DPA ST2012 Stereo Pair with Holders and Windscreens

DPA ST2012 (ST-2012, ST/2012, ST_2012, ST 2012) ST2012 Stereo Pair with Holders and Windscreens The 2012 Compact Cardioid Mic is the best all-around, generalist mic that you can find to cover a wide range of close-miking needs on the live stage. It is a robust and reliable condenser mic, best for single instrument pickup. Its specifically powerful characteristics make it an extremely flexible mic that will shine on many instruments, particularly those in the high-frequency range. Durable, reinforced construction The 2012 is constructed to withstand rough handling on a hectic live stage. It has a thicker, more robust body construction of brass that is very durable and known for its corrosion resistance and tolerance against metal fatigue. In addition to the heavy-duty materials used, the surfaces of the mic handle and grille are treated with a protective black chrome finish, which ensures more graceful ageing. Unmatched transient response The 2012, is a professional condenser mic, making it the best choice for those instruments that produce high frequencies. It has a far better transient response than any dynamic microphone, which allows it to pick up the most delicate sound with tremendous accuracy. Uniform cardioid directionality The 2012 has a cardioid capsule with DPA’s famously flat off-axis response. Besides a high gain-before-feedback, this characteristic makes it easier for sound engineers to handle bleed from other instruments at close proximity. The 2012 picks up off-axis sounds in a very natural and attenuated way. Outstanding SPL handling The 2012 can cope with both extremely high SPLs as well as capture very delicate sounds. With a max SPL, peak before clipping of 156 dB, the 2012, works well on many different instruments and can handle the loudest drums, guitars, horns and more.

DPA ST2015 Stereo Pair with Holders and Windscreens

DPA ST2015 (ST-2015, ST/2015, ST_2015, ST 2015) ST2015 Stereo Pair with Holders and Windscreens The 2015 Wide Cardioid Microphone’s wider pick-up pattern offers an innovative way to pick-up the spacious and natural sound of the total drum kit or other instrument group. Its compact design, combined with its wide pickup area makes it an unobtrusive solution for live stage placement. Overhead mics for ambient pick up on the live stage In a live situation when a conventional cardioid pattern isn’t quite open enough, choose a pair of 2015 Compact Wide Cardioids. They work ideally as overheads to capture a balanced sound of the entire group of instruments, like a drum kit. Also, when recording instrument groups with complex radiation patterns, the wide cardioid (also known as hemispheric, subcardioid or hypocardioid) design covers a greater sound angle and is an excellent choice. Durable, reinforced construction The 2015 is constructed to withstand rough handling on a hectic live stage. It has a thicker, more robust body construction of brass that is very durable and known for its corrosion resistance and tolerance against metal fatigue. In addition to the heavy-duty materials used, the surfaces of the mic handle and grille are treated with a protective black chrome finish, which ensures more graceful ageing. Uniform cardioid directionality The 2015 has a wide cardioid capsule with DPA’s famously flat off-axis response. Besides a high gain-before-feedback, this characteristic makes it easier for sound engineers to handle bleed from other instruments at close proximity. The 2015 picks up off-axis sounds in a very natural and attenuated way. Spacious, wide cardioid pick-up pattern The 2015 can be positioned near the drum kit, closer than you would normally place overhead microphones, and still capture sound evenly across the entire drum kit. This closer position results in stronger signal from the drum kit and therefore less bleed from the stage. Natural and precise sound reproduction Like all other DPA microphones, the 2015 delivers pure, transparent sound quality. Compact design for unobtrusive placement on stage Although the 2015 can be purchased as a single mic, it really shines as a matched stereo pair, selected with +/- 1.5 dB sensitivity tolerance. The compact design of this stereo pair ensures an open, natural sound pick-up without blocking any of the exciting action on stage.

DPA 2017 Shotgun Microphone

DPA 2017 (20-17, 20/17, 20 17, 20_17) 2017 Shotgun Microphone The 2017 Shotgun Microphone is an extremely directional mic that combines crystal clear, authentic sound and stable, consistent performance under harsh conditions. Its acoustical performance sets it apart from any competition. It has efficient off-axis rejection combined with an off-axis frequency response that is much more linear than most similar shotgun mics on the market. These are exactly the capabilities that result in authentic sound. In addition, the 2017 performs consistently in a variety of conditions, like cold weather and humid environments as well as in generally harsh situations. Finally, although the interference tube surrounding the capsule is quite long, the entire mic is contained in a shorter, lighter mic housing than many other mics that it outperforms. This makes the 2017 a practical choice in a wide range of applications. Accurate, natural sound 2017 is designed to ensure that the sound from the primary sound source combines effortlessly with natural sound captured off-axis. The sound is clear and lifelike, including the heavily-attenuated off-axis input. It exhibits the same non-coloration of the off-axis response, i.e., it sounds like what is coming in on-axis, just damped accordingly with the side and rear entries. Many other shotgun mics don’t pick up off-axis sound naturally, making, for example, the crowd noise sound more like a waterfall or even completely unrecognizable. Extraordinary durability The 2017 is constructed to withstand rough handling as well as difficult situations, such as cold climates and humidity. We have designed the encapsulating structure without moving mechanical parts and have found just the right thickness of material and ideal uniform pattern of slits on the grid. These things combined make the microphone extremely resistant to mechanical impact. In addition, the materials used in the capsule design and electronics ensure the mic is resistant to moisture, temperature and condensation issues. The 2017 has a thick, robust body construction of brass that is exceptionally durable and known for its corrosion resistance and tolerance against metal fatigue. In addition, the surfaces of the mic are treated with a protective black chrome finish, which ensures more graceful ageing. Outstanding off-axis rejection 2017, like all DPA’s directional mics, has outstanding performance off-axis. Due to the expertly designed interference tube technology, all off-axis input is highly attenuated. This means that the 2017 offers comparable directionality as comparable mics on the market, but due to the well-crafted design, the off-axis pickup is much more balanced as well as uniform. This gives the user a well-balanced compromise between natural off-axis sound and maximal off-axis rejection. Extremely directional pick-up pattern The 2017 is an extremely directional shotgun microphone. It shows impressive attenuation at 90° (around -10 dB) and maximal rejection around 125° (more than -20 dB). Its polar pattern provides a more even pickup of “on-scene” (0°) sound sources than many widely-used shotgun microphones and a larger rejection of out-of-scene noises, thereby achieving a better overall performance than many competing mics on the market.

DPA 2015 Compact Wide Cardioid Microphone

DPA 2015 (20-15, 20/15, 20 15, 20_15) 2015 Compact Wide Cardioid Microphone The 2015 Wide Cardioid Microphone’s wider pick-up pattern offers an innovative way to pick-up the spacious and natural sound of the total drum kit or other instrument group. Its compact design, combined with its wide pickup area makes it an unobtrusive solution for live stage placement. In a live situation when a conventional cardioid pattern isn’t quite open enough, choose a pair of 2015 Compact Wide Cardioids. They work ideally as overheads to capture a balanced sound of the entire group of instruments, like a drum kit. Also, when recording instrument groups with complex radiation patterns, the wide cardioid (also known as hemispheric, subcardioid or hypocardioid) design covers a greater sound angle and is an excellent choice. Durable, reinforced construction The 2015 is constructed to withstand rough handling on a hectic live stage. It has a thicker, more robust body construction of brass that is very durable and known for its corrosion resistance and tolerance against metal fatigue. In addition to the heavy-duty materials used, the surfaces of the mic handle and grille are treated with a protective black chrome finish, which ensures more graceful ageing. Uniform cardioid directionality The 2015 has a wide cardioid capsule with DPA’s famously flat off-axis response. Besides a high gain-before-feedback, this characteristic makes it easier for sound engineers to handle bleed from other instruments at close proximity. The 2015 picks up off-axis sounds in a very natural and attenuated way. Spacious, wide cardioid pick-up pattern The 2015 can be positioned near the drum kit, closer than you would normally place overhead microphones, and still capture sound evenly across the entire drum kit. This closer position results in stronger signal from the drum kit and therefore less bleed from the stage. Natural and precise sound reproduction Like all other DPA microphones, the 2015 delivers pure, transparent sound quality. Compact design for unobtrusive placement on stage Although the 2015 can be purchased as a single mic, it really shines as a matched stereo pair, selected with +/- 1.5 dB sensitivity tolerance. The compact design of this stereo pair ensures an open, natural sound pick-up without blocking any of the exciting action on stage.

DPA 2012 Compact Cardioid Microphone

DPA 2012 (20-12, 20/12, 20 12, 20_12) 2012 Compact Cardioid Microphone The 2012 Cardioid Microphone is a robust and reliable condenser mic for close miking. It is extremely flexible and will shine on many instruments. In addition to natural sound reproduction, the mic has uniform cardioid directionality and has been designed to withstand rough use on the live stage. The 2012 is constructed to withstand rough handling on a hectic live stage. It has a thicker, more robust body construction of brass that is very durable and known for its corrosion resistance and tolerance against metal fatigue. In addition to the heavy-duty materials used, the surfaces of the mic handle and grille are treated with a protective black chrome finish, which ensures more graceful ageing. The 2012, is a professional condenser mic, making it the best choice for those instruments that produce high frequencies. It has a far better transient response than any dynamic microphone, which allows it to pick up the most delicate sound with tremendous accuracy. The 2012 has a cardioid capsule with DPA’s famously flat off-axis response. Besides a high gain-before-feedback, this characteristic makes it easier for sound engineers to handle bleed from other instruments at close proximity. The 2012 picks up off-axis sounds in a very natural and attenuated way.

DPA 4099 Rock Touring Kit, 10 Mics and Accessories, Extreme SPL

DPA KIT-4099-DP-10R (KIT/4099-DP-10R, KIT/4099/DP/10R, KIT 4099 DP 10R, KIT4099DP10R) 4099 Rock Touring Kit, 10 Mics and Accessories, Extreme SPL The 4099 CORE+ is the next-generation, high-performance instrument microphone. It delivers pristine, natural and undistorted sound with exceptional isolation and off-axis rejection for any live or studio setting. Fitted with MicroLock® and a series of upgraded instrument clips, the 4099 CORE+ provides even better stability and flexibility on any type of instrument.  CORE by DPA is a powerful technology at the heart of DPA’s miniature microphones. By significantly reducing distortion, CORE delivers greater clarity, openness, and detail across the entire dynamic range—from the softest pianissimo to the most powerful forte. From piano and guitar to strings, woodwinds, brass, and percussion, the d:vote™ Series delivers exceptional, natural sound across a wide range of acoustic instruments. With a single microphone model, you can achieve consistent, professional-quality sound throughout an entire orchestra. When switching between instruments, simply use the appropriate clip for secure and accurate mounting. The award-winning d:vote™ Series provides a more natural and authentic sound than traditional clip-on microphones or pickups. Its high-quality condenser microphone effectively rejects unwanted noise while accurately capturing the true character and voice of your acoustic instrument. The  d:vote™ CORE 4099 also features an enhanced shock mount design, providing excellent isolation from handling noise and rumble. Detachable cables are available in heavy duty or lightweight versions, depending on the application – both are designed to withstand the rigors of daily use. A versatile, integrated gooseneck extender provides easy and repeatable mounting. The award-winning d:vote™ Series, gives you a much more natural sound than any internal microphone or pickup. This condenser microphone rejects unwanted noise and accurately captures the true voice of your acoustic instrument. These mics come available in kits of 4- or 10 pieces with relevant accessories to make it easy to mic a group, band or orchestra. A perfect kit for your needs There are two different types of kits available and they can each be purchases with 4 or 10 microphones. Ready for on-the-road use for rental companies, musicians or theatres, the d:vote™ Classic Touring Kit offers microphones and a selection of accessories selected for typical use in an acoustic music setting. This kit features a number of d:vote™ CORE 4099 Instrument Microphones for Loud SPL, which are perfect for use on a wide range of instruments – from the flute to the guitar, and everything in between. The d:vote™ Rock Touring Kit offers a number of d:vote™ condenser microphones and a selection of accessories selected for typical use in a live rock music setting. With a max SPL, peak before clipping of 152 dB, the d:vote™ CORE 4099 Instrument Microphone for Extreme-SPL instruments was designed for use on drums, percussion instruments and other loud instruments, like the trumpet and saxophone. About d:vote™ CORE 4099 Instrument Microphones Both the Loud- and Extreme-SPL versions of the d:vote™ CORE 4099 have a supercardioid polar pattern for high rejection and superior gain-before-feedback. The mic also retains a uniform off-axis frequency response to ensure a high-energy, clear live performance. The  d:vote™ CORE 4099 also features an enhanced shock mount design, providing excellent isolation from handling noise and rumble. Cables are available in heavy duty or lightweight versions, depending on the application – both are designed to withstand the rigors of daily use. A versatile, integrated gooseneck extender provides easy and repeatable mounting. The mics can be easily unclipped and repositioned or moved to another instrument. The mounting system is designed to never blemish or scratch the finish of your instrument. The flexible design supports a wide variety of mounting and positioning possibilities.

DPA Live Microphone Kit

DPA DLK4002 (DLK-4002, DLK/4002, DLK_4002, DLK 4002) Live Microphone Kit With 20 mics and capsules together with a multitude of useful accessories, your live stage set up will never sound better. The DPA DLK4002 Live Microphone Kit outfits an entire stage or production from a single case, with 20 mics and capsules built for vocals, drums, instruments, and even broadcast-style pickup. Vocalists get a choice of 2028 supercardioid handhelds and d:facto 4018V/4018VL capsules, while two 4055 kick drum mics, six 4099 CORE+ mics, and matched pencil mic pairs (2012 and 2015) cover the rest of the drum kit and other stage instrumentation. A pair of 2017 shotgun mics adds broadcast-ready pickup for booms and fixed camera positions, while two 4061 CORE+ lavalier mics handle discreet vocal or instrument miking, and a pair of MMC4011 capsules rounds out the set for precision spot miking. Every mic ships with the latest versions of CORE+ and MicroLock, along with a full set of clips, mounts, adapters, and extension cables to get everything set up and powered up fast. Our Sweetwater live sound engineers say that it doesn't get any better than having an entire show's mic locker built out and road-ready in a single Peli case.

DPA Location Sound Microphone Kit

DPA DLS4002 (DLS-4002, DLS/4002, DLS_4002, DLS 4002) Location Sound Microphone Kit DPA’s Location Sound Microphone Kits has the crucial mics needed for all your standard location recording needs – shotguns for booming, micro shotguns for discreet plant miking and a range of lavaliers for close miking the talent. Each condenser microphone in the kit has been chosen based on the input of professional sound engineers working within film and broadcast. In addition to the mics, the kit includes 20+ extra cables, holders, concealers, adapters, clips and more. As soon as you open this massive location sound kit, you’re ready to roll. Flexible condenser mics for on-location recording! The supercardioid polar pattern focuses audio capture on the subject, reducing unwanted off-axis background sound and enhancing speech intelligibility. In addition, the mic has low self-noise, high sensitivity, and is capable of handling high SPLs, for natural undistorted results even during unpredictable shoots when a subject yells or shouts. The 4097 is optimized for speech with a flat-frequency response up until the 2 dB soft boost in the 10 kHz range providing the crisp presense typical of DPA microphones— clear, consistent sound that requires less postproduction tweaking. Optimal powering is provided via 48V phantom power, although the mic will also run on 12V phantom power but at a reduced capacity to handle high SPLs. Similarly, the 4097 can operate on 5 to 10V from bodypack transmitters. It can also work on 3 to 4V from low-DC transmitters, but again the reduced power means the mic is more likely to distort if the talent or interview subject shouts or gets loud. Flexible Postitioning The 4" gooseneck and redesigned swiveling MicroDot connection offers a wide variety of positioning options to give you optimal sound with booms and wireless transmitters.

DPA 4099 CORE+ Instrument Microphone Extreme SPL with Clip for Brass

DPA 4099-DP-2-199-T (4099/DP-2-199-T, 4099/DP/2/199/T, 4099DP2199T, 4099 DP 2 199 T) 4099 CORE+ Instrument Microphone Extreme SPL with Clip for Brass DPA 4099 CORE+ Brass Kit - includes the renowned DPA 4099 CORE+ Instrument Mic, along with Brass Clip (STC4099), DAD9099 Adapter, and 1.8m MicroLock extension cable. This mic delivers pristine, natural and undistorted sound with exceptional isolation and off-axis rejection for any live or studio setting. Fitted with MicroLock and a series of upgraded instrument clips, the 4099 CORE+ provides even better stability and flexibility on any type of instrument.  4099 CORE+ Mic, Extreme SPL – used to close-mic extremely loud instruments, such as drums and some brass. Designed for use on drums, percussion instruments and other very loud instruments like, for example, the trumpet, this mic has a max SPL peak before clipping of 152 dB.

DPA 4099 CORE+ Instrument Microphone Extreme SPL

DPA 4099-DP-2 (4099/DP-2, 4099/DP/2, 4099DP2, 4099_DP_2) 4099 CORE+ Instrument Microphone Extreme SPL This mic delivers pristine, natural and undistorted sound with exceptional isolation and off-axis rejection for any live or studio setting. Fitted with MicroLock® and a series of upgraded instrument clips, the 4099 CORE+ provides even better stability and flexibility on any type of instrument.  (The 4099 CORE+ is fully backwards compatible with all generations of DPA instrument clips and with accessories featuring MicroDot connector, ensuring seamless integration with your existing setup.) 4099 CORE+ Mic, Loud SPL (red marking on gooseneck) – used to close-mic most types of acoustical instruments. – From the harp to the drums and everything in between. With CORE+, this mic has a max SPL, peak before clipping of 145 dB. 4099 CORE+ Mic, Extreme SPL (yellow marking on gooseneck) – used to close-mic extremely loud instruments, such as drums and some brass. Designed for use on drums, percussion instruments and other very loud instruments like, for example, the trumpet, this mic has a max SPL, peak before clipping of 154 dB. You can buy a single 4099 alone or with a specific instrument clip, or you can choose a kit designed specifically for rock or classical applications. These kits come in 4-piece and 10-piece sets combined with the appropriate adapters, clips and cables that make it a breeze to set up your stage. CORE+ captures an instrument’s true voice - picked up or amplified with DPA’s renowned authenticity. With CORE+ technology inside, the 4099 captures every nuance with pristine clarity, ensuring that the character of the instrument remains untouched, both on-axis and in the surrounding soundscape  (learn more about CORE+ here) Well-balanced isolation – from surrounding instruments due to the supercardioid polar pattern and linear off-axis response  Lightweight, discreet design – ensures that the 4099 blends seamlessly into performances  Superior microphone suspension – from enhanced shock mount and microphone body design. Improves isolation from instrument vibrations and stage noise, ensuring a cleaner signal and a more homogenous sound  One microphone, ∞ possibilities – upgraded, flexible clip program ensures a secure, reliable fit while treating your instrument with the utmost care. Effortless to attach and adjust, yet firm and reliable in hold, this one microphone model can beautifully reinforce an entire orchestra  Reliable MicroLock® connector – detachable cable and connection with a wide range of wireless systems  One microphone, ∞ possibilities From the piano to guitar; strings to woodwinds; brass to percussion, the 4099 Series sounds equally impressive on them all. This one microphone model can beautifully reinforce an entire orchestra. You can move the mic to another instrument; just make sure you have the right type of clip to mount it correctly. DPA’s versatile and practical instrument clip system has been a key selling point since the launch of the original 4099 in 2008. The principle of attaching the clip to the gooseneck has proven highly effective in both classical and rock applications, offering secure and flexible mounting solutions. And now, we have enhanced the clip system – improving not only the acoustic performance of the microphone but also the security, reliability and efficiency of the mounting process. These refinements make it easier to close-mic instruments and adjust capsule positioning for optimal performance.  The most significant update is the introduction of a new gooseneck locking mechanism: the Gooseneck Mount (G-MOUNT). By integrating this new locking principle, we have streamlined the mounting process, ensuring greater stability, ease of use and precision of mic placement for musicians and audio professionals alike.

DPA 4060 CORE+ Omni Boundary Layer Microphone

DPA 4060-OP-D-S01-002 (4060/OP-D-S01-002, 4060/OP/D/S01/002, 4060OPDS01002, 4060_OP_D_S01_002) 4060 CORE+ Omni Boundary Layer Microphone The 4060 Omni Mic is the very first miniature microphone developed by DPA from the best technology previously only used in hearing aids and measurement microphones. This microphone handles sound pressure levels up to 134 dB before clipping occurs. This mic is well suited for applications where the sound source is more remote or damped and you need to have a good balance signal versus noise. This mic solution is ideal for use in boardrooms, conference facilities, and courtrooms. It is also a great solution for teleconferencing and other applications where excellent vocal pickup is required. The 4060 Omni Boundary Layer Mic is a transducer designed to work under optimum conditions when placed on a tabletop, but it also performs well on any other hard, flat surface that reflects sound. The microphone is a pre-polarized omnidirectional miniature condenser microphone with a 5.4 mm (0.2 in) vertical diaphragm. The mic body consists of a central rubber disc that holds the mic element mounted in an elegant stainless steel base. The 4060 Omni Boundary Layer Mic can be very easily placed in essentially any position on the surface of a table, even close to the edge. Users will benefit from the special characteristics of the surrounding sound field on which the mic is mounted: a 6 dB gain of direct sound and only a 3 dB gain of the diffuse sound. The sound captured has both greater clarity, especially at high frequencies, and speech intelligibility compared to sound captured above the surface. The 4060 Omni Boundary Layer Mic uses CORE by DPA technology and features two M5 threaded holes on the backside of the unit, which means that it can be permanently affixed to the table. Furthermore, the slim cable can be run either through or along the table. A wide range of connection adapters and power supplies makes it possible to use the 4060 Omni Boundary Layer Mic with any microphone input. It is delivered with a DAD6001 XLR Adapter, but as the supplied cable is terminated with a DPA MicroDot connector this microphone can be connected to a wireless system via the flexible adapter system.

DPA 4060 CORE+ Omni Mic, Normal SPL, Black, MicroLock

4060 CORE+ Omni Mic, Normal SPL, Black, MicroLock The 4060 Omni Mic is the very first miniature microphone developed by DPA from the best technology previously only used in hearing aids and measurement microphones. This microphone handles sound pressure levels up to 134 dB before clipping occurs. This mic is well suited for applications where the sound source is more remote or damped and you need to have a good balance signal versus noise. CORE+ takes your miniature mic to the next level, neutralizing distortion across the entire dynamic range. MicroLock – A dependable, secure locking microphone connector with limitless flexibility and reassuring reliability. CORE+ takes your miniature mic to the next level, neutralizing distortion across the entire dynamic range. MicroLock – A dependable, secure locking microphone connector with limitless flexibility and reassuring reliability.

DPA 4488 CORE+ Directional Headset Mic, Beige, MicroLock

4488 CORE+ Directional Headset Mic, Beige, MicroLock The DPA 4088 CORE+ Directional Headset Microphone is a premium professional headset microphone designed for demanding live sound, broadcast, theatre, worship, and presentation applications. Featuring DPA's latest CORE+ technology, it delivers exceptionally clear and natural speech reproduction with improved distortion performance and outstanding dynamic range, even in high sound pressure environments. Its cardioid (directional) pickup pattern provides excellent off-axis rejection, helping to minimise background noise and reduce the risk of feedback. The lightweight, ergonomic headset offers a secure and comfortable fit for extended use, making it ideal for presenters, performers, and broadcast talent. The 4088 CORE+ is equipped with a MicroLock connector, ensuring a robust and reliable connection with compatible wireless systems. Built to DPA's renowned standards of durability and audio quality, it combines a discreet 5.4 mm condenser capsule with a flexible headset frame for professional performance in the most demanding productions. Whether used on stage, in broadcast studios, corporate events, or houses of worship, the DPA 4088 CORE+ delivers consistent, intelligible audio with exceptional reliability and comfort.

