini features an innovative thermal design with crossflow cooling that keeps them running perfectly, even when rack mounted side by side and in tough environments! An intelligent thermal subsystem and internal heat pipe assist with cooling and keeps the air flowing at all times while minimizing noise. If a Teranex Mini gets too hot, you’ll instantly receive notification through the remote control ethernet utility and on the front panel. When rack mounted side by side, each Teranex Mini works together to pull air through the rack keeping them all cool and providing redundancy for each converter. Broadcast Connections True XLR audio, ethernet and built in IEC AC power connectors All Teranex Mini converters feature standard, professional broadcast quality connectors, including full size professional XLR audio connections and high speed BNC connections for handling the extremely high bandwidth of cutting edge 12G-SDI technology. All models feature a built in multi volt 90V-240V AC power supply and standard IEC AC power connector so you can use any regular power cable. The built in ethernet connection allows remote administration and can also be used to power the converter when connected to power over ethernet switch. Digital and Analog Audio Truly professional quality audio. The professional XLR connections can be switched between balanced analog or AES/EBU digital audio so you can connect to any professional analog or digital audio equipment. If you’re running pro digital audio gear, you can keep your audio digital the whole way through for perfect digital quality. With professional audio built into every converter, you can connect to pro audio gear like mixers, effects processors, compressors, limiters and more into SDI based video systems. For analog audio, Teranex Mini’s feature an extremely low noise floor of more than -115 dBFS so even analog audio background noise is virtually silent. Optical Fiber Models Build broadcast facilities using optical fiber. Optical fiber SDI is becoming more popular because it handles extremely long distances, even at the high speeds of 12G-SDI. Optical fiber cables can be installed by electricians or computer networking installers so it’s easy to use. Each model of Teranex Mini has a corresponding optical fiber model so you can run native optical fiber systems and convert directly from optical fiber to HDMI, analog video or audio. The optical fiber models still include a 12G-SDI connector so you can use them in both regular BNC or optical fiber systems. Local or Remote Control Easily control and manage your converters. Like regular Mini Converters, Teranex Mini features built in mini switches and a printed diagram on the converter so you can quickly and easily change settings. When using the optional Teranex Smart Panel, settings can be changed using the push buttons and simple on screen menus. If you’re in a larger facility using lots of converters, you can manage them over ethernet from a Mac or Windows computer using the included Converter Utility software. Highest Quality Patented Teranex Image Processing Built using high quality Teranex video processing technology, Teranex Mini is ideal for all broadcast, post production and professional video applications. You get full SDI re-clocking and low jitter so you can use longer cables and because Teranex Mini’s have been designed for 12G-SDI, you get extremely long cable lengths when running at slower SDI speeds such as 6G-SDI, 3G-SDI and HD-SDI. When converting to analog you get extremely low noise because of the high quality 12-bit video processing. When you’re running Ultra HD to analog video Teranex Mini’s will upscale or down convert to analog HD automatically.

Blackmagic BMD-CONVNTRM/CA/SDIAU Teranex Mini - SDI to Audio 12G

Blackmagic BMD-CONVNTRM/CA/SDIAU ( BMDCONVNTRMCASDIAU, BMD CONVNTRM CA SDIAU, BMD/CONVNTRM/CA/SDIAU, bmd-convntrm/ca/sdiau ) Teranex Mini - SDI to Audio 12G De-embed audio from any SD, HD or Ultra HD SDI video connection and output 2 channels of analog audio to balanced XLR, optical or HiFi RCA, or output up to 4 channels of AES/EBU digital audio. Introducing Teranex Mini, the next generation 12G-SDI converters with award winning Teranex quality and support for all SD, HD and Ultra HD formats up to 2160p60! All Teranex Minis include an internal AC power supply, professional XLR analog and AES/EBU audio connections and an ethernet connection for remote management and PoE alternate power! Teranex Mini features a user upgradable front panel that includes a color display and user controls so you can quickly monitor video and change settings right from the front of the converter! You get all of the same great features of regular mini converters and so much more. Use Anywhere The world’s most versatile converters. The all new Teranex Mini converters make building facilities and supporting all different types of video equipment easier than ever before. Teranex Mini is perfect for broadcast installations because they can be rack mounted and the optional front panel lets you see what’s being converted on the screen! They can even be remote managed over ethernet. Their compact size makes them great for portable racks at live events or in broadcast trucks, plus they have professional XLR audio connections for connecting to mixers and other audio gear! You can even use them in editing and color grading suites to drive big screen displays and projectors. Reinventing the Mini Converter The first mini converter you don’t have to hide. Teranex Minis are so small that you can use them like regular mini converters such as hiding them in cable ducts, behind equipment and attached to televisions for monitoring. Teranex Mini’s new flexible design lets you use them on the desktop where you can see them, or rack mount them in larger broadcast systems. Unlike regular mini converters, you get full size professional XLR audio connections built into the converters, plus each converter has an ethernet connection so they can be administered remotely. You get mini switches so you can change settings instantly or, when you’re doing mission critical work, you can add the optional front panel to see exactly what you’re converting. Rack Mountable The world's first 12G-SDI rack mount converters. Card based rack converters are expensive, cannot handle high SDI speeds such as 12G-SDI and you have to buy an entire rack chassis even if you only want to install one converter. Teranex Minis can be rack mounted in combinations of one or more and you can take them out and use them non rack mounted whenever you need! You get built in AC power and ethernet on every converter so there’s no single point of failure. Unlike card based converters, you can walk up and change settings from the front panel, monitor the video going through each converter, and you can also manage them remotely over ethernet! Because they’re so small you can mount them in the front or the rear of an equipment rack or road case. Advanced 12G-SDI Blazing fast 12G-SDI for SD, HD and Ultra HD. Teranex Mini converters feature cutting edge, multi rate 12G-SDI technology that’s 8 times faster than regular HD-SDI. 12G-SDI is multi rate so it will automatically detect and change between all SD, HD and Ultra HD video formats instantly, so you can connect Teranex Mini to all of your existing SD and HD equipment. 12G-SDI supports high frame rate Ultra HD up to 2160p60 on a single BNC cable so you can work in Ultra HD and keep your high frame rate production workflow for fast moving sports and action programming. Smart Thermal Design Easily handles 12G-SDI in tough environments. Teranex Mini features an innovative thermal design with crossflow cooling that keeps them running perfectly, even when rack mounted side by side and in tough environments! An intelligent thermal subsystem and internal heat pipe assist with cooling and keeps the air flowing at all times while minimizing noise. If a Teranex Mini gets too hot, you’ll instantly receive notification through the remote control ethernet utility and on the front panel. When rack mounted side by side, each Teranex Mini works together to pull air through the rack keeping them all cool and providing redundancy for each converter. Broadcast Connections True XLR audio, ethernet and built in IEC AC power connectors All Teranex Mini converters feature standard, professional broadcast quality connectors, including full size professional XLR audio connections and high speed BNC connections for handling the extremely high bandwidth of cutting edge 12G-SDI technology. All models feature a built in multi volt 90V-240V AC power supply and standard IEC AC power connector so you can use any regular power cable. The built in ethernet connection allows remote administration and can also be used to power the converter when connected to power over ethernet switch. Digital and Analog Audio Truly professional quality audio. The professional XLR connections can be switched between balanced analog or AES/EBU digital audio so you can connect to any professional analog or digital audio equipment. If you’re running pro digital audio gear, you can keep your audio digital the whole way through for perfect digital quality. With professional audio built into every converter, you can connect to pro audio gear like mixers, effects processors, compressors, limiters and more into SDI based video systems. For analog audio, Teranex Mini’s feature an extremely low noise floor of more than -115 dBFS so even analog audio background noise is virtually silent. Optical Fiber Models Build broadcast facilities using optical fiber. Optical fiber SDI is becoming more popular because it handles extremely long distances, even at the high speeds of 12G-SDI. Optical fiber cables can be installed by electricians or computer networking installers so it’s easy to use. Each model of Teranex Mini has a corresponding optical fiber model so you can run native optical fiber systems and convert directly from optical fiber to HDMI, analog video or audio. The optical fiber models still include a 12G-SDI connector so you can use them in both regular BNC or optical fiber systems. Local or Remote Control Easily control and manage your converters. Like regular Mini Converters, Teranex Mini features built in mini switches and a printed diagram on the converter so you can quickly and easily change settings. When using the optional Teranex Smart Panel, settings can be changed using the push buttons and simple on screen menus. If you’re in a larger facility using lots of converters, you can manage them over ethernet from a Mac or Windows computer using the included Converter Utility software. Highest Quality Patented Teranex Image Processing Built using high quality Teranex video processing technology, Teranex Mini is ideal for all broadcast, post production and professional video applications. You get full SDI re-clocking and low jitter so you can use longer cables and because Teranex Mini’s have been designed for 12G-SDI, you get extremely long cable lengths when running at slower SDI speeds such as 6G-SDI, 3G-SDI and HD-SDI. When converting to analog you get extremely low noise because of the high quality 12-bit video processing. When you’re running Ultra HD to analog video Teranex Mini’s will upscale or down convert to analog HD automatically.

