Blackmagic ATEM Streaming Bridge

Blackmagic BMDSWATEMMINISW (BMD-SWATEMMINISW, BMD/SWATEMMINISW, BMD_SWATEMMINISW, BMD SWATEMMINISW) ATEM Streaming Bridge STREAM TO YOURSELF WITH ATEM STREAMING BRIDGE The ATEM Streaming Bridge is a video converter that lets you receive a H.264 stream from any ATEM Mini Pro and convert it back to SDI and HDMI video. This means you can send video to remote locations around your local Ethernet network, or via the internet globally. That's possible because it uses advanced H.264 codecs for higher quality at very low data rates. Imagine broadcasters and bloggers collaborating on shows and creating global networks of ATEM Mini Pro remote broadcast studios. Setup is easy as the ATEM software utility can create setup files that you can email to remote ATEM Mini Pro studios. ATEM Streaming Bridge is the perfect way use ATEM Mini Pro as a remote broadcast studio.

BirdDog X1 30 Bundle-3x X1 30 White | 1x KBD | 1x Custom protective foam

X1 30 Bundle-3x X1 30 White | 1x KBD | 1x Custom protective foam X1 SERIES. BRING ON THE X-FACTOR Redefine what’s possible in live production with the BirdDog X1 Series — including X1, X1 30x, and X1 Ultra. These are PTZ cameras like no other, engineered for ultra-smooth, precise movement and exceptional image quality that delivers professional results in any environment. Designed to elevate every production, the X1 Series features Halo Tally and advanced AI Tracking, bringing effortless control, accuracy, and creativity to live workflows. Seamless connectivity comes as standard, with NDI® HX3, HDMI, USB-C, and Wi-Fi, bridging traditional baseband and modern IP workflows with absolute ease. And then there’s the game-changer: the world’s first e-Ink display on a PTZ camera — always visible, always informative, even when the camera is powered off. With integrated NDI® HX decoding, the X1 Series supports confidence monitoring, return video feeds, and teleprompter output directly from the camera, streamlining production like never before. The X1 Series is also Zoom Certified, ensuring seamless integration with unified communication platforms. And from August 2025, every X1 camera is manufactured using OBP (Ocean-Bound Plastic) — helping clean our oceans, one camera at a time. This is PTZ, reimagined. This is the X-Factor.

Panasonic Lumix Pocket-sized Travel 30x Zoom Camera - Black

Panasonic Lumix Pocket-sized Travel 30x Zoom Camera - Black(DC-TZ99E-K) Perfect for travelers and photography enthusiasts alike, the Panasonic Lumix TZ99 combines powerful zoom capabilities with premium features in a pocket-sized design. Whether you’re capturing distant wildlife or stunning cityscapes, this versatile camera delivers exceptional results. Remarkable 30x LEICA DC Zoom Lens Experience incredible versatility with the world-renowned LEICA DC lens, offering an impressive 24-720mm focal range. From sweeping landscapes to distant details, capture every moment with pristine clarity. Professional-Grade Image Quality The 20.3-megapixel High Sensitivity MOS sensor ensures outstanding image quality even in challenging lighting conditions. Whether you’re shooting at sunrise or after sunset, expect bright, detailed results that preserve your travel memories perfectly. Advanced 4K Capabilities 4K Video Recording: Capture your adventures in stunning 4K resolution 4K PHOTO: Extract perfect 8-megapixel still images from 4K video shot at 30fps Post Focus Technology: Choose your focus point after taking the shot Focus Stacking: Create perfectly focused images from foreground to background Travel-Ready Design Compact, lightweight body weighing just 322g 3.0-inch 1,840k-dot tiltable touchscreen for creative angles 180-degree tilt screen perfect for travel vlogs and selfies USB Type-C® charging for convenient power anywhere Instant Sharing Built-in Bluetooth® connectivity lets you instantly transfer images to your smartphone, perfect for sharing your travel highlights on social media. Perfect For: Travel photographers seeking a versatile, compact camera Vloggers who need high-quality video capabilities Photography enthusiasts wanting professional features in a portable package   Anyone looking to upgrade from smartphone photography

MAKI Live Kit 3x 4K Portable Live Streaming Camera with NDI HX 3x Optical Zoom

BirdDog MAKI Live Kit 3x 4K Portable Live Streaming Camera with NDI HX 3x Optical Zoom   MAKI Live is a compact, battery-powered 4K live streaming camera built for creators who need professional results anywhere. Ideal for live streaming, education, podcasting, worship, and mobile production, it delivers broadcast-quality video without complex setups. With Wi-Fi and NDI® | HX, MAKI Live connects wirelessly to the MAKI Studio iPad app, creating a simple all-in-one workflow for switching, streaming, and sharing content. Just power it on, connect, and go live—no cables, no clutter. Despite its small size, MAKI Live delivers impressive performance. Capture sharp Ultra HD video with a 3× optical zoom and fast TOF autofocus for smooth, accurate framing, even in dynamic environments. A built-in battery provides up to 6 hours of runtime, giving you complete freedom to shoot indoors, outdoors, or on the move. The integrated HALO Tally offers a bright, 360° on-air indicator, making multi-camera productions clear and professional.   Designed with BirdDog’s signature image quality and ease of use, MAKI Live is a powerful, portable solution for anyone looking to elevate their live content—anywhere.  

BirdDog MAKI Studio iPad Live Streaming App with Bluetooth Control Surface

MAKI Studio- iPad based live-streaming application for up to 4K Live production, recording and effects, with Bluetooth hardware Control Surface for switching and control MAKI Studio with Control Surface is your portable live production suite, built to make multi-camera switching and streaming easier than ever. Designed for use with MAKI Live cameras and compatible with NDI® | HX video, MAKI Studio runs on iPad and brings intuitive, touch-friendly control to your workflow—no laptop required. For even more precision and feel, pair it with the MAKI Control Surface: a compact, BirdDog-designed hardware panel offering tactile buttons, dials, and joystick control. Together, they give you the power to direct live shows, podcasts, lectures, or events with pro-level polish—whether you’re in the studio or on the move. With support for streaming, overlays, picture-in-picture, audio mixing, ISO recording, and more, MAKI Studio makes it simple to create stunning content. It's the director's seat in your backpack.   iPad-Based Live Production MAKI Studio is a native iPad application purpose-built for live production. With an intuitive, touch-friendly interface, you can switch between multiple camera sources, manage audio, add graphics, and stream—all from a single, portable device. It’s fast, fluid, and incredibly easy to use, even for solo creators or first-time producers.   NDI® | HX and High Bandwidth Compatible MAKI Studio works seamlessly with BirdDog MAKI Live cameras and the full BirdDog X-Series, supporting both NDI® | HX and Full Bandwidth NDI. It integrates perfectly into modern IP workflows, enabling wireless multi-camera production without additional video converters, SDI routers, or bulky cabling—just power up, connect, and go.   Portable Bluetooth Control Surface Add tactile precision to your live production with the MAKI Control Surface. This compact, wireless panel connects via Bluetooth and features 6 dedicated Program/Preview buttons, customizable shortcuts, and dedicated transition controls. It’s designed to give you fast, responsive control without taking up space—perfect for live shows, classrooms, or events.   Touchscreen & Hardware Combo MAKI Studio delivers the best of both worlds: touchscreen flexibility for creative control and customization, and a tactile hardware surface for fast, reliable operation. Quickly build your show using the iPad interface, then drive your production with button-based precision—just like a traditional broadcast switcher, but ultra-portable.   Stream Anywhere Broadcast your content to audiences everywhere. MAKI Studio supports RTMP streaming to popular platforms like YouTube, Facebook, and Twitch, and can transmit locally using NDI® | HX or Full NDI to connected monitors or video walls. Whether online or on-site, your stream is always ready to roll   Multi-Cam Switching Switch between multiple camera sources in real time with clean cuts or smooth transitions. Whether you’re mixing a live podcast, a worship service, or a virtual event, MAKI Studio gives you reliable, professional control over every angle—no matter how many cameras you’re managing.   Graphics & Overlays Add visual polish to your production with built-in titling tools for lower-thirds, name tags, and branding. You can also bring in custom graphics using HTML sources or external NDI titlers, giving you flexible, dynamic ways to enhance your live stream’s visual identity.   Picture-in-Picture & Split Views Engage your audience with multi-layered visuals. Easily set up Picture-in-Picture (PiP) shots for interviews, screen shares, or presentations, or create split views to show multiple angles at once. MAKI Studio makes it simple to build high-production-value layouts with just a few taps.   Built-in Recording Record your entire program output directly on the iPad for post-event editing, archiving, or replay. Whether you're creating educational content, podcast episodes, or event recaps, the built-in recording ensures you always have a high-quality version of your stream saved and ready to go.   Made for Creators MAKI Studio with Control Surface is tailor-made for streamers, educators, houses of worship, podcasters, and event professionals. It delivers everything you need to run a high-quality, multi-camera production from a compact, creator-friendly setup—no bulky racks, no complex wiring, just plug, play, and go live.   Native iPad Application Unlike repurposed desktop apps, MAKI Studio is built from the ground up as a native iPad app, optimized for the latest Apple Silicon chips. That means lightning-fast performance, longer battery life, and buttery-smooth operation—even during complex multi-source productions.

BirdDog MAKI Live 4K Streaming Camera with NDI® | HX & Built-in Battery

MAKI Live- 4K Portable Live Streaming camera with NDI | HX, 3x Optical Zoom, HALO Tally, WiFi 6 and inbuilt battery MAKI Live is a compact, professional 4K portable live streaming camera designed for creators who need broadcast-quality video anywhere. Ideal for live streaming, teaching, podcasting, worship, and remote production, MAKI Live combines powerful imaging, wireless connectivity, and all-day portability in one easy-to-use system. Capture crisp, professional-grade 4K video with vibrant colour and fine detail, powered by BirdDog’s imaging expertise. The 3× optical zoom allows full-resolution framing without image degradation, while ultra-fast TOF autofocus locks onto subjects instantly—even during fast movement or changing lighting conditions. Designed for true mobility, MAKI Live features a built-in battery delivering up to 6 hours of continuous operation, eliminating the need for external power or cables. Integrated Wi-Fi and NDI® | HX support enables low-latency, high-efficiency video streaming over IP networks, making it easy to integrate into modern wireless production workflows. The signature HALO Tally system provides a bright, 360° on-air indicator, clearly showing when and which camera is live—perfect for professional multi-camera setups. AI gesture control lets you adjust framing with simple hand movements, while advanced AI noise reduction and built-in microphones ensure clear, natural audio. MAKI Live works seamlessly with the optional MAKI Studio iPad app and Control Surface, enabling intuitive multi-camera switching, streaming, and control from a single portable interface. Free MAKI Live control apps and BirdUI provide full access to camera settings and functions. With a standard 1/4″-20 mounting thread, MAKI Live can be mounted on tripods, clamps, or handheld rigs, making it adaptable to any setup.   Simply power it on, connect, and go live. No cables. No clutter. Just professional 4K streaming—anywhere.  

BirdDog X4 Ultra Bundle- 3x X4 Ultra Black | 1x KBD

X4 Ultra 4K60 PTZ Camera featuring NDI ® | HX3, Wi-Fi 6, 3G-SDI, HDMI, e-ink label and HALO Tally - Black KBD The Ultimate Tool for PTZ Camera Control

PTZOptics Move 4K 12X Auto-Tracking PTZ Camera White

PTZOptics Move 4K 12X Auto-Tracking PTZ Camera White (PT12X4KWHG3) The PTZOptics Move 4K 12X is a professional auto-tracking PTZ camera designed for live streaming, broadcast production, conference rooms, education, corporate video and house of worship applications. Featuring built-in auto-tracking technology, the camera can automatically follow presenters and subjects without requiring a dedicated camera operator, making it ideal for hybrid events, lecture capture, live productions and streaming environments. The Move 4K delivers UHD 4K video up to 60fps and includes a professional 12x optical zoom lens with a wide 72.5° field of view for flexible installation in small and medium-sized spaces. Professional connectivity includes HDMI, 3G-SDI, USB and IP streaming outputs with support for NDI|HX3, SRT, RTSP and RTMP workflows, allowing seamless integration into modern broadcast and streaming systems. The camera also supports PoE+ power, tally light integration, RS-232/RS-485 control and advanced image processing features including Wide Dynamic Range and 3D noise reduction for improved low-light performance. Ideal for:   Churches & worship streaming Corporate conference rooms Hybrid events Education & lecture capture Live streaming studios Broadcast production Podcast & creator studios

Atomos 5-inch Creator Kit

Atomos 5-inch Creator Kit(AOATOMACCKT6)

Slik PRO AL-323-3W Tripod with SH-747 3-Way Head

Slik PRO AL-323-3W Tripod with SH-747 3-Way Head The SLIK PRO AL-300 series is a compact and reliable travel tripod designed for point-and-shoot cameras and lightweight DSLRs—making it an ideal companion for photographers on the go. The PRO AL-323-3W builds on the popular PRO 330DX, delivering improved vibration reduction and greater torsional strength thanks to its redesigned low-profile collar and reinforced leg joints. This tripod features SLIK’s original R.F.M. (Rapid Flip Mechanism) for quick leg-angle adjustments, a built-in bubble level for accurate horizon alignment, and an accessory port compatible with extension arms for mounting monitors, lights, tablets, and other gear.   The PRO AL-323-3W comes equipped with the newly engineered SH-747 3-way pan-and-tilt head, offering smooth operation and a 90° rotatable Arca-compatible quick-release platform. Features 3-Way Pan Head System Package The tripod system package comes with a SH-747 3-way pan & tilt head that features 90 deg. rotatable Arca-Compatible quick-release platform. The 3-way pan & tilt heads offers separate axis controls (up/down, left/right & roll) This provides more precise adjustments on one axis while not affecting the other two axis for accurate framing. Completely redesigned tripod body & leg joint The new series is a completely redesigned low-profile collar and leg joint. We have also added an accessory port to the side of the collar that accepts 1/4" or 3/8" accessories like magic arm to hold lights, phones or tablets. Rapid Flip Mechanism (R.F.M.) SLIK original Rapid Flip Mechanism (R.F.M.) offers fast and stress-free leg angle adjustments. Simply flip down the lock lever releases the leg lock and allows you to change the leg angle opening to desired position.

Slik Carbon fibre tripod legs with three twist lock leg sections

Slik Carbon fibre tripod legs with three twist lock leg sections (SLI3303) 5 Year Warranty Included The Slik PRO CF-733 is a full size tripod extending to over 1.6m and folds down to a compact about 57cm.  Though lightweight (1.3kgs) the PRO CF-733 handles up to 5kgs.  Use this tripod with advanced enthusiast and professional camera bodies and/or heavy lenses.  All 700 series carbon fiber tripods have legs made up of carbon fiber material that is actually comprised of 8 layers of inter-woven carbon strands that are then bonded together in a sealed, high-pressure furnace producing strong, light weight carbon fiber.  The legs also feature A.R.S (Anti-Rotational System) is designed into the leg locks and do not allow the individual legs sections to rotate inside each other. Each leg also has an independent lock that sets in one 3 angles to vary the height and stance of the tripod. The three setting are for maximum height, waist level or low angle photography close to the ground.   The three leg sections are secured and loosened with twist locks. Because the legs are non-rotating, you can unlock all of a leg’s stages at once by twisting the three large rubber grips with one hand. This enables fast setup.

Panasonic AG-CX18EJ Compact 4K 10bit 60p camcorder with IP connectivity

AG-CX18EJ Compact 4K 10bit 60p camcorder with IP connectivity (AG-CX18EJ) The AG-CX20 and AG-CX18 models camcorders feature state-of-the-art optical technology, in addition to a lightweight and compact chassis design that delivers increased mobility, and high-quality video production. Wide angle zoom lens for precise shooting The camcorders offer superior optical performance thanks to a powerful integrated 25mm (35mm camera equivalent.) wide angle to 600mm (AG-CX20 only.) telephoto zoom lens, with 24x optical zoom. They feature a 4-Drive Lens System that operates each lens group independently, in addition to two manual focus rings. All four cameras feature both Optical and Electric Image Stabilisation to detect and correct any unwanted camera shake through five axes, including rotational blurring. This is especially useful when shooting subjects from very high and low angles. All models provide superior focusing speed, stability, and tracking performance when shooting in both 4K and FHD, thanks to the Face Detection AF/AE feature that provides precise focusing and exposure for subjects. IP-based video for seamless streaming The high-end CX20 model will support full-HD live streaming through the next-generation, IP-based SRT protocol (To be added by firmware update.), with the CX20 and CX18 delivering simultaneous SDI/HDMI outputs. Panasonic’s CX20 also supports NDI®* HX2 IP connectivity for high-quality, low-latency live streaming in a network environment, without the need for external converters. Both the CX20 and CX18 support Real-Time Messaging Protocol (RTMP) (Supported protocols: RTSP/RTP/RTMP/RTMPS.), allowing content to be streamed live directly to social media platforms and video sharing sites, such as YouTube. Listening to the needs of the industry Panasonic’s intimate knowledge of what directors and cinematographers require from high-performance camcorders when shooting on location have been reflected within the improvements made to all four models, further increasing usability and functionality. Compact design for superior mobility The unique design of all four models enables heat to be dispersed from the front panel thanks to a slimline fan. This increases reliability and enables the body to be as small as possible. The CX20 and CX18 include Panasonic’s VW-HU1 handle unit, featuring a two-channel XLR audio input and control, and bright, adjustable LED light for shooting in low light conditions. Users can also easily operate lens zoom from the handle unit. All four camcorders support multiple bit rates and formats for a variety of requirements. When configured for 10 bit recording with an HDMI output, all models deliver 4K 60p 4:2:2 output with an external recorder. All camcorders support the MOV, MP4 and AVCHD formats, whilst the CX20 supports the P2 MXF workflow.

Blackmagic PYXIS 6K PL Full Frame Cinema Camera

Blackmagic PYXIS 6K PL Full Frame Cinema Camera (The World’s Most Riggable Full Frame Cinema Camera) Meet the next generation of customizable cinema cameras. Blackmagic PYXIS 6K delivers stunning full-frame digital film images with precise skin tones and rich, organic color. Its modular aerospace-grade aluminum body is designed for maximum riggability, letting you build the perfect setup for any production. Featuring a 36 × 24 mm 6K sensor with a matched optical low-pass filter, 13 stops of dynamic range, and dual native ISO up to 25,600, it captures beautiful, low-noise images in any lighting. Choose from EF, PL, or L-Mount models, and enjoy dual CFexpress recorders, Ethernet for Blackmagic Cloud, and simultaneous recording of 12-bit Blackmagic RAW and H.264 proxies. Maximum Flexibility and Customization PYXIS’ lightweight CNC-machined aluminum chassis and multiple mounting points make it easy to rig on cranes, gimbals, or drones. Interchangeable side plates expand mounting options for handles, microphones, or SSDs—so you can configure it for any workflow, from handheld to studio rigs. Cinematic Large-Format Imaging With a 6048 × 4032 full-frame sensor nearly three times larger than Super 35, PYXIS offers a shallow depth of field, true 6:5 anamorphic capture, and open-gate 3:2 flexibility for reframing in post. Record up to 36 fps full-sensor or 120 fps windowed, and enjoy the same Blackmagic color science found in high-end cinema cameras. Three Lens Mount Options Pick from L-Mount, EF, or PL to suit modern, DSLR, or professional cinema lenses. The L-Mount supports Leica, Panasonic, and Sigma lenses with adapters for vintage glass; the EF version uses common DSLR lenses; and the PL model works natively with ARRI, Cooke, and Zeiss cine optics. Professional HDR and Low-Light Performance PYXIS offers 13 stops of dynamic range and dual gain ISO (400 and 3200) for pristine images from bright daylight to dim interiors. Capture brilliant HDR footage with full control in DaVinci Resolve Studio, included with every camera. Multiple Resolutions and Frame Rates Record in HD, 4K DCI, and 6K, or shoot stills at 24.6 MP. Get 6K Open Gate at 36 fps, 4K DCI at 60 fps, or windowed Super 16 up to 100 fps. True 6:5 anamorphic recording produces ultra-wide cinematic detail. Integrated 4″ HDR LCD Monitor The bright 1500-nit Full HD touchscreen doubles as a focus assist and control interface, displaying overlays, histograms, and LUT previews—even in direct sunlight. Streamlined Controls Essential functions like ISO, white balance, and shutter are accessible via tactile buttons and a scroll wheel. Three customizable keys provide instant access to tools such as false color or high-frame-rate mode. Advanced Connectivity Features include 12G-SDI out, mini XLR with 48 V phantom power, 3.5 mm audio input, Ethernet, USB-C, timecode in, headphone jack, and locking DC power. Record to dual CFexpress or external USB-C drives for long-format projects. Blackmagic RAW and Proxy Workflow Record full-quality 12-bit RAW and simultaneous H.264 proxies for instant global collaboration. Blackmagic Cloud enables editors anywhere to access footage in real time. Resolve Studio’s color tools give complete creative control with preserved metadata. Built-In Live Streaming With integrated SRT and RTMP support, you can stream directly to YouTube, Facebook, or an ATEM Streaming Bridge. Connect via Ethernet or 5G/4G mobile data for real-time monitoring by remote teams. Post-Production Ready and Cloud-Connected Shoot, sync, and share instantly. PYXIS uploads proxies to the cloud as you record, letting editors begin work immediately. It even supports direct recording into a Resolve project via Blackmagic Cloud. Professional Audio and Power Record high-fidelity sound with dual microphones, mini XLR and 3.5 mm inputs, plus a built-in speaker and headphone jack. Power the camera via 12 V DC or BP-U batteries, offering up to 3 hours per charge. More Smart Features 3D LUT support for on-set look preview or baked-in color. Blackmagic OS and Gen 5 Color Science for fast operation and lifelike color. Bluetooth remote control with SDK for custom apps. Multilanguage UI (13 languages). URSA Cine EVF compatibility for professional viewing. Complete Post-Production Suite   Each PYXIS 6K includes DaVinci Resolve Studio, offering Hollywood-grade editing, color, VFX, and audio tools in one package.

BirdDog 3x X4EU White + Keyboard Bundle

BirdDog X4E Ultra Bundle (White) – Pure Precision for Modern Productions Elevate your studio with the sleek, white-finish BirdDog X4E Ultra Bundle — featuring three X4E Ultra White cameras and one KBD controller for total multi-camera control. This elegant bundle delivers professional 4K60 performance, effortless network integration, and precision PTZ control — wrapped in a refined, contemporary design that fits beautifully into premium broadcast and corporate spaces. Why the White Edition Stands Out:   Three perfectly colour-matched X4E Ultra White cameras for clean, uniform visuals in bright or minimalist environments. One KBD controller for seamless operation of all cameras from a single workstation — ideal for fixed studios, boardrooms, or multi-angle productions. Combines BirdDog’s advanced imaging, AI tracking, and NDI® | HX3 performance in a wired-first design for maximum reliability.

BirdDog X4E Ultra UHD PTZ Camera - White

  X4E Advantage: Performance Without Compromise The X4E is a cutting-edge 4K60 camera that delivers BirdDog’s renowned image quality, precision robotics, and advanced AI automation — all in a wired-first design. With NDI® | HX3, a Sony 1/1.8" sensor, HALO Tally, E-Ink Display, and multiple connection options (SDI, HDMI, USB-C, and IP), the X4E ensures professional-grade results for every application. Power it via PoE or DC for maximum reliability, efficiency, and seamless integration into any production workflow. HALO Tally: Confidence in Every Shot BirdDog’s signature HALO Tally system gives you the most visible and intuitive tally indicator available. Encircling the lens with a bright, daylight-visible border, HALO ensures on-camera talent instantly knows which camera is live — enhancing communication, precision, and production flow. AI Tracking: Intelligent, Adaptive Control The X4E’s advanced AI tracking provides smooth, accurate motion that intuitively locks onto your subject. Designed to learn and adapt, it delivers consistently precise results for live streaming, education, corporate events, and studio production — always matching the pace of your workflow. NDI® | HX3: Efficiency Meets Excellence Powered by BirdDog’s best-in-class NDI® | HX3 technology, the X4E achieves stunning 4K60 image quality with ultra-low latency and minimal bandwidth usage. It’s engineered for performance in demanding IP production environments, ensuring smooth, stable, and broadcast-ready streaming every time. Power Simplified: PoE or DC Built for long-term dependability, the X4E can be powered via PoE or DC input, eliminating battery dependency and reducing maintenance. The result: streamlined setup, fewer components, and continuous, professional-grade performance. E-Ink Display: Always Clear, Always On The always-visible E-Ink Display keeps key camera info at your fingertips — from IP addresses to customizable labels* — even when powered off. This smart detail simplifies setup and management, keeping teams organized and efficient. *Custom branding feature coming soon. Perfectly Paired with X4 Ultra X4E and X4 Ultra share the same powerful foundation. Deploy X4 Ultra when mobility is key and X4E where fixed reliability is essential — or combine both for a flexible, unified production ecosystem.    

BirdDog X4E Ultra UHD PTZ Camera - Black

The X4E Advantage — Pure Performance. Zero Compromise. The BirdDog X4E is a next-generation 4K60 camera engineered for uncompromising performance. It delivers the same acclaimed BirdDog image quality, precision robotics, and advanced AI automation as the X4 Ultra — now optimized in a wired-first design. Featuring NDI® | HX3, a Sony 1/1.8” sensor, HALO Tally, an E-Ink Display, and versatile connectivity through SDI, HDMI, USB-C, and IP, the X4E integrates seamlessly into any professional production environment. Powered via PoE or DC, it’s built for reliability, longevity, and all-day operation. HALO Tally — Visibility Meets Precision. Professional productions demand instant visual feedback. BirdDog’s signature HALO Tally surrounds the lens with a bright, daylight-visible ring — giving on-camera talent clear confirmation of which unit is live. It’s an intuitive, elegant system that keeps your team in perfect sync. AI Tracking — Smarter Control. Smoother Results. With BirdDog’s intelligent AI tracking, the X4E locks onto subjects naturally and consistently. Its adaptive algorithms deliver smooth, cinematic motion for lectures, live events, and fixed studio broadcasts alike — learning and refining as your workflow evolves. NDI® | HX3 — Maximum Quality, Minimal Bandwidth. Leveraging BirdDog’s industry-leading implementation of NDI® | HX3, the X4E achieves stunning image fidelity with ultra-low latency and efficient network use. It’s streaming performance you can depend on — engineered to exceed NDI certification standards and optimized for demanding IP infrastructures. Power Simplified — PoE or DC. Eliminate the clutter of external power supplies. The X4E operates through Power over Ethernet or DC input, offering plug-and-play simplicity and fewer failure points — ensuring consistent, professional-grade uptime. E-Ink Display — Always On. Always Informative. Even when powered off, the E-Ink Display stays readable — showing IP addresses, labels, and status at a glance. This smart interface keeps every unit identifiable and organized during setup or downtime. (Custom branding support coming soon.) Perfectly Paired with X4 Ultra.   Built on the same DNA, X4E and X4 Ultra complement each other seamlessly — one wired for reliability, the other wireless for freedom. Together, they form the ultimate hybrid production ecosystem for any modern studio.

Roland VC-100UHD 4K HDR Video Scaler Converter

Roland VC-100UHD 4K HDR Video Scaler Converter (ROLVC100UHD) VC-100UHD The VC-100UHD continues to evolve with new features and system enhancements. The internal processing has been improved with support for lossless RGB/YCbCr 4:4:4 10-bit over HDMI and 720p and 1440p/144 Hz frame rates. Roland’s innovative Region of Interest (ROI) function has been added to the 4K inputs, with simple switching between ROI windows using an external USB numeric keypad. C/LFE audio mapping has been added for 5.1 surround applications. And there’s now an automatic fan control that regulates operation based on the current environmental conditions, eliminating unnecessary fan noise. Scale, Convert, and Stream Introducing the Roland VC-100UHD, a next-generation A/V signal management solution for live events, fixed installations, and livestreaming. Built on a reliable hardware platform for mission-critical applications, this powerhouse processor combines multiple single-task technologies in a compact and flexible half-rack design. With Roland’s Ultra Scaler on board, the VC-100UHD supports simultaneous scaling and conversion to multiple destinations, including 4K LED walls, HD displays, USB livestreams, and more. Process Images for Multiple Audiences at Once Using the VC-100UHD, it’s a simple task to send 4K and 1080p video to multiple destinations at one time, including pixel-hungry LED walls, tech operator displays and recorders, and USB webcam streams for online viewing. With an ultra-high-definition source signal connected to the 12G-SDI or HDMI 2.0 video inputs, the VC-100UHD will automatically process and convert it to different resolutions, ready for distribution at 12G-SDI, HDMI, and USB 3.0 rear-panel outputs. Front Panel Graphic LCD With the VC-100UHD’s high-resolution graphic LCD and intuitive menu structure, all functions can be accessed locally without the need for an external control device. On the comprehensive status screens, you can quickly check the resolution, frame rate, HDCP status, color space, bit depth, color gamut, dynamic range, audio levels, and more. In addition, the system message log screen makes troubleshooting easy. The Ultra-Reliable Ultra Scaler The VC-100UHD features Roland's revolutionary Ultra Scaler, the same no-compromise, ultra-reliable professional video processor found in the flagship V-600UHD 4K video switcher. Backed by a lightning-fast processing engine, Ultra Scaler delivers premium quality conversion for perfectly synchronized big-screen IMAG and precise dot-by-dot scaling for LED wall displays. Roland's Ultra Scaler supports: 10-bit 4:4:4 pixel-accurate color Rec. 601, 709 and 2020 wide color gamut High dynamic range processing and conversion Version 1.3 High frame rate (HFR) video at 100, 119.88, 120, 200, 239.76, and 240 Hz (HDMI input only) Native DCI Digital Cinema System 4K (4096) resolution Version 1.3 Lossless Conversion with 10-Bit Processing When using YCbCr 4:4:4 and YCbCr 4:4:4 subsampling, the VC-100UHD’s 10-bit internal processing fully maintains the color and gradation details of the input source. Compared with 8-bit processing, this allows you to display images with more colors and a smooth, natural look. High Frame Rates? No Problem. High frame rate (HFR) video sources can pose signal workflow challenges for integrated systems, but the VC-100UHD handles them with ease. Thanks to Ultra Scaler technology, system designers can simultaneously deliver 1080p video at rates up to 240 Hz for a gaming monitor, 59.94/50 Hz for an HD video system and LED displays, and 59.94/50 Hz for an HD livestream broadcast. Onboard Visual Effects and Image Processing Using the VC-100UHD’s built-in visual effects, it’s simple to rotate, flip, and mirror images. For example, a portrait image generated by a smartphone can be trimmed and rotated to fit seamlessly on a 16:9 landscape display for digital signage. And with the VC-100UHD’s Frame Synchronizer and Genlock features, you can easily re-clock and stabilize video images as needed. Simulate a PTZ Camera with ROI and a USB Numeric Keypad With the VC-100UHD's built-in Region of Interest (ROI) function, you can easily produce multi-shot productions with a single 4K camera or zoom in and highlight presentation details. Creating an inviting viewer experience has never been easier: select any 4K video input source to zoom, move, crop, and scale up to eight ROI windows. Then use a USB numeric keypad to switch windows during events just a like PTZ camera. USB 3.0 Webcam Output For Streaming and Recording Reach a worldwide audience and broadcast uncompressed 1080p video at 59.94/50 Hz on popular streaming platforms with the VC-100UHD. The USB 3.0 webcam output offers plug-and-play operation with the latest USB audio/video protocols, so there’s no software to download or drivers to maintain. And with Roland’s free VR Capture software, you can record your HD livestreams in ProRes 422 (Mac) or MP4 (Windows) formats for editing and distribution. Advanced Audio Features Along with video, the VC-100UHD can process embedded digital audio from the 12G-SDI and HDMI 2.0 inputs. Analog I/O is provided too, with balanced audio on a 25-pin D-sub connector for installations and line-level stereo audio on RCA jacks for prosumer video gear. An advanced audio patching system lets you route and embed/de-embed up to 16 input channels and output up to eight channels. Need to adjust lip sync? Just tweak the delay that’s available on each audio output. Compact and Ready for Any Application The VC-100UHD works great as a portable processor for grab-and-go productions, or it can be mounted in a rack for use in larger systems and fixed installations. It also comes equipped with rich integration capabilities, including: Selectable EDID on HDMI Version 1.2 12 video test patterns (including scrolling and animated patterns) and an audio test tone generator assignable to any channel Wide-range color correction to support a variety of input and output devices, including LED displays Support for backing up and recalling system settings on the job via USB memory Version 1.3 Automatic fan control function Version 1.3 C/LFE audio channel mapping Remote control support over LA Application Examples LED Walls LED display technology has become a versatile creative tool for event designers. But many corporate events and festivals require pixel widths that exceed the HD format's 1920 pixels. The VC-100UHD’s Ultra Scaler offers dot-by-dot output scaling at incredibly high quality, allowing you to connect to an LED display controller at the exact pixel dimensions needed. Supported resolutions include 4K High Dynamic Range (HDR), 1080p Standard Dynamic Range (SDR), and DCI Cinema 4K. Esports Extreme gaming machines are rapidly emerging as the esports market takes off. When milliseconds and costs matter, esports athletes have found a sweet spot for gameplay: 1080p resolution at HFR 120 or 144 Hz for smooth motion while battling opponents. The VC-100UHD lets you integrate these high-end gaming machines into your HD 59.94/50 Hz workflows while keeping gamers happy with a no-latency HFR up to 240Hz throughput. And by de-embedding gameplay audio from HDMI, you eliminate analog-to-digital conversions and keep the sound quality high. Game on! Livestreaming The VC-100UHD supports uncompressed livestreaming to global audiences at top quality via USB 3.0. Convert and scale incoming 4K UHD signals to Full HD 1080p/60 resolution or lower resolutions to suit the available bandwidth. Audio delay is also available for correcting any lip-sync issues you might encounter. Staging The VC-100UHD's ROI switching offers a great solution to enhance stage events and online sessions when the client doesn't have multiple cameras due to location or budget. Using ROI, you can crop out any part of the 4K video image and enlarge it to HD resolution. Register up to eight crop-out points and switch them instantly using a USB numeric keypad.

BirdDog X1 30x HD PTZ Camera - White

BirdDog BDX130W (BD-X130W, BD/X130W, BD X130W, BD_X130W) X1 30x HD PTZ Camera - White X1 Series — The X-Factor in PTZ Transform your productions with the BirdDog X1, X1 30x, and X1 Ultra — PTZ cameras engineered for precision movement, cinematic image quality, and professional performance across every application. Featuring Halo Tally and advanced AI Tracking, the X1 Series elevates live production with effortless control and broadcast-ready visuals. Connectivity is designed for versatility, with NDI® HX3, HDMI, USB-C, and Wi-Fi ensuring seamless integration between IP and baseband workflows. The X1 Series also introduces the world’s first e-Ink display in a PTZ camera — always visible, even when powered off — providing instant system information or custom branding. Integrated NDI® HX decoding further streamlines operations, enabling confidence monitoring, return feeds, or teleprompter output directly from the camera. The X1 Series is Zoom Certified for flawless compatibility with UC platforms, and from August 2025, every unit will incorporate OBP plastics, reinforcing BirdDog’s commitment to sustainability by reducing ocean waste. Halo Tally Professional productions demand clear communication. The X1 Series introduces the most visible tally system in its class: a bold, daylight-visible front border combined with an interchangeable illuminated numbering system at the rear, ensuring both cast and crew know exactly where to focus. AI Tracking Powered by intelligent algorithms, X1 and X1 Ultra maintain perfect framing with real-time AI subject tracking. Whether used in concerts, conferences, or keynote presentations, the system ensures smooth and accurate camera movement without requiring additional operators. Operators can even designate which individual to follow within the frame for precise control. NDI® HX3 Optimized for efficiency, X1 and X1 Ultra deliver exceptional video quality via BirdDog’s NDI® HX3 technology. By minimizing bandwidth demands without sacrificing fidelity, these cameras adapt seamlessly to diverse network environments — meeting and exceeding certification standards for reliability and performance. Wi-Fi Connectivity For setups where cabling isn’t feasible, the X1 Series includes integrated Wi-Fi alongside Ethernet and PoE. This added flexibility allows quick deployment and smart positioning, reducing setup time while expanding creative possibilities. Integrated NDI® HX Decoder As the first PTZ cameras with a built-in NDI® HX decoder, X1 and X1 Ultra simplify workflows by handling return feeds, teleprompter output, or confidence monitoring with a single connection. The result: fewer devices, less setup, and streamlined control for both broadcast and corporate applications. Zoom Certification Fully Zoom Certified, the X1 Series integrates effortlessly into Zoom Rooms and UC environments. The result is crystal-clear video, stable connectivity, and professional performance for virtual meetings, webinars, and hybrid events — making X1 equally effective in corporate AV, education, and live production. e-Ink Label — Always On Breaking new ground, the X1 Series features an always-on e-Ink display. From IP addresses for simplified access to customizable logos* for branding, the display ensures every unit remains clearly identifiable at all times, even when powered down.

BirdDog X1 30x HD PTZ Camera - Black

BirdDog BDX130B (BD-X130B, BD/X130B, BD_X130B, BD X130B) X1 30x HD PTZ Camera - Black X1 Series — The X-Factor in PTZ Transform your productions with the BirdDog X1, X1 30x, and X1 Ultra — PTZ cameras engineered for precision movement, cinematic image quality, and professional performance across every application. Featuring Halo Tally and advanced AI Tracking, the X1 Series elevates live production with effortless control and broadcast-ready visuals. Connectivity is designed for versatility, with NDI® HX3, HDMI, USB-C, and Wi-Fi ensuring seamless integration between IP and baseband workflows. The X1 Series also introduces the world’s first e-Ink display in a PTZ camera — always visible, even when powered off — providing instant system information or custom branding. Integrated NDI® HX decoding further streamlines operations, enabling confidence monitoring, return feeds, or teleprompter output directly from the camera. The X1 Series is Zoom Certified for flawless compatibility with UC platforms, and from August 2025, every unit will incorporate OBP plastics, reinforcing BirdDog’s commitment to sustainability by reducing ocean waste. Halo Tally Professional productions demand clear communication. The X1 Series introduces the most visible tally system in its class: a bold, daylight-visible front border combined with an interchangeable illuminated numbering system at the rear, ensuring both cast and crew know exactly where to focus. AI Tracking Powered by intelligent algorithms, X1 and X1 Ultra maintain perfect framing with real-time AI subject tracking. Whether used in concerts, conferences, or keynote presentations, the system ensures smooth and accurate camera movement without requiring additional operators. Operators can even designate which individual to follow within the frame for precise control. NDI® HX3 Optimized for efficiency, X1 and X1 Ultra deliver exceptional video quality via BirdDog’s NDI® HX3 technology. By minimizing bandwidth demands without sacrificing fidelity, these cameras adapt seamlessly to diverse network environments — meeting and exceeding certification standards for reliability and performance. Wi-Fi Connectivity For setups where cabling isn’t feasible, the X1 Series includes integrated Wi-Fi alongside Ethernet and PoE. This added flexibility allows quick deployment and smart positioning, reducing setup time while expanding creative possibilities. Integrated NDI® HX Decoder As the first PTZ cameras with a built-in NDI® HX decoder, X1 and X1 Ultra simplify workflows by handling return feeds, teleprompter output, or confidence monitoring with a single connection. The result: fewer devices, less setup, and streamlined control for both broadcast and corporate applications. Zoom Certification Fully Zoom Certified, the X1 Series integrates effortlessly into Zoom Rooms and UC environments. The result is crystal-clear video, stable connectivity, and professional performance for virtual meetings, webinars, and hybrid events — making X1 equally effective in corporate AV, education, and live production. e-Ink Label — Always On Breaking new ground, the X1 Series features an always-on e-Ink display. From IP addresses for simplified access to customizable logos* for branding, the display ensures every unit remains clearly identifiable at all times, even when powered down.

BirdDog O4 Outdoor 4K PTZ Camera - Grey

BirdDog BDO4GR (BD-O4GR, BD/O4GR, BD_O4GR, BD O4GR) O4 Outdoor 4K PTZ Camera - Grey The BirdDog O4 is a professional-grade outdoor PTZ camera built to deliver reliable performance where conventional systems fall short. Its rugged die-cast, IP66-rated housing is engineered for extreme environments, operating flawlessly between –40 °C and +60 °C. A built-in heater prevents condensation, while hydrophobic, smudge-resistant lens coatings ensure clear optics without the need for wipers—guaranteeing uninterrupted operation in rain, dust, snow, or heat. Built for image excellence, the O4 features a 1/1.8" CMOS sensor capable of capturing 4K60 with exceptional color accuracy, flexible gamma, exposure, and wide dynamic range controls. A 30× optical zoom (extendable to 60× in HD) enables precise long-range coverage, while a 500 m infrared laser combined with automatic B/W night mode ensures visibility even in complete darkness. Installation is streamlined with a sealed undercarriage design that conceals all cabling, incorporating built-in strain relief and three weatherproof flanges. Power options include PoE++ for simplified single-cable setups or external DC input. Connectivity is versatile, offering 12G-SDI, HDMI, and SFP+ fiber to accommodate IP, hybrid, and baseband workflows. The advanced streaming architecture supports simultaneous Full NDI® and NDI® HX3, alongside dual streaming of NDI with SRT, RTMP, or RTSP for maximum workflow flexibility. AI-powered autotracking provides customizable motion profiles—fast and responsive for sports or smooth and controlled for events and worship—delivering natural, human-like framing. Fully integrated into the BirdDog ecosystem, O4 works seamlessly with BirdUI, Central, Connect, and the BirdDog Keyboard (KBD), and is firmware-ready for NDI 6.2. From stadiums and smart-city surveillance to perimeter security, outdoor worship, and large-scale live productions, the BirdDog O4 combines all-weather durability with broadcast-quality imaging and installer-friendly design. It is outdoor production, redefined.

