Sony FE 50-150mm F2 GM Lens

Sony FE 50-150mm F2 GM Lens(SEL50150GM) The Sony FE 50-150mm f2 G Master Lens offers a constant f2 aperture and 11-blade diaphragm for smooth, spherical bokeh and excellent low-light performance. Its newly designed G Master optics deliver high contrast and resolution across the frame. Four XD Linear Motors ensure fast, reliable autofocus and precise subject tracking—even during high-frame-rate capture up to 4K 120p on Alpha cameras.

Sony FE 16-25mm f/2.8 G Lens, Full Frame | f/2.8 to f/22, Autofocus (Sony E)

Sony FE 16-25mm f/2.8 G Lens, Full Frame | f/2.8 to f/22, Autofocus (Sony E) A sleek and powerful wide-angle zoom designed for E-mount mirrorless cameras, the FE 16-25mm f/2.8 G lens from Sony is an excellent carry-on lens that specializes in landscape, travel, and close-up photography.By pairing a fast f/2.8 maximum aperture with an 11-blade diaphragm, smooth, beautiful bokeh is naturally created.Additionally, this bright maximum aperture enables high-quality images to be achieved even in low-light shooting scenarios.Not only is the FE 16-25mm f/2.8 dust and moisture resistant, it also features a fluorine coating on the front lens element to repel the accumulation of fingerprints, water, and oil.The removable aperture ring is a great boon for video enthusiasts to ensure smooth transitions.° Three dedicated control ringsThree control rings are available for making quick adjustments while shooting: focus, zoom and aperture.The aperture ring can be set to click and provide tactile feedback when shooting stills, or it can be disabled for smooth, quiet control when shooting video.

Sony LA-EA5 Adapter - A-Mount Lens to E-Mount Body

Sony LA-EA5 Adapter - A-Mount Lens to E-Mount Body(LAEA5.SYU) Ѕоnу hаѕ рrоduсеd mаnу mоunt аdарtеrѕ thаt аllоw thе uѕе оf dіffеrеnt lеnѕеѕ оn vаrіоuѕ Ѕоnу bоdу, but untіl nоw thеrе wаѕn't аn А-Моunt Lеnѕ tо Е-Моunt Воdу. Еntеr thе Ѕоnу LА-ЕА5 Аdарtеr. Тhіѕ аdарtеr еnаblеѕ thе uѕе оf Ѕоnу А-mоunt lеnѕеѕ оn Е-mоunt mіrrоrlеѕѕ саmеrа bоdіеѕ whіlѕt mаіntаіnіng full lеnѕ funсtіоnаlіtу іnсludіng аutоfосuѕ оn ЅЅМ, ЅАМ, аnd еvеn АF lеnѕеѕ wіthоut аn іntеrnаl mоtоr. Ѕоnу hаѕ орtіmіѕеd thе аdарtеr tо ѕuрроrt рhаѕе-dеtесtіоn аutоfосuѕ whісh іn turn mаіntаіnѕ rеаl-tіmе trасkіng аnd еуе АF, аnd еvеn 11 fрѕ соntіnuоuѕ ѕhооtіng wіth АF/АЕ trасkіng. Ѕоnу еvеn еnаblеѕ АF аnd АЕ trасkіng whеn uѕеd wіth lеnѕеѕ wіth nо іntеrnаl mоtоr (Ѕоnу А7R ІV аnd А6600). Тhе аdарtеr hаѕ а ѕlіm аnd unоbtruѕіvе суlіndrісаl dеѕіgn thаt ѕеаmlеѕѕlу аttасhеѕ tо уоur саmеrа bоdу.

Sony 15mm F1.4 G - E Mount lens

Sony 15mm F1.4 G - E Mount lens(SEL15F14G.SYX) Featuring an advanced optical design that includes one ED (Extra Low Dispersion), one Super ED and three aspherical elements ensuring outstanding resolution in this constant F1.4 aperture APS-C lens. Beautiful background defocus (bokeh) is achieved with a 7-blade circular aperture. Two Linear Motors deliver fast and accurate focusing capability for both photography and videography. An incredible Sony e-mount lens for video, the SEL15F14G delivers smooth, fast and continuous auto focus performance for movie shooting, with minimised focus breathing, focus shift, and axis shift for refined imagery. Incredibly Sharp One ED (Extra Low Dispersion), one Super ED and three aspherical elements ensure outstanding resolution in this constant F1.4 aperture, aps-c ultra wide angle lens, delivering high corner-to-corner resolution and beautiful bokeh. An excellent Sony E lens for vlogging, content creation, videography stills and photography. Beautifully Smooth Backgrounds A circular 7-blade aperture on this Sony 15mm lens creates beautiful circular background bokeh defocus effects with a constant F1.4 aperture.  Fast and Precise Autofocus  Two Linear Motors deliver fast and accurate focusing for both photography and videography. You won't miss a shot with this ultra wide angle prime lens. Bright in all Weathers A constant F1.4 maximum aperture keeps an impressive brightness that makes this an invaluable lens for content creation, stills photography and vlogging.

Sony 11mm F1.8 E Mount Lens

Sony 11mm F1.8 E Mount Lens(SEL11F18.SYX) Sony E 11mm f/1.8 Lens With an 11 mm (35mm full-frame equivalent: 16.5 mm) focal length for dynamic images and a large F1.8 aperture for deep bokeh, this 181-gram (6.4 oz.) APS-C format lens has the mobility you need to capture stunning stills and movies anywhere. It also features two linear motors for fast, precise AF that supports both stills and movies. Deep, expressive bokeh A large F1.8 max. aperture delivers expressive bokeh in deep, impressive images. 0.12 meter (0.4 ft) minimum focus and 0.2x maximum magnification let you get close to the subject while producing beautifully defocused backgrounds. Precisely controlled spherical aberration and a 7-blade circular aperture contribute significantly to this lens’s sensational bokeh. Dynamic 11 mm vistas This versatile lens’s ultra-wide 11 mm angle of view is a great choice for landscapes, architecture, interiors, and even vlogging. It offers unique visual perspectives for a wide range of subjects and situations. Excellent ultra-wide resolution Innovative optics deliver high resolution right out to the image edges. Optimal placement of three aspherical elements ideally corrects field curvature for excellent resolution throughout the image area. Three ED (Extra-low Dispersion) glass elements effectively suppress chromatic aberration and colour fringing for superb image quality. Compact, lightweight freedom This compact, lightweight lens is a perfect match for APS-C camera bodies, providing easy handling that is great for long handheld or grip-mounted shooting sessions. Spherical and aspherical elements combine to achieve stunning optical performance in a lens that is only 66 x 57.5 mm (2-5/8 x 2-3/8 in.) and weighs only 181 g (6.4 oz.) Advanced AF maximises body speed potential Two linear motors give this large-aperture lens impressively fast, precise autofocus and tracking performance for both stills and movies. AF and tracking are so responsive that the full speed potential of the body used can be fully realized so that even fast or erratically moving subjects can be reliably captured.

Sony E Pz 10-20mm F4 G Lens

Sony E Pz 10-20mm F4 G Lens(SELP1020G.SYX)  A new ultra wide angle powerzoom lens in a constant F4 aperture, offering evolved image quality and ideal operability, for both stills and movie expression. Featuring an advanced optical design that includes two ED (Extra Low Dispersion), one aspherical ED and three aspherical elements ensuring outstanding resolution in this constant F4 aperture APS-C lens. Beautiful background defocus (bokeh) is achieved with a 7-blade circular aperture. Two Linear Motors deliver fast and accurate focusing capability for both photography and videography.  An incredible Sony e-mount lens for video, the SELP1020G delivers smooth, fast and continuous auto focus performance for movie shooting, with minimised focus breathing, focus shift when zooming, and axis shift when zooming for refined imagery.

Sony FE 20-70mm F4 G SYX Full Frame E Lens

Sony FE 20-70mm F4 G SYX Full Frame E Lens(SEL2070G.SYX) The advanced optical design includes three ED (Extra Low Dispersion), two AA (Advanced Aspherical), one ED (Extra Low Dispersion Aspherical) and one aspherical element, ensuring outstanding resolution with this Sony camera lens. Beautiful background defocus (bokeh) is achieved with a 9-blade circular aperture. Two XD (Extreme Dynamic) Linear Motors with their complex construction deliver faster, more accurate focusing capabilities for both photography and videography. An incredible Sony E-mount lens for video, the SEL2070G delivers smooth, fast, continuous autofocus performance for movie shooting, with minimised focus breathing, and focus shift and axis shift when zooming, for refined imagery. INCREDIBLY SHARP One ED (Extra Low Dispersion Aspherical), three ED, two AD (Advanced Aspherical) and one aspherical element ensure outstanding resolution in this constant F4 aperture G standard zoom lens, delivering high corner-to-corner resolution and beautiful bokeh. This is an excellent Sony full-frame lens for content creation, stills photography and videography. BEAUTIFULLY SMOOTH BACKGROUNDS A circular 9-blade aperture on this Sony G 20-70mm lens creates beautiful circular background bokeh defocus effects with a constant F4 aperture. FAST AND PRECISE AUTOFOCUS Two XD (Extreme Dynamic) Linear Motors with their complex construction deliver faster, more accurate focusing for filmmaking and photography. You won't miss a shot with this ultra wide standard zoom camera lens. BRIGHT IN ALL WEATHERS A constant F4 maximum aperture throughout the zoom range keeps the brightness even when the focal length changes. The front element on this Sony G lens features a fluorine coating that repels water, oil and other contaminants, while making it easy to wipe off any dust or fingerprints. PROFESSIONAL ERGONOMICS A dust- and moisture-resistant design, along with versatile controls, makes this Sony G lens ideal to use in the most difficult scenarios—both indoors and outdoors. The focus breathing feature is also compatible on this ultra wide angle standard zoom lens. BUILT FOR THE FUTURE   Sony lenses allow you to take full advantage of your next Sony camera's features.

Sony FE 16-35mm f2.8 G Master II Lens

Sony FE 16-35mm f2.8 G Master II Lens(SEL1635GM2.SYX) Introducing the FE 16-35 F2.8 GM II, the game-changing G Master wide-angle zoom lens from Sony. Designed to meet the evolving needs of photographers and videographers, this lens combines unrivalled optical performance, lightning-fast autofocus, and exceptional versatility in a more compact and lightweight form. Its advanced manufacturing technology ensures high resolution, reduced chromatic aberration, and minimized flare and ghosting, making it perfect for capturing outstanding images. With four XD Linear Motors, this lens offers extraordinary AF performance, agile tracking, and even breathing compensation making it ideal for both Photography and filmmaking. As the world's smallest and lightest F2.8 wide-angle zoom, it provides unequaled mobility and reduces the total system weight when combined with other bright lenses. Experience superior control and reliability with its dust and moisture-resistant design and fluorine coating. The SEL1635GM2 empowers creators to realize their creative vision with cutting-edge lens technology.

Sony FE 300mm F2.8 Gm Oss G Master Full-frame Telephoto Lens

Sony FE 300mm F2.8 Gm Oss G Master Full-frame Telephoto Lens(SEL300F28GM.SYX, SEL300F28GM SYX,  SEL300F28GM/SYX) Introducing the FE 300mm F2.8 GM OSS, Sony's latest game-changing G Master telephoto lens. Designed to meet the changing needs of professionals, this lens combines unrivalled optical performance, lightning-fast autofocus, and exceptional versatility in an extremely compact and lightweight form. Its advanced manufacturing technology ensures high resolution, reduced chromatic aberration, and minimised flare and ghosting, making it perfect for capturing outstanding content—ideal for sports and wildlife. With two XD Linear Motors, this lens offers extraordinary AF performance, agile tracking, and even focus breathing compensation, making it ideal for both photography and filmmaking. The smallest and lightest F2.8 telephoto, it provides unparalleled mobility, ergonomics, and balance. Experience superior control and reliability with its dust and moisture-resistant design and fluorine coating. The SEL300F28GM empowers creators to realise their creative vision with cutting-edge lens technology. Lightning-Fast Autofocus: Smooth & Precise, Ideal for Sports and Wildlife Photography Including Sony's own XD Linear Motor technology, this lens delivers excellent autofocus performance, ensuring precise, fast, and silent focusing for professional photographers and filmmakers. Designed to keep up with the latest AI-based autofocus in Sony Alpha cameras* and provide the user with a seamless experience when tracking fast-moving subjects, it is ideal for sports and wildlife subjects. *On selected cameras. GMaster Quality: Stunning Resolution & Bokeh The new G Master telephoto FE 300mm F2.8 GM OSS lens integrates the best optics from our G Master lens range to deliver the most exquisite image quality from the centre to the corner of the image. Any ghosting or flare is minimised even when shooting against a direct light source - delivering professional-quality content in any situation. Lightweight for Extraordinary Mobility Developed with unique Sony optical solutions, the FE 300mm F2.8 GM OSS lens offers incredible versatility and mobility. Weighing just 1470g and with the weight concentrated toward the rear, it's designed for handheld use on long shooting days. With teleconverter compatibility, it adds remarkable versatility for tracking fast-moving subjects. Precision & Reliability: Built for Excellence The FE 300mm F2.8 GM OSS offers a versatile shooting experience and excellent controls for professionals. Embrace all the best functionalities of Sony lenses, including four customizable focus hold buttons, built-in optical image stabilization, and a function ring for assigning additional functions. With a dust and moisture-resistant design and a fluorine coating on the front element, it delivers high reliability both indoors and outdoors. Built for the Future   Sony lenses enable you to make the most of your next Sony camera's capabilities. Pair them with the latest Alpha camera and unlock extraordinary features, such as capturing up to 30 frames per second with the Alpha 1. Experience flawless autofocus tracking in stunning 4K120p resolution, elevating your photography and filmmaking to new heights.

Sony FE Full-frame Telephoto Zoom Lens

Sony FE Full-frame Telephoto Zoom Lens(SEL-70200G2.SYX, SEL70200G2.SYX, SEL/70200G2.SYX) Compact high-resolution telephoto zoom Sony's most advanced lens technology comes together in a compact, lightweight 70-200 mm F4 telephoto zoom G Lens that delivers outstanding optical and AF performance as well as half-macro capability throughout the zoom range. Impressive handling and mobility make it an excellent choice for a wide range of still and movie applications. Spectacular G Lens rendering Excellent corner-to-corner resolution and contrast throughout the zoom range are achieved by combining AA (advanced aspherical) and aspherical lens elements. Three ED (Extra-low Dispersion) elements and one Super ED element suppress chromatic aberration and color bleeding for revealing sharpness. Exquisite full-frame bokeh is enhanced by a circular 9-blade aperture mechanism and optimized spherical aberration. Eye-opening close-up performance This is the world's first zoom lens in its class to offer half-macro capability throughout the zoom range. Minimum focusing distance is 10- 1/4 in. (0.26 m) at the wide end and 16-1/2 in. (0.42 m) at the telephoto end of the zoom range, with a maximum magnification of 0.5x throughout. New levels of zoom close-up capability offer unprecedented versatility and freedom for shooting stills as well as movies. Fast autofocus matches high-speed cameras Four of Sony's original high-thrust XD linear motors work in conjunction with precision floating focus groups to achieve extremely fast, accurate focus drive. Thrust efficiency has been dramatically improved, resulting in up to approximately a 20% increase in autofocus speed throughout the entire zoom range when shooting stills. The speed potential of high-performance α series cameras is fully realized. Focus tracking continues uninterrupted even while zooming, ensuring that important moments of the action won't be lost. Refined movie performance and imagery Linear Response MF ensures that manual focus responds directly and linearly to subtle control. The breathing compensation function provided in compatible α series cameras is fully supported, reducing unwanted image shifts while focusing. Built-in optical image stabilization can work in conjunction with the in-body stabilization in compatible α series cameras to provide extremely smooth, stable handheld footage. Top-class performance with teleconverters The FE 70-200mm F4 Macro G OSS II is fully compatible with Sony's 1.4x and 2.0x teleconverters. In addition to increasing maximum focal length, the 2.0x teleconverter make it possible to shoot life-size 1:1 macro at all focal lengths for new creative potential. Attached with the 1.4x teleconverter, it can shoot max. 0.7x macro at all focal lengths. And because the working distance does not change with the teleconverter attached, you can move in close to the subject to capture truly impressive images. Compact, mobile, reliable, and easy to use This innovative lens offers a rare blend of performance and compact mobility. It is 3-1/4 in. (82.2 mm) in diameter by 5- 7/8 in. (149 mm) in length at the wide end of the zoom range and weighs 28.1 oz. (794 g). An extending lens design was chosen to maximize portability, and a zoom lock switch is provided to prevent unwanted lens extension during transportation. Advantages of Sony's lenses for video shooting Learn the four unique advantages of using Sony's E-mount lens for video shooting. The combination of Sony's lenses and cameras will enhance your video creation experience.  

Sony FE 24–70 mm F2.8 GM II Lens

Sony SEL-2470GM2 (SEL/2470GM2, SEL_2470GM2, SEL2470GM2, SEL 2470GM2) FE 24–70 mm F2.8 GM II Lens The 24-70mm F2.8 GM II is perfect for event and wedding photographers, or any professional who wants the best quality general-purpose lens for their Alpha mirrorless camera. Its advanced optical design includes two ED (Extra-Low Dispersion), two Super ED, two XA (Extreme Aspherical), and three aspherical elements, ensuring outstanding resolution with this Sony camera lens. Beautiful background defocuses (bokeh) are achieved with an 11-blade circular aperture. Four XD (Extreme Dynamic) Linear Motors with their complex construction deliver faster, more accurate focusing capabilities for both photography and videography. An incredible Sony E-mount lens for video, the SEL2470GM2 delivers smooth, fast, continuous autofocus performance for movie shooting, with minimised focus breathing, and focus shift and axis shift when zooming, for refined imagery. Next-generation G Master standard zoom The FE 24-70mm F2.8 GM is an updated “holy trinity” standard zoom, packing evolved optics and AF performance into a convenient, compact, lightweight zoom design that offers maximum mobility for both stills and movies. It is an ideal match for high-performance compact α system bodies, and will cover a wide range of shooting situations. High resolution rivals the best primes Excellent contrast at high spatial frequencies means superb resolution even at F2.8. Two high-precision XA (extreme aspherical) elements, two ED (Extra-low dispersion) glass elements, two Super ED glass elements, and a floating focus mechanism control chromatic aberration, astigmatism, distortion, and coma at all zoom and aperture settings. Nano AR Coating II subdues flare and ghosting for outstanding clarity. Stunning G Master bokeh Exquisite F2.8 bokeh extends throughout the zoom range thanks to advanced optical design and a new 11-blade aperture unit. Bokeh is enhanced by precise control of spherical aberration during design and for each lens during manufacture. Two XA elements with 0.01-micron precision suppress onion ring bokeh. Minimum focusing distance is 0.21 meters at 24 mm and 0.30 meters at 70 mm, with max. magnification of 0.32x. The most compact, lightweight, and versatile in its class The smallest and lightest2 F2.8 24-70mm zoom in its class, this lens offers unprecedented flexibility and freedom. It weighs just 695 grams, 191 grams less than the previous model. Its length has been reduced by 16 mm, and overall volume has been reduced by approximately 18%. Impressive portability and mobility make it a good choice for professional or enthusiast still or movie use in a wide range of situations. Fast, precise AF and excellent response Four of Sony’s original XD (extreme dynamic) Linear Motors, a floating focus mechanism, and advanced lens control achieve high AF precision and approximately 2x better-tracking performance while zooming than the previous model. With a compatible body it can shoot at up to 30 frames per second. The new aperture unit also contributes to high speed, enabling full AF tracking performance even when shooting with the aperture stopped down  

Sony FE 70-200mm F2.8 GM OSS II Lens

Sony SEL-70200GM2.SYX (SEL70200GM2.SYX, SEL/70200GM2.SYX, SEL_70200GM2.SYX, SEL 70200GM2.SYX) FE 70-200mm F2.8 GM OSS II Lens. Introducing the SEL70200GM2 Full Frame Lens: A large aperture but extremely lightweight lens for stills and movies. Featuring an advanced optical design that includes one XA (extreme aspherical) element for incredible corner-to-corner high-resolution, along with beautiful background defocus (bokeh). Four XD (Extreme Dynamic) Linear Motors deliver fast, precise, and quiet autofocus and tracking in this lightweight Sony G Master lens. Also an incredible lens for video, the SEL70200GM2 delivers smooth, fast, and continuous autofocus performance for movie shooting, with minimized focus breathing, focus shift when zooming, and axis shift when zooming for refined imagery. INCREDIBLY SHARP One XA (extreme aspherical) element along with two ED (Extra-Low dispersion), two Super ED and one newly developed ED aspherical elements ensure outstanding resolution in this F2.8 telephoto lens delivering high corner-to-corner resolution and beautiful bokeh, making this an excellent full-frame lens for sports, wildlife, portraits, and videography. BEAUTIFULLY SMOOTH BACKGROUNDS A circular 11-blade aperture on this 70-200mm lens creates beautiful circular background bokeh defocus effects with a large F2.8 aperture. AMAZING CLARITY AND CONTRAST Even under strong sunlight and backlighting, Sony’s new Nano AR Coating II is evenly applied to the element surface, effectively minimizing internal reflections so that flare and ghosting do not occur when using this FE lens as a sports lens, lens for wildlife, or in other light-sensitive shooting scenarios. FAST AND PRECISE Four XD (Extreme Dynamic) Linear Motors with their complex construction deliver faster and more accurate focusing than conventional lenses for both photography and videography. You won't miss a shot on this large-aperture telephoto lens. PROFESSIONAL ERGONOMICS A dust and moisture resistant design, along with versatile controls on this Sony telephoto lens makes it ideal to use in the most difficult scenarios - both indoors and outdoors. DYNAMIC PERSPECTIVES The SEL70200GM2 Sony lens offers minimized focus breathing, focus shift when zooming, and axis shift when zooming for refined imagery.    

Sony SEL-C1635G FE C 16–35mm T/3.1 G E-Mount Lens

Sony SEL-C1635G (SEL/C1635G, SEL_C1635G, SELC1635G, SELC1635G.SYX, SEL-C1635G.SYX) FE C 16–35mm T/3.1 G E-Mount Lens Cinematic images with beautiful bokeh Experience beautiful cinematic images, with excellent corner-to-corner resolution and consistent T3.1 (F2.8) large aperture from wide to telephoto for stunning background bokeh effects. Responsive manual control for content creators Adjust focus, zoom and iris with smooth, consistent precision. Enjoy fine control over realising your artistic vision with large-format sensor cameras such as the PXW-FX9 and VENICE. Shoot with extra intelligence Enjoy smart functions unique to Sony’s E-mount lens system, including AF (autofocus) support, servo zoom and zoom/iris/focus control from your camera, remote or smartphone, allowing cinematographers to concentrate on composition and focus without touching lens rings.* *Requires compatible cameras, remote controllers, smartphones and mobile apps. Unlimited expression for content creators Explore new artistic possibilities and precise creative control with Cinema Lens Series – the refined expression of Sony’s technological expertise for uncompromising content creators. This wide angle zoom lens is optimised for digital cinematography, documentary production and other premium content produced with full-frame cameras such as the FX9 and VENICE. Advanced optical design Two XA (Extreme Aspherical) lens elements and three aspheric elements minimise distortion, curvature and astigmatism. Two ED (Extra-low Dispersion) glass elements suppress colour distortion, while an advanced nano AR (Anti Reflection) coating on optical surfaces drastically reduces flare and ghosting. The floating focus mechanism is optimised for motion picture applications, ensuring outstanding resolution and very low distortion at any shooting distance. Smooth, natural bokeh An ideal partner for the full-frame sensor of Sony’s acclaimed FX9 and VENICE cameras, the consistent T3.1 (F2.8) large aperture and circular 11-blade aperture of the SELC1635G lets professional cinematographers enjoy shallow depth of field and the creation of beautifully smooth bokeh (background defocus) effects. [1] Conventional aperture [2] Circular aperture Precise, responsive manual focus Linear Response MF enables smooth, lag-free manual focus, allowing DoPs and camera operators to adjust focus accurately and intuitively. The focus ring offers a 120deg large angle of rotation for finer control, with distance scale markers for consistent focus reset during multiple takes. For complete creative control to suit any user including photographers who are used to shooting stills, SELC1635G also offers reversible zoom ring rotation, modes switchable between AF/MF and Full manual, and the option to engage ‘click stops’, providing tactile feedback for precise adjustments of the aperture ring. When the click stops are disengaged, the aperture ring moves smoothly and quietly. More options for content creators The SELC1635G has a 0.8mm pitch gear and 114mm lens diameter, which is regarded as the industry standard in cinematography, providing compatibility with a wide range of accessories include matte boxes and follow focus systems. Detachable servo zoom The included servo unit provides comfortable fingertip control for smooth, gradual zooms suitable for a slow moving drama or promotional video. Servo and Manual control are switchable by the button on the lens unit, and while set to servo, you can control zoom via camera’s handle or grip zoom.Also, the servo can be detached if preferred, making the lens lighter and more portable. Fast, accurate AF and AE The SELC1635G fully supports the Enhanced Hybrid phase/contrast detection autofocus (AF) and Auto Exposure (AE) capabilities of the FX9 full-frame camera. This breakthrough technology allows you to concentrate on framing while the camera and lens work seamlessly together to maintain focus on subjects with shallow depth of field. Alpha cameras and lenses Discover the Alpha range of interchangeable lens camera and E-mount lenses for photographers and video makers.

