Samyang AF 18mm F2.8 Sony FE - 8011

Samyang AF 18mm F2.8 Sony FE - 8011 Autofocus, full frame, compact, ultra wide-angle lens - Sony FE Mount   Tiny But Super Wide Breathtakingly lightweight with super wide angle of view, Tiny but amazing in performance. The AF 18mm F2.8 FE is the first ultra-wide-angle lens from the Tiny series lineup. Its unbelievable lightweight (145g), super wide-angle of view (100Ëš), easily holdable in one hand, high performance and spectacular design make this lens perfect for mirrorless cameras and offer incomparable satisfaction to the users.   A Tiny, Ultra-Lightweight Lens At 145g (excl. hood & cap), this is the most lightweight & compact lens in the current AF 18mm wide-angle segment. Without a heavy lens weighing you down, you can effortlessly photograph every precious moment.   A Prime Lens with 8 Specialized Elements A prime lens that contains 8 specialized elements out of 9 in total (3 aspherical, 2 high refractive, 3 low dispersion) means a high level of sharpness, with low chromatic aberration and minimal distortion, for excellent landscape pictures, indoor shots, travel photos, and astrophotography...all in high definition, with clear colours, allowing a beautiful finish to any photograph.   Employs a Linear Stepping Motor The lens delivers fast & stable autofocusing by using a Linear Stepping Motor. The enhanced Samyang AF turns every moment into a work of art you can experience.   A Wide-Angle Lens with Depth With the full-frame 100Ëš angle of view of the AF 18mm F2.8 FE, you can capture sweeping vistas in one magnificent shot. Its ability to demonstrate a broad depth and perspective enables every photographer to show off their creative side.   The Ultimate Travel Companion With minimal size, a wide angle-of-view and amazing definition, travellers can capture every magical vacation moment. The lens combines Samyang’s signature refinement and colour rendering, all in one lightweight lens, made for travel.   A Multi-Use Lens for Any Occasion Whether you want to capture nature’s magnificence with a gimbal for stabilized filming, or even a drone, the AF 18mm F2.8 FE is the perfect compact lens to fulfil all your photography needs.

Samyang AF 14-24mm F2.8 Sony FE - 8018

Samyang AF 14-24mm F2.8 Sony FE - 8018 Versatile Super-Wide ZOOM Lens - FE   The AF 14-24mm F2.8 FE is a super-light and compact super-wide zoom lens, measuring only 88.8mm (3.5in) in length and weighing 445g. Even when fully zoomed out, the lens remains compact.   The lens, a remarkable joint development between Schneider-Kreuznach and LK Samyang, offers outstanding performance in every situation while maintaining a compact design.   Experience the ultimate super wide-angle zoom lens (114.2º - 84.1º), engineered for a true 14mm focal length. Perfect for capturing the beauty of landscapes, cityscapes, night skies, architecture, interiors, and environmental portraits, this lens inspires creativity in every shot.   Superb Resolution Crisp and Clear, Even in the Dark Experience superb resolution across the entire expansive frame—from the center to the far edges. With an advanced optical design of 15 elements in 11 groups, it delivers exceptional sharpness even at its wide-open f/2.8.   Its effective correction of chromatic aberration and sagittal coma positions it as the go-to lens for capturing breathtaking nightscapes and astrophotography.   Super Precise Fast, Quiet, and Accurate Autofocus Featuring a SAMYANG linear stepping motor, this lens provides fast and silent autofocus performance. Its accurate focus tracking guarantees sharp images, even when photographing fast-moving subjects.   Super Close-Up Go Closer, Go Bolder With a consistent minimum focusing distance of just 0.18m from 14mm to 24mm, you can achieve up to 0.26x magnification for impactful close-up shots. An ultra-wide perspective enhances scale, making nearby objects stand out dramatically against a beautifully blurred background.   Filter Play. No Limits This lens stands out from conventional ultra-wide zooms by allowing the easy attachment of 77 mm front filters. This feature lets you use polarizers and ND filters to achieve desired effects and enhance image quality.   User-Friendly Features The lens is designed with user-friendly focus and zoom rings, alongside a reliable AF/MF switch on the barrel, ensuring that you can make quick adjustments to your settings with ease.   Custom Button The default setting for the custom button is the focus lock. While you hold the button, the current focus is locked, and releasing it will disable this function. You also have the flexibility to customize this button to suit your preferred function through the camera body settings at any time. Aperture Ring Additionally, with the Samyang Lens Manager, you can confidently use the focus ring as an aperture ring in autofocus (AF) mode, giving you enhanced control and flexibility in your photography. Easy Firmware Update The lens is equipped with a USB port that allows for seamless firmware updates via a direct cable connection. This ensures easy access to the latest software features and performance enhancements.   Weather Sealing The lens features weather-sealing, providing protection against water droplets, light rain, snow, and dust. *The lens is not guaranteed to be dust- and drip-resistant in all situations and under all conditions.

Samyang AF 35-150mm F2-2.8 Sony FE - 8017

Samyang AF 35-150mm F2-2.8 Sony FE - 8017 Autofocus, full frame, wide-angle to short-telephoto zoom lens - Sony FE Mount The Samyang AF 35–150mm F2–2.8 is a fast, all-round zoom lens designed for versatility and performance. With a bright F2 aperture at 35mm and F2.8 at 150mm, it covers five key focal lengths—35mm, 50mm, 85mm, 135mm, and 150mm—making it ideal for portraits, events, travel, and commercial shoots. Incorporating Samyang’s 2nd Generation premium design, the lens fully supports Sony mirrorless features including Hybrid AF, Eye AF, Direct Manual Focus (DMF), and AF Assist for seamless operation. Offering a wide zoom range in a single compact lens, it eliminates the need to switch lenses frequently, enhancing convenience for photographers who want flexibility without compromising image quality. Optimized for portraiture, it also performs exceptionally well for everyday and professional content creation. The lens construction features 21 elements in 18 groups, including 2 ASP, 1 HB, 3 HR, and 6 ED elements, ensuring outstanding optical performance, sharpness, and contrast from edge to edge. The Linear Stepping Motor (STM) provides fast, precise, and near-silent autofocus, perfect for both stills and video, while maintaining accurate focus tracking from close-up to infinity. Its bright aperture also enables creative depth of field, higher shutter speeds, and cleaner low-light shots. With an F2–F2.8 aperture and 9 diaphragm blades, the lens produces a smooth, creamy bokeh that beautifully separates the subject from the background. The elegant 2nd Generation design introduces Samyang’s hidden red ring, improved tactile feedback for focus and zoom rings, and a lock switch to secure the lens at 35mm during transport. Advanced functionality includes two soft focus buttons that can store focus points and three customizable mode switches programmable via the Samyang Lens Station, offering added creative control for different shooting styles. For video creators, the lens supports Dolly Zoom effects, cinematic autofocus with smooth transitions, linear manual focus control, and digital par-focal technology that maintains focus while zooming—features typically found in high-end cine lenses.   Built for durability, the lens features weather sealing at 11 key points, protecting it from dust, light rain, and snow for reliable outdoor performance. With a minimum focusing distance of 0.33m at 35mm and 0.85m at 150mm, it excels at close-up photography, capturing striking portraits, product shots, and food imagery with pleasing background blur.

Samyang V-AF 20mm T1.9 Sony FE - 6852

Unified Form Factor – Compact & Lightweight The Samyang V-AF series is designed with a unified form factor across five focal lengths (from ultra-wide to medium-telephoto), ensuring seamless compatibility with gimbals and drones. Measuring only 73 × 70mm and weighing under 300g, it allows quick lens changes without the need to rebalance or reset your equipment—perfect for fast-paced shoots. Tally Lamp – Enhanced Convenience A built-in tally lamp positioned on the front and mount index provides an instant visual indicator of recording status. This feature makes video production easier and more efficient, even in compact setups or single-operator environments. 8K Support & Consistent Color Tone The V-AF lineup delivers 8K resolution in a compact, lightweight body, ideal for handheld, gimbal, drone, or studio shooting. Every lens in the series is color-matched, ensuring uniform tones when switching between focal lengths. The 9-blade aperture produces soft, natural bokeh for a cinematic look. Custom Switch & Button   Equipped with a Focus Save feature—typically found in professional cinema lenses—the V-AF also includes a custom switch and button that can be expanded via firmware updates. These functions offer video-specific control options, making it a perfect choice for filmmakers, students, and aspiring cinematographers.

Samyang V-AF 45mm T1.9 Sony FE - 6855

Unified Form Factor – Compact & Lightweight Design The Samyang V-AF series is engineered for maximum compatibility with gimbals and drones, featuring a unified form factor across five focal lengths (Ultra-Wide to Medium-Telephoto). Measuring just 73 × 70mm and weighing under 300g, it allows effortless lens swaps without rebalancing your rig — perfect for fast-paced shooting environments. Tally Lamp – Streamlined Video Workflow A built-in tally lamp on both the front and mount index clearly indicates when recording is in progress, ensuring smoother production flow. Ideal for compact setups or solo creators, this feature eliminates guesswork and improves usability in tight spaces. 8K Resolution & Consistent Color Tone Designed to support 8K ultra-high resolution, the V-AF series combines premium optical quality with a lightweight build, making it ideal for handheld, gimbal, drone, or studio use. All lenses are color-matched to maintain consistent tones across the range, while the 9-blade aperture produces smooth, cinematic bokeh for natural background blur. Custom Switch & Button for Creators   The lens includes a Focus Save feature—commonly found in professional cinema equipment—and a customizable mode that can be expanded via firmware updates. Tailored for filmmakers, students, and content creators, it delivers advanced cinematic control and flexibility in a compact design.

Accsoon SeeMo Pro Adapter for iOS devices

Accsoon ACSUIT02S (ACS-UIT02S, ACS/UIT02S, ACS UIT02S, ACS_UIT02S) SeeMo Pro Adapter for iOS devices The SeeMo Pro is a monitoring/recording/streaming adapter for iOS devices that can accept HD signals up to 1080p 60fps over either HD SDI or HDMI. With HD SDI input and loop out, the SeeMo Pro SDI is incredibly power-efficient and can flexibly power iPhones and iPads. In combination with the Accsoon SEE app, it transforms iPad or iPhone into a fully featured production monitor with a complete set of professional tools. Transforms iOS Devices Into Production Monitors The Accsoon SeeMo Pro SDI is a small box that goes in-between your camera or other SDI/HDMI source and your iOS device via Lightning or USB-C cable. Professional Monitoring Solution Superb Image Quality on Latest iPhones and iPads. Live Streaming Without Limits Facebook YouTube Twitch Tik-Tok Power Your iOS Device Discover the Enhanced Power Capability of SeeMo Pro 5v | 2.4A Flexible Powering (NPF/DC) The SeeMo Pro runs off standard NP-F style batteries or via a 2-pin DC connector. NP-F style batteries 2-pin DC connector Rugged Build For Professional Work SeeMo Pro SDI features a tough lightweight aluminum body with multiple 1/4”-20 anti-rotation mounting points for flexibility. Get More Out Of Accsoon See App Gray Histogram LUTs Mirror Zebra False Colour Overlay Waveform Colour Range Audio level Marker Focus Peaking RGB Screenshot Grids Desqueeze Accsoon SDK Partners Switcher Studio TVU Networks Prolycht Zacuto

DZOFILM Pictor 12-25mm T2.8 Super35 Parfocal Zoom Lens PL/EF Mount

DZOFilm DZO-7220004W (DZO-7220004W, DZO-7220004W, DZO-7220004W, DZO-7220004W, DZO-Pictor-12-25-T2.8-White, DZO/Pictor/12/25/T2.8/White, DZO Pictor 12 25 T2.8 White, DZOPictor12-25T2.8White) Pictor 12-25mm T2.8 Super35 Parfocal Zoom Lens PL/EF Mount DZOFilm 12–25mm: Expanding the Cinematic Perspective The 12–25mm ultra-wide-angle lens extends beyond the limits of human vision, capturing an expansive visual spectrum. Its dramatic perspective effect emphasizes the foreground while enhancing depth of field and creating a sense of visual tension, making it ideal for immersive storytelling. Exceptional Optical Design with Minimal Distortion Engineered with precision, this lens significantly reduces distortion, even at its widest aperture, ensuring sharp, majestic, and surreal imagery. This makes it perfect for grand, cinematic compositions without sacrificing optical integrity. Close-Up Shooting with a Unique Perspective With a minimum focusing distance of 0.4m (15.74")—less than an arm’s length—the lens allows for tight close-ups even in confined spaces. The carefully controlled curvature of field maintains image accuracy, pulling the audience closer to the subject and enhancing emotional engagement. Deeper Depth of Field, Expansive Backgrounds A wider field of view (FOV) and deeper depth of field (DOF) enable filmmakers to capture more of the surrounding environment, clearly defining the relationship between subjects and their surroundings. By expanding the perceived distance between objects and the background, the lens enhances the artistic sense of space, creating dynamic and visually compelling frames. With its versatility, precision, and immersive optical performance, the 12–25mm lens is an essential tool for filmmakers seeking expansive, cinematic visuals with depth and realism.

DZOFILM Marlin 1.6x Expander PL Lens to L Mount Camera

DZOFilm DZO-EXPLL-BLK (DZO/EXPLL-BLK, DZO/EXPLL/BLK, DZOEXPLLBLK, DZO EXPLL BLK)(DZO-Marlin-1.6x-Expander-PL-L, DZO/Marlin/1.6x/Expander/PL/L, DZO Marlin 1.6x Expander PL L, DZOMarlin1.6xExpanderPLL) Marlin 1.6x Expander PL Lens to L Mount Camera Expand Your Vision, Explore The Envision - DZOFILM Marlin 1.6x Expander. Converts Super 35 Pictor Zoom lenses to cover Full Frame or Vista Vision. Multiplies focal length by 1.6x with only 1.5 stops light loss. Maintains superb image quality without decreasing resolution. Marlin enables the use of S35 lenses to compatible with FF and Vista Vision cameras, which facilitates the use of lenses for more possibilities. Minor flange back adjustment through this ring, no need to use shims(Excl. PL-PL, PL-LPL versions). In order to achieve the best image performance, the FBD can be quickly adjusted without removing the lens and camera. Detachable supporting base and stainless steel mount. Marlin is compatible with a wide variety of lenses in the market. The distance from the flange plane of lens to the rear shall less than PL: 19.64mm. (Marlin Adapter Clearance Check tool can be downloaded and check the suitability).