BirdDog XL Ultra 4K60 UHD PTZ Camera - White

BirdDog BDXLUW (BD-XLUW, BD/XLUW, BD_XLUW, BD XLUW) XL Ultra 4K60 UHD PTZ Camera - White This isn’t just another PTZ — it’s a powerhouse built around a massive 4/3" CMOS sensor, the kind typically reserved for high-end cinema and DSLR cameras. Combined with a 20× optical zoom (40× in HD), OLPF, and ND filters, the XL delivers true cinematic depth, exceptional low-light performance, and razor-sharp clarity that redefines what a PTZ can do. But the XL goes beyond sensor size. Its innovative dual-camera design pairs a main PTZ with a 100° panoramic camera, both shooting in 4K60, both independently adjustable, and both capable of simultaneous output. One system, two perspectives, limitless creative freedom. AI tracking is powered by an advanced neural processor, ensuring natural framing with human-like precision. Premium-grade motors and a next-generation thermal system guarantee whisper-smooth, near-silent movement — keeping the focus on your subject, not the hardware. Connectivity leaves no compromises: 12G-SDI, HDMI, SFP+ fiber, PoE++, and balanced XLR audio. Simultaneous Full NDI® and NDI® HX3 streaming, plus dual-stream support with SRT, RTMP, or RTSP, make it ready for any workflow — broadcast, AV, XR, or virtual production. Signature BirdDog details elevate the XL Ultra even further: customizable RGB Halo Tally, dual side e-ink displays, and a rear numbering tally system. It’s a PTZ that not only performs like cinema but looks the part too. From studios and XR stages to houses of worship and arena productions — the XL Ultra is built to lead.

BirdDog XL Ultra 4K60 UHD PTZ Camera - Black

BirdDog BDXLUB (BD-XLUB, BD/XLUB, BD_XLUB, BD XLUB) XL Ultra 4K60 UHD PTZ Camera - Black This isn’t just another PTZ — it’s a powerhouse built around a massive 4/3" CMOS sensor, the kind typically reserved for high-end cinema and DSLR cameras. Combined with a 20× optical zoom (40× in HD), OLPF, and ND filters, the XL delivers true cinematic depth, exceptional low-light performance, and razor-sharp clarity that redefines what a PTZ can do. But the XL goes beyond sensor size. Its innovative dual-camera design pairs a main PTZ with a 100° panoramic camera, both shooting in 4K60, both independently adjustable, and both capable of simultaneous output. One system, two perspectives, limitless creative freedom. AI tracking is powered by an advanced neural processor, ensuring natural framing with human-like precision. Premium-grade motors and a next-generation thermal system guarantee whisper-smooth, near-silent movement — keeping the focus on your subject, not the hardware. Connectivity leaves no compromises: 12G-SDI, HDMI, SFP+ fiber, PoE++, and balanced XLR audio. Simultaneous Full NDI® and NDI® HX3 streaming, plus dual-stream support with SRT, RTMP, or RTSP, make it ready for any workflow — broadcast, AV, XR, or virtual production. Signature BirdDog details elevate the XL Ultra even further: customizable RGB Halo Tally, dual side e-ink displays, and a rear numbering tally system. It’s a PTZ that not only performs like cinema but looks the part too. From studios and XR stages to houses of worship and arena productions — the XL Ultra is built to lead.  

JVC 4KCAM GY-HM200E Camcorder

JVC 4KCAM GY-HM200E Camcorder (GY-HM200E) The ability to record H.264 4:2:2 24-60p at 50Mbps makes this an ideal camera for broadcasting and production houses alike. The colour accuracy of 4:2:2 enables the camera to deliver exceptional colour resolution even when images are in sharp contrast to the background. This is particularly useful when strong colours are in contrast to bright backgrounds, or in green screen usage. The camcorder allows high-speed recording at up to 120fps (59.94Hz) / 100fps (50Hz) for smooth slow motion playback. This can be used to create artistic effects or to review action replays when examining sporting skills. The feature is only available at 1920x1080 resolution only, and offers up to 1/5 slow at 24p mode. This camcorder was built to deliver stunning, life-like 4K Ultra HD (3840x2160) video. JVC’s 4K CMOS sensor with 12.4M pixels delivers high sensitivity and excellent performance over a wide range of lighting conditions. Details are crisp and accurate throughout the entire image plane. The camcorder features JVC's latest IP communications engine, giving you remote control and monitoring of vital camera and lens functions from a tablet, smartphone, or computer anywhere in the world. Live streaming is possible in HD or SD resolutions, depending on available bandwidth. Connect your camera to an optional Wi-Fi or 4G/LTE modem and share your programme with an audience anywhere in the world via content delivery networks such as YouTube, Facebook Live, and other cloud services. The camcorder comes with a wide variety of connectors to meet the needs of professional applications, including HD-SDI (3G) and HDMI. Secured digital connection is assured between external devices such as a recorder or switcher. Simultaneous output from both SDI and HDMI is also possible. The detachable heavy-duty handle makes the camcorder easy to carry and also makes it simple to shoot from low angles, thanks to its built-in REC button with lock function, and zoom lever. XLR audio inputs are provided for the attachment of a professional microphone or for LINE input, complete with Phantom power supply capability.

Camgear Elite 6 Carbon Fiber Tripod System w/ Mid-level Spreader

Camgear Elite 6 Carbon Fiber Tripod System w/ Mid-level Spreader(CMG-EL6-MS-CF-TRISYS) Selectable 4 positions pan & tilt drag including zero position and 8 position counterbalance system. Extremely lightweight at 5.15 kg / 11.35 lbs, it is equipped with a quick release sliding plate and can support cameras up to 9kg / 19.8 lbs. The tripod also features an illuminated levelling bubble.  The Camgear Elite 6 Carbon Fiber Tripod System comes with the new designed 3S-FIX Mini M2 tripod, allowing for easy release and locking with just one catch. This system is ideal for professional videographers looking for a lightweight and versatile tripod solution.

Camgear Elite 6 Carbon Fiber Tripod System w/ Ground Spreader

Camgear Elite 6 Carbon Fiber Tripod System w/ Ground Spreader(CMG-EL6-GS-CF-TRISYS) Selectable 4 positions pan & tilt drag including zero position and 8 position counterbalance system. Extremely lightweight at 5.15 kg / 11.35 lbs, it is equipped with a quick release sliding plate and can support cameras up to 9kg / 19.8 lbs. The tripod also features an illuminated levelling bubble and includes the new designed 3S-FIX Mini M2 tripod for easy release and locking with just one catch.  The Camgear Elite 6 Carbon Fiber Tripod System with Ground Spreader is a versatile and user-friendly option for photographers and videographers looking for a reliable and lightweight tripod system. With its advanced features and innovative design, it offers stability and precision for capturing high-quality images and videos in various settings.

Panasonic AW-UB50E 4K Multipurpose Box Camera

Panasonic AW-UB50E 4K Multipurpose Box Camera(PANAWUB50E) The 4K multi-purpose camera AW-UB50 delivers high-quality video and simplifies video production process whether it is corporate, education or live entertainment. Delivering stunning, vivid colour reproduction, the UB50 uses a 24.2-million pixel full-frame MOS sensor and supports IP-based transmission standards such as NDI® HX2[1].   The UB50 has been optimised for cinematic video production, featuring a shallow depth of field. The model offers real-time recognition autofocus technology, enabling the camera to automatically identify the subject and keep them in focus.   Installation flexibility is front-of-mind in the design. Both models feature a compact chassis, with a sub-10cm height, width and depth, enabling installation in the tightest of spaces. It can also be used for hand-held shooting with a Gimbal, providing greater flexibility for operators.   When linked with remote camera systems on the same network, the UB50 is fully compatible with Panasonic’s AK-HRP1010 remote operation panel, with future support planned with the AW-RP150GJ remote camera controller and Panasonic live switchers. The cameras can also act as a tally control. By installing a colour profile compatible with the Panasonic AW-UE160 4K integrated camera, it is easy to match colours in mixed operation with remote cameras.

Accsoon TopRig S60 Motorized Camera Slider for Video Shooting - 60cm

Accsoon ACSAAS03 (AC-SAAS03, AC/SAAS03, AC SAAS03, AC_SAAS03) TopRig S60 Motorized Camera Slider for Video Shooting - 60cm Precision in Motion Suitable for either telephoto or macro probe lenses. Speed Control Made Simple An intuitive control knob that allows speed control from 0.1cm/s to 5cm/s. Great Power Various models of micro-single and light movie cameras can be supported at maximum bear load 2.5kg vertically and 4kg horizontally. Built-in Panel Button Control Speed Adjustment Power On/Off Loop Mode Setting AB Points Setting Start/Stop Noise Free TopRig S40/S60 is equipped with a high quality brushless motor which features powerful yet precise control and operates without noise. Smooth Start/Stop Smooth Start/Stop to ensure a complete stable video footage. NP-F Battery or DC Power Low power consumption & longer working hours. Multi-angle Movement New guide wheel tensioning design ensures continuous work and meets a variety of shooting patterns.

Portkeys Keygrip Wireless Control for RED komodo and V-Raptor

Portkeys PK-Keygrip (PK/Keygrip, PKKeygrip, PK Keygrip, PK_Keygrip) Keygrip Wireless Control for RED komodo and V-Raptor Enjoy exceptional comfort and control with all essential functions right at your fingertips. The Keygrip-RED is equipped with built-in Bluetooth and Wi-Fi for seamless wireless camera control and also includes cables for models that lack native wireless capability. It’s an ideal low-latency solution for RED Komodo, V-Raptor, and Blackmagic Pocket 4K/6K, offering smooth and responsive navigation via Bluetooth. For other cameras, the Keygrip-RED supports control through standard LANC cables. Crafted from premium aerometal with a red oak handle and an artificial leather strap, the Keygrip-RED is designed for both durability and comfort during extended use. A programmable 3-stage paddle switch on the front of the grip allows quick access to key settings such as ISO, shutter speed, and aperture. Additionally, the 9-way analog joystick enables fast and intuitive menu navigation.

Portkeys LEYE SDI 3G-SDI and HDMI 2.4-inch Electronic Viewfinder

Portkeys PK-LEYE-SDI (PK/LEYE-SDI, PK/LEYE/SDI, PKLEYESDI, PK LEYE SDI) LEYE SDI 3G-SDI and HDMI 2.4-inch Electronic Viewfinder The Portkeys LEYE SDI is a compact, lightweight, and highly capable electronic viewfinder designed for professionals seeking reliability, versatility, and affordability. Weighing just 265g (9.34oz), this rugged EVF adds minimal weight to your camera rig while offering a powerful feature set ideal for mirrorless, DSLR, and cinema cameras. Crisp, Bright Display Featuring a 2.4-inch LCD with a 1440 x 900 resolution and 450 nits brightness, the LEYE SDI delivers sharp, vibrant images—even in bright outdoor conditions. Whether you're framing shots or pulling focus, this EVF helps you monitor with confidence. Flexible Video Input Options 1 x 4K HDMI input – Ideal for mirrorless and DSLR cameras 1 x 3G-SDI input – Professional-grade locking connector for cinema camera compatibility Comfortable & Customizable Eyepiece The LEYE SDI includes a soft, durable eyecup made from PU leather and sponge, secured with Velcro for quick replacement. The integrated sunshade door protects the display from sun damage when not in use. An adjustable Red Oak diopter ring offers a wide -3 to +8 diopter range to accommodate various eyesight needs. Mounting Versatility Three 1/4"-20 threaded mounts with locating pins Built-in NATO rail for quick rig integration Perfect for shoulder rigs, cages, or direct camera mounts. Professional Monitoring Tools Despite its small size, the LEYE SDI is packed with essential monitoring features: Exposure tools: Luma/RGB Waveform, Histogram, False Color, Zebra Advanced Focus Assist: New peaking algorithm with regional peaking and image crop 3D LUT Monitoring: Load custom LUTs via USB port Framing Tools: Guides, aspect ratios, grids, image flip Anamorphic De-Squeeze: Standard (1.33x, 1.5x, 2.0x) + custom ratios (0.25x to 4.0x) Audio Monitoring: On-screen audio meters Image Adjustments: Sharpness, chroma, brightness, tint, backlight, and color temperature Reliable Power Options Canon LP-E6 battery plate (low 5W power draw = extended use) 7–24V 4-pin aviation power input with locking connector (Includes D-Tap to 4-pin aviation power cable) Whether you’re on set or in the field, the LEYE SDI keeps up with long shoot days without hassle. The Portkeys LEYE SDI is a future-proof, feature-rich EVF that offers the monitoring flexibility, control, and image clarity demanded by modern filmmakers—all in a compact and cost-effective form.

Portkeys OEYE RED 4K 3G-SDI/HDMI EVF with RED Camera Menu Control

Portkeys PK-OEYE-RED (PK/OEYE-RED, PK/OEYE/RED, PKOEYERED, PK OEYE RED) OEYE RED 4K 3G-SDI/HDMI EVF with RED Camera Menu Control Simplify your RED camera rig and enhance your monitoring workflow with the Portkeys OEYE 4K EVF—a high-resolution OLED electronic viewfinder designed for professional filmmakers. Engineered for seamless integration with RED DSMC2 cameras, the OEYE EVF not only delivers sharp, vivid imagery but also offers full menu control and overlays directly from the viewfinder via REDLINK Command Protocol (RCP). Crisp Monitoring with OLED Precision The OEYE features a high-brightness OLED micro-display paired with a comfortable eyecup, delivering sharp visuals for critical focus and exposure assessment. It allows you to monitor your camera’s video feed in detail, even in challenging lighting conditions. Comprehensive Video I/O HDMI Input + Loop Output: Supports up to DCI 4K at 24p 3G-SDI Input + Loop Output: Supports up to 1080p60 Send high-resolution previews to the OEYE while simultaneously outputting to external monitors or recorders. Wired RED Camera Integration Connects to RED DSMC2 cameras using the included LEMO-type control cables to enable: Full menu navigation On-screen overlays Camera control via the EVF interface Compatible RED Cameras RED MONSTRO 8K VV RED HELIUM 8K S35 RED GEMINI 5K S35 RED DRAGON-X 6K S35 RED SCARLET-W 5K Robust, Lightweight Design Housed in a durable aluminum chassis and weighing only 14 oz, the OEYE is built for demanding shoots. It features: ARRI-style rosette mount for 360° positioning Bottom 1/4"-20 threads for flexible rigging Integrated cooling fans that sync with RED’s fan mute function to maintain silence during takes

Portkeys VESA Holder for MT22DS

Portkeys PK-VESA-MT22DS (PK/VESA-MT22DS, PK/VESA/MT22DS, PKVESAMT22DS, PK VESA MT22DS) VESA Holder for MT22DS The Portkeys VESA Holder for the MT22-DS monitor is a precision-engineered accessory designed to enhance the versatility of your video production setup. Built from robust aluminium alloy, this holder provides a secure and stable mounting solution, allowing the MT22-DS to be attached to a wide range of VESA-compatible equipment—including monitor arms, mounting brackets, and rigging systems. Its user-friendly design supports quick installation and removal, saving valuable time during production. The integrated tilt and swivel functionality offers adjustable positioning, enabling you to achieve the most comfortable and clear viewing angles regardless of your working environment. Whether you're operating in a controlled studio or navigating the challenges of an on-location shoot, this mount adapts effortlessly to meet your needs. Finished in a sleek matte black, the holder not only matches the professional aesthetic of your gear but also withstands daily wear and tear. An ideal solution for filmmakers, videographers, and content creators looking for reliable, flexible monitor mounting options.

Atomos A-Eye 4K-12X AI-powered, Auto-Tracking, Cinematic Movement PTZ Camera

Atomos AOATOMAE4K12 (AO-ATOMAE4K12, AO/ATOMAE4K12, AO_ATOMAE4K12, AO ATOMAE4K12) A-Eye 4K-12X AI-powered, Auto-Tracking, Cinematic Movement PTZ Camera A-Eye HD-20X PTZ Camera A high-performance, cost-effective PTZ solution equipped with a 1/2.8-inch CMOS sensor delivering 2.07 megapixels and full HD video up to 2K60. Ideal for educational environments, houses of worship, and budget-conscious production setups. 1/2.8” CMOS Sensor with 2.07M effective pixels, supports HD up to 2K60 resolution 20x Optical Zoom + 16x Digital Zoom for detailed close-ups NDI|HX3 License Included for efficient IP video integration Multiple Output Options: HDMI, 3G-SDI, USB 3.0, and IP streaming 3.5mm Stereo Audio In/Out, built-in mic support, RS-232 control USB 3.0 for live output (note: recording not supported via USB) UVC/RS-485 & IP VISCA protocol support for remote control Advanced H.265/H.264/MJPEG compression Power options: DC input and PoE+, with integrated tally lights Built-in AI tracking for automatic subject following  

BirdDog 3x X1 Ultra Black with with KDB PTZ Controller

Get ultimate control with the 3x X1 Ultra Black PTZ cameras paired with a KDB PTZ Controller. Perfect for professional video production, live streaming, and surveillance setups.   Bundle: 3x X1 Ultra White | 1x KBD Controller Includes a Custom High-Density EPP Foam Case for superior protection

Panasonic 4K Multipurpose Box Camera

Panasonic PANAWUB10E (PANA-WUB10E, PANA/WUB10E, PANA_WUB10E, PANA WUB10E) 4K Multipurpose Box Camera Box-style camera AW-UB10 is based on LUMIX digital interchangeable lens camera technology and equipped with a host of new functions designed to streamline video production workflows. Delivering stunning, vivid colour reproduction, the UB50 uses a 24.2-million pixel full-frame MOS sensor and supports IP-based transmission standards such as NDI® HX2[1]. The UB10 is the 4K multi-purpose camera supporting all common IP control protocols used in Panasonic’s remote camera systems. The box-style 4K multi-purpose cameras can support rich, versatile image capture and are incredibly easy to operate in the field, enabling more creative video production. The UB10 features a 10.2-million pixel full-frame sensor. It feature real-time recognition autofocus technology, enabling the cameras to automatically identify the subject and keep them in focus. UB10 camera features the 3G-SDI OUT, HDMI Type A, LAN terminal, TC IN/OUT, GENLOCK IN, and USB Type-C input/output interfaces. The LAN terminal is Power of Ethernet (PoE+) compatible, with video transmission, control, and power delivered via a single cable – further reducing complexity and clutter. The camera is ideal for a variety of applications from corporate to broadcasting and live entertainment. [1] NDI® is a video transmission and control technology and is a registered trademark of Vizrt NDI AB in the United States and other countries.

DJI RS 4 Pro Combo

DJI RS 4 Pro Combo( CP.RN.00000346.04) The DJI RS 4 Pro expansive flagship stabilizer integrates seamlessly with the DJI Focus Pro lens control system, DJI Transmission, and an extensive control ecosystem. This synergy empowers the film and television industry with a full-scale production solution that unites stabilization, transmission, monitoring, focusing, and control. It broadens the horizons of creative possibilities, enabling cinematographers to harness their full potential and showcase their skills. Powerful Payload Equipped with carbon fiber axis arms, DJI RS 4 Pro boasts a 4.5kg (10lbs) payload capacity as well as robust power and torque, easily accommodating mainstream mirrorless/cinema camera and lens setups. 2nd-Gen Native Vertical Shooting Designed with an all-new horizontal plate, RS 4 Pro enables the second generation of native vertical shooting for further elevated efficiency. Without the need for additional accessories, cinematographers can simply release the horizontal plate and secure it into the vertical position for an effortless switch to vertical shooting. Smooth Balancing The roll axis now has dual rolling bearings, facilitating easier adjustments. All three axes feature a Teflon™ coating with a low friction coefficient, ensuring smooth balancing even when mounting heavy cameras. When switching cameras or lenses, a fine-tuning knob on the tilt axis allows you to move the camera forward or backward, achieving precise, millimeter-level balancing. The upper quick-release plate has added an adjustable placement guide to prevent the camera from loosening or shifting. The OLED touchscreen incorporates a new auto-lock feature, preventing accidental touches during shooting. When the screen is locked, it can still display the current gimbal and joystick modes at a low brightness, reducing power consumption. 2nd-Gen Automated Axis Locks With the next-generation automated axis locks, DJI RS 4 Pro can quickly start working or enter sleep mode, significantly enhancing shooting, transition, and storage efficiency. In addition, the axis locks have been upgraded to achieve smaller gaps, further reducing gimbal shakes when locked. DJI RS 4 Pro features a 20% increase ‌in motor torque across three axes, offering greater power redundancy once balanced. This ensures that the gimbal remains responsive and accurate in its tracking movements, even with heavy cameras or multiple accessories. Additionally, it provides sufficient power to support gimbal stabilization in various shooting scenarios. Car Mount Mode The new Car Mount mode optimizes the gimbal stabilization algorithm based on vehicle vibrations and wind resistance data, enabling steady capture even in shaky conditions. 4th-Gen RS Stabilization Algorithm The next-generation RS stabilization algorithm has been comprehensively optimized for different usage scenarios. It strikes a superior balance between stabilization strength and the tactile feel of camera movement, delivering both excellent stabilization performance and an enhanced user experience. Additionally, RS 4 Pro provides significantly enhanced stability in vertical shooting, easily mastering dynamic shots like running or low-angle perspectives. DJI Focus Pro LiDAR Autofocus When paired with the all-new Focus Pro LiDAR and Focus Pro Motor, RS 4 Pro allows solo cinematographers to experience more accurate, distant, and intelligent LiDAR autofocus, gaining precise control over cinematic expression in dynamic shooting scenarios. Next-Gen ActiveTrack Pro Leveraging the all-new Focus Pro LiDAR and AI algorithms, the next-gen ActiveTrack Pro enables RS 4 Pro's three-axis gimbal to steadfastly track your subject. Even if the subject is briefly obscured, it can quickly relocate and retain focus. ActiveTrack Pro also exhibits excellent recognition and tracking performance in scenarios involving multiple subjects or when the subject is at a distance. DJI Focus Pro Motor DJI RS 4 Pro introduces a new joystick mode switch, allowing cinematographers to control either the gimbal movement or the lens zoom via joystick. When used with the Focus Pro Motor [4] in zoom control mode, it can perform Power Zoom for PZ lenses, Clear Image Zoom, and external focus motor zoom for a native, precise, and convenient focusing experience. High-Efficiency Lens Control When paired with two Focus Pro Motors, DJI RS 4 Pro allows cinematographers to precisely control the focus by rotating the dial and adjusting the lens zoom via joystick, facilitating smooth and effortless lens control. DJI Focus Pro Hand Unit DJI Focus Pro ushers in innovative LiDAR autofocus technology and introduces a high-precision magnetic-damping manual control unit: Focus Pro Hand Unit.  High-Capacity Battery Grip Keep filming–with the DJI RS BG70 High-Capacity Battery Grip extend RS 4 Pro's battery runtime to 29 hours. It also supports powering your camera and accessories with up to 18 W via the USB-C port at the bottom. Focus Control Ecosystem DJI Focus Pro provides a comprehensive and powerful lens control solution to RS 4 Pro cinematographers. Both solo creations and team collaborations can easily access intelligent LiDAR autofocus as well as multi-channel control of focus, aperture, and zoom, for dynamic mastery over every focus moment. Support for DJI Ronin Image Transmitter Both solo cinematographers and small crews can utilize the Ronin Image Transmitter for high-definition live feeds, remote gimbal and camera control, ActiveTrack 4.0, Force Mobile, and many other features, achieving an integrated shooting experience with monitoring and control capabilities. Professional Solutions   DJI RS 4 Pro supports various handheld configurations, including briefcase, dual-grip, and ring-mount setups. Additionally, it can use DJI RS SDK protocol to establish solutions with car mounts, jibs, Steadicam, cable cams, and sliders, meeting full-scenario creative needs.

BirdDog MAX Broadcast & Conferencing 4K PTZ Camera - Black

Birddog MAX Broadcast & Conferencing 4K PTZ Camera - Black (BDMAXB, MAX)  The Camera that Redefines Meetings and Productions Introducing MAX, the PTZ camera designed to bridge the gap between everyday webcams and full-blown production cameras. Whether you're looking to enhance your video meetings or level up your professional broadcasts, MAX delivers stunning performance and versatility in a beautifully designed package, with a best-in-class wide-angle lens perfect for rooms of any size.   From Webcam to Production Camera – Versatility at Its Best MAX effortlessly transitions between roles, functioning as both a high-quality webcam and a powerful production camera. Thanks to its HDMI and NDI outputs, you can integrate MAX into any workflow—be it a simple video call or a complex production. Its compatibility with NDI means that it seamlessly fits into modern IP video workflows, while the HDMI output ensures straightforward connectivity with traditional AV setups.   Seamless Integration with POD for Unified Communications Workflows When paired with POD, MAX redefines what’s possible in unified communications (UC) by combining professional-grade performance with effortless usability. Designed to work seamlessly with NDI workflows, POD eliminates the complexity of traditional software setups, making MAX the ultimate solution for platforms like Zoom, Teams, and Google Meet.   Here’s why the MAX and POD combination stands out:   NDI Integration Made Easy: Leverage the power of MAX’s NDI capabilities without the hassle of complex software or configuration. POD connects MAX directly to your computer via USB, enabling it to appear as a high-quality UVC webcam while maintaining NDI functionality for advanced workflows. Switch Between Cameras with Ease: POD allows users to effortlessly switch between multiple MAX cameras or other video sources, making it ideal for dynamic presentations, multi-angle video calls, and hybrid events. Software-Free Simplicity: Say goodbye to cumbersome software requirements. POD provides a hardware-based solution that bridges NDI cameras to UC platforms seamlessly, saving time and reducing technical challenges. API-Driven Scalability: For advanced setups, POD offers API integration, enabling full customization within AV systems like Crestron or Q-SYS. This ensures flexibility for larger or more complex environments. By combining MAX’s broadcast-level video quality and professional pan-tilt-zoom control with POD’s hardware-based simplicity and API capabilities, this pairing delivers the best of both worlds. Whether you’re running a single meeting room, creating multi-camera setups, or integrating into enterprise-grade AV systems, MAX and POD offer scalable, reliable, and user-friendly solutions that transform video communications into polished, professional-grade productions.   Sustainably Built with Ocean-Bound Plastics (OBP) At BirdDog, sustainability is a core value, and MAX embodies that commitment. The camera is made from ocean-bound plastics (OBP), directly contributing to the reduction of plastic waste in our oceans. Our packaging is made of recycled cardboard and our ink is all soy-based. By choosing MAX, you're not just investing in top-tier technology; you're also making an eco-conscious choice that helps protect our planet.   MAX also operates with remarkably low power consumption, ensuring that its environmental impact remains minimal throughout its lifecycle. This energy efficiency, coupled with its sustainable materials, makes MAX one of the most eco-friendly PTZ cameras on the market.   Elegant Design That Fits Any Space MAX isn’t just a powerhouse of performance—it’s also a work of art. With its sleek, modern design and best-in-class wide-angle lens, it integrates effortlessly into any room, from boardrooms to broadcast studios. MAX enhances the aesthetic of any space, blending in perfectly with your room’s architecture without drawing unnecessary attention. It’s a camera that looks as good as it performs.   Affordable Excellence One of MAX’s most impressive qualities is its price-to-performance ratio. By offering high-end features like NDI and HDMI outputs, eco-friendly materials, and a professional-grade design at a competitive price point, MAX makes premium video production accessible to all. You don’t have to choose between a basic webcam or a costly production camera—MAX gives you both.   Closing the Gap Between Webcam and Production PTZ In the world of video production, MAX closes the gap between a simple webcam and a full-fledged production PTZ camera. It allows you to have the flexibility of a webcam with the advanced features of a production camera—all in one sleek, easy-to-use device. Whether you’re running a live stream, recording content, or conducting meetings, MAX is equipped to handle it all.

Panasonic AW-UE150AWEJ 4K Integrated PTZ Camera - White

Panasonic AW-UE150AWEJ 4K Integrated PTZ Camera - White   The AW-UE150A 4K PTZ camera has been designed to meet the needs of professional broadcasters and content creators, delivering advanced video quality, operability and efficiency in studio-based video productions.   The UE150A supports the NDI® High Bandwidth* protocol, enabling seamless IP-based, low-latency 4K video transmission. This is in addition to existing support for SRT and NDI® HX2 protocols, ensuring steady performance in unstable network conditions.   It is also compatible with 12G-SDI, 2x 3G-SDI, HDMI, and fibre output formats. This enables the UE150AW/AK to be easily integrated into a variety of on-site production systems, making it the perfect choice for both remote production and live streaming environments.   Exceptional performance and high-quality video Equipped with a high-sensitivity 1.0-type 4K MOS sensor, Panasonic’s UE150AW/AK delivers high quality video. Its wide-angle lens (75.1° horizontal), 20x optical zoom, and built-in auto-tracking functionality make it the ideal choice for a versatile range of installations.   The UE150AW/AK features an optical low-pass filter (OLPF) that reduces luminance and colour moiré when filming monitors or LED walls, whilst HDR (HLG) compatibility delivers true-to-life image reproduction.   Its enhanced Optical Image Stabilizer (OIS) minimises image shake during pan and tilt operations, and upgraded synchronisation of pan, tilt and zoom presets for a smoother camera operation.   Increased compatibility for any environment The UE150AW/AK is compatible with Panasonic’s AK-HRP1010GJ/HRP1015GJ Remote Operation Panel for seamless colour matching with studio cameras, increasing overall versatility and functionality within broadcasting setups.

Panasonic AW-UE150AKEJ 4K Integrated PTZ Camera - Black

The AW-UE150A 4K PTZ camera has been designed to meet the needs of professional broadcasters and content creators, delivering advanced video quality, operability and efficiency in studio-based video productions. The UE150A supports the NDI® High Bandwidth* protocol, enabling seamless IP-based, low-latency 4K video transmission. This is in addition to existing support for SRT and NDI® HX2 protocols, ensuring steady performance in unstable network conditions. It is also compatible with 12G-SDI, 2x 3G-SDI, HDMI, and fibre output formats. This enables the UE150AW/AK to be easily integrated into a variety of on-site production systems, making it the perfect choice for both remote production and live streaming environments. Exceptional performance and high-quality video Equipped with a high-sensitivity 1.0-type 4K MOS sensor, Panasonic’s UE150AW/AK delivers high quality video. Its wide-angle lens (75.1° horizontal), 20x optical zoom, and built-in auto-tracking functionality make it the ideal choice for a versatile range of installations. The UE150AW/AK features an optical low-pass filter (OLPF) that reduces luminance and colour moiré when filming monitors or LED walls, whilst HDR (HLG) compatibility delivers true-to-life image reproduction. Its enhanced Optical Image Stabilizer (OIS) minimises image shake during pan and tilt operations, and upgraded synchronisation of pan, tilt and zoom presets for a smoother camera operation.   Increased compatibility for any environment The UE150AW/AK is compatible with Panasonic’s AK-HRP1010GJ/HRP1015GJ Remote Operation Panel for seamless colour matching with studio cameras, increasing overall versatility and functionality within broadcasting setups.

Blackmagic Pocket Cinema Camera Pro EVF for 6K Pro & 6K G2

Blackmagic Pocket Cinema Camera Pro EVF for 6K Pro & 6K G2 BMDCINECAMPOCEV (BMD-CINECAMPOCEV, BMD/CINECAMPOCEV, BMD_CINECAMPOCEV, BMD CINECAMPOCEV) Pocket Cinema Camera Pro EVF The Pocket Cinema Camera 6K Pro is compatible with an optional electronic viewfinder, making outdoor and handheld shooting more precise and convenient. This advanced viewfinder features a 1280 x 960 color OLED display with a built-in proximity sensor and a 4-element glass diopter for exceptional clarity. It offers a wide focus adjustment range of -4 to +4 and includes a digital focus chart for precise viewfinder setup. Users can also access critical status information, such as frame guides, directly in the viewfinder. The Pocket Cinema Camera Pro EVF connects seamlessly to the Blackmagic Pocket Cinema Camera 6K Pro with a single connector. It offers a 70-degree swivel range and comes with four interchangeable eyecups, suitable for both left- and right-eye use. The Blackmagic Pocket Cinema Camera Pro EVF is an essential accessory for effortless outdoor and handheld shooting. This premium viewfinder features a built-in proximity sensor, a 4-element glass diopter with an impressive -4 to +4 adjustment range, integrated status information, and a digital focus chart for precise control. It connects seamlessly to the Blackmagic Pocket Cinema Camera 6K Pro through a single connector. Offering up to 70 degrees of swivel and a set of four eyecups (including options for both left and right eyes), this EVF is designed for maximum comfort and flexibility.

Blackmagic DaVinci Resolve Micro Color Panel

Blackmagic BMDDVRESPNMICEN (BMD-DVRESPNMICEN, BMD/DVRESPNMICEN, BMD_DVRESPNMICEN, BMD DVRESPNMICEN) DaVinci Resolve Micro Color Panel DaVinci Resolve Color Panels DaVinci Resolve color panels let you adjust multiple parameters at once so you can create unique looks that are impossible with a mouse and keyboard. The incredibly small DaVinci Resolve Micro Color Panel is great for new colourists just getting started or anyone that needs a portable panel. It features 3 high quality trackballs, knobs for primary grading controls and buttons for accessing additional tools. The DaVinci Resolve Mini Panel features additional controls and screens for accessing virtually all palettes and tools. For the ultimate control, the DaVinci Resolve Advanced Panel gives high end professional colourists access to every single feature and command mapped to a specific button. Three Panels to Choose From With three panels to choose from, it’s easy to find one that perfectly fits your job and project scope. If you're just getting started, the DaVinci Resolve Micro Color Panel is incredibly compact while featuring dozens of professional colour controls. It fits perfectly next to a keyboard and is great for on set grading with a laptop. The DaVinci Resolve Mini Panel is ideal for freelance artists that need a fully featured portable panel that can be set up at home or moved between jobs. The DaVinci Resolve Advanced Panel is designed for professional colour suites on feature film, television and commercial projects. All 3 panels have similar layouts, making it easy to move up when you’re ready. DaVinci Resolve Micro Color Panel Powerful color panel gives you all the control you need to create cinematic images. Includes controls for refined colour grading including adding windows. Connects via Bluetooth or USB-C. Professional Trackballs The trackballs let you adjust the colours in an image based on lift, gamma and gain tonal ranges. Unlike a mouse and keyboard, you can manipulate multiple trackballs simultaneously to create unique effects. The smooth gliding rings around the trackballs let you set master levels and establish dynamic contrast. Keys above each trackball reset the colour adjustment, level adjustment or both. Three keys at the top of the DaVinci Resolve Mini and Micro Color Panels let you switch between primary and log wheel modes, activate offset, temperature and tint controls and turn on your full screen viewer output. The DaVinci Resolve Advanced Panel has a fourth master gain trackball to adjust the entire image. Primary Adjustment Controls Primary adjustment controls affect the luminance and chrominance of your entire image using a variety of tools that target specific tonal and hue ranges. These tools represent the most common adjustments required to produce dynamic imagery, making them a popular choice for photographers, graphic designers and colourists working on a tight deadline. The DaVinci Resolve Micro Color Panel and Mini Panel include 12 primary colour correction control knobs that make it easy to quickly adjust image contrast, saturation, hue, temperature, tint, midtone detail, colour boost, shadows, highlights and more. All knobs can be pressed to instantly reset the control so you can easily experiment with new looks. Flexible Power Options The DaVinci Resolve Micro Color Panel is fully powered via USB so you can simply plug it into a laptop to get up and running at home, in a studio or on set. That makes it ideal for grading with a portable system on a cart while shooting. The DaVinci Resolve Mini Panel includes a built in power supply so there’s no bulky external power brick. It also features ethernet and supports PoE (power over Ethernet). That means you can operate it via your network and power it from over the network connection so you don’t need to plug in the power cable. The DaVinci Resolve Advanced Panel features an auto switching international power supply, making it compatible with mains power anywhere in the world.  

BirdDog PTZ Keyboard

BirdDog BDKBD (BD-KBD, BD/KBD, BD_KBD, BD KBD) PTZ Keyboard BirdDog KBD Controller offers PTZ camera operators a rugged, ergonomic design, a large multi-camera display, and direct access to essential functions. With a built-in tally display and physical feedback for camera switching, it’s intuitive and eco-friendly, made with Ocean-Bound Plastics and recyclable Aircraft-grade Aluminium. NDI, VISCA, ONVIF, RS-232, and RS-422 connectivity ensure versatility no matter what language you speak. Built for Seamless Control and Comfort KBD is crafted for those who rely on precision and ease in their workflow. With a rugged, ergonomic design, it’s built for comfort, featuring a hand-rest area and tactile controls for all-day use. Super-fine Control Mode When it’s time to fine-tune, you can easily shift the camera joystick into ‘fine-tune’ mode, increasing the sensitivity of the joystick by 10x, making reframing shots on air more artistic flair than nail-biting scare. Expanded Screen. Instant Camera Control The big screen allows you to monitor up to four cameras at once or focus on one full screen. Pairing and switching between cameras is just a single press away, with a tactile button that gives instant feedback under your finger, making transitions smooth and intuitive. The KBD’s screen offers live previews for NDI-HX2/HX3 cameras and key text-based details for others, ensuring seamless compatibility and clarity across your workflow. Built-in Tally Borders Pairing and switching between cameras is just a single press away, with tactile buttons providing instant feedback under your finger for smooth, intuitive transitions. When integrated with mixers like TriCaster or vMix, KBD’s built-in tally border shows the live camera directly on the keyboard, so you can stay focused without looking at other screens. Camera Setting Sync An industry-first feature, you can tune one camera to look exactly how you like, and then simply copy those settings directly to another camera of the same model (BirdDog X series function). Making it easy to dial your cameras in and take your production quality to the next level. Direct Access to Key Functions No more endless menu diving! KBD brings you straight to the essentials. With its streamlined layout, operators can access camera pairing, switching, and configuration in seconds. It’s all there, clear and accessible, thanks to user feedback that’s shaped a truly friendly experience. Ultimate Connectivity in an Eco-Friendly Design BirdDog KBD connects seamlessly through NDI, VISCA, ONVIF, RS-232, and RS-422, making it versatile for any setup. And with a commitment to sustainability, it’s made using ocean-bound plastics, reducing environmental impact. Affordable Innovation With enhanced features and a lower price than its predecessor, KBD is refined through user insight, offering unmatched comfort, control, and eco-consciousness for the modern PTZ camera operator.

BirdDog X4 Ultra

BirdDog X4 Ultra: Capture the Future, Unleash the PowerWith the X4 Ultra, you’re equipped to tackle productions anywhere, anytime. This powerful 4K60 camera offers ultimate flexibility paired with exceptional quality, ensuring that even in challenging environments, you can achieve next-level results.Key Features:4K60 Camera with NDI® | HX3 & Wi-Fi 6Engineered for excellence, the X4 Ultra utilizes NDI® | HX3 for high-efficiency network performance, and Wi-Fi 6 for fast, stable connectivity. An oversized sensor and advanced AI controls ensure outstanding image quality and control.HALO Tally SystemThe X4 Ultra's advanced HALO Tally system surrounds the lens with a daylight-visible border, directing attention precisely to the camera. This intuitive visual cue helps keep talent focused, ensuring a professional, polished look on set.AI TrackingAdaptive AI tracking in the X4 Ultra provides consistent, automated PTZ (pan-tilt-zoom) control, evolving as production needs grow. The AI controls are user-friendly, delivering smooth, predictable results shot after shot.Wi-Fi 6 & Built-in BatteryDesigned for mobility, the X4 Ultra’s built-in battery supports up to 4 hours of continuous shooting, recharges quickly via USB, and can be extended with a portable power source for uninterrupted filming.E-Ink LabelThe always-on e-ink label is perfect for easy network identification and customization. From displaying network addresses to custom logos, this feature keeps your setup organized and identifiable, even when powered off.

Panasonic HC-V900E-K Full HD Camcorder Black

Panasonic PANHCV900EK(PAN-HCV900EK, PAN-HCV900-EK, PAN HCV900 EK, HC-V900E-K) Full HD Camcorder Black.The Panasonic HC-V900 Full-HD Camcorder offers exceptional 2K recording capabilities and stunning picture quality. It features top-tier optical performance, including a wide-angle 28.9mm lens in 2K and a 24x optical zoom. This camcorder is designed to deliver fast and precise autofocus, enhancing the AF function critical for high-quality video shooting.