Blackmagic BMD-CONVNTRM/BB/ANSDI Teranex Mini - Analog to SDI 12G

Blackmagic BMD-CONVNTRM/BB/ANSDI ( BMDCONVNTRMBBANSDI, BMD CONVNTRM BB ANSDI, BMD/CONVNTRM/BB/ANSDI, bmd-convntrm/bb/ansdi ) Teranex Mini - Analog to SDI 12G Introducing Teranex Mini, the next generation 12G-SDI converters with award winning Teranex quality and support for all SD, HD and Ultra HD formats up to 2160p60! All Teranex Minis include an internal AC power supply, professional XLR analog and AES/EBU audio connections and an ethernet connection for remote management and PoE alternate power! Teranex Mini features a user upgradable front panel that includes a color display and user controls so you can quickly monitor video and change settings right from the front of the converter! You get all of the same great features of regular mini converters and so much more. Use Anywhere The world’s most versatile converters. The all new Teranex Mini converters make building facilities and supporting all different types of video equipment easier than ever before. Teranex Mini is perfect for broadcast installations because they can be rack mounted and the optional front panel lets you see what’s being converted on the screen! They can even be remote managed over ethernet. Their compact size makes them great for portable racks at live events or in broadcast trucks, plus they have professional XLR audio connections for connecting to mixers and other audio gear! You can even use them in editing and color grading suites to drive big screen displays and projectors. Reinventing the Mini Converter The first mini converter you don’t have to hide. Teranex Minis are so small that you can use them like regular mini converters such as hiding them in cable ducts, behind equipment and attached to televisions for monitoring. Teranex Mini’s new flexible design lets you use them on the desktop where you can see them, or rack mount them in larger broadcast systems. Unlike regular mini converters, you get full size professional XLR audio connections built into the converters, plus each converter has an ethernet connection so they can be administered remotely. You get mini switches so you can change settings instantly or, when you’re doing mission critical work, you can add the optional front panel to see exactly what you’re converting. Rack Mountable The world's first 12G-SDI rack mount converters. Card based rack converters are expensive, cannot handle high SDI speeds such as 12G-SDI and you have to buy an entire rack chassis even if you only want to install one converter. Teranex Minis can be rack mounted in combinations of one or more and you can take them out and use them non rack mounted whenever you need! You get built in AC power and ethernet on every converter so there’s no single point of failure. Unlike card based converters, you can walk up and change settings from the front panel, monitor the video going through each converter, and you can also manage them remotely over ethernet! Because they’re so small you can mount them in the front or the rear of an equipment rack or road case. Advanced 12G-SDI Blazing fast 12G-SDI for SD, HD and Ultra HD. Teranex Mini converters feature cutting edge, multi rate 12G-SDI technology that’s 8 times faster than regular HD-SDI. 12G-SDI is multi rate so it will automatically detect and change between all SD, HD and Ultra HD video formats instantly, so you can connect Teranex Mini to all of your existing SD and HD equipment. 12G-SDI supports high frame rate Ultra HD up to 2160p60 on a single BNC cable so you can work in Ultra HD and keep your high frame rate production workflow for fast moving sports and action programming. Smart Thermal Design Easily handles 12G-SDI in tough environments. Teranex Mini features an innovative thermal design with crossflow cooling that keeps them running perfectly, even when rack mounted side by side and in tough environments! An intelligent thermal subsystem and internal heat pipe assist with cooling and keeps the air flowing at all times while minimizing noise. If a Teranex Mini gets too hot, you’ll instantly receive notification through the remote control ethernet utility and on the front panel. When rack mounted side by side, each Teranex Mini works together to pull air through the rack keeping them all cool and providing redundancy for each converter. Broadcast Connections True XLR audio, ethernet and built in IEC AC power connectors All Teranex Mini converters feature standard, professional broadcast quality connectors, including full size professional XLR audio connections and high speed BNC connections for handling the extremely high bandwidth of cutting edge 12G-SDI technology. All models feature a built in multi volt 90V-240V AC power supply and standard IEC AC power connector so you can use any regular power cable. The built in ethernet connection allows remote administration and can also be used to power the converter when connected to power over ethernet switch. Digital and Analog Audio Truly professional quality audio. The professional XLR connections can be switched between balanced analog or AES/EBU digital audio so you can connect to any professional analog or digital audio equipment. If you’re running pro digital audio gear, you can keep your audio digital the whole way through for perfect digital quality. With professional audio built into every converter, you can connect to pro audio gear like mixers, effects processors, compressors, limiters and more into SDI based video systems. For analog audio, Teranex Mini’s feature an extremely low noise floor of more than -115 dBFS so even analog audio background noise is virtually silent. Optical Fiber Models Build broadcast facilities using optical fiber. Optical fiber SDI is becoming more popular because it handles extremely long distances, even at the high speeds of 12G-SDI. Optical fiber cables can be installed by electricians or computer networking installers so it’s easy to use. Each model of Teranex Mini has a corresponding optical fiber model so you can run native optical fiber systems and convert directly from optical fiber to HDMI, analog video or audio. The optical fiber models still include a 12G-SDI connector so you can use them in both regular BNC or optical fiber systems. Local or Remote Control Easily control and manage your converters. Like regular Mini Converters, Teranex Mini features built in mini switches and a printed diagram on the converter so you can quickly and easily change settings. When using the optional Teranex Smart Panel, settings can be changed using the push buttons and simple on screen menus. If you’re in a larger facility using lots of converters, you can manage them over ethernet from a Mac or Windows computer using the included Converter Utility software. Highest Quality Patented Teranex Image Processing Built using high quality Teranex video processing technology, Teranex Mini is ideal for all broadcast, post production and professional video applications. You get full SDI re-clocking and low jitter so you can use longer cables and because Teranex Mini’s have been designed for 12G-SDI, you get extremely long cable lengths when running at slower SDI speeds such as 6G-SDI, 3G-SDI and HD-SDI. When converting to analog you get extremely low noise because of the high quality 12-bit video processing. When you’re running Ultra HD to analog video Teranex Mini’s will upscale or down convert to analog HD automatically.

Blackmagic BMD-CONVNTRM/BA/SDIAN Teranex Mini - SDI to Analog 12G

Blackmagic BMD-CONVNTRM/BA/SDIAN ( BMDCONVNTRMBASDIAN, BMD CONVNTRM BA SDIAN, BMD/CONVNTRM/BA/SDIAN, bmd-convntrm/ba/sdian ) Teranex Mini - SDI to Analog 12G Introducing Teranex Mini, the next generation 12G-SDI converters with award winning Teranex quality and support for all SD, HD and Ultra HD formats up to 2160p60! All Teranex Minis include an internal AC power supply, professional XLR analog and AES/EBU audio connections and an ethernet connection for remote management and PoE alternate power! Teranex Mini features a user upgradable front panel that includes a color display and user controls so you can quickly monitor video and change settings right from the front of the converter! You get all of the same great features of regular mini converters and so much more. Use Anywhere The world’s most versatile converters. The all new Teranex Mini converters make building facilities and supporting all different types of video equipment easier than ever before. Teranex Mini is perfect for broadcast installations because they can be rack mounted and the optional front panel lets you see what’s being converted on the screen! They can even be remote managed over ethernet. Their compact size makes them great for portable racks at live events or in broadcast trucks, plus they have professional XLR audio connections for connecting to mixers and other audio gear! You can even use them in editing and color grading suites to drive big screen displays and projectors. Reinventing the Mini Converter The first mini converter you don’t have to hide. Teranex Minis are so small that you can use them like regular mini converters such as hiding them in cable ducts, behind equipment and attached to televisions for monitoring. Teranex Mini’s new flexible design lets you use them on the desktop where you can see them, or rack mount them in larger broadcast systems. Unlike regular mini converters, you get full size professional XLR audio connections built into the converters, plus each converter has an ethernet connection so they can be administered remotely. You get mini switches so you can change settings instantly or, when you’re doing mission critical work, you can add the optional front panel to see exactly what you’re converting. Rack Mountable The world's first 12G-SDI rack mount converters. Card based rack converters are expensive, cannot handle high SDI speeds such as 12G-SDI and you have to buy an entire rack chassis even if you only want to install one converter. Teranex Minis can be rack mounted in combinations of one or more and you can take them out and use them non rack mounted whenever you need! You get built in AC power and ethernet on every converter so there’s no single point of failure. Unlike card based converters, you can walk up and change settings from the front panel, monitor the video going through each converter, and you can also manage them remotely over ethernet! Because they’re so small you can mount them in the front or the rear of an equipment rack or road case. Advanced 12G-SDI Blazing fast 12G-SDI for SD, HD and Ultra HD. Teranex Mini converters feature cutting edge, multi rate 12G-SDI technology that’s 8 times faster than regular HD-SDI. 12G-SDI is multi rate so it will automatically detect and change between all SD, HD and Ultra HD video formats instantly, so you can connect Teranex Mini to all of your existing SD and HD equipment. 12G-SDI supports high frame rate Ultra HD up to 2160p60 on a single BNC cable so you can work in Ultra HD and keep your high frame rate production workflow for fast moving sports and action programming. Smart Thermal Design Easily handles 12G-SDI in tough environments. Teranex Mini features an innovative thermal design with crossflow cooling that keeps them running perfectly, even when rack mounted side by side and in tough environments! An intelligent thermal subsystem and internal heat pipe assist with cooling and keeps the air flowing at all times while minimizing noise. If a Teranex Mini gets too hot, you’ll instantly receive notification through the remote control ethernet utility and on the front panel. When rack mounted side by side, each Teranex Mini works together to pull air through the rack keeping them all cool and providing redundancy for each converter. Broadcast Connections True XLR audio, ethernet and built in IEC AC power connectors All Teranex Mini converters feature standard, professional broadcast quality connectors, including full size professional XLR audio connections and high speed BNC connections for handling the extremely high bandwidth of cutting edge 12G-SDI technology. All models feature a built in multi volt 90V-240V AC power supply and standard IEC AC power connector so you can use any regular power cable. The built in ethernet connection allows remote administration and can also be used to power the converter when connected to power over ethernet switch. Digital and Analog Audio Truly professional quality audio. The professional XLR connections can be switched between balanced analog or AES/EBU digital audio so you can connect to any professional analog or digital audio equipment. If you’re running pro digital audio gear, you can keep your audio digital the whole way through for perfect digital quality. With professional audio built into every converter, you can connect to pro audio gear like mixers, effects processors, compressors, limiters and more into SDI based video systems. For analog audio, Teranex Mini’s feature an extremely low noise floor of more than -115 dBFS so even analog audio background noise is virtually silent. Optical Fiber Models Build broadcast facilities using optical fiber. Optical fiber SDI is becoming more popular because it handles extremely long distances, even at the high speeds of 12G-SDI. Optical fiber cables can be installed by electricians or computer networking installers so it’s easy to use. Each model of Teranex Mini has a corresponding optical fiber model so you can run native optical fiber systems and convert directly from optical fiber to HDMI, analog video or audio. The optical fiber models still include a 12G-SDI connector so you can use them in both regular BNC or optical fiber systems. Local or Remote Control Easily control and manage your converters. Like regular Mini Converters, Teranex Mini features built in mini switches and a printed diagram on the converter so you can quickly and easily change settings. When using the optional Teranex Smart Panel, settings can be changed using the push buttons and simple on screen menus. If you’re in a larger facility using lots of converters, you can manage them over ethernet from a Mac or Windows computer using the included Converter Utility software. Highest Quality Patented Teranex Image Processing Built using high quality Teranex video processing technology, Teranex Mini is ideal for all broadcast, post production and professional video applications. You get full SDI re-clocking and low jitter so you can use longer cables and because Teranex Mini’s have been designed for 12G-SDI, you get extremely long cable lengths when running at slower SDI speeds such as 6G-SDI, 3G-SDI and HD-SDI. When converting to analog you get extremely low noise because of the high quality 12-bit video processing. When you’re running Ultra HD to analog video Teranex Mini’s will upscale or down convert to analog HD automatically.

