ARRI, Alexa 35 + ARRI 15mm Accessory Cage

ARRI, Alexa 35 + ARRI 15mm Accessory Cage(7893-K-FH) ALEXA 35 is the smallest fully featured ARRI production camera ever, packing the features and processing power of a larger ALEXA into a Mini-sized body that can record native 4K at up to 120 fps. Fast and easy operation is assured through numerous usability improvements and a simple menu structure that will be intuitively familiar to crews. ALEXA 35 is the best A-camera, B-camera, and action camera on the market, all rolled into one.

ARRI/Zeiss, Ultra Prime 135mm T1.9 Lens (PL)

ARRI/Zeiss, Ultra Prime 135mm T1.9 Lens (PL)(419-FH) Ultra Prime lenses come with large, easy to read calibrated scales, uniform diameters and position of focus and aperture drive rings, and uniform position of exit pupil. Ultra Prime lenses are particularly robust and easy to service. The optical performance is superb, even wide open. Floating elements keep the optical performance up all the way to the close-focusing limit. Distortion is well controlled and so is breathing, especially with the wider angle lenses, where it counts most.

ARRI, Alexa Mini LF + ARRI 15mm Accessory Kit

ARRI, Alexa Mini LF + ARRI 15mm Accessory Kit(7895-K-FH) The ALEXA Mini LF is ARRI’s flagship large-format camera. Versatile and adaptable due to its compact size, low weight, and multiple recording formats, the Mini LF offers the best overall image quality for large format and an exciting new REVEAL Color Science post workflow. 

ARRI, Alexa 35 + ARRI 15mm Accessory Cage

ARRI, Alexa 35 + ARRI 15mm Accessory Cage ALEXA 35 is the smallest fully featured ARRI production camera ever, packing the features and processing power of a larger ALEXA into a Mini-sized body that can record native 4K at up to 120 fps. Fast and easy operation is assured through numerous usability improvements and a simple menu structure that will be intuitively familiar to crews. ALEXA 35 is the best A-camera, B-camera, and action camera on the market, all rolled into one

Arri Alexa Plus w/ high speed and anamorphic license, used

Arri Alexa Plus w/ high speed and anamorphic license, used 3 Months Warranty, Good Condition The ALEXA Plus adds integrated wireless remote control, the ARRI Lens Data System (LDS), additional outputs, lens synchronization for 3D, and built-in position and motion sensors. It shares ALEXA's image performance, simplicity of operation, reliability in extreme environments and versatility of workflow, and is available either as part of a complete camera package or as an upgrade for the original ALEXA.   An advanced electronics side cover permits real-time wired or wireless remote control of camera REC/STOP and lens functions like focus and aperture, using either ARRI hand controllers such as the Wireless Compact Unit (WCU-3) or cmotion's modular cvolution system.   The lens mount of the Plus model incorporates LDS contacts, allowing lens data and depth of field to be displayed in the viewfinder or on monitors, and making speed/iris ramps easier. Lens metadata can be recorded using ProRes, HD-SDI or ARRIRAW.      

