DPA DPK4011 Piano Stereo Kit

DPA DPK4011 (DPK-4011, DPK/4011, DPK 4011, DPK_4011) DPK4011 Piano Stereo Kit DPK4011 Piano Stereo Kit is a versatile, compact piano kit, which is tailored specifically to accommodate the need for clean sound and limitless creativity. We have collected our award-winning pencil mics – 4011 Cardioid Microphones, renowned in recording studios and live applications around the world. This specialized stereo kit holds the mics and accessories you need to capture fantastic sound no matter what you need. The microphones are matched within ±1 dB. This kit was previously known as 3511ES Stereo Kit with Matched 4011ES Cardioid Microphones Placement and use Due to the compact design of the microphones, they fit perfectly inside both upright and grand pianos at all desired positions. Both open and closed lids.  The numerous fitting options contained in the kit allow for a wide range of mounting and placements, including hanging, fixed X/Y or ORTF. In addition, with the enclosed stereo boom, A/B positioning is also possible. The kit includes a shock mount that also acts as a swivel joint for fixed mounting on mic stands or with one of the enclosed magnets for internal placement.  4011 Cardioid Microphone The principal appeal of the 4011 Cardioid Microphone is its directional quality and attention to detail. This mic makes everything sound like the original. The first-order cardioid pickup pattern provides superb separation between sound sources. It is equally suitable for close-up work on acoustic guitar, grand piano, overheads, percussion, wind instruments and vocals as it is for spot-miking symphonies. It can manage incredibly high sound levels.   A flat on-axis frequency response and excellent phase response deliver a faithful reproduction of the original sound. The off-axis response is similarly smooth so that any leakage is an accurate reflection of the original, though attenuated according to the true first-order cardioid pickup pattern.  

Blackmagic UltraStudio Express Recorder 3G – capture from 3G-SDI and HDMI

Blackmagic BMDULSDEXREC3G (BMD-ULSDEXREC3G, BMD/ULSDEXREC3G, BMD/-ULSDEXREC3G, BMD ULSDEXREC3G) UltraStudio Express Recorder 3G – capture from 3G-SDI and HDMI UltraStudio Express Recorder 3G Get pocket sized 3G-SDI and HDMI video capture for your USB4 or Thunderbolt laptop or desktop computer! UltraStudio Express Recorder 3G features broadcast quality 10-bit video connections in both HDMI and 3G-SDI. It's compatible with all popular video software such as DaVinci Resolve plus AI image processing and live streaming software. UltraStudio 4K Extreme 3 features a built in multi format hardware encoder that lets you capture to H.265. H.265 delivers amazing quality and is the compression standard for distributing Ultra HD content online. You can also use H.265 compression for SD and HD video giving you smaller files at higher quality than other compression formats. The built in hardware encoder is designed to be upgradable so you get a future proof solution that can add new formats via software updates as they become available. With UltraStudio you can connect to virtually any video device! All UltraStudio models include SDI in and out, HDMI out for monitoring on TVs and projectors and analog YUV/NTSC/PAL video and balanced analog input for archiving from legacy analog broadcast tape decks. Plus the dual SDI outputs can switch to fill and key! All models include video reference for sync playback to broadcast systems, plus RS-422 remote. The UltraStudio 4K Mini and Extreme models add an extra HDMI input plus a balanced analog audio out for connecting to in-studio audio monitoring. UltraStudio 4K Extreme's larger design accommodates 4 channel analog audio via XLR connections, 2 channels of AES/EBU digital audio and dedicated timecode connections. Software: Software Included Media Express, Disk Speed Test, LiveKey, Blackmagic Desktop Video Utility and Blackmagic driver on Mac OS and Windows. Media Express, Blackmagic Desktop Video Utility and Blackmagic driver on Linux. Internal Software Upgrade Firmware built into software driver. Software driver loads upgrades at system start or via updater software.

Blackmagic UltraStudio Express Monitor 3G

Blacmagic BMDULSDEXMON3G (BMD-ULSDEXMON3G, BMD/ULSDEXMON3G, BMD_ULSDEXMON3G, BMD ULSDEXMON3G)  UltraStudio Express Recorder 3G Get pocket sized 3G-SDI and HDMI video capture for your USB4 or Thunderbolt laptop or desktop computer! UltraStudio Express Recorder 3G features broadcast quality 10-bit video connections in both HDMI and 3G-SDI. It's compatible with all popular video software such as DaVinci Resolve plus AI image processing and live streaming software. Software: Software Included Media Express, Disk Speed Test, LiveKey, Blackmagic Desktop Video Utility and Blackmagic driver on Mac OS and Windows. Media Express, Blackmagic Desktop Video Utility and Blackmagic driver on Linux. Internal Software Upgrade Firmware built into software driver. Software driver loads upgrades at system start or via updater software.

Godox FLS10 Knowled 10inch Fresnel Lens

Godox GD-FLS10 (GD/FLS10, GD_FLS10, GDFLS10, GD FLS10) FLS10 Knowled 10inch Fresnel Lens The Godox FLS10 10" Optical Fresnel Lens Focusing Adapter Spotlight (sometimes known as a Flooter) enables you to focus and amplify the effective output of your lighting by up to 19 times. The beam angle of the FLS10 fresnel lens can be adjusted, allowing you to either produce a small pool of light or a wide flood of light, giving you access to a plethora of lighting options. The Godox FLS10 fresnel lens is also great for throwing light over greater distances, making it a perfect accessory for use in larger film and theatrical productions. There are also detachable barn doors available for it (sold separately), designed to control the spill and direction of the light, maximising light control. The FLS10 Fresnel lens is the perfect accessory for cinematographers, independent filmmakers, and theatrical productions that need their lighting to be able to travel over long distances. The Godox FLS10 10" Fresnel Lens Focusing Adapter Spotlight can also be used for still photography, especially for photographers working in commercial, advertising, and fashion photography.

Godox C10R-K8 Knowled Smart Bulb RGBWW Creative Bulb 8 Light Kit

Godox GD-C10R-K8 (GD-C10R-K8, GD-C10R-K8, GD-C10R-K8, GD-C10R-K8) C10R-K8 Knowled Smart Bulb RGBWW Creative Bulb 8 Light Kit The Godox KNOWLED C10R K8 Eight-LED E27 Cinematic RGBWW Creative Light Bulb Kit is perfect for cinematographers, filmmakers and lighting gaffers that require a high CRI light bulb, for setting up practical set lighting that can complement their main lighting set-up, to add mood and ambience to their sets. It features an HSI mode, which enables you to adjust the hue and saturation of the light, giving you access to virtually any colour you can think of. It also has a CCT mode, enabling you to adjust the colour temperature of the light anywhere between 2500K and 5800K, enabling you to match the light to the colour temperature of your ambient lighting. It also has a CRI of 96+ and a TLCI of 97+, making the C10R RGBWW LED Light Bulb suitable for broadcast usage. The Godox C10R light bulb is a great tool for Cinematographers, independent filmmakers, and photographers to add a little spice to their projects. Your Practical Little Friend The C10R creative LED light bulb is perfect for practical set lighting. Its standard E27 Edison screw connection enables it to be easily screwed into virtually any light fixture used to dress your movie set, enabling you to control the mood and atmosphere, making your cinematography a more captivating experience for your audience.  Cinema-Grade  The KNOWLED C10R RGBWW creative light bulb has a high CRI rating of 96 and a TLCI rating of 97. This ensures that your colours are reproduced faithfully and accurately, bringing vividness and realism to your movie scenes without any flickering, elevating your work to a whole new level. Variable Colour Temperatures The KNOWLED C10R RGBWW creative bulb guarantees consistent light output regardless of its temperature or battery level. With its colour temperature ranging between 2000K and 10000K, combined with magenta-green adjustment, the bulb seamlessly blends with ambient lighting, enhancing your shots with visual interest. Flexible Power Options The Godox C10R creative light bulb can be powered by either AC or DC. As well as being powered by your traditional E27 Edison light sockets in various regions,  they can also be powered by external power banks using their USB Type-C interface.  On-Board Controls The KNOWLED C10R features on-board brightness and colour controls, enabling you to change the hue and the brightness, directly on the bulb itself.

Godox QT600IIIM Pro High-Speed Studio Flash Head with LED Modelling Lamp

Godox GD-QT600IIIM (GD-QT600IIIM, GD-QT600IIIM, GD-QT600IIIM, GD-QT600IIIM) QT600IIIM Pro High-Speed Studio Flash Head with LED Modelling Lamp The GODOX QT600III is a 600Ws High-Speed Super-Fast Studio Flash Head in Photography that uses Insulated-Gate Bipolar Transistor (IGBT) technology to achieve extremely short flash durations of up to 1/26,100 of a second, as well as ultra-fast recycle times enabling you to shoot at up to 20 Frames Per Second. This allows you to capture perfectly sharp images of fast-moving subjects such as dancers, sports personalities and even water splashes with the greatest ease. It also features a Bright Built-in 40W LED modelling lamp, enabling you to easily preview your lighting better than ever before. Featuring a built-in 2.4GHz receiver and a variety of different flash modes, including High-Speed Sync (HSS), Rear-Curtain Sync and Multi-Flash mode. It is perfect for people who shoot Sports, Action, Dance, Fashion, Food, Product and Advertising photography. It is especially good for photographing children. Capture Motion Like Never Before The QT600III studio flash head utilises Insulated-Gate Bipolar Transistor Technology (IGBT) to enable it to produce a super-fast flash duration of up to 1/26,100 of a second (T0.1), enabling you to perfectly freeze fast-moving subjects with perfect sharpness. Great for photographing water splashes, powder and more. Phenomenal Speed The QT600III studio flash head features super-fast recycling times, enabling you to shoot at rates of up to 20 frames per second, ensuring that you will never miss the perfect shot. Ideal for photographing dancers and sports personalities. Stroboscopic Flash Mode The Stroboscopic flash feature enables you to capture motion in a unique way. It works by firing multiple flash bursts in rapid succession. When combined with a slow shutter speed, it enables you to capture amazing images of your subject in motion in a single exposure, as shown in the image below. High-Speed Sync Mode The Godox QT600III powerful flash head features a High-Speed Sync (HSS) mode, which enables you to synchronise your flash at higher shutter speeds than what is normally possible (up to 1/8000 of a second). This mode is useful for times when you would like to shoot at wider apertures, or if you need a faster shutter speed to kill any excess ambient light in your scene. Rear-Curtain Sync The Godox QT600III studio flash head features Rear-Curtain Sync, which enables you to capture stunning motion-trail effects when paired with slow shutter speeds. This mode causes the flash to fire at the end of the exposure, as opposed to the start, producing natural-looking motion blur effects that appear behind your subject. With standard front-curtain Sync, the motion-blur effect appears in front of your subject, which can look a little strange in your final image. Stable-Colour Mode The Godox QT600III flash head light features a Stable-Colour Mode to ensure that you get as little colour-temperature variation between different flash powers. This is especially useful when shooting colour-critical work such as for Advertising, Fashion Lookbooks, and Product Catalogues, etc. LED Modelling Lamp The QT600III powerful studio flash head now features a built-in 40W LED Modelling lamp (which is approximately 1.3 stops brighter than the older 150W halogen modelling bulbs). LED modelling lamps are brighter, run cooler and are more energy-efficient than traditional Halogen lamps. They also have a considerably longer lifespan. This makes the QT600III safe to use with modifiers that enclose the bulb, such as snoots, without you having to worry about the modifier becoming too hot to handle. Power and Precision at Your Command The QT600III photography flash headlight features an improved 9-stop power range, enabling you to adjust the power anywhere between full and 1/256 power in increments of 1/10 of a stop. Whether you want an intense burst of light for use as a main light or a subtle kiss of light, the QT600III is guaranteed to deliver.

Godox QT400IIIM Pro High-Speed Studio Flash Head with LED Modelling Lamp

Godox GD-QT400IIIM (GD/QT400IIIM, GD_QT400IIIM, GDQT400IIIM, GD QT400IIIM) QT400IIIM Pro High-Speed Studio Flash Head with LED Modelling Lamp The Godox QT400IIIM is a 400Ws Professional High-Speed Sync Studio Flash Strobe Light that uses Insulated-Gate Bipolar Transistor (IGBT) technology to achieve extremely short flash durations of up to 1/29,600 of a second, as well as ultra-fast recycle times, enabling you to shoot at up to 20 frames per second. This allows you to capture perfectly sharp images of fast-moving subjects such as dancers, sports personalities, and even water splashes with the greatest ease. It also features a bright, built-in 40W LED modelling lamp, enabling you to easily preview your lighting better than ever before. It features a built-in 2.4GHz receiver and a variety of different flash modes, including high-speed sync (HSS), rear-curtain sync and multi-flash mode. It is perfect for people who shoot sports, action, dance, fashion, food, product, and advertising photography. The Godox QT400IIIM uses Insulated-Gate Bipolar Transistor Technology (IGBT) to deliver ultra-fast flash durations up to 1/29,600 of a second (T0.1), ideal for freezing motion like water splashes or powder with sharp detail. Phenomenal Speed The QT400IIIM features super-fast recycling times, enabling you to shoot at rates of up to 20 frames per second, ensuring that you will never miss the perfect shot. Ideal for photographing dancers and sports personalities. Stroboscopic Flash Mode The Stroboscopic Flash feature enables you to capture motion creatively by firing multiple flashes in rapid succession. When combined with a slow shutter speed, it enables you to capture amazing images of your subject in motion in a single exposure, as shown in the image below. High-Speed Sync Mode The Godox QT400IIIM studio strobe light features High-Speed Sync (HSS), allowing flash use at shutter speeds up to 1/8000 of a second. This mode is useful for times when you would like to shoot at wider apertures or if you need a faster shutter speed to kill any excess ambient light in your scene. Rear-Curtain Sync The Godox QT400IIIM features Rear-Curtain Sync, which enables you to capture stunning motion-trail effects when paired with slow shutter speeds. This mode causes the flash to fire at the end of the exposure, as opposed to the start, producing natural-looking motion blur effects that appear behind your subject. With standard front-curtain sync, the motion-blur effect appears in front of your subject, which can look a little strange in your final image. Stable-Colour Mode The QT400IIIM flash strobe light includes a stable-colour mode, minimising colour temperature shifts across different power levels—ideal for colour-critical work like advertising, fashion lookbooks, and product catalogues. LED Modelling Lamp The Godox QT400IIIM high-speed sync flash now features a built-in 40W LED modelling lamp (which is approximately 1.3 stops brighter than the older 150W halogen modelling bulbs). LED modelling lamps are brighter, run cooler, and are more energy-efficient than traditional halogen lamps. They also have a considerably longer lifespan. This makes the QT400IIIM safe to use with modifiers that enclose the bulb, such as snoots, without you having to worry about the modifier becoming too hot to handle.

Godox QT1200IIIM Pro High-Speed Studio Flash Head with LED Modelling Lamp

Godox GD-QT1200IIIM (GD/QT1200IIIM, GD_QT1200IIIM, GDQT1200IIIM, GD QT1200IIIM) QT1200IIIM Pro High-Speed Studio Flash Head with LED Modelling Lamp The Godox QT1200III is a 1200Ws High-Speed Super-Fast Studio Powerful Stroboscopic Flash Head that uses Insulated-Gate Bipolar Transistor (IGBT) technology to achieve extremely short flash durations of up to 1/26,100 of a second, as well as ultra-fast recycle times enabling you to shoot at up to 20 Frames Per Second. This allows you to capture perfectly sharp images of fast-moving subjects such as dancers, sports personalities and even water splashes with the greatest ease. It also features a Bright Built-in 40W LED modelling lamp, enabling you to easily preview your lighting better than ever before. It features a built-in 2.4GHz receiver and a variety of different flash modes, including High-Speed Sync (HSS) Rear-Curtain Sync and Multi-Flash mode. it is perfect for people who shoot Sports, Action, Dance, Fashion, product, and Advertising photography. It is especially good for photographing children. Capture Motion Like Never Before - Super Fast Flash Head  The QT1200III Flash Head utilises Insulated-Gate Bipolar Transistor Technology (IGBT) to enable it to produce super-fast flash durations of up to 1/26,100 of a second (T0.1), enabling you to perfectly freeze fast-moving subjects with perfect sharpness. Great for photographing water splashes, powder and more. Phenomenal Speed The QT1200III Flash Head features super-fast recycling times, enabling you to shoot at rates of up to 20 frames per second, ensuring that you will never miss the perfect shot. Ideal for photographing dancers and sports personalities. Stroboscopic Flash Mode The Stroboscopic Flash feature enables you to capture motion in a unique way. It works by firing multiple flash bursts in rapid succession. When combined with a slow shutter speed, it enables you to capture amazing images of your subject in motion in a single exposure, as shown in the image below. High-Speed Sync Mode The Godox QT1200III Flash Head features a High-Speed Sync (HSS) mode, which enables you to synchronise your flash at higher shutter speeds than what is normally possible (up to 1/8000 of a second). This mode is useful for times when you would like to shoot at wider apertures, or if you need a faster shutter speed to kill any excess ambient light in your scene. Rear-Curtain Sync The Godox QT1200III features a Rear-Curtain Sync, which enables you to capture stunning motion-trail effects when paired with slow shutter speeds. This mode causes the flash to fire at the end of the exposure, as opposed to the start, producing natural-looking motion blur effects, that appear behind your subject. With standard front-curtain Sync, the motion-blur effect appears in front of your subject, which can look a little strange in your final image. Stable-Colour Mode The Pixapro QT1200III Flash Head features a Stable-Colour Mode to ensure that you get as little colour-temperature variation between different flash powers. This is especially useful when shooting colour-critical work such as for Advertising, Fashion Lookbooks, and Product Catalogues, etc. QT1200III Flash Head with LED Modelling Lamp The QT1200III now features a built-in 40W LED Modelling lamp, (which is approximately 1.3-stops brighter than the older 150W halogen modelling bulbs). LED modelling lamps are brighter, run cooler and are more energy-efficient than traditional Halogen lamps. They also have a considerably longer lifespan. This makes the QT1200III safe to use with modifiers that enclose the bulb, such as snoots, without you having to worry about the modifier becoming too hot to handle. Power and Precision at Your Command The QT1200III features an improved 9-Stop power range, enabling you to adjust the power anywhere between full and 1/256 power in increments of 1/10 of a stop. Whether you want an intense burst of light for use as a main light or a subtle kiss of light, the QT1200III is guaranteed to deliver.  

Blackmagic Cloud Store Mini 16TB

Blackmagic DWCLDE-CLDMINI16 (DWCLDE/CLDMINI16, DWCLDE_CLDMINI16, DWCLDECLDMINI16, DWCLDE CLDMINI16) Cloud Store Mini 16TB High Performance Network Storage for Film and Television Blackmagic Cloud Store gives you high performance network storage designed for the film and television industry! Plus it understands Blackmagic Cloud media sync and supports DaVinci Resolve proxy files. This means the moment a film crew starts shooting, the camera media will sync within seconds so the post production team can start working! With an incredibly fast flash based memory core, lots of users can all work at the same time. That’s perfect for sharing large media files between editors, colourists, audio engineers and VFX artists! You can even build a broadcast replay system by connecting multiple HyperDeck recorders and DaVinci Resolve 19. There’s even a status monitor output! Designed for Film and Television Blackmagic Cloud Store is the perfect storage solution for film and television. It’s designed to handle the large media files used in film and television where multiple editors, colourists, audio engineers and VFX artists all work on the media at the same time. It even handles massive 12K Blackmagic RAW digital film files. Each user gets zero latency and they don’t need to store files on their local computer. That’s perfect for DaVinci Resolve. Plus Blackmagic Cloud, Dropbox and Google Drive support allows media to be synchronized to different locations globally so each location gets the fastest editing experience possible. It’s also perfect for live replay with DaVinci Resolve 19. Post Production Perfect for post production, you get the speed to handle massive digital film files and lots of simultaneous users. Plus Blackmagic Cloud sync downloads proxy files in seconds, followed by camera RAW files. Even from remote cameras on set. Replay Build a live replay solution using multiple HyperDecks recording over a network to Blackmagic Cloud Store, while DaVinci Resolve powers the playback. DaVinci Resolve 19 has new replay features that can also upload replays as social media posts. Blackmagic Cloud Blackmagic Cameras can upload to the Blackmagic Cloud website as they shoot. This means you get clips delivered right into the DaVinci Resolve bin. Blackmagic Cloud Store constantly syncs media so everyone on the network can access the latest shots. Two Extremely Powerful Models Blackmagic Cloud Store Mini High performance rack mount flash storage, features 8 and 16 TB models, 4 card RAID 0 flash memory core, 10G Ethernet, 1G Ethernet, USB-C and Blackmagic Cloud sync for distributing files globally. Blackmagic Cloud Store Max Extremely high performance flash storage, with 24 and 48TB models, 12 card RAID 0 flash memory core, 4 x 10G Ethernet, 100G Ethernet, USB-C and Blackmagic Cloud sync for distributing files globally. Portable and Quiet Design Blackmagic Cloud Store Mini and Max models feature a rack mount design that’s very portable and whisper quiet. The Blackmagic Cloud Store Mini is half rack width, has a single 10G Ethernet connection and features an internal array of 4 flash memory cards working in parallel for higher speed. While the Blackmagic Cloud Store Max model is a full rack width design with 12 flash memory cards, an extremely fast 100G Ethernet connection and 4 x 10G Ethernet connections. If you need to access files quickly, then the USB-C even operates as a network connection, simply by plugging it into your computer. There is also a monitoring video output with a live graphic view of the storage status. Flash Memory Allows Multiple Simultaneous Users Blackmagic Cloud Store models feature large parallel flash memory cores with lots of space for your media files. That’s fantastic for film and television production as you get high performance, large capacity, all in a portable design. M.2 flash memory cards are used for extreme reliability, high access speeds and zero seek times. The Mini model has 4 x M.2 cards and the Max model has 12 x M.2 cards arranged in a massive parallel RAID 0 group for extreme performance. That ensures enough speed to keep up with dozens of users. Only this massive parallel memory core has enough speed for large banks of HyperDeck recorders and dozens of editing workstations, all operating at the same time. High Performance for Digital Film Files With very high speed 10G and 100G Ethernet connections, Blackmagic Cloud Store is very fast. The internal memory core has been designed to saturate the 10G Ethernet ports to their theoretical maximum speed, even with multiple users connected. It’s so fast, most computers cannot keep up. Plus file access is very low latency, so responsiveness is fast. That’s possible because of the parallel processing used by the memory core. Even at maximum speed, the Blackmagic Cloud Store is extremely quiet with very little cooling fan noise. Even when editing large 12K digital film RAW files. It’s so fast, multicam editing is very smooth, even with dozens of connected editing workstations. Sync to Blackmagic Cloud for Global Media Now you can install a local cache of media uploaded to the Blackmagic Cloud website or Dropbox and Google Drive. This makes working faster because files are distributed globally, to as many sites as you need. Blackmagic Cloud Store will constantly work to stay in sync. You also save space on editing workstations because the files are downloaded to the Blackmagic Cloud Store so everyone on your network can access them. If you’re working with remote cameras, such as URSA Broadcast, URSA Cine or the Blackmagic Camera iPhone app, then these files will upload to Blackmagic Cloud and then download to the Blackmagic Cloud Store in seconds. That’s also fantastic for multi site media backup. Add Cloud Service Make sure your Blackmagic Cloud Store is connected to the internet. Enter your Blackmagic Cloud ID, Dropbox or Google Drive account details, so the Cloud Store can gain access to allow sync. Set Sync Folders Next you need to set the sync folders. That tells the Blackmagic Cloud Store where to sync its files to the remote account. You can also have multiple sync folders. Set Sync Direction Now set the sync direction. One direction is good when you have local files you want to share, but not enough room for everyone’s files. Both directions means everyone gets the same set of files. Distribute Files Globally with Blackmagic Cloud With support for the Blackmagic Cloud website, Dropbox and Google Drive sync, you can use Blackmagic Cloud Stores to share media files globally. That’s important when working with large datasets or massive digital film and video files. Editing requires access to media dozens of times a second, so internet connections can be too slow to handle it. Plus the internet has too much latency to access large files remotely. However, using the internet to sync media to local storage totally eliminates delays and latency. That’s because everyone has a local copy of the files on their network. With Blackmagic Cloud Store, you get constant media file sync, even if your computer is turned off. Real Time Storage Video Monitoring The most exciting feature is the live HDMI monitoring output. The Blackmagic Cloud Store Max also has an SDI monitoring output. Simply connect a TV or monitor to get a live status update of the store. The storage map shows a graphic representation of the memory core in real time with reads and writes shown dynamically. It’s fun to watch. There are also graphs that show data transfers on the Ethernet connections. The main space indicator shows you the capacity of the memory core and the current usage. Plus, you can even add a custom name to the store. The status of the media sync to the Blackmagic Cloud website is also shown. Errors are shown as well, including power supply status. High Performance 10G Ethernet The Blackmagic Cloud Stores have very fast 10G Ethernet ports, which are only found on expensive workstation computers. On the Blackmagic Cloud Store Max, you get 4 independent 10G Ethernet ports that can all sustain maximum 10G data speeds even when all 4 ports are connected to separate computers and used at the same time. With 10G Ethernet, you get 10 times the speed of regular Ethernet. Plus most computers can be upgraded to add 10G Ethernet. The internal parallel flash storage and data pipelines are so fast, each 10G Ethernet port will run to its maximum capacity. Even when connected to an Ethernet switch with dozens of users accessing files at the same time. Even Faster 100G Ethernet The Blackmagic Cloud Store Max model includes 100G Ethernet for adding more connections. Simply connect a Blackmagic Ethernet Switch 360P to the 100G Ethernet to get 16 extra 10G Ethernet connections. This means you can add lots of HyperDeck Studio ISO recorders, with each recorder connected to the switch. Each HyperDeck recording is then combined in the switch and sent to the Blackmagic Cloud Store Max via the 100G Ethernet connection. This high speed 100G connection lets you work in professional codecs such as ProRes and DNx. You can also build large creative workgroups with lots of edit workstations. The 100G connection can be used with copper or optical fiber cables. Connect via USB-C for Quick File Access Modern laptop computers are so thin, they often don’t even have an Ethernet connection. That means you need an adapter to connect to an Ethernet network. These adapters are annoying and make it harder to just plug your computer into the storage to access a file. Blackmagic Cloud Store models have a USB-C to Ethernet adapter built in and you can access it simply by plugging your computer into the USB-C port on the store. Plus USB-C cables are much nicer than stiff Ethernet cables. Once you have connected the Cloud Store’s USB-C connection to your computer, you have an Ethernet connection direct to the storage. That means you can just plug in to quickly grab files when you need them urgently. Repairable Design for Long Life Blackmagic Cloud Store is easy to repair by any qualified maintenance engineer. The design is based on a single PCB that attaches to the M.2 memory cards and power supply. This means the flash memory cards can be easily replaced. Plus Blackmagic Cloud Store runs Blackmagic OS so it applies wear leveling, so each M.2 card won’t see excessive data writes. You can also see any problems in the software utility and HDMI monitor output. Plus in future, as new and larger M.2 flash memory cards are released, the Blackmagic Cloud Store can be upgraded so it has much larger capacity. That’s possible because M.2 flash memory cards are an open standard and available from any computer dealer. No Subscription or Maintenance Costs One of the big advantages of the Blackmagic Cloud Store is its private storage that you fully control. There are no subscriptions to sign up for. There are no monthly license fees. There is no tracking of your usage or data. You don’t need to use a paid, cloud based web service to maintain the storage settings because Blackmagic Cloud Store includes a free software utility that runs on Mac and Windows. That means you can run a private network, totally disconnected from the internet. This is critical for many security standards where computer networks cannot be connected to the external internet. With Blackmagic Cloud Store, you get performance, portability, and total freedom. Free Software for Mac and Windows When you need to change settings, you can use the Blackmagic Cloud Store utility that’s available on Mac and Windows. By default, the Blackmagic Cloud Store is set to DHCP, so you can connect it to your network and start transferring files. You don’t even need an IT tech to get started. However, the Blackmagic Cloud Store Utility also opens up a whole range of settings you can customize, including the ability to add custom logins and passwords for each user, plus you can enable file download via FTP or web browsers. You can also update network settings and add security certificates. The utility is where you set up sync to the Blackmagic Cloud website as well as Dropbox and Google Drive. Live Production HyperDeck ISO Recorders Now it’s easy to get high end multi channel ISO recording by recording from an array of HyperDeck recorders directly into Blackmagic Cloud Store. Plus HyperDeck Studios work in all common codecs including H.264, H.265, DNx and ProRes. HyperDeck Studio recorders now support recording to network storage so you can build an array of HyperDeck Studios that record into the Blackmagic Cloud Stores while multiple DaVinci Resolve systems can edit the same media, all at the same time. DaVinci Resolve is free to download so it’s easy to expand to as many workstations as you need. Even as the files are recording, DaVinci Resolve can still edit the media, so it’s perfect for live action replay. Add Connections with the Blackmagic Ethernet Switch The Blackmagic Ethernet Switch 360P is the first Ethernet switch designed for the film and television industry. It has extremely high performance plus low latency. All the Ethernet connections are on the rear, which means the cables are neater, hidden from users and more secure. You get 16 fast 10G Ethernet ports and 2 high speed 100G Ethernet QSFP sockets for copper cables or optical fiber modules. Plus there’s a router panel built into the front so it can also be used to build small portable 2110 IP systems using a familiar video routing user interface. Users won’t even know they’re routing SMPTE-2110. It’s a simple plug and play solution with everything needed for television work. Get News Editing and Replay in DaVinci Resolve 19 DaVinci Resolve 19 has exciting new media player, news cutting and replay features. Adding a Blackmagic Cloud Store lets you combine HyperDeck recorders, DaVinci workstations and remote cameras delivering media via the Blackmagic Cloud website. Then the new multi source viewer allows you to browse media visually, as clips with matching timecodes are displayed in a multiview. That’s perfect when shots are arriving in real time from remote cameras. New "on air" controls use a key channel to enable a downstream keyer in a switcher, so a single button can automate the playout to air. You can even add an auto stinger. Only Blackmagic Cloud Store has been designed to support DaVinci Resolve 19.

Blackmagic Cloud Store Mini 8TB

Blackmagic DWCLDE-CLDMINI08 (DWCLDE/CLDMINI08, DWCLDE_CLDMINI08, DWCLDECLDMINI08, DWCLDECLDMINI08) Cloud Store Mini 8TB High Performance Network Storage for Film and Television Blackmagic Cloud Store gives you high performance network storage designed for the film and television industry! Plus it understands Blackmagic Cloud media sync and supports DaVinci Resolve proxy files. This means the moment a film crew starts shooting, the camera media will sync within seconds so the post production team can start working! With an incredibly fast flash based memory core, lots of users can all work at the same time. That’s perfect for sharing large media files between editors, colourists, audio engineers and VFX artists! You can even build a broadcast replay system by connecting multiple HyperDeck recorders and DaVinci Resolve 19. There’s even a status monitor output! Designed for Film and Television Blackmagic Cloud Store is the perfect storage solution for film and television. It’s designed to handle the large media files used in film and television where multiple editors, colourists, audio engineers and VFX artists all work on the media at the same time. It even handles massive 12K Blackmagic RAW digital film files. Each user gets zero latency and they don’t need to store files on their local computer. That’s perfect for DaVinci Resolve. Plus Blackmagic Cloud, Dropbox and Google Drive support allows media to be synchronized to different locations globally so each location gets the fastest editing experience possible. It’s also perfect for live replay with DaVinci Resolve 19. Post Production Perfect for post production, you get the speed to handle massive digital film files and lots of simultaneous users. Plus Blackmagic Cloud sync downloads proxy files in seconds, followed by camera RAW files. Even from remote cameras on set. Replay Build a live replay solution using multiple HyperDecks recording over a network to Blackmagic Cloud Store, while DaVinci Resolve powers the playback. DaVinci Resolve 19 has new replay features that can also upload replays as social media posts. Blackmagic Cloud Blackmagic Cameras can upload to the Blackmagic Cloud website as they shoot. This means you get clips delivered right into the DaVinci Resolve bin. Blackmagic Cloud Store constantly syncs media so everyone on the network can access the latest shots. Two Extremely Powerful Models Blackmagic Cloud Store Mini High performance rack mount flash storage, features 8 and 16 TB models, 4 card RAID 0 flash memory core, 10G Ethernet, 1G Ethernet, USB-C and Blackmagic Cloud sync for distributing files globally. Blackmagic Cloud Store Max Extremely high performance flash storage, with 24 and 48TB models, 12 card RAID 0 flash memory core, 4 x 10G Ethernet, 100G Ethernet, USB-C and Blackmagic Cloud sync for distributing files globally. Portable and Quiet Design Blackmagic Cloud Store Mini and Max models feature a rack mount design that’s very portable and whisper quiet. The Blackmagic Cloud Store Mini is half rack width, has a single 10G Ethernet connection and features an internal array of 4 flash memory cards working in parallel for higher speed. While the Blackmagic Cloud Store Max model is a full rack width design with 12 flash memory cards, an extremely fast 100G Ethernet connection and 4 x 10G Ethernet connections. If you need to access files quickly, then the USB-C even operates as a network connection, simply by plugging it into your computer. There is also a monitoring video output with a live graphic view of the storage status. Flash Memory Allows Multiple Simultaneous Users Blackmagic Cloud Store models feature large parallel flash memory cores with lots of space for your media files. That’s fantastic for film and television production as you get high performance, large capacity, all in a portable design. M.2 flash memory cards are used for extreme reliability, high access speeds and zero seek times. The Mini model has 4 x M.2 cards and the Max model has 12 x M.2 cards arranged in a massive parallel RAID 0 group for extreme performance. That ensures enough speed to keep up with dozens of users. Only this massive parallel memory core has enough speed for large banks of HyperDeck recorders and dozens of editing workstations, all operating at the same time. High Performance for Digital Film Files With very high speed 10G and 100G Ethernet connections, Blackmagic Cloud Store is very fast. The internal memory core has been designed to saturate the 10G Ethernet ports to their theoretical maximum speed, even with multiple users connected. It’s so fast, most computers cannot keep up. Plus file access is very low latency, so responsiveness is fast. That’s possible because of the parallel processing used by the memory core. Even at maximum speed, the Blackmagic Cloud Store is extremely quiet with very little cooling fan noise. Even when editing large 12K digital film RAW files. It’s so fast, multicam editing is very smooth, even with dozens of connected editing workstations. Sync to Blackmagic Cloud for Global Media Now you can install a local cache of media uploaded to the Blackmagic Cloud website or Dropbox and Google Drive. This makes working faster because files are distributed globally, to as many sites as you need. Blackmagic Cloud Store will constantly work to stay in sync. You also save space on editing workstations because the files are downloaded to the Blackmagic Cloud Store so everyone on your network can access them. If you’re working with remote cameras, such as URSA Broadcast, URSA Cine or the Blackmagic Camera iPhone app, then these files will upload to Blackmagic Cloud and then download to the Blackmagic Cloud Store in seconds. That’s also fantastic for multi site media backup. Add Cloud Service Make sure your Blackmagic Cloud Store is connected to the internet. Enter your Blackmagic Cloud ID, Dropbox or Google Drive account details, so the Cloud Store can gain access to allow sync. Set Sync Folders Next you need to set the sync folders. That tells the Blackmagic Cloud Store where to sync its files to the remote account. You can also have multiple sync folders. Set Sync Direction Now set the sync direction. One direction is good when you have local files you want to share, but not enough room for everyone’s files. Both directions means everyone gets the same set of files. Distribute Files Globally with Blackmagic Cloud With support for the Blackmagic Cloud website, Dropbox and Google Drive sync, you can use Blackmagic Cloud Stores to share media files globally. That’s important when working with large datasets or massive digital film and video files. Editing requires access to media dozens of times a second, so internet connections can be too slow to handle it. Plus the internet has too much latency to access large files remotely. However, using the internet to sync media to local storage totally eliminates delays and latency. That’s because everyone has a local copy of the files on their network. With Blackmagic Cloud Store, you get constant media file sync, even if your computer is turned off. Real Time Storage Video Monitoring The most exciting feature is the live HDMI monitoring output. The Blackmagic Cloud Store Max also has an SDI monitoring output. Simply connect a TV or monitor to get a live status update of the store. The storage map shows a graphic representation of the memory core in real time with reads and writes shown dynamically. It’s fun to watch. There are also graphs that show data transfers on the Ethernet connections. The main space indicator shows you the capacity of the memory core and the current usage. Plus, you can even add a custom name to the store. The status of the media sync to the Blackmagic Cloud website is also shown. Errors are shown as well, including power supply status. High Performance 10G Ethernet The Blackmagic Cloud Stores have very fast 10G Ethernet ports, which are only found on expensive workstation computers. On the Blackmagic Cloud Store Max, you get 4 independent 10G Ethernet ports that can all sustain maximum 10G data speeds even when all 4 ports are connected to separate computers and used at the same time. With 10G Ethernet, you get 10 times the speed of regular Ethernet. Plus most computers can be upgraded to add 10G Ethernet. The internal parallel flash storage and data pipelines are so fast, each 10G Ethernet port will run to its maximum capacity. Even when connected to an Ethernet switch with dozens of users accessing files at the same time. Even Faster 100G Ethernet The Blackmagic Cloud Store Max model includes 100G Ethernet for adding more connections. Simply connect a Blackmagic Ethernet Switch 360P to the 100G Ethernet to get 16 extra 10G Ethernet connections. This means you can add lots of HyperDeck Studio ISO recorders, with each recorder connected to the switch. Each HyperDeck recording is then combined in the switch and sent to the Blackmagic Cloud Store Max via the 100G Ethernet connection. This high speed 100G connection lets you work in professional codecs such as ProRes and DNx. You can also build large creative workgroups with lots of edit workstations. The 100G connection can be used with copper or optical fiber cables. Connect via USB-C for Quick File Access Modern laptop computers are so thin, they often don’t even have an Ethernet connection. That means you need an adapter to connect to an Ethernet network. These adapters are annoying and make it harder to just plug your computer into the storage to access a file. Blackmagic Cloud Store models have a USB-C to Ethernet adapter built in and you can access it simply by plugging your computer into the USB-C port on the store. Plus USB-C cables are much nicer than stiff Ethernet cables. Once you have connected the Cloud Store’s USB-C connection to your computer, you have an Ethernet connection direct to the storage. That means you can just plug in to quickly grab files when you need them urgently. Repairable Design for Long Life Blackmagic Cloud Store is easy to repair by any qualified maintenance engineer. The design is based on a single PCB that attaches to the M.2 memory cards and power supply. This means the flash memory cards can be easily replaced. Plus Blackmagic Cloud Store runs Blackmagic OS so it applies wear leveling, so each M.2 card won’t see excessive data writes. You can also see any problems in the software utility and HDMI monitor output. Plus in future, as new and larger M.2 flash memory cards are released, the Blackmagic Cloud Store can be upgraded so it has much larger capacity. That’s possible because M.2 flash memory cards are an open standard and available from any computer dealer. No Subscription or Maintenance Costs One of the big advantages of the Blackmagic Cloud Store is its private storage that you fully control. There are no subscriptions to sign up for. There are no monthly license fees. There is no tracking of your usage or data. You don’t need to use a paid, cloud based web service to maintain the storage settings because Blackmagic Cloud Store includes a free software utility that runs on Mac and Windows. That means you can run a private network, totally disconnected from the internet. This is critical for many security standards where computer networks cannot be connected to the external internet. With Blackmagic Cloud Store, you get performance, portability, and total freedom. Free Software for Mac and Windows When you need to change settings, you can use the Blackmagic Cloud Store utility that’s available on Mac and Windows. By default, the Blackmagic Cloud Store is set to DHCP, so you can connect it to your network and start transferring files. You don’t even need an IT tech to get started. However, the Blackmagic Cloud Store Utility also opens up a whole range of settings you can customize, including the ability to add custom logins and passwords for each user, plus you can enable file download via FTP or web browsers. You can also update network settings and add security certificates. The utility is where you set up sync to the Blackmagic Cloud website as well as Dropbox and Google Drive. Live Production HyperDeck ISO Recorders Now it’s easy to get high end multi channel ISO recording by recording from an array of HyperDeck recorders directly into Blackmagic Cloud Store. Plus HyperDeck Studios work in all common codecs including H.264, H.265, DNx and ProRes. HyperDeck Studio recorders now support recording to network storage so you can build an array of HyperDeck Studios that record into the Blackmagic Cloud Stores while multiple DaVinci Resolve systems can edit the same media, all at the same time. DaVinci Resolve is free to download so it’s easy to expand to as many workstations as you need. Even as the files are recording, DaVinci Resolve can still edit the media, so it’s perfect for live action replay. Add Connections with the Blackmagic Ethernet Switch The Blackmagic Ethernet Switch 360P is the first Ethernet switch designed for the film and television industry. It has extremely high performance plus low latency. All the Ethernet connections are on the rear, which means the cables are neater, hidden from users and more secure. You get 16 fast 10G Ethernet ports and 2 high speed 100G Ethernet QSFP sockets for copper cables or optical fiber modules. Plus there’s a router panel built into the front so it can also be used to build small portable 2110 IP systems using a familiar video routing user interface. Users won’t even know they’re routing SMPTE-2110. It’s a simple plug and play solution with everything needed for television work. Get News Editing and Replay in DaVinci Resolve 19 DaVinci Resolve 19 has exciting new media player, news cutting and replay features. Adding a Blackmagic Cloud Store lets you combine HyperDeck recorders, DaVinci workstations and remote cameras delivering media via the Blackmagic Cloud website. Then the new multi source viewer allows you to browse media visually, as clips with matching timecodes are displayed in a multiview. That’s perfect when shots are arriving in real time from remote cameras. New "on air" controls use a key channel to enable a downstream keyer in a switcher, so a single button can automate the playout to air. You can even add an auto stinger. Only Blackmagic Cloud Store has been designed to support DaVinci Resolve 19.

