Sony 4K Handheld Camcorder

Sony 4K Handheld Camcorder(ZV-1FBDI) Specifically designed for vloggers and online content creators, the Sony ZV-1F Vlogging Camera is a pocket-sized camera with a large 1" sensor and a 20mm equivalent wide-angle lens. The camera lets you take a group selfie with a wide view of the background scenery and get everything in the frame, even at arm's length.The lens captures a wider field of view than the human eye, allowing you to take images with stunning depth and perspective both indoors and outdoors. external. Small and lightweight, the camera is designed to be carried around so you can capture everyday life with ease and capture content on the go. Equipped with a 3.0" touchscreen0" detachable microphone and a 3-capsule directional microphone perfect for front-facing recording, the ZV-1F will also appeal to those who appreciate the camera's unique Product Showcase setting, background blur function, real-time Eye AF (autofocus ), Face Priority AE (automatic exposure), as well as a new touchscreen interface, which makes it easier to use. Fast, intelligent autofocus Offering 425 contrast-detection AF points to cover a large area of the captured image, the ZV-1F offers high-precision focusing to ensure your footage remains razor-sharp. Easy Bokeh at the Touch of a Button With a simple push of the bokeh switch, the ZV-1F lets you achieve beautiful blurry backgrounds like a pro. Beautiful skin tones for everyone. Look your best every time you shoot. Without any special settings, the camera captures skin tones accurately, ensuring a healthy and natural look. There is also a Soft Skin Effect mode to adjust the smoothness of the skin. Still footage while walking Showing your viewers the world around you creates engaging content, but shaky footage can be distracting. The ZV-1F lets you capture video clearly even while walking. Image stabilization in active mode helps minimize image blur from handheld shooting for steadier shots. Slow & Speed Capture poignant moments in slow motion or ramp up the energy for dramatic scenes without any editing. With the ZV-1F, you can easily adjust the speed of your footage by simply pressing the Slow and Quick buttons. Easy smartphone connectivity Transfer all recorded images and videos to your smartphone via Wi-Fi via the Imaging Edge Mobile Plus app. The app also turns your phone into a remote control for remote shooting. Simple streaming   Turn the ZV-1F into a high-quality webcam by simply connecting a compatible device via USB. The 1" image sensor and Creative Look mode ensure vibrant images, while the 3-capsule directional microphone delivers excellent audio.

Sony ZV-E1 FF Mirrorless Vlog Camera - Full-frame 35mm sensor (Black)

Sony ZV-E1 FF Mirrorless Vlog Camera - Full-frame 35mm sensor (Black)(ZV-E1) Introducing the Sony ZV-E1, with a unique set of features designed for cinematic content creation and demanding video shooters looking for the best shooting experience. This is a compact camera that includes a large and high performance full-frame sensor capable of 4K 60p recording, a unique AI-based Autofocus with multiple object recognition, and professional audio quality. It also packs Sony's own set of vlogging features, such as Product showcase or the direct to streaming camera solution in 4K, aimed at making content creation easier. For the first time, record your adventures with a cinematic look thanks to a unique Cinematic Vlog settings and professional picture profile S-CINETONE. Keep your shots extremely stable with the new frame stabiliser and in-body stabilisation. Get the ultimate content creation experience with the Sony ZV-E1 and shoot your content like a pro. Professional Grade Full-Frame Quality Shoot cinematic content with the professional sized full-frame 4K 60p image quality for unlimited creative expression, even in the dimmest light situations. Made easy for video content creation, benefit from the cinematic look of S-CINETONE and Cinematic Vlog profiles. The Sony ZV-E1 is also capable of cinematic 4K 120p slow-motion inherited from professional cameras via a free firmware update. Equipped with a dedicated AI chip, this vlogging camera is capable of advanced Autofocus features detecting human eyes, pets, and a variety of objects, so your footage is always in focus. Additionally, it includes new features such as auto-framing and framing stabilisation to keep your subject stable and centred in the frame. The ZV-E1 includes features designed for content creation such as a Bokeh switch that blurs the background and a Product showcase mode for reviewers who want to ensure objects are in focus when shown to the camera. Paired with a swivel, fully touch capable screen and a tally lamp, it has never been easier to vlog and focus on your content. The features on this 4K camera pack a punch for serious filmmaking. Sony's latest Focus breathing compensation feature eliminates any breathing when focusing at different distances (only compatible with Sony lenses), you can import your own LUT to get a full preview of the end result, and more. Pair your Sony vlogging camera seamlessly with your smartphone using the latest app and transfer high quality clips straight to your phone. Additionally, this camera is streaming ready at up to 4K 30p or Full HD 60p without the need for a capture card or extra software. As part of Sony's extensive system, enjoy different angles of view with 60+ full-frame lenses available and capture sound like never before with the series of ECM digital microphones.

Sony Alpha A6700 Aps-c Camera With 16-50mm Lens

Sony Alpha A6700 Aps-c Camera With 16-50mm Lens(ILCE-6700L) Next Generation Creativity on the Go The α6700 combines the latest AI technology with Sony's outstanding α-series image quality in a compact APS-C camera body. Offering enhanced subject recognition, the latest technology for capturing stills and movies, and E-mount lens compatibility, the lightweight α6700 is designed for creative adventures, anytime, anywhere. APS-C Format Exmor R Back-Illuminated CMOS Sensor The advanced Exmor R CMOS image sensor with 26.01 effective megapixels is packed with Sony's image sensor technologies. It offers extraordinary sensitivity, resolution and dynamic range, thanks to its back-illuminated format, gapless on-chip lenses, and AR coating (anti-reflection seal glass) BIONZ XR™ processing power for exceptional image quality With up to eight times2 more processing power than previous versions, the latest BIONZ XR image processing engine delivers natural gradations and realistic colors with low noise for stills and movies. Wide dynamic range for diverse shooting scenarios The α6700's standard sensitivity ranges from a low ISO 100 to ISO 320003, and offers a wide dynamic range so that natural gradations can be captured in high-contrast scenes without blown highlights or blocked shadows. Consistently accurate exposure and color The α6700 offers impressive exposure control. It's equipped with a new AE algorithm, initially developed for full-frame models, which enables it to accurately detect the skin area of faces and adjust exposure accordingly when shooting stills and movies. It can also maintain realistic colors under a wide range of light sources, from sunlight through to theater and stadium lighting, and produce more natural skin tones, sky and foliage colors. Choose your Creative Look The Creative Look setting offers greater creative flexibility with added simplicity. It provides 10 presets that can be used just as they are or customized via 8 adjustable parameters to suit the subject or scene, whether you’re shooting stills, movies or live-streaming. You can easily set the mood ahead of shooting so your images are ready to share immediately. 5-axis optical image stabilization Shoot hand-held or in low-light with confidence — the 5-axis in-body optical image stabilization system is supported by precision gyro sensors to deliver up to 5-steps4 of shake compensation. It detects and compensates for various types of camera shake, including angular (pitch/yaw) shake that is more apparent at longer focal lengths, or when shooting with slower shutter speeds. Precise compensation at the single-pixel level Through enhanced design and control of key parameters, the α6700 provides precise detection and control right down to the single-pixel level, taking full advantage of the sensor's 26.0 megapixel1 resolution to produce images that capture all the finer details. Selectable RAW file types and quality In addition to compressed RAW capture, the α6700 supports lossless compressed RAW capture that provides efficient compression, allowing a greater number of high-quality images to be shot in continuous bursts. A new Light image quality selection that generates less data is provided for JPEG and HEIF images. HEIF: High compression with excellent image quality For the first time in an APS-C camera, the α6700 includes the HEIF (High Efficiency Image File) format with smooth 10-bit gradations for more realistic reproduction of skies and portrait skin tones. The HEIF format also uses advanced compression technology to maintain image quality while significantly reducing file size and saving storage space. Innovative AI processing The α6700 is equipped with an innovative AI processing unit that greatly enhances its performance, including more accurate recognition for a wider range of subjects. Human pose estimation The α6700 uses subject form data to recognize movement, achieving greatly improved human eye recognition. It also employs learned human forms and postures to precisely recognize body and head positions, making it possible to lock onto and track a subject facing away from the camera, or with their face partly obscured by a helmet or sunglasses. Wider subject recognition In addition to humans and animals, the α6700 now recognizes birds, insects, cars, trains and airplanes7, providing even greater flexibility and reliability when shooting both stills and movies. Heads and bodies are recognized in addition to eyes (Real-time Eye AF) for the Human and Animal settings, and now for the Bird setting too, with animal recognition performance more than 40%8 higher compared to the α6600. Smarter Real-time Tracking9 The upgraded and more reliable AI-based Real-time Tracking makes shooting in a wider range of situations simpler, leaving you free to concentrate on framing and composition. The α6700 can even track people wearing helmets or animals facing away from the camera.10 Shooting responsibly when using face registration The face registration feature involves the use of biometric data. You are responsible for your collection and use of such data, and compliance with applicable local law. For more details, please visit the website below. Faster, more precise wide-area AF The immense processing power and updated algorithms of the new BIONZ XR engine achieve notably improved AF performance, with up to 759 phase detection points, 11 covering approximately 93% of the image area when shooting stills. Accurate AF in low EV -3.0 light The latest AF algorithms achieve high AF precision at light levels as low as EV -3.0 in AF-S mode (ISO 100 equivalent, F2.0 lens). The Focus Priority mode also provides more reliable AF in low light or when using smaller apertures. Shoot more than 1000 images at 11fps The a6700's powerful BIONZ XR processing engine combines with a large buffer memory to boost write speeds to memory cards, so that the camera can shoot more than 1000 JPEG images, up to 59 compressed RAW images, or up to 23 lossless compressed RAW images in continuous high-speed bursts. Full-time DMF When shooting stills with AF-C or AF-S autofocus, the lens's focus ring can be rotated to instantly switch to manual focus mode at any time. This makes it easy to switch focus to a different subject on the fly. Focus bracketing to capture the best shot The a6700 can automatically shoot up to 299 images with sequentially shifted focus points according to intervals and a sequence specified by you. Pick the perfect shot, or post-process multiple shots to achieve creative composites with incredible depth of focus. Flicker suppression Suppress flicker from artificial lighting whether you're shooting stills or movies. Simply select "Anti-flicker Shoot", or use "Var. Shutter" to fine-tune shutter speeds to match flicker rates when filming. 4K movie recording for stunning quality The α6700 captures 4K (QFHD: 3840 x 2160) at up to 60p (50p) using Sony's proprietary 6K oversampling technology. By compressing this expanded detail into the output, it achieves 4K video quality with outstanding definition, even at higher frame rates. The camera also supports high-quality XAVC S-I (All-Intra) and XAVC HS formats with 10-bit 4:2:2 color sampling.16 High frame rate 4K 120p (100p) recording17 High frame rate recording at up to 120p for 4K QFHD (3840 x 2160) output makes it possible to capture high-resolution movies in-camera. This expands creative possibilities in post-production by allowing subject motion to be emphasized or transformed into smooth slow motion. S&Q mode18 also enables recording of slow or quick motion sequences in camera from the outset. Expressive S-Cinetone™ Incorporating the same color science as the highly regarded CineAlta and Cinema Line, the α6700 includes Sony's S-Cinetone picture profile as a preset, delivering images with more faithful color reproduction and natural skin tones. S-Log3 gamma curve with 14+ stops19 of latitude The S-Log3 gamma curve emphasizes gradation characteristics from shadows to mid-grey (18% grey), achieving up to 14+ stops19 of latitude for flexible and creative color editing. Real-time Tracking for movies AI-based Real-time Tracking provides a dramatic improvement in Real-time Tracking performance, automatically recognizing, tracking, and focusing on the eyes of a specified subject.20 In addition to using the Touch Tracking function to initiate tracking, a custom button can be used to temporarily track a selected subject regardless of the subject's position in the frame and the focus area setting. Active Mode for enhanced movie image stabilization21 Active Mode21 provides powerful image stabilization for handheld movie shooting. The α6700 can accurately measure camera shake which is then precisely compensated for optically, providing highly effective stabilization without sacrificing mobility, even when shooting 4K22. Breathing compensation for consistent angle of view23 When shooting movies with compatible lenses, automatic breathing compensation uses Clear Image Zoom technology to maintain a consistent angle of view, suppressing changes that may occur due to shifts in focus position. Breathing metadata can also be used in post-production24. Import user LUT files See how your footage will look in post-processing while you're shooting. The a6700 allows you to import a custom LUT (Look Up Table) that can be applied to the camera's monitor image while recording, providing a preview. Movie making made simple The a6700 is jampacked with features to support movie shooting and production. Its Auto Framing?5 function automatically crops and re-frames the image while using Al to track the subject. Or, for a cinematic touch, the in-camera time-lapse function allows you to create time-lapse videos within the camera itself. Made for your hands With its compact shape, and lightweight 493 gram body, the α6700 offers remarkable portability and maneuverability without compromising image quality. A new grip design provides a solid, even more comfortable hold on the camera, while giving greater control for shooting both stills and movies. High-performance electronic viewfinder A 2.36 million-dot (approx.) XGA OLED electronic viewfinder with approximately 1.07x magnification26 delivers an exceptional view of your world. With twice the brightness of the α6600, and a wider 33-degree viewing angle, it offers clear, easy viewing while shooting. The finder frame rate can be set to 120 fps — twice the normal rate — for a smooth viewfinder image, with minimum display motion blur when tracking and shooting moving subjects. Enhanced shooting flexibility with vari-angle monitor The α6700 features a large 3.0-type 1.03 million-dot (approx.) touch-panel LCD monitor with a 3:2 aspect ratio and side-opening vary-angle flexibility. This allows greater positioning and framing freedom, giving you plenty of creative options for handheld and gimbal-mounted shooting of stills and movies. Intuitive touch control Just touch the screen to activate key functions, such as selecting a focus point or subject to track, or triggering the shutter. Swiping in from the left or right edge of the shooting display reveals touch icons that allow quick changes to the shooting mode and other settings. The function (Fn) menu can also be displayed by a simple swipe-up. During playback, you can easily select and zoom into images through taps and intuitive pinch-out/pinch-in gestures. Improved menu structure Responding to feedback from professional photographers and videographers, the α6700 comes with a new Main Menu structure similar to the latest full-frame α series models. The logical layout provides more efficient access to important shooting parameters, such as frame rate, shutter speed, and more. It can be assigned to a custom key for quick access when needed, and touch operation means that adjusting key settings has never been faster. More than 70 E-mount lenses to choose from Take your pick from a comprehensive range of E-mount lenses from Sony. Our acclaimed line-up includes the full-frame G Master™ series that blends breathtaking resolution with exquisite bokeh, and the G Lens™ series that offers excellent image quality and value. Combined with an APS-C body, Sony's ultra-wide lenses can capture sweeping scenery or large subjects in a single frame, while telephoto lenses, assisted by the 1.5 crop factor of APS-C cameras and teleconverter lenses as needed, make it possible to capture distant subjects with stunning clarity and detail. Accessories expand creative horizons A variety of high-performance compatible microphones can be connected to the the camera’s Multi Interface Shoe for direct, noise-free digital audio transfer to the camera. Or choose from a variety of high-output flash units such as the HVL-F60RM2 that support high-speed continuous shooting, giving you even more ways to capture creative imagery. Easy and stable smartphone connectivity Make the most of the a6700's greatly enhanced connection stability with Sony's free Creators' App27 that enables simple transfers of photos and movies to your smartphone or tablet. Transfers continue in the background even if the smartphone display sleeps or a different app is launched.28 You can also use your smartphone to control the camera remotely. Stream high-quality live content Connected to a personal computer or smartphone 29 via USB, the a6700 can function as a 4K (2160p) webcam with advanced AF that makes online meetings and live streaming events even smoother. Fast Wi-Fi for PC tethering Built-in Wi-Fi (IEEE 802.11a/b/g/n/ac) allows communication on the 2.4 GHz and 5 GHz30 bands for fast and stable data transfer. Creators' Cloud platform Creators' Cloud is a platform that supports creative work from shooting to production by combining advanced Sony camera technology with cloud-based AI. It's also a place for discovery and collaboration with other creators around the world. Explore web, mobile, and PC-based apps providing efficient solutions that integrate cameras with shooting and production apps and services. Accessible technology on α cameras Sony's α cameras are equipped with a number of accessibility features so that as many people as possible can utilize and enjoy our technology. For example, the screen reader function reads text on the menu screens aloud, with volume and reading speed adjustable as needed. Approximate, effective Compared to the BIONZ X image processing engine in the α6600. Sony tests. Expandable to ISO 50 - 102400 for stills. Based on CIPA standard. Pitch/yaw shake only. With FE 50mm F1.2 GM lens mounted. Long-exposure Noise Reduction off. The latest version of Imaging Edge Desktop (Remote/Viewer/Edit) is required to view and edit HEIF images. All specified subjects may not be accurately recognized in all conditions. Subject types other than the type specified may be erroneously recognized in some cases. Sony internal tests [Tracking] in the menu. Based on advanced artificial intelligence, including machine learning. Camera operation depends on focus area settings and touch operation. Accurate focus may not be achieved in some situations. The number of distance measuring points when shooting stills. The number of points used depends on the selected shooting mode. JPEG FINE format, continuous Hi+ mode. Actual number of images may vary according to shooting conditions. Not applicable to the E PZ 16-50mm F3.5-5.6 OSS and E 18-200mm F3.5-6.3 OSS LE lenses or any A-mount lens. Full-time DMF is not available when shooting continuously in AF-C or AF-A mode (not including Lo), or when using the FE 70-200mm F2.8 GM II OSS lens in AF-C mode. A-mount lenses not supported. Only 100 Hz and 120 Hz flicker are detected. Continuous shooting speed may decrease. Phase-detection AF coverage is reduced. Flicker-free shooting is not available during silent shooting, BULB exposure, or movie recording. Recording frame rates are indicated as the closest integer values. The actual corresponding frame rates are as follows: 24p: 23.98 fps, 30p: 29.97 fps, 60p: 59.94 fps, and 120p: 119.88 fps. QFHD (3840 x 2160) with approx. 38 % image crop. Audio recording not available in the S&Q mode. S-Log3 movies. Sony internal tests. When subject recognition is ON during AF shooting. Face, eye, etc. recognition status can be monitored when subject recognition frame display is ON. Accurate focus may not be achieved in some situations. Slight image crop in Active Mode. “Standard” setting recommended for focal lengths of 200 mm or longer. Active Mode is not available when recording at frame rates of 120 (100) fps or higher, including S&Q. Compatible lenses are listed at: https://support.d-imaging.sony.co.jp/support/ilc/breathing/en/ Angle of view and image quality may change slightly when this function is turned ON. Full compensation may not be possible with some lenses. This function is not available when shooting movies at 120p, when using the S&Q mode at 120p, or when shooting stills. Additional focus breathing compensation is available in post-production using the advanced breathing compensation capabilities of the latest Catalyst Browse/Prepare software application, processing metadata provided by the camera. Only available for movies. Framing is cropped from 4K images, resulting in a reduced angle of view. With 50mm lens at infinity, -1m-¹. 35mm camera equivalent: Approx. 0.70x. Download app at Google Play and the App Store. Network services, content, and operating system and software subject to terms and conditions and may be changed, interrupted or discontinued at any time and may require fees, registration and credit card information.Check regional availability of services and applications via the URL https://www.sony.net/cca/ Transfer may be interrupted when a different app is launched on some operating systems. When streaming via USB, maximum image resolution is 3840 x 2160 and maximum frame rate is 30 fps. The OS of the computer or smartphone used must be compatible with UVC/UAC. Use the most up-to-date OS available for your device. A commercially available USB cable and/or terminal adaptor may be used to connect to equipment with a USB Type-C port. When connected via USB 2.0, maximum image resolution is HD (720p) and maximum frame rate is 30p. 5 GHz communication may be restricted in some countries and regions. Not guaranteed to be 100% dust- and moisture-proof. Shooting time will vary according to conditions. Use the [Interval Timer] function to shoots sequences at long intervals (e.g. 10 minutes or more). Maximum exposure interval is 6 seconds when shooting 4K. Maximum exposure interval is 6 seconds when shooting 4K. The Focus Map function cannot be used in the following conditions: When the Focus Magnifier function is in use, when using digital zoom, during USB streaming, when no lens is mounted, when an A-mount lens is mounted, or when a lens that is not compatible with focal plane phase-detection AF is in use. Not including materials used in coatings and adhesives. Not including materials used in coatings and adhesives. Natural non-woven fabric may not be available during some production periods. Features and specifications are subject to change without prior notice. Number of effective pixels varies depending on attached lenses and camera settings. When using accessories that support 4ch output / 24 bits with the Multi Interface Shoe. Anti-flicker Shooting is not available when the [Shutter Type] setting is set to [Electronic Shutter]. With compatible Sony external flash Varies according to shooting conditions or memory card used Supports Micro USB compatible device. (Configuration method/Access method) WPS or manually /infrastructure mode. When connecting to smartphones, the camera can always work as a base without a wireless access point. (Security: WEP/WPA-PSK/WPA2-PSK/WPA3-SAE) Models sold in some countries/regions support IEEE 802.11b/g/n (2.4GHz) wireless LAN only. Sony accessories for the Accessory Shoe can be attached. When [Resolution] is set to [HD(720p)], [MJPEG] is only available. The LCD screen is turned on, shot once every 30 seconds, operate zoom alternately between W and T ends, flash strobe once every two times, turn power off and on once every ten times.   Indication recording time, which is defined by repeating the cycle: Power on, start recording, zoom , stand-by and power off.  

Sony Alpha A6700 Aps-c Camera With 18-135mm Lens

Sony Alpha A6700 Aps-c Camera With 18-135mm Lens(ILCE-6700M) Next Generation Creativity on the Go The α6700 combines the latest AI technology with Sony's outstanding α-series image quality in a compact APS-C camera body. Offering enhanced subject recognition, the latest technology for capturing stills and movies, and E-mount lens compatibility, the lightweight α6700 is designed for creative adventures, anytime, anywhere. APS-C Format Exmor R Back-Illuminated CMOS Sensor The advanced Exmor R CMOS image sensor with 26.01 effective megapixels is packed with Sony's image sensor technologies. It offers extraordinary sensitivity, resolution and dynamic range, thanks to its back-illuminated format, gapless on-chip lenses, and AR coating (anti-reflection seal glass) BIONZ XR™ processing power for exceptional image quality With up to eight times2 more processing power than previous versions, the latest BIONZ XR image processing engine delivers natural gradations and realistic colors with low noise for stills and movies. Wide dynamic range for diverse shooting scenarios The α6700's standard sensitivity ranges from a low ISO 100 to ISO 320003, and offers a wide dynamic range so that natural gradations can be captured in high-contrast scenes without blown highlights or blocked shadows. Consistently accurate exposure and color The α6700 offers impressive exposure control. It's equipped with a new AE algorithm, initially developed for full-frame models, which enables it to accurately detect the skin area of faces and adjust exposure accordingly when shooting stills and movies. It can also maintain realistic colors under a wide range of light sources, from sunlight through to theater and stadium lighting, and produce more natural skin tones, sky and foliage colors. Choose your Creative Look The Creative Look setting offers greater creative flexibility with added simplicity. It provides 10 presets that can be used just as they are or customized via 8 adjustable parameters to suit the subject or scene, whether you’re shooting stills, movies or live-streaming. You can easily set the mood ahead of shooting so your images are ready to share immediately. 5-axis optical image stabilization Shoot hand-held or in low-light with confidence — the 5-axis in-body optical image stabilization system is supported by precision gyro sensors to deliver up to 5-steps4 of shake compensation. It detects and compensates for various types of camera shake, including angular (pitch/yaw) shake that is more apparent at longer focal lengths, or when shooting with slower shutter speeds. Precise compensation at the single-pixel level Through enhanced design and control of key parameters, the α6700 provides precise detection and control right down to the single-pixel level, taking full advantage of the sensor's 26.0 megapixel1 resolution to produce images that capture all the finer details. Selectable RAW file types and quality In addition to compressed RAW capture, the α6700 supports lossless compressed RAW capture that provides efficient compression, allowing a greater number of high-quality images to be shot in continuous bursts. A new Light image quality selection that generates less data is provided for JPEG and HEIF images. HEIF: High compression with excellent image quality For the first time in an APS-C camera, the α6700 includes the HEIF (High Efficiency Image File) format with smooth 10-bit gradations for more realistic reproduction of skies and portrait skin tones. The HEIF format also uses advanced compression technology to maintain image quality while significantly reducing file size and saving storage space. Innovative AI processing The α6700 is equipped with an innovative AI processing unit that greatly enhances its performance, including more accurate recognition for a wider range of subjects. Human pose estimation The α6700 uses subject form data to recognize movement, achieving greatly improved human eye recognition. It also employs learned human forms and postures to precisely recognize body and head positions, making it possible to lock onto and track a subject facing away from the camera, or with their face partly obscured by a helmet or sunglasses. Wider subject recognition In addition to humans and animals, the α6700 now recognizes birds, insects, cars, trains and airplanes7, providing even greater flexibility and reliability when shooting both stills and movies. Heads and bodies are recognized in addition to eyes (Real-time Eye AF) for the Human and Animal settings, and now for the Bird setting too, with animal recognition performance more than 40%8 higher compared to the α6600. Smarter Real-time Tracking9 The upgraded and more reliable AI-based Real-time Tracking makes shooting in a wider range of situations simpler, leaving you free to concentrate on framing and composition. The α6700 can even track people wearing helmets or animals facing away from the camera.10 Shooting responsibly when using face registration The face registration feature involves the use of biometric data. You are responsible for your collection and use of such data, and compliance with applicable local law. For more details, please visit the website below. Faster, more precise wide-area AF The immense processing power and updated algorithms of the new BIONZ XR engine achieve notably improved AF performance, with up to 759 phase detection points, 11 covering approximately 93% of the image area when shooting stills. Accurate AF in low EV -3.0 light The latest AF algorithms achieve high AF precision at light levels as low as EV -3.0 in AF-S mode (ISO 100 equivalent, F2.0 lens). The Focus Priority mode also provides more reliable AF in low light or when using smaller apertures. Shoot more than 1000 images at 11fps The a6700's powerful BIONZ XR processing engine combines with a large buffer memory to boost write speeds to memory cards, so that the camera can shoot more than 1000 JPEG images, up to 59 compressed RAW images, or up to 23 lossless compressed RAW images in continuous high-speed bursts. Full-time DMF When shooting stills with AF-C or AF-S autofocus, the lens's focus ring can be rotated to instantly switch to manual focus mode at any time. This makes it easy to switch focus to a different subject on the fly. Focus bracketing to capture the best shot The a6700 can automatically shoot up to 299 images with sequentially shifted focus points according to intervals and a sequence specified by you. Pick the perfect shot, or post-process multiple shots to achieve creative composites with incredible depth of focus. Flicker suppression Suppress flicker from artificial lighting whether you're shooting stills or movies. Simply select "Anti-flicker Shoot", or use "Var. Shutter" to fine-tune shutter speeds to match flicker rates when filming. 4K movie recording for stunning quality The α6700 captures 4K (QFHD: 3840 x 2160) at up to 60p (50p) using Sony's proprietary 6K oversampling technology. By compressing this expanded detail into the output, it achieves 4K video quality with outstanding definition, even at higher frame rates. The camera also supports high-quality XAVC S-I (All-Intra) and XAVC HS formats with 10-bit 4:2:2 color sampling.16 High frame rate 4K 120p (100p) recording17 High frame rate recording at up to 120p for 4K QFHD (3840 x 2160) output makes it possible to capture high-resolution movies in-camera. This expands creative possibilities in post-production by allowing subject motion to be emphasized or transformed into smooth slow motion. S&Q mode18 also enables recording of slow or quick motion sequences in camera from the outset. Expressive S-Cinetone™ Incorporating the same color science as the highly regarded CineAlta and Cinema Line, the α6700 includes Sony's S-Cinetone picture profile as a preset, delivering images with more faithful color reproduction and natural skin tones. S-Log3 gamma curve with 14+ stops19 of latitude The S-Log3 gamma curve emphasizes gradation characteristics from shadows to mid-grey (18% grey), achieving up to 14+ stops19 of latitude for flexible and creative color editing. Real-time Tracking for movies AI-based Real-time Tracking provides a dramatic improvement in Real-time Tracking performance, automatically recognizing, tracking, and focusing on the eyes of a specified subject.20 In addition to using the Touch Tracking function to initiate tracking, a custom button can be used to temporarily track a selected subject regardless of the subject's position in the frame and the focus area setting. Active Mode for enhanced movie image stabilization21 Active Mode21 provides powerful image stabilization for handheld movie shooting. The α6700 can accurately measure camera shake which is then precisely compensated for optically, providing highly effective stabilization without sacrificing mobility, even when shooting 4K22. Breathing compensation for consistent angle of view23 When shooting movies with compatible lenses, automatic breathing compensation uses Clear Image Zoom technology to maintain a consistent angle of view, suppressing changes that may occur due to shifts in focus position. Breathing metadata can also be used in post-production24. Import user LUT files See how your footage will look in post-processing while you're shooting. The a6700 allows you to import a custom LUT (Look Up Table) that can be applied to the camera's monitor image while recording, providing a preview. Movie making made simple The a6700 is jampacked with features to support movie shooting and production. Its Auto Framing?5 function automatically crops and re-frames the image while using Al to track the subject. Or, for a cinematic touch, the in-camera time-lapse function allows you to create time-lapse videos within the camera itself. Made for your hands With its compact shape, and lightweight 493 gram body, the α6700 offers remarkable portability and maneuverability without compromising image quality. A new grip design provides a solid, even more comfortable hold on the camera, while giving greater control for shooting both stills and movies. High-performance electronic viewfinder A 2.36 million-dot (approx.) XGA OLED electronic viewfinder with approximately 1.07x magnification26 delivers an exceptional view of your world. With twice the brightness of the α6600, and a wider 33-degree viewing angle, it offers clear, easy viewing while shooting. The finder frame rate can be set to 120 fps — twice the normal rate — for a smooth viewfinder image, with minimum display motion blur when tracking and shooting moving subjects. Enhanced shooting flexibility with vari-angle monitor The α6700 features a large 3.0-type 1.03 million-dot (approx.) touch-panel LCD monitor with a 3:2 aspect ratio and side-opening vary-angle flexibility. This allows greater positioning and framing freedom, giving you plenty of creative options for handheld and gimbal-mounted shooting of stills and movies. Intuitive touch control Just touch the screen to activate key functions, such as selecting a focus point or subject to track, or triggering the shutter. Swiping in from the left or right edge of the shooting display reveals touch icons that allow quick changes to the shooting mode and other settings. The function (Fn) menu can also be displayed by a simple swipe-up. During playback, you can easily select and zoom into images through taps and intuitive pinch-out/pinch-in gestures. Improved menu structure Responding to feedback from professional photographers and videographers, the α6700 comes with a new Main Menu structure similar to the latest full-frame α series models. The logical layout provides more efficient access to important shooting parameters, such as frame rate, shutter speed, and more. It can be assigned to a custom key for quick access when needed, and touch operation means that adjusting key settings has never been faster. More than 70 E-mount lenses to choose from Take your pick from a comprehensive range of E-mount lenses from Sony. Our acclaimed line-up includes the full-frame G Master™ series that blends breathtaking resolution with exquisite bokeh, and the G Lens™ series that offers excellent image quality and value. Combined with an APS-C body, Sony's ultra-wide lenses can capture sweeping scenery or large subjects in a single frame, while telephoto lenses, assisted by the 1.5 crop factor of APS-C cameras and teleconverter lenses as needed, make it possible to capture distant subjects with stunning clarity and detail. Accessories expand creative horizons A variety of high-performance compatible microphones can be connected to the the camera’s Multi Interface Shoe for direct, noise-free digital audio transfer to the camera. Or choose from a variety of high-output flash units such as the HVL-F60RM2 that support high-speed continuous shooting, giving you even more ways to capture creative imagery. Easy and stable smartphone connectivity Make the most of the a6700's greatly enhanced connection stability with Sony's free Creators' App27 that enables simple transfers of photos and movies to your smartphone or tablet. Transfers continue in the background even if the smartphone display sleeps or a different app is launched.28 You can also use your smartphone to control the camera remotely. Stream high-quality live content Connected to a personal computer or smartphone 29 via USB, the a6700 can function as a 4K (2160p) webcam with advanced AF that makes online meetings and live streaming events even smoother. Fast Wi-Fi for PC tethering Built-in Wi-Fi (IEEE 802.11a/b/g/n/ac) allows communication on the 2.4 GHz and 5 GHz30 bands for fast and stable data transfer. Creators' Cloud platform Creators' Cloud is a platform that supports creative work from shooting to production by combining advanced Sony camera technology with cloud-based AI. It's also a place for discovery and collaboration with other creators around the world. Explore web, mobile, and PC-based apps providing efficient solutions that integrate cameras with shooting and production apps and services. Accessible technology on α cameras Sony's α cameras are equipped with a number of accessibility features so that as many people as possible can utilize and enjoy our technology. For example, the screen reader function reads text on the menu screens aloud, with volume and reading speed adjustable as needed. Approximate, effective Compared to the BIONZ X image processing engine in the α6600. Sony tests. Expandable to ISO 50 - 102400 for stills. Based on CIPA standard. Pitch/yaw shake only. With FE 50mm F1.2 GM lens mounted. Long-exposure Noise Reduction off. The latest version of Imaging Edge Desktop (Remote/Viewer/Edit) is required to view and edit HEIF images. All specified subjects may not be accurately recognized in all conditions. Subject types other than the type specified may be erroneously recognized in some cases. Sony internal tests [Tracking] in the menu. Based on advanced artificial intelligence, including machine learning. Camera operation depends on focus area settings and touch operation. Accurate focus may not be achieved in some situations. The number of distance measuring points when shooting stills. The number of points used depends on the selected shooting mode. JPEG FINE format, continuous Hi+ mode. Actual number of images may vary according to shooting conditions. Not applicable to the E PZ 16-50mm F3.5-5.6 OSS and E 18-200mm F3.5-6.3 OSS LE lenses or any A-mount lens. Full-time DMF is not available when shooting continuously in AF-C or AF-A mode (not including Lo), or when using the FE 70-200mm F2.8 GM II OSS lens in AF-C mode. A-mount lenses not supported. Only 100 Hz and 120 Hz flicker are detected. Continuous shooting speed may decrease. Phase-detection AF coverage is reduced. Flicker-free shooting is not available during silent shooting, BULB exposure, or movie recording. Recording frame rates are indicated as the closest integer values. The actual corresponding frame rates are as follows: 24p: 23.98 fps, 30p: 29.97 fps, 60p: 59.94 fps, and 120p: 119.88 fps. QFHD (3840 x 2160) with approx. 38 % image crop. Audio recording not available in the S&Q mode. S-Log3 movies. Sony internal tests. When subject recognition is ON during AF shooting. Face, eye, etc. recognition status can be monitored when subject recognition frame display is ON. Accurate focus may not be achieved in some situations. Slight image crop in Active Mode. “Standard” setting recommended for focal lengths of 200 mm or longer. Active Mode is not available when recording at frame rates of 120 (100) fps or higher, including S&Q. Compatible lenses are listed at: https://support.d-imaging.sony.co.jp/support/ilc/breathing/en/ Angle of view and image quality may change slightly when this function is turned ON. Full compensation may not be possible with some lenses. This function is not available when shooting movies at 120p, when using the S&Q mode at 120p, or when shooting stills. Additional focus breathing compensation is available in post-production using the advanced breathing compensation capabilities of the latest Catalyst Browse/Prepare software application, processing metadata provided by the camera. Only available for movies. Framing is cropped from 4K images, resulting in a reduced angle of view. With 50mm lens at infinity, -1m-¹. 35mm camera equivalent: Approx. 0.70x. Download app at Google Play and the App Store. Network services, content, and operating system and software subject to terms and conditions and may be changed, interrupted or discontinued at any time and may require fees, registration and credit card information.Check regional availability of services and applications via the URL https://www.sony.net/cca/ Transfer may be interrupted when a different app is launched on some operating systems. When streaming via USB, maximum image resolution is 3840 x 2160 and maximum frame rate is 30 fps. The OS of the computer or smartphone used must be compatible with UVC/UAC. Use the most up-to-date OS available for your device. A commercially available USB cable and/or terminal adaptor may be used to connect to equipment with a USB Type-C port. When connected via USB 2.0, maximum image resolution is HD (720p) and maximum frame rate is 30p. 5 GHz communication may be restricted in some countries and regions. Not guaranteed to be 100% dust- and moisture-proof. Shooting time will vary according to conditions. Use the [Interval Timer] function to shoots sequences at long intervals (e.g. 10 minutes or more). Maximum exposure interval is 6 seconds when shooting 4K. Maximum exposure interval is 6 seconds when shooting 4K. The Focus Map function cannot be used in the following conditions: When the Focus Magnifier function is in use, when using digital zoom, during USB streaming, when no lens is mounted, when an A-mount lens is mounted, or when a lens that is not compatible with focal plane phase-detection AF is in use. Not including materials used in coatings and adhesives. Not including materials used in coatings and adhesives. Natural non-woven fabric may not be available during some production periods. Features and specifications are subject to change without prior notice. Number of effective pixels varies depending on attached lenses and camera settings. When using accessories that support 4ch output / 24 bits with the Multi Interface Shoe. Anti-flicker Shooting is not available when the [Shutter Type] setting is set to [Electronic Shutter]. With compatible Sony external flash Varies according to shooting conditions or memory card used Supports Micro USB compatible device. (Configuration method/Access method) WPS or manually /infrastructure mode. When connecting to smartphones, the camera can always work as a base without a wireless access point. (Security: WEP/WPA-PSK/WPA2-PSK/WPA3-SAE) Models sold in some countries/regions support IEEE 802.11b/g/n (2.4GHz) wireless LAN only. Sony accessories for the Accessory Shoe can be attached. When [Resolution] is set to [HD(720p)], [MJPEG] is only available. The LCD screen is turned on, shot once every 30 seconds, operate zoom alternately between W and T ends, flash strobe once every two times, turn power off and on once every ten times.   Indication recording time, which is defined by repeating the cycle: Power on, start recording, zoom , stand-by and power off.  

Sony Alpha A6700 Aps-c Camera Body

Sony Alpha A6700 Aps-c Camera Body(ILCE-6700) Next Generation Creativity on the Go The α6700 combines the latest AI technology with Sony's outstanding α-series image quality in a compact APS-C camera body. Offering enhanced subject recognition, the latest technology for capturing stills and movies, and E-mount lens compatibility, the lightweight α6700 is designed for creative adventures, anytime, anywhere. APS-C Format Exmor R Back-Illuminated CMOS Sensor The advanced Exmor R CMOS image sensor with 26.01 effective megapixels is packed with Sony's image sensor technologies. It offers extraordinary sensitivity, resolution and dynamic range, thanks to its back-illuminated format, gapless on-chip lenses, and AR coating (anti-reflection seal glass) BIONZ XR™ processing power for exceptional image quality With up to eight times2 more processing power than previous versions, the latest BIONZ XR image processing engine delivers natural gradations and realistic colors with low noise for stills and movies. Wide dynamic range for diverse shooting scenarios The α6700's standard sensitivity ranges from a low ISO 100 to ISO 320003, and offers a wide dynamic range so that natural gradations can be captured in high-contrast scenes without blown highlights or blocked shadows. Consistently accurate exposure and color The α6700 offers impressive exposure control. It's equipped with a new AE algorithm, initially developed for full-frame models, which enables it to accurately detect the skin area of faces and adjust exposure accordingly when shooting stills and movies. It can also maintain realistic colors under a wide range of light sources, from sunlight through to theater and stadium lighting, and produce more natural skin tones, sky and foliage colors. Choose your Creative Look The Creative Look setting offers greater creative flexibility with added simplicity. It provides 10 presets that can be used just as they are or customized via 8 adjustable parameters to suit the subject or scene, whether you’re shooting stills, movies or live-streaming. You can easily set the mood ahead of shooting so your images are ready to share immediately. 5-axis optical image stabilization Shoot hand-held or in low-light with confidence — the 5-axis in-body optical image stabilization system is supported by precision gyro sensors to deliver up to 5-steps4 of shake compensation. It detects and compensates for various types of camera shake, including angular (pitch/yaw) shake that is more apparent at longer focal lengths, or when shooting with slower shutter speeds. Precise compensation at the single-pixel level Through enhanced design and control of key parameters, the α6700 provides precise detection and control right down to the single-pixel level, taking full advantage of the sensor's 26.0 megapixel1 resolution to produce images that capture all the finer details. Selectable RAW file types and quality In addition to compressed RAW capture, the α6700 supports lossless compressed RAW capture that provides efficient compression, allowing a greater number of high-quality images to be shot in continuous bursts. A new Light image quality selection that generates less data is provided for JPEG and HEIF images. HEIF: High compression with excellent image quality For the first time in an APS-C camera, the α6700 includes the HEIF (High Efficiency Image File) format with smooth 10-bit gradations for more realistic reproduction of skies and portrait skin tones. The HEIF format also uses advanced compression technology to maintain image quality while significantly reducing file size and saving storage space. Innovative AI processing The α6700 is equipped with an innovative AI processing unit that greatly enhances its performance, including more accurate recognition for a wider range of subjects. Human pose estimation The α6700 uses subject form data to recognize movement, achieving greatly improved human eye recognition. It also employs learned human forms and postures to precisely recognize body and head positions, making it possible to lock onto and track a subject facing away from the camera, or with their face partly obscured by a helmet or sunglasses. Wider subject recognition In addition to humans and animals, the α6700 now recognizes birds, insects, cars, trains and airplanes7, providing even greater flexibility and reliability when shooting both stills and movies. Heads and bodies are recognized in addition to eyes (Real-time Eye AF) for the Human and Animal settings, and now for the Bird setting too, with animal recognition performance more than 40%8 higher compared to the α6600. Smarter Real-time Tracking9 The upgraded and more reliable AI-based Real-time Tracking makes shooting in a wider range of situations simpler, leaving you free to concentrate on framing and composition. The α6700 can even track people wearing helmets or animals facing away from the camera.10 Shooting responsibly when using face registration The face registration feature involves the use of biometric data. You are responsible for your collection and use of such data, and compliance with applicable local law. For more details, please visit the website below. Faster, more precise wide-area AF The immense processing power and updated algorithms of the new BIONZ XR engine achieve notably improved AF performance, with up to 759 phase detection points, 11 covering approximately 93% of the image area when shooting stills. Accurate AF in low EV -3.0 light The latest AF algorithms achieve high AF precision at light levels as low as EV -3.0 in AF-S mode (ISO 100 equivalent, F2.0 lens). The Focus Priority mode also provides more reliable AF in low light or when using smaller apertures. Shoot more than 1000 images at 11fps The a6700's powerful BIONZ XR processing engine combines with a large buffer memory to boost write speeds to memory cards, so that the camera can shoot more than 1000 JPEG images, up to 59 compressed RAW images, or up to 23 lossless compressed RAW images in continuous high-speed bursts. Full-time DMF When shooting stills with AF-C or AF-S autofocus, the lens's focus ring can be rotated to instantly switch to manual focus mode at any time. This makes it easy to switch focus to a different subject on the fly. Focus bracketing to capture the best shot The a6700 can automatically shoot up to 299 images with sequentially shifted focus points according to intervals and a sequence specified by you. Pick the perfect shot, or post-process multiple shots to achieve creative composites with incredible depth of focus. Flicker suppression Suppress flicker from artificial lighting whether you're shooting stills or movies. Simply select "Anti-flicker Shoot", or use "Var. Shutter" to fine-tune shutter speeds to match flicker rates when filming. 4K movie recording for stunning quality The α6700 captures 4K (QFHD: 3840 x 2160) at up to 60p (50p) using Sony's proprietary 6K oversampling technology. By compressing this expanded detail into the output, it achieves 4K video quality with outstanding definition, even at higher frame rates. The camera also supports high-quality XAVC S-I (All-Intra) and XAVC HS formats with 10-bit 4:2:2 color sampling.16 High frame rate 4K 120p (100p) recording17 High frame rate recording at up to 120p for 4K QFHD (3840 x 2160) output makes it possible to capture high-resolution movies in-camera. This expands creative possibilities in post-production by allowing subject motion to be emphasized or transformed into smooth slow motion. S&Q mode18 also enables recording of slow or quick motion sequences in camera from the outset. Expressive S-Cinetone™ Incorporating the same color science as the highly regarded CineAlta and Cinema Line, the α6700 includes Sony's S-Cinetone picture profile as a preset, delivering images with more faithful color reproduction and natural skin tones. S-Log3 gamma curve with 14+ stops19 of latitude The S-Log3 gamma curve emphasizes gradation characteristics from shadows to mid-grey (18% grey), achieving up to 14+ stops19 of latitude for flexible and creative color editing. Real-time Tracking for movies AI-based Real-time Tracking provides a dramatic improvement in Real-time Tracking performance, automatically recognizing, tracking, and focusing on the eyes of a specified subject.20 In addition to using the Touch Tracking function to initiate tracking, a custom button can be used to temporarily track a selected subject regardless of the subject's position in the frame and the focus area setting. Active Mode for enhanced movie image stabilization21 Active Mode21 provides powerful image stabilization for handheld movie shooting. The α6700 can accurately measure camera shake which is then precisely compensated for optically, providing highly effective stabilization without sacrificing mobility, even when shooting 4K22. Breathing compensation for consistent angle of view23 When shooting movies with compatible lenses, automatic breathing compensation uses Clear Image Zoom technology to maintain a consistent angle of view, suppressing changes that may occur due to shifts in focus position. Breathing metadata can also be used in post-production24. Import user LUT files See how your footage will look in post-processing while you're shooting. The a6700 allows you to import a custom LUT (Look Up Table) that can be applied to the camera's monitor image while recording, providing a preview. Movie making made simple The a6700 is jampacked with features to support movie shooting and production. Its Auto Framing?5 function automatically crops and re-frames the image while using Al to track the subject. Or, for a cinematic touch, the in-camera time-lapse function allows you to create time-lapse videos within the camera itself. Made for your hands With its compact shape, and lightweight 493 gram body, the α6700 offers remarkable portability and maneuverability without compromising image quality. A new grip design provides a solid, even more comfortable hold on the camera, while giving greater control for shooting both stills and movies. High-performance electronic viewfinder A 2.36 million-dot (approx.) XGA OLED electronic viewfinder with approximately 1.07x magnification26 delivers an exceptional view of your world. With twice the brightness of the α6600, and a wider 33-degree viewing angle, it offers clear, easy viewing while shooting. The finder frame rate can be set to 120 fps — twice the normal rate — for a smooth viewfinder image, with minimum display motion blur when tracking and shooting moving subjects. Enhanced shooting flexibility with vari-angle monitor The α6700 features a large 3.0-type 1.03 million-dot (approx.) touch-panel LCD monitor with a 3:2 aspect ratio and side-opening vary-angle flexibility. This allows greater positioning and framing freedom, giving you plenty of creative options for handheld and gimbal-mounted shooting of stills and movies. Intuitive touch control Just touch the screen to activate key functions, such as selecting a focus point or subject to track, or triggering the shutter. Swiping in from the left or right edge of the shooting display reveals touch icons that allow quick changes to the shooting mode and other settings. The function (Fn) menu can also be displayed by a simple swipe-up. During playback, you can easily select and zoom into images through taps and intuitive pinch-out/pinch-in gestures. Improved menu structure Responding to feedback from professional photographers and videographers, the α6700 comes with a new Main Menu structure similar to the latest full-frame α series models. The logical layout provides more efficient access to important shooting parameters, such as frame rate, shutter speed, and more. It can be assigned to a custom key for quick access when needed, and touch operation means that adjusting key settings has never been faster. More than 70 E-mount lenses to choose from Take your pick from a comprehensive range of E-mount lenses from Sony. Our acclaimed line-up includes the full-frame G Master™ series that blends breathtaking resolution with exquisite bokeh, and the G Lens™ series that offers excellent image quality and value. Combined with an APS-C body, Sony's ultra-wide lenses can capture sweeping scenery or large subjects in a single frame, while telephoto lenses, assisted by the 1.5 crop factor of APS-C cameras and teleconverter lenses as needed, make it possible to capture distant subjects with stunning clarity and detail. Accessories expand creative horizons A variety of high-performance compatible microphones can be connected to the the camera’s Multi Interface Shoe for direct, noise-free digital audio transfer to the camera. Or choose from a variety of high-output flash units such as the HVL-F60RM2 that support high-speed continuous shooting, giving you even more ways to capture creative imagery. Easy and stable smartphone connectivity Make the most of the a6700's greatly enhanced connection stability with Sony's free Creators' App27 that enables simple transfers of photos and movies to your smartphone or tablet. Transfers continue in the background even if the smartphone display sleeps or a different app is launched.28 You can also use your smartphone to control the camera remotely. Stream high-quality live content Connected to a personal computer or smartphone 29 via USB, the a6700 can function as a 4K (2160p) webcam with advanced AF that makes online meetings and live streaming events even smoother. Fast Wi-Fi for PC tethering Built-in Wi-Fi (IEEE 802.11a/b/g/n/ac) allows communication on the 2.4 GHz and 5 GHz30 bands for fast and stable data transfer. Creators' Cloud platform Creators' Cloud is a platform that supports creative work from shooting to production by combining advanced Sony camera technology with cloud-based AI. It's also a place for discovery and collaboration with other creators around the world. Explore web, mobile, and PC-based apps providing efficient solutions that integrate cameras with shooting and production apps and services. Accessible technology on α cameras Sony's α cameras are equipped with a number of accessibility features so that as many people as possible can utilize and enjoy our technology. For example, the screen reader function reads text on the menu screens aloud, with volume and reading speed adjustable as needed. Approximate, effective Compared to the BIONZ X image processing engine in the α6600. Sony tests. Expandable to ISO 50 - 102400 for stills. Based on CIPA standard. Pitch/yaw shake only. With FE 50mm F1.2 GM lens mounted. Long-exposure Noise Reduction off. The latest version of Imaging Edge Desktop (Remote/Viewer/Edit) is required to view and edit HEIF images. All specified subjects may not be accurately recognized in all conditions. Subject types other than the type specified may be erroneously recognized in some cases. Sony internal tests [Tracking] in the menu. Based on advanced artificial intelligence, including machine learning. Camera operation depends on focus area settings and touch operation. Accurate focus may not be achieved in some situations. The number of distance measuring points when shooting stills. The number of points used depends on the selected shooting mode. JPEG FINE format, continuous Hi+ mode. Actual number of images may vary according to shooting conditions. Not applicable to the E PZ 16-50mm F3.5-5.6 OSS and E 18-200mm F3.5-6.3 OSS LE lenses or any A-mount lens. Full-time DMF is not available when shooting continuously in AF-C or AF-A mode (not including Lo), or when using the FE 70-200mm F2.8 GM II OSS lens in AF-C mode. A-mount lenses not supported. Only 100 Hz and 120 Hz flicker are detected. Continuous shooting speed may decrease. Phase-detection AF coverage is reduced. Flicker-free shooting is not available during silent shooting, BULB exposure, or movie recording. Recording frame rates are indicated as the closest integer values. The actual corresponding frame rates are as follows: 24p: 23.98 fps, 30p: 29.97 fps, 60p: 59.94 fps, and 120p: 119.88 fps. QFHD (3840 x 2160) with approx. 38 % image crop. Audio recording not available in the S&Q mode. S-Log3 movies. Sony internal tests. When subject recognition is ON during AF shooting. Face, eye, etc. recognition status can be monitored when subject recognition frame display is ON. Accurate focus may not be achieved in some situations. Slight image crop in Active Mode. “Standard” setting recommended for focal lengths of 200 mm or longer. Active Mode is not available when recording at frame rates of 120 (100) fps or higher, including S&Q. Compatible lenses are listed at: https://support.d-imaging.sony.co.jp/support/ilc/breathing/en/ Angle of view and image quality may change slightly when this function is turned ON. Full compensation may not be possible with some lenses. This function is not available when shooting movies at 120p, when using the S&Q mode at 120p, or when shooting stills. Additional focus breathing compensation is available in post-production using the advanced breathing compensation capabilities of the latest Catalyst Browse/Prepare software application, processing metadata provided by the camera. Only available for movies. Framing is cropped from 4K images, resulting in a reduced angle of view. With 50mm lens at infinity, -1m-¹. 35mm camera equivalent: Approx. 0.70x. Download app at Google Play and the App Store. Network services, content, and operating system and software subject to terms and conditions and may be changed, interrupted or discontinued at any time and may require fees, registration and credit card information.Check regional availability of services and applications via the URL https://www.sony.net/cca/ Transfer may be interrupted when a different app is launched on some operating systems. When streaming via USB, maximum image resolution is 3840 x 2160 and maximum frame rate is 30 fps. The OS of the computer or smartphone used must be compatible with UVC/UAC. Use the most up-to-date OS available for your device. A commercially available USB cable and/or terminal adaptor may be used to connect to equipment with a USB Type-C port. When connected via USB 2.0, maximum image resolution is HD (720p) and maximum frame rate is 30p. 5 GHz communication may be restricted in some countries and regions. Not guaranteed to be 100% dust- and moisture-proof. Shooting time will vary according to conditions. Use the [Interval Timer] function to shoots sequences at long intervals (e.g. 10 minutes or more). Maximum exposure interval is 6 seconds when shooting 4K. Maximum exposure interval is 6 seconds when shooting 4K. The Focus Map function cannot be used in the following conditions: When the Focus Magnifier function is in use, when using digital zoom, during USB streaming, when no lens is mounted, when an A-mount lens is mounted, or when a lens that is not compatible with focal plane phase-detection AF is in use. Not including materials used in coatings and adhesives. Not including materials used in coatings and adhesives. Natural non-woven fabric may not be available during some production periods. Features and specifications are subject to change without prior notice. Number of effective pixels varies depending on attached lenses and camera settings. When using accessories that support 4ch output / 24 bits with the Multi Interface Shoe. Anti-flicker Shooting is not available when the [Shutter Type] setting is set to [Electronic Shutter]. With compatible Sony external flash Varies according to shooting conditions or memory card used Supports Micro USB compatible device. (Configuration method/Access method) WPS or manually /infrastructure mode. When connecting to smartphones, the camera can always work as a base without a wireless access point. (Security: WEP/WPA-PSK/WPA2-PSK/WPA3-SAE) Models sold in some countries/regions support IEEE 802.11b/g/n (2.4GHz) wireless LAN only. Sony accessories for the Accessory Shoe can be attached. When [Resolution] is set to [HD(720p)], [MJPEG] is only available. The LCD screen is turned on, shot once every 30 seconds, operate zoom alternately between W and T ends, flash strobe once every two times, turn power off and on once every ten times.   Indication recording time, which is defined by repeating the cycle: Power on, start recording, zoom , stand-by and power off.  