ARRI Codex Compact Drive 1TB

ARRI Codex Compact Drive 1TB The Codex Compact Drive 1TB is a professional-grade, industrial-style SSD designed specifically for ARRI's ALEXA Mini LF and ALEXA 35 cameras. It offers exceptional performance, reliability, and convenience for high-quality video production. Key Features High Capacity & Performance Capacity: Full 1TB available for recording, no need for reformatting or switching drives. Recording Formats: Supports ARRIRAW and ProRes formats. Write Speed: Sustained write speed of up to 8 Gb/s, ensuring smooth and reliable recording even for high-data-rate workflows. File Access & Compatibility ARRI UDF File System: Enables native file storage on the drive. Accessible directly via standard operating system software without requiring additional drivers or licenses. Hardware Compatibility: Compact Drive Reader (USB-C) for versatile access. Compact Drive Dock (Thunderbolt 3) for high-speed transfers. Use with existing SXR Capture Drive Dock or CODEX Vault, upgraded with a Compact Drive Adapter (Mac only). High-Density Encoding (HDE) File Compression: Reduces ARRIRAW file sizes by ~40%, saving storage space and optimizing workflows. Lossless Decoding: Ensures a bit-for-bit match to the original files after decoding. Software Support: CODEX Device Manager for encoding ARRIRAW data from pre-ALEXA 35 cameras (Mac only). ARRIRAW HDE Transcoder for encoding ALEXA 35 ARRIRAW data into HDE MXF clips (macOS, Windows, CentOS 6). Build & Design Durable Construction: Engineered for rugged professional use. Compact & Lightweight: Fits seamlessly into production setups with minimal added weight. Additional Information Firmware Update: May be required for compatibility with ALEXA Mini LF or ALEXA 35 cameras. Compatibility Notes: Designed specifically for ARRI cameras, integrating seamlessly with the ALEXA Mini LF and ALEXA 35. Fully compatible with post-production tools supported by major studios. Included Accessories: Carrying case or foam cutout not included.

ARRI WCU-4 Wireless Compact Unit for 3-Axis Lens & Camera Control

ARRI WCU-4 Wireless Compact Unit: Versatile 3-Axis Lens and Camera Control The ARRI WCU-4 is a 3-axis wireless handheld controller designed for professional lens and camera operation. Its integrated lens display and robust features make it an essential tool for remote camera and lens control in demanding shooting environments, such as handheld, stabilizer, gimbal, or crane setups. This compact unit supports full control of focus, iris, and zoom, as well as camera functions for ARRI ALEXA Mini, ALEXA Plus, and Studio cameras. When paired with the UMC-4 motor controller, it also supports ARRI AMIRA and other compatible ARRI motor controllers like SMC-1, EMC-1, and AMC-1. The WCU-4 is designed with usability in mind. Vibrating markers and a backlit display ensure functionality in low-light conditions. Multiple mounting points (3/8"-16, 1/4"-20, and M4) allow for rig integration. The included hand strap, lanyard, and marking disk add convenience and adaptability. Key Features 3-Axis Lens Control: Precise control of focus, iris, and zoom functions. Camera Function Control: Supports ARRI ALEXA Mini, Plus, Studio, and AMIRA (via UMC-4 motor controller).Low-Light Usability: Vibrating markers and backlit focus knob for optimal performance in dim conditions. Note: Camera control requires a separately available software license. Mounting Versatility: Includes 3/8"-16, 1/4"-20, and M4 mounting points for easy rig attachment. Ergonomic Design: Compact, lightweight, and comfortable for handheld operation. Accessories Included: Comes with a hand strap, lanyard, and one marking disk for focus marks. Additional Information Power: Requires a Sony NP-FM500H battery and BC-QM1 charger (sold separately). Focus Marks: Use a non-permanent marker to customize focus marks on the included marking disk. Pre-Marked Focus Rings: Available separately for added precision.

ARRI SXU-1 Single Axis Unit

ARRI SXU-1 Single Axis Unit The ARRI SXU-1 is a wireless hand unit designed for single-axis control of focus, iris, or zoom functions. Compact and user-friendly, it features remote camera start/stop capabilities, a tally indicator, an ergonomic wooden handgrip, and a backlit, ultra-smooth control knob for precise operation. To ensure visibility in any lighting condition, the SXU-1 is equipped with a backlit display window that remains clear even in bright sunlight, while the internally lit control knob ensures readability in low-light environments. The unit comes with one marking disk and a lanyard for convenience. Note that the required battery and charger are sold separately. Key Features Single-axis lens control for focus, iris, or zoom Backlit control knob and display window for visibility in all lighting conditions Remote camera start/stop and tally functionality Compatible with the WCU-4 and SMC-1 single-motor controller (available separately) Compact, ergonomic design with a wooden handgrip Includes one marking disk and a lanyard

