DPA DPK4011 Piano Stereo Kit

DPA DPK4011 (DPK-4011, DPK/4011, DPK 4011, DPK_4011) DPK4011 Piano Stereo Kit DPK4011 Piano Stereo Kit is a versatile, compact piano kit, which is tailored specifically to accommodate the need for clean sound and limitless creativity. We have collected our award-winning pencil mics – 4011 Cardioid Microphones, renowned in recording studios and live applications around the world. This specialized stereo kit holds the mics and accessories you need to capture fantastic sound no matter what you need. The microphones are matched within ±1 dB. This kit was previously known as 3511ES Stereo Kit with Matched 4011ES Cardioid Microphones Placement and use Due to the compact design of the microphones, they fit perfectly inside both upright and grand pianos at all desired positions. Both open and closed lids.  The numerous fitting options contained in the kit allow for a wide range of mounting and placements, including hanging, fixed X/Y or ORTF. In addition, with the enclosed stereo boom, A/B positioning is also possible. The kit includes a shock mount that also acts as a swivel joint for fixed mounting on mic stands or with one of the enclosed magnets for internal placement.  4011 Cardioid Microphone The principal appeal of the 4011 Cardioid Microphone is its directional quality and attention to detail. This mic makes everything sound like the original. The first-order cardioid pickup pattern provides superb separation between sound sources. It is equally suitable for close-up work on acoustic guitar, grand piano, overheads, percussion, wind instruments and vocals as it is for spot-miking symphonies. It can manage incredibly high sound levels.   A flat on-axis frequency response and excellent phase response deliver a faithful reproduction of the original sound. The off-axis response is similarly smooth so that any leakage is an accurate reflection of the original, though attenuated according to the true first-order cardioid pickup pattern.  

Godox FLS10 Knowled 10inch Fresnel Lens

Godox GD-FLS10 (GD/FLS10, GD_FLS10, GDFLS10, GD FLS10) FLS10 Knowled 10inch Fresnel Lens The Godox FLS10 10" Optical Fresnel Lens Focusing Adapter Spotlight (sometimes known as a Flooter) enables you to focus and amplify the effective output of your lighting by up to 19 times. The beam angle of the FLS10 fresnel lens can be adjusted, allowing you to either produce a small pool of light or a wide flood of light, giving you access to a plethora of lighting options. The Godox FLS10 fresnel lens is also great for throwing light over greater distances, making it a perfect accessory for use in larger film and theatrical productions. There are also detachable barn doors available for it (sold separately), designed to control the spill and direction of the light, maximising light control. The FLS10 Fresnel lens is the perfect accessory for cinematographers, independent filmmakers, and theatrical productions that need their lighting to be able to travel over long distances. The Godox FLS10 10" Fresnel Lens Focusing Adapter Spotlight can also be used for still photography, especially for photographers working in commercial, advertising, and fashion photography.

Godox C10R-K8 Knowled Smart Bulb RGBWW Creative Bulb 8 Light Kit

Godox GD-C10R-K8 (GD-C10R-K8, GD-C10R-K8, GD-C10R-K8, GD-C10R-K8) C10R-K8 Knowled Smart Bulb RGBWW Creative Bulb 8 Light Kit The Godox KNOWLED C10R K8 Eight-LED E27 Cinematic RGBWW Creative Light Bulb Kit is perfect for cinematographers, filmmakers and lighting gaffers that require a high CRI light bulb, for setting up practical set lighting that can complement their main lighting set-up, to add mood and ambience to their sets. It features an HSI mode, which enables you to adjust the hue and saturation of the light, giving you access to virtually any colour you can think of. It also has a CCT mode, enabling you to adjust the colour temperature of the light anywhere between 2500K and 5800K, enabling you to match the light to the colour temperature of your ambient lighting. It also has a CRI of 96+ and a TLCI of 97+, making the C10R RGBWW LED Light Bulb suitable for broadcast usage. The Godox C10R light bulb is a great tool for Cinematographers, independent filmmakers, and photographers to add a little spice to their projects. Your Practical Little Friend The C10R creative LED light bulb is perfect for practical set lighting. Its standard E27 Edison screw connection enables it to be easily screwed into virtually any light fixture used to dress your movie set, enabling you to control the mood and atmosphere, making your cinematography a more captivating experience for your audience.  Cinema-Grade  The KNOWLED C10R RGBWW creative light bulb has a high CRI rating of 96 and a TLCI rating of 97. This ensures that your colours are reproduced faithfully and accurately, bringing vividness and realism to your movie scenes without any flickering, elevating your work to a whole new level. Variable Colour Temperatures The KNOWLED C10R RGBWW creative bulb guarantees consistent light output regardless of its temperature or battery level. With its colour temperature ranging between 2000K and 10000K, combined with magenta-green adjustment, the bulb seamlessly blends with ambient lighting, enhancing your shots with visual interest. Flexible Power Options The Godox C10R creative light bulb can be powered by either AC or DC. As well as being powered by your traditional E27 Edison light sockets in various regions,  they can also be powered by external power banks using their USB Type-C interface.  On-Board Controls The KNOWLED C10R features on-board brightness and colour controls, enabling you to change the hue and the brightness, directly on the bulb itself.

Godox QT600IIIM Pro High-Speed Studio Flash Head with LED Modelling Lamp

Godox GD-QT600IIIM (GD-QT600IIIM, GD-QT600IIIM, GD-QT600IIIM, GD-QT600IIIM) QT600IIIM Pro High-Speed Studio Flash Head with LED Modelling Lamp The GODOX QT600III is a 600Ws High-Speed Super-Fast Studio Flash Head in Photography that uses Insulated-Gate Bipolar Transistor (IGBT) technology to achieve extremely short flash durations of up to 1/26,100 of a second, as well as ultra-fast recycle times enabling you to shoot at up to 20 Frames Per Second. This allows you to capture perfectly sharp images of fast-moving subjects such as dancers, sports personalities and even water splashes with the greatest ease. It also features a Bright Built-in 40W LED modelling lamp, enabling you to easily preview your lighting better than ever before. Featuring a built-in 2.4GHz receiver and a variety of different flash modes, including High-Speed Sync (HSS), Rear-Curtain Sync and Multi-Flash mode. It is perfect for people who shoot Sports, Action, Dance, Fashion, Food, Product and Advertising photography. It is especially good for photographing children. Capture Motion Like Never Before The QT600III studio flash head utilises Insulated-Gate Bipolar Transistor Technology (IGBT) to enable it to produce a super-fast flash duration of up to 1/26,100 of a second (T0.1), enabling you to perfectly freeze fast-moving subjects with perfect sharpness. Great for photographing water splashes, powder and more. Phenomenal Speed The QT600III studio flash head features super-fast recycling times, enabling you to shoot at rates of up to 20 frames per second, ensuring that you will never miss the perfect shot. Ideal for photographing dancers and sports personalities. Stroboscopic Flash Mode The Stroboscopic flash feature enables you to capture motion in a unique way. It works by firing multiple flash bursts in rapid succession. When combined with a slow shutter speed, it enables you to capture amazing images of your subject in motion in a single exposure, as shown in the image below. High-Speed Sync Mode The Godox QT600III powerful flash head features a High-Speed Sync (HSS) mode, which enables you to synchronise your flash at higher shutter speeds than what is normally possible (up to 1/8000 of a second). This mode is useful for times when you would like to shoot at wider apertures, or if you need a faster shutter speed to kill any excess ambient light in your scene. Rear-Curtain Sync The Godox QT600III studio flash head features Rear-Curtain Sync, which enables you to capture stunning motion-trail effects when paired with slow shutter speeds. This mode causes the flash to fire at the end of the exposure, as opposed to the start, producing natural-looking motion blur effects that appear behind your subject. With standard front-curtain Sync, the motion-blur effect appears in front of your subject, which can look a little strange in your final image. Stable-Colour Mode The Godox QT600III flash head light features a Stable-Colour Mode to ensure that you get as little colour-temperature variation between different flash powers. This is especially useful when shooting colour-critical work such as for Advertising, Fashion Lookbooks, and Product Catalogues, etc. LED Modelling Lamp The QT600III powerful studio flash head now features a built-in 40W LED Modelling lamp (which is approximately 1.3 stops brighter than the older 150W halogen modelling bulbs). LED modelling lamps are brighter, run cooler and are more energy-efficient than traditional Halogen lamps. They also have a considerably longer lifespan. This makes the QT600III safe to use with modifiers that enclose the bulb, such as snoots, without you having to worry about the modifier becoming too hot to handle. Power and Precision at Your Command The QT600III photography flash headlight features an improved 9-stop power range, enabling you to adjust the power anywhere between full and 1/256 power in increments of 1/10 of a stop. Whether you want an intense burst of light for use as a main light or a subtle kiss of light, the QT600III is guaranteed to deliver.

Godox QT400IIIM Pro High-Speed Studio Flash Head with LED Modelling Lamp

Godox GD-QT400IIIM (GD/QT400IIIM, GD_QT400IIIM, GDQT400IIIM, GD QT400IIIM) QT400IIIM Pro High-Speed Studio Flash Head with LED Modelling Lamp The Godox QT400IIIM is a 400Ws Professional High-Speed Sync Studio Flash Strobe Light that uses Insulated-Gate Bipolar Transistor (IGBT) technology to achieve extremely short flash durations of up to 1/29,600 of a second, as well as ultra-fast recycle times, enabling you to shoot at up to 20 frames per second. This allows you to capture perfectly sharp images of fast-moving subjects such as dancers, sports personalities, and even water splashes with the greatest ease. It also features a bright, built-in 40W LED modelling lamp, enabling you to easily preview your lighting better than ever before. It features a built-in 2.4GHz receiver and a variety of different flash modes, including high-speed sync (HSS), rear-curtain sync and multi-flash mode. It is perfect for people who shoot sports, action, dance, fashion, food, product, and advertising photography. The Godox QT400IIIM uses Insulated-Gate Bipolar Transistor Technology (IGBT) to deliver ultra-fast flash durations up to 1/29,600 of a second (T0.1), ideal for freezing motion like water splashes or powder with sharp detail. Phenomenal Speed The QT400IIIM features super-fast recycling times, enabling you to shoot at rates of up to 20 frames per second, ensuring that you will never miss the perfect shot. Ideal for photographing dancers and sports personalities. Stroboscopic Flash Mode The Stroboscopic Flash feature enables you to capture motion creatively by firing multiple flashes in rapid succession. When combined with a slow shutter speed, it enables you to capture amazing images of your subject in motion in a single exposure, as shown in the image below. High-Speed Sync Mode The Godox QT400IIIM studio strobe light features High-Speed Sync (HSS), allowing flash use at shutter speeds up to 1/8000 of a second. This mode is useful for times when you would like to shoot at wider apertures or if you need a faster shutter speed to kill any excess ambient light in your scene. Rear-Curtain Sync The Godox QT400IIIM features Rear-Curtain Sync, which enables you to capture stunning motion-trail effects when paired with slow shutter speeds. This mode causes the flash to fire at the end of the exposure, as opposed to the start, producing natural-looking motion blur effects that appear behind your subject. With standard front-curtain sync, the motion-blur effect appears in front of your subject, which can look a little strange in your final image. Stable-Colour Mode The QT400IIIM flash strobe light includes a stable-colour mode, minimising colour temperature shifts across different power levels—ideal for colour-critical work like advertising, fashion lookbooks, and product catalogues. LED Modelling Lamp The Godox QT400IIIM high-speed sync flash now features a built-in 40W LED modelling lamp (which is approximately 1.3 stops brighter than the older 150W halogen modelling bulbs). LED modelling lamps are brighter, run cooler, and are more energy-efficient than traditional halogen lamps. They also have a considerably longer lifespan. This makes the QT400IIIM safe to use with modifiers that enclose the bulb, such as snoots, without you having to worry about the modifier becoming too hot to handle.

Godox QT1200IIIM Pro High-Speed Studio Flash Head with LED Modelling Lamp

Godox GD-QT1200IIIM (GD/QT1200IIIM, GD_QT1200IIIM, GDQT1200IIIM, GD QT1200IIIM) QT1200IIIM Pro High-Speed Studio Flash Head with LED Modelling Lamp The Godox QT1200III is a 1200Ws High-Speed Super-Fast Studio Powerful Stroboscopic Flash Head that uses Insulated-Gate Bipolar Transistor (IGBT) technology to achieve extremely short flash durations of up to 1/26,100 of a second, as well as ultra-fast recycle times enabling you to shoot at up to 20 Frames Per Second. This allows you to capture perfectly sharp images of fast-moving subjects such as dancers, sports personalities and even water splashes with the greatest ease. It also features a Bright Built-in 40W LED modelling lamp, enabling you to easily preview your lighting better than ever before. It features a built-in 2.4GHz receiver and a variety of different flash modes, including High-Speed Sync (HSS) Rear-Curtain Sync and Multi-Flash mode. it is perfect for people who shoot Sports, Action, Dance, Fashion, product, and Advertising photography. It is especially good for photographing children. Capture Motion Like Never Before - Super Fast Flash Head  The QT1200III Flash Head utilises Insulated-Gate Bipolar Transistor Technology (IGBT) to enable it to produce super-fast flash durations of up to 1/26,100 of a second (T0.1), enabling you to perfectly freeze fast-moving subjects with perfect sharpness. Great for photographing water splashes, powder and more. Phenomenal Speed The QT1200III Flash Head features super-fast recycling times, enabling you to shoot at rates of up to 20 frames per second, ensuring that you will never miss the perfect shot. Ideal for photographing dancers and sports personalities. Stroboscopic Flash Mode The Stroboscopic Flash feature enables you to capture motion in a unique way. It works by firing multiple flash bursts in rapid succession. When combined with a slow shutter speed, it enables you to capture amazing images of your subject in motion in a single exposure, as shown in the image below. High-Speed Sync Mode The Godox QT1200III Flash Head features a High-Speed Sync (HSS) mode, which enables you to synchronise your flash at higher shutter speeds than what is normally possible (up to 1/8000 of a second). This mode is useful for times when you would like to shoot at wider apertures, or if you need a faster shutter speed to kill any excess ambient light in your scene. Rear-Curtain Sync The Godox QT1200III features a Rear-Curtain Sync, which enables you to capture stunning motion-trail effects when paired with slow shutter speeds. This mode causes the flash to fire at the end of the exposure, as opposed to the start, producing natural-looking motion blur effects, that appear behind your subject. With standard front-curtain Sync, the motion-blur effect appears in front of your subject, which can look a little strange in your final image. Stable-Colour Mode The Pixapro QT1200III Flash Head features a Stable-Colour Mode to ensure that you get as little colour-temperature variation between different flash powers. This is especially useful when shooting colour-critical work such as for Advertising, Fashion Lookbooks, and Product Catalogues, etc. QT1200III Flash Head with LED Modelling Lamp The QT1200III now features a built-in 40W LED Modelling lamp, (which is approximately 1.3-stops brighter than the older 150W halogen modelling bulbs). LED modelling lamps are brighter, run cooler and are more energy-efficient than traditional Halogen lamps. They also have a considerably longer lifespan. This makes the QT1200III safe to use with modifiers that enclose the bulb, such as snoots, without you having to worry about the modifier becoming too hot to handle. Power and Precision at Your Command The QT1200III features an improved 9-Stop power range, enabling you to adjust the power anywhere between full and 1/256 power in increments of 1/10 of a stop. Whether you want an intense burst of light for use as a main light or a subtle kiss of light, the QT1200III is guaranteed to deliver.  

Blackmagic Cloud Store Mini 16TB

Blackmagic DWCLDE-CLDMINI16 (DWCLDE/CLDMINI16, DWCLDE_CLDMINI16, DWCLDECLDMINI16, DWCLDE CLDMINI16) Cloud Store Mini 16TB High Performance Network Storage for Film and Television Blackmagic Cloud Store gives you high performance network storage designed for the film and television industry! Plus it understands Blackmagic Cloud media sync and supports DaVinci Resolve proxy files. This means the moment a film crew starts shooting, the camera media will sync within seconds so the post production team can start working! With an incredibly fast flash based memory core, lots of users can all work at the same time. That’s perfect for sharing large media files between editors, colourists, audio engineers and VFX artists! You can even build a broadcast replay system by connecting multiple HyperDeck recorders and DaVinci Resolve 19. There’s even a status monitor output! Designed for Film and Television Blackmagic Cloud Store is the perfect storage solution for film and television. It’s designed to handle the large media files used in film and television where multiple editors, colourists, audio engineers and VFX artists all work on the media at the same time. It even handles massive 12K Blackmagic RAW digital film files. Each user gets zero latency and they don’t need to store files on their local computer. That’s perfect for DaVinci Resolve. Plus Blackmagic Cloud, Dropbox and Google Drive support allows media to be synchronized to different locations globally so each location gets the fastest editing experience possible. It’s also perfect for live replay with DaVinci Resolve 19. Post Production Perfect for post production, you get the speed to handle massive digital film files and lots of simultaneous users. Plus Blackmagic Cloud sync downloads proxy files in seconds, followed by camera RAW files. Even from remote cameras on set. Replay Build a live replay solution using multiple HyperDecks recording over a network to Blackmagic Cloud Store, while DaVinci Resolve powers the playback. DaVinci Resolve 19 has new replay features that can also upload replays as social media posts. Blackmagic Cloud Blackmagic Cameras can upload to the Blackmagic Cloud website as they shoot. This means you get clips delivered right into the DaVinci Resolve bin. Blackmagic Cloud Store constantly syncs media so everyone on the network can access the latest shots. Two Extremely Powerful Models Blackmagic Cloud Store Mini High performance rack mount flash storage, features 8 and 16 TB models, 4 card RAID 0 flash memory core, 10G Ethernet, 1G Ethernet, USB-C and Blackmagic Cloud sync for distributing files globally. Blackmagic Cloud Store Max Extremely high performance flash storage, with 24 and 48TB models, 12 card RAID 0 flash memory core, 4 x 10G Ethernet, 100G Ethernet, USB-C and Blackmagic Cloud sync for distributing files globally. Portable and Quiet Design Blackmagic Cloud Store Mini and Max models feature a rack mount design that’s very portable and whisper quiet. The Blackmagic Cloud Store Mini is half rack width, has a single 10G Ethernet connection and features an internal array of 4 flash memory cards working in parallel for higher speed. While the Blackmagic Cloud Store Max model is a full rack width design with 12 flash memory cards, an extremely fast 100G Ethernet connection and 4 x 10G Ethernet connections. If you need to access files quickly, then the USB-C even operates as a network connection, simply by plugging it into your computer. There is also a monitoring video output with a live graphic view of the storage status. Flash Memory Allows Multiple Simultaneous Users Blackmagic Cloud Store models feature large parallel flash memory cores with lots of space for your media files. That’s fantastic for film and television production as you get high performance, large capacity, all in a portable design. M.2 flash memory cards are used for extreme reliability, high access speeds and zero seek times. The Mini model has 4 x M.2 cards and the Max model has 12 x M.2 cards arranged in a massive parallel RAID 0 group for extreme performance. That ensures enough speed to keep up with dozens of users. Only this massive parallel memory core has enough speed for large banks of HyperDeck recorders and dozens of editing workstations, all operating at the same time. High Performance for Digital Film Files With very high speed 10G and 100G Ethernet connections, Blackmagic Cloud Store is very fast. The internal memory core has been designed to saturate the 10G Ethernet ports to their theoretical maximum speed, even with multiple users connected. It’s so fast, most computers cannot keep up. Plus file access is very low latency, so responsiveness is fast. That’s possible because of the parallel processing used by the memory core. Even at maximum speed, the Blackmagic Cloud Store is extremely quiet with very little cooling fan noise. Even when editing large 12K digital film RAW files. It’s so fast, multicam editing is very smooth, even with dozens of connected editing workstations. Sync to Blackmagic Cloud for Global Media Now you can install a local cache of media uploaded to the Blackmagic Cloud website or Dropbox and Google Drive. This makes working faster because files are distributed globally, to as many sites as you need. Blackmagic Cloud Store will constantly work to stay in sync. You also save space on editing workstations because the files are downloaded to the Blackmagic Cloud Store so everyone on your network can access them. If you’re working with remote cameras, such as URSA Broadcast, URSA Cine or the Blackmagic Camera iPhone app, then these files will upload to Blackmagic Cloud and then download to the Blackmagic Cloud Store in seconds. That’s also fantastic for multi site media backup. Add Cloud Service Make sure your Blackmagic Cloud Store is connected to the internet. Enter your Blackmagic Cloud ID, Dropbox or Google Drive account details, so the Cloud Store can gain access to allow sync. Set Sync Folders Next you need to set the sync folders. That tells the Blackmagic Cloud Store where to sync its files to the remote account. You can also have multiple sync folders. Set Sync Direction Now set the sync direction. One direction is good when you have local files you want to share, but not enough room for everyone’s files. Both directions means everyone gets the same set of files. Distribute Files Globally with Blackmagic Cloud With support for the Blackmagic Cloud website, Dropbox and Google Drive sync, you can use Blackmagic Cloud Stores to share media files globally. That’s important when working with large datasets or massive digital film and video files. Editing requires access to media dozens of times a second, so internet connections can be too slow to handle it. Plus the internet has too much latency to access large files remotely. However, using the internet to sync media to local storage totally eliminates delays and latency. That’s because everyone has a local copy of the files on their network. With Blackmagic Cloud Store, you get constant media file sync, even if your computer is turned off. Real Time Storage Video Monitoring The most exciting feature is the live HDMI monitoring output. The Blackmagic Cloud Store Max also has an SDI monitoring output. Simply connect a TV or monitor to get a live status update of the store. The storage map shows a graphic representation of the memory core in real time with reads and writes shown dynamically. It’s fun to watch. There are also graphs that show data transfers on the Ethernet connections. The main space indicator shows you the capacity of the memory core and the current usage. Plus, you can even add a custom name to the store. The status of the media sync to the Blackmagic Cloud website is also shown. Errors are shown as well, including power supply status. High Performance 10G Ethernet The Blackmagic Cloud Stores have very fast 10G Ethernet ports, which are only found on expensive workstation computers. On the Blackmagic Cloud Store Max, you get 4 independent 10G Ethernet ports that can all sustain maximum 10G data speeds even when all 4 ports are connected to separate computers and used at the same time. With 10G Ethernet, you get 10 times the speed of regular Ethernet. Plus most computers can be upgraded to add 10G Ethernet. The internal parallel flash storage and data pipelines are so fast, each 10G Ethernet port will run to its maximum capacity. Even when connected to an Ethernet switch with dozens of users accessing files at the same time. Even Faster 100G Ethernet The Blackmagic Cloud Store Max model includes 100G Ethernet for adding more connections. Simply connect a Blackmagic Ethernet Switch 360P to the 100G Ethernet to get 16 extra 10G Ethernet connections. This means you can add lots of HyperDeck Studio ISO recorders, with each recorder connected to the switch. Each HyperDeck recording is then combined in the switch and sent to the Blackmagic Cloud Store Max via the 100G Ethernet connection. This high speed 100G connection lets you work in professional codecs such as ProRes and DNx. You can also build large creative workgroups with lots of edit workstations. The 100G connection can be used with copper or optical fiber cables. Connect via USB-C for Quick File Access Modern laptop computers are so thin, they often don’t even have an Ethernet connection. That means you need an adapter to connect to an Ethernet network. These adapters are annoying and make it harder to just plug your computer into the storage to access a file. Blackmagic Cloud Store models have a USB-C to Ethernet adapter built in and you can access it simply by plugging your computer into the USB-C port on the store. Plus USB-C cables are much nicer than stiff Ethernet cables. Once you have connected the Cloud Store’s USB-C connection to your computer, you have an Ethernet connection direct to the storage. That means you can just plug in to quickly grab files when you need them urgently. Repairable Design for Long Life Blackmagic Cloud Store is easy to repair by any qualified maintenance engineer. The design is based on a single PCB that attaches to the M.2 memory cards and power supply. This means the flash memory cards can be easily replaced. Plus Blackmagic Cloud Store runs Blackmagic OS so it applies wear leveling, so each M.2 card won’t see excessive data writes. You can also see any problems in the software utility and HDMI monitor output. Plus in future, as new and larger M.2 flash memory cards are released, the Blackmagic Cloud Store can be upgraded so it has much larger capacity. That’s possible because M.2 flash memory cards are an open standard and available from any computer dealer. No Subscription or Maintenance Costs One of the big advantages of the Blackmagic Cloud Store is its private storage that you fully control. There are no subscriptions to sign up for. There are no monthly license fees. There is no tracking of your usage or data. You don’t need to use a paid, cloud based web service to maintain the storage settings because Blackmagic Cloud Store includes a free software utility that runs on Mac and Windows. That means you can run a private network, totally disconnected from the internet. This is critical for many security standards where computer networks cannot be connected to the external internet. With Blackmagic Cloud Store, you get performance, portability, and total freedom. Free Software for Mac and Windows When you need to change settings, you can use the Blackmagic Cloud Store utility that’s available on Mac and Windows. By default, the Blackmagic Cloud Store is set to DHCP, so you can connect it to your network and start transferring files. You don’t even need an IT tech to get started. However, the Blackmagic Cloud Store Utility also opens up a whole range of settings you can customize, including the ability to add custom logins and passwords for each user, plus you can enable file download via FTP or web browsers. You can also update network settings and add security certificates. The utility is where you set up sync to the Blackmagic Cloud website as well as Dropbox and Google Drive. Live Production HyperDeck ISO Recorders Now it’s easy to get high end multi channel ISO recording by recording from an array of HyperDeck recorders directly into Blackmagic Cloud Store. Plus HyperDeck Studios work in all common codecs including H.264, H.265, DNx and ProRes. HyperDeck Studio recorders now support recording to network storage so you can build an array of HyperDeck Studios that record into the Blackmagic Cloud Stores while multiple DaVinci Resolve systems can edit the same media, all at the same time. DaVinci Resolve is free to download so it’s easy to expand to as many workstations as you need. Even as the files are recording, DaVinci Resolve can still edit the media, so it’s perfect for live action replay. Add Connections with the Blackmagic Ethernet Switch The Blackmagic Ethernet Switch 360P is the first Ethernet switch designed for the film and television industry. It has extremely high performance plus low latency. All the Ethernet connections are on the rear, which means the cables are neater, hidden from users and more secure. You get 16 fast 10G Ethernet ports and 2 high speed 100G Ethernet QSFP sockets for copper cables or optical fiber modules. Plus there’s a router panel built into the front so it can also be used to build small portable 2110 IP systems using a familiar video routing user interface. Users won’t even know they’re routing SMPTE-2110. It’s a simple plug and play solution with everything needed for television work. Get News Editing and Replay in DaVinci Resolve 19 DaVinci Resolve 19 has exciting new media player, news cutting and replay features. Adding a Blackmagic Cloud Store lets you combine HyperDeck recorders, DaVinci workstations and remote cameras delivering media via the Blackmagic Cloud website. Then the new multi source viewer allows you to browse media visually, as clips with matching timecodes are displayed in a multiview. That’s perfect when shots are arriving in real time from remote cameras. New "on air" controls use a key channel to enable a downstream keyer in a switcher, so a single button can automate the playout to air. You can even add an auto stinger. Only Blackmagic Cloud Store has been designed to support DaVinci Resolve 19.

Blackmagic Cloud Store Mini 8TB

Blackmagic DWCLDE-CLDMINI08 (DWCLDE/CLDMINI08, DWCLDE_CLDMINI08, DWCLDECLDMINI08, DWCLDECLDMINI08) Cloud Store Mini 8TB High Performance Network Storage for Film and Television Blackmagic Cloud Store gives you high performance network storage designed for the film and television industry! Plus it understands Blackmagic Cloud media sync and supports DaVinci Resolve proxy files. This means the moment a film crew starts shooting, the camera media will sync within seconds so the post production team can start working! With an incredibly fast flash based memory core, lots of users can all work at the same time. That’s perfect for sharing large media files between editors, colourists, audio engineers and VFX artists! You can even build a broadcast replay system by connecting multiple HyperDeck recorders and DaVinci Resolve 19. There’s even a status monitor output! Designed for Film and Television Blackmagic Cloud Store is the perfect storage solution for film and television. It’s designed to handle the large media files used in film and television where multiple editors, colourists, audio engineers and VFX artists all work on the media at the same time. It even handles massive 12K Blackmagic RAW digital film files. Each user gets zero latency and they don’t need to store files on their local computer. That’s perfect for DaVinci Resolve. Plus Blackmagic Cloud, Dropbox and Google Drive support allows media to be synchronized to different locations globally so each location gets the fastest editing experience possible. It’s also perfect for live replay with DaVinci Resolve 19. Post Production Perfect for post production, you get the speed to handle massive digital film files and lots of simultaneous users. Plus Blackmagic Cloud sync downloads proxy files in seconds, followed by camera RAW files. Even from remote cameras on set. Replay Build a live replay solution using multiple HyperDecks recording over a network to Blackmagic Cloud Store, while DaVinci Resolve powers the playback. DaVinci Resolve 19 has new replay features that can also upload replays as social media posts. Blackmagic Cloud Blackmagic Cameras can upload to the Blackmagic Cloud website as they shoot. This means you get clips delivered right into the DaVinci Resolve bin. Blackmagic Cloud Store constantly syncs media so everyone on the network can access the latest shots. Two Extremely Powerful Models Blackmagic Cloud Store Mini High performance rack mount flash storage, features 8 and 16 TB models, 4 card RAID 0 flash memory core, 10G Ethernet, 1G Ethernet, USB-C and Blackmagic Cloud sync for distributing files globally. Blackmagic Cloud Store Max Extremely high performance flash storage, with 24 and 48TB models, 12 card RAID 0 flash memory core, 4 x 10G Ethernet, 100G Ethernet, USB-C and Blackmagic Cloud sync for distributing files globally. Portable and Quiet Design Blackmagic Cloud Store Mini and Max models feature a rack mount design that’s very portable and whisper quiet. The Blackmagic Cloud Store Mini is half rack width, has a single 10G Ethernet connection and features an internal array of 4 flash memory cards working in parallel for higher speed. While the Blackmagic Cloud Store Max model is a full rack width design with 12 flash memory cards, an extremely fast 100G Ethernet connection and 4 x 10G Ethernet connections. If you need to access files quickly, then the USB-C even operates as a network connection, simply by plugging it into your computer. There is also a monitoring video output with a live graphic view of the storage status. Flash Memory Allows Multiple Simultaneous Users Blackmagic Cloud Store models feature large parallel flash memory cores with lots of space for your media files. That’s fantastic for film and television production as you get high performance, large capacity, all in a portable design. M.2 flash memory cards are used for extreme reliability, high access speeds and zero seek times. The Mini model has 4 x M.2 cards and the Max model has 12 x M.2 cards arranged in a massive parallel RAID 0 group for extreme performance. That ensures enough speed to keep up with dozens of users. Only this massive parallel memory core has enough speed for large banks of HyperDeck recorders and dozens of editing workstations, all operating at the same time. High Performance for Digital Film Files With very high speed 10G and 100G Ethernet connections, Blackmagic Cloud Store is very fast. The internal memory core has been designed to saturate the 10G Ethernet ports to their theoretical maximum speed, even with multiple users connected. It’s so fast, most computers cannot keep up. Plus file access is very low latency, so responsiveness is fast. That’s possible because of the parallel processing used by the memory core. Even at maximum speed, the Blackmagic Cloud Store is extremely quiet with very little cooling fan noise. Even when editing large 12K digital film RAW files. It’s so fast, multicam editing is very smooth, even with dozens of connected editing workstations. Sync to Blackmagic Cloud for Global Media Now you can install a local cache of media uploaded to the Blackmagic Cloud website or Dropbox and Google Drive. This makes working faster because files are distributed globally, to as many sites as you need. Blackmagic Cloud Store will constantly work to stay in sync. You also save space on editing workstations because the files are downloaded to the Blackmagic Cloud Store so everyone on your network can access them. If you’re working with remote cameras, such as URSA Broadcast, URSA Cine or the Blackmagic Camera iPhone app, then these files will upload to Blackmagic Cloud and then download to the Blackmagic Cloud Store in seconds. That’s also fantastic for multi site media backup. Add Cloud Service Make sure your Blackmagic Cloud Store is connected to the internet. Enter your Blackmagic Cloud ID, Dropbox or Google Drive account details, so the Cloud Store can gain access to allow sync. Set Sync Folders Next you need to set the sync folders. That tells the Blackmagic Cloud Store where to sync its files to the remote account. You can also have multiple sync folders. Set Sync Direction Now set the sync direction. One direction is good when you have local files you want to share, but not enough room for everyone’s files. Both directions means everyone gets the same set of files. Distribute Files Globally with Blackmagic Cloud With support for the Blackmagic Cloud website, Dropbox and Google Drive sync, you can use Blackmagic Cloud Stores to share media files globally. That’s important when working with large datasets or massive digital film and video files. Editing requires access to media dozens of times a second, so internet connections can be too slow to handle it. Plus the internet has too much latency to access large files remotely. However, using the internet to sync media to local storage totally eliminates delays and latency. That’s because everyone has a local copy of the files on their network. With Blackmagic Cloud Store, you get constant media file sync, even if your computer is turned off. Real Time Storage Video Monitoring The most exciting feature is the live HDMI monitoring output. The Blackmagic Cloud Store Max also has an SDI monitoring output. Simply connect a TV or monitor to get a live status update of the store. The storage map shows a graphic representation of the memory core in real time with reads and writes shown dynamically. It’s fun to watch. There are also graphs that show data transfers on the Ethernet connections. The main space indicator shows you the capacity of the memory core and the current usage. Plus, you can even add a custom name to the store. The status of the media sync to the Blackmagic Cloud website is also shown. Errors are shown as well, including power supply status. High Performance 10G Ethernet The Blackmagic Cloud Stores have very fast 10G Ethernet ports, which are only found on expensive workstation computers. On the Blackmagic Cloud Store Max, you get 4 independent 10G Ethernet ports that can all sustain maximum 10G data speeds even when all 4 ports are connected to separate computers and used at the same time. With 10G Ethernet, you get 10 times the speed of regular Ethernet. Plus most computers can be upgraded to add 10G Ethernet. The internal parallel flash storage and data pipelines are so fast, each 10G Ethernet port will run to its maximum capacity. Even when connected to an Ethernet switch with dozens of users accessing files at the same time. Even Faster 100G Ethernet The Blackmagic Cloud Store Max model includes 100G Ethernet for adding more connections. Simply connect a Blackmagic Ethernet Switch 360P to the 100G Ethernet to get 16 extra 10G Ethernet connections. This means you can add lots of HyperDeck Studio ISO recorders, with each recorder connected to the switch. Each HyperDeck recording is then combined in the switch and sent to the Blackmagic Cloud Store Max via the 100G Ethernet connection. This high speed 100G connection lets you work in professional codecs such as ProRes and DNx. You can also build large creative workgroups with lots of edit workstations. The 100G connection can be used with copper or optical fiber cables. Connect via USB-C for Quick File Access Modern laptop computers are so thin, they often don’t even have an Ethernet connection. That means you need an adapter to connect to an Ethernet network. These adapters are annoying and make it harder to just plug your computer into the storage to access a file. Blackmagic Cloud Store models have a USB-C to Ethernet adapter built in and you can access it simply by plugging your computer into the USB-C port on the store. Plus USB-C cables are much nicer than stiff Ethernet cables. Once you have connected the Cloud Store’s USB-C connection to your computer, you have an Ethernet connection direct to the storage. That means you can just plug in to quickly grab files when you need them urgently. Repairable Design for Long Life Blackmagic Cloud Store is easy to repair by any qualified maintenance engineer. The design is based on a single PCB that attaches to the M.2 memory cards and power supply. This means the flash memory cards can be easily replaced. Plus Blackmagic Cloud Store runs Blackmagic OS so it applies wear leveling, so each M.2 card won’t see excessive data writes. You can also see any problems in the software utility and HDMI monitor output. Plus in future, as new and larger M.2 flash memory cards are released, the Blackmagic Cloud Store can be upgraded so it has much larger capacity. That’s possible because M.2 flash memory cards are an open standard and available from any computer dealer. No Subscription or Maintenance Costs One of the big advantages of the Blackmagic Cloud Store is its private storage that you fully control. There are no subscriptions to sign up for. There are no monthly license fees. There is no tracking of your usage or data. You don’t need to use a paid, cloud based web service to maintain the storage settings because Blackmagic Cloud Store includes a free software utility that runs on Mac and Windows. That means you can run a private network, totally disconnected from the internet. This is critical for many security standards where computer networks cannot be connected to the external internet. With Blackmagic Cloud Store, you get performance, portability, and total freedom. Free Software for Mac and Windows When you need to change settings, you can use the Blackmagic Cloud Store utility that’s available on Mac and Windows. By default, the Blackmagic Cloud Store is set to DHCP, so you can connect it to your network and start transferring files. You don’t even need an IT tech to get started. However, the Blackmagic Cloud Store Utility also opens up a whole range of settings you can customize, including the ability to add custom logins and passwords for each user, plus you can enable file download via FTP or web browsers. You can also update network settings and add security certificates. The utility is where you set up sync to the Blackmagic Cloud website as well as Dropbox and Google Drive. Live Production HyperDeck ISO Recorders Now it’s easy to get high end multi channel ISO recording by recording from an array of HyperDeck recorders directly into Blackmagic Cloud Store. Plus HyperDeck Studios work in all common codecs including H.264, H.265, DNx and ProRes. HyperDeck Studio recorders now support recording to network storage so you can build an array of HyperDeck Studios that record into the Blackmagic Cloud Stores while multiple DaVinci Resolve systems can edit the same media, all at the same time. DaVinci Resolve is free to download so it’s easy to expand to as many workstations as you need. Even as the files are recording, DaVinci Resolve can still edit the media, so it’s perfect for live action replay. Add Connections with the Blackmagic Ethernet Switch The Blackmagic Ethernet Switch 360P is the first Ethernet switch designed for the film and television industry. It has extremely high performance plus low latency. All the Ethernet connections are on the rear, which means the cables are neater, hidden from users and more secure. You get 16 fast 10G Ethernet ports and 2 high speed 100G Ethernet QSFP sockets for copper cables or optical fiber modules. Plus there’s a router panel built into the front so it can also be used to build small portable 2110 IP systems using a familiar video routing user interface. Users won’t even know they’re routing SMPTE-2110. It’s a simple plug and play solution with everything needed for television work. Get News Editing and Replay in DaVinci Resolve 19 DaVinci Resolve 19 has exciting new media player, news cutting and replay features. Adding a Blackmagic Cloud Store lets you combine HyperDeck recorders, DaVinci workstations and remote cameras delivering media via the Blackmagic Cloud website. Then the new multi source viewer allows you to browse media visually, as clips with matching timecodes are displayed in a multiview. That’s perfect when shots are arriving in real time from remote cameras. New "on air" controls use a key channel to enable a downstream keyer in a switcher, so a single button can automate the playout to air. You can even add an auto stinger. Only Blackmagic Cloud Store has been designed to support DaVinci Resolve 19.