DJI Osmo Action 4 Standard Combo

DJI Osmo Action 4 Standard Combo(CP.OS.00000269.01) Capture the raw exhilaration of any moment with striking image quality and unmatched flexibility, even when the lights dim. Osmo Action 4 empowers thrill-seekers to record it all, share the rush, and set the tone. 1/1.3′′Image Sensor Unleash the power of every pixel when you record with Action 4. A wide f/2.8 aperture and 2.4μm-equivalent pixel size deliver shots loaded with detail from sun up to sundown and beyond. 10-bit D-Log M Color Performance 10-bit D-Log M color mode gives you over one billion colors and a wider dynamic range to play with in post. 4K/120fps The best moves deserve buttery slo-mo. That's why Action 4 has 4K UHD 120fps, giving you an easy option to warp time and savor it all. 155°Ultra-Wide Angle Experience an ultra-wide FOV that pulls you in headfirst with a perspective close to what the human eye sees. 360º Horizon Steady goes well past simple action camera stabilization, correcting horizontal tilts at any angle no matter how many flips, twists, or turns go down. Planning something slightly less extreme? Try Horizon Balancing for horizontal tilt correction up to±45º. RockSteady 3.0 Adios, camera shake. RockSteady3.0 injects fluid stabilization into your POV footage, even when shooting 4K/120fps. Color Temperature Calibration An advanced color temperature sensor ensures true-to-life tones outdoors, indoors, and underwater for colors that pop straight out of the camera. Vivid Underwater DJI Mimo can now sync visual information from Action 4's color temperature sensor for eye-opening details beneath the waves. Crush Any Limit Limits were meant to be crushed, and Action 4 is the action camera that lets you do exactly that with countless features that are as powerful as they are intuitive. Magnetic Quick-Release The magnetic quick-release design of Action 4 lets you switch things up fast when the moment demands it. Native Vertical Shooting Go vertical with ease and flexibility. The Horizontal-Vertical Protective Frame lets you capture loss less vertical footage in seconds. Dual Touchscreens Dual water-stain resistant touchscreens make turning the action camera around for parameter adjustments during selfies, mode switching, or video playback a thing of the past. Custom Modes & Quick Switch Button   Features like SnapShot ensure you never miss the biggest moments. Save frequently used settings to C1-C5 shortcuts and switch between modes on the fly with the QuickSwitch button and voice prompts.

DJI Osmo Action 4 Adventure Combo

DJI Osmo Action 4 Adventure Combo(CP.OS.00000270.01) Capture the raw exhilaration of any moment with striking image quality and unmatched flexibility, even when the lights dim. Osmo Action 4 empowers thrill-seekers to record it all, share the rush, and set the tone. 1/1.3′′Image Sensor Unleash the power of every pixel when you record with Action 4. A wide f/2.8 aperture and 2.4μm-equivalent pixel size deliver shots loaded with detail from sun up to sundown and beyond. 10-bit D-Log M Color Performance 10-bit D-Log M color mode gives you over one billion colors and a wider dynamic range to play with in post. 4K/120fps The best moves deserve buttery slo-mo. That's why Action 4 has 4K UHD 120fps, giving you an easy option to warp time and savor it all. 155°Ultra-Wide Angle Experience an ultra-wide FOV that pulls you in headfirst with a perspective close to what the human eye sees. 360º Horizon Steady goes well past simple action camera stabilization, correcting horizontal tilts at any angle no matter how many flips, twists, or turns go down. Planning something slightly less extreme? Try Horizon Balancing for horizontal tilt correction up to±45º. RockSteady 3.0 Adios, camera shake. RockSteady3.0 injects fluid stabilization into your POV footage, even when shooting 4K/120fps. Color Temperature Calibration An advanced color temperature sensor ensures true-to-life tones outdoors, indoors, and underwater for colors that pop straight out of the camera. Vivid Underwater DJI Mimo can now sync visual information from Action 4's color temperature sensor for eye-opening details beneath the waves. Crush Any Limit Limits were meant to be crushed, and Action 4 is the action camera that lets you do exactly that with countless features that are as powerful as they are intuitive. Magnetic Quick-Release The magnetic quick-release design of Action 4 lets you switch things up fast when the moment demands it. Native Vertical Shooting Go vertical with ease and flexibility. The Horizontal-Vertical Protective Frame lets you capture loss less vertical footage in seconds. Dual Touchscreens Dual water-stain resistant touchscreens make turning the action camera around for parameter adjustments during selfies, mode switching, or video playback a thing of the past. Custom Modes & Quick Switch Button   Features like SnapShot ensure you never miss the biggest moments. Save frequently used settings to C1-C5 shortcuts and switch between modes on the fly with the QuickSwitch button and voice prompts.

Datavideo Ptc-285 Uhd Ptz Camera w Auto Tracking (White)

Datavideo Ptc-285 Uhd Ptz Camera w Auto Tracking (White)(DATA-PTC285W) 4K AUTO TRACKING PTZ CAMERA WITH HDBASET Live productions depend on high performance cameras and camera controllers. Datavideo is introducing the 4K50/60p auto tracking PTZ camera, PTC-285T can be easily controlled via traditional RS-422 serial port, or IP remote control via DVIP or Sony VISCA over IP. This brand new 4K camera series supports dual streaming output for A/V market application. You can easily stream to Facebook (RTMPS), YouTube and dvCloud. This HDBaseT version allows single CAT-6 cable to transfer video, control, power, and tally. ONE CABLE SOLUTION HDBaseT allows you to transmit power, HD video, control, and tally over a single Ethernet cable. QUICK ACCESS TO CAMERA'S AUTO TRACKING You will be allowed direct access to auto tracking via various external controllers such as the supplied RMC-1 remote control and DVIP controllers (RMC-300A, RMC-180 MARK II and PTC View Assist). In addition to camera controllers, you can also easily enable auto tracking on smart switchers which include KMU-200, SHOWCAST 100, etc as well as complete solution systems like ZR-1 Smart Classroom. Custom Auto Tracking If you are filming multiple people, you can designate a person for auto tracking. Once linked to the camera, only the designated person will be tracked, avoiding interferences such as the desks, people coming back and forth, large objects, etc. Smart PTZ Speed Adaptation The integrated PID algorithm is able to detect the movement speed of the identified object and automatically adjust the camera's corresponding pan, tilt and zoom speeds in such a way that the lens movement will be smooth, avoiding common camera lens movement problems like jerky movements or unpredicted halts. S-SHAPED SPEED CURVE Just like how the lift accelerates or decelerates, the camera lens movement will be smooth, avoiding jerky movements that are visible to naked eyes. SIMPLY ENABLE AUTO TRACKING WITH YOUR IR REMOTE CONTROL RMC-1 PTZ Controller. All you need is a remote control to set and control all four cameras and save the four presets. PTZ VIEW ASSIST: CONTROL UP TO FOUR CAMERAS The camera control app is tailored for the Datavideo PTZ camera series. It can monitor the live streaming video from PTC-140, PTC-280, PTC-285 and PTC-300 series. The app can control up to 4 cameras simultaneously via DVIP, you can intuitively set up and recall the presets, and adjust white balance, focus and IRIS. The app is able to decode the live streaming via RTSP, SRT, and NDI. Easily monitor the live streaming video and set up the parameters promptly in one application. Datavideo provides iOS and Android versions, which you can download on Google Play and App Store for free! LOW NOISE IN LOW LIGHT Advanced 3D noise reduction technology is also used to further reduce the noise while ensuring image sharpness. MULTIPLE SIMULTANEOUS VIDEO OUTPUTS Supports simultaneous HDMI 2.0 and HDBaseT/IP output up to 2160p 50/60 and also 3G-SDI output up to 1080p60/50. MULTIPLE NETWORK PROTOCOL WITH DUAL STREAM FUNCTION Support RTSP and RTMPS protocols, easy to stream directly to two different CDN platforms and Datavideo dvCloud as well. COMPATIBLE WITH VARIOUS CONTROLLER Control real-time pan, tilt, and zoom camera movements with Datavideo HS-1600T MARK II, PTZ View Assist APP, RMC-300A and RMC-180 series. With configurable preset positions supported. RS-422, DVIP AND ETHERNET CAMERA CONTROL RS-422 and ethernet to use DVIP or VISCA over IP commands to integrate with larger control systems. POWER OVER ETHERNET The PTC-285T supports PoE and HDBastT for easy installation. No need to find local power outlets or hire an electrician to install outlets wherever you want to mount your camera. Simply run a single CAT6 cable to power your PTC-285T. TALLY LIGHT Green and red lights tally to show the preview and program status for broadcast applications.WIDE 80° FIELD OF VIEW PTC-285T provides a wide Field of View of 80°, easily shooting all the scenes in the field. SUPPORTS H.264/H.265 VIDEO COMPRESSION Support compression of resolution up to 3840x2160 with frame up to 59.94, 60fps and the second channel 720x480 with 29.97fps compression. AAC, MP3 and PCM audio compression also supported. REMOTE CONTROL FROM ANYWHERE IN THE WORLD Control the PTZ camera at the venue from anywhere in the world using the BB-1 KIT and dvCloud streaming service.

Datavideo Ptc-285 Uhd Ptz Camera

Datavideo Ptc-285 Uhd Ptz Camera(DATA-PTC285) BRAND NEW 4K AI TRACKING PTZ CAMERA Live productions depend on high performance cameras and camera controllers. Datavideo is introducing the 4K50/60p Ai tracking PTZ camera , PTC-285 can be easily controlled via traditional RS-422 serial port, or IP remote control via DVIP (Datavideo proprietary protocol) or Sony VISCA over IP. This brand new 4K camera series supports dual streaming output for A/V market application. You can easily stream to Facebook (RTMPS), YouTube and dvCloud. SIMULTANEOUS OUTPUTS Connect your PTC-285 to multiple devices in your workflow for flexibility. All the outputs are active at the same time. QUICK ACCESS TO CAMERA'S AI TRACKING You will be allowed direct access to AI tracking via various external controllers such as the supplied RMC-1 remote control and DVIP controllers (RMC-300A, RMC-180 MARK II and PTC View Assist). CUSTOM AI OBJECT TRACKING If you are filming multiple people, you can designate a person for AI tracking. Once linked to the camera, only the designated person will be tracked, avoiding interferences such as the desks, people coming back and forth, large objects, etc. SMART PTZ SPEED ADAPTATION The integrated PID algorithm is able to detect the movement speed of the identified object and automatically adjust the camera's corresponding pan, tilt and zoom speeds in such a way that the lens movement will be smooth, avoiding common camera lens movement problems like jerky movements or unpredicted halts. S-SHAPED SPEED CURVE Just like how the lift accelerates or decelerates, the camera lens movement will be smooth, avoiding jerky movements that are visible to naked eyes. SIMPLY ENABLE AI TRACKING WITH YOUR IR REMOTE CONTROL RMC-1 PTZ Controller. All you need is a remote control to set and control all four cameras and save the four presets. PTZ VIEW ASSIST: CONTROL UP TO FOUR CAMERAS The camera control app is tailored for the Datavideo PTZ camera series. It can monitor the live streaming video from PTC-140, PTC-280, PTC-285 and PTC-300 series. The app can control up to 4 cameras simultaneously via DVIP, you can intuitively set up and recall the presets, and adjust white balance, focus and IRIS.

Datavideo Ptc-285 Uhd Ptz Camera w Auto Tracking (HDBaseT) (White)

Datavideo Ptc-285 Uhd Ptz Camera w Auto Tracking (HDBaseT) (White)(DATA-PTC285TW) 4K AUTO TRACKING PTZ CAMERA WITH HDBASET Live productions depend on high performance cameras and camera controllers. Datavideo is introducing the 4K50/60p auto tracking PTZ camera, PTC-285T can be easily controlled via traditional RS-422 serial port, or IP remote control via DVIP or Sony VISCA over IP. This brand new 4K camera series supports dual streaming output for A/V market application. You can easily stream to Facebook (RTMPS), YouTube and dvCloud. This HDBaseT version allows single CAT-6 cable to transfer video, control, power, and tally. ONE CABLE SOLUTION HDBaseT allows you to transmit power, HD video, control, and tally over a single Ethernet cable. QUICK ACCESS TO CAMERA'S AUTO TRACKING You will be allowed direct access to auto tracking via various external controllers such as the supplied RMC-1 remote control and DVIP controllers (RMC-300A, RMC-180 MARK II and PTC View Assist). In addition to camera controllers, you can also easily enable auto tracking on smart switchers which include KMU-200, SHOWCAST 100, etc as well as complete solution systems like ZR-1 Smart Classroom. Custom Auto Tracking If you are filming multiple people, you can designate a person for auto tracking. Once linked to the camera, only the designated person will be tracked, avoiding interferences such as the desks, people coming back and forth, large objects, etc. Smart PTZ Speed Adaptation The integrated PID algorithm is able to detect the movement speed of the identified object and automatically adjust the camera's corresponding pan, tilt and zoom speeds in such a way that the lens movement will be smooth, avoiding common camera lens movement problems like jerky movements or unpredicted halts. S-SHAPED SPEED CURVE Just like how the lift accelerates or decelerates, the camera lens movement will be smooth, avoiding jerky movements that are visible to naked eyes. SIMPLY ENABLE AUTO TRACKING WITH YOUR IR REMOTE CONTROL RMC-1 PTZ Controller. All you need is a remote control to set and control all four cameras and save the four presets. PTZ VIEW ASSIST: CONTROL UP TO FOUR CAMERAS The camera control app is tailored for the Datavideo PTZ camera series. It can monitor the live streaming video from PTC-140, PTC-280, PTC-285 and PTC-300 series. The app can control up to 4 cameras simultaneously via DVIP, you can intuitively set up and recall the presets, and adjust white balance, focus and IRIS. The app is able to decode the live streaming via RTSP, SRT, and NDI. Easily monitor the live streaming video and set up the parameters promptly in one application. Datavideo provides iOS and Android versions, which you can download on Google Play and App Store for free! LOW NOISE IN LOW LIGHT Advanced 3D noise reduction technology is also used to further reduce the noise while ensuring image sharpness. MULTIPLE SIMULTANEOUS VIDEO OUTPUTS Supports simultaneous HDMI 2.0 and HDBaseT/IP output up to 2160p 50/60 and also 3G-SDI output up to 1080p60/50. MULTIPLE NETWORK PROTOCOL WITH DUAL STREAM FUNCTION Support RTSP and RTMPS protocols, easy to stream directly to two different CDN platforms and Datavideo dvCloud as well. COMPATIBLE WITH VARIOUS CONTROLLER Control real-time pan, tilt, and zoom camera movements with Datavideo HS-1600T MARK II, PTZ View Assist APP, RMC-300A and RMC-180 series. With configurable preset positions supported. RS-422, DVIP AND ETHERNET CAMERA CONTROL RS-422 and ethernet to use DVIP or VISCA over IP commands to integrate with larger control systems. POWER OVER ETHERNET The PTC-285T supports PoE and HDBastT for easy installation. No need to find local power outlets or hire an electrician to install outlets wherever you want to mount your camera. Simply run a single CAT6 cable to power your PTC-285T. TALLY LIGHT Green and red lights tally to show the preview and program status for broadcast applications. WIDE 80° FIELD OF VIEW PTC-285T provides a wide Field of View of 80°, easily shooting all the scenes in the field. SUPPORTS H.264/H.265 VIDEO COMPRESSION Support compression of resolution up to 3840x2160 with frame up to 59.94, 60fps and the second channel 720x480 with 29.97fps compression. AAC, MP3 and PCM audio compression also supported. REMOTE CONTROL FROM ANYWHERE IN THE WORLD Control the PTZ camera at the venue from anywhere in the world using the BB-1 KIT and dvCloud streaming service.

DataVideo Ptc280w 4K(uhd) Ptz Camera (white)

DataVideo Ptc280w 4K(uhd) Ptz Camera (white)(DATA-PTC280W) Add a high-resolution PTZ camera to your conference room, education setting, live event, house of worship, or remote video conference with this white 4K HDMI/3G-SDI PTZ Camera with 12x Optical Zoom from Datavideo. The camera features remote pan, tilt, and zoom control via a remote control or via IP and serial protocols, and its built-in zoom lens offers an optical zoom range of 12x with a 16x digital zoom to view just about any angle in your setting. The camera supports frame rates and resolutions up to 4K, allowing you to utilize high-quality video for your broadcasts and internet streams. The camera sends video over its HDMI and/or 3G-SDI ports to compatible HDMI or SDI video converters, switchers, recorders, or other devices. It can also live stream video via the LAN Ethernet port. With 255 programmable preset positions, you can set the camera to rapidly move between positions using a variety of protocols including DVIP over your LAN, RS-422 using an optional serial controller, or IR control using the included IR remote. The camera compresses using the common, high-quality H.264 and H.265 protocols for streaming over your LAN, and you can simultaneously encode two live video streams using standard RTSP or RTMP protocols that are compatible with a variety of Internet streaming sites. The camera also supports external audio input via its 3.5mm stereo line-level input, and you can mount the camera via the 1/4"-20 threaded mounting thread. There is a red/green tally light on the camera so your room will know whether the camera is on or off. The camera is powered by the included power adapter, and it includes a ceiling mount bracket. You can utilize the separately available WM-1, WM-10, or WM-11 wall mount kits if you prefer to mount the camera on a wall.

Blackmagic Studio Camera 6K Pro

Blackmagic Studio Camera 6K Pro(BMD-CINSTUDMFT/G26PDK, BMD CINSTUDMFT/G26PDK, BMD/CINSTUDMFT/G26PDK) BLACKMAGIC STUDIO CAMERA 6K PRO Designed as the ultimate studio camera, Blackmagic Studio Camera 6K Pro adds a larger 6K Super 35 sensor and EF lens mount for true cinematic images in live production. There are built in ND filters that let you reduce the amount of light entering the camera, allowing you to work in a wider range of situations, including in bright sunlight. Plus stream direct to the internet with built in streaming! You also get the same powerful 12G‑SDI, 10G Ethernet and HDMI connections found on the 4K Pro G2. THE ULTIMATE SELF CONTAINED LIVE STUDIO CAMERAS With 3 models of Blackmagic Studio Camera, you can choose the one that’s best for your work. Even with 3 different models, each camera still has the same Blackmagic generation 5 colour science, so have the same cinematic images when mixed and matched on the same job. The distinctive design has the benefits of a large studio camera as it’s a combination of camera and viewfinder in a single lightweight design. All models offer gain from -12dB (100 ISO) up to +36dB (25,600 ISO) for amazing low light performance with low image grain and noise, as well as maximum dynamic range from the sensor. That means you can shoot in locations with limited lighting. They even have built in colour correctors. LIGHTWEIGHT CARBON FIBER POLYCARBONATE Blackmagic Studio Cameras are built from advanced carbon fiber reinforced polycarbonate, so they are light weight and very strong. That's important when you are carrying multiple cameras into venues such as old theatres, stadiums or nightclubs that have crazy stairs and hard to access backstage areas. Plus the ergonomic design has all external connections on the tripod handle side of the camera. This design and the folding sunshade makes the cameras extremely fast to set up. HIGHLY VISIBLE TALLY LIGHT Blackmagic Studio Cameras have a large built in tally light to see which camera is on-air. The light is so big, you can see it from a great distance! Plus numeric decals are included so you can number each camera. There's also a separate tally light on the rear under the sunshade, perfect when tilting the camera down. Tally is flexible as it works via SDI, HDMI or the Ethernet connection. When using Ethernet, the Blackmagic Studio Converter even includes conventional tally GPI inputs. LARGE BUILT IN VIEWFINDER The design of the Blackmagic Studio Camera is based on an incredible full HD resolution viewfinder with a bright screen and wide viewing angle. Until now, only incredibly expensive studio cameras had the advantage of such a large viewfinder for better focusing and framing of shots! For outdoor use, there's a sunshade included that folds up to protect the screen. This sunshade can also be easily unclipped and removed, or even replaced with the metal sunshade from the URSA Studio Viewfinder. TOUCHSCREEN AND MANUAL CONTROLS For fast moving live production, it's vital to have all camera controls instantly accessible. The viewfinder LCD is also a touchscreen so you can access camera settings via on screen menus. You get knobs for LCD brightness and contrast, and a focus peaking knob lets you fine tune the focus highlighting for accurate camera focus. There's also touch parameters for camera settings such as colour temp, gain, audio level and more. Plus there's even a program return and customizable function buttons. COMPATIBLE WITH POPULAR PHOTOGRAPHIC LENSES As photographic lenses are designed to handle high resolutions and are mass produced, they're great for high end television use. The MFT and EF lens mounts allow you to choose from a massive range of lenses from a wide range of different manufacturers. Often these lenses are so well built, you get broadcast style results combined with very accurate focus and zoom control. This means you can add the optional focus and zoom demands and use the camera just like a professional broadcast camera. BOTH BROADCAST AND CONSUMER CONNECTIONS The Blackmagic Studio Cameras have been designed to look attractive but still provide all the connections in a logical lay out. The connections on the right are for all video inputs and outputs and this means they can be tied to the tripod handle. On the left side are the connections for your talkback, audio inputs, USB and more. That's great for headphones as the connection on the camera is on the same side as the connection on the headphones, so you don't have to deal with any cable tangles. INCLUDES TRIPOD MOUNT Every Blackmagic Studio Camera includes a tripod mount so you don't need to purchase any accessories. The mount includes a quick release sliding plate, so you can attach the camera to the tripod just by sliding it onto the plate. That makes setup very fast when arriving on location. Plus the tripod mount includes two horizontal mounting holes so you can add optional rails when you need to support heavy items on the lens side of the camera such as prompters, matte boxes or heavy lenses. DC, XLR OR ETHERNET POWERED The Blackmagic Studio Camera features a common plug pack power connection with a locking ring so it won't get disconnected accidentally. On the Pro models, you can also connect via a 4 pin broadcast style XLR power connection, or if you use the Blackmagic Studio Converter to connect via Ethernet, the single Ethernet connection will also fully power the camera. That means when you use Ethernet, you don't need to plug in any local camera power at all.

Panasonic LUMIX S-R70200E S PRO 70-200mm F4 O.I.S. Lens - L-Mount completed

Panasonic LUMIX S-R70200E S PRO 70-200mm F4 O.I.S. Lens - L-Mount (PAN-S-R70200E, PAN/S/R70200E, PAN S R70200E) The Panasonic LUMIX S PRO S-R70200 70-200mm F4 Telephoto lens with O.I.S. provides high-resolution, high-contrast images across the entire zoom range making it perfect for portraits to sports. The Panasonic LUMIX 5-Axis Dual I.S. (Image Stabilizer) 2 [*1] system can be used with the LUMIX S PRO as a lens for a full-frame mirrorless camera system. LEICA Certified to Leica standards, this Telephoto Lens is an interchangeable Full Frame L-Mount. The O.I.S. (Optical Image Stabilizer) in the lens effectively compensates for hand-shake movement, making it easy to shoot without a tripod. This Panasonic LUMIX S PRO lens offers high-precision Auto Focus to capture every photo opportunity. The focus clutch mechanism enables both instant AF/MF switching and accurate manual focusing. Focus breathing is suppressed making it an excellent choice for video recording.   Camera performance, lightweight construction, and Dust/Splash*/Freeze-Resistant Design are some of the features you’ll enjoy while shooting with the Panasonic LUMIX S Series lens.

Panasonic Lumix S5 IIX Body with Lumix S 20-60mm and 50mm

Advanced features like PDAF and I.S. (Image stabilization) make using the LUMIX S5IIX a truly rewarding experience. Capture high-quality photos and video with unlimited recording and enjoy enhanced mobility with this compact full-frame mirrorless camera. ADVANCED FEATURES Phase Hybrid AF Phase Hybrid AF dramatically improves subject tracking and recognition performance. Active I.S. Technology The LUMIX S5IIX is optimal for shooting video while walking. A wide variety of video expression options The camera offers a full range of functions to expand the possibilities of expression for creators, including unlimited 4:2:2 10-bit C4K/4K 60p/50p recording, high-resolution 6K (5952x3968, 3:2) (5952x3136, 17:9), and more. New generation of imaging devices The first LUMIX mirrorless camera to feature a 24.2MP CMOS sensor with Phase Detection AF, the LUMIX S5IIX is equipped with a new engine. Designed for durability A highly versatile and durable HDMI Type A terminal is provided. A higher grade of visual expression Enjoy RAW video data output, ProRes recording, All-Intra video, and external USB-SSD recording for professional video production. Streaming options Choose your favourite approach: wireless live streaming (RTMP/RTMPS), USB-tethering (RTMP/RTMPS), and wired live streaming (RTP/RTSP). LUMIX DESIGN PHILOSOPHY: SHAPING EMOTIONS The new all-black design of the LUMIX S5IIX is made to encourage the creator to becomes immersed in capturing the subject, oblivious to the tools in use. It’s designed to harmonize with the shooting environment and prevent reflections on the iris or recording media supporting artistic creativity. A HIGHER GRADE OF VISUAL EXPRESSION With the LUMIX S5IIX, recording and playback is supported using an external SSD via USB. In addition, the ability to record ProRes 422 HQ (maximum 1.9Gbps) and 4:2:2 10-bit All-Intra directly to SSDs, which combine portability and high capacity has improved efficiency in data backup and post-processing. GO LIVE ANYTIME, ANYWHERE Choose your favorite streaming approach to share your latest in real time! For outdoor use, wireless live streaming (RTMP/RTMPS) is easy to set up with the LUMIX Sync app. For indoor use, highly stable wired live streaming (RTP/RTSP) is also available. PHASE HYBRID AF FOR AGGRESSIVE SHOOTING The most important thing in autofocus is to be dependable. The new Phase Hybrid AF delivers speed and accuracy to help you capture the target subject even in the most challenging scenes where multiple subjects are involved, and even in backlit or low-light environments. GREAT FOR SHOOTING AS YOU WALK: ACTIVE I.S. TECHNOLOGY New Active I.S. lets you walk and shoot at the same time. By determining the status of camera shake and optimizing correction ratios, Active I.S. can compensate for even significant camera shake, approximately 200%* more than conventional systems. *Compared with LUMIX S5. Focal length 20mm, when using S-R2060. HEAT MANAGEMENT FOR UNLIMITED RECORDING TIME 4:2:2 10-bit C4K/4K 60p/50p unlimited recording time.* With a compact body equivalent to the S5, the LUMIX S5IIX’s new optimized heat dissipation structure enables extended recording even when shooting at heavy loads (e.g. high-resolution video over 4K, HFR video). *The camera may stop recording when used in a temperature that is lower or higher than the recommended operating temperature (0 to 40 degrees). Recording stops when the continuous recording time exceeds 30 minutes in [6K/29.97p] [6K/25.00p] [5.9K/29.97p] [5.9K/25.00p] when Thermal Management mode is set to Standard. LUMIX COLOUR SCIENCE TECHNOLOGY The LUMIX commitment to superior image quality The new engine delivers more true-to-life colours, finer resolution, and a natural three-dimensional effect, and combined with Dual Native ISO technology, effectively suppresses noise even when shooting at ultra-high sensitivities, beautifully rendering even dark areas. Easy colour grading with REAL TIME LUT LUT-applied photos and videos can be recorded internally without any special software. Even if you don’t have specialized editing skills, the camera helps you expand your range of expression as much as you want.

Panasonic Lumix S5 IIX Body Only

Panasonic Lumix S5 IIX Body Only (PAN-DC-S5M2XE, PAN DC S5M2XE, PAN/DC/S5M2XE) Advanced features like PDAF and I.S. (Image stabilization) make using the LUMIX S5IIX a truly rewarding experience. Capture high-quality photos and video with unlimited recording and enjoy enhanced mobility with this compact full-frame mirrorless camera. ADVANCED FEATURES Phase Hybrid AF dramatically improves subject tracking and recognition performance. Active I.S. Technology The LUMIX S5IIX is optimal for shooting video while walking. A wide variety of video expression options The camera offers a full range of functions to expand the possibilities of expression for creators, including unlimited 4:2:2 10-bit C4K/4K 60p/50p recording, high-resolution 6K (5952x3968, 3:2) (5952x3136, 17:9), and more. New generation of imaging devices The first LUMIX mirrorless camera to feature a 24.2MP CMOS sensor with Phase Detection AF, the LUMIX S5IIX is equipped with a new engine. Designed for durability A highly versatile and durable HDMI Type A terminal is provided. A higher grade of visual expression Enjoy RAW video data output, ProRes recording, All-Intra video, and external USB-SSD recording for professional video production. Streaming options Choose your favourite approach: wireless live streaming (RTMP/RTMPS), USB-tethering (RTMP/RTMPS), and wired live streaming (RTP/RTSP). LUMIX DESIGN PHILOSOPHY: SHAPING EMOTIONS The new all-black design of the LUMIX S5IIX is made to encourage the creator to becomes immersed in capturing the subject, oblivious to the tools in use. It’s designed to harmonize with the shooting environment and prevent reflections on the iris or recording media supporting artistic creativity.   A HIGHER GRADE OF VISUAL EXPRESSION With the LUMIX S5IIX, recording and playback is supported using an external SSD via USB. In addition, the ability to record ProRes 422 HQ (maximum 1.9Gbps) and 4:2:2 10-bit All-Intra directly to SSDs, which combine portability and high capacity has improved efficiency in data backup and post-processing. GO LIVE ANYTIME, ANYWHERE Choose your favorite streaming approach to share your latest in real time! For outdoor use, wireless live streaming (RTMP/RTMPS) is easy to set up with the LUMIX Sync app. For indoor use, highly stable wired live streaming (RTP/RTSP) is also available. Live streaming to the platforms that comply with RTMP/RTMPS is basically possible (Compatibility with all the platforms is not guaranteed.) There may be the cases where the live streaming is not possible when the service of the platform changes. For more information, please refer to the terms and conditions of the platform. ･Since the transmission speed of live streaming varies depending on the Internet environment, smartphone performance, etc., we recommend that you conduct a transmission test in advance. ･A commercially available USB ethernet adaptor is required to convert the DC-S5IIX's USB Type C terminal to a LAN terminal. Compatibilities of USB ethernet adapter: https://panasonic.jp/support/global/cs/dsc/connect/ethernet_adp/index.html PHASE HYBRID AF FOR AGGRESSIVE SHOOTING The most important thing in autofocus is to be dependable. The new Phase Hybrid AF delivers speed and accuracy to help you capture the target subject even in the most challenging scenes where multiple subjects are involved, and even in backlit or low-light environments. GREAT FOR SHOOTING AS YOU WALK: ACTIVE I.S. TECHNOLOGY New Active I.S. lets you walk and shoot at the same time. By determining the status of camera shake and optimizing correction ratios, Active I.S. can compensate for even significant camera shake, approximately 200%* more than conventional systems. *Compared with LUMIX S5. Focal length 20mm, when using S-R2060. HEAT MANAGEMENT FOR UNLIMITED RECORDING TIME 4:2:2 10-bit C4K/4K 60p/50p unlimited recording time.* With a compact body equivalent to the S5, the LUMIX S5IIX’s new optimized heat dissipation structure enables extended recording even when shooting at heavy loads (e.g. high-resolution video over 4K, HFR video). *The camera may stop recording when used in a temperature that is lower or higher than the recommended operating temperature (0 to 40 degrees). Recording stops when the continuous recording time exceeds 30 minutes in [6K/29.97p] [6K/25.00p] [5.9K/29.97p] [5.9K/25.00p] when Thermal Management mode is set to Standard. LUMIX COLOUR SCIENCE TECHNOLOGY The LUMIX commitment to superior image quality The new engine delivers more true-to-life colours, finer resolution, and a natural three-dimensional effect, and combined with Dual Native ISO technology, effectively suppresses noise even when shooting at ultra-high sensitivities, beautifully rendering even dark areas. Easy colour grading with REAL TIME LUT LUT-applied photos and videos can be recorded internally without any special software. Even if you don’t have specialized editing skills, the camera helps you expand your range of expression as much as you want.

Panasonic Lumix S5 II Body with Lumix S 20-60mm and 50mm

Panasonic Lumix S5 II Body with Lumix S 20-60mm and 50mm ( PAN-DC-S5M2WE, PAN/DC/S5M2WE, PAN DC S5M2WE) Advanced features like PDAF and I.S. (Image stabilization) make using the LUMIX S5II a truly rewarding experience. Capture high-quality photos and video with unlimited recording and enjoy enhanced mobility with this compact full-frame mirrorless camera. Phase Hybrid AF Phase Hybrid AF dramatically improves subject tracking and recognition performance. Active I.S. Technology The LUMIX S5II is optimal for shooting video while walking. A wide variety of video expression options The camera offers a full range of functions to expand the possibilities of expression for creators, including unlimited 4:2:2 10-bit C4K/4K 60p/50p recording, high-resolution 6K (5952x3968, 3:2) (5952x3136, 17:9), and more. New generation of imaging devices The first LUMIX mirrorless camera to feature a 24.2MP CMOS sensor with Phase Detection AF, the LUMIX S5II is equipped with a new engine. Designed for durability A highly versatile and durable HDMI Type A terminal is provided. PHASE HYBRID AF FOR AGGRESSIVE SHOOTING The most important thing in autofocus is to be dependable. The new Phase Hybrid AF delivers speed and accuracy to help you capture the target subject even in the most challenging scenes where multiple subjects are involved, and even in backlit or low-light environments. GREAT FOR SHOOTING AS YOU WALK: ACTIVE I.S. TECHNOLOGY New Active I.S. lets you walk and shoot at the same time. By determining the status of camera shake and optimizing correction ratios, Active I.S. can compensate for even significant camera shake, approximately 200%* more than conventional systems. *Compared with LUMIX S5. Focal length 20mm, when using S-R2060. HEAT MANAGEMENT FOR UNLIMITED RECORDING TIME 4:2:2 10-bit C4K/4K 60p/50p unlimited recording time.* With a compact body equivalent to the S5, the LUMIX S5II’s new optimized heat dissipation structure enables extended recording even when shooting at heavy loads (e.g. high-resolution video over 4K, HFR video). *The camera may stop recording when used in a temperature that is lower or higher than the recommended operating temperature (0 to 40 degrees). Recording stops when the continuous recording time exceeds 30 minutes in [6K/29.97p] [6K/25.00p] [5.9K/29.97p] [5.9K/25.00p] when Thermal Management mode is set to Standard. THE LUMIX COMMITMENT TO SUPERIOR IMAGE QUALITY The new engine delivers more true-to-life colours, finer resolution, and a natural three-dimensional effect, and combined with Dual Native ISO technology, effectively suppresses noise even when shooting at ultra-high sensitivities, beautifully rendering even dark areas. EASY COLOUR GRADING WITH REAL TIME LUT LUT-applied photos and videos can be recorded internally without any special software. Even if you don’t have specialized editing skills, the camera helps you expand your range of expression as much as you want. TOUGH BODY FOR A WIDE RANGE OF WEATHER CONDITIONS The camera can be used in a wide range of weather conditions. The durable magnesium alloy full die-cast frame and sealing of all joints, dials, and buttons make it dust- and splash-resistant*. *Dust- and splash-resistant does not guarantee that damage will not occur if this camera is subjected to direct contact with dust and water. INTUITIVE OPERATION The intuitive, well-calculated layout and 8-directional joystick allow you to select the focus area intuitively with simple, one-thumb operation for speedy shooting.

Panasonic Lumix DC-S5II Body with Lumix S 20-60mm F3.5-5.6

Panasonic Lumix DC-S5II Body with Lumix S 20-60mm F3.5-5.6 (PAN-DC-S5M2KE, PAN/DC/S5M2KE, PAN DC S5M2KE) Advanced features like PDAF and I.S. (Image stabilization) make using the LUMIX S5II a truly rewarding experience. Capture high-quality photos and video with unlimited recording and enjoy enhanced mobility with this compact full-frame mirrorless camera. ADVANCED FEATURES Phase Hybrid AF Phase Hybrid AF dramatically improves subject tracking and recognition performance. Active I.S. Technology The LUMIX S5II is optimal for shooting video while walking. A wide variety of video expression options The camera offers a full range of functions to expand the possibilities of expression for creators, including unlimited 4:2:2 10-bit C4K/4K 60p/50p recording, high-resolution 6K (5952x3968, 3:2) (5952x3136, 17:9), and more. New generation of imaging devices The first LUMIX mirrorless camera to feature a 24.2MP CMOS sensor with Phase Detection AF, the LUMIX S5II is equipped with a new engine. Designed for durability A highly versatile and durable HDMI Type A terminal is provided. PHASE HYBRID AF FOR AGGRESSIVE SHOOTING The most important thing in autofocus is to be dependable. The new Phase Hybrid AF delivers speed and accuracy to help you capture the target subject even in the most challenging scenes where multiple subjects are involved, and even in backlit or low-light environments. GREAT FOR SHOOTING AS YOU WALK: ACTIVE I.S. TECHNOLOGY New Active I.S. lets you walk and shoot at the same time. By determining the status of camera shake and optimizing correction ratios, Active I.S. can compensate for even significant camera shake, approximately 200%* more than conventional systems. *Compared with LUMIX S5. Focal length 20mm, when using S-R2060. HEAT MANAGEMENT FOR UNLIMITED RECORDING TIME 4:2:2 10-bit C4K/4K 60p/50p unlimited recording time.* With a compact body equivalent to the S5, the LUMIX S5II’s new optimized heat dissipation structure enables extended recording even when shooting at heavy loads (e.g. high-resolution video over 4K, HFR video). *The camera may stop recording when used in a temperature that is lower or higher than the recommended operating temperature (0 to 40 degrees). Recording stops when the continuous recording time exceeds 30 minutes in [6K/29.97p] [6K/25.00p] [5.9K/29.97p] [5.9K/25.00p] when Thermal Management mode is set to Standard. THE LUMIX COMMITMENT TO SUPERIOR IMAGE QUALITY The new engine delivers more true-to-life colours, finer resolution, and a natural three-dimensional effect, and combined with Dual Native ISO technology, effectively suppresses noise even when shooting at ultra-high sensitivities, beautifully rendering even dark areas. EASY COLOUR GRADING WITH REAL TIME LUT LUT-applied photos and videos can be recorded internally without any special software. Even if you don’t have specialized editing skills, the camera helps you expand your range of expression as much as you want. TOUGH BODY FOR A WIDE RANGE OF WEATHER CONDITIONS The camera can be used in a wide range of weather conditions. The durable magnesium alloy full die-cast frame and sealing of all joints, dials, and buttons make it dust- and splash-resistant*. *Dust- and splash-resistant does not guarantee that damage will not occur if this camera is subjected to direct contact with dust and water. INTUITIVE OPERATION The intuitive, well-calculated layout and 8-directional joystick allow you to select the focus area intuitively with simple, one-thumb operation for speedy shooting.

Canon 5734C005 Legria HF G70 4K Camcorder package c

Canon 5734C005 Legria HF G70 4K Camcorder package c

Canon Legria HF G70 4K Camcorder package c includes: 1x Canon Legria HF G70 4K Camcorder 1x Canon BP-828 High Capacity 2670mah Battery Pack 1x Canon CG-800 Battery Charger 1x Sandisk 128GB Extreme Pro SDXC UHS-I 170MB/s Memory Card Start your filmmaking journey in glorious 4K with the compact and lightweight Canon LEGRIA HF G70. A powerful 20x optical zoom with image stabilizing technology lets you shoot on the move, enjoying shake-free footage from all distances that even corrects roll and tilt. An 8-blade aperture achieves cinema-worthy blurred highlights, for a better aesthetic when shooting creatively. Dramatic effects are well within reach, too, with slow and fast motion recording and a custom picture menu to match colour with other Canon cameras. And when you want to share your video feed, Livestream the HD footage in UVC via USB-C over a computer. Trust in a Canon 4K sensor A 4K sensor and DIGIC DV6 image processor deliver crisp, sharp UHD images for 4K televisions while an 8-blade aperture achieves cinema-style out-of-focus highlights. Frame your shot with the 3.5-inch LCD or hold the camera to your eye and use the built in EVF. Take creative control Add impact to your films with dynamic wides and close ups captured with the powerful 20x optical zoom and advanced image stabilisation. Customise the camera with five assignable buttons, and use the built-in ND filters to adjust exposure for wider apertures or slower shutter speeds. Fast, precise focusing with face detection The LEGRIA HF G70 features an advanced Hybrid AF system with focusing speed adjustable for either Fast or Smooth AF. Using the 3.5-inch LCD display, set the focus by simply touching the AF point you need. For even greater accuracy and convenience, especially with busy environments where you need to keep a subject in shot, Face Detection AF and Face Tracking is available while Manual Focus can be achieved via the control ring on the lens. MP4 recording The LEGRIA HF G70 supports MP4 for playing through a compatible TV. It also records 4K UHD 150Mbps at 25P, plus Full HD 35Mbps or 17Mbps at 50P/25P. Wide range of Shooting functions A host of outputs and recording options include, Slow Motion recording in Full HD 0.5x, Fast Motion recording in 4K/Full HD up to 1200x plus an array of Scene Modes. A custom picture menu enables colour matching with other Canon cameras while audio scene mode adds sound recording tuned to your environment. Simultaneous backup and relay recording via dual SD card slots is also included. Full HD UVC streaming is available via the USB-C output.

Canon 5734C005 Legria HF G70 4K Camcorder package b

Canon Legria HF G70 4K Camcorder package b includes: 1x Canon Legria HF G70 4K Camcorder 1x Canon BP-828 High Capacity 2670mah Battery Pack 1x Canon CG-800 Battery Charger Start your filmmaking journey in glorious 4K with the compact and lightweight Canon LEGRIA HF G70. A powerful 20x optical zoom with image stabilizing technology lets you shoot on the move, enjoying shake-free footage from all distances that even corrects roll and tilt. An 8-blade aperture achieves cinema-worthy blurred highlights, for a better aesthetic when shooting creatively. Dramatic effects are well within reach, too, with slow and fast motion recording and a custom picture menu to match colour with other Canon cameras. And when you want to share your video feed, Livestream the HD footage in UVC via USB-C over a computer. Trust in a Canon 4K sensor A 4K sensor and DIGIC DV6 image processor deliver crisp, sharp UHD images for 4K televisions while an 8-blade aperture achieves cinema-style out-of-focus highlights. Frame your shot with the 3.5-inch LCD or hold the camera to your eye and use the built in EVF. Take creative control Add impact to your films with dynamic wides and close ups captured with the powerful 20x optical zoom and advanced image stabilisation. Customise the camera with five assignable buttons, and use the built-in ND filters to adjust exposure for wider apertures or slower shutter speeds. Fast, precise focusing with face detection The LEGRIA HF G70 features an advanced Hybrid AF system with focusing speed adjustable for either Fast or Smooth AF. Using the 3.5-inch LCD display, set the focus by simply touching the AF point you need. For even greater accuracy and convenience, especially with busy environments where you need to keep a subject in shot, Face Detection AF and Face Tracking is available while Manual Focus can be achieved via the control ring on the lens. MP4 recording The LEGRIA HF G70 supports MP4 for playing through a compatible TV. It also records 4K UHD 150Mbps at 25P, plus Full HD 35Mbps or 17Mbps at 50P/25P. Wide range of Shooting functions A host of outputs and recording options include, Slow Motion recording in Full HD 0.5x, Fast Motion recording in 4K/Full HD up to 1200x plus an array of Scene Modes. A custom picture menu enables colour matching with other Canon cameras while audio scene mode adds sound recording tuned to your environment. Simultaneous backup and relay recording via dual SD card slots is also included. Full HD UVC streaming is available via the USB-C output.

