Sony FX5 Full-frame Cinema Line Camera - Body Only

Sony ILMEFX5BB.CEC (ILMEFX5BB/CEC, ILMEFX5BB_CEC, ILMEFX5BBCEC, ILMEFX5BB CEC) FX5 Full-frame Cinema Line Camera - Body Only The Sony FX5 Full-Frame Cinema Line Camera is a professional digital cinema camera designed for filmmakers, content creators, and production teams who require cinematic image quality in a compact and portable form factor. Positioned within Sony's acclaimed Cinema Line, the FX5 combines advanced imaging technology, powerful video capabilities, and production-focused features to support everything from independent filmmaking and documentaries to commercial productions and broadcast applications. Lighting the Way Forward Lighting a creative path, the FX5 empowers filmmakers to step confidently into the next stage of their professional journey. Bringing an advanced cinema look and refined operability together in a compact body, it gives creators the freedom to realise their vision with greater precision, control, and expressive potential. 5K full-frame fully-stacked Exmor RS™ CMOS sensor for speed, detail and latitude The full-frame stacked Exmor RS CMOS sensor enables fast readout for high-resolution, high-frame-rate recording. Wide latitude and low noise ensure smooth gradation and natural textures, even in high-contrast scenes. BIONZ XR2™ with integrated AI processing for enhanced shooting support The BIONZ XR2 engine delivers dramatic improvements in image, sound, communication, operation, and more. Built-in AI processing enables enhanced subject recognition and deep learning-based Auto Tracing White Balance (ATW), helping you shoot with confidence. Open Gate and other image scan modes The FX5 offers full-frame Open Gate recording — a first in the Cinema Line FX series. With 5K up to 120 fps (FF 3:2)15, 4K up to 240 fps (FF crop) and more, it gives you the freedom to adjust framing, speed and workflow to realise even the most ambitious vision. Internal X-OCN compressed RAW video recording Capture 16-bit scene-linear X-OCN internally eliminating the need for an external RAW data recorder. With LT, C1 and C2 codecs, you can balance image quality, file size and RAW workflow flexibility to suit the production. Three Base ISO settings for effective noise control in any environment Three Base ISO settings - a standard ISO 800, a mid-sensitivity ISO 4000, and a high-sensitivity ISO 1280019 for low light - are available to match your shooting environment. Capture clean shadows and wide latitude across varied lighting conditions, for consistently stunning clarity. 15+ stops of latitude for low-noise shadow detail Wide latitude helps capture highlight and shadow detail with smooth, natural gradation. Low shadow noise preserves clarity, texture and atmosphere, letting you push your creative grading choices further. Dual Gain Shooting debuts in the Cinema Line FX camera series Dual Gain Shooting maximises latitude while reducing noise to enhance shadow details. Making full use of the sensor’s capability, it delivers smooth, natural gradients for greater editing flexibility. High-frame-rate capture, including 5K at up to 120 fps2223 High frame rates open up striking slow-motion possibilities. The FX5 records up to 5K at 120 fps22 and 4K at 240 fps, giving creators the power to capture fast-paced action with impressive detail and clarity — ideal for everything from cinematic storytelling to sharp sports and documentary footage. Precise, reliable AF and tracking with AI-based subject recognition With built-in AI processing, the BIONZ XR2 engine accurately recognises human, animal, and bird eyes (Real-time Eye AF). Fast Hybrid AF uses up to 759 points to ensure accurate focus and tracking that keeps up with quick-moving subjects, even in dark scenes and when shooting with a shallow depth of field. Built-in de-squeeze for anamorphic shooting Built-in de-squeeze support makes anamorphic shooting easier on set. With 1.3x, 1.5x, 1.6x, 1.8x and 2.0x settings, the FX5 works smoothly with a wide range of anamorphic lenses Deep learning-based illumination estimation Deep-learning-based illumination estimation achieves unprecedented Auto Tracing White Balance (ATW) accuracy, even in challenging scenes. It delivers accurate colour reproduction even under lighting conditions that previously tended to cause colour cast. S-Cinetone™ for a refined cinematic look S-Cinetone brings Sony cinema colour science to the FX5, delivering natural skin tones, smooth gradation and a polished look straight out of camera. Wide-gamut colour for more grading control With colour gamuts exceeding both BT.2020 and DCI-P3, S-Gamut3 and S-Gamut.Cine retain broad colour information for more precise grading and easier colour matching with VENICE 2 in multi-camera shoots. Three S-Log3 modes for flexible workflows From cinematic shoots to run-and-gun, choose Cine EI, Cine EI Quick or Flexible ISO25 to capture imagery with maximum latitude. You can also import up to 16 user LUTs allowing you to easily monitor the intended look in real-time. 5-axis stabilisation for steadier handheld shooting A precision stabilisation unit and gyro sensors combine to provide optical 5-axis in-body stabilisation. An enhanced stabilisation unit expands the roll-direction compensation range by up to 2x, effectively reducing handheld roll shake. The result is a camera that’s ideal for handheld shooting. Dynamic active Mode adds extra electronic support, and stabilisation data can also be used in post-production. Lightweight, compact design for agility on set The compact flattop body and stable grip are built for comfortable handheld work. Paired with Sony's compact lenses, the FX5 becomes a mobile system for flexible shooting with gimbals, in tight spaces and more. High-quality 96 kHz / 32bit float audio recording The XLR handle unit30 supports two XLR/TRS inputs, a 3.5 mm stereo mini jack and up to 96 kHz / 32bit float audio. With up to 4 channels of top-quality audio recording, it helps you capture cleaner sound without slowing down the shoot. BIG6 (HOME) screen for faster on-set control Inherited directly from Sony’s high-end CineAlta cameras, the BIG6 (HOME) screen displays six essential settings together: frame rate, EI/ISO/Gain, shutter, iris, LUT and white balance. Touch operation, the multi-function dial, and Fixed/Variable frame-rate control help you work quickly and efficiently. Power that keeps pace with long shoots A high-capacity 2670 mAh NP-SA10036 battery can provide up to 170 minutes of recording time. Optimised power management, faster charging38, USB Power Delivery (PD)39 and battery condition display make day-to-day operation easier. Cooling designed for uninterrupted 170 minutes of recording An efficient fan cooling system and advanced design help keep the camera cool, even when the LCD monitor is closed. Three fan modes — [Auto], [Minimum], and [OFF in REC] — let you balance cooling and noise to suit your shooting needs.  

Sony FX2 Cinema Line Full-Frame Cinema Camera with XLR Handle Unit

Sony FX2 Cinema Line Full-Frame Interchangeable-Lens Camera with XLR Handle Bring your cinematic vision to life with the Sony FX2, powered by a 33MP full-frame sensor designed for filmmakers who demand exceptional image quality and creative control. Capture breathtaking 4K video up to 60p, rich colour depth with 4:2:2 10-bit recording, and more than 15 stops of dynamic range using S-Log3 for maximum post-production flexibility. Create your look in-camera with S-Cinetone, Creative Looks, or imported LUTs, or push your grade further in post. Advanced AI-driven real-time autofocus keeps your subject sharp and reliable, while Framing Stabilizer intelligently maintains composition—even when your subject is moving. In-Body Image Stabilization (IBIS) combined with Active and Dynamic Active modes delivers smooth, confident handheld footage. A tilting LCD monitor and newly integrated electronic viewfinder (EVF) ensure precise framing in any lighting condition. Built for professional versatility, the FX2 features a removable XLR handle for high-quality audio capture, a built-in cooling fan for extended recording sessions, and fast switching between stills, video, and S&Q modes. CineAlta-inspired ergonomics, 16-bit RAW output, and seamless Sony lens integration make the FX2 a powerful and intuitive tool for modern filmmakers. FULL-FRAME CINEMATIC PERFORMANCE Record stunning 4K video up to 60p with outstanding detail and cinematic motion. The FX2 supports advanced 4:2:2 10-bit codecs and delivers over 15 stops of dynamic range using S-Log3, offering exceptional latitude for colour grading. For a ready-to-deliver look, choose S-Cinetone, Creative Looks, or MLUTs while recording. RELIABLE FOCUS, EVERY TIME Experience fast, precise autofocus powered by real-time AI technology. Advanced subject recognition supports humans, animals, birds, and more, including accurate eye detection. Framing Stabilizer helps keep your subject centred, even during movement. STABLE HANDHELD SHOOTING Shoot confidently on the move with IBIS, enhanced by Active and Dynamic Active stabilization modes. The tilting LCD and high-resolution EVF provide flexible, accurate framing in bright or challenging environments. READY FOR ANY PRODUCTION Designed for adaptable workflows, the FX2 supports cages and accessories, includes a professional XLR audio handle, and features active cooling for long recording sessions. A dedicated still/video/S&Q switch and Log shooting mode streamline on-set operation. ADVANCED CINEMA TOOLS Step into professional filmmaking with a CineAlta-inspired user interface, 16-bit RAW output, and anamorphic de-squeeze support, meeting the demands of high-end production environments. FULL SONY SYSTEM INTEGRATION   Unlock the benefits of the Sony ecosystem with focus breathing compensation for compatible Sony lenses, enabling smooth, cinematic focus transitions. The Monitor & Control app adds advanced monitoring tools such as waveforms, along with remote operation and touch focus for a fully integrated shooting experience.

Sony PXW-Z300 XDCAM camcorder

Sony PXW-Z300 XDCAM camcorder(PXW-Z300) Sony has unveiled the PXW-Z300, a handheld XDCAM camcorder featuring 0.5in 4K 3-CMOS Exmor R sensors, the latest BIONZ XR image processing engine, and a dedicated AI-processing unit. This model comes equipped with a professional lens system that includes three independent manual control rings. Ideal for a wide range of applications including news, sports, corporate, faith, events, documentary, live programming, and reality. It is planned to be available in September 2025. The PXW-Z300 combines a 17x optical zoom lens and Electronic Variable ND filter, with versatile operational capabilities. In addition to high-quality 4K60p recording, it features AI-powered subject recognition for precise autofocus performance. The camera introduces a new articulating flexible LCD arm for adaptable capturing styles and a side V-Mount that allows smartphones or data transmitters to be securely attached. It is said to be the world’s first camcorder to embed digital signatures directly into video files, enabling content authentication to address the evolving needs of the content creation industry, including the growing demand for content authenticity. The PXW-Z300’s network functionality has been enhanced through improved communication device integration, which supports modern production workflows that utilise 5G and cloud technologies. This enables live streaming from shooting locations and efficient file transfer over networks. “This latest camcorder has new enhancements, including content authenticity capabilities, that will be very beneficial for those in the news and production industry, whether they’re capturing action-packed content, breaking stories, or producing educational documentaries,” said Anthony Kable, CCS group manager, Sony Australia. By utilising the digital extender function, individuals can achieve 1.5x zoom in 4K mode and up to 4x zoom in HD mode with minimal degradation, making the camera suitable for a wide range of capturing scenarios, including news gathering and event documentation. Additionally, the camera is equipped with an Electronic Variable ND filter that seamlessly adjusts transmission from 1/4 to 1/128, along with optical image stabilisation. This allows for smooth brightness adjustment and stable capture when moving between locations with varying light conditions, such as from bright outdoor areas to dim interior spaces. The PXW-Z300 incorporates a dedicated AI-processing unit in addition to its image processing engine. This enables high-precision subject (human) recognition based on face, eye, skeletal structure, and posture information. The system can maintain autofocus on subjects even when they are facing away from the camera or wearing facial coverings. It also features an auto-framing function that automatically adjusts composition to keep human subjects centred in the frame. The camera features a 17x optical zoom lens with F1.9 constant maximum aperture and three independent manual control rings for traditional camera operation. It also has a 3.5in high-brightness LCD monitor with approximately 2.76 million dots. It incorporates the newly developed Flexible LCD Arm with three-axis movement, which allows flexibility in adjusting the monitor’s position and angle. This enables the camera to accommodate various shooting styles. Operators can adjust the viewing distance when capturing content with the camera on their shoulder, position the LCD monitor at the camera’s optical centre for stable waist-level capture, or flip it forward for self-recording. The camera supports new workflows utilising 5G and cloud technologies, allowing immediate transfer of recorded material from shooting locations and live streaming through smartphone or WiFi/wired LAN connections. Recorded content can be transferred via network to cloud-based media sharing services or on-premises storage in high-quality, efficient formats. For proxy material transmission at lower resolutions, the camera newly supports the HEVC codec, enabling higher quality and compression rates. Additionally, it can transfer clips in chunk format (segmented recording) during shooting. This eliminates the need to remove media and transfer material after shooting, allowing editing to begin as material arrives. The camera supports common video streaming protocols including RTMP/RTMPS and SRT, enabling live broadcasting from remote locations. Furthermore, the PXW-Z300 utilises cloud services such as Ci Media Cloud, a cloud-based solution for media collaboration. This allows the camera to support more immediate and efficient video production workflows with material sharing and collaboration among project members, and live streaming with multiple cameras when combined with Sony’s M2 live cloud switcher. The PXW-Z300 supports various recording formats. It offers standard support for MXF file recording in formats adopted by the XDCAM series, such as MPEG HD422, XAVC Intra (4K/HD 4:2:2 10bit), and XAVC Long (4K 4:2:0 8bit/HD 4:2:2 10bit), as well as MP4 proxy recording in HEVC.

Sony RX1R III Digital Camera

Sony RX1R III Digital Camera(DSCRX1RM3B.CEC) A compact, always-there camera with performance that rivals Sony's professional mirrorless models, the RX1R III is the long-awaited third generation of the fixed-lens full-frame camera. Featuring a higher resolution 61MP BSI CMOS sensor, improved AF and video performance, an updated body design, larger battery, and the same beloved ZEISS Sonnar T* 35mm f/2 prime lens from past models, this is the high-performance companion camera that melds extreme image quality with a highly portable size. Full-Frame Sensor, BIONZ XR, AI Processing Unit 61MP Exmor R BSI Sensor  Borrowing the proven high-resolution sensor from the a7R V and a7CR cameras, the RX1R III features the full-frame 61MP Exmor R BSI chip, along with BIONZ XR processing, that achieves incredible resolution, high clarity, low noise, and a wide 15-stop dynamic range. The sensor's structure promotes impressive image quality, and a copper wiring layer dramatically improves data transmission speed for creating 14-bit, 61MP stills with a native sensitivity range from ISO 100-32000. BIONZ XR Processing  Matching the sensor is the adept BIONZ XR processor, which offers up to 8x greater processing performance compared to previous generations, which enables faster overall performance, impressive image quality with wide sensitivity and dynamic ranges, and more fluent processing that's capable of handling a bevy of AI tasks and intelligent AF alongside imaging processes. This processing system also reduces rolling shutter and other motion distortions for clean rendering of moving subjects. AI Processing Unit and Autofocus Using dedicated processing, the RX1R III's autofocus is greatly benefitted by more intelligent subject tracking and recognition capabilities along with the reliable hybrid AF system Alpha cameras are known for. Real-time Recognition AF works with seven different selectable target types: Human, which tracks body and head positions for accurate portraits. Real-time Eye AF performance has also been improved by 60% thanks to the human pose estimation capabilities.  Animal, Bird, and Animal/Bird modes are now 40% more accurate for tracking and recognizing a variety of animal types. Recognition of these subjects includes dogs, cats, birds and more, with the ability to pinpoint focus on eyes and recognize animal bodies and heads. Insect recognition offers even finer performance with the ability to detect the head or entire insect subject. Car/Train and Airplane recognition means the camera can detect the front part of a train, nose of an airplane, or easily detect the entire fast-moving subject.  Real-time Tracking benefits from AI-based subject recognition for following moving subjects, making it particularly well-suited to sports and action subjects. Also, Human pose estimation allows the camera to distinguish between multiple people and maintain focus on the targeted subject; even if someone crosses in front, the camera maintains focus on the key person. Advanced Fast Hybrid AF Covering 79% of the full-frame image area, or 100% of the APS-C cropped area, a Fast Hybrid AF system incorporates a dense 693 phase-detection point grid for quick and precise focusing in a variety of lighting conditions with sensitivity down to -4 EV. This focusing system is available for use in all recording modes, to benefit both video and stills applications.  Full-time DMF (Direct Manual Focus) enables using the lens's focus ring for manual focus control at any time, making it easier to switch focus to a different subject even when working with AF. Accurate Exposure and Color  Especially accurate metering and white balance is possible thanks to AI-powered algorithms, like Human Pose Estimation, to detect skin areas for more accurately balance exposures when shooting portraits. This AE method is approximately 20% more reliable, even in backlit or direct sunlight situations, or even when the subject is not directly facing the camera. Deep learning technology, along with external visible light and IR sensors, also contributes to more accurate color reproduction and auto white balance processing. Step Crop Modes  Suiting a high-resolution fixed lens camera, the RX1R III introduces Step Crop modes that simulate the field of view of lenses other than the built-in 35mm lens. By default, changing these modes is set to the C1 button and lets you cycle between 50mm (29MP) and 70mm (15MP) settings to make tighter in-camera compositions. Creative Looks  Also befitting a fixed lens, carry-everywhere camera, a series of new Creative Look settings have been added to impart a unique aesthetic to frames straight out of the camera. There are now 12 presets total, including the classic filmic FL setting; a new nostalgic FL2 film mode; a contrasty, slicker FL3 slide film-inspired look, and IN is reminiscent of instant film.

Sony FX2 Cinema Line Full Frame Interchangeable-Lens Camera

Sony FX2 Cinema Line Full Frame Interchangeable-Lens Camera(ILME-FX2B) Unleash your cinematic vision with the Sony FX2 and its 33MP Full Frame sensor. Capture stunning 4K up to 60P, advanced colours with 4:2:2 10-bit codecs, and over 15 stops of dynamic range. Stylize with S-Cinetone, imported LUTs, or maximize flexibility in post production with S-Log3. Real-time AI autofocus ensures your subject stays sharp, while Framing Stabilizer keeps them centred even on the move. IBIS and Active modes deliver smooth handheld shots, and a tilting monitor plus an integrated new EVF offer accurate monitoring in any light.   Built for versatility, the FX2 has an optional removable XLR handle and is equipped with a built-in cooling fan, and fast switching between stills and video. CineAlta-inspired controls, 16-bit RAW output, and Sony lens integration create a powerful, intuitive system for filmmakers who demand more. Sony FX2 Cinema Line Full Frame Interchangeable-Lens Camera Unleash your cinematic vision with the Sony FX2 and its 33MP Full Frame sensor. Capture stunning 4K up to 60P, advanced colours with 4:2:2 10-bit codecs, and over 15 stops of dynamic range. Stylize with S-Cinetone, imported LUTs, or maximize flexibility in post production with S-Log3. Real-time AI autofocus ensures your subject stays sharp, while Framing Stabilizer keeps them centred even on the move. IBIS and Active modes deliver smooth handheld shots, and a tilting monitor plus an integrated new EVF offer accurate monitoring in any light. Built for versatility, the FX2 has an optional removable XLR handle and is equipped with a built-in cooling fan, and fast switching between stills and video. CineAlta-inspired controls, 16-bit RAW output, and Sony lens integration create a powerful, intuitive system for filmmakers who demand more.  

Sony HXR-NX800 4K HDR Camcorder

Sony HXR-NX800 4K HDR Camcorder(HXR-NX800, HXR/NX800, HXR_NX800, HXRNX800, HXR NX800) Shoot, record, and stream in 4K HDR with 20x optical zoom, AI-powered Subject Recognition AF, and integrated 2.4 GHz/5 GHz* Wi-Fi. *5 GHz communication may be restricted in some regions and countries. Crisp details and vivid colors, every time Capture stunning 4K HDR footage with vibrant colors, textures, and outstanding detail. The HXR-NX800’s powerful 1.0-type Exmor RS™ stacked CMOS sensor provides high sensitivity and low noise, allowing up to 120fps* in 4K and 240fps in FHD. Full-pixel readout and BIONZ XR™ real-time image processing preserve every detail, while 709tone and S-Cinetone™ compatibility ensure easy color matching with Cinema Line and other Sony system cameras. *With approx. 23% crop. Please refer to the Operating Instructions for memory card requirements to ensure proper operation. Intelligent features for smarter shooting Sony’s innovative AI Processing Unit recognizes human subjects, while the Fast Hybrid AF system keeps your subject in focus at all times. The Electronic Variable ND Filter allows for optimal exposure in various lighting conditions, and the Auto ND function can automatically adjust exposure for you. Reliable streaming and remote operation Built-in 2.4 GHz and 5 GHz Wi-Fi, combined with Sony’s C3 Portal (paid) or XDCAM Pocket apps, enables simple, high-quality streaming directly from the camera. The Monitor and Control app lets you check angles and monitor your shots remotely via your smartphone or tablet—ideal for solo operators looking for an efficient, high-speed workflow. 1.0-type Exmor RS CMOS sensor For unparalleled imaging performance in a compact camcorder, the HXR-NX800 uses a large, approximately 14.0-megapixel 1.0-type Exmor RS CMOS sensor. Its unique stacked structure allows faster readout speeds and superior low-light performance, thanks to back-illuminated pixels. BIONZ XR image processing Sony’s BIONZ XR image processor ensures higher frame rates, faster autofocus, enhanced Auto Tracing White Balance (ATW) control, and superior noise reduction. This powerful processor extracts maximum performance from the high-resolution image sensor, delivering stunning 4K (3840 x 2160) 60p video through 5K oversampling with full-pixel readout. Enhanced White Balance Accuracy With the help of the AI Processing Unit, the Auto Tracing White Balance (ATW) on the HXR-NX800 has been refined to offer more precise control, even in challenging lighting conditions such as shadows. Advanced AI Processing Unit for next-generation AF Working in conjunction with BIONZ XR, the specialized AI Processing Unit uses deep learning to recognize human subjects with high precision based on form and posture. The Fast Hybrid AF system, which covers 81% of the frame, supports Subject Recognition AF and Real-time Tracking, ensuring the NX800 can effortlessly follow subjects throughout the frame. Auto Framing With Auto Framing enabled, the camera tracks recognized human subjects and adjusts the framing so they remain prominently positioned. This feature allows solo operators to focus on engaging with interviewees, as the camera handles framing adjustments autonomously. 4K 120fps for stunning slow-motion footage The Exmor RS sensor’s high readout speed enables 4K High Frame Rate (HFR) recording at up to 120fps and FHD at 240fps. You can achieve 4x slow motion in 4K at 30p or 5x slow motion at 24p. The high-speed AF system ensures your subject remains in focus throughout. Slow & Quick Motion** mode supports up to 4K 120fps and FHD 240fps recording. *With approx. 23% crop. 100fps/200fps in PAL mode. Please refer to the manual for memory card requirements. 20x optical zoom The 20x G Lens™ optical zoom covers everything from wide-angle interviews to telephoto sports shots. With a zoom range of 24-480 mm (35mm full-frame equivalent), the lens also supports Sony’s Clear Image Zoom technology, offering 30x zoom in 4K and 40x zoom in FHD. You can explore apertures of F2.8 (wide) to F4.5 (telephoto), with smooth and silent zooming. Advanced image stabilization Minimize the effects of camera shake with built-in image stabilization. In Active Mode*, optical and electronic stabilization work together to create smooth, stable footage even in handheld shooting. *Active Mode results in a slight image crop and is unavailable when recording at frame rates of 120 (100) fps or higher. Built-in Electronic Variable ND Filter The built-in Electronic Variable ND Filter adjusts seamlessly to different lighting conditions. You can move from 1/4 to 1/128 ND with a simple dial adjustment or rely on the Auto ND function to maintain the best exposure as you transition between environments. Accurate LCD monitor and OLED viewfinder The HXR-NX800 features a 3.5-type LCD monitor with approximately 27.6 million dots, offering outstanding brightness and clarity. The monitor can swing up and down as well as backward for a comfortable viewing angle. For clear viewing, the 0.39-type OLED viewfinder provides high contrast and approximately 23.6 million dots, blocking out extraneous light. Compact design and storage The HXR-NX800 is lightweight and compact, weighing approximately 1.93 kg (4 lb 4.1 oz.). When stored, its dimensions shrink for easier portability. The detachable microphone holder offers additional flexibility for travel. Flexible camera control Designed for maximum control, the HXR-NX800 features two independent control rings for focus/zoom and two dials for IRIS/ND Variable. It also has 12 assignable buttons for quick access to key functions, offering a customizable user experience. AUTO/MANUAL switch Adapt quickly to changing shooting conditions with the AUTO/MANUAL switch. In AUTO mode, the camera will automatically adjust key settings like ND Filter, Iris, Gain, Shutter, and White Balance. Cinematic and broadcast base looks Achieve cinematic or broadcast-quality visuals with pre-set looks like S-Cinetone, ITU709, 709tone, HLG Live, HLG Mild, and HLG Natural. You can also tweak black, matrix, and other settings to match the look of your production. Multiple recording options The HXR-NX800 offers a wide range of recording formats, including XAVC S-I for high-quality 10-bit 4:2:2 4K (QFHD) recording with Intra-Frame H.264, and XAVC HS-L (H.265) or XAVC S-L (H.264) for more efficient, extended recording times. Proxy recording in XAVC HS at up to 16 Mbps is also available, allowing for faster editing and previewing. Comprehensive connectivity The camera supports a variety of connections, including HDMI Type-A, USB Type-C®, LAN, REMOTE, and more. Wireless monitoring and remote control Built-in Wi-Fi allows for wireless monitoring and control via the free Monitor & Control app. You can adjust settings like focus and iris, record remotely, and more. 4-channel audio Capture up to four channels of audio through XLR connectors and the Multi Interface (MI) Shoe. Adjust levels using external dials for easy operation without needing to access the camera menu. Designed for live streaming The HXR-NX800 supports direct streaming to compatible services via a wired or Wi-Fi connection, with RTMP/RTMPS or SRT protocols ensuring efficient workflow for solo operators. Simple file transfers Upload proxy and original clips directly to a cloud or FTP server from the memory card. The C3 Portal (paid) application simplifies cloud transfers, ensuring quick access to files for editing and sharing. Dual memory card slots The camera’s dual memory card slots support CFexpress Type A and SD memory cards, allowing for simultaneous recording or relay recording for additional security. Dependable battery power The HXR-NX800 is compatible with BP-U35, BP-U70, and BP-U100 batteries, providing up to 120 minutes of continuous operation with the BP-U35. These batteries are also interchangeable with other Sony cameras. Internal fan and vents A built-in cooling fan and optimized vents ensure the camera maintains its optimal operating temperature. Accessibility A screen reader function provides audible feedback for menu navigation, while the screen magnifier feature increases the size of menus, playback, and recording screens. Sustainability Sony has implemented measures to reduce the environmental footprint of the HXR-NX800 throughout its lifecycle, from product development to packaging.

Sony PXW-Z200 4K HDR Camcorder

Sony PXW-Z200 4K HDR Camcorder(Sony PXW-Z200, PXW/Z200, PXW_Z200, PXWZ200, PXW Z200) Shoot, record, and stream in 4K HDR with a 20x optical zoom, AI-powered Subject Recognition AF, integrated 2.4 GHz/5 GHz* Wi-Fi, and 12G-SDI connectivity. Crisp details and vivid colors, every time Capture stunning 4K HDR footage with exceptional colors, textures, and details. The PXW-Z200’s powerful 1.0-type Exmor RS™ stacked CMOS sensor ensures high sensitivity and low noise, delivering up to 120fps* in 4K and 240fps in FHD. Full-pixel readout and BIONZ XR™ image processing maintain every detail, while 709tone and S-Cinetone™ compatibility make color-matching with Sony system cameras and Cinema Line seamless. Intelligent features for smarter shooting Sony innovations ensure you capture top-quality content. The advanced AI Processing Unit recognizes human subjects, while the Fast Hybrid AF system tracks and maintains precise focus. The Electronic Variable ND Filter allows for optimal exposure in various lighting conditions, with Auto ND handling adjustments automatically. Reliable streaming and broadcast-friendly connectivity Built-in 2.4 GHz/5 GHz* Wi-Fi works seamlessly with Sony’s C3 Portal (paid) or XDCAM Pocket apps for simple, high-quality streaming directly from the camera. The Monitor & Control** app enables remote operation from your smartphone or tablet. The PXW-Z200 also features built-in 12G-SDI for enhanced bandwidth, TC input/output, and XAVC (MXF) broadcast-friendly recording. 1.0-type Exmor RS CMOS sensor Delivering exceptional imaging performance for a compact camcorder, the PXW-Z200 features a 1.0-type Exmor RS CMOS sensor with approximately 14.0 effective megapixels. Its unique stacked structure improves readout speeds and enhances low-light performance. BIONZ XR image processing The BIONZ XR image processor, integrated within the sensor, ensures faster autofocus, higher frame rates, improved Auto Tracing White Balance (ATW), and superior noise reduction. The 5K oversampling with full-pixel readout transforms ample image data into stunning 4K (3840 x 2160) 60p video. Advanced AI Processing Unit for next-generation autofocus The PXW-Z200’s AI Processing Unit, combined with BIONZ XR, uses deep learning based on human form and posture data to deliver precise human subject recognition. The Fast Hybrid AF system offers 81% coverage, supporting Subject Recognition AF and Real-time Tracking, ensuring focus on subjects across the frame. 4K 120fps for stunning slow-motion footage The Exmor RS sensor enables high frame rate (HFR) recording, capturing 4K footage at up to 120fps and FHD at 240fps. This allows for 4x slow-motion in 4K at 30p or 5x slow-motion at 24p, with fast autofocus maintaining sharp focus throughout. 20x optical zoom The 20x power zoom G Lens™ covers a versatile range, from wide-angle interviews to telephoto close-ups. Clear Image Zoom technology boosts the zoom to 30x in 4K or 40x in FHD, while offering smooth, silent operation with maximum apertures of F2.8 (wide) to F4.5 (telephoto). Built-in Electronic Variable ND Filter Effortlessly adjust the built-in Electronic Variable ND Filter from 1/4 to 1/128 ND or use the Auto ND function for automatic exposure adjustments—ideal for dynamic shooting conditions. Compact design and portability The PXW-Z200’s lightweight, compact design makes it easy to transport. The main body weighs only 1.96 kg (4 lb 5.1 oz) and measures 175.6 mm x 201.3 mm x 371.1 mm. For storage, the dimensions shrink, and the detachable microphone holder adds further portability. Flexible camera control Two independent control rings for focus/zoom and two dials for IRIS/ND Variable provide easy control over exposure, focus, and zoom. The camera also features 12 user-assignable buttons for personalized settings and fast operation. Multiple recording formats The PXW-Z200 supports a range of recording formats, including XAVC (MXF), XAVC S-I for high-quality 10-bit 4:2:2 recording, XAVC HS-L (H.265), XAVC S-L (H.264), and proxy recording. These options provide flexibility for post-production and efficient file management. Dependable battery power The PXW-Z200 is compatible with Sony BP-U35, BP-U70, or BP-U100 lithium-ion batteries, delivering up to 90 minutes of continuous operation with a BP-U35. The batteries are also interchangeable with other Sony cameras like the PXW-Z280 and FX9. Wireless monitoring and remote control Built-in Wi-Fi supports wireless monitoring and remote control via the Monitor & Control app, enabling touch focus, iris adjustment, and more. Designed for live streaming Stream directly to live streaming platforms via Wi-Fi or a wired connection. Support for RTMP/RTMPS and SRT protocols makes it easy for solo operators to manage streaming and distribution, while apps like C3 Portal (paid) enhance workflow efficiency. Sustainability Sony has made efforts to reduce the environmental footprint of the PXW-Z200 across the product lifecycle, from development and supply chain to production and packaging.

Brand New SONY HXR-NX5 AVCHD MPEG-2 SD

  1/3 Inch-type 3 ClearVid CMOS sensor system High-performance "G lens" HD/SD switchable recording with AVCHD and MPEG2 SD GPS Metadata Recording Brand New SONY HXR-NX5 AVCHD MPEG-2 SD  Touch Screen Operation Active SteadyShot HDSDI and HDMI Output Linear PCM Audio Simultaneous SD/HD Recording via HXR-FMU128 SMPTE Time Code In/Out Connector PRO Duo HG and SDHC Card Compatible

Sony HDVF-EL760 7.4" HD Color OLED Viewfinder with Advanced Mount

Sony HDVF-EL760 7.4" HD Color OLED Viewfinder with Advanced Mount Sony HDVF-EL760 Overview The HDVF-EL760 7.4" HD Color OLED Viewfinder with Advanced Mount provides bright viewing with accurate focusing for the HDC, XDCAM, and additional Sony camera series. Its highly adjustable mount offers tilting, panning, and a wider vertical range using a counterbalanced mechanism. The video interface provides a 20-pin digital input, offering compatibility with multiple Sony cameras. HDVF-EL760 features include a BBM (Boosted Brightness Mode) for exterior use, a 3200-9500K color temperature range adjustable in 100K steps, access to camera head menus, and both tally and DC power inputs. 1920 x 1080 OLED Panel The HDVF-EL760 viewfinder features a 7.4" 1920 x 1080 OLED panel that enables accurate focusing for Sony 4K or HD camcorders and XDCAM cameras. Digital Video Input The 20-pin Sony connector transmits 1080p signals from Sony HDC and additional series cameras. Counterbalanced Pan and Tilt Mount The included tilting mount features both front-to-back sliding and a wider range of vertical movement for optimal viewing. The counterbalanced lifting mechanism provides exact vertical positioning using a clicking, four-step system. A brake sets the pan rotation at any position within 270°, and the tilt can be clicked into place at -90, 0, or +90°. Flexible Menu Options The HDVF-EL760 enables you to access both the Sony HDC camera and viewfinder menus. Most functions can be assigned to dedicated switches on the viewfinder panel, enabling the operator to concentrate on a single interface. Image Functions A waveform display, assignable buttons, and an adjustable 3200-9500K color temperature enable users to quickly adjust the image for each setup. The flicker suppression mode reduces flicker when shooting at 59.94p, 50p, 48p, 47.94p, 29.97p, 25p, or 23.97p. Boosted Brightness Mode The BBM (boosted brightness mode) function increases the display level from 315 to 700 cd/m² for easier viewing in exterior or brightly lit settings.

Sony Digital Shotgun Microphone

Sony Digital Shotgun Microphone(ECMM1.CE7, ECMM1CE7, ECMM1/CE7) Compact shotgun microphone with eight audio recording modes Completely redefines shotgun microphone performance with beamforming technology that provides the world's first1 eight dial-selectable audio recording modes in a compact microphone with outstanding versatility and audio quality. Versatile and compact, with superb sound The ECM-M1 uses beamforming technology and advanced digital processing technology to provide eight audio recording modes including stereo for outstanding versatility and superb sound quality in a wide range of video shooting situations. Eight audio recording modes in one versatile microphone Beamforming technology combines four discrete microphone capsules with precision algorithms, to maximize pickup sensitivity in the desired directions while reducing it in others. The result is an incredibly compact and versatile microphone with high performance even in challenging audio environments. Simple controls for easy setting and operation Simply turning a dial on the rear of the microphone allows easy, intuitive selection of pickup patterns, and a lock button in the center prevents accidental changes. Other controls are also straightforward and easy to understand and operate.

Sony Wireless Streaming Microphone

Sony Wireless Streaming Microphone(ECM-S1, ECMS1, ECM/S1) Experience Streaming and Podcasting Like Never Before with the ECM-S1 Streaming Microphone. Designed with content creators in mind, this compact and lightweight microphone offers high fidelity voice quality, noise cut filter, directional sound capture, and ease of use at the tip of your fingers. With true wireless capabilities, explore new options to record outside your studio and conceal it easily within the frame thanks to its elegant and small design. Share your unique perspective with the ECM-S1. Designed for Streaming & Podcasting                                                                                                                                                                                                                                                                              With a high fidelity voice sound signature, the ECM-S1 is the best companion for your streaming and podcasting content, ensuring no delay in your voice capture. Shipped with a pop guard and a stand, it can also be attached with a screw mount to an arm for your studio setup. Wire it to your PC directly via USB or via the receiver on your camera and start telling the stories of tomorrow. Clear Sound Recording in All Situations                                                                                                                                                                                                                                                                          The ECM-S1 also includes Sony's own Digital Audio Technology, providing a unique feature to your recording experience. Eliminate ambient noise within your recording space using Noise-Cut technology. Modify the sound capture's directionality from omnidirectional to unidirectional or stereo, ensuring top-notch quality in any studio scenario. Stream from Anywhere                                                                                                                                                                                                                                                                                                  The ECM-S1 has the unique ability to let you stream from anywhere by simply mounting the receiver onto your camera, wiring it via USB, and connecting the microphone through Bluetooth. With a battery life of 3 hours, a range of up to 150m, and low audio latency, transport your podcast setup wherever you need to go or simply improve your home setup with fewer cables. Easy to Use Out of the Box                                                                                                                                                                                                                                                                                            The ECM-S1 is designed so you never have to rely on a third-party app or software to take control of the sound. Directly access the audio and headphone levels on the microphone, monitor the audio level with a dedicated audio lamp, and control the directivity and Noise Cut features with direct switches. Maintain audio control at all times with a simple touch of your fingertips. Compact and Slick Design                                                                                                                                                                                                                                                                                              Crafted with live creators in mind, the ECM-S1 is both compact and lightweight to be easily concealed during live streaming or when mounted onto most arm mount accessories without payload restriction. Boasting an elegant black matt finish, its design will blend in any studio setup or podcast show without distracting from the action.

Sony Wireless Microphone System

Sony Wireless Microphone System(ECM-W3, ECMW3, ECM/W3) Transform interviews and content creation into captivating dialogues with the ECM-W3 Wireless Microphone System. Designed for versatility and excellence, it offers seamless mobility for interviews from anywhere. Compact, lightweight, and offering an extended battery life of 6 hours on a single charge, this system ensures high-quality voice recording without missing the moment. With Sony's unique Digital Audio technology, the ECM-W3 features high signal-to-noise ratio microphone units, effortless background noise reduction through its Noise Cut filter feature, and intuitive operations. Providing an all-in-one experience with the charging case, protector case/stand, and windscreen, it's the perfect wireless sound capture device for freelance videographers and content creators. Freedom of Sound Capturing                                                                                                                                                                                                                                                                                    Whether you're shooting interviews in various scenarios or creating travel content, the ECM-W3 offers an easy solution for obtaining clear voice recordings from anywhere. With a compact design, extended battery life (Transmitter up to 6 hours and receiver powered by the camera), and a wireless transmission range of up to 150m*¹, enjoy the freedom to capture excellent audio on the go. Clear Voice Recording Even in Noisy Situations                                                                                                                                                                                                                                                             Step into the realm of studio-quality sound. The ECM-W3 boasts an impressive high signal-to-noise ratio, delivering sharp and true-to-life Sony voice sound signature. Thanks to Sony's unique Digital Audio Technology, you can eliminate surrounding noise using its Low Cut and Noise Cut filters, directly accessible from the microphone. With USB Digital Audio output (48kHz, 24 bits), capture the richness of any voice with professional-grade sound quality Easy to Set Up                                                                                                                                                                                                                                                                                                              Thanks to its unique features, the ECM-W3 is easy to set up, making your sound recording journey smooth. Adjust the attenuator directly on the mic for quick adjustments or utilize its simultaneous recording (-0dB and -20dB) to ensure accurate sound capture. With compatible Sony cameras, the receiver is powered through the MI Shoe, eliminating the hassle of cables or charging. Attach your mic anywhere with the grippy clipping mechanism, and use the included case for transportation or as a receiver stand during interviews. All You Need in One Box                                                                                                                                                                                                                                                                                                Equipped to fulfill your requirements, the ECM-W3 Wireless Microphone System includes 2 microphones (transmitters), a 2-channel receiver, a windscreen, a connection protector holder/stand, a pouch, and a charging case. The ECM-W3 is ready for action right out of the box.

Sony Wireless Microphone System

Sony Wireless Microphone System(ECM-W3S, ECMW3S, ECM/W3S) Transform interviews and content creation into captivating dialogues with the ECM-W3S Wireless Microphone System. Designed for versatility and excellence, it offers seamless mobility for interviews from anywhere. Compact, lightweight, and offering an extended battery life of 6 hours on a single charge, this system ensures high-quality voice recording without missing the moment. With Sony's unique Digital Audio technology, the ECM-W3S features high signal-to-noise ratio microphone units, effortless background noise reduction through its Noise Cut filter feature, and intuitive operations. Providing an all-in-one experience with the charging case, protector case/stand, and windscreen, it's the perfect wireless sound capture device for freelance videographers and content creators. Clear Voice Recording Even in Noisy Situations                                                                                                                                                                                                                                                           Step into the realm of studio-quality sound. The ECM-W3S boasts an impressive high signal-to-noise ratio, delivering sharp and true-to-life Sony voice sound signature. Thanks to Sony's unique Digital Audio Technology, you can eliminate surrounding noise using its Low Cut and Noise Cut filters, directly accessible from the microphone. With USB Digital Audio output (48kHz, 24 bits), capture the richness of any voice with professional-grade sound quality. Easy to Set Up                                                                                                                                                                                                                                                                                                              Thanks to its unique features, the ECM-W3S is easy to set up, making your sound recording journey smooth. Adjust the attenuator directly on the mic for quick adjustments or utilize its simultaneous recording (-0dB and -20dB) to ensure accurate sound capture. With compatible Sony cameras, the receiver is powered through the MI Shoe, eliminating the hassle of cables or charging. Attach your mic anywhere with the grippy clipping mechanism, and use the included case for transportation or as a receiver stand during interviews. All You Need in One Box                                                                                                                                                                                                                                                                                                Equipped to fulfill your requirements, the ECM-W3S Wireless Microphone System includes 1 microphone, a receiver, a windscreen, a connection protector holder/stand, a pouch, and a charging case. The ECM-W3S is ready for action right out of the box.

Sony FX-6 Alpha Full-frame 4K Cinema Line Camera - Body Only

Sony ILME-FX6 (ILME/FX6, ILME_FX6, ILMEFX6, ILME FX6) Alpha Full-frame 4K Cinema Line Camera - Body Only Sony FX6: Compact Cinema Capture The FX6 Full-Frame Camera from Sony was developed to offer versatile, cine-style imaging in a truly compact form. With the ability to capture up to 15+ stops of dynamic range, Sony's S-Cinetone gamma for filmlike skin tones, and up to 10-bit, 4:2:2 XAVC-I recording, the FX6 is poised to both supplement your FX9 or VENICE capture and to nimbly take on documentary, gimbal, and drone shoots on its own. 4K Full-Frame Exmor R Sensor The FX6 camera combines a 4K full-frame Exmor R sensor with a BIONX XR engine for extremely sensitive capture in a range of settings, using a base ISO of 800 as well as an ISO 12800 high-sensitivity mode for nuanced low-light scenes. This 10.2 MP image sensor features back-side illumination for excellent low-light performance, 627 focal plane points for speedy phase-detection autofocus, and full-frame lens compatibility that produces a rich, immersive look. The sensor's fast scan speed minimizes rolling shutter artifacts and supports high frame rates and quick autofocus responses. Compact, Single-Operator Design Weighing just under 2 lb, the FX6 body is a full 2 lb lighter than the FX9 and measuring 6 x 4.6", it packs a full-frame sensor into a body comparable to the S35-sensor Sony FS5. While the FX6 fits seamlessly into a pro-cine on-set workflow, it also offers several features that are a boon for a single-operator user. These include fast and accurate phase-detection autofocus with both Face Detection and real-time Eye autofocus, both auto and manual ND filter settings for quick exposure compensation, and a 3.5" LCD monitor that boasts time-saving touchscreen access to key menu settings and versatile positioning for comfortable operating. In addition to improving the camera's overall stability, firmware update v1.10 adds 100p and 120p options to the Slow and Quick Motion frame rate menu when the codec is set to RAW or RAW and XAVC-I. Versatile Addition to Sony Cinema Line As part of Sony's Cinema Line, the FX6 shares key imaging features with established cameras like the VENICE and FX9. Common core attributes include a full-frame sensor, filmlike color science, a compact, lightweight form, professional connector interfaces, and advanced autofocus choices. Compared to the FX9, the FX6 differs in several specs; but many FX6 specs tick the same boxes and several improve upon the FX9: It matches the FX9's video capture up to DCI 4K60 Has the same S-Cinetone, S-Log3, and HLG gamma choices  Outputs 16-bit raw like the FX9 Sony E lens mount Offers the same 1/4 to 1/128 ND options Also provides 2-channel XLR audio inputs Wide ISO Range Choose from a base ISO of 800, a high-sensitivity 12,800 ISO for lower-light capture, and a 409,600 maximum ISO for true low-light settings. Electronically Variable ND Filters Shown with Optional Equipment Set the FX6's integrated neutral density (ND) filter system to auto for correctly exposed shots, even in changing light conditions Smoothly adjust the ND filter density manually in increments from 1/4 to 1/128 as you shoot Both options will produce properly exposed images without affecting your chosen depth of field Advanced XAVC Codec Options The FX6 is the first compact, full-frame camera to offer UHD 4K 4:2:2 capture in the high-quality yet efficient XAVC-I codec. It also enables you to choose from a range of professional XAVC Intra and XAVC Long codecs at bit rates ranging from 35 to 600 Mb/s. Expressive Cinematic Look Sony's S-Cinetone gamma curve offers a cinematic look with filmlike color, softer tones, and pleasing skin tone reproduction. Not only is this cinematic look available for in-camera viewing, but it can also be captured and output with minimal or no grading at all for a time-saving post process. The S-Cinetone, S-Log3, S-Gamut3, and S-Gamut3.Cine choices also streamline the process of matching FX6 footage with your VENICE or FX9 video and offer broad color-grading options. Image Stabilization and More with Catalyst and Metadata Pair the FX6 with Sony's Catalyst Prepare/Browse software to use metadata to stabilize your image, automatically rotate gimbal footage, and add flags for easier clip filtering in postproduction. Touchscreen 3.5" LCD Control The FX6's 3.5" LCD monitor offers both high-resolution viewing and the ease of touchscreen camera control. The LCD quick menu controls include key settings like Codec, Imager Scan Mode, Picture Size and Frequency, Base ISO/Sensitivity, Shooting Mode, and Audio Levels. Reliable Design and Construction Constructed with a lightweight yet durable magnesium alloy chassis, the FX6 body offers maximum reliability and efficiently disperses heat to enable extended recording times. Exterior seams, buttons, and interfaces have been treated with updated sealing that improves the camera's dust and moisture resistance as well. 4-Channel Audio Recording The FX6 offers up to 4-channel audio recording by combining sources from the dual XLR inputs, the 2-channel multi-interface shoe input, and the stereo mic built into the camera's top handle. This enables the simultaneous use of an external microphone for recording your main audio source and the built-in microphone for ambient sound and/or voice memos by the operator. CFexpress Media Slots and Multiple Recording Modes The FX6's dual media slots accept both rugged, high-performance, high-capacity CFexpress Type A cards and widely available UHS-II/UHS-1 SDXC cards. Note that the CFexpress Type A cards are required for 100/120 fps UHD 4K capture and 150/180/200/240 fps HD high-speed capture. Modular, Grab-and-Go Design The modular design of the FX6 enables you to pare down to its compact body for gimbal or drone use, or it can be used with separately available accessories, such as a smart grip and smart handle for fingertip control when shooting handheld. A 3.5" LCD screen can be quickly positioned on the camera at multiple locations to provide comfortable, ergonomic viewing.  

Sony Cybershot DSC-RX100 mark VII

 Sony Cybershot DSC-RX100 mark VII(DSC-RX100M7.CE3) Mixing speed, reach, and portability, the Sony RX100 VII is a pocket-sized camera packing a wealth of stills and video versatility. This seventh-generation camera in the esteemed RX100 series is the second to feature the impressive 24-200mm-equivalent ZEISS Vario-Sonnar T* lens that covers wide-angle to telephoto focal lengths for greater shooting flexibility in a variety of conditions. Making use of the extended range is a redesigned 20.1MP 1" Exmor RS CMOS sensor, along with an improved BIONZ X image processor, for fast shooting performance, high sensitivity to ISO 12800, and UHD 4K video recording. The updated sensor design is all about speed and enables blackout-free continuous shooting up to 20 fps for easier subject tracking. Single Burst Shooting also permits shooting at an extreme 90-fps setting for working with the fastest moving subjects. The sensor's design also provides a 357-point hybrid AF system for quick and accurate focus performance and subject tracking in both stills and video modes. A stacked design and front-end LSI also contribute to quickened operation and enhanced image quality. Video performance also remains impressive with the incorporation of S-Log3 and HLG gamma settings, and High Frame Rate shooting allows you to record at up to 960 fps for slow-motion playback. Retaining the classic sleek form factor of an RX100, the VII still has a pocketable stature despite the extended zoom lens. A pop-up 2.36m-dot OLED electronic viewfinder is a sleek means for eye-level viewing or, alternatively, a 3.0" 921.6k-dot LCD touchscreen can be used. The LCD features a tilting design to support working from high and low angles and its touch capability permits the use of Touch Focus and Touch Shutter functions. The camera also sports Bluetooth and Wi-Fi connectivity for sharing imagery to a linked mobile device or for embedding location information from your smartphone. 20.1MP 1" Exmor RS CMOS Sensor & BIONZ X Image Processor Utilizing an advanced stacked structure with an integrated DRAM chip, the updated 20.1MP 1" Exmor RS CMOS sensor of the RX100 VII is able to deliver outstanding image quality from ISO 100-12800 with incredibly fast performance. This sensor stacks the pixel area, a high-speed signal processing circuit, and memory in order to increase data throughput and deliver features such as Single Burst Shooting, an Anti-Distortion shutter, UHD 4K video, and more. This 1" sensor also has 357 phase-detection AF points and 425 contrast detection areas for faster, more precise focusing. This sensor is paired with a revised BIONZ X image processor and front-end LSI, which dramatically improve the speed and throughput of the entire imaging system, enabling blackout-free continuous shooting at up to 20 fps with continuous AF/AE calculations being performed at 60 times per second. The Single Burst Shooting function also permits recording up to seven frames, in raw or JPEG, at 90 fps, 60 fps, or 30 fps for capturing the fastest of moments. The front-end LSI and enhanced sensor performance also improve overall image quality, especially at higher sensitivities, by reducing noise and offering higher perceived resolution and color definition. ZEISS Vario-Sonnar T* 24-200mm Lens Spanning an impressive 24-200mm equivalent range, the integrated ZEISS Vario-Sonnar T* lens suits photographing in a wide range of situations. Now covering wide-angle to mid-telephoto, the updated zoom range affords greater shooting versatility while still retaining a compact form factor due to the f/2.8-4.5 maximum aperture range. The optical design incorporates eight aspherical elements, including four advanced aspherical (AA) elements, to greatly reduce aberrations and distortions in order to achieve high sharpness and accurate rendering. A ZEISS T* anti-reflective coating has also been applied to suppress reflections and glare for improved contrast and color fidelity. The flexible reach is complemented by four stop-effective Optical SteadyShot image stabilization, which minimizes the appearance of camera shake to suit handheld shooting in low-light conditions. Additionally, Clear Image Zoom can also be used to further extend the effective reach of the zoom with nearly no image degradation. Fast Hybrid AF System with 315 Phase-Detection Points The RX100 VII is equipped with an on-sensor phase-detection AF system that dramatically improves autofocus speed for both stills and video. The camera uses a hybrid system with 357 phase-detection points that cover approximately 68% of the frame along with a 425-area contrast-detection system to provide fast, accurate focusing in a range of situations. The RX100 VII is able to lock onto subjects quickly, in just 0.02 seconds, and it can use Real-time Tracking for AI-based tracking on moving subjects. Real-time Eye AF, suitable for both humans and animals, also ensures critical sharpness when shooting portraits. UHD 4K Video Recording Able to record UHD 4K video at 30/24 fps, the RX100 VII, is capable of producing movies with exceptional clarity. By using a full pixel readout without binning, the camera collects about 1.7x the information needed for 4K output. This oversampling helps to increase clarity while reducing the impact of moiré and jaggies. Benefitting sharper recording, an Active SteadyShot mode can be used for recording that prioritizes smoothness when reducing the appearance of camera shake. Fast Hybrid AF is available during movie shooting for ensuring accurate, fast tracking using phase-detection AF points. The camera also offers Sony's advanced XAVC S format for recording a high bit rates up to 100 Mb/s. In addition to high-resolution internal recording, uncompressed HDMI output also enables the use of an optional external recorder for clean 4K recording with 4:2:2 sampling. Affording extensive customizable color and gamma controls, the RX100 VII allows users to adjust the gamma, black level, knee, color level, and more. Also, users can use the same S-Log2 Gamma Curve that is found on high-end Sony Cinema cameras that squeezes up to 1300% more dynamic range into the video signal then traditional REC709, for increased post-production flexibility. HLG (Hybrid Log-Gamma) support is also available, along with the BT.2020 color space, for recording within a wide color gamut and, in addition to S-Log2, S-Log3 is also available for producing an effective 14-stop dynamic range with increased grading control in the shadow to mid-tone regions of the image. Speed is also a huge advantage of the RX100 VII, and, in video, users will benefit from advanced High Frame Rate shooting and super slow motion. In Full HD, shooters will have access to a standard 120 fps setting that will enable outstanding slow motion when placed in editing software. In addition to this, the camera also offers a dedicated HFR mode that boosts the camera's frame rate to up to 960 fps. A Photo Capture function is built directly into the camera, allowing shooters to quickly save an 8.29MP still from their UHD 4K movies. Full HD can also benefit from this feature, where users will be able to pull a 2MP still. Additionally, the camera is NTSC/PAL switchable, making it usable around the world, vertical videos can be recorded with embedded metadata to correct for the vertical orientation during playback. Body Design and Wireless Connectivity Rear 3.0" 921.6k-dot tilting LCD features a touchscreen design for intuitive operation, including the ability for working with Touch Focus, Touch Pad AF, and Touch Shutter functions. The screen's tilting design, which goes from 180° upward to 90° downward, also suits photographing from high, low, and front-facing angles. One-push pop-up XGA OLED electronic viewfinder offers a resolution of 2.36m dots and 0.59x magnification for crisp, clear viewing. The EVF also uses a ZEISS T* coating, to ensure clarity from corner to corner, and has a one-push access design for more convenient switching between the LCD and EVF. Integrated 3.5mm external microphone port supports improved audio recording quality. A manual control ring surrounds the lens and features a smooth, click-less design for quick and quiet changing of settings. The ring can be assigned to control a variety of features, at different values, including zoom and aperture. Custom button and other programmable button can be set to one of over 40 functions for quick access to commonly used settings. Pop-up flash will help illuminate subjects in dimly lit scenes. Built-in Wi-Fi connectivity enables instant transferring of imagery to mobile devices for direct sharing online to social networking, via email, and to cloud storage sites. NFC (Near Field Communication) is also supported, which allows for one-touch connection between the camera and compatible mobile devices, with no complex set-up required. Once connected, the linked mobile device can also display a live view image on its screen and, using Smart Remote Control, remotely control the camera's shutter release. Additionally, connection to a smartphone using a QR code is also possible. Bluetooth connectivity, via the PlayMemories Mobile app, also allows you to embed location information into both stills and movie files for geotagging.

Sony Burano 8K Camera

Sony Burano 8K Camera(BURANO) Versatile, lightweight, and compact full-frame 8K cinema camera with 16 stops of latitude, image stabilisation for PL and E-mount lenses. Easily configurable for solo and team production. A New Era in Cinematography BURANO is a new concept in cinema cameras. It takes VENICE’s superior image quality and usability but re-imagines it for solo and small team productions. 33% lighter than VENICE 2, more power efficient and supporting CFexpress media – it’s not just our smallest full-frame CineAlta camera, in many ways it’s our most technically advanced. Expect uncompromising image quality wherever you are, whatever the size of your crew. Smarter Shooting BURANO makes shooting highest quality 8K simpler than you can imagine. The world’s first PL mount compatible camera with a built-in stabilisation system*. A ground-breaking combination of our unique electronic variable ND filter system with in-body image stabilisation (IBIS) in a full-frame PL and E-mount cinema camera. For the first time in a full-frame CineAlta camera, Fast Hybrid and Subject Recognition AF with AI makes it easier to get the shots you want under the most demanding scenarios. With BURANO, you don’t need a studio or big crew to excel. Shoot The Way You Want BURANO adapts to be the camera you want to be whatever the shoot. A multi-purpose touchscreen LCD monitor, with flexible mounting system and a versatile, robust handle, allow you to easily configure BURANO for different shooting styles. A lightweight, compact chassis and ergonomic balance make it easy to switch between shoulder-mount, handheld, gimbal or drone operation. BURANO can be configured for large and small projects, solo or with an entire crew. It’s all your choice. Full-Frame 8.6K Sensor BURANO has a large 36x24mm full-frame image sensor that delivers high-quality images and superb rendition with wide latitude and a rich colour gamut. It achieves the beautiful bokeh and dynamic wide-angle shooting that only a full-frame sensor can provide. 8K image quality with a maximum resolution of 8632 x 4856 and, through oversampling, it can output phenomenal looking 4K content. Multiple Image Scan Modes BURANO supports 16:9 and 17:9 readouts in full-frame (8.6K) and Super 35mm (5.8K). Image scan modes include full-frame and Super35 as well as finely optimised down sampled and high-speed modes such as 6K 60p (FF crop), 5.8K 60p (S35), and 4K 120p (S35 crop*) catering for a wide range of production requirements. *Only 17:9 in Super 35 Cropped (S25c) mode 16 Stop Latitude With a wide latitude of 16 stops*, BURANO captures beautiful, low-noise images under almost any lighting conditions. The camera’s wide dynamic range captures everything from highlights to shadows expertly with superb colour rendition, giving operators maximum flexibility in colour grading. * S-Log3 shooting. Sony measurements. Wide Colour Gamut BURANO features Sony’s signature S-Gamut/S-Gamut.Cine wide colour space that, as with the VENICE 2, covers a gamut exceeding BT.2020 and DCI-P3. S-Log3 and X-OCN also dramatically enhances creative flexibility in post-production. As BURANO offers the same colour accuracy as VENICE 2 it’s easy to use both cameras together for a seamless and efficient post-production workflow. Dual Base ISO Cinematographers worldwide love VENICE 2’s ability to switch the sensor’s sensitivity to capture clean images even in low light conditions. BURANO supports the same Dual Base ISO 800 and 3200 as VENICE 2. This means clear images with low noise whether shooting in a brightly lit environments (ISO 800) or in challenging dimly lit scenarios (ISO 3200). With BURANO, it’s possibly to shoot amazing imagery with nothing more than candlelight. Internal 16-bit X-OCN LT and XAVC H recording Despite its compact dimensions, BURANO offers internal recording of X-OCN LT* as well as our new XAVC H and proven industry standard XAVC-I format. X-OCN is Sony’s compressed RAW format that records everything that the 8.6K sensor can capture in a broad latitude 16-bit scene linear file full of rich tonal gradation. X-OCN LT’s high efficiency reduces storage requirements and accelerates file transfer times for 8K content for a post-production workflow that’s comparable to a 4K project. BURANO also features 10-bit S-Log3 with XAVC H-I HQ recording at 1200 Mbps and XAVC H-I SQ recording at 800 Mbps for 8K30p image quality. This enables even great data savings and faster post-production workflow. * Not compatible with X-OCN XT and X-OCN ST recording formats New in-camera Looks for Ready-to-Use Footage BURANO has four new looks – Warm, Cool, Vintage and Teal and Orange – to choose between alongside the established s709 and 709 (800) looks in Cine EI mode. Creatively tuned to suit typical shooting scenarios, they give the operator a choice of distinctive, engaging looks at the touch of a button. Moreover, LUT data from a shoot can be embedded in those clips’ metadata for an efficient colour workflow. s709: Kodak 2383-like natural tones and colours s709(800): Standard 709 tone curve for accurate colour reproduction Teal and Orange A modern, colourful, contrasty reformulation of the classic film look. With a strong separation between cool backgrounds and warm skin tones, it’s an ideal look for productions with a focus on human subjects. Warm A soft, gentle look with amber highlights, and flattering for skin. Cool Evokes the chill of a shadow, and the blue of twilight – ideal for midnight blue or the coolness of a city at dawn. Vintage Transports the camera’s high resolution cinema quality into a previous era. The look applies a film-like bleach bypass and faded, pale sepia effect. Lens Mount Flexibility PL Lens Mount BURANO comes with the industry-standard PL lens mount and is compatible with Super 35mm and full-frame PL lenses (spherical and anamorphic). The lens mount includes contacts that support Cooke/i Technology, and lens information is recorded as metadata, frame by frame.  Lever Lock Type E-mount E-mount lenses can be fitted when the PL mount adapter is removed. E-mount (lever lock type) gives users the ability to change lenses by rotating the locking collar rather than the lens itself, which means that in most cases lens support rigs don’t need to be removed, saving time during a production. Sony’s ever-increasing range of E-mount lenses, from ultra-wide to ultra-telephoto, are supported by the BURANO’s advanced image stabilisation and AF capabilities – ideal for mobile and single-operator projects. Anamorphic Lens De-Squeeze function BURANO comes with an anamorphic de-squeeze function as standard. The monitoring menu gives a choice from 1.3x/2.0x, based on the anamorphic lens’ magnification. The result can be seen on the LCD monitor display, and on external monitors at FHD resolution. The camera monitor output supports SDI or HDMI for X-OCN shooting, and HDMI for non-X-OCN content. In-Body Stabilisation with PL mount lenses BURANO is the world’s first cinema camera that supports in-body optical image stabilisation (IBIS) for almost any attached lens, including for the first time PL. The new, compact image stabilisation system was originally developed for the Alpha series of mirrorless cameras. Featuring a gyroscopic sensor and control algorithm, it compensates for camera shake even for handheld shooting while walking. The stabilisation is so effective that it removes the need for any extra equipment for many applications. Stabilisation is even greater with E-mount lenses, allowing more difficult shots to be captured without blurring. Camera shake data can be passed to post production for precise alignment with CGI and in volume stages. Electronic Variable ND Filter Sony’s unique electronic Variable ND Filter has been redesigned to be both smaller and compatible with the built-in image stabilisation mechanism. It can smoothly and continuously change its density from 0.6 (1/4) to 2.1 (1/128). With physical ND filters no longer needed, operators can adjust the electronic filter density by simply rotating the ND dial. Operators can maintain a constant depth of field by adjusting the electronic ND filter and the iris control together. Continuous or stepped changes can be selected with the ND STEP/VARIABLE switch, depending on the application. The [Auto ND] function automatically adjusts the filter density to give a correct exposure, effectively allowing the use of the ND filter as an alternative Auto IRIS. Catch the action with Fast Hybrid AF* Effortlessly track fast moving subjects with pin-sharp focus, even when using wide lens aperture settings to maintain a shallow depth of field with BURANO’s full-frame sensor. Originally developed by Sony’s Alpha camera engineers, enhanced Fast Hybrid AF combines phase detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. In addition, Face Detection intelligently recognises and locks on to human faces. The dedicated 627-point phase detection AF sensor covers approximately 88.7% of the whole image area, allowing consistently accurate, responsive AF tracking, even with shallow depth-of-field. AI Subject Recognition AF with touch* Our onboard AI processing unit recognises not only eye position but also accurately senses human torso and head positions. Subject Recognition AF automatically draws a frame around people’s faces when they are detected. Human pose estimation technology recognises body and head position, so you can even track a subject facing away from the camera or wearing a mask. Touch a person to focus on, and the camera will track that person precisely. Even in challenging situations like a bowed head or when hair covering a face, the camera accurately captures the eyes, so that operators can focus accurately even in the most difficult circumstances. * Over 70 E-mount lenses can use BURANO’s advanced Hybrid AF and AI Subject Recognition AF features Virtual Production made simple Up to 8K recording, 16-bit colours and a very fast sensor readout speed allow cinematographers to focus on the art of shooting virtual sets rather than technical compromises. The flawless synch with advanced Crystal LED controllers is unique in the industry. Dual CFexpress Type B Slots Sony’s new CFexpress card VPG400 allows for reliable capture at exceptional high data rates, including X-OCN LT recording in full 8K. BURANO’s dual media slots allow relay and simultaneous recording*, while versatile CFexpress Type B media are convenient for backing up and transferring data in the field. An additional SD card slot is for storing Proxy and camera setting information. * XAVC-only Smaller, Lighter, Stronger At 2.9 kg including the PL adaptor, BURANO is approximately 33% lighter than Sony’s top-of-the-line VENICE 2 digital cinema camera – a significant advantage when shooting hand-held or shoulder mounted, as well as when using with gimbal, drone, cranes and jibs. All the button and key layouts have been carefully considered to suit the new compact size and solo or team operation. The main cinematography controls are on the Operator Switch Side and can be illuminated for use in dark environments. The camera has tally lights in three positions, so operators can check status from four different directions. There’s also an optional audio beep for recording start and stop. Despite its compact size, BURANO is engineered to Sony’s highest standards of reliability with a housing constructed of sturdy magnesium alloy and aluminium for shooting in the harshest environments. Recording for hours on end is no problem with a highly efficient cooling system which is completely isolated from image sensor and other dust sensitive components. Exceptional ergonomics Intuitive Menu Control with Touch BURANO’s LCD Monitor has a quick access control menu for commonly accessed features. With a single touch, you can press to change key settings including: Codec, Imager Scan mode, Picture Size and frequency Base ISO/Sensitivity Shooting Mode Audio Levels Versatile Monitor BURANO features a 3.5 type LCD monitor that can be freely adjusted to suit the shooting style. A viewfinder loupe can be attached, autofocus is operated by touching the screen, and the display can also be mounted in a wide variety of ways to adapt to the project style. Smart Grip Flexibility Popular with operators around the world, the FS7/FX9 telescoping arm with grip control transformed shooting on the go and now with GP-VR100* we’ve made it even better for BURANO. The arm’s length is easily adjustable at the turn of a knob, while a quick-release lever adjusts the angle. Once perfectly adjusted for shooting from your shoulder or waist, Sony’s Grip Remote Control puts all the important controls at your fingertips with Zoom, Start/Stop and a range of Assign controls, including a dial you can use to adjust Iris. So, you can operate BURANO without taking your hand off the grip.

Sony Pxw-z280 4K 3-Cmos 1/2" Sensor Xdcam Camcorder

Sony Pxw-z280 4K 3-Cmos 1/2" Sensor Xdcam Camcorder(PXW-Z280V//C) Sony's PXW-Z280 4K 3-CMOS 1/2" Sensor XDCAM Camcorder continues the fine tradition of the XDCAM series of cameras. It captures 4K at up to 60p relying on three 1/2" Exmor R sensors that provide improved low-light capability when compared to standard sensors. The camera integrates a 17x optical zoom lens and an electronic variable ND filter. The camera supports modern codecs such as XAVC, as well as legacy codecs such as MPEG HD and DVCAM, allowing you to use one camera to shoot 4K, HD, or SD video. The camera supports S-Log 3 for improved performance, and HLG (Hybrid Log Gamma) which allows you to shoot and deliver footage compatible with both HDR (high dynamic range) and SDR (standard dynamic range) without needing laborious post-production work. You can record in both 4K and HD simultaneously, or output 4K 60p via the built-in 12G-SDI output. The camera features built-in 2.4 and 5 GHz Wi-Fi.

Sony 4K Handheld Camcorder

Sony 4K Handheld Camcorder(ZV-1FBDI) Specifically designed for vloggers and online content creators, the Sony ZV-1F Vlogging Camera is a pocket-sized camera with a large 1" sensor and a 20mm equivalent wide-angle lens. The camera lets you take a group selfie with a wide view of the background scenery and get everything in the frame, even at arm's length.The lens captures a wider field of view than the human eye, allowing you to take images with stunning depth and perspective both indoors and outdoors. external. Small and lightweight, the camera is designed to be carried around so you can capture everyday life with ease and capture content on the go. Equipped with a 3.0" touchscreen0" detachable microphone and a 3-capsule directional microphone perfect for front-facing recording, the ZV-1F will also appeal to those who appreciate the camera's unique Product Showcase setting, background blur function, real-time Eye AF (autofocus ), Face Priority AE (automatic exposure), as well as a new touchscreen interface, which makes it easier to use. Fast, intelligent autofocus Offering 425 contrast-detection AF points to cover a large area of the captured image, the ZV-1F offers high-precision focusing to ensure your footage remains razor-sharp. Easy Bokeh at the Touch of a Button With a simple push of the bokeh switch, the ZV-1F lets you achieve beautiful blurry backgrounds like a pro. Beautiful skin tones for everyone. Look your best every time you shoot. Without any special settings, the camera captures skin tones accurately, ensuring a healthy and natural look. There is also a Soft Skin Effect mode to adjust the smoothness of the skin. Still footage while walking Showing your viewers the world around you creates engaging content, but shaky footage can be distracting. The ZV-1F lets you capture video clearly even while walking. Image stabilization in active mode helps minimize image blur from handheld shooting for steadier shots. Slow & Speed Capture poignant moments in slow motion or ramp up the energy for dramatic scenes without any editing. With the ZV-1F, you can easily adjust the speed of your footage by simply pressing the Slow and Quick buttons. Easy smartphone connectivity Transfer all recorded images and videos to your smartphone via Wi-Fi via the Imaging Edge Mobile Plus app. The app also turns your phone into a remote control for remote shooting. Simple streaming   Turn the ZV-1F into a high-quality webcam by simply connecting a compatible device via USB. The 1" image sensor and Creative Look mode ensure vibrant images, while the 3-capsule directional microphone delivers excellent audio.

Sony ZV-E1 FF Mirrorless Vlog Camera - Full-frame 35mm sensor (Black)

Sony ZV-E1 FF Mirrorless Vlog Camera - Full-frame 35mm sensor (Black)(ZV-E1) Introducing the Sony ZV-E1, with a unique set of features designed for cinematic content creation and demanding video shooters looking for the best shooting experience. This is a compact camera that includes a large and high performance full-frame sensor capable of 4K 60p recording, a unique AI-based Autofocus with multiple object recognition, and professional audio quality. It also packs Sony's own set of vlogging features, such as Product showcase or the direct to streaming camera solution in 4K, aimed at making content creation easier. For the first time, record your adventures with a cinematic look thanks to a unique Cinematic Vlog settings and professional picture profile S-CINETONE. Keep your shots extremely stable with the new frame stabiliser and in-body stabilisation. Get the ultimate content creation experience with the Sony ZV-E1 and shoot your content like a pro. Professional Grade Full-Frame Quality Shoot cinematic content with the professional sized full-frame 4K 60p image quality for unlimited creative expression, even in the dimmest light situations. Made easy for video content creation, benefit from the cinematic look of S-CINETONE and Cinematic Vlog profiles. The Sony ZV-E1 is also capable of cinematic 4K 120p slow-motion inherited from professional cameras via a free firmware update. Equipped with a dedicated AI chip, this vlogging camera is capable of advanced Autofocus features detecting human eyes, pets, and a variety of objects, so your footage is always in focus. Additionally, it includes new features such as auto-framing and framing stabilisation to keep your subject stable and centred in the frame. The ZV-E1 includes features designed for content creation such as a Bokeh switch that blurs the background and a Product showcase mode for reviewers who want to ensure objects are in focus when shown to the camera. Paired with a swivel, fully touch capable screen and a tally lamp, it has never been easier to vlog and focus on your content. The features on this 4K camera pack a punch for serious filmmaking. Sony's latest Focus breathing compensation feature eliminates any breathing when focusing at different distances (only compatible with Sony lenses), you can import your own LUT to get a full preview of the end result, and more. Pair your Sony vlogging camera seamlessly with your smartphone using the latest app and transfer high quality clips straight to your phone. Additionally, this camera is streaming ready at up to 4K 30p or Full HD 60p without the need for a capture card or extra software. As part of Sony's extensive system, enjoy different angles of view with 60+ full-frame lenses available and capture sound like never before with the series of ECM digital microphones.

