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    <title>RED Camcorders  from DigiBroadcast</title>
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              <pubDate>Sun, 04 Oct 2026 08:06:31 +0100</pubDate>
              <title>RED DIGITAL CINEMA DSMC2 BRAIN with GEMINI 5K S35 Sensor (2018 Unified DSMC2 Lineup)</title>
              <description><a href="http://www.digibroadcast.com/hire-c2478/camcorders-c2479/red-digital-cinema-dsmc2-brain-with-gemini-5k-s35-sensor-2018-unified-dsmc2-lineup-p48712"><img src="data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7" data-src="http://www.digibroadcast.com/images/red-digital-cinema-dsmc2-brain-with-gemini-5k-s35-sensor-2018-unified-dsmc2-lineup-p48712-111619_thumb.jpg" alt="RED DIGITAL CINEMA DSMC2 BRAIN with GEMINI 5K S35 Sensor (2018 Unified DSMC2 Lineup)"  class="lazyload" /></a>
<p><a href="http://www.digibroadcast.com/hire-c2478/camcorders-c2479/red-digital-cinema-dsmc2-brain-with-gemini-5k-s35-sensor-2018-unified-dsmc2-lineup-p48712">RED DIGITAL CINEMA DSMC2 BRAIN with GEMINI 5K S35 Sensor (2018 Unified DSMC2 Lineup)</a></p>
<p>RED DIGITAL CINEMA DSMC2 BRAIN with GEMINI 5K S35 Sensor (2018 Unified DSMC2 Lineup)
The RED DIGITAL CINEMA DSMC2 BRAIN with GEMINI 5K S35 Sensor is a compact, high-performance camera designed for modular customization within the DSMC2 lineup. Ideal for productions that demand versatility, it supports accessories from RED and other manufacturers, making it adaptable for diverse filmmaking setups. The GEMINI 5K Super35 sensor offers dual native sensitivity modes—Standard for general conditions and Low Light for enhanced sensitivity in dim environments, while retaining highlight detail and minimizing noise.
Key Features
GEMINI 5K Super35 Sensor

Resolution: 5K (5120 x 3000)
Dual Sensitivity Modes: Standard for regular lighting, Low Light mode for enhanced sensitivity
Frame Rates: 12 fps and up, including 24/25/30/48/50/60 fps and higher

REDCODE RAW

Format: REDCODE RAW wavelet compression from 2:1 to 22:1
Resolution &amp;amp; Frame Rates:5K and 4K at various REDCODE ratios:

5K Full Height (5120 x 3000): 3:1 REDCODE at 24 fps, 6:1 at 60 fps
5K Full Format (5120 x 2700): 2:1 REDCODE at 24 fps, 8:1 at 96 fps
4K Full Format (4096 x 2160): 2:1 REDCODE at 24 fps, 6:1 at 120 fps


Compatibility: Editable in popular NLEs like Adobe Premiere Pro, DaVinci Resolve, Final Cut Pro, and Avid Media Composer without transcoding

Apple ProRes and Avid DNx Formats

Proxy Recording: Records ProRes or DNx in 4K or 2K alongside REDCODE RAW for quick editing
Workflow Efficiency: No need to transcode proxies—debayered files can be imported directly into NLEs

Modular DSMC2 Form Factor

Customization: Compatible with RED DSMC2 modules and accessories for flexibility in workflow
Interchangeable Lens Mounts: Supports various lens systems with optional DSMC lens mounts
Optional Components: Expand I/O, battery power, and swap OLPFs or mount EVFs for different setups

Color Management

3D LUT Support: Accepts 33x33x33, 32x32x32, 26x26x26, and 17x17x17 3D LUTs
LUT Outputs: Adjustable with DSMC2 expander module, including user-programmable 1D LUTs
Processing: 16-bit processing with tetrahedral interpolation for enhanced color fidelity
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