Canon 5734C005 Legria HF G70 4K Camcorder package a

Canon Legria HF G70 4K Camcorder package a includes: 1x Canon Legria HF G70 4K Camcorder   1x Canon BP-828 High Capacity 2670mah Battery Pack Start your filmmaking journey in glorious 4K with the compact and lightweight Canon LEGRIA HF G70. A powerful 20x optical zoom with image stabilizing technology lets you shoot on the move, enjoying shake-free footage from all distances that even corrects roll and tilt. An 8-blade aperture achieves cinema-worthy blurred highlights, for a better aesthetic when shooting creatively. Dramatic effects are well within reach, too, with slow and fast motion recording and a custom picture menu to match colour with other Canon cameras. And when you want to share your video feed, Livestream the HD footage in UVC via USB-C over a computer. Trust in a Canon 4K sensor A 4K sensor and DIGIC DV6 image processor deliver crisp, sharp UHD images for 4K televisions while an 8-blade aperture achieves cinema-style out-of-focus highlights. Frame your shot with the 3.5-inch LCD or hold the camera to your eye and use the built in EVF. Take creative control Add impact to your films with dynamic wides and close ups captured with the powerful 20x optical zoom and advanced image stabilisation. Customise the camera with five assignable buttons, and use the built-in ND filters to adjust exposure for wider apertures or slower shutter speeds. Fast, precise focusing with face detection The LEGRIA HF G70 features an advanced Hybrid AF system with focusing speed adjustable for either Fast or Smooth AF. Using the 3.5-inch LCD display, set the focus by simply touching the AF point you need. For even greater accuracy and convenience, especially with busy environments where you need to keep a subject in shot, Face Detection AF and Face Tracking is available while Manual Focus can be achieved via the control ring on the lens. MP4 recording The LEGRIA HF G70 supports MP4 for playing through a compatible TV. It also records 4K UHD 150Mbps at 25P, plus Full HD 35Mbps or 17Mbps at 50P/25P. Wide range of Shooting functions A host of outputs and recording options include, Slow Motion recording in Full HD 0.5x, Fast Motion recording in 4K/Full HD up to 1200x plus an array of Scene Modes. A custom picture menu enables colour matching with other Canon cameras while audio scene mode adds sound recording tuned to your environment. Simultaneous backup and relay recording via dual SD card slots is also included. Full HD UVC streaming is available via the USB-C output.

Canon 5733C006 XA60 4K UHD Professional Camcorder package d

Canon 5733C006 (57-33C-006, 57/33/C006, 57 33 C006, 57_33_C006) XA60 4K UHD Professional Camcorder Canon XA60 4K UHD Professional Camcorder package D includes: 1x Canon XA60 camcorder 1x Canon BP-828 High Capacity 2670mah Battery Pack 1x Canon CG-800 Battery Charger   1x Sandisk 128GB Extreme Pro SDXC UHS-I 170MB/s Memory Card SDSDXXY-128G-GN4IN 1x Rode NTG2 shotgun microphone The Canon XA60 is a professional video camera with a great balance of image quality and portability, ideal for news gathering, documentary, and a wide range of shooting applications. No matter where you are, you can shoot high-quality 4K UHD footage that can easily be incorporated into a wider professional workflow thanks to an HDMI output. With outstanding Over Sampled HD processing, advanced autofocus, a Canon 20x optical zoom lens, and HD live streaming in UVC¹ via USB-C over a computer, the Canon XA60 lets you shoot footage easily and record onto SD, SDHC, and SDXC cards or share it later in either XF-AVC or MP4 formats. Shoot, record, stream Shoot high-quality 4K UHD video with the compact XA60. As well as outstanding Over Sampling HD processing, advanced autofocus, a Canon 20x optical zoom lens, and HD live streaming in UVC1 via USB-C over a computer, Capture high-quality footage in either XF-AVC or MP4 formats. Compact professional 4K UHD camcorder Capture stunning 4K UHD and superior Full HD images thanks to a 4K 1/2.3" type CMOS sensor and DIGIC DV6 image processor. Over Sampling HD processing delivers Full HD images from the 4K sensor. XF-AVC and MP4 for flexible recording Choose from XF-AVC or MP4 recording formats. Record XF-AVC 4K UHD 160Mbps at 25P, plus Full HD 45Mbps at 50P/50i/25P. For smaller files, record MP4 4K 150Mbps at 25P and Full HD 35Mbps or 17Mbps at 50P/25P. 4K 20x optical zoom lens The Canon lens covers a 29.3mm wide angle (35mm equivalent) plus a powerful 612mm reach with Dynamic IS. A digital zoom boosts to 800x with 5-axis image stabilisation. Professional inputs and outputs Output options include simultaneous backup and relay recording via dual SD card and Infrared mode. For specialist capture, record Slow Motion in Full HD 0.5x or Fast Motion in 4K/Full HD up to 1200x. Colour match with other Canon cameras via the custom picture menu. Fast, precise focusing with face detection Adjustable focusing speeds and an advanced Hybrid AF system give fast and precise focusing. Use the 3.5-inch LCD display to set focus by touching the AF point required. Face Detection AF and Face Tracking are available while Manual Focus is set via the focus/zoom ring. Livestream and more Stream HD footage via UVC1 over a computer or add a date and time stamp with OSD recording. Two XLR terminals on a detachable handle plus a 4-channel linear PCM bring pro audio options.

Canon 5733C006 XA60 4K UHD Professional Camcorder package c

Canon 5733C006 (57-33C-006, 57/33/C006, 57 33 C006, 57_33_C006) XA60 4K UHD Professional Camcorder Canon XA60 4K UHD Professional Camcorder package c includes: 1x Canon XA60 camcorder 1x Canon BP-828 High Capacity 2670mah Battery Pack 1x Canon CG-800 Battery Charger   1x Sandisk 128GB Extreme Pro SDXC UHS-I 170MB/s Memory Card SDSDXXY-128G-GN4IN The Canon XA60 is a professional video camera with a great balance of image quality and portability, ideal for news gathering, documentary, and a wide range of shooting applications. No matter where you are, you can shoot high-quality 4K UHD footage that can easily be incorporated into a wider professional workflow thanks to an HDMI output. With outstanding Over Sampled HD processing, advanced autofocus, a Canon 20x optical zoom lens, and HD live streaming in UVC¹ via USB-C over a computer, the Canon XA60 lets you shoot footage easily and record onto SD, SDHC, and SDXC cards or share it later in either XF-AVC or MP4 formats. Shoot, record, stream Shoot high-quality 4K UHD video with the compact XA60. As well as outstanding Over Sampling HD processing, advanced autofocus, a Canon 20x optical zoom lens, and HD live streaming in UVC1 via USB-C over a computer, Capture high-quality footage in either XF-AVC or MP4 formats. Compact professional 4K UHD camcorder Capture stunning 4K UHD and superior Full HD images thanks to a 4K 1/2.3" type CMOS sensor and DIGIC DV6 image processor. Over Sampling HD processing delivers Full HD images from the 4K sensor. XF-AVC and MP4 for flexible recording Choose from XF-AVC or MP4 recording formats. Record XF-AVC 4K UHD 160Mbps at 25P, plus Full HD 45Mbps at 50P/50i/25P. For smaller files, record MP4 4K 150Mbps at 25P and Full HD 35Mbps or 17Mbps at 50P/25P. 4K 20x optical zoom lens The Canon lens covers a 29.3mm wide angle (35mm equivalent) plus a powerful 612mm reach with Dynamic IS. A digital zoom boosts to 800x with 5-axis image stabilisation. Professional inputs and outputs Output options include simultaneous backup and relay recording via dual SD card and Infrared mode. For specialist capture, record Slow Motion in Full HD 0.5x or Fast Motion in 4K/Full HD up to 1200x. Colour match with other Canon cameras via the custom picture menu. Fast, precise focusing with face detection Adjustable focusing speeds and an advanced Hybrid AF system give fast and precise focusing. Use the 3.5-inch LCD display to set focus by touching the AF point required. Face Detection AF and Face Tracking are available while Manual Focus is set via the focus/zoom ring. Livestream and more Stream HD footage via UVC1 over a computer or add a date and time stamp with OSD recording. Two XLR terminals on a detachable handle plus a 4-channel linear PCM bring pro audio options.

Canon 5733C006 XA60 4K UHD Professional Camcorder package b

Canon 5733C006 (57-33C-006, 57/33/C006, 57 33 C006, 57_33_C006) XA60 4K UHD Professional Camcorder Canon XA60 4K UHD Professional Camcorder package b includes: 1x Canon XA60 camcorder 1x Canon BP-828 High Capacity 2670mah Battery Pack 1x Canon CG-800 Battery Charger The Canon XA60 is a professional video camera with a great balance of image quality and portability, ideal for news gathering, documentary, and a wide range of shooting applications. No matter where you are, you can shoot high-quality 4K UHD footage that can easily be incorporated into a wider professional workflow thanks to an HDMI output. With outstanding Over Sampled HD processing, advanced autofocus, a Canon 20x optical zoom lens, and HD live streaming in UVC¹ via USB-C over a computer, the Canon XA60 lets you shoot footage easily and record onto SD, SDHC, and SDXC cards or share it later in either XF-AVC or MP4 formats. Shoot, record, stream Shoot high-quality 4K UHD video with the compact XA60. As well as outstanding Over Sampling HD processing, advanced autofocus, a Canon 20x optical zoom lens, and HD live streaming in UVC1 via USB-C over a computer, Capture high-quality footage in either XF-AVC or MP4 formats. Compact professional 4K UHD camcorder Capture stunning 4K UHD and superior Full HD images thanks to a 4K 1/2.3" type CMOS sensor and DIGIC DV6 image processor. Over Sampling HD processing delivers Full HD images from the 4K sensor. XF-AVC and MP4 for flexible recording Choose from XF-AVC or MP4 recording formats. Record XF-AVC 4K UHD 160Mbps at 25P, plus Full HD 45Mbps at 50P/50i/25P. For smaller files, record MP4 4K 150Mbps at 25P and Full HD 35Mbps or 17Mbps at 50P/25P. 4K 20x optical zoom lens The Canon lens covers a 29.3mm wide angle (35mm equivalent) plus a powerful 612mm reach with Dynamic IS. A digital zoom boosts to 800x with 5-axis image stabilisation. Professional inputs and outputs Output options include simultaneous backup and relay recording via dual SD card and Infrared mode. For specialist capture, record Slow Motion in Full HD 0.5x or Fast Motion in 4K/Full HD up to 1200x. Colour match with other Canon cameras via the custom picture menu. Fast, precise focusing with face detection Adjustable focusing speeds and an advanced Hybrid AF system give fast and precise focusing. Use the 3.5-inch LCD display to set focus by touching the AF point required. Face Detection AF and Face Tracking are available while Manual Focus is set via the focus/zoom ring. Livestream and more Stream HD footage via UVC1 over a computer or add a date and time stamp with OSD recording. Two XLR terminals on a detachable handle plus a 4-channel linear PCM bring pro audio options.

Canon 5733C006 XA60 4K UHD Professional Camcorder package a

Canon 5733C006 (57-33C-006, 57/33/C006, 57 33 C006, 57_33_C006) XA60 4K UHD Professional Camcorder Canon XA60 4K UHD Professional Camcorder package a includes: 1x Canon XA60 camcorder 1x Canon BP-828 High Capacity 2670mah Battery Pack The Canon XA60 is a professional video camera with a great balance of image quality and portability, ideal for news gathering, documentary, and a wide range of shooting applications. No matter where you are, you can shoot high-quality 4K UHD footage that can easily be incorporated into a wider professional workflow thanks to an HDMI output. With outstanding Over Sampled HD processing, advanced autofocus, a Canon 20x optical zoom lens, and HD live streaming in UVC¹ via USB-C over a computer, the Canon XA60 lets you shoot footage easily and record onto SD, SDHC, and SDXC cards or share it later in either XF-AVC or MP4 formats. Shoot, record, stream Shoot high-quality 4K UHD video with the compact XA60. As well as outstanding Over Sampling HD processing, advanced autofocus, a Canon 20x optical zoom lens, and HD live streaming in UVC1 via USB-C over a computer, Capture high-quality footage in either XF-AVC or MP4 formats. Compact professional 4K UHD camcorder Capture stunning 4K UHD and superior Full HD images thanks to a 4K 1/2.3" type CMOS sensor and DIGIC DV6 image processor. Over Sampling HD processing delivers Full HD images from the 4K sensor. XF-AVC and MP4 for flexible recording Choose from XF-AVC or MP4 recording formats. Record XF-AVC 4K UHD 160Mbps at 25P, plus Full HD 45Mbps at 50P/50i/25P. For smaller files, record MP4 4K 150Mbps at 25P and Full HD 35Mbps or 17Mbps at 50P/25P. 4K 20x optical zoom lens The Canon lens covers a 29.3mm wide angle (35mm equivalent) plus a powerful 612mm reach with Dynamic IS. A digital zoom boosts to 800x with 5-axis image stabilisation. Professional inputs and outputs Output options include simultaneous backup and relay recording via dual SD card and Infrared mode. For specialist capture, record Slow Motion in Full HD 0.5x or Fast Motion in 4K/Full HD up to 1200x. Colour match with other Canon cameras via the custom picture menu. Fast, precise focusing with face detection Adjustable focusing speeds and an advanced Hybrid AF system give fast and precise focusing. Use the 3.5-inch LCD display to set focus by touching the AF point required. Face Detection AF and Face Tracking are available while Manual Focus is set via the focus/zoom ring. Livestream and more Stream HD footage via UVC1 over a computer or add a date and time stamp with OSD recording. Two XLR terminals on a detachable handle plus a 4-channel linear PCM bring pro audio options.

Canon 5735C005 XA75 4K UHD Professional Camcorder package d

Canon 5735C005 (57-35C-005, 57/35C-005, 57/35C/005, 57 35C 005) XA75 4K UHD Professional Camcorder Canon 5735C005 XA75 4K UHD Professional Camcorder package d includes: 1x Canon XA75 4K UHD camcorder 1x Canon BP-828 High Capacity 2670mah Battery Pack  1x Canon CG-800 Battery Charger 1x Sandisk 128GB Extreme Pro SDXC UHS-I 170MB/s Memory Card SDSDXXY-128G-GN4IN 1x Rode NTG2 Shotgun Microphone  The Canon XA75 is a 4K professional video camera that packs a lot of pro features into a beautifully compact body. Suitable for documentary filmmaking and journalism and many more applications, this professional camcorder is intuitive with palm-sized operability and all controls easily reached with thumb and fingers. Shoot high-quality video with outstanding Over Sampled HD processing and entrust Dual Pixel CMOS AF and a Canon 15x optical zoom lens to always deliver sharp, accurate results. And if you want to share a live HD feed immediately, livestream your footage in UVC¹ via USB-C over a computer. Recorded high-quality 4K UHD footage – in either XF-AVC or MP4 formats – can easily be incorporated into a wider professional workflow, thanks to 3G-SDI and HDMI outputs. Compact professional 4K UHD camcorder Capture stunning 4K UHD and superior Full HD images thanks to a 1.0-inch Type CMOS 4K sensor and DIGIC DV6 image processor. Over Sampling HD processing delivers Full HD images from the sensor. XF-AVC and MP4 for flexible recording Choose from XF-AVC or MP4 recording formats. Record XF-AVC 4K UHD 160Mbps at 25P, plus Full HD 45Mbps at 50P/50i/25P. For smaller files, record MP4 4K 150Mbps at 25P and Full HD 35Mbps or 17Mbps at 50P/25P. 4K 15x optical zoom lens The Canon lens covers a 25.5 – 382mm (35mm equivalent) range. A digital zoom boosts to 300x with 5-axis image stabilisation. Professional inputs and outputs Output options include 3G-SDI, simultaneous backup and relay recording via dual SD card and Infrared mode. For specialist capture, record Slow Motion in Full HD 0.5x or Fast Motion in 4K/Full HD up to 1200x. Colour match with other Canon cameras via the custom picture menu. Fast, precise focusing with face detection Adjustable focusing speeds and advanced Dual Pixel CMOS AF give fast and precise focusing. Use the 3.5-inch LCD display to set focus by touching the AF point required. Face Detection AF and Face Tracking are available while Manual Focus is set via the focus/zoom ring. Livestream and more Stream HD footage via UVC1 over a computer or add a date and time stamp with OSD recording. Two XLR terminals on a detachable handle plus 4-channel linear PCM bring pro audio options.

Canon 5735C005 XA75 4K UHD Professional Camcorder package c

Canon 5735C005 (57-35C-005, 57/35C-005, 57/35C/005, 57 35C 005) XA75 4K UHD Professional Camcorder Canon 5735C005 XA75 4K UHD Professional Camcorder package c includes: 1x Canon XA75 4K UHD camcorder 1x Canon BP-828 High Capacity 2670mah Battery Pack  1x Canon CG-800 Battery Charger 1x Sandisk 128GB Extreme Pro SDXC UHS-I 170MB/s Memory Card SDSDXXY-128G-GN4IN The Canon XA75 is a 4K professional video camera that packs a lot of pro features into a beautifully compact body. Suitable for documentary filmmaking and journalism and many more applications, this professional camcorder is intuitive with palm-sized operability and all controls easily reached with thumb and fingers. Shoot high-quality video with outstanding Over Sampled HD processing and entrust Dual Pixel CMOS AF and a Canon 15x optical zoom lens to always deliver sharp, accurate results. And if you want to share a live HD feed immediately, livestream your footage in UVC¹ via USB-C over a computer. Recorded high-quality 4K UHD footage – in either XF-AVC or MP4 formats – can easily be incorporated into a wider professional workflow, thanks to 3G-SDI and HDMI outputs. Compact professional 4K UHD camcorder Capture stunning 4K UHD and superior Full HD images thanks to a 1.0-inch Type CMOS 4K sensor and DIGIC DV6 image processor. Over Sampling HD processing delivers Full HD images from the sensor. XF-AVC and MP4 for flexible recording Choose from XF-AVC or MP4 recording formats. Record XF-AVC 4K UHD 160Mbps at 25P, plus Full HD 45Mbps at 50P/50i/25P. For smaller files, record MP4 4K 150Mbps at 25P and Full HD 35Mbps or 17Mbps at 50P/25P. 4K 15x optical zoom lens The Canon lens covers a 25.5 – 382mm (35mm equivalent) range. A digital zoom boosts to 300x with 5-axis image stabilisation. Professional inputs and outputs Output options include 3G-SDI, simultaneous backup and relay recording via dual SD card and Infrared mode. For specialist capture, record Slow Motion in Full HD 0.5x or Fast Motion in 4K/Full HD up to 1200x. Colour match with other Canon cameras via the custom picture menu. Fast, precise focusing with face detection Adjustable focusing speeds and advanced Dual Pixel CMOS AF give fast and precise focusing. Use the 3.5-inch LCD display to set focus by touching the AF point required. Face Detection AF and Face Tracking are available while Manual Focus is set via the focus/zoom ring. Livestream and more Stream HD footage via UVC1 over a computer or add a date and time stamp with OSD recording. Two XLR terminals on a detachable handle plus 4-channel linear PCM bring pro audio options.

Canon 5735C005 XA75 4K UHD Professional Camcorder package b

Canon 5735C005 XA75 4K UHD Professional Camcorder package b

Canon 5735C005 (57-35C-005, 57/35C-005, 57/35C/005, 57 35C 005) XA75 4K UHD Professional Camcorder Canon 5735C005 XA75 4K UHD Professional Camcorder package b includes: 1x Canon XA75 4K UHD camcorder 1x Canon BP-828 High Capacity 2670mah Battery Pack  1x Canon CG-800 Battery Charger The Canon XA75 is a 4K professional video camera that packs a lot of pro features into a beautifully compact body. Suitable for documentary filmmaking and journalism and many more applications, this professional camcorder is intuitive with palm-sized operability and all controls easily reached with thumb and fingers. Shoot high-quality video with outstanding Over Sampled HD processing and entrust Dual Pixel CMOS AF and a Canon 15x optical zoom lens to always deliver sharp, accurate results. And if you want to share a live HD feed immediately, livestream your footage in UVC¹ via USB-C over a computer. Recorded high-quality 4K UHD footage – in either XF-AVC or MP4 formats – can easily be incorporated into a wider professional workflow, thanks to 3G-SDI and HDMI outputs. Compact professional 4K UHD camcorder Capture stunning 4K UHD and superior Full HD images thanks to a 1.0-inch Type CMOS 4K sensor and DIGIC DV6 image processor. Over Sampling HD processing delivers Full HD images from the sensor. XF-AVC and MP4 for flexible recording Choose from XF-AVC or MP4 recording formats. Record XF-AVC 4K UHD 160Mbps at 25P, plus Full HD 45Mbps at 50P/50i/25P. For smaller files, record MP4 4K 150Mbps at 25P and Full HD 35Mbps or 17Mbps at 50P/25P. 4K 15x optical zoom lens The Canon lens covers a 25.5 – 382mm (35mm equivalent) range. A digital zoom boosts to 300x with 5-axis image stabilisation. Professional inputs and outputs Output options include 3G-SDI, simultaneous backup and relay recording via dual SD card and Infrared mode. For specialist capture, record Slow Motion in Full HD 0.5x or Fast Motion in 4K/Full HD up to 1200x. Colour match with other Canon cameras via the custom picture menu. Fast, precise focusing with face detection Adjustable focusing speeds and advanced Dual Pixel CMOS AF give fast and precise focusing. Use the 3.5-inch LCD display to set focus by touching the AF point required. Face Detection AF and Face Tracking are available while Manual Focus is set via the focus/zoom ring. Livestream and more Stream HD footage via UVC1 over a computer or add a date and time stamp with OSD recording. Two XLR terminals on a detachable handle plus 4-channel linear PCM bring pro audio options.

Canon 5735C005 XA75 4K UHD Professional Camcorder package a

Canon 5735C005 (57-35C-005, 57/35C-005, 57/35C/005, 57 35C 005) XA75 4K UHD Professional Camcorder Canon 5735C005 XA75 4K UHD Professional Camcorder package a includes: 1x Canon XA75 4K UHD camcorder 1x Canon BP-828 High Capacity 2670mah Battery Pack  The Canon XA75 is a 4K professional video camera that packs a lot of pro features into a beautifully compact body. Suitable for documentary filmmaking and journalism and many more applications, this professional camcorder is intuitive with palm-sized operability and all controls easily reached with thumb and fingers. Shoot high-quality video with outstanding Over Sampled HD processing and entrust Dual Pixel CMOS AF and a Canon 15x optical zoom lens to always deliver sharp, accurate results. And if you want to share a live HD feed immediately, livestream your footage in UVC¹ via USB-C over a computer. Recorded high-quality 4K UHD footage – in either XF-AVC or MP4 formats – can easily be incorporated into a wider professional workflow, thanks to 3G-SDI and HDMI outputs. Compact professional 4K UHD camcorder Capture stunning 4K UHD and superior Full HD images thanks to a 1.0-inch Type CMOS 4K sensor and DIGIC DV6 image processor. Over Sampling HD processing delivers Full HD images from the sensor. XF-AVC and MP4 for flexible recording Choose from XF-AVC or MP4 recording formats. Record XF-AVC 4K UHD 160Mbps at 25P, plus Full HD 45Mbps at 50P/50i/25P. For smaller files, record MP4 4K 150Mbps at 25P and Full HD 35Mbps or 17Mbps at 50P/25P. 4K 15x optical zoom lens The Canon lens covers a 25.5 – 382mm (35mm equivalent) range. A digital zoom boosts to 300x with 5-axis image stabilisation. Professional inputs and outputs Output options include 3G-SDI, simultaneous backup and relay recording via dual SD card and Infrared mode. For specialist capture, record Slow Motion in Full HD 0.5x or Fast Motion in 4K/Full HD up to 1200x. Colour match with other Canon cameras via the custom picture menu. Fast, precise focusing with face detection Adjustable focusing speeds and advanced Dual Pixel CMOS AF give fast and precise focusing. Use the 3.5-inch LCD display to set focus by touching the AF point required. Face Detection AF and Face Tracking are available while Manual Focus is set via the focus/zoom ring. Livestream and more Stream HD footage via UVC1 over a computer or add a date and time stamp with OSD recording. Two XLR terminals on a detachable handle plus 4-channel linear PCM bring pro audio options.

Panasonic PAN-HCX20E HC-X20E 4K 60p/50p Camcorder package d

Panasonic PAN-HCX20E (PAN/HCX20E, PAN_HCX20E, PANHCX20E, PAN HCX20E) HC-X20E 4K 60p/50p Camcorder Panasonic HC-X20 4K Mobile Camcorder package d includes: 1x Panasonic PAN-HCX20E HC-X20E 4K 60p/50p Camcorder PAN-HCX20E 1x Sandisk 128GB Extreme Pro SDXC UHS-I 170MB/s Memory Card SDSDXXY-128G-GN4IN 1x Hedbox RP-VBD78 DV Battery Pack for Panasonic 7800mAh Li-Ion Battery 7.4V RP-VBD78 1x Camrade CAM-R&GB-CINEMA run&gunBag Cinema bag 1x Acebil i-605DX Tripod System  The HC-X20 offers 20x optical zoom, 24.5mm wide angle for both UHD and FHD, 4K high-precision AF with new face detection and higher precision, 5-Axis HYBRID O.I.S.+, high brightness LCD, and more. For video recording, the camcorder supports 4:2:2 10-bit 4K 30p/25p internal video recording and the new, high-efficiency HEVC codec. It has been equipped with a wide variety of recording formats for the best selections such as Super slow motion (120/100 fps) and VFR (2 to 60 fps). Featuring Remarkable Optical Performance for Precise Shooting The integrated lens offers a remarkably powerful, optical 20x zoom that ranges from 24.5mm* wide angle to 490mm* tele. i.ZOOM achieves 24x at 4K resolution, and 32x at FHD. The 4-Drive Lens System drives the four lens groups independently, thus achieving the optical 20x zoom and compact body size. High-speed, High-precision AF Including Face Detection AF/AE Superior focusing speed, stability and tracking performance for both 4K and Full-HD is achieved thanks to Face Detection AF/AE together with the precise focus lens drive. Face Detection AF/AE provides precise focusing and sufficient exposure for subjects. In addition, subject tracking with color recognition can be activated by just touching the LCD panel enabling precise tracking. 5-Axis HYBRID O.I.S.+ Enables Stable Image Acquisition For both UHD and FHD modes, in addition to OIS (Optical Image Stabilization), Electronic Image Stabilization operates to detect and correct handshake in 5 axes, including rotational blurring. This provides strong correction under unstable conditions, such as low-angle and high-angle shooting. The Ball O.I.S. System reduces friction on the drive section, achieving delicate correction even for small-amplitude handshake. This produces beautiful images with suppressed handshake even at high, 20x optical zoom. High-sensitivity 1.0-type (1.0-inch) 4K Sensor for Superb Image Quality The 1.0-type (1.0-inch) MOS sensor (approximately 15.03 effective megapixels) is capable of recording at UHD (3840 x 2160) without cropping and offers a moderate depth of field and an excellent balance between image quality and sensitivity. The file format can be selected from versatile and easy-to-use MOV (QuickTime), MP4 and AVCHD. High-Quality Recording with Versatile Modes The camcorder supports a variety of bit rates and formats to meet professional needs. Internal recording of UHD up to 29.98p/25p and FHD up to 59.94p/50p in 4:2:2 10-bit high quality is now possible. When set for 10-bit recording, the camcorder delivers 4K 60p 4:2:2 10-bit HDMI output, enabling high image quality capture with an external recorder. New, highly efficient HEVC recording (LongGOP/10-bit 4:2:0/MOV) is also supported for recording 59.94p at a high bit rate of 200 Mbps, in addition to MOV, MP4, and AVCHD file formats. Super Slow Motion and VFR (2 to 60 fps) The Super Slow Motion function records HD images at a high speed of 120 fps (59.94 Hz)/100 fps (50 Hz) to provide a slow-motion effect. The HC-X20 is also newly equipped with a VFR (variable frame rate) recording function that allows the change of frame rate setting in ten steps from 2 to 60 fps. This lets the user produce creative and expressive videos using techniques such as overcranking for a slow-motion effect and undercranking for a quick-motion effect. Versatile Network Functions Expand the User's Workflow The built-in Wi-Fi module enables Wi-Fi connectivity using only the main unit. The HC-ROP tablet/smartphone app enables wireless remote control, including camera settings and lens control. HC-X20 can be connected to a wired LAN by using a USB Ethernet adapter (sold separately). RTSP/RTP/RTMP/RTMPS-compatible FHD streaming enables direct connection and streaming of live concerts, sporting events, breaking news, etc. to Facebook, YouTube, etc. It is also now possible to record while streaming. Functions and Designs Supporting Pro Camera Work The 3.5-inch LCD monitor has a high resolution of approximately 2,760k dots, more than double that of the previous model*1, and realizes excellent visibility even in bright sunlight with twice the brightness compared to the previous model. The electrostatic touch panel also improves operability when selecting menus. Since the 2,360K-dot tiltable viewfinder and LCD output simultaneously, the image being recorded can also be confirmed in the LCD monitor while viewing it on the EVF, thus improving work efficiency. Also, to support fast, accurate manual focusing, Focus Assist functions are equipped, including Expand, Peaking and Area Mode. For shooting in even darker conditions, commercially available IR lights are supported for IR (Infrared) Shooting. The lens barrel features Triple Manual Rings for zoom, focus and iris operations. There are a total of 14 User buttons, nine on the body and five on the LCD touch panel. These User buttons can be allocated with desired functions. The ND filter can be set to Clear, 1/4, 1/16 or 1/64. Gain selector and AWB selector are also provided. The controls are designed and engineered to meet the needs of video professionals. The included battery is designed to be integrated into the camera, not protruding from it, and can provide approximately 4 hours and 25 minutes of continuous shooting. Double SD Card Slot and UHD/FHD Dual Codec Recording Two SD memory card slots are provided. The recording media switches automatically and seamlessly from Slot 1 to Slot 2. By changing a full SD card with a new SD card, images can be recorded continuously for many hours. Unlimited Relay Recording: Data is recorded continuously by automatically switching the recording SD card from Slot 1 to Slot 2. By changing the full SD card with a new SD card, images can be recorded continuously for many hours. Simultaneous Recording: Identical data is recorded onto cards in both slots in this highly redundant recording mode. Background Recording: One SD card can be set in Slot 2 to record continuously, and another SD card can be set in Slot 1 to record necessary scenes by turning REC on and off. 48-kHz/24-bit High Resolution Linear PCM Audio Recording +48V Phantom Power Supply/MIC/LINE Selectable XLR Audio Input with Manual Volume is equipped for each of 2 channels. Also supported is a 24-bit linear PCM system (MOV), 16-bit AAC (MP4), or Dolby Audio system (AVCHD) high-quality 2-channel audio recording. Broadcast-grade Camera Image Adjustment Functions 16-Axis Independent Color Correction Function: Allows color matching of multiple cameras under the same lighting condition as well as creative image rendering. Soft Skin: Makes skin colors appear softly and beautifully. Especially effective when recording the person up close. Master Detail: Adjusts the overall degree of contour enhancement. Scene File: Six sets of image quality settings are preset in scene files. Parameters in each set can be changed flexibly. One set can be saved in the main unit, and up to eight sets can be stored on an SD memory card. 8-Mode Gamma: Gamma setting can be selected from seven modes including two types of CINE-LIKE gamma. This allows the user to achieve the most suitable gradation according to the specific video production need.

Panasonic PAN-HCX20E HC-X20E 4K 60p/50p Camcorder package c

Panasonic PAN-HCX20E (PAN/HCX20E, PAN_HCX20E, PANHCX20E, PAN HCX20E) HC-X20E 4K 60p/50p Camcorder Panasonic HC-X20 4K Mobile Camcorder package c includes: 1x Panasonic PAN-HCX20E HC-X20E 4K 60p/50p Camcorder PAN-HCX20E 1x Sandisk 128GB Extreme Pro SDXC UHS-I 170MB/s Memory Card SDSDXXY-128G-GN4IN 1x Hedbox RP-VBD78 DV Battery Pack for Panasonic 7800mAh Li-Ion Battery 7.4V RP-VBD78 1x Camrade CAM-R&GB-CINEMA run&gunBag Cinema bag The HC-X20 offers 20x optical zoom, 24.5mm wide angle for both UHD and FHD, 4K high-precision AF with new face detection and higher precision, 5-Axis HYBRID O.I.S.+, high brightness LCD, and more. For video recording, the camcorder supports 4:2:2 10-bit 4K 30p/25p internal video recording and the new, high-efficiency HEVC codec. It has been equipped with a wide variety of recording formats for the best selections such as Super slow motion (120/100 fps) and VFR (2 to 60 fps). Featuring Remarkable Optical Performance for Precise Shooting The integrated lens offers a remarkably powerful, optical 20x zoom that ranges from 24.5mm* wide angle to 490mm* tele. i.ZOOM achieves 24x at 4K resolution, and 32x at FHD. The 4-Drive Lens System drives the four lens groups independently, thus achieving the optical 20x zoom and compact body size. High-speed, High-precision AF Including Face Detection AF/AE Superior focusing speed, stability and tracking performance for both 4K and Full-HD is achieved thanks to Face Detection AF/AE together with the precise focus lens drive. Face Detection AF/AE provides precise focusing and sufficient exposure for subjects. In addition, subject tracking with color recognition can be activated by just touching the LCD panel enabling precise tracking. 5-Axis HYBRID O.I.S.+ Enables Stable Image Acquisition For both UHD and FHD modes, in addition to OIS (Optical Image Stabilization), Electronic Image Stabilization operates to detect and correct handshake in 5 axes, including rotational blurring. This provides strong correction under unstable conditions, such as low-angle and high-angle shooting. The Ball O.I.S. System reduces friction on the drive section, achieving delicate correction even for small-amplitude handshake. This produces beautiful images with suppressed handshake even at high, 20x optical zoom. High-sensitivity 1.0-type (1.0-inch) 4K Sensor for Superb Image Quality The 1.0-type (1.0-inch) MOS sensor (approximately 15.03 effective megapixels) is capable of recording at UHD (3840 x 2160) without cropping and offers a moderate depth of field and an excellent balance between image quality and sensitivity. The file format can be selected from versatile and easy-to-use MOV (QuickTime), MP4 and AVCHD. High-Quality Recording with Versatile Modes The camcorder supports a variety of bit rates and formats to meet professional needs. Internal recording of UHD up to 29.98p/25p and FHD up to 59.94p/50p in 4:2:2 10-bit high quality is now possible. When set for 10-bit recording, the camcorder delivers 4K 60p 4:2:2 10-bit HDMI output, enabling high image quality capture with an external recorder. New, highly efficient HEVC recording (LongGOP/10-bit 4:2:0/MOV) is also supported for recording 59.94p at a high bit rate of 200 Mbps, in addition to MOV, MP4, and AVCHD file formats. Super Slow Motion and VFR (2 to 60 fps) The Super Slow Motion function records HD images at a high speed of 120 fps (59.94 Hz)/100 fps (50 Hz) to provide a slow-motion effect. The HC-X20 is also newly equipped with a VFR (variable frame rate) recording function that allows the change of frame rate setting in ten steps from 2 to 60 fps. This lets the user produce creative and expressive videos using techniques such as overcranking for a slow-motion effect and undercranking for a quick-motion effect. Versatile Network Functions Expand the User's Workflow The built-in Wi-Fi module enables Wi-Fi connectivity using only the main unit. The HC-ROP tablet/smartphone app enables wireless remote control, including camera settings and lens control. HC-X20 can be connected to a wired LAN by using a USB Ethernet adapter (sold separately). RTSP/RTP/RTMP/RTMPS-compatible FHD streaming enables direct connection and streaming of live concerts, sporting events, breaking news, etc. to Facebook, YouTube, etc. It is also now possible to record while streaming. Functions and Designs Supporting Pro Camera Work The 3.5-inch LCD monitor has a high resolution of approximately 2,760k dots, more than double that of the previous model*1, and realizes excellent visibility even in bright sunlight with twice the brightness compared to the previous model. The electrostatic touch panel also improves operability when selecting menus. Since the 2,360K-dot tiltable viewfinder and LCD output simultaneously, the image being recorded can also be confirmed in the LCD monitor while viewing it on the EVF, thus improving work efficiency. Also, to support fast, accurate manual focusing, Focus Assist functions are equipped, including Expand, Peaking and Area Mode. For shooting in even darker conditions, commercially available IR lights are supported for IR (Infrared) Shooting. The lens barrel features Triple Manual Rings for zoom, focus and iris operations. There are a total of 14 User buttons, nine on the body and five on the LCD touch panel. These User buttons can be allocated with desired functions. The ND filter can be set to Clear, 1/4, 1/16 or 1/64. Gain selector and AWB selector are also provided. The controls are designed and engineered to meet the needs of video professionals. The included battery is designed to be integrated into the camera, not protruding from it, and can provide approximately 4 hours and 25 minutes of continuous shooting. Double SD Card Slot and UHD/FHD Dual Codec Recording Two SD memory card slots are provided. The recording media switches automatically and seamlessly from Slot 1 to Slot 2. By changing a full SD card with a new SD card, images can be recorded continuously for many hours. Unlimited Relay Recording: Data is recorded continuously by automatically switching the recording SD card from Slot 1 to Slot 2. By changing the full SD card with a new SD card, images can be recorded continuously for many hours. Simultaneous Recording: Identical data is recorded onto cards in both slots in this highly redundant recording mode. Background Recording: One SD card can be set in Slot 2 to record continuously, and another SD card can be set in Slot 1 to record necessary scenes by turning REC on and off. 48-kHz/24-bit High Resolution Linear PCM Audio Recording +48V Phantom Power Supply/MIC/LINE Selectable XLR Audio Input with Manual Volume is equipped for each of 2 channels. Also supported is a 24-bit linear PCM system (MOV), 16-bit AAC (MP4), or Dolby Audio system (AVCHD) high-quality 2-channel audio recording. Broadcast-grade Camera Image Adjustment Functions 16-Axis Independent Color Correction Function: Allows color matching of multiple cameras under the same lighting condition as well as creative image rendering. Soft Skin: Makes skin colors appear softly and beautifully. Especially effective when recording the person up close. Master Detail: Adjusts the overall degree of contour enhancement. Scene File: Six sets of image quality settings are preset in scene files. Parameters in each set can be changed flexibly. One set can be saved in the main unit, and up to eight sets can be stored on an SD memory card. 8-Mode Gamma: Gamma setting can be selected from seven modes including two types of CINE-LIKE gamma. This allows the user to achieve the most suitable gradation according to the specific video production need.

Panasonic PAN-HCX20E HC-X20E 4K 60p/50p Camcorder package b

Panasonic PAN-HCX20E (PAN/HCX20E, PAN_HCX20E, PANHCX20E, PAN HCX20E) HC-X20E 4K 60p/50p Camcorder Panasonic HC-X20 4K Mobile Camcorder package b includes: 1x Panasonic PAN-HCX20E HC-X20E 4K 60p/50p Camcorder PAN-HCX20E 1x Sandisk 128GB Extreme Pro SDXC UHS-I 170MB/s Memory Card SDSDXXY-128G-GN4IN 1x Hedbox RP-VBD78 DV Battery Pack for Panasonic 7800mAh Li-Ion Battery 7.4V RP-VBD78 The HC-X20 offers 20x optical zoom, 24.5mm wide angle for both UHD and FHD, 4K high-precision AF with new face detection and higher precision, 5-Axis HYBRID O.I.S.+, high brightness LCD, and more. For video recording, the camcorder supports 4:2:2 10-bit 4K 30p/25p internal video recording and the new, high-efficiency HEVC codec. It has been equipped with a wide variety of recording formats for the best selections such as Super slow motion (120/100 fps) and VFR (2 to 60 fps). Featuring Remarkable Optical Performance for Precise Shooting The integrated lens offers a remarkably powerful, optical 20x zoom that ranges from 24.5mm* wide angle to 490mm* tele. i.ZOOM achieves 24x at 4K resolution, and 32x at FHD. The 4-Drive Lens System drives the four lens groups independently, thus achieving the optical 20x zoom and compact body size. High-speed, High-precision AF Including Face Detection AF/AE Superior focusing speed, stability and tracking performance for both 4K and Full-HD is achieved thanks to Face Detection AF/AE together with the precise focus lens drive. Face Detection AF/AE provides precise focusing and sufficient exposure for subjects. In addition, subject tracking with color recognition can be activated by just touching the LCD panel enabling precise tracking. 5-Axis HYBRID O.I.S.+ Enables Stable Image Acquisition For both UHD and FHD modes, in addition to OIS (Optical Image Stabilization), Electronic Image Stabilization operates to detect and correct handshake in 5 axes, including rotational blurring. This provides strong correction under unstable conditions, such as low-angle and high-angle shooting. The Ball O.I.S. System reduces friction on the drive section, achieving delicate correction even for small-amplitude handshake. This produces beautiful images with suppressed handshake even at high, 20x optical zoom. High-sensitivity 1.0-type (1.0-inch) 4K Sensor for Superb Image Quality The 1.0-type (1.0-inch) MOS sensor (approximately 15.03 effective megapixels) is capable of recording at UHD (3840 x 2160) without cropping and offers a moderate depth of field and an excellent balance between image quality and sensitivity. The file format can be selected from versatile and easy-to-use MOV (QuickTime), MP4 and AVCHD. High-Quality Recording with Versatile Modes The camcorder supports a variety of bit rates and formats to meet professional needs. Internal recording of UHD up to 29.98p/25p and FHD up to 59.94p/50p in 4:2:2 10-bit high quality is now possible. When set for 10-bit recording, the camcorder delivers 4K 60p 4:2:2 10-bit HDMI output, enabling high image quality capture with an external recorder. New, highly efficient HEVC recording (LongGOP/10-bit 4:2:0/MOV) is also supported for recording 59.94p at a high bit rate of 200 Mbps, in addition to MOV, MP4, and AVCHD file formats. Super Slow Motion and VFR (2 to 60 fps) The Super Slow Motion function records HD images at a high speed of 120 fps (59.94 Hz)/100 fps (50 Hz) to provide a slow-motion effect. The HC-X20 is also newly equipped with a VFR (variable frame rate) recording function that allows the change of frame rate setting in ten steps from 2 to 60 fps. This lets the user produce creative and expressive videos using techniques such as overcranking for a slow-motion effect and undercranking for a quick-motion effect. Versatile Network Functions Expand the User's Workflow The built-in Wi-Fi module enables Wi-Fi connectivity using only the main unit. The HC-ROP tablet/smartphone app enables wireless remote control, including camera settings and lens control. HC-X20 can be connected to a wired LAN by using a USB Ethernet adapter (sold separately). RTSP/RTP/RTMP/RTMPS-compatible FHD streaming enables direct connection and streaming of live concerts, sporting events, breaking news, etc. to Facebook, YouTube, etc. It is also now possible to record while streaming. Functions and Designs Supporting Pro Camera Work The 3.5-inch LCD monitor has a high resolution of approximately 2,760k dots, more than double that of the previous model*1, and realizes excellent visibility even in bright sunlight with twice the brightness compared to the previous model. The electrostatic touch panel also improves operability when selecting menus. Since the 2,360K-dot tiltable viewfinder and LCD output simultaneously, the image being recorded can also be confirmed in the LCD monitor while viewing it on the EVF, thus improving work efficiency. Also, to support fast, accurate manual focusing, Focus Assist functions are equipped, including Expand, Peaking and Area Mode. For shooting in even darker conditions, commercially available IR lights are supported for IR (Infrared) Shooting. The lens barrel features Triple Manual Rings for zoom, focus and iris operations. There are a total of 14 User buttons, nine on the body and five on the LCD touch panel. These User buttons can be allocated with desired functions. The ND filter can be set to Clear, 1/4, 1/16 or 1/64. Gain selector and AWB selector are also provided. The controls are designed and engineered to meet the needs of video professionals. The included battery is designed to be integrated into the camera, not protruding from it, and can provide approximately 4 hours and 25 minutes of continuous shooting. Double SD Card Slot and UHD/FHD Dual Codec Recording Two SD memory card slots are provided. The recording media switches automatically and seamlessly from Slot 1 to Slot 2. By changing a full SD card with a new SD card, images can be recorded continuously for many hours. Unlimited Relay Recording: Data is recorded continuously by automatically switching the recording SD card from Slot 1 to Slot 2. By changing the full SD card with a new SD card, images can be recorded continuously for many hours. Simultaneous Recording: Identical data is recorded onto cards in both slots in this highly redundant recording mode. Background Recording: One SD card can be set in Slot 2 to record continuously, and another SD card can be set in Slot 1 to record necessary scenes by turning REC on and off. 48-kHz/24-bit High Resolution Linear PCM Audio Recording +48V Phantom Power Supply/MIC/LINE Selectable XLR Audio Input with Manual Volume is equipped for each of 2 channels. Also supported is a 24-bit linear PCM system (MOV), 16-bit AAC (MP4), or Dolby Audio system (AVCHD) high-quality 2-channel audio recording. Broadcast-grade Camera Image Adjustment Functions 16-Axis Independent Color Correction Function: Allows color matching of multiple cameras under the same lighting condition as well as creative image rendering. Soft Skin: Makes skin colors appear softly and beautifully. Especially effective when recording the person up close. Master Detail: Adjusts the overall degree of contour enhancement. Scene File: Six sets of image quality settings are preset in scene files. Parameters in each set can be changed flexibly. One set can be saved in the main unit, and up to eight sets can be stored on an SD memory card. 8-Mode Gamma: Gamma setting can be selected from seven modes including two types of CINE-LIKE gamma. This allows the user to achieve the most suitable gradation according to the specific video production need.