DPA 4488 CORE+ Directional Headset Mic, Brown, MicroLock

DPA 4488 CORE+ Directional Headset Mic, Brown, MicroLock(4488-DP-R-C90) The 4488 CORE+ from DPA is a lightweight cardioid headset microphone with an advanced, completely adjustable, stainless steel headset mechanism. The visually discreet, dual-ear design offers a very comfortable wearing experience for presenters and performers while providing broadcast-quality sound up to the demanding standards of theater, TV, and live event professionals. The 4488 fits the wearer by using 3-point ear grips with spring mechanisms that grip comfortably above and below the ears and to the side of the head for added security. The 2-way adjustable boom system—length and height—features an anti-rotate mechanism that makes it easy to position the tiny 5mm mic capsule for optimal sound quality. A sliding lock mechanism secures the boom positioning. In addition, the 90° cable management system safeguards the cable from stress and directs it down the wearer's back, where it can't be seen. DPA's CORE+ technology is at the heart of the electret-condenser capsule, providing an ultralow noise floor and wide dynamic range. With an SPL rating of 134 dB RMS, the microphone is more than capable of handling loud speakers, vocalists, and presenters to deliver clean, transparent, and reliable sound for critical performances and presentations. The 4488 CORE+ is powered by 5 to 10V plug-in power from a wireless transmitter. Modular System Featuring MicroLock Connector MicroLock for Secure, Dependable Connections Built to withstand the rigors of long-term everyday use, DPA's MicroLock system features an easy-to-use, secure, and wear-resistant locking connector specially engineered to minimize accidental disconnection and ensure reliable performance. The compact design is well suited to situations where space is limited and a visually discreet solution is preferred. The 4488 will work with a wide variety of wireless transmitters via separately available adapters. Simply choose the MicroLock adapter with the appropriate connector for your bodypack transmitter and you're good to go. MicroLock is fully backwards compatible with the MicroDot connection; MicroLock parts can be assembled with MicroDot parts and function as if they were of the MicroDot type. Please note that the locking function is only available if both the male and female parts are MicroLock. A Reliable Broadcast-Quality Headset Mic with CORE+ Normal Headroom for Standard Speech The 4488 CORE+ features a sensitive 5.4mm electret-condenser capsule designed for standard speech and vocal applications at levels up to 134 dB SPL RMS and 137 dB SPL peak before producing < 1% distortion. The mic can even handle up to 144 dB SPL with only 10% distortion, making it well suited to a variety of presenters and performers. More Range, Less Distortion Microphones with CORE+ provide even more clarity across the entire dynamic range, from low to high sound pressure levels. Miniature microphones with CORE+ provide unheard levels of openness. While CORE allows mics to handle higher SPLs without significant artifacts up to 1% THD, CORE+ eliminates those artifacts completely. Cardioid Polar Pattern The mic's cardioid pickup provides excellent off-axis rejection in high-SPL situations and efficiently suppresses distant sound sources—making it perfect for demanding live performance environments where background noise and feedback are concerns. Two Boost Grids Included to Tailor High Frequencies The pre-fitted Soft-Boost Grid gives a 3 dB soft boost at 8 to 20 kHz range. Alternatively, the High-Boost Grid introduces a 10 dB boost around 12 kHz for applications where additional top-end high-frequencies are desired. Both grids are made of tough and scratch-resistant anodized stainless steel, allowing them to be detached and cleaned. A Secure and Comfortable Headset One-Size-Fits All, Adjustable Frame The 4488 headset frame is made of stainless steel and treated with a Physical Vapor Deposition (PVD) coating that makes it extremely durable. It can tolerate high temperatures and is resilient against impact and abrasion and is IP58-certified for dust and moisture resistance. The frame is one-size fits all with a simple adjustment mechanism for quick and easy resizing. Anatomically correct, it fits snuggly and comfortably around the head thanks to its unique shape. The entire mic has a pleasant matte look due to the coating, making the entire headset look small and less obtrusive than other headset solutions. Furthermore, it adds nothing to the size of the microphone, as the PVD is extremely durable but at the same time extremely thin.   2-Way Adjustable Boom The boom can easily be adjusted, so that it sits perfectly at the corner of the performer's smile (the optimal placement of a headworn mic). Not only can the boom be extended / shortened, but it can also be pivoted up and down at a fixed point below the ear (no more bending the boom). An anti-rotating mechanism designed into the boom shape, prevents it from rotating. A sliding lock system ensures that the boom is locked into the desired position. The entire boom can be detached at a point below the ear and moved from the right to left side of the frame. DPA has also added a service connector at the end of the boom pole, so that the boom and cable can be replaced independently if needed. The service connector is well-protected by a plastic cover that slides over the gold-plated connectors. 3-Point Ear Grips and 90° Cable Management System The ear grips feature truly impressive technology. Most headsets have either a 1- or 2-point gripping system—resting on top of the ear or (sometimes) gripping below the ear. This headset relies on a 3-point gripping system—adding a support area behind the ear pressing gently inward. The headset has its cable guide directly at the back of the headset frame, so that you can easily organize the cables to run unobtrusively down the back of the performers. The cable guide slides from side to side, so it can be moved out of, for example, the camera view. The special construction also separates the cables from the boom movement, which ensures that cables are not pulled on when the boom is moved. This helps ensure that the mic cable have a long life. The cable is often the weak spot on these types of mics, but DPA's 1.6mm diameter cable is extremely rugged, does not become entangled, and is equipped with an inner core made of Kevlar that withstands rough pulls for long-lasting durability.

DPA 2028-B-SE2 2028 Supercardioid Vocal Mic, SE2 Adapter

DPA 2028-B-SE2 (2028_b_se2, 2028bse2, 2028/B/SE2, 2028/b/se2) 2028 Supercardioid Vocal Mic, SE2 Adapter The black 2028-B-SE2 Supercardioid Vocal Condenser Microphone Capsule with SE2 Adapter from DPA is designed for the unique challenges of live stage performances. It can be used when paired with a Sennheiser 2000, 6000, 9000, or evolution series transmitter and receiver (sold separately) to capture and deliver a transparent, natural audio for live stage, theater, and broadcast applications. The 2028's supercardioid condenser capsule offers a flat off-axis response. This give the microphone a very high gain-before-feedback, and at the same time, makes it so much easier for sound engineers to handle bleed from other instruments at close proximity. The capsule is fixed in its position on top of the newly designed shockmount and can't be dismounted. The pop filter too is specific for the 2028 microphone. In addition, on a live stage, the 2028 needs no (or very little) EQ to sound just like if you where standing next to the singer listening to their performance. This allows the singer to use their voice just as if no mic was present. Also, it allows sound engineers to spend their time shaping the sound experience rather than covering up due to artifacts. This makes the 2028 the perfect match for all types of live performances.

DPA 2028-B-SL1 2028 Supercardioid Vocal Mic, SL1 Adapter

DPA 2028-B-SL1 2028 (2028_b_sl1, 2028bsl1, 2028/B/SL1, 2028/b/sl1) Supercardioid Vocal Mic, SL1 Adapter The black 2028-B-SL1 Supercardioid Vocal Condenser Microphone Capsule with SL1 Adapter from DPA is designed for the unique challenges of live stage performances. It can be used when paired with a Shure, Sony, or Lectrosonics series transmitter and receiver (sold separately) to capture and deliver a transparent, natural audio for live stage, theater, and broadcast applications. The 2028's supercardioid condenser capsule offers a flat off-axis response. This give the microphone a very high gain-before-feedback, and at the same time, makes it so much easier for sound engineers to handle bleed from other instruments at close proximity. The capsule is fixed in its position on top of the newly designed shockmount and can't be dismounted. The pop filter too is specific for the 2028 microphone. In addition, on a live stage, the 2028 needs no (or very little) EQ to sound just like if you where standing next to the singer listening to their performance. This allows the singer to use their voice just as if no mic was present. Also, it allows sound engineers to spend their time shaping the sound experience rather than covering up due to artifacts. This makes the 2028 the perfect match for all types of live performances.

DPA 2028-B-B01 Microphones 2028 Vocal Supercardioid Handheld Microphone

DPA 2028-B-B01 (2028-b-b01, 2028bb01, 2028/b/b01, 2028_b_b01) Microphones 2028 Vocal Supercardioid Handheld Microphone The black 2028 Vocal Supercardioid Handheld Microphone from DPA is designed for the unique challenges of live stage performances. It can be utilized to capture audio and deliver a transparent, natural vocals for live stage, theater, and broadcast applications. The 2028 is powered by 48V phantom power and the supercardioid capsule offers a flat off-axis response. This give the microphone a very high gain-before-feedback, and at the same time, makes it so much easier for sound engineers to handle bleed from other instruments at close proximity. The capsule is fixed in its position on top of the newly designed shockmount and can't be dismounted. The pop filter is specific for the 2028 microphone. Furthermore, on a live stage, the 2028 needs no (or very little) EQ to sound just like you are standing next to the singer listening to their performance. This allows the singer to use their voice just as if no mic was present. In addition, it allows sound engineers to spend their time shaping the sound experience rather than covering up due to artifacts.

DPA CXO4000 Microphones Compact Xy/Ortf Stereo Holder

DPA CXO4000 (CXO/4000, cxo_4000, cxo4000, cxo-4000) Microphones Compact Xy/Ortf Stereo Holder The CXO4000 holder features mounting of DPA Compact Cardioid microphones in both a coincident XY stereo configuration as well as in a near coincident ORTF combined time and intensity difference stereo configuration. Two hooks in the middle of the stereo holder are for XY stereo, while two hooks on the side are for ORTF stereo. It is even possible to use both stereo setups simultaneously in order to compare afterwards in the editing process or to record in surround sound using one front and one back-orientated stereo setup. The lightweight holder is a very convenient and practical tool mounting on a single microphone stand and with the DPA compact microphones, taking up little space. Shock mounting is done with the EXY4000 Extension for Compact Stereo Holders and the UA0897 Shock Mount. The holder is made of black anodized aluminum and ethyl propylene rubber rings to ensure durability and stability. For flexibility, the holder also includes a thread adapter for attachment to most common microphone stands. In order to receive an authentic reproduction of the total sound field (direct and ambient sound elements) it is extremely important to use microphones that have a linear and clean off-axis response. Likewise, it is a critical factor that the microphone manufacturer is able to deliver two microphones that are, within a narrow tolerance, identical in frequency response and sensitivity. DPA Microphones fulfil these demands.

DPA MMC4018 Supercardioid Mic Capsule

DPA MMC4018 (MMC_4018, MMC/4018, mmc_4018, mmc-4018) Supercardioid Mic Capsule The MMC4018 modular microphone capsule is part of the flexible DPA d:dicate Recording Microphones series. The MMC4018 has a highly directional supercardioid pickup pattern with a smooth and uniform off-axis frequency response. The supercardioid shape is frequency independent, securing an identical sound color around the microphone. The usual rear lobe heard on most supercardioids is minimized on the 4018 capsule making it much more isolated without sudden frequency dependent peaks and dips. Designed for a broad range of broadcast/ENG/film long-distance miking applications, such as booming, dialogue, interview and table or podium use, the MMC4018 offers superbly flexibility through modular accessories. The MMC4018 is also ideal for use as spot or hanging mic for orchestra recording situations. Combine the MMC4018 with any of the pre-amps in the d:dicate modular series to fit your need.

DPA MMP-F120 Modular Active Boom, 122 cm

DPA MMP-F120 (mmp/f120, MMP/F120, MMP_F120, mmp_F120) Modular Active Boom, 122 cm For podium or stylish floor stand applications, the MMP-F preamp series is available in different lengths and gooseneck choices. All equipped with state-of-the-art preamp design and sleek appearance, they fit any d:dicate modular capsule. Excellent radio frequency rejection is obtained through the DPA designed impedance balancing with active drive. Custom lengths (up to 120cm) and gooseneck choices (top/bottom/both) can be ordered at a custom fee charge.

DPA MMP-F75 Modular Active Boom, 77 cm

DPA MMP-F75 (mmp/f75, MMP/F75, MMP_F75, mmp_F75) Modular Active Boom, 77 cm For podium or stylish floor stand applications, the MMP-F preamp series is available in different lengths and gooseneck choices. All equipped with state-of-the-art preamp design and sleek appearance, they fit any d:dicate modular capsule. Excellent radio frequency rejection is obtained through the DPA designed impedance balancing with active drive. Custom lengths (up to 120cm) and gooseneck choices (top/bottom/both) can be ordered at a custom fee charge.

DPA MMP-F15 Mmp-F Modular Active, 15Cm With Gooseneck Entire Length

DPA MMP-F15 (mmp/f15, MMP/F15, MMP_F15, mmp_F15) Mmp-F Modular Active, 15Cm With Gooseneck Entire Length For podium or stylish floor stand applications, the MMP-F preamp series is available in different lengths and gooseneck choices. All equipped with state-of-the-art preamp design and sleek appearance, they fit any d:dicate modular capsule. Excellent radio frequency rejection is obtained through the DPA designed impedance balancing with active drive. Custom lengths (up to 120cm) and gooseneck choices (top/bottom/both) can be ordered at a custom fee charge.

DPA 4097-DC-F-B01-120 Microphones 4097 Core Supercardioid Choir Mic

DPA 4097-DC-F-B01-120 (4097/DC/F/B01/120, 4097_DC_F_B01_120, dc-f-b01-120, 4097DCFB01120) Microphones 4097 Core Supercardioid Choir Mic Designed as a choir mic, predominately for use in House of Worship communities, the d:sign 4097 CORE Supercardioid Choir Mic will suit anyone looking for an unobtrusive, versatile and great sounding choir mic, such as live broadcast shows with choir or ensemble vocal performances. An inconspicuous floor stand solution specifically designed to capture the natural sound of a choir, the 4097 is unlike any Choir Mic available on the market. Each part of the solution has been specifically designed and tested to ensure it meets the needs of a wide range of choir situations. As a supercardioid mic, the 4097 offers a highly-directional pick-up pattern as well as low self noise and high sensitivity. The 4097 is capable of handling extremely high SPL's which allows the mic to deliver undistorted natural sound, even when the choir sings loudly. With a linear response, low distortion and an extremely large dynamic range, these mics sound great no matter how challenging the environment. In addition, singing into the side (off-axis) of the microphone doesn't make the audio sound worse; it just drops the level of the voice. This allows the engineer to use fewer mics and point the capsules at the last row of singers. The pick-up pattern will attenuate the sounds to the side and produce a natural balance between the nearest (loudest but attenuated) and the furthest (weakest level, but performing to the microphones most sensitive direction). Extremely stable, yet unobtrusive construction The 4097 has a more stable construction than any other dedicated choir mic on the market. The shorter active boom pole is very quick to stabilize if accidently bumped. The three built-in shock mounts - in the microphone capsule, the swivel joint and the floor base - combine to decrease rumble if bumps happen. The unobtrusive, yet, balanced floor base contains an integrated shock mounting solution, which helps stabilize the entire construction. The vertical pole that attaches to the base consists of three individual pieces that can be used to adjust the total height of the system. Simple, yet secure thread screws hold the three pieces together. This unique design allows for a vertical pole that does not swing, but rapidly stabilizes itself after being positioned. A piece of the pole can quickly, with no tools needed, be removed to lower the unit. A swivel joint with a built-in shock mount connects the vertical pole to the active boom pole and, together with the gooseneck at the top, allows full control over the microphone placement. The swivel joint controls the angle of the active boom pole as well as its position in relation to the vertical pole. The microphone capsule is positioned at the correct angle out of the box, so it can easily be positioned to sit above the choir at a 90 Degree angle to the active boom pole. This ensures that the microphone itself does not interfere with view from the audience. The top gooseneck allows you to make small adjustments to control the specific direction of the microphone capsule. The 4097 has a smaller, slimmer, more unobtrusive footprint, seen from the audience's point of view. Part of this is due to the elegant and exclusive looking black matte, non-reflective surface, which diminishes reflections from overhead lights. Wireless for an even cleaner look The 4097 can be used wireless making the entire look discreet. From the end of the 122 cm (84 in) active boom pole with the internal cable run there is a female MicroDot that attaches to the supplied Heavy Duty MicroDot cable and ends at the Floor Base. At the base, the adapter holder simply and inconspicuously stores either a standard MicroDot to XLR adapter (included), or alternatively, a regular wireless transmitter. Any transmitter type that is included in our adapter program can be used. This feature allows for great flexibility on stage when you have multiple choir mics in the same space. When the choir is on stage, you simply place the 4097s in the assigned spots and you're ready to go!

DPA 4099-DC-2-201-D Supercardioid Clip Microphone For Drum

DPA 4099-DC-2-201-D (4099DC2201D, 4099_dc_2201_d, 4099/DC/2/201/D, 4099/dc/2/201/d) Supercardioid Clip Microphone For Drum 4099D is a microphone solution that allows for high quality audio capture of drums and percussion instruments. The low profile and unobtrusive design provides visual elegance along with uncompromised sound quality and accurate dynamics. The unique and flexible clip-on system provides fast, stable and repeatable positioning. The mics can be easily positioned at different angles via the flexible gooseneck to fit different drums and allow a variety of sound nuances. The 4099D includes a 3-pin XLR phantom power adapter. The 4099D unveils a revolutionary new 90 degree" system which provides many more mounting options. By detaching the clip from the gooseneck and re-mounting it turned 90 degrees, the number of mic positions is doubled.4099D can easily be combined in numerous ways and with a wide variety of microphones. For bass drum, the VC4099 clip fits perfect on the rim and makes a DPA Microphones drum-sound revelation possible at a reasonable price level. With the d:vote 4099D capable of handling high pressure levels it is also perfect for hi-hats, cymbals and tom-toms. Simply add the UC4099 Universal Clip to your kit. The UC4099 Universal clip is available as a separate accessory and also comes with the d:vote 4099U.

DPA SCM0008-Bx Microphones Scm0008 Miniature Clip, Double Lock

DPA SCM0008-Bx (SCM0008/Bx, SCM0008Bx, scm0008-bx, scm0008_bx) Microphones Scm0008 Miniature Clip, Double Lock The SCM0008 is a double clip specially designed for quick and easy mounting of a d:screet Miniature Microphone on the chest of a speaker. When mounting the microphone on the two holes, cable noise is attenuated dramatically. It is available in black and white and comes as either a single unit or in a 10 pcs. set. It replaces the DMM0008 which do not fit the new reinforced d:screet Omnidirectional Microphones. The SCM0008 is backwards compatible with the non-cable reinforced d:screet Miniature Microphones via a included sliced cable relief.

DPA SCM0004-Bx Microphones Scm0004 Miniature Microphone Clip, Small

DPA SCM0004-Bx (SCM0004_Bx, scm0004-bx, SCM0004/Bx, scm0004_bx) Microphones Scm0004 Miniature Microphone Clip, Small The SCM0004 is a clip specially designed for quick and easy mounting of DPA Microphones d:screet Miniature Microphones on the chest of a speaker or performer. It is available in black and white and comes as either a single unit or in a 10 pcs. set. It replaces the DMM0004 which do not fit the new reinforced d:screet Omnidirectional Microphones. The SCM0004 is backwards compatible with the non-cable reinforced d:screet Miniature Microphones via a included sliced cable relief.

DPA CSM4000 Compact Microphone Shock Mount

DPA CSM4000 (CSM-4000, CSM/4000, CSM_4000) Compact Microphone Shock Mount The DPA Compact Microphone Shock Mount is a shock mount designed for use with compact microphones measured at 19mm in diameter (.75"). The mount features rubber isolation for optimum resistance against noise caused by shock and a threaded fitting that accommodates the most popular international threads.

DPA d:facto 4018VL Linear Supercardioid Mic, SE5 Adapter (Sennheiser 5200), Nickel

DPA 4018VL-N-SE5 (4018VLNSE5, 4018VL/N-SE5, 4018VL/N/SE5, 4018VLN-SE5) d:facto 4018VL Linear Supercardioid Mic, SE5 Adapter (Sennheiser 5200), Nickel The d:facto MMC4018VL Linear Supercardioid Microphone Capsule for Vocal from DPA features an isolation-optimized polar pattern and is designed to augment the human vocal range. It can be used to capture speech and vocals in sound reinforcement applications such as for stage, recordings, and more. The capsule provides an applicable opening angle around the center axis comparable to a cardioid, which means that a pleasant tolerance around the center axis is obtained for the singer. In addition, the rear rejection is higher than other supercardioids, and the rear lobe opening is extremely uniform and controlled. You can combine the d:facto MMC4018VL Linear Supercardioid Microphone Capsule with any of the d:facto adapters for wireless systems or the d:facto handle for wired use (sold separately).

DPA d:facto 4018VL Linear Supercardioid Mic, SE5 Adapter (Sennheiser 5200), Black

DPA 4018VL-B-SE5 (4018VLB-SE5, 4018VL/B/SE5, 4018VLBSE5, 4018VL/B-SE5) d:facto 4018VL Linear Supercardioid Mic, SE5 Adapter (Sennheiser 5200), Black The d:facto MMC4018VL Linear Supercardioid Microphone Capsule for Vocal from DPA features an isolation-optimized polar pattern and is designed to augment the human vocal range. It can be used to capture speech and vocals in sound reinforcement applications such as for stage, recordings, and more. The capsule provides an applicable opening angle around the center axis comparable to a cardioid, which means that a pleasant tolerance around the center axis is obtained for the singer. In addition, the rear rejection is higher than other supercardioids, and the rear lobe opening is extremely uniform and controlled.You can combine the d:facto MMC4018VL Linear Supercardioid Microphone Capsule with any of the d:facto adapters for wireless systems or the d:facto handle for wired use (sold separately).  

DPA d:facto 4018VL Linear Supercardioid Mic, SE2-ew Adapter, Nickel

DPA 4018VL-N-SE2 (4018VLN-SE2, 4018VLNSE2, 4018VL/N-SE2, 4018VL/N/SE2) d:facto 4018VL Linear Supercardioid Mic, SE2-ew Adapter (Sennheiser 2000/6000/9000/evolution/D1), Nickel The d:facto MMC4018VL Linear Supercardioid Microphone Capsule for Vocal from DPA features an isolation-optimized polar pattern and is designed to augment the human vocal range. It can be used to capture speech and vocals in sound reinforcement applications such as for stage, recordings, and more. The capsule provides an applicable opening angle around the center axis comparable to a cardioid, which means that a pleasant tolerance around the center axis is obtained for the singer. In addition, the rear rejection is higher than other supercardioids, and the rear lobe opening is extremely uniform and controlled.You can combine the d:facto MMC4018VL Linear Supercardioid Microphone Capsule with any of the d:facto adapters for wireless systems or the d:facto handle for wired use (sold separately).  

