Sony 4K Handheld Camcorder

Sony 4K Handheld Camcorder(ZV-1FBDI) Specifically designed for vloggers and online content creators, the Sony ZV-1F Vlogging Camera is a pocket-sized camera with a large 1" sensor and a 20mm equivalent wide-angle lens. The camera lets you take a group selfie with a wide view of the background scenery and get everything in the frame, even at arm's length.The lens captures a wider field of view than the human eye, allowing you to take images with stunning depth and perspective both indoors and outdoors. external. Small and lightweight, the camera is designed to be carried around so you can capture everyday life with ease and capture content on the go. Equipped with a 3.0" touchscreen0" detachable microphone and a 3-capsule directional microphone perfect for front-facing recording, the ZV-1F will also appeal to those who appreciate the camera's unique Product Showcase setting, background blur function, real-time Eye AF (autofocus ), Face Priority AE (automatic exposure), as well as a new touchscreen interface, which makes it easier to use. Fast, intelligent autofocus Offering 425 contrast-detection AF points to cover a large area of the captured image, the ZV-1F offers high-precision focusing to ensure your footage remains razor-sharp. Easy Bokeh at the Touch of a Button With a simple push of the bokeh switch, the ZV-1F lets you achieve beautiful blurry backgrounds like a pro. Beautiful skin tones for everyone. Look your best every time you shoot. Without any special settings, the camera captures skin tones accurately, ensuring a healthy and natural look. There is also a Soft Skin Effect mode to adjust the smoothness of the skin. Still footage while walking Showing your viewers the world around you creates engaging content, but shaky footage can be distracting. The ZV-1F lets you capture video clearly even while walking. Image stabilization in active mode helps minimize image blur from handheld shooting for steadier shots. Slow & Speed Capture poignant moments in slow motion or ramp up the energy for dramatic scenes without any editing. With the ZV-1F, you can easily adjust the speed of your footage by simply pressing the Slow and Quick buttons. Easy smartphone connectivity Transfer all recorded images and videos to your smartphone via Wi-Fi via the Imaging Edge Mobile Plus app. The app also turns your phone into a remote control for remote shooting. Simple streaming   Turn the ZV-1F into a high-quality webcam by simply connecting a compatible device via USB. The 1" image sensor and Creative Look mode ensure vibrant images, while the 3-capsule directional microphone delivers excellent audio.

Sony ZV-E1 FF Mirrorless Vlog Camera - Full-frame 35mm sensor (Black)

Sony ZV-E1 FF Mirrorless Vlog Camera - Full-frame 35mm sensor (Black)(ZV-E1) Introducing the Sony ZV-E1, with a unique set of features designed for cinematic content creation and demanding video shooters looking for the best shooting experience. This is a compact camera that includes a large and high performance full-frame sensor capable of 4K 60p recording, a unique AI-based Autofocus with multiple object recognition, and professional audio quality. It also packs Sony's own set of vlogging features, such as Product showcase or the direct to streaming camera solution in 4K, aimed at making content creation easier. For the first time, record your adventures with a cinematic look thanks to a unique Cinematic Vlog settings and professional picture profile S-CINETONE. Keep your shots extremely stable with the new frame stabiliser and in-body stabilisation. Get the ultimate content creation experience with the Sony ZV-E1 and shoot your content like a pro. Professional Grade Full-Frame Quality Shoot cinematic content with the professional sized full-frame 4K 60p image quality for unlimited creative expression, even in the dimmest light situations. Made easy for video content creation, benefit from the cinematic look of S-CINETONE and Cinematic Vlog profiles. The Sony ZV-E1 is also capable of cinematic 4K 120p slow-motion inherited from professional cameras via a free firmware update. Equipped with a dedicated AI chip, this vlogging camera is capable of advanced Autofocus features detecting human eyes, pets, and a variety of objects, so your footage is always in focus. Additionally, it includes new features such as auto-framing and framing stabilisation to keep your subject stable and centred in the frame. The ZV-E1 includes features designed for content creation such as a Bokeh switch that blurs the background and a Product showcase mode for reviewers who want to ensure objects are in focus when shown to the camera. Paired with a swivel, fully touch capable screen and a tally lamp, it has never been easier to vlog and focus on your content. The features on this 4K camera pack a punch for serious filmmaking. Sony's latest Focus breathing compensation feature eliminates any breathing when focusing at different distances (only compatible with Sony lenses), you can import your own LUT to get a full preview of the end result, and more. Pair your Sony vlogging camera seamlessly with your smartphone using the latest app and transfer high quality clips straight to your phone. Additionally, this camera is streaming ready at up to 4K 30p or Full HD 60p without the need for a capture card or extra software. As part of Sony's extensive system, enjoy different angles of view with 60+ full-frame lenses available and capture sound like never before with the series of ECM digital microphones.

Sony Alpha A6700 Aps-c Camera With 16-50mm Lens

Sony Alpha A6700 Aps-c Camera With 16-50mm Lens(ILCE-6700L) Next Generation Creativity on the Go The α6700 combines the latest AI technology with Sony's outstanding α-series image quality in a compact APS-C camera body. Offering enhanced subject recognition, the latest technology for capturing stills and movies, and E-mount lens compatibility, the lightweight α6700 is designed for creative adventures, anytime, anywhere. APS-C Format Exmor R Back-Illuminated CMOS Sensor The advanced Exmor R CMOS image sensor with 26.01 effective megapixels is packed with Sony's image sensor technologies. It offers extraordinary sensitivity, resolution and dynamic range, thanks to its back-illuminated format, gapless on-chip lenses, and AR coating (anti-reflection seal glass) BIONZ XR™ processing power for exceptional image quality With up to eight times2 more processing power than previous versions, the latest BIONZ XR image processing engine delivers natural gradations and realistic colors with low noise for stills and movies. Wide dynamic range for diverse shooting scenarios The α6700's standard sensitivity ranges from a low ISO 100 to ISO 320003, and offers a wide dynamic range so that natural gradations can be captured in high-contrast scenes without blown highlights or blocked shadows. Consistently accurate exposure and color The α6700 offers impressive exposure control. It's equipped with a new AE algorithm, initially developed for full-frame models, which enables it to accurately detect the skin area of faces and adjust exposure accordingly when shooting stills and movies. It can also maintain realistic colors under a wide range of light sources, from sunlight through to theater and stadium lighting, and produce more natural skin tones, sky and foliage colors. Choose your Creative Look The Creative Look setting offers greater creative flexibility with added simplicity. It provides 10 presets that can be used just as they are or customized via 8 adjustable parameters to suit the subject or scene, whether you’re shooting stills, movies or live-streaming. You can easily set the mood ahead of shooting so your images are ready to share immediately. 5-axis optical image stabilization Shoot hand-held or in low-light with confidence — the 5-axis in-body optical image stabilization system is supported by precision gyro sensors to deliver up to 5-steps4 of shake compensation. It detects and compensates for various types of camera shake, including angular (pitch/yaw) shake that is more apparent at longer focal lengths, or when shooting with slower shutter speeds. Precise compensation at the single-pixel level Through enhanced design and control of key parameters, the α6700 provides precise detection and control right down to the single-pixel level, taking full advantage of the sensor's 26.0 megapixel1 resolution to produce images that capture all the finer details. Selectable RAW file types and quality In addition to compressed RAW capture, the α6700 supports lossless compressed RAW capture that provides efficient compression, allowing a greater number of high-quality images to be shot in continuous bursts. A new Light image quality selection that generates less data is provided for JPEG and HEIF images. HEIF: High compression with excellent image quality For the first time in an APS-C camera, the α6700 includes the HEIF (High Efficiency Image File) format with smooth 10-bit gradations for more realistic reproduction of skies and portrait skin tones. The HEIF format also uses advanced compression technology to maintain image quality while significantly reducing file size and saving storage space. Innovative AI processing The α6700 is equipped with an innovative AI processing unit that greatly enhances its performance, including more accurate recognition for a wider range of subjects. Human pose estimation The α6700 uses subject form data to recognize movement, achieving greatly improved human eye recognition. It also employs learned human forms and postures to precisely recognize body and head positions, making it possible to lock onto and track a subject facing away from the camera, or with their face partly obscured by a helmet or sunglasses. Wider subject recognition In addition to humans and animals, the α6700 now recognizes birds, insects, cars, trains and airplanes7, providing even greater flexibility and reliability when shooting both stills and movies. Heads and bodies are recognized in addition to eyes (Real-time Eye AF) for the Human and Animal settings, and now for the Bird setting too, with animal recognition performance more than 40%8 higher compared to the α6600. Smarter Real-time Tracking9 The upgraded and more reliable AI-based Real-time Tracking makes shooting in a wider range of situations simpler, leaving you free to concentrate on framing and composition. The α6700 can even track people wearing helmets or animals facing away from the camera.10 Shooting responsibly when using face registration The face registration feature involves the use of biometric data. You are responsible for your collection and use of such data, and compliance with applicable local law. For more details, please visit the website below. Faster, more precise wide-area AF The immense processing power and updated algorithms of the new BIONZ XR engine achieve notably improved AF performance, with up to 759 phase detection points, 11 covering approximately 93% of the image area when shooting stills. Accurate AF in low EV -3.0 light The latest AF algorithms achieve high AF precision at light levels as low as EV -3.0 in AF-S mode (ISO 100 equivalent, F2.0 lens). The Focus Priority mode also provides more reliable AF in low light or when using smaller apertures. Shoot more than 1000 images at 11fps The a6700's powerful BIONZ XR processing engine combines with a large buffer memory to boost write speeds to memory cards, so that the camera can shoot more than 1000 JPEG images, up to 59 compressed RAW images, or up to 23 lossless compressed RAW images in continuous high-speed bursts. Full-time DMF When shooting stills with AF-C or AF-S autofocus, the lens's focus ring can be rotated to instantly switch to manual focus mode at any time. This makes it easy to switch focus to a different subject on the fly. Focus bracketing to capture the best shot The a6700 can automatically shoot up to 299 images with sequentially shifted focus points according to intervals and a sequence specified by you. Pick the perfect shot, or post-process multiple shots to achieve creative composites with incredible depth of focus. Flicker suppression Suppress flicker from artificial lighting whether you're shooting stills or movies. Simply select "Anti-flicker Shoot", or use "Var. Shutter" to fine-tune shutter speeds to match flicker rates when filming. 4K movie recording for stunning quality The α6700 captures 4K (QFHD: 3840 x 2160) at up to 60p (50p) using Sony's proprietary 6K oversampling technology. By compressing this expanded detail into the output, it achieves 4K video quality with outstanding definition, even at higher frame rates. The camera also supports high-quality XAVC S-I (All-Intra) and XAVC HS formats with 10-bit 4:2:2 color sampling.16 High frame rate 4K 120p (100p) recording17 High frame rate recording at up to 120p for 4K QFHD (3840 x 2160) output makes it possible to capture high-resolution movies in-camera. This expands creative possibilities in post-production by allowing subject motion to be emphasized or transformed into smooth slow motion. S&Q mode18 also enables recording of slow or quick motion sequences in camera from the outset. Expressive S-Cinetone™ Incorporating the same color science as the highly regarded CineAlta and Cinema Line, the α6700 includes Sony's S-Cinetone picture profile as a preset, delivering images with more faithful color reproduction and natural skin tones. S-Log3 gamma curve with 14+ stops19 of latitude The S-Log3 gamma curve emphasizes gradation characteristics from shadows to mid-grey (18% grey), achieving up to 14+ stops19 of latitude for flexible and creative color editing. Real-time Tracking for movies AI-based Real-time Tracking provides a dramatic improvement in Real-time Tracking performance, automatically recognizing, tracking, and focusing on the eyes of a specified subject.20 In addition to using the Touch Tracking function to initiate tracking, a custom button can be used to temporarily track a selected subject regardless of the subject's position in the frame and the focus area setting. Active Mode for enhanced movie image stabilization21 Active Mode21 provides powerful image stabilization for handheld movie shooting. The α6700 can accurately measure camera shake which is then precisely compensated for optically, providing highly effective stabilization without sacrificing mobility, even when shooting 4K22. Breathing compensation for consistent angle of view23 When shooting movies with compatible lenses, automatic breathing compensation uses Clear Image Zoom technology to maintain a consistent angle of view, suppressing changes that may occur due to shifts in focus position. Breathing metadata can also be used in post-production24. Import user LUT files See how your footage will look in post-processing while you're shooting. The a6700 allows you to import a custom LUT (Look Up Table) that can be applied to the camera's monitor image while recording, providing a preview. Movie making made simple The a6700 is jampacked with features to support movie shooting and production. Its Auto Framing?5 function automatically crops and re-frames the image while using Al to track the subject. Or, for a cinematic touch, the in-camera time-lapse function allows you to create time-lapse videos within the camera itself. Made for your hands With its compact shape, and lightweight 493 gram body, the α6700 offers remarkable portability and maneuverability without compromising image quality. A new grip design provides a solid, even more comfortable hold on the camera, while giving greater control for shooting both stills and movies. High-performance electronic viewfinder A 2.36 million-dot (approx.) XGA OLED electronic viewfinder with approximately 1.07x magnification26 delivers an exceptional view of your world. With twice the brightness of the α6600, and a wider 33-degree viewing angle, it offers clear, easy viewing while shooting. The finder frame rate can be set to 120 fps — twice the normal rate — for a smooth viewfinder image, with minimum display motion blur when tracking and shooting moving subjects. Enhanced shooting flexibility with vari-angle monitor The α6700 features a large 3.0-type 1.03 million-dot (approx.) touch-panel LCD monitor with a 3:2 aspect ratio and side-opening vary-angle flexibility. This allows greater positioning and framing freedom, giving you plenty of creative options for handheld and gimbal-mounted shooting of stills and movies. Intuitive touch control Just touch the screen to activate key functions, such as selecting a focus point or subject to track, or triggering the shutter. Swiping in from the left or right edge of the shooting display reveals touch icons that allow quick changes to the shooting mode and other settings. The function (Fn) menu can also be displayed by a simple swipe-up. During playback, you can easily select and zoom into images through taps and intuitive pinch-out/pinch-in gestures. Improved menu structure Responding to feedback from professional photographers and videographers, the α6700 comes with a new Main Menu structure similar to the latest full-frame α series models. The logical layout provides more efficient access to important shooting parameters, such as frame rate, shutter speed, and more. It can be assigned to a custom key for quick access when needed, and touch operation means that adjusting key settings has never been faster. More than 70 E-mount lenses to choose from Take your pick from a comprehensive range of E-mount lenses from Sony. Our acclaimed line-up includes the full-frame G Master™ series that blends breathtaking resolution with exquisite bokeh, and the G Lens™ series that offers excellent image quality and value. Combined with an APS-C body, Sony's ultra-wide lenses can capture sweeping scenery or large subjects in a single frame, while telephoto lenses, assisted by the 1.5 crop factor of APS-C cameras and teleconverter lenses as needed, make it possible to capture distant subjects with stunning clarity and detail. Accessories expand creative horizons A variety of high-performance compatible microphones can be connected to the the camera’s Multi Interface Shoe for direct, noise-free digital audio transfer to the camera. Or choose from a variety of high-output flash units such as the HVL-F60RM2 that support high-speed continuous shooting, giving you even more ways to capture creative imagery. Easy and stable smartphone connectivity Make the most of the a6700's greatly enhanced connection stability with Sony's free Creators' App27 that enables simple transfers of photos and movies to your smartphone or tablet. Transfers continue in the background even if the smartphone display sleeps or a different app is launched.28 You can also use your smartphone to control the camera remotely. Stream high-quality live content Connected to a personal computer or smartphone 29 via USB, the a6700 can function as a 4K (2160p) webcam with advanced AF that makes online meetings and live streaming events even smoother. Fast Wi-Fi for PC tethering Built-in Wi-Fi (IEEE 802.11a/b/g/n/ac) allows communication on the 2.4 GHz and 5 GHz30 bands for fast and stable data transfer. Creators' Cloud platform Creators' Cloud is a platform that supports creative work from shooting to production by combining advanced Sony camera technology with cloud-based AI. It's also a place for discovery and collaboration with other creators around the world. Explore web, mobile, and PC-based apps providing efficient solutions that integrate cameras with shooting and production apps and services. Accessible technology on α cameras Sony's α cameras are equipped with a number of accessibility features so that as many people as possible can utilize and enjoy our technology. For example, the screen reader function reads text on the menu screens aloud, with volume and reading speed adjustable as needed. Approximate, effective Compared to the BIONZ X image processing engine in the α6600. Sony tests. Expandable to ISO 50 - 102400 for stills. Based on CIPA standard. Pitch/yaw shake only. With FE 50mm F1.2 GM lens mounted. Long-exposure Noise Reduction off. The latest version of Imaging Edge Desktop (Remote/Viewer/Edit) is required to view and edit HEIF images. All specified subjects may not be accurately recognized in all conditions. Subject types other than the type specified may be erroneously recognized in some cases. Sony internal tests [Tracking] in the menu. Based on advanced artificial intelligence, including machine learning. Camera operation depends on focus area settings and touch operation. Accurate focus may not be achieved in some situations. The number of distance measuring points when shooting stills. The number of points used depends on the selected shooting mode. JPEG FINE format, continuous Hi+ mode. Actual number of images may vary according to shooting conditions. Not applicable to the E PZ 16-50mm F3.5-5.6 OSS and E 18-200mm F3.5-6.3 OSS LE lenses or any A-mount lens. Full-time DMF is not available when shooting continuously in AF-C or AF-A mode (not including Lo), or when using the FE 70-200mm F2.8 GM II OSS lens in AF-C mode. A-mount lenses not supported. Only 100 Hz and 120 Hz flicker are detected. Continuous shooting speed may decrease. Phase-detection AF coverage is reduced. Flicker-free shooting is not available during silent shooting, BULB exposure, or movie recording. Recording frame rates are indicated as the closest integer values. The actual corresponding frame rates are as follows: 24p: 23.98 fps, 30p: 29.97 fps, 60p: 59.94 fps, and 120p: 119.88 fps. QFHD (3840 x 2160) with approx. 38 % image crop. Audio recording not available in the S&Q mode. S-Log3 movies. Sony internal tests. When subject recognition is ON during AF shooting. Face, eye, etc. recognition status can be monitored when subject recognition frame display is ON. Accurate focus may not be achieved in some situations. Slight image crop in Active Mode. “Standard” setting recommended for focal lengths of 200 mm or longer. Active Mode is not available when recording at frame rates of 120 (100) fps or higher, including S&Q. Compatible lenses are listed at: https://support.d-imaging.sony.co.jp/support/ilc/breathing/en/ Angle of view and image quality may change slightly when this function is turned ON. Full compensation may not be possible with some lenses. This function is not available when shooting movies at 120p, when using the S&Q mode at 120p, or when shooting stills. Additional focus breathing compensation is available in post-production using the advanced breathing compensation capabilities of the latest Catalyst Browse/Prepare software application, processing metadata provided by the camera. Only available for movies. Framing is cropped from 4K images, resulting in a reduced angle of view. With 50mm lens at infinity, -1m-¹. 35mm camera equivalent: Approx. 0.70x. Download app at Google Play and the App Store. Network services, content, and operating system and software subject to terms and conditions and may be changed, interrupted or discontinued at any time and may require fees, registration and credit card information.Check regional availability of services and applications via the URL https://www.sony.net/cca/ Transfer may be interrupted when a different app is launched on some operating systems. When streaming via USB, maximum image resolution is 3840 x 2160 and maximum frame rate is 30 fps. The OS of the computer or smartphone used must be compatible with UVC/UAC. Use the most up-to-date OS available for your device. A commercially available USB cable and/or terminal adaptor may be used to connect to equipment with a USB Type-C port. When connected via USB 2.0, maximum image resolution is HD (720p) and maximum frame rate is 30p. 5 GHz communication may be restricted in some countries and regions. Not guaranteed to be 100% dust- and moisture-proof. Shooting time will vary according to conditions. Use the [Interval Timer] function to shoots sequences at long intervals (e.g. 10 minutes or more). Maximum exposure interval is 6 seconds when shooting 4K. Maximum exposure interval is 6 seconds when shooting 4K. The Focus Map function cannot be used in the following conditions: When the Focus Magnifier function is in use, when using digital zoom, during USB streaming, when no lens is mounted, when an A-mount lens is mounted, or when a lens that is not compatible with focal plane phase-detection AF is in use. Not including materials used in coatings and adhesives. Not including materials used in coatings and adhesives. Natural non-woven fabric may not be available during some production periods. Features and specifications are subject to change without prior notice. Number of effective pixels varies depending on attached lenses and camera settings. When using accessories that support 4ch output / 24 bits with the Multi Interface Shoe. Anti-flicker Shooting is not available when the [Shutter Type] setting is set to [Electronic Shutter]. With compatible Sony external flash Varies according to shooting conditions or memory card used Supports Micro USB compatible device. (Configuration method/Access method) WPS or manually /infrastructure mode. When connecting to smartphones, the camera can always work as a base without a wireless access point. (Security: WEP/WPA-PSK/WPA2-PSK/WPA3-SAE) Models sold in some countries/regions support IEEE 802.11b/g/n (2.4GHz) wireless LAN only. Sony accessories for the Accessory Shoe can be attached. When [Resolution] is set to [HD(720p)], [MJPEG] is only available. The LCD screen is turned on, shot once every 30 seconds, operate zoom alternately between W and T ends, flash strobe once every two times, turn power off and on once every ten times.   Indication recording time, which is defined by repeating the cycle: Power on, start recording, zoom , stand-by and power off.  

