Blackmagic BMD-SWATEMMINIBPRISO Mini pro ISO production switcher

Blackmagic 4 HDMI input live production switcher adds recording of up to 5 separate H.264 video streams in real time. That's a clean feed of all inputs and plus the live program. A DaVinci Resolve project file is also saved so you can open your live production to adjust edits, change shots, remix audio and add colour correction.

Blackmagic BMD-DV/RES/BBPNLMINI Davinci Resolve Mini Panel

Blackmagic BMD-DV/RES/BBPNLMINI (BMD-DV-RES-BBPNLMINI, BMD_DV_RES_BBPNLMINI, DV-RES-BBPNLMINI, DV/RES/BBPNLMINI) Davinci Resolve Mini Panel The DaVinci Resolve Mini Panel from Blackmagic Design is a step-up in functionality from the Micro panel but without all the features of the Advanced panel. It is a portable control surface suitable for those that need to switch between editing and color grading. It can sit on your desk top, in a rack, or be bolted to a surface. As with the Micro panel, it features three high-resolution, weighted trackballs and 12 control knobs for accessing essential primary color-correction tools in the Resolve software. 18 dedicated keys on the right side also give you access to the most commonly used grading features and playback controls. However, the Mini Panel also features two LCD screens that allow you to display menus or the parameters of the tools you are working with. Eight customizable soft knobs provide precise control and a quick reset by pushing the knob. Dedicated feature buttons allow you to change tools without needing to use the mouse. The Mini panel incorporates a USB Type-C and Ethernet interface. It is compatible with Mac, Windows, and select Linux systems. You can power the panel via an AC power source, a 4-pin XLR connector, or PoE. For the panel to work with Resolve, your computer must be running DaVinci Resolve 14.3 or DaVinci Resolve Studio 14.3 or later. An included USB 3.0 Type-A to USB Type-C cable provides backward compatibility for systems that are limited to USB Type-A connectors. Small enough to take with you, so you can bring it to any Resolve system (14.3 or later) and do color correction on location or at the editor's suite Shares basic layout with both Micro and Advanced Panels Interfaces with and controls software Three track balls with outer control rings Log and Offset color-correction selection buttons Buttons are backlit and light up when actuated Two LCD display screens for displaying the menu system or the parameters of the tools you are wotking with Custom control knobs with 4096 steps per rotation and push button reset Primary Correction Creative Control Knobs Control knobs are grouped into four sets of three knobs Luminance Y Lift Control: Adjust the contrast of the image in the darker areas, specifically in the Y (luminance) channel only. This adjustment allows changing the black point without changing saturation. Y Gamma Control: Adjust the contrast of the image in the mid-tone areas, specifically in the Y (luminance) channel only. This control helps add depth and extra vibrancy to shots Y Gain: You can reduce hot spots or tweak the whites to define a look. Contrast Contrast Control: Increase contrast to make the blacks darker and the whites brighter, or decrease contrast to do the opposite. Pivot: Change the center of tonality about which dark and bright parts of the image are stretched or narrowed during a contrast adjustment. Mid-Tone Detail: Affect the contrast of regions of the image with high edge detail to increase or decrease the perception of image sharpness and definition. Often used for softening facial features making it popular for beauty shots. Detail Color Boost Control: Raise the saturation in regions of the image with low saturation while leaving properly saturated areas alone. Also known as a vibrance operation, this is useful for adding color without over-saturating the image. Shadow Control: Selectively lighten or darken shadow detail without affecting your images mid-tones. Highlight Control: Enable retrieving blown-out highlight detail in high dynamic range media by lowering this parameter. This allows you to achieve a smooth blend between the retrieved highlights and unadjusted mid tones for a natural-looking image. Saturation Increases or decreases overall image saturation — you can turn your color image into a grayscale image with this control. Hue Control: Rotates all hues of the image around 360° of the color wheel. The default setting is 50, which retains the original distribution of hues. Luminance Mix Control: Controls the balance between the YRGB adjustments and Y only adjustments made using the Y channel lift, gamma, and gain controls. The system powers from either AC power or a 12 VDC source via the 4-pin XLR connector. The Mini panel can sit on a desktop, be mounted in a rack, or mounted to a surface to prevent theft or be used in a moving vehicle or on a cart.

