BirdDog MAKI Live 4K Streaming Camera with NDI® | HX & Built-in Battery

MAKI Live- 4K Portable Live Streaming camera with NDI | HX, 3x Optical Zoom, HALO Tally, WiFi 6 and inbuilt battery MAKI Live is a compact, professional 4K portable live streaming camera designed for creators who need broadcast-quality video anywhere. Ideal for live streaming, teaching, podcasting, worship, and remote production, MAKI Live combines powerful imaging, wireless connectivity, and all-day portability in one easy-to-use system. Capture crisp, professional-grade 4K video with vibrant colour and fine detail, powered by BirdDog’s imaging expertise. The 3× optical zoom allows full-resolution framing without image degradation, while ultra-fast TOF autofocus locks onto subjects instantly—even during fast movement or changing lighting conditions. Designed for true mobility, MAKI Live features a built-in battery delivering up to 6 hours of continuous operation, eliminating the need for external power or cables. Integrated Wi-Fi and NDI® | HX support enables low-latency, high-efficiency video streaming over IP networks, making it easy to integrate into modern wireless production workflows. The signature HALO Tally system provides a bright, 360° on-air indicator, clearly showing when and which camera is live—perfect for professional multi-camera setups. AI gesture control lets you adjust framing with simple hand movements, while advanced AI noise reduction and built-in microphones ensure clear, natural audio. MAKI Live works seamlessly with the optional MAKI Studio iPad app and Control Surface, enabling intuitive multi-camera switching, streaming, and control from a single portable interface. Free MAKI Live control apps and BirdUI provide full access to camera settings and functions. With a standard 1/4″-20 mounting thread, MAKI Live can be mounted on tripods, clamps, or handheld rigs, making it adaptable to any setup.   Simply power it on, connect, and go live. No cables. No clutter. Just professional 4K streaming—anywhere.  

BirdDog FLEX 4K BACKPACK

FLEX 4K BACKPACK, BD-FLEXBP (BD_FLEXBP, BD/FLEXBP, FLEXBP, BD FLEXBP) THE SMALLEST 4K NDI ON THE PLANET 4K NDI® in an incredibly small package. Flex delivers everything you have come to expect from BirdDog’s one cable solution including Tally, Audio Intercom, Video, Audio, PTZ Control, and Power all down a single Ethernet cable. With 3 models to choose from in the Flex Family is a Flex to perfect for your workflow needs. SMALL IS THE NEW BIG With a footprint only slightly larger than a credit card, the Flex 4K NDI Encoders and Decoders are the smallest on the planet. Because sometimes the biggest things are also the smallest. COOL TOUCH THERMALS Sometimes the biggest features are also the least obvious. Flex 4K NDI has unmatched thermal design and whisper quiet fans to keep Flex cool and fresh even on the hottest days and in direct sunlight. ONE CABLE TO RULE THEM ALL. NOW WITH ADDED POWER BirdDog’s revolutionary Studio NDI gave the world NDI, Power, Video, Audio, Tally, and Audio Intercom all done a single Ethernet cable. Flex 4K IN and Flex 4K BACKPACK take it one step even further and provides an additional 15w extra power allowing you to use the DC output to power your monitor, recorder, or even your camera. HALO TALLY. IT JUST WORKS Flex’s revolutionary Halo Tally system is built right into the Flex Family and it requires zero configuration when connected with any NDI enabled software based production system. The Halo Tally is designed to be seen by the camera operators as well as the on air talent. FLEX 4K BACKPACK. UPGRADE YOUR MONITOR Flex BACKPACK is the ultimate upgrade for your camera top monitor recorder. Featuring an NP style battery connection, and 15w power output, it allows you to encode NDI, power your monitor, and record all at the same time. With great power comes great responsibility. ADAPTIVE BIT RATE. SLIDE YOUR WAY TO GLORY Full NDI® is a variable bit rate codec. In normal circumstances BirdDog recommends allowing around 140Mbps in HD, or 6 streams per 1GbE cable with some headroom. In 4K it is recommended to allow around 300Mbps or 3 streams with some headroom to allow for any unforeseen spikes. THE ULTIMATE PTZ SIDEKICK If you aren’t lucky enough to own a BirdDog PTZ camera with full NDI natively then Flex can become the ultimate sidekick. Plug in HDMI to encode beautiful and Full NDI, and attach a PTZ control cable to have PTZ passthrough control. Perfect upgrade for your PTZ camera while waiting for Santa to bring you a BirdDog.   100% RECYCLABLE PACKAGING Every element of Flex packaging is 100% recyclable and soy based ink is used to further reduce the BirdDog foot print. There are no printed manuals inside the box, instead you can download the most up to date version anytime from our website. CENTRAL LITE Team up Central Lite with any NDI® source, including all BirdDog hardware capable of creating NDI® sources, you can now drive your NDI® streams to any BirdDog Studio NDI or Mini to decode NDI® back to SDI or HDMI. DASHBOARD Open up a web browser (Chrome preferred) on the same network as Flex and login into Dashboard for total control of all settings. Change resolutions and frame rates, unlock new features with the latest firmware, and more. COMMS LITE Comms Lite is your free Audio Intercom solution. With support for four BirdDog devices, plus a director, Comms Lite is a great way to start using Audio Intercom in your live productions.