Sony HXR-NX800 4K HDR Camcorder

Sony HXR-NX800 4K HDR Camcorder(HXR-NX800, HXR/NX800, HXR_NX800, HXRNX800, HXR NX800) Shoot, record, and stream in 4K HDR with 20x optical zoom, AI-powered Subject Recognition AF, and integrated 2.4 GHz/5 GHz* Wi-Fi. *5 GHz communication may be restricted in some regions and countries. Crisp details and vivid colors, every time Capture stunning 4K HDR footage with vibrant colors, textures, and outstanding detail. The HXR-NX800’s powerful 1.0-type Exmor RS™ stacked CMOS sensor provides high sensitivity and low noise, allowing up to 120fps* in 4K and 240fps in FHD. Full-pixel readout and BIONZ XR™ real-time image processing preserve every detail, while 709tone and S-Cinetone™ compatibility ensure easy color matching with Cinema Line and other Sony system cameras. *With approx. 23% crop. Please refer to the Operating Instructions for memory card requirements to ensure proper operation. Intelligent features for smarter shooting Sony’s innovative AI Processing Unit recognizes human subjects, while the Fast Hybrid AF system keeps your subject in focus at all times. The Electronic Variable ND Filter allows for optimal exposure in various lighting conditions, and the Auto ND function can automatically adjust exposure for you. Reliable streaming and remote operation Built-in 2.4 GHz and 5 GHz Wi-Fi, combined with Sony’s C3 Portal (paid) or XDCAM Pocket apps, enables simple, high-quality streaming directly from the camera. The Monitor and Control app lets you check angles and monitor your shots remotely via your smartphone or tablet—ideal for solo operators looking for an efficient, high-speed workflow. 1.0-type Exmor RS CMOS sensor For unparalleled imaging performance in a compact camcorder, the HXR-NX800 uses a large, approximately 14.0-megapixel 1.0-type Exmor RS CMOS sensor. Its unique stacked structure allows faster readout speeds and superior low-light performance, thanks to back-illuminated pixels. BIONZ XR image processing Sony’s BIONZ XR image processor ensures higher frame rates, faster autofocus, enhanced Auto Tracing White Balance (ATW) control, and superior noise reduction. This powerful processor extracts maximum performance from the high-resolution image sensor, delivering stunning 4K (3840 x 2160) 60p video through 5K oversampling with full-pixel readout. Enhanced White Balance Accuracy With the help of the AI Processing Unit, the Auto Tracing White Balance (ATW) on the HXR-NX800 has been refined to offer more precise control, even in challenging lighting conditions such as shadows. Advanced AI Processing Unit for next-generation AF Working in conjunction with BIONZ XR, the specialized AI Processing Unit uses deep learning to recognize human subjects with high precision based on form and posture. The Fast Hybrid AF system, which covers 81% of the frame, supports Subject Recognition AF and Real-time Tracking, ensuring the NX800 can effortlessly follow subjects throughout the frame. Auto Framing With Auto Framing enabled, the camera tracks recognized human subjects and adjusts the framing so they remain prominently positioned. This feature allows solo operators to focus on engaging with interviewees, as the camera handles framing adjustments autonomously. 4K 120fps for stunning slow-motion footage The Exmor RS sensor’s high readout speed enables 4K High Frame Rate (HFR) recording at up to 120fps and FHD at 240fps. You can achieve 4x slow motion in 4K at 30p or 5x slow motion at 24p. The high-speed AF system ensures your subject remains in focus throughout. Slow & Quick Motion** mode supports up to 4K 120fps and FHD 240fps recording. *With approx. 23% crop. 100fps/200fps in PAL mode. Please refer to the manual for memory card requirements. 20x optical zoom The 20x G Lens™ optical zoom covers everything from wide-angle interviews to telephoto sports shots. With a zoom range of 24-480 mm (35mm full-frame equivalent), the lens also supports Sony’s Clear Image Zoom technology, offering 30x zoom in 4K and 40x zoom in FHD. You can explore apertures of F2.8 (wide) to F4.5 (telephoto), with smooth and silent zooming. Advanced image stabilization Minimize the effects of camera shake with built-in image stabilization. In Active Mode*, optical and electronic stabilization work together to create smooth, stable footage even in handheld shooting. *Active Mode results in a slight image crop and is unavailable when recording at frame rates of 120 (100) fps or higher. Built-in Electronic Variable ND Filter The built-in Electronic Variable ND Filter adjusts seamlessly to different lighting conditions. You can move from 1/4 to 1/128 ND with a simple dial adjustment or rely on the Auto ND function to maintain the best exposure as you transition between environments. Accurate LCD monitor and OLED viewfinder The HXR-NX800 features a 3.5-type LCD monitor with approximately 27.6 million dots, offering outstanding brightness and clarity. The monitor can swing up and down as well as backward for a comfortable viewing angle. For clear viewing, the 0.39-type OLED viewfinder provides high contrast and approximately 23.6 million dots, blocking out extraneous light. Compact design and storage The HXR-NX800 is lightweight and compact, weighing approximately 1.93 kg (4 lb 4.1 oz.). When stored, its dimensions shrink for easier portability. The detachable microphone holder offers additional flexibility for travel. Flexible camera control Designed for maximum control, the HXR-NX800 features two independent control rings for focus/zoom and two dials for IRIS/ND Variable. It also has 12 assignable buttons for quick access to key functions, offering a customizable user experience. AUTO/MANUAL switch Adapt quickly to changing shooting conditions with the AUTO/MANUAL switch. In AUTO mode, the camera will automatically adjust key settings like ND Filter, Iris, Gain, Shutter, and White Balance. Cinematic and broadcast base looks Achieve cinematic or broadcast-quality visuals with pre-set looks like S-Cinetone, ITU709, 709tone, HLG Live, HLG Mild, and HLG Natural. You can also tweak black, matrix, and other settings to match the look of your production. Multiple recording options The HXR-NX800 offers a wide range of recording formats, including XAVC S-I for high-quality 10-bit 4:2:2 4K (QFHD) recording with Intra-Frame H.264, and XAVC HS-L (H.265) or XAVC S-L (H.264) for more efficient, extended recording times. Proxy recording in XAVC HS at up to 16 Mbps is also available, allowing for faster editing and previewing. Comprehensive connectivity The camera supports a variety of connections, including HDMI Type-A, USB Type-C®, LAN, REMOTE, and more. Wireless monitoring and remote control Built-in Wi-Fi allows for wireless monitoring and control via the free Monitor & Control app. You can adjust settings like focus and iris, record remotely, and more. 4-channel audio Capture up to four channels of audio through XLR connectors and the Multi Interface (MI) Shoe. Adjust levels using external dials for easy operation without needing to access the camera menu. Designed for live streaming The HXR-NX800 supports direct streaming to compatible services via a wired or Wi-Fi connection, with RTMP/RTMPS or SRT protocols ensuring efficient workflow for solo operators. Simple file transfers Upload proxy and original clips directly to a cloud or FTP server from the memory card. The C3 Portal (paid) application simplifies cloud transfers, ensuring quick access to files for editing and sharing. Dual memory card slots The camera’s dual memory card slots support CFexpress Type A and SD memory cards, allowing for simultaneous recording or relay recording for additional security. Dependable battery power The HXR-NX800 is compatible with BP-U35, BP-U70, and BP-U100 batteries, providing up to 120 minutes of continuous operation with the BP-U35. These batteries are also interchangeable with other Sony cameras. Internal fan and vents A built-in cooling fan and optimized vents ensure the camera maintains its optimal operating temperature. Accessibility A screen reader function provides audible feedback for menu navigation, while the screen magnifier feature increases the size of menus, playback, and recording screens. Sustainability Sony has implemented measures to reduce the environmental footprint of the HXR-NX800 throughout its lifecycle, from product development to packaging.

Blackmagic BMDCPYXA60LFL PYXIS 6K Advanced digital Film Camera L-Mount

Blackmagic BMDCPYXA60LFL (BMD-CPYXA60LFL, BMD/CPYXA60LFL, BMD_CPYXA60LFL, BMD CPYXA60LFL) PYXIS 6K Advanced digital Film Camera L-Mount The World’s Most Riggable Full Frame Digital Film Camera Introducing the next generation customizable cinema camera. Blackmagic PYXIS 6K is a high end digital film camera that produces precise skin tones and rich organic colours. It features an extremely versatile design that lets you build the perfect camera rig for your production. You get a full-frame 36 x 24mm 6K sensor with wide dynamic range with a built-in optical low pass filter that's been designed to perfectly match the sensor. Plus there are 3 models available in either EF, PL or L-Mount. You also get 2 x CFexpress media recorders and Ethernet for sharing media to Blackmagic Cloud. It even records both 12-bit Blackmagic RAW and extremely small H.264 proxy files at the same time. Designed for Maximum Customizability With multiple mounting points and accessory side plates, it’s easy to configure Blackmagic PYXIS into the camera you need it to be. PYXIS’ compact body is made from precision CNC machined aerospace aluminium, which means it is lightweight yet very strong. You can easily mount it on a range of camera rigs such as cranes, gimbals or drones. In addition to the multiple 1/4″ and 3/8″ thread mounts on the top and bottom of the body, Blackmagic PYXIS has a range of side plates that further extend your ability to mount accessories such as handles, microphones or even SSDs. All this means you can build the perfect camera for the any production that’s both rugged and reliable. Get the "Hollywood Look" with Digital Film Blackmagic PYXIS has the professional features you need for feature film, television programming and documentaries, however, now this same quality can be used to create cinematic content for social media, YouTube videos and more. You get the same features found on high end digital film cameras, allowing capture of deeper colours, higher image detail and a wider dynamic range between the brightest highlights and deepest shadows. It's the reason why feature films look so amazing and now you can get the same high-end production values for any kind of work. Imagine shooting with large-format digital film on low budget independent films, TV commercials or even corporate video. Large Format Cinematic Digital Film Sensor Blackmagic PYXIS features a massive full frame sensor with a native resolution of 6048 x 4032. That's almost three times larger than a Super 35 sensor and allows you to shoot with a shallow depth of field or to use anamorphic lenses uncropped for a true cinematic look. Whether you’re shooting in bright sunlight or in almost no light at all, the 13 stops of dynamic range with dual native ISO up to 25,600 provide stunning low noise images in all lighting conditions. Plus you can shoot up to 36 fps at full sensor resolution or 120 fps windowed. This amazing sensor combined with Blackmagic colour science means you get the same imaging technology as expensive digital cinema cameras. Full Frame Flexibility The large full-frame sensor in Blackmagic PYXIS lets you work in a variety of film formats and aspect ratios without sacrificing quality. Using the full area of the sensor gives you a unique open gate 3:2 image which also lets you reframe your shots in post-production. The large sensor also lets you work in true 6:5 anamorphic without cropping, making widescreen cinematic images more detailed and in higher resolution than previously possible. You can even use the classic Super 35 sized window on the sensor to create an instant ‘close up’ version of your shot that fits seamlessly with open gate footage. All this lets you create distinctive cinematic content in the highest quality. Three Great Models. With 3 models, you can choose between L-Mount, EF or PL lenses, making Blackmagic PYXIS compatible with the largest range of cinema and photographic lenses in the world. The L-Mount model works with the latest full frame lenses from Leica, Panasonic and Sigma but can also accommodate lens adapters, allowing you to use a wide variety of new and vintage lenses. The EF model lets you use high-quality photographic lenses you already own from DSLRs or even Blackmagic Pocket Cinema Cameras. Or the PL model lets you work with professional cinema lenses from Zeiss, ARRI, Cooke and more without needing an adapter. With Blackmagic PYXIS, you get a choice of lens mounts for unlimited creative choice. Shoot Incredible High Dynamic Range (HDR) Images The distance between the lightest and the darkest parts of an image is called dynamic range and is measured in stops. Blackmagic PYXIS has an incredible 13 stops of dynamic range which means it preserves more detail in the lightest and darkest areas of an image than simple video cameras can. This allows you to set exposure for an indoor scene such as a cafe and still retain the details of bright outdoor light coming through a window. You also get more colours than the standard DCI-P3 colourspace used for feature films. Plus DaVinci Resolve Studio is included with the camera, so you get total creative freedom with full exposure adjustment and recovery controls when colour grading. Dual Gain ISO for Exceptional Low Light Performance In digital film ISO is a measurement of the image sensor’s sensitivity to light. This means the higher the ISO number the more sensitivity to light so it’s possible to shoot using natural light even at night. Blackmagic PYXIS features dual native ISO up to 25,600, which means it’s optimized to minimize grain or noise in images, while maintaining the full dynamic range of the sensor. The native ISO of 400 is ideal for scenes with on-set lighting. The secondary high base ISO of 3200 is perfect when shooting in dimly lit environments. The gain is set automatically as you adjust the ISO setting, so it's easy to capture great images when you don’t have time to set up lights. Multiple Resolutions and Frame Rates Blackmagic PYXIS can shoot in all standard resolutions and frame rates from HD up to DCI 4K and even 6K. You can even shoot stills at 24.6 megapixels. Blackmagic PYXIS will shoot up to 36 fps at 6048 x 4032 3:2 open gate or 60 fps at 6048 x 2520 2.4:1 and 60 fps at 4096 x 2160 4K DCI. For higher frame rates you can window the sensor and shoot up to 100 fps at 2112 x 1184 Super 16. You can even work in true anamorphic 6:5 at much higher resolutions than other cameras using anamorphic lenses in 4.8K 24 fps at 4832 x 4032. You can even shoot 120 fps in 1080HD. With Blackmagic PYXIS, you’ll always be able to shoot the right resolution for the job. Large 4″ LCD Monitor The built-in LCD on Blackmagic PYXIS is more than just a simple status display. It’s a 4″ high-resolution HDR touchscreen that is also perfect for monitoring and reviewing shots on set. Its full HD resolution means you can frame and focus your shots without needing to carry around a bulky external monitor. You can even use the display as a focus assist station. Plus, as an HDR display, it has 1500 nits of brightness so you can always see your shot or change settings, even in bright sunlight. On screen overlays show status and record parameters, histograms, levels, frame guides and more. You can even quickly apply 3D LUTs for monitoring shots with the desired colour and look. All Controls at your Fingertips Blackmagic PYXIS features a logical design that puts important functions such as ISO, WB and shutter at your fingertips with both touchscreen and physical controls. There’s even a scroll wheel for making quick adjustments to settings. A row of 3 customizable function buttons means you don’t have to go hunting through menus on a tiny screen to find a command. The Blackmagic PYXIS features easy to reach recording and still buttons that are placed exactly where you expect, including function keys for high frame rate, focus, zoom, false colour and more. The controls can even be locked to avoid accidentally changing settings during a shot or when the camera is out of reach on a rig. Side Plates for Flexible Mounting Options The innovative side plates expand the riggability of your camera even further. The standard plate included with Blackmagic PYXIS is made from the same aircraft grade aluminium as the camera body and features 2 1/4″ thread mounts and one 3/8″ thread mount, allowing you to add microphones, brackets or other accessories. Or you can attach the included SSD plate which offers a convenient location to securely attach a USB-C drive for recording or even a mobile phone for live streaming. The optional Rosette Plate gives you maximum flexibility with 5 1/4″ thread mounts and 4 3/8″ thread mounts for adding accessories, plus a rosette mounting point for attaching handgrips or extension arms. Post Production Friendly File Formats Blackmagic PYXIS records in Blackmagic RAW to preserve control of detail, exposure and colour during post-production. It also records HD H.264 proxies in real time making it easy to share media around the world in minutes. Blackmagic RAW is highly optimized, multi‑threaded, works across multiple CPU cores and is also GPU accelerated to work with Apple Metal, CUDA and OpenCL. This means your images always maintain unprecedented resolution and quality for colour, keying, compositing, reframing, stabilization and tracking in HD, 4K or 6K. Media files work on all operating systems plus you can format media cards and disks in HFS+ for Mac and ExFAT for Windows. Record to CFexpress Cards or External Disks The Blackmagic PYXIS features two built-in CFexpress card recorders, and a USB-C expansion port for recording direct to external flash media disks or an SSD. CFexpress media are more durable and faster than even older media so are perfect for recording full-resolution, 12-bit Blackmagic RAW files. Imagine capturing over an hour of full-resolution 6K images on a single 256GB CFexpress card. Plus, with dual CFexpress slots, you can keep recording because you can hot swap full cards without stopping. The very high speed of CFexpress cards makes them perfect for mounting on your computer and editing directly from them using the included DaVinci Resolve Studio software. Blackmagic RAW The quality of RAW and the speed of video Blackmagic RAW is a revolutionary new format designed to capture and preserve the quality of the sensor data from your camera. Blackmagic RAW eliminates quality problems so you get stunning images with incredible detail and colour throughout the production pipeline from camera to edit, colour and mastering. It also saves camera settings as metadata so you can set ISO, white balance and exposure in camera or override them later while editing, all without any loss of quality. Blackmagic RAW files are also small and fast to use making them easy to work with. Only Blackmagic RAW gives you the highest quality, smallest files and fastest performance. Colour Temperature Setting the colour temperature tells the camera how to interpret white and other colours in an image. Instead of saving images with colour values baked in, Blackmagic RAW makes it possible for you to change the temperature in post-production with DaVinci Resolve Studio. Contrast Adjusting contrast, or the tonal range of an image, can make different parts of the image stand out. While you should always try to get the best shot on set, Blackmagic RAW gives you the flexibility to adjust contrast without any loss of quality while you’re editing and colour-correcting. ISO Changing the ISO adjusts the camera’s sensitivity to light. Properly exposed shots require the right combination of ISO, aperture and shutter speed. Depending on the lights and exposure settings, you may need to adjust ISO in post. Tint Adjusting tint is another way you can affect the overall colour balance of an image. Unlike saturation or midpoint which can make reds redder or yellows more yellow, adjusting tint actually lets you push the colours in different directions. Saturation Saturation is the strength or purity of a colour. More saturated colours are pure and less saturated colours have a percentage of gray in proportion to their hue. Adjusting saturation in Blackmagic RAW images can help make the colours visually pop or become muted. Exposure In order for your images to look good, you need to make sure that it’s not too bright (overexposed) or too dark (underexposed). With Blackmagic RAW, the exposure settings can be changed in post so you can save shots that were not properly exposed. Powered by Blackmagic OS With the advanced Blackmagic OS, you get an intuitive and user-friendly camera operating system based on the latest technology. Blackmagic OS is a true modern operating system where all camera features run independently for smoother control, plus the camera powers on virtually instantly. It features the same controls and menus as other Blackmagic Design cameras so you can move between cameras on set easily. The interface uses simple tap and swipe gestures to adjust settings, add metadata and view recording status. You also get full control over advanced camera features such as on screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings and more. Generation 5 Colour Science Featuring the same generation 5 colour science as the high end URSA Cine, the Blackmagic PYXIS delivers an even greater advancement in image quality with stunning, accurate skin tones and faithful colour in every shot. You get a new dynamic 12-bit gamma curve designed to capture more colour data in the highlights and shadows, for better looking images. The colour science also handles some of the complex Blackmagic RAW image processing, so colour and dynamic range data from the sensor is preserved via metadata which you can use in post-production. That means you get images that have a natural, film like response to colour adjustments in post with DaVinci Resolve. Live Sync to Blackmagic Cloud and Editors Blackmagic PYXIS supports creating a small H.264 proxy file in addition to the camera's original media when recording. This means the small proxy file can upload to Blackmagic Cloud in seconds so your media is available back at the studio in real-time. The ability to transfer media directly into the DaVinci Resolve media bin as editors are working is revolutionary and has never before been possible. Any editor working anywhere in the world will get the shots. If you have multiple cameras, then the new multi-source feature in DaVinci Resolve's Cut page will show each camera angle in a multiview. Blackmagic Cloud is a revolution in global post-production workflows. Three Post Production Workflows Record to Internal Storage You can record to the internal media or an external USB-C flash disk. This will allow you to browse the clips and let the camera sync your media files to other users globally. Select and Upload Clips If you're offline, then later when you have internet access you can browse media and manually select which clips you want to upload to Blackmagic Cloud. Record into DaVinci Resolve Log into Blackmagic Cloud and select a DaVinci Resolve project before recording. After each individual recording the media will automatically upload and sync to all DaVinci users on that project. Connect 5G or 4G Phones for Mobile Data When uploading to Blackmagic Cloud, you can use an Apple or Android phone to get a connection to the internet via mobile data. Simply connect the phone to the USB-C port and Blackmagic PYXIS will configure for mobile data. Plus it works with the latest high-speed 5G phones, as well as 4G phones. You can also connect via wired Ethernet using the camera’s Ethernet port. This lets you get your media out as you shoot so post-production teams anywhere in the world can start work in real time. Plus on set grading can be done in a grading suite and synced back to DaVinci on set. It’s a truly global post-production solution that works with Blackmagic Cloud to create amazing teams of creative people. Works with URSA Cine Viewfinder and Accessories Blackmagic PYXIS supports the optional Blackmagic URSA Cine EVF to make outdoor and handheld shooting accurate and easy. You get an integrated high-quality 1920 x 1080 colour OLED display with a built-in proximity sensor, 4 element glass diopter for incredible accuracy with a wide focus adjustment. A built-in digital focus chart ensures you get the perfect viewfinder focus setup. You can also view critical status information such as frame guides. The URSA Cine EVF is extremely easy to connect as it simply mounts to the included extension arm and connects to the camera using a single USB-C cable. The viewfinder can be positioned in multiple ways and comes with 2 different types of eyecups. Professional Connections for Custom Rigs Blackmagic PYXIS features a wide range of connections for audio, monitoring, power and more. The camera includes a 12G-SDI out for monitoring with support for HDR and Ultra HD output. That means you can connect an SDI display for on set monitoring of images, with or without overlays that show critical information and camera status. SDI allows for much longer cable runs than HDMI making it easier to reach monitors that are further away on set. There’s also a mini XLR connection with 48-volt phantom power for microphones, a 3.5 mm video camera style microphone input, timecode in, reference input, headphone connection and a locking DC power connector. Built-in Microphones and Professional Audio Inputs With professional, high fidelity audio recording built in you'll never have to carry around a separate sound recorder again. Blackmagic PYXIS features a mini XLR input with 48 volts of phantom power for connecting professional microphones such as lapel mics and booms. The built-in mics have an extremely low noise floor and are shock and wind-resistant, capturing great sound and are ideal for recording guide tracks on location. There’s also a 3.5mm audio input for connecting video camera microphones, along with a built-in speaker for playback and a 3.5mm headphone jack. These audio connections allow you to record separate audio tracks using microphones, without an external mixer. Load Custom 3D LUTs to Recreate Film Looks Digital film cameras shoot logarithmic colourspace to preserve the dynamic range, which is great for later post-production, however when these files are viewed on a monitor they can look flat and washed out. 3D LUTs solve this problem because they allow you to apply a "look" to the monitor so you get an idea of how the finished images will look when editing. LUTs can be applied temporarily for monitoring only, or they can be recorded into the Blackmagic RAW files for use in post-production. The Blackmagic PYXIS works with industry standard 17 and 33 point 3D LUT files, or you can work with the built-in LUTs such as Extended Video, Film to Video, Film to Rec.2020 and more. USB-C for External Disks and Ethernet Control The Blackmagic PYXIS features an innovative and high-speed USB-C Expansion Port that operates at up to 5 Gb/s. USB-C is available on most new computers and even provides power. That means you can connect external accessories such as flash drives and high-capacity SSDs for significantly longer recording times. Best of all, when shooting is complete you can simply move the external disk to your computer and start editing and colour correction from the same disk straight away, eliminating file copying. You can also use the camera’s built-in Ethernet port to control your camera over a network via secure and easy-to-use REST APIs. You can even copy files off the camera via the network. Built In SRT and RTMP Live Streaming Now you can live stream from film sets. Blackmagic PYXIS features a built hardware streaming engine that supports RTMP and SRT streaming to YouTube, Facebook, X and more. For internet access, you have two options, one to connect via Ethernet or you can connect a 4G or 5G phone for mobile data. As the streaming is built into the camera, you can see the stream status and data rate in the viewfinder and the LCD. If you want to create a wireless link back to the studio, then you can stream to a Blackmagic ATEM Streaming Bridge, which is an H.264 decoder that converts the video stream back to video. Now the whole post-production team can keep an eye on the shoot, live, while it's happening. Get Multi Camera Shoots in Perfect Sync Professional cameras include professional features and you also get a timecode input, allowing shooting with more than one camera while keeping perfect sync. Simply plug in an external timecode generator to the BNC timecode input and the camera will automatically detect timecode and lock the internal generator. Now each camera can start and stop recording and all the shots from all cameras will have the same matched timecode. Imagine shooting a music festival with multiple roving cameras. Best of all, DaVinci Resolve will automatically find and sync the shots from all cameras so you don't need to waste time sorting through thousands of shots. Shoot Still Frames up to 24.6 Megapixels In addition to shooting video, Blackmagic PYXIS can also capture high-resolution stills. Simply press the dedicated stills button to record 24.6 megapixel images. Still images are saved as Blackmagic RAW, so you get a very high image quality, which is perfect for making high-resolution professional prints or for later editing in DaVinci Resolve. Capturing still images is great for keeping track of continuity between shots or for sharing images to get approval from clients that are not on set. Localized in 13 Popular Languages Blackmagic PYXIS is designed to be used worldwide and supports 13 different languages. When setting up your camera, you can choose to work in English, German, French, Spanish, Portuguese, Italian, Polish, Russian, Ukrainian, Turkish, Chinese, Japanese or Korean. It’s easy to switch to another language so you can share your camera with other crew when traveling to locations worldwide. When you switch languages, all on-screen overlays, setup menus and monitoring information will be displayed in the selected language. Wireless Bluetooth Camera Remote Control If you're positioning the camera on the end of a boom, or in another hard to reach location, you can get full control via Bluetooth from up to 30 feet away. You can download the Blackmagic Camera Control app for your iPad or use third-party apps such as Bluetooth+ or tRigger on your iOS and Android devices. There’s even a free developer SDK with sample code available from the Blackmagic Design developer website, so you can create your own remote camera control and digital slate solutions. Imagine building an app that can jam sync timecode and trigger all cameras to record at the same time. The possibilities are endless. Power from Batteries or 12V DC Blackmagic PYXIS uses high-capacity BP-U series batteries. These popular batteries come in a variety of capacities and are commonly available around the world. The highest capacity BP-U series battery lets you shoot for over 3 hours on a single charge. Plus there are a wide range of battery adapters and charger plates available from third parties so never have a flat battery. When using DC power, a locking connector is used so you won't have to worry about losing power during a shoot, perfect for when your camera is out of reach on a mount or jib. You also get a set of international socket adapters for worldwide use. Includes DaVinci Resolve Studio Blackmagic PYXIS includes a full version of DaVinci Resolve Studio, which is the same software used in Hollywood for creating high-end feature films, episodic television shows, commercials and more. DaVinci Resolve features the new cut page with intelligent editing tools and innovative new features designed to help you quickly find the footage you want, edit it together and output it fast. In addition to the new cut page, you also get DaVinci’s legendary professional editing, advanced colour correction, audio post and visual effects tools, all in a single software application. Now you can use the the same high end software that professional editors and colourists use.

Atomos Locking Micro HDMI Cable 30cm

Atomos Locking Micro HDMI Cable 30cm 4KP60 Locking HDR Micro to Full HDMI 30cm High Speed Cable

Atomos Locking Mini HDMI Cable 30cm

Atomos Locking Mini HDMI Cable 30cm 4KP60 Locking HDR Mini to Full HDMI 30cm High Speed Cable

BirdDog BDX5W X5 Ultra UHD PTZ Camera - White

BirdDog BDX5W (BD-X5W, BD/X5W, BD_X5W, BD X5W) X5 Ultra UHD PTZ Camera - White 4K60 Production PTZ Camera featuring NDI® | HX3, NDI® | HX2/3 Decoder, 12G-SDI, advanced mechanical drive, 2x e-ink display and HALO Tally - White X5 Ultra. In every way. Productions are demanding; the X5 Ultra makes demanding a walk in the park. Featuring unparalleled capability, quality, and performance – take your PTZ game up a notch with X5 Ultra. Imagine next-level robotic controls with ultra-fine and precise movement thanks to its category-busting advanced motor drive system. Movements on air are a breeze, and acceleration/deceleration of moves look natural and slick. Sporting BirdDog’s signature Halo tally system for true audience engagement, revolutionary built-in NDI® decoding*, all the video connectors, including 12G-SDI, dual e-ink displays make branding and maintenance a snap, all wrapped up with a stunning Sony 4K60 image sensor delivering the highest performance NDI® | HX3 possible. X5 Ultra. In every way. Halo Tally. A higher order of visual queue. Professional results need professional tools. The X5 Ultra sports the most visible and effective Tally system available. Up front, with a large, daylight-visible border keeping talent looking directly at the camera. Your cast and crew will always know where to look, keeping your audience engaged. AI Tracking. Built for now and the future. We aren’t playing catch-phrase bingo here. X5 Ultra takes AI auto-tracking and framing to the next level. Featuring an order of magnitude more neural processing capabilities, the out-of-the-box X5 Ultra has incredible AI powers but also the headroom to grow as AI progresses. Magic. NDI® | HX3. Performance meets convenience The X5 Ultra delivers superior network performance via our implementation of NDI® | HX3. Significantly reducing network impact while maintaining excellent image quality, meaning it is more friendly in more network environments. BirdDog’s NDI® | HX3 surpasses certification parameters, delivering quality and performance you can count on. Connectivity for days. Video productions all look different. We love NDI® because it allows a single network cable to operate everything, but sometimes it makes sense to take a different path. X5 Ultra makes this a snap. In a world of compromise, the X5 Ultra stands proud. With 12G-SDI output, dual HDMI outputs, multiple network formats, including NDI® | HX3, SRT, RTMP and RTSP, Webcam connectivity over USB, however you work and whatever demand in quality you have, X5 Ultra has got your back for today’s production… and tomorrow’s! Integrated NDI® | HX Decoder. It can’t get much more convenient! The X5 Ultra is part of the family of PTZ cameras featuring the first simultaneous NDI® | HX* Decoder designed specifically for confidence monitoring, return feeds, or teleprompter usage. We’ve pulled all this connectivity into a single cable, radically simplifying how you interface with your equipment. Less gear. Less hassle. Less complexity. Whether you're broadcasting live or delivering a CEO address, the integrated NDI® | HX decoder enables more engagement with less setup. *NDI® | HX2 and NDI® | HX3 supported. E-ink Label. Get Inked. The dual, always-on e-ink labels on the X5 Ultra are a game-changer. From network addresses for easy access to controls to customisable logos* to complement your brand image, this cool feature ensures that your set-up is clear and each camera is easily identifiable even when the power is off.

BirdDog BDX5B X5 Ultra UHD PTZ Camera - Black

BirdDog BDX5B (BD-X5B, BD/X5B, BD_X5B, BD X5B) X5 Ultra UHD PTZ Camera - Black 4K60 Production PTZ Camera featuring NDI® | HX3, NDI® | HX2/3 Decoder, 12G-SDI, advanced mechanical drive, 2x e-ink display and HALO Tally - Black X5 Ultra. In every way. Productions are demanding; the X5 Ultra makes demanding a walk in the park. Featuring unparalleled capability, quality, and performance – take your PTZ game up a notch with X5 Ultra. Imagine next-level robotic controls with ultra-fine and precise movement thanks to its category-busting advanced motor drive system. Movements on air are a breeze, and acceleration/deceleration of moves look natural and slick. Sporting BirdDog’s signature Halo tally system for true audience engagement, revolutionary built-in NDI® decoding*, all the video connectors, including 12G-SDI, dual e-ink displays make branding and maintenance a snap, all wrapped up with a stunning Sony 4K60 image sensor delivering the highest performance NDI® | HX3 possible. X5 Ultra. In every way. Halo Tally. A higher order of visual queue. Professional results need professional tools. The X5 Ultra sports the most visible and effective Tally system available. Up front, with a large, daylight-visible border keeping talent looking directly at the camera. Your cast and crew will always know where to look, keeping your audience engaged. AI Tracking. Built for now and the future. We aren’t playing catch-phrase bingo here. X5 Ultra takes AI auto-tracking and framing to the next level. Featuring an order of magnitude more neural processing capabilities, the out-of-the-box X5 Ultra has incredible AI powers but also the headroom to grow as AI progresses. Magic. NDI® | HX3. Performance meets convenience The X5 Ultra delivers superior network performance via our implementation of NDI® | HX3. Significantly reducing network impact while maintaining excellent image quality, meaning it is more friendly in more network environments. BirdDog’s NDI® | HX3 surpasses certification parameters, delivering quality and performance you can count on. Connectivity for days. Video productions all look different. We love NDI® because it allows a single network cable to operate everything, but sometimes it makes sense to take a different path. X5 Ultra makes this a snap. In a world of compromise, the X5 Ultra stands proud. With 12G-SDI output, dual HDMI outputs, multiple network formats, including NDI® | HX3, SRT, RTMP and RTSP, Webcam connectivity over USB, however you work and whatever demand in quality you have, X5 Ultra has got your back for today’s production… and tomorrow’s! Integrated NDI® | HX Decoder. It can’t get much more convenient! The X5 Ultra is part of the family of PTZ cameras featuring the first simultaneous NDI® | HX* Decoder designed specifically for confidence monitoring, return feeds, or teleprompter usage. We’ve pulled all this connectivity into a single cable, radically simplifying how you interface with your equipment. Less gear. Less hassle. Less complexity. Whether you're broadcasting live or delivering a CEO address, the integrated NDI® | HX decoder enables more engagement with less setup. *NDI® | HX2 and NDI® | HX3 supported. E-ink Label. Get Inked. The dual, always-on e-ink labels on the X5 Ultra are a game-changer. From network addresses for easy access to controls to customisable logos* to complement your brand image, this cool feature ensures that your set-up is clear and each camera is easily identifiable even when the power is off.

Canon EOS C400 Full Frame Cinema Camera

Canon EOS C400 Full Frame Cinema Camera(6388C002) The CINEMA EOS C400 redefines versatility – designed to excel in cinematic shooting, live broadcast, and virtual production. Unleash your creativity with a 6K full frame BSI sensor and 16 stops of dynamic range. The CINEMA EOS C400 packs a 6K Full Frame BSI sensor, triple base ISO, and 18 customisable buttons into a compact, robust body. Building on Canon’s colour science to deliver warm skin tones and a naturally pleasing image. With professional connectivity, the CINEMA EOS C400 is your ally in cinema, live broadcast, and virtual production. Full frame 6K BSI sensor Capture breathtaking footage with Canon’s cutting-edge backside illuminated (BSI) sensor, delivering next-generation capabilities, triple base ISO (800 / 3200 / 12800), organic colour reproduction, and 16 stops of dynamic range. Dual Pixel CMOS AF II with EOS iTR AF X Enjoy updated, faster auto focus technology. Pin-sharp and ultra-responsive face, eye, head, body, and animal tracking covering the full sensor. Have full control with face-only recognition and customisable settings to help ensure your focus never slips. Professional recording formats and high frame rates Including 12-bit Cinema RAW Light LT / ST / HQ up to 6K 60P, and 4K 120P. Oversampled 4K 4:2:2 10-bit is available via XF-AVC and improved XF-AVC S / XF-HEVC S (MP4) formats, all featuring detailed metadata and filename structures.  RF mount Rely on cutting-edge prime, zoom, and cinema lenses for unrivalled optical performance, real-time lens metadata, and ultra-responsive AF / IS systems. Easily use your PL and EF lenses with a Canon mount adapter.   Uncompromised connectivity On-body I/O including 12G-SDI, 3G-SDI, 2x mini-XLR, Mic In, Remote, Timecode, LENS, and Genlock / SYNC / Return. Built-in Wi-Fi/Ethernet enables real-time IP streaming (SRT / RTSP) and remote control via XC Protocol. Expandable with Canon’s Multi-Function Shoe. Built for live multi-camera productions Return Input and advanced features enable live programming monitoring and compatibility with industry-standard lenses thanks to 12-pin lens interface. This is enhanced via XC Protocol accessories and smartphone applications such as the RC-IP1000 and Multi-Camera Control App. Designed for the future Real-time metadata for virtual production and VFX with support for Unreal Engine and After Effects. Genlock and organic colour reproduction make the CINEMA EOS C400 perfect in large LED volumes. And create immersive VR experiences with Canon’s RF 5.2mm F2.8L Dual Fisheye lens. What is triple base ISO?  Triple base ISO delivers the best signal-to-noise ratio at multiple amplifications. Canon's cutting-edge 6K BSI sensor measures at three base ISOs – 800, 3200, and 12800 ISO – choose between them, or use auto-switching and the CINEMA EOS C400 will pick the optimal setting.  The basics: BSI sensors The backside illuminated (BSI) sensor's improved architecture places circuity underneath the sensor plane. Benefits include increased dynamic range, auto-focus and rolling shutter performance. Why is metadata so important?   In Virtual Production and VFX workflows, camera metadata is essential to producing professional results. The CINEMA EOS C400 and Canon RF mount lenses let you extract every drop of metadata – from ISO to f stop and even distortion correction – so your post process becomes smoother than ever.

Camrade CAM-SC-CVR-L securityCover Large

Camrade CAM-SC-CVR-L (CAM/SC-CVR-L, CAM/SC/CVR/L, CAMSCCVRL, CAM SC CVR L) securityCover Large At the conclusion of a shooting day, camera operators typically need to de-rig their equipment. This process entails disconnecting various accessories like lenses and viewfinders. But what if you could avoid this hassle altogether? Our security cover provides a seamless solution, allowing you to safeguard your entire camera setup right on location. With this cover, you can protect your camera in a matter of seconds, eliminating the need for disassembly and storage. This safes valuable time and money. Thanks to its integrated steel wire mesh, the securityCover offers not only protection against inclement weather but also theft protection.

Camrade CAM-RAINCVR-OBEFP-L RainCover OB-EFP Large

Camrade CAM-RAINCVR-OBEFP-L (CAM/RAINCVR-OBEFP-L, CAM/RAINCVR/OBEFP/L, CAMRAINCVROBEFPL, CAM RAINCVR OBEFPL) RainCover OB-EFP Large Through years of experience and working closely with camera operators from broadcast and production companies, we have improved the designs to perfect solutions for multiple applications. Protect outside broadcasting cameras against inclement weather with the rainCover OB/EFP Large. With this raincover for large set-ups with live production system cameras, you can now protect your equipment from the elements without sacrificing your shot. The rainCover OB/EFP Large is suitable for system cameras, attached on a tripod, pedestal, or any other camera support solution. The flexible black fabric helps the camera not to stand out in a crowd. The cover is perfect for use during both indoor and outside broadcast productions like sports, entertainment, festivals, religious gatherings, and other large events. The cover closures are all with hook and loop fasteners. This allows for a firm fix while still having the flexibility to adjust it to the width and length of your specific set-up. Durable and functional design Always take the camRade rainCover OB/EFP Large to outdoor events, so you do not get caught out when the weather turns. The cover is supplied in a waterproof zippered pouch, which you can use to store and transport the cover. It is easy to attach and detach the cover, thanks to the convenient design. Leave the bottom open for easy access or close again if the wind plays tricks. Clamps around the lens hood The one-piece rainCover closes around the lens with a rubber strip for a good seal with the camera. The vinyl window in front of the lens can be secured with hook and loop fasteners on top when not in use.

Camrade CAM-RAINCVR-OBEFP-S RainCover OB-EFP Small

Camrade CAM-RAINCVR-OBEFP-S (CAM/RAINCVR-OBEFP-S, CAM/RAINCVR/OBEFP/S, CAMRAINCVROBEFPS, CAM RAINCVR OBEFP S) CAM-RAINCVR-OBEFP-S Universal protection for a wide range of ENG-style outside broadcasting cameras with 5” or 7” viewfinder including (long) sun hood, ENG-lens and hand controls. Includes a water-resistant storage pouch. Protect ENG-style outside broadcasting cameras against inclement weather with the rainCover OB/EFP Small. With this raincover for large set-ups with live production system cameras, you can now protect your equipment from the elements without sacrificing your shot. The CamRade rainCover OB/EFP Small is suitable for system cameras, attached on a tripod, pedestal, or any other camera support solution. The flexible black fabric helps the camera not to stand out in a crowd. The cover is perfect for use during both indoor and outside broadcast productions like sports, entertainment, festivals, religious gatherings, and other large events. The cover closures are all with hook and loop fasteners. This allows for a firm fix while still having the flexibility to adjust it to the width and length of your specific set-up. Durable and Functional Design Always take the camRade rainCover OB/EFP Small to outdoor events, so you do not get caught out when the weather turns. The cover is supplied in a waterproof zippered pouch, which you can use to store and transport the cover. It is easy to attach and detach the cover, thanks to the convenient design. Leave the bottom open for easy access or close again if the wind plays tricks. Clamps Around the Lens Hood   The one-piece rainCover closes around the lens with a rubber strip for a good seal with the camera. The vinyl window in front of the lens can be secured with hook and loop fasteners on top when not in use.