Panasonic PAN-HCX20E HC-X20E 4K 60p/50p Camcorder package a

Panasonic PAN-HCX20E (PAN/HCX20E, PAN_HCX20E, PANHCX20E, PAN HCX20E) HC-X20E 4K 60p/50p Camcorder Panasonic HC-X20 4K Mobile Camcorder package a includes: 1x Panasonic PAN-HCX20E HC-X20E 4K 60p/50p Camcorder PAN-HCX20E 1x Sandisk 128GB Extreme Pro SDXC UHS-I 170MB/s Memory Card SDSDXXY-128G-GN4IN The HC-X20 offers 20x optical zoom, 24.5mm wide angle for both UHD and FHD, 4K high-precision AF with new face detection and higher precision, 5-Axis HYBRID O.I.S.+, high brightness LCD, and more. For video recording, the camcorder supports 4:2:2 10-bit 4K 30p/25p internal video recording and the new, high-efficiency HEVC codec. It has been equipped with a wide variety of recording formats for the best selections such as Super slow motion (120/100 fps) and VFR (2 to 60 fps). Featuring Remarkable Optical Performance for Precise Shooting The integrated lens offers a remarkably powerful, optical 20x zoom that ranges from 24.5mm* wide angle to 490mm* tele. i.ZOOM achieves 24x at 4K resolution, and 32x at FHD. The 4-Drive Lens System drives the four lens groups independently, thus achieving the optical 20x zoom and compact body size. High-speed, High-precision AF Including Face Detection AF/AE Superior focusing speed, stability and tracking performance for both 4K and Full-HD is achieved thanks to Face Detection AF/AE together with the precise focus lens drive. Face Detection AF/AE provides precise focusing and sufficient exposure for subjects. In addition, subject tracking with color recognition can be activated by just touching the LCD panel enabling precise tracking. 5-Axis HYBRID O.I.S.+ Enables Stable Image Acquisition For both UHD and FHD modes, in addition to OIS (Optical Image Stabilization), Electronic Image Stabilization operates to detect and correct handshake in 5 axes, including rotational blurring. This provides strong correction under unstable conditions, such as low-angle and high-angle shooting. The Ball O.I.S. System reduces friction on the drive section, achieving delicate correction even for small-amplitude handshake. This produces beautiful images with suppressed handshake even at high, 20x optical zoom. High-sensitivity 1.0-type (1.0-inch) 4K Sensor for Superb Image Quality The 1.0-type (1.0-inch) MOS sensor (approximately 15.03 effective megapixels) is capable of recording at UHD (3840 x 2160) without cropping and offers a moderate depth of field and an excellent balance between image quality and sensitivity. The file format can be selected from versatile and easy-to-use MOV (QuickTime), MP4 and AVCHD. High-Quality Recording with Versatile Modes The camcorder supports a variety of bit rates and formats to meet professional needs. Internal recording of UHD up to 29.98p/25p and FHD up to 59.94p/50p in 4:2:2 10-bit high quality is now possible. When set for 10-bit recording, the camcorder delivers 4K 60p 4:2:2 10-bit HDMI output, enabling high image quality capture with an external recorder. New, highly efficient HEVC recording (LongGOP/10-bit 4:2:0/MOV) is also supported for recording 59.94p at a high bit rate of 200 Mbps, in addition to MOV, MP4, and AVCHD file formats. Super Slow Motion and VFR (2 to 60 fps) The Super Slow Motion function records HD images at a high speed of 120 fps (59.94 Hz)/100 fps (50 Hz) to provide a slow-motion effect. The HC-X20 is also newly equipped with a VFR (variable frame rate) recording function that allows the change of frame rate setting in ten steps from 2 to 60 fps. This lets the user produce creative and expressive videos using techniques such as overcranking for a slow-motion effect and undercranking for a quick-motion effect. Versatile Network Functions Expand the User's Workflow The built-in Wi-Fi module enables Wi-Fi connectivity using only the main unit. The HC-ROP tablet/smartphone app enables wireless remote control, including camera settings and lens control. HC-X20 can be connected to a wired LAN by using a USB Ethernet adapter (sold separately). RTSP/RTP/RTMP/RTMPS-compatible FHD streaming enables direct connection and streaming of live concerts, sporting events, breaking news, etc. to Facebook, YouTube, etc. It is also now possible to record while streaming. Functions and Designs Supporting Pro Camera Work The 3.5-inch LCD monitor has a high resolution of approximately 2,760k dots, more than double that of the previous model*1, and realizes excellent visibility even in bright sunlight with twice the brightness compared to the previous model. The electrostatic touch panel also improves operability when selecting menus. Since the 2,360K-dot tiltable viewfinder and LCD output simultaneously, the image being recorded can also be confirmed in the LCD monitor while viewing it on the EVF, thus improving work efficiency. Also, to support fast, accurate manual focusing, Focus Assist functions are equipped, including Expand, Peaking and Area Mode. For shooting in even darker conditions, commercially available IR lights are supported for IR (Infrared) Shooting. The lens barrel features Triple Manual Rings for zoom, focus and iris operations. There are a total of 14 User buttons, nine on the body and five on the LCD touch panel. These User buttons can be allocated with desired functions. The ND filter can be set to Clear, 1/4, 1/16 or 1/64. Gain selector and AWB selector are also provided. The controls are designed and engineered to meet the needs of video professionals. The included battery is designed to be integrated into the camera, not protruding from it, and can provide approximately 4 hours and 25 minutes of continuous shooting. Double SD Card Slot and UHD/FHD Dual Codec Recording Two SD memory card slots are provided. The recording media switches automatically and seamlessly from Slot 1 to Slot 2. By changing a full SD card with a new SD card, images can be recorded continuously for many hours. Unlimited Relay Recording: Data is recorded continuously by automatically switching the recording SD card from Slot 1 to Slot 2. By changing the full SD card with a new SD card, images can be recorded continuously for many hours. Simultaneous Recording: Identical data is recorded onto cards in both slots in this highly redundant recording mode. Background Recording: One SD card can be set in Slot 2 to record continuously, and another SD card can be set in Slot 1 to record necessary scenes by turning REC on and off. 48-kHz/24-bit High Resolution Linear PCM Audio Recording +48V Phantom Power Supply/MIC/LINE Selectable XLR Audio Input with Manual Volume is equipped for each of 2 channels. Also supported is a 24-bit linear PCM system (MOV), 16-bit AAC (MP4), or Dolby Audio system (AVCHD) high-quality 2-channel audio recording. Broadcast-grade Camera Image Adjustment Functions 16-Axis Independent Color Correction Function: Allows color matching of multiple cameras under the same lighting condition as well as creative image rendering. Soft Skin: Makes skin colors appear softly and beautifully. Especially effective when recording the person up close. Master Detail: Adjusts the overall degree of contour enhancement. Scene File: Six sets of image quality settings are preset in scene files. Parameters in each set can be changed flexibly. One set can be saved in the main unit, and up to eight sets can be stored on an SD memory card. 8-Mode Gamma: Gamma setting can be selected from seven modes including two types of CINE-LIKE gamma. This allows the user to achieve the most suitable gradation according to the specific video production need.

Canon 5734C005 Legria HF G70 4K Camcorder

Canon 5734C005 (57-34C-005, 57/34C-005, 57/34C/005, 57 34C 005) Legria HF G70 4K Camcorder Start your filmmaking journey in glorious 4K with the compact and lightweight Canon LEGRIA HF G70. A powerful 20x optical zoom with image stabilizing technology lets you shoot on the move, enjoying shake-free footage from all distances that even corrects roll and tilt. An 8-blade aperture achieves cinema-worthy blurred highlights, for a better aesthetic when shooting creatively. Dramatic effects are well within reach, too, with slow and fast motion recording and a custom picture menu to match colour with other Canon cameras. And when you want to share your video feed, Livestream the HD footage in UVC via USB-C over a computer. Trust in a Canon 4K sensor A 4K sensor and DIGIC DV6 image processor deliver crisp, sharp UHD images for 4K televisions while an 8-blade aperture achieves cinema-style out-of-focus highlights. Frame your shot with the 3.5-inch LCD or hold the camera to your eye and use the built in EVF. Take creative control Add impact to your films with dynamic wides and close ups captured with the powerful 20x optical zoom and advanced image stabilisation. Customise the camera with five assignable buttons, and use the built-in ND filters to adjust exposure for wider apertures or slower shutter speeds. Fast, precise focusing with face detection The LEGRIA HF G70 features an advanced Hybrid AF system with focusing speed adjustable for either Fast or Smooth AF. Using the 3.5-inch LCD display, set the focus by simply touching the AF point you need. For even greater accuracy and convenience, especially with busy environments where you need to keep a subject in shot, Face Detection AF and Face Tracking is available while Manual Focus can be achieved via the control ring on the lens. MP4 recording The LEGRIA HF G70 supports MP4 for playing through a compatible TV. It also records 4K UHD 150Mbps at 25P, plus Full HD 35Mbps or 17Mbps at 50P/25P. Wide range of Shooting functions A host of outputs and recording options include, Slow Motion recording in Full HD 0.5x, Fast Motion recording in 4K/Full HD up to 1200x plus an array of Scene Modes. A custom picture menu enables colour matching with other Canon cameras while audio scene mode adds sound recording tuned to your environment. Simultaneous backup and relay recording via dual SD card slots is also included. Full HD UVC streaming is available via the USB-C output.

Panasonic PAN-HCX2E Professional 4K 60p camcorder package c

Panasonic PAN-HCX2E Professional all in one 4K 60p camcorder with enhanced streaming and linkage to other equipment Panasonic PAN-HCX2E Professional 4K 60p camcorder package c includes: 1x Panasonic PAN-HCX2E camcorder   1x Sandisk 128GB Extreme Pro SDXC UHS-I 170MB/s Memory Card SDSDXXY-128G-GN4IN 1x Panasonic PAN-AGVBR59E 5900mAh 7.28V Battery for AG-DVX200 AJ-PX270 PAN-AGVBR59E 1x Camrade CAM-R&GB-CINEMA run&gunBag Cinema bag Effective 15 megapixel 1.0 type MOS Sensor, 4K 60p/24p / FHD 60p Multi Format, HEVC codec , HLG, 13 Stop V Log Wide 24.5mm, Optical 20x, i.ZOOM 32x (FHD) / 24x (UHD) 4K High Precision AF, Face Detection AF/AE, 5 Axis HYBRID O.I.S Versatile Streaming Protocols 3G SDI Output XLR Input Wired Remote Triple Manual Ring User Switch Live Streaming

Panasonic PAN-HCX2E Professional 4K 60p camcorder package b

Panasonic PAN-HCX2E Professional all in one 4K 60p camcorder with enhanced streaming and linkage to other equipment Panasonic PAN-HCX2E Professional 4K 60p camcorder package b includes: 1x Panasonic PAN-HCX2E camcorder   1x Sandisk 128GB Extreme Pro SDXC UHS-I 170MB/s Memory Card SDSDXXY-128G-GN4IN 1x Panasonic PAN-AGVBR59E 5900mAh 7.28V Battery for AG-DVX200 AJ-PX270 PAN-AGVBR59E Effective 15 megapixel 1.0 type MOS Sensor, 4K 60p/24p / FHD 60p Multi Format, HEVC codec , HLG, 13 Stop V Log Wide 24.5mm, Optical 20x, i.ZOOM 32x (FHD) / 24x (UHD) 4K High Precision AF, Face Detection AF/AE, 5 Axis HYBRID O.I.S Versatile Streaming Protocols 3G SDI Output XLR Input Wired Remote Triple Manual Ring User Switch Live Streaming

Panasonic PAN-HCX2E Professional 4K 60p camcorder package a

Panasonic PAN-HCX2E Professional all in one 4K 60p camcorder with enhanced streaming and linkage to other equipment Panasonic PAN-HCX2E Professional 4K 60p camcorder package a includes: 1x Panasonic PAN-HCX2E camcorder 1x Sandisk 128GB Extreme Pro SDXC UHS-I 170MB/s Memory Card SDSDXXY-128G-GN4IN Effective 15 megapixel 1.0 type MOS Sensor, 4K 60p/24p / FHD 60p Multi Format, HEVC codec , HLG, 13 Stop V Log Wide 24.5mm, Optical 20x, i.ZOOM 32x (FHD) / 24x (UHD) 4K High Precision AF, Face Detection AF/AE, 5 Axis HYBRID O.I.S Versatile Streaming Protocols 3G SDI Output XLR Input Wired Remote Triple Manual Ring User Switch Live Streaming

JVC Ultra HD 4K Camcorder With 3G-SDI

JVC GY-HM180E (GY/HM180E, GY_HM180E, GYHM180E, GY HM180E) Ultra HD 4K Camcorder With 3G-SDI The GY-HM180 is a full-featured compact 4K Ultra HD camcorder, featuring a 3G-SDI output. It has professional audio connectivity and is capable of shooting 4:2:2 full HD at 50Mbps, plus you can output live 4K via HDMI. The GY-HM180’s integrated 12x optical zoom lens and 4K CMOS sensor deliver razor-sharp 4K Ultra HD recordings directly to SDHC/SDXC memory cards, plus its small size allows you to shoot in venues unsuitable for larger cameras. Full HD 4:2:2 recording at 50Mbps The ability to record H.264 4:2:2 24-60p at 50Mbps makes this an ideal camera for broadcasting and production houses alike. The colour accuracy of 4:2:2 enables the camera to deliver exceptional colour resolution even when images are in sharp contrast to the background. This is particularly useful when strong colours are in contrast to bright backgrounds, or in green screen usage. 1/2.3-inch 12.4M CMOS sensor This camcorder was built to deliver stunning, life-like 4K Ultra HD (3840x2160) video. JVC’s 4K CMOS sensor with 12.4M pixels delivers high sensitivity and excellent performance over a wide range of lighting conditions. Details are crisp and accurate throughout the entire image plane. 12x optical zoom and seamless 24x dynamic zoom The ultra high quality imagery begins with a precision 12x F1.2–3.5 optical zoom lens (35mm equivalent: 29.6–355mm). When shooting in HD mode, Dynamic Zoom combines optical zoom and pixel mapping from a 4K image sensor to create seamless and lossless 24x zoom. This allows the camera to have a long zoom range while retaining its compact form factor. HD-SDI (3G) and HDMI output The camcorder comes with a wide variety of connectors to meet the needs of professional applications, including HD-SDI (3G) and HDMI. Secured digital connection is assured between external devices such as a recorder or switcher. Simultaneous output from both SDI and HDMI is also possible. 120fps high-speed recording for slow motion playback The camcorder allows high-speed recording at up to 120fps (59.94Hz) / 100fps (50Hz) for smooth slow motion playback. This can be used to create artistic effects or to review action replays when examining sporting skills. The feature is only available at 1920x1080 resolution only, and offers up to 1/5 slow at 24p mode. Detachable handle unit with professional XLR audio The detachable heavy-duty handle makes the camcorder easy to carry and also makes it simple to shoot from low angles, thanks to its built-in REC button with lock function, and zoom lever. XLR audio inputs are provided for the attachment of a professional microphone or for LINE input, complete with Phantom power supply capability.  

Canon 3075C128 EOS R Body with RF 24-105mm F4-7.1 IS STM Lens

Canon 3075C128 (3-075-C12-8, 3/075-C12-8, 3/075/C12/8, 3 075 C12 8) EOS R Body with RF 24-105mm F4-7.1 IS STM Lens. With over 30 years of EOS innovation and design in its wake, the EOS R system’s pioneering lens mount sets the new standard for the cameras of the future. Offering the fastest autofocus in the world¹, this EOS R body brings new levels of operability to professional and advanced EOS users, with faster communication between lens and camera, redefining photo and video capability. Incredible low light performance with -6EV autofocus², the camera also boasts 4K video, Vari-Angle touchscreen, and intuitive controls for responsive handling. Paired with the versatile and compact RF 24-105mm F4-7.1 IS STM zoom lens – this kit is perfect for photographers and filmmakers alike. Benefits Professional and advanced EOS users can achieve new levels of creativity with the pioneering technology of the new EOS R system. Incredible low light performance with -6EV autofocus² Enjoy incredible levels of image stabilization when shooting in 4K video, plus stunning detail and grading possibilities from 10bit Canon Log footage when recorded to an external recorder. The EOS R body can be used with existing EF-S (with a cropped area) and EF lenses with no loss of performance, when attached to the Mount Adapter EF-EOS R (not included). A multi-function touch bar allows easy thumb adjustment over a wide range of customizable settings Take full advantage of the EOS R lens resolution with the full-frame 30.3 MP sensor with optimized low light performance. Faster communication between lens and camera with the new EOS R system redefines photo and video performance for professional photographers and filmmakers. The RF 24-105mm F4-7.1 IS STM is an ideal lightweight everyday zoom lens with a compact design, perfect for capturing stills and movies, day and night. Easily pair to smartphones or tablets for enhanced shooting such as remote control with always-on Bluetooth and Wi-Fi. The ideal companion when working in the studio, this camera can be remotely connected to a computer via USB 3.1 or Wi-Fi for instant image review.

Canon XF605 UHD 4K HDR Pro Camcorder package E

Canon XF605 (XF 605, XF-605, XF/605, 5076 C002, 5076-C002, 5076/C002) UHD 4K HDR Pro Camcorder package e includes: 1 x Canon XF605  1 x MKE 600 Shotgun Microphone (505453) 1 x 12inch 3Pin Male to Female Xlr Cable (12INCHXLR3PIN) 1 x BP-A60 Battery (0870C002AA) 1 x CAM-R&GB-MEDIUM run&gunBag Medium (CAM-R&GB-MEDIUM) 1 x 64GB Extreme PRO UHS-I SDXC Memory Card (SDSDXXY-064G-GN4IN) 1 x MAN-MVK504XTWINGA 504X Fluid Video Head with Aluminium Twin Leg Tripod GS (MAN-MVK504XTWINGA) Canon XF605 Camcorder The exciting Canon XF605 is the perfect camcorder for solo shooters who need to work fast in the studio or in the field. This versatile broadcast quality 4K camcorder, features advanced AF, connectivity and streaming for demanding productions. Tthe ideal solution for modern news-gathering, sports and documentary professionals.   By introducing an unrivalled level of performance and control for solo shooters, Canon has really outdone themselves with the new XF605 camcorder, Providing AI-powered autofocus, advanced connectivity, HDR recording and broadcast-level image quality, the XF605 unlocks a new level of control and 4K performance for modern news, sports and documentary professionals.   If you're looking for a similar older model, please visit the Canon XF705.   Broadcast-quality video The large1.0-Type CMOS sensor and DIGIC DV7 processor work in harmony to deliver 4K UHD 60P/50P in 4:2:2 10-bit XF-AVC and MP4, as well as FHD 120P HFR for exceptional image quality and flexibility in post-production.   Professional optics and control Resolve fine details with the 4K ready L-Series lens offering 15x optical zoom, and equipped with independent rings for Zoom, Focus and Iris control. Also featured are three Image Stabilisation modes, as well as built-in ND and infrared filters, offering even greater control.   Advanced autofocus Acquire pin-sharp focus on your subject’s eyes with Eye tracking AF, and intelligent head tracking via EOS iTR AF X, an innovative ‘deep learning’ technology to track a subject's head, even when looking away.   Professional connectivity and streaming Canon XF605 seamlessly integrates into live and offline environments, with 12G-SDI, Wi-Fi and Ethernet for IP streaming. The Content Transfer Mobile app enables the editing of News ML-G2 standard compliant metadata, transferring of footage to your iPhone, and direct uploading to FTP servers.   Intuitive controls and customisation Stay in control and customize the XF605 camcorder to your needs with Independent controls and 11 assignable buttons. An enhanced touchscreen interface allows for quick and intuitive control of on-screen settings, menu navigation and playback control. A new multi-function hotshoe opens the door for additional accessories with expanded capabilities.   Recording versatility Capture an expanded dynamic range in Canon Log 3 for flexibility in post-production, or shoot directly in broadcast-ready PQ or HLG HDR formats. Simultaneous recording to dual SD cards in a variety of formats offers maximum flexibility for your production needs.   Shared colour science XF605 supports the same colour matrices as Canon's Cinema EOS and EOS R System product ranges, reducing the time needed in post-production to match colour in footage from multiple camera ranges.   Key Features:   25.5–382.5mm - Wide angle 4K 15x L-Series zoom Autofocus Continuous 120P 12G-SDI terminal 1.0-Type CMOS Sensor & DIGIC DV7 Processor 4K UHD 60P/50P 4:2:2/10-bit recording Canon Log 3, HDR (PQ/HLG) High Frame Rate recording up to 120fps (FHD) 15x Optical Zoom L-Series lens (30x Advanced Zoom in FHD) Enhanced Dual Pixel CMOS AF with Eye AF & EOS iTR AF X (Intelligent Head Tracking) Dual SD card slots supporting simultaneous recording, multiple formats & Proxies

Canon XF605 UHD 4K HDR Pro Camcorder package D

Canon XF605 camcorder package D includes:   1 x Canon XF605 1 x 0870C002AA Canon BP-A60 Battery 1x 64GB Extreme PRO UHS-I SDXC Memory Card 1x CAM-R&GB-MEDIUM run&gunBag Medium 1x MKE 600 Shotgun Microphone 1x 12inch 3Pin Male to Female Xlr Cable   Canon XF605 Camcorder The exciting Canon XF605 is the perfect camcorder for solo shooters who need to work fast in the studio or in the field. This versatile broadcast quality 4K camcorder, features advanced AF, connectivity and streaming for demanding productions. Tthe ideal solution for modern news-gathering, sports and documentary professionals.   By introducing an unrivalled level of performance and control for solo shooters, Canon has really outdone themselves with the new XF605 camcorder, Providing AI-powered autofocus, advanced connectivity, HDR recording and broadcast-level image quality, the XF605 unlocks a new level of control and 4K performance for modern news, sports and documentary professionals.   If you're looking for a similar older model, please visit the Canon XF705.   Broadcast-quality video The large1.0-Type CMOS sensor and DIGIC DV7 processor work in harmony to deliver 4K UHD 60P/50P in 4:2:2 10-bit XF-AVC and MP4, as well as FHD 120P HFR for exceptional image quality and flexibility in post-production.   Professional optics and control Resolve fine details with the 4K ready L-Series lens offering 15x optical zoom, and equipped with independent rings for Zoom, Focus and Iris control. Also featured are three Image Stabilisation modes, as well as built-in ND and infrared filters, offering even greater control.   Advanced autofocus Acquire pin-sharp focus on your subject’s eyes with Eye tracking AF, and intelligent head tracking via EOS iTR AF X, an innovative ‘deep learning’ technology to track a subject's head, even when looking away.   Professional connectivity and streaming Canon XF605 seamlessly integrates into live and offline environments, with 12G-SDI, Wi-Fi and Ethernet for IP streaming. The Content Transfer Mobile app enables the editing of News ML-G2 standard compliant metadata, transferring of footage to your iPhone, and direct uploading to FTP servers.   Intuitive controls and customisation Stay in control and customize the XF605 camcorder to your needs with Independent controls and 11 assignable buttons. An enhanced touchscreen interface allows for quick and intuitive control of on-screen settings, menu navigation and playback control. A new multi-function hotshoe opens the door for additional accessories with expanded capabilities.   Recording versatility Capture an expanded dynamic range in Canon Log 3 for flexibility in post-production, or shoot directly in broadcast-ready PQ or HLG HDR formats. Simultaneous recording to dual SD cards in a variety of formats offers maximum flexibility for your production needs.   Shared colour science XF605 supports the same colour matrices as Canon's Cinema EOS and EOS R System product ranges, reducing the time needed in post-production to match colour in footage from multiple camera ranges.   Key Features:   25.5–382.5mm - Wide angle 4K 15x L-Series zoom Autofocus Continuous 120P 12G-SDI terminal 1.0-Type CMOS Sensor & DIGIC DV7 Processor 4K UHD 60P/50P 4:2:2/10-bit recording Canon Log 3, HDR (PQ/HLG) High Frame Rate recording up to 120fps (FHD) 15x Optical Zoom L-Series lens (30x Advanced Zoom in FHD) Enhanced Dual Pixel CMOS AF with Eye AF & EOS iTR AF X (Intelligent Head Tracking) Dual SD card slots supporting simultaneous recording, multiple formats & Proxies

Canon XF605 UHD 4K HDR Pro Camcorder package C

Canon XF605 camcorder package C includes:   1 x Canon XF605 1 x 0870C002AA Canon BP-A60 Battery 1x 64GB Extreme PRO UHS-I SDXC Memory Card 1x CAM-R&GB-MEDIUM run&gunBag Medium   Canon XF605 Camcorder The exciting Canon XF605 is the perfect camcorder for solo shooters who need to work fast in the studio or in the field. This versatile broadcast quality 4K camcorder, features advanced AF, connectivity and streaming for demanding productions. Tthe ideal solution for modern news-gathering, sports and documentary professionals.   By introducing an unrivalled level of performance and control for solo shooters, Canon has really outdone themselves with the new XF605 camcorder, Providing AI-powered autofocus, advanced connectivity, HDR recording and broadcast-level image quality, the XF605 unlocks a new level of control and 4K performance for modern news, sports and documentary professionals.   If you're looking for a similar older model, please visit the Canon XF705.   Broadcast-quality video The large1.0-Type CMOS sensor and DIGIC DV7 processor work in harmony to deliver 4K UHD 60P/50P in 4:2:2 10-bit XF-AVC and MP4, as well as FHD 120P HFR for exceptional image quality and flexibility in post-production.   Professional optics and control Resolve fine details with the 4K ready L-Series lens offering 15x optical zoom, and equipped with independent rings for Zoom, Focus and Iris control. Also featured are three Image Stabilisation modes, as well as built-in ND and infrared filters, offering even greater control.   Advanced autofocus Acquire pin-sharp focus on your subject’s eyes with Eye tracking AF, and intelligent head tracking via EOS iTR AF X, an innovative ‘deep learning’ technology to track a subject's head, even when looking away.   Professional connectivity and streaming Canon XF605 seamlessly integrates into live and offline environments, with 12G-SDI, Wi-Fi and Ethernet for IP streaming. The Content Transfer Mobile app enables the editing of News ML-G2 standard compliant metadata, transferring of footage to your iPhone, and direct uploading to FTP servers.   Intuitive controls and customisation Stay in control and customize the XF605 camcorder to your needs with Independent controls and 11 assignable buttons. An enhanced touchscreen interface allows for quick and intuitive control of on-screen settings, menu navigation and playback control. A new multi-function hotshoe opens the door for additional accessories with expanded capabilities.   Recording versatility Capture an expanded dynamic range in Canon Log 3 for flexibility in post-production, or shoot directly in broadcast-ready PQ or HLG HDR formats. Simultaneous recording to dual SD cards in a variety of formats offers maximum flexibility for your production needs.   Shared colour science XF605 supports the same colour matrices as Canon's Cinema EOS and EOS R System product ranges, reducing the time needed in post-production to match colour in footage from multiple camera ranges.   Key Features:   25.5–382.5mm - Wide angle 4K 15x L-Series zoom Autofocus Continuous 120P 12G-SDI terminal 1.0-Type CMOS Sensor & DIGIC DV7 Processor 4K UHD 60P/50P 4:2:2/10-bit recording Canon Log 3, HDR (PQ/HLG) High Frame Rate recording up to 120fps (FHD) 15x Optical Zoom L-Series lens (30x Advanced Zoom in FHD) Enhanced Dual Pixel CMOS AF with Eye AF & EOS iTR AF X (Intelligent Head Tracking) Dual SD card slots supporting simultaneous recording, multiple formats & Proxies

Canon XF605 UHD 4K HDR Pro Camcorder package B

Canon XF605 camcorder package B includes:   1 x Canon XF605 1 x 0870C002AA Canon BP-A60 Battery 1x 128GB Extreme Pro SDXC UHS-I 170MB/s Memory Card   Canon XF605 Camcorder The exciting Canon XF605 is the perfect camcorder for solo shooters who need to work fast in the studio or in the field. This versatile broadcast quality 4K camcorder, features advanced AF, connectivity and streaming for demanding productions. Tthe ideal solution for modern news-gathering, sports and documentary professionals.   By introducing an unrivalled level of performance and control for solo shooters, Canon has really outdone themselves with the new XF605 camcorder, Providing AI-powered autofocus, advanced connectivity, HDR recording and broadcast-level image quality, the XF605 unlocks a new level of control and 4K performance for modern news, sports and documentary professionals.   If you're looking for a similar older model, please visit the Canon XF705.   Broadcast-quality video The large1.0-Type CMOS sensor and DIGIC DV7 processor work in harmony to deliver 4K UHD 60P/50P in 4:2:2 10-bit XF-AVC and MP4, as well as FHD 120P HFR for exceptional image quality and flexibility in post-production.   Professional optics and control Resolve fine details with the 4K ready L-Series lens offering 15x optical zoom, and equipped with independent rings for Zoom, Focus and Iris control. Also featured are three Image Stabilisation modes, as well as built-in ND and infrared filters, offering even greater control.   Advanced autofocus Acquire pin-sharp focus on your subject’s eyes with Eye tracking AF, and intelligent head tracking via EOS iTR AF X, an innovative ‘deep learning’ technology to track a subject's head, even when looking away.   Professional connectivity and streaming Canon XF605 seamlessly integrates into live and offline environments, with 12G-SDI, Wi-Fi and Ethernet for IP streaming. The Content Transfer Mobile app enables the editing of News ML-G2 standard compliant metadata, transferring of footage to your iPhone, and direct uploading to FTP servers.   Intuitive controls and customisation Stay in control and customize the XF605 camcorder to your needs with Independent controls and 11 assignable buttons. An enhanced touchscreen interface allows for quick and intuitive control of on-screen settings, menu navigation and playback control. A new multi-function hotshoe opens the door for additional accessories with expanded capabilities.   Recording versatility Capture an expanded dynamic range in Canon Log 3 for flexibility in post-production, or shoot directly in broadcast-ready PQ or HLG HDR formats. Simultaneous recording to dual SD cards in a variety of formats offers maximum flexibility for your production needs.   Shared colour science XF605 supports the same colour matrices as Canon's Cinema EOS and EOS R System product ranges, reducing the time needed in post-production to match colour in footage from multiple camera ranges.   Key Features:   25.5–382.5mm - Wide angle 4K 15x L-Series zoom Autofocus Continuous 120P 12G-SDI terminal 1.0-Type CMOS Sensor & DIGIC DV7 Processor 4K UHD 60P/50P 4:2:2/10-bit recording Canon Log 3, HDR (PQ/HLG) High Frame Rate recording up to 120fps (FHD) 15x Optical Zoom L-Series lens (30x Advanced Zoom in FHD) Enhanced Dual Pixel CMOS AF with Eye AF & EOS iTR AF X (Intelligent Head Tracking) Dual SD card slots supporting simultaneous recording, multiple formats & Proxies

Canon XF605 UHD 4K HDR Pro Camcorder package A

Canon XF605 camcorder package A includes:   1 x Canon XF605 1 x 0870C002AA Canon BP-A60 Battery   Canon XF605 Camcorder The exciting Canon XF605 is the perfect camcorder for solo shooters who need to work fast in the studio or in the field. This versatile broadcast quality 4K camcorder, features advanced AF, connectivity and streaming for demanding productions. Tthe ideal solution for modern news-gathering, sports and documentary professionals.   By introducing an unrivalled level of performance and control for solo shooters, Canon has really outdone themselves with the new XF605 camcorder, Providing AI-powered autofocus, advanced connectivity, HDR recording and broadcast-level image quality, the XF605 unlocks a new level of control and 4K performance for modern news, sports and documentary professionals.   If you're looking for a similar older model, please visit the Canon XF705.   Broadcast-quality video The large1.0-Type CMOS sensor and DIGIC DV7 processor work in harmony to deliver 4K UHD 60P/50P in 4:2:2 10-bit XF-AVC and MP4, as well as FHD 120P HFR for exceptional image quality and flexibility in post-production.   Professional optics and control Resolve fine details with the 4K ready L-Series lens offering 15x optical zoom, and equipped with independent rings for Zoom, Focus and Iris control. Also featured are three Image Stabilisation modes, as well as built-in ND and infrared filters, offering even greater control.   Advanced autofocus Acquire pin-sharp focus on your subject’s eyes with Eye tracking AF, and intelligent head tracking via EOS iTR AF X, an innovative ‘deep learning’ technology to track a subject's head, even when looking away.   Professional connectivity and streaming Canon XF605 seamlessly integrates into live and offline environments, with 12G-SDI, Wi-Fi and Ethernet for IP streaming. The Content Transfer Mobile app enables the editing of News ML-G2 standard compliant metadata, transferring of footage to your iPhone, and direct uploading to FTP servers.   Intuitive controls and customisation Stay in control and customize the XF605 camcorder to your needs with Independent controls and 11 assignable buttons. An enhanced touchscreen interface allows for quick and intuitive control of on-screen settings, menu navigation and playback control. A new multi-function hotshoe opens the door for additional accessories with expanded capabilities.   Recording versatility Capture an expanded dynamic range in Canon Log 3 for flexibility in post-production, or shoot directly in broadcast-ready PQ or HLG HDR formats. Simultaneous recording to dual SD cards in a variety of formats offers maximum flexibility for your production needs.   Shared colour science XF605 supports the same colour matrices as Canon's Cinema EOS and EOS R System product ranges, reducing the time needed in post-production to match colour in footage from multiple camera ranges.   Key Features:   25.5–382.5mm - Wide angle 4K 15x L-Series zoom Autofocus Continuous 120P 12G-SDI terminal 1.0-Type CMOS Sensor & DIGIC DV7 Processor 4K UHD 60P/50P 4:2:2/10-bit recording Canon Log 3, HDR (PQ/HLG) High Frame Rate recording up to 120fps (FHD) 15x Optical Zoom L-Series lens (30x Advanced Zoom in FHD) Enhanced Dual Pixel CMOS AF with Eye AF & EOS iTR AF X (Intelligent Head Tracking) Dual SD card slots supporting simultaneous recording, multiple formats & Proxies

Panasonic Lumix PAN-DC-GH5M2ME GH5MK2 Camera with 12-60mm f3.5-5.6 Lumix Lens

Panasonic Lumix PAN-DC-GH5M2ME (PAN/DC/GH5M2ME, PAN_DC_GH5M2ME, DCGH5M2ME, DC-GH5M2ME, pan_dc-gh5m2me) GH5MK2 Camera with 12-60mm f3.5-5.6 Lumix Lens Panasonic Lumix DC-GH5M2 Mirrorless Camera with 12-60mm Lumix Lens  Introducing the LUMIX GH5M2, a new Micro Four Thirds mirrorless camera that boasts outstanding video performance evolved from the renowned GH5.  In an update to the well loved GH5, a mirrorless camera revered and used by thousands of film makers, vloggers, photographers, producers across the world, Panasonic have taken its video capabilities to the max with the GH5M2. Featuring monster 4K video specs, including C4K/4K 60p 4:2:0 10-bit unlimited video recording with simultaneously output 4K 4:2:2 10-bit over HDMI. The LUMIX GH5M2 is also capable of wireless live streaming in FHD/60p via the LUMIX Sync smartphone app, or by connecting directly to a Wi-Fi router. In addition, it will receive a future firmware update to add RTP/RTSP wired IP streaming. The 20.3-megapixel Digital Live MOS Sensor has had a slight glow-up with AR (Anti-Reflective) coating capturing details cleanly and driving excellent lens performance. The image processor has also been updated to use the latest high-speed and high-performance Venus Engine. For run and gun shooters and photographers using long-lenses looking for stable shooting, the Body I.S. (Image Stabiliser) in the LUMIX GH5M2 is now even more advanced, making it possible to use a 6.5-stop slower shutter speed. With the adoption of the latest algorithm developed for the S1H, video recording is smooth and stable even when the camera is in motion. A 3.0-inch free-angle LCD with a 3:2 aspect ratio and high resolution of 1840K dots provides touch control. Compared to the GH5, the LCD features higher luminosity and superior colour reproduction to ensure high visibility outdoors. Wireless live streaming with minimal equipment High-quality live streaming is possible both indoors and outdoors with minimal equipment: just the LUMIX GH5M2 and a smartphone with the LUMIX Sync app. In compliance with the RTMP/RTMPS protocol using the H.264 codec, a maximum resolution/framerate of FHD/60p at 16Mbps is supported. For wired live streaming, the dedicated LUMIX Webcam Software is available for free download. High quality video performance The LUMIX GH Series features outstanding video performance for professional videography and the LUMIX GH5M2 is no exception, capable of unlimited video recording in a variety of settings. When shooting video, the GH5M2’s entire sensor area is used, enabling the user to record uncropped video from the original viewing angle of the lens. Video recording options are vast, offering internal recording up to 4K 60p and 4:2:2 10-bit 30p, or 4K/6K Anamorphic modes. To deliver high dynamic range and a broad colour spectrum, V-Log L is pre-installed in the camera, making it easy to match the colour tone with footage recorded in the S1H/S1’s V-Log and the GH5/GH5S’s V-Log L. V-Log L renders a very flat image while retaining all its colour information, which is a great benefit in post-production processing. For users who prefer to have a starting point for post-processing, there are 35 compatible conversion LUTs for VariCam cinema cameras available for free download. Practical tools like a Waveform Monitor and V-Log View Assist are also part of the GH5M2’s on-board video toolkit. Like the S1H video flagship camera of the S Series, the LUMIX GH5M2 provides two types of Cinelike gamma presets in the Photo Style menu. These modes create impressive looks with warm skin tones or delicate nuances of light and shadow even without colour grading over V-Log footage. The Cinelike D2 preset gives priority to dynamic range, while Cinelike V2 prioritizes contrast. L.Monochrome S and L.Classic Neo have also been added. All these presets are also available in Anamorphic mode. In VFR (Variable Frame Rate) recording, C4K/4K 60fps, Anamorphic 50fps and FHD 180fps are available. AF can be set before starting VFR recording.   A reliable tool for professionals Tough enough to withstand heavy fielduse, the LUMIX GH5M2’s full die-cast front/rear frame is composed of a magnesium alloy and the body is splash, dust, and freeze resistant down to -10 degrees Celsius. The shutter unit is also durable for approximately 200,000 cycles.  To further support use outdoors, the camera boasts a new high-capacity 2200mAh battery (DMW-BLK22) that complies with USB PD (Power Delivery) and can be recharged via AC or USB. The LUMIX GH5M2 is equipped with a double SD memory card slot compatible with V90-classified, high-speed, high-capacity UHS-II cards for Relay, Backup and Allocation Recording. With the advanced free-angle touch LCD, users can utilise the frame marker function to check the composition during recording in various common aspect ratios such as 16:9, 4:3, 1:1, 4:5, 5:4 and 9:16. The red recording frame indicator on the screen and in the EVF clearly signals whether the camera is recording, while a new blue indicator shows when the camera is streaming. Future firmware updates Firmware update for GH5M2 The LUMIX GH5M2 will continue to evolve with a future firmware update scheduled by the end of 2021. The new firmware will include:  RTP/RTSP wired IP streaming Live View Composite USB Tethering (linked to a smartphone via 4G/5G), Compatible Streaming Distribution Even more stable smartphone connection

Panasonic Lumix PAN-DC-GH5M2LE GH5M2 with 12-60mm f2.8-4 Leica Lens

Panasonic Lumix PAN-DC-GH5M2LE (PAN/DC/GH5M2LE, PAN_DC_GH5M2LE, DCGH5M2LE, DC-GH5M2LE, pan_dc-gh5m2Le) GH5M2 with 12-60mm f2.8-4 Leica Lens Panasonic Lumix DC-GH5M2 Mirrorless Camera with 12-60mm Leica Lens  Introducing the LUMIX GH5M2, a new Micro Four Thirds mirrorless camera that boasts outstanding video performance evolved from the renowned GH5.  In an update to the well loved GH5, a mirrorless camera revered and used by thousands of film makers, vloggers, photographers, producers across the world, Panasonic have taken its video capabilities to the max with the GH5M2. Featuring monster 4K video specs, including C4K/4K 60p 4:2:0 10-bit unlimited video recording with simultaneously output 4K 4:2:2 10-bit over HDMI. The LUMIX GH5M2 is also capable of wireless live streaming in FHD/60p via the LUMIX Sync smartphone app, or by connecting directly to a Wi-Fi router. In addition, it will receive a future firmware update to add RTP/RTSP wired IP streaming. The 20.3-megapixel Digital Live MOS Sensor has had a slight glow-up with AR (Anti-Reflective) coating capturing details cleanly and driving excellent lens performance. The image processor has also been updated to use the latest high-speed and high-performance Venus Engine. For run and gun shooters and photographers using long-lenses looking for stable shooting, the Body I.S. (Image Stabiliser) in the LUMIX GH5M2 is now even more advanced, making it possible to use a 6.5-stop slower shutter speed. With the adoption of the latest algorithm developed for the S1H, video recording is smooth and stable even when the camera is in motion. A 3.0-inch free-angle LCD with a 3:2 aspect ratio and high resolution of 1840K dots provides touch control. Compared to the GH5, the LCD features higher luminosity and superior colour reproduction to ensure high visibility outdoors. Wireless live streaming with minimal equipment High-quality live streaming is possible both indoors and outdoors with minimal equipment: just the LUMIX GH5M2 and a smartphone with the LUMIX Sync app. In compliance with the RTMP/RTMPS protocol using the H.264 codec, a maximum resolution/framerate of FHD/60p at 16Mbps is supported. For wired live streaming, the dedicated LUMIX Webcam Software is available for free download. High quality video performance The LUMIX GH Series features outstanding video performance for professional videography and the LUMIX GH5M2 is no exception, capable of unlimited video recording in a variety of settings. When shooting video, the GH5M2’s entire sensor area is used, enabling the user to record uncropped video from the original viewing angle of the lens. Video recording options are vast, offering internal recording up to 4K 60p and 4:2:2 10-bit 30p, or 4K/6K Anamorphic modes. To deliver high dynamic range and a broad colour spectrum, V-Log L is pre-installed in the camera, making it easy to match the colour tone with footage recorded in the S1H/S1’s V-Log and the GH5/GH5S’s V-Log L. V-Log L renders a very flat image while retaining all its colour information, which is a great benefit in post-production processing. For users who prefer to have a starting point for post-processing, there are 35 compatible conversion LUTs for VariCam cinema cameras available for free download. Practical tools like a Waveform Monitor and V-Log View Assist are also part of the GH5M2’s on-board video toolkit. Like the S1H video flagship camera of the S Series, the LUMIX GH5M2 provides two types of Cinelike gamma presets in the Photo Style menu. These modes create impressive looks with warm skin tones or delicate nuances of light and shadow even without colour grading over V-Log footage. The Cinelike D2 preset gives priority to dynamic range, while Cinelike V2 prioritizes contrast. L.Monochrome S and L.Classic Neo have also been added. All these presets are also available in Anamorphic mode. In VFR (Variable Frame Rate) recording, C4K/4K 60fps, Anamorphic 50fps and FHD 180fps are available. AF can be set before starting VFR recording.   A reliable tool for professionals Tough enough to withstand heavy fielduse, the LUMIX GH5M2’s full die-cast front/rear frame is composed of a magnesium alloy and the body is splash, dust, and freeze resistant down to -10 degrees Celsius. The shutter unit is also durable for approximately 200,000 cycles.  To further support use outdoors, the camera boasts a new high-capacity 2200mAh battery (DMW-BLK22) that complies with USB PD (Power Delivery) and can be recharged via AC or USB. The LUMIX GH5M2 is equipped with a double SD memory card slot compatible with V90-classified, high-speed, high-capacity UHS-II cards for Relay, Backup and Allocation Recording. With the advanced free-angle touch LCD, users can utilise the frame marker function to check the composition during recording in various common aspect ratios such as 16:9, 4:3, 1:1, 4:5, 5:4 and 9:16. The red recording frame indicator on the screen and in the EVF clearly signals whether the camera is recording, while a new blue indicator shows when the camera is streaming. Future firmware updates Firmware update for GH5M2 The LUMIX GH5M2 will continue to evolve with a future firmware update scheduled by the end of 2021. The new firmware will include:  RTP/RTSP wired IP streaming Live View Composite USB Tethering (linked to a smartphone via 4G/5G), Compatible Streaming Distribution Even more stable smartphone connection

Canon 3665C007 XA45 Professional UHD 4K Camcorder

Canon 3665C007 (3665C007-XA45, 3665C007/XA45, 3665C007_XA45, 3665c007, xa45) XA45 Professional UHD 4K Camcorder Compact and efficient – XA-series 4K camcorder with UHD resolution and high magnification The XA45/XA40 features a 1/2.3’’ type CMOS Sensor along with DIGIC DV6 image processor delivering 4K UHD. Full HD image quality is improved thanks to Over Sampling HD Processing. The XA45/XA40 features a lens with 20x optical zoom with 29.3mm wide angle. Ultra-compact professional 4K UHD camcorder The combination of a 4K 1/2.3” type CMOS sensor and DIGIC DV6 image processor delivers high quality 4K UHD images, and superior Full HD images thanks to Over Sampling HD processing. Recording options include XF-AVC 160Mbps / MP4 150Mbps at UHD 25P, XF-AVC 45Mbps at FHD 25P/50i/50P and MP4 17-35Mbps at FHD 25P/50P. 4K 20X optical zoom lens with wide angle Capture the images you need with 20x optical zoom with wide angle starting from 29.3mm. Consistency of imaging is ensured by a powerful 5-axis image stabilisation, whilst 3D real-time lens group structure support wide-angle zoom operation. Infrared recording capability The XA45/XA40 includes an Infrared Mode, allowing users to capture video in conditions with little to no ambient light. There is the option of recording in white or green mode. Slow and Fast Motion recording Work the way your project demands with continuous recording available in Slow and Fast motion modes in both UHD and Full HD, with a maximum speed of 1200x. Lightweight and compact with professional features The XA45 / XA40 weighs less than 1.2kg with a 3.0-inch LCD touch screen provides intuitive control. The highly portable camcorder also supports linear PCM 4-channel audio, with built-in stereo mic and two XLR terminals. Other features include 3G-SDI (XA45 only) Additionally, two SD memory card slots are provided for simultaneous or relay recording.