Canon 3794C011 EOS C500 Mark II 5.9K Full-Frame Camera Body (EF Mount)

Canon 3794C011 (379-4C0-11, 379/4C0/11, 379 4C0 11) EOS C500 Mark II 5.9K Full-Frame Camera Body (EF Mount) The Canon EOS C500 Mark II 5.9K Full-Frame Camera Body is part of the Cinema EOS lineup of cameras, and it features a full-frame CMOS sensor with an effective 18.69MP resolution. This allows it to feature a 5.9K output in full frame, and crop (window) the sensor for Super 35 and Super 16 frame sizes while maintaining a high resolution. The C500 Mark II comes with a Canon EF mount and features an interchangeable lens mount system, allowing you to swap out the mount in the field for an optional Cinema Locking EF or PL mount, thus greatly expanding the amount of glass you can use with the camera. The sensor features over 15 stops of dynamic range and Dual Pixel autofocus support, and the camera uses a DIG!C DV 7 chip for image processing. The camera internally records raw using the Canon Cinema RAW Light codec in 12- or 10-bit, or you can capture using the XF-AVC codec in 10-bit. Internal recording is done to CFexpress cards via two CFexpress card slots. 8-bit proxy recording in the XF-AVC codes, as well as JPEGs, can be captured onto an SD card via the built-in SD card slot. Supporting a variety of gamma settings including Canon Log 2 and Log 3, as well as supporting a variety of color gamuts including Cinema BT.2020, DCI-P3, and legacy BT.709. LUT importing is supported of course. The camera supports four channels of 24-bit, 48 kHz linear PCM audio recording. Sensor The full-frame CMOS sensor captures a clean, low-noise image with over 15 stops of dynamic range, and it has a color gamut that exceeds the BT-2020 specs. The sensor is capable of capturing footage in a variety of aspect formats, including DCI-4K, UHD and Anamorphic Widescreen. In addition to shooting using the sensor's full-frame size, you can use a variety of spherical and anamorphic glass designed for Super 35mm and Super 16mm capture using appropriate sensor crop modes, lens mounts, and adapters. DIG!C DV 7 Image Processor The EOS C500 Mark II uses the DiG!C DV 7 image processor that takes the extensive raw information captured from the 5.9K sensor. The DiG!C DV 7 enables high frame rate recording, Dual Pixel Auto Focus, Canon RAW Light Recording, HDR (PQ and HLG) output, electronic image stabilization, proxy recording, and oversampling processing. The high-speed DIG!C DV 7 enables the camera to simultaneously record 2K proxy files as XF-AVC 2K 4:2:0 8-bit to an SD card, while you are recording Cinema RAW Light files (5.9K, 4K Crop, or 2K Crop) to the internal CFexpress cards. Interchangeable Lens Mounts the C500 Mark II comes standard with a Canon EF lens mount that works with and has electronic iris control of a variety of Canon EF, ENG, and Canon Cine-Servo lenses. An optional EF Cine Lock mount also features the Canon EF electronic protocols, and it removes any play when mounting EF lenses to your camera. An industry-standard PL mount is also available, enabling using virtually any PL-mount lens on your C500 Mark II. The lens mounts are field-swappable by the user, and each mount comes with a set of shims for setting the correct depth. An optional B4 lens adapter is available for either the PL or EF lens mount; this adapter allows you to use B4 mount ENG-style lenses on your C500 Mark II. Dual Pixel CMOS AF with support for Touch AF and Face Detection AF DAF technology utilizes the fact that each pixel in the camera's CMOS sensor is configured with two photodiodes. Two independent image signals can then be detected at each photosite and compared using phase-difference to provide autofocus with compatible lenses. DAF can survey the scene and recognizes not only whether the subject is in focus or not, but in which direction (near or far) and by how much. Enabling auto-focus lenses to react when necessary and not have to "hunt" for focus. DAF technology can also be used to aid in manual focus. Focus information is translated to an on-screen guide that conveys to the operator the subject's current focus and direction to move in order to achieve focus. When sharp focus is achieved, the indicator turns green as a clear indication. You can also use DAF and the camera's touchscreen LCG to simulate a focus pull using preset locations. After setting two separate focus locations on the screen, the camera's set button can be used to alternate between the two focus points. The focus racking effect can be fine-tuned by adjusting AF tracking speed and response. Focus Control/Assist Focus control includes Dual Pixel CMOS AF (DAF), Manual Focus, One-Shot AF, Continuous AF, AF-Boosted MF, and Face Detection AF Shutter Settings Shutter settings include Speed, Angle, Clear Scan, Slow, or Off mode. Either 1/3 or 1/4 steps selected as speed increments. Electronic Image Stabilization A new feature to the Cinema EOS ecosystem, the C500 Mark II features built-in five-axis electronic IS that works with almost any lens, including anamorphic lenses. Optional Expansion Modules Expansion unit 1 adds genlock/sync out, remote B (RS-422), and Ethernet ports, making the camera well suited for multicamera live production and streaming. Expansion unit 2 expands the compact form factor and adds two additional XLR audio inputs, lens control port, 24-volt DC out, and D-Tap power, in addition to genlock, sync out, remote B (RS-422), and an Ethernet port. It also allows the camera to be powered using industry-standard V-mount batteries.