Sony Alpha A6700 Aps-c Camera With 16-50mm Lens

Sony Alpha A6700 Aps-c Camera With 16-50mm Lens(ILCE-6700L) Next Generation Creativity on the Go The α6700 combines the latest AI technology with Sony's outstanding α-series image quality in a compact APS-C camera body. Offering enhanced subject recognition, the latest technology for capturing stills and movies, and E-mount lens compatibility, the lightweight α6700 is designed for creative adventures, anytime, anywhere. APS-C Format Exmor R Back-Illuminated CMOS Sensor The advanced Exmor R CMOS image sensor with 26.01 effective megapixels is packed with Sony's image sensor technologies. It offers extraordinary sensitivity, resolution and dynamic range, thanks to its back-illuminated format, gapless on-chip lenses, and AR coating (anti-reflection seal glass) BIONZ XR™ processing power for exceptional image quality With up to eight times2 more processing power than previous versions, the latest BIONZ XR image processing engine delivers natural gradations and realistic colors with low noise for stills and movies. Wide dynamic range for diverse shooting scenarios The α6700's standard sensitivity ranges from a low ISO 100 to ISO 320003, and offers a wide dynamic range so that natural gradations can be captured in high-contrast scenes without blown highlights or blocked shadows. Consistently accurate exposure and color The α6700 offers impressive exposure control. It's equipped with a new AE algorithm, initially developed for full-frame models, which enables it to accurately detect the skin area of faces and adjust exposure accordingly when shooting stills and movies. It can also maintain realistic colors under a wide range of light sources, from sunlight through to theater and stadium lighting, and produce more natural skin tones, sky and foliage colors. Choose your Creative Look The Creative Look setting offers greater creative flexibility with added simplicity. It provides 10 presets that can be used just as they are or customized via 8 adjustable parameters to suit the subject or scene, whether you’re shooting stills, movies or live-streaming. You can easily set the mood ahead of shooting so your images are ready to share immediately. 5-axis optical image stabilization Shoot hand-held or in low-light with confidence — the 5-axis in-body optical image stabilization system is supported by precision gyro sensors to deliver up to 5-steps4 of shake compensation. It detects and compensates for various types of camera shake, including angular (pitch/yaw) shake that is more apparent at longer focal lengths, or when shooting with slower shutter speeds. Precise compensation at the single-pixel level Through enhanced design and control of key parameters, the α6700 provides precise detection and control right down to the single-pixel level, taking full advantage of the sensor's 26.0 megapixel1 resolution to produce images that capture all the finer details. Selectable RAW file types and quality In addition to compressed RAW capture, the α6700 supports lossless compressed RAW capture that provides efficient compression, allowing a greater number of high-quality images to be shot in continuous bursts. A new Light image quality selection that generates less data is provided for JPEG and HEIF images. HEIF: High compression with excellent image quality For the first time in an APS-C camera, the α6700 includes the HEIF (High Efficiency Image File) format with smooth 10-bit gradations for more realistic reproduction of skies and portrait skin tones. The HEIF format also uses advanced compression technology to maintain image quality while significantly reducing file size and saving storage space. Innovative AI processing The α6700 is equipped with an innovative AI processing unit that greatly enhances its performance, including more accurate recognition for a wider range of subjects. Human pose estimation The α6700 uses subject form data to recognize movement, achieving greatly improved human eye recognition. It also employs learned human forms and postures to precisely recognize body and head positions, making it possible to lock onto and track a subject facing away from the camera, or with their face partly obscured by a helmet or sunglasses. Wider subject recognition In addition to humans and animals, the α6700 now recognizes birds, insects, cars, trains and airplanes7, providing even greater flexibility and reliability when shooting both stills and movies. Heads and bodies are recognized in addition to eyes (Real-time Eye AF) for the Human and Animal settings, and now for the Bird setting too, with animal recognition performance more than 40%8 higher compared to the α6600. Smarter Real-time Tracking9 The upgraded and more reliable AI-based Real-time Tracking makes shooting in a wider range of situations simpler, leaving you free to concentrate on framing and composition. The α6700 can even track people wearing helmets or animals facing away from the camera.10 Shooting responsibly when using face registration The face registration feature involves the use of biometric data. You are responsible for your collection and use of such data, and compliance with applicable local law. For more details, please visit the website below. Faster, more precise wide-area AF The immense processing power and updated algorithms of the new BIONZ XR engine achieve notably improved AF performance, with up to 759 phase detection points, 11 covering approximately 93% of the image area when shooting stills. Accurate AF in low EV -3.0 light The latest AF algorithms achieve high AF precision at light levels as low as EV -3.0 in AF-S mode (ISO 100 equivalent, F2.0 lens). The Focus Priority mode also provides more reliable AF in low light or when using smaller apertures. Shoot more than 1000 images at 11fps The a6700's powerful BIONZ XR processing engine combines with a large buffer memory to boost write speeds to memory cards, so that the camera can shoot more than 1000 JPEG images, up to 59 compressed RAW images, or up to 23 lossless compressed RAW images in continuous high-speed bursts. Full-time DMF When shooting stills with AF-C or AF-S autofocus, the lens's focus ring can be rotated to instantly switch to manual focus mode at any time. This makes it easy to switch focus to a different subject on the fly. Focus bracketing to capture the best shot The a6700 can automatically shoot up to 299 images with sequentially shifted focus points according to intervals and a sequence specified by you. Pick the perfect shot, or post-process multiple shots to achieve creative composites with incredible depth of focus. Flicker suppression Suppress flicker from artificial lighting whether you're shooting stills or movies. Simply select "Anti-flicker Shoot", or use "Var. Shutter" to fine-tune shutter speeds to match flicker rates when filming. 4K movie recording for stunning quality The α6700 captures 4K (QFHD: 3840 x 2160) at up to 60p (50p) using Sony's proprietary 6K oversampling technology. By compressing this expanded detail into the output, it achieves 4K video quality with outstanding definition, even at higher frame rates. The camera also supports high-quality XAVC S-I (All-Intra) and XAVC HS formats with 10-bit 4:2:2 color sampling.16 High frame rate 4K 120p (100p) recording17 High frame rate recording at up to 120p for 4K QFHD (3840 x 2160) output makes it possible to capture high-resolution movies in-camera. This expands creative possibilities in post-production by allowing subject motion to be emphasized or transformed into smooth slow motion. S&Q mode18 also enables recording of slow or quick motion sequences in camera from the outset. Expressive S-Cinetone™ Incorporating the same color science as the highly regarded CineAlta and Cinema Line, the α6700 includes Sony's S-Cinetone picture profile as a preset, delivering images with more faithful color reproduction and natural skin tones. S-Log3 gamma curve with 14+ stops19 of latitude The S-Log3 gamma curve emphasizes gradation characteristics from shadows to mid-grey (18% grey), achieving up to 14+ stops19 of latitude for flexible and creative color editing. Real-time Tracking for movies AI-based Real-time Tracking provides a dramatic improvement in Real-time Tracking performance, automatically recognizing, tracking, and focusing on the eyes of a specified subject.20 In addition to using the Touch Tracking function to initiate tracking, a custom button can be used to temporarily track a selected subject regardless of the subject's position in the frame and the focus area setting. Active Mode for enhanced movie image stabilization21 Active Mode21 provides powerful image stabilization for handheld movie shooting. The α6700 can accurately measure camera shake which is then precisely compensated for optically, providing highly effective stabilization without sacrificing mobility, even when shooting 4K22. Breathing compensation for consistent angle of view23 When shooting movies with compatible lenses, automatic breathing compensation uses Clear Image Zoom technology to maintain a consistent angle of view, suppressing changes that may occur due to shifts in focus position. Breathing metadata can also be used in post-production24. Import user LUT files See how your footage will look in post-processing while you're shooting. The a6700 allows you to import a custom LUT (Look Up Table) that can be applied to the camera's monitor image while recording, providing a preview. Movie making made simple The a6700 is jampacked with features to support movie shooting and production. Its Auto Framing?5 function automatically crops and re-frames the image while using Al to track the subject. Or, for a cinematic touch, the in-camera time-lapse function allows you to create time-lapse videos within the camera itself. Made for your hands With its compact shape, and lightweight 493 gram body, the α6700 offers remarkable portability and maneuverability without compromising image quality. A new grip design provides a solid, even more comfortable hold on the camera, while giving greater control for shooting both stills and movies. High-performance electronic viewfinder A 2.36 million-dot (approx.) XGA OLED electronic viewfinder with approximately 1.07x magnification26 delivers an exceptional view of your world. With twice the brightness of the α6600, and a wider 33-degree viewing angle, it offers clear, easy viewing while shooting. The finder frame rate can be set to 120 fps — twice the normal rate — for a smooth viewfinder image, with minimum display motion blur when tracking and shooting moving subjects. Enhanced shooting flexibility with vari-angle monitor The α6700 features a large 3.0-type 1.03 million-dot (approx.) touch-panel LCD monitor with a 3:2 aspect ratio and side-opening vary-angle flexibility. This allows greater positioning and framing freedom, giving you plenty of creative options for handheld and gimbal-mounted shooting of stills and movies. Intuitive touch control Just touch the screen to activate key functions, such as selecting a focus point or subject to track, or triggering the shutter. Swiping in from the left or right edge of the shooting display reveals touch icons that allow quick changes to the shooting mode and other settings. The function (Fn) menu can also be displayed by a simple swipe-up. During playback, you can easily select and zoom into images through taps and intuitive pinch-out/pinch-in gestures. Improved menu structure Responding to feedback from professional photographers and videographers, the α6700 comes with a new Main Menu structure similar to the latest full-frame α series models. The logical layout provides more efficient access to important shooting parameters, such as frame rate, shutter speed, and more. It can be assigned to a custom key for quick access when needed, and touch operation means that adjusting key settings has never been faster. More than 70 E-mount lenses to choose from Take your pick from a comprehensive range of E-mount lenses from Sony. Our acclaimed line-up includes the full-frame G Master™ series that blends breathtaking resolution with exquisite bokeh, and the G Lens™ series that offers excellent image quality and value. Combined with an APS-C body, Sony's ultra-wide lenses can capture sweeping scenery or large subjects in a single frame, while telephoto lenses, assisted by the 1.5 crop factor of APS-C cameras and teleconverter lenses as needed, make it possible to capture distant subjects with stunning clarity and detail. Accessories expand creative horizons A variety of high-performance compatible microphones can be connected to the the camera’s Multi Interface Shoe for direct, noise-free digital audio transfer to the camera. Or choose from a variety of high-output flash units such as the HVL-F60RM2 that support high-speed continuous shooting, giving you even more ways to capture creative imagery. Easy and stable smartphone connectivity Make the most of the a6700's greatly enhanced connection stability with Sony's free Creators' App27 that enables simple transfers of photos and movies to your smartphone or tablet. Transfers continue in the background even if the smartphone display sleeps or a different app is launched.28 You can also use your smartphone to control the camera remotely. Stream high-quality live content Connected to a personal computer or smartphone 29 via USB, the a6700 can function as a 4K (2160p) webcam with advanced AF that makes online meetings and live streaming events even smoother. Fast Wi-Fi for PC tethering Built-in Wi-Fi (IEEE 802.11a/b/g/n/ac) allows communication on the 2.4 GHz and 5 GHz30 bands for fast and stable data transfer. Creators' Cloud platform Creators' Cloud is a platform that supports creative work from shooting to production by combining advanced Sony camera technology with cloud-based AI. It's also a place for discovery and collaboration with other creators around the world. Explore web, mobile, and PC-based apps providing efficient solutions that integrate cameras with shooting and production apps and services. Accessible technology on α cameras Sony's α cameras are equipped with a number of accessibility features so that as many people as possible can utilize and enjoy our technology. For example, the screen reader function reads text on the menu screens aloud, with volume and reading speed adjustable as needed. Approximate, effective Compared to the BIONZ X image processing engine in the α6600. Sony tests. Expandable to ISO 50 - 102400 for stills. Based on CIPA standard. Pitch/yaw shake only. With FE 50mm F1.2 GM lens mounted. Long-exposure Noise Reduction off. The latest version of Imaging Edge Desktop (Remote/Viewer/Edit) is required to view and edit HEIF images. All specified subjects may not be accurately recognized in all conditions. Subject types other than the type specified may be erroneously recognized in some cases. Sony internal tests [Tracking] in the menu. Based on advanced artificial intelligence, including machine learning. Camera operation depends on focus area settings and touch operation. Accurate focus may not be achieved in some situations. The number of distance measuring points when shooting stills. The number of points used depends on the selected shooting mode. JPEG FINE format, continuous Hi+ mode. Actual number of images may vary according to shooting conditions. Not applicable to the E PZ 16-50mm F3.5-5.6 OSS and E 18-200mm F3.5-6.3 OSS LE lenses or any A-mount lens. Full-time DMF is not available when shooting continuously in AF-C or AF-A mode (not including Lo), or when using the FE 70-200mm F2.8 GM II OSS lens in AF-C mode. A-mount lenses not supported. Only 100 Hz and 120 Hz flicker are detected. Continuous shooting speed may decrease. Phase-detection AF coverage is reduced. Flicker-free shooting is not available during silent shooting, BULB exposure, or movie recording. Recording frame rates are indicated as the closest integer values. The actual corresponding frame rates are as follows: 24p: 23.98 fps, 30p: 29.97 fps, 60p: 59.94 fps, and 120p: 119.88 fps. QFHD (3840 x 2160) with approx. 38 % image crop. Audio recording not available in the S&Q mode. S-Log3 movies. Sony internal tests. When subject recognition is ON during AF shooting. Face, eye, etc. recognition status can be monitored when subject recognition frame display is ON. Accurate focus may not be achieved in some situations. Slight image crop in Active Mode. “Standard” setting recommended for focal lengths of 200 mm or longer. Active Mode is not available when recording at frame rates of 120 (100) fps or higher, including S&Q. Compatible lenses are listed at: https://support.d-imaging.sony.co.jp/support/ilc/breathing/en/ Angle of view and image quality may change slightly when this function is turned ON. Full compensation may not be possible with some lenses. This function is not available when shooting movies at 120p, when using the S&Q mode at 120p, or when shooting stills. Additional focus breathing compensation is available in post-production using the advanced breathing compensation capabilities of the latest Catalyst Browse/Prepare software application, processing metadata provided by the camera. Only available for movies. Framing is cropped from 4K images, resulting in a reduced angle of view. With 50mm lens at infinity, -1m-¹. 35mm camera equivalent: Approx. 0.70x. Download app at Google Play and the App Store. Network services, content, and operating system and software subject to terms and conditions and may be changed, interrupted or discontinued at any time and may require fees, registration and credit card information.Check regional availability of services and applications via the URL https://www.sony.net/cca/ Transfer may be interrupted when a different app is launched on some operating systems. When streaming via USB, maximum image resolution is 3840 x 2160 and maximum frame rate is 30 fps. The OS of the computer or smartphone used must be compatible with UVC/UAC. Use the most up-to-date OS available for your device. A commercially available USB cable and/or terminal adaptor may be used to connect to equipment with a USB Type-C port. When connected via USB 2.0, maximum image resolution is HD (720p) and maximum frame rate is 30p. 5 GHz communication may be restricted in some countries and regions. Not guaranteed to be 100% dust- and moisture-proof. Shooting time will vary according to conditions. Use the [Interval Timer] function to shoots sequences at long intervals (e.g. 10 minutes or more). Maximum exposure interval is 6 seconds when shooting 4K. Maximum exposure interval is 6 seconds when shooting 4K. The Focus Map function cannot be used in the following conditions: When the Focus Magnifier function is in use, when using digital zoom, during USB streaming, when no lens is mounted, when an A-mount lens is mounted, or when a lens that is not compatible with focal plane phase-detection AF is in use. Not including materials used in coatings and adhesives. Not including materials used in coatings and adhesives. Natural non-woven fabric may not be available during some production periods. Features and specifications are subject to change without prior notice. Number of effective pixels varies depending on attached lenses and camera settings. When using accessories that support 4ch output / 24 bits with the Multi Interface Shoe. Anti-flicker Shooting is not available when the [Shutter Type] setting is set to [Electronic Shutter]. With compatible Sony external flash Varies according to shooting conditions or memory card used Supports Micro USB compatible device. (Configuration method/Access method) WPS or manually /infrastructure mode. When connecting to smartphones, the camera can always work as a base without a wireless access point. (Security: WEP/WPA-PSK/WPA2-PSK/WPA3-SAE) Models sold in some countries/regions support IEEE 802.11b/g/n (2.4GHz) wireless LAN only. Sony accessories for the Accessory Shoe can be attached. When [Resolution] is set to [HD(720p)], [MJPEG] is only available. The LCD screen is turned on, shot once every 30 seconds, operate zoom alternately between W and T ends, flash strobe once every two times, turn power off and on once every ten times.   Indication recording time, which is defined by repeating the cycle: Power on, start recording, zoom , stand-by and power off.  

Sony Alpha A6700 Aps-c Camera With 18-135mm Lens

Sony Alpha A6700 Aps-c Camera With 18-135mm Lens(ILCE-6700M) Next Generation Creativity on the Go The α6700 combines the latest AI technology with Sony's outstanding α-series image quality in a compact APS-C camera body. Offering enhanced subject recognition, the latest technology for capturing stills and movies, and E-mount lens compatibility, the lightweight α6700 is designed for creative adventures, anytime, anywhere. APS-C Format Exmor R Back-Illuminated CMOS Sensor The advanced Exmor R CMOS image sensor with 26.01 effective megapixels is packed with Sony's image sensor technologies. It offers extraordinary sensitivity, resolution and dynamic range, thanks to its back-illuminated format, gapless on-chip lenses, and AR coating (anti-reflection seal glass) BIONZ XR™ processing power for exceptional image quality With up to eight times2 more processing power than previous versions, the latest BIONZ XR image processing engine delivers natural gradations and realistic colors with low noise for stills and movies. Wide dynamic range for diverse shooting scenarios The α6700's standard sensitivity ranges from a low ISO 100 to ISO 320003, and offers a wide dynamic range so that natural gradations can be captured in high-contrast scenes without blown highlights or blocked shadows. Consistently accurate exposure and color The α6700 offers impressive exposure control. It's equipped with a new AE algorithm, initially developed for full-frame models, which enables it to accurately detect the skin area of faces and adjust exposure accordingly when shooting stills and movies. It can also maintain realistic colors under a wide range of light sources, from sunlight through to theater and stadium lighting, and produce more natural skin tones, sky and foliage colors. Choose your Creative Look The Creative Look setting offers greater creative flexibility with added simplicity. It provides 10 presets that can be used just as they are or customized via 8 adjustable parameters to suit the subject or scene, whether you’re shooting stills, movies or live-streaming. You can easily set the mood ahead of shooting so your images are ready to share immediately. 5-axis optical image stabilization Shoot hand-held or in low-light with confidence — the 5-axis in-body optical image stabilization system is supported by precision gyro sensors to deliver up to 5-steps4 of shake compensation. It detects and compensates for various types of camera shake, including angular (pitch/yaw) shake that is more apparent at longer focal lengths, or when shooting with slower shutter speeds. Precise compensation at the single-pixel level Through enhanced design and control of key parameters, the α6700 provides precise detection and control right down to the single-pixel level, taking full advantage of the sensor's 26.0 megapixel1 resolution to produce images that capture all the finer details. Selectable RAW file types and quality In addition to compressed RAW capture, the α6700 supports lossless compressed RAW capture that provides efficient compression, allowing a greater number of high-quality images to be shot in continuous bursts. A new Light image quality selection that generates less data is provided for JPEG and HEIF images. HEIF: High compression with excellent image quality For the first time in an APS-C camera, the α6700 includes the HEIF (High Efficiency Image File) format with smooth 10-bit gradations for more realistic reproduction of skies and portrait skin tones. The HEIF format also uses advanced compression technology to maintain image quality while significantly reducing file size and saving storage space. Innovative AI processing The α6700 is equipped with an innovative AI processing unit that greatly enhances its performance, including more accurate recognition for a wider range of subjects. Human pose estimation The α6700 uses subject form data to recognize movement, achieving greatly improved human eye recognition. It also employs learned human forms and postures to precisely recognize body and head positions, making it possible to lock onto and track a subject facing away from the camera, or with their face partly obscured by a helmet or sunglasses. Wider subject recognition In addition to humans and animals, the α6700 now recognizes birds, insects, cars, trains and airplanes7, providing even greater flexibility and reliability when shooting both stills and movies. Heads and bodies are recognized in addition to eyes (Real-time Eye AF) for the Human and Animal settings, and now for the Bird setting too, with animal recognition performance more than 40%8 higher compared to the α6600. Smarter Real-time Tracking9 The upgraded and more reliable AI-based Real-time Tracking makes shooting in a wider range of situations simpler, leaving you free to concentrate on framing and composition. The α6700 can even track people wearing helmets or animals facing away from the camera.10 Shooting responsibly when using face registration The face registration feature involves the use of biometric data. You are responsible for your collection and use of such data, and compliance with applicable local law. For more details, please visit the website below. Faster, more precise wide-area AF The immense processing power and updated algorithms of the new BIONZ XR engine achieve notably improved AF performance, with up to 759 phase detection points, 11 covering approximately 93% of the image area when shooting stills. Accurate AF in low EV -3.0 light The latest AF algorithms achieve high AF precision at light levels as low as EV -3.0 in AF-S mode (ISO 100 equivalent, F2.0 lens). The Focus Priority mode also provides more reliable AF in low light or when using smaller apertures. Shoot more than 1000 images at 11fps The a6700's powerful BIONZ XR processing engine combines with a large buffer memory to boost write speeds to memory cards, so that the camera can shoot more than 1000 JPEG images, up to 59 compressed RAW images, or up to 23 lossless compressed RAW images in continuous high-speed bursts. Full-time DMF When shooting stills with AF-C or AF-S autofocus, the lens's focus ring can be rotated to instantly switch to manual focus mode at any time. This makes it easy to switch focus to a different subject on the fly. Focus bracketing to capture the best shot The a6700 can automatically shoot up to 299 images with sequentially shifted focus points according to intervals and a sequence specified by you. Pick the perfect shot, or post-process multiple shots to achieve creative composites with incredible depth of focus. Flicker suppression Suppress flicker from artificial lighting whether you're shooting stills or movies. Simply select "Anti-flicker Shoot", or use "Var. Shutter" to fine-tune shutter speeds to match flicker rates when filming. 4K movie recording for stunning quality The α6700 captures 4K (QFHD: 3840 x 2160) at up to 60p (50p) using Sony's proprietary 6K oversampling technology. By compressing this expanded detail into the output, it achieves 4K video quality with outstanding definition, even at higher frame rates. The camera also supports high-quality XAVC S-I (All-Intra) and XAVC HS formats with 10-bit 4:2:2 color sampling.16 High frame rate 4K 120p (100p) recording17 High frame rate recording at up to 120p for 4K QFHD (3840 x 2160) output makes it possible to capture high-resolution movies in-camera. This expands creative possibilities in post-production by allowing subject motion to be emphasized or transformed into smooth slow motion. S&Q mode18 also enables recording of slow or quick motion sequences in camera from the outset. Expressive S-Cinetone™ Incorporating the same color science as the highly regarded CineAlta and Cinema Line, the α6700 includes Sony's S-Cinetone picture profile as a preset, delivering images with more faithful color reproduction and natural skin tones. S-Log3 gamma curve with 14+ stops19 of latitude The S-Log3 gamma curve emphasizes gradation characteristics from shadows to mid-grey (18% grey), achieving up to 14+ stops19 of latitude for flexible and creative color editing. Real-time Tracking for movies AI-based Real-time Tracking provides a dramatic improvement in Real-time Tracking performance, automatically recognizing, tracking, and focusing on the eyes of a specified subject.20 In addition to using the Touch Tracking function to initiate tracking, a custom button can be used to temporarily track a selected subject regardless of the subject's position in the frame and the focus area setting. Active Mode for enhanced movie image stabilization21 Active Mode21 provides powerful image stabilization for handheld movie shooting. The α6700 can accurately measure camera shake which is then precisely compensated for optically, providing highly effective stabilization without sacrificing mobility, even when shooting 4K22. Breathing compensation for consistent angle of view23 When shooting movies with compatible lenses, automatic breathing compensation uses Clear Image Zoom technology to maintain a consistent angle of view, suppressing changes that may occur due to shifts in focus position. Breathing metadata can also be used in post-production24. Import user LUT files See how your footage will look in post-processing while you're shooting. The a6700 allows you to import a custom LUT (Look Up Table) that can be applied to the camera's monitor image while recording, providing a preview. Movie making made simple The a6700 is jampacked with features to support movie shooting and production. Its Auto Framing?5 function automatically crops and re-frames the image while using Al to track the subject. Or, for a cinematic touch, the in-camera time-lapse function allows you to create time-lapse videos within the camera itself. Made for your hands With its compact shape, and lightweight 493 gram body, the α6700 offers remarkable portability and maneuverability without compromising image quality. A new grip design provides a solid, even more comfortable hold on the camera, while giving greater control for shooting both stills and movies. High-performance electronic viewfinder A 2.36 million-dot (approx.) XGA OLED electronic viewfinder with approximately 1.07x magnification26 delivers an exceptional view of your world. With twice the brightness of the α6600, and a wider 33-degree viewing angle, it offers clear, easy viewing while shooting. The finder frame rate can be set to 120 fps — twice the normal rate — for a smooth viewfinder image, with minimum display motion blur when tracking and shooting moving subjects. Enhanced shooting flexibility with vari-angle monitor The α6700 features a large 3.0-type 1.03 million-dot (approx.) touch-panel LCD monitor with a 3:2 aspect ratio and side-opening vary-angle flexibility. This allows greater positioning and framing freedom, giving you plenty of creative options for handheld and gimbal-mounted shooting of stills and movies. Intuitive touch control Just touch the screen to activate key functions, such as selecting a focus point or subject to track, or triggering the shutter. Swiping in from the left or right edge of the shooting display reveals touch icons that allow quick changes to the shooting mode and other settings. The function (Fn) menu can also be displayed by a simple swipe-up. During playback, you can easily select and zoom into images through taps and intuitive pinch-out/pinch-in gestures. Improved menu structure Responding to feedback from professional photographers and videographers, the α6700 comes with a new Main Menu structure similar to the latest full-frame α series models. The logical layout provides more efficient access to important shooting parameters, such as frame rate, shutter speed, and more. It can be assigned to a custom key for quick access when needed, and touch operation means that adjusting key settings has never been faster. More than 70 E-mount lenses to choose from Take your pick from a comprehensive range of E-mount lenses from Sony. Our acclaimed line-up includes the full-frame G Master™ series that blends breathtaking resolution with exquisite bokeh, and the G Lens™ series that offers excellent image quality and value. Combined with an APS-C body, Sony's ultra-wide lenses can capture sweeping scenery or large subjects in a single frame, while telephoto lenses, assisted by the 1.5 crop factor of APS-C cameras and teleconverter lenses as needed, make it possible to capture distant subjects with stunning clarity and detail. Accessories expand creative horizons A variety of high-performance compatible microphones can be connected to the the camera’s Multi Interface Shoe for direct, noise-free digital audio transfer to the camera. Or choose from a variety of high-output flash units such as the HVL-F60RM2 that support high-speed continuous shooting, giving you even more ways to capture creative imagery. Easy and stable smartphone connectivity Make the most of the a6700's greatly enhanced connection stability with Sony's free Creators' App27 that enables simple transfers of photos and movies to your smartphone or tablet. Transfers continue in the background even if the smartphone display sleeps or a different app is launched.28 You can also use your smartphone to control the camera remotely. Stream high-quality live content Connected to a personal computer or smartphone 29 via USB, the a6700 can function as a 4K (2160p) webcam with advanced AF that makes online meetings and live streaming events even smoother. Fast Wi-Fi for PC tethering Built-in Wi-Fi (IEEE 802.11a/b/g/n/ac) allows communication on the 2.4 GHz and 5 GHz30 bands for fast and stable data transfer. Creators' Cloud platform Creators' Cloud is a platform that supports creative work from shooting to production by combining advanced Sony camera technology with cloud-based AI. It's also a place for discovery and collaboration with other creators around the world. Explore web, mobile, and PC-based apps providing efficient solutions that integrate cameras with shooting and production apps and services. Accessible technology on α cameras Sony's α cameras are equipped with a number of accessibility features so that as many people as possible can utilize and enjoy our technology. For example, the screen reader function reads text on the menu screens aloud, with volume and reading speed adjustable as needed. Approximate, effective Compared to the BIONZ X image processing engine in the α6600. Sony tests. Expandable to ISO 50 - 102400 for stills. Based on CIPA standard. Pitch/yaw shake only. With FE 50mm F1.2 GM lens mounted. Long-exposure Noise Reduction off. The latest version of Imaging Edge Desktop (Remote/Viewer/Edit) is required to view and edit HEIF images. All specified subjects may not be accurately recognized in all conditions. Subject types other than the type specified may be erroneously recognized in some cases. Sony internal tests [Tracking] in the menu. Based on advanced artificial intelligence, including machine learning. Camera operation depends on focus area settings and touch operation. Accurate focus may not be achieved in some situations. The number of distance measuring points when shooting stills. The number of points used depends on the selected shooting mode. JPEG FINE format, continuous Hi+ mode. Actual number of images may vary according to shooting conditions. Not applicable to the E PZ 16-50mm F3.5-5.6 OSS and E 18-200mm F3.5-6.3 OSS LE lenses or any A-mount lens. Full-time DMF is not available when shooting continuously in AF-C or AF-A mode (not including Lo), or when using the FE 70-200mm F2.8 GM II OSS lens in AF-C mode. A-mount lenses not supported. Only 100 Hz and 120 Hz flicker are detected. Continuous shooting speed may decrease. Phase-detection AF coverage is reduced. Flicker-free shooting is not available during silent shooting, BULB exposure, or movie recording. Recording frame rates are indicated as the closest integer values. The actual corresponding frame rates are as follows: 24p: 23.98 fps, 30p: 29.97 fps, 60p: 59.94 fps, and 120p: 119.88 fps. QFHD (3840 x 2160) with approx. 38 % image crop. Audio recording not available in the S&Q mode. S-Log3 movies. Sony internal tests. When subject recognition is ON during AF shooting. Face, eye, etc. recognition status can be monitored when subject recognition frame display is ON. Accurate focus may not be achieved in some situations. Slight image crop in Active Mode. “Standard” setting recommended for focal lengths of 200 mm or longer. Active Mode is not available when recording at frame rates of 120 (100) fps or higher, including S&Q. Compatible lenses are listed at: https://support.d-imaging.sony.co.jp/support/ilc/breathing/en/ Angle of view and image quality may change slightly when this function is turned ON. Full compensation may not be possible with some lenses. This function is not available when shooting movies at 120p, when using the S&Q mode at 120p, or when shooting stills. Additional focus breathing compensation is available in post-production using the advanced breathing compensation capabilities of the latest Catalyst Browse/Prepare software application, processing metadata provided by the camera. Only available for movies. Framing is cropped from 4K images, resulting in a reduced angle of view. With 50mm lens at infinity, -1m-¹. 35mm camera equivalent: Approx. 0.70x. Download app at Google Play and the App Store. Network services, content, and operating system and software subject to terms and conditions and may be changed, interrupted or discontinued at any time and may require fees, registration and credit card information.Check regional availability of services and applications via the URL https://www.sony.net/cca/ Transfer may be interrupted when a different app is launched on some operating systems. When streaming via USB, maximum image resolution is 3840 x 2160 and maximum frame rate is 30 fps. The OS of the computer or smartphone used must be compatible with UVC/UAC. Use the most up-to-date OS available for your device. A commercially available USB cable and/or terminal adaptor may be used to connect to equipment with a USB Type-C port. When connected via USB 2.0, maximum image resolution is HD (720p) and maximum frame rate is 30p. 5 GHz communication may be restricted in some countries and regions. Not guaranteed to be 100% dust- and moisture-proof. Shooting time will vary according to conditions. Use the [Interval Timer] function to shoots sequences at long intervals (e.g. 10 minutes or more). Maximum exposure interval is 6 seconds when shooting 4K. Maximum exposure interval is 6 seconds when shooting 4K. The Focus Map function cannot be used in the following conditions: When the Focus Magnifier function is in use, when using digital zoom, during USB streaming, when no lens is mounted, when an A-mount lens is mounted, or when a lens that is not compatible with focal plane phase-detection AF is in use. Not including materials used in coatings and adhesives. Not including materials used in coatings and adhesives. Natural non-woven fabric may not be available during some production periods. Features and specifications are subject to change without prior notice. Number of effective pixels varies depending on attached lenses and camera settings. When using accessories that support 4ch output / 24 bits with the Multi Interface Shoe. Anti-flicker Shooting is not available when the [Shutter Type] setting is set to [Electronic Shutter]. With compatible Sony external flash Varies according to shooting conditions or memory card used Supports Micro USB compatible device. (Configuration method/Access method) WPS or manually /infrastructure mode. When connecting to smartphones, the camera can always work as a base without a wireless access point. (Security: WEP/WPA-PSK/WPA2-PSK/WPA3-SAE) Models sold in some countries/regions support IEEE 802.11b/g/n (2.4GHz) wireless LAN only. Sony accessories for the Accessory Shoe can be attached. When [Resolution] is set to [HD(720p)], [MJPEG] is only available. The LCD screen is turned on, shot once every 30 seconds, operate zoom alternately between W and T ends, flash strobe once every two times, turn power off and on once every ten times.   Indication recording time, which is defined by repeating the cycle: Power on, start recording, zoom , stand-by and power off.  

Sony Alpha A6700 Aps-c Camera Body

Sony Alpha A6700 Aps-c Camera Body(ILCE-6700) Next Generation Creativity on the Go The α6700 combines the latest AI technology with Sony's outstanding α-series image quality in a compact APS-C camera body. Offering enhanced subject recognition, the latest technology for capturing stills and movies, and E-mount lens compatibility, the lightweight α6700 is designed for creative adventures, anytime, anywhere. APS-C Format Exmor R Back-Illuminated CMOS Sensor The advanced Exmor R CMOS image sensor with 26.01 effective megapixels is packed with Sony's image sensor technologies. It offers extraordinary sensitivity, resolution and dynamic range, thanks to its back-illuminated format, gapless on-chip lenses, and AR coating (anti-reflection seal glass) BIONZ XR™ processing power for exceptional image quality With up to eight times2 more processing power than previous versions, the latest BIONZ XR image processing engine delivers natural gradations and realistic colors with low noise for stills and movies. Wide dynamic range for diverse shooting scenarios The α6700's standard sensitivity ranges from a low ISO 100 to ISO 320003, and offers a wide dynamic range so that natural gradations can be captured in high-contrast scenes without blown highlights or blocked shadows. Consistently accurate exposure and color The α6700 offers impressive exposure control. It's equipped with a new AE algorithm, initially developed for full-frame models, which enables it to accurately detect the skin area of faces and adjust exposure accordingly when shooting stills and movies. It can also maintain realistic colors under a wide range of light sources, from sunlight through to theater and stadium lighting, and produce more natural skin tones, sky and foliage colors. Choose your Creative Look The Creative Look setting offers greater creative flexibility with added simplicity. It provides 10 presets that can be used just as they are or customized via 8 adjustable parameters to suit the subject or scene, whether you’re shooting stills, movies or live-streaming. You can easily set the mood ahead of shooting so your images are ready to share immediately. 5-axis optical image stabilization Shoot hand-held or in low-light with confidence — the 5-axis in-body optical image stabilization system is supported by precision gyro sensors to deliver up to 5-steps4 of shake compensation. It detects and compensates for various types of camera shake, including angular (pitch/yaw) shake that is more apparent at longer focal lengths, or when shooting with slower shutter speeds. Precise compensation at the single-pixel level Through enhanced design and control of key parameters, the α6700 provides precise detection and control right down to the single-pixel level, taking full advantage of the sensor's 26.0 megapixel1 resolution to produce images that capture all the finer details. Selectable RAW file types and quality In addition to compressed RAW capture, the α6700 supports lossless compressed RAW capture that provides efficient compression, allowing a greater number of high-quality images to be shot in continuous bursts. A new Light image quality selection that generates less data is provided for JPEG and HEIF images. HEIF: High compression with excellent image quality For the first time in an APS-C camera, the α6700 includes the HEIF (High Efficiency Image File) format with smooth 10-bit gradations for more realistic reproduction of skies and portrait skin tones. The HEIF format also uses advanced compression technology to maintain image quality while significantly reducing file size and saving storage space. Innovative AI processing The α6700 is equipped with an innovative AI processing unit that greatly enhances its performance, including more accurate recognition for a wider range of subjects. Human pose estimation The α6700 uses subject form data to recognize movement, achieving greatly improved human eye recognition. It also employs learned human forms and postures to precisely recognize body and head positions, making it possible to lock onto and track a subject facing away from the camera, or with their face partly obscured by a helmet or sunglasses. Wider subject recognition In addition to humans and animals, the α6700 now recognizes birds, insects, cars, trains and airplanes7, providing even greater flexibility and reliability when shooting both stills and movies. Heads and bodies are recognized in addition to eyes (Real-time Eye AF) for the Human and Animal settings, and now for the Bird setting too, with animal recognition performance more than 40%8 higher compared to the α6600. Smarter Real-time Tracking9 The upgraded and more reliable AI-based Real-time Tracking makes shooting in a wider range of situations simpler, leaving you free to concentrate on framing and composition. The α6700 can even track people wearing helmets or animals facing away from the camera.10 Shooting responsibly when using face registration The face registration feature involves the use of biometric data. You are responsible for your collection and use of such data, and compliance with applicable local law. For more details, please visit the website below. Faster, more precise wide-area AF The immense processing power and updated algorithms of the new BIONZ XR engine achieve notably improved AF performance, with up to 759 phase detection points, 11 covering approximately 93% of the image area when shooting stills. Accurate AF in low EV -3.0 light The latest AF algorithms achieve high AF precision at light levels as low as EV -3.0 in AF-S mode (ISO 100 equivalent, F2.0 lens). The Focus Priority mode also provides more reliable AF in low light or when using smaller apertures. Shoot more than 1000 images at 11fps The a6700's powerful BIONZ XR processing engine combines with a large buffer memory to boost write speeds to memory cards, so that the camera can shoot more than 1000 JPEG images, up to 59 compressed RAW images, or up to 23 lossless compressed RAW images in continuous high-speed bursts. Full-time DMF When shooting stills with AF-C or AF-S autofocus, the lens's focus ring can be rotated to instantly switch to manual focus mode at any time. This makes it easy to switch focus to a different subject on the fly. Focus bracketing to capture the best shot The a6700 can automatically shoot up to 299 images with sequentially shifted focus points according to intervals and a sequence specified by you. Pick the perfect shot, or post-process multiple shots to achieve creative composites with incredible depth of focus. Flicker suppression Suppress flicker from artificial lighting whether you're shooting stills or movies. Simply select "Anti-flicker Shoot", or use "Var. Shutter" to fine-tune shutter speeds to match flicker rates when filming. 4K movie recording for stunning quality The α6700 captures 4K (QFHD: 3840 x 2160) at up to 60p (50p) using Sony's proprietary 6K oversampling technology. By compressing this expanded detail into the output, it achieves 4K video quality with outstanding definition, even at higher frame rates. The camera also supports high-quality XAVC S-I (All-Intra) and XAVC HS formats with 10-bit 4:2:2 color sampling.16 High frame rate 4K 120p (100p) recording17 High frame rate recording at up to 120p for 4K QFHD (3840 x 2160) output makes it possible to capture high-resolution movies in-camera. This expands creative possibilities in post-production by allowing subject motion to be emphasized or transformed into smooth slow motion. S&Q mode18 also enables recording of slow or quick motion sequences in camera from the outset. Expressive S-Cinetone™ Incorporating the same color science as the highly regarded CineAlta and Cinema Line, the α6700 includes Sony's S-Cinetone picture profile as a preset, delivering images with more faithful color reproduction and natural skin tones. S-Log3 gamma curve with 14+ stops19 of latitude The S-Log3 gamma curve emphasizes gradation characteristics from shadows to mid-grey (18% grey), achieving up to 14+ stops19 of latitude for flexible and creative color editing. Real-time Tracking for movies AI-based Real-time Tracking provides a dramatic improvement in Real-time Tracking performance, automatically recognizing, tracking, and focusing on the eyes of a specified subject.20 In addition to using the Touch Tracking function to initiate tracking, a custom button can be used to temporarily track a selected subject regardless of the subject's position in the frame and the focus area setting. Active Mode for enhanced movie image stabilization21 Active Mode21 provides powerful image stabilization for handheld movie shooting. The α6700 can accurately measure camera shake which is then precisely compensated for optically, providing highly effective stabilization without sacrificing mobility, even when shooting 4K22. Breathing compensation for consistent angle of view23 When shooting movies with compatible lenses, automatic breathing compensation uses Clear Image Zoom technology to maintain a consistent angle of view, suppressing changes that may occur due to shifts in focus position. Breathing metadata can also be used in post-production24. Import user LUT files See how your footage will look in post-processing while you're shooting. The a6700 allows you to import a custom LUT (Look Up Table) that can be applied to the camera's monitor image while recording, providing a preview. Movie making made simple The a6700 is jampacked with features to support movie shooting and production. Its Auto Framing?5 function automatically crops and re-frames the image while using Al to track the subject. Or, for a cinematic touch, the in-camera time-lapse function allows you to create time-lapse videos within the camera itself. Made for your hands With its compact shape, and lightweight 493 gram body, the α6700 offers remarkable portability and maneuverability without compromising image quality. A new grip design provides a solid, even more comfortable hold on the camera, while giving greater control for shooting both stills and movies. High-performance electronic viewfinder A 2.36 million-dot (approx.) XGA OLED electronic viewfinder with approximately 1.07x magnification26 delivers an exceptional view of your world. With twice the brightness of the α6600, and a wider 33-degree viewing angle, it offers clear, easy viewing while shooting. The finder frame rate can be set to 120 fps — twice the normal rate — for a smooth viewfinder image, with minimum display motion blur when tracking and shooting moving subjects. Enhanced shooting flexibility with vari-angle monitor The α6700 features a large 3.0-type 1.03 million-dot (approx.) touch-panel LCD monitor with a 3:2 aspect ratio and side-opening vary-angle flexibility. This allows greater positioning and framing freedom, giving you plenty of creative options for handheld and gimbal-mounted shooting of stills and movies. Intuitive touch control Just touch the screen to activate key functions, such as selecting a focus point or subject to track, or triggering the shutter. Swiping in from the left or right edge of the shooting display reveals touch icons that allow quick changes to the shooting mode and other settings. The function (Fn) menu can also be displayed by a simple swipe-up. During playback, you can easily select and zoom into images through taps and intuitive pinch-out/pinch-in gestures. Improved menu structure Responding to feedback from professional photographers and videographers, the α6700 comes with a new Main Menu structure similar to the latest full-frame α series models. The logical layout provides more efficient access to important shooting parameters, such as frame rate, shutter speed, and more. It can be assigned to a custom key for quick access when needed, and touch operation means that adjusting key settings has never been faster. More than 70 E-mount lenses to choose from Take your pick from a comprehensive range of E-mount lenses from Sony. Our acclaimed line-up includes the full-frame G Master™ series that blends breathtaking resolution with exquisite bokeh, and the G Lens™ series that offers excellent image quality and value. Combined with an APS-C body, Sony's ultra-wide lenses can capture sweeping scenery or large subjects in a single frame, while telephoto lenses, assisted by the 1.5 crop factor of APS-C cameras and teleconverter lenses as needed, make it possible to capture distant subjects with stunning clarity and detail. Accessories expand creative horizons A variety of high-performance compatible microphones can be connected to the the camera’s Multi Interface Shoe for direct, noise-free digital audio transfer to the camera. Or choose from a variety of high-output flash units such as the HVL-F60RM2 that support high-speed continuous shooting, giving you even more ways to capture creative imagery. Easy and stable smartphone connectivity Make the most of the a6700's greatly enhanced connection stability with Sony's free Creators' App27 that enables simple transfers of photos and movies to your smartphone or tablet. Transfers continue in the background even if the smartphone display sleeps or a different app is launched.28 You can also use your smartphone to control the camera remotely. Stream high-quality live content Connected to a personal computer or smartphone 29 via USB, the a6700 can function as a 4K (2160p) webcam with advanced AF that makes online meetings and live streaming events even smoother. Fast Wi-Fi for PC tethering Built-in Wi-Fi (IEEE 802.11a/b/g/n/ac) allows communication on the 2.4 GHz and 5 GHz30 bands for fast and stable data transfer. Creators' Cloud platform Creators' Cloud is a platform that supports creative work from shooting to production by combining advanced Sony camera technology with cloud-based AI. It's also a place for discovery and collaboration with other creators around the world. Explore web, mobile, and PC-based apps providing efficient solutions that integrate cameras with shooting and production apps and services. Accessible technology on α cameras Sony's α cameras are equipped with a number of accessibility features so that as many people as possible can utilize and enjoy our technology. For example, the screen reader function reads text on the menu screens aloud, with volume and reading speed adjustable as needed. Approximate, effective Compared to the BIONZ X image processing engine in the α6600. Sony tests. Expandable to ISO 50 - 102400 for stills. Based on CIPA standard. Pitch/yaw shake only. With FE 50mm F1.2 GM lens mounted. Long-exposure Noise Reduction off. The latest version of Imaging Edge Desktop (Remote/Viewer/Edit) is required to view and edit HEIF images. All specified subjects may not be accurately recognized in all conditions. Subject types other than the type specified may be erroneously recognized in some cases. Sony internal tests [Tracking] in the menu. Based on advanced artificial intelligence, including machine learning. Camera operation depends on focus area settings and touch operation. Accurate focus may not be achieved in some situations. The number of distance measuring points when shooting stills. The number of points used depends on the selected shooting mode. JPEG FINE format, continuous Hi+ mode. Actual number of images may vary according to shooting conditions. Not applicable to the E PZ 16-50mm F3.5-5.6 OSS and E 18-200mm F3.5-6.3 OSS LE lenses or any A-mount lens. Full-time DMF is not available when shooting continuously in AF-C or AF-A mode (not including Lo), or when using the FE 70-200mm F2.8 GM II OSS lens in AF-C mode. A-mount lenses not supported. Only 100 Hz and 120 Hz flicker are detected. Continuous shooting speed may decrease. Phase-detection AF coverage is reduced. Flicker-free shooting is not available during silent shooting, BULB exposure, or movie recording. Recording frame rates are indicated as the closest integer values. The actual corresponding frame rates are as follows: 24p: 23.98 fps, 30p: 29.97 fps, 60p: 59.94 fps, and 120p: 119.88 fps. QFHD (3840 x 2160) with approx. 38 % image crop. Audio recording not available in the S&Q mode. S-Log3 movies. Sony internal tests. When subject recognition is ON during AF shooting. Face, eye, etc. recognition status can be monitored when subject recognition frame display is ON. Accurate focus may not be achieved in some situations. Slight image crop in Active Mode. “Standard” setting recommended for focal lengths of 200 mm or longer. Active Mode is not available when recording at frame rates of 120 (100) fps or higher, including S&Q. Compatible lenses are listed at: https://support.d-imaging.sony.co.jp/support/ilc/breathing/en/ Angle of view and image quality may change slightly when this function is turned ON. Full compensation may not be possible with some lenses. This function is not available when shooting movies at 120p, when using the S&Q mode at 120p, or when shooting stills. Additional focus breathing compensation is available in post-production using the advanced breathing compensation capabilities of the latest Catalyst Browse/Prepare software application, processing metadata provided by the camera. Only available for movies. Framing is cropped from 4K images, resulting in a reduced angle of view. With 50mm lens at infinity, -1m-¹. 35mm camera equivalent: Approx. 0.70x. Download app at Google Play and the App Store. Network services, content, and operating system and software subject to terms and conditions and may be changed, interrupted or discontinued at any time and may require fees, registration and credit card information.Check regional availability of services and applications via the URL https://www.sony.net/cca/ Transfer may be interrupted when a different app is launched on some operating systems. When streaming via USB, maximum image resolution is 3840 x 2160 and maximum frame rate is 30 fps. The OS of the computer or smartphone used must be compatible with UVC/UAC. Use the most up-to-date OS available for your device. A commercially available USB cable and/or terminal adaptor may be used to connect to equipment with a USB Type-C port. When connected via USB 2.0, maximum image resolution is HD (720p) and maximum frame rate is 30p. 5 GHz communication may be restricted in some countries and regions. Not guaranteed to be 100% dust- and moisture-proof. Shooting time will vary according to conditions. Use the [Interval Timer] function to shoots sequences at long intervals (e.g. 10 minutes or more). Maximum exposure interval is 6 seconds when shooting 4K. Maximum exposure interval is 6 seconds when shooting 4K. The Focus Map function cannot be used in the following conditions: When the Focus Magnifier function is in use, when using digital zoom, during USB streaming, when no lens is mounted, when an A-mount lens is mounted, or when a lens that is not compatible with focal plane phase-detection AF is in use. Not including materials used in coatings and adhesives. Not including materials used in coatings and adhesives. Natural non-woven fabric may not be available during some production periods. Features and specifications are subject to change without prior notice. Number of effective pixels varies depending on attached lenses and camera settings. When using accessories that support 4ch output / 24 bits with the Multi Interface Shoe. Anti-flicker Shooting is not available when the [Shutter Type] setting is set to [Electronic Shutter]. With compatible Sony external flash Varies according to shooting conditions or memory card used Supports Micro USB compatible device. (Configuration method/Access method) WPS or manually /infrastructure mode. When connecting to smartphones, the camera can always work as a base without a wireless access point. (Security: WEP/WPA-PSK/WPA2-PSK/WPA3-SAE) Models sold in some countries/regions support IEEE 802.11b/g/n (2.4GHz) wireless LAN only. Sony accessories for the Accessory Shoe can be attached. When [Resolution] is set to [HD(720p)], [MJPEG] is only available. The LCD screen is turned on, shot once every 30 seconds, operate zoom alternately between W and T ends, flash strobe once every two times, turn power off and on once every ten times.   Indication recording time, which is defined by repeating the cycle: Power on, start recording, zoom , stand-by and power off.  

Sony fe 14mm F1.8 gm

Sony fe 14mm F1.8 gm(SEL14F18) Introducing the SEL14F18GM Full Frame Lens: A large aperture lens for stills and movies. Featuring an advanced optical design that includes two XA (extreme aspherical) elements for incredible corner-to-corner high-resolution, along with beautiful background defocus (bokeh). Two XD (Extreme Dynamic)  Linear Motors deliver fast, precise, and quiet autofocus and tracking in this compact-sized and lightweight Sony G Master lens. An incredible lens for video, the SEL14F18GM delivers smooth, fast and continuous auto focus performance for movie shooting. Broader Perspectives Pairing an ultra wide-angle focal length with an especially bright design, the FE 14mm f/1.8 GM from Sony is a fast and dynamic lens well-suited to landscape, nature, architectural, and astrophotography applications. Its extremely wide perspective is complemented by an f/1.8 maximum aperture for excellent performance in low-light conditions and its impressively compact form factor makes it a portable and versatile option for everything from casual walkaround shooting to staged architectural shoots. Fast Design and Refined Optics As a G Master lens, optical performance is prioritized and the 14mm f/1.8 emphasizes both sharpness and bokeh quality for versatility regardless of subject distance or aperture setting. Two XA (extreme aspherical) elements, along with one standard aspherical element, promote high sharpness throughout the aperture range, even when working at the bright f/1.8 position. Aspherical elements feature superior surface precision for effective control over astigmatism, field curvature, coma, distortion and other spherical aberrations for highly accurate rendering and low distortion. The combination of several aspherical elements, along with sophisticated focusing motors, promotes a truly compact and lightweight design, especially for such an ultra-wide focal length. One Super ED element and two extra-low dispersion elements are featured in the lens design and help to reduce chromatic aberrations and color fringing for improved clarity and color neutrality. Nano AR Coating II has been applied to reduce surface reflections, flare, and ghosting for increased contrast and color rendering in strong lighting conditions. This updated coating is better suited for larger, curved elements and is especially adept at minimizing internal reflections. Excels in Low-Light Conditions Rare for an ultra-wide, the f/1.8 maximum aperture is a useful asset for working in low-light conditions, such as for astrophotography applications and when making timelapses where shorter shutter speeds are required. The optical design has been optimized for shooting wide open; the integrated high-curvature XA elements minimize sagittal flare for cleaner, more accurate nighttime sky and point light source rendering. Fast and Precise Focusing An XD Linear Motor system uses two separate motors to provide quick, quiet, and precise autofocus and tracking performance. This design also contributes to more natural, intuitive Linear Response manual focus control and an AF/MF switch is located on the lens barrel for quick focus mode switching. Internal focusing design offers more responsive focusing performance and maintains a consistent overall lens length during operation. Minimum focusing distance of 9.8" suits making dynamic close-up images. Despite its ultra-wide field of view, the close minimum focusing distance and bright maximum aperture enable creating shallow depth of field imagery characterized by a strong close-up subject and a soft background. Reliable Construction Beyond outstanding optics, G Master lenses are also known for durable and reliable physical constructions, including extensive weather sealing and intuitive designs for easy operability. Also, specific to this 14mm f/1.8, it features a uniquely compact and lightweight design, measuring 3.3 x 3.9" and weighing just one pound. Physical aperture ring can be de-clicked for smooth, silent aperture switching to benefit video applications. The ring also incorporates a locking "A" position for use in automated exposure modes. A focus hold button is present on the lens barrel for intuitive tactile control and rapid access to select programmable settings. Integrated petal-shaped lens hood helps to block stray light from causing lens flare and also affords some physical protection to the front element. Filter holder is incorporated at the rear of the lens, within the lens mount, and accepts cut gel filters and a filter cutting template is included. Dust- and moisture-sealed design better permits working in inclement conditions and rubberized control rings benefit handling in colder temperatures.   Fluorine-coated front and rear elements resist dust, moisture, and fingerprints and are easy to clean.

Sony E-Mount Rear Lens & Body Cap

Sony E-Mount Rear Lens & Body Cap(ALCB1EM.SYH) The ALC-B1EM Body Cap for E-Mount Cameras from Sony protects your camera body from dust and dirt when the lens is not attached. It is also of great value when you store the camera and lens separately.

Sony ALCB1EM Replacement Body Lens Cap

Sony ALCB1EM Replacement Body Lens Cap(ALC-B1EM) The ALC-B1EM Body Cap for E-Mount Cameras from Sony protects your camera body from dust and dirt when the lens is not attached. It is also of great value when you store the camera and lens separately.  

Sony FE PZ 16-35mm f/4 G Lens, Filter size 72mm

Sony FE PZ 16-35mm f/4 G Lens, Filter size 72mm A compact design with superb optics and a power zoom function makes the Sony PZ 16-35mm f/4 G an ideal choice for all types of creators, whether that means you shoot video, stills, or both. This ultra-wide lens is among the lightest in its class and the constant f/4 aperture strikes an ideal balance that is bright enough for available-light shooting while remaining portable for all-day shoots. Optimized for Video A perfect companion for content creators, this lens's key features are ideal for video applications, including Power Zoom, suppressed focusing breathing, and versatile focus handling, along with a well-balanced design that performs well when mounted on a gimbal or drone or used handheld: The electronically controlled Power Zoom mechanism enables making smooth zooms during takes, with control possible via the lens body or from select camera bodies. Power Zoom mechanism uses four XD linear motors for precise, fast, and quiet zooming movement. Power Zoom can be used in conjunction with Sony camera's Clear Image Zoom function, which can further extend the effective reach by up to 2x while maintaining near original image quality. If the lens's zoom speed is set to Slow, and the zoom control is performed remotely from the camera body, the zooming transition will be seamless from optical zoom to Clear Image Zoom. Internal zoom and internal focus design maintains the overall lens length during operation. Smooth Motion Optics (SMO) suppresses focus breathing to help maintain compositional accuracy when changing focus. Additionally, this lens is also compatible with the Breathing Compensation function in select Alpha cameras.   Optical Design Wide-angle zoom design covers ultra-wide to standard wide focal lengths and a constant f/4 maximum aperture offers consistency and a strong balance between brightness and a compact design. Two Advanced Aspherical (AA) elements and one aspherical element help achieve high sharpness and suppress distortion and spherical aberrations. Super ED and ED elements promote greater clarity and color accuracy by reducing chromatic aberrations. One ED Aspherical element further contributes to impressive image quality by correcting for a variety of aberrations. Special attention has been given to achieve consistent and sharp performance throughout the zoom and focus ranges for maximum versatility. Rounded seven-blade diaphragm contributes a smooth bokeh quality.   Versatile Focusing Performance An XD Linear Motor system uses two separate motors to provide quick, quiet, and precise autofocus and tracking performance. This design also contributes to more natural, intuitive Linear Response manual focus control and an AF/MF switch is located on the lens barrel for quick focus mode switching. Internal focusing design offers more responsive focusing performance and maintains a consistent overall lens length during operation. Suitable for close-up shooting, the minimum focusing distance at the 16mm position is 11" and, at the 35mm position, is 9.4" with a 0.23x maximum magnification.

Sony FX30 Cinema Camera, body package e

Sony FX30 Cinema Camera package E includes: 1x Sony FX30 Cinema Camera, body 1x Sony NP-FZ100 Rechargeable Lithium-Ion Battery (2280mAh) 1x Sony CEA-G Series CFexpress Type A Memory Card 320GB 1x Sony MRW-G2 CFexpress Type A / SD Card Reader 1x Sony E-mount PZ 18-105mm F4 G OSS Lens  Leap into the world of filmmaking Sony's acclaimed line-up of Cinema Line cameras sets the standard for filmmaking, with beautiful cinematic imagery, high performance and highly efficient workflow. Enjoy hassle-free shooting with S-Cinetone™ and S-Log3 for high level grading plus numerous other features. The compact FX30 makes filmmaking more accessible than ever for up-and-coming creators.

Sony FX30 Cinema Camera, body package d

Sony FX30 Cinema Camera package D includes: 1x Sony FX30 Cinema Camera, body 1x Sony NP-FZ100 Rechargeable Lithium-Ion Battery (2280mAh) 1x Sony CEA-G Series CFexpress Type A Memory Card 320GB 1x Sony E-mount PZ 18-105mm F4 G OSS Lens  Leap into the world of filmmaking Sony's acclaimed line-up of Cinema Line cameras sets the standard for filmmaking, with beautiful cinematic imagery, high performance and highly efficient workflow. Enjoy hassle-free shooting with S-Cinetone™ and S-Log3 for high level grading plus numerous other features. The compact FX30 makes filmmaking more accessible than ever for up-and-coming creators.

Sony FX30 Cinema Camera, body package c

Sony FX30 Cinema Camera package C includes: 1x Sony FX30 Cinema Camera, body 1x Sony NP-FZ100 Rechargeable Lithium-Ion Battery (2280mAh) 1x Sony CEA-G Series CFexpress Type A Memory Card 320GB 1x Sony MRW-G2 CFexpress Type A / SD Card Reader Leap into the world of filmmaking Sony's acclaimed line-up of Cinema Line cameras sets the standard for filmmaking, with beautiful cinematic imagery, high performance and highly efficient workflow. Enjoy hassle-free shooting with S-Cinetone™ and S-Log3 for high level grading plus numerous other features. The compact FX30 makes filmmaking more accessible than ever for up-and-coming creators.

Sony FX30 Cinema Camera, body package b

Sony FX30 Cinema Camera package B includes: 1x Sony FX30 Cinema Camera, body 1x Sony NP-FZ100 Rechargeable Lithium-Ion Battery (2280mAh) 1x Sony CEA-G Series CFexpress Type A Memory Card 320GB Leap into the world of filmmaking Sony's acclaimed line-up of Cinema Line cameras sets the standard for filmmaking, with beautiful cinematic imagery, high performance and highly efficient workflow. Enjoy hassle-free shooting with S-Cinetone™ and S-Log3 for high level grading plus numerous other features. The compact FX30 makes filmmaking more accessible than ever for up-and-coming creators.

Sony FX30 Cinema Camera, body package a

Sony FX30 Cinema Camera package a includes: 1x Sony FX30 Cinema Camera, body   1x Sony NP-FZ100 Rechargeable Lithium-Ion Battery (2280mAh)    Leap into the world of filmmaking   Sony's acclaimed line-up of Cinema Line cameras sets the standard for filmmaking, with beautiful cinematic imagery, high performance and highly efficient workflow. Enjoy hassle-free shooting with S-Cinetone™ and S-Log3 for high level grading plus numerous other features. The compact FX30 makes filmmaking more accessible than ever for up-and-coming creators.

Sony FX30 Cinema Camera, body

Leap into the world of filmmaking Sony's acclaimed line-up of Cinema Line cameras sets the standard for filmmaking, with beautiful cinematic imagery, high performance and highly efficient workflow. Enjoy hassle-free shooting with S-Cinetone™ and S-Log3 for high level grading plus numerous other features. The compact FX30 makes filmmaking more accessible than ever for up-and-coming creators.

Sony FR7 Cinema Line Full-Frame PTZ camera

Sony ILME-FR7 (ILME/FR7, ILME_FR7, ILMEFR7, ILME FR7) FR7 Cinema Line Full-Frame PTZ camera The FR7 provides smooth pan, tilt and zoom (PTZ) control coupled with a full-frame image sensor and a high-quality E-mount lens line-up. Focal length and shallow depth of field provide creative freedom and combine with remote PTZ control capability to open a new world of creative potential. Remote control for creative camera placement  With its integrated, remotely controllable pan and tilt mechanism, the FR7 can be mounted on the ceiling or in other out-of-the-way locations. Follow your subjects or instantly recall pre-composed shot framings, for unprecedented creative potential.  Innovative remote control  With a newly developed Web App that enables easy access via QR code or URL input, you can set up the FR7 from a tablet or a PC through a web browser. You can also use the optional RM-IP500 for precise joystick-controlled pan, tilt and zoom operation. Advanced technology for cinematic expression Bearing the Cinema Line name, the FR7 incorporates key features that support cinematic expression. The FR7 features a back-illuminated 35 mm full-frame CMOS image sensor for the first time in a pan, tilt and zoom (PTZ) camera. Also the BIONZ XR™ contributes to superb image quality with high sensitivity, smooth gradations, and true-to-life colour.  Limitless creativity with E-mount lenses The FR7 features Sony's E-mount and can be used with all E-mount lenses. These include the superlative G Master series, known for its stunning resolution and beautiful bokeh. A choice of focal lengths ranging from 12 mm to 1200 mm gives you comprehensive creative control. Cinema Line image quality The FR7's "Cinema Line" name identifies it as part of a renowned line-up of creative tools designed to unleash the true power of visual storytelling. It provides Custom and Cine EI modes that adjust camera operation to your workflow while maintaining consistency with other Cinema Line cameras. Staggering latitude for powerful expression The FR7 offers wide 15+ stop latitude to prevent blown highlights and crushed shadows. In Cine EI mode, base sensitivity can be set to either ISO 800 or 12800 for a consistent look regardless of lighting conditions. Astounding image quality in low light  The FR7 offers cleaner images in low light by taking full advantage of the sensor’s size and high sensitivity. ISO can be expanded as far as ISO 409600 when shooting in extremely low light conditions such as live concerts. Slow motion for extensive creative possibilities  Smooth 5x slow motion provides extensive creative possibilities, making every moment clearer and more dramatic. The FR7 allows internal slow-motion capture at up to 120 fps in 4K resolution, and up to 240 fps in full HD. 4K 60p 4:2:2 10-bit output  The FR7 supports clean, high-quality output via its HDMI and SDI OUT connectors. This makes it possible to record Apple ProRes 422 or Avid DNxHR® in 4K 60p 4:2:2 10-bit format with compatible external recorders via an HDMI or SDI cable. Support for S-Log3/S-Gamut3 The optional S-Log3 gamma curve and S-Gamut3.Cine let you capture the full colour gamut and dynamic range available to the sensor. They enable the retention of information in both highlights and shadows for flexibility in post-production. All-Intra recording for precise motion capture  The FR7 is capable of 4K internal recording with 10-bit depth and 4:2:2 colour sampling with All-Intra and Long-GOP compression. This makes it possible to push your colour grades further while still retaining natural gradation, for true editing freedom. An instant cinematic look with S-Cinetone™ S-Cinetone produces the natural mid-tones essential to healthy-looking skin, plus soft colours and gorgeous highlights. Beautiful cinematic images can be created in-camera, without extra colour grading. A wide variety of lenses to deliver your vision The FR7 features Sony's E-mount and can be used with high-quality E-mount lenses, including the superlative G Master series, known for its stunning resolution and softly dissolving bokeh. A choice of focal lengths ranging from 12 mm to 1200 mm gives you full creative control. Exquisite, impressive bokeh Taking advantage of the camera's full-frame sensor and Sony’s extraordinary line-up of lenses, you can create expressive bokeh effects with a shallow depth of field – an impossibility with other PTZ cameras. Using a prime lens such as an F1.2 lens will help achieve cinematic-style visual effects where the subject stands out from the background dramatically.  The advantages of Sony’s lenses for video shooting  The best camera deserves the best lenses. Discover four unique advantages in using Sony’s E-mount lenses for video shooting. The combination of Sony's lenses and the FR7 will enhance your video creation experience. Lens support rods Two lens rods provided below the camera head allow attachment of standard 15 mm rod mountable accessories. Capture the scene from any angle The FR7 incorporates smooth pan, tilt and zoom functionality that can be remotely controlled, or recalled to preset positions. The pan angle range is from -170° to +170°, and the tilt angle range is from -30° to +195° when used in normal upright orientation. A full-featured dedicated Web App With a new dedicated Web App, you can use a tablet or a computer's web browser to pan, tilt, zoom, focus, record, and adjust all camera settings. You can access cameras in hard-to-reach locations with easy setup using each camera’s unique QR code. The Web App uses the same menu format as the FX6 for intuitive operation. High-performance remote controller RM-IP500 The FR7 can be paired with Sony's RM-IP500 remote controller for PTZ cameras, providing precise joystick-controlled pan, tilt and zoom operation. Speed adjustment knobs let you set the speed of pan, tilt, zoom and focus operations suitable for the subject and setting. Zoom can be controlled either via the joystick or a seesaw lever. Expand your creative options The FR7 supports multi-camera production with just a small staff. It can be mounted on a tripod, on the ceiling, or in limited-access locations so that subjects can be unobtrusively followed and recorded from a range of viewpoints. A single RM-IP5002 remote control unit can be used for a setup of up to 100 FR7 cameras (10 groups of 10 cameras) Fine-tuned control over camera movement  Pan and tilt speed can be continuously varied from 0.02 degrees per second to 60 degrees per second, for flexible subject tracking and production scenarios. Up to 100 preset camera positions The supplied remote controller, dedicated FR7 Web App and RM-IP500 can remember up to 100 camera presets (camera direction, zoom and focus). Presets can be recalled at the touch of a button. Clear Image Zoom3 to refine your angle of view  The FR7 includes Sony's Clear Image Zoom function, giving you the option to zoom into your subject with minimal image degradation even when using a non-powered zoom lens or prime lens. Reliable autofocus for remote shooting For remote setting, the FR7 locks onto fast-moving subjects quickly and tracks them tenaciously even in low light, using 627 selectable phase-detection AF points and the powerful BIONZ XR processor. Real-time Tracking for remote shooting Concentrate on composition and leave focusing up to the camera. In the FR7’s Web App, Touch Tracking starts autofocus for your chosen subject, complete with Real-time Tracking for professional and efficient production Real-time Eye AF for remote shooting  Underpinned by the BIONZ XR processor, the FR7 offers reliable AF performance, indispensable for remote shooting. Pinpoint eye focus tracks an eye even when subjects are looking up or down at a steep angle. Electronic Variable ND Filter for smooth remote operation  Sony's built-in electronic variable ND (neutral density) filter allows exposure control at a distance, for smooth operation in a remote setup. It allows seamless ND adjustment from 1/4 to 1/128 to control exposure remotely, and depth of field can be conveniently controlled while maintaining a consistent exposure. Breathing compensation The FR7 includes a Breathing Compensation function that minimises unwanted changes in angle of view, for better looking focus transitions. With compatible lenses, the angle of view is automatically kept consistent even when focusing, making it possible to achieve smooth and dramatic focusing effects Tally lights to facilitate multi-camera production The FR7's red and green tally lights make it easy to identify which camera is currently active (on-air) in a multi-camera setup. A red tally light can identify the on-air camera while a green tally light indicates the preview camera. Supplied infrared remote controller  The infrared remote controller included with the FR7 controls pan, tilt, zoom and focus (with presets available) as well as recording and playback. Dedicated ceiling mount bracket CIB-PCM The FR7 is compatible with the CIB-PCM ceiling mount bracket2 for easy overhead setup. The "Ceiling" option in the Web App flips the control directions, for natural operation even with the camera mounted upside down. Interfaces and IP transmission methods for a wide range of use cases The FR7 provides excellent connectivity for video output, IP streaming, and synchronisation with other devices. HDMI video output can be used for real-time monitoring, while SDI video output delivers a RAW signal to an external recording device. Camera control, video and audio transfer, and power supply can be carried out via a single LAN cable. Connecting to external devices Easily connect to external devices to provide timecode synchronisation, control tally light signals, and coordinate synchronisation signals in multi-camera setups.  TC IN connector Receives timecode from an external device to be used for synchronisation.  "Option" connector Connects tally light signals to an external device. GENLOCK connector Receives synchronisation signals from an external device for use in multi-camera setups. LAN and PoE++ connector The FR7 can be powered with an external PoE++ (Power over Ethernet Plus Plus) device via a standard network cable (CAT5e or higher), eliminating the need for separate power supply cabling. DC IN connector  If not using PoE++, the supplied AC adaptor connects to the FR7's "DC IN" connector to power the unit. The cord clamp on the rear panel of the FR7 can be used to prevent the power cable from being accidentally unplugged.  Support for multiple protocols to meet your streaming needs RTSP streaming allows video output from one camera to be simultaneously distributed to up to five viewers. SRT enables high-quality, low-latency video transfer even in unstable network conditions. And NDI|HX connects to NDI compatible devices such as switchers and media servers, supporting efficient live video production using Internet protocols.

Sony ILME-FX3 FX3 Full-frame Cinema Line Camera Package D

Sony ILME-FX3 (ILME/FX3, ILME_FX3, ILMEFX3, ILME FX3, ILMEFX3.CEC, ILME-FX3 Alpha FX3, ilme-fx3) FX3 Full-frame Cinema Line Camera Package d includes: 1x Sony ILME-FX3 FX3 Full-frame Cinema Line Camera 1x Sony CEA-G80T 80GB CFexpress Type A Memory Card  1x Sony MRW-G2 CFexpress Type A / SD Card Reader 1x Sony NP-FZ100 Rechargeable Lithium-Ion Battery (2280mAh)   1x Camrade CAM-R&GBACKP-MEDIUM run&gunBackpack Medium Sony Alpha FX3 ILME-FX3, the most compact Cinema Line camera was designed for solo-shooting . With the internal cooling system the FX3 can extend the shooting time and will be able to cover a wider range of shooting situations.  It records outstanding 4K full frame quality at up to 120p with minimal rolling shutter, excellent low light capabilities (up to 409,800 ISO) and a wide dynamic range thanks to its 10.2 MP Exmor R CMOS sensor and new Bionz XR processor. It allows for more shooting expressions with the inclusion of S-LOG3 and S-CINETONE picture profiles defining a new era of Cinema line cameras from Sony. The Sony FX3 also provides more freedom for shooting videos with a fast and accurate Autofocus technology including Real-time Eye Autofocus,  Real-time touch tracking and customisable autofocus tracking sensitivity. It also includes a 5axis inbody stabilisation with Active Mode, which makes it ideal for handheld shots. On top of its small form factor, the Sony FX3 includes a detachable top-handle with XLR inputs for professional microphones or audio connections. The idea of a cage with the grip and screw options is already integrated in the body design, which is emphasizing the compact form factor. The Sony Cinema line FX3 is designed for the future of cinematic expressions. FX3 New Cinematic Freedom Sony's FX3 Cinema Line camera brings the visions of passionate content creators to life. Cinematic expression is matched with reliable performance and streamlined operation to serve the needs of today's creative community. Compact and lightweight, it's easy to carry and handle.  Full-frame image capture even in dim light The FX3's full-frame image sensor is coupled with innovative light-gathering techniques to let you capture clear and usable images even in dim light. The standard ISO sensitivity of 80-102400 for movies is expandable all the way up to 409600. Wide dynamic range, wider creative expression The FX3 offers an exceptional 15+ stops1 of dynamic range to handle settings ranging from well-lit interiors and outdoors in mid-day to morning and evening shots. Capture every nuance, and allow for unprecedented cinematic freedom in colour grading. Stunning bokeh and full-frame creativity Capture the scene in cinematic 4K resolution, with the shallow depth of field, stunning bokeh and cinematic freedom made possible with a full-frame sensor. Cinematic colour science of S-Cinetone S-Cinetone colour, developed for Sony’s acclaimed FX9, is the default look on the FX3 for cinematic expression. It's precisely tuned to meet the requirements of today's content creators, with rich colour and natural skin tones that match other Cinema Line cameras without grading.  4K 120fps with every frame in focus Even at high frame rates, detailed 4K imagery is captured thanks to the FX3's high-precision AF and high-speed readout capabilities. Slow and Quick (S&Q) mode gives you full control over the shooting frame rate, for beautiful motion sequences at up to 5x slow motion (with 24p output). 10-bit S-Log3 and HDR recording for smooth gradations S-Log3 gamma curve and S-Gamut3.Cine enable shooting with high-quality colour reproduction over a wide dynamic range, and they make it easy to match up footage with shots from other Cinema Line cameras during post-production. In addition, an HLG (Hybrid Log-Gamma) HDR picture profile enables direct HDR (HLG) playback on compatible TVs with no post-production. 16-bit RAW HDMI output For demanding post-production workflows, 16-bit RAW output3 is available over HDMI connection to compatible external recorders while XAVC HS 4K, XAVC S 4K, or XAVC S-I 4K, and proxy, files are simultaneously captured in-camera. RAW video output is 4264 x 2408 [16:9] resolution, exceeding DCI-4K resolution4. Enjoy rich detail and realistic colour The FX3 is capable of 4K internal recording, 10-bit depth and 4:2:2 colour sampling with All Intra on top of Long-GOP compression. This makes it possible to push your colour grades further while still retaining natural gradation, for true editing freedom.    [1] All-Intra (All-I)   [2] Long-GOP   [3] Group of Pictures Designed for comfortable solo shooting Dependable, highly accurate autofocus The wide-area AF with intelligent tracking uses focal-plane phase-detection for tenacious subject tracking across almost the entire frame5. The Fast Hybrid AF system delivers precise focusing even when shooting at a shallow depth of field and at high frame rates of 120p in 4K (QFHD)2. Sophisticated tracking AF for steady focus Sophisticated tracking features keep your subject in steady focus, so you can concentrate on composition. Real-time Eye AF ensures precise focus on the face and eyes, while Real-time Tracking is powered by Sony's unique AI-based subject recognition algorithms. Smooth transitions and touch focus control The FX3 includes AF Transition Speed in seven settings, to easily create rack focus, and five AF Subject Shift Sensitivity settings, which allows the user to customise how easily AF will switch or stay with the locked-on subject. You can also select the subject you want to focus on simply by touching the LCD monitor. High-performance E-mount lenses for movies Experience smooth, responsive autofocus with Sony's E-mount lenses, with premium optical performance and operability for demanding cinematography applications. The unique linear-drive actuator technology in Sony's E-mount lenses provides smoother, more precise and tenacious AF performance to support your creative endeavors. High-mobility performance wherever you go With its compact size and light weight, the FX3 is designed for high mobility. The attached handle and cage-free accessory mounting holes make for fast setup, fluid shooting and quick pack-down. The main body and covers are constructed from a lightweight magnesium alloy to enhance durability and performance even in challenging environments. Attachable XLR handle A handle equipped with an XLR adaptor with two full size XLR terminals can be attached to the Multi Interface (MI) Shoe on the camera for more comfortable and stable camerawork in difficult shooting situations, such as low-position shots. In-camera image stabilisation Active Mode6,7,8 is an optical in-body 5-axis image stabilisation system that provides increased stabilisation for movie shooting. To preserve image quality, the gyroscope sensor accurately measures camera shake and compensates optically. This makes stable video possible even when shooting hand-held without gimbal use, while walking, and at 4K resolution.  [1, 2] angular shake (pitch and yaw) [3, 4] shift shake (X and Y axes), [5] rotational shake (roll on Z axis) Image stabilisation and easier editing with Catalyst Camera-shake metadata is recorded by the built-in gyro, allowing handheld footage to be smoothed out and stabilised in post-production. Using Sony's Catalyst Browse / Catalyst Prepare desktop application9 you can easily balance automated shake-compensation and image-trimming levels. Catalyst can also make effective use of recorded camera-rotation data. Expandability and operability for content creators Front and rear tally lamps Tally lights on the front and rear of the FX3 indicate whether the camera is recording at any given moment. They are clearly visible to both the camera operator and the person performing in front of the camera. Vari-angle LCD touch-panel monitor The 3.0-type (1.44 million-dot10) LCD touch-screen panel features a side-opening design to allow flexible positioning and improved visibility when the camera is mounted on gimbals. Touch-panel support also provides intuitive menu control for many camera settings. Essential controls for efficient solo shooting In addition to six customisable buttons, frequently used controls are within easy one-handed reach, leaving your other hand free for lens operation or balance. And usability is enhanced by multiple screw holes on the body and handle, allowing accessories to be attached directly. Uninterrupted 4K/60p recording For uninterrupted 4K/60p11 recording, the FX3 is designed with an innovative heat dissipation system. Heatsink placement, airflow structure and a silent cooling fan work to optimise cooling even during long shoots. XLR adaptor and digital input for quality audio In addition to the camera's convenient built-in microphone, a variety of professional microphones can be connected externally via the full-size XLR connectors on the handle through a digital audio interface via Multi Interface (MI) Shoe. Three recording formats can be selected, including 24-bit 4-channel. Digital audio recording is also possible by attaching a digital microphone such as the ECM-B1M even when the handle is not used. Dual high-speed media slots Designed for next-generation filmmaking requirements, CFexpress Type A cards support high bit-rate recording. The camera's slots are ready for CFexpress Type A as well as conventional SDXC UHS-I and UHS-II cards, and having two identical media slots makes relay or backup shooting possible. Remote camera control and network transfer A network connection, via Wi-Fi® or wired via a USB type C connector, provides support for remote control from smartphones or tablets, with either NFC one-touch or manual pairing. Remote shooting can be controlled from a PC with Sony's Imaging Edge Desktop™ application, or from a mobile device with Imaging Edge Mobile™. And captured still and movie files can be transferred using high-speed FTP. Remote preview, shooting and streaming Either wired or wireless remote shooting is available from a PC, or from a mobile device with Imaging Edge Mobile installed, for more efficient workflows and shooting in challenging environments. Imaging Edge Webcam™ enables high-image-quality online video communication.