Sony Alpha A6700 Aps-c Camera With 18-135mm Lens

Sony Alpha A6700 Aps-c Camera With 18-135mm Lens(ILCE-6700M) Next Generation Creativity on the Go The α6700 combines the latest AI technology with Sony's outstanding α-series image quality in a compact APS-C camera body. Offering enhanced subject recognition, the latest technology for capturing stills and movies, and E-mount lens compatibility, the lightweight α6700 is designed for creative adventures, anytime, anywhere. APS-C Format Exmor R Back-Illuminated CMOS Sensor The advanced Exmor R CMOS image sensor with 26.01 effective megapixels is packed with Sony's image sensor technologies. It offers extraordinary sensitivity, resolution and dynamic range, thanks to its back-illuminated format, gapless on-chip lenses, and AR coating (anti-reflection seal glass) BIONZ XR™ processing power for exceptional image quality With up to eight times2 more processing power than previous versions, the latest BIONZ XR image processing engine delivers natural gradations and realistic colors with low noise for stills and movies. Wide dynamic range for diverse shooting scenarios The α6700's standard sensitivity ranges from a low ISO 100 to ISO 320003, and offers a wide dynamic range so that natural gradations can be captured in high-contrast scenes without blown highlights or blocked shadows. Consistently accurate exposure and color The α6700 offers impressive exposure control. It's equipped with a new AE algorithm, initially developed for full-frame models, which enables it to accurately detect the skin area of faces and adjust exposure accordingly when shooting stills and movies. It can also maintain realistic colors under a wide range of light sources, from sunlight through to theater and stadium lighting, and produce more natural skin tones, sky and foliage colors. Choose your Creative Look The Creative Look setting offers greater creative flexibility with added simplicity. It provides 10 presets that can be used just as they are or customized via 8 adjustable parameters to suit the subject or scene, whether you’re shooting stills, movies or live-streaming. You can easily set the mood ahead of shooting so your images are ready to share immediately. 5-axis optical image stabilization Shoot hand-held or in low-light with confidence — the 5-axis in-body optical image stabilization system is supported by precision gyro sensors to deliver up to 5-steps4 of shake compensation. It detects and compensates for various types of camera shake, including angular (pitch/yaw) shake that is more apparent at longer focal lengths, or when shooting with slower shutter speeds. Precise compensation at the single-pixel level Through enhanced design and control of key parameters, the α6700 provides precise detection and control right down to the single-pixel level, taking full advantage of the sensor's 26.0 megapixel1 resolution to produce images that capture all the finer details. Selectable RAW file types and quality In addition to compressed RAW capture, the α6700 supports lossless compressed RAW capture that provides efficient compression, allowing a greater number of high-quality images to be shot in continuous bursts. A new Light image quality selection that generates less data is provided for JPEG and HEIF images. HEIF: High compression with excellent image quality For the first time in an APS-C camera, the α6700 includes the HEIF (High Efficiency Image File) format with smooth 10-bit gradations for more realistic reproduction of skies and portrait skin tones. The HEIF format also uses advanced compression technology to maintain image quality while significantly reducing file size and saving storage space. Innovative AI processing The α6700 is equipped with an innovative AI processing unit that greatly enhances its performance, including more accurate recognition for a wider range of subjects. Human pose estimation The α6700 uses subject form data to recognize movement, achieving greatly improved human eye recognition. It also employs learned human forms and postures to precisely recognize body and head positions, making it possible to lock onto and track a subject facing away from the camera, or with their face partly obscured by a helmet or sunglasses. Wider subject recognition In addition to humans and animals, the α6700 now recognizes birds, insects, cars, trains and airplanes7, providing even greater flexibility and reliability when shooting both stills and movies. Heads and bodies are recognized in addition to eyes (Real-time Eye AF) for the Human and Animal settings, and now for the Bird setting too, with animal recognition performance more than 40%8 higher compared to the α6600. Smarter Real-time Tracking9 The upgraded and more reliable AI-based Real-time Tracking makes shooting in a wider range of situations simpler, leaving you free to concentrate on framing and composition. The α6700 can even track people wearing helmets or animals facing away from the camera.10 Shooting responsibly when using face registration The face registration feature involves the use of biometric data. You are responsible for your collection and use of such data, and compliance with applicable local law. For more details, please visit the website below. Faster, more precise wide-area AF The immense processing power and updated algorithms of the new BIONZ XR engine achieve notably improved AF performance, with up to 759 phase detection points, 11 covering approximately 93% of the image area when shooting stills. Accurate AF in low EV -3.0 light The latest AF algorithms achieve high AF precision at light levels as low as EV -3.0 in AF-S mode (ISO 100 equivalent, F2.0 lens). The Focus Priority mode also provides more reliable AF in low light or when using smaller apertures. Shoot more than 1000 images at 11fps The a6700's powerful BIONZ XR processing engine combines with a large buffer memory to boost write speeds to memory cards, so that the camera can shoot more than 1000 JPEG images, up to 59 compressed RAW images, or up to 23 lossless compressed RAW images in continuous high-speed bursts. Full-time DMF When shooting stills with AF-C or AF-S autofocus, the lens's focus ring can be rotated to instantly switch to manual focus mode at any time. This makes it easy to switch focus to a different subject on the fly. Focus bracketing to capture the best shot The a6700 can automatically shoot up to 299 images with sequentially shifted focus points according to intervals and a sequence specified by you. Pick the perfect shot, or post-process multiple shots to achieve creative composites with incredible depth of focus. Flicker suppression Suppress flicker from artificial lighting whether you're shooting stills or movies. Simply select "Anti-flicker Shoot", or use "Var. Shutter" to fine-tune shutter speeds to match flicker rates when filming. 4K movie recording for stunning quality The α6700 captures 4K (QFHD: 3840 x 2160) at up to 60p (50p) using Sony's proprietary 6K oversampling technology. By compressing this expanded detail into the output, it achieves 4K video quality with outstanding definition, even at higher frame rates. The camera also supports high-quality XAVC S-I (All-Intra) and XAVC HS formats with 10-bit 4:2:2 color sampling.16 High frame rate 4K 120p (100p) recording17 High frame rate recording at up to 120p for 4K QFHD (3840 x 2160) output makes it possible to capture high-resolution movies in-camera. This expands creative possibilities in post-production by allowing subject motion to be emphasized or transformed into smooth slow motion. S&Q mode18 also enables recording of slow or quick motion sequences in camera from the outset. Expressive S-Cinetone™ Incorporating the same color science as the highly regarded CineAlta and Cinema Line, the α6700 includes Sony's S-Cinetone picture profile as a preset, delivering images with more faithful color reproduction and natural skin tones. S-Log3 gamma curve with 14+ stops19 of latitude The S-Log3 gamma curve emphasizes gradation characteristics from shadows to mid-grey (18% grey), achieving up to 14+ stops19 of latitude for flexible and creative color editing. Real-time Tracking for movies AI-based Real-time Tracking provides a dramatic improvement in Real-time Tracking performance, automatically recognizing, tracking, and focusing on the eyes of a specified subject.20 In addition to using the Touch Tracking function to initiate tracking, a custom button can be used to temporarily track a selected subject regardless of the subject's position in the frame and the focus area setting. Active Mode for enhanced movie image stabilization21 Active Mode21 provides powerful image stabilization for handheld movie shooting. The α6700 can accurately measure camera shake which is then precisely compensated for optically, providing highly effective stabilization without sacrificing mobility, even when shooting 4K22. Breathing compensation for consistent angle of view23 When shooting movies with compatible lenses, automatic breathing compensation uses Clear Image Zoom technology to maintain a consistent angle of view, suppressing changes that may occur due to shifts in focus position. Breathing metadata can also be used in post-production24. Import user LUT files See how your footage will look in post-processing while you're shooting. The a6700 allows you to import a custom LUT (Look Up Table) that can be applied to the camera's monitor image while recording, providing a preview. Movie making made simple The a6700 is jampacked with features to support movie shooting and production. Its Auto Framing?5 function automatically crops and re-frames the image while using Al to track the subject. Or, for a cinematic touch, the in-camera time-lapse function allows you to create time-lapse videos within the camera itself. Made for your hands With its compact shape, and lightweight 493 gram body, the α6700 offers remarkable portability and maneuverability without compromising image quality. A new grip design provides a solid, even more comfortable hold on the camera, while giving greater control for shooting both stills and movies. High-performance electronic viewfinder A 2.36 million-dot (approx.) XGA OLED electronic viewfinder with approximately 1.07x magnification26 delivers an exceptional view of your world. With twice the brightness of the α6600, and a wider 33-degree viewing angle, it offers clear, easy viewing while shooting. The finder frame rate can be set to 120 fps — twice the normal rate — for a smooth viewfinder image, with minimum display motion blur when tracking and shooting moving subjects. Enhanced shooting flexibility with vari-angle monitor The α6700 features a large 3.0-type 1.03 million-dot (approx.) touch-panel LCD monitor with a 3:2 aspect ratio and side-opening vary-angle flexibility. This allows greater positioning and framing freedom, giving you plenty of creative options for handheld and gimbal-mounted shooting of stills and movies. Intuitive touch control Just touch the screen to activate key functions, such as selecting a focus point or subject to track, or triggering the shutter. Swiping in from the left or right edge of the shooting display reveals touch icons that allow quick changes to the shooting mode and other settings. The function (Fn) menu can also be displayed by a simple swipe-up. During playback, you can easily select and zoom into images through taps and intuitive pinch-out/pinch-in gestures. Improved menu structure Responding to feedback from professional photographers and videographers, the α6700 comes with a new Main Menu structure similar to the latest full-frame α series models. The logical layout provides more efficient access to important shooting parameters, such as frame rate, shutter speed, and more. It can be assigned to a custom key for quick access when needed, and touch operation means that adjusting key settings has never been faster. More than 70 E-mount lenses to choose from Take your pick from a comprehensive range of E-mount lenses from Sony. Our acclaimed line-up includes the full-frame G Master™ series that blends breathtaking resolution with exquisite bokeh, and the G Lens™ series that offers excellent image quality and value. Combined with an APS-C body, Sony's ultra-wide lenses can capture sweeping scenery or large subjects in a single frame, while telephoto lenses, assisted by the 1.5 crop factor of APS-C cameras and teleconverter lenses as needed, make it possible to capture distant subjects with stunning clarity and detail. Accessories expand creative horizons A variety of high-performance compatible microphones can be connected to the the camera’s Multi Interface Shoe for direct, noise-free digital audio transfer to the camera. Or choose from a variety of high-output flash units such as the HVL-F60RM2 that support high-speed continuous shooting, giving you even more ways to capture creative imagery. Easy and stable smartphone connectivity Make the most of the a6700's greatly enhanced connection stability with Sony's free Creators' App27 that enables simple transfers of photos and movies to your smartphone or tablet. Transfers continue in the background even if the smartphone display sleeps or a different app is launched.28 You can also use your smartphone to control the camera remotely. Stream high-quality live content Connected to a personal computer or smartphone 29 via USB, the a6700 can function as a 4K (2160p) webcam with advanced AF that makes online meetings and live streaming events even smoother. Fast Wi-Fi for PC tethering Built-in Wi-Fi (IEEE 802.11a/b/g/n/ac) allows communication on the 2.4 GHz and 5 GHz30 bands for fast and stable data transfer. Creators' Cloud platform Creators' Cloud is a platform that supports creative work from shooting to production by combining advanced Sony camera technology with cloud-based AI. It's also a place for discovery and collaboration with other creators around the world. Explore web, mobile, and PC-based apps providing efficient solutions that integrate cameras with shooting and production apps and services. Accessible technology on α cameras Sony's α cameras are equipped with a number of accessibility features so that as many people as possible can utilize and enjoy our technology. For example, the screen reader function reads text on the menu screens aloud, with volume and reading speed adjustable as needed. Approximate, effective Compared to the BIONZ X image processing engine in the α6600. Sony tests. Expandable to ISO 50 - 102400 for stills. Based on CIPA standard. Pitch/yaw shake only. With FE 50mm F1.2 GM lens mounted. Long-exposure Noise Reduction off. The latest version of Imaging Edge Desktop (Remote/Viewer/Edit) is required to view and edit HEIF images. All specified subjects may not be accurately recognized in all conditions. Subject types other than the type specified may be erroneously recognized in some cases. Sony internal tests [Tracking] in the menu. Based on advanced artificial intelligence, including machine learning. Camera operation depends on focus area settings and touch operation. Accurate focus may not be achieved in some situations. The number of distance measuring points when shooting stills. The number of points used depends on the selected shooting mode. JPEG FINE format, continuous Hi+ mode. Actual number of images may vary according to shooting conditions. Not applicable to the E PZ 16-50mm F3.5-5.6 OSS and E 18-200mm F3.5-6.3 OSS LE lenses or any A-mount lens. Full-time DMF is not available when shooting continuously in AF-C or AF-A mode (not including Lo), or when using the FE 70-200mm F2.8 GM II OSS lens in AF-C mode. A-mount lenses not supported. Only 100 Hz and 120 Hz flicker are detected. Continuous shooting speed may decrease. Phase-detection AF coverage is reduced. Flicker-free shooting is not available during silent shooting, BULB exposure, or movie recording. Recording frame rates are indicated as the closest integer values. The actual corresponding frame rates are as follows: 24p: 23.98 fps, 30p: 29.97 fps, 60p: 59.94 fps, and 120p: 119.88 fps. QFHD (3840 x 2160) with approx. 38 % image crop. Audio recording not available in the S&Q mode. S-Log3 movies. Sony internal tests. When subject recognition is ON during AF shooting. Face, eye, etc. recognition status can be monitored when subject recognition frame display is ON. Accurate focus may not be achieved in some situations. Slight image crop in Active Mode. “Standard” setting recommended for focal lengths of 200 mm or longer. Active Mode is not available when recording at frame rates of 120 (100) fps or higher, including S&Q. Compatible lenses are listed at: https://support.d-imaging.sony.co.jp/support/ilc/breathing/en/ Angle of view and image quality may change slightly when this function is turned ON. Full compensation may not be possible with some lenses. This function is not available when shooting movies at 120p, when using the S&Q mode at 120p, or when shooting stills. Additional focus breathing compensation is available in post-production using the advanced breathing compensation capabilities of the latest Catalyst Browse/Prepare software application, processing metadata provided by the camera. Only available for movies. Framing is cropped from 4K images, resulting in a reduced angle of view. With 50mm lens at infinity, -1m-¹. 35mm camera equivalent: Approx. 0.70x. Download app at Google Play and the App Store. Network services, content, and operating system and software subject to terms and conditions and may be changed, interrupted or discontinued at any time and may require fees, registration and credit card information.Check regional availability of services and applications via the URL https://www.sony.net/cca/ Transfer may be interrupted when a different app is launched on some operating systems. When streaming via USB, maximum image resolution is 3840 x 2160 and maximum frame rate is 30 fps. The OS of the computer or smartphone used must be compatible with UVC/UAC. Use the most up-to-date OS available for your device. A commercially available USB cable and/or terminal adaptor may be used to connect to equipment with a USB Type-C port. When connected via USB 2.0, maximum image resolution is HD (720p) and maximum frame rate is 30p. 5 GHz communication may be restricted in some countries and regions. Not guaranteed to be 100% dust- and moisture-proof. Shooting time will vary according to conditions. Use the [Interval Timer] function to shoots sequences at long intervals (e.g. 10 minutes or more). Maximum exposure interval is 6 seconds when shooting 4K. Maximum exposure interval is 6 seconds when shooting 4K. The Focus Map function cannot be used in the following conditions: When the Focus Magnifier function is in use, when using digital zoom, during USB streaming, when no lens is mounted, when an A-mount lens is mounted, or when a lens that is not compatible with focal plane phase-detection AF is in use. Not including materials used in coatings and adhesives. Not including materials used in coatings and adhesives. Natural non-woven fabric may not be available during some production periods. Features and specifications are subject to change without prior notice. Number of effective pixels varies depending on attached lenses and camera settings. When using accessories that support 4ch output / 24 bits with the Multi Interface Shoe. Anti-flicker Shooting is not available when the [Shutter Type] setting is set to [Electronic Shutter]. With compatible Sony external flash Varies according to shooting conditions or memory card used Supports Micro USB compatible device. (Configuration method/Access method) WPS or manually /infrastructure mode. When connecting to smartphones, the camera can always work as a base without a wireless access point. (Security: WEP/WPA-PSK/WPA2-PSK/WPA3-SAE) Models sold in some countries/regions support IEEE 802.11b/g/n (2.4GHz) wireless LAN only. Sony accessories for the Accessory Shoe can be attached. When [Resolution] is set to [HD(720p)], [MJPEG] is only available. The LCD screen is turned on, shot once every 30 seconds, operate zoom alternately between W and T ends, flash strobe once every two times, turn power off and on once every ten times.   Indication recording time, which is defined by repeating the cycle: Power on, start recording, zoom , stand-by and power off.  