DZOFILM Marlin 1.6x Expander for PL Lens-PL Mount Camera

DZOFilm DZO-EXPLPL-BLK (DZO/EXPLPL-BLK, DZO/EXPLPL/BLK, DZOEXPLPLBLK, DZO EXPLPL BLK)(DZO-Marlin-1.6x-Expander-PL-PL, DZO/Marlin/1.6x/Expander/PL/PL, DZO Marlin 1.6x Expander PL PL, DZOMarlin1.6xExpanderPLPL) Marlin 1.6x Expander for PL Lens-PL Mount Camera Increases the Focal Length And Magnifies the Image Circle by 1.6x Converts Super 35 Pictor Zoom lenses to cover Full Frame or Vista Vision. Multiplies focal length by 1.6x with only 1.5 stops light loss. Retains Outstanding Optical Performance and Operability Maintains superb image quality without decreasing resolution. Marlin enables the use of S35 lenses to compatible with FF and Vista Vision cameras, which facilitates the use of lenses for more possibilities. A Special Ring Achieves Quick Flange Back Adjustment Minor flange back adjustment through this ring, no need to use shims(Excl. PL-PL, PL-LPL versions). In order to achieve the best image performance, the FBD can be quickly adjusted without removing the lens and camera. Solid and Sturdy Detachable supporting base and stainless steel mount. Alternative and Compact Mounting System Meets Multiple Needs PL-E/RF/L/LPL/PL, a total of 5 different mounts. Broad Compatibility Marlin is compatible with a wide variety of lenses in the market. The distance from the flange plane of lens to the rear shall less than PL: 19.64mm. (Marlin Adapter Clearance Check tool can be downloaded and check the suitability)

Samyang V-AF 6 Lens Anamorphic kit

Samyang V-AF 6 Lens Anamorphic kit Samyang V-AF Lens: Unified Form Factor - Compact & Light The V-AF increases compatibility with gimbals and drones by applying the unified form factors with its 5 different focal lengths (Ultra-Wide to Medium-tele). By providing a compact size of 73 X 70mm and a light-weight of less than 300g, there is no need to re-set the equipment when changing the lenses. Tally Lamp - Excellent Usability The lamp located on the front and mount index helps the user to check whether a video is recorded or not while shooting. It supports video content creation more conveniently even in a small space without a lot of equipment. Support 8K and the Same Colour Tone The new V-AF series supports resolutions up to 8K in a small and lightweight form, which is well suited for use with handheld gimbals and drones, as well as for studios and location productions. All lenses within the new V-AF series are colour-matched to avoid shifts when swapping lenses, and the 9 aperture blades allow for a natural-looking bokeh. Custom Switch & Button Features the 'Focus save' function usually in professional cine equipment and custom mode that adds function by firmware, which provides video-specific functions for students and amateur users who dream of cinematographers. V-AF ANAMORPHIC MF ADAPTER 1.7X: When coupled with a selected T1.9 V-AF lenses this exclusive accessory provides the brightest Anamorphic solution on the market Electronic contacts on the adapter provide easy operation and superior resolution V-AF 6 LENS CASE: Hard Case for 6 V-AF lenses, V-AF Anamorphic Adapter, V-AF MF Adapter & Lens Station

Metabones ARRI PL Lens to RF-mount T CINE Speed Booster ULTRA 0.71x

Metabones ARRI PL Lens to RF-mount T CINE Speed Booster ULTRA 0.71x(MB_SPPL-EFR-BT2) *** Please see that this unit is a special order item. Always Enhance and Never Degrade the Performance of the Attached Master Lens. Sharper corners, less distortion, reduced vignetting  New optical design:  advanced 5-element/4-group optical design incorporating ultra-high index tantalum-based optical glass to achieve extraordinary optical performance with improved corner sharpness, distortion and reduced vignetting. Like the revolutionary original Metabones Speed Booster announced in January 2013, the Speed Booster ULTRA has a magnification of 0.71x, and so it effectively reduces the crop factor of mirrorless cameras with DX-sized sensors and Super35 camcorder, such as Sony E-mount, Fuji X-mount cameras Sony FS7 MARKII, from 1.5x to 1.07x.  However, the new ULTRA design makes very effective use of exotic materials at the furthest limit of glassmaking technology, and as a result is well corrected for use with virtually all full-frame SLR/Prime lenses regardless of exit pupil distance.  (More information can be found in the press release here) New professional Mount-Rod Support Kit is also available (not included), which is compatible with all Metabones adapters with tripod foot. 

Metabones Canon EF Lens to RF-mount T CINE Speed Booster ULTRA 0.71x

Metabones Canon EF Lens to RF-mount T CINE Speed Booster ULTRA 0.71x(MB_SPEF-EFR-BT2) Use this Metabones Canon EF Lens to RF-Mount T CINE Speed Booster ULTRA 0.71x (EOS-R) to adapt Canon EF-mount full-frame lenses to the new Canon RF mount. Filmmakers are now able to mitigate most of the 4k video crop factor of EOS-R (1.75x) and EOS-RP (1.63x), and reduce it to 1.24x and 1.15x respectively to support the newly EOS C70 (Super 35mm sensor). The field of view is now much closer to still photo mode. The Speed Booster is not intended for still photography but will work if the camera is configured to APS-C mode. It uses an advanced 5-element/4-group optical design by Caldwell Photographic, incorporating ultra-high index, tantalum-based optical glass to achieve extraordinary optical performance with improved corner sharpness, distortion, and reduced vignetting. The Speed Booster ULTRA has a magnification of 0.71x, effectively reducing the crop factor of 4k video on EOS-R and EOS-RP from 1.75x to 1.24x. It has a design that makes very effective use of exotic materials at the furthest limit of glassmaking technology, and as a result is well corrected for use with virtually all full-frame SLR lenses regardless of exit pupil distance. The Speed Booster ULTRA performs extremely well with professional-grade f/2.8 zoom lenses such as the 24-70mm f/2.8 and 70-200mm f/2.8 zooms by Canon to produce 17-50mm f/2.0 and 50-142mm f/2.0 high-speed zooms, respectively. Similarly, high-speed fixed focal length lenses including a 50mm f/1.2 will be transformed into a 35.5mm f/0.9 lens with excellent contrast and resolution from the center all the way to the edges of the image. Mechanical Patented positive-lock EF lens mount The tripod foot is detachable and compatible with Arca-Swiss, Markins and Photo Clam ball heads Flocking to reduce internal reflection Satin surface finish Aluminum alloy and brass construction with chromium plating Rubber gasket protects the RF mount connection from dust and moisture Electronic Autofocus speed is properly adjusted to account for and leverage the shorter focal length and the brighter maximum aperture Dual-pixel autofocus (DPAF) and video AF support It is powered by the camera body as with most lenses, no external power source required LED indicator shows communication status Build-in multi-function control wheel (turn/ push-in) for assignable functions (eg. ISO, shutter speed or aperture control, depth-of-field preview) Store EXIF data (lens name, focal length, and maximum/minimum aperture) for one manual lens in the adapter Image stabilization (IS) lens support Focal length and aperture are adjusted in EXIF Optical Increase maximum aperture by 1 stop with a maximum output aperture of f/0.9 Advanced 5-element/4-group optical design incorporating ultra-high index tantalum-based optical glass by Caldwell Photographic Increase MTF and makes lens 0.71x wider Compatibility Canon RF camera (under APS-C crop mode) EOS-R, EOS-RP, EOS-R5, EOS-R6, EOS-C70 RED Komodo camera Canon EF-mount lens Canon EF-extender (teleconverter) Carl Zeiss EF-mount lens Sigma EF-mount lens Tamron EF-mount lens Tokina EF-mount lens Contax N mount lenses modified to Canon EF by Conurus   Contax 645 NAM-1 adapter modified to Canon EF by Conurus

Shure Double Lyre Boom Pole Mount for VP89L

Shure Double Lyre Boom Pole Mount for VP89L(SHUA89LMBA) Boom mount adapter secures a VP89L End-Address Shotgun Condenser Microphone to a boom pole. Features include Lyre technology for excellent isolation against handling noise and a soft-feel grip to prevent the microphone from twisting or slipping.

Marshall VAC-12HUC HDMI to USB-C Converter

Marshall VAC-12HUC (VAC/12HUC, VAC_12HUC, VAC12HUC, VAC 12HUC) HDMI to USB-C Converter 10-bit input sampling makes a visible difference The VAC-12HUC converts HDMI 2.0 to USB-C (USB3.0/USB2.0) up to UHD 3840x2160p at 30fps. HDMI input has active loop-thru allowing the original high-quality source to be routed to monitors or other equipment as a pass thru. Common applications include live streaming, video conferencing and other PC or MAC-based applications. Power is supplied by the USB-C connection to the host computer reducing clutter and eliminating the need for an external power supply. The rugged and compact design makes for easy portability and mobility. The VAC-12HUC's simple plug-and-play design uses UVC protocol to enable itself as a Camera Device. UVC protocol allows the host computer to set the parameters for the USB stream such as resolution, frame rate and aspect ratio.

Canon Rf 24-240mm F4-6.3 Lens

Canon Rf 24-240mm F4-6.3 Lens(3684C005) The photographic lens Canon RF 24-240mm F4-6.3 IS USM with RF mount, covering an impressive wide-angle to super-telephoto range, is a true all-in-one lens for nearly any shooting situation. Its 10x zoom range is complemented by an Optical Image Stabilizer, which compensates for up to five stops of camera shake to better realize sharp imagery when shooting handheld.   Dynamic IS of the Canon RF 24-240mm F4-6.3 also benefits video recording, and better compensates for footage shot while walking or moving. Benefitting both stills and video is a Nano USM autofocus motor, which delivers quick, quiet, and precise focusing performance. Additionally, the lens also features a unique customizable Control Ring, which can be configured to adjust a variety of exposure settings, including aperture, ISO, and exposure compensation.

Canon 18-150mm F3.5-6.3 - Rf-S stm lens

Canon 18-150mm F3.5-6.3 - Rf-S stm lens(5564C005) With a powerful 18-150mm zoom range the RF-S 18-150mm F3.5-6.3 IS STM lens is an affordable wide-to-telephoto zoom that packs several lenses in one, perfect for APS-C R System cameras. With super-quiet STM focusing that’s fast and responsive, it’s a great general-purpose lens for landscapes, wildlife, travel, sports photography and even great close-ups thanks to an optical design that lets you focus as close as 12 cm. Compact, and lightweight, it has a streamlined look with all function switches controlled directly from the camera for a simplified design while a 4.5-stop optical Image Stabilizer adds extra versatility to help overcome camera shake, even in low-light.

Canon Rf 24mm F1.8 Macro Is Stm lens

Canon Rf 24mm F1.8 Macro Is Stm lens(5668C005) This compact and lightweight 24mm lens combines a wide-angle field-of-view with a fast aperture for shooting creatively, even in low light. A 5-stops Optical Image Stabilizer¹ allows longer shutter speeds for hand-held shooting and slick video with more stabilisation (6.5-stops) on offer when used with an EOS R series camera featuring an In Body Image Stabilizer. A minimum focusing distance of 14 cm (0.5x magnification or half life-size) is a real advantage for creative wide-angle and lets you get extra close, showing your subject within its environment. A customisable Control Ring and a separate Focus Ring allows fine control of focusing, ISO, aperture or changing AF method.

Canon Drop-In Variable ND Filter

Canon Drop-In Variable ND Filter(3446C001) A neutral density filter for controlling exposure in movies and prolonging shutter speeds for a variety of creative movement effects in photographs.

Canon RF 5.2mm Dual Fisheye RF VR Lens

Canon RF 5.2mm Dual Fisheye RF VR Lens(5554C005) Capture views that are more than virtual Capture the world in virtual reality thanks to the RF 5.2mm F2.8L DUAL FISHEYE; a compact, stereoscopic L-series RF lens capable of capturing super-sharp content that – with the rest of Canon’s EOS VR SYSTEM, including a camera and software solution – transforms footage into a truly breathtaking visual experience, immersing you within the environment. Canon RF 5.2mm F2.8L DUAL FISHEYE lens A virtual reality lens that simplifies the capture and post-production of professional 180° VR content. Experience the video below through using a VR headset (for a fully immersive and stereoscopic experience), a mobile device or computer. An inspirational story captured by VR Director, Mary Matheson and Director of Photography, Richard Stegmann. Amazingly practical (3D) 180° VR capture The compact, single mount design simplifies quick camera setups for professional stereoscopic 180° VR capture, when using compatible high resolution, Full Frame, RF mount cameras, such as the EOS R51 and R5 C. Efficient and simplified workflow Featuring a stereoscopic 190° field of view, two offset circular fisheye images are perfectly synchronised and recorded side-by-side onto a single Full Frame sensor, ready for Canon’s powerful EOS VR Utility2/plug-in2 to seamlessly process for final edit, requiring no additional stitching. RAW (8K / 60P) video workflow Compatible RAW video files taken with supported cameras (including 8K / 60P RAW LT files from the EOS R5 C) are automatically processed within EOS VR Utility, further simplifying a RAW workflow with higher frame rates. High quality image capture Featuring perfectly aligned, dual forward facing fisheye lenses, the RF 5.2mm F2.8L DUAL FISHEYE utilises two UD elements per lens to correct for aberrations plus Canon’s special SWC coatings to reduce ghosting and flare, even in backlit conditions. Fast f/2.8 aperture for low light shooting The RF 5.2mm F2.8L DUAL FISHEYE performs superbly in low light thanks to a fast f/2.8 aperture with accurately synchronised exposure and precise control via a dual Electro Magnetic Diaphragm (EMD) design. L-series build and weather resistance Because it’s an L-series lens, the RF 5.2mm F2.8L DUAL FISHEYE is built for professional use. It is dust and splash resistant and features fluorine coatings to repel water and dirt on the lens surface. Gel filter holder for precise exposure control   The RF 5.2mm F2.8L DUAL FISHEYE has a rear-mounted gelatin filter holder for pre-cut ND gels which can be used to help precisely control light levels when in use on 180° VR video productions.

Sony LA-EA5 Adapter - A-Mount Lens to E-Mount Body

Sony LA-EA5 Adapter - A-Mount Lens to E-Mount Body(LAEA5.SYU) Ѕоnу hаѕ рrоduсеd mаnу mоunt аdарtеrѕ thаt аllоw thе uѕе оf dіffеrеnt lеnѕеѕ оn vаrіоuѕ Ѕоnу bоdу, but untіl nоw thеrе wаѕn't аn А-Моunt Lеnѕ tо Е-Моunt Воdу. Еntеr thе Ѕоnу LА-ЕА5 Аdарtеr. Тhіѕ аdарtеr еnаblеѕ thе uѕе оf Ѕоnу А-mоunt lеnѕеѕ оn Е-mоunt mіrrоrlеѕѕ саmеrа bоdіеѕ whіlѕt mаіntаіnіng full lеnѕ funсtіоnаlіtу іnсludіng аutоfосuѕ оn ЅЅМ, ЅАМ, аnd еvеn АF lеnѕеѕ wіthоut аn іntеrnаl mоtоr. Ѕоnу hаѕ орtіmіѕеd thе аdарtеr tо ѕuрроrt рhаѕе-dеtесtіоn аutоfосuѕ whісh іn turn mаіntаіnѕ rеаl-tіmе trасkіng аnd еуе АF, аnd еvеn 11 fрѕ соntіnuоuѕ ѕhооtіng wіth АF/АЕ trасkіng. Ѕоnу еvеn еnаblеѕ АF аnd АЕ trасkіng whеn uѕеd wіth lеnѕеѕ wіth nо іntеrnаl mоtоr (Ѕоnу А7R ІV аnd А6600). Тhе аdарtеr hаѕ а ѕlіm аnd unоbtruѕіvе суlіndrісаl dеѕіgn thаt ѕеаmlеѕѕlу аttасhеѕ tо уоur саmеrа bоdу.

Sony FE 16-35mm f2.8 G Master II Lens

Sony FE 16-35mm f2.8 G Master II Lens(SEL1635GM2.SYX) Introducing the FE 16-35 F2.8 GM II, the game-changing G Master wide-angle zoom lens from Sony. Designed to meet the evolving needs of photographers and videographers, this lens combines unrivalled optical performance, lightning-fast autofocus, and exceptional versatility in a more compact and lightweight form. Its advanced manufacturing technology ensures high resolution, reduced chromatic aberration, and minimized flare and ghosting, making it perfect for capturing outstanding images. With four XD Linear Motors, this lens offers extraordinary AF performance, agile tracking, and even breathing compensation making it ideal for both Photography and filmmaking. As the world's smallest and lightest F2.8 wide-angle zoom, it provides unequaled mobility and reduces the total system weight when combined with other bright lenses. Experience superior control and reliability with its dust and moisture-resistant design and fluorine coating. The SEL1635GM2 empowers creators to realize their creative vision with cutting-edge lens technology.

Canon CN-R 50mm T1.3 L F Prime Lens

Canon CN-R 50mm T1.3 L F Prime Lens(6402C001AA) Offering exceptional optical performance, excellent colour reproduction, professional robust design and ultra-fast lens data communication, Canon CN-R Prime lenses are perfect for RF mount cameras such as the EOS R5 C and EOS C70. The lenses range from 14mm to 135mm and are well-suited for professional video productions including drama, documentaries and music videos. RF Mount cinema lenses for professional productions Step into cinematic filmmaking with a range of RF Mount Cine Prime lenses that offer ultra-fast, real-time metadata capture plus all-new features such as in-camera electronic distortion correction. Uncompromised full-frame creativity Bring a new dimension to your creativity with lenses that boast T-stops up to T1.3 with broad focal lengths covering ultra-wide to telephoto, all with shallow depth-of-field. These lenses can also be utilised on Super 35mm sensor RF mount cameras for extra versatility. Exceptional optical performance Meet the demanding requirements of professional 4K, 8K and HDR productions. These lenses produce exceptional clarity with minimal focus breathing, alongside authentic warm colour and skin tone reproduction. Mechanical precision in a compact design With a smooth and consistent 300-degree focus rotation, consistent gear positions / front diameter and a compact, robust and drip-proof design, offering a no-compromise lightweight solution for professional productions. Refined ergonomics, redefined handling Confidently secure your lenses without the need for an adapter when utilising RF mount Cinema EOS cameras such as the EOS C70 and EOS R5 C. With a newly developed fixed ring design, CN-R Prime lenses make handheld operation more comfortable, intuitive, and efficient.