Sony SEL-50F25G FE 50mm F/2.5 G Lens

Sony SEL-50F25G (SEL/50F25G, SEL_50F25G, SEL50F25G, SEL-50F25G.SYX, SEL50F25G.SYX) FE 50mm F/2.5 G Lens Introducing the SEL50F25G Full Frame Lens: A wide angle lens for stills and movies. Featuring an advanced optical design that includes two aspherical elements and one ED (Extra-low Dispersion) element for incredible corner-to-corner high-resolution, along with beautiful background defocus (bokeh). Two double linear motors provide fast, precise AF with excellent tracking performance, with quiet autofocus and tracking in this compact-sized and lightweight Sony G lens. Internal focusing ensures the angle of view is stable during focusing (focus breathing minimised). An incredible video lens, the SEL50F25G delivers smooth, fast and continuous auto focus performance for movie shooting. INCREDIBLY SHARP State-of-the-art optics, using two aspherical elements and one ED (Extra-low Dispersion) glass element, deliver high resolution and suppress colour fringing in all parts of the image. Delivering high corner-to-corner resolution and beautiful bokeh, the SEL50F25G is an excellent compact, lightweight full frame lens for cityscapes, landscapes and videography, these features making it an excellent portrait lens too. BEAUTIFULLY SMOOTH BACKGROUNDS A 7-blade circular aperture on this Sony lens creates beautiful circular background bokeh defocus effects with a large F2.5 aperture. FAST AND PRECISE Two linear motors deliver fast, precise AF with excellent tracking capability, fully utilising the continuing rapid advances in the speed performance of camera bodies. Taking maximum advantage of this performance, tracking is maintained despite instantaneous changes in subject motion, making the lens ideal for situations like snap shooting of moving subjects. You'll never miss a shot with this lightweight and compact lens. SUPERB BUILD QUALITY The high-quality build uses metal (aluminium) for the exterior finish and hood, achieving a sophisticated look, contributing to increased strength and durability. The iris ring indices, focal length markings, and Sony logo on the hood of the 50mm lens, are engraved rather than printed, giving a finish with a sophisticated feel. GREAT FOR MOVIE SHOOTING The fast, precise AF with excellent tracking performance delivered by two linear motors is also quiet, making this FE  lens ideal for both still and movie shooting. A great 50mm view, intuitive operability, in a compact, lightweight design.

Sony SEL-40F25G FE 40mm F/2.5 G Lens

Sony SEL-40F25G (SEL/40F25G, SEL_40F25G, SEL40F25G, SEL-40F25G.SYX, SEL40F25G.SYX) FE 40mm F/2.5 G Lens Introducing the SEL40F25G Full Frame Lens: A wide angle lens for stills and movies. Featuring an advanced optical design that includes three aspherical elements for incredible corner-to-corner high-resolution, along with beautiful background defocus (bokeh). Two double linear motors provide fast, precise AF with excellent tracking performance, with quiet autofocus and tracking in this compact-sized and lightweight Sony G lens. Internal focusing ensures the angle of view is stable during focusing (focus breathing minimised). An incredible video lens, the SEL40F25G delivers smooth, fast and continuous auto focus performance for movie shooting. INCREDIBLY SHARP State-of-the-art optics, using three aspherical elements, deliver high resolution and suppress colour fringing in all parts of the image. Delivering high corner-to-corner resolution and beautiful bokeh, this is an excellent compact, lightweight, full frame lens for cityscapes, landscapes and videography, these features making it an ideal portrait lens too. BEAUTIFULLY SMOOTH BACKGROUNDS A 7-blade circular aperture on this Sony lens creates beautiful circular background bokeh defocus effects with a large F2.5 aperture. FAST AND PRECISE Two linear motors deliver fast, precise AF with excellent tracking capability, fully utilising the continuing rapid advances in the speed performance of camera bodies. Taking maximum advantage of this performance, tracking is maintained despite instantaneous changes in subject motion, making the lens ideal for situations like snap shooting of moving subjects. You'll never miss a shot with this lightweight and compact lens. SUPERB BUILD QUALITY The high-quality build uses metal (aluminium) for the exterior finish and hood, achieving a sophisticated look, contributing to increased strength and durability. The iris ring indices, focal length markings, and Sony logo on the hood of the 40mm lens, are engraved rather than printed, giving a finish with a sophisticated feel. GREAT FOR MOVIE SHOOTING The fast, precise AF with excellent tracking performance delivered by two linear motors is also quiet, making this FE lens ideal for both still and movie shooting. A great 40mm wide view (or when mounted on an APS-C body or shooting in Super 35mm movie format, the angle of view is 36mm equivalent), intuitive operability, in a compact, lightweight design.

Sony SEL-2860 FE 28–60mm F4–5.6 Lens

Sony SEL-2860 (SEL/2860, SEL_2860, SEL2860, SEL-2860.SYX, SEL2860.SYX) FE 28–60mm F4–5.6 Lens The wide-angle to long-normal FE 28-60mm f / 4-5.6 zoom is characterized by its modern design and elegant profile. The slim design makes this lens ideal for walkaround, everyday shooting and the flexible focal length range offers great versatility. The optical design incorporates three aspherical elements, which help reduce distortion and spherical aberrations and promote greater sharpness and accurate rendering. Complementing the optics is a linear motor and internal focusing that ensure fast and quiet autofocus performance for both photographic and video needs. The lens body is also weatherproof to allow you to work in harsh environmental conditions. With a versatile and practical focal length of 28-60mm, this lens is suitable for a variety of common subjects. In addition, the minimum focusing distance between 0.3m (wide angle) and 0.45m (telephoto) guarantees excellent results in close-ups, making the device suitable for applications such as table photography and vlogging, always with the high full-frame image quality. The linear AF motor enables the fast and precise AF performance required by the latest full-frame camera models. Thanks to the quiet motor, the device is suitable for stills as well as video shooting, while the speed and accuracy ensure maximum performance on the camera's AF functions, such as Real Time Tracking and Real Time Eye AF.

Sony SEL-24F28G FE 24 mm F2.8 G Lens

Sony SEL-24F28G (SEL/24F28G, SEL_24F28G, SEL24F28G, SEL-24F28G.SYX, SEL24F28G.SYX) FE 24 mm F2.8 G Lens Introducing the Sony SEL24F28G 24mm F2.8 G Full Frame Lens: A wide angle prime lens ideal for stills and movies. Featuring an advanced optical design that includes three aspherical elements and one ED (Extra-low Dispersion) element for incredibly high corner-to-corner resolution, along with beautiful background defocus (bokeh). Two double linear motors provide fast, precise AF with excellent tracking performance, with quiet autofocus and tracking in this compact-sized and lightweight Sony G lens. Internal focusing ensures the angle of view is stable during focusing (focus breathing minimised). An incredible video lens, this 24mm F2.8 G Full Frame Lens delivers smooth, fast and quiet autofocus for movie shooting. INCREDIBLY SHARP State-of-the-art optics, using three aspherical elements and one ED (Extra-low Dispersion) glass element, delivers high resolution and suppresses colour fringing in all parts of the image. High corner-to-corner resolution and beautiful bokeh make this an excellent compact, lightweight, wide angle lens for cityscapes, landscapes and videography. BEAUTIFULLY SMOOTH BOKEH A large F2.8, 7-blade circular aperture on this Sony lens creates beautiful background defocus. FAST AND PRECISE Two linear motors deliver fast, precise AF with excellent tracking capability, fully utilising the continuing rapid advances in the speed performance of camera bodies. Taking maximum advantage of this performance, tracking is maintained despite instantaneous changes in subject motion, making this landscape lens ideal for situations like snap shooting of moving subjects. You'll never miss a shot with this lightweight and compact lens. SUPERB BUILD QUALITY The high-quality build uses metal (aluminium) for the exterior finish and hood, achieving a sophisticated look, contributing to increased strength and durability. The iris ring indices, focal length markings and Sony logo on the hood are engraved rather than printed, giving this FE lens a finish with a premium feel. GREAT FOR MOVIE SHOOTING The fast, precise AF with excellent tracking performance delivered by two linear motors is also very quiet, making the 24mm lens ideal for both stills and movie shooting. Intuitive operability in a compact, lightweight design.

Sony SEL-1224GM FE 12-24mm F2.8 GM Lens

Sony SEL-1224GM (SEL/1224GM, SEL_1224GM, SEL1224GM, SEL-1224GM.SYX, SEL1224GM.SYX, sel-1224gm.syx) FE 12-24mm F2.8 GM Lens Sony boosts full-frame lens line-up with launch of 12-24mm G Master™, the world’s widest zoom with a constant F2.8 aperture. This compact and versatile lens is ideal for shooting landscapes, starry skies and architecture while providing extra mobility for active sports shooters who want to use ultra-wide angles. As part of Sony’s flagship G Master series lenses, it delivers outstanding image quality up to an ultra-wide 12mm angle of view with F2.8 constant aperture, combined with beautiful bokeh effects.This new lens allows the F2.8 range of Sony’s G Master lenses to extend all the way through from 12mm to 200mm** and at 12mm, offers the world’s widest zoom at F2.8*. At this focal length, it is possible to emphasise distance and create dynamic perspectives beyond the scope of the human eye. Incredibly sharp Three XA (extreme aspherical) elements ensure outstanding resolution in this F2.8 ultra-wide angle lens. Along with one aspherical element, two super ED and three ED (Extra-low Dispersion) glass elements deliver high corner-to-corner resolution and beautiful bokeh, making this an excellent full frame lens for landscapes and starscapes.  Beautifully smooth background A circular 9-blade aperture creates beautiful background bokeh defocus effects with a large aperture F2.8 that is constant throughout the entire zoom range on this Sony lens. Fast and precise  Four XD Linear (Extreme Dynamic) Motors with their complex construction deliver faster and more accurate focusing than conventional lenses for both photography and videography. Amazing clarity and contrast New Sony Nano AR Coating II effectively eliminates light anomalies - such as flare and ghosting. Professional ergonomics A dust and moisture-resistant design, along with versatile controls make it ideal to use in the most difficult scenarios - both indoors and outdoors. Dynamic perspectives With an ultra-wide 12mm angle of view, create dynamic perspectives that are beyond the scope of the human eye. Target usages: Landscape, Architecture, Night/Astro, Video, Sports

Sony SEL50F12GM FE 50mm F/1.2 GM Lens

Sony SEL50F12GM (SEL-50F12GM, SEL/50F12GM, SEL_50F12GM, SEL50F12GM.SYX, SEL-50F12GM.SYX) FE 50mm F/1.2 GM Lens Introducing the SEL50F12GM Full Frame Lens: A large aperture lens for stills and movies. Featuring an advanced optical design that includes three XA (extreme aspherical) elements for incredible corner-to-corner high-resolution, along with beautiful background defocus (bokeh). Four XD (Extreme Dynamic)  Linear Motors deliver fast, precise, and quiet autofocus and tracking in this compact-sized and lightweight Sony G Master lens. Internal focusing ensures the angle of view is stable during focusing (focus breathing minimised).An incredible lens for video, the SEL50F12GM delivers smooth, fast and continuous auto focus performance for movie shooting. Incredibly Sharp Three XA (extreme aspherical) elements ensure outstanding resolution in this F1.2 prime lens delivering high corner-to-corner resolution and beautiful bokeh, making this an excellent full frame lens for portraits, landscapes, starscapes and videography. Beautifully Smooth Backgrounds A circular 11-blade aperture on this 50mm lens creates beautiful circular background bokeh defocus effects with a large F1.2 aperture. Amazing Clarity and Contrast Even under strong sunlight and backlighting, Sony’s new Nano AR Coating II is evenly applied to the element surface, effectively minimising internal reflections so that flare and ghosting do not occur when using this FE lens. Fast and Precise Four XD (Extreme Dynamic) Linear Motors with their complex construction deliver faster and more accurate focusing than conventional lenses for both photography and videography. You won't miss a shot on this large aperture lens. Professional Ergonomics A dust and moisture resistant design, along with versatile controls on this Sony prime lens makes it ideal to use in the most difficult scenarios - both indoors and outdoors. Dynamic Perspectives The SEL50F12GM Sony lens offers excellent close-up performance with a wide angle of view.

Sony SEL35F14GM FE 35mm F/1.4 GM Lens

Sony SEL35F14GM (SEL-35F14GM, SEL/35F14GM, SEL_35F14GM, SEL-35F14GM.SYX, SEL35F14GM.SYX) FE 35mm F/1.4 GM Lens The FE 35mm F1.4 GM is a must-have for Sony’s E-mount users, as in combination with Sony’s camera bodies it boasts advanced focusing capabilities - perfect for a wide range of uses such as shooting landscapes, portraits and street photography, both stills and video. Superlative resolution in a compact lens Sony’s advanced optical design and manufacturing technology brings extraordinary resolution, gorgeous bokeh, and precision focus performance to a compact lens that fits comfortably in the palm of your hand, weighing a mere 524 grams and measuring just 76 mm dia. x 96 mm with a filter diameter of Φ67mm. The FE 35mm F1.4 GM boasts advanced optical technology that delivers stunning contrast and superb resolution. Two XA (extreme aspherical) elements effectively maintain superb resolution throughout the image area. The compact 35mm lens is not only mobile and manageable, it performs admirably in difficult lighting. An ED glass element and other optical refinements effectively suppress chromatic aberration and purple fringing for breathtaking results. Beautiful bokeh for broad expressive capability The FE 35mm F1.4 GM delivers an almost circular aperture thanks to its 11-blade construction – a rare level of quality for a mobile lens. Painstaking spherical aberration control at both the design and the manufacturing stages contributes to beautiful G Master bokeh that make subjects really stand out. Two innovative XA elements allow for impossibly impressive close-ups with smooth, creamy background bokeh. The combination of F1.4 maximum aperture and the flexibility to choose the perfect shooting distance (minimum focusing distance of just 27cm with a maximum magnification of 0.23x in autofocus mode) allows for ultimate control and stunning bokeh when shooting both stills and video. Advanced focus for enhanced imagery Two of Sony’s XD (extreme dynamic) Linear Motors provide the high thrust efficiency needed for precise AF (autofocus) and tracking - resulting in outstanding resolution at any distance. State-of-the-art control algorithms, developed specifically for the XD Linear Motors, improve control response and precision whilst minimising vibration and noise for fast, smooth and silent AF performance. Advanced focusing can also be achieved when shooting at a high frame rate. Linear Response MF is ideal for creative focusing effects when shooting video as it ensures the focus ring responds to subtle control when focusing manually. The focus ring rotation translates directly to a corresponding change in focus, so control feels immediate and precise. Professional control and reliability The FE 35mm F1.4 GM offers full professional control, with a focus hold button, focus mode switch to support smooth, efficient operation. An aperture ring with switchable click stops can be turned off for movie shooting, and when used on an APS-C camera or with a Super 35 angle of view, it can be used as a standard lens equivalent to 52.5mm, making the FE 35mm F1.4 GM the perfect choice for creating videos. The focus hold button can be assigned to several other functions via a camera body menu, providing direct access to functions that are vital to photographers and videographers alike. It was created to be reliable with a dust and moisture resistant design and a fluorine front element coating that repels water, oil, and other contaminants.

Sony SEL-20F18G.SYX Ultra-Wide Prime Lens

Sony SEL-20F18G.SYX (SEL_20F18G.SYX, SEL20F18G.SYX, SEL/20F18G.SYX, SEL 20F18G.SYX) Ultra-Wide Prime Lens. A compact high-resolution 20mm F1.8 prime: Sony’s latest optical technology achieves impressive corner-to-corner resolution from maximum F1.8 aperture in a large-aperture wide-angle prime lens. It is also remarkably compact, and matched with an E-mount body makes up a versatile, mobile system with outstanding AF performance, control, and reliability for a wide variety of shooting needs. Ultra-wide 20mm perspectives, superb resolution from F1.8: Two AA (advanced aspherical) elements in an innovative optical design minimise aberration for outstanding corner-to-corner resolution right from the lens’s widest F1.8 aperture. Compact and lightweight for enhanced mobility and handling:  An advanced optical design that includes two AA elements is supported by a refined mechanical system in a G Lens that weighs just 373 grams (13.2 oz.). Small size and light weight enhance mobility when used with compact E-mount bodies, and make up a well-balanced system that is ideal for use on gimbals or accessory grips. The FE 20mm F1.8 G is a versatile lens for a wide variety of still and movie shooting situations. Smooth, natural-looking bokeh:  In addition to precise control of spherical aberration that has a significant influence on bokeh quality, the FE 20mm F1.8 G has a 9-blade circular aperture that contributes to smooth, creamy bokeh and natural-looking highlights that are hallmarks of the G Lens series. Realistically rendered point sources:  Two AA (advanced aspherical) elements and three ED (Extra-low Dispersion) glass elements are employed to minimise sagittal flare so that point light sources are reproduced accurately, without colour smearing. XD Linear Motors maximise AF speed, precision, and tracking: Two XD (eXtreme Dynamic) Linear Motors easily keep up with the high-speed capabilities of today’s most advanced camera bodies, taking advantage of their full autofocus speed, precision, and tracking potential to capture the most dynamic subjects. New control algorithms make it possible to drive the lens’s large focus group smoothly and without delays for responsive, silent, low-vibration autofocus. Excellent close-up performance, even for selfies: In addition to the fact that 20mm is a great focal length for selfies, this lens has a minimum focusing distance of just 0.19 meter (0.63 ft) when used in AF mode, and an even closer 0.18 meter (0.59 ft) minimum focusing distance when focused manually. It is an excellent choice for gimbal/grip mounting, whether shooting selfies or other subjects. Smooth operation and high reliability in a compact lens:  A focus hold button, focus mode switch, aperture ring, and other controls are designed and positioned for easy operation and a smooth workflow. Alternative functions that support the user’s individual shooting needs can be assigned to the focus hold button via camera body menu settings. The front lens element is fluorine coated to repel water and grime, and the lens is dust and moisture resistant design provides the reliability needed for outdoor use in challenging conditions. Lens Configuration:  Impeccable Sony G Lens design emphasises a graceful balance between high resolution and gorgeous background bokeh that can enhance the artist’s vision.

Sony 3-088-528-02 Lens Hood

Sony 3-088-528-02 (3/088/528/02, 3_088_528_02, 308852802, 3 088 528 02) Lens Hood Sony Lens hood for DSR-PD170P.

Sony 3-682-494-02 Eye Cup

Sony 3-682-494-02 (3_682-494-02, 3682-494-02, 3 682-494-02, 3/682-494-02) Eye Cup. Sony eye cup for DXF-701 HDVF-200-HDVF-20A to complete order also X-3678-187-1.

Sony 368875513 Shoe Mount

Sony 368875513 (36_8875513, 368875513, 36/8875513, 36 8875513) Shoe Mount. Sony Shoe mount for PDW-700 (not all versions).

Sony X-2188-619-3 Accessory Shoe Adapter

Sony X-2188-619-3 (X_2188-619-3, X2188-619-3, X 2188-619-3, X/2188-619-3) Accessory Shoe Adapter. Sony Accesory shoe adapter for HVR-Z7E.

Sony X-2548-597-1 Lens Hood

Sony X-2548-597-1 (X_2548-597-1, X2548-597-1, X 2548-597-1, X/2548-597-1) Lens Hood. Sony Lens hood for HXR-MC50E.

Sony X25923511 Eye Cup

Sony X25923511 (X2_5923511, X25923511, X2 5923511, X2/5923511) Eye Cup. Sony Eye cup for HXR-NX100.

Sony X21898691 Rubber Eye Cup Kit

Sony X21898691 (X2_1898691, X21898691, X2 1898691, X2/1898691) Rubber Eye Cup Kit. Sony eye cup kit rubber good for HVR-S270.

Sony X21878661 Lens Hood

Sony X21878661 (X2_1878661, X21878661, X2 1878661, X2/1878661) Lens Hood. Sony Lens hood for VCL-HG0737K - HVR-HD1000E - PMW-100.

Sony 411006401 Lens Hood

Sony 411006401 (411 006401, 411006401, 411/006401, 411_006401) Lens Hood. Sony Lens hood for PMW-EX3.

Sony 148799441 Adaptor Vgp-ac19v46, 3 Pin

Sony 148799441 (148_799441, 148 799441, 148/799441, 148799441) Adaptor Vgp-ac19v46, 3 Pin. Sony Power supply for PXW-X160 - PXW-X180 - VAIO.

Sony BC-VM10.CEE Charger

Sony BC-VM10.CEE (BC_VM10.CEE, BCVM10.CEE, BC VM10.CEE, BC/VM10.CEE) Charger. The Sony BC-VM10 Battery Charger powers up Sony M Series batteries. Compatible with universal 100-240VAC, and featuring a retractable AC plug, the BC-VM10 is an excellent travel companion. Simply pop in your M Series battery, plug into the nearest wall outlet, and let the charger do the rest.

Sony AC-VQV10.CEE AC Adaptor, Charger

Sony AC-VQV10.CEE (AC_VQV10.CEE, ACVQV10.CEE, AC VQV10.CEE, AC/VQV10.CEE) AC Adaptor, Charger. The dual slot Sony AC-VQV10 AC Adaptor/Charger quickly charges Sony V, H, and P Series InfoLITHIUM batteries. The AC-VQV10’s consecutive charging feature automatically starts charging the second battery after the first has completed its cycle. This Adaptor/Charger also gives you the option of seeing the remaining battery life on the built-in LCD.

Sony AC-PW10AM.CEE AC Adapter

Sony AC-PW10AM.CEE (AC PW10AM.CEE, AC/PW10AM.CEE, ACPW10AM.CEE, AC PW10AM.CEE) AC Adapter. The Sony AC-PW10AM is an AC travel adapter. Compatible with all Sony DSLR cameras and can be used worldwide. Lightweight and compact.

Sony X25901871 Large Eyecup

Sony X25901871 (X2_5901871, X25901871, X2/5901871, X2 5901871) Large Eyecup. Sony Large eyecup for PXW-X70 HDR-CX900E FDR-AX100 PXW-FS5 PXW-FS5K - PXW-Z150 - PXW-Z280.

Sony X25882863 Lens Cap

Sony X25882863 (X2_5882863, X2 5882863, X2/5882863, X25882863) Lens Cap. Sony Lens cap for PXW-X70 - HXR-NX200 Ø62mm available also DSC-RX10M2 - DSC-RX10M2B - HDR-CX900E - FDR-AX100E.

Sony X23208503 Lens Hood For HDR-FX1000 And HDR-AX2000

Sony X23208503 (X2_3208503, X23208503, X2 3208503, X2/3208503) Lens Hood For HDR-FX1000 And HDR-AX2000. Sony Lens hood assy for HXR-NX5E - HDR-FX1000E.

Sony 3-854-238-03 Bracket Staffa

Sony 3-854-238-03 (3_854-238-03, 3/854-238-03, 3854-238-03, 3 854-238-03) Bracket Staffa. Bracket Staffa (A), Ceiling per BRC-300.

Sony VF-62CPK PL Filter Kit

Sony VF-62CPK (VF/62CPK, VF_62CPK, VF62CPK, vf-62cpk) PL Filter Kit This kit consists of a Circular Polarizer, UV Protection Filter and soft case Circular Polarizer Light rays which are reflected become polarized. Polarizing filters are used to select which light rays enter your camera lens. They can remove unwanted reflections from non-metallic surfaces such as water or glass and also saturate colors providing better contrast. The effect can be seen through the viewfinder and changed by rotating the filter. The filter factor varies according to how the filter is rotated and its orientation to the sun. Filter factor is between 2.3 and 2.8 (approx. +1.3 stops). UV Protection Filter Haze (UV) filters are wise initial investments. They help protect your valuable investment from dust, moisture, and scratches, which can lead to costly repairs. If desired they can be left on the lens at all times for protection. Haze filters provide additional benefits of correction for Ultraviolet (UV) light which can register on film and videotape as a bluish cast and can obscure distant details. Ultraviolet filters allow you to correct for the UV effect to varying degrees. Haze-1 filters absorb approximately 71 percent of UV. Polarizers eliminate ultraviolet rays and remove haze from outdoor shots as well as polarizing the light to remove reflections and increase color saturation without affecting the overall color balance.

Sony ALC-SH149 Lens Hood for SEL1635GM

Sony ALC-SH149 (ALC_SH149, ALC/SH149, ALCSH149, alc-sh149) Lens Hood for SEL1635GM The ALC-SH149 Lens Hood from Sony is specifically made for the FE 16-35mm f/2.8 GM lens. The hood has a petal shape design, which is made to block stray and extraneous light from entering the lens and causing lens flare. Also, the lens hood sustains accidental or sudden impact instead of the front element of the lens. Additionally, it can be used as a spare or as a replacement to the original lens hood.

Sony LA-EA3.AE 35mm Full-Frame A-Mount Adaptor

Sony LA-EA3.AE 35mm (LA-EA3.AE, LAEA3, LA-EA3, la-ea3.ae) Full-Frame A-Mount Adaptor The black A-Mount to E-Mount Lens Adapter from Sony enables you to attach any A-mount lens to an Alpha E-mount full-frame digital camera body. It supports Auto Exposure (AE) and features an aperture mechanism. The adapter is also configured with an integrated, standard 1/4"-20 tripod mount for supporting large, heavy lenses. Additionally, the ALC-B55 camera body cap and a rear lens cap are supplied.

Sony SEL-70350G.SYX E 70–350mm F4.5–6.3 G OSS Lens

Sony SEL-70350G.SYX (SEL70350G.SYX, SEL-70350G, SEL70350G, sel70350g) E 70–350mm F4.5–6.3 G OSS Lens Exquisite detail from 70 to 350 mm Optimised optical and mechanical design offers outstanding super-telephoto zoom performance for APS-C bodies (105–525 mm equiv.). Impressive G Lens quality is maintained throughout the zoom range right out to the image edges. All of this is packed into a compact, mobile 5x super-telephoto zoom lens with built-in optical image stabilisation. Coupled with α E-mount cameras from Sony, APS-C E-mount lenses deliver big camera performance. G Lens quality all the way to 350 mm (525 mm equiv.) One aspherical element and three ED (Extra-low Dispersion) glass elements in a precision optical design suppress aberration throughout the zoom range, including chromatic aberration that can be an issue at super-telephoto focal lengths. Excellent sharpness and rendering are achieved at all zoom settings, throughout the image area. Gorgeous telephoto G Lens bokeh is another advantage. Compact, mobile 5x super-telephoto zoom Although it offers a big 5x zoom range, this compact lens weighs in at just 625 g, enhancing the mobility of the entire camera system. 70–350 mm (105–525 mm equiv.) is an ideal range for a wide spectrum of subjects. Built-in optical image stabilisation makes it easier to capture crisp, blur-free imagery even when shooting handheld at super-telephoto focal lengths. XD Linear Motor in an APS-C lens Sony's original XD (extreme dynamic) linear motor technology has been applied in an APS-C lens, offering top-class autofocus performance that is fast, precise, and tenacious. Coupled with the advanced real-time AF capability of the latest compact APS-C bodies, you have a high-performance, easy-handling system for landscapes, wildlife and more. Control, reliability and mobility for any situation An Optical SteadyShot switch, customisable focus hold button, and zoom lock switch add control convenience to a lens that also features a dust and moisture resistant design2 for high reliability in challenging environmental conditions. All of this complements the lens’s portability, making pro-class control and dependability available wherever you go.