ARRI LCUBE CUB-2 LBUS to 12-Pin Hirose-Type Converter with Bracket

ARRI LCUBE CUB-2 LBUS to 12-Pin Hirose-Type Converter with Bracket The ARRI LCUBE CUB-2 Converter is a specialized tool designed to extend the functionality of ARRI Master Grips to servo-type (ENG) zoom lenses, enabling precise control over focus, iris, and zoom operations. Its compact and flexible design allows seamless integration into professional camera setups. Key Features Support for Servo Lenses: Extends Master Grip functionality to servo-type (ENG) zoom lenses for professional-grade control. Iris Control Options: Includes a switch to toggle between camera-based iris control and Master Grip-based iris control, providing versatility based on your workflow. Flexible Mounting: Features an integrated dovetail for mounting to: The included LCUBE bracket. Optional brackets for CLM-5 or cforce mini (19mm/15mm). Compact and Lightweight Design: Ensures portability and seamless integration into your rig without adding bulk. Included Accessories: CUB-2 to 12-pin Hirose-style cable: For connecting the converter to compatible lenses. LCUBE mounting bracket: Provides secure and easy attachment. Applications Compatible with servo-type (ENG) zoom lenses to enhance focus, iris, and zoom control using ARRI Master Grips. Ideal for cinematographers looking to expand their lens control capabilities with precision and reliability.

ARRI LCUBE CUB-1 LBUS to Serial Converter with Bracket

ARRI LCUBE CUB-1 LBUS to Serial Converter with Bracket The ARRI LCUBE CUB-1 Serial Converter is a versatile tool designed to bridge LBUS and serial protocols (RS232, RS485, RS422), enhancing compatibility across ARRI and 3rd-party camera setups. This compact converter allows seamless integration of ARRI accessories, such as Master Grips, with various cameras and supports advanced functionalities like distance measurement. Key Features Protocol Conversion: Converts LBUS to serial protocols (RS232, RS485, RS422) and vice versa. Enhanced Compatibility:Daisy-Chainable: Can be daisy-chained via LBUS for expanded setups. Enables ARRI Master Grips to control select 3rd-party cameras. Supports integration of distance-measuring devices with ARRI cameras like the ALEXA Mini. Compact and Lightweight: Ideal for streamlined setups, maintaining a low-profile design. LED Status Indicator: Features a vari-colored LED for clear feedback on operational status. Quick-Release Mounting: Includes a quick-release bracket with a 3/8"-16 screw for secure and easy mounting. Compatibility Distance-Measuring Devices: ARRI UDM-1 Ultrasonic Distance Measure Cinematography Electronics CTM Cine Tape Measure Cameras: ARRI ALEXA Mini: Enables integration with UDM-1 for distance measuring. Sony F5/F55: Provides REC start/stop functionality. RED Epic/Dragon: Supports REC start/stop and user button operations. Additional Notes LBUS Cable: Not included; must be purchased separately for connection. Applications: Distance measuring in professional cinematography. Extending ARRI ECS (Electronic Control System) compatibility to 3rd-party cameras. Enhancing workflow with advanced camera control accessories.