Canon CN-R 85mm T1.3 L F Prime Lens

Canon CN-R 85mm T1.3 L F Prime Lens(6403C001AA) Offering exceptional optical performance, excellent colour reproduction, professional robust design and ultra-fast lens data communication, Canon CN-R Prime lenses are perfect for RF mount cameras such as the EOS R5 C and EOS C70. The lenses range from 14mm to 135mm and are well suited for professional video productions including drama, documentaries and music videos. RF Mount cinema lenses for professional productions Step into cinematic filmmaking with a range of RF Mount Cine Prime lenses that offer ultra-fast, real-time metadata capture plus all-new features such as in-camera electronic distortion correction.  Uncompromised full frame creativity Bring a new dimension to your creativity with lenses that boast T-stops up to T1.3 with broad focal lengths covering ultra-wide to telephoto, all with shallow depth-of-field. These lenses can also be utilised on Super 35mm sensor RF mount cameras for extra versatility. Exceptional optical performance Meet the demanding requirements of professional 4K, 8K and HDR productions. These lenses produce exceptional clarity with minimal focus breathing, alongside authentic warm colour and skin tone reproduction.  Mechanical precision in a compact design With a smooth and consistent 300-degree focus rotation, consistent gear positions / front diameter and a compact, robust and drip-proof design, offering a no-compromise lightweight solution for professional productions. Refined ergonomics, redefined handling Confidently secure your lenses without the need for an adapter when utilising RF mount Cinema EOS cameras such as the EOS C70 and EOS R5 C. With a newly developed fixed ring design, CN-R Prime lenses make handheld operation more comfortable, intuitive, and efficient.

Canon CN-R 135mm T2.2 L F Prime Lens

Canon CN-R 135mm T2.2 L F Prime Lens(6404C001AA) Offering exceptional optical performance, excellent colour reproduction, professional robust design and ultra-fast lens data communication, Canon CN-R Prime lenses are perfect for RF mount cameras such as the EOS R5 C and EOS C70. The lenses range from 14mm to 135mm and are well suited for professional video productions including drama, documentaries and music videos. RF Mount cinema lenses for professional productions Step into cinematic filmmaking with a range of RF Mount Cine Prime lenses that offer ultra-fast, real-time metadata capture plus all-new features such as in-camera electronic distortion correction.  Uncompromised full frame creativity Bring a new dimension to your creativity with lenses that boast T-stops up to T1.3 with broad focal lengths covering ultra-wide to telephoto, all with shallow depth-of-field. These lenses can also be utilised on Super 35mm sensor RF mount cameras for extra versatility. Exceptional optical performance Meet the demanding requirements of professional 4K, 8K and HDR productions. These lenses produce exceptional clarity with minimal focus breathing, alongside authentic warm colour and skin tone reproduction.  Mechanical precision in a compact design With a smooth and consistent 300-degree focus rotation, consistent gear positions / front diameter and a compact, robust and drip-proof design, offering a no-compromise lightweight solution for professional productions. Refined ergonomics, redefined handling Confidently secure your lenses without the need for an adapter when utilising RF mount Cinema EOS cameras such as the EOS C70 and EOS R5 C. With a newly developed fixed ring design, CN-R Prime lenses make handheld operation more comfortable, intuitive, and efficient.

Canon Rf 10-20mm f/4 L Is Stm Lens

Canon Rf 10-20mm f/4 L Is Stm Lens(6182C005AA) Redefining the professional ultrawide-angle zoom lens with the RF 10-20mm F4L IS STM. Wider, smaller and with more features than its rivals, this lens empowers photographers and filmmakers with the performance they need to realise their creative ambitions. Whatever you shoot, and wherever you shoot it, the RF 10-20mm F4L IS STM gives you extra creative options for photography and filmmaking. Ultrawide focal lengths from 10mm to 20mm let you put more in the frame and create dramatic perspectives. An advanced Image Stabilizer lets you shoot pin-sharp photos handheld in low light, as well as gimbal-smooth video. All this from a pro-grade lens that weighs just 570g – light enough to earn a permanent place in your bag. The ultimate ultrawide for photos and video Get more in the frame and create dramatic perspectives – Add  extra foreground interest and shoot tight interiors and architecture. It’s great for creative establishing shots when filmmaking too. Ultrawide, ultraportable Weighing just 570g, the RF 10-20mm F4L IS STM deserves a permanent place in your bag. Take the ultrawide viewpoint to more places more often and take a different perspective to usual. Every detail – just how it should be Expect incredible sharpness and clarity with virtually no distortion – so straight lines remain straight, even at the edges of the frame. All thanks to an advanced optical formula. Stabilisation that just works Photo or video. Centre or edge. A Peripheral Control Image Stabilizer gives up to five stops of protection against camera shake – six stops with an EOS featuring in-body stabilisation. Built for the professionals A constant f/4 maximum aperture gives consistent exposures through the zoom range. A lens function button and control ring allow instinctive shooting. Naturally, the RF 10-20mm F4L IS STM is resistant to dust and moisture too. Ultrawide, ultracompact The RF 10-20mm F4L IS STM is the widest AF zoom ever made for a full-frame camera*, with an angle of view up to 130˚. The RF mount’s short back-focus and large lens-mount allow amazing image quality from a compact design.  In fact, the RF 10-20mm F4L IS STM is 610g lighter, and 2cm smaller in width and length, than the EF11-24mm F4L USM, despite offering a wider angle of view and more technology, such as IS.   The lens has three glass-moulded aspherical elements for high-resolution performance. Advanced lens coatings minimise ghosting and flare.

Canon Rf 200-800mm f/6.3-9 Is Usm Lens

Canon Rf 200-800mm f/6.3-9 Is Usm Lens(6263C005AA) Capture distant subjects with a power you never thought possible. The RF 200-800mm F6.3-9 IS USM blends Canon’s renowned optical prowess into a practical lens and works in harmony with your EOS R series camera, delivering a flexible 200-800mm zoom range for sports, nature and wildlife moments previously out of reach. A Closer Look at the RF 200-800MM F6.3-9 IS USM Discover the key features and technologies that make the RF 200-800mm F6.3-9 IS USM such a useable and powerful super telephoto zoom. A Powerful Zoom with Astonishing Reach Discover the many different scenarios where this lens could deliver a whole new level of impact for your photography. Reach the unreachable Achieve images you never thought possible, from wildlife to sports. Thanks to an 800mm maximum focal length1 plus extender compatibility with the whole AF area2, the RF 200-800mm F6.3-9 IS USM has incredible power to pull even small subjects right into the frame, from as close as 0.8m. Create impact with ease Make a statement and capture attention-grabbing images easily. With up to 5.5-stops of optical image stabilisation3 you can shoot handheld, letting you react quickly to situations as they happen. Capture subjects with greater clarity Inside, three UD lenses correct chromatic aberration while a Super Spectra coating reduces ghosting and flare. A Nano USM keeps moving subjects in sharp focus, providing fast, quiet and accurate AF while a nine-blade aperture gives you beautiful background rendering. Keep on shooting, even in changeable conditions Get the shot you want, even when hiking to a location where the elements might be against you, with dust and moisture resistance equivalent to our pro L-series lenses, and white exterior paint for reliable optical performance when shooting out in the sun. Extra practicality for greater control   Balance your camera and lens for comfort by using the attached tripod collar when you’re in a fixed position for extended periods. Lens function buttons help you shoot instinctively while zoom torque adjustment and a combined Focus and Control Ring let you shoot smarter.

Canon Rf-s 10-18mm f/4.5-6.3 Is Stm Lens

Canon Rf-s 10-18mm f/4.5-6.3 Is Stm Lens(6262C005AA) Explore the wider world and creatively capture images and video in new, dynamic, ways with this ultra-wide RF-S lens. Discover the key features and technologies in the RF-S 10-18mm F4.5-6.3 IS STM. A Lightweight Lens for Super Wide Images Discover the many different scenarios where this lens could deliver a whole new level of impact for your photography.  An ultra-wide zoom for versatile views Get more in the shot even when you can’t stand back and experiment with foregrounds, backgrounds, scale and size. Capture wide views, up close or far away, indoors or out for stills and video. Explore, experiment and enjoy ultra-wide creativity Discover angles you never thought possible. A 0.5x magnification allows stunning wide close-up shots while a combined lens control and focus ring helps you fine tune images while you shoot. Take control and shoot handheld Shoot or film in low light without reaching for a tripod. A 4-stop Optical Image Stabilizer1 produces smooth, shake-free results while Movie Digital IS gives super smooth videos even while walking. Small enough to take anywhere Thanks to the RF mount, the RF-S 10-18mm F4.5-6.3 IS STM is Canon’s smallest and lightest ultra-wide zoom, featuring a lens retraction mechanism to make it even smaller when not shooting – ideal when you can only take a smaller bag. It’s the perfect wide lens to take on your travels. Shoot great movies, let the lens do the work   Stunning quality movies come easily thanks to an STM motor that performs smoothly for cinematic quality focus pulls. Focus breathing correction compatibility2 provides a consistent, natural looking field of view when you are shifting focus.

TILTA HDA-SRK Speed Rail Car Mounting Kit

TILTA HDA-SRK (HDA/SRK, HDA_SRK, HDASRK, HDA SRK) Speed Rail Car Mounting Kit Arm your vehicle with the Speed Rail Car Mounting Kit designed for the Hydra Predator and other car mounted shock absorbing arms! This kit allows you to build custom speed rail rigs to support various shock absorbing arms in multiple configurations. The kit is built around 6 pieces of speed rail, of two different sizes, that can be used on their own or interconnected to create longer pieces for specific rigging needs. The 4 adjustable mounting clamps allow you to connect the speed rail in almost any configuration. The kit includes 4 high capacity suction cups, each individually rated for 50 kg or around 110lbs. These suction cups connect to the speed rail via adjustable clamps, allowing them to be placed in almost any position in order to accommodate most vehicles easily. Utilizing 4 suction cups allows you to build an incredibly stabile foundation in which to mount shock absorbing arms or other equipment. The included Front Tow Hook Adapter allows you to connect the system to any vehicle that already has that mounting point. which helps create a secure connection that relies on more than just suction.

Kino Flo 41K Mount Wing w/ Baby Receiver Short (16mm)

Kino Flo 41K Mount Wing w/ Baby Receiver Short (16mm)(MTP-BW41S) The Kino Flo MTP-BW41S Wing Mount with Short Baby Receiver is compatible with new and old fixtures that have Twist-On mating plates. The 5/8" receiver accepts matching 5/8" male light stands and accessories.

Kino Flo 41K Mount Wing w/ Baby Receiver (16mm)

Kino Flo 41K Mount Wing w/ Baby Receiver (16mm)(MTP-BW41) Kino 41K Wing Nut Mount w/ith Baby Receiver Curve (16mm). The redesigned Twist-On fixture mount features a wing knob for easy lock down with the same gripping power and jaws for improved fixture orientation. 

Panasonic Lumix Panasonic Leica 12-35mm F2.8 II - Micro 4/3

Panasonic Leica 12-35mm F2.8 II - Micro 4/3 (PAN-H-ES12035E, PAN H ES12035E, PAN/H/ES12035E) LEICA DG LENS – ULTIMATE OPTICS Opt for a LEICA DG lens and get the ultimate in optical quality and performance. They naturally meet the strict quality standards set by Leica Camera AG. Thanks to the sophisticated design of these lenses, you will enjoy brilliant clarity all the way to the edges of your photos. At the same time, distortions of all kind are prevented to enable precise, sharp picture rendering. This means you have the ideal tool for pro-level images in the palm of your hand. VERSATILE HIGH PERFORMANCE Get high F2.8 brightness over the entire zoom range with this compact zoom lens. Its focal length of 12-35mm (35mm camera equivalent: 24-70mm) covers wide-angle to standard to medium telephoto shooting. Ideal for everything from capturing landscapes while traveling to top-quality snapshots. Leverage the low-light performance of F2.8 and enjoy delightful bokeh and superior closeups. Outdoors, the dust/splash/freeze-resistant design makes it ideal for creativity in nearly any conditions. SUPERB CLOSE-UP PERFORMANCE Utilizes a maximum magnification of 0.42x* and a closest focusing distance of 0.15m**, for excellent close-ups of everything from flowers to insects to table settings. *35mm camera equivalent. At focal length 17mm. **At focal length 12-17mm. SPECIAL TECHNOLOGY FOR CRYSTAL-CLEAR IMAGES Panasonic’s Nano Surface Coating minimizes unwanted ghosting and flaring, reducing the reflection of light rays across the entire light spectrum for crystal-clear images. And special glass eliminates unwanted light to minimize ghosting and flare even more powerfully. O.I.S. FOR ULTRA-SHARP PHOTOS Capture what you see on the spur of the moment. Optical image stabilization (O.I.S.) technology built directly into the lens ensures your photos will look great, with sharp, blur-free contours across the entire image. IDEAL FOR VIDEO RECORDING The lens offers fast, accurate autofocus and smooth aperture changes, critical for the modern content creator, allowing you to record beautiful 4K video and stills without disturbing your subject. DUST, SPLASH AND FREEZE-RESISTANT DESIGN LEICA DG VARIO-ELMARIT 12-35mm / F2.8 ASPH. / POWER O.I.S. is designed to keep shooting in the toughest conditions thanks to its dust- and splash-resistant construction and allows you to shoot in temperatures as low as -10 °C. ･Dust- and splash-resistant does not guarantee that damage will not occur if this lens is subjected to direct contact with dust and water. H-ES12035 LENS CONSTRUCTION The optimized configuration has 14 elements in 9 groups, including 4 ASPH, 1 UED and 1 UHR lenses to minimize aberrations and ensure superb resolution.

Kondor Blue shoulder pad air- space grey

shoulder pad air- space grey( KON-SPA, KONSPA, KON/SPA)

Kondor Blue shoulder pad air- black

shoulder pad air- black ( KON-SPA_BK, KONSPA_BK, KON/SPA_BK)

Kondor Blue director's monitor v mount kit- raven black

director's monitor v mount kit- raven black( KON-DMVK_BK, KON DMVK_BK, KON/DMVK_BK)   Speed and versatility—those were the two words that continued to inspire the design of the Kondor Blue Director’s Monitor V Mount Kit. At its essence, it’s a nato bracket and a V Mount Battery Plate, but can be expanded out or kept small depending on your production’s needs. The V Mount Kit can be mounted from the top or bottom monitor and pairs perfectly with our Monitor Nato Rails.     Building out from the main Monitor Bracket is our 12” PPSH 15mm rod and capped with Kondor Blue Hand Grips for 15mm rods. The bracket features a unique dual clamping mechanism to prevent the monitor from slipping under its own weight. The top cold shoe is a great spot for a wireless receiver, and the retractable Arri pins are ideally positioned to work in conjunction with the newly designed Kondor Blue D-Tap Hub.   Every component of the V Mount Battery Plate is machined to ensure durability and accuracy—you can confidently set the kit down without fear of the V Mount popping off.   The modular design of the V Mount Kit allows for a variety of setups and accessorizing. We can’t wait to see how it will be used on sets all over the world.

Kondor Blue director's monitor v mount kit- space grey

director's monitor v mount kit- space grey(KON-DMVK, KON-DMVK, KON-DMVK) Speed and versatility—those were the two words that continued to inspire the design of the Kondor Blue Director’s Monitor V Mount Kit. At its essence, it’s a nato bracket and a V Mount Battery Plate, but can be expanded out or kept small depending on your production’s needs. The V Mount Kit can be mounted from the top or bottom monitor and pairs perfectly with our Monitor Nato Rails. Building out from the main Monitor Bracket is our 12” PPSH 15mm rod and capped with Kondor Blue Hand Grips for 15mm rods. The bracket features a unique dual clamping mechanism to prevent the monitor from slipping under its own weight. The top cold shoe is a great spot for a wireless receiver, and the retractable Arri pins are ideally positioned to work in conjunction with the newly designed Kondor Blue D-Tap Hub. Every component of the V Mount Battery Plate is machined to ensure durability and accuracy—you can confidently set the kit down without fear of the V Mount popping off. The  modular design of the V Mount Kit allows for a variety of setups and accessorizing. We can’t wait to see how it will be used on sets all over the world.