Panasonic AG-CX350 4K Professional Camcorder

Panasonic PAN-AGCX350EJ (PAN/AGCX350EJ, PAN AGCX350EJ, PANAGCX350EJ, AGCX350EJ, pan-agcx350ej) 4K Professional Camcorder Panasonic developed the new CX Series of handheld camcorders, spearheaded by the AG-CX350, to fuse video, on-air broadcasting, and communication for the next generation. The AG-CX350 features 4K/UHD resolution, 10-bit depth, HDR-compatible image quality, and a host of recording formats for the ultimate creativity in a compact, lightweight body with low power consumption. It is also equipped with an RTMP/RTSP function for live streaming and NDI | HX-ready IP connectivity, to serve as a live camera, and clearly expands the usability of the handheld camcorder beyond conventional news gathering and recording applications to meet a wide range of professional needs. The AG-CX350’s lens is the widest-angle in the industry at 24.5mm, allowing the capture of wide-angle images with minimal distortion, whilst the optical zoom of 20x covers up to 490mm telephoto in all modes. The i.Zoom functionality enables seamless zooming of up to 32x in HD or 24x in UHD with no degradation in zoom, whilst the CX350 also comes with a digital 2x, 5x and 10x zoom. The AG-CX350 features HLG (Hybrid Log-Gamma) support for HDR capture, and can be selected from eight in-camera modes (HD, SD, FILMLIKE 1, FILMLIKE 2, FILMLIKE 3, FILM-REC, VIDEO-REC, HLG). The newly-developed 1-type MOS sensor offers a high-quality image with shallow depth of field and high sensitivity of F12 at 60Hz and F13 at Hz at 2000 TV lines. It supports multiformats, including UHD, HD and SD without cropping in all modes. The CX350 can be used to support live coverage of concerts and sports events, as well as for live streaming of breaking news with support of streaming services from Facebook and YouTube. The CX350 is also the first camera recorder that support NDI|HX, which allows for video transmission and camera control to be made via an IP connection, without having to use an external recorder.