ARRI LMB 4x5 3-Stage Matte Box 15mm Support Set

ARRI LMB 4x5 3-Stage Matte Box 15mm LWS Set The ARRI LMB 4x5 3-Stage Matte Box 15mm LWS Set is a lightweight and versatile matte box system, designed to provide effective light control and filtration in a compact configuration suitable for various lenses and setups. Key Components LMB 4x5 Matte Box: A lightweight, modular matte box designed for flexibility and ease of use. 15mm Lightweight Rod Support: Provides secure mounting on 15mm LWS rods. Clip-on lens adapters are available separately for additional mounting options. Filter Stages: One 2-Filter Stage: Fixed position, supporting up to two filters. One 1-Filter Stage: Fixed position, supporting one filter. Three Combo Filter Trays: Accommodates both 4 x 5.65" and 4 x 4" filters for diverse filtration needs. Additional Features Universal Adapter Donut: Flexible rubber donut adapter fits a wide range of lens diameters, from 62 to 143 mm, allowing compatibility with various lenses. Top/Bottom Carbon Fiber Flag: The flag provides extended flare protection, with slide-out wings for additional coverage. It can be positioned on either the top or bottom of the matte box, depending on shot requirements. Captive Screws: The sunshade includes captive screws, allowing for easy attachment and removal of the sunshade without losing parts. Optional Lens Adapters: Clamp-on lens adapters for specific lenses are available separately, adding further versatility to the setup. Summary of Features Lightweight 15mm Rod Support: Stable support for matte box on 15mm rods. Two Stationary Filter Stages: Supports a total of three filters (two in the 2-filter stage and one in the 1-filter stage). Flexible Universal Donut: Fits lenses from 62-143mm in diameter. Carbon Fiber Flag: Top/bottom flag with slide-out extensions for enhanced flare control.

ARRI LMB 4x5 Matte Box 15mm LWS Pro Set

ARRI LMB 4x5 Matte Box 15mm LWS Pro Set The ARRI LMB 4x5 Matte Box 15mm LWS Pro Set is ARRI’s most comprehensive LMB 4x5 configuration, offering a full range of components for professional, flexible light and flare control. Key Components 15mm Lightweight Rod Support: Provides stable support with 15mm rods. The matte box can also be used in a clip-on configuration, though a lens clamp adapter (available separately) is required. Filter Stages:Universal Adapter Donut: A flexible rubber adapter compatible with lenses ranging from 62-143mm in diameter. Two Stationary Filter Stages: Accommodates standard 4 x 5.65" / 4 x 4" filters. One Rotating Filter Stage: Ideal for polarizers or other rotating filters, enhancing versatility. Five 4 x 5.65" / 4 x 4" Combo Filter Trays: Enables the use of both filter sizes for added flexibility. Flare Control and Flags Carbon Fiber Top/Bottom Flag: Provides extended flare protection, with slide-out wings for additional control. Side Flags: Included for added side flare control. Flag Holders: Included for securely mounting flags on the top, bottom, or sides. Additional Features Swing-Away/Tilt Arm Module: Swing-Away Arm: Facilitates quick lens changes by enabling easy access to the lens without removing the matte box from its rods. Tilt Function: Allows filters to tilt at a 10° angle, reducing unwanted reflections from direct light sources such as car headlights. Matte Sets: Spherical and Anamorphic Mattes: Five of each are included to customize coverage based on lens type and shot requirements. Accessory Mount: 3/8"-16 Adapter: Allows mounting additional accessories (e.g., a focus rangefinder) directly onto the matte box for added utility.

ARRI LMB-25 Three-Stage Matte Box Set

ARRI LMB-25 Three-Stage Matte Box Set The ARRI LMB-25 Three-Stage Matte Box Set is a versatile kit designed for professional filmmakers who require precision control over light and flare while shooting. This lightweight matte box system is ideal for various lens setups and includes essential components to enhance control over lighting and filtration. Key Components ARRI LMB-25 Basic Module Core Component: The LMB-25 Basic Module serves as the central frame for the matte box system. Compatibility: Works with all LMB-15 and LMB-5 filter frames, lens clamp adapters, and flags. Captive Screws: Includes four captive screws to secure the hood, making it easy to remove without losing parts. Additional Components Required: Use with a filter stage, lens clamp adapter, and other accessories to complete the matte box system. ARRI 3-Filter Stage for LMB-25 Matte Box Capacity: Holds up to three filters, using 4 x 4" or 4 x 5.65" combo filter frames. Modular Design: Sits between the lens clamp adapter and the matte box module for flexible use and easy attachment. ARRI Top/Bottom Flag for LMB-25 Matte Box Extended Flare Control: Constructed from lightweight carbon fiber, this flag attaches to the top or bottom of the matte box, reducing unwanted lens flares. Protective Design: Folds over the front of the matte box, protecting the lens during camera moves between shots. ARRI F4 Combo 4 x 5.65" / 4 x 4" Filter Frame Filter Compatibility: Designed to hold one 4 x 5.65" or 4 x 4" filter, compatible with LMB-25, MMB-1, MMB-2, MB-19, and MB-29 matte boxes. Secure Fit: A recessed spring lock keeps the filter in place, ensuring stability during filming. Additional Notes Lens Clamp Adapters: Not included; available separately in sizes up to 143mm for compatibility with various lenses. Versatile Use: Compatible with multiple ARRI matte box systems, including the LMB-15 and LMB-5, making it an excellent upgrade or addition to existing setups. Modular Setup: Additional non-geared filter trays and stages are available to expand and customize the setup as needed.