Camgear 3s-Fix M2 Efp150/Cf2 Ms Carbon Fiber Tripod

Camgear 3s-Fix M2 Efp150/Cf2 Ms Carbon Fiber Tripod(CMG-3SFM2-EFP150-CF2-MS, CMG3SFM2EFP150CF2MS, CMG/3SFM2/EFP150/CF2/MS) 2-Stage 150mm bowl Carbon Fiber heavy-duty EFP Tripod with Mid Level Spreader - IMPROVED VERSION

Camgear 3S-Fix M2 T100/Cf2 Ms Carbon Fiber Tripod

Camgear 3S-Fix M2 T100/Cf2 Ms Carbon Fiber Tripod(CMG-3SFM2-T100-CF2-MS, CMG3SFM2T100CF2MS, CMG/3SFM2/T100/CF2/MS) 2-Stage 100mm bowl Carbon Fiber Tripod with Mid Level Spreader - IMPROVED VERSION

Camgear 3S-Fix M2 Efp100/Cf2 Ms Carbon Fiber Tripod

Camgear 3S-Fix M2 Efp100/Cf2 Ms Carbon Fiber Tripod(CMG-3SFM2-EFP100-CF2-MS, CMG3SFM2EFP100CF2MS, CMG/3SFM2/EFP100/CF2/MS) 2-Stage 100mm bowl Carbon Fiber heavy-duty EFP Tripod with Mid Level Spreader - IMPROVED VERSION

Camgear 3S-Fix M2 Eng/Cf2 Ms Carbon Fiber Tripod

Camgear 3S-Fix M2 Eng/Cf2 Ms Carbon Fiber Tripod(CMG-3SFM2-ENG-CF2-MS, CMG3SFM2ENGCF2MS, CMG/3SFM2/ENG/CF2/MS) 2-Stage 100mm bowl Carbon Fiber ENG Tripod with Mid Level Spreader - IMPROVED VERSION

Camgear 3S-Fix M2 T75/al2 Ms Aluminum Tripod

Camgear 3S-Fix M2 T75/al2 Ms Aluminum Tripod(CMG-3SFM2-T75-AL2-MS, CMG/3SFM2/T75/AL2/MS, CMG3SFM2T75AL2MS) 2-Stage 75mm bowl Aluminium Tripod with Mid Level Spreader - IMPROVED VERSION

Camgear 3S-Fix M2 T100/Al2 Ms Aluminum Tripod

Camgear 3S-Fix M2 T100/Al2 Ms Aluminum Tripod(CMG-3SFM2-T100-AL2-MS, CMG3SFM2T100AL2MS, CMG/3SFM2/T100/AL2/MS) 2-Stage 100mm bowl Aluminium Tripod with Mid Level Spreader - IMPROVED VERSION

Camgear 3S-Fix M2 Eng/Al2 Ms Aluminum Tripod

Camgear 3S-Fix M2 Eng/Al2 Ms Aluminum Tripod(CMG-3SFM2-ENG-AL2-MS, CMG3SFM2ENGAL2MS, CMG/3SFM2/ENG/AL2/MS) 2-Stage 100mm bowl Aluminium ENG Tripod with Mid Level Spreader - IMPROVED VERSION

Camgear 3S-Fix Mini T75/Cf2 Ms Carbon Fiber Tripod

Camgear 3S-Fix Mini T75/Cf2 Ms Carbon Fiber Tripod(CMG-3SF-T75-MINI-CF2-MS-TRIPOD, CMG3SFT75MINICF2MSTRIPOD, CMG/3SF/T75/MINI/CF2/MS/TRIPOD)  The lightweight 3S-FIX T75/CF2 2-Stage Carbon Fiber Tripod with 75mm Bowl and Mid-Level Spreader from Camgear is a two-stage, three-section tripod that provides support for rigs up to 110 lb. The carbon fiber tripod features a standard 75mm bowl, a mid-level spreader, and removable rubber feet. The legs secure with locking levers and can extend from 15.7 to 57.5 in height, and it breaks down to 28.3" in length for transport. The tripod features the 3S-FIX lock and release system, allowing you to set up and break down the tripod quickly and easily

Camgear Elite 8 Mini Cf Ms Tripod system

Camgear Elite 8 Mini Cf Ms Tripod system(CMG-EL8-MINI-MS-CF-TRISYS, CMGEL8MINIMSCFTRISYS, CMG/EL8/MINI/MS/CF/TRISYS) Add a full tripod system with a professional fluid head to support your camera rig with this Elite 8 Carbon Fiber Tripod System with 75mm Fluid Head & Mid-Level Spreader from Camgear. The system includes a 2-stage tripod with a mid-level spreader and an Elite 8 fluid head with a Touch & Go DV platform, a pan bar, a quick release camera plate, and a carry bag. The tripod system provides support for rigs up to 22 lb. The carbon fiber tripod features a standard 75mm bowl and a mid-level spreader to help steady the tripod. The legs secure with locking levers, can extend from 22 to 63.4" in height, and break down to 34.3" in length for transport. The folding tripod legs set up and break down the tripod quickly and easily. The Elite 8 fluid head features a 10-step counterbalance, four steps of pan and tilt drag, 360° panning, +90/-75° tilting, a TNG-DV camera plate with 1/4"-20 and 3/8"-16 camera screws, and a 75mm half ball base. The wheeled camRade tripodBag Traveler case is included to carry the entire system. Camgear 3S-FIX T75/CF2 2-Stage Carbon Fiber Tripod with 75mm Bowl & Mid-Level Spreader The lightweight 3S-FIX T75/CF2 2-Stage Carbon Fiber Tripod with 75mm Bowl and Mid-Level Spreader from Camgear is a two-stage, three-section tripod that provides support for rigs up to 110 lb. The carbon fiber tripod features a standard 75mm bowl, a mid-level spreader, and removable rubber feet. The legs secure with locking levers and can extend from 15.7 to 57.5 in height, and it breaks down to 28.3" in length for transport. The tripod features the 3S-FIX lock and release system, allowing you to set up and break down the tripod quickly and easily. Camgear Elite 8 Fluid Head Add a solid 75mm half ball fluid head to support your camera rig with this Elite 8 Fluid Head from CamGear. The Elite 8 supports payloads up to 22 lb and features a 10-step counterbalance system with 4-step drag control for smooth pans and tilts. The touch-and-go platform includes a quick release plate, and it has a sliding range of 2.75" to help balance your camera rig. Additional features include a touch-illuminated bubble level for easy leveling in lower light conditions, camera screw storage, both left and right pan handle rosettes, and a pan handle. It features 360° panning and -75/+90° tilt to achieve a variety of angles. The camera plate includes 1/4"-20 and 3/8"-16 camera mounting screws. camRade tripodBag Traveler The camRade tripodBag Traveler is a smooth-wheeled, box-shaped carry case designed for high-end tripods. The rectangular form highly reduces the risk of the case rolling off trolleys or conveyor belts, and the wheels take all the pressure off carrying the case. Featuring an interior length of 38.5", this case is ideal for tripod/head combos measuring up to 36" in folded length when you consider inserting included bumpers on the ends. The case features water-resistant 1000 denier Cordura material on the exterior, reinforced sides, and a soft padded interior for optimal protection against the elements and accidental bumps. There are multiple large, zippered pockets on the interior for neatly storing accessories. A padded suede shoulder strap is included, and a mesh fabric basket is also supplied that you can attach to your tripod legs for easy access to small items/tools during your shoot.

Camgear Carry Handle L

Camgear Carry Handle L(CMG-CARRY-L, CMGCARRYL, CMG/CARRY/L) The Carry Handle L from Camgear enables you to carry your Camgear ENG and 3S-FIX ENG tripod single-handedly. This handle mounts easily on the tripod's leg tube close to the bowl for perfect carry balance. It's also compatible with 3rd party brand tripods with 19mm diameter tube.

Camgear Carry Handle M

Camgear Carry Handle M(CMG-CARRY-M, CMGCARRYM, CMG/CARRY/M) The Carry Handle M from Camgear enables you to carry your Camgear T75/100 or 3S-FIX T75/100 tripod single-handedly. This handle mounts easily on the tripod's leg tube close to the bowl for perfect carry balance. The included Allan key ensures that it is easy and quick to assemble or disassemble from the tripod. It's also compatible with 3rd part brand tripods with 16mm diameter tube.

Camgear Carry Handle Xl

Camgear Carry Handle Xl(CMG-CARRY-XL, CMGCARRYXL, CMG/CARRY/XL) The Carry Handle XL from Camgear enables you to carry your Camgear EFP and 3S-FIX EFP tripod single-handedly. This handle mounts easily on the tripod's leg tube close to the bowl for perfect carry balance.The included Allan key ensures that it is easy and quick to assemble or disassemble from the tripod. It's also compatible with 3rd part brand tripods with 24mm diameter tube.

Camgear Mid Level Spreader Msp-Mini

Camgear Mid Level Spreader Msp-Mini(CMG-MIDSPREADER-MINI, CMGMIDSPREADERMINI, CMG/MIDSPREADER/MINI) The aluminum Mid Level Spreader MSP-MINI replaced the MSP-MARK works with all MARK & 3S-FIX MINI Tripods. It requires Rubber Feet RF-MINI (set of 3).  The MSP-MINI and RF-MINI is the alternative of the Ground Spreader GS-MINI.

Camgear V10p Al Gs Tripod System

Camgear V10p Al Gs Tripod System(CMG-V10P-GS-AL-TRISYS, CMGV10PGSALTRISYS, CMG/V10P/GS/AL/TRISYS) Camgear V10P AL GS Tripod System (CMG-V10P-GS-AL-TRISYS). Tripod System incl. V10P Fluid Head, T100/AL2 Aluminium Tripod, Pan Bar PB-1, Ground Spreader GS-2 & Tripod Bag

Camgear V10p Cf Gs Tripod System

Camgear V10p Cf Gs Tripod System(CMG-V10P-GS-CF-TRISYS, CMGV10PGSCFTRISYS, CMG/V10P/GS/CF/TRISYS) Camgear V10P CF MS Tripod System (CMG-V10P-MS-CF-TRISYS). Tripod System incl. V10P Fluid Head, T100/CF2 Carbon Fiber Tripod, Pan Bar PB-1, Mid Level Spreader MSP-2, Rubber Feet RF-1 (x3) & Tripod Bag

Camgear Efp100/Cf2 Gs Carbon Fiber Tripod

Camgear Efp100/Cf2 Gs Carbon Fiber Tripod(CMG-EFP100-CF2-GS-TRIPOD, CMGEFP100CF2GSTRIPOD, CMG/EFP100/CF2/GS/TRIPOD) The EFP 2-Stage Carbon Fiber Tripod with 100mm Bowl & Ground Spreader from Camgear is a two-stage tripod that provides support for rigs up to 220 lb. The carbon fiber tripod features a standard 100mm bowl and a ground spreader to help steady the tripod. The legs secure with locking levers and can extend from 21.2 to 62.6" in height, and it breaks down to 30.7" in length for transport. The folding tripod legs set up and break down the tripod quickly and easily.

Camgear 3S-Fix Efp100/Cf2 Gs Carbon Fiber Tripod

Camgear 3S-Fix Efp100/Cf2 Gs Carbon Fiber Tripod(CMG-3SF-EFP100-CF2-GS-TRIPOD, CMG3SFEFP100CF2GSTRIPOD , CMG/3SF/EFP100/CF2/GS/TRIPOD) 2-Stage 100mm bowl Tripod for EFP-work with 3S-FIX lock and release mechanism and Ground Spreader

Camgear Pan Bar Pb-1

Camgear Pan Bar PB-1(CMG-PANBAR-1, CMGPANBAR1, CMG/PANBAR/1) The Camgear Pan Bar PB-1 is used with the DV6, V10, V12, and V15 Tripod Heads.

Camgear Wedge Plate Wp-1

Camgear Wedge Plate Wp-1(CMG-WEDGEPLATE-WP1, CMGWEDGEPLATEWP1, CMG/WEDGEPLATE/WP1) Add the WP-1 Wedge Plate from Camgear to your V10 or V10P fluid head as a spare or replacement for quickly mounting and unmounting your camera. This plate includes one 1/4"-20 screw and one 3/8"-16 screw, and it features a safety pin and padding on top to prevent twisting.

Camgear Sliding Plate Sp-Mark

Camgear Sliding Plate Sp-Mark(CMG-SLPLATE-MARK, CMGSLPLATEMARK, CMG/SLPLATE/MARK) The Camgear Sliding Wedge Plate is used with the MARK 6 Fluid Head. It comes with 1/4" and 3/8" screws and a locking pin.

Camgear V-Plate

Camgear V-Plate(CMG-VPLATE, CMGVPLATE, CMG/VPLATE) For V60S & V90S Fluid Heads

Camgear T75/Cf2 Gs Carbon Fiber Tripod

Camgear T75/Cf2 Gs Carbon Fiber Tripod(CMG-T75-CF2-GS-TRIPOD, CMGT75CF2GSTRIPOD, CMG/T75/CF2/GS/TRIPOD) The T75/CF2 GS 2-Stage Carbon Fiber Tripod with GS-2 Ground Spreader from Camgear offers stable support for tripod heads with a 75mm half-ball base. This lightweight yet sturdy tripod supports camera rigs up to 88 lb and has a height range of 17 to 62". It features lever leg locks and has a folded length of 27.6". This tripod features spiked feet and removable rubber feet for a secure grip on rough terrain and an adjustable GS-2 ground spreader with a center ring to quickly collapse the tripod for transport.

Camgear Elite 25 Efp Fluid Head (150mm Bowl)

Camgear Elite 25 Efp Fluid Head (150mm Bowl)(CMG-EL25-FLHEAD, CMGEL25FLHEAD, CMG/EL25/FLHEAD) Add a solid 150mm half ball fluid head to support your heavy camera rig with this Elite 25 Fluid Head from CamGear. The Elite 25 supports payloads up to 99.2 lb and features a 12+10-step counterbalance system with 10-step drag control for smooth pans and tilts. The touch-and-go platform includes a quick release plate, and it has a sliding range of 4.72" to help balance your camera rig. Additional features include a touch-illuminated bubble level for easy leveling in lower light conditions, camera screw storage, both left and right pan handle rosettes, and two pan handles for either side. It features 360° panning and -75/+90° tilt to achieve a variety of angles. The camera plate includes 1/4"-20 and 3/8"-16 camera mounting screws.

Camgear Wedge Plate Wp-4

Camgear Wedge Plate Wp-4(CMG-WEDGEPLATE-WP4, CMGWEDGEPLATEWP4, CMG/WEDGEPLATE/WP4) The WP-4 Wedge Plate enables mounting cameras to the Camgear V20P and V25P fluid heads. This plate includes one 1/4"-20 screw and one 3/8"-16 screw.

Camgear Mid Level Spreader Msp-2

Camgear Mid Level Spreader Msp-2(CMG-MIDSPREADER-2, CMGMIDSPREADER2, CMG/MIDSPREADER/2) The MSP-2 from Camgear is a mid-level spreader with a build-up radius between 11 to 18.1" for Camgear tripods.

Camgear Ground Spreader Gs-Mini

Camgear Ground Spreader Gs-Mini(CMG-GROUNDSPRDR-MINI, CMGGROUNDSPRDRMINI, CMG/GROUNDSPRDR/MINI) This hard plastic Ground Spreader (also known as Floor Spreader) GS-MINI is with rubber tripod straps. This spreader works with all MARK & 3S-FIX MINI Tripods. The GS-MINI is the alternative of the Mid Level Spreader MSP-MINI and Rubber Feet RF-MINI.

Camgear Telescopic Pan Bar Pb-4 (set of 2)

Camgear Telescopic Pan Bar Pb-4 (set of 2)(CMG-TELE-PANBAR-4, CMGTELEPANBAR4, CMG/TELE-PANBAR/4) For DV6P, V10, V10P, V12, V15P & V20S Tripod Systems

Camgear Bowl Clamp Bc-3

Camgear Bowl Clamp Bc-3(CMG-BOWLCLAMP-3, CMGBOWLCLAMP3, CMG/BOWLCLAMP/3) For V35P & Elite 25 Tripod Systems

Camgear Ground Spreader GS-2

Camgear Ground Spreader GS-2(CMG-GROUNDSPRDR-2, CMGGROUNDSPRDR2, CMG/GROUNDSPRDR/2) Add stability to your tripod with this GS-2 Ground Spreader from Camgear. The ground spreader features clasps for each tripod foot and a center ring to quickly pull up and fold the spreader for storage. It has a maximum load capacity of 132 lb, and it is lightweight, weighing only 1.81 lb. The spreader is compatible with all Camgear tripods with 75, 100, or 150mm bowls, including the DV6P, V10, V12, V15P, V20P, V25P, V35P, and all Elite tripod systems. Compatibility Camgear DV6P, V10, V12, V15P, V20P, V25P, V35P, and all Elite Tripod Systems   For all Camgear tripods with 75, 100, and 150mm bowl (except MARK and Cine tripods)

Camgear Elite Pan Bar Elpb-1

Camgear Elite Pan Bar Elpb-1(CMG-ELPB-1, CMGELPB1, CMG/ELPB/1) For Elite 8, Elite 10, Elite 12 & Elite 15 Fluid Heads / Tripod Systems

Camgear Mitchell Adapter and Locking Knob

Camgear Mitchell Adapter and Locking Knob (CMG-MITCH-ADAPT, CMGMITCHADAPT, CMG/MITCH/ADAPT) For V60S EFP, V60S, V90S & OB/Studio Tripod Systems

Camgear Rubber Feet Rf-2 (set of 3)

Camgear Rubber Feet Rf-2 (set of 3)(CMG-RUBBERFEET-2, CMGRUBBERFEET2, CMG/RUBBERFEET/2) This three-pack of RF-2 Rubber Feet from Camgear can be used as spare or replacement feet for all Camgear Elite series tripods. Made of red and black rubber, the feet help to stabilize your tripod and prevent sliding on flat surfaces.

Camgear Wedge Plate Wp-6

Camgear Wedge Plate Wp-6(CMG-WEDGEPLATE-WP6, CMGWEDGEPLATEWP6, CMG/WEDGEPLATE/WP6) For V60S EFP Fluid Heads / Tripod Systems

Camgear 3S-Fix Efp150/Cf2 Gs Carbon Fiber Tripod

Camgear 3S-Fix Efp150/Cf2 Gs Carbon Fiber Tripod(CMG-3SF-EFP150-CF2-GS-TRIPOD, CMG3SFEFP150CF2GSTRIPOD,  CMG/3SF/EFP150/CF2/GS/TRIPOD) 2-Stage 150mm bowl Tripod for EFP-work with Ground Spreader

Camgear Tripod Adapter Ta-2

Camgear Tripod Adapter Ta-2(CMG-TRIPODADAPT-2, CMGTRIPODADAPT2, CMG/TRIPODADAPT/2) Camgear Tripod Adapter TA-2 (CMG-TRIPODADAPT-2) allows professional broadcast cameras to be attached to any VCT-14 style tripod. The Universal V-mount quick-release system allows for rapid transition from shoulder-mounted and tripod shooting. It features a red safety lever and a black lock lever to minimalize the chance of accidental dismounting of the camera.

Camgear Wedge Plate Wp-3

Camgear Wedge Plate Wp-3(CMG-WEDGEPLATE-WP3, CMG-WEDGEPLATE-WP3, CMG/WEDGEPLATE/WP3) The WP-3 Wedge Plate enables mounting cameras to the Camgear V12 and V15 fluid heads. This plate includes one 1/4"-20 screw and one 3/8"-16 screw.

Camgear Cine Ground Spreader Gs-3

Camgear Cine Ground Spreader Gs-3(CMG-GROUNDSPRDR-3, CMGGROUNDSPRDR3, CMG/GROUNDSPRDR/3) Stabilize your cine-style tripod with the Ground Spreader GS-3 from Camgear. This ground spreader has a robust load capacity of 309 lb and weighs 4.2 lb. It features rubber clasps for each tripod foot and a center knob to quickly pull up and fold the spreader for storage. The GS-3 spreader is compatible with Camgear OB/Studio, Elite 18, 20, and 25 tripods. Compatibility   Camgear OB/Studio, Elite 18, 20, and 25 tripods

Camgear Dolly S

Camgear Dolly S (CMG-DOLLY-S, CMGDOLLYS, CMG-DOLLY-S) The Dolly S from Camgear allows you to move the DV-6P and V10 tripod systems around without lifting them off the tripod. It can support up to 77.2 lb in weight.      

Camgear Elite Wedge Plate Tng-35

Camgear Elite Wedge Plate Tng-35 (CMG-ELPLATE-TNG35, CMGELPLATETNG35, CMG/ELPLATE/TNG35) for Elite 25 Fluid Heads / Tripod Systems    

Camgear Wedge Plate Wp-5

Camgear Wedge Plate Wp-5(CMG-WEDGEPLATE-WP5, CMGWEDGEPLATEWP5, CMG/WEDGEPLATE/WP5) The WP-5 Wedge Plate enables mounting cameras to the Camgear V35P fluid head. This plate includes one 1/4"-20 screw and one 3/8"-16 screw.

Camgear 3S-Fix T100/Al2 Gs Aluminum Tripod

Camgear 3S-Fix T100/Al2 Gs Aluminum Tripod(CMG-3SF-T100-AL2-GS-TRIPOD, CMG3SFT100AL2GSTRIPOD, CMG/3SF/T100/AL2/GS/TRIPOD) 2-Stage 100mm bowl Tripod with 3S-FIX lock and release mechanism and Ground Spreader

Camgear Wedge Plate Wp-2

Camgear Wedge Plate Wp-2(CMG-WEDGEPLATE-WP2, CMGWEDGEPLATEWP2, CMG/WEDGEPLATE/WP2) The WP-2 Wedge Plate enables mounting cameras to the Camgear DV6P fluid head. This plate includes one 1/4"-20 screw with a pin assembly.

Camgear Pan Bar Pb-Mark

Camgear Pan Bar Pb-Mark(CMG-PANBAR-MARK, CMGPANBARMARK, CMG/PANBAR/MARK) for MARK 2, MARK 4 & MARK 6 Tripod Systems

Camgear T100/Al2 Gs Aluminum Tripod

Camgear T100/Al2 Gs Aluminum Tripod(CMG-T100-AL2-GS-TRIPOD, CMGT100AL2GSTRIPOD, CMG/T100/AL2/GS/TRIPOD) The AL2 GS 2-Stage Aluminum Tripod with Ground Spreader from Camgear offers stable support for tripod heads with a 100mm half-ball base. This lightweight yet sturdy tripod supports camera rigs up to 88 lb and has a height range of 17 to 62.2". It features lever leg locks and has a folded length of 27.6". This tripod features spiked feet for a secure grip on rough terrain and an adjustable ground spreader with adjustable locking positions and a center ring to quickly collapse the tripod for transport.

Camgear Elite Telescopic Pan Bar Elpb-4 (set of 2)

Camgear Elite Telescopic Pan Bar Elpb-4 (set of 2)(CMG-ELTELEPB-4, CMGELTELEPB4, CMG/ELTELEPB/4) Left & right for Elite 8, Elite 10, Elite 12 & Elite 15 Fluid Heads / Tripod Systems

Camgear Rubber Feet Rf-1 for Tripods(set of 3)

Camgear Rubber Feet Rf-1 for Tripods(set of 3)(CMG-RUBBERFEET-1, CMG/RUBBERFEET/1, CMGRUBBERFEET1) These RF-1 Rubber Feet are spare or replacement feet for all Camgear tripods with a ground-level spreader and rubber feet.

Camgear 3s-Fix Eng/Al2 Gs Aluminum Tripod

Camgear 3s-Fix Eng/Al2 Gs Aluminum Tripod(CMG-3SF-ENG-AL2-GS-TRIPOD, CMG3SFENGAL2GSTRIPOD, CMG/3SF/ENG/AL2/GS/TRIPOD) The 3S-FIX ENG/AL2 GS 2-Stage 100mm Aluminum Tripod with GS-2 Ground Spreader from Camgear offers stable support for video tripod heads with a 100mm ball base. This sturdy tripod supports camera rigs up to 154 lb and has a height range of 15.4 to 61" and a folded length of 29.1". It features quick 3S-FIX lever leg locks and magnetic leg catches that speed your setup and breakdown. This aluminum tripod features spiked feet for a secure grip on rough terrain and an adjustable GS-2 ground spreader with a center ring to quickly collapse the tripod for transport.

IDX IMICRO-98P 14.54V 97Wh High Load micro V-mount Battery

IDX IMICRO-98P 14.54V 97Wh High Load micro V-mount Battery(IMICRO-98P ) The Imicro-98 is the smallest battery pack in the world at this capacity. Rated at 97Wh, the Imicro-98 meets the passenger aircraft carry-on limit while remaining useful in many diverse applications. The Imicro’s size is beneficial for users with small equipment and gimbal set ups. The Imicro-98 also includes two on-battery D-Tap outputs. Future accessories will make the Imicro Series your new go-to setup.

Camgear Elite Wedge Plate Tng-Dv

Camgear Elite Wedge Plate Tng-Dv(CMG-ELPLATE-TNGDV) For Elite 8 Fluid Heads / Tripod Systems

ATOMOS UltraSync ONE to Red camera timecode/genlock sync cable

ATOMOS UltraSync ONE to Red camera timecode/genlock sync cable(AO-ATOMXCAB06) Atomos UltraSync ONE Timecode/Genlock Y-Cable for RED Camera 4-Pin Sync: Sync timecode and genlock between the UltraSync ONE and a RED camera that has a 4-pin Sync port using this UltraSync ONE Timecode/Genlock Y-Cable from Atomos. This bidirectional Y-cable features DIN and BNC connectors on one end to plug into the UltraSync ONE timecode and genlock ports, and a 4-pin LEMO-type Sync connector on the other end plugs into a RED camera such as the DSMC2 models.

Samyang V-Af 35mm T1.9 Sony Fe-6854

Samyang V-Af 35mm T1.9 Sony Fe(6854) UNIFIED FORM FACTOR – COMPACT & LIGHT The V-AF increases compatibility with gimbals and drones by applying the unified form factors with its 5 different focal lengths (Ultra-Wide to Medium-tele). By providing a compact size of 73 X 70mm and a light-weight of less than 300g, there is no need to re-set the equipment when changing the lenses. TALLY LAMP - EXCELLENT USABILITY The lamp located on the front and mount index helps the user to check whether a video is recorded or not while shooting. It supports video content creation more conveniently even in a small space without a lot of equipment. SUPPORT 8K AND THE SAME COLOUR TONE The new V-AF series supports resolutions up to 8K in a small and lightweight form, which is well suited for use with handheld gimbals and drones, as well as for studios and location productions. All lenses within the new V-AF series are color-matched to avoid shifts when swapping lenses, and the 9 aperture blades allow for a natural-looking bokeh. CUSTOM SWITCH & BUTTON   Features the 'Focus save' function usually in professional cine equipment and custom mode that adds function by firmware, which provides video-specific functions for students and amateur users who dream of cinematographers.

Samyang VDSLR 35mm T1.5 MK2 Canon EF

Samyang Vdslr 35mm T1.5 Mk2 Canon Ef (8834) The Samyang VDSLR 35mm T1.5 MK2 Canon EF is a professional full frame cine lens designed for filmmaking, video production, documentaries, interviews and cinematic content creation workflows. Featuring a fast T1.5 aperture, industry-standard geared focus and iris rings, and full frame image coverage, the 35mm MK2 delivers cinematic depth of field, low-light performance and smooth manual focus control for professional video production. The 35mm focal length is one of the most versatile and widely used focal lengths in filmmaking, ideal for interviews, handheld shooting, documentaries, gimbal work and narrative production. Designed specifically for filmmakers, the MK2 series includes de-clicked aperture control, dual-sided focus scales, weather sealing and unified gear positioning for fast professional cine workflows.   The compact lightweight construction also makes the lens ideal for handheld rigs, gimbals, Blackmagic cinema cameras, Canon cinema cameras and mirrorless filmmaking setups.

Samyang V-Af 75mm T1.9 Sony Fe Mount-6856

Samyang V-Af 75mm T1.9 Sony Fe Mount(6856) UNIFIED FORM FACTOR – COMPACT & LIGHT The V-AF increases compatibility with gimbals and drones by applying the unified form factors with its 5 different focal lengths (Ultra-Wide to Medium-tele). By providing a compact size of 73 X 70mm and a light-weight of less than 300g, there is no need to re-set the equipment when changing the lenses. TALLY LAMP - EXCELLENT USABILITY The lamp located on the front and mount index helps the user to check whether a video is recorded or not while shooting. It supports video content creation more conveniently even in a small space without a lot of equipment. SUPPORT 8K AND THE SAME COLOUR TONE The new V-AF series supports resolutions up to 8K in a small and lightweight form, which is well suited for use with handheld gimbals and drones, as well as for studios and location productions. All lenses within the new V-AF series are color-matched to avoid shifts when swapping lenses, and the 9 aperture blades allow for a natural-looking bokeh. CUSTOM SWITCH & BUTTON   Features the 'Focus save' function usually in professional cine equipment and custom mode that adds function by firmware, which provides video-specific functions for students and amateur users who dream of cinematographers.

Pulnix TMC-X Video Camera, used

Pulnix TMC-X Video Camera, used(FMP59360NRSH) Good condition, 3 months warranty  The Pulnix TMC-X is a high-resolution, black-and-white CCD video camera engineered for precision imaging in industrial, scientific, and machine vision applications. Designed with Pulnix’s renowned build quality and imaging reliability, the TMC-X delivers outstanding image clarity, low-light sensitivity, and robust performance in demanding environments.

CamRade rainCover Medium

CamRade rainCover Medium (CAM-RAINCVR-MEDIUM) Protect your Digital Cinema Camera against inclement weather with the rainCover Medium. It is an absolute must have that will prevent water damage to your most valuable piece of equipment. With this rain cover, you can now protect your equipment from the elements without sacrificing your shot. Through years of experience and working closely with multiple camera operators, camRade has improved their designs to perfect solutions for multiple applications. The rainCover Medium is suitable for handheld camera work but is also great while your camera is attached on a tripod, slider, track system, JIB or any other camera support solution. Durable and functional design Always carry the camRade rainCover Medium with you so you do not get caught out when the weather turns. The cover is supplied in a waterproof zippered pouch, which you can use to store and transport the cover. It is easy to attach and detach the cover, thanks to the convenient design. Leave the bottom open for easy access or close it with the double straps if the wind plays tricks. The blue sliding rail makes it possible to bring the buckles to the desired position when the camera is mounted on a tripod. Clamps around the lens hood Thanks to 30 cm (11.8”) rubber strip, the rainCover fits correctly on most lenses. The strap supplied with a hook-and-loop fastener makes it possible to tighten the cover on the lens but still lets you operate the lens, due to its spacious design. The supplied zippered lensC L extension, covers and protects longer lenses. camRade offers an additional camRade rainCover Extension Kit (SKU: CAM-RAINCVR-KIT) to protect handgrip unit, 5”and 7” monitors/recorders and longer lenses. Protection goes beyond just the camera and lens camRade has included two different viewfinder covers. A small simple cover for an LCD screen and an advanced solution that covers 99% of today's external viewfinders & loupes. The rainCover Medium includes a battery extension cover that offers the possibility to extend the camera up to 20cm (7,9”) at the back. This add-on makes it possible to protect larger batteries, transmitters, or other accessories from the rain. Easy access to what is important On the left side of the cover a transparent window (24cm wide by 20cm high), allows you to have a clear view of the camera controls. The open bottom ensures that these controls are easy to operate. Directly above the window is a hook-and-loop fastener for the viewfinder and/or LCD screen support arm to get out from the main cover. You can use one of the two supplied viewfinder covers to use the viewfinder in any position without restrictions. A vertical hook-and-loop fastener on the top of the cover gives you the option to use a top handle or other top-mounted accessories. Next to the top handle opening is the protection for a standard on-camera shotgun microphone. This flap is also equipped with a 12cm wide hook-and-loop fastener to bring out cables and/or gives access to a cold / hot shoe accessory mount. The right side of the rainCover Medium has a vertical zipper that gives access to a possible handgrip and input/output connectors. A round opening with a drawstring at the back (above the battery) makes it possible to use an integrated viewfinder. The opening is large enough for the camera's eyecup and can also be used to use the camera's top handle for high shots. Why camRade? camRade was established in 1998 and has an extensive track record of protecting broadcast and film cameras. Since the start of camRade, the team of people behind the brand have continued to work closely with several audio and camera operators, broadcasters, and rental companies. Today we can say that we are the recognised world leader in camera protection. Why do I need a camRade rainCover?   Imagine how you would feel if your camera stopped working. A camera with water damage could be considered a total loss if the repair costs are too high. What if you could have prevented this by using a camRade rainCover? Your camera is often your most valuable piece of equipment while gathering news or during field productions. The durability and unique features of the rainCover Medium will protect your investment in a way that plastic bags and other cheap covers cannot.

CamRade rainCover Handheld 2709.0503

CamRade rainCover Handheld(CAM-RAINCVR-HANDHELD) 2709.0503 Protect the Sony, Panasonic, JVC and Canon handheld video camera against inclement weather with the rainCover Handheld. With this universal rain cover for handheld video cameras, you can now protect your equipment from the elements without sacrificing your shot.   Through years of experience and working closely with multiple camera operators, we have improved the designs to perfect solutions for multiple applications. The rainCover Handheld is suitable for handheld camera work but is also great while your camera is attached on a tripod, pedestal, or any other camera support solution.   Durable and functional design Always carry the camRade rainCover Handheld with you so you do not get caught out when the weather turns. The cover is supplied in a waterproof zippered pouch, which you can use to store and transport the cover. It is easy to attach and detach the cover, thanks to the convenient design. Leave the bottom open for easy access or close it with the double straps if the wind plays tricks. The blue sliding rail makes it possible to bring the buckles to the desired position when the camera is mounted on a tripod.   Clamps around the lens hood Thanks to its 48 cm (18.9”) rubber strip, the rainCover fits correctly to fixed lenses and lens hoods. The strap supplied with a hook-and-loop fastener makes it possible to tighten the cover on the lens hood but still lets you operate the lens, due to its spacious design. With several zippered and hook-and-loop openings you can easily access all essential parts of the camera. From openings for MI shoe connectors, wireless antennas, microphone and viewfinder, to a transparent window on the side for the LCD monitor, this rain cover has it all. The transparent back of the cover easily opens to change the camera’s battery or quickly access cables.   Why camRade? camRade was established in 1998 and has an extensive track record of protecting broadcast and film cameras. Since the start of camRade, the team of people behind the brand have continued to work closely with several audio and camera operators, broadcasters, and rental companies. Today we can say that we are the consolidated world leader in camera protection.   Why do I need a camRade rainCover? Imagine how you would feel if your camera stopped working. A camera with water damage could be considered a total loss if the repair costs are too high. What if you could have prevented this by using a camRade rainCover? Your camera is often your most valuable piece of equipment while gathering news or during field productions. The durability and unique features of the rainCover Handheld will protect your investment in a way that plastic bags and other cheap covers cannot.

Datavideo Ptc-285 Uhd Ptz Camera

Datavideo Ptc-285 Uhd Ptz Camera(DATA-PTC285) BRAND NEW 4K AI TRACKING PTZ CAMERA Live productions depend on high performance cameras and camera controllers. Datavideo is introducing the 4K50/60p Ai tracking PTZ camera , PTC-285 can be easily controlled via traditional RS-422 serial port, or IP remote control via DVIP (Datavideo proprietary protocol) or Sony VISCA over IP. This brand new 4K camera series supports dual streaming output for A/V market application. You can easily stream to Facebook (RTMPS), YouTube and dvCloud. SIMULTANEOUS OUTPUTS Connect your PTC-285 to multiple devices in your workflow for flexibility. All the outputs are active at the same time. QUICK ACCESS TO CAMERA'S AI TRACKING You will be allowed direct access to AI tracking via various external controllers such as the supplied RMC-1 remote control and DVIP controllers (RMC-300A, RMC-180 MARK II and PTC View Assist). CUSTOM AI OBJECT TRACKING If you are filming multiple people, you can designate a person for AI tracking. Once linked to the camera, only the designated person will be tracked, avoiding interferences such as the desks, people coming back and forth, large objects, etc. SMART PTZ SPEED ADAPTATION The integrated PID algorithm is able to detect the movement speed of the identified object and automatically adjust the camera's corresponding pan, tilt and zoom speeds in such a way that the lens movement will be smooth, avoiding common camera lens movement problems like jerky movements or unpredicted halts. S-SHAPED SPEED CURVE Just like how the lift accelerates or decelerates, the camera lens movement will be smooth, avoiding jerky movements that are visible to naked eyes. SIMPLY ENABLE AI TRACKING WITH YOUR IR REMOTE CONTROL RMC-1 PTZ Controller. All you need is a remote control to set and control all four cameras and save the four presets. PTZ VIEW ASSIST: CONTROL UP TO FOUR CAMERAS The camera control app is tailored for the Datavideo PTZ camera series. It can monitor the live streaming video from PTC-140, PTC-280, PTC-285 and PTC-300 series. The app can control up to 4 cameras simultaneously via DVIP, you can intuitively set up and recall the presets, and adjust white balance, focus and IRIS.

Datavideo PTC-145 Pan/Tilt Camera With Auto Tracking

Datavideo PTC-145 Pan/Tilt Camera With Auto Tracking(DATA-PTC-145) Stunning Full HD resolution The PTC-145 features 1/2.8 inch CMOS sensor, 1920x1080px Full HD resolution, 60fps. 20x Optical Zoom, 10x Digital Zoom The PTC-145's 20x optical zoom and 10x digital zoom allows you to mount it near or far and still get great, sharp shots. Advanced 2D/3D noise reduction function Supports advanced digital noise reduction, even in less-than-perfect lighting conditions can shoot clear and smooth image. Wide 54° Field of View PTC-145 provides a wide Field of View of 54°, easily shooting all the scenes in the field. H.264/H.265 video compression for streaming With built-in streaming encoder, can encode up to 2 simultaneous streams to any cloud service. Simple multi-camera control at your fingertips With its ergonomic joystick and tactile button layout, the RMC-180 makes it easy to set up and control up to four Datavideo PTC-145 cameras for any live video production.   RMC-300A can control up to 24 PTC-145 cameras Designed to control up to 24 PTC-140 cameras, with preset memory for easy camera control. Able to control up to 24 Datavideo PTC-145 cameras simultaneously, 7 presets for each camera to operate with RGB backlit buttons. Dark or Light Body   The PTC-145 is available in dark gray or white to remain inconspicuous in permanent setups.

Datavideo TP-900 Ptz Lcd Prompter

Datavideo TP-900 Ptz Lcd Prompter(DATA-TP900) he TP-900 Presentation Prompter Kit from Datavideo is a professional teleprompter designed specifically for PTZ cameras and controlled via Ethernet by a production team instead of the talent. It features a streamlined design that features a 15" monitor with integrated dvPrompter Plus app, 70/30 beamsplitter glass, a cloth hood with frame, and a camera mounting rail, making it ideal for conferencing, government, corporate, education, and broadcast studios. The TP-900 features a high-bright 15" 4:3 display that can be seen outdoors and includes a power supply and D-Tap cable to power it via an optional battery anywhere, making it ideal for indoor or remote locations. It mounts onto a frame and the camera mounts behind the glass using a durable camera rail. Control and monitor the prompter over a local network using any device with a modern web browser, load, reload, and control scripts over a local network. It supports optional hardware controllers such as the WR-500 remote or FS-30 foot pedal. Designed for PTZ Cameras The TP-900 teleprompter can be used with any size PTZ cameras, where the camera is mounted directly to the teleprompter rig. The unique TP-900 camera mounting system allows both horizontal and vertical adjustment and supports most PTZ cameras in the market. Built-In Teleprompter Application The TP-900 features a bright 15" 4:3 LCD screen with the powerful dvPrompter Plus application built in, so there is no need to run software on a laptop. Supports Talent Monitors The TP-900 supports a talent monitor up to 19" with VESA 75 and 100mm mounts, ideal for use with TLM-170 series monitors. Easy Control and Monitoring via Ethernet Control and monitor the prompter over a local network using any device with a modern web browser, load, reload, and control scripts over a local network. Synchronize Multiple Units via HDMI or IP Connect multiple TP-900s together using the HDMI input and output or use IP synchronization over Ethernet. The HDMI input also allows the 15" LCD screen to be used as a HDMI monitor with third-party software if required. The HDMI output can also be used to drive external displays. Powerful Rich Text Editor You can remotely change the font size, type, color, and justification on a per script basis and even use multiple different fonts within a single script. The editor also has support for embedding images and creating playlists from multiple scripts. P2P Interview Configuration When using two TP-900 kits together in a P2P (Peer to Peer) interview configuration, the interviewer and the interviewee are able to look directly into the camera lens while still seeing and looking directly at an image of each other. Video Conferencing Look natural on camera, the TP-900 allows you to see your guests while looking directly into the center of the camera lens. The TP-900s high-brightness 15" screen features mirroring in hardware, simply connect your VC system via HDMI and you are ready to go. Supports PowerPoint and Keynote Slides In addition to text-based scripts, you can now import your PowerPoint or Keynote presentation slides via the web interface; slides can be controlled using the hardware WR-500 control or the web-based remote control interface. dvPrompter Plus supports seamlessly switching between text-based scripts and slides, you can even add slides and text-based scripts to a playlist. dvPrompter Plus supports mirroring slides in real time, so your content is the right way around even when viewed via the mirror glass. Optional Hardware Controllers The TP-900 can also be controlled using the optional WR-500 handheld remote, FS-30 Foot Pedal, or any generic presentation remote with a USB receiver. Real-Time Editing Interrupt live broadcasts with breaking news or urgent updates by simply modifying the script via the web interface and watch it update in real time.

TV Logic TVLogic Lxm-320p Monitor

TVLogic Lxm-320p Monitor (TVL-LXM-320P, TVLLXM-320P, TVL LXM-320P) Add a professional-grade monitor to your production environment with this LXM-320P 31.5" DCI/UHD 4K Monitor from TVLogic. This bright and vivid monitor supports HDR emulation including a wide color gamut, wide dynamic range, PQ, HLG, and SLog3 gamma, 10-bit color, up to 4K input, and its native resolution is 3840 x 2160. It accepts video up to UHD 4K via its HDMI 2.0 input or four 12G-SDI inputs, and quad-link 3G-SDI inputs. It also features 12G-SDI and 3G-SDI quad-link loop outputs to send the signals to additional monitors or switchers for quad-view or dual-view displays.   The monitor has 1000 cd/m² brightness for clear viewing in daylight conditions and a wide 178° angle of view, as well as a sharp 1000:1 contrast ratio. Its internal tools and features include closed caption support, SFP-to-SDI conversion, a color calibration utility, 3D LUT support, waveform, vectorscope, timecode display, markers, check field, and many other image monitoring tools. The monitor also supports control via GPI and Ethernet, and it can have its firmware updated using a USB flash drive.

TV Logic TVLogic Lxm-240u Monitor

TVLogic Lxm-240u Monitor (TVL-LXM-240U, TVLLXM-240U, TVL LXM-240U) Add a professional-grade UHD 4K monitor to your production environment with this LXM-240U 23.8" DCI/UHD 4K Monitor from TVLogic. This bright and vivid monitor supports HDR emulation including a wide color gamut, wide dynamic range, PQ, HLG, and SLog3 gamma, and 10-bit color support, and its native resolution is 3840 x 2160. It accepts video up to UHD 4K via its HDMI 2.0 input or four 12G-SDI inputs, and up to 1080p60 via two 3G-SDI input. It also features 12G-SDI and 3G-SDI quad-link loop outputs to send the signals to additional monitors or switchers for quad-view or dual-view displays.   The monitor has approximately 1200 cd/m² brightness for clear viewing in daylight conditions and a wide 178° angle of view, as well as a sharp 1200:1 contrast ratio. Its internal tools and features include closed caption support, SFP-to-SDI conversion, a color calibration utility, 3D LUT support, waveform, vectorscope, timecode display, markers, check field, and many other image monitoring tools. The monitor also supports control via GPI and Ethernet, and it can have its firmware updated using a USB flash drive.