Sony ILME-FX3 FX3 Full-frame Cinema Line Camera Package c

Sony ILME-FX3 (ILME/FX3, ILME_FX3, ILMEFX3, ILME FX3, ILMEFX3.CEC, ILME-FX3 Alpha FX3, ilme-fx3) FX3 Full-frame Cinema Line Camera package c includes: 1x Sony ILME-FX3 FX3 Full-frame Cinema Line Camera 1x Sony CEA-G80T 80GB CFexpress Type A Memory Card    1x Sony MRW-G2 CFexpress Type A / SD Card Reader 1x Sony NP-FZ100 Rechargeable Lithium-Ion Battery (2280mAh) Sony Alpha FX3 ILME-FX3, the most compact Cinema Line camera was designed for solo-shooting . With the internal cooling system the FX3 can extend the shooting time and will be able to cover a wider range of shooting situations.  It records outstanding 4K full frame quality at up to 120p with minimal rolling shutter, excellent low light capabilities (up to 409,800 ISO) and a wide dynamic range thanks to its 10.2 MP Exmor R CMOS sensor and new Bionz XR processor. It allows for more shooting expressions with the inclusion of S-LOG3 and S-CINETONE picture profiles defining a new era of Cinema line cameras from Sony. The Sony FX3 also provides more freedom for shooting videos with a fast and accurate Autofocus technology including Real-time Eye Autofocus,  Real-time touch tracking and customisable autofocus tracking sensitivity. It also includes a 5axis inbody stabilisation with Active Mode, which makes it ideal for handheld shots. On top of its small form factor, the Sony FX3 includes a detachable top-handle with XLR inputs for professional microphones or audio connections. The idea of a cage with the grip and screw options is already integrated in the body design, which is emphasizing the compact form factor. The Sony Cinema line FX3 is designed for the future of cinematic expressions. FX3 New Cinematic Freedom Sony's FX3 Cinema Line camera brings the visions of passionate content creators to life. Cinematic expression is matched with reliable performance and streamlined operation to serve the needs of today's creative community. Compact and lightweight, it's easy to carry and handle.  Full-frame image capture even in dim light The FX3's full-frame image sensor is coupled with innovative light-gathering techniques to let you capture clear and usable images even in dim light. The standard ISO sensitivity of 80-102400 for movies is expandable all the way up to 409600. Wide dynamic range, wider creative expression The FX3 offers an exceptional 15+ stops1 of dynamic range to handle settings ranging from well-lit interiors and outdoors in mid-day to morning and evening shots. Capture every nuance, and allow for unprecedented cinematic freedom in colour grading. Stunning bokeh and full-frame creativity Capture the scene in cinematic 4K resolution, with the shallow depth of field, stunning bokeh and cinematic freedom made possible with a full-frame sensor. Cinematic colour science of S-Cinetone S-Cinetone colour, developed for Sony’s acclaimed FX9, is the default look on the FX3 for cinematic expression. It's precisely tuned to meet the requirements of today's content creators, with rich colour and natural skin tones that match other Cinema Line cameras without grading.  4K 120fps with every frame in focus Even at high frame rates, detailed 4K imagery is captured thanks to the FX3's high-precision AF and high-speed readout capabilities. Slow and Quick (S&Q) mode gives you full control over the shooting frame rate, for beautiful motion sequences at up to 5x slow motion (with 24p output). 10-bit S-Log3 and HDR recording for smooth gradations S-Log3 gamma curve and S-Gamut3.Cine enable shooting with high-quality colour reproduction over a wide dynamic range, and they make it easy to match up footage with shots from other Cinema Line cameras during post-production. In addition, an HLG (Hybrid Log-Gamma) HDR picture profile enables direct HDR (HLG) playback on compatible TVs with no post-production. 16-bit RAW HDMI output For demanding post-production workflows, 16-bit RAW output3 is available over HDMI connection to compatible external recorders while XAVC HS 4K, XAVC S 4K, or XAVC S-I 4K, and proxy, files are simultaneously captured in-camera. RAW video output is 4264 x 2408 [16:9] resolution, exceeding DCI-4K resolution4. Enjoy rich detail and realistic colour The FX3 is capable of 4K internal recording, 10-bit depth and 4:2:2 colour sampling with All Intra on top of Long-GOP compression. This makes it possible to push your colour grades further while still retaining natural gradation, for true editing freedom.    [1] All-Intra (All-I)   [2] Long-GOP   [3] Group of Pictures Designed for comfortable solo shooting Dependable, highly accurate autofocus The wide-area AF with intelligent tracking uses focal-plane phase-detection for tenacious subject tracking across almost the entire frame5. The Fast Hybrid AF system delivers precise focusing even when shooting at a shallow depth of field and at high frame rates of 120p in 4K (QFHD)2. Sophisticated tracking AF for steady focus Sophisticated tracking features keep your subject in steady focus, so you can concentrate on composition. Real-time Eye AF ensures precise focus on the face and eyes, while Real-time Tracking is powered by Sony's unique AI-based subject recognition algorithms. Smooth transitions and touch focus control The FX3 includes AF Transition Speed in seven settings, to easily create rack focus, and five AF Subject Shift Sensitivity settings, which allows the user to customise how easily AF will switch or stay with the locked-on subject. You can also select the subject you want to focus on simply by touching the LCD monitor. High-performance E-mount lenses for movies Experience smooth, responsive autofocus with Sony's E-mount lenses, with premium optical performance and operability for demanding cinematography applications. The unique linear-drive actuator technology in Sony's E-mount lenses provides smoother, more precise and tenacious AF performance to support your creative endeavors. High-mobility performance wherever you go With its compact size and light weight, the FX3 is designed for high mobility. The attached handle and cage-free accessory mounting holes make for fast setup, fluid shooting and quick pack-down. The main body and covers are constructed from a lightweight magnesium alloy to enhance durability and performance even in challenging environments. Attachable XLR handle A handle equipped with an XLR adaptor with two full size XLR terminals can be attached to the Multi Interface (MI) Shoe on the camera for more comfortable and stable camerawork in difficult shooting situations, such as low-position shots. In-camera image stabilisation Active Mode6,7,8 is an optical in-body 5-axis image stabilisation system that provides increased stabilisation for movie shooting. To preserve image quality, the gyroscope sensor accurately measures camera shake and compensates optically. This makes stable video possible even when shooting hand-held without gimbal use, while walking, and at 4K resolution.  [1, 2] angular shake (pitch and yaw) [3, 4] shift shake (X and Y axes), [5] rotational shake (roll on Z axis) Image stabilisation and easier editing with Catalyst Camera-shake metadata is recorded by the built-in gyro, allowing handheld footage to be smoothed out and stabilised in post-production. Using Sony's Catalyst Browse / Catalyst Prepare desktop application9 you can easily balance automated shake-compensation and image-trimming levels. Catalyst can also make effective use of recorded camera-rotation data. Expandability and operability for content creators Front and rear tally lamps Tally lights on the front and rear of the FX3 indicate whether the camera is recording at any given moment. They are clearly visible to both the camera operator and the person performing in front of the camera. Vari-angle LCD touch-panel monitor The 3.0-type (1.44 million-dot10) LCD touch-screen panel features a side-opening design to allow flexible positioning and improved visibility when the camera is mounted on gimbals. Touch-panel support also provides intuitive menu control for many camera settings. Essential controls for efficient solo shooting In addition to six customisable buttons, frequently used controls are within easy one-handed reach, leaving your other hand free for lens operation or balance. And usability is enhanced by multiple screw holes on the body and handle, allowing accessories to be attached directly. Uninterrupted 4K/60p recording For uninterrupted 4K/60p11 recording, the FX3 is designed with an innovative heat dissipation system. Heatsink placement, airflow structure and a silent cooling fan work to optimise cooling even during long shoots. XLR adaptor and digital input for quality audio In addition to the camera's convenient built-in microphone, a variety of professional microphones can be connected externally via the full-size XLR connectors on the handle through a digital audio interface via Multi Interface (MI) Shoe. Three recording formats can be selected, including 24-bit 4-channel. Digital audio recording is also possible by attaching a digital microphone such as the ECM-B1M even when the handle is not used. Dual high-speed media slots Designed for next-generation filmmaking requirements, CFexpress Type A cards support high bit-rate recording. The camera's slots are ready for CFexpress Type A as well as conventional SDXC UHS-I and UHS-II cards, and having two identical media slots makes relay or backup shooting possible. Remote camera control and network transfer A network connection, via Wi-Fi® or wired via a USB type C connector, provides support for remote control from smartphones or tablets, with either NFC one-touch or manual pairing. Remote shooting can be controlled from a PC with Sony's Imaging Edge Desktop™ application, or from a mobile device with Imaging Edge Mobile™. And captured still and movie files can be transferred using high-speed FTP. Remote preview, shooting and streaming Either wired or wireless remote shooting is available from a PC, or from a mobile device with Imaging Edge Mobile installed, for more efficient workflows and shooting in challenging environments. Imaging Edge Webcam™ enables high-image-quality online video communication.

Sony ILME-FX3 FX3 Full-frame Cinema Line Camera Package b

Sony ILME-FX3 (FX3, ILME/FX3, ILME_FX3, ILMEFX3, ILME FX3, ILMEFX3.CEC, ILME-FX3 Alpha FX3, ilme-fx3) FX3 Full-frame Cinema Line Camera Package B includes: 1x Sony ILME-FX3 FX3 Full-frame Cinema Line Camera 1x Sony CEA-G80T 80GB CFexpress Type A Memory Card 1x Sony MRW-G2 CFexpress Type A / SD Card Reader Sony Alpha FX3 ILME-FX3, the most compact Cinema Line camera was designed for solo-shooting . With the internal cooling system the FX3 can extend the shooting time and will be able to cover a wider range of shooting situations.  It records outstanding 4K full frame quality at up to 120p with minimal rolling shutter, excellent low light capabilities (up to 409,800 ISO) and a wide dynamic range thanks to its 10.2 MP Exmor R CMOS sensor and new Bionz XR processor. It allows for more shooting expressions with the inclusion of S-LOG3 and S-CINETONE picture profiles defining a new era of Cinema line cameras from Sony. The Sony FX3 also provides more freedom for shooting videos with a fast and accurate Autofocus technology including Real-time Eye Autofocus,  Real-time touch tracking and customisable autofocus tracking sensitivity. It also includes a 5axis inbody stabilisation with Active Mode, which makes it ideal for handheld shots. On top of its small form factor, the Sony FX3 includes a detachable top-handle with XLR inputs for professional microphones or audio connections. The idea of a cage with the grip and screw options is already integrated in the body design, which is emphasizing the compact form factor. The Sony Cinema line FX3 is designed for the future of cinematic expressions. FX3 New Cinematic Freedom Sony's FX3 Cinema Line camera brings the visions of passionate content creators to life. Cinematic expression is matched with reliable performance and streamlined operation to serve the needs of today's creative community. Compact and lightweight, it's easy to carry and handle.  Full-frame image capture even in dim light The FX3's full-frame image sensor is coupled with innovative light-gathering techniques to let you capture clear and usable images even in dim light. The standard ISO sensitivity of 80-102400 for movies is expandable all the way up to 409600. Wide dynamic range, wider creative expression The FX3 offers an exceptional 15+ stops1 of dynamic range to handle settings ranging from well-lit interiors and outdoors in mid-day to morning and evening shots. Capture every nuance, and allow for unprecedented cinematic freedom in colour grading. Stunning bokeh and full-frame creativity Capture the scene in cinematic 4K resolution, with the shallow depth of field, stunning bokeh and cinematic freedom made possible with a full-frame sensor. Cinematic colour science of S-Cinetone S-Cinetone colour, developed for Sony’s acclaimed FX9, is the default look on the FX3 for cinematic expression. It's precisely tuned to meet the requirements of today's content creators, with rich colour and natural skin tones that match other Cinema Line cameras without grading.  4K 120fps with every frame in focus Even at high frame rates, detailed 4K imagery is captured thanks to the FX3's high-precision AF and high-speed readout capabilities. Slow and Quick (S&Q) mode gives you full control over the shooting frame rate, for beautiful motion sequences at up to 5x slow motion (with 24p output). 10-bit S-Log3 and HDR recording for smooth gradations S-Log3 gamma curve and S-Gamut3.Cine enable shooting with high-quality colour reproduction over a wide dynamic range, and they make it easy to match up footage with shots from other Cinema Line cameras during post-production. In addition, an HLG (Hybrid Log-Gamma) HDR picture profile enables direct HDR (HLG) playback on compatible TVs with no post-production. 16-bit RAW HDMI output For demanding post-production workflows, 16-bit RAW output3 is available over HDMI connection to compatible external recorders while XAVC HS 4K, XAVC S 4K, or XAVC S-I 4K, and proxy, files are simultaneously captured in-camera. RAW video output is 4264 x 2408 [16:9] resolution, exceeding DCI-4K resolution4. Enjoy rich detail and realistic colour The FX3 is capable of 4K internal recording, 10-bit depth and 4:2:2 colour sampling with All Intra on top of Long-GOP compression. This makes it possible to push your colour grades further while still retaining natural gradation, for true editing freedom.    [1] All-Intra (All-I)   [2] Long-GOP   [3] Group of Pictures Designed for comfortable solo shooting Dependable, highly accurate autofocus The wide-area AF with intelligent tracking uses focal-plane phase-detection for tenacious subject tracking across almost the entire frame5. The Fast Hybrid AF system delivers precise focusing even when shooting at a shallow depth of field and at high frame rates of 120p in 4K (QFHD)2. Sophisticated tracking AF for steady focus Sophisticated tracking features keep your subject in steady focus, so you can concentrate on composition. Real-time Eye AF ensures precise focus on the face and eyes, while Real-time Tracking is powered by Sony's unique AI-based subject recognition algorithms. Smooth transitions and touch focus control The FX3 includes AF Transition Speed in seven settings, to easily create rack focus, and five AF Subject Shift Sensitivity settings, which allows the user to customise how easily AF will switch or stay with the locked-on subject. You can also select the subject you want to focus on simply by touching the LCD monitor. High-performance E-mount lenses for movies Experience smooth, responsive autofocus with Sony's E-mount lenses, with premium optical performance and operability for demanding cinematography applications. The unique linear-drive actuator technology in Sony's E-mount lenses provides smoother, more precise and tenacious AF performance to support your creative endeavors. High-mobility performance wherever you go With its compact size and light weight, the FX3 is designed for high mobility. The attached handle and cage-free accessory mounting holes make for fast setup, fluid shooting and quick pack-down. The main body and covers are constructed from a lightweight magnesium alloy to enhance durability and performance even in challenging environments. Attachable XLR handle A handle equipped with an XLR adaptor with two full size XLR terminals can be attached to the Multi Interface (MI) Shoe on the camera for more comfortable and stable camerawork in difficult shooting situations, such as low-position shots. In-camera image stabilisation Active Mode6,7,8 is an optical in-body 5-axis image stabilisation system that provides increased stabilisation for movie shooting. To preserve image quality, the gyroscope sensor accurately measures camera shake and compensates optically. This makes stable video possible even when shooting hand-held without gimbal use, while walking, and at 4K resolution.  [1, 2] angular shake (pitch and yaw) [3, 4] shift shake (X and Y axes), [5] rotational shake (roll on Z axis) Image stabilisation and easier editing with Catalyst Camera-shake metadata is recorded by the built-in gyro, allowing handheld footage to be smoothed out and stabilised in post-production. Using Sony's Catalyst Browse / Catalyst Prepare desktop application9 you can easily balance automated shake-compensation and image-trimming levels. Catalyst can also make effective use of recorded camera-rotation data. Expandability and operability for content creators Front and rear tally lamps Tally lights on the front and rear of the FX3 indicate whether the camera is recording at any given moment. They are clearly visible to both the camera operator and the person performing in front of the camera. Vari-angle LCD touch-panel monitor The 3.0-type (1.44 million-dot10) LCD touch-screen panel features a side-opening design to allow flexible positioning and improved visibility when the camera is mounted on gimbals. Touch-panel support also provides intuitive menu control for many camera settings. Essential controls for efficient solo shooting In addition to six customisable buttons, frequently used controls are within easy one-handed reach, leaving your other hand free for lens operation or balance. And usability is enhanced by multiple screw holes on the body and handle, allowing accessories to be attached directly. Uninterrupted 4K/60p recording For uninterrupted 4K/60p11 recording, the FX3 is designed with an innovative heat dissipation system. Heatsink placement, airflow structure and a silent cooling fan work to optimise cooling even during long shoots. XLR adaptor and digital input for quality audio In addition to the camera's convenient built-in microphone, a variety of professional microphones can be connected externally via the full-size XLR connectors on the handle through a digital audio interface via Multi Interface (MI) Shoe. Three recording formats can be selected, including 24-bit 4-channel. Digital audio recording is also possible by attaching a digital microphone such as the ECM-B1M even when the handle is not used. Dual high-speed media slots Designed for next-generation filmmaking requirements, CFexpress Type A cards support high bit-rate recording. The camera's slots are ready for CFexpress Type A as well as conventional SDXC UHS-I and UHS-II cards, and having two identical media slots makes relay or backup shooting possible. Remote camera control and network transfer A network connection, via Wi-Fi® or wired via a USB type C connector, provides support for remote control from smartphones or tablets, with either NFC one-touch or manual pairing. Remote shooting can be controlled from a PC with Sony's Imaging Edge Desktop™ application, or from a mobile device with Imaging Edge Mobile™. And captured still and movie files can be transferred using high-speed FTP. Remote preview, shooting and streaming Either wired or wireless remote shooting is available from a PC, or from a mobile device with Imaging Edge Mobile installed, for more efficient workflows and shooting in challenging environments. Imaging Edge Webcam™ enables high-image-quality online video communication.

Sony ILME-FX3 FX3 Full-frame Cinema Line Camera Package a

Sony ILME-FX3 (FX3, ILME/FX3, ILME_FX3, ILMEFX3, ILME FX3, ILMEFX3.CEC, ILME-FX3 Alpha FX3, ilme-fx3) FX3 Full-frame Cinema Line Camera Package a includes: 1x Sony ILME-FX3 FX3 Full-frame Cinema Line Camera   1x Sony CEA-G80T 80GB CFexpress Type A Memory Card Sony Alpha FX3 ILME-FX3, the most compact Cinema Line camera was designed for solo-shooting . With the internal cooling system the FX3 can extend the shooting time and will be able to cover a wider range of shooting situations.  It records outstanding 4K full frame quality at up to 120p with minimal rolling shutter, excellent low light capabilities (up to 409,800 ISO) and a wide dynamic range thanks to its 10.2 MP Exmor R CMOS sensor and new Bionz XR processor. It allows for more shooting expressions with the inclusion of S-LOG3 and S-CINETONE picture profiles defining a new era of Cinema line cameras from Sony. The Sony FX3 also provides more freedom for shooting videos with a fast and accurate Autofocus technology including Real-time Eye Autofocus,  Real-time touch tracking and customisable autofocus tracking sensitivity. It also includes a 5axis inbody stabilisation with Active Mode, which makes it ideal for handheld shots. On top of its small form factor, the Sony FX3 includes a detachable top-handle with XLR inputs for professional microphones or audio connections. The idea of a cage with the grip and screw options is already integrated in the body design, which is emphasizing the compact form factor. The Sony Cinema line FX3 is designed for the future of cinematic expressions. FX3 New Cinematic Freedom Sony's FX3 Cinema Line camera brings the visions of passionate content creators to life. Cinematic expression is matched with reliable performance and streamlined operation to serve the needs of today's creative community. Compact and lightweight, it's easy to carry and handle.  Full-frame image capture even in dim light The FX3's full-frame image sensor is coupled with innovative light-gathering techniques to let you capture clear and usable images even in dim light. The standard ISO sensitivity of 80-102400 for movies is expandable all the way up to 409600. Wide dynamic range, wider creative expression The FX3 offers an exceptional 15+ stops1 of dynamic range to handle settings ranging from well-lit interiors and outdoors in mid-day to morning and evening shots. Capture every nuance, and allow for unprecedented cinematic freedom in colour grading. Stunning bokeh and full-frame creativity Capture the scene in cinematic 4K resolution, with the shallow depth of field, stunning bokeh and cinematic freedom made possible with a full-frame sensor. Cinematic colour science of S-Cinetone S-Cinetone colour, developed for Sony’s acclaimed FX9, is the default look on the FX3 for cinematic expression. It's precisely tuned to meet the requirements of today's content creators, with rich colour and natural skin tones that match other Cinema Line cameras without grading.  4K 120fps with every frame in focus Even at high frame rates, detailed 4K imagery is captured thanks to the FX3's high-precision AF and high-speed readout capabilities. Slow and Quick (S&Q) mode gives you full control over the shooting frame rate, for beautiful motion sequences at up to 5x slow motion (with 24p output). 10-bit S-Log3 and HDR recording for smooth gradations S-Log3 gamma curve and S-Gamut3.Cine enable shooting with high-quality colour reproduction over a wide dynamic range, and they make it easy to match up footage with shots from other Cinema Line cameras during post-production. In addition, an HLG (Hybrid Log-Gamma) HDR picture profile enables direct HDR (HLG) playback on compatible TVs with no post-production. 16-bit RAW HDMI output For demanding post-production workflows, 16-bit RAW output3 is available over HDMI connection to compatible external recorders while XAVC HS 4K, XAVC S 4K, or XAVC S-I 4K, and proxy, files are simultaneously captured in-camera. RAW video output is 4264 x 2408 [16:9] resolution, exceeding DCI-4K resolution4. Enjoy rich detail and realistic colour The FX3 is capable of 4K internal recording, 10-bit depth and 4:2:2 colour sampling with All Intra on top of Long-GOP compression. This makes it possible to push your colour grades further while still retaining natural gradation, for true editing freedom.    [1] All-Intra (All-I)   [2] Long-GOP   [3] Group of Pictures Designed for comfortable solo shooting Dependable, highly accurate autofocus The wide-area AF with intelligent tracking uses focal-plane phase-detection for tenacious subject tracking across almost the entire frame5. The Fast Hybrid AF system delivers precise focusing even when shooting at a shallow depth of field and at high frame rates of 120p in 4K (QFHD)2. Sophisticated tracking AF for steady focus Sophisticated tracking features keep your subject in steady focus, so you can concentrate on composition. Real-time Eye AF ensures precise focus on the face and eyes, while Real-time Tracking is powered by Sony's unique AI-based subject recognition algorithms. Smooth transitions and touch focus control The FX3 includes AF Transition Speed in seven settings, to easily create rack focus, and five AF Subject Shift Sensitivity settings, which allows the user to customise how easily AF will switch or stay with the locked-on subject. You can also select the subject you want to focus on simply by touching the LCD monitor. High-performance E-mount lenses for movies Experience smooth, responsive autofocus with Sony's E-mount lenses, with premium optical performance and operability for demanding cinematography applications. The unique linear-drive actuator technology in Sony's E-mount lenses provides smoother, more precise and tenacious AF performance to support your creative endeavors. High-mobility performance wherever you go With its compact size and light weight, the FX3 is designed for high mobility. The attached handle and cage-free accessory mounting holes make for fast setup, fluid shooting and quick pack-down. The main body and covers are constructed from a lightweight magnesium alloy to enhance durability and performance even in challenging environments. Attachable XLR handle A handle equipped with an XLR adaptor with two full size XLR terminals can be attached to the Multi Interface (MI) Shoe on the camera for more comfortable and stable camerawork in difficult shooting situations, such as low-position shots. In-camera image stabilisation Active Mode6,7,8 is an optical in-body 5-axis image stabilisation system that provides increased stabilisation for movie shooting. To preserve image quality, the gyroscope sensor accurately measures camera shake and compensates optically. This makes stable video possible even when shooting hand-held without gimbal use, while walking, and at 4K resolution.  [1, 2] angular shake (pitch and yaw) [3, 4] shift shake (X and Y axes), [5] rotational shake (roll on Z axis) Image stabilisation and easier editing with Catalyst Camera-shake metadata is recorded by the built-in gyro, allowing handheld footage to be smoothed out and stabilised in post-production. Using Sony's Catalyst Browse / Catalyst Prepare desktop application9 you can easily balance automated shake-compensation and image-trimming levels. Catalyst can also make effective use of recorded camera-rotation data. Expandability and operability for content creators Front and rear tally lamps Tally lights on the front and rear of the FX3 indicate whether the camera is recording at any given moment. They are clearly visible to both the camera operator and the person performing in front of the camera. Vari-angle LCD touch-panel monitor The 3.0-type (1.44 million-dot10) LCD touch-screen panel features a side-opening design to allow flexible positioning and improved visibility when the camera is mounted on gimbals. Touch-panel support also provides intuitive menu control for many camera settings. Essential controls for efficient solo shooting In addition to six customisable buttons, frequently used controls are within easy one-handed reach, leaving your other hand free for lens operation or balance. And usability is enhanced by multiple screw holes on the body and handle, allowing accessories to be attached directly. Uninterrupted 4K/60p recording For uninterrupted 4K/60p11 recording, the FX3 is designed with an innovative heat dissipation system. Heatsink placement, airflow structure and a silent cooling fan work to optimise cooling even during long shoots. XLR adaptor and digital input for quality audio In addition to the camera's convenient built-in microphone, a variety of professional microphones can be connected externally via the full-size XLR connectors on the handle through a digital audio interface via Multi Interface (MI) Shoe. Three recording formats can be selected, including 24-bit 4-channel. Digital audio recording is also possible by attaching a digital microphone such as the ECM-B1M even when the handle is not used. Dual high-speed media slots Designed for next-generation filmmaking requirements, CFexpress Type A cards support high bit-rate recording. The camera's slots are ready for CFexpress Type A as well as conventional SDXC UHS-I and UHS-II cards, and having two identical media slots makes relay or backup shooting possible. Remote camera control and network transfer A network connection, via Wi-Fi® or wired via a USB type C connector, provides support for remote control from smartphones or tablets, with either NFC one-touch or manual pairing. Remote shooting can be controlled from a PC with Sony's Imaging Edge Desktop™ application, or from a mobile device with Imaging Edge Mobile™. And captured still and movie files can be transferred using high-speed FTP. Remote preview, shooting and streaming Either wired or wireless remote shooting is available from a PC, or from a mobile device with Imaging Edge Mobile installed, for more efficient workflows and shooting in challenging environments. Imaging Edge Webcam™ enables high-image-quality online video communication.

Sony X21889222 Cabinet Assembly, Cf Base

Sony X21889222 (X-218-892-22, X/218-892-22, X 218 892 22, X/218/892/22) Cabinet Assembly, Cf Base. Cabinet assay CF base per HVR-MRC1K.

Sony 387820902 Hinge, Switching

Sony 387820902 (3-878-209-02, 3/878-209-02, 3 878 209 02, 3/878/209/02) Hinge, Switching. Hinge, Switching for PMW-EX3.

Sony 184867213 Cable, Connection

Sony 184867213 (1-848-672-13, 1/848-672-13, 1 848 672 13, 1/848/672/13) Cable, Connection. Sony Parts and Accessories, Sony Professional Parts and Accessories, Sony Cables, PCB Cable Parts and Accessories.

Sony 1-480-339-11 Remote Control (Rmt-ds7)

Sony 1-480-339-11 ( 148033911, 1/480-339-11, 1 480 339 11, 1/480/339/11) Remote Control (Rmt-ds7) Sony is a manufacturer of consumer and professional electronics, gaming, and entertainment equipment. Sony Corporation is a Japanese multinational conglomerate corporation headquartered in Knan, Minato, Tokyo. Its diversified business includes consumer and professional electronics, gaming, and entertainment. Sony is a leading manufacturer of audio, video, communications, and information technology products for the consumer and professional markets. Sony products are reliable and affordable and there are options for any home or budget. They range from computers and professional technology to consumer electronics and home entertainment systems.

Sony 454708602 Resetta Screw Washers

Sony 454708602 (454 708602, 454-708602, 454/708602, 45470 8602) Resetta Screw Washers. Sony Screw fix for PXW-FS7 grip arm

Sony RMT-P1BT Wireless Remote Commander

Sony RMT-P1BT (RMTP1BT, RMT/P1BT, RMTP1BT, RMT P1BT) Wireless Remote Commander. A seamless means for remotely controlling select Sony cameras, the RMT-P1BT Wireless Remote Commander uses Bluetooth connectivity for adjusting certain camera settings and releasing the camera's shutter within a 16.4' range. The sleek commander incorporates +/- buttons for adjusting focus, recording, and power/digital zoom functions and has two assignable buttons—AF-ON and C1—that mirror the set functions of the same-named buttons on the camera body. A lock switch prevents accidental settings changes when the remote is not in use. Additionally, an LED indicator light shows the shutter, recording, or AF status. The device is dust and moisture resistant to suit its use in trying environments.

Sony NP-FV70A2 V-Series Rechargeable Battery Pack

Sony NP-FV70A2 (NP/FV70A2, NP_FV70A2, NPFV70A2, NP-FV70A2.ECN, NPFV70A2.ECN) V-Series Rechargeable Battery Pack The Sony NP-FV70A is a 7.3V, 1900mAh capacity lithium-ion battery compatible with all Handycam camcorders. It's designed with Sony's V-Series InfoLITHIUM feature, which enables it to communicate remaining time in minutes to the camera's LCD, so you know exactly how much time you have left. It can be charged while connected to the camera or off a dedicated charger, such as the AC-VQV10.

Sony NP-FV100A2 V-Series Rechargeable Battery Pack

Sony NP-FV100A2 (NP/FV100A2, NP_FV100A2, NPFV100A2, NPFV100A2.CE, NP-FV100A2.CE, np-fv100a2) V-Series Rechargeable Battery Pack The Sony NP-FV100A is a part of Sony's InfoLITHIUM V Series of batteries, designed with the capability to exchange data with compatible equipment. It communicates battery consumption data and remaining time in minutes, useful for long shoots. The NP-FV100A is compatible with all Handycam camcorders.

Sony NP-FH50 Lithium Rechargeable Battery

Sony NP-FH50 (NP/FH50, NP_FH50, NPFH50, NP FH50, np-fh50) Lithium Rechargeable Battery Use the high-capacity Sony NP-FH50 Battery to keep your select Sony digital cameras fully charged. Equipped with 900 mAh capacity, this rechargeable battery lets you shoot high-definition videos continuously. Simply use this battery to charge your digital camera and keep it ready for your on-the-go shooting requirements.

Sony SMAD-V1-K V-Shoe Mount Adapter

Sony SMAD-V1-K (SMAD/V1/K, SMAD_V1_K, SMADV1K, smad-v1-k, SMAD-V1//K) V-Shoe Mount Adapter The Sony SMAD-V1 V-Shoe Mount Adapter is the V-shoe mount adapter for the URX-P2 portable receiver. The optional LCS-URXP2 soft case is required. For use with LCS-URXP2 soft case UWP V-shoe mount adapter for URX-P2 portable receiver. Requires use of optional LCS-URXP2 soft case. UWP V-shoe mount adapter for URX-P2 portable receiver Requires use of optional LCS-URXP2 soft case.

Sony ECM-XYST1M XYST1M Stereo Mic For Multi Interface Shoe

Sony ECM-XYST1M (ECM/XYST1M, ECM_XYST1M, ECMXYST1M, ECMXYST1M.CE7, ECM-XYST1M.CE7) XYST1M Stereo Mic For Multi Interface Shoe The Sony ECM-XYST1M Stereo Microphone is compatible with Handycam camcorders, Cyber-Shot cameras, Alpha/NEX cameras, and any other camera that has a Sony Multi Interface Shoe. The Multi Interface Shoe passes the audio directly to your camera, so no additional cable is required. For use with cameras that don't have a Multi Interface Shoe, you can connect the microphone to the mic input jack on your camera using an included stereo mini-jack cable. The directional angle of the mic capsules can me manually adjusted from 0° to 120°, allowing you to fine-tune your audio capture according to the setting. Plus, an included windscreen enhances audio-quality further by cutting down on wind noise pickup. Multi-Interface Shoe Compatible The ECM-XYST1M is compatible with Sony Handycam camcorders, Cyber-Shot cameras and Alpha/NEX cameras that have a Multi Interface Shoe. For cameras that don't have a Multi Interface Shoe, a stereo mini-jack cable is included. Wide Frequency Band Capture high-quality sound recordings with a wide frequency band from 0 to 120° Professional Design The mic's professional look and feel, thanks in part to its black casing, matches its professional quality audio Reduce Wind Noise High-quality audio is further enhanced thanks to the included wind screen

Sony SEL-24F28G FE 24 mm F2.8 G Lens

Sony SEL-24F28G (SEL/24F28G, SEL_24F28G, SEL24F28G, SEL-24F28G.SYX, SEL24F28G.SYX) FE 24 mm F2.8 G Lens Introducing the Sony SEL24F28G 24mm F2.8 G Full Frame Lens: A wide angle prime lens ideal for stills and movies. Featuring an advanced optical design that includes three aspherical elements and one ED (Extra-low Dispersion) element for incredibly high corner-to-corner resolution, along with beautiful background defocus (bokeh). Two double linear motors provide fast, precise AF with excellent tracking performance, with quiet autofocus and tracking in this compact-sized and lightweight Sony G lens. Internal focusing ensures the angle of view is stable during focusing (focus breathing minimised). An incredible video lens, this 24mm F2.8 G Full Frame Lens delivers smooth, fast and quiet autofocus for movie shooting. INCREDIBLY SHARP State-of-the-art optics, using three aspherical elements and one ED (Extra-low Dispersion) glass element, delivers high resolution and suppresses colour fringing in all parts of the image. High corner-to-corner resolution and beautiful bokeh make this an excellent compact, lightweight, wide angle lens for cityscapes, landscapes and videography. BEAUTIFULLY SMOOTH BOKEH A large F2.8, 7-blade circular aperture on this Sony lens creates beautiful background defocus. FAST AND PRECISE Two linear motors deliver fast, precise AF with excellent tracking capability, fully utilising the continuing rapid advances in the speed performance of camera bodies. Taking maximum advantage of this performance, tracking is maintained despite instantaneous changes in subject motion, making this landscape lens ideal for situations like snap shooting of moving subjects. You'll never miss a shot with this lightweight and compact lens. SUPERB BUILD QUALITY The high-quality build uses metal (aluminium) for the exterior finish and hood, achieving a sophisticated look, contributing to increased strength and durability. The iris ring indices, focal length markings and Sony logo on the hood are engraved rather than printed, giving this FE lens a finish with a premium feel. GREAT FOR MOVIE SHOOTING The fast, precise AF with excellent tracking performance delivered by two linear motors is also very quiet, making the 24mm lens ideal for both stills and movie shooting. Intuitive operability in a compact, lightweight design.

Sony BRC-X400B IP 4K Pan-Tilt-Zoom Camera

Sony BRC-X400B (BRC/X400B, BRC_X400B, BRCX400B, BRC-X400, brc-x400b) IP 4K Pan-Tilt-Zoom Camera Capture every point of view in 4K with excellent picture quality and efficient IP production workflow The versatile BRC-X400 PTZ camera is ideal for use in a wide range of environments - from broadcast studios and remote on-air suites to sports stadiums, arenas, houses of worship and lecture halls. The camera's 1/2.5-type Exmor R™ sensor captures broadcast quality 4K images with excellent sensitivity, very low noise and rich, natural colour reproduction. It's complemented by the integrated high-resolution lens that offers a powerful zoom capability of up to 80x in Full HD** (30x in 4K), with an expansive approx. 70° wide angle coverage to capture every point of view. Efficient IP-based live production is augmented with support for NDI®|HX (via optional license), allowing flexible configuration with other networked NDI-enabled devices. Images also can be reviewing remotely via a web browser, with support for RTSP (Real Time Streaming Protocol), RTMP*** (Real Time Messaging Protocol) and SRT*** (Secure Reliable Transport) ensuring smooth, stable streaming of video plus audio (from an optional microphone, available separately) over an IP network. Installation and set-up is easy, with a new Picture Setting File**** allowing the same settings to be applied to multiple cameras through a web interface from a laptop or PC. Convenient integration in multi-camera live events is also simplified with genlock support and an 'on-air' tally lamp. * NDI® is a registered trademark of NewTek, Inc. ** With Clear Image Zoom and Tele Convert Mode *** Requires firmware V3.00 **** Requires firmware V2.00

Sony ILME-FX3 FX3 Full-frame Cinema Line Camera

Sony ILME-FX3 (ILME/FX3, ILME_FX3, ILMEFX3, ILME FX3, ILMEFX3.CEC, ILME-FX3 Alpha FX3, ilme-fx3) FX3 Full-frame Cinema Line Camera (body only) Sony Alpha FX3 ILME-FX3, the most compact Cinema Line camera was designed for solo-shooting . With the internal cooling system the FX3 can extend the shooting time and will be able to cover a wider range of shooting situations.  It records outstanding 4K full frame quality at up to 120p with minimal rolling shutter, excellent low light capabilities (up to 409,800 ISO) and a wide dynamic range thanks to its 10.2 MP Exmor R CMOS sensor and new Bionz XR processor. It allows for more shooting expressions with the inclusion of S-LOG3 and S-CINETONE picture profiles defining a new era of Cinema line cameras from Sony. The Sony FX3 also provides more freedom for shooting videos with a fast and accurate Autofocus technology including Real-time Eye Autofocus,  Real-time touch tracking and customisable autofocus tracking sensitivity. It also includes a 5axis inbody stabilisation with Active Mode, which makes it ideal for handheld shots. On top of its small form factor, the Sony FX3 includes a detachable top-handle with XLR inputs for professional microphones or audio connections. The idea of a cage with the grip and screw options is already integrated in the body design, which is emphasizing the compact form factor. The Sony Cinema line FX3 is designed for the future of cinematic expressions. FX3 New Cinematic Freedom Sony's FX3 Cinema Line camera brings the visions of passionate content creators to life. Cinematic expression is matched with reliable performance and streamlined operation to serve the needs of today's creative community. Compact and lightweight, it's easy to carry and handle.  Full-frame image capture even in dim light The FX3's full-frame image sensor is coupled with innovative light-gathering techniques to let you capture clear and usable images even in dim light. The standard ISO sensitivity of 80-102400 for movies is expandable all the way up to 409600. Wide dynamic range, wider creative expression The FX3 offers an exceptional 15+ stops1 of dynamic range to handle settings ranging from well-lit interiors and outdoors in mid-day to morning and evening shots. Capture every nuance, and allow for unprecedented cinematic freedom in colour grading. Stunning bokeh and full-frame creativity Capture the scene in cinematic 4K resolution, with the shallow depth of field, stunning bokeh and cinematic freedom made possible with a full-frame sensor. Cinematic colour science of S-Cinetone S-Cinetone colour, developed for Sony’s acclaimed FX9, is the default look on the FX3 for cinematic expression. It's precisely tuned to meet the requirements of today's content creators, with rich colour and natural skin tones that match other Cinema Line cameras without grading.  4K 120fps with every frame in focus Even at high frame rates, detailed 4K imagery is captured thanks to the FX3's high-precision AF and high-speed readout capabilities. Slow and Quick (S&Q) mode gives you full control over the shooting frame rate, for beautiful motion sequences at up to 5x slow motion (with 24p output). 10-bit S-Log3 and HDR recording for smooth gradations S-Log3 gamma curve and S-Gamut3.Cine enable shooting with high-quality colour reproduction over a wide dynamic range, and they make it easy to match up footage with shots from other Cinema Line cameras during post-production. In addition, an HLG (Hybrid Log-Gamma) HDR picture profile enables direct HDR (HLG) playback on compatible TVs with no post-production. 16-bit RAW HDMI output For demanding post-production workflows, 16-bit RAW output3 is available over HDMI connection to compatible external recorders while XAVC HS 4K, XAVC S 4K, or XAVC S-I 4K, and proxy, files are simultaneously captured in-camera. RAW video output is 4264 x 2408 [16:9] resolution, exceeding DCI-4K resolution4. Enjoy rich detail and realistic colour The FX3 is capable of 4K internal recording, 10-bit depth and 4:2:2 colour sampling with All Intra on top of Long-GOP compression. This makes it possible to push your colour grades further while still retaining natural gradation, for true editing freedom.    [1] All-Intra (All-I)   [2] Long-GOP   [3] Group of Pictures Designed for comfortable solo shooting Dependable, highly accurate autofocus The wide-area AF with intelligent tracking uses focal-plane phase-detection for tenacious subject tracking across almost the entire frame5. The Fast Hybrid AF system delivers precise focusing even when shooting at a shallow depth of field and at high frame rates of 120p in 4K (QFHD)2. Sophisticated tracking AF for steady focus Sophisticated tracking features keep your subject in steady focus, so you can concentrate on composition. Real-time Eye AF ensures precise focus on the face and eyes, while Real-time Tracking is powered by Sony's unique AI-based subject recognition algorithms. Smooth transitions and touch focus control The FX3 includes AF Transition Speed in seven settings, to easily create rack focus, and five AF Subject Shift Sensitivity settings, which allows the user to customise how easily AF will switch or stay with the locked-on subject. You can also select the subject you want to focus on simply by touching the LCD monitor. High-performance E-mount lenses for movies Experience smooth, responsive autofocus with Sony's E-mount lenses, with premium optical performance and operability for demanding cinematography applications. The unique linear-drive actuator technology in Sony's E-mount lenses provides smoother, more precise and tenacious AF performance to support your creative endeavors. High-mobility performance wherever you go With its compact size and light weight, the FX3 is designed for high mobility. The attached handle and cage-free accessory mounting holes make for fast setup, fluid shooting and quick pack-down. The main body and covers are constructed from a lightweight magnesium alloy to enhance durability and performance even in challenging environments. Attachable XLR handle A handle equipped with an XLR adaptor with two full size XLR terminals can be attached to the Multi Interface (MI) Shoe on the camera for more comfortable and stable camerawork in difficult shooting situations, such as low-position shots. In-camera image stabilisation Active Mode6,7,8 is an optical in-body 5-axis image stabilisation system that provides increased stabilisation for movie shooting. To preserve image quality, the gyroscope sensor accurately measures camera shake and compensates optically. This makes stable video possible even when shooting hand-held without gimbal use, while walking, and at 4K resolution.  [1, 2] angular shake (pitch and yaw) [3, 4] shift shake (X and Y axes), [5] rotational shake (roll on Z axis) Image stabilisation and easier editing with Catalyst Camera-shake metadata is recorded by the built-in gyro, allowing handheld footage to be smoothed out and stabilised in post-production. Using Sony's Catalyst Browse / Catalyst Prepare desktop application9 you can easily balance automated shake-compensation and image-trimming levels. Catalyst can also make effective use of recorded camera-rotation data. Expandability and operability for content creators Front and rear tally lamps Tally lights on the front and rear of the FX3 indicate whether the camera is recording at any given moment. They are clearly visible to both the camera operator and the person performing in front of the camera. Vari-angle LCD touch-panel monitor The 3.0-type (1.44 million-dot10) LCD touch-screen panel features a side-opening design to allow flexible positioning and improved visibility when the camera is mounted on gimbals. Touch-panel support also provides intuitive menu control for many camera settings. Essential controls for efficient solo shooting In addition to six customisable buttons, frequently used controls are within easy one-handed reach, leaving your other hand free for lens operation or balance. And usability is enhanced by multiple screw holes on the body and handle, allowing accessories to be attached directly. Uninterrupted 4K/60p recording For uninterrupted 4K/60p11 recording, the FX3 is designed with an innovative heat dissipation system. Heatsink placement, airflow structure and a silent cooling fan work to optimise cooling even during long shoots. XLR adaptor and digital input for quality audio In addition to the camera's convenient built-in microphone, a variety of professional microphones can be connected externally via the full-size XLR connectors on the handle through a digital audio interface via Multi Interface (MI) Shoe. Three recording formats can be selected, including 24-bit 4-channel. Digital audio recording is also possible by attaching a digital microphone such as the ECM-B1M even when the handle is not used. Dual high-speed media slots Designed for next-generation filmmaking requirements, CFexpress Type A cards support high bit-rate recording. The camera's slots are ready for CFexpress Type A as well as conventional SDXC UHS-I and UHS-II cards, and having two identical media slots makes relay or backup shooting possible. Remote camera control and network transfer A network connection, via Wi-Fi® or wired via a USB type C connector, provides support for remote control from smartphones or tablets, with either NFC one-touch or manual pairing. Remote shooting can be controlled from a PC with Sony's Imaging Edge Desktop™ application, or from a mobile device with Imaging Edge Mobile™. And captured still and movie files can be transferred using high-speed FTP. Remote preview, shooting and streaming Either wired or wireless remote shooting is available from a PC, or from a mobile device with Imaging Edge Mobile installed, for more efficient workflows and shooting in challenging environments. Imaging Edge Webcam™ enables high-image-quality online video communication.

Sony ILME-FX6V FX6 Full-Frame Cinema Camera Body Only package c

Sony ILME-FX6V (ILMEFX6VDI.EU, ILME-FX6 Alpha, FX6 ILME-FX6, PXW-FX6, pxw-fx6) FX6 Full-Frame Cinema Camera Body Only Package c © includes: 1x Sony ILME-FX6V FX6 Full-Frame Cinema Camera Body Only (ILME-FX6V) 1x Sony 128GB 300MB/s SDXC UHS-II TOUGH SD Card (SFG1TG)   1x Hedbox HED-BP95D Pro Battery Pack for SONY 6700mAh Li-Ion Battery (HED-BP95D) 1x Camrade CAM-R&GB-MEDIUM run&gunBag Medium Capture the impossible with expanded ISO sensitivity Capture usable images in near total darkness with an impressive ISO expanded range up to 4096001. The full-frame sensor coupled with innovative light gathering ensures limitless shooting possibilities. Stunning bokeh and full-frame creativity Realise beautiful 4K imagery with the creative freedom made possible by a full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh for a truly cinematic look. Cinematic colour science with S-Cinetone S-Cinetone colour, developed for Sony’s acclaimed FX9, is the default look on the FX6. Precisely tuned to meet the requirements of today’s content creators with rich colour and natural skin tones, it produces fresh and vivid images straight out of camera without grading, while retaining plenty of latitude for post production. Large pixels deliver high sensitivity and low noise The full-frame, back-illuminated, 10.2-megapixel2 Exmor R™ CMOS image sensor offers impressive light-gathering capability. Fast readout speeds and a dynamic range of 15+ stops3 deliver superb image quality with wide sensitivity and reduced noise. Powerful BIONZ XRTM image processor  The BIONZ XR image processing engine matches the sensor’s high-speed readout with enormous processing power. Built with a future-oriented architecture, it delivers high quality images faster and dramatically improves camera interface responsiveness. Impressive dynamic range for limitless expression At its base sensitivity of ISO8004, the FX6 offers optimal dynamic range for well-lit interiors and outdoor documentary shooting. An enhanced ISO 128004 sensitivity is designed for challenging low-light, morning and evening shots. The FX6 offers an exceptional 15+ stops3 of dynamic range ‒ beyond the perception of even the human eye in many conditions ‒ allowing for unprecedented creative freedom in colour grading and post. Fast Hybrid AF for accuracy and tenacity The wide-area AF uses intelligent tracking and on-sensor phase-detection for tenacious subject tracking across almost the entire frame (6275-point focal plane phase-detection AF covers approx. 89% of the image area). The hybrid AF system delivers precise focusing even when shooting at shallow depths of field and at 120p high frame rates in 4K (QFHD)6. Real-time Eye AF and Face Detection supported Real-time Eye AF and Face Detection ensure accurate, stable focus acquisition for interviews, events, and anywhere where precise focus on people is essential. Sophisticated real-time processing realises pinpoint eye focus even when subjects are looking down or up at steep angles, allowing the operator to concentrate fully on composing the best shot. Powerful focus control for solo shooters With AF Transition Speed selectable over 7 levels, and AF Subject Shift Sensitivity over 5 levels, you can better convey your creative intentions when switching subjects or, for example, rack focusing. Lens-ring AF subject selection When the AF Assist function is ON, rotating the focus ring instantly switches from autofocus to manual focus so that a different subject can be quickly selected. Autofocus operation resumes as soon as the user stops rotating the lens focus ring. Auto focus area/position For auto focus, you can set the target areaamong Flexible Spot, Zone, Wide and changethe position of the target area quickly duringshooting by simply touching the LCD monitor. 4K7 120fps with every frame in focus High Frame Rate shots can turn everyday action into a visual feast of elegant movement. The FX6 captures up to 120 frames per second (fps) at the 4K (QFHD) resolution. Slow and Quick (S&Q) modes give you full control over the captured frame rate from 1 to 120fps, allowing precise motion narratives, and up to a beautiful 5x Super Slow Motion (24fps output). Autofocus with Sony E-mount lenses Experience smooth, responsive autofocus with Sony E-mount lenses, with premium optical performance and operability for demanding cinematography applications. Unique actuator technology in Sony E-mount lenses provides faster and more precise AF performance, supporting your creative endeavors. Built-in electronic Variable ND Filter The FX6 features Sony’s unique built-in electronic Variable Neutral Density (ND) filter. Unlike conventional optical ND Filters, the electronic ND Filter on the FX6 can be controlled from 1/4ND to 1/128ND linearly, or set to auto. Ideal in changeable environments, there’s no need to change filters as lighting conditions change or to maintain your depth of field. Lightweight, modular and robust Despite its amazingly light 0.89kg body, the magnesium-alloy FX6 is more than tough enough for the rigours of real-world shooting. A detachable Smart Grip puts key functions at your fingertips and is easily adjustable with a single button. Grab and shoot mobility Ideal for low angle shooting, the smart handle is part of the FX6’s modular design. It’s easy to reconfigure for any application, including mounting in a gimbal, drone, or underwater housing. Magnesium body and frame for high durability with light weight To perform reliably in challenging environments, the main body, covers and top handle are made from a production-tested, lightweight magnesium alloy. The main frame achieves high strength and durability with minimum weight in order to maximise mobility. Architecture to prevent thermal shut down The custom ventilation system and chassis design help to prevent the thermal shut down of shooting8 at high frame rates and 4K (QFHD) resolutions. The number of heat sinks, the shape of air intakes and exhaust vents as well as the location of the low-noise fan9, and airflow paths have all been calculated with precision to ensure that optimum ventilation is achieved. 10-bit 4:2:2 recording Record right on the camera with the amazing richness of 10-bit depth and 4:2:2 colour sampling, for far greater flexibility in image grading, post-processing and compositing. All-Intra encoding available As well as Long GOP, internal All-Intra encoding is now provided. This encodes every frame independently at bitrates up to 600Mbps, to capture complex motion more accurately, and allow more efficient editing workflows. [1] All-Intra (All-I)  [2] Long GOP  [3] Group of Pictures 16-bit RAW SDI output  For demanding post-production workflows, 16-bit RAW output is available via SDI connection to compatible external recorders while XAVC-I files are simultaneously captured in-camera. RAW video output is 4096x2160 or 3840x2160 data from the image sensor with a choice of 59.94 / 50 / 29.97 / 25 / 24 / 23.98 frame rates10. Shooting modes that match creator workflows The FX6 offers shooting modes with preset looks like S-Cinetone that produce great-looking shots in-camera, or S-Log3 / S-Gamut3 with Cine-EI mode that capture perfectly-exposed images for post production. Scene File function allows easy look changes on-site Four preset scene file types are available for SDR shooting (S-Cinetone, Standard, Still, ITU709) and two for HDR (HLG Live, HLG Natural) plus 16 slots for imported user 3D LUTs for your preferred look without post production. Remarkable smart grip and smart handle Sony’s ergonomic Smart Grip and Smart Handle feature easy one-button adjustment. With zoom, record, and assignable control buttons, as well as a dial suitable for iris control, you can comfortably operate for hours. Professional connectivity A wide range of professional interfaces is available including 12G-SDI and HDMI outputs11, a remote interface, TC connectors for multi-camera sync, and SuperSpeed USB 5Gbps (USB 3.2) to support fluid data workflows. Multi-Interface (MI) Shoe Sony’s Multi-Interface (MI) Shoe provides power, signal and switching connections to compatible Sony accessories, including for example wireless microphone systems such as the UWP-D21 or UWP-D2212. Support for four-channel audio input and recording Four-channel audio input allows simultaneous capture of external microphones and the built-in microphone. UWP wireless microphones or XLR audio adaptors such as the XLR-K3M can also be used with the MI Shoe. Dual XLR inputs and enhanced audio capability The handle of the FX6 has two independent audio inputs, easy-access XLR connectors to connect external professional microphones. UWP series wireless microphones may also be connected via the MI Shoe. High-definition 2.76 million-dot13 flexible LCD panel The 3.5-inch LCD screen allows precise manual focusing in challenging shooting conditions. Flexible positioning of both mounting locations and angles allows comfortable shooting to suit varied preferences and rigging. Quick menu control with touch operation The LCD screen has a quick access control menu. With a single touch, you can change codec, imager scan mode, picture size and frequency, base ISO/sensitivity, shooting mode and audio levels. Dual CFexpress Type A-compatible media slots Dual media slots support CFexpress Type A cards14, along with conventional SDXC UHS-I and UHS-II cards, for fast buffer clearance and data management. Simultaneous, relay, interval and proxy modes are supported. Networked for high mobility Wi-Fi® connectivity enables a host of advanced wireless production features such as remote control via smartphones or tablets and the Content Browser Mobile app. Connect easily with either NFC one-touch or manual pairing. Metadata facilitates editing in Catalyst  The FX6 records three types of metadata: image stabilisation, clip flag, and camera rotation. These can be useful when previewing and preparing to edit in Sony’s free Catalyst Browse or cost-effective Catalyst Prepare software.

Sony ILME-FX6V FX6 Full-Frame Cinema Camera Body Only package b

Sony ILME-FX6V (ILMEFX6VDI.EU, ILME-FX6 Alpha, FX6 ILME-FX6, PXW-FX6, pxw-fx6) FX6 Full-Frame Cinema Camera Body Only package b © includes: 1x Sony ILME-FX6V FX6 Full-Frame Cinema Camera Body Only (ILME-FX6V) 1x Sony 128GB 300MB/s SDXC UHS-II TOUGH SD Card (SFG1TG) 1x Hedbox HED-BP95D Pro Battery Pack for SONY 6700mAh Li-Ion Battery (HED-BP95D) Capture the impossible with expanded ISO sensitivity Capture usable images in near total darkness with an impressive ISO expanded range up to 4096001. The full-frame sensor coupled with innovative light gathering ensures limitless shooting possibilities. Stunning bokeh and full-frame creativity Realise beautiful 4K imagery with the creative freedom made possible by a full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh for a truly cinematic look. Cinematic colour science with S-Cinetone S-Cinetone colour, developed for Sony’s acclaimed FX9, is the default look on the FX6. Precisely tuned to meet the requirements of today’s content creators with rich colour and natural skin tones, it produces fresh and vivid images straight out of camera without grading, while retaining plenty of latitude for post production. Large pixels deliver high sensitivity and low noise The full-frame, back-illuminated, 10.2-megapixel2 Exmor R™ CMOS image sensor offers impressive light-gathering capability. Fast readout speeds and a dynamic range of 15+ stops3 deliver superb image quality with wide sensitivity and reduced noise. Powerful BIONZ XRTM image processor  The BIONZ XR image processing engine matches the sensor’s high-speed readout with enormous processing power. Built with a future-oriented architecture, it delivers high quality images faster and dramatically improves camera interface responsiveness. Impressive dynamic range for limitless expression At its base sensitivity of ISO8004, the FX6 offers optimal dynamic range for well-lit interiors and outdoor documentary shooting. An enhanced ISO 128004 sensitivity is designed for challenging low-light, morning and evening shots. The FX6 offers an exceptional 15+ stops3 of dynamic range ‒ beyond the perception of even the human eye in many conditions ‒ allowing for unprecedented creative freedom in colour grading and post. Fast Hybrid AF for accuracy and tenacity The wide-area AF uses intelligent tracking and on-sensor phase-detection for tenacious subject tracking across almost the entire frame (6275-point focal plane phase-detection AF covers approx. 89% of the image area). The hybrid AF system delivers precise focusing even when shooting at shallow depths of field and at 120p high frame rates in 4K (QFHD)6. Real-time Eye AF and Face Detection supported Real-time Eye AF and Face Detection ensure accurate, stable focus acquisition for interviews, events, and anywhere where precise focus on people is essential. Sophisticated real-time processing realises pinpoint eye focus even when subjects are looking down or up at steep angles, allowing the operator to concentrate fully on composing the best shot. Powerful focus control for solo shooters With AF Transition Speed selectable over 7 levels, and AF Subject Shift Sensitivity over 5 levels, you can better convey your creative intentions when switching subjects or, for example, rack focusing. Lens-ring AF subject selection When the AF Assist function is ON, rotating the focus ring instantly switches from autofocus to manual focus so that a different subject can be quickly selected. Autofocus operation resumes as soon as the user stops rotating the lens focus ring. Auto focus area/position For auto focus, you can set the target areaamong Flexible Spot, Zone, Wide and changethe position of the target area quickly duringshooting by simply touching the LCD monitor. 4K7 120fps with every frame in focus High Frame Rate shots can turn everyday action into a visual feast of elegant movement. The FX6 captures up to 120 frames per second (fps) at the 4K (QFHD) resolution. Slow and Quick (S&Q) modes give you full control over the captured frame rate from 1 to 120fps, allowing precise motion narratives, and up to a beautiful 5x Super Slow Motion (24fps output). Autofocus with Sony E-mount lenses Experience smooth, responsive autofocus with Sony E-mount lenses, with premium optical performance and operability for demanding cinematography applications. Unique actuator technology in Sony E-mount lenses provides faster and more precise AF performance, supporting your creative endeavors. Built-in electronic Variable ND Filter The FX6 features Sony’s unique built-in electronic Variable Neutral Density (ND) filter. Unlike conventional optical ND Filters, the electronic ND Filter on the FX6 can be controlled from 1/4ND to 1/128ND linearly, or set to auto. Ideal in changeable environments, there’s no need to change filters as lighting conditions change or to maintain your depth of field. Lightweight, modular and robust Despite its amazingly light 0.89kg body, the magnesium-alloy FX6 is more than tough enough for the rigours of real-world shooting. A detachable Smart Grip puts key functions at your fingertips and is easily adjustable with a single button. Grab and shoot mobility Ideal for low angle shooting, the smart handle is part of the FX6’s modular design. It’s easy to reconfigure for any application, including mounting in a gimbal, drone, or underwater housing. Magnesium body and frame for high durability with light weight To perform reliably in challenging environments, the main body, covers and top handle are made from a production-tested, lightweight magnesium alloy. The main frame achieves high strength and durability with minimum weight in order to maximise mobility. Architecture to prevent thermal shut down The custom ventilation system and chassis design help to prevent the thermal shut down of shooting8 at high frame rates and 4K (QFHD) resolutions. The number of heat sinks, the shape of air intakes and exhaust vents as well as the location of the low-noise fan9, and airflow paths have all been calculated with precision to ensure that optimum ventilation is achieved. 10-bit 4:2:2 recording Record right on the camera with the amazing richness of 10-bit depth and 4:2:2 colour sampling, for far greater flexibility in image grading, post-processing and compositing. All-Intra encoding available As well as Long GOP, internal All-Intra encoding is now provided. This encodes every frame independently at bitrates up to 600Mbps, to capture complex motion more accurately, and allow more efficient editing workflows. [1] All-Intra (All-I)  [2] Long GOP  [3] Group of Pictures 16-bit RAW SDI output  For demanding post-production workflows, 16-bit RAW output is available via SDI connection to compatible external recorders while XAVC-I files are simultaneously captured in-camera. RAW video output is 4096x2160 or 3840x2160 data from the image sensor with a choice of 59.94 / 50 / 29.97 / 25 / 24 / 23.98 frame rates10. Shooting modes that match creator workflows The FX6 offers shooting modes with preset looks like S-Cinetone that produce great-looking shots in-camera, or S-Log3 / S-Gamut3 with Cine-EI mode that capture perfectly-exposed images for post production. Scene File function allows easy look changes on-site Four preset scene file types are available for SDR shooting (S-Cinetone, Standard, Still, ITU709) and two for HDR (HLG Live, HLG Natural) plus 16 slots for imported user 3D LUTs for your preferred look without post production. Remarkable smart grip and smart handle Sony’s ergonomic Smart Grip and Smart Handle feature easy one-button adjustment. With zoom, record, and assignable control buttons, as well as a dial suitable for iris control, you can comfortably operate for hours. Professional connectivity A wide range of professional interfaces is available including 12G-SDI and HDMI outputs11, a remote interface, TC connectors for multi-camera sync, and SuperSpeed USB 5Gbps (USB 3.2) to support fluid data workflows. Multi-Interface (MI) Shoe Sony’s Multi-Interface (MI) Shoe provides power, signal and switching connections to compatible Sony accessories, including for example wireless microphone systems such as the UWP-D21 or UWP-D2212. Support for four-channel audio input and recording Four-channel audio input allows simultaneous capture of external microphones and the built-in microphone. UWP wireless microphones or XLR audio adaptors such as the XLR-K3M can also be used with the MI Shoe. Dual XLR inputs and enhanced audio capability The handle of the FX6 has two independent audio inputs, easy-access XLR connectors to connect external professional microphones. UWP series wireless microphones may also be connected via the MI Shoe. High-definition 2.76 million-dot13 flexible LCD panel The 3.5-inch LCD screen allows precise manual focusing in challenging shooting conditions. Flexible positioning of both mounting locations and angles allows comfortable shooting to suit varied preferences and rigging. Quick menu control with touch operation The LCD screen has a quick access control menu. With a single touch, you can change codec, imager scan mode, picture size and frequency, base ISO/sensitivity, shooting mode and audio levels. Dual CFexpress Type A-compatible media slots Dual media slots support CFexpress Type A cards14, along with conventional SDXC UHS-I and UHS-II cards, for fast buffer clearance and data management. Simultaneous, relay, interval and proxy modes are supported. Networked for high mobility Wi-Fi® connectivity enables a host of advanced wireless production features such as remote control via smartphones or tablets and the Content Browser Mobile app. Connect easily with either NFC one-touch or manual pairing. Metadata facilitates editing in Catalyst  The FX6 records three types of metadata: image stabilisation, clip flag, and camera rotation. These can be useful when previewing and preparing to edit in Sony’s free Catalyst Browse or cost-effective Catalyst Prepare software.

Sony ILME-FX6V FX6 Full-Frame Cinema Camera Body Only package a

Sony ILME-FX6V (ILMEFX6VDI.EU, ILME-FX6 Alpha, FX6 ILME-FX6, PXW-FX6, pxw-fx6) FX6 Full-Frame Cinema Camera Body Only package a © includes: 1x Sony ILME-FX6V FX6 Full-Frame Cinema Camera Body Only (ILME-FX6V) 1x Sony 128GB 300MB/s SDXC UHS-II TOUGH SD Card (SFG1TG) Capture the impossible with expanded ISO sensitivity Capture usable images in near total darkness with an impressive ISO expanded range up to 4096001. The full-frame sensor coupled with innovative light gathering ensures limitless shooting possibilities. Stunning bokeh and full-frame creativity Realise beautiful 4K imagery with the creative freedom made possible by a full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh for a truly cinematic look. Cinematic colour science with S-Cinetone S-Cinetone colour, developed for Sony’s acclaimed FX9, is the default look on the FX6. Precisely tuned to meet the requirements of today’s content creators with rich colour and natural skin tones, it produces fresh and vivid images straight out of camera without grading, while retaining plenty of latitude for post production. Large pixels deliver high sensitivity and low noise The full-frame, back-illuminated, 10.2-megapixel2 Exmor R™ CMOS image sensor offers impressive light-gathering capability. Fast readout speeds and a dynamic range of 15+ stops3 deliver superb image quality with wide sensitivity and reduced noise. Powerful BIONZ XRTM image processor  The BIONZ XR image processing engine matches the sensor’s high-speed readout with enormous processing power. Built with a future-oriented architecture, it delivers high quality images faster and dramatically improves camera interface responsiveness. Impressive dynamic range for limitless expression At its base sensitivity of ISO8004, the FX6 offers optimal dynamic range for well-lit interiors and outdoor documentary shooting. An enhanced ISO 128004 sensitivity is designed for challenging low-light, morning and evening shots. The FX6 offers an exceptional 15+ stops3 of dynamic range ‒ beyond the perception of even the human eye in many conditions ‒ allowing for unprecedented creative freedom in colour grading and post. Fast Hybrid AF for accuracy and tenacity The wide-area AF uses intelligent tracking and on-sensor phase-detection for tenacious subject tracking across almost the entire frame (6275-point focal plane phase-detection AF covers approx. 89% of the image area). The hybrid AF system delivers precise focusing even when shooting at shallow depths of field and at 120p high frame rates in 4K (QFHD)6. Real-time Eye AF and Face Detection supported Real-time Eye AF and Face Detection ensure accurate, stable focus acquisition for interviews, events, and anywhere where precise focus on people is essential. Sophisticated real-time processing realises pinpoint eye focus even when subjects are looking down or up at steep angles, allowing the operator to concentrate fully on composing the best shot. Powerful focus control for solo shooters With AF Transition Speed selectable over 7 levels, and AF Subject Shift Sensitivity over 5 levels, you can better convey your creative intentions when switching subjects or, for example, rack focusing. Lens-ring AF subject selection When the AF Assist function is ON, rotating the focus ring instantly switches from autofocus to manual focus so that a different subject can be quickly selected. Autofocus operation resumes as soon as the user stops rotating the lens focus ring. Auto focus area/position For auto focus, you can set the target areaamong Flexible Spot, Zone, Wide and changethe position of the target area quickly duringshooting by simply touching the LCD monitor. 4K7 120fps with every frame in focus High Frame Rate shots can turn everyday action into a visual feast of elegant movement. The FX6 captures up to 120 frames per second (fps) at the 4K (QFHD) resolution. Slow and Quick (S&Q) modes give you full control over the captured frame rate from 1 to 120fps, allowing precise motion narratives, and up to a beautiful 5x Super Slow Motion (24fps output). Autofocus with Sony E-mount lenses Experience smooth, responsive autofocus with Sony E-mount lenses, with premium optical performance and operability for demanding cinematography applications. Unique actuator technology in Sony E-mount lenses provides faster and more precise AF performance, supporting your creative endeavors. Built-in electronic Variable ND Filter The FX6 features Sony’s unique built-in electronic Variable Neutral Density (ND) filter. Unlike conventional optical ND Filters, the electronic ND Filter on the FX6 can be controlled from 1/4ND to 1/128ND linearly, or set to auto. Ideal in changeable environments, there’s no need to change filters as lighting conditions change or to maintain your depth of field. Lightweight, modular and robust Despite its amazingly light 0.89kg body, the magnesium-alloy FX6 is more than tough enough for the rigours of real-world shooting. A detachable Smart Grip puts key functions at your fingertips and is easily adjustable with a single button. Grab and shoot mobility Ideal for low angle shooting, the smart handle is part of the FX6’s modular design. It’s easy to reconfigure for any application, including mounting in a gimbal, drone, or underwater housing. Magnesium body and frame for high durability with light weight To perform reliably in challenging environments, the main body, covers and top handle are made from a production-tested, lightweight magnesium alloy. The main frame achieves high strength and durability with minimum weight in order to maximise mobility. Architecture to prevent thermal shut down The custom ventilation system and chassis design help to prevent the thermal shut down of shooting8 at high frame rates and 4K (QFHD) resolutions. The number of heat sinks, the shape of air intakes and exhaust vents as well as the location of the low-noise fan9, and airflow paths have all been calculated with precision to ensure that optimum ventilation is achieved. 10-bit 4:2:2 recording Record right on the camera with the amazing richness of 10-bit depth and 4:2:2 colour sampling, for far greater flexibility in image grading, post-processing and compositing. All-Intra encoding available As well as Long GOP, internal All-Intra encoding is now provided. This encodes every frame independently at bitrates up to 600Mbps, to capture complex motion more accurately, and allow more efficient editing workflows. [1] All-Intra (All-I)  [2] Long GOP  [3] Group of Pictures 16-bit RAW SDI output  For demanding post-production workflows, 16-bit RAW output is available via SDI connection to compatible external recorders while XAVC-I files are simultaneously captured in-camera. RAW video output is 4096x2160 or 3840x2160 data from the image sensor with a choice of 59.94 / 50 / 29.97 / 25 / 24 / 23.98 frame rates10. Shooting modes that match creator workflows The FX6 offers shooting modes with preset looks like S-Cinetone that produce great-looking shots in-camera, or S-Log3 / S-Gamut3 with Cine-EI mode that capture perfectly-exposed images for post production. Scene File function allows easy look changes on-site Four preset scene file types are available for SDR shooting (S-Cinetone, Standard, Still, ITU709) and two for HDR (HLG Live, HLG Natural) plus 16 slots for imported user 3D LUTs for your preferred look without post production. Remarkable smart grip and smart handle Sony’s ergonomic Smart Grip and Smart Handle feature easy one-button adjustment. With zoom, record, and assignable control buttons, as well as a dial suitable for iris control, you can comfortably operate for hours. Professional connectivity A wide range of professional interfaces is available including 12G-SDI and HDMI outputs11, a remote interface, TC connectors for multi-camera sync, and SuperSpeed USB 5Gbps (USB 3.2) to support fluid data workflows. Multi-Interface (MI) Shoe Sony’s Multi-Interface (MI) Shoe provides power, signal and switching connections to compatible Sony accessories, including for example wireless microphone systems such as the UWP-D21 or UWP-D2212. Support for four-channel audio input and recording Four-channel audio input allows simultaneous capture of external microphones and the built-in microphone. UWP wireless microphones or XLR audio adaptors such as the XLR-K3M can also be used with the MI Shoe. Dual XLR inputs and enhanced audio capability The handle of the FX6 has two independent audio inputs, easy-access XLR connectors to connect external professional microphones. UWP series wireless microphones may also be connected via the MI Shoe. High-definition 2.76 million-dot13 flexible LCD panel The 3.5-inch LCD screen allows precise manual focusing in challenging shooting conditions. Flexible positioning of both mounting locations and angles allows comfortable shooting to suit varied preferences and rigging. Quick menu control with touch operation The LCD screen has a quick access control menu. With a single touch, you can change codec, imager scan mode, picture size and frequency, base ISO/sensitivity, shooting mode and audio levels. Dual CFexpress Type A-compatible media slots Dual media slots support CFexpress Type A cards14, along with conventional SDXC UHS-I and UHS-II cards, for fast buffer clearance and data management. Simultaneous, relay, interval and proxy modes are supported. Networked for high mobility Wi-Fi® connectivity enables a host of advanced wireless production features such as remote control via smartphones or tablets and the Content Browser Mobile app. Connect easily with either NFC one-touch or manual pairing. Metadata facilitates editing in Catalyst  The FX6 records three types of metadata: image stabilisation, clip flag, and camera rotation. These can be useful when previewing and preparing to edit in Sony’s free Catalyst Browse or cost-effective Catalyst Prepare software.

Sony ILME-FX6V Alpha Full-frame 4K Cinema Line Camera with 24-105mm Lens

Sony ILME-FX6V (ILME/FX6V, ILME_FX6V, ILMEFX6V, ILME FX6V) Alpha Full-frame 4K Cinema Line Camera with 24-105mm Lens Developed to offer versatile, cine-style imaging in a truly compact form, the FX6 Full-Frame Camera Kit from Sony pairs the FX6 camera with the 24-105mm f/4 G OSS E-mount zoom lens. With the ability to capture up to 15+ stops of dynamic range, Sony's S-Cinetone gamma for filmlike skin tones, and up to 10-bit, 4:2:2 XAVC-I recording, the FX6 is poised to both supplement your FX9 or VENICE capture and to nimbly take on documentary, gimbal, and drone shoots on its own. The FX6 camera combines a 4K full-frame Exmor R sensor with a BIONX XR engine for extremely sensitive capture in a range of settings using a base ISO of 800 as well as an ISO 12800 high-sensitivity mode for nuanced low-light scenes. Weighing just under 2 lb, the FX6 body is a full 2 lb lighter than the FX9 and measures 6 x 4.6". It packs a full-frame sensor into a body comparable to the S35-sensor Sony FS5. While the FX6 fits seamlessly into a pro-cine on-set workflow, it also offers several features that are a boon for a single-operator user. These include fast and accurate phase-detection autofocus with both Face Detection and real-time Eye autofocus, both auto and manual ND filter settings for quick exposure compensation, and a 3.5" LCD monitor that boasts timesaving touchscreen access to key menu settings and versatile positioning for comfortable operating. In addition to improving the camera's overall stability, firmware update v1.10 adds 100p and 120p options to the Slow and Quick Motion frame rate menu when the codec is set to RAW or RAW and XAVC-I. 4K Full-Frame CMOS Exmor R Sensor The FX6's 10.2 MP image sensor features backside illumination for excellent low-light performance, 627 focal plane points for speedy phase-detection autofocus, and full-frame lens compatibility that produces a rich, immersive look. The sensor's fast scan speed minimizes rolling shutter artifacts and supports high frame rates and quick autofocus responses. 15+ Stops of Dynamic Range The Exmor R sensor also enables the FX6 to capture a whopping 15+ stops of dynamic range in Cine EI mode with S-Log3, creating nuanced, high-resolution images. Wide ISO Range Choose from a base ISO of 800, a high-sensitivity 12,800 ISO for lower-light capture, and a 409,600 maximum ISO for true low-light settings. Electronically Variable ND Filters Set the FX6's integrated neutral density (ND) filter system to auto for correctly exposed shots even in changing light conditions, or smoothly adjust the ND filter density manually in increments from 1/4 to 1/128 as you shoot; both options will produce properly exposed images without affecting your chosen depth of field. Advanced XAVC Codec Options The FX6 is the first compact, full-frame camera to offer UHD 4K 4:2:2 capture in the high-quality yet efficient XAVC-I codec. It also enables you to choose from a range of professional XAVC Intra and XAVC Long codecs at bit rates ranging from 35 to 600 Mb/s. High Frame Rate Selections For slow-motion and fast action looks, choose from full-frame rates ranging from: 1-60 fps in HD to DCI 4K resolutions 100 or 120 fps in HD through UHD 4K  150, 180, 200, or 240 fps in Full HD  Super35 choices include 1-60, 100, and 120 fps in Full HD Expressive Cinematic Look Sony's S-Cinetone gamma curve offers a cinematic look with filmlike color, softer tones, and pleasing skin tone reproduction. Not only is this cinematic look available for in-camera viewing, but it can also be captured and output with minimal or no grading at all for a time-saving post process. The S-Cinetone, S-Log3, S-Gamut3, and S-Gamut3.Cine choices also streamline the process of matching FX6 footage with your VENICE or FX9 video and offer broad color-grading options. Fast Hybrid/Phase Detection Autofocus Compatible with 50+ native Sony E-mount lenses, the FX6's improved autofocus choices include Face Detection and Eye Autofocus modes for rapid focusing with extremely sharp accuracy, even in lower-light settings. The phase detection autofocus accomplishes this accuracy using seven transition-speed steps and five subject-sensitivity. Image Stabilization and More with Catalyst and Metadata Pair the FX6 with Sony's Catalyst Prepare/Browse software to use metadata to stabilize your image, automatically rotate gimbal footage, and add flags for easier clip filtering in post-production. Touchscreen 3.5" LCD Control The FX6's 3.5" LCD monitor offers both high-resolution viewing and the ease of touchscreen camera control. The LCD quick menu controls include key settings like Codec, Imager Scan Mode, Picture Size and Frequency, Base ISO/Sensitivity, Shooting Mode, and Audio Levels. Reliable Design and Construction Constructed with a lightweight yet durable magnesium alloy chassis, the FX6 body offers maximum reliability and efficiently disperses heat to enable extended recording times. Exterior seams, buttons, and interfaces have been treated with updated sealing that improves the camera's dust and moisture resistance as well. 4-Channel Audio Recording The FX6 offers up to 4-channel audio recording by combining sources from the dual XLR inputs, the 2-channel multi-interface shoe input, and the stereo mic built into the camera's top handle. This enables the simultaneous use of an external microphone for recording your main audio source and the built-in microphone for ambient sound and/or voice memos by the operator. Professional Input/Output Interface FX6 input and output ports include a selectable 12G/6G/3G-SDI output for flexible monitoring, 12-bit raw output via SDI, and an HDMI output. It also has timecode input and output for syncing multiple cameras and a built-in Wi-Fi module. CFexpress Media Slots and Multiple Recording Modes The FX6's dual media slots accept both rugged, high-performance, high-capacity CFexpress Type A cards and widely available UHS-II/UHS-1 SDXC cards. Note that the CFexpress Type A cards are required for 100/120 fps UHD 4K capture and 150/180/200/240 fps HD high-speed capture. Modular, Grab-and-Go Design The modular design of the FX6 enables you to pare down to its compact body for gimbal or drone use, or it can be used with separately available accessories such as a smart grip and smart handle for fingertip control when shooting handheld. A 3.5" LCD screen can be quickly positioned on the camera at multiple locations to provide comfortable, ergonomic viewing. Content Browser Mobile Compatibility When used with the separately available Content Browser Mobile app and a compatible smartphone or remote control, the FX6's Wi-Fi function enables remote monitoring and focus/iris/zoom control.

Sony BP-U70 Lithium-ion Battery 72Wh

Sony BP-U70 (BP/U70, BP_U70, BPU70, BP U70, bp-u70) Lithium-ion Battery 72Wh The BP-U70 is a 72 Wh capacity lithium ion battery that offers an ideal balance of capacity and weight for many professional video applications. Battery status data is continuously communicated to the camera. Remaining capacity is displayed on the camera’s LCD monitor and viewfinder, allowing operators to monitor battery status easily and accurately while shooting. The BP-U70 offers significantly higher capacity while having the same charging time than the previous generation BP-U60.

Sony X31679021 Windscreen Sponge

Sony X31679021 (X3_1679021, X3 1679021, X3/1679021, X31679021) Windscreen Sponge. Sponge windscreen for UTX-B1 series capsule - ECM-V1BMP Ø 8,5mm snap connection.

Sony ILCE-7M3GBDI.EU-a7MIII-24-105 Alpha A7 III Mirrorless Digital Camera

Sony ILCE-7M3GBDI.EU-a7MIII-24-105 (ILCE_7M3GBDI.EU-a7MIII-24-105, ILCE7M3GBDI.EU-a7MIII-24-105, ILCE/7M3GBDI.EU-a7MIII-24-105, ILCE 7M3GBDI.EU-a7MIII-24-105) Alpha A7 III Mirrorless Digital Camera. Distinguished by its updated sensor design, the Alpha a7 III Mirrorless Digital Camera from Sony is a well-rounded camera suitable for both photo and video applications in a variety of working situations. Refined for improved speed and low-light performance, the full-frame 24.2MP Exmor R BSI CMOS sensor and BIONZ X image processor pair to realize an impressive 10 fps continuous shooting rate and improved autofocus performance for faster, more reliable subject tracking along with wide frame coverage. This updated Fast Hybrid AF System employs a combination of 693 phase-detection points and 425 contrast-detection areas for quicker acquirement of focus in a variety of lighting conditions, and also maintains focus on subjects more effectively. In addition to speed and AF, the processing improvements also help to realize greater image clarity and reduced noise throughout the sensitivity range from ISO 100-51200, which can further be expanded to ISO 50-204800. Video recording capabilities have also been extended for enhanced quality when recording UHD 4K video with the full width of the full-frame sensor to minimize moiré and aliasing. Additionally, benefitting both stills and video operation, the a7 III utilizes a 5-axis SteadyShot INSIDE sensor-shift image stabilization, which is now effective to minimize the appearance of camera shake by up to 5 stops. Beyond just updates to the imaging system, the a7 III's body design has also been revised to include a rear 3.0" 922k-dot touchscreen LCD, which has a tilting design to better support working from high and low angles. A 2.36m-dot Tru-Finder OLED EVF is also featured for bright and clear eye-level monitoring. For greater shooting flexibility, dual SD memory card slots are now featured, and a larger NP-FZ100 battery is also employed to achieve up to approximately 710 shots per charge. Suiting the camera's use in trying conditions, the magnesium-alloy chassis and weather-sealing also render the a7 III dust- and moisture-resistant. An evolved 4D FOCUS system now employs a combination of 693 phase-detection points, which cover approximately 93% of the frame, along with 425 contrast-detection areas for reliable and quick autofocus and subject tracking performance. This Fast Hybrid AF System now achieves twice the focusing speed and more reliable tracking compared to previous a7 models, as well as improved low-light focusing. The use of phase-detection points also enables the use of A-mount lenses via the optional LA-EA3 or LA-EA1 lens mount adapters with full continuous AF/AE tracking compatibility. The apt focus system also lends itself to a variety of focusing functions for refined accuracy, including Lock-on AF, which maintains focus on moving subjects throughout the use of a configurable frame that is set over the desired moving subject, and Expand Flexible Spot, which employs neighboring focus points to retain focus on moving subjects even if the originally selected point loses focus. Additionally, Eye AF can be used to base focus on recognized subjects' eyes for portraits and is available in both AF-S and AF-C modes. Autofocus can also be used in conjunction with the Focus Magnifier function for critical focus when homing in on minute subject details. The rear touchscreen can also be used for Touch Focus control, and a Touchpad Focus Control mode lets you use the rear screen intuitively while keeping your eye to the viewfinder.

Sony DIBOXCC5 Digital Imaging-Kasko and Warranty.

Sony DIBOXCC5 (DI_BOXCC5, DI BOXCC5, DI/BOXCC5, DIBOXCC5) Digital Imaging-Kasko and Warranty. Sony Complete Warranty for 5 years for Sony Digital Imaging - Kasko & Warranty.

Sony X-2023-933-3 Microphone Support

Sony X-2023-933-3 (X_2023-933-3, X2023-933-3, X 2023-933-3, X/2023-933-3) Microphone Support. Microphone support for HVR-Z1E.