Godox Scrim Flag Panel Kit 60x90cm

Godox GD-SF6090KIT (GD/SF6090KIT, GD_SF6090KIT, GDSF6090KIT, GD SF6090KIT) Scrim Flag Panel Kit 60x90cm Unlike traditional flag panels with their large, fixed frames, the Godox SF6090 2'x3' (60x90cm) Professional Foldable and Versatile Scrim Flag Kit features three-sided collapsible steel frames, which can be folded down to fit into a small carry case for easy transportation and hassle-free storage. The Godox SF6090 scrim flag kit includes 5x different types of fabric, enabling you to block, diffuse, or reduce the light hitting your subject, giving you access to the ultimate light control system. The frame is also open-ended, so there is nothing to cast a shadow when used with the diffusion silks or net screens. This kit consists of 5x flag frames and 5x different types of fabric covers to put onto the frames. The Godox SF6090 scrim flag kit also comes with 2x small circular flags (Dot Flags) and 2x small rectangular flag panels (Finger Flags) for use with smaller subjects or for fine-tuning the lighting. The Godox SF6090 Foldable and Versatile Scrim Flag Kit is perfect for cinematographers and photographers who are looking for a quick and easy solution for controlling their lighting. Foldable and Versatile The SF6090 scrim flag kit contains 5 flag frames and fabric screens to assemble for shaping, blocking, or diffusing the light, as well as 2 fingers and 2 dots to allow more precise adjustments of light on small objects. Ample Control of Lighting Effects. Below is a list of the effect each type of flag gives: Black Single and Double Net Screens The black single and double net screens are used to reduce the amount of light falling onto your subject, without reducing specularity. These are ideal for use in situations where you need to reduce the amount of light on one subject without affecting the other. 1-Stop and 2-Stop Silk Screens The 1-stop silk screen produces a moderate amount of diffusion. It reduces contrast and specularity, as well as opening up areas in shadow. The 2-stop silkscreen does the same thing to a greater degree to further reduce contrast and specularity and opens up the shadows a little more also. Solid Black Fabric The solid black fabric enables you to block light completely from hitting parts of your subject or set. The Godox SF6090 scrim flag kit can also be used to cast shadows onto your subject for added mood and effect.Industry-Standard Color-Coding The Godox SF6090 kit uses the industry-standard colour-coding scheme, enabling you to quickly select the correct flag when on-set.  

Godox Scrim Flag Panel Kit 45x60cm

Godox GD-SF4560KIT (GD/SF4560KIT, GD_SF4560KIT, GDSF4560KIT, GD SF4560KIT) Scrim Flag Panel Kit 45x60cm Unlike traditional flag panels with their large, fixed frames, the Godox SF4560 Professional Foldable Scrim Flag Light Diffuser Kit features three-sided collapsible steel frames, which can be folded down to fit into a small carry case for easy transportation, and hassle-free storage. This Godox SF4560 scrim flag kit include 5x different types of fabric, enabling you to block, diffuse, or reduce the light hitting your subject, giving you access to the ultimate light control system. The frame is also open-ended, so there is nothing to cast a shadow when used with the diffusion silks or net screens. The SF4560 foldable scrim flag light diffuser kit consists of 5x flag frames and 5x different types of fabric covers to put onto the frames. The kit also comes with 2x small circular flags (Dot Flags) and 2x small rectangular flag panels (Finger Flags) for use with smaller subjects or for fine-tuning the lighting. The Godox SF4560 scrim flag kit is perfect for cinematographers and photographers who are looking for a quick and easy solution for controlling their lighting. Compact & Versatile   The SF4560 scrim flag light diffuser kit contains 5 flag frames and fabric screens to assemble for shaping, blocking, or diffusing the light, as well as 2 fingers and 2 dots to allow more precise adjustments of light on small objects. Ample Control of Lighting Effects. Below is a list of the effect each type of flag gives: Black Single & Double Net Screens The black single and double net screens are used to reduce the amount of light falling onto your subject, without reducing specularity. These are ideal for use in situations where you need to reduce the amount of light on one subject, without affecting the other. 1-Stop and 2-Stop Silk Screens The 1-stop silk screen produces a moderate amount of diffusion. It reduces contrast and specularity, as well as opening up areas in shadow. The 2-stop silkscreen does the same thing to a greater degree to further reduce contrast and specularity and opens up the shadows a little more also.  Solid Black Fabric The solid black fabric enables you to block light completely from hitting parts of your subject or set. It can also be used to cast shadows onto your subject for added mood and effect.

BirdDog MAKI Live 4K Streaming Camera with NDI® | HX & Built-in Battery

MAKI Live- 4K Portable Live Streaming camera with NDI | HX, 3x Optical Zoom, HALO Tally, WiFi 6 and inbuilt battery MAKI Live is a compact, professional 4K portable live streaming camera designed for creators who need broadcast-quality video anywhere. Ideal for live streaming, teaching, podcasting, worship, and remote production, MAKI Live combines powerful imaging, wireless connectivity, and all-day portability in one easy-to-use system. Capture crisp, professional-grade 4K video with vibrant colour and fine detail, powered by BirdDog’s imaging expertise. The 3× optical zoom allows full-resolution framing without image degradation, while ultra-fast TOF autofocus locks onto subjects instantly—even during fast movement or changing lighting conditions. Designed for true mobility, MAKI Live features a built-in battery delivering up to 6 hours of continuous operation, eliminating the need for external power or cables. Integrated Wi-Fi and NDI® | HX support enables low-latency, high-efficiency video streaming over IP networks, making it easy to integrate into modern wireless production workflows. The signature HALO Tally system provides a bright, 360° on-air indicator, clearly showing when and which camera is live—perfect for professional multi-camera setups. AI gesture control lets you adjust framing with simple hand movements, while advanced AI noise reduction and built-in microphones ensure clear, natural audio. MAKI Live works seamlessly with the optional MAKI Studio iPad app and Control Surface, enabling intuitive multi-camera switching, streaming, and control from a single portable interface. Free MAKI Live control apps and BirdUI provide full access to camera settings and functions. With a standard 1/4″-20 mounting thread, MAKI Live can be mounted on tripods, clamps, or handheld rigs, making it adaptable to any setup.   Simply power it on, connect, and go live. No cables. No clutter. Just professional 4K streaming—anywhere.  

DJI Avata 2 Fly Smart Combo - 1 Battery

DJI CP.FP.00000266.01 (CP-FP-00000266-01, CP/FP/00000266/01, CPFP0000026601, CP FP 00000266 01) Avata 2 Fly Smart Combo - 1 Battery The DJI Avata 2 Fly More Combo with three batteries brings refined performance, upgraded technology, and greater creative control for both beginners and experienced FPV pilots. Designed for precision flying at low altitudes and through confined spaces, the drone offers a seamless FPV experience enhanced by new one-button acrobatic maneuvers. Its onboard camera captures clean 12MP photos and vibrant 4K HDR video, offering both a standard and dramatic 155° ultrawide field of view. To support dynamic flying, the Avata 2 features a durable integrated prop guard and an upgraded binocular fisheye visual positioning system for improved navigation and obstacle sensing. DJI Goggles N3 Included in the combo are the DJI Goggles N3, designed to provide a fully immersive first-person-view experience. The goggles support eyeglass users, making FPV accessible to a wider audience. A live video feed transmits to a Full HD 1080p60 display with a 54° field of view, enabling a realistic cockpit-like feel. Thanks to O4 video transmission, the live feed can be received from distances up to 8.1 miles. Additional features include a quick defogging mode and the ability to livestream footage directly to a smartphone with an optional USB-C connection. DJI RC Motion 3 Controller The DJI Avata 2 Fly More Combo includes the DJI RC Motion 3, which enables intuitive single-handed control through natural hand and wrist movements. This controller also interacts with the Goggles N3 interface using a built-in AR cursor for seamless menu navigation. With motion-based steering and precise responsiveness, the flying experience feels natural, direct, and deeply immersive. One-Button Acrobatic Flight Pilots can easily experiment with dynamic aerial action using one-button acrobatic functions that perform flips, rolls, and high-speed drift maneuvers. These automated stunts bring cinematic motion to videos without requiring advanced piloting skills.   Safety Features Safety has been further enhanced with backward and downward binocular visual sensors, replacing the single directional sensor found in the previous model. An integrated prop guard adds extra protection, making the drone suitable for indoor and obstacle-dense environments. Automatic return-to-home activates when the battery reaches a low level or the signal is lost, ensuring safe operation. Stabilized Footage To keep fast-paced FPV footage smooth and steady, DJI integrates both RockSteady and HorizonSteady stabilization. RockSteady reduces vibration during aggressive movement and windy conditions, while HorizonSteady maintains a level horizon even during full 360-degree rolls. O4 Long-Range Video Transmission Featuring DJI’s new O4 transmission, the Avata 2 supports extended-range operation with strong signal stability. The aircraft can transmit live footage up to 1080p100 with low latency as low as 24 ms and bit rates up to 60 Mb/s. A 2-transmitter, 4-receiver antenna array provides robust performance and interference resistance. LightCut App Compatibility The Avata 2 works seamlessly with the LightCut mobile app, which offers automated editing powered by AI. Without requiring footage downloads, the app analyzes flight patterns and camera angles to apply VFX overlays, color restoration, sound effects, transitions, and ready-to-share final cuts through its Sky VFX and One-Tap Edit features. Turtle Mode If the drone flips during flight or landing, Turtle Mode automatically repositions it for takeoff, allowing quick recovery and minimizing downtime.

DJI Avata 2 Fly Smart Combo - 3 Batteries

DJI CP.FP.00000265.01 (CP-FP-00000265-01, CP/FP/00000265/01, CP/FP/00000265-01, CPFP0000026501) Avata 2 Fly Smart Combo - 3 Batteries The DJI Avata 2 Fly More Combo with three batteries brings refined performance, upgraded technology, and greater creative control for both beginners and experienced FPV pilots. Designed for precision flying at low altitudes and through confined spaces, the drone offers a seamless FPV experience enhanced by new one-button acrobatic maneuvers. Its onboard camera captures clean 12MP photos and vibrant 4K HDR video, offering both a standard and dramatic 155° ultrawide field of view. To support dynamic flying, the Avata 2 features a durable integrated prop guard and an upgraded binocular fisheye visual positioning system for improved navigation and obstacle sensing. DJI Goggles N3 Included in the combo are the DJI Goggles N3, designed to provide a fully immersive first-person-view experience. The goggles support eyeglass users, making FPV accessible to a wider audience. A live video feed transmits to a Full HD 1080p60 display with a 54° field of view, enabling a realistic cockpit-like feel. Thanks to O4 video transmission, the live feed can be received from distances up to 8.1 miles. Additional features include a quick defogging mode and the ability to livestream footage directly to a smartphone with an optional USB-C connection. DJI RC Motion 3 Controller The DJI Avata 2 Fly More Combo includes the DJI RC Motion 3, which enables intuitive single-handed control through natural hand and wrist movements. This controller also interacts with the Goggles N3 interface using a built-in AR cursor for seamless menu navigation. With motion-based steering and precise responsiveness, the flying experience feels natural, direct, and deeply immersive. One-Button Acrobatic Flight Pilots can easily experiment with dynamic aerial action using one-button acrobatic functions that perform flips, rolls, and high-speed drift maneuvers. These automated stunts bring cinematic motion to videos without requiring advanced piloting skills. Safety Features Safety has been further enhanced with backward and downward binocular visual sensors, replacing the single directional sensor found in the previous model. An integrated prop guard adds extra protection, making the drone suitable for indoor and obstacle-dense environments. Automatic return-to-home activates when the battery reaches a low level or the signal is lost, ensuring safe operation. Stabilized Footage To keep fast-paced FPV footage smooth and steady, DJI integrates both RockSteady and HorizonSteady stabilization. RockSteady reduces vibration during aggressive movement and windy conditions, while HorizonSteady maintains a level horizon even during full 360-degree rolls. O4 Long-Range Video Transmission Featuring DJI’s new O4 transmission, the Avata 2 supports extended-range operation with strong signal stability. The aircraft can transmit live footage up to 1080p100 with low latency as low as 24 ms and bit rates up to 60 Mb/s. A 2-transmitter, 4-receiver antenna array provides robust performance and interference resistance. LightCut App Compatibility The Avata 2 works seamlessly with the LightCut mobile app, which offers automated editing powered by AI. Without requiring footage downloads, the app analyzes flight patterns and camera angles to apply VFX overlays, color restoration, sound effects, transitions, and ready-to-share final cuts through its Sky VFX and One-Tap Edit features. Turtle Mode If the drone flips during flight or landing, Turtle Mode automatically repositions it for takeoff, allowing quick recovery and minimizing downtime.    

Panasonic AG-CX18EJ Compact 4K 10bit 60p camcorder with IP connectivity

AG-CX18EJ Compact 4K 10bit 60p camcorder with IP connectivity (AG-CX18EJ) The AG-CX20 and AG-CX18 models camcorders feature state-of-the-art optical technology, in addition to a lightweight and compact chassis design that delivers increased mobility, and high-quality video production. Wide angle zoom lens for precise shooting The camcorders offer superior optical performance thanks to a powerful integrated 25mm (35mm camera equivalent.) wide angle to 600mm (AG-CX20 only.) telephoto zoom lens, with 24x optical zoom. They feature a 4-Drive Lens System that operates each lens group independently, in addition to two manual focus rings. All four cameras feature both Optical and Electric Image Stabilisation to detect and correct any unwanted camera shake through five axes, including rotational blurring. This is especially useful when shooting subjects from very high and low angles. All models provide superior focusing speed, stability, and tracking performance when shooting in both 4K and FHD, thanks to the Face Detection AF/AE feature that provides precise focusing and exposure for subjects. IP-based video for seamless streaming The high-end CX20 model will support full-HD live streaming through the next-generation, IP-based SRT protocol (To be added by firmware update.), with the CX20 and CX18 delivering simultaneous SDI/HDMI outputs. Panasonic’s CX20 also supports NDI®* HX2 IP connectivity for high-quality, low-latency live streaming in a network environment, without the need for external converters. Both the CX20 and CX18 support Real-Time Messaging Protocol (RTMP) (Supported protocols: RTSP/RTP/RTMP/RTMPS.), allowing content to be streamed live directly to social media platforms and video sharing sites, such as YouTube. Listening to the needs of the industry Panasonic’s intimate knowledge of what directors and cinematographers require from high-performance camcorders when shooting on location have been reflected within the improvements made to all four models, further increasing usability and functionality. Compact design for superior mobility The unique design of all four models enables heat to be dispersed from the front panel thanks to a slimline fan. This increases reliability and enables the body to be as small as possible. The CX20 and CX18 include Panasonic’s VW-HU1 handle unit, featuring a two-channel XLR audio input and control, and bright, adjustable LED light for shooting in low light conditions. Users can also easily operate lens zoom from the handle unit. All four camcorders support multiple bit rates and formats for a variety of requirements. When configured for 10 bit recording with an HDMI output, all models deliver 4K 60p 4:2:2 output with an external recorder. All camcorders support the MOV, MP4 and AVCHD formats, whilst the CX20 supports the P2 MXF workflow.

BirdDog 3x X4EU White + Keyboard Bundle

BirdDog X4E Ultra Bundle (White) – Pure Precision for Modern Productions Elevate your studio with the sleek, white-finish BirdDog X4E Ultra Bundle — featuring three X4E Ultra White cameras and one KBD controller for total multi-camera control. This elegant bundle delivers professional 4K60 performance, effortless network integration, and precision PTZ control — wrapped in a refined, contemporary design that fits beautifully into premium broadcast and corporate spaces. Why the White Edition Stands Out:   Three perfectly colour-matched X4E Ultra White cameras for clean, uniform visuals in bright or minimalist environments. One KBD controller for seamless operation of all cameras from a single workstation — ideal for fixed studios, boardrooms, or multi-angle productions. Combines BirdDog’s advanced imaging, AI tracking, and NDI® | HX3 performance in a wired-first design for maximum reliability.

BirdDog X4E Ultra UHD PTZ Camera - White

  X4E Advantage: Performance Without Compromise The X4E is a cutting-edge 4K60 camera that delivers BirdDog’s renowned image quality, precision robotics, and advanced AI automation — all in a wired-first design. With NDI® | HX3, a Sony 1/1.8" sensor, HALO Tally, E-Ink Display, and multiple connection options (SDI, HDMI, USB-C, and IP), the X4E ensures professional-grade results for every application. Power it via PoE or DC for maximum reliability, efficiency, and seamless integration into any production workflow. HALO Tally: Confidence in Every Shot BirdDog’s signature HALO Tally system gives you the most visible and intuitive tally indicator available. Encircling the lens with a bright, daylight-visible border, HALO ensures on-camera talent instantly knows which camera is live — enhancing communication, precision, and production flow. AI Tracking: Intelligent, Adaptive Control The X4E’s advanced AI tracking provides smooth, accurate motion that intuitively locks onto your subject. Designed to learn and adapt, it delivers consistently precise results for live streaming, education, corporate events, and studio production — always matching the pace of your workflow. NDI® | HX3: Efficiency Meets Excellence Powered by BirdDog’s best-in-class NDI® | HX3 technology, the X4E achieves stunning 4K60 image quality with ultra-low latency and minimal bandwidth usage. It’s engineered for performance in demanding IP production environments, ensuring smooth, stable, and broadcast-ready streaming every time. Power Simplified: PoE or DC Built for long-term dependability, the X4E can be powered via PoE or DC input, eliminating battery dependency and reducing maintenance. The result: streamlined setup, fewer components, and continuous, professional-grade performance. E-Ink Display: Always Clear, Always On The always-visible E-Ink Display keeps key camera info at your fingertips — from IP addresses to customizable labels* — even when powered off. This smart detail simplifies setup and management, keeping teams organized and efficient. *Custom branding feature coming soon. Perfectly Paired with X4 Ultra X4E and X4 Ultra share the same powerful foundation. Deploy X4 Ultra when mobility is key and X4E where fixed reliability is essential — or combine both for a flexible, unified production ecosystem.    

BirdDog X4E Ultra UHD PTZ Camera - Black

The X4E Advantage — Pure Performance. Zero Compromise. The BirdDog X4E is a next-generation 4K60 camera engineered for uncompromising performance. It delivers the same acclaimed BirdDog image quality, precision robotics, and advanced AI automation as the X4 Ultra — now optimized in a wired-first design. Featuring NDI® | HX3, a Sony 1/1.8” sensor, HALO Tally, an E-Ink Display, and versatile connectivity through SDI, HDMI, USB-C, and IP, the X4E integrates seamlessly into any professional production environment. Powered via PoE or DC, it’s built for reliability, longevity, and all-day operation. HALO Tally — Visibility Meets Precision. Professional productions demand instant visual feedback. BirdDog’s signature HALO Tally surrounds the lens with a bright, daylight-visible ring — giving on-camera talent clear confirmation of which unit is live. It’s an intuitive, elegant system that keeps your team in perfect sync. AI Tracking — Smarter Control. Smoother Results. With BirdDog’s intelligent AI tracking, the X4E locks onto subjects naturally and consistently. Its adaptive algorithms deliver smooth, cinematic motion for lectures, live events, and fixed studio broadcasts alike — learning and refining as your workflow evolves. NDI® | HX3 — Maximum Quality, Minimal Bandwidth. Leveraging BirdDog’s industry-leading implementation of NDI® | HX3, the X4E achieves stunning image fidelity with ultra-low latency and efficient network use. It’s streaming performance you can depend on — engineered to exceed NDI certification standards and optimized for demanding IP infrastructures. Power Simplified — PoE or DC. Eliminate the clutter of external power supplies. The X4E operates through Power over Ethernet or DC input, offering plug-and-play simplicity and fewer failure points — ensuring consistent, professional-grade uptime. E-Ink Display — Always On. Always Informative. Even when powered off, the E-Ink Display stays readable — showing IP addresses, labels, and status at a glance. This smart interface keeps every unit identifiable and organized during setup or downtime. (Custom branding support coming soon.) Perfectly Paired with X4 Ultra.   Built on the same DNA, X4E and X4 Ultra complement each other seamlessly — one wired for reliability, the other wireless for freedom. Together, they form the ultimate hybrid production ecosystem for any modern studio.

BirdDog O4 Outdoor 4K PTZ Camera - Grey

BirdDog BDO4GR (BD-O4GR, BD/O4GR, BD_O4GR, BD O4GR) O4 Outdoor 4K PTZ Camera - Grey The BirdDog O4 is a professional-grade outdoor PTZ camera built to deliver reliable performance where conventional systems fall short. Its rugged die-cast, IP66-rated housing is engineered for extreme environments, operating flawlessly between –40 °C and +60 °C. A built-in heater prevents condensation, while hydrophobic, smudge-resistant lens coatings ensure clear optics without the need for wipers—guaranteeing uninterrupted operation in rain, dust, snow, or heat. Built for image excellence, the O4 features a 1/1.8" CMOS sensor capable of capturing 4K60 with exceptional color accuracy, flexible gamma, exposure, and wide dynamic range controls. A 30× optical zoom (extendable to 60× in HD) enables precise long-range coverage, while a 500 m infrared laser combined with automatic B/W night mode ensures visibility even in complete darkness. Installation is streamlined with a sealed undercarriage design that conceals all cabling, incorporating built-in strain relief and three weatherproof flanges. Power options include PoE++ for simplified single-cable setups or external DC input. Connectivity is versatile, offering 12G-SDI, HDMI, and SFP+ fiber to accommodate IP, hybrid, and baseband workflows. The advanced streaming architecture supports simultaneous Full NDI® and NDI® HX3, alongside dual streaming of NDI with SRT, RTMP, or RTSP for maximum workflow flexibility. AI-powered autotracking provides customizable motion profiles—fast and responsive for sports or smooth and controlled for events and worship—delivering natural, human-like framing. Fully integrated into the BirdDog ecosystem, O4 works seamlessly with BirdUI, Central, Connect, and the BirdDog Keyboard (KBD), and is firmware-ready for NDI 6.2. From stadiums and smart-city surveillance to perimeter security, outdoor worship, and large-scale live productions, the BirdDog O4 combines all-weather durability with broadcast-quality imaging and installer-friendly design. It is outdoor production, redefined.

BirdDog O4 Outdoor 4K PTZ Camera - White

BirdDog BDO4W (BD-O4W, BD/O4W, BD_O4W, BD O4W) O4 Outdoor 4K PTZ Camera - White The BirdDog O4 is a professional-grade outdoor PTZ camera built to deliver reliable performance where conventional systems fall short. Its rugged die-cast, IP66-rated housing is engineered for extreme environments, operating flawlessly between –40 °C and +60 °C. A built-in heater prevents condensation, while hydrophobic, smudge-resistant lens coatings ensure clear optics without the need for wipers—guaranteeing uninterrupted operation in rain, dust, snow, or heat. Built for image excellence, the O4 features a 1/1.8" CMOS sensor capable of capturing 4K60 with exceptional color accuracy, flexible gamma, exposure, and wide dynamic range controls. A 30× optical zoom (extendable to 60× in HD) enables precise long-range coverage, while a 500 m infrared laser combined with automatic B/W night mode ensures visibility even in complete darkness. Installation is streamlined with a sealed undercarriage design that conceals all cabling, incorporating built-in strain relief and three weatherproof flanges. Power options include PoE++ for simplified single-cable setups or external DC input. Connectivity is versatile, offering 12G-SDI, HDMI, and SFP+ fiber to accommodate IP, hybrid, and baseband workflows. The advanced streaming architecture supports simultaneous Full NDI® and NDI® HX3, alongside dual streaming of NDI with SRT, RTMP, or RTSP for maximum workflow flexibility. AI-powered autotracking provides customizable motion profiles—fast and responsive for sports or smooth and controlled for events and worship—delivering natural, human-like framing. Fully integrated into the BirdDog ecosystem, O4 works seamlessly with BirdUI, Central, Connect, and the BirdDog Keyboard (KBD), and is firmware-ready for NDI 6.2. From stadiums and smart-city surveillance to perimeter security, outdoor worship, and large-scale live productions, the BirdDog O4 combines all-weather durability with broadcast-quality imaging and installer-friendly design. It is outdoor production, redefined.

BirdDog XL Ultra 4K60 UHD PTZ Camera - White

BirdDog BDXLUW (BD-XLUW, BD/XLUW, BD_XLUW, BD XLUW) XL Ultra 4K60 UHD PTZ Camera - White This isn’t just another PTZ — it’s a powerhouse built around a massive 4/3" CMOS sensor, the kind typically reserved for high-end cinema and DSLR cameras. Combined with a 20× optical zoom (40× in HD), OLPF, and ND filters, the XL delivers true cinematic depth, exceptional low-light performance, and razor-sharp clarity that redefines what a PTZ can do. But the XL goes beyond sensor size. Its innovative dual-camera design pairs a main PTZ with a 100° panoramic camera, both shooting in 4K60, both independently adjustable, and both capable of simultaneous output. One system, two perspectives, limitless creative freedom. AI tracking is powered by an advanced neural processor, ensuring natural framing with human-like precision. Premium-grade motors and a next-generation thermal system guarantee whisper-smooth, near-silent movement — keeping the focus on your subject, not the hardware. Connectivity leaves no compromises: 12G-SDI, HDMI, SFP+ fiber, PoE++, and balanced XLR audio. Simultaneous Full NDI® and NDI® HX3 streaming, plus dual-stream support with SRT, RTMP, or RTSP, make it ready for any workflow — broadcast, AV, XR, or virtual production. Signature BirdDog details elevate the XL Ultra even further: customizable RGB Halo Tally, dual side e-ink displays, and a rear numbering tally system. It’s a PTZ that not only performs like cinema but looks the part too. From studios and XR stages to houses of worship and arena productions — the XL Ultra is built to lead.

BirdDog XL Ultra 4K60 UHD PTZ Camera - Black

BirdDog BDXLUB (BD-XLUB, BD/XLUB, BD_XLUB, BD XLUB) XL Ultra 4K60 UHD PTZ Camera - Black This isn’t just another PTZ — it’s a powerhouse built around a massive 4/3" CMOS sensor, the kind typically reserved for high-end cinema and DSLR cameras. Combined with a 20× optical zoom (40× in HD), OLPF, and ND filters, the XL delivers true cinematic depth, exceptional low-light performance, and razor-sharp clarity that redefines what a PTZ can do. But the XL goes beyond sensor size. Its innovative dual-camera design pairs a main PTZ with a 100° panoramic camera, both shooting in 4K60, both independently adjustable, and both capable of simultaneous output. One system, two perspectives, limitless creative freedom. AI tracking is powered by an advanced neural processor, ensuring natural framing with human-like precision. Premium-grade motors and a next-generation thermal system guarantee whisper-smooth, near-silent movement — keeping the focus on your subject, not the hardware. Connectivity leaves no compromises: 12G-SDI, HDMI, SFP+ fiber, PoE++, and balanced XLR audio. Simultaneous Full NDI® and NDI® HX3 streaming, plus dual-stream support with SRT, RTMP, or RTSP, make it ready for any workflow — broadcast, AV, XR, or virtual production. Signature BirdDog details elevate the XL Ultra even further: customizable RGB Halo Tally, dual side e-ink displays, and a rear numbering tally system. It’s a PTZ that not only performs like cinema but looks the part too. From studios and XR stages to houses of worship and arena productions — the XL Ultra is built to lead.  

Canon EOS C50 Cinema Camera

Canon 7034C011AA (70-34C0-11AA, 70/34C0/11AA, 70-34C0/11AA, 70 34C0 11AA) EOS C50 Cinema Camera The Canon EOS C50 is designed for creators who thrive under pressure—built for professionals working solo or in small crews. From interviews to social content, weddings to indie films, this ultra-lightweight camera earns its spot on every production. As Canon’s smallest professional cinema camera, it opens the door to true cinematic storytelling. Powered by a 7K Full Frame sensor, the EOS C50 delivers Open Gate RAW recording, 32MP stills, and pro-level connectivity in a sleek, modular design. Positioned between the EOS R5 C and C70, it bridges the gap between Canon’s V Series and Cinema EOS lineup, offering creators advanced video performance without fully stepping into high-end cinema gear. It’s Canon’s fifth RF-mount Cinema EOS model and the second hybrid in the series, blending mirrorless flexibility with cinema-grade features. Cinematic 7K Full Frame Capture Capture breathtaking detail with Canon’s 7K Full Frame CMOS sensor, Dual Base ISO (800/6400), and 15+ stops of dynamic range. Shoot 32MP stills at 40fps with ISO up to 64,000, or create oversampled 4K with Canon’s signature color science. Open Gate Flexibility Record in 12-bit RAW (6960x4640, 3:2) for ultimate versatility—perfect for widescreen, vertical, or anamorphic formats. Switch seamlessly between Full Frame, Super 35mm, and Super 16mm crop modes. RF Mount Versatility Take advantage of Canon’s RF mount with access to prime, zoom, hybrid, and cinema lenses, plus metadata support, fast AF/IS, and full compatibility with PL/EF lenses via adapters. Precision Autofocus Experience lightning-fast autofocus with Dual Pixel CMOS AF II, enhanced face, eye, and animal tracking, EOS iTR AF X, Focus Guide, and fully customizable AF speed controls. High Frame Rates Record Cinema RAW Light up to 7K 60p, plus 4K 120p and 2K 180p. Capture oversampled 4K 10-bit XF-AVC or HEVC in multiple formats, with CFexpress Type B and UHS-II SD card slots for smooth workflows and proxy recording. Professional Connectivity Includes HDMI, timecode, mic and headphone ports, USB-C, and a detachable handle with dual XLR inputs. Built-in Wi-Fi and USB-C enable IP streaming, UVC/UAC output, remote control, and Multi-Function Shoe support. Compact, Ergonomic Design Canon’s most compact Cinema EOS features a 3" articulating touchscreen, detachable top handle, 14 assignable buttons, tally lamp, active cooling, and multiple mounts—ideal for handheld use, gimbals, or drones. Multi-Camera Ready Seamlessly integrate with Canon’s XC Protocol accessories and apps for live production, studio control, or multi-cam setups with timecode sync and unified settings management. Future-Ready for VFX & VR The EOS C50 supports real-time lens metadata for virtual production, fully compatible with Unreal Engine and After Effects. Pair it with Canon’s RF 5.2mm Dual Fisheye to capture immersive 180° VR experiences.

Libec Electric pedestal with Floor Spreader for PTZ cameras

Libec Electric pedestal with Floor Spreader for PTZ cameras(LX-ePed2) Raise and lower your mounted camera of choice with this LX-ePed 2 Electric Pedestal Column with Ground Spreader from Libec thanks to its handheld controller and working height range of 37.5 to 97.2". Mount a camcorder, PTZ, or other recording device on the tripod using the 1/4"-20 and 3/8"-16 screws on its 100mm ball head and 22 lb load capacity. LAN ports on both the pedestal column and controller unit allow the devices to communicate using the included LAN cable. The cable features a length of 98.4', allowing you to operate at a distance. The elevation rocker on the controller allows for the intuitive raising and lowering of the tripod's center column up to 15.7". Continuous operation can be performed for three minutes at a time. An optional MPC-1 multi-protocol converter makes the system compatible with PTZ controllers and PC applications for precise adjustment. The included ground spreader provides additional security to the system, and an AC/DC power adapter provides power.

Libec HS-450MQ Tripod System with Mid-Level Spreader

Libec HS-450MQ Tripod System with Mid-Level Spreader(HS-450MQ) This HS-450MQ Tripod System from Libec features 2-stage legs with an 88.1 lb load capacity, a 75mm fluid head, a compatible mid-level spreader, three rubber feet, and a carrying case to bring it to the set. Intuitive adjustment of pan, tilt, and counterbalance makes for a customizable experience. Aluminum construction creates a lightweight and durable tripod design. Libec H45 75mm Ball and Flat Base Video Head with Pan Handle (26.5 lb Payload) Integrate a fluid head into your tripod configuration with various adjustment features using this H45 75mm Ball and Flat Base Video Head with Pan Handle from Libec. An included pan handle makes for easy movement up and down or side to side. Independent pan and tilt adjustments make movements intuitive and smooth. The H45 head has a load capacity of 26.5 lb and an adjustable counterbalance range of 9.9 to 23.1 lb. Your camera is secured via a 1/4"-20 screw and locating pin, and additional 3/8"-16 and 1/4"-20 screws are included for further attachments. The head also comes with a long sliding plate with one 3/8"-16 screw and one 1/4"-20 screw. An illuminated bubble level ensures your configuration is level when mounted onto tripod legs. The H45 is compatible with Manfrotto or Sachtler heads. Libec QL40B 2-Stage Lightweight Aluminum Tripod with 75mm Bowl The QL40B 2-Stage Lightweight Aluminum Tripod with 75mm Bowl from Libec is a durable tripod capable of accommodating larger cine rigs thanks to its 88.1 lb load capacity. A 75mm bowl head allows you to integrate a wide variety of fluid heads into your tripod configuration. A 21.6 to 71.6" working height range of the 2-stage legs can be adjusted using the flip-style quick locks. Three 1/4"-20 and 3/8"-16 threads on the legs allow you to integrate additional accessories. Libec BR-2B Mid-Level Spreader for RT20C and RT30B Tripods   The BR-2B Mid-Level Spreader from Libec is designed to offer added stability to RT20C and RT30B tripods. It installs onto the mid-level leg stage and can adjust the length of each arm by sliding them out and tightening them with locking knobs. Best used on uneven surfaces where ground spreaders won't lie flat, the BR-2B also keeps the tripod's legs from twisting.

Libec HS-350MQ Tripod System with mid-level spreader

Libec HS-350MQ Tripod System with mid-level spreader(HS-350MQ) This HS-350MQ Tripod System from Libec features 2-stage legs with an 88.1 lb load capacity, a 75mm fluid head, a compatible mid-level spreader, three rubber feet, and a carrying case to bring it to the set. Intuitive adjustment of pan, tilt, and counterbalance makes for a customizable experience. Aluminum construction creates a lightweight and durable tripod design. Libec H35 75mm Ball and Flat Base Video Head with Pan Handle (17.6 lb Payload) Integrate a fluid head into your tripod configuration with various adjustment features using this H35 75mm Ball and Flat Base Video Head with Pan Handle from Libec. An included pan handle makes for easy movement up and down or side to side. Independent pan and tilt adjustments make movements intuitive and smooth. The H35 head has a load capacity of 17.6 lb and an adjustable counterbalance range of 6.6 to 16.5 lb. Your camera is secured via a 1/4"-20 screw and locating pin, and additional 3/8"-16 and 1/4"-20 screws are included for further attachments. The head also comes with a long sliding plate with one 3/8"-16 screw and one 1/4"-20 screw. An illuminated bubble level ensures your configuration is level when mounted onto tripod legs. The H35 is compatible with Manfrotto or Sachtler heads. Libec QL40B 2-Stage Lightweight Aluminum Tripod with 75mm Bowl The QL40B 2-Stage Lightweight Aluminum Tripod with 75mm Bowl from Libec is a durable tripod capable of accommodating larger cine rigs thanks to its 88.1 lb load capacity. A 75mm bowl head allows you to integrate a wide variety of fluid heads into your tripod configuration. A 21.6 to 71.6" working height range of the 2-stage legs can be adjusted using the flip-style quick locks. Three 1/4"-20 and 3/8"-16 threads on the legs allow you to integrate additional accessories. Libec BR-2B Mid-Level Spreader for RT20C and RT30B Tripods The BR-2B Mid-Level Spreader from Libec is designed to offer added stability to RT20C and RT30B tripods. It installs onto the mid-level leg stage and can adjust the length of each arm by sliding them out and tightening them with locking knobs. Best used on uneven surfaces where ground spreaders won't lie flat, the BR-2B also keeps the tripod's legs from twisting. Compatibility Libec RT20C and RT30B tripods Libec Lightweight Rubber Foot for RT20C Tripod (Set of 3) These Lightweight Rubber Feet for RT20C Tripod from Libec provide improved traction on polished floors and other slick surfaces when using the RT20C carbon fiber tripod. They attach and remove quickly and prevent marring surfaces. Libec RC-40 Carrying Case The Libec RC-40 Carrying Case (Black) is a non-padded, vinyl case designed to carry a Libec RT-40 tripod with an RH-40 tripod head attached. It is carried by a handle or a removable, adjustable shoulder strap.    

Libec Tripod System with Mid-Level Spreader

Libec Tripod System with Mid-Level Spreader(HS-250MQ) This HS-250MQ Tripod System from Libec features 2-stage legs with an 88.1 lb load capacity, a 75mm fluid head, a compatible mid-level spreader, three rubber feet, and a carrying case to bring it to the set. Intuitive adjustment of pan, tilt, and counterbalance makes for a customizable experience. Aluminum construction creates a lightweight and durable tripod design. Libec H25 75mm Ball and Flat Base Video Head with Pan Handle (11 lb Payload) Integrate a fluid head into your tripod configuration with various adjustment features using this H25 75mm Ball and Flat Base Video Head with Pan Handle from Libec. An included pan handle makes for easy movement up and down or side to side. Independent pan and tilt adjustments make movements intuitive and smooth. The H25 head has a load capacity of 11 lb and an adjustable counterbalance range of 3.7 to 9.9 lb. Your camera is secured via a 1/4"-20 screw and locating pin, and additional 3/8"-16 and 1/4"-20 screws are included for further attachments. An illuminated bubble level ensures your configuration is level when mounted onto tripod legs. The H25 is compatible with Manfrotto or Sachtler heads. Libec QL40B 2-Stage Lightweight Aluminum Tripod with 75mm Bowl The QL40B 2-Stage Lightweight Aluminum Tripod with 75mm Bowl from Libec is a durable tripod capable of accommodating larger cine rigs thanks to its 88.1 lb load capacity. A 75mm bowl head allows you to integrate a wide variety of fluid heads into your tripod configuration. A 21.6 to 71.6" working height range of the 2-stage legs can be adjusted using the flip-style quick locks. Three 1/4"-20 and 3/8"-16 threads on the legs allow you to integrate additional accessories. Libec BR-2B Mid-Level Spreader for RT20C and RT30B Tripods The BR-2B Mid-Level Spreader from Libec is designed to offer added stability to RT20C and RT30B tripods. It installs onto the mid-level leg stage and can adjust the length of each arm by sliding them out and tightening them with locking knobs. Best used on uneven surfaces where ground spreaders won't lie flat, the BR-2B also keeps the tripod's legs from twisting. Compatibility Libec RT20C and RT30B tripods Libec Lightweight Rubber Foot for RT20C Tripod (Set of 3) These Lightweight Rubber Feet for RT20C Tripod from Libec provide improved traction on polished floors and other slick surfaces when using the RT20C carbon fiber tripod. They attach and remove quickly and prevent marring surfaces. Libec RC-40 Carrying Case   The Libec RC-40 Carrying Case (Black) is a non-padded, vinyl case designed to carry a Libec RT-40 tripod with an RH-40 tripod head attached. It is carried by a handle or a removable, adjustable shoulder strap.

Libec HS-150MQ Tripod System w/ mid-level spreader

Libec HS-150MQ Tripod System w/ mid-level spreader(HS-150MQ) This HS-150MQ Tripod System from Libec features 2-stage legs with an 88.1 lb load capacity, a 75mm fluid head, a compatible mid-level spreader, three rubber feet, and a carrying case to bring it to the set. Intuitive adjustment of pan, tilt, and counterbalance makes for a customizable experience. Aluminum construction creates a lightweight and durable tripod design. Libec H15 75mm Ball and Flat Base Video Head with Pan Handle (6.6 lb Payload) Integrate a fluid head into your tripod configuration with various adjustment features using this H15 75mm Ball and Flat Base Video Head with Pan Handle from Libec. An included pan handle makes for easy movement up and down or side to side. Independent pan and tilt adjustments make movements intuitive and smooth. The H15 head has a load capacity of 6.6 lb and an adjustable counterbalance range of 1.7 to 4.4 lb. Your camera is secured via a 1/4"-20 screw and locating pin, and additional 3/8"-16 and 1/4"-20 screws are included for further attachments. An illuminated bubble level ensures your configuration is level when mounted onto tripod legs. The H15 is compatible with Manfrotto or Sachtler heads. Libec QL40B 2-Stage Lightweight Aluminum Tripod with 75mm Bowl The QL40B 2-Stage Lightweight Aluminum Tripod with 75mm Bowl from Libec is a durable tripod capable of accommodating larger cine rigs thanks to its 88.1 lb load capacity. A 75mm bowl head allows you to integrate a wide variety of fluid heads into your tripod configuration. A 21.6 to 71.6" working height range of the 2-stage legs can be adjusted using the flip-style quick locks. Three 1/4"-20 and 3/8"-16 threads on the legs allow you to integrate additional accessories. Libec BR-2B Mid-Level Spreader for RT20C and RT30B Tripods The BR-2B Mid-Level Spreader from Libec is designed to offer added stability to RT20C and RT30B tripods. It installs onto the mid-level leg stage and can adjust the length of each arm by sliding them out and tightening them with locking knobs. Best used on uneven surfaces where ground spreaders won't lie flat, the BR-2B also keeps the tripod's legs from twisting. Compatibility Libec RT20C and RT30B tripods Libec Lightweight Rubber Foot for RT20C Tripod (Set of 3) These Lightweight Rubber Feet for RT20C Tripod from Libec provide improved traction on polished floors and other slick surfaces when using the RT20C carbon fiber tripod. They attach and remove quickly and prevent marring surfaces. Libec RC-40 Carrying Case   The Libec RC-40 Carrying Case (Black) is a non-padded, vinyl case designed to carry a Libec RT-40 tripod with an RH-40 tripod head attached. It is carried by a handle or a removable, adjustable shoulder strap.