Godox Scrim Flag Panel Kit 60x90cm

Godox GD-SF6090KIT (GD/SF6090KIT, GD_SF6090KIT, GDSF6090KIT, GD SF6090KIT) Scrim Flag Panel Kit 60x90cm Unlike traditional flag panels with their large, fixed frames, the Godox SF6090 2'x3' (60x90cm) Professional Foldable and Versatile Scrim Flag Kit features three-sided collapsible steel frames, which can be folded down to fit into a small carry case for easy transportation and hassle-free storage. The Godox SF6090 scrim flag kit includes 5x different types of fabric, enabling you to block, diffuse, or reduce the light hitting your subject, giving you access to the ultimate light control system. The frame is also open-ended, so there is nothing to cast a shadow when used with the diffusion silks or net screens. This kit consists of 5x flag frames and 5x different types of fabric covers to put onto the frames. The Godox SF6090 scrim flag kit also comes with 2x small circular flags (Dot Flags) and 2x small rectangular flag panels (Finger Flags) for use with smaller subjects or for fine-tuning the lighting. The Godox SF6090 Foldable and Versatile Scrim Flag Kit is perfect for cinematographers and photographers who are looking for a quick and easy solution for controlling their lighting. Foldable and Versatile The SF6090 scrim flag kit contains 5 flag frames and fabric screens to assemble for shaping, blocking, or diffusing the light, as well as 2 fingers and 2 dots to allow more precise adjustments of light on small objects. Ample Control of Lighting Effects. Below is a list of the effect each type of flag gives: Black Single and Double Net Screens The black single and double net screens are used to reduce the amount of light falling onto your subject, without reducing specularity. These are ideal for use in situations where you need to reduce the amount of light on one subject without affecting the other. 1-Stop and 2-Stop Silk Screens The 1-stop silk screen produces a moderate amount of diffusion. It reduces contrast and specularity, as well as opening up areas in shadow. The 2-stop silkscreen does the same thing to a greater degree to further reduce contrast and specularity and opens up the shadows a little more also. Solid Black Fabric The solid black fabric enables you to block light completely from hitting parts of your subject or set. The Godox SF6090 scrim flag kit can also be used to cast shadows onto your subject for added mood and effect.Industry-Standard Color-Coding The Godox SF6090 kit uses the industry-standard colour-coding scheme, enabling you to quickly select the correct flag when on-set.  

Godox Scrim Flag Panel Kit 45x60cm

Godox GD-SF4560KIT (GD/SF4560KIT, GD_SF4560KIT, GDSF4560KIT, GD SF4560KIT) Scrim Flag Panel Kit 45x60cm Unlike traditional flag panels with their large, fixed frames, the Godox SF4560 Professional Foldable Scrim Flag Light Diffuser Kit features three-sided collapsible steel frames, which can be folded down to fit into a small carry case for easy transportation, and hassle-free storage. This Godox SF4560 scrim flag kit include 5x different types of fabric, enabling you to block, diffuse, or reduce the light hitting your subject, giving you access to the ultimate light control system. The frame is also open-ended, so there is nothing to cast a shadow when used with the diffusion silks or net screens. The SF4560 foldable scrim flag light diffuser kit consists of 5x flag frames and 5x different types of fabric covers to put onto the frames. The kit also comes with 2x small circular flags (Dot Flags) and 2x small rectangular flag panels (Finger Flags) for use with smaller subjects or for fine-tuning the lighting. The Godox SF4560 scrim flag kit is perfect for cinematographers and photographers who are looking for a quick and easy solution for controlling their lighting. Compact & Versatile   The SF4560 scrim flag light diffuser kit contains 5 flag frames and fabric screens to assemble for shaping, blocking, or diffusing the light, as well as 2 fingers and 2 dots to allow more precise adjustments of light on small objects. Ample Control of Lighting Effects. Below is a list of the effect each type of flag gives: Black Single & Double Net Screens The black single and double net screens are used to reduce the amount of light falling onto your subject, without reducing specularity. These are ideal for use in situations where you need to reduce the amount of light on one subject, without affecting the other. 1-Stop and 2-Stop Silk Screens The 1-stop silk screen produces a moderate amount of diffusion. It reduces contrast and specularity, as well as opening up areas in shadow. The 2-stop silkscreen does the same thing to a greater degree to further reduce contrast and specularity and opens up the shadows a little more also.  Solid Black Fabric The solid black fabric enables you to block light completely from hitting parts of your subject or set. It can also be used to cast shadows onto your subject for added mood and effect.

Accsoon TopRig S60 Motorized Camera Slider for Video Shooting - 60cm

Accsoon ACSAAS03 (AC-SAAS03, AC/SAAS03, AC SAAS03, AC_SAAS03) TopRig S60 Motorized Camera Slider for Video Shooting - 60cm Precision in Motion Suitable for either telephoto or macro probe lenses. Speed Control Made Simple An intuitive control knob that allows speed control from 0.1cm/s to 5cm/s. Great Power Various models of micro-single and light movie cameras can be supported at maximum bear load 2.5kg vertically and 4kg horizontally. Built-in Panel Button Control Speed Adjustment Power On/Off Loop Mode Setting AB Points Setting Start/Stop Noise Free TopRig S40/S60 is equipped with a high quality brushless motor which features powerful yet precise control and operates without noise. Smooth Start/Stop Smooth Start/Stop to ensure a complete stable video footage. NP-F Battery or DC Power Low power consumption & longer working hours. Multi-angle Movement New guide wheel tensioning design ensures continuous work and meets a variety of shooting patterns.

Accsoon TopRig S40 Motorized Camera Slider for Video Shooting

Accsoon ACSAAS01 (AC-SAAS01, AC/SAAS01, AC SAAS01, AC_SAAS01) TopRig S40 Motorized Camera Slider for Video Shooting Precision in Motion Suitable for either telephoto or macro probe lenses. Speed Control Made Simple An intuitive control knob that allows speed control from 0.1cm/s to 5cm/s. Great Power Various models of micro-single and light movie cameras can be supported at maximum bear load 2.5kg vertically and 4kg horizontally. Built-in Panel Button Control Speed Adjustment Power On/Off Loop Mode Setting AB Points Setting Start/Stop Noise Free TopRig S40/S60 is equipped with a high quality brushless motor which features powerful yet precise control and operates without noise. Smooth Start/Stop Smooth Start/Stop to ensure a complete stable video footage. NP-F Battery or DC Power Low power consumption & longer working hours. Multi-angle Movement New guide wheel tensioning design ensures continuous work and meets a variety of shooting patterns.

Metabones Canon FD to X-mount Speed Booster ULTRA 0.71x (Black Matt)

Metabones Canon FD to X-mount Speed Booster  ULTRA 0.71x (Black Matt)(MB_SPFD-X-BM3)The Canon FD Lens to FUJIFILM X-Mount Camera Speed Booster ULTRA from Metabones improves upon the original Metabones Speed Booster with a 5 element/4 group optical design that incorporates ultra-high refractive index tantalum-based glass for improved sharpness and reduced distortion and vignetting. The Speed Booster ULTRA allows a full frame Canon FD lens to be mounted to an APS-C format X-Mount camera and in doing so, increases the angle of view and increases the maximum aperture by approximately one f/stop.  When a lens intended for full frame sensors or 35mm film is mounted to a camera with an APS-C sized sensor, it transmits a larger area of light than the smaller sensor was built to accept and therefore the effective angle of view of the lens increases. The Speed Booster condenses light from the lens and projects it onto the APS-C sensor allowing the sensor to utilize all of the lens' light and effectively reduces the crop factor of and APS-C E-Mount camera from 1.5x to 1.07x, producing a full-frame angle of view with an APS-C sensor. A corresponding increase in the maximum aperture of one f/stop makes the lens more effective in low-light situations and able to create a shallow depth of field.  Although the lens will fit physically, automatic diaphragm (AE metering), or other auto functions are not retained using this speed booster.  Metabones Speed Boosters are quality made, using precision-machined brass with chromium plating on both the camera body and the lens side of the booster in order to ensure smooth mounting, quality aesthetic, and durability. A matte black interior reduces internal reflections and a black satin finish external surface matches with most camera bodies and lenses. This adapter has a tripod foot that is compatible with Arca Swiss, Markins, and Photo Clam ball heads, and can be removed if needed with an included hex key. Allows a full frame Canon FD lens to be mounted to an FUJIFILM X-mount APS-C format camera and in doing so, increases the angle of view and increases the maximum aperture by one f/stop.The Speed Booster ULTRA design incorporates ultra-high index tantalum-based optical glass for enhanced optical performance with improved corner sharpness and reduced distortion and vignetting. This glass technology and optical design perform extremely well with professional-grade f/2.8 zoom lenses and high-speed fixed focal length lenses such as a 50mm f/1.2 which will perform as a 35.5mm f/0.9 lens with high contrast and resolution from the center to the edges of the image.Precise fit and solid connection - lens has no play, gap or wiggling when mounted on speed booster and no adjustments are required to fit your lens. Both the camera-side and the lens-side of the speed booster are made of brass which is precision-machined and chrome-plated.The Speed Booster uses matte-black treatment to keep internal reflection to a minimum in order to maintain the maximum optical quality possible with the lens. The exterior features a black satin surface finish.Designed to reach infinity focus while maintaining the correct registration distance required to maintain optical quality of CRC lenses or lenses with floating elements.The speed booster features a detachable tripod foot which is compatible with Arca Swiss, Markins, Photo Clam ball heads. The booster may attach to a quick release plate or tripod using a 1/4"-20 screw.Although the lens will fit physically, automatic diaphragm (AE metering), or other auto functions will not be retained using this speed booster.Two hex keys included with the product, one to detach the tripod foot and another to tighten a mounting screw

Dedolight DPBA-L18 Parallel Beam intensifier LED monocolor, 18cm diameter Fits DLED12-D, DLED30-D.

Dedolight DPBA-L18 (DPBA L18, DPBA_L18, DPBAL18, DPBA/L18) Parallel Beam intensifier LED monocolor, 18cm diameter Fits  DLED12-D, DLED30-D. This DPBA-L18 Parallel Beam Intensifier increases light output up to 44% (DLED12-D). Simply used by sliding in at the light's accessory slot and adjusting to the flood position; the new beam generated by this lens is anywhere from 6°- 8°, depending on light model used. Parallel Beam Intensifiers, unique only to dedolight focusing lights, make using multiple Lightstream reflectors from one light source possible, as well as establishes a controlled virtual light source from the reflecting surface. "Lightstreaming" with Parallel Beam Intensifiers completely brings the reflectors to life in a systematic way with undeniably beautiful results. This tool provides a powerful new function your dedolight which nothing else can do on the market.       

Portabrace Porta Brace RS-HDC3500 Rain Cover for the Sony HDC-3500 Camera

Porta Brace RS-HDC3500 Rain Cover for the Sony HDC-3500 Camera(RS-HDC3500, RSHDC3500, RS/HDC3500) The Porta Brace Rain Slicker is designed to protect the Sony HDC-3500 camcorder from rain, dirt, and dust while in operation. Zippers, flaps, touch fasteners, and vinyl windows allow you to reach critical controls and view meters. The Rain Slicker is easy to put over the camera, microphone, windscreen, batteries, and pistol grip. A Rain Fly covers the entire top of the camera to seal the handle opening. The slicker is constructed of waterproof Taslan nylon with a soft tricot interior layer that protects the camera. In addition to being waterproof, the Taslan material is breathable and allows heat from the camera to escape while the cover is deployed. The adjustable neoprene lens gasket creates a tight seal around the lens, while an included detachable visor adds extra protection against droplets reaching the glass. The vinyl windows keep dirt and moisture out but allow quick visual checks on important meters, indicator lights, and switches. The main body is made from waterproof Taslan nylon material and is protected by a soft layer of nylon tricot, adding significantly to the durability of the coating. The battery end of the rain slicker has adjustable flaps which can be shortened to fit a slim battery, or lengthened to wrap around larger batteries. Wireless mics can also be accommodated. Sealed hook-and-loop fastener openings afford plenty of access to hand controls and the power supply while keeping your equipment dry.   A Rain Fly covers the entire top of the camera to seal the handle opening.

Portabrace Porta Brace Audio case for Sound Device 888 recorder

Porta Brace Audio case for Sound Device 888 recorder(AO-888) Carefully crafted carrying equipment for professional film & video crews

DJI Inspire 3 Propeller Guard

DJI Inspire 3 Propeller Guard(CP.IN.00000043.01) Protect your drone, people, and property by adding this Propeller Guard for Inspire 3 from DJI to your drone. The propeller guards provide a physical barrier around each spinning set of blades but do not hinder flight performance. Please note that with the guards in place, obstacle sensing can no longer be used.

DJI TB51 Battery

DJI TB51 Battery(CP.IN.00000029.01) The TB51 Intelligent Battery is equipped with high-performance, high-energy battery cells to provide robust power, and it uses an advanced battery management system. It also optimizes low-temperature performance of the cell with a built-in auto-heating system (this function can be enabled automatically by the aircraft or manually in the app).

Camrade CAM-RAINCVR-OBEFP-L RainCover OB-EFP Large

Camrade CAM-RAINCVR-OBEFP-L (CAM/RAINCVR-OBEFP-L, CAM/RAINCVR/OBEFP/L, CAMRAINCVROBEFPL, CAM RAINCVR OBEFPL) RainCover OB-EFP Large Through years of experience and working closely with camera operators from broadcast and production companies, we have improved the designs to perfect solutions for multiple applications. Protect outside broadcasting cameras against inclement weather with the rainCover OB/EFP Large. With this raincover for large set-ups with live production system cameras, you can now protect your equipment from the elements without sacrificing your shot. The rainCover OB/EFP Large is suitable for system cameras, attached on a tripod, pedestal, or any other camera support solution. The flexible black fabric helps the camera not to stand out in a crowd. The cover is perfect for use during both indoor and outside broadcast productions like sports, entertainment, festivals, religious gatherings, and other large events. The cover closures are all with hook and loop fasteners. This allows for a firm fix while still having the flexibility to adjust it to the width and length of your specific set-up. Durable and functional design Always take the camRade rainCover OB/EFP Large to outdoor events, so you do not get caught out when the weather turns. The cover is supplied in a waterproof zippered pouch, which you can use to store and transport the cover. It is easy to attach and detach the cover, thanks to the convenient design. Leave the bottom open for easy access or close again if the wind plays tricks. Clamps around the lens hood The one-piece rainCover closes around the lens with a rubber strip for a good seal with the camera. The vinyl window in front of the lens can be secured with hook and loop fasteners on top when not in use.

Camrade CAM-RAINCVR-OBEFP-S RainCover OB-EFP Small

Camrade CAM-RAINCVR-OBEFP-S (CAM/RAINCVR-OBEFP-S, CAM/RAINCVR/OBEFP/S, CAMRAINCVROBEFPS, CAM RAINCVR OBEFP S) CAM-RAINCVR-OBEFP-S Universal protection for a wide range of ENG-style outside broadcasting cameras with 5” or 7” viewfinder including (long) sun hood, ENG-lens and hand controls. Includes a water-resistant storage pouch. Protect ENG-style outside broadcasting cameras against inclement weather with the rainCover OB/EFP Small. With this raincover for large set-ups with live production system cameras, you can now protect your equipment from the elements without sacrificing your shot. The CamRade rainCover OB/EFP Small is suitable for system cameras, attached on a tripod, pedestal, or any other camera support solution. The flexible black fabric helps the camera not to stand out in a crowd. The cover is perfect for use during both indoor and outside broadcast productions like sports, entertainment, festivals, religious gatherings, and other large events. The cover closures are all with hook and loop fasteners. This allows for a firm fix while still having the flexibility to adjust it to the width and length of your specific set-up. Durable and Functional Design Always take the camRade rainCover OB/EFP Small to outdoor events, so you do not get caught out when the weather turns. The cover is supplied in a waterproof zippered pouch, which you can use to store and transport the cover. It is easy to attach and detach the cover, thanks to the convenient design. Leave the bottom open for easy access or close again if the wind plays tricks. Clamps Around the Lens Hood   The one-piece rainCover closes around the lens with a rubber strip for a good seal with the camera. The vinyl window in front of the lens can be secured with hook and loop fasteners on top when not in use.

Camgear Elite Telescopic Pan Bar Elpb-4 (set of 2)

Camgear Elite Telescopic Pan Bar Elpb-4 (set of 2)(CMG-ELTELEPB-4, CMGELTELEPB4, CMG/ELTELEPB/4) Left & right for Elite 8, Elite 10, Elite 12 & Elite 15 Fluid Heads / Tripod Systems

Idx 14.54V 49Wh micro V-mount Battery

Idx 14.54V 49Wh micro V-mount Battery(IMICRO-50P) The IMICRO-50P is the smallest battery pack in the world at this capacity. Rated at 49Wh, the IMICRO-50P meets the passenger aircraft carry-on limit while remaining useful in many diverse applications. The IMICROs size is beneficial for users with small equipment and gimbal set ups, and fits the new RED V-RAPTOR. The IMICRO-50P also includes one USB-C PD and one D-Tap outputs, V-Torch LED for use in dark environments and digital communications to display battery info via viewfinder on cameras such as ARRI and RED. Future accessories will make the Imicro Series your new go-to setup. *Compatible with UC-PD1 and UC-PD2 for USB-C PD charging

Hawk-Woods 26V 150Wh B-lock Lithium-Ion Battery

Hawk-Woods 26V 150Wh B-lock Lithium-Ion Battery(BL-150) Power your native 24V cinematic camera with this 150Wh B-Lok B-Lok 26V B-Mount Lithium-Ion Battery from Hawk-Woods. The lithium-ion battery features a B-mount interface, which makes it compatible with ARRI cameras like the ALEXA LF, ALEXA, AMIRA, and ALEXA Mini, as well as the high-speed Phantom Flex4K. It boasts 26V power, making it a very reliable, flight-safe solution that is ideal for larger production rigs that employ maximum on-board power. Two outputs provide power options for additional equipment via multi-directional 12V D-Tap and USB-C ports, and communication with ARRI equipment enables users to always know status details, such as time or percentage of battery life remaining.  

Hawk-Woods 26V 98Wh B-lock Lithium-Ion Battery

Hawk-Woods 26V 98Wh B-lock Lithium-Ion Battery(BL-98) Welcoming the smallest capacity B-Lok battery manufactured by Hawk-Woods to support ARRI's new B-Mount lock in system is the BL-98 battery. Equipped with the latest high draw Li-Ion battery cells and using Hawk-woods long standing solid case design these batteries will not let you down! The BL-98 outputs a straight 26 volts to suit all ARRI equipment new and old with the charged voltage peaking at 29.4v. All B-Lok batteries in the family provide 2x power outputs for powering further equipment around the camera rig, as standard these will be a multi-directional 12v D-Tap and a USB-C. The batteries will also provide direct communications with ARRI equipment allowing the user to select time remaining or percentage remaining.

Samyang V-Af 35mm T1.9 Sony Fe-6854

Samyang V-Af 35mm T1.9 Sony Fe(6854) UNIFIED FORM FACTOR – COMPACT & LIGHT The V-AF increases compatibility with gimbals and drones by applying the unified form factors with its 5 different focal lengths (Ultra-Wide to Medium-tele). By providing a compact size of 73 X 70mm and a light-weight of less than 300g, there is no need to re-set the equipment when changing the lenses. TALLY LAMP - EXCELLENT USABILITY The lamp located on the front and mount index helps the user to check whether a video is recorded or not while shooting. It supports video content creation more conveniently even in a small space without a lot of equipment. SUPPORT 8K AND THE SAME COLOUR TONE The new V-AF series supports resolutions up to 8K in a small and lightweight form, which is well suited for use with handheld gimbals and drones, as well as for studios and location productions. All lenses within the new V-AF series are color-matched to avoid shifts when swapping lenses, and the 9 aperture blades allow for a natural-looking bokeh. CUSTOM SWITCH & BUTTON   Features the 'Focus save' function usually in professional cine equipment and custom mode that adds function by firmware, which provides video-specific functions for students and amateur users who dream of cinematographers.

Samyang Af 135mm F1.8 Sony Fe

Samyang Af 135mm F1.8 Sony Fe(8029) SUPERB RESOLUTION Unsparing application of Samyang's most advanced optical technologies has produced a large-aperture prime telephoto lens that delivers outstanding corner-to-corner resolution. The AF 135mm F1.8 FE delivers an 18.9° angle of view for full-frame and 12.5° for APS-C. It features a bright maximum aperture of F1.8, as favoured by full-frame camera users. In particular, optimum resolution is achieved through the optical design of 13 elements in 11 groups (1 U-ASP, 2 HR and 3 ED). Combined with Sony's full-frame image sensor, this lens delivers superior sharpness and contrast in all areas of the image. ABLE TO DELIVER EXTREMELY NARROW DEPTH OF FIELD, WITH BEAUTIFUL BOKEH The AF 135mm F1.8 FE uses a large-diameter aperture to provide smooth background blur. It effectively allows separation of the subject from the background, by using a shallow depth of field. Also, it is equipped with a UA (Ultra-precision Aspherical) lens, which delivers natural and refined bokeh. Using this smooth bokeh, you can freely create images highlighting your subjects against stunning backgrounds, whether shooting portraits, close-ups or even cityscapes. FAST AND QUIET AUTO FOCUS PERFORMANCE Tracking the subject accurately and quickly, the AF also operates quietly and smoothly when shooting video. Samyang's Linear STM (Stepping Motor) satisfies both photographers and videographers with quieter and more accurate control of the focusing lens groups. ENHANCED OPERABILITY AND RELIABILITY Important features include customisable: Focus Hold button, Custom Switch and Focus Range Limiter. Overall, this is a lens that meets and exceeds professional requirement for control and reliability, for both stills and movies. Focus Hold Button Pressing this button on the lens will keep the lens locked to that focusing distance. You can assign functions such as Eye AF in settings on the camera body. Custom Switch There is a custom switch, which can be set to allow adjustment of the aperture silently by rotating the focus ring. Using the optional Lens Station, you can set up the mode to suit your own preference*. (*More functions will be added through firmware updates in the future) Focus Range Limiter switch The Focus Range Limiter only operates in AF mode, but can be useful to speed up focusing once the distance from an object has been determined: Focus Range Limiter is moved forward or backward to select the focus range as follows: FULL: The AF range is set between infinity and the minimum focus distance of 0.69m. 0.69m - 2m: The AF range is set between 0.69m and 2m, suitable for close-up shooting. 1.5m - Infinity: The AF range is set from 1.5m to infinity, which is suitable for normal shooting. SHORT MINIMUM FOCAL DISTANCE OF 0.69M Although this is a 135mm telephoto, Samyang has managed to effectively control aberration at all focusing distances. It has also achieved a minimum focus distance of just 69cm (2.26ft) and a maximum magnification of 0.243x for close-up photography. Small accessories and other subjects can be captured with remarkable resolution and beautiful, soft background bokeh. MODERN DESIGN AND WEATHER-SEALING   The AF 135mm F1.8 FE has been developed and enhanced, taking into consideration not only the design features but also the user's shooting environment. It has a micro-patterned rubber focus ring, which feels great to operate and the weather-sealing protects the lens from light rain, snow and dust.

Samyang V-Af Mf Adapter

Samyang V-Af Mf Adapter(6860) Dеѕіgnеd fоr thе V-АF lеnѕ ѕеrіеѕ, thіѕ Ѕаmуаng Маnuаl Fосuѕ Аdарtеr ехраndѕ thе сrеаtіvе роѕѕіbіlіtіеѕ. Іt fеаturеѕ uр tо 300° fосuѕ trаvеl fоr а ѕmооth trаnѕіtіоn tо сарturе рrесіѕе іmаgеѕ. Оnсе thе аdарtеr іѕ аttасhеd, thе fосuѕ rіng turnѕ іntо аn ареrturе rіng tо ѕіmрlіfу уоur wоrk. Тhе bауоnеt mоunt еnаblеѕ ѕесurе аttасhmеnt, whіlе thе lіghtwеіght dеѕіgn еnѕurеѕ еаѕу hаndlіng.

Samyang VDSLR 35mm T1.5 MK2 Canon EF

Samyang Vdslr 35mm T1.5 Mk2 Canon Ef (8834) The Samyang VDSLR 35mm T1.5 MK2 Canon EF is a professional full frame cine lens designed for filmmaking, video production, documentaries, interviews and cinematic content creation workflows. Featuring a fast T1.5 aperture, industry-standard geared focus and iris rings, and full frame image coverage, the 35mm MK2 delivers cinematic depth of field, low-light performance and smooth manual focus control for professional video production. The 35mm focal length is one of the most versatile and widely used focal lengths in filmmaking, ideal for interviews, handheld shooting, documentaries, gimbal work and narrative production. Designed specifically for filmmakers, the MK2 series includes de-clicked aperture control, dual-sided focus scales, weather sealing and unified gear positioning for fast professional cine workflows.   The compact lightweight construction also makes the lens ideal for handheld rigs, gimbals, Blackmagic cinema cameras, Canon cinema cameras and mirrorless filmmaking setups.

Samyang Mf 85mm F1.4 Nikon z

Samyang Mf 85mm F1.4 Nikon z(7664) Z MOUNT LENS FOR BEAUTIFUL BOKEH FIRST Z MOUNT LENS The MF 85mm F1.4 Z with a total of 9 elements in 7 groups. A H-ASP lens minimizes various aberrations and maximizes the image quality and contrast from center to corner even when using a wide open aperture. Applied ultra-multi-coating for low reflectivity and excellent contrast and enables high transmittance of light while minimizing flare and ghost effects. This lens is recognized as the optimal lens for beautiful bokeh with exceptional performance at wide open apertures. ADOPTED SPECIAL OPTIC LENSES FOR CRYSTAL RESOLUTION The use of H-ASP lens for minimizing distortion extremely and various aberrations in high resolution. Flare and ghost effects are also well-controlled by ultra-multi-coating technology from Samyang. 8 CURVED BLADES, GIVING A NEAR-CIRCULAR APERTURE With the round-shaped aperture with 8 curved blades, the MF 85mm F1.4 Z creates a soft mood in your photographs with beautiful bokeh, especially in shots of portrait, snap and city lights where the background is out of focus. MANUAL TELEPHOTO LENS FOR Z MOUNT The MF 85mm F1.4 Z produces incredible, vivid colours and soft pleasing out-of-focus areas, providing the tool creative photographers dream of. WEATHER SEALING DESIGN FOR PROTECTION FROM EXTERNAL INFLUENCES Weather sealing covers even these small spaces to effectively protect the lens from dust and rain. This protective design enables users to capture the moment outdoors in any environment, providing the dependability you need to keep shooting. BRIGHT APERTURE OF F1.4   The MF 85mm F1.4 Z is designed with an F1.4 bright aperture and is perfect for low light photography, particularly in portraits. Its soft bokeh does not distract from the main subject.

Samyang Mf 85mm F1.4 Mk2 Ae Nikon f

Samyang Mf 85mm F1.4 Mk2 Ae Nikon f(7123) CLASSICS EVOLVED NEW DE-CLICK FEATURE FOR FILMING Samyang 85mm has been one of the most beloved lens from the lineup thanks to its exceptional image quality with expressive characteristics. The new MF 85mm F1.4 MK2 introduces enhanced usability with de-click along with weather sealing. The round bokeh and outstanding optical system creates unforgettable images of your loved ones. It is ideal for top quality portraiture and still images with its vivid colours and smooth out-focus quality. DE-CLICK FUNCTION FOR VIDEO FILMING When shooting video, it is pivotal to capture the object maintaining the same brightness even when you're changing the aperture. Here is the new feature for filming with MF 85mm. Switch the silver ring from "Click" to "Free", then your aperture is now not stopped at every aperture as cine lenses do. This "Declick" will help you adjust the brightness continuously and smoothly with much more details between the F stops SMOOTH BOKEH FOR PORTRAITS In terms of the “bokeh” performance, its 9-rounded aperture blades which will help you achieve excellent “bokeh” results. The space between the subject and background wil be effectively seperated and make the subject more eye-catching. Its 9 aperture blades provide clearly defined sunstars when the aperture is stopped-down MASSIVE IMAGE QUALITY of Beloved Lens The new MF 85mm F1.4 MK2 features a total of 9 elements in 7 groups. Samyang use 1 Hybrid Aspherical glass to minimize spherical and distortion aberration for sharp image quality. It will capture the detailed emotion of subjects in most beautiful way WEATHER SEALING AND UPDATED DESIGN*   Environmental seals are located at the lens mount area to prevent infiltration of moisture and/or rain drops. This feature provides an additional layer of protection when shooting outdoors under adverse weather conditions. Also, MF 14mm F2.8 MK2 has the new micro patterned rubber focus ring to lower the contaminations and increase the grip. The product design is updated with new components and fonts to convey sophisticated and modern look.

Samyang Af 12mm F2.0 Fuji x

Samyang Af 12mm F2.0 Fuji x(7080) BEST CHOICE FOR LANDSCAPES, ASTROPHOTOGRAPHY AND INTERIORS Samyang’s manual-focus MF 12mm F2.0 has long been one of its bestsellers and it has now been redesigned with advanced autofocus technology for Fujifilm camera users! This new prime lens is Samyang’s first autofocus lens to be compatible with the Fuji X mount and it performs optimally on Fujifilm mirrorless cameras (with X-Trans sensor). It's the perfect option for APS-C users who want an ultra-wide-angle AF lens. Perfectly matched to an APS-C camera and gimbal, since it's very compact and lightweight. Includes useful features as well as new modern design to meet photographers' needs. CAPTURE NATURAL COLOURS AND A WIDER ANGLE OF VIEW WITH FUJIFILM CAMERAS This lens features convenient functions and a new design that is optimised for shooting magnificent landscapes that go beyond the normal viewing angle. Used with the Fujifilm X Series mirrorless cameras, the Samyang AF 12mm F2 X provides a 99.1° ultra-wide field of view. Fujifilm X Series camera users can now shoot wider landscapes, harmoniously blending with the surrounding background. EXCELLENT RESOLUTION IN ALL AREAS OF THE IMAGE The AF 12mm F2 X delivers outstanding image quality, so you can capture that starry night in much clearer detail. Incorporating 5 special elements (1 H-ASP, 1 ASP, and 3 ED) plus Ultra Multi-Coating, it achieves exceptional resolution image quality from the centre to the edges of the frame, even wide-open at its F2.0 maximum aperture. With the advanced optical design, the Minimum Focusing Distance is only 20cm, so you can easily capture close-ups and indoor images, with reduced backlight haze. COMPACT SIZE & LIGHTWEIGHT WITH NEW DESIGN FOR FUJIFILM X-SERIES CAMERAS The AF 12mm F2 X lens has a length of 59.2mm (2.3in) and a weighs just 212g (7.5oz). The matte finish and the subtle red ring (dependent on viewing angle) give it a modern feel. Usability has been enhanced by considering not only the design but also the users’ shooting environment. There is a micro-patterned rubber focus ring, so it feels good to operate and there is also weather sealing and rear protective glass to protect the lens from light rain, snow, and dust. BRIGHT F2.0 APERTURE CREATES IMPRESSIVE BACKGROUND BLUR AND BOKEH The AF 12mm F2 X lens uses a large-diameter aperture to provide smooth background blur. It effectively separates the subject and the background using a shallow depth of field to capture a unique image of an ultra-wide-angle in which the background is compressed. The 7-blades produce smooth and natural bokeh with light splitting. SHORT M.O.D (0.20M) The minimum object distance is a very close 20cm, so it can be used to capture much more, in a variety of ways. It makes it easier to take portraits with exaggerated perspective, food on tables, and interior shots in narrow spaces. FAST AND QUIET AF PERFORMANCE   The AF 12mm F2 X tracks the subject accurately and quickly, whilst the AF operates quietly and smoothly in video recording mode. Samyang's Linear STM (Stepping Motor) satisfies both photographers and videographers with quieter and more accurate control of the larger and heavier focusing lens groups. In particular, it is advantageous for video shooting as this lens is suitable for use on a gimbal, in combination with the small and light Fujifilm X series cameras.

Samyang Af 18mm F2.8 Sony Fe

Samyang Af 18mm F2.8 Sony Fe(8011) TINY BUT SUPER WIDE BREATHTAKINGLY LIGHTWEIGHT WITH SUPER WIDE ANGLE OF VIEW, Tiny but amazing in performance. The AF 18mm F2.8 FE is the first ultra-wide-angle lens from the Tiny series lineup. Its unbelievable lightweight (145g), super wide-angle of view (100˚), easily holdable in one hand, high performance and spectacular design make this lens perfect for mirrorless cameras and offer incomparable satisfaction to the users. A TINY, ULTRA-LIGHTWEIGHT LENS At 145g (excl. hood & cap), this is the most lightweight & compact lens in the current AF 18mm wide-angle segment. Without a heavy lens weighing you down, you can effortlessly photograph every precious moment. A PRIME LENS WITH 8 SPECIALIZED ELEMENTS A prime lens that contains 8 specialized elements out of 9 in total (3 aspherical, 2 high refractive, 3 low dispersion) means a high level of sharpness, with low chromatic aberration and minimal distortion, for excellent landscape pictures, indoor shots, travel photos, and astrophotography...all in high definition, with clear colours, allowing a beautiful finish to any photograph. EMPLOYS A LINEAR STEPPING MOTOR The lens delivers fast & stable autofocusing by using a Linear Stepping Motor. The enhanced Samyang AF turns every moment into a work of art you can experience. A WIDE-ANGLE LENS WITH DEPTH With the full-frame 100˚ angle of view of the AF 18mm F2.8 FE, you can capture sweeping vistas in one magnificent shot. Its ability to demonstrate a broad depth and perspective enables every photographer to show off their creative side. THE ULTIMATE TRAVEL COMPANION With minimal size, a wide angle-of-view and amazing definition, travellers can capture every magical vacation moment. The lens combines Samyang’s signature refinement and colour rendering, all in one lightweight lens, made for travel. A MULTI-USE LENS FOR ANY OCCASION   Whether you want to capture nature’s magnificence with a gimbal for stabilized filming, or even a drone, the AF 18mm F2.8 FE is the perfect compact lens to fulfil all your photography needs.

Samyang Vdslr 14mm T3.1 MK2 Micro 4/3

Samyang Vdslr 14mm T3.1 MK2 Micro 4/3(8820) The Samyang VDSLR 14mm T3.1 MK2 is a compact, high quality, fast prime cine lens, available in several mounts. It has full-frame coverage and is optimised for use on video, DSLR and mirrorless cameras. Whether this is your first dedicated cine lens or you are simply looking for amazing performance from compact glass, the MK2 version inherits the superb optics and build quality from the previous model, but has several added features for enhanced performance and handling. All models in the VDSLR MK2 range have unified focus and aperture gear ring positions. This allows for easy changing of lenses without having to adjust follow-focus systems and rigs. For added convenience and professional usage, focus scales, apertures and focal lengths are visible on both sides of the lenses. The new 9-bladed aperture delivers smooth and circular bokeh, which adds a three dimensional quality to the subject and pleasing out-of-focus effects. An 18-ray starburst highlight effect can also be created by stopping down to small apertures. Weather-sealing now protects the most vulnerable gap between the lens and camera mount, to prevent dust, light rain and snow from penetrating. It provides the ability and confidence to capture stunning images in less than perfect conditions. Due their compact dimensions and light weight, Samyang VDSLR MK2 lenses are ideal for use handheld, with gimbal, on car mounts and drones. They offer an ideal way to experience the quality of genuine cine lenses on a low budget, for high quality video making. They are especially popular with YouTubers.

Samyang Mf 14mm F2.8 Nikon Z

Samyang Mf 14mm F2.8 Nikon Z(7633) The new MF 14mm F2.8 Z lens adopts a manual focus system with easy adjustment. You can find excellent sharpness even with the largest aperture. The 115.7˚ wide angle of view enables you to create exceptional images with a great feeling of depth and space from landscape to interiors and more. ADVANCED OPTICAL TECHNOLOGY FOR EXCELLENT RESOLUTION The MF 14mm F2.8 Z contains - ASP, H-ASP, ED and HR lenses to adjust the course of light comes and deliver clean yet lively images to the sensor. Flare and ghost effects are well-controlled by Samyang ultra-multi-coating technology. WIDE ANGLE PHOTOGRAPHY WITH SAMYANG’S BESTSELLER With 115.7˚ wide angle of view, the MF 14mm F2.8 Z produces images with a great feeling of depth and space from wide landscapes, interiors to wide field astrophotography. The built-in petal-shaped lens hood effectively blocks unnecessary stray light and maximizes image quality. WEATHER SEALING DESIGN FOR PROTECTION FROM EXTERNAL INFLUENCES Weather sealing covers even these small spaces to effectively protect the lens from dust, light rain and snow. This protective design enables users to capture the moment outdoors in any environment, providing the dependability you need to keep shooting. MANUAL WIDE ANGLE LENS FOR NIKON Z MOUNT   As Samyang’s first lens for Nikon Z mount, MF 14mm F2.8 Z is also Samyang’s bestseller and steady seller. This attractive manual lens provides a burst of creativity for the users with the depth and easy adjustability of the focus.

Samyang Xeen Cf 50mm T1.5 Pl

Samyang Xeen Cf 50mm T1.5 Pl(7245) CARBON FIBER - COMPACT & FLEXIBLE By applying carbon fiber, which is lighter than metal but solid and beautiful, to the lens body tube, it remains lightweight while maintaining durability. It is designed to be small and light so it can be mounted on numerous cameras and used more flexibly in a variety of environments. 8K & CINEMATIC LOOK It has the outstanding resolution supporting a large image sensor and 8K. Additionally, it offers beautiful bokeh with a bright T1.5 aperture and maximize the delicate emotions of people while richly depicting the shot. X-COATING By applying our proprietary X-coating technology, it effectively controls the reflection of light inside and within the lens itself to create a distinctive look. Properly utilizing flares and ghosting, you can create dramatic effects. OUTSTANDING USABILITY The front aperture (95mm), focus, and aperture ring gear positions are unified, making it easy and convenient to attach and detach lens accessories such as Matte Box and Follow Focus. In addition, the ultra-bright luminous font allows for convenient use in dark environments. Ø95 Front Size Designed to 95mm standard front diameter size it is compact in size and easily compatible with Matte Box Carbon Fiber Carbon fiber is applied to part of the body tube, making it both light and durable Compatible with the large image sensors Compatible with the latest cameras that adopt large image sensors such as Full Frame, Large Format, and Vista Vision PL, EF, E mount Three mount options for mounting on a variety of cameras * LPL mounting is available when using an adapter 11 sheet aperture 11 sheets are applied for bokeh close to original and beautiful background blur X-Coating Provides a distinctive look by controlling internal reflection, flare, and ghosting, and produces dramatic images Luminous font All scales, including focal length and aperture values, are treated with bright fluorescent paint for convenient use, even in low light environments Improvement of Focus, Aperture Gear usability Focus ring and aperture ring locations are uniform across all models, gear design and weight were improved for rotation Wide Focus Gear rotation angle 200 ° wide angle of rotation enables fine focus adjustment Bidirectional Scale The focus and aperture values are displayed on both sides of the lens, enabling easy verification and operation from either side Dramatic Portraits XEEN CF, compatible with the latest Digital Cinema Camera, can express the dramatic emotions of a performer in a rich and delicate manner. Crystal Clear Resolution Optimized for the latest image sensors and seamlessly compatible with the latest cameras. Supporting 8K, XEEN CF delivers superior resolution for more vibrant landscapes and detailed depictions. Sharp and Rich Image Excellent sharpness and colour optimized for skin tone shows excellent results with subtle emotional expression. Dimensional Look Sense of depth is expressed able to be expressed more freely, allowing you to shoot images with excellent sense of dimensionality and space. Increase the focus on the main performers and the beautifully blurred background adds to the beauty of the image. Cinematic Halation Effect   Proprietary X Coating technology effectively controls flares and ghosting while reducing unwanted light reflections providing a halation effect for dramatic expression.