Sony PXW-Z280 4K Handheld Camcorder

Sony PXW-Z280 (PXW_Z280, PXW/Z280, PXW Z280) 4K CMOS Sensor Camcorder with Built-in Electronic Variable ND Filter Sony's PXW-Z280 4K 3-CMOS 1/2" Sensor XDCAM Camcorder continues the fine tradition of the XDCAM series of cameras. It captures 4K at up to 60p relying on three 1/2" Exmor R sensors that provide improved low-light capability when compared to standard sensors. The camera integrates a 17x optical zoom lens and an electronic variable ND filter. The camera supports modern codecs such as XAVC, as well as legacy codecs such as MPEG HD and DVCAM, allowing you to use one camera to shoot 4K, HD, or SD video. The camera supports S-Log 3 for improved performance, and HLG (Hybrid Log Gamma) which allows you to shoot and deliver footage compatible with both HDR (high dynamic range) and SDR (standard dynamic range) without needing laborious post-production work. You can record in both 4K and HD simultaneously, or output 4K 60p via the built-in 12G-SDI output. The camera features built-in 2.4 and 5 GHz Wi-Fi. World-leading handheld 4K HDR performance An all-new 4K 3CMOS 1/2-type sensor with a deep depth of field and class-leading performance provides the pinnacle of 4K HDR performance in your hand. Face Detection AF keeps your subject in focus, while HLG and S-Log3 provide stunning HDR to suit any workflow. Revolutionary networking capabilities Deliver your content faster wherever you are. PXW-Z280 is the world’s first camcorder with built-in Dual Link Cellular connection for double the uplink performance and reliability. Integrated 12G-SDI supports transfers at up to 12Gbps over a standard SDI cable. The complete package for professionals Unpack and shoot from day one. Advanced XAVC-Intra and XAVC-Long for 4K QFHD and HD, plus MPEG HD422, MPEG HD and DVCAM to support any workflow. Familiar Sony control layout and operation minimise training requirements. World's first 1/2-type 3CMOS Sensor for broadcast 4K The Z280’s all-new Exmor R™ imager is custom-designed for broadcast 4K acquisition. Its three 1/2-type Exmor R™ CMOS deliver a deep depth of field with superb image quality. Red, blue, and green light are independently captured by separate image sensors, contributing to high resolution, high sensitivity of F12 (59.94p) and wide dynamic range. An advanced LSI (featuring intelligent noise reduction, enhanced detail reproduction and distortion correction technologies) delivers remarkably lifelike 4K 4:2:2 10-bit images. Even if you’re delivering in HD, your recordings will capture detail and image texture that HD sensors simply cannot see. 17x professional HD zoom lens with three independent rings with end-stop and large focal length The PXW-Z280 is equipped with a 17x professional zoom lens able to zoom from 30.3mm to 515mm (35mm equivalent). The 1/2-inch type lens has three independent control rings with end-stop, which allows manual control of focus, zoom and iris, making for better and faster adjustment. The image can be enlarged without any picture degradation in HD mode and 34x times zoom equivalent image is captured with sensor cropping extender. Amazingly fast precision auto focus The PXW-Z280 features newly developed Face detection AF. You can choose between Face Priority AF and Face Only AF. Simply keep the person in frame and and however you move to obtain a better angle, you can be confident the PXW-Z280 will keep your subject in pin-sharp focus. Built-in electronic Variable ND Filters Sony’s ground-breaking integration of electronic variable ND Filters into the body of a camcorder enables fast, agile shooting. Moving from shadowy interiors to bright sun-lit exteriors is no problem with PXW-Z280. Unlike conventional optical ND filters, the electronic ND filter on the PXW-Z280 can be controlled from 1/4ND to 1/128ND linearly while ND Filters can be set to fully auto. You can even manually adjust Depth of Field using the iris lens ring, while relying on the PXW-Z280 to maintain constant exposure without changing gain nor shutter speed. 12G-SDI accelerated workflow Revolutionise your workflow with 12Gbps content transfer – four times the bandwidth of 3G-SDI over a standard SDI cable and ideal for working with highest quality 4K content or speeding through HD content. Sony is the first broadcast manufacturer to build 12G-SDI into a compact handheld camcorder. Once you’ve tried it, you won’t want to use anything else. Accurate OLED viewfinder An expansive 0.5-inch high quality OLED viewfinder is perfectly offset for right-eye or left-eye viewing. OLED’s superb accuracy, high contrast and high resolution (2.36M dot) enables precise manual focus and eliminates any colour-breaking phenomenon. Dual Multi-Interface (MI) Shoe MI Shoe provides power, signal connections and coordinated on/off switching to compatible Sony accessories. For example, you can connect and control Sony wireless microphone systems such as the UWP-D11 or UWP-D12 or attach the HVL-LBPC light *Connectors at front and back of camcorder maximise operational flexibility. Dual XLR and 4 Channel Audio The PXW-Z280 offers superior professional audio capabilities with independent volume dials enabling precision control of external audio inputs, including an MI-shoe attached microphone. Dual SxS media slots The camcorder is equipped with two SxS memory card slots, which can record in Simul, Relay or Back up mode. Simul mode permits simultaneous recording to two memory cards, including simultaneous recordings of MPEG HD exFAT and UDF recordings, ideal for archival purposes. Relay mode automatically switches recording from the first to the second memory card when the first is full to extend recording times. In Back up mode, users can set up the two Start/Stop buttons on the PXW-Z280, one on the grip and one on the camcorder body, to independently start and stop recording on different memory cards while recording in Simul mode. High quality XAVC Intra and XAVC Long GOP recordings XAVC technology is based on the H.264 standard, which provides an exceptionally robust and efficient compression technology. XAVC Intra (frame) compression means that every frame is encoded independent of the other frames – providing a better quality picture, without compromises. XAVC Long GOP applies compression across multiple frames – reducing file sizes, which can make for fast ingest and editing as well as providing budget savings on recording media. The XAVC codec adopts 10-bit sampling for high definition recording with rich tonal expression. Broadcast-standard MPEG HD422 and MPEG HD High-quality MPEG HD422 50 Mbps is fully compliant with the latest EBU recommendations for long-form broadcast production and is widely accepted in broadcasting stations and production houses. This recording capability makes PXW-Z280 ideal for a wide range of different applications, including newsgathering and documentary production. DVCAM at 25 Mbps in MXF file format   Many broadcasters and production houses still utilise the proven DVCAM format and PXW-Z280 provides support at the flick of a switch.  