Sony NP-F970.CE L-Series Rechargeable Battery

Sony NP-F970.CE (NPF970.CE, NP-F970, NPF970, np-f970) L-Series Rechargeable Battery This battery provides the longest running time of all L series batteries, with approximately 4-5 hours operation on an HVR-Z1E or up to 7 hours on a DSR-PD170P. Incorporates Sony InfoLithium technology which enables compatible camcorders to accurately report the charge remaining. Also compatible with the HVR-Z7E, HXR-NX5E, PXW-Z100, DSR-PD175P, HVR-HD1000E, HVR-V1E, HVR-Z1E, HVR-Z5E, NEX-FS100E, and DWA-F01D.

Sony NP-QM91D.CE Rechargeable Battery

Sony NP-QM91D.CE (NP_QM91D.CE, NPQM91D.CE, NP/QM91D.CE, NP QM91D.CE) Rechargeable Battery. Sony Rechargeable Battery -InfoLITHIUM - Series M 8,4 V, 4140 mAh, 29,8 W/h, 7,2 V / 1180 mAh.

Sony A1991188A Cover Socket Viewfinder

Sony A1991188A (A1_991188A, A1 991188A, A1/991188A, A1991188A) Cover Socket Viewfinder. Sony cover socket viewfinder for PMW-300.

Sony 183619511 DC Out Cable

Sony 183619511 (18_3619511, 18 3619511, 183619511, 18/3619511) DC Out Cable. Sony DC Out cable for power supply BC-U2.

Sony 149200512 Power Supply

Sony 149200512 (14_9200512, 14 9200512, 14/9200512, 149200512) Power Supply. Power supply 12 v for EVI-D70 - EVI-D70P - SNC-P1 - SBAC-US10 - BRC-300.

Sony BC-TRV.CEE Travel Charger

Sony BC-TRV.CEE (BC_TRV.CEE, BCTRV.CEE, BC/TRV.CEE, BC TRV.CEE) Travel Charger. The Sony BC-TRV Travel Charger charges Sony's V, P, and H Series batteries. The BC-TRV features universal voltage compatibility (100-240VAC, 50/60Hz) and a retractable AC wall plug, which allows for easy storage. This compact and easy to store Travel Charger also features an LED charging status indicator that alerts you the moment the battery is powered up and ready for use again.

Sony X25466331 Complete Flash Shoe

Sony X25466331 (X2_5466331, X2 5466331, X25466331, X2/5466331) Complete Flash Shoe. Sony Complete flash shoe for PDW-700 (compatible models only) - PMW-EX1R.

Sony X-2188-619-3 Accessory Shoe Adapter

Sony X-2188-619-3 (X_2188-619-3, X2188-619-3, X 2188-619-3, X/2188-619-3) Accessory Shoe Adapter. Sony Accesory shoe adapter for HVR-Z7E.

Sony 184866111 Coiled Cable Handle

Sony 184866111 (18_4866111, 18 4866111, 184866111, 18/4866111) Coiled Cable Handle. Sony Coiled cable handle for PXW-FS7.

Sony 176684811 Connector Round

Sony 176684811 (17_6684811, 17 6684811, 176684811, 17/6684811) Connector Round. Sony Connector, Round TYPE PDW-F350L - RM-B150 - RM-B750.

Sony C-100 High-Resolution 2-Way Microphone

Sony C-100 (C_100, C100, C 100, C/100) High-Resolution 2-Way Microphone. The Sony C-100 is a 2-way condenser microphone capable of recording high-resolution material up to 50 kHz and is well suited for capturing vocals and critical instruments. The microphone features selectable pickup patterns with cardioid, omni, and figure-8 to choose from. Additionally, there is a 70 Hz low cut filter to help remove rumble, while the -10dB pad helps the mic accommodate louder signals without distorting. The 2-way capsule features a 25mm diaphragm for capturing frequencies from 20 Hz to 25 kHz, while the secondary 17mm diaphragm captures from 25 kHz to 50 kHz. The microphone borrows the noise elimination structure used in the C-800G microphone to prevent acoustic vibration resulting in low noise and clear sound. The Sony C-100 ships with a shock mount, wind screen, mic stand adapter, and a carrying case. Professional-Quality Sound: Two-way diaphragm structure realizes both broad high range and resonant mid-low range and gives great vocal presence Wide Frequency Response: The C-100 microphone has a broad frequency response (20 Hz to 50kHz) and provides superb sound reproduction quality for High-Resolution Audio Noise Elimination Construction: Two-part metallic body structure employed in C-800G microphone prevents acoustic vibration resulting in low noise and clear sound Switchable Polar Patterns: The C-100 microphone features switchable cardioid, omni-directional, and figure-8 polar patterns for various recording applications Low-Cut Filter: Low-cut filter switch helps eliminate low-frequency noise and proximity effect Pad Switch: A -10dB pad switch on C-100 microphone provides added headroom and minimizes distortion caused by transient peaks.

Sony NP-FW50.CE Rechargeable Battery

Sony NP-FW50.CE (NP_FW50.CE, NPFW50.CE, NP FW50.CE, NP/FW50.CE) Rechargeable Battery. Lithium-Ion Rechargeable Battery (1020mAh) Fits: Sony Alpha NEX-3, 5, 6 and 7 Series Cameras, DSLR-SLT-A33, DSLR-SLT-A55 The Sony NP-FW50 Lithium-Ion Rechargeable Battery is unique in its design since it not only supplies power to your camera but will display the remaining battery capacity. Small and lightweight, lithium-ion batteries can be charged or discharged at any time without developing memory effects.

Sony 148753921 Power Supply

Sony 148753921 (14_8753921, 14/8753921, 148753921, 14 8753921) Power Supply. Sony Power supply/charger for HXR-NX5E NEX-EA50EH.

Sony 147640431 Power Supply DSR-11

Sony 147640431 (14_7640431, 14 7640431, 14/7640431, 147640431) Power Supply DSR-11. Sony Power supply DSR-11.

Sony X36045411 Cove Assembly Handle

Sony X36045411 (X3_6045411, X36045411, X3/6045411, X3 6045411) Cove Assembly Handle. Sony Cove assembly handle for DSR-300P.

Sony X25808481 Microphone Holder Assembly

Sony X25808481 (X2_5808481, X2 5808481, X2/5808481, X25808481) Microphone Holder Assembly. Sony Assy holder microphone for PMW-F3L.

Sony X25157271 Handle Cover Assy

Sony X25157271 (X2_5157271, X2/5157271, X25157271, X2 5157271) Handle Cover Assy. Sony Cover assy for PMW-EX1R.

Sony X23425705 Microphone Holder Assy

Sony X23425705 (X2 3425705, X2_3425705, X2/3425705, X23425705) Microphone Holder Assy. Sony Assy holder microphone for HVR-HD1000 - HVR-S270E - HVR-Z5/Z7E - DSR-PD175 - NEX-FS100 - NEX-FS700 - PMW-200 - PXW-FS5 - PXW-FS7 - PXW-X70 - HXR-MC50 - PXW-X180 - PXW-X160 - HXR-NX70 - HXR-NX80 - PXW-Z150.

Sony X21873522 Microphone Adapter

Sony X21873522 (X2_1873522, X2/1873522, X2 1873522, X21873522) Microphone Adapter. Adapter microphone for PMW-EX1 - PMW-EX1R -PMW-EX3.

Sony 454691701 Tripod Base

Sony 454691701 (45_4691701, 454691701, 45/4691701, 45 4691701) Tripod Base. Sony Base Tripod for PXW-FS7 (w/o screws).

Sony UTX-M40-K21 Wireless Handheld Microphone Transmitter-470-542MHz

Sony UTX-M40-K21 (UTX-M40/K21, UTX-M40_K21, UTXM40-K21, UTX-M40 K21, utx-m40/k21) Wireless Handheld Microphone Transmitter The Sony UTX-M40 is a wireless handheld microphone transmitter compatible with the URX-P40 camera-mount receiver. The rugged, all-metal design is comfortable for performers and presenters to hold and is well suited for tough operating conditions. The transmitter offers a 72 MHz bandwidth with 2772 selectable UHF frequencies. It provides up to 8 hours of operation on two AA batteries, with an adjustable 5/30mW RF power output and a transmission range up to 330'. The UTX-M40 features a dynamic microphone capsule with a cardioid pickup pattern that focuses audio capture on the presenter in front of the mic while reducing unwanted background noise. The transmitter uses an interchangeable mic capsule design compatible with over 40 different capsules from various manufacturers. The UTX-M40 is backward-compatible with Sony WL-800 and UWP Series systems. Frequency CE 470,025 - 542,000 MHz.

Sony ACC-TRW Battery Charger Kit

Sony ACC-TRW (ACC_TRW, ACC/TRW, ACC TRW, ACCTRW) Battery Charger Kit. Sony Kit for Fw series with: 1x NP-FW50 Rechargeable high-capacity InfoLITHIUM? battery 1x Compact travel charger.

Sony AC-VQ1051D.CEE Battery Charger

Sony AC-VQ1051D.CEE (AC_VQ1051D.CEE, AC/VQ1051D.CEE, ACVQ1051D.CEE, AC VQ1051D.CEE) Battery Charger. The Sony AC Adapter and Twin Charger For L-Series Batteries is a power adapter that at the flip of a switch turns into a two-battery charger for Sony's L-series batteries. Four power cords come included. LCD display indicates: battery life, charging time, total charging time, last use year and month, and total number of charging cycles

Sony GP-VPT2BT Wireless Shooting Grip

Sony GP-VPT2BT (GP_VPT2BT, GPVPT2BT, GP VPT2BT, GP/VPT2BT) Wireless Shooting Grip. Helping to improve shooting stability, the Sony GP-VPT2BT Wireless Shooting Grip is a convenient tool that serves as both a larger grip for handheld shooting as well as a sleek tabletop tripod. Compatible with select Sony cameras featuring Bluetooth connectivity, this grip offers wireless control over select shooting controls, via built-in shutter release and video record buttons, a zoom rocker switch, and a customizable C1 button. Beyond serving as just an accessory grip, the grip itself can be splayed into three legs and function as a tripod for hands-free shooting. The integrated head can tilt upward 80° (40° when setup as a tripod), downward 90°, and rotate 360° for easier positioning. Additionally, the grip is dust and moisture-resistant to suit its use with select weather-sealed cameras. Camera Compatibility:  a9 II, a7R IV, a6600, a6100, RX100 VII a9, a7R III, a7 III, a6400, RX0 II compatible once updated to latest firmware.

Sony VCT-VPR100 Remote Control Tripod

Sony VCT-VPR100 (VCT_VPR100, VCTVPR100, VCT VPR100, VCT/VPR100) Remote Control Tripod. The Sony VCT-VPR100 Remote Control Tripod connects to a wide range of cameras via included cables to provide convenient remote control functionality. A multi-terminal cable, an A/V R cable, a remote terminal cable, and a LANC cable are included. Any video/still camera with a multi-terminal port, A/V R port, remote terminal port, or LANC port is compatible. The tripod rises to a height of 5.0' and boasts quick release but that's just the beginning. The ergonomic handle of its fluid head is actually a detachable wired remote. The remote provides start/stop and zoom and slow zoom control for use with select camcorders and hard button control of power, grid lines, zooming and shutter depending on the camera in use. The flip-lock leg sections make setup a snap as does the built-in bubble Level. Greater Flexibility with Detachable Remote Control: Simply attach the remote to the tripod and control your shooting from a distance, get close up shots without scaring the wildlife Get Up Close with Zoom: Pull yourself closer to your subject with the zoom lever on the remote, or use the slow zoom switch for a smoother close up Compose a Shot with Grid Lines:  Check vertical and horizontal alignment with the grid line button on the remote, which shows 4 white lines to help line up a shot Streaky Effect with Bulb Shooting:  The photo button slows the shutter speed, so moving clouds or passing trains appear as streaks while stationary objects stay sharp Quick and Easy Mounting with Quick Shoe: Always capture the moment perfectly, quickly attach the camera for a steady shot and then easily release once you're done Smooth Pans and Tilts with the Fluid Head:  Whether it's left, right, up or down, the tripod's oil fluid head allows you to follow your subject with smooth movement Straight Shooting: When the bubble is completely inside the red circle, the tripod platform is perfectly horizontal.

Sony 149324434 AC Adaptor (AC-UES1230M T)

Sony 149324434 (149_324434, 149 324434, 149324434, 149/324434) AC Adaptor (AC-UES1230M T). Sony Power supply 230V. > 12 V.3 A for PXW-FS5 - PXW-FS7 - PXW-Z190 (AC-UES1230M T).

Sony 149299424 Adaptor

Sony 149299424 (149_299424, 149 299424, 149299424, 149/299424) Adaptor. Sony Power supply for PXW-X160 - PXW-X180 (replace 149251131).

Sony 148799441 Adaptor Vgp-ac19v46, 3 Pin

Sony 148799441 (148_799441, 148 799441, 148/799441, 148799441) Adaptor Vgp-ac19v46, 3 Pin. Sony Power supply for PXW-X160 - PXW-X180 - VAIO.

Sony AC-VQV10.CEE AC Adaptor, Charger

Sony AC-VQV10.CEE (AC_VQV10.CEE, ACVQV10.CEE, AC VQV10.CEE, AC/VQV10.CEE) AC Adaptor, Charger. The dual slot Sony AC-VQV10 AC Adaptor/Charger quickly charges Sony V, H, and P Series InfoLITHIUM batteries. The AC-VQV10’s consecutive charging feature automatically starts charging the second battery after the first has completed its cycle. This Adaptor/Charger also gives you the option of seeing the remaining battery life on the built-in LCD.

Sony X25903612 Mike Support

Sony X25903612 (X2_5903612, X25903612, X2 5903612, X2/5903612) Mike Support. Sony Mike support for PXW-X180.

Sony X25901871 Large Eyecup

Sony X25901871 (X2_5901871, X25901871, X2/5901871, X2 5901871) Large Eyecup. Sony Large eyecup for PXW-X70 HDR-CX900E FDR-AX100 PXW-FS5 PXW-FS5K - PXW-Z150 - PXW-Z280.

Sony X25815821 Bar Assy

Sony X25815821 (X2_5815821, X2 5815821, X25815821, X2/5815821) Bar Assy. Sony Bar assy for NEX-FS700.

Sony X23184502 Pad Sub Assy

Sony X23184502 (X2_3184502, X2/3184502, X23184502, X2 3184502) Pad Sub Assy. Sony PAD SUB ASSY for PMW-EX3.

Sony X21886011 Cabinet Upper Assy Handle

Sony X21886011 (X2 1886011, X21886011, X2_1886011, X2/1886011) Cabinet Upper Assy Handle. Sony Cabinet upper assy handle for HVR-Z7E.

Sony A2196367A Part VF Locker

Sony A2196367A (A2_196367A, A2 196367A, A2196367A, A2/196367A) Part VF Locker. Sony Part VF locker for PXW-FS7 replace 454706801.

Sony A2081881A Handle Block Assembly

Sony A2081881A (A2_081881A, A2/081881A, A2081881A, A2 081881A) Handle Block Assembly. Sony Handle assy for PXW-FS5 (851).

Sony 458749701 LCD Display Film Safety

Sony 458749701 (458_749701, 458749701, 458 749701, 458/749701) LCD Display Film Safety. Sony LCD display film safety for PXW-FS5.

Sony 411930101 Eye Cup

Sony 411930101 (411_930101, 411/930101, 411 930101, 411930101) Eye Cup. Sony Eye cup for HXR-NX5E - HXR-NX3.

Sony 387820813 Eye Cup For The PMW-EX3 And DVF-L350

Sony 387820813 (387_820813, 387 820813, 387820813, 387/820813) Eye Cup For The PMW-EX3 And DVF-L350. Sony Eye cup for PMW-EX3 - PMW-350 - PMW-320 - DXF-20W/ DXF-51/ DXF-C50W - PMW-300 -PXW-FS7 - DVF-L350.

Sony 387820812 Eye Cup

Sony 387820812 (387_820812, 387 820812, 387820812, 387/820812) Eye Cup. Eyecup for PMW-EX3 - PMW-350 - PMW-320 - DXF-20W/ DXF-51/ DXF-C50W - CBK-VF01 - NEX-FS100 - NEX-FS700 - NEX-EA50 - PMW-300- PXW-FS7 - PXW-FS7K, CBK-CE01 - DVF-L350.

Sony 387677505 Frame Handle Main

Sony 387677505 (387_677505, 387/677505, 387677505, 387 677505) Frame Handle Main. Frame handle main for PMW-EX3.

Sony 328859001 Eye Cup

Sony 328859001 (328_859001, 328 859001, 328859001, 328/859001) Eye Cup. Sony Eye cup for HVR-Z7/ HVR-Z5 - PMW-150/200.

Sony 183599331 USB Mini Cable

Sony 183599331 (183_599331, 183/599331, 183 599331, 183599331) USB Mini Cable. Sony Connection Cord USB 5P - (Spare Parts Replacement Cables).

Sony 182711121 Cable and Connector

Sony 182711121 (182/711121, 182_711121, 182711121, 182 711121) Cable and Connector. Sony Cable & connector for NEX-FS100 handle.

Sony 147699021 Remote Control for BRC-300

Sony 147699021 (147_699021, 147699021, 147/699021, 147 699021) Remote Control for BRC-300.  Sony Remote control for BRC-300P.

Sony 1-4759-505-3 Remote Control

Sony 1-4759-505-3 (1_4759-505-3, 1/4759-505-3, 14759-505-3, 1 4759-505-3) Remote Control. Sony Remote control for DSR-PD170P RMT-811.

Sony X25815831 Front Viewfinder Assembly For NEX-FS100

Sony X25815831 (X2_5815831, X2/5815831, X2 5815831, X25815831) Front Viewfinder Assembly For NEX-FS100. Front viewfinder assembly for Sony NEX-FS100 camcorder.

Sony BP-U35 Lithium-ion battery 35Wh

Sony BP-U35 (BPU35, BP_U35, bp-u35) Lithium-ion battery 35Wh The BP-U35 is a 35 Wh capacity lithium ion battery optimised for professional video shooting. Its compact size and low weight make the BP-U35 ideal for high-mobility applications such as gimbal mounting. Battery status data is continuously communicated to the camera. Remaining capacity is displayed on the camera’s LCD monitor and viewfinder, allowing operators to monitor battery status easily and accurately while shooting. The BP-U35 offers higher capacity and faster charging time than the previous generation BP-U30.

Sony VG-C4EM.SYU Vertical Grip for α9 II and α7R IV

Sony VG-C4EM.SYU (VG-C4EM, VGC4EM.SYU, VGC4EM) Vertical Grip for α9 II and α7R IV Dedicated to the Sony Alpha a7R IV and a9 II mirrorless cameras, the VG-C4EM Vertical Grip offers both extended battery and a more comfortable grip when shooting in the vertical orientation. The grip accepts either one or two NP-FZ100 batteries to increase the effective battery life for longer shooting sessions, and the batteries can be charged in the grip while attached to the camera via the body's USB port. The grip's design maintains the same layout as the camera body itself, and includes a secondary shutter button and Multi Selector for intuitive use. Also, the grip is built from magnesium alloy and is dust and moisture resistant to match the weather sealing of the camera itself.

Sony VG-C3EM.SYU Vertical Grip For Alpha a9 & a7R III Cameras

Sony VG-C3EM.SYU (VG-C3EM, VGC3EM.SYU, vg-c3em.syu) Vertical Grip For Alpha a9 & a7R III Cameras Dedicated to the Sony Alpha a9, a7 III, and a7R III mirrorless cameras, the VG-C3EM Vertical Grip offers both extended battery and a more comfortable grip when shooting in the vertical orientation. The grip accepts two NP-FZ100 batteries to effectively double the battery life for long shooting sessions, and the batteries can be charged in the grip while attached to the camera via the body's USB port. The grip's design maintains the same layout as the camera body itself, and includes a secondary shutter button and Multi Selector for intuitive use. Also, the grip is built from magnesium alloy and is dust- and moisture-resistant to match the weather sealing of the camera itself. Compatible Cameras Alpha a9 Alpha a7 III Alpha a7R III

Sony GP-X1EM.SYH Grip Extension for Alpha a9 Mirrorless Camera

Sony GP-X1EM.SYH (GPX1EM.SYH, GP-X1EM, gpx1em.syh) Grip Extension for Alpha a9 Mirrorless Camera Grip Extension for Select Cameras from Sony Improve the comfort and stability of your a9 or a7 II series camera with the GP-X1EM Grip Extension from Sony. It mounts to the camera's tripod socket and provides a larger and taller grip for a more ergonomic shooting setup. Additionally, it has a durable aluminum construction. Compatible Cameras: a9 a7 III a7R III a7 II a7R II a7S II

Sony PXW-Z750 4K 2/3-type 3-chip CMOS Shoulder-mount Camcorder

Sony PXW-Z750 (PXW/Z750, PXWZ750, PXW_Z750, pxw-z750) 4K 2/3-type 3-chip CMOS Shoulder-mount Camcorder PXW-Z750 4K 2/3-type 3-chip CMOS Shoulder-mount Camcorder with global shutter, high sensitivity, 4K/HD simultaneous recording, 120p HFR in HD, 12G-SDI and advanced wireless workflow capabilities. New benchmark for 4K, HDR and HD image quality Capture beautiful 4K images with the deep of depth of field made possible by 3-chip 2/3- type CMOS sensor. The Z750 is Sony’s first shoulder-mount camcorder with a global shutter to eliminate flash banding and “jello” effects. It sets a new class-leading standard for 4K, HDR and HD image quality for reality TV, documentary, news and sports production. In fast-moving applications where a second take is impossible, Z750 is the ideal choice. Saving time and money Delivering highest quality 4K with HD era workflows wastes time and money. The Z750’s latest generation XAVC-L422 QFHD 200 codec combined with high-speed SxS Pro media radically reduce real-world turnaround times. Premium 4K becomes deliverable on almost any project using the PXW-Z750. Transformative cloud-based collaboration Z750 is at the vanguard of seamlessly integrating Cloud-based production tools with familiar, easy-to-use interfaces and proven Sony reliability. Build stories fast, with secure, direct access from the studio to camcorders out in the field with XDCAM air. Distribute content for preview and editing with stakeholders across the world using Sony’s Ci Media Cloud. 3-chip 2/3-type CMOS Sensor with Global Shutter The PXW-Z750 incorporates a newly developed 3-chip 2/3” 4K CMOS sensor optical block with a wide colour gamut provides exquisite picture quality with true-to-life colour reproduction, high sensitivity and low noise level for a wide range of shooting scenarios. Versatile B4 lens options The 3-chip 2/3-type size sensor block of the Z750 matches the rugged, dependable B4 lens mount system, allowing you to use a wide variety of commercially-available B4 4K/HD lenses. This flexibility supports a variety of shooting applications while reducing cost by leveraging your existing lens investments. High Dynamic Range and wider, richer colours PXW-Z750 can record HDR using Sony S-Log3 or Hybrid Log Gamma (HLG). The camera’s wide colour gamut supports extended Sony S-Gamut3 and S-Gamut3.Cine colour spaces, as well as the industry standard ITU-R BT.2020 colour space. S-Log3 has a proven track record for premium applications, capturing the maximum dynamic range from the sensors, for the most creative colour grading processes.* Industry standard HLG delivers content quickly without additional colour grading, making it an ideal choice for day-to-day shooting, viewing, editing and broadcasting workflows. Superb slow motion Ideal for sports and nature programmes, the PXW-Z750 can acquire footage in 120fps in Full HD for beautifully smooth, finely-detailed slow-motion playback. Cache recording Never miss a shot with advanced cache recording in 4K and Full HD modes. Pre-record up to 13-15 sec in MPEG HD 422 50 (at 50/59.94fps) – giving you plenty of time to catch the action when it happens. Representative Cache Rec. Time (@50/59.94fps) XAVC QFHD L422 200: 2-4 sec XAVC-I 1920×1080P: 2-4 sec MPEG HD 422 50: 13-15 sec High quality at lower bitrates As well as the established XAVC-I QFHD Class 300 4K and standard MPEG HD422 codecs, the PXW-Z750 also supports the latest generation XAVC-L422 QFHD 200 codec. Compressing 4K Ultra HD images with a LongGOP frame structure, this achieves significant bitrate savings over previous Intra Frame codecs while maintaining superb 4K image quality. Lower data rates increase recording times while reducing storage requirements. Uncompromised picture quality is ensured by 10-bit quantisation and 4:2:2 colour sampling, making the PXW-Z750 ideal for HDR productions. A wide range of 4K codecs provide the flexibility to select the recording format that is best suited for the requirements of the production you are working on. Lightning-fast transfers with latest generation media The PXW-Z750 supports latest-generation SxS Pro X media, enabling very high speed file transfers at up to 10Gbps (1250MB/s)¹ with the SBAC-T40 Thunderbolt™ 3,* SxS card reader/writer. Transfers are approximately three times faster than previous generation media/reader combinations, dramatically accelerating workflows for any application and bringing down production costs. *Based on Sony internal testing. Transfer speeds vary and are dependent on host devices, the OS version or usage conditions. Next generation wireless workflow Built-in wireless connectivity enables advanced workflow production features including live streaming, FTP transfer and even remote control from a smartphone or tablet* via Wi-Fi. Wireless workflow is made even more efficient using XDCAM air, Sony’s professional cloud service including dual-link cellular operation.** * Requires Content Browser Mobile and device running iOS 9.0 (or higher) or Android 4.4 (or higher) ** Requires XDCAM air subscription and CBK-DL1 USB Extension Adaptor Seamless wireless audio integration PXW-Z750 is compatible with Sony’s DWX series of digital wireless microphone systems offering ENG and documentary teams the benefits of an all-digital audio workflow, including robust end-to-end encryption for truly secure operation.* Wireless transmitter parameters can be controlled directly from the PXW-Z750 using the Cross Remote function Transmitter power save mode synchronises with the camera’s on/off control, and is controllable by assignable buttons to save transmitter battery life Audio and video are precisely synchronized, ensuring no delays or lip-sync problems Power save status and receiver RF levels are displayed in the viewfinder *For details, please consult local sales company. Familiar refinement, evolved The Z750 is lighter than the previous generation PDW-700, while also being more ergonomically balanced so it’s considerably less fatiguing for longer shooting days. All the controls and interfaces are a subtle refinement of previous shoulder camcorders, ensuring that shooting with this camcorder is easy and hassle-free. From power-on, it’s a matter of seconds to be shooting highest quality footage while advanced new features are easy to learn and utilise.

Sony BRC-X1000 4K Pan Tilt Zoom Camera

Sony BRC-X1000 4K (BRC/X1000, BRCX1000, BRC_X1000, brc-x1000) Pan Tilt Zoom Camera "Sony Brc-X1000 4K Pan Tilt Zoom Camera With 1-Inch Type Exmor R Cmos Sensor" Remotely capture broadcast quality 4K images with smooth, silent PTZ and excellent low-light sensitivity The BRC-X1000 is Sony's first 4K remote camera, combining uncompromising broadcast picture quality and smooth, silent PTZ operation with the flexibility of 3G-SDI and HDMI connections. Designed for remote operation, this compact but powerful robotic camera is an ideal complement to other broadcast cameras for capturing images in hard-to-reach or unobtrusive positions. It's equally at home in TV newsrooms, remote studios and on-air suites, auditoriums, houses of worship, courtrooms or sports stadiums. It's also particularly suited to efficient multi-camera set-ups, under the control of a single operator. The 1-inch type Exmor R CMOS image sensor captures detail-packed 4K footage at 30p with four times the pixel count of Full HD, and excellent low-light sensitivity. The large image sensor also allows the creation of beautiful 'bokeh' effects with a shallow depth of field to suit any artistic intention. Speedy, near-silent PTZ operation with 12x optical zoom accommodates wide-angle scenes and tightly framed close-ups, with Clear Image Zoom 18x (4K), 24x(HD) extending this range even further without visible loss of resolution. Broadcast-friendly features include dual tally lamps for on-air operation, while operational flexibility is enhanced with options for ceiling, table top or tripod mounting. There’s also a broad range of video interfacing and remote control possibilities - plus support for PoE+ and genlock - for smooth integration into any broadcast, professional or corporate AV environment. Enhanced Pan/Tilt/Zoom (PTZ) operation Accurately re-frame shots or track moving subjects with smooth, speedy, near-silent remote control of pan, tilt and zoom functions. There's also low-speed zoom and a slow pan/tilt mode for precise, judder-free camera movements. PTZ Trace Memory* allows a sequence of camera movements to be memorised and followed whenever required. PTZ Motion Sync* smoothly blends separate pan, tilt and zoom movements for seamless, professional-looking transitions. Uncompromising 4K images The camera's large, back-illuminated 1-inch type Exmor R CMOS sensor delivers uncompromised broadcast quality colour pictures in detail-packed 4K 30p, with four times the resolution of Full HD. Footage can also be captured in Full HD 60p - ideal for fast-moving sports action. Cinematic 24p pictures* The camera can also operate in 24p mode, for video footage with a rich, filmic look. High quality 12x optical zoom and 18x(4K) or 24x(HD) with Clear Image Zoom The high quality Zeiss Vario-Sonnar T* lens with 12x optical zoom range covers wide angle shots as well as tight close-ups. Clear Image Zoom expands this range to 18x (4K) or 24x (HD) without sacrificing detail. Excellent low light sensitivity The BRC-X1000 can capture crisp, low noise colour video images in light levels as low as 1.7lx, making it an ideal choice for dimly lit live hall and theater. Flexible installation Integration is simplified in a wide range of environments, with PoE+ (Power over Ethernet) to reduce cabling requirements and VISCA control over IP. Remote operation Pan/tilt/zoom and other camera settings can be controlled using the supplied IR remote commander, or with the optional RM-IP10 Remote Control Unit that can control multiple cameras. Genlock Genlock simplifies integration with other systems in multi-camera broadcast environments. Versatile video outputs Enjoy greater installation flexibility in professional broadcast and AV environments with dual link 3G-SDI (x4) and HDMI video outputs. Front and rear tally lamps Ideal for on-air broadcast use, the BRC-X1000 features dual tally lamps on the front and rear of the camera body. Brightness of the front tally lamp can be adjusted in two steps. Always up to date New camera functionality and performance improvements can be added via firmware updates over IP.

Sony BRC-H800 HD Pan Tilt Zoom Camera

Sony BRC-H800 (BRC/H800, BRCH800, brc-h800) HD Pan Tilt Zoom Camera HD Pan Tilt Zoom camera with 1-inch type Exmor R CMOS sensor Remotely capture broadcast quality Full HD images with smooth, silent PTZ and excellent low-light sensitivity. The BRC-H800 remote camera combines uncompromising broadcast picture quality and smooth, silent PTZ operation with the flexibility of 3G-SDI and HDMI connections. Designed for unattended operation, this compact but powerful robotic camera is an ideal complement to other broadcast cameras for capturing images in hard-to-reach or unobtrusive positions. It's equally at home in TV newsrooms, remote studios and on-air suites, auditoriums, houses of worship, courtrooms or sports stadiums. It's also particularly suited to efficient multi-camera set-ups, under the control of a single operator. The 1-inch type Exmor R CMOS image sensor captures crisp, low-noise Full HD images at 60p, with excellent low-light sensitivity. The large image sensor also allows the creation of beautiful 'bokeh' effects with a shallow depth of field to suit any artistic intention. Speedy, near-silent PTZ operation with 12x optical zoom accommodates wide-angle scenes and tightly framed close-ups, with Clear Image Zoom 24x(HD) extending this range even further without visible loss of resolution. Broadcast-friendly features include dual tally lamps for on-air operation, while operational flexibility is enhanced with options for ceiling, table top or tripod mounting. There’s also a broad range of video interfacing and remote control possibilities - plus support for PoE+ and genlock - for smooth integration into any broadcast, professional or corporate AV environment.

Sony BTA-801 Portable Tuner Mount Adaptor

Sony BTA-801 (BTA/801, BTA_801, bta-801) Portable Tuner Mount Adaptor Camera mount adapter for the WRR-855 diversity tuner. The BTA-801 receives camera power via a supplied 4-pin DC cable, and it provides audio output via a balanced XLR output connector. When used in conjunction with Sony Lithium-Ion battery packs, the BTA-801 mounts onto a bracket.

Sony ECM-530 High-quality uni-directional tabletop microphone

Sony ECM-530 (ECM/530, ECM_530, ecm-530) High-quality uni-directional tabletop microphone Compact design and quality audio The ECM-530 tabletop microphone offers a compact design, sleek finish and highquality audio. It's ideal for use in lecture halls or conferences where quality projection is important, and it uses a flexible gooseneck design. The base is noise-isolated and the wiring is discreet. The ECM-530 also uses 'AA' battery and Phantom Power operation. High dynamic range and voice pick-up The dynamic range and voice pick-up allow voices to be projected clearly in large halls, conferences or theatres. Discreet size The compact design of the ECM-530 allows it to sit discreetly on a surface, and the gooseneck can be manipulated in any direction.

Sony PXW-FX9 XDCAM 6K Full-Frame Camera System package h

Comes with 2 Years Sony Prime Support Warranty - Beware of grey imports. Sony PXW-FX9 (PXW_FX9, PXW/FX9, PXW FX9) XDCAM 6K Full-Frame Camera system package h © includes: 1x Sony PXW-FX9 XDCAM 6K Full-Frame Camera System (Body Only) (PXW-FX9) 1x Sony XDCA-FX9 Extension Unit for PXW-FX9 Camera (XDCA-FX9)   *Digibroadcast has put together some bespoke Sony packages for our clients based on our own research and surveys and holds the right to protect all of its content ©  Combined Sony’s technology in Digital cinema camera Venice, FS series and a (Alpha) ILC cameras. Sony’s full-frame 6K sensor camera with Fast Hybrid AF, dual base ISO and cinematic colour science and S-Cinetone. The Sony PXW-FX9 is the long awaited successor to the legendary PXW-FS7 is here and it brings some fantastic upgrades with it. The FX9 has a Full Frame 6K dual native ISO sensor, VENICE colour science, upgraded auto-focus capabilities, built in genlock and timecode and much more.  The FX9 features a full frame 6K 35.7 by 18.8mm back-illuminated Exmor-R CMOS sensor. This sensor is stated to have 15 plus stops of dynamic range and has a resolution of 6008 x 3168.  You will be able to shoot QFHD full frame up to 30fps, 1080p full frame at up to 120 fps and QFHD S35 up to 60fps and 1080p S35 at up to 120fps. The planned firmware updates will bring Full frame DCI 4K up to 60p, Full HD full frame up to 180fps and QFHD in Super 35 mode at up to 120fps while using an external recorder. You can also customise the autofocus, tweaking things like the AF transition between slow, for stuff like promo videos where you want slow smooth focus movements to fast which will be great for sports. You can also change the AF subject shift sensitivity which defines how easily the focus is switched to another subject. This goes from locked if you are wanting to do a walk and talk for example to responsive which you may need to keep better general focus. You can record up to four channels of audio with a range of different input options, The FX9 has an internal scratch mic, two XLR’s, you can use a dual channel receiver with the MI shoe on the handle or you can now use the DWX series of drop in receivers and transmitters with the new XDCA -FX9 back module. The FX9 does not feature SLOG2 only SLOG3 with S-Gamut3 & S-Gamut3. Cine, this is because the SLOG2 gamma curve is designed for 8-bit whereas all of the codecs on this camera are 10-bit. They have also added an S-Cinetone colour profile which is aimed to bring the colour science from the VENICE to the FX9. Realise beautiful 4K imagery with the creative freedom made possible by oversampling a huge high resolution full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh with a truly cinematic look. 15+ stops of dynamic range and Dual Base ISO enable capture of every nuance, from subtle shadow detail to specular highlights and with an immaculate colour palette. Capturing the Impossible Make sure your story’s always clear with enhanced Fast Hybrid AF that tracks your subject with unprecedented speed, smoothness and precision. Its impact is transformative for premium documentary, commercials and event applications. Shoot in Comfort, Expand your Horizons FX9 revolutionises full-frame cinematography with peerless ergonomics and advanced technology for on-the-go shooting. The world’s first full-frame electronic variable ND filter* transforms possibilities for shooting in variable lighting conditions. Built-in Wi-Fi and 12G-SDI support advanced workflows while the optional XDCA-FX9 extension kit further expands the operational possibilities of the PXW-FX9. 6K Full-Frame “Exmor R” Sensor for Stunning Picture Quality The camera’s full-frame 6K sensor provides superb recording in DCI 4K*, Ultra HD and HD resolutions. Powerful image processing with debayering and oversampling ensures image quality beyond the limits of conventional Super 35mm sensors. The back-illuminated CMOS image sensor also uses Sony’s Exmor R technology for improved sensitivity and noise reduction. Compared to a 4K Super 35mm sensor, the FX9’s 6K sensor has over twice the surface area while providing a wider angle of view and shallower depth of field. DCI 4K (4096 x 2160 at 17:9 recording) will be available with future firmware release. Phenomenal 15+ Stops Dynamic Range for Limitless Expression FX9 offers an exceptional 15+ stops of dynamic range – beyond the normal range of human perception – allowing for unprecedented creative freedom in colour grading and post. Camera operators can concentrate on framing the scene they want while relying upon the FX9 to capture every nuance and detail using either 4K 4:2:2 10-bit internal recording or 16-bit RAW external recording.* In grading, colourists can find colour and detail beyond the normal viewing abilities of the camera operator to create a final image that exactly portrays the mood of the scene. RAW recording requires future firmware release and external recorder. Dual Baso ISO for stunning images in any light FX9 features a base sensitivity of ISO 800, providing the optimal dynamic range for typical documentary applications such as shooting outside or in brightly lit interiors. A secondary High Base sensitivity of ISO 4000 excels in low light conditions such as early morning and evening shoots while maintaining superb image quality. ISO 4000 is also ideal whenever you’re using slow lenses. Combining Dual Base ISO with the camera’s electronic variable ND Filter provides superb creative control in almost any shooting environment, with truly next generation responsiveness to changing conditions. ISO 800 and ISO 4000 are used in S-Log3, Cine EI mode. Cinematic Colour Science with S-Cinetone S-Cinetone is the default look of FX9 that’s tuned to meet the requirements of today’s content creators with rich mid-range colours, alluring facial tones and a softer tonal look – developed with the same expertise as Sony’s world-leading VENICE digital cinematography camera. S-Cinetone means that straight out of the camera your content looks fresh and vivid, with subjects that really stand out while retaining plenty of latitude in post production thanks to the high performance full-frame image sensor. The advanced default looks delivers alluring facial tones and a softer tonal look. Selectable Frame Rates in Both Full-Frame & Super 35 Choose your desired frame-rate from 1fps up to 180fps* for impressive quick and slow-motion footage. FX9 creates an immersive image with a wide angle look and shallower depth of field provided by its full-frame sensor in combination with quick and slow-motion. Engage your audience with this new creative look. FX9 also offers a Quality priority setting* that maximises full HD slow motion image quality with advanced oversampling technology. Up to 120fps with Ver1.0. Full-HD 180fps will be supported with future firmware In Full-frame scanning mode: selectable at 1-30fps / In S35 scanning mode: selectable at 1-60fps  Supported in future firmware update Supported in future firmware update. RAW output only Supported in the future firmware update. Scanning area is cropped around 83% of full-frame and 122% larger than S35. (diagonal) Catch the Action with Enhanced Fast Hybrid AF Effortlessly track fast moving subjects with pin-sharp focus, even when using wide lens aperture settings to maintain a shallow depth of field with the camera’s full-frame sensor. Developed by Sony’s α camera engineers, enhanced Fast Hybrid AF combines phase detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. In addition, Face Detection intelligently recognises and locks on to human faces. The dedicated 561-point phase detection AF sensor covers approximately 94% of the whole image area width and 96% of height, allowing consistently accurate, responsive AF tracking, even with fast-moving subjects. Customisable AF Settings FX9’s comprehensive autofocus settings provide the creative flexibility to integrate with any project. Customisable AF settings can be used for a wide range of situations, depending on your requirements.  7-level AF transition speeds from Fast – switching between subjects as quickly as possible – to Slow, where speed is reduced to fit a more measured shooting style, such as a historical TV drama. 5-level AF subject shift sensitivity ranges from Locked-on – ignoring other moving subjects in the frame – to Responsive that switches focus from one subject to another – ideal for snapping between race cars as they speed by. AF Assist You can control MF ring during AF shooting if AF Assist is set to ON. You can adjust the focus manually even in AF shooting, you can manually operate the ring to focus the person behind. One Push AF While you are shooting in MF, pushing One Push AF button enables you to change to the focus mode to AF. Autofocus with all E-Mount Lenses Experience smooth, responsive autofocus with every E-mount lens, including Sony’s new Cinema Lens Series with premium optical performance and operability for demanding cinematography applications. Advanced E-mount lever lock operation allows quick, easy lens exchange in the field, plus added stability and security with large lenses. World’s First Electronic Variable ND Filter for Full-Frame Sensor Realise even greater creative control with Sony’s unique built-in electronic variable neutral density (ND) filter – a world first* for professional full-frame camcorders. Set to Auto, or adjust filter density manually in smooth increments from 1/4 to 1/128 as you shoot, for perfectly exposed images without affecting depth of field as lighting conditions change. Use higher density settings with a slower shutter speed for breath taking artistic effects. The built-in variable ND filter, with no need to prepare multiple ND filters separately can be flexibly and immediately used for every exposure change situation; when you move from inside to outside, and when you shoot under the natural light condition where exposure changes moment by moment. Proven Ergonomics & Accessories Compatibility FX9 chassis is the latest refinement of the revolutionary FS7 design, so you can be sure it will feel great to shoot with from almost any position, while also offering compatibility with a large proportion of the countless FS7 accessories including U-Series batteries, chargers, E-Mount lenses, plus third-party rigs, arms and lens adapters.* The control arm is easily adjusted without tools, so FX9 adapts effortlessly to your physique and preferred shooting style – handheld, at waist level or shoulder mounted. The smart grip features an updated design, more compact than before while still holding all the key shooting controls, allowing you to concentrate on the scene without distractions. FX9 also introduces a micro USB interface for improved responsiveness and support for a wrist strap. 16-bit RAW Capability 16-bit RAW offers a phenomenal increase in post-production creative freedom to fully exploit FX9’s exceptional 15+ stops of dynamic range. FX9 supports export of 16-bit RAW at either 4K or 2K resolution using the optional XDCA-FX9 extension unit with a single BNC cable connection to compatible external RAW recorders.** RAW output will be enabled with a future firmware release. Limited to 10-bit recording during 120fps high frame rate shooting within Super35 image circle Stable, Shake-Free Handheld Footage Advanced image stabilisation information means even handheld footage can be transformed with Sony Catalyst Browse/Catalyst Prepare software* in post-production to look as smooth as if it were shot with a gimbal.Unlike in-camera or lens stabilisation, meta data generated by FX9’s built-in gyro allows you to creatively choose the balance between the level of shake-compensation and the resolution of trimmed 4K imagery. This feature is also compatible with any E-mount lens and allows for far faster processing than conventional NLE stabilisation workflows**. Catalyst Browse/Catalyst Prepare Ver.2019.2 is required. Resolution and angle of view reduced compared to native footage. LCD Approx 1.8x higher resolution than the FS7M, with enhanced LCD with HD resolution has superb accuracy, high contrast and resolution, bringing higher visibility for focusing. Beautifully Matched Shooting Partners Optimised for professional cinematography applications, the light, compact, SELP28135G powered zoom lens is an ideal complement for the full frame imaging possibilities of the FX9. Circular aperture with full-frame image circle format Motorised servo zoom for smooth, precise zoom moves Independent three rings for focus, zoom and iris with smooth, silent drive You have the choice of purchasing the FX9 on its own (PXW-FX9) or with SELP28135G lens (PXW-FX9K). Cinema Lens Series Explore new artistic possibilities and precise creative control with Sony’s Cinema Lens Series. Purpose-built for documentary production and digital cinematography with full-frame cameras such as the FX9 and VENICE. The first lens in the series, the FE C 16-35mm T3.1 G full-frame wide angle zoom, is due in early 2020. Adds Shoulder-Style Operation, Advanced Networking Further extend the capabilities of the FX9 with the optional XDCA-FX9 extension unit that optimises camera weight distribution and ergonomics for comfortable shoulder-style shooting – ideal for ENG (Electronic News Gathering) and documentary applications. The extension unit also adds advanced networking for streaming/file transfers and Genlock/Timecode for multi-camera shoots. 4-Channel Audio Input and Recording  FX9 offers superb audio capabilities with independent control dials for each channel. In applications such as interview, 4-channel audio recording enables simultaneous use of an external microphone for recording ambient sounds, the built-in microphone for voice memos by the operator, and two optional UWP Series wireless microphones for voice of interviewer and interviewee. In addition, using the optional XLR-K3M, XLR-K2M or XLR-K1M XLR adapter – with two extra XLR inputs – allows even more devices to be connected.  

Sony PXW-FX9 XDCAM 6K Full-Frame Camera System package g

Comes with 2 Years Sony Prime Support Warranty - Beware of grey imports. Sony PXW-FX9 (PXW_FX9, PXW/FX9, PXW FX9) XDCAM 6K Full-Frame Camera system package g © includes: 1x Sony PXW-FX9 XDCAM 6K Full-Frame Camera System (Body Only) (PXW-FX9) 1x Sony QDG120F XQD G-Series 120GB 440MB/s Read-400MB/s Write Memory Card  1x Hawk-Woods VLM-FX9 V-Lok Camera mount 2x D-TAP for Sony FX9 1x IDX V-Mount Lithium Ion Battery with 2 x D Tap and USB Output DUO-C150 *Digibroadcast has put together some bespoke Sony packages for our clients based on our own research and surveys and holds the right to protect all of its content ©   Combined Sony’s technology in Digital cinema camera Venice, FS series and a (Alpha) ILC cameras. Sony’s full-frame 6K sensor camera with Fast Hybrid AF, dual base ISO and cinematic colour science and S-Cinetone. The Sony PXW-FX9 is the long awaited successor to the legendary PXW-FS7 is here and it brings some fantastic upgrades with it. The FX9 has a Full Frame 6K dual native ISO sensor, VENICE colour science, upgraded auto-focus capabilities, built in genlock and timecode and much more.  The FX9 features a full frame 6K 35.7 by 18.8mm back-illuminated Exmor-R CMOS sensor. This sensor is stated to have 15 plus stops of dynamic range and has a resolution of 6008 x 3168.  You will be able to shoot QFHD full frame up to 30fps, 1080p full frame at up to 120 fps and QFHD S35 up to 60fps and 1080p S35 at up to 120fps. The planned firmware updates will bring Full frame DCI 4K up to 60p, Full HD full frame up to 180fps and QFHD in Super 35 mode at up to 120fps while using an external recorder. You can also customise the autofocus, tweaking things like the AF transition between slow, for stuff like promo videos where you want slow smooth focus movements to fast which will be great for sports. You can also change the AF subject shift sensitivity which defines how easily the focus is switched to another subject. This goes from locked if you are wanting to do a walk and talk for example to responsive which you may need to keep better general focus. You can record up to four channels of audio with a range of different input options, The FX9 has an internal scratch mic, two XLR’s, you can use a dual channel receiver with the MI shoe on the handle or you can now use the DWX series of drop in receivers and transmitters with the new XDCA -FX9 back module. The FX9 does not feature SLOG2 only SLOG3 with S-Gamut3 & S-Gamut3. Cine, this is because the SLOG2 gamma curve is designed for 8-bit whereas all of the codecs on this camera are 10-bit. They have also added an S-Cinetone colour profile which is aimed to bring the colour science from the VENICE to the FX9. Realise beautiful 4K imagery with the creative freedom made possible by oversampling a huge high resolution full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh with a truly cinematic look. 15+ stops of dynamic range and Dual Base ISO enable capture of every nuance, from subtle shadow detail to specular highlights and with an immaculate colour palette. Capturing the Impossible Make sure your story’s always clear with enhanced Fast Hybrid AF that tracks your subject with unprecedented speed, smoothness and precision. Its impact is transformative for premium documentary, commercials and event applications. Shoot in Comfort, Expand your Horizons FX9 revolutionises full-frame cinematography with peerless ergonomics and advanced technology for on-the-go shooting. The world’s first full-frame electronic variable ND filter* transforms possibilities for shooting in variable lighting conditions. Built-in Wi-Fi and 12G-SDI support advanced workflows while the optional XDCA-FX9 extension kit further expands the operational possibilities of the PXW-FX9. 6K Full-Frame “Exmor R” Sensor for Stunning Picture Quality The camera’s full-frame 6K sensor provides superb recording in DCI 4K*, Ultra HD and HD resolutions. Powerful image processing with debayering and oversampling ensures image quality beyond the limits of conventional Super 35mm sensors. The back-illuminated CMOS image sensor also uses Sony’s Exmor R technology for improved sensitivity and noise reduction. Compared to a 4K Super 35mm sensor, the FX9’s 6K sensor has over twice the surface area while providing a wider angle of view and shallower depth of field. DCI 4K (4096 x 2160 at 17:9 recording) will be available with future firmware release. Phenomenal 15+ Stops Dynamic Range for Limitless Expression FX9 offers an exceptional 15+ stops of dynamic range – beyond the normal range of human perception – allowing for unprecedented creative freedom in colour grading and post. Camera operators can concentrate on framing the scene they want while relying upon the FX9 to capture every nuance and detail using either 4K 4:2:2 10-bit internal recording or 16-bit RAW external recording.* In grading, colourists can find colour and detail beyond the normal viewing abilities of the camera operator to create a final image that exactly portrays the mood of the scene. RAW recording requires future firmware release and external recorder. Dual Baso ISO for stunning images in any light FX9 features a base sensitivity of ISO 800, providing the optimal dynamic range for typical documentary applications such as shooting outside or in brightly lit interiors. A secondary High Base sensitivity of ISO 4000 excels in low light conditions such as early morning and evening shoots while maintaining superb image quality. ISO 4000 is also ideal whenever you’re using slow lenses. Combining Dual Base ISO with the camera’s electronic variable ND Filter provides superb creative control in almost any shooting environment, with truly next generation responsiveness to changing conditions. ISO 800 and ISO 4000 are used in S-Log3, Cine EI mode. Cinematic Colour Science with S-Cinetone S-Cinetone is the default look of FX9 that’s tuned to meet the requirements of today’s content creators with rich mid-range colours, alluring facial tones and a softer tonal look – developed with the same expertise as Sony’s world-leading VENICE digital cinematography camera. S-Cinetone means that straight out of the camera your content looks fresh and vivid, with subjects that really stand out while retaining plenty of latitude in post production thanks to the high performance full-frame image sensor. The advanced default looks delivers alluring facial tones and a softer tonal look. Selectable Frame Rates in Both Full-Frame & Super 35 Choose your desired frame-rate from 1fps up to 180fps* for impressive quick and slow-motion footage. FX9 creates an immersive image with a wide angle look and shallower depth of field provided by its full-frame sensor in combination with quick and slow-motion. Engage your audience with this new creative look. FX9 also offers a Quality priority setting* that maximises full HD slow motion image quality with advanced oversampling technology. Up to 120fps with Ver1.0. Full-HD 180fps will be supported with future firmware In Full-frame scanning mode: selectable at 1-30fps / In S35 scanning mode: selectable at 1-60fps  Supported in future firmware update Supported in future firmware update. RAW output only Supported in the future firmware update. Scanning area is cropped around 83% of full-frame and 122% larger than S35. (diagonal) Catch the Action with Enhanced Fast Hybrid AF Effortlessly track fast moving subjects with pin-sharp focus, even when using wide lens aperture settings to maintain a shallow depth of field with the camera’s full-frame sensor. Developed by Sony’s α camera engineers, enhanced Fast Hybrid AF combines phase detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. In addition, Face Detection intelligently recognises and locks on to human faces. The dedicated 561-point phase detection AF sensor covers approximately 94% of the whole image area width and 96% of height, allowing consistently accurate, responsive AF tracking, even with fast-moving subjects. Customisable AF Settings FX9’s comprehensive autofocus settings provide the creative flexibility to integrate with any project. Customisable AF settings can be used for a wide range of situations, depending on your requirements.  7-level AF transition speeds from Fast – switching between subjects as quickly as possible – to Slow, where speed is reduced to fit a more measured shooting style, such as a historical TV drama. 5-level AF subject shift sensitivity ranges from Locked-on – ignoring other moving subjects in the frame – to Responsive that switches focus from one subject to another – ideal for snapping between race cars as they speed by. AF Assist You can control MF ring during AF shooting if AF Assist is set to ON. You can adjust the focus manually even in AF shooting, you can manually operate the ring to focus the person behind. One Push AF While you are shooting in MF, pushing One Push AF button enables you to change to the focus mode to AF. Autofocus with all E-Mount Lenses Experience smooth, responsive autofocus with every E-mount lens, including Sony’s new Cinema Lens Series with premium optical performance and operability for demanding cinematography applications. Advanced E-mount lever lock operation allows quick, easy lens exchange in the field, plus added stability and security with large lenses. World’s First Electronic Variable ND Filter for Full-Frame Sensor Realise even greater creative control with Sony’s unique built-in electronic variable neutral density (ND) filter – a world first* for professional full-frame camcorders. Set to Auto, or adjust filter density manually in smooth increments from 1/4 to 1/128 as you shoot, for perfectly exposed images without affecting depth of field as lighting conditions change. Use higher density settings with a slower shutter speed for breath taking artistic effects. The built-in variable ND filter, with no need to prepare multiple ND filters separately can be flexibly and immediately used for every exposure change situation; when you move from inside to outside, and when you shoot under the natural light condition where exposure changes moment by moment. Proven Ergonomics & Accessories Compatibility FX9 chassis is the latest refinement of the revolutionary FS7 design, so you can be sure it will feel great to shoot with from almost any position, while also offering compatibility with a large proportion of the countless FS7 accessories including U-Series batteries, chargers, E-Mount lenses, plus third-party rigs, arms and lens adapters.* The control arm is easily adjusted without tools, so FX9 adapts effortlessly to your physique and preferred shooting style – handheld, at waist level or shoulder mounted. The smart grip features an updated design, more compact than before while still holding all the key shooting controls, allowing you to concentrate on the scene without distractions. FX9 also introduces a micro USB interface for improved responsiveness and support for a wrist strap. 16-bit RAW Capability 16-bit RAW offers a phenomenal increase in post-production creative freedom to fully exploit FX9’s exceptional 15+ stops of dynamic range. FX9 supports export of 16-bit RAW at either 4K or 2K resolution using the optional XDCA-FX9 extension unit with a single BNC cable connection to compatible external RAW recorders.** RAW output will be enabled with a future firmware release. Limited to 10-bit recording during 120fps high frame rate shooting within Super35 image circle Stable, Shake-Free Handheld Footage Advanced image stabilisation information means even handheld footage can be transformed with Sony Catalyst Browse/Catalyst Prepare software* in post-production to look as smooth as if it were shot with a gimbal.Unlike in-camera or lens stabilisation, meta data generated by FX9’s built-in gyro allows you to creatively choose the balance between the level of shake-compensation and the resolution of trimmed 4K imagery. This feature is also compatible with any E-mount lens and allows for far faster processing than conventional NLE stabilisation workflows**. Catalyst Browse/Catalyst Prepare Ver.2019.2 is required. Resolution and angle of view reduced compared to native footage. LCD Approx 1.8x higher resolution than the FS7M, with enhanced LCD with HD resolution has superb accuracy, high contrast and resolution, bringing higher visibility for focusing. Beautifully Matched Shooting Partners Optimised for professional cinematography applications, the light, compact, SELP28135G powered zoom lens is an ideal complement for the full frame imaging possibilities of the FX9. Circular aperture with full-frame image circle format Motorised servo zoom for smooth, precise zoom moves Independent three rings for focus, zoom and iris with smooth, silent drive You have the choice of purchasing the FX9 on its own (PXW-FX9) or with SELP28135G lens (PXW-FX9K). Cinema Lens Series Explore new artistic possibilities and precise creative control with Sony’s Cinema Lens Series. Purpose-built for documentary production and digital cinematography with full-frame cameras such as the FX9 and VENICE. The first lens in the series, the FE C 16-35mm T3.1 G full-frame wide angle zoom, is due in early 2020. Adds Shoulder-Style Operation, Advanced Networking Further extend the capabilities of the FX9 with the optional XDCA-FX9 extension unit that optimises camera weight distribution and ergonomics for comfortable shoulder-style shooting – ideal for ENG (Electronic News Gathering) and documentary applications. The extension unit also adds advanced networking for streaming/file transfers and Genlock/Timecode for multi-camera shoots. 4-Channel Audio Input and Recording  FX9 offers superb audio capabilities with independent control dials for each channel. In applications such as interview, 4-channel audio recording enables simultaneous use of an external microphone for recording ambient sounds, the built-in microphone for voice memos by the operator, and two optional UWP Series wireless microphones for voice of interviewer and interviewee. In addition, using the optional XLR-K3M, XLR-K2M or XLR-K1M XLR adapter – with two extra XLR inputs – allows even more devices to be connected.  

Sony PXW-FX9 XDCAM 6K Full-Frame Camera System package f

Comes with 2 Years Sony Prime Support Warranty - Beware of grey imports. Sony PXW-FX9 (PXW_FX9, PXW/FX9, PXW FX9) XDCAM 6K Full-Frame Camera system package f © includes: 1x Sony PXW-FX9 XDCAM 6K Full-Frame Camera System (Body Only) (PXW-FX9) 1x Sony QDG120F XQD G-Series 120GB 440MB/s Read-400MB/s Write Memory Card  1x Core CORE-CXV-FX9 Sony PXW-FX9 V-mount Plate  1x IDX V-Mount Lithium Ion Battery with 2 x D Tap and USB Output (DUO-C150) *Digibroadcast has put together some bespoke Sony packages for our clients based on our own research and surveys and holds the right to protect all of its content ©  Combined Sony’s technology in Digital cinema camera Venice, FS series and a (Alpha) ILC cameras. Sony’s full-frame 6K sensor camera with Fast Hybrid AF, dual base ISO and cinematic colour science and S-Cinetone. The Sony PXW-FX9 is the long awaited successor to the legendary PXW-FS7 is here and it brings some fantastic upgrades with it. The FX9 has a Full Frame 6K dual native ISO sensor, VENICE colour science, upgraded auto-focus capabilities, built in genlock and timecode and much more.  The FX9 features a full frame 6K 35.7 by 18.8mm back-illuminated Exmor-R CMOS sensor. This sensor is stated to have 15 plus stops of dynamic range and has a resolution of 6008 x 3168.  You will be able to shoot QFHD full frame up to 30fps, 1080p full frame at up to 120 fps and QFHD S35 up to 60fps and 1080p S35 at up to 120fps. The planned firmware updates will bring Full frame DCI 4K up to 60p, Full HD full frame up to 180fps and QFHD in Super 35 mode at up to 120fps while using an external recorder. You can also customise the autofocus, tweaking things like the AF transition between slow, for stuff like promo videos where you want slow smooth focus movements to fast which will be great for sports. You can also change the AF subject shift sensitivity which defines how easily the focus is switched to another subject. This goes from locked if you are wanting to do a walk and talk for example to responsive which you may need to keep better general focus. You can record up to four channels of audio with a range of different input options, The FX9 has an internal scratch mic, two XLR’s, you can use a dual channel receiver with the MI shoe on the handle or you can now use the DWX series of drop in receivers and transmitters with the new XDCA -FX9 back module. The FX9 does not feature SLOG2 only SLOG3 with S-Gamut3 & S-Gamut3. Cine, this is because the SLOG2 gamma curve is designed for 8-bit whereas all of the codecs on this camera are 10-bit. They have also added an S-Cinetone colour profile which is aimed to bring the colour science from the VENICE to the FX9. Realise beautiful 4K imagery with the creative freedom made possible by oversampling a huge high resolution full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh with a truly cinematic look. 15+ stops of dynamic range and Dual Base ISO enable capture of every nuance, from subtle shadow detail to specular highlights and with an immaculate colour palette. Capturing the Impossible Make sure your story’s always clear with enhanced Fast Hybrid AF that tracks your subject with unprecedented speed, smoothness and precision. Its impact is transformative for premium documentary, commercials and event applications. Shoot in Comfort, Expand your Horizons FX9 revolutionises full-frame cinematography with peerless ergonomics and advanced technology for on-the-go shooting. The world’s first full-frame electronic variable ND filter* transforms possibilities for shooting in variable lighting conditions. Built-in Wi-Fi and 12G-SDI support advanced workflows while the optional XDCA-FX9 extension kit further expands the operational possibilities of the PXW-FX9. 6K Full-Frame “Exmor R” Sensor for Stunning Picture Quality The camera’s full-frame 6K sensor provides superb recording in DCI 4K*, Ultra HD and HD resolutions. Powerful image processing with debayering and oversampling ensures image quality beyond the limits of conventional Super 35mm sensors. The back-illuminated CMOS image sensor also uses Sony’s Exmor R technology for improved sensitivity and noise reduction. Compared to a 4K Super 35mm sensor, the FX9’s 6K sensor has over twice the surface area while providing a wider angle of view and shallower depth of field. DCI 4K (4096 x 2160 at 17:9 recording) will be available with future firmware release. Phenomenal 15+ Stops Dynamic Range for Limitless Expression FX9 offers an exceptional 15+ stops of dynamic range – beyond the normal range of human perception – allowing for unprecedented creative freedom in colour grading and post. Camera operators can concentrate on framing the scene they want while relying upon the FX9 to capture every nuance and detail using either 4K 4:2:2 10-bit internal recording or 16-bit RAW external recording.* In grading, colourists can find colour and detail beyond the normal viewing abilities of the camera operator to create a final image that exactly portrays the mood of the scene. RAW recording requires future firmware release and external recorder. Dual Baso ISO for stunning images in any light FX9 features a base sensitivity of ISO 800, providing the optimal dynamic range for typical documentary applications such as shooting outside or in brightly lit interiors. A secondary High Base sensitivity of ISO 4000 excels in low light conditions such as early morning and evening shoots while maintaining superb image quality. ISO 4000 is also ideal whenever you’re using slow lenses. Combining Dual Base ISO with the camera’s electronic variable ND Filter provides superb creative control in almost any shooting environment, with truly next generation responsiveness to changing conditions. ISO 800 and ISO 4000 are used in S-Log3, Cine EI mode. Cinematic Colour Science with S-Cinetone S-Cinetone is the default look of FX9 that’s tuned to meet the requirements of today’s content creators with rich mid-range colours, alluring facial tones and a softer tonal look – developed with the same expertise as Sony’s world-leading VENICE digital cinematography camera. S-Cinetone means that straight out of the camera your content looks fresh and vivid, with subjects that really stand out while retaining plenty of latitude in post production thanks to the high performance full-frame image sensor. The advanced default looks delivers alluring facial tones and a softer tonal look. Selectable Frame Rates in Both Full-Frame & Super 35 Choose your desired frame-rate from 1fps up to 180fps* for impressive quick and slow-motion footage. FX9 creates an immersive image with a wide angle look and shallower depth of field provided by its full-frame sensor in combination with quick and slow-motion. Engage your audience with this new creative look. FX9 also offers a Quality priority setting* that maximises full HD slow motion image quality with advanced oversampling technology. Up to 120fps with Ver1.0. Full-HD 180fps will be supported with future firmware In Full-frame scanning mode: selectable at 1-30fps / In S35 scanning mode: selectable at 1-60fps  Supported in future firmware update Supported in future firmware update. RAW output only Supported in the future firmware update. Scanning area is cropped around 83% of full-frame and 122% larger than S35. (diagonal) Catch the Action with Enhanced Fast Hybrid AF Effortlessly track fast moving subjects with pin-sharp focus, even when using wide lens aperture settings to maintain a shallow depth of field with the camera’s full-frame sensor. Developed by Sony’s α camera engineers, enhanced Fast Hybrid AF combines phase detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. In addition, Face Detection intelligently recognises and locks on to human faces. The dedicated 561-point phase detection AF sensor covers approximately 94% of the whole image area width and 96% of height, allowing consistently accurate, responsive AF tracking, even with fast-moving subjects. Customisable AF Settings FX9’s comprehensive autofocus settings provide the creative flexibility to integrate with any project. Customisable AF settings can be used for a wide range of situations, depending on your requirements.  7-level AF transition speeds from Fast – switching between subjects as quickly as possible – to Slow, where speed is reduced to fit a more measured shooting style, such as a historical TV drama. 5-level AF subject shift sensitivity ranges from Locked-on – ignoring other moving subjects in the frame – to Responsive that switches focus from one subject to another – ideal for snapping between race cars as they speed by. AF Assist You can control MF ring during AF shooting if AF Assist is set to ON. You can adjust the focus manually even in AF shooting, you can manually operate the ring to focus the person behind. One Push AF While you are shooting in MF, pushing One Push AF button enables you to change to the focus mode to AF. Autofocus with all E-Mount Lenses Experience smooth, responsive autofocus with every E-mount lens, including Sony’s new Cinema Lens Series with premium optical performance and operability for demanding cinematography applications. Advanced E-mount lever lock operation allows quick, easy lens exchange in the field, plus added stability and security with large lenses. World’s First Electronic Variable ND Filter for Full-Frame Sensor Realise even greater creative control with Sony’s unique built-in electronic variable neutral density (ND) filter – a world first* for professional full-frame camcorders. Set to Auto, or adjust filter density manually in smooth increments from 1/4 to 1/128 as you shoot, for perfectly exposed images without affecting depth of field as lighting conditions change. Use higher density settings with a slower shutter speed for breath taking artistic effects. The built-in variable ND filter, with no need to prepare multiple ND filters separately can be flexibly and immediately used for every exposure change situation; when you move from inside to outside, and when you shoot under the natural light condition where exposure changes moment by moment. Proven Ergonomics & Accessories Compatibility FX9 chassis is the latest refinement of the revolutionary FS7 design, so you can be sure it will feel great to shoot with from almost any position, while also offering compatibility with a large proportion of the countless FS7 accessories including U-Series batteries, chargers, E-Mount lenses, plus third-party rigs, arms and lens adapters.* The control arm is easily adjusted without tools, so FX9 adapts effortlessly to your physique and preferred shooting style – handheld, at waist level or shoulder mounted. The smart grip features an updated design, more compact than before while still holding all the key shooting controls, allowing you to concentrate on the scene without distractions. FX9 also introduces a micro USB interface for improved responsiveness and support for a wrist strap. 16-bit RAW Capability 16-bit RAW offers a phenomenal increase in post-production creative freedom to fully exploit FX9’s exceptional 15+ stops of dynamic range. FX9 supports export of 16-bit RAW at either 4K or 2K resolution using the optional XDCA-FX9 extension unit with a single BNC cable connection to compatible external RAW recorders.** RAW output will be enabled with a future firmware release. Limited to 10-bit recording during 120fps high frame rate shooting within Super35 image circle Stable, Shake-Free Handheld Footage Advanced image stabilisation information means even handheld footage can be transformed with Sony Catalyst Browse/Catalyst Prepare software* in post-production to look as smooth as if it were shot with a gimbal.Unlike in-camera or lens stabilisation, meta data generated by FX9’s built-in gyro allows you to creatively choose the balance between the level of shake-compensation and the resolution of trimmed 4K imagery. This feature is also compatible with any E-mount lens and allows for far faster processing than conventional NLE stabilisation workflows**. Catalyst Browse/Catalyst Prepare Ver.2019.2 is required. Resolution and angle of view reduced compared to native footage. LCD Approx 1.8x higher resolution than the FS7M, with enhanced LCD with HD resolution has superb accuracy, high contrast and resolution, bringing higher visibility for focusing. Beautifully Matched Shooting Partners Optimised for professional cinematography applications, the light, compact, SELP28135G powered zoom lens is an ideal complement for the full frame imaging possibilities of the FX9. Circular aperture with full-frame image circle format Motorised servo zoom for smooth, precise zoom moves Independent three rings for focus, zoom and iris with smooth, silent drive You have the choice of purchasing the FX9 on its own (PXW-FX9) or with SELP28135G lens (PXW-FX9K). Cinema Lens Series Explore new artistic possibilities and precise creative control with Sony’s Cinema Lens Series. Purpose-built for documentary production and digital cinematography with full-frame cameras such as the FX9 and VENICE. The first lens in the series, the FE C 16-35mm T3.1 G full-frame wide angle zoom, is due in early 2020. Adds Shoulder-Style Operation, Advanced Networking Further extend the capabilities of the FX9 with the optional XDCA-FX9 extension unit that optimises camera weight distribution and ergonomics for comfortable shoulder-style shooting – ideal for ENG (Electronic News Gathering) and documentary applications. The extension unit also adds advanced networking for streaming/file transfers and Genlock/Timecode for multi-camera shoots. 4-Channel Audio Input and Recording  FX9 offers superb audio capabilities with independent control dials for each channel. In applications such as interview, 4-channel audio recording enables simultaneous use of an external microphone for recording ambient sounds, the built-in microphone for voice memos by the operator, and two optional UWP Series wireless microphones for voice of interviewer and interviewee. In addition, using the optional XLR-K3M, XLR-K2M or XLR-K1M XLR adapter – with two extra XLR inputs – allows even more devices to be connected.  

Sony PXW-FX9 XDCAM 6K Full-Frame Camera System package e

Comes with 2 Years Sony Prime Support Warranty - Beware of grey imports. Sony PXW-FX9 (PXW_FX9, PXW/FX9, PXW FX9) XDCAM 6K Full-Frame Camera system package e © includes: 1x Sony PXW-FX9 XDCAM 6K Full-Frame Camera System (Body Only) (PXW-FX9) 1x Sony QDG120F XQD G-Series 120GB 440MB/s Read-400MB/s Write Memory Card  1x Core CORE-CXV-FX9 Sony PXW-FX9 V-mount Plate *Digibroadcast has put together some bespoke Sony packages for our clients based on our own research and surveys and holds the right to protect all of its content ©  Combined Sony’s technology in Digital cinema camera Venice, FS series and a (Alpha) ILC cameras. Sony’s full-frame 6K sensor camera with Fast Hybrid AF, dual base ISO and cinematic colour science and S-Cinetone. The Sony PXW-FX9 is the long awaited successor to the legendary PXW-FS7 is here and it brings some fantastic upgrades with it. The FX9 has a Full Frame 6K dual native ISO sensor, VENICE colour science, upgraded auto-focus capabilities, built in genlock and timecode and much more.  The FX9 features a full frame 6K 35.7 by 18.8mm back-illuminated Exmor-R CMOS sensor. This sensor is stated to have 15 plus stops of dynamic range and has a resolution of 6008 x 3168.  You will be able to shoot QFHD full frame up to 30fps, 1080p full frame at up to 120 fps and QFHD S35 up to 60fps and 1080p S35 at up to 120fps. The planned firmware updates will bring Full frame DCI 4K up to 60p, Full HD full frame up to 180fps and QFHD in Super 35 mode at up to 120fps while using an external recorder. You can also customise the autofocus, tweaking things like the AF transition between slow, for stuff like promo videos where you want slow smooth focus movements to fast which will be great for sports. You can also change the AF subject shift sensitivity which defines how easily the focus is switched to another subject. This goes from locked if you are wanting to do a walk and talk for example to responsive which you may need to keep better general focus. You can record up to four channels of audio with a range of different input options, The FX9 has an internal scratch mic, two XLR’s, you can use a dual channel receiver with the MI shoe on the handle or you can now use the DWX series of drop in receivers and transmitters with the new XDCA -FX9 back module. The FX9 does not feature SLOG2 only SLOG3 with S-Gamut3 & S-Gamut3. Cine, this is because the SLOG2 gamma curve is designed for 8-bit whereas all of the codecs on this camera are 10-bit. They have also added an S-Cinetone colour profile which is aimed to bring the colour science from the VENICE to the FX9. Realise beautiful 4K imagery with the creative freedom made possible by oversampling a huge high resolution full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh with a truly cinematic look. 15+ stops of dynamic range and Dual Base ISO enable capture of every nuance, from subtle shadow detail to specular highlights and with an immaculate colour palette. Capturing the Impossible Make sure your story’s always clear with enhanced Fast Hybrid AF that tracks your subject with unprecedented speed, smoothness and precision. Its impact is transformative for premium documentary, commercials and event applications. Shoot in Comfort, Expand your Horizons FX9 revolutionises full-frame cinematography with peerless ergonomics and advanced technology for on-the-go shooting. The world’s first full-frame electronic variable ND filter* transforms possibilities for shooting in variable lighting conditions. Built-in Wi-Fi and 12G-SDI support advanced workflows while the optional XDCA-FX9 extension kit further expands the operational possibilities of the PXW-FX9. 6K Full-Frame “Exmor R” Sensor for Stunning Picture Quality The camera’s full-frame 6K sensor provides superb recording in DCI 4K*, Ultra HD and HD resolutions. Powerful image processing with debayering and oversampling ensures image quality beyond the limits of conventional Super 35mm sensors. The back-illuminated CMOS image sensor also uses Sony’s Exmor R technology for improved sensitivity and noise reduction. Compared to a 4K Super 35mm sensor, the FX9’s 6K sensor has over twice the surface area while providing a wider angle of view and shallower depth of field. DCI 4K (4096 x 2160 at 17:9 recording) will be available with future firmware release. Phenomenal 15+ Stops Dynamic Range for Limitless Expression FX9 offers an exceptional 15+ stops of dynamic range – beyond the normal range of human perception – allowing for unprecedented creative freedom in colour grading and post. Camera operators can concentrate on framing the scene they want while relying upon the FX9 to capture every nuance and detail using either 4K 4:2:2 10-bit internal recording or 16-bit RAW external recording.* In grading, colourists can find colour and detail beyond the normal viewing abilities of the camera operator to create a final image that exactly portrays the mood of the scene. RAW recording requires future firmware release and external recorder. Dual Baso ISO for stunning images in any light FX9 features a base sensitivity of ISO 800, providing the optimal dynamic range for typical documentary applications such as shooting outside or in brightly lit interiors. A secondary High Base sensitivity of ISO 4000 excels in low light conditions such as early morning and evening shoots while maintaining superb image quality. ISO 4000 is also ideal whenever you’re using slow lenses. Combining Dual Base ISO with the camera’s electronic variable ND Filter provides superb creative control in almost any shooting environment, with truly next generation responsiveness to changing conditions. ISO 800 and ISO 4000 are used in S-Log3, Cine EI mode. Cinematic Colour Science with S-Cinetone S-Cinetone is the default look of FX9 that’s tuned to meet the requirements of today’s content creators with rich mid-range colours, alluring facial tones and a softer tonal look – developed with the same expertise as Sony’s world-leading VENICE digital cinematography camera. S-Cinetone means that straight out of the camera your content looks fresh and vivid, with subjects that really stand out while retaining plenty of latitude in post production thanks to the high performance full-frame image sensor. The advanced default looks delivers alluring facial tones and a softer tonal look. Selectable Frame Rates in Both Full-Frame & Super 35 Choose your desired frame-rate from 1fps up to 180fps* for impressive quick and slow-motion footage. FX9 creates an immersive image with a wide angle look and shallower depth of field provided by its full-frame sensor in combination with quick and slow-motion. Engage your audience with this new creative look. FX9 also offers a Quality priority setting* that maximises full HD slow motion image quality with advanced oversampling technology. Up to 120fps with Ver1.0. Full-HD 180fps will be supported with future firmware In Full-frame scanning mode: selectable at 1-30fps / In S35 scanning mode: selectable at 1-60fps  Supported in future firmware update Supported in future firmware update. RAW output only Supported in the future firmware update. Scanning area is cropped around 83% of full-frame and 122% larger than S35. (diagonal) Catch the Action with Enhanced Fast Hybrid AF Effortlessly track fast moving subjects with pin-sharp focus, even when using wide lens aperture settings to maintain a shallow depth of field with the camera’s full-frame sensor. Developed by Sony’s α camera engineers, enhanced Fast Hybrid AF combines phase detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. In addition, Face Detection intelligently recognises and locks on to human faces. The dedicated 561-point phase detection AF sensor covers approximately 94% of the whole image area width and 96% of height, allowing consistently accurate, responsive AF tracking, even with fast-moving subjects. Customisable AF Settings FX9’s comprehensive autofocus settings provide the creative flexibility to integrate with any project. Customisable AF settings can be used for a wide range of situations, depending on your requirements.  7-level AF transition speeds from Fast – switching between subjects as quickly as possible – to Slow, where speed is reduced to fit a more measured shooting style, such as a historical TV drama. 5-level AF subject shift sensitivity ranges from Locked-on – ignoring other moving subjects in the frame – to Responsive that switches focus from one subject to another – ideal for snapping between race cars as they speed by. AF Assist You can control MF ring during AF shooting if AF Assist is set to ON. You can adjust the focus manually even in AF shooting, you can manually operate the ring to focus the person behind. One Push AF While you are shooting in MF, pushing One Push AF button enables you to change to the focus mode to AF. Autofocus with all E-Mount Lenses Experience smooth, responsive autofocus with every E-mount lens, including Sony’s new Cinema Lens Series with premium optical performance and operability for demanding cinematography applications. Advanced E-mount lever lock operation allows quick, easy lens exchange in the field, plus added stability and security with large lenses. World’s First Electronic Variable ND Filter for Full-Frame Sensor Realise even greater creative control with Sony’s unique built-in electronic variable neutral density (ND) filter – a world first* for professional full-frame camcorders. Set to Auto, or adjust filter density manually in smooth increments from 1/4 to 1/128 as you shoot, for perfectly exposed images without affecting depth of field as lighting conditions change. Use higher density settings with a slower shutter speed for breath taking artistic effects. The built-in variable ND filter, with no need to prepare multiple ND filters separately can be flexibly and immediately used for every exposure change situation; when you move from inside to outside, and when you shoot under the natural light condition where exposure changes moment by moment. Proven Ergonomics & Accessories Compatibility FX9 chassis is the latest refinement of the revolutionary FS7 design, so you can be sure it will feel great to shoot with from almost any position, while also offering compatibility with a large proportion of the countless FS7 accessories including U-Series batteries, chargers, E-Mount lenses, plus third-party rigs, arms and lens adapters.* The control arm is easily adjusted without tools, so FX9 adapts effortlessly to your physique and preferred shooting style – handheld, at waist level or shoulder mounted. The smart grip features an updated design, more compact than before while still holding all the key shooting controls, allowing you to concentrate on the scene without distractions. FX9 also introduces a micro USB interface for improved responsiveness and support for a wrist strap. 16-bit RAW Capability 16-bit RAW offers a phenomenal increase in post-production creative freedom to fully exploit FX9’s exceptional 15+ stops of dynamic range. FX9 supports export of 16-bit RAW at either 4K or 2K resolution using the optional XDCA-FX9 extension unit with a single BNC cable connection to compatible external RAW recorders.** RAW output will be enabled with a future firmware release. Limited to 10-bit recording during 120fps high frame rate shooting within Super35 image circle Stable, Shake-Free Handheld Footage Advanced image stabilisation information means even handheld footage can be transformed with Sony Catalyst Browse/Catalyst Prepare software* in post-production to look as smooth as if it were shot with a gimbal.Unlike in-camera or lens stabilisation, meta data generated by FX9’s built-in gyro allows you to creatively choose the balance between the level of shake-compensation and the resolution of trimmed 4K imagery. This feature is also compatible with any E-mount lens and allows for far faster processing than conventional NLE stabilisation workflows**. Catalyst Browse/Catalyst Prepare Ver.2019.2 is required. Resolution and angle of view reduced compared to native footage. LCD Approx 1.8x higher resolution than the FS7M, with enhanced LCD with HD resolution has superb accuracy, high contrast and resolution, bringing higher visibility for focusing. Beautifully Matched Shooting Partners Optimised for professional cinematography applications, the light, compact, SELP28135G powered zoom lens is an ideal complement for the full frame imaging possibilities of the FX9. Circular aperture with full-frame image circle format Motorised servo zoom for smooth, precise zoom moves Independent three rings for focus, zoom and iris with smooth, silent drive You have the choice of purchasing the FX9 on its own (PXW-FX9) or with SELP28135G lens (PXW-FX9K). Cinema Lens Series Explore new artistic possibilities and precise creative control with Sony’s Cinema Lens Series. Purpose-built for documentary production and digital cinematography with full-frame cameras such as the FX9 and VENICE. The first lens in the series, the FE C 16-35mm T3.1 G full-frame wide angle zoom, is due in early 2020. Adds Shoulder-Style Operation, Advanced Networking Further extend the capabilities of the FX9 with the optional XDCA-FX9 extension unit that optimises camera weight distribution and ergonomics for comfortable shoulder-style shooting – ideal for ENG (Electronic News Gathering) and documentary applications. The extension unit also adds advanced networking for streaming/file transfers and Genlock/Timecode for multi-camera shoots. 4-Channel Audio Input and Recording  FX9 offers superb audio capabilities with independent control dials for each channel. In applications such as interview, 4-channel audio recording enables simultaneous use of an external microphone for recording ambient sounds, the built-in microphone for voice memos by the operator, and two optional UWP Series wireless microphones for voice of interviewer and interviewee. In addition, using the optional XLR-K3M, XLR-K2M or XLR-K1M XLR adapter – with two extra XLR inputs – allows even more devices to be connected.  