DPA d:facto 4018VL Linear Supercardioid Mic, SE2-ew Adapter, Black

DPA 4018VL-B-SE2 (4018VLB-SE2, 4018VL/B-SE2, 4018VL/B/SE2/4018VL-B-SE2) d:facto 4018VL Linear Supercardioid Mic, SE2-ew Adapter, Black. The d:facto FA4018V Supercardioid Vocal Microphone and SE2-ew Adapter for Sennheiser 2000, 9000, and evolution Wireless Systems from DPA is engineered for vocal performances onstage, and can be used to capture and accurately replicate a singer's voice transparently. It is optimized for use in sound reinforcement as well as recording applications. The modular nature of the d:facto series allows you to switch both the capsule as well as the adapter, so you are no longer bound to one wireless system. The adapter can be replaced with the DPA handle (sold separately) and operated as a wired microphone too. As circumstances change, you can switch your adapter and won't hear any loss in sound quality. The d:facto FA4018V supercardioid vocal microphone capsule is designed to fit and provide electronic optimization to Sennheiser 2000, 9000, and evolution wireless systems. The microphone features a built-in three-stage pop-protection grid to remove unwanted noise, and a shockmount to reduce handling vibration. It uses a pre-polarized condenser capsule and has a frequency range of 20 Hz to 20 kHz.

DPA Vocal Mic Grid, Complete Assembly, Nickel finish

DPA DUA0710N (DUA0710N, DUA0710N, DUA0710N, DUA0710N) Vocal Mic Grid, Complete Assembly, Nickel finish  The gold d:facto II Outer Grid and Complete Assembly for Handheld Vocal Microphone from DPA comes with a windscreen and pop filter assembly. The mic is sold separately.

DPA Vocal Mic Grid, Complete Assembly, Gold finish

DPA DUA0710G (DUA0710 G, DUA0710/G, DUA0710.G, DUA0710) Vocal Mic Grid, Complete Assembly, Gold finish The nickel d:facto II Outer Grid and Complete Assembly for Handheld Vocal Microphone from DPA comes with a windscreen and pop filter assembly. The mic is sold separately.

DPA d:facto 4018VL Linear Supercardioid Mic, WI2 Adapter (Wisycom), Black

DPA 4018VL-B-WI2 (401/8VL-B-WI2, 40/18VLB-WI2, 4018/VL/B-WI2, 40/18VL-B-W/I2) d:facto 4018VL Linear Supercardioid Mic, WI2 Adapter (Wisycom), Black The d:facto MMC4018VL Linear Supercardioid Microphone Capsule for Vocal from DPA features an isolation-optimized polar pattern and is designed to augment the human vocal range. It can be used to capture speech and vocals in sound reinforcement applications such as for stage, recordings, and more. The capsule provides an applicable opening angle around the center axis comparable to a cardioid, which means that a pleasant tolerance around the center axis is obtained for the singer. In addition, the rear rejection is higher than other supercardioids, and the rear lobe opening is extremely uniform and controlled.You can combine the d:facto MMC4018VL Linear Supercardioid Microphone Capsule with any of the d:facto adapters for wireless systems or the d:facto handle for wired use (sold separately).

DPA d:facto 4018VL Linear Supercardioid Mic, SL1 Adapter (Shure/Sony/Lectrosonics/Line6), Black

DPA 4018VL-B-SL1 (4018VLBSL1, 4018/VL-B-SL1, 401/8VL-B-SL/1, 40/18V/LB-SL1) d:facto 4018VL Linear Supercardioid Mic, SL1 Adapter (Shure/Sony/Lectrosonics/Line6), Black The d:facto MMC4018VL Linear Supercardioid Microphone Capsule for Vocal from DPA features an isolation-optimized polar pattern and is designed to augment the human vocal range. It can be used to capture speech and vocals in sound reinforcement applications such as for stage, recordings, and more. The capsule provides an applicable opening angle around the center axis comparable to a cardioid, which means that a pleasant tolerance around the center axis is obtained for the singer. In addition, the rear rejection is higher than other supercardioids, and the rear lobe opening is extremely uniform and controlled.You can combine the d:facto MMC4018VL Linear Supercardioid Microphone Capsule with any of the d:facto adapters for wireless systems or the d:facto handle for wired use (sold separately).  

DPA d:facto Linear Supercardioid Vocal Mic Capsule

DPA MMC4018VL (MMC4018 VL, MMC4018/VL, MMC4018.VL, MMC4018_VL) d:facto Linear Supercardioid Vocal Mic Capsule The d:facto MMC4018VL Linear Supercardioid Microphone Capsule for Vocal from DPA features an isolation-optimized polar pattern and is designed to augment the human vocal range. It can be used to capture speech and vocals in sound reinforcement applications such as for stage, recordings, and more. The capsule provides an applicable opening angle around the center axis comparable to a cardioid, which means that a pleasant tolerance around the center axis is obtained for the singer. In addition, the rear rejection is higher than other supercardioids, and the rear lobe opening is extremely uniform and controlled. You can combine the d:facto MMC4018VL Linear Supercardioid Microphone Capsule with any of the d:facto adapters for wireless systems or the d:facto handle for wired use (sold separately).

DPA d:facto 4018V Softboost Supercardioid Mic, SE5 Adapter (Sennheiser 5200), Nickel

DPA 4018V-N-SE5 (4018VNSE5, 4018V/N/SE5, 4018V N SE5, 4018VN/SE5) d:facto 4018V Softboost Supercardioid Mic, SE5 Adapter (Sennheiser 5200), Nickel The d:facto MMC4018V Supercardioid Microphone Capsule for Vocal from DPA features an isolation-optimized polar pattern and is designed to augment the human vocal range. It can be used to capture speech and vocals in sound reinforcement applications such as for stage, recordings, and more. The capsule provides an applicable opening angle around the center axis comparable to a cardioid, which means that a pleasant tolerance around the center axis is obtained for the singer. In addition, the rear rejection is higher than other supercardioids, and the rear lobe opening is extremely uniform and controlled. You can combine the d:facto MMC4018V Supercardioid Microphone Capsule with any of the d:facto adapters for wireless systems or the d:facto handle for wired use (sold separately).

DPA d:facto 4018V Softboost Supercardioid Mic, SE2-ew Adapter, Nickel

DPA 4018V-N-SE2 (4018VNSE2, 4018V/N/SE2, 4018V N SE2, 4018VN/SE2) d:facto 4018V Softboost Supercardioid Mic, SE2-ew Adapter, Nickel. The nickel d:facto 4018V Softboost Supercardioid Microphone with SE2 Wireless Adapter from DPA is designed to bring a natural studio sound to the live stage and broadcasting studio. This microphone capsule and wireless adapter is configured for Sennheiser 2000, 6000, 9000, D1, and Evolution Series wireless systems and can be used to capture vocals for live stage, theater, and rehearsal applications. The modular nature of the d:facto series allows you to switch the capsule as well as the adapter, making it a very flexible vocal microphone. The d:facto MMC4018V Supercardioid Microphone Capsule for Vocal from DPA features an isolation-optimized polar pattern and is designed to augment the human vocal range. It can be used to capture speech and vocals in sound reinforcement applications such as for stage, recordings, and more.  

DPA Modular Active Cable, MicroDot, Side, 1.8 m (5.9 ft)

DPA MMP-GS (MMPGS, MMP/GS, MMP GS, MMP.GS) Modular Active Cable, MicroDot, Side, 1.8 m (5.9 ft) The MMP-G Modular Active Cable is an ultra-transparent preamplifier. It can be combined with any modular capsule in the d:dicate Recording Microphones Series. The MMP-G also features a MicroDot connector, which allows the microphone to be linked with all leading wireless miking solutions through the extensive range of DPA adapters.  The MMP-G is available in two variations, MMP-GR with the cable extending from the rear or MMP-GS with the cable extending from the side. For one of the highest-quality wireless instrument miking solutions on the market, attach your favorite d:dicate Microphone Capsule to a MMP-G Modular Active Cable. Then you can seamlessly connect them to the GSM4000 Gooseneck Mount for d:dicate. This combination allows you to create a wireless solution with your favorite d:dicateMicrophone.

DPA Modular Active Cable, MicroDot, Rear, 1.8 m (5.9 ft)

DPA MMP-GR (MMPGR, MMP/GR, MMP_GR, MMP.GR) Modular Active Cable, MicroDot, Rear, 1.8 m (5.9 ft) The MMP-G Modular Active Cable is an ultra-transparent preamplifier. It can be combined with any modular capsule in the d:dicate™ Recording Microphones Series. The MMP-G also features a MicroDot connector, which allows the microphone to be linked with all leading wireless miking solutions through the extensive range of DPA adapters.  The MMP-G is available in two variations, MMP-GR with the cable extending from the rear or MMP-GS with the cable extending from the side.

DPA Modular Active Cable, XLR, Side, 3 m (9.8 ft)

DPA MMP-ES (MMPES, MMP/ES, MMP ES, MMP.ES) Modular Active Cable, XLR, Side, 3 m (9.8 ft)  The d:dicate MMP-ES Modular Active Side Cable by DPA Microphones is a microphone preamp. It is used with any d:dicate modular capsule for capturing audio in applications such as with hanging mics or low-profile table or instrument mics. The MMP-ES features a high quality preamp built with a 12mm housing and a 3-pin XLR connector. The capsule attaches to a cable with a length of 3 meters or optionally up to 30 meters. The preamp features impedance balancing with active drive to reject radio frequency interference. This model is built with a side mounted cable. The preamp is ultra transparent and features the DPA designed impedance balancing with active drive to reject radio frequency interference Can be combined with any DPA d:dicate modular capsule

DPA d:dicate 2011ES Twin Diaphragm Cardioid Mic, Side Cable, XLR

DPA 2011ES (2011/ES, 2011 ES, 2011_ES, 2011.ES) d:dicate 2011ES Twin Diaphragm Cardioid Mic, Side Cable, XLR  The 2011ES Cardioid Microphone, Active Side Cable from DPA is designed for capturing audio and can be used in various environments, including theater, recording studios, broadcast TV, and similar applications. It features a cardioid directional pattern and a frequency range of 20 Hz to 20 kHz. The microphone contains an MMP-E active cable preamp, which splits amplification and phantom power duties. Additionally, the microphone offers a modular capsule with high-quality directivity control and radio frequency interference rejection. The 2011ER capsule is also suitable for capturing instruments in sound reinforcement applications. The capsule's twin diaphragm is designed to provide a fast impulse response and large frequency bandwidth, resulting in low inherent noise. The microphone's modular design allows users to manually switch optional capsules for enhanced versatility and performance. The preamp terminates with a 12mm attachment at one end and an XLR connector at the other. The 2011ER features a compact appearance and includes a SM4000-C Suspension Mount.

DPA d:dicate 2011ER Twin Diaphragm Cardioid Mic, Rear Cable, XLR

DPA 2011ER (2011/ER, 2011 ER, 2011_ER, 2011.ER) d:dicate 2011ER Twin Diaphragm Cardioid Mic, Rear Cable, XLR The 2011ER Cardioid Microphone, Active Rear Cable from DPA is designed for capturing audio and can be used in various environments, including theater, recording studios, broadcast TV, and similar applications. It features a cardioid directional pattern and a frequency range of 20 Hz to 20 kHz. The microphone contains an MMP-E active cable preamp, which splits amplification and phantom power duties. Additionally, the microphone offers a modular capsule with high-quality directivity control and radio frequency interference rejection. The 2011ER capsule is also suitable for capturing instruments in sound reinforcement applications. The capsule's twin diaphragm is designed to provide a fast impulse response and large frequency bandwidth, resulting in low inherent noise. The microphone's modular design allows users to manually switch optional capsules for enhanced versatility and performance. The preamp terminates with a 12mm attachment at one end and an XLR connector at the other. The 2011ER features a compact appearance and includes a SM4000-C Suspension Mount.

DPA Modular Active Boom, 47 cm (18 in)

DPA MMP-F45 (MMPF45, MMP/F45, MMP F45, MMP.F45) Modular Active Boom, 47 cm (18 in) The d:dicate MMP-F Modular Active Boom, 47cm with Gooseneck Top by DPA Microphones is a preamplifier and output stage for DPA Reference Standard MMC series capsules. The modular capsule attaches to the MMP-F preamplifier. When used with a DPA microphone capsule it provides power for podium, floor stand, or table top microphone. The MMP-F provides and XLR output and 48V phantom power via an external source. It features impedance balancing with active drive and has excellent radio frequency rejection. The optional stands are sold separately. Compatible With The Following Capsules: MMC4006 Omni Microphone Capsule MMC4007 Omni Microphone Capsule, 12mm MMC4011 Cardioid Microphone Capsule MMC4015 Wide Cardioid Microphone Capsule  MMC4017 Shotgun Microphone Capsule MMC2006 Twin Diaphragm Omni Microphone Capsule  MMC2011 Twin Diaphragm Cardioid Microphone Capsule Hidden mounting holes below the top cover allow for permanent mounting to any flat surface, and it looks   

DPA Modular Active Boom, 32 cm (13 in)

DPA MMP-F30 (MMPF30, MMP/F30, MMP F30, MMP.F30) Modular Active Boom, 32 cm (13 in)  The d:dicate MMP-F Modular Active Boom, 30cm with Gooseneck Top by DPA Microphones is a preamplifier and output stage for DPA Reference Standard MMC series capsules. The modular capsule attaches to the MMP-F preamplifier. When used with a DPA microphone capsule it provides power for podium, floor stand, or table top microphone. The MMP-F provides and XLR output and 48V phantom power via an external source. It features impedance balancing with active drive and has excellent radio frequency rejection. The optional stands are sold separately. Compatible With The Following Capsules: MMC4006 Omni Microphone Capsule MMC4007 Omni Microphone Capsule, 12mm MMC4011 Cardioid Microphone Capsule MMC4015 Wide Cardioid Microphone Capsule  MMC4017 Shotgun Microphone Capsule MMC2006 Twin Diaphragm Omni Microphone Capsule  MMC2011 Twin Diaphragm Cardioid Microphone Capsule Hidden mounting holes below the top cover allow for permanent mounting to any flat surface, and it looks  just great. It can be ceiling-mounted upside down or positioned on top of a table.

DPA Mic Base, White, XLR, P48

DPA DM6000-WX (DM6000WX, DM6000/WX, DM6000 WX, DM6000.WX) Mic Base, White, XLR, P48 The DPA Microphone Base (DM6000) brings sleek Scandinavian design and superior audio technology seamlessly into your meeting rooms. Made of brushed aluminium and including a built-in shock mount system, The Microphone Base suppresses most all unwanted handling or vibration noise from the table or podium. Hidden mounting holes below the top cover allow for permanent mounting to any flat surface, and it looks just great. It can be ceiling-mounted upside down or positioned on top of a table.

DPA Mic Base, White, MicroDot

DPA DM6000-WM (DM6000WM, DM6000/WM, DM6000 WM, DM6000.WM) Mic Base, White, MicroDot  The DPA DM6000-WM Microphone Base brings sleek Scandinavian design to the meeting rooms where it's used. It offers 2 main mounting possibilities: tabletop or ceiling, and is ideal for either. This particular model comes with the MicroDot, Passive, Unbalanced interface (Note: a DPA adapter will be needed to connect this to a wireless system - sold separately). This Microphone Base comes with an onboard shock mount system that provides very good suppression of unwanted handling noise from a table or the like. Hidden mounting holes below the top cover make it possible to permanently affix the unit to a flat surface for an exclusive appearance. The audio cables are an integral part of the Microphone Base unit. It's designed specifically to work with DPA's d:screet™ SC4098 Supercardioid Podium Microphone (sold separately). Recommended for use with microphones in these lengths: 6" (16cm), 11" (28cm), and 17" (43cm) (all mics sold separately). Longer goosenecks should be avoided. Read more about our microphones for installation.

DPA Floor Stand with Modular Active Boom, 77 cm (30 in), Single

DPA MMP-FJS (MMPFJS, MMP/FJS, MMP-F/JS, MM/P-FJ/S) Floor Stand with Modular Active Boom, 77 cm (30 in), Single The d:dicate Floor Stand with Modular Active 75cm Single Boom by DPA Microphones can be used to attach microphones for use in various audio applications, such as broadcast TV, lectures, boardrooms, government offices, meeting rooms and more. It is built with the preamp already installed, (microphone is sold separately) and has a black non-reflective surface that's suitable for stage presentations and concerts halls, when an unobstructed view of the speaker is preferable.

DPA Floor Stand with Modular Active Boom, 122 cm (48 in), Twin

DPA MMP-FGT (MMPFGT,MM/P-FGT, MM/P/FGT, M/MP-FG/T) Floor Stand with Modular Active Boom, 122 cm (48 in), Twin The d:dicate Floor Stand with Modular Active 120cm Twin Boom by DPA Microphones can be used to attach microphones for use in various audio applications, such as broadcast TV, lectures, boardrooms, government offices, meeting rooms and more. It is built with the preamp already installed, (microphone is sold separately) and has a black non-reflective surface that's suitable for stage presentations and concerts halls, when an unobstructed view of the speaker is preferable.

DPA Floor Stand with Modular Active Boom, 122 cm (48 in), Single

DPA MMP-FGS (MMP/FGS, MMP/F/GS, M/MP-FGS, M/MP-FG/S) Floor Stand with Modular Active Boom, 122 cm (48 in), Single The d:dicate Floor Stand with Modular Active 120cm Single Boom by DPA Microphones can be used to attach microphones for use in various audio applications, such as broadcast TV, lectures, boardrooms, government offices, meeting rooms and more. It is built with the preamp already installed, (microphone is sold separately) and has a black non-reflective surface that's suitable for stage presentations and concerts halls, when an unobstructed view of the speaker is preferable.  

DPA d:sign 4011 Cardioid Mic, Black, XLR, 122 cm (48 in) Boom, Floor Stand, Single Mic

DPA 4011-DF-F-B01-120 (4011DF-F-B01-120, 4011/DF-F-B01/120, 4011/DF-F/B01/120, 4011/DF/F/B01/120) d:sign 4011 Cardioid Mic, Black, XLR, 122 cm (48 in) Boom, Floor Stand, Single Mic The d:dicate 4011FJS Cardioid Microphone from DPA features a 75cm boom floor stand and is designed for capturing professional-grade audio. It can be used in venues such as lectures, live stage, studio, public speaking events, and similar applications. The microphone features a cardioid capsule and a frequency range of 20 to 20 kHz. It is powered by 48V of phantom power. When used for musical instruments, the microphone's capsule is a reference standard for its low-distortion and wide dynamic range. When used for voice scenarios, the 4011FJS microphone sounds natural and provides clear and accurate sound. The cardioid polar pattern also provides a noise rejecting quality for clear and intelligible speech. Additionally, no equalization is needed to remove microphone artifacts. A 75cm floor stand, a microphone clip, and a windscreen are included. Wide dynamic range Comes with 75cm floor stand Voice intelligibility straight out of the mic, no equalization needed to remove microphone artifacts The capsule is a reference standard for low-distortion and linear approach when used with musical instruments Provides an accurate and transparent sound

DPA Mic Base, Black, XLR, P48

DPA DM6000-BX (DM6000-BX, DM6000-BX, DM6000-BX, DM6000-BX) Mic Base, Black, XLR, P48  The DPA Microphone Base (DM6000) brings sleek Scandinavian design and superior audio technology seamlessly into your meeting rooms. Made of brushed aluminium and including a built-in shock mount system, The Microphone Base suppresses most all unwanted handling or vibration noise from the table or podium. Hidden mounting holes below the top cover allow for permanent mounting to any flat surface, and it looks just great. It can be ceiling-mounted upside down or positioned on top of a table.  

DPA Mic Base, Black, MicroDot

DPA DM6000-BM (DM6000BM, DM6000/BM, DM6000_BM, DM6000.BM) Mic Base, Black, MicroDot The Microphone Base comes with a built-in shock mount system that gives very good suppression of unwanted handling noise from a table or the like. Hidden mounting holes below the top cover make it possible to permanently affix the unit to a flat surface for an exclusive appearance. The audio cables are an integral part of the Microphone Base unit.   

DPA Table Shock Mount

DPA TSM4001 (TSM 4001, TSM/4001, TSM.4001, TSM_4001) Table Shock Mount  The Table Shock Mount is a table shock mount for podium microphones. Vertical softness absorbs handling vibration. Horizontal movements are controlled to prevent the podium boom from touching the mount. Best performance is obtained with mics weighing between 140 g (5 oz) and 240 g (8.5 oz). The top part of the mount can be custom ordered with different finishes to match surrounding architectural appearance. The Table Shock Mount is easy to mount. It only requires a hole in the table plate with a diameter between 55-59 mm (2.16-2.32 in). The mount fits plate thicknesses from 8-38 mm (0.31-1.49 in).