Sony PXW-Z450 4K 2/3-type CMOS sensor advanced shoulder Camcorder

Sony PXW-Z450 (PXWZ450, PXW/Z450, PX-WZ-450, PXW Z450) 4K 2/3-type CMOS sensor advanced shoulder Camcorder The PXW-Z450 4K UHD Shoulder Camcorder from Sony features a single Exmor R CMOS sensor with 3840 x 2160 resolution. The PXW-Z450 camcorder supports the Sony XAVC codec up to 4K UHD, 1080/59.94p and 50p recording, in addition to MPEG and DVCAM formats. In combination with the optional PWS-100RX1 Network RX Station, this camcorder enables simple yet high-quality wireless ENG workflow, providing QoS (Quality of Service)-based live streaming that will save considerable time. The PXW-Z450 Camcorder provides a variety of AV and IT interfaces including four 3G-SDI outputs, as well as RJ-45, and USB 3.0 connection ports. Its built-in wireless function and an HD/SD-SDI input that supports a pool-feed function make it even more convenient for use. This powerful, user-oriented XDCAM Series camcorder meets a broad variety of ENG and studio applications. Image Sensor The camcorder features a single 4K UHD (3840 x 2160) EXMOR R CMOS sensor. The R designation indicates it is a backlit sensor, which means that the circuitry that normally is in the front of the sensor and can limit the light reaching the sensor's photosites, has been moved to the back of the sensor. this has the effect of increasing the sensor's low light performance. Multiple Format Recording The PXW-Z450 Camcorder offers a wide array of recording formats for a variety of applications including ENG, EFP, and studio use. Developed on MPEG-4 AVC/H.264 compression, the XAVC codec provides support for the 4K UHD and Full HD format of XAVC long 4:2:2 1080/59.94p and 50p formats. The camcorder also supports SD video in a variety of resolutions using DVCAM compression. Built-in Wireless Module and ONLINE Button To support effective wireless news production workflows, the PXW-Z450 Camcorder incorporates a built-in wireless capability. It also provides an 'ONLINE' button, located on the inside panel, which lets you instantly switch on functions like Network Client Mode, Auto Proxy Upload, and Live Streaming. Embedded RJ-45 Connector This Ethernet connector provides robust and fast connection to the network and can be utilized for file transfer, live streaming, and camera control from a web browser NFC (Near Field Communication) for Easy Wireless LAN Connection An NFC function supports easy connection for launching the CBM (Content Browser Mobile) application on a smartphone or tablet. This means you can skip cumbersome setup procedures. Optimized Weight Balance Building upon its years of camera design, Sony has shifted the camcorder's center of gravity towards the back of the body to optimize the camcorder's weight balance. Low Power Consumption This camcorder achieves power consumption as low as 24W in normal recording mode. This enables continuous recording operation for approximately 160 minutes with Sony's BP-FLX75 (sold separately) standard-type battery. Supports Full HD OLED Viewfinder Equipped with two types of connectors for a viewfinder interface, the PXW-Z450 Camcorder supports a variety of Sony's viewfinders, including the Full HD OLED HDVF-EL30 and HDVF-EL20, as well as the QHD LCD CBK-VF02. The HDVF-EL30 has a 960 x 540 resolution sub-LCD panel. ONLINE Button for Easy Network Connection The PXW-Z450 Camcorder is equipped with a dedicated ONLINE button. This delivers simple one-touch operation of ON/OFF switching for three network connection functions. Content Browser Mobile (CBM) CBM application software controls the camcorder remotely and is available on both Android and iOS. Network Client Mode You can connect Sony's PWS-100RX1 Network RX Station (sold separately) to send proxy clips or live streaming with Sony's QoS technology. The PXW-Z450 Camcorder can also be controlled remotely by the RX station. Auto Upload (Proxy) Clip files recorded on the camcorder can be transmitted via a network automatically when