Sony SEL-55210.AE E 55–210mm F4.5–6.3 OSS (Silver)

Sony SEL-55210.AE (SEL55210.AE, SEL-55210, SEL55210, sel-55210.ae) E 55–210mm F4.5–6.3 OSS (Silver) Get closer with a compact 3.8x zoom The SEL55210 offers the reach you need for subjects such as sports and nature. Built-in image stabilisation reduces blur when shooting at long range or in low light. Coupled with α E-mount cameras from Sony, APS-C E-mount lenses deliver big camera performance.2 Capture smooth, blur-free images Built-in Optical SteadyShot™ image stabilisation within the lens ensures smooth, blur-free photos and videos when shooting handheld. Smooth defocusing Instead of a standard polygon-shaped lens aperture, this lens features a 7-blade circular aperture for more natural, rounded defocusing or ‘bokeh’. Refined optical performance Aspherical lens elements minimise distortion while ED (Extra-low Dispersion) glass elements provide superior contrast, resolution and colour fidelity. Fast, agile focusing An internal focusing mechanism means the lens barrel doesn't move, enabling a more compact design, faster autofocus response and reduced minimum focusing distances.

Sony SEL-50F18B.AE E 50mm F1.8 OSS Lens (Black)

Sony SEL-50F18B.AE (SEL50F18B.AE, SEL-50F18, SEL50F18, sel-50f18b.ae) E 50mm F1.8 OSS Lens (Black) Bright, high performance portrait lens Perfect for portraiture and a range of other subjects, the F1.8 max aperture and optical image stabilisation provide impressive picture quality, even in low-light. Coupled with α E-mount cameras from Sony, APS-C E-mount lenses deliver big camera performance. Capture smooth, blur-free images Built-in Optical SteadyShot™ image stabilisation within the lens ensures smooth, blur-free photos and videos when shooting handheld. Smooth defocusing Instead of a standard polygon-shaped lens aperture, this lens features a 7-blade circular aperture for more natural, rounded defocusing or ‘bokeh’. Refined optical performance The lens has an innovative optical design to achieve clear, high-quality images by effectively minimising distortion and chromatic aberration. Fast, agile focusing An internal focusing mechanism means the lens barrel doesn’t move, enabling a more compact design, faster autofocus response, and reduced minimum focusing distances.

Sony SEL-24F14GM.SYX FE 24mm F1.4 GM Lens

Sony SEL-24F14GM.SYX (SEL24F14GM.SYX, SEL24F14GM, SEL-24F14GM, sel24f14gm-syx) FE 24mm F1.4 GM Lens Stunning F1.4 resolution in a mobile prime lens Unsparing application of leading-edge technology achieves refined G Master performance with consistently high resolution and soft, natural bokeh even at the widest F1.4 aperture setting. The lens is both compact and the lightest in its class2, maximising portability. It also offers fast, precise AF drive, top-level control and reliability.  Advanced optical technology achieves spectacular resolution even at F1.4 Two XA (extreme aspherical) elements in an optical design that meets stringent G Master requirements contribute to consistently high resolution throughout the image area. Three ED (Extra-low Dispersion) glass elements are also included to effectively suppress chromatic aberration. This innovative optical design minimises sagittal flare so that point light sources are accurately reproduced. State-of-the-art optical design faithfully reproduces point sources A new optical design incorporating two precision XA elements suppresses sagittal flare, a common aberration in large-aperture lenses. Sagittal flare can cause an unnatural spreading of point light sources that becomes more pronounced towards the image periphery. Innovative optical design in a compact, lightweight lens A new optical design that reduces overall lens diameter by employing two XA elements, one for the front element that is normally the largest in a lens, combines with a newly developed DDSSM (Direct Drive SSM) focus drive system to achieve a remarkably light total weight of just 445 grams (15.7 oz) . The reduced size and weight of this lens makes it an ideal match for compact E-mount bodies, providing outstanding mobility. Breathtaking G Master bokeh An 11-blade circular aperture enhances soft, natural looking bokeh achieved through advanced design and a manufacturing process that includes precise control of spherical aberration. A minimum focusing distance of 0.24 m (0.79 ft) and maximum magnification of 0.17x mean close-up capability that, combined with the wide-angle view of the lens, can produce dramatic perspectives that also make good use of deep, lush bokeh. Fast, precise, quiet AF for stills and movies A newly designed high-power DDSSM optimised for this lens, delivers approximately three times greater thrust than the previous focus drive system. The increased power of the new DDSSM system provides faster, more precise, quieter autofocus drive capability, for outstanding performance when shooting stills and movies. Professional control and dependability for stills and movies Customisable focus hold button, aperture ring, aperture click switch, Linear Response MF, dust and moisture resistant design3, and fluorine front-element coating adds up to fully professional control and reliability for movies as well as stills.

Sony SEL-1655G.SYX E 16-55mm f/2.8 G Lens

Sony SEL-1655G.SYX (SEL1655G.SYX, SEL1655G, SEL-1655G, sel1655g) E 16-55mm f/2.8 G Lens Fast constant F2.8 zoom Sony's first 16–55 mm (24–82.5 mm full-frame equiv.) APS-C zoom with a constant F2.8 aperture is compact while offering performance befitting the G Lens series. A new optical design delivers excellent corner-to-corner resolution, and beautiful bokeh is available when needed. It is compact, lightweight and ideal for a wide range of subjects. Excellent G Lens resolution Two AA (advanced aspherical) and two aspherical elements suppress aberration for outstanding corner-to-corner G Lens resolution, while three ED (Extra-low Dispersion) glass elements reduce colour bleeding to a minimum. You get sharp, clear detail and natural colour throughout the zoom range at any focusing distance. Smooth, beautiful bokeh Spherical aberration has a large effect on bokeh quality, and is precisely controlled to deliver smooth, attractive bokeh in out-of-focus areas. A 9-blade circular aperture also contributes to this lens's beautiful bokeh. Sharp in-focus detail contrasts with luscious background bokeh for deep, impressive imagery. Crisp contrast Sony's original Nano AR Coating creates a precise, regular nanostructure on lens surfaces that does not interfere with light transmission while suppressing reflections that can cause flare and ghosting. Internal reflections are reduced to an absolute minimum, achieving outstanding clarity and contrast. (1. Nano AR Coating / 2. Glass / 3. Transmitted light) Fast, precise AF and tracking The same type of Sony's advanced XD (eXtreme Dynamic) linear motor used in G Master series lenses is employed in this lens. The XD Linear Motor fully utilises the speed potential of the camera body, focusing on and tracking even fast-moving subjects with outstanding speed and precision. Compact, lightweight and bright Optimised mechanical and optical design achieve a weight of just 494 g (17.5) in a compact, constant F2.8 16–55 mm (24–82.5 mm full-frame equiv.) zoom lens. This fine lens is ideal for everything from portraits to everyday snapshots, combining with compact E-mount bodies to form a highly mobile, manageable system for a wide range of photographic applications. Customisable focus hold button A focus hold button on the lens barrel is conveniently positioned for easy focus hold control. The button can also be customised via a camera menu that allows assignment of other functions, such as Right/Left Eye Select, as required. Linear Response MF Sony’s Linear Response MF feature ensures that the focus ring responds directly and linearly to subtle control when focusing manually. Focus ring rotation translates directly to a corresponding change in focus, so control feels immediate and precise. Focus mode switch A focus mode switch that allows instant switching between auto and manual focus modes can be a great advantage when shooting subjects or situations that require fine manual focus adjustment. Fluorine coated front element The front lens element features a fluorine coating that repels water, oil, and other contaminants, while making it easier to wipe off any contaminants or fingerprints that do become attached to the lens surface. Dust and moisture resistant A dust-resistant and moisture-resistant design3 provides the reliability needed for outdoor use in challenging conditions.

Sony SEL-600F40GM.SYX FE 600mm f/4 GM OSS Lens

Sony SEL-600F40GM.SYX (SEL600F40GM.SYX, SEL-600F40GM, SEL600F40GM, sel-600f40gm.syx) FE 600mm f/4 GM OSS Lens 600-mm F4 G Master super-telephoto lens Fast autofocus plus stunning G Master resolution and gorgeous bokeh in a lightweight, well-balanced, mobile lens. Sony's original XA lens and XD linear motor technologies contribute to peak optical and mechanical performance, making it possible to capture dynamic, eye-catching images from afar. Ideal for sports, news and nature photography. XD Motors for fast, precise, tenacious AF Two XD (extreme dynamic) linear motors provide fast, precise AF and reliable tracking, bringing out the best in modern camera bodies and effortlessly maintaining accurate focus on fast-moving sports and wildlife subjects. A new control algorithm contributes to fast, quiet positioning of the large focus group with minimum delay and vibration. Large XA element enhances image quality An exacting G Master optical design maintains extremely high contrast right out to the image edges. A newly developed large XA (extreme aspherical) element and three fluorite elements suppress the chromatic aberration that can be a problem in telephoto lenses, achieving stunning resolution and detail throughout the image area. Gorgeous G Master bokeh In addition to including a new large-aperture XA (extreme aspherical) element with extremely high surface precision, each lens is individually calibrated to control spherical aberration so that gorgeous G Master bokeh is optimally balanced with high resolution. An 11-blade circular aperture further adds to the beauty of the lens's smooth bokeh. Flare-resistant for superior clarity Sony's original Nano AR Coating, flocking on critical interior surfaces, and other design refinements minimise internal reflections so that the lens is highly resistant to flare and ghosting, which can degrade image clarity. Rendering is crisp and clear even in difficult light. (1. Nano AR coating / 2. Glass / 3. Transmitted light) Extra reach with 1.4x/2.0x teleconverters3 Optional high-performance 1.4x and 2.0x teleconverters are available. The 2.0x teleconverter extends the focal length of the lens to 1,200 mm (1,800 mm on an APS-C body) with F8 maximum aperture, while maintaining outstanding optical quality as well as AF speed and precision. Dust and moisture resistant design4 A dust-resistant and moisture-resistant design provides the reliability needed for outdoor use in challenging conditions. Rigid magnesium alloy barrel components A high-rigidity magnesium alloy used for the lens barrel exterior, tripod mount and critical interior components provides the dual benefits of outstanding durability and reduced weight — both are advantages when shooting in challenging situations and environments. Light and well-balanced for easy shooting A low weight of just 3,040 grams and sublime balance make it possible to take full advantage of outstanding optical performance even when shooting handheld or on a monopod, all thanks to technology inherited from the SEL400F28GM. With a compact, lightweight E-mount body, the centre of gravity is ideally located for smooth, precise panning. Fluorine front-element coating The front lens element features a fluorine coating that repels water, oil, and other contaminants, while making it easier to wipe off any contaminants or fingerprints that do become attached to the lens surface. Lightweight carbon fibre lens hood This lightweight, durable carbon fibre lens hood also features a flocked interior, which maximises its effectiveness at blocking unwanted light which can degrade image quality. Rigid, durable mount design Designed to withstand the rigors of professional use, the number of screws used to attach the mount has been increased and other refinements have been applied to ensure maximum rigidity and reliability. Trunk-style dedicated hard case A specially designed trunk-style carrying case protects the lens from shock and vibration during transportation. Full-time DMF When the FULL TIME DMF switch is ON, manual focus is automatically engaged when the focus ring is operated, even in the AF-C mode. This capability can be used to correct focus when autofocus targets the wrong subject, for example. It is also a great way to refine focus after initial autofocus when shutter button half-press autofocus is disengaged. 3-mode Optical SteadyShot™ Optical image Stabilisation makes it easier to shoot sharp images handheld at super-telephoto focal lengths. MODE 2 offers ideal Stabilisation for panned shots, while MODE 3 provides enhanced viewfinder Stabilisation that allows easier framing of dynamic sports or wildlife action. 5-axis Stabilisation is available with compatible α bodies. Natural, linear manual focus response Linear Response MF ensures that the focus ring responds directly and linearly to subtle control when focusing manually. Focus ring rotation translates directly to a corresponding change in focus, so control feels immediate and precise. Four Customisable focus hold buttons Customisable focus hold buttons are provided in four locations for easy access when shooting in any orientation. The focus hold buttons can also be Customised via a camera menu that allows assignment of other functions, such as Eye AF, as required. Versatile function ring A versatile, convenient function ring can be switched to preset focus, assigned function control or no function via the mode selector. Smooth power focus If the function ring mode switch is set to FUNCTION and the power focus function is assigned, rotating the ring causes the lens to focus smoothly in the specified direction at a speed determined by the degree of rotation. Power focus is useful for executing smooth pull focus effects when shooting movies. Fast switching from full-frame to APS-C5  If the function ring mode switch is set to FUNCTION and the APS-C/full-frame switching function is assigned, the function ring can be rotated to instantly switch between APS-C and full-frame view angles (supported by the latest the α9 software version). Instantly focus on a predefined point Once a predefined focus point has been memorised via the SET button, rotating the function ring will instantly recall the preset focus point if the PRESET mode is active. This is an ideal way to preset focus points for fast sports action, for example. It works in the AF and MF modes, and is unaffected by focus range limiter settings. Focus range limiter for faster focus A focus range limiter switch makes it possible to limit the lens’s autofocus range to 4.5 to 15 metres, 15 metres to infinity or allow full-range autofocus with no limit. This can speed up autofocus in some situations by preventing the lens from focusing on subjects outside the target range. Durable, versatile tripod mount The tripod mount for the lens is equipped with bearings that enhance durability while promoting smooth rotation. There are also 90° click stops that can be switched ON or OFF according to the user's preference: ON for sure, fast 90° positioning, or OFF for reduced resistance and smooth rotation. Slide-in filter slot6 A filter slot accepts standard 40.5-mm ND and other filter types, as well as the optional VF-DCPL1 circular polarising filter. The VF-DCPL1 circular polarising filter can be rotated for optimum effect while installed in the lens.

Sony SEL-400F28GM.SYX FE 400mm F2.8 GM OSS Lens

Sony SEL-400F28GM.SYX (SEL-400F28GM, SEL400F28GM.SYX, SEL400F28GM, sel-400f28gm.syx) FE 400mm F2.8 GM OSS Lens Innovative G Master F2.8 super telephoto Sony’s most advanced lens technologies have been unsparingly applied in this large-aperture super telephoto lens, achieving extraordinary speed, outstanding G Master resolution and bokeh, plus professional control and reliability. Moreover, the SEL400F28GM is a remarkably lightweight super telephoto lens, providing unparalleled handheld shooting freedom. Speed that maximises body performance New XD (extreme dynamic) Linear Motors deliver higher thrust than conventional types, achieving up to 5x improvement2 in moving-subject tracking performance with current and future camera bodies. Two of these new motors and newly developed algorithms quietly drive the lens’s large-focus lens group faster and more precisely than ever before. The full-speed performance of advanced camera bodies can be applied to capturing dynamic sports or wildlife subjects. Stunning G Master resolution and bokeh Extremely high design standards ensure outstanding resolution right out to the image edges. Three fluorite elements minimise chromatic aberration. Spherical aberration is carefully controlled during design and manufacture to achieve the highest possible bokeh quality. Optional high-performance 1.4x and 2.0x tele-converters are supported3, providing outstanding resolution and contrast even at 800 mm. Remarkably lightweight at just 2.90 g (102.2 oz) An innovative optical design that includes three fluorite elements reduces the number of elements at the front of the lens barrel for a low weight of 2,895 grams (102.2 ounces). Durable magnesium alloy components also contribute to reduced weight. Portability and handling are outstanding and ideal balance affords agile, easy operation whether shooting handheld or on a monopod. Durability and reliability for challenging conditions Dust- and moisture-resistant design4 provides the reliability needed for outdoor use in harsh conditions. A durable magnesium alloy used for the lens barrel exterior, tripod mount, and interior barrel components achieves tough durability while minimising overall weight. The front lens element features a fluorine coating that helps to keep it clean while making it easier to wipe dirt and fingerprints away. Features for professional shooting needs Full-time DMF allows manual focus to be engaged simply by rotating the focus ring, even while shooting in AF-C mode. Optical image stabilisation is built in and a new Mode 35 setting features an advanced algorithm that provides optimum stabilisation for dynamic sports action while also making framing easier. Four focus-hold buttons and a focus ring with Linear Response MF further enhance versatility.

Sony SEL-35F18F FE 35mm f/1.8 Lens

Sony SEL-35F18F (SEL35F18F, sel-35f18f, sel35f18f) FE 35mm f/1.8 Lens A fast, versatile prime for all occasions Offering outstanding image quality even at its maximum F1.8 aperture, the compact, lightweight 35-mm prime lens for full-frame cameras is a versatile choice for everything from tabletop photography to the great outdoors. Fast, precise, quiet AF operation and reliable AF tracking make it suitable for shooting videos as well as stills. Full frame, fast, small and lightweight Although this fast F1.8 lens weighs a mere 280 g (9.9 oz) and is just 65.6 mm x 73 mm in size, it offers outstanding image quality that makes it a great all-around choice for photography and moviemaking. It is a full-frame lens, but balances well with APS-C bodies, providing an equivalent focal length of 52.5 mm, which is ideal for portraits and snapshots. High corner-to-corner resolution An aspherical element is strategically implemented in this lens's advanced design to suppress optical aberration and achieve high resolution right out to the image periphery. Smooth bokeh is also available when needed, supported by a nine-blade circular aperture mechanism that contributes to natural-looking bokeh.  Reliable AF tracking for any situation The narrow depth of field available at a wide F1.8 aperture makes focus critical. The quiet, fast response and high precision of this lens's linear-motor AF drive system ensure precise focus not only for stills, but also for movies where "wobbling" is employed for delicate continuous focus control. Move in for impressive close-ups A 0.22 m (0.73 ft) minimum focus distance and 0.24x maximum magnification make this lens useful for close-ups as well as general photography and moviemaking. High optical performance is maintained at close range, providing the quality needed to create stunning images of tabletop subjects, flowers and more. Customisable focus hold button A conveniently placed focus hold button not only offers easy focus hold control, but can be assigned to a variety of other functions from a menu accessed via the camera body. The focus hold button can be assigned to display grid lines to aid composition, adjust white balance and other functions that support efficient, versatile shooting. Easy manual/auto focus switching A focus mode switch that allows instant switching between auto and manual focus modes can be a great advantage when shooting subjects or situations that require fine manual focus adjustment. Dust and moisture resistant design A dust-resistant and moisture-resistant design3 provides the reliability needed for outdoor use in challenging conditions. Natural, linear manual focus response Linear Response MF ensures that the focus ring responds directly and linearly to subtle control when focusing manually. Focus ring rotation translates directly to a corresponding change in focus, so control feels immediate and precise.

Sony SEL-200600G.SYX FE 200–600mm F5.6–6.3 G OSS Lens

Sony SEL-200600G.SYX (SEL200600G.SYX, SEL-200600G, SEL200600G, sel-200600g.syx) FE 200–600mm F5.6–6.3 G OSS Lens Explore the world with 200–600 mm zoom Perfect for wildlife and more, this 200–600mm super-telephoto zoom can reach as far as 840mm or 1200mm with 1.4x and 2.0x teleconverters, with full G lens quality and AF performance. Aspherical and ED glass elements achieve superb resolution throughout the zoom range, while Sony's Nano AR Coating cuts flare and ghosting. The bokeh is gorgeous, too. Zoom to 600 mm, or 1,200 with teleconverter Compatible with optional 1.4x and 2.0x teleconverters, for a maximum focal length of 840 mm or 1,200 mm at F13. Both teleconverters are top quality, retaining outstanding image quality and AF performance. Zoom and aperture range with the 1.4x teleconverter is 280–840 mm, F8–9. With the 2.0x teleconverter the ranges are 400–1,200 mm, F11–13. High resolution throughout the zoom range Five ED (Extra-low Dispersion) glass elements and one aspherical element in a new optical design offer superb resolution and image quality throughout the zoom range. The aspherical element suppresses spherical aberration and distortion, while the ED glass elements minimise chromatic aberration, which can be a problem at super-telephoto focal lengths. Beautiful, natural G lens bokeh An 11-blade circular aperture mechanism adds to the beauty of the bokeh produced by this lens, making it possible to use the narrow depth of field available at super-telephoto focal lengths to produce striking images with deep, creamy G lens bokeh. Nano AR Coating stops flare and ghosting Sony's original Nano AR Coating has a uniform nanometre-level structure that breaks up the lens's boundary surface, significantly reducing reflections, which can cause image-degrading flare and ghosting. The overall result is superior image clarity and contrast. (1. Nano AR Coating / 2. Glass / 3. Transmitted light) 3-mode Optical SteadyShot Optical image Stabilisation makes it easier to shoot sharp images handheld at super-telephoto focal lengths. MODE 2 offers ideal Stabilisation for panned shots, while MODE 33 provides enhanced viewfinder Stabilisation that allows easier framing of erratic sports or wildlife movement. 5-axis Stabilisation is available with compatible α bodies. Fast, precise AF tracks swift subjects Sony's DDSSM (Direct Drive SSM) system has the power and precision needed to drive the lens's mechanism for remarkably fast, accurate focusing. High positioning accuracy means that no movement is wasted. Pinpoint autofocus is achieved with blazing speed. The DDSSM system is incredibly quiet, too. Three customisable focus hold buttons customisable focus hold buttons are provided in three locations 90° apart, providing easy access when shooting in horizontal orientation or vertical orientation with the camera grip up or down. Other functions can be assigned to the buttons as required. Focus range limiter for faster focus A focus range limiter switch makes it possible to limit the lens's autofocus range to 2.4 to 10 metres, 10 metres to infinity or allow full-range autofocus with no limit. This can speed up autofocus in some situations by preventing the lens from focusing on subjects outside the target range. Internal zoom supports stable shooting An internal zoom mechanism means that the length of the lens does not change while zooming, for stable handheld operation with consistent balance. Internal zoom also means that the distance between the front element and the subject does not change. Dust and moisture resistant design A dust- and moisture-resistant design provides the reliability needed for outdoor use in challenging conditions.4 Fluorine front-element coating The front lens element features a fluorine coating that repels water, oil, and other contaminants, while making it easier to wipe off any contaminants or fingerprints that do become attached to the lens surface. Natural, linear manual focus response Linear Response MF ensures that the focus ring responds directly and linearly to subtle control when focusing manually. Focus ring rotation translates directly to a corresponding change in focus, so control feels immediate and precise. Removable tripod mount A removable tripod mount allows quick attachment to or removal from a tripod so the user can easily switch between tripod and handheld shooting. The mount can also be removed for convenient transport and storage. A lock mechanism prevents accidental removal.

Sony FE 85mm f/1.4 GM Lens SEL-135F18GM.SYX

Sony SEL-135F18GM.SYX (SEL135F18GM.SYX, SEL-135F18GM, SEL135F18GM, sel-135f18gm.syx) FE 85mm f/1.4 GM Lens An F1.8 135-mm prime with superb resolution, bokeh and AF Unsparing application of Sony's most advanced optical technologies has produced a large-aperture prime telephoto lens that delivers outstanding corner-to-corner resolution even at F1.8, plus exquisite bokeh that is a hallmark of the G Master series. XA and Super ED elements deliver high resolution XA (extreme aspherical), Super ED (extra-low dispersion) glass, and ED glass elements precisely deployed in an advanced optical design effectively correct aberration, while a floating focus system works with these aberration correction measures to ensure that the highest possible resolution is maintained right out to the image edges throughout the lens's focus range. Narrow depth of field with breathtaking G Master bokeh The extremely high surface precision of XA elements, careful control of spherical aberration at both the design and the manufacturing stages and an 11-blade circular aperture all come together to produce spectacularly smooth, elegant G Master bokeh that maximises the creative potential of the narrow depth of field available with this 135-mm F1.8 lens. Dual front and rear XD linear motors achieve fast, precise, quiet AF Sony's innovative XD (extreme dynamic) linear motors also play an important role, making it possible to maintain focus on moving portrait subjects, performers on stage, or similarly dynamic subjects with impressive speed, precision, and reliability, while also providing AF control that is quiet and virtually free of vibration. Floating focus mechanism for improved close-up capability Although it is a 135-mm telephoto lens, a floating focus system that effectively controls aberration at all focusing distances has made it possible to achieve a minimum focus distance of just 0.7 m (2.3 ft) and a maximum magnification of 0.25x for close-up photography. Small accessories and other subjects can be captured with remarkable resolution and soft, beautiful background bokeh. Superior imaging plus mobility, operability and reliability The important features include customisable focus hold buttons, a focus range limiter, an aperture ring with switchable click stops, a dust/moisture resistant design2 and a fluorine coated front element. Overall, this is a lens that meets professional requirements for control and reliability for both stills and movies.