Metabones MB_EF-FG-BT1 Canon EF Lens to Fuji G-Mount T Smart Adapter GFX

Metabones MB_EF-FG-BT1 (MB-EF-FG-BT1, MB/EF-FG-BT1, MB/EF/FG/BT1, MBEFFGBT1) Canon EF Lens to Fuji G-Mount T Smart Adapter GFX Enabling full use of Canon EF-mount lenses with FUJIFILM G (GFX) medium-format mirrorless cameras, this Metabones Smart Adapter permits using these classic, optically refined lenses with a modern camera system. Electronic Canon EF mount lens to Fujifilm G-mount camera. Autofocus. Phase-detection autofocus (PDAF) is supported no matter which AF lens is used. Adapters support PDAF by translating pertinent metadata about the optics between the lens interfaces. In this way, broad support of the widest range of lenses is made possible. Lens iris/aperture is set by the controls on the camera body. Optical image stabilization (IS) lens support. Smooth iris support with the latest Canon (2009+), Tamron (SP series 2013+) and Sigma (2016+) lens models. Focal length and aperture are adjusted in EXIF (see note 3). Store EXIF data (lens name, focal length and maximum/minimum aperture) for one manual lens in the adapter. LED indicator shows communication status. Powered by camera body. With most lenses, no external power source required. Mechanical The tripod foot is detachable and compatible with Arca Swiss, Markins and Photo Clam ball heads. Flocking to reduce internal reflection. Aluminum alloy and brass construction with chromium plating. Satin surface finish. Detachable Arca-Type tripod foot compatible with Arca Swiss, Markins, and Photo Clam ball heads(clamp directly or attach to quick release plate by a 1/4"-20 screw). Tested Cameras Fujifilm GFX 50S, GFX 50R and GFX 100

Metabones MB_NFG-FG-BM1 Nikon G Lens to Fuji G Mount Adapter

Metabones MB_NFG-FG-BM1 (MB-NFG-FG-BM1, MB/NFG-FG-BM1, MB/NFG/FG/BM1, MBNFGFGBM1) Nikon G Lens to Fuji G Mount Adapter The Metabones Lens Adapter for Nikon F-Mount, G-Type Lens to FUJIFILM G-Mount GFX Camera does not support electronic communication between an attached camera and lens. To help determine the amount of light that enters a FUJIFILM G-mount GFX camera and a Nikon F-mount, G-type lens, an eight-stop aperture dial is built into this lens adapter. The aperture dial is designed to provide aperture control with full-stop increments for Nikon G-type lenses that do not have an aperture ring. Nikon AI or many post-Nikon AI lenses can have their aperture settings widened or narrowed using their built-in aperture control rings if preferred. When an image is taken with this Metabones Lens Adapter for Nikon F-Mount, G-Type Lens to FUJIFILM G-Mount GFX Camera, a matte black internal coating minimizes the potential for reflections inside the adapter barrel, which could otherwise result in unwanted glare within the image. To help prevent stress on the camera mount if the supported camera and lens combination is to be placed on a tripod, this lens adapter includes a detachable tripod foot that features 1/4"-20 threads as well as compatibility with Arca-type tripod heads. If a Nikon F-mount, G-type lens intended for 35mm film or similarly-sized full-frame camera sensors, as well as a Nikon F-mount, G-type lens for APS-C sized sensors is connected to a FUJIFILM G-mount GFX camera, it can project an image smaller than the camera's sensor was built to accept. To avoid instances of vignetting that may result from such a lens and camera combination, a Metabones 1.26x Expander for Nikon F-Mount, G-Type Lens to FUJIFILM G-Mount GFX Camera is separately available.

Metabones MB_SPNFG-NZ-BM1 Nikon G to Nikon Z-Mount Speed Booster ULTRA 0.71x - Black Matt

Metabones MB_SPNFG-NZ-BM1 (MB-SPNFG-NZ-BM1, MB/SPNFG-NZ-BM1, MB/SPNFG/NZ/BM1, MBSPNFGNZBM1) Nikon G to Nikon Z-Mount Speed Booster ULTRA 0.71x - Black Matt Sharper corners, less distortion, reduced vignetting New optical design:  advanced 5-element/4-group optical design incorporating ultra-high index tanatalum-based optical glass to achieve extraordinary optical performance with improved corner sharpness, distortion and reduced vignetting. Like the revolutionary original Metabones Speed Booster announced in January 2013, the Speed Booster ULTRA has a magnification of 0.71x, and so it effectively reduces the crop factor of mirrorless cameras with DX-sized sensors, such as Sony E-mount and Fuji X-mount cameras, from 1.5x to 1.07x.  However, the new ULTRA design makes very effective use of exotic materials at the furthest limit of glassmaking technology, and as a result is well corrected for use with virtually all full-frame SLR lenses regardless of exit pupil distance. Thus, the Speed Booster ULTRA performs extremely well with professional-grade f/2.8 zoom lenses such as the 24-70mm f/2.8 and 70-200mm f/2.8 zooms by Canon and Nikon to produce 17-50mm f/2.0 and 50-142mm f/2.0 high-speed zooms, respectively.  Similarly, high-speed fixed focal length lenses such as a 50mm f/1.2 will be transformed into a 35.5mm f/0.9 lens with excellent contrast and resolution from the center all the way to the edges of the image.    

Metabones MB_SPFD-m43-BM4 Canon FD / FL to Micro FourThirds Speed Booster ULTRA 0.71x - Black Matt

Metabones MB_SPFD-m43-BM4 (MB-SPFD-m43-BM4, MB/SPFD-m43-BM4, MB/SPFD/m43/BM4, MBSPFDm43BM4) Canon FD / FL to Micro FourThirds Speed Booster ULTRA 0.71x - Black Matt Sharper corners, less distortion, reduced vignetting New optical design:  advanced 5-element/4-group optical design incorporating ultra-high index tantalum-based optical glass to achieve extraordinary optical performance with improved corner sharpness, distortion and reduced vignetting. Like the revolutionary original Metabones Speed Booster announced in January 2013, the Speed Booster ULTRA has a magnification of 0.71x, and so it effectively reduces the crop factor of mirrorless cameras with DX-sized sensors, such as Sony E-mount and Fuji X-mount cameras, from 1.5x to 1.07x.  However, the new ULTRA design makes very effective use of exotic materials at the furthest limit of glassmaking technology, and as a result is well corrected for use with virtually all full-frame SLR lenses regardless of exit pupil distance. Thus, the Speed Booster ULTRA performs extremely well with professional-grade f/2.8 zoom lenses such as the 24-70mm f/2.8 and 70-200mm f/2.8 zooms by Canon and Nikon to produce 17-50mm f/2.0 and 50-142mm f/2.0 high-speed zooms, respectively.  Similarly, high-speed fixed focal length lenses such as a 50mm f/1.2 will be transformed into a 35.5mm f/0.9 lens with excellent contrast and resolution from the center all the way to the edges of the image.

Metabones MB_EF-X-BT1 Canon EF to X-Mount T Smart Adapter - Black Matte

Metabones MB_EF-X-BT1 (MB-EF-X-BT1, MB/EF-X-BT1, MB/EF/X/BT1, MBEFXBT1) Canon EF to X-Mount T Smart Adapter - Black Matte The Canon EF/EF-S Lens to FUJIFILM X-Mount T CINE Smart Adapter from Metabones allows a Canon EF or EF-S mount lens to be mounted onto a FUJIFILM X-Mount camera. It features precision-machined, chromium-plated mounting surfaces, and the adapter is designed to support electronic communication between the camera and lens. Aperture is set by the controls on the camera body, and optical image stabilization is also supported. Phase-detection autofocus (PDAF) is supported and the adapter supports PDAF by translating pertinent metadata about the optics between the lens interfaces. In this way, broad support of the widest range of lenses is made possible. Additionally, if an attached lens is also capable of generating EXIF metadata, the adapter passes that information for the camera to record in its metadata stream. The adapter features a positive-lock EF mount, providing a sturdy, wiggle-free, solid attachment of the lens to your camera, and internal flocking reduces the chance of internal reflections, which can degrade your image. A rubber gasket protects the X-mount connection from dust and moisture. For mounting, a detachable tripod foot is included, which is compatible with Arca-type ball heads, and the foot can also be connected to a quick-release plate by a 1/4"-20 screw. The adapter uses the camera to power the lens and does not require an additional power source. Mechanical Flocking to reduce internal reflection. Rubber gasket protects the X-mount connection from dust and moisture. Aluminum alloy and brass construction with chromium plating. Satin surface finish. Detachable tripod foot compatible with Arca Swiss Style ball head, such as Markins and Photo Clam or attach to quick release plate by a 1/4"-20 screw.    

Metabones MB_SPOM-E-BM3 Olympus OM to E-Mount Speed Booster ULTRA 0.71x - Black Matte

Metabones MB_SPOM-E-BM3 (MB-SPOM-E-BM3, MB/SPOM-E-BM3, MB/SPOM/E/BM3, MBSPOMEBM3) Olympus OM to E-Mount Speed Booster ULTRA 0.71x - Black Matte The Olympus OM Lens to Sony E-Mount Camera Speed Booster ULTRA (Version 3) from Metabones improves upon the original Metabones Speed Booster with a 5 element/4 group optical design that incorporates ultra-high refractive index tantalum-based glass for improved sharpness and reduced distortion and vignetting. The Speed Booster ULTRA allows a full-frame Olympus OM lens to be mounted to an APS-C format E-Mount camera and in doing so, increases the angle of view and increases the maximum aperture by approximately one f/stop. When a lens intended for full frame sensors or 35mm film is mounted to a camera with an APS-C sized sensor, it transmits a larger area of light than the smaller sensor was built to accept, and therefore the effective angle of view of the lens decreases. The Speed Booster condenses light from the lens and projects it onto the APS-C sensor allowing the sensor to utilize all of the lens' light and effectively reducing the crop factor of and APS-C E-Mount camera from 1.5x to 1.07x, producing a full-frame angle of view with an APS-C sensor. A corresponding increase in the maximum aperture of one f/stop makes the lens more effective in low-light situations and able to create a shallow depth of field. Metabones Speed Boosters are quality made using precision-machined brass with chromium plating on both the camera body and the lens side of the booster in order to ensure smooth mounting, quality aesthetic, and durability. This adapter has a detachable tripod foot that is compatible with Arca Swiss, Markins, and Photo Clam ball heads. Although the lens will fit physically, automatic diaphragm (AE metering), or other auto functions are not retained using this speed booster. These speed boosters are only fully compatible with mirrorless cameras housing APS-C or smaller image sensors. They will physically fit the Sony full-frame mirrorless cameras, but the camera must be set in Crop Mode to fully support the speed booster's functions. Allows a full frame Olympus OM lens to be mounted to an E-mount APS-C format camera and in doing so, increases the angle of view and increases the maximum aperture by one f/stop. The Speed Booster ULTRA design incorporates ultra-high index tantalum-based optical glass for enhanced optical performance with improved corner sharpness and reduced distortion and vignetting. This glass technology and optical design perform extremely well with professional-grade f/2.8 zoom lenses and high-speed fixed focal length lenses such as a 50mm f/1.2 which will perform as a 35.5mm f/0.9 lens with high contrast and resolution from the center to the edges of the image. Precise fit and solid connection - lens has no play, gap, or wiggling when mounted on speed booster and no adjustments are required to fit your lens. Both the camera side and the lens side of the speed booster are made of brass which is precision-machined and chrome-plated. The Speed Booster uses matte-black treatment to keep internal reflection to a minimum in order to maintain the maximum optical quality possible with the lens. The exterior features a black satin surface finish. Designed to reach infinity focus while maintaining the correct registration distance required to maintain the optical quality of CRC lenses or lenses with floating elements. The speed booster features a detachable tripod foot which is compatible with Arca Swiss, Markins, and Photo Clam ball heads. Although the lens will fit physically, automatic diaphragm (AE metering), or other auto functions are not retained using this speed booster.

Panasonic PAN-KST-WM-UE100-W Wall Mount for AW-UE100 - White

Panasonic PAN-KST-WM-UE100-W (PAN/KST-WM/UE100-W, PAN/KST/WM/UE100/W, PANKSTWMUE100W, PAN KST WM UE100 W) Wall Mount for AW-UE100 - White Wall Mount Bracket for Panasonic AW-UE100 - White. ST Moschkau GmbH has developed a mounting solution for Panasonic PTZ cameras. Each wall mount bracket consists of: A wall mounting plate with 4 elongated holes for 8mm screws. A concealed cable guide opening. An extension arm with integrated storage compartment for power supply units or converters which is equipped with ventilation slots on the top. The camera mounting level on which the original mounting bracket of the camera is mounted.

Marshall 2.8mm F1.6 10MP 4K UHD CS Mount Prime Lens

Marshall CS-2.8-10MP (CS/2.8-10MP, CS/2.8/10MP, CS2.810MP, CS 2.8 10MP) 2.8mm F1.6 10MP 4K UHD CS Mount Prime Lens The 10MP 2.8mmm f/1.6 Wide-Angle CS-Mount Manual Iris Lens from Marshall is an ultra-wide lens which features a fixed 2.8mm focal length. Compatible with 10MP sensors with a 1/1.8" image size and a CS mount, the lens is designed to deliver high-quality imagery. With an aperture of f/1.6, the lens allows for clear images in even low light conditions. The lens features manual iris and focus rings with a lock to avoid setting displacement after installation.  

Marshall 11-50mm F1.4 8MP 4K UHD CS Mount Auto-Iris Zoom Lens

Marshall CS-1150-8MP (CS/1150-8MP, CS/1150/8MP, CS11508MP, CS 1150 8MP) 11-50mm F1.4 8MP 4K UHD CS Mount Auto-Iris Zoom Lens The 8MP 11-50mm f/1.4 Varifocal CS-Mount Lens from Marshall is a varifocal lens which features a 11 to 50mm adjustable focal length. Compatible with cameras that have 8MP sensors with a 1/1.7" image size and a CS mount, the lens is designed to deliver high-quality imagery. With a maximum aperture of f/1.4, the lens allows for clear images in even low light conditions. The lens supports DC auto iris and with a lock for the manual zoom and focus control rings so you can avoid setting displacement after installation.    

Marshall 16-70mm F1.4 8MP 4K UHD C Mount Auto-Iris Zoom Lens

Marshall C-1670-8MP (C/1670-8MP, C/1670/8MP, C16708MP, C 1670 8MP) 16-70mm F1.4 8MP 4K UHD C Mount Auto-Iris Zoom Lens Marshall 16-70mm F1.4 8MP 4K UHD C Mount Auto-Iris Zoom Lens (AOV approx. 30-7°) is a varifocal lens which features a 16 to 70mm adjustable focal length. Compatible with cameras that have 8MP sensors with a 1/1.7" image size and a C mount, the lens is designed to deliver high-quality imagery. With a maximum aperture of f/1.4, the lens allows for clear images in even low light conditions. The lens supports DC auto iris and with a lock for each manual control ring (zoom and focus), you can avoid setting displacement after installation.  

Marshall 5-50mm F1.4 3MP CS Mount Auto-Iris Zoom Lens

Marshall VS-M550-5 (VS/M550-5, VS/M550/5, VSM5505, VS M550 5) 5-50mm F1.4 3MP CS Mount Auto-Iris Zoom Lens The 5-50mm F1.4 3MP CS Mount Auto-Iris Zoom Lens from Marshall Electronics is designed for use with 3MP cameras with 1/2.7" and 1/3" sensors, including Marshall Electronics' CV343, CV345, and CV365 camera models. The lens features a 51-6° horizontal field of view and an f/1.4 aperture. It is equipped with a DC auto iris as well as manual zoom and focus adjustments with lock screws.