Samyang Xeen Meister 50mm T1.3 PL

Samyang Xeen Meister 50mm T1.3 PL(7067) 8K & FASTEST T1.3 FULL FRAME CINE LENS XEEN Meister has the outstanding resolution supporting 8K on the full-frame cameras. It is the fastest full-frame cine prime lens with T1.3, producing excellent low-light performance. Additionally, a bright T1.3 aperture maximizes the dramatic effect with an extremely shallow depth of field. 13 sheets of aperture blades create the natural-looking background and round bokeh to express the delicate emotions of people while richly depicting the shot. LENS META DATA RECORDING It supports /i Technology protocol(PL mount only), which enables cameras to automatically record the accurate lens meta data. This makes production and post-production more effectively. PREMIUM MATERIAL, PREMIUM DESIGN XEEN Meister adopts the premium material and premium design in the spirit of craftsmanship. Titanium is applied to the front barrel, enabling this lens more durable. The 114mm standard front diameter size and the unified positions of the aperture and focus gear rings, making it easily attach and detach lens accessories such as Matte Box or Follow Focus. OUTSTANDING USABILITY It can be mounted on various cameras for three mount options: PL, Canon EF, and Sony E mount. All scales, including focal length and aperture values, are on both sides of the lens and with the luminous font that glows in the dark, enabling convenient verification and operation, even in low light environments. 300 ° wide focus gear rotation angle makes you adjust focus minutely.

Samyang Xeen Cf 16mm T2.6 Pl

Samyang Xeen Cf 16mm T2.6 Pl(7236) CARBON FIBER - COMPACT & FLEXIBLE By applying carbon fiber, which is lighter than metal but solid and beautiful, to the lens body tube, it remains lightweight while maintaining durability. It is designed to be small and light so it can be mounted on numerous cameras and used more flexibly in a variety of environments. 8K & CINEMATIC LOOK It has the outstanding resolution supporting a large image sensor and 8K. Additionally, it offers beautiful bokeh with a bright T1.5 aperture and maximize the delicate emotions of people while richly depicting the shot. X-COATING By applying our proprietary X-coating technology, it effectively controls the reflection of light inside and within the lens itself to create a distinctive look. Properly utilizing flares and ghosting, you can create dramatic effects. OUTSTANDING USABILITY The front aperture (95mm), focus, and aperture ring gear positions are unified, making it easy and convenient to attach and detach lens accessories such as Matte Box and Follow Focus. In addition, the ultra-bright luminous font allows for convenient use in dark environments. Ø95 Front Size Designed to 95mm standard front diameter size it is compact in size and easily compatible with Matte Box Carbon Fiber Carbon fiber is applied to part of the body tube, making it both light and durable Compatible with the large image sensors Compatible with the latest cameras that adopt large image sensors such as Full Frame, Large Format, and Vista Vision PL, EF, E mount Three mount options for mounting on a variety of cameras * LPL mounting is available when using an adapter 11 sheet aperture 11 sheets are applied for bokeh close to original and beautiful background blur X-Coating Provides a distinctive look by controlling internal reflection, flare, and ghosting, and produces dramatic images Luminous font All scales, including focal length and aperture values, are treated with bright fluorescent paint for convenient use, even in low light environments Improvement of Focus, Aperture Gear usability Focus ring and aperture ring locations are uniform across all models, gear design and weight were improved for rotation Wide Focus Gear rotation angle 200 ° wide angle of rotation enables fine focus adjustment Bidirectional Scale The focus and aperture values are displayed on both sides of the lens, enabling easy verification and operation from either side Dramatic Portraits XEEN CF, compatible with the latest Digital Cinema Camera, can express the dramatic emotions of a performer in a rich and delicate manner. Crystal Clear Resolution Optimized for the latest image sensors and seamlessly compatible with the latest cameras. Supporting 8K, XEEN CF delivers superior resolution for more vibrant landscapes and detailed depictions. Sharp and Rich Image Excellent sharpness and colour optimized for skin tone shows excellent results with subtle emotional expression. Dimensional Look Sense of depth is expressed able to be expressed more freely, allowing you to shoot images with excellent sense of dimensionality and space. Increase the focus on the main performers and the beautifully blurred background adds to the beauty of the image. Cinematic Halation Effect   Proprietary X Coating technology effectively controls flares and ghosting while reducing unwanted light reflections providing a halation effect for dramatic expression.

Samyang Xeen Cf 5-Lens Kit 16/24/35/50/85mm Pl

Samyang Xeen Cf 5-Lens Kit 16/24/35/50/85mm Pl(7309) A kit of 5 XEEN CF Cinema lenses, consisting of 16mm T2.6, 24mm T1.5, 35mm T1.5, 50mm T1.5 and 85mm T1.5. These are supplied as a kit in a custom case, designed and produced in Germany to offer highly durable and reliable protection of the lenses against dust, water, shock and damage. There is one spare cut-out for accessories or another lens.

Samyang Xeen Cf 85mm T1.5 Canon EF

Samyang Xeen Cf 85mm T1.5 Canon EF(7247) CARBON FIBER - COMPACT & FLEXIBLE By applying carbon fiber, which is lighter than metal but solid and beautiful, to the lens body tube, it remains lightweight while maintaining durability. It is designed to be small and light so it can be mounted on numerous cameras and used more flexibly in a variety of environments. 8K & CINEMATIC LOOK It has the outstanding resolution supporting a large image sensor and 8K. Additionally, it offers beautiful bokeh with a bright T1.5 aperture and maximize the delicate emotions of people while richly depicting the shot. X-COATING By applying our proprietary X-coating technology, it effectively controls the reflection of light inside and within the lens itself to create a distinctive look. Properly utilizing flares and ghosting, you can create dramatic effects. OUTSTANDING USABILITY The front aperture (95mm), focus, and aperture ring gear positions are unified, making it easy and convenient to attach and detach lens accessories such as Matte Box and Follow Focus. In addition, the ultra-bright luminous font allows for convenient use in dark environments. Ø95 Front Size Designed to 95mm standard front diameter size it is compact in size and easily compatible with Matte Box Carbon Fiber Carbon fiber is applied to part of the body tube, making it both light and durable Compatible with the large image sensors Compatible with the latest cameras that adopt large image sensors such as Full Frame, Large Format, and Vista Vision PL, EF, E mount Three mount options for mounting on a variety of cameras * LPL mounting is available when using an adapter 11 sheet aperture 11 sheets are applied for bokeh close to original and beautiful background blur X-Coating Provides a distinctive look by controlling internal reflection, flare, and ghosting, and produces dramatic images Luminous font All scales, including focal length and aperture values, are treated with bright fluorescent paint for convenient use, even in low light environments Improvement of Focus, Aperture Gear usability Focus ring and aperture ring locations are uniform across all models, gear design and weight were improved for rotation Wide Focus Gear rotation angle 200 ° wide angle of rotation enables fine focus adjustment Bidirectional Scale The focus and aperture values are displayed on both sides of the lens, enabling easy verification and operation from either side Dramatic Portraits XEEN CF, compatible with the latest Digital Cinema Camera, can express the dramatic emotions of a performer in a rich and delicate manner. Crystal Clear Resolution Optimized for the latest image sensors and seamlessly compatible with the latest cameras. Supporting 8K, XEEN CF delivers superior resolution for more vibrant landscapes and detailed depictions. Sharp and Rich Image Excellent sharpness and colour optimized for skin tone shows excellent results with subtle emotional expression. Dimensional Look Sense of depth is expressed able to be expressed more freely, allowing you to shoot images with excellent sense of dimensionality and space. Increase the focus on the main performers and the beautifully blurred background adds to the beauty of the image. Cinematic Halation Effect   Proprietary X Coating technology effectively controls flares and ghosting while reducing unwanted light reflections providing a halation effect for dramatic expression.

Samyang Xeen Meister 50mm T1.3 Canon Ef

Samyang Xeen Meister 50mm T1.3 Canon Ef(7066) 8K & FASTEST T1.3 FULL FRAME CINE LENS XEEN Meister has the outstanding resolution supporting 8K on the full-frame cameras. It is the fastest full-frame cine prime lens with T1.3, producing excellent low-light performance. Additionally, a bright T1.3 aperture maximizes the dramatic effect with an extremely shallow depth of field. 13 sheets of aperture blades create the natural-looking background and round bokeh to express the delicate emotions of people while richly depicting the shot. LENS META DATA RECORDING It supports /i Technology protocol(PL mount only), which enables cameras to automatically record the accurate lens meta data. This makes production and post-production more effectively. PREMIUM MATERIAL, PREMIUM DESIGN XEEN Meister adopts the premium material and premium design in the spirit of craftsmanship. Titanium is applied to the front barrel, enabling this lens more durable. The 114mm standard front diameter size and the unified positions of the aperture and focus gear rings, making it easily attach and detach lens accessories such as Matte Box or Follow Focus. OUTSTANDING USABILITY It can be mounted on various cameras for three mount options: PL, Canon EF, and Sony E mount. All scales, including focal length and aperture values, are on both sides of the lens and with the luminous font that glows in the dark, enabling convenient verification and operation, even in low light environments.   300 ° wide focus gear rotation angle makes you adjust focus minutely.

Samyang Xeen Cf 16mm T2.6 Sony Fe

Samyang Xeen Cf 16mm T2.6 Sony Fe(7237) Cine Prime Lens Set Ready for Global Filming Trend Samyang introduced the XEEN brand in 2015 to expand the cinematography field with more than 40 years of expertise in creating highly-acclaimed image quality in photography. After in-depth meetings with cinematographers around the world, the XEEN team then started to develop a lens which would meet the upcoming trend for smaller and lighter equipment. As a result, XEEN CF was introduced in late 2019, with a compact design and flexible usage, integrating robust carbon fibre, whilst maintaining high image quality for large sensors. Thanks to the 2 new additions, the XEEN CF cine prime lineup is now complete, offering 5 focal lengths including: 16mm T2.6, 24mm T1.5, 35mm T1.5, 50mm T1.5 and 85mm T1.5. Compact and Flexible for Diverse Filming Situations XEEN “CF” stands for “Compact and Flexible”, which highlights the compact size and versatility of the lenses. For example, the XEEN CF 16mm weighs just 0.9kg (2.0lbs) and measures 82.3mm (3.24in) height. This compact size reflects and leads the trend in cinematography and videography. It is ideal, not only for large cinematography camera setups, but also for drone and gimbal setups which require a more compact and lighter lens. XEEN CF is also compatible with large image sensor cameras, with its 43.3mm image circle. Cinematographers now can create countless images with one lens, enjoying the flexibility of equipment operation. The use of carbon fibre in the XEEN CF lens barrel makes it lighter, but sturdier than others with metal barrels and gives a touch of future-oriented design. Capture Delicate Emotions in 8K As the vice president of the ASC, Bill Bennett quoted, "the new XEEN CF lenses show faces in a most beautiful way, with smooth and subtle transitions". With 8K support and unique X-coating technology, internal light reflections are effectively controlled to create a distinctive look and dramatic effects. They provide smooth, soft and dreamy bokeh when wide open and become crystal sharp when stopped down. This allows directors to maximise the delicate emotions of performers, while richly depicting the scene.

Samyang Xeen Cf 135mm T2.2 Sony Fe Mount (Feet)

Samyang Xeen Cf 135mm T2.2 Sony Fe Mount (Feet)(7328) Samyang's XEEN 135mm Cine Lens features an internal focus design so that the lens does not change size while focusing, minimizing breathing. Each lens in the Samyang Xeen cinema lens set is multi-coated for good contrast, glare prevention, and color matched to a factory standard, allowing you to assemble a set over time with minimal color shift. This 135mm focal length is often chosen for portraits and close-ups. The lens features dual-sided focus scales in feet, with dual-sided iris scales. The 11-bladed iris provides a round aperture for natural looking highlights and Bokeh. The lens is a manual focus and iris lens, and does not have auto focus or auto iris capability. It incorporates cinema-style focus and iris gears that share the same position across the lenses in the Xeen set. The common 114mm front diameter allows for quick lens changes when using a matte box and focus accessories. The focus ring rotates 200° from close focus to infinity; this gives you a high degree of precision and consistent focus.  

Samyang Xeen Cf 85mm T1.5 Pl

Samyang Xeen Cf 85mm T1.5 Pl(7248) Reflecting the current trend in more compact and lightweight video equipment, along with outstanding definition, XEEN CF models are the first full-frame cinema lenses which incorporate carbon fibre (lighter and stronger than metal) into the lens barrel. They also feature luminous scale markings in a new, clearly visible font. XEEN CF lenses support 8K and full frame (large format) image sensors installed in the latest movie cameras and will be available in Canon EF, PL and Sony E mounts. They are also compatible with equipment such as drones and gimbals, enabling truly flexible equipment operation. Carbon fibre has been used for its light weight, whilst adding durability and luxury through future-orientated design. With 8K support and unique X-Coating technology, the lenses themselves provide uncompromising clarity and detail, which can be effectively controlled to create a distinctive smooth and cinematic look (even with flare and ghosting for dramatic effects). Delicate emotions of figures can be maximised, whilst still showing rich depiction. The bright T1.5 aperture value and 11-bladed diaphragms produce excellent low-light performance and beautiful bokeh.

Samyang xeen Cf 35mm T1.5 Pl

Samyang xeen Cf 35mm T1.5 Pl(7242) Cine Prime Lens Set Ready for Global Filming Trend Samyang introduced the XEEN brand in 2015 to expand the cinematography field with more than 40 years of expertise in creating highly-acclaimed image quality in photography. After in-depth meetings with cinematographers around the world, the XEEN team then started to develop a lens which would meet the upcoming trend for smaller and lighter equipment. As a result, XEEN CF was introduced in late 2019, with a compact design and flexible usage, integrating robust carbon fibre, whilst maintaining high image quality for large sensors. Thanks to the 2 new additions, the XEEN CF cine prime lineup is now complete, offering 5 focal lengths including: 16mm T2.6, 24mm T1.5, 35mm T1.5, 50mm T1.5 and 85mm T1.5. Compact and Flexible for Diverse Filming Situations XEEN “CF” stands for “Compact and Flexible”, which highlights the compact size and versatility of the lenses. For example, the XEEN CF 16mm weighs just 0.9kg (2.0lbs) and measures 82.3mm (3.24in) height. This compact size reflects and leads the trend in cinematography and videography. It is ideal, not only for large cinematography camera setups, but also for drone and gimbal setups which require a more compact and lighter lens. XEEN CF is also compatible with large image sensor cameras, with its 43.3mm image circle. Cinematographers now can create countless images with one lens, enjoying the flexibility of equipment operation. The use of carbon fibre in the XEEN CF lens barrel makes it lighter, but sturdier than others with metal barrels and gives a touch of future-oriented design. Capture Delicate Emotions in 8K As the vice president of the ASC, Bill Bennett quoted, "the new XEEN CF lenses show faces in a most beautiful way, with smooth and subtle transitions". With 8K support and unique X-coating technology, internal light reflections are effectively controlled to create a distinctive look and dramatic effects. They provide smooth, soft and dreamy bokeh when wide open and become crystal sharp when stopped down. This allows directors to maximise the delicate emotions of performers, while richly depicting the scene

Samyang xeen Cf 135mm T2.2 Pl Mount (Feet)

Samyang xeen Cf 135mm T2.2 Pl Mount (Feet)(7326) CARBON FIBER - COMPACT & FLEXIBLE By applying carbon fiber, which is lighter than metal but solid and beautiful, to the lens body tube, it remains lightweight while maintaining durability. It is designed to be small and light so it can be mounted on numerous cameras and used more flexibly in a variety of environments. 8K & CINEMATIC LOOK It has the outstanding resolution supporting a large image sensor and 8K. Additionally, it offers beautiful bokeh with a bright T1.5 aperture and maximize the delicate emotions of people while richly depicting the shot. X-COATING By applying our proprietary X-coating technology, it effectively controls the reflection of light inside and within the lens itself to create a distinctive look. Properly utilizing flares and ghosting, you can create dramatic effects. OUTSTANDING USABILITY The front aperture (95mm), focus, and aperture ring gear positions are unified, making it easy and convenient to attach and detach lens accessories such as Matte Box and Follow Focus. In addition, the ultra-bright luminous font allows for convenient use in dark environments. Dramatic Portraits XEEN CF, compatible with the latest Digital Cinema Camera, can express the dramatic emotions of a performer in a rich and delicate manner. Crystal Clear Resolution Optimized for the latest image sensors and seamlessly compatible with the latest cameras. Supporting 8K, XEEN CF delivers superior resolution for more vibrant landscapes and detailed depictions. Sharp and Rich Image Excellent sharpness and colour optimized for skin tone shows excellent results with subtle emotional expression. Dimensional Look Sense of depth is expressed able to be expressed more freely, allowing you to shoot images with excellent sense of dimensionality and space. Increase the focus on the main performers and the beautifully blurred background adds to the beauty of the image. Cinematic Halation Effect Proprietary X Coating technology effectively controls flares and ghosting while reducing unwanted light reflections providing a halation effect for dramatic expression.

Samyang xeen 85mm T1.5 PL

Samyang xeen 85mm T1.5 PL(7969) BRIGHT T1.5 APERTURE With the T-number for bright performance, it makes it easy to take pictures at any exposure. MINIMIZED FLARE AND GHOST EFFECTS WITH ULTRA MULTI COATING By reducing the impact of flares and ghosting effects in your pictures while ensuring excellent image quality and contrast from the center to the periphery, it offers crystal clear, sharp image quality. OPTIMAL CINE LENS DESIGN With a 114mm barrel, FFG and stepless aperture, this is the perfect choice for shooting films. BEAUTIFUL BOKEH WITH 11 APERTURE BLADES Featuring 11 rounded blades, it adds an artistic touch to your pictures and creates a sense of soft dimension with incredible bokeh, perfect for out-of-focus portraits and night city landscapes. SMOOTH FOCUS RING   Smooth focusing ensures precise control and produces images with incredible sharpness, making it the ideal choice for indoor and night shooting.

Samyang xeen 135mm T2.2 Micro 4/3

Samyang xeen 135mm T2.2 Micro 4/3(7997) The lens is a manual focus and iris lens, and does not have auto focus or auto iris capability. It incorporates cinema-style focus and iris gears that share the same position across the lenses in the Xeen set. The common 114mm front diameter allows for quick lens changes when using a matte box and focus accessories. The focus ring rotates 200° from close focus to infinity; this gives you a high degree of precision and consistent focus. This is a 135mm lens that has an image circle that covers a full-frame sensor. It has the effect of bringing the background closer, and it is often used for close-ups and long shots, where you want a compressed feel and out of focus background. The lens features metal construction to withstand the rigors of daily production. Dual calibrated right and left side focus and T-stop scales allow your focus puller to work from either side of the lens, without having to flip the lens. Each lens in the Xeen series share common focus and iris gear ring positions, which speeds up lens changes as accessories such as follow focus units or iris motors don't have to be re-positioned. The lenses in the Xeen series also share focus and iris rotation, with focus having 200° of rotation and iris having 40° of rotation. The common 114mm front diameter between lenses in the series allows for quick lens changes as you don't have to swap out anti-reflection donuts or adapters to use the same matte box. Clickless aperture ring for smooth iris pulls. A minimum focusing distance of 2.6' allows you to get up close to your subject.

Samyang xeen 24mm T1.5 PL

Samyang xeen 24mm T1.5 PL(7949) Manual-focus Cine lens with full-frame 36x24mm coverage XEEN is a range of video-cinema lenses which blazes a new trail in the professional lens market. The optics are a masterpiece of design and a culmination of Samyang’s expertise in optical engineering. Guided by feedback from professional directors of photography, they were created to deliver the quality demanded by commercial and artistic productions. XEEN delivers superior optics, with bright T1.5 aperture and outstanding optical performance for 4K+. The cameraman is free to concentrate on the thing that matters; realizing their creative power. XEEN lenses feature declicked gear rings in identical locations, so that changing to another lens is fast and easy. A masterpiece of both form and function, the XEEN series aims to deliver unparalleled performance and affordability, to satisfy the needs of videographers and filmmakers, regardless of the situation or equipment.

Samyang Xeen Cf 35mm T1.5 Sony Fe

Samyang Xeen Cf 35mm T1.5 Sony Fe(7243) Cine Prime Lens Set Ready for Global Filming Trend Samyang introduced the XEEN brand in 2015 to expand the cinematography field with more than 40 years of expertise in creating highly-acclaimed image quality in photography. After in-depth meetings with cinematographers around the world, the XEEN team then started to develop a lens which would meet the upcoming trend for smaller and lighter equipment. As a result, XEEN CF was introduced in late 2019, with a compact design and flexible usage, integrating robust carbon fibre, whilst maintaining high image quality for large sensors. Thanks to the 2 new additions, the XEEN CF cine prime lineup is now complete, offering 5 focal lengths including: 16mm T2.6, 24mm T1.5, 35mm T1.5, 50mm T1.5 and 85mm T1.5. Compact and Flexible for Diverse Filming Situations XEEN “CF” stands for “Compact and Flexible”, which highlights the compact size and versatility of the lenses. For example, the XEEN CF 16mm weighs just 0.9kg (2.0lbs) and measures 82.3mm (3.24in) height. This compact size reflects and leads the trend in cinematography and videography. It is ideal, not only for large cinematography camera setups, but also for drone and gimbal setups which require a more compact and lighter lens. XEEN CF is also compatible with large image sensor cameras, with its 43.3mm image circle. Cinematographers now can create countless images with one lens, enjoying the flexibility of equipment operation. The use of carbon fibre in the XEEN CF lens barrel makes it lighter, but sturdier than others with metal barrels and gives a touch of future-oriented design. Capture Delicate Emotions in 8K As the vice president of the ASC, Bill Bennett quoted, "the new XEEN CF lenses show faces in a most beautiful way, with smooth and subtle transitions". With 8K support and unique X-coating technology, internal light reflections are effectively controlled to create a distinctive look and dramatic effects. They provide smooth, soft and dreamy bokeh when wide open and become crystal sharp when stopped down. This allows directors to maximise the delicate emotions of performers, while richly depicting the scene.

Samyang Xeen Meister 35mm T1.3 PL

Samyang Xeen Meister 35mm T1.3 PL(7064) XEEN MEISTER 35MM T1.3 PL Premium wide-angle cine prime lens with fast T1.3 aperture, full-frame coverage and outstanding resolution for 8K+ cinematography - PL Mount 8K & FASTEST T1.3 FULL FRAME CINE LENS XEEN Meister has the outstanding resolution supporting 8K on the full-frame cameras.It is the fastest full-frame cine prime lens with T1.3, producing excellent low-light performance. Additionally, a bright T1.3 aperture maximizes the dramatic effect with an extremely shallow depth of field. 13 sheets of aperture blades create the natural-looking background and round bokeh to express the delicate emotions of people while richly depicting the shot. LENS META DATA RECORDING It supports /i Technology protocol(PL mount only), which enables cameras to automatically record the accurate lens meta data. This makes production and post-production more effectively. PREMIUM MATERIAL, PREMIUM DESIGN XEEN Meister adopts the premium material and premium design in the spirit of craftsmanship. Titanium is applied to the front barrel, enabling this lens more durable. The 114mm standard front diameter size and the unified positions of the aperture and focus gear rings, making it easily attach and detach lens accessories such as Matte Box or Follow Focus. OUTSTANDING USABILITY It can be mounted on various cameras for three mount options: PL, Canon EF, and Sony E mount. All scales, including focal length and aperture values, are on both sides of the lens and with the luminous font that glows in the dark, enabling convenient verification and operation, even in low light environments. 300 ° wide focus gear rotation angle makes you adjust focus minutely.

TILTA ESR-T13-RB-V Sony Venice Rialto Backpack

TILTA ESR-T13-RB-V (ESR/T13-RB-V, ESR/T13/RB/V, ESR T13 RB V, ESRT13RBV) Sony Venice Rialto Backpack The Sony Venice Rialto Backpack incorporates a dovetail and small baseplate to mount the Rialto camera body onto. When coupled with the sensor block’s cage, it provides you with a comfortable, ergonomic way to operate and transport your whole Rialto camera setup. The backpack also has a battery plate.

TT-C06-D-07 19mm Studio Tilta-Standard to ARRI-Standard Base Plate

TILTA TT-C06-D-07 (TT/C06-D-07, TT/C06/D/07, TTC06D07, TT C06 D 07) 19mm Studio Tilta-Standard to ARRI-Standard Base Plate This 19mm studio baseplate is designed to adapt a Tilta standard baseplate to an Arri standard baseplate to allow you to use your camera rig on an Arri standard-sized dovetail. The top section of the baseplate that allows for this function can also be removed and replaced with a flat top, which allows it to double as a regular Arri standard-sized baseplate. It uses a hard-anodized surface design and is CNC-milled from a lightweight and durable high-impact aluminum 7075 alloy.

CamRade rainCover Medium

CamRade rainCover Medium (CAM-RAINCVR-MEDIUM) Protect your Digital Cinema Camera against inclement weather with the rainCover Medium. It is an absolute must have that will prevent water damage to your most valuable piece of equipment. With this rain cover, you can now protect your equipment from the elements without sacrificing your shot. Through years of experience and working closely with multiple camera operators, camRade has improved their designs to perfect solutions for multiple applications. The rainCover Medium is suitable for handheld camera work but is also great while your camera is attached on a tripod, slider, track system, JIB or any other camera support solution. Durable and functional design Always carry the camRade rainCover Medium with you so you do not get caught out when the weather turns. The cover is supplied in a waterproof zippered pouch, which you can use to store and transport the cover. It is easy to attach and detach the cover, thanks to the convenient design. Leave the bottom open for easy access or close it with the double straps if the wind plays tricks. The blue sliding rail makes it possible to bring the buckles to the desired position when the camera is mounted on a tripod. Clamps around the lens hood Thanks to 30 cm (11.8”) rubber strip, the rainCover fits correctly on most lenses. The strap supplied with a hook-and-loop fastener makes it possible to tighten the cover on the lens but still lets you operate the lens, due to its spacious design. The supplied zippered lensC L extension, covers and protects longer lenses. camRade offers an additional camRade rainCover Extension Kit (SKU: CAM-RAINCVR-KIT) to protect handgrip unit, 5”and 7” monitors/recorders and longer lenses. Protection goes beyond just the camera and lens camRade has included two different viewfinder covers. A small simple cover for an LCD screen and an advanced solution that covers 99% of today's external viewfinders & loupes. The rainCover Medium includes a battery extension cover that offers the possibility to extend the camera up to 20cm (7,9”) at the back. This add-on makes it possible to protect larger batteries, transmitters, or other accessories from the rain. Easy access to what is important On the left side of the cover a transparent window (24cm wide by 20cm high), allows you to have a clear view of the camera controls. The open bottom ensures that these controls are easy to operate. Directly above the window is a hook-and-loop fastener for the viewfinder and/or LCD screen support arm to get out from the main cover. You can use one of the two supplied viewfinder covers to use the viewfinder in any position without restrictions. A vertical hook-and-loop fastener on the top of the cover gives you the option to use a top handle or other top-mounted accessories. Next to the top handle opening is the protection for a standard on-camera shotgun microphone. This flap is also equipped with a 12cm wide hook-and-loop fastener to bring out cables and/or gives access to a cold / hot shoe accessory mount. The right side of the rainCover Medium has a vertical zipper that gives access to a possible handgrip and input/output connectors. A round opening with a drawstring at the back (above the battery) makes it possible to use an integrated viewfinder. The opening is large enough for the camera's eyecup and can also be used to use the camera's top handle for high shots. Why camRade? camRade was established in 1998 and has an extensive track record of protecting broadcast and film cameras. Since the start of camRade, the team of people behind the brand have continued to work closely with several audio and camera operators, broadcasters, and rental companies. Today we can say that we are the recognised world leader in camera protection. Why do I need a camRade rainCover?   Imagine how you would feel if your camera stopped working. A camera with water damage could be considered a total loss if the repair costs are too high. What if you could have prevented this by using a camRade rainCover? Your camera is often your most valuable piece of equipment while gathering news or during field productions. The durability and unique features of the rainCover Medium will protect your investment in a way that plastic bags and other cheap covers cannot.

CamRade travelMate Large

CamRade travelMate Large(2709.0481) The travelMate Large is an ultra-strong wheeled bag with telescopic trolley handle as well as a super comfortable backpack. This way it provides extreme flexibility in safe transportation of your camera and accessories (with a maximum length of 52 cm/ 20.5 inches). On the front, a separate compartment is added to store your laptop or tablet. Various pockets and slits on both the inside and outside of the bag help you store and organize several smaller items like documents, memory cards, cables and tools. The soft-padded interior includes removable dividers with extra wide hook and loop fasteners for better adhesion to the fabric. This makes it easy to arrange the main compartment into sections to fit to your personal requirements. Some of the smart gimmicks added to these bags are the straps on the side of the main compartment flap to prevent it from falling open, and a complimentary LED light with motion sensor that lights up as soon as you open up the bag! When you use this compact and comfortably balanced backpack, your freedom of movement stays intact and you’ll have your hands free for the necessary activities to create the best shots ever.

TILTA UBP-V Universal Battery Plate

TILTA UBP-V (UBP/V, UBP_V, UBPV, UBP V) Universal Battery Plate Universal Battery Plate is designed to be used with a variety of camera systems. It’s available in either V-mount or gold mount versions and has several different power outputs as well as SDI in/out ports. Simply attach one of the various available P-tap cables from one of the P-tap outputs on the battery plate and connect the other end into your camera’s power input port. This provides an efficient way to power your camera as well as external accessories that you’d like to use in your setup. *Note: The Tilta Universal Battery Plate does NOT come with a camera power cable. Power Cables for specific cameras must be purchased separately. Please check the input voltage of your camera to insure adequate power. Never over power your camera with a power cable as this may burn out your camera. Tilta is NOT responsible for user error in over powering your camera devices.

Kino Flo Kino-Flo KF21 Nimh Block Battery System - With 2x Battery, Charger And Mount

Kino-Flo KF21 Nimh Block Battery System -  With 2x Battery, Charger And Mount(SYS-BK12) Kino Flo Lighting Systems partners with BlockBattery for newly introduced KF21 (NiMH) battery systems for its LED line. The Kino Flo/BlockBattery systems are designed to work with the following Kino Flo LED products with DC capability: Celeb 250 LED DMX Diva-Lite 20 & 30 LED DMX FreeStyle 31 & 21 LED DMX Select 20 & 30 LED DMX. The KF21 battery can power 28.8V (20-34VDC) applications. Run time for Kino Flo products listed above is approximately 1 hour and 10 minutes at full brightness. When fixtures are dimmed, the battery will last longer. Charge time is only 1.5 hours versus Lithium batteries that take approximately 4 hours to fully charge. Unlike lithium batteries, the Kino Flo/BlockBattery is travel friendly with no travel restrictions. In addition to powering 28.8V, battery adapters may be used to access 14.4V to be used with products with 14.4V input. It’s like having two batteries for the price of one!

Libec VM-12V Power supply adapter compatible with V-mount batteries

Libec VM-12V Power supply adapter compatible with V-mount batteries(VM-12V, VM12V, VM 12V) Power your LX-ePed with a V-mount battery using this Libec V-Mount Battery Plate Power Adapter. The adapter features a single V-mount plate with rubber backing which connects to a 3-pin XLR to DC barrel adapter. A mounting band secures the battery plate to your pedestal with ease.

Libec ZD-1 Connection Cable for FUJINON 12-Pin Portable Lens

,Libec ZD-1 Connection Cable for FUJINON 12-Pin Portable Lens(DC-Z12, DCZ12) Control the zoom on your FUJINON servo lens using the ZD-1 Zoom Demand with this ZD-1 Connection Cable from Libec. The cable features a 12-pin connector on one end that connects to the FUJINON servo lens, and an 8-pin connector on the other end connects to the ZD-1. The cable measures 39.3" in length.

Libec Connection cable and shoe attachment for Sony system cameras and the SVF-7Pro

Libec Connection cable and shoe attachment for Sony system cameras and the SVF-7Pro(CA-7S, CA7S, CA 7S) Mount your Libec SVF-7Pro 7" viewfinder on your Sony studio camera using the EVF Cable and Mounting Kit from Libec. This kit comprises a viewfinder cable and a mount for the SVF-7Pro EVF.

Libec Connection cable and shoe attachment for Ikegami system cameras and the SVF-7Pro

Libec Connection cable and shoe attachment for Ikegami system cameras and the SVF-7Pro(CA-7I, CA7I, CA-7I) Mount your Libec SVF-7Pro 7" viewfinder on your Ikegami system camera using the Connection Cable and Shoe Attachment Kit from Libec. This kit includes a viewfinder cable that provides a video signal from an Ikegami system camera and a quick release shoe mount for the SVF-7Pro EVF. The shoe attachment mounts using a captive screw.

Kondor Blue Sony FX6 Cage System - Cage with Trigger Handle - Raven Black

Kondor Blue Sony FX6 Cage System - Cage with Trigger Handle - Raven Black (KON-SFX6_BK, KON SFX6_BK, KONSFX6_BK)

Kondor Blue Sony FX6 Cage System - Base Rig - Space Grey

Kondor Blue Sony FX6 Cage System - Base Rig - Space Grey(KON-SFX6_BASERIG, KONSFX6_BASERIG, KON SFX6_BASERIG)

Kondor Blue Sony FX6 Cage System - Base Rig - Raven Black

Kondor Blue Sony FX6 Cage System - Base Rig - Raven Black(KON-SFX6_BASERIG_BK, KONSFX6_BASERIG_BK, KON SFX6_BASERIG_BK)

IDX DUO-C98 & VL-4Se Charger

IDX DUO-C98 & VL-4Se Charger( ED-CP98/4Se,  EDCP98/4Se,  ED CP98/4Se ) DUO-C98 Battery: IDX is proud to announce the the DUO Compact battery series. This has the same features as the DUO-C95, one USB port, one standard D-Tap and a D-Tap Advanced which allows for charging with the VL-DT1 charger, making travel easier with this lightweight charger. Like the DUO-C95, the DUO-C98 now becomes the world’s most perfect compact IATA friendly (<100Wh) Li-ion professional battery with multiple power outputs- perfect for handheld gimbal and aerial setups. The DUO-C98 has the same features plus greater capacity at 96Wh, its high load at 10A and comes equipped with the new D-Tap Advanced charge/discharge port, standard D-Tap and USB power ports. Additionally, the addition of SMBUS allows for data display in the viewfinder on RED cameras.The DUO-C98’s continue where the DUO-C95’s left off. It shares the same slim profiile of 39mm / 1.5in. Allowing the battery to fit camera systems where space is limited.  With the ability to handle a 70W load, the DUO-C98 is the ideal battery for keeping your equipment light and compact. VL-4SE Charger: The VL-4Se is a fully simultaneous 4-channel charger, housed in a high-impact polycarbonate enclosure with a recessed power switch and carrying handle, exactly like the VL-4S. Quick and powerful charging make the VL-4Se the perfect choice for broadcast and production facilities with a high battery usage. Power consumption at standby is now only 1/10th of the VL-4S. Each channel is operated independently so batteries can be placed on charger in any order and at any time. And now the VL-4Se will charge 4 batteries simultaneously faster than the VL-4S by about 15%.  

IDX ED-CP98/2000S Battery/Charger Kit

IDX ED-CP98/2000S Battery/Charger Kit(ED-CP98/2000S, ED CP98/2000S, EDCP98/2000S) DUO-C98P Battery The DUO-C98P is the successor of the popular DUO-C98 battery. At 97Wh, it is IATA friendly(<100Wh) and perfect for handheld gimbal and aerial setups. The DUO-C98P comes equipped with two built-in D-Taps and now features a built-in USB-C port to power accessories as well as charge the battery. Also, V-Torch LED for use in dark environments and SMBus to display battery info via viewfinder on cameras such as ARRI and RED. VL-2000S Simultaneous Charger The VL-2000S is a fully simultaneous 2-channel Li-ion V-Mount battery charger with a 100W DC output (4-pin XLR). Supporting LIFE PLUS mode, the latest advances in charging technology, the VL-2000S can extend battery life up to 20%. The VL-2000S features Power Base mode – the ability to utilise the mounted batteries for powering equipment via the 4pin XLR output. Low voltage batteries are safely charged with the ‘Recovery Charge’ mode. The charger also houses energy efficient circuitry that will automatically power down the charger when inactive.  

IDX 2x SL-VBD96 And 1x LC-2A

IDX 2x SL-VBD96 And 1x LC-2A(PP-2A, PP2A, PP 2A ) SL-VBD96: Extra high-capacity 7.4V Lithium Ion battery manufactured exclusively for Panasonic AG-DVX200, HC-X1000 and AJ-PX series camcorders. LC-2A: Designed with interchangeable battery interface plates, the 2-Channel LC-2A can simultaneously charge a range of 7.4V Canon, Panasonic, and Sony batteries. The LC-2A comes equipped with thermal monitoring and quick-charge safeguard – ensuring that charging will automatically stop when the battery is fully charged. SL-VBD96 Compatible with: Panasonic AG-DVX200 series HC-X1000  AJ-PX series camcorders LC-2A Compatible with: Sony: L-Series IDX Panasonic: SSL-VBG50, SL-VBD50 Panasonic: VW-VBG6, VW-VBG260, VW-VBD55, VW-VBD58 Canon: BP-955, BP-975, BLP-E6

IDX 2x NP-9X Battery Kit W/Charger & AC

IDX 2x NP-9X Battery Kit W/Charger & AC(NP-L2X, NPL2X, NP L2X) 2x  NP-9X (96Wh Li-Ion NP-Style Battery w 2x D-Tap)   NP-9X is the successor of the NP-L7S, the industry standard NP-style battery for powering audio equipment. It now features more capacity at 96Wh, two D-Tap outputs for powering additional accessories, and also a 5 LED power indicator to display remaining capacity in 10% increments. One of the D-Tap port is a D-Tap Advanced, which can also be used to charge the battery with the IDX VL-DT1 D-Tap charger. NP-9X is still compatible with all current accessories and chargers like the JL-2PLUS.   1x  JL-2PLUS (2ch Sequential Li-ion NP-Style Battery Charger)   The JL-2PLUS will sequentially charge Li-ion, and Ni-Cd NP-style batteries. It will charge the first battery connected to either channel, automatically charging the second battery after the first is fully charged. With the advantage of an integrated 4-pin XLR DC (60W@ 13.8V) power supply, additional equipment such as lighting and other ancillary equipment can also be safely powered when the charge function is not in use.  