DPA d:sign 4011 Cardioid Mic, Black, XLR, 77 cm (30 in) Boom, Floor Stand, Single Mic

DPA 4011-DF-F-B01-075 (4011/DF-F-B01-075, 4011/DF-F-B01/075, 4011-DF/F/B01/075, 4011/DF/F/B01/075) d:sign 4011 Cardioid Mic, Black, XLR, 77 cm (30 in) Boom, Floor Stand, Single Mic The d:dicate 4011FGS Cardioid Microphone from DPA features a 120cm boom floor stand and is designed for capturing professional-grade audio. It can be used in venues such as lectures, live stage, studio, public speaking events, and similar applications. The microphone features a cardioid capsule and a frequency range of 20 to 20 kHz. It is powered by 48V of phantom power. When used for musical instruments, the microphone's capsule is a reference standard for its low-distortion and wide dynamic range. When used for voice scenarios, the 4011FGS microphone sounds natural and provides clear and accurate sound. The cardioid polar pattern also provides a noise rejecting quality for clear and intelligible speech. Additionally, no equalization is needed to remove microphone artifacts. A 120cm floor stand, a microphone clip, and a windscreen are included. Wide dynamic range Comes with 120cm floor stand Voice intelligibility straight out of the mic, no equalization needed to remove microphone artifacts The capsule is a reference standard for low-distortion and linear approach when used with musical instruments Provides an accurate and transparent sound

DPA d:sign 4018 Supercardioid Mic, Black, XLR, 122 cm (48 in) Boom, Floor Stand, Twin Mic

DPA 4018-DF-F-B01-120T (4018DFFB01120T, 4018/DF/F/B01/120T, 4018 DF F B01 120T, 4018DFF/B01/120T)  d:sign 4018 Supercardioid Mic, Black, XLR, 122 cm (48 in) Boom, Floor Stand, Twin Mic  The 4018FGT Supercardioid Microphone from DPA features a twin 120cm floor boom stand and is designed for capturing professional-grade audio. It can be used in venues such as live stage shows, broadcast studios, recording studios, public speaking events, and similar applications. The microphone contains a supercardioid capsule for a smooth and uniform off-axis frequency response. Additionally, the supercardioid shape is frequency independent, providing an identical sound color around the microphone. When used for voice, the microphone has a natural response and offers accurate and clear sound. The 4018FGT provides a frequency range of 20 Hz to 20 kHz and is powered by 48V of phantom power. Wide dynamic range Includes Twin 120cm floor stand Voice intelligibility straight out of the mic, no equalization is needed to remove microphone artifacts THe 4018FGT capsule is a reference standard for its low-distortion and linear approach when used with musical instruments Maximum RFI rejection due to the impedance balanced active drive, which provides common mode rejection at or above 60 dB Provides an accurate and transparent sound 

DPA d:sign 4011 Cardioid Mic, Black, XLR, 122 cm (48 in) Boom, Floor Stand, Twin Mic

DPA 4011-DF-F-B01-120T (4011DFFB01120T, 4011/DF/F/B01/120T, 4011 DF F B01 120T, 4011DFF/B01/120T)  d:sign 4011 Cardioid Mic, Black, XLR, 122 cm (48 in) Boom, Floor Stand, Twin Mic  The 4011FGT Cardioid Microphone from DPA features a twin 120cm boom floor stand and is designed for capturing professional-grade audio. It can be used in various venues such as lectures, meeting rooms, public speaking events, and similar applications. The 4011FGT features a cardioid polar pattern and linear phase with a frequency range of 20 Hz to 20 kHz. The microphone floor stand is built with an XLR-3M connector and is finished with a black non-reflective surface for use in TV-studios, OB-vans, and on stage in theaters and concert halls. Additionally, it contains an integrated shock mounting solution, allowing the long boom pole to stabilize itself after being positioned. The microphone's capsule is powered by 48V of phantom power. Suitable for floor stand applications Equally suitable for close-up work on acoustic guitar, grand piano, overheads, percussion, wind instruments, and vocals The cardioid capsule features linear phase and frequency response with a wide dynamic range

DPA d:sign 4018 Supercardioid Mic, Black, XLR, 77 cm (30 in) Boom, Floor Stand, Single Mic

DPA 4018-DF-F-B01-075 (4018DFFB01075, 4018/DF/F/B01/075, 4018 DF F B01 075, 4018DFF/B01/075) d:sign 4018 Supercardioid Mic, Black, XLR, 77 cm (30 in) Boom, Floor Stand, Single Mic  The 4018FGS Supercardioid Microphone from DPA features a 120cm floor boom stand and is designed for capturing professional-grade audio. It can be used in venues such as live stage shows, broadcast studios, recording studios, public speaking events, and similar applications. The microphone contains a supercardioid capsule for a smooth and uniform off-axis frequency response. Additionally, the supercardioid shape is frequency independent, providing an identical sound color around the microphone. When used for voice, the microphone has a natural response and offers accurate and clear sound. The 4018FGS provides a frequency range of 20 Hz to 20 kHz and is powered by 48V of phantom power. Wide dynamic range Includes 120cm floor stand Voice intelligibility straight out of the mic, no equalization is needed to remove microphone artifacts THe 4018FGS capsule is a reference standard for its low-distortion and linear approach when used with musical instruments Maximum RFI rejection due to the impedance balanced active drive, which provides common mode rejection at or above 60 dB Provides an accurate and transparent sound

d:facto 4018VL Linear Supercardioid Mic, Wired DPA Handle, Black

The d:facto™ series brings true studio sound to the live stage and broadcasting studio. These mics are available in an extremely linear version as well as in a version with a high-end boost. The modular nature of the d:facto™ 4018VL B B01 (4018VL-B-B01, 4018VL/B/B01, 4018VL/B/B01) series allows you to switch the capsule as well as the adapter, making it the most flexible vocal microphone available on the market. Engineered especially for vocal performances onstage, the d:facto™ holds a supercardioid capsule that is designed to reproduce every nuance of the human voice transparently, consistently and thrillingly. There are two versions available. The d:facto™ Linear Vocal Microphone (4018VL) is extremely linear. The d:facto™ Vocal Microphone (4018V) is linear but with a high-end boost. The 4018V is often chosen because it ‘cuts through’ on a broadcasting set, where the content typically ends up transmitted to built-in television speakers with limited audio quality. Besides the linearity / boost, these mics are identical. Both feature an isolation-optimized supercardioid polar pattern. This directional characteristic offers the best of two worlds – from cardioid and supercardioid patterns. These mics can handle loud vocals with three-step pop-protection grid and best-in-class low handling noise. They also offer excellent sonic reproduction with all the detail and balanced linear phase and frequency response users have grown to trust for DPA Microphones. Optimized for live performance d:facto™ Vocal Microphones are the ultimate stage mics – no matter if the performance is taking place in a cozy club or the largest concert hall. Like traditional supercardioid mics, the d:facto™ series enjoys high side- and rear rejection with a minimum of 9 dB attenuation to the sides. Yet it is not bound by the less desirable aspects of the supercardioid like the uncontrolled and nonlinear rear lobes, which can create feedback from stage wedges, because there is a sudden high frequency peak at the backside of the mic. The d:facto™ series has a wider acceptance angle at the front of the mic than most supercardioids. The acceptance angle is identical to a first-order cardioid at ±60 degrees off-center, resulting in the same work field as a cardioid — just with extremely high and uniform side and rear damping. Linear or with a high-end boost? When you choose your d:facto™ Vocal Microphone, you get to choose the microphone that best meets your need. An extremely linear version of the d:facto™ Vocal Microphone is engineered specifically for audio engineers who prefer setting their own unique impression on the final sound. A version with a pre-programmed high-end boost has a 3 dB soft boost at 12 kHz. Both versions of the d:facto™ are designed to capture electrifying live performances and accurately replicate a singer's voice transparently, consistently and thrillingly. These mics are optimized for use in sound reinforcement as well as recording applications. They offer natural sound, high separation from nearby sound sources and SPL handling up to 160 dB. A bit about supercardioids A supercardioid microphone is similar to a cardioid – it is most sensitive to sound coming in at the front and is least sensitive at the back. Supercardioid mics tend to have a much narrower angle of sensitivity – making them even more focused than a “normal” cardioid mic. This off-axis sound will be more or less colored and damped – and, due to the narrow angle of focus, the area of damped sound is increased significantly. The unique DPA capsule technique however skips the colorization of the sound coming from the sides or the rear of the mic and just reduces the sensitivity to these angles and thereby offers perfect sound stages. The amount of damping depends on the exact specifications of the mic. Due to their nature, supercardioid mics are often used on the live stage – both during concerts as well as spoken-word events, to capture the focused sound of an instrument or voice. The narrow angle of sensitivity helps to minimize the bleed from other sounds on a busy stage. One thing to note with supercardioid mics is the proximity effect, which causes an increase in bass response the closer the microphone is moved to the sound source. Also, supercardioid mics are far more sensitive to wind, pop and handling noises than omni mics, so be sure to take precautions to guard against this. Wired or wireless? - you choose You can use the d:facto™ Vocal Microphone with a sleek, state-of-the-art d:facto™ Handle for a wired solution or choose to use a d:facto™ Capsule together with your favorite wireless system. If you decide to go wireless, you can just switch to an adapter for wireless at a quarter of the cost of a new microphone. As circumstances change, you can just switch your adapter, instead of incurring the cost of a completely new microphone. When you make the switch, you won't hear any loss or change in sound quality. The d:facto™ Series of handheld microphones works with leading wireless mic solutions, such as Sennheiser, Shure, Sony, Wisycom, Lectrosonics and Line6. DPA Microphones’ ingenious adapter system is one of a kind in the industry. It protects your investment in fantastic sound for years to come. See all our d:facto™ Adapters for wireless and find an adapter that fits your wireless system. If you prefer to run via a wired system, all of our mics are available with a state-of-the-art d:facto™ Handle, ending with an XLR adapter.

DPA d:facto 4018V Softboost Supercardioid Mic, SL1 Adapter, Black

The d:facto™ Vocal Microphone 4018V B SL1 (4018V-B-SL1, 4018V_B_SL1, 4018V/B/SL1) is engineered especially for vocal performances onstage. It captures electrifying stage performances and accurately replicates a singer's voice transparently, consistently and thrillingly. The mic is optimized for use in sound reinforcement as well as recording applications. It offers natural sound, high separation from distant sound sources and SPL handling up to 160 dB. The phantom-powered DPA handle has a sleek look and state-of-the-art electronic design. And, if you decide to go wireless, you can just switch to an adapter for wireless at a quarter of the cost of a new microphone. The modular nature of the d:facto™ seriesallows you to switch both the capsule as well as the adapter. The d:facto™ Supercardioid Capsule features an isolation-optimized supercardioid polar pattern. It is specifically designed to augment the human vocal range. It uses directional characteristic from the best of two worlds – both cardioid and supercardioid patterns. The capsule’s directional pattern and definition gives high separation and true sound color onstage. It is ideal for PA amplification and recording. Frequency response and phase, both on- and off-axis, is linear. You can remove the capsule and replace it with any other d:facto™ or d:dicate™ capsule if your needs change. The mic also features a robust three-stage pop protection grid built into the microphone that removes unwanted noise. Although this version of the d:facto™ Vocal Microphone comes with a d:facto™ Handle for a wired solution, the d:facto™ Vocal Microphone is also the perfect choice to use with your favorite wireless system.

DPA d:facto 4018V Softboost Supercardioid Mic, WI2 Adapter (Wisycom), Black

The d:facto™ Vocal Microphone 4018V B WI2 (4018V-B-WI2, 4018V/B/WI2, 4018V_B_WI2) is engineered especially for vocal performances onstage. It captures electrifying stage performances and accurately replicates a singer's voice transparently, consistently and thrillingly. The mic is optimized for use in sound reinforcement as well as recording applications. It offers natural sound, high separation from distant sound sources and SPL handling up to 160 dB. The phantom-powered DPA handle has a sleek look and state-of-the-art electronic design. And, if you decide to go wireless, you can just switch to an adapter for wireless at a quarter of the cost of a new microphone. The modular nature of the d:facto™ seriesallows you to switch both the capsule as well as the adapter. The d:facto™ Supercardioid Capsule features an isolation-optimized supercardioid polar pattern. It is specifically designed to augment the human vocal range. It uses directional characteristic from the best of two worlds – both cardioid and supercardioid patterns. The capsule’s directional pattern and definition gives high separation and true sound color onstage. It is ideal for PA amplification and recording. Frequency response and phase, both on- and off-axis, is linear. You can remove the capsule and replace it with any other d:facto™ or d:dicate™ capsule if your needs change. The mic also features a robust three-stage pop protection grid built into the microphone that removes unwanted noise. Although this version of the d:facto™ Vocal Microphone comes with a d:facto™ Handle for a wired solution, the d:facto™ Vocal Microphone is also the perfect choice to use with your favorite wireless system.

DPA d:facto 4018V Softboost Supercardioid Mic, SE2-ew Adapter, Black

The d:facto™ Vocal Microphone 4018V B SE2 (4018V-B-SE2, 4018V/B/SE2, 4018V_B_SE2) is engineered especially for vocal performances onstage. It captures electrifying stage performances and accurately replicates a singer's voice transparently, consistently and thrillingly. The mic is optimized for use in sound reinforcement as well as recording applications. It offers natural sound, high separation from distant sound sources and SPL handling up to 160 dB. The phantom-powered DPA handle has a sleek look and state-of-the-art electronic design. And, if you decide to go wireless, you can just switch to an adapter for wireless at a quarter of the cost of a new microphone. The modular nature of the d:facto™ seriesallows you to switch both the capsule as well as the adapter. The d:facto™ Supercardioid Capsule features an isolation-optimized supercardioid polar pattern. It is specifically designed to augment the human vocal range. It uses directional characteristic from the best of two worlds – both cardioid and supercardioid patterns. The capsule’s directional pattern and definition gives high separation and true sound color onstage. It is ideal for PA amplification and recording. Frequency response and phase, both on- and off-axis, is linear. You can remove the capsule and replace it with any other d:facto™ or d:dicate™ capsule if your needs change. The mic also features a robust three-stage pop protection grid built into the microphone that removes unwanted noise. Although this version of the d:facto™ Vocal Microphone comes with a d:facto™ Handle for a wired solution, the d:facto™ Vocal Microphone is also the perfect choice to use with your favorite wireless system.

DPA d:facto 4018V Softboost Supercardioid Mic, SE5 Adapter, Black

The d:facto™ Vocal Microphone 4018V B SE5 (4018V-B-SE5, 4018V_B_SE5, 4018V/B/SE5) is engineered especially for vocal performances onstage. It captures electrifying stage performances and accurately replicates a singer's voice transparently, consistently and thrillingly. The mic is optimized for use in sound reinforcement as well as recording applications. It offers natural sound, high separation from distant sound sources and SPL handling up to 160 dB. The phantom-powered DPA handle has a sleek look and state-of-the-art electronic design. And, if you decide to go wireless, you can just switch to an adapter for wireless at a quarter of the cost of a new microphone. The modular nature of the d:facto™ seriesallows you to switch both the capsule as well as the adapter. The d:facto™ Supercardioid Capsule features an isolation-optimized supercardioid polar pattern. It is specifically designed to augment the human vocal range. It uses directional characteristic from the best of two worlds – both cardioid and supercardioid patterns. The capsule’s directional pattern and definition gives high separation and true sound color onstage. It is ideal for PA amplification and recording. Frequency response and phase, both on- and off-axis, is linear. You can remove the capsule and replace it with any other d:facto™ or d:dicate™ capsule if your needs change. The mic also features a robust three-stage pop protection grid built into the microphone that removes unwanted noise. Although this version of the d:facto™ Vocal Microphone comes with a d:facto™ Handle for a wired solution, the d:facto™ Vocal Microphone is also the perfect choice to use with your favorite wireless system.

DPA d:sign 4011 Cardioid Mic, Black, XLR, 122 cm 48 in Boom, top and bottom Gooseneck

A complete cardioid microphone floor stand solution in the modular d:sign™ Microphone Series offering a high-quality stage voice or instrument mic. 4011 DF G B01 120 (4011-DF-G-B01-120, 4011_DF_G_B01_120, 4011/DF/G/B01/120) This floor stand solution has an elegant and exclusive design with a black, non-reflective surface specifically made to handle the, from time to time, rough life in TV-studios, OB-vans and onstage in theaters and concert halls. The Floor Base has an integrated shock mounting solution. The thread screw holds the Stand Extension and MMP-F Modular Active Boom. This unique design allows for a long stage microphone boom pole that does not swing, but rapidly stabilizes itself after being positioned. These floor stand solutions can quickly, and with no tools needed, transform into a new configuration. You can combine it with another d:dicate™ Microphone Capsule or Preamplifier. d:sign™ 4011 Floor Stand Microphones Using the MMC4011 Cardioid Microphone Capsule for its directional quality and attention to detail, this solution makes everything sounds like the original. The first-order cardioid pickup pattern provides superb separation between sound sources. It is equally suitable for close-up work on acoustic guitar, grand piano, overheads, percussion, wind instruments and vocals as it is for spot-miking symphonies. It can handle incredibly high sound levels. A flat on-axis frequency response and excellent phase response deliver a faithful reproduction of the original sound. The off-axis response is similarly smooth so that any leakage is an accurate reflection of the original, though attenuated according to the true first-order cardioid pickup pattern. d:sign™ 4011 Floor Stand Microphones comes in the following lengths: d:dicate™ 4011-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120 Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4018 Floor Stand Microphones This solution uses the MMC4018 Cardioid Microphone Capsule, which has a highly-directional supercardioid pickup pattern with a smooth and uniform off-axis frequency response. The supercardioid shape is frequency independent, securing an identical sound color around the microphone. The usual rear lobe heard on most supercardioids is minimized on this capsule. This makes it much more isolated without sudden frequency dependent peaks and dips. d:sign™ 4018 Floor Stand Microphones comes in the following lengths: d:dicate™ 4018-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4018FGS Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4018-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4098 Floor Stand Microphones With very low noise and a high sensitivity, d:screet™ Supercardioid Microphones offer the most clear, transparent, and natural sound available on the miniature mic market. The mics are capable of handling extremely high SPL before clipping. With a linear response, low distortion and an extremely large dynamic range, they sound great no matter how challenging the environment. This floor stand solution comes in one length: d:screet™ SC4098-BX-FGS Supercardioid Microphone, XLR, 122 cm (48 in) Boom, Floor Stand

DPA d:sign 4011 Cardioid Mic, Black, XLR, 20 cm 8 in Boom, full Gooseneck

A complete cardioid microphone floor stand solution in the modular d:sign™ Microphone Series offering a high-quality stage voice or instrument mic. 4011 DF G B01 015 (4011-DF-G-B01-015, 4011_DF_G_B01_015, 4011/DF/G/B01/015) This floor stand solution has an elegant and exclusive design with a black, non-reflective surface specifically made to handle the, from time to time, rough life in TV-studios, OB-vans and onstage in theaters and concert halls. The Floor Base has an integrated shock mounting solution. The thread screw holds the Stand Extension and MMP-F Modular Active Boom. This unique design allows for a long stage microphone boom pole that does not swing, but rapidly stabilizes itself after being positioned. These floor stand solutions can quickly, and with no tools needed, transform into a new configuration. You can combine it with another d:dicate™ Microphone Capsule or Preamplifier. d:sign™ 4011 Floor Stand Microphones Using the MMC4011 Cardioid Microphone Capsule for its directional quality and attention to detail, this solution makes everything sounds like the original. The first-order cardioid pickup pattern provides superb separation between sound sources. It is equally suitable for close-up work on acoustic guitar, grand piano, overheads, percussion, wind instruments and vocals as it is for spot-miking symphonies. It can handle incredibly high sound levels. A flat on-axis frequency response and excellent phase response deliver a faithful reproduction of the original sound. The off-axis response is similarly smooth so that any leakage is an accurate reflection of the original, though attenuated according to the true first-order cardioid pickup pattern. d:sign™ 4011 Floor Stand Microphones comes in the following lengths: d:dicate™ 4011-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120 Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4018 Floor Stand Microphones This solution uses the MMC4018 Cardioid Microphone Capsule, which has a highly-directional supercardioid pickup pattern with a smooth and uniform off-axis frequency response. The supercardioid shape is frequency independent, securing an identical sound color around the microphone. The usual rear lobe heard on most supercardioids is minimized on this capsule. This makes it much more isolated without sudden frequency dependent peaks and dips. d:sign™ 4018 Floor Stand Microphones comes in the following lengths: d:dicate™ 4018-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4018FGS Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4018-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4098 Floor Stand Microphones With very low noise and a high sensitivity, d:screet™ Supercardioid Microphones offer the most clear, transparent, and natural sound available on the miniature mic market. The mics are capable of handling extremely high SPL before clipping. With a linear response, low distortion and an extremely large dynamic range, they sound great no matter how challenging the environment. This floor stand solution comes in one length: d:screet™ SC4098-BX-FGS Supercardioid Microphone, XLR, 122 cm (48 in) Boom, Floor Stand

DPA d:sign 4011 Cardioid Mic, Black, XLR, 32 cm 13 in Boom, top and bottom Gooseneck

A complete cardioid microphone floor stand solution in the modular d:sign™ Microphone Series offering a high-quality stage voice or instrument mic. 4011 DF G B01 030 (4011-DF-G-B01-030, 4011_DF_G_B01_030, 4011/DF/G/B01/030) This floor stand solution has an elegant and exclusive design with a black, non-reflective surface specifically made to handle the, from time to time, rough life in TV-studios, OB-vans and onstage in theaters and concert halls. The Floor Base has an integrated shock mounting solution. The thread screw holds the Stand Extension and MMP-F Modular Active Boom. This unique design allows for a long stage microphone boom pole that does not swing, but rapidly stabilizes itself after being positioned. These floor stand solutions can quickly, and with no tools needed, transform into a new configuration. You can combine it with another d:dicate™ Microphone Capsule or Preamplifier. d:sign™ 4011 Floor Stand Microphones Using the MMC4011 Cardioid Microphone Capsule for its directional quality and attention to detail, this solution makes everything sounds like the original. The first-order cardioid pickup pattern provides superb separation between sound sources. It is equally suitable for close-up work on acoustic guitar, grand piano, overheads, percussion, wind instruments and vocals as it is for spot-miking symphonies. It can handle incredibly high sound levels. A flat on-axis frequency response and excellent phase response deliver a faithful reproduction of the original sound. The off-axis response is similarly smooth so that any leakage is an accurate reflection of the original, though attenuated according to the true first-order cardioid pickup pattern. d:sign™ 4011 Floor Stand Microphones comes in the following lengths: d:dicate™ 4011-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120 Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4018 Floor Stand Microphones This solution uses the MMC4018 Cardioid Microphone Capsule, which has a highly-directional supercardioid pickup pattern with a smooth and uniform off-axis frequency response. The supercardioid shape is frequency independent, securing an identical sound color around the microphone. The usual rear lobe heard on most supercardioids is minimized on this capsule. This makes it much more isolated without sudden frequency dependent peaks and dips. d:sign™ 4018 Floor Stand Microphones comes in the following lengths: d:dicate™ 4018-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4018FGS Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4018-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4098 Floor Stand Microphones With very low noise and a high sensitivity, d:screet™ Supercardioid Microphones offer the most clear, transparent, and natural sound available on the miniature mic market. The mics are capable of handling extremely high SPL before clipping. With a linear response, low distortion and an extremely large dynamic range, they sound great no matter how challenging the environment. This floor stand solution comes in one length: d:screet™ SC4098-BX-FGS Supercardioid Microphone, XLR, 122 cm (48 in) Boom, Floor Stand

DPA d:sign 4011 Cardioid Mic, Black, XLR, 47 cm 18 in Boom, top and bottom Gooseneck

A complete cardioid microphone floor stand solution in the modular d:sign™ Microphone Series offering a high-quality stage voice or instrument mic. 4011 DF G B01 045 (4011-DF-G-B01-045, 4011_DF_G_B01_045, 4011/DF/G/B01/045) This floor stand solution has an elegant and exclusive design with a black, non-reflective surface specifically made to handle the, from time to time, rough life in TV-studios, OB-vans and onstage in theaters and concert halls. The Floor Base has an integrated shock mounting solution. The thread screw holds the Stand Extension and MMP-F Modular Active Boom. This unique design allows for a long stage microphone boom pole that does not swing, but rapidly stabilizes itself after being positioned. These floor stand solutions can quickly, and with no tools needed, transform into a new configuration. You can combine it with another d:dicate™ Microphone Capsule or Preamplifier. d:sign™ 4011 Floor Stand Microphones Using the MMC4011 Cardioid Microphone Capsule for its directional quality and attention to detail, this solution makes everything sounds like the original. The first-order cardioid pickup pattern provides superb separation between sound sources. It is equally suitable for close-up work on acoustic guitar, grand piano, overheads, percussion, wind instruments and vocals as it is for spot-miking symphonies. It can handle incredibly high sound levels. A flat on-axis frequency response and excellent phase response deliver a faithful reproduction of the original sound. The off-axis response is similarly smooth so that any leakage is an accurate reflection of the original, though attenuated according to the true first-order cardioid pickup pattern. d:sign™ 4011 Floor Stand Microphones comes in the following lengths: d:dicate™ 4011-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120 Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4018 Floor Stand Microphones This solution uses the MMC4018 Cardioid Microphone Capsule, which has a highly-directional supercardioid pickup pattern with a smooth and uniform off-axis frequency response. The supercardioid shape is frequency independent, securing an identical sound color around the microphone. The usual rear lobe heard on most supercardioids is minimized on this capsule. This makes it much more isolated without sudden frequency dependent peaks and dips. d:sign™ 4018 Floor Stand Microphones comes in the following lengths: d:dicate™ 4018-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4018FGS Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4018-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4098 Floor Stand Microphones With very low noise and a high sensitivity, d:screet™ Supercardioid Microphones offer the most clear, transparent, and natural sound available on the miniature mic market. The mics are capable of handling extremely high SPL before clipping. With a linear response, low distortion and an extremely large dynamic range, they sound great no matter how challenging the environment. This floor stand solution comes in one length: d:screet™ SC4098-BX-FGS Supercardioid Microphone, XLR, 122 cm (48 in) Boom, Floor Stand