Blackmagic BMD-CONVNTRM/AB/HSDI Teranex Mini - HDMI to SDI 12G

Blackmagic BMD-CONVNTRM/AB/HSDI ( BMDCONVNTRMABHSDI, BMD CONVNTRM AB HSDI, BMD/CONVNTRM/AB/HSDI, bmd-convntrm/ab/hsdi ) Teranex Mini - HDMI to SDI 12G. HDMI to 12G-SDI Converter Introducing Teranex Mini, the next generation 12G-SDI converters with award winning Teranex quality and support for all SD, HD and Ultra HD formats up to 2160p60! All Teranex Minis include an internal AC power supply, professional XLR analog and AES/EBU audio connections and an ethernet connection for remote management and PoE alternate power! Teranex Mini features a user upgradable front panel that includes a color display and user controls so you can quickly monitor video and change settings right from the front of the converter! You get all of the same great features of regular mini converters and so much more. Use Anywhere The world’s most versatile converters. The all new Teranex Mini converters make building facilities and supporting all different types of video equipment easier than ever before. Teranex Mini is perfect for broadcast installations because they can be rack mounted and the optional front panel lets you see what’s being converted on the screen! They can even be remote managed over ethernet. Their compact size makes them great for portable racks at live events or in broadcast trucks, plus they have professional XLR audio connections for connecting to mixers and other audio gear! You can even use them in editing and color grading suites to drive big screen displays and projectors. Reinventing the Mini Converter The first mini converter you don’t have to hide. Teranex Minis are so small that you can use them like regular mini converters such as hiding them in cable ducts, behind equipment and attached to televisions for monitoring. Teranex Mini’s new flexible design lets you use them on the desktop where you can see them, or rack mount them in larger broadcast systems. Unlike regular mini converters, you get full size professional XLR audio connections built into the converters, plus each converter has an ethernet connection so they can be administered remotely. You get mini switches so you can change settings instantly or, when you’re doing mission critical work, you can add the optional front panel to see exactly what you’re converting. Rack Mountable The world's first 12G-SDI rack mount converters. Card based rack converters are expensive, cannot handle high SDI speeds such as 12G-SDI and you have to buy an entire rack chassis even if you only want to install one converter. Teranex Minis can be rack mounted in combinations of one or more and you can take them out and use them non rack mounted whenever you need! You get built in AC power and ethernet on every converter so there’s no single point of failure. Unlike card based converters, you can walk up and change settings from the front panel, monitor the video going through each converter, and you can also manage them remotely over ethernet! Because they’re so small you can mount them in the front or the rear of an equipment rack or road case. Advanced 12G-SDI Blazing fast 12G-SDI for SD, HD and Ultra HD. Teranex Mini converters feature cutting edge, multi rate 12G-SDI technology that’s 8 times faster than regular HD-SDI. 12G-SDI is multi rate so it will automatically detect and change between all SD, HD and Ultra HD video formats instantly, so you can connect Teranex Mini to all of your existing SD and HD equipment. 12G-SDI supports high frame rate Ultra HD up to 2160p60 on a single BNC cable so you can work in Ultra HD and keep your high frame rate production workflow for fast moving sports and action programming. Smart Thermal Design Easily handles 12G-SDI in tough environments. Teranex Mini features an innovative thermal design with crossflow cooling that keeps them running perfectly, even when rack mounted side by side and in tough environments! An intelligent thermal subsystem and internal heat pipe assist with cooling and keeps the air flowing at all times while minimizing noise. If a Teranex Mini gets too hot, you’ll instantly receive notification through the remote control ethernet utility and on the front panel. When rack mounted side by side, each Teranex Mini works together to pull air through the rack keeping them all cool and providing redundancy for each converter. Broadcast Connections True XLR audio, ethernet and built in IEC AC power connectors All Teranex Mini converters feature standard, professional broadcast quality connectors, including full size professional XLR audio connections and high speed BNC connections for handling the extremely high bandwidth of cutting edge 12G-SDI technology. All models feature a built in multi volt 90V-240V AC power supply and standard IEC AC power connector so you can use any regular power cable. The built in ethernet connection allows remote administration and can also be used to power the converter when connected to power over ethernet switch. Digital and Analog Audio Truly professional quality audio. The professional XLR connections can be switched between balanced analog or AES/EBU digital audio so you can connect to any professional analog or digital audio equipment. If you’re running pro digital audio gear, you can keep your audio digital the whole way through for perfect digital quality. With professional audio built into every converter, you can connect to pro audio gear like mixers, effects processors, compressors, limiters and more into SDI based video systems. For analog audio, Teranex Mini’s feature an extremely low noise floor of more than -115 dBFS so even analog audio background noise is virtually silent. Optical Fiber Models Build broadcast facilities using optical fiber. Optical fiber SDI is becoming more popular because it handles extremely long distances, even at the high speeds of 12G-SDI. Optical fiber cables can be installed by electricians or computer networking installers so it’s easy to use. Each model of Teranex Mini has a corresponding optical fiber model so you can run native optical fiber systems and convert directly from optical fiber to HDMI, analog video or audio. The optical fiber models still include a 12G-SDI connector so you can use them in both regular BNC or optical fiber systems. Local or Remote Control Easily control and manage your converters. Like regular Mini Converters, Teranex Mini features built in mini switches and a printed diagram on the converter so you can quickly and easily change settings. When using the optional Teranex Smart Panel, settings can be changed using the push buttons and simple on screen menus. If you’re in a larger facility using lots of converters, you can manage them over ethernet from a Mac or Windows computer using the included Converter Utility software. Highest Quality Patented Teranex Image Processing Built using high quality Teranex video processing technology, Teranex Mini is ideal for all broadcast, post production and professional video applications. You get full SDI re-clocking and low jitter so you can use longer cables and because Teranex Mini’s have been designed for 12G-SDI, you get extremely long cable lengths when running at slower SDI speeds such as 6G-SDI, 3G-SDI and HD-SDI. When converting to analog you get extremely low noise because of the high quality 12-bit video processing. When you’re running Ultra HD to analog video Teranex Mini’s will upscale or down convert to analog HD automatically

Blackmagic BMD-CONVNTRM/AA/SDIH Teranex Mini - SDI to HDMI 12G

Blackmagic BMD-CONVNTRM/AA/SDIH ( BMDCONVNTRMAASDIH, BMD CONVNTRM AA SDIH, BMD/CONVNTRM/AA/SDIH, bmd-convntrm/aa/sdih ) Teranex Mini - SDI to HDMI 12G Introducing Teranex Mini, the next generation 12G-SDI converters with award winning Teranex quality and support for all SD, HD and Ultra HD formats up to 2160p60! All Teranex Minis include an internal AC power supply, professional XLR analog and AES/EBU audio connections and an ethernet connection for remote management and PoE alternate power! Teranex Mini features a user upgradable front panel that includes a color display and user controls so you can quickly monitor video and change settings right from the front of the converter! You get all of the same great features of regular mini converters and so much more. Use Anywhere The world’s most versatile converters. The all new Teranex Mini converters make building facilities and supporting all different types of video equipment easier than ever before. Teranex Mini is perfect for broadcast installations because they can be rack mounted and the optional front panel lets you see what’s being converted on the screen! They can even be remote managed over ethernet. Their compact size makes them great for portable racks at live events or in broadcast trucks, plus they have professional XLR audio connections for connecting to mixers and other audio gear! You can even use them in editing and color grading suites to drive big screen displays and projectors. Reinventing the Mini Converter The first mini converter you don’t have to hide. Teranex Minis are so small that you can use them like regular mini converters such as hiding them in cable ducts, behind equipment and attached to televisions for monitoring. Teranex Mini’s new flexible design lets you use them on the desktop where you can see them, or rack mount them in larger broadcast systems. Unlike regular mini converters, you get full size professional XLR audio connections built into the converters, plus each converter has an ethernet connection so they can be administered remotely. You get mini switches so you can change settings instantly or, when you’re doing mission critical work, you can add the optional front panel to see exactly what you’re converting. Rack Mountable The world's first 12G-SDI rack mount converters. Card based rack converters are expensive, cannot handle high SDI speeds such as 12G-SDI and you have to buy an entire rack chassis even if you only want to install one converter. Teranex Minis can be rack mounted in combinations of one or more and you can take them out and use them non rack mounted whenever you need! You get built in AC power and ethernet on every converter so there’s no single point of failure. Unlike card based converters, you can walk up and change settings from the front panel, monitor the video going through each converter, and you can also manage them remotely over ethernet! Because they’re so small you can mount them in the front or the rear of an equipment rack or road case. Advanced 12G-SDI Blazing fast 12G-SDI for SD, HD and Ultra HD. Teranex Mini converters feature cutting edge, multi rate 12G-SDI technology that’s 8 times faster than regular HD-SDI. 12G-SDI is multi rate so it will automatically detect and change between all SD, HD and Ultra HD video formats instantly, so you can connect Teranex Mini to all of your existing SD and HD equipment. 12G-SDI supports high frame rate Ultra HD up to 2160p60 on a single BNC cable so you can work in Ultra HD and keep your high frame rate production workflow for fast moving sports and action programming. Smart Thermal Design Easily handles 12G-SDI in tough environments. Teranex Mini features an innovative thermal design with crossflow cooling that keeps them running perfectly, even when rack mounted side by side and in tough environments! An intelligent thermal subsystem and internal heat pipe assist with cooling and keeps the air flowing at all times while minimizing noise. If a Teranex Mini gets too hot, you’ll instantly receive notification through the remote control ethernet utility and on the front panel. When rack mounted side by side, each Teranex Mini works together to pull air through the rack keeping them all cool and providing redundancy for each converter. Broadcast Connections True XLR audio, ethernet and built in IEC AC power connectors All Teranex Mini converters feature standard, professional broadcast quality connectors, including full size professional XLR audio connections and high speed BNC connections for handling the extremely high bandwidth of cutting edge 12G-SDI technology. All models feature a built in multi volt 90V-240V AC power supply and standard IEC AC power connector so you can use any regular power cable. The built in ethernet connection allows remote administration and can also be used to power the converter when connected to power over ethernet switch. Digital and Analog Audio Truly professional quality audio. The professional XLR connections can be switched between balanced analog or AES/EBU digital audio so you can connect to any professional analog or digital audio equipment. If you’re running pro digital audio gear, you can keep your audio digital the whole way through for perfect digital quality. With professional audio built into every converter, you can connect to pro audio gear like mixers, effects processors, compressors, limiters and more into SDI based video systems. For analog audio, Teranex Mini’s feature an extremely low noise floor of more than -115 dBFS so even analog audio background noise is virtually silent. Optical Fiber Models Build broadcast facilities using optical fiber. Optical fiber SDI is becoming more popular because it handles extremely long distances, even at the high speeds of 12G-SDI. Optical fiber cables can be installed by electricians or computer networking installers so it’s easy to use. Each model of Teranex Mini has a corresponding optical fiber model so you can run native optical fiber systems and convert directly from optical fiber to HDMI, analog video or audio. The optical fiber models still include a 12G-SDI connector so you can use them in both regular BNC or optical fiber systems. Local or Remote Control Easily control and manage your converters. Like regular Mini Converters, Teranex Mini features built in mini switches and a printed diagram on the converter so you can quickly and easily change settings. When using the optional Teranex Smart Panel, settings can be changed using the push buttons and simple on screen menus. If you’re in a larger facility using lots of converters, you can manage them over ethernet from a Mac or Windows computer using the included Converter Utility software. Highest Quality Patented Teranex Image Processing Built using high quality Teranex video processing technology, Teranex Mini is ideal for all broadcast, post production and professional video applications. You get full SDI re-clocking and low jitter so you can use longer cables and because Teranex Mini’s have been designed for 12G-SDI, you get extremely long cable lengths when running at slower SDI speeds such as 6G-SDI, 3G-SDI and HD-SDI. When converting to analog you get extremely low noise because of the high quality 12-bit video processing. When you’re running Ultra HD to analog video Teranex Mini’s will upscale or down convert to analog HD automatically.