Roland RH-A30 Open-Air Studio Monitor Headphones

Roland RH-A30 Open-Air Studio Monitor Headphones(ROL-RH-A7-BK, ROLRH-A7-BK, ROL RH-A7-BK) ENJOY ALL THE DYNAMICS OF YOUR DIGITAL PIANO, DAY OR NIGHT Silent practice shouldn’t mean losing the immersive tone of your digital piano. Day or night, slip on Roland’s RH-A7 headphones and bring all the character, depth and detail of your instrument through an open-air design that’s so comfortable, you’ll keep practicing for hours. The RH-A7 is designed to inspire modern players, with a wide dynamic range that catches the nuances of Roland’s renowned piano tone, from shimmering highs to commanding bass. Meanwhile, the open-back design keeps practice sessions light, cool and interactive, letting you talk to your teacher or lose yourself in the music. IMMERSIVE PIANO SOUNDS, WHENEVER IT SUITS YOU Pair your Roland digital piano with RH-A7 headphones and you’ll be ready morning, noon or night to enjoy your instrument’s rich and dynamic sound without disturbing a soul. Play with passion as you enjoy the nuances of subtle pianissimo all the way to pounding fortissimo and be inspired by the natural and characterful tone of your instrument. PLAY LONGER, PRACTICE HARDER, IMPROVE FASTER   The wrong headphones can make practice a clock-watching chore but, with their comfortable design, the RH-A7 headphones let you keep focused during demanding lessons and help make long sessions fly by. The open-air design helps cut weight to a welcome 200-grams and ensures your ears keep cool with supreme breathability. The design also allows you to hear your teacher’s advice between takes. Topped off with soft, luxurious suede earpads, you’ll almost forget you’re wearing RH-A7 headphones – so you’ll play longer, practice harder and improve faster.

Kondor Blue Sony FX6 Cage System - Cage Only - Space Grey

Kondor Blue Sony FX6 Cage System - Cage Only - Space Grey(KON-SFX6_CO, KONSFX6_CO, KON SFX6_CO)

Kondor Blue Sony FX6 Cage System - Cage with Trigger Handle - Raven Black

Kondor Blue Sony FX6 Cage System - Cage with Trigger Handle - Raven Black (KON-SFX6_BK, KON SFX6_BK, KONSFX6_BK)

Kondor Blue SSD Handle for SANDISK USB-C Recording - Space Grey

Kondor Blue SSD Handle for SANDISK USB-C Recording - Space Grey(KON-PBSSD, KON PBSSD, KONPBSSD) More and more cameras are enabled to record via USB C to an SSD. Working closely with SanDisk Professional and Panasonic, Kondor Blue have ensured an incredible experience when using the SanDisk Professional PRO-BLADE SSD Mag (up to 2TB). These drives can sustain breathtaking read/write speeds and up to 1,000 MB/s when using the drive in conjunction with the KONDOR BLUE SSD Handle.  Every feature of the handle has been meticulously considered and optimized. Not only does the handle perform as an incredible top handle, it can also be used as a side handle. The NATO rail that runs along the base serves as a great platform for dialing in balance and positioning for either orientation. The NATO features an integrated safety stop giving you confidence that the handle won’t slip free.  The drive slides smoothly into the handle and has a recessed cutout on top for users to be able to grab the pull tab of the drive to remove. The USB C interface on the front of the grip is nested into a vertical NATO rail which provides great protection without any extra fuss. The vertical NATO also pairs perfectly with the KONDOR BLUE NATO to NATO Swivel Tilt Monitor Mount. The KONDOR BLUE SSD Handle also features a cold shoe with a spring-loaded safety stop and 2x ¼ 20 ARRI style mounts. The mounting NATO clamp can also be oriented in parallel or perpendicular modes and is held in place with two captive M4 bolts and anti-twist pins. The NATO clamp stem can also be removed altogether to work with KONDOR BLUE’s NATO Clamp to ARRI Rosette and Quick Release Rosette Module.    Best of all, the KONDOR BLUE SSD Handle is also comfortable! The combination of the side cross hatchings, diamond plate style G10, and finger cutouts make this grip an ergonomic dream. This handle is built like a tank but light like a plane to be a workhorse for years to come.

Kondor Blue SSD Handle for SANDISK USB-C Recording - Raven Black

Kondor Blue SSD Handle for SANDISK USB-C Recording - Raven Black(KON-PBSSD_BK, KONPBSSD_BK, KON PBSSD_BK) More and more cameras are enabled to record via USB C to an SSD. Working closely with SanDisk Professional and Panasonic, Kondor Blue have ensured an incredible experience when using the SanDisk Professional PRO-BLADE SSD Mag (up to 2TB). These drives can sustain breathtaking read/write speeds and up to 1,000 MB/s when using the drive in conjunction with the KONDOR BLUE SSD Handle.  Every feature of the handle has been meticulously considered and optimized. Not only does the handle perform as an incredible top handle, it can also be used as a side handle. The NATO rail that runs along the base serves as a great platform for dialing in balance and positioning for either orientation. The NATO features an integrated safety stop giving you confidence that the handle won’t slip free.  The drive slides smoothly into the handle and has a recessed cutout on top for users to be able to grab the pull tab of the drive to remove. The USB C interface on the front of the grip is nested into a vertical NATO rail which provides great protection without any extra fuss. The vertical NATO also pairs perfectly with the KONDOR BLUE NATO to NATO Swivel Tilt Monitor Mount. The KONDOR BLUE SSD Handle also features a cold shoe with a spring-loaded safety stop and 2x ¼ 20 ARRI style mounts. The mounting NATO clamp can also be oriented in parallel or perpendicular modes and is held in place with two captive M4 bolts and anti-twist pins. The NATO clamp stem can also be removed altogether to work with KONDOR BLUE’s NATO Clamp to ARRI Rosette and Quick Release Rosette Module.    Best of all, the KONDOR BLUE SSD Handle is also comfortable! The combination of the side cross hatchings, diamond plate style G10, and finger cutouts make this grip an ergonomic dream. This handle is built like a tank but light like a plane to be a workhorse for years to come.

Blackmagic Studio Camera 4K Pro G2

Blackmagic Studio Camera 4K Pro G2(BMD-CINSTUDMFT/G24PDFG2, BMD CINSTUDMFT/G24PDFG2, BMD/CINSTUDMFTG24PDFG2) BLACKMAGIC STUDIO CAMERA 4K PRO G2 Designed for powerful SDI switchers, Blackmagic Studio Camera 4K Pro G2 adds professional 12G‑SDI and 10G Ethernet connections. That's perfect when the camera is located a long distance from a switcher. There's a 12G‑SDI output and a 12G‑SDI program return input that includes camera control, talkback and tally. You also get the same powerful HDMI output with control features. Plus the 10G Ethernet connection allows all connections on a single cable for a SMPTE style workflow that's much lower cost. THE ULTIMATE SELF CONTAINED LIVE STUDIO CAMERAS With 3 models of Blackmagic Studio Camera, you can choose the one that’s best for your work. Even with 3 different models, each camera still has the same Blackmagic generation 5 colour science, so have the same cinematic images when mixed and matched on the same job. The distinctive design has the benefits of a large studio camera as it’s a combination of camera and viewfinder in a single lightweight design. All models offer gain from -12dB (100 ISO) up to +36dB (25,600 ISO) for amazing low light performance with low image grain and noise, as well as maximum dynamic range from the sensor. That means you can shoot in locations with limited lighting. They even have built in colour correctors. LIGHTWEIGHT CARBON FIBER POLYCARBONATE Blackmagic Studio Cameras are built from advanced carbon fiber reinforced polycarbonate, so they are light weight and very strong. That's important when you are carrying multiple cameras into venues such as old theatres, stadiums or nightclubs that have crazy stairs and hard to access backstage areas. Plus the ergonomic design has all external connections on the tripod handle side of the camera. This design and the folding sunshade makes the cameras extremely fast to set up. HIGHLY VISIBLE TALLY LIGHT Blackmagic Studio Cameras have a large built in tally light to see which camera is on-air. The light is so big, you can see it from a great distance! Plus numeric decals are included so you can number each camera. There's also a separate tally light on the rear under the sunshade, perfect when tilting the camera down. Tally is flexible as it works via SDI, HDMI or the Ethernet connection. When using Ethernet, the Blackmagic Studio Converter even includes conventional tally GPI inputs. LARGE BUILT IN VIEWFINDER The design of the Blackmagic Studio Camera is based on an incredible full HD resolution viewfinder with a bright screen and wide viewing angle. Until now, only incredibly expensive studio cameras had the advantage of such a large viewfinder for better focusing and framing of shots! For outdoor use, there's a sunshade included that folds up to protect the screen. This sunshade can also be easily unclipped and removed, or even replaced with the metal sunshade from the URSA Studio Viewfinder. TOUCHSCREEN AND MANUAL CONTROLS For fast moving live production, it's vital to have all camera controls instantly accessible. The viewfinder LCD is also a touchscreen so you can access camera settings via on screen menus. You get knobs for LCD brightness and contrast, and a focus peaking knob lets you fine tune the focus highlighting for accurate camera focus. There's also touch parameters for camera settings such as colour temp, gain, audio level and more. Plus there's even a program return and customizable function buttons. COMPATIBLE WITH POPULAR PHOTOGRAPHIC LENSES As photographic lenses are designed to handle high resolutions and are mass produced, they're great for high end television use. The MFT and EF lens mounts allow you to choose from a massive range of lenses from a wide range of different manufacturers. Often these lenses are so well built, you get broadcast style results combined with very accurate focus and zoom control. This means you can add the optional focus and zoom demands and use the camera just like a professional broadcast camera. BOTH BROADCAST AND CONSUMER CONNECTIONS The Blackmagic Studio Cameras have been designed to look attractive but still provide all the connections in a logical lay out. The connections on the right are for all video inputs and outputs and this means they can be tied to the tripod handle. On the left side are the connections for your talkback, audio inputs, USB and more. That's great for headphones as the connection on the camera is on the same side as the connection on the headphones, so you don't have to deal with any cable tangles. INCLUDES TRIPOD MOUNT Every Blackmagic Studio Camera includes a tripod mount so you don't need to purchase any accessories. The mount includes a quick release sliding plate, so you can attach the camera to the tripod just by sliding it onto the plate. That makes setup very fast when arriving on location. Plus the tripod mount includes two horizontal mounting holes so you can add optional rails when you need to support heavy items on the lens side of the camera such as prompters, matte boxes or heavy lenses. DC, XLR OR ETHERNET POWERED The Blackmagic Studio Camera features a common plug pack power connection with a locking ring so it won't get disconnected accidentally. On the Pro models, you can also connect via a 4 pin broadcast style XLR power connection, or if you use the Blackmagic Studio Converter to connect via Ethernet, the single Ethernet connection will also fully power the camera. That means when you use Ethernet, you don't need to plug in any local camera power at all.

RODE XLR CABLE PURPLE 6 Metre

RODE XLR CABLE PURPLE 6 Metre(XLR6M-PU) Rode XLR-6 Purple 6m XLR Cable w/ Neutrik Connectors The Rode XLR-6 Purple is a professional-grade 6 metre XLR microphone cable designed for exceptional audio performance in studio, broadcast, podcasting and live sound environments. Built using premium Canare™ cable and genuine Neutrik® connectors, the XLR-6 delivers ultra-low noise signal transfer with excellent durability and reliability for demanding professional applications. The distinctive purple finish is perfect for colour-coded studio and podcast setups, particularly when paired with Rodecaster systems, streaming rigs and multi-microphone productions. Suitable for:   Studio microphones Podcast setups Streaming rigs Broadcast audio Live sound production Content creation studios     

Camrade CAM-RAINCVR-RED Raincover for RED

Camrade CAM-RAINCVR-RED (CAM/RAINCVR-RED, CAM/RAINCVR/RED, CAMRAINCVRRED, CAM RAINCVR RED) Raincover for RED Protect your RED camera setup against inclement weather with the camRade rainCover for RED. It is an absolute must have that will prevent water damage to your most valuable piece of equipment. With this rain cover, you can now protect your equipment from the elements without sacrificing your shot. Through years of experience and working closely with the film industry, camRade has improved their designs to perfect solutions for multiple applications. The rainCover for RED is suitable for handheld camera work but is also great while your camera is attached on a tripod, slider, tack system, JIB or any other camera support solution. Durable and functional design Always carry the camRade rainCover for RED with you so you do not get caught out when the weather turns. The cover is supplied in a waterproof zippered pouch, which you can use to store and transport the cover. It is easy to attach and detach the cover, thanks to the convenient design. Leave the bottom open for easy access or close it with the double straps if the wind plays tricks. The blue sliding rail makes it possible to bring the buckles to the desired position when the camera is mounted on a tripod. Clamps around the lens hood Thanks to its 34 cm (13,4”) rubber strip, the rainCover fits correctly on most lenses. The strap supplied with a hook-and-loop fastener makes it possible to tighten the cover on the lens but still lets you operate the lens, due to its spacious design. The supplied zippered lensC M extension, covers and protects longer lenses. For longer lenses camRade is offering an additional camRade rainCover Extension Kit (SKU: CAMRAINCVR-KIT). Includes an unique battery extension The rainCover for RED includes a battery extension cover that offers the possibility to extend the camera up to 20cm (7,9”) at the back. This add-on makes it possible to protect larger batteries, transmitters, or other accessories from the rain Easy access to what is important A vertical hook-and-loop fastener on the top of the cover gives you the option to use a top handle or other top-mounted accessories. Several transparent windows allowing you to see the setting and operate the controls of the camera. The transparent window on top of the cover, allows you to have a clear view of the camera’s monitor. This flap was designed on the dimensions of the RED DSMC2 TOUCH 7.0" monitor, but also covers the smaller 4.7” and 5” models from RED too. It also fits the TVLogic VFM-056, VFM-058WP, VFM-055A and F-5A monitors and a selection of Atomos and SmallHD products. On the left side of the cover, a special compartment is provided that protects a small viewfinder such as the RED BOMB EVF, the DSMC2 RED EVF or a third party VF like the Zacuto Gratical Eye / Kameleon or the PortKeys OEYE.

Smallrig 1051 15mm Rods M12-20cm

Smallrig 1051 15mm Rods M12-20cm(SR1051) Includes 2pcs of 20cm long industry-standard 15mm rod. There is an inner M12 thread on each end of the rod so that you can extend the rod with an M12 threaded rod.

COMAN DF16LQ5S Tripod System

COMAN DF16LQ5S Tripod System  The COMAN DF16LQ5S Tripod System is a professional-grade video tripod designed for DSLR and small video cameras. Constructed from durable aluminum, it offers a balance of stability and portability, making it suitable for various shooting environments.

camRade camStrap Mini

CamRade CamStrap Mini (CAM-CAMSTR-MINI) Camera neck strap for mirrorless cameras &monitor cages w/ 2 plastic mini detachable loopstring buckles. Carry your equipment in comfort and style with the black camStrap Mini from camRade. The strap usesstrong, detachable loop string connectors that attach to the eyelets of your camera or monitor cage. Witha wide 65cm (25”) to 135cm (53”) adjustable length, the camStrap Mini can be configured to work as asling, shoulder, or neck strap. The camStrap Mini is 4cm (1.5”) wide and made from nylon webbing that is padded internally to helpensure comfortable use. One side of the strap is smooth for sliding the camera to your eye when set up asa sling, the other side has a rubber grip that prevents it from slipping while worn on your neck or shoulder. Compatibility Blackmagic Pocket Cinema Camera 4K Blackmagic Pocket Cinema Camera 6K (Pro) Canon EOS 1DX 

Zacuto Axis Mini EVF Mount

Zacuto Axis Mini EVF Mount The Axis Mini is the most adjustable ENG style mount for rosette mounted EVFs, giving you full 360º motion with four adjustment points. Designed to attach to the top of your camera set up, it leaves plenty of room at the lens for focusing and will work with the widest of lenses. It can easily be adjusted with one hand while the rig is on your shoulder. The Axis Mini has extensive articulation for use with a variety of cameras, both shoulder mounted in a Next Generation Recoil or in tripod operating position. It is very small and quick to install and remove.The Axis Mini attaches to your rig via a required 15mm rod port at the top of a kit positioned perpendicular to your camera lens, see recommended accessories. Slide the Axis Mini into the 15mm rod port and clamp into place. The Axis Mini attaches to the Gratical HD via a secure 1/4" 20 rosette mount. EVF's with a 1/4" 20 screw mount require the Quad Rail for use with the Axis Mini.The Axis Mini has three red tension levers that are controlled independently with 360 degree motion. Release all three levers to completely reposition the mount or release just one to make single segment adjustments. You can dial in the exact amount of tension needed at each lever to adjust on the fly. Just grab and move.If you are left eye shooter an additional extension is requiredA modified axis is required if you are using the Sony F5/F55 viewfinder. Contact sales@zacuto.com.

Kondor Blue universal lens support kit for lws 15mm rods- space grey

Universal Lens Support Kit for LWS 15mm Rods Single-sided rail block Base Extension Rod (13.5mm travel) Wheeled Lens Support V Lens Support 3mm mount - 15mm extension ¼” 20 mount - 15mm extension ⅜” 16 mount - 15mm extension

Kondor Blue quick release rosette module set- space grey

quick release rosette module set- space grey(KON-QR_RM_SET, KONQR_RM_SET, KON/QR_RM_SET) Compatible with all Canon C200, C300, and C500 cameras as well as Sony FX9, Blackmagic Ursa Mini, and many more!  Turn any handgrip such as the popular Nucleus Focus grips or Canon ZSG-C10 Zoom Grips into quick-release handgrips!  These compact aluminium modules feature ARRI-style rosettes on either side and a quick-release lever that allows you to quickly adjust your handgrip angle. The rosette features an M6 female thread for mounting a handgrip and allows 360° rotation.  

Kondor Blue cine magic arm- 1/4"-20 (space grey)

cine magic arm- 1/4"-20 (space grey)(KON-MAGICARM) The Cine Magic Arm with Double Ball Heads can be used to mount an accessory on your camera rig at almost any angle. Compatible with a wide range of camera components such as monitors, small lights, or sound gear, both ball heads are secured using the single, large thumb lever. The ball ends can be swapped out for separately available ball heads such as the Mini Quick Release Plate to Ball Head Adapter, or Cine Magic Arm Extension Bar that can be used to chain and extended multiple magic arms together.  

Kondor Blue canon c70 top plate- space grey

canon c70 top plate- space grey( KON-CC70_TP, KONCC70_TP, KON/CC70_TP)

Kondor Blue 12" arri lightweight dovetail plate

12" arri lightweight dovetail plate( KON-ARRI_DP, KONARRI_DP, KON/ARRI_DP) Use our perfectly symmetrical ARRI Standard 12" Dovetail Plate when balancing front- or back-heavy camera loads with a smooth back and forth slide.  Safety release buttons on each side prevent your equipment from accidentally sliding off the plate.  There are plenty of 1/4"-20 and 3/8"-16 threads down the center of the plate for versatile mounting.  This plate is designed to be identically functional from the front and back.  

Kondor Blue 12" arri lightweight dovetail plate

12" arri lightweight dovetail plate(KON-ARRI_DP_BK, KONARRI_DP_BK, KON/ARRI_DP_BK) Use our perfectly symmetrical ARRI Standard 12" Dovetail Plate when balancing front- or back-heavy camera loads with a smooth back and forth slide.  Safety release buttons on each side prevent your equipment from accidentally sliding off the plate.  There are plenty of 1/4"-20 and 3/8"-16 threads down the center of the plate for versatile mounting.  This plate is designed to be identically functional from the front and back.  

Kondor Blue shoulder pad air- space grey

shoulder pad air- space grey( KON-SPA, KONSPA, KON/SPA)

Kondor Blue shoulder pad air- black

shoulder pad air- black ( KON-SPA_BK, KONSPA_BK, KON/SPA_BK)

Kondor Blue ursa mini base rig (12k/4.6k/4k)- black

ursa mini base rig (12k/4.6k/4k)- black(KON-URSAM_BASERIG_BK, KONURSAM_BASERIG_BK, KON/URSAM_BASERIG_BK)

Kondor Blue sony fx3 cage- with top handle (black)

sony fx3 cage- with top handle (black) (KON-SFX3_BK, KON SFX3_BK, KON/SFX3_BK)

Kondor Blue sony fx3 cage- without top handle (space grey)

sony fx3 cage- without top handle (space grey) (KON-SFX3_CO, KONSFX3_CO, KON/SFX3_CO)

Kondor Blue sony fx3 cage- without top handle (black)

sony fx3 cage- without top handle (black)(KON-SFX3_CO_BK, KONSFX3_CO_BK, KON/SFX3_CO_BK)

Kondor Blue sony fx3 cage- with top handle (space grey)

sony fx3 cage- with top handle (space grey)(KON-SFX3, KONSFX3, KON/SFX3)

Kondor Blue sony a1/a7 series cage (a1/a7s3/a74)- with trigger top handle (black)

sony a1/a7 series cage (a1/a7s3/a74)- with trigger top handle (black) (KON-SONYA7R_BK, KONSONYA7R_BK, KON/SONYA7R_BK)

Kondor Blue sony a1/a7 series cage (a1/a7s3/a74)- without trigger top handle (black)

sony a1/a7 series cage (a1/a7s3/a74)- without trigger top handle (black) (KON-SONYA7_CO_BK, KONSONYA7_CO_BK, KON/SONYA7_CO_BK)

Kondor Blue panasonic lumix s5ii/x cage- with top handle (space grey)

panasonic lumix s5ii/x cage- with top handle (space grey) (KON-PS5II, KON-PS5II, KON-PS5II) Pound for pound, the Panasonic S5II/S5IIX swings way above its weight class. To have such a feature-rich option at its price point is truly remarkable. As such, we wanted to create a cage ecosystem that would match the camera’s prowess. The S5II/S5IIX cage features an evolution of the KONDOR BLUE Mid-Rail that was introduced on the KONDOR BLUE Panasonic GH6 Cage. This greatly enhances the overall strength and rigidity of the rig. Additionally, the nested strap loop inserts keep this cage mounted rock-solid to the camera body. The Left Side and Top Plates are securely interlocked with an Arri Rosette. The rosette is perfectly placed to be used with the KONDOR BLUE Wing Side Handle which features run/stop functionality. The combination makes for an amazing run-n-gun setup. Per usual, the cage comes fully loaded with all the KONDOR BLUE perks–built-in tools, standard mounting holes/patterns, and bubble level. On top of that, the cage is backed by our lifetime warranty which our customers love. Designed to protect, amplify, and inspire, the KONDOR BLUE Panasonic S5II/S5IIX Cage was made for creators who aren’t looking to compromise.  

Kondor Blue panasonic lumix s5ii/x cage- with top handle (raven black)

panasonic lumix s5ii/x cage- with top handle (raven black) (KON-PS5II_BK, KON PS5II_BK, KON/PS5II_BK)   Pound for pound, the Panasonic S5II/S5IIX swings way above its weight class. To have such a feature-rich option at its price point is truly remarkable. As such, we wanted to create a cage ecosystem that would match the camera’s prowess. The S5II/S5IIX cage features an evolution of the KONDOR BLUE Mid-Rail that was introduced on the KONDOR BLUE Panasonic GH6 Cage. This greatly enhances the overall strength and rigidity of the rig. Additionally, the nested strap loop inserts keep this cage mounted rock-solid to the camera body.   The Left Side and Top Plates are securely interlocked with an Arri Rosette. The rosette is perfectly placed to be used with the KONDOR BLUE Wing Side Handle which features run/stop functionality. The combination makes for an amazing run-n-gun setup.   Per usual, the cage comes fully loaded with all the KONDOR BLUE perks–built-in tools, standard mounting holes/patterns, and bubble level. On top of that, the cage is backed by our lifetime warranty which our customers love. Designed to protect, amplify, and inspire, the KONDOR BLUE Panasonic S5II/S5IIX Cage was made for creators who aren’t looking to compromise.  

Kondor Blue panasonic lumix s5ii/x cage- without top handle (space grey)

panasonic lumix s5ii/x cage- without top handle (space grey) (KON-PS5II_CO, KON PS5II_CO, KON/PS5II_CO)   Pound for pound, the Panasonic S5II/S5IIX swings way above its weight class. To have such a feature-rich option at its price point is truly remarkable. As such, we wanted to create a cage ecosystem that would match the camera’s prowess. The S5II/S5IIX cage features an evolution of the KONDOR BLUE Mid-Rail that was introduced on the KONDOR BLUE Panasonic GH6 Cage. This greatly enhances the overall strength and rigidity of the rig. Additionally, the nested strap loop inserts keep this cage mounted rock-solid to the camera body.    The Left Side and Top Plates are securely interlocked with an Arri Rosette. The rosette is perfectly placed to be used with the KONDOR BLUE Wing Side Handle which features run/stop functionality. The combination makes for an amazing run-n-gun setup.     Per usual, the cage comes fully loaded with all the KONDOR BLUE perks–built-in tools, standard mounting holes/patterns, and bubble level. On top of that, the cage is backed by our lifetime warranty which our customers love. Designed to protect, amplify, and inspire, the KONDOR BLUE Panasonic S5II/S5IIX Cage was made for creators who aren’t looking to compromise.

Kondor Blue panasonic lumix s5ii/x cage- without top handle (raven black)

panasonic lumix s5ii/x cage- without top handle (raven black) (KON-PS5II_CO_BK, KON-PS5II_CO_BK,KON-PS5II_CO_BK)   Pound for pound, the Panasonic S5II/S5IIX swings way above its weight class. To have such a feature-rich option at its price point is truly remarkable. As such, we wanted to create a cage ecosystem that would match the camera’s prowess. The S5II/S5IIX cage features an evolution of the KONDOR BLUE Mid-Rail that was introduced on the KONDOR BLUE Panasonic GH6 Cage. This greatly enhances the overall strength and rigidity of the rig. Additionally, the nested strap loop inserts keep this cage mounted rock-solid to the camera body.   The Left Side and Top Plates are securely interlocked with an Arri Rosette. The rosette is perfectly placed to be used with the KONDOR BLUE Wing Side Handle which features run/stop functionality. The combination makes for an amazing run-n-gun setup.     Per usual, the cage comes fully loaded with all the KONDOR BLUE perks–built-in tools, standard mounting holes/patterns, and bubble level. On top of that, the cage is backed by our lifetime warranty which our customers love. Designed to protect, amplify, and inspire, the KONDOR BLUE Panasonic S5II/S5IIX Cage was made for creators who aren’t looking to compromise.

Kondor Blue director's monitor indie kit- raven black

director's monitor indie kit- raven black ( KON-DMIK_BK, KON DMIK_BK, KON/DMIK_BK) The Director’s Monitor Rig Indie Kit builds upon the foundation of the Kondor Blue Director’s Monitor V-Mount kit. The 3.5” Monitor Cage Rail can be mounted to the top or bottom of your monitor. Then the Core Bracket can be attached via the nato clamp. Branching out from the Core Bracket is our 12” PPSH 15mm rod capped with a pair of Kondor Blue Hand Grips for 15mm rods. The 15mm rod mount on the Core Bracket features a unique dual clamping mechanism to prevent the monitor from slipping under its own weight.  Additional mounting points can be found throughout the monitor rig. The cold shoe on the Core Bracket is a great spot for a wireless receiver, and the retractable Arri pins are ideally positioned to work in conjunction with the newly designed Kondor Blue D-Tap Hub. The ¼ 20 threads on the bottom of the hand grips are ideal for ¼” Loop Screws for Straps, and of course mounting points throughout for our Mondo Ties cable management.  Every component of the V-Mount Battery Plate is machined to ensure durability and accuracy—you can confidently set the Indie Kit down without fear of the V-Mount popping off.  The modular design of the Indie Monitor Rig Kit allows for a variety of setups and accessorizing. We can’t wait to see how it will be used on sets all over the world.    

Kondor Blue canon r5/r6/r cage with battery grip- with top handle (black)

canon r5/r6/r cage with battery grip- with top handle (black) (KON-CANON_CAGEGRIP_BK, KON CANON_CAGEGRIP_BK, KON/CANON_CAGEGRIP_BK)

Kondor Blue canon r5/r6/r cage- without top handle (space grey)

canon r5/r6/r cage- without top handle (space grey) (KON-CANON_CAGE_CO, v, KON CANON_CAGE_CO, KON/CANON_CAGE_CO)

Kondor Blue canon r5/r6/r cage- with top handle (space grey)

canon r5/r6/r cage- with top handle (space grey) (KON-CANON_CAGE, KON CANON_CAGE, KON/CANON_CAGE)

Kondor Blue canon c70 cage- with top handle (space grey)

canon c70 cage- with top handle (space grey) (KON-CC70, KON CC70, KON/CC70)

Kondor Blue bmpcc 6k pro cage battery grip- black

bmpcc 6k pro cage battery grip- black (KON-BMPCC6KP_GRIPTH_BK, KON-BMPCC6KP_GRIPTH_BK, KON-BMPCC6KP_GRIPTH_BK)

Kondor Blue blackmagic pocket 6k pro cage- without top handle (sapce grey)

blackmagic pocket 6k pro cage- without top handle (sapce grey) ( KON-BMPCC6KP_CO, KONBMPCC6KP_CO, KON/BMPCC6KP_CO)

Kondor Blue blackmagic pocket 6k pro cage- black

blackmagic pocket 6k pro cage- black ( KON-BMPCC6KP_CO_BK, KON BMPCC6KP_CO_BK, KON/BMPCC6KP_CO_BK)

Kondor Blue blackmagic pocket 6k pro cage- space grey

blackmagic pocket 6k pro cage- space grey ( KON-BMPCC6KP, KON BMPCC6KP, KON/BMPCC6KP)

Kondor Blue blackmagic pocket 6k pro base rig- black

blackmagic pocket 6k pro base rig- black (KON-BMPCC6KP_BASERIG_BK, KON BMPCC6KP_BASERIG_BK, KON/BMPCC6KP_BASERIG_BK)

Kondor Blue mini v-mount basic rod kit- raven black

mini v-mount basic rod kit- raven black(KON-MVRK_BK, KON MVRK_BK, KON/MVRK_BK)   Every component of the V Mount Battery Plate is machined from aerospace grade aluminum and stainless steel to ensure durability and accuracy—you can confidently set the Pro Kit down without fear of the V Mount popping off.   With multiple mounting options, it’s easy to find a range of uses for the KONDOR BLUE Mini V Mount plate. Be sure to explore our range of accessories and kits to make the most of this versatile mount. Some of these accessories include the 15mm Rod Clamp to Accessory Mount and the Director’s Monitor Core Bracket with more to come.

Kondor Blue trigger wing side handle- space grey

trigger wing side handle- space grey(KON-WSH, KON WSH, KON/WSH) Side Handles are a rig staple these days and it’s something that has been on our minds for a long time. But in true Kondor Blue fashion, we didn't want to make a dozen variants of a side handle—we wanted to create one that would rule them all. Thus, the Kondor Blue Wing Side Handle was born!  Taking inspiration from traditional pistol grips, we wanted to ensure that first and foremost the side handle was comfortable. After testing several size variations we nailed an ergonomic grip that is comfortable for hands of all sizes. The contoured rubber grip features symmetrical knurling textures on each side with grooves cut out along the back spine and is comfortable in all shooting temperatures and environments.  The start/stop trigger is ideally located for the pointer finger and has been recessed to prevent accidental record triggering. The remote trigger cable has also been nested to keep the cable locked in place while also naturally providing direction for cable management. Just above the record button is a cold shoe that would work great for mounting a lav receiver, timecode device, etc.  On top of the grip, an Arri mount is ideally placed to work in conjunction with our Magic Arm or Mini Quick Release lineups.  To top it all off, the grip is ambidextrous and is easily converted into a left or right handle with the need to only remove a single bolt. The side Arri Mounts locate the rosette attachment bracket. This bracket has built-in Arri anti-rotation pins to keep your grip from slipping. The offset distance (20mm) of the rosette bracket has been optimized to work alone or be adapted with a range of Kondor Blue rosette accessories such as our Quick Release Rosette Modules, Nato Clamp to Arri Rosette, and Rosette Cage Adapter to name a few.  Expand the potential of your rig with the one of a kind Kondor Blue Wing Side Handle.

Kondor Blue talon xl top handle with trigger rec for cameras- space grey

  talon xl top handle with trigger rec for cameras- space grey (KON-TALONTHXL, KON TALONTHXL, KON/TALONTHXL) The Talon XL Top Handle is the bigger brother to the Talon Top Handle. It features the same molded rubber pad, which has been contoured to perfectly fit your hand. Not only is the Talon XL 20mm/.75” longer, it also features a remote trigger Run/Stop button. This makes operating the camera from the top handle a dream. Much like its namesake, the Talon XL Top Handle is meant to clasp all of your accessories with a range of mounting options. Starting at the front, a short Nato allows for quick accessorizing or mount any of our Monitor Mounts via the ⅜” Arri Mount. The top features a REC button and cold shoe mount, two more ⅜ Arri mounts pre-loaded with ⅜ to ¼ bushings, Nato rail, and our signature bubble level. Finally, the back has an additional cold shoe mount with a threaded ¼” 20 mount perfect for wireless mic receivers or other small accessories.  The Talon XL mounts via a Nato clamp and has a built-in 4mm hex tool to save you in a pinch with mounting other popular accessories. Designed with versatility and comfort in mind, the Talon XL is ready for anything.

Kondor Blue talon xl top handle with trigger rec for cameras- raven black

talon xl top handle with trigger rec for cameras- raven black (KON-TALONTHXL_BK, KON /TALONTHXL_BK, KON TALONTHXL_BK)   The Talon XL Top Handle is the bigger brother to the Talon Top Handle. It features the same molded rubber pad, which has been contoured to perfectly fit your hand.   Not only is the Talon XL 20mm/.75” longer, it also features a remote trigger Run/Stop button. This makes operating the camera from the top handle a dream.   Much like its namesake, the Talon XL Top Handle is meant to clasp all of your accessories with a range of mounting options. Starting at the front, a short Nato allows for quick accessorizing or mount any of our Monitor Mounts via the ⅜” Arri Mount. The top features a REC button and cold shoe mount, two more ⅜ Arri mounts pre-loaded with ⅜ to ¼ bushings, Nato rail, and our signature bubble level. Finally, the back has an additional cold shoe mount with a threaded ¼” 20 mount perfect for wireless mic receivers or other small accessories.   The Talon XL mounts via a Nato clamp and has a built-in 4mm hex tool to save you in a pinch with mounting other popular accessories. Designed with versatility and comfort in mind, the Talon XL is ready for anything.

Kondor Blue hdmi to hdmi 16" braided cable for on camera monitors

hdmi to hdmi 16" braided cable for on camera monitors (KON-HDMI16_BK, KON/HDMI16_BK, KONHDMI16_BK) Connect your camcorder to your on-camera monitor with the black 16" Braided High-Speed HDMI Cable. It supports 4K 60 Hz and 3D video and features a nylon braid.  Suitable for use with Blackmagic Pocket Cinema Cameras, URSA G2 camcorders, and HDR 12G Video Assist monitors  

Orca or-35 audio bag rain cover

Audio Bag Rain Cover Protect audio gear while shooting outdoors Ideal for rain or dust protection Easy to use Incorporates a transparent TPU material for maximum visibility

Orca or-83 sand/water bag

How many times have you needed a sandbag, but found it was too heavy to fly with, so you purchased one locally and left it on location? The Orca OR-83 sand/water bag was designed to help carry sandbags to any location, with an option to then fill the bag with water or sand. The bag is made from one cavity of durable tarpaulin material with a binding strap, so it is easy to fill with sand or water bladders.   Sand/Water Bag Carry up to 2 sand/water bags (OR-81B Water Bladder sold separately), each bag can hold up to 4 litres

Orca or-68 hard shell accessories bag – medium

Hard Shell Accessories Bag – Medium Thermoforming technology Internal honeycomb frame Adjustable and detachable dividers Detachable internal panel with mesh pockets Padded handle Padded shoulder strap

Orca or-66 mini hard shell accessories bag

Mini Hard Shell Accessories Bag Thermoforming technology Internal honeycomb frame Adjustable and detachable dividers Detachable internal panel with mesh pockets Padded handle Padded shoulder strap

Orca or-65 hard shell accessory case - x–Small

The OR-65 was designed to store, carry and protect Any sensitive equipment on location.   The Orca XS accessories bag is recommended for storing: wireless systems, small hard drives, small on-camera lights, connectors and more.   Hard Shell Accessory Case X–Small Thermoforming technology Internal mesh pocket Internal Rubber straps Recommended for small & sensitive gear

HedBox PROBANK-2M High Capacity 300Wh Professional Power Bank Set

HedBox PROBANK-2M (PROBANK/2M, PROBANK_2M, PROBANK 2M, PROBANK2M) High Capacity 300Wh Professional Power Bank Set The Hedbox power bank set provides a continuous power supply to all units used in the studio and in the field. Using the Hedbox DC Power Cable RPC-DC4X4 XLR female to male (included in the kit) the set provides a constant DC power supply for video, audio, and lighting equipment with total independence of a regular AC power supply. LED Display Screen LED display provides a clear, accurate, and precise display of power status, charging status, battery channel status, and power bank mode. The displayed charging mode (Adapter UPS LED Light ON) provides a clear insight into which channel (CH1 or CH2) of the power bank mode is active. With a bright and intense light, the readout function is enabled in the dark. Integrated locking support stand The power bank unit is equipped with extra support stands making it easy to operate. The support stands to provide extra stability while charging only one battery. 2-ch Sequential Power Mode The Hedbox power bank offers a 2-Ch sequential power mode. It allows operation with 1 or 2 batteries in the system. When using the 2 channel battery power bank, the system will first use the battery in channel 1 followed by the battery in channel 2 when the first is drained, providing a continuous power supply with no delay. DC Out 16.5V / 4.5A With a 4-pin XLR female connector on the front panel, the PROBANK system provides extra DC output for supplying constant power to external units like professional camcorders, video monitors, LED lights, and other professional broadcast products. Connected with specially designed Hedbox professional high flexibility power cable RPC-DC4X4-4pin XLR female to male (included in the box), the charger can be used as an AC-DC adaptor of DC 14.5V/4.5A, 75W output. Charging Technology Intelligent Charging Systems of POWERBANK integrate the control systems within the charger and the electronics within the battery to allow precision control over the charging process. As a safety precaution with high-capacity batteries, a pre-charging stage (trickle charge) is used. Constant current/constant voltage (CC/CV) charging mode is an effective way to charge lithium batteries. It is used to charge the battery from 0% to 80% (RED light ON). When the battery is charged to 80%, impulse voltage charging (GREEN Light ON) takes over until the battery reaches 100%. The charger CPU automatically adjusts the charging current to be lower than the max charging current that the battery can accept. When the battery is fully charged, this state is stopped.    

Canon XA65 4K Professional Camcorder

Canon 5732C005 (5-732C-005, 5/732C/005, 5/732C-005, 5 732C 005) XA65 4K Professional Camcorder The Canon XA65 is a lightweight 4K professional video camera perfect for news gathering, education or documentary filmmaking. It’s a camcorder designed for agile video capture, recording high quality footage that can easily be incorporated into a wider workflow thanks to 3G-SDI and HDMI outputs. With outstanding Over Sampled HD processing, advanced autofocus, a Canon 20x optical zoom lens, and HD livestreaming in UVC¹ via USB-C over a computer, it’s easy to capture footage and record onto SD, SDHC, and SDXC cards – or share it later in either XF-AVC or MP4 formats. Shoot, record, stream Shoot high quality 4K UHD video with the compact XA65. As well as outstanding Over Sampling HD processing, advanced autofocus, a Canon 20x optical zoom lens and HD livestreaming in UVC1 via USB-C over a computer, Capture high quality footage in either XF-AVC or MP4 formats. Compact professional 4K UHD camcorder Capture stunning 4K UHD and superior Full HD images thanks to a 4K 1/2.3" type CMOS sensor and DIGIC DV6 image processor. Over Sampling HD processing delivers Full HD images from the 4K sensor. XF-AVC and MP4 for flexible recording Choose from XF-AVC or MP4 recording formats. Record XF-AVC 4K UHD 160Mbps at 25P, plus Full HD 45Mbps at 50P/50i/25P. For smaller files, record MP4 4K 150Mbps at 25P and Full HD 35Mbps or 17Mbps at 50P/25P. 4K 20x optical zoom lens The Canon lens covers a 29.3mm wide angle (35mm equivalent) plus a powerful 612mm reach with Dynamic IS. A digital zoom boosts to 800x with 5-axis image stabilisation. Professional inputs and outputs Output options include 3G-SDI, simultaneous backup and relay recording via dual SD card and Infrared mode. For specialist capture, record Slow Motion in Full HD 0.5x or Fast Motion in 4K/Full HD up to 1200x. Colour match with other Canon cameras via the custom picture menu. Fast, precise focusing with face detection Adjustable focusing speeds and advanced Hybrid AF system give fast and precise focusing. Use the 3.5-inch LCD display to set focus by touching the AF point required. Face Detection AF and Face Tracking are available while Manual Focus is set via the focus/zoom ring. Livestream and more Stream HD footage via UVC1 over a computer or add a date and time stamp with OSD recording. Two XLR terminals on a detachable handle plus 4-channel linear PCM bring pro audio options.    