IDX ED-CP198/4Se Battery/Charger Kit

IDX ED-CP198/4Se Battery/Charger Kit(ED-CP198/4Se, EDCP198/4Se, ED CP198/4Se) DUO-C198P Battery IDX introduces the next generation in the popular DUO-C Series, the DUO-CP Series. This advanced version offers power taps like those found in the DUO Series for powering accessories. Newly added non-proprietary USB-C PD port for two-way power delivery and charging when used with the new UC-PD1 compact charger, and of course via D-Tap advanced with the VL-DT1. The UC-PD1 can be used with other portable devices. An anti viral and anti microbial body for hygienic peace of mind. The DUO-C198P is the successor of the popular DUO-C198 battery. Ideal compact battery solution for digital cinema cameras and camera stabilizer systems where long runtimes are required. With its ultra-robust 193Wh capacity and compact 2.4lb design, the DUO-C198P can provide mobile power to cine-style cameras such as the ARRI ALEXA Mini and RED Weapon effortlessly for extended periods at a time. The DUO-C198P also includes two built-in D-Taps and now features a USB-C port to power accessories as well as charge the battery. Also, V-Torch LED for use in dark environments and SMBus to display battery info via viewfinder on cameras such as ARRI and RED. VL-4Se Charger The VL-4Se is a fully simultaneous 4-channel charger, housed in a high-impact, polycarbonate enclosure with a recessed power switch and carrying handle.  Quick and powerful charging make the VL-4Se the perfect choice for broadcast and production facilities with a high battery usage. Each channel is operated independently so batteries can be placed on charge in any order and at any time.  

IDX ED-CP198/2000S Battery/Charger Kit

IDX ED-CP198/2000S Battery/Charger Kit(ED-CP198/2000S, EDCP198/2000S, ED CP198/2000S) DUO-C198P Battery IDX introduces the next generation in the popular DUO-C Series, the DUO-CP Series. This advanced version offers power taps like those found in the DUO Series for powering accessories. Newly added non-proprietary USB-C PD port for two-way power delivery and charging when used with the new UC-PD1 compact charger, and of course via D-Tap advanced with the VL-DT1. The UC-PD1 can be used with other portable devices. An anti viral and anti microbial body for hygienic peace of mind. The DUO-C198P is the successor of the popular DUO-C198 battery. Ideal compact battery solution for digital cinema cameras and camera stabilizer systems where long runtimes are required. With its ultra-robust 193Wh capacity and compact 2.4lb design, the DUO-C198P can provide mobile power to cine-style cameras such as the ARRI ALEXA Mini and RED Weapon effortlessly for extended periods at a time. The DUO-C198P also includes two built-in D-Taps and now features a USB-C port to power accessories as well as charge the battery. Also, V-Torch LED for use in dark environments and SMBus to display battery info via viewfinder on cameras such as ARRI and RED. VL-2000S Simultaneous Charger The VL-2000S is a fully simultaneous 2-channel Li-ion V-Mount battery charger with a 100W DC output (4-pin XLR). Supporting LIFE PLUS mode, the latest advances in charging technology, the VL-2000S can extend battery life up to 20%. The VL-2000S features Power Base mode – the ability to utilise the mounted batteries for powering equipment via the 4pin XLR output. Low voltage batteries are safely charged with the ‘Recovery Charge’ mode. The charger also houses energy efficient circuitry that will automatically power down the charger when inactive.  

IDX ED-CP150/4Se Battery/Charger Kit

IDX ED-CP150/4Se Battery/Charger Kit(ED-CP150/4Se, ED CP150/4Se, EDCP150/4Se) DUO-C150P Battery IDX introduces the next generation in the popular DUO-C Series, the DUO-CP Series. This advanced version offers power taps like those found in theDUO Series for powering accessories. Newly added non-proprietary USB-C PD port for two-way power delivery and charging when used with the new UC-PD1 compact charger, and of course via D-Tapadvanced with the VL-DT1. The UC-PD1 can beused with other portable devices. An anti viral and anti microbial body for hygienic peace of mind. The DUO-C150P is the successor of the popular DUO-C150 battery. Ideal compact battery solution for digital cinema cameras and camera stabilizer systems where long runtimes are required. With 145Wh capacity, the DUO-C150P meets the passenger aircraft carry-on limit and can still provide mobile power to cine-style cameras such as the ARRI ALEXA Mini and RED Weapon effortlessly for extended periods at a time. The DUO-C150P also includes two on-battery D-Taps and now features a USB-C port to power accessories as well as charge the battery. Also, V-Torch LED for use in dark environments and SMBus to display battery info via viewfinder on cameras such as ARRI and RED. VL-4Se Charger The VL-4Se is a fully simultaneous 4-channel charger, housed in a high-impact, polycarbonate enclosure with a recessed power switch and carrying handle.  Quick and powerful charging make the VL-4Se the perfect choice for broadcast and production facilities with a high battery usage. Each channel is operated independently so batteries can be placed on charge in any order and at any time.

IDX V-mount Adapter for Sony PXW-FX9

V-mount Adapter for Sony PXW-FX9( A-DCFX9,  A DCFX9,  A/DCFX9 ) The A-DCFX9 is a V-Mount adapter specifically designed for the Sony PXW-FX9. It converts the attached battery to the camera required 19.5V and supplies power via the DC input. By using it in combination with a small battery like the Imicro series, you can build a small and lightweight system that has a sense of unity with the camera. Also equipped with 2x D-Tap and an Alarm LED to alert battery level.      

Sennheiser Highly directional on-camera shotgun microphone

Sennheiser Highly directional on-camera shotgun microphone(508898) Add the compact and lightweight second-generation Sennheiser MKE 400 directional shotgun microphone to your camera- or smartphone-based shooting rig to make an easy upgrade in sound quality, even in noisy environments, without having to carry around a cumbersome windscreen and suspension system. Plus, it offers a 3-stage gain control and a low-cut filter so you can optimize the sound of your recording right at the mic.   Thanks to its integral wind protection, built-in shock absorption, long battery life, and headphone monitoring port, the MKE 400 is a truly capable solution for capturing clear audio—a perfect companion for vloggers, run-and-gun videographers, and mobile journalists who need a quality camera-mount mic that will never get in the way of the shot.   To ensure that you're prepared for any shoot, the MKE 400 includes two locking 3.5mm audio cables—one features a standard TRS plug for compatibility with cameras and DSLRs, while the other utilizes a TRRS plug to connect with your smartphone or tablet. Plus, the supplied furry windshield can be slipped over the MKE 400 to provide increased protection from wind noise when shooting in outdoor environments.   Second-Generation Upgrades Along with its redesigned appearance, the second-generation MKE 400 boasts significant upgrades over the original MKE 400 to make it even more effective and versatile. Swappable 3.5mm TRS and TRRS output cables 3.5mm headphone port with volume control 3-stage gain control (the original MKE 400 had two gain positions) Auto-power function Integrated wind protection Furry windshield included for outdoor wind protection Compatible with Sennheiser's CL 35 USB-C cable (available separately) for direct digital connection to a mobile device's USB Type-C port Compact and Lightweight Measuring just 5" long and weighing only 3.3 ounces, the MKE 400 is an unobtrusive companion for your camera- or smartphone-based video rig; it will never intrude on the shot and it's so light that you'll forget it's even there. Also, the integral shoe mount allows the MKE 400 to be attached directly to your camera, no external hardware required. Highly Directional Sound Pickup Most built-in camera and smartphone microphones are omnidirectional to pick up sound from all directions, which results in undue noise and ambience. The MKE 400 uses a supercardioid polar pattern enhanced by an acoustic interference tube to focus on sources in front of the mic while attenuating side- and rear-entry sound. Low-noise electronics and a sensitive condenser element allow it to deliver more detailed audio than the mics typically found in cameras, mobile devices, and portable recorders. Quick and Secure Hookup to Camera, Smartphone, or Tablet The MKE 400's 3.5mm output port can be connected to a range of devices using the two supplied coiled cables, each featuring a locking 3.5mm TRS plug on one end that prevents accidental disconnection at the mic.   One cable is terminated with a standard 3.5mm TRS plug for compatible hookup to your camera, DSLR, or portable handheld audio recorder, while the other cable has a 3.5mm TRRS plug to allow direct connection to mobile devices such as smartphones and tablets. Headphone Monitoring Port A vital step before recording audio is to check your levels and monitor your sound. While some cameras have a headphone jack, not all do, and that's where the headphone monitoring output comes into play. Plug any 3.5mm headphone directly into the MKE 400 and use the integrated volume control to make sure the sound is clear. Long Battery Life The MKE 400 can run for up to 100 hours on a pair of AAA batteries (available separately), so you'll be able to knock out plenty of shoots before needing new batteries. The low-battery indicator lets you know when you have approximately three hours of operating time remaining. The MKE 400's auto-power function uses plug-in power (2 to 10V) from your device to automatically turn it on and off, preventing unnecessary battery drain. Internal Suspension Mount Minimizes Handling Noise The MKE 400 incorporates internal shock absorption to reject the transfer of vibrations such as camera/smartphone handling noise. Plus, the bottom of the MKE 400 features a camera shoe mount, ensuring simple attachment to your camera or shoe-equipped stand or gimbal. Built-In Wind Protection Minimizes Wind Noise Knowing that the MKE 400 may be used in challenging shooting conditions, Sennheiser designed the MKE 400 with built-in wind protection, enabling the mic to lessen undesirable wind noise from breezes, fans, heaters, and air conditioners without requiring that you slip on a separate foam windscreen. For maximum reduction of wind noise in outdoor environments, use the included furry windshield. Adjustable Gain Achieving proper recording levels is crucial to avoiding distortion. The MKE 400's adjustable sensitivity provides three settings to optimize the mic's audio signal volume. The -20 dB setting is ideal when capturing loud sounds that could distort your recording. The 0 dB position is recommended for normal dialogue levels or when using a high-quality external preamp. Select +20 dB when miking quiet sources or using cameras with low input sensitivity. Low-Cut Filter When excessive low-frequency noise from HVAC systems and traffic interferes with the clarity of your audio, activate the 200 Hz low-cut filter to attenuate bass frequencies while letting crucial midrange and high-frequencies pass through unaffected.  

Camrade CAM-RAINCVR-RED Raincover for RED

Camrade CAM-RAINCVR-RED (CAM/RAINCVR-RED, CAM/RAINCVR/RED, CAMRAINCVRRED, CAM RAINCVR RED) Raincover for RED Protect your RED camera setup against inclement weather with the camRade rainCover for RED. It is an absolute must have that will prevent water damage to your most valuable piece of equipment. With this rain cover, you can now protect your equipment from the elements without sacrificing your shot. Through years of experience and working closely with the film industry, camRade has improved their designs to perfect solutions for multiple applications. The rainCover for RED is suitable for handheld camera work but is also great while your camera is attached on a tripod, slider, tack system, JIB or any other camera support solution. Durable and functional design Always carry the camRade rainCover for RED with you so you do not get caught out when the weather turns. The cover is supplied in a waterproof zippered pouch, which you can use to store and transport the cover. It is easy to attach and detach the cover, thanks to the convenient design. Leave the bottom open for easy access or close it with the double straps if the wind plays tricks. The blue sliding rail makes it possible to bring the buckles to the desired position when the camera is mounted on a tripod. Clamps around the lens hood Thanks to its 34 cm (13,4”) rubber strip, the rainCover fits correctly on most lenses. The strap supplied with a hook-and-loop fastener makes it possible to tighten the cover on the lens but still lets you operate the lens, due to its spacious design. The supplied zippered lensC M extension, covers and protects longer lenses. For longer lenses camRade is offering an additional camRade rainCover Extension Kit (SKU: CAMRAINCVR-KIT). Includes an unique battery extension The rainCover for RED includes a battery extension cover that offers the possibility to extend the camera up to 20cm (7,9”) at the back. This add-on makes it possible to protect larger batteries, transmitters, or other accessories from the rain Easy access to what is important A vertical hook-and-loop fastener on the top of the cover gives you the option to use a top handle or other top-mounted accessories. Several transparent windows allowing you to see the setting and operate the controls of the camera. The transparent window on top of the cover, allows you to have a clear view of the camera’s monitor. This flap was designed on the dimensions of the RED DSMC2 TOUCH 7.0" monitor, but also covers the smaller 4.7” and 5” models from RED too. It also fits the TVLogic VFM-056, VFM-058WP, VFM-055A and F-5A monitors and a selection of Atomos and SmallHD products. On the left side of the cover, a special compartment is provided that protects a small viewfinder such as the RED BOMB EVF, the DSMC2 RED EVF or a third party VF like the Zacuto Gratical Eye / Kameleon or the PortKeys OEYE.

HedBox PROBANK-2M High Capacity 300Wh Professional Power Bank Set

HedBox PROBANK-2M (PROBANK/2M, PROBANK_2M, PROBANK 2M, PROBANK2M) High Capacity 300Wh Professional Power Bank Set The Hedbox power bank set provides a continuous power supply to all units used in the studio and in the field. Using the Hedbox DC Power Cable RPC-DC4X4 XLR female to male (included in the kit) the set provides a constant DC power supply for video, audio, and lighting equipment with total independence of a regular AC power supply. LED Display Screen LED display provides a clear, accurate, and precise display of power status, charging status, battery channel status, and power bank mode. The displayed charging mode (Adapter UPS LED Light ON) provides a clear insight into which channel (CH1 or CH2) of the power bank mode is active. With a bright and intense light, the readout function is enabled in the dark. Integrated locking support stand The power bank unit is equipped with extra support stands making it easy to operate. The support stands to provide extra stability while charging only one battery. 2-ch Sequential Power Mode The Hedbox power bank offers a 2-Ch sequential power mode. It allows operation with 1 or 2 batteries in the system. When using the 2 channel battery power bank, the system will first use the battery in channel 1 followed by the battery in channel 2 when the first is drained, providing a continuous power supply with no delay. DC Out 16.5V / 4.5A With a 4-pin XLR female connector on the front panel, the PROBANK system provides extra DC output for supplying constant power to external units like professional camcorders, video monitors, LED lights, and other professional broadcast products. Connected with specially designed Hedbox professional high flexibility power cable RPC-DC4X4-4pin XLR female to male (included in the box), the charger can be used as an AC-DC adaptor of DC 14.5V/4.5A, 75W output. Charging Technology Intelligent Charging Systems of POWERBANK integrate the control systems within the charger and the electronics within the battery to allow precision control over the charging process. As a safety precaution with high-capacity batteries, a pre-charging stage (trickle charge) is used. Constant current/constant voltage (CC/CV) charging mode is an effective way to charge lithium batteries. It is used to charge the battery from 0% to 80% (RED light ON). When the battery is charged to 80%, impulse voltage charging (GREEN Light ON) takes over until the battery reaches 100%. The charger CPU automatically adjusts the charging current to be lower than the max charging current that the battery can accept. When the battery is fully charged, this state is stopped.    

HedBox PROBANK-2XL High Capacity 600Wh Professional Power Bank Set

HedBox PROBANK-2XL (PROBANK/2XL, PROBANK_2XL, PROBANK2XL, PROBANK 2XL) High Capacity 600Wh Professional Power Bank Set The Hedbox power bank set provides a continuous power supply to all units used in the studio and in the field. Using the Hedbox DC Power Cable RPC-DC4X4 XLR female to male (included in the kit) the set provides a constant DC power supply for video, audio, and lighting equipment with total independence of a regular AC power supply. LED Display Screen LED display provides a clear, accurate, and precise display of power status, charging status, battery channel status, and power bank mode. The displayed charging mode (Adapter UPS LED Light ON) provides a clear insight into which channel (CH1 or CH2) of the power bank mode is active. With a bright and intense light, the readout function is enabled in the dark. Integrated locking support stand The power bank unit is equipped with extra support stands making it easy to operate. The support stands to provide extra stability while charging only one battery. 2-ch Sequential Power Mode The Hedbox power bank offers a 2-Ch sequential power mode. It allows operation with 1 or 2 batteries in the system. When using the 2 channel battery power bank, the system will first use the battery in channel 1 followed by the battery in channel 2 when the first is drained, providing a continuous power supply with no delay. DC Out 16.5V / 4.5A With a 4-pin XLR female connector on the front panel, the PROBANK system provides extra DC output for supplying constant power to external units like professional camcorders, video monitors, LED lights, and other professional broadcast products. Connected with specially designed Hedbox professional high flexibility power cable RPC-DC4X4-4pin XLR female to male (included in the box), the charger can be used as an AC-DC adaptor of DC 14.5V/4.5A, 75W output. Charging Technology Intelligent Charging Systems of POWERBANK integrate the control systems within the charger and the electronics within the battery to allow precision control over the charging process. As a safety precaution with high-capacity batteries, a pre-charging stage (trickle charge) is used. Constant current/constant voltage (CC/CV) charging mode is an effective way to charge lithium batteries. It is used to charge the battery from 0% to 80% (RED light ON). When the battery is charged to 80%, impulse voltage charging (GREEN Light ON) takes over until the battery reaches 100%. The charger CPU automatically adjusts the charging current to be lower than the max charging current that the battery can accept. When the battery is fully charged, this state is stopped.

Sachtler 9116 Padded Bag Flowtech 75

Sachtler 9116 (91-16, 91/16, 91_16, 91 16) Padded Bag Flowtech 75 The Padded Bag Flowtech 75 from Sachtler is designed for fluid heads on Flowtech 75 or TT Tripod.

Metabones MB_SPEF-X-BT2 Canon EF to Fuji X-Mount T CINE Speed Booster ULTRA 0.71x

Metabones MB_SPEF-X-BT2 (MB-SPEF-X-BT2, MB/SPEF-X-BT2, MB/SPEF/X/BT2, MBSPEFXBT2) Canon EF to Fuji X-Mount T CINE Speed Booster ULTRA 0.71x Sharper corners, less distortion, reduced vignetting  Optical design:  advanced 5-element/4-group optical design incorporating ultra-high index tantalum-based optical glass to achieve extraordinary optical performance with improved corner sharpness, distortion and reduced vignetting. Like the revolutionary original Metabones Speed Booster® announced in January 2013, the Speed Booster ULTRA has a magnification of 0.71x, and so it effectively reduces the crop factor of mirrorless cameras with DX-sized sensors(APS-C), such as Sony E-mount and Fuji X-mount cameras, from 1.5x to 1.07x.  However, the new ULTRA design makes very effective use of exotic materials at the furthest limit of glassmaking technology, and as a result is well corrected for use with virtually all full-frame SLR lenses regardless of exit pupil distance. Thus, the Speed Booster ULTRA performs extremely well with professional-grade f/2.8 zoom lenses such as the 24-70mm f/2.8 and 70-200mm f/2.8 zooms by Canon and Nikon to produce 17-50mm f/2.0 and 50-142mm f/2.0 high-speed zooms, respectively.  Similarly, high-speed fixed focal length lenses such as a 50mm f/1.2 will be transformed into a 35.5mm f/0.9 lens with excellent contrast and resolution from the center all the way to the edges of the image. Optical Increase maximum aperture by 1 stop. (with a maximum output aperture of f/0.9). Increase MTF. Makes lens 0.71x wider. Advanced 5-element/4-group optical design incorporating ultra-high index tantalum-based optical glass by Caldwell Photographic in the USA (patent granted). Mechanical Patented positive-lock EF lens mount. Flocking to reduce internal reflection. Rubber gasket protects the X-mount connection from dust and moisture. Aluminum alloy and brass construction with chromium plating. Satin surface finish. Detachable tripod foot compatible with Arca Swiss Style ball head, such as Markins and Photo Clam or attach to quick release plate by a 1/4"-20 screw. Note: 1. EF-S lenses do not fit on Speed Booster®. Some EF-S lenses may be modified to fit, but do so at your own risk. 2. Third-party lenses designed for APS-C format do not have enough coverage when used in conjunction with Speed Booster®. 3. For use with fast lenses (faster than f/1.4), the pre-boost apertures will be displayed in the camera. Slow lenses will report boosted apertures to the camera body but fast lenses will report pre-boost apertures. We won't show f/0.9 with a f/1.2 lens attached, but show f/1.2 instead. Example: a) EF 85/1.2L attached, camera display = f/1.2, physical aperture (lens + Speed Booster® combined) = f/0.85. b) Sigma 35/1.4 attached, camera display = f/1.0, physical aperture (lens + Speed Booster® combined) = f/1.0. 4. Some improperly-made M42 screw mount adapters may short the electronic contacts of the Speed Booster® and cause damage to the Speed Booster® and/or camera body. 5. Many manual focus lenses (e.g. OM 28/2.8, OM 50/1.8, Leica R 15/3.5) have rear protrusions (spikes, levers, other appendages) which would damage the optics and/or housing of Speed Booster®  They need to be modified before they can be safely used on Speed Booster® Check and make sure there are no rear protrusions from the adapter/lens combination before using on Speed Booster®. Scratches and damages caused by rear protrusions on Speed Booster® are not covered by warranty.  

Metabones MB_SPEF-X-BT1 Canon EF to Fuji X-Mount T Speed Booster ULTRA 0.71x

Metabones MB_SPEF-X-BT1 (MB-SPEF-X-BT1, MB/SPEF-X-BT1, MB/SPEF/X/BT1, MBSPEFXBT1) Canon EF to Fuji X-Mount T Speed Booster ULTRA 0.71x Sharper corners, less distortion, reduced vignetting  Optical design:  advanced 5-element/4-group optical design incorporating ultra-high index tantalum-based optical glass to achieve extraordinary optical performance with improved corner sharpness, distortion and reduced vignetting. Like the revolutionary original Metabones Speed Booster® announced in January 2013, the Speed Booster ULTRA has a magnification of 0.71x, and so it effectively reduces the crop factor of mirrorless cameras with DX-sized sensors(APS-C), such as Sony E-mount and Fuji X-mount cameras, from 1.5x to 1.07x.  However, the new ULTRA design makes very effective use of exotic materials at the furthest limit of glassmaking technology, and as a result is well corrected for use with virtually all full-frame SLR lenses regardless of exit pupil distance. Thus, the Speed Booster ULTRA performs extremely well with professional-grade f/2.8 zoom lenses such as the 24-70mm f/2.8 and 70-200mm f/2.8 zooms by Canon and Nikon to produce 17-50mm f/2.0 and 50-142mm f/2.0 high-speed zooms, respectively.  Similarly, high-speed fixed focal length lenses such as a 50mm f/1.2 will be transformed into a 35.5mm f/0.9 lens with excellent contrast and resolution from the center all the way to the edges of the image. Optical Increase maximum aperture by 1 stop. (with a maximum output aperture of f/0.9). Increase MTF (details). Makes lens 0.71x wider. Advanced 5-element/4-group optical design incorporating ultra-high index tantalum-based optical glass by Caldwell Photographic in the USA (patent granted). Mechanical Flocking to reduce internal reflection. Rubber gasket protects the X-mount connection from dust and moisture. Aluminum alloy and brass construction with chromium plating. Satin surface finish. Detachable tripod foot compatible with Arca Swiss Style ball head, such as Markins and Photo Clam or attach to quick release plate by a 1/4"-20 screw. Note: 1. EF-S lenses do not fit on Speed Booster®. Some EF-S lenses may be modified to fit, but do so at your own risk. 2. Third-party lenses designed for APS-C format do not have enough coverage when used in conjunction with Speed Booster®. 3. For use with fast lenses (faster than f/1.4), the pre-boost apertures will be displayed in the camera. Slow lenses will report boosted apertures to the camera body but fast lenses will report pre-boost apertures. We won't show f/0.9 with a f/1.2 lens attached, but show f/1.2 instead. Example: a) EF 85/1.2L attached, camera display = f/1.2, physical aperture (lens + Speed Booster® combined) = f/0.85. b) Sigma 35/1.4 attached, camera display = f/1.0, physical aperture (lens + Speed Booster® combined) = f/1.0. 4. Some improperly-made M42 screw mount adapters may short the electronic contacts of the Speed Booster® and cause damage to the Speed Booster® and/or camera body. 5. Many manual focus lenses (e.g. OM 28/2.8, OM 50/1.8, Leica R 15/3.5) have rear protrusions (spikes, levers, other appendages) which would damage the optics and/or housing of Speed Booster®  They need to be modified before they can be safely used on Speed Booster® Check and make sure there are no rear protrusions from the adapter/lens combination before using on Speed Booster®. Scratches and damages caused by rear protrusions on Speed Booster® are not covered by warranty.  

Metabones MB_SPEF-EFR-BT1 Canon EF to Canon EFR Mount T Speed Booster ULTRA 0.71x - EOS R

Metabones MB_SPEF-EFR-BT1 (MB-SPEF-EFR-BT1, MB/SPEF-EFR-BT1, MB/SPEF/EFR/BT1, MBSPEFEFRBT1) Canon EF to Canon EFR Mount T Speed Booster ULTRA 0.71x - EOS R Sharper corners, less distortion, reduced vignetting Metabones EF-RF Speed Booster®  ULTRA 0.71x - to adapt Canon EF mount full-frame lenses to the new Canon RF mount. Filmmakers are now able to mitigate most of the 4k video crop factor of  EOS R (1.75x) and EOS RP (1.63x) and reduce it to 1.24x and 1.15x respectively and support the newly EOS C70(Super 35mm sensor). The field of view is now much closer to still photo mode. On the full-frame camera like EOS R, EOS RP, EOS R5, this Speed Booster is not intended for still photography but will work if the camera is configured to APS-C mode. Speed Booster ULTRA uses an advanced 5-element/4-group optical design by Caldwell Photographic Inc., incorporating ultra-high index tantalum-based optical glass to achieve extraordinary optical performance with improved corner sharpness, distortion and reduced vignetting. Speed Booster ULTRA has a magnification of 0.71x,  effectively reducing the crop factor of 4k video on EOS R and EOS RP from 1.75x to 1.24x. The Speed Booster ULTRA design makes very effective use of exotic materials at the furthest limit of glassmaking technology, and as a result is well corrected for use with virtually all full-frame SLR lenses regardless of exit pupil distance. Thus, the Speed Booster ULTRA performs extremely well with professional-grade f/2.8 zoom lenses such as the 24-70mm f/2.8 and 70-200mm f/2.8 zooms by Canon to produce 17-50mm f/2.0 and 50-142mm f/2.0 high-speed zooms, respectively. Similarly, high-speed fixed focal length lenses such as a 50mm f/1.2 will be transformed into a 35.5mm f/0.9 lens with excellent contrast and resolution from the center all the way to the edges of the image. Optical Increase maximum aperture by 1 stop. (with a maximum output aperture of f/0.9). Increase MTF (details). Makes lens 0.71x wider. Advanced 5-element/4-group optical design incorporating ultra-high index tantalum-based optical glass by Caldwell Photographic in the USA (patent granted). Mechanical The tripod foot is detachable and compatible with Arca Swiss, Markins and Photo Clam ball heads. Flocking to reduce internal reflection. Rubber gasket protects the RF mount connection from dust and moisture. Aluminum alloy and brass construction with chromium plating.   Satin surface finish.

Metabones MB_EPEF-FG-BT1 Canon EF Lens to Fuji G-Mount T Smart Expander 1.26x GFX

Metabones MB_EPEF-FG-BT1 (MB-EPEF-FG-BT1, MB/EPEF-FG-BT1, MB/EPEF/FG/BT1, MBEPEFFGBT1) Canon EF Lens to Fuji G-Mount T Smart Expander 1.26x GFX The EF - GFX Expander 1.26x allows Canon EF mount lenses to be mounted on Fujifilm GFX camera bodies without getting dark and / or soft corners. The magnification factor of 1.26x perfectly matches the image circle of the full-frame Canon EF lenses to the medium-format sensor of the GFX series cameras, and therefore the diagonal field-of-view (FOV) remains exactly the same. The optical design consists of 5 elements in 3 groups, incorporating ultra-high index Lanthanum-based optical glass as well as one element made of fused silica, resulting in extremely good performances with professional-grade f/2.8 zoom lenses. For example, a 24-70mm f/2.8 lens becomes a 30-88mm f/3.5 zoom, and a 70-200mm f/2.8 lens becomes an 88-252mm f/3.5 zoom. Due to the nature of focal extenders, the aperture values decrease by 2/3 of a stop; f/2.8 becomes f/3.5 and f/2 becomes f/2.5. High-speed fixed focal length lenses such as the 50mm f/1.4 will be transformed into a very fast 63mm f/1.8 standard lens for the GFX system. The EF-GFX mount Smart Expander features Metabones’ electronic integration, including phase-detection autofocus (PDAF), in-body image stabilization (IBIS), optical image stabilization (called IS/OS/VC by various lens manufacturers) and smooth iris. The button on the Smart Expander toggles between auto aperture (programmed exposure or shutter priority) and manual aperture (aperture priority or manual exposure). If a manual lens with no electronics is attached, the button brings up the manual lens selection on the camera body so that focal length can be chosen for correct IBIS operation and EXIF. Optical Make Canon EF mount lens to cover the Fujifilm G-mount (GFX series) camera ; Advanced 5-element/3-group optical design incorporating ultra-high index Lanthanum-based optical glass by Caldwell Photographic in the USA ; Magnification of lens: 1.26x * Crop Factor with Fujifilm GFX camera: 1.0x Mechanical The tripod foot is detachable and compatible with Arca Swiss, Markins and Photo Clam ball heads. Flocking to reduce internal reflection. Aluminum alloy and brass construction with chromium plating. Satin surface finish. Detachable Arca-Type tripod foot compatible with Arca Swiss, Markins, and Photo Clam ball heads(clamp directly or attach to quick release plate by a 1/4"-20 screw). * Note: Aperture values decrease by 2/3 of a stop used in conjunction with this Expander.    

Metabones MB_EPNFG-FG-BM1 Nikon G Lens to Fuji G Expander 1.26x GFX

Metabones MB_EPNFG-FG-BM1 (MB-EPNFG-FG-BM1, MB/EPNFG-FG-BM1, MB/EPNFG/FG/BM1, MBEPNFGFGBM1) Nikon G Lens to Fuji G Expander 1.26x GFX The NF - GFX Expander 1.26x allows Nikon F mount lenses to be mounted on Fujifilm GFX camera bodies without getting dark and / or soft corners. The magnification factor of 1.26x perfectly matches the image circle of the full-frame Nikon lenses to the medium-format sensor of the GFX series cameras, and therefore the diagonal FOV remains exactly the same. The optical design consists of 5 elements in 3 groups, incorporating ultra-high index Lanthanum-based optical glass as well as one element made of fused silica, resulting in extremely good performances with professional-grade f/2.8 zoom lenses. For example, a 24-70mm f/2.8 lens becomes a 30-88mm f/3.5 zoom, and a 70-200mm f/2.8 lens becomes an 88-252mm f/3.5 zoom. Please note that because of the nature of focal extenders, the aperture values decrease by 2/3 of a stop; f/2.8 becomes f/3.5 and f/2 becomes f/2.5. High-speed fixed focal length lenses such as the 50mm f/1.4 will be transformed into a very fast standard lens 63mm f/1.8 for the GFX system.

Metabones MB_SPMD-X-BM3 Minolta MD to X-Mount Speed Booster ULTRA 0.71x - Black Matte

Metabones MB_SPMD-X-BM3 (MB-SPMD-X-BM3, MB/SPMD-X-BM3, MB/SPMD/X/BM3, MBSPMDXBM3) Minolta MD to X-Mount Speed Booster ULTRA 0.71x - Black Matte Speed Booster ULTRA   Sharper corners, less distortion, reduced vignetting  The Speed Booster Ultra 0.71x Adapter for Minolta MD-Mount Lenses to FUJIFILM X-Mount Camera from Metabones allows a full-frame Minolta MD-mount lens to be mounted onto a FUJIFILM X-mount camera. The adapter's optics help to maximize the connected lens's apparent angle of view while providing a 1-stop increase for the camera over the lens's aperture range. If a lens intended for 35mm film or similarly sized full-frame camera sensors is connected to a camera with a FUJIFILM X-mount APS-C-sized sensor, it would project an image larger than the APS-C sensor was built to accept. Able to capture only the center portion of the projected image, the effective angle of view of the lens would be narrowed, creating an in-camera "crop factor." The Speed Booster Ultra 0.71x Adapter condenses the light from a lens designed for 35mm film or "full frame" camera sensors and projects it onto a Fuji X-mount APS-C sensor. This allows the APS-C sensor to utilize more of the light gathered by a connected lens, which effectively reduces the crop factor while making available to the sensor an additional 1 stop of light for each of the lens's f/stop settings. This adapter is constructed from aluminum alloy for durability while minimizing weight and its mounting rings are made with brass to further prevent wear-and-tear. Inside are five lens elements in four groups that are designed to provide optical clarity as well as color fidelity, and a detachable tripod foot is included that features 3/8" threads as well as compatibility with Arca-Swiss tripod heads. This adapter does not support electronic communication between an attached camera and lens, focus and exposure must be set manually.

Metabones MB_SPOM-E-BM3 Olympus OM to E-Mount Speed Booster ULTRA 0.71x - Black Matte

Metabones MB_SPOM-E-BM3 (MB-SPOM-E-BM3, MB/SPOM-E-BM3, MB/SPOM/E/BM3, MBSPOMEBM3) Olympus OM to E-Mount Speed Booster ULTRA 0.71x - Black Matte The Olympus OM Lens to Sony E-Mount Camera Speed Booster ULTRA (Version 3) from Metabones improves upon the original Metabones Speed Booster with a 5 element/4 group optical design that incorporates ultra-high refractive index tantalum-based glass for improved sharpness and reduced distortion and vignetting. The Speed Booster ULTRA allows a full-frame Olympus OM lens to be mounted to an APS-C format E-Mount camera and in doing so, increases the angle of view and increases the maximum aperture by approximately one f/stop. When a lens intended for full frame sensors or 35mm film is mounted to a camera with an APS-C sized sensor, it transmits a larger area of light than the smaller sensor was built to accept, and therefore the effective angle of view of the lens decreases. The Speed Booster condenses light from the lens and projects it onto the APS-C sensor allowing the sensor to utilize all of the lens' light and effectively reducing the crop factor of and APS-C E-Mount camera from 1.5x to 1.07x, producing a full-frame angle of view with an APS-C sensor. A corresponding increase in the maximum aperture of one f/stop makes the lens more effective in low-light situations and able to create a shallow depth of field. Metabones Speed Boosters are quality made using precision-machined brass with chromium plating on both the camera body and the lens side of the booster in order to ensure smooth mounting, quality aesthetic, and durability. This adapter has a detachable tripod foot that is compatible with Arca Swiss, Markins, and Photo Clam ball heads. Although the lens will fit physically, automatic diaphragm (AE metering), or other auto functions are not retained using this speed booster. These speed boosters are only fully compatible with mirrorless cameras housing APS-C or smaller image sensors. They will physically fit the Sony full-frame mirrorless cameras, but the camera must be set in Crop Mode to fully support the speed booster's functions. Allows a full frame Olympus OM lens to be mounted to an E-mount APS-C format camera and in doing so, increases the angle of view and increases the maximum aperture by one f/stop. The Speed Booster ULTRA design incorporates ultra-high index tantalum-based optical glass for enhanced optical performance with improved corner sharpness and reduced distortion and vignetting. This glass technology and optical design perform extremely well with professional-grade f/2.8 zoom lenses and high-speed fixed focal length lenses such as a 50mm f/1.2 which will perform as a 35.5mm f/0.9 lens with high contrast and resolution from the center to the edges of the image. Precise fit and solid connection - lens has no play, gap, or wiggling when mounted on speed booster and no adjustments are required to fit your lens. Both the camera side and the lens side of the speed booster are made of brass which is precision-machined and chrome-plated. The Speed Booster uses matte-black treatment to keep internal reflection to a minimum in order to maintain the maximum optical quality possible with the lens. The exterior features a black satin surface finish. Designed to reach infinity focus while maintaining the correct registration distance required to maintain the optical quality of CRC lenses or lenses with floating elements. The speed booster features a detachable tripod foot which is compatible with Arca Swiss, Markins, and Photo Clam ball heads. Although the lens will fit physically, automatic diaphragm (AE metering), or other auto functions are not retained using this speed booster.

Panasonic Lumix PAN-VWHU1E-K Handle Unit for X1500 Camera

Panasonic Lumix PAN-VWHU1E-K (PAN/VWHU1E-K, PAN/VWHU1E/K, PANVWHU1EK, PAN VWHU1E K) Handle Unit for X1500 Camera The VW-HU1 Detachable Handle Unit is a top handle and mic input for the HC-X1500 camcorder. The unit features two 3-pin XLR audio inputs, a microphone holder, a start/stop record button, a zoom rocker, and a built-in LED light. The VW-HU1 attaches to the top of the camera using its proprietary connector and it's secured by a thumbscrew. The two 3-pin XLR audio inputs feature volume controls and selectable mic/line and +48V phantom power features so you can add two channels of audio to your recording. A mic holder on the top fits a standard shotgun mic for convenience. Camera controls include a start/stop record button and zoom rocker, and a tally LED indicates when you are recording. The diffused LED light on the front of the unit allows you to illuminate your shot, and also provides dimming control. There is one shoe mount and one mounting thread on top to add additional accessories.  

Marshall RS232-RS422 CAT5 Distribution Extender Box

Marshall RS7-HR (RS7/HR, RS7_HR, RS7HR, RS7 HR) RS232-RS422 CAT5 Distribution Extender Box The Marshall RS7-HR extends usable RS232 Cat cable runs for control of cameras to 100m from controller to RS7-HR box and another 100m to each of seven camera locations (200m total). Using RS422 its extends (300m + 300m for a total of 600m). Includes Rack Mount Ears.  

IDX ED-CP150/4X 4x DUO-C150P Batteries And VL-4X Charger

IDX ED-CP150/4X 4x DUO-C150P Batteries And VL-4X Charger(ED-CP150/4X, EDCP150/4X, ED CP150/4X) DUO-C150P IDX introduces the next generation in the popular DUO-C Series, the DUO-CP Series. This advanced version offers power taps like those found in the DUO Series for powering accessories. Newly added non-proprietary USB-C PD port for two-way power delivery and charging when used with the new UC-PD1 compact charger, and of course via D-Tap advanced with the VL-DT1. The UC-PD1 can be used with other portable devices. An an viral and an microbial body for hygienic peace of mind. The DUO-C150P is the successor of the popular DUO-C150 battery. Ideal compact battery solution for digital cinema cameras and camera stabilizer systems where long runtimes are required. With 145Wh capacity, the DUO-C150P meets the passenger aircraft carry-on limit and can still provide mobile power to cine-style cameras such as the ARRI ALEXA Mini and RED Weapon effortlessly for extended periods at a time. The DUO-C150P also includes two on-battery D-Taps and now features a USB-C port to power accessories as well as charge the battery. Also, V-Torch LED for use in dark environments and SMBus to display battery info via viewfinder on cameras such as ARRI and RED. VL-4X The VL-4X is a compact, lightweight, four channel (2+2) simultaneous v-mount charger. The VL-4X will charge a total of four batteries with any two simultaneously. The included AC adapter can also be used as a 90W DC power supply. The VL-4X has many standard safety features, including a recovery charge mode that allows low voltage battery cells to be charged safely. The VL-4X is a slim, lightweight, affordable 4-channel charger. Dual Simultaneous/Sequential feature charges up to 4 batteries total with any 2 simultaneously. The included AC adapter doubles as a 90W DC power supply.