Blackmagic BMD-CINECAMPOCHDEF06P Pocket Cinema Camera 6K Pro

Blackmagic BMD-CINECAMPOCHDEF06P (BMD/CINECAMPOCHDEF06P, BMD_CINECAMPOCHDEF06P, BMD CINECAMPOCHDEF06P, BMDCINECAMPOCHDEF06P, bmd-cinecampochdef06P) Pocket Cinema Camera 6K Pro Featuring a larger 6144 x 3456 Super 35 sensor and EF lens mount, the Blackmagic Pocket Cinema Camera 6K lets you use larger EF photographic lenses to create cinematic images with shallower depth of field, allowing creative defocussed backgrounds and gorgeous bokeh effects. INTRODUCING THE NEXT GENERATION HANDHELD DIGITAL FILM CAMERAS Dramatically improve the production value of your work by upgrading to digital film. Blackmagic Pocket Cinema Camera is better than a simple video camera because it has professional features allowing you to create the same "look" as Hollywood feature films. The combination of high dynamic range, great low light performance and Blackmagic RAW gives you feature film images with precise skin tones and gorgeous organic colours. You get advanced features such as 4K, 6K or 6K Pro models, large 5" LCD for easy focus, SD card and CFast media, external USB-C media disk recording, EF or MFT lens mounts and more. DaVinci Resolve Studio is also included for editing, colour correction, audio post and VFX. GET THE "HOLLYWOOD LOOK" WITH DIGITAL FILM Pocket Cinema Camera has the professional features you need for feature film, television programming and documentaries, however now these same features can be used to revolutionize other types of work such as blog videos, YouTube content and more. You get the same features found on expensive digital film cameras, allowing capture of deeper colours, higher image detail and a wider dynamic range between the brightest highlights and deepest shadows. It's the reason why feature films look so amazing and now you can get the same high end production values for any kind of work. Imagine getting film quality on independent film, music videos, weddings, corporate videos, documentaries and more. LIGHTWEIGHT CARBON FIBER POLYCARBONATE COMPOSITE The elegant design of the Blackmagic Pocket Cinema Camera packs an incredible number of high end digital film features into a miniaturized, handheld design. Made from lightweight carbon fiber polycarbonate composite, the camera features a multifunction handgrip with all controls for recording, ISO, WB and shutter angle right at your fingertips. Because it's an advanced digital film camera, the sensor is designed to reduce thermal noise allowing cleaner shadows and higher ISO. Plus the large 5 inch LCD makes it possible to get perfect focus at 4K and 6K resolutions. You also get a removable battery door, 4 shock proof microphones, heavy duty lens mount and built in speaker. MULTIFUNCTION GRIP WITH FINGERTIP CONTROLS The multifunction handgrip features an ergonomic design that puts important functions such as ISO, WB and shutter buttons at your fingertips. There’s even a scroll wheel under your index finger for making quick iris adjustments. Additional controls go beyond those found on a DSLR, which means you don’t have to go hunting through menus on a tiny screen to find a command. The Blackmagic Pocket Cinema Camera features easy to reach recording and still buttons that are placed exactly where you expect, including user assignable function keys allowing buttons for high frame rate, focus zoom, false colour and more. The Blackmagic Pocket Cinema Camera 6K Pro also adds extra ND filter controls. FINGERTIP SHOOTING CONTROLS The front and top of the Blackmagic Pocket Cinema Camera features record start/stop and still photo buttons along with dedicated controls for iris, ISO, white balance and shutter speed. The main power switch is located on the top next to a row of 3 customizable function buttons. BACK PANEL CONTROLS Conveniently placed below the right thumb rest, you can quickly change shooting speed with the high frame rate button, zoom into the image with the magnifying glass, access setup menus and quickly play back shots for review. HIGH RESOLUTION CINEMATIC DIGITAL FILM SENSOR The Blackmagic Pocket Cinema Camera 6K features a native resolution of 6144 x 3456. Whether you’re shooting in bright sunlight or in almost no light at all, the 13 stops of dynamic range with dual native ISO up to 25,600 provide stunning low noise images in all lighting conditions. Plus the 6K models feature a larger Super 35 sensor that allows shooting with a shallow depth of field and anamorphic lenses. All models let you shoot up to 60 fps in full resolution or 120 fps windowed. An amazing sensor combined with Blackmagic colour science means you get the same imaging technology as the most expensive digital film cameras. COMPATIBLE WITH CINEMA AND PHOTOGRAPHIC LENSES With 3 models, you can choose between EF or MFT lenses, making Blackmagic Pocket Cinema Camera compatible with the largest range and most popular lenses in the world. The 6K models feature an EF lens mount so you can use lenses you already own from other cameras such as DSLR, URSA Mini Pro or even the original Blackmagic Cinema Camera. You can use commonly available photographic lenses that provide incredible creative choice and wonderful feature film quality lens effects. The active lens mount lets you adjust focus and iris from the buttons on the camera or the touch screen. BUILT IN ND FILTERS The Blackmagic Pocket Cinema Camera 6K Pro features high quality, motorized IR ND filters that let you quickly reduce the amount of light entering the camera. Designed to match the colourimetry and colour science of the camera, the 2, 4 and 6 stop filters provide you with additional latitude even under harsh lighting. The IR filters have been designed to filter both optical and IR wavelengths evenly, eliminating IR contamination of the images. Activation buttons are located on the rear of the camera body, placed within easy reach of your thumb from the multi function hand grip. User selectable filter settings can even be displayed as either an ND number, stop reduction or fraction on the LCD. SHOOT INCREDIBLE HIGH DYNAMIC RANGE (HDR) IMAGES The distance between the lightest and the darkest parts of an image is called dynamic range and is measured in stops. Pocket Cinema Cameras have an incredible 13 stops of dynamic range which means they preserve more detail in the lightest and darkest areas of an image than simple video cameras can. This allows you to set exposure for an indoor scene such as a cafe and still retain the details of bright outdoor light coming through a window. You also get more colours than the standard DCI-P3 colourspace used for feature films. Plus DaVinci Resolve Studio is included with the camera, so you get total creative freedom with full exposure adjustment and recovery controls when colour grading. DUAL GAIN ISO FOR EXCEPTIONAL LOW LIGHT PERFORMANCE In digital film ISO is a measurement of the image sensor’s sensitivity to light. This means the higher the ISO number the more sensitivity to light so it’s possible to shoot using natural light even at night. The Pocket Cinema Cameras feature dual gain ISO up to 25,600, which means they're optimized to minimize grain or noise in images, while maintaining the full dynamic range of the sensor. The native ISO of 400 is ideal for scenes with on-set lighting. The secondary high base ISO of 3200 is perfect when shooting in dimly lit environments. The gain is set automatically as you adjust the ISO setting, so it's easy to capture great images when you don’t have time to set up lights. MULTIPLE RESOLUTIONS AND FRAME RATES Depending on the model, the Blackmagic Pocket Cinema Camera can shoot in all standard resolutions and frame rates from HD up to DCI 4K and even 6K. You can shoot stills at 21.2 megapixels on the 6K models and 8.8 megapixels on the 4K model. The 6K models will shoot up to 50 fps at 6144 x 3456 16:9 or 60 fps at 6144 x 2560 2.4:1 and 60 fps at 5744 x 3024 17:9. For higher frame rates you can window the sensor and shoot up to 120 fps at 2.8K 2868 x 1512 17:9. You can even work in true anamorphic 6:5 using anamorphic lenses in 3.7K 60 fps at 3728 x 3104. On the 4K model you can shoot up to 60 fps 4K DCI at 4096 x 2160 and 60 fps in Ultra HD at 3840 x 2160. You can even shoot 120 fps in 1080HD. POST PRODUCTION FRIENDLY FILE FORMATS Blackmagic Pocket Cinema Camera records using standard open file formats so you don’t have to waste time transcoding media. Files are compatible with all post production software so you can work with the software of your choice, or use the included DaVinci Resolve Studio. Recording works in industry standard 10-bit Apple ProRes files in all formats up to 4K or 12-bit Blackmagic RAW in all formats up to 6K. Blackmagic RAW is the fastest growing RAW format. Developers can download and use the free Blackmagic RAW SDK to add support into their applications. Best of all media files work on all operating systems plus you can format media cards and disks in HFS+ for Mac and ExFAT for Windows. USE STANDARD SD CARDS, UHS‑II OR CFAST 2.0 MEDIA The Blackmagic Pocket Cinema Camera features built in CFast and SD UHS-II card recorders, and a USB-C expansion port for recording direct to an external media disk. You can use regular SD cards for HD or higher performance UHS-II and CFast cards for native 4K or 6K when using Blackmagic RAW. Imagine capturing over an hour of full resolution 6K images on a single 256GB SD UHS-II card. The ProRes and Blackmagic RAW files work with all video software. You can even mount the media cards on your computer and start editing directly from them using the included DaVinci Resolve Studio software. TOUCHSCREEN FOR FAST SETUP The large LCD touchscreen displays critical information on the heads up display, or HUD, as well as access to camera setup menus. The HUD lets you see and adjust settings such as the frame rate, iris, timecode, shutter angle, white balance, ISO, audio levels and more with a single tap. You can show or hide the HUD by simply swiping up or down. Adjust settings such as white balance simply by touching the WB indicator, or change the audio levels by touching the audio meters. Everything is interactive, so you can tap any item and instantly change settings without searching through confusing menus. You can also access settings such as the digital slate, to quickly add metadata to any shot. LARGE 5" LCD MONITOR Blackmagic Pocket Cinema Camera features a large, bright 5 inch touchscreen that makes it easy for you to frame shots and accurately focus. That means you don’t have to carry around an external monitor. On screen overlays show status and record parameters, histogram, focus peaking indicators, levels, frame guides and more. You can quickly apply 3D LUTs for monitoring shots with the desired colour and look. The Pocket Cinema Camera 6K Pro LCD monitor is a more advanced HDR display that can be tilted up and down so it's easy to monitor your shot from any position. Plus the 6K Pro model’s HDR display features 1500 nits of brightness, ideal for use in bright sunlight. THE ADVANCED OS WITH FEATURES FROM URSA MINI PRO With the advanced Blackmagic OS, you get an intuitive and user friendly camera operating system based on the latest technology. Blackmagic OS is a true modern operating system where all camera features run independently for smoother control, plus the camera powers on virtually instantly. It features the same controls and menus as other Blackmagic Design cameras so you can move between cameras on set easily. The interface uses simple tap and swipe gestures to adjust settings, add metadata and view recording status. You also get full control over advanced camera features such as on screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings and more. LATEST GENERATION 5 COLOUR SCIENCE STUNNING SKIN TONES AND FAITHFUL COLOUR REPRODUCTION Featuring the same generation 5 colour science as the high end URSA Mini Pro 12K, the new Pocket Cinema Camera 6K Pro delivers an even greater advancement in image quality with stunning, accurate skin tones and faithful colour in every shot. You get a new dynamic 12-bit gamma curve designed to capture more colour data in the highlights and shadows, for better looking images. The colour science also handles some of the complex Blackmagic RAW image processing, so colour and dynamic range data from the sensor is preserved via metadata which you can use in post production. That means you get images that have a natural, film like response to colour adjustments in post with DaVinci Resolve Studio. PROFESSIONAL CONNECTIONS FOR CUSTOM RIGS Though small and portable, the Blackmagic Pocket Cinema Camera features a wide range of connections for audio, monitoring, power and more. The camera includes a full size HDMI connector for monitoring with support for HDR and clean 10-bit output. That means you can connect an HDMI display for on set monitoring of images, with or without overlays that show critical information and camera status. There’s also a mini XLR connection with 48 volt phantom power for attaching professional microphones, a 3.5 mm video camera style microphone input, headphone connection and a professional locking DC power connector. The USB-C connection lets you connect and record direct to your media disk. 4 BUILT-IN MICROPHONES AND PROFESSIONAL AUDIO INPUTS With professional, high fidelity audio recording built in you'll never have to carry around a separate sound recorder again. Blackmagic Pocket Cinema Cameras feature a mini XLR input with 48 volts of phantom power for connecting professional microphones such as lapel mics and booms. The 6K Pro model features 2 mini XLR connections, allowing you to record 2 separate audio tracks using 2 mics, without an external mixer. The four built in mics have an extremely low noise floor and are shock and wind resistant, capturing great sound in any location. There’s also a 3.5mm audio input for connecting video camera microphones, along with a built in speaker for playback and a 3.5mm headphone jack. LOAD CUSTOM 3D LUTS TO RECREATE FILM LOOKS Digital film cameras shoot logarithmic colourspace to preserve the dynamic range, which is great for later post production, however when these files are viewed on a monitor they can look flat and washed out. 3D LUTs solve this problem because they allow you to apply a "look" to the monitor so you get an idea of how the finished images will look when editing. LUTs can be applied temporarily for monitoring only, or they can be recorded into the Blackmagic RAW files for use in post production. The Pocket Cinema Camera works with industry standard 17 and 33 point 3D LUT files, or you can work with the built in LUTs such as Extended Video, Film to Video, Film to Rec.2020 and more. USB-C FOR RECORDING DIRECT TO EXTERNAL MEDIA DISKS The Blackmagic Pocket Cinema Camera features an innovative and high speed USB-C Expansion Port that operates at up to 5 Gb/s. USB-C is available on most new computers and even provides power. That means you can connect external accessories such as flash drives and SSDs for significantly longer recording times. A high speed external disk allows shooting 6K in the highest constant quality 12-bit Blackmagic RAW in the Q0 setting or at high frame rates. Best of all, when shooting is complete you can simply move the external disk to your computer and start editing and colour correction from the same disk, eliminating file copying. BUILT IN TIMECODE GENERATOR GET FAST MULTI CAMERA SHOOTS IN PERFECT SYNC Professional cameras include professional features and you also get a built in timecode generator, allowing shooting with more than one camera while keeping perfect sync. Simply plug in an external timecode generator such as Tentacle Sync into the 3.5 mm audio jack and the camera will automatically detect timecode and lock the internal generator. Now each camera can start and stop recording and all the shots from all cameras will have the same matched timecode. Imagine shooting a music festival with multiple roving cameras. Best of all, DaVinci Resolve will automatically find and sync the shots from all cameras so you don't need to waste time sorting through thousands of shots. SHOOT STILL FRAMES UP TO 21.2 MEGAPIXELS In addition to shooting video, the Blackmagic Pocket Cinema Camera can also capture high resolution stills. Simply press the dedicated stills button to record 21.2 megapixel images on the 6K models or 8 megapixel images on the 4K model. Still images are saved as fully uncompressed DNG frames, so you get the maximum image quality, which is perfect for making professional prints. Capturing still images is great for keeping track of continuity between shots or for sharing images to get approval from clients that are not on set. LOCALIZED IN 11 POPULAR LANGUAGES The Blackmagic Pocket Cinema Camera is designed to be used worldwide and supports 11 different languages. When setting up your camera, you can choose to work in English, German, French, Spanish, Portuguese, Italian, Russian, Turkish, Chinese, Japanese or Korean. It’s easy to switch to another language so you can share your camera with other crew when traveling to locations worldwide. When you switch languages, all on screen overlays, setup menus and monitoring information will be displayed in the selected language. WIRELESS BLUETOOTH CAMERA REMOTE CONTROL If you're positioning the camera on the end of a boom, or in another hard to reach location, you can get full control via Bluetooth from up to 30 feet away. You can download the Blackmagic Camera Control app for your iPad or use third party apps such as Bluetooth+ or tRigger on your iOS and Android devices. There’s even a free developer SDK with sample code available from the Blackmagic Design developer website, so you can create your own remote camera control and digital slate solutions. Imagine building an app that can jam sync timecode and trigger all cameras to record at the same time. The possibilities are endless. POWER FROM BATTERIES, 12V DC AND RECHARGE VIA USB‑C The Blackmagic Pocket Cinema Camera 4K and 6K use removable LP-E6 type batteries while the 6K Pro model uses larger NP-F570 batteries. A locking DC power connector is used so you won't have to worry about losing power during a shoot. Plus the included AC plug pack can power the camera and charge the battery simultaneously. You also get a set of international socket adapters for worldwide use. Even the USB-C expansion port can trickle charge the battery, so you can use portable battery packs, mobile phone chargers or laptops. The optional battery grip lets you add extra batteries to dramatically extend the power of the camera so you can keep shooting all day. USE POCKET CINEMA CAMERA AS A LIVE STUDIO CAMERA Blackmagic Pocket Cinema Camera now works as a studio camera for live production when used with ATEM Mini. Video and control is via the HDMI connection, which is available as soon as you plug the cameras in. The record light becomes a tally light so you can see which camera is on air. The ATEM Software Control camera page has a camera control unit (CCU) style interface for adjusting and matching your cameras. Move the CCU control vertically for iris and left to right to adjust black level. It's the same as a broadcast CCU. There are also controls for colour tint to balance cameras as well as focus, gain and shutter speed. You can even ISO record Blackmagic RAW in the camera for editing later. INCLUDES DAVINCI RESOLVE STUDIO Get Professional Editing, Colour Correction, Audio Post and VFX All Pocket Cinema Camera models include a full version of DaVinci Resolve Studio, which is the same software used in Hollywood for creating high end feature films, episodic television shows, commercials and more. DaVinci Resolve features the new cut page with intelligent editing tools and innovative new features designed to help you quickly find the footage you want, edit it together and output it fast. In addition to the new cut page, you also get DaVinci’s legendary professional editing, advanced colour correction, audio post and visual effects tools, all in a single software application. Now you can use the the same high end software that professional editors and colourists use. OPTIONAL VIEWFINDER FOR PROFESSIONAL SHOOTING The Pocket Cinema Camera 6K Pro supports an optional viewfinder to make outdoors and handheld shooting accurate and easy. You get an integrated high quality 1280 x 960 colour OLED display with built in proximity sensor, 4 element glass diopter for incredible accuracy with a wide -4 to +4 focus adjustment. A built in digital focus chart ensures you get perfect viewfinder focus setup. You can also view critical status information such as frame guides. The Pocket Cinema Camera Pro EVF connects quickly to the Blackmagic Pocket Cinema Camera 6K Pro via a single connector. The viewfinder has a 70 degree swivel range and comes with 4 different types of eyecups for both left and right eyes.

Marshall CV730-WH Electronics CV730 UHD60 8.5MP 30x PTZ Camera (White)

Marshall CV730-WH (CV730/WH, CV730_WH, CV730WH, cv730-wh) Electronics CV730 UHD60 8.5MP 30x PTZ Camera (White) CV730-WH (White) 3840x2160p @ 25, 29.97, 50 & 59.94 / 1920x1080p @ 25, 29.97, 30, 50 & 59.94 / 1280×720 @ 25, 29.97, 50 & 59.94 CV730 delivers crystal-clear UHD images at up-to 60p using simultaneous 12G-SDI, HDMI 2.0 and IP outputs. The high-quality 8.5MP 1/1.8″ UHD sensor is paired with accurate and smooth pan & tilt motors together with remote broadcast-style adjust & match setting control through RS232, RS422 or IP using universal protocols. Featuring a precision 30x optical zoom range starting at just under 65° horizontal angle-of-view at 6.5mm through to 202mm which captures a tight head & shoulder shot at long distances. Install one-cable to camera for all functions (power, control, audio, video) or use Ethernet for PoE+/Preview and other outputs (12G-SDI/HDMI) for simultaneous workflows for streaming, production or archiving.

Marshall CV730-BK Electronics CV730 UHD60 8.5MP 30x PTZ Camera (Black)

Marshall CV730-BK (CV730/BK, CV730_BK, CV730BK, cv730-bk) Electronics CV730 UHD60 8.5MP 30x PTZ Camera (Black) CV730-BK (Black) 3840x2160p @ 25, 29.97, 50 & 59.94 / 1920x1080p @ 25, 29.97, 30, 50 & 59.94 / 1280×720 @ 25, 29.97, 50 & 59.94 CV730 delivers crystal-clear UHD images at up-to 60p using simultaneous 12G-SDI, HDMI 2.0 and IP outputs. The high-quality 8.5MP 1/1.8″ UHD sensor is paired with accurate and smooth pan & tilt motors together with remote broadcast-style adjust & match setting control through RS232, RS422 or IP using universal protocols. Featuring a precision 30x optical zoom range starting at just under 65° horizontal angle-of-view at 6.5mm through to 202mm which captures a tight head & shoulder shot at long distances. Install one-cable to camera for all functions (power, control, audio, video) or use Ethernet for PoE+/Preview and other outputs (12G-SDI/HDMI) for simultaneous workflows for streaming, production or archiving.

Canon XF705 4K 1 Inches Sensor XF-HEVC H.265 Pro Camcorder

Canon XF705 (XF_705, XF 705, XF/705, XF705) 4K 1 Inches Sensor XF-HEVC H.265 Pro Camcorder. The XF705 4K 1" Sensor XF-HEVC H.265 Pro Camcorder from Canon offers up to UHD 4K60 4:2:2 10-bit capture in a compact, ergonomic form. With both Adobe Premiere Pro 14.0 and Apple Final Cut Pro 10.4.7 now offering H.265/XF-HEVC support, XF705 users can now take advantage of improved compression and reduced bit rates, especially when shooting and finishing in 4K. Designed for easy portability, the XF705 is well suited for documentary, ENG, events, and sports capture. Its 1" CMOS sensor and dual DIGIC DV 6 processors provide high sensitivity and low noise for natural-looking images. Camera features include 1080p rates up to 120 fps, 12G-SDI and HDMI 2.0 outputs, internal ND filters, and dual XLR audio inputs. The XF705 incorporates a 15x HD optical zoom with up to 30x Advanced Zoom, a nine-bladed iris for rounded highlights, a 4" touchscreen LCD, and five-axis optical image stabilization. Imaging features include Dual-Pixel Autofocus (DPAF), Wide Dynamic Range Gamma, and both HLG (Hybrid Log Gamma) and PQ (Perceptual Quantization) HDR recording for impressive latitude. Firmware upgrade version 1.0.1.1 improves the zoom response in both ring and rocker modes, boosts the focus speed while zooming, and adds a vertical filter function to reduce artifacts like moiré and jagged edges. The camera records to dual SDXC card slots and includes genlock, timecode, Ethernet, and RS-422 ports. On the audio side, the XF705 features four channels of LCPM audio with manual/automatic recording levels, and dual XLR inputs. Built-in Wi-Fi allows you to control the camera's functions via browser and transfer proxy files. Camera control is also available using the included WL-D6000 remote.

Sony PXW-Z750 4K 2/3-type 3-chip CMOS Shoulder-mount Camcorder

Sony PXW-Z750 (PXW/Z750, PXWZ750, PXW_Z750, pxw-z750) 4K 2/3-type 3-chip CMOS Shoulder-mount Camcorder PXW-Z750 4K 2/3-type 3-chip CMOS Shoulder-mount Camcorder with global shutter, high sensitivity, 4K/HD simultaneous recording, 120p HFR in HD, 12G-SDI and advanced wireless workflow capabilities. New benchmark for 4K, HDR and HD image quality Capture beautiful 4K images with the deep of depth of field made possible by 3-chip 2/3- type CMOS sensor. The Z750 is Sony’s first shoulder-mount camcorder with a global shutter to eliminate flash banding and “jello” effects. It sets a new class-leading standard for 4K, HDR and HD image quality for reality TV, documentary, news and sports production. In fast-moving applications where a second take is impossible, Z750 is the ideal choice. Saving time and money Delivering highest quality 4K with HD era workflows wastes time and money. The Z750’s latest generation XAVC-L422 QFHD 200 codec combined with high-speed SxS Pro media radically reduce real-world turnaround times. Premium 4K becomes deliverable on almost any project using the PXW-Z750. Transformative cloud-based collaboration Z750 is at the vanguard of seamlessly integrating Cloud-based production tools with familiar, easy-to-use interfaces and proven Sony reliability. Build stories fast, with secure, direct access from the studio to camcorders out in the field with XDCAM air. Distribute content for preview and editing with stakeholders across the world using Sony’s Ci Media Cloud. 3-chip 2/3-type CMOS Sensor with Global Shutter The PXW-Z750 incorporates a newly developed 3-chip 2/3” 4K CMOS sensor optical block with a wide colour gamut provides exquisite picture quality with true-to-life colour reproduction, high sensitivity and low noise level for a wide range of shooting scenarios. Versatile B4 lens options The 3-chip 2/3-type size sensor block of the Z750 matches the rugged, dependable B4 lens mount system, allowing you to use a wide variety of commercially-available B4 4K/HD lenses. This flexibility supports a variety of shooting applications while reducing cost by leveraging your existing lens investments. High Dynamic Range and wider, richer colours PXW-Z750 can record HDR using Sony S-Log3 or Hybrid Log Gamma (HLG). The camera’s wide colour gamut supports extended Sony S-Gamut3 and S-Gamut3.Cine colour spaces, as well as the industry standard ITU-R BT.2020 colour space. S-Log3 has a proven track record for premium applications, capturing the maximum dynamic range from the sensors, for the most creative colour grading processes.* Industry standard HLG delivers content quickly without additional colour grading, making it an ideal choice for day-to-day shooting, viewing, editing and broadcasting workflows. Superb slow motion Ideal for sports and nature programmes, the PXW-Z750 can acquire footage in 120fps in Full HD for beautifully smooth, finely-detailed slow-motion playback. Cache recording Never miss a shot with advanced cache recording in 4K and Full HD modes. Pre-record up to 13-15 sec in MPEG HD 422 50 (at 50/59.94fps) – giving you plenty of time to catch the action when it happens. Representative Cache Rec. Time (@50/59.94fps) XAVC QFHD L422 200: 2-4 sec XAVC-I 1920×1080P: 2-4 sec MPEG HD 422 50: 13-15 sec High quality at lower bitrates As well as the established XAVC-I QFHD Class 300 4K and standard MPEG HD422 codecs, the PXW-Z750 also supports the latest generation XAVC-L422 QFHD 200 codec. Compressing 4K Ultra HD images with a LongGOP frame structure, this achieves significant bitrate savings over previous Intra Frame codecs while maintaining superb 4K image quality. Lower data rates increase recording times while reducing storage requirements. Uncompromised picture quality is ensured by 10-bit quantisation and 4:2:2 colour sampling, making the PXW-Z750 ideal for HDR productions. A wide range of 4K codecs provide the flexibility to select the recording format that is best suited for the requirements of the production you are working on. Lightning-fast transfers with latest generation media The PXW-Z750 supports latest-generation SxS Pro X media, enabling very high speed file transfers at up to 10Gbps (1250MB/s)¹ with the SBAC-T40 Thunderbolt™ 3,* SxS card reader/writer. Transfers are approximately three times faster than previous generation media/reader combinations, dramatically accelerating workflows for any application and bringing down production costs. *Based on Sony internal testing. Transfer speeds vary and are dependent on host devices, the OS version or usage conditions. Next generation wireless workflow Built-in wireless connectivity enables advanced workflow production features including live streaming, FTP transfer and even remote control from a smartphone or tablet* via Wi-Fi. Wireless workflow is made even more efficient using XDCAM air, Sony’s professional cloud service including dual-link cellular operation.** * Requires Content Browser Mobile and device running iOS 9.0 (or higher) or Android 4.4 (or higher) ** Requires XDCAM air subscription and CBK-DL1 USB Extension Adaptor Seamless wireless audio integration PXW-Z750 is compatible with Sony’s DWX series of digital wireless microphone systems offering ENG and documentary teams the benefits of an all-digital audio workflow, including robust end-to-end encryption for truly secure operation.* Wireless transmitter parameters can be controlled directly from the PXW-Z750 using the Cross Remote function Transmitter power save mode synchronises with the camera’s on/off control, and is controllable by assignable buttons to save transmitter battery life Audio and video are precisely synchronized, ensuring no delays or lip-sync problems Power save status and receiver RF levels are displayed in the viewfinder *For details, please consult local sales company. Familiar refinement, evolved The Z750 is lighter than the previous generation PDW-700, while also being more ergonomically balanced so it’s considerably less fatiguing for longer shooting days. All the controls and interfaces are a subtle refinement of previous shoulder camcorders, ensuring that shooting with this camcorder is easy and hassle-free. From power-on, it’s a matter of seconds to be shooting highest quality footage while advanced new features are easy to learn and utilise.

Sony PXW-FX9 XDCAM 6K Full-Frame Camera System package h

Comes with 2 Years Sony Prime Support Warranty - Beware of grey imports. Sony PXW-FX9 (PXW_FX9, PXW/FX9, PXW FX9) XDCAM 6K Full-Frame Camera system package h © includes: 1x Sony PXW-FX9 XDCAM 6K Full-Frame Camera System (Body Only) (PXW-FX9) 1x Sony XDCA-FX9 Extension Unit for PXW-FX9 Camera (XDCA-FX9)   *Digibroadcast has put together some bespoke Sony packages for our clients based on our own research and surveys and holds the right to protect all of its content ©  Combined Sony’s technology in Digital cinema camera Venice, FS series and a (Alpha) ILC cameras. Sony’s full-frame 6K sensor camera with Fast Hybrid AF, dual base ISO and cinematic colour science and S-Cinetone. The Sony PXW-FX9 is the long awaited successor to the legendary PXW-FS7 is here and it brings some fantastic upgrades with it. The FX9 has a Full Frame 6K dual native ISO sensor, VENICE colour science, upgraded auto-focus capabilities, built in genlock and timecode and much more.  The FX9 features a full frame 6K 35.7 by 18.8mm back-illuminated Exmor-R CMOS sensor. This sensor is stated to have 15 plus stops of dynamic range and has a resolution of 6008 x 3168.  You will be able to shoot QFHD full frame up to 30fps, 1080p full frame at up to 120 fps and QFHD S35 up to 60fps and 1080p S35 at up to 120fps. The planned firmware updates will bring Full frame DCI 4K up to 60p, Full HD full frame up to 180fps and QFHD in Super 35 mode at up to 120fps while using an external recorder. You can also customise the autofocus, tweaking things like the AF transition between slow, for stuff like promo videos where you want slow smooth focus movements to fast which will be great for sports. You can also change the AF subject shift sensitivity which defines how easily the focus is switched to another subject. This goes from locked if you are wanting to do a walk and talk for example to responsive which you may need to keep better general focus. You can record up to four channels of audio with a range of different input options, The FX9 has an internal scratch mic, two XLR’s, you can use a dual channel receiver with the MI shoe on the handle or you can now use the DWX series of drop in receivers and transmitters with the new XDCA -FX9 back module. The FX9 does not feature SLOG2 only SLOG3 with S-Gamut3 & S-Gamut3. Cine, this is because the SLOG2 gamma curve is designed for 8-bit whereas all of the codecs on this camera are 10-bit. They have also added an S-Cinetone colour profile which is aimed to bring the colour science from the VENICE to the FX9. Realise beautiful 4K imagery with the creative freedom made possible by oversampling a huge high resolution full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh with a truly cinematic look. 15+ stops of dynamic range and Dual Base ISO enable capture of every nuance, from subtle shadow detail to specular highlights and with an immaculate colour palette. Capturing the Impossible Make sure your story’s always clear with enhanced Fast Hybrid AF that tracks your subject with unprecedented speed, smoothness and precision. Its impact is transformative for premium documentary, commercials and event applications. Shoot in Comfort, Expand your Horizons FX9 revolutionises full-frame cinematography with peerless ergonomics and advanced technology for on-the-go shooting. The world’s first full-frame electronic variable ND filter* transforms possibilities for shooting in variable lighting conditions. Built-in Wi-Fi and 12G-SDI support advanced workflows while the optional XDCA-FX9 extension kit further expands the operational possibilities of the PXW-FX9. 6K Full-Frame “Exmor R” Sensor for Stunning Picture Quality The camera’s full-frame 6K sensor provides superb recording in DCI 4K*, Ultra HD and HD resolutions. Powerful image processing with debayering and oversampling ensures image quality beyond the limits of conventional Super 35mm sensors. The back-illuminated CMOS image sensor also uses Sony’s Exmor R technology for improved sensitivity and noise reduction. Compared to a 4K Super 35mm sensor, the FX9’s 6K sensor has over twice the surface area while providing a wider angle of view and shallower depth of field. DCI 4K (4096 x 2160 at 17:9 recording) will be available with future firmware release. Phenomenal 15+ Stops Dynamic Range for Limitless Expression FX9 offers an exceptional 15+ stops of dynamic range – beyond the normal range of human perception – allowing for unprecedented creative freedom in colour grading and post. Camera operators can concentrate on framing the scene they want while relying upon the FX9 to capture every nuance and detail using either 4K 4:2:2 10-bit internal recording or 16-bit RAW external recording.* In grading, colourists can find colour and detail beyond the normal viewing abilities of the camera operator to create a final image that exactly portrays the mood of the scene. RAW recording requires future firmware release and external recorder. Dual Baso ISO for stunning images in any light FX9 features a base sensitivity of ISO 800, providing the optimal dynamic range for typical documentary applications such as shooting outside or in brightly lit interiors. A secondary High Base sensitivity of ISO 4000 excels in low light conditions such as early morning and evening shoots while maintaining superb image quality. ISO 4000 is also ideal whenever you’re using slow lenses. Combining Dual Base ISO with the camera’s electronic variable ND Filter provides superb creative control in almost any shooting environment, with truly next generation responsiveness to changing conditions. ISO 800 and ISO 4000 are used in S-Log3, Cine EI mode. Cinematic Colour Science with S-Cinetone S-Cinetone is the default look of FX9 that’s tuned to meet the requirements of today’s content creators with rich mid-range colours, alluring facial tones and a softer tonal look – developed with the same expertise as Sony’s world-leading VENICE digital cinematography camera. S-Cinetone means that straight out of the camera your content looks fresh and vivid, with subjects that really stand out while retaining plenty of latitude in post production thanks to the high performance full-frame image sensor. The advanced default looks delivers alluring facial tones and a softer tonal look. Selectable Frame Rates in Both Full-Frame & Super 35 Choose your desired frame-rate from 1fps up to 180fps* for impressive quick and slow-motion footage. FX9 creates an immersive image with a wide angle look and shallower depth of field provided by its full-frame sensor in combination with quick and slow-motion. Engage your audience with this new creative look. FX9 also offers a Quality priority setting* that maximises full HD slow motion image quality with advanced oversampling technology. Up to 120fps with Ver1.0. Full-HD 180fps will be supported with future firmware In Full-frame scanning mode: selectable at 1-30fps / In S35 scanning mode: selectable at 1-60fps  Supported in future firmware update Supported in future firmware update. RAW output only Supported in the future firmware update. Scanning area is cropped around 83% of full-frame and 122% larger than S35. (diagonal) Catch the Action with Enhanced Fast Hybrid AF Effortlessly track fast moving subjects with pin-sharp focus, even when using wide lens aperture settings to maintain a shallow depth of field with the camera’s full-frame sensor. Developed by Sony’s α camera engineers, enhanced Fast Hybrid AF combines phase detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. In addition, Face Detection intelligently recognises and locks on to human faces. The dedicated 561-point phase detection AF sensor covers approximately 94% of the whole image area width and 96% of height, allowing consistently accurate, responsive AF tracking, even with fast-moving subjects. Customisable AF Settings FX9’s comprehensive autofocus settings provide the creative flexibility to integrate with any project. Customisable AF settings can be used for a wide range of situations, depending on your requirements.  7-level AF transition speeds from Fast – switching between subjects as quickly as possible – to Slow, where speed is reduced to fit a more measured shooting style, such as a historical TV drama. 5-level AF subject shift sensitivity ranges from Locked-on – ignoring other moving subjects in the frame – to Responsive that switches focus from one subject to another – ideal for snapping between race cars as they speed by. AF Assist You can control MF ring during AF shooting if AF Assist is set to ON. You can adjust the focus manually even in AF shooting, you can manually operate the ring to focus the person behind. One Push AF While you are shooting in MF, pushing One Push AF button enables you to change to the focus mode to AF. Autofocus with all E-Mount Lenses Experience smooth, responsive autofocus with every E-mount lens, including Sony’s new Cinema Lens Series with premium optical performance and operability for demanding cinematography applications. Advanced E-mount lever lock operation allows quick, easy lens exchange in the field, plus added stability and security with large lenses. World’s First Electronic Variable ND Filter for Full-Frame Sensor Realise even greater creative control with Sony’s unique built-in electronic variable neutral density (ND) filter – a world first* for professional full-frame camcorders. Set to Auto, or adjust filter density manually in smooth increments from 1/4 to 1/128 as you shoot, for perfectly exposed images without affecting depth of field as lighting conditions change. Use higher density settings with a slower shutter speed for breath taking artistic effects. The built-in variable ND filter, with no need to prepare multiple ND filters separately can be flexibly and immediately used for every exposure change situation; when you move from inside to outside, and when you shoot under the natural light condition where exposure changes moment by moment. Proven Ergonomics & Accessories Compatibility FX9 chassis is the latest refinement of the revolutionary FS7 design, so you can be sure it will feel great to shoot with from almost any position, while also offering compatibility with a large proportion of the countless FS7 accessories including U-Series batteries, chargers, E-Mount lenses, plus third-party rigs, arms and lens adapters.* The control arm is easily adjusted without tools, so FX9 adapts effortlessly to your physique and preferred shooting style – handheld, at waist level or shoulder mounted. The smart grip features an updated design, more compact than before while still holding all the key shooting controls, allowing you to concentrate on the scene without distractions. FX9 also introduces a micro USB interface for improved responsiveness and support for a wrist strap. 16-bit RAW Capability 16-bit RAW offers a phenomenal increase in post-production creative freedom to fully exploit FX9’s exceptional 15+ stops of dynamic range. FX9 supports export of 16-bit RAW at either 4K or 2K resolution using the optional XDCA-FX9 extension unit with a single BNC cable connection to compatible external RAW recorders.** RAW output will be enabled with a future firmware release. Limited to 10-bit recording during 120fps high frame rate shooting within Super35 image circle Stable, Shake-Free Handheld Footage Advanced image stabilisation information means even handheld footage can be transformed with Sony Catalyst Browse/Catalyst Prepare software* in post-production to look as smooth as if it were shot with a gimbal.Unlike in-camera or lens stabilisation, meta data generated by FX9’s built-in gyro allows you to creatively choose the balance between the level of shake-compensation and the resolution of trimmed 4K imagery. This feature is also compatible with any E-mount lens and allows for far faster processing than conventional NLE stabilisation workflows**. Catalyst Browse/Catalyst Prepare Ver.2019.2 is required. Resolution and angle of view reduced compared to native footage. LCD Approx 1.8x higher resolution than the FS7M, with enhanced LCD with HD resolution has superb accuracy, high contrast and resolution, bringing higher visibility for focusing. Beautifully Matched Shooting Partners Optimised for professional cinematography applications, the light, compact, SELP28135G powered zoom lens is an ideal complement for the full frame imaging possibilities of the FX9. Circular aperture with full-frame image circle format Motorised servo zoom for smooth, precise zoom moves Independent three rings for focus, zoom and iris with smooth, silent drive You have the choice of purchasing the FX9 on its own (PXW-FX9) or with SELP28135G lens (PXW-FX9K). Cinema Lens Series Explore new artistic possibilities and precise creative control with Sony’s Cinema Lens Series. Purpose-built for documentary production and digital cinematography with full-frame cameras such as the FX9 and VENICE. The first lens in the series, the FE C 16-35mm T3.1 G full-frame wide angle zoom, is due in early 2020. Adds Shoulder-Style Operation, Advanced Networking Further extend the capabilities of the FX9 with the optional XDCA-FX9 extension unit that optimises camera weight distribution and ergonomics for comfortable shoulder-style shooting – ideal for ENG (Electronic News Gathering) and documentary applications. The extension unit also adds advanced networking for streaming/file transfers and Genlock/Timecode for multi-camera shoots. 4-Channel Audio Input and Recording  FX9 offers superb audio capabilities with independent control dials for each channel. In applications such as interview, 4-channel audio recording enables simultaneous use of an external microphone for recording ambient sounds, the built-in microphone for voice memos by the operator, and two optional UWP Series wireless microphones for voice of interviewer and interviewee. In addition, using the optional XLR-K3M, XLR-K2M or XLR-K1M XLR adapter – with two extra XLR inputs – allows even more devices to be connected.  

Sony PXW-FX9 XDCAM 6K Full-Frame Camera System package g

Comes with 2 Years Sony Prime Support Warranty - Beware of grey imports. Sony PXW-FX9 (PXW_FX9, PXW/FX9, PXW FX9) XDCAM 6K Full-Frame Camera system package g © includes: 1x Sony PXW-FX9 XDCAM 6K Full-Frame Camera System (Body Only) (PXW-FX9) 1x Sony QDG120F XQD G-Series 120GB 440MB/s Read-400MB/s Write Memory Card  1x Hawk-Woods VLM-FX9 V-Lok Camera mount 2x D-TAP for Sony FX9 1x IDX V-Mount Lithium Ion Battery with 2 x D Tap and USB Output DUO-C150 *Digibroadcast has put together some bespoke Sony packages for our clients based on our own research and surveys and holds the right to protect all of its content ©   Combined Sony’s technology in Digital cinema camera Venice, FS series and a (Alpha) ILC cameras. Sony’s full-frame 6K sensor camera with Fast Hybrid AF, dual base ISO and cinematic colour science and S-Cinetone. The Sony PXW-FX9 is the long awaited successor to the legendary PXW-FS7 is here and it brings some fantastic upgrades with it. The FX9 has a Full Frame 6K dual native ISO sensor, VENICE colour science, upgraded auto-focus capabilities, built in genlock and timecode and much more.  The FX9 features a full frame 6K 35.7 by 18.8mm back-illuminated Exmor-R CMOS sensor. This sensor is stated to have 15 plus stops of dynamic range and has a resolution of 6008 x 3168.  You will be able to shoot QFHD full frame up to 30fps, 1080p full frame at up to 120 fps and QFHD S35 up to 60fps and 1080p S35 at up to 120fps. The planned firmware updates will bring Full frame DCI 4K up to 60p, Full HD full frame up to 180fps and QFHD in Super 35 mode at up to 120fps while using an external recorder. You can also customise the autofocus, tweaking things like the AF transition between slow, for stuff like promo videos where you want slow smooth focus movements to fast which will be great for sports. You can also change the AF subject shift sensitivity which defines how easily the focus is switched to another subject. This goes from locked if you are wanting to do a walk and talk for example to responsive which you may need to keep better general focus. You can record up to four channels of audio with a range of different input options, The FX9 has an internal scratch mic, two XLR’s, you can use a dual channel receiver with the MI shoe on the handle or you can now use the DWX series of drop in receivers and transmitters with the new XDCA -FX9 back module. The FX9 does not feature SLOG2 only SLOG3 with S-Gamut3 & S-Gamut3. Cine, this is because the SLOG2 gamma curve is designed for 8-bit whereas all of the codecs on this camera are 10-bit. They have also added an S-Cinetone colour profile which is aimed to bring the colour science from the VENICE to the FX9. Realise beautiful 4K imagery with the creative freedom made possible by oversampling a huge high resolution full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh with a truly cinematic look. 15+ stops of dynamic range and Dual Base ISO enable capture of every nuance, from subtle shadow detail to specular highlights and with an immaculate colour palette. Capturing the Impossible Make sure your story’s always clear with enhanced Fast Hybrid AF that tracks your subject with unprecedented speed, smoothness and precision. Its impact is transformative for premium documentary, commercials and event applications. Shoot in Comfort, Expand your Horizons FX9 revolutionises full-frame cinematography with peerless ergonomics and advanced technology for on-the-go shooting. The world’s first full-frame electronic variable ND filter* transforms possibilities for shooting in variable lighting conditions. Built-in Wi-Fi and 12G-SDI support advanced workflows while the optional XDCA-FX9 extension kit further expands the operational possibilities of the PXW-FX9. 6K Full-Frame “Exmor R” Sensor for Stunning Picture Quality The camera’s full-frame 6K sensor provides superb recording in DCI 4K*, Ultra HD and HD resolutions. Powerful image processing with debayering and oversampling ensures image quality beyond the limits of conventional Super 35mm sensors. The back-illuminated CMOS image sensor also uses Sony’s Exmor R technology for improved sensitivity and noise reduction. Compared to a 4K Super 35mm sensor, the FX9’s 6K sensor has over twice the surface area while providing a wider angle of view and shallower depth of field. DCI 4K (4096 x 2160 at 17:9 recording) will be available with future firmware release. Phenomenal 15+ Stops Dynamic Range for Limitless Expression FX9 offers an exceptional 15+ stops of dynamic range – beyond the normal range of human perception – allowing for unprecedented creative freedom in colour grading and post. Camera operators can concentrate on framing the scene they want while relying upon the FX9 to capture every nuance and detail using either 4K 4:2:2 10-bit internal recording or 16-bit RAW external recording.* In grading, colourists can find colour and detail beyond the normal viewing abilities of the camera operator to create a final image that exactly portrays the mood of the scene. RAW recording requires future firmware release and external recorder. Dual Baso ISO for stunning images in any light FX9 features a base sensitivity of ISO 800, providing the optimal dynamic range for typical documentary applications such as shooting outside or in brightly lit interiors. A secondary High Base sensitivity of ISO 4000 excels in low light conditions such as early morning and evening shoots while maintaining superb image quality. ISO 4000 is also ideal whenever you’re using slow lenses. Combining Dual Base ISO with the camera’s electronic variable ND Filter provides superb creative control in almost any shooting environment, with truly next generation responsiveness to changing conditions. ISO 800 and ISO 4000 are used in S-Log3, Cine EI mode. Cinematic Colour Science with S-Cinetone S-Cinetone is the default look of FX9 that’s tuned to meet the requirements of today’s content creators with rich mid-range colours, alluring facial tones and a softer tonal look – developed with the same expertise as Sony’s world-leading VENICE digital cinematography camera. S-Cinetone means that straight out of the camera your content looks fresh and vivid, with subjects that really stand out while retaining plenty of latitude in post production thanks to the high performance full-frame image sensor. The advanced default looks delivers alluring facial tones and a softer tonal look. Selectable Frame Rates in Both Full-Frame & Super 35 Choose your desired frame-rate from 1fps up to 180fps* for impressive quick and slow-motion footage. FX9 creates an immersive image with a wide angle look and shallower depth of field provided by its full-frame sensor in combination with quick and slow-motion. Engage your audience with this new creative look. FX9 also offers a Quality priority setting* that maximises full HD slow motion image quality with advanced oversampling technology. Up to 120fps with Ver1.0. Full-HD 180fps will be supported with future firmware In Full-frame scanning mode: selectable at 1-30fps / In S35 scanning mode: selectable at 1-60fps  Supported in future firmware update Supported in future firmware update. RAW output only Supported in the future firmware update. Scanning area is cropped around 83% of full-frame and 122% larger than S35. (diagonal) Catch the Action with Enhanced Fast Hybrid AF Effortlessly track fast moving subjects with pin-sharp focus, even when using wide lens aperture settings to maintain a shallow depth of field with the camera’s full-frame sensor. Developed by Sony’s α camera engineers, enhanced Fast Hybrid AF combines phase detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. In addition, Face Detection intelligently recognises and locks on to human faces. The dedicated 561-point phase detection AF sensor covers approximately 94% of the whole image area width and 96% of height, allowing consistently accurate, responsive AF tracking, even with fast-moving subjects. Customisable AF Settings FX9’s comprehensive autofocus settings provide the creative flexibility to integrate with any project. Customisable AF settings can be used for a wide range of situations, depending on your requirements.  7-level AF transition speeds from Fast – switching between subjects as quickly as possible – to Slow, where speed is reduced to fit a more measured shooting style, such as a historical TV drama. 5-level AF subject shift sensitivity ranges from Locked-on – ignoring other moving subjects in the frame – to Responsive that switches focus from one subject to another – ideal for snapping between race cars as they speed by. AF Assist You can control MF ring during AF shooting if AF Assist is set to ON. You can adjust the focus manually even in AF shooting, you can manually operate the ring to focus the person behind. One Push AF While you are shooting in MF, pushing One Push AF button enables you to change to the focus mode to AF. Autofocus with all E-Mount Lenses Experience smooth, responsive autofocus with every E-mount lens, including Sony’s new Cinema Lens Series with premium optical performance and operability for demanding cinematography applications. Advanced E-mount lever lock operation allows quick, easy lens exchange in the field, plus added stability and security with large lenses. World’s First Electronic Variable ND Filter for Full-Frame Sensor Realise even greater creative control with Sony’s unique built-in electronic variable neutral density (ND) filter – a world first* for professional full-frame camcorders. Set to Auto, or adjust filter density manually in smooth increments from 1/4 to 1/128 as you shoot, for perfectly exposed images without affecting depth of field as lighting conditions change. Use higher density settings with a slower shutter speed for breath taking artistic effects. The built-in variable ND filter, with no need to prepare multiple ND filters separately can be flexibly and immediately used for every exposure change situation; when you move from inside to outside, and when you shoot under the natural light condition where exposure changes moment by moment. Proven Ergonomics & Accessories Compatibility FX9 chassis is the latest refinement of the revolutionary FS7 design, so you can be sure it will feel great to shoot with from almost any position, while also offering compatibility with a large proportion of the countless FS7 accessories including U-Series batteries, chargers, E-Mount lenses, plus third-party rigs, arms and lens adapters.* The control arm is easily adjusted without tools, so FX9 adapts effortlessly to your physique and preferred shooting style – handheld, at waist level or shoulder mounted. The smart grip features an updated design, more compact than before while still holding all the key shooting controls, allowing you to concentrate on the scene without distractions. FX9 also introduces a micro USB interface for improved responsiveness and support for a wrist strap. 16-bit RAW Capability 16-bit RAW offers a phenomenal increase in post-production creative freedom to fully exploit FX9’s exceptional 15+ stops of dynamic range. FX9 supports export of 16-bit RAW at either 4K or 2K resolution using the optional XDCA-FX9 extension unit with a single BNC cable connection to compatible external RAW recorders.** RAW output will be enabled with a future firmware release. Limited to 10-bit recording during 120fps high frame rate shooting within Super35 image circle Stable, Shake-Free Handheld Footage Advanced image stabilisation information means even handheld footage can be transformed with Sony Catalyst Browse/Catalyst Prepare software* in post-production to look as smooth as if it were shot with a gimbal.Unlike in-camera or lens stabilisation, meta data generated by FX9’s built-in gyro allows you to creatively choose the balance between the level of shake-compensation and the resolution of trimmed 4K imagery. This feature is also compatible with any E-mount lens and allows for far faster processing than conventional NLE stabilisation workflows**. Catalyst Browse/Catalyst Prepare Ver.2019.2 is required. Resolution and angle of view reduced compared to native footage. LCD Approx 1.8x higher resolution than the FS7M, with enhanced LCD with HD resolution has superb accuracy, high contrast and resolution, bringing higher visibility for focusing. Beautifully Matched Shooting Partners Optimised for professional cinematography applications, the light, compact, SELP28135G powered zoom lens is an ideal complement for the full frame imaging possibilities of the FX9. Circular aperture with full-frame image circle format Motorised servo zoom for smooth, precise zoom moves Independent three rings for focus, zoom and iris with smooth, silent drive You have the choice of purchasing the FX9 on its own (PXW-FX9) or with SELP28135G lens (PXW-FX9K). Cinema Lens Series Explore new artistic possibilities and precise creative control with Sony’s Cinema Lens Series. Purpose-built for documentary production and digital cinematography with full-frame cameras such as the FX9 and VENICE. The first lens in the series, the FE C 16-35mm T3.1 G full-frame wide angle zoom, is due in early 2020. Adds Shoulder-Style Operation, Advanced Networking Further extend the capabilities of the FX9 with the optional XDCA-FX9 extension unit that optimises camera weight distribution and ergonomics for comfortable shoulder-style shooting – ideal for ENG (Electronic News Gathering) and documentary applications. The extension unit also adds advanced networking for streaming/file transfers and Genlock/Timecode for multi-camera shoots. 4-Channel Audio Input and Recording  FX9 offers superb audio capabilities with independent control dials for each channel. In applications such as interview, 4-channel audio recording enables simultaneous use of an external microphone for recording ambient sounds, the built-in microphone for voice memos by the operator, and two optional UWP Series wireless microphones for voice of interviewer and interviewee. In addition, using the optional XLR-K3M, XLR-K2M or XLR-K1M XLR adapter – with two extra XLR inputs – allows even more devices to be connected.  