Metabones MB_SPLR-EFR-BM1 Leica R Lens to RF-Mount Speed Booster ULTRA 0.71x

Metabones MB_SPLR-EFR-BM1 (MB-SPLR-EFR-BM1, MB/SPLR-EFR-BM1, MB/SPLR/EFR/BM1, MBSPLREFRBM1) Leica R Lens to RF-Mount Speed Booster ULTRA 0.71x Sharper corners, less distortion, reduced vignetting  New optical design:  advanced 5-element/4-group optical design incorporating ultra-high index tanatalum-based optical glass to achieve extraordinary optical performance with improved corner sharpness, distortion and reduced vignetting. Like the revolutionary original Metabones Speed Booster announced in January 2013, the Speed Booster ULTRA has a magnification of 0.71x, and so it effectively reduces the crop factor of mirrorless cameras with DX-sized sensors, such as Sony E-mount and Fuji X-mount cameras, from 1.5x to 1.07x.  However, the new ULTRA design makes very effective use of exotic materials at the furthest limit of glassmaking technology, and as a result is well-corrected for use with virtually all full-frame SLR lenses regardless of exit pupil distance. Thus, the Speed Booster ULTRA performs extremely well with professional-grade f/2.8 zoom lenses such as the 24-70mm f/2.8 and 70-200mm f/2.8 zooms by Canon and Nikon to produce 17-50mm f/2.0 and 50-142mm f/2.0 high-speed zooms, respectively.  Similarly, high-speed fixed focal length lenses such as a 50mm f/1.2 will be transformed into a 35.5mm f/0.9 lens with excellent contrast and resolution from the center all the way to the edges of the image. Limitations The product is designed for the APS-C format camera (eg. Canon C70 and RED Komodo, etc.) or using with the APS-Crop mode of EOS R3, R5, R6, EOS R and EOS RP; The rear element of the lens cannot protrude from the flange more than 10.5mm. The following lenses require modification in order to fit on the Speed Booster. Super-Elmar-R 15mm Elmarit R 28/2.8 Elmarit R 35/2.8 Summicron R 50/2 Super telephotos such as the Telyt 560/5.6 may vignette at the corners. This adapter is a mechanical adapter. It does NOT support electronic aperture control, AF, and EXIF.

Panasonic Lumix PAN-DMW-BLK22E Battery for LUMIX DC-S5

Panasonic Lumix PAN-DMW-BLK22E (PAN/DMW-BLK22E, PAN/DMW/BLK22E, PANDMWBLK22E, PAN DMW BLK22E) Battery for LUMIX DC-S5 Battery for DC-S5 Camera. Panasonic Lumix Battery for Lumix S5 Camera. Compatible with LUMIX S5, GH5, G9 and GH5S.

Panasonic AW-UE80WEJ 4K PTZ camera - White

Panasonic PAN-AW-UE80WEJ (PAN/AW-UE80WEJ, PAN/AW/UE80WEJ, PANAWUE80WEJ, PAN AW UE80WEJ) 4K PTZ camera - White MODELS TO RESPOND TO A WIDE RANGE OF VIDEO PRODUCTION NEEDS, SUCH AS RECORDING OF REALITY SHOWS AND EVENTS The AW-UE80W/K is PTZ camera suitable for capturing the natural facial expressions of actors/performers and for recording events without spoiling the ambience. The dome-shape design minimizes “the feeling of being recorded on video” while the new direct-drive motor produces a very quiet operating sound so it won’t disturb the production activities or spoil the ambience. The camera offers high-image-quality 4K/60p resolution, wide 74.1° angle and optical zoom with up to 24x magnification to achieve superb video image quality. The AW-UE80W/K also offers excellent stability and security during video streaming so it can be used for any type of video production. From production of a reality show to recording of an internal business or educational event, the top-of-the-line standard model, AW-UE80W/K, can be used in a diversity of applications. COMPACT & QUIET DESIGN BLENDS IN SMOOTHLY WITH THE SURROUNDINGS Featuring compact design and quiet operating sound, the AW-UE80 can be used effectively in any shooting situations and places. The camera unit is so inconspicuous it helps capture more natural facial expressions and actions of the performers. QUIET OPERATING SOUND FOR ANYWHERE USE. The operating sound is quiet so there is no need to worry about the camera sound spoiling the ambience even when producing a reality show or recording an event. The new direct-drive motor operates quietly during panning (horizontal movement) and tilting (vertical movement) so it does not disturb the recording of crucial scenes. What’s more, the new direct-drive motor stops precisely at a desired position, returns exactly to a preset position when the preset function is used for accurate camerawork, moves smoothly to accurately follow subjects moving at different speeds and allows speed setting. Combined with the quietness of operations, these features and functions can play an active part in a diversity of video production. ORIGINAL IMAGE STABILIZERS FOR STABLE VIDEO SHOOTING Even when the camera unit is mounted on an unstable place such as a crane or rail, the two types of image stabilizer functions ensure sharp and clear images. The Electronic Image Stabilization (EIS) makes adjustment by ensuring smooth movement of the camera in the roll direction while the Optical Image Stabilization (OIS) makes fine adjustment of the lens. Together, they assure stable recording of high-quality images. Can be suspended from the ceiling or mounted on a tripod for shooting from locations too difficult for a person to enter. The AW-UE80 can be flexibly mounted at a place where it is too difficult for a person to enter, so it can be utilized in a diversity of recording situations. FLEXIBLY ADAPT TO VARIOUS VIDEO SHOOTING SITUATIONS SUCH AS LARGE-SCALE SHOOTING The wealth of functions to meet diverse shooting needs, such as reduction of required manpower at the shooting site without causing any quality degradation. 4K RESOLUTION, WIDE ANGLE AND HIGH-MAGNIFICATION ZOOM MAINTAIN “THE AMBIENCE OF HALL” INTACT IN STREAMING VIDEOS The combination of the high 4K resolution, wide angle and high-magnification zoom enables capturing of the ambiences of events and concerts as well as the facial expressions of actors/performers so that the realism and atmosphere can be conveyed in online video streaming videos. The zoom function allows the enlargement of a desired area precisely so the streaming video becomes more attractive to watch. By utilizing the wide 74.1° angle and up to 24x optical zoom, missing of important scenes at an event can be prevented with a minimal number of camera units. This makes the AW-UE80 suitable for use in a broad range of applications regardless of the size of the hall. Single controller*1 can control up to 200 camera units A single controller unit can be used to control multiple camera units. When equipment compatible with PoE++*2 is used to connect to the network, a single LAN cable can transmit the video, audio and control signals as well as the power supply. The reduced number of cables used means decreased cable connection trouble, such as cable disconnection that causes interruption of recording. It also eliminates the need for the wiring of power supply cables. Furthermore, in outdoor recording using a temporary platform, the time and effort for setting up and removing the platform can be reduced. *1: When using Remote Camera Controller AW-RP150GJ or AW-RP60GJ. *2: Abbreviation for Power over Ethernet Plus Xu. It refers to the technology for supplying power through a LAN cable. Perfect for starting AR/VR video shooting at a low cost The AW-UE80 can output commands in compliance with FreeD*1 so it can be connected to an AR/VR system. The use of the AR/VR*2 feature enables the creation of a new type of videos totally different from before. *1: FreeD: A protocol which outputs camera tracking data for use by an AR/VR system. The AW-UE80W/K outputs the camera’s pan, tilt, zoom and focus information that is necessary for creating AR/VR images. *2: AR and VR stand for Augmented Reality and Virtual Reality, respectively. HIGH-IMAGE-QUALITY VIDEOS RESISTANT TO INTERRUPTION AND WITH A LOW LATENCY The AW-UE80 realizes streaming of high-image-quality videos with a low latency even when the communication is unstable. Furthermore, it ensures excellent stability and security during streaming, so it can be used safely for any applications. SMOOTH PLAYBACK OF HIGH-IMAGE-QUALITY VIDEOS The AW-UE80 comes standard with High Bandwidth NDI®*1,2 and NDI®|HX version 2*3,4 for IP transmission of high-image-quality videos. High Bandwidth NDI® enables IP transmission of high-image-quality videos with a low latency, while NDI®|HX version 2 achieves efficient video transmission with a limited bandwidth. Since the video source is accessible from any device on the same network, even unknown IP addresses are automatically recognized. This allows for a flexible video production flow at the shooting site. *1: NDI® is a new protocol developed by NewTek, Inc. that supports IP video production workflow. *2: NDI® is a registered trademark of NewTek, Inc. in the United States. *3: In this instance, NDI® is used to indicate low latency with high bandwidth NDI®, NDI®|HX is used to indicate high efficiency low bandwidth NDI®|HX. *4: In the NDI®|HX mode, 4K video signals cannot be output. AW-UE80 supports NDI®|HX version 2 and Full HD output.

Panasonic AW-UE20KE 4K PTZ Camera with 3G-SDI, HDMI, and USB Output - Black

Panasonic PAN-AW-UE20KE (PAN/AW-UE20KE, PAN/AW/UE20KE, PANAWUE20KE, PAN AW UE20KE) 4K PTZ Camera with 3G-SDI, HDMI, and USB Output - Black ENTRY MODEL SUITABLE FOR USE IN SMALL MEETING ROOMS AND SMALL CLASSROOMS PTZ cameras play an increasingly important role in teleworking such as online meetings and online classes. The AW-UE20 offers high image quality, wide shooting angle and high-magnification zoom to provide more comfortable communication through high-quality video images and stable transmission. The AW-UE20 is compatible with a wide range of systems such as SDI, HDMI, USB and IP, thus allowing flexible camera setup and operation. The AW-UE20 is a high-quality entry model. The compact unit can be installed in a small place without getting in the way. HIGH-QUALITY VIDEO STREAMING FOR MORE COMFORTABLE ONLINE COMMUNICATION 4K resolution, wide angle and high-magnification zoom maintain “the ambience of hall” intact in streaming videos Auto Tracing Software accurately follows and captures the speaker EXCELLENT SYSTEM FLEXIBILITY TO ACHIEVE SMART WIRING AND SMOOTH OPERATION Easy installation/setup and compact system configuration Single PC or controller can manage and control multiple cameras Use as a USB camera Direct upload of videos to video live streaming services COMPACT SIZE AND EXCELLENT FUNCTIONALITY THAT DO NOT DISTURB THE EXISTING VIDEO STREAMING ENVIRONMENT Compact design blends in with the surroundings. Lightweight and small size for added installation flexibility Linkable with existing system

Panasonic PAN-AW-UE40WEJ 4K PTZ camera - White

Panasonic PAN-AW-UE40WEJ (PAN/AW-UE40WEJ, PAN/AW/UE40WEJ, PANAWUE40WEJ, PAN AW UE40WEJ) 4K PTZ camera - White PROVIDES HYBRID ONLINE/OFFLINE ENVIRONMENT STANDARD MODELS SUITABLE FOR USE IN ONLINE CLASSES AND BRIEFING SESSIONS Remote cameras enhance the visual communication in a variety of applications ranging from online classes to online seminars. The AW-UE50/UE40 supports a compact design to blend in with the surroundings and operates very quietly to permit flexible use in any video shooting locations or conditions. The AW-UE50/UE40 offers high security and it is easy to install and operate for capturing stable images, so even people unfamiliar with video shooting or camera operation can utilize it. The excellent flexibility of the product simplifies wiring and operation. Linkage with online conference software or online application is possible, so online video streaming is easy to initiate. The AW-UE50/UE40 is a standard model perfect for people who want to utilize online video streaming more frequently or enhance the quality of online video streaming. PROVIDES A STABLE HYBRID ENVIRONMENT FOR CONNECTING ONLINE AND OFFLINE 4K resolution, wide angle and high-magnification zoom for delivering “the ambience of hall.” Auto Tracking Software for reliable following and capturing of the speaker Secure and stable streaming protocol for reduced risk of communication trouble Smooth playback of high-quality videos UNIT SIZE AND QUIETNESS FOR FLEXIBLE USE AT ANY VIDEO SHOOTING SITES Compact dome-shape design blends in with the surroundings. Light weight and small size give added flexibility in camera installation Quiet operating sound allows the use of the camera in any situations Image stabilizer ensures stable video shooting EXCELLENT SYSTEM FLEXIBILITY TO ACHIEVE SMART WIRING AND SMOOTH OPERATION Easy installation and operation even for inexperienced staff or small staff Single PC or controller can manage and control multiple cameras Use as a USB camera Can upload video directly to live streaming service

Panasonic AW-UE40KEJ 4K PTZ Camera - Black

Panasonic PAN-AW-UE40KEJ (PAN/AW-UE40KEJ, PAN/AW/UE40KEJ, PANAWUE40KEJ, PAN AW UE40KEJ) 4K PTZ Camera - Black PROVIDES HYBRID ONLINE/OFFLINE ENVIRONMENT STANDARD MODELS SUITABLE FOR USE IN ONLINE CLASSES AND BRIEFING SESSIONS Remote cameras enhance the visual communication in a variety of applications ranging from online classes to online seminars. The AW-UE50/UE40 supports a compact design to blend in with the surroundings and operates very quietly to permit flexible use in any video shooting locations or conditions. The AW-UE50/UE40 offers high security and it is easy to install and operate for capturing stable images, so even people unfamiliar with video shooting or camera operation can utilize it. The excellent flexibility of the product simplifies wiring and operation. Linkage with online conference software or online application is possible, so online video streaming is easy to initiate. The AW-UE50/UE40 is a standard model perfect for people who want to utilize online video streaming more frequently or enhance the quality of online video streaming. PROVIDES A STABLE HYBRID ENVIRONMENT FOR CONNECTING ONLINE AND OFFLINE 4K resolution, wide angle and high-magnification zoom for delivering “the ambience of hall.” Auto Tracking Software for reliable following and capturing of the speaker Secure and stable streaming protocol for reduced risk of communication trouble Smooth playback of high-quality videos UNIT SIZE AND QUIETNESS FOR FLEXIBLE USE AT ANY VIDEO SHOOTING SITES Compact dome-shape design blends in with the surroundings. Light weight and small size give added flexibility in camera installation Quiet operating sound allows the use of the camera in any situations Image stabilizer ensures stable video shooting EXCELLENT SYSTEM FLEXIBILITY TO ACHIEVE SMART WIRING AND SMOOTH OPERATION Easy installation and operation even for inexperienced staff or small staff Single PC or controller can manage and control multiple cameras Use as a USB camera Can upload video directly to live streaming service  

Panasonic PAN-AW-UE80KEJ 4K PTZ Camera - Black

Panasonic PAN-AW-UE80KEJ (PAN/AW-UE80KEJ, PAN/AW/UE80KEJ, PANAWUE80KEJ, PAN AW UE80KEJ) 4K PTZ Camera - Black MODELS TO RESPOND TO A WIDE RANGE OF VIDEO PRODUCTION NEEDS, SUCH AS RECORDING OF REALITY SHOWS AND EVENTS The AW-UE80W/K is PTZ camera suitable for capturing the natural facial expressions of actors/performers and for recording events without spoiling the ambience. The dome-shape design minimizes “the feeling of being recorded on video” while the new direct-drive motor produces a very quiet operating sound so it won’t disturb the production activities or spoil the ambience. The camera offers high-image-quality 4K/60p resolution, wide 74.1° angle and optical zoom with up to 24x magnification to achieve superb video image quality. The AW-UE80W/K also offers excellent stability and security during video streaming so it can be used for any type of video production. From production of a reality show to recording of an internal business or educational event, the top-of-the-line standard model, AW-UE80W/K, can be used in a diversity of applications. COMPACT & QUIET DESIGN BLENDS IN SMOOTHLY WITH THE SURROUNDINGS Featuring compact design and quiet operating sound, the AW-UE80 can be used effectively in any shooting situations and places. The camera unit is so inconspicuous it helps capture more natural facial expressions and actions of the performers. QUIET OPERATING SOUND FOR ANYWHERE USE. The operating sound is quiet so there is no need to worry about the camera sound spoiling the ambience even when producing a reality show or recording an event. The new direct-drive motor operates quietly during panning (horizontal movement) and tilting (vertical movement) so it does not disturb the recording of crucial scenes. What’s more, the new direct-drive motor stops precisely at a desired position, returns exactly to a preset position when the preset function is used for accurate camerawork, moves smoothly to accurately follow subjects moving at different speeds and allows speed setting. Combined with the quietness of operations, these features and functions can play an active part in a diversity of video production. ORIGINAL IMAGE STABILIZERS FOR STABLE VIDEO SHOOTING Even when the camera unit is mounted on an unstable place such as a crane or rail, the two types of image stabilizer functions ensure sharp and clear images. The Electronic Image Stabilization (EIS) makes adjustment by ensuring smooth movement of the camera in the roll direction while the Optical Image Stabilization (OIS) makes fine adjustment of the lens. Together, they assure stable recording of high-quality images. Can be suspended from the ceiling or mounted on a tripod for shooting from locations too difficult for a person to enter. The AW-UE80 can be flexibly mounted at a place where it is too difficult for a person to enter, so it can be utilized in a diversity of recording situations. FLEXIBLY ADAPT TO VARIOUS VIDEO SHOOTING SITUATIONS SUCH AS LARGE-SCALE SHOOTING The wealth of functions to meet diverse shooting needs, such as reduction of required manpower at the shooting site without causing any quality degradation. 4K RESOLUTION, WIDE ANGLE AND HIGH-MAGNIFICATION ZOOM MAINTAIN “THE AMBIENCE OF HALL” INTACT IN STREAMING VIDEOS The combination of the high 4K resolution, wide angle and high-magnification zoom enables capturing of the ambiences of events and concerts as well as the facial expressions of actors/performers so that the realism and atmosphere can be conveyed in online video streaming videos. The zoom function allows the enlargement of a desired area precisely so the streaming video becomes more attractive to watch. By utilizing the wide 74.1° angle and up to 24x optical zoom, missing of important scenes at an event can be prevented with a minimal number of camera units. This makes the AW-UE80 suitable for use in a broad range of applications regardless of the size of the hall. Single controller can control up to 200 camera units A single controller unit can be used to control multiple camera units. When equipment compatible with PoE++ is used to connect to the network, a single LAN cable can transmit the video, audio and control signals as well as the power supply. The reduced number of cables used means decreased cable connection trouble, such as cable disconnection that causes interruption of recording. It also eliminates the need for the wiring of power supply cables. Furthermore, in outdoor recording using a temporary platform, the time and effort for setting up and removing the platform can be reduced. Perfect for starting AR/VR video shooting at a low cost The AW-UE80 can output commands in compliance with FreeD so it can be connected to an AR/VR system. The use of the AR/VR feature enables the creation of a new type of videos totally different from before. HIGH-IMAGE-QUALITY VIDEOS RESISTANT TO INTERRUPTION AND WITH A LOW LATENCY The AW-UE80 realizes streaming of high-image-quality videos with a low latency even when the communication is unstable. Furthermore, it ensures excellent stability and security during streaming, so it can be used safely for any applications. SMOOTH PLAYBACK OF HIGH-IMAGE-QUALITY VIDEOS The AW-UE80 comes standard with High Bandwidth NDI® and NDI®|HX version for IP transmission of high-image-quality videos. High Bandwidth NDI® enables IP transmission of high-image-quality videos with a low latency, while NDI®|HX version 2 achieves efficient video transmission with a limited bandwidth. Since the video source is accessible from any device on the same network, even unknown IP addresses are automatically recognized. This allows for a flexible video production flow at the shooting site.

Blackmagic BMD-CINECAMPOCHDEF6K2 Pocket Cinema Camera 6K G2

Blackmagic BMD-CINECAMPOCHDEF6K2 (BMD/CINECAMPOCHDEF6K2, BMD_CINECAMPOCHDEF6K2, BMDCINECAMPOCHDEF6K2, BMD CINECAMPOCHDEF6K2) Pocket Cinema Camera 6K G2 Featuring a large 6144 x 3456 Super 35 sensor and EF lens mount, the Blackmagic Pocket Cinema Camera 6K G2 lets you use EF photographic lenses to create cinematic images with shallower depth of field. It also has an adjustable tilt LCD, viewfinder mount, mini XLR audio inputs and a NP-F570 style battery. Dramatically improve the production value of your work by upgrading to digital film! Blackmagic Pocket Cinema Camera is better than a simple video camera because it has professional features allowing you to create the same "look" as Hollywood feature films. The combination of high dynamic range, great low light performance and Blackmagic RAW gives you feature film images with precise skin tones and gorgeous organic colours. You get advanced features such as 4K, 6K G2 or 6K Pro models, large 5" LCD for easy focus, SD card and CFast media, external USB-C media disk recording, EF or MFT lens mounts and more. DaVinci Resolve Studio is also included for editing, colour correction, audio post and VFX. GET THE "HOLLYWOOD LOOK" WITH DIGITAL FILM. Pocket Cinema Camera has the professional features you need for feature film, television programming and documentaries, however now these same features can be used to revolutionize other types of work such as blog videos, YouTube content and more. You get the same features found on expensive digital film cameras, allowing capture of deeper colours, higher image detail and a wider dynamic range between the brightest highlights and deepest shadows. It's the reason why feature films look so amazing and now you can get the same high end production values for any kind of work. Imagine getting film quality on independent film, music videos, weddings, corporate videos, documentaries and more. LIGHTWEIGHT CARBON FIBER POLYCARBONATE COMPOSITE The elegant design of the Blackmagic Pocket Cinema Camera packs an incredible number of high end digital film features into a miniaturized, handheld design. Made from lightweight carbon fiber polycarbonate composite, the camera features a multifunction handgrip with all controls for recording, ISO, WB and shutter angle right at your fingertips. Because it's an advanced digital film camera, the sensor is designed to reduce thermal noise allowing cleaner shadows and higher ISO. Plus the large 5 inch LCD makes it possible to get perfect focus at 4K and 6K resolutions. You also get a removable battery door, 4 shock proof microphones, heavy duty lens mount and built in speaker. MULTIFUNCTION GRIP WITH FINGERTIP CONTROLS. The multifunction handgrip features an ergonomic design that puts important functions such as ISO, WB and shutter buttons at your fingertips. There’s even a scroll wheel under your index finger for making quick iris adjustments. Additional controls go beyond those found on a DSLR, which means you don’t have to go hunting through menus on a tiny screen to find a command. The Blackmagic Pocket Cinema Camera features easy to reach recording and still buttons that are placed exactly where you expect, including user assignable function keys allowing buttons for high frame rate, focus zoom, false colour and more. Fingertip Shooting Controls The front and top of the Blackmagic Pocket Cinema Camera features record start/stop and still photo buttons along with dedicated controls for iris, ISO, white balance and shutter speed. The main power switch is located on the top next to a row of 3 customizable function buttons. Back Panel Controls Conveniently placed below the right thumb rest, you can quickly change shooting speed with the high frame rate button, zoom into the image with the magnifying glass, access setup menus and quickly play back shots for review. HIGH RESOLUTION CINEMATIC DIGITAL FILM SENSOR The Blackmagic Pocket Cinema Camera 6K G2 features a native resolution of 6144 x 3456. Whether you’re shooting in bright sunlight or in almost no light at all, the 13 stops of dynamic range with dual native ISO up to 25,600 provide stunning low noise images in all lighting conditions. Plus the 6K models feature a larger Super 35 sensor that allows shooting with a shallow depth of field and anamorphic lenses. All models let you shoot up to 60 fps in full resolution or 120 fps windowed. An amazing sensor combined with Blackmagic colour science means you get the same imaging technology as the most expensive digital film cameras. COMPATIBLE WITH CINEMA AND PHOTOGRAPHIC LENSES With 3 models, you can choose between EF or MFT lenses, making Blackmagic Pocket Cinema Camera compatible with the largest range and most popular lenses in the world. The 6K models feature an EF lens mount so you can use lenses you already own from other cameras such as DSLR, URSA Mini Pro or even the original Blackmagic Cinema Camera. You can use commonly available photographic lenses that provide incredible creative choice and wonderful feature film quality lens effects. The active lens mount lets you adjust focus and iris from the buttons on the camera or the touch screen. For even greater flexibility, the MFT lens mount on the 4K model can be adapted to PL, C, EF or other lens types. SHOOT INCREDIBLE HIGH DYNAMIC RANGE (HDR) IMAGES The distance between the lightest and the darkest parts of an image is called dynamic range and is measured in stops. Pocket Cinema Cameras have an incredible 13 stops of dynamic range which means they preserve more detail in the lightest and darkest areas of an image than simple video cameras can. This allows you to set exposure for an indoor scene such as a cafe and still retain the details of bright outdoor light coming through a window. You also get more colours than the standard DCI-P3 colourspace used for feature films. Plus DaVinci Resolve Studio is included with the camera, so you get total creative freedom with full exposure adjustment and recovery controls when colour grading. DUAL GAIN ISO FOR EXCEPTIONAL LOW LIGHT PERFORMANCE In digital film ISO is a measurement of the image sensor’s sensitivity to light. This means the higher the ISO number the more sensitivity to light so it’s possible to shoot using natural light even at night. The Pocket Cinema Cameras feature dual gain ISO up to 25,600, which means they're optimized to minimize grain or noise in images, while maintaining the full dynamic range of the sensor. The native ISO of 400 is ideal for scenes with on-set lighting. The secondary high base ISO of 3200 is perfect when shooting in dimly lit environments. The gain is set automatically as you adjust the ISO setting, so it's easy to capture great images when you don’t have time to set up lights. MULTIPLE RESOLUTIONS AND FRAME RATES Depending on the model, the Blackmagic Pocket Cinema Camera can shoot in all standard resolutions and frame rates from HD up to DCI 4K and even 6K. You can shoot stills at 21.2 megapixels on the 6K models and 8.8 megapixels on the 4K model. The 6K models will shoot up to 50 fps at 6144 x 3456 16:9 or 60 fps at 6144 x 2560 2.4:1 and 60 fps at 5744 x 3024 17:9. For higher frame rates you can window the sensor and shoot up to 120 fps at 2.8K 2868 x 1512 17:9. You can even work in true anamorphic 6:5 using anamorphic lenses in 3.7K 60 fps at 3728 x 3104. On the 4K model you can shoot up to 60 fps 4K DCI at 4096 x 2160 and 60 fps in Ultra HD at 3840 x 2160. You can even shoot 120 fps in 1080HD. POST PRODUCTION FRIENDLY FILE FORMATS Blackmagic Pocket Cinema Camera records using standard open file formats so you don’t have to waste time transcoding media. Files are compatible with all post production software so you can work with the software of your choice, or use the included DaVinci Resolve Studio. Recording works in industry standard 10-bit Apple ProRes files in all formats up to 4K or 12-bit Blackmagic RAW in all formats up to 6K. Blackmagic RAW is the fastest growing RAW format. Developers can download and use the free Blackmagic RAW SDK to add support into their applications. Best of all media files work on all operating systems plus you can format media cards and disks in HFS+ for Mac and ExFAT for Windows. USE STANDARD SD CARDS, UHS‑II OR CFAST 2.0 MEDIA The Blackmagic Pocket Cinema Camera features built in CFast and SD UHS-II card recorders, and a USB-C expansion port for recording direct to an external media disk. You can use regular SD cards for HD or higher performance UHS-II and CFast cards for native 4K or 6K when using Blackmagic RAW. Imagine capturing over an hour of full resolution 6K images on a single 256GB SD UHS-II card. The ProRes and Blackmagic RAW files work with all video software. You can even mount the media cards on your computer and start editing directly from them using the included DaVinci Resolve Studio software. BLACKMAGIC RAW THE QUALITY OF RAW AND THE SPEED OF VIDEO Blackmagic RAW is a revolutionary new format designed to capture and preserve the quality of the sensor data from your camera. Video formats such as H.264 are highly compressed, plus add noise and weird artifacts, causing original sensor detail to be lost forever. Blackmagic RAW eliminates this problem and gives you stunning images with incredible detail and colour throughout the production pipeline from camera to edit, colour and mastering. It also saves camera settings as metadata so you can set ISO, white balance and exposure in camera or override them later while editing, all without any loss of quality. Blackmagic RAW files are also small and fast to use making them easy to work with. Only Blackmagic RAW gives you the highest quality, smallest files and fastest performance. Colour Temperature Setting the colour temperature tells the camera how to interpret white and other colours in an image. Instead of saving images with colour values baked in, Blackmagic RAW makes it possible for you to change the temperature in post production with DaVinci Resolve Studio. Contrast Adjusting contrast, or the tonal range of an image, can make different parts of the image stand out. While you should always try to get the best shot on set, Blackmagic RAW gives you the flexibility to adjust contrast without any loss of quality while you’re editing and colour correcting. ISO Changing the ISO adjusts the camera’s sensitivity to light. Properly exposed shots require the right combination of ISO, aperture and shutter speed. Depending on the lights and exposure settings, you may need to adjust ISO in post. Tint Adjusting tint is another way you can affect the overall colour balance of an image. Unlike saturation or midpoint which can make reds redder or yellows more yellow, adjusting tint actually lets you push the colours in different directions. Saturation Saturation is the strength or purity of a colour. More saturated colours are pure and less saturated colours have a percentage of gray in proportion to their hue. Adjusting saturation in Blackmagic RAW images can help make the colours visually pop or become muted. Exposure In order for your images to look good, you need to make sure that it’s not too bright (overexposed) or too dark (underexposed). With Blackmagic RAW, the exposure settings can be changed in post so you can save shots that were not properly exposed. TOUCHSCREEN FOR FAST SETUP The large LCD touchscreen displays critical information on the heads up display, or HUD, as well as access to camera setup menus. The HUD lets you see and adjust settings such as the frame rate, iris, timecode, shutter angle, white balance, ISO, audio levels and more with a single tap. You can show or hide the HUD by simply swiping up or down. Adjust settings such as white balance simply by touching the WB indicator, or change the audio levels by touching the audio meters. Everything is interactive, so you can tap any item and instantly change settings without searching through confusing menus. You can also access settings such as the digital slate, to quickly add metadata to any shot. LARGE 5" LCD MONITOR Blackmagic Pocket Cinema Camera features a large, bright 5 inch touchscreen that makes it easy for you to frame shots and accurately focus. That means you don’t have to carry around an external monitor. On screen overlays show status and record parameters, histogram, focus peaking indicators, levels, frame guides and more. You can quickly apply 3D LUTs for monitoring shots with the desired colour and look. The LCD monitor on the Pocket Cinema Camera 6K G2 and Pro models is a more advanced HDR display that can be tilted up and down so it's easy to monitor your shot from any position. Plus the 6K Pro model’s HDR display features 1500 nits of brightness, ideal for use in bright sunlight. POWERED BY BLACKMAGIC OS With the advanced Blackmagic OS, you get an intuitive and user friendly camera operating system based on the latest technology. Blackmagic OS is a true modern operating system where all camera features run independently for smoother control, plus the camera powers on virtually instantly. It features the same controls and menus as other Blackmagic Design cameras so you can move between cameras on set easily. The interface uses simple tap and swipe gestures to adjust settings, add metadata and view recording status. You also get full control over advanced camera features such as on screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings and more. LATEST GENERATION 5 COLOUR SCIENCE STUNNING SKIN TONES AND FAITHFUL COLOUR REPRODUCTION Featuring the same generation 5 colour science as the high end URSA Mini Pro 12K, thePocket Cinema Camera 6K Pro delivers an even greater advancement in image quality with stunning, accurate skin tones and faithful colour in every shot. You get a new dynamic 12-bit gamma curve designed to capture more colour data in the highlights and shadows, for better looking images. The colour science also handles some of the complex Blackmagic RAW image processing, so colour and dynamic range data from the sensor is preserved via metadata which you can use in post production. That means you get images that have a natural, film like response to colour adjustments in post with DaVinci Resolve Studio. OPTIONAL VIEWFINDER FOR PROFESSIONAL SHOOTING The Pocket Cinema Camera 6K G2 and 6K Pro supports an optional viewfinder to make outdoors and handheld shooting accurate and easy. You get an integrated high quality 1280 x 960 colour OLED display with built in proximity sensor, 4 element glass diopter for incredible accuracy with a wide -4 to +4 focus adjustment. A built in digital focus chart ensures you get perfect viewfinder focus setup. You can also view critical status information such as frame guides. The Pocket Cinema Camera Pro EVF connects quickly to the Blackmagic Pocket Cinema Camera 6K G2 and 6K Pro via a single connector. The viewfinder has a 70 degree swivel range and comes with 4 different types of eyecups for both left and right eyes. PROFESSIONAL CONNECTIONS FOR CUSTOM RIGS. Though small and portable, the Blackmagic Pocket Cinema Camera features a wide range of connections for audio, monitoring, power and more. The camera includes a full size HDMI connector for monitoring with support for HDR and clean 10-bit output. That means you can connect an HDMI display for on set monitoring of images, with or without overlays that show critical information and camera status. There’s also a mini XLR connection with 48 volt phantom power for attaching professional microphones, a 3.5 mm video camera style microphone input, headphone connection and a professional locking DC power connector. The USB-C connection lets you connect and record direct to your media disk. 4 BUILT-IN MICROPHONES AND PROFESSIONAL AUDIO INPUTS With professional, high fidelity audio recording built in you'll never have to carry around a separate sound recorder again. Blackmagic Pocket Cinema Cameras feature a mini XLR input with 48 volts of phantom power for connecting professional microphones such as lapel mics and booms. The 6K Pro model features 2 mini XLR connections, allowing you to record 2 separate audio tracks using 2 mics, without an external mixer. The four built in mics have an extremely low noise floor and are shock and wind resistant, capturing great sound in any location. There’s also a 3.5mm audio input for connecting video camera microphones, along with a built in speaker for playback and a 3.5mm headphone jack. LOAD CUSTOM 3D LUTS TO RECREATE FILM LOOKS Digital film cameras shoot logarithmic colourspace to preserve the dynamic range, which is great for later post production, however when these files are viewed on a monitor they can look flat and washed out. 3D LUTs solve this problem because they allow you to apply a "look" to the monitor so you get an idea of how the finished images will look when editing. LUTs can be applied temporarily for monitoring only, or they can be recorded into the Blackmagic RAW files for use in post production. The Pocket Cinema Camera works with industry standard 17 and 33 point 3D LUT files, or you can work with the built in LUTs such as Extended Video, Film to Video, Film to Rec.2020 and more. USB-C FOR RECORDING DIRECT TO EXTERNAL MEDIA DISKS The Blackmagic Pocket Cinema Camera features an innovative and high speed USB-C Expansion Port that operates at up to 5 Gb/s. USB-C is available on most new computers and even provides power. That means you can connect external accessories such as flash drives and SSDs for significantly longer recording times. A high speed external disk allows shooting 6K in the highest constant quality 12-bit Blackmagic RAW in the Q0 setting or at high frame rates. Best of all, when shooting is complete you can simply move the external disk to your computer and start editing and colour correction from the same disk, eliminating file copying. BUILT IN TIMECODE GENERATOR, GET FAST MULTI CAMERA SHOOTS IN PERFECT SYNC. Professional cameras include professional features and you also get a built in timecode generator, allowing shooting with more than one camera while keeping perfect sync. Simply plug in an external timecode generator such as Tentacle Sync into the 3.5 mm audio jack and the camera will automatically detect timecode and lock the internal generator. Now each camera can start and stop recording and all the shots from all cameras will have the same matched timecode. Imagine shooting a music festival with multiple roving cameras. Best of all, DaVinci Resolve will automatically find and sync the shots from all cameras so you don't need to waste time sorting through thousands of shots. SHOOT STILL FRAMES UP TO 21.2 MEGAPIXELS. In addition to shooting video, the Blackmagic Pocket Cinema Camera can also capture high resolution stills. Simply press the dedicated stills button to record 21.2 megapixel images on the 6K models or 8 megapixel images on the 4K model. Still images are saved as fully uncompressed DNG frames, so you get the maximum image quality, which is perfect for making professional prints. Capturing still images is great for keeping track of continuity between shots or for sharing images to get approval from clients that are not on set. LOCALIZED IN 13 POPULAR LANGUAGES The Blackmagic Pocket Cinema Camera is designed to be used worldwide and supports 13 different languages. When setting up your camera, you can choose to work in English, German, French, Spanish, Portuguese, Italian, Polish, Russian, Ukrainian, Turkish, Chinese, Japanese or Korean. It’s easy to switch to another language so you can share your camera with other crew when traveling to locations worldwide. When you switch languages, all on screen overlays, setup menus and monitoring information will be displayed in the selected language. WIRELESS BLUETOOTH CAMERA REMOTE CONTROL If you're positioning the camera on the end of a boom, or in another hard to reach location, you can get full control via Bluetooth from up to 30 feet away. You can download the Blackmagic Camera Control app for your iPad or use third party apps such as Bluetooth+ or tRigger on your iOS and Android devices. There’s even a free developer SDK with sample code available from the Blackmagic Design developer website, so you can create your own remote camera control and digital slate solutions. Imagine building an app that can jam sync timecode and trigger all cameras to record at the same time. The possibilities are endless. POWER FROM BATTERIES, 12V DC AND RECHARGE VIA USB‑C. The Blackmagic Pocket Cinema Camera 4K uses removable LP-E6 type batteries while the 6K G2 and 6K Pro models use larger NP-F570 batteries. A locking DC power connector is used so you won't have to worry about losing power during a shoot. Plus the included AC plug pack can power the camera and charge the battery simultaneously. You also get a set of international socket adapters for worldwide use. Even the USB-C expansion port can trickle charge the battery, so you can use portable battery packs, mobile phone chargers or laptops. The optional battery grip lets you add extra batteries to dramatically extend the power of the camera so you can keep shooting all day. USE POCKET CINEMA CAMERA AS A LIVE STUDIO CAMERA. Blackmagic Pocket Cinema Camera now works as a studio camera for live production when used with ATEM Mini. Video and control is via the HDMI connection, which is available as soon as you plug the cameras in. The record light becomes a tally light so you can see which camera is on air. The ATEM Software Control camera page has a camera control unit (CCU) style interface for adjusting and matching your cameras. Move the CCU control vertically for iris and left to right to adjust black level. It's the same as a broadcast CCU. There are also controls for colour tint to balance cameras as well as focus, gain and shutter speed. You can even ISO record Blackmagic RAW in the camera for editing later. INCLUDES DAVINCI RESOLVE STUDIO GET PROFESSIONAL EDITING, COLOUR CORRECTION, AUDIO POST AND VFX. All Pocket Cinema Camera models include a full version of DaVinci Resolve Studio, which is the same software used in Hollywood for creating high end feature films, episodic television shows, commercials and more. DaVinci Resolve features the new cut page with intelligent editing tools and innovative new features designed to help you quickly find the footage you want, edit it together and output it fast. In addition to the new cut page, you also get DaVinci’s legendary professional editing, advanced colour correction, audio post and visual effects tools, all in a single software application. Now you can use the the same high end software that professional editors and colourists use.    

camRade rainCover Mini

camRade rainCover Mini CAM RAINCVR MINI CAMRAINCVRMINI CAM-RAINCVR-MINI CAM/RAINCVR/MINI Protect your compact camera setup against inclement weather with the camRade rainCover Mini. It is an absolute must have that will prevent water damage to your most valuable piece of equipment. Through years of experience and working closely with multiple camera operators, camRade has improved their designs to perfect solutions for multiple applications. The rainCover Mini is one of the unique products from camRade, it is simple to use and compact. Durable and functional design Always carry the camRade rainCover Mini with you so you do not get caught out when the weather turns.  The body cover together with a lens extension issupplied in a waterproof zippered pouch, which you can use to store and transport the cover when not in active use. It is easy to attach and detach the cover, thanks to the convenient design. Breaking down your setup when a storm is coming, or pausing a live production is a thing of the past with the rainCover Mini. The transparent vinyl fabric on the front and top gives you all the comforts of operating the camera, while remaining protected. Clamps around the lens or lens-hood Thanks to its 28 cm / 11” rubber strip, the rainCover fits correctly on most compact lenses. The strap supplied with a hook-and-loop fastener makes it possible to tighten the cover on the lens(hood)but allows you to operate the lens. The supplied zippered lensC M extension, covers and protects longer lenses.  Easy access to what is important Openings, closed with high-density shock cord, on both sides, give you easy access to all essential parts of your camera. The transparent window on top and at the back of the cover, allows you to have a clear view of the camera’s display. A vertical hook-and-loop fastener on the top of the cover gives you the option to use a top handle or other accessories such as external monitors, lights, wireless or audio devices.

Camrade camcover P2

Camrade camcover P2 CAM CAMCVR P2 CAMCAMCVRP2 CAM-CAMCVR-P2  CAM/CAMCVR/P2 The camRade camCover P2 is a black, custom-fit protective cover that fits specific models of Panasonic ENGstyle shoulder cameras. It protects against scratches resulting from daily wear and tear, increases the lifespan of the camera body and ensures it remains in perfect condition. The built-in camRade rainProtector helps you protect your camcorder whenever the weather turns, or dust is kicked up. The camCover P2 is an absolute must-have that can prevent damage to your most valuable piece of equipment. The camCover is designed and suitable for shoulder camera work but is also great while your camera is attached to a Panasonic (SHAN) VCT -plate, tripod, pedestal, or any other camera support solution. Durable and functional design camRade understands your job and knows how the conditions can change during a (live)production. This camera cover has been created through years of experience and feedback from camera operators all over the world. Since Panasonic has changed very few aspects of the outer camera bodies in recent years, camRade has chosen to make a universal camCover that can be used on the most recent models of HPXand CX-series of shoulder cameras.  The best materialsfor optimal comfort The camRade camCovers are handmade with flexible Cordura® fabric that has a soft foam padding on the inside for maximum protection and optimal comfort. Thanks to the water- and abrasion-resistant soft-feel, it is extremely comfortable to work with. Each camCover comes with a wireless pouch to store a small audio receiver or other small pieces of equipment. The built-in rain protection cover is stored in the pouch on the back of the cover, always within reach and equipped with a cord and clip to avoid losing it. Easy access to what is important   The camCover secures easily around the camera body with hook-and-loop fasteners, while leaving quick and easy access to its controls, memory card slots, connectors, viewfinder, lens and battery. On the top of the camera, underneath the top handle, a roll able piece of fabric can be used to protect the ventilation unit.

camRade rainCover ENG/EFP

camRade rainCover ENG/EFP CAM RAINCVR ENGEFP CAMRAINCVRENGEFP CAM-RAINCVR-ENGEFP CAM/RAINCVR/ENGEFP Protect the Sony, Panasonic, Grass Valley, Ikegami, Hitachi and JVC ENG- or EFP-style broadcast camera setup against inclement weather with the rainCover ENG/EFP. It is an absolute must have that will prevent water damage to your most valuable piece of equipment. Through years of experience and working closely with multiple camera operators, we have improved the designs to perfect solutions for multiple applications. The rainCover ENG/EFP is suitable for shoulder camera work but is also great while your camera is attached on a VCT-plate, tripod, pedestal, or any other camera support solution.  Durable and functional design Always carry the camRade rainCover ENG/EFP with you so you do not get caught out when the weather turns. The cover is supplied in a waterproof zippered pouch, which you can use to store and transport the cover when not in active use. It is easy to attach and detach the cover, thanks to the convenient design. Breaking down your setup when a storm is coming, or pausing a production is a thing of the past with the rainCover ENG/EFP.  Clamps around the lens hood Thanks to its 52 cm (20.5”) rubber strip, the rainCover fits correctly on most Canon or Fuijinon lenses and lens hoods. The strap supplied with a hook-and-loop fastener makes it possible to tighten the cover on the lens hood but still lets you operate the lens.  Easy access to what is important With several zippered and hook-and-loop openings you can easily access all essential parts of the camera.  From openings for the carrying strap, wireless antennas, microphone, and viewfinder to a transparent window on the side, this rain cover has it all. The back of the cover easily opens to change the camera’s battery or quickly access cables.