Sony SAL-85F28.AE 85mm F2.8 SAM Portrait Lens

Sony SAL-85F28.AE (SAL85F28, SAL-85F28, SAL85F28.AE, sal-85f28.ae) 85mm F2.8 SAM Portrait Lens Light, compact, mid-range telephoto Along with its versatile 85 mm focal length, this lens has a large F2.8 max. aperture enabling beautifully defocused backgrounds so you can make your subject "pop". Smooth defocusing Instead of a standard polygon-shaped lens aperture, this lens features a 7-blade circular aperture for more natural, rounded defocusing or ‘bokeh’. Refined optical performance Precision optical design minimises distortion and aberration, and ensures high contrast from the image centre all the way to the periphery. Smooth, silent autofocus Built into the lens, the Smooth Autofocus Motor (SAM) is significantly smoother and quieter than conventional camera-coupled autofocus drive systems. Say goodbye to blur Pair the lens with a camera by Sony featuring built-in SteadyShot™ image stabilisation and you’ll enjoy smooth, blur-free results when shooting handheld.

Sony SAL-70300G2.SYX 70–300mm F4.5–5.6 G SSM II lens

Sony SAL-70300G2.SYX (SAL-70300G2, SAL70300G2.SYX, SAL70300G2, sal-70300g2.syx) 70–300mm F4.5–5.6 G SSM II lens 70-300 mm range with G Lens quality This 70-300 mm zoom is an excellent choice for sports and wildlife, and 1.2 metre minimum focus makes it useful for portraits and flowers too. Nano AR Coating technology enhances clarity, and an advanced optical design achieves high contrast and resolution throughout the zoom range. AF tracking is faster than the previous model and a new dust and moisture resistant design maximizes reliability. Wide 70-300 mm zoom range An outstanding zoom range for a variety of subjects, from portraits to sports and more! A 1.2 metre minimum focusing distance makes this lens useful for close-up applications too. Outstanding clarity and contrast Sony’s original Nano AR Coating technology effectively suppresses lens surface reflections for dramatically reduced flare and ghosting, resulting in notably enhanced overall image quality. The Nano AR Coating is used in an advanced optical design that also achieves high contrast and excellent resolution throughout the zoom range. Fast tracking for sports and wildlife Responsive SSM (Super Sonic wave Motor) focus drive and new high-speed lens processing boost autofocus speed and precision by up to four times. Reliable and easy in any conditions Reliable operation in a variety of conditions is ensured by a design that prevents dust and moisture from entering the lens. Sharp, well-defined reproduction The inclusion of an ED (Extra-low Dispersion) glass element in an advanced optical design effectively suppresses chromatic aberration that can be a problem in telephoto lenses, providing superior image quality throughout the zoom range. This lens can also produce gorgeous beautifully smooth background bokeh when needed.

Sony SAL-70200G2.AE 70–200mm F2.8 G SSM II Lens

Sony SAL-70200G2.AE (SAL70200G2, SAL70200G2.AE, SAL-70200G2, sal-70200g2.ae) 70–200mm F2.8 G SSM II Lens Outstanding imagery with beautiful bokeh With a constant F2.8 maximum aperture throughout a versatile 70 mm medium telephoto to 200 mm telephoto zoom range, this lens is well suited to a wide range of subjects such as sports, portraiture, landscapes and much more. It delivers outstanding sharpness and clarity throughout the zoom range, with gorgeous background bokeh when needed. A dust and moisture resistant design contributes to consistently reliable performance when shooting outdoors. Improved performance at all focal lengths The popular 70–200 mm F2.8 G SSM lens has evolved to an even higher level in Version II, with an optical design that delivers optimum quality with digital image sensors. Reproduction of fine detail throughout the image area has been significantly enhanced, and beautiful G Lens background bokeh adds to its expressive appeal. Clear images with crisp contrast In addition to precision optical design, Sony’s Nano AR Coating technology produces a lens coating with a precisely defined regular Nano-structure that effectively suppresses reflections that can cause flare and ghosting. The overall result is superior clarity and crisp contrast that add up to outstanding definition. Faster tracking and improved response Sony’s SSM autofocus drive system is a desirable feature in itself, offering exceptionally smooth, quiet operation. A new LSI drive circuit takes that performance to a new level, achieving significantly faster autofocus subject tracking than previous models and making the SSM drive system more responsive than ever. A refined operating experience Three focus hold buttons around the lens barrel provide easy access no matter how the camera is held. Sony's thorough attention to operational ease is also apparent in a focus mode and range limiter switch, and DMF (Direct manual Focus) capability. SSM (Super Sonic wave Motor) focus drive The SSM (Super Sonic wave Motor) is a piezoelectric drive system that contributes to smooth, silent autofocus operation. Its capacity for high torque at low rotational speeds contributes to fast start and stop response as well as precise positioning. To the photographer that means quick, quiet, accurate focus. Sharp, well-defined reproduction Four ED (Extra-low Dispersion) glass elements contribute to prime-lens class sharpness throughout the zoom range, but this lens can also produce gorgeous background bokeh when needed. Dust and moisture resistant Some of the most exciting images are captured in challenging environments. A dust and moisture resistant design means that the lens will continue to perform reliably in moderately wet or dusty conditions, so you can shoot with confidence wherever those great shots are found.

Sony SAL-55300.AE DT 55–300mm F4.5–5.6 SAM lens

Sony SAL-55300.AE (SAL55300.AE, SAL-55300, SAL55300, sal-55300.ae) DT 55–300mm F4.5–5.6 SAM lens Quiet, quick, all-purpose telephoto zoom Compact, lightweight telephoto zoom lens offers smooth, silent operation and covers the all-important medium-to-long distance telephoto range. Compact and stylish interchangeable lens Designed for advanced performance at a range of focal lengths for all SLT and DSLR cameras featuring APS-C sensors Shoot at a wide-range of focal lengths A 5.5x magnification range covers focal lengths from 55 mm to 300 mm, with the power to capture wildlife and fast action Fast and quiet autofocus The whisper-quiet Smooth Autofocus Motor delivers fluid operation of the lens autofocus function — ideal for intimate shoots Higher image quality with ED glass Extra-Low Dispersion glass reduces chromatic aberrations to sharpen image quality at medium to long focal lengths Maximise coverage with a standard zoom With a standard zoom lens (DT18–55 mm F3.5–5.6) you get even broader focal coverage, from 27 mm wide angle to 450 mm super telephoto

Sony SAL-55200-2.AE DT 55–200mm F4–5.6 SAM Zoom Lens

Sony SAL-55200-2.AE (SAL55200-2.AE, SAL55200/2, SAL55200-2, sal-55200-2.ae) DT 55–200mm F4–5.6 SAM Zoom Lens Compact and versatile telephoto zoom Covering the medium to telephoto stretch of the "standard" zoom range, SAL55200-2 is a lightweight, easy-handling choice for shooting sports, wildlife and travel. Compatible with 35 mm Full Frame 2, or APS-C format A-mount cameras. Say goodbye to blur Pair the lens with a camera by Sony with SteadyShot™ INSIDE and you’ll enjoy smooth, blur-free results when shooting handheld, even zoomed-in. Smooth defocusing Instead of a standard polygon-shaped lens aperture, this lens features a 9-blade circular aperture for more natural, rounded defocusing or ‘bokeh’. Refined optical performance ED (Extra-low Dispersion) glass elements provide superior contrast, resolution and colour fidelity throughout the image, even at large aperture settings. Smooth, silent autofocus Built into the lens, the Smooth Autofocus Motor (SAM) is significantly smoother and quieter than conventional camera-coupled autofocus drive systems.

Sony SAL-50M28.AE 50mm F/2.8 Macro Prime Lens

Sony SAL-50M28.AE (SAL-50M28.AE, SAL-50M28, SAL50M28, sal-50m28.ae) 50mm F/2.8 Macro Prime Lens Crisp, sharp shots from as close as 20 cm When you want to get in close to a subject, this compact 50 mm macro lens lets you fill the frame with razor-sharp detail from a minimum 20 cm focusing distance. This 35 MM Full-Frame lens works with Sony α cameras. Say goodbye to blur Pair the lens with a camera by Sony with SteadyShot™ INSIDE and you’ll enjoy smooth, blur-free results when shooting handheld, even zoomed-in. Smooth defocusing Instead of a standard polygon-shaped lens aperture, this lens features a 7-blade circular aperture for more natural, rounded defocusing or ‘bokeh’. Refined optical performance Multiple lens elements crafted from high performance optical glass help to minimise distortion and aberration, ensuring crisp, sharp images.

Sony SAL-50F18.AE DT 50mm F1.8 SAM Portrait Lens

Sony SAL-50F18.AE (SAL50F18.AE, SAL-50F18, SAL50F18, sal-50f18.ae) DT 50mm F1.8 SAM Portrait Lens Make your subject stand out With its bright F1.8 maximum aperture, the SAL50F18 is ideal for framing and isolating your subject, even if it's competing with a busy background. Compatible with 35 mm Full Frame 2, or APS-C format A-mount cameras. Say goodbye to blur Pair the lens with a camera by Sony with SteadyShot™ INSIDE and you’ll enjoy smooth, blur-free results when shooting handheld, even zoomed-in. Smooth defocusing Instead of a standard polygon-shaped lens aperture, this lens features a 7-blade circular aperture for more natural, rounded defocusing or ‘bokeh’. Refined optical performance Multiple lens elements crafted from high performance optical glass help to minimise distortion and aberration, ensuring crisp, sharp images. Smooth, silent autofocus Built into the lens, the Smooth Autofocus Motor (SAM) is significantly smoother and quieter than conventional camera-coupled autofocus drive systems.

Sony SAL-50F14.AE 50mm f/1.4 Alpha A-Mount Standard Prime Lens

Sony SAL-50F14.AE (SAL50F14.AE, SAL-50F14, SAL50F14, sal-50f14.ae) 50mm f/1.4 Alpha A-Mount Standard Prime Lens Edge-to-edge clarity, even in low light The quintessential fast "normal" lens, the SAL50F14 offers exceptional performance, with the F1.4 aperture enabling beautiful defocus effects and low-light shooting. This 35 MM Full-Frame lens works with Sony α cameras. Say goodbye to blur Pair the lens with a camera by Sony with SteadyShot™ INSIDE and you’ll enjoy smooth, blur-free results when shooting handheld, even zoomed-in. Smooth defocusing Instead of a standard polygon-shaped lens aperture, this lens features a 7-blade circular aperture for more natural, rounded defocusing or ‘bokeh’. Refined optical performance To optimise performance, two aspherical lens elements maintain high contrast (even with the aperture wide open) and minimise distortion and flatness of the image plane.

Sony SAL-500F40G.AE 500mm f/4.0 G Telephoto Prime Lens

Sony SAL-500F40G.AE (SAL-500F40G.AE, SAL500F40G, SAL500F40G, sal-500f40G.ae) 500mm f/4.0 G Telephoto Prime Lens Perfection in a super-telephoto prime This 500 mm super-telephoto lens with a constant F4 maximum aperture is ideal for sports and wildlife photographers, providing extended telephoto reach along with top-level optical performance and features. It is exceptionally sharp with superb contrast and definition, and can produce gorgeous background bokeh when required. It can also handle heavy-duty use in outdoor conditions. Full support for high pixel count sensors Current image sensors offer resolution and overall image quality that easily surpass film and this lens features the performance necessary to take full advantage of that imaging precision. Cutting-edge G Lens technology comes together in a truly refined design that represents the very peak of α lens performance and control. Clear images with crisp contrast In addition to precision optical design, Sony’s Nano AR Coating technology produces a lens coating with a precisely defined regular Nano-structure that effectively suppresses reflections that can cause flare and ghosting. The overall result is superior clarity and crisp contrast that add up to outstanding definition. Sharp from corner to corner Three ED (Extra-low Dispersion) glass elements in a state-of-the-art optical design minimise aberration and achieve excellent image-wide sharpness, providing a perfect blend of high resolution and excellent contrast in in-focus areas with beautifully smooth background bokeh that can make the subject stand out for deep, dimensional visual impact. Dust and moisture resistant Some of the most exciting images are captured in challenging environments. A dust and moisture resistant design means that the lens will continue to perform reliably in moderately wet or dusty conditions, so you can shoot with confidence wherever those great shots are found. Faster tracking and improved response Sony’s SSM autofocus drive system is a desirable feature in itself, offering exceptionally smooth, quiet operation. A new LSI drive circuit takes that performance to a new level, achieving significantly faster autofocus subject tracking than previous models and making the SSM drive system more responsive than ever. SSM (Super Sonic wave Motor) focus drive The SSM (Super Sonic wave Motor) is a piezoelectric drive system that contributes to smooth, silent autofocus operation. Its capacity for high torque at low rotational speeds contributes to fast start and stop response as well as precise positioning. To the photographer that means quick, quiet, accurate focus. A refined operating experience Four focus hold buttons around the lens barrel provide easy access no matter how the camera is held. Sony’s thorough attention to operational ease is also apparent in dual DMF (Direct Manual Focus) modes, a focus range switch and a function that measures the distance to the subject before focusing. Carbon fibre lens hood The lens hood is an important part of a lens’s optical design and should always be used when optimum performance is desired. This lens comes supplied with a carbon-fibre lens hood that is lightweight and lined with velvet fibres that will effectively absorb spurious light.

Sony SAL-30M28.AE DT 30mm F2.8 SAM Macro Lens

Sony SAL-30M28.AE (SAL30M28.AE, SAL30M28, SAL-30M28, sal-30m28.ae) DT 30mm F2.8 SAM Macro Lens Lightweight and compact, the SAL30M28 lets you get as close as 20 mm from your subject and capture macro images with up to 1:1 magnification. Say goodbye to blur Pair the lens with a camera by Sony with SteadyShot™ INSIDE and you’ll enjoy smooth, blur-free results when shooting handheld, even zoomed-in. Smooth defocusing Instead of a standard polygon-shaped lens aperture, this lens features a 7-blade circular aperture for more natural, rounded defocusing or ‘bokeh’. Refined optical performance Multiple lens elements crafted from high performance optical glass help to minimise distortion and aberration, ensuring crisp, sharp images. Smooth, silent autofocus Built into the lens, the Smooth Autofocus Motor (SAM) is significantly smoother and quieter than conventional camera-coupled autofocus drive systems.

Sony SAL-300F28G2.AE 300mm F2.8 G SSM II Lens

Sony SAL-300F28G2.AE (SAL300F28G2.AE, SAL-300F28G2, SAL300F28G2, sal-300f28g2.ae) 300mm F2.8 G SSM II Lens Ideal for nature and action photography This large-aperture telephoto lens offers optical quality that fully supports high-resolution image sensors, plus excellent balance between contrast and background blur. With a 300 mm focal length and F2.8 maximum aperture it is a tool that nature and sports photographers will appreciate, and its lightweight design offers the mobility needed to be in the right place at the right time. Superior resolution with great bokeh A refined G Lens optical design that includes ED (Extra-low Dispersion) glass for optimum suppression of aberration gives this high-performance telephoto lens a perfect blend of high resolution and excellent contrast in in-focus areas with beautifully smooth background bokeh that can make the subject stand out for deep, dimensional visual impact. Clear images with crisp contrast In addition to precision optical design, Sony’s Nano AR Coating technology produces a lens coating with a precisely defined regular Nano-structure that effectively suppresses reflections that can cause flare and ghosting. The overall result is superior clarity and crisp contrast that add up to outstanding definition. Faster tracking and improved response Sony’s SSM autofocus drive system is a desirable feature in itself, offering exceptionally smooth, quiet operation. A new LSI drive circuit takes that performance to a new level, achieving significantly faster autofocus subject tracking than previous models and making the SSM drive system more responsive than ever. A refined operating experience Four focus hold buttons around the lens barrel provide easy access no matter how the camera is held. Sony’s thorough attention to operational ease is also apparent in dual DMF (Direct Manual Focus) modes, a focus range switch and a function that measures the distance to the subject before focusing. SSM (Super Sonic wave Motor) focus drive The SSM (Super Sonic wave Motor) is a piezoelectric drive system that contributes to smooth, silent autofocus operation. Its capacity for high torque at low rotational speeds contributes to fast start and stop response as well as precise positioning. To the photographer that means quick, quiet, accurate focus. Dust and moisture resistant Some of the most exciting images are captured in challenging environments. A dust and moisture resistant design means that the lens will continue to perform reliably in moderately wet or dusty conditions, so you can shoot with confidence wherever those great shots are found. Carbon fibre lens hood The lens hood is an important part of a lens’s optical design and should always be used when optimum performance is desired. This lens comes supplied with a carbon-fibre lens hood that is lightweight and lined with velvet fibres that will effectively absorb spurious light.

Sony SAL-2470Z2.SYX 24-70mm f/2.8 ZA SSM II Vario-Sonnar T Lens

Sony SAL-2470Z2.SYX (SAL2470Z2, SAL-2470Z2, SAL2470Z2.SYX, sal-2470Z2.syx) 24-70mm f/2.8 ZA SSM II Vario-Sonnar T Lens A popular pick for professionals using full-frame A-mount cameras, the Vario-Sonnar T* 24-70mm f/2.8 ZA SSM II Lens from Sony covers many of the most commonly used focal lengths in its wide-angle to short telephoto range, which make this optic an outstanding option for photographers working quickly in a variety of shooting situations. Offering a constant f/2.8 aperture, shooters will enjoy consistent exposure throughout the zoom range. Also, the lens design incorporates two aspherical elements to combat aberrations and uses the Zeiss T* coating to effectively eliminate flare. Operation is smooth and fast with an enhanced Super Sonic wave Motor (SSM) AF system, as well as a focus hold button and focus mode switch for intuitive control. Assisting with focus speed is an internal focus design for faster performance and reaching a minimum focus distance of 11". Additionally, it has a dust- and moisture-resistant construction and a nine-blade circular diaphragm for smooth bokeh. Based on the Zeiss Sonnar optical concept, this lens uses a design with 17 elements in 13 groups that helps create a relatively compact wide-angle zoom with improved contrast, a resistance to flare, and with minimal distortion and chromatic aberrations. A standard-length zoom designed for full-frame A-mount cameras, the 24-70mm can also be used on APS-C camera systems where it will provide a 36-105mm equivalent focal length. A constant f/2.8 maximum aperture offers consistent performance throughout the zoom range and also lends greater control over focus position for shallow depth of field techniques. Zeiss T* anti-reflective coatings have been applied to each lens surface to help minimize reflections in order to provide greater image clarity, contrast, and color fidelity. Two extra-low dispersion glass elements are featured in the lens design to help reduce chromatic aberrations and color fringing for improved clarity and color neutrality. Two aspherical elements are incorporated in the lens design to reduce astigmatism, field curvature, coma, and other monochromatic aberrations. An SSM autofocus system and internal focus mechanism provides quick, quiet, and precise autofocus performance and also contributes to more natural, intuitive manual focus control. A focus hold button and focus mode switch are present on the lens barrel for intuitive tactile control and rapid access to select settings. Dust- and moisture-sealed design better permits working in inclement conditions. Rounded nine-blade diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques.

Sony SAL-20F28.AE 20mm f/2.8 Wide Angle Prime Lens

Sony SAL-20F28.AE (SAL20F28, SAL-20F28, SAL20F28.AE, sal-20f28.ae) 20mm f/2.8 Wide Angle Prime Lens Dramatic perspective, depth and light Ideal for scenery or architecture, this rigorously corrected fixed focal length lens captures images with exaggerated perspective and minimal distortion. This 35 MM Full-Frame lens works with Sony α cameras. Say goodbye to blur Pair the lens with a camera by Sony with SteadyShot™ INSIDE and you’ll enjoy smooth, blur-free results when shooting handheld, even zoomed-in. Smooth defocusing Instead of a standard polygon-shaped lens aperture, this lens features a 7-blade circular aperture for more natural, rounded defocusing or ‘bokeh’. Refined optical performance To optimise image clarity the lens demonstrates an extremely high degree of distortion compensation, while lens coatings help reduce internal light reflection. Fast, agile focusing A rear focusing mechanism means the lens barrel doesn’t move, enabling a more compact design, faster autofocus response and reduced minimum focusing distances.

Sony SAL-18250.AE DT 18–250mm F3.5–6.3 Lens

Sony SAL-18250.AE (SAL-18250, SAL18250, SAL18250.AE, sal-18250.ae) DT 18–250mm F3.5–6.3 Lens The SAL18250 offers significant "reach" at the long end—useful for shooting distant subjects such as sports or wildlife—plus an 18 mm wide end for scenic shots. Smooth defocusing Instead of a standard polygon-shaped lens aperture, this lens features a 7-blade circular aperture for more natural, rounded defocusing or ‘bokeh’. Refined optical performance Aspherical lens elements minimise distortion while ED (Extra-low Dispersion) glass elements provide superior contrast, resolution and colour fidelity. Fast, agile focusing An internal focusing mechanism means the lens barrel doesn't move, enabling a more compact design, faster autofocus response and reduced minimum focusing distances. Say goodbye to blur Pair the lens with a camera by Sony featuring built-in SteadyShot™ image stabilisation and you’ll enjoy smooth, blur-free results when shooting handheld. Compatible with 35 mm Full Frame 2, or APS-C format A-mount cameras.

Sony SAL-18135.AE DT 18–135mm F3.5–5.6 SAM Lens

Sony SAL-18135.AE (SAL18135, SAL-18135, SAL18135.AE, sal-18135.ae) DT 18–135mm F3.5–5.6 SAM Lens An ideal lens for everyday carry on an APS-C A-mount camera, the DT 18-135mm f/3.5-5.6 SAM Lens from Sony offers outstanding versatility in a relatively compact form factor. Offering an extremely versatile 27-202.5mm equivalent zoom range, this one lens can cover most general shooting scenarios. It also uses one extra-low dispersion element and two aspherical elements to combat aberrations and flare. Ensuring optimal performance is the Smooth Autofocus Motor (SAM), a built-in system that provides smooth, quiet, and quick focusing that works well with the internal focus design to provide a minimum focus distance of 1.5'. Additionally, it has a seven-blade circular diaphragm for smooth bokeh. Covering wide-angle to telephoto perspectives, this 18-135mm zoom is designed for APS-C format A-mount cameras, where it will provide a versatile 27-202.5mm equivalent focal length. A variable f/3.5-5.6 maximum aperture helps ensure that lens size and weight is kept to a minimum. One extra-low dispersion glass element is featured in the lens design to help reduce chromatic aberrations and color fringing for improved clarity and color neutrality. Two aspherical elements are incorporated in the lens design to reduce astigmatism, field curvature, coma, and other monochromatic aberrations. By incorporating a Smooth Autofocus Motor (SAM) unit into the lens itself to drive the focusing element group, this lens is able to deliver smoother, quieter, and faster performance that coupled systems. Also, the internal focusing design helps to achieve a minimum focus distance of 1.5'.   Rounded seven-blade diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques.

Sony SAL-16F28.AE 16mm F2.8 Fisheye lens

Sony SAL-16F28.AE (SAL16F28, SAL-16F28, SAL16F28.AE, sal-16f28.ae) 16mm F2.8 Fisheye lens The SAL16F28 offers a full 180° angle of view on 35 mm format cameras (110° on APS-C format) so you can get creative with distortion, perspective and depth of field. Refined optical performance Thanks to high quality optics, the SAL16F28 fisheye lens can capture crisp, clear images throughout the focal range, even with the aperture wide open. A choice of internal filters Simply rotate a dial on the lens to select one of four internal filter settings: normal, O56 monochrome, B12 red reduction and A12 blue reduction. Say goodbye to blur  Pair the lens with a camera by Sony featuring built-in SteadyShot™ image stabilisation and you’ll enjoy smooth, blur-free results when shooting handheld.

Sony SAL-1680Z.AE Vario-Sonnar T DT 16–80mm F3.5-4.5 ZA Lens

Sony SAL-1680Z.AE (SAL1680Z, SAL-1680Z, SAL1680Z.AE, sal-1680z.ae) Vario-Sonnar T DT 16–80mm F3.5-4.5 ZA Lens Have all your bases covered with the Vario-Sonnar T* DT 16-80mm f/3.5-4.5 ZA Lens from Sony, which offers an extremely versatile 24-120mm equivalent zoom range on APS-C format A-mount cameras. Benefitting from a Zeiss design that incorporates two aspherical elements and the renowned T* coating, this zoom will help capture sharp, aberration-free images. Also, due to the use of a variable f/3.5-4.5 maximum aperture the overall size and weight is kept to a minimum. Handling and operation is intuitive, especially with an Auto Clutch mechanism that prevents the focusing ring from rotating when autofocus is engaged. Additionally, the internally focusing lens has a minimum focus distance of 1.1' and it has a seven-blade circular diaphragm for smooth bokeh. Based on the Zeiss Sonnar optical concept, this lens uses a design with 14 elements in 10 groups that helps provide a maximum aperture range of f/3.5-4.5 while simultaneously reducing flare and improving contrast. A standard-length zoom designed for Sony A-mount APS-C-format cameras, the 16-80mm will provide a versatile wide-angle to telephoto 24-120mm equivalent focal length. Two aspherical elements are incorporated in the lens design to reduce astigmatism, field curvature, coma, and other monochromatic aberrations. Zeiss T* anti-reflective coatings have been applied to each lens surface to help minimize reflections in order to provide greater image clarity, contrast, and color fidelity. An Auto Clutch mechanism prevents the focusing ring from rotating when the lens is set to autofocus, allowing for easier, and more natural feeling control over the lens. An internal focus design enables fast autofocus as well as a minimum focus distance of 1.1'. Rounded seven-blade diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques.

Sony SAL-1650.AE DT 16–50mm F2.8 SSM Lens

Sony SAL-1650.AE (SAL1650, SAL-1650, SAL1650.AE, sal1650.ae) DT 16–50mm F2.8 SSM Lens Compact, versatile mid-range zoom The SAL1650 packs first-class optical performance and a versatile 16–50 mm zoom range into a remarkably compact and lightweight lens. Say goodbye to blur Pair the lens with a camera by Sony with SteadyShot™ INSIDE and you’ll enjoy smooth, blur-free results when shooting handheld, even zoomed-in. Smooth defocusing Instead of a standard polygon-shaped lens aperture, this lens features a 7-blade circular aperture for more natural, rounded defocusing or ‘bokeh’. Refined optical performance Aspherical lens elements minimise distortion while ED (Extra-low Dispersion) glass elements provide superior contrast, resolution and colour fidelity. Focus quickly and quietly Internal focusing enables reduced minimum focusing distances and fast autofocus response while a built-in SSM (Super Sonic wave Motor) ensures silent operation.