Camrade camcover P2

Camrade camcover P2 CAM CAMCVR P2 CAMCAMCVRP2 CAM-CAMCVR-P2  CAM/CAMCVR/P2 The camRade camCover P2 is a black, custom-fit protective cover that fits specific models of Panasonic ENGstyle shoulder cameras. It protects against scratches resulting from daily wear and tear, increases the lifespan of the camera body and ensures it remains in perfect condition. The built-in camRade rainProtector helps you protect your camcorder whenever the weather turns, or dust is kicked up. The camCover P2 is an absolute must-have that can prevent damage to your most valuable piece of equipment. The camCover is designed and suitable for shoulder camera work but is also great while your camera is attached to a Panasonic (SHAN) VCT -plate, tripod, pedestal, or any other camera support solution. Durable and functional design camRade understands your job and knows how the conditions can change during a (live)production. This camera cover has been created through years of experience and feedback from camera operators all over the world. Since Panasonic has changed very few aspects of the outer camera bodies in recent years, camRade has chosen to make a universal camCover that can be used on the most recent models of HPXand CX-series of shoulder cameras.  The best materialsfor optimal comfort The camRade camCovers are handmade with flexible Cordura® fabric that has a soft foam padding on the inside for maximum protection and optimal comfort. Thanks to the water- and abrasion-resistant soft-feel, it is extremely comfortable to work with. Each camCover comes with a wireless pouch to store a small audio receiver or other small pieces of equipment. The built-in rain protection cover is stored in the pouch on the back of the cover, always within reach and equipped with a cord and clip to avoid losing it. Easy access to what is important   The camCover secures easily around the camera body with hook-and-loop fasteners, while leaving quick and easy access to its controls, memory card slots, connectors, viewfinder, lens and battery. On the top of the camera, underneath the top handle, a roll able piece of fabric can be used to protect the ventilation unit.

CAM-CAMCVR-S1 camRade camCover S1

Camrade CAM-CAMCVR-S1 (CAMCAMCVRS1, CAM/CAMCVR-S1, CAM/CAMCVR/S1, CAM CAMCVR S1) CAM-CAMCVR-S1 camRade camCover S1. The camRade camCover S1 is a black, custom-fit protective cover that fits most Sony ENG-style shoulder cameras. It protects against scratches resulting from daily wear and tear, increases the lifespan of the camera body and ensures it remains in perfect condition. The built-in camRade rain protector helps you protect your camcorder whenever the weather turns, or dust is kicked up. The camCover S1 is an absolute must have that can prevent damage to your most valuable piece of equipment. The camCover is designed and suitable for shoulder camera work but is also great while your camera is attached to a VCT-plate, tripod, pedestal, or any other camera support solution. Durable and functional design camRade understands your job and knows how the conditions can change during a (live)production. This camera cover has been created through years of experience and feedback from camera operators all over the world. Since Sony has changed very few aspects of the outer camera bodies in recent years, camRade has chosen to make a universal camCover that can be used on the most recent models of PMW- and PXW-series of shoulder cameras. The best materials for optimal comfort The camRade camCovers are handmade with flexible Cordura® fabric that has a soft foam padding on the inside for maximum protection and optimal comfort. Thanks to the water- and abrasion-resistant soft-feel, it is extremely comfortable to work with. Each camCover comes with a wireless pouch to store a small audio receiver or other small pieces of equipment. The built-in rain protection cover is stored in the pouch on the back of the cover, always within reach and equipped with a cord and clip to avoid losing it. Easy access to what is important The camCover secures easily around the camera body with hook-and-loop fasteners, while leaving quick and easy access to its controls, memory card slots, connectors, viewfinder, lens and battery. On the top of the camera, underneath the top handle, a rollable piece of fabric can be used to protect the ventilation unit.

BirdDog Wallplate Output

Wallplate Output, BD-WPOUT (BD-WPOUT, BD-WPOUT, BD-WPOUT, BD-WPOUT) BirdDog Wallplate Dual Output

BirdDog Wallplate Input

Wallplate Input, BD-WPIN (BD_WPIN, BD/WPIN, BD WPIN, WPIN) BirdDog Wallplate Dual Input

Matthews Infinity Arm

Infinity Arm - 429627 Infinity Arm is a versatile cine arm used to mount cameras, lights, monitors and anything else you require. The Infinity Arm is a fully articulated arm equipped with 360degrees rotate-able and interchangeable, ball-in-socket, quick release tips for adding and removing accessories quickly and efficiently. The Infinity Arm is the strongest articulating cine arm on the market, with a weight capacity of 15-32lbs depending on the configuration. The Infinity Arm is manufactured in two identical sections. Both sections are equipped with removable ball-in-socket assemblies at their outer end, and joined at their common center point by a radial rosette, designed to assemble and lock the two independent arms simultaneously into their desired positions for optimal functionality and accessory placement. PATENT PENDING.

Matthews - Lazy Suzy

Matthews - Lazy Suzy - 415152 The Matthews Lazy Suzy (mitchell based) provides the cinematographer/ videographer with more creative opportunities through the use of an articulated double-swivel platform. This heavy-duty camera positioning device allows you to place the camera anywhere within a 25” diameter circle without having to reposition the dolly, tripod, or car mount rig. The camera can be secured firmly for traveling shots, process trailers, or lock-off shots with the series of strategically placed ¼” and 3/8” tapped holes. The Lazy Suzy will support camera packages up to 70lbs (30kg). Additional accessories and adapters are available, making the mounting possibilities limitless. Each unit is made with 6161 T-6 black hard anodized aluminum. All steel parts are type 304 stainless steel. Bushings are made from black Acetal. All bolts, nuts, and washers are grade 18-8 stainless steel. The adjustment keys are made from steel with black power coat finish. Lazy Suzy is weather proof from minus 40f to plus 180f or minus 40c to 80c. Lubricant is never necessary. Mild soap and water is all that is needed for cleaning. Disclaimer – Like all such devices, common sense and judgment must be used. The Lazy must be properly locked down when used on moving vehicles. Triangulating the system on moving vehicles is highly recommended to ensure safety of those around as well as for camera stability. Both top and bottom plates have strategically placed ¼” and 3/8” tapped holes for triangulation.

Manfrotto PL Frontloader backpack M

PL Frontloader backpack M, MB PL2-BP-FL-M (MB-PL2-BP-FL-M, MB_PL2-BP-FL-M, MB/PL2-BP-FL-M, PL2-BP-FL-M) The Manfrotto PRO Light Frontloader camera backpack M is a professional camera bag specifically designed to provide unparalleled gear protection to fit the preference and workflow of any professional photographer or filmmaker.For professional photographers and filmmakers working on assignments, the camera bag that carry and protect their cameras are equally crucial in making the creative process happen. The PRO Light backpacks usher in the all-new M-Guard™ Protection System specifically designed and laboratory tested to guarantee the highest level of protection and shock resistance especially on areas of the bag where protection is most crucial. M-Guard™ dividers are made of high-density EVA foam that provide exceptional shock absorption while maintaining a super slim profile . In addition, the SAS-TEC, a viscoelastic memory foam and multi-impact endurance, adds a structural reinforcement on the base of the backpack provide extra shock absorbing properties. For an even better worry-free experience, a TSA padlock can be used to secure the steel wire puller to close the main compartment.The PRO Light Frontloader offers a fully padded gear compartment with customizable interiors that can be accessed through a front access door. A secondary single side door offers quick access to most used gear that can fit a full frame camera without portrait grip with an attached 70-200mm f/2.8 lens with a service pocket on the interior panel for crucial small accessories. It features a side tripod attachment, a checkpoint friendly 15” laptop compartment, adjustable chest and waist straps, along with a DuoFace sun and rain cover for moisture and heat protection.A compartment with multiple pockets for small accessories is positioned on the front to give you fast access to all your working accessories.This backpack is built to keep professional gear protected while providing optimal comfort even in long periods of carrying . The harness system not only distributes weight evenly from the shoulders to the waist and hips but also maximizes breathability thanks to a contoured EVA mesh panel.The backpack is made of water-repellant RipStop nylon/polyester fabric with reinforcement yarns to achieve a balance of light weight, unique look, and high capacity performance. Duraflex hardware, YKK zippers, hypalon reinforcement, trims and pullers make the pack both ultra-lightweight and strong enough to withstand the most intense use to ensure long-term protection for large amounts of gear. It also conveniently comes with a DuoFace sun/rain cover, which provides extra protection in rough weather and reflects sunlight, keep gear cool and dry all day long.

Manfrotto Reloader Tough H-55FOAM;Roller

Reloader Tough H-55FOAM;Roller, MB PL-RL-TH55-F (MB_PL-RL-TH55-F, MB-PL-RL-TH55-F, MB/PL-RL-TH55-F, PL-RL-TH55-F) The new PRO Light Reloader Tough H-55 case is designed for travelling professional photographers and videographers. Hermetic, waterproof, and impact resistant, these Tough cases are built to resist to the toughest conditions of use and certified to resist temperatures from °C min -33 / max +90 (°F min -27.4 / max +194 );Built to perfectly protect all types of equipment contents and based on lightweight materials with a secure release latch system. They are IP67 tested meaning that there is no ingress of dust and withstands temporary immersion in water for 30 minutes. Manufactured and designed in Italy, the Tough H-55 is ideal for travellers who do not want to compromise between safety and portability. This case fits airline carry-on size restrictions* and is provided with a two stage telescopic handle with self-locking system to prevent unwanted opening when carrying and transporting, and the automatic pressure release valve provides automatic regulation of the interior air pressure when on a flight. The two wheels have a larger diameter, silent and stable during transport, giving optimal stability, strength, and made to be durable to last over time. The new PRO Light Reloader Tough H-55 is provided with 4 layers of pre-cubed foam and convoluted foam for the lid. The convoluted foam in the lid helps to firmly keep the stored equipment when the case is closed. The 4 layers of pre-cubed foam allows you to customize the insert to your own indsividual equipment and the four layers help for an easier initial setup and arrangement. The Tough H-55 features exclusive design functions that make it compatible with Manfrotto Tough Modular accessories. Four metal pins allow you to easily attach Tough Tripod bag and laptop bag (sold separately) for a more modular carrying experience.*Always check with your airline before flying for their current carry-on requirements.

Manfrotto PL Multiloader backpack M

PL Multiloader backpack M, MB PL2-BP-ML-M (MB-PL2-BP-ML-M, MB_PL2-BP-ML-M, MB/PL2-BP-ML-M, PL2-BP-ML-M) The Manfrotto PRO Light Multiloader camera backpack is a professional camera bag specifically designed to provide unparalleled gear protection to fit the preference and workflow of any professional photographer or filmmaker.For professional photographers and filmmakers working on assignments, the camera bag that carry and protect their cameras are equally crucial in making the creative process happen.The PRO Light backpacks usher in the all-new M-Guard™ Protection System specifically designed and laboratory tested to guarantee the highest level of protection and shock resistance especially on areas of the bag where protection is most crucial. M-Guard™ dividers are made of high-density EVA foam that providing exceptional shock absorption while maintaining a super slim profile. In addition the SAS-TEC, a viscoelastic memory foam and multi-impact endurance, adds a structural reinforcement on the base of the backpack provide extra shock absorbing properties. For an even better worry-free experience, a TSA padlock can be used to secure the steel wire puller to close the main compartment.The PRO Light Multiloader offers 4 points off access for the ultimate carrying flexibility. The main front access door opens into the fully padded camera gear compartment. Two side doors allow for quick access to strategically placed cameras or lenses for a quick gear change, and the top access allows for a quick grab of the most used gear.The Multiloader backpack offers an entirely modular bag that has 3 different carrying configurations. With the use of different combinations of the harness and straps, it can be carried as either a backpack for maximum comfort, a sling bag for speedy lens changing, or as a duffle bag for on-the-go full gear access.It also offers a side attachment that can carry a full-sized tripod (up to the 055 series) and a front attachment that can be split into 2 to carry monopods or small light stands. It also features a checkpoint friendly 15” laptop compartment, adjustable torso height, double chest straps and a padded waist belt for load distribution.This backpack is built to keep professional gear protected while providing optimal comfort even in long periods of carrying. The harness system not only distributes weight evenly from the shoulders to the waist and hips but also maximizes breathability through a contoured EVA mesh panel. The backpack is made of water-repellant Ripstop nylon/polyester fabric with reinforcement yarns to achieve a balance of light weight, unique look, and high capacity performance.Duraflex hardware, YKK zippers, hypalon reinforcement, trims and pullers make the pack both ultra-lightweight and strong enough to withstand the most intense use to ensure long-term protection for large amounts of gear. It also comes with a DuoFace sun/rain cover, which provides extra protection in rough weather and reflects sunlight, keep gear cool and dry all day long.

Shape V-mount pivoting battery plate for monitor cage

SH-VPMC SHVPMC SH VPMC SH/VPMC Shape V-mount pivoting battery plate for monitor cage Behind the monitor cage you can install an included universal cheeseplate with 1/4″-20 and 3/8”-16 threaded holes. The cheeseplate can tilt up and down with a patented 15 mm Push-button system to provide an easy access to the rear connector of the monitor. By tilting the battery plate, it becomes a stand and you can easily sit the monitor cage on the table.

Shape V-mount pivoting battery plate for Red Komodo

SH-VPKOMO SHVPKOMO SH VPKOMO SH/VPKOMO Shape V-mount pivoting battery plate for Red Komodo Pivoting Battery Plate for RED KOMODO - V-Mount SHAPE V-Mount pivoting battery plate let you adapt the Komodo dual Canon BP battery slots to a V-mount battery plate and let you Power your RED Digital Cinema Komodo 6K. Made of CNC aluminium the battery plate is designed with a 15 mm rod push-button system to let you tilt the battery plate up and down and to give you easy access to the rear connector of the camera. By simply pressing the SHAPE patented push-button, you are allowed tilt up and down to place your battery plate in the best position for your use. Push, adjust, release, and then its lock. The Hot-swap connected on one of the battery slots of the camera, allowing you to add an additional battery in the other slot so you can take advantage of the hot-swap feature. The 8″ power cable features a D-Tap connector on one end and a 2-pin LEMO-type connector on the other end. The SHAPE Push-button Made of CNC aluminium, the Universal cheeseplate features several 1/4″-20 and 3/8”-16 threaded holes.

Shape cage for Atomos Shogun 7 monitor

SH-UN7CAGE SHUN7CAGE SH UN7CAGE SH/UN7CAGE Shape cage for Atomos Shogun 7 monitor The SHAPE monitor cage is designed to provide additional protection for the for Atomos Shogun 7 monitor. The cage strongly mounts to the monitor at the top and bottom with (2) ¼-20 screws. Across all sides and rear side, the Shogun 7 cage is designed with multiple ¼-20 and 3/8-16 threaded holes with ARRI anti rotating lock system for ultimate flexibility and solidity in mounting options. The cage is also designed with an integrated locking system to secure your SSD drive to your monitor. Finally, two attachment points on both the top and bottom of the cage let you mount the Atomos Shogun 7 Sun hood frame to the cage. In option, you can use the HDMI Lock System from SHAPE (NIVLK) to protect and lock the HDMI in and out cables on the side of the Atomos Shogun 7 Monitor. Made of lightweight CNC-machined aluminium, the main bracket connects to the monitor with two custom-fit screw holes. The HDMI locking system features adjustable brackets to fit your HDMI cable size, and two captive thumbscrews are included to secure the cables tightly. The lock system keeps SSD Drive access clear, and it is also compatible with the Atomos Sun Hood.

Shape camera bag

SH-SBAG SHSBAG SH SBAG SH/SBAG Shape camera bag The black Camera Bag with Removable Pouches from SHAPE provides organised storage for video cameras up to 20″ long plus multiple accessories. This bag features three removable pouches with MOLLE straps for tools, cables, and pens. Its exterior sports a silent, magnetic lid, dual zippered front pockets, a slate/flag pocket, a bottle pocket for canned air, and hook-and-loop surfaces for easy labelling. This neatly designed case features a fully padded interior with four zippered lid pockets, LED light zipper pulls to help see your gear, and a removable rain cover. Carry your SHAPE Camera Bag using its adjustable, padded shoulder strap or top grip handles.

Shape Cage for Atomos Shinobi monitor with 15mm LWS swivel rod clamp

SH-OBIROD SHOBIROD SH OBIROD SH/OBIROD Shape Cage for Atomos Shinobi monitor with 15mm LWS swivel rod clamp Cage for Atomos Shinobi monitor (OBICAGE) The SHAPE monitor cage is designed to provide additional protection for the for Atomos Shinobi monitor. The cage strongly mounts to the monitor at the top and bottom with (2) ¼-20 screws. Across all sides and rear side, the Shinobi cage is designed with multiple ¼-20 and 3/8-16 threaded holes with ARRI anti rotating lock system for ultimate flexibility and solidity in mounting options. The cage features an HDMI cable lock designed to protect the HDMI cable and port. It also features two attachment points on both the top and bottom of the cage to accommodate the Atomos Ninja V Sun hood frame. DSLR swivel 15 mm rod clamp (SWROD) Mounts to 15 mm rods Swivel allows change in the angle Secure its position by changing the pin One lever to control 15 mm holes Change angle by loosening the lever Versatile and multiple possibilities 15 mm LW clamp for top handle (15CTH) The clamp is made of CNC aluminium and can be attach behind the monitor cage. The clamp is designed to support a 15 mm lws rod. The ratchet knob device let you adjust and strongly fix the position of the rod to the cage. The SHAPE Swivel Rod Clamp (SWROD) is an articulated part that mounts to 15 mm rods. Clamp designed to support a 15 mm rod Can be attach to the monitor cage Made of CNC aluminium 15 mm 6″ rods (15TUBE6) (1) 15 mm Aluminium Rods (6″) connect into the monitor cage into the rod clamp, extend it, and let you add various SHAPE and third-party accessories compatible with 15 mm rods. The rod is hollow, non-threaded, and made of reliable aluminium coated with a clear finish.

Shape Nucleus double quick trigger grips

SH-NDQTG SHNDQTG SH NDQTG SH/NDQTG Shape Nucleus double quick trigger grips The two clamps relocator let you mount the left and right Tilta Nucleus-M wireless handle grip to the body frame of SHAPE quick handle rod bloc with Push-button system (HAND15). The combination of these two let you have the best handheld stabilizer on the market in addition to the Tilta Nucleus-M properties. Once installed, you can take advantage of the full potential of our Push-button technology.

Shape Single Double Quick Handle with ARRI Rosette (Shadow)

SH-HAND2S SHHAND2S SH HAND2S SH/HAND2S Shape Single Double Quick Handle with ARRI Rosette (Shadow) Left or right ARRI Rosettes handgrips that can be attached to cameras or camera support hardware that has standard ARRI rosettes. The arm features three points of articulation (2 Push-button, 1 ratchet knob) allowing you to adjust the arm for your comfort. The arm attach to your camera or support via an ARRI compatible rosette with spring-loaded locking levers, which allow you to lock your arms in place. The arm is also designed with (2) ¼-20 and (2) 3/8-16 threaded holes with locking attachment stoppers for additional mounting options and to strongly secure the camera accessories in position. SHAPE is well known for its patented Push-button handle, now used by so many professionals in the industry. The technology was developped to give filmakers quick and easy adjustment. By simply pressing the button, you are allowed a 360-degree rotation to place the handle in the best position for your use. The Push-button system on the Handle articulating joint provides additional articulation near the rosette, while a second push-button articulation joint allows you to rotate and precisely position the rubber handgrips.

Shape Sony FX6 Remote Extension Handle and cable

SH-FX6RH, SH-FX6RH, SH-FX6RH, SH-FX6RH Shape Sony FX6 Remote Extension Handle and cable The Remote Extension Handle for the Sony FX6 Camera from SHAPE is a variable-length adjustable handle designed to reposition the FX6 remote grip away from the camera while retaining full remote functionality. Compact for both storage and travel, the arm measures just 5.6″ when folded and may be increased to a maximum length of 11″ for use. A length adjustment range of 2″ is also provided to the user for a more customized and comfortable fit. The handle easily mounts to the Sony FX6 camera using an ARRI-style rosette connection and knob screw on one side, and a native Sony grip connection on the other. An included male-to-female LANC extension cable connects the remote grip to the camera’s body, maintaining full functionality after relocation. The coiled male-to-female cable features a LANC 3.5 mm male connector on one end and female on the other. It measures 10″ from end-to-end when coiled, and approximately 20″ when extended. The arm itself features SHAPE’s patented push-button release which allows the joint to be rotated a full 360° to any required angle. SHAPE is well known for its patented push-button system, now used by so many professionals in the industry. The technology was developed to give filmmakers quick and easy adjustments. By simply pressing the button, you are allowed a 360-degree rotation to place the remote extension handle in the best position for your use. Push, adjust, release, and then it’s locked!

Shape Sony FX3 Cage

SH-FX3CAGE SH FX3CAGE SHFX3CAGE SH/FX3CAGE Shape Sony FX3 Cage SHAPE FX3CAGE (FX3-CAGE) Cage for Sony FX3. CNC-milled aluminium cage specifically designed to protect and support the Sony FX3. Includes a cold shoe, ARRI rosette, seven 3/8-16 threaded mount points, and multiple ¼-20 threaded mount points. The cage design allows access to all camera controls and side outputs, as well as memory cards, battery compartment, lens release, doors, locks, and hot shoe. In addition, A detachable lock protection system to secure and hold in place your 4K FULL HDMI cable is included with the cage. Also included is a top plate with a left-hand threaded ARRI hole patterns that fits on top of Sony’s factory handle. The cage can be fitted with a quick release tripod plate or DELTA adapter.  

Shape Universal Bridge Plate Arri standard

SH-DPLWS SHDPLWS SH DPLWS SH/DPLWS Shape Universal Bridge Plate Arri standard Shape DPLWS (DPLWS) Universal Bridge Plate Arri Standard. The SHAPE bridge universal plate can easily slide onto the lightweight ARRI standard 12″ dovetail plate (DP12A) for additional leverage and mounting options. It is made of CNC aluminium and it is also designed with a locking lever to secure the bridge plate to the dovetail. One 1/4″-20 and one 3/8″-16 screw allow mounting a variety of cameras and rod baseplates. The Standard ARRI-Style Sliding Bridge Plate is used with a separately available dovetail plate to balance your camera as the weight of the rig is changed. The rubberized surface prevents the camera or rod baseplate from scratching and slipping. By adding this adapter plate, you can keep working with your proprietary 15mm LWS for any given camera, in a dovetail approach.

Shape 15mm studio spacing cuff rod block Arri rosette

SH-CUFST SH CUFST SHCUFST SH/CUFST Shape 15mm studio spacing cuff rod block Arri rosette Shape 15 MM Studio Spacing Cuff Rod Block Arri Rosette The SHAPE Arri rosette 15 mm studio rod bracket is designed to mount handgrips or other accessories on each side. It fits on 15 mm sudio rods and feature ARRI rosettes on both ends. The ratchet knob and cuff system allow you to easily clip or unclip the block to your rig without ever having to remove accessories in front or behind (matte box, follow focus, lens support, zoom motors). The SHAPE cuff system allows you to quickly install your handles or other accessories in one clamp. By pressing the block below the rods and by locking the cuff with a ratchet knob, the cuff system is super strong, providing you with the most solid system on the market.

Shape 19mm studio cuff rod block Arri rosette

SH-CUF19 SHCUF19 SH CUF19 SH/CUF19 Shape 19mm studio cuff rod block Arri rosette SHAPE CUF19 (CUF-19) 19mm Studio Cuff Rod Block Arri Rosette. The SHAPE Arri rosette 19 mm studio rod bracket is designed to mount handgrips or other accessories on each side. It fits on 19 mm sudio rods and feature ARRI rosettes on both ends. The ratchet knob and cuff system allow you to easily clip or unclip the block to your rig without ever having to remove accessories in front or behind (matte box, follow focus, lens support, zoom motors). The SHAPE cuff system allows you to quickly install your handles or other accessories in one clamp. By pressing the block below the rods and by locking the cuff with a ratchet knob, the cuff system is super strong, providing you with the most solid system on the market.

Shape 15mm LWS cuff rod block Arri rosette

SH-CUF15 SHCUF15 SH CUF15 SH/CUF15 Shape 15mm LWS cuff rod block Arri rosette Shape SH-CUF15 15 MM LWS Cuff Rod Block Arri Rosette The SHAPE Arri rosette 15 mm rod bracket is designed to mount handgrips or other accessories on each side. It fits on 15 mm lightweight rods and feature ARRI rosettes on both ends. The ratchet knob and cuff system allow you to easily clip or unclip the block to your rig without ever having to remove accessories in front or behind (matte box, follow focus, lens support, zoom motors). The SHAPE cuff system allows you to quickly install your handles or other accessories in one clamp. By pressing the block below the rods and by locking the cuff with a ratchet knob, the cuff system is super strong, providing you with the most solid system on the market.

Shape controller top handle universal attachment system

SH-CTRL SHCTRL SH CTRL SH/CTRL Shape controller top handle universal attachment system Add a variety of accessories to your camera rig with the Controller Top Handle with Universal Attachment System from SHAPE. The modular handle features four sections that can be removed or re-added to create different lengths and configurations. One of the sections is angled to create a handgrip on the end. The centre section raises up the handle, allowing a solid connection to your cage or rig.The handle is constructed from anodised aluminium, and each section is lined with a smooth, wooden finger grip made from Canadian maple. Numerous 3/8″-16 ARRI-style anti-twist accessory threads line the handle, so you can add a wide variety of accessories.

Shape BNC 1st AC camera cable kit

SH-BNKI SHBNKI SH BNKI SH/BNKI Shape BNC 1st AC camera cable kit Shape SH-BNKI BNC 1st AC Camera Cable Kit The SHAPE two-sided organiser cable pouch is a full-on organiser. The deep side can also fits chargers, microphones and other larger accessories, and the shallow side keeps cables neatly organised and untangled with its built-in elastic loops. The 10-inch (25.4 cm) length will fit most popular wireless microphones without needing to bend the antenna. The deep side has a short top zipper for quick access, and the cable side has a zip-around flap for easier organisation. The SHAPE two-sided organiser cable pouch is the ultimate solution for organising everything from cables, chargers and batteries to light meters, radio triggers and microphones. It allows small gear to be easily corralled, securely transported, and quickly moved from one bag to another.

Shape 1st AC Camera cable kit BNC/HDMI/DTAP/LANC

SH-BHDL SHBHDL SH BHDL SH/BHDL Shape 1st AC Camera cable kit BNC/HDMI/DTAP/LANC Shape SH-BHDL 1st AC Camera Cable Kit BNC, HDMI, DTAP, LANC Side 1 LANC coil cable male-female 10″ (LANCO10) x 1 LANC coil cable male-male 11″ (LANCO11) x 1 Skinny (2.5mm) 90-degree male to male BNC cable 24 in, 60.96 cm (black, blue) x 2 Skinny (2.5mm) 90-degree male to male BNC cable 12 in, 30.48 cm (green) x 1 Skinny (2.5mm) 90-degree male to male BNC cable 6 in, 15.24 cm (red) x 1  Side 2 D-TAP to 4-pin XLR coiled cable (DTXLC) x 1 D-TAP splitter cable (SDSC) x 1 20″ coiled cable vdc D-Tap to D-Tap (DTAP20) x 1 24″ HDMI to HDMI coiled cable (HDMI4k) x 1 24″ HDMI to mini HDMI coiled cable (MINI4K) x 1 24″ HDMI to micro HDMI coiled cable (MICRO4K) x 1  SHAPE Two-Sided organiser cable pouch The SHAPE two-sided organiser cable pouch is a full-on organiser. The deep side can also fits chargers, microphones and other larger accessories, and the shallow side keeps cables neatly organised and untangled with its built-in elastic loops. The 10-inch (25.4 cm) length will fit most popular wireless microphones without needing to bend the antenna. The deep side has a short top zipper for quick access, and the cable side has a zip-around flap for easier organisation. The SHAPE two-sided organiser cable pouch is the ultimate solution for organising everything from cables, chargers and batteries to light meters, radio triggers and microphones It allows small gear to be easily corralled, securely transported, and quickly moved from one bag to another.  

HedBox Professional V-Mount 13200mAh / 196 Wh Dual Chanel Power Station Set

Professional V-Mount 13200mAh / 196 Wh Dual Chanel Power Station Set, PROBANK-2S (PROBANK_2S, PROBANK/2S, PROBANK 2S) The Hedbox power bank set provides a continuous power supply to all units used in the studio and in the field. Using the Hedbox DC Power Cable RPC-DC4X4 XLR female to male (included in the kit) the set provides constant DC power supply for video, audio, and lighting equipment with total independence of a regular AC power supply.

Hedbox Cine V-Lock Battery Pack 14.8V 98Wh; D-Tap; USB Output for RED & ARRI

Hedbox Cine V-Lock Battery Pack 14.8V 98Wh; D-Tap; USB Output for RED & ARRI, NERO-SX (NERO_SX, NERO SX, NERO/SX) The new NERO series of Hedbox stands for High Performance and High Safety Design. The new and revolutionary Cells Framing Construction System provides extra security and stability to the inner battery cells. Compared to all the other Battery Brands this new advance system not only makes the NERO batteries much safer for daily professional use but also for transportation. NERO S represents the smallest cine V-lock Battery in the NERO family range. Through it’s additional D-Tap DC output the NERO S can deliver power to all professional devices. An extra USB power output allows the charging of mobile phones, tablets or other accessories using one single battery.

Hedbox Cine V-Lock Battery Pack 14.8V 150Wh; D-Tap; USB Output for RED & ARRI

Hedbox Cine V-Lock Battery Pack 14.8V 150Wh; D-Tap; USB Output for RED & ARRI, NERO-MX (NERO_MX, NERO/MX, NERO MX) The new NERO series of Hedbox stands for High Performance and High Safety Design. The new and revolutionary Cells Framing Construction System provides extra security and stability to the inner battery cells. Compared to all the other Battery Brands this new advance system not only makes the NERO batteries much safer for daily professional use but also for transportation. NERO M represents the medium cine V-lock Battery in the NERO family range. Through it’s additional D-Tap DC output the NERO M can deliver power to all professional devices. An extra USB power output allows the charging of mobile phones, tablets or other accessories using one single battery.

Hedbox Cine V-Lock Battery Pack 14.8V 195Wh; D-Tap; USB Output for RED & ARRI

Hedbox Cine V-Lock Battery Pack 14.8V 195Wh; D-Tap; USB Output for RED & ARRI, NERO-LX (NERO-LX, NERO-LX, NERO-LX) The new NERO series of Hedbox stands for High Performance and High Safety Design. The new and revolutionary Cells Framing Construction System provides extra security and stability to the inner battery cells. Compared to all the other Battery Brands this new advance system not only makes the NERO batteries much safer for daily professional use but also for transportation.   NERO L represents the Large cine V-lock Battery in the NERO family range. Through it’s additional D-Tap DC output the NERO S can deliver power to all professional devices. An extra USB power output allows the charging of mobile phones, tablets or other accessories using one single battery.

CamRade run&gun Backpack MD

CamRade run&gun Backpack MD (CAM_R&GBACKP-MD, CAM/R&GBACKP-MD, CAM R&GBACKP-MD, CAM-R&GBACKP-MD) When you are out in the field by yourself while using a mobile transmitter or streaming device, you need a practical solution to carry the device and still have your hands free to operate your camera. The run&gunBackpack MD offers a fitting solution for the LiveU LU500 & LU600, the Mobile Viewpoint Agile Airlink Duo, the TVU One and the Teradek Bond + Cube 655/755. Thanks to the diversity of bumpers (9) that are supplied with this bag you have maximum flexibility in the choice of devices, as well as freedom of movement during the shoot. Select the right combination of bumpers to secure the device you’ll be using and fasten the elastic strap to keep everything safely in place.   The bag is made of abrasion-resistant Cordura® fabric combined with strong mesh fabric to allow heat, generated by the device, to escape. Openings with hook and loop fasteners allow you to guide the cables from one end of the bag to the other. On the bottom of the bag a special compartment - which is extendable up to 10 cm - is added for a battery and/or cables and accessories. In a closed off compartment with zipper you’ll find the built-in rain cover and sun reflecting cover.

Camrade CAM-WS-EOSC300-M3 WetSuit EOS C300 Mark III

camRade wetSuit EOS C300 Mark III, CAM-WS-EOSC300-M3 (CAM_WS-EOSC300-M3, CAM/WS-EOSC300-M3, CAM WS-EOSC300-M3, WS-EOSC300-M3) The Canon EOS C300 Mark III camera has a number of optional expansion units that offer a flexible modular design and meet the demands of many different configurations. Using it for broadcast purposes, on a gimbal or handheld, all possibilities require different set-ups. The camRade wetSuit EOS C300 Mark III is designed to support the extreme flexibility of this camera. Easy to open and expand, and easy to take off or fold together when a part is not in use. The cover has clear vinyl windows which can be opened and closed with hook and loop fasteners, for maximum visibility when adjusting the menu, audio input select level and other controls. Made of water-resistant fabric with a soft lining the cover minimalizes unwanted sound effects during operation. For the viewfinder a separate cover with transparent vinyl is supplied. This wetSuit is supplied with clear protection covers for a normal and a long lens, making sure that any lens you might use will be well protected. When the lens is shorter than the cover, you can fold it back to the correct size. This item will be delivered to you in a waterproof pouch with zipper, which you can use for storage and transportation of the cover when not in active use.

Camrade CAM-WS-EOSC500-M2 WetSuit EOS C500 Mark II

Camrade CAM-WS-EOSC500-M2 (CAM/WS-EOSC500-M2, CAM/WS/EOSC500/M2, CAMWSEOSC500M2, CAM WS EOSC500 M2) WetSuit EOS C500 Mark II The Canon EOS C500 Mark II camera has a number of optional expansion units that offer a flexible modular design and meet the demands of many different configurations. Using it for broadcast purposes, on a gimbal or handheld, all possibilities require different set-ups. The camRade wetSuit EOS C500 Mark II is designed to support the extreme flexibility of this camera. Easy to open and expand, and easy to take off or fold together when a part is not in use. The cover has clear vinyl windows which can be opened and closed with hook and loop fasteners, for maximum visibility when adjusting the menu, audio input select level and other controls. Made of water-resistant fabric with a soft lining the cover minimalizes unwanted sound effects during operation. For the viewfinder a separate cover with transparent vinyl is supplied. This wetSuit is supplied with clear protection covers for a normal and a long lens, making sure that any lens you might use will be well protected. When the lens is shorter than the cover, you can fold it back to the correct size.  This item will be delivered to you in a waterproof pouch with zipper, which you can use for storage and transportation of the cover when not in active use.

Camrade CAM-WS-ARRI-ALEXA-MINI-LF Wetsuit Arri Alexa Mini LF

Camrade CAM-WS-ARRI-ALEXA-MINI-LF (CAM/WS-ARRI-ALEXA-MINI-LF, CAM/WS/ARRI/ALEXA/MINI/LF, CAMWSARRIALEXAMINILF, CAM WS ARRI ALEXA MINI LF) Wetsuit Arri Alexa Mini LF The camRade wetSuit ARRI ALEXA Mini LF is a custom made rain cover to fit your ARRI ALEXA Mini LF camera It’s made of water-resistant fabric with a soft lining that minimalizes unwanted sound effects during operation. DoP’s have the freedom to use their desired configuration of the camera due to practically located openings, a separate viewfinder cover that enables different set-ups of the viewfinder and an opening on the back of the cover that allows using multiple batteries and/or a wireless devices with antennas while keeping everything safe from wind and rain. Special vents in the cover make sure the chance of overheating is put to a minimum. The wetSuit is supplied with clear protection covers for a normal and a long lens, making sure that any lens you might use will be well protected. When the lens is shorter than the cover this can be folded back to the correct size. The cover has clear vinyl windows which can be opened and closed with hook and loop fasteners, for maximum visibility when adjusting the menu, audio input select level and other controls. This item will be delivered to you in a waterproof pouch with zipper, which you can use for storage and transportation of the cover when not in active use.

Hawk-Woods Canon Replacement BPA Series Battery - 14.4v 98Wh

BPA-98 BPA98 BPA 98 BPA/98 Тhе Наwk-Wооdѕ ВРА8 Саnоn Rерlасеmеnt ВРА Ѕеrіеѕ Ваttеrу—14.4 V 98 Wh іѕ а trіеd аnd tеѕtеd rерlасеmеnt bаttеrу fоr Саnоn ВРА. Ѕhоwсаѕіng а buіlt-іn fuеl gаugе, thе соmрасt bаttеrу іndісаtеѕ thе rеmаіnіng bаttеrу lеvеl. Dеѕріtе bеіng ѕmаll іn ѕіzе, thе hіgh-tесh bаttеrу рrоvіdеѕ а ѕtunnіng 14.4 V аt а соntіnuоuѕ 98 W роwеr ѕuррlу. Іt hаѕ оrіgіnаl bаttеrу соntасtѕ thаt wоrk wеll wіth аll Саnоn ВРА ѕеrіеѕ сhаrgеrѕ. Веѕt оf аll, thе ѕmаrt bаttеrу hаѕ buіlt-іn рrоtесtіоn аgаіnѕt hеаt, fluсtuаtіng vоltаgе, аnd ѕhоrt-сіrсuіt.

ATOMOS Ultrasync Blue ROW Version

Ultrasync Blue is simple, low-cost, and has the potential to synchronise any compatible camera or sound recording device with Bluetooth® connectivity. There are no cables to worry about, giving you more freedom to shoot from creative angles with smaller, more mobile cameras. It can even sync iPhones.

Samyang VDSLR MK2 5-LENS KIT Sony FE Mount

5 x Manual focus, full frame cine lenses and hard case - Sony FE Mount A collection of all 5 Samyang VDSLR MK2 Cine lenses, consisting of 14mm T3.1, 24mm T1.5, 35mm T1.5, 50mm T1.5 and 85mm T1.5. These are supplied as a kit in a custom case, designed and produced in Germany to offer highly durable and reliable protection of the lenses against dust, water, shock and damage.

Samyang VDSLR MK2 3-LENS KIT Sony FE Mount

3 x Manual focus, full frame cine lenses and hard case - Sony FE Mount A collection of the 3 most popular Samyang VDSLR MK2 Cine lenses, consisting of 14mm T3.1, 35mm T1.5 and 85mm T1.5 models. These are supplied as a kit in a custom case, designed and produced in Germany to offer highly durable and reliable protection of the lenses against dust, water, shock and damage.