Sony PXW-FX9 XDCAM 6K Full-Frame Camera System package d

Comes with 2 Years Sony Prime Support Warranty - Beware of grey imports. Sony PXW-FX9 (PXW_FX9, PXW/FX9, PXW FX9) XDCAM 6K Full-Frame Camera system package d © includes: 1x Sony PXW-FX9 XDCAM 6K Full-Frame Camera System (Body Only) (PXW-FX9) 1x Sony XQD G-Series 240GB 400MB/s Read/ Write (QDG240F) 1x Hedbox HED-BP95D Pro Battery Pack for SONY 6700mAh Li-Ion Battery (HED-BP95D) *Digibroadcast has put together some bespoke Sony packages for our clients based on our own research and surveys and holds the right to protect all of its content ©  Combined Sony’s technology in Digital cinema camera Venice, FS series and a (Alpha) ILC cameras. Sony’s full-frame 6K sensor camera with Fast Hybrid AF, dual base ISO and cinematic colour science and S-Cinetone. The Sony PXW-FX9 is the long awaited successor to the legendary PXW-FS7 is here and it brings some fantastic upgrades with it. The FX9 has a Full Frame 6K dual native ISO sensor, VENICE colour science, upgraded auto-focus capabilities, built in genlock and timecode and much more.  The FX9 features a full frame 6K 35.7 by 18.8mm back-illuminated Exmor-R CMOS sensor. This sensor is stated to have 15 plus stops of dynamic range and has a resolution of 6008 x 3168.  You will be able to shoot QFHD full frame up to 30fps, 1080p full frame at up to 120 fps and QFHD S35 up to 60fps and 1080p S35 at up to 120fps. The planned firmware updates will bring Full frame DCI 4K up to 60p, Full HD full frame up to 180fps and QFHD in Super 35 mode at up to 120fps while using an external recorder. You can also customise the autofocus, tweaking things like the AF transition between slow, for stuff like promo videos where you want slow smooth focus movements to fast which will be great for sports. You can also change the AF subject shift sensitivity which defines how easily the focus is switched to another subject. This goes from locked if you are wanting to do a walk and talk for example to responsive which you may need to keep better general focus. You can record up to four channels of audio with a range of different input options, The FX9 has an internal scratch mic, two XLR’s, you can use a dual channel receiver with the MI shoe on the handle or you can now use the DWX series of drop in receivers and transmitters with the new XDCA -FX9 back module. The FX9 does not feature SLOG2 only SLOG3 with S-Gamut3 & S-Gamut3. Cine, this is because the SLOG2 gamma curve is designed for 8-bit whereas all of the codecs on this camera are 10-bit. They have also added an S-Cinetone colour profile which is aimed to bring the colour science from the VENICE to the FX9. Realise beautiful 4K imagery with the creative freedom made possible by oversampling a huge high resolution full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh with a truly cinematic look. 15+ stops of dynamic range and Dual Base ISO enable capture of every nuance, from subtle shadow detail to specular highlights and with an immaculate colour palette. Capturing the Impossible Make sure your story’s always clear with enhanced Fast Hybrid AF that tracks your subject with unprecedented speed, smoothness and precision. Its impact is transformative for premium documentary, commercials and event applications. Shoot in Comfort, Expand your Horizons FX9 revolutionises full-frame cinematography with peerless ergonomics and advanced technology for on-the-go shooting. The world’s first full-frame electronic variable ND filter* transforms possibilities for shooting in variable lighting conditions. Built-in Wi-Fi and 12G-SDI support advanced workflows while the optional XDCA-FX9 extension kit further expands the operational possibilities of the PXW-FX9. 6K Full-Frame “Exmor R” Sensor for Stunning Picture Quality The camera’s full-frame 6K sensor provides superb recording in DCI 4K*, Ultra HD and HD resolutions. Powerful image processing with debayering and oversampling ensures image quality beyond the limits of conventional Super 35mm sensors. The back-illuminated CMOS image sensor also uses Sony’s Exmor R technology for improved sensitivity and noise reduction. Compared to a 4K Super 35mm sensor, the FX9’s 6K sensor has over twice the surface area while providing a wider angle of view and shallower depth of field. DCI 4K (4096 x 2160 at 17:9 recording) will be available with future firmware release. Phenomenal 15+ Stops Dynamic Range for Limitless Expression FX9 offers an exceptional 15+ stops of dynamic range – beyond the normal range of human perception – allowing for unprecedented creative freedom in colour grading and post. Camera operators can concentrate on framing the scene they want while relying upon the FX9 to capture every nuance and detail using either 4K 4:2:2 10-bit internal recording or 16-bit RAW external recording.* In grading, colourists can find colour and detail beyond the normal viewing abilities of the camera operator to create a final image that exactly portrays the mood of the scene. RAW recording requires future firmware release and external recorder. Dual Baso ISO for stunning images in any light FX9 features a base sensitivity of ISO 800, providing the optimal dynamic range for typical documentary applications such as shooting outside or in brightly lit interiors. A secondary High Base sensitivity of ISO 4000 excels in low light conditions such as early morning and evening shoots while maintaining superb image quality. ISO 4000 is also ideal whenever you’re using slow lenses. Combining Dual Base ISO with the camera’s electronic variable ND Filter provides superb creative control in almost any shooting environment, with truly next generation responsiveness to changing conditions. ISO 800 and ISO 4000 are used in S-Log3, Cine EI mode. Cinematic Colour Science with S-Cinetone S-Cinetone is the default look of FX9 that’s tuned to meet the requirements of today’s content creators with rich mid-range colours, alluring facial tones and a softer tonal look – developed with the same expertise as Sony’s world-leading VENICE digital cinematography camera. S-Cinetone means that straight out of the camera your content looks fresh and vivid, with subjects that really stand out while retaining plenty of latitude in post production thanks to the high performance full-frame image sensor. The advanced default looks delivers alluring facial tones and a softer tonal look. Selectable Frame Rates in Both Full-Frame & Super 35 Choose your desired frame-rate from 1fps up to 180fps* for impressive quick and slow-motion footage. FX9 creates an immersive image with a wide angle look and shallower depth of field provided by its full-frame sensor in combination with quick and slow-motion. Engage your audience with this new creative look. FX9 also offers a Quality priority setting* that maximises full HD slow motion image quality with advanced oversampling technology. Up to 120fps with Ver1.0. Full-HD 180fps will be supported with future firmware In Full-frame scanning mode: selectable at 1-30fps / In S35 scanning mode: selectable at 1-60fps  Supported in future firmware update Supported in future firmware update. RAW output only Supported in the future firmware update. Scanning area is cropped around 83% of full-frame and 122% larger than S35. (diagonal) Catch the Action with Enhanced Fast Hybrid AF Effortlessly track fast moving subjects with pin-sharp focus, even when using wide lens aperture settings to maintain a shallow depth of field with the camera’s full-frame sensor. Developed by Sony’s α camera engineers, enhanced Fast Hybrid AF combines phase detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. In addition, Face Detection intelligently recognises and locks on to human faces. The dedicated 561-point phase detection AF sensor covers approximately 94% of the whole image area width and 96% of height, allowing consistently accurate, responsive AF tracking, even with fast-moving subjects. Customisable AF Settings FX9’s comprehensive autofocus settings provide the creative flexibility to integrate with any project. Customisable AF settings can be used for a wide range of situations, depending on your requirements.  7-level AF transition speeds from Fast – switching between subjects as quickly as possible – to Slow, where speed is reduced to fit a more measured shooting style, such as a historical TV drama. 5-level AF subject shift sensitivity ranges from Locked-on – ignoring other moving subjects in the frame – to Responsive that switches focus from one subject to another – ideal for snapping between race cars as they speed by. AF Assist You can control MF ring during AF shooting if AF Assist is set to ON. You can adjust the focus manually even in AF shooting, you can manually operate the ring to focus the person behind. One Push AF While you are shooting in MF, pushing One Push AF button enables you to change to the focus mode to AF. Autofocus with all E-Mount Lenses Experience smooth, responsive autofocus with every E-mount lens, including Sony’s new Cinema Lens Series with premium optical performance and operability for demanding cinematography applications. Advanced E-mount lever lock operation allows quick, easy lens exchange in the field, plus added stability and security with large lenses. World’s First Electronic Variable ND Filter for Full-Frame Sensor Realise even greater creative control with Sony’s unique built-in electronic variable neutral density (ND) filter – a world first* for professional full-frame camcorders. Set to Auto, or adjust filter density manually in smooth increments from 1/4 to 1/128 as you shoot, for perfectly exposed images without affecting depth of field as lighting conditions change. Use higher density settings with a slower shutter speed for breath taking artistic effects. The built-in variable ND filter, with no need to prepare multiple ND filters separately can be flexibly and immediately used for every exposure change situation; when you move from inside to outside, and when you shoot under the natural light condition where exposure changes moment by moment. Proven Ergonomics & Accessories Compatibility FX9 chassis is the latest refinement of the revolutionary FS7 design, so you can be sure it will feel great to shoot with from almost any position, while also offering compatibility with a large proportion of the countless FS7 accessories including U-Series batteries, chargers, E-Mount lenses, plus third-party rigs, arms and lens adapters.* The control arm is easily adjusted without tools, so FX9 adapts effortlessly to your physique and preferred shooting style – handheld, at waist level or shoulder mounted. The smart grip features an updated design, more compact than before while still holding all the key shooting controls, allowing you to concentrate on the scene without distractions. FX9 also introduces a micro USB interface for improved responsiveness and support for a wrist strap. 16-bit RAW Capability 16-bit RAW offers a phenomenal increase in post-production creative freedom to fully exploit FX9’s exceptional 15+ stops of dynamic range. FX9 supports export of 16-bit RAW at either 4K or 2K resolution using the optional XDCA-FX9 extension unit with a single BNC cable connection to compatible external RAW recorders.** RAW output will be enabled with a future firmware release. Limited to 10-bit recording during 120fps high frame rate shooting within Super35 image circle Stable, Shake-Free Handheld Footage Advanced image stabilisation information means even handheld footage can be transformed with Sony Catalyst Browse/Catalyst Prepare software* in post-production to look as smooth as if it were shot with a gimbal.Unlike in-camera or lens stabilisation, meta data generated by FX9’s built-in gyro allows you to creatively choose the balance between the level of shake-compensation and the resolution of trimmed 4K imagery. This feature is also compatible with any E-mount lens and allows for far faster processing than conventional NLE stabilisation workflows**. Catalyst Browse/Catalyst Prepare Ver.2019.2 is required. Resolution and angle of view reduced compared to native footage. LCD Approx 1.8x higher resolution than the FS7M, with enhanced LCD with HD resolution has superb accuracy, high contrast and resolution, bringing higher visibility for focusing. Beautifully Matched Shooting Partners Optimised for professional cinematography applications, the light, compact, SELP28135G powered zoom lens is an ideal complement for the full frame imaging possibilities of the FX9. Circular aperture with full-frame image circle format Motorised servo zoom for smooth, precise zoom moves Independent three rings for focus, zoom and iris with smooth, silent drive You have the choice of purchasing the FX9 on its own (PXW-FX9) or with SELP28135G lens (PXW-FX9K). Cinema Lens Series Explore new artistic possibilities and precise creative control with Sony’s Cinema Lens Series. Purpose-built for documentary production and digital cinematography with full-frame cameras such as the FX9 and VENICE. The first lens in the series, the FE C 16-35mm T3.1 G full-frame wide angle zoom, is due in early 2020. Adds Shoulder-Style Operation, Advanced Networking Further extend the capabilities of the FX9 with the optional XDCA-FX9 extension unit that optimises camera weight distribution and ergonomics for comfortable shoulder-style shooting – ideal for ENG (Electronic News Gathering) and documentary applications. The extension unit also adds advanced networking for streaming/file transfers and Genlock/Timecode for multi-camera shoots. 4-Channel Audio Input and Recording  FX9 offers superb audio capabilities with independent control dials for each channel. In applications such as interview, 4-channel audio recording enables simultaneous use of an external microphone for recording ambient sounds, the built-in microphone for voice memos by the operator, and two optional UWP Series wireless microphones for voice of interviewer and interviewee. In addition, using the optional XLR-K3M, XLR-K2M or XLR-K1M XLR adapter – with two extra XLR inputs – allows even more devices to be connected.  

Sony PXW-FX9 6k Full-Frame XDCAM 6K System with 28-135mm lens

Sony PXW-FX9VK (PXW_FX9, PXW/FX9, PXW FX9, FX9K, FX9VK) Full-Frame XDCAM 6K System with 28-135mm lens Full-frame creativity Realise beautiful 4K imagery with the creative freedom made possible by oversampling a huge high resolution full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh with a truly cinematic look. 15+ stops of dynamic range and Dual Base ISO enable capture of every nuance, from subtle shadow detail to specular highlights and with an immaculate colour palette.   Capturing the impossible Make sure your story’s always clear with enhanced Fast Hybrid AF that tracks your subject with unprecedented speed, smoothness and precision. Its impact is transformative for premium documentary, commercials and event applications.   Shoot in comfort, expand your horizons FX9 revolutionises full-frame cinematography with peerless ergonomics and advanced technology for on-the-go shooting. The world’s first full-frame electronic variable ND filter* transforms possibilities for shooting in variable lighting conditions. Built-in Wi-Fi and 12G-SDI support advanced workflows while the optional XDCA-FX9 extension unit further expands the operational possibilities of the PXW-FX9.   6K Full-Frame “Exmor R” sensor for stunning picture quality The camera’s full-frame 6K sensor provides superb recording in DCI 4K*, Ultra HD and HD resolutions. Powerful image processing with debayering and oversampling ensures image quality beyond the limits of conventional Super 35mm sensors. The back-illuminated CMOS image sensor also uses Sony’s Exmor R technology for improved sensitivity and noise reduction. Compared to a 4K Super 35mm sensor, the FX9’s 6K sensor has over twice the surface area while providing a wider angle of view and shallower depth of field.   Phenomenal 15+ stops dynamic range for limitless expression FX9 offers an exceptional 15+ stops of dynamic range – beyond the normal range of human perception – allowing for unprecedented creative freedom in colour grading and post. Camera operators can concentrate on framing the scene they want while relying upon the FX9 to capture every nuance and detail using either 4K 4:2:2 10-bit internal recording or 16-bit RAW external recording.* In grading, colourists can find colour and detail beyond the normal viewing abilities of the camera operator to create a final image that exactly portrays the mood of the scene.   Dual Base ISO for stunning images in any light FX9 features a base sensitivity of ISO 800, providing the optimal dynamic range for typical documentary applications such as shooting outside or in brightly lit interiors. A secondary High Base sensitivity of ISO 4000 excels in low light conditions such as early morning and evening shoots while maintaining superb image quality. ISO 4000 is also ideal whenever you’re using slow lenses. Combining Dual Base ISO with the camera’s electronic variable ND Filter provides superb creative control in almost any shooting environment, with truly next generation responsiveness to changing conditions.   Cinematic colour science with S-Cinetone™ S-Cinetone is the default look of FX9 that’s tuned to meet the requirements of today’s content creators with rich mid-range colours, alluring facial tones and a softer tonal look – developed with the same expertise as Sony’s world-leading VENICE digital cinematography camera. S-Cinetone means that straight out of the camera your content looks fresh and vivid, with subjects that really stand out while retaining plenty of latitude in post production thanks to the high performance full-frame image sensor.   Selectable frame rates in both full-frame & Super 35  Choose your desired frame-rate from 1fps up to 180fps* for impressive quick and slow motion footage. FX9 creates an immersive image with a wide-angle look and shallower depth of field provided by its full-frame sensor in combination with quick and slow motion. Engage your audience with this new creative look. FX9 also offers a Quality priority setting** that maximizes full HD image quality using full-frame 6K scan mode or Super 35 4K scan mode with advanced oversampling technology.   Super 35 2K imager scan mode prioritizes frame rates, so image quality may be reduced depending on the shooting environment. In this instance, below settings are recommended.   Cine EI mode: Set EI gain lower and exposure level higher instead. Custom mode: Choose the gamma category setting of Original (S-Cinetone) or STD (STD1 to 6). · *Up to 120fps with Ver1.0. Full-HD 180fps will be supported with future firmware   · **In full-frame scanning mode: selectable at 1–30fps/in super 35 scanning mode: selectable at 1–60fps. Quality priority setting is recommended if desired framerate is available.   Catch the action with enhanced Fast Hybrid AF Effortlessly track fast moving subjects with pin-sharp focus, even when using wide lens aperture settings to maintain a shallow depth of field with the camera’s full-frame sensor. Developed by Sony’s α camera engineers, enhanced Fast Hybrid AF combines phase detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. In addition, Face Detection intelligently recognises and locks on to human faces.   The dedicated 561-point phase detection AF sensor covers approximately 94% of the whole image area width and 96% of height, allowing consistently accurate, responsive AF tracking, even with fast-moving subjects.   Customisable AF settings FX9’s comprehensive autofocus settings provide the creative flexibility to integrate with any project.   7-level AF transition speeds from Fast – switching between subjects as quickly as possible – to Slow, where speed is reduced to fit a more measured shooting style, such as a historical TV drama.   5-level AF subject shift sensitivity ranges from Locked-on – ignoring other moving subjects in the frame – to Responsive that switches focus from one subject to another – ideal for snapping between race cars as they speed by.   Autofocus with all E-mount lenses Experience smooth, responsive autofocus with every E-mount lens, including Sony’s new Cinema Lens Series with premium optical performance and operability for demanding cinematography applications. Advanced E-mount lever lock operation allows quick, easy lens exchange in the field, plus added stability and security with large lenses.   World’s first electronic variable ND filter for full-frame sensor* Realise even greater creative control with Sony’s unique built-in electronic variable neutral density (ND) filter – a world first* for professional full-frame camcorders. Set to Auto, or adjust filter density manually in smooth increments from 1/4 to 1/128 as you shoot, for perfectly exposed images without affecting depth of field as lighting conditions change. Use higher density settings with a slower shutter speed for breathtaking artistic effects.   Proven ergonomics & accessory compatibility FX9 chassis is the latest refinement of the revolutionary FS7 design, so you can be sure it will feel great to shoot with from almost any position, while also offering compatibility with a large proportion of the countless FS7 accessories including U-series batteries, chargers, E-mount lenses, plus arms and lens adapters.*   The control arm is easily adjusted without tools, so FX9 adapts effortlessly to your physique and preferred shooting style – handheld, at waist level or shoulder mounted.   The smart grip features an updated design, more compact than before while still holding all the key shooting controls, allowing you to concentrate on the scene without distractions. FX9 also introduces a micro USB interface for improved responsiveness and support for a wrist strap.   * BP-U30 and XDCA-FS7 are not compatible with the FX9.   6-bit RAW capability* 16-bit RAW offers a phenomenal increase in post-production creative freedom to fully exploit FX9’s exceptional 15+ stops of dynamic range. FX9 supports export of 16-bit RAW at either 4K or 2K resolution using the optional XDCA-FX9 extension unit with a single BNC cable connection to compatible external RAW recorders.**   Stable, shake-free handheld footage Advanced image stabilisation information means even handheld footage can be transformed with Sony Catalyst Browse/Catalyst Prepare software* in post-production to look as smooth as if it were shot with a gimbal.Unlike in-camera or lens stabilisation, meta data generated by FX9’s built-in gyro allows you to creatively choose the balance between the level of shake-compensation and the resolution of trimmed 4K imagery. This feature is also compatible with any E-mount lens and allows for far faster processing than conventional NLE stabilisation workflows**.   Beautifully matched shooting partners Optimised for professional cinematography applications, the light, compact, SELP28135G  powered zoom lens is an ideal complement for the full frame imaging possibilities of the FX9.   Circular aperture with full-frame image circle format Motorised servo zoom for smooth, precise zoom moves Independent three rings for focus, zoom and iris with smooth, silent drive You have the choice of purchasing the FX9 on its own (PXW-FX9) or with SELP28135G lens (PXW-FX9K).   Cinema Lens Series Explore new artistic possibilities and precise creative control with Sony’s Cinema Lens Series. Purpose-built for documentary production and digital cinematography with full-frame cameras such as the FX9 and VENICE.   Adds shoulder-style operation, advanced networking Further extend the capabilities of the FX9 with the optional XDCA-FX9 extension unit that optimises camera weight distribution and ergonomics for comfortable shoulder-style shooting – ideal for ENG (Electronic News Gathering) and documentary applications. The extension unit also adds advanced networking for streaming/file transfers and Timecode for multi-camera shoots.   4-channel audio input and recording FX9 offers superb audio capabilities with independent control dials for each channel. In applications such as interview, 4-channel audio recording enables simultaneous use of an external microphone for recording ambient sounds, the built-in microphone for voice memos by the operator, and two optional UWP Series wireless microphones for voice of interviewer and interviewee. In addition, using the optional XLR-K3M, XLR-K2M or XLR-K1M XLR adapter – with two extra XLR inputs – allows even more devices to be connected.   Multi-Interface (MI) Shoe Sony’s flexible Multi-Interface (MI) Shoe provides power, signal connections and coordinated on/off switching with compatible Sony accessories. For example, you can connect and control Sony UWP-D wireless microphone systems (optional).   Networked for high mobility The FX9 features internal 5GHz* and 2.4GHz Wi-Fi capability as standard. Just switch on and log onto your preferred network to enable a host of advanced wireless production features:   Content Browser Mobile™** allows the PXW-FX9 to be controlled remotely from a smartphone or tablet computer via a Wi-Fi connection. Adjust the exposure level, zoom, Record/Stop and more via your mobile device – it’s ideal for single operator shoots. One-touch authentication is also possible with smartphones offering NFC connectivity. FTP Transfer allows content files to be sent over the internet for remote storage on an FTP server even while shooting. In case of signal interruption, the system will automatically resume as soon as connection restored. Trimming allows you to set start and end points in a clip, eliminating time-wasting transfers of unneeded content. XDCAM air can upload proxy footage to the cloud from multiple camera operators in the field, so editing can start immediately. Uploaded content can be accessed securely from any location. News teams can even start logging clips while shooting is still going on, saving even more valuable time when a story’s breaking.   Wired LAN port with optional XDCA-FX9 allows connection of the FX9 to the Internet with a standard Ethernet cable, allowing files to be streamed or transferred by FTP. Dual Link Cellular is enabled with optional XDCA-FX9 and uses two cellular networks in combination to provide an even more reliable network connection. FX9 is compatible with standard USB cellular dongles from most networks. (Please check for most appropriate service provider for your region. Standard network fees will apply.) High quality Sony QoS Streaming to Network RX station (optional) and XDCAM air by Sony allows images to be streamed live for viewing at a remote location   PrimeSupport for PXW-FX9 Get 1 year of service coverage for free, in addition to the 2 years already included in your camera, by registering to PrimeSupport Pro Enhanced Cover with PrimeSupport Elite for PXW-FX9

Sony ILCE-7RM4 α7R IV 35mm full-frame camera with 61.0MP Body only

Sony ILCE-7RM4 (ILCE/7RM4, ILCE7RM4, ILCE-7R M4) α7R IV 35mm full-frame camera with 61.0 MP Body only Enter a whole new world of photographic expression with incomparable image quality and processing speed. A powerful new choice joins the α7R series with ever more advanced connectivity and enhanced reliability demanded by pros. Unimagined Subtlety 61.0-megapixel full-frame Exmor R™ CMOS sensor combined with BIONZ X™ imaging engine delivers unprecedented resolution, fine gradation, and low noise to open entirely new dimensions of detail just as pro photographers expect. The α7R IV captures the mood of each scene and the texture of aimed subjects. 61.0MP full-frame back-illuminated CMOS sensor The newly developed Exmor R CMOS image sensor boasts incomparable high resolution. Back-illuminated design exhibits high sensitivity and low noise, despite extremely high pixel count of 61.0MP The latest image processing engine The latest BIONZ X image processing engine works in tandem with front-end LSI to maximise high-resolution sensor performance while achieving up to 15-stop2 dynamic range at low ISO sensitivity. Wide standard ISO 100-32000 range Regardless of increased pixels, the α7R IV delivers highest standard ISO 320003, and reduces noise in the low- and mid-sensitivity ranges, achieving high-quality imagery. In-body 5-axis image stabilisation The in-body 5-axis image stabiliser algorithm is optimised to maximise high-resolution 61.0-megapixel1 image sensor performance. This fully supports your handheld shooting for reliability as effective as 5.5-stop4 higher shutter speed. Shoot in absolute silence Silent shooting not only provides a useful advantage in venues where quiet is required but avoids vibration that can cause camera-shake blur. Vibration-free shutter maximises extremely high α7R IV resolution for crisp clear images. Blur reducing structure A re-examined and redesigned mechanism infixes the shutter unit to suppress subtle camera shake, and enhanced image stabiliser algorithm effectively reduces image blur. Overall, the camera's high resolution is successfully maintained. Shake-free remote shutter release Remote camera operation using optional wireless remote controller (RMT-P1BT) allows you to shoot effective stills while avoiding camera shake caused by pressing the shutter release. This maximises the image sensor’s high resolution. 5.76-million-dot UXGA OLED Tru-Finder This 5.76-million-dot electronic viewfinder reproduces fine detail with approximately 1.6 times higher resolution than α7R III. You can select “High” quality mode for high-precision yet natural realism while suppressing moiré and jaggies for better concentration. Smoother image with 120/100fps5 frame rate makes it easy to track moving subjects. The highest-level burst speed in its class Regardless of remarkable image resolution, the α7R IV maintains its shooting speed of up to 10fps with a mechanical shutter (up to 8fps in live-view continuous shooting mode).7 This allows you to capture decisive moments — such as motion of wild animals — with subtle details made possible only by the 61.0MP high-resolution imaging capability. Useful 26.2MP with APS-C cropping Thanks to extraordinary image resolution, you can still maintain remarkable high-resolution images as approximately 26.2 megapixels even after cropping a full-frame image down into APS-C size. This means the α7R IV can help you proactively utilise 61.0-megapixel full-frame shooting, for example, in bird photography that tends to require cropping editing to magnify captured images. Wide AF coverage New image sensor supplies wide and high-density AF coverage with 567 phase-detection AF points (approx. 99.7% height and 74.0% width). 425-point contrast-detection AF supports precision focusing. Fast AF despite higher resolution Thanks to responsive enhanced Fast Hybrid AF, despite its large data handling, the α7R IV delivers swift AF even under dim lighting conditions, with remarkable ability to capture an aimed subject. Steadfast AF tracking further improved Increased AF points, widened coverage of AF sensor, and improved AF algorithm have further enhanced subject-tracking performance for consistent shooting, even of complex or sudden movements. High-precision AF in underlit conditions Advanced AF algorithms contribute to AF precision at light levels as low as EV-38. ‘Focus Priority in Aperture Drive’ option is for more accurate focusing in dim lighting and when aperture is stopped down. Shoot up to 68 images continuously Because buffer memory size is 1.5 times larger, the camera maintains burst shooting speed of up to approx. 68 images. With APS-C shooting mode, you can shoot approximately three times more photos than with full-frame shooting mode. Dual media slots, both supporting UHS-II Both SLOT 1 and SLOT 2 are compatible with UHS-I and UHS-II for fast mass-volume data writing. The α7R IV can simultaneously or relay record, separate RAW/JPEG data and stills/movies, and copy data between cards. Extend shooting to professional length The α7R IV uses a high-capacity NP-FZ100 battery. For longer hours of shooting, combine this with optional VG-C4EM Vertical Grip holding up to two NP-FZ100 batteries, which allows you to shoot two times more shots than with α7R IV. Rely on smart AI-based Real-time Tracking AI-based Real-time Tracking11 is newly featured to greatly increase your success rate in challenging shots. Simply designate a subject and press the shutter button halfway, and rely on the camera to steadfastly track the subject. With “Face/Eye Priority in AF” function, the α7R IV seamlessly changes tracking targets between face and eye when the subject is a person. Real-time Eye AF with animal eye tracking for more success Thanks to an improved algorithm, the α7R IV now supports animal eye in addition to human eye tracking12, allowing fast, precise, automatic detection and tracking. This animal eye support will greatly increase your success in capturing images of animals in the wild or favourite pets at home when an obstacle comes into view or the camera’s horizontal/vertical orientation often changes. Instant focusing on an eye When Face/Eye Priority in AF is on, simply half-press the shutter, press AF-ON button, or an assigned custom button. The camera takes care of focusing on a subject eye. Right/left eye selection to meet your need Now you can even select a specific eye — left or right — before or during shooting via custom button. Eye selection allows you to focus on composition, lighting, and other details. Works with Real-time Tracking for eye-catching portraits You can combine use of Real-time Eye AF with Real-time Tracking, which responds to dynamic subject motion. This teamwork enables tracking accuracy for comfortable portrait shooting. More efficient workflow Wireless and wired connective solutions for demanding prosThe α7R IV supports various options for PC Remote functions and means of data transfer including 5GHz14 Wi-Fi. Take full advantage of more choice and convenience in remote shooting operation and data backup. Wireless tethered shooting for flexible setting Use PC Remote to control the α7R IV or transfer data to PC via Imaging Edge™ ‘Remote’ software application (ver. 2.0 or later). Faster 5GHz Wi-Fi option is available for more shooting flexibility. Even faster PC Remote with wired connection via USB Use USB 3.2 Gen 1 compatible USB Type-C™ port for faster transfer with new algorithm for wired PC Remote shooting. Transfer large uncompressed RAW images smoothly without workflow interruption. Support for FTP background transfer To meet pro needs for prompt delivery, the α7R IV supports FTP background transfer during and after shooting for JPEG and RAW file delivery. Up to nine FTP servers can be assigned in advance. For full-scale flash photography Release time lag is minimised for smooth, responsive flash photography, with continuous flash shooting at up to 10fps. Select slow sync or rear curtain sync with wireless off-camera flash for enhanced versatility. Standard sync terminal A standard sync terminal enables convenient synchronisation with studio flash units and other external lighting equipment to establish desired lighting setting in studio photography. A different dimension of fidelity Now supports compositing 16 images with Pixel Shift Multi Shooting This renewed feature shifts the sensor in half or one pixel increments in a programmed order to capture 16 pixel-shifted images, composited into one high-precision image of approx. 240.8MP from original data of approx. 963.2MP (equivalent). Still images of architecture and art, etc. are reproduced in true-to-life detail, texture, colour, mood, setting, and 3D-like realism, with breathtaking fidelity. Save/Load Setting The newly added Save/Load Settings function allows you to save camera settings in SD memory card and read these from the card, for convenient sharing with other cameras as needed. Efficient image selection Apply star ratings and image protection via the review playback display right on the spot. Jumping display at every 10/100 photos and group review of continuous shots are added conveniences. Improved menu interface Illustration of custom key settings on the menu screen makes it easier to understand usage. In addition, you can switch between menu tabs using the front dial or Fn button with one hand. Steadfast AF tracking for stunning movies Meet the rigorous autofocus demands of 4K movies with enhanced Fast Hybrid AF. You have high speed, precision, and tracking performance at your command for smooth, stable AF movie shooting. Adjust AF tracking sensitivity for steady focus. Real-time Eye AF now for movie shooting Real-time Eye AF newly supports movie shooting by detecting the subject’s eyes and continuing to track one eye. As the α7R IV keeps that eye in precise focus, you can concentrate on composition. Touch Tracking for persistent focus on your subject When shooting movies, touch a subject on the LCD monitor. The α7R IV begins focusing and following with Touch Tracking. If the α7R IV spots a human eye, Real-time Eye AF activates and tracks it, too. Digital audio interface for clear sound recording Digital audio interface enhances Multi Interface Shoe (MI Shoe). Use new ECM-B1M Shotgun Microphone or new XLR Adaptor Kit to record high-quality sound with minimised deterioration.

Sony XDCA-FX9 Extension Unit for PXW-FX9 Camera

Sony XDCA-FX9 (XDCA_FX9, XDCA/FX9, XDCA FX9) (pxw-fx9) Extension Unit for PXW-FX9 Camera The XDCA-FX9 Extension Unit from Sony can be added to the back of your PXW-FX9 camera to add an ENG-style shoulder mount and additional I/O and power to your camera. The unit features a 4-pin XLR DC power input and D-Tap and 4-pin Hirose DC power outputs to power accessories and other equipment. A LAN interface and two USB ports provide live streaming and file transfer abilities, as well as compatibility with XDCAM Air streaming playback.

Sony PXW-FX9 XDCAM 6K Full-Frame Camera package c

Comes with 2 Years Sony Prime Support Warranty - Beware of grey imports. Sony PXW-FX9 (PXW_FX9, PXW/FX9, PXW FX9) XDCAM 6K Full-Frame Camera package C © includes: 1x Sony PXW-FX9 XDCAM 6K Full-Frame Camera System (Body Only) (PXW-FX9) 1x Sony XQD G-Series 240GB 400MB/s Read/ Write (QDG240F) 1x Sony 18-110mm f/4 Servo Zoom Sony G OSS Lens (SELP18110G.SYX) 1x Sony XDCA-FX9 Extension Unit for PXW-FX9 Camera (XDCA-FX9) *Digibroadcast has put together some bespoke Sony packages for our clients based on our own research and surveys and holds the right to protect all of its content ©   Combined Sony’s technology in Digital cinema camera Venice, FS series and a (Alpha) ILC cameras. Sony’s full-frame 6K sensor camera with Fast Hybrid AF, dual base ISO and cinematic colour science and S-Cinetone. The Sony PXW-FX9 is the long awaited successor to the legendary PXW-FS7 is here and it brings some fantastic upgrades with it. The FX9 has a Full Frame 6K dual native ISO sensor, VENICE colour science, upgraded auto-focus capabilities, built in genlock and timecode and much more.  The FX9 features a full frame 6K 35.7 by 18.8mm back-illuminated Exmor-R CMOS sensor. This sensor is stated to have 15 plus stops of dynamic range and has a resolution of 6008 x 3168.  You will be able to shoot QFHD full frame up to 30fps, 1080p full frame at up to 120 fps and QFHD S35 up to 60fps and 1080p S35 at up to 120fps. The planned firmware updates will bring Full frame DCI 4K up to 60p, Full HD full frame up to 180fps and QFHD in Super 35 mode at up to 120fps while using an external recorder. You can also customise the autofocus, tweaking things like the AF transition between slow, for stuff like promo videos where you want slow smooth focus movements to fast which will be great for sports. You can also change the AF subject shift sensitivity which defines how easily the focus is switched to another subject. This goes from locked if you are wanting to do a walk and talk for example to responsive which you may need to keep better general focus. You can record up to four channels of audio with a range of different input options, The FX9 has an internal scratch mic, two XLR’s, you can use a dual channel receiver with the MI shoe on the handle or you can now use the DWX series of drop in receivers and transmitters with the new XDCA -FX9 back module. The FX9 does not feature SLOG2 only SLOG3 with S-Gamut3 & S-Gamut3. Cine, this is because the SLOG2 gamma curve is designed for 8-bit whereas all of the codecs on this camera are 10-bit. They have also added an S-Cinetone colour profile which is aimed to bring the colour science from the VENICE to the FX9. Realise beautiful 4K imagery with the creative freedom made possible by oversampling a huge high resolution full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh with a truly cinematic look. 15+ stops of dynamic range and Dual Base ISO enable capture of every nuance, from subtle shadow detail to specular highlights and with an immaculate colour palette. Capturing the Impossible Make sure your story’s always clear with enhanced Fast Hybrid AF that tracks your subject with unprecedented speed, smoothness and precision. Its impact is transformative for premium documentary, commercials and event applications. Shoot in Comfort, Expand your Horizons FX9 revolutionises full-frame cinematography with peerless ergonomics and advanced technology for on-the-go shooting. The world’s first full-frame electronic variable ND filter* transforms possibilities for shooting in variable lighting conditions. Built-in Wi-Fi and 12G-SDI support advanced workflows while the optional XDCA-FX9 extension kit further expands the operational possibilities of the PXW-FX9. 6K Full-Frame “Exmor R” Sensor for Stunning Picture Quality The camera’s full-frame 6K sensor provides superb recording in DCI 4K*, Ultra HD and HD resolutions. Powerful image processing with debayering and oversampling ensures image quality beyond the limits of conventional Super 35mm sensors. The back-illuminated CMOS image sensor also uses Sony’s Exmor R technology for improved sensitivity and noise reduction. Compared to a 4K Super 35mm sensor, the FX9’s 6K sensor has over twice the surface area while providing a wider angle of view and shallower depth of field. DCI 4K (4096 x 2160 at 17:9 recording) will be available with future firmware release. Phenomenal 15+ Stops Dynamic Range for Limitless Expression FX9 offers an exceptional 15+ stops of dynamic range – beyond the normal range of human perception – allowing for unprecedented creative freedom in colour grading and post. Camera operators can concentrate on framing the scene they want while relying upon the FX9 to capture every nuance and detail using either 4K 4:2:2 10-bit internal recording or 16-bit RAW external recording.* In grading, colourists can find colour and detail beyond the normal viewing abilities of the camera operator to create a final image that exactly portrays the mood of the scene. RAW recording requires future firmware release and external recorder. Dual Baso ISO for stunning images in any light FX9 features a base sensitivity of ISO 800, providing the optimal dynamic range for typical documentary applications such as shooting outside or in brightly lit interiors. A secondary High Base sensitivity of ISO 4000 excels in low light conditions such as early morning and evening shoots while maintaining superb image quality. ISO 4000 is also ideal whenever you’re using slow lenses. Combining Dual Base ISO with the camera’s electronic variable ND Filter provides superb creative control in almost any shooting environment, with truly next generation responsiveness to changing conditions. ISO 800 and ISO 4000 are used in S-Log3, Cine EI mode. Cinematic Colour Science with S-Cinetone S-Cinetone is the default look of FX9 that’s tuned to meet the requirements of today’s content creators with rich mid-range colours, alluring facial tones and a softer tonal look – developed with the same expertise as Sony’s world-leading VENICE digital cinematography camera. S-Cinetone means that straight out of the camera your content looks fresh and vivid, with subjects that really stand out while retaining plenty of latitude in post production thanks to the high performance full-frame image sensor. The advanced default looks delivers alluring facial tones and a softer tonal look. Selectable Frame Rates in Both Full-Frame & Super 35 Choose your desired frame-rate from 1fps up to 180fps* for impressive quick and slow-motion footage. FX9 creates an immersive image with a wide angle look and shallower depth of field provided by its full-frame sensor in combination with quick and slow-motion. Engage your audience with this new creative look. FX9 also offers a Quality priority setting* that maximises full HD slow motion image quality with advanced oversampling technology. Up to 120fps with Ver1.0. Full-HD 180fps will be supported with future firmware In Full-frame scanning mode: selectable at 1-30fps / In S35 scanning mode: selectable at 1-60fps  Supported in future firmware update Supported in future firmware update. RAW output only Supported in the future firmware update. Scanning area is cropped around 83% of full-frame and 122% larger than S35. (diagonal) Catch the Action with Enhanced Fast Hybrid AF Effortlessly track fast moving subjects with pin-sharp focus, even when using wide lens aperture settings to maintain a shallow depth of field with the camera’s full-frame sensor. Developed by Sony’s α camera engineers, enhanced Fast Hybrid AF combines phase detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. In addition, Face Detection intelligently recognises and locks on to human faces. The dedicated 561-point phase detection AF sensor covers approximately 94% of the whole image area width and 96% of height, allowing consistently accurate, responsive AF tracking, even with fast-moving subjects. Customisable AF Settings FX9’s comprehensive autofocus settings provide the creative flexibility to integrate with any project. Customisable AF settings can be used for a wide range of situations, depending on your requirements.  7-level AF transition speeds from Fast – switching between subjects as quickly as possible – to Slow, where speed is reduced to fit a more measured shooting style, such as a historical TV drama. 5-level AF subject shift sensitivity ranges from Locked-on – ignoring other moving subjects in the frame – to Responsive that switches focus from one subject to another – ideal for snapping between race cars as they speed by. AF Assist You can control MF ring during AF shooting if AF Assist is set to ON. You can adjust the focus manually even in AF shooting, you can manually operate the ring to focus the person behind. One Push AF While you are shooting in MF, pushing One Push AF button enables you to change to the focus mode to AF. Autofocus with all E-Mount Lenses Experience smooth, responsive autofocus with every E-mount lens, including Sony’s new Cinema Lens Series with premium optical performance and operability for demanding cinematography applications. Advanced E-mount lever lock operation allows quick, easy lens exchange in the field, plus added stability and security with large lenses. World’s First Electronic Variable ND Filter for Full-Frame Sensor Realise even greater creative control with Sony’s unique built-in electronic variable neutral density (ND) filter – a world first* for professional full-frame camcorders. Set to Auto, or adjust filter density manually in smooth increments from 1/4 to 1/128 as you shoot, for perfectly exposed images without affecting depth of field as lighting conditions change. Use higher density settings with a slower shutter speed for breath taking artistic effects. The built-in variable ND filter, with no need to prepare multiple ND filters separately can be flexibly and immediately used for every exposure change situation; when you move from inside to outside, and when you shoot under the natural light condition where exposure changes moment by moment. Proven Ergonomics & Accessories Compatibility FX9 chassis is the latest refinement of the revolutionary FS7 design, so you can be sure it will feel great to shoot with from almost any position, while also offering compatibility with a large proportion of the countless FS7 accessories including U-Series batteries, chargers, E-Mount lenses, plus third-party rigs, arms and lens adapters.* The control arm is easily adjusted without tools, so FX9 adapts effortlessly to your physique and preferred shooting style – handheld, at waist level or shoulder mounted. The smart grip features an updated design, more compact than before while still holding all the key shooting controls, allowing you to concentrate on the scene without distractions. FX9 also introduces a micro USB interface for improved responsiveness and support for a wrist strap. 16-bit RAW Capability 16-bit RAW offers a phenomenal increase in post-production creative freedom to fully exploit FX9’s exceptional 15+ stops of dynamic range. FX9 supports export of 16-bit RAW at either 4K or 2K resolution using the optional XDCA-FX9 extension unit with a single BNC cable connection to compatible external RAW recorders.** RAW output will be enabled with a future firmware release. Limited to 10-bit recording during 120fps high frame rate shooting within Super35 image circle Stable, Shake-Free Handheld Footage Advanced image stabilisation information means even handheld footage can be transformed with Sony Catalyst Browse/Catalyst Prepare software* in post-production to look as smooth as if it were shot with a gimbal.Unlike in-camera or lens stabilisation, meta data generated by FX9’s built-in gyro allows you to creatively choose the balance between the level of shake-compensation and the resolution of trimmed 4K imagery. This feature is also compatible with any E-mount lens and allows for far faster processing than conventional NLE stabilisation workflows**. Catalyst Browse/Catalyst Prepare Ver.2019.2 is required. Resolution and angle of view reduced compared to native footage. LCD Approx 1.8x higher resolution than the FS7M, with enhanced LCD with HD resolution has superb accuracy, high contrast and resolution, bringing higher visibility for focusing. Beautifully Matched Shooting Partners Optimised for professional cinematography applications, the light, compact, SELP28135G powered zoom lens is an ideal complement for the full frame imaging possibilities of the FX9. Circular aperture with full-frame image circle format Motorised servo zoom for smooth, precise zoom moves Independent three rings for focus, zoom and iris with smooth, silent drive You have the choice of purchasing the FX9 on its own (PXW-FX9) or with SELP28135G lens (PXW-FX9K). Cinema Lens Series Explore new artistic possibilities and precise creative control with Sony’s Cinema Lens Series. Purpose-built for documentary production and digital cinematography with full-frame cameras such as the FX9 and VENICE. The first lens in the series, the FE C 16-35mm T3.1 G full-frame wide angle zoom, is due in early 2020. Adds Shoulder-Style Operation, Advanced Networking Further extend the capabilities of the FX9 with the optional XDCA-FX9 extension unit that optimises camera weight distribution and ergonomics for comfortable shoulder-style shooting – ideal for ENG (Electronic News Gathering) and documentary applications. The extension unit also adds advanced networking for streaming/file transfers and Genlock/Timecode for multi-camera shoots. 4-Channel Audio Input and Recording  FX9 offers superb audio capabilities with independent control dials for each channel. In applications such as interview, 4-channel audio recording enables simultaneous use of an external microphone for recording ambient sounds, the built-in microphone for voice memos by the operator, and two optional UWP Series wireless microphones for voice of interviewer and interviewee. In addition, using the optional XLR-K3M, XLR-K2M or XLR-K1M XLR adapter – with two extra XLR inputs – allows even more devices to be connected.  

Sony PXW-FX9 XDCAM 6K Full-Frame Camera system package b

Comes with 2 Years Sony Prime Support Warranty - Beware of grey imports. Sony PXW-FX9 (PXW_FX9, PXW/FX9, PXW FX9) XDCAM 6K Full-Frame Camera package b © includes: 1x Sony PXW-FX9 XDCAM 6K Full-Frame Camera System (Body Only) (PXW-FX9) 1x Sony XQD G-Series 240GB 400MB/s Read/ Write (QDG240F) 1x Sony 18-110mm f/4 Servo Zoom Sony G OSS Lens (SELP18110G.SYX) *Digibroadcast has put together some bespoke Sony packages for our clients based on our own research and surveys and holds the right to protect all of its content © Combined Sony’s technology in Digital cinema camera Venice, FS series and a (Alpha) ILC cameras. Sony’s full-frame 6K sensor camera with Fast Hybrid AF, dual base ISO and cinematic colour science and S-Cinetone. The Sony PXW-FX9 is the long awaited successor to the legendary PXW-FS7 is here and it brings some fantastic upgrades with it. The FX9 has a Full Frame 6K dual native ISO sensor, VENICE colour science, upgraded auto-focus capabilities, built in genlock and timecode and much more.  The FX9 features a full frame 6K 35.7 by 18.8mm back-illuminated Exmor-R CMOS sensor. This sensor is stated to have 15 plus stops of dynamic range and has a resolution of 6008 x 3168.  You will be able to shoot QFHD full frame up to 30fps, 1080p full frame at up to 120 fps and QFHD S35 up to 60fps and 1080p S35 at up to 120fps. The planned firmware updates will bring Full frame DCI 4K up to 60p, Full HD full frame up to 180fps and QFHD in Super 35 mode at up to 120fps while using an external recorder. You can also customise the autofocus, tweaking things like the AF transition between slow, for stuff like promo videos where you want slow smooth focus movements to fast which will be great for sports. You can also change the AF subject shift sensitivity which defines how easily the focus is switched to another subject. This goes from locked if you are wanting to do a walk and talk for example to responsive which you may need to keep better general focus. You can record up to four channels of audio with a range of different input options, The FX9 has an internal scratch mic, two XLR’s, you can use a dual channel receiver with the MI shoe on the handle or you can now use the DWX series of drop in receivers and transmitters with the new XDCA -FX9 back module. The FX9 does not feature SLOG2 only SLOG3 with S-Gamut3 & S-Gamut3. Cine, this is because the SLOG2 gamma curve is designed for 8-bit whereas all of the codecs on this camera are 10-bit. They have also added an S-Cinetone colour profile which is aimed to bring the colour science from the VENICE to the FX9. Realise beautiful 4K imagery with the creative freedom made possible by oversampling a huge high resolution full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh with a truly cinematic look. 15+ stops of dynamic range and Dual Base ISO enable capture of every nuance, from subtle shadow detail to specular highlights and with an immaculate colour palette. Capturing the Impossible Make sure your story’s always clear with enhanced Fast Hybrid AF that tracks your subject with unprecedented speed, smoothness and precision. Its impact is transformative for premium documentary, commercials and event applications. Shoot in Comfort, Expand your Horizons FX9 revolutionises full-frame cinematography with peerless ergonomics and advanced technology for on-the-go shooting. The world’s first full-frame electronic variable ND filter* transforms possibilities for shooting in variable lighting conditions. Built-in Wi-Fi and 12G-SDI support advanced workflows while the optional XDCA-FX9 extension kit further expands the operational possibilities of the PXW-FX9. 6K Full-Frame “Exmor R” Sensor for Stunning Picture Quality The camera’s full-frame 6K sensor provides superb recording in DCI 4K*, Ultra HD and HD resolutions. Powerful image processing with debayering and oversampling ensures image quality beyond the limits of conventional Super 35mm sensors. The back-illuminated CMOS image sensor also uses Sony’s Exmor R technology for improved sensitivity and noise reduction. Compared to a 4K Super 35mm sensor, the FX9’s 6K sensor has over twice the surface area while providing a wider angle of view and shallower depth of field. DCI 4K (4096 x 2160 at 17:9 recording) will be available with future firmware release. Phenomenal 15+ Stops Dynamic Range for Limitless Expression FX9 offers an exceptional 15+ stops of dynamic range – beyond the normal range of human perception – allowing for unprecedented creative freedom in colour grading and post. Camera operators can concentrate on framing the scene they want while relying upon the FX9 to capture every nuance and detail using either 4K 4:2:2 10-bit internal recording or 16-bit RAW external recording.* In grading, colourists can find colour and detail beyond the normal viewing abilities of the camera operator to create a final image that exactly portrays the mood of the scene. RAW recording requires future firmware release and external recorder. Dual Baso ISO for stunning images in any light FX9 features a base sensitivity of ISO 800, providing the optimal dynamic range for typical documentary applications such as shooting outside or in brightly lit interiors. A secondary High Base sensitivity of ISO 4000 excels in low light conditions such as early morning and evening shoots while maintaining superb image quality. ISO 4000 is also ideal whenever you’re using slow lenses. Combining Dual Base ISO with the camera’s electronic variable ND Filter provides superb creative control in almost any shooting environment, with truly next generation responsiveness to changing conditions. ISO 800 and ISO 4000 are used in S-Log3, Cine EI mode. Cinematic Colour Science with S-Cinetone S-Cinetone is the default look of FX9 that’s tuned to meet the requirements of today’s content creators with rich mid-range colours, alluring facial tones and a softer tonal look – developed with the same expertise as Sony’s world-leading VENICE digital cinematography camera. S-Cinetone means that straight out of the camera your content looks fresh and vivid, with subjects that really stand out while retaining plenty of latitude in post production thanks to the high performance full-frame image sensor. The advanced default looks delivers alluring facial tones and a softer tonal look. Selectable Frame Rates in Both Full-Frame & Super 35 Choose your desired frame-rate from 1fps up to 180fps* for impressive quick and slow-motion footage. FX9 creates an immersive image with a wide angle look and shallower depth of field provided by its full-frame sensor in combination with quick and slow-motion. Engage your audience with this new creative look. FX9 also offers a Quality priority setting* that maximises full HD slow motion image quality with advanced oversampling technology. Up to 120fps with Ver1.0. Full-HD 180fps will be supported with future firmware In Full-frame scanning mode: selectable at 1-30fps / In S35 scanning mode: selectable at 1-60fps  Supported in future firmware update Supported in future firmware update. RAW output only Supported in the future firmware update. Scanning area is cropped around 83% of full-frame and 122% larger than S35. (diagonal) Catch the Action with Enhanced Fast Hybrid AF Effortlessly track fast moving subjects with pin-sharp focus, even when using wide lens aperture settings to maintain a shallow depth of field with the camera’s full-frame sensor. Developed by Sony’s α camera engineers, enhanced Fast Hybrid AF combines phase detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. In addition, Face Detection intelligently recognises and locks on to human faces. The dedicated 561-point phase detection AF sensor covers approximately 94% of the whole image area width and 96% of height, allowing consistently accurate, responsive AF tracking, even with fast-moving subjects. Customisable AF Settings FX9’s comprehensive autofocus settings provide the creative flexibility to integrate with any project. Customisable AF settings can be used for a wide range of situations, depending on your requirements.  7-level AF transition speeds from Fast – switching between subjects as quickly as possible – to Slow, where speed is reduced to fit a more measured shooting style, such as a historical TV drama. 5-level AF subject shift sensitivity ranges from Locked-on – ignoring other moving subjects in the frame – to Responsive that switches focus from one subject to another – ideal for snapping between race cars as they speed by. AF Assist You can control MF ring during AF shooting if AF Assist is set to ON. You can adjust the focus manually even in AF shooting, you can manually operate the ring to focus the person behind. One Push AF While you are shooting in MF, pushing One Push AF button enables you to change to the focus mode to AF. Autofocus with all E-Mount Lenses Experience smooth, responsive autofocus with every E-mount lens, including Sony’s new Cinema Lens Series with premium optical performance and operability for demanding cinematography applications. Advanced E-mount lever lock operation allows quick, easy lens exchange in the field, plus added stability and security with large lenses. World’s First Electronic Variable ND Filter for Full-Frame Sensor Realise even greater creative control with Sony’s unique built-in electronic variable neutral density (ND) filter – a world first* for professional full-frame camcorders. Set to Auto, or adjust filter density manually in smooth increments from 1/4 to 1/128 as you shoot, for perfectly exposed images without affecting depth of field as lighting conditions change. Use higher density settings with a slower shutter speed for breath taking artistic effects. The built-in variable ND filter, with no need to prepare multiple ND filters separately can be flexibly and immediately used for every exposure change situation; when you move from inside to outside, and when you shoot under the natural light condition where exposure changes moment by moment. Proven Ergonomics & Accessories Compatibility FX9 chassis is the latest refinement of the revolutionary FS7 design, so you can be sure it will feel great to shoot with from almost any position, while also offering compatibility with a large proportion of the countless FS7 accessories including U-Series batteries, chargers, E-Mount lenses, plus third-party rigs, arms and lens adapters.* The control arm is easily adjusted without tools, so FX9 adapts effortlessly to your physique and preferred shooting style – handheld, at waist level or shoulder mounted. The smart grip features an updated design, more compact than before while still holding all the key shooting controls, allowing you to concentrate on the scene without distractions. FX9 also introduces a micro USB interface for improved responsiveness and support for a wrist strap. 16-bit RAW Capability 16-bit RAW offers a phenomenal increase in post-production creative freedom to fully exploit FX9’s exceptional 15+ stops of dynamic range. FX9 supports export of 16-bit RAW at either 4K or 2K resolution using the optional XDCA-FX9 extension unit with a single BNC cable connection to compatible external RAW recorders.** RAW output will be enabled with a future firmware release. Limited to 10-bit recording during 120fps high frame rate shooting within Super35 image circle Stable, Shake-Free Handheld Footage Advanced image stabilisation information means even handheld footage can be transformed with Sony Catalyst Browse/Catalyst Prepare software* in post-production to look as smooth as if it were shot with a gimbal.Unlike in-camera or lens stabilisation, meta data generated by FX9’s built-in gyro allows you to creatively choose the balance between the level of shake-compensation and the resolution of trimmed 4K imagery. This feature is also compatible with any E-mount lens and allows for far faster processing than conventional NLE stabilisation workflows**. Catalyst Browse/Catalyst Prepare Ver.2019.2 is required. Resolution and angle of view reduced compared to native footage. LCD Approx 1.8x higher resolution than the FS7M, with enhanced LCD with HD resolution has superb accuracy, high contrast and resolution, bringing higher visibility for focusing. Beautifully Matched Shooting Partners Optimised for professional cinematography applications, the light, compact, SELP28135G powered zoom lens is an ideal complement for the full frame imaging possibilities of the FX9. Circular aperture with full-frame image circle format Motorised servo zoom for smooth, precise zoom moves Independent three rings for focus, zoom and iris with smooth, silent drive You have the choice of purchasing the FX9 on its own (PXW-FX9) or with SELP28135G lens (PXW-FX9K). Cinema Lens Series Explore new artistic possibilities and precise creative control with Sony’s Cinema Lens Series. Purpose-built for documentary production and digital cinematography with full-frame cameras such as the FX9 and VENICE. The first lens in the series, the FE C 16-35mm T3.1 G full-frame wide angle zoom, is due in early 2020. Adds Shoulder-Style Operation, Advanced Networking Further extend the capabilities of the FX9 with the optional XDCA-FX9 extension unit that optimises camera weight distribution and ergonomics for comfortable shoulder-style shooting – ideal for ENG (Electronic News Gathering) and documentary applications. The extension unit also adds advanced networking for streaming/file transfers and Genlock/Timecode for multi-camera shoots. 4-Channel Audio Input and Recording  FX9 offers superb audio capabilities with independent control dials for each channel. In applications such as interview, 4-channel audio recording enables simultaneous use of an external microphone for recording ambient sounds, the built-in microphone for voice memos by the operator, and two optional UWP Series wireless microphones for voice of interviewer and interviewee. In addition, using the optional XLR-K3M, XLR-K2M or XLR-K1M XLR adapter – with two extra XLR inputs – allows even more devices to be connected.  

Sony PXW-FX9 XDCAM 6K Full-Frame Camera package a

Comes with 2 Years Sony Prime Support Warranty - Beware of grey imports. Sony PXW-FX9 (PXW_FX9, PXW/FX9, PXW FX9) XDCAM 6K Full-Frame Camera package a © includes: 1x Sony PXW-FX9 XDCAM 6K Full-Frame Camera System (Body Only) (PXW-FX9) 1x Sony XQD G-Series 240GB 400MB/s Read/ Write (QDG240F) *Digibroadcast has put together some bespoke Sony packages for our clients based on our own research and surveys and holds the right to protect all of its content © Combined Sony’s technology in Digital cinema camera Venice, FS series and a (Alpha) ILC cameras. Sony’s full-frame 6K sensor camera with Fast Hybrid AF, dual base ISO and cinematic colour science and S-Cinetone. The Sony PXW-FX9 is the long awaited successor to the legendary PXW-FS7 is here and it brings some fantastic upgrades with it. The FX9 has a Full Frame 6K dual native ISO sensor, VENICE colour science, upgraded auto-focus capabilities, built in genlock and timecode and much more.  The FX9 features a full frame 6K 35.7 by 18.8mm back-illuminated Exmor-R CMOS sensor. This sensor is stated to have 15 plus stops of dynamic range and has a resolution of 6008 x 3168.  You will be able to shoot QFHD full frame up to 30fps, 1080p full frame at up to 120 fps and QFHD S35 up to 60fps and 1080p S35 at up to 120fps. The planned firmware updates will bring Full frame DCI 4K up to 60p, Full HD full frame up to 180fps and QFHD in Super 35 mode at up to 120fps while using an external recorder. You can also customise the autofocus, tweaking things like the AF transition between slow, for stuff like promo videos where you want slow smooth focus movements to fast which will be great for sports. You can also change the AF subject shift sensitivity which defines how easily the focus is switched to another subject. This goes from locked if you are wanting to do a walk and talk for example to responsive which you may need to keep better general focus. You can record up to four channels of audio with a range of different input options, The FX9 has an internal scratch mic, two XLR’s, you can use a dual channel receiver with the MI shoe on the handle or you can now use the DWX series of drop in receivers and transmitters with the new XDCA -FX9 back module. The FX9 does not feature SLOG2 only SLOG3 with S-Gamut3 & S-Gamut3. Cine, this is because the SLOG2 gamma curve is designed for 8-bit whereas all of the codecs on this camera are 10-bit. They have also added an S-Cinetone colour profile which is aimed to bring the colour science from the VENICE to the FX9. Realise beautiful 4K imagery with the creative freedom made possible by oversampling a huge high resolution full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh with a truly cinematic look. 15+ stops of dynamic range and Dual Base ISO enable capture of every nuance, from subtle shadow detail to specular highlights and with an immaculate colour palette. Capturing the Impossible Make sure your story’s always clear with enhanced Fast Hybrid AF that tracks your subject with unprecedented speed, smoothness and precision. Its impact is transformative for premium documentary, commercials and event applications. Shoot in Comfort, Expand your Horizons FX9 revolutionises full-frame cinematography with peerless ergonomics and advanced technology for on-the-go shooting. The world’s first full-frame electronic variable ND filter* transforms possibilities for shooting in variable lighting conditions. Built-in Wi-Fi and 12G-SDI support advanced workflows while the optional XDCA-FX9 extension kit further expands the operational possibilities of the PXW-FX9. 6K Full-Frame “Exmor R” Sensor for Stunning Picture Quality The camera’s full-frame 6K sensor provides superb recording in DCI 4K*, Ultra HD and HD resolutions. Powerful image processing with debayering and oversampling ensures image quality beyond the limits of conventional Super 35mm sensors. The back-illuminated CMOS image sensor also uses Sony’s Exmor R technology for improved sensitivity and noise reduction. Compared to a 4K Super 35mm sensor, the FX9’s 6K sensor has over twice the surface area while providing a wider angle of view and shallower depth of field. DCI 4K (4096 x 2160 at 17:9 recording) will be available with future firmware release. Phenomenal 15+ Stops Dynamic Range for Limitless Expression FX9 offers an exceptional 15+ stops of dynamic range – beyond the normal range of human perception – allowing for unprecedented creative freedom in colour grading and post. Camera operators can concentrate on framing the scene they want while relying upon the FX9 to capture every nuance and detail using either 4K 4:2:2 10-bit internal recording or 16-bit RAW external recording.* In grading, colourists can find colour and detail beyond the normal viewing abilities of the camera operator to create a final image that exactly portrays the mood of the scene. RAW recording requires future firmware release and external recorder. Dual Baso ISO for stunning images in any light FX9 features a base sensitivity of ISO 800, providing the optimal dynamic range for typical documentary applications such as shooting outside or in brightly lit interiors. A secondary High Base sensitivity of ISO 4000 excels in low light conditions such as early morning and evening shoots while maintaining superb image quality. ISO 4000 is also ideal whenever you’re using slow lenses. Combining Dual Base ISO with the camera’s electronic variable ND Filter provides superb creative control in almost any shooting environment, with truly next generation responsiveness to changing conditions. ISO 800 and ISO 4000 are used in S-Log3, Cine EI mode. Cinematic Colour Science with S-Cinetone S-Cinetone is the default look of FX9 that’s tuned to meet the requirements of today’s content creators with rich mid-range colours, alluring facial tones and a softer tonal look – developed with the same expertise as Sony’s world-leading VENICE digital cinematography camera. S-Cinetone means that straight out of the camera your content looks fresh and vivid, with subjects that really stand out while retaining plenty of latitude in post production thanks to the high performance full-frame image sensor. The advanced default looks delivers alluring facial tones and a softer tonal look. Selectable Frame Rates in Both Full-Frame & Super 35 Choose your desired frame-rate from 1fps up to 180fps* for impressive quick and slow-motion footage. FX9 creates an immersive image with a wide angle look and shallower depth of field provided by its full-frame sensor in combination with quick and slow-motion. Engage your audience with this new creative look. FX9 also offers a Quality priority setting* that maximises full HD slow motion image quality with advanced oversampling technology. Up to 120fps with Ver1.0. Full-HD 180fps will be supported with future firmware In Full-frame scanning mode: selectable at 1-30fps / In S35 scanning mode: selectable at 1-60fps  Supported in future firmware update Supported in future firmware update. RAW output only Supported in the future firmware update. Scanning area is cropped around 83% of full-frame and 122% larger than S35. (diagonal) Catch the Action with Enhanced Fast Hybrid AF Effortlessly track fast moving subjects with pin-sharp focus, even when using wide lens aperture settings to maintain a shallow depth of field with the camera’s full-frame sensor. Developed by Sony’s α camera engineers, enhanced Fast Hybrid AF combines phase detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. In addition, Face Detection intelligently recognises and locks on to human faces. The dedicated 561-point phase detection AF sensor covers approximately 94% of the whole image area width and 96% of height, allowing consistently accurate, responsive AF tracking, even with fast-moving subjects. Customisable AF Settings FX9’s comprehensive autofocus settings provide the creative flexibility to integrate with any project. Customisable AF settings can be used for a wide range of situations, depending on your requirements.  7-level AF transition speeds from Fast – switching between subjects as quickly as possible – to Slow, where speed is reduced to fit a more measured shooting style, such as a historical TV drama. 5-level AF subject shift sensitivity ranges from Locked-on – ignoring other moving subjects in the frame – to Responsive that switches focus from one subject to another – ideal for snapping between race cars as they speed by. AF Assist You can control MF ring during AF shooting if AF Assist is set to ON. You can adjust the focus manually even in AF shooting, you can manually operate the ring to focus the person behind. One Push AF While you are shooting in MF, pushing One Push AF button enables you to change to the focus mode to AF. Autofocus with all E-Mount Lenses Experience smooth, responsive autofocus with every E-mount lens, including Sony’s new Cinema Lens Series with premium optical performance and operability for demanding cinematography applications. Advanced E-mount lever lock operation allows quick, easy lens exchange in the field, plus added stability and security with large lenses. World’s First Electronic Variable ND Filter for Full-Frame Sensor Realise even greater creative control with Sony’s unique built-in electronic variable neutral density (ND) filter – a world first* for professional full-frame camcorders. Set to Auto, or adjust filter density manually in smooth increments from 1/4 to 1/128 as you shoot, for perfectly exposed images without affecting depth of field as lighting conditions change. Use higher density settings with a slower shutter speed for breath taking artistic effects. The built-in variable ND filter, with no need to prepare multiple ND filters separately can be flexibly and immediately used for every exposure change situation; when you move from inside to outside, and when you shoot under the natural light condition where exposure changes moment by moment. Proven Ergonomics & Accessories Compatibility FX9 chassis is the latest refinement of the revolutionary FS7 design, so you can be sure it will feel great to shoot with from almost any position, while also offering compatibility with a large proportion of the countless FS7 accessories including U-Series batteries, chargers, E-Mount lenses, plus third-party rigs, arms and lens adapters.* The control arm is easily adjusted without tools, so FX9 adapts effortlessly to your physique and preferred shooting style – handheld, at waist level or shoulder mounted. The smart grip features an updated design, more compact than before while still holding all the key shooting controls, allowing you to concentrate on the scene without distractions. FX9 also introduces a micro USB interface for improved responsiveness and support for a wrist strap. 16-bit RAW Capability 16-bit RAW offers a phenomenal increase in post-production creative freedom to fully exploit FX9’s exceptional 15+ stops of dynamic range. FX9 supports export of 16-bit RAW at either 4K or 2K resolution using the optional XDCA-FX9 extension unit with a single BNC cable connection to compatible external RAW recorders.** RAW output will be enabled with a future firmware release. Limited to 10-bit recording during 120fps high frame rate shooting within Super35 image circle Stable, Shake-Free Handheld Footage Advanced image stabilisation information means even handheld footage can be transformed with Sony Catalyst Browse/Catalyst Prepare software* in post-production to look as smooth as if it were shot with a gimbal.Unlike in-camera or lens stabilisation, meta data generated by FX9’s built-in gyro allows you to creatively choose the balance between the level of shake-compensation and the resolution of trimmed 4K imagery. This feature is also compatible with any E-mount lens and allows for far faster processing than conventional NLE stabilisation workflows**. Catalyst Browse/Catalyst Prepare Ver.2019.2 is required. Resolution and angle of view reduced compared to native footage. LCD Approx 1.8x higher resolution than the FS7M, with enhanced LCD with HD resolution has superb accuracy, high contrast and resolution, bringing higher visibility for focusing. Beautifully Matched Shooting Partners Optimised for professional cinematography applications, the light, compact, SELP28135G powered zoom lens is an ideal complement for the full frame imaging possibilities of the FX9. Circular aperture with full-frame image circle format Motorised servo zoom for smooth, precise zoom moves Independent three rings for focus, zoom and iris with smooth, silent drive You have the choice of purchasing the FX9 on its own (PXW-FX9) or with SELP28135G lens (PXW-FX9K). Cinema Lens Series Explore new artistic possibilities and precise creative control with Sony’s Cinema Lens Series. Purpose-built for documentary production and digital cinematography with full-frame cameras such as the FX9 and VENICE. The first lens in the series, the FE C 16-35mm T3.1 G full-frame wide angle zoom, is due in early 2020. Adds Shoulder-Style Operation, Advanced Networking Further extend the capabilities of the FX9 with the optional XDCA-FX9 extension unit that optimises camera weight distribution and ergonomics for comfortable shoulder-style shooting – ideal for ENG (Electronic News Gathering) and documentary applications. The extension unit also adds advanced networking for streaming/file transfers and Genlock/Timecode for multi-camera shoots. 4-Channel Audio Input and Recording  FX9 offers superb audio capabilities with independent control dials for each channel. In applications such as interview, 4-channel audio recording enables simultaneous use of an external microphone for recording ambient sounds, the built-in microphone for voice memos by the operator, and two optional UWP Series wireless microphones for voice of interviewer and interviewee. In addition, using the optional XLR-K3M, XLR-K2M or XLR-K1M XLR adapter – with two extra XLR inputs – allows even more devices to be connected.  

Sony PXW-Z190 XDCAM Handheld Camcorder package b

Sony PXW-Z190 (PXWZ190, PXW Z190, PXW/Z190) XDCAM Handheld Camcorder package b includes: 1x Sony PXW-Z190 XDCAM Handheld Camcorder PXW-Z190 1x Sandisk 128GB Extreme Pro SDXC UHS-I 170MB/s Memory Card SDSDXXY-128G-GN4IN 1x Hedbox HED-BP95D Pro Battery Pack for SONY 6700mAh Li-Ion Battery HED-BP95D 1x Camrade CAM-CB-HD-SMALL-BL camBag HD Small - Black CAM-CB-HD-SMALL-BL    *Digibroadcast has put together some bespoke Sony packages for our clients based on our own research and surveys and holds the right to protect all of its content © Sony's PXW-Z190 4K 3-CMOS 1/3" Sensor XDCAM Camcorder continues the fine tradition of the XDCAM series of cameras. It captures 4K at up to 60p, relying on three 1/3" Exmor R sensors that provide improved low-light capability when compared to standard sensors. The camera integrates a 25x optical Sony G zoom lens and an electronic variable ND filter. The camera supports a variety of codecs out of the box, with an optional MPEG HD license enabling you to shoot HD video. The camera supports HLG (Hybrid Log Gamma), allowing you to shoot and deliver footage compatible with both HDR (high dynamic range) and SDR (standard dynamic range) without needing laborious post-production work. Dual SD card slots permit a variety of recording options including simultaneous HD and 4K recoding. The camera features built-in 2.4 and 5 GHz Wi-Fi.  

Sony ODC1200RE 1.2TB Rewritable Optical Disc Cartridge

Sony ODC1200RE (ODC-1200RE, ODC/1200RE, ODC_1200RE) 1.2TB Rewritable Optical Disc Cartridge Reliable and robust large-capacity media for Optical Disc Archive The 1200 GB capacity rewritableoptical disc cartridge works with the Sony Optical Disc Archive (ODA) dive unit to offer an alternative to LTO or traditional forms of data tape for the longer-term archiving of valuable assets. Sony optical disc cartridges are available in 300 GB, 600 GB, 1.2 TB and 1.5 TB capacity sizes, in re-writable and write-once formats. Low total cost of ownership The Sony optical disc cartridges are designed and manufactured to extremely high specifications, offering very fast random access to all content and files. The innovative drive design provides for a ‘dual channel’ capability and, being file format independent, it can store your assets in a data file format. The system is ideal for a wide range of deep archive requirements as well as near-online news and sports clips requiring fast and random access to any files on the disc. Optical disc complements and co-exists in an established data tape archive strategy. Ideal for deep archive and near-online archive The Sony ODA system is ideal for deep archive for very long term archiving, such as broadcaster archives where data tape does not provide the assurance or meet the need for write-once, very long-term archive requirements. It provides second copy archive at a remote site and is ideal for business continuity/disaster recovery, post house and production back-up and for video, film and stock footage archives or national archives. The system can also be used for news and sports clips that need to be near-online and as an on-line browse and proxy clip store.

Sony PFD50DLA XDCAM / XDCAM HD Dual Layer Optical Disc Media (50GB)

Sony PFD50DLA (PFD-50DLA, PFD/50DLA, PFD 50DLA) XDCAM / XDCAM HD Dual Layer Optical Disc Media (50GB) The new dual-layer disc, model PFD50DLA, has a total storage capacity of 50 GB. Professional users can record up to 4 hours 30 minutes of high-definition content on the dual-layer disc when shooting with MPEG HD420 mode at 18 Mbps, or 3 hours 20 minutes at 25 Mbps and 2 hours 30 minutes at 35 Mbps. In DVCAM mode, users can get about 3 hours 10 minutes of content onto the new disc.  The PFD50DLA media is compatible with new XDCAM HD products planned for availability in September, including the PDW-F355L camcorder, PDW-F75 deck and PDW-U1 Drive Unit. The dual-layer disc is also designed for optimum performance with future versions of the XDCAM system.  Using blue-laser technology, the new dual-layer disc can attain high density recording more than 10 times capacity that of a consumer DVD (4.7GB) using red-laser technology. The dual-layer PFD50DLA is a 12cm (5 inch) rewritable optical disc with a track pitch of 0.32 µm, encased in a protective cartridge thats designed to be resistant to dust, shock and X-rays.  With both the new dual-layer disc and original single-layer version, users can expect a minimum of 1,000 read/write/erase cycles and 1,000,000 read cycles, under specified operating conditions, and an estimated archival life of more than 50 years, according to Sony testing.  The new dual-layer media will be available in September, at the same time as the next generation of XDCAM products, with a suggested list price per disc still to be determined.

Sony CAT-G128 G-Series 128GB 530MB/s CFast 2.0 Card

Sony CAT-G128 (CAT_G128, CAT/G128, CAT G128) G-Series 128GB 530MB/s CFast 2.0 Card The Sony CFast 2.0 G Series memory card offers the speed and capacity that pros and prosumers need. Whether for photography, broadcast, or cinema, the top write speed of up to 510MB/s enables continuous raw burst shooting, and top read speed of up to 530MB/s allows fast transfer of large files including 4K videos. VPG1302 support ensures a minimum 130MB/s sustained write speed for cinema-quality video recording.