Libec NX-300MQ Tripod System w/ Mid-Level Spreader

Libec NX-300MQ Tripod System w/ Mid-Level Spreader(NX-300MQ) This NX-300Q Tripod System from Libec features 2-stage legs with an 88.1 lb load capacity, a 75mm fluid head, a compatible ground spreader, and a carrying case to bring it to the set. Intuitive adjustment of pan, tilt, and counterbalance makes for a customizable experience. Aluminum construction creates a lightweight and durable tripod design. Libec NH30 75mm Ball/Flat Base Video Head with Pan Handle (22 lb Payload) Designed to support small camera rigs weighing up to 22 lb, the NH30 75mm Ball/Flat Base Video Head with Pan Handle from Libec features a unified ball/flat mount design. The base of the tripod can fit either in a standard 75mm bowl or on a flat mount with a 3/8"-16 screw. Having both options available means you can transfer the head from a tripod with a bowl mount to a flat mount slider.   To achieve proper balance, the NH30 head includes a snap-on/off camera plate that can slide up to 1.2" of fore/aft adjustment, and it features 1/4"-20 and 3/8"-16 camera mounting screw options. The screw and locating pin are moveable to orient the plate on the camera to achieve the best possible balance. Once the camera is balanced, the continuous counterbalance and pan/tilt drag controls provide smooth movement. On the side, there are 1/4"-20 and 3/8"-16 threads to mount a variety of accessories such as a light, monitor, or extension arm. Included with the NH30 is a pan handle that can be placed on the right or left side of the head by screwing it onto one of the mounts. The LED-illuminated bubble level helps to level the camera on uneven surfaces, even in low light. Libec QL40B 2-Stage Lightweight Aluminum Tripod with 75mm Bowl The QL40B 2-Stage Lightweight Aluminum Tripod with 75mm Bowl from Libec is a durable tripod capable of accommodating larger cine rigs thanks to its 88.1 lb load capacity. A 75mm bowl head allows you to integrate a wide variety of fluid heads into your tripod configuration. A 21.6 to 71.6" working height range of the 2-stage legs can be adjusted using the flip-style quick locks. Three 1/4"-20 and 3/8"-16 threads on the legs allow you to integrate additional accessories. Libec Long Sliding Plate S for TH-X, TH-Z, NH10 & NH30 Heads This Long Sliding Plate S from Libec helps to properly balance a heavier camera or camera rig with a longer lens on select tripod heads. This 9.4" long plate is constructed from an aluminum alloy and offers a 3.7" sliding range. It is compatible with Libec TH-X, TH-Z, NH10, and NH30 heads, as well as select Manfrotto and Sachtler heads.

Panasonic AW-UB50E 4K Multipurpose Box Camera

Panasonic AW-UB50E 4K Multipurpose Box Camera(PANAWUB50E) The 4K multi-purpose camera AW-UB50 delivers high-quality video and simplifies video production process whether it is corporate, education or live entertainment. Delivering stunning, vivid colour reproduction, the UB50 uses a 24.2-million pixel full-frame MOS sensor and supports IP-based transmission standards such as NDI® HX2[1].   The UB50 has been optimised for cinematic video production, featuring a shallow depth of field. The model offers real-time recognition autofocus technology, enabling the camera to automatically identify the subject and keep them in focus.   Installation flexibility is front-of-mind in the design. Both models feature a compact chassis, with a sub-10cm height, width and depth, enabling installation in the tightest of spaces. It can also be used for hand-held shooting with a Gimbal, providing greater flexibility for operators.   When linked with remote camera systems on the same network, the UB50 is fully compatible with Panasonic’s AK-HRP1010 remote operation panel, with future support planned with the AW-RP150GJ remote camera controller and Panasonic live switchers. The cameras can also act as a tally control. By installing a colour profile compatible with the Panasonic AW-UE160 4K integrated camera, it is easy to match colours in mixed operation with remote cameras.

Accsoon TopRig S60 Motorized Camera Slider for Video Shooting - 60cm

Accsoon ACSAAS03 (AC-SAAS03, AC/SAAS03, AC SAAS03, AC_SAAS03) TopRig S60 Motorized Camera Slider for Video Shooting - 60cm Precision in Motion Suitable for either telephoto or macro probe lenses. Speed Control Made Simple An intuitive control knob that allows speed control from 0.1cm/s to 5cm/s. Great Power Various models of micro-single and light movie cameras can be supported at maximum bear load 2.5kg vertically and 4kg horizontally. Built-in Panel Button Control Speed Adjustment Power On/Off Loop Mode Setting AB Points Setting Start/Stop Noise Free TopRig S40/S60 is equipped with a high quality brushless motor which features powerful yet precise control and operates without noise. Smooth Start/Stop Smooth Start/Stop to ensure a complete stable video footage. NP-F Battery or DC Power Low power consumption & longer working hours. Multi-angle Movement New guide wheel tensioning design ensures continuous work and meets a variety of shooting patterns.

Accsoon TopRig S40 Motorized Camera Slider for Video Shooting

Accsoon ACSAAS01 (AC-SAAS01, AC/SAAS01, AC SAAS01, AC_SAAS01) TopRig S40 Motorized Camera Slider for Video Shooting Precision in Motion Suitable for either telephoto or macro probe lenses. Speed Control Made Simple An intuitive control knob that allows speed control from 0.1cm/s to 5cm/s. Great Power Various models of micro-single and light movie cameras can be supported at maximum bear load 2.5kg vertically and 4kg horizontally. Built-in Panel Button Control Speed Adjustment Power On/Off Loop Mode Setting AB Points Setting Start/Stop Noise Free TopRig S40/S60 is equipped with a high quality brushless motor which features powerful yet precise control and operates without noise. Smooth Start/Stop Smooth Start/Stop to ensure a complete stable video footage. NP-F Battery or DC Power Low power consumption & longer working hours. Multi-angle Movement New guide wheel tensioning design ensures continuous work and meets a variety of shooting patterns.

Portkeys LEYE SDI 3G-SDI and HDMI 2.4-inch Electronic Viewfinder

Portkeys PK-LEYE-SDI (PK/LEYE-SDI, PK/LEYE/SDI, PKLEYESDI, PK LEYE SDI) LEYE SDI 3G-SDI and HDMI 2.4-inch Electronic Viewfinder The Portkeys LEYE SDI is a compact, lightweight, and highly capable electronic viewfinder designed for professionals seeking reliability, versatility, and affordability. Weighing just 265g (9.34oz), this rugged EVF adds minimal weight to your camera rig while offering a powerful feature set ideal for mirrorless, DSLR, and cinema cameras. Crisp, Bright Display Featuring a 2.4-inch LCD with a 1440 x 900 resolution and 450 nits brightness, the LEYE SDI delivers sharp, vibrant images—even in bright outdoor conditions. Whether you're framing shots or pulling focus, this EVF helps you monitor with confidence. Flexible Video Input Options 1 x 4K HDMI input – Ideal for mirrorless and DSLR cameras 1 x 3G-SDI input – Professional-grade locking connector for cinema camera compatibility Comfortable & Customizable Eyepiece The LEYE SDI includes a soft, durable eyecup made from PU leather and sponge, secured with Velcro for quick replacement. The integrated sunshade door protects the display from sun damage when not in use. An adjustable Red Oak diopter ring offers a wide -3 to +8 diopter range to accommodate various eyesight needs. Mounting Versatility Three 1/4"-20 threaded mounts with locating pins Built-in NATO rail for quick rig integration Perfect for shoulder rigs, cages, or direct camera mounts. Professional Monitoring Tools Despite its small size, the LEYE SDI is packed with essential monitoring features: Exposure tools: Luma/RGB Waveform, Histogram, False Color, Zebra Advanced Focus Assist: New peaking algorithm with regional peaking and image crop 3D LUT Monitoring: Load custom LUTs via USB port Framing Tools: Guides, aspect ratios, grids, image flip Anamorphic De-Squeeze: Standard (1.33x, 1.5x, 2.0x) + custom ratios (0.25x to 4.0x) Audio Monitoring: On-screen audio meters Image Adjustments: Sharpness, chroma, brightness, tint, backlight, and color temperature Reliable Power Options Canon LP-E6 battery plate (low 5W power draw = extended use) 7–24V 4-pin aviation power input with locking connector (Includes D-Tap to 4-pin aviation power cable) Whether you’re on set or in the field, the LEYE SDI keeps up with long shoot days without hassle. The Portkeys LEYE SDI is a future-proof, feature-rich EVF that offers the monitoring flexibility, control, and image clarity demanded by modern filmmakers—all in a compact and cost-effective form.

Atomos A-Eye PTZ Remote Control

Atomos AOATOMAECT01 (AO-ATOMAECT01, AO/ATOMAECT01, AO_ATOMAECT01, AO ATOMAECT01) A-Eye PTZ Remote Control The dedicated remote-control hub enables advanced multi-camera operation, preset switching, and remote production control over IP. Versatile and compatible All A-Eye models include NDI|HX3, support H.265, H.264, and MJPEG compression, and feature a wide range of output options including HDMI, 3G-SDI, USB, and IP streaming via RTSP, RTMP, and ONVIF. Power over Ethernet (PoE+) support means a single cable can deliver power, video, and control—simplifying setup and reducing cable clutter. One of the key advantages of the A-Eye series is its use of industry-standard protocols and physical connections, allowing it to slot into existing multi-camera environments with ease. Whether you’re upgrading one camera or expanding an entire setup, A-Eye Cameras and Control integrates seamlessly with third-party PTZ systems—making it the perfect addition to any professional workflow, exiting system or brand new installation. Built for every workflow With real-time AI-powered tracking and advanced PTZ motion (±170° pan and -30° to +90° tilt range), A-Eye cameras follow your subject with fluid, precise movement—perfectly framing every step, whether you’re streaming a live concert, teaching a class, or presenting to a global audience. Content creation A-Eye brings hands-free professionalism to solo creators—great for vlogs, cooking, beauty, or fitness content. Education Instructors move naturally between boards, screens, and students, while A-Eye keeps the framing perfect for remote learners. Business & enterprise Presenters move freely across the room or stage, knowing A-Eye is capturing every word and gesture. Live events From keynote speakers to musicians, A-Eye delivers dynamic wide and close-up shots, automatically. House of worship A-Eye makes it simple to share every word and gesture of worship with remote congregations—capturing services naturally and respectfully. Sports & coaching Coaches and analysts capture the action with ease, tracking movement and zooming in for analysis or live streaming.

BirdDog MAX Broadcast & Conferencing 4K PTZ Camera - Black

Birddog MAX Broadcast & Conferencing 4K PTZ Camera - Black (BDMAXB, MAX)  The Camera that Redefines Meetings and Productions Introducing MAX, the PTZ camera designed to bridge the gap between everyday webcams and full-blown production cameras. Whether you're looking to enhance your video meetings or level up your professional broadcasts, MAX delivers stunning performance and versatility in a beautifully designed package, with a best-in-class wide-angle lens perfect for rooms of any size.   From Webcam to Production Camera – Versatility at Its Best MAX effortlessly transitions between roles, functioning as both a high-quality webcam and a powerful production camera. Thanks to its HDMI and NDI outputs, you can integrate MAX into any workflow—be it a simple video call or a complex production. Its compatibility with NDI means that it seamlessly fits into modern IP video workflows, while the HDMI output ensures straightforward connectivity with traditional AV setups.   Seamless Integration with POD for Unified Communications Workflows When paired with POD, MAX redefines what’s possible in unified communications (UC) by combining professional-grade performance with effortless usability. Designed to work seamlessly with NDI workflows, POD eliminates the complexity of traditional software setups, making MAX the ultimate solution for platforms like Zoom, Teams, and Google Meet.   Here’s why the MAX and POD combination stands out:   NDI Integration Made Easy: Leverage the power of MAX’s NDI capabilities without the hassle of complex software or configuration. POD connects MAX directly to your computer via USB, enabling it to appear as a high-quality UVC webcam while maintaining NDI functionality for advanced workflows. Switch Between Cameras with Ease: POD allows users to effortlessly switch between multiple MAX cameras or other video sources, making it ideal for dynamic presentations, multi-angle video calls, and hybrid events. Software-Free Simplicity: Say goodbye to cumbersome software requirements. POD provides a hardware-based solution that bridges NDI cameras to UC platforms seamlessly, saving time and reducing technical challenges. API-Driven Scalability: For advanced setups, POD offers API integration, enabling full customization within AV systems like Crestron or Q-SYS. This ensures flexibility for larger or more complex environments. By combining MAX’s broadcast-level video quality and professional pan-tilt-zoom control with POD’s hardware-based simplicity and API capabilities, this pairing delivers the best of both worlds. Whether you’re running a single meeting room, creating multi-camera setups, or integrating into enterprise-grade AV systems, MAX and POD offer scalable, reliable, and user-friendly solutions that transform video communications into polished, professional-grade productions.   Sustainably Built with Ocean-Bound Plastics (OBP) At BirdDog, sustainability is a core value, and MAX embodies that commitment. The camera is made from ocean-bound plastics (OBP), directly contributing to the reduction of plastic waste in our oceans. Our packaging is made of recycled cardboard and our ink is all soy-based. By choosing MAX, you're not just investing in top-tier technology; you're also making an eco-conscious choice that helps protect our planet.   MAX also operates with remarkably low power consumption, ensuring that its environmental impact remains minimal throughout its lifecycle. This energy efficiency, coupled with its sustainable materials, makes MAX one of the most eco-friendly PTZ cameras on the market.   Elegant Design That Fits Any Space MAX isn’t just a powerhouse of performance—it’s also a work of art. With its sleek, modern design and best-in-class wide-angle lens, it integrates effortlessly into any room, from boardrooms to broadcast studios. MAX enhances the aesthetic of any space, blending in perfectly with your room’s architecture without drawing unnecessary attention. It’s a camera that looks as good as it performs.   Affordable Excellence One of MAX’s most impressive qualities is its price-to-performance ratio. By offering high-end features like NDI and HDMI outputs, eco-friendly materials, and a professional-grade design at a competitive price point, MAX makes premium video production accessible to all. You don’t have to choose between a basic webcam or a costly production camera—MAX gives you both.   Closing the Gap Between Webcam and Production PTZ In the world of video production, MAX closes the gap between a simple webcam and a full-fledged production PTZ camera. It allows you to have the flexibility of a webcam with the advanced features of a production camera—all in one sleek, easy-to-use device. Whether you’re running a live stream, recording content, or conducting meetings, MAX is equipped to handle it all.

Panasonic AW-UE150AWEJ 4K Integrated PTZ Camera - White

Panasonic AW-UE150AWEJ 4K Integrated PTZ Camera - White   The AW-UE150A 4K PTZ camera has been designed to meet the needs of professional broadcasters and content creators, delivering advanced video quality, operability and efficiency in studio-based video productions.   The UE150A supports the NDI® High Bandwidth* protocol, enabling seamless IP-based, low-latency 4K video transmission. This is in addition to existing support for SRT and NDI® HX2 protocols, ensuring steady performance in unstable network conditions.   It is also compatible with 12G-SDI, 2x 3G-SDI, HDMI, and fibre output formats. This enables the UE150AW/AK to be easily integrated into a variety of on-site production systems, making it the perfect choice for both remote production and live streaming environments.   Exceptional performance and high-quality video Equipped with a high-sensitivity 1.0-type 4K MOS sensor, Panasonic’s UE150AW/AK delivers high quality video. Its wide-angle lens (75.1° horizontal), 20x optical zoom, and built-in auto-tracking functionality make it the ideal choice for a versatile range of installations.   The UE150AW/AK features an optical low-pass filter (OLPF) that reduces luminance and colour moiré when filming monitors or LED walls, whilst HDR (HLG) compatibility delivers true-to-life image reproduction.   Its enhanced Optical Image Stabilizer (OIS) minimises image shake during pan and tilt operations, and upgraded synchronisation of pan, tilt and zoom presets for a smoother camera operation.   Increased compatibility for any environment The UE150AW/AK is compatible with Panasonic’s AK-HRP1010GJ/HRP1015GJ Remote Operation Panel for seamless colour matching with studio cameras, increasing overall versatility and functionality within broadcasting setups.

Panasonic AW-UE150AKEJ 4K Integrated PTZ Camera - Black

The AW-UE150A 4K PTZ camera has been designed to meet the needs of professional broadcasters and content creators, delivering advanced video quality, operability and efficiency in studio-based video productions. The UE150A supports the NDI® High Bandwidth* protocol, enabling seamless IP-based, low-latency 4K video transmission. This is in addition to existing support for SRT and NDI® HX2 protocols, ensuring steady performance in unstable network conditions. It is also compatible with 12G-SDI, 2x 3G-SDI, HDMI, and fibre output formats. This enables the UE150AW/AK to be easily integrated into a variety of on-site production systems, making it the perfect choice for both remote production and live streaming environments. Exceptional performance and high-quality video Equipped with a high-sensitivity 1.0-type 4K MOS sensor, Panasonic’s UE150AW/AK delivers high quality video. Its wide-angle lens (75.1° horizontal), 20x optical zoom, and built-in auto-tracking functionality make it the ideal choice for a versatile range of installations. The UE150AW/AK features an optical low-pass filter (OLPF) that reduces luminance and colour moiré when filming monitors or LED walls, whilst HDR (HLG) compatibility delivers true-to-life image reproduction. Its enhanced Optical Image Stabilizer (OIS) minimises image shake during pan and tilt operations, and upgraded synchronisation of pan, tilt and zoom presets for a smoother camera operation.   Increased compatibility for any environment The UE150AW/AK is compatible with Panasonic’s AK-HRP1010GJ/HRP1015GJ Remote Operation Panel for seamless colour matching with studio cameras, increasing overall versatility and functionality within broadcasting setups.

BirdDog PTZ Keyboard

BirdDog BDKBD (BD-KBD, BD/KBD, BD_KBD, BD KBD) PTZ Keyboard BirdDog KBD Controller offers PTZ camera operators a rugged, ergonomic design, a large multi-camera display, and direct access to essential functions. With a built-in tally display and physical feedback for camera switching, it’s intuitive and eco-friendly, made with Ocean-Bound Plastics and recyclable Aircraft-grade Aluminium. NDI, VISCA, ONVIF, RS-232, and RS-422 connectivity ensure versatility no matter what language you speak. Built for Seamless Control and Comfort KBD is crafted for those who rely on precision and ease in their workflow. With a rugged, ergonomic design, it’s built for comfort, featuring a hand-rest area and tactile controls for all-day use. Super-fine Control Mode When it’s time to fine-tune, you can easily shift the camera joystick into ‘fine-tune’ mode, increasing the sensitivity of the joystick by 10x, making reframing shots on air more artistic flair than nail-biting scare. Expanded Screen. Instant Camera Control The big screen allows you to monitor up to four cameras at once or focus on one full screen. Pairing and switching between cameras is just a single press away, with a tactile button that gives instant feedback under your finger, making transitions smooth and intuitive. The KBD’s screen offers live previews for NDI-HX2/HX3 cameras and key text-based details for others, ensuring seamless compatibility and clarity across your workflow. Built-in Tally Borders Pairing and switching between cameras is just a single press away, with tactile buttons providing instant feedback under your finger for smooth, intuitive transitions. When integrated with mixers like TriCaster or vMix, KBD’s built-in tally border shows the live camera directly on the keyboard, so you can stay focused without looking at other screens. Camera Setting Sync An industry-first feature, you can tune one camera to look exactly how you like, and then simply copy those settings directly to another camera of the same model (BirdDog X series function). Making it easy to dial your cameras in and take your production quality to the next level. Direct Access to Key Functions No more endless menu diving! KBD brings you straight to the essentials. With its streamlined layout, operators can access camera pairing, switching, and configuration in seconds. It’s all there, clear and accessible, thanks to user feedback that’s shaped a truly friendly experience. Ultimate Connectivity in an Eco-Friendly Design BirdDog KBD connects seamlessly through NDI, VISCA, ONVIF, RS-232, and RS-422, making it versatile for any setup. And with a commitment to sustainability, it’s made using ocean-bound plastics, reducing environmental impact. Affordable Innovation With enhanced features and a lower price than its predecessor, KBD is refined through user insight, offering unmatched comfort, control, and eco-consciousness for the modern PTZ camera operator.

Panasonic HC-VX3E-K 4K Camcorder Black

Panasonic PANHCVX3EK (PAN HCVX3EK, PAN-HCVX3EK, PAN/HCVX3/EK, HC-VX3E-K) HC-VX3E-K 4K Camcorder Black.Experience outstanding video quality with the Panasonic HC-VX3 4K Camcorder, featuring advanced 4K recording capabilities and exceptional optical performance. This camcorder offers a versatile wide-angle lens—25mm in 4K and 28.9mm in 2K—paired with a powerful 24x optical zoom. Enjoy rapid, precise autofocus, making it an ideal choice for capturing sharp, professional-grade video.

Canon EOS C80 Cinema Camera RF Mount

Canon 6389C006 (63-89C0-06, 63/89C0-06, 63 89C0 06, 63_89C0_06) EOS C80 Cinema Camera RF Mount UNLEASH YOUR CREATIVE POTENTIAL Stay agile with the EOS C80, a compact and ergonomic powerhouse featuring a 6K full-frame BSI sensor, RF mount, and Dual Pixel CMOS AF II technology. It delivers exceptional image quality and versatility, perfect for cinema, live, and virtual production needs. A CLOSER LOOK AT THE EOS C80 Explore the standout features of the EOS C80 that elevate your professional video productions. 6K full frame BSI sensor The backside illuminated (BSI) sensor technology brings forth a striking balance of dynamic range and rich, natural color tones. Its triple base ISO system weaves together sharp clarity with low-noise performance, shaping visuals that feel both vivid and immersive. VIDEO PRODUCTION ELEVATED Full frame 6K BSI sensor Capture stunning visuals with Canon’s advanced backside illuminated (BSI) stacked CMOS sensor, offering next-level performance with triple base ISO (800 / 3200 / 12800), lifelike color reproduction, and an impressive 16 stops of dynamic range. Dual Pixel CMOS AF II with EOS iTR AF X Experience enhanced, faster autofocus technology with pinpoint accuracy and ultra-responsive tracking for faces, eyes, heads, bodies, and animals across the full sensor. Take full control with face-only recognition and customizable settings, ensuring your focus remains sharp and precise at all times. Compact, ergonomic and familiar design The updated, familiar design offers enhanced ergonomics, improved connectivity, and an upgraded joystick along with a multi-function shoe. Whether using the top handle or customizing your own rig, this camera provides the flexibility to shoot with ease, even in the most challenging conditions. Professional recording formats and high frame rates The EOS C80 supports 12-bit Cinema RAW Light LT recording at up to 6K 30P, and 4:2:2 10-bit at up to 4K 120P. It also offers oversampled 4K via XF-AVC, along with enhanced XF-AVC S and XF-HEVC S (MP4) formats, all featuring comprehensive metadata and structured filenames. Additionally, HDMI RAW output is available for use with compatible external recorders. RF mount Count on advanced prime, zoom, and cinema lenses for exceptional optical performance, real-time lens metadata, and lightning-fast AF/IS systems. Effortlessly use your PL and EF lenses with a Canon mount adapter for added versatility in your productions. Uncompromised connectivity The EOS C80 features professional on-body I/O options, including 12G-SDI, HDMI, 2x mini-XLR, Mic In, Remote, and Timecode ports. With built-in Wi-Fi and Ethernet, it supports real-time IP streaming (SRT / RTSP) and remote control via XC Protocol and the Multi-Camera Control app. The camera is also expandable through Canon’s Multi-Function Shoe for added versatility. Designed for the future The EOS C80 offers real-time lens metadata output and capture, ideal for virtual production (VP) and VFX workflows, with seamless integration with Unreal Engine and After Effects, including distortion correction data. Additionally, create immersive VR experiences using Canon’s RF 5.2mm F2.8L Dual Fisheye lens for unparalleled visual storytelling.

Sony HXR-NX800 4K HDR Camcorder

Sony HXR-NX800 4K HDR Camcorder(HXR-NX800, HXR/NX800, HXR_NX800, HXRNX800, HXR NX800) Shoot, record, and stream in 4K HDR with 20x optical zoom, AI-powered Subject Recognition AF, and integrated 2.4 GHz/5 GHz* Wi-Fi. *5 GHz communication may be restricted in some regions and countries. Crisp details and vivid colors, every time Capture stunning 4K HDR footage with vibrant colors, textures, and outstanding detail. The HXR-NX800’s powerful 1.0-type Exmor RS™ stacked CMOS sensor provides high sensitivity and low noise, allowing up to 120fps* in 4K and 240fps in FHD. Full-pixel readout and BIONZ XR™ real-time image processing preserve every detail, while 709tone and S-Cinetone™ compatibility ensure easy color matching with Cinema Line and other Sony system cameras. *With approx. 23% crop. Please refer to the Operating Instructions for memory card requirements to ensure proper operation. Intelligent features for smarter shooting Sony’s innovative AI Processing Unit recognizes human subjects, while the Fast Hybrid AF system keeps your subject in focus at all times. The Electronic Variable ND Filter allows for optimal exposure in various lighting conditions, and the Auto ND function can automatically adjust exposure for you. Reliable streaming and remote operation Built-in 2.4 GHz and 5 GHz Wi-Fi, combined with Sony’s C3 Portal (paid) or XDCAM Pocket apps, enables simple, high-quality streaming directly from the camera. The Monitor and Control app lets you check angles and monitor your shots remotely via your smartphone or tablet—ideal for solo operators looking for an efficient, high-speed workflow. 1.0-type Exmor RS CMOS sensor For unparalleled imaging performance in a compact camcorder, the HXR-NX800 uses a large, approximately 14.0-megapixel 1.0-type Exmor RS CMOS sensor. Its unique stacked structure allows faster readout speeds and superior low-light performance, thanks to back-illuminated pixels. BIONZ XR image processing Sony’s BIONZ XR image processor ensures higher frame rates, faster autofocus, enhanced Auto Tracing White Balance (ATW) control, and superior noise reduction. This powerful processor extracts maximum performance from the high-resolution image sensor, delivering stunning 4K (3840 x 2160) 60p video through 5K oversampling with full-pixel readout. Enhanced White Balance Accuracy With the help of the AI Processing Unit, the Auto Tracing White Balance (ATW) on the HXR-NX800 has been refined to offer more precise control, even in challenging lighting conditions such as shadows. Advanced AI Processing Unit for next-generation AF Working in conjunction with BIONZ XR, the specialized AI Processing Unit uses deep learning to recognize human subjects with high precision based on form and posture. The Fast Hybrid AF system, which covers 81% of the frame, supports Subject Recognition AF and Real-time Tracking, ensuring the NX800 can effortlessly follow subjects throughout the frame. Auto Framing With Auto Framing enabled, the camera tracks recognized human subjects and adjusts the framing so they remain prominently positioned. This feature allows solo operators to focus on engaging with interviewees, as the camera handles framing adjustments autonomously. 4K 120fps for stunning slow-motion footage The Exmor RS sensor’s high readout speed enables 4K High Frame Rate (HFR) recording at up to 120fps and FHD at 240fps. You can achieve 4x slow motion in 4K at 30p or 5x slow motion at 24p. The high-speed AF system ensures your subject remains in focus throughout. Slow & Quick Motion** mode supports up to 4K 120fps and FHD 240fps recording. *With approx. 23% crop. 100fps/200fps in PAL mode. Please refer to the manual for memory card requirements. 20x optical zoom The 20x G Lens™ optical zoom covers everything from wide-angle interviews to telephoto sports shots. With a zoom range of 24-480 mm (35mm full-frame equivalent), the lens also supports Sony’s Clear Image Zoom technology, offering 30x zoom in 4K and 40x zoom in FHD. You can explore apertures of F2.8 (wide) to F4.5 (telephoto), with smooth and silent zooming. Advanced image stabilization Minimize the effects of camera shake with built-in image stabilization. In Active Mode*, optical and electronic stabilization work together to create smooth, stable footage even in handheld shooting. *Active Mode results in a slight image crop and is unavailable when recording at frame rates of 120 (100) fps or higher. Built-in Electronic Variable ND Filter The built-in Electronic Variable ND Filter adjusts seamlessly to different lighting conditions. You can move from 1/4 to 1/128 ND with a simple dial adjustment or rely on the Auto ND function to maintain the best exposure as you transition between environments. Accurate LCD monitor and OLED viewfinder The HXR-NX800 features a 3.5-type LCD monitor with approximately 27.6 million dots, offering outstanding brightness and clarity. The monitor can swing up and down as well as backward for a comfortable viewing angle. For clear viewing, the 0.39-type OLED viewfinder provides high contrast and approximately 23.6 million dots, blocking out extraneous light. Compact design and storage The HXR-NX800 is lightweight and compact, weighing approximately 1.93 kg (4 lb 4.1 oz.). When stored, its dimensions shrink for easier portability. The detachable microphone holder offers additional flexibility for travel. Flexible camera control Designed for maximum control, the HXR-NX800 features two independent control rings for focus/zoom and two dials for IRIS/ND Variable. It also has 12 assignable buttons for quick access to key functions, offering a customizable user experience. AUTO/MANUAL switch Adapt quickly to changing shooting conditions with the AUTO/MANUAL switch. In AUTO mode, the camera will automatically adjust key settings like ND Filter, Iris, Gain, Shutter, and White Balance. Cinematic and broadcast base looks Achieve cinematic or broadcast-quality visuals with pre-set looks like S-Cinetone, ITU709, 709tone, HLG Live, HLG Mild, and HLG Natural. You can also tweak black, matrix, and other settings to match the look of your production. Multiple recording options The HXR-NX800 offers a wide range of recording formats, including XAVC S-I for high-quality 10-bit 4:2:2 4K (QFHD) recording with Intra-Frame H.264, and XAVC HS-L (H.265) or XAVC S-L (H.264) for more efficient, extended recording times. Proxy recording in XAVC HS at up to 16 Mbps is also available, allowing for faster editing and previewing. Comprehensive connectivity The camera supports a variety of connections, including HDMI Type-A, USB Type-C®, LAN, REMOTE, and more. Wireless monitoring and remote control Built-in Wi-Fi allows for wireless monitoring and control via the free Monitor & Control app. You can adjust settings like focus and iris, record remotely, and more. 4-channel audio Capture up to four channels of audio through XLR connectors and the Multi Interface (MI) Shoe. Adjust levels using external dials for easy operation without needing to access the camera menu. Designed for live streaming The HXR-NX800 supports direct streaming to compatible services via a wired or Wi-Fi connection, with RTMP/RTMPS or SRT protocols ensuring efficient workflow for solo operators. Simple file transfers Upload proxy and original clips directly to a cloud or FTP server from the memory card. The C3 Portal (paid) application simplifies cloud transfers, ensuring quick access to files for editing and sharing. Dual memory card slots The camera’s dual memory card slots support CFexpress Type A and SD memory cards, allowing for simultaneous recording or relay recording for additional security. Dependable battery power The HXR-NX800 is compatible with BP-U35, BP-U70, and BP-U100 batteries, providing up to 120 minutes of continuous operation with the BP-U35. These batteries are also interchangeable with other Sony cameras. Internal fan and vents A built-in cooling fan and optimized vents ensure the camera maintains its optimal operating temperature. Accessibility A screen reader function provides audible feedback for menu navigation, while the screen magnifier feature increases the size of menus, playback, and recording screens. Sustainability Sony has implemented measures to reduce the environmental footprint of the HXR-NX800 throughout its lifecycle, from product development to packaging.

BirdDog BDX5W X5 Ultra UHD PTZ Camera - White

BirdDog BDX5W (BD-X5W, BD/X5W, BD_X5W, BD X5W) X5 Ultra UHD PTZ Camera - White 4K60 Production PTZ Camera featuring NDI® | HX3, NDI® | HX2/3 Decoder, 12G-SDI, advanced mechanical drive, 2x e-ink display and HALO Tally - White X5 Ultra. In every way. Productions are demanding; the X5 Ultra makes demanding a walk in the park. Featuring unparalleled capability, quality, and performance – take your PTZ game up a notch with X5 Ultra. Imagine next-level robotic controls with ultra-fine and precise movement thanks to its category-busting advanced motor drive system. Movements on air are a breeze, and acceleration/deceleration of moves look natural and slick. Sporting BirdDog’s signature Halo tally system for true audience engagement, revolutionary built-in NDI® decoding*, all the video connectors, including 12G-SDI, dual e-ink displays make branding and maintenance a snap, all wrapped up with a stunning Sony 4K60 image sensor delivering the highest performance NDI® | HX3 possible. X5 Ultra. In every way. Halo Tally. A higher order of visual queue. Professional results need professional tools. The X5 Ultra sports the most visible and effective Tally system available. Up front, with a large, daylight-visible border keeping talent looking directly at the camera. Your cast and crew will always know where to look, keeping your audience engaged. AI Tracking. Built for now and the future. We aren’t playing catch-phrase bingo here. X5 Ultra takes AI auto-tracking and framing to the next level. Featuring an order of magnitude more neural processing capabilities, the out-of-the-box X5 Ultra has incredible AI powers but also the headroom to grow as AI progresses. Magic. NDI® | HX3. Performance meets convenience The X5 Ultra delivers superior network performance via our implementation of NDI® | HX3. Significantly reducing network impact while maintaining excellent image quality, meaning it is more friendly in more network environments. BirdDog’s NDI® | HX3 surpasses certification parameters, delivering quality and performance you can count on. Connectivity for days. Video productions all look different. We love NDI® because it allows a single network cable to operate everything, but sometimes it makes sense to take a different path. X5 Ultra makes this a snap. In a world of compromise, the X5 Ultra stands proud. With 12G-SDI output, dual HDMI outputs, multiple network formats, including NDI® | HX3, SRT, RTMP and RTSP, Webcam connectivity over USB, however you work and whatever demand in quality you have, X5 Ultra has got your back for today’s production… and tomorrow’s! Integrated NDI® | HX Decoder. It can’t get much more convenient! The X5 Ultra is part of the family of PTZ cameras featuring the first simultaneous NDI® | HX* Decoder designed specifically for confidence monitoring, return feeds, or teleprompter usage. We’ve pulled all this connectivity into a single cable, radically simplifying how you interface with your equipment. Less gear. Less hassle. Less complexity. Whether you're broadcasting live or delivering a CEO address, the integrated NDI® | HX decoder enables more engagement with less setup. *NDI® | HX2 and NDI® | HX3 supported. E-ink Label. Get Inked. The dual, always-on e-ink labels on the X5 Ultra are a game-changer. From network addresses for easy access to controls to customisable logos* to complement your brand image, this cool feature ensures that your set-up is clear and each camera is easily identifiable even when the power is off.

Atomos Ninja + Cast Bundle

Atomos Ninja + Cast Bundle   Features 4 x HDMI Switching & Streaming Dock including Ninja Bundle includes AtomX Cast and Ninja Xpand and transform Ninja in to a 4 x HDMI input switcher Overlay custom graphics, logos, lower thirds and content branding Picture in Picture effect for any combination of inputs WebCAST - Plug and Play UVC connection to your favourite software such as Zoom, MS Teams, Skype, OBS and more BroadCAST - quality switching and recording in ProRes, DNx and option for h.265 MultiCAST - Simultaniously Record, Stream and output to local displays Touch Screen and Physical buttons with LED staus indciators Separate HDMI outputs - Dedicated Program out and Multifunction on Ninja V/V+ for Multiview, Preview or Program Audio Input and switching options with support for embedded, analogue inputs and Audio follow Video

Metabones Canon FD to X-mount Speed Booster ULTRA 0.71x (Black Matt)

Metabones Canon FD to X-mount Speed Booster  ULTRA 0.71x (Black Matt)(MB_SPFD-X-BM3)The Canon FD Lens to FUJIFILM X-Mount Camera Speed Booster ULTRA from Metabones improves upon the original Metabones Speed Booster with a 5 element/4 group optical design that incorporates ultra-high refractive index tantalum-based glass for improved sharpness and reduced distortion and vignetting. The Speed Booster ULTRA allows a full frame Canon FD lens to be mounted to an APS-C format X-Mount camera and in doing so, increases the angle of view and increases the maximum aperture by approximately one f/stop.  When a lens intended for full frame sensors or 35mm film is mounted to a camera with an APS-C sized sensor, it transmits a larger area of light than the smaller sensor was built to accept and therefore the effective angle of view of the lens increases. The Speed Booster condenses light from the lens and projects it onto the APS-C sensor allowing the sensor to utilize all of the lens' light and effectively reduces the crop factor of and APS-C E-Mount camera from 1.5x to 1.07x, producing a full-frame angle of view with an APS-C sensor. A corresponding increase in the maximum aperture of one f/stop makes the lens more effective in low-light situations and able to create a shallow depth of field.  Although the lens will fit physically, automatic diaphragm (AE metering), or other auto functions are not retained using this speed booster.  Metabones Speed Boosters are quality made, using precision-machined brass with chromium plating on both the camera body and the lens side of the booster in order to ensure smooth mounting, quality aesthetic, and durability. A matte black interior reduces internal reflections and a black satin finish external surface matches with most camera bodies and lenses. This adapter has a tripod foot that is compatible with Arca Swiss, Markins, and Photo Clam ball heads, and can be removed if needed with an included hex key. Allows a full frame Canon FD lens to be mounted to an FUJIFILM X-mount APS-C format camera and in doing so, increases the angle of view and increases the maximum aperture by one f/stop.The Speed Booster ULTRA design incorporates ultra-high index tantalum-based optical glass for enhanced optical performance with improved corner sharpness and reduced distortion and vignetting. This glass technology and optical design perform extremely well with professional-grade f/2.8 zoom lenses and high-speed fixed focal length lenses such as a 50mm f/1.2 which will perform as a 35.5mm f/0.9 lens with high contrast and resolution from the center to the edges of the image.Precise fit and solid connection - lens has no play, gap or wiggling when mounted on speed booster and no adjustments are required to fit your lens. Both the camera-side and the lens-side of the speed booster are made of brass which is precision-machined and chrome-plated.The Speed Booster uses matte-black treatment to keep internal reflection to a minimum in order to maintain the maximum optical quality possible with the lens. The exterior features a black satin surface finish.Designed to reach infinity focus while maintaining the correct registration distance required to maintain optical quality of CRC lenses or lenses with floating elements.The speed booster features a detachable tripod foot which is compatible with Arca Swiss, Markins, Photo Clam ball heads. The booster may attach to a quick release plate or tripod using a 1/4"-20 screw.Although the lens will fit physically, automatic diaphragm (AE metering), or other auto functions will not be retained using this speed booster.Two hex keys included with the product, one to detach the tripod foot and another to tighten a mounting screw

Dedolight DPBA-L18 Parallel Beam intensifier LED monocolor, 18cm diameter Fits DLED12-D, DLED30-D.

Dedolight DPBA-L18 (DPBA L18, DPBA_L18, DPBAL18, DPBA/L18) Parallel Beam intensifier LED monocolor, 18cm diameter Fits  DLED12-D, DLED30-D. This DPBA-L18 Parallel Beam Intensifier increases light output up to 44% (DLED12-D). Simply used by sliding in at the light's accessory slot and adjusting to the flood position; the new beam generated by this lens is anywhere from 6°- 8°, depending on light model used. Parallel Beam Intensifiers, unique only to dedolight focusing lights, make using multiple Lightstream reflectors from one light source possible, as well as establishes a controlled virtual light source from the reflecting surface. "Lightstreaming" with Parallel Beam Intensifiers completely brings the reflectors to life in a systematic way with undeniably beautiful results. This tool provides a powerful new function your dedolight which nothing else can do on the market.       

Portabrace Porta Brace RS-HDC3500 Rain Cover for the Sony HDC-3500 Camera

Porta Brace RS-HDC3500 Rain Cover for the Sony HDC-3500 Camera(RS-HDC3500, RSHDC3500, RS/HDC3500) The Porta Brace Rain Slicker is designed to protect the Sony HDC-3500 camcorder from rain, dirt, and dust while in operation. Zippers, flaps, touch fasteners, and vinyl windows allow you to reach critical controls and view meters. The Rain Slicker is easy to put over the camera, microphone, windscreen, batteries, and pistol grip. A Rain Fly covers the entire top of the camera to seal the handle opening. The slicker is constructed of waterproof Taslan nylon with a soft tricot interior layer that protects the camera. In addition to being waterproof, the Taslan material is breathable and allows heat from the camera to escape while the cover is deployed. The adjustable neoprene lens gasket creates a tight seal around the lens, while an included detachable visor adds extra protection against droplets reaching the glass. The vinyl windows keep dirt and moisture out but allow quick visual checks on important meters, indicator lights, and switches. The main body is made from waterproof Taslan nylon material and is protected by a soft layer of nylon tricot, adding significantly to the durability of the coating. The battery end of the rain slicker has adjustable flaps which can be shortened to fit a slim battery, or lengthened to wrap around larger batteries. Wireless mics can also be accommodated. Sealed hook-and-loop fastener openings afford plenty of access to hand controls and the power supply while keeping your equipment dry.   A Rain Fly covers the entire top of the camera to seal the handle opening.

Marshall CV730-ND3 4K NDI PTZ Camera with 6.5mm-202mm 30x Zoom Lens - Black

Marshall CV730-ND3 (CV730ND3 CV730_ND3 CV730/ND3 CV730 ND3) 4K NDI PTZ Camera with 6.5mm-202mm 30x Zoom Lens - Black Incorporate this black CV730-ND3 NDI|HX3 PTZ Camera from Marshall Electronics into your conference space or lecture hall to capture UHD 4K video of your presenter to livestream via embedded NDI technology. The camera features a 1/1.8" 9.2 MP camera sensor and 30x optical zoom with smart autofocus technology which ensures the speaker remains in frame. Simultaneous 12G-SDI, HDMI, USB-B 3.0, and NDI outputs deliver video to a wide variety of sources depending on your workflow. PoE support allows for single-cable configurations using the RJ45 NDI port to both power the camera and stream UHD 4K video over your network connection. Control over the camera can be achieved via IP, the included remote, or RS-232 and RS-422 ports.        

Marshall CV574 NDI 4K UHD Mini Broadcast Camera with 4.0mm Interchangeable Lens

Marshall CV574 (CV-574, CV/574, CV_574, CV 574) NDI 4K UHD Mini Broadcast Camera with 4.0mm Interchangeable Lens CV574 3840x2160p @ 25, 29.97, 30, 50, 59.94 & 60 / 1920x1080p @ 25, 29.97, 30, 50, 59.94 & 60 / 1920x1080i @ 50, 59.94 & 60 / 1280x720p @ 50, 59.94 & 60 CV574 networkable POV camera is a new addition to Marshall’s miniature camera lineup. Featuring NDI|HX3, the new Sony 1/2.8″ sensor and 4K UHD output, the CV574 delivers exceptional performance in any workflow. With the NDI|HX3 codec, the CV574 can deliver low latency, high quality video with no visible compression artifacts. Simultaneous output with HDMI and other IP output options including SRT, RTSP, MPEG-TS and HEVC. The included breakout cable enables audio input, power and control via RS-485 and the included control joystick. Alternatively, the CV574 supports PoE allowing for power, control and video over just 1 ethernet cable. A wide selection of M12 lenses complement the included 4.0mm M12 lens, allowing users to select the perfect lens for any scenario. CV574 is a durable and professional Mini camera with a variety of use-cases including sports broadcast, reality television & live stream events.