Libec BL-F Flat-base Adapter For 75mm/100mm Bowl Tripods

Libec BL-F (BL/F, BL_F, BLF, BL F) Flat-base Adapter For 75mm/100mm Bowl Tripods The Flat Base Adapter for 75/100mm Bowl Tripods from Libec is designed to adapt flat base tripod heads to fit tripods and hi-hats with 75 or 100mm bowls, allowing you to gain the quick leveling advantage of bowl tripod legs with your flat base head. It features a stepped shape that lets you mount the adapter on tripod legs, and you can mount a flat base head with either a 1/4"-20 or 3/8"-16 threaded mounting hole. A tightening knuckle is included to secure the adapter to your legs. In addition to flat base tripod heads, the adapter can also be used to attach other accessories that have either 1/4"-20 or 3/8"-16 female threads, such as a slider, to 100mm bowls.    

Libec BL-660A Elevated Extension Adapter for 100mm Bowl Tripods

Libec BL-660A (BL/660A, BL_660A, BL660A, BL 660A) Elevated Extension Adapter for 100mm Bowl Tripods Extend the height of your 100mm bowl base tripod by 26" with this Elevated Extension Adapter for 100mm Bowl Tripods from Libec. Made from durable yet lightweight aluminum, this extension mounts on your bowl base tripod, providing a 10mm bowl for you to mount your head on.

Libec BL-100F Flat-base adapter for 100mm bowl tripods

Libec BL-100F (BL/100F, BL_100F, BL100F, BL 100F) Flat-base adapter for 100mm bowl tripods The Flat Base Adapter for 100mm Bowl Tripods from Libec is designed to adapt flat base tripod heads to fit tripods and hi-hats with 100mm bowls, allowing you to gain the quick leveling advantage of bowl tripod legs with your flat base head. It features a standard 3/8"-16 screw and includes a tightening knuckle to secure the adapter to your legs. In addition to flat base tripod heads, the adapter can also be used to attach other accessories with 3/8"-16 female threads, such as a slider, to 100mm bowls.      

Canon RF 85mm F2 MACRO IS STM Lens

Canon 4234C005 (RF-85mm-F2-MACRO-IS-STM, RF/85mm/F2/MACRO/IS/STM, RF/85mm/F2-MACRO-IS-STM, RF_85mm_F2_MACRO_IS_STM) RF 85mm F2 MACRO IS STM Lens.Take your portraits to the next level with the compact and lightweight RF 85mm F2 IS STM prime lens, which flatters your subjects and inspires you to discover beautiful detail. With its short telephoto 85mm focal length this is an ideal lens for portrait photography, producing elegant results with beautiful soft backgrounds thanks to a wide f/2 aperture. Offering huge versatility, this macro photography lens can also pick out stunning details thanks to close focusing up to 35 cm, allowing you the freedom to discover fine detail with the assurance of a 5-stop image stabilisation to let you shoot in low light. Weighing just 500 g with dimensions of just 78 cm x 90.5 cm, this Canon RF lens is unobtrusive, compact and easy to pack for exciting creative opportunities.BenefitsAchieve beautiful portraits with a natural, flattering perspective and take advantage of the lens’ shallow depth of field for soft backgrounds thanks to a wide, 9 blade apertureGo for stunning close up details of beauty, portraits and fashion thanks to 0.5x Macro capability or reveal hidden details on the move. This telephoto portrait lens will give you a new perspectiveCarry anywhere, at any time thanks to a lightweight 500 g design and compact dimensions that make the lens easy to put in a pocket or pack into a small gadget bagGet excellent results even in low light thanks to 5-stop image stabilisation which gives you the confidence to carry on shooting without a tripod when light levels have droppedEnjoy fast and silky smooth AF in stills and movies thanks to an STM motor that is quick to lock on to a subject and works in near silence to help you remain unobtrusive  

BirdDog Ceiling Mounting Kit for A200

Ceiling Mounting Kit for A200, BD-A200-CMS (BD_A200_CMS, BD/A200/CMS, A200-CMS, BD A200 CMS)

BirdDog 4K QUAD

4K QUAD, BD-4KQUAD (BD/4KQUAD, BD_4KQUAD, BD 4KQUAD, 4KQUAD) BirdDog 4K QUAD - Four channels of 12G SDI to 4Kp60 NDI Encoding and Decoding

Matthews 6" Vacuum Cup With 5/8" Pin

6" Vacuum Cup With 5/8" Pin - 427000 Pump until the red marker disappears to create an amazing bond to nonporous surfaces such as car hoods and doors. Use in conjunction with the 4-Way Tilt Plate for interesting camera angles and a camera tie down strap to ensure proper safety precautions. Should you require a smaller vacuum cup for mounting your lights or camera, then the new 4-1/2" cup is recommended to fit into those tight places when either the 10" or 6" vacuum cup is too large.

Shape Sony FX9 push-button view finder mount

SH-FX9VF SHFX9VF SH FX9VF SH/FX9VF Shape Sony FX9 push-button view finder mount Sony FX9 Push-Button Viewfinder Mount.

Shape 15mm LW to 19mm studio snap-on adapter

SH-BL19A SH BL19A SHBL19A SH/BL19A Shape 15mm LW to 19mm studio snap-on adapter SHAPE BL19A (BL-19-A) 15mm LW to 19mm Studio Snap-On Adapter. Designed to adapt 15mm lightweight accessories to 19mm studio spaced rods. Comes with a 19mm Studio offset Rod Clamp and a 15mm lightweight adapter spaced rods. Snap-On design enabling you to attach the support Snaps onto 19mm studio rods without having to remove other rod-mounted accessories. 15mm rod posts for attaching LW 15mm accessories like our Follow Focus(FFPRO). Left side of the clamp designed with 1x Anti-Twist 3/8"-16 accessory mounts. Made with a durable CNC Machined Aluminium and stainless-steel construction.

SHAPE Matte Box (swing-away)

SH-AKSWA SH AKSWA SH/AKSWA SHAKSWA SHAPE Matte Box (swing-away) A silicone matte box mounted on a CNC aluminum main frame with an outer diameter of up to 124 mm. It provides a wide field of view for a variety of wide-angle lenses.Two 4×5.6 filter trays (one rotary) with easy access handles that allow one-handed filter changes. 4×4 filters can also be installed in the trays. The frame includes two stops at the bottom of the filter trays section to prevent the filters from falling through. The removable swing-away module makes lens changes a snap. A spring pin helps to lock the mechanism closed without manually setting the pin. 2 magnets hold it in place when closed.Removable height adjustable rod block with one tightening knob allows micro-adjustment of height, ensuring compatibility with a wide range of lenses. The rod block can be re-installed directly on the main frame for a straight configuration. The complete kit allows three different configurations, (swing-away, straight and clip-on).

Shape Matte Box (clip-on)

SH-AKSCL SH AKSCL SHAKSCL SH/AKSCL SHAPE Matte Box (clip-on) A silicone matte box mounted on a CNC aluminum main frame with an outer diameter of up to 124 mm. It provides a wide field of view for a large variety of wide angle lenses. Two 4×5.6 filter trays (one rotary) with easy access handles that allow one-handed filter changes. 4×4 filters can also be installed in the trays. The frame includes two stops at the bottom of the filter trays section to prevent the filters from falling through. Removable light carbon fiber french flag can be attached on top to prevent flares. A series of adapter rings are included in the kit

ATOMOS Ultrasync One ROW Version

ATOMOS Ultrasync One ROW Version AO-ATOMSYON01-ROW (ATOMSYON01, AO_ATOMSYON01_ROW, AO/ATOMSYON01/ROW, AO ATOMSYON01 ROW) Super compact. Lightweight. The flexibility to configure as a transmitter timecode server or as a receiver client device. The battery life allows a run time to easily last the longest shooting day. Integrating the most features to enable advanced timecode and sync options for multicamera workflows. UltraSync ONE is the smallest and most cost-effective, RF-powered wireless timecode and genlock/wordclock solution on the market.

Canon CN-E-14mm-T3.1-L-M Metric Scale

Canon CN-E-14mm-T3.1-L-M (CN-E/14mm/T3.1-L-M, CN E 14mm T3.1 L M, CN/E/14mm/T3.1/L/M, CNE14mmT3.1LM) Metric Scale. Part of Canon’s range of EF Cinema prime lenses, the CN-E14mm T3.1 L M is a lightweight, compact fixed focal length lens designed for EF mounts. It offers spectacular 4K image quality and a full-frame image circle plus great low light performance and fine creative control over focusing and depth of field. Compact, lightweight 14mm lens Compact and lightweight with a user-friendly design this 14mm prime lens is ideal for a wide range of applications and can be used with most standard accessories and matte boxes. T3.1 The CN-E14mm T3.1 L M provides fine control over the depth of field with the widest angle of view available from an EF Cinema lens. Superb 4K optical performance Large aspherical lens elements ensure sharp, consistent images in virtually every shooting situation, while the 11-blade aperture provides beautiful bokeh. Innovative construction counteracts barrel expansion and contraction to avoid temperature-induced marking discrepancies. Industry-standard controls Industry-standard manual control rings are engineered to provide smooth consistent operation. Unified front lens diameter and gear positions throughout Canon's range of EF Cinema prime lenses enable film crews to quickly change lenses without adjusting rig setups. EF mount compatible The CN-E14mm T3.1 L M lens is designed for use with EF mount cameras with either full-frame 35 mm or Super 35mm-type sensors – perfect for Cinema EOS cameras as well as Canon's range of EOS DSLRs. Contacts on the EF mount facilitate communication between camera and lens for recording of metadata, and other functions. Benefits: Compact 14mm, T3.1 prime lens Spectacular 4K image quality Full frame image circle Industry-standard manual control 11 blade diaphragm for attractive blurring Designed for EF mount 35 mm and Super 35mm cameras

Canon CN-E-35mm-T1.5-L-M Cine Prime Lens EF 35mm T1.5 Metric scale

Canon CN-E-35mm-T1.5-L-M (CN E 35mm T1.5 L M, CN/E-35mm-T1.5/L-M, CN/E/35mm/T1.5/L/M, CNE35mmT1.5LM) Cine Prime Lens EF 35mm T1.5 Metric scale. Exceptional optical performance for 4K production Great in low light with fine creative control over depth of field, the wide-angle CN-E35mm T1.5 L (M) offers spectacular 4K image quality with a full-frame image circle in a light, compact EF mount body. Compact, lightweight 35mm wide-angle lens  Compact and lightweight (1.1kg) with a user-friendly design this 35mm prime lens brings a natural perspective to wide-angle shots. It is also suitable for use in severe shooting conditions thanks to a drip-proof structure and can be used with most standard movie industry accessories and matte boxes. Large T1.5 aperture A large maximum aperture of T1.5 provides outstanding speed for shooting in low-light conditions. The large aperture also provides fine creative control over depth of field. EF mount compatible The CN-E35mm T1.5 L (M) lens is designed for use on EF mount 35 mm and Super 35mm cameras – perfect on Cinema EOS cameras as well as Canon EOS DSLRs. A contact on the EF mount facilitates communication between camera and lens. Superb 4K optical performance A 4K lens with a full-frame imaging circle offers unrivaled optical performance in professional shooting environments. Large aspherical lens elements ensure sharp, consistent images in virtually every shooting situation, while the 11-blade aperture diaphragm offers beautiful bokeh. Innovative glass construction counteracts barrel expansion and contraction to avoid temperature-induced marking discrepancies. Industry-standard controls Industry-standard manual control rings are engineered to maintain the proper amount of resistance with consistent operating torque. Unified front lens diameter and gear positions enable film crews to quickly change lenses without adjusting the rig setup.

Canon 4111C005 RF 24-105mm F4-7.1 IS STM Lens

Canon 4111C005 (4 111 C00 5, 4/111-C00-5, 4/111/C00/5, 4-111-C00-5) RF 24-105mm F4-7.1 IS STM Lens. Capture the very best of every day, from epic vistas, striking portraits, candid family moments and much more with an all-purpose lens introducing you to the exciting world of Canon’s EOS R full frame mirrorless system. Easy to use, the RF 24-105mm F4-7.1 IS STM is lightweight, compact and wonderfully versatile with an in-built 5-stop optical Image Stabilizer to help keep your images and movies rock steady – even when you’re out and about without a tripod. And as an added advantage, the lens features Centre Focus Macro with 0.5x macro performance for creative detail shots. It’s a stunning zoom that will take your photography to the next level. Benefits Full frame quality, superb 5-stop optical Image Stabilizer and fast, smooth AF See the whole story; epic vistas, tiny detail, striking portraits and candid moments plus shoot at 13 cm with 0.5x Centre Focus Macro for detail shots Thanks to a lightweight and compact design at just 395 g, it’s a practical zoom from which to start your full-frame mirrorless journey Combined focus and Lens Control Ring for intuitive, customised control over camera settings Track subjects and achieve smooth, natural focus when shooting movies thanks to the quiet STM motor that makes this lens ideal for stunning photos and video  

Canon RF-85mm-F1.2L-USM-DS Lens

Canon RF-85mm-F1.2L-USM-DS (RF85mmF1.2L-USMDS, RF/85mm/F1.2L/USM/DS, RF/85mm-F1.2L-USM-DS, RF85mmF1.2LUSMDS) Lens. The Canon RF 85mm f/1.2L USM DS is a unique portrait-length prime, characterized by its flattering focal length, exceptionally bright maximum aperture, and advanced optical design. Differentiating itself from Canon's other RF 85mm f/1.2 lens, this version features a DS (Defocus Smoothing) coating that helps to soften and smooth the bokeh quality when working at wider aperture settings, making it particularly suitable for shallow depth of field applications. Beyond the bokeh-optimized design, the optical layout of this lens incorporates a Blue Spectrum Refractive Optics element; a specially developed element that helps to nearly eliminate chromatic aberrations and color fringing for notable clarity and color accuracy. In addition to this, an ultra-low dispersion element and one aspherical element are also featured to further control various aberrations and distortion for great sharpness and resolution. Individual elements also feature an Air Sphere Coating to suppress flare and ghosting for high contrast and color fidelity when working in bright and backlit conditions. Complementing the imaging capabilities is an apt ring-type Ultrasonic Motor, which delivers fast, near-silent autofocus and full-time manual focus override. A unique Control Ring is also integrated into the lens design for intuitive control over exposure settings from the lens itself. Portrait-length prime is designed for full-frame Canon RF-mount mirrorless digital cameras. Exceptionally bright f/1.2 maximum aperture affords extensive control over depth of field for selective focus applications and also benefits working in low-light situations. Defocus Smoothing coating helps to achieve an especially soft and smooth bokeh quality when working at wide aperture positions. While this coating softens the look and feel of the out-of-focus regions in an image, sharpness is still retained on the in-focus portions for noticeable subject separation and overall three-dimensional quality. The effect is greatest when working at f/1.2, however, the DS coating requires approximately 1.3 stops more exposure than the standard version of the lens when shooting wide open. By f/3.2, the two versions of the lens have nearly identical light transmission and performance. Blue Spectrum Refractive Optics element virtually eliminates color fringing and chromatic aberrations by refracting shorter wavelengths of the visible spectrum (blue light). One aspherical element and one UD element also help to control aberrations and distortions for sharper, clearer image quality. An Air Sphere Coating (ASC) has been applied to lens elements to reduce backlit flaring and ghosting for maintained light transmission and high contrast in strong lighting conditions. Ring-type Ultrasonic Motor (USM), along with optimized focusing algorithms, a high-speed CPU, and an internal focusing design, is employed to deliver fast, precise, and quiet autofocus performance as well as full-time manual focus override. Configurable Control Ring can be used to adjust a variety of exposure settings, including aperture, ISO, and exposure compensation. As a member of the esteemed L-series, this lens has a weather-resistant design that protects against dust and moisture to enable its use in inclement conditions. Rounded 9-blade diaphragm contributes to a pleasing bokeh quality.