Sony PXW-FX9 XDCAM 6K Full-Frame Camera System package f

Comes with 2 Years Sony Prime Support Warranty - Beware of grey imports. Sony PXW-FX9 (PXW_FX9, PXW/FX9, PXW FX9) XDCAM 6K Full-Frame Camera system package f © includes: 1x Sony PXW-FX9 XDCAM 6K Full-Frame Camera System (Body Only) (PXW-FX9) 1x Sony QDG120F XQD G-Series 120GB 440MB/s Read-400MB/s Write Memory Card  1x Core CORE-CXV-FX9 Sony PXW-FX9 V-mount Plate  1x IDX V-Mount Lithium Ion Battery with 2 x D Tap and USB Output (DUO-C150) *Digibroadcast has put together some bespoke Sony packages for our clients based on our own research and surveys and holds the right to protect all of its content ©  Combined Sony’s technology in Digital cinema camera Venice, FS series and a (Alpha) ILC cameras. Sony’s full-frame 6K sensor camera with Fast Hybrid AF, dual base ISO and cinematic colour science and S-Cinetone. The Sony PXW-FX9 is the long awaited successor to the legendary PXW-FS7 is here and it brings some fantastic upgrades with it. The FX9 has a Full Frame 6K dual native ISO sensor, VENICE colour science, upgraded auto-focus capabilities, built in genlock and timecode and much more.  The FX9 features a full frame 6K 35.7 by 18.8mm back-illuminated Exmor-R CMOS sensor. This sensor is stated to have 15 plus stops of dynamic range and has a resolution of 6008 x 3168.  You will be able to shoot QFHD full frame up to 30fps, 1080p full frame at up to 120 fps and QFHD S35 up to 60fps and 1080p S35 at up to 120fps. The planned firmware updates will bring Full frame DCI 4K up to 60p, Full HD full frame up to 180fps and QFHD in Super 35 mode at up to 120fps while using an external recorder. You can also customise the autofocus, tweaking things like the AF transition between slow, for stuff like promo videos where you want slow smooth focus movements to fast which will be great for sports. You can also change the AF subject shift sensitivity which defines how easily the focus is switched to another subject. This goes from locked if you are wanting to do a walk and talk for example to responsive which you may need to keep better general focus. You can record up to four channels of audio with a range of different input options, The FX9 has an internal scratch mic, two XLR’s, you can use a dual channel receiver with the MI shoe on the handle or you can now use the DWX series of drop in receivers and transmitters with the new XDCA -FX9 back module. The FX9 does not feature SLOG2 only SLOG3 with S-Gamut3 & S-Gamut3. Cine, this is because the SLOG2 gamma curve is designed for 8-bit whereas all of the codecs on this camera are 10-bit. They have also added an S-Cinetone colour profile which is aimed to bring the colour science from the VENICE to the FX9. Realise beautiful 4K imagery with the creative freedom made possible by oversampling a huge high resolution full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh with a truly cinematic look. 15+ stops of dynamic range and Dual Base ISO enable capture of every nuance, from subtle shadow detail to specular highlights and with an immaculate colour palette. Capturing the Impossible Make sure your story’s always clear with enhanced Fast Hybrid AF that tracks your subject with unprecedented speed, smoothness and precision. Its impact is transformative for premium documentary, commercials and event applications. Shoot in Comfort, Expand your Horizons FX9 revolutionises full-frame cinematography with peerless ergonomics and advanced technology for on-the-go shooting. The world’s first full-frame electronic variable ND filter* transforms possibilities for shooting in variable lighting conditions. Built-in Wi-Fi and 12G-SDI support advanced workflows while the optional XDCA-FX9 extension kit further expands the operational possibilities of the PXW-FX9. 6K Full-Frame “Exmor R” Sensor for Stunning Picture Quality The camera’s full-frame 6K sensor provides superb recording in DCI 4K*, Ultra HD and HD resolutions. Powerful image processing with debayering and oversampling ensures image quality beyond the limits of conventional Super 35mm sensors. The back-illuminated CMOS image sensor also uses Sony’s Exmor R technology for improved sensitivity and noise reduction. Compared to a 4K Super 35mm sensor, the FX9’s 6K sensor has over twice the surface area while providing a wider angle of view and shallower depth of field. DCI 4K (4096 x 2160 at 17:9 recording) will be available with future firmware release. Phenomenal 15+ Stops Dynamic Range for Limitless Expression FX9 offers an exceptional 15+ stops of dynamic range – beyond the normal range of human perception – allowing for unprecedented creative freedom in colour grading and post. Camera operators can concentrate on framing the scene they want while relying upon the FX9 to capture every nuance and detail using either 4K 4:2:2 10-bit internal recording or 16-bit RAW external recording.* In grading, colourists can find colour and detail beyond the normal viewing abilities of the camera operator to create a final image that exactly portrays the mood of the scene. RAW recording requires future firmware release and external recorder. Dual Baso ISO for stunning images in any light FX9 features a base sensitivity of ISO 800, providing the optimal dynamic range for typical documentary applications such as shooting outside or in brightly lit interiors. A secondary High Base sensitivity of ISO 4000 excels in low light conditions such as early morning and evening shoots while maintaining superb image quality. ISO 4000 is also ideal whenever you’re using slow lenses. Combining Dual Base ISO with the camera’s electronic variable ND Filter provides superb creative control in almost any shooting environment, with truly next generation responsiveness to changing conditions. ISO 800 and ISO 4000 are used in S-Log3, Cine EI mode. Cinematic Colour Science with S-Cinetone S-Cinetone is the default look of FX9 that’s tuned to meet the requirements of today’s content creators with rich mid-range colours, alluring facial tones and a softer tonal look – developed with the same expertise as Sony’s world-leading VENICE digital cinematography camera. S-Cinetone means that straight out of the camera your content looks fresh and vivid, with subjects that really stand out while retaining plenty of latitude in post production thanks to the high performance full-frame image sensor. The advanced default looks delivers alluring facial tones and a softer tonal look. Selectable Frame Rates in Both Full-Frame & Super 35 Choose your desired frame-rate from 1fps up to 180fps* for impressive quick and slow-motion footage. FX9 creates an immersive image with a wide angle look and shallower depth of field provided by its full-frame sensor in combination with quick and slow-motion. Engage your audience with this new creative look. FX9 also offers a Quality priority setting* that maximises full HD slow motion image quality with advanced oversampling technology. Up to 120fps with Ver1.0. Full-HD 180fps will be supported with future firmware In Full-frame scanning mode: selectable at 1-30fps / In S35 scanning mode: selectable at 1-60fps  Supported in future firmware update Supported in future firmware update. RAW output only Supported in the future firmware update. Scanning area is cropped around 83% of full-frame and 122% larger than S35. (diagonal) Catch the Action with Enhanced Fast Hybrid AF Effortlessly track fast moving subjects with pin-sharp focus, even when using wide lens aperture settings to maintain a shallow depth of field with the camera’s full-frame sensor. Developed by Sony’s α camera engineers, enhanced Fast Hybrid AF combines phase detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. In addition, Face Detection intelligently recognises and locks on to human faces. The dedicated 561-point phase detection AF sensor covers approximately 94% of the whole image area width and 96% of height, allowing consistently accurate, responsive AF tracking, even with fast-moving subjects. Customisable AF Settings FX9’s comprehensive autofocus settings provide the creative flexibility to integrate with any project. Customisable AF settings can be used for a wide range of situations, depending on your requirements.  7-level AF transition speeds from Fast – switching between subjects as quickly as possible – to Slow, where speed is reduced to fit a more measured shooting style, such as a historical TV drama. 5-level AF subject shift sensitivity ranges from Locked-on – ignoring other moving subjects in the frame – to Responsive that switches focus from one subject to another – ideal for snapping between race cars as they speed by. AF Assist You can control MF ring during AF shooting if AF Assist is set to ON. You can adjust the focus manually even in AF shooting, you can manually operate the ring to focus the person behind. One Push AF While you are shooting in MF, pushing One Push AF button enables you to change to the focus mode to AF. Autofocus with all E-Mount Lenses Experience smooth, responsive autofocus with every E-mount lens, including Sony’s new Cinema Lens Series with premium optical performance and operability for demanding cinematography applications. Advanced E-mount lever lock operation allows quick, easy lens exchange in the field, plus added stability and security with large lenses. World’s First Electronic Variable ND Filter for Full-Frame Sensor Realise even greater creative control with Sony’s unique built-in electronic variable neutral density (ND) filter – a world first* for professional full-frame camcorders. Set to Auto, or adjust filter density manually in smooth increments from 1/4 to 1/128 as you shoot, for perfectly exposed images without affecting depth of field as lighting conditions change. Use higher density settings with a slower shutter speed for breath taking artistic effects. The built-in variable ND filter, with no need to prepare multiple ND filters separately can be flexibly and immediately used for every exposure change situation; when you move from inside to outside, and when you shoot under the natural light condition where exposure changes moment by moment. Proven Ergonomics & Accessories Compatibility FX9 chassis is the latest refinement of the revolutionary FS7 design, so you can be sure it will feel great to shoot with from almost any position, while also offering compatibility with a large proportion of the countless FS7 accessories including U-Series batteries, chargers, E-Mount lenses, plus third-party rigs, arms and lens adapters.* The control arm is easily adjusted without tools, so FX9 adapts effortlessly to your physique and preferred shooting style – handheld, at waist level or shoulder mounted. The smart grip features an updated design, more compact than before while still holding all the key shooting controls, allowing you to concentrate on the scene without distractions. FX9 also introduces a micro USB interface for improved responsiveness and support for a wrist strap. 16-bit RAW Capability 16-bit RAW offers a phenomenal increase in post-production creative freedom to fully exploit FX9’s exceptional 15+ stops of dynamic range. FX9 supports export of 16-bit RAW at either 4K or 2K resolution using the optional XDCA-FX9 extension unit with a single BNC cable connection to compatible external RAW recorders.** RAW output will be enabled with a future firmware release. Limited to 10-bit recording during 120fps high frame rate shooting within Super35 image circle Stable, Shake-Free Handheld Footage Advanced image stabilisation information means even handheld footage can be transformed with Sony Catalyst Browse/Catalyst Prepare software* in post-production to look as smooth as if it were shot with a gimbal.Unlike in-camera or lens stabilisation, meta data generated by FX9’s built-in gyro allows you to creatively choose the balance between the level of shake-compensation and the resolution of trimmed 4K imagery. This feature is also compatible with any E-mount lens and allows for far faster processing than conventional NLE stabilisation workflows**. Catalyst Browse/Catalyst Prepare Ver.2019.2 is required. Resolution and angle of view reduced compared to native footage. LCD Approx 1.8x higher resolution than the FS7M, with enhanced LCD with HD resolution has superb accuracy, high contrast and resolution, bringing higher visibility for focusing. Beautifully Matched Shooting Partners Optimised for professional cinematography applications, the light, compact, SELP28135G powered zoom lens is an ideal complement for the full frame imaging possibilities of the FX9. Circular aperture with full-frame image circle format Motorised servo zoom for smooth, precise zoom moves Independent three rings for focus, zoom and iris with smooth, silent drive You have the choice of purchasing the FX9 on its own (PXW-FX9) or with SELP28135G lens (PXW-FX9K). Cinema Lens Series Explore new artistic possibilities and precise creative control with Sony’s Cinema Lens Series. Purpose-built for documentary production and digital cinematography with full-frame cameras such as the FX9 and VENICE. The first lens in the series, the FE C 16-35mm T3.1 G full-frame wide angle zoom, is due in early 2020. Adds Shoulder-Style Operation, Advanced Networking Further extend the capabilities of the FX9 with the optional XDCA-FX9 extension unit that optimises camera weight distribution and ergonomics for comfortable shoulder-style shooting – ideal for ENG (Electronic News Gathering) and documentary applications. The extension unit also adds advanced networking for streaming/file transfers and Genlock/Timecode for multi-camera shoots. 4-Channel Audio Input and Recording  FX9 offers superb audio capabilities with independent control dials for each channel. In applications such as interview, 4-channel audio recording enables simultaneous use of an external microphone for recording ambient sounds, the built-in microphone for voice memos by the operator, and two optional UWP Series wireless microphones for voice of interviewer and interviewee. In addition, using the optional XLR-K3M, XLR-K2M or XLR-K1M XLR adapter – with two extra XLR inputs – allows even more devices to be connected.  

Sony PXW-FX9 XDCAM 6K Full-Frame Camera System package e

Comes with 2 Years Sony Prime Support Warranty - Beware of grey imports. Sony PXW-FX9 (PXW_FX9, PXW/FX9, PXW FX9) XDCAM 6K Full-Frame Camera system package e © includes: 1x Sony PXW-FX9 XDCAM 6K Full-Frame Camera System (Body Only) (PXW-FX9) 1x Sony QDG120F XQD G-Series 120GB 440MB/s Read-400MB/s Write Memory Card  1x Core CORE-CXV-FX9 Sony PXW-FX9 V-mount Plate *Digibroadcast has put together some bespoke Sony packages for our clients based on our own research and surveys and holds the right to protect all of its content ©  Combined Sony’s technology in Digital cinema camera Venice, FS series and a (Alpha) ILC cameras. Sony’s full-frame 6K sensor camera with Fast Hybrid AF, dual base ISO and cinematic colour science and S-Cinetone. The Sony PXW-FX9 is the long awaited successor to the legendary PXW-FS7 is here and it brings some fantastic upgrades with it. The FX9 has a Full Frame 6K dual native ISO sensor, VENICE colour science, upgraded auto-focus capabilities, built in genlock and timecode and much more.  The FX9 features a full frame 6K 35.7 by 18.8mm back-illuminated Exmor-R CMOS sensor. This sensor is stated to have 15 plus stops of dynamic range and has a resolution of 6008 x 3168.  You will be able to shoot QFHD full frame up to 30fps, 1080p full frame at up to 120 fps and QFHD S35 up to 60fps and 1080p S35 at up to 120fps. The planned firmware updates will bring Full frame DCI 4K up to 60p, Full HD full frame up to 180fps and QFHD in Super 35 mode at up to 120fps while using an external recorder. You can also customise the autofocus, tweaking things like the AF transition between slow, for stuff like promo videos where you want slow smooth focus movements to fast which will be great for sports. You can also change the AF subject shift sensitivity which defines how easily the focus is switched to another subject. This goes from locked if you are wanting to do a walk and talk for example to responsive which you may need to keep better general focus. You can record up to four channels of audio with a range of different input options, The FX9 has an internal scratch mic, two XLR’s, you can use a dual channel receiver with the MI shoe on the handle or you can now use the DWX series of drop in receivers and transmitters with the new XDCA -FX9 back module. The FX9 does not feature SLOG2 only SLOG3 with S-Gamut3 & S-Gamut3. Cine, this is because the SLOG2 gamma curve is designed for 8-bit whereas all of the codecs on this camera are 10-bit. They have also added an S-Cinetone colour profile which is aimed to bring the colour science from the VENICE to the FX9. Realise beautiful 4K imagery with the creative freedom made possible by oversampling a huge high resolution full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh with a truly cinematic look. 15+ stops of dynamic range and Dual Base ISO enable capture of every nuance, from subtle shadow detail to specular highlights and with an immaculate colour palette. Capturing the Impossible Make sure your story’s always clear with enhanced Fast Hybrid AF that tracks your subject with unprecedented speed, smoothness and precision. Its impact is transformative for premium documentary, commercials and event applications. Shoot in Comfort, Expand your Horizons FX9 revolutionises full-frame cinematography with peerless ergonomics and advanced technology for on-the-go shooting. The world’s first full-frame electronic variable ND filter* transforms possibilities for shooting in variable lighting conditions. Built-in Wi-Fi and 12G-SDI support advanced workflows while the optional XDCA-FX9 extension kit further expands the operational possibilities of the PXW-FX9. 6K Full-Frame “Exmor R” Sensor for Stunning Picture Quality The camera’s full-frame 6K sensor provides superb recording in DCI 4K*, Ultra HD and HD resolutions. Powerful image processing with debayering and oversampling ensures image quality beyond the limits of conventional Super 35mm sensors. The back-illuminated CMOS image sensor also uses Sony’s Exmor R technology for improved sensitivity and noise reduction. Compared to a 4K Super 35mm sensor, the FX9’s 6K sensor has over twice the surface area while providing a wider angle of view and shallower depth of field. DCI 4K (4096 x 2160 at 17:9 recording) will be available with future firmware release. Phenomenal 15+ Stops Dynamic Range for Limitless Expression FX9 offers an exceptional 15+ stops of dynamic range – beyond the normal range of human perception – allowing for unprecedented creative freedom in colour grading and post. Camera operators can concentrate on framing the scene they want while relying upon the FX9 to capture every nuance and detail using either 4K 4:2:2 10-bit internal recording or 16-bit RAW external recording.* In grading, colourists can find colour and detail beyond the normal viewing abilities of the camera operator to create a final image that exactly portrays the mood of the scene. RAW recording requires future firmware release and external recorder. Dual Baso ISO for stunning images in any light FX9 features a base sensitivity of ISO 800, providing the optimal dynamic range for typical documentary applications such as shooting outside or in brightly lit interiors. A secondary High Base sensitivity of ISO 4000 excels in low light conditions such as early morning and evening shoots while maintaining superb image quality. ISO 4000 is also ideal whenever you’re using slow lenses. Combining Dual Base ISO with the camera’s electronic variable ND Filter provides superb creative control in almost any shooting environment, with truly next generation responsiveness to changing conditions. ISO 800 and ISO 4000 are used in S-Log3, Cine EI mode. Cinematic Colour Science with S-Cinetone S-Cinetone is the default look of FX9 that’s tuned to meet the requirements of today’s content creators with rich mid-range colours, alluring facial tones and a softer tonal look – developed with the same expertise as Sony’s world-leading VENICE digital cinematography camera. S-Cinetone means that straight out of the camera your content looks fresh and vivid, with subjects that really stand out while retaining plenty of latitude in post production thanks to the high performance full-frame image sensor. The advanced default looks delivers alluring facial tones and a softer tonal look. Selectable Frame Rates in Both Full-Frame & Super 35 Choose your desired frame-rate from 1fps up to 180fps* for impressive quick and slow-motion footage. FX9 creates an immersive image with a wide angle look and shallower depth of field provided by its full-frame sensor in combination with quick and slow-motion. Engage your audience with this new creative look. FX9 also offers a Quality priority setting* that maximises full HD slow motion image quality with advanced oversampling technology. Up to 120fps with Ver1.0. Full-HD 180fps will be supported with future firmware In Full-frame scanning mode: selectable at 1-30fps / In S35 scanning mode: selectable at 1-60fps  Supported in future firmware update Supported in future firmware update. RAW output only Supported in the future firmware update. Scanning area is cropped around 83% of full-frame and 122% larger than S35. (diagonal) Catch the Action with Enhanced Fast Hybrid AF Effortlessly track fast moving subjects with pin-sharp focus, even when using wide lens aperture settings to maintain a shallow depth of field with the camera’s full-frame sensor. Developed by Sony’s α camera engineers, enhanced Fast Hybrid AF combines phase detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. In addition, Face Detection intelligently recognises and locks on to human faces. The dedicated 561-point phase detection AF sensor covers approximately 94% of the whole image area width and 96% of height, allowing consistently accurate, responsive AF tracking, even with fast-moving subjects. Customisable AF Settings FX9’s comprehensive autofocus settings provide the creative flexibility to integrate with any project. Customisable AF settings can be used for a wide range of situations, depending on your requirements.  7-level AF transition speeds from Fast – switching between subjects as quickly as possible – to Slow, where speed is reduced to fit a more measured shooting style, such as a historical TV drama. 5-level AF subject shift sensitivity ranges from Locked-on – ignoring other moving subjects in the frame – to Responsive that switches focus from one subject to another – ideal for snapping between race cars as they speed by. AF Assist You can control MF ring during AF shooting if AF Assist is set to ON. You can adjust the focus manually even in AF shooting, you can manually operate the ring to focus the person behind. One Push AF While you are shooting in MF, pushing One Push AF button enables you to change to the focus mode to AF. Autofocus with all E-Mount Lenses Experience smooth, responsive autofocus with every E-mount lens, including Sony’s new Cinema Lens Series with premium optical performance and operability for demanding cinematography applications. Advanced E-mount lever lock operation allows quick, easy lens exchange in the field, plus added stability and security with large lenses. World’s First Electronic Variable ND Filter for Full-Frame Sensor Realise even greater creative control with Sony’s unique built-in electronic variable neutral density (ND) filter – a world first* for professional full-frame camcorders. Set to Auto, or adjust filter density manually in smooth increments from 1/4 to 1/128 as you shoot, for perfectly exposed images without affecting depth of field as lighting conditions change. Use higher density settings with a slower shutter speed for breath taking artistic effects. The built-in variable ND filter, with no need to prepare multiple ND filters separately can be flexibly and immediately used for every exposure change situation; when you move from inside to outside, and when you shoot under the natural light condition where exposure changes moment by moment. Proven Ergonomics & Accessories Compatibility FX9 chassis is the latest refinement of the revolutionary FS7 design, so you can be sure it will feel great to shoot with from almost any position, while also offering compatibility with a large proportion of the countless FS7 accessories including U-Series batteries, chargers, E-Mount lenses, plus third-party rigs, arms and lens adapters.* The control arm is easily adjusted without tools, so FX9 adapts effortlessly to your physique and preferred shooting style – handheld, at waist level or shoulder mounted. The smart grip features an updated design, more compact than before while still holding all the key shooting controls, allowing you to concentrate on the scene without distractions. FX9 also introduces a micro USB interface for improved responsiveness and support for a wrist strap. 16-bit RAW Capability 16-bit RAW offers a phenomenal increase in post-production creative freedom to fully exploit FX9’s exceptional 15+ stops of dynamic range. FX9 supports export of 16-bit RAW at either 4K or 2K resolution using the optional XDCA-FX9 extension unit with a single BNC cable connection to compatible external RAW recorders.** RAW output will be enabled with a future firmware release. Limited to 10-bit recording during 120fps high frame rate shooting within Super35 image circle Stable, Shake-Free Handheld Footage Advanced image stabilisation information means even handheld footage can be transformed with Sony Catalyst Browse/Catalyst Prepare software* in post-production to look as smooth as if it were shot with a gimbal.Unlike in-camera or lens stabilisation, meta data generated by FX9’s built-in gyro allows you to creatively choose the balance between the level of shake-compensation and the resolution of trimmed 4K imagery. This feature is also compatible with any E-mount lens and allows for far faster processing than conventional NLE stabilisation workflows**. Catalyst Browse/Catalyst Prepare Ver.2019.2 is required. Resolution and angle of view reduced compared to native footage. LCD Approx 1.8x higher resolution than the FS7M, with enhanced LCD with HD resolution has superb accuracy, high contrast and resolution, bringing higher visibility for focusing. Beautifully Matched Shooting Partners Optimised for professional cinematography applications, the light, compact, SELP28135G powered zoom lens is an ideal complement for the full frame imaging possibilities of the FX9. Circular aperture with full-frame image circle format Motorised servo zoom for smooth, precise zoom moves Independent three rings for focus, zoom and iris with smooth, silent drive You have the choice of purchasing the FX9 on its own (PXW-FX9) or with SELP28135G lens (PXW-FX9K). Cinema Lens Series Explore new artistic possibilities and precise creative control with Sony’s Cinema Lens Series. Purpose-built for documentary production and digital cinematography with full-frame cameras such as the FX9 and VENICE. The first lens in the series, the FE C 16-35mm T3.1 G full-frame wide angle zoom, is due in early 2020. Adds Shoulder-Style Operation, Advanced Networking Further extend the capabilities of the FX9 with the optional XDCA-FX9 extension unit that optimises camera weight distribution and ergonomics for comfortable shoulder-style shooting – ideal for ENG (Electronic News Gathering) and documentary applications. The extension unit also adds advanced networking for streaming/file transfers and Genlock/Timecode for multi-camera shoots. 4-Channel Audio Input and Recording  FX9 offers superb audio capabilities with independent control dials for each channel. In applications such as interview, 4-channel audio recording enables simultaneous use of an external microphone for recording ambient sounds, the built-in microphone for voice memos by the operator, and two optional UWP Series wireless microphones for voice of interviewer and interviewee. In addition, using the optional XLR-K3M, XLR-K2M or XLR-K1M XLR adapter – with two extra XLR inputs – allows even more devices to be connected.  

Canon 3380C040 EOS RP 26.2MP Full-Frame Mirrorless Digital Camera with EF Adapter

Canon 3380C040 (EOS RP-EF-EOS R, EOS RP/EF-EOS R, EOS_RP_EF_EOS-R, eos rp-ef-eos r) EOS RP 26.2MP Full-Frame Mirrorless Digital Camera with EF Adapter The Canon EOS RP puts the power of full-frame into a small, lightweight EOS R series body, opening up exciting creative possibilities for you to elevate your photography to a new level. A new standard in full-frame image qualityThe Canon EOS RP’s 26.2 Megapixel CMOS sensor works incredibly well in low light thanks to a DIGIC 8 processor and in-camera DLO that give superb results direct from camera.  A lightweight body with a faster, smarter lens mount: The RF lens mount opens up the gateway to greater creativity through a new generation of RF mount full-frame lenses. They have been designed to work at the optimum distance from a full-frame sensor and bring richer creative rewards such as faster focusing and incredible image quality.  Shoot in a new way: The Canon EOS RP offers a new way of embracing the benefits of full-frame. Shoot with the dedicated range of full-frame EOS RF lenses as well as the wide range of EF and EF-S lenses via adapter without compromising optical performance. EOS handling with no compromise: A comfortable EOS style grip alongside a high resolution Vari-Angle touch screen and OLED electronic viewfinder inspires next generation handling in a lightweight 485g body. Create high quality and super-steady movies: Focus smoothly with Dual Pixel CMOS AF and film steady footage with Movie Digital IS and up to 4K resolution with a range of easy to use and edit codecs. Mic and headphone jacks bring full audio control and the Vari-Angle touchscreen LCD gives stability and a clear view of your subject.

Canon 3380C044 EOS RP Body + RF 24-105mm f/4L IS USM lens + Mount Adapter EF-EOS R

Canon 3380C044 (eos-rp-adapter-24-105mm, EOS-RP-RF-24-105mm-f.4L-EF-EOS-R, EOS RP+24-105mm) EOS RP Body + RF 24-105mm f/4L IS USM lens + Mount Adapter EF-EOS R Creative power with real intelligence The Canon EOS RP puts the power of full-frame mirrorless into a small, lightweight EOS R series body, opening up exciting creative possibilities for you to elevate your photography to the next level. Accessible to Everyone See how the Canon EOS RP performs in the hands of enthusiasts and discover how they use the benefits of full-frame mirrorless plus EF and EF-S lenses to capture images packed with detail and depth. A lightweight body with a faster, smarter lens mount The Canon EOS RP is a practical, creative full-frame mirrorless camera with enormous creative potential thanks to the next generation RF lenses. The wide diameter, high communication speed and short back focus of the RF mount is the perfect starting point for your future full-frame system. A new standard in full-frame image quality The Canon EOS RP 26.2 Megapixel CMOS sensor works incredibly in low light thanks to a DIGIC 8 processor and in-camera DLO that give superb results direct from camera. At the heart of the Canon EOS RP is an outstanding full-frame 26.2MP Dual Pixel CMOS AF sensor. Delivering a perfect balance of rich, sharp detail and incredibly reliable low light performance, each pixel is used for both imaging and autofocus to ensure supreme sharpness right across the frame. Along with Canon RF lenses, specially designed for the EOS R System, the result is a new standard of imaging designed to enhance and expand your creative vision. Shoot anywhere, anytime thanks to incredible ISO Stepping up to a full-frame sensor brings greater control over depth-of-field and gives you the power to capture excellent images in low light. With a maximum ISO of 40,000 it’s possible to shoot without flash and yet still retain detail and colour. The Canon EOS RP makes it easy to change ISO quickly via the lens control ring or customisable dials allowing you to be a much more instinctive photographer. Faster image processing thanks to DIGIC 8 The DIGIC 8 is Canon’s latest imaging engine, processing images faster than ever and enabling a more responsive and agile operation so you spend less time in post-production and obtain higher image quality straight from camera. The power of DLO the moment you take the picture Digital Lens Optimizer (DLO) corrects both optical aberrations and any loss of resolution caused by the camera’s low pass filter by applying an inverse function to each shot to take the image nearer to how the scene appears to the naked eye. This creates detailed, high-quality images with manageable file sizes, providing photographers with maximum image quality and greater flexibility. The Canon EOS RP is able to access lens profile information directly from RF lenses and use it in-camera for real time optimisation as soon as you take the picture. New levels of image stabilisation 5-axis stabilisation and Dual Sensing IS provide powerful stabilisation for your shots, reducing image shake, allowing you the freedom to create without compromising on quality. This dual system sees the lens and camera working together in real-time for stability (dual sensing) through the communication system in the lens mount. Shoot RAW and capture more With 14-bit technology, RAW files from the Canon EOS RP are rich in tonal gradation making for optimum quality images, which can be processed in-camera or through free Canon software such as Digital Photo Professional for PC or Mac, or DPP Express for mobile/smart devices. A Compact RAW (C-RAW) option is offered on the Canon EOS RP too, for space saving with close to no compromise on image quality. Shoot in a new way The Canon EOS RP offers a new way of embracing the benefits of full-frame. Shoot with the dedicated range of full-frame RF lenses as well as the wide range of EF and EF-S lenses via adapter without compromising optical performance. Exceptional optical performance The RF lenses are specially designed to complement EOS R System cameras and set new standards in resolving power. The secret of their success is the redesigned lens mount, which places the lens at the optimum distance from the sensor. This ingenious design has opened up new opportunities to create a range of EOS RF L-series lenses which offer excellent optical performance, ensuring maximum detail is recorded in the image. Use your EF or EF-S lenses As well as RF lenses, you can also use the full range of Canon EF or EF-S lenses on EOS R System cameras with absolutely no loss of optical performance, via a choice of adapters1. These adapters maintain full communication between body and lens but offer greater control, allowing you to keep using your own lenses and explore others in the Canon lens system. Explore a high range of lighting possibilities Another benefit of being part of the EOS family is that EOS R System cameras are also compatible with existing Canon accessories including the current full range of Speedlite flashguns and specialist products such as the Macro Ring Lite series. This gives you even more creative options for low-light or creative photography while enjoying the technical benefits of the EOS R System. EOS handling with no compromise A comfortable EOS style grip alongside a high resolution Vari-Angle touch screen and OLED electronic viewfinder inspires next generation handling in a lightweight 485g body1. Take a look into the future The Canon EOS RP has a 7.5cm/3.0-inch Vari-angle touch screen LCD of 1,040,000 dots that can tilt and twist for new creative angles plus a 0.39 OLED electronic viewfinder of 2.36 million dots with customisable information display helps you to compose and visualise the subject from any angle. A UHS-II card slot gives compatibility with your existing SD cards and provides access to the UHS-II standard allowing faster write speeds and 4K video capture while buttons and dials can be customised for your preferred ways of shooting. Guiding you to greater creativity The Canon EOS RP puts you in the driving seat with controls, buttons and a menu system at your fingertips leaving you to concentrate on exceptional compositions. A guided interface, creative scene modes, flexible priority (FV) and manual modes will give you the confidence and help you to take control of your creativity. Focus anywhere in an instant Dual Pixel CMOS AF offers an extended AF area as well as the world’s fastest AF speed2 at just 0.05 seconds over 4779 selectable AF positions, plus low light AF down to -5 EV3. Eye AF keeps your portraits sharp while focus bracketing offers maximum depth-of-field right across an image. Eye-catching portraiture For portraits that stand out, Eye AF is built into the Canon EOS RP. This Dual Pixel CMOS AF technology helps keep your subject’s eyes in super sharp focus when in Face Detect mode, ensuring pin sharp image quality in your portraits. Eye AF works with the Canon EOS RP in One Shot AF mode, Servo AF mode and Movie Servo AF ensuring both static and moving subjects are captured with their eyes clearly in focus. Touch and drag AF makes it easy to change focus position easily. Stacked with great depth-of-field When it’s important to have maximum depth-of-field right across an image such as macro images, focus bracketing can ensure ultimate sharpness. With one press of the shutter button, the Canon EOS RP shoots continuously with the focal distance adjusted automatically from the initial position right through to the background. A composite image is then created through Canon’s Digital Photo Professional software to create one image which is in focus throughout. Shoot flexibly and connect seamlessly From using Silent Mode to controlling the camera remotely via Wi-Fi. Capture all the action with up to 5fps with the option to process your images in-camera and share via the Canon Camera Connect app. Shoot remotely, stay in control The Canon EOS RP features both Wi-Fi and Bluetooth for seamless connectivity to a compatible smart device. Using this technology, it’s possible to shoot and send images directly to a smartphone or use automatic sync for situations where fast transfer is needed. Additionally, the camera can be controlled remotely via the Canon Camera Connect app and through this Wi-Fi connection new creative possibilities are there for the taking, especially when you’re travelling and want to share your work straight away. Create high quality and super-steady movies Focus smoothly with Dual Pixel CMOS AF and film steady footage with Movie Digital IS and up to 4K resolution with a range of easy to use and edit codecs. Mic and headphone jacks bring full audio control and the Vari-Angle touch screen LCD gives stability and a clear view of your subject.

Sony PXW-FX9 6k Full-Frame XDCAM 6K System with 28-135mm lens

Sony PXW-FX9VK (PXW_FX9, PXW/FX9, PXW FX9, FX9K, FX9VK) Full-Frame XDCAM 6K System with 28-135mm lens Full-frame creativity Realise beautiful 4K imagery with the creative freedom made possible by oversampling a huge high resolution full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh with a truly cinematic look. 15+ stops of dynamic range and Dual Base ISO enable capture of every nuance, from subtle shadow detail to specular highlights and with an immaculate colour palette.   Capturing the impossible Make sure your story’s always clear with enhanced Fast Hybrid AF that tracks your subject with unprecedented speed, smoothness and precision. Its impact is transformative for premium documentary, commercials and event applications.   Shoot in comfort, expand your horizons FX9 revolutionises full-frame cinematography with peerless ergonomics and advanced technology for on-the-go shooting. The world’s first full-frame electronic variable ND filter* transforms possibilities for shooting in variable lighting conditions. Built-in Wi-Fi and 12G-SDI support advanced workflows while the optional XDCA-FX9 extension unit further expands the operational possibilities of the PXW-FX9.   6K Full-Frame “Exmor R” sensor for stunning picture quality The camera’s full-frame 6K sensor provides superb recording in DCI 4K*, Ultra HD and HD resolutions. Powerful image processing with debayering and oversampling ensures image quality beyond the limits of conventional Super 35mm sensors. The back-illuminated CMOS image sensor also uses Sony’s Exmor R technology for improved sensitivity and noise reduction. Compared to a 4K Super 35mm sensor, the FX9’s 6K sensor has over twice the surface area while providing a wider angle of view and shallower depth of field.   Phenomenal 15+ stops dynamic range for limitless expression FX9 offers an exceptional 15+ stops of dynamic range – beyond the normal range of human perception – allowing for unprecedented creative freedom in colour grading and post. Camera operators can concentrate on framing the scene they want while relying upon the FX9 to capture every nuance and detail using either 4K 4:2:2 10-bit internal recording or 16-bit RAW external recording.* In grading, colourists can find colour and detail beyond the normal viewing abilities of the camera operator to create a final image that exactly portrays the mood of the scene.   Dual Base ISO for stunning images in any light FX9 features a base sensitivity of ISO 800, providing the optimal dynamic range for typical documentary applications such as shooting outside or in brightly lit interiors. A secondary High Base sensitivity of ISO 4000 excels in low light conditions such as early morning and evening shoots while maintaining superb image quality. ISO 4000 is also ideal whenever you’re using slow lenses. Combining Dual Base ISO with the camera’s electronic variable ND Filter provides superb creative control in almost any shooting environment, with truly next generation responsiveness to changing conditions.   Cinematic colour science with S-Cinetone™ S-Cinetone is the default look of FX9 that’s tuned to meet the requirements of today’s content creators with rich mid-range colours, alluring facial tones and a softer tonal look – developed with the same expertise as Sony’s world-leading VENICE digital cinematography camera. S-Cinetone means that straight out of the camera your content looks fresh and vivid, with subjects that really stand out while retaining plenty of latitude in post production thanks to the high performance full-frame image sensor.   Selectable frame rates in both full-frame & Super 35  Choose your desired frame-rate from 1fps up to 180fps* for impressive quick and slow motion footage. FX9 creates an immersive image with a wide-angle look and shallower depth of field provided by its full-frame sensor in combination with quick and slow motion. Engage your audience with this new creative look. FX9 also offers a Quality priority setting** that maximizes full HD image quality using full-frame 6K scan mode or Super 35 4K scan mode with advanced oversampling technology.   Super 35 2K imager scan mode prioritizes frame rates, so image quality may be reduced depending on the shooting environment. In this instance, below settings are recommended.   Cine EI mode: Set EI gain lower and exposure level higher instead. Custom mode: Choose the gamma category setting of Original (S-Cinetone) or STD (STD1 to 6). · *Up to 120fps with Ver1.0. Full-HD 180fps will be supported with future firmware   · **In full-frame scanning mode: selectable at 1–30fps/in super 35 scanning mode: selectable at 1–60fps. Quality priority setting is recommended if desired framerate is available.   Catch the action with enhanced Fast Hybrid AF Effortlessly track fast moving subjects with pin-sharp focus, even when using wide lens aperture settings to maintain a shallow depth of field with the camera’s full-frame sensor. Developed by Sony’s α camera engineers, enhanced Fast Hybrid AF combines phase detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. In addition, Face Detection intelligently recognises and locks on to human faces.   The dedicated 561-point phase detection AF sensor covers approximately 94% of the whole image area width and 96% of height, allowing consistently accurate, responsive AF tracking, even with fast-moving subjects.   Customisable AF settings FX9’s comprehensive autofocus settings provide the creative flexibility to integrate with any project.   7-level AF transition speeds from Fast – switching between subjects as quickly as possible – to Slow, where speed is reduced to fit a more measured shooting style, such as a historical TV drama.   5-level AF subject shift sensitivity ranges from Locked-on – ignoring other moving subjects in the frame – to Responsive that switches focus from one subject to another – ideal for snapping between race cars as they speed by.   Autofocus with all E-mount lenses Experience smooth, responsive autofocus with every E-mount lens, including Sony’s new Cinema Lens Series with premium optical performance and operability for demanding cinematography applications. Advanced E-mount lever lock operation allows quick, easy lens exchange in the field, plus added stability and security with large lenses.   World’s first electronic variable ND filter for full-frame sensor* Realise even greater creative control with Sony’s unique built-in electronic variable neutral density (ND) filter – a world first* for professional full-frame camcorders. Set to Auto, or adjust filter density manually in smooth increments from 1/4 to 1/128 as you shoot, for perfectly exposed images without affecting depth of field as lighting conditions change. Use higher density settings with a slower shutter speed for breathtaking artistic effects.   Proven ergonomics & accessory compatibility FX9 chassis is the latest refinement of the revolutionary FS7 design, so you can be sure it will feel great to shoot with from almost any position, while also offering compatibility with a large proportion of the countless FS7 accessories including U-series batteries, chargers, E-mount lenses, plus arms and lens adapters.*   The control arm is easily adjusted without tools, so FX9 adapts effortlessly to your physique and preferred shooting style – handheld, at waist level or shoulder mounted.   The smart grip features an updated design, more compact than before while still holding all the key shooting controls, allowing you to concentrate on the scene without distractions. FX9 also introduces a micro USB interface for improved responsiveness and support for a wrist strap.   * BP-U30 and XDCA-FS7 are not compatible with the FX9.   6-bit RAW capability* 16-bit RAW offers a phenomenal increase in post-production creative freedom to fully exploit FX9’s exceptional 15+ stops of dynamic range. FX9 supports export of 16-bit RAW at either 4K or 2K resolution using the optional XDCA-FX9 extension unit with a single BNC cable connection to compatible external RAW recorders.**   Stable, shake-free handheld footage Advanced image stabilisation information means even handheld footage can be transformed with Sony Catalyst Browse/Catalyst Prepare software* in post-production to look as smooth as if it were shot with a gimbal.Unlike in-camera or lens stabilisation, meta data generated by FX9’s built-in gyro allows you to creatively choose the balance between the level of shake-compensation and the resolution of trimmed 4K imagery. This feature is also compatible with any E-mount lens and allows for far faster processing than conventional NLE stabilisation workflows**.   Beautifully matched shooting partners Optimised for professional cinematography applications, the light, compact, SELP28135G  powered zoom lens is an ideal complement for the full frame imaging possibilities of the FX9.   Circular aperture with full-frame image circle format Motorised servo zoom for smooth, precise zoom moves Independent three rings for focus, zoom and iris with smooth, silent drive You have the choice of purchasing the FX9 on its own (PXW-FX9) or with SELP28135G lens (PXW-FX9K).   Cinema Lens Series Explore new artistic possibilities and precise creative control with Sony’s Cinema Lens Series. Purpose-built for documentary production and digital cinematography with full-frame cameras such as the FX9 and VENICE.   Adds shoulder-style operation, advanced networking Further extend the capabilities of the FX9 with the optional XDCA-FX9 extension unit that optimises camera weight distribution and ergonomics for comfortable shoulder-style shooting – ideal for ENG (Electronic News Gathering) and documentary applications. The extension unit also adds advanced networking for streaming/file transfers and Timecode for multi-camera shoots.   4-channel audio input and recording FX9 offers superb audio capabilities with independent control dials for each channel. In applications such as interview, 4-channel audio recording enables simultaneous use of an external microphone for recording ambient sounds, the built-in microphone for voice memos by the operator, and two optional UWP Series wireless microphones for voice of interviewer and interviewee. In addition, using the optional XLR-K3M, XLR-K2M or XLR-K1M XLR adapter – with two extra XLR inputs – allows even more devices to be connected.   Multi-Interface (MI) Shoe Sony’s flexible Multi-Interface (MI) Shoe provides power, signal connections and coordinated on/off switching with compatible Sony accessories. For example, you can connect and control Sony UWP-D wireless microphone systems (optional).   Networked for high mobility The FX9 features internal 5GHz* and 2.4GHz Wi-Fi capability as standard. Just switch on and log onto your preferred network to enable a host of advanced wireless production features:   Content Browser Mobile™** allows the PXW-FX9 to be controlled remotely from a smartphone or tablet computer via a Wi-Fi connection. Adjust the exposure level, zoom, Record/Stop and more via your mobile device – it’s ideal for single operator shoots. One-touch authentication is also possible with smartphones offering NFC connectivity. FTP Transfer allows content files to be sent over the internet for remote storage on an FTP server even while shooting. In case of signal interruption, the system will automatically resume as soon as connection restored. Trimming allows you to set start and end points in a clip, eliminating time-wasting transfers of unneeded content. XDCAM air can upload proxy footage to the cloud from multiple camera operators in the field, so editing can start immediately. Uploaded content can be accessed securely from any location. News teams can even start logging clips while shooting is still going on, saving even more valuable time when a story’s breaking.   Wired LAN port with optional XDCA-FX9 allows connection of the FX9 to the Internet with a standard Ethernet cable, allowing files to be streamed or transferred by FTP. Dual Link Cellular is enabled with optional XDCA-FX9 and uses two cellular networks in combination to provide an even more reliable network connection. FX9 is compatible with standard USB cellular dongles from most networks. (Please check for most appropriate service provider for your region. Standard network fees will apply.) High quality Sony QoS Streaming to Network RX station (optional) and XDCAM air by Sony allows images to be streamed live for viewing at a remote location   PrimeSupport for PXW-FX9 Get 1 year of service coverage for free, in addition to the 2 years already included in your camera, by registering to PrimeSupport Pro Enhanced Cover with PrimeSupport Elite for PXW-FX9

Panasonic PAN-AJCX4000GJ 4K HDR ENG Shoulder-Mount Camera

Panasonic PAN-AJCX4000GJ (PAN_AJCX4000GJ, PAN/AJCX4000GJ, PAN AJCX4000GJ) 4K HDR ENG Shoulder-Mount Camera Next-Generation ENG Shoulder Camcorder Supporting 4K/HDR and IP Connection The AJ-CX4000 is the latest addition to the 4K camcorder ‘CX Series’, which has been introduced to support UHD content acquisition for newsgathering operations, to stream live events, and for sports and documentary capture. The CX4000 features an interchangeable B4 lens mount and is equipped with a newly-developed 11MP MOS sensor with a horizontal resolution of 2000 TV lines. It is compatible with HDR capture, supporting both BT.2100 and BT.2020 colour space, in providing images high in sensitivity and low in noise. “Lssiel” Technology Achieves Higher Quality 4K/Hdr With a newly developed 4.4K sensor, it realises ultra-high-definition resolution, high sensitivity, low noise and a wide dynamic range. Additionally the newly developed colour filter reduces energy leakage to other channels and improves spectral characteristics. This allows for colour reproducibility equivalent to that of a 3-sensor system with low power consumption. This new acquisition method maximises the effectiveness of incident light. Faster Workflow | High Efficiency & High Quality Hevc100M (4K 60P/50P) The high efficiency and high image-quality HEVC codec is adopted for the recording of 4K images, with long-time recording with 4K/10-bit image quality possible whilst keeping both bitrate and storage size under control. It achieves a bitrate of 200Mbps equivalent to master grade in HD production and 100Mbps equivalent to master grade in HD ENG (news production). The colour sampling in 4K at 50p/60p guarantees a sufficient image quality even at 4:2:0 compared to the conventional HD broadcast master, whilst offering smooth playback on hardware-accelerated editing systems. The high-speed transfer and reliable expressP2 card or low-running cost microP2 card/SDXC memory cards can also be used. It also supports the recording of the AVC Ultra HD codec from the P2HD series.  Innovative Networking Solutions Images can be distributed in HD mode to internet live streaming services thanks to the built-in encoder for video streaming independently of recording using the ‘Direct Streaming’ function, compatible with RTSP, RTMP and RTMPS. Internal HD (MOV/P2-MXF) recording is also possible during streaming. The LAN terminal, equipped with a lock mechanism with 1000BASE-T compatibility, supporting NDI|HX connectivity. Transmission and camera control is possible with an IP connection, and can be linked to a recording/distribution system combined with Panasonic’s remote camera systems. 1: There are some conditions under which streaming is not possible, such as when recording in UHD format or using NDI|HX mode. 2. The P2 Network Setting Software is convenient for setting up the RTMP and RTSP functions. See the section "Connection Confirmed Live Video Distribution Services", for the live video streaming services that have been confirmed to be compatible. 3. NDI|HX, a technology of NewTek, Inc. Ergonomic Design & Robust Body The CX4000 has similar ergonomics to previous ENG cameras, with a robust body that matches the weight of conventional HD shoulder camcorders at 3.4kgs. The camera features a newly-developed 3.5-type LCD monitor and monochrome OLED display for timecode, audio metering and status information. It also has both a 12G SDI output, HDMI output and LAN connection. Easy IP Wireless Control from a Tablet or Smartphone The AJ-CX4000GJ can be controlled remotely and wirelessly using the tablet/smartphone app “CX ROP” (downloadable for free from the App Store or Google Play). This app allows to display camera information and change camera settings. It is also equipped with a wealth of remote functions for output signal selection, USER button setting, REC S/S and many others.

Sony F5 Full HD 4K Camera + Wide Lens Kit

Sony PMW-F5/WIDELENS (PMW/F5/WIDELENS, PMW-F5-WIDELENS, PMW/F5_WIDELENS) F5 Full HD 4K Camera + Wide Lens Kit Sony 4K sensor for gorgeous, super-sampled HD and 2K. The PMW-F5 CineAlta allows you to shoot spectacular images with its 8.9 megapixels (effective) Sony 4K image sensor. Superior, super-sampled pictures with higher contrast, rich colour reproduction and greater clarity. Robust built-in recording modes, all with vibrant 4:2:2 colour. Irresistible options include the amazing precision of 16-bit linear RAW 2K/4K recording and high speed shooting at up to 120 fps without cropping. Multiple recording formats Includes 16-bit RAW 2K/4K on AXSM media and HD/2K on SxS memory, MPEG-2 HD422, MPEG4 SStP*, XAVC 2K*/HD and 16-bit RAW 2K/4K**. Simultaneous recording on internal high-speed SxS PRO+ memory cards and RAW 2K/4K recording on sleek AXSM™ memory cards using the optional bolt-on AXS-R5 recorder, designed specifically to attach seamlessly to the F55 and F5 cameras. There is also high speed shooting up to120 fps XAVC 2K/HD* internally and 120 fps RAW 2K onto the AXS-R5. Lightweight modular design to maximise versatility in 2D and 3D. The F5 is exceptionally small, light and modular, letting you build up the right configuration for each job – or each shot. As well as the choice of formats and internal and external recording options, you can attached a variety of viewfinders, including the revolutionary optional DVF-EL100 OLED viewfinder, PL-mount, FZ-mount and still lenses, including second-generation Sony PL-mount lenses, and extra long-life Olivine – Lithium Iron Phosphate – batteries. The chassis is only slightly wider than a typical PL-mount prime lens, perfect for 3D rigs. An optional shoulder rig provides for hand-held and shoulder-mounted shooting. This camcorder includes a wide-angle zoom 1.5-times 11-16mm T3.0 lens aimed at high-end cinema, drama, documentary and commercials productions. The SCL-P11X15 has been specifically designed to fit to the PMW-F3K via the camcorder’s supplied PL Mount Adapter, which also means the lens is compatible with any other PL Mount camcorder from Sony and also camcorders from many other manufacturers. PrimeSupport This product comes with PrimeSupport – fast, hassle-free repairs and a helpline offering expert technical advice. Which gives you the peace of mind that Sony is looking after your equipment, and your business.  