Blackmagic BMD-DV/STUFUS Advanced 2D and 3D compositing, VR and motion graphics software

Blackmagic BMD-DV/STUFUS ( BMDDVSTUFUS, BMD DV STUFUS, BMD/DV/STUFUS, bmd-dv/stufus ) Advanced 2D and 3D compositing, VR and motion graphics software. THE WORLD’S MOST ADVANCED VISUAL EFFECTS, 3D, VR AND MOTION GRAPHICS SOLUTION. Fusion is the world’s most advanced compositing software for visual effects artists, broadcast and motion graphic designers, and 3D animators. Over the last 30 years, Fusion has been used on thousands of Hollywood blockbuster movies and television shows. Fusion features a powerful node based interface that lets you quickly and easily create sophisticated effects by connecting different types of image processing tools together. You get a massive range of tools, incredible VR and 3D support, GPU accelerated performance, unlimited network rendering and more. Fusion gives you everything you need to create exciting broadcast graphics, dramatic titles, and even major feature film visual effects. WHAT’S NEW IN FUSION 9. Incredible new VR tools that bring Fusion to a new generation of artists. Fusion 9 is a massive new release with features specifically designed for the latest virtual reality, visual effects, motion graphics, and 3D workflows. The entirely new VR toolset makes Fusion indispensable for virtual reality projects, while new camera and planar tracking features make it possible to precisely track and composite objects while maintaining perspective and camera motion. Fusion 9 also includes delta keyer, with advanced image science that makes it the world’s most advanced keyer. In addition, you also get Studio Player which includes new multi user collaboration tools for tracking and managing shots, along with version history, annotation notes and more. OVER 40 POWERFUL NEW FEATURES VIRTUAL REALITY Support for all major VR headsets, incredible realtime viewing for interactivity with VR scenes, support for stereoscopic VR and more. CAMERA TRACKING Analyzes camera motion of live action shots and will reconstruct the 3D camera movement, focal length of the lens, and create a 3D point cloud of the scene. So adding CG and elements to a moving shot is easy. PLANAR TRACKING Tracks areas of an image, automatically finding the tracking detail and then calculating planes of motion that can be used to corner pin, and stabilize images. DELTA KEYER AND CLEAN PLATE Get incredibly clean keys from any background color by using delta keyer’s advanced matte controls which are designed to preserve fine details such as hair. PLANAR ROTOSCOPING Apply planar tracking data to rotoscoped elements so they move correctly and follow the motion and perspective of other objects in the shot. STUDIO PLAYER New playback engine and multi shot timeline with support for custom playlists, storyboards, version tracking, annotation notes and more. NEW FORMATS ProRes, DNxHR and MXF support for seamlessly transferring shots between DaVinci Resolve, Fusion and other applications. GPU ACCELERATION In addition to standard GPU acceleration, many of Fusion’s tools now use OpenCL so they can compute on the GPU, making Fusion faster than ever. HOLLYWOOD’S BIGGEST BLOCKBUSTERS Thousands of Hollywood’s biggest blockbusters and hit television shows use Fusion to create their groundbreaking visual effects. Fusion has been used on feature films like The Hunger Games, Dr Strange and Guardians of the Galaxy, as well as hit television shows like Empire, NCIS and American Horror Story. Fusion also plays a major role in the development of cinematics for major video games such as Dawn of War III, Halo 5 and more. NODES ARE A MUCH FASTER WAY TO WORK. Nodes are incredibly easy to use, especially as scenes become more complex. Fusion’s nodes are small icons that represent effects, filters and other image processing operations. Nodes can be easily connected together to build larger and more complex visual effects. Tools, images, and objects can be combined in any order to create unlimited visual effects. Simply click on a node to quickly adjust any single part of your project. That’s much faster than a timeline based tool because you don’t need to hunt through nested stacks of confusing layers and filters. GET THE MOST POWERFUL VFX SOFTWARE AVAILABLE. Whether you need to pull a key, track objects, retouch images, animate titles, or create amazing particle effects, Fusion has a massive toolset that lets you tackle the most demanding jobs. You get a true 3D workspace along with tools for compositing, keying, painting, animation, virtual reality, stereoscopic 3D and more. Fusion combines effects and motion graphics, along with 3D modeling and rendering into a single toolset. That means you can import and render 3D models and scenes with the rest of your composite in Fusion. You don’t have to pre‑render assets or transfer between multiple applications. BROADCAST GRAPHICS AND TITLES ANIMATED TEXT Powerful character generators let you create incredible animated 2D or 3D text and title sequences in any language. 3D MOTION GRAPHICS Create advanced motion graphics with incredible depth using Fusion’s infinite 3D workspace to seamlessly combine vector graphics, live action and 3D objects. 3D PARTICLE SYSTEMS Create amazing 3D animated particle effects with real world physics like gravity, wind, and collision so particles can interact with objects in your scene. VISUAL EFFECTS AND COMPOSITING TRUE 3D COMPOSITING Combine live action with 3D models, cameras, lights and more in a true 3D workspace to create amazing, photorealistic effects and motion graphics. FAST MOTION TRACKING Match moves, stabilize cameras and track rotoscope points or paint strokes so objects and effects blend seamlessly and in perfect synchronization. POWERFUL KEYING Key any element using the new Delta keyer, Primatte, Ultra, Chroma, Luma and Differential keyers to create the best possible composite. VECTOR PAINT AND ROTOSCOPING Advanced vector paint and rotoscoping tools let you create masks and mattes for applying effects and image corrections to specific parts of an image. OPTICAL FLOW IMAGE ANALYSIS Fusion Studio uses advanced optical flow algorithms to generate motion vectors so you can fix shots, retime, steady and morph images with astounding results. STEREOSCOPIC 3D TOOLS Fusion Studio includes the world’s most advanced camera matching, stereo alignment, convergence and spatialization tools for creating realistic, eye popping stereo 3D. UNLIMITED FILTERS AND EFFECTS Fusion includes hundreds of built-in tools that can be combined together or, in Fusion Studio, with third party filters to create an unlimited number of effects. VIRTUAL REALITY AND 3D PANORAMIC VIEWER Use the new Panoramic Viewer to work in 360º VR environments, or wear popular VR headsets and get incredible interactivity so you can see your work in realtime. IMPORT AND RENDER 3D MODELS Import full 3D models from applications like Maya, 3ds Max and Cinema 4D, then use Fusion to light, shade, composite and render with full GPU acceleration. DEEP PIXEL COMPOSITING Take advantage of both RGB color and XYZ position information in each pixel when using OpenEXR files so you can blend 2D images with 3D elements like volumetric fog and lights with interactive control. SCRIPTING AND AUTOMATION Built on an extensible and customizable framework, Fusion allows game developers, 3D feature film animators and media artists to use its open architecture to extend their own internal systems. Fusion supports both Lua and Python, a popular and intuitive scripting solution used by animators worldwide. You can save time by writing scripts to create custom tools, pass data back and forth between Fusion and other applications, automate repetitive tasks, and even add entirely new features. GPU ACCELERATED CREATIVE WORKFLOW Fusion is extremely fast and responsive enough to be used in high pressure, client driven sessions. With its GPU acceleration, you get instant feedback while you work so you can see exactly what you’re doing. Fusion 9 features more GPU and OpenCL pipelining than ever so whether you’re working alone or with a client, you get the real time control you need. That means you’ll be able to spend more time being creative and less time waiting. Fusion is so fast that you can even work in VR while wearing a headset and still get over 90 frames per second of interactivity. UNLIMITED RENDER POWER Fusion has the world’s fastest production quality render engine. With Fusion Studio, you can even distribute your render jobs across an unlimited number of networked computers for incredible performance, at no additional cost. There’s no “per node” render license fees. Simply install it on as many render nodes as you need. That means you can render complex scenes incredibly fast to meet the intense deadlines of production, without having to sacrifice creativity or quality. FUSION CONNECT Fusion Connect lets DaVinci Resolve and Avid Media Composer editors take advantage of Fusion’s massive visual effects and motion graphics toolset, right from their timelines. Editors can select individual clips or layers of clips and send them to Fusion. A new Fusion composition is automatically created and linked dynamically back to the timeline. You can work on the VFX and motion graphics yourself or, if you’re on shared storage, let another artist work on them for you. Once the Fusion composition is rendered, the shots are automatically updated back in the DaVinci Resolve or Avid Media Composer timelines. COLLABORATE WITH LARGE TEAMS When you’re working with a large creative team, Fusion Studio also includes the new Studio Player application. Studio Player features a single layer timeline with basic shot trimming, storyboard tools, versioning and annotation notes. Fusion Studio also features a bin server to let everyone share and see common assets that are needed for the job. That means you don’t have to copy and track multiple elements on different computers.

