Atomos Ninja RAW 5" HDMI Recorder with CFexpress

Atomos Ninja RAW HDMI & CFexpress 5-inch monitor-recorder with camera control Atomos Ninja RAW is a compact 5-inch HDR monitor-recorder built for high-quality capture and precise on-set monitoring in filmmaking, broadcast, and content creation. Featuring a bright 1500-nit HDR touchscreen, it delivers excellent visibility in both indoor and outdoor environments. Direct HDMI recording enables Apple ProRes and ProRes RAW capture straight from the camera sensor to CFexpress Type B or external USB-C storage for fast, reliable performance. Ninja RAW supports professional codecs including ProRes RAW, ProRes RAW HQ, ProRes 422, ProRes 422 HQ, and ProRes LT, with seamless compatibility across leading NLE platforms. USB-C camera control (for supported models) provides access to start/stop, ISO, shutter, aperture, and white balance directly from the touchscreen. Advanced monitoring tools include EL Zone™ false colour, waveform, vectorscope, and focus peaking, while creative features such as Onion Skin overlay enable frame-accurate alignment for VFX, animation, and continuity-critical production.   With dual USB-C ports for storage or network adaptors, flexible power options for studio or field use, and a rugged production-ready design, Ninja RAW combines professional monitoring and advanced ProRes RAW recording in a compact, next-generation device.

Atomos Shinobi GO 5-Inch, 1500 NIT, HDR Video & Photo monitor

Atomos Shinobi GO 5-Inch, 1500 NIT, HDR Video & Photo monitor (AOATOMSHB004,ATOMSHB004) Designed at a price-point to appeal to Digital Camera users who have probably never considered using an on-camera monitor before, the expectation is that this monitor will significantly broaden the addressable user-base for Atomos monitors.  It offers a high-quality, daylight viewable monitor at an affordable price.  Shinobi GO provides exactly what photographers and videographers need without compromising on quality, despite its lower cost. And it comes from a brand trusted by professionals worldwide 5-Inch, 1500 NIT, HDR Video & Photo monitor Daylight touchscreen monitor Designed for creators on the move Use tool like waveform monitoring, false colour and focus peaking HDMI In: Supports 4K signals up to 30p, 1080p up to 60p Locking cable adapter

Atomos Shogun Inferno 7" 4K HDMI/Quad 3G-SDI/12G-SDI Recording Monitor

Atomos AO-ATOMSHGIN2 (AOATOMSHGIN2, AO/ATOMSHGIN2, AO ATOMSHGIN2, ao-atomshgin2) Shogun Inferno 7" 4K HDMI/Quad 3G-SDI/12G-SDI Recording Monitor Shogun Inferno combines our award winning HDR, high bright monitor with high resolution, high frame rate recording. Designed for the world's leading cinema cameras with both QuadLink SDI* and HDMI 2.0 connections for recording up to 4K 60p (HD 240p) video, 4K 30p Raw to CDNG and 4K 60p Raw to ProRes / DNxHR. Available in future firmware updates AtomHDR image processing lets you shoot with the high brightness range of your camera’s Log profile while maintaining vibrant true-to-life colors. Conventional monitors lack this capability, displaying the brightness detail of Log but with a washed out image that makes judging exposure difficult. Be at the forefront of the HDR revolution by having a field monitor capable of resolving HDR in the field as you see it in Post Production and record the original Log image direct from the sensor for HDR grading in post production. 1500NIT 10-BIT  The 10-bit panel resolves more colors (1.07 billion colors compared to 16.7 million for standard 8-bit panels) to ensure smooth color transitions in both HDR and SDR (standard dynamic range) shooting. The 1500nit panel brings HDR to life, accentuating high contrast scenes. While for regular SDR scenes, use the brightness slider to take advantage of the 1500nit screen for hood-free outdoor monitoring. HDR on the big screen with PQ out The AtomHDR engine lets you monitor a post production HDR image in the field on a 7" calibrated screen. For collaboration on set or in post, connect Shogun Inferno to HDR compatible larger screens, select the desired color space (Rec709, DCI P3 or Rec2020) and see the magic of HDR on larger screen sizes. Use the PQ input to connect from your NLE and use the Inferno as a monitor to grade HDR in Post. 4K 60P & HD 240P Recording Shogun Inferno combines high resolution recording, high frame rate recording and playback. Record Video from both HDMI and SDI cameras direct from the sensor to 4:2:2 10-bit ProRes or DNxHR up to an amazing 4K 60p or HD 240p. Record Raw over SDI up to 4K 30p either directly to CDNG or record to ProRes or DNxHR. Playback recorded ProRes or DNxHR files via the HDMI or SDI output at the same high frame rates to supporting monitors Log and Raw over Quadlink SDI The QuadLink SDI connections* offer the widest camera compatibility with 1.5G/3G/6G/12G SDI inputs and a single 12G SDI output. Recording RAW* from Arri, Sony, Canon and Panasonic cameras provides 4K functionality not available in some cameras whilst also offers a far more affordable solution in terms of media costs. Available in future firmware updates Simple OS, Sophisticated Shots Our flexible OS is packed with an extensive suite of scopes, all 1-touch away and simple to use. The Video OS includes tools for focus, framing & exposure (Focus peaking, 2:1/1:1 zoom, Zebra, False Color, Frame guides, SMPTE Safe Area, Waveform, RGB parade, vectorscope) along with a flexible 3D LUT implementation (use built-in LOG to Rec.709 Video or upload .cube files) and options for anamorphic de-squeeze monitoring. Continuous Power & Super Fast Charging Inferno features our patented continuous power system - a hot swappable dual battery system that automatically swaps to the second battery when power is low. To support the dual battery system we include a blazingly fast battery charger, two 4-cell batteries and a D-Tap to DC coiled cable to ensure continuous power in the field is all but assured. Monitor & Record XLR Audio The Shogun Inferno has multiple audio options replacing the need for a separate audio recorder. Monitor up to 8ch of embedded HDMI audio, up to 12ch of SDI audio or use the included XLR breakout cable to connect with external microphones for balanced analogue audio with 48V phantom power. Advanced Recording Capability Outside of RAW and high frame rate 4:2:2 Apple ProRes / AVID DNxHR recording, the Shogun Inferno adds recording functionality not found in other recorders. Trigger start/stop recording over HDMI or SDI popular cameras, convert interlace to progressive signals on the fly with built-in 3:2 and 2:2 pulldown or use features like Pre-roll (continuous cache recording) and Time lapse to maximise your creativity. Battle-Ready! For the feild Our built-in armor enhances protection & airflow whilst the raft of accessories (2 x NP series 4-cell batteries, fast battery charger, USB3 docking station, 2 x input XLR breakout cable, control cable, DC to D-Tap cable, 5 x Master Caddy cases, DC adapter & HDR sun hood) and the premium HPRC flight case ensures you're ready to hit the field immediately.