Portabrace Porta Brace Audio case for Sound Device 888 recorder

Porta Brace Audio case for Sound Device 888 recorder(AO-888) Carefully crafted carrying equipment for professional film & video crews

DJI Inspire 3 Propeller Guard

DJI Inspire 3 Propeller Guard(CP.IN.00000043.01) Protect your drone, people, and property by adding this Propeller Guard for Inspire 3 from DJI to your drone. The propeller guards provide a physical barrier around each spinning set of blades but do not hinder flight performance. Please note that with the guards in place, obstacle sensing can no longer be used.

DJI TB51 Battery

DJI TB51 Battery(CP.IN.00000029.01) The TB51 Intelligent Battery is equipped with high-performance, high-energy battery cells to provide robust power, and it uses an advanced battery management system. It also optimizes low-temperature performance of the cell with a built-in auto-heating system (this function can be enabled automatically by the aircraft or manually in the app).

DJI Mavic 3 Pro Fly More Combo (RC)

DJI Mavic 3 Pro Fly More Combo (RC)(CP.MA.00000660.01) Filmmakers get more control over what they capture with Mavic 3 Pro Drone with Fly More Combo & DJI RC from DJI. This flagship drone adds a third lens to the system, with a 70mm f/2.8 medium telephoto, enhancing your creative possibilities with more control of how much you capture of a subject and their surroundings. Remaining is the impressive 24mm Hasselblad wide-angle lens, with 5.1K resolution, and the 166mm telephoto, which has been upgraded to f/3.4 and 60 fps for more light sensitivity and smoother video. This tri-camera system joins other Mavic 3 technologies, such as O3+ long-range transmission, up to 43 minutes of flight, and omnidirectional sensing with APAS 5.0 to make the Mavic 3 Pro safe for even beginner pilots. Triple-Lens Camera System 24mm Hasselblad Wide-Angle: The 20MP Hasselblad camera remains, with its adjustable f/2.8 to f/11 aperture and large 4/3 CMOS sensor for reduced noise in low-light situations. It offers 5.1K video resolution at 50 fps and incorporates the Hasselblad Natural Color Solution (HNCS) to capture and produce true-to-life colors in your media. When post-processing, you can use D-Log, D-Log M, and HLG. 70mm Medium Telephoto: The new camera in the tri-cam system, this 48MP lens offers an f/2.8 aperture and 1/1.3" CMOS for excellent day and night shots. Video is captured in 4K at 60 fps, and you can get clearer midrange shots with a 3x optical zoom. D-Log M and HLG are supported for efficient post-production, and it's capable of taking advantage of Night, ActiveTrack, and Hyperlapse shooting modes. 166mm Telephoto: This 12MP full telephoto lens returns, but with an updated aperture of f/3.4, letting more light in for better low-light performance using its 1/2" CMOS. It also improves its 4K fps from 30 to 60 for smoother video and incorporates a 7x optical zoom for clear close-ups. Safe Flying   An omnidirectional obstacle sensing system with APAS 5.0 technology actively detects obstacles during flight and will automatically plot safe routes around them during flight.

Vocas L-mount to LPL adapter (Excl. 15 mm support)

Vocas L-mount to LPL adapter (Excl. 15 mm support)(0900-0118) L-mount to LPL adapter, excluding 15 mm rail support. This adapter allows the use of LPL lenses on L-mount cameras. The separate Vocas LPL mount cap is included.

Vocas L-mount to Lpl adapter including 15 mm support

Vocas L-mount to Lpl adapter including 15 mm support(0900-0117) L-mount to LPL adapter including 15 mm rail support. This adapter allows the use of LPL lenses on L-mount cameras. The rail support provides support for the lens mount, especially recommended when using heavy LPL lenses. The separate Vocas LPL mount cap is included.

Vocas Sony E-mount to PL adapter MK-II (Excl. 15 mm support)

Vocas Sony E-mount to PL adapter MK-II (Excl. 15 mm support)(0900-0024) Sony E-mount to PL adapter, excluding 15 mm rail support. This adapter is optimised for the usage of full-frame PL-lenses on a full-frame E-mount camera. The separate Vocas PL mount cap is included.

Vocas L-mount to PL adapter

Vocas L-mount to PL adapter(0900-0022) L-mount to PL adapter, excluding 15 mm rail support. This adapter allows the use of PL lenses on L-mount cameras. The separate Vocas PL mount cap is included.

Vocas full cage kit for Red Komodo(X)

Vocas full cage kit for Red Komodo(X)(0600-0115) Consists of two side cage brackets (0600-0100) and two top or bottom brackets (0600-0110). The side cage brackets can be mounted to the left and right side of the camera, using the two M4 attachment points the camera provides. Using the attachment points on top and at the bottom of the side brackets, the top or bottom brackets can be mounted either pointing to the front or the rear of the camera.   When the top bracket is pointing forward, it will keep the camera’s LCD screen fully clear.

Vocas 4,5" Adapter for diopter holder

Vocas 4,5" Adapter for diopter holder(0410-0122) The 4.5" Adapter Ring from Vocas is compatible with the modular Vocas 5-Axis Diopter Holder. Made from industrial plastic, this ring screws into the holder to retain one 4.5" diopter (close-up) filter.

Vocas tube handgrip kit

Vocas tube handgrip kit(0390-0008) Leather handgrip kit, including a handgrip combi rail bracket (0390-0006) and two short leather handgrips (0390-0004). The handgrip combi rail bracket (0390-0006) can be mounted to any 15 mm LWS, 15 mm studio and 19 mm rail supports. Both sides of the handgrip bracket are equipped with standard rosettes, to mount the comfortable leather handles. The leather handgrip kit is a universal handgrip kit and is compatible with any camera with 15 mm LWS, 15 mm studio and 19 mm rail support.

Vocas V-lock mount plate 4 pin Xlr connector

Vocas V-lock mount plate 4 pin Xlr connector(0370-0170) V-lock mount plate including cable for powering cameras with 4 pin XLR power socket through V-lock batteries. The plate features a 10A fuse and 1x unregulated D-Tap. The length of the power cable is 35 cm.

Vocas Canon Eos C70 top cheese plate

Vocas Canon Eos C70 top cheese plate(0350-1326) This accessory plate attaches directly to the top of the Canon EOS C70 camera offering a stable platform for using multiple accessories. Provided with many ¼” and 3/8” Arri style holes for attaching many kinds of accessories such as: Monitor arms, 15 mm tube holders (in all directions), top handles etc etc.

Vocas FX6 adjustable grip kit

Vocas FX6 adjustable grip kit(0255-7410) This kit allows the Sony side handgrip of the FX6 camera to be relocated in comfortable position when the camera is used as a shoulder camera. Including 3,5 mm extension cable, 25 cm.

Vocas Basic kit for Canon C300MkIII and C500MkII

Vocas Basic kit for Canon C300MkIII and C500MkII(0255-7300) Basic kit for the Canon C300MKIII and C500MKII camera, featuring a compact base plate with slidable shoulder pad. The 15 mm rails of the base plate enable the use of other accessories such as a matte box, follow focus and lens support.

Vocas Alister’s Eng kit for Sony Pxw-Fx9

Vocas Alister’s Eng kit for Sony Pxw-Fx9(0255-5100) Vocas Alister’s ENG kit for Sony PXW-FX9 existing of the H-cheese plate for top bars Sony PXW-FS7 / FS7 II / FX9 (0350-1368), two pieces Vocas Aluminum 15 mm rail, length: 250 mm (0350-9250), Straight handgrip 15 mm rail bracket (0390-0110), Double sided handgrip extender medium 110 mm (0390-0020) and Handgrip rosette adapter for Sony PXW-FX9 (0390-0190).The Sony FX9 camera can easily be upgraded with these Vocas accessories. Vocas developed a complete kit of accessories to have a good start operating the Sony FX9. In this kit you will find a top cheese plate with 15 mm rails in the shape of the letter H, which makes it possible to add a lot of accessories to the top of the camera without removing the original Sony top handgrip with its electrical functions and its build-in GPS.One accessory in this kit is the newly developed Handgrip rosette adapter that attaches directly to the Sony handgrip when the original Sony handgrip arm is removed.Together with all the other accessories in this kit, the Sony handgrip can be attached to the top rails in the top cheese plate, providing a very adjustable, yet sturdy solution.

Camrade CAM-RAINCVR-OBEFP-L RainCover OB-EFP Large

Camrade CAM-RAINCVR-OBEFP-L (CAM/RAINCVR-OBEFP-L, CAM/RAINCVR/OBEFP/L, CAMRAINCVROBEFPL, CAM RAINCVR OBEFPL) RainCover OB-EFP Large Through years of experience and working closely with camera operators from broadcast and production companies, we have improved the designs to perfect solutions for multiple applications. Protect outside broadcasting cameras against inclement weather with the rainCover OB/EFP Large. With this raincover for large set-ups with live production system cameras, you can now protect your equipment from the elements without sacrificing your shot. The rainCover OB/EFP Large is suitable for system cameras, attached on a tripod, pedestal, or any other camera support solution. The flexible black fabric helps the camera not to stand out in a crowd. The cover is perfect for use during both indoor and outside broadcast productions like sports, entertainment, festivals, religious gatherings, and other large events. The cover closures are all with hook and loop fasteners. This allows for a firm fix while still having the flexibility to adjust it to the width and length of your specific set-up. Durable and functional design Always take the camRade rainCover OB/EFP Large to outdoor events, so you do not get caught out when the weather turns. The cover is supplied in a waterproof zippered pouch, which you can use to store and transport the cover. It is easy to attach and detach the cover, thanks to the convenient design. Leave the bottom open for easy access or close again if the wind plays tricks. Clamps around the lens hood The one-piece rainCover closes around the lens with a rubber strip for a good seal with the camera. The vinyl window in front of the lens can be secured with hook and loop fasteners on top when not in use.

Camrade CAM-RAINCVR-OBEFP-S RainCover OB-EFP Small

Camrade CAM-RAINCVR-OBEFP-S (CAM/RAINCVR-OBEFP-S, CAM/RAINCVR/OBEFP/S, CAMRAINCVROBEFPS, CAM RAINCVR OBEFP S) CAM-RAINCVR-OBEFP-S Universal protection for a wide range of ENG-style outside broadcasting cameras with 5” or 7” viewfinder including (long) sun hood, ENG-lens and hand controls. Includes a water-resistant storage pouch. Protect ENG-style outside broadcasting cameras against inclement weather with the rainCover OB/EFP Small. With this raincover for large set-ups with live production system cameras, you can now protect your equipment from the elements without sacrificing your shot. The CamRade rainCover OB/EFP Small is suitable for system cameras, attached on a tripod, pedestal, or any other camera support solution. The flexible black fabric helps the camera not to stand out in a crowd. The cover is perfect for use during both indoor and outside broadcast productions like sports, entertainment, festivals, religious gatherings, and other large events. The cover closures are all with hook and loop fasteners. This allows for a firm fix while still having the flexibility to adjust it to the width and length of your specific set-up. Durable and Functional Design Always take the camRade rainCover OB/EFP Small to outdoor events, so you do not get caught out when the weather turns. The cover is supplied in a waterproof zippered pouch, which you can use to store and transport the cover. It is easy to attach and detach the cover, thanks to the convenient design. Leave the bottom open for easy access or close again if the wind plays tricks. Clamps Around the Lens Hood   The one-piece rainCover closes around the lens with a rubber strip for a good seal with the camera. The vinyl window in front of the lens can be secured with hook and loop fasteners on top when not in use.

SHAPE Push Button VESA Monitor Mount for C-Stand & Baby Pin

SHAPE Push Button VESA Monitor Mount for C-Stand & Baby Pin(SH-VSAPB, SHVSAPB, SH/VSAPB) The SHAPE VESA monitor support mounts to industry standard 5/8’’ baby pins or C-stands and supports monitors with a 100 x 100 or 75 x 75 VESA pattern. This sturdy mount features a Push-Button tilt angle adjustment and a friction locking knob to lock and secure the monitor at the desired angle. Made of CNC machined aluminium, the mount includes a ratchet knob to secure it on the 5/8’’ baby pin or C-stand and a safety pin to allow its removal from the C-stand.

SHAPE Cartoni tripod pan telescopic handle with push-button

SHAPE Cartoni tripod pan telescopic handle with push-button(SH-TRIPAN3, SHTRIPAN3, SH/TRIPAN3) The SHAPE tripod pan handle is perfect for all types of cameramen and allows you to comfortably position your Cartoni tripod on set in all types of situations such as in a limited space, a higher position or a tight closet. The telescopic handgrip with rosette can be attached to your Cartoni tripod. The arm features four points of articulation (2 Push-button and 2 ratchet knob) to adjust the arm position. The ratchet knob along the arm allows you to extend the arms up to 2 inches and rotate the handgrips throughout 360°. The one near the rosette gives you more option to position the arm for your comfort. For a shorter configuration, you can easily disassemble the push-button rubber handgrip from the telescopic arm and mount it to the rosette adapter. SHAPE is well known for its patented Push-button handle, now used by so many professionals in the industry. The technology was developed to give filmmakers quick and easy adjustment. By simply pressing the button, you are allowed a 360-degree rotation to place the handle in the best position for your use. Push, adjust, release, and then its lock. The Push-button system on the Handle articulating joint provides additional articulation near the rosette, while the second push-button articulation joint allows you to rotate and precisely position the rubber handgrips.

SHAPE Multi D-Tap V-Mount Plate 15mm LWS Rod Mount

SHAPE Multi D-Tap V-Mount Plate 15mm LWS Rod Mount(SH-MDTVM, SHMDTVM, SH/MDTVM) Power your camera and a variety of accessories from a single high-capacity V-mount battery with the Multi D-Tap V-Mount Battery Plate with 15mm LWS Rod Mount from SHAPE. The battery plate provides a V-mount for a single V-mount battery and four 14.4V, 10A regulated D-Tap outputs. The aluminum plate features an integrated 15mm LWS rod clamp to mount the plate onto standard, separately available 15mm LWS rods, and it secures using a locking lever.

SHAPE Lightweight Matte Box 4x5.6 with Single Filter Tray

SHAPE Lightweight Matte Box 4x5.6 with Single Filter Tray(SH-LWAKS, SHLWAKS, SH/LWAKS) A silicone matte box mounted on a CNC aluminum main frame with an outer diameter of up to 124 mm. It provides a wide field of view for a large variety of wide angle lenses. A single filter tray system with an easy access handle that allow one-handed filter change. The filter tray system opens up from the front by releasing the red safety pin. 4×4 filters can also be installed in the tray. The frame includes two stops at the bottom of the filter tray section to prevent the filter from falling through. Optional removable swing-away and height adjustable rod bloc can be installed for better control. An optional removable light carbon fiber french flag can be attached on top to prevent flares. A series of adaptor rings are included in the kit: Clamp-on adaptor ring: 124-87 mm Threaded aluminum adaptors rings: 87-82 mm / 87-77 mm / 87-72 mm / 87-67 mm Additional clamp-on adaptor rings available (Optional): 124-114 mm / 124-104 mm / 124-100 mm / 124-95 mm

SHAPE Camera Cage for RED Komodo

SHAPE Camera Cage for RED Komodo(SH-KOCAGE, SHKOCAGE, SH/KOCAGE) Improve the accessory mounting possibilities while protecting your RED KOMODO cinema camera with this SHAPE Camera Cage for RED KOMODO. The durable 3-piece cage is built around the top plate that you mount on your KOMODO, allowing you to mount the side riser panels and included 15mm rod clamps. Once mounted on your camera, you've created a sturdy external cage that provides accessory mounting holes, as well as ARRI-compatible rosettes on each side for mounting optional grips to help you when handholding the KOMODO. The cage is replete with 1/4"-20 accessory mounting threads for attaching a variety of available accessories, such as articulating arms. Additional 1/4"-20 and 3/8"-16 threaded holes with ARRI-style anti-twist divots allow you to attach accessories that stay secure and won't unexpectedly twist, which usually happens at the worst moment, ruining the shot. Two individual 15mm spring-loaded rod clamps can be mounted on the cage for adding rod-mounted accessories. The cage retains open access to all ports and controls on the camera, and it disassembles easily into three parts for transport and storage. Cage The advantage of the cage is that it provides a rigid external frame to your RED KOMODO camera for attaching accessories to your camera without stressing your camera's body. This allows you to accessorize without worrying about damaging your camera. Accessorize The cage allows you to add optional grips to your camera via the ARRI-style rosettes, making the RED KOMODO's body more handheld friendly. Rod Clamps   The individual rod clamps can be attached to the cage and allow you to mount optional 15mm rods. The clamps each use a spring-loaded lever for securing your rod on the clamp.

SHAPE Arri Dovetail Shoulder Mount with HAND15 Handles

SHAPE Arri Dovetail Shoulder Mount with HAND15 Handles(SH-HSMDV, SHHSMDV, SH/HSMDV) Easily secure your camera rig onto this ARRI Dovetail Shoulder Mount with Handles thanks to its ARRI-style dovetail plate and dual ARRI rosette handles. The entire system can accommodate 15mm LWS, 15mm studio, and 19mm studio bridge plates for wide compatibility. SHAPE ARRI Dovetail with Adjustable Shoulder Mount Designed to be compatible with all three industry-standard ARRI-Style bridge plates, this ARRI Dovetail with Adjustable Shoulder Mount from SHAPE offers a highly customizable mount for your camera rig. Spring-loaded stoppers on either end of the mount prevent the bridge from sliding off but allow for quick release when pressed. A shoulder pad on the bottom of the dovetail can be adjusted along the track to distribute the rig's weight effectively. Two ARRI rosettes at the front allow you to integrate handgrips of your choice. Constructed with CNC aluminum, the shoulder mount is designed to be durable.

SHAPE shoulder mount kit mattebox follow focus for panasonic GH6

SHAPE shoulder mount kit mattebox follow focus for panasonic GH6(SH-GH6SMKIT, SHGH6SMKIT, SH/GH6SMKIT) The cage is designed with several 1/4-20 threaded holes and seven 3/8in-16 threaded holes with anti-rotating Arri hole patterns. The design of the cage also allows easy access to all control buttons, side outputs, the memory card, the battery compartment, the lens release button and the camera hot shoe for the audio unit system. All doors and locks are fully usable when the camera is in the cage and its intelligent design allows you to operate the camera without having to remove the cable doors. In addition, the strap hooks can remain attached to the camera while being inserted into the cage. A detachable lock system to secure and hold in place your 4K FULL HDMI cable is included with the cage. The bottom of the cage has three 1/4-20 threaded holes to mount a quick release tripod plate to switch from a tripod to a shoulder configuration. The aluminium top handle included with the cage offers cold shoe mounting options for additional accessories. A second top handle can be added and attached on the sides of the cage for vertical shoots. A 15mm LW rod baseplate system is included and attached underneath the cage with four M4 screws. A height adjustable Metabones bracket is included at the front of the baseplate for additional support. The bottom of the baseplate has three threaded holes to attach quick-release tripod plates. Quick handle rod bloc (HAND5) Quick handle rod blocThe SHAPE Quick handle rod bloc is a professional video stabilization accessory with 2 camera handle grips, each providing an individual rotation angle of 360°. You can attach the handle to the camera platform using a simple screw knob. A simple Push-Button located at the articulation allows easy attachment and removal. Combined with the anodized aluminium rod bloc, the quick handle offers composite camera support for all 15 mm rods. You can achieve precise positioning by sliding the Quick Handle along the rods and tightening the small red knob located on the Rod Bloc. The rod bloc is designed with 2 screw-threaded holes allowing the mounting of the Quick Handle. SHAPE is well known for its patented Push-button handle, now used by so many professionals in the industry. The technology was developed to give film makers quick and easy adjustment. By simply pressing the button, you are allowed a 360-degree rotation to place the handle in the best position for your use. Push, adjust, release, and then its lock. Composite mini shoulder pad (SHPAD3) The SHAPE mini composite shoulder pad is padded for superior comfort and is made of slip-free material. It is designed with a 15 mm rod block on top allowing to hold 15 mm rods for camera and accessories to be attached. The screw knob allows to attach SHAPE counter-weight (PAD1, PADCW1). By adding extra male-female rods at the back, you can also attach a counter-weight behind the same rods. This way, your body can easily supports the weight of the camera and its accessories. The shoulder pad is also the perfect solution for switching rapidly from shoulder to tripod without having to remove the shoulder pad. It can remain on the camera rig permanently. Back pad (PAD1) 01 Pad1 Back Pad Product Picture 2000x2000The back pad (PAD1) features a powder coated anodized aluminum plate and arm which are attached to a thick padding on the side facing the user. It is compatible with the SHAPE Mini Composite Shoulder Pad (SHPAD3, SHPAD2, SHPAD1) and can be attach or remove easily from your rig via a 1/4-20 camera screw knob. Additionally, the back pad’s position can be adjusted to the user’s preference – up to 2″ vertically and 360° horizontally. The bottom of the back pad is designed with (2) 1/4-20 threaded holes, allowing to attach other accessories or counterweights. 15 mm 18 in rods (15TUBE18) One pair of SHAPE 15-mm aluminum rods for your compatible camera rig. Mount any 15-mm compatible accessories and form the support structure of your rig. SHAPE LIGHTWEIGHT SINGLE FILTER TRAY 4X5.6 MATTE BOX (LWAKS) A silicone matte box mounted on a CNC aluminium main frame with an outer diameter of up to 124 mm. It provides a wide field of view for a large variety of wide angle lenses. A single filter tray system with an easy access handle that allow one-handed filter change. The filter tray system opens up from the front by releasing the red safety pin. 4x4 filters can also be installed in the tray. The frame includes two stops at the bottom of the filter tray section to prevent the filter from falling through. Optional removable swing-away and height adjustable rod bloc can be installed for better control. An optional removable light carbon fiber french flag can be attached on top to prevent flares. A series of adaptor rings are included in the kit: Clamp-on adaptor ring: 124-87 mm Threaded aluminium adaptors rings: 87-82 mm / 87-77 mm / 87-72 mm / 87-67 mm Additional clamp-on adaptor rings available (Optional): 124-114 mm / 124-104 mm / 124-100 mm / 124-95 mm SHAPE kit focus single rod follow focus 15 mm LWs (FA123) Use the compact SHAPE Follow Focus Kit with Single 15 mm Rod Clamp with your camera setup to make focus pulling easy. The modular design allows you to add and remove any of the components without screws or tools, and its small profile allows the addition of a matte box or accessories around your lens.  At the core of the kit is a rubber, anti-slip follow focus wheels attached to a single aluminium 15 mm rod clamp. The clamp rotates to adjust to most lens sizes, and it's tightened by a locking lever. The clamp's rotation also allows the focus wheel to easily swing out of the way when changing lenses. Five drive gears are included to fit a variety of lens sizes: 0.5 MOD/78T, 0.6 MOD/64T, 0.8 MOD/38T, 0.8 MOD/43T, and 0.8 MOD/78T. The gears can be flipped from front to back to facilitate different lens configurations. A 49 mm rubber friction wheel is also included for the 0.5 MOD/78T gear which is most commonly used with DSLR lenses. For alternate fine-focus configurations, use the included speed crank or 11in whip, both of which attach to the center point of the knob. Four magnetic marking disks are included to attach to the focus wheel. At the center of the knob, an ARRI-standard accessory port for attaching separately available accessories such as a whip or a speed crank; All gears can be flipped to the front or back position which is helpful for compact lens configurations; Two rotation points (one on the rod and one on the body) allowing you to get the follow focus perfectly aligned vertically on the side of the camera body; Swing Arm Design allows you to simply pull the follow focus away from the lens for a quick lens change then you can push it back into place when you're ready;   A compact design takes little space, so you can still attach a matte box to the front;Use the swing arm to properly align the follow focus and then you can tighten the thumbscrew on the bottom to keep it in place.

SHAPE shoulder mount rig for panasonic GH6

SHAPE shoulder mount rig for panasonic GH6(SH-GH6SM, SHGH6SM, SH/GH6SM) The camera is mounted to the cage using a 1/4-20 screw. The cage is designed with several 1/4-20 threaded holes and seven 3/8in-16 threaded holes with anti-rotating Arri hole patterns. The design of the cage also allows easy access to all control buttons, side outputs, the memory card, the battery compartment, the lens release button and the camera hot shoe for the audio unit system. All doors and locks are fully usable when the camera is in the cage and its intelligent design allows you to operate the camera without having to remove the cable doors. In addition, the strap hooks can remain attached to the camera while being inserted into the cage. A detachable lock system to secure and hold in place your 4K FULL HDMI cable is included with the cage. The bottom of the cage has three 1/4-20 threaded holes to mount a quick release tripod plate to switch from a tripod to a shoulder configuration. The aluminium top handle included with the cage offers cold shoe mounting options for additional accessories. A second top handle can be added and attached on the sides of the cage for vertical shoots. A 15mm LW rod baseplate system is included and attached underneath the cage with four M4 screws. A height adjustable Metabones bracket is included at the front of the baseplate for additional support. The bottom of the baseplate has three threaded holes to attach quick-release tripod plates. Quick handle rod bloc (HAND5) The SHAPE Quick handle rod bloc is a professional video stabilization accessory with 2 camera handle grips, each providing an individual rotation angle of 360°. You can attach the handle to the camera platform using a simple screw knob. A simple Push-Button located at the articulation allows easy attachment and removal. Combined with the anodized aluminium rod bloc, the quick handle offers composite camera support for all 15 mm rods. You can achieve precise positioning by sliding the Quick Handle along the rods and tightening the small red knob located on the Rod Bloc. The rod bloc is designed with 2 screw-threaded holes allowing the mounting of the Quick Handle. SHAPE is well known for its patented Push-button handle, now used by so many professionals in the industry. The technology was developped to give filmakers quick and easy adjustment. By simply pressing the button, you are allowed a 360-degree rotation to place the handle in the best position for your use. Push, adjust, release, and then its lock. Composite mini shoulder pad (SHPAD3) The SHAPE mini composite shoulder pad is padded for superior comfort and is made of slip-free material. It is designed with a 15 mm rod block on top allowing to hold 15 mm rods for camera and accessories to be attached. The screw knob allows to attach SHAPE counter-weight (PAD1, PADCW1). By adding extra male-female rods at the back, you can also attach a counter-weight behind the same rods. This way, your body can easily supports the weight of the camera and its accessories. The shoulder pad is also the perfect solution for switching rapidly from shoulder to tripod without having to remove the shoulder pad. It can remain on the camera rig permanently. Back pad (PAD1) The back pad (PAD1) features a powder coated anodized aluminium plate and arm which are attached to a thick padding on the side facing the user. It is compatible with the SHAPE Mini Composite Shoulder Pad (SHPAD3, SHPAD2, SHPAD1) and can be attach or remove easily from your rig via a 1/4-20 camera screw knob. Additionally, the back pad’s position can be adjusted to the user’s preference – up to 2in vertically and 360° horizontally. The bottom of the back pad is designed with (2) 1/4-20 threaded holes, allowing to attach other accessories or counterweights. 15 mm 18 in rods (15TUBE18) One pair of SHAPE 15-mm aluminium rods for your compatible camera rig. Mount any 15-mm compatible accessories and form the support structure of your rig.

SHAPE kit with Mattebox follow focus for Panasonic GH6

SHAPE kit with Mattebox follow focus for Panasonic GH6(SH-GH6KIT, SHGH6KIT, SH/GH6KIT) Panasonic Lumix GH6 Cage (GH6CAGE) Made of CNC-machined aluminium, the cage is specifically designed for the Panasonic Lumix GH6 camera. The camera is mounted to the cage using a 1/4-20 screw. The cage is designed with several 1/4-20 threaded holes and seven 3/8in-16 threaded holes with anti-rotating Arri hole patterns. The design of the cage also allows easy access to all control buttons, side outputs, the memory card, the battery compartment, the lens release button and the camera hot shoe for the audio unit system. All doors and locks are fully usable when the camera is in the cage and its intelligent design allows you to operate the camera without having to remove the cable doors. In addition, the strap hooks can remain attached to the camera while being inserted into the cage. A detachable lock system to secure and hold in place your 4K FULL HDMI cable is included with the cage. The bottom of the cage has three 1/4-20 threaded holes to mount a quick release tripod plate to switch from a tripod to a shoulder configuration. The aluminium top handle included with the cage offers cold shoe mounting options for additional accessories. A second top handle can be added and attached on the sides of the cage for vertical shoots. A 15mm LW rod baseplate system is included and attached underneath the cage with four M4 screws. A height adjustable Metabones bracket is included at the front of the baseplate for additional support. The bottom of the baseplate has three threaded holes to attach quick-release tripod plates. SHAPE LIGHTWEIGHT SINGLE FILTER TRAY 4X5.6 MATTE BOX (LWAKS) A silicone matte box mounted on a CNC aluminium main frame with an outer diameter of up to 124 mm. It provides a wide field of view for a large variety of wide angle lenses. A single filter tray system with an easy access handle that allow one-handed filter change. The filter tray system opens up from the front by releasing the red safety pin. 4x4 filters can also be installed in the tray. The frame includes two stops at the bottom of the filter tray section to prevent the filter from falling through. Optional removable swing-away and height adjustable rod bloc can be installed for better control. An optional removable light carbon fiber french flag can be attached on top to prevent flares. A series of adaptor rings are included in the kit: Clamp-on adaptor ring: 124-87 mm Threaded aluminium adaptors rings: 87-82 mm / 87-77 mm / 87-72 mm / 87-67 mm Additional clamp-on adaptor rings available (Optional): 124-114 mm / 124-104 mm / 124-100 mm / 124-95 mm SHAPE kit focus single rod follow focus 15 mm LWs (FA123) Use the compact SHAPE Follow Focus Kit with Single 15 mm Rod Clamp with your camera setup to make focus pulling easy. The modular design allows you to add and remove any of the components without screws or tools, and its small profile allows the addition of a matte box or accessories around your lens.  At the core of the kit is a rubber, anti-slip follow focus wheels attached to a single aluminium 15 mm rod clamp. The clamp rotates to adjust to most lens sizes, and it's tightened by a locking lever. The clamp's rotation also allows the focus wheel to easily swing out of the way when changing lenses. Five drive gears are included to fit a variety of lens sizes: 0.5 MOD/78T, 0.6 MOD/64T, 0.8 MOD/38T, 0.8 MOD/43T, and 0.8 MOD/78T. The gears can be flipped from front to back to facilitate different lens configurations. A 49 mm rubber friction wheel is also included for the 0.5 MOD/78T gear which is most commonly used with DSLR lenses. For alternate fine-focus configurations, use the included speed crank or 11" whip, both of which attach to the center point of the knob. Four magnetic marking disks are included to attach to the focus wheel.

SHAPE Camera cage for Panasonic GH6

SHAPE Camera cage for Panasonic GH6(SH-GH6CAGE, SHGH6CAGE, SH/GH6CAGE) The SHAPE Cage and Top Handle for Panasonic GH6 is a formfitting cage specifically designed for the Panasonic Lumix GH6. Made of CNC-machined aluminum, the cage offers multiple 1/4"-20 and 3/8"-16 threaded holes with anti-rotating ARRI hole patterns. The cage allows for unobstructed access to all camera functions, including the memory card and battery compartment, side buttons, and the lens release button. A full-size HDMI cable lock keeps your video cable securely in place, and the camera can be fully operated without having to remove the cable doors. Three 1/4"-20 threaded holes on the bottom of the cage allow you to mount a quick release plate to facilitate switching from a tripod to a shoulder rig configuration. Cold shoe mounting options are available on the included aluminum top handle, and for vertical shoots, a second handle can be attached to the sides of the cage.      

SHAPE Arri Dovetail shoulder mount

SHAPE Arri Dovetail shoulder mount(SH-DOVSM, SHDOVSM, SH/DOVSM) The SHAPE ARRI Dovetail shoulder mount is the newly designed unit meant to be combined with ARRI style bridge plates in all 3 industry standards, (15mm LWS, 15mm Studio & 19mm Studio). The bridge plate can be adjusted front to back, depending on the weight distribution of the camera, and can be locked in the desired position with the side lever. The same can be done with the padding itself, underneath the dovetail section. You can position the padding and lock it in place with its side lever. Spring loaded stoppers are included at the front and back of the shoulder mount to prevent the top bridge plate from sliding out. To release entirely the bridge plate, simply push down on the button and the bridge plate is free. Made of sturdy CNC aluminum, the dovetail section is 12 1/2 inch long and allows a 10 1/2 inches of travel for the bridge plate. It provides stability and can be combined with a variety of our handles given the two ARRI rosettes at the front part of the shoulder mount.

SHAPE Canon C70 Baseplate, Cage with Handles+Matte Box+Follow Focus Pro

SHAPE Canon C70 Baseplate, Cage with Handles+Matte Box+Follow Focus Pro(SH-C70KIT, SHC70KIT, SH/C70KIT) The L-shaped handle features a solid connection to your top plate using mounting screws. It also features the SHAPE Push-Button Technology, enabling you to balance the weight and rotate the handle in the position you need for a 360-degree axis. The handle is constructed from anodized aluminium and it is lined with a smooth, wooden finger grip made from Canadian maple. It features numerous 3/8″-16 ARRI-style anti-twist accessory threads. The front section of the handle features a cold shoe designed to receive a spring-loaded cold shoe foot. This spring-loaded cold shoe foot is designed with a tilting mount bracket with 1/4″-20 threaded screw to mount accessories like a monitor, a video light, or a microphone weighing up to 4.4 lb. Moreover, each end is secured with a knurled locking knob. Once the accessory is mounted, you can tilt it forward or backward and place it at the desired angle. The position is lockable with the included Allen key.

SHAPE Baseplate with Cage, Left-Side Handle & Follow Focus Pro

SHAPE Baseplate with Cage, Left-Side Handle & Follow Focus Pro(SH-C52BRFFP, SHC52BRFFP, SH/C52BRFFP) This kit includes a shoulder mount baseplate with 15mm rod system, a form fitting cage with Arri rosette , a rosette handle with black push-button, and a follow focus pro. The baseplate includes an integrated shoulder mount that allows you to convert your tripod-mounted camera into a handheld shoulder rig. The bottom of the cage attaches to the rear of the camera to support it on the baseplate. The 15mm rods allow you to mount additional accessories like a matte box and follow focus. The push-button handle attaches to the baseplate and can rotate using the rosette joints for the most comfortable position. Canon C500 Mark II, C300 Mark III V-lock quick release baseplate (C52BP) Canon C500 Mark II, C300 Mark III camera cage (C52CAGE) Add accessories and handheld functionality to your Canon EOS C500 Mark II camera with this kit made of CNC aluminium. It includes a form fitting side plate with Arri rosette , a top plate and a rear insert plate connecting together to protect your camera. The kit features several 1/4-20 and 3/8-16 threaded holes with anti rotating holes. The top plate is also designed to fit the native Canon EOS C500 Mark II handle. Canon C500 Mark II, C300 Mark III adapter plate (C52AP) The Canon EOS C500 Mark II Adapter Plate let you quickly attach your camera to your rig. The position of the captive screws perfectly matches the threaded holes of the Canon EOS C500 Mark II camera base. Canon C500 Mark II, C300 Mark III top plate (C52TP) Lightweight and robust CNC machined aluminium top plate designed to fit with the native Canon EOS C500 Mark II top handle. The top plate offers 1/4-20 and 3/8-16 threads with Arri standard anti rotating holes, which can be used to attach options around the camera. The top plate comes with a 3/16’’ Hex wrench and (4) captive screws ¼-20 3/8 to attach the top plate to the camera Top side: (8) ¼-20 and (2) 3/8-16 threaded holes with Arri anti rotating holes Top side: (18) ¼-20 threaded holes Sides: (10) ¼-20 threaded holes with Arri anti rotating holes Double Quick Handle ARRI Rosette Single Shadow (HAND2S) Left or right ARRI Rosettes handgrips that can be attached to cameras or camera support hardware that has standard ARRI rosettes. The arm features three points of articulation (2 Push-button, 1 ratchet knob) allowing you to adjust the arm for your comfort. The arm attach to your camera or support via an ARRI compatible rosette with spring-loaded locking levers, which allow you to lock your arms in place. The arm is also designed with (2) ¼-20 and (2) 3/8-16 threaded holes with locking attachment stoppers for additional mounting options and to strongly secure the camera accessories in position. SHAPE is well known for its patented Push-button handle, now used by so many professionals in the industry. The technology was developed to give filmmakers quick and easy adjustment. By simply pressing the button, you are allowed a 360-degree rotation to place the handle in the best position for your use. The Push-button system on the Handle articulating joint provides additional articulation near the rosette, while a second push-button articulation joint allows you to rotate and precisely position the rubber handgrips. Follow Focus Pro (FFPRO) Manufactured in sleek black aluminium anodized, this special edition professional follow focus unit combines sleek look with trusted engineering and a classic design. The SHAPE Follow Focus Pro is an industry workhorse and has already proven itself on countless tough shoots all over the world, so you needn’t worry about it letting you down. SHAPE engineering is internationally renowned and there is one of the most robust motion picture accessories ever built. It mounts on 15 mm rods and features an adjustable arm which puts the gear at the optimal position for the lens, no matter what the diameter is. The unit snaps onto 15 mm rods, allowing for quick attachment, removal, and repositioning. Two 0.8 pitch gears come included and give you a choice of either 28 teeth or 43 teeth - depending on the throw distance of the lens. Additional features include two adjustable hard stops, removable marking disc, and an industry standard accessory port for using optional whips and cranks. While the Follow Focus Pro contains the essentials for pulling focus on any type of project production, the choice of either 15 mm rod adaptors means that you can SHAPE the system to meet your particular requirements. 15 mm 8" rods (15TUBE8) Pair of 15 mm rods 8" long that fit studio and LWS 15 mm rod clamps, allowing you to use available rod mounted accessories. The rods are machined from hollow aluminium tubes and feature chamfered ends that make it easier to insert into 15 mm rod clamps, even if the rod isn't perfectly aligned or is at a slight angle to the rod clamp. 15 mm 4" rods (15TUBE4) This pair of SHAPE 15 mm Aluminium Rods (4") connect into your camera rig, extend it, and let you add various SHAPE and third-party accessories compatible with 15 mm rods. With these two rods and with a few fundamental accessories, you can most certainly even begin building your own rig from scratch. The rods are each 15 mm in diameter, 4 inches long, hollow, non-threaded, and made of reliable aluminium coated with a clear finish.

Marshall CV228 IP67 Weatherproof Lipstick-Style Camera with 4.0mm Interchangeable Lens - 3G-SDI Output

Marshall CV228 IP67 Weatherproof Lipstick-Style Camera with 4.0mm Interchangeable Lens - 3G-SDI Output The upgraded Marshall Electronics CV228 All-Weather 3G/HD-SDI HD Lipstick Camera features an IP67 rating for dust and water protection and a 1/2.8" CMOS sensor in a compact form factor. The CV228 can capture up to 1080p video at 60 fps and output said video via the full-size BNC connector on its breakout cable. An included M12 4mm lens is interchangeable and provides an 85° horizontal field of view. The 10' breakout cable not only has a 3G/HD-SDI connection, but also an RS-485 and locking DC connector to facilitate power and control. A built-in joystick offers OSD control, while the RS-485 connection operates via VISCA protocol to control image parameters. Mount the camera virtually anywhere thanks to its ultracompact form factor and 1/4"-20 mounting thread to attach it to tripods or stands. Features at a Glance Full-sized 3G/HD-SDI BNC output 2.5MP, 1/2.8" CMOS sensor 10' breakout cable with BNC, RS-484 remote adjustment, and locking 12V power connector Interchangeable 4.0mm 85&Deg; lens with IP67 cap IPIP67 weatherproof housing, submerge in up to 10' of water Full HD video resolutions Remote adjustable via RS-485 with VISCA protocol or OSD menu joystick Compatible with optional CV-RCP-V2 touchscreen with RCP protocol and free camera control software Wide range of image adjustment settings, including white balance, color, gain control, pedestal, white clip, exposure, gamma, and more

Marshall VS-PTC-300 PTZ Camera IP NDI Controller

Marshall VS-PTC-300 (VS/PTC-300, VS/PTC/300, VSPTC300, VS PTC 300) PTZ Camera IP NDI Controller The Marshall VS-PTC-300 PTZ NDI® Camera Controller is designed to operate seamlessly across multiple camera protocols on a single network. Used for live event production and content creation, the VS-PTC-300 offers detailed operation through a high-quality PTZ joystick, professional zoom rocker, and individual fine-tune adjustment knobs for iris, white balance, exposure, red/blue, shutter speed, focus, pan/tilt speed, and zoom speed. The VS-PTC-300 offers cross protocol mix-control on one controller operating RS232/RS422/RS485 and IP, as well as ONVIF, and VISCA over IP. The VS-PTC-300 can setup 7 cameras via RS232, 14 cameras via RS422, and 255 cameras via NDI/IP; all selectable through a single controller. Easy NDI®/IP camera discovery function automatically searches for all available NDI®/IP cameras on a network. The VS-PTC-300 can store up to 6 selectable ASSIGN function keys and save up to 256 camera presets with memory of image setting parameters. Dedicated knobs and control buttons simplify direct access to frequently used functions without needing to use on-camera menus.