Sony SAL-16105.AE DT 16–105mm F3.5–5.6 Wide Range Zoom Lens

Sony SAL-16105.AE (SAL16105, SAL-16105, SAL-16105.AE, sal-16105.ae) DT 16–105mm F3.5–5.6 Wide Range Zoom Lens One lens, many possibilities The 16-105 mm range of this lens is a sweet spot for many photographers; wide enough to capture scenery and interiors and long enough to reach distant subjects. Smooth defocusing Instead of a standard polygon-shaped lens aperture, this lens features a 7-blade circular aperture for more natural, rounded defocusing or ‘bokeh’. Refined optical performance Aspherical lens elements minimise distortion while ED (Extra-low Dispersion) glass elements provide superior contrast, resolution and colour fidelity. Fast, agile focusing An internal focusing mechanism means the lens barrel doesn't move, enabling a more compact design, faster autofocus response and reduced minimum focusing distances. Say goodbye to blur Pair the lens with a camera by Sony featuring built-in SteadyShot™ image stabilisation and you’ll enjoy smooth, blur-free results when shooting handheld.

Sony SAL-14TC.AE 1.4x Teleconverter Digital Camera Lens

Sony SAL-14TC.AE 1.4x (SAL-14TC, SAL14TC, SAL14TC.AE, sal14tc-ae) Teleconverter Digital Camera Lens The SAL14TC teleconverter lens increases your focal length by 1.4x without compromising image quality. A high-performance teleconverter like the SAL14TC can significantly expand the range and versatility of a single lens or a small selection of lenses, giving you a vastly greater range of shooting options without having to carry a heavy, bulky lens kit. Extend your range by 1.4x A high-performance optical design increases the focal length of compatible lenses by 1.4x without compromising image quality. Great for sports and nature photography.2 Compatible with a range of lenses The SAL14TC teleconverter is compatible with the following lenses: SAL500F40G3, SAL300F28G23, SAL70400G24, SAL70200G23, SAL135F284 Lens Configuration Impressive optical performance for Sony cameras, precision engineered for versatility and reliability in a wide range of applications.

Sony SAL-135F28.AE 135mm F2.8 (T4.5) Smooth Transition Focus lens

Sony SAL-135F28.AE (SAL135F28.AE, SAL-135F28, SAL135F28, sal-135f28.ae) 135mm F2.8 (T4.5) Smooth Transition Focus lens This unique lens has been specifically designed to deliver smooth transitions between crisp in-focus areas and creamily defocused background and foreground areas. Smooth Transition Focus Smooth Transition Focus (STF) optics produce images with high resolution at the plane of focus, melting away to beautifully diffused out of focus rendition. Say goodbye to blur Pair the lens with a camera by Sony featuring built-in SteadyShot image stabilisation and you’ll enjoy smooth, blur-free results when shooting handheld. Refined optical performance Special apodization elements cause the intensity of the defocused point light sources to fade out radially so that no sharply defined edges or geometry remain.

Sony SAL-100M28.AE 100mm f/2.8 AF Macro Autofocus Lens

Sony SAL-100M28.AE (SAL-100M28, SAL100M28, SAL100M28.AE, sal-100m28.ae) 100mm f/2.8 AF Macro Autofocus Lens The 100mm f/2.8 AF Macro Autofocus Lens from Sony is a mid-telephoto macro lens that focuses as close as 1.2' away from your subject, with a maximum reproduction ratio of 1:1 - meaning your subjects can appear life-size in these close-up images. It is compatible with Sony Alpha and Minolta Maxxum SLR cameras. Its double-floating element design eliminates aberrations and ensures sharp, high-contrast results. Its circular f/2.8 aperture provides a natural-looking, round bokeh background effect, and allows you to shoot in darker conditions due to the bright wide-open aperture. With it you can walk up to your subject and capture images from just over one foot away, in outstanding clarity and detail. It also has a 55mm front filter thread so you can attach accessory filters onto it for protection and effects. APS-C 35mm Equivalent: 150mm This 100mm lens has the 35mm equivalent viewing angle of a 150mm lens, when attached to cropped APS-C cameras. Aperture Range: f/2.8-32 With a maximum aperture of f/2.8 and minimum of f/32, this lens' high speed means you can capture images in darker conditions using faster shutter speeds and lower ISO sensitivity. Minimum Focus Distance: 1.2' Using this lens' full potential, you can get close-up images from just a foot away for exceedingly blurred backgrounds and sharp details. 9x Circular Aperture Blades Circular aperture blades produce smooth, rounded bokeh background effects when capturing spot-light sources in your pictures. Because the aperture blades form a near circle at the wide openings used for low-light shots, spot-light sources have a pleasing circular defocused effect. Filter Diameter: 55mm The 55mm front filter thread does not rotate, allowing rotating polarizing filters to be used. Auto Clutch Manual Focus Ring Thanks to this lens' Auto Clutch, the manual focus ring does not rotate in auto-focus mode which improves handling and prevents you from accidentally changing your focus. Focus Hold & Range Limiter Buttons This lens is made with a Focus Hold button and Range Limiter, which offer better focus control and performance whenever you need it. Switch between auto and manual focusing for more speed or precision, and then lock the focus to keep it right where you want it. Then, using the Range Limiter, tell your lens which end of the focusing range you want it to use in order to limit the amount of seeking time it has to do and increase AF performance.

Sony SAL-1118.AE 11-18mm f/4.5-5.6 DT Wide Angle Zoom Lens

Sony SAL-1118.AE (SAL-1118, SAL1118, sal-1118.ae) 11-18mm f/4.5-5.6 DT Wide Angle Zoom Lens Make sure you have the right tool to capture that vast landscape or tight architectural space by picking up the DT 11-18mm f/4.5-5.6 Lens from Sony. Designed specifically for Sony's APS-C A-mount DSLR cameras, it provides an equivalent zoom range of 16.5-27mm for ultra-wide imaging. It uses a variable f/4.5-5.6 maximum aperture to keep size and weight to a minimum while it incorporates various specialized elements to minimize aberrations and improve sharpness and clarity. Also, it has an internal focus mechanism that helps speed up autofocus performance to the minimum focus distance of 9.8". Additionally, it has a seven-blade circular diaphragm for smooth bokeh and it has a front filter diameter of 77mm. This ultra wide angle zoom lens was designed for Sony's APS-C DSLRs where it provides an equivalent focal length range of 16.5-27mm. It features a variable f/4.5-5.6 maximum aperture, which helps keep size and weight to a minimum. One extra-low dispersion element reduces color fringing and chromatic aberrations while three aspherical elements control spherical aberrations for improved clarity and sharpness. An internal focus mechanism provides quick, quiet, and precise autofocus performance and also contributes to more natural, intuitive manual focus control. A rounded 7-blade diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques.

Sony GP-VPT1 Shooting Grip with Mini Tripod

Sony GP-VPT1 (GP/VPT1, GP_VPT1, GPVPT1, gp-vpt1) Shooting Grip with Mini Tripod The Sony GP-VPT1 Shooting Grip with Mini Tripod provides one-handed operation of your multi-terminal equipped Sony camcorder or camera. It can also fold out into a mini tripod for hands-free use. The GP-VPT1 features a pan handle with wired remote control, adjustable grip angle, and zoom, photo, and start/stop record buttons. A hand strap, cable clamper, and carrying pouch come included. Your camera mounts to the shooting grip via a 1/4"-20 screw. The wired AV cable uses Sony's Multi Terminal connector, which plugs in to the corresponding port on compatible camcorders/cameras and lets you control zoom, take photos, and start/stop recording using the buttons found on the grip. Using the cable clamper keeps the cable out of the way while recording. The grip angle is adjustable in increments of approximately 10 degrees by pressing the angle adjust button on the side of the grip. This allows you to find the angle that is comfortable for you. For added convenience, two legs fold out from the shooting grip to turn the GP-VPT1 into a mini tripod, letting you set it on a tabletop for hands-free shooting.

Sony AKA-FGP1 Finger Grip for Select Action Cameras

Sony AKA-FGP1 (AKA/FGP1, AKA_FGP1, AKAFGP1, aka-fgp1) Finger Grip for Select Action Cameras Confidently shoot handheld with your action camera now that you're getting the exact shot you're after with the Finger Grip Holder from Sony. Mounting to the back of the camera, allows you to hold both the camera and the RM-LVR3 Live-View Remote in one hand, letting you frame and monitor the shots you're capturing. A finger slot ensures a secure grip and the remote mounting clip tilts 120°, so you can keep an eye on the screen whether you're go for low, normal, or high angles shots. Simple to use, the Finger Grip Holder makes an ideal accessory for travel and casual action cam use. Compatibility FDR-X3000, HDR-AS300, HDR-AS50 action cameras RM-LVR3 Live-View Remote

Sony BRCWMZ330 Wall Mount Bracket

Sony BRCWMZ330 (BRC-WMZ-330, BRC/WMZ/330, BRC_WMZ_330, brcwmz330) Wall Mount Bracket This Sony Wall Mount Bracket is a wall mount kit designed for supporting BRC-Z330 and BRC-300 PTZ cameras. The wall bracket may optionally be attached to a 1-gang, 2-gang, or 4" square EO box (provided the EO box is not used as sole support).

Sony Filter Adapter Kit for RX0 Camera

Sony VFA305R1.SYH (VFA305R1_SYH, VFA305R1/SYH, VFA305R1 SYH) Filter Adapter Kit for RX0 Camera The Sony Filter Adapter Kit for RX0 Camera includes a 30.5mm filter adapter, a multi-coated protective filter, and a lens hood. These components reduce the amount of undesired light entering the RX0 Camera's lens. You might consider leaving the MC filter (UV filter) attached to your RX0 camera at all times, as it both protects the camera's lens from scratches while reducing ultraviolet light. The lens hood helps eliminate unwanted reflections and glare, and the filter adapter lets you attach 30.5mm filters to achieve various effects.

Sony Ultra Wide Converter For SEL16F28 and SEL20F28

Sony VCLECU2.SYH (VCLECU2/SYH, VCLECU2_SYH, VCLECU2 SYH) (SEL-16F28, SEL/16F28) (SEL-20F28, SEL 20F28) Ultra Wide Converter For SEL16F28 and SEL20F28  Widen the persepctive of your wide-angle lens even further with the Sony VCL-ECU2 Ultra Wide Converter. This conversion lens is for the Sony SEL16F28 16mm f/2.8 and SEL20F28 20mm f/2.8 E-mount lenses. The 16mm f/2.8 Alpha E-mount lens has a 35mm equivalent length of 24mm which becomes 18mm when used with the VCL-ECF2, and the 20mm f/2.8 lens goes from a 35mm equivalent of 30mm to 24mm. It is constructed of 3 elements in 3 groups. Front and rear lens caps and a carrying case are included to help protect the lens.

Sony Fisheye Converter For SEL16F28 and SEL20F28

Sony VCLECF2.SYH (VCLECF2/SYH, VCLECF2_SYH, VCLECF2 SYH) (SEL-16F28, SEL/16F28) (SEL_20F28 , SEL 20F28) Fisheye Converter For SEL16F28 and SEL20F28  Widen the perspective of your wide-angle lens even further with the Sony VCL-ECF2 Fisheye Converter. This conversion lens is for the Sony SEL16F28 16mm f/2.8 and SEL20F28 20mm f/2.8 E-mount lenses. The 16mm f/2.8 Alpha E-mount lens has a 35mm equivalent length of 24mm which becomes 15mm when used with the VCL-ECF2, and the 20mm f/2.8 lens goes from a 35mm equivalent of 30mm to 20mm. It is constructed of 4 elements in 4 groups. Front and rear lens caps and a carrying case are included to help protect the lens.

Sony E 50mm f/1.8 OSS Lens (Silver)

Sony SEL50F18.AE (SEL50F18/AE, SEL50F18-AE, SEL50F18_AE) E 50mm f/1.8 OSS Lens (Silver) E 50mm F1.8 OSS Prime Lens This 50mm mid range telephoto lens offers a focal length that is perfect for portraiture and a range of other subjects, a bright F1.8 maximum aperture, Optical SteadyShot (OSS) image stabilization and impressive image quality, all in a surprisingly compact and lightweight package. Add responsive, quiet autofocus and aperture operation, and you have a lens that is ideally suited to shooting movies as well as stills. Circular Aperture When changing your aperture to defocus the background, the light sources appear blurred. This ‘bokeh’ effect of the blurred background can be enhanced with circular aperture blades used in this lens. Conventional aperture blades have flat sides creating unappealing polygonal shaped defocussed points of light. α lenses overcome this problem through a unique design that keeps the aperture almost perfectly circular from its wide-open setting to when it is closed by 2 stops. Smoother, more natural defocusing can be obtained as a result. Lens-based optical image stabilization Gyro sensors built into the lens detect even the slightest movement, and the stabilization lens is precisely shifted to counteract any image blur that might occur. The use of precision, quiet linear motors and technology inherited from high-end Sony professional camcorders results in exceptionally quiet, effective image stabilization that contributes to high-quality movies as well as stills. Internal focusing  Only the middle groups of the optical system move to achieve focus, so the overall length of the lens does not change. Other important benefits include fast autofocusing and a short minimum focusing distance. Also, the filter thread at the front of the lens does not rotate, which is convenient if you’re using a polarizing filter.

Sony Distagon T* FE 35mm f/1.4 ZA Lens

Sony SEL35F14Z.SYX (SEL35F14Z/SYX, SEL35F14Z_SYX, SEL35F14Z SYX) Distagon T* FE 35mm f/1.4 ZA Lens Fast, sharp, and loaded with the latest technology, the Distagon T* FE 35mm f/1.4 ZA Lens from Sony offers full-frame E-Mount shooters a classic wide-angle focal length with excellent optical performance. The fast f/1.4 maximum aperture provides very effective low light capability and shallow depth of field control. Its advanced optical design - including aspherical and advanced aspherical (AA) lens elements combined with ZEISS T* coating - deliver outstanding image resolution and suppresses reflections for excellent contrast and clarity. The Direct Drive Super Sonic Wave AF System employs piezoelectric elements oscillating at ultrasonic frequencies to drive the focus lens with accuracy and near-silence. The quiet AF and wide aperture make this an ideal prime lens for recording video and filmmakers will love the responsive physical aperture ring that can be changed from clicked to de-clicked with the flip of a switch on the lens barrel. The circular 9-blade aperture helps to create pleasing out-of-focus highlights and a dust and moisture resistant barrel design enable this lens to be used confidently in inclement weather. Wide Angle Prime Lens for Full-Frame E-Mount Cameras This 35mm prime lens offers a moderately wide focal length, ideal for landscapes and interiors as well as documentary photography and photojournalism. Its f/1.4 maximum aperture is effective in low light and enables shallow depth of field control. When used on APS-C E-Mount cameras, it provides a 35mm focal length equivalence of 52.5mm. Direct Drive Super Sonic Wave AF Motor The quiet and precise DDSSM focus drive employs piezoelectric elements oscillating at ultrasonic frequencies to drive the focus lens groups. The system is remarkably quiet, making it ideal for video recording. It also improves the precision of "focus wobble" employed to achieve optimum focus when shooting movies. Responsive Aperture Ring A responsive aperture ring offers positive action that will satisfy professional photographers and filmmakers alike. The aperture ring click stops can be switched on or off as required. "Off" is the preferred setting for moviemaking since it results in the least aperture operation noise. When "On" the ring provides tactile feedback that is useful when shooting stills. Aspherical and Advanced Aspherical Elements Advanced Aspherical and Aspherical lens elements minimizes spherical aberration while also reducing lens size and weight. Specially shaped "aspherical" elements near the diaphragm restore alignment of light rays at the image plane, maintaining high sharpness and contrast even at maximum aperture and can also be used at other points in the optical path to reduce distortion. ZEISS T* (T-Star) Coating This lens features the ZEISS T* (T-Star) coating that virtually eliminates lens flare, internal reflection and light scattering that can otherwise occur at glass-to-air surfaces. The T* coating contributes to outstanding image quality, with high contrast and uniformly excellent resolution from edge to edge across the image frame. Robust Build Water and dust resistant sealing enable this lens to be confidently used in outdoor setting and inclement weather.  

Sony 30mm f3.5 Macro Lens (Silver) - E Mount

Sony SEL30M35.AE (SEL30M35/AE, SEL30M35_AE, SEL30M35 AE) 30mm f3.5 Macro Lens (Silver) - E Mount The SEL30M35 has been designed to offer versatile, high-performance macro capabilities in a lens that is compact, lightweight and easy to use. It is a true 1:1 macro lens with a 2.4 centimeter minimum working distance that allows tiny subjects and details to be rendered with excellent resolution and contrast. 1:1 Magnification Ratio The SEL30M35 has a 1:1 magnification ratio so that subjects can be captured at full size on the camera’s image sensor. This makes it easy to shoot quality macro close-ups of flowers, insects, and small objects. Aspherical/ED Glass Elements The SEL30M35 offers excellent image quality throughout the entire image area, with high contrast and minimal chromatic aberration from infinity to 1:1 magnification at all aperture settings. ED glass is used for the G4 element, minimising chromatic aberration and colour bleeding as well as multi-coating throughout for exceptionally clean, clear rendering Smooth Manual Focusing An easy-grip focus ring on the lens barrel gives you a solid "hands-on" feel in manual focusing. Additionally, Direct Manual Focus (DMF) allows you to focus manually after AF lock-on without the need for any switching. This can be extremely useful in situations where AF can’t lock onto the subject accurately, or when AF locks onto a point that does not match your intention. Electronic manual focus technology was originally developed for professional Sony camcorders to ensure smooth, precise focus control. Made for Movies The SEL30M35 performs equally as well when shooting video. Thanks to an internal stepping motor and rear-focusing design It has optimised video performance for smooth, quiet operation essential for high-quality movie capture. Additionally, the filter mount does not rotate during focusing for hassle-free polarized filter use. Smooth defocusing Instead of a standard polygon-shaped lens aperture, this lens features a 7-blade circular aperture for more natural, rounded defocusing or ‘bokeh’. Refined optical performance Aspherical lens elements minimise distortion while ED (Extra-low Dispersion) glass elements provide superior contrast, resolution, and colour fidelity. Fast, agile focusing An internal focusing mechanism means the lens barrel doesn’t move, enabling a more compact design, faster autofocus response, and reduced minimum focusing distances.  

Sony 24-70mm FE 24-70mm f2.8 GM Lens for E-Mount

Sony SEL2470GM.SYX (SEL2470GM/SYX, SEL2470GM_SYX, SEL2470GM SYX) 24-70mm FE 24-70mm f2.8 GM Lens for E-Mount  The Sony 24-70mm GM lens provides a wide maximum aperture of f/2.8 throughout zoom range for great low light performance and pleasing bokeh. Optically it also includes an XA (Extreme Aspherical) lens element for stunning corner-to-corner resolution throughout the zoom range. To add to this, there is one ED and one Super ED (Extra Low Dispersion) lens element for controlling axial and lateral chromatic aberration as well as producing the best possible subjective resolution. Nano AR (anti-reflective) coating also ensures superb contrast and prevention of flare and ghosting. A 9-blade circular aperture ensures soft bokeh even at small apertures, and the focusing mechanism uses a Direct Drive SSM (DDSSM) system for fast and quiet focusing for both stills and movies. This system also reduces spurious focus movements for the smoothest possible focus action. Other features include a Zoom Lock to prevent unwanted zooming caused by lens barrel weight, ergonomic placement of AF/MF switch and focus lock button, and tough build quality with dust and moisture protection. Additionally there is a hood lock system with a manual release button.

Sony FE 24-240 mm F3.5 - 6.3 OSS Lens

Sony SEL24240.SYX (SEL24240/SYX, SEL24240_SYX, SEL24240 SYX) FE 24-240 mm F3.5 - 6.3 OSS Lens A 24mm to 240mm 10x zoom range allows this one lens to cover an extensive variety of shooting situations, making it ideal for travel where reducing luggage is a priority, for landscapes, architecture, snapshots, portraits, and much more. Switch between wide angle and telephoto without having to change lenses, so more of those fleeting moments will be captured. Advanced optics effectively subdue aberration while achieving high resolution throughout the image area, and a precision linear motor drives focus for quick, smooth response. Handheld telephoto shots and low-light photography are facilitated by built-in Optical SteadyShot (OSS) image stabilization, and the design is dust and moisture resistant for reliable operation in challenging conditions.

Sony FE 2.0x Teleconverter

Sony SEL20TC.SYX (SEL20TC/SYX, SEL20TC_SYX, SEL20TC SYX) FE 2.0x Teleconverter Extending the effective focal length of the Sony FE 70-200mm f/2.8 GM OSS lens, the FE 2.0x Teleconverter renders this telephoto zoom as a 140-400mm f/5.6 lens. Extending the effective focal length of the Sony FE 70-200mm f/2.8 GM OSS lens, the FE 2.0x Teleconverter renders this telephoto zoom as a 140-400mm f/5.6 lens. The dedicated design maintains full communication between the lens and E-mount mirrorless cameras, including auto-exposure metering, autofocus, and Optical SteadyShot image stabilization. Additionally, this teleconverter also features a dust- and moisture-resistant construction, matching the lens, to benefit working in harsh environmental conditions. 2.0x teleconverter doubles the reach of the 70-200mm lens with only a two-stop loss in exposure. Dedicated design maintains a high degree of image quality as well as full electronic communication to support the use of AE, AF, and OSS. Weather-resistant design matches the construction of the 70-200mm lens itself for use in inclement conditions.    

Sony E 20mm f/2.8 Pancake Lens

Sony SEL20F28.AE (SEL20F28/AE, SEL20F28-AE, SEL20F28_AE) E 20mm f/2.8 Pancake Lens The E 20mm f/2.8 Lens from Sony, a super compact "pancake" lens designed for APS-C-format E-mount cameras where it provides a 30mm equivalent focal length. It offers shooters a fast f/2.8 aperture for use in low light and for creating images with a shallow depth of field. Benefitting image quality are three aspherical elements to minimize the appearance of aberrations while a rear focusing design improves autofocus speed and helps reach a minimum focus distance of 7.9". Additionally, the lens is equipped with a seven-blade circular diaphragm for smooth, rounded bokeh. With its pancake design, the lens only extends 0.8" from the mount, resulting in a compact and lightweight camera system. Optimized for APS-C-format cameras, this compact 20mm lens offers a wide-angle 30mm equivalent focal length. The fast f/2.8 maximum aperture permits operation in less-than-ideal lighting situations and allows photographers to capture images with shallow depth of field. Three aspherical elements are incorporated in the lens design to reduce astigmatism, field curvature, coma, and other monochromatic aberrations. The lens uses a rear focusing design that contributes to faster autofocus performance as well as a minimum focus distance of 7.9". Rounded seven-blade diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques.  

Sony E 18-55mm F3.5-5.6 OSS Versatile Zoom Lens

Sony SEL1855.AE (SEL1855/AE, SEL1855-AE, SEL1855 AE) E 18-55mm F3.5-5.6 OSS Versatile Zoom Lens The SEL1855 offers comfortable framing and capture of landscapes, snapshots, portraits and more. Built-in image stabilisation enables handheld shooting in low light. Capture smooth, blur-free images Built-in Optical SteadyShot™ image stabilisation within the lens ensures smooth, blur-free photos and videos when shooting handheld. Smooth defocusing Instead of a standard polygon-shaped lens aperture, this lens features a 7-blade circular aperture for more natural, rounded defocusing or ‘bokeh’. Refined optical performance To optimise performance, aspherical lens elements maintain high contrast (even with the aperture wide open) and minimise distortion and flatness of the image plane. Fast, agile focusing An internal focusing mechanism means the lens barrel doesn’t move, enabling a more compact design, faster autofocus response, and reduced minimum focusing distances.  

Sony 18-200mm f3.5-6.3 OSS LE Zoom Lens - E Mount

Sony SEL18200LE.AE (SEL18200LE/AE, SEL18200LE_AE, SEL18200LE AE) 18-200mm f3.5-6.3 OSS LE Zoom Lens - E Mount  Significantly smaller and lighter than comparable lenses, the Sony SEL18200LE high magnification zoom lens is perfect for a wide range of shooting situations. With a compact size achieved in part by downsizing the autofocus motor and optical image stabilization unit, this lens offers a powerful mix of versatility and image quality perfect for shooting scenarios where a light, compact camera and lens combination is optimal. The broad focal length coverage of the lens - from 18mm wide angle to 200mm telephoto (27mm to 300mm in 35mm equivalence) - makes it an ideal high-magnification "travel" lens for a wide range of shots. Capture expansive landscapes, charming portraits with pleasantly blurred backgrounds, even sports and nature shots. Optical SteadyShot (OSS) technology cuts down on blur caused by camera shake and reduces reliance on high ISO settings when shooting in dark environments. New compact and lightweight design Significantly smaller and lighter than the SEL18200 lens, the SEL18200LE is the perfect lens to cover a wide range of shooting situations. Achieved in part by downsizing the autofocus motor and optical image stabilization unit, this compact lens versatility and image quality will appeal to all users who desire a light, compact camera and lens combination. High imaging performance Equipped with two ED (Extra-low Dispersion) glass elements and four aspherical elements, the SAL-18200LE lens employs the same popular, circular aperture found in many a lenses, enabling photos with beautifully round defocus areas. Optical SteadyShot Equipped with Optical SteadyShot (OSS), the lens compensates for blur caused by camera shake. In addition to reducing blur for normal handheld photography, Optical SteadyShot also reduces reliance on high ISO settings when shooting in dark environments, greatly enhancing the effectiveness of Hand-held Twilight and Anti Motion Blur modes. 11x high-magnification zoom The broad focal length coverage of the lens — from 18 mm to 200 mm (27 mm to 300 mm in 35 mm equivalent) makes it an ideal high-magnification “travel” lens for a wide range of photography. Users can easily capture expansive landscapes, snapshots of expressive faces at a “human-vision” angle of view, charming portraits with softly blurred backgrounds and more. In addition, the telephoto capability of the lens makes it ideal for sports and nature photography. Capture smooth, blur-free images Built-in Optical SteadyShot™ image stabilisation within the lens ensures smooth, blur-free photos and videos when shooting handheld. Smooth defocusing Instead of a standard polygon-shaped lens aperture, this lens features a 7-blade circular aperture for more natural, rounded defocusing or ‘bokeh’. Refined optical performance Aspherical lens elements minimise distortion while ED (Extra-low Dispersion) glass elements provide superior contrast, resolution, and colour fidelity. Fast, agile focusing An internal focusing mechanism means the lens barrel doesn’t move, enabling a more compact design, faster autofocus response, and reduced minimum focusing distances.  