Panasonic AJ-PX5000G 2/3 type, 3 Chip, AVC-ULTRA P2 HD camcorder

Panasonic PAN-PX5000G ( PX5000G, PANPX5000G, PAN/PX5000G, PAN PX5000G) 2/3 type, 3 Chip, AVC-ULTRA P2 HD camcorder Panasonic AVC-ULTRA offers master-quality and/or low-bit-rate 10-bit, 4:2:2 recording in Full raster HD to meet a variety of user needs from mastering to transmission. Addressing the need for high-speed file exchange, its high-resolution AVC-Proxy encodes in parallel with higher bandwidth production formats, enabling fast, efficient offline editing, at bit rates from 3.5 megabits down to 800 kilobits per second. Like the current AG-HPX600, the PX5000G provides innovative network functionality to improve workflows. The PX5000G AVC-Proxy files and Network function (wired/wireless LAN) make it possible to configure a workflow for previewing images, editing metadata, editing playlists, and uploading motion images quickly and at low cost with a PC/Mac, tablet, or smartphone. A new 3G/4G/LTE dongle for wireless workflow over a mobile network is scheduled for the near future. The camcorder incorporates a choice of AVC-LongG quality levels, including AVC-LongG50 and AVC-LongG25. Designed for applications where file size is critical, these 10-bit, 4:2:2 sampled codecs record in a much smaller file size, saving storage cost and transfer times over MPEG-2 while maintaining equal or better video quality. In the future, lower bit rate AVC-LongG12 will be made available. The PX5000G offers optional AVC-Intra200 recording, which at twice the bit rate per frame of AVC-Intra100 is visually lossless, delivering a master quality codec in an affordable, file-based camera. The AVC-Intra200 option will yield a cost-effective approach to network-level program acquisition, film-outs and higher levels of color correction. In addition to AVC-LongG and AVC-Intra100/50, the PX5000G offers standard recording in DVCPRO HD, DVCPRO50, DVCPRO and DV. In addition to 1080/60i, the AJ-PX5000G supports 24p, 30p, 60p (AVC-Intra100 only), and 720p multi HD format and SD recording. Also, 50i, 50p, and 25p are supported by 59.94 Hz/50 Hz switching. Weighing only 7.5 pounds, the camera has two microP2 slots and two standard P2 card slots, as well as an SD card slot for proxy/metadata recording. MicroP2 cards are substantially downsized to match the size of an SD card, and offer a considerable reduction in cost compared to a P2 card. Professional interfaces include MON out (can be set to output HD-SDI), HDMI out, HD/SD-SDI in/out, 3G-SDI out, genlock in for multi-camera operation, timecode in/out, USB 3.0 (host) and a two-channel UniSlot compatible wireless receiver.  The PX5000G s three 2.2M pixel MOS sensors deliver a horizontal resolution of 1000 TV lines; the camcorder achieves high F12 (59.94 Hz)/F13 (50 Hz) sensitivity and produces excellent images with an S/N ratio of 62 dB. The shoulder-type design accommodates a variety of interchangeable B4 mount 2/3 lenses.  The camcorder will be equipped with Chromatic Aberration Compensation (CAC) to maximize lens performance; Dynamic Range Stretch (DRS) function to optimize scene image contrast at the pixel level, reducing overexposure and crushed shadow content and dramatically improving human skin rendition; and a highly accurate flash band detection and compensation algorithm that minimizes partial image exposure due to strobe lighting. The PX5000G delivers seven-mode (HD/SD/FILMLIKE 1/FILMLIKE 2/FILMLIKE 3/FILM-REC/VIDEO-REC) gamma selection and extensive digital image settings. Innovative features include a smart user interface that permits accessibility to the camera extensive functions from an LCD display on the side of the camera; a 16:9, 3.5-inch, 920,000-dot resolution LCD color viewfinder, which doubles as a LCD monitor when open; a simplified waveform and vectorscope; a 10-pin remote terminal enabling remote camera operation; and an optional camera studio system. Audio capabilities include two XLR audio inputs, and recording up to four channels of 48kHz, 24-bit audio in AVC-Intra formats (16-bit in AVC-LongG, DVCPRO HD, DVCPRO and DV). Standard features include Scan Reverse for use with a cinema lens adaptor; Digital Zoom function for 2x, 3x and 4x boosts; Presettable Shutter Speed from 1/12 to 1/2000 sec plus fully variable Synchro Scan; two four-position optical filters, ND and CC, with four positions each. (The CC filters are 3200K, 4300K, 5600K and 6300K, NDs are Clear, 2, 4, 6 stops.