Sony Alpha A6700 Aps-c Camera Body

Sony Alpha A6700 Aps-c Camera Body(ILCE-6700) Next Generation Creativity on the Go The α6700 combines the latest AI technology with Sony's outstanding α-series image quality in a compact APS-C camera body. Offering enhanced subject recognition, the latest technology for capturing stills and movies, and E-mount lens compatibility, the lightweight α6700 is designed for creative adventures, anytime, anywhere. APS-C Format Exmor R Back-Illuminated CMOS Sensor The advanced Exmor R CMOS image sensor with 26.01 effective megapixels is packed with Sony's image sensor technologies. It offers extraordinary sensitivity, resolution and dynamic range, thanks to its back-illuminated format, gapless on-chip lenses, and AR coating (anti-reflection seal glass) BIONZ XR™ processing power for exceptional image quality With up to eight times2 more processing power than previous versions, the latest BIONZ XR image processing engine delivers natural gradations and realistic colors with low noise for stills and movies. Wide dynamic range for diverse shooting scenarios The α6700's standard sensitivity ranges from a low ISO 100 to ISO 320003, and offers a wide dynamic range so that natural gradations can be captured in high-contrast scenes without blown highlights or blocked shadows. Consistently accurate exposure and color The α6700 offers impressive exposure control. It's equipped with a new AE algorithm, initially developed for full-frame models, which enables it to accurately detect the skin area of faces and adjust exposure accordingly when shooting stills and movies. It can also maintain realistic colors under a wide range of light sources, from sunlight through to theater and stadium lighting, and produce more natural skin tones, sky and foliage colors. Choose your Creative Look The Creative Look setting offers greater creative flexibility with added simplicity. It provides 10 presets that can be used just as they are or customized via 8 adjustable parameters to suit the subject or scene, whether you’re shooting stills, movies or live-streaming. You can easily set the mood ahead of shooting so your images are ready to share immediately. 5-axis optical image stabilization Shoot hand-held or in low-light with confidence — the 5-axis in-body optical image stabilization system is supported by precision gyro sensors to deliver up to 5-steps4 of shake compensation. It detects and compensates for various types of camera shake, including angular (pitch/yaw) shake that is more apparent at longer focal lengths, or when shooting with slower shutter speeds. Precise compensation at the single-pixel level Through enhanced design and control of key parameters, the α6700 provides precise detection and control right down to the single-pixel level, taking full advantage of the sensor's 26.0 megapixel1 resolution to produce images that capture all the finer details. Selectable RAW file types and quality In addition to compressed RAW capture, the α6700 supports lossless compressed RAW capture that provides efficient compression, allowing a greater number of high-quality images to be shot in continuous bursts. A new Light image quality selection that generates less data is provided for JPEG and HEIF images. HEIF: High compression with excellent image quality For the first time in an APS-C camera, the α6700 includes the HEIF (High Efficiency Image File) format with smooth 10-bit gradations for more realistic reproduction of skies and portrait skin tones. The HEIF format also uses advanced compression technology to maintain image quality while significantly reducing file size and saving storage space. Innovative AI processing The α6700 is equipped with an innovative AI processing unit that greatly enhances its performance, including more accurate recognition for a wider range of subjects. Human pose estimation The α6700 uses subject form data to recognize movement, achieving greatly improved human eye recognition. It also employs learned human forms and postures to precisely recognize body and head positions, making it possible to lock onto and track a subject facing away from the camera, or with their face partly obscured by a helmet or sunglasses. Wider subject recognition In addition to humans and animals, the α6700 now recognizes birds, insects, cars, trains and airplanes7, providing even greater flexibility and reliability when shooting both stills and movies. Heads and bodies are recognized in addition to eyes (Real-time Eye AF) for the Human and Animal settings, and now for the Bird setting too, with animal recognition performance more than 40%8 higher compared to the α6600. Smarter Real-time Tracking9 The upgraded and more reliable AI-based Real-time Tracking makes shooting in a wider range of situations simpler, leaving you free to concentrate on framing and composition. The α6700 can even track people wearing helmets or animals facing away from the camera.10 Shooting responsibly when using face registration The face registration feature involves the use of biometric data. You are responsible for your collection and use of such data, and compliance with applicable local law. For more details, please visit the website below. Faster, more precise wide-area AF The immense processing power and updated algorithms of the new BIONZ XR engine achieve notably improved AF performance, with up to 759 phase detection points, 11 covering approximately 93% of the image area when shooting stills. Accurate AF in low EV -3.0 light The latest AF algorithms achieve high AF precision at light levels as low as EV -3.0 in AF-S mode (ISO 100 equivalent, F2.0 lens). The Focus Priority mode also provides more reliable AF in low light or when using smaller apertures. Shoot more than 1000 images at 11fps The a6700's powerful BIONZ XR processing engine combines with a large buffer memory to boost write speeds to memory cards, so that the camera can shoot more than 1000 JPEG images, up to 59 compressed RAW images, or up to 23 lossless compressed RAW images in continuous high-speed bursts. Full-time DMF When shooting stills with AF-C or AF-S autofocus, the lens's focus ring can be rotated to instantly switch to manual focus mode at any time. This makes it easy to switch focus to a different subject on the fly. Focus bracketing to capture the best shot The a6700 can automatically shoot up to 299 images with sequentially shifted focus points according to intervals and a sequence specified by you. Pick the perfect shot, or post-process multiple shots to achieve creative composites with incredible depth of focus. Flicker suppression Suppress flicker from artificial lighting whether you're shooting stills or movies. Simply select "Anti-flicker Shoot", or use "Var. Shutter" to fine-tune shutter speeds to match flicker rates when filming. 4K movie recording for stunning quality The α6700 captures 4K (QFHD: 3840 x 2160) at up to 60p (50p) using Sony's proprietary 6K oversampling technology. By compressing this expanded detail into the output, it achieves 4K video quality with outstanding definition, even at higher frame rates. The camera also supports high-quality XAVC S-I (All-Intra) and XAVC HS formats with 10-bit 4:2:2 color sampling.16 High frame rate 4K 120p (100p) recording17 High frame rate recording at up to 120p for 4K QFHD (3840 x 2160) output makes it possible to capture high-resolution movies in-camera. This expands creative possibilities in post-production by allowing subject motion to be emphasized or transformed into smooth slow motion. S&Q mode18 also enables recording of slow or quick motion sequences in camera from the outset. Expressive S-Cinetone™ Incorporating the same color science as the highly regarded CineAlta and Cinema Line, the α6700 includes Sony's S-Cinetone picture profile as a preset, delivering images with more faithful color reproduction and natural skin tones. S-Log3 gamma curve with 14+ stops19 of latitude The S-Log3 gamma curve emphasizes gradation characteristics from shadows to mid-grey (18% grey), achieving up to 14+ stops19 of latitude for flexible and creative color editing. Real-time Tracking for movies AI-based Real-time Tracking provides a dramatic improvement in Real-time Tracking performance, automatically recognizing, tracking, and focusing on the eyes of a specified subject.20 In addition to using the Touch Tracking function to initiate tracking, a custom button can be used to temporarily track a selected subject regardless of the subject's position in the frame and the focus area setting. Active Mode for enhanced movie image stabilization21 Active Mode21 provides powerful image stabilization for handheld movie shooting. The α6700 can accurately measure camera shake which is then precisely compensated for optically, providing highly effective stabilization without sacrificing mobility, even when shooting 4K22. Breathing compensation for consistent angle of view23 When shooting movies with compatible lenses, automatic breathing compensation uses Clear Image Zoom technology to maintain a consistent angle of view, suppressing changes that may occur due to shifts in focus position. Breathing metadata can also be used in post-production24. Import user LUT files See how your footage will look in post-processing while you're shooting. The a6700 allows you to import a custom LUT (Look Up Table) that can be applied to the camera's monitor image while recording, providing a preview. Movie making made simple The a6700 is jampacked with features to support movie shooting and production. Its Auto Framing?5 function automatically crops and re-frames the image while using Al to track the subject. Or, for a cinematic touch, the in-camera time-lapse function allows you to create time-lapse videos within the camera itself. Made for your hands With its compact shape, and lightweight 493 gram body, the α6700 offers remarkable portability and maneuverability without compromising image quality. A new grip design provides a solid, even more comfortable hold on the camera, while giving greater control for shooting both stills and movies. High-performance electronic viewfinder A 2.36 million-dot (approx.) XGA OLED electronic viewfinder with approximately 1.07x magnification26 delivers an exceptional view of your world. With twice the brightness of the α6600, and a wider 33-degree viewing angle, it offers clear, easy viewing while shooting. The finder frame rate can be set to 120 fps — twice the normal rate — for a smooth viewfinder image, with minimum display motion blur when tracking and shooting moving subjects. Enhanced shooting flexibility with vari-angle monitor The α6700 features a large 3.0-type 1.03 million-dot (approx.) touch-panel LCD monitor with a 3:2 aspect ratio and side-opening vary-angle flexibility. This allows greater positioning and framing freedom, giving you plenty of creative options for handheld and gimbal-mounted shooting of stills and movies. Intuitive touch control Just touch the screen to activate key functions, such as selecting a focus point or subject to track, or triggering the shutter. Swiping in from the left or right edge of the shooting display reveals touch icons that allow quick changes to the shooting mode and other settings. The function (Fn) menu can also be displayed by a simple swipe-up. During playback, you can easily select and zoom into images through taps and intuitive pinch-out/pinch-in gestures. Improved menu structure Responding to feedback from professional photographers and videographers, the α6700 comes with a new Main Menu structure similar to the latest full-frame α series models. The logical layout provides more efficient access to important shooting parameters, such as frame rate, shutter speed, and more. It can be assigned to a custom key for quick access when needed, and touch operation means that adjusting key settings has never been faster. More than 70 E-mount lenses to choose from Take your pick from a comprehensive range of E-mount lenses from Sony. Our acclaimed line-up includes the full-frame G Master™ series that blends breathtaking resolution with exquisite bokeh, and the G Lens™ series that offers excellent image quality and value. Combined with an APS-C body, Sony's ultra-wide lenses can capture sweeping scenery or large subjects in a single frame, while telephoto lenses, assisted by the 1.5 crop factor of APS-C cameras and teleconverter lenses as needed, make it possible to capture distant subjects with stunning clarity and detail. Accessories expand creative horizons A variety of high-performance compatible microphones can be connected to the the camera’s Multi Interface Shoe for direct, noise-free digital audio transfer to the camera. Or choose from a variety of high-output flash units such as the HVL-F60RM2 that support high-speed continuous shooting, giving you even more ways to capture creative imagery. Easy and stable smartphone connectivity Make the most of the a6700's greatly enhanced connection stability with Sony's free Creators' App27 that enables simple transfers of photos and movies to your smartphone or tablet. Transfers continue in the background even if the smartphone display sleeps or a different app is launched.28 You can also use your smartphone to control the camera remotely. Stream high-quality live content Connected to a personal computer or smartphone 29 via USB, the a6700 can function as a 4K (2160p) webcam with advanced AF that makes online meetings and live streaming events even smoother. Fast Wi-Fi for PC tethering Built-in Wi-Fi (IEEE 802.11a/b/g/n/ac) allows communication on the 2.4 GHz and 5 GHz30 bands for fast and stable data transfer. Creators' Cloud platform Creators' Cloud is a platform that supports creative work from shooting to production by combining advanced Sony camera technology with cloud-based AI. It's also a place for discovery and collaboration with other creators around the world. Explore web, mobile, and PC-based apps providing efficient solutions that integrate cameras with shooting and production apps and services. Accessible technology on α cameras Sony's α cameras are equipped with a number of accessibility features so that as many people as possible can utilize and enjoy our technology. For example, the screen reader function reads text on the menu screens aloud, with volume and reading speed adjustable as needed. Approximate, effective Compared to the BIONZ X image processing engine in the α6600. Sony tests. Expandable to ISO 50 - 102400 for stills. Based on CIPA standard. Pitch/yaw shake only. With FE 50mm F1.2 GM lens mounted. Long-exposure Noise Reduction off. The latest version of Imaging Edge Desktop (Remote/Viewer/Edit) is required to view and edit HEIF images. All specified subjects may not be accurately recognized in all conditions. Subject types other than the type specified may be erroneously recognized in some cases. Sony internal tests [Tracking] in the menu. Based on advanced artificial intelligence, including machine learning. Camera operation depends on focus area settings and touch operation. Accurate focus may not be achieved in some situations. The number of distance measuring points when shooting stills. The number of points used depends on the selected shooting mode. JPEG FINE format, continuous Hi+ mode. Actual number of images may vary according to shooting conditions. Not applicable to the E PZ 16-50mm F3.5-5.6 OSS and E 18-200mm F3.5-6.3 OSS LE lenses or any A-mount lens. Full-time DMF is not available when shooting continuously in AF-C or AF-A mode (not including Lo), or when using the FE 70-200mm F2.8 GM II OSS lens in AF-C mode. A-mount lenses not supported. Only 100 Hz and 120 Hz flicker are detected. Continuous shooting speed may decrease. Phase-detection AF coverage is reduced. Flicker-free shooting is not available during silent shooting, BULB exposure, or movie recording. Recording frame rates are indicated as the closest integer values. The actual corresponding frame rates are as follows: 24p: 23.98 fps, 30p: 29.97 fps, 60p: 59.94 fps, and 120p: 119.88 fps. QFHD (3840 x 2160) with approx. 38 % image crop. Audio recording not available in the S&Q mode. S-Log3 movies. Sony internal tests. When subject recognition is ON during AF shooting. Face, eye, etc. recognition status can be monitored when subject recognition frame display is ON. Accurate focus may not be achieved in some situations. Slight image crop in Active Mode. “Standard” setting recommended for focal lengths of 200 mm or longer. Active Mode is not available when recording at frame rates of 120 (100) fps or higher, including S&Q. Compatible lenses are listed at: https://support.d-imaging.sony.co.jp/support/ilc/breathing/en/ Angle of view and image quality may change slightly when this function is turned ON. Full compensation may not be possible with some lenses. This function is not available when shooting movies at 120p, when using the S&Q mode at 120p, or when shooting stills. Additional focus breathing compensation is available in post-production using the advanced breathing compensation capabilities of the latest Catalyst Browse/Prepare software application, processing metadata provided by the camera. Only available for movies. Framing is cropped from 4K images, resulting in a reduced angle of view. With 50mm lens at infinity, -1m-¹. 35mm camera equivalent: Approx. 0.70x. Download app at Google Play and the App Store. Network services, content, and operating system and software subject to terms and conditions and may be changed, interrupted or discontinued at any time and may require fees, registration and credit card information.Check regional availability of services and applications via the URL https://www.sony.net/cca/ Transfer may be interrupted when a different app is launched on some operating systems. When streaming via USB, maximum image resolution is 3840 x 2160 and maximum frame rate is 30 fps. The OS of the computer or smartphone used must be compatible with UVC/UAC. Use the most up-to-date OS available for your device. A commercially available USB cable and/or terminal adaptor may be used to connect to equipment with a USB Type-C port. When connected via USB 2.0, maximum image resolution is HD (720p) and maximum frame rate is 30p. 5 GHz communication may be restricted in some countries and regions. Not guaranteed to be 100% dust- and moisture-proof. Shooting time will vary according to conditions. Use the [Interval Timer] function to shoots sequences at long intervals (e.g. 10 minutes or more). Maximum exposure interval is 6 seconds when shooting 4K. Maximum exposure interval is 6 seconds when shooting 4K. The Focus Map function cannot be used in the following conditions: When the Focus Magnifier function is in use, when using digital zoom, during USB streaming, when no lens is mounted, when an A-mount lens is mounted, or when a lens that is not compatible with focal plane phase-detection AF is in use. Not including materials used in coatings and adhesives. Not including materials used in coatings and adhesives. Natural non-woven fabric may not be available during some production periods. Features and specifications are subject to change without prior notice. Number of effective pixels varies depending on attached lenses and camera settings. When using accessories that support 4ch output / 24 bits with the Multi Interface Shoe. Anti-flicker Shooting is not available when the [Shutter Type] setting is set to [Electronic Shutter]. With compatible Sony external flash Varies according to shooting conditions or memory card used Supports Micro USB compatible device. (Configuration method/Access method) WPS or manually /infrastructure mode. When connecting to smartphones, the camera can always work as a base without a wireless access point. (Security: WEP/WPA-PSK/WPA2-PSK/WPA3-SAE) Models sold in some countries/regions support IEEE 802.11b/g/n (2.4GHz) wireless LAN only. Sony accessories for the Accessory Shoe can be attached. When [Resolution] is set to [HD(720p)], [MJPEG] is only available. The LCD screen is turned on, shot once every 30 seconds, operate zoom alternately between W and T ends, flash strobe once every two times, turn power off and on once every ten times.   Indication recording time, which is defined by repeating the cycle: Power on, start recording, zoom , stand-by and power off.  