Blackmagic BMD-CONVMCSAUD4K SD/HD/3G-SDI audio de embedder to 8 ch AES/EBU or 4 ch analogue audio

Blackmagic BMD-CONVMCSAUD4K (BMDCONVMCSAUD4K, BMD CONVMCSAUD4K, BMD/CONVMCSAUD4K, bmd-convmcsaud4k) SD/HD/3G-SDI audio de embedder to 8 ch AES/EBU or 4 ch analogue audio. Mini Converter SDI to Audio 4K includes everything you need to de-embed 4 channels of analogue audio or 8 channels of AES/EBU digital audio from any SDI video connection. Now you can access the audio in any SDI video connection for output to a massive range of audio equipment such as audio mixers, analogue broadcast decks, audio monitors and more. Mini Converters include the latest 6G-SDI technology, plus automatically detect the input video format and instantly change between virtually all SD, HD and Ultra HD video standards. Simply plug in and Mini Converters will convert between your equipment all automatically. You get advanced features such as redundant SDI inputs, re-clocked loop outputs and full analog and AES/EBU audio inputs and outputs so you can convert between formats as well as embed or de-embed audio all on the one converter. Choose from a range of 13 models depending on the conversion you need. Easy To Use Features Broadcast, post production and professional AV environments are built using SDI equipment and cabling. It’s essential when converting to and from SDI that you maintain the highest possible video and audio quality. Mini Converters are compact, affordable and easy-to-use. Settings can be changed quickly using built-in mini switches, and with a diagram showing pin settings printed on the back you never need to refer to a manual. Mini Converters use standard broadcast video and audio connections, so you get the convenience and cost savings of using your own cables. Ultra HD and 6G-SDI Technology Make the move to Ultra HD, the broadcast standard of the future, easy. Be prepared now by installing equipment that is fully compatible with all your SD and HD-SDI infrastructure, but will also switch over to Ultra HD via 6G-SDI when you need to run Ultra HD. This means you're ready for the future and can build your system with full Ultra HD compatibility. Ultra HD features an incredible 4 times the resolution of regular 1080 HD video for a massive 3840 x 2160 frame size. The advanced 6G-SDI design also means the new Blackmagic Mini Converters models perform better when used in SD and HD formats than simple HD only converters. Highest Quality Processing With the highest quality video processing, Mini Converters are ideal for all broadcast, post production and professional AV applications. Multiple internal power supplies ensure incredibly low noise levels when moving between analogue and digital video formats. Specific models include up/down/cross conversion that lets you move easily between PAL and NTSC SD video standards and the high number of HD formats in up to 3840 x 2160 Ultra HD resolutions. Easy Settings Control Changing Mini Converter's built-in mini switch settings is as easy as using a pen. This is great when you need to change settings quickly as there are no complicated menus to navigate. You can also control settings using the included Converter Utility software. Connect a Mini Converter to any Mac OS X or Windows based laptop or desktop computer. All models can be updated via USB 2.0 by simply downloading software upgrades directly from the Blackmagic Design website.

Blackmagic BMD-CONVMCAUDS4K SD/HD/3G-SDI audio embedder from 8 ch AES/EBU or 4 ch analog audio

Blackmagic BMD-CONVMCAUDS4K ( BMDCONVMCAUDS4K, BMD CONVMCAUDS4K, BMD/CONVMCAUDS4K, bmd-convmcauds4k ) SD/HD/3G-SDI audio embedder from 8 ch AES/EBU or 4 ch analog audio. Mini Converter Audio to SDI 4K includes everything you need to embed 4 channels of analogue audio or 8 channels of AES/EBU digital audio into any SDI video connection. Now you can embed professional audio from devices such as audio mixers and analogue decks into SDI video connections for use with SDI routers and decks or to add extra audio channels to video converters. Mini Converters include the latest 6G-SDI technology, plus automatically detect the input video format and instantly change between virtually all SD, HD and Ultra HD video standards. Simply plug in and Mini Converters will convert between your equipment all automatically. You get advanced features such as redundant SDI inputs, re-clocked loop outputs and full analog and AES/EBU audio inputs and outputs so you can convert between formats as well as embed or de-embed audio all on the one converter. Choose from a range of 13 models depending on the conversion you need. Easy To Use Features Broadcast, post production and professional AV environments are built using SDI equipment and cabling. It’s essential when converting to and from SDI that you maintain the highest possible video and audio quality. Mini Converters are compact, affordable and easy-to-use. Settings can be changed quickly using built-in mini switches, and with a diagram showing pin settings printed on the back you never need to refer to a manual. Mini Converters use standard broadcast video and audio connections, so you get the convenience and cost savings of using your own cables. Ultra HD and 6G-SDI Technology Make the move to Ultra HD, the broadcast standard of the future, easy. Be prepared now by installing equipment that is fully compatible with all your SD and HD-SDI infrastructure, but will also switch over to Ultra HD via 6G-SDI when you need to run Ultra HD. This means you're ready for the future and can build your system with full Ultra HD compatibility. Ultra HD features an incredible 4 times the resolution of regular 1080 HD video for a massive 3840 x 2160 frame size. The advanced 6G-SDI design also means the new Blackmagic Mini Converters models perform better when used in SD and HD formats than simple HD only converters. Highest Quality Processing With the highest quality video processing, Mini Converters are ideal for all broadcast, post production and professional AV applications. Multiple internal power supplies ensure incredibly low noise levels when moving between analogue and digital video formats. Specific models include up/down/cross conversion that lets you move easily between PAL and NTSC SD video standards and the high number of HD formats in up to 3840 x 2160 Ultra HD resolutions. Easy Settings Control Changing Mini Converter's built-in mini switch settings is as easy as using a pen. This is great when you need to change settings quickly as there are no complicated menus to navigate. You can also control settings using the included Converter Utility software. Connect a Mini Converter to any Mac OS X or Windows based laptop or desktop computer. All models can be updated via USB 2.0 by simply downloading software upgrades directly from the Blackmagic Design website

Blackmagic BMD-TERANEXEXP12GDL Teranex Express

Blackmagic BMD-TERANEXEXP12GDL ( BMDTERANEXEXP12GDL, BMD TERANEXEXP12GDL, BMD/TERANEXEXP12GDL, bmd-teranexexp12gdl ) Teranex Express 12G-SDI real time SD, HD and Ultra HD up and down converter. Introducing Teranex Express, the world’s first real time SD, HD and Ultra HD broadcast up and down converter. Featuring advanced patented algorithms, Teranex Express gives you visually transparent quality conversions and are mandated by major broadcasters and studios worldwide. You get an incredible 178 SD, HD and Ultra HD conversions in full 10-bit quality complete with audio, closed captions, timecode and more.   Use Anywhere Perfect for live events, post and broadcast power supply   Imagine converting your SD to HD all the way up to Ultra HD in real time for presentation on massive outdoor LED displays, digital signs and live concerts or sporting events. Teranex Express is perfect as a dedicated up and down converter between broadcast equipment in television studios, and for remastering older SD and HD tapes into Ultra HD. You can even use Teranex Express in outside broadcast vehicles to up or down convert and synchronize video feeds instantly for live broadcast.   Featuring the familiar Teranex 2D and 3D control panel, Teranex Express has all of the controls you need at your fingertips. The built in LCD monitor lets you easily navigate menus and see source format and frame rate with live video, so you don’t have to use an external monitor. With an elegant machined metal front panel, its compact 1RU size and built in international power supply, Teranex Express not only looks great in your studio, but is also perfect for portable racks and outside broadcast vehicles.   Use Anywhere Transparent conversions between SD, HD and Ultra HD   Teranex Express can perform an incredible 178 up/down conversions between SD, HD, and Ultra HD in real time. You can use Teranex Express for video conversions or to synchronize non genlocked, external feeds, or cameras into switchers for live production. Conversions retain timecode, include closed caption data, and always maintain perfect audio sync so your video is immediately ready for editing or broadcast.   Advanced Connections Broadcast quality connections for 24/7 reliability   Teranex Express features the most advanced broadcast connections, including the world’s first dual link 12G-SDI that is compatible with all of your existing SDI equipment. The genlock input lets you synchronize signals between equipment and for larger studios, you can install an optional fiber optic module that lets you run video from up to 28 miles away.   12G-SDI High speed multi-rate SDI for SD, HD and Ultra HD   Teranex Express is the world’s first broadcast converter to include multi-rate 12G-SDI connections. That means it can switch between 6G-SDI, 3G-SDI, HD-SDI and SD-SDI making it compatibile with all of your existing SD, HD, and Ultra HD equipment. These connections can transfer data at an amazing 12 gigabits per second, making them fast enough to support progressive Ultra HD video at up to 60fps. That means Teranex Express will be able to support emerging formats when they become available, making it the most expandable and future proof solution you can buy.   Teranex Quality Amazing detail, sharpness and clarity   Teranex Express features the advanced processing technology developed and patented by Teranex, which allows instant calculations on thousands of pixels simultaneously. You get full 10 bit processing, extremely high quality de-interlace and new optical quality Ultra HD scaling algorithms that interpolate images in real time with amazing detail, sharpness and clarity without artifacts. That’s why Teranex conversions are indistinguishable from the original source video.   High Quality Deinterlace Patented PixelMotion technology and multi direction filtering   Teranex’s proprietary and patented PixelMotion deinterlacing algorithms create perfect progressive frames for conversion by adjusting the aperture on a pixel by pixel basis. That means you get improved image quality because the vertical resolution is maintained. PixelMotion deinterlacing preserves source detail and, when combined with multi direction diagonal filters, eliminates jaggies on conversions so you get well defined edges and the sharpest images possible.   Video Control Adjust colour, aspect ratio and more.   Now you can quickly and easily find the tools you need to correct colour, convert formats or change aspect ratio. Teranex Express features a logically designed front panel and soft menus so you can adjust luminance, saturation, hue, black level, R-Y/B-Y colour difference, sharpness, and more with the built in proc amp controls. Teranex Express features an integrated LCD screen on the front panel so you can make adjustments with confidence during live broadcasts.   Ancillary Data Multi channel audio, timecode and subtitles   Video includes a lot more than images, and Teranex supports conversion of up to 16 audio channels plus timecode and closed caption VANC data. Teranex Express is also compatible with Dolby encoded audio, so it never has to be decoded or re-encoded during up and down conversions. With Teranex Express your subtitles are always retained and both audio and timecode always stay in perfect sync with your video.   Mandated By Broadcasters Teranex is asked for by name worldwide.   Teranex processing is so well known for quality that it has been mandated globally by many country’s broadcasters for converting video. Because of its patented 10-bit processing algorithms and high quality deinterlacing, Teranex conversions look perfect, making distribution simple and problem free.