Sony E 18-200mm f/3.5-6.3 OSS Lens

Sony SEL18200.AE (SEL18200-AE, SEL18200_AE, SEL18200/AE) E 18-200mm f/3.5-6.3 OSS Lens  A versatile zoom lens, the SEL18200 features Optical SteadyShot™ with Active Mode image stabilisation – invaluable when shooting video on the move. Blur-free photos and videos Built-in Optical SteadyShot™ with Active Mode image stabilisation ensures sharp, blur-free images – even when shooting video handheld, on the move. Smooth defocusing Instead of a standard polygon-shaped lens aperture, this lens features a 7-blade circular aperture for more natural, rounded defocusing or ‘bokeh’. Refined optical performance Aspherical lens elements minimise distortion while ED (Extra-low Dispersion) glass elements provide superior contrast, resolution, and colour fidelity. Fast, agile focusing An internal focusing mechanism means the lens barrel doesn’t move, enabling a more compact design, faster autofocus response, and reduced minimum focusing distances.  

Sony 18-135mm F3.5-5.6 OSS High Magnification Zoom Lens - E-Mount

Sony SEL18135.SYX (SEL18135/SYX, SEL18135_SYX, SEL18135 SYX) 18-135mm F3.5-5.6 OSS High Magnification Zoom Lens - E-Mount  The Sony SEL18135 18-135mm lens features a compact, lightweight design measuring only 67.2mm x 88mm and weighing in at a mere 325g, as well as a high magnification 7.5x optical zoom that covers the wide-ranging focal length of 18-135mm on APS-C or 27-202.5mm in 35mm equivalent focal length. The lens is an ideal fit for Sony’s popular APS-C sensor cameras including α6500, α6300 and α6000, and is an extremely useful tool for a wide range of shooting situations ranging from daily life to portraiture, landscape, nature and travel photography. The E 18-135mm F3.5-5.6 OSS produces outstanding corner-to-corner sharpness throughout the entire zoom range thanks to its advanced design featuring one aspherical lens and two Extra-Low Dispersion glass elements that minimise aberrations. This lens also allows photographers to produce close-up images with pleasing ‘bokeh’ or background defocus as a result of its maximum magnification ratio of 0.29x and minimum focus distance of 0.45m. It also offers built-in optical image stabilisation to support handheld shooting. Lightweight and Compact Design Compact (E-mount APS-C format) and lightweight (325 grams (11.5 oz.)), this lens features an optical design optimized for short flange focal distances that makes it small and manageable on its own while also contributing to notable reductions in overall system size, weight, and portability. 7.5x High-Magnification APS-C Zoom Lens A high zoom ratio provides a versatile 27mm to 202.5mm range (35mm format equivalent, 7.5x optical zoom) that covers a broad spectrum of subjects and situations: scenery, nature, portraits, and general day-to-day photography. Optical Design Achieves High Resolution A new optical design that includes one aspherical element contributes to consistently high resolution from the image centre right out to the edges, while two ED (Extra-low Dispersion) glass elements effectively suppress chromatic aberration. Close-ups with Background Bokeh An impressive minimum focusing distance of just 0.45m (1.45ft) (0.29x max. magnification) makes it easy to shoot close-ups that take advantage of the lens’s beautiful background bokeh. Beautiful Bokeh Bokeh quality is enhanced by a circular aperture design. Built-in Optical Image Stabilisation When shooting hand-held, particularly night scenes or dimly lit interiors, built-in optical image stabilization makes it easier to shoot blur-free images handheld. Fast, Precise, Quiet Focus Advanced linear motor technology quietly drives the focus group with outstanding speed and precision, making the most of the high AF performance provided by the α6000 series. Accurate focus is more easily achieved for stills and movies, even with moving subjects.  

Sony 16mm f/2.8 Wide-Angle Alpha E-Mount Lens (sliver)

Sony SEL16F28.AE (SEL16F28/AE, SEL16F28-AE, SEL16F28_AE) 16mm f/2.8 Wide-Angle Alpha E-Mount Lens (sliver)  This lightweight and compact lens is stylishly designed to match the NEX camera series and is exceptionally portable (it will fit in your pocket). It features an internal stepping motor for smooth, accurate, and very quiet autofocusing for both photos and videos. The SEL16F28 helps to deliver clear images in low lighting situations due to its fast f/2.8 maximum aperture. This 16mm (24mm in 35mm equivalent) wide-angle lens provides an 83° angle of view and a minimum focusing distance of 9.4" (0.24m). This versatile lens provides coverage for a broad range of photo subjects including, but by no means limited to, landscapes, portraits, close-ups, and nature.

Sony FE 16-35mm F2.8 GM Lens

Sony SEL1635GM.SYX (SEL1635GM/SYX, SEL1635GM-SYX, SEL1635GM_SYX) FE 16-35mm F2.8 GM Lens G Master performance in a wide-angle F2.8 16-35mm zoom offers a wealth of opportunities to capture subjects in creative new ways. No matter what zoom setting or focus distance you shoot at, this lens delivers consistently superb resolution from corner-to-corner, with stunning background bokeh when required. A compact, lightweight design makes it manageable for active shooting. The new FE 16-35mm F2.8 GM wide-angle zoom joins the acclaimed FE 24-70mm F2.8 GM and FE 70-200mm F2.8 GM OSS to round out Sony’s line-up of F2.8 large aperture zoom lenses. Equipped with a variety of Sony’s most advanced lens technologies, it is the first wide-angle G Master model, making it ideal for an extensive variety of shooting situations - landscapes, architecture, close up portraits, sports, action and much more.  It is also exceptionally lightweight and compact, maximising portability and usability. The new lens features exceptional corner-to-corner sharpness, with an optical design that includes five aspherical elements, two of which are Sony’s original XA (extreme aspherical) elements that reduce aberration and deliver ultimate resolution throughout the entire zoom range and aperture range. The front XA element on the SEL1635GM is the largest XA element ever produced, ensuring optimum quality. There are also two ED (Extra low-Dispersion) glass elements that keep chromatic aberration to a minimum while maximising resolution, and Sony’s original Nano AR coating that suppresses internal reflections to ensure excellent image contrast and clarity. The lens features a near circular aperture shape at all settings, and the combination of the aforementioned XA element with its 11 bladed aperture design produces images with sharply focused subjects and beautifully defocused backgrounds or “bokeh”.  It also has two DDSSMs (Direct Drive Super Sonic Wave Motors) that compose a floating focusing system and ensure that AF acquisition is speedy and quiet, making it an ideal choice for shooting still images as well as movies. The SEL1635GM is dust and moisture resistant , has a fluorine coating on the front lens that helps to both prevent dust or grease marks and remove them easily if they do become a trouble. There is also a customisable focus hold button and a hood release button.

Sony 1.4x Teleconverter for E-Mount

Sony SEL14TC.SYX (SEL14TC/SYX, SEL14TC-SYX, SEL14TC_SYX) 1.4x Teleconverter for E-Mount  The Sony 1.4x Teleconverter extends the effective focal length of Sony E-Mount telephoto lenses. The teleconverter increases the lens magnification by 1.4x.  Extend your range by 1.4x Multiplies the focal length of the lens used by 1.4x without degrading optical performance, AF speed and precision, or operability. Light loss with the teleconverter is approximately 1 stop. An ideal way to extend available focal length range for sports or wildlife photography without having to carry additional large, heavy lenses.  Compatible lenses The SEL14TC teleconverter is compatible with the following lenses: SEL70200GM, SEL100400GM.

Sony 10-18mm f/4 OSS Alpha E-mount Wide-Angle Zoom Lens

Sony SEL1018.AE (SEL1018/AE, SEL1018-AE, SEL1018 AE) 10-18mm f/4 OSS Alpha E-mount Wide-Angle Zoom Lens The 10-18mm f/4 OSS Alpha E-mount Wide-Angle Zoom Lens from Sony is an ultra wide-angle E-mount zoom lens compatible with the Alpha NEX cameras and NEX Handycam Camcorders. In the 35mm format, the focal lengths are equivalent to a 15-27mm field of view which is extremely wide-angle with exaggerated perspectives- ideal for expansive landscapes, certain interiors and creative portraits and group shots. With an aperture of f/4.0 throughout the zoom range, fast shutter speeds and low ISO settings can be used even in low light for bright, sharp images. With the Optical SteadyShot Image Stabilization system it is even easier to shoot blur-free photos and videos in low light, regardless of camera shake. Three aspherical lens elements reduce spherical aberration and distortion and Super Extra-low Dispersion glass reduces chromatic aberration for high quality images even at maximum aperture. Fast autofocus is facilitated by movement of the lens elements at the rear of the lens and the 7-blade circular aperture creates smooth, circular bokeh in the out-of-focus areas within the frame. 10-18mm f/4 Super Wide-Angle Zoom Lens This lens offers a constant maximum aperture of f/4 through the entire focal length range, enabling the use of the widest aperture at every focal length. Even in low-light environments, such as outdoors at sunset, users will be able to take advantage of the bright aperture and use fast shutter speeds without unnecessarily raising ISO sensitivity. The 10-18mm (15-27mm in 35mm format) provides an ultra wide angle zoom for shooting landscapes, in tight quarters or for creative exaggerated perspectives. Image Stabilization Built-in Optical SteadyShot image stabilization system provides a 4-stop (approximate) shutter speed advantage, making it significantly easier to achieve crisp, blur-free images and video. Internal Focusing System Lens elements at the rear of the optical system move, allowing rapid auto-focus response. Optics Three Aspherical lens elements correct for spherical aberration and distortion, making it possible to shoot high-contrast, high-quality images with markedly less bleeding even at the maximum aperture. In addition, the optical system employs Super Extra-low Dispersion glass, realizing highly detailed images with reduced color aberration even at the 10mm focal length. Circular Aperture In low-light shots or nightscapes, out-of-focus light sources have a pleasing circular defocused effect.  

Sony 100mm f2.8 STF G-Master OSS FE Lens - E Mount

Sony SEL100F28GM.SYX (SEL100F28GM/SYX, SEL100F28GM_SYX, SEL100F28GM SYX) 100mm f2.8 STF G-Master OSS FE Lens - E Mount  STF™ delivers incomparable bokeh and sharpness This 100mm mid-range telephoto prime lens is a superb creative tool that offers outstanding G Master Resolution plus innovative STF (Smooth Trans Focus) optics for magnificent bokeh. It features fast, precise, quiet DDSSM autofocus, and close-up capability up to 0.25x magnification. Built-in Optical SteadyShot image stabilisation minimizes blur that can occur during low light or macro shooting. Exemplary G Master Resolution and bokeh A fitting addition to the G Master series, this lens combines extraordinary resolution and breathtakingly soft, smooth bokeh that ideally sets off the in-focus subject. The optical design, featuring an innovative optical apodization element and new 11-blade aperture, achieves consistently high performance throughout the image area.  Resolution true to the G Master name With spherical aberration compensation, ED (Extra-low Dispersion) glass, and aspherical elements, this lens boasts extreme resolution and sharpness that fulfil the demanding 50 lines per millimetre MTF requirement that is a basis for G Master optical design. That sharpness extends throughout image area. Outstanding clarity and contrast Sony’s original Nano AR Coating suppresses spurious reflections that can cause flare and ghosting, particularly in backlit situations. The result is consistently high contrast and clarity with deep blacks in the widest possible range of photographic situations. (1. Nano AR Coating / 2.Glass / 3.Transmitted light) Beautiful peripheral highlights In keeping with this lens’s emphasis on bokeh, it has been designed to minimize vignetting that can distort highlight geometry at the image periphery. Point light sources are reproduced with consistently circular bokeh throughout the image, so that sunlight filtering through or reflecting off leaves, for example, is rendered with serene elegance. Beautiful peripheral highlights In keeping with this lens’s emphasis on bokeh, it has been designed to minimize vignetting that can distort highlight geometry at the image periphery. Point light sources are reproduced with consistently circular bokeh throughout the image, so that sunlight filtering through or reflecting off leaves, for example, is rendered with serene elegance. Apodization for unbeatable bokeh An optical APD element is a special type of filter that exhibits gradually decreasing light transmission towards its periphery. It attenuates the edges of point images, resulting in exceptionally smooth, beautiful bokeh in both background and foreground areas with an absolute minimum of double-edge effects. AF that lets you concentrate on creating A DDSSM (Direct Drive SSM) focus drive system provides fast, precise, quiet autofocus. Fast, unobtrusive AF performance allows the user to concentrate fully on capturing superlative stills or movies. This lens supports both contrast AF and focal plane phase detection AF, making it an ideal match for modern high-performance Sony camera bodies. 11 blades enhance bokeh beauty Sony’s original circular aperture design has been improved with 11 blades for even greater circularity. Design and materials have been revised to ensure that a almost round aperture shape is maintained whether open or stopped down, and strict circularity standards are applied to ensure that the full beauty of STF bokeh is achieved without compromise. Get close and explore the details Because one of the main features of this lens is bokeh, it has been provided with a macro ring switch that extends the lens’s range into the macro region where bokeh can be used to great effect. The macro mode provides 0.57m (1.87 ft.) minimum focus with 0.25x maximum magnification, with no compromise in resolution performance. Professional handling and control Other advanced features that enhance operation for still photography and moviemaking include an aperture ring , switchable aperture ring click stops, a Focus Hold button, an AF/MF focus select switch, and a wide focus ring for sure, comfortable control. Advanced actuators for speed and precision DDSSM (Direct Drive SSM) employs an original Sony piezoelectric motor to directly drive the focus ring. High braking precision means that the focus ring is precisely controlled for the highest possible focus accuracy. It’s quiet too, making it ideal for shooting wildlife as well as movies. Manual focus is also smooth and responsive. Clear, blur-free images without a tripod Optical SteadyShot image stabilisation is built in, making it possible to achieve maximum subject sharpness with the lower shutter speeds. Image stabilisation in a 100mm mid-range telephoto lens is an advantage for professionals and amateurs alike. Second-generation α7 bodies additionally provide in-body 5-axis stabilisation.    

Sony 100-400mm FE f4.5-5.6 GM OSS E-Mount Lens

Sony SEL100400GM.SYX (SEL100400GM/SYX, SEL100400GM-SYX, SEL100400GM_SYX) 100-400mm FE f4.5-5.6 GM OSS E-Mount Lens The new full-frame lens maintains the high standard of resolution that is the hallmark of Sony’s flagship lineup of G Master™ lenses, while also offering incredibly fast, precise AF capabilities, a lightweight, portable design and a variety of professional functions and customisability. It’s an exceptionally powerful photographic tool for a variety of enthusiast and professional shooters, particularly those that are commonly shooting sports or wildlife. The first super-telephoto zoom in Sony’s flagship G Master series covers a versatile 100mm to 400mm range. With extraordinary resolution and fast, precise autofocus it lets you capture distant action with outstanding quality and immediacy. In addition to world-class image quality, this fine lens offers the mobility, reliability, and operability that professional applications demand.

Sony Ultra-Wide Converter for the FE 28mm F2 lens

Sony SEL075UWC.SYX (SEL075UWC/SYX, SEL075UWC_SYX, SEL075UWC SYX) Ultra-Wide Converter for the FE 28mm F2 lens This dedicated ultra-wide converter for the FE 28mm F2 lens provides an even wider 21mm focal length, and because it is specifically designed for the full-frame FE 28mm F2 it delivers imposing wide perspective with high resolution throughout the image area from infinity down to the closest focusing distance, without compromising the lens’s image quality. The sophisticated design seamlessly matches the lens, and is dust and moisture resistant for maximum reliability.

Sony Fisheye Converter for the FE 28mm F2 Lens

Sony SEL057FEC.SYX (SEL057FEC-SYX, SEL057FEC/SYX, SEL057FEC SYX) Fisheye Converter for the FE 28mm F2 Lens This dedicated conversion lens for the FE 28mm F2 provides 16mm focal length with fisheye perspective and a full 180° angle of view (diagonally). The converter has been specifically designed for the FE 28mm F2, and therefore offers expressive fisheye perspective with excellent image quality from infinity down to the closest focusing distance, without compromising the basic image quality of the lens. The sophisticated design seamlessly matches the lens, and is dust and moisture resistant for maximum reliability.

Sony 2/3inch Lens Adaptor for 1/2inch XDCAM HD Camcorders

Sony LO-32BMT (LO/32BMT, LO_32BMT, LO32BMT) 2/3inch Lens Adaptor for 1/2inch XDCAM HD Camcorders The Canon LO-32BMT adapter allows you to mount a 2/3" B4 bayonet lens onto any Sony 1/2" proprietary mount camera such as the new XDCAM HD series, PDW-F330/F350 while not affecting the optical quality of the lens. It is important to consider the following information when using a 2/3" lens with a LO-32BMT adapter mounted to a 1/2" camera: The images produced will appear visually more telephoto by a factor of 1.38x. The actual F-Number of a lens does not change when mounted on a different format size camera.  (If the lens is F1.9 in the 2/3 "format, the lens is also F1.9 in the 1/2" format.) The Focal Length and F-Stop markings on the 2/3” lens are correct in either format. It is highly recommended that HDTV lenses always be employed on HDTV cameras.  

Sony 50 Metre Compsite Fibre Cable

Sony CCF-50 (CCF_50, CCF/50, CCF50, ccf-50) 50 Metre Compsite Fibre Cable Sony CCF-50 (CCF5) 50 Metre Compsite Fibre Cable.

Sony Hybrid Fibre Cable for HDC-1500 Camera Family (300m)

Sony CCF-300 (CCF/300, CCF_300, CCF 300) (HDC/1500, HDC_1500) Hybrid Fibre Cable for HDC-1500 Camera Family (300m) Sony CCF-300 (CCF300) Hybrid Fibre Cable for HDC-1500 Camera Family (300m). Applicable Models: HDC-1000, HDC-1500, HDC-3300, HDCU-1000, HDCU-1500, HDCU-3300.

Sony Hybrid Fibre Cable for HDC-1500 Camera Family (200m)

Sony CCF-200 (CCF_200, CCF/200, CCF 200)(HDC_1500, HDC/1500) Hybrid Fibre Cable for HDC-1500 Camera Family (200m) Sony CCF-200 (CCF200) Hybrid Fibre Cable for HDC-1500 Camera Family (200m). Applicable Models : HDC-1000, HDC-1500, HDC-3300, HDCU-1000, HDCU-1500, HDCU-3300.

Sony Compsite Optical Fibre Cable (10m)

Sony CCF-10 (CCF_10, CCF/10, CCF 10) Compsite Optical Fibre Cable (10m) Sony CCF-10 (CCF10) Compsite Optical Fibre Cable (10m).

Sony Hybrid Fibre Cables for HDC-1500 Camera Family (100m)

Sony CCF-100 (CCF_100, CCF/100, CCF 100) (HDC/1500, HDC_1500) Hybrid Fibre Cables for HDC-1500 Camera Family (100m) Sony CCF-100 (CCF100) Hybrid Fibre Cables for HDC-1500 Camera Family (100m). Applicable Models: HDC-1000,HDC-1500, HDC-3300, HDCU-1000, HDCU-1500, HDCU-3300

Sony FE 16-35mm F2.8 GM Series Wide Angle Zoom Lens

Sony SEL-1635GM (SEL1635GM, SEL 1635GM, SEL_1635GM, SEL/1635GM) FE 16-35mm F2.8 GM Series Wide Angle Zoom Lens Explore the world in wide-angle detail G Master performance in a wide-angle F2.8 16–35 mm zoom offers a wealth of opportunity to capture subjects in creative new ways. No matter what zoom setting or focus distance you shoot at, this lens delivers consistently superb resolution from corner to corner, with stunning background bokeh when required. A compact, lightweight design makes it manageable for active shooting. Fast, high-resolution F2.8 16–35 mm zoom The first wide-angle G Master zoom lens offers performance that will take full advantage of the high-resolution potential of the latest and future camera bodies. The most advanced Sony optical and mechanical technologies come together to deliver extraordinary rendering and clarity. High corner-to-corner resolution Uncompromised optical design achieves extremely high resolution and contrast. Landscapes, architecture, interiors and other expansive subjects are captured with outstanding corner-to-corner sharpness. Aspherical elements minimise distortion, while ED (Extra-low Dispersion) glass elements effectively control chromatic aberration. Clarity and contrast in any light Sony's original Nano AR Coating suppresses spurious reflections that can cause flare and ghosting in backlit and other challenging lighting situations, for consistently high contrast and clarity. Freedom from flare over a wide range of incident light angles provides greater framing and composing flexibility, particularly at wide-angle focal lengths. (1. Nano AR Coating / 2. Glass / 3. Transmitted light) Resolution and bokeh raised to new heights This lens features two Sony XA (extreme aspherical) elements with 0.01 micron surface precision. Distortion that tends to occur in wide-angle zoom lenses is meticulously controlled, as are astigmatism and field curvature. Unattractive onion-ring bokeh is effectively suppressed by XA (extreme aspherical) elements so that smooth, beautiful bokeh is achieved in out-of-focus areas. Gorgeous background bokeh Shooting up close at F2.8 can produce some extraordinary background bokeh. Use this capability to shoot portraits, for example, with dynamic, painterly backgrounds consisting of smooth, expressive bokeh that makes the subject stand out clearly. Optimum resolution at any focal length Consistently high resolution is achieved from infinity to the closest focusing distance. This lens employs a floating focus mechanism with two independently driven lens groups. This system helps to reduce all types of aberration to minimum levels and thereby maintain sharp, high-resolution rendering from infinity focus for landscapes, for example, all the way down to close focus for portraits and similar subjects. Light and compact for high mobility Class-leading size and weight reductions have been achieved while maintaining outstanding optical performance. This lens is an ideal match for compact E-mount bodies, providing a portable, manageable system that's easy to take along on hiking or mountaineering photo excursions. Fast, precise autofocus Two DDSSM (Direct Drive SSM) systems employing original Sony piezoelectric motors directly drive two focus groups in a floating focus configuration. The focus groups are positioned with high precision for the highest possible focus accuracy. DDSSM is quiet too, making it ideal for shooting movies as well as stills. 11 blades enhance bokeh beauty Sony's original 11-blade circular aperture contributes to even greater bokeh quality. Design and materials have been revised to maintain a round shape, and strict circularity standards are applied to ensure that the full beauty of the lens's bokeh is achieved without compromise. Fluorine coated front element The lens's front element features a fluorine coating that helps to prevent fingerprints on the lens and stop dirt from sticking, and makes it easier to wipe away any dirt and fingerprints that do appear on the lens surface. Smooth, versatile operation A focus hold button, manual focus ring, AF/MF switch and other controls provide versatile fingertip operation. The focus hold button can be customised via a body menu that allows a variety of functions to be assigned to the button to match the user's needs. High reliability in harsh conditions The overall design of this lens is dust and moisture resistant for extra protection and reliable operation in challenging environments. Shoot with confidence in light rain or windy conditions.3

Sony RM-VPR1.CE7 Remote Control with Multi-Terminal Cable

Sony RM-VPR1.CE7 (RMVPR1.CE7, RM-VPR1, RMVPR1, rm-vpr1.ce7) Remote Control with Multi-Terminal Cable The RM-VPR1 Remote Control with Multi-terminal Cable for Select Sony Cameras and Camcorders from Sony is a wired remote commander that allows various remote control operations to be performed without handling the camera, therefore eliminating camera shake and providing self-portrait and other control applications. When using the RM-VPR1 with most Sony cameras, you are able to control shutter, optical zoom, digital zoom and bulb function. You are also able to control video recording. The remote is also functional with the Alpha a99, a77, a65, a57 and a37 cameras but only for photo (not video) functions. Both a multi-terminal cable and remote terminal cable are included for comprehensive compatibility.

Sony SMAD-P2 Shoe Mount Adaptor

Sony SMAD-P2 (SMAD/P2, SMAD_P2, SMADP2, SMAD P2, smad-p2) Shoe Mount Adaptor The Sony SMAD-P2 UWP Shoe Mount Adapter is used to mount the URX-P2 receivers onto camera accessory shoes.