the recording is finished. XAVC 4:2:0 Long GOP clips are supported. Live Streaming This camcorder can transfer MPEG2-TS (UDP/RTP) to a third-party decoder Three-color LED Indicator The ONLINE button indicates the status (Disabled, Ready, Enabled) in three ways (off, orange, blue). Sony's QoS Technology Sony's unique QoS (Quality of Service) technology minimizes risk of image quality degradation, image freeze, or audio disruption, and helps maintain video and audio integrity during communications. The PWS-100RX1 Network RX Station comes with Sony-original algorithms that automatically adjust bandwidths and buffer sizes to match the characteristics of wireless communications. Sony Advanced Streaming with QoS The Sony QoS Technology improves the clarity that's possible on a single 3G/4G/LTE cellular channel or your own wireless LAN network, or limited communication band of Ethernet. You get better pictures, even given the limitations of real-world networks. The endpoint of Sony's QoS streaming is the versatile PWS-100RX1 Receiver Station. 1 Conventional MPEG2-TS Streaming For maximum flexibility, Sony's XDCAM wireless solutions also support conventional MPEG-TS streaming, so that you can stream to a wide range of receivers, including compatible third-party receivers and decoders. Sony wireless solutions will stream over a wireless LAN network, or over a 3G/4G/LTE cellular network with the appropriate carrier dongle and service. You can also enjoy wired streaming over Ethernet, using the embedded RJ-45 connector, via a router/hub. Flexible file transfer During field shooting news or other time-sensitive content, you can transfer files wirelessly. So, there's no need to wait for the delivery of physical media. The receiving server gets a bit-for-bit clone of the original camera file, with all the original audio, video, and metadata. Simultaneous Recording on Two SxS Cards The PXW-Z450 Camcorder offers a simultaneous recording capability for peace-of-mind productions. Simultaneous recording is available on both SxS card slots as a backup measure. This is within the same codec and with the same operating point in the recording formats such as XAVC-Intra, XAVC-Long, MPEG HD422, or MPEG HD (420). You can also achieve simultaneous recording with a proxy file in all combinations with the above formats recording the proxy to an SD card. GPS Functionality On activation, the built-in GPS receiver module records GPS data in an MXF file and a proxy file, and automatically imposes it on the live streaming signal. It is also useful for tracking shooting locations in post-production and when station-based staffs need to map a crew's location with the PWS-100RX1 Receiver for streaming. Flexible Camera System Operation The CA-FB70 Optical Fiber Camera Adapter or the CA-TX70 Digital Triax Camera Adapter (both sold separately) can be attached to the PXW-Z450 Camcorder for live camera operation. The CA-FB70 Adapter enables the camcorder to transmit signals via an optical fiber cable up to 820' between the CA-FB70 and HXCU-FB70 Optical Fiber Camera Control Unit (CCU) with power and signal transmission. The CA-TX70 Adapter transmits signals via triax cable up to 1968' between the CATX70 and HXCU-TX70 Digital Triax Camera Control Unit. RGB Color LCD Display The PXW-Z450 Camcorder is equipped with an RGB color LCD display on the inside panel. In addition to thumbnail and menu displays, you can see and monitor video reproduction in QHD (960 x 540 pixels) resolution. Other Features Newly developed ALAC (Automatic Lens Aberration Compensation) feature decreases specific patterns of chromatic aberration caused by the lens. The camcorder supports user gamma and Focus Assist function for easier focusing on the viewfinder and provides a graphic bar indicator, while the viewfinder can indicate Waveform, Vector Scope, or Histogram. The Digital Extender function enables images to be digitally expanded two to four times in size without any loss of F-drop image sensitivity.