Blackmagic BMD-BDLKSTUDIO4K DeckLink Studio 4K

Blackmagic BMD-BDLKSTUDIO4K ( BMDBDLKSTUDIO4K, BMD BDLKSTUDIO4K, BMD/BDLKSTUDIO4K, bmd-bdlkstudio4k ) DeckLink Studio 4K. Capture and playback 6G-SDI, HDMI 4K and analogue in SD, HD and Ultra HD DeckLink capture and playback cards are used every day in the production of television commercials, music videos, episodic television programs and Hollywood feature films. With cutting edge technologies built in, you get the highest quality video and maximum reliability. No other capture cards support more applications and more platforms than DeckLink, so you can always work with your favorite software. Every DeckLink PCIe card can be installed in Mac, Windows and Linux based workstations and media servers to give you ultimate flexibility. DECKLINK STUDIO 4K If you work with a wide range of analog video and audio gear, and need to move seamlessly between SD, HD, 2K and Ultra HD, then DeckLink Studio 4K is perfect. DeckLink Studio 4K includes a massive number of analogue and digital video connections including SD/HD/Ultra HD 6G-SDI, HDMI 1.4b, SD/HD component, composite, S-video, 4 ch balanced analogue audio, 2 ch AES/EBU switchable to 6 ch out, black burst and tri-sync reference input, RS-422 deck control connections, keying in SD and a hardware down converter. Perform editing, paint and broadcast design with the ultimate future proof design. PERFECT FOR POST PRODUCTION SD, HD, 3D and Ultra HD 4K. Work with any video format and resolution that you need. Capture from cameras, decks and live feeds directly into editing, effects and design software applications. DeckLink Studio 4K and DeckLink SDI 4K feature high resolution Ultra HD, while 4K Extreme also includes 4:4:4 image quality, 3D stereoscopic for advanced feature film visual effects, editing and colour correction. There are DeckLink models to support either file or tape based workflows to precisely deliver perfect monitoring in editing and grading suites using professional SDI monitors, HDMI televisions and even video projectors. UNRIVALED VIDEO QUALITY DeckLink lets you work with compressed video formats such as ProRes and DNxHD as well as 10-bit uncompressed video. When working with uncompressed video, all images are a mathematically perfect pixel-for-pixel clone of the source, without any generational loss, so you have the confidence you’re working at the absolute highest quality possible. Get sharper keying with green screens, cleaner compositions, superior colour correction and more. Support for industry leading file formats ensures that you can maintain high quality throughout post production should you need to use video compression. ADVANCED TECHNOLOGY Get the latest 6G-SDI technology so you can capture and playback in full resolution Ultra HD video, while remaining fully compatible with all SD and HD-SDI equipment. That's 4 times the resolution of regular 1080 HD video at a massive 3840 x 2160 image size. DeckLink SDI 4K, DeckLink Studio 4K and DeckLink 4K Extreme include 6G-SDI as standard while the advanced DeckLink 4K Extreme model includes dual 6G-SDI inputs and outputs for higher colour resolution, dual stream 3D stereoscopic support and even higher frame rates! DeckLink 4K Extreme is the perfect choice for DaVinci Resolve colour correction.

Blackmagic BMD-BDLKSDI4K Capture and playback with 6G-SDI for SD, HD, 2K and Ultra HD

Blackmagic BMD-BDLKSDI4K ( BDLKSDI4K, BMDBDLKSDI4K, BMD BDLKSDI4K, BMD/BDLKSDI4K, bmd-bdlksdi4k ) Capture and playback with 6G-SDI for SD, HD, 2K and Ultra HD. DeckLink capture and playback cards are used every day in the production of television commercials, music videos, episodic television programs and Hollywood feature films. With cutting edge technologies built in, you get the highest quality video and maximum reliability. No other capture cards support more applications and more platforms than DeckLink, so you can always work with your favorite software. Every DeckLink PCIe card can be installed in Mac, Windows and Linux based workstations and media servers to give you ultimate flexibility. DECKLINK SDI 4K DeckLink SDI 4K is perfect when you need an SDI only solution but demand the highest quality SDI capture and playback. You get incredible quality 6G-SDI on any PCI Express Mac, Windows or Linux computer. DeckLink SDI 4K is the world's smallest and most affordable multi rate SD/HD and Ultra HD SDI video card that lets you connect to any SD, HD, 2K and Ultra HD equipment. You also get RS422 deck control, internal keying and reference input for a complete solution for editing, paint and design. PERFECT FOR POST PRODUCTION SD, HD, 3D and Ultra HD 4K. Work with any video format and resolution that you need! Capture from cameras, decks and live feeds directly into editing, effects and design software applications. DeckLink Studio 4K and DeckLink SDI 4K feature high resolution Ultra HD, while 4K Extreme also includes 4:4:4 image quality, 3D stereoscopic for advanced feature film visual effects, editing and colour correction. There are DeckLink models to support either file or tape based workflows to precisely deliver perfect monitoring in editing and grading suites using professional SDI monitors, HDMI televisions and even video projectors. UNRIVALED VIDEO QUALITY DeckLink lets you work with compressed video formats such as ProRes and DNxHD as well as 10-bit uncompressed video. When working with uncompressed video, all images are a mathematically perfect pixel-for-pixel clone of the source, without any generational loss, so you have the confidence you’re working at the absolute highest quality possible. Get sharper keying with green screens, cleaner compositions, superior colour correction and more. Support for industry leading file formats ensures that you can maintain high quality throughout post production should you need to use video compression. ADVANCED TECHNOLOGY   Get the latest 6G-SDI technology so you can capture and playback in full resolution Ultra HD video, while remaining fully compatible with all SD and HD-SDI equipment! That’s 4 times the resolution of regular 1080 HD video at a massive 3840 x 2160 image size! DeckLink SDI 4K, DeckLink Studio 4K and DeckLink 4K Extreme include 6G-SDI as standard while the advanced DeckLink 4K Extreme model includes dual 6G-SDI inputs and outputs for higher colour resolution, dual stream 3D stereoscopic support and even higher frame rates! DeckLink 4K Extreme is the perfect choice for DaVinci Resolve colour correction.

Blackmagic BMD-CONVMSDIDA4K Distribute to 8 x SDI outputs in all formats including SDI, HD-SDI, 3G-SDI and 6G-SDI.

Blackmagic BMD-CONVMSDIDA4K ( BMDCONVMSDIDA4K, BMD CONVMSDIDA4K, BMD/CONVMSDIDA4K, bmd-convmsdida4k ) Distribute to 8 x SDI outputs in all formats including SDI, HD-SDI, 3G-SDI and 6G-SDI. The Blackmagic Mini Converter range are the worlds most advanced converters because they include the latest 6G-SDI technology, plus automatically detect the input video format and instantly change between virtually all SD, HD and Ultra HD video standards! Simply plug in and Mini Converters will convert between your equipment all automatically. You get advanced features such as redundant SDI inputs, re-clocked loop outputs and full analog and AES/EBU audio inputs and outputs so you can convert between formats as well as embed or de-embed audio all on the one converter. SDI DISTRIBUTION 4K When you need to connect to multiple SDI devices, then Mini Converter SDI Distribution 4K is the perfect solution. Connect a single SDI source to 8 re-clocked SDI outputs with automatic switching between all SD-SDI, HD-SDI, 3G-SDI and 6G-SDI video formats, plus all ASI, ancillary and embedded audio formats. EASY TO USE FEATURES Broadcast, post production and professional AV environments are built using SDI equipment and cabling. It’s essential when converting to and from SDI that you maintain the highest possible video and audio quality. Mini Converters are compact, affordable and easy-to-use. Settings can be changed quickly using built-in mini switches, and with a diagram showing pin settings printed on the back you never need to refer to a manual! Mini Converters use standard broadcast video and audio connections, so you get the convenience and cost savings of using your own cables. ULTRA HD AND 6G-SDI TECHNOLOGY Make the move to Ultra HD, the broadcast standard of the future, easy! Be prepared now by installing equipment that is fully compatible with all your SD and HD-SDI infrastructure, but will also switch over to Ultra HD via 6G-SDI when you need to run Ultra HD! This means you’re ready for the future and can build your system with full Ultra HD compatibility! Ultra HD features an incredible 4 times the resolution of regular 1080 HD video for a massive 3840 x 2160 frame size! Ultra HD is amazing! The advanced 6G-SDI design also means the new Blackmagic Mini Converters models perform better when used in SD and HD formats than simple HD only converters. STANDARD AUDIO CONNECTIONS Mini Converters support embedded SDI and HDMI audio and several models let you separately embed or de-embed analogue or digital audio. Mini Converters support 24 bit analogue and AES/EBU audio and use standard 1/4" audio jacks so you don't need custom cables. HIGHEST QUALITY PROCESSING With the highest quality video processing, Mini Converters are ideal for all broadcast, post production and professional AV applications. Multiple internal power supplies ensure incredibly low noise levels when moving between analog and digital video formats. Specific models include up/down/cross conversion that lets you move easily between PAL and NTSC SD video standards and the high number of HD formats in up to 3840 x 2160 Ultra HD resolutions. EASY SETTINGS CONTROL Changing Mini Converter's built-in mini switch settings is as easy as using a pen. This is great when you need to change settings quickly as there are no complicated menus to navigate. You can also control settings using the included Converter Utility software. Connect a Mini Converter to any Mac OS X or Windows based laptop or desktop computer. All models can be updated via USB 2.0 by simply downloading software upgrades directly from the Blackmagic Design website.

Blackmagic BMD-CONVMASA4K Convert SDI in SD, HD or UltraHD to analogue video with down converter and audio.