Samyang VDSLR MK2 3-LENS KIT Canon EF Mount

3 x Manual focus, full frame cine lenses and hard case - Canon EF Mount A collection of the 3 most popular Samyang VDSLR MK2 Cine lenses, consisting of 14mm T3.1, 35mm T1.5 and 85mm T1.5 models. These are supplied as a kit in a custom case, designed and produced in Germany to offer highly durable and reliable protection of the lenses against dust, water, shock and damage.

Manfrotto AVCSA1301B Triple C Roller Case

Manfrotto AVCSA1301B (MAN-AVCSA1301B, MAN/AVCSA1301B, MANAVCSA1301B, MAN_AVCSA1301B, man_avcsa1301b) Triple C Roller Case This ultra-tough, hardwearing case is designed and built for the professional imagemaker working on location. It allows them to transport all their essential C-Stand accessories in one convenient carrying solution, ensuring everything is easily accessible and close to hand when arriving at a shoot. With its external dimensions of 128cm x 28cm x 40cm (50.4in x 11in x 15.7in) this roller case has plenty of storage capacity and can carry up to a maximum load of 35kg (77.1lbs). Tailored for carrying up to three turtle base (detachable) C-Stand kits and accessories, the spacious main compartment features high-density closed cell and cross link foam dividers to create three sections for detachable C-Stand columns and a fourth section with adjustable reinforced straps to securely stow extension arms. Includes two removable padded storage trays, ideal for grip heads, clamps and other small accessories, keeping equipment safe and secure. Up to three C-Stand turtle bases can be neatly stored by securely fastening them to the inner lid dividers using the adjustable quick release webbing straps, keeping them separate from the rest of the gear and making it easy to access the right components quickly. The large internal zip pocket is ideal for foldable light controls such as flags and scrims, this pocket can be split into two using the Velcro fastening and features a viewing window making it easy to find even the smallest accessory. The shell of this rugged case is constructed from hard ABS honeycomb and durable water-resistant 900D Polyester, with high quality YKK® RC zippers with moulded grip pull cords throughout. It also features strong anti-abrasion protective reinforcement in key high wear areas, as well as durable rubber feet, bumpers and back rails to further protect the case when navigating uneven terrain and obstacles. The strong exterior padded handles on the top and side panels and replaceable shock-absorbing wheels allow for both single and two-person handling for ease of manoeuvrability on location. Two large zip pockets which help to keep essential tools and accessories easily available and a convenient luggage tag holder allows for clear identification. All of these features combined with the black finish, Avenger blue detailing, bold branding and crafted design make this all in one carrying solution stylish as well as functional. The perfect carrying solution allowing the creative imagemaker to arrive on set ready to roll!

Canon RF-24-105mm-F4.0L-IS-USM Lens

Canon RF-24-105mm-F4.0L-IS-USM (RF_24-105mm-F4.0L-IS-USM, RF24-105mm-F4.0L-IS-USM, RF 24-105mm-F4.0L-IS-USM, RF/24-105mm-F4.0L-IS-USM) Lens. Prized for its versatility, the RF 24-105mm f/4L IS USM from Canon is a wide-angle to short telephoto zoom characterized by its constant f/4 maximum aperture. Ideal for use in nearly any shooting scenario, this zoom is benefitted by a five-stop-effective Image Stabilizer to minimize the appearance of camera shake for sharper handheld imagery. Also complementing handling is a unique customizable Control Ring, which can be configured to adjust a variety of exposure settings settings, including aperture, ISO, and exposure compensation. Benefitting image quality, the advanced optical design features a Super Spectra Coating, which helps to suppress ghosting and flare in order to improve contrast and color accuracy when working in bright and backlit conditions. Ideal for both photo and video applications, this lens also incorporates a Nano USM autofocus motor, which delivers quick, quiet, and precise focusing performance. Standard wide-angle to telephoto zoom lens is designed for use with full-frame Canon RF-mount mirrorless cameras. Constant f/4 maximum aperture maintains consistent illumination throughout the zoom range. Super Spectra coating has been applied to individual elements to minimize ghosting and flare for greater contrast and color neutrality when working in strong lighting conditions. An Optical Image Stabilizer helps to minimize the appearance of camera shake by five stops to better enable working in low-light conditions and with slower shutter speeds. Nano USM system utilizes both a ring type USM and an STM mechanism to realize quick and accurate focusing that is also smooth and near-silent to suit both photography and video applications. This focusing system also affords full-time manual focus control when working in the one-shot AF mode. Configurable Control Ring can be used to adjust a variety of exposure settings, including aperture, ISO, and exposure compensation. As a member of the esteemed L-series, this lens has a weather-resistant design that protects against dust and moisture to enable its use in inclement conditions. Rounded nine-blade diaphragm contributes to a pleasing bokeh quality.

Canon EF-50mm-F1.8-STM Lens

Canon EF-50mm-F1.8-STM (EF_50mm-F1.8-STM, EF50mm-F1.8-STM, EF 50mm-F1.8-STM, EF/50mm-F1.8-STM) Lens. One of the most versatile focal lengths available, the EF 50mm f/1.8 STM Lens from Canon is a compact, normal-length prime well-suited to everyday shooting. The bright f/1.8 maximum aperture benefits working in difficult lighting conditions and also affords increased control over depth of field for isolating subject matter. Individual elements feature a Super Spectra coating to help minimize flare and ghosting to realize greater contrast and color accuracy when working in backlit and harsh conditions. Additionally, an STM stepping AF motor is used to realize quick and near-silent autofocus performance along with full-time manual focus override. Normal-length prime is designed for full-frame Canon EF-mount DSLRs, however can also be used with APS-C models where it provides an 80mm equivalent focal length. Bright f/1.8 maximum aperture enables control over depth of field for selective focus applications and also benefits working in low-light situations. Super Spectra coating has been applied to individual elements to minimize ghosting and flare for greater contrast and color neutrality when working in strong lighting conditions. An STM stepping AF motor realizes smooth, near-silent autofocus that is complemented by advanced AF algorithms and a high-speed CPU for fast AF performance. Additionally, full-time manual focus override is also available. Redeveloped physical design incorporates a metal lens mount for durability as well as a re-located focusing ring to maintain a compact form factor. Rounded seven-blade diaphragm contributes to a pleasing out of focus quality that benefits the use of shallow depth of field and selective focus techniques.

Canon RF-28-70mm-F2L-USM Lens

Canon RF-28-70mm-F2L-USM (RF_28-70mm-F2L-USM, RF/28-70mm-F2L-USM, RF28-70mm-F2L-USM, RF 28-70mm-F2L-USM) Lens. Combining the versatility of a zoom with the speed typically reserved for a prime, the Canon RF 28-70mm f/2L USM is a wide-angle to portrait-length lens distinguished by its impressively unique f/2 constant maximum aperture. This bright design yields excellent low-light performance along with enhanced control over depth of field for isolating subject matter. Ultra-Low Dispersion glass is employed in the optical design, and greatly reduces color fringing and chromatic aberrations in order to realize high clarity and color accuracy. Complementing the advanced optical properties is Canon's proven ring-type Ultrasonic Motor, which delivers fast and quiet autofocus performance along with full-time manual focus control. Additionally, unique to RF lenses, this 28-70mm incorporates a configurable Control Ring for intuitively adjusting exposure settings, including ISO, aperture, and exposure compensation, from the lens itself. Standard wide-angle to short-telephoto zoom lens is designed for use with full-frame Canon RF-mount mirrorless cameras. Impressively bright f/2 maximum aperture maintains consistent illumination throughout the zoom range and suits working in low-light conditions as well as affords increased control over depth of field for working with selective focus techniques. Ultra-Low Dispersion (UD) elements are featured in the optical design, and help to suppress color fringing and chromatic aberrations in order to achieve greater clarity and color accuracy throughout the zoom range. A ring-type Ultrasonic Motor (USM), along with an internal focusing design, optimized focusing algorithms, and a high-speed CPU, is employed to deliver fast, precise, and quiet autofocus performance as well as full-time manual focus override. Configurable Control Ring can be used to adjust a variety of exposure settings, including aperture, ISO, and exposure compensation. As a member of the esteemed L-series, this lens has a weather-resistant design that protects against dust and moisture to enable its use in inclement conditions. Rounded nine-blade diaphragm contributes to a pleasing bokeh quality.

Canon RF-35mm-F1.8-Macro-IS-STM Lens

Canon RF-35mm-F1.8-Macro-IS-STM (RF_35mm-F1.8-Macro-IS-STM, RF35mm-F1.8-Macro-IS-STM, RF 35mm-F1.8-Macro-IS-STM, RF/35mm-F1.8-Macro-IS-STM) Lens. Compact, lightweight, and close-focusing, the RF 35mm f/1.8 IS Macro STM from Canon is a unique wide-angle prime mixing the versatility of a general wide lens with the specialty of a 1:2 macro optic. An advanced optical design is benefitted by a Super Spectra coating, which helps to control flare and ghosting for greater contrast and color accuracy when working in bright or backlit conditions. Capable of focusing down to 6.7" at half life-size, this lens is ideal for photographing everything from close-ups of plants to street scenes and landscapes. The bright f/1.8 maximum aperture offers increased control over depth of field and also suits working in a variety of lighting conditions. Complementing this is a five stop-effective image stabilization, which minimizes the appearance of camera shake for sharper handheld shooting. Also, an STM motor affords impressively quiet and smooth autofocus performance and full-time manual focus override. Additionally, a configurable Control Ring lets you adjust exposure settings, including ISO, aperture, and exposure compensation, from the lens itself. Wide-angle prime is designed for use with full-frame Canon RF-mount mirrorless digital cameras. Bright f/1.8 maximum aperture suits working in difficult lighting conditions and also offers increased control over depth of field. Super Spectra coating has been applied to individual elements to minimize ghosting and flare for greater contrast and color neutrality when working in strong lighting conditions. An Optical Image Stabilizer helps to minimize the appearance of camera shake by up to five stops to better enable working in low-light conditions and with slower shutter speeds. Macro design benefits working with close-up subjects and provides a 1:2 maximum magnification along with a minimum focusing distance of 6.7" STM stepping motor offers fast, quiet, smooth, and accurate autofocus performance that is ideal for video recording as well as still shooting. Configurable Control Ring can be used to adjust a variety of exposure settings, including aperture, ISO, and exposure compensation. Rounded nine-blade diaphragm contributes to a pleasing bokeh quality.

Canon EF-70-200mm-F4.0L-USM Lens

Canon EF-70-200mm-F4.0L-USM (EF_70-200mm-F4.0L-USM, EF70-200mm-F4.0L-USM, EF 70-200mm-F4.0L-USM, EF/70-200mm-F4.0L-USM) Lens. A flexible zoom distinguished by its relatively lightweight and compact design, the EF 70-200mm f/4L USM is a Canon L-series optic spanning a useful portrait-length to medium telephoto range. The constant f/4 maximum aperture allows you to maintain a consistent exposure throughout the zoom range and also contributes to the sleeker form factor when compared to other 70-200mm lenses. In regard to its optical performance, this lens employs one fluorite element and two ultra-low dispersion elements, which work in concert to suppress chromatic aberrations and color fringing for notable clarity and color accuracy. A Super Spectra coating has also been applied to control flare and ghosting for improved contrast when working in harsh lighting. Complementing the optical attributes, this lens also features a ring-type USM and internal focusing mechanism for quick, quiet, and accurate autofocus performance, as well as full-time manual focus override. Versatile telephoto zoom is designed for full-frame Canon EF-mount DSLRs, however can also be used with APS-C models where it provides a 112-320mm equivalent focal length range. Constant f/4 maximum aperture affords consistent performance throughout the zoom range and also contributes to the relatively lightweight design and compact form factor. One fluorite element and two ultra-low dispersion glass elements noticeably reduce color fringing and chromatic aberrations for high clarity and color fidelity. Super Spectra coating has been applied to individual elements to minimize ghosting and flare for greater contrast and color neutrality when working in strong lighting conditions. A ring-type Ultrasonic Motor (USM), along with an internal focusing system, is employed to deliver fast, precise, and quiet autofocus performance as well as full-time manual focus override. Focus Limiter switch lets you constrain the focusing to two different ranges to suit different applications: 3.9'-infinity or 9.8'-infinity. Rounded eight-blade diaphragm contributes to a pleasing out of focus quality that benefits the use of shallow depth of field and selective focus techniques. As a member of the esteemed L-series, this lens is sealed against dust and moisture for working in inclement environmental conditions. Optional rotating tripod collar is available and benefits working with the lens atop a tripod or monopod. Compatible with optional EF 1.4X and EF 2X teleconverters.

Canon EF-70-300mm-F4.0-5.6-IS-II-USM Lens

Canon EF-70-300mm-F4.0-5.6-IS-II-USM (EF70-300mm-F4.0-5.6-IS-II-USM, EF 70-300mm-F4.0-5.6-IS-II-USM, EF/70-300mm-F4.0-5.6-IS-II-USM, EF_70-300mm-F4.0-5.6-IS-II-USM) Lens. Spanning a useful telephoto range, the EF 70-300mm f/4-5.6 IS II USM Lens from Canon is a flexible zoom well-suited for a variety of subjects, ranging from portraiture to wildlife. Similarly versatile, the lens utilizes NANO USM technology that combines a fast, stills-optimized ring-type Ultrasonic Motor and a smooth, silent video-optimized Stepping Motor for all-around focusing performance to benefit multimedia image-makers. This dual-purpose AF motor also offers notably quicker performance throughout the zoom range for more responsive shooting from near to far. Additionally, also aiding both photo and movie recording, an Image Stabilizer system compensates for up to four stops of camera shake for sharper handheld shooting when working with slower shutter speeds. Beyond its performance attributes, this lens is also characterized by its unique Lens Information Display, which clearly showcases focus distance, focal length, and stabilizer settings on a top-facing screen for easy recognition. Benefitting optical performance, the lens' construction utilizes one Ultra Low Dispersion (UD) element to control chromatic aberrations and color fringing for improved clarity, and, additionally, a nine-blade diaphragm is used to produce a pleasing bokeh quality for shallow depth of field imagery. Telephoto zoom designed for full-frame Canon EF-mount DSLRs, this lens is also suitable for use with APS-C models where it provides a 112-480mm equivalent focal length range. One UD element is featured in the optical design to noticeably reduce chromatic aberrations and color fringing for increased clarity and improved color fidelity. Lens Information Display on the top of the lens barrel clearly highlights focusing distance, focal length, and Image Stabilizer amount. NANO USM system utilizes both a ring type USM and an STM mechanism to realize quick and accurate focusing that is also smooth and near-silent to suit both photography and video applications. This focusing system also affords full-time manual focus control when working in the one-shot AF mode. An Image Stabilizer compensates for up to four stops of camera shake for sharper handheld shooting when working in difficult lighting conditions and with slower shutter speeds. A circular nine-blade diaphragm contributes to a pleasing bokeh quality when working with selective focus and shallow depth of field techniques.

Canon EF-100mm-F2.8-Macro-USM Macro USM Lens

Canon EF-100mm-F2.8-Macro-USM (EF100mm-F2.8-Macro-USM, EF_100mm-F2.8-Macro-USM, EF 100mm-F2.8-Macro-USM, EF/100mm-F2.8-Macro-USM) Macro USM Lens. Optimized for close-up shooting, the EF 100mm f/2.8 Macro USM from Canon mixes a comfortable short telephoto focal length with a short working distance. As a macro lens, first and foremost, this lens affords a life-size, 1:1 maximum magnification along with a 1' minimum focusing distance and the 100mm focal length is also well-suited for portraiture and other mid-length subjects. Benefitting image quality, one ultra-low dispersion element is featured, which limits color fringing and chromatic aberrations for high clarity, and a Super Spectra coating is also applied to suppress flare and ghosting for improved contrast. A three-group internal floating focusing system is also used to maintain image quality throughout the entire focus range and an Ultrasonic Motor provides quick and quiet autofocus performance, along with full-time manual focus control. Short telephoto prime is designed for full-frame Canon EF-mount DSLRs, however can also be used with APS-C models where it provides a 160mm equivalent focal length. Ideal for macro shooting, this lens offers a life-size 1:1 maximum magnification along with a minimum focusing distance of 1' to suit working with close-up subjects. One ultra-low dispersion (UD) element greatly reduces chromatic aberrations and color fringing for improved clarity and color accuracy. Super Spectra coating has been applied to individual elements to minimize ghosting and flare for greater contrast and color neutrality when working in strong lighting conditions. A ring-type Ultrasonic Motor (USM) is employed to deliver fast, precise, and quiet autofocus performance as well as full-time manual focus override. Three-group floating elements system along with an internal focusing design helps to maintain consistent image quality throughout the focusing range. Focus Limiter switch lets you constrain the focusing to two different ranges for faster focusing performance: 1'-infinity and 1.6'-infinity. Rounded eight-blade diaphragm contributes to a pleasing out of focus quality that benefits the use of shallow depth of field and selective focus techniques. Optional rotating tripod collar is available and benefits working with the lens atop a tripod or monopod.

Canon RF-50mm-F1.2L-USM Lens

Canon RF-50mm-F1.2L-USM (RF_50mm-F1.2L-USM, RF50mm-F1.2L-USM, RF/50mm-F1.2L-USM, RF 50mm-F1.2L-USM) Lens. Distinguished by its speed, the RF 50mm f/1.2L USM from Canon is a desirable normal-length prime due to its versatile focal length and bright f/1.2 maximum aperture. This fast design excels in difficult lighting conditions and also benefits working with shallow depth of field and selective focus techniques. The optical layout incorporates one UD element and one aspherical element, which help to reduce both chromatic and spherical aberrations in order to produce greater clarity and sharpness. A rounded 10-blade diaphragm also benefits bokeh quality to suit isolating subjects with depth of field. Complementing the imaging capabilities is an apt ring-type Ultrasonic Motor, which delivers fast, near-silent autofocus and full-time manual focus override. Additionally, a unique Control Ring is integrated into the lens design for intuitive control over exposure settings from the lens itself. Normal-length prime is designed for full-frame Canon RF-mount mirrorless digital cameras. Exceptionally bright f/1.2 maximum aperture affords extensive control over depth of field for selective focus applications and also benefits working in low-light situations. One UD (Ultra-Low Dispersion) element is featured, and helps to minimize chromatic aberrations and color fringing in order to provide greater clarity and color accuracy. An aspherical element is used to correct spherical aberrations and distortion for improved sharpness and accurate rendering. Ring-type Ultrasonic Motor (USM), along with optimized focusing algorithms and a high-speed CPU, is employed to deliver fast, precise, and quiet autofocus performance as well as full-time manual focus override. Configurable Control Ring can be used to adjust a variety of exposure settings, including aperture, ISO, and exposure compensation. As a member of the esteemed L-series, this lens has a weather-resistant design that protects against dust and moisture to enable its use in inclement conditions. Rounded 10-blade diaphragm contributes to a pleasing bokeh quality.

Canon EF-75-300mm-F4.0-5.6-III-USM Zoom Lens

Canon EF-75-300mm-F4.0-5.6-III-USM (EF_75-300mm-F4.0-5.6-III-USM, EF75-300mm-F4.0-5.6-III-USM, EF/75-300mm-F4.0-5.6-III-USM, EF 75-300mm-F4.0-5.6-III-USM) Zoom Lens. The lightest 4x telephoto zoom lens in its class. Ideal for sports, portraiture, animals, etc. The telephoto effect can make the picture look compressed or have excellent background blur. At the 300mm focal length, you can fill the frame with a postcard from 4.9' away. The Micro-USM autofocus motor is quick, compact and quiet.

Canon EF-70-300mm-F4.5-5.6-DO-IS-USM Zoom Lens

Canon EF-70-300mm-F4.5-5.6-DO-IS-USM (EF_70-300mm-F4.5-5.6-DO-IS-USM, EF70-300mm-F4.5-5.6-DO-IS-USM, EF 70-300mm-F4.5-5.6-DO-IS-USM, EF/70-300mm-F4.5-5.6-DO-IS-USM) Zoom Lens. The Canon EF 70-300mm f/4.5-5.6 DO IS USM Lens is a relatively compact telephoto zoom offering superior maximum-aperture performance across its entire focal length range. It incorporates Canon's DO (Diffractive Optics) and IS (Image Stabilizing) technologies. The use of Diffraction Optics allows a lens to be shorter, lighter, and of higher image quality than comparable normal optical systems of the same focal length and aperture-while this lens is heavier than the consumer-grade EF 70-300mm f/4-5.6 IS USM lens, it is 28% shorter and uses Canon's very best ring-USM motor instead of the lighter, slower, and less costly 'micro-USM' motor. Beyond savings in mass, the DO lens performs admirably at its maximum aperture, with images that are very comparable to the "L" series telephotos. It has a circular aperture diaphragm to help create natural out-of-focus highlights, and its built-in image stabilizer allows you to handhold the lens at shutter speeds 3 steps slower than would otherwise be possible. The lens' AF is super-fast and silent with a ring-type USM that focuses down to 4.6', and features a zoom lock button that keeps the lens safe and secure when not in use or when being used at the shortest 70mm focal length setting. The EF 70-300mm f/4.5-5.6 DO IS USM is an ideal lens for sports, portraiture, animals, and other applications when you're shooting in relatively bright light. An autofocus telephoto zoom lens for both film and digital cameras Excellent maximum-aperture performance across entire zoom range Built-in image stabilizer action can be seen in the viewfinder Allows handheld images at shutter speeds 3 steps slower than without image stabilization Fast, silent autofocus with full-time manual focus override 28% Shorter than normal 70/75-300mm lenses Professionally sealed against moisture and dust ingress A superior performance, ultra-compact telephoto zoom lens with Canon's Image Stabilization. These Diffractive Optics elements are combined to reduce size and boost image quality. With rear focusing, the lens does not change length or rotate during focusing. Circular aperture diaphragm for natural-looking out of focus highlights Uses 58mm filters.

Canon BG-E16 Battery Grip for EOS 7D Mark I

Canon BG-E16 (BG_E16, BGE16, BG E16, BG/E16) Battery Grip for EOS 7D Mark I. Dedicated to the EOS 7D Mark II DSLR, the BG-E16 Battery Grip from Canon offers both enhanced handling capabilities as well as extended battery life. It accepts two LP-E6 lithium-ion battery packs to increase the camera's battery life or, alternatively, AA batteries can be used in conjunction with the included BGM-E16 Battery Magazine. Additionally, the grip is also compatible with the optional ACK-E16 AC Adapter Kit for continuous power. The design of the grip improves shooting in the vertical orientation and also provides an overall more ergonomic structure for holding the 7D Mark II. A second shutter release button, main dial, multi-controller, AF point selection button, AE/FE lock button, AF start button, and multi-function button are all integrated into the grip for improved and versatile handling.

Sony BP-U35 Lithium-ion battery 35Wh

Sony BP-U35 (BPU35, BP_U35, bp-u35) Lithium-ion battery 35Wh The BP-U35 is a 35 Wh capacity lithium ion battery optimised for professional video shooting. Its compact size and low weight make the BP-U35 ideal for high-mobility applications such as gimbal mounting. Battery status data is continuously communicated to the camera. Remaining capacity is displayed on the camera’s LCD monitor and viewfinder, allowing operators to monitor battery status easily and accurately while shooting. The BP-U35 offers higher capacity and faster charging time than the previous generation BP-U30.

Kino Flo X08-F125 25ft Head Extension Cable for FreeStyle T44

Kino Flo X08-F125 (F125, X08_F125, X08/F125, X08-F125) 25ft Head Extension Cable for FreeStyle T44 The 25' Head Extension Cable for FreeStyle T44 from Kino Flo allows you to place the light's controller at a greater distance, from the head to hide it or prevent water damage.

Vocas 0360-0525 15 mm General Lens Support

Vocas 0360-0525 (0360_0525, 0360/0525, 03600525, 0360-0525) 15 mm General Lens Support The Vocas 0360-0525 is a new lens support for 15mm rods which makes the support of any large and heavy lens possible on a wide variety of cameras. the support features a snap-on connection with tight lock, adjustable height for optimal support and a Y-stand with wheels for supporting lenses without connection points, the kit is supplied with 3 different adapters for different types of lens connections.

Vocas 0370-0172 Tilting 15Mm V-Lock Mount Plate

Vocas 0370-0172 (0370_0172, 0370/0172, 03700172, 0370-0172) Tilting 15Mm V-Lock Mount Plate 15 mm Tilting battery adaptor plate including V-lock mount and cable for powering cameras with a 4 pin XLR power socket through V-lock batteries. The V-lock plate features a 10A fuse and 1x unregulated D-Tap. The length of the power cable is 35 cm. This kit consists of a V-lock mount plate (0370-0170), mounted on the tilting battery adaptor plate for 15 mm rails (0370-0110) to provide a complete V-lock powering solution on 15 mm rails. An optional 19 mm adapter (0460-0650) is available to mount the tilting battery plate on 19 mm rails.

Samyang Xeen 135mm T2.2 Canon EF

Samyang Xeen 135mm T2.2 Canon EF(7994) Samyang's XEEN 135mm Cine Lens features an internal focus design so that the lens does not change size while focusing, minimizing breathing. Each lens in the Samyang Xeen cinema lens set is multi-coated for good contrast, glare prevention, and color matched to a factory standard, allowing you to assemble a set over time with minimal color shift. This 135mm focal length is often chosen for portraits and close-ups. The lens features dual-sided focus scales in feet, with dual-sided iris scales. The 11-bladed iris provides a round aperture for natural looking highlights and Bokeh. The lens is a manual focus and iris lens, and does not have auto focus or auto iris capability. It incorporates cinema-style focus and iris gears that share the same position across the lenses in the Xeen set. The common 114mm front diameter allows for quick lens changes when using a matte box and focus accessories. The focus ring rotates 200° from close focus to infinity; this gives you a high degree of precision and consistent focus.

Manfrotto MAN-MBOOMCFVR-L Virtual Reality Carbon Fiber Extension Boom Large

Manfrotto MAN-MBOOMCFVR-L (MANMBOOMCFVR-L, MAN/MBOOMCFVR-L, MAN MBOOMCFVR-L, MAN MBOOMCFVR-L) Virtual Reality Carbon Fiber Extension Boom Large. The VR Large Carbon Fibre Extension Boom is made of high quality carbon fibre that guarantees both maximum rigidity and extreme lightness. With its 6 sections, it reaches a maximum height of 4,7 meters, and is only 1,03 m when closed which makes it easy to carry on 360° shoots. It holds up to 2 kg in its maximum vertical extension. The pole has a double interchangeable attachment on top: by simply screwing the upper disc, users can easily and rapidly move from a ¼” to a 3/8” male attachment, according to the type of 360° device they want to use on top of the boom. Its strong and reliable twist-locks are easy to operate thanks to their rubber grip and guarantee maximum hold when the pole is extended. Thanks to its 3/8” female attachment at the bottom, it is perfect used in combination with the Manfrotto VR Big Carbon Fiber Base, for both indoor and outdoor shooting. It is ideal for tourism, festivals, surveys, construction planning, and many other applications. It provides a new, exciting perspective of landmarks and landscapes at elevated heights.

Canon 3359C003 CN-E 24mm T1.5 FP X Sumire Cinema PL Mount Prime Lens

Canon 3359C003 (cn-e 24mm t1.5 fp x, CN-E24mm T1.5 FP X, CN-E 24mm T1.5 FP X, CN-E 24MM T1.5) CN-E 24mm T1.5 FP X Sumire Cinema PL Mount Prime Lens Subtle, cinematic and expressive. Yet beautifully refined. Designed to offer delicate and subtle rendering of a subject, these seven prime lenses offer fast apertures and precise manual control with a crafted focus bokeh aimed at careful creative expression.Capture every detail with ease Specially designed ‘cinematic look’: A unique optical design offers a nuanced look at the lens’ wider aperture settings, subtly modifying textural renderings for pleasing bokeh with superb expressiveness. PL mount with Full-Frame coverage: The lens offers wide compatibility options for PL mount 35mm Full-Frame and Super 35mm cameras and can be changed to an EF mount at any authorised service facility.  Unified warm colour tone: Sumire primes inherit the same subtle warm colour tone from the Canon cinema lens range, making it easy to change lenses without affecting colour balance.  Fast and bright with beautiful bokeh: A fast T-number is thanks to a large lens diameter and together with an 11-blade iris, offers richer levels of bokeh. The lens design also significantly reduces focus breathing. Fine focusing with filter and gear consistency: With carefully developed focus resistance, delicate focus adjustments can be made over a 300-degree rotation angle. All lenses accept 105mm screw-on filters, have a 114mm diameter lens front and have consistently positioned gears for ease of use.

Hawk-Woods VLM-FX9 V-Lok Camera mount 2x D-TAP for Sony FX9

Hawk-Woods VLM-FX9 - Sony FX9 V-Lok Camera mount 2x D-TAP  The VLM-FX9 is a direct V-Lok fitting for Sony's FX9 camera allowing the user to use higher powered V-Lok batteries rather than BPU batteries which are the standard battery for the FX9 camera.   The adaptor attaches via the lock in mechanism in the FX9's battery compartment and then finally screwed to the top of the camera body to secure in place.   Users have the benefit of 2x Power-con (D-Tap) outputs 11 - 17 volts allowing further equipment/accessories to be powered. 1x 5V 2A USB is also available for powering or charging accessories such as mobile phones.   Power is provided via a short DC jack cable via the FX9's DC Input.   A low voltage warning LED is also situated at the top of the fitting, this is to combat the camera as it will only ever see the 19.5v in the viewfinder. So no warning would be given when the battery is low. The LED will flash at 11.5v, giving you a decent warning to make a change.

Libec RC-70 All-Round Tripod Case (Black)

Libec RC-70 (RC_70, RC/70, RC 70) All-Round Tripod Case (Black) The black Libec RC-70 All-Round Tripod Case is equipped with 2 wheels and can be pulled along by the side handle grip, which allows easy transportation on foot. Damages are prevented by the soft and hard protectors on all sides of the case which absorb impacts, while the inner strap holds the tripod firmly in place. It is designed with high rigidity and can be safely transported as a check-in luggage during flight. Inside the case is a clear, accessory pocket.

Libec RC-50 Tripod Case for RT40RB (Black)

Libec RC-50 (RC_50, RC/50, RC 50) Tripod Case for RT40RB (Black) The black RC-50 Tripod Case for RT40RB from Libec is a heavy-duty, padded case built for strength and the rigors of transportation. Its wide opening end-to-end mouth makes access to your tripod easy and less time consuming. The case is made out of a rugged, water-resistant polyurethane coated polyester. Rubber feet have been incorporated into the bottom of the bag for ground protection and more shock absorption. The RC-50 is carried by its two top intertwined carry handles with plastic grip or its removable shoulder strap. Inside, there's a convenient zippered storage pocket for items such as a pan handle. Designed with end-to-end wide openings, providing quick and easy access to your tripod Surfaces are fully equipped with solid padding to provide shock protection during transportation Made of water-resistant PU (polyurethane) coated polyester equipped with a heavy-duty zip fastener The bottom protector absorbs external impacts during transportation Designed for comfortable use, the main handle is plastic-gripped. A tough side-handle is attached and also comes with a detachable padded shoulder strap Equipped with an inner pocket to store accessories such as a panhandle  

Libec CABLE5000 Control Cable for REMO30 Remote Head

Libec CABLE5000 (CABLE-5000, CABLE/5000, CABLE 5000) Control Cable for REMO30 Remote Head The LANC 50m CABLE5000 Control Cable from Libec is designed to control the pan/tilt movement of the REMO30 Remote Head. Ensures transmission of signal images

Dedolight DPL50M 50mm f/2.8 Projection lens for DP1.1, DP2.1, DP1S and DP2S Imagers

Dedolight DPL50M (DL-DPL50M, DL/DPL50M, DL_DPL50M, dpl50m) 50mm f/2.8 Projection lens for DP1.1, DP2.1, DP1S and DP2S Imagers Produce a defined light with a clean shadow and contrast with this 50mm Projection Lens from Dedolight. Designed for the DP1- and DP2-series imagers, this lens will help you control the beam angle and focus the light. It also features a large f/2.8 aperture to ensure a high light output. And, thanks to a durable all-metal and heat-resistant construction, users will be able to use it without worry on their light heads.

Dedolight DPLZ150M 85-150mm f/3.5 Zoom Projection Lens

Dedolight DPLZ150M (DL-DPLZ150M, DL/DPLZ150M DL_DPLZ150M, dplz150m) 85-150mm f/3.5 Zoom Projection Lens Projection lenses are specifically designed for the Dedolight system. They are high quality lenses with metal barrels designed to withstand high heat.

Dedolight DT4-BAT DC electronics for DLED4-D

Dedolight DT4-BAT (DT4/BAT, DT4_BAT, dt4-bat) DC electronics for DLED4-D 100-0Percent dimmable ballast with a D-Tap connector. Input is 10.2-18.0 VDC. (Approx. DDCC Cable or DLPS12-60 Power Supply Required)

Hawk-Woods VL-HS1 Alexa Mini Hot Swap - XLR

Hawk-Woods VL-HS1 (VL_HS1, VL/HS1, VL HS1) Alexa Mini Hot Swap - XLR Hawk-Woods V-Lok 15mm Alexa Mini/Amira adapter offers the user the use of V-Lok batteries. This adapter comes fully equipped with outputs consisting of 4x Power-con (D-Tap), 2x Lemo and 2x RS 24v Regulated outputs. This adapter offers you a hot swap solution, with a chassis mounted XLR on the side of the adapter, allowing you the use of 24v floor batteries. The product has been fitted with 12v regulators on the D-TAPs and Lemos so they will never see the 24v.  The camera will always select the battery with the highest voltage until they meet the same, then they will run down together. VL-HS1 comes with a fixed flying lead to the camera.

Hawk-Woods VL-2X2C V-Lok 2-ch Simultaneous Ultra Fast Charger

Hawk-Woods VL-2X2C (VL_2X2C, VL/2X2C, VL 2X2C) V-Lok 2-ch Simultaneous Ultra Fast Charger This dual compact V-Lok charger is Hawkwoods take on the VL-2X2 providing users with a more compact, sturdy solution for charging two V-Lok batteries simultaneously. The new design offers a sleek look with improved latch for adding and removing batteries. LED indicators are also fitted (for instructions see manual supplied) and the fixed handle has been replaced with a soft leather strap. The VL-2X2C charges at a faster rate compared to the VL-2X2P

Hawk-Woods VLM-B1 Mini V-Lok Battery Belt-Single Fitting

Hawk-Woods VLM-B1 (VLM_B1, VLM/B1, VLM B1) Mini V-Lok Battery Belt-Single Fitting The VLM-B1 is a high quality leather battery belt which is manufactured in the UK by Hawk-Woods. This belt will allow you to attach mini V-Lok batteries, this particular belt offers a single fitting, the fitting sits flush with the belt which makes this more comfortable to wear. This product is very handy for powering equipment on locations and ideal for maneuverability. This is also highly convenient for taking the weight off the camera, making light work of the task! For longer run times please refer to VLM-B2 this will offer 2x mini-vl fitting plates. Should you require different connectors or further connectors please ask before ordering via your chosen re-seller!

Hawk-Woods VLM-AS1 Atomos Inferno Mini V-Lok Monitor Fitting

Hawk-Woods VLM-AS1 (VLM_AS1, VLM/AS1, VLM AS1) Atomos Inferno Mini V-Lok Monitor Fitting Atomos Inferno Mini V-Lok monitor fitting    The adapter is designed to work with the Shogun/Ninja - Inferno/Flame range of monitors, this adapter will simply mount to the rear of the monitor allowing the use of V-Lok batteries.   A fixed flying lead will provide power to the monitor DC input.   Using the MINI V-Lok battery system, will keep weight to a minimum, however provide plenty of power to the monitor allowing you to run for longer with less battery changes. This is massive improvement from running off the Sony NPF batteries.

Hawk-Woods VLM-DC6X Mini V-Lok 15mm 12v (Reg) Power Adaptor

Hawk-Woods VLM-DC6X (VLM_DC6X, VLM/DC6X, VLM DC6X) Mini V-Lok 15mm 12v (Reg) Power Adaptor Hawk-Woods MINI version of VL-DC6X is now available. The VLM-DC6X offers a single VL fitting plate with an anodized deep back box for housing connectors and potential outputs such as fixed flying leads. The 15mm clamp is mounted to the fitting plate, this can be removed if required. This adaptor offers 4x D-TAP outputs (12v regulated). There is an option to have a fixed cable fitted to the product, please refer to our sales team or your local dealer to do this.

Hawk-Woods VLM-DC6 15mm Mini V-Lok Fitting

Hawk-Woods VLM-DC6 (VLM_DC6, VLM/DC6, VLM DC6) 15mm Mini V-Lok Fitting Hawk-Woods MINI version of VL-DC6 is now available. The VLM-DC6 offers a single V-Lok fitting plate with an anodized deep back box for housing connectors and potential outputs such as fixed flying leads. The 15mm clamp is mounted to the fitting plate, this can be removed if required.  This adaptor offers 4x D-TAP outputs (un-regulated) and 1x USB which is 5V 2A. There is an option to have a fixed cable fitted to the product, please refer to our sales team or your local dealer

Hawk-Woods VL-MCF2 RED Mini V-Lok Hotswap Camera Fitting

Hawk-Woods VL-MCF2 (VL/MCF2, VL_MCF2, VL MCF2) RED Mini V-Lok Hotswap Camera Fitting Hawk-Woods VL-MCF2 is a V-Lok fitting plate to dual V-Lok camera plate for the mini V-Lok battery system.  The adaptor will allow you to hot-swap your mini V-Lok batteries from Hawk-Woods’ current range of batteries VL-M100 and VL-M150.  This setup for the mini batteries is similar to the stack-able battery systems currently available on the market for continuous power to your equipment, however, differs in the advantage that you do not need to carry around dead weight, your batteries are technically always working with you and for you!  This adapter has been fitted with an intelligent LED system to determine battery status against the total amount of current being drawn this will give you the confidence to know when your battery needs to be changed. The LED will come on and flash at 12.7v and under meaning that your battery will soon need to be changed.  Unit comes equipped and fitted with 1x Power-con outputs.

Hawk-Woods VL-MX8 8-Channel Mini V-Lok Charger

Hawk-Woods VL-MX8 (VL_MX8, VL/MX8, VL MX8) 8-Channel Mini V-Lok Charger Our latest 8-channel V-Lok semi-sequential charger simultaneously charges four batteries at any one time, which then moves onto the other four channels. Given the chargers capability of charging 8x batteries the MX8 is still relatively small and compact compared to other chargers on the market which are of a similar size and only four channels. A fantastic option for charging your kit of batteries from a single solution. Channels one to four will charge firstly, these fittings are labelled at the front and side of charger. Channels five to eight will then charge once the charge has completed on the previous set. LED's fitted for battery status, also fitted with soft leather carry handle.

Swit LB-SU98 98Wh Battery type BP-U

Swit LB-SU98 (LB_SU98, LB/SU98, LB SU98) 98Wh Battery type BP-U The highest quality battery for cameras and professional equipment, for everyday work. Durability and reliability outweight . Built-in D-tap and USB sockets. The battery does not produce uncomfortably from the equipment and at the same time has a very large capacity and low weight. Communication with camera viewfinders. A whole range of chargers is available.    