Camgear 3S-Fix Mini T75/Cf2 Ms Carbon Fiber Tripod

Camgear 3S-Fix Mini T75/Cf2 Ms Carbon Fiber Tripod(CMG-3SF-T75-MINI-CF2-MS-TRIPOD, CMG3SFT75MINICF2MSTRIPOD, CMG/3SF/T75/MINI/CF2/MS/TRIPOD)  The lightweight 3S-FIX T75/CF2 2-Stage Carbon Fiber Tripod with 75mm Bowl and Mid-Level Spreader from Camgear is a two-stage, three-section tripod that provides support for rigs up to 110 lb. The carbon fiber tripod features a standard 75mm bowl, a mid-level spreader, and removable rubber feet. The legs secure with locking levers and can extend from 15.7 to 57.5 in height, and it breaks down to 28.3" in length for transport. The tripod features the 3S-FIX lock and release system, allowing you to set up and break down the tripod quickly and easily

Camgear Elite 8 Mini Cf Ms Tripod system

Camgear Elite 8 Mini Cf Ms Tripod system(CMG-EL8-MINI-MS-CF-TRISYS, CMGEL8MINIMSCFTRISYS, CMG/EL8/MINI/MS/CF/TRISYS) Add a full tripod system with a professional fluid head to support your camera rig with this Elite 8 Carbon Fiber Tripod System with 75mm Fluid Head & Mid-Level Spreader from Camgear. The system includes a 2-stage tripod with a mid-level spreader and an Elite 8 fluid head with a Touch & Go DV platform, a pan bar, a quick release camera plate, and a carry bag. The tripod system provides support for rigs up to 22 lb. The carbon fiber tripod features a standard 75mm bowl and a mid-level spreader to help steady the tripod. The legs secure with locking levers, can extend from 22 to 63.4" in height, and break down to 34.3" in length for transport. The folding tripod legs set up and break down the tripod quickly and easily. The Elite 8 fluid head features a 10-step counterbalance, four steps of pan and tilt drag, 360° panning, +90/-75° tilting, a TNG-DV camera plate with 1/4"-20 and 3/8"-16 camera screws, and a 75mm half ball base. The wheeled camRade tripodBag Traveler case is included to carry the entire system. Camgear 3S-FIX T75/CF2 2-Stage Carbon Fiber Tripod with 75mm Bowl & Mid-Level Spreader The lightweight 3S-FIX T75/CF2 2-Stage Carbon Fiber Tripod with 75mm Bowl and Mid-Level Spreader from Camgear is a two-stage, three-section tripod that provides support for rigs up to 110 lb. The carbon fiber tripod features a standard 75mm bowl, a mid-level spreader, and removable rubber feet. The legs secure with locking levers and can extend from 15.7 to 57.5 in height, and it breaks down to 28.3" in length for transport. The tripod features the 3S-FIX lock and release system, allowing you to set up and break down the tripod quickly and easily. Camgear Elite 8 Fluid Head Add a solid 75mm half ball fluid head to support your camera rig with this Elite 8 Fluid Head from CamGear. The Elite 8 supports payloads up to 22 lb and features a 10-step counterbalance system with 4-step drag control for smooth pans and tilts. The touch-and-go platform includes a quick release plate, and it has a sliding range of 2.75" to help balance your camera rig. Additional features include a touch-illuminated bubble level for easy leveling in lower light conditions, camera screw storage, both left and right pan handle rosettes, and a pan handle. It features 360° panning and -75/+90° tilt to achieve a variety of angles. The camera plate includes 1/4"-20 and 3/8"-16 camera mounting screws. camRade tripodBag Traveler The camRade tripodBag Traveler is a smooth-wheeled, box-shaped carry case designed for high-end tripods. The rectangular form highly reduces the risk of the case rolling off trolleys or conveyor belts, and the wheels take all the pressure off carrying the case. Featuring an interior length of 38.5", this case is ideal for tripod/head combos measuring up to 36" in folded length when you consider inserting included bumpers on the ends. The case features water-resistant 1000 denier Cordura material on the exterior, reinforced sides, and a soft padded interior for optimal protection against the elements and accidental bumps. There are multiple large, zippered pockets on the interior for neatly storing accessories. A padded suede shoulder strap is included, and a mesh fabric basket is also supplied that you can attach to your tripod legs for easy access to small items/tools during your shoot.

Camgear V10p Al Gs Tripod System

Camgear V10p Al Gs Tripod System(CMG-V10P-GS-AL-TRISYS, CMGV10PGSALTRISYS, CMG/V10P/GS/AL/TRISYS) Camgear V10P AL GS Tripod System (CMG-V10P-GS-AL-TRISYS). Tripod System incl. V10P Fluid Head, T100/AL2 Aluminium Tripod, Pan Bar PB-1, Ground Spreader GS-2 & Tripod Bag

Camgear V10p Cf Gs Tripod System

Camgear V10p Cf Gs Tripod System(CMG-V10P-GS-CF-TRISYS, CMGV10PGSCFTRISYS, CMG/V10P/GS/CF/TRISYS) Camgear V10P CF MS Tripod System (CMG-V10P-MS-CF-TRISYS). Tripod System incl. V10P Fluid Head, T100/CF2 Carbon Fiber Tripod, Pan Bar PB-1, Mid Level Spreader MSP-2, Rubber Feet RF-1 (x3) & Tripod Bag

Camgear V10p Al Ms Aluminum Tripod System

Camgear V10p Al Ms Aluminum Tripod System(CMG-V10P-MS-AL-TRISYS, CMGV10PMSALTRISYS, CMG/V10P/MS/AL/TRISYS) Tripod System incl. V10 Fluid Head, T100/AL2 Aluminum Tripod, Pan Bar PB-1, Mid Level Spreader MSP-2, Rubber Feet RF-1 (x3) & Tripod Bag

Camgear Efp150/Cf2 Gs Carbon Fiber Tripod

Camgear Efp150/Cf2 Gs Carbon Fiber Tripod(CMG-EFP150-CF2-GS-TRIPOD, CMGEFP150CF2GSTRIPOD, CMG-EFP150-CF2-GS-TRIPOD) The EFP 2-Stage Carbon Fiber Tripod with 150mm Bowl & Ground Spreader from Camgear is a two-stage tripod that provides support for rigs up to 220 lb. The carbon fiber tripod features a standard 150mm bowl and a ground spreader to help steady the tripod. The legs secure with locking levers and can extend from 21.2 to 62.6" in height, and it breaks down to 30.7" in length for transport. The folding tripod legs set up and break down the tripod quickly and easily.

Camgear Telescopic Pan Bar Pb-3

Camgear Telescopic Pan Bar Pb-3(CMG-TELE-PANBAR-3, CMGTELEPANBAR3, CMG/TELE/PANBAR/3) The Camgear Telescopic Pan Bar PB-3 is used with the V60 / V90 Studio Fluid Heads.

Camgear Efp100/Cf2 Gs Carbon Fiber Tripod

Camgear Efp100/Cf2 Gs Carbon Fiber Tripod(CMG-EFP100-CF2-GS-TRIPOD, CMGEFP100CF2GSTRIPOD, CMG/EFP100/CF2/GS/TRIPOD) The EFP 2-Stage Carbon Fiber Tripod with 100mm Bowl & Ground Spreader from Camgear is a two-stage tripod that provides support for rigs up to 220 lb. The carbon fiber tripod features a standard 100mm bowl and a ground spreader to help steady the tripod. The legs secure with locking levers and can extend from 21.2 to 62.6" in height, and it breaks down to 30.7" in length for transport. The folding tripod legs set up and break down the tripod quickly and easily.

Camgear T100/Cf2 Gs Carbon Fiber Tripod

Camgear T100/Cf2 Gs Carbon Fiber Tripod(CMG-T100-CF2-GS-TRIPOD, CMGT100CF2GSTRIPOD, CMG/T100/CF2/GS/TRIPOD) The CF2 GS 2-Stage Carbon Fiber Tripod with Ground Spreader from Camgear offers stable support for tripod heads with a 100mm half-ball base. This lightweight yet sturdy tripod supports camera rigs up to 88 lb and has a height range of 17 to 62.2". It features lever leg locks and has a folded length of 27.6". This tripod features spiked feet for a secure grip on rough terrain and an adjustable ground spreader with adjustable locking positions and a center ring to quickly collapse the tripod for transport.

Camgear 3S-Fix Efp100/Cf2 Gs Carbon Fiber Tripod

Camgear 3S-Fix Efp100/Cf2 Gs Carbon Fiber Tripod(CMG-3SF-EFP100-CF2-GS-TRIPOD, CMG3SFEFP100CF2GSTRIPOD , CMG/3SF/EFP100/CF2/GS/TRIPOD) 2-Stage 100mm bowl Tripod for EFP-work with 3S-FIX lock and release mechanism and Ground Spreader

Camgear Mark Al/Ms2 Aluminum Tripod

Camgear Mark Al/Ms2 Aluminum Tripod(CMG-MARK-MS2-AL-TRIPOD, CMG-MARK-MS2-AL-TRIPOD, CMG-MARK-MS2-AL-TRIPOD) Steady your gear with the lightweight, yet strong and solid, MARK AL/MS2 75mm Bowl Tripod from Camgear. Capable of handling loads up to 44 lb, this two-stage aluminum tripod is equipped with a quick-locking system for easy setup and is suited to a wide variety of applications. The MARK AL/MS2 is specially designed for use with MARK 4 and 6 fluid heads and comes with a fixed extendable mid-level spreader.

Camgear V10p Fluid Head (100mm Bowl)

Camgear V10p Fluid Head (100mm Bowl)(CMG-V10P-FLHEAD, CMGV10PFLHEAD, CMG/V10P/FLHEAD) The V10 100mm Fluid Head from Camgear is designed for use with small DSLR configurations, fully configured HDV cameras, and cameras with light ENG configurations. The V10 fluid head features a four-step pan & tilt drag, including "zero" position. The selectable multi-position counterbalance system allows for fine adjustments. This fluid head offers 100mm ball leveling and is equipped with a mini Euro plate quick-release system for fast camera setup.

Camgear Heavy-Duty Ground Spreader Gs-4

Camgear Heavy-Duty Ground Spreader Gs-4(CMG-GROUNDSPRDR-4, CMGGROUNDSPRDR4, CMG/GROUNDSPRDR/4) For OB/Studio, Elite 18, 20 & 25 Tripod Systems

Camgear V-Plate

Camgear V-Plate(CMG-VPLATE, CMGVPLATE, CMG/VPLATE) For V60S & V90S Fluid Heads

Camgear V15p Al Ms system (100mm Bowl)

Camgear V15p Al Ms system (100mm Bowl)(CMG-V15P-MS-AL-TRISYS, CMG/V15P/MS/AL/TRISYS) Camgear V15P Fluid Head real professional drag performance, selectable 6 positions pan & tilt drag including zero position, offer operators the silky smooth movement and precise framing. With selectable 9 position counterbalance including one boost button for ENG cameras. Thank to newly featured zero position, it can support the lightweight ENG camera as well. Camgears ENG/AL2 is a 2-Stage 100mm bowl aluminium tripod with sturdy and robust design, support upto 75 kgs/165.3 lbs, suitable for ENG application. I has double extension, ideal for wider variety of application and comes with extendable mid-level spreader.    

Camgear T75/Cf2 Gs Carbon Fiber Tripod

Camgear T75/Cf2 Gs Carbon Fiber Tripod(CMG-T75-CF2-GS-TRIPOD, CMGT75CF2GSTRIPOD, CMG/T75/CF2/GS/TRIPOD) The T75/CF2 GS 2-Stage Carbon Fiber Tripod with GS-2 Ground Spreader from Camgear offers stable support for tripod heads with a 75mm half-ball base. This lightweight yet sturdy tripod supports camera rigs up to 88 lb and has a height range of 17 to 62". It features lever leg locks and has a folded length of 27.6". This tripod features spiked feet and removable rubber feet for a secure grip on rough terrain and an adjustable GS-2 ground spreader with a center ring to quickly collapse the tripod for transport.

Camgear Telescopic Pan Bar Pb-2 (set of 2)

Camgear Telescopic Pan Bar Pb-2 (set of 2)(CMG-TELE-PANBAR-2, CMGTELEPANBAR-2, CMG/TELE/PANBAR/2) The Camgear Telescopic Pan Bar PB-2 is used with the V20, V25, and V35 Fluid Heads.

Camgear Elite 18 Cf Gs (100mm Bowl)

Camgear Elite 18 Cf Gs (100mm Bowl)(CMG-EL18-GS-CF-TRISYS, CMGEL18GSCFTRISYS, CMG/EL18/GS/CF/TRISYS) Camgear Elite 18 GS CF System (CMG-EL18-GS-CF-TRISYS). Tripod System incl. Elite 18 Fluid Head, 3S-FIX ENG/CF2 Carbon Fiber Tripod, Elite Telescopic Pan Bar ELPB-2 (set of 2), Ground Spreader GS-2 & Tripod Bag. The high payload capacity and incredibly wide payload range of 0- 25 kg/55.1 lbs makes the Elite 18 ideal for ENG/EFP field-based 4K/HD productions and small studio configurations as well. Its high reliability and robust design makes it ideal for portable broadcast cameras and camcorders and small field prompters. The Elite 18 tripod systems come with the matching patented Elite 3S-FIX Quick Lock & Release 100 mm 70 kg/154 lbs (ENG) or 110 kg/ 243 lbs (EFP) capacity tripod. The illuminated levelling bubble, sliding plate screw parking positions and the integrated screw key help to make your operation run smoothly.

Camgear Elite Telescopic Pan Bar Elpb-2 (set of 2)

Camgear Elite Telescopic Pan Bar Elpb-2 (set of 2)(CMG-ELTELEPB-2, CMGELTELEPB2, CMG/ELTELEPB/2) For Elite 18, Elite 20 & Elite 25 Fluid Heads / Tripod Systems

Camgear Elite 25 Efp Fluid Head (150mm Bowl)

Camgear Elite 25 Efp Fluid Head (150mm Bowl)(CMG-EL25-FLHEAD, CMGEL25FLHEAD, CMG/EL25/FLHEAD) Add a solid 150mm half ball fluid head to support your heavy camera rig with this Elite 25 Fluid Head from CamGear. The Elite 25 supports payloads up to 99.2 lb and features a 12+10-step counterbalance system with 10-step drag control for smooth pans and tilts. The touch-and-go platform includes a quick release plate, and it has a sliding range of 4.72" to help balance your camera rig. Additional features include a touch-illuminated bubble level for easy leveling in lower light conditions, camera screw storage, both left and right pan handle rosettes, and two pan handles for either side. It features 360° panning and -75/+90° tilt to achieve a variety of angles. The camera plate includes 1/4"-20 and 3/8"-16 camera mounting screws.

Camgear Mid Level Spreader Msp-2

Camgear Mid Level Spreader Msp-2(CMG-MIDSPREADER-2, CMGMIDSPREADER2, CMG/MIDSPREADER/2) The MSP-2 from Camgear is a mid-level spreader with a build-up radius between 11 to 18.1" for Camgear tripods.

Camgear Telescopic Pan Bar Pb-4 (set of 2)

Camgear Telescopic Pan Bar Pb-4 (set of 2)(CMG-TELE-PANBAR-4, CMGTELEPANBAR4, CMG/TELE-PANBAR/4) For DV6P, V10, V10P, V12, V15P & V20S Tripod Systems

Camgear Mitchell Adapter and Locking Knob

Camgear Mitchell Adapter and Locking Knob (CMG-MITCH-ADAPT, CMGMITCHADAPT, CMG/MITCH/ADAPT) For V60S EFP, V60S, V90S & OB/Studio Tripod Systems

Camgear T75/Al2 Gs Aluminum Tripod

Camgear T75/Al2 GS Aluminum Tripod(CMG-T75-AL2-GS-TRIPOD, CMGT75AL2GSTRIPOD, CMG/T75/AL2/GS/ TRIPOD) The T75/AL2 GS 2-Stage 75mm Aluminum Tripod with GS-2 Ground Spreader from Camgear offers stable support for tripod heads with a 75mm half-ball base. This lightweight yet sturdy tripod supports camera rigs up to 88 lb and has a height range of 13 to 60". It features lever leg locks and has a folded length of 27.6". This aluminum tripod features spiked feet for a secure grip on rough terrain and an adjustable GS-2 ground spreader with a center ring to quickly collapse the tripod for transport.

Camgear 3S-Fix T75/Cf2 GS Carbon Fiber Tripod

Camgear 3S-Fix T75/Cf2 GS Carbon Fiber Tripod(CMG-3SF-T75-CF2-GS-TRIPOD, CMG3SFT75CF2GSTRIPOD, CMG/3SF/T75/CF2/GS/TRIPOD) The lightweight 3S-FIX T75/CF2 2-Stage Carbon Fiber Tripod with 75mm Bowl and Ground Spreader from Camgear is a two-stage, three-section tripod that provides support for rigs up to 110 lb. The carbon fiber tripod features a standard 75mm bowl, a ground spreader, and rubber feet. The legs secure with locking levers and can extend from 13.8 to 59.4" in height, and it breaks down to 28.3" in length for transport. The tripod features the 3S-FIX lock and release system, allowing you to set up and break down the tripod quickly and easily.

Camgear 3S-Fix Efp150/Cf2 Gs Carbon Fiber Tripod

Camgear 3S-Fix Efp150/Cf2 Gs Carbon Fiber Tripod(CMG-3SF-EFP150-CF2-GS-TRIPOD, CMG3SFEFP150CF2GSTRIPOD,  CMG/3SF/EFP150/CF2/GS/TRIPOD) 2-Stage 150mm bowl Tripod for EFP-work with Ground Spreader

Camgear Tripod Adapter Ta-2

Camgear Tripod Adapter Ta-2(CMG-TRIPODADAPT-2, CMGTRIPODADAPT2, CMG/TRIPODADAPT/2) Camgear Tripod Adapter TA-2 (CMG-TRIPODADAPT-2) allows professional broadcast cameras to be attached to any VCT-14 style tripod. The Universal V-mount quick-release system allows for rapid transition from shoulder-mounted and tripod shooting. It features a red safety lever and a black lock lever to minimalize the chance of accidental dismounting of the camera.

Camgear Cine Ground Spreader Gs-3

Camgear Cine Ground Spreader Gs-3(CMG-GROUNDSPRDR-3, CMGGROUNDSPRDR3, CMG/GROUNDSPRDR/3) Stabilize your cine-style tripod with the Ground Spreader GS-3 from Camgear. This ground spreader has a robust load capacity of 309 lb and weighs 4.2 lb. It features rubber clasps for each tripod foot and a center knob to quickly pull up and fold the spreader for storage. The GS-3 spreader is compatible with Camgear OB/Studio, Elite 18, 20, and 25 tripods. Compatibility   Camgear OB/Studio, Elite 18, 20, and 25 tripods

Camgear Dolly S

Camgear Dolly S (CMG-DOLLY-S, CMGDOLLYS, CMG-DOLLY-S) The Dolly S from Camgear allows you to move the DV-6P and V10 tripod systems around without lifting them off the tripod. It can support up to 77.2 lb in weight.      

Camgear Eng/Cf2 Gs Carbon Fiber Tripod

Camgear Eng/Cf2 Gs Carbon Fiber Tripod(CMG-ENG-CF2-GS-TRIPOD, CMGENGCF2GSTRIPOD, CMG/ENG/CF2/GS/TRIPOD) The ENG 2-Stage Carbon Fiber Tripod with 100mm Bowl and Ground Spreader from Camgear is a two-stage, three-section tripod that provides support for rigs up to 165 lb. The carbon fiber tripod features a standard 100mm bowl, a ground spreader, and rubber feet. The legs secure with locking levers and can extend from 17.1 to 60.6" in height, and it breaks down to 28.3" in length for transport. The folding tripod legs set up and break down the tripod quickly and easily.

Camgear 3S-Fix T100/Al2 Gs Aluminum Tripod

Camgear 3S-Fix T100/Al2 Gs Aluminum Tripod(CMG-3SF-T100-AL2-GS-TRIPOD, CMG3SFT100AL2GSTRIPOD, CMG/3SF/T100/AL2/GS/TRIPOD) 2-Stage 100mm bowl Tripod with 3S-FIX lock and release mechanism and Ground Spreader

Camgear T100/Al2 Gs Aluminum Tripod

Camgear T100/Al2 Gs Aluminum Tripod(CMG-T100-AL2-GS-TRIPOD, CMGT100AL2GSTRIPOD, CMG/T100/AL2/GS/TRIPOD) The AL2 GS 2-Stage Aluminum Tripod with Ground Spreader from Camgear offers stable support for tripod heads with a 100mm half-ball base. This lightweight yet sturdy tripod supports camera rigs up to 88 lb and has a height range of 17 to 62.2". It features lever leg locks and has a folded length of 27.6". This tripod features spiked feet for a secure grip on rough terrain and an adjustable ground spreader with adjustable locking positions and a center ring to quickly collapse the tripod for transport.

Camgear Mid Level Spreader Msp-3

Camgear Mid Level Spreader Msp-3(CMG-MIDSPREADER-3, CMGMIDSPREADER3, CMG/MIDSPREADER/3) Camgear Mid Level Spreader MSP-3 (CMG-MIDSPREADER-3) for almost all Camgear Elite-Serie Tripods & Tripod Systems    

Camgear Elite Telescopic Pan Bar Elpb-4 (set of 2)

Camgear Elite Telescopic Pan Bar Elpb-4 (set of 2)(CMG-ELTELEPB-4, CMGELTELEPB4, CMG/ELTELEPB/4) Left & right for Elite 8, Elite 10, Elite 12 & Elite 15 Fluid Heads / Tripod Systems

Camgear 3S-Fix Eng/Cf2 Gs Carbon Fiber Tripod

Camgear 3S-Fix Eng/Cf2 Gs Carbon Fiber Tripod(CMG-3SF-ENG-CF2-GS-TRIPOD, CMG3SFENGCF2GSTRIPOD,  CMG/3SF/ENG/CF2/GS/TRIPOD) The 3S-FIX ENG/CF2 GS 2-Stage Carbon Fiber Tripod with Ground Spreader from Camgear offers stable support for camera rigs using a 100mm ball video tripod head. This lighter-weight tripod supports up to 154 lb, and it has a height range of 15.4 to 61" and a folded length of 29.1". It features quick 3S-FIX lever leg locks and magnetic leg catches that speed your setup and breakdown. This carbon fiber tripod features both spiked feet for a secure grip on rough terrain and a set of detachable rubber feet for smooth surfaces. It comes with an adjustable ground spreader for additional stability.

Camgear 3s-Fix T75/Al2 GS Aluminum Tripod

Camgear 3s-Fix T75/Al2 GS Aluminum Tripod(CMG-3SF-T75-AL2-GS-TRIPOD, CMG3SFT75AL2GSTRIPOD, CMG/3SF/T75/AL2/GS/TRIPOD) The 3S-FIX T75/AL2 2-Stage Aluminum Tripod with 75mm Bowl and Ground Spreader from Camgear is a two-stage, three-section tripod that provides support for rigs up to 110 lb. The aluminum tripod features a standard 75mm bowl, a ground spreader, and rubber feet. The legs secure with locking levers and can extend from 13.8 to 59.4" in height, and it breaks down to 28.3" in length for transport. The tripod features the 3S-FIX lock and release system, allowing you to set up and break down the tripod quickly and easily.

Camgear 3s-Fix Eng/Al2 Gs Aluminum Tripod

Camgear 3s-Fix Eng/Al2 Gs Aluminum Tripod(CMG-3SF-ENG-AL2-GS-TRIPOD, CMG3SFENGAL2GSTRIPOD, CMG/3SF/ENG/AL2/GS/TRIPOD) The 3S-FIX ENG/AL2 GS 2-Stage 100mm Aluminum Tripod with GS-2 Ground Spreader from Camgear offers stable support for video tripod heads with a 100mm ball base. This sturdy tripod supports camera rigs up to 154 lb and has a height range of 15.4 to 61" and a folded length of 29.1". It features quick 3S-FIX lever leg locks and magnetic leg catches that speed your setup and breakdown. This aluminum tripod features spiked feet for a secure grip on rough terrain and an adjustable GS-2 ground spreader with a center ring to quickly collapse the tripod for transport.

Idx 14.54V 49Wh micro V-mount Battery

Idx 14.54V 49Wh micro V-mount Battery(IMICRO-50P) The IMICRO-50P is the smallest battery pack in the world at this capacity. Rated at 49Wh, the IMICRO-50P meets the passenger aircraft carry-on limit while remaining useful in many diverse applications. The IMICROs size is beneficial for users with small equipment and gimbal set ups, and fits the new RED V-RAPTOR. The IMICRO-50P also includes one USB-C PD and one D-Tap outputs, V-Torch LED for use in dark environments and digital communications to display battery info via viewfinder on cameras such as ARRI and RED. Future accessories will make the Imicro Series your new go-to setup. *Compatible with UC-PD1 and UC-PD2 for USB-C PD charging

Sony Burano 8K Camera

Sony Burano 8K Camera(BURANO) Versatile, lightweight, and compact full-frame 8K cinema camera with 16 stops of latitude, image stabilisation for PL and E-mount lenses. Easily configurable for solo and team production. A New Era in Cinematography BURANO is a new concept in cinema cameras. It takes VENICE’s superior image quality and usability but re-imagines it for solo and small team productions. 33% lighter than VENICE 2, more power efficient and supporting CFexpress media – it’s not just our smallest full-frame CineAlta camera, in many ways it’s our most technically advanced. Expect uncompromising image quality wherever you are, whatever the size of your crew. Smarter Shooting BURANO makes shooting highest quality 8K simpler than you can imagine. The world’s first PL mount compatible camera with a built-in stabilisation system*. A ground-breaking combination of our unique electronic variable ND filter system with in-body image stabilisation (IBIS) in a full-frame PL and E-mount cinema camera. For the first time in a full-frame CineAlta camera, Fast Hybrid and Subject Recognition AF with AI makes it easier to get the shots you want under the most demanding scenarios. With BURANO, you don’t need a studio or big crew to excel. Shoot The Way You Want BURANO adapts to be the camera you want to be whatever the shoot. A multi-purpose touchscreen LCD monitor, with flexible mounting system and a versatile, robust handle, allow you to easily configure BURANO for different shooting styles. A lightweight, compact chassis and ergonomic balance make it easy to switch between shoulder-mount, handheld, gimbal or drone operation. BURANO can be configured for large and small projects, solo or with an entire crew. It’s all your choice. Full-Frame 8.6K Sensor BURANO has a large 36x24mm full-frame image sensor that delivers high-quality images and superb rendition with wide latitude and a rich colour gamut. It achieves the beautiful bokeh and dynamic wide-angle shooting that only a full-frame sensor can provide. 8K image quality with a maximum resolution of 8632 x 4856 and, through oversampling, it can output phenomenal looking 4K content. Multiple Image Scan Modes BURANO supports 16:9 and 17:9 readouts in full-frame (8.6K) and Super 35mm (5.8K). Image scan modes include full-frame and Super35 as well as finely optimised down sampled and high-speed modes such as 6K 60p (FF crop), 5.8K 60p (S35), and 4K 120p (S35 crop*) catering for a wide range of production requirements. *Only 17:9 in Super 35 Cropped (S25c) mode 16 Stop Latitude With a wide latitude of 16 stops*, BURANO captures beautiful, low-noise images under almost any lighting conditions. The camera’s wide dynamic range captures everything from highlights to shadows expertly with superb colour rendition, giving operators maximum flexibility in colour grading. * S-Log3 shooting. Sony measurements. Wide Colour Gamut BURANO features Sony’s signature S-Gamut/S-Gamut.Cine wide colour space that, as with the VENICE 2, covers a gamut exceeding BT.2020 and DCI-P3. S-Log3 and X-OCN also dramatically enhances creative flexibility in post-production. As BURANO offers the same colour accuracy as VENICE 2 it’s easy to use both cameras together for a seamless and efficient post-production workflow. Dual Base ISO Cinematographers worldwide love VENICE 2’s ability to switch the sensor’s sensitivity to capture clean images even in low light conditions. BURANO supports the same Dual Base ISO 800 and 3200 as VENICE 2. This means clear images with low noise whether shooting in a brightly lit environments (ISO 800) or in challenging dimly lit scenarios (ISO 3200). With BURANO, it’s possibly to shoot amazing imagery with nothing more than candlelight. Internal 16-bit X-OCN LT and XAVC H recording Despite its compact dimensions, BURANO offers internal recording of X-OCN LT* as well as our new XAVC H and proven industry standard XAVC-I format. X-OCN is Sony’s compressed RAW format that records everything that the 8.6K sensor can capture in a broad latitude 16-bit scene linear file full of rich tonal gradation. X-OCN LT’s high efficiency reduces storage requirements and accelerates file transfer times for 8K content for a post-production workflow that’s comparable to a 4K project. BURANO also features 10-bit S-Log3 with XAVC H-I HQ recording at 1200 Mbps and XAVC H-I SQ recording at 800 Mbps for 8K30p image quality. This enables even great data savings and faster post-production workflow. * Not compatible with X-OCN XT and X-OCN ST recording formats New in-camera Looks for Ready-to-Use Footage BURANO has four new looks – Warm, Cool, Vintage and Teal and Orange – to choose between alongside the established s709 and 709 (800) looks in Cine EI mode. Creatively tuned to suit typical shooting scenarios, they give the operator a choice of distinctive, engaging looks at the touch of a button. Moreover, LUT data from a shoot can be embedded in those clips’ metadata for an efficient colour workflow. s709: Kodak 2383-like natural tones and colours s709(800): Standard 709 tone curve for accurate colour reproduction Teal and Orange A modern, colourful, contrasty reformulation of the classic film look. With a strong separation between cool backgrounds and warm skin tones, it’s an ideal look for productions with a focus on human subjects. Warm A soft, gentle look with amber highlights, and flattering for skin. Cool Evokes the chill of a shadow, and the blue of twilight – ideal for midnight blue or the coolness of a city at dawn. Vintage Transports the camera’s high resolution cinema quality into a previous era. The look applies a film-like bleach bypass and faded, pale sepia effect. Lens Mount Flexibility PL Lens Mount BURANO comes with the industry-standard PL lens mount and is compatible with Super 35mm and full-frame PL lenses (spherical and anamorphic). The lens mount includes contacts that support Cooke/i Technology, and lens information is recorded as metadata, frame by frame.  Lever Lock Type E-mount E-mount lenses can be fitted when the PL mount adapter is removed. E-mount (lever lock type) gives users the ability to change lenses by rotating the locking collar rather than the lens itself, which means that in most cases lens support rigs don’t need to be removed, saving time during a production. Sony’s ever-increasing range of E-mount lenses, from ultra-wide to ultra-telephoto, are supported by the BURANO’s advanced image stabilisation and AF capabilities – ideal for mobile and single-operator projects. Anamorphic Lens De-Squeeze function BURANO comes with an anamorphic de-squeeze function as standard. The monitoring menu gives a choice from 1.3x/2.0x, based on the anamorphic lens’ magnification. The result can be seen on the LCD monitor display, and on external monitors at FHD resolution. The camera monitor output supports SDI or HDMI for X-OCN shooting, and HDMI for non-X-OCN content. In-Body Stabilisation with PL mount lenses BURANO is the world’s first cinema camera that supports in-body optical image stabilisation (IBIS) for almost any attached lens, including for the first time PL. The new, compact image stabilisation system was originally developed for the Alpha series of mirrorless cameras. Featuring a gyroscopic sensor and control algorithm, it compensates for camera shake even for handheld shooting while walking. The stabilisation is so effective that it removes the need for any extra equipment for many applications. Stabilisation is even greater with E-mount lenses, allowing more difficult shots to be captured without blurring. Camera shake data can be passed to post production for precise alignment with CGI and in volume stages. Electronic Variable ND Filter Sony’s unique electronic Variable ND Filter has been redesigned to be both smaller and compatible with the built-in image stabilisation mechanism. It can smoothly and continuously change its density from 0.6 (1/4) to 2.1 (1/128). With physical ND filters no longer needed, operators can adjust the electronic filter density by simply rotating the ND dial. Operators can maintain a constant depth of field by adjusting the electronic ND filter and the iris control together. Continuous or stepped changes can be selected with the ND STEP/VARIABLE switch, depending on the application. The [Auto ND] function automatically adjusts the filter density to give a correct exposure, effectively allowing the use of the ND filter as an alternative Auto IRIS. Catch the action with Fast Hybrid AF* Effortlessly track fast moving subjects with pin-sharp focus, even when using wide lens aperture settings to maintain a shallow depth of field with BURANO’s full-frame sensor. Originally developed by Sony’s Alpha camera engineers, enhanced Fast Hybrid AF combines phase detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. In addition, Face Detection intelligently recognises and locks on to human faces. The dedicated 627-point phase detection AF sensor covers approximately 88.7% of the whole image area, allowing consistently accurate, responsive AF tracking, even with shallow depth-of-field. AI Subject Recognition AF with touch* Our onboard AI processing unit recognises not only eye position but also accurately senses human torso and head positions. Subject Recognition AF automatically draws a frame around people’s faces when they are detected. Human pose estimation technology recognises body and head position, so you can even track a subject facing away from the camera or wearing a mask. Touch a person to focus on, and the camera will track that person precisely. Even in challenging situations like a bowed head or when hair covering a face, the camera accurately captures the eyes, so that operators can focus accurately even in the most difficult circumstances. * Over 70 E-mount lenses can use BURANO’s advanced Hybrid AF and AI Subject Recognition AF features Virtual Production made simple Up to 8K recording, 16-bit colours and a very fast sensor readout speed allow cinematographers to focus on the art of shooting virtual sets rather than technical compromises. The flawless synch with advanced Crystal LED controllers is unique in the industry. Dual CFexpress Type B Slots Sony’s new CFexpress card VPG400 allows for reliable capture at exceptional high data rates, including X-OCN LT recording in full 8K. BURANO’s dual media slots allow relay and simultaneous recording*, while versatile CFexpress Type B media are convenient for backing up and transferring data in the field. An additional SD card slot is for storing Proxy and camera setting information. * XAVC-only Smaller, Lighter, Stronger At 2.9 kg including the PL adaptor, BURANO is approximately 33% lighter than Sony’s top-of-the-line VENICE 2 digital cinema camera – a significant advantage when shooting hand-held or shoulder mounted, as well as when using with gimbal, drone, cranes and jibs. All the button and key layouts have been carefully considered to suit the new compact size and solo or team operation. The main cinematography controls are on the Operator Switch Side and can be illuminated for use in dark environments. The camera has tally lights in three positions, so operators can check status from four different directions. There’s also an optional audio beep for recording start and stop. Despite its compact size, BURANO is engineered to Sony’s highest standards of reliability with a housing constructed of sturdy magnesium alloy and aluminium for shooting in the harshest environments. Recording for hours on end is no problem with a highly efficient cooling system which is completely isolated from image sensor and other dust sensitive components. Exceptional ergonomics Intuitive Menu Control with Touch BURANO’s LCD Monitor has a quick access control menu for commonly accessed features. With a single touch, you can press to change key settings including: Codec, Imager Scan mode, Picture Size and frequency Base ISO/Sensitivity Shooting Mode Audio Levels Versatile Monitor BURANO features a 3.5 type LCD monitor that can be freely adjusted to suit the shooting style. A viewfinder loupe can be attached, autofocus is operated by touching the screen, and the display can also be mounted in a wide variety of ways to adapt to the project style. Smart Grip Flexibility Popular with operators around the world, the FS7/FX9 telescoping arm with grip control transformed shooting on the go and now with GP-VR100* we’ve made it even better for BURANO. The arm’s length is easily adjustable at the turn of a knob, while a quick-release lever adjusts the angle. Once perfectly adjusted for shooting from your shoulder or waist, Sony’s Grip Remote Control puts all the important controls at your fingertips with Zoom, Start/Stop and a range of Assign controls, including a dial you can use to adjust Iris. So, you can operate BURANO without taking your hand off the grip.

Hawk-Woods 26V 150Wh B-lock Lithium-Ion Battery

Hawk-Woods 26V 150Wh B-lock Lithium-Ion Battery(BL-150) Power your native 24V cinematic camera with this 150Wh B-Lok B-Lok 26V B-Mount Lithium-Ion Battery from Hawk-Woods. The lithium-ion battery features a B-mount interface, which makes it compatible with ARRI cameras like the ALEXA LF, ALEXA, AMIRA, and ALEXA Mini, as well as the high-speed Phantom Flex4K. It boasts 26V power, making it a very reliable, flight-safe solution that is ideal for larger production rigs that employ maximum on-board power. Two outputs provide power options for additional equipment via multi-directional 12V D-Tap and USB-C ports, and communication with ARRI equipment enables users to always know status details, such as time or percentage of battery life remaining.  

Hawk-Woods 26V 98Wh B-lock Lithium-Ion Battery

Hawk-Woods 26V 98Wh B-lock Lithium-Ion Battery(BL-98) Welcoming the smallest capacity B-Lok battery manufactured by Hawk-Woods to support ARRI's new B-Mount lock in system is the BL-98 battery. Equipped with the latest high draw Li-Ion battery cells and using Hawk-woods long standing solid case design these batteries will not let you down! The BL-98 outputs a straight 26 volts to suit all ARRI equipment new and old with the charged voltage peaking at 29.4v. All B-Lok batteries in the family provide 2x power outputs for powering further equipment around the camera rig, as standard these will be a multi-directional 12v D-Tap and a USB-C. The batteries will also provide direct communications with ARRI equipment allowing the user to select time remaining or percentage remaining.

Hague D5T Camera Tripod Tracking Dolly Kit

Hague D5T Camera Tripod Tracking Dolly Kit(HAG-D5T) The Hague D5T Tripod Tracking Dolly Kit is a quick and easy to use system that has been designed to create super smooth tracking shots with your own tripod. The dolly has two sets of locating holes for the tripod legs which means the tripod can be used in both high and low positions. It has eight radial ball bearing wheels which set the track width to the correct positions as the dolly moves down the track. As a result the track does not require additional supports going between the two sides of track which makes it quicker to set-up and also allows the dolly to pull the track into place which makes it run smoother. The D5T Tripod Tracking Dolly is ideal for use on location or in the studio, all you need is a reasonably flat surface. The dollies width has been set to allow it to go through the majority of doorways and it has its own levelling system which prevents any rocking should the track be on slightly uneven ground. It runs on 40mm diameter track and is supplied with eight 1.5m lengths which provides a 6m run. The dolly will accept all tripods that have feet smaller than 45mm in diameter or with a base spreader and 3 straps are supplied for securing your tripod to the dolly.

Samyang V-Af 35mm T1.9 Sony Fe-6854

Samyang V-Af 35mm T1.9 Sony Fe(6854) UNIFIED FORM FACTOR – COMPACT & LIGHT The V-AF increases compatibility with gimbals and drones by applying the unified form factors with its 5 different focal lengths (Ultra-Wide to Medium-tele). By providing a compact size of 73 X 70mm and a light-weight of less than 300g, there is no need to re-set the equipment when changing the lenses. TALLY LAMP - EXCELLENT USABILITY The lamp located on the front and mount index helps the user to check whether a video is recorded or not while shooting. It supports video content creation more conveniently even in a small space without a lot of equipment. SUPPORT 8K AND THE SAME COLOUR TONE The new V-AF series supports resolutions up to 8K in a small and lightweight form, which is well suited for use with handheld gimbals and drones, as well as for studios and location productions. All lenses within the new V-AF series are color-matched to avoid shifts when swapping lenses, and the 9 aperture blades allow for a natural-looking bokeh. CUSTOM SWITCH & BUTTON   Features the 'Focus save' function usually in professional cine equipment and custom mode that adds function by firmware, which provides video-specific functions for students and amateur users who dream of cinematographers.

Samyang Af 135mm F1.8 Sony Fe

Samyang Af 135mm F1.8 Sony Fe(8029) SUPERB RESOLUTION Unsparing application of Samyang's most advanced optical technologies has produced a large-aperture prime telephoto lens that delivers outstanding corner-to-corner resolution. The AF 135mm F1.8 FE delivers an 18.9° angle of view for full-frame and 12.5° for APS-C. It features a bright maximum aperture of F1.8, as favoured by full-frame camera users. In particular, optimum resolution is achieved through the optical design of 13 elements in 11 groups (1 U-ASP, 2 HR and 3 ED). Combined with Sony's full-frame image sensor, this lens delivers superior sharpness and contrast in all areas of the image. ABLE TO DELIVER EXTREMELY NARROW DEPTH OF FIELD, WITH BEAUTIFUL BOKEH The AF 135mm F1.8 FE uses a large-diameter aperture to provide smooth background blur. It effectively allows separation of the subject from the background, by using a shallow depth of field. Also, it is equipped with a UA (Ultra-precision Aspherical) lens, which delivers natural and refined bokeh. Using this smooth bokeh, you can freely create images highlighting your subjects against stunning backgrounds, whether shooting portraits, close-ups or even cityscapes. FAST AND QUIET AUTO FOCUS PERFORMANCE Tracking the subject accurately and quickly, the AF also operates quietly and smoothly when shooting video. Samyang's Linear STM (Stepping Motor) satisfies both photographers and videographers with quieter and more accurate control of the focusing lens groups. ENHANCED OPERABILITY AND RELIABILITY Important features include customisable: Focus Hold button, Custom Switch and Focus Range Limiter. Overall, this is a lens that meets and exceeds professional requirement for control and reliability, for both stills and movies. Focus Hold Button Pressing this button on the lens will keep the lens locked to that focusing distance. You can assign functions such as Eye AF in settings on the camera body. Custom Switch There is a custom switch, which can be set to allow adjustment of the aperture silently by rotating the focus ring. Using the optional Lens Station, you can set up the mode to suit your own preference*. (*More functions will be added through firmware updates in the future) Focus Range Limiter switch The Focus Range Limiter only operates in AF mode, but can be useful to speed up focusing once the distance from an object has been determined: Focus Range Limiter is moved forward or backward to select the focus range as follows: FULL: The AF range is set between infinity and the minimum focus distance of 0.69m. 0.69m - 2m: The AF range is set between 0.69m and 2m, suitable for close-up shooting. 1.5m - Infinity: The AF range is set from 1.5m to infinity, which is suitable for normal shooting. SHORT MINIMUM FOCAL DISTANCE OF 0.69M Although this is a 135mm telephoto, Samyang has managed to effectively control aberration at all focusing distances. It has also achieved a minimum focus distance of just 69cm (2.26ft) and a maximum magnification of 0.243x for close-up photography. Small accessories and other subjects can be captured with remarkable resolution and beautiful, soft background bokeh. MODERN DESIGN AND WEATHER-SEALING   The AF 135mm F1.8 FE has been developed and enhanced, taking into consideration not only the design features but also the user's shooting environment. It has a micro-patterned rubber focus ring, which feels great to operate and the weather-sealing protects the lens from light rain, snow and dust.

Samyang V-Af Mf Adapter

Samyang V-Af Mf Adapter(6860) Dеѕіgnеd fоr thе V-АF lеnѕ ѕеrіеѕ, thіѕ Ѕаmуаng Маnuаl Fосuѕ Аdарtеr ехраndѕ thе сrеаtіvе роѕѕіbіlіtіеѕ. Іt fеаturеѕ uр tо 300° fосuѕ trаvеl fоr а ѕmооth trаnѕіtіоn tо сарturе рrесіѕе іmаgеѕ. Оnсе thе аdарtеr іѕ аttасhеd, thе fосuѕ rіng turnѕ іntо аn ареrturе rіng tо ѕіmрlіfу уоur wоrk. Тhе bауоnеt mоunt еnаblеѕ ѕесurе аttасhmеnt, whіlе thе lіghtwеіght dеѕіgn еnѕurеѕ еаѕу hаndlіng.