Sony SV-GS96B 960GB Solid State Drive with up to 500MB Transfer Speeds

Sony SV-GS96B (SV_GS96B, SV/GS96B, SV GS96B) 960GB Solid State Drive with up to 500MB Transfer Speeds Highly durable, long-lifetime SSD for 4K and HD professional video recordings G series Professional Solid State Drive (SSD) provides reliable, high-speed, high capacity memory able to handle the high bitrates of 4K recordings for video recording devices on even the most demanding productions. The SV-GS96 provides 960GB. The professional SSD utilizes Sony’s unique advanced error correction technology to radically extend the life-time of the unit, up to 2400TBW (Terabytes Written). This means the 960GB model can be used for 10 years even if it is fully written with data five times a week. The unit is further protected by Sony’s original data protection technology to ensure less data loss even if there is a sudden power loss while shooting. The professional SSD also has a durable connector for additional security in harsh conditions. Highly durable, long-lifetime professional SSD, reduces Total Cost of Ownership Sony’s unique, advanced ECC (Error Correction Code) technology increases total Terabytes Written (TBW), which leads to a longer lifetime. Up to a total 2400TB of data can be written before the SSD reaches its limitation of write cycles. This means the 960GB model can be used for 10 years even if it is fully written with data five times a week. This longer lifetime contributes to extended replacement cycles of SSD and reduces TCO (Total Cost of Ownership). Stable, ultra-fast data writing speed ideal for higher bit rate 4K video recordings Sony’s intelligent Garbage Collection function ensures stable recordings of high bit rate 4K video without frame dropping. High reliability with data protection technology to protect against sudden power failure Sony’s original data protection technology protects data even if a sudden power failure occurs while shooting. It ensures that data is less damaged or lost if there is a sudden power shutoff while writing data onto the SSD. Durable connector for professional use A durable connector protects against harsh shooting conditions. G series Professional SSD has a durable connector that has passed the severe test of repeat insertion/removal 3000 times*, compared to six times for SATA standard. This gives professionals additional security when working in harsh conditions. Based on Sony internal testing. Actual performance may vary. Based on environmental conditions and usage. 960GB and 480GB SSD options The SV-GS96 provides 960GB capacity and the SV-GS48 provides 480GB.  

Sony F5 Full HD 4K Camera + Wide Lens Kit

Sony PMW-F5/WIDELENS (PMW/F5/WIDELENS, PMW-F5-WIDELENS, PMW/F5_WIDELENS) F5 Full HD 4K Camera + Wide Lens Kit Sony 4K sensor for gorgeous, super-sampled HD and 2K. The PMW-F5 CineAlta allows you to shoot spectacular images with its 8.9 megapixels (effective) Sony 4K image sensor. Superior, super-sampled pictures with higher contrast, rich colour reproduction and greater clarity. Robust built-in recording modes, all with vibrant 4:2:2 colour. Irresistible options include the amazing precision of 16-bit linear RAW 2K/4K recording and high speed shooting at up to 120 fps without cropping. Multiple recording formats Includes 16-bit RAW 2K/4K on AXSM media and HD/2K on SxS memory, MPEG-2 HD422, MPEG4 SStP*, XAVC 2K*/HD and 16-bit RAW 2K/4K**. Simultaneous recording on internal high-speed SxS PRO+ memory cards and RAW 2K/4K recording on sleek AXSM™ memory cards using the optional bolt-on AXS-R5 recorder, designed specifically to attach seamlessly to the F55 and F5 cameras. There is also high speed shooting up to120 fps XAVC 2K/HD* internally and 120 fps RAW 2K onto the AXS-R5. Lightweight modular design to maximise versatility in 2D and 3D. The F5 is exceptionally small, light and modular, letting you build up the right configuration for each job – or each shot. As well as the choice of formats and internal and external recording options, you can attached a variety of viewfinders, including the revolutionary optional DVF-EL100 OLED viewfinder, PL-mount, FZ-mount and still lenses, including second-generation Sony PL-mount lenses, and extra long-life Olivine – Lithium Iron Phosphate – batteries. The chassis is only slightly wider than a typical PL-mount prime lens, perfect for 3D rigs. An optional shoulder rig provides for hand-held and shoulder-mounted shooting. This camcorder includes a wide-angle zoom 1.5-times 11-16mm T3.0 lens aimed at high-end cinema, drama, documentary and commercials productions. The SCL-P11X15 has been specifically designed to fit to the PMW-F3K via the camcorder’s supplied PL Mount Adapter, which also means the lens is compatible with any other PL Mount camcorder from Sony and also camcorders from many other manufacturers. PrimeSupport This product comes with PrimeSupport – fast, hassle-free repairs and a helpline offering expert technical advice. Which gives you the peace of mind that Sony is looking after your equipment, and your business.  

Sony Quick Release Tripod Plate

Sony VCT-U14 (VCT_U14, VCT/U14, VCT U14) Quick Release Tripod Plate The Sony VCT-14 tripod plate gives stable support for on shoulder cameras when mounted onto a tripod.

Sony Cage for RX0 Camera

Sony VCTCGR1.SYH (VCTCGR1_SYH, VCTCGR1/SYH, VCTCGR1 SYH) (rxo) Cage for RX0 Camera This cage accessory has a total of 35 screw holes (1/4-inch-diameter) in four faces (top, bottom, and sides), to allow future expandability and system flexibility. Button operation and media insertion and removal are possible while the camera is attached to this cage. Cable terminals for HDMI and microphone are also accessible, without detaching the camera from the cage. This cage is designed for quick attachment to and detachment from the camera. You gain freedom to set the system without sacrificing other operability.

Sony Ultra Wide Converter For SEL16F28 and SEL20F28

Sony VCLECU2.SYH (VCLECU2/SYH, VCLECU2_SYH, VCLECU2 SYH) (SEL-16F28, SEL/16F28) (SEL-20F28, SEL 20F28) Ultra Wide Converter For SEL16F28 and SEL20F28  Widen the persepctive of your wide-angle lens even further with the Sony VCL-ECU2 Ultra Wide Converter. This conversion lens is for the Sony SEL16F28 16mm f/2.8 and SEL20F28 20mm f/2.8 E-mount lenses. The 16mm f/2.8 Alpha E-mount lens has a 35mm equivalent length of 24mm which becomes 18mm when used with the VCL-ECF2, and the 20mm f/2.8 lens goes from a 35mm equivalent of 30mm to 24mm. It is constructed of 3 elements in 3 groups. Front and rear lens caps and a carrying case are included to help protect the lens.

Sony Fisheye Converter For SEL16F28 and SEL20F28

Sony VCLECF2.SYH (VCLECF2/SYH, VCLECF2_SYH, VCLECF2 SYH) (SEL-16F28, SEL/16F28) (SEL_20F28 , SEL 20F28) Fisheye Converter For SEL16F28 and SEL20F28  Widen the perspective of your wide-angle lens even further with the Sony VCL-ECF2 Fisheye Converter. This conversion lens is for the Sony SEL16F28 16mm f/2.8 and SEL20F28 20mm f/2.8 E-mount lenses. The 16mm f/2.8 Alpha E-mount lens has a 35mm equivalent length of 24mm which becomes 15mm when used with the VCL-ECF2, and the 20mm f/2.8 lens goes from a 35mm equivalent of 30mm to 20mm. It is constructed of 4 elements in 4 groups. Front and rear lens caps and a carrying case are included to help protect the lens.

Sony High-Sensitivity UHD 4K Video Camera

Sony UMC-S3C//AC (UMC/S3C//AC, UMC_S3C//AC, UMC S3C//AC) High-Sensitivity UHD 4K Video Camera The UMC-S3C can capture smooth 4K/29.97P/25P colour video in almost pitch-black conditions, from night-time starlight to poorly lit rooms. It’s extremely compact size and on-board recording capability make the camera ideal for remote PoV (Point of View), documentaries, wildlife and live action shooting, plus challenging environments where cabling or space are limited. With the highest sensitivity in its class with minimum illumination of 0.004 lx, ISO 409600, the camera is ideal for environments where the human eye struggles to see. Extraordinary low-light imaging performance is delivered by the highly sensitive 35 mm full-frame Exmor CMOS sensor, advanced signal processing and interchangeable E-mount FE lenses. This UMC-S3C records crisp, clear 4K/29.97P/25P colour video using the XAVC S format at up to 100 Mbps, as well as very low-noise 12 megapixel colour still images. The high-speed electronic shutter can capture blur-less colour video of written characters, numbers and human faces. The camera is also equipped with a mechanical shutter for extremely sharp still images, even when there’s movement in a scene. A choice of interchangeable E-mount FE lenses (available separately) offers the flexibility to adjust the camera’s viewing angle to suit a wide range of applications. Long-duration video and still images can be recorded to the camera’s on-board SD memory card or output to an external recorder or monitor via HDMI. For example: with a 64 GB memory card, users can record up to 125 minutes of 4K footage with standard quality (29.97P/60 Mbps). Weighing approximately 390g (13.8 oz), the UMC-S3C is ideal for installation in mobile platforms like vehicles and robots. The camera can be controlled via multi terminal**, remote controller or a PC and compatible software. Crisp, clear 4K video and still images, even in near darkness With an ultra-high sensitivity of ISO 409600*, the UMC-S3C captures crisp, clear 4K/29.97P/25P colour video and low-noise 12 megapixel still images in minimum illumination conditions of 0.004 lx. The 35 mm full-frame Exmor sensor captures significantly more incident light than conventional cameras, while the image processing extremely enhances the high sensitivity with very low noise. Area-specific noise reduction selectively divides the image into areas based on patterns (such as edges, textures and evenly coloured areas like blue skies) to efficiently reduce noise and improve image quality. Detail reproduction technology helps to accurately depict details with a more natural sense of dimension. Standard ISO 100–102400, expandable to 50–409600 Greater shooting flexibility with choice of E-mount FE lenses The camera’s versatility in a wide range of shooting applications is enhanced by compatibility with a wide range of interchangeable E-mount FE lenses (available separately)*. These maximise the performance of the 35 mm full-frame sensor, maintaining high resolution across the entire image area from centre to edges. Compatible E mount FE lenses include the SEL35F14Z (35 mm, F1.4), SEL35F28 (35 mm, F2.8), SEL28F20 (28 mm, F2.0), and SEL55F18Z (55 mm, F1.8). Small and light enough to go anywhere Ideal for use in space-limited situations, the compact camera measures approximately 104.0 mm x 84.0 mm x 48.0 mm (4 1/8 inches x 3 3/8 inches x 1 15/16 inches). With a light weight of approximately 390 g (13.8 oz), it’s ideal for installation in mobile environments such as vehicles and robots. Easy operation even on the move 4K video or still images can be recorded internally to an SD card, or fed via HDMI to an external recorder or monitor, even when the camera is on the move. The camera’s multi terminal can connect to Micro USB-compatible devices, allowing remote control of functions such as zoom and shutter release, Rec Start/Stop, and Zoom using widely-available consumer accessories. High quality internal recording The camera can continuously record 4K/29.97P/25P colour video in the XAVC S format at up to 100 Mbps, and 12 megapixel colour still images in JPEG or RAW format at 14 bits to an SD memory card. For example, a 64 GB SD card can record up to 125 minutes of continuous 4K footage with standard quality (29.97P/60 Mbps). Recorded video files can be reviewed on a wide range of ordinary PC media players compatible with the MP4 format such as Windows Media Player. With an ultra-high sensitivity of ISO 409600* and internal recording, this compact 4K video camera is ideal for a wide range of remote shooting applications in almost total darkness. Standard ISO 100–102400, expandable to 50–409600 Supports Micro USB compatible devices  

Sony Spare Lens Protector for RX0 Camera

Sony VFSPR1.SYH (VFSPR1/SYH, VFSPR1_SYH, VFSPR1 SYH) Spare Lens Protector for RX0 Camera The Spare Lens Protector for RX0 Camera from Sony replaces the original lens protector supplied with the camera. An Allen key and screws are included with this rectangular Lens Protector.

Sony Triple-Stream PoE+, Full HD PTZ Camera 3G-SDI, HDMI

Sony SRG-360SHE (SRG_360SHE, SRG/360SHE, SRG 360SHE) Triple-Stream PoE+, Full HD PTZ Camera 3G-SDI, HDMI With a 30x optical zoom and remote control capabilities, the Sony SRG360SHE Triple-Stream PoE+, Full HD PTZ Camera with 3G-SDI, HDMI is suitable for medium to large venues such as classrooms, courtrooms, boardrooms, and houses of worship. The unit consists of the pan/tilt module and the camera head and lens. The SRG360SHE captures HD video in 720p, 1080i, or 1080p at up to 59.94. It features a 1/2.8" Exmor CMOS sensor providing low-light sensitivity of 1.4 lux. The camera comes with Sony's Wide-D for wide dynamic range, enhancing the image with View-DR. The SRG360SHE can simultaneously output via its SDI, HDMI, and IP output, making it suitable for distance learning as well as for immediate viewing in a classroom. The PoE+ feature allows you to mount the camera anywhere you have an active PoE+ Ethernet port, without having to run additional AC or DC power. Remote operation is a major component of the SRG360SHE's design, and the camera supports VISCA control protocols, as well as RS-422. You can program the camera with up to 256 preset positions, which is useful for repetitive events and productions. The small size and remote operation capabilities of the SRG360SHE allow for placement where a manually operated camera and operator cannot go. The SRG-360SHE supports triple streaming outputs of 1080/60p baseband video through 3G-SDI, HDMI, and a H.264-compressed video/audio stream via IP. This triple streaming capability makes the camera ideal for webcasting, viewing and simultaneously recording conferences, lectures, seminars, and other live events. The SRG-360SHE supports a PoE+ (Power over Ethernet) capability that carries IP video/audio control and power over a single connection cable, making for a simpler installation anywhere you can run an Ethernet cable, without having to worry about running a dedicated power line. Please note that you will need to use a PoE+ Router (not included). With enhanced audio quality courtesy of an equalizer and auto lip-sync function, the SRG-360SHE enhances stereo audio from a connected stereo microphone (not included) or line inputs by using the onboard equalizer and auto level control. Unwanted signal delays between audio and video are compensated for by the SRG-360SHE's auto lip-sync function. Enhanced PTZ operation allows you to produce professional-looking results even with non-professional camera operators. 'Semi-Synchronous Simultaneous Motion' improves transitions between subjects, delivering smooth, coordinated camera motion that does not distract viewers. A Slow P/T setting allows for precise tracking of a speaker walking across a stage. PTZ Trace Memory provides the ability to store a sequence of camera movements as a preset. Featuring a 30x optical zoom lens with 12x digital zoom enables you to cover the room with a wide 65° viewing angle and zoom in tight for detailed shots. The SRG-360SHE supports up to 256 camera preset positions using a free plug-in viewer and ActiveX viewer. Sony View-DR and XDNR technologies provide clear images in low-light environments and reduce noise. Pan/Tilt/Zoom controls are operated by VISCA protocols through either the RS-422 (serial) connector or RJ-45 (IP) connection allowing for either local or remote operation and easy cabling.  

Sony Full HD remotely controlled PTZ colour video camera with IP streaming (White)

Sony SRG-300SEW (SRG_300SEW, SRG/300SEW, SRG 300SEW) Full HD remotely controlled PTZ colour video camera with IP streaming (White)  With a 30x optical zoom and remote control capabilities, the white Sony SRG300SE/W 1080p Desktop & Ceiling Mount Remote PTZ Camera, is suitable for medium to large venues such as lecture halls, auditoriums, houses of worship, and stadiums. The unit consists of the pan/tilt module and the camera head and lens. The SRG300SE/W captures HD video in 720p, 1080i, or 1080p at up to 59.94. It features a 1/2.8" Exmor CMOS sensor providing low light sensitivity of 1.4 lux. The camera comes with Sony's Wide-D for wide dynamic range, enhancing the image with View-DR, while XDNR provides digital noise reduction in both moving and still images. The SRG300SE/W is suitable for use on a desk, mounted to a tripod, or you can mount it to a ceiling using the included brackets. The camera also features an Image Flip option, which simplifies setting up the camera when it is mounted upside down. It features remote control operation of pan, tilt, zoom, focus, iris, shutter speed, and gain. Remote operation is a major component of the SRG300SE/W's design, and the camera supports VISCA control protocols, as well as RS-232 and RS-422. You can program the camera with up to 16 preset positions, which is useful for repetitive events and productions. The small size and remote operation capabilities of the SRG300SE/W allow for placement where a manually operated camera and operator can not go. SRG-300SE Features The SRG-300SE provides simultaneous 3G-SDI and IP H.264 streaming. This allows you to feed an SDI infrastructure a 3G-SDI signal, while streaming web ready video stream without using an external encoder to convert your video signal to a web friendly format. Web-viewing function allows remote camera control for up to 20 clients. Up to 10 clients can receive video and audio combined streaming. Remote Operation Remote operated HD camera with pan, tilt, zoom, focus, iris, and shutter speed control Zoom Range The SRG300SE/W provides up to 30x optical zoom, and 12x digital zoom Camera Control VISCA over IP technology allows for control of the camera over an IP connection. RS-232 and RS-422 control of the camera The camera supports programming of up to 16 preset positions using optional controllers such as the Sony RMIP10 Wide-D/View-DR View-DR is Sony's Wide-D technology, specific to their security cameras to produce images with an extremely wide dynamic range. With View-DR, the camera uses an electronic shutter to capture multiple images, to reproduce each frame. One image is taken using a 'standard' exposure time and either one or three images are taken using very short exposure times depending on the camera type. As a result, View-DR nearly doubles the sensitivity compared to conventional Wide-D technologies. XDNR Noise Reduction XDNR utilizes 2D and 3D noise reduction methods adaptively to scenes. Under low-light conditions, XDNR provides clear images for both moving objects and still portions of the image.    

Sony Full HD remotely controlled PTZ colour video camera with IP streaming (Black)

Sony SRG-300SEC (SRG_300SEC, SRG/300SEC, SRG300SEC) Full HD remotely controlled PTZ colour video camera with IP streaming (Black)  With a 30x optical zoom and remote control capabilities, the black Sony SRG300SE 1080p Desktop & Ceiling Mount Remote PTZ Camera, is suitable for medium to large venues such as lecture halls, auditoriums, houses of worship, and stadiums. The unit consists of the pan/tilt module and the camera head and lens. The SRG300SE captures HD video in 720p, 1080i, or 1080p at up to 59.94. It features a 1/2.8" Exmor CMOS sensor providing low light sensitivity of 1.4 lux. The camera comes with Sony's Wide-D for wide dynamic range, enhancing the image with View-DR, while XDNR provides digital noise reduction in both moving and still images. The SRG300SE is suitable for use on a desk, mounted to a tripod, or you can mount it to a ceiling using the included brackets. The camera also features an Image Flip option, which simplifies setting up the camera when it is mounted upside down. It features remote control operation of pan, tilt, zoom, focus, iris, shutter speed, and gain. Remote operation is a major component of the SRG300SE's design, and the camera supports VISCA control protocols, as well as RS-232 and RS-422. You can program the camera with up to 16 preset positions, which is useful for repetitive events and productions. The small size and remote operation capabilities of the SRG300SE allow for placement where a manually operated camera and operator can not go. SRG-300SE Features The SRG-300SE provides simultaneous 3G-SDI and IP H.264 streaming. This allows you to feed an SDI infrastructure a 3G-SDI signal, while streaming web ready video stream without using an external encoder to convert your video signal to a web friendly format. Web-viewing function allows remote camera control for up to 20 clients. Up to 10 clients can receive video and audio combined streaming. Remote Operation Remote operated HD camera with pan, tilt, zoom, focus, iris, and shutter speed control Zoom Range The SRG300SE provides up to 30x optical zoom, and 12x digital zoom Camera Control VISCA over IP technology allows for control of the camera over an IP connection. RS-232 and RS-422 control of the camera The camera supports programming of up to 16 preset positions using optional controllers such as the Sony RMIP10 Wide-D/View-DR View-DR is Sony's Wide-D technology, specific to their security cameras to produce images with an extremely wide dynamic range. With View-DR, the camera uses an electronic shutter to capture multiple images, to reproduce each frame. One image is taken using a 'standard' exposure time and either one or three images are taken using very short exposure times depending on the camera type. As a result, View-DR nearly doubles the sensitivity compared to conventional Wide-D technologies. XDNR Noise Reduction XDNR utilizes 2D and 3D noise reduction methods adaptively to scenes. Under low-light conditions, XDNR provides clear images for both moving objects and still portions of the image.

Sony 1080p Desktop & Ceiling Mount Remote PTZ Camera - White

Sony SRG-300HW (SRG/300HW, SRG_300HW, SRG 300HW) 1080p Desktop & Ceiling Mount Remote PTZ Camera - White With a 30x optical zoom and remote control capabilities, the black Sony SRG-300H 1080p Desktop & Ceiling Mount Remote PTZ Camera, is suitable for medium to large venues such as lecture halls, auditoriums, houses of worship, and stadiums. The unit consists of the pan/tilt module and the camera head and lens. The SRG-300H captures HD video in 720p, 1080i, or 1080p at up to 59.94. It features a 1/2.8" Exmor CMOS sensor providing low light sensitivity of 1.4 lux. The camera comes with Sony's Wide-D for wide dynamic range, enhancing the image with View-DR, while XDNR provides digital noise reduction in both moving and still images. The SRG-300H is suitable for use on a desk, mounted to a tripod, or you can mount it to a ceiling using the included brackets. The camera also features an Image Flip option, which simplifies setting up the camera when it is mounted upside down. It features remote control operation of pan, tilt, zoom, focus, iris, shutter speed, and gain. Remote operation is a major component of the SRG-300H's design, and the camera supports VISCA control protocols, as well as RS-232 and RS-422. You can program the camera with up to 16 preset positions, which is useful for repetitive events and productions. The small size and remote operation capabilities of the SRG-300H allow for placement where a manually operated camera and operator can not go. Remote Operation Remote operated HD camera with pan, tilt, zoom, focus, iris, and shutter speed control Zoom Range The SRG-300H provides up to 30x optical zoom, and 12x digital zoom Camera Control VISCA over IP technology allows for control of the camera over an IP connection. RS-232 and RS-422 control of the camera The camera supports programming of up to 16 preset positions using optional controllers such as the Sony RMIP10 The included IR Remote allows you to program 6 preset positions. Wide-D/View-DR View-DR is Sony's Wide-D technology, specific to their security cameras to produce images with an extremely wide dynamic range. With View-DR, the camera uses an electronic shutter to capture multiple images, to reproduce each frame. One image is taken using a 'standard' exposure time and either one or three images are taken using very short exposure times depending on the camera type. As a result, View-DR nearly doubles the sensitivity compared to conventional Wide-D technologies. XDNR Noise Reduction XDNR utilizes 2D and 3D noise reduction methods adaptively to scenes. Under low-light conditions, XDNR provides clear images for both moving objects and still portions of the image.

Sony 1080p Desktop & Ceiling Mount Remote PTZ Camera - Black

Sony SRG-300HC (SRG/300HC, SRG_300HC, SRG 300HC) 1080p Desktop & Ceiling Mount Remote PTZ Camera - Black With a 30x optical zoom and remote control capabilities, the black Sony SRG-300H 1080p Desktop & Ceiling Mount Remote PTZ Camera, is suitable for medium to large venues such as lecture halls, auditoriums, houses of worship, and stadiums. The unit consists of the pan/tilt module and the camera head and lens. The SRG-300H captures HD video in 720p, 1080i, or 1080p at up to 59.94. It features a 1/2.8" Exmor CMOS sensor providing low light sensitivity of 1.4 lux. The camera comes with Sony's Wide-D for wide dynamic range, enhancing the image with View-DR, while XDNR provides digital noise reduction in both moving and still images. The SRG-300H is suitable for use on a desk, mounted to a tripod, or you can mount it to a ceiling using the included brackets. The camera also features an Image Flip option, which simplifies setting up the camera when it is mounted upside down. It features remote control operation of pan, tilt, zoom, focus, iris, shutter speed, and gain. Remote operation is a major component of the SRG-300H's design, and the camera supports VISCA control protocols, as well as RS-232 and RS-422. You can program the camera with up to 16 preset positions, which is useful for repetitive events and productions. The small size and remote operation capabilities of the SRG-300H allow for placement where a manually operated camera and operator can not go. Remote Operation Remote operated HD camera with pan, tilt, zoom, focus, iris, and shutter speed control Zoom Range The SRG-300H provides up to 30x optical zoom, and 12x digital zoom Camera Control VISCA over IP technology allows for control of the camera over an IP connection. RS-232 and RS-422 control of the camera The camera supports programming of up to 16 preset positions using optional controllers such as the Sony RMIP10 The included IR Remote allows you to program 6 preset positions. Wide-D/View-DR View-DR is Sony's Wide-D technology, specific to their security cameras to produce images with an extremely wide dynamic range. With View-DR, the camera uses an electronic shutter to capture multiple images, to reproduce each frame. One image is taken using a 'standard' exposure time and either one or three images are taken using very short exposure times depending on the camera type. As a result, View-DR nearly doubles the sensitivity compared to conventional Wide-D technologies. XDNR Noise Reduction XDNR utilizes 2D and 3D noise reduction methods adaptively to scenes. Under low-light conditions, XDNR provides clear images for both moving objects and still portions of the image.

Sony E 50mm f/1.8 OSS Lens (Silver)

Sony SEL50F18.AE (SEL50F18/AE, SEL50F18-AE, SEL50F18_AE) E 50mm f/1.8 OSS Lens (Silver) E 50mm F1.8 OSS Prime Lens This 50mm mid range telephoto lens offers a focal length that is perfect for portraiture and a range of other subjects, a bright F1.8 maximum aperture, Optical SteadyShot (OSS) image stabilization and impressive image quality, all in a surprisingly compact and lightweight package. Add responsive, quiet autofocus and aperture operation, and you have a lens that is ideally suited to shooting movies as well as stills. Circular Aperture When changing your aperture to defocus the background, the light sources appear blurred. This ‘bokeh’ effect of the blurred background can be enhanced with circular aperture blades used in this lens. Conventional aperture blades have flat sides creating unappealing polygonal shaped defocussed points of light. α lenses overcome this problem through a unique design that keeps the aperture almost perfectly circular from its wide-open setting to when it is closed by 2 stops. Smoother, more natural defocusing can be obtained as a result. Lens-based optical image stabilization Gyro sensors built into the lens detect even the slightest movement, and the stabilization lens is precisely shifted to counteract any image blur that might occur. The use of precision, quiet linear motors and technology inherited from high-end Sony professional camcorders results in exceptionally quiet, effective image stabilization that contributes to high-quality movies as well as stills. Internal focusing  Only the middle groups of the optical system move to achieve focus, so the overall length of the lens does not change. Other important benefits include fast autofocusing and a short minimum focusing distance. Also, the filter thread at the front of the lens does not rotate, which is convenient if you’re using a polarizing filter.

Sony Distagon T* FE 35mm f/1.4 ZA Lens

Sony SEL35F14Z.SYX (SEL35F14Z/SYX, SEL35F14Z_SYX, SEL35F14Z SYX) Distagon T* FE 35mm f/1.4 ZA Lens Fast, sharp, and loaded with the latest technology, the Distagon T* FE 35mm f/1.4 ZA Lens from Sony offers full-frame E-Mount shooters a classic wide-angle focal length with excellent optical performance. The fast f/1.4 maximum aperture provides very effective low light capability and shallow depth of field control. Its advanced optical design - including aspherical and advanced aspherical (AA) lens elements combined with ZEISS T* coating - deliver outstanding image resolution and suppresses reflections for excellent contrast and clarity. The Direct Drive Super Sonic Wave AF System employs piezoelectric elements oscillating at ultrasonic frequencies to drive the focus lens with accuracy and near-silence. The quiet AF and wide aperture make this an ideal prime lens for recording video and filmmakers will love the responsive physical aperture ring that can be changed from clicked to de-clicked with the flip of a switch on the lens barrel. The circular 9-blade aperture helps to create pleasing out-of-focus highlights and a dust and moisture resistant barrel design enable this lens to be used confidently in inclement weather. Wide Angle Prime Lens for Full-Frame E-Mount Cameras This 35mm prime lens offers a moderately wide focal length, ideal for landscapes and interiors as well as documentary photography and photojournalism. Its f/1.4 maximum aperture is effective in low light and enables shallow depth of field control. When used on APS-C E-Mount cameras, it provides a 35mm focal length equivalence of 52.5mm. Direct Drive Super Sonic Wave AF Motor The quiet and precise DDSSM focus drive employs piezoelectric elements oscillating at ultrasonic frequencies to drive the focus lens groups. The system is remarkably quiet, making it ideal for video recording. It also improves the precision of "focus wobble" employed to achieve optimum focus when shooting movies. Responsive Aperture Ring A responsive aperture ring offers positive action that will satisfy professional photographers and filmmakers alike. The aperture ring click stops can be switched on or off as required. "Off" is the preferred setting for moviemaking since it results in the least aperture operation noise. When "On" the ring provides tactile feedback that is useful when shooting stills. Aspherical and Advanced Aspherical Elements Advanced Aspherical and Aspherical lens elements minimizes spherical aberration while also reducing lens size and weight. Specially shaped "aspherical" elements near the diaphragm restore alignment of light rays at the image plane, maintaining high sharpness and contrast even at maximum aperture and can also be used at other points in the optical path to reduce distortion. ZEISS T* (T-Star) Coating This lens features the ZEISS T* (T-Star) coating that virtually eliminates lens flare, internal reflection and light scattering that can otherwise occur at glass-to-air surfaces. The T* coating contributes to outstanding image quality, with high contrast and uniformly excellent resolution from edge to edge across the image frame. Robust Build Water and dust resistant sealing enable this lens to be confidently used in outdoor setting and inclement weather.  

Sony 30mm f3.5 Macro Lens (Silver) - E Mount

Sony SEL30M35.AE (SEL30M35/AE, SEL30M35_AE, SEL30M35 AE) 30mm f3.5 Macro Lens (Silver) - E Mount The SEL30M35 has been designed to offer versatile, high-performance macro capabilities in a lens that is compact, lightweight and easy to use. It is a true 1:1 macro lens with a 2.4 centimeter minimum working distance that allows tiny subjects and details to be rendered with excellent resolution and contrast. 1:1 Magnification Ratio The SEL30M35 has a 1:1 magnification ratio so that subjects can be captured at full size on the camera’s image sensor. This makes it easy to shoot quality macro close-ups of flowers, insects, and small objects. Aspherical/ED Glass Elements The SEL30M35 offers excellent image quality throughout the entire image area, with high contrast and minimal chromatic aberration from infinity to 1:1 magnification at all aperture settings. ED glass is used for the G4 element, minimising chromatic aberration and colour bleeding as well as multi-coating throughout for exceptionally clean, clear rendering Smooth Manual Focusing An easy-grip focus ring on the lens barrel gives you a solid "hands-on" feel in manual focusing. Additionally, Direct Manual Focus (DMF) allows you to focus manually after AF lock-on without the need for any switching. This can be extremely useful in situations where AF can’t lock onto the subject accurately, or when AF locks onto a point that does not match your intention. Electronic manual focus technology was originally developed for professional Sony camcorders to ensure smooth, precise focus control. Made for Movies The SEL30M35 performs equally as well when shooting video. Thanks to an internal stepping motor and rear-focusing design It has optimised video performance for smooth, quiet operation essential for high-quality movie capture. Additionally, the filter mount does not rotate during focusing for hassle-free polarized filter use. Smooth defocusing Instead of a standard polygon-shaped lens aperture, this lens features a 7-blade circular aperture for more natural, rounded defocusing or ‘bokeh’. Refined optical performance Aspherical lens elements minimise distortion while ED (Extra-low Dispersion) glass elements provide superior contrast, resolution, and colour fidelity. Fast, agile focusing An internal focusing mechanism means the lens barrel doesn’t move, enabling a more compact design, faster autofocus response, and reduced minimum focusing distances.  

Sony 24-70mm FE 24-70mm f2.8 GM Lens for E-Mount

Sony SEL2470GM.SYX (SEL2470GM/SYX, SEL2470GM_SYX, SEL2470GM SYX) 24-70mm FE 24-70mm f2.8 GM Lens for E-Mount  The Sony 24-70mm GM lens provides a wide maximum aperture of f/2.8 throughout zoom range for great low light performance and pleasing bokeh. Optically it also includes an XA (Extreme Aspherical) lens element for stunning corner-to-corner resolution throughout the zoom range. To add to this, there is one ED and one Super ED (Extra Low Dispersion) lens element for controlling axial and lateral chromatic aberration as well as producing the best possible subjective resolution. Nano AR (anti-reflective) coating also ensures superb contrast and prevention of flare and ghosting. A 9-blade circular aperture ensures soft bokeh even at small apertures, and the focusing mechanism uses a Direct Drive SSM (DDSSM) system for fast and quiet focusing for both stills and movies. This system also reduces spurious focus movements for the smoothest possible focus action. Other features include a Zoom Lock to prevent unwanted zooming caused by lens barrel weight, ergonomic placement of AF/MF switch and focus lock button, and tough build quality with dust and moisture protection. Additionally there is a hood lock system with a manual release button.

Sony FE 24-240 mm F3.5 - 6.3 OSS Lens

Sony SEL24240.SYX (SEL24240/SYX, SEL24240_SYX, SEL24240 SYX) FE 24-240 mm F3.5 - 6.3 OSS Lens A 24mm to 240mm 10x zoom range allows this one lens to cover an extensive variety of shooting situations, making it ideal for travel where reducing luggage is a priority, for landscapes, architecture, snapshots, portraits, and much more. Switch between wide angle and telephoto without having to change lenses, so more of those fleeting moments will be captured. Advanced optics effectively subdue aberration while achieving high resolution throughout the image area, and a precision linear motor drives focus for quick, smooth response. Handheld telephoto shots and low-light photography are facilitated by built-in Optical SteadyShot (OSS) image stabilization, and the design is dust and moisture resistant for reliable operation in challenging conditions.

Sony FE 2.0x Teleconverter

Sony SEL20TC.SYX (SEL20TC/SYX, SEL20TC_SYX, SEL20TC SYX) FE 2.0x Teleconverter Extending the effective focal length of the Sony FE 70-200mm f/2.8 GM OSS lens, the FE 2.0x Teleconverter renders this telephoto zoom as a 140-400mm f/5.6 lens. Extending the effective focal length of the Sony FE 70-200mm f/2.8 GM OSS lens, the FE 2.0x Teleconverter renders this telephoto zoom as a 140-400mm f/5.6 lens. The dedicated design maintains full communication between the lens and E-mount mirrorless cameras, including auto-exposure metering, autofocus, and Optical SteadyShot image stabilization. Additionally, this teleconverter also features a dust- and moisture-resistant construction, matching the lens, to benefit working in harsh environmental conditions. 2.0x teleconverter doubles the reach of the 70-200mm lens with only a two-stop loss in exposure. Dedicated design maintains a high degree of image quality as well as full electronic communication to support the use of AE, AF, and OSS. Weather-resistant design matches the construction of the 70-200mm lens itself for use in inclement conditions.    

Sony E 20mm f/2.8 Pancake Lens

Sony SEL20F28.AE (SEL20F28/AE, SEL20F28-AE, SEL20F28_AE) E 20mm f/2.8 Pancake Lens The E 20mm f/2.8 Lens from Sony, a super compact "pancake" lens designed for APS-C-format E-mount cameras where it provides a 30mm equivalent focal length. It offers shooters a fast f/2.8 aperture for use in low light and for creating images with a shallow depth of field. Benefitting image quality are three aspherical elements to minimize the appearance of aberrations while a rear focusing design improves autofocus speed and helps reach a minimum focus distance of 7.9". Additionally, the lens is equipped with a seven-blade circular diaphragm for smooth, rounded bokeh. With its pancake design, the lens only extends 0.8" from the mount, resulting in a compact and lightweight camera system. Optimized for APS-C-format cameras, this compact 20mm lens offers a wide-angle 30mm equivalent focal length. The fast f/2.8 maximum aperture permits operation in less-than-ideal lighting situations and allows photographers to capture images with shallow depth of field. Three aspherical elements are incorporated in the lens design to reduce astigmatism, field curvature, coma, and other monochromatic aberrations. The lens uses a rear focusing design that contributes to faster autofocus performance as well as a minimum focus distance of 7.9". Rounded seven-blade diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques.  

Sony E 18-55mm F3.5-5.6 OSS Versatile Zoom Lens

Sony SEL1855.AE (SEL1855/AE, SEL1855-AE, SEL1855 AE) E 18-55mm F3.5-5.6 OSS Versatile Zoom Lens The SEL1855 offers comfortable framing and capture of landscapes, snapshots, portraits and more. Built-in image stabilisation enables handheld shooting in low light. Capture smooth, blur-free images Built-in Optical SteadyShot™ image stabilisation within the lens ensures smooth, blur-free photos and videos when shooting handheld. Smooth defocusing Instead of a standard polygon-shaped lens aperture, this lens features a 7-blade circular aperture for more natural, rounded defocusing or ‘bokeh’. Refined optical performance To optimise performance, aspherical lens elements maintain high contrast (even with the aperture wide open) and minimise distortion and flatness of the image plane. Fast, agile focusing An internal focusing mechanism means the lens barrel doesn’t move, enabling a more compact design, faster autofocus response, and reduced minimum focusing distances.  

Sony 18-200mm f3.5-6.3 OSS LE Zoom Lens - E Mount

Sony SEL18200LE.AE (SEL18200LE/AE, SEL18200LE_AE, SEL18200LE AE) 18-200mm f3.5-6.3 OSS LE Zoom Lens - E Mount  Significantly smaller and lighter than comparable lenses, the Sony SEL18200LE high magnification zoom lens is perfect for a wide range of shooting situations. With a compact size achieved in part by downsizing the autofocus motor and optical image stabilization unit, this lens offers a powerful mix of versatility and image quality perfect for shooting scenarios where a light, compact camera and lens combination is optimal. The broad focal length coverage of the lens - from 18mm wide angle to 200mm telephoto (27mm to 300mm in 35mm equivalence) - makes it an ideal high-magnification "travel" lens for a wide range of shots. Capture expansive landscapes, charming portraits with pleasantly blurred backgrounds, even sports and nature shots. Optical SteadyShot (OSS) technology cuts down on blur caused by camera shake and reduces reliance on high ISO settings when shooting in dark environments. New compact and lightweight design Significantly smaller and lighter than the SEL18200 lens, the SEL18200LE is the perfect lens to cover a wide range of shooting situations. Achieved in part by downsizing the autofocus motor and optical image stabilization unit, this compact lens versatility and image quality will appeal to all users who desire a light, compact camera and lens combination. High imaging performance Equipped with two ED (Extra-low Dispersion) glass elements and four aspherical elements, the SAL-18200LE lens employs the same popular, circular aperture found in many a lenses, enabling photos with beautifully round defocus areas. Optical SteadyShot Equipped with Optical SteadyShot (OSS), the lens compensates for blur caused by camera shake. In addition to reducing blur for normal handheld photography, Optical SteadyShot also reduces reliance on high ISO settings when shooting in dark environments, greatly enhancing the effectiveness of Hand-held Twilight and Anti Motion Blur modes. 11x high-magnification zoom The broad focal length coverage of the lens — from 18 mm to 200 mm (27 mm to 300 mm in 35 mm equivalent) makes it an ideal high-magnification “travel” lens for a wide range of photography. Users can easily capture expansive landscapes, snapshots of expressive faces at a “human-vision” angle of view, charming portraits with softly blurred backgrounds and more. In addition, the telephoto capability of the lens makes it ideal for sports and nature photography. Capture smooth, blur-free images Built-in Optical SteadyShot™ image stabilisation within the lens ensures smooth, blur-free photos and videos when shooting handheld. Smooth defocusing Instead of a standard polygon-shaped lens aperture, this lens features a 7-blade circular aperture for more natural, rounded defocusing or ‘bokeh’. Refined optical performance Aspherical lens elements minimise distortion while ED (Extra-low Dispersion) glass elements provide superior contrast, resolution, and colour fidelity. Fast, agile focusing An internal focusing mechanism means the lens barrel doesn’t move, enabling a more compact design, faster autofocus response, and reduced minimum focusing distances.  

Sony E 18-200mm f/3.5-6.3 OSS Lens

Sony SEL18200.AE (SEL18200-AE, SEL18200_AE, SEL18200/AE) E 18-200mm f/3.5-6.3 OSS Lens  A versatile zoom lens, the SEL18200 features Optical SteadyShot™ with Active Mode image stabilisation – invaluable when shooting video on the move. Blur-free photos and videos Built-in Optical SteadyShot™ with Active Mode image stabilisation ensures sharp, blur-free images – even when shooting video handheld, on the move. Smooth defocusing Instead of a standard polygon-shaped lens aperture, this lens features a 7-blade circular aperture for more natural, rounded defocusing or ‘bokeh’. Refined optical performance Aspherical lens elements minimise distortion while ED (Extra-low Dispersion) glass elements provide superior contrast, resolution, and colour fidelity. Fast, agile focusing An internal focusing mechanism means the lens barrel doesn’t move, enabling a more compact design, faster autofocus response, and reduced minimum focusing distances.  

Sony 18-135mm F3.5-5.6 OSS High Magnification Zoom Lens - E-Mount

Sony SEL18135.SYX (SEL18135/SYX, SEL18135_SYX, SEL18135 SYX) 18-135mm F3.5-5.6 OSS High Magnification Zoom Lens - E-Mount  The Sony SEL18135 18-135mm lens features a compact, lightweight design measuring only 67.2mm x 88mm and weighing in at a mere 325g, as well as a high magnification 7.5x optical zoom that covers the wide-ranging focal length of 18-135mm on APS-C or 27-202.5mm in 35mm equivalent focal length. The lens is an ideal fit for Sony’s popular APS-C sensor cameras including α6500, α6300 and α6000, and is an extremely useful tool for a wide range of shooting situations ranging from daily life to portraiture, landscape, nature and travel photography. The E 18-135mm F3.5-5.6 OSS produces outstanding corner-to-corner sharpness throughout the entire zoom range thanks to its advanced design featuring one aspherical lens and two Extra-Low Dispersion glass elements that minimise aberrations. This lens also allows photographers to produce close-up images with pleasing ‘bokeh’ or background defocus as a result of its maximum magnification ratio of 0.29x and minimum focus distance of 0.45m. It also offers built-in optical image stabilisation to support handheld shooting. Lightweight and Compact Design Compact (E-mount APS-C format) and lightweight (325 grams (11.5 oz.)), this lens features an optical design optimized for short flange focal distances that makes it small and manageable on its own while also contributing to notable reductions in overall system size, weight, and portability. 7.5x High-Magnification APS-C Zoom Lens A high zoom ratio provides a versatile 27mm to 202.5mm range (35mm format equivalent, 7.5x optical zoom) that covers a broad spectrum of subjects and situations: scenery, nature, portraits, and general day-to-day photography. Optical Design Achieves High Resolution A new optical design that includes one aspherical element contributes to consistently high resolution from the image centre right out to the edges, while two ED (Extra-low Dispersion) glass elements effectively suppress chromatic aberration. Close-ups with Background Bokeh An impressive minimum focusing distance of just 0.45m (1.45ft) (0.29x max. magnification) makes it easy to shoot close-ups that take advantage of the lens’s beautiful background bokeh. Beautiful Bokeh Bokeh quality is enhanced by a circular aperture design. Built-in Optical Image Stabilisation When shooting hand-held, particularly night scenes or dimly lit interiors, built-in optical image stabilization makes it easier to shoot blur-free images handheld. Fast, Precise, Quiet Focus Advanced linear motor technology quietly drives the focus group with outstanding speed and precision, making the most of the high AF performance provided by the α6000 series. Accurate focus is more easily achieved for stills and movies, even with moving subjects.  

Sony 16mm f/2.8 Wide-Angle Alpha E-Mount Lens (sliver)

Sony SEL16F28.AE (SEL16F28/AE, SEL16F28-AE, SEL16F28_AE) 16mm f/2.8 Wide-Angle Alpha E-Mount Lens (sliver)  This lightweight and compact lens is stylishly designed to match the NEX camera series and is exceptionally portable (it will fit in your pocket). It features an internal stepping motor for smooth, accurate, and very quiet autofocusing for both photos and videos. The SEL16F28 helps to deliver clear images in low lighting situations due to its fast f/2.8 maximum aperture. This 16mm (24mm in 35mm equivalent) wide-angle lens provides an 83° angle of view and a minimum focusing distance of 9.4" (0.24m). This versatile lens provides coverage for a broad range of photo subjects including, but by no means limited to, landscapes, portraits, close-ups, and nature.

Sony FE 16-35mm F2.8 GM Lens

Sony SEL1635GM.SYX (SEL1635GM/SYX, SEL1635GM-SYX, SEL1635GM_SYX) FE 16-35mm F2.8 GM Lens G Master performance in a wide-angle F2.8 16-35mm zoom offers a wealth of opportunities to capture subjects in creative new ways. No matter what zoom setting or focus distance you shoot at, this lens delivers consistently superb resolution from corner-to-corner, with stunning background bokeh when required. A compact, lightweight design makes it manageable for active shooting. The new FE 16-35mm F2.8 GM wide-angle zoom joins the acclaimed FE 24-70mm F2.8 GM and FE 70-200mm F2.8 GM OSS to round out Sony’s line-up of F2.8 large aperture zoom lenses. Equipped with a variety of Sony’s most advanced lens technologies, it is the first wide-angle G Master model, making it ideal for an extensive variety of shooting situations - landscapes, architecture, close up portraits, sports, action and much more.  It is also exceptionally lightweight and compact, maximising portability and usability. The new lens features exceptional corner-to-corner sharpness, with an optical design that includes five aspherical elements, two of which are Sony’s original XA (extreme aspherical) elements that reduce aberration and deliver ultimate resolution throughout the entire zoom range and aperture range. The front XA element on the SEL1635GM is the largest XA element ever produced, ensuring optimum quality. There are also two ED (Extra low-Dispersion) glass elements that keep chromatic aberration to a minimum while maximising resolution, and Sony’s original Nano AR coating that suppresses internal reflections to ensure excellent image contrast and clarity. The lens features a near circular aperture shape at all settings, and the combination of the aforementioned XA element with its 11 bladed aperture design produces images with sharply focused subjects and beautifully defocused backgrounds or “bokeh”.  It also has two DDSSMs (Direct Drive Super Sonic Wave Motors) that compose a floating focusing system and ensure that AF acquisition is speedy and quiet, making it an ideal choice for shooting still images as well as movies. The SEL1635GM is dust and moisture resistant , has a fluorine coating on the front lens that helps to both prevent dust or grease marks and remove them easily if they do become a trouble. There is also a customisable focus hold button and a hood release button.

Sony 1.4x Teleconverter for E-Mount

Sony SEL14TC.SYX (SEL14TC/SYX, SEL14TC-SYX, SEL14TC_SYX) 1.4x Teleconverter for E-Mount  The Sony 1.4x Teleconverter extends the effective focal length of Sony E-Mount telephoto lenses. The teleconverter increases the lens magnification by 1.4x.  Extend your range by 1.4x Multiplies the focal length of the lens used by 1.4x without degrading optical performance, AF speed and precision, or operability. Light loss with the teleconverter is approximately 1 stop. An ideal way to extend available focal length range for sports or wildlife photography without having to carry additional large, heavy lenses.  Compatible lenses The SEL14TC teleconverter is compatible with the following lenses: SEL70200GM, SEL100400GM.

Sony 10-18mm f/4 OSS Alpha E-mount Wide-Angle Zoom Lens

Sony SEL1018.AE (SEL1018/AE, SEL1018-AE, SEL1018 AE) 10-18mm f/4 OSS Alpha E-mount Wide-Angle Zoom Lens The 10-18mm f/4 OSS Alpha E-mount Wide-Angle Zoom Lens from Sony is an ultra wide-angle E-mount zoom lens compatible with the Alpha NEX cameras and NEX Handycam Camcorders. In the 35mm format, the focal lengths are equivalent to a 15-27mm field of view which is extremely wide-angle with exaggerated perspectives- ideal for expansive landscapes, certain interiors and creative portraits and group shots. With an aperture of f/4.0 throughout the zoom range, fast shutter speeds and low ISO settings can be used even in low light for bright, sharp images. With the Optical SteadyShot Image Stabilization system it is even easier to shoot blur-free photos and videos in low light, regardless of camera shake. Three aspherical lens elements reduce spherical aberration and distortion and Super Extra-low Dispersion glass reduces chromatic aberration for high quality images even at maximum aperture. Fast autofocus is facilitated by movement of the lens elements at the rear of the lens and the 7-blade circular aperture creates smooth, circular bokeh in the out-of-focus areas within the frame. 10-18mm f/4 Super Wide-Angle Zoom Lens This lens offers a constant maximum aperture of f/4 through the entire focal length range, enabling the use of the widest aperture at every focal length. Even in low-light environments, such as outdoors at sunset, users will be able to take advantage of the bright aperture and use fast shutter speeds without unnecessarily raising ISO sensitivity. The 10-18mm (15-27mm in 35mm format) provides an ultra wide angle zoom for shooting landscapes, in tight quarters or for creative exaggerated perspectives. Image Stabilization Built-in Optical SteadyShot image stabilization system provides a 4-stop (approximate) shutter speed advantage, making it significantly easier to achieve crisp, blur-free images and video. Internal Focusing System Lens elements at the rear of the optical system move, allowing rapid auto-focus response. Optics Three Aspherical lens elements correct for spherical aberration and distortion, making it possible to shoot high-contrast, high-quality images with markedly less bleeding even at the maximum aperture. In addition, the optical system employs Super Extra-low Dispersion glass, realizing highly detailed images with reduced color aberration even at the 10mm focal length. Circular Aperture In low-light shots or nightscapes, out-of-focus light sources have a pleasing circular defocused effect.  

Sony 100mm f2.8 STF G-Master OSS FE Lens - E Mount

Sony SEL100F28GM.SYX (SEL100F28GM/SYX, SEL100F28GM_SYX, SEL100F28GM SYX) 100mm f2.8 STF G-Master OSS FE Lens - E Mount  STF™ delivers incomparable bokeh and sharpness This 100mm mid-range telephoto prime lens is a superb creative tool that offers outstanding G Master Resolution plus innovative STF (Smooth Trans Focus) optics for magnificent bokeh. It features fast, precise, quiet DDSSM autofocus, and close-up capability up to 0.25x magnification. Built-in Optical SteadyShot image stabilisation minimizes blur that can occur during low light or macro shooting. Exemplary G Master Resolution and bokeh A fitting addition to the G Master series, this lens combines extraordinary resolution and breathtakingly soft, smooth bokeh that ideally sets off the in-focus subject. The optical design, featuring an innovative optical apodization element and new 11-blade aperture, achieves consistently high performance throughout the image area.  Resolution true to the G Master name With spherical aberration compensation, ED (Extra-low Dispersion) glass, and aspherical elements, this lens boasts extreme resolution and sharpness that fulfil the demanding 50 lines per millimetre MTF requirement that is a basis for G Master optical design. That sharpness extends throughout image area. Outstanding clarity and contrast Sony’s original Nano AR Coating suppresses spurious reflections that can cause flare and ghosting, particularly in backlit situations. The result is consistently high contrast and clarity with deep blacks in the widest possible range of photographic situations. (1. Nano AR Coating / 2.Glass / 3.Transmitted light) Beautiful peripheral highlights In keeping with this lens’s emphasis on bokeh, it has been designed to minimize vignetting that can distort highlight geometry at the image periphery. Point light sources are reproduced with consistently circular bokeh throughout the image, so that sunlight filtering through or reflecting off leaves, for example, is rendered with serene elegance. Beautiful peripheral highlights In keeping with this lens’s emphasis on bokeh, it has been designed to minimize vignetting that can distort highlight geometry at the image periphery. Point light sources are reproduced with consistently circular bokeh throughout the image, so that sunlight filtering through or reflecting off leaves, for example, is rendered with serene elegance. Apodization for unbeatable bokeh An optical APD element is a special type of filter that exhibits gradually decreasing light transmission towards its periphery. It attenuates the edges of point images, resulting in exceptionally smooth, beautiful bokeh in both background and foreground areas with an absolute minimum of double-edge effects. AF that lets you concentrate on creating A DDSSM (Direct Drive SSM) focus drive system provides fast, precise, quiet autofocus. Fast, unobtrusive AF performance allows the user to concentrate fully on capturing superlative stills or movies. This lens supports both contrast AF and focal plane phase detection AF, making it an ideal match for modern high-performance Sony camera bodies. 11 blades enhance bokeh beauty Sony’s original circular aperture design has been improved with 11 blades for even greater circularity. Design and materials have been revised to ensure that a almost round aperture shape is maintained whether open or stopped down, and strict circularity standards are applied to ensure that the full beauty of STF bokeh is achieved without compromise. Get close and explore the details Because one of the main features of this lens is bokeh, it has been provided with a macro ring switch that extends the lens’s range into the macro region where bokeh can be used to great effect. The macro mode provides 0.57m (1.87 ft.) minimum focus with 0.25x maximum magnification, with no compromise in resolution performance. Professional handling and control Other advanced features that enhance operation for still photography and moviemaking include an aperture ring , switchable aperture ring click stops, a Focus Hold button, an AF/MF focus select switch, and a wide focus ring for sure, comfortable control. Advanced actuators for speed and precision DDSSM (Direct Drive SSM) employs an original Sony piezoelectric motor to directly drive the focus ring. High braking precision means that the focus ring is precisely controlled for the highest possible focus accuracy. It’s quiet too, making it ideal for shooting wildlife as well as movies. Manual focus is also smooth and responsive. Clear, blur-free images without a tripod Optical SteadyShot image stabilisation is built in, making it possible to achieve maximum subject sharpness with the lower shutter speeds. Image stabilisation in a 100mm mid-range telephoto lens is an advantage for professionals and amateurs alike. Second-generation α7 bodies additionally provide in-body 5-axis stabilisation.    

Sony 100-400mm FE f4.5-5.6 GM OSS E-Mount Lens

Sony SEL100400GM.SYX (SEL100400GM/SYX, SEL100400GM-SYX, SEL100400GM_SYX) 100-400mm FE f4.5-5.6 GM OSS E-Mount Lens The new full-frame lens maintains the high standard of resolution that is the hallmark of Sony’s flagship lineup of G Master™ lenses, while also offering incredibly fast, precise AF capabilities, a lightweight, portable design and a variety of professional functions and customisability. It’s an exceptionally powerful photographic tool for a variety of enthusiast and professional shooters, particularly those that are commonly shooting sports or wildlife. The first super-telephoto zoom in Sony’s flagship G Master series covers a versatile 100mm to 400mm range. With extraordinary resolution and fast, precise autofocus it lets you capture distant action with outstanding quality and immediacy. In addition to world-class image quality, this fine lens offers the mobility, reliability, and operability that professional applications demand.

Sony Ultra-Wide Converter for the FE 28mm F2 lens

Sony SEL075UWC.SYX (SEL075UWC/SYX, SEL075UWC_SYX, SEL075UWC SYX) Ultra-Wide Converter for the FE 28mm F2 lens This dedicated ultra-wide converter for the FE 28mm F2 lens provides an even wider 21mm focal length, and because it is specifically designed for the full-frame FE 28mm F2 it delivers imposing wide perspective with high resolution throughout the image area from infinity down to the closest focusing distance, without compromising the lens’s image quality. The sophisticated design seamlessly matches the lens, and is dust and moisture resistant for maximum reliability.

Sony Fisheye Converter for the FE 28mm F2 Lens

Sony SEL057FEC.SYX (SEL057FEC-SYX, SEL057FEC/SYX, SEL057FEC SYX) Fisheye Converter for the FE 28mm F2 Lens This dedicated conversion lens for the FE 28mm F2 provides 16mm focal length with fisheye perspective and a full 180° angle of view (diagonally). The converter has been specifically designed for the FE 28mm F2, and therefore offers expressive fisheye perspective with excellent image quality from infinity down to the closest focusing distance, without compromising the basic image quality of the lens. The sophisticated design seamlessly matches the lens, and is dust and moisture resistant for maximum reliability.

Sony PTZ Camera Remote Controller

Sony RM-IP500/AC (RM-IP500-AC, RM/IP500/AC, RM-IP500_AC) PTZ Camera Remote Controller This compact remote controller features a high-quality joystick that allows effortless one-handed pan, tilt and zoom adjustments of compatible Sony PTZ remote cameras. Zoom can also be controlled via the joystick or a supplementary seesaw lever; dedicated knobs and control buttons simplify direct access to frequently-needed camera functions. The RM-IP500 simplifies the building of cost-effective multi-camera content creation systems with a wide range of applications - from live events to conference halls, broadcast studios, education institutes and houses of worship. PTZ speed can be adjusted from slow to fast for more polished, professional-looking results. Up to 100* combinations of camera angles and settings can be stored as presets. Trace Memory* allows a sequence of camera moves to be stored and recalled whenever required. Up to 100 compatible Sony BRC or SRG Series PTZ remote cameras can be controlled over a standard IP network. Set-up's simple: the controller automatically assigns IP addresses to connected Sony PTZ cameras on the network, also assigning a camera number to each. Full compatibility is provided with these Sony PTZ remote camera models: BRC-X1000, BRC-H900, BRC-H800, SRG-360SHE. The RM-IP500 is an ideal partner for the Sony MCX-500 Multi-Camera Live Producer, creating a complete IP streaming and SD recording solution for a wide range of content production applications.   * Depends on camera specification. Version up might be required.

Sony Slim Remote Control Panel (Joystick) for System Camera

Sony RCP-3100//U (RCP/3100//U, RCP_3100//U, RCP3100//U) Slim Remote Control Panel (Joystick) for System Camera The RCP-1530 is highly versatile control panels with a touch panel LCD display and user friendly buttons which makes it a remote control panel that offers both ease of operation and multi-functionality which compares favorably with the MSU. The iris and master black adjustment block employs joystick type control. Illuminated buttons with high visibility flash and light to notify you of the operation status to enable operation even in dark locations. By connecting the system using Ethernet cable, large scale of the system operation can be achieved Up to 5 units can be mounted in a SONY MSU19" RACK DRAWER( MSUDRAWER//A).

Sony Slim Remote Control Panel (Joystick) for System Camera

Sony RCP-1530//U (RCP/1530//U, RCP_1530//U, RCP1530//U) Slim Remote Control Panel (Joystick) for System Camera The RCP-1530 is highly versatile control panels with a touch panel LCD display and user friendly buttons which makes it a remote control panel that offers both ease of operation and multi-functionality which compares favorably with the MSU. The iris and master black adjustment block employs joystick type control. Illuminated buttons with high visibility flash and light to notify you of the operation status to enable operation even in dark locations. By connecting the system using Ethernet cable, large scale of the system operation can be achieved Up to 5 units can be mounted in a SONY MSU19" RACK DRAWER( MSUDRAWER//A).

Sony Remote Control Panel (Joystick Type) for use with HDC & XDCAM System Cameras

Sony RCP-1500//U (RCP/1500//U, RCP_1500//U, RCP1500//U) Remote Control Panel (Joystick Type) for use with HDC & XDCAM System Cameras The RCP-1500 remote control panel incorporates an LCD display with direct operation switches and a touch panel, which makes it a remote control panel that offers both ease of operation and multi-functionality that compares favorably with the MSU. The iris and master black adjustment block employs joystick type control. Up to four units can be mounted in a 19-inch EIA rack. Compatible Products Sony HDC-1500R Sony HXC-D70H Sony HXC-D70K Sony HXC-D70L Sony PMW-EX3 Sony PMW-500 Sony PDW-700

Sony Avid DNxHD Option Key for PXW-X500

Sony PXWK-502 (PXWK/502, PXWK_502, PXWK502) Avid DNxHD Option Key for PXW-X500 The Avid DNxHD Option Key for PXW-X500 from Sony adds internal 10-bit Avid DNxHD 145 and 220x codec support on your PXW-X500 camcorder. Recording is available at 1920 x 1080 resolution at frame rates of 23.98p/25p and 59.94i/50i. The license comes loaded on an SxS card that is inserted into the camcorder for installation. Once installed, the card can be removed and you can enjoy 10-bit 4:2:2 DNxHD recording on your PXW-X500.

Sony V-Series Rechargeable Battery Pack (7.4V / 25Wh / 3410mAh)

Sony NPFV100A.CE7 (NPFV100A/CE7, NPFV100A-CE7, NPFV100A CE7) V-Series Rechargeable Battery Pack (7.4V / 25Wh / 3410mAh) The Sony NP-FV100A V-Series Rechargeable Battery Pack is compatible with all Handycam camcorders and features a 3410mAh capacity. Part of Sony's InfoLITHIUM V Series, this battery is designed to communicate remaining life in minutes on compatible cameras' LCDs.

Sony 2/3inch Lens Adaptor for 1/2inch XDCAM HD Camcorders

Sony LO-32BMT (LO/32BMT, LO_32BMT, LO32BMT) 2/3inch Lens Adaptor for 1/2inch XDCAM HD Camcorders The Canon LO-32BMT adapter allows you to mount a 2/3" B4 bayonet lens onto any Sony 1/2" proprietary mount camera such as the new XDCAM HD series, PDW-F330/F350 while not affecting the optical quality of the lens. It is important to consider the following information when using a 2/3" lens with a LO-32BMT adapter mounted to a 1/2" camera: The images produced will appear visually more telephoto by a factor of 1.38x. The actual F-Number of a lens does not change when mounted on a different format size camera.  (If the lens is F1.9 in the 2/3 "format, the lens is also F1.9 in the 1/2" format.) The Focal Length and F-Stop markings on the 2/3” lens are correct in either format. It is highly recommended that HDTV lenses always be employed on HDTV cameras.  

Sony HD Colour Studio Camera + Lemo Fibre Transmission with LCD Viewfinder, Microphone and Lens

Sony HXC-FB80KL//U (HXC_FB80KL//U, HXC/FB80KL//U, HXC FB80KL//U) HD Colour Studio Camera + Lemo Fibre Transmission with LCD Viewfinder, Microphone and Lens The HXC-FB80 is a cost-effective high-performance HD portable camera with three Sony 2/3-inch Exmor CMOS sensors and a 3G-SDI platform capable of 1080/50p and 59.94p signal processing while achieving low power consumption. In combination with the HXCU-FB80 4K/HD Camera Control Unit, it offers user-beneficial expandability including 4K upscale and HD HDR support (HLG, Hybrid Log-Gamma) for a future-proof solution. The optional PC-based HZC-RCP5 Remote Control Panel is available for a simpler application system. Your future proofed 4K live production solution The HXC-FB80 gives you a future proofed entry point to the benefits of 4K production. Teamed with the HXCU-FB80 Camera Control Unit, detail-packed 4K resolution (3,840 x 2,160) images are available – making the HXC-FB80 system ideal for creating content in Ultra HD.  Ready for HDR Future-proof your content for viewers to enjoy on the fast-growing choice of High Dynamic Range TV sets and display devices. A free firmware update (scheduled summer 2018) enables HD HDR production, with support for HLG (Hybrid Log-Gamma). Big on picture quality and performance The HXC-FB80 offers impressive imaging performance and functionality in a portable camera. It’s an ideal partner for our RCP-1000 series remote control panels – or team with our HZC-RCP5 remote control software for a highly convenient live 5-camera system. You’ll enjoy many advanced features like paint control that are familiar to users of our high-end HDC-series system cameras. And it’s also compatible with appealing options like our latest OLED viewfinders. Great images in any light Incorporating three 2/3-inch Exmor CMOS sensors, the HXC-FB80 offers stunning Full HD picture quality, with a sensitivity of F13 at 1080/50i and a corresponding signal-to-noise ratio of just -60 dB. It’s great for shooting in low light environments, delivering extra detail with extremely low noise. More format flexibility The camera head can comfortably output 3G-SDI signals in a range of formats right up to 1080/50p, with 4K available via the CCU’s 12G-SDI and Quad 3G-SDI interfaces. So you can enjoy maximum production convenience – and your viewers can enjoy the best Full HD picture quality.  

Sony HD Studio Camera + Neutrik Fibre Transmission

Sony HXC-FB80HN//U (HXC-FB80HN//U, HXC-FB80HN//U, HXC-FB80HN//U) HD Studio Camera + Neutrik Fibre Transmission The HXC-FB80HN Studio Camera + Neutrik Fibre Transmission from Sony features three Sony 2/3" Exmor CMOS sensors offering full-HD picture quality. Built on a 3G-SDI platform, the HXC-FB80 is capable of 1080/50p, 59.94p signal processing while maintaining low power consumption. The HXC-FB80 also features 3G-SDI signals including 1080/50p and 59.94p. The processor supports 1080p/23.98sF in addition to 25psF and 29.97psF. Combined with the HXCU-FB80 CCU, the camera's output is 4K up-scalable and capable of HD HDR (HLG, Hybrid Log-Gamma). The HXCU-FB80 CCU provides support for up to 24 units, forming a complete multi camera system. The system design is based on a 3G-HD platform. The camera head can pass an additional 1080i/50, 59.94 signal to the HXCU-FB80 while operating at 1.5G (1080i/50,59.94).

Sony HD Studio Camera + Lemo Fibre Transmission (Body Only)

Sony HXC-FB80HL//U (HXC/FB80HL//U, HXC_FB80HL//U, HXC FB80HL//U) HD Studio Camera + Lemo Fibre Transmission (Body Only) The HXC-FB80 is a cost-effective high-performance HD portable camera with three Sony 2/3-inch Exmor™ CMOS sensors and a 3G-SDI platform capable of 1080/50p and 59.94p signal processing while achieving low power consumption. In combination with the HXCU-FB80 4K/HD Camera Control Unit, it offers user-beneficial expandability including 4K upscale and HD HDR support (HLG, Hybrid Log-Gamma) for a future-proof solution. The optional PC-based HZC-RCP5 Remote Control Panel is available for a simpler application system. HXC-FB80N camera model equipped with Neutrik connector interface. (Works with HXCU-FB80N CCU model) HXC-FB80L camera model equipped with Lemo connector interface. (Works with HXCU-FB80L CCU model). Requires firmware upgrade available in 2018. Full HD Exmor CMOS sensors Incorporating three 2/3-inch Exmor CMOS sensors, the HXC-FB80 offers stunning full-HD picture quality and sensitivity of F13 in 50 Hz and F12 in 59.94 Hz at 1080 mode with a signal-to-noise ratio of -60 dB. These features enhance shooting in a low light environment. 3G-SDI Platform Capable of 1080/50p and 59.94p The camera head can comfortably output 3G-SDI signals including 1080/50p and 59.94p. The new processor can also support 1080/23.98 PsF on top of 25 PsF and 29.97 PsF. Future-Proof 4K Upscalable and HD HDR Support with CCU Combined with the HXCU-FB80 CCU, this camera’s output is 4K upscalable and yet HD HDR-capable supporting HLG (Hybrid Log-Gamma).* Requires firmware upgrade available in 2018 PC-RCP (HZC-RCP5) In addition to hardware-based remote control units, PC software-based HZC-RCP5 Remote Control is also available. MCS (Multi Camera System) capabilities The HXCU-FB80 CCU provides support for up to 24 units, forming a complete MCS system. Long Cable Extension and Choice of Fiber Interface Using a hybrid cable with a power supply, the distance between the camera head and CCU can be extended up to 600 m. In case of the combination with HXC-P70, it can extend up to 1,000 m. In addition to the Neutrik connector interface, a LEMO connector interface is also available for the camera head and CCU. In the case of connection with a single-mode fibre cable (SMF), transmission can extend up to 10km using a local power supply. Wide range of image control functions The system camera is full of creative image control functions such as MultiMatrix, Skin Tone Detail, Low Key Saturation, Knee Saturation, and Auto Lens Aberration Compensation (ALAC). ND Filter by Servo Motor Along with an electrical CC filter, the ND filter can be remotely controlled either by external RCP/RM or via the CCU because of the newly adopted filter servo motor in the camera head. HD Video Trunk and HD Prompter In addition to the camera captured 1080 50i/59.94i video signal, another video signal can be passed through the same fiber connection line to the CCU side because of the 3G-SDI platform. Further to the traditional analog composite prompter support, the HD-SDI signal can be supplied from the CCU side.  

Sony Backup Power Supply for MVS-8000X & MVS-7000X Processors

Sony HK-PSU05 (HK_PSU05, HK/PSU05, HK PSU05) (MVS-8000X, MVS-8000X)(MVS/7000X, MVS7000X) Power Supply Unit for MVS-8000X Processor Sony HK-PSU05 Power Supply Unit for MVS-8000X And MVS-7000X Processor.

Sony Power Supply Unit for MFS-2000 Processor and MKS-8010A Control Unit

Sony HK-PSU02 (HK_PSU02, HK/PSU02, HK PSU02) (MFS_2000, MFS/2000) (MKS8010A, MKS 8010A) Power Supply Unit for MFS-2000 Processor and MKS-8010A Control Unit The Sony HKPSU02 Redundant Power Supply unit is a backup power supply designed to give you an extra measure of protection with your MKS8010A, MKS8010B, MVE-8000A, MFS-2000.If the standard power supply in your MKS8010A, MKS8010B, MVE-8000A, MFS-2000 goes down, this unit can supply a redundant supply of power to ensure that your equipment continues to work without interruption.

Sony Backup Power Supply Unit for PFVSP3100

Sony HK-PSU01 (HK_PSU01, HK/PSU01, HK PSU01) (PFVSP-3100, PFVSP/3100) Backup Power Supply Unit for PFVSP3100 The Sony HKPSU01 Redundant Power Supply unit is a backup power supply designed to give you an extra measure of protection with your PFV-SP3100 Signal-Processing Unit. If the standard power supply in your PFV-SP3100 goes down, this unit can supply a redundant supply of power to ensure that your equipment continues to work without interruption.

Sony HDC-P43 4K/HD POV Camera

Sony HDC-P43 (HDC/P43, HDC_P43, HDC P43) 4K/HD POV Camera The HDC-P43 is a lightweight Point of View (POV) style camera integrates seamlessly with existing HD infrastructure, lenses and accessories, while giving you the option to create the finest 4K and super slow motion productions. Perfect as part of a multi-camera shoot or used as a standalone device, the HDC-P43 can be mounted on a crane or operated as a fixed camera position.} As part of Sony’s flexible, no-compromise 4K/HD live system, the HDC-P43 helps you generate maximum returns on today’s production budgets. Seamless integration with existing workflows The HDC-P43 is the companion model to the HDC-4300 system camera, with the same advanced three 2/3-inch 4K imaging device and B4-mount lens mount. Operation is reassuringly familiar to operators and cameramen, so you’re up and running faster without expensive re-training. The HDC-P43 is also fully compatible with the wide range of existing products currently being used with the HDC 4300, this includes BPU-4500/BPU-4000 Baseband Processor Units, the HDCU-4300/HDCU-2000/HDCU-2500 full rack and half rack Camera Control Units, and the RCP series Remote Control Panels. Choose the level of operation you need The HDC-P43 works with the BPU-4000/4500 baseband processor units or the HDCU-4300 camera control unit via direct connection by single mode fibre cable, allowing you to activate 4K, HFR and HD Cut Out with the same optional software keys as the HDC-4300. These let you add amazing 4K x2 [*1] and HD 8x super slow motion and 4K image capture to standard HD outputs as and when you want them. All the flexibility and control you demand are right there in a single high-performance platform. Note *1: 4K x2 is available only with BPU-4000/BPU-4500. Amazing coour and imagery with next-generation innovation The HDC-P43’s advanced optical system supports the next-generation ITU-R BT.2020 colour gamut, enabling much wider and more precise colour reproduction in live broadcasts. You’ll see the difference with vibrant, true-to-life images that make viewers feel as if they’re actually there. Moreover, thanks to S-Log3 process, the High Dynamic Range operation is available for 4K and HD simultaneous live operation. Direct installation of B4-mount lenses Thanks to the 2/3-inch camera mount, the HDC-P43 works directly with B4 lenses. The B4-mount supports both HD and 4K lenses, allowing you to use B4-mount high power large lenses to capture sports scenes with a deep depth of field. Superb 4K capabilities with wide dynamic range and wide colour space With optional software key SZC-4001, the HDC-P43 has the function of capturing 4K images exactly like the HDC-4300. The HDC-P43 is equipped with the same three 2/3-inch 4K imagers and ultra-precision alignment technology used to mount the chips to an advanced prism. This optical system supports the wide colour gamut of ITU-R BT.2020*, enabling more precise colour reproduction in live broadcasts. * ITU-R BT.2020 is the specification of video format defined by ITU-R. High-frame-rate capture for 4K 2x and HD 8x super slow motion The HDC-P43’s real 4K imagers capture at four times the resolution of HD. In HD shooting, this can be used to achieve extreme high-speed image capture at a maximum of 479.52/400 fps with the optional software upgrade*. The frame rates of 59.94/50, 119.88/100 and 179.82/150 fps are available as standard. In 4K shooting, a maximum of 119.88/100 fps can be achieved. The real-time full digital process is applied to each frame even at high-frame rates in the BPU-4000/4500, producing the same quality in the images as one at the normal speed. Captured images can be recorded to the PWS-4400 or the PWS-4500 4K/HD multi-port AV storage unit for super slow motion replay**. * With optional software, SZC-4002 for BPU4000/4500. ** Some third party manufacturer servers may also be used. HD cut out function for clear images Sony’s innovative software technology enables a full HD image to be cut out from a 4K picture in real-time. Two modes are available: you can select either Zoom & Perspective mode or Simple HD mode. Keeping the camera in a fixed position, any portion of the captured image can be cropped to provide a close-up HD image to viewers as if the camera had been panned. In Zoom & Perspective mode, one portion can be cut out while performing perspective transformation, according to the lens focal length. In Simple HD mode, two portions can be cut out at the same time. With optional software, SZC-2001 for BPU-4000/4500. Smooth and easy migration from HD to 4K* The HDC-P43 is designed to fit into the growing Sony 4K live production environment alongside the HDC-4300 live camera configurations. With an optional software upgrade, the HDC-P43 enables 4K capture for multiple 4K and HD outputs, working directly with the BPU-4000/4500 baseband processor units and the HDCU-4300 camera control unit. With optional software, SZC-4001. Seamless integration into Sony HD workflows The HDC-P43 is part of Sony’s acclaimed and widely adopted HDC Series family of live production solutions and benefits from direct compatibility with the companion HDC-4300 system camera and its wide range of accessories, including viewfinders, large lens adaptors, remote control panels and camera control units. The camera is also designed to work with third-party control systems. Compact and lightweight with low power consumption The HDC-P43 is compact and lightweight, making it ideal for mounting in many applications, such as on a crane, or operated as a fixed camera position. With low power consumption* and a large fan motor, the camera benefits from lower noise levels. * The HDC-P43 is powered by local power supply only. Two remote control optical filters   The HDC-P43 has the same two optical filters as the HDC-4300 – Neutral Density (ND) and Colour Correction (CC) – to provide more flexibility under changing lighting conditions. Both filters are servo driven and are easily controlled remotely via camera command through the BPU-4000/4500 or HDCU-4300.

Sony HDC-P1/A//U Full HD Compact System Camera with HD-SDI Output

Sony HDC-P1/A//U (HDC/P1/A//U, HDC P1/A//U, HDC_P1/A//U) Full HD Compact System Camera with HD-SDI Output Uncompromising, Full-HD performance from compact camera. There is an increasing demand for small "Box" type or "Point-Of -View" cameras with the flexibility to shoot from almost anywhere while still delivering highest quality full-HD pictures for use standalone or in seamless integration with content from full-size cameras. The HDC-P1 delivers unprecedented picture quality thanks to its full use of the technologies from Sony's flagship HDC Series studio cameras. Three 2/3"-inch type Power HAD FX CCDs offer a sensitivity of F11 at 1080/50i or F10 at 1080/59.94i. A wide range of formats are supported, including 720/50P, 59.94P, and 1080 50/59.94P, 23.98PsF, 24PsF, 25PsF, and 29.97PsF capabilities available via optional software upgrades. It is also the first camera of its class to feature dual ND/CC filters, both of which are servo controlled, and its ultra-narrow, 86mm body makes it ideal for applications such as 3D. Other applications include a range of unmanned and point-of-view HD applications, such as stadiums, conference rooms and schools. It can also be used as a "companion" camera in automated broadcast studios. Compromise-free HD Picture Quality - Despite its diminutive dimensions, the HDC-P1 delivers outstanding quality, full-HD images. Three 2/3-inch type full HD "Power HAD FX" CCDs offer a sensitivity of F11 at 1080 50i and a high signal-to-noise ratio of -58 dB. Shoot Anywhere - Compact and lightweight, the HDC-P1 is ideal for capturing HD-quality images in locations and from angles where bulky production HD cameras cannot be installed. Weighing only 1.7 kg (3 lb 12 oz) enables easy installation in space-constrained and awkward areas such as on a crane head or helicopter. The supplied tally unit can be easily detached from the camera body, minimizing the camera size to be fitted in, for example, a pan/tilt head or an underwater housing. Easily integrated with your existing systems - The HDC-P1 camera is fully compatible with Sony's current master set-up units (MSU) and remote control panels (RCP). This flexibility makes it easy to integrate with everything from extensive multi-camera systems or simple point-to-point systems.