DPA d:sign 4011 Cardioid Mic, Black, XLR, 77 cm 30 in Boom, top and bottom Gooseneck

A complete cardioid microphone floor stand solution in the modular d:sign™ Microphone Series offering a high-quality stage voice or instrument mic. 4011 DF G B01 075 (4011-DF-G-B01-075, 4011_DF_G_B01_075, 4011/DF/G/B01/075) This floor stand solution has an elegant and exclusive design with a black, non-reflective surface specifically made to handle the, from time to time, rough life in TV-studios, OB-vans and onstage in theaters and concert halls. The Floor Base has an integrated shock mounting solution. The thread screw holds the Stand Extension and MMP-F Modular Active Boom. This unique design allows for a long stage microphone boom pole that does not swing, but rapidly stabilizes itself after being positioned. These floor stand solutions can quickly, and with no tools needed, transform into a new configuration. You can combine it with another d:dicate™ Microphone Capsule or Preamplifier. d:sign™ 4011 Floor Stand Microphones Using the MMC4011 Cardioid Microphone Capsule for its directional quality and attention to detail, this solution makes everything sounds like the original. The first-order cardioid pickup pattern provides superb separation between sound sources. It is equally suitable for close-up work on acoustic guitar, grand piano, overheads, percussion, wind instruments and vocals as it is for spot-miking symphonies. It can handle incredibly high sound levels. A flat on-axis frequency response and excellent phase response deliver a faithful reproduction of the original sound. The off-axis response is similarly smooth so that any leakage is an accurate reflection of the original, though attenuated according to the true first-order cardioid pickup pattern. d:sign™ 4011 Floor Stand Microphones comes in the following lengths: d:dicate™ 4011-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120 Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4018 Floor Stand Microphones This solution uses the MMC4018 Cardioid Microphone Capsule, which has a highly-directional supercardioid pickup pattern with a smooth and uniform off-axis frequency response. The supercardioid shape is frequency independent, securing an identical sound color around the microphone. The usual rear lobe heard on most supercardioids is minimized on this capsule. This makes it much more isolated without sudden frequency dependent peaks and dips. d:sign™ 4018 Floor Stand Microphones comes in the following lengths: d:dicate™ 4018-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4018FGS Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4018-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4098 Floor Stand Microphones With very low noise and a high sensitivity, d:screet™ Supercardioid Microphones offer the most clear, transparent, and natural sound available on the miniature mic market. The mics are capable of handling extremely high SPL before clipping. With a linear response, low distortion and an extremely large dynamic range, they sound great no matter how challenging the environment. This floor stand solution comes in one length: d:screet™ SC4098-BX-FGS Supercardioid Microphone, XLR, 122 cm (48 in) Boom, Floor Stand

DPA d:sign 4018 Supercardioid Tabletop Mic, 5 cm 2 in, Black, XLR

A complete cardioid microphone floor stand solution in the modular d:sign™ Microphone Series offering a high-quality stage voice or instrument mic. 4018 DE D B01 005 (4018-DE-D-B01-005, 4018_DE_D_B01_005, 4018/DE/D/B01/005) This floor stand solution has an elegant and exclusive design with a black, non-reflective surface specifically made to handle the, from time to time, rough life in TV-studios, OB-vans and onstage in theaters and concert halls. The Floor Base has an integrated shock mounting solution. The thread screw holds the Stand Extension and MMP-F Modular Active Boom. This unique design allows for a long stage microphone boom pole that does not swing, but rapidly stabilizes itself after being positioned. These floor stand solutions can quickly, and with no tools needed, transform into a new configuration. You can combine it with another d:dicate™ Microphone Capsule or Preamplifier. d:sign™ 4011 Floor Stand Microphones Using the MMC4011 Cardioid Microphone Capsule for its directional quality and attention to detail, this solution makes everything sounds like the original. The first-order cardioid pickup pattern provides superb separation between sound sources. It is equally suitable for close-up work on acoustic guitar, grand piano, overheads, percussion, wind instruments and vocals as it is for spot-miking symphonies. It can handle incredibly high sound levels. A flat on-axis frequency response and excellent phase response deliver a faithful reproduction of the original sound. The off-axis response is similarly smooth so that any leakage is an accurate reflection of the original, though attenuated according to the true first-order cardioid pickup pattern. d:sign™ 4011 Floor Stand Microphones comes in the following lengths: d:dicate™ 4011-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120 Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4018 Floor Stand Microphones This solution uses the MMC4018 Cardioid Microphone Capsule, which has a highly-directional supercardioid pickup pattern with a smooth and uniform off-axis frequency response. The supercardioid shape is frequency independent, securing an identical sound color around the microphone. The usual rear lobe heard on most supercardioids is minimized on this capsule. This makes it much more isolated without sudden frequency dependent peaks and dips. d:sign™ 4018 Floor Stand Microphones comes in the following lengths: d:dicate™ 4018-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4018FGS Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4018-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4098 Floor Stand Microphones With very low noise and a high sensitivity, d:screet™ Supercardioid Microphones offer the most clear, transparent, and natural sound available on the miniature mic market. The mics are capable of handling extremely high SPL before clipping. With a linear response, low distortion and an extremely large dynamic range, they sound great no matter how challenging the environment. This floor stand solution comes in one length: d:screet™ SC4098-BX-FGS Supercardioid Microphone, XLR, 122 cm (48 in) Boom, Floor Stand

DPA d:sign 4018 Supercardioid Mic, Black, XLR, 20 cm 8 in Boom, full Gooseneck

A complete cardioid microphone floor stand solution in the modular d:sign™ Microphone Series offering a high-quality stage voice or instrument mic. 4018 DF G B01 015 (4018-DF-G-B01-015, 4018_DF_G_B01_015, 4018/DF/G/B01/015) This floor stand solution has an elegant and exclusive design with a black, non-reflective surface specifically made to handle the, from time to time, rough life in TV-studios, OB-vans and onstage in theaters and concert halls. The Floor Base has an integrated shock mounting solution. The thread screw holds the Stand Extension and MMP-F Modular Active Boom. This unique design allows for a long stage microphone boom pole that does not swing, but rapidly stabilizes itself after being positioned. These floor stand solutions can quickly, and with no tools needed, transform into a new configuration. You can combine it with another d:dicate™ Microphone Capsule or Preamplifier. d:sign™ 4011 Floor Stand Microphones Using the MMC4011 Cardioid Microphone Capsule for its directional quality and attention to detail, this solution makes everything sounds like the original. The first-order cardioid pickup pattern provides superb separation between sound sources. It is equally suitable for close-up work on acoustic guitar, grand piano, overheads, percussion, wind instruments and vocals as it is for spot-miking symphonies. It can handle incredibly high sound levels. A flat on-axis frequency response and excellent phase response deliver a faithful reproduction of the original sound. The off-axis response is similarly smooth so that any leakage is an accurate reflection of the original, though attenuated according to the true first-order cardioid pickup pattern. d:sign™ 4011 Floor Stand Microphones comes in the following lengths: d:dicate™ 4011-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120 Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4018 Floor Stand Microphones This solution uses the MMC4018 Cardioid Microphone Capsule, which has a highly-directional supercardioid pickup pattern with a smooth and uniform off-axis frequency response. The supercardioid shape is frequency independent, securing an identical sound color around the microphone. The usual rear lobe heard on most supercardioids is minimized on this capsule. This makes it much more isolated without sudden frequency dependent peaks and dips. d:sign™ 4018 Floor Stand Microphones comes in the following lengths: d:dicate™ 4018-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4018FGS Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4018-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4098 Floor Stand Microphones With very low noise and a high sensitivity, d:screet™ Supercardioid Microphones offer the most clear, transparent, and natural sound available on the miniature mic market. The mics are capable of handling extremely high SPL before clipping. With a linear response, low distortion and an extremely large dynamic range, they sound great no matter how challenging the environment. This floor stand solution comes in one length: d:screet™ SC4098-BX-FGS Supercardioid Microphone, XLR, 122 cm (48 in) Boom, Floor Stand

DPA d:sign 4018 Supercardioid Mic, Black, XLR, 32 cm 13 in Boom, top and bottom Gooseneck

A complete cardioid microphone floor stand solution in the modular d:sign™ Microphone Series offering a high-quality stage voice or instrument mic. 4018 DF G B01 030 (4018-DF-G-B01-030, 4018_DF_G_B01_030, 4018/DF/G/B01/030) This floor stand solution has an elegant and exclusive design with a black, non-reflective surface specifically made to handle the, from time to time, rough life in TV-studios, OB-vans and onstage in theaters and concert halls. The Floor Base has an integrated shock mounting solution. The thread screw holds the Stand Extension and MMP-F Modular Active Boom. This unique design allows for a long stage microphone boom pole that does not swing, but rapidly stabilizes itself after being positioned. These floor stand solutions can quickly, and with no tools needed, transform into a new configuration. You can combine it with another d:dicate™ Microphone Capsule or Preamplifier. d:sign™ 4011 Floor Stand Microphones Using the MMC4011 Cardioid Microphone Capsule for its directional quality and attention to detail, this solution makes everything sounds like the original. The first-order cardioid pickup pattern provides superb separation between sound sources. It is equally suitable for close-up work on acoustic guitar, grand piano, overheads, percussion, wind instruments and vocals as it is for spot-miking symphonies. It can handle incredibly high sound levels. A flat on-axis frequency response and excellent phase response deliver a faithful reproduction of the original sound. The off-axis response is similarly smooth so that any leakage is an accurate reflection of the original, though attenuated according to the true first-order cardioid pickup pattern. d:sign™ 4011 Floor Stand Microphones comes in the following lengths: d:dicate™ 4011-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120 Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4018 Floor Stand Microphones This solution uses the MMC4018 Cardioid Microphone Capsule, which has a highly-directional supercardioid pickup pattern with a smooth and uniform off-axis frequency response. The supercardioid shape is frequency independent, securing an identical sound color around the microphone. The usual rear lobe heard on most supercardioids is minimized on this capsule. This makes it much more isolated without sudden frequency dependent peaks and dips. d:sign™ 4018 Floor Stand Microphones comes in the following lengths: d:dicate™ 4018-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4018FGS Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4018-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4098 Floor Stand Microphones With very low noise and a high sensitivity, d:screet™ Supercardioid Microphones offer the most clear, transparent, and natural sound available on the miniature mic market. The mics are capable of handling extremely high SPL before clipping. With a linear response, low distortion and an extremely large dynamic range, they sound great no matter how challenging the environment. This floor stand solution comes in one length: d:screet™ SC4098-BX-FGS Supercardioid Microphone, XLR, 122 cm (48 in) Boom, Floor Stand

DPA d:sign 4018 Supercardioid Mic, Black, XLR, 47 cm 18 in Boom, top and bottom Gooseneck

A complete cardioid microphone floor stand solution in the modular d:sign™ Microphone Series offering a high-quality stage voice or instrument mic. 4018 DF G B01 045(4018-DF-G-B01-045,4018_DF_G_B01_045, 4018/DF/G/B01/045) This floor stand solution has an elegant and exclusive design with a black, non-reflective surface specifically made to handle the, from time to time, rough life in TV-studios, OB-vans and onstage in theaters and concert halls. The Floor Base has an integrated shock mounting solution. The thread screw holds the Stand Extension and MMP-F Modular Active Boom. This unique design allows for a long stage microphone boom pole that does not swing, but rapidly stabilizes itself after being positioned. These floor stand solutions can quickly, and with no tools needed, transform into a new configuration. You can combine it with another d:dicate™ Microphone Capsule or Preamplifier. d:sign™ 4011 Floor Stand Microphones Using the MMC4011 Cardioid Microphone Capsule for its directional quality and attention to detail, this solution makes everything sounds like the original. The first-order cardioid pickup pattern provides superb separation between sound sources. It is equally suitable for close-up work on acoustic guitar, grand piano, overheads, percussion, wind instruments and vocals as it is for spot-miking symphonies. It can handle incredibly high sound levels. A flat on-axis frequency response and excellent phase response deliver a faithful reproduction of the original sound. The off-axis response is similarly smooth so that any leakage is an accurate reflection of the original, though attenuated according to the true first-order cardioid pickup pattern. d:sign™ 4011 Floor Stand Microphones comes in the following lengths: d:dicate™ 4011-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120 Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4018 Floor Stand Microphones This solution uses the MMC4018 Cardioid Microphone Capsule, which has a highly-directional supercardioid pickup pattern with a smooth and uniform off-axis frequency response. The supercardioid shape is frequency independent, securing an identical sound color around the microphone. The usual rear lobe heard on most supercardioids is minimized on this capsule. This makes it much more isolated without sudden frequency dependent peaks and dips. d:sign™ 4018 Floor Stand Microphones comes in the following lengths: d:dicate™ 4018-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4018FGS Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4018-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4098 Floor Stand Microphones With very low noise and a high sensitivity, d:screet™ Supercardioid Microphones offer the most clear, transparent, and natural sound available on the miniature mic market. The mics are capable of handling extremely high SPL before clipping. With a linear response, low distortion and an extremely large dynamic range, they sound great no matter how challenging the environment. This floor stand solution comes in one length: d:screet™ SC4098-BX-FGS Supercardioid Microphone, XLR, 122 cm (48 in) Boom, Floor Stand

DPA d:sign 4018 Supercardioid Mic, Black, XLR, 77 cm 30 in Boom, top and bottom Gooseneck

A complete cardioid microphone floor stand solution in the modular d:sign™ Microphone Series offering a high-quality stage voice or instrument mic. 4018 DF G B01 075 (4018-DF-G-B01-075, 4018_DF_G_B01_075, 4018/DF/G/B01/075) This floor stand solution has an elegant and exclusive design with a black, non-reflective surface specifically made to handle the, from time to time, rough life in TV-studios, OB-vans and onstage in theaters and concert halls. The Floor Base has an integrated shock mounting solution. The thread screw holds the Stand Extension and MMP-F Modular Active Boom. This unique design allows for a long stage microphone boom pole that does not swing, but rapidly stabilizes itself after being positioned. These floor stand solutions can quickly, and with no tools needed, transform into a new configuration. You can combine it with another d:dicate™ Microphone Capsule or Preamplifier. d:sign™ 4011 Floor Stand Microphones Using the MMC4011 Cardioid Microphone Capsule for its directional quality and attention to detail, this solution makes everything sounds like the original. The first-order cardioid pickup pattern provides superb separation between sound sources. It is equally suitable for close-up work on acoustic guitar, grand piano, overheads, percussion, wind instruments and vocals as it is for spot-miking symphonies. It can handle incredibly high sound levels. A flat on-axis frequency response and excellent phase response deliver a faithful reproduction of the original sound. The off-axis response is similarly smooth so that any leakage is an accurate reflection of the original, though attenuated according to the true first-order cardioid pickup pattern. d:sign™ 4011 Floor Stand Microphones comes in the following lengths: d:dicate™ 4011-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120 Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4018 Floor Stand Microphones This solution uses the MMC4018 Cardioid Microphone Capsule, which has a highly-directional supercardioid pickup pattern with a smooth and uniform off-axis frequency response. The supercardioid shape is frequency independent, securing an identical sound color around the microphone. The usual rear lobe heard on most supercardioids is minimized on this capsule. This makes it much more isolated without sudden frequency dependent peaks and dips. d:sign™ 4018 Floor Stand Microphones comes in the following lengths: d:dicate™ 4018-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4018FGS Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4018-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4098 Floor Stand Microphones With very low noise and a high sensitivity, d:screet™ Supercardioid Microphones offer the most clear, transparent, and natural sound available on the miniature mic market. The mics are capable of handling extremely high SPL before clipping. With a linear response, low distortion and an extremely large dynamic range, they sound great no matter how challenging the environment. This floor stand solution comes in one length: d:screet™ SC4098-BX-FGS Supercardioid Microphone, XLR, 122 cm (48 in) Boom, Floor Stand

DPA d:sign 4018 Supercardioid Mic, Black, XLR, 122 cm 48 in Boom, top and bottom Gooseneck

A complete cardioid microphone floor stand solution in the modular d:sign™ Microphone Series offering a high-quality stage voice or instrument mic. 4018 DF G B01 120 (4018-DF-G-B01-120, 4018_DF_G_B01_120, 4018/DF/G/B01/120) This floor stand solution has an elegant and exclusive design with a black, non-reflective surface specifically made to handle the, from time to time, rough life in TV-studios, OB-vans and onstage in theaters and concert halls. The Floor Base has an integrated shock mounting solution. The thread screw holds the Stand Extension and MMP-F Modular Active Boom. This unique design allows for a long stage microphone boom pole that does not swing, but rapidly stabilizes itself after being positioned. These floor stand solutions can quickly, and with no tools needed, transform into a new configuration. You can combine it with another d:dicate™ Microphone Capsule or Preamplifier. d:sign™ 4011 Floor Stand Microphones Using the MMC4011 Cardioid Microphone Capsule for its directional quality and attention to detail, this solution makes everything sounds like the original. The first-order cardioid pickup pattern provides superb separation between sound sources. It is equally suitable for close-up work on acoustic guitar, grand piano, overheads, percussion, wind instruments and vocals as it is for spot-miking symphonies. It can handle incredibly high sound levels. A flat on-axis frequency response and excellent phase response deliver a faithful reproduction of the original sound. The off-axis response is similarly smooth so that any leakage is an accurate reflection of the original, though attenuated according to the true first-order cardioid pickup pattern. d:sign™ 4011 Floor Stand Microphones comes in the following lengths: d:dicate™ 4011-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120 Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4018 Floor Stand Microphones This solution uses the MMC4018 Cardioid Microphone Capsule, which has a highly-directional supercardioid pickup pattern with a smooth and uniform off-axis frequency response. The supercardioid shape is frequency independent, securing an identical sound color around the microphone. The usual rear lobe heard on most supercardioids is minimized on this capsule. This makes it much more isolated without sudden frequency dependent peaks and dips. d:sign™ 4018 Floor Stand Microphones comes in the following lengths: d:dicate™ 4018-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4018FGS Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4018-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4098 Floor Stand Microphones With very low noise and a high sensitivity, d:screet™ Supercardioid Microphones offer the most clear, transparent, and natural sound available on the miniature mic market. The mics are capable of handling extremely high SPL before clipping. With a linear response, low distortion and an extremely large dynamic range, they sound great no matter how challenging the environment. This floor stand solution comes in one length: d:screet™ SC4098-BX-FGS Supercardioid Microphone, XLR, 122 cm (48 in) Boom, Floor Stand

DPA 4006ES Omni Microphone with Active Side Cable

Dpa 4006ES Omni Microphone with Active Side Cable When small, lightweight and barely visible microphones for top-quality recordings are required, the active cable design and clean, transparent sound of our ultra-compact d:dicate™ 4006E Omnidirectional Microphone makes them the perfect choice. The mic features an integrated cable solution with either side (4006ES) or rear (4006ER) cable entry. These mics are particularly popular as A-B stereo or Decca Tree pairs in concert halls. This mic can be mounted, hung or concealed to create clean, transparent recordings. The SM4000 Suspension Mount is included in the package. This allows the mic to be hung from the ceiling to create precision spot-miking of orchestra sections or ambience atmosphere. The d:dicate™ 4006E Omnidirectional Microphone is ideal in theatres, opera houses, concert halls or houses of worship and for film applications, both in the studio and on location. These mics are also popular for ambience miking on soundstages, in sports stadiums and other environments where ambient sound needs to be recorded.   The microphone capsule The MMC4006 Omnidirectional Microphone Capsule offers total transparency in any recording situation. It picks up incredible detail and depth of sound. The definition of its high-frequency characteristics across a wide range of instruments is impressive. It offers natural sound, high sensitivity, low noise-floor and extremely linear frequency response from 10 to 20 kHz (±2 dB). A selection of accessories is available, including acoustic pressure equalizers, a nose cone and interchangeable protection grids. These accessories can acoustically transform the mic. By changing grids, it is possible to gain several unique frequency responses and directional characteristics from the mic. Furthermore, these accessories will not produce any phase shift, noise or distortion that would otherwise be introduced by an electrical filter.   A truly flexible range This mic is part of the flexible d:dicate™ Microphone Series. At any time, and with no tools needed, it is possible to transform the d:dicate™ 4006E Omnidirectional Microphone into a new configuration. You can combine it with another d:dicate™ or d:facto™ Microphone Capsule or Preamplifier. The d:dicate™ 4006ES replaces the non-modular legacy 4051 Omnidirectional Condenser Microphone and the d:dicate™  Features The product offers the following features Ultra-compact recording mic for hanging applications Full-bodied sound with minimal visual impact Legendary recording reference capsule Modular flexibility In The Box: MMC4006 OMNIDIRECTIONAL MICROPHONE CAPSULE (MMC4006) MMP-ER/ES MODULAR ACTIVE CABLE, XLR (MMP-ER/ES) FOAM WINDSCREEN FOR D:DICATE™ MICS WITH ACTIVE CABLE (DUA0041) FREE-FIELD GRID FOR D:DICATE™ 4006 (DD0251) CLOSE-MIKING GRID, TRAPEZOID, SILVER (DD DIFFUSE-FIELD GRID FOR D:DICATE™ 4003 AND 4006, BLACK (DD0297) CLIP FOR MMP-E PREAMP WITH ACTIVE CABLE (MC4001)  

DPA 4006ER Omni Microphone with Active Rear Cable

Dpa 4006ER Omni Microphone with Active Rear Cable When small, lightweight and barely visible microphones for top-quality recordings are required, the active cable design and clean, transparent sound of our ultra-compact d:dicate™ 4006E Omnidirectional Microphone makes them the perfect choice. The mic features an integrated cable solution with either side (4006ES) or rear (4006ER) cable entry.   These mics are particularly popular as A-B stereo or Decca Tree pairs in concert halls. This mic can be mounted, hung or concealed to create clean, transparent recordings. The SM4000 Suspension Mount is included in the package. This allows the mic to be hung from the ceiling to create precision spot-miking of orchestra sections or ambience atmosphere. The d:dicate™ 4006E Omnidirectional Microphone is ideal in theatres, opera houses, concert halls or houses of worship and for film applications, both in the studio and on location. These mics are also popular for ambience miking on soundstages, in sports stadiums and other environments where ambient sound needs to be recorded.   The microphone capsule The MMC4006 Omnidirectional Microphone Capsule offers total transparency in any recording situation. It picks up incredible detail and depth of sound. The definition of its high-frequency characteristics across a wide range of instruments is impressive. It offers natural sound, high sensitivity, low noise-floor and extremely linear frequency response from 10 to 20 kHz (±2 dB). A selection of accessories is available, including acoustic pressure equalizers, a nose cone and interchangeable protection grids. These accessories can acoustically transform the mic. By changing grids, it is possible to gain several unique frequency responses and directional characteristics from the mic. Furthermore, these accessories will not produce any phase shift, noise or distortion that would otherwise be introduced by an electrical filter.   A truly flexible range This mic is part of the flexible d:dicate™ Microphone Series. At any time, and with no tools needed, it is possible to transform the d:dicate™ 4006E Omnidirectional Microphone into a new configuration. You can combine it with another d:dicate™ or d:facto™ Microphone Capsule or Preamplifier. The d:dicate™ 4006ER replaces the non-modular legacy 4052 Omnidirectional Condenser Microphone.   Features The product offers the following features Ultra-compact recording mic for hanging applications Full-bodied sound with minimal visual impact Legendary recording reference capsule Modular flexibility In The Box: MMC4006 OMNIDIRECTIONAL MICROPHONE CAPSULE (MMC4006) MMP-ER/ES MODULAR ACTIVE CABLE, XLR (MMP-ER/ES) FOAM WINDSCREEN FOR D:DICATE™ MICS WITH ACTIVE CABLE (DUA0041) FREE-FIELD GRID FOR D:DICATE™ 4006 (DD0251) CLOSE-MIKING GRID, TRAPEZOID, SILVER (DD DIFFUSE-FIELD GRID FOR D:DICATE™ 4003 AND 4006, BLACK (DD0297) CLIP FOR MMP-E PREAMP WITH ACTIVE CABLE (MC4001)

DPA 4011ER Cardioid Microphone Rear Cable

DPA 4011ER Cardioid Microphone Rear Cable • Ultra-compact spot or hanging mic • Very linear frequency and phase response • Huge dynamic range • Low-key appearance Ideal for unobtrusive spot miking, such as hanging or table use, the 4011E is an ultra-compact cardioid microphone from the modular DPA d:dicate Recording Microphones series. With a length of only 3,5 cm, the low-key appearance of the 4011E is followed by the SM4000-C suspension mount, which is included in the package. This allows the 4011E to be hung from the ceiling and create precise and repeatable positions and angles when spot miking orchestra sections or ambience atmospheres. Capable of handling high SPLs without distortion, the 4011E is perfectly tailored for close-miking applications, minimizing bleed from other instruments. Therefore chosen for close-miking of instruments like acoustic guitar, drums or grand piano, the 4011E with its accessories can be placed for instance in the piano frame.      At any time and with no tools necessary it is possible to transform the basic 4011E microphone into a new configuration by combining it with another DPA microphone capsule or preamp.