Swit PC-P430A 4-Channel Gold Mount Battery Charger

Swit PC-P430A (PC_P430A, PC/P430A, PC P430A) 4-Channel Gold Mount Battery Charger PC-P430A can charge 4pcs Gold Mount camera batteries simultaneously. The charging output is DC16.8V, 3A each channel. LED Charging Indicators for Each Channel The PC-P430A has LED charging indicators on the front panel, indicates the real time capacity of each channel by different colors:Display Red: Battery is charging, capacity below 80%; Display Yellow: Battery is charging, capacity above 80%; Display Green: Charging finished.. AC-DC Adapting Output PC-P430A has 2x 4-pin XLR female connector on the front panel. Connected with SWIT S-7102 XLR female to male cable (optional purchase), the PC-P430A can be used as AC-DC adaptor of 2-ch DC 15V, 6A, 90W simultaneous output. Please note the AC-DC adapting output will not work when battery is charging.

Swit S-3822A 2-Channel Gold Mount Charger

Swit S-3822A (S_3822A, S/3822A, S 3822A) 2-Channel Gold Mount Charger The portable charger S-3822A can charge 2 Gold mount batteries simultaneously. The charging output is DC 16.8V, 3A×2. S-3822A has LED charging indicators on the front panel, indicates the real time capacity of each channel by different colors. S-3822A has a 4-pin XLR female connector on the front panel.

Swit S-3812A 2-Channel Gold mount Fast Charger

Swit S-3812A (S_3812A, S/3812A, S 3812A) 2-Channel Gold mount Fast Charger S-3812A can charge 2 Gold mount batteries simultaneously at Max 6A fast charging current, to SWIT particular batteries. The charging speed is quite faster than normal chargers. The following battery models support 6A fast charging: D-8161A, S-8180A, S-8113A, S-8183A And for other batteries, the charging current is 3A.  

Swit S-8180A 220Wh High Load Gold Mount Battery Pack

Swit S-8180A (S_8180A, S/8180A, S 8180A) 220Wh High Load Gold Mount Battery Pack Normal Li-ion batteries offer 100W/8A output and suitable for most ENG cameras, but the Cine Cameras such as ALEXA require around 85W high draw which is too heavy for the normal Li-ion batteries: the battery life will be reduced if long time full draw powering. Moreover, if there’re monitor, lighting work together, and total power will be above 100W, and the normal batteries can not draw completely. Using S-8180A high-load battery, you can get MAX 140W/12A constant power output, which can drive more high power cameras, lightings and other equipments easily, and won’t reduce battery life during long time high power output.

Swit S-8110A 146Wh Gold Mount Battery Pack

Swit S-8110A (S_8110A, S/8110A, S 8110A) 146Wh Gold Mount Battery Pack S-8110A is the AntonBauer gold mount rechargeable Li-ion battery pack for professional video cameras.

Swit S-8113A 160Wh Gold Mount Battery Pack

Swit S-8113A (S_8113A, S8113A, S/8113A) 160Wh Gold Mount Battery Pack Normal Li-ion batteries offer 100W/8A output and suitable for most ENG cameras, but the Cine Cameras such as ALEXA require around 85W high draw which is too heavy for the normal Li-ion batteries: the battery life will be reduced if long time full draw powering. Moreover, if there’re monitor, lighting work together, and total power will be above 100W, and the normal batteries can not draw completely. Using S-8113A high-load battery, you can get MAX 150W/12A constant power output, which can drive more high power cameras, lightings and other equipments easily, and won’t reduce battery life during long time high power output.

Swit S-8083A 130Wh Gold Mount Battery Pack

Swit S-8083A (S_8083A, S/8083A, S 8083A) 130Wh Gold Mount Battery Pack S-8083A is the AntonBauer gold mount rechargeable Li-ion battery pack for professional video cameras.It’s compact design, smaller in size. 130Wh / 9.2Ah Capacity Consists of 12pcs 18650 battery cells, and reaches 130Wh/9.2Ah high capacity.Run approx 4 hours for normal 30W ENG cameras. AntonBauer Gold Mount Connection S-8083A is compatible with AntonBauer Gold mount type power system and we adopt the high quality connection bolts that ensure the reliable mounting. Build-in D-tap DC Output Socket A D-tap DC output socket is equipped on the top side of S-8083A battery, for DC14.4V (Nominate) connection, such as on-camera lights, monitors, wireless transmitter, etc.

Swit PB-S220A 220Wh Multi-sockets Square Digital Battery Pack

Swit PB-S220A (PB_S220A, PB/S220A, PB S220A) 220Wh Multi-sockets Square Digital Battery Pack PB-S series camera batteries are compact designed, shorter than normal batteries, and match perfectly with most of the Cine-cameras. Consists of 24pcs of high class 18650 battery cells, nominal voltage is 14.4V and reaches 220Wh / 15.3Ah high capacity. Can run approx 7 hours for normal ENG cameras and approx 2.5 hours for ARRI ALEXA.  Normal Li-ion batteries offer 100W/8A output and suitable for most ENG cameras, but the Cine Cameras such as ALEXA require around 85W high draw which is too heavy for the normal Li-ion batteries: the battery life will be reduced if long time full draw powering. Moreover, if there’re monitor, wireless system work together, and total power will be above 110W, and the normal batteries cannot draw completely. Using PB-S220A high-load battery, you can get MAX 150W/12A constant power output, which can drive more high power cameras, LCD Monitor and other equipments easily, and won’t reduce battery life during long time high power output.  PB-S220A is equipped with 4 D-tap DC output sockets, Max total load is 120W/10A, which can power other on-camera equipments together. PB-S220A is equipped with 1x USB 5V/2A output, which can be used to charge mobile phones, tablets and other portable devices. PB-S220A supports 6A fast charging by SWIT S-3812 fast charger, to save more than 50% charging time. The 220Wh PB-S220A battery can be charged from 0 to 80% after 2.3 hours, and fully charged within 3.5 hours.  The build-in LCD can displays remaining power percentage, remaining working time, low power warning, and battery cycle times, and support viewfinder info display on both SONY and RED cameras.

Swit PB-S98A 98Wh Multi-sockets Square Digital Battery

Swit PB-S98A (PB_S98A, PB/S98A, PB S98A) 98Wh Multi-sockets Square Digital Battery PB-S series camera batteries are compact designed, shorter than normal batteries, and match perfectly with most of the Cine-cameras. Consists of 12pcs of high class 18650 battery cells, nominal voltage is 14.4V and reaches 98Wh / 6.6Ah high capacity. Can run approx 3 hours for normal ENG cameras. PB-S98A is equipped with 2 D-tap DC output sockets, which can power other on-camera equipments together. The Max output current of D-tap is 8A, 100W. PB-S98A is equipped with 1x USB 5V/2A output, which can be used to charge mobile phones, tablets and other portable devices. The build-in LCD can displays remaining power percentage, remaining working time, low power warning, and battery cycle times, and support viewfinder info display on both SONY and RED cameras.

Swit S-4030 Power Station Box (Dual 24V)

Swit S-4030 (S_4030, S/4030, S 4030) Power Station Box (Dual 24V) S-4030 power station box can install 4 pieces of V-mount batteries which can provide more power and longer power supply time comparing to single Li-ion battery. It can meet the demand of different users, and is very suitable for Cine cameras, lightings for Film & Television and mobile studios.

Swit S-4020 Power Station Box (12V/24V)

Swit S-4020 (S_4020, S/4020, S 4020) Power Station Box (12V/24V) S-4020 power station box can install 4 pieces of V-mount batteries which can provide more power and longer power supply time comparing to single Li-ion battery. It can meet the demand of different users, and is very suitable for Cine cameras, lightings for Film & Television and mobile studios.

Swit S-4010 Power Station Box (Dual 12V)

Swit S-4010 (S_4010, S/4010, S 4010) Power Station Box (Dual 12V) S-4010 power station box can install 4 pieces of V-mount batteries which can provide more power and longer power supply time comparing to single Li-ion battery. It can meet the demand of different users, and is very suitable for Cine cameras, lightings for Film & Television and mobile studios.

Swit PC-P430S 4-Channel V-Mount Battery Quick Charger

Swit PC-P430S (PC_P430S, PC/P430S, PC P430S) 4-Channel V-Mount Battery Quick Charger PC-P430S can charge 4pcs V-mount camera batteries simultaneously. The charging output is DC16.8V, 3A each channel. The PC-P430S has LED charging indicators on the front panel, indicates the real time capacity of each channel by different colors:Display Red: Battery is charging, capacity below 80%; Display Yellow: Battery is charging, capacity above 80%; Display Green: Charging finished. AC-DC Adapting Output  PC-P430S has 2x 4-pin XLR female connector on the front panel. Connected with SWIT S-7102 XLR female to male cable (optional purchase), the PC-P430S can be used as AC-DC adaptor of 2-ch DC 15V, 6A, 90W simultaneous output. Please note the AC-DC adapting output will not work when battery is charging.

Swit S-8180S 220Wh High Load V-mount Battery

Swit S-8180S (S_8180S, S/8180S, S 8180S) 220Wh High Load V-mount Battery Normal Li-ion batteries offer 100W/8A output and suitable for most ENG cameras, but the Cine Cameras such as ALEXA require around 85W high draw which is too heavy for the normal Li-ion batteries: the battery life will be reduced if long time full draw powering. Moreover, if there’re monitor, lighting work together, and total power will be above 100W, and the normal batteries can not draw completely. Using S-8180S high-load battery, you can get MAX 140W/12A constant power output, which can drive more high power cameras, lightings and other equipments easily, and won’t reduce battery life during long time high power output.

Swit PB-M98S 98Wh Pocket V-mount Battery

Swit PB-M98S (PB_M98S, PB/M98S, PB M98S) 98Wh Pocket V-mount Battery The brick size V-mount batteries are always too big and heavy for field shootings, especially the handheld stabilizers, focus puller monitor, portable LED panel, or small cameras. PB-M98S Pocket V-mount battery is designed for the above applications! It’s only a DV battery size, with high capacity cells and still reaches 98Wh, and without any compromise on the DC sockets!

Swit S-8183S 240Wh High Load V-mount Battery

Swit S-8183S (S_8183S, S/8183S, S 8183S) 240Wh High Load V-mount Battery Normal Li-ion batteries offer 100W/8A output and suitable for most ENG cameras, but the Cine Cameras such as ALEXA require around 85W high draw which is too heavy for the normal Li-ion batteries: the battery life will be reduced if long time full draw powering. Moreover, if there’re monitor, lighting work together, and total power will be above 100W, and the normal batteries can not draw completely. Using S-8183S high-load battery, you can get MAX 180W/15A constant power output, which can drive more high power cameras, lightings and other equipments easily, and won’t reduce battery life during long time high power output.

Swit S-8113S 160Wh V-mount Battery

Swit S-8113S (S_8113S, S/8113S, S 8113S) 160Wh V-mount Battery Normal Li-ion batteries offer 100W/8A output and suitable for most ENG cameras, but the Cine Cameras such as ALEXA require around 85W high draw which is too heavy for the normal Li-ion batteries: the battery life will be reduced if long time full draw powering. Moreover, if there’re monitor, lighting work together, and total power will be above 100W, and the normal batteries can not draw completely. Using S-8113S high-load battery, you can get MAX 150W/12A constant power output, which can drive more high power cameras, lightings and other equipments easily, and won’t reduce battery life during long time high power output. 160Wh / 11.1Ah High Capacity Consists of 16pcs 18650 battery cells, and reaches 160Wh/11.1Ah high capacity. run approx 5 hours for normal 30W ENG cameras. 6A Fast Charging S-8113S supports 6A fast charging, to save more than 50% charging time, can be charged from 0 to 80% after 1.5 hours, and fully charged within 2.5 hours.  Build-in D-tap DC Output Socket A D-tap DC output socket is equipped on the top side of S-8113S battery, for DC14.4V (Nominate) connection, such as on-camera lights, monitors, wireless transmitter, etc.. The Max Power from D-tap is 120W, 10A. 4-level LED Power Indicator On the side of the battery, there’re 4-level LED power indicators to check the battery remaining capacity. You can get a quick view of capacity before using.  

Swit S-8083S 130Wh V-mount Battery

Swit S-8083S (S_8083S, S/8083S, S 8083S) 130Wh V-mount Battery S-8083S is the V-mount rechargeable Li-ion battery pack for professional video cameras. It’s compact design, smaller in size.

Swit PB-S220S 14.4V 220Wh Multi D-Tap Heavy-Duty Digital Battery (V-Mount)

Swit PB-S220S (PB_S220S, PB/S220S, PB S220S) 14.4V 220Wh Multi D-Tap Heavy-Duty Digital Battery (V-Mount) The SWIT PB-S220S 14.4V 220Wh Multi D-Tap Heavy-Duty Digital Battery, featuring a V-mount, has a short, square-shaped design and provides up to 150W/12A continuous output. This makes it suitable for up to the most demanding cine-cameras along with monitors and other accessories. With 220 watt hours, the PB-S220S delivers approximately 2.5 hours of power to the ARRI ALEXA and 7 hours to ENG cameras. In addition to this, it offers four D-Tap outputs — meaning you won't need splitters if you have multiple accessories to power — and a USB port for charging mobile devices. The battery has an intelligent LCD that displays remaining runtime in minutes when the battery is in use and as a percentage value when not in use or when charging. When remaining runtime is less than 15 minutes, the LCD will flash as a warning. It'll also show a warning signal with a specific warning code if the battery detects over-discharging, over-charging, circuit issues, and the like. A long press of the power-check button will display the battery's cycle times on the LCD. The PB-S220S also communicates runtime info to RED and Sony viewfinders. This battery also supports fast charging at 6A using the optional SWIT S-3812S charger, which charges 0 to 80% of the battery in 2.3 hours and provides a full charge in 3.5 hours.

Swit PB-S98S 14.4V 98Wh Dual D-Tap Heavy-Duty Digital Battery (V-Mount)

Swit PB-S98S (PB_S98S, PB/S98S, PB S98S) 14.4V 98Wh Dual D-Tap Heavy-Duty Digital Battery (V-Mount) The SWIT PB-S98S 14.4V 98Wh Dual D-Tap Heavy-Duty Digital Battery, featuring a V-mount, has a short, compact design and provides up to 100W/8A continuous output. While it's suitable for most cameras and devices and it can power an ENG camera for approximately 3 hours, its small size also makes it ideal for drones and other mobile applications. In addition to this, the PB-S98S offers two D-Tap outputs for powering accessories and a USB port for charging mobile devices. The battery has an intelligent LCD that displays remaining runtime in minutes when the battery is in use and as a percentage value when not in use or when charging. When remaining runtime is less than 15 minutes, the LCD will flash as a warning. It'll also show a warning signal with a specific warning code if the battery detects over-discharging, over-charging, circuit issues, and the like. A long press of the power-check button will display the battery's cycle times on the LCD. The PB-S98S also communicates runtime info to RED and Sony viewfinders.

Marshall CV-H20-HF Compact Weatherproof Housing with Fan & Heater for Camera

Marshall CV-H20-HF (CV_H20_HF, CV/H20 HF, CV H20/HF) Compact Weatherproof Housing with Fan & Heater for Camera Compact Weatherproof Housing with Fan & Heater for CV343/CV350/CV365/CV342 Camera.

Marshall CS-0734-12MP CS-Mount 7-34mm Varifocal Lens

Marshall CS-0734-12MP (CS_0734_12MP, CS/073412MP, CS 0734 12MP) CS-Mount 7-34mm Varifocal Lens The CS-Mount 7-34mm Varifocal Lens from Marshall Electronics is designed for use with 12MP cameras that have a 1/1.7" sensor. This lens has a 7-34mm focal length with a 53.6-16.7° horizontal field of view. It features a DC auto iris, along with manual operation of zoom and focus.

Marshall CS-1040-8MP 8MP 4K/UHD 10-40mm Varifocal CS Mount Lens

Marshall CS-1040-8MP (CS_1040_8MP, CS 1040 8MP, CS/1040/8MP) 8MP 4K/UHD 10-40mm Varifocal CS Mount Lens The CS-1040-8MP is a 8MP 10-40mm F1.4-F1.7 4K/UHD varifocal CS mount lens for the CV420-CS and CV420-CS true 4K60 compact cameras.

Marshall CV-LENS-PACK Electronics CV Lens Pack

Marshall CV-LENS-PACK (CV_LENS_PACK, CV/LENS/PACK, CV LENS PACK) Electronics CV Lens Pack The Marshall Electronics CV Lens Pack is an addition to the CV505-M Mini Broadcasting Camera and includes 6 lenses (2.3mm, 2.8mm, 6mm, 8mm, 12mm, and 16mm). This CV Lens Pack has been designed and manufactured with the utmost precision, and incorporates lenses with improved image quality to maximise the capability and performance for a wider variety of applications such as security, broadcast TV, and sport. Compatible with most Marshall cameras.

IDX VL-4X System Technology VL-4X 4-Channel V-Mount Charger with Power Supply

IDX VL-4X (VL_4X, VL/4X, VL 4X) System Technology VL-4X 4-Channel V-Mount Charger with Power Supply The VL-4X 4-Channel V-Mount Charger with Power Supply from IDX supports lithium-ion V-mount batteries and features sequential charging for four batteries, automatically switching to the second battery after fully charging the first, and it features simultaneous charging for two batteries when on opposite sides. It delivers up to 2.7A of quick-charge current without the noise of a typical charger thanks to a fanless design. This portable desktop charger is designed with reliable internal safety features that protect both the battery and charger from damage should faulty or misused batteries be placed on the charger. It will automatically stop charging if any attached battery reaches an overvoltage condition. It features a support stand to keep the charger upright on a flat surface.

Samyang 8008 14mm F2.8 AF Lens - Canon EF Mount

Samyang 8008 (SMY-8008, SMY/8008, SMY 8008, SMY_8008, smy-8008) 14mm F2.8 AF Lens - Canon EF Mount The AF 14mm F2.8 EF is Samyang's first autofocus lens designed for Canon full frame DSLR cameras. This light weight wide-angle lens inherits the renowned image quality of Samyang’s wide angle series and importantly, the minimised weight and motion of the focusing lens group enables fast, quiet and precise autofocus. With a total of 15 lens elements in 10 groups, this lens uses 7 special optical elements to maximise image quality. The use of 2 aspherical lenses, 4 high-refractive lenses, and 1 extra-low dispersion lens minimises distortion and aberrations while producing crystal clear resolution. Ultra Multi Coating effectively eliminates flare and ghosting to improve resolution even further. The remarkably even image quality from centre to edge of the wide 116.6 degree angle of view is very apparent on the MTF chart. This compact Samyang AF 14mm F2.8 EF weighhs only 485g (without lens caps and hood) and is the ideal travel partner to capture unforgettable moments along your journey. Weather-sealing and a built-in AF/MF switch increase usability. Beautiful bokeh and star effects can be achieved thanks to the wide aperture and 7 rounded diaphragm blades

Swit S-3822S 2-Channel V-mount Charger

Swit S-3822S (S_3822S, S/3822S, S 3822S) 2-Channel V-mount Charger The portable charger S-3822S can charge 2 V-mount batteries simultaneously. The charging output is DC 16.8V, 3A×2. 2-ch Simultaneous Charger Charging current: 3A per channel. LED Charging Indicators S-3822S has LED charging indicators on the front panel, indicates the real time capacity of each channel by different colours: Display Red: Battery is charging, capacity below 80%; Display Yellow: Battery is charging, capacity above 80%; Display Green: Charging finished. AC-DC Adapting Output S-3822S has a 4-pin XLR female connector on the front panel. Connected with SWIT S-7102 XLR female to male cable (optional purchase), the S-3822S can be used as AC-DC adaptor of DC 14.4V, 5A, 72W output. Please note the AC-DC adapting output will not work when battery is charging. Optimal Charging Curve Li-ion charging follows a two-period approach. The first period is constant-current. The battery is charged at the maximum charging rate. When the battery reaches a specified set-point voltage, charging circuits switch to the second period: the constant-voltage period. The charging circuit will provide only enough current to maintain the voltage, to prevent the battery from over charging. Multiple Safety Protection Design SWIT charger can identify different chemical types of batteries, and provide the correct charging program, to protect the batteries from over current, over charging, high temperature, etc.

Samyang 7493 135mm f/2.0 ED UMC Lens for Canon EF Mount

Samyang 7493 (SMY-7493, SMY/7493, SMY 7493, SMY_7493, smy-7493) 135mm f/2.0 ED UMC Lens for Canon EF Mount Work in low light and capture images with exceptional "bokeh" with the 135mm f/2.0 ED UMC Lens from Samyang, available here for Canon EF mount full frame & APS-C cameras. This all-manual telephoto prime offers a flattering perspective well-suited to portraits and other sensitive subject matter, and the fast f/2.0 maximum aperture helps ensure the image will be bright and have an extremely shallow depth-of-field. Also, this lens features one extra-low dispersion element to reduce the impact of chromatic aberrations in the final image as well as an Ultra Multi-Coating to reduce flare and ghosting. A large manual focus ring as well as a physical aperture ring are available on the lens barrel for making smooth, deliberate adjustments. Also, this lens has a minimum focus distance of 2.6' and a front filter thread diameter of 77mm. Assisting with smooth, pleasing out-of-focus elements is a circular 9-blade diaphragm. Additionally, it comes with a removable lens hood and soft pouch.

Portabrace SLR-1 DSLR Carrying Case (Blue)

Portabrace SLR-1 (SLR_1, SLR/1, SLR 1) DSLR Carrying Case (Blue) The SLR Camera Cases is a durable case for field photography. There is a padded, rigid-frame interior with adjustable camera tie-down strap that secures your camera in place. A padded divider-kit system organizes and protects camera & accessories. Carry using the suede handles or comfortable shoulder strap.

Portabrace RS-NX5UB Compact HD Rain Slicker (Black)

Portabrace RS-NX5UB (RS_NX5UB, RS/NX5UB, RS NX5UB) Compact HD Rain Slicker (Black) The Compact HD Rain Slicker RS-NX3/1 is custom fit to the Sony HXR-NX5U camera model. Velcro-sealed flaps, clear vinyl windows and zippered openings provide maximum protection and optimum ease of operation. Special triple-layer, tricot-finished, nylon is used around the body of the camera to repel water at the case surface.  Cameras with fold-out video screens are shrouded with a black fabric hood that makes viewing LCD monitors easier on sunny days.

Portabrace RS-C3500II Rain Slicker for C100/C300/C300 II/C500 Camera

Portabrace RS-C3500II (RS_C3500II, RS/C3500II, RS C3500II) Rain Slicker for C100/C300/C300 II/C500 Camera Protect your Canon C300 Mark II or C500 from rain and dust. The RS-C3500II is made from Nylon Taslan material with a soft tricot interior that won't scratch your equipment. The Taslan material is both waterproof (1000MM waterproof rating) and breathable (1000G/M² breathability rating), which keeps the camera dry while also preventing the camera from overheating. A clear Vinyl window provides an unobstructed view of the controls. The RS-C3500II can be used with view-finder and shoe-mount grip in place.

Portabrace RS-C200 Custom-Fit Rain Cover for Canon C200 Camera

Portabrace RS-C200 (RS_C200, RS/C200, RS C200) Custom-Fit Rain Cover for Canon C200 Camera Protect your Canon C200 from rain and dust. The RS-C200XL is made from Nylon Taslan material with a soft tricot interior that won't scratch your equipment. The Taslan material is both waterproof (1000MM waterproof rating) and breathable (1000G/M² breathability rating), which keeps the camera dry while also preventing the camera from overheating. A clear Vinyl window provides an unobstructed view of the controls. The RS-C200XL can be used with view-finder and shoe-mount grip in place.

Portabrace QS-2 Quick Slick Camera Case

Portabrace QS-2 (QS/2, QS_2, QS 2) Quick Slick Camera Case The Porta Brace QS-2 Quick Slick Camera Case is a quick to put on, compact rain and dust protection case for basic camcorder configurations. The Lens gasket grips lens shade for a quick easy seal against wind driven elements. Easy access is accomplished with a fold over top cuff that seals around light post and shoulder straps. It opens wide for tape exchanges. The Quick Slick is designed for camcorders with an internal focus lens and stock microphone. The Combination of zipper and stretchy neoprene makes the viewfinder easy to put on then snug up for tight fit. It has a Neoprene microphone opening, viewfinder seal, light post access, waterproof handle access, a vinyl window for visual checks, a tight lens seal and a full skirt for tripod use.

Portabrace POL-PXWZ280 Polar Mitten Camera Case for Sony PXW-Z280

Portabrace POL-PXWZ280 (POL_PXWZ280, POL/PXWZ280, POL PXWZ280) Polar Mitten Camera Case for Sony PXW-Z280 Polar Mitten Camera Cases are designed to keep your camera functioning properly in cold weather.  They are thickly padded with high-loft insulation material.  Air-activated warmers are placed along the case interior to keep battery, recorder, lens and hands warm in extreme cold temperatures (Tested at –50 degrees Fahrenheit). The insulated lens cap protects the lens in transport and also prevents condensation from forming when bringing the camera in from the cold. Each Polar Mitten Case comes with 4 air-activated heat packs.  Additional packs (PHP-2) can be ordered directly. 

Sony CAT-G128 G-Series 128GB 530MB/s CFast 2.0 Card

Sony CAT-G128 (CAT_G128, CAT/G128, CAT G128) G-Series 128GB 530MB/s CFast 2.0 Card The Sony CFast 2.0 G Series memory card offers the speed and capacity that pros and prosumers need. Whether for photography, broadcast, or cinema, the top write speed of up to 510MB/s enables continuous raw burst shooting, and top read speed of up to 530MB/s allows fast transfer of large files including 4K videos. VPG1302 support ensures a minimum 130MB/s sustained write speed for cinema-quality video recording.

Sony SV-GS96B 960GB Solid State Drive with up to 500MB Transfer Speeds

Sony SV-GS96B (SV_GS96B, SV/GS96B, SV GS96B) 960GB Solid State Drive with up to 500MB Transfer Speeds Highly durable, long-lifetime SSD for 4K and HD professional video recordings G series Professional Solid State Drive (SSD) provides reliable, high-speed, high capacity memory able to handle the high bitrates of 4K recordings for video recording devices on even the most demanding productions. The SV-GS96 provides 960GB. The professional SSD utilizes Sony’s unique advanced error correction technology to radically extend the life-time of the unit, up to 2400TBW (Terabytes Written). This means the 960GB model can be used for 10 years even if it is fully written with data five times a week. The unit is further protected by Sony’s original data protection technology to ensure less data loss even if there is a sudden power loss while shooting. The professional SSD also has a durable connector for additional security in harsh conditions. Highly durable, long-lifetime professional SSD, reduces Total Cost of Ownership Sony’s unique, advanced ECC (Error Correction Code) technology increases total Terabytes Written (TBW), which leads to a longer lifetime. Up to a total 2400TB of data can be written before the SSD reaches its limitation of write cycles. This means the 960GB model can be used for 10 years even if it is fully written with data five times a week. This longer lifetime contributes to extended replacement cycles of SSD and reduces TCO (Total Cost of Ownership). Stable, ultra-fast data writing speed ideal for higher bit rate 4K video recordings Sony’s intelligent Garbage Collection function ensures stable recordings of high bit rate 4K video without frame dropping. High reliability with data protection technology to protect against sudden power failure Sony’s original data protection technology protects data even if a sudden power failure occurs while shooting. It ensures that data is less damaged or lost if there is a sudden power shutoff while writing data onto the SSD. Durable connector for professional use A durable connector protects against harsh shooting conditions. G series Professional SSD has a durable connector that has passed the severe test of repeat insertion/removal 3000 times*, compared to six times for SATA standard. This gives professionals additional security when working in harsh conditions. Based on Sony internal testing. Actual performance may vary. Based on environmental conditions and usage. 960GB and 480GB SSD options The SV-GS96 provides 960GB capacity and the SV-GS48 provides 480GB.  

Sandisk 512GB Extreme PRO UHS-I SDXC Memory Card

Sandisk SDSDXXY-512G-GN4IN (SDSDXXY_512G_GN4IN, SDSDXXY/512G/GN4IN, SDSDXXY 512G GN4IN) 512GB Extreme PRO UHS-I SDXC Memory Card Designed for SD devices that can capture Full HD, 3D, and 4K video, as well as raw and burst photography, the 512GB Extreme PRO UHS-I SDXC Memory Card from SanDisk has a capacity of 512GB, is compatible with the UHS-I bus, and features a speed class rating of V30, which guarantees minimum write speeds of 30 MB/s. If your device does not support the V30 standard, this card also supports the U3 standard, which likewise guarantees minimum write speeds of 30 MB/s. Read speeds are supported up to 170 MB/s and write speeds max out at 90 MB/s. A built-in write-protect switch helps to safeguard against the accidental erasure of card data. While this card has been designed for cameras that are UHS-I / V30 / U3 compatible, it may be used in devices that do not support UHS-I / V30 / U3. However, bear in mind that this card will then default to your device's speed class and bus rating, such as UHS-I and U1, which supports minimum write speeds of 10 MB/s, or Class 10, which also supports minimum write speeds of 10 MB/s. As with most SanDisk cards, this memory card is shockproof, X-ray proof, waterproof, while also being able to withstand temperatures from -13 to 185°F, allowing you to take this card with you into extreme environments, such as snow, deserts, and pools. Should the card's data become compromised, you also benefit from the option to download RescuePRO Deluxe software . Transfer Speeds up to 170 MB/s Once the shots are taken, your work is only half done. Accelerating your workflow means you can carve out more time to take your creativity to the next level. Record 4K UHD Video Sometimes speed is what you need. The SanDisk Extreme PRO UHS-I SDXC card delivers the performance to capture uninterrupted 4K UHD video. Sequential Burst Mode Shots Rated UHS Speed Class 3 (U3) and Video Speed Class 30 (V30), the SanDisk Extreme PRO UHS-I SDXC card lets you capture sequential burst mode shots. Durability You Can Count On Built for and tested in harsh conditions, the SanDisk Extreme PRO UHS-I SDXC card is shockproof, X-ray proof, and waterproof, while also being able to withstand temperatures from -13 to 185°F. Recover Images You Accidentally Deleted Includes an offer for RescuePRO Deluxe 2-year data recovery software, which lets you restore images you accidentally deleted. Registration is required.  

Sandisk 512GB 525MB/s Extreme PRO CFast 2.0 Memory Card

Sandisk SDCFSP-512G-G46D (SDCFSP_512G_G46D, SDCFSP/512G/G46D, SDCFSP 512G G46D) 512GB 525MB/s Extreme PRO CFast 2.0 Memory Card The SanDisk Extreme PRO® CFast™ 2.0 memory card delivers the high performance that broadcast, cinema, and photography professionals demand today. The card features a Video Performance Guarantee of 130MB/s (VPG 130) which enables cinema-quality 4K video recording (4096x2160p). And its write speeds of up to 450MB/s and data transfer speeds of up to 525MB/s provide extreme workflow efficiency. The second generation CFast card, the SanDisk Extreme PRO CFast 2.0 memory card was designed in collaboration with leading-edge camera manufacturers to assure an exceptional user experience from the first shot. Designed for Professional Videographers Professional videographers trust SanDisk CFast™ cards to keep up with the high demands of the of the cinema, broadcast and media industries. Get the most out of your professional camera with the high performance, capacity, and reliability of a SanDisk card. Extreme speeds of up to 525MB/S read and 450MB/s write With write speeds of up to 450MB/s*, the card lets you capture multiple frames per second, making it an ideal choice for fast-action or continuous burst mode photography. The card offers read speeds of up to 525MB/s* so you can transfer large files from the card to your computer lightning fast. VPG-130 for cinema quality 4K video With Video Performance Guarantee-130 (VPG-130), the SanDisk Extreme PRO CFast Card lets you capture uninterrupted, cinema-quality 4K video1. VPG-130 guarantees a minimum sustained write speed of 130MB/s to keep up with the latest professional video cameras. Easy file recovery with RescuePro Deluxe software The card comes with a RescuePRO Deluxe data recovery software download offer. This software lets you easily recover accidentally deleted files.  

Sony 8-pin/8-pin Remote Control Cable, 30 meter

Sony CCA-5-30/1 (CCA-5-30-1, CCA_5_30_1, CCA-5/30/1) 8-pin/8-pin Remote Control Cable, 30 meter Remote control cable for 700 series control panels. Applicable Models: HDCU-1000/1500 Camera Control Unit; CCU-790P/590P Camera Control Unit; RCP-700/701/750/751 Remote Control Panels; MSU-900/MSU-950 Master Setup Unit.

Sony HD PTZ camera with 1" Exmor R CMOS sensor incl power supply unit (White)

Sony BRC-H800W/AC (BRC/H800W/AC, BRC_H800W_AC, BRC H800W AC) HD PTZ camera with 1" Exmor R CMOS sensor incl power supply unit (White) The BRC-H800 remote camera combines uncompromising broadcast picture quality and smooth, silent PTZ operation with the flexibility of 3G-SDI and HDMI connections. Designed for unattended operation, this compact but powerful robotic camera is an ideal complement to other broadcast cameras for capturing images in hard-to-reach or unobtrusive positions. It's equally at home in TV newsrooms, remote studios and on-air suites, auditoriums, houses of worship, courtrooms or sports stadiums. It's also particularly suited to efficient multi-camera set-ups, under the control of a single operator. The 1-inch type Exmor R CMOS image sensor captures crisp, low-noise Full HD images at 60p, with excellent low-light sensitivity. The large image sensor also allows the creation of beautiful 'bokeh' effects with a shallow depth of field to suit any artistic intention. Speedy, near-silent PTZ operation with 12x optical zoom accommodates wide-angle scenes and tightly framed close-ups, with Clear Image Zoom 24x(HD) extending this range even further without visible loss of resolution. Broadcast-friendly features include dual tally lamps for on-air operation, while operational flexibility is enhanced with options for ceiling, table top or tripod mounting. There’s also a broad range of video interfacing and remote control possibilities - plus support for PoE+ and genlock - for smooth integration into any broadcast, professional or corporate AV environment.

Sony HD PTZ camera with 1" Exmor R CMOS sensor Incl power supply unit (Black)

Sony BRC-H800/AC (BRC_H800/AC, BRC/H800/AC, BRC H800 AC) HD PTZ camera with 1" Exmor R CMOS sensor Incl power supply unit (Black) The BRC-H800 remote camera combines uncompromising broadcast picture quality and smooth, silent PTZ operation with the flexibility of 3G-SDI and HDMI connections. Designed for unattended operation, this compact but powerful robotic camera is an ideal complement to other broadcast cameras for capturing images in hard-to-reach or unobtrusive positions. It's equally at home in TV newsrooms, remote studios and on-air suites, auditoriums, houses of worship, courtrooms or sports stadiums. It's also particularly suited to efficient multi-camera set-ups, under the control of a single operator. The 1-inch type Exmor R CMOS image sensor captures crisp, low-noise Full HD images at 60p, with excellent low-light sensitivity. The large image sensor also allows the creation of beautiful 'bokeh' effects with a shallow depth of field to suit any artistic intention. Speedy, near-silent PTZ operation with 12x optical zoom accommodates wide-angle scenes and tightly framed close-ups, with Clear Image Zoom 24x(HD) extending this range even further without visible loss of resolution. Broadcast-friendly features include dual tally lamps for on-air operation, while operational flexibility is enhanced with options for ceiling, table top or tripod mounting. There’s also a broad range of video interfacing and remote control possibilities - plus support for PoE+ and genlock - for smooth integration into any broadcast, professional or corporate AV environment.

Sony BC-DWX1 Dual Battery Charger for DWT-B03R Wireless Transmitter

Sony BC-DWX1 (BC/DWX1, BC_DWX1, BCDWX1, BC DWX1, bc-dwx1) Dual Battery Charger for DWT-B03R Wireless Transmitter The BC-DWX1 Dual Battery Charger from Sony is designed for use with the DWT-B03R DWX Series wireless transmitter and NP-BX1 battery pack (sold separately). Two-way powering allows operation with either the AC adapter (sold separately) or PoE (Power over Ethernet) format. The BC-DWX1 Dual Battery Charger can be used to monitor battery status remotely using Wireless Studio PC software. In addition, it is built with a storage charging mode for long-term battery storage, and multiple units can be connected using optional tie wraps.

Shape V-Mount Plate for Canon C300 Mark II

Shape SH-UMPCII (SH/UMPCII, SH UMPCII, UMPCII, sh-umpcii) V-Mount Plate for Canon C300 Mark II Pair this V-Lock Plate from SHAPE with a V-Mount battery to provide the specific voltage and amperage for running a Canon C300 Mk II Camera. Using a pro-style V-Mount battery (not included) will give you an extended runtime, compared to using the camera's standard internal battery. You'll appreciate the longer operating time over the course of a long shooting day, or when recording in cold weather. The V-Lock Plate incorporates a D-Tap port with a maximum 50W output for powering accessories. A DC camera power cable and four plate-mounting screws are included with the plate.

Sennheiser CHG 4N UK Network Enabled Charger

Sennheiser 506801 (506-801, 506/801, 50-68-01, 506 801) (CHG-4N-UK, CHG/4N/UK, CHG4NUK) CHG 4N UK Network Enabled Charger The CHG 4N is a network enabled charger featuring four indiviual charging bays. These can either be used for the SL Bodypack DW or the SL Handheld DW. Each bay is combined with 4 LEDs to indicate the corresponding battery status of the mobile device. The flexible network interface provides IPv4 and IPv6 compatibility for seamless integration. All settings and status information can be monitored and remote controlled with the Sennheiser Control Cockpit.

Canon CN-E 35mm T1.5 L F Cine Lens (EF Mount)

Canon 9139B002AC (913/9B002AC, 913-9B00-2AC, 913 9B00/2AC, 913/9B00 2AC) (CNE, CN E, CN/E) CN-E 35mm T1.5 L F Cine Lens (EF Mount) The Canon CN-E 35mm T1.5 L F Cine Lens is an EF-mount standard-width lens for Canon's C-series cinema cameras, for full-frame EOS DSLRs, and for any video-capable cameras that accept EF-mount lenses.    

Canon CN-E 24mm T1.5 L F EF Mount Digital Cinema Prime Lens

Canon 6569B001AC (656/9B001AC, 656/9B00-1AC, 656 9B00 1AC, 6569B00/1AC) (CNE CN/E CN E) CN-E 24mm T1.5 L F EF Mount Digital Cinema Prime Lens The Canon CN-E 24mm T1.5 L F Cine Lens is a wide-angle fixed focus prime lens that offers a broader perspective to capture spectacular landscapes or small interiors. The 24mm T1.5 L F Cine Lens with EF mount is lightweight (1.2kg) and features a constant f/1.5 maximum aperture to enable hand-held shooting in low light. The well-rounded 11-blade diaphragm provides a smooth, attractive blur for elements in the image that are out of focus. This lens has been designed for use with Canon’s C-series cinema cameras (EOS C100, C300 & C500) and Canon’s range of full-frame DSLRs with an EF-mount (such as the Canon 5D Mark III, 1D X and 1D C).