Blackmagic BMD-DV/RES/BBPNLMIC Davinci Resolve Micro Panel

Blackmagic BMD-DV/RES/BBPNLMIC ( BMD-DV-RES-BBPNLMIC, BMD/DV/RES/BBPNLMIC, BMDDVRESBBPNLMIC, BMD DV RES BBPNLMIC, bmd-dv-res-bbpnlmic ) Davinci Resolve Micro Panel. Small, portable hardware control panel The DaVinci Resolve Micro Panel is a high quality, portable low profile panel that features three high resolution trackballs and 12 precision machined control knobs for accessing all essential primary color correction tools. Above the center trackball are keys for switching between log and offset color correction, as well as a key to display DaVinci Resolve’s full screen viewer, which is great for use with laptops. Eighteen dedicated keys on the right side also give you access to the most commonly used grading features and playback controls. DaVinci Resolve Micro Panel is perfect for independent editors and colorists that need a truly portable solution, great on set to create looks and evaluate color and lighting, ideal for quickly grading video in broadcast trucks, great for education and much more. PRIMARY CORRECTION CREATIVE CONTROLS To take your color grading to the next creative level, the DaVinci Resolve Mini and Micro panels include 12 dedicated primary color correction control knobs. These are designed to make it easy for you to stylize the look of your images and generate precise “film looks.” All knobs can be pressed to instantly reset the control. That’s perfect for when you are trying an exciting new style but get a bit lost. Simply press the knobs to reset. LIFT Adjust the contrast of the image in the darker areas, specifically in the Y (luminance) channel only. This adjustment is great for a changing the black point without changing saturation. Y GAMMA Adjust the contrast of the image in the mid-tone areas, specifically in the Y (luminance) channel only. This control helps add depth to shots, along with extra vibrancy. Y GAIN Adjust the contrast of the image in the brighter areas, specifically in the Y (luminance) channel only. You can reduce hot shots or pull the whites to make the shot look more angelic. CONTRAST Increase contrast to make the blacks darker and the whites brighter, or decrease contrast to do the opposite. Use this to improve the dynamic range and make shots pop. PIVOT Changes the center of tonality about which dark and bright parts of the image are stretched or narrowed during a contrast adjustment. MID-TONE DETAIL Increases the contrast of regions of the image with high edge detail to increase or decrease the perception of image sharpness and definition or when lowered regions of the image with low amounts of detail are softened while areas of high detail are left untouched. Great for softening facial features and popular for beauty shots. COLOUR BOOST Naturally raise the saturation in regions of the image with low saturation while leaving properly saturated areas alone. Sometimes referred to as a vibrance operation, this is great for adding color without over saturating the image. SHADOWS Selectively lighten or darken shadow detail. Raising this value retrieves shadow detail while leaving the mid-tones untouched. HIGHLIGHTS Easily retrieve blown out highlight detail in high dynamic range media by lowering this parameter to achieve a smooth blend between the retrieved highlights and the unadjusted mid tones for a natural result. SATURATION Increases or decreases overall image saturation. At higher values, colors appear more intense, while at lower values color intensity diminishes and can be adjusted until all color is gone, leaving a grayscale image. HUE Rotates all hues of the image around the full perimeter of the color wheel. The default setting is 50, which retains the original unaffected distribution of hues. LUMINANCE MIX Control the balance between the YRGB adjustments and Y only adjustments made using the Y channel lift, gamma and gain controls in the primaries palette or the un-ganged luma curve. PROFESSIONAL TRACKBALLS Trackballs provide RGB balance adjustments for lift, gamma and gain, each with a master level control. The Advanced panel also features a dedicated RGB offset and master gain trackball to adjust the tint and brightness of the entire image. The trackballs can be set to work in either log or RGB with the touch of a button. ILLUMINATED KEYS The buttons and keys on the DaVinci Resolve control panels illuminate when selected so you can easily see which controls are active. On the Advanced and Mini panels, the keys are also backlit, making it easy to clearly see each button in a dimly lit suite. QUICKLY CHANGE TOOLS The DaVinci Resolve Advanced and Mini panels include dedicated feature buttons that let you quickly change tools so you don’t have to switch back and forth between the mouse and panel. With the push of a button you can easily access tools such as the RAW palette, primary color correctors, curves, qualifiers, windows, tracker and more. STILL STORE REFERENCE MANAGEMENT Colorists constantly grab and play stills to compare grades using the gallery. The DaVinci Resolve Advanced, Mini and Micro panels have dedicated keys to quickly save and recall stills. On the DaVinci Resolve Advanced Panel you can also use the fader T-bar to wipe between saved stills and your grading timeline. TRANSPORT CONTROLS The play forward, reverse and stop transport keys on all the panels give you full control of your project timeline or deck while the Advanced panel adds a jog/shuttle knob for faster and more precise scrubbing. FLEXIBLE POWER OPTIONS The DaVinci Resolve Micro Panel is fully powered via USB so you can simply plug and play to get up and running. Power over USB means you can use it with a laptop and it will operate from the laptop’s battery, making it ideal for on set grading. The DaVinci Resolve Mini Panel also includes ethernet so it can operate via your network, making it fantastic for larger facilities. Plus, the ethernet PoE support means it can even power itself via the network connection so you don’t need to plug in the power connection.