Sony PXW-Z750 4K 2/3-type 3-chip CMOS Shoulder-mount Camcorder

Sony PXW-Z750 (PXW/Z750, PXWZ750, PXW_Z750, pxw-z750) 4K 2/3-type 3-chip CMOS Shoulder-mount Camcorder PXW-Z750 4K 2/3-type 3-chip CMOS Shoulder-mount Camcorder with global shutter, high sensitivity, 4K/HD simultaneous recording, 120p HFR in HD, 12G-SDI and advanced wireless workflow capabilities. New benchmark for 4K, HDR and HD image quality Capture beautiful 4K images with the deep of depth of field made possible by 3-chip 2/3- type CMOS sensor. The Z750 is Sony’s first shoulder-mount camcorder with a global shutter to eliminate flash banding and “jello” effects. It sets a new class-leading standard for 4K, HDR and HD image quality for reality TV, documentary, news and sports production. In fast-moving applications where a second take is impossible, Z750 is the ideal choice. Saving time and money Delivering highest quality 4K with HD era workflows wastes time and money. The Z750’s latest generation XAVC-L422 QFHD 200 codec combined with high-speed SxS Pro media radically reduce real-world turnaround times. Premium 4K becomes deliverable on almost any project using the PXW-Z750. Transformative cloud-based collaboration Z750 is at the vanguard of seamlessly integrating Cloud-based production tools with familiar, easy-to-use interfaces and proven Sony reliability. Build stories fast, with secure, direct access from the studio to camcorders out in the field with XDCAM air. Distribute content for preview and editing with stakeholders across the world using Sony’s Ci Media Cloud. 3-chip 2/3-type CMOS Sensor with Global Shutter The PXW-Z750 incorporates a newly developed 3-chip 2/3” 4K CMOS sensor optical block with a wide colour gamut provides exquisite picture quality with true-to-life colour reproduction, high sensitivity and low noise level for a wide range of shooting scenarios. Versatile B4 lens options The 3-chip 2/3-type size sensor block of the Z750 matches the rugged, dependable B4 lens mount system, allowing you to use a wide variety of commercially-available B4 4K/HD lenses. This flexibility supports a variety of shooting applications while reducing cost by leveraging your existing lens investments. High Dynamic Range and wider, richer colours PXW-Z750 can record HDR using Sony S-Log3 or Hybrid Log Gamma (HLG). The camera’s wide colour gamut supports extended Sony S-Gamut3 and S-Gamut3.Cine colour spaces, as well as the industry standard ITU-R BT.2020 colour space. S-Log3 has a proven track record for premium applications, capturing the maximum dynamic range from the sensors, for the most creative colour grading processes.* Industry standard HLG delivers content quickly without additional colour grading, making it an ideal choice for day-to-day shooting, viewing, editing and broadcasting workflows. Superb slow motion Ideal for sports and nature programmes, the PXW-Z750 can acquire footage in 120fps in Full HD for beautifully smooth, finely-detailed slow-motion playback. Cache recording Never miss a shot with advanced cache recording in 4K and Full HD modes. Pre-record up to 13-15 sec in MPEG HD 422 50 (at 50/59.94fps) – giving you plenty of time to catch the action when it happens. Representative Cache Rec. Time (@50/59.94fps) XAVC QFHD L422 200: 2-4 sec XAVC-I 1920×1080P: 2-4 sec MPEG HD 422 50: 13-15 sec High quality at lower bitrates As well as the established XAVC-I QFHD Class 300 4K and standard MPEG HD422 codecs, the PXW-Z750 also supports the latest generation XAVC-L422 QFHD 200 codec. Compressing 4K Ultra HD images with a LongGOP frame structure, this achieves significant bitrate savings over previous Intra Frame codecs while maintaining superb 4K image quality. Lower data rates increase recording times while reducing storage requirements. Uncompromised picture quality is ensured by 10-bit quantisation and 4:2:2 colour sampling, making the PXW-Z750 ideal for HDR productions. A wide range of 4K codecs provide the flexibility to select the recording format that is best suited for the requirements of the production you are working on. Lightning-fast transfers with latest generation media The PXW-Z750 supports latest-generation SxS Pro X media, enabling very high speed file transfers at up to 10Gbps (1250MB/s)¹ with the SBAC-T40 Thunderbolt™ 3,* SxS card reader/writer. Transfers are approximately three times faster than previous generation media/reader combinations, dramatically accelerating workflows for any application and bringing down production costs. *Based on Sony internal testing. Transfer speeds vary and are dependent on host devices, the OS version or usage conditions. Next generation wireless workflow Built-in wireless connectivity enables advanced workflow production features including live streaming, FTP transfer and even remote control from a smartphone or tablet* via Wi-Fi. Wireless workflow is made even more efficient using XDCAM air, Sony’s professional cloud service including dual-link cellular operation.** * Requires Content Browser Mobile and device running iOS 9.0 (or higher) or Android 4.4 (or higher) ** Requires XDCAM air subscription and CBK-DL1 USB Extension Adaptor Seamless wireless audio integration PXW-Z750 is compatible with Sony’s DWX series of digital wireless microphone systems offering ENG and documentary teams the benefits of an all-digital audio workflow, including robust end-to-end encryption for truly secure operation.* Wireless transmitter parameters can be controlled directly from the PXW-Z750 using the Cross Remote function Transmitter power save mode synchronises with the camera’s on/off control, and is controllable by assignable buttons to save transmitter battery life Audio and video are precisely synchronized, ensuring no delays or lip-sync problems Power save status and receiver RF levels are displayed in the viewfinder *For details, please consult local sales company. Familiar refinement, evolved The Z750 is lighter than the previous generation PDW-700, while also being more ergonomically balanced so it’s considerably less fatiguing for longer shooting days. All the controls and interfaces are a subtle refinement of previous shoulder camcorders, ensuring that shooting with this camcorder is easy and hassle-free. From power-on, it’s a matter of seconds to be shooting highest quality footage while advanced new features are easy to learn and utilise.

Sony PXW-FX9 XDCAM 6K Full-Frame Camera System package h

Comes with 2 Years Sony Prime Support Warranty - Beware of grey imports. Sony PXW-FX9 (PXW_FX9, PXW/FX9, PXW FX9) XDCAM 6K Full-Frame Camera system package h © includes: 1x Sony PXW-FX9 XDCAM 6K Full-Frame Camera System (Body Only) (PXW-FX9) 1x Sony XDCA-FX9 Extension Unit for PXW-FX9 Camera (XDCA-FX9)   *Digibroadcast has put together some bespoke Sony packages for our clients based on our own research and surveys and holds the right to protect all of its content ©  Combined Sony’s technology in Digital cinema camera Venice, FS series and a (Alpha) ILC cameras. Sony’s full-frame 6K sensor camera with Fast Hybrid AF, dual base ISO and cinematic colour science and S-Cinetone. The Sony PXW-FX9 is the long awaited successor to the legendary PXW-FS7 is here and it brings some fantastic upgrades with it. The FX9 has a Full Frame 6K dual native ISO sensor, VENICE colour science, upgraded auto-focus capabilities, built in genlock and timecode and much more.  The FX9 features a full frame 6K 35.7 by 18.8mm back-illuminated Exmor-R CMOS sensor. This sensor is stated to have 15 plus stops of dynamic range and has a resolution of 6008 x 3168.  You will be able to shoot QFHD full frame up to 30fps, 1080p full frame at up to 120 fps and QFHD S35 up to 60fps and 1080p S35 at up to 120fps. The planned firmware updates will bring Full frame DCI 4K up to 60p, Full HD full frame up to 180fps and QFHD in Super 35 mode at up to 120fps while using an external recorder. You can also customise the autofocus, tweaking things like the AF transition between slow, for stuff like promo videos where you want slow smooth focus movements to fast which will be great for sports. You can also change the AF subject shift sensitivity which defines how easily the focus is switched to another subject. This goes from locked if you are wanting to do a walk and talk for example to responsive which you may need to keep better general focus. You can record up to four channels of audio with a range of different input options, The FX9 has an internal scratch mic, two XLR’s, you can use a dual channel receiver with the MI shoe on the handle or you can now use the DWX series of drop in receivers and transmitters with the new XDCA -FX9 back module. The FX9 does not feature SLOG2 only SLOG3 with S-Gamut3 & S-Gamut3. Cine, this is because the SLOG2 gamma curve is designed for 8-bit whereas all of the codecs on this camera are 10-bit. They have also added an S-Cinetone colour profile which is aimed to bring the colour science from the VENICE to the FX9. Realise beautiful 4K imagery with the creative freedom made possible by oversampling a huge high resolution full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh with a truly cinematic look. 15+ stops of dynamic range and Dual Base ISO enable capture of every nuance, from subtle shadow detail to specular highlights and with an immaculate colour palette. Capturing the Impossible Make sure your story’s always clear with enhanced Fast Hybrid AF that tracks your subject with unprecedented speed, smoothness and precision. Its impact is transformative for premium documentary, commercials and event applications. Shoot in Comfort, Expand your Horizons FX9 revolutionises full-frame cinematography with peerless ergonomics and advanced technology for on-the-go shooting. The world’s first full-frame electronic variable ND filter* transforms possibilities for shooting in variable lighting conditions. Built-in Wi-Fi and 12G-SDI support advanced workflows while the optional XDCA-FX9 extension kit further expands the operational possibilities of the PXW-FX9. 6K Full-Frame “Exmor R” Sensor for Stunning Picture Quality The camera’s full-frame 6K sensor provides superb recording in DCI 4K*, Ultra HD and HD resolutions. Powerful image processing with debayering and oversampling ensures image quality beyond the limits of conventional Super 35mm sensors. The back-illuminated CMOS image sensor also uses Sony’s Exmor R technology for improved sensitivity and noise reduction. Compared to a 4K Super 35mm sensor, the FX9’s 6K sensor has over twice the surface area while providing a wider angle of view and shallower depth of field. DCI 4K (4096 x 2160 at 17:9 recording) will be available with future firmware release. Phenomenal 15+ Stops Dynamic Range for Limitless Expression FX9 offers an exceptional 15+ stops of dynamic range – beyond the normal range of human perception – allowing for unprecedented creative freedom in colour grading and post. Camera operators can concentrate on framing the scene they want while relying upon the FX9 to capture every nuance and detail using either 4K 4:2:2 10-bit internal recording or 16-bit RAW external recording.* In grading, colourists can find colour and detail beyond the normal viewing abilities of the camera operator to create a final image that exactly portrays the mood of the scene. RAW recording requires future firmware release and external recorder. Dual Baso ISO for stunning images in any light FX9 features a base sensitivity of ISO 800, providing the optimal dynamic range for typical documentary applications such as shooting outside or in brightly lit interiors. A secondary High Base sensitivity of ISO 4000 excels in low light conditions such as early morning and evening shoots while maintaining superb image quality. ISO 4000 is also ideal whenever you’re using slow lenses. Combining Dual Base ISO with the camera’s electronic variable ND Filter provides superb creative control in almost any shooting environment, with truly next generation responsiveness to changing conditions. ISO 800 and ISO 4000 are used in S-Log3, Cine EI mode. Cinematic Colour Science with S-Cinetone S-Cinetone is the default look of FX9 that’s tuned to meet the requirements of today’s content creators with rich mid-range colours, alluring facial tones and a softer tonal look – developed with the same expertise as Sony’s world-leading VENICE digital cinematography camera. S-Cinetone means that straight out of the camera your content looks fresh and vivid, with subjects that really stand out while retaining plenty of latitude in post production thanks to the high performance full-frame image sensor. The advanced default looks delivers alluring facial tones and a softer tonal look. Selectable Frame Rates in Both Full-Frame & Super 35 Choose your desired frame-rate from 1fps up to 180fps* for impressive quick and slow-motion footage. FX9 creates an immersive image with a wide angle look and shallower depth of field provided by its full-frame sensor in combination with quick and slow-motion. Engage your audience with this new creative look. FX9 also offers a Quality priority setting* that maximises full HD slow motion image quality with advanced oversampling technology. Up to 120fps with Ver1.0. Full-HD 180fps will be supported with future firmware In Full-frame scanning mode: selectable at 1-30fps / In S35 scanning mode: selectable at 1-60fps  Supported in future firmware update Supported in future firmware update. RAW output only Supported in the future firmware update. Scanning area is cropped around 83% of full-frame and 122% larger than S35. (diagonal) Catch the Action with Enhanced Fast Hybrid AF Effortlessly track fast moving subjects with pin-sharp focus, even when using wide lens aperture settings to maintain a shallow depth of field with the camera’s full-frame sensor. Developed by Sony’s α camera engineers, enhanced Fast Hybrid AF combines phase detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. In addition, Face Detection intelligently recognises and locks on to human faces. The dedicated 561-point phase detection AF sensor covers approximately 94% of the whole image area width and 96% of height, allowing consistently accurate, responsive AF tracking, even with fast-moving subjects. Customisable AF Settings FX9’s comprehensive autofocus settings provide the creative flexibility to integrate with any project. Customisable AF settings can be used for a wide range of situations, depending on your requirements.  7-level AF transition speeds from Fast – switching between subjects as quickly as possible – to Slow, where speed is reduced to fit a more measured shooting style, such as a historical TV drama. 5-level AF subject shift sensitivity ranges from Locked-on – ignoring other moving subjects in the frame – to Responsive that switches focus from one subject to another – ideal for snapping between race cars as they speed by. AF Assist You can control MF ring during AF shooting if AF Assist is set to ON. You can adjust the focus manually even in AF shooting, you can manually operate the ring to focus the person behind. One Push AF While you are shooting in MF, pushing One Push AF button enables you to change to the focus mode to AF. Autofocus with all E-Mount Lenses Experience smooth, responsive autofocus with every E-mount lens, including Sony’s new Cinema Lens Series with premium optical performance and operability for demanding cinematography applications. Advanced E-mount lever lock operation allows quick, easy lens exchange in the field, plus added stability and security with large lenses. World’s First Electronic Variable ND Filter for Full-Frame Sensor Realise even greater creative control with Sony’s unique built-in electronic variable neutral density (ND) filter – a world first* for professional full-frame camcorders. Set to Auto, or adjust filter density manually in smooth increments from 1/4 to 1/128 as you shoot, for perfectly exposed images without affecting depth of field as lighting conditions change. Use higher density settings with a slower shutter speed for breath taking artistic effects. The built-in variable ND filter, with no need to prepare multiple ND filters separately can be flexibly and immediately used for every exposure change situation; when you move from inside to outside, and when you shoot under the natural light condition where exposure changes moment by moment. Proven Ergonomics & Accessories Compatibility FX9 chassis is the latest refinement of the revolutionary FS7 design, so you can be sure it will feel great to shoot with from almost any position, while also offering compatibility with a large proportion of the countless FS7 accessories including U-Series batteries, chargers, E-Mount lenses, plus third-party rigs, arms and lens adapters.* The control arm is easily adjusted without tools, so FX9 adapts effortlessly to your physique and preferred shooting style – handheld, at waist level or shoulder mounted. The smart grip features an updated design, more compact than before while still holding all the key shooting controls, allowing you to concentrate on the scene without distractions. FX9 also introduces a micro USB interface for improved responsiveness and support for a wrist strap. 16-bit RAW Capability 16-bit RAW offers a phenomenal increase in post-production creative freedom to fully exploit FX9’s exceptional 15+ stops of dynamic range. FX9 supports export of 16-bit RAW at either 4K or 2K resolution using the optional XDCA-FX9 extension unit with a single BNC cable connection to compatible external RAW recorders.** RAW output will be enabled with a future firmware release. Limited to 10-bit recording during 120fps high frame rate shooting within Super35 image circle Stable, Shake-Free Handheld Footage Advanced image stabilisation information means even handheld footage can be transformed with Sony Catalyst Browse/Catalyst Prepare software* in post-production to look as smooth as if it were shot with a gimbal.Unlike in-camera or lens stabilisation, meta data generated by FX9’s built-in gyro allows you to creatively choose the balance between the level of shake-compensation and the resolution of trimmed 4K imagery. This feature is also compatible with any E-mount lens and allows for far faster processing than conventional NLE stabilisation workflows**. Catalyst Browse/Catalyst Prepare Ver.2019.2 is required. Resolution and angle of view reduced compared to native footage. LCD Approx 1.8x higher resolution than the FS7M, with enhanced LCD with HD resolution has superb accuracy, high contrast and resolution, bringing higher visibility for focusing. Beautifully Matched Shooting Partners Optimised for professional cinematography applications, the light, compact, SELP28135G powered zoom lens is an ideal complement for the full frame imaging possibilities of the FX9. Circular aperture with full-frame image circle format Motorised servo zoom for smooth, precise zoom moves Independent three rings for focus, zoom and iris with smooth, silent drive You have the choice of purchasing the FX9 on its own (PXW-FX9) or with SELP28135G lens (PXW-FX9K). Cinema Lens Series Explore new artistic possibilities and precise creative control with Sony’s Cinema Lens Series. Purpose-built for documentary production and digital cinematography with full-frame cameras such as the FX9 and VENICE. The first lens in the series, the FE C 16-35mm T3.1 G full-frame wide angle zoom, is due in early 2020. Adds Shoulder-Style Operation, Advanced Networking Further extend the capabilities of the FX9 with the optional XDCA-FX9 extension unit that optimises camera weight distribution and ergonomics for comfortable shoulder-style shooting – ideal for ENG (Electronic News Gathering) and documentary applications. The extension unit also adds advanced networking for streaming/file transfers and Genlock/Timecode for multi-camera shoots. 4-Channel Audio Input and Recording  FX9 offers superb audio capabilities with independent control dials for each channel. In applications such as interview, 4-channel audio recording enables simultaneous use of an external microphone for recording ambient sounds, the built-in microphone for voice memos by the operator, and two optional UWP Series wireless microphones for voice of interviewer and interviewee. In addition, using the optional XLR-K3M, XLR-K2M or XLR-K1M XLR adapter – with two extra XLR inputs – allows even more devices to be connected.  