DPA 4011ES Cardioid Microphone Side Cable

DPA 4011ES Cardioid Microphone Side Cable  4011ES Cardioid Microphone, Side cable • Ultra-compact spot or hanging mic • Very linear frequency and phase response • Huge dynamic range • Low-key appearance Ideal for unobtrusive spot miking, such as hanging or table use, the 4011E is an ultra-compact cardioid microphone from the modular DPA d:dicate Recording Microphones series. With a length of only 3,5 cm, the low-key appearance of the 4011E is followed by the SM4000-C suspension mount, which is included in the package. This allows the 4011E to be hung from the ceiling and create precise and repeatable positions and angles when spot miking orchestra sections or ambience atmospheres. Capable of handling high SPLs without distortion, the 4011E is perfectly tailored for close-miking applications, minimizing bleed from other instruments. Therefore chosen for close-miking of instruments like acoustic guitar, drums or grand piano, the 4011E with its accessories can be placed for instance in the piano frame.      At any time and with no tools necessary it is possible to transform the basic 4011E microphone into a new configuration by combining it with another DPA microphone capsule or preamp.

DPA 4017ER Shotgun Microphone Rear Cable

DPA 4017ER Shotgun Microphone Rear Cable 4017ER Shotgun Microphone, Rear cable• Sleek shotgun for distant miking • Short and lightweight • Integrated active cable • Highly directional   With our most tiny pre-amp design, the 4017E features an integrated cable solution with either side (4017ES) or rear (4017ER) cable entry. Being the shortest professional interference tube shotgun mic available today, the 4017E will with its only 12,5 cm lenght and 30 g capsule weight (121 g in total with 3 m cable and connector) be able to boom actors or capture distant voice dialogue for broadcast and video situations.   The SM4000 suspension mount is included in the package, allowing the 4017E to be hung from the ceiling and create precision spot miking of orchestra sections or ambience atmosphere.     At any time and with no tools necessary it is possible to transform the basic 4017E microphone into a new configuration by combining it with another DPA microphone capsule or preamp.

DPA 4017ES Shotgun Microphone Side cable

DPA 4017ES Shotgun Microphone Side cable 4017ES Shotgun Microphone, Side cable • Sleek shotgun for distant miking • Short and lightweight • Integrated active cable • Highly directional With our most tiny pre-amp design, the 4017E features an integrated cable solution with either side (4017ES) or rear (4017ER) cable entry. Being the shortest professional interference tube shotgun mic available today, the 4017E will with its only 12,5 cm lenght and 30 g capsule weight (121 g in total with 3 m cable and connector) be able to boom actors or capture distant voice dialogue for broadcast and video situations. The SM4000 suspension mount is included in the package, allowing the 4017E to be hung from the ceiling and create precision spot miking of orchestra sections or ambience atmosphere.   At any time and with no tools necessary it is possible to transform the basic 4017E microphone into a new configuration by combining it with another DPA microphone capsule or preamp.

DPA 4018A Supercardioid Microphone

DPA 4018A Supercardioid Microphone d:dicateâ„¢ 4018A Supercardioid Microphone 4018A Supercardioid Microphone • Highly directional Supercardioid  • Uniform, frequency independent directionality • Low noise and high sensitivity for distant positioning • Excellent for spot miking orchestra sections or singers The 4018A is a highly directional, first-class supercardioid microphone and is a part of the modular DPA d:dicate Recording Microphones series. With its remarkably well controlled supercardioid shape and uniform off-axis frequency response, the 4018A offers high separation without odd off-axis frequency peaks and dips. The supercardioid shape is frequency independent, securing an identical sound color around the microphone. The usual rear lobe heard on most supercardioids is minimized on the 4018A making it much more isolated.   Designed for a broad range of music recording and broadcast/ENG/film long-distance miking applications, such as booming, dialogue, interview and table or spot-recording use, the 4018A also offers superb expandability through modular accessories. The 4018A is ideal for use as spot or hanging mic for orchestra recording situations.

DPA 4018C Supercardioid Microphone Compact

DPA 4018C Supercardioid Microphone Compact 4018C Compact Supercardioid Microphone • Highly directional Compact Supercardioid  • Uniform directionality • Low noise and high sensitivity for distant positioning • Very sleek and compact boom, table or spot mic The 4018C is a compact supercardioid booming microphone and is part of the modular DPA d:dicate Recording Microphones series. At the length of only 6,4 cm (2,5 in), the 4018C has a highly directional supercardioid pickup pattern with a smooth and uniform off-axis frequency response. The supercardioid shape is frequency independent, securing an identical sound color around the microphone. The usual rear lobe heard on most supercardioids is minimized on the 4018C making it much more isolated without sudden frequency dependent peaks and dips.   Designed for a broad range of broadcast/ENG/film long-distance miking applications, such as booming, dialogue, interview and table or podium use, the 4018C offers superbly flexibility through modular accessories. The 4018C is also ideal for use as spot or hanging mic for orchestra recording situations. 

DPA 4018ER Supercardioid Microphone Rear cable

DPA 4018ER Supercardioid Microphone Rear cable d:dicateâ„¢ 4018E Supercardioid Microphone, Active Cable 4018ER Supercardioid Microphone, Rear cable 4018ES Supercardioid Microphone, Side cable • Ultra-compact table or hanging mic • Frequency consistent polar pattern • Highly directional • Low-key appearance Ideal for unobtrusive or distant miking such as desktop or hanging use, the 4018E is an ultra-compact supercardioid microphone from the modular DPA d:dicate Recording Microphones series. With a length of only 3,5 cm, the low-key appearance of the 4018E is as unique as the highly directional supercardioid pickup pattern with a smooth and uniform off-axis frequency response. The supercardioid shape is frequency independent, securing an identical sound color around the microphone. The usual rear lobe heard on most supercardioids is minimized on the 4018E making it much more isolated without sudden frequency dependent peaks and dips. Designed for a broad range of broadcast/ENG/film long-distance miking applications, such as various dialogue capturing, interview and table or podium use, the modular 4018 capsule offers superb flexibility through modular accessories. The 4018E is also ideal for use as spot or hanging mic for orchestra recording situations with the SM4000-C suspension mount, which is included in the package. This allows the 4018E to be hung from the ceiling and create precision spot miking of orchestra sections or ambience atmosphere.   At any time and with no tools necessary it is possible to transform the basic 4018E microphone into a new configuration by combining it with another DPA microphone capsule or preamp.

DPA 4018ES Supercardioid Microphone Side cable

DPA 4018ES Supercardioid Microphone Side cable d:dicateâ„¢ 4018E Supercardioid Microphone, Active Cable 4018ER Supercardioid Microphone, Rear cable 4018ES Supercardioid Microphone, Side cable • Ultra-compact table or hanging mic • Frequency consistent polar pattern • Highly directional • Low-key appearance Ideal for unobtrusive or distant miking such as desktop or hanging use, the 4018E is an ultra-compact supercardioid microphone from the modular DPA d:dicate Recording Microphones series. With a length of only 3,5 cm, the low-key appearance of the 4018E is as unique as the highly directional supercardioid pickup pattern with a smooth and uniform off-axis frequency response. The supercardioid shape is frequency independent, securing an identical sound color around the microphone. The usual rear lobe heard on most supercardioids is minimized on the 4018E making it much more isolated without sudden frequency dependent peaks and dips. Designed for a broad range of broadcast/ENG/film long-distance miking applications, such as various dialogue capturing, interview and table or podium use, the modular 4018 capsule offers superb flexibility through modular accessories. The 4018E is also ideal for use as spot or hanging mic for orchestra recording situations with the SM4000-C suspension mount, which is included in the package. This allows the 4018E to be hung from the ceiling and create precision spot miking of orchestra sections or ambience atmosphere.   At any time and with no tools necessary it is possible to transform the basic 4018E microphone into a new configuration by combining it with another DPA microphone capsule or preamp.

DPA DUA0710 d:facto II Microphone Grid, Complete Assembly

DPA DUA0710 (DUA 0710 DUA-0710 DUA/0710) d:facto II Microphone Grid, Complete Assembly d:facto II Microphone Grid, Complete Assembly  

DPA MMC4018V Microphone Capsule for Vocal, Super Cardoid

DPA MMC4018V (MMC 4018 V MMC-4018-V MMC/4018/V) Microphone Capsule for Vocal, Super Cardoid FEATURES: • Tweaked for close miking vocals• Highly directional for high isolation• Most controlled supercardioid shape• Superb definition and natural response The MMC4018V modular microphone capsule is part of the flexible DPA d:facto vocal microphone series. Equally at home in sound reinforcement and recording applications, the DPA d:facto is a high quality stage vocal microphone with extraordinary natural sound, high separation from nearby sound sources and extreme sound level handling. Its supercardioid pattern and superb definition gives high separation and true sound color on stage, equally suitable for PA amplification and recording. The MMC4018V provides improved audio performance, as it is superbly linear in frequency and phase, both on- and off-axis, while its impressive definition and accuracy reproduces a singer’s voice effortlessly.Our recommendation for stage applications with the d:facto II is using the MMC4018V capsule. This capsule offers an applicable opening angle around the center axis comparable to a cardioid. This means that a pleasant tolerance around the center axis is obtained for the singer. Concurrently, the rear rejection is as higher than other supercardioids. The rear lobe opening normally seen on supercardioids at 180° angle is extremely uniform and controlled on the MMC4018V. For more distant placements or applications acquiring a more open characteristic, such as interviewing or certain studio performances, our standard d:dicated MMC4011 cardioid or MMC4015 wide cardioid capsules can be chosen. Combine the MMC4018V with any of the d:facto adapters for wireless systems or the DPA handle for wired use. Also, the MMC4018V fits the d:dicate Recording Microphone pre-amps.    

DPA FAASE5B d:facto II Adapter SE5 (Sennheiser 5000)

DPA FAASE5B (FA ASE5B FA-ASE5B FA/ASE5B) d:facto II Adapter SE5 (Sennheiser 5000) Using original DPA adapters, the d:factoâ„¢ II Vocal Mic is compatible with several professional wireless systems. FAASE5B allows for seamless integration with Sennheiser 5200.    

DPA FAASE2-ew d:facto II Adapter SE2-ew (Sennheiser 2000/evolution)

DPA FAASE2-ew (FA ASE2-ew FA-ASE2-ew FA/ASE2-ew) d:facto II Adapter SE2-ew (Sennheiser 2000/evolution) Using original DPA adapters, the d:factoâ„¢ II Vocal Mic is compatible with several professional wireless systems. FAASE2-ewB allows for seamless integration with Sennheiser 2000/9000/evolution wireless.

DPA FAASL1B d:facto II Adapter SL1 (Shure/Sony/Lectrosonics v1)

DPA FAASL1B (FA ASL1B FA-ASL1B FA/ASL1B) d:facto II Adapter SL1 (Shure/Sony/Lectrosonics v1) Using original DPA adapters, the d:factoâ„¢ II Vocal Mic is compatible with several professional wireless systems. FAASL1B allows for seamless integration with Shure/Sony/Lectrosonics v1/Line6.  

FAADPA2B d:facto II Adapter Handle

DPA FAADPA2B (FA ADPA2B FA-ADPA2B FA/ADPA2B) d:facto II Adapter Handle d:facto II Adapter Handle Using original DPA adapters, the d:factoâ„¢ II Vocal Mic is compatible with several professional wireless systems.  

DPA ADH0002-500 Double-Sided Tape for Concealer, 500 pcs.

DPA ADH0002-500 (ADH0002500 ADH0002 500 ADH0002/500) Double-Sided Tape for Concealer, 500 pcs. Double-Sided Tape for Concealer, 500 pcs.  

DPA UA0897 Shock Mount

DPA UA0897 (UA 0897 UA-0897 UA/0897) Shock Mount The UA0897 Shock Mount is designed for use in environments where vibration levels are unusually high. Its ultra-compact, robust design significantly reduces the amount of vibration, that reaches the microphone without having adverse acoustical effects. This shock mount was designed using modern vibration measuring techniques, using Brüel & Kjær's world famous vibration test equipment. Unlike other shock mounts, the vibration reduction is clearly specified. It can be used stand mounted in the studio, or in hand-held boom applications.Use extra soft Rubber Mounts for the more lightweight microphones and medium soft for the heavier types.The UA0897 is supplied as standard with the DDS0731 Rubber Mounts for 19 mm microphones. The UA0897 is fitted with a thread adapter, which allows usage on up to three of the most popular international standard threads used on microphone stands.

DPA UA0837 Stereo Boom excluding Holders

DPA UA0837 (UA 0837 UA-0837 UA/0837) Stereo Boom excluding Holders The UA0837 is a precision-crafted microphone boom for secure mounting of microphone pairs for A-B stereo recordings. It has adjustment possibilities for both microphone spacing and microphone angle. The boom can be mounted on a stand, or suspended from wires, and has centimeter graduations on the boom and angle graduations on the microphone holders for quick and easy configuration of the recording set-up. The UA0837 is supplied without microphone holders, but can also be ordered with two UA0961 Microphone Holders as UA0836. Any microphone holder will fit the boom.The stereo boom can be fitted with the DUA0019 19 mm spacer, which allows you to assemble an XY stereo or ORTF stereo setup with two cardioid microphones.Length: 54 cm.  

DPA UA0836 Stereo Boom with Holders

DPA UA0836 (UA 0836 UA-0836 UA/0836) Stereo Boom with Holders The UA0836 is a precision-crafted microphone boom for secure mounting of microphone pairs for A-B stereo recordings. It has adjustment possibilities for both microphone spacing and microphone angle. The boom can be mounted on a stand, or suspended from wires, and has centimeter graduations on the boom and angle graduations on the microphone holders for quick and easy configuration of the recording set-up. The UA0836 is supplied with two UA0961 Microphone Holders, but can also be ordered without the holders (UA0837). Any microphone holder will fit the boom.The stereo boom can be fitted with the DUA0019 19 mm spacer, which allows you to assemble an XY stereo or ORTF stereo setup with two cardioid microphones.Length: 54 cm.    

DPA 3532-SP 4041-SP Large Diaphragm Stereo Kit, P48

DPA 3532-SP (3532SP 3532/SP 3532 SP) 4041-SP Large Diaphragm Stereo Kit, P48 FEATURES: the ultimate choice for the demanding engineer and audio purist a complete state-of-the-art A-B Stereo Kit designed for a broad range of uses The 3532-SP is a complete state-of-the-art A-B Stereo Kit with two 4041-SP microphones, carefully matched within 1dB on both frequency response, sensitivity and self-noise. It is the ultimate choice for the demanding engineer and audio purist who emphasises clarity, openness, precision, low self-noise and high sensitivity. The kit is designed for a broad range of uses, e.g. as main pair for classical, jazz and folk genres, grand pianos, guitars, overheads or close-miking drums, choirs, strings, wind instruments and much more. You get a bright and transparent sound quality with lots of headroom. With its on-axis soft boost, the 4041-SP omni microphone can be angled to use as a natural equalizer.  

DPA 4041-SP Large Diaphragm Microphone, P48

DPA 4041-SP (4041SP 4041 SP 4041/SP) Large Diaphragm Microphone, P48 FEATURES: handles high sound pressure levels with no distortion natural and transparent sound The 4041-SP is designed to work in a standard 48 V phantom power environment. Since the capsule is the same as for the high voltage alternative 4041-S, the 4041-SP offers the same superior sound quality, with very slight changes in the specifications. The cartridge MMC4041 can be unscrewed from the preamplifier which allows for the exchange of the preamplifier module. It is therefore always possible to upgrade to the high voltage preamplifier, also using the DPA mic amp HMA5000. The frequency response has a 4-6 dB soft lift around 8 kHz and matches the response of the legendary 4040 Hybrid Microphone. This microphone offers a totally transparent audio path with an exceptionally low noise floor of maximum 8 dB(A) and a SPL handling capability of 134 dB SPL peak.  

DPA S5 Surround Microphone Mount - Five Point Microphone Mount

DPA S5 (s5) Surround Microphone Mount - Five Point Microphone Mount The DPA S5 Surround Microphone Mount accommodates up to five cardioid microphones and two omnidirectional microphones as outriggers for blending in between front and rear channels. This method was originated by NHK's Akira Fukada and is a proven method for capturing surround audio in performances, film, sound stages, etc. The microphones may be spaced up to 2 to 7' (60.96 to 213.36cm) between each other and the center disc features a cable-through hole and inscriptions for correct pole alignment. The kit includes all necessary poles, extensions and accessories, and all may be neatly packed and transported in the included road case. The S5 Surround Microphone Mount is ideal in orchestra capturing, ambiance recording, sound reinforcement, location recording and more. DPA or Third Party Microphones The S5 is optimized for use with DPA microphones but the 3/8" threaded mounts allow for any microphone to be used. Spacious Surround Perspective The five point configurations provide spacious, surround recordings of full orchestras, performances, ambiance, etc. Easy Setup and Breakdown The center disc features a cable channel and is inscribed with markings for easy pole setup. The main poles telescope and extensions are also provided for adding length.  

DPA DAO4020 Microphone Cable with Flush XLR Connector, 20 m (66 ft)

DPA DAO4020 (DAO 4020 DAO-4020 DAO/4020) Microphone Cable with Flush XLR Connector, 20 m (66 ft) Cable for suspension or minimal visual appearance This brilliant installation solution uses Mogami cable and an ultra slim XLR housing, adding only a few millimeters extra length to the microphone. Most of the connector will be locked and hidden in the microphone itself. For installations like concert halls, conference rooms, TV Broadcast or live sound reinforcement these cables will give the highest visual elegance. The special DPA Microphone cable is available in three different standard lengths: 10 m (33 ft), 20 m (66 ft) and 50 m (164 ft). Custom lengths can be ordered.  

DPA DAO4010 Microphone Cable with Flush XLR Connector, 10 m (33 ft)

DPA DAO4010 (DAO 4010 DAO-4010 DAO/4010) Microphone Cable with Flush XLR Connector, 10 m (33 ft) Cable for suspension or minimal visual appearance This brilliant installation solution uses Mogami cable and an ultra slim XLR housing, adding only a few millimeters extra length to the microphone. Most of the connector will be locked and hidden in the microphone itself. For installations like concert halls, conference rooms, TV Broadcast or live sound reinforcement these cables will give the highest visual elegance. The special DPA Microphone cable is available in three different standard lengths: 10 m (33 ft), 20 m (66 ft) and 50 m (164 ft). Custom lengths can be ordered.  

DPA TB4000 Table Base

DPA TB4000 (TB 4000 TB-4000 TB/4000) Table Base Table Base The Table Base TB4000 is a beautifully designed base for use with most microphone holders with a 3/8-inch thread. It has a black non-reflective surface and is optimized for use with Compact Shock Mount CSM4000, resulting in a table microphone solution, that is not affected by low frequency transmission through the table.

DPA SBS0400 Stereo Boom with Shock Mounts

DPA SBS0400 (SBS 0400 SBS-0400 SBS/0400) Stereo Boom with Shock Mounts Stereo Boom with Shock Mounts - Modular SBS0400  

DPA SB0400 Stereo Boom

DPA SB0400 (SB 0400 SB-0400 SB/0400) Stereo Boom Stereo BoomModular SB0400  

DPA SM1500 Shock Mount

DPA SM1500 (SM 1500 SM-1500 SM/1500) Shock Mount Shock Mount Modular SM1500  

DPA GM1500 Gooseneck Mount

DPA GM1500 (GM 1500 GM-1500 GM/1500) Gooseneck Mount Gooseneck Mount Modular GM1500

DPA MMP-C Compact Microphone Preamp

DPA MMP-C (MMPC MMP C MMP/C) Compact Microphone Preamp Ultra-compact preamp with active drive for impedance balancing. Has a slightly softer character than the other preamps in the DPA d:dicate Recording Microphones series. Combine this preamp with any capsule in the series.  

DPA MMP-B Lightweight Microphone Preamp, Low Cut and High Boost Option

DPA MMP-B (MMPB MMP B MMP/B) Lightweight Microphone Preamp, Low Cut and High Boost Option Preamplifier with low cut and high boost filters. Combine this preamp with any capsule in the DPA d:dicate Recording Microphones series.  

DPA MMP-A Microphone Preamp

DPA MMP-A (MMPA  MMP A  MMP/A) Microphone Preamp Ultra transparent transformerless preamplifier with active drive for impedance balancing. Combine this preamp with any capsule in the DPA d:dicate Recording Microphones series.

DPA MMC4017 Shotgun Microphone Capsule

DPA MMC4017 (MMC 4017 MMC-4017 MMC/4017) Shotgun Microphone Capsule The MMC4017 capsule is part of the flexible DPA d:dicate Recording Microphones series. Equipped with a highly directional supercardioid pickup pattern, obtained using a supercardioid design with an interference tube that provides excellent off-axis rejection, the DPA 4017B combined with the MMP-B preamplifier is a short and exceptionally lightweight shotgun microphone that truly measures up to DPA’s impressive reputation for accuracy, clarity, and musicality. Designed for a broad range of applications, the 4017B is ideal for use with camera systems, in fixed positions at sports facilities, for broadcast/ENG/film booming, and even studio recording environments. Tune out the surroundings Extensive research and development has been undertaken to optimize the sound coming from the sides and behind the microphone. Minimizing the often very un-linear response of a shotgun microphone due to its side lobes is one of the key accomplishments of the MMC4017. The condenser capsule uses a high voltage pre-polarized back plate, endowing the shotgun with high output as well as wide dynamics, extremely low noise and distortion specifications.  