Samyang VDSLR 35mm T1.5 MK2 Canon EF

Samyang Vdslr 35mm T1.5 Mk2 Canon Ef (8834) The Samyang VDSLR 35mm T1.5 MK2 Canon EF is a professional full frame cine lens designed for filmmaking, video production, documentaries, interviews and cinematic content creation workflows. Featuring a fast T1.5 aperture, industry-standard geared focus and iris rings, and full frame image coverage, the 35mm MK2 delivers cinematic depth of field, low-light performance and smooth manual focus control for professional video production. The 35mm focal length is one of the most versatile and widely used focal lengths in filmmaking, ideal for interviews, handheld shooting, documentaries, gimbal work and narrative production. Designed specifically for filmmakers, the MK2 series includes de-clicked aperture control, dual-sided focus scales, weather sealing and unified gear positioning for fast professional cine workflows.   The compact lightweight construction also makes the lens ideal for handheld rigs, gimbals, Blackmagic cinema cameras, Canon cinema cameras and mirrorless filmmaking setups.

Samyang Mf 85mm F1.4 Nikon z

Samyang Mf 85mm F1.4 Nikon z(7664) Z MOUNT LENS FOR BEAUTIFUL BOKEH FIRST Z MOUNT LENS The MF 85mm F1.4 Z with a total of 9 elements in 7 groups. A H-ASP lens minimizes various aberrations and maximizes the image quality and contrast from center to corner even when using a wide open aperture. Applied ultra-multi-coating for low reflectivity and excellent contrast and enables high transmittance of light while minimizing flare and ghost effects. This lens is recognized as the optimal lens for beautiful bokeh with exceptional performance at wide open apertures. ADOPTED SPECIAL OPTIC LENSES FOR CRYSTAL RESOLUTION The use of H-ASP lens for minimizing distortion extremely and various aberrations in high resolution. Flare and ghost effects are also well-controlled by ultra-multi-coating technology from Samyang. 8 CURVED BLADES, GIVING A NEAR-CIRCULAR APERTURE With the round-shaped aperture with 8 curved blades, the MF 85mm F1.4 Z creates a soft mood in your photographs with beautiful bokeh, especially in shots of portrait, snap and city lights where the background is out of focus. MANUAL TELEPHOTO LENS FOR Z MOUNT The MF 85mm F1.4 Z produces incredible, vivid colours and soft pleasing out-of-focus areas, providing the tool creative photographers dream of. WEATHER SEALING DESIGN FOR PROTECTION FROM EXTERNAL INFLUENCES Weather sealing covers even these small spaces to effectively protect the lens from dust and rain. This protective design enables users to capture the moment outdoors in any environment, providing the dependability you need to keep shooting. BRIGHT APERTURE OF F1.4   The MF 85mm F1.4 Z is designed with an F1.4 bright aperture and is perfect for low light photography, particularly in portraits. Its soft bokeh does not distract from the main subject.

Samyang Mf 85mm F1.4 Mk2 Ae Nikon f

Samyang Mf 85mm F1.4 Mk2 Ae Nikon f(7123) CLASSICS EVOLVED NEW DE-CLICK FEATURE FOR FILMING Samyang 85mm has been one of the most beloved lens from the lineup thanks to its exceptional image quality with expressive characteristics. The new MF 85mm F1.4 MK2 introduces enhanced usability with de-click along with weather sealing. The round bokeh and outstanding optical system creates unforgettable images of your loved ones. It is ideal for top quality portraiture and still images with its vivid colours and smooth out-focus quality. DE-CLICK FUNCTION FOR VIDEO FILMING When shooting video, it is pivotal to capture the object maintaining the same brightness even when you're changing the aperture. Here is the new feature for filming with MF 85mm. Switch the silver ring from "Click" to "Free", then your aperture is now not stopped at every aperture as cine lenses do. This "Declick" will help you adjust the brightness continuously and smoothly with much more details between the F stops SMOOTH BOKEH FOR PORTRAITS In terms of the “bokeh” performance, its 9-rounded aperture blades which will help you achieve excellent “bokeh” results. The space between the subject and background wil be effectively seperated and make the subject more eye-catching. Its 9 aperture blades provide clearly defined sunstars when the aperture is stopped-down MASSIVE IMAGE QUALITY of Beloved Lens The new MF 85mm F1.4 MK2 features a total of 9 elements in 7 groups. Samyang use 1 Hybrid Aspherical glass to minimize spherical and distortion aberration for sharp image quality. It will capture the detailed emotion of subjects in most beautiful way WEATHER SEALING AND UPDATED DESIGN*   Environmental seals are located at the lens mount area to prevent infiltration of moisture and/or rain drops. This feature provides an additional layer of protection when shooting outdoors under adverse weather conditions. Also, MF 14mm F2.8 MK2 has the new micro patterned rubber focus ring to lower the contaminations and increase the grip. The product design is updated with new components and fonts to convey sophisticated and modern look.

Samyang Af 12mm F2.0 Fuji x

Samyang Af 12mm F2.0 Fuji x(7080) BEST CHOICE FOR LANDSCAPES, ASTROPHOTOGRAPHY AND INTERIORS Samyang’s manual-focus MF 12mm F2.0 has long been one of its bestsellers and it has now been redesigned with advanced autofocus technology for Fujifilm camera users! This new prime lens is Samyang’s first autofocus lens to be compatible with the Fuji X mount and it performs optimally on Fujifilm mirrorless cameras (with X-Trans sensor). It's the perfect option for APS-C users who want an ultra-wide-angle AF lens. Perfectly matched to an APS-C camera and gimbal, since it's very compact and lightweight. Includes useful features as well as new modern design to meet photographers' needs. CAPTURE NATURAL COLOURS AND A WIDER ANGLE OF VIEW WITH FUJIFILM CAMERAS This lens features convenient functions and a new design that is optimised for shooting magnificent landscapes that go beyond the normal viewing angle. Used with the Fujifilm X Series mirrorless cameras, the Samyang AF 12mm F2 X provides a 99.1° ultra-wide field of view. Fujifilm X Series camera users can now shoot wider landscapes, harmoniously blending with the surrounding background. EXCELLENT RESOLUTION IN ALL AREAS OF THE IMAGE The AF 12mm F2 X delivers outstanding image quality, so you can capture that starry night in much clearer detail. Incorporating 5 special elements (1 H-ASP, 1 ASP, and 3 ED) plus Ultra Multi-Coating, it achieves exceptional resolution image quality from the centre to the edges of the frame, even wide-open at its F2.0 maximum aperture. With the advanced optical design, the Minimum Focusing Distance is only 20cm, so you can easily capture close-ups and indoor images, with reduced backlight haze. COMPACT SIZE & LIGHTWEIGHT WITH NEW DESIGN FOR FUJIFILM X-SERIES CAMERAS The AF 12mm F2 X lens has a length of 59.2mm (2.3in) and a weighs just 212g (7.5oz). The matte finish and the subtle red ring (dependent on viewing angle) give it a modern feel. Usability has been enhanced by considering not only the design but also the users’ shooting environment. There is a micro-patterned rubber focus ring, so it feels good to operate and there is also weather sealing and rear protective glass to protect the lens from light rain, snow, and dust. BRIGHT F2.0 APERTURE CREATES IMPRESSIVE BACKGROUND BLUR AND BOKEH The AF 12mm F2 X lens uses a large-diameter aperture to provide smooth background blur. It effectively separates the subject and the background using a shallow depth of field to capture a unique image of an ultra-wide-angle in which the background is compressed. The 7-blades produce smooth and natural bokeh with light splitting. SHORT M.O.D (0.20M) The minimum object distance is a very close 20cm, so it can be used to capture much more, in a variety of ways. It makes it easier to take portraits with exaggerated perspective, food on tables, and interior shots in narrow spaces. FAST AND QUIET AF PERFORMANCE   The AF 12mm F2 X tracks the subject accurately and quickly, whilst the AF operates quietly and smoothly in video recording mode. Samyang's Linear STM (Stepping Motor) satisfies both photographers and videographers with quieter and more accurate control of the larger and heavier focusing lens groups. In particular, it is advantageous for video shooting as this lens is suitable for use on a gimbal, in combination with the small and light Fujifilm X series cameras.

Samyang Af 18mm F2.8 Sony Fe

Samyang Af 18mm F2.8 Sony Fe(8011) TINY BUT SUPER WIDE BREATHTAKINGLY LIGHTWEIGHT WITH SUPER WIDE ANGLE OF VIEW, Tiny but amazing in performance. The AF 18mm F2.8 FE is the first ultra-wide-angle lens from the Tiny series lineup. Its unbelievable lightweight (145g), super wide-angle of view (100˚), easily holdable in one hand, high performance and spectacular design make this lens perfect for mirrorless cameras and offer incomparable satisfaction to the users. A TINY, ULTRA-LIGHTWEIGHT LENS At 145g (excl. hood & cap), this is the most lightweight & compact lens in the current AF 18mm wide-angle segment. Without a heavy lens weighing you down, you can effortlessly photograph every precious moment. A PRIME LENS WITH 8 SPECIALIZED ELEMENTS A prime lens that contains 8 specialized elements out of 9 in total (3 aspherical, 2 high refractive, 3 low dispersion) means a high level of sharpness, with low chromatic aberration and minimal distortion, for excellent landscape pictures, indoor shots, travel photos, and astrophotography...all in high definition, with clear colours, allowing a beautiful finish to any photograph. EMPLOYS A LINEAR STEPPING MOTOR The lens delivers fast & stable autofocusing by using a Linear Stepping Motor. The enhanced Samyang AF turns every moment into a work of art you can experience. A WIDE-ANGLE LENS WITH DEPTH With the full-frame 100˚ angle of view of the AF 18mm F2.8 FE, you can capture sweeping vistas in one magnificent shot. Its ability to demonstrate a broad depth and perspective enables every photographer to show off their creative side. THE ULTIMATE TRAVEL COMPANION With minimal size, a wide angle-of-view and amazing definition, travellers can capture every magical vacation moment. The lens combines Samyang’s signature refinement and colour rendering, all in one lightweight lens, made for travel. A MULTI-USE LENS FOR ANY OCCASION   Whether you want to capture nature’s magnificence with a gimbal for stabilized filming, or even a drone, the AF 18mm F2.8 FE is the perfect compact lens to fulfil all your photography needs.

Samyang Vdslr 14mm T3.1 MK2 Micro 4/3

Samyang Vdslr 14mm T3.1 MK2 Micro 4/3(8820) The Samyang VDSLR 14mm T3.1 MK2 is a compact, high quality, fast prime cine lens, available in several mounts. It has full-frame coverage and is optimised for use on video, DSLR and mirrorless cameras. Whether this is your first dedicated cine lens or you are simply looking for amazing performance from compact glass, the MK2 version inherits the superb optics and build quality from the previous model, but has several added features for enhanced performance and handling. All models in the VDSLR MK2 range have unified focus and aperture gear ring positions. This allows for easy changing of lenses without having to adjust follow-focus systems and rigs. For added convenience and professional usage, focus scales, apertures and focal lengths are visible on both sides of the lenses. The new 9-bladed aperture delivers smooth and circular bokeh, which adds a three dimensional quality to the subject and pleasing out-of-focus effects. An 18-ray starburst highlight effect can also be created by stopping down to small apertures. Weather-sealing now protects the most vulnerable gap between the lens and camera mount, to prevent dust, light rain and snow from penetrating. It provides the ability and confidence to capture stunning images in less than perfect conditions. Due their compact dimensions and light weight, Samyang VDSLR MK2 lenses are ideal for use handheld, with gimbal, on car mounts and drones. They offer an ideal way to experience the quality of genuine cine lenses on a low budget, for high quality video making. They are especially popular with YouTubers.

Samyang Mf 14mm F2.8 Nikon Z

Samyang Mf 14mm F2.8 Nikon Z(7633) The new MF 14mm F2.8 Z lens adopts a manual focus system with easy adjustment. You can find excellent sharpness even with the largest aperture. The 115.7˚ wide angle of view enables you to create exceptional images with a great feeling of depth and space from landscape to interiors and more. ADVANCED OPTICAL TECHNOLOGY FOR EXCELLENT RESOLUTION The MF 14mm F2.8 Z contains - ASP, H-ASP, ED and HR lenses to adjust the course of light comes and deliver clean yet lively images to the sensor. Flare and ghost effects are well-controlled by Samyang ultra-multi-coating technology. WIDE ANGLE PHOTOGRAPHY WITH SAMYANG’S BESTSELLER With 115.7˚ wide angle of view, the MF 14mm F2.8 Z produces images with a great feeling of depth and space from wide landscapes, interiors to wide field astrophotography. The built-in petal-shaped lens hood effectively blocks unnecessary stray light and maximizes image quality. WEATHER SEALING DESIGN FOR PROTECTION FROM EXTERNAL INFLUENCES Weather sealing covers even these small spaces to effectively protect the lens from dust, light rain and snow. This protective design enables users to capture the moment outdoors in any environment, providing the dependability you need to keep shooting. MANUAL WIDE ANGLE LENS FOR NIKON Z MOUNT   As Samyang’s first lens for Nikon Z mount, MF 14mm F2.8 Z is also Samyang’s bestseller and steady seller. This attractive manual lens provides a burst of creativity for the users with the depth and easy adjustability of the focus.

Samyang Xeen Cf 50mm T1.5 Pl

Samyang Xeen Cf 50mm T1.5 Pl(7245) CARBON FIBER - COMPACT & FLEXIBLE By applying carbon fiber, which is lighter than metal but solid and beautiful, to the lens body tube, it remains lightweight while maintaining durability. It is designed to be small and light so it can be mounted on numerous cameras and used more flexibly in a variety of environments. 8K & CINEMATIC LOOK It has the outstanding resolution supporting a large image sensor and 8K. Additionally, it offers beautiful bokeh with a bright T1.5 aperture and maximize the delicate emotions of people while richly depicting the shot. X-COATING By applying our proprietary X-coating technology, it effectively controls the reflection of light inside and within the lens itself to create a distinctive look. Properly utilizing flares and ghosting, you can create dramatic effects. OUTSTANDING USABILITY The front aperture (95mm), focus, and aperture ring gear positions are unified, making it easy and convenient to attach and detach lens accessories such as Matte Box and Follow Focus. In addition, the ultra-bright luminous font allows for convenient use in dark environments. Ø95 Front Size Designed to 95mm standard front diameter size it is compact in size and easily compatible with Matte Box Carbon Fiber Carbon fiber is applied to part of the body tube, making it both light and durable Compatible with the large image sensors Compatible with the latest cameras that adopt large image sensors such as Full Frame, Large Format, and Vista Vision PL, EF, E mount Three mount options for mounting on a variety of cameras * LPL mounting is available when using an adapter 11 sheet aperture 11 sheets are applied for bokeh close to original and beautiful background blur X-Coating Provides a distinctive look by controlling internal reflection, flare, and ghosting, and produces dramatic images Luminous font All scales, including focal length and aperture values, are treated with bright fluorescent paint for convenient use, even in low light environments Improvement of Focus, Aperture Gear usability Focus ring and aperture ring locations are uniform across all models, gear design and weight were improved for rotation Wide Focus Gear rotation angle 200 ° wide angle of rotation enables fine focus adjustment Bidirectional Scale The focus and aperture values are displayed on both sides of the lens, enabling easy verification and operation from either side Dramatic Portraits XEEN CF, compatible with the latest Digital Cinema Camera, can express the dramatic emotions of a performer in a rich and delicate manner. Crystal Clear Resolution Optimized for the latest image sensors and seamlessly compatible with the latest cameras. Supporting 8K, XEEN CF delivers superior resolution for more vibrant landscapes and detailed depictions. Sharp and Rich Image Excellent sharpness and colour optimized for skin tone shows excellent results with subtle emotional expression. Dimensional Look Sense of depth is expressed able to be expressed more freely, allowing you to shoot images with excellent sense of dimensionality and space. Increase the focus on the main performers and the beautifully blurred background adds to the beauty of the image. Cinematic Halation Effect   Proprietary X Coating technology effectively controls flares and ghosting while reducing unwanted light reflections providing a halation effect for dramatic expression.

Samyang Xeen Meister 50mm T1.3 PL

Samyang Xeen Meister 50mm T1.3 PL(7067) 8K & FASTEST T1.3 FULL FRAME CINE LENS XEEN Meister has the outstanding resolution supporting 8K on the full-frame cameras. It is the fastest full-frame cine prime lens with T1.3, producing excellent low-light performance. Additionally, a bright T1.3 aperture maximizes the dramatic effect with an extremely shallow depth of field. 13 sheets of aperture blades create the natural-looking background and round bokeh to express the delicate emotions of people while richly depicting the shot. LENS META DATA RECORDING It supports /i Technology protocol(PL mount only), which enables cameras to automatically record the accurate lens meta data. This makes production and post-production more effectively. PREMIUM MATERIAL, PREMIUM DESIGN XEEN Meister adopts the premium material and premium design in the spirit of craftsmanship. Titanium is applied to the front barrel, enabling this lens more durable. The 114mm standard front diameter size and the unified positions of the aperture and focus gear rings, making it easily attach and detach lens accessories such as Matte Box or Follow Focus. OUTSTANDING USABILITY It can be mounted on various cameras for three mount options: PL, Canon EF, and Sony E mount. All scales, including focal length and aperture values, are on both sides of the lens and with the luminous font that glows in the dark, enabling convenient verification and operation, even in low light environments. 300 ° wide focus gear rotation angle makes you adjust focus minutely.

Samyang Xeen Cf 16mm T2.6 Pl

Samyang Xeen Cf 16mm T2.6 Pl(7236) CARBON FIBER - COMPACT & FLEXIBLE By applying carbon fiber, which is lighter than metal but solid and beautiful, to the lens body tube, it remains lightweight while maintaining durability. It is designed to be small and light so it can be mounted on numerous cameras and used more flexibly in a variety of environments. 8K & CINEMATIC LOOK It has the outstanding resolution supporting a large image sensor and 8K. Additionally, it offers beautiful bokeh with a bright T1.5 aperture and maximize the delicate emotions of people while richly depicting the shot. X-COATING By applying our proprietary X-coating technology, it effectively controls the reflection of light inside and within the lens itself to create a distinctive look. Properly utilizing flares and ghosting, you can create dramatic effects. OUTSTANDING USABILITY The front aperture (95mm), focus, and aperture ring gear positions are unified, making it easy and convenient to attach and detach lens accessories such as Matte Box and Follow Focus. In addition, the ultra-bright luminous font allows for convenient use in dark environments. Ø95 Front Size Designed to 95mm standard front diameter size it is compact in size and easily compatible with Matte Box Carbon Fiber Carbon fiber is applied to part of the body tube, making it both light and durable Compatible with the large image sensors Compatible with the latest cameras that adopt large image sensors such as Full Frame, Large Format, and Vista Vision PL, EF, E mount Three mount options for mounting on a variety of cameras * LPL mounting is available when using an adapter 11 sheet aperture 11 sheets are applied for bokeh close to original and beautiful background blur X-Coating Provides a distinctive look by controlling internal reflection, flare, and ghosting, and produces dramatic images Luminous font All scales, including focal length and aperture values, are treated with bright fluorescent paint for convenient use, even in low light environments Improvement of Focus, Aperture Gear usability Focus ring and aperture ring locations are uniform across all models, gear design and weight were improved for rotation Wide Focus Gear rotation angle 200 ° wide angle of rotation enables fine focus adjustment Bidirectional Scale The focus and aperture values are displayed on both sides of the lens, enabling easy verification and operation from either side Dramatic Portraits XEEN CF, compatible with the latest Digital Cinema Camera, can express the dramatic emotions of a performer in a rich and delicate manner. Crystal Clear Resolution Optimized for the latest image sensors and seamlessly compatible with the latest cameras. Supporting 8K, XEEN CF delivers superior resolution for more vibrant landscapes and detailed depictions. Sharp and Rich Image Excellent sharpness and colour optimized for skin tone shows excellent results with subtle emotional expression. Dimensional Look Sense of depth is expressed able to be expressed more freely, allowing you to shoot images with excellent sense of dimensionality and space. Increase the focus on the main performers and the beautifully blurred background adds to the beauty of the image. Cinematic Halation Effect   Proprietary X Coating technology effectively controls flares and ghosting while reducing unwanted light reflections providing a halation effect for dramatic expression.

Samyang Xeen Cf 5-Lens Kit 16/24/35/50/85mm Pl

Samyang Xeen Cf 5-Lens Kit 16/24/35/50/85mm Pl(7309) A kit of 5 XEEN CF Cinema lenses, consisting of 16mm T2.6, 24mm T1.5, 35mm T1.5, 50mm T1.5 and 85mm T1.5. These are supplied as a kit in a custom case, designed and produced in Germany to offer highly durable and reliable protection of the lenses against dust, water, shock and damage. There is one spare cut-out for accessories or another lens.

Samyang Xeen Cf 85mm T1.5 Canon EF

Samyang Xeen Cf 85mm T1.5 Canon EF(7247) CARBON FIBER - COMPACT & FLEXIBLE By applying carbon fiber, which is lighter than metal but solid and beautiful, to the lens body tube, it remains lightweight while maintaining durability. It is designed to be small and light so it can be mounted on numerous cameras and used more flexibly in a variety of environments. 8K & CINEMATIC LOOK It has the outstanding resolution supporting a large image sensor and 8K. Additionally, it offers beautiful bokeh with a bright T1.5 aperture and maximize the delicate emotions of people while richly depicting the shot. X-COATING By applying our proprietary X-coating technology, it effectively controls the reflection of light inside and within the lens itself to create a distinctive look. Properly utilizing flares and ghosting, you can create dramatic effects. OUTSTANDING USABILITY The front aperture (95mm), focus, and aperture ring gear positions are unified, making it easy and convenient to attach and detach lens accessories such as Matte Box and Follow Focus. In addition, the ultra-bright luminous font allows for convenient use in dark environments. Ø95 Front Size Designed to 95mm standard front diameter size it is compact in size and easily compatible with Matte Box Carbon Fiber Carbon fiber is applied to part of the body tube, making it both light and durable Compatible with the large image sensors Compatible with the latest cameras that adopt large image sensors such as Full Frame, Large Format, and Vista Vision PL, EF, E mount Three mount options for mounting on a variety of cameras * LPL mounting is available when using an adapter 11 sheet aperture 11 sheets are applied for bokeh close to original and beautiful background blur X-Coating Provides a distinctive look by controlling internal reflection, flare, and ghosting, and produces dramatic images Luminous font All scales, including focal length and aperture values, are treated with bright fluorescent paint for convenient use, even in low light environments Improvement of Focus, Aperture Gear usability Focus ring and aperture ring locations are uniform across all models, gear design and weight were improved for rotation Wide Focus Gear rotation angle 200 ° wide angle of rotation enables fine focus adjustment Bidirectional Scale The focus and aperture values are displayed on both sides of the lens, enabling easy verification and operation from either side Dramatic Portraits XEEN CF, compatible with the latest Digital Cinema Camera, can express the dramatic emotions of a performer in a rich and delicate manner. Crystal Clear Resolution Optimized for the latest image sensors and seamlessly compatible with the latest cameras. Supporting 8K, XEEN CF delivers superior resolution for more vibrant landscapes and detailed depictions. Sharp and Rich Image Excellent sharpness and colour optimized for skin tone shows excellent results with subtle emotional expression. Dimensional Look Sense of depth is expressed able to be expressed more freely, allowing you to shoot images with excellent sense of dimensionality and space. Increase the focus on the main performers and the beautifully blurred background adds to the beauty of the image. Cinematic Halation Effect   Proprietary X Coating technology effectively controls flares and ghosting while reducing unwanted light reflections providing a halation effect for dramatic expression.

Samyang Xeen Meister 50mm T1.3 Canon Ef

Samyang Xeen Meister 50mm T1.3 Canon Ef(7066) 8K & FASTEST T1.3 FULL FRAME CINE LENS XEEN Meister has the outstanding resolution supporting 8K on the full-frame cameras. It is the fastest full-frame cine prime lens with T1.3, producing excellent low-light performance. Additionally, a bright T1.3 aperture maximizes the dramatic effect with an extremely shallow depth of field. 13 sheets of aperture blades create the natural-looking background and round bokeh to express the delicate emotions of people while richly depicting the shot. LENS META DATA RECORDING It supports /i Technology protocol(PL mount only), which enables cameras to automatically record the accurate lens meta data. This makes production and post-production more effectively. PREMIUM MATERIAL, PREMIUM DESIGN XEEN Meister adopts the premium material and premium design in the spirit of craftsmanship. Titanium is applied to the front barrel, enabling this lens more durable. The 114mm standard front diameter size and the unified positions of the aperture and focus gear rings, making it easily attach and detach lens accessories such as Matte Box or Follow Focus. OUTSTANDING USABILITY It can be mounted on various cameras for three mount options: PL, Canon EF, and Sony E mount. All scales, including focal length and aperture values, are on both sides of the lens and with the luminous font that glows in the dark, enabling convenient verification and operation, even in low light environments.   300 ° wide focus gear rotation angle makes you adjust focus minutely.

Samyang Xeen Cf 16mm T2.6 Sony Fe

Samyang Xeen Cf 16mm T2.6 Sony Fe(7237) Cine Prime Lens Set Ready for Global Filming Trend Samyang introduced the XEEN brand in 2015 to expand the cinematography field with more than 40 years of expertise in creating highly-acclaimed image quality in photography. After in-depth meetings with cinematographers around the world, the XEEN team then started to develop a lens which would meet the upcoming trend for smaller and lighter equipment. As a result, XEEN CF was introduced in late 2019, with a compact design and flexible usage, integrating robust carbon fibre, whilst maintaining high image quality for large sensors. Thanks to the 2 new additions, the XEEN CF cine prime lineup is now complete, offering 5 focal lengths including: 16mm T2.6, 24mm T1.5, 35mm T1.5, 50mm T1.5 and 85mm T1.5. Compact and Flexible for Diverse Filming Situations XEEN “CF” stands for “Compact and Flexible”, which highlights the compact size and versatility of the lenses. For example, the XEEN CF 16mm weighs just 0.9kg (2.0lbs) and measures 82.3mm (3.24in) height. This compact size reflects and leads the trend in cinematography and videography. It is ideal, not only for large cinematography camera setups, but also for drone and gimbal setups which require a more compact and lighter lens. XEEN CF is also compatible with large image sensor cameras, with its 43.3mm image circle. Cinematographers now can create countless images with one lens, enjoying the flexibility of equipment operation. The use of carbon fibre in the XEEN CF lens barrel makes it lighter, but sturdier than others with metal barrels and gives a touch of future-oriented design. Capture Delicate Emotions in 8K As the vice president of the ASC, Bill Bennett quoted, "the new XEEN CF lenses show faces in a most beautiful way, with smooth and subtle transitions". With 8K support and unique X-coating technology, internal light reflections are effectively controlled to create a distinctive look and dramatic effects. They provide smooth, soft and dreamy bokeh when wide open and become crystal sharp when stopped down. This allows directors to maximise the delicate emotions of performers, while richly depicting the scene.

Samyang Xeen Cf 135mm T2.2 Sony Fe Mount (Feet)

Samyang Xeen Cf 135mm T2.2 Sony Fe Mount (Feet)(7328) Samyang's XEEN 135mm Cine Lens features an internal focus design so that the lens does not change size while focusing, minimizing breathing. Each lens in the Samyang Xeen cinema lens set is multi-coated for good contrast, glare prevention, and color matched to a factory standard, allowing you to assemble a set over time with minimal color shift. This 135mm focal length is often chosen for portraits and close-ups. The lens features dual-sided focus scales in feet, with dual-sided iris scales. The 11-bladed iris provides a round aperture for natural looking highlights and Bokeh. The lens is a manual focus and iris lens, and does not have auto focus or auto iris capability. It incorporates cinema-style focus and iris gears that share the same position across the lenses in the Xeen set. The common 114mm front diameter allows for quick lens changes when using a matte box and focus accessories. The focus ring rotates 200° from close focus to infinity; this gives you a high degree of precision and consistent focus.  

Samyang Xeen Cf 85mm T1.5 Pl

Samyang Xeen Cf 85mm T1.5 Pl(7248) Reflecting the current trend in more compact and lightweight video equipment, along with outstanding definition, XEEN CF models are the first full-frame cinema lenses which incorporate carbon fibre (lighter and stronger than metal) into the lens barrel. They also feature luminous scale markings in a new, clearly visible font. XEEN CF lenses support 8K and full frame (large format) image sensors installed in the latest movie cameras and will be available in Canon EF, PL and Sony E mounts. They are also compatible with equipment such as drones and gimbals, enabling truly flexible equipment operation. Carbon fibre has been used for its light weight, whilst adding durability and luxury through future-orientated design. With 8K support and unique X-Coating technology, the lenses themselves provide uncompromising clarity and detail, which can be effectively controlled to create a distinctive smooth and cinematic look (even with flare and ghosting for dramatic effects). Delicate emotions of figures can be maximised, whilst still showing rich depiction. The bright T1.5 aperture value and 11-bladed diaphragms produce excellent low-light performance and beautiful bokeh.

Samyang xeen Cf 35mm T1.5 Pl

Samyang xeen Cf 35mm T1.5 Pl(7242) Cine Prime Lens Set Ready for Global Filming Trend Samyang introduced the XEEN brand in 2015 to expand the cinematography field with more than 40 years of expertise in creating highly-acclaimed image quality in photography. After in-depth meetings with cinematographers around the world, the XEEN team then started to develop a lens which would meet the upcoming trend for smaller and lighter equipment. As a result, XEEN CF was introduced in late 2019, with a compact design and flexible usage, integrating robust carbon fibre, whilst maintaining high image quality for large sensors. Thanks to the 2 new additions, the XEEN CF cine prime lineup is now complete, offering 5 focal lengths including: 16mm T2.6, 24mm T1.5, 35mm T1.5, 50mm T1.5 and 85mm T1.5. Compact and Flexible for Diverse Filming Situations XEEN “CF” stands for “Compact and Flexible”, which highlights the compact size and versatility of the lenses. For example, the XEEN CF 16mm weighs just 0.9kg (2.0lbs) and measures 82.3mm (3.24in) height. This compact size reflects and leads the trend in cinematography and videography. It is ideal, not only for large cinematography camera setups, but also for drone and gimbal setups which require a more compact and lighter lens. XEEN CF is also compatible with large image sensor cameras, with its 43.3mm image circle. Cinematographers now can create countless images with one lens, enjoying the flexibility of equipment operation. The use of carbon fibre in the XEEN CF lens barrel makes it lighter, but sturdier than others with metal barrels and gives a touch of future-oriented design. Capture Delicate Emotions in 8K As the vice president of the ASC, Bill Bennett quoted, "the new XEEN CF lenses show faces in a most beautiful way, with smooth and subtle transitions". With 8K support and unique X-coating technology, internal light reflections are effectively controlled to create a distinctive look and dramatic effects. They provide smooth, soft and dreamy bokeh when wide open and become crystal sharp when stopped down. This allows directors to maximise the delicate emotions of performers, while richly depicting the scene

Samyang xeen Cf 135mm T2.2 Pl Mount (Feet)

Samyang xeen Cf 135mm T2.2 Pl Mount (Feet)(7326) CARBON FIBER - COMPACT & FLEXIBLE By applying carbon fiber, which is lighter than metal but solid and beautiful, to the lens body tube, it remains lightweight while maintaining durability. It is designed to be small and light so it can be mounted on numerous cameras and used more flexibly in a variety of environments. 8K & CINEMATIC LOOK It has the outstanding resolution supporting a large image sensor and 8K. Additionally, it offers beautiful bokeh with a bright T1.5 aperture and maximize the delicate emotions of people while richly depicting the shot. X-COATING By applying our proprietary X-coating technology, it effectively controls the reflection of light inside and within the lens itself to create a distinctive look. Properly utilizing flares and ghosting, you can create dramatic effects. OUTSTANDING USABILITY The front aperture (95mm), focus, and aperture ring gear positions are unified, making it easy and convenient to attach and detach lens accessories such as Matte Box and Follow Focus. In addition, the ultra-bright luminous font allows for convenient use in dark environments. Dramatic Portraits XEEN CF, compatible with the latest Digital Cinema Camera, can express the dramatic emotions of a performer in a rich and delicate manner. Crystal Clear Resolution Optimized for the latest image sensors and seamlessly compatible with the latest cameras. Supporting 8K, XEEN CF delivers superior resolution for more vibrant landscapes and detailed depictions. Sharp and Rich Image Excellent sharpness and colour optimized for skin tone shows excellent results with subtle emotional expression. Dimensional Look Sense of depth is expressed able to be expressed more freely, allowing you to shoot images with excellent sense of dimensionality and space. Increase the focus on the main performers and the beautifully blurred background adds to the beauty of the image. Cinematic Halation Effect Proprietary X Coating technology effectively controls flares and ghosting while reducing unwanted light reflections providing a halation effect for dramatic expression.

Samyang xeen 85mm T1.5 PL

Samyang xeen 85mm T1.5 PL(7969) BRIGHT T1.5 APERTURE With the T-number for bright performance, it makes it easy to take pictures at any exposure. MINIMIZED FLARE AND GHOST EFFECTS WITH ULTRA MULTI COATING By reducing the impact of flares and ghosting effects in your pictures while ensuring excellent image quality and contrast from the center to the periphery, it offers crystal clear, sharp image quality. OPTIMAL CINE LENS DESIGN With a 114mm barrel, FFG and stepless aperture, this is the perfect choice for shooting films. BEAUTIFUL BOKEH WITH 11 APERTURE BLADES Featuring 11 rounded blades, it adds an artistic touch to your pictures and creates a sense of soft dimension with incredible bokeh, perfect for out-of-focus portraits and night city landscapes. SMOOTH FOCUS RING   Smooth focusing ensures precise control and produces images with incredible sharpness, making it the ideal choice for indoor and night shooting.

Samyang xeen 135mm T2.2 Micro 4/3

Samyang xeen 135mm T2.2 Micro 4/3(7997) The lens is a manual focus and iris lens, and does not have auto focus or auto iris capability. It incorporates cinema-style focus and iris gears that share the same position across the lenses in the Xeen set. The common 114mm front diameter allows for quick lens changes when using a matte box and focus accessories. The focus ring rotates 200° from close focus to infinity; this gives you a high degree of precision and consistent focus. This is a 135mm lens that has an image circle that covers a full-frame sensor. It has the effect of bringing the background closer, and it is often used for close-ups and long shots, where you want a compressed feel and out of focus background. The lens features metal construction to withstand the rigors of daily production. Dual calibrated right and left side focus and T-stop scales allow your focus puller to work from either side of the lens, without having to flip the lens. Each lens in the Xeen series share common focus and iris gear ring positions, which speeds up lens changes as accessories such as follow focus units or iris motors don't have to be re-positioned. The lenses in the Xeen series also share focus and iris rotation, with focus having 200° of rotation and iris having 40° of rotation. The common 114mm front diameter between lenses in the series allows for quick lens changes as you don't have to swap out anti-reflection donuts or adapters to use the same matte box. Clickless aperture ring for smooth iris pulls. A minimum focusing distance of 2.6' allows you to get up close to your subject.

Samyang xeen 24mm T1.5 PL

Samyang xeen 24mm T1.5 PL(7949) Manual-focus Cine lens with full-frame 36x24mm coverage XEEN is a range of video-cinema lenses which blazes a new trail in the professional lens market. The optics are a masterpiece of design and a culmination of Samyang’s expertise in optical engineering. Guided by feedback from professional directors of photography, they were created to deliver the quality demanded by commercial and artistic productions. XEEN delivers superior optics, with bright T1.5 aperture and outstanding optical performance for 4K+. The cameraman is free to concentrate on the thing that matters; realizing their creative power. XEEN lenses feature declicked gear rings in identical locations, so that changing to another lens is fast and easy. A masterpiece of both form and function, the XEEN series aims to deliver unparalleled performance and affordability, to satisfy the needs of videographers and filmmakers, regardless of the situation or equipment.

Samyang Xeen Cf 35mm T1.5 Sony Fe

Samyang Xeen Cf 35mm T1.5 Sony Fe(7243) Cine Prime Lens Set Ready for Global Filming Trend Samyang introduced the XEEN brand in 2015 to expand the cinematography field with more than 40 years of expertise in creating highly-acclaimed image quality in photography. After in-depth meetings with cinematographers around the world, the XEEN team then started to develop a lens which would meet the upcoming trend for smaller and lighter equipment. As a result, XEEN CF was introduced in late 2019, with a compact design and flexible usage, integrating robust carbon fibre, whilst maintaining high image quality for large sensors. Thanks to the 2 new additions, the XEEN CF cine prime lineup is now complete, offering 5 focal lengths including: 16mm T2.6, 24mm T1.5, 35mm T1.5, 50mm T1.5 and 85mm T1.5. Compact and Flexible for Diverse Filming Situations XEEN “CF” stands for “Compact and Flexible”, which highlights the compact size and versatility of the lenses. For example, the XEEN CF 16mm weighs just 0.9kg (2.0lbs) and measures 82.3mm (3.24in) height. This compact size reflects and leads the trend in cinematography and videography. It is ideal, not only for large cinematography camera setups, but also for drone and gimbal setups which require a more compact and lighter lens. XEEN CF is also compatible with large image sensor cameras, with its 43.3mm image circle. Cinematographers now can create countless images with one lens, enjoying the flexibility of equipment operation. The use of carbon fibre in the XEEN CF lens barrel makes it lighter, but sturdier than others with metal barrels and gives a touch of future-oriented design. Capture Delicate Emotions in 8K As the vice president of the ASC, Bill Bennett quoted, "the new XEEN CF lenses show faces in a most beautiful way, with smooth and subtle transitions". With 8K support and unique X-coating technology, internal light reflections are effectively controlled to create a distinctive look and dramatic effects. They provide smooth, soft and dreamy bokeh when wide open and become crystal sharp when stopped down. This allows directors to maximise the delicate emotions of performers, while richly depicting the scene.

Samyang Xeen Meister 35mm T1.3 PL

Samyang Xeen Meister 35mm T1.3 PL(7064) XEEN MEISTER 35MM T1.3 PL Premium wide-angle cine prime lens with fast T1.3 aperture, full-frame coverage and outstanding resolution for 8K+ cinematography - PL Mount 8K & FASTEST T1.3 FULL FRAME CINE LENS XEEN Meister has the outstanding resolution supporting 8K on the full-frame cameras.It is the fastest full-frame cine prime lens with T1.3, producing excellent low-light performance. Additionally, a bright T1.3 aperture maximizes the dramatic effect with an extremely shallow depth of field. 13 sheets of aperture blades create the natural-looking background and round bokeh to express the delicate emotions of people while richly depicting the shot. LENS META DATA RECORDING It supports /i Technology protocol(PL mount only), which enables cameras to automatically record the accurate lens meta data. This makes production and post-production more effectively. PREMIUM MATERIAL, PREMIUM DESIGN XEEN Meister adopts the premium material and premium design in the spirit of craftsmanship. Titanium is applied to the front barrel, enabling this lens more durable. The 114mm standard front diameter size and the unified positions of the aperture and focus gear rings, making it easily attach and detach lens accessories such as Matte Box or Follow Focus. OUTSTANDING USABILITY It can be mounted on various cameras for three mount options: PL, Canon EF, and Sony E mount. All scales, including focal length and aperture values, are on both sides of the lens and with the luminous font that glows in the dark, enabling convenient verification and operation, even in low light environments. 300 ° wide focus gear rotation angle makes you adjust focus minutely.

TILTA ESR-T13-RB-V Sony Venice Rialto Backpack

TILTA ESR-T13-RB-V (ESR/T13-RB-V, ESR/T13/RB/V, ESR T13 RB V, ESRT13RBV) Sony Venice Rialto Backpack The Sony Venice Rialto Backpack incorporates a dovetail and small baseplate to mount the Rialto camera body onto. When coupled with the sensor block’s cage, it provides you with a comfortable, ergonomic way to operate and transport your whole Rialto camera setup. The backpack also has a battery plate.

TT-C06-D-07 19mm Studio Tilta-Standard to ARRI-Standard Base Plate

TILTA TT-C06-D-07 (TT/C06-D-07, TT/C06/D/07, TTC06D07, TT C06 D 07) 19mm Studio Tilta-Standard to ARRI-Standard Base Plate This 19mm studio baseplate is designed to adapt a Tilta standard baseplate to an Arri standard baseplate to allow you to use your camera rig on an Arri standard-sized dovetail. The top section of the baseplate that allows for this function can also be removed and replaced with a flat top, which allows it to double as a regular Arri standard-sized baseplate. It uses a hard-anodized surface design and is CNC-milled from a lightweight and durable high-impact aluminum 7075 alloy.