Blackmagic URSA Mini Pro G2 Super 35 4.6K Camcorder - EF Mount - Body Only

Blackmagic BMD-CINEURSAMUPRO46KG2 (BMD_CINEURSAMUPRO46KG2, BMD/CINEURSAMUPRO46KG2, BMD CINEURSAMUPRO46KG2) URSA Mini Pro G2 Super 35 4.6K Camcorder - EF Mount - Body Only URSA Mini Pro 4.6K G2, is a professional digital film camera that combines incredible 4.6K image quality with the features and controls of a traditional broadcast camera. The second generation URSA Mini Pro features fully redesigned electronics and a new Super 35mm 4.6K HDR image sensor that combine to give you much higher frame rate shooting. You also get built in ND filters, an interchangeable lens mount, Blackmagic RAW support, and both dual CFast and SD UHS-II card recorders for capturing images at up to 300 frames per second. There’s even a USB-C expansion port that lets you record directly to flash drives or SSD disks for even longer recording times. URSA Mini Pro 4.6K G2 features a massive number of controls intuitively positioned on the side of the camera so you can adjust most settings by feel, without ever having to take your eyes off the action. URSA Mini Pro is lightweight and comfortable enough to use all day, has controls that are extremely fast to use, and image quality that’s far superior to broadcast cameras costing ten times more. Digital Film Quality For Every Project - The Perfect Camera For Digital Film, Broadcast, Live Production And More: URSA Mini Pro cameras are “three cameras in one” because they combine high end digital film quality with the features and controls broadcasters need. They’re ideal for any kind of work from high end feature films, television shows and commercials, toindependent films, broadcast news, and even studio and live production. URSA Mini Pro cameras go beyond standard Ultra HD broadcast quality because they give you 4.6K resolution with 15 stops of dynamic range. Plus, the super wide colour gamut and Blackmagic Design Generation 4 colour science give you incredibly accurate skin tones andstunning, lifelike colour so you always capture cinematic quality images. The super compact body features broadcast camera controls and advanced operating software that make it faster to set up and use than any other camera. Whether you’re on set, on location or shooting run and gun, URSA Mini Pro has the image quality and features you need to work on any type of project. Three Incredible Models; Choose Ursa Mini 4K, Ursa Mini 4.6K Or Ursa Mini Pro 4.6K G2: The URSA Mini family are powerful and robust cameras that are available in three different models, so you can choose the camera that best suits your needs. The affordable URSA Mini 4K features a fixed EF mount along with dual CFast card recorders. URSA Mini Pro 4.6K G2 adds built in ND filters, an interchangeable lens mount, dual CFast and UHS-II SD card recorders, and a massive set of broadcast features and external controls. URSA Mini Pro 4.6K G2 is the ultimate high end digital film camera with second generation electronics, a high frame rate image sensor, and a USB-C for recording directly to external drives. Revolutionary Ursa Design - Big Camera Features That Are Fast To Use In A Lightweight, Portable Design: URSA Mini Pro is designed to include everything you need in a handheld camera so you can take it anywhere. Unlike cheap plastic cameras, the evenly weighted camera body is made out of a super tough magnesium alloy. It’s a true professional camera with full redundancy on every control, eventhe power switch. Plus, the familiar broadcast switches and controls allow full setting changes without having to take the camera off your shoulder. There’s an external high visibility backlit LCD status display so you can see critical shooting information, and a 4” foldout touch screen for reviewing shots. That means you don’t have tocarry an extra on‑set monitor. You get professional connections such as 12G‑SDI, XLR audio, a built in high quality microphone and more. The optional electronic viewfinder and shoulder mount kit lets you go from tripod to handheld shooting in seconds, or you can turn URSA Mini Pro into the ultimate live production camera by adding an URSA Studio Viewfinder. Built In Nd Filters - High Quality Neutral Density Filters With Ir Compensation: URSA Mini Pro G2 features high quality neutral density (ND) filters that let you quickly reduce the amount of light entering the camera. The 2, 4 and 6 stop filters have been specifically designed to match the colourimetry and colour science of the camera, providing you with additional latitude, even under harsh lighting conditions. This lets you use different combinations of aperture and shutter angle to achieve shallower depth of field, or specific levels of motion blur, in a wider range of situations. The IR filters have been designed to filter both optical wave lengths and IR wave lengths evenly to eliminate IR contamination of the images that most ND filters can suffer from. The ND filters are true optical filters with a precision mechanism that quickly moves them into place when the ND filter dial is turned. The filter settings can even be displayed as either an ND number, stop reduction or fraction on the LCD. Familiar Broadcast Control - Quickly Change Settings Without Taking The Camera Off Your Shoulder: Like the world’s best broadcast cameras, URSA Mini Pro 4.6K G2 features independent controls for direct access to the most important camera settings. Buttons, switches and dials are laid out in a logical order that makes them easy to find by feel while using the viewfinder. This means you’ll be able to adjust settings, add an ND filter or even change frame rate without having to fold out the touchscreen or take the camera off your shoulder. Interchangeable Lens Mounts - Compatible With Ef, Pl, B4 And F Mount Lenses: Different projects require different lenses, whichiswhy URSA Mini Pro models feature an interchangeable lensmount. Imagine shooting regular work using a photography lens but then being able to change to aPLmount cinema lens ifyou get a high end film job. URSA Mini Pro makesthat easy because you can quickly switch betweenEF, PL, B4 and F mount lenses, making it compatible with the widest possible range of professional lenses. That means you can work with high quality EF or F mount photographic lenses, large PL cinema lenses, and even B4 broadcast lenses, all with the same camera. URSA Mini Pro comes standard with an EF mount. Additional optional PL, B4 and F lens mounts can be purchased separately. With URSA Mini Pro, yougeta single camera that works with virtually all professional lenses so you can choose precisely the lens you need. Backlit Status Display - See Critical Shooting Information In Bright Daylight: The status display is a high visibility backlit LCD screen that’s designed to be easily seen, even in bright light. The status display shows record timecode, locked timecode and reference timecode, along with the current shooting frame rate, shutter angle, aperture, white balance, ISO and IRIS. Italso features a battery indicator, card recording status and audio meters for monitoring levels. The screen’s backlight can be turned on when you’re shooting in dimly lit locations, and off when you’re shooting outdoors and in bright light to increase contrast, making it easy to read under any condition. Cinematic 4.6K Sensor - Capture Incredible Digital Film Images With 15 Stops Of Dynamic Range: When it comes to image quality, URSA Mini Pro 4.6K G2 operates at a higher resolution and dynamic range that is well beyond traditional motion picture film. You get a 4.6K image sensor that captures up to 4608 x 2592 pixels, which is bigger than full size DCI 4K. The sensor features a massive 15 stops of dynamic range and support for up to 3200 ISO, making URSA Mini Pro models perfect for high dynamic range (HDR) projects. Built in active refrigeration ensures maximum dynamic range and low noise, so you get incredibly clean pictures with amazing detail in both the dark shadows and bright highlight areas. In addition, URSA Mini Pro 4.6K G2 supports high frame shooting at up to 300 frames per second and even better colour fidelity. You can also choose the lower cost URSA Mini 4K model with 12 stops of dynamic range when you don’t need the performance and are on a tighter budget. Advanced Colourimetry - Super Wide Colour Gamut And Precision Colour Science: #URSA Mini Pro models feature an incredibly wide colour gamut that captures more of the visible colour spectrum than Rec. 2020, which is vastly larger than the P3 digital cinema colour space. Blackmagic Design Generation 4 colour science is used to process the raw sensor data, enabling amazingly rich skin tones, natural colour response and enormous amounts of dynamic range. Whether you’re shooting a Hollywood blockbuster, an indie film, high end commercial, or a broadcast television show, URSA Mini Pro’s combination of resolution, dynamic range and colour gamut delivers amazingly rich and lifelike images. High Frame Rate Recording - Capture The Action At Up To 300 Frames Per Second: URSA Mini Pro 4.6K G2 is a more powerful second generation camera with entirely new electronics and a new high performance image sensor that lets you shoot crystal clear slow motion footage. You can record full sensor 4.6K images up to 120 frames per second, windowed DCI 4K at up to 150 frames per second, and regular windowed 1080 HD at an amazing 300 frames per second. A dedicated off-speed button on the camera’s body lets you quickly switch between your preset high frame rate and regular frame rate shooting. When it comes to high frame rate shooting, URSA Mini Pro 4.6K G2 is ideal for fast action sports, high speed nature photography and more. Non Stop Recording - Works With Both Cfast And Sd Card Media: URSA Mini Pro models feature both dual CFast 2.0 recorders and dual UHS‑II SD card recorders so you can choose the media that works best for you. CFast cards are ideal for full resolution Blackmagic RAW 12-bit recording, while SD UHS‑II cards are inexpensive and commonly available, making them perfect for recording Blackmagic RAW 5:1, 8:1 or 12:1 files. URSA Mini Pro 4.6K G2 also features a USB‑C connection so you can connect and record directly to portable SSD drives. Simply choose the media type, insert the cards and start shooting. With dual slots for each media type, you never haveto stop recording because when the first card is full, itautomatically continues onto the next card. You can even swap the full card for an empty one, all without having to stop recording. Blackmagic Ursa Mini Ssd Recorder - Record Onto 2.5 Inch Ssd Media: The optional Blackmagic URSA Mini SSD Recorder lets you record 12-bit Blackmagic RAW files onto standard 2.5 inch SSD Media with your URSA Mini orURSA Mini Pro cameras. That means you can use commonly available and inexpensive high capacity solid state media. Unlike other types of cards, SSD media is super fast so you can record fullresolution 4K and 4.6K 12-bit Blackmagic RAW files. Plus,SSD media comes in much larger sizes so you can record longer without having to change cards. The unique design of the Blackmagic URSA Mini SSD Recorder allows itto attach directly to the back of your URSA Mini or URSA Mini Pro between the camera and the battery. It uses 6G-SDI as a data link to the camera so you don’t have to worry about starting or stopping the SSD recorder. Everything is setup and controlled directly from the camera. Expansion Port - High Speed Usb-C Connection For Direct External Recording: URSA Mini Pro 4.6K G2 features an innovative high speed USB‑C Expansion Port. USB‑C is quickly becoming standard on all modern computers and devices. The massive bandwidth of USB‑C makes it possible to connect external accessories such as flash drives and SSDs for significantly longer recording times. This can be important when shooting high quality lossless 12‑bit Blackmagic RAW or high frame rate 300 fps images. Best of all, when you’re done shooting you can use the same drive for editing and post production. Built In Monitoring - Fold Out Touch Screen For Monitoring And Camera Control: The built in 4 inch fold out touchscreen on URSA Mini Pro models and the 5 inch fold out touchscreen on URSA Mini 4K and 4.6K are super bright, high resolution colour displays with a wide viewing angle that makes them perfect for monitoring and reviewing shots on set. The screen can also show you a “heads up display” overlay with critical information such as format, frame rate, timecode, ISO and more. You even get a histogram, card recording status indicators and audiometers. The fold out touchscreen lets you use the incredible new URSA Mini operating software so you get super fast access to every camera function, ATEM broadcast switcher integration features for live broadcast, digital slate for metadata management and more. Advanced Ursa Mini Software - Incredibly Fast Software With Revolutionary New User Interface All URSA Mini cameras feature a new user interfacethat revolutionises the way you work. The advanced camera operating software lets you use simple tap and swipe gestures to control all features, setup, the digital slate and more. You get powerful and super fast software with aunique heads up display that puts commonly used functions at your fingertips. Simply touch an on screen iconto make changes for things such as audio levels, whitebalance, shutter angle and more. You’ll instantly see sliders and controls formaking adjustments without ever having to navigate through any menus. The new digital slate makes entering metadata faster than ever before witha built in dictionary, predictive entry and on screen keyboard. Using a professional digital film camera has never been faster. Bluetooth® Camera Control - New Api Lets You Create Remote Camera Control Apps: All URSA Mini Pro cameras feature built in Bluetooth that allows you to send and receive commands from up to 30 feet away. Blackmagic Design has also published a new, open protocol and developer API, along with sample code for an iPad app that can control URSA Mini Pro. Now you can create your own remote camera control solutions, digitalslate applications, remote colour correction software and more. The possibilities are endless and this technology will enable entirely new workflows that were never before possible. Imagine building an app that can jam sync timecode and trigger all cameras to record to their internal media with matching metadata, all at the same time. Highly Customisable - Flexible Enough To Be Rigged For Any Production: Blackmagic URSA Mini cameras are completely customisable so you can create a rig that’s built specifically for your production. You can add accessories like the Blackmagic URSA Viewfinder, URSA Studio Viewfinder, URSA Mini Shoulder Kit and URSA Mini Mic Mount, or choose from hundreds of third party accessories. URSA Mini and URSA Mini Pro have 9 standard ¼” threaded mounting points on the top and bottom of the camera so you can mount it directly to a tripod aswell as add accessories such as rails, sliders, matteboxes, microphones, ring lights, batteries and more. Whether you’re building a feature film rig or outfitting the camera for an ENG style shoot, URSA Mini has all of the mount points and connections you need. High Resolution Viewfinder - Full Hd Display And Glass Optics Makes Precise Focus Easy: The optional Blackmagic URSA Viewfinder is designed to be the perfect match for URSA Mini Pro and URSA Mini cameras. You get a high resolution 1920 x 1080 colour OLED display matched with precision glass optics, adjustable diopter and built in digital focus chart so you get perfect focus every time. To preserve OLED screen life, there’s a built in sensor so the OLED only turns on when you’re looking through the viewfinder. TheBlackmagic URSA Viewfinder is adjustable so it can be used on both the left or the right eye. There’s even a built in record light. Blackmagic Ursa Studio Viewfinder - Turn Ursa Mini Into A True Professional Studio Camera: The URSA Studio Viewfinder is a true professional viewfinder for URSA Mini Pro and URSA Mini. You get a bright 7” screen with large handles and variable tension pivot points that let you smoothly adjust the viewfinder’s position and angle, even while you’re live on air. The control knobs and buttons give you direct control of settings so you can keep your eye on the action. Combined with the software for URSA Mini, the URSA Studio Viewfinder turns your URSA Mini into the ultimate live production camera. You get support for talkback, tally, and program return, along with remote control of focus, iris,colour balance and more, all from your ATEM Switcher. Professional Connections - Full Size, Durable Connections That Work With Standard Cables: Blackmagic URSA Mini Pro models feature multiple connections such as 12G‑SDI out, HD-SDI monitoring out, 2 LANC inputs, balanced XLR audio with phantom power, timecode in and reference input. On the front right side of the cameras is a 12 pin Hirose control connector for broadcast lenses. There’s also a 4 pin XLR DC output and an HD-SDI monitoring output that are located in the perfect position for connecting an optional viewfinder or on set monitor. The12G‑SDI output handles all formats up to 2160p60 using a single BNC cable, and also switches to 6G‑SDI or HD‑SDI depending on the shooting format. Advanced 12G‑Sdi - Work With All Formats Up To 2160P60 Over A Single Cable: 12G‑SDI is an incredible 8 times faster than regular HD-SDI which makes it fast enough for Ultra HD video at up to 60 frames per second, all over a single regular SDI cable. The high quality BNC connections are multi rate so it can automatically switch and work with 6G‑SDI, 3G‑SDI, and regular HD‑SDI equipment. That means URSA Mini Pro and URSA Mini cameras are compatible with all of your existing HD and Ultra HD equipment so you can plug it into things like ATEM live production switchers, on set monitors, decksand more. Professional Audio - Built In Production Quality Sound Recording: URSA Mini Pro models have a high quality microphone and professional audio recorder built right in so you don’t have to carry around extra sound equipment. Use the built in stereo microphone to record natural location sound or connect professional microphones using the two XLR wide dynamic range mic inputs. The XLR connections have 48V of switchable phantom power so you can plug in everything from shot gun to wireless clip on mics for capturing every detail of the performance. You can quickly adjust levels using the external knobs and monitor audio using the onscreen audio meters. Digital Slate - Embedded Metadata, Store Location, Camera Orientation, Scene Details And More: The built in touchscreen makes it astonishingly simple to set up and enter metadata for tagging clips. Metadata is saved directly in the video files so you don’t have to worry about managing extra files. You can import the files directly into software like DaVinci Resolve, Final Cut Pro and Avid Media Composer then use the metadata to sort, searchand find the clips you need so you can spend more time on creative editing and less time managing mountains of media. Flexible Power - Compatible With Industry Standard Batteries And Power: URSA Mini Pro and URSA Mini cameras include a 4-pin XLR industry standard power connector that works with 12V to 20V external power supplies. That means it’s easy to use thecamera with all of your existing power supplies and batteries. All URSA cameras use the same battery power connector and mounting points on the rear of the camera soyou can use a wide range of battery plates from manufacturers such as IDX, Blueshape, Anton Bauer and more. You can also add the optional Blackmagic URSA VLock Battery Plate or Blackmagic URSA Gold Battery Plate for using popular V‑Mount and Gold Mount batteries. Includes Davinci Resolve Studio - Professional Editing, Visual Effects, Colour Correction And Audio Post: All URSA cameras include a full version of DaVinci Resolve Studio, which is a complete post production solution. You get the world’s most advanced solution that combines professional editing, colour correction, audio post and visual effects all in one software tool. DaVinci Resolve is used to finish more Hollywood feature films than any other solution, so you'll get the best possible post production tools to edit native video from your camera and retain every bit of quality. Whether you’re working on major Hollywood feature films, episodic television productions, musicvideos, commercials or even the latest YouTube shoot,DaVinci Resolve Studio gives you a completelylossless workflow for native editing, colour correction, effects, audio and delivery, so your video always looks as good as possible. Optional Shoulder Mount Kit - From Tripod To Shoulder And Back In Seconds: URSA Mini cameras include multiple ¼ inch mount points on the bottom so you can attach it directly to any tripod. When you need to quickly move from tripod to handheld and back, the best solution is to use the optional Blackmagic URSA Mini Shoulder Kit. Thiskit includes the shoulder pad with built in rosettes, rail mounts and integrated quick lock release attachment points for instantly latching onto the quick release plate without removing the shoulder pad. The kit also includes a top handle for carrying the camera and attaching accessories.

Panasonic Lightweight 4K/HDR 10BIT REC Camera Recorder with Live Streaming package f

Panasonic PAN-AGCX350EJ (PAN/AGCX350EJ, PAN AGCX350EJ, PANAGCX350EJ, AGCX350EJ, pan-agcx350ej) Lightweight 4K/HDR 10BIT REC Camera Recorder with Live Streaming package f includes: 1x Panasonic PAN-AGCX350EJ Lightweight 4K/HDR 10BIT REC Camera Recorder with Live Streaming  1x Hedbox RP-VBD78 DV Battery Pack for Panasonic 7800mAh Li-Ion Battery 7.4V  1x Sandisk 128GB Extreme Pro SDXC UHS-I 170MB/s Memory Card SDSDXXY-128G-GN4IN 1x Camrade CAM-R&GB-CINEMA run&gunBag Cinema 1x Acebil i-605DX Tripod System  1x Rode NTG2 shotgun microphone 1x Rode PG2R Pistol Grip Shock Mount  1x Rode WS6 deluxe windshield 1x Digibroadcast 12inch 3pin XLR male to female cable 1x Sennheiser HD 200 PRO Studio Headphones (507182) 1x Sennheiser 507614 ew 112P G4-GB Set (507614) 1x Atomos Ninja V 5" 4K HDMI Recording Monitor       *Digibroadcast has put together some bespoke Panasonic packages for our clients based on our own research and surveys and holds the right to protect all of its content © 4K HDR Image In Your Hands Wide-Angle 24.5mm*1 Optical 20X Zoom, Plus I.Zoom The lens has the industry’s widest angle of 24.5mm*1 on the wide end and allows recording of wide-angle images with minimal distortion, without the use of a conversion lens. The optical 20x zoom covers up to 490mm telephoto in all modes. Furthermore, the i.Zoom enables seamless zooming of up to 32x in HD or up to 24x in UHD from the telephoto end with no degradation in resolution. The AG-CX350 also comes with digital 2x/ 5x/ 10x zoom.*2 HDR-Compliant Hlg (Hybrid Log-Gamma) Thanks to HLG (Hybrid Log-Gamma)*3 the AG-AC350 supports HDR (High Dynamic Range) which achieves a wide dynamic range on HDR-compatible TV monitors. The gamma mode can be selected from eight modes (HD, SD, FILMLIKE 1, FILMLIKE 2, FILMLIKE 3, FILM-REC, VIDEO-REC, HLG). New High-Definition, High-Sensitivity 1.0-Type 15M Mos Sensor The 1.0-type MOS (approximately 15,030,000 pixels) offers an outstanding depth of field and excellent balance between image quality and sensitivity. It supports multi-formats, such as UHD (3840 x 2160), FHD, HD and SD, and provides images without cropping in all modes. This MOS sensor also boasts high sensitivity of F12 (60Hz) /F13 (50Hz) (in both UHD and FHD in High Sensitivity mode). Built-in 5-Axis Hybrid Image Stabilizer Intelligent AF and Focus Assist Manual Three Rings Cabled/Wireless Remote Control Capability Superb 4K Image With 10Bit Codec Up To 50/59.94P Without Cropping New HEVC CODEC for High-Image-Quality 10Bit Uhd/50 Fps Recording at low Bit Rate The camcorder can record UHD/50 fps videos in high-image-quality 10bit on an SD memory card. It also features a new, high-efficiency HEVC codec (LongGOP, 10bit, 4:2:0, MOV) . 10Bit Variable Frame Rate (VFR) Without Cropping In UHD, variable frame rate (VFR) recording at 1fps to 50fps is possible. In FHD, super-slow can be realized at a maximum of 100fps. Both provide high-quality 10bit, full-frame pictures with no image area cropping even at high frame rates. MOV/AVCHD/P2 MXF* File Formats Supported Freeze Frame (Still Image Capture) Double Memory Card Slots Improve Recording Reliability Enhanced Network Connectivity For Live RTMP/RTSP-Compatible Hd Streaming The AG-CX350 can be used for live coverage of concerts and sports events as well as for live streaming of breaking news. Facebook, YouTube, and other streaming services are supported. Easy IP Connection: Preinstalled Ndi | HX*4 The industry’s first camcorder equipped with NDI | HX mode*4, it allows video transmission and camera control via IP connection, without using an external converter. The camera can be built in to larger systems working alongside Panasonic PTZ camera systems equipped with NDI | HX and the Live Production Center AV-HLC100. Wireless Control from a Tablet or Smartphone Parallel Output of SDI and HDMI TC Synchro Multi-Camera Recording Supported Broadcast-Grade Picture Quality Adjustment Functions 24-bit PCM Supporting High-Resolution Audio Compact, Light Weight, Low Power Consumption, And Ease Of Use Design Low Power Consuming, Large-Capacity Battery, Quick Charge Simultaneous Display on High-Brightness, High-Definition LCD and High-Resolution OLED EVF Compact, lightweight body 1.9 kg In 35mm equivalent. The AG-CX350’s wide 24.5mm angle is the widest in the industry for UHD/FHD (16:9). In the segment of camcorders with integrated lens, the Panasonic AG-UX180 achieved the industry’s widest angle of 24mm in UHD/24p (17:9). For UHD/FHD (16:9), 25.4mm is the widest angle in the industry. (Both as of January 2019, according to a Panasonic survey) When using the digital zoom, picture quality degrades as the magnification rate increases The HLG specification was developed jointly by Japanese broadcaster NHK and the BBC in the UK. It is defined in ARIB STD-B67 and ITU Rec. 2100. NDI: Network Device Interface, a technology of NewTek, Inc.. Industry’s first camcorder to support NDI | HX. As of January 2019 (according to a Panasonic survey). To use this function, an activation keycode from NewTek is required. Keycodes can be purchased from the following website: http://new.tk/ndi_panasonic

Panasonic Lightweight 4K/HDR 10BIT REC Camera Recorder with Live Streaming package e

Panasonic PAN-AGCX350EJ (PAN/AGCX350EJ, PAN AGCX350EJ, PANAGCX350EJ, AGCX350EJ, pan-agcx350ej) Lightweight 4K/HDR 10BIT REC Camera Recorder with Live Streaming package e includes: 1x Panasonic PAN-AGCX350EJ Lightweight 4K/HDR 10BIT REC Camera Recorder with Live Streaming  1x Hedbox RP-VBD78 DV Battery Pack for Panasonic 7800mAh Li-Ion Battery 7.4V  1x Sandisk 128GB Extreme Pro SDXC UHS-I 170MB/s Memory Card SDSDXXY-128G-GN4IN 1x Camrade CAM-R&GB-CINEMA run&gunBag Cinema 1x Acebil i-605DX Tripod System  1x Rode NTG2 shotgun microphone 1x Rode PG2R Pistol Grip Shock Mount  1x Rode WS6 deluxe windshield 1x Digibroadcast 12inch 3pin XLR male to female cable 1x Sennheiser HD 200 PRO Studio Headphones (507182) 1x Sennheiser 507614 ew 112P G4-GB Set (507614)      *Digibroadcast has put together some bespoke Panasonic packages for our clients based on our own research and surveys and holds the right to protect all of its content © 4K HDR Image In Your Hands Wide-Angle 24.5mm*1 Optical 20X Zoom, Plus I.Zoom The lens has the industry’s widest angle of 24.5mm*1 on the wide end and allows recording of wide-angle images with minimal distortion, without the use of a conversion lens. The optical 20x zoom covers up to 490mm telephoto in all modes. Furthermore, the i.Zoom enables seamless zooming of up to 32x in HD or up to 24x in UHD from the telephoto end with no degradation in resolution. The AG-CX350 also comes with digital 2x/ 5x/ 10x zoom.*2 HDR-Compliant Hlg (Hybrid Log-Gamma) Thanks to HLG (Hybrid Log-Gamma)*3 the AG-AC350 supports HDR (High Dynamic Range) which achieves a wide dynamic range on HDR-compatible TV monitors. The gamma mode can be selected from eight modes (HD, SD, FILMLIKE 1, FILMLIKE 2, FILMLIKE 3, FILM-REC, VIDEO-REC, HLG). New High-Definition, High-Sensitivity 1.0-Type 15M Mos Sensor The 1.0-type MOS (approximately 15,030,000 pixels) offers an outstanding depth of field and excellent balance between image quality and sensitivity. It supports multi-formats, such as UHD (3840 x 2160), FHD, HD and SD, and provides images without cropping in all modes. This MOS sensor also boasts high sensitivity of F12 (60Hz) /F13 (50Hz) (in both UHD and FHD in High Sensitivity mode). Built-in 5-Axis Hybrid Image Stabilizer Intelligent AF and Focus Assist Manual Three Rings Cabled/Wireless Remote Control Capability Superb 4K Image With 10Bit Codec Up To 50/59.94P Without Cropping New HEVC CODEC for High-Image-Quality 10Bit Uhd/50 Fps Recording at low Bit Rate The camcorder can record UHD/50 fps videos in high-image-quality 10bit on an SD memory card. It also features a new, high-efficiency HEVC codec (LongGOP, 10bit, 4:2:0, MOV) . 10Bit Variable Frame Rate (VFR) Without Cropping In UHD, variable frame rate (VFR) recording at 1fps to 50fps is possible. In FHD, super-slow can be realized at a maximum of 100fps. Both provide high-quality 10bit, full-frame pictures with no image area cropping even at high frame rates. MOV/AVCHD/P2 MXF* File Formats Supported Freeze Frame (Still Image Capture) Double Memory Card Slots Improve Recording Reliability Enhanced Network Connectivity For Live RTMP/RTSP-Compatible Hd Streaming The AG-CX350 can be used for live coverage of concerts and sports events as well as for live streaming of breaking news. Facebook, YouTube, and other streaming services are supported. Easy IP Connection: Preinstalled Ndi | HX*4 The industry’s first camcorder equipped with NDI | HX mode*4, it allows video transmission and camera control via IP connection, without using an external converter. The camera can be built in to larger systems working alongside Panasonic PTZ camera systems equipped with NDI | HX and the Live Production Center AV-HLC100. Wireless Control from a Tablet or Smartphone Parallel Output of SDI and HDMI TC Synchro Multi-Camera Recording Supported Broadcast-Grade Picture Quality Adjustment Functions 24-bit PCM Supporting High-Resolution Audio Compact, Light Weight, Low Power Consumption, And Ease Of Use Design Low Power Consuming, Large-Capacity Battery, Quick Charge Simultaneous Display on High-Brightness, High-Definition LCD and High-Resolution OLED EVF Compact, lightweight body 1.9 kg In 35mm equivalent. The AG-CX350’s wide 24.5mm angle is the widest in the industry for UHD/FHD (16:9). In the segment of camcorders with integrated lens, the Panasonic AG-UX180 achieved the industry’s widest angle of 24mm in UHD/24p (17:9). For UHD/FHD (16:9), 25.4mm is the widest angle in the industry. (Both as of January 2019, according to a Panasonic survey) When using the digital zoom, picture quality degrades as the magnification rate increases The HLG specification was developed jointly by Japanese broadcaster NHK and the BBC in the UK. It is defined in ARIB STD-B67 and ITU Rec. 2100. NDI: Network Device Interface, a technology of NewTek, Inc.. Industry’s first camcorder to support NDI | HX. As of January 2019 (according to a Panasonic survey). To use this function, an activation keycode from NewTek is required. Keycodes can be purchased from the following website: http://new.tk/ndi_panasonic

Panasonic Lightweight 4K/HDR 10BIT REC Camera Recorder with Live Streaming package d

Panasonic PAN-AGCX350EJ (PAN/AGCX350EJ, PAN AGCX350EJ, PANAGCX350EJ, AGCX350EJ, pan-agcx350ej) Lightweight 4K/HDR 10BIT REC Camera Recorder with Live Streaming package d includes: 1x Panasonic PAN-AGCX350EJ Lightweight 4K/HDR 10BIT REC Camera Recorder with Live Streaming  1x Hedbox RP-VBD78 DV Battery Pack for Panasonic 7800mAh Li-Ion Battery 7.4V  1x Sandisk 128GB Extreme Pro SDXC UHS-I 170MB/s Memory Card SDSDXXY-128G-GN4IN 1x Camrade CAM-R&GB-CINEMA run&gunBag Cinema 1x Acebil i-605DX Tripod System  1x Rode NTG2 shotgun microphone 1x Rode PG2R Pistol Grip Shock Mount  1x Rode WS6 deluxe windshield 1x Digibroadcast 12inch 3pin XLR male to female cable *Digibroadcast has put together some bespoke Panasonic packages for our clients based on our own research and surveys and holds the right to protect all of its content © 4K HDR Image In Your Hands Wide-Angle 24.5mm*1 Optical 20X Zoom, Plus I.Zoom The lens has the industry’s widest angle of 24.5mm*1 on the wide end and allows recording of wide-angle images with minimal distortion, without the use of a conversion lens. The optical 20x zoom covers up to 490mm telephoto in all modes. Furthermore, the i.Zoom enables seamless zooming of up to 32x in HD or up to 24x in UHD from the telephoto end with no degradation in resolution. The AG-CX350 also comes with digital 2x/ 5x/ 10x zoom.*2 HDR-Compliant Hlg (Hybrid Log-Gamma) Thanks to HLG (Hybrid Log-Gamma)*3 the AG-AC350 supports HDR (High Dynamic Range) which achieves a wide dynamic range on HDR-compatible TV monitors. The gamma mode can be selected from eight modes (HD, SD, FILMLIKE 1, FILMLIKE 2, FILMLIKE 3, FILM-REC, VIDEO-REC, HLG). New High-Definition, High-Sensitivity 1.0-Type 15M Mos Sensor The 1.0-type MOS (approximately 15,030,000 pixels) offers an outstanding depth of field and excellent balance between image quality and sensitivity. It supports multi-formats, such as UHD (3840 x 2160), FHD, HD and SD, and provides images without cropping in all modes. This MOS sensor also boasts high sensitivity of F12 (60Hz) /F13 (50Hz) (in both UHD and FHD in High Sensitivity mode). Built-in 5-Axis Hybrid Image Stabilizer Intelligent AF and Focus Assist Manual Three Rings Cabled/Wireless Remote Control Capability Superb 4K Image With 10Bit Codec Up To 50/59.94P Without Cropping New HEVC CODEC for High-Image-Quality 10Bit Uhd/50 Fps Recording at low Bit Rate The camcorder can record UHD/50 fps videos in high-image-quality 10bit on an SD memory card. It also features a new, high-efficiency HEVC codec (LongGOP, 10bit, 4:2:0, MOV) . 10Bit Variable Frame Rate (VFR) Without Cropping In UHD, variable frame rate (VFR) recording at 1fps to 50fps is possible. In FHD, super-slow can be realized at a maximum of 100fps. Both provide high-quality 10bit, full-frame pictures with no image area cropping even at high frame rates. MOV/AVCHD/P2 MXF* File Formats Supported Freeze Frame (Still Image Capture) Double Memory Card Slots Improve Recording Reliability Enhanced Network Connectivity For Live RTMP/RTSP-Compatible Hd Streaming The AG-CX350 can be used for live coverage of concerts and sports events as well as for live streaming of breaking news. Facebook, YouTube, and other streaming services are supported. Easy IP Connection: Preinstalled Ndi | HX*4 The industry’s first camcorder equipped with NDI | HX mode*4, it allows video transmission and camera control via IP connection, without using an external converter. The camera can be built in to larger systems working alongside Panasonic PTZ camera systems equipped with NDI | HX and the Live Production Center AV-HLC100. Wireless Control from a Tablet or Smartphone Parallel Output of SDI and HDMI TC Synchro Multi-Camera Recording Supported Broadcast-Grade Picture Quality Adjustment Functions 24-bit PCM Supporting High-Resolution Audio Compact, Light Weight, Low Power Consumption, And Ease Of Use Design Low Power Consuming, Large-Capacity Battery, Quick Charge Simultaneous Display on High-Brightness, High-Definition LCD and High-Resolution OLED EVF Compact, lightweight body 1.9 kg In 35mm equivalent. The AG-CX350’s wide 24.5mm angle is the widest in the industry for UHD/FHD (16:9). In the segment of camcorders with integrated lens, the Panasonic AG-UX180 achieved the industry’s widest angle of 24mm in UHD/24p (17:9). For UHD/FHD (16:9), 25.4mm is the widest angle in the industry. (Both as of January 2019, according to a Panasonic survey) When using the digital zoom, picture quality degrades as the magnification rate increases The HLG specification was developed jointly by Japanese broadcaster NHK and the BBC in the UK. It is defined in ARIB STD-B67 and ITU Rec. 2100. NDI: Network Device Interface, a technology of NewTek, Inc.. Industry’s first camcorder to support NDI | HX. As of January 2019 (according to a Panasonic survey). To use this function, an activation keycode from NewTek is required. Keycodes can be purchased from the following website: http://new.tk/ndi_panasonic

Panasonic Lightweight 4K/HDR 10BIT REC Camera Recorder with Live Streaming package c

Panasonic PAN-AGCX350EJ (PAN/AGCX350EJ, PAN AGCX350EJ, PANAGCX350EJ, AGCX350EJ, pan-agcx350ej) Lightweight 4K/HDR 10BIT REC Camera Recorder with Live Streaming package c includes:   1x Panasonic PAN-AGCX350EJ Lightweight 4K/HDR 10BIT REC Camera Recorder with Live Streaming  1x Hedbox RP-VBD78 DV Battery Pack for Panasonic 7800mAh Li-Ion Battery 7.4V  1x Sandisk 128GB Extreme Pro SDXC UHS-I 170MB/s Memory Card SDSDXXY-128G-GN4IN 1x Camrade CAM-R&GB-CINEMA run&gunBag Cinema 1x Acebil i-605DX Tripod System     *Digibroadcast has put together some bespoke Panasonic packages for our clients based on our own research and surveys and holds the right to protect all of its content © 4K HDR Image In Your Hands Wide-Angle 24.5mm*1 Optical 20X Zoom, Plus I.Zoom The lens has the industry’s widest angle of 24.5mm*1 on the wide end and allows recording of wide-angle images with minimal distortion, without the use of a conversion lens. The optical 20x zoom covers up to 490mm telephoto in all modes. Furthermore, the i.Zoom enables seamless zooming of up to 32x in HD or up to 24x in UHD from the telephoto end with no degradation in resolution. The AG-CX350 also comes with digital 2x/ 5x/ 10x zoom.*2 HDR-Compliant Hlg (Hybrid Log-Gamma) Thanks to HLG (Hybrid Log-Gamma)*3 the AG-AC350 supports HDR (High Dynamic Range) which achieves a wide dynamic range on HDR-compatible TV monitors. The gamma mode can be selected from eight modes (HD, SD, FILMLIKE 1, FILMLIKE 2, FILMLIKE 3, FILM-REC, VIDEO-REC, HLG). New High-Definition, High-Sensitivity 1.0-Type 15M Mos Sensor The 1.0-type MOS (approximately 15,030,000 pixels) offers an outstanding depth of field and excellent balance between image quality and sensitivity. It supports multi-formats, such as UHD (3840 x 2160), FHD, HD and SD, and provides images without cropping in all modes. This MOS sensor also boasts high sensitivity of F12 (60Hz) /F13 (50Hz) (in both UHD and FHD in High Sensitivity mode). Built-in 5-Axis Hybrid Image Stabilizer Intelligent AF and Focus Assist Manual Three Rings Cabled/Wireless Remote Control Capability Superb 4K Image With 10Bit Codec Up To 50/59.94P Without Cropping New HEVC CODEC for High-Image-Quality 10Bit Uhd/50 Fps Recording at low Bit Rate The camcorder can record UHD/50 fps videos in high-image-quality 10bit on an SD memory card. It also features a new, high-efficiency HEVC codec (LongGOP, 10bit, 4:2:0, MOV) . 10Bit Variable Frame Rate (VFR) Without Cropping In UHD, variable frame rate (VFR) recording at 1fps to 50fps is possible. In FHD, super-slow can be realized at a maximum of 100fps. Both provide high-quality 10bit, full-frame pictures with no image area cropping even at high frame rates. MOV/AVCHD/P2 MXF* File Formats Supported Freeze Frame (Still Image Capture) Double Memory Card Slots Improve Recording Reliability Enhanced Network Connectivity For Live RTMP/RTSP-Compatible Hd Streaming The AG-CX350 can be used for live coverage of concerts and sports events as well as for live streaming of breaking news. Facebook, YouTube, and other streaming services are supported. Easy IP Connection: Preinstalled Ndi | HX*4 The industry’s first camcorder equipped with NDI | HX mode*4, it allows video transmission and camera control via IP connection, without using an external converter. The camera can be built in to larger systems working alongside Panasonic PTZ camera systems equipped with NDI | HX and the Live Production Center AV-HLC100. Wireless Control from a Tablet or Smartphone Parallel Output of SDI and HDMI TC Synchro Multi-Camera Recording Supported Broadcast-Grade Picture Quality Adjustment Functions 24-bit PCM Supporting High-Resolution Audio Compact, Light Weight, Low Power Consumption, And Ease Of Use Design Low Power Consuming, Large-Capacity Battery, Quick Charge Simultaneous Display on High-Brightness, High-Definition LCD and High-Resolution OLED EVF Compact, lightweight body 1.9 kg In 35mm equivalent. The AG-CX350’s wide 24.5mm angle is the widest in the industry for UHD/FHD (16:9). In the segment of camcorders with integrated lens, the Panasonic AG-UX180 achieved the industry’s widest angle of 24mm in UHD/24p (17:9). For UHD/FHD (16:9), 25.4mm is the widest angle in the industry. (Both as of January 2019, according to a Panasonic survey) When using the digital zoom, picture quality degrades as the magnification rate increases The HLG specification was developed jointly by Japanese broadcaster NHK and the BBC in the UK. It is defined in ARIB STD-B67 and ITU Rec. 2100. NDI: Network Device Interface, a technology of NewTek, Inc.. Industry’s first camcorder to support NDI | HX. As of January 2019 (according to a Panasonic survey). To use this function, an activation keycode from NewTek is required. Keycodes can be purchased from the following website: http://new.tk/ndi_panasonic

Panasonic Lightweight 4K/HDR 10BIT REC Camera Recorder with Live Streaming package b

Panasonic PAN-AGCX350EJ (PAN/AGCX350EJ, PAN AGCX350EJ, PANAGCX350EJ, AGCX350EJ, pan-agcx350ej) Lightweight 4K/HDR 10BIT REC Camera Recorder with Live Streaming package B includes:   1x Panasonic PAN-AGCX350EJ Lightweight 4K/HDR 10BIT REC Camera Recorder with Live Streaming  1x Hedbox RP-VBD78 DV Battery Pack for Panasonic 7800mAh Li-Ion Battery 7.4V  1x Sandisk 128GB Extreme Pro SDXC UHS-I 170MB/s Memory Card SDSDXXY-128G-GN4IN 1x Camrade CAM-R&GB-CINEMA run&gunBag Cinema     *Digibroadcast has put together some bespoke Panasonic packages for our clients based on our own research and surveys and holds the right to protect all of its content © 4K HDR Image In Your Hands Wide-Angle 24.5mm*1 Optical 20X Zoom, Plus I.Zoom The lens has the industry’s widest angle of 24.5mm*1 on the wide end and allows recording of wide-angle images with minimal distortion, without the use of a conversion lens. The optical 20x zoom covers up to 490mm telephoto in all modes. Furthermore, the i.Zoom enables seamless zooming of up to 32x in HD or up to 24x in UHD from the telephoto end with no degradation in resolution. The AG-CX350 also comes with digital 2x/ 5x/ 10x zoom.*2 HDR-Compliant Hlg (Hybrid Log-Gamma) Thanks to HLG (Hybrid Log-Gamma)*3 the AG-AC350 supports HDR (High Dynamic Range) which achieves a wide dynamic range on HDR-compatible TV monitors. The gamma mode can be selected from eight modes (HD, SD, FILMLIKE 1, FILMLIKE 2, FILMLIKE 3, FILM-REC, VIDEO-REC, HLG). New High-Definition, High-Sensitivity 1.0-Type 15M Mos Sensor The 1.0-type MOS (approximately 15,030,000 pixels) offers an outstanding depth of field and excellent balance between image quality and sensitivity. It supports multi-formats, such as UHD (3840 x 2160), FHD, HD and SD, and provides images without cropping in all modes. This MOS sensor also boasts high sensitivity of F12 (60Hz) /F13 (50Hz) (in both UHD and FHD in High Sensitivity mode). Built-in 5-Axis Hybrid Image Stabilizer Intelligent AF and Focus Assist Manual Three Rings Cabled/Wireless Remote Control Capability Superb 4K Image With 10Bit Codec Up To 50/59.94P Without Cropping New HEVC CODEC for High-Image-Quality 10Bit Uhd/50 Fps Recording at low Bit Rate The camcorder can record UHD/50 fps videos in high-image-quality 10bit on an SD memory card. It also features a new, high-efficiency HEVC codec (LongGOP, 10bit, 4:2:0, MOV) . 10Bit Variable Frame Rate (VFR) Without Cropping In UHD, variable frame rate (VFR) recording at 1fps to 50fps is possible. In FHD, super-slow can be realized at a maximum of 100fps. Both provide high-quality 10bit, full-frame pictures with no image area cropping even at high frame rates. MOV/AVCHD/P2 MXF* File Formats Supported Freeze Frame (Still Image Capture) Double Memory Card Slots Improve Recording Reliability Enhanced Network Connectivity For Live RTMP/RTSP-Compatible Hd Streaming The AG-CX350 can be used for live coverage of concerts and sports events as well as for live streaming of breaking news. Facebook, YouTube, and other streaming services are supported. Easy IP Connection: Preinstalled Ndi | HX*4 The industry’s first camcorder equipped with NDI | HX mode*4, it allows video transmission and camera control via IP connection, without using an external converter. The camera can be built in to larger systems working alongside Panasonic PTZ camera systems equipped with NDI | HX and the Live Production Center AV-HLC100. Wireless Control from a Tablet or Smartphone Parallel Output of SDI and HDMI TC Synchro Multi-Camera Recording Supported Broadcast-Grade Picture Quality Adjustment Functions 24-bit PCM Supporting High-Resolution Audio Compact, Light Weight, Low Power Consumption, And Ease Of Use Design Low Power Consuming, Large-Capacity Battery, Quick Charge Simultaneous Display on High-Brightness, High-Definition LCD and High-Resolution OLED EVF Compact, lightweight body 1.9 kg In 35mm equivalent. The AG-CX350’s wide 24.5mm angle is the widest in the industry for UHD/FHD (16:9). In the segment of camcorders with integrated lens, the Panasonic AG-UX180 achieved the industry’s widest angle of 24mm in UHD/24p (17:9). For UHD/FHD (16:9), 25.4mm is the widest angle in the industry. (Both as of January 2019, according to a Panasonic survey) When using the digital zoom, picture quality degrades as the magnification rate increases The HLG specification was developed jointly by Japanese broadcaster NHK and the BBC in the UK. It is defined in ARIB STD-B67 and ITU Rec. 2100. NDI: Network Device Interface, a technology of NewTek, Inc.. Industry’s first camcorder to support NDI | HX. As of January 2019 (according to a Panasonic survey). To use this function, an activation keycode from NewTek is required. Keycodes can be purchased from the following website: http://new.tk/ndi_panasonic

Panasonic Lightweight 4K/HDR 10BIT REC Camera Recorder with Live Streaming package a

Panasonic PAN-AGCX350EJ (PAN/AGCX350EJ, PAN AGCX350EJ, PANAGCX350EJ, AGCX350EJ, pan-agcx350ej) Lightweight 4K/HDR 10BIT REC Camera Recorder with Live Streaming package a includes:   1x Panasonic PAN-AGCX350EJ Lightweight 4K/HDR 10BIT REC Camera Recorder with Live Streaming  1x Hedbox RP-VBD78 DV Battery Pack for Panasonic 7800mAh Li-Ion Battery 7.4V  1x Sandisk 128GB Extreme Pro SDXC UHS-I 170MB/s Memory Card SDSDXXY-128G-GN4IN     *Digibroadcast has put together some bespoke Panasonic packages for our clients based on our own research and surveys and holds the right to protect all of its content ©   4K HDR Image In Your Hands Wide-Angle 24.5mm*1 Optical 20X Zoom, Plus I.Zoom The lens has the industry’s widest angle of 24.5mm*1 on the wide end and allows recording of wide-angle images with minimal distortion, without the use of a conversion lens. The optical 20x zoom covers up to 490mm telephoto in all modes. Furthermore, the i.Zoom enables seamless zooming of up to 32x in HD or up to 24x in UHD from the telephoto end with no degradation in resolution. The AG-CX350 also comes with digital 2x/ 5x/ 10x zoom.*2 HDR-Compliant Hlg (Hybrid Log-Gamma) Thanks to HLG (Hybrid Log-Gamma)*3 the AG-AC350 supports HDR (High Dynamic Range) which achieves a wide dynamic range on HDR-compatible TV monitors. The gamma mode can be selected from eight modes (HD, SD, FILMLIKE 1, FILMLIKE 2, FILMLIKE 3, FILM-REC, VIDEO-REC, HLG). New High-Definition, High-Sensitivity 1.0-Type 15M Mos Sensor The 1.0-type MOS (approximately 15,030,000 pixels) offers an outstanding depth of field and excellent balance between image quality and sensitivity. It supports multi-formats, such as UHD (3840 x 2160), FHD, HD and SD, and provides images without cropping in all modes. This MOS sensor also boasts high sensitivity of F12 (60Hz) /F13 (50Hz) (in both UHD and FHD in High Sensitivity mode). Built-in 5-Axis Hybrid Image Stabilizer Intelligent AF and Focus Assist Manual Three Rings Cabled/Wireless Remote Control Capability Superb 4K Image With 10Bit Codec Up To 50/59.94P Without Cropping New HEVC CODEC for High-Image-Quality 10Bit Uhd/50 Fps Recording at low Bit Rate The camcorder can record UHD/50 fps videos in high-image-quality 10bit on an SD memory card. It also features a new, high-efficiency HEVC codec (LongGOP, 10bit, 4:2:0, MOV) . 10Bit Variable Frame Rate (VFR) Without Cropping In UHD, variable frame rate (VFR) recording at 1fps to 50fps is possible. In FHD, super-slow can be realized at a maximum of 100fps. Both provide high-quality 10bit, full-frame pictures with no image area cropping even at high frame rates. MOV/AVCHD/P2 MXF* File Formats Supported Freeze Frame (Still Image Capture) Double Memory Card Slots Improve Recording Reliability Enhanced Network Connectivity For Live RTMP/RTSP-Compatible Hd Streaming The AG-CX350 can be used for live coverage of concerts and sports events as well as for live streaming of breaking news. Facebook, YouTube, and other streaming services are supported. Easy IP Connection: Preinstalled Ndi | HX*4 The industry’s first camcorder equipped with NDI | HX mode*4, it allows video transmission and camera control via IP connection, without using an external converter. The camera can be built in to larger systems working alongside Panasonic PTZ camera systems equipped with NDI | HX and the Live Production Center AV-HLC100. Wireless Control from a Tablet or Smartphone Parallel Output of SDI and HDMI TC Synchro Multi-Camera Recording Supported Broadcast-Grade Picture Quality Adjustment Functions 24-bit PCM Supporting High-Resolution Audio Compact, Light Weight, Low Power Consumption, And Ease Of Use Design Low Power Consuming, Large-Capacity Battery, Quick Charge Simultaneous Display on High-Brightness, High-Definition LCD and High-Resolution OLED EVF Compact, lightweight body 1.9 kg In 35mm equivalent. The AG-CX350’s wide 24.5mm angle is the widest in the industry for UHD/FHD (16:9). In the segment of camcorders with integrated lens, the Panasonic AG-UX180 achieved the industry’s widest angle of 24mm in UHD/24p (17:9). For UHD/FHD (16:9), 25.4mm is the widest angle in the industry. (Both as of January 2019, according to a Panasonic survey) When using the digital zoom, picture quality degrades as the magnification rate increases The HLG specification was developed jointly by Japanese broadcaster NHK and the BBC in the UK. It is defined in ARIB STD-B67 and ITU Rec. 2100. NDI: Network Device Interface, a technology of NewTek, Inc.. Industry’s first camcorder to support NDI | HX. As of January 2019 (according to a Panasonic survey). To use this function, an activation keycode from NewTek is required. Keycodes can be purchased from the following website: http://new.tk/ndi_panasonic

Sony HDC-P43 4K/HD POV Camera

Sony HDC-P43 (HDC/P43, HDC_P43, HDC P43) 4K/HD POV Camera The HDC-P43 is a lightweight Point of View (POV) style camera integrates seamlessly with existing HD infrastructure, lenses and accessories, while giving you the option to create the finest 4K and super slow motion productions. Perfect as part of a multi-camera shoot or used as a standalone device, the HDC-P43 can be mounted on a crane or operated as a fixed camera position.} As part of Sony’s flexible, no-compromise 4K/HD live system, the HDC-P43 helps you generate maximum returns on today’s production budgets. Seamless integration with existing workflows The HDC-P43 is the companion model to the HDC-4300 system camera, with the same advanced three 2/3-inch 4K imaging device and B4-mount lens mount. Operation is reassuringly familiar to operators and cameramen, so you’re up and running faster without expensive re-training. The HDC-P43 is also fully compatible with the wide range of existing products currently being used with the HDC 4300, this includes BPU-4500/BPU-4000 Baseband Processor Units, the HDCU-4300/HDCU-2000/HDCU-2500 full rack and half rack Camera Control Units, and the RCP series Remote Control Panels. Choose the level of operation you need The HDC-P43 works with the BPU-4000/4500 baseband processor units or the HDCU-4300 camera control unit via direct connection by single mode fibre cable, allowing you to activate 4K, HFR and HD Cut Out with the same optional software keys as the HDC-4300. These let you add amazing 4K x2 [*1] and HD 8x super slow motion and 4K image capture to standard HD outputs as and when you want them. All the flexibility and control you demand are right there in a single high-performance platform. Note *1: 4K x2 is available only with BPU-4000/BPU-4500. Amazing coour and imagery with next-generation innovation The HDC-P43’s advanced optical system supports the next-generation ITU-R BT.2020 colour gamut, enabling much wider and more precise colour reproduction in live broadcasts. You’ll see the difference with vibrant, true-to-life images that make viewers feel as if they’re actually there. Moreover, thanks to S-Log3 process, the High Dynamic Range operation is available for 4K and HD simultaneous live operation. Direct installation of B4-mount lenses Thanks to the 2/3-inch camera mount, the HDC-P43 works directly with B4 lenses. The B4-mount supports both HD and 4K lenses, allowing you to use B4-mount high power large lenses to capture sports scenes with a deep depth of field. Superb 4K capabilities with wide dynamic range and wide colour space With optional software key SZC-4001, the HDC-P43 has the function of capturing 4K images exactly like the HDC-4300. The HDC-P43 is equipped with the same three 2/3-inch 4K imagers and ultra-precision alignment technology used to mount the chips to an advanced prism. This optical system supports the wide colour gamut of ITU-R BT.2020*, enabling more precise colour reproduction in live broadcasts. * ITU-R BT.2020 is the specification of video format defined by ITU-R. High-frame-rate capture for 4K 2x and HD 8x super slow motion The HDC-P43’s real 4K imagers capture at four times the resolution of HD. In HD shooting, this can be used to achieve extreme high-speed image capture at a maximum of 479.52/400 fps with the optional software upgrade*. The frame rates of 59.94/50, 119.88/100 and 179.82/150 fps are available as standard. In 4K shooting, a maximum of 119.88/100 fps can be achieved. The real-time full digital process is applied to each frame even at high-frame rates in the BPU-4000/4500, producing the same quality in the images as one at the normal speed. Captured images can be recorded to the PWS-4400 or the PWS-4500 4K/HD multi-port AV storage unit for super slow motion replay**. * With optional software, SZC-4002 for BPU4000/4500. ** Some third party manufacturer servers may also be used. HD cut out function for clear images Sony’s innovative software technology enables a full HD image to be cut out from a 4K picture in real-time. Two modes are available: you can select either Zoom & Perspective mode or Simple HD mode. Keeping the camera in a fixed position, any portion of the captured image can be cropped to provide a close-up HD image to viewers as if the camera had been panned. In Zoom & Perspective mode, one portion can be cut out while performing perspective transformation, according to the lens focal length. In Simple HD mode, two portions can be cut out at the same time. With optional software, SZC-2001 for BPU-4000/4500. Smooth and easy migration from HD to 4K* The HDC-P43 is designed to fit into the growing Sony 4K live production environment alongside the HDC-4300 live camera configurations. With an optional software upgrade, the HDC-P43 enables 4K capture for multiple 4K and HD outputs, working directly with the BPU-4000/4500 baseband processor units and the HDCU-4300 camera control unit. With optional software, SZC-4001. Seamless integration into Sony HD workflows The HDC-P43 is part of Sony’s acclaimed and widely adopted HDC Series family of live production solutions and benefits from direct compatibility with the companion HDC-4300 system camera and its wide range of accessories, including viewfinders, large lens adaptors, remote control panels and camera control units. The camera is also designed to work with third-party control systems. Compact and lightweight with low power consumption The HDC-P43 is compact and lightweight, making it ideal for mounting in many applications, such as on a crane, or operated as a fixed camera position. With low power consumption* and a large fan motor, the camera benefits from lower noise levels. * The HDC-P43 is powered by local power supply only. Two remote control optical filters   The HDC-P43 has the same two optical filters as the HDC-4300 – Neutral Density (ND) and Colour Correction (CC) – to provide more flexibility under changing lighting conditions. Both filters are servo driven and are easily controlled remotely via camera command through the BPU-4000/4500 or HDCU-4300.