DPA MMC4015 Wide Cardioid Microphone Capsule

DPA MMC4015 (MMC 4015 MMC-4015 MMC/4015) Wide Cardioid Microphone Capsule Modular flexibility The MMC4015 capsule is part of the flexible DPA d:dicate Recording Microphones series. The 4015A with the MMP-A preamplifier suits acoustic instruments and voices with rich and open sound, where the 4015C with the MMP-C compact preamplifier is an excellent spot mic as a fill-in between an omni and a cardioid – and easier to position. Expand your horizon with a wider pattern If you are already a DPA 4011 devotee, you will discover an exciting alternative in our wide cardioid microphones. The MMC4015 wide cardioid capsule differs in its polar pattern and is the perfect fill-in between an omni and a more directional microphone. Sometimes a conventional cardioid pattern just isn’t quite open enough, such as when recording instruments with complex radiation patterns. In those instances, the generous polar pattern of our wide cardioids allows you to pick up a broader sound field and more accurately capture the full breadth of a stirring performance.  

DPA MMC4011 Cardioid Microphone Capsule

ic on literally any style of live music, from rock ‘n’ roll to opera.  

DPA MMC4006 Omni Microphone Capsule

DPA MMC4006 (MMC 4006 MMC-4006 MMC/4006) Omni Microphone Capsule Modular flexibility The MMC4006 capsule is part of the flexible DPA d:dicate Recording Microphones series. The 4006A with the MMP-A preamplifier is a legendary recording classic with natural tone and dynamics, where the 4006C with the MMP-C compact preamplifier provides neutral sonic and visual design for reproducing acoustic environments. Several tools in one A wide selection of acoustic modification accessories, including nose cone and interchangeable protection grids, allows the MMC4006 capsule to be acoustically transformed into seven different microphone versions, making it the most multifaceted mic in your collection and a tremendous value. By simply changing a grid or mounting an element over the capsule, it is possible to gain several unique frequency responses and directional characteristics from a single mic. Furthermore, these grids and elements will not produce any phase shift, noise or distortion that would otherwise be introduced by an electrical filter.

DPA MMC2011 Twin Diaphragm Cardioid Microphone Capsule

DPA MMC2011 (MMC 2011 MMC-2011 MMC/2011) Twin Diaphragm Cardioid Microphone Capsule Twin Diaphragm Capsule: cutting edge technology The overall distinctive sound image from the DPA miniatures is so well balanced that it meets the high demands of the DPA d:dicate Recording Microphones series. In a 2011 capsule two opposite facing miniature capsules are custom re-built into a double diaphragm, one-capsule composition. The use and control of interference tubes has become a DPA specialty and the 2011 is no exception. The capsules are loaded to the supreme d:dicate Recording Mic preamps instead of the tiny miniature FET preamp from the 4060 miniature series, offering even more air and precision. Modular flexibility The MMC2011 capsule is part of the flexible DPA Reference Standard series. The 2011A with the MMP-A preamplifier is the audiophile’s choice with low distortion and total accurate and faithful sound, where the 2011C with the MMP-C compact preamplifier offers a subtle character alteration with a bit more “body” to the low end – in addition to its easier-to-position approach.

DPA MMC2006 Twin Diaphragm Omni Microphone Capsule

DPA MMC2006 (MMC 2006 MMC-2006 MMC/2006) Twin Diaphragm Omni Microphone Capsule Twin Diaphragm Capsule technology The overall distinctive sound image from the DPA miniatures is so well balanced that it meets the high demands of the DPA d:dicate Recording Microphones series. In an MMC2006 capsule two opposite facing miniature capsules are custom re-built into a double diaphragm, one-capsule composition. This combines the advantages of small capsules (fast impulse response and large frequency bandwidth) with lower inherent noise achieved from a larger diaphragm area. The capsules are loaded to the supreme d:dicate Recording Mic preamps instead of the tiny miniature FET preamp from the miniature mics, offering even more air and precision. Comparison with its big brother, the iconic 4006, is inevitable. The relationship between the two is clearly heard; the 2000 series simply performs like much more exclusive microphones from the premium class and redefines the term value for money. Modular upgradability The MMC2006 capsule is part of the flexible DPA Reference Standard series. The 2006A with the MMP-A preamplifier is the audiophile’s choice with low distortion and total accurate and faithful sound, where the 2006C MMP-C compact preamplifier offers a subtle character alteration with a bit more “body” to the low end – in addition to its easier-to-position approach.

DPA Surround Kit with 5 x 4015A Clips Windscreens in Peli Case

DPA 5015A (5015 A 5015-A 5015/A) Surround Kit with 5 x 4015A, Clips, Windscreens in Peli Case FEATURES: Wide pickup area and natural sound Five carefully matched microphones Ambience pickup with convenient directionality PeliTM Case transportation and protection The DPA 5015A is a complete DPA 4015A surround kit with five carefully factory-matched wide cardioid microphones. Even though the standard tolerances on DPA Reference Standards are extremely low, the surround match is even closer. The specially selected DPA 4015A microphones are matched within ±1 dB on both frequency response and sensitivity from mean of set. The maximum phase response difference is 5°. Recording orchestras or other acoustic ensembles sometimes requires a compromise between blending in the room reverberation and a more precise localization. The natural response and dynamic range make the DPA 4015As an obvious choice for Precise tone quality and wide dynamic range make 5015A right for AB, Decca Tree or surround main arrays like the DPA Wide Cardioid Surround Array. The foam design in the heavy-duty transportation box allows for fast and easy exchange of microphone/accessory inlays. Included in this kit:Five carefully matched, sturdy PeliTM case, holders, and windscreens.  

DPA Surround Kit with 3 x 4006A 2 x 4011A Clips Windscreens in Peli Case

DPA 5006-11A (5006 11A 5006/11A 5006 11 A) Surround Kit with 3 x 4006A, 2 x 4011A, Clips, Windscreens in Peli Case FEATURES: Three + two carefully matched microphones Decca Tree front + cardioids rear Specially useful as orchestral main pair PeliTM Case transportation and protection The DPA 5006-11A is a complete surround kit combining three DPA 4006A and two 4011A, carefully factory-matched to achieve full precision. Even though the standard tolerances on DPA Reference Standard Mics are extremely low, the surround match is even closer. The specially selected DPA 4006A microphones are matched within ±0.5 dB on both frequency response and sensitivity. The maximum phase response difference is 5°. The 4011A’s are matched within ±1 dB. The natural sound, high sensitivity, low noise-floor and extremely linear frequency response from 10 Hz to 20 kHz (±2 dB) of the microphones make the 4006As the perfect choice for all AB Stereo, Decca Tree or surround main array recordings. The precise reproduction, total transparency and natural-sounding clarity of a DPA 4006A microphone will provide you with a lifetime of satisfying listening. The foam design in the heavy-duty transportation box allows for fast and easy exchange of microphone/accessory inlays. Included in this kit:Carefully matched microphones, sturdy PeliTM case, holders, grids, and windscreens.  

DPA Surround Kit with 5 x 4006A Clips Windscreens in Peli Case

DPA 5006A (5006 A 5006-A 5006/A) Surround Kit with 5 x 4006A, Clips, Windscreens in Peli Case   The 5006A Surround Microphone Kit from DPA Microphones includes five 4006A omnidirectional microphones, matched within 0.5dB on both frequency response and sensitivity. They can be used for AB stereo, Decca Tree, or surround main array recording techniques for orchestral settings. DPA includes mic holders, grids, and windscreens for all mics. The included Peli foam-lined case can be used for transportation and storage.

DPA ST2011C, ST2011 C, ST2011-C, ST2011/C Stereo Pair w. 2 x 2011C, Clips, Windscreens in Peli Case

DPA ST2011C (ST2011 C, ST2011-C, ST2011/C) Stereo Pair w. 2 x 2011C, Clips, Windscreens in Peli Case   FEATURES: Sensitivity selected pair Superb stage separation and level control Low profile mounting options PeliTM Case transportation and protection The DPA ST2011C is a complete DPA 2011C Stereo Pair with two handpicked cardioid microphones, selected on sensitivity within ±1.5 dB making several stereo principles like XY and ORTF easy to obtain. The compact design and controlled directionality of our versatile 2011Cs make them an excellent choice for spot mics for classical recording and on-stage close mics for live sound. The foam design in the heavy-duty transportation box allows for fast and easy exchange of microphone/accessory inlays. Included in this kit: Two carefully matched 2011C cardioid microphones, sturdy PeliTM case, holders, grids and windscreens.    

DPA ST2006C, ST2006 C, ST2006-C, ST2006/C Stereo Pair w. 2 x 2006C, Clips, Windscreens in Peli Case

DPA ST2006C (ST2006 C, ST2006-C, ST2006/C) Stereo Pair w. 2 x 2006C, Clips, Windscreens in Peli Case    FEATURES: Sensitivity selected pair Compact size and authentic sound Full-bodied sound from a small-bodied mic PeliTM Case transportation and protection The DPA ST2006C is a complete DPA 2006C Stereo Pair with two handpicked omni microphones, selected on sensitivity within ±1.5 dB. As a small, lightweight and inconspicuous main AB stereo pair the 2006s deliver precise acoustic fingerprint and true tone. Meeting classic architecture and installation requirements, the 2006C’s can be mounted, hung or concealed to create clean, transparent recordings. The foam design in the heavy-duty transportation box allows for fast and easy exchange of microphone/accessory inlays. Included in this kit: Two carefully matched 2006C omni microphones, sturdy PeliTM case, holders, and windscreens.  

DPA ST2011A, ST 2011 A, ST-2011-A , ST/2011/A Stereo Pair w. 2 x 2011A, Clips, Windscreens in Peli Case

DPA ST2011A (ST 2011 A,  ST-2011-A , ST/2011/A) Stereo Pair w. 2 x 2011A, Clips, Windscreens in Peli Case FEATURES: Sensitivity selected pair Superb stage separation and level control All-round workhorses PeliTM Case transportation and protection The ST2011A is a complete DPA 2011A Stereo Pair with two handpicked cardioid microphones, selected on sensitivity within ±1.5 dB making several stereo principles like XY and ORTF easy to obtain. Finding its use on numerous stages and recording sessions, the ST2011A exhibits a previously unheard blend of clarity, richness and dynamic range, the 2011As perform close to much more exclusive microphone pairs. The foam design in the heavy-duty transportation box allows for fast and easy exchange of microphone/accessory inlays. Included in this kit: Two carefully matched 2011A cardioid microphones, sturdy PeliTM case, holders, and windscreens.  

DPA ST2006A, ST2006, A ST2006-A, ST2006/A Stereo Pair w. 2 x 2006A, Clips, Windscreens in Peli Case

DPA ST2006A (ST2006, A ST2006-A, ST2006/A) Stereo Pair w. 2 x 2006A, Clips, Windscreens in Peli Case FEATURES: Sensitivity selected pair Acoustic authenticity Linear in a large frequency bandwidth PeliTM Case transportation and protection The DPA ST2006A is a complete DPA 2006A Stereo Pair with two handpicked omni microphones, selected on sensitivity within ±1.5 dB. As main AB stereo pair the 2006As deliver precise acoustic fingerprint and true tone. Orchestra, acoustic piano, guitar, wind instruments and choirs are among the most evident applications for this high-value-for-money pair. The foam design in the heavy-duty transportation box allows for fast and easy exchange of microphone and accessory inlays. Included in this kit: Two carefully matched 2006A omni microphones, sturdy PeliTM case, holders, and windscreens.  

DPA ST4015C, ST4015, C ST4015-C, ST4015/C Stereo Pair w. 2 x 4015C, Clips, Windscreens in Peli Case

DPA ST4015C (ST4015, C ST4015-C, ST4015/C) Stereo Pair w. 2 x 4015C, Clips, Windscreens in Peli Case FEATURES: Natural reproduction Carefully matched within ±1 dB Low profile – wide pickup area PeliTM Case transportation and protection Visually discreet, the 4015C Wide Cardioids represent an indispensably low-profile solution for audio engineers and set designers alike. Tremendously precise and natural sounding, the compact wide cardioids will excel when used on choirs, percussion setups, grand pianos, wind instruments, and much more. Also useful as spot mics for classical recording, the 4015C blends very naturally in with the main pair. The DPA ST4015C is a complete DPA 4015C Stereo Pair with two carefully factory-matched wide cardioid microphones. Even though the standard tolerances on DPA Reference Standards are extremely low, a stereo match is even closer. The specially selected DPA 4015C microphones are matched within ±1 dB on both frequency response and sensitivity. The foam design in the heavy-duty transportation box allows for fast and easy exchange of microphone/accessory inlays. Included in this kit: Two carefully matched 4015C wide cardioid microphones, sturdy PeliTM case, holders, and windscreens.    

DPA ST4011C, ST4011 C, ST4011-C, ST4011/C Stereo Pair w. 2 x 4011C, Clips, Windscreens in Peli Case

DPA ST4011C (ST4011 C,  ST4011-C,  ST4011/C) Stereo Pair w. 2 x 4011C, Clips, Windscreens in Peli Case   FEATURES: Excellent for both PA/Live and recording  Carefully matched within ± 1 dB Low profile mounting options PeliTM Case transportation and protection Whenever a small, lightweight, inconspicuous microphone for top-quality sound is required, the compact design and uniform unidirectional response of our versatile 4011C makes it the perfect choice. They are particularly popular as spot mics for classical recording and on-stage close mics for live sound. The DPA ST4011C is a complete DPA 4011C Stereo Pair with two carefully factory-matched first order cardioid microphones. Even though the standard tolerances on DPA Reference Standards are extremely low, a stereo match is even closer. The specially selected DPA 4011C microphones are matched within ±1 dB on both frequency response and sensitivity. The foam design in the heavy-duty transportation box allows for fast and easy exchange of microphone/accessory inlays. Included in this kit: Two carefully matched 4011C cardioid microphones, sturdy PeliTM case, holders, and windscreens.  

DPA ST4006C, ST4006, C ST4006-C, ST4006/C Stereo Pair w. 2 x 4006C, Clips, Windscreens in Peli Case

DPA ST4006C (ST4006, C ST4006-C, ST4006/C) Stereo Pair w. 2 x 4006C, Clips, Windscreens in Peli Case FEATURES: carefully matched microphones compact size and natural sound full-bodied sound from a small-bodied mic PeliTM Case transportation and protection Wherever a small, lightweight, inconspicuous microphone for top-quality recording is required, the compact design and clean, transparent sound of our versatile 4006C makes it the perfect choice. Particularly popular as A-B stereo pairs in concert halls where quality recordings can sometimes be compromised by classic architecture, the 4006C’s can be mounted, hung or concealed to create clean, transparent recordings. The DPA ST4006C is a complete DPA 4006C Stereo Pair with two carefully factory-matched omni microphones. Even though the standard tolerances on DPA Reference Standards are extremely low, a stereo match is even closer. The specially selected DPA 4006C microphones are matched within ±0.5 dB on both frequency response and sensitivity. The maximum phase response difference is 5°. The foam design in the heavy-duty transportation box allows for fast and easy exchange of microphone/accessory inlays. Included in this kit: Two carefully matched 4006C omni microphones, sturdy PeliTM case, holders, grids and windscreens.    

DPA ST4015A, ST4015 A, ST4015-A, ST4015/A Stereo Pair w. 2 x 4015A, Clips, Windscreens in Peli Case

DPA ST4015A (ST4015 A, ST4015-A,  ST4015/A) Stereo Pair w. 2 x 4015A, Clips, Windscreens in Peli Case   FEATURES: Wide pickup area and natural sound Ambience pickup with some directionality Carefully matched within ±1 dB PeliTM Case transportation and protection Recording orchestras or other acoustic ensembles sometimes requires a compromise between blending in the room reverberation and a more precise localization. The wide cardioid (also known as hemispheric) design covers a greater sound angle and is also an excellent choice for grand piano, guitar, marimba, and percussion, or as a spot mic for groups in a symphony orchestra. The DPA ST4015A is a complete DPA 4015A Stereo Pair with two carefully factory-matched wide cardioid microphones. Even though the standard tolerances on DPA Reference Standards are extremely low, a stereo match is even closer. The specially selected DPA 4015A microphones are matched within ±1 dB on both frequency response and sensitivity. The foam design in the heavy-duty transportation box allows for fast and easy exchange of microphone/accessory inlays. Included in this kit: Two carefully matched 4015A wide cardioid microphones, sturdy PeliTM case, holders, and windscreens.

DPA ST4011A, ST4011 A, ST4011-A, ST4011/A Stereo Pair w. 2 x 4011A, Clips, Windscreens in Peli Case

DPA ST4011A (ST4011 A, ST4011-A, ST4011/A) Stereo Pair w. 2 x 4011A, Clips, Windscreens in Peli Case   FEATURES: World-wide cardioid reference mic Handles very high sound pressure levels Carefully matched within ±1 dB PeliTM Case transportation and protection 4011A cardioids are exceptionally linear in their frequency response â€“ also off axis, giving you the natural experience. They handle extremely high SPL and will therefore allow for close placement and are often used for piano recordings with a placement closer to the hammers or as overheads for drums.  The DPA ST4011A is a complete DPA 4011A Stereo Pair with two carefully factory-matched first order cardioid microphones. Even though the standard tolerances on DPA Reference Standards are extremely low, a stereo match is even closer. The specially selected DPA 4011A microphones are matched within ±1 dB on both frequency response and sensitivity. The foam design in the heavy-duty transportation box allows for fast and easy exchange of microphone/accessory inlay. Included in this kit: Two carefully matched 4011A cardioid microphones, sturdy PeliTM case, holders, and windscreens.

DPA ST4006A, ST4006, A ST4006-A, ST4006/A Stereo Pair w. 2 x 4006A, Clips, Windscreens in Peli Case

DPA ST4006A (ST4006, A ST4006-A, ST4006/A) Stereo Pair w. 2 x 4006A, Clips, Windscreens in Peli Case FEATURES: carefully matched microphones high sensitivity, low noise-floor and extremely linear frequency PeliTM case transportation and protection The DPA ST4006A is a complete DPA 4006A Stereo Pair with two carefully factory-matched omni microphones. Even though the standard tolerances on DPA Reference Standards are extremely low, a stereo match is even closer. The specially selected DPA 4006A microphones are matched within ±0.5 dB on both frequency response and sensitivity. The maximum phase response difference is 5°. The natural sound, high sensitivity, low noise-floor and extremely linear frequency response from 10 Hz to 20 kHz (±2 dB) of the microphone pair makes the ST4006A the perfect choice for all AB Stereo recordings. The design in the heavy-duty transportation box allows for fast and easy exchange of microphone/accessory foam inlays. Included in this kit Two carefully matched 4006A omni microphones, sturdy PeliTM case, holders, grids and windscreens.    

DPA 4017C Compact Shotgun Microphone

DPA 4017C (4017 C 4017-C 4017/C) Compact Shotgun Microphone FEATURES: Excellent RF Immunity Lightweight Uniform off-axis response Highly directional Setting new standards for compactness within shotgun microphones and their applications, the modular 4017C is an exceptionally short and lightweight interference tube microphone with high directionality. The tight polar pattern is very frequency linear and uniform. With the compact MMP-C pre-amp, booming applications such as in a car or in low ceiling rooms is uncomplicated. The total length of the microphone is as short as 15,4 cm (6.1 in), the weight at just 70 g (2.5 oz). Also available with Rycote Windshield and suspension system, the 4017C-R is a fully packed and ready solution.

DPA 2011C Twin Diaphragm Cardioid Microphone, Compact

DPA 2011C (2011 C 2011-C 2011/C) Twin Diaphragm Cardioid Microphone, Compact FEATURES: All-round workhorse â€“ blends clarity, richness and dynamics Twin-Diaphragm capsule and interference tube technologies Superb stage separation and level control Modular flexibility  All-round workhorse The new DPA 2011C microphone has strong references to the acclaimed close-miking and hi-SPL handling specialist DPA 4011 cardioid microphone – not only by its type number 11, also in its all-round capture abilities. 2011 is primarily optimized for on-stage use and the technology combines the new Twin Diaphragm Capsule and DPA’s strong know-how within interference tube technology. While 4011 has gained worldwide admiration for its total linearity at all sound confrontations, the 2011 is purposely aimed differently; the off-axis response is still linear but in a smaller frequency bandwidth making stage separation and gain-to-feedback higher and mic level easier to control. Modular flexibility 2011C is part of the flexible DPA d:dicate Recording Microphones series. The 2011C with the MMP-C compact preamplifier offers a subtle character alteration with a bit more “body” to the low end – in addition to its easier-to-position approach. The 2011A with the MMP-A preamplifier is the audiophile’s choice with low distortion and total accurate and faithful sound. At any time and with no tools necessary it is possible to transform the basic 2011 microphone into a new configuration by combining it with another DPA microphone capsule or preamp. Twin Diaphragm Capsule: cutting edge technology The overall distinctive sound image from the DPA miniatures is so well balanced that it meets the high demands of the DPA Reference Standard league. In a 2011 capsule two opposite facing miniature capsules are custom re-built into a double diaphragm, one-capsule composition. The use and control of interference tubes has become a DPA specialty and the 2011 is no exception; the capsules are loaded to the supreme Reference Standard preamps instead of the tiny miniature FET preamp from the 4060 miniature series, offering even more air and precision. Stage addict The 2011 has found its use on numerous stages and recording sessions. Exhibiting a previously unheard blend of clarity, richness and dynamic range, the 2011 performs like a much more exclusive microphone and redefines the term value for money. Also available as selected stereo pair The ST2011C stereo pair is supplied in a specially designed PeliTM Case.  

DPA 2006C Twin Diaphragm Omni Microphone, Compact

DPA 2006C (2006 C 2006-C 2006/C) Twin Diaphragm Omni Microphone, Compact FEATURES: Modular flexibility Twin-Diaphragm-Capsule technology Acoustic authenticity Linear in a large frequency bandwidth Redefining value for money The new DPA 2006 microphone has strong references to the acclaimed DPA 4006 omni microphone – by its type number 06, its overall sound character, and its industrial design. The difference is in the capsule technology that in the 2000 series features the new Twin Diaphragm Capsule technology. Comparison with its big brother, the iconic 4006, is inevitable. The relationship between the two is clearly heard from the first 2006 audio glance; the 2000 series simply performs like much more exclusive microphones from the premium class and redefines the term value for money. Modular upgradability 2006C is part of the flexible DPA d:dicate Recording Microphones series. The 2006C with the MMP-C compact preamplifier offers a subtle character alteration with a bit more “body” to the low end – in addition to its easier-to-position approach. The 2006A with the MMP-A preamplifier is the audiophile’s choice with low distortion and total accurate and faithful sound. At any time and with no tools necessary it is possible to transform the basic 2006 microphone into a new configuration by combining it with another DPA microphone capsule or preamp. Twin Diaphragm Capsule technology The overall distinctive sound image from the DPA miniatures is so well balanced that it meets the high demands of the DPA Reference Standard league. In a 2006 capsule two opposite facing miniature capsules are custom re-built into a double diaphragm, one-capsule composition. This combines the advantages of small capsules (fast impulse response and large frequency bandwidth) with lower inherent noise achieved from a larger diaphragm area. The capsules are loaded to the supreme Reference Standard preamps instead of the tiny miniature FET preamp from the miniature mics, offering even more air and precision. Dedicated to acoustic authenticity Every engineer and musician concerned with getting the precise acoustic fingerprint on track will be pleased by the true tone delivered by the 2006. Acoustic piano, guitar, wind instruments and choirs are among the most evident applications. As main AB stereo pair the 2006s offer an impeccable combination of two ordinary frequency responses from the 4006 with specially tailored high frequency response that lies perfectly in between the responses from the near-field (silver) grid and the diffuse-field (black) grid. Also available as selected stereo pair The ST2006C stereo pair is supplied in a specially designed PeliTM Case.    