Canon EOS R10 - Body Only

Canon EOS R10 - Body Only 5331C030 5331 C030 5331-C030 5331/C030 The perfect next step in photography, whether you’re moving on from a smartphone or upgrading your DSLR. The EOS R10 lets you be creative in ways you simply couldn’t before – the only limit is your imagination. Stay focused on the subject Track subjects accurately, keeping them pin-sharp, with Dual Pixel CMOS AF II. It’s programmed with deep-learning AI to recognise people, animals and vehicles, wherever they are in the frame. Turn fleeting moments into lifelong memories Photograph fast-moving subjects with high-speed bursts of images, freezing them in time to reveal unseen detail. The EOS R10 can shoot continuously at 15fps, or bursts up to 23/30fps with its silent electronic shutter.  Video and photos from the same hybrid camera 4K/30p footage from the EOS R10 looks simply superb – it’s captured by oversampling 6K sensor data, and the results need to be seen to be believed. 4K 60p footage3 as well as Full-HD at up to 120p can also be captured. Get close and fill the frame The EOS R10’s APS-C sized sensor gives 1.6x more telephoto reach than the same focal length lens on a full-frame camera. Great for finding details in landscapes when travelling or getting close to local wildlife. Connected to the world Wherever you are, the EOS R10 helps get your content where it needs to be. Upload straight from the camera to the canon.image cloud with Wi-Fi, or connect to your smartphone for sharing to social media. Panoramic shot mode Stunning photos covering a huge angle can be shot quickly and easily using the EOS R10’s Panoramic Shot mode. The camera combines the images shot as the camera is panned, merging them together to create the final panoramic result. Photographers can choose the direction of movement – up, down, left or right – and, although any RF, RF-S, EF or EF-S lens can be used, those with built in optical IS will reduce any blurring that comes from camera movement. In-camera depth compositing When depth of field is limited, for example when shooting up close, the EOS R10 lets photographers extend and control the zone of sharpness by shooting multiple images at different focus distances then merging these using in-camera depth compositing. The results of the merge can be seen immediately, so users can get the perfect outcome. image.canon cloud RAW processing   Raw files from the EOS R10 can be processed in the image.canon cloud for the ultimate in image quality. More advanced noise and moire reduction results in more natural looking JPEG and HEIF image files.

SONNET Fusion SSD M.2 4x4 PCIe Card [Thunderbolt compatible]

SONNET Fusion SSD M.2 4x4 PCIe Card [Thunderbolt compatible] SON FUS SSD 4X4 E3S SONFUSSSD4X4E3S SON-FUS-SSD-4X4-E3S SON/FUS/SSD/4X4/E3S INSTALL FOUR M.2 SSDS INTO A PCIE CARD SLOT X16 PCIE SLOTHIGH-SPEED DATA TRANSFERS If you need to add internal storage to your computer setup and high-speed data transfers are critical to your work, don’t look to 2.5" SATA SSDs—you need an NVMe SSD-based upgrade. Today’s NVMe PCIe SSDs offer tremendous performance, easily outclassing 2.5" SATA SSDs. Sonnet’s M.2 4x4 PCIe card enables you to mount four M.2 NVMe PCIe SSDs onto a single x16 card slot—it can transform the way you work. With the Sonnet M.2 4x4 PCIe card installed in your Mac Pro® tower; Windows® PC desktop or server; or Thunderbolt™ to PCIe card expansion system with an available x16 PCIe slot, you can use it for instant-access media storage or as a high-performance scratch disk. Mac® users can even install macOS® on one SSD to create an incredibly fast boot drive.(2) However you use it, this card’s performance is impressive. PERFORMANCE ORIENTED Sonnet’s M.2 4x4 PCIe card is a full-height, full-length PCIe 3.0 card with a 16-lane (x16) interface. Featuring a unique Sonnet-designed x16 PCIe bridge, the card devotes four lanes of PCIe 3.0 bandwidth to each SSD you install. When installed in a Windows PC’s PCIe 3.0 slot with four SSDs formatted in a RAID 0 configuration, the card is capable of 8,500 MB/s transfers. Aggregate transfer speeds from four non-RAIDed SSDs of up to 12,000 MB/s are possible! THUNDERBOLT PORT? CONNECT FOUR SSDS THROUGH ONE CABLE Got a Thunderbolt connection, but no PCIe card slot? Sonnet’s M.2 4x4 PCIe card is ideal for use in one of our Echo™ Express III-D, III-R, or xMac™ Thunderbolt to PCIe card expansion systems—the combo enables you to add up to four SSDs to any Mac with Thunderbolt 2 or Thunderbolt 3 ports, or Windows PC with Thunderbolt 3 ports.(5) SIMPLE AND S.M.A.R.T   Integrating a Sonnet M.2 4x4 PCIe card into your system is easy—just insert it into a x16 PCIe slot and then start your computer—NVMe compliance ensures the necessary drivers(4) are installed automatically. macOS 10.14.4+ and Windows 10 compatible; the Sonnet M.2 4x4 PCIe uses the operating system’s built-in drive formatting utilities to format the SSDs. Drive health monitoring is supported through S.M.A.R.T. (Self-Monitoring, Analysis and Reporting Technology) data reporting, too.

Blackmagic Cloud Store Mini 8TB

Cloud Store Mini 8TB BMD DWCLDE CLDMINI08 BMDDWCLDECLDMINI08 BMD-DWCLDE-CLDMINI08 BMD/DWCLDE/CLDMINI08 High Performance Network Storage With Global Sync Cloud Store Mini 8TB   The Blackmagic Cloud Store Mini is a fast network storage solution in a compact rack mount design. It features a high speed 10G Ethernet connection and four internal M.2 flash memory cards operating in parallel RAID 0 for extremely fast file access. It’s fast, even with lots of simultaneous users all accessing files at the same time. With Dropbox live sync, files can be distributed between multiple units globally, for very fast local file access, even on lower cost internet connections. Plus you don't need IT consultants as it's easy to use. There's even an HDMI monitor output. Blackmagic Cloud Store Mini is the perfect solution for storing and sharing files on your network. Designed For Film and Television Blackmagic Cloud Store Mini is the perfect network storage solution for any use. It's great for film and television where large media files need to be shared between multiple users for editing, colour correction, audio post and VFX work. It even handles massive 12K Blackmagic RAW digital cinema files. Each user gets zero latency and they don't need to store files on their local computer. It’s the perfect solution for DaVinci Resolve. Dropbox sync allows multiple disks to be synchronized in different locations globally. Then each location gets the fastest editing experience possible. That’s critical for multicam editing where multiple media files are playing simultaneously. Portable and Quiet Design Blackmagic Cloud Store Mini features a compact rack mount design that's very portable and whisper quiet. Internally it has an array of 4 flash memory cards working in parallel for higher speed. The 10G Ethernet port and the 1G Ethernet port operate as a 2 port network switch. That’s great if you don't have a 10G Ethernet network, as you can connect the 10G port directly into your computer and the 1G port to your existing network. If you need to access files quickly, then the USB-C even operates as a network connection, simply by plugging it into your computer. There is also an HDMI monitoring output so you can watch a live graphic view of the storage operating on a TV or monitor. Connections Flexible Power An IEC power socket is included for connecting AC power. All international AC voltages are supported so you can use it globally. Plus there is a separate DC power input for redundancy or battery use. 10G Ethernet The 10G Ethernet port allows high speed computers to be connected. It's fast, even when lots of users are connected at the same time. It’s perfect for connecting to the latest 10G Ethernet switches. 1G Ethernet The 1G Ethernet connection is provided for slower connections such as the internet or slower computers. It is part of the built in Ethernet switch and helps keep the faster 10G port free. USB-C Connection The USB-C port supports Ethernet for connecting it to your computer to access files. That’s possible because there is a USB-C to Ethernet adapter built in. USB-C is also used for settings and updates. HDMI Monitor Output The HDMI monitor output lets you see the status of your Cloud Store Mini in real time. Simply plug in a TV or monitor. You can see a storage map, speed graphs, sync, active users and power status. Flash Memory Allows Multiple Simultaneous users The Blackmagic Cloud Store Mini is available with 8 TB of flash memory, so you have lots of space for your files. That’s fantastic for television production, as it’s small enough to be portable, but it has enough storage space for lots of video media. M.2 flash memory cards are used for extreme reliability, high access speeds and zero seek times. Plus the four M.2 cards are arranged in a parallel RAID 0 group so they can operate much faster than a single card. That ensures enough speed to keep up with the 10G Ethernet connection. Plus in the future, as new larger M.2 cards are released, the flash memory cards can be replaced with new ones. That ensures a very long life. High Performance for Digital Film files With a separate very high speed 10G Ethernet connection, Blackmagic Cloud Store Mini is very fast. The internal memory core has been designed to saturate the 10G Ethernet port to its theoretical maximum speed, even with multiple users connected. It’s so fast, most computers cannot keep up. Plus file access is very low latency, so responsiveness is fast. That’s possible because of the parallel processing used by the memory core. Even at maximum speed, the Blackmagic Cloud Store Mini is extremely quiet with very little cooling fan noise. Even when editing large 12K digital film RAW files. It’s so fast, multicam editing is very smooth, even if it’s used with large digital film camera files. Sync to Dropbox Now you can setup a local cache of your Dropbox files. This makes working much faster because files are instantly available without needing to be downloaded from the internet. Blackmagic Cloud Store Mini will constantly work to stay in sync. You can save space on your computer by moving cached Dropbox files to the Blackmagic Cloud Store Mini so everyone on your network can share them. You can even sync multiple Blackmagic Cloud Store Minis via Dropbox so people in different geographic locations can collaborate without latency because everyone has a local copy of the files. Dropbox is also a fantastic backup solution. Distribute Files Globally With support for Dropbox sync, you can use multiple Blackmagic Cloud Store Mini units to share files globally. That’s important when working with large datasets or massive digital film and video files. These files need to be constantly accessed dozens of times a second, so most internet connections are too slow to handle it. While the internet has too much latency to access large files remotely, you can use it to sync these files. Syncing the files to local storage totally eliminates delays in accessing them. That's because everyone has a local copy of the files on their network. Blackmagic Cloud Store Mini will constantly sync files, even if your computer is turned off. Real Time Monitoring The most exciting feature is the HDMI monitoring output. Simply connect a TV or computer monitor to get a live status of the Blackmagic Cloud Store Mini. The storage map shows a graphic representation of the memory core and real time read and write access happening for the connected users. It’s quite mesmerizing to watch. There are also graphs that show you the data transfers on the Ethernet connections. The main space indicator shows you the capacity of the memory core and how much is currently being used. You can also add a custom name to the store. The status for each Dropbox connection is also shown. It's even possible to see connected users and the power supply status. High Performance 10G Ethernet The Blackmagic Cloud Store Mini has a high speed 10G Ethernet port, which is only found on expensive workstation computers. With 10G Ethernet, you get 10 times the speed of regular Ethernet. Plus most computers can be upgraded to add 10G Ethernet. The Blackmagic Cloud Store Mini is so fast, it will run the 10G Ethernet port to its maximum capacity. Even when connected to an Ethernet switch with dozens of users accessing files at the same time. The 10G Ethernet port also features very low latency for fast access times. There is also a separate 1G Ethernet port, plus Ethernet on the USB-C port, so you can keep the fast 10G Ethernet port free for a faster computer. Connect via USB-C for Quick file access Modern laptop computers are so thin, they often don't even have an Ethernet connection. That means you need an adapter to connect to an Ethernet network. These adapters are annoying and make it harder to just plug your computer into the storage to access a file. Blackmagic Cloud Store Mini has a USB-C to Ethernet adapter built in and you can access it simply by plugging your computer into the USB-C port on the store. Plus USB-C cables are much nicer than stiff Ethernet cables. Once you have connected the Cloud Store Mini’s USB-C connection to your computer, you have an Ethernet connection to the store. That means you can just plug in to quickly grab files when you need them urgently. Repairable Design for Long life Blackmagic Cloud Store Mini is easy to repair by qualified IT engineers. The design is based on a single PCB that attaches to the 4 memory cards and the AC power supply. This means the flash memory cards can be removed and replaced. Plus Blackmagic Cloud Store Mini runs Blackmagic OS so it applies wear leveling, so each M.2 card won't see excessive data writes. You can also see any card faults on the utility and the HDMI monitor output. Plus in future, as new and larger M.2 flash memory cards are released, the Blackmagic Cloud Store Mini can be upgraded so it has much larger capacity. That’s possible because M.2 flash memory cards are an open standard and available from any computer dealer. NO Subscription Costs One of the big advantages of the Blackmagic Cloud Store Mini is it’s private storage that you fully control. There are no subscriptions to sign up for. There are no monthly license fees. There is no tracking of your usage or data. You don't even need to log into a web page to maintain the storage settings, because Blackmagic Cloud Store Mini uses a free to download software utility that runs on Mac and Windows. That means you can run a private network, totally disconnected from the internet. This is critical for many security standards where computer networks cannot be connected to the external internet. With Blackmagic Cloud Store Mini, you get performance, portability, and total freedom. Free Software for Mac and Windows When you need to change settings, you can use the Blackmagic Cloud Store utility that's available on Mac and Windows. By default, the Blackmagic Cloud Store Mini is set to DHCP, so you can connect it to your network and start transferring files. In many ways, it plugs in just like a regular hard disk. That means it's so easy to setup, you won't need an IT person to get started. However if you want to customize your network, then the utility software lets you change the network settings in the cloud store. The utility also lets you add Dropbox sync folders. Perfect Multi Camera Video Workflow  Get broadcast quality video workflows by recording from a HyperDeck Studio directly into Blackmagic Cloud Store Mini. Just connect the HyperDeck Studio to the 1G Ethernet port, while the 10G Ethernet port can be connected to a high speed network so multiple DaVinci Resolve workstations can edit the media recorded by the HyperDeck. DaVinci Resolve is a free download and allows you to edit and colour the camera files. There is a wide range of HyperDeck Studio recorders and they are the perfect interface between the broadcast video world and the file based world used by editing software. Once the files are recorded, DaVinci Resolve will let you start editing immediately.

CAM-RAINCVR-1X1 camRade rainCover 1X1

Camrade CAM-RAINCVR-1X1 (CAM/RAINCVR-1X1, CAM/RAINCVR/1X1, CAMRAINCVR1X1, CAM RAINCVR 1X1) CAM-RAINCVR-1X1 camRade rainCover 1X1. Protect your LED light panel from rain and dust during field-use with the camRade rainCover 1X1. It is an essential piece of equipment that can prevent water damage to your lighting equipment. This cover allows you to keep the location lit during (live)production. Through years of experience and working closely with parties involved in production, camRade has improved their designs to perfect solutions for multiple applications. The rainCover 1X1 is one of the unique products from camRade, it is simple to use and compact. Durable and functional design Always carry the camRade rainCover 1X1 with you so you do not get caught out when the weather turns. The cover is supplied in a waterproof zippered pouch, which you can use to store and transport the cover when not in active use. It is easy to attach and detach the cover, thanks to the convenient, universal design. Breaking down your setup when a storm is coming, or pausing a production is a thing of the past with the rainCover 1X1. The transparent vinyl fabric on the front and back sides allows you to maintain maximum light output while retaining the ease of use. Easy access to what is important Multiple YKK® zippers on the left and right sides of the cover allow you to quickly access the controls, get power or DMX cables out, or simply adjust the depth of the cover. The covered air inlets and outlets on the sides reduce the risk of the panel overheating by allowing hot air to escape via vents and openings. The cover prevents water from reaching the V-Lock or Gold Mount battery, the control unit, or any AC/DC adapter. The high-density shock cord on the bottom makes is possible to fasten the cover to the lighting stand or any other mounting solution. At the same time, the length also reduces the chance that water can enter the panel through the bottom. The total length of the cover is 52 cm (20.5”).  

CAM-CAMCVR-S1 camRade camCover S1

Camrade CAM-CAMCVR-S1 (CAMCAMCVRS1, CAM/CAMCVR-S1, CAM/CAMCVR/S1, CAM CAMCVR S1) CAM-CAMCVR-S1 camRade camCover S1. The camRade camCover S1 is a black, custom-fit protective cover that fits most Sony ENG-style shoulder cameras. It protects against scratches resulting from daily wear and tear, increases the lifespan of the camera body and ensures it remains in perfect condition. The built-in camRade rain protector helps you protect your camcorder whenever the weather turns, or dust is kicked up. The camCover S1 is an absolute must have that can prevent damage to your most valuable piece of equipment. The camCover is designed and suitable for shoulder camera work but is also great while your camera is attached to a VCT-plate, tripod, pedestal, or any other camera support solution. Durable and functional design camRade understands your job and knows how the conditions can change during a (live)production. This camera cover has been created through years of experience and feedback from camera operators all over the world. Since Sony has changed very few aspects of the outer camera bodies in recent years, camRade has chosen to make a universal camCover that can be used on the most recent models of PMW- and PXW-series of shoulder cameras. The best materials for optimal comfort The camRade camCovers are handmade with flexible Cordura® fabric that has a soft foam padding on the inside for maximum protection and optimal comfort. Thanks to the water- and abrasion-resistant soft-feel, it is extremely comfortable to work with. Each camCover comes with a wireless pouch to store a small audio receiver or other small pieces of equipment. The built-in rain protection cover is stored in the pouch on the back of the cover, always within reach and equipped with a cord and clip to avoid losing it. Easy access to what is important The camCover secures easily around the camera body with hook-and-loop fasteners, while leaving quick and easy access to its controls, memory card slots, connectors, viewfinder, lens and battery. On the top of the camera, underneath the top handle, a rollable piece of fabric can be used to protect the ventilation unit.

Camgear MARK 2 AL MS (75mm Bowl)

Camgear MARK 2 AL MS (75mm Bowl) CMG M2 MS AL TRISYS CMGM2MSALTRISYS CMG-M2-MS-AL-TRISYS CMG/M2/MS/AL/TRISYS The Camgear MARK 2 AL MS is an ideal and low-cost aluminium tripod system for any mirrorless camera configuration or light weighted camcorder up to 5 kg / 11 lbs. New and popular mirrorless cameras that can be used with the Camgear MARK 2 AL MS: Black magic Pocket Cinema Camera 6K (PRO) Canon EOS R5C Fujifilm T-X4 Panasonic Lumix S5 Sony FX3    

Blackmagic Videohub Master Control Pro

Blackmagic Videohub Master Control Pro BMD/VHUB/WMSTRCRL/PRO BMD-VHUB-WMSTRCRL-PRO BMD VHUB WMSTRCRL PRO BMDVHUBWMSTRCRLPRO BMD-VHUB/WMSTRCRL/PRO When you need to access your whole router without sacrificing speed, then Videohub Master Control Pro lets you scroll your router sources and destinations with the easy to use spin knob control or via direct button entry. You can even see all routes on the beautiful LCD. Powers via DC or the Ethernet connection. HARDWARE CONTROL PANELS ADD INCREDIBLE RACK MOUNT HARDWARE CONTROL PANELS For dedicated remote router panels, you can choose between Videohub Smart Control Pro and Videohub Master Control Pro. Both optional panels connect to your network via Ethernet and can control any Videohub model. Videohub Smart Control Pro is ideal for direct cut bus style routing to monitors or decks, while Videohub Master Control Pro gives you full spin knob control and direct label entry with an LCD display to see your router crosspoint labels. You get perfect integration and 24/7 broadcast reliability with Blackmagic Videohub remote panels.

Blackmagic Design Micro Converter BiDirectional SDI/HDMI 12G

Blackmagic Design Micro Converter BiDirectional SDI/HDMI 12G BMD CONVBDC SDI HDMI12G BMD/CONVBDC/SDI/HDMI12G BMD-CONVBDC-SDI-HDMI12G BMDCONVBDCSDIHDMI12G BMD-CONVBDC/SDI/HDMI12G Easily combine SDI and HDMI components in your video setup with the Micro Converter BiDirectional SDI/HDMI 12G from Blackmagic Design. This compact bidirectional converter can convert SDI to HDMI and HDMI to SDI in all SD, HD, and UHD formats up to 2160p60. Since each conversion direction can be a different SD, HD, or UHD video standard, it's like getting two converters in one. It also offers camera control conversion for Blackmagic HDMI cameras like the Pocket Cinema Camera 4K or 6K, enabling you to use them with an SDI-based live switcher. The pocket-sized Micro Converter BiDirectional SDI/HDMI 12G features HDMI timecode support, SDI re-clocking for stability over long cable runs, support for a wide range of pro broadcast resolutions, including cine-style 48 fps, and both HDMI and SDI embedded audio input and output. This converter features a sturdy metal housing with power and signal LED status indicators and rugged connector interfaces. A USB Type-C port enables the converter to easily connect to and be powered by large-screen monitors, laptops, desktop computers, or projectors. The converter is powered using a separately available power supply.

Blackmagic Atem Streaming bridge

Atem Streaming bridge BMD SWATEMMINISBPR BMDSWATEMMINISBPR BMD-SWATEMMINISBPR BMD/SWATEMMINISBPR STREAM TO YOURSELF WITH ATEM STREAMING BRIDGE The ATEM Streaming Bridge is a video converter that lets you receive a H.264 stream from any ATEM Mini Pro and convert it back to SDI and HDMI video. This means you can send video to remote locations around your local Ethernet network, or via the internet globally. That's possible because it uses advanced H.264 codecs for higher quality at very low data rates. Imagine broadcasters and bloggers collaborating on shows and creating global networks of ATEM Mini Pro remote broadcast studios. Setup is easy as the ATEM software utility can create setup files that you can email to remote ATEM Mini Pro studios. ATEM Streaming Bridge is the perfect way use ATEM Mini Pro as a remote broadcast studio.

Blackmagic Design Zoom Demand

Blackmagic Design Zoom Demand BMD/CINSTUDMFT/H/FZD BMD-CINSTUDMFT-H-FZD BMD CINSTUDMFT H FZD BMDCINSTUDMFTHFZD Add pan handle-mounted zoom control to your Studio Plus or Studio Pro camera with this Blackmagic Design Zoom Demand. Featuring dual USB connectors, the zoom demand mounts on your pan handle with a rosette so you can adjust its position for your comfort. It features a familiar in/out toggle with a speed selection knob and a rec start/stop button.

Slik Pro 400DX Leg

Slik Pro 400DX Leg - 3381 The perfect, sturdy first tripod for those who want to get serious about photography, the SLIK PRO 400DX is an all-metal tripod suitable for DSLR and medium format cameras.  Speed release leg locks make it a breeze to set up and take down. The soft grip padded legs and folded length of 580mm make this lightweight tripod easy to carry. 3 position leg angle locks allow lowering the tripod for macro photography work. It also has a short center column built in, just unscrew the column into two pieces and it becomes 165mm shorter.   

Slik PBH-635AS Ball Head

PBH-635AS Ball Head 3486 The compact professional SLIK PBH-635AS ball head has newly desgined “Cam Lock” Arca-Swiss type quick release systems for easy mounting the camera. “Cam Lock” quick release system allows user to attach or detach a camera from top of the platform and no need to slide in or out the plate from the groove. The PBH-635AS ball head has a capacity of 6kgs. features a separate pan lock that locks the ball into place while allowing the head to rotate 360 degrees. Its tension knob controls the rate of the ball’s movement. The head is capable of handling a full sized professional DSLR with standard lens. In addition to the standard easy grip ball lock lever the head has a tension adjustment knob to fine-tune the drag on the ball movement. It also has a separate panoramic lock with degree markings around the base for stitching together for panoramic photos.

Slik SH-737HD Fluid Head

Slik SH-737HD FLUID HEAD 3410 The SLIK SH-737HD is a smooth-moving fluid effect 3-way pan head. It has a quick release plate for easy mounting and removal of a DSLR or video camera. The all-metal head allows dual photo and video use and moves in two directions like a professional video head. The SLIK SH-737HD also has pan and tilt drag controls that are separate from the the pan/tilt handle locks. This allows the photographer to fine-tune the tightness (drag) of the movement based on the weight of the camera and lens.  The head can also hold up to 5.0kg of equipment.

Slik SVH-501

 SVH-501, 3411 The SVH-501 is a compact sized fluid head, weighing in at 540g and capable of supporting 3.0kg of gear in any position while providing smooth pan and tilt movements. The head provides the right amount of resistance when moving the head so your video movements are smooth and your animal tracking is easy. The angled pan handle can be rotated a full 360-degrees so the handle’s angle is in the best position for your situation. The head includes a 70mm Arca-type quick release plate that can be mounted from the top of the head. The locking knob is large and easy to access with the camera mounted.  It also includes a retractable safety stopper to prevent the plate from sliding off the head in the event you forget to tighten down the plate. The safety stopper can also be rotated out of the way to make using a 3rd party Arca-type camera plate.

Slik PRO AL-323DX

PRO AL-323DX, 3287 Compact travel tripod with 3 way head

Slik PRO AL-324DX

PRO AL-324DX, 3288 The SLIK PRO AL-300 series compact travel tripod makes an excellent traveling companion for your point-and shoot camera or light-weight Digital SLR.  The PRO AL-324DX is a successor model of the best-selling PRO 340DX.  The new series reduce vibration and increase the torsion strength through a re-engineered tripod collar and leg joint. The new series features SLIK original R.F.M. (Rappid Flip Mechanism) that provides an easy way to adjust the leg angle, a bubble level for easy horizon correciton and an accessory hole that will accept your choice of extension arms for mounting monitors, lights tablets or other photographic accessories. The PRO AL-324DX includes the SH-705E 3-way Pan Head which has separate lock controls for every movement from horizontal to vertical camera orientation.  It also has a quick release plate for fast mounting of a camera.

Slik ABLE 300DX

ABLE 300DX, 3395 Built with photo enthusiasts and students in mind, the SLIK ABLE 300DX is a durable tripod with classic features. The legs of the ABLE 300DX extend and retract securely, loosen and tighten the leg lock knob to extend or shorten them. 3 position adjustable angle leg locks make for easy set up on uneven ground or steps. These leg locks also allow you to lower the height of the tripod. Combined with the SLIK ABLE 300DX Short Column and the tripod can be lowered to 470mm for low angle or macro photography. For even lower angle photography the standard gearless center column can be reversed so the head is at the bottom of the center column. This gives you the ability to photograph with the camera just a few inches off the ground. The tripod kit comes with the ABLE 300DX Pan Head, a compact and all-metal, this head has the strength and durability to handle many digital and 35 mm cameras and lenses. The 3-way pan head has a metal quick release plate that positively locks into the head. One lever operation of the quick release lock allows fast mounting and un-mounting of the camera.

Slik PRO 400DX

PRO 400DX, 3380 The perfect, sturdy first tripod for those who want to get serious about photography, the SLIK PRO 400DX is an all-metal tripod suitable for DSLR and medium format cameras. Speed release leg locks make it a breeze to set up and take down. The soft grip padded legs and folded length of 650mm make this lightweight tripod easy to carry. 3 position leg angle locks allow lowering the tripod for macro photography work. It also has a short center column built in, just unscrew the column into two pieces and it becomes165mm shorter.

Slik PRO AL-523DX

PRO AL-523DX, 3292 The SLIK PRO AL-500 series medium size tripod are capable of handling the weight of a professional full-frame DSLRs or mirrorless cameras with heavy lenses. The PRO AL-523DX is a successor model of the best-selling PRO 500DX. The new series reduce vibration and increase the torsion strength through a re-engineered tripod collar and leg joint. The new series features SLIK original RFM (Rappid Flip Mechanism) that provides an easy way to adjust the leg angle, a bubble level for easy horizon correciton and an accessory hole that will accept your choice of extension arms for mounting monitors, lights tablets or other photographic accessories. The PRO AL-523DX includes the ABLE 300DX 3-way Pan Head which has separate lock controls for every movement from horizontal to vertical camera orientation.  It also has a quick release plate for fast mounting of a camera.

Slik PRO AL-523BH5

PRO AL-523BH5, 3293 The SLIK PRO AL-500 series medium size tripod are capable of handling the weight of a professional full-frame DSLRs or mirrorless cameras with heavy lenses. The PRO AL-523BH5 is a new addition to the best-selling PRO 500BH5.  The new series reduce vibration and increase the torsion strength through a re-engineered tripod collar and leg joint. The new series features SLIK original R.F.M. (Rappid Flip Mechanism) that provides an easy way to adjust the leg angle, a bubble level for easy horizon correciton and an accessory hole that will accept your choice of extension arms for mounting monitors, lights tablets or other photographic accessories. The PRO AL-523BH5 includes the PBH-523AS ball head with “Cam Lock” Arca Swiss type quick release. This head has an easy grip ball lock lever. There is a separate panoramic lock on the base, locking the level or angle of the ball but allowing the camera to pan.  There are also 360 degree markings around the base for taking photos to stitch together for panoramic shots.

Sonnet DuoModo Echo III Module

Sonnet DuoModo Echo III Module SONDMMODE3 SON-DM-MOD-E3 SON DM MOD E3 SON/DM/MOD/E3 The DuoModo™ Echo™ III Module connects up to three PCIe cards to computers without card slots. The module supports three full-height, full-length Thunderbolt™-compatible non-GPU PCIe cards; provides 400W of power for the most demanding of PCIe cards, including qualification from Avid for Pro Tools | HDX PCIe cards; features quiet, dual temperature-controlled Noctua fans rated at 17 dbA; and connects through super fast 40Gbps Thunderbolt interface. Graphics Workstation Power  If your workflow includes video editing, rendering, color grading, animating or creating special effects, many of the pro applications you use rely on desktop and workstation graphics (GPU) cards to do the heavy lifting in processing data. Unfortunately, many popular computers are equipped only with integrated graphics processors or low-power discrete GPUs that provide less than ideal performance. Happily, there’s a simple path to greater productivity—add a Sonnet external GPU (eGPU). The DuoModo eGPU Module Thunderbolt to GPU PCIe Card Expansion System boosts your eGPU-compatible computer’s graphics performance by connecting a high-performance desktop or workstation GPU card to your computer via a single cable.

Sonnet SON-USB3-DDP4K Dual 4K 60Hz DisplayPort Adapter for M1 Thunderbolt Macs

Sonnet SON-USB3-DDP4K (SON/USB3-DDP4K, SON/USB3/DDP4K, SONUSB3DDP4K, SON USB3 DDP4K) Dual 4K 60Hz DisplayPort Adapter for M1 Thunderbolt Macs TWO DISPLAYPORT DISPLAYS FROM A SINGLE USB OR THUNDERBOLT PORT Apple® M1 Mac® computers offer outstanding overall performance but have a limit to the number of external displays you can connect to them. If you’re using an M1 MacBook Air® or MacBook Pro®, that number is one. Featuring DisplayLink technology, Sonnet’s DisplayLink™ Dual DisplayPort Adapter for M1 Macs beats the limit, enabling you to connect two 4K (3840 x 2160) @ 60Hz DisplayPort displays to a single port on your computer. EXPAND YOUR APPLICATIONS WORKSPACE Perfect for use with productivity software such as Microsoft® Office, this Sonnet adapter enables you to work more efficiently by expanding your workspace. Whether you need to open multiple applications on their own screens, edit code or view a spreadsheet in detail on a large display, or mirror your notebook’s display on a larger monitor, the Sonnet DisplayLink Dual DisplayPort Adapter for M1 Macs makes it possible. BROWSE THE WEB. WATCH VIDEOS Even when you’re not using productivity software, your notebook’s screen can constrain your view. Go big—the Sonnet DisplayLink Dual DisplayPort Adapter for M1 Macs enables you to connect your computer to your large monitor or big screen TV to browse the web and watch videos on YouTube and other content(1) at a distance. CONNECT THREE DISPLAYS TO YOUR M1 MAC MINI SIMPLE TO SET UP AND USE Just download and install the DisplayLink Manager software, connect two displays to the Sonnet adapter, and plug the adapter into your computer. Connect the third display to the Mac mini's built-in HDMI port. Finally, configure settings to extend your desktop on the connected displays. And because your computer powers the Sonnet adapter, there’s no need to connect an additional power supply. THE PERFECT CONNECTION COMPANION The Echo 5 Thunderbolt 4 hub includes a USB port. If your computer is short on ports, simply connect the Sonnet DisplayLink Dual DisplayPort Adapter for M1 Macs to the USB or Thunderbolt port on your hub and save a port on your computer. SUPPORTS FULL HD DISPLAYS AND AUDIO OUT While the Sonnet DisplayLink Dual DisplayPort Adapter for M1 Macs supports two monitors at up to 4K resolutions (3840 x 2160), you can also use it to connect monitors with lower resolutions, like full HD 1080p (1920 x1080) @ 60Hz—this makes it great for use for different home and work applications. Because audio support is built into the Sonnet adapter, you don’t have to plug in a separate cable to hear sound from connected displays. COMPATIBLE WITH ALL MACS (MACOS 10.15+) AND WINDOWS 11 OR 10 COMPUTERS Sonnet's DisplayLink Dual DisplayPort Adapter is ideal for M1 Macs, and Intel®-based Mac or Windows computers with USB 3 or USB-C interfaces. Although the adapter is compatible with all Macs running macOS 10.15+, and all PCs running Windows 11 or 10, Sonnet recommends Sonnet's Thunderbolt Dual DisplayPort Adapter for Mac or Windows computers with Thunderbolt 4 or 3 interfaces.

Slik PRO CF-733BH5

 PRO CF-733BH5, 3321 The SLIK PRO CF-733BH5 carbon fibre tripod is best of both worlds for photographers that want to travel light but still need a sturdy tripod when they get there. This combination features SLIK’s most popular carbon fibre tripod and their most popular professional ball head for excellent portability, and utility.  The PRO CF-733BH5 carbon fibre material yields greater weight reduction while maintaining excellent rigidity and strength. The SLIK PRO CF-733BH5 weighs just over 1.7kg but can reach over 1.7m when fully extended or get as a low as just 307mm of the ground.  The four leg sections mean the tripod retracts to a very small 686mm when closed. The tripod is equipped with proprietary speed release locks for fast easy set-up and pack-up. The compact professional ball head PBH-535AS has a load capacity 5kg. It features newly designed “Cam Lock” Arca-Swiss type quick release system.  It also have separate pan lock that locks the ball into place while allowing the head to rotate 360 degrees. Its tension knob controls the rate of the ball’s movement.

Slik PRO CF-833BH6

PRO CF-833BH6, 3323 The SLIK PRO CF-833BH6 carbon fibre tripod is best of both worlds for photographers that want to travel light but still need a sturdy tripod when they get there. This combination features SLIK’s most popular carbon fibre tripod and their most popular professional ball head for excellent portability, and utility.  The PRO CF-833BH6 carbon fibre material yields greater weight reduction while maintaining excellent rigidity and strength. The SLIK PRO CF-833BH6 weighs just over 2.0kg but can reach over 1.8m when fully extended or get as a low as just 337mm of the ground.  The four leg sections mean the tripod retracts to a very small 686mm when closed. The tripod is equipped with proprietary speed release locks for fast easy set-up and pack-up. The compact professional ball head PBH-635AS has a load capacity 6kg. It features newly designed “Cam Lock” Arca-Swiss type quick release system.  It also have separate pan lock that locks the ball into place while allowing the head to rotate 360 degrees. Its tension knob controls the rate of the ball’s movement.

Slik PRO CF-834BH6

PRO CF-834BH6, 3322 The SLIK PRO CF-834BH6 carbon fibre tripod is best of both worlds for photographers that want to travel light but still need a sturdy tripod when they get there. This combination features SLIK’s most popular carbon fibre tripod and their most popular professional ball head for excellent portability, and utility. The PRO CF-834BH6 carbon fibre material yields greater weight reduction while maintaining excellent rigidity and strength. The SLIK PRO CF-834BH6 weighs just over 2.0kg but can reach over 1.7m when fully extended or get as a low as just 190mm of the ground.  The four leg sections mean the tripod retracts to a very small 566mm when closed. The tripod is equipped with proprietary speed release locks for fast easy set-up and pack-up. The compact professional ball head PBH-635AS has a load capacity 6kg. It features newly designed “Cam Lock” Arca-Swiss type quick release system.  It also have separate pan lock that locks the ball into place while allowing the head to rotate 360 degrees. Its tension knob controls the rate of the ball’s movement.

Sonnet Dual 4K 60Hz HDMI Adapter for M1 Thunderbolt Macs

Sonnet Dual 4K 60Hz HDMI Adapter for M1 Thunderbolt Macs SONUSB3DHDMI SON USB3 DHDMI SON-USB3-DHDMI SON/USB3/DHDMI Two HDMI Displays from a SingleThunderbolt 3 Port Certified for use with both Mac® and Windows® Thunderbolt 3 computers, Sonnet’s Thunderbolt 3 to Dual HDMI 2.0 Adapter enables you to connect up to two 4K @ 60Hz HDMI monitors to a single Thunderbolt 3 port on your computer(1). Efficiency Enabler Sonnet’s Thunderbolt 3 to Dual HDMI 2.0 Adapter enables you to work more efficiently with two displays attached to your notebook or all-in-one computer, while only using a single Thunderbolt 3 port on your computer. Plug-and-Play Convenience, and No External Power Adapter Required To use it, simply plug in the Sonnet Thunderbolt 3 to Dual HDMI 2.0 Adapter into one of your computer’s Thunderbolt 3 ports, and then connect HDMI cables (sold separately) between the adapter and your monitors. Your computer powers the Sonnet adapter, so there’s no need to connect an additional power supply. Plus, with native macOS® and Windows support, there’s no need to install separate driver software. Adapts to Your Needs Thunderbolt Certified for Mac® and Windows(2), the Sonnet Thunderbolt 3 to Dual HDMI 2.0 Adapter supports two monitors at resolutions up to 3840 x 2160 (4K), but you can also use it to connect monitors with lower resolutions, like full HD 1080p (1920 x 1080) or 1920 x 1200 monitors. This makes it great for use for different home and office workspace applications. Because audio support is built in to the Sonnet adapter, you don’t have to plug in a separate cable to hear sound from the monitors. And, unlike USB adapters, the Sonnet adapter won’t drain system resources that might impact your computer’s performance. Important Notes Although Sonnet’s Thunderbolt 3 to Dual HDMI 2.0 Adapter supports the connection of up to two 4K monitors with 60Hz refresh rates, the actual number of monitors it will support, as well as the screen refresh rates, are determined by your computer. Click here to view a list of Thunderbolt 3 hosts (computers) and their capabilities; please note that at any given time this list may not be complete. Click the appropriate Filter by Brand/OEM link, and then find your computer model. Check the center column to identify its external display support capabilities. If your model is not listed, contact your computer’s manufacturer for information.

Sonnet DuoModo xMac Mini (Intel & M1) Echo III Rackmount

Sonnet DuoModo xMac Mini (Intel & M1) Echo III Rackmount SON/DM/ZM/E3/R SON DM ZM E3 R SON-DM-ZM-E3-R SONDMZME3R The pre-configured DuoModo™ xMac™ mini/Echo™ III Rackmount System integrates a Dual-Module Rackmount Enclosure with one xMac mini module and one Echo III module. Mac mini Integration + Three PCIe Slots System Configuration For Intel® or Apple® M1 Mac mini® Dual-Module Rackmount Enclosure Dual-module 2U Rackmount Enclosure Rugged Steel Construction Blank Plate Included for Single Module Applications Same Enclosure Used in Echo III Rackmount 19 inches Wide x 16.5 inches Deep x 3.5 inches High Included Rack Rails Support Installation in Racks 16-24" Deep xMac mini Module Securely Holds an Intel or Apple M1 Mac mini (sold separately) in a Rugged Steel Frame Open Access to the Computer’s Ports in Back Built-in Thunderbolt™ 3 Dock with SSD Sockets Four Front Panel Ports Include One Thunderbolt 3 (40Gbps) Port, Two USB 3.2 (10Gbps) Type-C Ports, and One USB 3.2 (10Gbps) Type A Port Two M.2 NVMe SSD Sockets – Add up to 16TB (SSDs sold separately) One Internal USB 3.2 (10Gbps) Type A port (for Securely Connecting an iLok USB-A, Thumb Drive, or Bus-powered USB Storage Drive) Internal Thunderbolt 3 (40Gbps) Port Connects Dock to the Mac mini Quiet, Dual Temperature-controlled Fans Power Cable Included Thunderbolt 3 (40Gbps) Cable Included Echo III Module Three Versatile PCIe Slots One x16 plus Two x8 PCIe Slots Supports Three Full-height, Full-length Thunderbolt-compatible, non-GPU PCIe Cards ( View PDF of supported PCIe Cards) AVID QUALIFIED – Supports up to Three Avid Pro Tools | HDX PCIe Cards Built-in 400W Power Supply with 75W Auxiliary Power Connector Powers On and Off Automatically with Connected Computer Dual temperature-controlled Noctua fans rated at 17 dbA Two Thunderbolt 3 Ports 40Gbps Thunderbolt 3 Interface Offers 2750 MB/s of PCIe Bandwidth to the Installed PCIe Cards Power Cable Included Thunderbolt 3 (40Gbps) Cable Included ThunderLok 3 Thunderbolt Connector Retainer Clip Included 2-year Product Manufacturers WarrantyFree Lifetime Customer Technical SupportDesigned and Made in the USA  

Sonnet DuoModo Dual-Module Desktop Enclosure

Sonnet DuoModo Dual-Module Desktop Enclosure SON DM ENC 2M D SON-DM-ENC-2M-D SONDMENC2MD SON/DM/ENC/2M/D he Dual-Module Desktop Enclosure enables the interchangeable expansion of two DuoModo™ Expansion Modules. Add Your Choice of DuoModo Modules: xMac mini Module (Mac mini® Mounting Module + Thunderbolt™ SSD Storage Dock) eGPU Module (Thunderbolt to eGPU Card Expansion Module) Echo III Module (3-slot Thunderbolt to PCIe Card Expansion Module) Popular Pre-configured DuoModo Systems (Enclosures with Pre-installed Modules) also Available  

Sonnet DuoModo Single-Module Desktop Enclosure

Sonnet DuoModo Single-Module Desktop Enclosure SON-DM-ENC-1M-D SONDMENC1MD SON DM ENC 1M D SON/DM/ENC/1M/D The Single-Module Desktop Enclosure enables the interchangeable expansion of one DuoModo™ Expansion Module.