Canon EF-85mm-F1.2L-II-USM Lens

Canon EF-85mm-F1.2L-II-USM (EF 85mm F1.2L II USM, EF/85mm/F1.2L /II/USM, EF85mmF1.2LIIUSM, EF-85mm/F1.2L-II-USM) USM Lens. The Canon EF 85mm f/1.2L II USM Autofocus Lens is a fast lens that delivers superb optical performance. A maximum aperture of f/1.2 makes it the professional's choice for shooting without flash in low light conditions. The large aperture also provides fine control over the depth of field for compelling portrait photography. Retaining the impressive optical performance and large aperture of its predecessor, this medium telephoto lens has been improved with a Ring-type USM, high-speed CPU, and optimized algorithms to achieve an autofocus speed of approximately 1.8x faster than the original. The high-speed AF and circular aperture create a shallow depth-of-field that brings attention to the subject and blurs the background, which is ideal for portraits and weddings. Benefits Extreme f/1.2 maximum aperture Fast, quiet autofocus Super Spectra coatings Circular aperture for smooth background bokeh Integration with E-TTL II flash system

Canon RF-50mm-F1.8-STM STM Lens

Canon RF-50mm-F1.8-STM (RF 50mm F1.8 STM, RF/50mm/F1.8/STM, RF/50mm-F1.8-STM, RF50mmF1.8STM) RF 50mm f/1.8 STM Lens. The Canon RF 50mm f/1.8 STM is Compact, lightweight and affordable lens with a fast f/1.8 aperture, ideal in low light and great for creative depth-of-field. The optical design incorporates one aspherical element, which reduces spherical aberrations and distortion, and also sports a Super Spectra coating to minimize flare and ghosting for improved contrast and color accuracy. Also, an STM stepping motor offers fast, quiet, smooth, and accurate autofocus performance that is ideal for video recording as well as still shooting. The RF 50mm F1.8 STM lens is a simple yet hugely versatile lens. Its superior sharpness, great low light performance and stunning bokeh make it ideal for many types of photography and video. This modern ‘nifty fifty’ will advance your photography. Wide aperture creativity Create artistic and impactful images at lower ISO thanks to a wide f/1.8 aperture that achieves sharp focus on a subject yet delivers a beautiful blurred background. Sharp, quiet focusing The STM (Stepping Motor) technology focuses very smoothly and in near-silence, ideal for stills and video. Super Spectra Coating on the lens elements ensure quality. Compact and lightweight At 160g and 40.5mm, it is a highly compact and lightweight partner for your day-to-day shooting with EOS R-series cameras, with no adapter required.

Canon RF-800mm-f/11-IS-STM IS STM Lens

Canon RF-800mm-f/11-IS-STM (RF-800mm-f11-IS-STM, RF/800mm/f11/IS/STM, RF-800mm/f11/IS-STM, RF 800mm f/11 IS STM) RF 800mm f/11 IS STM Lens. The RF 800mm F11 IS STM is a super telephoto prime lens with exceptional 4-stop image stabilization and a higher focal length than RF600mm f/11 IS STM, aimed primarily at the casual, travel-wildlife enthusiast but also extending to aviation photography for the ultimate reach. Characterized by its retractable design and a fixed f/11 aperture, this lens's sleek profile makes handheld super-tele shooting a very real possibility, and four stop-effective optical image stabilization further helps to achieve sharp imagery when working in difficult lighting conditions. Also contributing to the reduced size is a distinct optical layout, which uses gapless dual-layer diffractive optics instead of multiple heavier individual elements, which also effectively controls color fringing and chromatic aberrations for high clarity. Complementing this design is an STM stepping motor that delivers quick and quiet autofocus performance that is suitable for both stills and video needs. Additionally, a Control Ring is also integrated into the lens design for intuitive control over exposure settings from the lens itself. If you decide you need more than 800mm, this lens is compatible with the 1.4x and 2x RF Extenders for an equivalent focal length of 1120mm or 1600mm, respectively. Bring your world closer Capture safari, aircraft or travel views and shoot the ultimate frame-filling moments in glorious detail that benefit from creative telephoto compression. Enjoy sharp, shake-free images An Optical Image Stabilizer helps to minimize the appearance of camera shake by up to four stops to better enable working in low-light conditions and with slower shutter speeds. Revolutionary size and weight Thanks to the RF mount, an F11 aperture and Diffractive Optics, the lens contracts to 281.8 mm in length when stored and weighs only 1260 g. Focus smoothly and quietly STM stepping motor offers fast, quiet, smooth, and accurate autofocus performance that is ideal for video recording as well as still shooting. An extreme telephoto for all Now it’s easy to pack a super telephoto lens in your kitbag with powerful image stabilisation and AF which is available to all enthusiasts who want to travel light.  

Canon RC-IP100 Touchscreen PTZ Joystick Controller

Canon RC-IP100 (RCIP100, RC/IP-100, RC-IP-100, RC/IP/100) Touchscreen PTZ Joystick Controller. Take control of your remote cameras with this robust and compact hardware controller, provides IP control for up to 100 PTZ and the controller is compatible with the Canon CR-N300 and CR-N500 PTZ cameras. The controller is equipped with a large 7” diagonal touch screen, zoom lever and joystick in order to pan, tilt, zoom and change camera picture settings with precise precision. It also features four customizable buttons and knobs to make accessing settings and controls quick and easy. The DB-9 input/output port on the back allows you to monitor camera tally information. The unit is powered using a 12V barrel power adapter. The IP100 is compatible with the proprietary Canon XC IP protocol, not a standard LAN, so you can create a private, secure network to control your cameras using the LAN port. It also features a second RJ45 port that allows you to control the cameras via RS-422 serial protocol. The bright 7" touchscreen allows you to control and configure up to 100 cameras and it can create and store up to 100 presets. *** Please see that this is a special order item.

Canon RF-600mm-f/11-IS-STM IS STM Lens

Canon RF-600mm-f/11-IS-STM (RF/600mm/f11/IS/STM, RF/600mm-f/11-IS/STM, RF 600mm f/11 IS STM, RF/600mm-f/11-IS-STM) RF 600mm f/11 IS STM. Reach out and grab your world with a 600mm super telephoto full frame lens that is lightweight, powerful and perfect for capturing distant subjects in glorious detail. An impressive and incredibly unique super-telephoto, the Canon RF 600mm f/11 IS STM is an especially compact and lightweight lens considering its long focal length. Featuring a retractable design and a fixed f/11 aperture, this lens's sleek profile makes handheld super-tele shooting a very real possibility, and optical image stabilization further helps to achieve sharp imagery when working in difficult lighting conditions. Also contributing to the reduced size is a distinct optical layout, which uses gapless dual-layer diffractive optics instead of multiple heavier individual elements, which also effectively controls color fringing and chromatic aberrations for high clarity. Complementing this design is an STM stepping motor that delivers quick and quiet autofocus performance that is suitable for both stills and video needs. Additionally, a Control Ring is also integrated into the lens design for intuitive control over exposure settings from the lens itself. If you need more reach, the 600mm is compatible with the 1.4x and 2x RF Extenders for an effective focal length of 840mm or 1200mm, respectively. Super-telephoto prime is designed for use with full-frame Canon RF-mount mirrorless digital cameras. Fixed f/11 aperture contributes to the sleek and portable form factor as well as a balanced mixture of depth of field and sharpness. Gapless dual-layer diffractive optics contribute to a marked reduction in chromatic and spherical aberrations as well as benefit the design of a relatively compact and lightweight lens. Retractable/extendable design, with a locking lens barrel, offers an impressively compact form factor considering the super-telephoto design. An Optical Image Stabilizer helps to minimize the appearance of camera shake by up to five stops to better enable working in low-light conditions and with slower shutter speeds. STM stepping motor offers fast, quiet, smooth, and accurate autofocus performance that is ideal for video recording as well as still shooting. Configurable Control Ring can be used to adjust a variety of exposure settings, including aperture, ISO, and exposure compensation. Compatible with optional Extender RF 1.4x and Extender RF 2x teleconverters to further increase the effective focal length.

Sony SEL-C1635G FE C 16–35mm T/3.1 G E-Mount Lens

Sony SEL-C1635G (SEL/C1635G, SEL_C1635G, SELC1635G, SELC1635G.SYX, SEL-C1635G.SYX) FE C 16–35mm T/3.1 G E-Mount Lens Cinematic images with beautiful bokeh Experience beautiful cinematic images, with excellent corner-to-corner resolution and consistent T3.1 (F2.8) large aperture from wide to telephoto for stunning background bokeh effects. Responsive manual control for content creators Adjust focus, zoom and iris with smooth, consistent precision. Enjoy fine control over realising your artistic vision with large-format sensor cameras such as the PXW-FX9 and VENICE. Shoot with extra intelligence Enjoy smart functions unique to Sony’s E-mount lens system, including AF (autofocus) support, servo zoom and zoom/iris/focus control from your camera, remote or smartphone, allowing cinematographers to concentrate on composition and focus without touching lens rings.* *Requires compatible cameras, remote controllers, smartphones and mobile apps. Unlimited expression for content creators Explore new artistic possibilities and precise creative control with Cinema Lens Series – the refined expression of Sony’s technological expertise for uncompromising content creators. This wide angle zoom lens is optimised for digital cinematography, documentary production and other premium content produced with full-frame cameras such as the FX9 and VENICE. Advanced optical design Two XA (Extreme Aspherical) lens elements and three aspheric elements minimise distortion, curvature and astigmatism. Two ED (Extra-low Dispersion) glass elements suppress colour distortion, while an advanced nano AR (Anti Reflection) coating on optical surfaces drastically reduces flare and ghosting. The floating focus mechanism is optimised for motion picture applications, ensuring outstanding resolution and very low distortion at any shooting distance. Smooth, natural bokeh An ideal partner for the full-frame sensor of Sony’s acclaimed FX9 and VENICE cameras, the consistent T3.1 (F2.8) large aperture and circular 11-blade aperture of the SELC1635G lets professional cinematographers enjoy shallow depth of field and the creation of beautifully smooth bokeh (background defocus) effects. [1] Conventional aperture [2] Circular aperture Precise, responsive manual focus Linear Response MF enables smooth, lag-free manual focus, allowing DoPs and camera operators to adjust focus accurately and intuitively. The focus ring offers a 120deg large angle of rotation for finer control, with distance scale markers for consistent focus reset during multiple takes. For complete creative control to suit any user including photographers who are used to shooting stills, SELC1635G also offers reversible zoom ring rotation, modes switchable between AF/MF and Full manual, and the option to engage ‘click stops’, providing tactile feedback for precise adjustments of the aperture ring. When the click stops are disengaged, the aperture ring moves smoothly and quietly. More options for content creators The SELC1635G has a 0.8mm pitch gear and 114mm lens diameter, which is regarded as the industry standard in cinematography, providing compatibility with a wide range of accessories include matte boxes and follow focus systems. Detachable servo zoom The included servo unit provides comfortable fingertip control for smooth, gradual zooms suitable for a slow moving drama or promotional video. Servo and Manual control are switchable by the button on the lens unit, and while set to servo, you can control zoom via camera’s handle or grip zoom.Also, the servo can be detached if preferred, making the lens lighter and more portable. Fast, accurate AF and AE The SELC1635G fully supports the Enhanced Hybrid phase/contrast detection autofocus (AF) and Auto Exposure (AE) capabilities of the FX9 full-frame camera. This breakthrough technology allows you to concentrate on framing while the camera and lens work seamlessly together to maintain focus on subjects with shallow depth of field. Alpha cameras and lenses Discover the Alpha range of interchangeable lens camera and E-mount lenses for photographers and video makers.

Sony SEL-50F25G FE 50mm F/2.5 G Lens

Sony SEL-50F25G (SEL/50F25G, SEL_50F25G, SEL50F25G, SEL-50F25G.SYX, SEL50F25G.SYX) FE 50mm F/2.5 G Lens Introducing the SEL50F25G Full Frame Lens: A wide angle lens for stills and movies. Featuring an advanced optical design that includes two aspherical elements and one ED (Extra-low Dispersion) element for incredible corner-to-corner high-resolution, along with beautiful background defocus (bokeh). Two double linear motors provide fast, precise AF with excellent tracking performance, with quiet autofocus and tracking in this compact-sized and lightweight Sony G lens. Internal focusing ensures the angle of view is stable during focusing (focus breathing minimised). An incredible video lens, the SEL50F25G delivers smooth, fast and continuous auto focus performance for movie shooting. INCREDIBLY SHARP State-of-the-art optics, using two aspherical elements and one ED (Extra-low Dispersion) glass element, deliver high resolution and suppress colour fringing in all parts of the image. Delivering high corner-to-corner resolution and beautiful bokeh, the SEL50F25G is an excellent compact, lightweight full frame lens for cityscapes, landscapes and videography, these features making it an excellent portrait lens too. BEAUTIFULLY SMOOTH BACKGROUNDS A 7-blade circular aperture on this Sony lens creates beautiful circular background bokeh defocus effects with a large F2.5 aperture. FAST AND PRECISE Two linear motors deliver fast, precise AF with excellent tracking capability, fully utilising the continuing rapid advances in the speed performance of camera bodies. Taking maximum advantage of this performance, tracking is maintained despite instantaneous changes in subject motion, making the lens ideal for situations like snap shooting of moving subjects. You'll never miss a shot with this lightweight and compact lens. SUPERB BUILD QUALITY The high-quality build uses metal (aluminium) for the exterior finish and hood, achieving a sophisticated look, contributing to increased strength and durability. The iris ring indices, focal length markings, and Sony logo on the hood of the 50mm lens, are engraved rather than printed, giving a finish with a sophisticated feel. GREAT FOR MOVIE SHOOTING The fast, precise AF with excellent tracking performance delivered by two linear motors is also quiet, making this FE  lens ideal for both still and movie shooting. A great 50mm view, intuitive operability, in a compact, lightweight design.

Sony SEL-40F25G FE 40mm F/2.5 G Lens

Sony SEL-40F25G (SEL/40F25G, SEL_40F25G, SEL40F25G, SEL-40F25G.SYX, SEL40F25G.SYX) FE 40mm F/2.5 G Lens Introducing the SEL40F25G Full Frame Lens: A wide angle lens for stills and movies. Featuring an advanced optical design that includes three aspherical elements for incredible corner-to-corner high-resolution, along with beautiful background defocus (bokeh). Two double linear motors provide fast, precise AF with excellent tracking performance, with quiet autofocus and tracking in this compact-sized and lightweight Sony G lens. Internal focusing ensures the angle of view is stable during focusing (focus breathing minimised). An incredible video lens, the SEL40F25G delivers smooth, fast and continuous auto focus performance for movie shooting. INCREDIBLY SHARP State-of-the-art optics, using three aspherical elements, deliver high resolution and suppress colour fringing in all parts of the image. Delivering high corner-to-corner resolution and beautiful bokeh, this is an excellent compact, lightweight, full frame lens for cityscapes, landscapes and videography, these features making it an ideal portrait lens too. BEAUTIFULLY SMOOTH BACKGROUNDS A 7-blade circular aperture on this Sony lens creates beautiful circular background bokeh defocus effects with a large F2.5 aperture. FAST AND PRECISE Two linear motors deliver fast, precise AF with excellent tracking capability, fully utilising the continuing rapid advances in the speed performance of camera bodies. Taking maximum advantage of this performance, tracking is maintained despite instantaneous changes in subject motion, making the lens ideal for situations like snap shooting of moving subjects. You'll never miss a shot with this lightweight and compact lens. SUPERB BUILD QUALITY The high-quality build uses metal (aluminium) for the exterior finish and hood, achieving a sophisticated look, contributing to increased strength and durability. The iris ring indices, focal length markings, and Sony logo on the hood of the 40mm lens, are engraved rather than printed, giving a finish with a sophisticated feel. GREAT FOR MOVIE SHOOTING The fast, precise AF with excellent tracking performance delivered by two linear motors is also quiet, making this FE lens ideal for both still and movie shooting. A great 40mm wide view (or when mounted on an APS-C body or shooting in Super 35mm movie format, the angle of view is 36mm equivalent), intuitive operability, in a compact, lightweight design.

Sony SEL-2860 FE 28–60mm F4–5.6 Lens

Sony SEL-2860 (SEL/2860, SEL_2860, SEL2860, SEL-2860.SYX, SEL2860.SYX) FE 28–60mm F4–5.6 Lens The wide-angle to long-normal FE 28-60mm f / 4-5.6 zoom is characterized by its modern design and elegant profile. The slim design makes this lens ideal for walkaround, everyday shooting and the flexible focal length range offers great versatility. The optical design incorporates three aspherical elements, which help reduce distortion and spherical aberrations and promote greater sharpness and accurate rendering. Complementing the optics is a linear motor and internal focusing that ensure fast and quiet autofocus performance for both photographic and video needs. The lens body is also weatherproof to allow you to work in harsh environmental conditions. With a versatile and practical focal length of 28-60mm, this lens is suitable for a variety of common subjects. In addition, the minimum focusing distance between 0.3m (wide angle) and 0.45m (telephoto) guarantees excellent results in close-ups, making the device suitable for applications such as table photography and vlogging, always with the high full-frame image quality. The linear AF motor enables the fast and precise AF performance required by the latest full-frame camera models. Thanks to the quiet motor, the device is suitable for stills as well as video shooting, while the speed and accuracy ensure maximum performance on the camera's AF functions, such as Real Time Tracking and Real Time Eye AF.