Sony 35mm E-Mount 28-135mm Zoom Lens

Sony SELP28135G.SYX (SELP28135G_SYX, SELP28135G/SYX, SELP28135G-SYX, SELP28135G) 35mm E-Mount 28-135mm Zoom Lens  The SELP28135G is a powered zoom lens that has been created to satisfy professional optical and operational requirements for high-quality movie imagery, including 4K, when matched with a 35mm full frame format camera such as the α7S or a Super 35 format camcorder such as the PXW-FS7*. Focus breathing and zoom image shift have been reduced to an absolute minimum, while aspherical elements and advanced multi-coating technology effectively suppress aberration. Quiet operation is also a priority, so an SSM (Super Sonic wave Motor) drive system has been employed for precise, quiet zooming. Independent control rings for zoom, focus, and iris using physical stops are provided for the first time into an E-Mount an lens. Built-in Optical SteadyShot image stabilization adds to the extraordinary performance of this outstanding lens which is supporting a constant F4. *Zoom range increases to 42-202.5mm when using the lens on an APS-C or Super 35 camera. 35mm full frame imagery Precision optical design supports top-quality 4K production with minimum angle of view variation while focusing and axial displacement while zooming. F4 OSS with extendable zoom range The SELP28135G has minimum focus of 0.4 m (AF) / 0.95 m (MF) and has extanded zoom range of 42-202.5mm when used on an APS-C or S35 camera. High speed operation with independent control rings High-end operation and feel inherited from Sony professional equipment. Three control rings for iris, focus and zoom offer manual control for demanding large format production. Quiet operation The world’s first SSM (Super Sonic wave Motor) drive in a lens designed for moviemaking achieves quiet zoom and extra-smooth iris control. Lightweight and compact Compact, lightweight design that is also dust and moisture resistant is ideal for situations that require mobility plus reliability.s

Sony 18-200mm f3.5-6.3 OSS PowerZoom Lens

Sony SELP18200.AE (SELP18200_AE, SELP18200-AE, SELP18200/AE, SELP18200) 18-200mm f3.5-6.3 OSS PowerZoom Lens E PZ 18-200mm F3.5-6.3 OSS Power Zoom Lens This "Powered Zoom" lens produces smooth constant-speed zooms that can be difficult to achieve manually. Other features that make this lens an excellent choice for moviemaking as well as stills include a wide 11x zoom range and Optical SteadyShot image stabilisation that can keep your subjects sharp at all focal lengths, even when shooting handheld. Circular Aperture When changing your aperture to defocus the background, the light sources appear blurred. This ‘bokeh’ effect of the blurred background can be enhanced with circular aperture blades used in this lens. Conventional aperture blades have flat sides creating unappealing polygonal shaped defocussed points of light. α lenses overcome this problem through a unique design that keeps the aperture almost perfectly circular from its wide-open setting to when it is closed by 2 stops. Smoother, more natural defocusing can be obtained as a result. ED (Extra-low Dispersion) glass As focal lengths get longer, lenses built with conventional optical glass have difficulties with chromatic aberration, and as a result images suffer from lower contrast, lower colour quality, and lower resolution. ED glass dramatically reduces chromatic aberration at telephoto ranges, and provides superior contrast across the entire image, even at large aperture settings. Super ED glass provides enhanced compensation for chromatic aberration. Lens-based optical image stabilisation Gyro sensors built into the lens detect even the slightest movement, and the stabilisation lens is precisely shifted to counteract any image blur that might occur. The use of precision, quiet linear motors and technology inherited from high-end Sony professional camcorders results in exceptionally quiet, effective image stabilisation that contributes to high-quality movies as well as stills. Internal focusing Only the middle groups of the optical system move to achieve focus, so the overall length of the lens does not change. Other important benefits include fast autofocusing and a short minimum focusing distance. Also, the filter thread at the front of the lens does not rotate, which is convenient if you’re using a polarizing filter. Optical image stabilisation with Active Mode Moving around while shooting movies means more camera shake that can cause blur. Although conventional image stabilisation systems were not effective at compensating for this type of movement, “Active Mode” employs a wider range of motion for the compensation lens, achieving improved stabilisation over a greater range of camera movement. Stabilisation at the wide end of the zoom range is significantly improved, facilitating handheld movie shooting with minimum image blur.

Sony E PZ 18-105mm F4 G OSS Lens

Sony SELP18105G.AE (SELP18105GAE, SELP18105G/AE, SELP18105G_AE, SELP18105G-AE) E PZ 18-105mm F4 G OSS Lens This G Lens for E-mount cameras delivers stunning still or movie imagery with the flexibility of 6x power zoom. Maximum aperture is a constant F4 from 18mm wide angle to 105mm medium telephoto, with excellent resolution and contrast throughout. A lever and ring on the lens barrel allow zoom speed to be freely adjusted as required while maintaining a sure, stable grip.

Sony 16-50mm f3.5-5.6 OSS Lens

Sony SELP1650.AE (SELP1650-AE, SELP1650_AE, SELP1650/AE, SELP1650) 16-50mm f3.5-5.6 OSS Lens  Retractable lens with powered zoom Great for travel, this lightweight, retractable mid-range zoom collapses down to just 29.9mm. It also features a power zoom for smooth, silent, effortless zooming. Powered zoom for effortless control Shooting stills or video, a powered zoom gives you maximum creative control. For added convenience, it can be operated via a zoom rocker on selected E Mount cameras. Capture smooth, blur-free images Built-in Optical SteadyShot™ image stabilisation within the lens ensures smooth, blur-free photos and videos when shooting handheld. Smooth defocusing Instead of a standard polygon-shaped lens aperture, this lens features a 7-blade circular aperture for more natural, rounded defocusing or ‘bokeh’. Refined optical performance Aspherical lens elements minimise distortion while ED (Extra-low Dispersion) glass elements provide superior contrast, resolution, and colour fidelity.

Sony FE 70-200mm f/4 G OSS Lens

Sony SEL70200G.AE (SEL70200G/AE, SEL70200G-AE, sel70200g_ae) FE 70-200mm F/4 G OSS Lens The most advanced technology available has been applied in the G Master series, further refining acclaimed Sony G Lens performance. This model combines refined G Lens bokeh with new levels of resolution in an outstanding constant F2.8 telephoto zoom that offers unsurpassed rendering, blazing AF, and extraordinary image stabilization performance. Extraordinary detail and bokeh in one lens Specifically designed to resolve spatial frequencies with excellent contrast, this lens includes three aspherical elements, including one double-sided and one newly developed XA (extreme aspherical) element with 0.01 micron surface precision, to effectively control aberration for astonishing resolution plus glorious bokeh. Natural images without spurious colour Chromatic aberration that can be a problem in telephoto lenses is thoroughly suppressed by the use of four ED (Extra-low-Dispersion) glass elements and two Super ED glass elements. Colour bleeding is banished so the subject can be captured with maximum sharpness. Class-leading close-up performance Class-leading close-up performance with a minimum focusing distance of 0.96m and 0.25x maximum magnification is ideal for portraits, telephoto macro, and more. Contributing refinements include ED glass elements and a floating focus mechanism to control aberration that can be problematic in close-up applications. Fast AF optimized for stills and video Two heavy focus groups are rapidly and precisely positioned by separate actuators: a powerful ring SSM (Super Sonic wave Motor) actuator for the front group, and a double linear motor actuator for the rear group. Improved positioning precision works with real-time feedback from multiple position sensors to allow the body’s AF system to operate at full capacity. Further refinements for spot-on movie AF The focusing system’s double linear motor takes on the vital role of providing “wobbling” actuation for the AF contrast detection system when shooting video. An optical design that effectively minimizes focus breathing plus quiet mechanical operation further adds to focusing performance that is ideal for movies as well as stills. Outstanding clarity and contrast Advanced Nano AR Coating technology produces a lens coating with a precisely defined regular nano-structure that effectively suppresses reflections that can cause flare and ghosting, for notable improvements in clarity, contrast, and overall image quality.(1. Nano AR Coating / 2.Glass / 3.Transmitted light) 11 blades for luscious bokeh Sony’s circular aperture design has traditionally employed up to 9 blades, but this lens incorporates an 11-blade circular aperture that takes bokeh quality to new levels of smooth beauty with natural looking highlights. Operation and reliability optimized for fieldwork Rigid construction with constant lens length during focusing and zooming contribute to excellent handling in the widest range of shooting situations.Focus hold buttons can hold the focus point even during continuous AF operation, and a focus range limiter switch can be used to preset a focusing distance range for maximum AF speed. Stable even when panning To provide the greatest possible benefit from the built-in image stabilization system in the widest range of shooting situations, the SEL70200GM features switchable MODE 2 stabilization that allows image stabilization to be used with panned shots for greater clarity and impact. Stabilized for sharp, blur-free images High-performance image stabilization is built right into the lens for sharp, blur-free images with a wide range of subjects. The heavy stabilization lens is driven by a linear motor for fast, precise stabilization. 5-axis image stabilization becomes available when used with α series bodies that feature built-in image stabilization. Removable rotating tripod mount This versatile lens tripod mount allows the camera to be quickly removed from the tripod in shooting situations that require a rapid handheld response. It also features a revolving mechanism that allows quick changeover between landscape and portrait orientation. A lock mechanism prevents accidental detachment.  High reliability in harsh conditions A sealed dust and moisture resistant design and fluorine front element coating provide extra protection to ensure reliable operation in challenging environments.

Sony Sonnar T FE 55mm f/1.8 ZA Lens

Sony SEL55F18Z.AE (SEL55F18Z_AE, SEL55F18Z/AE, sel55f18z-ae) Sonnar T FE 55mm f/1.8 ZA Lens This standard prime lens with a 55mm focal length and large F1.8 maximum aperture offers stunning ZEISS Sonnar contrast and resolution for full-frame E-mount bodies. It can also create gorgeous background bokeh to set off your subject when needed. The big, bright maximum aperture means you can shoot handheld in low-light conditions while still getting outstanding sharpness and clarity.

Sony Sonnar T FE 35mm f/2.8 ZA Lens

Sony SEL35F28Z.AE (SEL 35F28ZAE, SEL35F28Z/AE, SEL35F28Z_AE, SEL-35F28Z.AE, SEL35F28Z) Sonnar T FE 35mm f/2.8 ZA Lens  Sonnar T* FE 35mm F2.8 ZA Wide-angle Prime (SEL35F28Z) Perfect for wide-angle shooting and close-ups, this bright 35mm prime lens from ZEISS delivers outstanding edge-to-edge image quality. A supplied dedicated hood matches the lens's compact form, while its dust and moisture resistant design gives you peace of mind when shooting outdoors. Crafted by ZEISS Founded in 1846, ZEISS AG is a legend in the field of camera optics. Their lenses are renowned for exceptional clarity, brightness, resolution and contrast. This one features the acclaimed ZEISS T* coating, which subdues internal reflections to minimise flare and ghosting. 35mm Full Frame imaging This 35mm Full Frame prime lens is designed to work with the latest Full Frame E-mount cameras from Sony, delivering outstanding contrast and resolution right out to the edges of the image. Advanced aspherical lens (AA lens) technology Aspherical lens technology maximises portability without sacrificing imaging power. The lens combines three aspherical elements with one ED (Extra-low Dispersion) glass element to deliver high-precision shots and breathtaking rendering – without the bulky design usually associated with similar DSLR lenses. Smooth defocusing Instead of a standard polygon-shaped lens aperture, this lens features a 7-blade circular aperture for more natural, rounded defocusing or ‘bokeh’. Refined optical performance To optimise performance, aspherical lens elements maintain high contrast (even with the aperture wide open) and minimise distortion and flatness of the image plane. Fast, agile focusing An internal focusing mechanism means the lens barrel doesn’t move, enabling a more compact design, faster autofocus response, and reduced minimum focusing distances.

Sony 28-70mm F/3.5-5.6 OSS Standard Zoom Lens - E Mount

Sony SEL2870.AE (SEL2870AE, SEL2870/AE, sel2870.ae) 28-70mm F/3.5-5.6 OSS Standard Zoom Lens - E Mount A top pick for users looking for a lightweight all-around zoom, the FE 28-70mm f/3.5-5.6 OSS Lens from Sony is a great go-to for full-frame E-mount shooters. The lens uses a variable f/3.5-5.6 maximum aperture range in order to achieve light weight and compact size and incorporates one extra-low dispersion element and three aspherical elements to minimize aberrations throughout the range. Also, it has a linear motor and internal focus that enable fast, reliable autofocusing. On top of this, the lens offers built-in Optical SteadyShot image stabilization to combat the effects of camera shake. Additionally, it is dust and moisture resistant and is equipped with a seven-blade circular diaphragm for smooth bokeh. Designed for full-frame E-mount cameras, this 28-70mm covers a versatile wide-angle to telephoto range. It also works on APS-C format cameras where it provides a 42-105mm equivalent focal length range. One extra-low dispersion glass element is featured in the lens design to help reduce chromatic aberrations and color fringing for improved clarity and color neutrality. Three aspherical elements are incorporated in the lens design to reduce astigmatism, field curvature, coma, and other monochromatic aberrations. An internal focus mechanism and linear motor contribute to faster, more responsive system and easier handling. Optical SteadyShot image stabilization helps to minimize the appearance of camera shake for sharper imagery when shooting handheld with slower shutter speeds. This stabilization system can be combined with select camera's sensor-shift type image stabilization for more effective control of camera blur. Dust- and moisture-sealed design better permits working in inclement conditions and rubberized control rings benefit handling in colder temperatures. Rounded seven-blade diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques.

Sony 24mm f1.8 ZA Sonnar T* Wide Angle Lens by Carl Zeiss - E Mount

Sony SEL24F18Z.AE (SEL24F18ZAE, SEL24F18Z/AE, sel24f18z.ae) 24mm f1.8 ZA Sonnar T* Wide Angle Lens by Carl Zeiss - E Mount  The Sony Vario-Tessar T* FE 24-70mm f/4 ZA OSS Lens is a wide-angle to portrait-length zoom lens that features a constant f/4 maximum aperture to support consistent performance in regard to exposure settings and focus placement throughout the zoom range. Five aspherical elements and one extra-low dispersion element help to reduce aberrations and distortions while contributing to notable image sharpness and clarity. A Carl Zeiss T* anti-reflective coating has also been applied to lens elements to reduce lens flare and ghosting for improved contrast and color fidelity. This lens also integrates Optical SteadyShot image stabilization to lessen the appearance of camera shake when working in low-light conditions or with longer focal lengths. Additionally, a dust- and moisture-resistant construction ensures this lens' use in tough environmental conditions. The mid-range zoom 24-70mm lens covers wide-angle to portrait-length perspectives and features a constant f/4 maximum aperture for consistent performance throughout the zoom range. Five aspherical elements and one extra-low dispersion element help minimize aberrations and distortions throughout the zoom range while contributing to high overall clarity. Tessar concept enables the lens design to be compact while maintaining high image quality and sharpness. Carl Zeiss T* anti-reflective coating lessens lens flare and ghosting for contrast-rich imagery with sustained color neutrality. Optical SteadyShot image stabilization minimizes the appearance of camera shake to better suit working with longer shutter speeds and telephoto focal lengths. Dust- and moisture-resistant design enables ensured performance when working in inclement environmental conditions. Circular diaphragm enables a smooth out-of-focus quality that is well-suited to shallow depth of field imagery.

Sony Vario-Tessar T* FE 24-70mm F4 ZA OSS E-Mount Lens

Sony SEL2470Z.AE (SEL2470ZAE, SEL2470Z/AE, sel2470z.ae) Vario-Tessar T* FE 24-70mm F4 ZA OSS E-Mount Lens The Vario-Tessar T* FE 24-70mm f/4 ZA OSS Lens from Sony, a compact full-frame option that covers wide-angle to short telephoto perspectives for working with a variety of different shooting styles and subjects. A constant f/4 aperture makes operation smooth and consistent throughout the zoom range. The lens further benefits from the use of one extra-low dispersion element and five aspherical elements to combat aberrations as well as a Zeiss T* anti-reflective coating to keep flare and ghosting to an absolute minimum. The lens is fast to focus as well due to the linear autofocus motor and an internal focus design. Additionally, the dust- and moisture-resistant lens is equipped with Optical SteadyShot image stabilization to reduce the effects of camera shake, and it has a seven-blade circular diaphragm for smooth bokeh. Based on the Zeiss Tessar optical concept, this lens uses a design with 12 elements in ten groups that helps ensure a smaller overall lens size along with reduced flaring, distortion, and chromatic aberrations. Covering wide-angle to short telephoto perspectives, this compact 24-70mm can quickly become a go-to lens for Sony's full-frame E-mount cameras. It can also be used on APS-C format cameras where it will provide a 36-105mm equivalent zoom range. A constant f/4 maximum aperture offers consistent performance throughout the zoom range and also lends greater control over focus position for shallow depth of field techniques. Zeiss T* anti-reflective coatings have been applied to each lens surface to help minimize reflections in order to provide greater image clarity, contrast, and color fidelity. One extra-low dispersion glass element is featured in the lens design to help reduce chromatic aberrations and color fringing for improved clarity and color neutrality. Five aspherical elements are incorporated in the lens design to reduce astigmatism, field curvature, coma, and other monochromatic aberrations. Optical SteadyShot image stabilization helps to minimize the appearance of camera shake for sharper imagery when shooting handheld with slower shutter speeds. This stabilization system can also be combined with select camera's sensor-shift type image stabilization for more effective control of camera blur. A linear autofocus motor and internal focus design provide quick and precise autofocus performance and enables accurate and silent focusing while recording videos. Dust- and moisture-sealed design better permits working in inclement conditions and rubberized control rings benefit handling in colder temperatures. Rounded seven-blade diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques.

Sony Vario-Tessar T* FE 16-35mm f/4 ZA OSS Lens

Sony SEL1635Z.SYX (SEL1635ZSYX, SEL1635Z/SYX, sel1635z.syx) Vario-Tessar T* FE 16-35mm f/4 ZA OSS Lens  With a dust and moisture resistant design, the compact and lightweight Sony Vario-Tessar T* FE 16-35mm f/4 ZA OSS Lens covers your wide-angle zoom needs and is designed for full-frame E-mount cameras but can also be used on APS-C E-mount cameras as well. A constant f/4 maximum aperture offers consistent performance throughout the zoom range. Benefiting working in dim light is Optical SteadyShot image stabilization, which serves to minimize the appearance of camera shake by up to four shutter speed steps. The optical construction incorporates five aspherical elements, including a large diameter AA (advanced aspherical) element, and three ED (extra-low dispersion) elements to help reduce chromatic aberrations throughout the zoom range as well as contribute to a compact overall form-factor. A Carl Zeiss T* anti-reflective coating has been applied to the lens elements to minimize lens flare and ghosting while providing enhanced contrast, clarity, and color fidelity. Wide-range zoom lens designed for full-frame E-mount cameras Constant f/4 maximum aperture enables greater consistency throughout the zoom range Features a circular aperture diaphragm that, through the use of curved blades, keeps the aperture almost perfectly circular from its wide-open setting to when it is closed for smoother, more natural defocusing highlights Optical SteadyShot image stabilization works to minimize the appearance of camera shake by up to four shutter speed steps to benefit shooting handheld in dim lighting Five aspherical elements, including one AA (advanced aspherical) element, and three ED elements helps to reduce chromatic aberrations throughout the zoom range while also maintaining a compact form-factor Carl Zeiss T* anti-reflective coating enhances contrast, clarity, and color reproduction by countering the effects of lens flare and ghosting Only the middle groups of the optical system move to achieve focus, so the overall length of the lens does not change when focusing. Also, the filter thread at the front of the lens does not rotate, which is convenient when using a polarizing filter

Sony CineAlta 4K PL mount lens pack x6 (metric)

Sony SCL-PK6/M (SCLPK6/M, SCL/PK6/M, scl-pk6/m) CineAlta 4K PL mount lens pack x6 (metric) The PMW-F55 and PMW-F5 cameras continue Sony’s efforts to offer the most flexible lens options. A PL-mount lets users choose cinematic lenses from suppliers such as Angénieux, ARRI, Canon, Carl Zeiss, Cooke, FUJIFILM and Leica. Sony is also launching a second generation of cost-effective PL mount prime lenses. Each is certified for 4K capture, and is designed to minimize geometric distortion, vignetting and breathing. A 9-blade iris delivers beautiful bokehs and the focus rings rotate 240°. The new lens series includes focal lengths of 20, 25, 35, 50, 85 and 135 mm. For easy lens changes, each has the same T2.0 aperture, the same external diameter, matte box diameter, and gear locations for follow focus and aperture. All are the same height except for the 135 mm lens. Shooters can use stills lenses by removing the supplied PL-mount adaptor to reveal the native FZ mount. This makes it easy to accept commercially available adaptors for third-party lenses, including Canon EF, Canon FD, Nikon DX, Nikon G, Leica M and even 2/3-inch B4 lenses. A third option is the use of Sony FZ-Mount lenses with auto focus servo zoom (model SCL-Z18X140.)  

Sony 11-15mm / T3.0 Wide Angle Zoom PL Mount Lens

Sony SCL-P11X15 (SCLP11X15, SCL/P11X15, scl-p11x15) 11-15mm / T3.0 Wide Angle Zoom PL Mount Lens Sony's SCL-P11X15 is a new PL mount lens for the PMW-F3 Camcorder. This wide-angle zoom 1.5x 11-16mm T3.0 aimed at high-end cinema, drama, documentary and commercial productions. The The SCL-P11X15 has been specifically designed to fit to the PMW-F3K via the camcorder’s supplied PL Mount Adapter, which also means the lens is compatible with any other PL Mount camcorder. Wide Angle Zoom 1.5x 11-16mm T3.0 - PL mount wide angle of view coupled with 1.5x zoom capabilities for flexible shooting in fast-moving situations such as high-end documentary.

Sony SAL35F14G.AE 35mm f/1.4 G Lens A-Mount Lens

Sony SAL35F14G.AE (SAL-35F14G.AE, SAL-35F14G, SAL35F14G, sal35f14g.ae) 35mm f/1.4 G Lens A-Mount Lens A fast wide prime for expressive freedom The fact that this 35 mm F1.4 prime G Lens delivers superb image quality is no surprise. Creative photographers will really appreciate its 35 mm focal length, considered the most versatile by many pros, and its bright, fast F1.4 maximum aperture that enables low-light shooting, makes it possible to increase shutter speed to capture fast action and achieve gorgeous background bokeh when needed. Superb prime lens quality for low light An F1.4 maximum aperture makes this superb lens ideal for snapshots and ambient-light photography while providing extended depth-of-field control. The ability to create smooth bokeh makes it great for portraits too. Another advantage of a large maximum aperture is that higher shutter speeds can be used when shooting fast action. Sharp, high-contrast imagery Premium G Lens optics, including moulded aspherical glass elements, achieve consistently high resolution and contrast right down to the lens's bright F1.4 maximum aperture. All types of aberration are effectively suppressed too, so that natural, life-reproduction of delicate gradations and details is achieved. From super sharp to gorgeous bokeh A 9-blade circular aperture works with this lens's F1.4 maximum aperture to produce beautifully smooth background bokeh with natural highlights when desired. Smooth background defocusing can make the in-focus focus really stand out in images with almost three-dimensional depth. Compact, manageable and versatile In addition to a remarkably compact, manageable design, this lens includes a convenient focus hold button on the lens barrel, and an auto-clutch that prevents the focus ring from rotating when autofocus is used.

Sony SAL2875.AE 28–75mm F2.8 SAM Zoom Lens

Sony SAL2875.AE (SAL-2875AE, SAL-2875, SAL2875, sal2875.ae) 28–75mm F2.8 SAM Zoom Lens This 35 MM Full-Frame lens works with Sony α cameras. A versatile lens for everyday use The SAL2875 offers an ideal balance of brightness and zoom range for a variety of situations. A constant F2.8 max aperture benefits handheld and low-light shots. Say goodbye to blur Pair the lens with a camera by Sony with SteadyShot™ INSIDE and you’ll enjoy smooth, blur-free results when shooting handheld, even zoomed-in. Smooth defocusing Instead of a standard polygon-shaped lens aperture, this lens features a 7-blade circular aperture for more natural, rounded defocusing or ‘bokeh’. Refined optical performance Aspherical lens elements minimise distortion while ED (Extra-low Dispersion) glass elements provide superior contrast, resolution and colour fidelity. Fast, smooth focusing Internal focusing enables reduced minimum focusing distances and fast autofocus response while a built-in SAM (Smooth Autofocus Motor) ensures smooth operation.

Sony SAL24F20Z.AE Distagon T 24mm F2 ZA SSM Lens

Sony SAL24F20Z.AE (SAL-24F20ZAE, SAL24F20Z, SAL-24F20Z, sal24f20z.ae) Distagon T 24mm F2 ZA SSM Lens Legendary Distagon wide-angle quality This first-rate 24 mm prime lens is an outstanding choice for landscapes, snapshots and more . It takes outstanding ZEISS Distagon® quality to a new level with precision aspherical and ED (Extra-low Dispersion) glass elements, and the large F2.0 maximum aperture and a circular aperture cooperate to deliver gorgeous bokeh effects. Extraordinary wide-angle rendering The ZEISS Distagon® design was created specifically to achieve excellent sharpness and contrast in wide-angle lenses, and it still excels in that field. The SAL24F20Z brings the Distagon® configuration up to date with the most advanced lens technology available, for unsurpassed corner-to-corner optical performance. Sharp, high-contrast imagery Two aspherical elements and two ED (Extra-low Dispersion) glass elements minimise aberration for superior sharpness and contrast throughout the image, while the ZEISS T* coating cuts flare and ghosting so that images are crisp and clear with well-defined blacks. That impressive performance is maintained at all apertures, right down to this lens’s bright F2.0 maximum. Outstanding colour and contrast ZEISS lenses are renowned for their outstanding colour reproduction and contrast. The ZEISS T* coating is an important contributing factor, effectively suppressing spurious reflections that can degrade overall image quality. Flare and ghosting are reduced for enhanced colour and contrast that give images a deep, three-dimensional feel. Get close for small subjects and details The SAL24F20Z can focus as close as 19 centimetres to capture small subjects and details with excellent quality. The large F2.0 maximum aperture and 9-blade circular aperture design can contribute to beautifully smooth background bokeh that supports the main in-focus subject in the most appealing way. SSM (Super Sonic wave Motor) focus drive The SSM (Super Sonic wave Motor) is a piezoelectric drive system that contributes to smooth, silent autofocus operation. Its capacity for high torque at low rotational speeds contributes to fast start and stop response as well as precise positioning. To the photographer that means quick, quiet, accurate focus. ED glass improves resolution and contrast The ED (Extra-low Dispersion) glass elements used in the SAL24F20Z are highly effective in reducing chromatic aberration. That not only minimises colour fringing, but also contributes to superior sharpness and contrast throughout the image area, even at large aperture settings.