14MM T3.1L -Canon EF

Canon 8325B002AC (832/5B002AC, 832-5B002AC, 832/5B00/2AC, 832 5B00 2AC) 14MM T3.1L -Canon EF Part of Canon’s range of EF Cinema prime lenses, the CN-E14mm T3.1 L F is a lightweight, compact fixed focal length lens designed for EF mounts. It offers spectacular 4K image quality and a full frame image circle plus great low light performance and fine creative control over focusing and depth of field.

Camrade CAM-WS-PXWX160-180 wetSuit PXW-X160/X180

Camrade CAM-WS-PXWX160-180 ( CAM/WS/PXWX160/180, CAM WS-PXWX160/180, CAM WS PXWX160 180, CAM-WSPXWX160-180, cam-ws-pxwx160-180 ) wetSuit PXW-X160/X180 The camRade wetSuit PXW-X160/180 is a black soft flexible waterproof rain cover that protects your camera against the elements. It also covers the viewfinder, microphone and other accessories. The rain cover is designed specifically for the Sony PXWX160 and PXW-X180 camcorders. The near silent fabric minimalizes unwanted sound effects caused by wind and rain and reduces the chance of the camera overheating by allowing hot air to escape via the breathing material which the cover is made of. The wetSuit has clear vinyl windows for visibility when adjusting the menu, audio input select level or other controls. The viewfinder monitor is completely closed off by the fabric and vinyl window, so no water will come into the suit during use. This item will be delivered to you in a waterproof pouch with zipper, which you can use for storing and transportation of the cover when not in active use.

Camrade wetsuit Arri Amira

Camrade wetsuit Arri Amira( CAM/WS/ARRI/AMIRA, CAM WS ARRI AMIRA, CAM WSARRIAMIRA, cam-ws-arri-amira )  camRade has developed a wetsuit in cooperation with ARRI Europe: the wetSuit ARRI Alexa. Whether you are shooting in a muddy, rainy or even dusty environment, the wetSuit ARRI Alexa will protect your camera from getting damaged. We used only the very best fabrics and noiseless technology for ARRI’s wetSuit. This wetSuit fits the ARRI Alexa like a glove, while keeping all the ever-important control options available to the user. This rain cover protects the ARRI Alexa and MB 17 or 18 Mattebox. The wetSuit comes with an additional cover to protect your MB 14 and/or a large lens.

Camrade CAM-WS-ARRI-ALEXA WetSuit Arri Alexa

Camrade CAM-WS-ARRI-ALEXA (CAM/WS-ARRI-ALEXA, CAM/WS/ARRI/ALEXA, CAMWSARRIALEXA, CAM WS ARRI ALEXA) WetSuit Arri Alexa The camRade wetSuit ARRI ALEXA is a rain cover that protects your ARRI ALEXA camera against the elements. It is made of water-resistant fabric with a soft lining and minimalizes unwanted sound effects during operation. It also reduces the chance of the camera overheating by allowing hot air to escape via vents and openings. The wetsuit is supplied with protection covers for a normal and a long lens, making sure that any lens you might use will be well protected. The viewfinder monitor is completely closed off by the fabric and vinyl window, so no water will come into the suit during use. The cover has clear vinyl windows which can be opened and closed with hook and loop fasteners, for maximum visibility when adjusting the menu, audio input select level and other controls. This item will be delivered to you in a waterproof pouch with zipper, which you can use for storage and transportation of the cover when not in active use.

CamRade wetSuit Ag-Ac30

CamRade wetSuit Ag-Ac30 ( CAM/WS/AGAC30,  CAM WS AGAC30,  CAM-WS/AGAC30, cam-ws-agac30 )  The camRade wetSuit AG-AC30 is a tailor-made rain cover that protects your Panasonic camera against bad weather conditions. The soft fabric lining minimalizes unwanted sound effects caused by wind and rain during operation. The cover also reduces the chance of the camera overheating by allowing hot air to escape via openings and vents. The viewfinder monitor is completely protected by a cover with large vinyl windows that provide full view. On the side you’ll find a vinyl window that can be opened for easy access to the controls. Under the eyepiece we also added a window that can be opened with hook and loop fasteners. The bottom of the cover can be opened and closed with a double zipper. This wetSuit is supplied in a waterproof pouch with zipper, which you can use for storage and transportation of the cover when not in active use.

Canon 9859A001 TA-100 Tripod Adapter

Canon 9859A001 (985/9A001,985 9A001, 9859A/001,9859A-001) (TA100, TA/100, TA 100) TA-100 Tripod Adapter The TA-100 Tripod Adapter from Canon is compatible with the Canon EOS C300, EOS C300 PL, XF 100 Refurbished, XF100, XF105, XH A1, XH A1S, XH G1, XH G1S, XH_A1_Refurbished, XL H1, XL H1A, XL H1S, XL2, XL2 Body Kit, and XL2_Refurbished cameras. It allows you to quickly mount/dismount the camera from a tripod.

CamRade run&gun Backpack Large

CamRade run&gun Backpack Large ( CAM/R&GBACKP/LARGE, CAM R&GBACKP LARGE, CAM-R&GBACKP/LARGE, cam-r&gbackp-large )  The run&gunBackpack Large offers room for professional cameras up to 52 cm and 20.5 inches (in length) and allows you to safely transport your camera, ready for action! This bag has YKK® zippers with a zipper lock hole, that open the front flap. It has various pockets and slits to store and organize several smaller items like documents, memory cards, cables and tools. The soft-padded interior includes removable dividers which make it easy to arrange the main compartment into sections to fit your requirements. On both sides of the bag you’ll find pockets for all your necessary gear. In the back of the bag a special compartment is added for laptop or tablet storage. When you use this spacious and comfortably balanced run&gunBackpack with soft padded straps, your freedom of movement stays intact while having all your gear right there at the tip of your fingers.

Canon TS-E 90mm f/2.8

Canon 254/4A016 (254-4A016,254 4A016, 254/4A016, 2544A/016) TS-E 90mm f/2.8 This is the world's first 35 mm-format 90 mm lens with tilt and shift movements. Gaussian optics give high-quality delineation and true background blur. The lens is suited for a variety of subjects, from products to portraits.

Canon TS-E 135mm f/4L Macro Lens

Canon 2275C005 (227/5C005, 227-5C005, 2275C/005, 227 5C005) TS-E 135mm f/4L Macro Lens The TS-E 135mm f/4L tilt-and-shift lens has a longer focal length, offering unique ways to control perspective and plane of focus thanks to calibrated ±10° Tilt and a ±12 mm Shift movements, outstanding optical engineering and precision moulded glass for low distortion. This lens produces edge-to-edge definition and macro capability down to 1:2 life-size ratio, achieving exceptional focus and clarity thanks to 0.5x maximum magnification. An ideal studio lens with a greater reach to give you room for lighting set-ups, designed to give you ultimate shooting flexibility.

Canon EF-S 55-250mm f/4-5.6 IS STM Lens

Canon 8546B005 (854/6B005, 854-6B005, 8546B/005, 8546B 005) EF-S 55-250mm f/4-5.6 IS STM Lens. Combining powerful telephoto performance with high-quality images, the affordable, lightweight and compact EF-S 55-250mm f/4-5.6 IS STM lens is the ideal companion for travel and shooting wildlife and sports. Stepping motor (STM) technology delivers smooth, quiet focusing when shooting video and the Image Stabilizer counter-acts your camera-shake, ideal for low-light environments or when shooting hand-held. The automatic Panning Detection works to track your subject and turns off the stabilisation, helping convey a sense of speed when photographing movement. Benefits: Get close to distant subjects, like wildlife and sport Easy-to-use design that delivers superb image quality Lightweight, compact design you can take everywhere Image Stabilizer reduces blur from camera shake Smooth, quiet STM focusing when shooting movies

Canon EF-M 55-200mm f/4.5-6.3 IS STM Lens - Silver

Canon 1122C005 (11-22-C0-05, 11/22/C0/05, 11 22 C0 05,11-22/C0 05) EF-M 55-200mm f/4.5-6.3 IS STM Lens - Silver Combining powerful telephoto performance with high-quality images, the lightweight and compact EF-M 55-200mm f/4.5-6.3 IS STM lens is the ideal companion for travel and shooting wildlife and sports with your mirrorless camera. A manual-focus ring enables precise yet easy focusing adjustments – with closest-focusing distance of 1 meter it’s also great for powerful portraits. Stepping motor technology (STM) delivers smooth, quiet focusing when shooting video and the Image Stabilizer counter-acts your camera-shake, ideal for low-light environments or when shooting hand-held.  

Canon EF-S 17-55mm f/2.8 IS USM Lens

Canon 1242B005 (124/2B005, 124-2B005,1242B/005, 1242B/005) EF-S 17-55mm f/2.8 IS USM Lens. The 17-55mm zoom range delivers outstanding flexibility, producing high-quality images for landscape, portrait and travel photography. The f/2.8 aperture remains constant throughout the full focal length range, so you can zoom without slowing the shutter speed. With fast focusing in Ultra-Sonic motor (USM) technology you can roam city streets and expansive scenery, capturing subjects without interruption. The 3-stop optical Image Stabilizer and wide aperture reduces camera shake, enabling hand-held photography in low-light conditions or night photography without using a flash.

Canon EF 50mm f/1.2L USM fixed focal length lens

Canon 1257B005 (12-57-B0-05, 12/57/B0/05, 12 57 B0 05) EF 50mm f/1.2L USM fixed focal length lens This professional L-Series prime lens is an ideal general-purpose solution for the professional’s kit bag. With a large maximum aperture of f/1.2 its fast when shooting in low light, with excellent control over focusing for shallow depth of field and creative effects when on location. For a truly professional finish, the ring-type Ultra Sonic Motor (USM) drives fast and quiet autofocus, with a circular 8-bladed aperture diaphragm giving out-of-focus areas an even softer look and elegant bokeh. Part of the Canon professional L-series flagship range, its designed for robust handling and resistant to dust and moisture.

Canon EF 8-15mm f/4L Fisheye USM Lens

Canon 4427B005 (4427B005, 4427B005, 4427B005, 4427B005) EF 8-15mm f/4L Fisheye USM Lens. A creative option for photographers, the EF 8-15mm f/4L Fisheye USM is a versatile lens that provides a 180-degree circular field of view on full frame cameras at 8 mm, opening to an ultra-wide fisheye view at 15 mm. Ideal for creative shooting with artistic results, distorting the angle of view lets you get more of the landscape within the frame or distort your subject for unique visual effects. Part of the Canon professional L-series flagship range, this lens is designed for robust handling and resistant to dust and moisture.

Canon EF 50mm f/1.4 USM Lens

Canon 2515A012 (2515A/012, 2515A-012, 2515A/012, 2515A 012) EF 50mm f/1.4 USM Lens. With its fast maximum aperture and focusing system, the compact, high performance EF 50mm f/1.4 USM standard lens delivers superb performance in any field of photography, from landscapes and travel scenes to portraits and reportage. It’s compact and lightweight design make it an affordable choice for travel and general-use, the Ultra Sonic Motor (USM) motor drives autofocus extremely quickly and quietly, with excellent holding torque ensuring the point of focus is reached accurately. A circular 8-bladed aperture diaphragm gives out-of-focus regions a softer look, letting sharp foreground objects stand out against elegant bokeh.

Canon EF 24-70mm f/2.8L II USM Lens

Canon 5175B005 (517/5B005, 517-5B005, 517 5B005, 5175B-005) EF 24-70mm f/2.8L II USM Lens Tackling virtually any subject with an extended 24-70 mm zoom range, this L-series prime lens is a go-to zoom for professional photographers. Delivering outstanding image quality with a fast f/2.8 aperture for optimum control over depth-of-field, the 9-bladed diaphragm also helps to achieve beautiful background blur. A great low-light performer – the fast and constant aperture of the EF 24-70mm f/2.8L II USM makes the most of available ambient light. Split-second moments are captured in fast, responsive Auto Focus with Ultra-Sonic Motor (USM) so it’s an excellent choice for professional, high-quality results whilst travelling light. Part of the Canon professional L-series flagship range, its designed for robust handling and resistant to dust and moisture.  

Canon EF 17-40mm f/4L USM Lens

Canon 8806A007 (880/6A007, 880-6A007, 880 6A007, 8806A/007) EF 17-40mm f/4L USM Ultra Wide Angle Zoom Lens The EF 17-40mm f/4L USM Lens is an ultra-wide-angle lens producing stunning clarity in a range of focal lengths. Its compact, lightweight body makes it an ideal travel companion - suited to interiors, architecture and landscapes, fitting more in the frame without the need to step back. Produce consistent exposures with the large f/4 aperture over the 17-40 mm zoom range and create softer background blur with a 7-blade circular aperture diaphragm. Part of the Canon professional L-series flagship range, its designed for robust handling and resistant to dust and moisture. Ultra wide lens for analogue EOS SLR cameras The EF17-40mm f/4L USM is an ultra wide angle Canon EF zoom lens meant for professional and high amateur SLR EOS camera users. Standard zoom lens for digital EOS SLR cameras While it is an excellent lens when used with an analogue SLR camera, the EF17-40mm f/4L USM is especially well suited for digital SLR cameras with an imaging sensor size smaller than the 35mm format. Indeed on such digital SLR cameras these focal lengths can give an angle of view approximately equivalent to that of a 28-70mm lens used on a 35mm camera, which makes it the ideal standard zoom lens. Superior optical performance The EF17-40mm f/4L USM has 12 lens elements arranged in 9 groups. Super Spectra Coating on the elements ensures excellent colour balance and minimises ghosting and flare. To provide superb image quality over a 17-40mm zoom range the lens uses three aspheric elements of two different types, while Super UD (Ultra-low Dispersion) glass is used to prevent the chromatic aberrations that often can degrade the subject edge clarity. Extensive set of high-end features Minimum focusing distance is just 28cm throughout the entire zoom range.   The Auto-focus works silently and quickly thanks to a fast central processing unit with an improved AF algorithm. You can override AF mode with manual focus should you wish.Controlled by an electromagnetic diaphragm, the EF17-40mm f/4L USMs circular aperture can achieve a more attractive appearance to out of focus background areas in a picture.The front of the lens does not rotate as you focus. This means, for example, that polarising filters still function effectively as you zoom in and out. At the rear of the lens theres a drop-in gelatin filter holder.Highly resistant to moisture and dust, the EF17-40mm f/4L USM is ideally suited for use in harsh environments. Environment friendly lead-free glass is used throughout its construction.

Canon EF 16-35mm f/4L IS USM Lens

Canon, 9518B005, EF 16-35mm f/4L IS USM, EF 16-35mm, EF-16-35mm, 16-35mm, EF, f/4L, f4L, IS, USM, Lens,  ultra-wide-angle, wide lens. The EF 16-35mm f/4L IS USM is an ultra-wide-angle lens producing stunning clarity in a range of focal lengths. The zoom range combines a fixed f/4 aperture with excellent optical performance, making it ideal for landscapes, architectural shots and photojournalism – delivering sharp and expansive images with little distortion. The 4-stop Optical Image Stabilizer reduces camera shake for faster, sharper images, even in low-light and the in-built Ultra-Sonic Motor (USM) drives fast and quiet Auto Focus with optional full manual override. Part of the Canon professional L-series flagship range, its designed for robust handling and resistant to dust and moisture.      

Canon EF 135mm f/2L USM Lens

Canon 2520A015 (252/0A015, 252-0A015, 252 0A015, 2520A/015) EF 135mm f/2L USM Lens A versatile telephoto lens, the long focal length of the EF 135mm f/2L USM coupled with the f/2 maximum aperture provides greater control over depth of field, ideal for portraiture and sports photography. This lens isolates the subject with beautiful bokeh thanks to its 8-bladed fast aperture also allowing for hand-held shooting in in low-light. Benefits A lens suited to portrait and indoor sports photography A fixed, fast aperture for low light shooting Produce sharp, high-contrast images with Super UD (ultra-low dispersion) elements to suppress chromatic aberrations Reduce ghosting and flare with Super Spectra coating The in-built Ultra-Sonic Motor (USM) drives fast and quiet Auto Focus with optional full manual override Compatible with all Canon DSLR cameras and EOS-M mirrorless cameras with an EF-EOS M Mount adapter

Canon EF 24-105mm f/4L IS II USM Lens

Canon 1380C005 (138/0C005, 138-0C005, 138 0C005, 1380C/005) EF 24-105mm f/4L IS II USM Lens The standard zoom that goes that little bit further. Tackle virtually any subject with an extended 24-105mm zoom range, plus superb image quality and robust, weather-proof construction. With a constant f/4 maximum aperture, this is a great choice for those looking to shoot high-quality photography or video while traveling light, perhaps with just a single camera and lens.  

Canon EF 85mm f/1.4L IS USM Lens

Canon 2271C005 (227/1C005, 227-1C005 2271C/005, 2271C 005) EF 85mm f/1.4L IS USM Lens This fast portrait lens uses Canon’s latest optical technology to deliver clear, sharp images full of contrast and colour with razor sharp detail right across the image, edge to edge. Built with the needs of the creative photographer in mind, this lens features a wide maximum aperture of f/1.4 plus 4-stop image stabilisation to allow precise focusing and faster shutter speeds even in low light.  Benefits f/1.4 maximum aperture 4-stop image stabilisation Large, bright aperture Air Sphere Coating Shock absorbing front casing Weather sealing Durable and weather resistant Compatibility EOS-1D X  EOS 5DS  EOS 5DS R  EOS 5D  EOS 6D  EOS 7D  EOS 60D  EOS 70D  EOS 77D  EOS 80D  EOS 100D  EOS 200D  EOS 300D  EOS 350D  EOS 400D  EOS 450D  EOS 500D  EOS 550D  EOS 600D  EOS 700D  EOS 750D  EOS 760D  EOS 800D  EOS 1100D  EOS 1200D  EOS 1300D

Canon EF 600mm f/4L Is II Usm L Series

Canon 5125B005 (5125B005, 5125B005, 5125B005, 5125B005) EF 600mm f/4L Is II UsM L Series. Canon EF 600mm f/4L Is II UsM L Series Super-Telephoto Fixed Focal length lens (p/n 5125B005AA) . The EF 600mm f/4L IS II USM is a high-magnification, super-telephoto lens featuring integrated Image Stabilizer technology and a fast f/4 maximum aperture. Perfect for wildlife, nature and sports photographers working in the field. Compatibility EOS 550D  EOS 100D  EOS 1100D  EOS 450D  EOS 500D  EOS 5DS  EOS 700D  EOS 7D Mark II  EOS 1300D  EOS 5D Mark IV  EOS 77D  EOS 1200D  EOS 200D  EOS 600D  EOS 6D  EOS 750D  EOS 760D  EOS 400D  EOS 6D Mark II  EOS 70D  EOS 800D  EOS 80D  EOS-1D X Mark II  EOS 350D  EOS 5D  EOS 5DS R  EOS 60D  EOS-1D X  EOS 300D  EOS 7D

Canon EF 200mm f/2L IS USM L Series Telephoto Lens

Canon 2297B005 ( 22-97-B0-05, 22/97/B0/05, 22 97 B0 05 ) EF 200mm f/2L IS USM L Series Telephoto Lens The EF 200mm f/2L IS USM is a high-performance medium telephoto lens for professional photographers. Its large f/2 aperture ensures optimum results indoors and in low-light situations.

RODELINKRXCAM Camera-Mounted Wireless Receiver

Rode RODELINKRXCAM (RODE-LINK-RX-CAM, RODE/LINK/RX/CAM, RODE LINK RX CAM, RX-CAM, RX/CAM, RX CAM) Camera-Mounted Wireless Receiver The Rode RX-CAM is a camera-mounted wireless receiver designed to provide easy reception of wireless audio for videographers, filmmakers, and electronic news gatherers. It works with RODELink digital wireless systems and can be powered via two AA batteries or a micro-USB connection. An internal antenna contributes to the compactness of the RX-CAM. It supports mounting to a standard camera shoe mount or via 3/8” thread or belt clip. The bottom panel slides down for access to the gain switch, which has positions for 0 dB, -10 dB, and -20 dB. An OLED display delivers clear indication of level, battery status for the receiver and transmitter, current channel, and mute status. Dedicated buttons for power, channel selection, and mute offer simple menu-free operation. The 3.5mm TRS output is wired for dual mono and features a locking jack socket to prevent accidental disconnection. 

Canon Car Battery Charger

Canon 3350B001 (33-50-B0-01, 33/50/B0/01, 33 50 B0 01) Car Battery Charger The 3350B001 Car Battery Charger for LP-E6 Battery from Canon is designed for use with the Canon EOS 5D Mark II Digital SLR camera. This unit can be used to charge the LP-E6 battery for the 5D Mark II from the standard lighter outlet in your automobile.

Canon Camera Battery Charger

Canon 5752B003 ( 57-52-B0-03, 57/52/B0/03, 57 52 B0 03 ) Camera Battery Charger  Compatible with EOS-1D X, EOS-IDs Mark III, EOS-1D Mark IV and EOS-1D Mark III.

Canon Battery Charger

Canon 1170C003 (11-70-C0-03, 11/70/C0/03, 11 70 C0 03) Battery Charger Step up your kit with a spare or replacement LC-E19 battery charger. The 1170C003 Battery Charger from Canon will charge two separate LP-E19, LP-E4, or LP-E4N battery packs. LP-E19 batteries charge at a rate of 170 minutes per battery, while LP-E4 and LP-E4N charge at a rate of 140 minutes per battery. It plugs directly into AC outlets and includes an AC adapter.

Shape Delta Marbel Quick Release Kit

Shape SH-DELTAQUICK (SHDELTAQUICK, SH/DELTAQUICK, SH DELTAQUICK, DELTAQUICK, sh-deltaquick) Delta Marbel Quick Release Kit The SHAPE Delta Marbel Quick Release Kit includes a V-lock delta quick release plate and V-lock delta quick release adapter that you can use to quickly mount any camera to any support platform. Featuring one 1/4"-20 thread and one 3/8"-16 thread, the quick release plate can be attached to the camera platform of any tripod or video rig. The quick release adapter features two 1/4" holes, attaches on the bottom of your camera, and allows quick release mounting/dismounting on and off the plate. A simple push of a release button on the side of the quick-release plate releases the adapter and allows you to remove your camera. The plate supports loads up to 50 lb. All the necessary screws are supplied. The adapter attaches to your camera along with an included, thin camera plate. The camera plate has stoppers on the back that will keep the camera from twisting sideways. The camera plate and stoppers are both adjustable to support different-size cameras, and the stoppers can be removed completely to make room for full-size cameras. An alignment screw is included to secure the camera plate in place. The quick release adapter is also compatible with third party V-lock delta plates, such as the Sony VCT-U14.

Shape SH-ALEXVM V-Mount Battery Plate for ARRI ALEXA Mini Camera

Shape SH-ALEXVM (SH_ALEXVM, SHALEXVM, SH/ALEXVM, SH ALEXVM) V-Mount Battery Plate for ARRI ALEXA Mini Camera Our V-Mount battery plate provides the right battery voltage and amperage to use with your ALEXA Mini camera.  You can easily mount the battery plate to a Cheese Plate rig while a 10" integrated cable connects to the ALEXA Mini's power input. Additional accessories can also be powered off the P-Tap port.

Shape SH-ALEXGM Gold Mount Battery Plate for ARRI ALEXA Mini Camera

Shape SH-ALEXGM (SH_ALEXGM, SHALEXGM, SH/ALEXGM, SH ALEXGM) Gold Mount Battery Plate for ARRI ALEXA Mini Camera The Gold Mount ALEXA Mini Battery Plate is perfect to power your ALEXA Mini camera with this QRC-MINI Gold Mount Bracket from Anton Bauer.  You can easily mount the battery plate to a Cheese Plate rig while a 10" integrated cable connects to the ALEXA Mini's power input and provides the necessary amount of power to the camera.

Shape SH-CPVRD Cheese Plate and V-Mount Battery Plate for RED Camera

Shape SH-CPVRD (SH_CPVRD, SHCPVRD, SH/CPVRD, SH CPVRD) Cheese Plate and V-Mount Battery Plate for RED Camera This item features a Cheese Plate and a V-Mount Battery Plate to power your RED camera.  The Cheese Plate is designed with a 15 mm rod bloc system with one ratchet knob allowing you to quickly fix your plate to your Camera Rig.  A 10" cable connects to the RED’s power input and provides the necessary amount of power to the camera. Additional accessories can also be powered off the P-Tap port.

Shape Cheese Plate and Gold Mount Battery Plate for RED Camera

Shape SH-CPGRD (SH_CPGRD, SHCPGRD, SH/CPGRD, SH CPGRD) Cheese Plate and Gold Mount Battery Plate for RED Camera This item features a Cheese Plate and a Gold Mount Battery Plate to power your RED camera.  The Cheese Plate is designed with a 15 mm rod bloc system with one ratchet knob allowing you to quickly fix your plate to your Camera Rig.  A 10" cable connects to the RED’s power input and provides the necessary amount of power to the camera. Additional accessories can also be powered off the P-Tap port.  

Shape Gold Mount Battery Plate for RED Camera

Shape SH-REDGM (SH_REDGM, SHREDGM, SH/REDGM, SH REDGM) Gold Mount Battery Plate for RED Camera The Gold Mount RED Battery Plate is perfect to power your RED camera with this QRC-MINI Gold Mount Bracket from Anton Bauer.  You can easily mount the battery plate to a Cheese Plate rig while a 10" integrated cable connects to the RED's power input and provides the necessary amount of power to the camera. Additional accessories can also be powered off the P-Tap port.

Sandisk SDCFSP-256G-G46D Extreme Pro CFast 2.0 Memory Card

Sandisk SDCFSP-256G-G46D ( SDCFSP 256G G46D, SDCFSP256GG46D, SDCFSP/256G-G46D ) Extreme Pro CFast 2.0 Memory Card    A NEW LEVEL OF PERFORMANCE FOR CAMERAS AND CAMCORDERS The SanDisk Extreme PRO® CFast™ 2.0 memory card delivers the high performance that broadcast, cinema, and photography professionals demand today. The card has the speed, capacity and performance needed to record cinema-quality 4K video (4096x2160p)1. It delivers write speeds of up to 450MB/s* and data transfer speeds, up to 525MB/s*. With a video performance guarantee of 130MB/s (VPG 130)4 and 128GB to 256GB** of storage capacity, this is a great memory card for professional cameras and camcorders.   DESIGNED FOR PROFESSIONAL VIDEOGRAPHERS Professional videographers trust SanDisk CFast™ cards to keep up with the high demands of the film industry. Get the most out of your professional camera with the high performance, capacity, and reliability of a SanDisk card.   EXTREME SPEEDS OF UP TO 525MB/S READ AND 450MB/S WRITE* With write speeds of up to 450MB/s*, the card lets you capture multiple frames per second, making it an ideal choice for fast-action or continuous burst mode photography. The card offers read speeds of up to 525MB/s* so you can transfer large files from the card to your computer lightning fast.   VPG-130 FOR CINEMA-QUALITY 4K VIDEO4 With Video Performance Guarantee-130 (VPG-130)4, the SanDisk Extreme PRO CFast Card lets you capture uninterrupted cinema-quality 4K video1. VPG-130 guarantees a minimum sustained write speed of 130MB/s4 to keep up with the latest professional video cameras.   TESTED UNDER EXTREME CONDITIONS This memory card can operate in temperatures ranging from -4ºF to 158ºF (-20ºC to 70ºC).   EASY FILE RECOVERY WITH RESCUEPRO DELUXE SOFTWARE The card comes with a RescuePRO Deluxe data recovery software download offer3. This software makes it easy to recover files that have been accidentally deleted.      

Shape Cheeseplate V-Mount with 15mm Rod Bloc for Canon C300 Mark II

Shape SH-CP300M2 (SHCP300M2, SH/CP300M2, SH CP300M2, CP300M2, sh-cp300m2) Cheeseplate V-Mount with 15mm Rod Bloc for Canon C300 Mark II The 15mm Cheeseplate V-Mount enables V-Mount batteries to power Canon C300 Mark II series cameras. The V-Mount plate for C300 Mark II is fixed on Shape Cheeseplate and includes a ROD BLOC for Mounting. Perfect to Mount any accessories such as; Shape MAGIC ARM, lights, monitors and audio devices. It is also a perfect fit with V-Mount battery plates and features several accessory threads. Also includes an exclusive DC LEMO cable with the standard output voltage for C300 Canon Mark II series cameras.

Shape Cheeseplate V-Mount with 15mm Rod Bloc for Canon C Series Cameras

Shape SH-CP300 (SHCP300, SH/CP300, SH CP300, CP300, sh-cp300) Cheeseplate V-Mount with 15mm Rod Bloc for Canon C Series Cameras The 15mm Cheeseplate V-Mount enables V-Mount batteries to power Canon C300 Mark II series cameras. The V-Mount plate for C300 Mark II is fixed on Shape Cheeseplate and includes a Rob Bloc for mounting. Perfect to mount any accessories such as; Shape Magic Arm, lights, monitors and audio devices. It is also a perfect fit with V-Mount battery plates and features several accessory threads. Also includes an exclusive DC Lemo cable with the standard output voltage for C300 Canon Mark II series cameras.  

Shape V-Mount Battery Cheese Plate for Panasonic AU-EVA1 & Sony FS7/FS5

Shape SH-CPVEVA (SHCPVEVA, SH/CPVEVA, SH CPVEVA, CPVEVA, sh-cpveva) V-Mount Battery Cheese Plate for Panasonic AU-EVA1 & Sony FS7/FS5 The V-Mount Battery Cheese Plate from SHAPE features a cheese plate and a V-mount battery plate to power your Panasonic AU-EVA1, Sony FS7, or FS5 cameras. The cheese plate is designed with a 15mm Rod Bloc system with one ratchet knob for quickly fixing the plate to your camera rig. The included 22" regulated D-Tap cable can connect to the ALEXA Mini's power input.

Shape 2 x V-Mount Battery Plates and Cable Kit for Atomos Sumo

Shape SH-2VMAB (SH2VMAB, SH/2VMAB, SH 2VMAB, sh-2vmab) 2 x V-Mount Plates & D-Tap Cables for Atomos Sumo These 2 x V-Mount Plates from SHAPE enable you to power your Atomos Sumo monitor using longer-lasting, pro-style batteries. Two D-Tap to right-angle 4-pin XLR power cables are included with the battery plates.

Shape 2 x Gold Mount Plates & D-Tap Cables for Atomos Sumo

Shape SH-2GMSB (SH2GMSB, SH/2GMSB, SH 2GMSB, sh-2gmsb) 2 x Gold Mount Plates & D-Tap Cables for Atomos Sumo These 2 x Gold Mount Plates from SHAPE enable you to power your Atomos Sumo monitor using longer-lasting, pro-style batteries. Two D-Tap to right-angle 4-pin XLR power cables are included with the battery plates.  

AngelBird AVpro MK3 Professional SSD, 1 TB

AngelBird AB-AVP1000MK3 (ABAVP1000MK3, AB/AVP1000MK3, AB AVP1000MK3, ab-avp1000mk3) AVpro MK3 Professional SSD, 1 TB Designed for photo, audio, and video professionals who require reliable, high-performance storage for their cameras, recorders, and players, this AVpro MK3 SATA III SSD from Angelbird is a 2.5" internal solid-state drive that has a capacity of 1TB and fits into the 2.5" drive bay of your compatible system. It is certified for use with Blackmagic Design products and provides sustained read speeds of up to 540 MB/s, sustained write speeds of up to 480 MB/s, and access times of approximately 0.1 ms. In addition to its audio/video use, this SSD may be used to store and quickly access files such as music, movies, photos, documents, and more. The 1TB AVpro MK3 2.5" Internal SSD features a SATA III, 6Gb/s, 3Gb/s, and 1.5Gb/s interface. It is designed to yield an MTBF of 2 million hours, ECC/EMS data reliability, 10 years of data retention at 77°F, and an endurance of up to 2400 TBW. Other features of the AVpro MK3 include an x-ray & magnetic proof design, TRIM support, S.M.A.R.T. monitoring, ESD & overload protection, and a temperature sensor.

Panasonic Lumix Panasonic LEICA DG Vario Elmarit 8-18mm f2.8-4.0 ASPH Wide Zoom Lens

Panasonic Lumix PAN HE08018E (HE08018E, PANHE08018E, PAN/HE08018E ,PAN HE08018E) Leica DG Vario-Elmarit 8-18mm f/2.8-4 ASPH. Lens Panasonic introduces a new wide zoom lens, the LEICA DG VARIO-ELMARIT 8-18mm / F2.8-4.0 ASPH. (35 mm camera equivalent: 16-36 mm) as the second lens within the LEICA DG VARIO-ELMARIT F2.8-4.0 Series. Covering a focusing distance from ultra wide angle to super telephoto, this new LEICA DG VARIO-ELMARIT F2.8-4.0 Series achieves superb picture quality and high performance for both photo and video recording and yet its size is kept compact. All lenses take advantage of Panasonic’s Nano Surface Coating technology to minimize ghosts and flaring. Boasting a rugged, dust/splash-proof design, the lenses are even freeze-proof down to -10℃ to withstand professional use under harsh conditions. The high-quality video recording capability is also one of the advantages of this lens series. The new LEICA DG VARIO-ELMARIT 8-18mm / F2.8-4.0 ASPH. offers a zoom range of ultra wide 8mm to versatile 36 mm (35mm camera equivalent). It covers a variety of daily shooting situations, from dynamic landscapes to snapshots. Taking advantage of the F2.8-4.0 high-speed performance, it is suitable for capturing starry sky or a night scenery. ND or PL filter (67mm) attachments enable the lens to be flexible while at the same time the filters become creative and useful tools for photographers or videographers. Comprising 15 elements in 10 groups, the lens system features an aspherical ED (Extra-low Dispersion) lens, three aspherical lenses, two ED lenses and an UHR (Ultra High Refractive Index) lens. The use of these lenses effectively suppress spherical distortion or chromatic aberration to achieve high resolution and contrast from center to corners, ensuring amazing picture quality. The sensor drive at max. 240 fps enables to take full advantage of cameras with high-speed, high-precision Contrast AF. It also helps to reduce wobbling, ensuring smooth and crisp videos. Notably, the new lens excels in video recording performance. In addition to the silent operation achieved by the inner focus drive system, the micro-step drive system in the aperture control section helps the camera to smoothly catch up to brightness changes when zooming or panning. The optical design achieves exceptional barycentric stability to minimize image shifts during zooming. Thanks to high-speed frame analysis for focus control, the AF tracking performance in zooming is also improved. Offered in sharp, metallic black color, the LEICA DG VARIO-ELMARIT F2.8-4.0 Series stylishly matches the LUMIX G Compact System Camera lineup will expand with additional 50-200mm (100-400mm, 35mm camera equivalent) telephoto zoom lens.

Sandisk SDCFSP-128G-G46D 128GB 525MB/s Extreme Pro CFast 2.0 Memory Card

Sandisk SDCFSP-128G-G46D  128GB 525MB/s Extreme Pro CFast 2.0 Memory Card Designed in parallel with leading-edge camera manufacturers, the SanDisk Extreme PRO® CFast™ 2.0 memory card offers more than twice the shot speed of today's fastest memory cards. As the next generation CFast 2.0 memory card, it delivers the speed and capacity professionals need for Full HD recording specifications, including high-definition 4K video recording**. Next level write speeds help you keep up with the new generation of professional cameras and camcorders, while data transfer speeds of up to 515MB/s** make your post-production workflow more efficient. And capacities of up to 128GB** give you plenty of room for large RAW image files and the high-quality video that broadcast and cinema demands. For New-Generation, High Performance Cameras and Camcorders Designed in collaboration with leading-edge manufacturers, this new CFast™ 2.0 memory card delivers the high performance of the broadcast, cinema and photography industries demand today. Write Speeds of up to 450MB/s** for 128GB The SanDisk Extreme PRO CFast 2.0 memory card is more than twice as fast as today's fastest cards. With write speeds of up to 450MB/s**, (2933X) and data-transfer speeds of up to 525MB/s**(3500X), the 128GB** memory card can keep up with the burst-mode shooting of professional-grade cameras and camcorders. It also saves you time when moving large image or video files from your camera to your computer. High Speeds for Full HD and cinema-quality 4K Video Recording (4096x2160) Resource-intensive Full HD and cinema-quality 4K video recording require high write speeds. The SanDisk Extreme PRO CFast 2.0 offers the speed required for flawless high-resolution video. This camera card is compatible with the new generation of high-performance cameras and camcorders based on CFast 2.0 technology Tested Under Extreme Conditions   This memory card can operate in temperatures ranging from 23 to 158 degrees Fahrenheit.

HedBox HED-BP95D Pro Battery Pack for SONY 6700mAh Li-Ion Battery with 2x D-Tap 14.4V & USB 5V

HedBox HED-BP95D (HED BP95D, HED/BP95D, HEDBP95D, HE-DB-P9-5D) Pro Battery Pack for SONY 6700mAh Li-Ion Battery with 2x D-Tap 14.4V & USB 5V (BPU) Hedbox BP95D Professional Battery Pack provides up to 95Wh / 6,700mAh for SONY PXW and PMW cameras using BP U-Series batteries. Designed for professional filmmakers and camera operators the BP95D provides exceptionally long run times (approximately 7hrs) in a light-weight form while offering external power outputs through a USB 5V/1A socket and Dual D-Tap sockets capable of delivering 14.4V 95W/8A to all professional external devices such as monitor/recorders and light panels.

Portabrace CINEMA-SMUGGLERP Soft Case for Cinema Cameras (Platinum)

Portabrace CINEMA-SMUGGLERP (CINEMASMUGGLERP, CINEMA SMUGGLERP, CINEMA/SMUGGLERP) Soft Case for Cinema Cameras (Platinum) The CINEMA-SMUGGLERP is a durable, versatile soft-sided camera case for carrying compact cinema camera setups. The case is constructed using ballistic-grade, 1000-denier Cordura nylon with interior frame. The case fits a wide range of cinema camera and modular-rig configurations.  An extra layer of waterproof Slip-Not material lines the bottom of the case for maximum protection against water when placing the case on the ground.  The CINEMA-COMPACT camera case can be carried using the soft suede-leather handles or comfortable nylon SuperStrap strap with anti-skid bottom layer. There is a large zippered pocket on the back of the case, which is ideal for storing cables, filters, and small accessories.  A large  front pocket is designed to carry shotgun mics, spare batteries, and other small accessories.

Portabrace CINEMA-BACKPACKP Backpack for Cinema Camera Rig (Platinum)

Portabrace CINEMA-BACKPACKP (CINEMABACKPACKP, CINEMA/BACKPACKP , CINEMA BACKPACKP) Backpack for Cinema Camera Rig (Platinum) The CINEMA-BACKPACKP is a durable, versatile soft-sided camera case backpack for carrying cinema camera setups. The case is constructed using ballistic-grade, 1000-denier Cordura nylon with an ultra-lightweight 1-inch thick interior foam frame.  The case fits a wide range of cinema camera and modular-rig configurations. Tapered design contact us for best camera fit.