Sony HDC-4300//U 4K/HD System Camera (Body Only)

Sony HDC-4300//U (HDC/4300//U, HDC_4300//U, HDC 4300//U) 4K/HD System Camera (Body Only) Flexible, no-compromise production in 4K and HD The HDC-4300 puts you in total control of your content. For the first time, one camera platform is all you need to handle 4K, HD and super slow motion – helping you generate maximum returns on today’s production budgets. Delivering uncompromised image quality, the HDC-4300 integrates seamlessly with HD infrastructures and accessories as well as the world’s most advanced 4K live production workflows. Optional software upgrades let you add amazing HD 8x super slow motion and 4K image capture to standard HD outputs. All the flexibility and control you demand are right there in a single high-performance platform. Seamless integration with existing workflows The HDC-4300 joins Sony’s widely acclaimed HDC Series family of live production solutions. Operation is reassuringly familiar to operators and cameramen, so you’re up and running faster without expensive re-training. The HDC-4300 is fully compatible with a wide range of existing products and workflows, including viewfinders, large lens adaptors and camera control units. There’s no need for investment in additional accessories, keeping costs and inventory down. Amazing colour and imagery with next-generation innovation Featured in the HDC-4300, cutting-edge Sony technological innovation and unparalleled hands-on live production experience are crystallised in the design of the world’s first three 2/3-inch 4K imaging device. This advanced optical system supports the next-generation ITU-R BT.2020 colour gamut, enabling more precise colour reproduction in live broadcasts. You’ll see the difference with vibrant, true-to-life images that make viewers feel as if they’re actually there.  

Sony HDC-2570F Multi-format HD Camera - Digital Triax version of HDC-2400DF//U-Fisher connector

Sony HDC-2570F (HDC_2570F, HDC/2570F, HDC 2570F) (HDC_2400DF//U, HDC/2400DF//U) Multi-format HD Camera - Digital Triax version of HDC-2400DF//U-Fisher connector  The HDC-2570 incorporates Sony’s most advanced technologies for studio cameras. Three 2/3-inch CCD and Digital Signal Processing (DSP) with 16 bit A/D converter provides amazing picture quality with very few noise and high dynamic range. The HDC-2570 is a full feature part of the HDC-2500 Series and as such has compatibility with all the accessory items, such as viewfinders, large lens adaptors and remote control units.

Sony 0.7inch Full HD OLED Viewfinder and Attachment Kit with Cable for FS5 and F5

Sony DVF-EL200/AT (DVF-EL200-AT, DVF/EL200/AT, DVF-EL200/AT) 0.7inch Full HD OLED Viewfinder and Attachment Kit with Cable for FS5 and F5 he DVF-EL200 is a high quality full HD (1920x1080) OLED viewfinder for the F55 and F5 that offers easy focusing and framing. With nearly twice the brightness of Sony’s DVF-EL100 and enhanced usability, the viewfinder is durable and resistant and can be quickly and easily attached to the CBK-55AT viewfinder stay for use with the F5 and F55 cameras. It features an improved eye sensor for increased sensitivity and better positioning, along with enhanced brightness, contrast and peaking level settings. The DVF-EL200 Full HD viewfinder offers brighter OLED quality for CineAlta cameras PMW-F55 and PMW-F5. The compact 0.7-inch (viewable area, measured diagonally) viewfinder has the incredible clarity of 1920 x 1080 Full HD. And resolution is just the beginning. Thanks to the latest OLED technology, you get superb brightness of approximately 200 cd/m2, making it about twice as bright as the DVF-EL100, the previous PMW-F55/F5 viewfinder. The latest high quality OLED panel aids the camera operator’s ease and comfort while focusing and framing. In addition to the improved OLED panel, The DVF-EL200 features more durability and usability with an improved eye distance measure sensor, rotary encoders for controlling brightness, contrast and peaking, a heavier and more comfortable dioptre ring, rigid LEMO connector and a quick-release system to detach the viewfinder from the camera.   The CBK-55AT viewfinder cable and attachment provides a strong and flexible mount for the DVF-EL200 viewfinder to the PMW-F55 and PMW-F5 cameras. The attachment allows the Full HD viewfinder to be attached securely, quickly and easily to the camera for the optimal positioning. The unit also supports the viewfinder’s durable Lemo connector.

Sony Full HD OLED Viewfinder

Sony DVF-EL200 (DVF_EL200, DVF/EL200, DVF EL200) Full HD OLED Viewfinder The DVF-EL200 is a high quality full HD (1920x1080) OLED viewfinder for the F55 and F5 that offers easy focusing and framing. With nearly twice the brightness of Sony’s DVF-EL100 and enhanced usability, the viewfinder is durable and resistant and can be quickly and easily attached to the CBK-55AT viewfinder stay for use with the F5 and F55 cameras. It features an improved eye sensor for increased sensitivity and better positioning, along with enhanced brightness, contrast and peaking level settings. The DVF-EL200 Full HD viewfinder offers brighter OLED quality for CineAlta cameras PMW-F55 and PMW-F5. The compact 0.7-inch (viewable area, measured diagonally) viewfinder has the incredible clarity of 1920 x 1080 Full HD. And resolution is just the beginning. Thanks to the latest OLED technology, you get superb brightness of approximately 200 cd/m2, making it about twice as bright as the DVF-EL100, the previous PMW-F55/F5 viewfinder. The latest high quality OLED panel aids the camera operator’s ease and comfort while focusing and framing. In addition to the improved OLED panel, The DVF-EL200 features more durability and usability with an improved eye distance measure sensor, rotary encoders for controlling brightness, contrast and peaking, a heavier and more comfortable dioptre ring, rigid LEMO connector and a quick-release system to detach the viewfinder from the camera.

Sony Camera Control Box for RX0 Camera

Sony CCBWD1.CEE (CCBWD1_CEE, CCBWD1/CEE, CCBWD1 CEE) Camera Control Box for RX0 Camera Harness the compact Camera Control Box to unleash unlimited shooting possibilities. Explore simultaneous control of multiple cameras — each paired to a Box with direct PC monitoring. Then enjoy infinite movie-making freedom. Expand your movie-making world with the versatile Camera Control Box. Combine Box units to simultaneously control multiple cameras, turn power on/off, adjust settings, and capture photos or videos, using a web browser on your PC. Comprehensive remote camera control Power on/off, check/change settings, release shutter, start/stop recording. Convenient image file management    Transfer stills and movies from multiple cameras to PC, promptly and easily.3 Precision video sync operation Video Sync simultaneously controls multiple cameras for smooth movie quality. [A] Without Vido Sync  [B] With Video Sync  [C] Time  [D] Frame  

Sony 8-pin/8-pin Remote Control Cable, 30 meter

Sony CCA-5-30/1 (CCA-5-30-1, CCA_5_30_1, CCA-5/30/1) 8-pin/8-pin Remote Control Cable, 30 meter Remote control cable for 700 series control panels. Applicable Models: HDCU-1000/1500 Camera Control Unit; CCU-790P/590P Camera Control Unit; RCP-700/701/750/751 Remote Control Panels; MSU-900/MSU-950 Master Setup Unit.

Sony Dual Link Wireless Adapter For Shoulder Camcorder

Sony CBK-DL1 (CBK_DL1, CBK/DL1, CBK DL1) Dual Link Wireless Adapter For Shoulder Camcorder This product is a self power type USB interface expansion adapter with DC 12V input / output terminal. 

Sony 4K PTZ Camera with 1in Exmor R CMOS Sensor and 12x Optical Zoom with AC Adapter (white)

Sony BRC-X1000W/AC (BRC_X1000W_AC, BRC/X1000W/AC, BRC X1000W AC) 4K PTZ Camera with 1in Exmor R CMOS Sensor and 12x Optical Zoom with AC Adapter (white) The BRC-X1000 is Sony's first 4K remote camera, combining uncompromising broadcast picture quality and smooth, silent PTZ operation with the flexibility of 3G-SDI and HDMI connections. Designed for remote operation, this compact but powerful robotic camera is an ideal complement to other broadcast cameras for capturing images in hard-to-reach or unobtrusive positions. It's equally at home in TV newsrooms, remote studios and on-air suites, auditoriums, houses of worship, courtrooms or sports stadiums. It's also particularly suited to efficient multi-camera set-ups, under the control of a single operator. The 1-inch type Exmor R CMOS image sensor captures detail-packed 4K footage at 30p with four times the pixel count of Full HD, and excellent low-light sensitivity. The large image sensor also allows the creation of beautiful 'bokeh' effects with a shallow depth of field to suit any artistic intention. Speedy, near-silent PTZ operation with 12x optical zoom accommodates wide-angle scenes and tightly framed close-ups, with Clear Image Zoom 18x (4K), 24x(HD) extending this range even further without visible loss of resolution. Broadcast-friendly features include dual tally lamps for on-air operation, while operational flexibility is enhanced with options for ceiling, table top or tripod mounting. There’s also a broad range of video interfacing and remote control possibilities - plus support for PoE+ and genlock - for smooth integration into any broadcast, professional or corporate AV environment.

Sony HD PTZ camera with 1" Exmor R CMOS sensor incl power supply unit (White)

Sony BRC-H800W/AC (BRC/H800W/AC, BRC_H800W_AC, BRC H800W AC) HD PTZ camera with 1" Exmor R CMOS sensor incl power supply unit (White) The BRC-H800 remote camera combines uncompromising broadcast picture quality and smooth, silent PTZ operation with the flexibility of 3G-SDI and HDMI connections. Designed for unattended operation, this compact but powerful robotic camera is an ideal complement to other broadcast cameras for capturing images in hard-to-reach or unobtrusive positions. It's equally at home in TV newsrooms, remote studios and on-air suites, auditoriums, houses of worship, courtrooms or sports stadiums. It's also particularly suited to efficient multi-camera set-ups, under the control of a single operator. The 1-inch type Exmor R CMOS image sensor captures crisp, low-noise Full HD images at 60p, with excellent low-light sensitivity. The large image sensor also allows the creation of beautiful 'bokeh' effects with a shallow depth of field to suit any artistic intention. Speedy, near-silent PTZ operation with 12x optical zoom accommodates wide-angle scenes and tightly framed close-ups, with Clear Image Zoom 24x(HD) extending this range even further without visible loss of resolution. Broadcast-friendly features include dual tally lamps for on-air operation, while operational flexibility is enhanced with options for ceiling, table top or tripod mounting. There’s also a broad range of video interfacing and remote control possibilities - plus support for PoE+ and genlock - for smooth integration into any broadcast, professional or corporate AV environment.

Sony HD PTZ camera with 1" Exmor R CMOS sensor Incl power supply unit (Black)

Sony BRC-H800/AC (BRC_H800/AC, BRC/H800/AC, BRC H800 AC) HD PTZ camera with 1" Exmor R CMOS sensor Incl power supply unit (Black) The BRC-H800 remote camera combines uncompromising broadcast picture quality and smooth, silent PTZ operation with the flexibility of 3G-SDI and HDMI connections. Designed for unattended operation, this compact but powerful robotic camera is an ideal complement to other broadcast cameras for capturing images in hard-to-reach or unobtrusive positions. It's equally at home in TV newsrooms, remote studios and on-air suites, auditoriums, houses of worship, courtrooms or sports stadiums. It's also particularly suited to efficient multi-camera set-ups, under the control of a single operator. The 1-inch type Exmor R CMOS image sensor captures crisp, low-noise Full HD images at 60p, with excellent low-light sensitivity. The large image sensor also allows the creation of beautiful 'bokeh' effects with a shallow depth of field to suit any artistic intention. Speedy, near-silent PTZ operation with 12x optical zoom accommodates wide-angle scenes and tightly framed close-ups, with Clear Image Zoom 24x(HD) extending this range even further without visible loss of resolution. Broadcast-friendly features include dual tally lamps for on-air operation, while operational flexibility is enhanced with options for ceiling, table top or tripod mounting. There’s also a broad range of video interfacing and remote control possibilities - plus support for PoE+ and genlock - for smooth integration into any broadcast, professional or corporate AV environment.

Sony BP-U90 Lithium-ion Battery (85 Wh)

Sony BP-U90 (BP_U90, BP/U90, BP_U90) Lithium-ion Battery (85 Wh) The BP-U90 (85 Wh) Lithium-ion battery supports professional video shooting in both the field and the studio. The BP-U90 powers XDCAM handy camcorders such as the PMW-F3L/K, PMW-200, PMW-150, PMW-100, PMW-EX3 and PMW-EX1R. The battery provides power for up to six hours, depending on the camcorder.* BP-U90 battery provides 85 Wh energy to power the PMW-200, PMW-150, PMW-100 or PMW-EX1R camcorder for up to 360 minutes. For full range of capacities and camcorder running times, see features. Intelligent INFO function displays battery status in camcorder The BP-U90 is equipped with a professional INFOfunction that shows the remaining capacity, chargingtime, and charge cycles on INFO-compatibleequipment such as Sony chargers and camcorders.

Sony Twin Battery Charger for BP-U batteries

Sony BC-U2A (BC/U2A, BC_U2A, BC U2A) Twin Battery Charger for BP-U batteries The Sony BC-U2A Dual-Bay Battery Charger / AC Adapter is a dual-bay charger that supports the simultaneous charging of two Sony BP-U90, BP-U60, BP-U60T, or BP-U30 Li-ion batteries. It also functions as an AC adapter that can be used to power a camera directly while also charging one battery simultaneously. The AC adapter provides a 12 VDC power output via an integrated cable that can be connected to any Sony camera that accepts BP-U series batteries. A selector switch on the front of the device allows you to switch between charger and AC adapter mode. Approximate Charge Times BP-U90: 190 minutes BP-U60: 150 minutes BP-U30: 130 minutes

Sony Battery Charger for BP-U batteries

Sony BC-U1A (BC_U1A, BC/U1A, BC_U1A) Battery Charger for BP-U batteries The Sony BC-U1A Battery Charger / AC Adapter is a single-bay charger supporting Sony BP-U90, BP-U60, BP-U60T, and BP-U30 batteries. It also functions as an AC adapter that can be used to power a camera directly. The AC adapter provides a 12 VDC power output via an integrated cable that can be connected to any Sony camera that accepts BP-U series batteries. A selector switch on the front of the device allows you to switch between charger and AC adapter mode.

Sony BC-DWX1 Dual Battery Charger for DWT-B03R Wireless Transmitter

Sony BC-DWX1 (BC/DWX1, BC_DWX1, BCDWX1, BC DWX1, bc-dwx1) Dual Battery Charger for DWT-B03R Wireless Transmitter The BC-DWX1 Dual Battery Charger from Sony is designed for use with the DWT-B03R DWX Series wireless transmitter and NP-BX1 battery pack (sold separately). Two-way powering allows operation with either the AC adapter (sold separately) or PoE (Power over Ethernet) format. The BC-DWX1 Dual Battery Charger can be used to monitor battery status remotely using Wireless Studio PC software. In addition, it is built with a storage charging mode for long-term battery storage, and multiple units can be connected using optional tie wraps.

Sony SV-MGS2T Atom X SSDmini (2TB)

Sony SV-MGS2T (SV/MGS2T, SV_MGS2T, SV MGS2T, sv-mgs2t) Atom X SSDmini (2TB)  This 2TB Sony Atom X SSDmini is designed specifically for the Atomos Ninja V recorder, but it works with most Atomos recorders (some recorders require an optional adapter). It supports sequential write speeds up to 500 MB/s and sequential read speeds up to 550 MB/s. The high write speed enables it to capture high-quality 4K footage in any of Atomos' codecs without dropping frames. and the read speed makes for fast offloading of material and smooth playback with no dropped frames. The housing of the SSDmini is 20% shorter than conventional SSDs as per the Atomos design, allowing it to work seamlessly with Ninja V recording monitors. The solid-state design of this SSD can provide up to 1500 G/0.5 ms of shock resistance.

Sony Sf-g Series Tough 300MB/s Sdxc Uhs-II v90 - 128gb sd card

Sony Sf-g Series Tough 300MB/s Sdxc Uhs-II v90 - 128gb sd card(SF_G1TG, SF/G1TG, SF-G1TG, sfg1tg)  Addressing the needs of photographers who are reliant upon their photographs remaining safe when their SD cards are removed from the camera, the new SF-G series TOUGH specification range combines the world’s fastest read and write speeds with an ultra-rugged design that is bend proof to 180N, and drop proof to 5 metres. For photographers who are fighting against the elements to get the perfect shot, the SF-G series TOUGH specification range of SD cards are also waterproof with an IPX8 rating and dustproof with an IP6X rating. The new SF-G series TOUGH specification range of SD cards are 18 times stronger than the SD standard with world’s first monolithic structure (one-piece molding, no empty space in the card) and materials of high-grade hardness, unlike conventional SD cards with a thin, 3-part ensemble. They are protected against typical physical damage that can affect conventional SD cards such as a broken plastic casing, broken data protection lock and broken connector ribs. This has been achieved through a new means that it is the world’s first rib-less SD card with no write protection switch. These developments ensure that the SF-G series TOUGH specification is more resistant to bending and easy to break parts are removed entirely and has been engineered by Sony to deliver the best balance of hardness and toughness. Completely sealed with one-piece molding structure, no waterdrop, dust or dirt is not allowed to come into the card, meeting highest grade of waterproof (IPX8) and dustproof(IP6X). In an industry trend, driven by Sony, full-frame mirrorless cameras such as the α9 and α7 series are packing in more and more performance in both stills and video performance. These high-end cameras rely on fast memory cards to maximise their performance and with professional photographers now using SD cards more frequently, users are demanding the levels of reliability and durability associated with other professional card types. With the world’s fastest write speed of up to 299MB/s, buffer clearing time is minimised. This allows the photographer to shoot many frames per second and capture the action that they want. The SF-G series TOUGH specification range also supports V90, the highest standard of video speed class, making it an ideal companion for shooting high resolution video. Furthermore, transferring high capacity photo and video files is made simple with the SF-G series TOUGH specification, thanks to a read speed of up to 300MB/s. This is another world’s fastest which dramatically enhances workflow efficiency after the shooting is all wrapped up. In a further acknowledgement of the practical needs of photographers, the SF-G series TOUGH specification range feature bright yellow banding design, making the card easier to spot in dark shooting conditions.   SF-G series TOUGH specification SD cards offer a series of further features, designed to give photographers peace of mind. These include an ‘SD Scan Utility’ which allows the user to check that the card is good condition and File Rescue Software which can recover data and photos that might have accidentally been deleted. Furthermore, SF-G series TOUGH specification SD cards are also X-ray proof, magnet proof, anti-static, temperature proof and feature UV Guard.

Sony PXW-Z280 4K Handheld Camcorder package f

Sony PXW-Z280 (PXW Z280, PXW_Z280) 4K Handheld Camcorder package f © includes: 1x Sony PXW-Z280 4K Handheld Camcorder (PXW-Z280) 1x Hedbox Pro Battery Pack for SONY 6700mAh Li-Ion Battery with 2x D-Tap 14.4V & USB 5V (BPU) (HED-BP95D) 1x Sony SBP-128E SxS Pro+ 128GB Read 3.5GB/s Write 2.8GB/s Memory Card (SBP-128E) 1x Camrade CAM-R&GB-MEDIUM run&gunBag Medium bag (CAM-R&GB-MEDIUM) 1x Rode NTG2 Multi-Powered Shotgun Microphone (NTG2) 1x Rode WS6 Deluxe Wind Shield (WS6) 1x Rode PG2R Pistol Grip Shock Mount (PG2R) 1x Digibroadcast 12inch 3Pin Male to Female Xlr Cable (12INCHXLR3PIN) 1x Acebil i-605DX Tripod System (i-605DX) 1x Sennheiser ew 100 ENG G4-GB Wireless Microphone Combo System (507638)   1x Sennheiser HD 200 PRO Studio Headphones (507182)   *Digibroadcast has put together some bespoke Sony packages for our clients based on our own research and surveys and holds the right to protect all of its content © World-leading handheld 4K HDR performance An all-new 4K 3CMOS 1/2-type sensor with a deep depth of field and class-leading performance provides the pinnacle of 4K HDR performance in your hand. Face Detection AF keeps your subject in focus, while HLG and S-Log3 provide stunning HDR to suit any workflow. Revolutionary networking capabilities Deliver your content faster wherever you are. PXW-Z280 is the world’s first camcorder with built-in Dual Link Cellular connection for double the uplink performance and reliability. Integrated 12G-SDI supports transfers at up to 12Gbps over a standard SDI cable. The complete package for professionals Unpack and shoot from day one. Advanced XAVC-Intra and XAVC-Long for 4K QFHD and HD, plus MPEG HD422, MPEG HD and DVCAM to support any workflow. Familiar Sony control layout and operation minimise training requirements. World's first 1/2-type 3CMOS Sensor for broadcast 4K The Z280’s all-new Exmor R™ imager is custom-designed for broadcast 4K acquisition. Its three 1/2-type Exmor R™ CMOS deliver a deep depth of field with superb image quality. Red, blue, and green light are independently captured by separate image sensors, contributing to high resolution, high sensitivity of F12 (59.94p) and wide dynamic range. An advanced LSI (featuring intelligent noise reduction, enhanced detail reproduction and distortion correction technologies) delivers remarkably lifelike 4K 4:2:2 10-bit images. Even if you’re delivering in HD, your recordings will capture detail and image texture that HD sensors simply cannot see.   17x professional HD zoom lens with three independent rings with end-stop and large focal length The PXW-Z280 is equipped with a 17x professional zoom lens able to zoom from 30.3mm to 515mm (35mm equivalent). The 1/2-inch type lens has three independent control rings with end-stop, which allows manual control of focus, zoom and iris, making for better and faster adjustment.   The image can be enlarged without any picture degradation in HD mode and 34x times zoom equivalent image is captured with sensor cropping extender.   Spectacular HDR performance Demand for HDR content is increasing and Z280 offers you a choice of two powerful workflows.   S-Log2/3 is the proven choice for premium applications where you wish to capture as much data as possible for the ultimate flexibility in grading Instant HDR Workflow is all about speed. Shoot, edit and view content in Hybrid Log-Gamma (HLG) to deliver content quickly without compromising on imaging expression and quality of content   Amazingly fast precision auto focus The PXW-Z280 features newly developed Face detection AF. You can choose between Face Priority AF and Face Only AF. Simply keep the person in frame and and however you move to obtain a better angle, you can be confident the PXW-Z280 will keep your subject in pin-sharp focus.   Built-in electronic Variable ND Filters Sony’s ground-breaking integration of electronic variable ND Filters into the body of a camcorder enables fast, agile shooting. Moving from shadowy interiors to bright sun-lit exteriors is no problem with PXW-Z280. Unlike conventional optical ND filters, the electronic ND filter on the PXW-Z280 can be controlled from 1/4ND to 1/128ND linearly while ND Filters can be set to fully auto. You can even manually adjust Depth of Field using the iris lens ring, while relying on the PXW-Z280 to maintain constant exposure without changing gain nor shutter speed.   12G-SDI accelerated workflow Revolutionise your workflow with 12Gbps content transfer – four times the bandwidth of 3G-SDI over a standard SDI cable and ideal for working with highest quality 4K content or speeding through HD content. Sony is the first broadcast manufacturer to build 12G-SDI into a compact handheld camcorder. Once you’ve tried it, you won’t want to use anything else.   Accurate OLED viewfinder An expansive 0.5-inch high quality OLED viewfinder is perfectly offset for right-eye or left-eye viewing. OLED’s superb accuracy, high contrast and high resolution (2.36M dot) enables precise manual focus and eliminates any colour-breaking phenomenon.      

Sony PXW-Z280 4K Handheld Camcorder package e

Sony PXW-Z280 (PXW Z280, PXW_Z280) 4K Handheld Camcorder package e © includes: 1x Sony PXW-Z280 4K Handheld Camcorder (PXW-Z280) 1x Hedbox Pro Battery Pack for SONY 6700mAh Li-Ion Battery with 2x D-Tap 14.4V & USB 5V (BPU) (HED-BP95D) 1x Sony SBP-128E SxS Pro+ 128GB Read 3.5GB/s Write 2.8GB/s Memory Card (SBP-128E) 1x Camrade CAM-R&GB-MEDIUM run&gunBag Medium bag (CAM-R&GB-MEDIUM) 1x Rode NTG2 Multi-Powered Shotgun Microphone (NTG2) 1x Rode WS6 Deluxe Wind Shield (WS6) 1x Rode PG2R Pistol Grip Shock Mount (PG2R) 1x Digibroadcast 12inch 3Pin Male to Female Xlr Cable (12INCHXLR3PIN) 1x Acebil i-605DX Tripod System (i-605DX)   *Digibroadcast has put together some bespoke Sony packages for our clients based on our own research and surveys and holds the right to protect all of its content ©   World-leading handheld 4K HDR performance An all-new 4K 3CMOS 1/2-type sensor with a deep depth of field and class-leading performance provides the pinnacle of 4K HDR performance in your hand. Face Detection AF keeps your subject in focus, while HLG and S-Log3 provide stunning HDR to suit any workflow. Revolutionary networking capabilities Deliver your content faster wherever you are. PXW-Z280 is the world’s first camcorder with built-in Dual Link Cellular connection for double the uplink performance and reliability. Integrated 12G-SDI supports transfers at up to 12Gbps over a standard SDI cable. The complete package for professionals Unpack and shoot from day one. Advanced XAVC-Intra and XAVC-Long for 4K QFHD and HD, plus MPEG HD422, MPEG HD and DVCAM to support any workflow. Familiar Sony control layout and operation minimise training requirements. World's first 1/2-type 3CMOS Sensor for broadcast 4K The Z280’s all-new Exmor R™ imager is custom-designed for broadcast 4K acquisition. Its three 1/2-type Exmor R™ CMOS deliver a deep depth of field with superb image quality. Red, blue, and green light are independently captured by separate image sensors, contributing to high resolution, high sensitivity of F12 (59.94p) and wide dynamic range. An advanced LSI (featuring intelligent noise reduction, enhanced detail reproduction and distortion correction technologies) delivers remarkably lifelike 4K 4:2:2 10-bit images. Even if you’re delivering in HD, your recordings will capture detail and image texture that HD sensors simply cannot see.   17x professional HD zoom lens with three independent rings with end-stop and large focal length The PXW-Z280 is equipped with a 17x professional zoom lens able to zoom from 30.3mm to 515mm (35mm equivalent). The 1/2-inch type lens has three independent control rings with end-stop, which allows manual control of focus, zoom and iris, making for better and faster adjustment.   The image can be enlarged without any picture degradation in HD mode and 34x times zoom equivalent image is captured with sensor cropping extender.   Spectacular HDR performance Demand for HDR content is increasing and Z280 offers you a choice of two powerful workflows.   S-Log2/3 is the proven choice for premium applications where you wish to capture as much data as possible for the ultimate flexibility in grading Instant HDR Workflow is all about speed. Shoot, edit and view content in Hybrid Log-Gamma (HLG) to deliver content quickly without compromising on imaging expression and quality of content   Amazingly fast precision auto focus The PXW-Z280 features newly developed Face detection AF. You can choose between Face Priority AF and Face Only AF. Simply keep the person in frame and and however you move to obtain a better angle, you can be confident the PXW-Z280 will keep your subject in pin-sharp focus.   Built-in electronic Variable ND Filters Sony’s ground-breaking integration of electronic variable ND Filters into the body of a camcorder enables fast, agile shooting. Moving from shadowy interiors to bright sun-lit exteriors is no problem with PXW-Z280. Unlike conventional optical ND filters, the electronic ND filter on the PXW-Z280 can be controlled from 1/4ND to 1/128ND linearly while ND Filters can be set to fully auto. You can even manually adjust Depth of Field using the iris lens ring, while relying on the PXW-Z280 to maintain constant exposure without changing gain nor shutter speed.   12G-SDI accelerated workflow Revolutionise your workflow with 12Gbps content transfer – four times the bandwidth of 3G-SDI over a standard SDI cable and ideal for working with highest quality 4K content or speeding through HD content. Sony is the first broadcast manufacturer to build 12G-SDI into a compact handheld camcorder. Once you’ve tried it, you won’t want to use anything else.   Accurate OLED viewfinder An expansive 0.5-inch high quality OLED viewfinder is perfectly offset for right-eye or left-eye viewing. OLED’s superb accuracy, high contrast and high resolution (2.36M dot) enables precise manual focus and eliminates any colour-breaking phenomenon.      

Sony PXW-Z280 4K Handheld Camcorder package d

Sony PXW-Z280 (PXW Z280, PXW_Z280) 4K Handheld Camcorder package d © includes: 1x Sony PXW-Z280 4K Handheld Camcorder (PXW-Z280) 1x Hedbox Pro Battery Pack for SONY 6700mAh Li-Ion Battery with 2x D-Tap 14.4V & USB 5V (BPU) (HED-BP95D) 1x Sony SBP-128E SxS Pro+ 128GB Read 3.5GB/s Write 2.8GB/s Memory Card (SBP-128E) 1x Camrade CAM-R&GB-MEDIUM run&gunBag Medium bag (CAM-R&GB-MEDIUM) 1x Rode NTG2 Multi-Powered Shotgun Microphone (NTG2) 1x Rode WS6 Deluxe Wind Shield (WS6) 1x Rode PG2R Pistol Grip Shock Mount (PG2R) 1x Digibroadcast 12inch 3Pin Male to Female Xlr Cable (12INCHXLR3PIN)   *Digibroadcast has put together some bespoke Sony packages for our clients based on our own research and surveys and holds the right to protect all of its content ©   World-leading handheld 4K HDR performance An all-new 4K 3CMOS 1/2-type sensor with a deep depth of field and class-leading performance provides the pinnacle of 4K HDR performance in your hand. Face Detection AF keeps your subject in focus, while HLG and S-Log3 provide stunning HDR to suit any workflow. Revolutionary networking capabilities Deliver your content faster wherever you are. PXW-Z280 is the world’s first camcorder with built-in Dual Link Cellular connection for double the uplink performance and reliability. Integrated 12G-SDI supports transfers at up to 12Gbps over a standard SDI cable. The complete package for professionals Unpack and shoot from day one. Advanced XAVC-Intra and XAVC-Long for 4K QFHD and HD, plus MPEG HD422, MPEG HD and DVCAM to support any workflow. Familiar Sony control layout and operation minimise training requirements. World's first 1/2-type 3CMOS Sensor for broadcast 4K The Z280’s all-new Exmor R™ imager is custom-designed for broadcast 4K acquisition. Its three 1/2-type Exmor R™ CMOS deliver a deep depth of field with superb image quality. Red, blue, and green light are independently captured by separate image sensors, contributing to high resolution, high sensitivity of F12 (59.94p) and wide dynamic range. An advanced LSI (featuring intelligent noise reduction, enhanced detail reproduction and distortion correction technologies) delivers remarkably lifelike 4K 4:2:2 10-bit images. Even if you’re delivering in HD, your recordings will capture detail and image texture that HD sensors simply cannot see.   17x professional HD zoom lens with three independent rings with end-stop and large focal length The PXW-Z280 is equipped with a 17x professional zoom lens able to zoom from 30.3mm to 515mm (35mm equivalent). The 1/2-inch type lens has three independent control rings with end-stop, which allows manual control of focus, zoom and iris, making for better and faster adjustment.   The image can be enlarged without any picture degradation in HD mode and 34x times zoom equivalent image is captured with sensor cropping extender.   Spectacular HDR performance Demand for HDR content is increasing and Z280 offers you a choice of two powerful workflows.   S-Log2/3 is the proven choice for premium applications where you wish to capture as much data as possible for the ultimate flexibility in grading Instant HDR Workflow is all about speed. Shoot, edit and view content in Hybrid Log-Gamma (HLG) to deliver content quickly without compromising on imaging expression and quality of content   Amazingly fast precision auto focus The PXW-Z280 features newly developed Face detection AF. You can choose between Face Priority AF and Face Only AF. Simply keep the person in frame and and however you move to obtain a better angle, you can be confident the PXW-Z280 will keep your subject in pin-sharp focus.   Built-in electronic Variable ND Filters Sony’s ground-breaking integration of electronic variable ND Filters into the body of a camcorder enables fast, agile shooting. Moving from shadowy interiors to bright sun-lit exteriors is no problem with PXW-Z280. Unlike conventional optical ND filters, the electronic ND filter on the PXW-Z280 can be controlled from 1/4ND to 1/128ND linearly while ND Filters can be set to fully auto. You can even manually adjust Depth of Field using the iris lens ring, while relying on the PXW-Z280 to maintain constant exposure without changing gain nor shutter speed.   12G-SDI accelerated workflow Revolutionise your workflow with 12Gbps content transfer – four times the bandwidth of 3G-SDI over a standard SDI cable and ideal for working with highest quality 4K content or speeding through HD content. Sony is the first broadcast manufacturer to build 12G-SDI into a compact handheld camcorder. Once you’ve tried it, you won’t want to use anything else.   Accurate OLED viewfinder An expansive 0.5-inch high quality OLED viewfinder is perfectly offset for right-eye or left-eye viewing. OLED’s superb accuracy, high contrast and high resolution (2.36M dot) enables precise manual focus and eliminates any colour-breaking phenomenon.      

Sony PXW-Z280 4K Handheld Camcorder package c

Sony PXW-Z280 (PXW Z280, PXW_Z280) 4K Handheld Camcorder package c © includes: 1x Sony PXW-Z280 4K Handheld Camcorder (PXW-Z280) 1x Hedbox Pro Battery Pack for SONY 6700mAh Li-Ion Battery with 2x D-Tap 14.4V & USB 5V (BPU) (HED-BP95D) 1x Sony SBP-128E SxS Pro+ 128GB Read 3.5GB/s Write 2.8GB/s Memory Card (SBP-128E) 1x Camrade CAM-R&GB-MEDIUM run&gunBag Medium bag (CAM-R&GB-MEDIUM) *Digibroadcast has put together some bespoke Sony packages for our clients based on our own research and surveys and holds the right to protect all of its content © World-leading handheld 4K HDR performance An all-new 4K 3CMOS 1/2-type sensor with a deep depth of field and class-leading performance provides the pinnacle of 4K HDR performance in your hand. Face Detection AF keeps your subject in focus, while HLG and S-Log3 provide stunning HDR to suit any workflow. Revolutionary networking capabilities Deliver your content faster wherever you are. PXW-Z280 is the world’s first camcorder with built-in Dual Link Cellular connection for double the uplink performance and reliability. Integrated 12G-SDI supports transfers at up to 12Gbps over a standard SDI cable. The complete package for professionals Unpack and shoot from day one. Advanced XAVC-Intra and XAVC-Long for 4K QFHD and HD, plus MPEG HD422, MPEG HD and DVCAM to support any workflow. Familiar Sony control layout and operation minimise training requirements. World's first 1/2-type 3CMOS Sensor for broadcast 4K The Z280’s all-new Exmor R™ imager is custom-designed for broadcast 4K acquisition. Its three 1/2-type Exmor R™ CMOS deliver a deep depth of field with superb image quality. Red, blue, and green light are independently captured by separate image sensors, contributing to high resolution, high sensitivity of F12 (59.94p) and wide dynamic range. An advanced LSI (featuring intelligent noise reduction, enhanced detail reproduction and distortion correction technologies) delivers remarkably lifelike 4K 4:2:2 10-bit images. Even if you’re delivering in HD, your recordings will capture detail and image texture that HD sensors simply cannot see.   17x professional HD zoom lens with three independent rings with end-stop and large focal length The PXW-Z280 is equipped with a 17x professional zoom lens able to zoom from 30.3mm to 515mm (35mm equivalent). The 1/2-inch type lens has three independent control rings with end-stop, which allows manual control of focus, zoom and iris, making for better and faster adjustment.   The image can be enlarged without any picture degradation in HD mode and 34x times zoom equivalent image is captured with sensor cropping extender.   Spectacular HDR performance Demand for HDR content is increasing and Z280 offers you a choice of two powerful workflows.   S-Log2/3 is the proven choice for premium applications where you wish to capture as much data as possible for the ultimate flexibility in grading Instant HDR Workflow is all about speed. Shoot, edit and view content in Hybrid Log-Gamma (HLG) to deliver content quickly without compromising on imaging expression and quality of content   Amazingly fast precision auto focus The PXW-Z280 features newly developed Face detection AF. You can choose between Face Priority AF and Face Only AF. Simply keep the person in frame and and however you move to obtain a better angle, you can be confident the PXW-Z280 will keep your subject in pin-sharp focus.   Built-in electronic Variable ND Filters Sony’s ground-breaking integration of electronic variable ND Filters into the body of a camcorder enables fast, agile shooting. Moving from shadowy interiors to bright sun-lit exteriors is no problem with PXW-Z280. Unlike conventional optical ND filters, the electronic ND filter on the PXW-Z280 can be controlled from 1/4ND to 1/128ND linearly while ND Filters can be set to fully auto. You can even manually adjust Depth of Field using the iris lens ring, while relying on the PXW-Z280 to maintain constant exposure without changing gain nor shutter speed.   12G-SDI accelerated workflow Revolutionise your workflow with 12Gbps content transfer – four times the bandwidth of 3G-SDI over a standard SDI cable and ideal for working with highest quality 4K content or speeding through HD content. Sony is the first broadcast manufacturer to build 12G-SDI into a compact handheld camcorder. Once you’ve tried it, you won’t want to use anything else.   Accurate OLED viewfinder An expansive 0.5-inch high quality OLED viewfinder is perfectly offset for right-eye or left-eye viewing. OLED’s superb accuracy, high contrast and high resolution (2.36M dot) enables precise manual focus and eliminates any colour-breaking phenomenon.      

Sony PXW-Z280 4K Handheld Camcorder package b

Sony PXW-Z280 (PXW Z280, PXW_Z280) 4K Handheld Camcorder package b © includes: 1x Sony PXW-Z280 4K Handheld Camcorder (PXW-Z280) 1x Hedbox Pro Battery Pack for SONY 6700mAh Li-Ion Battery with 2x D-Tap 14.4V & USB 5V (BPU) (HED-BP95D) 1x Sony SBP-128E SxS Pro+ 128GB Read 3.5GB/s Write 2.8GB/s Memory Card (SBP-128E) *Digibroadcast has put together some bespoke Sony packages for our clients based on our own research and surveys and holds the right to protect all of its content © World-leading handheld 4K HDR performance An all-new 4K 3CMOS 1/2-type sensor with a deep depth of field and class-leading performance provides the pinnacle of 4K HDR performance in your hand. Face Detection AF keeps your subject in focus, while HLG and S-Log3 provide stunning HDR to suit any workflow. Revolutionary networking capabilities Deliver your content faster wherever you are. PXW-Z280 is the world’s first camcorder with built-in Dual Link Cellular connection for double the uplink performance and reliability. Integrated 12G-SDI supports transfers at up to 12Gbps over a standard SDI cable. The complete package for professionals Unpack and shoot from day one. Advanced XAVC-Intra and XAVC-Long for 4K QFHD and HD, plus MPEG HD422, MPEG HD and DVCAM to support any workflow. Familiar Sony control layout and operation minimise training requirements. World's first 1/2-type 3CMOS Sensor for broadcast 4K The Z280’s all-new Exmor R™ imager is custom-designed for broadcast 4K acquisition. Its three 1/2-type Exmor R™ CMOS deliver a deep depth of field with superb image quality. Red, blue, and green light are independently captured by separate image sensors, contributing to high resolution, high sensitivity of F12 (59.94p) and wide dynamic range. An advanced LSI (featuring intelligent noise reduction, enhanced detail reproduction and distortion correction technologies) delivers remarkably lifelike 4K 4:2:2 10-bit images. Even if you’re delivering in HD, your recordings will capture detail and image texture that HD sensors simply cannot see.   17x professional HD zoom lens with three independent rings with end-stop and large focal length The PXW-Z280 is equipped with a 17x professional zoom lens able to zoom from 30.3mm to 515mm (35mm equivalent). The 1/2-inch type lens has three independent control rings with end-stop, which allows manual control of focus, zoom and iris, making for better and faster adjustment.   The image can be enlarged without any picture degradation in HD mode and 34x times zoom equivalent image is captured with sensor cropping extender.   Spectacular HDR performance Demand for HDR content is increasing and Z280 offers you a choice of two powerful workflows.   S-Log2/3 is the proven choice for premium applications where you wish to capture as much data as possible for the ultimate flexibility in grading Instant HDR Workflow is all about speed. Shoot, edit and view content in Hybrid Log-Gamma (HLG) to deliver content quickly without compromising on imaging expression and quality of content   Amazingly fast precision auto focus The PXW-Z280 features newly developed Face detection AF. You can choose between Face Priority AF and Face Only AF. Simply keep the person in frame and and however you move to obtain a better angle, you can be confident the PXW-Z280 will keep your subject in pin-sharp focus.   Built-in electronic Variable ND Filters Sony’s ground-breaking integration of electronic variable ND Filters into the body of a camcorder enables fast, agile shooting. Moving from shadowy interiors to bright sun-lit exteriors is no problem with PXW-Z280. Unlike conventional optical ND filters, the electronic ND filter on the PXW-Z280 can be controlled from 1/4ND to 1/128ND linearly while ND Filters can be set to fully auto. You can even manually adjust Depth of Field using the iris lens ring, while relying on the PXW-Z280 to maintain constant exposure without changing gain nor shutter speed.   12G-SDI accelerated workflow Revolutionise your workflow with 12Gbps content transfer – four times the bandwidth of 3G-SDI over a standard SDI cable and ideal for working with highest quality 4K content or speeding through HD content. Sony is the first broadcast manufacturer to build 12G-SDI into a compact handheld camcorder. Once you’ve tried it, you won’t want to use anything else.   Accurate OLED viewfinder An expansive 0.5-inch high quality OLED viewfinder is perfectly offset for right-eye or left-eye viewing. OLED’s superb accuracy, high contrast and high resolution (2.36M dot) enables precise manual focus and eliminates any colour-breaking phenomenon.      

Sony PXW-Z280 4K Handheld Camcorder package a

Sony PXW-Z280 (PXW Z280, PXW_Z280) 4K Handheld Camcorder package a © includes: 1x Sony PXW-Z280 4K Handheld Camcorder (PXW-Z280) 1x Hedbox Pro Battery Pack for SONY 6700mAh Li-Ion Battery with 2x D-Tap 14.4V & USB 5V (BPU) (HED-BP95D) *Digibroadcast has put together some bespoke Sony packages for our clients based on our own research and surveys and holds the right to protect all of its content © 1x Sony PXW-Z280 4K Handheld Camcorder (PXW-Z280)   1x Hedbox Pro Battery Pack for SONY 6700mAh Li-Ion Battery with 2x D-Tap 14.4V & USB 5V (BPU) (HED-BP95D) World-leading handheld 4K HDR performance An all-new 4K 3CMOS 1/2-type sensor with a deep depth of field and class-leading performance provides the pinnacle of 4K HDR performance in your hand. Face Detection AF keeps your subject in focus, while HLG and S-Log3 provide stunning HDR to suit any workflow. Revolutionary networking capabilities Deliver your content faster wherever you are. PXW-Z280 is the world’s first camcorder with built-in Dual Link Cellular connection for double the uplink performance and reliability. Integrated 12G-SDI supports transfers at up to 12Gbps over a standard SDI cable. The complete package for professionals Unpack and shoot from day one. Advanced XAVC-Intra and XAVC-Long for 4K QFHD and HD, plus MPEG HD422, MPEG HD and DVCAM to support any workflow. Familiar Sony control layout and operation minimise training requirements. World's first 1/2-type 3CMOS Sensor for broadcast 4K The Z280’s all-new Exmor R™ imager is custom-designed for broadcast 4K acquisition. Its three 1/2-type Exmor R™ CMOS deliver a deep depth of field with superb image quality. Red, blue, and green light are independently captured by separate image sensors, contributing to high resolution, high sensitivity of F12 (59.94p) and wide dynamic range. An advanced LSI (featuring intelligent noise reduction, enhanced detail reproduction and distortion correction technologies) delivers remarkably lifelike 4K 4:2:2 10-bit images. Even if you’re delivering in HD, your recordings will capture detail and image texture that HD sensors simply cannot see.   17x professional HD zoom lens with three independent rings with end-stop and large focal length The PXW-Z280 is equipped with a 17x professional zoom lens able to zoom from 30.3mm to 515mm (35mm equivalent). The 1/2-inch type lens has three independent control rings with end-stop, which allows manual control of focus, zoom and iris, making for better and faster adjustment.   The image can be enlarged without any picture degradation in HD mode and 34x times zoom equivalent image is captured with sensor cropping extender.   Spectacular HDR performance Demand for HDR content is increasing and Z280 offers you a choice of two powerful workflows.   S-Log2/3 is the proven choice for premium applications where you wish to capture as much data as possible for the ultimate flexibility in grading Instant HDR Workflow is all about speed. Shoot, edit and view content in Hybrid Log-Gamma (HLG) to deliver content quickly without compromising on imaging expression and quality of content   Amazingly fast precision auto focus The PXW-Z280 features newly developed Face detection AF. You can choose between Face Priority AF and Face Only AF. Simply keep the person in frame and and however you move to obtain a better angle, you can be confident the PXW-Z280 will keep your subject in pin-sharp focus.   Built-in electronic Variable ND Filters Sony’s ground-breaking integration of electronic variable ND Filters into the body of a camcorder enables fast, agile shooting. Moving from shadowy interiors to bright sun-lit exteriors is no problem with PXW-Z280. Unlike conventional optical ND filters, the electronic ND filter on the PXW-Z280 can be controlled from 1/4ND to 1/128ND linearly while ND Filters can be set to fully auto. You can even manually adjust Depth of Field using the iris lens ring, while relying on the PXW-Z280 to maintain constant exposure without changing gain nor shutter speed.   12G-SDI accelerated workflow Revolutionise your workflow with 12Gbps content transfer – four times the bandwidth of 3G-SDI over a standard SDI cable and ideal for working with highest quality 4K content or speeding through HD content. Sony is the first broadcast manufacturer to build 12G-SDI into a compact handheld camcorder. Once you’ve tried it, you won’t want to use anything else.   Accurate OLED viewfinder An expansive 0.5-inch high quality OLED viewfinder is perfectly offset for right-eye or left-eye viewing. OLED’s superb accuracy, high contrast and high resolution (2.36M dot) enables precise manual focus and eliminates any colour-breaking phenomenon.      

Sony FE 16-35mm F2.8 GM Series Wide Angle Zoom Lens

Sony SEL-1635GM (SEL1635GM, SEL 1635GM, SEL_1635GM, SEL/1635GM) FE 16-35mm F2.8 GM Series Wide Angle Zoom Lens Explore the world in wide-angle detail G Master performance in a wide-angle F2.8 16–35 mm zoom offers a wealth of opportunity to capture subjects in creative new ways. No matter what zoom setting or focus distance you shoot at, this lens delivers consistently superb resolution from corner to corner, with stunning background bokeh when required. A compact, lightweight design makes it manageable for active shooting. Fast, high-resolution F2.8 16–35 mm zoom The first wide-angle G Master zoom lens offers performance that will take full advantage of the high-resolution potential of the latest and future camera bodies. The most advanced Sony optical and mechanical technologies come together to deliver extraordinary rendering and clarity. High corner-to-corner resolution Uncompromised optical design achieves extremely high resolution and contrast. Landscapes, architecture, interiors and other expansive subjects are captured with outstanding corner-to-corner sharpness. Aspherical elements minimise distortion, while ED (Extra-low Dispersion) glass elements effectively control chromatic aberration. Clarity and contrast in any light Sony's original Nano AR Coating suppresses spurious reflections that can cause flare and ghosting in backlit and other challenging lighting situations, for consistently high contrast and clarity. Freedom from flare over a wide range of incident light angles provides greater framing and composing flexibility, particularly at wide-angle focal lengths. (1. Nano AR Coating / 2. Glass / 3. Transmitted light) Resolution and bokeh raised to new heights This lens features two Sony XA (extreme aspherical) elements with 0.01 micron surface precision. Distortion that tends to occur in wide-angle zoom lenses is meticulously controlled, as are astigmatism and field curvature. Unattractive onion-ring bokeh is effectively suppressed by XA (extreme aspherical) elements so that smooth, beautiful bokeh is achieved in out-of-focus areas. Gorgeous background bokeh Shooting up close at F2.8 can produce some extraordinary background bokeh. Use this capability to shoot portraits, for example, with dynamic, painterly backgrounds consisting of smooth, expressive bokeh that makes the subject stand out clearly. Optimum resolution at any focal length Consistently high resolution is achieved from infinity to the closest focusing distance. This lens employs a floating focus mechanism with two independently driven lens groups. This system helps to reduce all types of aberration to minimum levels and thereby maintain sharp, high-resolution rendering from infinity focus for landscapes, for example, all the way down to close focus for portraits and similar subjects. Light and compact for high mobility Class-leading size and weight reductions have been achieved while maintaining outstanding optical performance. This lens is an ideal match for compact E-mount bodies, providing a portable, manageable system that's easy to take along on hiking or mountaineering photo excursions. Fast, precise autofocus Two DDSSM (Direct Drive SSM) systems employing original Sony piezoelectric motors directly drive two focus groups in a floating focus configuration. The focus groups are positioned with high precision for the highest possible focus accuracy. DDSSM is quiet too, making it ideal for shooting movies as well as stills. 11 blades enhance bokeh beauty Sony's original 11-blade circular aperture contributes to even greater bokeh quality. Design and materials have been revised to maintain a round shape, and strict circularity standards are applied to ensure that the full beauty of the lens's bokeh is achieved without compromise. Fluorine coated front element The lens's front element features a fluorine coating that helps to prevent fingerprints on the lens and stop dirt from sticking, and makes it easier to wipe away any dirt and fingerprints that do appear on the lens surface. Smooth, versatile operation A focus hold button, manual focus ring, AF/MF switch and other controls provide versatile fingertip operation. The focus hold button can be customised via a body menu that allows a variety of functions to be assigned to the button to match the user's needs. High reliability in harsh conditions The overall design of this lens is dust and moisture resistant for extra protection and reliable operation in challenging environments. Shoot with confidence in light rain or windy conditions.3

Sony PXW-Z280 4K Handheld Camcorder

Sony PXW-Z280 (PXW_Z280, PXW/Z280, PXW Z280) 4K CMOS Sensor Camcorder with Built-in Electronic Variable ND Filter Sony's PXW-Z280 4K 3-CMOS 1/2" Sensor XDCAM Camcorder continues the fine tradition of the XDCAM series of cameras. It captures 4K at up to 60p relying on three 1/2" Exmor R sensors that provide improved low-light capability when compared to standard sensors. The camera integrates a 17x optical zoom lens and an electronic variable ND filter. The camera supports modern codecs such as XAVC, as well as legacy codecs such as MPEG HD and DVCAM, allowing you to use one camera to shoot 4K, HD, or SD video. The camera supports S-Log 3 for improved performance, and HLG (Hybrid Log Gamma) which allows you to shoot and deliver footage compatible with both HDR (high dynamic range) and SDR (standard dynamic range) without needing laborious post-production work. You can record in both 4K and HD simultaneously, or output 4K 60p via the built-in 12G-SDI output. The camera features built-in 2.4 and 5 GHz Wi-Fi. World-leading handheld 4K HDR performance An all-new 4K 3CMOS 1/2-type sensor with a deep depth of field and class-leading performance provides the pinnacle of 4K HDR performance in your hand. Face Detection AF keeps your subject in focus, while HLG and S-Log3 provide stunning HDR to suit any workflow. Revolutionary networking capabilities Deliver your content faster wherever you are. PXW-Z280 is the world’s first camcorder with built-in Dual Link Cellular connection for double the uplink performance and reliability. Integrated 12G-SDI supports transfers at up to 12Gbps over a standard SDI cable. The complete package for professionals Unpack and shoot from day one. Advanced XAVC-Intra and XAVC-Long for 4K QFHD and HD, plus MPEG HD422, MPEG HD and DVCAM to support any workflow. Familiar Sony control layout and operation minimise training requirements. World's first 1/2-type 3CMOS Sensor for broadcast 4K The Z280’s all-new Exmor R™ imager is custom-designed for broadcast 4K acquisition. Its three 1/2-type Exmor R™ CMOS deliver a deep depth of field with superb image quality. Red, blue, and green light are independently captured by separate image sensors, contributing to high resolution, high sensitivity of F12 (59.94p) and wide dynamic range. An advanced LSI (featuring intelligent noise reduction, enhanced detail reproduction and distortion correction technologies) delivers remarkably lifelike 4K 4:2:2 10-bit images. Even if you’re delivering in HD, your recordings will capture detail and image texture that HD sensors simply cannot see. 17x professional HD zoom lens with three independent rings with end-stop and large focal length The PXW-Z280 is equipped with a 17x professional zoom lens able to zoom from 30.3mm to 515mm (35mm equivalent). The 1/2-inch type lens has three independent control rings with end-stop, which allows manual control of focus, zoom and iris, making for better and faster adjustment. The image can be enlarged without any picture degradation in HD mode and 34x times zoom equivalent image is captured with sensor cropping extender. Amazingly fast precision auto focus The PXW-Z280 features newly developed Face detection AF. You can choose between Face Priority AF and Face Only AF. Simply keep the person in frame and and however you move to obtain a better angle, you can be confident the PXW-Z280 will keep your subject in pin-sharp focus. Built-in electronic Variable ND Filters Sony’s ground-breaking integration of electronic variable ND Filters into the body of a camcorder enables fast, agile shooting. Moving from shadowy interiors to bright sun-lit exteriors is no problem with PXW-Z280. Unlike conventional optical ND filters, the electronic ND filter on the PXW-Z280 can be controlled from 1/4ND to 1/128ND linearly while ND Filters can be set to fully auto. You can even manually adjust Depth of Field using the iris lens ring, while relying on the PXW-Z280 to maintain constant exposure without changing gain nor shutter speed. 12G-SDI accelerated workflow Revolutionise your workflow with 12Gbps content transfer – four times the bandwidth of 3G-SDI over a standard SDI cable and ideal for working with highest quality 4K content or speeding through HD content. Sony is the first broadcast manufacturer to build 12G-SDI into a compact handheld camcorder. Once you’ve tried it, you won’t want to use anything else. Accurate OLED viewfinder An expansive 0.5-inch high quality OLED viewfinder is perfectly offset for right-eye or left-eye viewing. OLED’s superb accuracy, high contrast and high resolution (2.36M dot) enables precise manual focus and eliminates any colour-breaking phenomenon. Dual Multi-Interface (MI) Shoe MI Shoe provides power, signal connections and coordinated on/off switching to compatible Sony accessories. For example, you can connect and control Sony wireless microphone systems such as the UWP-D11 or UWP-D12 or attach the HVL-LBPC light *Connectors at front and back of camcorder maximise operational flexibility. Dual XLR and 4 Channel Audio The PXW-Z280 offers superior professional audio capabilities with independent volume dials enabling precision control of external audio inputs, including an MI-shoe attached microphone. Dual SxS media slots The camcorder is equipped with two SxS memory card slots, which can record in Simul, Relay or Back up mode. Simul mode permits simultaneous recording to two memory cards, including simultaneous recordings of MPEG HD exFAT and UDF recordings, ideal for archival purposes. Relay mode automatically switches recording from the first to the second memory card when the first is full to extend recording times. In Back up mode, users can set up the two Start/Stop buttons on the PXW-Z280, one on the grip and one on the camcorder body, to independently start and stop recording on different memory cards while recording in Simul mode. High quality XAVC Intra and XAVC Long GOP recordings XAVC technology is based on the H.264 standard, which provides an exceptionally robust and efficient compression technology. XAVC Intra (frame) compression means that every frame is encoded independent of the other frames – providing a better quality picture, without compromises. XAVC Long GOP applies compression across multiple frames – reducing file sizes, which can make for fast ingest and editing as well as providing budget savings on recording media. The XAVC codec adopts 10-bit sampling for high definition recording with rich tonal expression. Broadcast-standard MPEG HD422 and MPEG HD High-quality MPEG HD422 50 Mbps is fully compliant with the latest EBU recommendations for long-form broadcast production and is widely accepted in broadcasting stations and production houses. This recording capability makes PXW-Z280 ideal for a wide range of different applications, including newsgathering and documentary production. DVCAM at 25 Mbps in MXF file format   Many broadcasters and production houses still utilise the proven DVCAM format and PXW-Z280 provides support at the flick of a switch.  

Sony PXW-Z190 XDCAM Handheld Camcorder

Sony PXW-Z190 (PXWZ190, PXW Z190, PXW/Z190) XDCAM Handheld Camcorder Sony's PXW-Z190 4K 3-CMOS 1/3" Sensor XDCAM Camcorder continues the fine tradition of the XDCAM series of cameras. It captures 4K at up to 60p, relying on three 1/3" Exmor R sensors that provide improved low-light capability when compared to standard sensors. The camera integrates a 25x optical Sony G zoom lens and an electronic variable ND filter. The camera supports a variety of codecs out of the box, with an optional MPEG HD license enabling you to shoot HD video. The camera supports HLG (Hybrid Log Gamma), allowing you to shoot and deliver footage compatible with both HDR (high dynamic range) and SDR (standard dynamic range) without needing laborious post-production work. Dual SD card slots permit a variety of recording options including simultaneous HD and 4K recoding. The camera features built-in 2.4 and 5 GHz Wi-Fi.  

Sony Redundant Power Supply Unit for XDCAM

Sony XDBK-101 (XDBK101, XDBK/101, xdbk-101) Redundant Power Supply Unit for XDCAM The XDBK-101 is the redundant power supply option for the XDS-1000, XDS-PD1000, and XDS-PD2000 Professional Media Station units.

Sony Viewfinder Hood

Sony VFH-790 (VFH790, VFH/790, vfh-790) Viewfinder Hood Sony's VFH790 Viewfinder Hood is designed for use with the HDVFEL70 & HDVFEL75 electronic viewfinders. It allows easier viewing under bright sunlight or studio lights, and is especially useful for applications such as OB and sporting events.

Sony Extended Viewfinder Hood

Sony VFH-570 (VFH570, VFH/570, vfh-570) Extended Viewfinder Hood Sony's VFH-570 Extended Viewfinder Hood is designed for use with the DXF-C50W professional viewfinder. It allows easier viewing under bright sunlight or studio lights, and is especially useful for applications such as OB and sporting events.

Sony 5-inch Type Viewfinder Sports Hood for BVF-55

Sony VFH-550 (VFH550, VFH/550, vfh-550) (BVF/55, BVF_55) 5-inch Type Viewfinder Sports Hood for BVF-55 The Sony VHF-550 is an outdoor hood designed specifically for the BVF-55 studio viewfinder used with BVP series broadcast cameras. The hood prevents sunlight from hitting the viewfinder screen, reducing glare.

Sony Shoulder Mount Brace for PMW-F5 and PMW-F55 Cameras

Sony VCT-FSA5 (VCTFSA5, VCT/FSA5, vct-fsa5) (PMW_F5, PMW/F5) (PMW F55, PMW_F55) Shoulder Mount Brace for PMW-F5 and PMW-F55 Cameras The Sony VCT-FSA5 Shoulder Mount Accessory for PMW-F5/PMW-F55 is specifically built to allow you to comfortably hand hold the F5/F55 camera for documentary style shooting. The shoulder mount features a low profile to maintain a low center of gravity and a sliding balance mechanism for adjusting the camera's balance front to back. It includes two stainless steel 15mm support rods, and two 1/4"-20 camera tie down screws. The mount integrates a rubberized foam cushion for comfort, and two Arri compatible mounting rosettes for accessories. It is made from cast aluminum and features the necessary front wedge and back plate to fasten it to an available VCT-14 quick release plate. This allows you to go from tripod to hand held mode and back to tripod mode quickly, easily, and without having to adjust the shoulder pad.

Sony Lightweight 15mm Rods & Adjustable Shoulder Pad

Sony VCT-FS7 (VCTFS7, VCT/FS7, vct-fs7) Lightweight 15mm Rods & Adjustable Shoulder Pad The VCT-FS7 lightweight rods support for the PXW-FS7 XDCAM camera features 15mm rods and an adjustable shoulder pad. This enables the use of additional Matte boxes, the easy attachment of Follow Focus systems or of an external recorder with the PXW-FS7.

Sony 35mm E-Mount 28-135mm Zoom Lens

Sony SELP28135G.SYX (SELP28135G_SYX, SELP28135G/SYX, SELP28135G-SYX, SELP28135G) 35mm E-Mount 28-135mm Zoom Lens  The SELP28135G is a powered zoom lens that has been created to satisfy professional optical and operational requirements for high-quality movie imagery, including 4K, when matched with a 35mm full frame format camera such as the α7S or a Super 35 format camcorder such as the PXW-FS7*. Focus breathing and zoom image shift have been reduced to an absolute minimum, while aspherical elements and advanced multi-coating technology effectively suppress aberration. Quiet operation is also a priority, so an SSM (Super Sonic wave Motor) drive system has been employed for precise, quiet zooming. Independent control rings for zoom, focus, and iris using physical stops are provided for the first time into an E-Mount an lens. Built-in Optical SteadyShot image stabilization adds to the extraordinary performance of this outstanding lens which is supporting a constant F4. *Zoom range increases to 42-202.5mm when using the lens on an APS-C or Super 35 camera. 35mm full frame imagery Precision optical design supports top-quality 4K production with minimum angle of view variation while focusing and axial displacement while zooming. F4 OSS with extendable zoom range The SELP28135G has minimum focus of 0.4 m (AF) / 0.95 m (MF) and has extanded zoom range of 42-202.5mm when used on an APS-C or S35 camera. High speed operation with independent control rings High-end operation and feel inherited from Sony professional equipment. Three control rings for iris, focus and zoom offer manual control for demanding large format production. Quiet operation The world’s first SSM (Super Sonic wave Motor) drive in a lens designed for moviemaking achieves quiet zoom and extra-smooth iris control. Lightweight and compact Compact, lightweight design that is also dust and moisture resistant is ideal for situations that require mobility plus reliability.s

Sony 18-200mm f3.5-6.3 OSS PowerZoom Lens

Sony SELP18200.AE (SELP18200_AE, SELP18200-AE, SELP18200/AE, SELP18200) 18-200mm f3.5-6.3 OSS PowerZoom Lens E PZ 18-200mm F3.5-6.3 OSS Power Zoom Lens This "Powered Zoom" lens produces smooth constant-speed zooms that can be difficult to achieve manually. Other features that make this lens an excellent choice for moviemaking as well as stills include a wide 11x zoom range and Optical SteadyShot image stabilisation that can keep your subjects sharp at all focal lengths, even when shooting handheld. Circular Aperture When changing your aperture to defocus the background, the light sources appear blurred. This ‘bokeh’ effect of the blurred background can be enhanced with circular aperture blades used in this lens. Conventional aperture blades have flat sides creating unappealing polygonal shaped defocussed points of light. α lenses overcome this problem through a unique design that keeps the aperture almost perfectly circular from its wide-open setting to when it is closed by 2 stops. Smoother, more natural defocusing can be obtained as a result. ED (Extra-low Dispersion) glass As focal lengths get longer, lenses built with conventional optical glass have difficulties with chromatic aberration, and as a result images suffer from lower contrast, lower colour quality, and lower resolution. ED glass dramatically reduces chromatic aberration at telephoto ranges, and provides superior contrast across the entire image, even at large aperture settings. Super ED glass provides enhanced compensation for chromatic aberration. Lens-based optical image stabilisation Gyro sensors built into the lens detect even the slightest movement, and the stabilisation lens is precisely shifted to counteract any image blur that might occur. The use of precision, quiet linear motors and technology inherited from high-end Sony professional camcorders results in exceptionally quiet, effective image stabilisation that contributes to high-quality movies as well as stills. Internal focusing Only the middle groups of the optical system move to achieve focus, so the overall length of the lens does not change. Other important benefits include fast autofocusing and a short minimum focusing distance. Also, the filter thread at the front of the lens does not rotate, which is convenient if you’re using a polarizing filter. Optical image stabilisation with Active Mode Moving around while shooting movies means more camera shake that can cause blur. Although conventional image stabilisation systems were not effective at compensating for this type of movement, “Active Mode” employs a wider range of motion for the compensation lens, achieving improved stabilisation over a greater range of camera movement. Stabilisation at the wide end of the zoom range is significantly improved, facilitating handheld movie shooting with minimum image blur.

Sony E PZ 18-105mm F4 G OSS Lens

Sony SELP18105G.AE (SELP18105GAE, SELP18105G/AE, SELP18105G_AE, SELP18105G-AE) E PZ 18-105mm F4 G OSS Lens This G Lens for E-mount cameras delivers stunning still or movie imagery with the flexibility of 6x power zoom. Maximum aperture is a constant F4 from 18mm wide angle to 105mm medium telephoto, with excellent resolution and contrast throughout. A lever and ring on the lens barrel allow zoom speed to be freely adjusted as required while maintaining a sure, stable grip.

Sony 16-50mm f3.5-5.6 OSS Lens

Sony SELP1650.AE (SELP1650-AE, SELP1650_AE, SELP1650/AE, SELP1650) 16-50mm f3.5-5.6 OSS Lens  Retractable lens with powered zoom Great for travel, this lightweight, retractable mid-range zoom collapses down to just 29.9mm. It also features a power zoom for smooth, silent, effortless zooming. Powered zoom for effortless control Shooting stills or video, a powered zoom gives you maximum creative control. For added convenience, it can be operated via a zoom rocker on selected E Mount cameras. Capture smooth, blur-free images Built-in Optical SteadyShot™ image stabilisation within the lens ensures smooth, blur-free photos and videos when shooting handheld. Smooth defocusing Instead of a standard polygon-shaped lens aperture, this lens features a 7-blade circular aperture for more natural, rounded defocusing or ‘bokeh’. Refined optical performance Aspherical lens elements minimise distortion while ED (Extra-low Dispersion) glass elements provide superior contrast, resolution, and colour fidelity.

Sony FE 70-200mm f/4 G OSS Lens

Sony SEL70200G.AE (SEL70200G/AE, SEL70200G-AE, sel70200g_ae) FE 70-200mm F/4 G OSS Lens The most advanced technology available has been applied in the G Master series, further refining acclaimed Sony G Lens performance. This model combines refined G Lens bokeh with new levels of resolution in an outstanding constant F2.8 telephoto zoom that offers unsurpassed rendering, blazing AF, and extraordinary image stabilization performance. Extraordinary detail and bokeh in one lens Specifically designed to resolve spatial frequencies with excellent contrast, this lens includes three aspherical elements, including one double-sided and one newly developed XA (extreme aspherical) element with 0.01 micron surface precision, to effectively control aberration for astonishing resolution plus glorious bokeh. Natural images without spurious colour Chromatic aberration that can be a problem in telephoto lenses is thoroughly suppressed by the use of four ED (Extra-low-Dispersion) glass elements and two Super ED glass elements. Colour bleeding is banished so the subject can be captured with maximum sharpness. Class-leading close-up performance Class-leading close-up performance with a minimum focusing distance of 0.96m and 0.25x maximum magnification is ideal for portraits, telephoto macro, and more. Contributing refinements include ED glass elements and a floating focus mechanism to control aberration that can be problematic in close-up applications. Fast AF optimized for stills and video Two heavy focus groups are rapidly and precisely positioned by separate actuators: a powerful ring SSM (Super Sonic wave Motor) actuator for the front group, and a double linear motor actuator for the rear group. Improved positioning precision works with real-time feedback from multiple position sensors to allow the body’s AF system to operate at full capacity. Further refinements for spot-on movie AF The focusing system’s double linear motor takes on the vital role of providing “wobbling” actuation for the AF contrast detection system when shooting video. An optical design that effectively minimizes focus breathing plus quiet mechanical operation further adds to focusing performance that is ideal for movies as well as stills. Outstanding clarity and contrast Advanced Nano AR Coating technology produces a lens coating with a precisely defined regular nano-structure that effectively suppresses reflections that can cause flare and ghosting, for notable improvements in clarity, contrast, and overall image quality.(1. Nano AR Coating / 2.Glass / 3.Transmitted light) 11 blades for luscious bokeh Sony’s circular aperture design has traditionally employed up to 9 blades, but this lens incorporates an 11-blade circular aperture that takes bokeh quality to new levels of smooth beauty with natural looking highlights. Operation and reliability optimized for fieldwork Rigid construction with constant lens length during focusing and zooming contribute to excellent handling in the widest range of shooting situations.Focus hold buttons can hold the focus point even during continuous AF operation, and a focus range limiter switch can be used to preset a focusing distance range for maximum AF speed. Stable even when panning To provide the greatest possible benefit from the built-in image stabilization system in the widest range of shooting situations, the SEL70200GM features switchable MODE 2 stabilization that allows image stabilization to be used with panned shots for greater clarity and impact. Stabilized for sharp, blur-free images High-performance image stabilization is built right into the lens for sharp, blur-free images with a wide range of subjects. The heavy stabilization lens is driven by a linear motor for fast, precise stabilization. 5-axis image stabilization becomes available when used with α series bodies that feature built-in image stabilization. Removable rotating tripod mount This versatile lens tripod mount allows the camera to be quickly removed from the tripod in shooting situations that require a rapid handheld response. It also features a revolving mechanism that allows quick changeover between landscape and portrait orientation. A lock mechanism prevents accidental detachment.  High reliability in harsh conditions A sealed dust and moisture resistant design and fluorine front element coating provide extra protection to ensure reliable operation in challenging environments.

Sony Sonnar T FE 55mm f/1.8 ZA Lens

Sony SEL55F18Z.AE (SEL55F18Z_AE, SEL55F18Z/AE, sel55f18z-ae) Sonnar T FE 55mm f/1.8 ZA Lens This standard prime lens with a 55mm focal length and large F1.8 maximum aperture offers stunning ZEISS Sonnar contrast and resolution for full-frame E-mount bodies. It can also create gorgeous background bokeh to set off your subject when needed. The big, bright maximum aperture means you can shoot handheld in low-light conditions while still getting outstanding sharpness and clarity.

Sony Sonnar T FE 35mm f/2.8 ZA Lens

Sony SEL35F28Z.AE (SEL 35F28ZAE, SEL35F28Z/AE, SEL35F28Z_AE, SEL-35F28Z.AE, SEL35F28Z) Sonnar T FE 35mm f/2.8 ZA Lens  Sonnar T* FE 35mm F2.8 ZA Wide-angle Prime (SEL35F28Z) Perfect for wide-angle shooting and close-ups, this bright 35mm prime lens from ZEISS delivers outstanding edge-to-edge image quality. A supplied dedicated hood matches the lens's compact form, while its dust and moisture resistant design gives you peace of mind when shooting outdoors. Crafted by ZEISS Founded in 1846, ZEISS AG is a legend in the field of camera optics. Their lenses are renowned for exceptional clarity, brightness, resolution and contrast. This one features the acclaimed ZEISS T* coating, which subdues internal reflections to minimise flare and ghosting. 35mm Full Frame imaging This 35mm Full Frame prime lens is designed to work with the latest Full Frame E-mount cameras from Sony, delivering outstanding contrast and resolution right out to the edges of the image. Advanced aspherical lens (AA lens) technology Aspherical lens technology maximises portability without sacrificing imaging power. The lens combines three aspherical elements with one ED (Extra-low Dispersion) glass element to deliver high-precision shots and breathtaking rendering – without the bulky design usually associated with similar DSLR lenses. Smooth defocusing Instead of a standard polygon-shaped lens aperture, this lens features a 7-blade circular aperture for more natural, rounded defocusing or ‘bokeh’. Refined optical performance To optimise performance, aspherical lens elements maintain high contrast (even with the aperture wide open) and minimise distortion and flatness of the image plane. Fast, agile focusing An internal focusing mechanism means the lens barrel doesn’t move, enabling a more compact design, faster autofocus response, and reduced minimum focusing distances.

Sony 28-70mm F/3.5-5.6 OSS Standard Zoom Lens - E Mount

Sony SEL2870.AE (SEL2870AE, SEL2870/AE, sel2870.ae) 28-70mm F/3.5-5.6 OSS Standard Zoom Lens - E Mount A top pick for users looking for a lightweight all-around zoom, the FE 28-70mm f/3.5-5.6 OSS Lens from Sony is a great go-to for full-frame E-mount shooters. The lens uses a variable f/3.5-5.6 maximum aperture range in order to achieve light weight and compact size and incorporates one extra-low dispersion element and three aspherical elements to minimize aberrations throughout the range. Also, it has a linear motor and internal focus that enable fast, reliable autofocusing. On top of this, the lens offers built-in Optical SteadyShot image stabilization to combat the effects of camera shake. Additionally, it is dust and moisture resistant and is equipped with a seven-blade circular diaphragm for smooth bokeh. Designed for full-frame E-mount cameras, this 28-70mm covers a versatile wide-angle to telephoto range. It also works on APS-C format cameras where it provides a 42-105mm equivalent focal length range. One extra-low dispersion glass element is featured in the lens design to help reduce chromatic aberrations and color fringing for improved clarity and color neutrality. Three aspherical elements are incorporated in the lens design to reduce astigmatism, field curvature, coma, and other monochromatic aberrations. An internal focus mechanism and linear motor contribute to faster, more responsive system and easier handling. Optical SteadyShot image stabilization helps to minimize the appearance of camera shake for sharper imagery when shooting handheld with slower shutter speeds. This stabilization system can be combined with select camera's sensor-shift type image stabilization for more effective control of camera blur. Dust- and moisture-sealed design better permits working in inclement conditions and rubberized control rings benefit handling in colder temperatures. Rounded seven-blade diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques.

Sony 24mm f1.8 ZA Sonnar T* Wide Angle Lens by Carl Zeiss - E Mount

Sony SEL24F18Z.AE (SEL24F18ZAE, SEL24F18Z/AE, sel24f18z.ae) 24mm f1.8 ZA Sonnar T* Wide Angle Lens by Carl Zeiss - E Mount  The Sony Vario-Tessar T* FE 24-70mm f/4 ZA OSS Lens is a wide-angle to portrait-length zoom lens that features a constant f/4 maximum aperture to support consistent performance in regard to exposure settings and focus placement throughout the zoom range. Five aspherical elements and one extra-low dispersion element help to reduce aberrations and distortions while contributing to notable image sharpness and clarity. A Carl Zeiss T* anti-reflective coating has also been applied to lens elements to reduce lens flare and ghosting for improved contrast and color fidelity. This lens also integrates Optical SteadyShot image stabilization to lessen the appearance of camera shake when working in low-light conditions or with longer focal lengths. Additionally, a dust- and moisture-resistant construction ensures this lens' use in tough environmental conditions. The mid-range zoom 24-70mm lens covers wide-angle to portrait-length perspectives and features a constant f/4 maximum aperture for consistent performance throughout the zoom range. Five aspherical elements and one extra-low dispersion element help minimize aberrations and distortions throughout the zoom range while contributing to high overall clarity. Tessar concept enables the lens design to be compact while maintaining high image quality and sharpness. Carl Zeiss T* anti-reflective coating lessens lens flare and ghosting for contrast-rich imagery with sustained color neutrality. Optical SteadyShot image stabilization minimizes the appearance of camera shake to better suit working with longer shutter speeds and telephoto focal lengths. Dust- and moisture-resistant design enables ensured performance when working in inclement environmental conditions. Circular diaphragm enables a smooth out-of-focus quality that is well-suited to shallow depth of field imagery.

Sony Vario-Tessar T* FE 24-70mm F4 ZA OSS E-Mount Lens

Sony SEL2470Z.AE (SEL2470ZAE, SEL2470Z/AE, sel2470z.ae) Vario-Tessar T* FE 24-70mm F4 ZA OSS E-Mount Lens The Vario-Tessar T* FE 24-70mm f/4 ZA OSS Lens from Sony, a compact full-frame option that covers wide-angle to short telephoto perspectives for working with a variety of different shooting styles and subjects. A constant f/4 aperture makes operation smooth and consistent throughout the zoom range. The lens further benefits from the use of one extra-low dispersion element and five aspherical elements to combat aberrations as well as a Zeiss T* anti-reflective coating to keep flare and ghosting to an absolute minimum. The lens is fast to focus as well due to the linear autofocus motor and an internal focus design. Additionally, the dust- and moisture-resistant lens is equipped with Optical SteadyShot image stabilization to reduce the effects of camera shake, and it has a seven-blade circular diaphragm for smooth bokeh. Based on the Zeiss Tessar optical concept, this lens uses a design with 12 elements in ten groups that helps ensure a smaller overall lens size along with reduced flaring, distortion, and chromatic aberrations. Covering wide-angle to short telephoto perspectives, this compact 24-70mm can quickly become a go-to lens for Sony's full-frame E-mount cameras. It can also be used on APS-C format cameras where it will provide a 36-105mm equivalent zoom range. A constant f/4 maximum aperture offers consistent performance throughout the zoom range and also lends greater control over focus position for shallow depth of field techniques. Zeiss T* anti-reflective coatings have been applied to each lens surface to help minimize reflections in order to provide greater image clarity, contrast, and color fidelity. One extra-low dispersion glass element is featured in the lens design to help reduce chromatic aberrations and color fringing for improved clarity and color neutrality. Five aspherical elements are incorporated in the lens design to reduce astigmatism, field curvature, coma, and other monochromatic aberrations. Optical SteadyShot image stabilization helps to minimize the appearance of camera shake for sharper imagery when shooting handheld with slower shutter speeds. This stabilization system can also be combined with select camera's sensor-shift type image stabilization for more effective control of camera blur. A linear autofocus motor and internal focus design provide quick and precise autofocus performance and enables accurate and silent focusing while recording videos. Dust- and moisture-sealed design better permits working in inclement conditions and rubberized control rings benefit handling in colder temperatures. Rounded seven-blade diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques.