Sony HDC-P1/A//U Full HD Compact System Camera with HD-SDI Output

Sony HDC-P1/A//U (HDC/P1/A//U, HDC P1/A//U, HDC_P1/A//U) Full HD Compact System Camera with HD-SDI Output Uncompromising, Full-HD performance from compact camera. There is an increasing demand for small "Box" type or "Point-Of -View" cameras with the flexibility to shoot from almost anywhere while still delivering highest quality full-HD pictures for use standalone or in seamless integration with content from full-size cameras. The HDC-P1 delivers unprecedented picture quality thanks to its full use of the technologies from Sony's flagship HDC Series studio cameras. Three 2/3"-inch type Power HAD FX CCDs offer a sensitivity of F11 at 1080/50i or F10 at 1080/59.94i. A wide range of formats are supported, including 720/50P, 59.94P, and 1080 50/59.94P, 23.98PsF, 24PsF, 25PsF, and 29.97PsF capabilities available via optional software upgrades. It is also the first camera of its class to feature dual ND/CC filters, both of which are servo controlled, and its ultra-narrow, 86mm body makes it ideal for applications such as 3D. Other applications include a range of unmanned and point-of-view HD applications, such as stadiums, conference rooms and schools. It can also be used as a "companion" camera in automated broadcast studios. Compromise-free HD Picture Quality - Despite its diminutive dimensions, the HDC-P1 delivers outstanding quality, full-HD images. Three 2/3-inch type full HD "Power HAD FX" CCDs offer a sensitivity of F11 at 1080 50i and a high signal-to-noise ratio of -58 dB. Shoot Anywhere - Compact and lightweight, the HDC-P1 is ideal for capturing HD-quality images in locations and from angles where bulky production HD cameras cannot be installed. Weighing only 1.7 kg (3 lb 12 oz) enables easy installation in space-constrained and awkward areas such as on a crane head or helicopter. The supplied tally unit can be easily detached from the camera body, minimizing the camera size to be fitted in, for example, a pan/tilt head or an underwater housing. Easily integrated with your existing systems - The HDC-P1 camera is fully compatible with Sony's current master set-up units (MSU) and remote control panels (RCP). This flexibility makes it easy to integrate with everything from extensive multi-camera systems or simple point-to-point systems.

Sony HDC-4300//U 4K/HD System Camera (Body Only)

Sony HDC-4300//U (HDC/4300//U, HDC_4300//U, HDC 4300//U) 4K/HD System Camera (Body Only) Flexible, no-compromise production in 4K and HD The HDC-4300 puts you in total control of your content. For the first time, one camera platform is all you need to handle 4K, HD and super slow motion – helping you generate maximum returns on today’s production budgets. Delivering uncompromised image quality, the HDC-4300 integrates seamlessly with HD infrastructures and accessories as well as the world’s most advanced 4K live production workflows. Optional software upgrades let you add amazing HD 8x super slow motion and 4K image capture to standard HD outputs. All the flexibility and control you demand are right there in a single high-performance platform. Seamless integration with existing workflows The HDC-4300 joins Sony’s widely acclaimed HDC Series family of live production solutions. Operation is reassuringly familiar to operators and cameramen, so you’re up and running faster without expensive re-training. The HDC-4300 is fully compatible with a wide range of existing products and workflows, including viewfinders, large lens adaptors and camera control units. There’s no need for investment in additional accessories, keeping costs and inventory down. Amazing colour and imagery with next-generation innovation Featured in the HDC-4300, cutting-edge Sony technological innovation and unparalleled hands-on live production experience are crystallised in the design of the world’s first three 2/3-inch 4K imaging device. This advanced optical system supports the next-generation ITU-R BT.2020 colour gamut, enabling more precise colour reproduction in live broadcasts. You’ll see the difference with vibrant, true-to-life images that make viewers feel as if they’re actually there.  

Sony HDC-2570F Multi-format HD Camera - Digital Triax version of HDC-2400DF//U-Fisher connector

Sony HDC-2570F (HDC_2570F, HDC/2570F, HDC 2570F) (HDC_2400DF//U, HDC/2400DF//U) Multi-format HD Camera - Digital Triax version of HDC-2400DF//U-Fisher connector  The HDC-2570 incorporates Sony’s most advanced technologies for studio cameras. Three 2/3-inch CCD and Digital Signal Processing (DSP) with 16 bit A/D converter provides amazing picture quality with very few noise and high dynamic range. The HDC-2570 is a full feature part of the HDC-2500 Series and as such has compatibility with all the accessory items, such as viewfinders, large lens adaptors and remote control units.

Canon XF705 Camcorder

Canon 3041C007AA  (XF/705 , XF-705 , XF 705) XF705 Camcorder Canon UK has launched the newest addition to its XF range of camcorders – the XF705. Equipped with the next-generation XF-HEVC format, XF705 offers 4K UHD 50P 4:2:2 10-bit recording to SD cards, with impressive image quality and superior levels of detail. Combined with a 1.0 type CMOS sensor and DIGIC DV6 processing, the XF705 delivers vastly improved noise performance, sensitivity and cinematic depth of field. With a host of enhanced HDR capabilities, including an advanced 12G-SDI interface and IP streaming, the XF705 is poised to revolutionise UHD HDR production workflows for the better. Versatile file formats to transform workflows: Underpinned by High Efficiency Video Codec (HEVC) video compression, and leveraging the industry standard Material eXchange Format (MXF) as the container, Canon has developed the XF-HEVC file format. HEVC offers a newer encoding technology that is about twice as efficient as mainstream H.264/AVC. By using XF-HEVC the XF705 streamlines the handling of 4K UHD data, offering the ability to record high-quality 4K UHD 50P 4:2:2 10-bit files directly to widely available SD cards. The XF705 is capable of recording HDR files internally using both the Hybrid Log Gamma (HLG) and Perceptual Quantisation (PQ) HDR formats. The camcorder also features extensive HDR assist functions to support the user when controlling exposure. The XF705 can also output a SDR signal at the same time as recording a HDR file internally to a SD card, enabling simultaneous HDR/SDR production. Equipped with an advanced 12G-SDI interface, which sends a high-quality and uncompressed UHD 50P signal over a single SDI cable, the XF705 also has the ability to stream 4K UHD HDR using the HEVC format via the network. Ideal for broadcast and video production applications, the XF705 meets the requirements of any user who needs to capture 4K UHD HDR video with a streamlined production workflow. Shoot with confidence: To make critical focus easier with the larger 1.0-type CMOS sensor, the XF705 also has Canon’s unique Dual Pixel CMOS AF. This provides accurate and fast autofocus with touch focus control, Face Detection AF and object tracking. The Dual Pixel Focus Guide also provides a graphical guide to support accurate focusing when manually adjusting the focus. Image capture starts with excellent optical systems and the XF705 offers incredible versatility combined with ease of use. It offers a 4K L-series quality lens which has a 15x optical zoom range, a maximum aperture of f/2.8, a wide angle of 25.5mm and effective IS to ensure maximum control for stable 4K UHD footage. This is combined with three independent control rings with end stops to ensure that the camcorder has the level of manual control that professionals expect.    

Canon ME200S-SH Compact Professional Camera

Canon 1505C002AA (1505/C002AA, 150-5C002AA, 150/5C00/2AA, 1505-C00-2AA) (ME2/00S-SH, ME2-00S-SH, ME 200S-SH, ME2/00S-SH) ME200S-SH Compact Professional Camera The ME200S-SH Multi-Purpose camera delivers the high quality video and versatility needed for a wide range of professional video production applications. The camera's modular design allows you to connect only the components you need, depending on how you want to use the camera- making it easy to incorporate into a variety of camera systems. An HDMI terminal allows for connection to compatible third party external displays, and 3G/HD-SDI terminals allow for connection to compatible third party external displays and recording devices. The camera is compact (4.42" W x 4.57" H x 4.49" D) and lightweight (2.43 lbs), helping to broaden the range of applications. Featuring the same Super 35mm CMOS sensor used in our Cinema EOS cameras, the ME200S-SH camera delivers an outstanding balance of image quality and sensitivity. Capable of 204,000 ISO, the camera performs extremely well in low-light conditions. The camera's Dual Pixel CMOS AF (Auto-Focus) technology works to maintain focus of moving subjects, and it's rugged construction make it able to withstand use in harsh environments. In addition, the camera can be controlled using Canon's optional RC-V100 remote control, further expanding the potential uses of the camera.  Offering high quality video and flexible expandability, the affordable ME200S-SH Multi-Purpose camera can be ideal for television, nature and wildlife, documentary production, security and law enforcement. Canon Super 35mm CMOS Sensor The ME200S-SH Multi-Purpose Camera is equipped with the advanced 16:9 Super 35mm Canon CMOS Image Sensor, the same sensor used in our Cinema EOS cameras. The large 8.29 megapixel sensor is sensitive in low light, helping to minimize noise, capturing independent Red, Green, and Blue channels for Full HD 1920x1080 video. This large sensor format allows for depth of field control and has dynamic range characteristics reminiscent of film, for truly arresting images. Dual Pixel CMOS AF (Auto-Focus) The ME200S-SH camera's Dual Pixel CMOS AF technology helps provide smooth and consistent autofocus, so that focus transitions are natural looking and subjects can remain focused even as they move- particularly helpful in remote or gimbal shooting situations. Even in unpredictable shooting conditions, the camera can maintain focus within the center portion of the frame, and is compatible with select Canon EF autofocus lenses. The camera's Dual Pixel CMOS AF technology features a Super 35mm CMOS sensor that consists of an array of pixels that each feature two separate photodiodes. By continuously comparing their outputs during AF mode, phase-difference autofocus helps ensure non-blurred images and smooth focus transitions even when the talent and/or camera are moving. This feature places a high priority on maintaining sharp focus while, providing a natural, smooth autofocus movement. Outstanding Low Light Performance The ME200S-SH Multi-Purpose Camera allows users to capture subjects even under some of the most challenging low light conditions, helping to deliver an optimum balance between image quality and sensitivity, making it ideal for a wide range of night time and low light applications. The combined performance of the camera's Canon Super 35mm CMOS sensor and DIGIC DV 4 Image Processor achieve a very high signal-to-noise ratio that enables recordings with great detail and dynamic range even in minimal light. This advanced performance yields a maximum ISO speed of 204,000 and a wide dynamic range with up to 12 stops. The high-dynamic-range shooting ability of the ME200S-SH camera helps diminish the loss of dark detail at a low luminous intensity, which tends to arise when shooting under low luminous intensity conditions, and overexposure of the high-brightness areas. The camera's wide dynamic range of 600% helps to suppress brightness while maintaining seamless gradations. In addition, Canon Log Gamma helps to preserve shadow and highlight detail, for maximum editing and grading in post-production. Contrast and sharpness are subdued with characteristics similar to negative film. Canon Log Gamma emphasizes rich gradients from mid-range to highlights and realizes 12-stops of Dynamic Range (DR). At ISO 850 and above, Canon Log Gamma enables 5.3 stops of latitude above optimal exposure (and 6.7 stops below), broadening the available dynamic range in color grading. Professional Connectivity and Remote Control Compatibility The ME200S-SH camera features industry standard connection terminals allowing the camera to be used in a wide range of applications from recorded content to live broadcast. By employing 3G/HD-SDI and HDMI output terminals, Canon's ME200S-SH camera can output audio/video to peripheral equipment including external recorders and monitors. The camera is also equipped with Genlock input for camera switching in a multi-camera, live broadcast environment, and a 3.5mm stereo mini-jack that allows the camera to connect with an external microphone. Power can be provided through standard 12 volt, 4-pin XLR, as well as 2-pin connector for use in more permanent installations. The optional Canon RC-V100 Multi-Function Remote controller can be used to remotely control camera operation using the supplied 2.5mm stereo mini-jack or 8-pin jack for RS-422. Image quality and other settings can be adjusted when shooting from a crane, jib arm, or mounted remotely in some other inaccessible location. Full HD Video up to 60fps Depending on the end user’s needs, the ME200S-SH Multi-Purpose Camera can produce video in full HD imaging at a full frame rate of up to 60 fps, with selectable frame rates of 59.94P / 59.94i / 50.00P / 50.00i / 29.97P / 25.00P / 23.98P. This frame rate can provide captured video with a very "smooth" look that can be useful for sports and news applications. Compact, Rugged Box-Style Design The ME200S-SH Multi-Purpose camera's compact, lightweight yet rugged box-style design allows the camera to be easily configured in an extensive range of environments, for a variety of applications. Measuring only 4.42" W x 4.57" H x 4.49" D, the small size of the ME200S-SH camera helps provide flexibility to shoot from more camera angles than larger cameras, making a wider range of shots possible, while still delivering the high resolution content you would expect to get from a professional cinema camera. The camera's small and light weight body (2.43 lbs.) combined with its short depth dimension also makes it possible to connect the camera to select drones. The box-shaped styling also makes it easy to secure the camera to a comprehensive collection of accessories including a pan-tilt head, as well as other various system products. The overall versatility of the ME200S-SH helps make it suitable for use in television, nature and wildlife, documentary production, security and law enforcement. In addition, the camera can be controlled using Canon's RC-V100 remote control, further expanding the uses of the camera. Compatible with Select EF-mount Lenses The ME200S-SH camera is compatible with select Canon EF mount lenses*. Equipped with a Canon locking EF mount, the camera allows lenses to be attached or removed without the need to rotate the lens barrel. This facilitates changing lenses in applications where multiple accessories are attached to the camera. The front of the camera also features a 12-pin lens terminal, which is the interface used for broadcasting. This terminal can supply power to the drive unit of Canon's CINE-SERVO and COMPACT-SERVO lenses, and allow for remote operation of their zoom, focus and iris when used with Canon's optional RC-V100 remote control. Canon's 2/3" broadcast lenses can also be connected with a third party adapter, but remote operation is not guaranteed.

Canon EOS 5D Mark IV Body

Canon 1483C026 (148/3C026, 148-3C026, 148 3C026, 1483C/026) (EOS-5D, EOS/5D, EOS5D,eos-5d) EOS 5D Mark IV Body  Enjoy superb image quality, whatever you are photographing. From street reportage to location portraiture and landscapes in the evening light, the EOS 5D Mark IV captures incredible detail, even in extreme contrast. 4K video delivers new levels of performance. Continuous 7fps shooting helps when chasing the perfect moment, while GPS keeps a record of your movements. Wi-Fi and NFC make wireless control and image sharing quick and easy. Don’t forget, we also sell the EOS 5D Mark IV with the pre-installed Canon Log. Canon Log improves your videos with extra-wide dynamic range and lower levels of noise so your footage retains detail in difficult light and high-contrast situations. It’s also designed for easier colour grading, allowing you to alter your footage in post-production for that stunning, polished look you’ve been striving for.

JVC GY-HM660 Professional Camcorder

JVC GY-HM660 (GY HM660, GYHM660, GY/HM660, GY-HM6-60) Professional Camcorder Newly developed 1/3-inch 3CMOS Sensor (1920 x 1080) boasts Sensitivity of F12/F13 (60/50Hz At the heart of the GY-HM660 are three, newly developed 1/3-inch CMOS sensors with 2.5M pixels, each capable of capturing full HD 1920 x 1080 resolution images. Featuring 12-bit processing, an excellent sensitivity of F12 (60Hz) /F13 (50Hz) at 2000 lux, and a remarkable signal-to-noise ratio, the devices provide superior precision and color reproduction with minimal aberration. For improved CMOS sensor performance, flash-band compensation is also supported. Revolutionary FALCONBRID™ Image Processing Engine FALCONBRID™ is JVC’s high-speed processor for advanced video applications. Delivering tremendous processing power on a single chip, the on-board engine is capable of processing large amounts of video data at exceptional speeds. The combination of FALCONBRID™ engine, 2D DNR processing & compensation circuitry, and wide dynamic range achieve superior image quality. The GY-HM660 is equipped with two FALCONBRID™ engines, which enable parallel processing like recording at two formats (HD + SD and HD + Web) or Live Streaming while Recording. Upgraded High-resolution 920K Pixels 3.5-inch LCD Display with Focus Assist and various GUI The high-resolution 920K pixels 3.5-inch LCD monitor provides a wide aspect ratio of 16:9 with a wide array of monitoring and setup indications. Since the LCD is top-mounted, not only is it ideal for shooting at various angles but also provides ample distance from the cameraman’s eyes to the LCD to achieve better visibility in handheld camera applications. It also features a Focus Assist function that highlights the edges of objects shown in the viewfinder in color (red, green or blue) to help the cameraman stay focused on the action. Various Codecs and File Formats including the Original H.264 XHQ (50Mbps) mode FALCONBRID™ engine is capable of supporting major file formats such as .MXF with rich metadata optimized for asset management, .MOV with Apple Final Cut Pro, .MP4 of XDCAM EX™ cameras, and .MTS for AVCHD compatibility, as well as high-definition images in MPEG-2 35Mbps (HQ) and AVCHD 28Mbs (Progressive) format. Furthermore, the processor also supports H.264 video format in 50Mbs extreme high quality (XHQ) mode for virtually no block noise and to capture high-speed moving subjects all the way to Web LP (480 x 270) mode (Web ) suitable for internet applications. Using the camera’s Dual recording capability, different combinations of HD+SD and HD+Web are also supported. Dual SDHC/SDXC Card Slots for Maximum Versatility Dual SDHC/SDXC card slots make the GY-HM660 a truly versatile camcorder, offering such benefits as series recording, dual recording, and backup recording modes with reliable and cost-effective media. Series (relay) recording mode Shoot continuously and seamlessly over multiple cards. When one card is full, the camcorder switches seamlessly and automatically to the other card. And because cards are hot swappable, there is in effect no limit to the continuous shooting time in any mode, even with lower capacity cards. It is possible to start editing footage from one card while still shooting to the other. Dual (simultaneous) recording mode (HD/HD, HD/SD or HD/Web) Easily create duplicate backup files as you shoot—either to divide editing tasks or simply for peace of mind. With the new dual codec, it is now possible to record full HD files on one memory card while simultaneously creating smaller SD or proxy files on the other, providing the flexibility for a range of workflow possibilities. Backup recording mode While the Rec trigger is used to REC and STOP recording on one card, the other card can act as a continuous backup that overrides the pause function.* This is a unique mode highly demanded by theatrical and bridal camera crew. During simultaneous backup recording in HD mode, the duplicate file records in the same file format and bit rate as the original. 23x Fujinon Auto Focus Zoom Lens with Manual Functions The GY-HM660 is equipped with the Fujinon wide angle 23x optical zoom lens to offer sufficient magnification for shooting. Delivering superior low-light performance and ensuring brightness at the tele end, the lens offers F1.6-3.0, a focal range of 29mm-667mm (35mm equivalent) and includes servo zoom, manual focus, and iris rings, along with a four-position (clear, 1/4, 1/16 and 1/64) ND filter. Other features include an optical image stabilizer and chromatic aberration correction. Cutting-edge Connectivity including SDI (HD/SD) Out Equipped with leading edge connections, the GY-HM660 offers versatility while meeting the needs of professional applications. For easy monitoring of footage, you can monitor from the digital SDI and HDMI outputs simultaneously, easily switching between output in HD or SD. IP Network & Live Streaming Live Streaming up to 12Mbps of High Bit Rate Streaming If your task involves mission-critical ENG applications, turn to the GY-HM660 as it is capable of streaming LIVE HD/SD and proxy video/audio files via network up to 12Mbps. Coupled with the superior mobility of the camera, this wireless capability allows you to stream backhaul live to the newsroom or to a reliable cloud service such as Zixi, as well as content delivery networks such as USTREAM and YouTube using Wi-Fi or 4G-LTE network. All you need to do is press a button and you’re streaming HD to the world. IP Connection Realized with a Variety of USB Host Adapters Full HD video footage recorded on the GY-HM660 can stream backhaul live to the target location using an adapter such as 4G LTE/3G modem, Wi-Fi LAN, or Ethernet, whichever is more stable and cost-effective. Such use of an adapter enables uploading video clips to and receiving Metadata (in XML) from the FTP server, remote controlling web server content, viewing and editing Metadata, and most of all for live streaming footage from anywhere in the world immediately after it is recorded. Advanced IP Functions for FTP Uploading Video clips recorded on an SDHC/SDXC card can be transferred from the GY-HM660 via FTP server. Clips can be trimmed right on the camera, which is useful for selecting only vital scenes before uploading to an FTP server. What’s more, if an upload is interrupted by a weak connection, the FTP Resume function is smart enough to restart from where it left off. This will help to save time for uploading. Supports SMPTE 2022-1 Protocol for HQ Streaming Stable, high-quality live streaming over IP is made possible thanks to support for the new SMPTE 2022 protocol. Since its introduction in 2007, the SMPTE 2022 standard has added sections to cover more types of IP video transport. Of the standard, the GY-HM660 supports the first protocol, which is  forward error correction (FEC) for real-time video/audio transport over IP networks. Advanced Live Streaming with Built-in Zixi Engine For advanced live streaming solutions, JVC has tagged with Zixi. The GY-HM660 features the Zixi engine, installed directly into the camera to provide high-quality delivery over 4G LTE or standard Internet connection. The powerful Zixi engine applies forward error correction (FEC) and adaptive bit rate control with the new “high reliable mode” to correct packet loss by over 40%*, delivering a robust, reliable HD stream. In the camera’s FTP setting, the new Zixi protocol has been added for transferring clips while recording from the camera via Zixi server. *Quality of Live streaming depends on network conditions including packet loss. IP Remote Control with Viewing When the camera is IP connected to a server console, vital camera operations can be remotely controlled via wireless or wired LAN from smart devices and computers. Remote control functions include lens and camera settings as well as registering zoom presets. Best of all, recording and live streaming may also be triggered remotely—invaluable for minor adjustments when a single reporter is operating the camera or shooting with a 2-camera setup. IFB Return Audio via IP* With Interruptible FeedBack (IFB) return audio function**, the camera crew can listen to audio from remote locations via IP even while live streaming. The same audio can be heard from multiple GY-HM660 cameras simultaneously.  

Sony PXW-X320 HD Shoulder Mount XDCAM Camcorder with a Three 1/2-inch type Exmor CMOS Sensor and 16x Zoom HD Lens

Sony PXW-X320//U (PX-WX-320//U , PXWX320//U, PXW/X320//U, pxw-x320//u) HD Shoulder Mount XDCAM Camcorder with a Three 1/2-inch type Exmor CMOS Sensor and 16x Zoom HD Lens The PXW-X320 is a high-performance SxS memory camcorder which inherits field-proven operability from the reputable PMW-320. The PXW-X320 has become a part of the XDCAM HD422 family, comes equipped with cutting-edge imaging technology – three 1/2-inch-type Full-HD Exmor CMOS sensors with an extremely high S/N ratio – with Flash Band Reducer feature to provide outstanding picture quality.  The PXW-X320 supports XAVC offering high quality content creation in the HD domain. In addition to XAVC, MPEG HD422, MPEG HD, MPEG IMX, and DVCAM are supported. Two HD/SD-SDI, HDMI, i.LINK™, and composite outputs provide a wide range of AV and IT interfaces. The PXW-X320 also supports wireless operation using an optional adapter, the CBK-WA101. This enables easy and quick clip data transmission to broadcast stations, saving the time and transportation cost of shot clip delivery.  With various functions inherited from Sony’s world-acclaimed XDCAM camcorders and yet highly cost effective with lens included, the PXW-X320 is an ideal choice for many different camera professionals, from those engaged in news gathering, when speed is the key concern, to those who produce TV programs and documentaries, when quality is crucial. High picture quality recording on SxS memory cards Offer high resolution, high sensitivity (F11 at 59.94 Hz / F12 at 50 Hz), low noise (60 dB), and a wide dynamic range. Selectable format and bit rates Includes Full HD (1920 x 1080) 59.94i/50i/29.97p/25p/23.98p and HD (1280 x 720) 59.94p/50p, as well as XAVC Intra at 100 Mbps, XAVC Long at up to 50 Mbps, MPEG HD422 at 50 Mbps, MPEG HD at up to 35 Mbps, MPEG IMX at 50 Mbps and DVCAM at 25 Mbps. Variety of interfaces Interfaces include 2 x SD / HD-SDI, HDMI, USB and i.Link. Wireless adaptor increases operational flexibility Supports wireless operation using an optional wireless adapter, the CBK-WA101, for live streaming via an IP network. 1/2-inch 16x HD zoom lens  Supplied with a 16x high definition auto-focus optical zoom lens.

Sony PXW-Z450 4K 2/3-type CMOS sensor advanced shoulder Camcorder

Sony PXW-Z450 (PXWZ450, PXW/Z450, PX-WZ-450, PXW Z450) 4K 2/3-type CMOS sensor advanced shoulder Camcorder The PXW-Z450 4K UHD Shoulder Camcorder from Sony features a single Exmor R CMOS sensor with 3840 x 2160 resolution. The PXW-Z450 camcorder supports the Sony XAVC codec up to 4K UHD, 1080/59.94p and 50p recording, in addition to MPEG and DVCAM formats. In combination with the optional PWS-100RX1 Network RX Station, this camcorder enables simple yet high-quality wireless ENG workflow, providing QoS (Quality of Service)-based live streaming that will save considerable time. The PXW-Z450 Camcorder provides a variety of AV and IT interfaces including four 3G-SDI outputs, as well as RJ-45, and USB 3.0 connection ports. Its built-in wireless function and an HD/SD-SDI input that supports a pool-feed function make it even more convenient for use. This powerful, user-oriented XDCAM Series camcorder meets a broad variety of ENG and studio applications. Image Sensor The camcorder features a single 4K UHD (3840 x 2160) EXMOR R CMOS sensor. The R designation indicates it is a backlit sensor, which means that the circuitry that normally is in the front of the sensor and can limit the light reaching the sensor's photosites, has been moved to the back of the sensor. this has the effect of increasing the sensor's low light performance. Multiple Format Recording The PXW-Z450 Camcorder offers a wide array of recording formats for a variety of applications including ENG, EFP, and studio use. Developed on MPEG-4 AVC/H.264 compression, the XAVC codec provides support for the 4K UHD and Full HD format of XAVC long 4:2:2 1080/59.94p and 50p formats. The camcorder also supports SD video in a variety of resolutions using DVCAM compression. Built-in Wireless Module and ONLINE Button To support effective wireless news production workflows, the PXW-Z450 Camcorder incorporates a built-in wireless capability. It also provides an 'ONLINE' button, located on the inside panel, which lets you instantly switch on functions like Network Client Mode, Auto Proxy Upload, and Live Streaming. Embedded RJ-45 Connector This Ethernet connector provides robust and fast connection to the network and can be utilized for file transfer, live streaming, and camera control from a web browser NFC (Near Field Communication) for Easy Wireless LAN Connection An NFC function supports easy connection for launching the CBM (Content Browser Mobile) application on a smartphone or tablet. This means you can skip cumbersome setup procedures. Optimized Weight Balance Building upon its years of camera design, Sony has shifted the camcorder's center of gravity towards the back of the body to optimize the camcorder's weight balance. Low Power Consumption This camcorder achieves power consumption as low as 24W in normal recording mode. This enables continuous recording operation for approximately 160 minutes with Sony's BP-FLX75 (sold separately) standard-type battery. Supports Full HD OLED Viewfinder Equipped with two types of connectors for a viewfinder interface, the PXW-Z450 Camcorder supports a variety of Sony's viewfinders, including the Full HD OLED HDVF-EL30 and HDVF-EL20, as well as the QHD LCD CBK-VF02. The HDVF-EL30 has a 960 x 540 resolution sub-LCD panel. ONLINE Button for Easy Network Connection The PXW-Z450 Camcorder is equipped with a dedicated ONLINE button. This delivers simple one-touch operation of ON/OFF switching for three network connection functions. Content Browser Mobile (CBM) CBM application software controls the camcorder remotely and is available on both Android and iOS. Network Client Mode You can connect Sony's PWS-100RX1 Network RX Station (sold separately) to send proxy clips or live streaming with Sony's QoS technology. The PXW-Z450 Camcorder can also be controlled remotely by the RX station. Auto Upload (Proxy) Clip files recorded on the camcorder can be transmitted via a network automatically when the recording is finished. XAVC 4:2:0 Long GOP clips are supported. Live Streaming This camcorder can transfer MPEG2-TS (UDP/RTP) to a third-party decoder Three-color LED Indicator The ONLINE button indicates the status (Disabled, Ready, Enabled) in three ways (off, orange, blue). Sony's QoS Technology Sony's unique QoS (Quality of Service) technology minimizes risk of image quality degradation, image freeze, or audio disruption, and helps maintain video and audio integrity during communications. The PWS-100RX1 Network RX Station comes with Sony-original algorithms that automatically adjust bandwidths and buffer sizes to match the characteristics of wireless communications. Sony Advanced Streaming with QoS The Sony QoS Technology improves the clarity that's possible on a single 3G/4G/LTE cellular channel or your own wireless LAN network, or limited communication band of Ethernet. You get better pictures, even given the limitations of real-world networks. The endpoint of Sony's QoS streaming is the versatile PWS-100RX1 Receiver Station. 1 Conventional MPEG2-TS Streaming For maximum flexibility, Sony's XDCAM wireless solutions also support conventional MPEG-TS streaming, so that you can stream to a wide range of receivers, including compatible third-party receivers and decoders. Sony wireless solutions will stream over a wireless LAN network, or over a 3G/4G/LTE cellular network with the appropriate carrier dongle and service. You can also enjoy wired streaming over Ethernet, using the embedded RJ-45 connector, via a router/hub. Flexible file transfer During field shooting news or other time-sensitive content, you can transfer files wirelessly. So, there's no need to wait for the delivery of physical media. The receiving server gets a bit-for-bit clone of the original camera file, with all the original audio, video, and metadata. Simultaneous Recording on Two SxS Cards The PXW-Z450 Camcorder offers a simultaneous recording capability for peace-of-mind productions. Simultaneous recording is available on both SxS card slots as a backup measure. This is within the same codec and with the same operating point in the recording formats such as XAVC-Intra, XAVC-Long, MPEG HD422, or MPEG HD (420). You can also achieve simultaneous recording with a proxy file in all combinations with the above formats recording the proxy to an SD card. GPS Functionality On activation, the built-in GPS receiver module records GPS data in an MXF file and a proxy file, and automatically imposes it on the live streaming signal. It is also useful for tracking shooting locations in post-production and when station-based staffs need to map a crew's location with the PWS-100RX1 Receiver for streaming. Flexible Camera System Operation The CA-FB70 Optical Fiber Camera Adapter or the CA-TX70 Digital Triax Camera Adapter (both sold separately) can be attached to the PXW-Z450 Camcorder for live camera operation. The CA-FB70 Adapter enables the camcorder to transmit signals via an optical fiber cable up to 820' between the CA-FB70 and HXCU-FB70 Optical Fiber Camera Control Unit (CCU) with power and signal transmission. The CA-TX70 Adapter transmits signals via triax cable up to 1968' between the CATX70 and HXCU-TX70 Digital Triax Camera Control Unit. RGB Color LCD Display The PXW-Z450 Camcorder is equipped with an RGB color LCD display on the inside panel. In addition to thumbnail and menu displays, you can see and monitor video reproduction in QHD (960 x 540 pixels) resolution. Other Features Newly developed ALAC (Automatic Lens Aberration Compensation) feature decreases specific patterns of chromatic aberration caused by the lens. The camcorder supports user gamma and Focus Assist function for easier focusing on the viewfinder and provides a graphic bar indicator, while the viewfinder can indicate Waveform, Vector Scope, or Histogram. The Digital Extender function enables images to be digitally expanded two to four times in size without any loss of F-drop image sensitivity.

Sony PDW-850 XDCAM HD422 Ultimate Professional Disc Camcorder

Sony PDW-850 (PDW850, PDW/850, PD-W8-50, pwd-850) XDCAM HD422 Ultimate Professional Disc Camcorder Successor to both the PDW-700 and PDW-F800, the PDW-850 combines the best of both these models into one model featuring lighter mass and lower power consumption. The latest triple PowerHAD FX CCD sensors have been included and the camera will record in both HD and SD formats including  MPEG HD 422 50 Mbps onto ready-to-archive and robust Professional Disc media. Sensitivity is high at F12 at 50i and there is an excellent signal-to-noise ratio of 62dB. The PDW-850 features a high quality colour QHD 960 x 540 LCD side monitor, while also providing an HDVF interface to allow the latest optional colour and monochrome viewfinders to be attached. The ergonomically well balanced camcorder now fully supports the CBK-WA100 wireless adapter, enabling proxy recording and proxy/high resolution content transfer via Wi-Fi/3G/4G/LTE, as well as Planning Metadata management (with a future upgrade). Ethernet, USB interfaces and GPS are included. The camcorder weighs only 4.2 kg (body only), lighter than the PDW-700, and has lower power consumption compared to its predecessors. The PDW-850 can also be configured in a live production system by docking the CA-FB70 fibre adapter or CA-TX70 digital triax adapter CA-TX70 to the standard 50-pin interface. Superb Image Quality The CCDs offer the world’s top-end picture quality, with high sensitivity (F12 at 50i), wider dynamic range and the elimination of motion artefacts. On top of this, the PDW-850 offers an excellent signal-to-noise ratio of 62dB. It records the most popular broadcast MXF formats: MPEG HD 422 50 Mbps, MPEG HD 420 35 Mbps and 25 Mbps, MPEG IMX 50 Mbps and DVCAM. Lighter and more Ergonomic Weighs only 4.2 kg (body only) and offers lower power consumption than predecessor models PDW-680, PDW-700 and PDW-F800 of only 37W in normal operating conditions. Full Live Production Integration in HSC/HDC Camera Environment Full integration with Camera Control Units (CCUs) via the CA-FB70 optical fibre adapter and CA-TX70 digital triax adapter The PDW-850 shares the same CCD and Digital Signal Processing as the HSC and HDC system cameras, allowing you to perfectly match the picture output. Ideal for Field Acquisition Features CBK-WA100 wireless adapter support with USB connector and GPS included for synchronised proxy recording, low latency tablet/smartphone monitoring and proxy/high resolution content transfer over Wi-Fi/3G/4G/LTE, and better planning metadata management. High Quality LCD Side Monitor and Optional HDVF Viewfinder Interface Large, easy-to-focus, high quality colour Quarter Full HD 960 x 540 LCD monitor, plus an HDVF interface to allow the latest optional colour and monochrome eyepiece or studio viewfinders to be attached.  

JVC Full HD Shoulder-Mount ENG Camcorder Body Only

JVC GY-HM850E (GYHM850E, GY HM850E, GY/HM850E, gy-hm850e) Full HD Shoulder-Mount ENG Camcorder The GY-HM850 is a very nicely-weighted shoulder-mount form factor camera. This GY-HM850CHE version comes with new interchangeable Canon KT14 wide angle lens, with a focal length of 4.4 x 62mm. The GY-HM850 provides outstanding full HD image capture and delivery, while the built-in streaming engine, FTP and GSM connectivity allows live HD transmission directly from the camera without requiring additional encoding hardware. The camera features three, 1/3-inch 2.07 effective megapixel CMOS sensors, capturing full 1920x1080 images. The imagers provide 12-bit processing, F12 sensitivity (50Hz) and excellent signal-to-noise ratio to produce superior colour reproduction. Continuing JVC’s commitment to native file workflows, the GY-HM850 records HD or SD footage as Final Cut Pro (.MOV), XDCAM EX (.MP4), AS-10 (.MXF), AVCHD (.MTS), or H.264 (.MOV) files for compatibility with most major NLE systems. Footage can be recorded using MPEG-2 or H.264 compression at a variety of bit rates, frame rates, and resolutions. Dual codecs offer simultaneous recording of a full HD file on one memory card and smaller, web friendly H.264 files on the other. Plus, a new H.264 Extreme High Quality (XHQ) recording mode, commonly used in HD SLRs, offers virtually lossless H.264 50 Mbps recording. Dual SDHC/SDXC card slots allow simultaneous recording (for instant client copy/backup) or relay recording (for continuous shooting) to low cost, non-proprietary media. During simultaneous recording, one card can act as a continuous backup that overrides the pause function triggered by the operator. Relay recording allows virtually unlimited recording capability in the field. The 800 Series cameras significantly expand on the live HD streaming and file transfer capabilities introduced in the popular GY-HM650 mobile news camera. JVC’s exclusive dual codec design allows the new cameras to transmit live HD footage or transfer files in the background while users continue to record footage in their normal workflow. When paired with a GSM modem or Wi-Fi adapter, which is connected directly to the camera via USB, the camera transmits footage to a facility in real time. JVC provides different stream protocols to maximize the streaming results: UDP, TCP, RTP/RTSP, ZIXI. The Advanced Streaming Technology (AST) feature provides content-aware error correction, bandwidth shaping, and real-time feedback of streaming status. The camera provides secure FTP file transfer on location, as well as live monitoring and extensive camera and lens control via Wi-Fi from a smartphone (iPhone, Android), tablet (iPad, Android), PC or Mac. For broadcasters who use metadata, a built-in GPS allows location information to be recorded. Plus, metadata can be edited on a smartphone or tablet and transferred to the camera via Wi-Fi. The GY-HM850 is also compatible with Advanced Streaming Services, powered by Zixi, for reliable live content delivery. The GY-HM850 includes genlock and time code terminals for multi-camera setups, HD/SD-SDI out, HDMI out, 3.5mm stereo headphone jack, and a four-channel audio system with stereo AUX inputs and two XLR mic/line inputs with phantom power. Other features include 12 assignable user buttons, 10-second Pre Rec (retro cache), focus assist, interval recording for time lapse footage and variable frame rate recording for over/under crank effects. High Performance Full HD 1/3-inch CMOS Sensors At the heart of the GY-HM850 are three 1/3-inch 2.07 effective-megapixel CMOS sensors, each capable of capturing full HD 1920 x 1080 resolution images. Featuring 12 bit read-out, an excellent sensitivity of F12 (50Hz) and a remarkable signal-to-noise ratio, the devices provide superior precision and color reproduction with minimal aberration. For improved CMOS sensor performance, flash-band compensation is also supported. Newly-developed 20x Fujinon Auto Focus Zoom Lens with Manual Functions The GY-HM850 is equipped with a newly-developed Fujinon wide-angle 20x zoom lens offering one of the highest magnifications in the industry. For superior low-light performance and assured brightness at the tele end, the lens offers F1.6-3.0, a focal range of 29mm-580mm (35mm equivalent) and includes servo zoom, along with manual focus and iris rings. Optical image stabilizer and chromatic aberration correction are also built into this interchangeable 1/3-inch bayonet mount lens. The built-in Optical Image Stabilizer (OIS) helps to correct lateral and vertical movement of the camera, ensuring that pristine HD images remain sharp and stable. For users who prefer a manual lens, JVC offers a wide range of Fujinon and Canon lenses compatible with this camera. Outstanding sensitivity, LoLux™ function The GY-HM850 produces outstanding images under a wide range of lighting conditions. Minimum illumination is less than 1 lux: 0.15lx (typical)*. JVC's exclusive LoLux feature permits shooting in adverse lighting conditions. LoLux can be assigned to a USER button, and set in the menu to offer +30dB or +36dB of gain. A convenient gain switch provides default gain values of -6dB, 0dB, +9dB. These switch positions can be adjusted to various gain amounts from -6dB to +24dB. An ALC mode is also available to boost gain values from +6dB to +24dB. Standard sensitivity of the GY-HM850 is measured at F12@2,000 lux. (1920 x 1080 mode, F1.6, Lolux mode, 1/30 or 1/25 shutter Revolutionary FALCONBRID™ Dual Codec Image Processing Engine FALCONBRID™ is JVC's high-speed processor for advanced video applications. Delivering tremendous processing power on a single chip, the on-board FALCONBRID™ engine processes large amounts of video data at exceptional speeds. Together with this technology, superior image quality has been realised with 2D DNR processing and compensation circuitry for wide dynamic range. The GY-HM850 utilises dual codec FALCONBRID™ processors that make it possible to record full HD to a memory card, and stream live video to the web simultaneously. The camera is also capable of recording to two memory cards in two resolutions, one in full HD and one in SD, or to a smaller web-friendly file. Depending on connection speed, the smaller files can often be transferred faster than real time for delivery to websites or file-sharing services. MPEG-2 and AVCHD Recording The GY-HM850 supports both the popular MPEG-2 Long GOP 35/25/19Mbps format, widely used by television broadcasters, and the highly efficient AVCHD format, which provides compatibility with most affordable editing systems. This means that professionals have unprecedented flexibility to meet production standards through a wide range of workflows. With the revolutionary dual codec, the GY-HM850 also supports simultaneous HD/SD or HD/proxy recording. Also supported is the MPEG-4/AVC H.264 1.2 Mbps SD format. Ultra and Extreme High Quality Recording Modes The GY-HM850 is also equipped with the H.264 Extreme High Quality (XHQ) 50Mbps mode for virtually lossless compression, even when recording fast moving objects. MPEG-4 AVC/H.264 offers approximately twice the compression efficiency of MPEG2. Its superior motion prediction ensures a smooth and detailed picture with virtually no block noise in rapid action sequences. The XHQ mode is available when recording 1920 x 1080 at 50p, 50i, 30p and 24p. The GY-HM850 further provides the H.264 Ultra High Quality (UHQ) 35Mbps recording mode, again offering superior image quality but with smaller file sizes. Multiple File Formats for Native Workflows Record HD or SD footage directly in ready-to-edit QuickTime™ MOV files, the native file format of Apple's Final Cut Pro™. Native file recording ensures your footage is ready to edit the moment it's shot, resulting in a more efficient workflow and no loss of image quality. For direct editing in other major NLE systems such as Avid Media Composer, Adobe Premiere and Grass Valley Edius Pro, it is also possible to record XDCAM EX™ compatible MP4 files for a likewise seamless native workflow. *H.264 SD MOV file can be edited by Grass Valley Edius Pro Support for MXF Files with Rich Metadata A highly efficient file-based workflow is essential to any modern news organization. To ensure file interoperability with the widest range of broadcast production tools, JVC has worked with the Advanced Media Workflow Association (AMWA) on its "AS-10: MXF for Production," establishing a common MXF file format for an end-to-end news production workflow. MXF files are embedded with rich descriptive metadata that is added before, during or after shooting. The AS-10 MXF format builds on the SMPTE RDD 9, the MXF interoperability specification of Sony MPEG Long GOP Products (XDCAM HD.) Dual SDHC/SDXC Card Slots for Maximum Versatility Dual SDHC/SDXC card slots make the GY-HM850 a truly versatile camcorder, offering such benefits as simultaneous recording and relay recording with reliable and cost-effective media. In relay recording mode, you can shoot continuously and seamlessly over multiple cards. When one card is full, the camcorder switches seamlessly and automatically to the other card. And because cards are hot swappable, there is in effect no limit to the continuous shooting time in any mode, even with lower capacity cards. It is possible to start editing footage from one card while still shooting to the other. With simultaneous recording, you can easily create backup or duplicate files as you shoot without the need for any external equipment—either for a client copy or simply for peace of mind. Additionally, while the Rec trigger is used to pause and unpause recording on one card, the other card can act as a continuous backup that overrides the pause function. SDHC/SDXC media offers the best combination of price, availability, capacity, reliability and transfer speed. With no moving parts and no pins or other extrusions, SDHC/SDXC cards are both durable and reliable, and compare favorably with tape on a cost-per-minute basis. * During simultaneous backup recording in HD mode, the duplicate file records in the same file format and bit rate as the original. Backup recording is not available in AVCHD mode.