Sony SEL-1224GM FE 12-24mm F2.8 GM Lens

Sony SEL-1224GM (SEL/1224GM, SEL_1224GM, SEL1224GM, SEL-1224GM.SYX, SEL1224GM.SYX, sel-1224gm.syx) FE 12-24mm F2.8 GM Lens Sony boosts full-frame lens line-up with launch of 12-24mm G Master™, the world’s widest zoom with a constant F2.8 aperture. This compact and versatile lens is ideal for shooting landscapes, starry skies and architecture while providing extra mobility for active sports shooters who want to use ultra-wide angles. As part of Sony’s flagship G Master series lenses, it delivers outstanding image quality up to an ultra-wide 12mm angle of view with F2.8 constant aperture, combined with beautiful bokeh effects.This new lens allows the F2.8 range of Sony’s G Master lenses to extend all the way through from 12mm to 200mm** and at 12mm, offers the world’s widest zoom at F2.8*. At this focal length, it is possible to emphasise distance and create dynamic perspectives beyond the scope of the human eye. Incredibly sharp Three XA (extreme aspherical) elements ensure outstanding resolution in this F2.8 ultra-wide angle lens. Along with one aspherical element, two super ED and three ED (Extra-low Dispersion) glass elements deliver high corner-to-corner resolution and beautiful bokeh, making this an excellent full frame lens for landscapes and starscapes.  Beautifully smooth background A circular 9-blade aperture creates beautiful background bokeh defocus effects with a large aperture F2.8 that is constant throughout the entire zoom range on this Sony lens. Fast and precise  Four XD Linear (Extreme Dynamic) Motors with their complex construction deliver faster and more accurate focusing than conventional lenses for both photography and videography. Amazing clarity and contrast New Sony Nano AR Coating II effectively eliminates light anomalies - such as flare and ghosting. Professional ergonomics A dust and moisture-resistant design, along with versatile controls make it ideal to use in the most difficult scenarios - both indoors and outdoors. Dynamic perspectives With an ultra-wide 12mm angle of view, create dynamic perspectives that are beyond the scope of the human eye. Target usages: Landscape, Architecture, Night/Astro, Video, Sports

Sony SEL35F14GM FE 35mm F/1.4 GM Lens

Sony SEL35F14GM (SEL-35F14GM, SEL/35F14GM, SEL_35F14GM, SEL-35F14GM.SYX, SEL35F14GM.SYX) FE 35mm F/1.4 GM Lens The FE 35mm F1.4 GM is a must-have for Sony’s E-mount users, as in combination with Sony’s camera bodies it boasts advanced focusing capabilities - perfect for a wide range of uses such as shooting landscapes, portraits and street photography, both stills and video. Superlative resolution in a compact lens Sony’s advanced optical design and manufacturing technology brings extraordinary resolution, gorgeous bokeh, and precision focus performance to a compact lens that fits comfortably in the palm of your hand, weighing a mere 524 grams and measuring just 76 mm dia. x 96 mm with a filter diameter of Φ67mm. The FE 35mm F1.4 GM boasts advanced optical technology that delivers stunning contrast and superb resolution. Two XA (extreme aspherical) elements effectively maintain superb resolution throughout the image area. The compact 35mm lens is not only mobile and manageable, it performs admirably in difficult lighting. An ED glass element and other optical refinements effectively suppress chromatic aberration and purple fringing for breathtaking results. Beautiful bokeh for broad expressive capability The FE 35mm F1.4 GM delivers an almost circular aperture thanks to its 11-blade construction – a rare level of quality for a mobile lens. Painstaking spherical aberration control at both the design and the manufacturing stages contributes to beautiful G Master bokeh that make subjects really stand out. Two innovative XA elements allow for impossibly impressive close-ups with smooth, creamy background bokeh. The combination of F1.4 maximum aperture and the flexibility to choose the perfect shooting distance (minimum focusing distance of just 27cm with a maximum magnification of 0.23x in autofocus mode) allows for ultimate control and stunning bokeh when shooting both stills and video. Advanced focus for enhanced imagery Two of Sony’s XD (extreme dynamic) Linear Motors provide the high thrust efficiency needed for precise AF (autofocus) and tracking - resulting in outstanding resolution at any distance. State-of-the-art control algorithms, developed specifically for the XD Linear Motors, improve control response and precision whilst minimising vibration and noise for fast, smooth and silent AF performance. Advanced focusing can also be achieved when shooting at a high frame rate. Linear Response MF is ideal for creative focusing effects when shooting video as it ensures the focus ring responds to subtle control when focusing manually. The focus ring rotation translates directly to a corresponding change in focus, so control feels immediate and precise. Professional control and reliability The FE 35mm F1.4 GM offers full professional control, with a focus hold button, focus mode switch to support smooth, efficient operation. An aperture ring with switchable click stops can be turned off for movie shooting, and when used on an APS-C camera or with a Super 35 angle of view, it can be used as a standard lens equivalent to 52.5mm, making the FE 35mm F1.4 GM the perfect choice for creating videos. The focus hold button can be assigned to several other functions via a camera body menu, providing direct access to functions that are vital to photographers and videographers alike. It was created to be reliable with a dust and moisture resistant design and a fluorine front element coating that repels water, oil, and other contaminants.

Canon CN-E EF 20mm T1.5 (M)

The Canon CN-E 20mm T1.5 LF Cinema Prime Lens is a fixed focus manual focus lens that covers the Full Frame and Super 35 sensor formats. The lens offers a maximum aperture of T1.5, which is useful when shoot in low light situations or when you want to capture that aspect of extremely shallow depth of field. It has an 11-blade iris that provides round, fuzzy highlights for a natural-looking bokeh. The lens barrel has a gradual and uniform rotation of 300 ° from close focus to infinity, offering a high degree of precision and constant focus. The lens is equipped with gears with standard cinematic lens and is designed to minimize breathing of the focus and also has an innovative glass construction that contrasts the expansion and contraction of the barrel to avoid marking discrepancies induced by the temperature. It is double-fired, with marks on both sides of the barrel. The rear marks are located on an inclined surface, making it readable on both sides of the camera. It also has a dust and water resistant housing to minimize maintenance during normal use. Thanks to the use of anomalous dispersion glass, effective in reducing chromatic aberration, and large diameter aspherical lenses, this extraordinary 20mm Cine Prime offers high resolution 4K images over the entire frame.

Samyang 7998 XEEN 135mm T2.2 Cine Lens - PL Mount

Samyang 7998 (SAM-7998, SAM/7998, SAM_7998, SAM7998, SAM 7998, sam_7998) XEEN 135mm T2.2 Cine Lens - PL Mount Samyang's XEEN 135mm Cine Lens features an internal focus design so that the lens does not change size while focusing, minimizing breathing. Each lens in the Samyang Xeen cinema lens set is multi-coated for good contrast, glare prevention, and color matched to a factory standard, allowing you to assemble a set over time with minimal color shift. This 135mm focal length is often chosen for portraits and close-ups. The lens features dual-sided focus scales in feet, with dual-sided iris scales. The 11-bladed iris provides a round aperture for natural looking highlights and Bokeh. The lens is a manual focus and iris lens, and does not have auto focus or auto iris capability. It incorporates cinema-style focus and iris gears that share the same position across the lenses in the Xeen set. The common 114mm front diameter allows for quick lens changes when using a matte box and focus accessories. The focus ring rotates 200° from close focus to infinity; this gives you a high degree of precision and consistent focus.

Marshall CV-PTZ-BOX Internal Wall Enclosure For PTZ Cameras

Marshall CV-PTZ-BOX (CV/PTZ/BOX, CV_PTZ_BOX, CVPTZBOX, CV PTZ BOX, cv-ptz-box) Internal Wall Enclosure For PTZ Cameras Mount your CV605, CV610, CV612, CV620, or CV630 PTZ camera within a wall opening with this In-Wall Box Enclosure from Marshall Electronics. The wall enclosure fits inside a cutout in the wall that measures 9.4 x 7.4 x 3.7", and the included mounting kit provides the hardware and tools to secure it into the wall. A camera mounting plate with a 1/4"-20 screw is included to mount your PTZ camera.

Canon RF-50mm-F1.2L-USM Lens

Canon RF-50mm-F1.2L-USM (RF_50mm-F1.2L-USM, RF50mm-F1.2L-USM, RF/50mm-F1.2L-USM, RF 50mm-F1.2L-USM) Lens. Distinguished by its speed, the RF 50mm f/1.2L USM from Canon is a desirable normal-length prime due to its versatile focal length and bright f/1.2 maximum aperture. This fast design excels in difficult lighting conditions and also benefits working with shallow depth of field and selective focus techniques. The optical layout incorporates one UD element and one aspherical element, which help to reduce both chromatic and spherical aberrations in order to produce greater clarity and sharpness. A rounded 10-blade diaphragm also benefits bokeh quality to suit isolating subjects with depth of field. Complementing the imaging capabilities is an apt ring-type Ultrasonic Motor, which delivers fast, near-silent autofocus and full-time manual focus override. Additionally, a unique Control Ring is integrated into the lens design for intuitive control over exposure settings from the lens itself. Normal-length prime is designed for full-frame Canon RF-mount mirrorless digital cameras. Exceptionally bright f/1.2 maximum aperture affords extensive control over depth of field for selective focus applications and also benefits working in low-light situations. One UD (Ultra-Low Dispersion) element is featured, and helps to minimize chromatic aberrations and color fringing in order to provide greater clarity and color accuracy. An aspherical element is used to correct spherical aberrations and distortion for improved sharpness and accurate rendering. Ring-type Ultrasonic Motor (USM), along with optimized focusing algorithms and a high-speed CPU, is employed to deliver fast, precise, and quiet autofocus performance as well as full-time manual focus override. Configurable Control Ring can be used to adjust a variety of exposure settings, including aperture, ISO, and exposure compensation. As a member of the esteemed L-series, this lens has a weather-resistant design that protects against dust and moisture to enable its use in inclement conditions. Rounded 10-blade diaphragm contributes to a pleasing bokeh quality.

Canon EF-75-300mm-F4.0-5.6-III-USM Zoom Lens

Canon EF-75-300mm-F4.0-5.6-III-USM (EF_75-300mm-F4.0-5.6-III-USM, EF75-300mm-F4.0-5.6-III-USM, EF/75-300mm-F4.0-5.6-III-USM, EF 75-300mm-F4.0-5.6-III-USM) Zoom Lens. The lightest 4x telephoto zoom lens in its class. Ideal for sports, portraiture, animals, etc. The telephoto effect can make the picture look compressed or have excellent background blur. At the 300mm focal length, you can fill the frame with a postcard from 4.9' away. The Micro-USM autofocus motor is quick, compact and quiet.

Canon EF-70-300mm-F4.5-5.6-DO-IS-USM Zoom Lens

Canon EF-70-300mm-F4.5-5.6-DO-IS-USM (EF_70-300mm-F4.5-5.6-DO-IS-USM, EF70-300mm-F4.5-5.6-DO-IS-USM, EF 70-300mm-F4.5-5.6-DO-IS-USM, EF/70-300mm-F4.5-5.6-DO-IS-USM) Zoom Lens. The Canon EF 70-300mm f/4.5-5.6 DO IS USM Lens is a relatively compact telephoto zoom offering superior maximum-aperture performance across its entire focal length range. It incorporates Canon's DO (Diffractive Optics) and IS (Image Stabilizing) technologies. The use of Diffraction Optics allows a lens to be shorter, lighter, and of higher image quality than comparable normal optical systems of the same focal length and aperture-while this lens is heavier than the consumer-grade EF 70-300mm f/4-5.6 IS USM lens, it is 28% shorter and uses Canon's very best ring-USM motor instead of the lighter, slower, and less costly 'micro-USM' motor. Beyond savings in mass, the DO lens performs admirably at its maximum aperture, with images that are very comparable to the "L" series telephotos. It has a circular aperture diaphragm to help create natural out-of-focus highlights, and its built-in image stabilizer allows you to handhold the lens at shutter speeds 3 steps slower than would otherwise be possible. The lens' AF is super-fast and silent with a ring-type USM that focuses down to 4.6', and features a zoom lock button that keeps the lens safe and secure when not in use or when being used at the shortest 70mm focal length setting. The EF 70-300mm f/4.5-5.6 DO IS USM is an ideal lens for sports, portraiture, animals, and other applications when you're shooting in relatively bright light. An autofocus telephoto zoom lens for both film and digital cameras Excellent maximum-aperture performance across entire zoom range Built-in image stabilizer action can be seen in the viewfinder Allows handheld images at shutter speeds 3 steps slower than without image stabilization Fast, silent autofocus with full-time manual focus override 28% Shorter than normal 70/75-300mm lenses Professionally sealed against moisture and dust ingress A superior performance, ultra-compact telephoto zoom lens with Canon's Image Stabilization. These Diffractive Optics elements are combined to reduce size and boost image quality. With rear focusing, the lens does not change length or rotate during focusing. Circular aperture diaphragm for natural-looking out of focus highlights Uses 58mm filters.

Canon CM-V1 Locking EF Mount Kit

Canon CM-V1 (CM_V1, CMV1, CM V1, CM/V1) Locking EF Mount Kit. The Canon CM-V1 Locking EF Mount Kit replaces the Canon EF mount that comes attached to your C500 Mark II. The locking mount maintains the same electronic functionality of the standard EF mount, but locks your lens into the mount to prevent play. Cinema lenses, especially zooms, require that lenses maintain a precise distance from the image plane for best results; any play between the lens and mount can cause the lens to suffer from poor optical or mechanical performance. The locking EF-C mount incorporates the EF mount electronic contacts and allows you to mount virtually any Canon EF mount lens, either the stills variety or the cinema lens variety, on your camera. The kit includes the locking EF mount and a shim kit for precisely adjusting the mount on your camera to ensure the correct flange distance.

Sony SEL-70350G.SYX E 70–350mm F4.5–6.3 G OSS Lens

Sony SEL-70350G.SYX (SEL70350G.SYX, SEL-70350G, SEL70350G, sel70350g) E 70–350mm F4.5–6.3 G OSS Lens Exquisite detail from 70 to 350 mm Optimised optical and mechanical design offers outstanding super-telephoto zoom performance for APS-C bodies (105–525 mm equiv.). Impressive G Lens quality is maintained throughout the zoom range right out to the image edges. All of this is packed into a compact, mobile 5x super-telephoto zoom lens with built-in optical image stabilisation. Coupled with α E-mount cameras from Sony, APS-C E-mount lenses deliver big camera performance. G Lens quality all the way to 350 mm (525 mm equiv.) One aspherical element and three ED (Extra-low Dispersion) glass elements in a precision optical design suppress aberration throughout the zoom range, including chromatic aberration that can be an issue at super-telephoto focal lengths. Excellent sharpness and rendering are achieved at all zoom settings, throughout the image area. Gorgeous telephoto G Lens bokeh is another advantage. Compact, mobile 5x super-telephoto zoom Although it offers a big 5x zoom range, this compact lens weighs in at just 625 g, enhancing the mobility of the entire camera system. 70–350 mm (105–525 mm equiv.) is an ideal range for a wide spectrum of subjects. Built-in optical image stabilisation makes it easier to capture crisp, blur-free imagery even when shooting handheld at super-telephoto focal lengths. XD Linear Motor in an APS-C lens Sony's original XD (extreme dynamic) linear motor technology has been applied in an APS-C lens, offering top-class autofocus performance that is fast, precise, and tenacious. Coupled with the advanced real-time AF capability of the latest compact APS-C bodies, you have a high-performance, easy-handling system for landscapes, wildlife and more. Control, reliability and mobility for any situation An Optical SteadyShot switch, customisable focus hold button, and zoom lock switch add control convenience to a lens that also features a dust and moisture resistant design2 for high reliability in challenging environmental conditions. All of this complements the lens’s portability, making pro-class control and dependability available wherever you go.