Sony Vario-Tessar T* FE 16-35mm f/4 ZA OSS Lens

Sony SEL1635Z.SYX (SEL1635ZSYX, SEL1635Z/SYX, sel1635z.syx) Vario-Tessar T* FE 16-35mm f/4 ZA OSS Lens  With a dust and moisture resistant design, the compact and lightweight Sony Vario-Tessar T* FE 16-35mm f/4 ZA OSS Lens covers your wide-angle zoom needs and is designed for full-frame E-mount cameras but can also be used on APS-C E-mount cameras as well. A constant f/4 maximum aperture offers consistent performance throughout the zoom range. Benefiting working in dim light is Optical SteadyShot image stabilization, which serves to minimize the appearance of camera shake by up to four shutter speed steps. The optical construction incorporates five aspherical elements, including a large diameter AA (advanced aspherical) element, and three ED (extra-low dispersion) elements to help reduce chromatic aberrations throughout the zoom range as well as contribute to a compact overall form-factor. A Carl Zeiss T* anti-reflective coating has been applied to the lens elements to minimize lens flare and ghosting while providing enhanced contrast, clarity, and color fidelity. Wide-range zoom lens designed for full-frame E-mount cameras Constant f/4 maximum aperture enables greater consistency throughout the zoom range Features a circular aperture diaphragm that, through the use of curved blades, keeps the aperture almost perfectly circular from its wide-open setting to when it is closed for smoother, more natural defocusing highlights Optical SteadyShot image stabilization works to minimize the appearance of camera shake by up to four shutter speed steps to benefit shooting handheld in dim lighting Five aspherical elements, including one AA (advanced aspherical) element, and three ED elements helps to reduce chromatic aberrations throughout the zoom range while also maintaining a compact form-factor Carl Zeiss T* anti-reflective coating enhances contrast, clarity, and color reproduction by countering the effects of lens flare and ghosting Only the middle groups of the optical system move to achieve focus, so the overall length of the lens does not change when focusing. Also, the filter thread at the front of the lens does not rotate, which is convenient when using a polarizing filter

Sony CineAlta 4K PL mount lens pack x6 (metric)

Sony SCL-PK6/M (SCLPK6/M, SCL/PK6/M, scl-pk6/m) CineAlta 4K PL mount lens pack x6 (metric) The PMW-F55 and PMW-F5 cameras continue Sony’s efforts to offer the most flexible lens options. A PL-mount lets users choose cinematic lenses from suppliers such as Angénieux, ARRI, Canon, Carl Zeiss, Cooke, FUJIFILM and Leica. Sony is also launching a second generation of cost-effective PL mount prime lenses. Each is certified for 4K capture, and is designed to minimize geometric distortion, vignetting and breathing. A 9-blade iris delivers beautiful bokehs and the focus rings rotate 240°. The new lens series includes focal lengths of 20, 25, 35, 50, 85 and 135 mm. For easy lens changes, each has the same T2.0 aperture, the same external diameter, matte box diameter, and gear locations for follow focus and aperture. All are the same height except for the 135 mm lens. Shooters can use stills lenses by removing the supplied PL-mount adaptor to reveal the native FZ mount. This makes it easy to accept commercially available adaptors for third-party lenses, including Canon EF, Canon FD, Nikon DX, Nikon G, Leica M and even 2/3-inch B4 lenses. A third option is the use of Sony FZ-Mount lenses with auto focus servo zoom (model SCL-Z18X140.)  

Sony 11-15mm / T3.0 Wide Angle Zoom PL Mount Lens

Sony SCL-P11X15 (SCLP11X15, SCL/P11X15, scl-p11x15) 11-15mm / T3.0 Wide Angle Zoom PL Mount Lens Sony's SCL-P11X15 is a new PL mount lens for the PMW-F3 Camcorder. This wide-angle zoom 1.5x 11-16mm T3.0 aimed at high-end cinema, drama, documentary and commercial productions. The The SCL-P11X15 has been specifically designed to fit to the PMW-F3K via the camcorder’s supplied PL Mount Adapter, which also means the lens is compatible with any other PL Mount camcorder. Wide Angle Zoom 1.5x 11-16mm T3.0 - PL mount wide angle of view coupled with 1.5x zoom capabilities for flexible shooting in fast-moving situations such as high-end documentary.

Sony SAL35F14G.AE 35mm f/1.4 G Lens A-Mount Lens

Sony SAL35F14G.AE (SAL-35F14G.AE, SAL-35F14G, SAL35F14G, sal35f14g.ae) 35mm f/1.4 G Lens A-Mount Lens A fast wide prime for expressive freedom The fact that this 35 mm F1.4 prime G Lens delivers superb image quality is no surprise. Creative photographers will really appreciate its 35 mm focal length, considered the most versatile by many pros, and its bright, fast F1.4 maximum aperture that enables low-light shooting, makes it possible to increase shutter speed to capture fast action and achieve gorgeous background bokeh when needed. Superb prime lens quality for low light An F1.4 maximum aperture makes this superb lens ideal for snapshots and ambient-light photography while providing extended depth-of-field control. The ability to create smooth bokeh makes it great for portraits too. Another advantage of a large maximum aperture is that higher shutter speeds can be used when shooting fast action. Sharp, high-contrast imagery Premium G Lens optics, including moulded aspherical glass elements, achieve consistently high resolution and contrast right down to the lens's bright F1.4 maximum aperture. All types of aberration are effectively suppressed too, so that natural, life-reproduction of delicate gradations and details is achieved. From super sharp to gorgeous bokeh A 9-blade circular aperture works with this lens's F1.4 maximum aperture to produce beautifully smooth background bokeh with natural highlights when desired. Smooth background defocusing can make the in-focus focus really stand out in images with almost three-dimensional depth. Compact, manageable and versatile In addition to a remarkably compact, manageable design, this lens includes a convenient focus hold button on the lens barrel, and an auto-clutch that prevents the focus ring from rotating when autofocus is used.

Sony SAL2875.AE 28–75mm F2.8 SAM Zoom Lens

Sony SAL2875.AE (SAL-2875AE, SAL-2875, SAL2875, sal2875.ae) 28–75mm F2.8 SAM Zoom Lens This 35 MM Full-Frame lens works with Sony α cameras. A versatile lens for everyday use The SAL2875 offers an ideal balance of brightness and zoom range for a variety of situations. A constant F2.8 max aperture benefits handheld and low-light shots. Say goodbye to blur Pair the lens with a camera by Sony with SteadyShot™ INSIDE and you’ll enjoy smooth, blur-free results when shooting handheld, even zoomed-in. Smooth defocusing Instead of a standard polygon-shaped lens aperture, this lens features a 7-blade circular aperture for more natural, rounded defocusing or ‘bokeh’. Refined optical performance Aspherical lens elements minimise distortion while ED (Extra-low Dispersion) glass elements provide superior contrast, resolution and colour fidelity. Fast, smooth focusing Internal focusing enables reduced minimum focusing distances and fast autofocus response while a built-in SAM (Smooth Autofocus Motor) ensures smooth operation.

Sony SAL24F20Z.AE Distagon T 24mm F2 ZA SSM Lens

Sony SAL24F20Z.AE (SAL-24F20ZAE, SAL24F20Z, SAL-24F20Z, sal24f20z.ae) Distagon T 24mm F2 ZA SSM Lens Legendary Distagon wide-angle quality This first-rate 24 mm prime lens is an outstanding choice for landscapes, snapshots and more . It takes outstanding ZEISS Distagon® quality to a new level with precision aspherical and ED (Extra-low Dispersion) glass elements, and the large F2.0 maximum aperture and a circular aperture cooperate to deliver gorgeous bokeh effects. Extraordinary wide-angle rendering The ZEISS Distagon® design was created specifically to achieve excellent sharpness and contrast in wide-angle lenses, and it still excels in that field. The SAL24F20Z brings the Distagon® configuration up to date with the most advanced lens technology available, for unsurpassed corner-to-corner optical performance. Sharp, high-contrast imagery Two aspherical elements and two ED (Extra-low Dispersion) glass elements minimise aberration for superior sharpness and contrast throughout the image, while the ZEISS T* coating cuts flare and ghosting so that images are crisp and clear with well-defined blacks. That impressive performance is maintained at all apertures, right down to this lens’s bright F2.0 maximum. Outstanding colour and contrast ZEISS lenses are renowned for their outstanding colour reproduction and contrast. The ZEISS T* coating is an important contributing factor, effectively suppressing spurious reflections that can degrade overall image quality. Flare and ghosting are reduced for enhanced colour and contrast that give images a deep, three-dimensional feel. Get close for small subjects and details The SAL24F20Z can focus as close as 19 centimetres to capture small subjects and details with excellent quality. The large F2.0 maximum aperture and 9-blade circular aperture design can contribute to beautifully smooth background bokeh that supports the main in-focus subject in the most appealing way. SSM (Super Sonic wave Motor) focus drive The SSM (Super Sonic wave Motor) is a piezoelectric drive system that contributes to smooth, silent autofocus operation. Its capacity for high torque at low rotational speeds contributes to fast start and stop response as well as precise positioning. To the photographer that means quick, quiet, accurate focus. ED glass improves resolution and contrast The ED (Extra-low Dispersion) glass elements used in the SAL24F20Z are highly effective in reducing chromatic aberration. That not only minimises colour fringing, but also contributes to superior sharpness and contrast throughout the image area, even at large aperture settings.

Sony SAL1635Z2.SYX Vario-Sonnar T 16–35mm F2.8 ZA SSM II Lens

Sony SAL1635Z2.SYX (SAL-1635Z2.SYX, SAL1635Z2, SAL-1635Z2, sal1635z2.syx) Vario-Sonnar T 16–35mm F2.8 ZA SSM II Lens The Sony 16-35mm f/2.8 ZA SSM II Vario-Sonnar T* Lens is a fast and versatile wide-angle zoom that is designed for Sony and Minolta full-frame or APS-C A-Mount cameras. Users of compatible 35mm full-frame cameras can obtain a 107 to 63° angle of view, making this lens suitable for fitting subjects ranging from landscapes to large groups into your frame. On a Sony or Minolta APS-C A-Mount camera, this lens's angle of view becomes equivalent to that of a 24-52.5mm lens on a full-frame 35mm film camera or DSLR. Wide-angle photography on an APS-C A-Mount camera is supported, as well as the ability to replicate the narrower angle of view provided when a 50mm lens is placed on a full-frame 35mm film camera or DSLR which is a useful combination for street and travel photography. An extra-low dispersion, a super extra-low dispersion, and three aspherical elements are incorporated within the lens to maintain low distortion and corner sharpness while minimizing chromatic aberrations. Carl Zeiss T* (T-Star) lens coatings provide high contrast and uniform image resolution while helping to eliminate lens flare, internal reflection, and light scattering. Silent Super Sonic Wave autofocus motor and aperture mechanisms contribute to fast lens operation and the suppression of unwanted noise when capturing still photos as well as video clips. This lens's durable dust and weather-resistant design contributes to the versatility of Sony camera bodies that also feature weather-resistant components, allowing you to photograph in places or at times where exposure to the elements could impact camera system performance. When used with a Sony A-Mount to E-Mount Lens Adapter, or a Sony A-Mount to E-Mount Lens Adapter with Translucent Mirror Technology that helps maintain autofocus performance, full-frame or APS-C Sony E-Mount cameras can also utilize this lens. 16-35mm full-frame zoom offers a versatile wide-angle focal length on both Sony A-Mount full-frame cameras and APS-C cameras. On Sony A-Mount APS-C cameras, this lens provides a 35mm-equivalent focal length of 24-52.5mm. Full-frame or APS-C Sony E-Mount cameras can work with this lens using a Sony A-Mount to E-Mount Lens Adapter, or a Sony A-Mount to E-Mount Lens Adapter with Translucent Mirror Technology that helps maintain autofocus performance. Fast f/2.8 maximum aperture benefits working in difficult lighting conditions and also aids in selective focus control. Three aspherical elements help to maintain low distortion and corner sharpness, while one extra-low dispersion element and one super extra-low dispersion element reduce chromatic aberrations. Carl Zeiss T* (T-Star) coatings provide high contrast and uniform image resolution while helping to eliminate lens flare, internal reflection, and light scattering. Weather-resistant design permits outdoor use and contributes to the versatility of Sony camera bodies that also feature weather-resistant components. Super Sonic Wave Motor produces high torque at slow rotation. Quiet, precise, and immediate start and stop responses are provided. Silent autofocus and aperture operation prevent distracting sounds during video capture. Focusing is achieved internally, keeping the length of the lens consistent. Fast autofocus speed as well as focus tracking is maintained and the front of the lens or a polarizer mounted on it is prevented from unintentionally rotating. Once focus has been set, pressing the Focus Hold Button on the lens barrel keeps the lens locked to the selected focusing distance. Built-in Distance Encoder works in conjunction with Sony's Advanced Distance Integration flash metering system. This encoder helps a connected camera and a compatible flash take into account the distance of the subject from the camera system, helping to ensure that the correct amount of flash is used. Nine rounded diaphragm blades contribute to a pleasing out-of-focus quality and benefit the use of shallow depth of field techniques.

Sony IP Remote Control Panel for BRC Cameras

Sony RM-IP10 (RMIP10, RM/IP10, rm-ip10) IP Remote Control Panel for BRC Cameras The RM-IP10 remote control panel gives you control of up to 112 BRC cameras over an IP network, or 7 cameras over a traditional VISCA-controlled network. Up to 5 remote control panels can share control of the system. Easy to install control for BRC-H900, BRC-Z330 and BRC-Z700 cameras The RM-IP10 is compatible with the BRC-H900 and BRC-Z330 cameras when they are fitted with the BRBK-IP10 option board, and the BRC-Z700 camera when it is fitted with the BRBK-IP7Z option board. Easy and economical installation and set-up saves you time and cost. Control of up to 112 BRC cameras via IP The RM-IP10 remote control panel gives you control of up to 112 BRC cameras over an IP network. Simultaneous Preset recall to all cameras under control Instantaneous set-up of multiple cameras provides a big time saving for camera adjustments.

Sony Handheld Remote Control Unit

Sony RM-B170SYM (RMB170SYM, RM/B170SYM, rm-b170sym) Handheld Remote Control Unit The RM-B170 remote control unit is the successor to the RM-B150. It provides an even more affordable solution for basic remote camera operations, with added features, including the remote control of media and the operation of clips of non-linear media. It can be directly connected to a camera or camcorder as a portable-type remote control unit or it can be connected to a CCU for use as a simple remote control panel. The RM-B170 can control a camera from a distance of up to 100m (328 feet) when connected directly to the camera. For use with the following Sony cameras: HDCAM camcorders: HDW-700A, HDW-650, HDW-750, HDW-F900/H/R XDCAM HD422 Professional Disc camcorders: PDW-680, PDW-700, PDW-F800 XDCAM HD422 Memory camcorders: PMW-300, PMW-400, PMW-500 XDCAM EX Memory camcorders: PMW-EX3, PMW-320, PMW-350, PMW-F3 Digital Cinematography & 4K XAVC :F23, F35, F65, PMW-F5, PMW-F55 Studio cameras: BVP-950A, BVP-750A, BVP-550/570, HDC & HXC series

Sony Remote Commander with Focus, Iris and Zoom Control

Sony RM-30BP (RM30BP, RM30BP, rm-30bp) Remote Commander with Focus, Iris and Zoom Control The RM-30BP is the successor to the RM-1000BP, the industry’s first comprehensive, multifunctional remote commander.  Ideal for freelancers and small-budget productions, the lightweight remote can be handheld, placed on a table or attached to a tripod arm for operation. The RM-30BP can control most camera functions including: Lens control: one push auto / manual focus, iris and zoom control  Camera control: recording / display functions, shutter speed, white balance - including six assignable buttons  Playback and multi camera control (up to 3 cameras)  The RM-30BP can also be connected to the new MCX-500 for multi camera control directly from the switcher, and is compatible with the HXR-NX5R and PXW-FS7 v4.0, with plans to introduce compatibility for other Sony camcorders.

Sony RS-422 Editing Controller

Sony RM-280 (RM280, RM/280, rm-280) (RS/422, RS_422) Editing ControllerThe Sony RM280 is a remote edit controller for Sony broadcast video products. This lightweight remote is designed for basic VTR control and simple edit functions over linear systems. The unit is equipped with a jog wheel, can control up to 2 decks at once and supports multiple frame rates including 24p.

Sony Remote Control with Encoder Type Control for System Camera

Sony RCP-1001//U (RCP1001//U, RCP/1001//U, rcp-1001//u) Remote Control with Encoder Type Control for System CameraThe RCP-1001 is a remote control panel for configuring and controlling Sony’s studio and broadcast cameras. The RCP-1001 remote control panel is designed mainly for operation. Use a remote control panel with a camera on a one-to-one basis. The RCP-1001 is a compact control panel with specialized basic operations. The iris and master black adjustment block employs dial (knob) type control. Illuminated buttons with high visibility flash and light to notify you of the operation status to enable operation even in dark locations. Up to six units can be mounted in a SONY MSU19" RACK DRAWER( MSUDRAWER//A)

Sony RS-422 9-pin Male to 9-pin Male Serial Control Cable - 16ft

Sony RCC-5G (RCC5G, RCC/5G, rcc-5g) (RS/422, RS_422) RS-422 9-pin Male to 9-pin Male Serial Control Cable - 16ftThe Sony RCC-5GUS is a 9-pin control cable for RS-422A control protocol. The cable is 5 meters long, or about 16 feet.

Sony PXW-X500//U B4 mount Professional XDCAM Camcorder

Sony PXW-X500//U (PX-WX-500//U, PXWX500//U, PXW/X500//U, pxw-x500//u) B4 mount Professional XDCAM CamcorderSporting an ENG form factor and supporting a wide variety of HD and SD formats, the Sony PXW-X500 XAVC 60P 2/3" Camcorder Body features a 2/3" 3CCD sensor block and can capture full HD at up to 120 fps. This item is only the camcorder body only and does not include a lens, viewfinder, mic, or wireless receiver. It is ideal for owners who want to upgrade to a new camcorder body while retaining the other elements of their camera package, such as lens, viewfinder, and mic. The camcorder supports XAVC, MPEG2, and MPEG4 codecs, recording to SxS or SD media cards. It features 3G-SDI, HDMI, and Composite video outputs, allowing you to incorporate the camcorder into most production pathways, and the camera's built-in wireless slot accepts your compatible wireless receiver. Built into the side of the camcorder is a flip-out LCD viewscreen that displays battery capacity, media capacity, audio levels, and you can check camera playback on the camera. The camera incorporates a variety of professional features including Sony's slow and quick motion, picture cache recording, built-in GPS, a digital extender, and HyperGamma. Sensor The PXW-X500 features three 2/3" Power HAD FX IT CCDs that make up its sensor block. Auto Lens Aberration Compensation Expanded ALAC provides improved lateral chromatic aberration correction. Exposure Featuring two integrated filter wheels for exposure and image control, the ND wheel holds four optical filters, a clear, an ND 1/4, ND 1/16, and an ND 1/64. The second wheel controls electronic CC filters allowing you to adjust the camera's white balance by spinning the wheel, as if it used optical filters. Electronic CC filter settings include 3200K, 4300K, 5600K, and 6300K. Gamma Control The camera includes Standard Gamma, as well as four different HyperGamma settings and a user selectable setting. Slow Shutter Mode The camera features a slow shutter mode, allowing you to accumulate frames to increase exposure. You can accumulate frames in groups of 2, 3, 4, 5, 6, 7, 8, and 16 frames. Worldwide Camera The camera is capable of recording signals compatible with NTSC and PAL broadcast systems, so you can shoot and playback your footage in virtually any country. Specialty Recording You can access a variety of special recording modes: Sony's Slow & Quick Motion, for off speed recording. Interval record, for a timelapse like effect. The Pool feed input allows you record a signal input via a BNC cable, which is useful in press conference type situations when there is one feed.  Media Card Slots Dual SxS card slots allow simultaneous or relay recording, providing the same codec is being used. On Board LCD Panel It features a color LCD panel with 960 x 540 resolution that displays video, thumbnails, menu characters, audio level, and timecode display. GPS A GPS unit is integrated into the camera's handle, and the GPS information can be encoded into your HD footage.  

Sony PXW-X400KF//U 2/3-inch Professional XDCAM Camcorder with 16x Zoom Lens

 Sony PXW-X400KF//U (PXWX400KF//U, PXW/X400KF//U, pxw-x400kf//u) 2/3-inch Professional XDCAM Camcorder with 16x Zoom Lens Comes with standard Sony Warranty - Beware of grey imports. The PXW-X400 is an advanced shoulder camcorder that records a variety of professional broadcast quality formats including XAVC-L at 50p and 59.94p. The camcorder offers exceptional weight balance and low power consumption alongside excellent networking features and high picture quality. The reengineered design dramatically reduces the load on the operator’s right-arm. It supports Sony viewfinders including the QHD LCD CBK-VF02 and optionally available Full HD OLED HDVF-EL30 and HDVF-EL20. The camcorder also offers improved network connectivity, with built-in wireless module, embedded RJ-45 Ethernet 100B-T connector and Near Field Communication (NFC) function** for easy Wi-Fi setup and operation via a mobile or tablet with Sony’s Content Browser Mobile™ application. SD or HD-SDI (up to 1.5G) input supports pool feed recording. * The NFC function will be available in June, 2016. High quality XAVC Long GOP recordings at 50p and 59.94p operations The PXW-X400 supports a variety of codecs from SD to HD, including MPEG HD 422 50 Mbps in MXF (Material eXchange Format), which is widely accepted by major broadcasters worldwide, and XAVC Intra frame and XAVC Long GOP codecs. XAVC technology is based on the MPEG-4 AVC/H.264 standard, which provides an exceptional performance compression technology. XAVC provides higher picture quality and bit-depth, thus offers extended grading possibilities. High sensitivity image making The camcorder’s three 2/3-inch type Exmor CMOS sensors provide superb image quality with sensitivity of F12/F13 and a signal to noise ratio of 62dB. The camcorder’s digital extender offers x2, x3 or x4 operation. Improved ergonomic design for best-in-class weight-balance The camcorder has been redesigned to improve the weight and handling capabilities compared to predecessor models. The lighter lens grip resolves any front-heavy issues and dramatically reduces the load on the right-arm. This makes it easier to shoot for long periods and offers more stable images. Supports Full HD OLED viewfinders* The camcorder supports Sony viewfinders including the Full HD OLED HDVF-EL30 and HDVF-EL20, as well as the QHD LCD CBK-VF02. * HDVF-EL30 and HDVF-EL20 are optionally available from December 2015. Embedded RJ-45 connector An embedded RJ-45 Ethernet 100B-T connector on the right side of the camcorder provides a robust and fast network connection that can be utilised for file transfer, live streaming and camera control from a web browser. Near Field Communication* (NFC) function A Near Field Communication (NFC) function allows easy, one-touch wireless LAN connection to a smartphone or tablet device without manual setting of the network parameters. NFC allows close-range wireless communication between the PXW-X400 and an NFC-equipped smartphone or tablet device. This function will be available in June2016. Built-in wireless module with Content Browser Mobile™ The camcorder’s built-in wireless module gives you more mobility with no cable needed, enabling proxy recording and file transfer or live streaming. In file transfer mode, high-resolution files and XAVC Proxy files can be transferred over wireless connection to cloud or FTP server thanks to Content Browser Mobile* (CBM) application. In “Push” mode, the CBM application enables users to monitor the currently shot video and to wirelessly control camcorder settings such as focus, zoom, iris, white balance, REC START/STOP, and more. With Content Browser Mobile V2.0 proxy trim, proxy partial clip upload, and logging are available. “In streaming” mode, high quality live streaming is provided by the advanced Sony QoS technology embedded in the camcorder and in the PWS-100RX1 network RX station .Non QoS live streaming is also possible with a third-party receiver or VLC player. The CBM application can be downloaded from the Google Play Store or App Store. Dedicated ONLINE button for easy network connection A dedicated button gives simple on-off control of Network Client Mode, Auto Upload (Proxy) and Live Streaming. Pool feed (SDI input) An SD or HD-SDI (up to 1.5G) signal can be recorded by the camcorder, a useful function to record an external feed from another camera. Lower power consumption By optimising the design of the hardware, the lightweight PXW-X400 has a low power consumption of 22W (when the wireless function if off, without lens and viewfinder). This enables continuous recording operation for approximately 240 minutes with Sony’s BP-GL95A optional standard-type battery. Simultaneous Recording on two SxS cards The PXW-X400 offers a simultaneous recording function for peace-of-mind production. Recording is available on two SxS cards simultaneously as a backup measure within the same codec and operating point* when using the following recording formats; XAVC-Intra, XAVC-Long, MPEG HD422, or MPEG HD420. * Simultaneous recording with proxy file is supported in all combinations with the above formats an SD card. Flexible camera system operation The CA-FB70 Optical Fiber Camera Adaptor or the CA-TX70 Digital Triax Camera Adaptor can be attached to the PXW-X400 for live camera operation. The CA-FB70 enables the PXW-X400 to transmit signals via an optical fibre cable up to 250 m between the CA-FB70 and HXCU-FB70 Optical Fibre Camera Control Unit (CCU) with power and signal transmission. The CA-TX70 transmits signals via triax cable up to 600 m* between the CA-TX70 and HXCU-TX70 Digital Triax Camera Control Unit.

Sony PXW-X400KC//U 2/3-inch Professional XDCAM Camcorder with 20x Zoom Lens

Sony PXW-X400KC//U (PXWX400KC//U, PXW/X400KC//U, PXW X400KC//U) PXW-X400KC//U 2/3-inch Professional XDCAM Camcorder with 20x Zoom Lens The PXWX400 offers stunning imaging performance up to 1080/60p, optimized weight balance and ergonomics, and new networking features that enable field-to-air flexibility like never before. The PMWX400 has the perfect balance of performance and practicality. The enhanced ergonomics and mechanical balance allow for all-day shoulder-mount shooting. This camera puts advanced streaming, sophisticated codecs, the power of 1080/60p imagery, the nuances of 10-bit grayscale and the beauty of 4:2:2 colour – all within your reach. The PXWX400 supports a variety of Sony viewfinders including the QHD LCD CBKVF02 and the Full HD OLED HDVFEL30 and HDVFEL20. The camcorder offers improved network connectivity, with built-in wireless module, embedded RJ45 Ethernet 100B-T connector and Near Field Communication (NFC)* function for easy Wi-Fi setup and operation via a mobile or tablet with Sony’s Content Browser Mobile™ application. With a 1.5G HD-SDI input for pool feed recording, the PXWX400 is a powerful addition to the Sony XDCAM Camcorder family. High quality XAVC Long GOP recordings at 50p and 59.94p operations The PXW-X400 supports a variety of codecs from SD to HD, including MPEG HD 422 50 Mbps in MXF (Material eXchange Format), which is widely accepted by major broadcasters worldwide, and XAVC Intra frame and XAVC Long GOP codecs. XAVC technology is based on the MPEG-4 AVC/H.264 standard, which provides an exceptional performance compression technology. XAVC provides higher picture quality and bit-depth, thus offers extended grading possibilities. High sensitivity image making The camcorder’s three 2/3-inch type Exmor CMOS sensors provide superb image quality with sensitivity of F12/F13 and a signal to noise ratio of 62dB. The camcorder’s digital extender offers x2, x3 or x4 operation. Improved ergonomic design for best-in-class weight-balance The camcorder has been redesigned to improve the weight and handling capabilities compared to predecessor models. The lighter lens grip resolves any front-heavy issues and dramatically reduces the load on the right-arm. This makes it easier to shoot for long periods and offers more stable images. Supports Full HD OLED viewfinders* The camcorder supports Sony viewfinders including the Full HD OLED HDVF-EL30 and HDVF-EL20, as well as the QHD LCD CBK-VF02. * HDVF-EL30 and HDVF-EL20 are optionally available from December 2015. Embedded RJ-45 connector An embedded RJ-45 Ethernet 100B-T connector on the right side of the camcorder provides a robust and fast network connection that can be utilised for file transfer, live streaming and camera control from a web browser. Near Field Communication* (NFC) function A Near Field Communication (NFC) function allows easy, one-touch wireless LAN connection to a smartphone or tablet device without manual setting of the network parameters. * NFC allows close-range wireless communication between the PXW-X400 and an NFC-equipped smartphone or tablet device. This function will be available in June2016. Built-in wireless module with Content Browser Mobile™ The camcorder’s built-in wireless module gives you more mobility with no cable needed, enabling proxy recording and file transfer or live streaming. In file transfer mode, high-resolution files and XAVC Proxy files can be transferred over wireless connection to cloud or FTP server thanks to Content Browser Mobile* (CBM) application. In “Push” mode, the CBM application enables users to monitor the currently shot video and to wirelessly control camcorder settings such as focus, zoom, iris, white balance, REC START/STOP, and more. With Content Browser Mobile V2.0 proxy trim, proxy partial clip upload, and logging are available. “In streaming” mode, high quality live streaming is provided by the advanced Sony QoS technology embedded in the camcorder and in the PWS-100RX1 network RX station .Non QoS live streaming is also possible with a third-party receiver or VLC player. *The CBM application can be downloaded from the Google Play Store or App Store. Dedicated ONLINE button for easy network connection A dedicated button gives simple on-off control of Network Client Mode, Auto Upload (Proxy) and Live Streaming. Pool feed (SDI input) An SD or HD-SDI (up to 1.5G) signal can be recorded by the camcorder, a useful function to record an external feed from another camera. Lower power consumption By optimising the design of the hardware, the lightweight PXW-X400 has a low power consumption of 22W (when the wireless function if off, without lens and viewfinder). This enables continuous recording operation for approximately 240 minutes with Sony’s BP-GL95A optional standard-type battery. Simultaneous Recording on two SxS cards The PXW-X400 offers a simultaneous recording function for peace-of-mind production. Recording is available on two SxS cards simultaneously as a backup measure within the same codec and operating point* when using the following recording formats; XAVC-Intra, XAVC-Long, MPEG HD422, or MPEG HD420. * Simultaneous recording with proxy file is supported in all combinations with the above formats an SD card. Flexible camera system operation The CA-FB70 Optical Fiber Camera Adaptor or the CA-TX70 Digital Triax Camera Adaptor can be attached to the PXW-X400 for live camera operation. The CA-FB70 enables the PXW-X400 to transmit signals via an optical fibre cable up to 250 m between the CA-FB70 and HXCU-FB70 Optical Fibre Camera Control Unit (CCU) with power and signal transmission. The CA-TX70 transmits signals via triax cable up to 600 m* between the CA-TX70 and HXCU-TX70 Digital Triax Camera Control Unit.  

Sony PXW-X400//U XDCAM Shoulder Camcorder Body Only

Sony PXW-X400//U (PX-WX-400//U , PXWX400//U, PXW/X400//U, pxw-x400//u) XDCAM Shoulder Camcorder Body Only The PXW-X400 is an advanced shoulder camcorder that records a variety of professional broadcast quality formats including XAVC-L at 50p and 59.94p. The camcorder offers exceptional weight balance and low power consumption alongside excellent networking features and high picture quality. The reengineered design dramatically reduces the load on the operator’s right-arm. It supports Sony viewfinders including the QHD LCD CBK-VF02 and optionally available Full HD OLED HDVF-EL30 and HDVF-EL20. The camcorder also offers improved network connectivity, with built-in wireless module, embedded RJ-45 Ethernet 100B-T connector and Near Field Communication (NFC) function** for easy Wi-Fi setup and operation via a mobile or tablet with Sony’s Content Browser Mobile™ application. SD or HD-SDI (up to 1.5G) input supports pool feed recording. The NFC function will be available in June, 2016. High quality XAVC Long GOP recordings at 50p and 59.94p operations The PXW-X400 supports a variety of codecs from SD to HD, including MPEG HD 422 50 Mbps in MXF (Material eXchange Format), which is widely accepted by major broadcasters worldwide, and XAVC Intra frame and XAVC Long GOP codecs. XAVC technology is based on the MPEG-4 AVC/H.264 standard, which provides an exceptional performance compression technology. XAVC provides higher picture quality and bit-depth, thus offers extended grading possibilities. High sensitivity image making The camcorder’s three 2/3-inch type Exmor CMOS sensors provide superb image quality with sensitivity of F12/F13 and a signal to noise ratio of 62dB. The camcorder’s digital extender offers x2, x3 or x4 operation. Improved ergonomic design for best-in-class weight-balance The camcorder has been redesigned to improve the weight and handling capabilities compared to predecessor models. The lighter lens grip resolves any front-heavy issues and dramatically reduces the load on the right-arm. This makes it easier to shoot for long periods and offers more stable images. Supports Full HD OLED viewfinders* The camcorder supports Sony viewfinders including the Full HD OLED HDVF-EL30 and HDVF-EL20, as well as the QHD LCD CBK-VF02. HDVF-EL30 and HDVF-EL20 are optionally available from December 2015. Embedded RJ-45 connector An embedded RJ-45 Ethernet 100B-T connector on the right side of the camcorder provides a robust and fast network connection that can be utilised for file transfer, live streaming and camera control from a web browser. Near Field Communication* (NFC) function A Near Field Communication (NFC) function allows easy, one-touch wireless LAN connection to a smartphone or tablet device without manual setting of the network parameters. NFC allows close-range wireless communication between the PXW-X400 and an NFC-equipped smartphone or tablet device. This function will be available in June2016. Built-in wireless module with Content Browser Mobile™ The camcorder’s built-in wireless module gives you more mobility with no cable needed, enabling proxy recording and file transfer or live streaming. In file transfer mode, high-resolution files and XAVC Proxy files can be transferred over wireless connection to cloud or FTP server thanks to Content Browser Mobile* (CBM) application. In “Push” mode, the CBM application enables users to monitor the currently shot video and to wirelessly control camcorder settings such as focus, zoom, iris, white balance, REC START/STOP, and more. With Content Browser Mobile V2.0 proxy trim, proxy partial clip upload, and logging are available. “In streaming” mode, high quality live streaming is provided by the advanced Sony QoS technology embedded in the camcorder and in the PWS-100RX1 network RX station .Non QoS live streaming is also possible with a third-party receiver or VLC player. The CBM application can be downloaded from the Google Play Store or App Store. Dedicated ONLINE button for easy network connection A dedicated button gives simple on-off control of Network Client Mode, Auto Upload (Proxy) and Live Streaming. Pool feed (SDI input) An SD or HD-SDI (up to 1.5G) signal can be recorded by the camcorder, a useful function to record an external feed from another camera. Lower power consumption By optimising the design of the hardware, the lightweight PXW-X400 has a low power consumption of 22W (when the wireless function if off, without lens and viewfinder). This enables continuous recording operation for approximately 240 minutes with Sony’s BP-GL95A optional standard-type battery. Simultaneous Recording on two SxS cards The PXW-X400 offers a simultaneous recording function for peace-of-mind production. Recording is available on two SxS cards simultaneously as a backup measure within the same codec and operating point* when using the following recording formats; XAVC-Intra, XAVC-Long, MPEG HD422, or MPEG HD420. Simultaneous recording with proxy file is supported in all combinations with the above formats an SD card. Flexible camera system operation The CA-FB70 Optical Fiber Camera Adaptor or the CA-TX70 Digital Triax Camera Adaptor can be attached to the PXW-X400 for live camera operation. The CA-FB70 enables the PXW-X400 to transmit signals via an optical fibre cable up to 250 m between the CA-FB70 and HXCU-FB70 Optical Fibre Camera Control Unit (CCU) with power and signal transmission. The CA-TX70 transmits signals via triax cable up to 600 m* between the CA-TX70 and HXCU-TX70 Digital Triax Camera Control Unit.    

Sony PXW-X320 HD Shoulder Mount XDCAM Camcorder with a Three 1/2-inch type Exmor CMOS Sensor and 16x Zoom HD Lens

Sony PXW-X320//U (PX-WX-320//U , PXWX320//U, PXW/X320//U, pxw-x320//u) HD Shoulder Mount XDCAM Camcorder with a Three 1/2-inch type Exmor CMOS Sensor and 16x Zoom HD Lens The PXW-X320 is a high-performance SxS memory camcorder which inherits field-proven operability from the reputable PMW-320. The PXW-X320 has become a part of the XDCAM HD422 family, comes equipped with cutting-edge imaging technology – three 1/2-inch-type Full-HD Exmor CMOS sensors with an extremely high S/N ratio – with Flash Band Reducer feature to provide outstanding picture quality.  The PXW-X320 supports XAVC offering high quality content creation in the HD domain. In addition to XAVC, MPEG HD422, MPEG HD, MPEG IMX, and DVCAM are supported. Two HD/SD-SDI, HDMI, i.LINK™, and composite outputs provide a wide range of AV and IT interfaces. The PXW-X320 also supports wireless operation using an optional adapter, the CBK-WA101. This enables easy and quick clip data transmission to broadcast stations, saving the time and transportation cost of shot clip delivery.  With various functions inherited from Sony’s world-acclaimed XDCAM camcorders and yet highly cost effective with lens included, the PXW-X320 is an ideal choice for many different camera professionals, from those engaged in news gathering, when speed is the key concern, to those who produce TV programs and documentaries, when quality is crucial. High picture quality recording on SxS memory cards Offer high resolution, high sensitivity (F11 at 59.94 Hz / F12 at 50 Hz), low noise (60 dB), and a wide dynamic range. Selectable format and bit rates Includes Full HD (1920 x 1080) 59.94i/50i/29.97p/25p/23.98p and HD (1280 x 720) 59.94p/50p, as well as XAVC Intra at 100 Mbps, XAVC Long at up to 50 Mbps, MPEG HD422 at 50 Mbps, MPEG HD at up to 35 Mbps, MPEG IMX at 50 Mbps and DVCAM at 25 Mbps. Variety of interfaces Interfaces include 2 x SD / HD-SDI, HDMI, USB and i.Link. Wireless adaptor increases operational flexibility Supports wireless operation using an optional wireless adapter, the CBK-WA101, for live streaming via an IP network. 1/2-inch 16x HD zoom lens  Supplied with a 16x high definition auto-focus optical zoom lens.

Sony SDI Input/Output Interface Board for PWS-4500

Sony PWSK-4504 (PWSK_4504, PWSK/4504, PWSK 4504) SDI Input/Output Interface Board for PWS-4500 The PWS-4504 is an optional SDI interface board that adds SDI I/O interfaces to the PWS-4500 live server. The PWS-4500 is equipped with the two SDI interface boards as standard, which handles up to four HD I/O signals or up to two 4K I/O signals (when additionally installed the PWSL-HR45 4K/HD Cut Out software). Up to two PWSK-4504 boards can be installed, which enables to handle up to eight HD I/O signal or up to four 4K I/O signals (when additionally installed the PWSL-HR45 4K/HD Cut Out Software). Providing additional SDI input and output terminals to the PWS-4500 Newly Designed SDI Interface (I/O’s) Board for PWS-4500  

Sony Control Panel for PWS-4400

Sony PWSK-4403 (PWSK4403, PWSK/4403, pwsk-4403) Control Panel for PWS-4400 PWSK-4403 USB Control Device integrates with the PWA-PRC1 Production Control Software. It is used to control slow-motion replay of live video and other functions. It is equipped with the control buttons, jog dial, and fader lever that are required to control slow-motion replay on the PWS-4400. The PWSK-4403 is the USB control device that is used in conjunction with the PWA-PRC1 Production Control application. It controls slow-motion replay, clip management, and playlist editing. Button layout designed for ease of use Familiar operation to other slow motion control panels

PMW-F55/R7 CineAlta Camcorder with Sony AXS-R7 Recorder

Sony PMW-F55/R7 (PMWF55/R7, PMW/F55/R7, pmw-f55/r7) (AXS/R7, AXS_R7) CineAlta Camcorder with Sony AXS-R7 Recorder Comes with 2 Years Sony Prime Support Warranty - Beware of grey imports. Sony 4K sensor for gorgeous, super-sampled HD, 2K and 4K. The PMW-F55 CineAlta camera shoots spectacular images with its 8.9 megapixels (effective) Sony 4K image sensor, incorporating a revolutionary electronic global shutter to eliminate rolling shutter distortions. You get superb dynamic range, the widest colour gamut, and pristine image quality, whether you shoot in HD, 2K or 4K. Multiple recording formats includes HD/2K/4K on SxS memory and 16-bit RAW 2K/4K on AXSM media Multiple recording formats include MPEG-2 HD422, MPEG4 SStP*, XAVC 2K*/HD, XAVC QFHD*/4K and 16-bit RAW 2K/4K. You can have simultaneous recording on internal high-speed SxS PRO+ memory cards and RAW 2K/4K recording on sleek AXSM memory cards using the optional bolt-on AXS-R5 recorder, designed specifically to attach seamlessly to the F55 and F5 cameras. There is also high speed shooting up to 240 fps RAW 2K and 60 fps in RAW 4K recording onto the AXS-R5. Expected as a future upgrade. Recording onto the optional AXS-R5 recorder. Lightweight modular design to maximise versatility in 2D and 3D. The F55 is exceptionally small, light and modular, letting you build up the right configuration for each job – or each shot. As well as the choice of formats and internal and external recording options, you can attach a variety of viewfinders, including the revolutionary optional DVF-EL100 OLED viewfinder, PL-mount, FZ-mount and still lenses, including second-generation Sony PL-mount lenses, and extra long-life Olivine – Lithium Iron Phosphate – batteries. The chassis is only slightly wider than a typical PL-mount prime lens, perfect for 3D rigs. An optional shoulder rig provides for hand-held and shoulder-mounted shooting. Higher resolution, higher contrast LCD digital viewfinder for CineAlta cameras The DVF-L350 colour HD digital viewfinder offers LCD quality for CineAlta cameras with a digital interface, such as the PMW-F55 and PMW-F5. Take a major step forward in operating with the incredible image of this 3.5-inch* LCD viewfinder. Compared to previous Sony viewfinders, the DVF-L350 has higher resolution (960 x 540) plus ten times the contrast. And the eyepiece flips up for direct monitoring. Viewable area, measured diagonally. AXS-R7 External Recorder The durable, dust and splash-proof AXS-R7 Portable Memory Recorder attaches seamlessly to the high end F55 and F5 CineAlta cameras, speeding up the 4K production workflow without compromising quality. The AXS-R7 doubles 4K RAW recording from 60 fps up to 120 fps for the F55 camera compared to previous Sony recorders. For shooting at higher frame rates, the recorder captures 2K RAW at up to 240 fps for the F55 and F5, for playback with 10x super slow motion. Working with high-speed AXSM™ A Series memory cards, the recorder features dual memory card slots for extra security and to extend recording times. The recorder also offers 4K RAW cache recordings up to 30 seconds while in standby mode. The tough, all-metal casing makes the AXS-R7 the ideal companion to the F55 and F5 for all kinds of high-end drama, documentary and wildlife productions.

Sony ODBK-102 Power Supply Unit

Sony ODBK-102 (ODBK102, ODBK/102, odbk-102) Power Supply Unit The ODBK-102 power supply unit works with the ODS-L60E PetaSite scalable library and the ODS-D77F fibre channel drive unit. The Optical Disc family of data storage products is designed to provide an extended life cycle for storing and archiving all forms of audio-visual assets and data files for the very long term.Ideal for deep archive and near-online archiveThe Sony Optical Disc Archive system is ideal for deep archive for very long term archiving, such as broadcaster archives where data tape does not provide the assurance or meet the need for write-once, very long-term archive requirements. It provides second copy archive at a remote site and is ideal for business continuity/disaster recovery, post house and production back-up and for video, film and stock footage archives or national archives. The system can also be used for news and sports clips that need to be near-online and as an on-line browse and proxy clip store.

Sony Power Supply Unit

Sony ODBK-101 (ODBK101, ODBK/101, odbk-101) Power Supply Unit The ODBK-101 power supply unit works with the ODS-L30M PetaSite scalable library and the ODS-D77F fibre channel drive unit. The Optical Disc family of data storage products is designed to provide an extended life cycle for storing and archiving all forms of audio-visual assets and data files for the very long term.Ideal for deep archive and near-online archive The Sony Optical Disc Archive system is ideal for deep archive for very long term archiving, such as broadcaster archives where data tape does not provide the assurance or meet the need for write-once, very long-term archive requirements. It provides second copy archive at a remote site and is ideal for business continuity/disaster recovery, post house and production back-up and for video, film and stock footage archives or national archives. The system can also be used for news and sports clips that need to be near-online and as an on-line browse and proxy clip store.

Sony LCS-F01D Soft Case for DWA-F01D Adapter

Sony LCS-F01D (LCS/F01D, LCS_F01D, LCS F01D, LCSF01D, lcs-f01d) Soft Case for DWA-F01D Adapter The LCS-F01D Soft Carrying Case is a carrying case specifically designed for the Sony DWA-F01D Wireless Adapter (not supplied). Includes built-in V-shoe for mounting DWA-F01D adapter using V-mount . Supplied with V-mount plate. The battery (not supplied) can be attached to the DWA-F01D while it is inside the case. By opening the covers, you can connect cables and operate switches and buttons without removing the DWA-F01D from the case. The clear window allows you to view the DWA-F01D display and indicators. A shoulder belt can be attached to the case. The supplied mount plate can be used to mount the case to a camcorder.

Sony HXC-P70H//U 3x2/3" C-MOS HD Exmor Camera Head

Sony HXC-P70H//U (HXCP70H//U, HXC/P70H//U, hxc-p70h//u) 3x2/3" C-MOS HD Exmor Camera Head Comes with 2 Years Sony Prime Support Warranty - Beware of grey imports. The HXC-P70 is a point-of-view “POV” camera developed for a wide range of more affordable applications than the HDC-P1, thanks to a longer cable distance extension and a higher sensitivity, in addition to its compact size, light weight and lower power consumption. The HXC-P70 allows direct connection to the HXCU-FB70 camera control unit by optical fibre cable, in addition to two HD/SD-SDI outputs. The hybrid type fibre cable can extend the distance from the CCU up to 500 m, while supplying the required power. If a single-mode fibre cable is connected, the distance can extend up to 10 km with a local power supply. The HXC-P70 adopts the same three 2.2-million pixels 2/3-inch type CMOS sensors as used on Sony high end camera such as the HXC-D70 and delivers high sensitivity of F12 at 59.94Hz or F13 at 50Hz. In addition, the camera uses an electrical CC filter alongside a servo motorized optical ND filter. These help to reduce the power consumption and make for an affordable total system with the CCU, cables, and remote controller. The camera is ideal for a wide variety of applications, from production studio and event hall/stadium work, to wider applications such as surveillance, conference and house of worship installations. High sensitivity and low noise Incorporates high quality three 2/3-inch Exmor CMOS sensors, plus integrated motorised ND Filter and electrical CC filter. Optical fibre transmission with direct cable connection Up to 500m by the hybrid type optical fibre cable with power supply and up to 10km by the single-mode fibre cable with local power supply. HXCU-FB70 Camera Control Unit Connects to the HXCU-FB70 for precise remote control. Low power consumption Power saving design provides low power consumption of 17W. Superb three 2/3-inch-type CMOS sensors Keeping the same compact and lightweight body as the HDC-P1, the HXC-P70 achieves a cost reduction while providing the high picture quality equivalent to the reputable HXC-D70 HD/SD system camera by using the same image sensor. It achieves high sensitivity of F12 (at 1080/59.94i) or F13 (at 1080/50i) while keeping low noise ratio. Integrated ND filter / Electrical CC filter, and TLCS The HXC-P70 is equipped with a Neutral Density (ND) optical servo filter unit and electrical Colour Correction (CC) filter. The electrical CC filter can be controlled from the remote control panel, which allows you to assign with four different colour temperatures. In addition to the filter functions, thanks to the TLCS (Total Level Control System) function, gain/iris/shutter is automatically controlled by the ambient brightness, making it very efficient for nature shooting or surveillance use from morning to night. Expandable operability with HXCU-FB70 Connecting the HXC-P70 with the HXCU-FB70 optical fibre camera control unit (CCU) enables precise remote control in picture adjustment and colour matching of cameras, while also monitoring the SDI output signal. Long-distance transmission up to 10 km The hybrid type optical fibre cable can extend the distance from the HXCU-FB70 camera control unit up to 500 m while supplying the required power. In the case of connection with a single-mode fibre cable (SMF), it can extend up to 10 km, if you are using a local power supply. Using the SMF already laid as infrastructure in many facilities enables you to install the camera system quickly and easily. Beneficial digital extender by 2x or 4x The digital extender function expands the size of the image by a factor of two or four times in the centre of the image sensor’s captured image. This function works without a decrease in sensitivity, such as an F-number drop, which typically occurs when using conventional optical extender functions.  

Sony HXC-FB75PK 2/3" Exmor SD/HD Studio Camera with a Fibre CCU

Sony HXC-FB75PK (HXCFB75PK, HXC/FB75PK, hxc-fb75pk) 2/3" Exmor SD/HD Studio Camera with a Fibre CCU Sony HXC-FB75KC//U 2/3" Exmor SD/HD Studio CameraThe HXC-FB75 is a high-performance, yet affordable, HD camera system that inherits Sony’s proven field-proven operability from the highly regarded DXC-D Series of system cameras. The camera is equipped with three 2/3-inch Full HD Exmor CMOS sensors to provide excellent sensitivity (F12 at 1080i/60) with a low noise ratio for clear images. Those sensors are common to the HXC-P70, HXC-D70 and PXW-X400, and enable perfect integration with those cameras which gives you more flexibility. In addition, a wide range of output formats are available, including 1080i/59.94,50, 1080PsF/29.97,25, 720p/59.94,50, 480i/59.94 and 576i/50. Smooth and precise focusing is enabled by focus assist function and the latest viewfinder options. Video/Audio and control signal transmission, with power, can extend up to 350m via Hybrid Type Optical Fibre Cable. The camera is also controllable from a CCU panel and remote controller.The HXC-FB75KC camera package is supplied with the HDVF-L10 3.5-inch QHD colour LCD monocular viewfinder, portable HD 20x zoom lens and omni-directional monaural electret condenser microphone.Full HDExmor CMOS sensorsThe HXC-FB75 features three 2/3-inch Exmor CMOS sensors to produce excellent HD pictures.Captures a variety of HD imagesThe HXC-FB75 produces a variety of selectable progressive and interlace HD signal formats, including 1080i/59.94,50, 1080PsF/29.97,25, 720p/59.94,50SD down-converterDown converted SD signal output from HXCU-FB70Hybrid-type optical fibre cable connection to CCU extends signal transmission with power supply to 350mConnected to the HXCU-FB70, hybrid type optical fibre cable with a Neutric connector can extend signal transmission with required power supply up to 350m. Full camera control is possible through a user-friendly operational panel designed specifically to work with the HXC series camera.Long-distance transmission up to 10km with single-mode fibre cableIn the case of connection with a single-mode fibre cable (SMF), transmission can extend up to 10km, if you are using a local power supply. In many facilities the SMF already laid as infrastructure, it enables you to install the camera system quickly and easily.HDVF interface for connecting a variety of viewfindersThe HXC-FB75 has an HDVF interface that allows the latest HD portable viewfinders to be used, as well as all types of large HDVF viewfinders.Wide range of image control functionsThe system camera is full of creative image control functions such as MultiMatrix, Skin Tone Detail, Low Key Saturation, Knee Saturation, and Auto Lens Aberration Compensation (ALAC).Supplied with digital HD viewfinder HD lens and monaural microphoneThe HXC-FB75KC camera package is supplied with the HDVF-L10 3.5-inch QHD colour LCD monocular viewfinder that offers better and easier focusing. The camera is also supplied with a portable HD 20x zoom lens and monaural electret condenser microphone.Sony HXCU-FB70 Camera Control UnitSony's HXCU-FB70 optical fibre CCU for HXC-D70 and PMW-320/350/500 camcorders, allows connection to the CA-FB70 optical fibre camera adaptor. With the CCU, it is possible to control the HXC-D70 and PMW-320/350/500 up to a maximum distance of 250 meters, including the power and signals of Tally, Intercom, Video Return and also Prompter.Optical fibre connection - The HXCU-FB70 helps ensure the best picture quality and easy integration using optical fibre connection for distances up to 250m with power supply or up to 10km with single mode fibre and local power supply.Connection for all signals - The HXCU-FB70 provides flexible integration and the possibility to extend the operation with all signals (Tally, Intercom, Video Return and Prompter) in full HD.Compatible with RCP-1xxx Series remote control panels and RCP software - The HXCU-FB70 allows you to use the popular RCP-1xxx Series remote control panels that well known on all HD system cameras. You are also able to lower the cost of the system by using HZC-RCP5 (PC-RCP) to network and display your parameters on a big screen.Operates with CA-FB70 and HXCE-FB70 for greater flexibility - The HXCU-FB70 works seamlessly withthe CA-FB70 optical fibre adaptor and HXCE-FB70 power extension unit when power supply is required for the CA-FB70 attached to theHXC-D70 camera or PMW-320/350/500camcorders, or when the long distance signal transmission is requiredbetween the CA-FB20 and HXCU-FB70.Connector options - The HXCU-FB70 is supplied with an optical Neutrikoptical CON DUO connector, which accepts either a LC-Duplex connector for a cost effective single mode fibre cable, or a rugged Neutrik optical CON connector for a SMPTE-type power and fibre composite cable.Selectable outputs - The HXCU-FB70 features 4x selectable SD/HD-SDI outputs plus analogue VBS and component, HDMI and S-Video outputs.

Sony HXC-FB75/TRIAX 2/3" Exmor CMOS Sensor SD/HD Studio Camera - Body Only

Sony HXC-FB75/TRIAX (HXCFB75/TRIAX, HXC/FB75/TRIAX, hxc-fb75/triax) 2/3" Exmor CMOS Sensor SD/HD Studio Camera - Body Only Sony introduces an ideal solution for entry level HD & SD live production, delivering better quality and performance for live production.The HXC-FB75 is a high-performance, yet affordable, HD camera system that inherits Sony’s proven field-proven operability from the highly regarded DXC-D Series of system cameras. The camera is equipped with three 2/3-inch Full HD Exmor CMOS sensors to provide excellent sensitivity (F12 at 1080i/60) with a low noise ratio for clear images. Those sensors are common to the HXC-P70, HXC-D70 and PXW-X400, and enable perfect integration with those cameras which gives you more flexibility. In addition, a wide range of output formats are available, including 1080i/59.94,50, 1080PsF/29.97,25, 720p/59.94,50, 480i/59.94 and 576i/50. Smooth and precise focusing is enabled by focus assist function and the latest viewfinder options. Video/Audio and control signal transmission, with power, can extend up to 350m via Hybrid Type Optical Fibre Cable. The camera is also controllable from a CCU panel and remote controller.Full HDExmor CMOS sensorsThe HXC-FB75 features three 2/3-inch Exmor CMOS sensors to produce excellent HD pictures.Captures a variety of HD imagesThe HXC-FB75 produces a variety of selectable progressive and interlace HD signal formats, including 1080i/59.94,50, 1080PsF/29.97,25, 720p/59.94,50SD down-converterDown converted SD signal output from HXCU-FB70Hybrid-type optical fibre cable connection to CCU extends signal transmission with power supply to 350mConnected to the HXCU-FB70, hybrid type optical fibre cable with a Neutric connector can extend signal transmission with required power supply up to 350m. Full camera control is possible through a user-friendly operational panel designed specifically to work with the HXC series camera.Long-distance transmission up to 10km with single-mode fibre cableIn the case of connection with a single-mode fibre cable (SMF), transmission can extend up to 10km, if you are using a local power supply. In many facilities the SMF already laid as infrastructure, it enables you to install the camera system quickly and easily.HDVF interface for connecting a variety of viewfindersThe HXC-FB75 has an HDVF interface that allows the latest HD portable viewfinders to be used, as well as all types of large HDVF viewfinders.Wide range of image control functionsThe system camera is full of creative image control functions such as MultiMatrix, Skin Tone Detail, Low Key Saturation, Knee Saturation, and Auto Lens AberrationCompensation (ALAC).HXC-FB75KC variant of this model includes a digital HD viewfinder, HD lens and Monaural microphone.HDVF-L10 3.5-inch QHD colour LCD monocular viewfinder offers better and easier focusing.A x 20 HD portable lens and a monaural microphone are also included as an all-in-one camera package.

Sony Power Supply Extension Unit

Sony HXCE-FB70//U (HXCEFB70//U, HXCE/FB70//U, hxce-fb70//u) Power Supply Extension Unit Extends fibre connection from 250m to 10km The HXCE-FB70 is an extension module for the fibre connection between the CA-FB70 optical fibre adaptor and HXCU-FB70 optical fibre CCU. It receives power via a fibre from the HXCU-FB70. It then connects to the CA-FB70 with a single mode fibre cable. In this case, it can extend the extension distance from 250m to 250m + 10km if the CA-FB70 is powered locally. The HXCE-FB70 is designed to work with the HXC-D70 and PMW-320/350/500 camcorders. Full HD picture quality and connection for all signals The HXCE-FB70 provides the excellent picture images as well as flexible integration and the possibility to extend the operation with all signals (Tally, Intercom, Video Return and Prompter) in full HD.  

Sony HSC-300RT/4M Digital Triax Broadcast Camera

Sony HSC-300RT/4M (HSC300RT/4M, HSC/300RT/4M, hsc-300rt/4m) Digital Triax Broadcast Camera The Sony HSC-300RT Digital Triax Broadcast Camera is an HD/SD camera with a digital triax CCU input. The triax system integrates into conventional triax-based infrastructures, allowing upgrades from existing systems, and supports cable runs up to 5,905 ft to an optional CCU. The camera features a 2/3" type CCD sensor offering F10 sensitivity for 1080i59.94 and F11 for 1080i50, with -60dB signal-to-noise ratio. It also records in 720p and 1080PsF and down-converts to high-quality SD. An optional HZC-PSF3 software is required for 1080/29.97PsF/25PsF. The lens mount is Sony Bayonet. Inputs/outputs include XLR audio, XLR mic, HD/SD-SDI output, VF signal, return signal, SDI prompter output/genlock input/return input, and XLR intercom. The HSC-300R supports large lenses via Sony HDLA-1500, HDLA-1505, and HDLA-1507 large lens adapters, and it features built-in Neutral Density and Color Correction optical servo filters that can be remotely controlled using an RCP or MSU. The adapters and controllers are sold separately.A 16-bit A/D converter processes images with very high color precision. A Digital Extender function expands an image by a factor of two in the center of the sensor's captured image without any decrease in sensitivity. Auto Lens Aberration Compensation 2 automatically reduces chromatic aberration by horizontal and vertical compensation when using lenses that support this function. Seven standard-gamma and four hyper-gamma tables are available for use in adjusting contrast. A Multi-Matrix function applies color adjustments over a user-specified color range, and Adaptive-Matrix enables color conversion even when shooting under excessively strong ambient light. Master White Gain allows step-less gain level adjustments. Two types of focus assist are available -- Viewfinder Detail adds dedicated edge signals to the viewfinder, allowing easy recognition of a focusing point, and Focus Assist Indicator displays an indicator for adjustment at the bottom or elsewhere within the viewfinder frame.The main chassis is made of durable magnesium-alloy casting. An integrated shoulder pad is adjustable back and forth without any tools. A protrusion on the front of the carrying handle allows added stability while shooting, and a non-slip structure on the handle's lower surface provides better grasp. Assignable switches are available on the side and rear panels and assignable buttons on the handle.Multi-Format Operation The HSC-300R records in 1080/59.94i/50i, 720/59.94p/50p, and 1080/29.97PsF/25PsF (an optional HZC-PSF3 software is required for 1080/29.97PsF/25PsF) 2/3" CCD Sensor A 2/3" type full-resolution 1920 x 1080 CCD sensor offers a high F10 sensitivity for 59.94 Hz and F11 for 50 Hz, with a signal-to-noise ratio of -60 dB. Digital Triax Operation The HSC-300R uses a digital triax CCU input/transmission system that can be integrated into conventional triax-based infrastructures. This allows an easy upgrade from existing systems. Cable runs up to 5,905 ft can be established between the camera and optional CCU via a 14.5mm diameter cable, also optional. 16-Bit A/D Conversion and DSP LSI A 16-bit A/D converter enables captured images to be processed with maximum precision, and the Auto Lens Aberration Compensation function can optimize lens performance. Large Lens Operation The HSC-300R supports large lenses via optional HDLA-1500, HDLA-1505, and HDLA-1507 large lens adapters. ND/CC Dual Optical Servo Filters Built-in Neutral Density and Color Correction optical servo filters can be remotely controlled via an optional RCP-1000 Series remote control panel (RCP) or MSU-1000/1500 master setup unit (MSU). Digital Extender The Digital Extender function expands the size of the image by a factor of two in the center of the sensor's captured image. This function works without a decrease in sensitivity as is common with conventional optical extender functions. Auto Lens Aberration Compensation 2 The ALAC2 function automatically reduces chromatic aberration by both horizontal and vertical compensation when using lenses that support this function. Versatile Interfaces A wide range of inputs and outputs including HD/SD-SDI output, VF signal, return signal, SDI Prompter signal, and an intercom channel (ENG/PROD). Robust Design The main chassis is made of a magnesium-alloy casting, which ensures the durability and helps protect the camera's lightweight precision components, such as integrated optical elements and electronics. Position-Adjustable Shoulder Pad The integrated shoulder pad can be adjusted forwards or backwards to provide weight balance, useful when the camera is docked with a lens or camera adapter. This adjustment doesn't require any tools. Two Types of Focus Assist "Viewfinder Detail" adds dedicated image-enhancing edge signals directly to the viewfinder, enabling the camera operator to recognize a focusing point. "Focus Assist Indicator" displays an indicator for adjustment at the bottom or other position of the viewfinder frame, particularly beneficial when shooting wide. Optimized Handle Shape for Stable Shooting The designed carrying handle enhances camera operability. A protrusion positioned on the front of the handle allows holding the camera with added stability while shooting. And the non-slip structure of the handle's lower surface helps grasp the handle firmly. Function-Assignable Switches The camera features assignable switches on the side and rear panels and assignable buttons on the handle. Built-In Down Converter This down converter allows superior SD images as standard. Multiple Gamma Tables Seven types of standard-gamma and four types of hyper-gamma tables are available for handling the contrast range and look of an image in-camera. HyperGamma HyperGamma is a set of transfer functions that provide contrast handling by making maximum use of the CCD sensor's capacity and wide dynamic range. These functions are quickly accessible via the set-up menu, and four curves are available to choose from. You can, for example, enhance natural reproduction in low-key areas to achieve greater flexibility in wide dynamic scenes. Multi-Matrix The Multi-Matrix function applies color adjustments over a user-specified color range. The color spectrum is divided into 16 areas of adjustment, where the hue and/or saturation of each area can be modified. This function is especially useful when only the hue of certain colors needs to be adjusted for special-effects work. Multi-Matrix is effective for capturing images with similar color tone in a system configured with existing SD cameras or other models of camera. This function enables the picture from another model of camera to be easily matched. Adaptive-Matrix This function enables color conversion even when shooting under excessively strong ambient light, like under bright monochromatic blue light. Such a condition typically causes a conventional matrix function to exceed the color conversion range. Master White Gain The Master White Gain function allows step-less adjustment of gain levels, allowing the gain levels to be adjusted more precisely compared to conventional stepwise adjustment. Compatible CCU Model: HSCU-300R 1.5 RU.

Sony PXW-FS7M2K 4K XDCAM Super 35mm Camcorder with 18-110mm Servo Zoom Lens

Sony PXW-FS7M2K (PXW-FS7-M2K , PXWFS7M2K, PXW/FS7M2K, pxw-fs7m2k) 4K XDCAM Super 35mm Camcorder with 18-110mm Servo Zoom Lens This pairing of a PXW-FS7M2 4K XDCAM Super 35 Camcorder Kit with an 18-110mm Zoom Lens from Sony provides you with a camera and lens system ready for today's Super 35mm 4K single-camera productions. Well suited to cinema, documentaries, news magazines, or as the base of a kit to build upon for commercial production. A sturdy locking E-mount, which can support cinema-style zoom lenses, and an electronic variable ND filter highlight some of the camera's features. The camera supports recording of HD, UHD 4K, and DCI 4K to integrated XQD media card slots. The included Sony 18-110mm power zoom lens covers the Super 35mm format and supports 4K resolution. It features a Sony E-mount, which allows it to mount directly on the camera without requiring an adapter. The power zoom incorporates a mechanically linked zoom ring for precise control with no motor lag, and it features separate geared focus, zoom, and iris rings for manual image control. PXW-FS7M2 XDCAM Super 35 Camera System Expanding on the original FS7, Sony's PXW-FS7M2 XDCAM Super 35 Camera System is a flexible 4K camera system. Designed as a camera that is at home on productions as diverse as "Cinéma Vérité"-style documentaries, reality TV, commercial, and corporate applications It features a Super 35mm sized sensor that allows you to capture images with cinematic depth of field. The camera incorporates a stronger locking E-mount that is fully compatible with E-Mount lenses, and supports all electronic connections. The locking mount reduces lens play, and allows you to use most 35mm lenses including PL, EF, Leica, and Nikon via optional adapters. This stronger E-mount is ideal for using heavier-long cine-zooms without the need for additional lens support. Just behind the lens mount sits an electronic variable ND system that provides a clear filter and 3 user definable presets. The variable ND can be adjusted to provide between 2 and 7 stops of ND. The camera can capture footage to optional on-board XQD media cards in either DCI 4K (4096 x 2160) or UHD 4K (3840 x 2160) at up to 59.94 fps or HD at up to 180 fps. The camera records in your choice of XAVC-I, XAVC-L, or MPEG-2. However, MPEG-2 recording does not support the high data rates the camera is capable of generating when shooting in UHD, and is limited to recording HD video only. The camera incorporates Dual XQD media card slots that support simultaneous or relay recording. An ergonomically designed handgrip provides control of many of the camera's functions and features an adjustable length support arm. Sensor The 4K Super 35 EXMOR sensor features 14 Stops of latitude and a wide color gamut. It offers a choice of XAVC or MPEG-2 codecs. The XAVC codec can be used for 4K and HD recording, while MPEG-2 is limited to HD recording. XAVC comes in two flavors, XAVC INTRA, and XAVC Long, allowing you to encode from HD to UHD using Intra-Frame or Long GOP compression with 10-bit 4:2:2 for HD and the choice of 10-bit 4:2:2 or 8-bit 4:2:0 for UHD. XAVC intra compression is very efficient, recording at modest bit rates and XAVC Long also substantially extends the recording time while attaining very high quality and low noise. Signal Processing The Camera supports two signal processing modes; Cine-EI and Custom. Cine-EI offers three color grading spaces for electronic cinematography production. The Custom mode supports Rec-709 and Rec BT-2020 at UHD 3840 x 2160 with Y, Cb, Cr color subsampling. You can set the PXW-FS7M2 to record onboard and monitor on a BT 2020 compliant monitors via HDMI 10-bit 4:2:2 or SDI at 10-bit 4:2:2 with a 709 monitor LUT applied. Locking E-Mount The PXW-FS7M2 is equipped with a locking E-Mount that provides improved stability and strength compared to a standard E-Mount. It features a safety interlock system that helps prevent accidental disengagement of your lens from the camera body. The locking mount also reduces lens play compared to a standard E-Mount and the locking mount is strong enough to support long cine and ENG zooms that normally require a lens support. It accepts optional E-Mount lenses from Sony, Zeiss and other manufacturers. The shallow flange distance of the E-Mount allows you to mount most 35mm lens types such as PL, Canon EF, Leica, Nikon, as well as many others with simple mechanical adapters. Electronic Variable ND Behind the lens mount sits a retractable clear filter. When you engage the internal ND filters, the clear filter retracts and a stepless electronic ND filter drops into place maintaining the proper flange focal distance. You can program the electronic ND filter to act as three individual filters and rotating the filter knob will step between these presets. Additionally, you can manually adjust the density of the filter from 2 to 7 stops. One of the advantages of the electronically variable ND filter is that you can use the iris on your lens to set your depth of field, and then make exposure adjustments with the ND, as it does not introduce any color shift as the strength of the ND changes. Magnesium Construction The camera body is made from magnesium, which is lighter and stronger than aluminum. This allows the camera body to weigh only four pounds. It also incorporates a shoulder pad and is designed to sit on the operator's shoulder by extending the support arm of the SmartGrip, which allows the camera to be held in front of the operator without requiring a support rig. SmartGrip The camera includes an ergonomic handgrip that Sony calls a SmartGrip, which features Zoom, Start/Stop, and Assign controls. The SmartGrip facilitates camera operation with the right hand, leaving the left hand free to operate the lens. Both the arm and handgrip can be positioned at different angles permitting great flexibility, and it has been re-designed for additional extension adjustment. Redesigned Viewfinder and Mic Holder Mount With the PXW-FS7M2 the viewfinder and mic holder mount has been repositioned. The viewfinder and mic holder now attach to a replaceable 15mm rod. This allows you to swap out the included rod with a longer rod (not included), allowing you to move the position of the viewfinder or mic holder relative to the camera. You can adjust the position of the viewfinder so a left-eye shooter can use their left eye, while the camera is resting on their right shoulder. In addition, the viewfinder itself now rides on a square mounting rod that ensures level operation. Internal Recording The PXW-FS7M2 records internally in both DCI 4K and UHD 4K at up to 59.94 fps, and in HD up to 180 fps using XAVC-I or up to 120 fps with XAVC-L. DCI 4K (4096 x 2160) can be recorded internally without the need of an external recorder. Media Card Slots The camera features two XQD media slots that support simultaneous or relay recording. The XQD card slots are shallower on the PXW-FS7M2 compared to the FS7, making inserting and removing media cards easier. Genlock and Timecode Genlock and timecode breakout is available with an optional XDCA-FS7, this also allows for raw and ProRes recording with optional recorders. E PZ 18-110mm f/4 G OSS Lens With a wide focal-length range and a constant f/4 aperture in a compact form factor, the Sony E PZ 18-110mm f/4 G OSS Lens offers videographers and cinematographers a versatile lens choice for lightweight operations. While the lens may seem small, it has professional features to back it up. The 18-110m focal-length range covers moderately wide to narrow angles-of-view. Sony's built-in Smooth Motion Optics leverage the internal mechanics of the lens to minimize focus breathing, focus shifting, and other anomalies that would otherwise be noticeable when adjusting the lens during recording. The body of the lens sports separate focus, zoom, and iris rings for complete manual control. Just pull the focus ring back and full-time manual focus is engaged. The focus ring itself has built-in cinema-standard gearing for follow-focus compatibility. Zoom functionality can be operated both manually and electronically. The zoom ring is connected to the lens mechanically, so crash-zooms can be achieved without lag. Iris operation can be done automatically, or by rotating the iris ring. By disengaging the iris click switch, manual iris adjustments can be made smoothly. For smaller, less robust cameras, a quick-release tripod foot is included. The foot secures towards the rear of the lens for tripod use. Alternatively, a conventional lens support can be attached near front of the lens for compatibility with rod-based lens supports. The filter thread will accept 95mm-diameter round filters and the included lens cap. A lens hood is also included for minimizing flare. The hood's shuttered design can be closed when the camera is not in use. Smooth Motion Optics Sony's SMO (Smooth Motion Optics) design and construction minimizes optical shifts that can have a negative impact on image quality. Focus breathing is minimized by an internal focus mechanism, focus shift while zooming is eliminated by precise focus tracking adjustment, and axial shift is minimized by a constant-length design. Versatile Zoom Control In addition to a smooth servo zoom, mechanical manual zoom ensures precise control with an immediate response. The desired angle of view can be accurately reached by preventing over or undershoot due to lag. Zoom ring direction can be easily switched as required, smooth, slow powered zoom is supported, and an inner zoom mechanism means that the length of the lens remains constant, regardless of focal length. Professional Focusing Features The focus ring slides back to quickly engage manual focusing. Cinema-standard MOD 0.8 gear teeth are built into the focus ring, enabling use of standard follow focuses without requiring cumbersome focus gear accessories. Compact Design The lightweight form-factor of this lens contributes to the kind of mobility that active movie shooting demands. Small size and low weight can be advantageous when using gimbals and other types of support as well. Optical SteadyShot Built-in Optical SteadyShot (OSS) image stabilization helps to keep recorded images stable and free of excess blur in a wide range of handheld or locked-down shooting conditions involving camera movement. Weather Resistance  A dust and moisture-resistant design provides extra protection and ensures reliable operation in challenging environments and inclement weather. Shoot with confidence in light rain or windy conditions.    

Sony PXW-FS7 Mark II 4K XDCAM Super 35mm Camcorder

Sony PXW-FS7M2 (PX-WFS-7M2, PXWFS7M2, PXW/FS7M2, pxw-fs7m2) Mark II 4K XDCAM Super 35mm Camcorder Expanding on the original FS7, Sony's PXW-FS7M2 XDCAM Super 35 Camera System is a flexible 4K camera system. Designed as a camera that is at home on productions as diverse as "Cinéma Vérité"-style documentaries, reality TV, commercial, and corporate applications It features a Super 35mm sized sensor that allows you to capture images with cinematic depth of field. The camera incorporates a stronger locking E-mount that is fully compatible with E-Mount lenses, and supports all electronic connections. The locking mount reduces lens play, and allows you to use most 35mm lenses including PL, EF, Leica, and Nikon via optional adapters. This stronger E-mount is ideal for using heavier-long cine-zooms without the need for additional lens support. Just behind the lens mount sits an electronic variable ND system that provides a clear filter and 3 user definable presets. The variable ND can be adjusted to provide between 2 and 7 stops of ND. The camera can capture footage to optional on-board XQD media cards in either DCI 4K (4096 x 2160) or UHD 4K (3840 x 2160) at up to 59.94 fps or HD at up to 180 fps. The camera records in your choice of XAVC-I, XAVC-L, or MPEG-2. However, MPEG-2 recording does not support the high data rates the camera is capable of generating when shooting in UHD, and is limited to recording HD video only. The camera incorporates Dual XQD media card slots that support simultaneous or relay recording. An ergonomically designed handgrip provides control of many of the camera's functions and features an adjustable length support arm. Sensor The 4K Super 35 EXMOR sensor features 14 Stops of latitude and a wide color gamut. It offers a choice of XAVC or MPEG-2 codecs. The XAVC codec can be used for 4K and HD recording, while MPEG-2 is limited to HD recording. XAVC comes in two flavors, XAVC INTRA, and XAVC Long, allowing you to encode from HD to UHD using Intra-Frame or Long GOP compression with 10-bit 4:2:2 for HD and the choice of 10-bit 4:2:2 or 8-bit 4:2:0 for UHD. XAVC intra compression is very efficient, recording at modest bit rates and XAVC Long also substantially extends the recording time while attaining very high quality and low noise. Signal Processing The Camera supports two signal processing modes; Cine-EI and Custom. Cine-EI offers three color grading spaces for electronic cinematography production. The Custom mode supports Rec-709 and Rec BT-2020 at UHD 3840 x 2160 with Y, Cb, Cr color subsampling. You can set the PXW-FS7M2 to record onboard and monitor on a BT 2020 compliant monitors via HDMI 10-bit 4:2:2 or SDI at 10-bit 4:2:2 with a 709 monitor LUT applied. Locking E-Mount The PXW-FS7M2 is equipped with a locking E-Mount that provides improved stability and strength compared to a standard E-Mount. It features a safety interlock system that helps prevent accidental disengagement of your lens from the camera body. The locking mount also reduces lens play compared to a standard E-Mount and the locking mount is strong enough to support long cine and ENG zooms that normally require a lens support. It accepts optional E-Mount lenses from Sony, Zeiss and other manufacturers. The shallow flange distance of the E-Mount allows you to mount most 35mm lens types such as PL, Canon EF, Leica, Nikon, as well as many others with simple mechanical adapters. Electronic Variable ND Behind the lens mount sits a retractable clear filter. When you engage the internal ND filters, the clear filter retracts and a stepless electronic ND filter drops into place maintaining the proper flange focal distance. You can program the electronic ND filter to act as three individual filters and rotating the filter knob will step between these presets. Additionally, you can manually adjust the density of the filter from 2 to 7 stops. One of the advantages of the electronically variable ND filter is that you can use the iris on your lens to set your depth of field, and then make exposure adjustments with the ND, as it does not introduce any color shift as the strength of the ND changes. Magnesium Construction The camera body is made from magnesium, which is lighter and stronger than aluminum. This allows the camera body to weigh only four pounds. It also incorporates a shoulder pad and is designed to sit on the operator's shoulder by extending the support arm of the SmartGrip, which allows the camera to be held in front of the operator without requiring a support rig. SmartGrip The camera includes an ergonomic handgrip that Sony calls a SmartGrip, which features Zoom, Start/Stop, and Assign controls. The SmartGrip facilitates camera operation with the right hand, leaving the left hand free to operate the lens. Both the arm and handgrip can be positioned at different angles permitting great flexibility, and it has been re-designed for additional extension adjustment. Redesigned Viewfinder and Mic Holder Mount With the PXW-FS7M2 the viewfinder and mic holder mount has been repositioned. The viewfinder and mic holder now attach to a replaceable 15mm rod. This allows you to swap out the included rod with a longer rod (not included), allowing you to move the position of the viewfinder or mic holder relative to the camera. You can adjust the position of the viewfinder so a left-eye shooter can use their left eye, while the camera is resting on their right shoulder. In addition, the viewfinder itself now rides on a square mounting rod that ensures level operation. Internal Recording The PXW-FS7M2 records internally in both DCI 4K and UHD 4K at up to 59.94 fps, and in HD up to 180 fps using XAVC-I or up to 120 fps with XAVC-L. DCI 4K (4096 x 2160) can be recorded internally without the need of an external recorder. Media Card Slots The camera features two XQD media slots that support simultaneous or relay recording. The XQD card slots are shallower on the PXW-FS7M2 compared to the FS7, making inserting and removing media cards easier. Genlock and Timecode Genlock and timecode breakout is available with an optional XDCA-FS7, this also allows for raw and ProRes recording with optional recorders.