ARRI Intensifier for SkyPanel S60-C

ARRI Intensifier for SkyPanel S60-C(L2.0007818)   This intensifier panel for SkyPanel S60-C* increases light output by up to 50% while maintaining a soft, even beam of light. The increase in output is achieved by capturing some of the light going off to the side and refocusing it in a more forward direction. Light output in the center is thereby intensified and yet the quality of the light is retained.  

ARRI Hi-5 Hand Unit Basic Set

ARRI Hi-5 Hand Unit Basic Set The ARRI Hi-5 Hand Unit Basic Set is a highly advanced, modular, and customizable wireless camera and lens control system, ideal for professional use with the ALEXA series and other compatible cameras. Its robust feature set includes:   Multi-Axis Control: Provides advanced wireless control with a large, customizable focus knob and user-defined function buttons for precise camera and lens adjustments. Connectivity: Equipped with 2400 MHz RF-EMIP Radio Module, supporting 14 channels and backward compatibility with white-coded EMIP modules. Optional radio modules make it adaptable across regions, and LBUS ports provide hardwiring options for ARRI camera lens control. Compatibility: Designed for ARRI ALEXA Mini LF, LF, Mini, SXT W, and 65 cameras, as well as UMC-4 and RIA-1/RF-EMIP control units. Also compatible with Focusbug Cine RT and cforce mini RF (via RF-EMIP module). Flexible Licensing: Supports optional control licenses for RED, Panavision, and Sony cameras, making it versatile across different production needs. User-Friendly Interface: Features a high-contrast touchscreen LCD and customizable focus rings, with optional pre-marked Smart rings for electronic detection. Rugged, Weatherproof Design: Engineered for all weather conditions, and includes hot-swappable LBP-3500 batteries for uninterrupted power during long shoots.

Arri FF-5 Follow Focus Kit

Used ARRI FF-5 Cine Kit Pro includes FF-5 Cine Base, Focus Knob Std Left, Module Gears, Focus Knob Std Right, Focus Lever, Flexible Shaft & Marking Disks (KK.0005758).  With the ARRI Follow Focus FF5-CINE, a completely modular, film style follow focus is now available for digital productions. Designed specifically for cine-style lenses , the FF-5 CINE swing arm ensures proper gear position on the focus ring and a lower gear ratio for a more exacting focus pull on smaller diameter lenses or those with compressed focus scales. The FF5-CINE integral snap-on mechanism locks to 15mm lightweight support rods and can be adapted to work with ARRI standard 15mm or 19mm bridgeplate support rods. ARRI Follow Focus drive gears can be attached to either side of the swing arm, allowing greater mounting flexibility.  ARRI gears are made from low friction Delrin for optimal drive smoothness and use precise self-centering stainless steel couplings to eliminate runout and wear.