Blackmagic BMD-SWRCONV ATEM Camera Converter

Blackmagic BMD-SWRCONV ( BMDSWRCONV, BMD/SWRCONV, BMD SWRCONV, bmd-swrconv ) ATEM Camera Converter   Optic fibre camera controller with tally and intercom Extend SDI or HDMI camera feeds over 28 miles  Extend the effective cable length of SDI or HDMI-based cameras using low cost optical fibre. Imagine connecting to cameras at remote locations on racing tracks, live sporting venus or even massive golf courses! Now with ATEM Camera Converter you can have more cameras closer to the action for the most amazing shots in live production.  ATEM Camera Converter not only converts your camera to optical fiber, but it also includes talkback, external microphone input, program return feed, tally and built in battery power source! Now you can place cameras in multiple locations miles away from your switcher while keeping full broadcast HD video quality. Professional Multi-Camera Production  ATEM Camera Converter gives you essential tools for live production in a single converter. Connect your camera to the SDI or HDMI inputs to convert to optical fiber, and connect your switcher program feed to the optical fiber input to convert to SDI and HDMI for monitoring. The SDI and HDMI monitoring outputs can be switched between your camera input or optical fiber input! Professional local microphone inputs are included. ATEM Camera Converter also includes an internal battery for remote use when your cameras are located far away from power sources, as well as built in talkback and tally! Optical Fiber Link  Optical fiber is the perfect connection because it's used in computer networking and is common, affordable and easy to purchase! ATEM Camera Converter uses a single mode optical fiber pair with LC type connectors, so you get the freedom to connect your cameras up to 147,000 feet or 45KM from your switcher! INCLUDES TALKBACK In live production it's critical for your camera operators to talk to the switcher operator so you can work as a team! ATEM Camera Converter includes talkback using low cost PC headsets or iPhone-compatible headphones, so each camera can communicate with the director at the switcher. Broadcast & Consumer Connections ATEM Camera Converter connects to both HDMI and SDI video cameras! Video and audio are embedded into the optical fiber output, and microphone inputs are included for the ultimate in audio flexibility. That's perfect when you need higher quality or wireless microphones on your cameras! Perfect For All Types Of Events!  ATEM Camera Converter uses optical fiber for its connection, so you get long distances combined with full uncompressed HD video quality. This lets you move your cameras farther away from your switcher and closer to the action! Imagine placing a camera at the end of drag racing strip, at the starting gate of a horse race, or even at the far end of a golf course! Even low cost consumer HD cameras look amazing when used with ATEM Camera Converter! ATEM Camera Converter is perfect for concerts, sporting events or even lecture theaters, houses of worship, surveillance, or any remote camera location! Ultra Tough Design  ATEM Camera Converter is designed tough enough for the rigors of life on the road! For incredible strength, ATEM Camera Converter is machined from a solid billet of aircraft-grade aluminum with recessed connectors and a button control panel. This results in an incredibly strong design that can handle bumps and knocks without breaking. ATEM Camera Converter includes a side mounted clip, so you can hang it from your belt for maxiumum portability, then simply plug in your headset, camera and optical link! The built in button pad gives you control over power, microphone level, talkback and video, as well as battery indicators. You even get a USB port for software updates! Belt Clip or Camera Mount  When you need to move around, ATEM Camera Converter is perfect because it moves with you! With an integrated belt clip, you can simply snap it onto your belt, connect the cables, and move around with ease. Built in Tally Now you can clearly see when your cameras are “on airâ€Â! ATEM Camera Converter uses an open standard tally packet in the SDI output on any ATEM switcher to illuminate 2 built in tally LEDs! Battery or AC Powered ATEM Camera Converter includes a standard 12 volt input that supports operation up to 30 volt DC. That let's you use a wide range of power sources or even a car battery! Designed for Live Production  Now you can eliminate multiple boxes hanging off your camera that limit your mobility, because ATEM Camera Converter includes everything you need for operating a camera in a live production. You get a simple solution that's really 4 converters in one! The built in keyboard is located on the top, so it's easy to adjust. ATEM Camera Converter even adjusts the microphone audio level smoothly, so when adjusted on air you won't notice the level change! ATEM Camera Converter is fully bi-directional, so you can connect both your camera and a return program feed to the switcher at the same time! Broadcast Quality  ATEM Camera Converter might be affordable, but it's got full broadcast quality with 10-bit video data paths, HD-SDI video technology and support for optical fiber SDI with a high quality laser driver for long distance connections. You get a solid design that looks great, but protects the connectors and keyboard from damage during live production use. Only ATEM Camera Converter gives you the best video technology available, so you get incredible quality HD video to your switcher for a true broadcast production standard.