Sony PXW-FX9 XDCAM 6K Full-Frame Camera System package g

Comes with 2 Years Sony Prime Support Warranty - Beware of grey imports. Sony PXW-FX9 (PXW_FX9, PXW/FX9, PXW FX9) XDCAM 6K Full-Frame Camera system package g © includes: 1x Sony PXW-FX9 XDCAM 6K Full-Frame Camera System (Body Only) (PXW-FX9) 1x Sony QDG120F XQD G-Series 120GB 440MB/s Read-400MB/s Write Memory Card  1x Hawk-Woods VLM-FX9 V-Lok Camera mount 2x D-TAP for Sony FX9 1x IDX V-Mount Lithium Ion Battery with 2 x D Tap and USB Output DUO-C150 *Digibroadcast has put together some bespoke Sony packages for our clients based on our own research and surveys and holds the right to protect all of its content ©   Combined Sony’s technology in Digital cinema camera Venice, FS series and a (Alpha) ILC cameras. Sony’s full-frame 6K sensor camera with Fast Hybrid AF, dual base ISO and cinematic colour science and S-Cinetone. The Sony PXW-FX9 is the long awaited successor to the legendary PXW-FS7 is here and it brings some fantastic upgrades with it. The FX9 has a Full Frame 6K dual native ISO sensor, VENICE colour science, upgraded auto-focus capabilities, built in genlock and timecode and much more.  The FX9 features a full frame 6K 35.7 by 18.8mm back-illuminated Exmor-R CMOS sensor. This sensor is stated to have 15 plus stops of dynamic range and has a resolution of 6008 x 3168.  You will be able to shoot QFHD full frame up to 30fps, 1080p full frame at up to 120 fps and QFHD S35 up to 60fps and 1080p S35 at up to 120fps. The planned firmware updates will bring Full frame DCI 4K up to 60p, Full HD full frame up to 180fps and QFHD in Super 35 mode at up to 120fps while using an external recorder. You can also customise the autofocus, tweaking things like the AF transition between slow, for stuff like promo videos where you want slow smooth focus movements to fast which will be great for sports. You can also change the AF subject shift sensitivity which defines how easily the focus is switched to another subject. This goes from locked if you are wanting to do a walk and talk for example to responsive which you may need to keep better general focus. You can record up to four channels of audio with a range of different input options, The FX9 has an internal scratch mic, two XLR’s, you can use a dual channel receiver with the MI shoe on the handle or you can now use the DWX series of drop in receivers and transmitters with the new XDCA -FX9 back module. The FX9 does not feature SLOG2 only SLOG3 with S-Gamut3 & S-Gamut3. Cine, this is because the SLOG2 gamma curve is designed for 8-bit whereas all of the codecs on this camera are 10-bit. They have also added an S-Cinetone colour profile which is aimed to bring the colour science from the VENICE to the FX9. Realise beautiful 4K imagery with the creative freedom made possible by oversampling a huge high resolution full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh with a truly cinematic look. 15+ stops of dynamic range and Dual Base ISO enable capture of every nuance, from subtle shadow detail to specular highlights and with an immaculate colour palette. Capturing the Impossible Make sure your story’s always clear with enhanced Fast Hybrid AF that tracks your subject with unprecedented speed, smoothness and precision. Its impact is transformative for premium documentary, commercials and event applications. Shoot in Comfort, Expand your Horizons FX9 revolutionises full-frame cinematography with peerless ergonomics and advanced technology for on-the-go shooting. The world’s first full-frame electronic variable ND filter* transforms possibilities for shooting in variable lighting conditions. Built-in Wi-Fi and 12G-SDI support advanced workflows while the optional XDCA-FX9 extension kit further expands the operational possibilities of the PXW-FX9. 6K Full-Frame “Exmor R” Sensor for Stunning Picture Quality The camera’s full-frame 6K sensor provides superb recording in DCI 4K*, Ultra HD and HD resolutions. Powerful image processing with debayering and oversampling ensures image quality beyond the limits of conventional Super 35mm sensors. The back-illuminated CMOS image sensor also uses Sony’s Exmor R technology for improved sensitivity and noise reduction. Compared to a 4K Super 35mm sensor, the FX9’s 6K sensor has over twice the surface area while providing a wider angle of view and shallower depth of field. DCI 4K (4096 x 2160 at 17:9 recording) will be available with future firmware release. Phenomenal 15+ Stops Dynamic Range for Limitless Expression FX9 offers an exceptional 15+ stops of dynamic range – beyond the normal range of human perception – allowing for unprecedented creative freedom in colour grading and post. Camera operators can concentrate on framing the scene they want while relying upon the FX9 to capture every nuance and detail using either 4K 4:2:2 10-bit internal recording or 16-bit RAW external recording.* In grading, colourists can find colour and detail beyond the normal viewing abilities of the camera operator to create a final image that exactly portrays the mood of the scene. RAW recording requires future firmware release and external recorder. Dual Baso ISO for stunning images in any light FX9 features a base sensitivity of ISO 800, providing the optimal dynamic range for typical documentary applications such as shooting outside or in brightly lit interiors. A secondary High Base sensitivity of ISO 4000 excels in low light conditions such as early morning and evening shoots while maintaining superb image quality. ISO 4000 is also ideal whenever you’re using slow lenses. Combining Dual Base ISO with the camera’s electronic variable ND Filter provides superb creative control in almost any shooting environment, with truly next generation responsiveness to changing conditions. ISO 800 and ISO 4000 are used in S-Log3, Cine EI mode. Cinematic Colour Science with S-Cinetone S-Cinetone is the default look of FX9 that’s tuned to meet the requirements of today’s content creators with rich mid-range colours, alluring facial tones and a softer tonal look – developed with the same expertise as Sony’s world-leading VENICE digital cinematography camera. S-Cinetone means that straight out of the camera your content looks fresh and vivid, with subjects that really stand out while retaining plenty of latitude in post production thanks to the high performance full-frame image sensor. The advanced default looks delivers alluring facial tones and a softer tonal look. Selectable Frame Rates in Both Full-Frame & Super 35 Choose your desired frame-rate from 1fps up to 180fps* for impressive quick and slow-motion footage. FX9 creates an immersive image with a wide angle look and shallower depth of field provided by its full-frame sensor in combination with quick and slow-motion. Engage your audience with this new creative look. FX9 also offers a Quality priority setting* that maximises full HD slow motion image quality with advanced oversampling technology. Up to 120fps with Ver1.0. Full-HD 180fps will be supported with future firmware In Full-frame scanning mode: selectable at 1-30fps / In S35 scanning mode: selectable at 1-60fps  Supported in future firmware update Supported in future firmware update. RAW output only Supported in the future firmware update. Scanning area is cropped around 83% of full-frame and 122% larger than S35. (diagonal) Catch the Action with Enhanced Fast Hybrid AF Effortlessly track fast moving subjects with pin-sharp focus, even when using wide lens aperture settings to maintain a shallow depth of field with the camera’s full-frame sensor. Developed by Sony’s α camera engineers, enhanced Fast Hybrid AF combines phase detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. In addition, Face Detection intelligently recognises and locks on to human faces. The dedicated 561-point phase detection AF sensor covers approximately 94% of the whole image area width and 96% of height, allowing consistently accurate, responsive AF tracking, even with fast-moving subjects. Customisable AF Settings FX9’s comprehensive autofocus settings provide the creative flexibility to integrate with any project. Customisable AF settings can be used for a wide range of situations, depending on your requirements.  7-level AF transition speeds from Fast – switching between subjects as quickly as possible – to Slow, where speed is reduced to fit a more measured shooting style, such as a historical TV drama. 5-level AF subject shift sensitivity ranges from Locked-on – ignoring other moving subjects in the frame – to Responsive that switches focus from one subject to another – ideal for snapping between race cars as they speed by. AF Assist You can control MF ring during AF shooting if AF Assist is set to ON. You can adjust the focus manually even in AF shooting, you can manually operate the ring to focus the person behind. One Push AF While you are shooting in MF, pushing One Push AF button enables you to change to the focus mode to AF. Autofocus with all E-Mount Lenses Experience smooth, responsive autofocus with every E-mount lens, including Sony’s new Cinema Lens Series with premium optical performance and operability for demanding cinematography applications. Advanced E-mount lever lock operation allows quick, easy lens exchange in the field, plus added stability and security with large lenses. World’s First Electronic Variable ND Filter for Full-Frame Sensor Realise even greater creative control with Sony’s unique built-in electronic variable neutral density (ND) filter – a world first* for professional full-frame camcorders. Set to Auto, or adjust filter density manually in smooth increments from 1/4 to 1/128 as you shoot, for perfectly exposed images without affecting depth of field as lighting conditions change. Use higher density settings with a slower shutter speed for breath taking artistic effects. The built-in variable ND filter, with no need to prepare multiple ND filters separately can be flexibly and immediately used for every exposure change situation; when you move from inside to outside, and when you shoot under the natural light condition where exposure changes moment by moment. Proven Ergonomics & Accessories Compatibility FX9 chassis is the latest refinement of the revolutionary FS7 design, so you can be sure it will feel great to shoot with from almost any position, while also offering compatibility with a large proportion of the countless FS7 accessories including U-Series batteries, chargers, E-Mount lenses, plus third-party rigs, arms and lens adapters.* The control arm is easily adjusted without tools, so FX9 adapts effortlessly to your physique and preferred shooting style – handheld, at waist level or shoulder mounted. The smart grip features an updated design, more compact than before while still holding all the key shooting controls, allowing you to concentrate on the scene without distractions. FX9 also introduces a micro USB interface for improved responsiveness and support for a wrist strap. 16-bit RAW Capability 16-bit RAW offers a phenomenal increase in post-production creative freedom to fully exploit FX9’s exceptional 15+ stops of dynamic range. FX9 supports export of 16-bit RAW at either 4K or 2K resolution using the optional XDCA-FX9 extension unit with a single BNC cable connection to compatible external RAW recorders.** RAW output will be enabled with a future firmware release. Limited to 10-bit recording during 120fps high frame rate shooting within Super35 image circle Stable, Shake-Free Handheld Footage Advanced image stabilisation information means even handheld footage can be transformed with Sony Catalyst Browse/Catalyst Prepare software* in post-production to look as smooth as if it were shot with a gimbal.Unlike in-camera or lens stabilisation, meta data generated by FX9’s built-in gyro allows you to creatively choose the balance between the level of shake-compensation and the resolution of trimmed 4K imagery. This feature is also compatible with any E-mount lens and allows for far faster processing than conventional NLE stabilisation workflows**. Catalyst Browse/Catalyst Prepare Ver.2019.2 is required. Resolution and angle of view reduced compared to native footage. LCD Approx 1.8x higher resolution than the FS7M, with enhanced LCD with HD resolution has superb accuracy, high contrast and resolution, bringing higher visibility for focusing. Beautifully Matched Shooting Partners Optimised for professional cinematography applications, the light, compact, SELP28135G powered zoom lens is an ideal complement for the full frame imaging possibilities of the FX9. Circular aperture with full-frame image circle format Motorised servo zoom for smooth, precise zoom moves Independent three rings for focus, zoom and iris with smooth, silent drive You have the choice of purchasing the FX9 on its own (PXW-FX9) or with SELP28135G lens (PXW-FX9K). Cinema Lens Series Explore new artistic possibilities and precise creative control with Sony’s Cinema Lens Series. Purpose-built for documentary production and digital cinematography with full-frame cameras such as the FX9 and VENICE. The first lens in the series, the FE C 16-35mm T3.1 G full-frame wide angle zoom, is due in early 2020. Adds Shoulder-Style Operation, Advanced Networking Further extend the capabilities of the FX9 with the optional XDCA-FX9 extension unit that optimises camera weight distribution and ergonomics for comfortable shoulder-style shooting – ideal for ENG (Electronic News Gathering) and documentary applications. The extension unit also adds advanced networking for streaming/file transfers and Genlock/Timecode for multi-camera shoots. 4-Channel Audio Input and Recording  FX9 offers superb audio capabilities with independent control dials for each channel. In applications such as interview, 4-channel audio recording enables simultaneous use of an external microphone for recording ambient sounds, the built-in microphone for voice memos by the operator, and two optional UWP Series wireless microphones for voice of interviewer and interviewee. In addition, using the optional XLR-K3M, XLR-K2M or XLR-K1M XLR adapter – with two extra XLR inputs – allows even more devices to be connected.  