CamRade rainCover Medium

CamRade rainCover Medium (CAM-RAINCVR-MEDIUM) Protect your Digital Cinema Camera against inclement weather with the rainCover Medium. It is an absolute must have that will prevent water damage to your most valuable piece of equipment. With this rain cover, you can now protect your equipment from the elements without sacrificing your shot. Through years of experience and working closely with multiple camera operators, camRade has improved their designs to perfect solutions for multiple applications. The rainCover Medium is suitable for handheld camera work but is also great while your camera is attached on a tripod, slider, track system, JIB or any other camera support solution. Durable and functional design Always carry the camRade rainCover Medium with you so you do not get caught out when the weather turns. The cover is supplied in a waterproof zippered pouch, which you can use to store and transport the cover. It is easy to attach and detach the cover, thanks to the convenient design. Leave the bottom open for easy access or close it with the double straps if the wind plays tricks. The blue sliding rail makes it possible to bring the buckles to the desired position when the camera is mounted on a tripod. Clamps around the lens hood Thanks to 30 cm (11.8”) rubber strip, the rainCover fits correctly on most lenses. The strap supplied with a hook-and-loop fastener makes it possible to tighten the cover on the lens but still lets you operate the lens, due to its spacious design. The supplied zippered lensC L extension, covers and protects longer lenses. camRade offers an additional camRade rainCover Extension Kit (SKU: CAM-RAINCVR-KIT) to protect handgrip unit, 5”and 7” monitors/recorders and longer lenses. Protection goes beyond just the camera and lens camRade has included two different viewfinder covers. A small simple cover for an LCD screen and an advanced solution that covers 99% of today's external viewfinders & loupes. The rainCover Medium includes a battery extension cover that offers the possibility to extend the camera up to 20cm (7,9”) at the back. This add-on makes it possible to protect larger batteries, transmitters, or other accessories from the rain. Easy access to what is important On the left side of the cover a transparent window (24cm wide by 20cm high), allows you to have a clear view of the camera controls. The open bottom ensures that these controls are easy to operate. Directly above the window is a hook-and-loop fastener for the viewfinder and/or LCD screen support arm to get out from the main cover. You can use one of the two supplied viewfinder covers to use the viewfinder in any position without restrictions. A vertical hook-and-loop fastener on the top of the cover gives you the option to use a top handle or other top-mounted accessories. Next to the top handle opening is the protection for a standard on-camera shotgun microphone. This flap is also equipped with a 12cm wide hook-and-loop fastener to bring out cables and/or gives access to a cold / hot shoe accessory mount. The right side of the rainCover Medium has a vertical zipper that gives access to a possible handgrip and input/output connectors. A round opening with a drawstring at the back (above the battery) makes it possible to use an integrated viewfinder. The opening is large enough for the camera's eyecup and can also be used to use the camera's top handle for high shots. Why camRade? camRade was established in 1998 and has an extensive track record of protecting broadcast and film cameras. Since the start of camRade, the team of people behind the brand have continued to work closely with several audio and camera operators, broadcasters, and rental companies. Today we can say that we are the recognised world leader in camera protection. Why do I need a camRade rainCover?   Imagine how you would feel if your camera stopped working. A camera with water damage could be considered a total loss if the repair costs are too high. What if you could have prevented this by using a camRade rainCover? Your camera is often your most valuable piece of equipment while gathering news or during field productions. The durability and unique features of the rainCover Medium will protect your investment in a way that plastic bags and other cheap covers cannot.

CamRade travelMate Large

CamRade travelMate Large(2709.0481) The travelMate Large is an ultra-strong wheeled bag with telescopic trolley handle as well as a super comfortable backpack. This way it provides extreme flexibility in safe transportation of your camera and accessories (with a maximum length of 52 cm/ 20.5 inches). On the front, a separate compartment is added to store your laptop or tablet. Various pockets and slits on both the inside and outside of the bag help you store and organize several smaller items like documents, memory cards, cables and tools. The soft-padded interior includes removable dividers with extra wide hook and loop fasteners for better adhesion to the fabric. This makes it easy to arrange the main compartment into sections to fit to your personal requirements. Some of the smart gimmicks added to these bags are the straps on the side of the main compartment flap to prevent it from falling open, and a complimentary LED light with motion sensor that lights up as soon as you open up the bag! When you use this compact and comfortably balanced backpack, your freedom of movement stays intact and you’ll have your hands free for the necessary activities to create the best shots ever.

TILTA UBP-V Universal Battery Plate

TILTA UBP-V (UBP/V, UBP_V, UBPV, UBP V) Universal Battery Plate Universal Battery Plate is designed to be used with a variety of camera systems. It’s available in either V-mount or gold mount versions and has several different power outputs as well as SDI in/out ports. Simply attach one of the various available P-tap cables from one of the P-tap outputs on the battery plate and connect the other end into your camera’s power input port. This provides an efficient way to power your camera as well as external accessories that you’d like to use in your setup. *Note: The Tilta Universal Battery Plate does NOT come with a camera power cable. Power Cables for specific cameras must be purchased separately. Please check the input voltage of your camera to insure adequate power. Never over power your camera with a power cable as this may burn out your camera. Tilta is NOT responsible for user error in over powering your camera devices.

Kino Flo Kino-Flo KF21 Nimh Block Battery System - With 2x Battery, Charger And Mount

Kino-Flo KF21 Nimh Block Battery System -  With 2x Battery, Charger And Mount(SYS-BK12) Kino Flo Lighting Systems partners with BlockBattery for newly introduced KF21 (NiMH) battery systems for its LED line. The Kino Flo/BlockBattery systems are designed to work with the following Kino Flo LED products with DC capability: Celeb 250 LED DMX Diva-Lite 20 & 30 LED DMX FreeStyle 31 & 21 LED DMX Select 20 & 30 LED DMX. The KF21 battery can power 28.8V (20-34VDC) applications. Run time for Kino Flo products listed above is approximately 1 hour and 10 minutes at full brightness. When fixtures are dimmed, the battery will last longer. Charge time is only 1.5 hours versus Lithium batteries that take approximately 4 hours to fully charge. Unlike lithium batteries, the Kino Flo/BlockBattery is travel friendly with no travel restrictions. In addition to powering 28.8V, battery adapters may be used to access 14.4V to be used with products with 14.4V input. It’s like having two batteries for the price of one!

Datavideo DATA-BDL1601 Bundle

Datavideo DATA-BDL1601 Bundle(DATA-BDL1601) Complete production ready bundle BDL-1601 is a complete production ready bundle with three cameras. The beating heart of this bundle is the HS-1600T, our MobileCast workstation with built in streaming and recording. Three PTC-140T's are included and are perfect for any small to medium sized production. HC-800 is the carrying solution for this bundle, with room for three cameras, extra space for cables* and the HS-1600T power supply. *Cables are situation specific and therefore not included. Datavideo recommends using high quality CAT6 cables up to 75 meters. The Web Streaming Studio for Producers on the Move The HS-1600T brings a new level of simplicity to production workflows. You'll set up faster and easier thanks to its portable "briefcase" design and HDBaseT Technology. And thanks to its built-in H.264 web streaming encoder, you can stream your show to virtually any CDN like YouTube and Facebook in no time. Made with HDBaseT Technology Camera connections typically require one cable for video, a second cable for power, and a third one for control. However, the HS-1600T is able to do all of the above using only one ethernet cable for each camera. This increase in flexibility greatly reduces setup time, and now you can mount the camera in challenging locations (like spots without nearby power outlets) Stunning Full HD resolution PTZ camera The PTC-140T features 1/2.8 inch CMOS sensor, 1920x1080px Full HD resolution up to 60fps. The PTC-140T's 20x optical zoom and 10x digital zoom allows you to mount it near or far and still get great, sharp shots. Single cable transmission by HDBaseT technology Based on HDBaseT technology, all signals, power, and control data travel through a single CAT6 (“network cable”) with lengths up to 75 meters. Stylish and durable - ideal for mobile productions Heavy duty case made from super strong polypropylene. Shock proof, vibration proof, dust proof and rust proof Sealed for moisture protection. Handy pull-out handle and wheels for easy transporting. Laser cut foam inlay that precisely fits three PTC-140T cameras including cables and the HS-1600T power supply.

TILTA ESR-T08-A Camera Cage for RED V-RAPTOR Basic Kit

TILTA ESR-T08-A (ESR/T08-A, ESR/T08/A, ESRT08A, ESR T08 A) Camera Cage for RED V-RAPTOR Basic Kit Arm your camera with the Basic Kit for RED V-RAPTOR. The Full Camera Cage provides protective armor for the RED V-Raptor and greatly expands your options for mounting accessories. The cage features both ¼”-20 and 3/8”-16 threads, integrated NATO Rails for Side Handles and two Arri compatible rosettes. The base of the cage also provides several mounting options for attaching your camera to various quick release systems and natively supports the included LWS Baseplate. The included 15mm LWS Baseplate and two 15mm Rods allow you to utilize rod based accessories such as matte boxes and follow focus systems. Under the Baseplate you’ll find a Tilta Standard Dovetail Receiver which can be adapted to support Arri Standard Dovetails via our optional Tilta Standard to Arri Standard Multi-Functional Baseplate. This baseplate can also mount to third party quick release plates via 1/4″-20 and 3/8″-16 threads. The Top Plate and Rear Top Plate offer expanded options for mounting accessories without interfering with the camera’s ventilation. The Top Plates include 1/4″-20 and 3/8”-16 mounting points both with and without locating pins and a Cold Shoe Receiver. The Rear Top Plate also includes exhaust vents engineered to mimic the V-Raptor’s integrated ventilation system in order to provide maximum cooling capability. The Top Handle attaches to both the Top Plate and Front Top Plate which creates a secure point of contact for handling and operating your camera while also providing additional mounting points for accessories. This Top Handle features both 1/4”-20 and 3/8”-16 mounting points with locating pins as well as one cold shoe receiver. This Top Handle can also be broken down into a more compact configuration that only requires the Front Top Plate to mount, which better accommodates lightweight camera builds. The Top Handle’s newly designed 15mm rod mount allows you to mount a single 15mm rod either parallel or perpendicular to the Top Handle, allowing for more flexibility when mounting electronic viewfinders or external monitors. The included Bottom Mounting Plate attaches near the bottom of the Camera Cage, offers additional ¼”-20 mounting points with locating pins, and serves as an alternative location to mount the Advanced I/O Module. (not included) The Right and Left Side Single Rod Holders mount along the side of the Full Camera Cage and provide a lightweight alternative to the baseplate.

Libec VM-12V Power supply adapter compatible with V-mount batteries

Libec VM-12V Power supply adapter compatible with V-mount batteries(VM-12V, VM12V, VM 12V) Power your LX-ePed with a V-mount battery using this Libec V-Mount Battery Plate Power Adapter. The adapter features a single V-mount plate with rubber backing which connects to a 3-pin XLR to DC barrel adapter. A mounting band secures the battery plate to your pedestal with ease.

Libec TH-M Kit Hands-Free Monopod Kit

Libec TH-M Kit Hands-Free Monopod Kit(TH-M-Kit, THM-Kit, TH M-Kit) The TH-M Hands-Free Monopod Kit from Libec is a hands-free monopod support system for recording with a video camera, camcorder, mirrorless, or DSLR camera. It features a 9 lb load capacity, a maximum working height of 74.6", and a minimum working height of 34.4". A Perfect Lock feature makes it easy to maneuver the monopod's head, and lock and release foot pedals let you quickly lock and release the unit during photo and video shoots. Designed to be a hands-free device, the monopod stands on its own with a wide range of cameras, allowing users to multi-task and make equipment adjustments in between shots, and the smooth movements of the head allow manual focus while simultaneously panning, tilting, and shooting. This kit's dual-head structure features a flat base and 65mm bowl, making the head compatible with 65mm bowls, flat base tripods, monopods, sliders, skater dollies, and other equipment with 3/8"-16 screws. The head features a one touch on/off sliding plate that is compatible with Manfrotto and Sachtler heads, and a dual-size, padded, travel bag is included so you can store and carry the monopod with or without the head. Hands-Free Monopod Fold-out feet increase stability and allow the monopod to stand on its own with a wide range of cameras, allowing you to multi-task and make equipment adjustments in between shots, without the need to lay the monopod on the ground or floor or lean it against a wall. Perfect Lock Feature Lock the bottom part of the monopod by stepping on the foot pedal, and the ball joint will be locked as well. This ensures the pan movement of the head on the monopod is smooth and allows you to control the camera's manual focus while panning and shooting. Upgraded Head Attachment The top cover of the TH-M monopod is equipped with both a 1/4"-20 and a 3/8"-16 screw hole. The 1/4"-20 screw is covered by a storable 3/8"-16 screw socket, allowing both kinds of equipment to be attached. Smooth Panoramic Rotation At the base of the unit a special built-in lubricated ball joint system, designed to prevent dust and debris from entering, offers smooth quality movements. Quick Adjustments for Your Preferred Height A sleek design with numeric indicators for preferred height settings improves the usability of the monopod when it's necessary to frequently adjust height settings. Speedy Open and Close Functions Designed for swift setups and compact travel, user-friendly folding legs can be easily opened and closed with a push of a button. Pan Tilt Head with Dual Head Structure The head has tilt and pan functions, and the unit's dual-head structure features a flat base and 65mm bowl, making the head compatible with 65mm bowls, flat base tripods, monopods, sliders, skater dollies, and other equipment with 3/8"-16 screws. Sliding Plates Compatible with Manfrotto and Sachtler Heads This one touch on/off sliding plate is compatible with Manfrotto and Sachtler heads, enabling quick equipment swaps without the need to change sliding plates. Dual size Carrying Bag   A dual size travel bag is included to carry and store the monopod with or without the head.

Libec Heavy Duty Tripod

Libec Heavy Duty Tripod(T150F) The Libec T150F consists of heavy-duty aluminum tripod legs with a 4-bolt flat base. It supports up to 220.5 lb and extends from 23 to 64" in two stages. The T150F's legs have a twist leg lock knob at each stage for a quick setup. This rugged aluminum construction is suited for heavy use with flat base heads.

Libec SVF-7Pro Full HD 7in Viewfinder

Libec SVF-7Pro Full HD 7in Viewfinder(SVF-7Pro, SVF7Pro, SVF 7Pro) The SVF-7Pro 7" HD Viewfinder from Libec is a professional color display designed for use with studio-style video cameras. This 7" viewfinder features a 1920 x 1080 panel, both BNC and HDMI video inputs and outputs, a BNC return port, red and green tally inputs with adjustable brightness, and a 20-pin camera input port.

Libec HS-450 Tripod System - FS

Libec HS-450 Tripod System - FS(HS-450 , HS 450 , HS450 ) Perfect Balance Libec's unique continuous perfect counterbalance system enables the camera to perfectly balance at any tilt angle. This smooth balance system makes it a lot easier for users to concentrate on precise camera movements, even when using a telephoto lens at its maximum zoomed position. Newly Designed Fluid Head From scratch, the fluid head was designed to dramatically reduce play inside its superior pan and tilt drag units, dramatically increasing its longevity. From start to finish, this new fluid head provides ultra-smooth movements and is equipped with many features that enhance a user's experience. Counterbalance Meter Equipped with a counterbalance meter with the measurement range of 0 to 100. This allows users to glance at the head's minimum/maximum inner spring strength, making camera balances on site a piece of cake. Snap On/Off Plate The slide plate can be attached and released with just one-touch. Quick and easy setups in the field are easily achieved. Advanced Drag Unit The layered metal unit in the drag system ensures operability, durability and reliability. Thanks to the finest silicon grease applied, the advanced drag unit offers smoother starts and ultimately improved backlash control. In addition, the grease provides ordinary pan and tilt movements at a wide temperature range from -40˚C/-40˚F up to +60˚C/+140˚F. The variable 4 step drag pan tilt system features a zero "free" mode option with no friction. Unlike other brand heads, there is no need to store it in its zero "free" mode. Dual Head The Dual-head base specification allows for a quick set-up with both 75mm bowl and flat base tripods. The Dual-head base is also compatible with sliders, skater dollies, and photo tripods. User Friendly Accessory Port Equipped on the fluid head's side, there are 1/4 and 3/8 inch screw holes allowing users to attach an accessory arm to hold monitors, lights and other accessories. Since the holes are located on the base, the payload capacity, center of gravity and front-rear balance of the head are not affected. LED Bubble Level   The bubble level is equipped with an LED light allowing users to level a tripod head in the dark. In addition, the counterbalance meter is also illuminated.

Libec 75mm ball and flat base video head H35

Libec 75mm ball and flat base video head  H35(H35) Perfect Balance Libec's unique continuous perfect counterbalance system enables the camera to perfectly balance at any tilt angle. This smooth balance system makes it a lot easier for users to concentrate on precise camera movements, even when using a telephoto lens at its maximum zoomed position. Newly Designed Fluid Head From scratch, the fluid head was designed to dramatically reduce play inside its superior pan and tilt drag units, dramatically increasing its longevity. From start to finish, this new fluid head provides ultra-smooth movements and is equipped with many features that enhance a user's experience. Counterbalance Meter Equipped with a counterbalance meter with the measurement range of 0 to 100. This allows users to glance at the head's minimum/maximum inner spring strength, making camera balances on site a piece of cake. Snap On/Off Plate The slide plate can be attached and released with just one-touch. Quick and easy setups in the field are easily achieved. Advanced Drag Unit The layered metal unit in the drag system ensures operability, durability and reliability. Thanks to the finest silicon grease applied, the advanced drag unit offers smoother starts and ultimately improved backlash control. In addition, the grease provides ordinary pan and tilt movements at a wide temperature range from -40˚C/-40˚F up to +60˚C/+140˚F. The variable 4 step drag pan tilt system features a zero "free" mode option with no friction. Unlike other brand heads, there is no need to store it in its zero "free" mode. Dual Head The Dual-head base specification allows for a quick set-up with both 75mm bowl and flat base tripods. The Dual-head base is also compatible with sliders, skater dollies, and photo tripods. User Friendly Accessory Port Equipped on the fluid head's side, there are 1/4 and 3/8 inch screw holes allowing users to attach an accessory arm to hold monitors, lights and other accessories. Since the holes are located on the base, the payload capacity, center of gravity and front-rear balance of the head are not affected. LED Bubble Level   The bubble level is equipped with an LED light allowing users to level a tripod head in the dark. In addition, the counterbalance meter is also illuminated.

Libec H15 75mm ball and flat base video head

Libec H15 75mm ball and flat base video head(H15) Integrate a fluid head into your tripod configuration with various adjustment features using this H15 75mm Ball and Flat Base Video Head with Pan Handle from Libec. An included pan handle makes for easy movement up and down or side to side. Independent pan and tilt adjustments make movements intuitive and smooth. The H15 head has a load capacity of 6.6 lb and an adjustable counterbalance range of 1.7 to 4.4 lb. Your camera is secured via a 1/4"-20 screw and locating pin, and additional 3/8"-16 and 1/4"-20 screws are included for further attachments. An illuminated bubble level ensures your configuration is level when mounted onto tripod legs. The H15 is compatible with Manfrotto or Sachtler heads.

Libec ZD-1 Connection Cable for FUJINON 12-Pin Portable Lens

,Libec ZD-1 Connection Cable for FUJINON 12-Pin Portable Lens(DC-Z12, DCZ12) Control the zoom on your FUJINON servo lens using the ZD-1 Zoom Demand with this ZD-1 Connection Cable from Libec. The cable features a 12-pin connector on one end that connects to the FUJINON servo lens, and an 8-pin connector on the other end connects to the ZD-1. The cable measures 39.3" in length.

Libec Connection cable and shoe attachment for Sony system cameras and the SVF-7Pro

Libec Connection cable and shoe attachment for Sony system cameras and the SVF-7Pro(CA-7S, CA7S, CA 7S) Mount your Libec SVF-7Pro 7" viewfinder on your Sony studio camera using the EVF Cable and Mounting Kit from Libec. This kit comprises a viewfinder cable and a mount for the SVF-7Pro EVF.

Libec Connection cable and shoe attachment for Ikegami system cameras and the SVF-7Pro

Libec Connection cable and shoe attachment for Ikegami system cameras and the SVF-7Pro(CA-7I, CA7I, CA-7I) Mount your Libec SVF-7Pro 7" viewfinder on your Ikegami system camera using the Connection Cable and Shoe Attachment Kit from Libec. This kit includes a viewfinder cable that provides a video signal from an Ikegami system camera and a quick release shoe mount for the SVF-7Pro EVF. The shoe attachment mounts using a captive screw.

Kondor Blue Sony FX6 Cage System - Cage Only - Space Grey

Kondor Blue Sony FX6 Cage System - Cage Only - Space Grey(KON-SFX6_CO, KONSFX6_CO, KON SFX6_CO)

Kondor Blue Sony FX6 Cage System - Cage with Trigger Handle - Raven Black

Kondor Blue Sony FX6 Cage System - Cage with Trigger Handle - Raven Black (KON-SFX6_BK, KON SFX6_BK, KONSFX6_BK)

Kondor Blue Sony FX6 Cage System - Base Rig - Space Grey

Kondor Blue Sony FX6 Cage System - Base Rig - Space Grey(KON-SFX6_BASERIG, KONSFX6_BASERIG, KON SFX6_BASERIG)

Kondor Blue Sony FX6 Cage System - Base Rig - Raven Black

Kondor Blue Sony FX6 Cage System - Base Rig - Raven Black(KON-SFX6_BASERIG_BK, KONSFX6_BASERIG_BK, KON SFX6_BASERIG_BK)

IDX DUO-C98 & VL-4Se Charger

IDX DUO-C98 & VL-4Se Charger( ED-CP98/4Se,  EDCP98/4Se,  ED CP98/4Se ) DUO-C98 Battery: IDX is proud to announce the the DUO Compact battery series. This has the same features as the DUO-C95, one USB port, one standard D-Tap and a D-Tap Advanced which allows for charging with the VL-DT1 charger, making travel easier with this lightweight charger. Like the DUO-C95, the DUO-C98 now becomes the world’s most perfect compact IATA friendly (<100Wh) Li-ion professional battery with multiple power outputs- perfect for handheld gimbal and aerial setups. The DUO-C98 has the same features plus greater capacity at 96Wh, its high load at 10A and comes equipped with the new D-Tap Advanced charge/discharge port, standard D-Tap and USB power ports. Additionally, the addition of SMBUS allows for data display in the viewfinder on RED cameras.The DUO-C98’s continue where the DUO-C95’s left off. It shares the same slim profiile of 39mm / 1.5in. Allowing the battery to fit camera systems where space is limited.  With the ability to handle a 70W load, the DUO-C98 is the ideal battery for keeping your equipment light and compact. VL-4SE Charger: The VL-4Se is a fully simultaneous 4-channel charger, housed in a high-impact polycarbonate enclosure with a recessed power switch and carrying handle, exactly like the VL-4S. Quick and powerful charging make the VL-4Se the perfect choice for broadcast and production facilities with a high battery usage. Power consumption at standby is now only 1/10th of the VL-4S. Each channel is operated independently so batteries can be placed on charger in any order and at any time. And now the VL-4Se will charge 4 batteries simultaneously faster than the VL-4S by about 15%.  

IDX ED-CP98/2000S Battery/Charger Kit

IDX ED-CP98/2000S Battery/Charger Kit(ED-CP98/2000S, ED CP98/2000S, EDCP98/2000S) DUO-C98P Battery The DUO-C98P is the successor of the popular DUO-C98 battery. At 97Wh, it is IATA friendly(<100Wh) and perfect for handheld gimbal and aerial setups. The DUO-C98P comes equipped with two built-in D-Taps and now features a built-in USB-C port to power accessories as well as charge the battery. Also, V-Torch LED for use in dark environments and SMBus to display battery info via viewfinder on cameras such as ARRI and RED. VL-2000S Simultaneous Charger The VL-2000S is a fully simultaneous 2-channel Li-ion V-Mount battery charger with a 100W DC output (4-pin XLR). Supporting LIFE PLUS mode, the latest advances in charging technology, the VL-2000S can extend battery life up to 20%. The VL-2000S features Power Base mode – the ability to utilise the mounted batteries for powering equipment via the 4pin XLR output. Low voltage batteries are safely charged with the ‘Recovery Charge’ mode. The charger also houses energy efficient circuitry that will automatically power down the charger when inactive.  

IDX 2x SL-VBD96 And 1x LC-2A

IDX 2x SL-VBD96 And 1x LC-2A(PP-2A, PP2A, PP 2A ) SL-VBD96: Extra high-capacity 7.4V Lithium Ion battery manufactured exclusively for Panasonic AG-DVX200, HC-X1000 and AJ-PX series camcorders. LC-2A: Designed with interchangeable battery interface plates, the 2-Channel LC-2A can simultaneously charge a range of 7.4V Canon, Panasonic, and Sony batteries. The LC-2A comes equipped with thermal monitoring and quick-charge safeguard – ensuring that charging will automatically stop when the battery is fully charged. SL-VBD96 Compatible with: Panasonic AG-DVX200 series HC-X1000  AJ-PX series camcorders LC-2A Compatible with: Sony: L-Series IDX Panasonic: SSL-VBG50, SL-VBD50 Panasonic: VW-VBG6, VW-VBG260, VW-VBD55, VW-VBD58 Canon: BP-955, BP-975, BLP-E6

IDX 2x NP-9X Battery Kit W/Charger & AC

IDX 2x NP-9X Battery Kit W/Charger & AC(NP-L2X, NPL2X, NP L2X) 2x  NP-9X (96Wh Li-Ion NP-Style Battery w 2x D-Tap)   NP-9X is the successor of the NP-L7S, the industry standard NP-style battery for powering audio equipment. It now features more capacity at 96Wh, two D-Tap outputs for powering additional accessories, and also a 5 LED power indicator to display remaining capacity in 10% increments. One of the D-Tap port is a D-Tap Advanced, which can also be used to charge the battery with the IDX VL-DT1 D-Tap charger. NP-9X is still compatible with all current accessories and chargers like the JL-2PLUS.   1x  JL-2PLUS (2ch Sequential Li-ion NP-Style Battery Charger)   The JL-2PLUS will sequentially charge Li-ion, and Ni-Cd NP-style batteries. It will charge the first battery connected to either channel, automatically charging the second battery after the first is fully charged. With the advantage of an integrated 4-pin XLR DC (60W@ 13.8V) power supply, additional equipment such as lighting and other ancillary equipment can also be safely powered when the charge function is not in use.  

IDX ED-CP198/4Se Battery/Charger Kit

IDX ED-CP198/4Se Battery/Charger Kit(ED-CP198/4Se, EDCP198/4Se, ED CP198/4Se) DUO-C198P Battery IDX introduces the next generation in the popular DUO-C Series, the DUO-CP Series. This advanced version offers power taps like those found in the DUO Series for powering accessories. Newly added non-proprietary USB-C PD port for two-way power delivery and charging when used with the new UC-PD1 compact charger, and of course via D-Tap advanced with the VL-DT1. The UC-PD1 can be used with other portable devices. An anti viral and anti microbial body for hygienic peace of mind. The DUO-C198P is the successor of the popular DUO-C198 battery. Ideal compact battery solution for digital cinema cameras and camera stabilizer systems where long runtimes are required. With its ultra-robust 193Wh capacity and compact 2.4lb design, the DUO-C198P can provide mobile power to cine-style cameras such as the ARRI ALEXA Mini and RED Weapon effortlessly for extended periods at a time. The DUO-C198P also includes two built-in D-Taps and now features a USB-C port to power accessories as well as charge the battery. Also, V-Torch LED for use in dark environments and SMBus to display battery info via viewfinder on cameras such as ARRI and RED. VL-4Se Charger The VL-4Se is a fully simultaneous 4-channel charger, housed in a high-impact, polycarbonate enclosure with a recessed power switch and carrying handle.  Quick and powerful charging make the VL-4Se the perfect choice for broadcast and production facilities with a high battery usage. Each channel is operated independently so batteries can be placed on charge in any order and at any time.  

IDX ED-CP198/2000S Battery/Charger Kit

IDX ED-CP198/2000S Battery/Charger Kit(ED-CP198/2000S, EDCP198/2000S, ED CP198/2000S) DUO-C198P Battery IDX introduces the next generation in the popular DUO-C Series, the DUO-CP Series. This advanced version offers power taps like those found in the DUO Series for powering accessories. Newly added non-proprietary USB-C PD port for two-way power delivery and charging when used with the new UC-PD1 compact charger, and of course via D-Tap advanced with the VL-DT1. The UC-PD1 can be used with other portable devices. An anti viral and anti microbial body for hygienic peace of mind. The DUO-C198P is the successor of the popular DUO-C198 battery. Ideal compact battery solution for digital cinema cameras and camera stabilizer systems where long runtimes are required. With its ultra-robust 193Wh capacity and compact 2.4lb design, the DUO-C198P can provide mobile power to cine-style cameras such as the ARRI ALEXA Mini and RED Weapon effortlessly for extended periods at a time. The DUO-C198P also includes two built-in D-Taps and now features a USB-C port to power accessories as well as charge the battery. Also, V-Torch LED for use in dark environments and SMBus to display battery info via viewfinder on cameras such as ARRI and RED. VL-2000S Simultaneous Charger The VL-2000S is a fully simultaneous 2-channel Li-ion V-Mount battery charger with a 100W DC output (4-pin XLR). Supporting LIFE PLUS mode, the latest advances in charging technology, the VL-2000S can extend battery life up to 20%. The VL-2000S features Power Base mode – the ability to utilise the mounted batteries for powering equipment via the 4pin XLR output. Low voltage batteries are safely charged with the ‘Recovery Charge’ mode. The charger also houses energy efficient circuitry that will automatically power down the charger when inactive.  

IDX ED-CP150/4Se Battery/Charger Kit

IDX ED-CP150/4Se Battery/Charger Kit(ED-CP150/4Se, ED CP150/4Se, EDCP150/4Se) DUO-C150P Battery IDX introduces the next generation in the popular DUO-C Series, the DUO-CP Series. This advanced version offers power taps like those found in theDUO Series for powering accessories. Newly added non-proprietary USB-C PD port for two-way power delivery and charging when used with the new UC-PD1 compact charger, and of course via D-Tapadvanced with the VL-DT1. The UC-PD1 can beused with other portable devices. An anti viral and anti microbial body for hygienic peace of mind. The DUO-C150P is the successor of the popular DUO-C150 battery. Ideal compact battery solution for digital cinema cameras and camera stabilizer systems where long runtimes are required. With 145Wh capacity, the DUO-C150P meets the passenger aircraft carry-on limit and can still provide mobile power to cine-style cameras such as the ARRI ALEXA Mini and RED Weapon effortlessly for extended periods at a time. The DUO-C150P also includes two on-battery D-Taps and now features a USB-C port to power accessories as well as charge the battery. Also, V-Torch LED for use in dark environments and SMBus to display battery info via viewfinder on cameras such as ARRI and RED. VL-4Se Charger The VL-4Se is a fully simultaneous 4-channel charger, housed in a high-impact, polycarbonate enclosure with a recessed power switch and carrying handle.  Quick and powerful charging make the VL-4Se the perfect choice for broadcast and production facilities with a high battery usage. Each channel is operated independently so batteries can be placed on charge in any order and at any time.

IDX V-mount Adapter for Sony PXW-FX9

V-mount Adapter for Sony PXW-FX9( A-DCFX9,  A DCFX9,  A/DCFX9 ) The A-DCFX9 is a V-Mount adapter specifically designed for the Sony PXW-FX9. It converts the attached battery to the camera required 19.5V and supplies power via the DC input. By using it in combination with a small battery like the Imicro series, you can build a small and lightweight system that has a sense of unity with the camera. Also equipped with 2x D-Tap and an Alarm LED to alert battery level.      

Sennheiser Highly directional on-camera shotgun microphone

Sennheiser Highly directional on-camera shotgun microphone(508898) Add the compact and lightweight second-generation Sennheiser MKE 400 directional shotgun microphone to your camera- or smartphone-based shooting rig to make an easy upgrade in sound quality, even in noisy environments, without having to carry around a cumbersome windscreen and suspension system. Plus, it offers a 3-stage gain control and a low-cut filter so you can optimize the sound of your recording right at the mic.   Thanks to its integral wind protection, built-in shock absorption, long battery life, and headphone monitoring port, the MKE 400 is a truly capable solution for capturing clear audio—a perfect companion for vloggers, run-and-gun videographers, and mobile journalists who need a quality camera-mount mic that will never get in the way of the shot.   To ensure that you're prepared for any shoot, the MKE 400 includes two locking 3.5mm audio cables—one features a standard TRS plug for compatibility with cameras and DSLRs, while the other utilizes a TRRS plug to connect with your smartphone or tablet. Plus, the supplied furry windshield can be slipped over the MKE 400 to provide increased protection from wind noise when shooting in outdoor environments.   Second-Generation Upgrades Along with its redesigned appearance, the second-generation MKE 400 boasts significant upgrades over the original MKE 400 to make it even more effective and versatile. Swappable 3.5mm TRS and TRRS output cables 3.5mm headphone port with volume control 3-stage gain control (the original MKE 400 had two gain positions) Auto-power function Integrated wind protection Furry windshield included for outdoor wind protection Compatible with Sennheiser's CL 35 USB-C cable (available separately) for direct digital connection to a mobile device's USB Type-C port Compact and Lightweight Measuring just 5" long and weighing only 3.3 ounces, the MKE 400 is an unobtrusive companion for your camera- or smartphone-based video rig; it will never intrude on the shot and it's so light that you'll forget it's even there. Also, the integral shoe mount allows the MKE 400 to be attached directly to your camera, no external hardware required. Highly Directional Sound Pickup Most built-in camera and smartphone microphones are omnidirectional to pick up sound from all directions, which results in undue noise and ambience. The MKE 400 uses a supercardioid polar pattern enhanced by an acoustic interference tube to focus on sources in front of the mic while attenuating side- and rear-entry sound. Low-noise electronics and a sensitive condenser element allow it to deliver more detailed audio than the mics typically found in cameras, mobile devices, and portable recorders. Quick and Secure Hookup to Camera, Smartphone, or Tablet The MKE 400's 3.5mm output port can be connected to a range of devices using the two supplied coiled cables, each featuring a locking 3.5mm TRS plug on one end that prevents accidental disconnection at the mic.   One cable is terminated with a standard 3.5mm TRS plug for compatible hookup to your camera, DSLR, or portable handheld audio recorder, while the other cable has a 3.5mm TRRS plug to allow direct connection to mobile devices such as smartphones and tablets. Headphone Monitoring Port A vital step before recording audio is to check your levels and monitor your sound. While some cameras have a headphone jack, not all do, and that's where the headphone monitoring output comes into play. Plug any 3.5mm headphone directly into the MKE 400 and use the integrated volume control to make sure the sound is clear. Long Battery Life The MKE 400 can run for up to 100 hours on a pair of AAA batteries (available separately), so you'll be able to knock out plenty of shoots before needing new batteries. The low-battery indicator lets you know when you have approximately three hours of operating time remaining. The MKE 400's auto-power function uses plug-in power (2 to 10V) from your device to automatically turn it on and off, preventing unnecessary battery drain. Internal Suspension Mount Minimizes Handling Noise The MKE 400 incorporates internal shock absorption to reject the transfer of vibrations such as camera/smartphone handling noise. Plus, the bottom of the MKE 400 features a camera shoe mount, ensuring simple attachment to your camera or shoe-equipped stand or gimbal. Built-In Wind Protection Minimizes Wind Noise Knowing that the MKE 400 may be used in challenging shooting conditions, Sennheiser designed the MKE 400 with built-in wind protection, enabling the mic to lessen undesirable wind noise from breezes, fans, heaters, and air conditioners without requiring that you slip on a separate foam windscreen. For maximum reduction of wind noise in outdoor environments, use the included furry windshield. Adjustable Gain Achieving proper recording levels is crucial to avoiding distortion. The MKE 400's adjustable sensitivity provides three settings to optimize the mic's audio signal volume. The -20 dB setting is ideal when capturing loud sounds that could distort your recording. The 0 dB position is recommended for normal dialogue levels or when using a high-quality external preamp. Select +20 dB when miking quiet sources or using cameras with low input sensitivity. Low-Cut Filter When excessive low-frequency noise from HVAC systems and traffic interferes with the clarity of your audio, activate the 200 Hz low-cut filter to attenuate bass frequencies while letting crucial midrange and high-frequencies pass through unaffected.  

Vocas LCD monitor support kit for Sony FX6

Vocas LCD monitor support kit for Sony FX6(0700-0205) When the optional Sony eyepiece is used on the Sony FX6 LCD monitor, this bracket offers additional stability and a smooth adjustable friction needed to support the extra weight of the eyepiece. As a result of this the monitor will no longer move spontaneous, resulting in better ergonomics. This kit includes our 56mm long Sony 8T to 15mm viewfinder bracket (0350-1476). This viewfinder bracket replaces the original Sony PXW-FS5 or FX6 viewfinder bracket and offers a stronger, 30 mm longer connection.

Camrade CAM-RAINCVR-RED Raincover for RED

Camrade CAM-RAINCVR-RED (CAM/RAINCVR-RED, CAM/RAINCVR/RED, CAMRAINCVRRED, CAM RAINCVR RED) Raincover for RED Protect your RED camera setup against inclement weather with the camRade rainCover for RED. It is an absolute must have that will prevent water damage to your most valuable piece of equipment. With this rain cover, you can now protect your equipment from the elements without sacrificing your shot. Through years of experience and working closely with the film industry, camRade has improved their designs to perfect solutions for multiple applications. The rainCover for RED is suitable for handheld camera work but is also great while your camera is attached on a tripod, slider, tack system, JIB or any other camera support solution. Durable and functional design Always carry the camRade rainCover for RED with you so you do not get caught out when the weather turns. The cover is supplied in a waterproof zippered pouch, which you can use to store and transport the cover. It is easy to attach and detach the cover, thanks to the convenient design. Leave the bottom open for easy access or close it with the double straps if the wind plays tricks. The blue sliding rail makes it possible to bring the buckles to the desired position when the camera is mounted on a tripod. Clamps around the lens hood Thanks to its 34 cm (13,4”) rubber strip, the rainCover fits correctly on most lenses. The strap supplied with a hook-and-loop fastener makes it possible to tighten the cover on the lens but still lets you operate the lens, due to its spacious design. The supplied zippered lensC M extension, covers and protects longer lenses. For longer lenses camRade is offering an additional camRade rainCover Extension Kit (SKU: CAMRAINCVR-KIT). Includes an unique battery extension The rainCover for RED includes a battery extension cover that offers the possibility to extend the camera up to 20cm (7,9”) at the back. This add-on makes it possible to protect larger batteries, transmitters, or other accessories from the rain Easy access to what is important A vertical hook-and-loop fastener on the top of the cover gives you the option to use a top handle or other top-mounted accessories. Several transparent windows allowing you to see the setting and operate the controls of the camera. The transparent window on top of the cover, allows you to have a clear view of the camera’s monitor. This flap was designed on the dimensions of the RED DSMC2 TOUCH 7.0" monitor, but also covers the smaller 4.7” and 5” models from RED too. It also fits the TVLogic VFM-056, VFM-058WP, VFM-055A and F-5A monitors and a selection of Atomos and SmallHD products. On the left side of the cover, a special compartment is provided that protects a small viewfinder such as the RED BOMB EVF, the DSMC2 RED EVF or a third party VF like the Zacuto Gratical Eye / Kameleon or the PortKeys OEYE.

Panasonic Lumix S5 IIX Body Only

Panasonic Lumix S5 IIX Body Only (PAN-DC-S5M2XE, PAN DC S5M2XE, PAN/DC/S5M2XE) Advanced features like PDAF and I.S. (Image stabilization) make using the LUMIX S5IIX a truly rewarding experience. Capture high-quality photos and video with unlimited recording and enjoy enhanced mobility with this compact full-frame mirrorless camera. ADVANCED FEATURES Phase Hybrid AF dramatically improves subject tracking and recognition performance. Active I.S. Technology The LUMIX S5IIX is optimal for shooting video while walking. A wide variety of video expression options The camera offers a full range of functions to expand the possibilities of expression for creators, including unlimited 4:2:2 10-bit C4K/4K 60p/50p recording, high-resolution 6K (5952x3968, 3:2) (5952x3136, 17:9), and more. New generation of imaging devices The first LUMIX mirrorless camera to feature a 24.2MP CMOS sensor with Phase Detection AF, the LUMIX S5IIX is equipped with a new engine. Designed for durability A highly versatile and durable HDMI Type A terminal is provided. A higher grade of visual expression Enjoy RAW video data output, ProRes recording, All-Intra video, and external USB-SSD recording for professional video production. Streaming options Choose your favourite approach: wireless live streaming (RTMP/RTMPS), USB-tethering (RTMP/RTMPS), and wired live streaming (RTP/RTSP). LUMIX DESIGN PHILOSOPHY: SHAPING EMOTIONS The new all-black design of the LUMIX S5IIX is made to encourage the creator to becomes immersed in capturing the subject, oblivious to the tools in use. It’s designed to harmonize with the shooting environment and prevent reflections on the iris or recording media supporting artistic creativity.   A HIGHER GRADE OF VISUAL EXPRESSION With the LUMIX S5IIX, recording and playback is supported using an external SSD via USB. In addition, the ability to record ProRes 422 HQ (maximum 1.9Gbps) and 4:2:2 10-bit All-Intra directly to SSDs, which combine portability and high capacity has improved efficiency in data backup and post-processing. GO LIVE ANYTIME, ANYWHERE Choose your favorite streaming approach to share your latest in real time! For outdoor use, wireless live streaming (RTMP/RTMPS) is easy to set up with the LUMIX Sync app. For indoor use, highly stable wired live streaming (RTP/RTSP) is also available. Live streaming to the platforms that comply with RTMP/RTMPS is basically possible (Compatibility with all the platforms is not guaranteed.) There may be the cases where the live streaming is not possible when the service of the platform changes. For more information, please refer to the terms and conditions of the platform. ･Since the transmission speed of live streaming varies depending on the Internet environment, smartphone performance, etc., we recommend that you conduct a transmission test in advance. ･A commercially available USB ethernet adaptor is required to convert the DC-S5IIX's USB Type C terminal to a LAN terminal. Compatibilities of USB ethernet adapter: https://panasonic.jp/support/global/cs/dsc/connect/ethernet_adp/index.html PHASE HYBRID AF FOR AGGRESSIVE SHOOTING The most important thing in autofocus is to be dependable. The new Phase Hybrid AF delivers speed and accuracy to help you capture the target subject even in the most challenging scenes where multiple subjects are involved, and even in backlit or low-light environments. GREAT FOR SHOOTING AS YOU WALK: ACTIVE I.S. TECHNOLOGY New Active I.S. lets you walk and shoot at the same time. By determining the status of camera shake and optimizing correction ratios, Active I.S. can compensate for even significant camera shake, approximately 200%* more than conventional systems. *Compared with LUMIX S5. Focal length 20mm, when using S-R2060. HEAT MANAGEMENT FOR UNLIMITED RECORDING TIME 4:2:2 10-bit C4K/4K 60p/50p unlimited recording time.* With a compact body equivalent to the S5, the LUMIX S5IIX’s new optimized heat dissipation structure enables extended recording even when shooting at heavy loads (e.g. high-resolution video over 4K, HFR video). *The camera may stop recording when used in a temperature that is lower or higher than the recommended operating temperature (0 to 40 degrees). Recording stops when the continuous recording time exceeds 30 minutes in [6K/29.97p] [6K/25.00p] [5.9K/29.97p] [5.9K/25.00p] when Thermal Management mode is set to Standard. LUMIX COLOUR SCIENCE TECHNOLOGY The LUMIX commitment to superior image quality The new engine delivers more true-to-life colours, finer resolution, and a natural three-dimensional effect, and combined with Dual Native ISO technology, effectively suppresses noise even when shooting at ultra-high sensitivities, beautifully rendering even dark areas. Easy colour grading with REAL TIME LUT LUT-applied photos and videos can be recorded internally without any special software. Even if you don’t have specialized editing skills, the camera helps you expand your range of expression as much as you want.