Blackmagic BMD-CONVMASA4K ( CONVMASA4K, BMDCONVMASA4K, BMD CONVMASA4K, BMD/CONVMASA4K, bmd-convmasa4k) Convert SDI in SD, HD or UltraHD to analogue video with down converter and audio. The Blackmagic Mini Converter range are the worlds most advanced converters because they include the latest 6G-SDI technology, plus automatically detect the input video format and instantly change between virtually all SD, HD and Ultra HD video standards. Simply plug in and Mini Converters will convert between your equipment all automatically. You get advanced features such as redundant SDI inputs, re-clocked loop outputs and full analog and AES/EBU audio inputs and outputs so you can convert between formats as well as embed or de-embed audio all on the one converter. SDI to Analog 4K Mini Converter SDI to Analog 4K includes everything you need to convert from SD, HD, 3G and 6G-SDI video to analogue in HD/SD component, NTSC and PAL video. The built in down converter means you can even connect Ultra HD sources to component video in SD or HD as well as NTSC and PAL video. Easily connect any analog equipment such as Betacam SP, VHS, and video monitors. Easy To Use Features Broadcast, post production and professional AV environments are built using SDI equipment and cabling. It’s essential when converting to and from SDI that you maintain the highest possible video and audio quality. Mini Converters are compact, affordable and easy-to-use. Settings can be changed quickly using built-in mini switches, and with a diagram showing pin settings printed on the back you never need to refer to a manual. Mini Converters use standard broadcast video and audio connections, so you get the convenience and cost savings of using your own cables. Ultra HD and 6G-SDI Technology Make the move to Ultra HD, the broadcast standard of the future, easy. Be prepared now by installing equipment that is fully compatible with all your SD and HD-SDI infrastructure, but will also switch over to Ultra HD via 6G-SDI when you need to run Ultra HD. This means you’re ready for the future and can build your system with full Ultra HD compatibility. Ultra HD features an incredible 4 times the resolution of regular 1080 HD video for a massive 3840 x 2160 frame size. Ultra HD is amazing. The advanced 6G-SDI design also means the new Blackmagic Mini Converters models perform better when used in SD and HD formats than simple HD only converters. Standard Audio Connections Mini Converters support embedded SDI and HDMI audio and several models let you separately embed or de-embed analogue or digital audio. Mini Converters support 24 bit analogue and AES/EBU audio and use standard 1/4" audio jacks so you don't need custom cables. Highest Quality Processing With the highest quality video processing, Mini Converters are ideal for all broadcast, post production and professional AV applications. Multiple internal power supplies ensure incredibly low noise levels when moving between analog and digital video formats. Specific models include up/down/cross conversion that lets you move easily between PAL and NTSC SD video standards and the high number of HD formats in up to 3840 x 2160 Ultra HD resolutions. Easy Settings Control Changing Mini Converter's built-in mini switch settings is as easy as using a pen. This is great when you need to change settings quickly as there are no complicated menus to navigate. You can also control settings using the included Converter Utility software. Connect a Mini Converter to any Mac OS X or Windows based laptop or desktop computer. All models can be updated via USB 2.0 by simply downloading software upgrades directly from the Blackmagic Design website.

Blackmagic BMD-CONVMSYNC Tri-Sync and Black Burst generator with 6 video reference outputs for SD and HD

Blackmagic BMD-CONVMSYNC ( BMDCONVMSYNC, BMD/CONVMSYNC, BMD CONVMSYNC, bmd-convmsync ) Tri-Sync and Black Burst generator with 6 video reference outputs for SD and HD Mini Converter Sync Generator includes 6 crystal stabilized video reference outputs for referencing all the video equipment in your studio in either high definition Tri-Sync or standard definition Black Burst television standards. Auto Switching SD and HD  Mini Converters instantly switch between standard definition and high definition video formats and change over is automatic when the video input changes. A huge range of video standards are supported including, NTSC, PAL, 1080i/59.94, 1080i/50, 1080psf/23.98, 1080psf/24, 720p/59.94 and 720p/50 formats, plus new formats can be added via USB. Redundant SDI Input Mini Converters feature a unique redundant input for mission critical tasks such as broadcast or live events. You can connect a redundant cable to the second input, so if the main input is lost due to cable damage or any other cause, Mini Converter will automatically switch over to the redundant input cable. This lets you use Mini Converters in locations where crowds or the environment might cause cable damage, or lets you place Mini Converters in hard to reach locations such as roof mounted video projectors etc. A loop though SDI output is also provided for connecting to other devices. A loop-thru SDI connection is also great if you need more than 2 audio channels, as you can connect the loop-thru to another Mini Converter to de-embedd extra audio channels! New 3 Gb/s SDI Technology  Only Mini Converters include the latest 3 Gb/s SDI technology and upgrades can be loaded via the built in USB connection for future video format compatibility. 3 Gb/s SDI is also fully compatible with all your standard definition and high definition SDI equipment. Built in AES/EBU or Analogue Audio Standard 1/4 inch jacks are built in for balanced analogue or AES/EBU audio. Because Mini Converters use standard 1/4 inch jack connectors for all audio connections, you can use standard cables commonly avalible from any pro audio store. Unlike other converters, Mini Converters don't need custom cables, as any balanced 1/4 inch jack cable can be used. Mini Converters are also unique as the same 1/4 inch jack connections can be switched between professional balanced analogue audio, or AES/EBU digital audio. This means you only need one model of Mini Converter for both analogue and digital audio. You can select the type of audio from one of the mini switches on the side of the Mini Converter unit. On modes with AES/EBU digital audio in, a sample rate converter lets you connect to any AES/EBU source, either synchronized, or un-syncronised. On HDMI models, you also have full access to the HDMI audio embedded in the HDMI video connection. High Quality  Mini Converters are built to highest quality standards with low SDI jitter so you get the longest SDI cable lengths combined with multiple internal power supplies for ultra low noise broadcast quality analogue video and audio. Unlike other converters, Mini Converters don't use "low grade" video electronics just to save cost. Mini Converters feature the highest grade broadcast quality analogue audio and video electronics. In fact, Mini Converters uses the same analogue video design as our most expensive and award winning Multibridge Eclipse! That means you get the highest quality, all in a very affordable and incredibly compact unit. International Power Supply   Unlike other converters, a universal power supply is included with international socket adapters for all countries. This lets you take Mini Converters with you to any location worldwide, and plug directly into the local power sockets. To stop power accidentally being disconnected, a cable tie point is included to lock down the power connection tight.

Blackmagic BMD-CONVMAAS2 Convert from analogue HD/SD video to SDI

Blackmagic BMD-CONVMAAS2 ( BMDCONVMAAS2, BMD CONVMAAS2, BMD/CONVMAAS2, bmd-convmaas2 ) Convert from analogue HD/SD video to SDI. Mini Converter Analogue to SDI is perfect for converting from analogue video in HD/SD component, NTSC, PAL or S-Video to SDI video with the choice to embed SDI audio from balanced AES/EBU or analogue audio inputs. Now you can convert analogue devices such as Betacam SP, VHS, Set top box's and HDV cameras to SDI video. Auto Switching SD and HD  Mini Converters instantly switch between standard definition and high definition video formats and change over is automatic when the video input changes. A huge range of video standards are supported including, NTSC, PAL, 1080i/59.94, 1080i/50, 1080psf/23.98, 1080psf/24, 720p/59.94 and 720p/50 formats, plus new formats can be added via USB. New 3 Gb/s SDI Technology  Only Mini Converters include the latest 3 Gb/s SDI technology and upgrades can be loaded via the built in USB connection for future video format compatibility. 3 Gb/s SDI is also fully compatible with all your standard definition and high definition SDI equipment. Built in AES/EBU or Analogue Audio Standard 1/4 inch jacks are built in for balanced analogue or AES/EBU audio. Because Mini Converters use standard 1/4 inch jack connectors for all audio connections, you can use standard cables commonly avalible from any pro audio store. Unlike other converters, Mini Converters don't need custom cables, as any balanced 1/4 inch jack cable can be used. Mini Converters are also unique as the same 1/4 inch jack connections can be switched between professional balanced analogue audio, or AES/EBU digital audio. This means you only need one model of Mini Converter for both analogue and digital audio. You can select the type of audio from one of the mini switches on the side of the Mini Converter unit. On modes with AES/EBU digital audio in, a sample rate converter lets you connect to any AES/EBU source, either synchronized, or un-syncronised. On HDMI models, you also have full access to the HDMI audio embedded in the HDMI video connection. High Quality  Mini Converters are built to highest quality standards with low SDI jitter so you get the longest SDI cable lengths combined with multiple internal power supplies for ultra low noise broadcast quality analogue video and audio. Unlike other converters, Mini Converters don't use "low grade" video electronics just to save cost. Mini Converters feature the highest grade broadcast quality analogue audio and video electronics. In fact, Mini Converters uses the same analogue video design as our most expensive and award winning Multibridge Eclipse! That means you get the highest quality, all in a very affordable and incredibly compact unit. International Power Supply Unlike other converters, a universal power supply is included with international socket adapters for all countries. This lets you take Mini Converters with you to any location worldwide, and plug directly into the local power sockets. To stop power accidentally being disconnected, a cable tie point is included to lock down the power connection tight. Blackmagic Design Mini ConvertersChanging Settings  With Blackmagic Design's Mini Converters, it's as simple as using a pen to change settings. Settings vary between models, and include settings such as AES/EBU or analog audio, analog video connections, and more. Blackmagic Design Mini ConvertersCinema Style Monitoring  With the Blackmagic Design SDI to HDMI Mini Converter you can utilize a HDMI Television for budget sensitive client monitoring. Simply connect your SDI signal into the SDI to HDMI Mini Converter and then plug your HDMI cable to either a big screen HDMI television or video projector. Can you just imagine how incredible it would be having a massive 60 inch flat screen TV for your client monitoring. Blackmagic Design Mini ConvertersGo the Distance  SDI video connects long distances up to 100m, so you can connect everyone together in your facility. Cables are simple BNC coax cables so you can easily make cables to the perfect length for your needs. Industry Standard Format  Connect to any SDI deck for all industry tape formats, from DV, Digital Betacamâ„¢, D1, up to HDCAM SRâ„¢ and HD D-5. Using capture cards such as  Blackmagic Design's DeckLink, you can capture to formats such as JPEG, DV to uncompressed 8 bit, 10 bit or RGB 10 bit. Blackmagic Design Mini ConvertersUncompressed Video Quality   SDI uses a higher data rate than DV, so its got the speed to handle full resolution video in standard definition or high definition completely uncompressed. That means you can preserve video quality until you need to compress the video - such as the final compression pass for streaming or broadcast.