Sony SAL1635Z2.SYX Vario-Sonnar T 16–35mm F2.8 ZA SSM II Lens

Sony SAL1635Z2.SYX (SAL-1635Z2.SYX, SAL1635Z2, SAL-1635Z2, sal1635z2.syx) Vario-Sonnar T 16–35mm F2.8 ZA SSM II Lens The Sony 16-35mm f/2.8 ZA SSM II Vario-Sonnar T* Lens is a fast and versatile wide-angle zoom that is designed for Sony and Minolta full-frame or APS-C A-Mount cameras. Users of compatible 35mm full-frame cameras can obtain a 107 to 63° angle of view, making this lens suitable for fitting subjects ranging from landscapes to large groups into your frame. On a Sony or Minolta APS-C A-Mount camera, this lens's angle of view becomes equivalent to that of a 24-52.5mm lens on a full-frame 35mm film camera or DSLR. Wide-angle photography on an APS-C A-Mount camera is supported, as well as the ability to replicate the narrower angle of view provided when a 50mm lens is placed on a full-frame 35mm film camera or DSLR which is a useful combination for street and travel photography. An extra-low dispersion, a super extra-low dispersion, and three aspherical elements are incorporated within the lens to maintain low distortion and corner sharpness while minimizing chromatic aberrations. Carl Zeiss T* (T-Star) lens coatings provide high contrast and uniform image resolution while helping to eliminate lens flare, internal reflection, and light scattering. Silent Super Sonic Wave autofocus motor and aperture mechanisms contribute to fast lens operation and the suppression of unwanted noise when capturing still photos as well as video clips. This lens's durable dust and weather-resistant design contributes to the versatility of Sony camera bodies that also feature weather-resistant components, allowing you to photograph in places or at times where exposure to the elements could impact camera system performance. When used with a Sony A-Mount to E-Mount Lens Adapter, or a Sony A-Mount to E-Mount Lens Adapter with Translucent Mirror Technology that helps maintain autofocus performance, full-frame or APS-C Sony E-Mount cameras can also utilize this lens. 16-35mm full-frame zoom offers a versatile wide-angle focal length on both Sony A-Mount full-frame cameras and APS-C cameras. On Sony A-Mount APS-C cameras, this lens provides a 35mm-equivalent focal length of 24-52.5mm. Full-frame or APS-C Sony E-Mount cameras can work with this lens using a Sony A-Mount to E-Mount Lens Adapter, or a Sony A-Mount to E-Mount Lens Adapter with Translucent Mirror Technology that helps maintain autofocus performance. Fast f/2.8 maximum aperture benefits working in difficult lighting conditions and also aids in selective focus control. Three aspherical elements help to maintain low distortion and corner sharpness, while one extra-low dispersion element and one super extra-low dispersion element reduce chromatic aberrations. Carl Zeiss T* (T-Star) coatings provide high contrast and uniform image resolution while helping to eliminate lens flare, internal reflection, and light scattering. Weather-resistant design permits outdoor use and contributes to the versatility of Sony camera bodies that also feature weather-resistant components. Super Sonic Wave Motor produces high torque at slow rotation. Quiet, precise, and immediate start and stop responses are provided. Silent autofocus and aperture operation prevent distracting sounds during video capture. Focusing is achieved internally, keeping the length of the lens consistent. Fast autofocus speed as well as focus tracking is maintained and the front of the lens or a polarizer mounted on it is prevented from unintentionally rotating. Once focus has been set, pressing the Focus Hold Button on the lens barrel keeps the lens locked to the selected focusing distance. Built-in Distance Encoder works in conjunction with Sony's Advanced Distance Integration flash metering system. This encoder helps a connected camera and a compatible flash take into account the distance of the subject from the camera system, helping to ensure that the correct amount of flash is used. Nine rounded diaphragm blades contribute to a pleasing out-of-focus quality and benefit the use of shallow depth of field techniques.

Sony Custom Rack Mounting Kit CCU-590P and CCU-TX50

Sony RMM-301 (RMM301, RMM/301, rmm-301)(CCU/590P, CCU_590P)(CCU TX50, CCU/TX50) Custom Rack Mounting Kit CCU-590P and CCU-TX50The Sony RMM-301 is the custom rack mounting kit for both the HDFX-100/S Triax adapters and CCU-550D Triax camera controller. This kit allows the camera controller to be mounted on a standard 19" wide equipment rack system.

Sony Rackmount Kit for Betacam SP VCRs

Sony RMM-110 (RMM110, RMM/110, rmm-110) Rackmount Kit for Betacam SP VCRsDesigned specifically for the PVW line of Betacam SP VTRs. This kit provides all the necessary parts to connect the VTR to any standard 19 inch racking system.Fits VTR to standard racking system This Rackmounting kit works with SRW-5000/5500/5800/5100 HDCAM-SR studio VTR.

Sony Rackmount Kit for PFV-L10 Interface Unit

Sony RMM-10 (RMM10, RMM/10, rmm-10) (PFV/L10, PFV_L10) Rackmount Kit for PFV-L10 Interface Unit The RMM-10 rack mount kit is designed to work with the MVS Series switchers and PFV-L10 interface unit. Standard rack mounting Allows the units to be rack mounted in all standard racks.

Sony Remote Commander with Focus, Iris and Zoom Control

Sony RM-30BP (RM30BP, RM30BP, rm-30bp) Remote Commander with Focus, Iris and Zoom Control The RM-30BP is the successor to the RM-1000BP, the industry’s first comprehensive, multifunctional remote commander.  Ideal for freelancers and small-budget productions, the lightweight remote can be handheld, placed on a table or attached to a tripod arm for operation. The RM-30BP can control most camera functions including: Lens control: one push auto / manual focus, iris and zoom control  Camera control: recording / display functions, shutter speed, white balance - including six assignable buttons  Playback and multi camera control (up to 3 cameras)  The RM-30BP can also be connected to the new MCX-500 for multi camera control directly from the switcher, and is compatible with the HXR-NX5R and PXW-FS7 v4.0, with plans to introduce compatibility for other Sony camcorders.

Sony CCU Extension Adapter

Sony HKCU-SM100 (HKCUSM100, HKCU/SM100, hkcu-sm100) CCU Extension Adapter The HKCU-SM100 CCU extension adaptor works with the HDCE-100 camera extension adaptor to meet the fast-growing demand for an affordable total system solution for long-distance transmission with single mode fibre cable (SMF). The HKCU-SM100 and the HDCE-100 are designed for easily converting the cable format between the camera head and base station Camera Control Unit (CCU) from SMPTE optical fibre to SMF. The HDCE-100 on its own extends the distance between camera head and CCU. With the HKCU-SM100, the maximum distance extends to 10 km. In 4K camera systems, the HDCE-100 and HKCU-SM100 can be utilised with the BPU-4000 baseband processor unit to supply power to the CA-4000 camera system adaptor or HDC-4300 camera. Easy conversion from optical fibre to single mode fibre Easy conversion of the cable format between the camera head and base station Camera Control Unit (CCU) from SMPTE optical fibre to single mode fibre cable (SMF). Long-distance transmission Provides transmission on single mode fibre between CCU and 4K, HSC and HDC series cameras of up to 10 km.

Sony Digital Triax Adapter

Sony HKC-TR27F (HKCTR27F, HKC/TR27F, hkc-tr27f) Digital Triax AdapterThe HKC-TR27 digital triax adaptor side cover for the HDC-2400/2500/2550 system cameras permits digital triax transmission with a bandwidth that allows the transmission of 1080P or 2xSloMo signals (2x1080i) over triax. Furthermore, digital triax transmission does not suffer from a decrease of SNR (Signal to Noise Ratio) over longer extensions, so the high performance signal quality can be kept over the maximum extension of 1,400m (using 14.5mm triax cable). Camera connects with HDFX-200 to HDCU-2000/2500 CCUs The digital triax transmission requires the use of an HDFX-200 converter to convert the triax signals to an SMPTE-Fibre cable to be accepted by the HDCU-2000/2500 or HDC-1000/1500Camera Control Unit (CCU). High quality digital signal transmission over conventional triax cable Existing triax infrastructure can be used with no need to install additional cables up to distances of 1,400m (using 14.5mm triax cable). Supports wide variety of frame rates The HKC-TR27 supports 1080i, 720P, 2x Slomo1080i/720P HD frame rates. 2xSloMo speed (1080i or 720P) 2xSloMo signal and normal HDTV signal is available. Camera connects with HDFX-200 to HDCU-2000/2500 CCUs The digital triax transmission requires the use of an HDFX-200 converter to convert the triax signals to an SMPTE-Fibre cable to be accepted by the Camera Control Unit (CCU).

Sony Digital Triax Adapter

Sony HKC-TR27/4E (HKCTR27/4E, HKC/TR27/4E, hkc-tr27/4e) Digital Triax Adapter The HKC-TR27 digital triax adaptor side cover for the HDC-2400/2500/2550 system cameras permits digital triax transmission with a bandwidth that allows the transmission of 1080P or 2xSloMo signals (2x1080i) over triax. Furthermore, digital triax transmission does not suffer from a decrease of SNR (Signal to Noise Ratio) over longer extensions, so the high performance signal quality can be kept over the maximum extension of 1,400m (using 14.5mm triax cable). Camera connects with HDFX-200 to HDCU-2000/2500 CCUs The digital triax transmission requires the use of an HDFX-200 converter to convert the triax signals to an SMPTE-Fibre cable to be accepted by the HDCU-2000/2500 or HDC-1000/1500Camera Control Unit (CCU). High quality digital signal transmission over conventional triax cable Existing triax infrastructure can be used with no need to install additional cables up to distances of 1,400m (using 14.5mm triax cable). Supports wide variety of frame rates The HKC-TR27 supports 1080i, 720P, 2x Slomo1080i/720P HD frame rates. 2xSloMo speed (1080i or 720P) 2xSloMo signal and normal HDTV signal is available. Camera connects with HDFX-200 to HDCU-2000/2500 CCUs The digital triax transmission requires the use of an HDFX-200 converter to convert the triax signals to an SMPTE-Fibre cable to be accepted by the Camera Control Unit (CCU).  

Sony Digital Triax Adaptor for HDC-2400/2500/2550

Sony HKC-TR27/3T (HKCTR27/3T, HKC/TR27/3T, hkc-tr27/3t) Digital Triax Adaptor for HDC-2400/2500/2550 The HKC-TR27 digital triax adaptor side cover for the HDC-2400/2500/2550 system cameras permits digital triax transmission with a bandwidth that allows the transmission of 1080P or 2xSloMo signals (2x1080i) over triax. Furthermore, digital triax transmission does not suffer from a decrease of SNR (Signal to Noise Ratio) over longer extensions, so the high performance signal quality can be kept over the maximum extension of 1,400m (using 14.5mm triax cable). Camera connects with HDFX-200 to HDCU-2000/2500 CCUs The digital triax transmission requires the use of an HDFX-200 converter to convert the triax signals to an SMPTE-Fibre cable to be accepted by the HDCU-2000/2500 or HDC-1000/1500Camera Control Unit (CCU). High quality digital signal transmission over conventional triax cable Existing triax infrastructure can be used with no need to install additional cables up to distances of 1,400m (using 14.5mm triax cable). Supports wide variety of frame rates The HKC-TR27 supports 1080i, 720P, 2x Slomo1080i/720P HD frame rates. 2xSloMo speed (1080i or 720P) 2xSloMo signal and normal HDTV signal is available. Camera connects with HDFX-200 to HDCU-2000/2500 CCUs The digital triax transmission requires the use of an HDFX-200 converter to convert the triax signals to an SMPTE-Fibre cable to be accepted by the Camera Control Unit (CCU).  

Sony CCD Extension Block Adaptor

Sony HKC-T1500 (HKCT1500, HKC/T1500, hkc-t1500) CCD Extension Block Adaptor The HKC-T1500 "split" adapter for the HDC1500 and HDC1550 multi-format high-definition cameras increases the flexibility of Sony's multi-format high-definition cameras, by allowing the image sensor assembly to be physically separated from the camera body, using up to 50 metres of multicore cable. This results in a very compact imaging assembly which may be hand held, or located to provide unique "point of view" shots. Designed for the HDC-1500 and HDC-1550 models, it supports 1080/50p operation as well as colour viewfinders such as Sony's new HDVF-C35W. The HDC1500 and HDC1550 (triax interface) portable cameras feature high-performance 2.2-megapixel 1920x1080 progressive scan CCDs, which provide enhanced image quality and stability. This CCD technology combines native 1080/60P image acquisition with a newly developed video image processor, utilizing the latest 0.11um semiconductor technology. The new cameras operate across the entire spectrum of HD standards including: Interlace 1080i mode @1080/59.94i, 50i Progressive 1080P mode @1080/23.98p, 29.97p, 24p, 25p, 50p*, 60p* Progressive 720P mode @720/59.94p, 50P * Camera head output only via dual link. Compact Imaging Assembly When the CCD block is fitted to the split adaptor, it provides a very compact unit, ideal for shooting in tight spaces, such as in a car, or for use on a motorbike. It may be hand held, or fitted to any traditional camera mounts. Light Weight The imaging assembly is also ideal where weight is critical, such as for prolonged hand-held shooting. Maximum Performance The HDC-1500 retains full performance when used in the split adaptor, giving much higher resolution than can be obtained from other dedicated compact cameras. Quick Conversion between modes The HDC-1500 optical assembly can be quickly converted between normal and "split" operation, avoiding the need for a specialist compact camera. The HKC-T1500 can be used with any HDC-1500 or 1550 camera head. Full Range of Shooting Formats There is no limitation to the operating format when the camera is fitted to the HKC-T1500 - all the HD format standards are available Interlace 1080i modes - 1080/59.94i, 50i Progressive 1080P modes - 1080/23.98p, 29.97p, 24p, 25p, 50p*, 60p* Progressive 720P mode - 720/59.94p, 50p * Camera head output only via dual link

Sony Optical Fiber Transmission Connector

Sony HKC-LC02//U (HKCLC02//U, HKC/LC02//U, hkc-lc02//u) Optical Fiber Transmission Connector The Sony HKC-LC02 Optical Fiber Transmission Connector is designed to provide Sony's HXCU-FB70 camera control unit or HXCE-FB70 power supply extension unit with a LEMO connector.

Sony Optical Fiber Transmission Connector

Sony HKC-LC01//U (HKCLC01//U, HKC/LC01//U, hkc-lc01//u) Optical Fiber Transmission Connector The Sony HKC-LC01 Optical Fiber Transmission Connector is designed to provide Sony's CA-FB70 or HXCE-FB70 with a LEMO connector for optical fiber transmission.

Sony Dual Servo Optical Filter Wheel for HDC-2400

Sony HKC-DF20 (HKCDF20, HKC/DF20, hkc-df20) (HDC_2400, HDC/2400) Dual Servo Optical Filter Wheel for HDC-2400 This Dual Optical Filter from Sony is compatible with the HDC-2400 and HDC-1700 cameras.Dual Optical Filter for HDC-2400, HDC-1700 and HDC 2000 Series cameras Supports a range of different shooting scenes and requirements.

Sony Interconnection Adapter

Sony HKC-CN20 (HKCCN20, HKC/CN20, hkc-cn20) Interconnection Adapter The HKC-CN20 is an internal attachment kit for HDC-2500 series cameras to receive exchangeable side panel. The HKC-FB20 allows the camera to benefit from fibre transmission, while the HKC-TR20 allows the camera to use triax transmission. The HKC-CN20 fits both side panels securely to the camera. Provides fibre or triax transmission options Operates with the HKC-FB20 or HKC-TR20 side panels. Allows HDC-2500 Series system cameras to operate with fibre or triax transmission Operates with the HKC-FB20 or HKC-TR20 side panels.

Sony CRT Viewfinder Adapter without Large Lens for HDC Models (Black)

Sony HDLA-1507//UB (HDLA1507//UB, HDLA/1507//UB, hdla-1507//ub) CRT Viewfinder Adapter without Large Lens for HDC Models (Black) The HDLA-1507 is a highly sophisticated large viewfinder adapter for the HDC1500, HDC1550, and HDC3300. It accepts a large viewfinder - HDVF-700A/9900 - to be used with the portable camera.

Sony Large Lens Adapter HD Cam for LCD Viewfinders (white)

Sony HDLA-1505 (HDLA1505, HDLA/1505, hdla-1505) Large Lens Adapter HD Cam for LCD Viewfinders (white) The HDLA-1505 allows operation of the HDC-1500 HD portable camera or HDC-3300 SuperMotion camera together with large studio/OB lenses and LCD viewfinders. Unlike traditional lens "build-up kits", the HDLA-1505 provides a very simple one-touch cable-free mounting of the camera so that it can be quickly and easily converted from hand-held to tripod configuration. Note: The HDLA-1505 is finished in a pale grey body colour, the same as the HDC-1000 studio camera. If required, a dark coloured version, is also available. One-touch instant docking mechanism The camera can be fitted quickly and easily into the adaptor. This unique mechanism allows the HDC-1500 to be attached and detached without removing the large lens. Quick mounting for portable camera head To provide efficient operation in studio or OB environments, the large lens adaptor has a unique design which allows the camera to be converted from hand-held to large lens configuration in just a few seconds. Cable-free operation with all connections contained in "hot shoe" mounting Utilizing a newly developed interlocking mechanism, power, video, and control signals are passed on directly from the HDC-1500 to the HDLA-1505, without requiring additional cable connections. Note that the HDVF-C730W viewfinder does require a conventional cable connection Built-in teleprompter power supply Utility power (200-240V AC) is available from the large lens adaptor, when used in conjunction with the HDCU-1000 camera control unit Same handling characteristic as full size camera All the control features and functionality traditionally associated with full size cameras are provided in this efficient operational package. Compatible with HDVF-C730W colour LCD viewfinder The HDLA-1505 is specifically designed to allow the HDVF-C730W to be mounted on the rear of the camera body. The 7" CRT viewfinder, HDVF-700A, cannot be used with this lens adaptor

Sony Dual Channel HD Fibre Optic Transmission Adapter for HDC Series

Sony HDFA-200 (HDFA200, HDFA/200, hdfa-200) Dual Channel HD Fibre Optic Transmission Adapter for HDC Series The HDFA-200 combines 1.5 Gigabit signals from two HDC-P1 or HDC-1500R cameras into a single 3G-capable fibre-optic transmission feed, reducing complexity in 3D live production. The device also incorporates a viewfinder output with multiple analytical and diagnostic modes - including several specifically for 3D use. In 3D and conventional operation, the HDFA-200 minimises the cabling required for multiple cameras in live productions. It also integrates control and intercom data into the video feed, eliminating the need for any additional cables.

Sony TM TS Adapter

Sony HDCA-702 (HDCA702, HDCA/702, hdca-702) TM TS Adapter The HDCA-702 MPEG TS Adaptor is a unique new product which enhance a workflow flexibility with various interfaces in an ultra-compact design. It provides real-time encoding of HD-SDI input signals into an MPEG TS for output via a DVB-ASI connector. One of this adaptor's applications is field news gathering, using microwave and satellite transmission. The HDCA-702 encodes camcorder output signals to MPEG TS and outputs this stream via its DVB-ASI connector at the same time the camcorder is recording. The adaptor also supports output of HDV compatible MPEG streams from i.LINK connector to use with HDV-compatible HDD units and nonlinear editing systems. MPEG Transport Stream camera adapter for Sony camcorders with V-shoe mount The HDCA-702 can be docked to Sony's camcorders without cables through the use of the camcorder's 50-pin interface. Other Sony camcorders without 50-pin interface can be connected via the HD-SDI. HD-SDI input can be used to connect other non-Sony devices to the HDCA-702 Input will automatically switched if a 1080i or 720p signal is received The transport stream bitrate can be independently set to enable the deck to output a lower data rate transport stream over DVB-ASI while recording the highest quality video on disc or SxS card Outputs a 4:2:0 MP@HL MPEG-2 stream at video data rates starting from 15 - 43.25 Mbps In 1080i mode, a 1440x1080 resolution stream will be output when the video bitrate is set to less than 35 Mbps. At video bitrates 35 Mbps or above, a 1920x1080 resolution may be selected Program/Service number, Video, Audio, and PMT PIDs can be configured for use in multiprogram transport stream applications MPEG transport stream can be output via the HDCA-702 DVB-ASI (BNC) interface or as a 25 Mbps CBR HDV stream over the 6-pin i.LINK interface

Sony Hybrid Optical Fiber Cable - 200m

Sony CCFN-200//U (CCFN200//U, CCFN/200//U, ccfn-200//u) Hybrid Optical Fiber Cable - 200m The 656.2' Hybrid Type Optical Fiber Cable from Sony is designed to connect the CA-FB70 optical fiber camera adapter to the HXCU-FB70 power supply extension unit. This cable features opticalCON connectors, which are compatible with LC connectors and offer improved strength and protection against dust. The cable can be combined with other cables for longer cable runs with the CCFN-JC1 coupler (sold separately). Fiber cable with power supply capability opticalCON connectors Designed to connect the CA-FB70 optical fiber camera adapter to the HXCU-FB70 Compatible with the HXC-D70H/K/L SD/HD studio camera kits  

Sony Hybrid Optical Fiber Cable - 150m

Sony CCFN-150//U (CCFN150-U, CCFN/150_U, ccfn-150-u) Hybrid Optical Fiber Cable - 150m The 492' Hybrid Type Optical Fiber Cable from Sony is designed to connect the CA-FB70 optical fiber camera adapter to the HXCU-FB70 power supply extension unit. This cable features opticalCON connectors, which are compatible with LC connectors and offer improved strength and protection against dust. The cable can be combined with other cables for longer cable runs with the CCFN-JC1 coupler (sold separately). Fiber cable with power supply capability opticalCON connectors Designed to connect the CA-FB70 optical fiber camera adapter to the HXCU-FB70 Compatible with the HXC-D70H/K/L SD/HD studio camera kits

Sony Hybrid Optical Fiber Cable - 100m

Sony CCFN-100//U (CCFN100//U, CCFN/100//U, ccfn-100//u) Hybrid Optical Fiber Cable - 100m The 328' Hybrid Type Optical Fiber Cable from Sony is designed to connect the CA-FB70 optical fiber camera adapter to the HXCU-FB70 power supply extension unit. This cable features opticalCON connectors, which are compatible with LC connectors and offer improved strength and protection against dust. The cable can be combined with other cables for longer cable runs with the CCFN-JC1 coupler (sold separately). Fiber cable with power supply capability opticalCON connectors Designed to connect the CA-FB70 optical fiber camera adapter to the HXCU-FB70 Compatible with the HXC-D70H/K/L SD/HD studio camera kits

Sony Hybrid Optical Fiber Cable - 25m

Sony CCFN-25//U (CCFN25//U, CCFN/25//U, ccfn-25//u) Hybrid Optical Fiber Cable - 25mThe 82' Hybrid Type Optical Fiber Cable from Sony is designed to connect the CA-FB70 optical fiber camera adapter to the HXCU-FB70 power supply extension unit. This cable features opticalCON connectors, which are compatible with LC connectors and offer improved strength and protection against dust. The cable can be combined with other cables for longer cable runs with the CCFN-JC1 coupler (sold separately). Fiber cable with power supply capability opticalCON connectors Designed to connect the CA-FB70 optical fiber camera adapter to the HXCU-FB70 Compatible with the HXC-D70H/K/L SD/HD studio camera kits

Sony 5GHz/2.4GHz Wireless LAN Adapter/Dongle

Sony CBK-WA02 (CBKWA02, CBK/WA02, cbk-wa02) 5GHz/2.4GHz Wireless LAN Adapter/DongleThe CBK-WA02 Wireless LAN adapter enables wireless data transfer from specified Sony camcorders to other devices on the same network. The kit consists of two units: the CBK-WA02 Wireless LAN Adapter and CBK-NA1E - modem attachment for 3G/4G/LTE communication.This kit is designed for use with camcorders such as PXW-X500, PXW-X200 and PXW-X180 that are compatible with wireless LAN network operation and have appropriate firmware. CBK-WA02 is also compatible with wireless adapters CBK-WA100 and CBK-WA101 with V2.0 or greater firmware installed.

2K Optical Low Pass Filter for Sony PMW-F5/F55

Sony CBK-55F2K (CBK55F2K, CBK/55F2K, cbk-55f2k) 2K Optical Low Pass Filter for Sony PMW-F5/F55The Sony 2K Optical Low Pass Filter for Sony PMW-F5/F55 is a replacement filter that softens the image your camera produces, creating a more organic look. Installing the filter does not require a service call, and will not void your warranty if properly installed. Designed to compensate for the camera's image processing when shooting at high frame rates that renders your camera's original OLPF ineffective, this filter can also be used when shooting 2K, and 4K at normal frame rates to reduce the effect of motion judder, or lend a softer look to your images. You can switch between the original OLPF that came with your camera, and the 2K OLPF to suit the needs of your production.

Sony LA-EA4.AE 35mm Full-Frame A-Mount Adaptor

Sony LA-EA4.AE (LA-EA4.AE, LA-EA4, LAEA4, la-ea4.ae) 35mm Full-Frame A-Mount Adaptor A-mount adapter for E-mount cameras Fit A-mount lenses on a Full Frame or APS-C camera Get more from your Full Frame or APS-C E-mount camera with this A-mount lens adapter. An aperture mechanism supports auto exposure for sharp images. Smooth, responsive autofocus Crisp images with Translucent Mirror Technology Shoot stills or movies in sharp detail with a built-in 15 TTL AF system and three cross sensors. Continuous phase detection keeps shooting smooth and focused.

Sony LANC Remote Zoom Controller

Sony RM-1BP (RM1BP, RM 1BP, RM/1BP, rm-1bp) LANC Remote Zoom Controller The RM-1BP Remote Commander controller is a small hard-wired controller designed to work with any Sony HDV and DVCAM camcorders that have a LANC port. The RM-1BP Remote Commander unit attaches to the handle of most standard tripods and enables the user to remotely control focus and zoom of the camcorder, as well as offering Start-Stop record and Record/Review control. The RM-1BP Remote Commander unit offers three different zoom speed ranges, for enhanced creativity and precise control.

Sony VCL-HG0872 Wide Angle Adapter

  Sony VCL-HG0872 Wide Angle Adapter