BirdDog PLAY

PLAY, BD-PLAY (BD_PLAY, BD/PLAY, BD PLAY) BirdDog PLAY HDMI2.0 4K NDI HX2 Decoder with beautiful interface.

BirdDog 4K 12G SDI

4K 12G SDI, BD-4KSDI (BD_4KSDI, BD/4KSDI, BD 4KSDI, 4KSDI) BirdDog 4K SDI - 12G SDI, 4Kp60 NDI Encoder/Decoder

Andoer D-Tap to DC Power Cable

Andoer D-Tap to DC Power Cable(ANDTAPTODC)

BLACKMAGIC URSA Studio Viewfinder G2

BLACKMAGIC URSA Studio Viewfinder G2, BMD-CINEURSANSVF2 (BMD/CINEURSANSVF2, BMD_CINEURSANSVF2, BMD CINEURSANSVF2, CINEURSANSVF2)  

BLACKMAGIC URSA Broadcast G2

BLACKMAGIC URSA Broadcast G2, BMD-CINEURSAMWC6KG2 (BMD_CINEURSAMWC6KG2, BMD CINEURSAMWC6KG2, BMD/CINEURSAMWC6KG2, CINEURSAMWC6KG2) Professional broadcast camera for HD, 4K & 6K

Camgear Elite 10 MS AL (100mm Bowl)

2760.0135 2760 0135 27600135 2760/0135 The Elite 10 fluid head is engineered for set-ups of up to 12 kg/26.4 lbs. The 12 step counterbalance wheel adjustment system enables finer and faster counterbalance settings for virtual perfect balance. The camera can easily be switched from tripod to handheld and vice versa using the quick release lever, allowing the camera and plate to release in one swift sure movement. Perfect support for today’s digital cinema-style cameras, such as the Sony PXW-FS7, Canon EOS C200/C300/C300 MARK II, Blackmagic URSA Mini Pro & Panasonic AU-EVA1. The Elite 10 tripod systems come with the matching patented Elite 3S-FIX Quick Lock & Release 100 mm 50 kg/110 lbs capacity tripod, illuminated levelling bubble with sliding plate screw parking positions and the integrated screw key to make your operation run smoothly

Camrade CAM-WS-EOSC300-M3 WetSuit EOS C300 Mark III

camRade wetSuit EOS C300 Mark III, CAM-WS-EOSC300-M3 (CAM_WS-EOSC300-M3, CAM/WS-EOSC300-M3, CAM WS-EOSC300-M3, WS-EOSC300-M3) The Canon EOS C300 Mark III camera has a number of optional expansion units that offer a flexible modular design and meet the demands of many different configurations. Using it for broadcast purposes, on a gimbal or handheld, all possibilities require different set-ups. The camRade wetSuit EOS C300 Mark III is designed to support the extreme flexibility of this camera. Easy to open and expand, and easy to take off or fold together when a part is not in use. The cover has clear vinyl windows which can be opened and closed with hook and loop fasteners, for maximum visibility when adjusting the menu, audio input select level and other controls. Made of water-resistant fabric with a soft lining the cover minimalizes unwanted sound effects during operation. For the viewfinder a separate cover with transparent vinyl is supplied. This wetSuit is supplied with clear protection covers for a normal and a long lens, making sure that any lens you might use will be well protected. When the lens is shorter than the cover, you can fold it back to the correct size. This item will be delivered to you in a waterproof pouch with zipper, which you can use for storage and transportation of the cover when not in active use.

Camrade CAM-WS-EOSC500-M2 WetSuit EOS C500 Mark II

Camrade CAM-WS-EOSC500-M2 (CAM/WS-EOSC500-M2, CAM/WS/EOSC500/M2, CAMWSEOSC500M2, CAM WS EOSC500 M2) WetSuit EOS C500 Mark II The Canon EOS C500 Mark II camera has a number of optional expansion units that offer a flexible modular design and meet the demands of many different configurations. Using it for broadcast purposes, on a gimbal or handheld, all possibilities require different set-ups. The camRade wetSuit EOS C500 Mark II is designed to support the extreme flexibility of this camera. Easy to open and expand, and easy to take off or fold together when a part is not in use. The cover has clear vinyl windows which can be opened and closed with hook and loop fasteners, for maximum visibility when adjusting the menu, audio input select level and other controls. Made of water-resistant fabric with a soft lining the cover minimalizes unwanted sound effects during operation. For the viewfinder a separate cover with transparent vinyl is supplied. This wetSuit is supplied with clear protection covers for a normal and a long lens, making sure that any lens you might use will be well protected. When the lens is shorter than the cover, you can fold it back to the correct size.  This item will be delivered to you in a waterproof pouch with zipper, which you can use for storage and transportation of the cover when not in active use.

CamRade travelMate Sherpa

CamRade travelMate Sherpa (CAM_TM-SHERPA, CAM/TM-SHERPA, CAM TM-SHERPA, TM-SHERPA) The travelMate Sherpa is the new and improved successor of the travelMate Handy 1 backpack. All the plusses of the Handy 1 and much more! Inside measurements offers room for professional cameras up to 43 cm/16.9 inches and allows you to safely transport your camera, while keeping both hands free. This bag, made of 1000 denier black Cordura® fabric, has YKK® zippers that open the front flap. In here, a separate pocket is added to store your laptop or tablet. Various pockets and slits on both the inside and outside of the bag help you store and organize several smaller items like documents, memory cards, cables and tools. The soft-padded interior includes 11 removable dividers which make it easy to arrange the main compartment into sections to fit to your requirements. When you use this compact and comfortably balanced backpack, your freedom of movement stays intact and you’ll have your hands free for the necessary activities to create the best shots ever.

Camrade CAM-WS-ARRI-ALEXA-MINI-LF Wetsuit Arri Alexa Mini LF

Camrade CAM-WS-ARRI-ALEXA-MINI-LF (CAM/WS-ARRI-ALEXA-MINI-LF, CAM/WS/ARRI/ALEXA/MINI/LF, CAMWSARRIALEXAMINILF, CAM WS ARRI ALEXA MINI LF) Wetsuit Arri Alexa Mini LF The camRade wetSuit ARRI ALEXA Mini LF is a custom made rain cover to fit your ARRI ALEXA Mini LF camera It’s made of water-resistant fabric with a soft lining that minimalizes unwanted sound effects during operation. DoP’s have the freedom to use their desired configuration of the camera due to practically located openings, a separate viewfinder cover that enables different set-ups of the viewfinder and an opening on the back of the cover that allows using multiple batteries and/or a wireless devices with antennas while keeping everything safe from wind and rain. Special vents in the cover make sure the chance of overheating is put to a minimum. The wetSuit is supplied with clear protection covers for a normal and a long lens, making sure that any lens you might use will be well protected. When the lens is shorter than the cover this can be folded back to the correct size. The cover has clear vinyl windows which can be opened and closed with hook and loop fasteners, for maximum visibility when adjusting the menu, audio input select level and other controls. This item will be delivered to you in a waterproof pouch with zipper, which you can use for storage and transportation of the cover when not in active use.

Panasonic AW-RP60 Compact Remote Camera Controller

PANASONIC AW-RP60 Compact Remote Camera Controller, PAN-AWRP60 (PAN AWRP60, AWRP60, PAN/AWRP60, PAN_AWRP60) Introducing the all-new AW-RP60 Remote Camera Controller. Equipped with a large LCD to display a GUI menu screen with clear visibility and an improved joystick for smoother control, this controller is compatible with all current Panasonic PTZ models. Thanks to the improved GUI, now all important information about the cameras, such as iris, zoom and focus can be seen at all times directly on the screen. The AW-RP60 is also capable of supporting up to 200 cameras in 20 groups, manages 100 presets and comes with PoE support allowing for an easy integration.

Samyang 35mm T1.5 MK2 Cine Lens Sony FE Full Frame

VDSLR-8835 VDSLR8835 VDSLR 8835 VDSLR/8835 The Samyang VDSLR 35mm T1.5 MK2 is a compact, high quality, fast prime cine lens, available in several mounts. It has full-frame coverage and is optimised for use on video, DSLR and mirrorless cameras. Whether this is your first dedicated cine lens or you are simply looking for amazing performance from compact glass, the MK2 version inherits the superb optics and build quality from the previous model, but has several added features for enhanced performance and handling. All models in the VDSLR MK2 range have unified focus and aperture gear ring positions. This allows for easy changing of lenses without having to adjust follow-focus systems and rigs. For added convenience and professional usage, focus scales, apertures and focal lengths are visible on both sides of the lenses. The new 9-bladed aperture delivers smooth and circular bokeh, which adds a three dimensional quality to the subject and pleasing out-of-focus effects. An 18-ray starburst highlight effect can also be created by stopping down to small apertures. Weather-sealing now protects the most vulnerable gap between the lens and camera mount, to prevent dust, light rain and snow from penetrating. It provides the ability and confidence to capture stunning images in less than perfect conditions. Due their compact dimensions and light weight, Samyang VDSLR MK2 lenses are ideal for use handheld, with gimbal, on car mounts and drones. They offer an ideal way to experience the quality of genuine cine lenses on a low budget, for high quality video making. They are especially popular with YouTubers.

Panasonic AW-RM50AG Infrared Remote Controller for PTZ cameras

Panasonic AW-RM50AG Infrared Remote Controller for PTZ cameras, PAN-AWRM50AG (PAN/AWRM50AG, PAN AWRM50AG, PAN_AWRM50AG, AWRM50AG) The AW-RM50AG is a remote controller that uses infrared communication to wirelessly adjust and control Panasonic PTZ cameras. It has the same shape and operational feel as standard infrared remote controls that are used with home video equipment and thus providing intuitive PTZ Camera control. The device can control up to four PTZ cameras, and camera switching, pan, tilt and zoom can all be performed with button operations. It features a preset function that allows the registration of up to 12 shooting positions. Registered memories can then be recalled with a single press of a preset memory button. The AW-RM50AG is also equipped with a range of adjustment functions, such as focus, manual iris control and colour adjustment, to make full use of the performance offered by professional PTZ cameras. The OSD (camera menu) can be displayed on an external monitor, enabling the adjustment of advanced camera settings with this single device. It offers excellent operability when shooting with PTZ cameras in small spaces such as small classrooms or conference rooms.

Panasonic HD Integrated Camera; 1-inch large MOS - White

Panasonic HD Integrated Camera; 1-inch large MOS - White, PAN-AW-HE145WEJ (PAN_AW_HE145WEJ, HE145WEJ, PAN/AW/HE145WEJ, PAN AW HE145WEJ) The HD integrated camera AW-HE145 realizes high sensitivity of F9/2000lx with the mounted 1.0-type MOS sensor, and can shoot beautifully at stage events or church services with low light. The operation mechanism is the same design as the high-end model, so the operating performance of the pan/tilt and zoom is smooth and accurate, allowing you to shoot without stress. Furthermore, it is equipped with an optical 20x zoom and horizontal 75.1° wide-angle lens to realize flexible video production.

Panasonic 4K Integrated Camera; 1/2.5-type MOS; 2160/50p; 12G SDI; High-Bandwidth NDI; SRT support; Black

4K 60P/50P PTZ CAMERA SUPPORTING NDI AND SRT Supports high bandwidth NDI for low latency transmission of high-quality 4K 60p/50p video, and SRT for high-quality and stable transmission, and also compatible with 12G-SDI output for use in a wide range of situations, from live streaming of events to studio production. SUPPORTS A WIDE VARIETY OF IP TRANSMISSION PROTOCOLS, INCLUDING NDI High bandwidth NDI that can transmit 4K video at speeds of up to 250 Mbps and full HD video up to 100 Mbps is included to provide high-quality low latency live video transmission with a single LAN cable. High efficiency low bandwidth NDI|HX is also included to enable video transmission at low bitrates. SRT is also supported to maintain stability while transmitting high-quality video, even in unstable network environments. RTMP/RTMPS provides direct streaming to live broadcasting services such as YouTube Live and Facebook Live from the camera. SUPPORTS 4K 60P/50P SHOOTING AND 12G-SDI OUTPUT Supports 4K 60p/50p video at 3840 x 2160 to provide smooth and high-quality shooting of moving images, and a wide variety of output interfaces such as 12G-SDI, 3G-SDI, HDMI, and IP. INCLUDES A WIDE-ANGLE LENS WITH A 74.1° FIELD OF VIEW AND 24X OPTICAL ZOOM A wide angle lens with a horizontal angle of view of 74.1 degrees enables a wide area to be shot from a limited installation space, and 24x optical zoom maintains high image quality at high zoom ratios. This allows shooting in large indoor spaces.   SUPPORTS FREED FOR BUILDING AR/VR SYSTEMS FreeD command output enables connection with AR/VR systems. This allows the camera tracking information (pan/tilt/zoom/focus/iris) to be output together with a synchronization signal to easily build systems without an encoder. ADOPTS NEW MECHANICAL PAN/TILT FOR IMPROVED RESPONSIVENESS AND QUIETNESS The inclusion of a Direct Drive mechanism improves the responsiveness of pan/tilt and quietness during pan/tilt operations. In addition to Optical Image Stabilization (OIS), Electronic Image Stabilization (EIS) has been added for the roll direction. This provides stable video shooting even at locations utilizing robotics and rail systems, etc.

ATOMOS Ultrasync Blue ROW Version

Ultrasync Blue is simple, low-cost, and has the potential to synchronise any compatible camera or sound recording device with Bluetooth® connectivity. There are no cables to worry about, giving you more freedom to shoot from creative angles with smaller, more mobile cameras. It can even sync iPhones.

Panasonic PAN-AWUE100WEJ 4K 60p/50p PTZ Camera Supporting NDI and SRT (White)

Panasonic PAN-AWUE100WEJ (PAN/AWUE100WEJ, PAN_AWUE100WEJ, AWUE100WEJ, AW-UE100WEJ, pan-awue100wej) 4K 60p/50p PTZ Camera Supporting NDI and SRT (White) Supports high bandwidth NDI for low latency transmission of high-quality 4K 60p video, and SRT for high-quality and stable transmission, and also compatible with 12G-SDI output for use in a wide range of situations, from live streaming of events to studio production. World's First 4K/60p PTZ Camera supporting NDI and SRT Supports high bandwidth NDI for low latency transmission of high-quality 4K 60p video, and SRT for high-quality and stable transmission, and also compatible with 12G-SDI output for use in a wide range of situations, from live streaming of events to studio production. Supports a wide variety of IP transmission protocols, including NDI, NDI|HX, and SRT High bandwidth NDI that can transmit 4K video at speeds of up to 250 Mbps and full HD video up to 100 Mbps is included to provide high-quality low latency live video transmission with a single LAN cable. High efficiency low bandwidth NDI|HX (HD) is also included to enable video transmission at low bitrates. SRT is also supported to maintain stability while transmitting high-quality video, even in unstable network environments. RTMP/RTMPS provides direct streaming to live broadcasting services such as YouTube Live and Facebook Live from the camera. Supports 4K 60p shooting and 12G-SDI output Supports 4K 60p/50p video at 3840 x 2160 to provide smooth and high-quality shooting of moving images, and a wide variety of output interfaces such as 12G-SDI, 3G-SDI, HDMI, and IP. The AW-UE100 PTZ camera offers PoE++ support for camera power, control and video transmission over a single cable. Additionally, a power adapter is included with the camera. Includes a wide-angle lens with a 74.1° field of view and 24x optical zoom A wide angle lens with a horizontal angle of view of 74.1 degrees enables a wide area to be shot from a limited installation space, and 24x optical zoom maintains high image quality at high zoom ratios. This allows shooting in large indoor spaces. Supports FreeD for building AR/VR systems FreeD command output enables connection with AR/VR (Augmented Reality / Virtual Reality) systems. This allows the camera tracking information (pan/tilt/zoom/focus/iris) to be output together with a synchronization signal to easily build systems without an encoder. Adopts new mechanical pan/tilt for improved responsiveness and quietness The inclusion of a Direct Drive mechanism improves the responsiveness of pan/tilt and quietness during pan/tilt operations. In addition to Optical Image Stabilization (OIS), Electronic Image Stabilisation (EIS) has been added for the roll direction. This provides stable video shooting even at locations utilizing robotics and rail systems, etc.

Panasonic Lumix PAN-DC-GH5M2LE GH5M2 with 12-60mm f2.8-4 Leica Lens

Panasonic Lumix PAN-DC-GH5M2LE (PAN/DC/GH5M2LE, PAN_DC_GH5M2LE, DCGH5M2LE, DC-GH5M2LE, pan_dc-gh5m2Le) GH5M2 with 12-60mm f2.8-4 Leica Lens Panasonic Lumix DC-GH5M2 Mirrorless Camera with 12-60mm Leica Lens  Introducing the LUMIX GH5M2, a new Micro Four Thirds mirrorless camera that boasts outstanding video performance evolved from the renowned GH5.  In an update to the well loved GH5, a mirrorless camera revered and used by thousands of film makers, vloggers, photographers, producers across the world, Panasonic have taken its video capabilities to the max with the GH5M2. Featuring monster 4K video specs, including C4K/4K 60p 4:2:0 10-bit unlimited video recording with simultaneously output 4K 4:2:2 10-bit over HDMI. The LUMIX GH5M2 is also capable of wireless live streaming in FHD/60p via the LUMIX Sync smartphone app, or by connecting directly to a Wi-Fi router. In addition, it will receive a future firmware update to add RTP/RTSP wired IP streaming. The 20.3-megapixel Digital Live MOS Sensor has had a slight glow-up with AR (Anti-Reflective) coating capturing details cleanly and driving excellent lens performance. The image processor has also been updated to use the latest high-speed and high-performance Venus Engine. For run and gun shooters and photographers using long-lenses looking for stable shooting, the Body I.S. (Image Stabiliser) in the LUMIX GH5M2 is now even more advanced, making it possible to use a 6.5-stop slower shutter speed. With the adoption of the latest algorithm developed for the S1H, video recording is smooth and stable even when the camera is in motion. A 3.0-inch free-angle LCD with a 3:2 aspect ratio and high resolution of 1840K dots provides touch control. Compared to the GH5, the LCD features higher luminosity and superior colour reproduction to ensure high visibility outdoors. Wireless live streaming with minimal equipment High-quality live streaming is possible both indoors and outdoors with minimal equipment: just the LUMIX GH5M2 and a smartphone with the LUMIX Sync app. In compliance with the RTMP/RTMPS protocol using the H.264 codec, a maximum resolution/framerate of FHD/60p at 16Mbps is supported. For wired live streaming, the dedicated LUMIX Webcam Software is available for free download. High quality video performance The LUMIX GH Series features outstanding video performance for professional videography and the LUMIX GH5M2 is no exception, capable of unlimited video recording in a variety of settings. When shooting video, the GH5M2’s entire sensor area is used, enabling the user to record uncropped video from the original viewing angle of the lens. Video recording options are vast, offering internal recording up to 4K 60p and 4:2:2 10-bit 30p, or 4K/6K Anamorphic modes. To deliver high dynamic range and a broad colour spectrum, V-Log L is pre-installed in the camera, making it easy to match the colour tone with footage recorded in the S1H/S1’s V-Log and the GH5/GH5S’s V-Log L. V-Log L renders a very flat image while retaining all its colour information, which is a great benefit in post-production processing. For users who prefer to have a starting point for post-processing, there are 35 compatible conversion LUTs for VariCam cinema cameras available for free download. Practical tools like a Waveform Monitor and V-Log View Assist are also part of the GH5M2’s on-board video toolkit. Like the S1H video flagship camera of the S Series, the LUMIX GH5M2 provides two types of Cinelike gamma presets in the Photo Style menu. These modes create impressive looks with warm skin tones or delicate nuances of light and shadow even without colour grading over V-Log footage. The Cinelike D2 preset gives priority to dynamic range, while Cinelike V2 prioritizes contrast. L.Monochrome S and L.Classic Neo have also been added. All these presets are also available in Anamorphic mode. In VFR (Variable Frame Rate) recording, C4K/4K 60fps, Anamorphic 50fps and FHD 180fps are available. AF can be set before starting VFR recording.   A reliable tool for professionals Tough enough to withstand heavy fielduse, the LUMIX GH5M2’s full die-cast front/rear frame is composed of a magnesium alloy and the body is splash, dust, and freeze resistant down to -10 degrees Celsius. The shutter unit is also durable for approximately 200,000 cycles.  To further support use outdoors, the camera boasts a new high-capacity 2200mAh battery (DMW-BLK22) that complies with USB PD (Power Delivery) and can be recharged via AC or USB. The LUMIX GH5M2 is equipped with a double SD memory card slot compatible with V90-classified, high-speed, high-capacity UHS-II cards for Relay, Backup and Allocation Recording. With the advanced free-angle touch LCD, users can utilise the frame marker function to check the composition during recording in various common aspect ratios such as 16:9, 4:3, 1:1, 4:5, 5:4 and 9:16. The red recording frame indicator on the screen and in the EVF clearly signals whether the camera is recording, while a new blue indicator shows when the camera is streaming. Future firmware updates Firmware update for GH5M2 The LUMIX GH5M2 will continue to evolve with a future firmware update scheduled by the end of 2021. The new firmware will include:  RTP/RTSP wired IP streaming Live View Composite USB Tethering (linked to a smartphone via 4G/5G), Compatible Streaming Distribution Even more stable smartphone connection

Atomos AO-ATOMDTPCB2 D-Tap to DC Locked Connector Barrel Coiled Cable

Atomos AO-ATOMDTPCB2 (AO/ATOMDTPCB2, AO_ATOMDTPCB2, AOATOMDTPCB2, ATOMDTPCB2, ao-atomdtpcb2) D-Tap to DC Locked Connector Barrel Coiled Cable The D-Tap to DC Barrel Coiled Cable from Atomos is a power cable for the Eliminator battery and most recorders.

Sonnet SXS Pro X Thunderbolt 3 Single-Slot Card Reader

SUPPORTS SXS PRO X CARDS AT FULL SPEED SUPERIOR INGEST PERFORMANCE Co-developed by Sony®, SxS™ professional memory cards are the onboard recording media used in many past and current Sony and ARRI pro digital video cameras and camcorders. The latest generation cards—SxS PRO X—offer a nearly 3x increase in maximum read speeds of the previous generation. If you use SxS media in your workflow, you should use an SxS card reader capable of supporting SxS PRO X and every other SxS memory card at maximum speed. For the fastest ingests, get a Sonnet SxS PRO X Thunderbolt™ 3 Single-Slot Card Reader; it’s the best tool for the job.   SMALL AND ULTRA-FAST INGEST AT MAXIMUM READ SPEEDS The SxS PRO X Thunderbolt 3 Single-Slot Card Reader is small, ultra-fast, and easily reads all SxS memory cards at their rated speeds(1).   THE PERFECT TRAVEL COMPANION BUS-POWERED OPERATION When you need to travel light and don’t have a large stack of cards to ingest, extra power bricks and cables take up extra space and can weigh you down. Sonnet’s SxS PRO X Thunderbolt 3 Single-Slot Card Reader is bus-powered, operating off its Thunderbolt connection so there’s no need to plug in a power supply or power cable.   SUPPORTS ALL SXS MEDIA BROAD CARD SUPPORT The SxS PRO X Card Reader supports all generations of SxS media up to the latest PRO X cards. Additionally, this reader(2) supports XQD cards with the Sony ExpressCard Adapter for XQD Memory Card (QDA-EX1) or SD cards with Sonnet's SDHC Adapter for SxS Slot (SD-SXS-E34).   COMPACT, RUGGED AND PORTABLE THE SINGLE-SLOT SXS CARD READER FOR DIGITAL IMAGING TECHNICIANS (DITS) Equipment size and design features matter. Sonnet’s SxS PRO X Thunderbolt 3 Single-Slot Card Reader measures just 2.8 inches wide by 4.1 inches deep by 0.8 inches tall (about the size of a deck of playing cards), making it suitable for use in any workspace and workflow. Featuring a rugged aluminium enclosure, the Sonnet reader packs easily into a computer bag or backpack. Its single-port Thunderbolt interface and bus-powered operation make it perfect for use at the end of a daisy chain (such as multiple Sonnet SF3™ Series dual-slot pro card readers).   THUNDERBOLT 3 FASTEST EXTERNAL INTERFACE AVAILABLE Featuring a 40Gbps Thunderbolt™ 3 interface, this reader ingests footage from all SxS memory cards to any Mac® or Windows® computer with Thunderbolt 3 ports—on location, in the studio, or in the edit suite—at the fastest speeds the cards will support.   ALL THE RIGHT CONNECTIONS INCLUDED AT NO EXTRA CHARGE – THUNDERBOLT 3 CABLE. THUNDERLOK 3. Sonnet includes a 0.5-meter Thunderbolt 3 (40Gbps) cable that supports Thunderbolt 3’s full bandwidth. Sonnet also provides a ThunderLok 3 Thunderbolt connector retainer clip(3) that prevents accidental cable disconnections—just slide it over one end of the cable, and then plug in the connector and secure it to the reader by turning a thumbscrew. Because of its unique design, ThunderLok remains on the cable so it won’t get lost when not in use.

Manfrotto MTALUVR Virtual Reality Aluminium 4-Section Tripod

Manfrotto MTALUVR (MTALU-VR, MTALU/VR, MTALU_VR, MTALU VR, mtaluvr) Virtual Reality Aluminium 4-Section Tripod The VR Big Aluminium Base is the partner of choice for 360° photographers and videographers. It combines professional performance with minimalist design. This compact, robust aluminium tripod is perfect for use with the VR Medium Aluminium extension boom MBOOMAVR (not included) and comes with a specially designed aluminium adapter to connect the MBOOMAVR extension laterally and achieve maximum stability, even when you need to get several meters off the ground. The tripod has aluminium legs equipped with the M-lock system - a fast twist-locking mechanism that secures and releases the leg sections - enabling the tripod to be set up in seconds and letting photographers concentrate on the shots they want to capture. The M-lock can be engaged or disengaged with a single 90° rotation movement. The tripod has 4 independent leg-angle positions for increasing footprint, enabling the base to ensure maximum stability when the 360° camera needs to be high above the ground.

Blackmagic BMD-CINECAMPOCHDMFTEVF Pocket Cinema Camera Pro EVF

Blackmagic BMD-CINECAMPOCHDMFTEVF (BMD/CINECAMPOCHDMFTEVF, BMD_CINECAMPOCHDMFTEVF, CINECAMPOCHDMFTEVF, BMDCINECAMPOCHDMFTEVF, BMD CINECAMPOCHDMFTEVF, bmd-cinecampochdmftevf) Pocket Cinema Camera Pro EVF Add a compact viewfinder to your Pocket Cinema Camera 6K Pro with this Pocket Cinema Camera Pro EVF from Blackmagic Design. The EVF is designed specifically to fit into the EVF slot on the 6K Pro, and it locks using an integrated M4 screw. When in use, it turns off the built-in touchscreen LCD, so you don't accidentally change settings while using the EVF. The display provides a 1280 x 960 resolution image on its crisp micro-OLED display. The display provides a variety of overlays such as status, meters, and settings in the blank areas above and below the camera image. It accepts input frame rates up to 60 fps and 24-bit RGB color for a clear representation of your image. Its glass diopter features -4 to +4 adjustment, and the display also features a digital focus chart. It can swivel up to 70°, and a set of four eyecups are included and provide compact, medium, cinematic left eye, and cinematic right eye configurations.

Manfrotto MAN-MVTSNGFC 635 Fast Single Tripod Carbon Fiber

Manfrotto MAN-MVTSNGFC (MAN/MVTSNGFC, MAN_MVTSNGFC, MVTSNGFC, MVT-SNGFC, mvtsngfc) 635 Fast Single Tripod Carbon Fiber Manfrotto 635 Fast Single Tripod Carbon Fiber with Synchronized closure mechanisms between the upper and lower locks, has single tubing and features the FAST Twisting Lock, for secure locking with a single, easy gesture. The 635 FST tripod features a 75mm half ball and is compatible with a 60-mm half ball adapter (sold separately). In addition, it features Easy Link friction arm attachments compatible with Manfrotto anti rotation and Arri anti-twist pins. This enables users to attach an external monitor or any other accessory they may require without the risk of the arm rotating while in use. The Manfrotto 635 Fast Single Tripod was developed with the primary objective of making video shooting easier by reducing set up times and maintenance. The synchronized closure mechanisms between the upper and lower locks, enable videographers to control the entire leg with a single lock and get to work in record time. The new tripod provide maximum versatility, supporting the use of a broad choice of heads, and ensuring the utmost rigidity while also being extremely lightweight. Moreover, it is compatible with the 2 in 1 ground and middle telescopic spreader (which is sold as an optional accessory) and it features a 3-angle selection mechanism for easy set up. It is equipped with spiked feet with rubber overshoes for a firm grip and adaptability to the most diverse shooting locations.

Miller G0016 Classic Bottle Opener/Camera Plate Screw Tightener

Miller G0016 (G-0016, G/0016, G_0016, g0016) Classic Bottle Opener/Camera Plate Screw Tightener

Canon DB1-9690-000 Screw, Handle Lock

Canon DB1-9690-000 (DB1_9690-000, DB19690-000, DB1/9690-000, DB1 9690-000) Screw, Handle Lock. Canon Screw, Handle Lock for EOS C200.

Canon DB1-3021-000 Eyecap

Canon DB1-3021-000 (DB1_3021-000, DB13021-000, DB1 3021-000, DB1/3021-000) Eyecap. Canon Eyecap for C300 - C500.

Canon DA3-5331-000 Eye Cup Standard

Canon DA3-5331-000 (DA3_5331-000, DA35331-000, DA3/5331-000, DA3 5331-000) Eye Cup Standard. Canon Eye cup standard for XH-A1.

Canon D54-0140-000 Eye Cup Large

Canon D54-0140-000 (D54_0140-000, D540140-000, D54 0140-000, D54/0140-000) Eye Cup Large. Canon Eye cup Large for XH-A1.

Canon CG-A20 Battery Charger

Canon CG-A20 (CG_A20, CGA20, CG A20, CG/A20) Battery Charger. The CG-A20 Battery Charger is a compact charger for a single battery. Supplied with a CA-CP200B compact power adapter. Canon CG-A20 battery charger designed for BP-A series batteries. Ideal for professional use with Canon Cinema EOS cameras, offering reliable and efficient charging for production environments. Compatible with:   BP-A30 / BP-A60 batteries Canon EOS C200 Canon EOS C300 Mark II Canon EOS C200B

Canon BG-E16 Battery Grip for EOS 7D Mark I

Canon BG-E16 (BG_E16, BGE16, BG E16, BG/E16) Battery Grip for EOS 7D Mark I. Dedicated to the EOS 7D Mark II DSLR, the BG-E16 Battery Grip from Canon offers both enhanced handling capabilities as well as extended battery life. It accepts two LP-E6 lithium-ion battery packs to increase the camera's battery life or, alternatively, AA batteries can be used in conjunction with the included BGM-E16 Battery Magazine. Additionally, the grip is also compatible with the optional ACK-E16 AC Adapter Kit for continuous power. The design of the grip improves shooting in the vertical orientation and also provides an overall more ergonomic structure for holding the 7D Mark II. A second shutter release button, main dial, multi-controller, AF point selection button, AE/FE lock button, AF start button, and multi-function button are all integrated into the grip for improved and versatile handling.

Sony 458749701 LCD Display Film Safety

Sony 458749701 (458_749701, 458749701, 458 749701, 458/749701) LCD Display Film Safety. Sony LCD display film safety for PXW-FS5.

Movcam MOV-303-1914 Camera Spacer for F5/F55

Movcam MOV-303-1914 (MOV303-1914, MOV 303-1914, 303-1914, MOV/303-1914) Camera Spacer for F5/F55. The Camera Spacer from Movcam is designed for mounting the Sony F5/F55 camera. It is installed below the camera body and can also work with the 303-1125 Universal Quick-Release Baseplate (available separately). This spacer allows you to raise the camera's height in order to align the lens with accessories such as a matte box and follow focus. It features a quickly detachable design and comes with 1/4” and 3/8” screws.

Movcam MOV-303-2401 Cage for Sony a7 II, a7R II, and a7S II

Movcam MOV-303-2401 (MOV303-2401, MOV 303-2401, MOV/303-2401, 303-2401) Cage for Sony a7 II, a7R II, and a7S II. The Cage for Sony a7 II, a7R II, and a7S II from Movcam is designed to serve as the foundation point for your camera rig. Compatible with Sony's a7 II, a7R II, and a7S II, the cage adds a durable aluminum frame around the camera while maintaining access to control buttons, battery and SD card compartments, I/O connectors, and the Multi Interface Shoe. An integrated plate at the bottom of the cage allows you to attach an optional Riser Block, which enables further attachment to Movcam's 15mm LWS Baseplate to expand your camera rig. To hold and transport the rig, optional top handles are available. For accessory attachment, 1/4"-20 threaded holes are provided on the top and sides of the cage. Because the camera's Multi Interface Shoe remains accessible, the cage is fully compatible with Sony's optional XLR-K2M XLR Adapter and other MIS accessories. Thanks to its top shoe mount, the cage is also compatible with Sony's XLR-K1M XLR Adapter. Included with the cage is an HDMI cable bracket to help prevent your HDMI cable from accidentally coming unplugged during your shoot.

Movcam MOV-303-1908 VCT Lightweight Support for PMW F5/55 Cameras

Movcam MOV-303-1908 (MOV303-1908, MOV 303-1908, MOV/303-1908, 303-1908) VCT Lightweight Support for PMW F5/55 Cameras. The Movcam VCT Lightweight Support is designed for use with the Sony PMW F5 / 55 CineAlta Digital Cinema Cameras.

Movcam MOV-303-1131 Universal Shoulder Kit

Movcam MOV-303-1131 (MOV303-1131, MOV 303-1131, 303-1131, MOV/303-1131) Universal Shoulder Kit. The Movcam Universal Shoulder Kit is compatible with the universal LWS base plate system (sold separately) and can be used with the Sony F5 / F55 and FS700 / FS7 and Canon C100 / 300 / 500 cameras. The shoulder kit includes the Movcam 9" universal LWS mini dovetail plate, quick release block, universal shoulder pad, long rosette adapter, and a pair of anti-skid contoured hand grips and rosette offset adapters. When assembled, the kit allows you to carry a compatible camera attached to the universal lightweight baseplate (not included) in a shoulder-mount configuration. Movcam Universal LWS Dovetail Plate The Movcam Universal LWS Dovetail Plate is a baseplate compatible with Arri BP8 and Arri BP9 Bridgeplates. Movcam Quick Release Block for Universal Shoulder Kit This Quick Release Block from Movcam is included with their Universal Shoulder Kit and is sold here as a spare or replacement part. It allows the Universal Shoulder Pad to be quickly detached from the Universal Dovetail Plate. Movcam Universal Shoulder Pad for Sony F5/F55 Camera The Universal Shoulder Pad from Movcam is designed to be used with the Sony F5/F55 camera. Movcam Anti-Skid Handgrip Get a sure grip on your rig with this Movcam Anti-Skid Handgrip. The grip area on this handgrip has a contoured, dimpled rubber surface for comfortable holding, and features a rosette mount for locking onto your rig. Movcam Rosette Offset Adapter The Offset Rosette Adapter from Movcam is designed to adjust the position of a rosette socket when it creates a clearance issue. For example, if a handgrip with a rosette connector blocks vital components of the camera body or other accessories, the adapter will permit the user to reposition the rosette connection alleviating interference issues.

Movcam MOV-303-1701 Lightweight Support for Sony FS700 (Silver)

Movcam MOV-303-1701 (MOV 303-1701, 303-1701, MOV/303-1701, MOV303-1701) Lightweight Support for Sony FS700 (Silver). Featuring a shoulder pad, front rods, and rosette handgrip adapters on the side, this Movcam support baseplate for the FS700, in silver, provides a lightweight starting point for a complete shoulder rig. A riser on top allows you to further expand to the optional Movcam FS700 Side Bracket and FS700 Top Handle via two mounting threads on the side. Rubber shoulder pad Two 8" 15mm rods Allows attaching Movcam Side Bracket and more.

Movcam MOV-303-1122 Rosette Extension Arm (10 Inches)

Movcam MOV-303-1122 (MOV303-1122, MOV 303-1122, MOV/303-1122, 303-1122) Rosette Extension Arm (10 Inches). The Rosette Extension Arm from Movcam is a basic 10" extension arm for most rosette-equipped shoulder rigs and cages. The arm may be used to re-position grips or handles, add additional accessories to an existing rig, or construct a custom rig. Additionally, the arm features 4 rows of 1/4"-20 threaded holes to support video related accessories.

Movcam MOV-303-2204 Dummy Battery Power Cable with D-Tap Connector for Sony a7S

Movcam MOV-303-2204 (MOV303-2204, MOV 303-2204, MOV/303-2204, 303-2204) Dummy Battery Power Cable with D-Tap Connector for Sony a7S. The MOV-303-2204 Dummy Battery Power Cable from Movcam features a dummy battery at one end, and terminates in a D-tap connector at the other. The cable has a voltage capacity of 8.4 VDC, which allows you to power your Sony a7S camera by plugging the cable's D-tap connector into the D-tap outlet of either a V-mount or a Gold-mount battery.

Movcam MOV-303-3501 Panasonic GH5 Cage

Movcam MOV-303-3501 (MOV 303-3501, MOV/303-3501, MOV303-3501, 303-3501) Panasonic GH5 Cage. The Movcam Panasonic GH5 Cage provides form-fitting protection to your camera and supports mounting accessories without stressing your camera's body. Made from magnesium, the cage is both lightweight and rigid and allows full access to your camera's functions, battery, and SD card compartments. The front of the cage features two small raised tabs that secure your camera and prevents it from twisting inside the cage. It ships with a removable Metabones support attached, a support that interfaces neatly with the Arca-Swiss tripod plate. Built into the cage are 26 separate 1/4"-20 threaded accessory mounting points as well as a cold shoe. This allows you to mount a wide variety of accessories to the cage. The Arca-Swiss tripod plate incorporates two 1/4"-20 threaded mounting holes, enabling you to mount the QR tripod plate of your choice. The design of the cage permits the use of the Panasonic XLR audio adapter. Form-fitting cage. Functions and features of the camera remain available for use. Does not obstruct the use of the Panasonic XLR adapter Numerous 1/4"-20 threaded accessory mounting points Magnesium body provides rigid yet lightweight protection for your camera.

Movcam MOV-303-2605 DSMC2 Hot Swap Adapter for RED WEAPON, EPIC-W, SCARLET-W and RAVEN

Movcam MOV-303-2605 (MOV 303-2605, 303-2605, MOV303-2605, MOV/303-2605) DSMC2 Hot Swap Adapter for RED WEAPON, EPIC-W, SCARLET-W and RAVEN. The DSMC2 Hot Swap Adapter from Movcam allows for continuous battery operation when using the RED WEAPON, EPIC-W, SCARLET-W, and RAVEN cameras. Securing to the rear of the DSMC2 camera body, the Hot Swap Adapter serves as a mounting platform for separately available battery plates. It can also hold backup batteries for continuously powering the camera during battery swaps. The DSMC2 Hot Swap Adapter requires three 18650 Li-ion batteries (sold separately).

Movcam MOV-501-101-02-01 Control Cable for MRS-1 to Sony F5, F55

Movcam MOV-501-101-02-01 (MOV501-101-02-01, MOV 501-101-02-01, 501-101-02-01, MOV/501-101-02-01) MOV-501-101-02-01 Control Cable for MRS-1 to Sony F5, F55. The Control Cable from Movcam is to be used for Start / Stop REC control for the Sony F5/F55 from the SCU-1 or MCS-1.

Movcam MOV-303-1232 Dovetail with Shoulder Pad

Movcam MOV-303-1232 (MOV 303-1232, MOV303-1232, 303-1232, MOV/303-1232) Dovetail with Shoulder Pad. An integral part of the 303-1810 BMCC Shoulder Rig, the 303-1232 LWS Quick Release Shoulder Pad can also be used to convery the standard BMCC Cage (303-1820) into a shoulder mount variant. To do this you will also require the Grip Rosette Blocks 303-1118, S-extension arms 303-1119, 4" Extension Arms 303-1108, Rosette Bracket 303-1234, Battery Bracket 306-0209 and 12" 15mm rod set 206-0003-6.

Movcam MOV-303-2402 Riser Block for Sony A7II, A7RII, A7SII Cameras

Movcam MOV-303-2402 (MOV 303-2402, MOV303-2402, 303-2402, MOV/303-2402) Riser Block for Sony A7II, A7RII, A7SII Cameras. The Movcam Riser Block for Sony A7II/A7RII/A7SII Cameras is a rig component designed to connect the A7 cage to a 15mm rod baseplate. It also elevates the camera to a suitable height for the use of accessories such as a follow focus or matte box. Additionally, the block features two locks which control both the top and bottom clamps, and an adjustable lens support screw for relieving stress from the lens mount.