Sony PXW-FX9 XDCAM 6K Full-Frame Camera System package f

Comes with 2 Years Sony Prime Support Warranty - Beware of grey imports. Sony PXW-FX9 (PXW_FX9, PXW/FX9, PXW FX9) XDCAM 6K Full-Frame Camera system package f © includes: 1x Sony PXW-FX9 XDCAM 6K Full-Frame Camera System (Body Only) (PXW-FX9) 1x Sony QDG120F XQD G-Series 120GB 440MB/s Read-400MB/s Write Memory Card  1x Core CORE-CXV-FX9 Sony PXW-FX9 V-mount Plate  1x IDX V-Mount Lithium Ion Battery with 2 x D Tap and USB Output (DUO-C150) *Digibroadcast has put together some bespoke Sony packages for our clients based on our own research and surveys and holds the right to protect all of its content ©  Combined Sony’s technology in Digital cinema camera Venice, FS series and a (Alpha) ILC cameras. Sony’s full-frame 6K sensor camera with Fast Hybrid AF, dual base ISO and cinematic colour science and S-Cinetone. The Sony PXW-FX9 is the long awaited successor to the legendary PXW-FS7 is here and it brings some fantastic upgrades with it. The FX9 has a Full Frame 6K dual native ISO sensor, VENICE colour science, upgraded auto-focus capabilities, built in genlock and timecode and much more.  The FX9 features a full frame 6K 35.7 by 18.8mm back-illuminated Exmor-R CMOS sensor. This sensor is stated to have 15 plus stops of dynamic range and has a resolution of 6008 x 3168.  You will be able to shoot QFHD full frame up to 30fps, 1080p full frame at up to 120 fps and QFHD S35 up to 60fps and 1080p S35 at up to 120fps. The planned firmware updates will bring Full frame DCI 4K up to 60p, Full HD full frame up to 180fps and QFHD in Super 35 mode at up to 120fps while using an external recorder. You can also customise the autofocus, tweaking things like the AF transition between slow, for stuff like promo videos where you want slow smooth focus movements to fast which will be great for sports. You can also change the AF subject shift sensitivity which defines how easily the focus is switched to another subject. This goes from locked if you are wanting to do a walk and talk for example to responsive which you may need to keep better general focus. You can record up to four channels of audio with a range of different input options, The FX9 has an internal scratch mic, two XLR’s, you can use a dual channel receiver with the MI shoe on the handle or you can now use the DWX series of drop in receivers and transmitters with the new XDCA -FX9 back module. The FX9 does not feature SLOG2 only SLOG3 with S-Gamut3 & S-Gamut3. Cine, this is because the SLOG2 gamma curve is designed for 8-bit whereas all of the codecs on this camera are 10-bit. They have also added an S-Cinetone colour profile which is aimed to bring the colour science from the VENICE to the FX9. Realise beautiful 4K imagery with the creative freedom made possible by oversampling a huge high resolution full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh with a truly cinematic look. 15+ stops of dynamic range and Dual Base ISO enable capture of every nuance, from subtle shadow detail to specular highlights and with an immaculate colour palette. Capturing the Impossible Make sure your story’s always clear with enhanced Fast Hybrid AF that tracks your subject with unprecedented speed, smoothness and precision. Its impact is transformative for premium documentary, commercials and event applications. Shoot in Comfort, Expand your Horizons FX9 revolutionises full-frame cinematography with peerless ergonomics and advanced technology for on-the-go shooting. The world’s first full-frame electronic variable ND filter* transforms possibilities for shooting in variable lighting conditions. Built-in Wi-Fi and 12G-SDI support advanced workflows while the optional XDCA-FX9 extension kit further expands the operational possibilities of the PXW-FX9. 6K Full-Frame “Exmor R” Sensor for Stunning Picture Quality The camera’s full-frame 6K sensor provides superb recording in DCI 4K*, Ultra HD and HD resolutions. Powerful image processing with debayering and oversampling ensures image quality beyond the limits of conventional Super 35mm sensors. The back-illuminated CMOS image sensor also uses Sony’s Exmor R technology for improved sensitivity and noise reduction. Compared to a 4K Super 35mm sensor, the FX9’s 6K sensor has over twice the surface area while providing a wider angle of view and shallower depth of field. DCI 4K (4096 x 2160 at 17:9 recording) will be available with future firmware release. Phenomenal 15+ Stops Dynamic Range for Limitless Expression FX9 offers an exceptional 15+ stops of dynamic range – beyond the normal range of human perception – allowing for unprecedented creative freedom in colour grading and post. Camera operators can concentrate on framing the scene they want while relying upon the FX9 to capture every nuance and detail using either 4K 4:2:2 10-bit internal recording or 16-bit RAW external recording.* In grading, colourists can find colour and detail beyond the normal viewing abilities of the camera operator to create a final image that exactly portrays the mood of the scene. RAW recording requires future firmware release and external recorder. Dual Baso ISO for stunning images in any light FX9 features a base sensitivity of ISO 800, providing the optimal dynamic range for typical documentary applications such as shooting outside or in brightly lit interiors. A secondary High Base sensitivity of ISO 4000 excels in low light conditions such as early morning and evening shoots while maintaining superb image quality. ISO 4000 is also ideal whenever you’re using slow lenses. Combining Dual Base ISO with the camera’s electronic variable ND Filter provides superb creative control in almost any shooting environment, with truly next generation responsiveness to changing conditions. ISO 800 and ISO 4000 are used in S-Log3, Cine EI mode. Cinematic Colour Science with S-Cinetone S-Cinetone is the default look of FX9 that’s tuned to meet the requirements of today’s content creators with rich mid-range colours, alluring facial tones and a softer tonal look – developed with the same expertise as Sony’s world-leading VENICE digital cinematography camera. S-Cinetone means that straight out of the camera your content looks fresh and vivid, with subjects that really stand out while retaining plenty of latitude in post production thanks to the high performance full-frame image sensor. The advanced default looks delivers alluring facial tones and a softer tonal look. Selectable Frame Rates in Both Full-Frame & Super 35 Choose your desired frame-rate from 1fps up to 180fps* for impressive quick and slow-motion footage. FX9 creates an immersive image with a wide angle look and shallower depth of field provided by its full-frame sensor in combination with quick and slow-motion. Engage your audience with this new creative look. FX9 also offers a Quality priority setting* that maximises full HD slow motion image quality with advanced oversampling technology. Up to 120fps with Ver1.0. Full-HD 180fps will be supported with future firmware In Full-frame scanning mode: selectable at 1-30fps / In S35 scanning mode: selectable at 1-60fps  Supported in future firmware update Supported in future firmware update. RAW output only Supported in the future firmware update. Scanning area is cropped around 83% of full-frame and 122% larger than S35. (diagonal) Catch the Action with Enhanced Fast Hybrid AF Effortlessly track fast moving subjects with pin-sharp focus, even when using wide lens aperture settings to maintain a shallow depth of field with the camera’s full-frame sensor. Developed by Sony’s α camera engineers, enhanced Fast Hybrid AF combines phase detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. In addition, Face Detection intelligently recognises and locks on to human faces. The dedicated 561-point phase detection AF sensor covers approximately 94% of the whole image area width and 96% of height, allowing consistently accurate, responsive AF tracking, even with fast-moving subjects. Customisable AF Settings FX9’s comprehensive autofocus settings provide the creative flexibility to integrate with any project. Customisable AF settings can be used for a wide range of situations, depending on your requirements.  7-level AF transition speeds from Fast – switching between subjects as quickly as possible – to Slow, where speed is reduced to fit a more measured shooting style, such as a historical TV drama. 5-level AF subject shift sensitivity ranges from Locked-on – ignoring other moving subjects in the frame – to Responsive that switches focus from one subject to another – ideal for snapping between race cars as they speed by. AF Assist You can control MF ring during AF shooting if AF Assist is set to ON. You can adjust the focus manually even in AF shooting, you can manually operate the ring to focus the person behind. One Push AF While you are shooting in MF, pushing One Push AF button enables you to change to the focus mode to AF. Autofocus with all E-Mount Lenses Experience smooth, responsive autofocus with every E-mount lens, including Sony’s new Cinema Lens Series with premium optical performance and operability for demanding cinematography applications. Advanced E-mount lever lock operation allows quick, easy lens exchange in the field, plus added stability and security with large lenses. World’s First Electronic Variable ND Filter for Full-Frame Sensor Realise even greater creative control with Sony’s unique built-in electronic variable neutral density (ND) filter – a world first* for professional full-frame camcorders. Set to Auto, or adjust filter density manually in smooth increments from 1/4 to 1/128 as you shoot, for perfectly exposed images without affecting depth of field as lighting conditions change. Use higher density settings with a slower shutter speed for breath taking artistic effects. The built-in variable ND filter, with no need to prepare multiple ND filters separately can be flexibly and immediately used for every exposure change situation; when you move from inside to outside, and when you shoot under the natural light condition where exposure changes moment by moment. Proven Ergonomics & Accessories Compatibility FX9 chassis is the latest refinement of the revolutionary FS7 design, so you can be sure it will feel great to shoot with from almost any position, while also offering compatibility with a large proportion of the countless FS7 accessories including U-Series batteries, chargers, E-Mount lenses, plus third-party rigs, arms and lens adapters.* The control arm is easily adjusted without tools, so FX9 adapts effortlessly to your physique and preferred shooting style – handheld, at waist level or shoulder mounted. The smart grip features an updated design, more compact than before while still holding all the key shooting controls, allowing you to concentrate on the scene without distractions. FX9 also introduces a micro USB interface for improved responsiveness and support for a wrist strap. 16-bit RAW Capability 16-bit RAW offers a phenomenal increase in post-production creative freedom to fully exploit FX9’s exceptional 15+ stops of dynamic range. FX9 supports export of 16-bit RAW at either 4K or 2K resolution using the optional XDCA-FX9 extension unit with a single BNC cable connection to compatible external RAW recorders.** RAW output will be enabled with a future firmware release. Limited to 10-bit recording during 120fps high frame rate shooting within Super35 image circle Stable, Shake-Free Handheld Footage Advanced image stabilisation information means even handheld footage can be transformed with Sony Catalyst Browse/Catalyst Prepare software* in post-production to look as smooth as if it were shot with a gimbal.Unlike in-camera or lens stabilisation, meta data generated by FX9’s built-in gyro allows you to creatively choose the balance between the level of shake-compensation and the resolution of trimmed 4K imagery. This feature is also compatible with any E-mount lens and allows for far faster processing than conventional NLE stabilisation workflows**. Catalyst Browse/Catalyst Prepare Ver.2019.2 is required. Resolution and angle of view reduced compared to native footage. LCD Approx 1.8x higher resolution than the FS7M, with enhanced LCD with HD resolution has superb accuracy, high contrast and resolution, bringing higher visibility for focusing. Beautifully Matched Shooting Partners Optimised for professional cinematography applications, the light, compact, SELP28135G powered zoom lens is an ideal complement for the full frame imaging possibilities of the FX9. Circular aperture with full-frame image circle format Motorised servo zoom for smooth, precise zoom moves Independent three rings for focus, zoom and iris with smooth, silent drive You have the choice of purchasing the FX9 on its own (PXW-FX9) or with SELP28135G lens (PXW-FX9K). Cinema Lens Series Explore new artistic possibilities and precise creative control with Sony’s Cinema Lens Series. Purpose-built for documentary production and digital cinematography with full-frame cameras such as the FX9 and VENICE. The first lens in the series, the FE C 16-35mm T3.1 G full-frame wide angle zoom, is due in early 2020. Adds Shoulder-Style Operation, Advanced Networking Further extend the capabilities of the FX9 with the optional XDCA-FX9 extension unit that optimises camera weight distribution and ergonomics for comfortable shoulder-style shooting – ideal for ENG (Electronic News Gathering) and documentary applications. The extension unit also adds advanced networking for streaming/file transfers and Genlock/Timecode for multi-camera shoots. 4-Channel Audio Input and Recording  FX9 offers superb audio capabilities with independent control dials for each channel. In applications such as interview, 4-channel audio recording enables simultaneous use of an external microphone for recording ambient sounds, the built-in microphone for voice memos by the operator, and two optional UWP Series wireless microphones for voice of interviewer and interviewee. In addition, using the optional XLR-K3M, XLR-K2M or XLR-K1M XLR adapter – with two extra XLR inputs – allows even more devices to be connected.  

Sony PXW-FX9 XDCAM 6K Full-Frame Camera System package e

Comes with 2 Years Sony Prime Support Warranty - Beware of grey imports. Sony PXW-FX9 (PXW_FX9, PXW/FX9, PXW FX9) XDCAM 6K Full-Frame Camera system package e © includes: 1x Sony PXW-FX9 XDCAM 6K Full-Frame Camera System (Body Only) (PXW-FX9) 1x Sony QDG120F XQD G-Series 120GB 440MB/s Read-400MB/s Write Memory Card  1x Core CORE-CXV-FX9 Sony PXW-FX9 V-mount Plate *Digibroadcast has put together some bespoke Sony packages for our clients based on our own research and surveys and holds the right to protect all of its content ©  Combined Sony’s technology in Digital cinema camera Venice, FS series and a (Alpha) ILC cameras. Sony’s full-frame 6K sensor camera with Fast Hybrid AF, dual base ISO and cinematic colour science and S-Cinetone. The Sony PXW-FX9 is the long awaited successor to the legendary PXW-FS7 is here and it brings some fantastic upgrades with it. The FX9 has a Full Frame 6K dual native ISO sensor, VENICE colour science, upgraded auto-focus capabilities, built in genlock and timecode and much more.  The FX9 features a full frame 6K 35.7 by 18.8mm back-illuminated Exmor-R CMOS sensor. This sensor is stated to have 15 plus stops of dynamic range and has a resolution of 6008 x 3168.  You will be able to shoot QFHD full frame up to 30fps, 1080p full frame at up to 120 fps and QFHD S35 up to 60fps and 1080p S35 at up to 120fps. The planned firmware updates will bring Full frame DCI 4K up to 60p, Full HD full frame up to 180fps and QFHD in Super 35 mode at up to 120fps while using an external recorder. You can also customise the autofocus, tweaking things like the AF transition between slow, for stuff like promo videos where you want slow smooth focus movements to fast which will be great for sports. You can also change the AF subject shift sensitivity which defines how easily the focus is switched to another subject. This goes from locked if you are wanting to do a walk and talk for example to responsive which you may need to keep better general focus. You can record up to four channels of audio with a range of different input options, The FX9 has an internal scratch mic, two XLR’s, you can use a dual channel receiver with the MI shoe on the handle or you can now use the DWX series of drop in receivers and transmitters with the new XDCA -FX9 back module. The FX9 does not feature SLOG2 only SLOG3 with S-Gamut3 & S-Gamut3. Cine, this is because the SLOG2 gamma curve is designed for 8-bit whereas all of the codecs on this camera are 10-bit. They have also added an S-Cinetone colour profile which is aimed to bring the colour science from the VENICE to the FX9. Realise beautiful 4K imagery with the creative freedom made possible by oversampling a huge high resolution full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh with a truly cinematic look. 15+ stops of dynamic range and Dual Base ISO enable capture of every nuance, from subtle shadow detail to specular highlights and with an immaculate colour palette. Capturing the Impossible Make sure your story’s always clear with enhanced Fast Hybrid AF that tracks your subject with unprecedented speed, smoothness and precision. Its impact is transformative for premium documentary, commercials and event applications. Shoot in Comfort, Expand your Horizons FX9 revolutionises full-frame cinematography with peerless ergonomics and advanced technology for on-the-go shooting. The world’s first full-frame electronic variable ND filter* transforms possibilities for shooting in variable lighting conditions. Built-in Wi-Fi and 12G-SDI support advanced workflows while the optional XDCA-FX9 extension kit further expands the operational possibilities of the PXW-FX9. 6K Full-Frame “Exmor R” Sensor for Stunning Picture Quality The camera’s full-frame 6K sensor provides superb recording in DCI 4K*, Ultra HD and HD resolutions. Powerful image processing with debayering and oversampling ensures image quality beyond the limits of conventional Super 35mm sensors. The back-illuminated CMOS image sensor also uses Sony’s Exmor R technology for improved sensitivity and noise reduction. Compared to a 4K Super 35mm sensor, the FX9’s 6K sensor has over twice the surface area while providing a wider angle of view and shallower depth of field. DCI 4K (4096 x 2160 at 17:9 recording) will be available with future firmware release. Phenomenal 15+ Stops Dynamic Range for Limitless Expression FX9 offers an exceptional 15+ stops of dynamic range – beyond the normal range of human perception – allowing for unprecedented creative freedom in colour grading and post. Camera operators can concentrate on framing the scene they want while relying upon the FX9 to capture every nuance and detail using either 4K 4:2:2 10-bit internal recording or 16-bit RAW external recording.* In grading, colourists can find colour and detail beyond the normal viewing abilities of the camera operator to create a final image that exactly portrays the mood of the scene. RAW recording requires future firmware release and external recorder. Dual Baso ISO for stunning images in any light FX9 features a base sensitivity of ISO 800, providing the optimal dynamic range for typical documentary applications such as shooting outside or in brightly lit interiors. A secondary High Base sensitivity of ISO 4000 excels in low light conditions such as early morning and evening shoots while maintaining superb image quality. ISO 4000 is also ideal whenever you’re using slow lenses. Combining Dual Base ISO with the camera’s electronic variable ND Filter provides superb creative control in almost any shooting environment, with truly next generation responsiveness to changing conditions. ISO 800 and ISO 4000 are used in S-Log3, Cine EI mode. Cinematic Colour Science with S-Cinetone S-Cinetone is the default look of FX9 that’s tuned to meet the requirements of today’s content creators with rich mid-range colours, alluring facial tones and a softer tonal look – developed with the same expertise as Sony’s world-leading VENICE digital cinematography camera. S-Cinetone means that straight out of the camera your content looks fresh and vivid, with subjects that really stand out while retaining plenty of latitude in post production thanks to the high performance full-frame image sensor. The advanced default looks delivers alluring facial tones and a softer tonal look. Selectable Frame Rates in Both Full-Frame & Super 35 Choose your desired frame-rate from 1fps up to 180fps* for impressive quick and slow-motion footage. FX9 creates an immersive image with a wide angle look and shallower depth of field provided by its full-frame sensor in combination with quick and slow-motion. Engage your audience with this new creative look. FX9 also offers a Quality priority setting* that maximises full HD slow motion image quality with advanced oversampling technology. Up to 120fps with Ver1.0. Full-HD 180fps will be supported with future firmware In Full-frame scanning mode: selectable at 1-30fps / In S35 scanning mode: selectable at 1-60fps  Supported in future firmware update Supported in future firmware update. RAW output only Supported in the future firmware update. Scanning area is cropped around 83% of full-frame and 122% larger than S35. (diagonal) Catch the Action with Enhanced Fast Hybrid AF Effortlessly track fast moving subjects with pin-sharp focus, even when using wide lens aperture settings to maintain a shallow depth of field with the camera’s full-frame sensor. Developed by Sony’s α camera engineers, enhanced Fast Hybrid AF combines phase detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. In addition, Face Detection intelligently recognises and locks on to human faces. The dedicated 561-point phase detection AF sensor covers approximately 94% of the whole image area width and 96% of height, allowing consistently accurate, responsive AF tracking, even with fast-moving subjects. Customisable AF Settings FX9’s comprehensive autofocus settings provide the creative flexibility to integrate with any project. Customisable AF settings can be used for a wide range of situations, depending on your requirements.  7-level AF transition speeds from Fast – switching between subjects as quickly as possible – to Slow, where speed is reduced to fit a more measured shooting style, such as a historical TV drama. 5-level AF subject shift sensitivity ranges from Locked-on – ignoring other moving subjects in the frame – to Responsive that switches focus from one subject to another – ideal for snapping between race cars as they speed by. AF Assist You can control MF ring during AF shooting if AF Assist is set to ON. You can adjust the focus manually even in AF shooting, you can manually operate the ring to focus the person behind. One Push AF While you are shooting in MF, pushing One Push AF button enables you to change to the focus mode to AF. Autofocus with all E-Mount Lenses Experience smooth, responsive autofocus with every E-mount lens, including Sony’s new Cinema Lens Series with premium optical performance and operability for demanding cinematography applications. Advanced E-mount lever lock operation allows quick, easy lens exchange in the field, plus added stability and security with large lenses. World’s First Electronic Variable ND Filter for Full-Frame Sensor Realise even greater creative control with Sony’s unique built-in electronic variable neutral density (ND) filter – a world first* for professional full-frame camcorders. Set to Auto, or adjust filter density manually in smooth increments from 1/4 to 1/128 as you shoot, for perfectly exposed images without affecting depth of field as lighting conditions change. Use higher density settings with a slower shutter speed for breath taking artistic effects. The built-in variable ND filter, with no need to prepare multiple ND filters separately can be flexibly and immediately used for every exposure change situation; when you move from inside to outside, and when you shoot under the natural light condition where exposure changes moment by moment. Proven Ergonomics & Accessories Compatibility FX9 chassis is the latest refinement of the revolutionary FS7 design, so you can be sure it will feel great to shoot with from almost any position, while also offering compatibility with a large proportion of the countless FS7 accessories including U-Series batteries, chargers, E-Mount lenses, plus third-party rigs, arms and lens adapters.* The control arm is easily adjusted without tools, so FX9 adapts effortlessly to your physique and preferred shooting style – handheld, at waist level or shoulder mounted. The smart grip features an updated design, more compact than before while still holding all the key shooting controls, allowing you to concentrate on the scene without distractions. FX9 also introduces a micro USB interface for improved responsiveness and support for a wrist strap. 16-bit RAW Capability 16-bit RAW offers a phenomenal increase in post-production creative freedom to fully exploit FX9’s exceptional 15+ stops of dynamic range. FX9 supports export of 16-bit RAW at either 4K or 2K resolution using the optional XDCA-FX9 extension unit with a single BNC cable connection to compatible external RAW recorders.** RAW output will be enabled with a future firmware release. Limited to 10-bit recording during 120fps high frame rate shooting within Super35 image circle Stable, Shake-Free Handheld Footage Advanced image stabilisation information means even handheld footage can be transformed with Sony Catalyst Browse/Catalyst Prepare software* in post-production to look as smooth as if it were shot with a gimbal.Unlike in-camera or lens stabilisation, meta data generated by FX9’s built-in gyro allows you to creatively choose the balance between the level of shake-compensation and the resolution of trimmed 4K imagery. This feature is also compatible with any E-mount lens and allows for far faster processing than conventional NLE stabilisation workflows**. Catalyst Browse/Catalyst Prepare Ver.2019.2 is required. Resolution and angle of view reduced compared to native footage. LCD Approx 1.8x higher resolution than the FS7M, with enhanced LCD with HD resolution has superb accuracy, high contrast and resolution, bringing higher visibility for focusing. Beautifully Matched Shooting Partners Optimised for professional cinematography applications, the light, compact, SELP28135G powered zoom lens is an ideal complement for the full frame imaging possibilities of the FX9. Circular aperture with full-frame image circle format Motorised servo zoom for smooth, precise zoom moves Independent three rings for focus, zoom and iris with smooth, silent drive You have the choice of purchasing the FX9 on its own (PXW-FX9) or with SELP28135G lens (PXW-FX9K). Cinema Lens Series Explore new artistic possibilities and precise creative control with Sony’s Cinema Lens Series. Purpose-built for documentary production and digital cinematography with full-frame cameras such as the FX9 and VENICE. The first lens in the series, the FE C 16-35mm T3.1 G full-frame wide angle zoom, is due in early 2020. Adds Shoulder-Style Operation, Advanced Networking Further extend the capabilities of the FX9 with the optional XDCA-FX9 extension unit that optimises camera weight distribution and ergonomics for comfortable shoulder-style shooting – ideal for ENG (Electronic News Gathering) and documentary applications. The extension unit also adds advanced networking for streaming/file transfers and Genlock/Timecode for multi-camera shoots. 4-Channel Audio Input and Recording  FX9 offers superb audio capabilities with independent control dials for each channel. In applications such as interview, 4-channel audio recording enables simultaneous use of an external microphone for recording ambient sounds, the built-in microphone for voice memos by the operator, and two optional UWP Series wireless microphones for voice of interviewer and interviewee. In addition, using the optional XLR-K3M, XLR-K2M or XLR-K1M XLR adapter – with two extra XLR inputs – allows even more devices to be connected.  