Arri Signature Prime Lenses 12-280mm

Arri signature-prime-lenses-12-to-280mm-FH (signature/prime/lenses/12/to/280mm, arri signature prime lenses 12 to 280mm, arri_signature_prime_lenses_12_to_280mm) Signature Prime Lenses 12-280mmThe ARRI Signature Primes, designed with an open-standard LPL mount, deliver flexible, camera-independent performance with a wide range of focal lengths, including matching zooms. The 12mm - 280mm Signature Prime, part of this 16-lens series, supports all sensor sizes up to full-frame, large-format, providing rich, organic images, beautiful bokeh, delicate flares, and a fast maximum aperture for stunning shallow depth of field. This lens softens the large-format look for natural skin tones and deep blacks, with smooth focus transitions that elegantly highlight subjects.For creative diffusion, the Signature Prime features a magnetic rear net holder for adding stockings, nets, or voile, allowing tailored visual effects. Eleven iris blades produce beautifully rounded bokeh, while a telecentric design minimizes breathing. The integrated LDS-2 lens data system is fully compatible with ARRI’s LDS-1 and communicates seamlessly with Cooke’s /i Technology.Each Signature Prime is crafted with magnesium housings, aluminum gear rings, and features focus markings in feet. Lightweight and water-resistant, these lenses include anti-reflective coatings, internal baffles, and traps to reduce barrel flare. Designed for resilience, the lens mechanics offer easy access for servicing at ARRI centers, ensuring durability even under demanding conditions.

Arri Ultra Prime 5 Lens Set

Arri K2.47324.0-FH (K2-47324-0-FH, K2_47324_0_FH, K2/47324/0/FH, K2473240FH) Ultra Prime 5 Lens SetExperience unmatched optical quality for cinematography with the Arri Ultra Prime lenses. Crafted with the latest advancements in optical design, glass technology, and flare suppression, these lenses—designed by Carl Zeiss and Arri—set a new standard in cine lenses for 35mm film.Each Ultra Prime lens features large, legible calibrated scales, uniform diameters, and consistent positions for focus and aperture rings, along with a uniformly placed exit pupil for optimal performance. Renowned for their durability and ease of servicing, Ultra Primes deliver exceptional image quality even at wide-open apertures. The inclusion of floating elements ensures superb performance right down to close focus, with minimal distortion and controlled breathing, especially critical for wide-angle shots.As the most extensive collection of cine prime lenses currently available, the Zeiss/Arri Ultra Primes continue to lead the industry, with even more additions in development.

ARRI ALEXA Mini Body Only

ARRI ALEXA Mini Body Only To ensure ARRI’s renowned rugged build quality in a compact, lightweight camera, the ALEXA Mini incorporates several innovative design solutions. These include highly integrated, environmentally sealed electronics, a durable carbon fiber body, and a robust titanium PL mount. The titanium mount connects directly to the internal sensor mount, ensuring a stable flange focal distance even when using larger lenses. Compact, versatile, and easy to carry, the ALEXA Mini is designed to be transported in backpacks or as carry-on luggage, making it a go-anywhere tool for filmmakers. The ALEXA Mini offers multiple operation modes, including wireless remote control, standard use with the ARRI MVF-1 multi-viewfinder, or via an on-board monitor with control through the user button interface on the camera body. Its light weight makes it easy to operate handheld at arm’s length with a hand rig, while its compact size and quiet operation are ideal for tight shooting environments. The symmetrical design supports filming in any orientation, including upside-down or in portrait mode, with numerous accessory points for creative mounting options. Additionally, the interchangeable lens mount can be swapped for any designed for the ARRI AMIRA, allowing the use of B4 video lenses and EF mount still photography lenses. Equipped with a 4:3 sensor and automatic de-squeeze mode for anamorphic shooting, the ALEXA Mini supports frame rates from 0.75 to 200 fps. It records ProRes or uncompressed ARRIRAW internally to CFast 2.0 cards or externally to a Codex recorder, which can capture image streams from up to four ALEXA Minis simultaneously—an excellent solution for multi-camera setups like 360° plates. The ALEXA Mini’s images seamlessly match those from other ALEXA cameras, simplifying color grading and streamlining the post-production workflow. The ALEXA Mini is designed for efficiency and integration. A built-in lens motor controller connects directly to the titanium PL mount, enabling the use of active lens motors. ARRI’s Lens Data System (LDS) provides frame-accurate metadata, helping to save time and costs both during production and in post. With built-in Wi-Fi, camera functions—such as the motorized internal ND filters—can be remotely controlled via iOS or Android devices, allowing quick responses to changing lighting conditions without adding bulk to the camera setup. Optimized for new-generation brushless gimbals, multicopters, and other specialized rigs, the ALEXA Mini is compact enough to accommodate standard PL mount lenses, even on lightweight or space-constrained systems like gyro-stabilized aerial setups. Its exceptional low-light performance makes it ideal for underwater cinematography, with dedicated housings being developed by leading manufacturers. Like the ARRI AMIRA, the ALEXA Mini records 4K UHD ProRes, supporting real-time 4K UHD output and simplifying high-resolution workflows. Most importantly, the ALEXA Mini, along with other ARRI cameras using the ALEV III sensor, delivers superior image quality, prioritizing not just spatial resolution but also parameters such as color accuracy, skin tones, and High Dynamic Range (HDR). Whether filming in HD, 2K, 4K UHD, or using native resolutions like uncompressed ARRIRAW 2.8K or ProRes 3.2K, footage captured with the ALEXA Mini remains future-proof, ready to meet evolving industry standards.