DPA 2011A Twin Diaphragm Cardioid Microphone

DPA 2011A (2011 A 2011-A 2011/A) Twin Diaphragm Cardioid Microphone FEATURES: All-round workhorse â€“ blends clarity, richness and dynamics Twin-Diaphragm-Capsule and interference tube technologies Superb stage separation and level control Modular flexibility  All-round workhorse The new DPA 2011A microphone has strong references to the acclaimed close-miking and hi-SPL handling specialist DPA 4011 cardioid microphone – not only by its type number 11, also in its all-round capture abilities. 2011 is primarily optimized for on-stage use and the technology combines the new Twin Diaphragm Capsule and DPA’s strong know-how within interference tube technology. While 4011 has gained worldwide admiration for its total linearity at all sound confrontations, the 2011 is purposely aimed differently; the off-axis response is still linear but in a smaller frequency bandwidth making stage separation and gain-to-feedback higher and mic level easier to control. Modular flexibility 2011A is part of the flexible DPA d:dicate Recording Mics series. The 2011A with the MMP-A preamplifier is the audiophile’s choice with low distortion and total accurate and faithful sound, where the 2011C with the MMP-C compact preamplifier offers a subtle character alteration with a bit more “body” to the low end – in addition to its easier-to-position approach. At any time and with no tools necessary it is possible to transform the basic 2011 microphone into a new configuration by combining it with another DPA microphone capsule or preamp. Twin Diaphragm Capsule: cutting edge technology The overall distinctive sound image from the DPA miniatures is so well balanced that it meets the high demands of the DPA Reference Standard league. In a 2011 capsule two opposite facing miniature capsules are custom re-built into a double diaphragm, one-capsule composition. The use and control of interference tubes has become a DPA specialty and the 2011 is no exception; the capsules are loaded to the supreme Reference Standard preamps instead of the tiny miniature FET preamp from the 4060 miniature series, offering even more air and precision. Stage addict The 2011 has found its use on numerous stages and recording sessions.  Exhibiting a previously unheard blend of clarity, richness and dynamic range, the 2011 performs like a much more exclusive microphone and redefines the term value for money. When used for stereo recording Please read the acoustic center of the MMC2011 capsule. Also available as selected stereo pair The ST2011A stereo pair is supplied in a specially designed PeliTM Case.  

DPA 2006A Twin Diaphragm Omni Microphone

m-Capsule technology Acoustic authenticity Linear in a large frequency bandwidth Redefining value for money The new DPA 2006 microphone has strong references to the acclaimed DPA 4006 omni microphone – by its type number 06, its overall sound character, and its industrial design. The difference is in the capsule technology that in the 2000 series features the new Twin Diaphragm Capsule technology. Comparison with its big brother, the iconic 4006, is inevitable. The relationship between the two is clearly heard from the first 2006 audio glance; the 2000 series simply performs like much more exclusive microphones from the premium class and redefines the term value for money. Modular upgradability 2006A is part of the flexible d:dicate Recording Mics series. The 2006A with the MMP-A preamplifier is the audiophile’s choice with low distortion and total accurate and faithful sound, where the 2006C MMP-C compact preamplifier offers a subtle character alteration with a bit more “body” to the low end – in addition to its easier-to-position approach. At any time and with no tools necessary it is possible to transform the basic 2006 microphone into a new configuration by combining it with another DPA microphone capsule or preamp. Twin Diaphragm Capsule technology The overall distinctive sound image from the DPA miniatures is so well balanced that it meets the high demands of the DPA Reference Standard league. In a 2006 capsule two opposite facing miniature capsules are custom re-built into a double diaphragm, one-capsule composition. This combines the advantages of small capsules (fast impulse response and large frequency bandwidth) with lower inherent noise achieved from a larger diaphragm area. The capsules are loaded to the supreme Reference Standard preamps instead of the tiny miniature FET preamp from the miniature mics, offering even more air and precision. Dedicated to acoustic authenticity Every engineer and musician concerned with getting the precise acoustic fingerprint on track will be pleased by the true tone delivered by the 2006. Acoustic piano, guitar, wind instruments and choirs are among the most evident applications. As main AB stereo pair the 2006s offer an impeccable combination of two ordinary frequency responses from the 4006 with specially tailored high frequency response that lies perfectly in between the responses from the near-field (silver) grid and the diffuse-field (black) grid. Also available as selected stereo pair The ST2006A stereo pair is supplied in a specially designed PeliTM Case.

DPA 4015C Wide Cardioid Microphone, Compact

DPA 4015C (4015 C 4015-C 4015/C) Wide Cardioid Microphone, Compact FEATURES: Low profile – wide pickup area Natural reproduction Directional ambience pickup Exceptional for vocal Expand your horizon with a wider pattern If you are already a DPA 4011 devotee, you will discover an exciting alternative in our wide cardioid microphones. The DPA 4015C wide cardioid differs in its polar pattern and is the perfect fill-in between an omni and a more directional microphone. Sometimes a conventional cardioid pattern just isn’t quite open enough, such as when recording instruments with complex radiation patterns. In those instances, the generous polar pattern of our Compact Wide Cardioids allows you to pick up a broader sound field and more accurately capture the full breadth of a stirring performance. Limitless applications Recording orchestras or other ensembles sometimes requires a compromise between blending in the room reverberation and a more precise localization. The wide cardioid (also known as hemispheric) design covers a greater sound angle and is an excellent choice for grand piano, guitar, marimba, and percussion, or as a spot mic for groups in a symphony orchestra. Likewise, it is an excellent speech, dubbing, or vocal mic as its enhanced richness on the bass end nicely compliments many voices. Completely linear, even off-axis The off-axis characteristics of the 4015C are totally linear, a unique quality when it comes to authentic sound reproduction. Any leakage that occurs from off-axis sound sources is still a faithful reproduction of these sounds, just softly attenuated. Small, yet wide Visually discreet, the 4015C Wide Cardioids represent an indispensably low-profile solution for audio engineers and set designers alike. Tremendously precise and natural sounding, the Compact Wide Cardioids will certainly exceed expectations when used on choirs, percussion setups, grand pianos, wind instruments, and much more. Also available as matched stereo pair The ST4015C stereo pair is supplied in a specially designed PeliTM Case, the stereo matching is free of charge.  

DPA 4011C Cardioid Microphone, Compact

DPA 4011C (4011 C 4011-C 4011/C) Cardioid Microphone, Compact FEATURES: Close-miking Superior for high sound levels Accuracy Colorless Maximum clarity, minimum visibility DPA’s Compact Cardioid range is proof that stunning clarity and absolute neutrality are not solely the characteristics of full-sized studio condenser mics alone. Designed to be hidden from view, the diminutive design and high performance of the DPA 4011C makes it the outstanding choice for unobtrusively miking all types of television, film, theatre, concert and studio performances. Limited in size, not application Capable of handling high SPLs without distortion, the 4011C is perfectly tailored for close-miking applications, minimizing bleed from other instruments. When used to spot-mike larger orchestras, these mics are hard to beat, and in film and TV studios, they are excellent for off-camera voice recording or Foley work. For live on-camera recordings, their matte black finish gives them a classic yet inconspicuous appearance, while for sound reinforcement in concert halls, theatres and houses of worship, they provide clean, natural sound while reducing the noticeable effect of lighting reflection. Also available as matched stereo pair The ST4011C stereo pair is supplied in a specially designed PeliTM Case, the stereo matching is free of charge.  

DPA 4006C Omni Microphone, Compact

DPA 4006C (4006 C 4006-C 4006/C) Omni Microphone, Compact FEATURES: Neutrality Versatility Precision Recording standard Full-bodied sound from a small-bodied mic Wherever a small, lightweight,  inconspicuous microphone for top-quality recording is required, the compact design and clean, transparent sound of our versatile 4006C makes it the perfect choice. They are particularly popular as A-B stereo pairs in concert halls where quality recordings can sometimes be compromised by classic architecture. The 4006C can be mounted, hung or concealed to create clean, transparent recordings. It is ideal in theatres, opera and concert halls or places of worship where there is a live audience, and for film applications, both in the studio and on location. These mics are also popular with musicians for close-miking instruments such as double bass, trumpet and piano. At the same time they are wonderful for ambience miking on soundstages, in sports stadiums and other environments where audience sound needs to be recorded. Several tools in one A selection of acoustic modification accessories, including nose cone and interchangeable protection grids, allows the 4006C to be acoustically transformed into different microphone versions, making it the most multifaceted mic in your collection and a tremendous value. By simply changing a grid, it is possible to gain several unique frequency responses and directional characteristics from a single mic. Furthermore, these grids and elements will not produce any phase shift, noise or distortion that would otherwise be introduced by an electrical filter. Also available as matched stereo pair The ST4006C stereo pair is supplied in a specially designed PeliTM Case.  

DPA 4015A Wide Cardioid Microphone

DPA 4015A (4015 A 4015-A 4015/A) Wide Cardioid Microphone FEATURES: Low profile – wide pickup area Natural reproduction Directional ambience pickup Exceptional for vocal Expand your horizon with a wider pattern If you are already a DPA 4011 devotee, you will discover an exciting alternative in our wide cardioid microphones. The phantom powered DPA 4015A wide cardioid differs in its polar pattern and is the perfect fill-in between an omni and a more directional microphone. Sometimes a conventional cardioid pattern just isn’t quite open enough, such as when recording instruments with complex radiation patterns. In those instances, the generous polar pattern of our Compact Wide Cardioids allows you to pick up a broader sound field and more accurately capture the full breadth of a stirring performance. Limitless applications Recording orchestras or other ensembles sometimes requires a compromise between blending in the room reverberation and a more precise localization. The wide cardioid (also known as hemispheric) design covers a greater sound angle and is an excellent choice for grand piano, guitar, marimba, and percussion, or as a spot mic for groups in a symphony orchestra. Likewise, it is an excellent speech, dubbing, or vocal mic as its enhanced richness on the bass end nicely compliments many voices. Completely linear, even off-axis The off-axis characteristics of the 4015A are totally linear, a unique quality when it comes to authentic sound reproduction. Any leakage that occurs from off-axis sound sources is still a faithful reproduction of these sounds, just softly attenuated. Specialists in extreme sound levels DPA’s wide cardioid microphones are capable of handling extremely high sound pressure levels before clipping occurs. The 4015A even includes a 20 dB pad switch in the center of the XLR connector to prevent overloading of the mic amp. Also available as matched stereo pair and surround kit The ST4015A stereo pair is supplied in a specially designed PeliTM Case, the stereo matching is free of charge. The SU4015A Surround Kit is supplied in a specially designed PeliTM Case, the surround matching is free of charge.    

DPA 4011A Cardioid Microphone

DPA 4011A (4011 A 4011-A 4011/A) Cardioid Microphone FEATURES: Close-miking Superior for high sound levels Accuracy Colorless Improving upon a classic The DPA 4011A cardioid condenser microphone is an upgraded version of our classic 4011, renowned in recording studios and live applications around the world as an exceptional mic. State-of-the-art components have been carefully selected to provide optimal neutrality, accuracy, and extremely low distortion. Pure linear cardioid The principal appeal of the 4011A is its directional quality and attention to detail: everything sounds like the original. The first-order cardioid pickup pattern provides superb separation between sound sources when used as a spot mic on literally any style of live music, from rock ‘n’ roll to opera. The 4011A is equally suitable for close-up work on acoustic guitar, grand piano, overheads, percussion, wind instruments and vocals as it is for spot-miking symphonies. It can handle incredibly high sound levels and even includes a 20 dB pad switch in the center of the XLR connector to attenuate the output of the microphone. Perfectly natural A flat on-axis frequency response and excellent phase response deliver a totally faithful reproduction of the original sound. The off-axis response is similarly smooth so that any leakage is an accurate reflection of the original, though attenuated according to the true first-order cardioid pickup pattern. The sensation of “being there” will always be more intense with the DPA 4011A than with any other cardioid. Chosen for its qualities as an all-around performer, the 4011A is a great, clean-sounding colorless mic. The variety of applications is as wide as the imagination of the user. Also available as matched stereo pair The ST4011A stereo pair is supplied in a specially designed PeliTM Case, the stereo matching is free of charge.  

DPA 4006A Omni Microphone

DPA 4006A (4006 A 4006-A 4006/A) Omni Microphone FEATURES: Neutrality Versatility Precision Recording standard Timeless transparency The versatile DPA 4006A is without doubt the most popular mic in our standard range and has rightly earned its status as a worldwide recording standard. This highly sought after omni has forged its enviable reputation over the past quarter of a century by repeatedly exhibiting its total transparency in any recording situation, and by picking up incredible detail and depth of sound. The definition of its high-frequency characteristics across a wide range of instruments is undeniably impressive for the vast majority of miking applications. Renaissance microphone With the 4006A, engineers, broadcasters and musicians alike can achieve extremely clean, natural and precise reproduction in a variety of applications. Ideal for A-B stereo pairs for symphonic concert hall recordings, the 4006A also excels on vocals and for close-miking instruments like grand piano, guitar, double bass and percussion. Several tools in one A selection of acoustic modification accessories, including nose cone and interchangeable protection grids, allows the 4006A to be acoustically transformed into different microphone versions, making it the most multifaceted mic in your collection and a tremendous value. By simply changing a grid, it is possible to gain several unique frequency responses and directional characteristics from a single mic. Furthermore, these grids and elements will not produce any phase shift, noise or distortion that would otherwise be introduced by an electrical filter. Also available as matched stereo pair and surround kit The ST4006A stereo pair is supplied in a specially designed PeliTM Case.  

DPA 3506A d:dicate 4006A Stereo Kit

DPA 3506 (DPA3506 DPA-3506 DPA/3506) d:dicate™ 4006A Stereo Kit   The DPA 3506 is a complete 4006-TL Stereo Kit with two carefully factory-matched phantom powered (P48) condenser microphones. The DPA 3506 also includes a Stereo Boom and the complete range of DPA Acoustic Modification Accessories, all in a sturdy carrying case with a foam insert. The specially selected DPA 4006-TL microphones are matched within +/- 0.5 dB on both frequency range, sensitivity and self noise. The maximum phase response difference from 50 Hz to 20 kHz is 10 degrees. The high sensitivity, the low noise-floor and the extremely linear frequency response from 15 Hz to 20 kHz (+/-2 dB) of the microphone pair makes the DPA 3506 the perfect choice for all professional A-B Stereo recordings. 4006-TL Omni Microphone, P48, Transformerless detailed and natural reproduction high sensitivity and low noise-floor excellent for concert halls and spot miking for acoustical instruments  DPA 4006 is one of the most popular types in the DPA microphone range and is a worldwide reference thanks to its precise, detailed and natural reproduction. For more than 20 years it has impressed studio owners and broadcasters as well as musicians and engineers thanks to its transparent sound quality. It is one of the most sought after studio microphones in the industry - and the one that gives you the most value for your money. In striving to achieve an even cleaner sound, the 4006-TL is equipped with a state-of-the-art transformerless preamplifier and is powered via a standard 48 V Phantom Power supply. This design increases the sensitivity and provides an extended low-frequency handling capability (15 Hz to 20 kHz ±2 dB). All components in this construction are very carefully selected to fulfil the demand for optimal neutrality, accuracy and extremely low distortion even at very high sound pressure levels and at complex passages in the music. The applications of 4006-TL are numerous: AB stereo pair for symphonic concert hall recordings, close mic on instruments such as grand piano, guitar, double bass, percussion and speech/vocals, just to mention a few examples where a 4006-TL will give more detail and more open resolution. With the acoustic modification accessories it is possible to gain different frequency responses and directional characteristics with just one 4006-TL. You simply change a grid and it will influence the sound field acoustically without any phase shift, noise or distortion, that any electrical filter will introduce. 4006-TL is a product for sound engineers with demands for high quality. The precise reproduction, total transparency and natural-sounding clarity of this microphone will provide you with a lifetime of satisfying listening.

DPA 3511A d:dicate 4011A Stereo Kit

DPA 3511 (DPA3511 DPA-3511 DPA/3511)  d:dicate™ 4011A Stereo Kit 2 x UA0897 Shock Mount,Includes: 2 x UA0896 Windscreen for 4011/12/15/16, 1 x UA0836 Stereo Boom with Holders, 1 x DUA0019 Spacer for Stereo Boom, 19 mm (0.75 in) plus 2 x 4011-TL The DPA 3511 is a complete stereo kit for a broad range of recording applications using two 4011-TL Cardioid Microphones, carefully matched within +/- 1 dB on frequency response, sensitivity and self-noise. These cardioids are exceptionally linear in their frequency response - also off axis, giving you the natural experience. Several standard set-ups such as ORTF and XY are possible. The 4011-TL mics handle very high SPL and will therefore allow close placement as well as more distant. Often used for piano recordings of jazz or pop with a placement closer to the hammers or as overheads for drums. The kit includes 2 windscreens, 2 very effective shock mounts, a precision-crafted stereo boom for secure mounting of microphone pairs for A-B stereo recordings and a spacer to allow XY or ORTF stereo set-ups on the boom.    

DPA 4017B Shotgun Microphone

DPA 4017B (DPA4017B DPA-4017B DPA/4017B) Shotgun Microphone 4017B Shotgun Microphone FEATURES: Excellent RF Immunity Lightweight Uniform off-axis response Highly directional Equipped with a highly directional supercardioid pickup pattern, obtained using a supercardioid design with an interference tube that provides excellent off-axis rejection, the DPA 4017B is a short and exceptionally lightweight shotgun microphone that truly measures up to DPA’s impressive reputation for accuracy, clarity, and musicality. Designed for a broad range of applications, the phantom powered 4017B is ideal for use with camera systems, in fixed positions at sports facilities, for broadcast/ENG/film booming, and even studio recording environments. Tune out the surroundings Extensive research and development has been undertaken to optimize the sound coming from the sides and behind the microphone. Minimizing the often very un-linear response of a shotgun microphone due to its side lobes is one of the key accomplishments of the 4017B. The condenser capsule uses a high voltage pre-polarized back plate, endowing the shotgun with high output as well as wide dynamics, extremely low noise and distortion specifications. Small size, big performance At just 210 mm (8.3 in) in length and 68 g (2.4 oz) in weight, the aluminum-bodied DPA 4017B is among the smallest and lightest boom microphones available. But that’s not to say that it’s small on performance. Fully immune to RF emission, the 4017B’s 19 mm (0.75 in) condenser cartridge is capable of handling peak SPLs of 152 dB before clipping. Screwdriver-free filter access The 4017B features two onboard filters that are activated via an ingenious switching ring design. With the simple twist of two sturdy rings, engineers can implement a high-frequency boost that adds a 4 dB shelf at 8 kHz and a first-order bass roll-off below 120 Hz to minimize handling and wind noise. A permanent third-order high-pass filter at 50 Hz effectively removes unwanted low frequency disturbance from handling and wind noise.

DPA 4090 Omnidirectional Microphone, Hi-Sens, P48

DPA 4090 (DPA-4090 DPA4090 DPA/4090) Omnidirectional Microphone, Hi-Sens, P48 FEATURES: natural and open sound suitable for instrument miking applications in the studio or on the stage lends itself to acoustic guitar, strings, piano and wind instruments  d:screetâ„¢ 4090 is a high quality omnidirectional condenser microphone. Due to its uniquely natural and open sound, the 4090 is suitable for instrument miking applications in the studio or on the stage. The 134 dB SPL handling means it can be used with essentially any instrument from acoustic guitar and strings to piano and wind instruments. Due to their remarkably linear frequency response in the 20 Hz to 20 kHz range, sound system engineers can also use these mics for sound system alignment, testing and tuning. The rugged and compact design features a 5.4 mm diameter pre-polarized condenser capsule in a tapered body measuring just 12 cm (4.75 in).

DPA 4091 Omnidirectional Microphone, Lo-Sens, P48

DPA 4091 (DPA4091 DPA/4091 DPA-4091) Omnidirectional Microphone, Lo-Sens, P48 FEATURES: excellent for percussion natural and open sound handles high sound pressure levels with ease   D:screetâ„¢ 4091 is a high quality omnidirectional condenser microphone. Due to its uniquely natural and open sound, the 4091 is suitable for instrument miking applications in the studio or on the stage. The 144 dB SPL handling means it can meet just about any challenge including miking an electric guitar amp. An excellent microphone for percussion instruments, the 4091 is also an ideal choice for wind and string instruments. Due to their remarkably linear frequency response in the 20 Hz to 20 kHz range, sound system engineers can also use these mics for sound system alignment, testing and tuning. The rugged and compact design features a 5.4 mm diameter pre-polarized condenser capsule in a tapered body measuring just 12 cm (4.76 in).

DPA 5100 Mobile Surround Microphone

DPA 5100 (DPA5100 DPA-5100 DPA/5100) Mobile Surround Microphone FEATURES: Plug-and-play solution Lightweight and portable Rich, smooth and fully enveloping sound Discrete 5.1 analog output – no processing needed The DPA 5100 is an exciting new mobile surround microphone whose compact size and ease of use come at no sacrifice to its stunning sound quality. It can be regarded as a surround ambience adder, ideal for bringing truly engaging surround ambience to sport events, documentaries and other ambience applications for especially HDTV production. No external signal processing is required. The versatile 5100 can be mounted on a camera or microphone stand, suspended, or simply handheld via a hand grip. Extremely lightweight and portable, the unit sports a surprisingly robust build quality that is also highly resilient to inclement weather conditions.A completely self-contained “plug and play” solution for 5.1 audio capture, the 5100 employs five miniature pressure transducers that exhibit extremely low sensitivity to wind and mechanical noise, low distortion, highly consistent low frequency response and large dynamic range. Appropriate channel separation and directionality are achieved through a combination of DPA’s proprietary DiPMicâ„¢ (Directional Pressure Microphone) technology, which mounts interference tubes on the L/C/R omni capsules, and the use of acoustic baffles that further preserve the accuracy of levels between the discrete analog output channels.The 5100’s three front microphones are time coincident to eliminate comb filtering and ensure paramount frequency consistency when downmixing to stereo or mono. In contrast, the rear microphones, which feature standard omnidirectional patterns, are optimally spaced from both each other and the front array to simulate the most natural time arrival differences. The LFE (.1) channel is comprised from a L/R sum, which is then attenuated 10 dB in comparison with the signal from the main channels, in accordance with the 5.1 format.The end result of DPA’s innovative design approach is a surround atmosphere that is rich, smooth and fully enveloping, great in its coherence, channel separation and localization accuracy. The 5.1 output of the 5100 runs through a multi-pin Lemo connector carrying all six channels electronically balanced, while an enclosed five-meter (16 ft), six-pair Mogami cable breaks out to six Neutrik XLR-M connectors. Accessories included: Cable, thread adapter and outdoor cover. Accessories available: stands, cables and windjammer.