Sony PXW-FX9 6k Full-Frame XDCAM 6K System with 28-135mm lens

Sony PXW-FX9VK (PXW_FX9, PXW/FX9, PXW FX9, FX9K, FX9VK) Full-Frame XDCAM 6K System with 28-135mm lens Full-frame creativity Realise beautiful 4K imagery with the creative freedom made possible by oversampling a huge high resolution full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh with a truly cinematic look. 15+ stops of dynamic range and Dual Base ISO enable capture of every nuance, from subtle shadow detail to specular highlights and with an immaculate colour palette.   Capturing the impossible Make sure your story’s always clear with enhanced Fast Hybrid AF that tracks your subject with unprecedented speed, smoothness and precision. Its impact is transformative for premium documentary, commercials and event applications.   Shoot in comfort, expand your horizons FX9 revolutionises full-frame cinematography with peerless ergonomics and advanced technology for on-the-go shooting. The world’s first full-frame electronic variable ND filter* transforms possibilities for shooting in variable lighting conditions. Built-in Wi-Fi and 12G-SDI support advanced workflows while the optional XDCA-FX9 extension unit further expands the operational possibilities of the PXW-FX9.   6K Full-Frame “Exmor R” sensor for stunning picture quality The camera’s full-frame 6K sensor provides superb recording in DCI 4K*, Ultra HD and HD resolutions. Powerful image processing with debayering and oversampling ensures image quality beyond the limits of conventional Super 35mm sensors. The back-illuminated CMOS image sensor also uses Sony’s Exmor R technology for improved sensitivity and noise reduction. Compared to a 4K Super 35mm sensor, the FX9’s 6K sensor has over twice the surface area while providing a wider angle of view and shallower depth of field.   Phenomenal 15+ stops dynamic range for limitless expression FX9 offers an exceptional 15+ stops of dynamic range – beyond the normal range of human perception – allowing for unprecedented creative freedom in colour grading and post. Camera operators can concentrate on framing the scene they want while relying upon the FX9 to capture every nuance and detail using either 4K 4:2:2 10-bit internal recording or 16-bit RAW external recording.* In grading, colourists can find colour and detail beyond the normal viewing abilities of the camera operator to create a final image that exactly portrays the mood of the scene.   Dual Base ISO for stunning images in any light FX9 features a base sensitivity of ISO 800, providing the optimal dynamic range for typical documentary applications such as shooting outside or in brightly lit interiors. A secondary High Base sensitivity of ISO 4000 excels in low light conditions such as early morning and evening shoots while maintaining superb image quality. ISO 4000 is also ideal whenever you’re using slow lenses. Combining Dual Base ISO with the camera’s electronic variable ND Filter provides superb creative control in almost any shooting environment, with truly next generation responsiveness to changing conditions.   Cinematic colour science with S-Cinetone™ S-Cinetone is the default look of FX9 that’s tuned to meet the requirements of today’s content creators with rich mid-range colours, alluring facial tones and a softer tonal look – developed with the same expertise as Sony’s world-leading VENICE digital cinematography camera. S-Cinetone means that straight out of the camera your content looks fresh and vivid, with subjects that really stand out while retaining plenty of latitude in post production thanks to the high performance full-frame image sensor.   Selectable frame rates in both full-frame & Super 35  Choose your desired frame-rate from 1fps up to 180fps* for impressive quick and slow motion footage. FX9 creates an immersive image with a wide-angle look and shallower depth of field provided by its full-frame sensor in combination with quick and slow motion. Engage your audience with this new creative look. FX9 also offers a Quality priority setting** that maximizes full HD image quality using full-frame 6K scan mode or Super 35 4K scan mode with advanced oversampling technology.   Super 35 2K imager scan mode prioritizes frame rates, so image quality may be reduced depending on the shooting environment. In this instance, below settings are recommended.   Cine EI mode: Set EI gain lower and exposure level higher instead. Custom mode: Choose the gamma category setting of Original (S-Cinetone) or STD (STD1 to 6). · *Up to 120fps with Ver1.0. Full-HD 180fps will be supported with future firmware   · **In full-frame scanning mode: selectable at 1–30fps/in super 35 scanning mode: selectable at 1–60fps. Quality priority setting is recommended if desired framerate is available.   Catch the action with enhanced Fast Hybrid AF Effortlessly track fast moving subjects with pin-sharp focus, even when using wide lens aperture settings to maintain a shallow depth of field with the camera’s full-frame sensor. Developed by Sony’s α camera engineers, enhanced Fast Hybrid AF combines phase detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. In addition, Face Detection intelligently recognises and locks on to human faces.   The dedicated 561-point phase detection AF sensor covers approximately 94% of the whole image area width and 96% of height, allowing consistently accurate, responsive AF tracking, even with fast-moving subjects.   Customisable AF settings FX9’s comprehensive autofocus settings provide the creative flexibility to integrate with any project.   7-level AF transition speeds from Fast – switching between subjects as quickly as possible – to Slow, where speed is reduced to fit a more measured shooting style, such as a historical TV drama.   5-level AF subject shift sensitivity ranges from Locked-on – ignoring other moving subjects in the frame – to Responsive that switches focus from one subject to another – ideal for snapping between race cars as they speed by.   Autofocus with all E-mount lenses Experience smooth, responsive autofocus with every E-mount lens, including Sony’s new Cinema Lens Series with premium optical performance and operability for demanding cinematography applications. Advanced E-mount lever lock operation allows quick, easy lens exchange in the field, plus added stability and security with large lenses.   World’s first electronic variable ND filter for full-frame sensor* Realise even greater creative control with Sony’s unique built-in electronic variable neutral density (ND) filter – a world first* for professional full-frame camcorders. Set to Auto, or adjust filter density manually in smooth increments from 1/4 to 1/128 as you shoot, for perfectly exposed images without affecting depth of field as lighting conditions change. Use higher density settings with a slower shutter speed for breathtaking artistic effects.   Proven ergonomics & accessory compatibility FX9 chassis is the latest refinement of the revolutionary FS7 design, so you can be sure it will feel great to shoot with from almost any position, while also offering compatibility with a large proportion of the countless FS7 accessories including U-series batteries, chargers, E-mount lenses, plus arms and lens adapters.*   The control arm is easily adjusted without tools, so FX9 adapts effortlessly to your physique and preferred shooting style – handheld, at waist level or shoulder mounted.   The smart grip features an updated design, more compact than before while still holding all the key shooting controls, allowing you to concentrate on the scene without distractions. FX9 also introduces a micro USB interface for improved responsiveness and support for a wrist strap.   * BP-U30 and XDCA-FS7 are not compatible with the FX9.   6-bit RAW capability* 16-bit RAW offers a phenomenal increase in post-production creative freedom to fully exploit FX9’s exceptional 15+ stops of dynamic range. FX9 supports export of 16-bit RAW at either 4K or 2K resolution using the optional XDCA-FX9 extension unit with a single BNC cable connection to compatible external RAW recorders.**   Stable, shake-free handheld footage Advanced image stabilisation information means even handheld footage can be transformed with Sony Catalyst Browse/Catalyst Prepare software* in post-production to look as smooth as if it were shot with a gimbal.Unlike in-camera or lens stabilisation, meta data generated by FX9’s built-in gyro allows you to creatively choose the balance between the level of shake-compensation and the resolution of trimmed 4K imagery. This feature is also compatible with any E-mount lens and allows for far faster processing than conventional NLE stabilisation workflows**.   Beautifully matched shooting partners Optimised for professional cinematography applications, the light, compact, SELP28135G  powered zoom lens is an ideal complement for the full frame imaging possibilities of the FX9.   Circular aperture with full-frame image circle format Motorised servo zoom for smooth, precise zoom moves Independent three rings for focus, zoom and iris with smooth, silent drive You have the choice of purchasing the FX9 on its own (PXW-FX9) or with SELP28135G lens (PXW-FX9K).   Cinema Lens Series Explore new artistic possibilities and precise creative control with Sony’s Cinema Lens Series. Purpose-built for documentary production and digital cinematography with full-frame cameras such as the FX9 and VENICE.   Adds shoulder-style operation, advanced networking Further extend the capabilities of the FX9 with the optional XDCA-FX9 extension unit that optimises camera weight distribution and ergonomics for comfortable shoulder-style shooting – ideal for ENG (Electronic News Gathering) and documentary applications. The extension unit also adds advanced networking for streaming/file transfers and Timecode for multi-camera shoots.   4-channel audio input and recording FX9 offers superb audio capabilities with independent control dials for each channel. In applications such as interview, 4-channel audio recording enables simultaneous use of an external microphone for recording ambient sounds, the built-in microphone for voice memos by the operator, and two optional UWP Series wireless microphones for voice of interviewer and interviewee. In addition, using the optional XLR-K3M, XLR-K2M or XLR-K1M XLR adapter – with two extra XLR inputs – allows even more devices to be connected.   Multi-Interface (MI) Shoe Sony’s flexible Multi-Interface (MI) Shoe provides power, signal connections and coordinated on/off switching with compatible Sony accessories. For example, you can connect and control Sony UWP-D wireless microphone systems (optional).   Networked for high mobility The FX9 features internal 5GHz* and 2.4GHz Wi-Fi capability as standard. Just switch on and log onto your preferred network to enable a host of advanced wireless production features:   Content Browser Mobile™** allows the PXW-FX9 to be controlled remotely from a smartphone or tablet computer via a Wi-Fi connection. Adjust the exposure level, zoom, Record/Stop and more via your mobile device – it’s ideal for single operator shoots. One-touch authentication is also possible with smartphones offering NFC connectivity. FTP Transfer allows content files to be sent over the internet for remote storage on an FTP server even while shooting. In case of signal interruption, the system will automatically resume as soon as connection restored. Trimming allows you to set start and end points in a clip, eliminating time-wasting transfers of unneeded content. XDCAM air can upload proxy footage to the cloud from multiple camera operators in the field, so editing can start immediately. Uploaded content can be accessed securely from any location. News teams can even start logging clips while shooting is still going on, saving even more valuable time when a story’s breaking.   Wired LAN port with optional XDCA-FX9 allows connection of the FX9 to the Internet with a standard Ethernet cable, allowing files to be streamed or transferred by FTP. Dual Link Cellular is enabled with optional XDCA-FX9 and uses two cellular networks in combination to provide an even more reliable network connection. FX9 is compatible with standard USB cellular dongles from most networks. (Please check for most appropriate service provider for your region. Standard network fees will apply.) High quality Sony QoS Streaming to Network RX station (optional) and XDCAM air by Sony allows images to be streamed live for viewing at a remote location   PrimeSupport for PXW-FX9 Get 1 year of service coverage for free, in addition to the 2 years already included in your camera, by registering to PrimeSupport Pro Enhanced Cover with PrimeSupport Elite for PXW-FX9

Sony F5 Full HD 4K Camera + Wide Lens Kit

Sony PMW-F5/WIDELENS (PMW/F5/WIDELENS, PMW-F5-WIDELENS, PMW/F5_WIDELENS) F5 Full HD 4K Camera + Wide Lens Kit Sony 4K sensor for gorgeous, super-sampled HD and 2K. The PMW-F5 CineAlta allows you to shoot spectacular images with its 8.9 megapixels (effective) Sony 4K image sensor. Superior, super-sampled pictures with higher contrast, rich colour reproduction and greater clarity. Robust built-in recording modes, all with vibrant 4:2:2 colour. Irresistible options include the amazing precision of 16-bit linear RAW 2K/4K recording and high speed shooting at up to 120 fps without cropping. Multiple recording formats Includes 16-bit RAW 2K/4K on AXSM media and HD/2K on SxS memory, MPEG-2 HD422, MPEG4 SStP*, XAVC 2K*/HD and 16-bit RAW 2K/4K**. Simultaneous recording on internal high-speed SxS PRO+ memory cards and RAW 2K/4K recording on sleek AXSM™ memory cards using the optional bolt-on AXS-R5 recorder, designed specifically to attach seamlessly to the F55 and F5 cameras. There is also high speed shooting up to120 fps XAVC 2K/HD* internally and 120 fps RAW 2K onto the AXS-R5. Lightweight modular design to maximise versatility in 2D and 3D. The F5 is exceptionally small, light and modular, letting you build up the right configuration for each job – or each shot. As well as the choice of formats and internal and external recording options, you can attached a variety of viewfinders, including the revolutionary optional DVF-EL100 OLED viewfinder, PL-mount, FZ-mount and still lenses, including second-generation Sony PL-mount lenses, and extra long-life Olivine – Lithium Iron Phosphate – batteries. The chassis is only slightly wider than a typical PL-mount prime lens, perfect for 3D rigs. An optional shoulder rig provides for hand-held and shoulder-mounted shooting. This camcorder includes a wide-angle zoom 1.5-times 11-16mm T3.0 lens aimed at high-end cinema, drama, documentary and commercials productions. The SCL-P11X15 has been specifically designed to fit to the PMW-F3K via the camcorder’s supplied PL Mount Adapter, which also means the lens is compatible with any other PL Mount camcorder from Sony and also camcorders from many other manufacturers. PrimeSupport This product comes with PrimeSupport – fast, hassle-free repairs and a helpline offering expert technical advice. Which gives you the peace of mind that Sony is looking after your equipment, and your business.  

Sony HDC-P43 4K/HD POV Camera

Sony HDC-P43 (HDC/P43, HDC_P43, HDC P43) 4K/HD POV Camera The HDC-P43 is a lightweight Point of View (POV) style camera integrates seamlessly with existing HD infrastructure, lenses and accessories, while giving you the option to create the finest 4K and super slow motion productions. Perfect as part of a multi-camera shoot or used as a standalone device, the HDC-P43 can be mounted on a crane or operated as a fixed camera position.} As part of Sony’s flexible, no-compromise 4K/HD live system, the HDC-P43 helps you generate maximum returns on today’s production budgets. Seamless integration with existing workflows The HDC-P43 is the companion model to the HDC-4300 system camera, with the same advanced three 2/3-inch 4K imaging device and B4-mount lens mount. Operation is reassuringly familiar to operators and cameramen, so you’re up and running faster without expensive re-training. The HDC-P43 is also fully compatible with the wide range of existing products currently being used with the HDC 4300, this includes BPU-4500/BPU-4000 Baseband Processor Units, the HDCU-4300/HDCU-2000/HDCU-2500 full rack and half rack Camera Control Units, and the RCP series Remote Control Panels. Choose the level of operation you need The HDC-P43 works with the BPU-4000/4500 baseband processor units or the HDCU-4300 camera control unit via direct connection by single mode fibre cable, allowing you to activate 4K, HFR and HD Cut Out with the same optional software keys as the HDC-4300. These let you add amazing 4K x2 [*1] and HD 8x super slow motion and 4K image capture to standard HD outputs as and when you want them. All the flexibility and control you demand are right there in a single high-performance platform. Note *1: 4K x2 is available only with BPU-4000/BPU-4500. Amazing coour and imagery with next-generation innovation The HDC-P43’s advanced optical system supports the next-generation ITU-R BT.2020 colour gamut, enabling much wider and more precise colour reproduction in live broadcasts. You’ll see the difference with vibrant, true-to-life images that make viewers feel as if they’re actually there. Moreover, thanks to S-Log3 process, the High Dynamic Range operation is available for 4K and HD simultaneous live operation. Direct installation of B4-mount lenses Thanks to the 2/3-inch camera mount, the HDC-P43 works directly with B4 lenses. The B4-mount supports both HD and 4K lenses, allowing you to use B4-mount high power large lenses to capture sports scenes with a deep depth of field. Superb 4K capabilities with wide dynamic range and wide colour space With optional software key SZC-4001, the HDC-P43 has the function of capturing 4K images exactly like the HDC-4300. The HDC-P43 is equipped with the same three 2/3-inch 4K imagers and ultra-precision alignment technology used to mount the chips to an advanced prism. This optical system supports the wide colour gamut of ITU-R BT.2020*, enabling more precise colour reproduction in live broadcasts. * ITU-R BT.2020 is the specification of video format defined by ITU-R. High-frame-rate capture for 4K 2x and HD 8x super slow motion The HDC-P43’s real 4K imagers capture at four times the resolution of HD. In HD shooting, this can be used to achieve extreme high-speed image capture at a maximum of 479.52/400 fps with the optional software upgrade*. The frame rates of 59.94/50, 119.88/100 and 179.82/150 fps are available as standard. In 4K shooting, a maximum of 119.88/100 fps can be achieved. The real-time full digital process is applied to each frame even at high-frame rates in the BPU-4000/4500, producing the same quality in the images as one at the normal speed. Captured images can be recorded to the PWS-4400 or the PWS-4500 4K/HD multi-port AV storage unit for super slow motion replay**. * With optional software, SZC-4002 for BPU4000/4500. ** Some third party manufacturer servers may also be used. HD cut out function for clear images Sony’s innovative software technology enables a full HD image to be cut out from a 4K picture in real-time. Two modes are available: you can select either Zoom & Perspective mode or Simple HD mode. Keeping the camera in a fixed position, any portion of the captured image can be cropped to provide a close-up HD image to viewers as if the camera had been panned. In Zoom & Perspective mode, one portion can be cut out while performing perspective transformation, according to the lens focal length. In Simple HD mode, two portions can be cut out at the same time. With optional software, SZC-2001 for BPU-4000/4500. Smooth and easy migration from HD to 4K* The HDC-P43 is designed to fit into the growing Sony 4K live production environment alongside the HDC-4300 live camera configurations. With an optional software upgrade, the HDC-P43 enables 4K capture for multiple 4K and HD outputs, working directly with the BPU-4000/4500 baseband processor units and the HDCU-4300 camera control unit. With optional software, SZC-4001. Seamless integration into Sony HD workflows The HDC-P43 is part of Sony’s acclaimed and widely adopted HDC Series family of live production solutions and benefits from direct compatibility with the companion HDC-4300 system camera and its wide range of accessories, including viewfinders, large lens adaptors, remote control panels and camera control units. The camera is also designed to work with third-party control systems. Compact and lightweight with low power consumption The HDC-P43 is compact and lightweight, making it ideal for mounting in many applications, such as on a crane, or operated as a fixed camera position. With low power consumption* and a large fan motor, the camera benefits from lower noise levels. * The HDC-P43 is powered by local power supply only. Two remote control optical filters   The HDC-P43 has the same two optical filters as the HDC-4300 – Neutral Density (ND) and Colour Correction (CC) – to provide more flexibility under changing lighting conditions. Both filters are servo driven and are easily controlled remotely via camera command through the BPU-4000/4500 or HDCU-4300.