Blackmagic BMD-BINTSPRO4K Capture and playback for PCIe computers in NTSC/PAL, HD and Ultra HD video

Blackmagic BMD-BINTSPRO4K ( BMDBINTSPRO4K, BMD BINTSPRO4K, BMD BINTSPRO4K, bmd-bintspro4k ) Capture and playback for PCIe computers in NTSC/PAL, HD and Ultra HD video. Introducing the new Intensity Pro 4K, the easiest and highest quality way to capture video on your computer. Intensity Pro 4K has all the same great features of the original Intensity Pro capture card but now you also get Ultra HD and 1080p60 high frame rate support. Now you can capture Ultra HD images at up to 30 frames per second or 1080HD at an incredible 60 frames per second. You can save files with or without compression and use it with the most popular Mac and Windows video software. Intensity Pro 4K also includes DaVinci Resolve Lite so you get a full capture and playback solution along with professional video editing and colour grading, without having to buy any extra software. CONNECT AND CAPTURE FROM ANYTHING Edit and stream video, capture gameplay or convert old tapes. Whether you're editing video and you need a realtime preview on a big screen TV, if you're a hardcore gamer creating high frame rate walk throughs of your latest gameplay, or you’re trying to save family videos from old VHS tapes, Intensity Pro 4K has all the video connections and features you need! Intensity Pro 4K includes both analogue and digital connections that let you easily plug in everything from older VHS decks to the latest big screen 4K televisions! You can even connect your cameras and use Intensity Pro 4K for live streaming, video conferencing, presentations and more. HIGHEST QUALITY CONNECTIONS Connect to all of your SD, HD and Ultra HD devices. Intensity Pro 4K features the highest quality HDMI and analogue connections so you always get the best looking video possible. Intensity Pro 4K includes HDMI connectors for working with the latest HD and Ultra HD equipment, as well as analogue YUV, S-Video, and NTSC/PAL connections for working with older analogue televisions, videotape players and more. That means Intensity Pro 4K works with everything from your old VHS decks and DVD players all the way up to the latest gaming consoles and big screen Ultra HD televisions. SD, HD AND ULTRA HD Supports video formats up to 1080p60 and 2160p30. Intensity Pro 4K works with everything from NTSC, PAL, 720HD, 1080HD and all the way up to Ultra HD, the world’s newest video standard. Ultra HD has a massive resolution of 3840 x 2160 pixels which is four times the resolution of regular 1080HD. That means you get an amazing, lifelike experience because the images are incredibly sharp, colours literally pop off the screen and you’ll be able to see more detail than ever! With Intensity Pro 4K you can capture full 10-bit quality YUV video and deep colour from the latest game consoles. INTENSE GAME CAPTURE Capture every thrilling moment of your latest gaming adventure. Today’s HD game consoles can run up to 60 frames per second so you get the smoothest motion during even the fastest paced gameplay. That’s double the frame rate of ordinary HD video. The latest consoles also feature deep colour, so you get dramatically better colour for a more realistic gaming experience. Intensity Pro 4K can capture 1080 HD video at up to 60 frames per second. That means you can capture every heart pounding detail of gameplay and create the most amazing looking walk through videos for posting online to share with your audience. ARCHIVE OLD TAPES AND DVDS Preserve your most valuable video forever. Rescue your old VHS, BetaMax video tapes and DVDs by making digital archives with Intensity Pro 4K. If your DVDs get scratched or your old tapes deteriorate and break you could lose important video memories forever. And as tapes get older, it’s harder and harder to find working decks to play them back! Intensity Pro 4K captures better looking video than other solutions because it includes a professional, broadcast grade time base corrector to help stabilize video from poor quality tapes, like VHS and older DVDs. You can even adjust the audio and video levels before you capture so that your video looks as good as possible. Files can be saved as either uncompressed or compressed video so your valuable video is preserved forever. SIMPLY BETTER QUALITY Broadcast quality components for broadcast quality video. Intensity Pro 4K is the only consumer video capture and playback card that’s built using the same broadcast quality video components that professionals in the film and television industry use! Files can be saved in professional compressed formats, like ProRes and DNxHD, or as fully uncompressed 10-bit video, the format used by professional television production studios. That means you always get the highest quality video and the best colour precision possible when working with the latest Ultra HD televisions and projectors, gaming consoles, set top boxes, consumer cameras, VHS decks, DVD players, older broadcast decks and more. WORKS WITH EVERYTHING Use the video software you know and love. Intensity Pro 4K is a PCIe card for Mac, Windows, and Linux computers. It includes the easy to use Media Express software for Mac, Windows and Linux, along with DaVinci Resolve Lite for Mac and Windows. That means you get a complete video capture and post production solution in the box without having to buy any additional software! You can also save files in QuickTime or Windows Media format and then use them with other popular Mac and Windows applications like Final Cut Pro X, Premiere Pro, Vegas Pro, Media Composer, Fusion, After Effects, Flash and many more. DAVINCI RESOLVE LITE Professional editing, grading and delivery included free.   Now you can edit and grade your video using the same tools that Hollywood uses. DaVinci Resolve Lite for Mac and Windows is included free with Intensity Pro 4K. You get the same multi track video editing and advanced colour grading system that professional editors and colourists use to make Hollywood’s biggest blockbuster films, television shows and commercials.

Blackmagic BMD-SWTALGPI8 GPI and Tally Interface Box

Blackmagic BMD-SWTALGPI8 ( SWTALGPI8, BMDSWTALGPI8, BMD SWTALGPI8, BMD/SWTALGPI8 GPI ) and Tally Interface Box. GPI and Tally Interface connects to an ATEM switcher and provides 8 contact closure Tally outputs.  Tallies will be displayed when connected to an ATEM switcher to indicate their "on-air" status and you can even connect multiple interfaces together to increase the number of tally outputs.

Blackmagic BMD-SWRCONV ATEM Camera Converter

Blackmagic BMD-SWRCONV ( BMDSWRCONV, BMD/SWRCONV, BMD SWRCONV, bmd-swrconv ) ATEM Camera Converter   Optic fibre camera controller with tally and intercom Extend SDI or HDMI camera feeds over 28 miles  Extend the effective cable length of SDI or HDMI-based cameras using low cost optical fibre. Imagine connecting to cameras at remote locations on racing tracks, live sporting venus or even massive golf courses! Now with ATEM Camera Converter you can have more cameras closer to the action for the most amazing shots in live production.  ATEM Camera Converter not only converts your camera to optical fiber, but it also includes talkback, external microphone input, program return feed, tally and built in battery power source! Now you can place cameras in multiple locations miles away from your switcher while keeping full broadcast HD video quality. Professional Multi-Camera Production  ATEM Camera Converter gives you essential tools for live production in a single converter. Connect your camera to the SDI or HDMI inputs to convert to optical fiber, and connect your switcher program feed to the optical fiber input to convert to SDI and HDMI for monitoring. The SDI and HDMI monitoring outputs can be switched between your camera input or optical fiber input! Professional local microphone inputs are included. ATEM Camera Converter also includes an internal battery for remote use when your cameras are located far away from power sources, as well as built in talkback and tally! Optical Fiber Link  Optical fiber is the perfect connection because it's used in computer networking and is common, affordable and easy to purchase! ATEM Camera Converter uses a single mode optical fiber pair with LC type connectors, so you get the freedom to connect your cameras up to 147,000 feet or 45KM from your switcher! INCLUDES TALKBACK In live production it's critical for your camera operators to talk to the switcher operator so you can work as a team! ATEM Camera Converter includes talkback using low cost PC headsets or iPhone-compatible headphones, so each camera can communicate with the director at the switcher. Broadcast & Consumer Connections ATEM Camera Converter connects to both HDMI and SDI video cameras! Video and audio are embedded into the optical fiber output, and microphone inputs are included for the ultimate in audio flexibility. That's perfect when you need higher quality or wireless microphones on your cameras! Perfect For All Types Of Events!  ATEM Camera Converter uses optical fiber for its connection, so you get long distances combined with full uncompressed HD video quality. This lets you move your cameras farther away from your switcher and closer to the action! Imagine placing a camera at the end of drag racing strip, at the starting gate of a horse race, or even at the far end of a golf course! Even low cost consumer HD cameras look amazing when used with ATEM Camera Converter! ATEM Camera Converter is perfect for concerts, sporting events or even lecture theaters, houses of worship, surveillance, or any remote camera location! Ultra Tough Design  ATEM Camera Converter is designed tough enough for the rigors of life on the road! For incredible strength, ATEM Camera Converter is machined from a solid billet of aircraft-grade aluminum with recessed connectors and a button control panel. This results in an incredibly strong design that can handle bumps and knocks without breaking. ATEM Camera Converter includes a side mounted clip, so you can hang it from your belt for maxiumum portability, then simply plug in your headset, camera and optical link! The built in button pad gives you control over power, microphone level, talkback and video, as well as battery indicators. You even get a USB port for software updates! Belt Clip or Camera Mount  When you need to move around, ATEM Camera Converter is perfect because it moves with you! With an integrated belt clip, you can simply snap it onto your belt, connect the cables, and move around with ease. Built in Tally Now you can clearly see when your cameras are “on airâ€Â! ATEM Camera Converter uses an open standard tally packet in the SDI output on any ATEM switcher to illuminate 2 built in tally LEDs! Battery or AC Powered ATEM Camera Converter includes a standard 12 volt input that supports operation up to 30 volt DC. That let's you use a wide range of power sources or even a car battery! Designed for Live Production  Now you can eliminate multiple boxes hanging off your camera that limit your mobility, because ATEM Camera Converter includes everything you need for operating a camera in a live production. You get a simple solution that's really 4 converters in one! The built in keyboard is located on the top, so it's easy to adjust. ATEM Camera Converter even adjusts the microphone audio level smoothly, so when adjusted on air you won't notice the level change! ATEM Camera Converter is fully bi-directional, so you can connect both your camera and a return program feed to the switcher at the same time! Broadcast Quality  ATEM Camera Converter might be affordable, but it's got full broadcast quality with 10-bit video data paths, HD-SDI video technology and support for optical fiber SDI with a high quality laser driver for long distance connections. You get a solid design that looks great, but protects the connectors and keyboard from damage during live production use. Only ATEM Camera Converter gives you the best video technology available, so you get incredible quality HD video to your switcher for a true broadcast production standard.