ARRI ALEXA Mini LF Body Only

ARRI ALEXA Mini LF Body Only The ALEXA Mini LF is optimized for large-format lenses, featuring an LPL lens mount compatible with ARRI Signature Primes, ARRI Rental DNA LF, 65 format optics, and third-party LPL lenses. The PL-to-LPL adapter (sold separately) ensures backward compatibility with all PL mount lenses, supporting Super 35 and full-frame. Metadata access is streamlined via LDS-2 or /i through the LPL mount, and LDS-1 or /i via the PL-to-LPL adapter. ARRI’s Frame Line and Lens Illumination Tool, available on the ARRI website, helps visualize sensor coverage with various lenses. Several manufacturers, including Panavision and Vantage, offer proprietary lens mounts for the ALEXA LF and Mini LF, providing a wide array of lens choices for cinematographers. ARRI Build Quality With nearly a century of camera innovation, ARRI ensures that its cameras are robust, reliable, and easy to use. The ALEXA Mini LF continues this tradition of durability and user-friendliness, crafted for challenging professional environments. ALEV Sensors The ALEXA Mini LF is equipped with ARRI’s renowned ALEV III sensor, which delivers a film-like look and HDR capabilities. The sensor, originally designed for the ALEXA family, offers outstanding image quality, with the A2X version used in ALEXA LF and Mini LF, covering slightly more than "full frame." Image Processing ARRI prioritizes exceptional image quality across all its products. Software updates continuously enhance the image pipeline, ensuring that even previously recorded ARIRAW footage can benefit from new processing advancements. Lens Mounts ARRI’s LPL lens mount sets a new standard for large-format cinematography, allowing for precise and secure lens attachment, ensuring optimal image quality with various lenses. Viewfinders ARRI viewfinders deliver fast image display, high-quality visuals, and accurate color reproduction. With features like surround view and inherited characteristics from ARRI’s optical viewfinders, these devices meet the needs of professional camera operators. Workflow The term "workflow" encompasses everything from viewing to editing and processing footage. ARRI’s Software Development Kit (SDK) facilitates the processing of ARRIRAW data into RGB images and ensures compatibility with third-party tools, simplifying the post-production process. ALEXA Mini LF The ALEXA Mini LF merges the compact form of the ALEXA Mini with the large-format ALEXA LF sensor, offering flexibility and creative possibilities. Despite its small size, the Mini LF captures the same formats as the ALEXA LF, while utilizing Codex Compact Drives for efficient, cost-effective recording. It supports internal recording of MXF/ARRIRAW and MXF/Apple ProRes, boasts three motorized FSND filters, improved WiFi, multiple accessory power outputs, and a new MVF-2 HD viewfinder. Built with a durable carbon body and designed to withstand extreme conditions, the ALEXA Mini LF endures rigorous testing before leaving ARRI's factory, ensuring long-lasting reliability. The camera also features user-friendly elements, including additional buttons, enhanced connectivity, and built-in microphones. The Mini LF introduces the Codex Compact Drive, a lightweight and solid recording solution that can be easily integrated into workflows without additional software. Codex High Density Encoding (HDE) technology further improves large-format shooting efficiency by reducing ARRIRAW file sizes by approximately 40%, resulting in lower storage costs and faster workflows. HDE is freely available and significantly reduces both transfer times and overall costs. MVF-2 Viewfinder The new MVF-2 viewfinder, shared with the ALEXA LF, incorporates a high-contrast HD OLED display and an ARRICAM eyepiece for precise focus, dynamic range, and color assessment. The MVF-2 also features a 4-inch flip-out monitor, a refined user interface, and flexible cable options for remote operation, along with built-in eyepiece heaters and headphone connectors for added convenience on set.