Panasonic Lumix DC-S5II Body with Lumix S 20-60mm F3.5-5.6

Panasonic Lumix DC-S5II Body with Lumix S 20-60mm F3.5-5.6 (PAN-DC-S5M2KE, PAN/DC/S5M2KE, PAN DC S5M2KE) Advanced features like PDAF and I.S. (Image stabilization) make using the LUMIX S5II a truly rewarding experience. Capture high-quality photos and video with unlimited recording and enjoy enhanced mobility with this compact full-frame mirrorless camera. ADVANCED FEATURES Phase Hybrid AF Phase Hybrid AF dramatically improves subject tracking and recognition performance. Active I.S. Technology The LUMIX S5II is optimal for shooting video while walking. A wide variety of video expression options The camera offers a full range of functions to expand the possibilities of expression for creators, including unlimited 4:2:2 10-bit C4K/4K 60p/50p recording, high-resolution 6K (5952x3968, 3:2) (5952x3136, 17:9), and more. New generation of imaging devices The first LUMIX mirrorless camera to feature a 24.2MP CMOS sensor with Phase Detection AF, the LUMIX S5II is equipped with a new engine. Designed for durability A highly versatile and durable HDMI Type A terminal is provided. PHASE HYBRID AF FOR AGGRESSIVE SHOOTING The most important thing in autofocus is to be dependable. The new Phase Hybrid AF delivers speed and accuracy to help you capture the target subject even in the most challenging scenes where multiple subjects are involved, and even in backlit or low-light environments. GREAT FOR SHOOTING AS YOU WALK: ACTIVE I.S. TECHNOLOGY New Active I.S. lets you walk and shoot at the same time. By determining the status of camera shake and optimizing correction ratios, Active I.S. can compensate for even significant camera shake, approximately 200%* more than conventional systems. *Compared with LUMIX S5. Focal length 20mm, when using S-R2060. HEAT MANAGEMENT FOR UNLIMITED RECORDING TIME 4:2:2 10-bit C4K/4K 60p/50p unlimited recording time.* With a compact body equivalent to the S5, the LUMIX S5II’s new optimized heat dissipation structure enables extended recording even when shooting at heavy loads (e.g. high-resolution video over 4K, HFR video). *The camera may stop recording when used in a temperature that is lower or higher than the recommended operating temperature (0 to 40 degrees). Recording stops when the continuous recording time exceeds 30 minutes in [6K/29.97p] [6K/25.00p] [5.9K/29.97p] [5.9K/25.00p] when Thermal Management mode is set to Standard. THE LUMIX COMMITMENT TO SUPERIOR IMAGE QUALITY The new engine delivers more true-to-life colours, finer resolution, and a natural three-dimensional effect, and combined with Dual Native ISO technology, effectively suppresses noise even when shooting at ultra-high sensitivities, beautifully rendering even dark areas. EASY COLOUR GRADING WITH REAL TIME LUT LUT-applied photos and videos can be recorded internally without any special software. Even if you don’t have specialized editing skills, the camera helps you expand your range of expression as much as you want. TOUGH BODY FOR A WIDE RANGE OF WEATHER CONDITIONS The camera can be used in a wide range of weather conditions. The durable magnesium alloy full die-cast frame and sealing of all joints, dials, and buttons make it dust- and splash-resistant*. *Dust- and splash-resistant does not guarantee that damage will not occur if this camera is subjected to direct contact with dust and water. INTUITIVE OPERATION The intuitive, well-calculated layout and 8-directional joystick allow you to select the focus area intuitively with simple, one-thumb operation for speedy shooting.

Kondor Blue lws arri bridge plate with riser for arri alexa mini- black

lws arri bridge plate with riser for arri alexa mini- black(KON-UARRI_BRP_AR_BK, KONUARRI_BRP_AR_BK, KON/UARRI_BRP_AR_BK) Bridge Plate which supports 15mm LWS rods and the industry-standard ARRI dovetail connection making it ideal to build your large setups.  

Kondor Blue lws arri bridge plate with riser for arri alexa mini- space grey

lws arri bridge plate with riser for arri alexa mini- space grey(KON-UARRI_BRP_AR, KONUARRI_BRP_AR, KON/UARRI_BRP_AR) Bridge Plate which supports 15mm LWS rods and the industry-standard ARRI dovetail connection making it ideal to build your large setups.  

Kondor Blue canon c70 top plate- black

canon c70 top plate- black( KON-CC70_TP_BK, KONCC70_TP_BK, KON/CC70_TP_BK)

Kondor Blue 12" arri lightweight dovetail plate

12" arri lightweight dovetail plate( KON-ARRI_DP, KONARRI_DP, KON/ARRI_DP) Use our perfectly symmetrical ARRI Standard 12" Dovetail Plate when balancing front- or back-heavy camera loads with a smooth back and forth slide.  Safety release buttons on each side prevent your equipment from accidentally sliding off the plate.  There are plenty of 1/4"-20 and 3/8"-16 threads down the center of the plate for versatile mounting.  This plate is designed to be identically functional from the front and back.  

Kondor Blue 12" arri lightweight dovetail plate

12" arri lightweight dovetail plate(KON-ARRI_DP_BK, KONARRI_DP_BK, KON/ARRI_DP_BK) Use our perfectly symmetrical ARRI Standard 12" Dovetail Plate when balancing front- or back-heavy camera loads with a smooth back and forth slide.  Safety release buttons on each side prevent your equipment from accidentally sliding off the plate.  There are plenty of 1/4"-20 and 3/8"-16 threads down the center of the plate for versatile mounting.  This plate is designed to be identically functional from the front and back.  

Kondor Blue shoulder rig pro- black

shoulder rig pro- black ( KON-SPAGPR_BK, KONSPAGPR_BK, KON/SPAGPR_BK)

Kondor Blue shoulder rig pro- space grey

shoulder rig pro- space grey (KON-SPAVPR, KON SPAVPR, KON/SPAVPR)

Kondor Blue shoulder pad air- space grey

shoulder pad air- space grey( KON-SPA, KONSPA, KON/SPA)

Kondor Blue shoulder pad air- black

shoulder pad air- black ( KON-SPA_BK, KONSPA_BK, KON/SPA_BK)

Kondor Blue cine magic arm pro 8- space grey

 cine magic arm pro 8- space grey (KON-MAGICARM_PRO8, KONMAGICARM_PRO8, KON/MAGICARM_PRO8)

Kondor Blue cine magic arm pro 8- raven black

cine magic arm pro 8- raven black(KON-MAGICARM_PRO8_Bk, KONMAGICARM_PRO8_Bk, KON/MAGICARM_PRO8_Bk)

Kondor Blue z cam cage e2 flagship cage (m4 s6 f6 f8)- with top handle

z cam cage e2 flagship cage (m4 s6 f6 f8)- with top handle (KON-ZCAM_SCAGE, KON ZCAM_SCAGE, KON/ZCAM_SCAGE)

Kondor Blue z cam cage e2 flagship cage (m4 s6 f6 f8)- without top handle

z cam cage e2 flagship cage (m4 s6 f6 f8)- without top handle (KON-ZCAM_SCAGE_CO, KON-ZCAM_SCAGE_CO, KON-ZCAM_SCAGE_CO)

Kondor Blue z cam cage e2 flagship cage (m4 s6 f6 f8)- with top handle (black)

z cam cage e2 flagship cage (m4 s6 f6 f8)- with top handle (black) (KON-ZCAM_BK, KON ZCAM_BK, KON/ZCAM_BK)

Kondor Blue z cam cage e2 flagship cage (M4 S6 F6 F8)- witout top handle (black)

z cam cage e2 flagship cage (M4 S6 F6 F8)- witout top handle (black) (KON-ZCAM_CO_BK, KONZCAM_CO_BK, KON/ZCAM_CO_BK)

Kondor Blue ursa mini cage (12k, 4.6k, 4k)- without top handle (space grey)

ursa mini cage (12k, 4.6k, 4k)- without top handle (space grey)(KON-URSAM_CO, KONURSAM_CO, KON/URSAM_CO)

Kondor Blue ursa mini cage (12k, 4.6k, 4k)- with top handle (black)

ursa mini cage (12k, 4.6k, 4k)- with top handle (black)( KON-URSAM_BK, KONURSAM_BK, KON/URSAM_BK)

Kondor Blue ursa mini cage (12k, 4.6k, 4k)- without top handle (black)

ursa mini cage (12k, 4.6k, 4k)- without top handle (black)(KON-URSAM_CO_BK, KON URSAM_CO_BK, KON/URSAM_CO_BK)

Kondor Blue ursa mini cage (12k, 4.6k, 4k)- with top handle (space grey)

ursa mini cage (12k, 4.6k, 4k)- with top handle (space grey)(KON-URSAM, KONURSAM, KON/URSAM)

Kondor Blue ursa mini base rig (12k/4.6k/4k)- black

ursa mini base rig (12k/4.6k/4k)- black(KON-URSAM_BASERIG_BK, KONURSAM_BASERIG_BK, KON/URSAM_BASERIG_BK)

Kondor Blue ursa mini base rig (12k/4.6k/4k)- space grey

ursa mini base rig (12k/4.6k/4k)- space grey(KON-URSAM_BASERIG, KONURSAM_BASERIG, KON/URSAM_BASERIG)

Kondor Blue sony fx3 cage- with top handle (black)

sony fx3 cage- with top handle (black) (KON-SFX3_BK, KON SFX3_BK, KON/SFX3_BK)

Kondor Blue sony fx3 cage- without top handle (space grey)

sony fx3 cage- without top handle (space grey) (KON-SFX3_CO, KONSFX3_CO, KON/SFX3_CO)

Kondor Blue sony fx3 cage- without top handle (black)

sony fx3 cage- without top handle (black)(KON-SFX3_CO_BK, KONSFX3_CO_BK, KON/SFX3_CO_BK)

Kondor Blue sony a1/a7 series cage (a1/a7s3/a74)- with trigger top handle (black)

sony a1/a7 series cage (a1/a7s3/a74)- with trigger top handle (black) (KON-SONYA7R_BK, KONSONYA7R_BK, KON/SONYA7R_BK)

Kondor Blue panasonic lumix s5ii/x cage- with top handle (space grey)

panasonic lumix s5ii/x cage- with top handle (space grey) (KON-PS5II, KON-PS5II, KON-PS5II) Pound for pound, the Panasonic S5II/S5IIX swings way above its weight class. To have such a feature-rich option at its price point is truly remarkable. As such, we wanted to create a cage ecosystem that would match the camera’s prowess. The S5II/S5IIX cage features an evolution of the KONDOR BLUE Mid-Rail that was introduced on the KONDOR BLUE Panasonic GH6 Cage. This greatly enhances the overall strength and rigidity of the rig. Additionally, the nested strap loop inserts keep this cage mounted rock-solid to the camera body. The Left Side and Top Plates are securely interlocked with an Arri Rosette. The rosette is perfectly placed to be used with the KONDOR BLUE Wing Side Handle which features run/stop functionality. The combination makes for an amazing run-n-gun setup. Per usual, the cage comes fully loaded with all the KONDOR BLUE perks–built-in tools, standard mounting holes/patterns, and bubble level. On top of that, the cage is backed by our lifetime warranty which our customers love. Designed to protect, amplify, and inspire, the KONDOR BLUE Panasonic S5II/S5IIX Cage was made for creators who aren’t looking to compromise.  

Kondor Blue panasonic lumix s5ii/x cage- with top handle (raven black)

panasonic lumix s5ii/x cage- with top handle (raven black) (KON-PS5II_BK, KON PS5II_BK, KON/PS5II_BK)   Pound for pound, the Panasonic S5II/S5IIX swings way above its weight class. To have such a feature-rich option at its price point is truly remarkable. As such, we wanted to create a cage ecosystem that would match the camera’s prowess. The S5II/S5IIX cage features an evolution of the KONDOR BLUE Mid-Rail that was introduced on the KONDOR BLUE Panasonic GH6 Cage. This greatly enhances the overall strength and rigidity of the rig. Additionally, the nested strap loop inserts keep this cage mounted rock-solid to the camera body.   The Left Side and Top Plates are securely interlocked with an Arri Rosette. The rosette is perfectly placed to be used with the KONDOR BLUE Wing Side Handle which features run/stop functionality. The combination makes for an amazing run-n-gun setup.   Per usual, the cage comes fully loaded with all the KONDOR BLUE perks–built-in tools, standard mounting holes/patterns, and bubble level. On top of that, the cage is backed by our lifetime warranty which our customers love. Designed to protect, amplify, and inspire, the KONDOR BLUE Panasonic S5II/S5IIX Cage was made for creators who aren’t looking to compromise.  

Kondor Blue panasonic lumix s5ii/x cage- without top handle (space grey)

panasonic lumix s5ii/x cage- without top handle (space grey) (KON-PS5II_CO, KON PS5II_CO, KON/PS5II_CO)   Pound for pound, the Panasonic S5II/S5IIX swings way above its weight class. To have such a feature-rich option at its price point is truly remarkable. As such, we wanted to create a cage ecosystem that would match the camera’s prowess. The S5II/S5IIX cage features an evolution of the KONDOR BLUE Mid-Rail that was introduced on the KONDOR BLUE Panasonic GH6 Cage. This greatly enhances the overall strength and rigidity of the rig. Additionally, the nested strap loop inserts keep this cage mounted rock-solid to the camera body.    The Left Side and Top Plates are securely interlocked with an Arri Rosette. The rosette is perfectly placed to be used with the KONDOR BLUE Wing Side Handle which features run/stop functionality. The combination makes for an amazing run-n-gun setup.     Per usual, the cage comes fully loaded with all the KONDOR BLUE perks–built-in tools, standard mounting holes/patterns, and bubble level. On top of that, the cage is backed by our lifetime warranty which our customers love. Designed to protect, amplify, and inspire, the KONDOR BLUE Panasonic S5II/S5IIX Cage was made for creators who aren’t looking to compromise.

Kondor Blue panasonic lumix s5ii/x cage- without top handle (raven black)

panasonic lumix s5ii/x cage- without top handle (raven black) (KON-PS5II_CO_BK, KON-PS5II_CO_BK,KON-PS5II_CO_BK)   Pound for pound, the Panasonic S5II/S5IIX swings way above its weight class. To have such a feature-rich option at its price point is truly remarkable. As such, we wanted to create a cage ecosystem that would match the camera’s prowess. The S5II/S5IIX cage features an evolution of the KONDOR BLUE Mid-Rail that was introduced on the KONDOR BLUE Panasonic GH6 Cage. This greatly enhances the overall strength and rigidity of the rig. Additionally, the nested strap loop inserts keep this cage mounted rock-solid to the camera body.   The Left Side and Top Plates are securely interlocked with an Arri Rosette. The rosette is perfectly placed to be used with the KONDOR BLUE Wing Side Handle which features run/stop functionality. The combination makes for an amazing run-n-gun setup.     Per usual, the cage comes fully loaded with all the KONDOR BLUE perks–built-in tools, standard mounting holes/patterns, and bubble level. On top of that, the cage is backed by our lifetime warranty which our customers love. Designed to protect, amplify, and inspire, the KONDOR BLUE Panasonic S5II/S5IIX Cage was made for creators who aren’t looking to compromise.

Kondor Blue panasonic lumix gh6 cage- with top handle (black)

panasonic lumix gh6 cage- with top handle (black) (KON-PLGH6_BK, KONnPLGH6_BK, KON/PLGH6_BK) The Panasonic GH6 cage is built for versatility and ease of use for productions of any size. The cage comes loaded with industry standard mounting points including NATO rail, Arri mounts, and ¼ 20s. All of the cage assembly tools are integrated seamlessly into the cage body. Also included, a bubble level in the Top Plate to make finding your horizon line fast and simple.  

Kondor Blue panasonic lumix gh6 cage- with top handle (space grey)

panasonic lumix gh6 cage- with top handle (space grey)(KON-PLGH6, KONPLGH6, KON/PLGH6) The Panasonic GH6 cage is built for versatility and ease of use for productions of any size. The cage comes loaded with industry standard mounting points including NATO rail, Arri mounts, and ¼ 20s. All of the cage assembly tools are integrated seamlessly into the cage body. Also included, a bubble level in the Top Plate to make finding your horizon line fast and simple.

Kondor Blue leica sl2/sl2s cage- with top handle (space grey)

leica sl2/sl2s cage- with top handle (space grey)(KON-LSL2, KON LSL2, KON/LSL2) This cage comes loaded with what you’ve come to expect from Kondor Blue: standard mounting points, safety pin NATOs & cold shoes, and precision fitting. Enjoy the extra secure fit with strap slots on each side and our tool-less cold shoe bubble level tightening system. Enjoy the SL2 in all its glory in both photo and video modes.  

Kondor Blue leica sl2/sl2s cage- with top handle (raven black)

leica sl2/sl2s cage- with top handle (raven black) (KON-LSL2_BK, KONLSL2_BK, KON/LSL2_BK) This cage comes loaded with what you’ve come to expect from Kondor Blue: standard mounting points, safety pin NATOs & cold shoes, and precision fitting. Enjoy the extra secure fit with strap slots on each side and our tool-less cold shoe bubble level tightening system. Enjoy the SL2 in all its glory in both photo and video modes.  

Kondor Blue leica sl2/sl2s cage- without top handle (black)

leica sl2/sl2s cage- without top handle (black) (KON-LSL2_CO_BK, KON LSL2_CO_BK, KON/LSL2_CO_BK) This cage comes loaded with what you’ve come to expect from Kondor Blue: standard mounting points, safety pin NATOs & cold shoes, and precision fitting. Enjoy the extra secure fit with strap slots on each side and our tool-less cold shoe bubble level tightening system. Enjoy the SL2 in all its glory in both photo and video modes.  

Kondor Blue leica sl2/sl2s cage- without top handle (space grey)

leica sl2/sl2s cage- without top handle (space grey) (KON-LSL2_CO, KON LSL2_CO, KON/LSL2_CO) This cage comes loaded with what you’ve come to expect from Kondor Blue: standard mounting points, safety pin NATOs & cold shoes, and precision fitting. Enjoy the extra secure fit with strap slots on each side and our tool-less cold shoe bubble level tightening system. Enjoy the SL2 in all its glory in both photo and video modes.  

Kondor Blue Director's Monitor Rig Kit w/ V-Mount Space Grey

Kondor Blue Director's Monitor Rig Kit w/ V-Mount Space Grey (KON-DMPK, KON DMPK, KON/DMPK)   The Director’s Monitor Pro Kit builds upon the foundation of the Kondor Blue Director’s Monitor Indie kit. The 3.5” Monitor Cage Rail can be mounted to the top or bottom of your monitor. Then the Core Bracket can be attached via the nato clamp. Branching out from the Core Bracket is our 8” PPSH 15mm rod capped with a pair of Kondor Blue QR Rosette Hand Grips for quick adjustment of grip angles. The 15mm rod mount on the Core Bracket features a unique dual clamping mechanism to prevent the monitor from slipping under its own weight.    The Kondor Blue D-Tap Hub mounts to the retractable Arri pins and serves as the center of power distribution for the kit. The 2” Monitor Cage Rail can mount on the Arri mount adjacent to the cold shoe on the Core Bracket or on the bottom of your monitor. This is then used to quickly mount on and off to the Nato to Spigot Clamp designed to be mounted to a light or C-stand.    Additional mounting points can be found throughout the rig. The cold shoe on the Core Bracket is a great spot for a wireless receiver, and the ¼ 20 threads on the bottom of the hand grips are ideal for ¼” Loop Screws for Straps, and of course mounting points throughout for Mondo Ties Cable management.    Every component of the V Mount Battery Plate is machined to ensure durability and accuracy—you can confidently set the Pro Kit down without fear of the V Mount popping off.    The modular design of the Pro Kit allows for a variety of setups and accessorizing. We can’t wait to see how it will be used on sets all over the world.    

Kondor Blue director's monitor v mount kit- raven black

director's monitor v mount kit- raven black( KON-DMVK_BK, KON DMVK_BK, KON/DMVK_BK)   Speed and versatility—those were the two words that continued to inspire the design of the Kondor Blue Director’s Monitor V Mount Kit. At its essence, it’s a nato bracket and a V Mount Battery Plate, but can be expanded out or kept small depending on your production’s needs. The V Mount Kit can be mounted from the top or bottom monitor and pairs perfectly with our Monitor Nato Rails.     Building out from the main Monitor Bracket is our 12” PPSH 15mm rod and capped with Kondor Blue Hand Grips for 15mm rods. The bracket features a unique dual clamping mechanism to prevent the monitor from slipping under its own weight. The top cold shoe is a great spot for a wireless receiver, and the retractable Arri pins are ideally positioned to work in conjunction with the newly designed Kondor Blue D-Tap Hub.   Every component of the V Mount Battery Plate is machined to ensure durability and accuracy—you can confidently set the kit down without fear of the V Mount popping off.   The modular design of the V Mount Kit allows for a variety of setups and accessorizing. We can’t wait to see how it will be used on sets all over the world.

Kondor Blue director's monitor v mount kit- space grey

director's monitor v mount kit- space grey(KON-DMVK, KON-DMVK, KON-DMVK) Speed and versatility—those were the two words that continued to inspire the design of the Kondor Blue Director’s Monitor V Mount Kit. At its essence, it’s a nato bracket and a V Mount Battery Plate, but can be expanded out or kept small depending on your production’s needs. The V Mount Kit can be mounted from the top or bottom monitor and pairs perfectly with our Monitor Nato Rails. Building out from the main Monitor Bracket is our 12” PPSH 15mm rod and capped with Kondor Blue Hand Grips for 15mm rods. The bracket features a unique dual clamping mechanism to prevent the monitor from slipping under its own weight. The top cold shoe is a great spot for a wireless receiver, and the retractable Arri pins are ideally positioned to work in conjunction with the newly designed Kondor Blue D-Tap Hub. Every component of the V Mount Battery Plate is machined to ensure durability and accuracy—you can confidently set the kit down without fear of the V Mount popping off. The  modular design of the V Mount Kit allows for a variety of setups and accessorizing. We can’t wait to see how it will be used on sets all over the world.

Kondor Blue director's monitor indie kit- raven black

director's monitor indie kit- raven black ( KON-DMIK_BK, KON DMIK_BK, KON/DMIK_BK) The Director’s Monitor Rig Indie Kit builds upon the foundation of the Kondor Blue Director’s Monitor V-Mount kit. The 3.5” Monitor Cage Rail can be mounted to the top or bottom of your monitor. Then the Core Bracket can be attached via the nato clamp. Branching out from the Core Bracket is our 12” PPSH 15mm rod capped with a pair of Kondor Blue Hand Grips for 15mm rods. The 15mm rod mount on the Core Bracket features a unique dual clamping mechanism to prevent the monitor from slipping under its own weight.  Additional mounting points can be found throughout the monitor rig. The cold shoe on the Core Bracket is a great spot for a wireless receiver, and the retractable Arri pins are ideally positioned to work in conjunction with the newly designed Kondor Blue D-Tap Hub. The ¼ 20 threads on the bottom of the hand grips are ideal for ¼” Loop Screws for Straps, and of course mounting points throughout for our Mondo Ties cable management.  Every component of the V-Mount Battery Plate is machined to ensure durability and accuracy—you can confidently set the Indie Kit down without fear of the V-Mount popping off.  The modular design of the Indie Monitor Rig Kit allows for a variety of setups and accessorizing. We can’t wait to see how it will be used on sets all over the world.    

Kondor Blue canon r5c cine cage with top handle- raven black

canon r5c cine cage with top handle- raven black ( KON-CR5C_Bk, KON CR5C_Bk, KON/CR5C_Bk)   The Canon 5 & R lines have always been incredibly popular. The Canon R5C is no exception and it seamlessly bridges the hybrid photo/video model in one compact package. The goal with any cage we produce is to magnify and enhance features of the camera without interfering with any of their intended functionality. That’s why we specifically designed a specialized cage for this new camera.   Canon, as well as many other brands, have developed a unique set of adapters and filter systems to be used with the RF mount. The issue many cages on the market currently face is with their Left Side rails. The rail is often too far forward causing interference with drop-in filters. We intentionally avoided that area altogether while adding in a simple solution for the HDMI Micro and USB C bracket.   Being part of the Canon Cinema line is not as simple as adding a red C to the camera body. To honor the cinematic nature of this 8k beast, we’ve added key details such as a Sensor Plane Marker for accurately measuring focus marks when using manual lenses. The sensor height is also 85mm from the 15mm rods in our Base and Ultimate Rig Bundle options for seamless integration with professional matte boxes.   The Canon R5C cage is built for versatility and ease of use for productions of any size. Be sure to explore all of the Kondor Blue ecosystem as it will further enhance all of the features of this one-of-a-kind cage.

Kondor Blue canon r5c cine cage with top handle- space grey

canon r5c cine cage with top handle- space grey ( KON-CR5C, KON CR5C, KON/CR5C)   The Canon 5 & R lines have always been incredibly popular. The Canon R5C is no exception and it seamlessly bridges the hybrid photo/video model in one compact package. The goal with any cage we produce is to magnify and enhance features of the camera without interfering with any of their intended functionality. That’s why we specifically designed a specialized cage for this new camera.   Canon, as well as many other brands, have developed a unique set of adapters and filter systems to be used with the RF mount. The issue many cages on the market currently face is with their Left Side rails. The rail is often too far forward causing interference with drop-in filters. We intentionally avoided that area altogether while adding in a simple solution for the HDMI Micro and USB C bracket.   Being part of the Canon Cinema line is not as simple as adding a red C to the camera body. To honor the cinematic nature of this 8k beast, we’ve added key details such as a Sensor Plane Marker for accurately measuring focus marks when using manual lenses. The sensor height is also 85mm from the 15mm rods in our Base and Ultimate Rig Bundle options for seamless integration with professional matte boxes.   The Canon R5C cage is built for versatility and ease of use for productions of any size. Be sure to explore all of the Kondor Blue ecosystem as it will further enhance all of the features of this one-of-a-kind cage.

Kondor Blue canon r5c cine cage (cage only)- space grey

canon r5c cine cage (cage only)- space grey ( KON-CR5C_CO, KON CR5C_CO, KON/CR5C_CO)   The Canon 5 & R lines have always been incredibly popular. The Canon R5C is no exception and it seamlessly bridges the hybrid photo/video model in one compact package. The goal with any cage we produce is to magnify and enhance features of the camera without interfering with any of their intended functionality. That’s why we specifically designed a specialized cage for this new camera.   Canon, as well as many other brands, have developed a unique set of adapters and filter systems to be used with the RF mount. The issue many cages on the market currently face is with their Left Side rails. The rail is often too far forward causing interference with drop-in filters. We intentionally avoided that area altogether while adding in a simple solution for the HDMI Micro and USB C bracket.   Being part of the Canon Cinema line is not as simple as adding a red C to the camera body. To honor the cinematic nature of this 8k beast, we’ve added key details such as a Sensor Plane Marker for accurately measuring focus marks when using manual lenses. The sensor height is also 85mm from the 15mm rods in our Base and Ultimate Rig Bundle options for seamless integration with professional matte boxes.   The Canon R5C cage is built for versatility and ease of use for productions of any size. Be sure to explore all of the Kondor Blue ecosystem as it will further enhance all of the features of this one-of-a-kind cage.  

Kondor Blue canon r5/r6/r cage with battery grip- with top handle (space grey)

canon r5/r6/r cage with battery grip- with top handle (space grey) (KON-CANON_CAGEGRIP, KON CANON_CAGEGRIP, KON/CANON_CAGEGRIP)

Kondor Blue canon r5/r6/r cage with battery grip- without top handle

canon r5/r6/r cage with battery grip- without top handle ( KON-CANON_CAGEGRIP_CO, KON CANON_CAGEGRIP_CO, KON/CANON_CAGEGRIP_CO)

Kondor Blue canon r5/r6/r cage with battery grip- with top handle (black)

canon r5/r6/r cage with battery grip- with top handle (black) (KON-CANON_CAGEGRIP_BK, KON CANON_CAGEGRIP_BK, KON/CANON_CAGEGRIP_BK)

Kondor Blue canon r5/r6/r cage with batttery grip- without top handle (black)

canon r5/r6/r cage with batttery grip- without top handle (black) ( KON-CANON_CAGEGRIP_CO_BK, KONCANON_CAGEGRIP_CO_BK, KON/CANON_CAGEGRIP_CO_BK)

Kondor Blue canon r5/r6/r cage- without top handle (space grey)

canon r5/r6/r cage- without top handle (space grey) (KON-CANON_CAGE_CO, v, KON CANON_CAGE_CO, KON/CANON_CAGE_CO)

Kondor Blue canon c70 cinema base rig- space grey

canon c70 cinema base rig- space grey (KON-CC70_BASERIG, KON CC70_BASERIG, KON/CC70_BASERIG)

Kondor Blue canon c70 cage- without top handle (space grey)

canon c70 cage- without top handle (space grey) (KON-CC70_CO, KONCC70_CO, KON/CC70_CO)

Kondor Blue canon c70 cage- with top handle (black)

canon c70 cage- with top handle (black) (KON-CC70_BK, KON CC70_BK, KON/CC70_BK)

Kondor Blue bmpcc 6k pro cage with battery grip- space grey

bmpcc 6k pro cage with battery grip- space grey(KON-BMPCC6KP_GRIP, KON BMPCC6KP_GRIP, KON/BMPCC6KP_GRIP)

Kondor Blue bmpcc 6k pro cage with battery grip- black

bmpcc 6k pro cage with battery grip- black (KON-BMPCC6KP_GRIP_BK, KONBMPCC6KP_GRIP_BK, KONBMPCC6KP_GRIP_BK)

Kondor Blue bmpcc 6k pro cage battery grip- space grey

bmpcc 6k pro cage battery grip- space grey (KON-BMPCC6KP_GRIPTH, KON-BMPCC6KP_GRIPTH, KON-BMPCC6KP_GRIPTH)

Kondor Blue bmpcc 6k pro cage battery grip- black

bmpcc 6k pro cage battery grip- black (KON-BMPCC6KP_GRIPTH_BK, KON-BMPCC6KP_GRIPTH_BK, KON-BMPCC6KP_GRIPTH_BK)

Kondor Blue blackmagic pocket 6k pro cage- with top handle (black)

blackmagic pocket 6k pro cage- with top handle (black) ( KON-BMPCC6KP_BK, KONBMPCC6KP_BK, KON/BMPCC6KP_BK)

Kondor Blue blackmagic pocket 6k pro base rig- black

blackmagic pocket 6k pro base rig- black (KON-BMPCC6KP_BASERIG_BK, KON BMPCC6KP_BASERIG_BK, KON/BMPCC6KP_BASERIG_BK)

Kondor Blue blackmagic pocket 6k pro base rig- space grey

blackmagic pocket 6k pro base rig- space grey (KON-BMPCC6KP_BASERIG, KONBMPCC6KP_BASERIG, KON/BMPCC6KP_BASERIG)  

Libec JB50 KIT JB50, T102B and DL-8RB Kit with Carrying Cases

Libec JB50 KIT (JB50-KIT, JB50/KIT, JB50KIT, JB50_KIT) JB50, T102B and DL-8RB Kit with Carrying Cases The JB50 is equipped with a telescopic arm extendable to 90cm/35.5" that offers you higher angles than our existing Libec jib arms. With this new JB50, you can achieve dynamic high-angle shots by using in conjunction with remote head, as well as delicate camerawork operated from the front. Quick and easy set up. Portable and light weight in the carrying case excluding weights. Achieve your ideal shot with only a small crew, anytime anywhere. The telescopic jib arm JB50 offers you an all-round support, true to its name. Telescopic jib-No extra arms required The main feature of the JB50 is its easily adjustable telescopic arm by turning the arms' lock levers. In addition, using the supplied hexagon wrench, the arm can be slid back 30cm/12.0" towards the rear of the jib. The JB50 is designed to accommodate every shooting scenario including small indoor and outdoor spaces for detailed and dynamic shots accompanied by a remote head. User-friendly design 1/4" and 3/8" screw holes are strategecally placed on the support arm and head mount platform, and this allows ideal positioning of LCD monitors. A support column is also equipped with attachments, and this allows you to attach our AS-7K accessory support on the right and left sides. Our new weight bar is designed to be used with a remote head. Control box and the HANDLE50 can be easily attached to the weight bar. Standard kit of the SWIFT JIB50 comes with carrying cases for each item: jib arm, tripod and dolly.  

Libec JB50 Extendable Jib Arm with Carrying Case

Libec JB50 (JB-50, JB/50, JB_50, JB 50) Extendable Jib Arm with Carrying Case The JB50 is equipped with a telescopic arm extendable to 90cm/35.5" that offers you higher angles than our existing Libec jib arms. With this new JB50, you can achieve dynamic high-angle shots by using in conjunction with remote head, as well as delicate camerawork operated from the front. Quick and easy set up. Portable and light weight in the carrying case excluding weights. Achieve your ideal shot with only a small crew, anytime anywhere. The telescopic jib arm JB50 offers you an all-round support, true to its name. Telescopic jib-No extra arms required The main feature of the JB50 is its easily adjustable telescopic arm by turning the arms' lock levers. In addition, using the supplied hexagon wrench, the arm can be slid back 30cm/12.0" towards the rear of the jib. The JB50 is designed to accommodate every shooting scenario including small indoor and outdoor spaces for detailed and dynamic shots accompanied by a remote head. User-friendly design 1/4" and 3/8" screw holes are strategecally placed on the support arm and head mount platform, and this allows ideal positioning of LCD monitors. A support column is also equipped with attachments, and this allows you to attach our AS-7K accessory support on the right and left sides. Our new weight bar is designed to be used with a remote head. Control box and the HANDLE50 can be easily attached to the weight bar.  

Libec HS-150MC Tripod System with Mid-level Spreader

Libec HS-150MC (HS/150MC, HS_150MC, HS150MC, HS 150MC) HS-150MC Tripod System with Mid-level Spreader HS-150MC Tripod System from Libec features 2-stage legs with a 6.6 lb load capacity, a 75mm fluid head, a compatible mid-level spreader, three rubber feet, and a carrying case to bring it to set. Intuitive adjustment of pan, tilt, and counterbalance makes for a customizable experience. Aluminum construction creates a lightweight and durable tripod design. Perfect Counterbalance With Libec’s continuous counterbalance, the newly designed fluid head offers ultra-smooth movements. Allowing even lightweight cameras to balance. Counterbalance Meter This will allow users to quickly recalibrate for different cameras on the head. Advanced Drag System The metal drag system reduces backlash and allows operation in extreme temperatures --40˚C/-40˚F up to +60˚C/+140˚F. Accessory port, Dual head, Snap on release plate and LED bubble balance as standard.  

Libec HS-150C Tripod System with Floor Spreader

Libec HS-150C (HS/150C, HS_150C, HS150C, HS 150C) Tripod System with Floor Spreader HS-150C Tripod System from Libec supports a load up to 6.6 lb and features 2-stage aluminum legs, a durable 75mm fluid head, a sturdy ground spreader, and a carrying case to bring it to set. Intuitive adjustment of pan, tilt, and counterbalance makes for a customizable experience. Aluminum construction creates a lightweight and durable tripod design. Perfect Counterbalance With Libec’s continuous counterbalance, the newly designed fluid head offers ultra-smooth movements. Allowing even lightweight cameras to balance. Counterbalance Meter This will allow users to quickly recalibrate for different cameras on the head. Advanced Drag System The metal drag system reduces backlash and allows operation in extreme temperatures --40˚C/-40˚F up to +60˚C/+140˚F. Accessory port, Dual head, Snap on release plate and LED bubble balance as standard.

HedBox PROBANK-2M High Capacity 300Wh Professional Power Bank Set

HedBox PROBANK-2M (PROBANK/2M, PROBANK_2M, PROBANK 2M, PROBANK2M) High Capacity 300Wh Professional Power Bank Set The Hedbox power bank set provides a continuous power supply to all units used in the studio and in the field. Using the Hedbox DC Power Cable RPC-DC4X4 XLR female to male (included in the kit) the set provides a constant DC power supply for video, audio, and lighting equipment with total independence of a regular AC power supply. LED Display Screen LED display provides a clear, accurate, and precise display of power status, charging status, battery channel status, and power bank mode. The displayed charging mode (Adapter UPS LED Light ON) provides a clear insight into which channel (CH1 or CH2) of the power bank mode is active. With a bright and intense light, the readout function is enabled in the dark. Integrated locking support stand The power bank unit is equipped with extra support stands making it easy to operate. The support stands to provide extra stability while charging only one battery. 2-ch Sequential Power Mode The Hedbox power bank offers a 2-Ch sequential power mode. It allows operation with 1 or 2 batteries in the system. When using the 2 channel battery power bank, the system will first use the battery in channel 1 followed by the battery in channel 2 when the first is drained, providing a continuous power supply with no delay. DC Out 16.5V / 4.5A With a 4-pin XLR female connector on the front panel, the PROBANK system provides extra DC output for supplying constant power to external units like professional camcorders, video monitors, LED lights, and other professional broadcast products. Connected with specially designed Hedbox professional high flexibility power cable RPC-DC4X4-4pin XLR female to male (included in the box), the charger can be used as an AC-DC adaptor of DC 14.5V/4.5A, 75W output. Charging Technology Intelligent Charging Systems of POWERBANK integrate the control systems within the charger and the electronics within the battery to allow precision control over the charging process. As a safety precaution with high-capacity batteries, a pre-charging stage (trickle charge) is used. Constant current/constant voltage (CC/CV) charging mode is an effective way to charge lithium batteries. It is used to charge the battery from 0% to 80% (RED light ON). When the battery is charged to 80%, impulse voltage charging (GREEN Light ON) takes over until the battery reaches 100%. The charger CPU automatically adjusts the charging current to be lower than the max charging current that the battery can accept. When the battery is fully charged, this state is stopped.    

HedBox PROBANK-2XL High Capacity 600Wh Professional Power Bank Set

HedBox PROBANK-2XL (PROBANK/2XL, PROBANK_2XL, PROBANK2XL, PROBANK 2XL) High Capacity 600Wh Professional Power Bank Set The Hedbox power bank set provides a continuous power supply to all units used in the studio and in the field. Using the Hedbox DC Power Cable RPC-DC4X4 XLR female to male (included in the kit) the set provides a constant DC power supply for video, audio, and lighting equipment with total independence of a regular AC power supply. LED Display Screen LED display provides a clear, accurate, and precise display of power status, charging status, battery channel status, and power bank mode. The displayed charging mode (Adapter UPS LED Light ON) provides a clear insight into which channel (CH1 or CH2) of the power bank mode is active. With a bright and intense light, the readout function is enabled in the dark. Integrated locking support stand The power bank unit is equipped with extra support stands making it easy to operate. The support stands to provide extra stability while charging only one battery. 2-ch Sequential Power Mode The Hedbox power bank offers a 2-Ch sequential power mode. It allows operation with 1 or 2 batteries in the system. When using the 2 channel battery power bank, the system will first use the battery in channel 1 followed by the battery in channel 2 when the first is drained, providing a continuous power supply with no delay. DC Out 16.5V / 4.5A With a 4-pin XLR female connector on the front panel, the PROBANK system provides extra DC output for supplying constant power to external units like professional camcorders, video monitors, LED lights, and other professional broadcast products. Connected with specially designed Hedbox professional high flexibility power cable RPC-DC4X4-4pin XLR female to male (included in the box), the charger can be used as an AC-DC adaptor of DC 14.5V/4.5A, 75W output. Charging Technology Intelligent Charging Systems of POWERBANK integrate the control systems within the charger and the electronics within the battery to allow precision control over the charging process. As a safety precaution with high-capacity batteries, a pre-charging stage (trickle charge) is used. Constant current/constant voltage (CC/CV) charging mode is an effective way to charge lithium batteries. It is used to charge the battery from 0% to 80% (RED light ON). When the battery is charged to 80%, impulse voltage charging (GREEN Light ON) takes over until the battery reaches 100%. The charger CPU automatically adjusts the charging current to be lower than the max charging current that the battery can accept. When the battery is fully charged, this state is stopped.

Panasonic PAN-AW-HE145KEJ HD Integrated Camera - Black

Panasonic PAN-AW-HE145KEJ (PAN/AW-HE145KEJ, PAN/AW/HE145KEJ, PAN AW HE145KEJ, PANAWHE145KEJ) HD Integrated Camera - Black The HD integrated camera AW-HE145 realizes high sensitivity of F9/2000lx with the mounted 1.0-type MOS sensor, and can shoot beautifully at stage events or church services with low light. The operation mechanism is the same design as the high-end model, so the operating performance of the pan/tilt and zoom is smooth and accurate, allowing you to shoot without stress. Furthermore, it is equipped with an optical 20x zoom and horizontal 75.1° wide-angle lens to realize flexible video production.

Sachtler S2065-0001 FSB 6 Mk II Fluid Head with Sideload Camera Plate and Pan Bar

Sachtler S2065-0001 (S2065/0001, S2065_0001, S20650001, S2065 0001) FSB 6 Mk II Fluid Head with Sideload Camera Plate and Pan Bar Fluid, Smooth, Balanced: Capture the moment precisely Redesigned with features from the revolutionary Sachtler aktiv fluid head range, FSB delivers precision movement with finely calibrated levels of drag and counterbalance for the perfect shot. The streamlined profile is built to withstand the toughest conditions to deliver repeatable, reliable camera support shot after shot. Smooth operation. Create precision pans with smooth starts and soft stops. Finely balanced. Delivering smooth pan-tilt fluid actions to match any camera payload from 0kg. Always on the level. Innovative illuminated PrismBubble visible from any height – day or night. Built for endurance. Engineered to the highest standards with tough materials and precision components, FSB is built for endurance.