JVC Super 35mm Camcorder (Body Only)

JVC GY-LS300 (GYLS300, GY LS300, GY/LS300, gy-ls300) Super 35mm camcorder (Body Only)  A small form factor, Super-35mm-sized, CMOS, 4K sensor and MFT interchangeable lens mount are just the beginning when discussing JVC's GY-LS300 4KCAM Handheld S35mm Camcorder. The GY-LS300 is part of JVC's 4KCAM line of cameras, which can record 8-bit 4:2:2 HD Signals at up to 60P at 50 Mb/s. This camcorder supports dual codec recording, allowing to capture two different codecs, .mov and AVCHD, simultaneously to its dual SDHC/SDXC media card slots using optional media cards. The camcorder incorporates 3G-SDI and HDMI outputs, supporting 4K output over the HDMI out. Supporting wireless streaming to a variety of streaming services while simultaneously recording HD to an optional memory card is a strength of GY-LS300. It also supports IP network remote control, remote viewing, metadata editing, and FTP of clips across a network using optional network connections and adapters. This is for the camcorder body only and does not include a lens. However, the camcorder features an MFT mount that allows you to use a wide variety of full-frame, PL, C, and EF mount lenses with optional adapters. It also features both a flip out 3.5 LCD view screen and flip up EVF. A detachable handle provides two XLR audio inputs, each with phantom power. The GY-LS300 features a JVCKENWOOD AltaSens 4K CMOS Super 35mm image sensor and a Micro Four Thirds (MFT) lens mount. This allows you to use Super 35mm Cinema lenses with optional adapters, which will retain their native angle of view. When the camera is used with MFT, Super 16, and other size lenses, using JVC's proprietary Variable Scan Mapping feature will allow you to maintain the lens' native angle of view. This gives filmmakers the flexibility of using widely available MFT lenses as well as high-end cinema lenses. It is also possible to attach the camera to microscopes and other devices using a MFT/C-mount adaptor. The GY-LS300 records QuickTime (.MOV) file format. You can connect the camcorder to a 4K Ultra HD monitor with a single HDMI cable and view the camera's live 4K signal. You can also playback recorded files directly from the camera. In addition, the GY-LS300 down-converts UHD signals to standard HD for output through the built-in SDI or HDMI connectors. The camcorder body incorporates a filter selector wheel that features a clear, 1/4, 1/16, and 1/64 ND filter choices. All camcorders in JVC's 4KCAM family record 4:2:2 HD signals up to 60p at 50 Mb/s, making them an ideal camera for general HD production work. 50 Mb/s files are stored in the QuickTime (.MOV) format for easy editing. Conventional AVCHD (4:2:0) recording provides wide editing compatibility in an array of standard HD and SD formats. Equipped with a high-speed broadband modem makes the camera attractive for use in by crews that need a way to deliver a live video stream without the need for a microwave or satellite truck. Through its use of dual codecs, the camera offers live transmission (streaming) including directly to USTREAM and YouTube while simultaneously recording HD to a memory card. Transmission at selected resolutions and bitrates is possible independent of the recording mode. The camera offers a range of streaming options from basic point-to-point to cloud streaming with advanced error correction.