ARRI ALEXA 35 Lightweight Set

ARRI ALEXA 35 Lightweight Set The ARRI ALEXA 35 is a compact Super35 digital cinema camera, engineered to elevate film production with its powerful new 4.6K 4:3 sensor, offering 2.5 additional stops of dynamic range, improved low-light performance, and more accurate color reproduction. With a dynamic range of 17 stops, the camera delivers 1.5 stops in highlights for a smooth roll-off and 1 stop in shadows for better low-light detail. These features make it perfect for HDR and backlit projects, providing greater flexibility in post-production tweaking. Key Features: 4.6K Super35 ARRI ALEV 4 CMOS Sensor: This new sensor offers 17 stops of dynamic range, with an improved performance in both highlights and shadows. Multiple Video Recording Formats: Supports ARRIRAW and Apple ProRes recording in a variety of resolutions, aspect ratios, and data rates, including 4.6K, 4K, 3.3K, and 2.7K. Stray Light Suppression: Technology in both the camera and lens mounts ensures excellent contrast by minimizing unwanted reflections. High ISO Capability: With an EI of 160 to 6400, the ALEXA 35 has enhanced sensitivity for low-light scenarios, and an Enhanced Sensitivity Mode (EI 2560-6400) delivers noise-free images in dark environments. REVEAL Color Science: ARRI’s REVEAL Color Science redefines color reproduction, providing more accurate tones, improved skin tones, and a smoother grading process. The ACES-compatible AWG4 color space offers a gamut larger than Rec. 2020 for better color tracking and faster conversion. The camera uses a new Log-C 4 tonal curve to handle the extended 17-stop range, while new LUTs help optimize shadow tonality and color fidelity. Versatile Lens Options: The Lightweight Set includes an LBUS LPL mount and a PL-to-LPL adapter, making it compatible with a wide range of cine-style lenses. Additional adapters allow for the use of modern and vintage lenses in spherical, anamorphic, Super35, and large format. Compact and Full-Featured: Despite its small form factor (similar to the ALEXA Mini), the ALEXA 35 integrates a robust set of features, including independent SDI outputs, motorized ND filters, and both 12V and 24V accessory ports. Operators benefit from a new left-side display for quick settings changes, multiple audio options, and ethernet connectivity for real-time metadata streaming. Accessories: This set includes the MVF-2 Multi Viewfinder, lightweight support components, and a B-mount battery system capable of powering both 12V and 24V accessories. The PDM-1 Power Distribution Module and third-party battery adapters can be added for expanded power options. The ALEXA 35 also integrates seamlessly into ARRI's ecosystem, working with apps like Camera Companion for remote control, ARRIRAW HDE Transcoder for post-production efficiency, and tools for color grading and metadata handling.