Sony HDC-P1/A//U Full HD Compact System Camera with HD-SDI Output

Sony HDC-P1/A//U (HDC/P1/A//U, HDC P1/A//U, HDC_P1/A//U) Full HD Compact System Camera with HD-SDI Output Uncompromising, Full-HD performance from compact camera. There is an increasing demand for small "Box" type or "Point-Of -View" cameras with the flexibility to shoot from almost anywhere while still delivering highest quality full-HD pictures for use standalone or in seamless integration with content from full-size cameras. The HDC-P1 delivers unprecedented picture quality thanks to its full use of the technologies from Sony's flagship HDC Series studio cameras. Three 2/3"-inch type Power HAD FX CCDs offer a sensitivity of F11 at 1080/50i or F10 at 1080/59.94i. A wide range of formats are supported, including 720/50P, 59.94P, and 1080 50/59.94P, 23.98PsF, 24PsF, 25PsF, and 29.97PsF capabilities available via optional software upgrades. It is also the first camera of its class to feature dual ND/CC filters, both of which are servo controlled, and its ultra-narrow, 86mm body makes it ideal for applications such as 3D. Other applications include a range of unmanned and point-of-view HD applications, such as stadiums, conference rooms and schools. It can also be used as a "companion" camera in automated broadcast studios. Compromise-free HD Picture Quality - Despite its diminutive dimensions, the HDC-P1 delivers outstanding quality, full-HD images. Three 2/3-inch type full HD "Power HAD FX" CCDs offer a sensitivity of F11 at 1080 50i and a high signal-to-noise ratio of -58 dB. Shoot Anywhere - Compact and lightweight, the HDC-P1 is ideal for capturing HD-quality images in locations and from angles where bulky production HD cameras cannot be installed. Weighing only 1.7 kg (3 lb 12 oz) enables easy installation in space-constrained and awkward areas such as on a crane head or helicopter. The supplied tally unit can be easily detached from the camera body, minimizing the camera size to be fitted in, for example, a pan/tilt head or an underwater housing. Easily integrated with your existing systems - The HDC-P1 camera is fully compatible with Sony's current master set-up units (MSU) and remote control panels (RCP). This flexibility makes it easy to integrate with everything from extensive multi-camera systems or simple point-to-point systems.

Sony HDC-4300//U 4K/HD System Camera (Body Only)

Sony HDC-4300//U (HDC/4300//U, HDC_4300//U, HDC 4300//U) 4K/HD System Camera (Body Only) Flexible, no-compromise production in 4K and HD The HDC-4300 puts you in total control of your content. For the first time, one camera platform is all you need to handle 4K, HD and super slow motion – helping you generate maximum returns on today’s production budgets. Delivering uncompromised image quality, the HDC-4300 integrates seamlessly with HD infrastructures and accessories as well as the world’s most advanced 4K live production workflows. Optional software upgrades let you add amazing HD 8x super slow motion and 4K image capture to standard HD outputs. All the flexibility and control you demand are right there in a single high-performance platform. Seamless integration with existing workflows The HDC-4300 joins Sony’s widely acclaimed HDC Series family of live production solutions. Operation is reassuringly familiar to operators and cameramen, so you’re up and running faster without expensive re-training. The HDC-4300 is fully compatible with a wide range of existing products and workflows, including viewfinders, large lens adaptors and camera control units. There’s no need for investment in additional accessories, keeping costs and inventory down. Amazing colour and imagery with next-generation innovation Featured in the HDC-4300, cutting-edge Sony technological innovation and unparalleled hands-on live production experience are crystallised in the design of the world’s first three 2/3-inch 4K imaging device. This advanced optical system supports the next-generation ITU-R BT.2020 colour gamut, enabling more precise colour reproduction in live broadcasts. You’ll see the difference with vibrant, true-to-life images that make viewers feel as if they’re actually there.  

Sony HDC-2570F Multi-format HD Camera - Digital Triax version of HDC-2400DF//U-Fisher connector

Sony HDC-2570F (HDC_2570F, HDC/2570F, HDC 2570F) (HDC_2400DF//U, HDC/2400DF//U) Multi-format HD Camera - Digital Triax version of HDC-2400DF//U-Fisher connector  The HDC-2570 incorporates Sony’s most advanced technologies for studio cameras. Three 2/3-inch CCD and Digital Signal Processing (DSP) with 16 bit A/D converter provides amazing picture quality with very few noise and high dynamic range. The HDC-2570 is a full feature part of the HDC-2500 Series and as such has compatibility with all the accessory items, such as viewfinders, large lens adaptors and remote control units.

Sony PXW-X320 HD Shoulder Mount XDCAM Camcorder with a Three 1/2-inch type Exmor CMOS Sensor and 16x Zoom HD Lens

Sony PXW-X320//U (PX-WX-320//U , PXWX320//U, PXW/X320//U, pxw-x320//u) HD Shoulder Mount XDCAM Camcorder with a Three 1/2-inch type Exmor CMOS Sensor and 16x Zoom HD Lens The PXW-X320 is a high-performance SxS memory camcorder which inherits field-proven operability from the reputable PMW-320. The PXW-X320 has become a part of the XDCAM HD422 family, comes equipped with cutting-edge imaging technology – three 1/2-inch-type Full-HD Exmor CMOS sensors with an extremely high S/N ratio – with Flash Band Reducer feature to provide outstanding picture quality.  The PXW-X320 supports XAVC offering high quality content creation in the HD domain. In addition to XAVC, MPEG HD422, MPEG HD, MPEG IMX, and DVCAM are supported. Two HD/SD-SDI, HDMI, i.LINK™, and composite outputs provide a wide range of AV and IT interfaces. The PXW-X320 also supports wireless operation using an optional adapter, the CBK-WA101. This enables easy and quick clip data transmission to broadcast stations, saving the time and transportation cost of shot clip delivery.  With various functions inherited from Sony’s world-acclaimed XDCAM camcorders and yet highly cost effective with lens included, the PXW-X320 is an ideal choice for many different camera professionals, from those engaged in news gathering, when speed is the key concern, to those who produce TV programs and documentaries, when quality is crucial. High picture quality recording on SxS memory cards Offer high resolution, high sensitivity (F11 at 59.94 Hz / F12 at 50 Hz), low noise (60 dB), and a wide dynamic range. Selectable format and bit rates Includes Full HD (1920 x 1080) 59.94i/50i/29.97p/25p/23.98p and HD (1280 x 720) 59.94p/50p, as well as XAVC Intra at 100 Mbps, XAVC Long at up to 50 Mbps, MPEG HD422 at 50 Mbps, MPEG HD at up to 35 Mbps, MPEG IMX at 50 Mbps and DVCAM at 25 Mbps. Variety of interfaces Interfaces include 2 x SD / HD-SDI, HDMI, USB and i.Link. Wireless adaptor increases operational flexibility Supports wireless operation using an optional wireless adapter, the CBK-WA101, for live streaming via an IP network. 1/2-inch 16x HD zoom lens  Supplied with a 16x high definition auto-focus optical zoom lens.

Sony PXW-Z450 4K 2/3-type CMOS sensor advanced shoulder Camcorder

Sony PXW-Z450 (PXWZ450, PXW/Z450, PX-WZ-450, PXW Z450) 4K 2/3-type CMOS sensor advanced shoulder Camcorder The PXW-Z450 4K UHD Shoulder Camcorder from Sony features a single Exmor R CMOS sensor with 3840 x 2160 resolution. The PXW-Z450 camcorder supports the Sony XAVC codec up to 4K UHD, 1080/59.94p and 50p recording, in addition to MPEG and DVCAM formats. In combination with the optional PWS-100RX1 Network RX Station, this camcorder enables simple yet high-quality wireless ENG workflow, providing QoS (Quality of Service)-based live streaming that will save considerable time. The PXW-Z450 Camcorder provides a variety of AV and IT interfaces including four 3G-SDI outputs, as well as RJ-45, and USB 3.0 connection ports. Its built-in wireless function and an HD/SD-SDI input that supports a pool-feed function make it even more convenient for use. This powerful, user-oriented XDCAM Series camcorder meets a broad variety of ENG and studio applications. Image Sensor The camcorder features a single 4K UHD (3840 x 2160) EXMOR R CMOS sensor. The R designation indicates it is a backlit sensor, which means that the circuitry that normally is in the front of the sensor and can limit the light reaching the sensor's photosites, has been moved to the back of the sensor. this has the effect of increasing the sensor's low light performance. Multiple Format Recording The PXW-Z450 Camcorder offers a wide array of recording formats for a variety of applications including ENG, EFP, and studio use. Developed on MPEG-4 AVC/H.264 compression, the XAVC codec provides support for the 4K UHD and Full HD format of XAVC long 4:2:2 1080/59.94p and 50p formats. The camcorder also supports SD video in a variety of resolutions using DVCAM compression. Built-in Wireless Module and ONLINE Button To support effective wireless news production workflows, the PXW-Z450 Camcorder incorporates a built-in wireless capability. It also provides an 'ONLINE' button, located on the inside panel, which lets you instantly switch on functions like Network Client Mode, Auto Proxy Upload, and Live Streaming. Embedded RJ-45 Connector This Ethernet connector provides robust and fast connection to the network and can be utilized for file transfer, live streaming, and camera control from a web browser NFC (Near Field Communication) for Easy Wireless LAN Connection An NFC function supports easy connection for launching the CBM (Content Browser Mobile) application on a smartphone or tablet. This means you can skip cumbersome setup procedures. Optimized Weight Balance Building upon its years of camera design, Sony has shifted the camcorder's center of gravity towards the back of the body to optimize the camcorder's weight balance. Low Power Consumption This camcorder achieves power consumption as low as 24W in normal recording mode. This enables continuous recording operation for approximately 160 minutes with Sony's BP-FLX75 (sold separately) standard-type battery. Supports Full HD OLED Viewfinder Equipped with two types of connectors for a viewfinder interface, the PXW-Z450 Camcorder supports a variety of Sony's viewfinders, including the Full HD OLED HDVF-EL30 and HDVF-EL20, as well as the QHD LCD CBK-VF02. The HDVF-EL30 has a 960 x 540 resolution sub-LCD panel. ONLINE Button for Easy Network Connection The PXW-Z450 Camcorder is equipped with a dedicated ONLINE button. This delivers simple one-touch operation of ON/OFF switching for three network connection functions. Content Browser Mobile (CBM) CBM application software controls the camcorder remotely and is available on both Android and iOS. Network Client Mode You can connect Sony's PWS-100RX1 Network RX Station (sold separately) to send proxy clips or live streaming with Sony's QoS technology. The PXW-Z450 Camcorder can also be controlled remotely by the RX station. Auto Upload (Proxy) Clip files recorded on the camcorder can be transmitted via a network automatically when the recording is finished. XAVC 4:2:0 Long GOP clips are supported. Live Streaming This camcorder can transfer MPEG2-TS (UDP/RTP) to a third-party decoder Three-color LED Indicator The ONLINE button indicates the status (Disabled, Ready, Enabled) in three ways (off, orange, blue). Sony's QoS Technology Sony's unique QoS (Quality of Service) technology minimizes risk of image quality degradation, image freeze, or audio disruption, and helps maintain video and audio integrity during communications. The PWS-100RX1 Network RX Station comes with Sony-original algorithms that automatically adjust bandwidths and buffer sizes to match the characteristics of wireless communications. Sony Advanced Streaming with QoS The Sony QoS Technology improves the clarity that's possible on a single 3G/4G/LTE cellular channel or your own wireless LAN network, or limited communication band of Ethernet. You get better pictures, even given the limitations of real-world networks. The endpoint of Sony's QoS streaming is the versatile PWS-100RX1 Receiver Station. 1 Conventional MPEG2-TS Streaming For maximum flexibility, Sony's XDCAM wireless solutions also support conventional MPEG-TS streaming, so that you can stream to a wide range of receivers, including compatible third-party receivers and decoders. Sony wireless solutions will stream over a wireless LAN network, or over a 3G/4G/LTE cellular network with the appropriate carrier dongle and service. You can also enjoy wired streaming over Ethernet, using the embedded RJ-45 connector, via a router/hub. Flexible file transfer During field shooting news or other time-sensitive content, you can transfer files wirelessly. So, there's no need to wait for the delivery of physical media. The receiving server gets a bit-for-bit clone of the original camera file, with all the original audio, video, and metadata. Simultaneous Recording on Two SxS Cards The PXW-Z450 Camcorder offers a simultaneous recording capability for peace-of-mind productions. Simultaneous recording is available on both SxS card slots as a backup measure. This is within the same codec and with the same operating point in the recording formats such as XAVC-Intra, XAVC-Long, MPEG HD422, or MPEG HD (420). You can also achieve simultaneous recording with a proxy file in all combinations with the above formats recording the proxy to an SD card. GPS Functionality On activation, the built-in GPS receiver module records GPS data in an MXF file and a proxy file, and automatically imposes it on the live streaming signal. It is also useful for tracking shooting locations in post-production and when station-based staffs need to map a crew's location with the PWS-100RX1 Receiver for streaming. Flexible Camera System Operation The CA-FB70 Optical Fiber Camera Adapter or the CA-TX70 Digital Triax Camera Adapter (both sold separately) can be attached to the PXW-Z450 Camcorder for live camera operation. The CA-FB70 Adapter enables the camcorder to transmit signals via an optical fiber cable up to 820' between the CA-FB70 and HXCU-FB70 Optical Fiber Camera Control Unit (CCU) with power and signal transmission. The CA-TX70 Adapter transmits signals via triax cable up to 1968' between the CATX70 and HXCU-TX70 Digital Triax Camera Control Unit. RGB Color LCD Display The PXW-Z450 Camcorder is equipped with an RGB color LCD display on the inside panel. In addition to thumbnail and menu displays, you can see and monitor video reproduction in QHD (960 x 540 pixels) resolution. Other Features Newly developed ALAC (Automatic Lens Aberration Compensation) feature decreases specific patterns of chromatic aberration caused by the lens. The camcorder supports user gamma and Focus Assist function for easier focusing on the viewfinder and provides a graphic bar indicator, while the viewfinder can indicate Waveform, Vector Scope, or Histogram. The Digital Extender function enables images to be digitally expanded two to four times in size without any loss of F-drop image sensitivity.

Sony PDW-850 XDCAM HD422 Ultimate Professional Disc Camcorder

Sony PDW-850 (PDW850, PDW/850, PD-W8-50, pwd-850) XDCAM HD422 Ultimate Professional Disc Camcorder Successor to both the PDW-700 and PDW-F800, the PDW-850 combines the best of both these models into one model featuring lighter mass and lower power consumption. The latest triple PowerHAD FX CCD sensors have been included and the camera will record in both HD and SD formats including  MPEG HD 422 50 Mbps onto ready-to-archive and robust Professional Disc media. Sensitivity is high at F12 at 50i and there is an excellent signal-to-noise ratio of 62dB. The PDW-850 features a high quality colour QHD 960 x 540 LCD side monitor, while also providing an HDVF interface to allow the latest optional colour and monochrome viewfinders to be attached. The ergonomically well balanced camcorder now fully supports the CBK-WA100 wireless adapter, enabling proxy recording and proxy/high resolution content transfer via Wi-Fi/3G/4G/LTE, as well as Planning Metadata management (with a future upgrade). Ethernet, USB interfaces and GPS are included. The camcorder weighs only 4.2 kg (body only), lighter than the PDW-700, and has lower power consumption compared to its predecessors. The PDW-850 can also be configured in a live production system by docking the CA-FB70 fibre adapter or CA-TX70 digital triax adapter CA-TX70 to the standard 50-pin interface. Superb Image Quality The CCDs offer the world’s top-end picture quality, with high sensitivity (F12 at 50i), wider dynamic range and the elimination of motion artefacts. On top of this, the PDW-850 offers an excellent signal-to-noise ratio of 62dB. It records the most popular broadcast MXF formats: MPEG HD 422 50 Mbps, MPEG HD 420 35 Mbps and 25 Mbps, MPEG IMX 50 Mbps and DVCAM. Lighter and more Ergonomic Weighs only 4.2 kg (body only) and offers lower power consumption than predecessor models PDW-680, PDW-700 and PDW-F800 of only 37W in normal operating conditions. Full Live Production Integration in HSC/HDC Camera Environment Full integration with Camera Control Units (CCUs) via the CA-FB70 optical fibre adapter and CA-TX70 digital triax adapter The PDW-850 shares the same CCD and Digital Signal Processing as the HSC and HDC system cameras, allowing you to perfectly match the picture output. Ideal for Field Acquisition Features CBK-WA100 wireless adapter support with USB connector and GPS included for synchronised proxy recording, low latency tablet/smartphone monitoring and proxy/high resolution content transfer over Wi-Fi/3G/4G/LTE, and better planning metadata management. High Quality LCD Side Monitor and Optional HDVF Viewfinder Interface Large, easy-to-focus, high quality colour Quarter Full HD 960 x 540 LCD monitor, plus an HDVF interface to allow the latest optional colour and monochrome eyepiece or studio viewfinders to be attached.