Sony SEL-400F28GM.SYX FE 400mm F2.8 GM OSS Lens

Sony SEL-400F28GM.SYX (SEL-400F28GM, SEL400F28GM.SYX, SEL400F28GM, sel-400f28gm.syx) FE 400mm F2.8 GM OSS Lens Innovative G Master F2.8 super telephoto Sony’s most advanced lens technologies have been unsparingly applied in this large-aperture super telephoto lens, achieving extraordinary speed, outstanding G Master resolution and bokeh, plus professional control and reliability. Moreover, the SEL400F28GM is a remarkably lightweight super telephoto lens, providing unparalleled handheld shooting freedom. Speed that maximises body performance New XD (extreme dynamic) Linear Motors deliver higher thrust than conventional types, achieving up to 5x improvement2 in moving-subject tracking performance with current and future camera bodies. Two of these new motors and newly developed algorithms quietly drive the lens’s large-focus lens group faster and more precisely than ever before. The full-speed performance of advanced camera bodies can be applied to capturing dynamic sports or wildlife subjects. Stunning G Master resolution and bokeh Extremely high design standards ensure outstanding resolution right out to the image edges. Three fluorite elements minimise chromatic aberration. Spherical aberration is carefully controlled during design and manufacture to achieve the highest possible bokeh quality. Optional high-performance 1.4x and 2.0x tele-converters are supported3, providing outstanding resolution and contrast even at 800 mm. Remarkably lightweight at just 2.90 g (102.2 oz) An innovative optical design that includes three fluorite elements reduces the number of elements at the front of the lens barrel for a low weight of 2,895 grams (102.2 ounces). Durable magnesium alloy components also contribute to reduced weight. Portability and handling are outstanding and ideal balance affords agile, easy operation whether shooting handheld or on a monopod. Durability and reliability for challenging conditions Dust- and moisture-resistant design4 provides the reliability needed for outdoor use in harsh conditions. A durable magnesium alloy used for the lens barrel exterior, tripod mount, and interior barrel components achieves tough durability while minimising overall weight. The front lens element features a fluorine coating that helps to keep it clean while making it easier to wipe dirt and fingerprints away. Features for professional shooting needs Full-time DMF allows manual focus to be engaged simply by rotating the focus ring, even while shooting in AF-C mode. Optical image stabilisation is built in and a new Mode 35 setting features an advanced algorithm that provides optimum stabilisation for dynamic sports action while also making framing easier. Four focus-hold buttons and a focus ring with Linear Response MF further enhance versatility.

Sony SEL-200600G.SYX FE 200–600mm F5.6–6.3 G OSS Lens

Sony SEL-200600G.SYX (SEL200600G.SYX, SEL-200600G, SEL200600G, sel-200600g.syx) FE 200–600mm F5.6–6.3 G OSS Lens Explore the world with 200–600 mm zoom Perfect for wildlife and more, this 200–600mm super-telephoto zoom can reach as far as 840mm or 1200mm with 1.4x and 2.0x teleconverters, with full G lens quality and AF performance. Aspherical and ED glass elements achieve superb resolution throughout the zoom range, while Sony's Nano AR Coating cuts flare and ghosting. The bokeh is gorgeous, too. Zoom to 600 mm, or 1,200 with teleconverter Compatible with optional 1.4x and 2.0x teleconverters, for a maximum focal length of 840 mm or 1,200 mm at F13. Both teleconverters are top quality, retaining outstanding image quality and AF performance. Zoom and aperture range with the 1.4x teleconverter is 280–840 mm, F8–9. With the 2.0x teleconverter the ranges are 400–1,200 mm, F11–13. High resolution throughout the zoom range Five ED (Extra-low Dispersion) glass elements and one aspherical element in a new optical design offer superb resolution and image quality throughout the zoom range. The aspherical element suppresses spherical aberration and distortion, while the ED glass elements minimise chromatic aberration, which can be a problem at super-telephoto focal lengths. Beautiful, natural G lens bokeh An 11-blade circular aperture mechanism adds to the beauty of the bokeh produced by this lens, making it possible to use the narrow depth of field available at super-telephoto focal lengths to produce striking images with deep, creamy G lens bokeh. Nano AR Coating stops flare and ghosting Sony's original Nano AR Coating has a uniform nanometre-level structure that breaks up the lens's boundary surface, significantly reducing reflections, which can cause image-degrading flare and ghosting. The overall result is superior image clarity and contrast. (1. Nano AR Coating / 2. Glass / 3. Transmitted light) 3-mode Optical SteadyShot Optical image Stabilisation makes it easier to shoot sharp images handheld at super-telephoto focal lengths. MODE 2 offers ideal Stabilisation for panned shots, while MODE 33 provides enhanced viewfinder Stabilisation that allows easier framing of erratic sports or wildlife movement. 5-axis Stabilisation is available with compatible α bodies. Fast, precise AF tracks swift subjects Sony's DDSSM (Direct Drive SSM) system has the power and precision needed to drive the lens's mechanism for remarkably fast, accurate focusing. High positioning accuracy means that no movement is wasted. Pinpoint autofocus is achieved with blazing speed. The DDSSM system is incredibly quiet, too. Three customisable focus hold buttons customisable focus hold buttons are provided in three locations 90° apart, providing easy access when shooting in horizontal orientation or vertical orientation with the camera grip up or down. Other functions can be assigned to the buttons as required. Focus range limiter for faster focus A focus range limiter switch makes it possible to limit the lens's autofocus range to 2.4 to 10 metres, 10 metres to infinity or allow full-range autofocus with no limit. This can speed up autofocus in some situations by preventing the lens from focusing on subjects outside the target range. Internal zoom supports stable shooting An internal zoom mechanism means that the length of the lens does not change while zooming, for stable handheld operation with consistent balance. Internal zoom also means that the distance between the front element and the subject does not change. Dust and moisture resistant design A dust- and moisture-resistant design provides the reliability needed for outdoor use in challenging conditions.4 Fluorine front-element coating The front lens element features a fluorine coating that repels water, oil, and other contaminants, while making it easier to wipe off any contaminants or fingerprints that do become attached to the lens surface. Natural, linear manual focus response Linear Response MF ensures that the focus ring responds directly and linearly to subtle control when focusing manually. Focus ring rotation translates directly to a corresponding change in focus, so control feels immediate and precise. Removable tripod mount A removable tripod mount allows quick attachment to or removal from a tripod so the user can easily switch between tripod and handheld shooting. The mount can also be removed for convenient transport and storage. A lock mechanism prevents accidental removal.

Vocas 0640-0001 MB-600 Filter Frame

Vocas 0640-0001 (0640_0001, 0640/0001, 06400001, 0640-0001) MB-600 Filter Frame The MB-600 Filter Frame from Vocas can be used with the MB-600 matte box system. It can also be used together with the MB-600 double or single rotatable filter stage (available separately).

Vocas 0640-0002 MB-600 Filter Frame

Vocas 0640-0002 (0640_0002, 0640/0002, 06400002, 0640-0002) MB-600 Filter Frame The MB-600 Filter Frame from Vocas can be used with the MB-600 matte box system. It can also be used together with the MB-600 double or single rotatable filter stage (available separately).

Vocas 0640-0004 MB-600 Filter Frame

Vocas 0640-0004 (0640_0004, 0640/0004, 06400004, 0640-0004) MB-600 Filter Frame The MB-600 Filter Frame from Vocas can be used with the MB-600 matte box system. It can also be used together with the MB-600 double or single rotatable filter stage (available separately).

Sony SAL-2470Z2.SYX 24-70mm f/2.8 ZA SSM II Vario-Sonnar T Lens

Sony SAL-2470Z2.SYX (SAL2470Z2, SAL-2470Z2, SAL2470Z2.SYX, sal-2470Z2.syx) 24-70mm f/2.8 ZA SSM II Vario-Sonnar T Lens A popular pick for professionals using full-frame A-mount cameras, the Vario-Sonnar T* 24-70mm f/2.8 ZA SSM II Lens from Sony covers many of the most commonly used focal lengths in its wide-angle to short telephoto range, which make this optic an outstanding option for photographers working quickly in a variety of shooting situations. Offering a constant f/2.8 aperture, shooters will enjoy consistent exposure throughout the zoom range. Also, the lens design incorporates two aspherical elements to combat aberrations and uses the Zeiss T* coating to effectively eliminate flare. Operation is smooth and fast with an enhanced Super Sonic wave Motor (SSM) AF system, as well as a focus hold button and focus mode switch for intuitive control. Assisting with focus speed is an internal focus design for faster performance and reaching a minimum focus distance of 11". Additionally, it has a dust- and moisture-resistant construction and a nine-blade circular diaphragm for smooth bokeh. Based on the Zeiss Sonnar optical concept, this lens uses a design with 17 elements in 13 groups that helps create a relatively compact wide-angle zoom with improved contrast, a resistance to flare, and with minimal distortion and chromatic aberrations. A standard-length zoom designed for full-frame A-mount cameras, the 24-70mm can also be used on APS-C camera systems where it will provide a 36-105mm equivalent focal length. A constant f/2.8 maximum aperture offers consistent performance throughout the zoom range and also lends greater control over focus position for shallow depth of field techniques. Zeiss T* anti-reflective coatings have been applied to each lens surface to help minimize reflections in order to provide greater image clarity, contrast, and color fidelity. Two extra-low dispersion glass elements are featured in the lens design to help reduce chromatic aberrations and color fringing for improved clarity and color neutrality. Two aspherical elements are incorporated in the lens design to reduce astigmatism, field curvature, coma, and other monochromatic aberrations. An SSM autofocus system and internal focus mechanism provides quick, quiet, and precise autofocus performance and also contributes to more natural, intuitive manual focus control. A focus hold button and focus mode switch are present on the lens barrel for intuitive tactile control and rapid access to select settings. Dust- and moisture-sealed design better permits working in inclement conditions. Rounded nine-blade diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques.

Vocas 0410-0015 4th Tilted 4x5.65 Filter Holder for MB-455

Vocas 0410-0015 (0410 0015, 0410/0015, 04100015, 0410_0015) 4th Tilted 4x5.65 Filter Holder for MB-455. The Vocas 4th Tilted 4x5.65 Filter Holder for MB-455 installs into the hood of the Vocas MB-455 Matte Box and provides additional flair reduction.

Vocas 0420-0601 Flexible Donut Adapter Ring for MB-435 & MB-455

Vocas 0420-0601 (0420_0601, 0420/0601, 04200601, 0420-0601) Flexible Donut Adapter Ring for MB-435 & MB-455 This is a 143mm Flexible Donut Adapter Ring for the Vocas MB-435 and MB-455 matte boxes. It supports a max lens diameter of 133mm and is also compatible with round 138mm filters. It comes with 4 soft rubber donut rings (112mm, 100mm, 75mm, 50mm).

Vocas 0410-0120 138mm Adapter for Diopter Holder

Vocas 0410-0120 (0410_0120, 0410/0120, 04100120, 0410-0120) 138mm Adapter for Diopter Holder Standard 138 mm adapter for use of one diopter in the diopter holder.

Vocas 0600-0920 Director's Monitor Cage Sunshade

Vocas 0600-0920 (0600_0920, 0600/0920, 06000920, 0600-0920) Director's Monitor Cage Sunshade Improve your monitor viewing in daylight or bright locations with the Director's Monitor Cage Sunshade from Vocas. This lightproof, water-resistant shade attaches directly to the Director's Monitor Cage and is compatible with most 7" on-camera monitors. This four-sided shade is adjustable in both height and width and its bottom may be trimmed to provide easier access to the front panel of a touchscreen monitor. The Vocas Director's Monitor Cage Sunshade is constructed of foam and aluminum.

Vocas 0410-0121 Dual 138 mm Adapter for Diopter Holder

Vocas 0410-0121 (0410_0121, 0410/0121, 04100121, 0410-0121) Dual 138 mm Adapter for Diopter Holder Dual filter adapter, enables the use of two 138mm filters in the diopter holder.

Vocas 0900-0125 Separate 15mm Support for LPL Adaptors

Vocas 0900-0125 (0900_0125, 0900/0125, 09000125, 0900-0125) Separate 15mm Support for LPL Adaptors Separate 15 mm rail support for Vocas LPL adaptors. When using heavy LPL lenses, it's recommended to use support for the adaptor, to protect both the lens mount.

Vocas 0500-1570 Knob Extender

Vocas 0500-1570 (0500_1570, 0500/1570, 05001570, 0500-1570) Knob Extender The Knob Extender from Vocas helps in placing the focus knob further away from the lens. This is useful when another accessory is in the way of the follow focus knob. The extender is designed for use with the MFC-2S and MFC-6 follow focus systems.

Vocas 0900-0128 Separate 15mm Support for LPL Adaptors for Top Rails

Vocas 0900-0128 (9000_0128, 9000/0128, 90000128, 9000-0128) Separate 15mm Support for LPL Adaptors for Top Rails Separate 15 mm rail support for Vocas LPL adapters for top rails. When using heavy LPL lenses, it's recommended to use a support for the adapter, to protect both the lens mount. This support can be attached to any 15 mm top rails.

Vocas 0410-0005 Tilt Filter Unit for MB-450

Vocas 0410-0005 (0410_0005, 0410/0005, 04100005, 0410-0005) Tilt Filter Unit for MB-450 The Vocas Tilt Filter Unit offers enhanced lens flare effect reduction. Used with the MB-450 production series mattebox, the Tilt Filter Unit minimizes reflections occurring between filters and front lens. You can eliminate lens flare effect by tilting 1 filter using the Tilt Filter Unit. You can augment the lens flare reduction capabilities of the Tilt Filter Unit by placing it inside the hood of the MB-450 mattebox. This requires removal of the filter frame located in the non-rotatable filter tray.

Vocas 0370-0171 V-lock Mount Plate with 4 pin XLR Connector

Vocas 0370-0171 (0370_0171, 0370/0171, 03700171, 0370-0171) V-lock Mount Plate with 4 pin XLR Connector 15 mm Battery adapter plate including V-lock mount and cable for powering cameras with a 4 pin XLR power socket through V-lock batteries. The V-lock mount plate has a 10A fuse and 1x unregulated D-Tap. The length of the power cable is 35 cm. The kit consists of a V-lock mount plate (0370-0170) which is mounted on the battery adapter plate for 15 mm rails (0370-0105), to provide a complete V-lock powering solution on 15 mm rails.

Vocas 0620-0311 MB-600 Single Rotatable Filter Stage

Vocas 0620-0311 (0620_0311, 0620/0311, 06200311, 0620-0311) MB-600 Single Rotatable Filter Stage This filter stage attaches to the front unit or other filter stages through the mushroom connections found on each module. It allows the use of a single filter frame which can be fully rotated and features a filter frame and rotation lock. It is possible to stack multiple filter stages to increase the amount of usable filters.

Vocas 0500-1221 MFC-2 / 6 Studio Knob Standard

Vocas 0500-1221 (0500_1221, 0500/1221, 05001221, 0500-1221) MFC-2 / 6 Studio Knob Standard This is a separate focus knob for the MFC-2 / 6 follow focus The material of the knob is industrial plastic and it has a standard follow focus accessory attachment.

Vocas 0620-0312 MB-600 Double Rotatable Filter Stage

Vocas 0620-0312 (0620_0312, 0620/0312, 06200312, 0620-0312) MB-600 Double Rotatable Filter Stage This filter stage attaches to the front unit or other filter stages through the mushroom connections found on each module. It allows the use of two filter frames which can be fully rotated together and features a filter frame and rotation lock. It is possible to stack multiple filter stages to increase the amount of usable filters.

Vocas 0900-0151 LPL-mount Close Focus Adapter

Vocas 0900-0151 (0900_0151, 0900/0151, 09000151, 0900-0151) LPL-mount Close Focus Adapter When using this LPL close focus adapter on a LPL mount a macro function will be added to the lens. With the Close Focus Adapter you will extend the flange distance between lens and camera. The increase in distance is 20 mm for this adapter. When using LPL lenses with this adapter you will get a very small depth of field, like with macro lenses.

Vocas 0216-2010 MB-216 Matte Box Kit

Vocas 0216-2010 (0216_2010, 0216/2010, 02162010, 0216-2010) MB-216 Matte Box Kit The Vocas MB-216 Matte Box kit designed for any camera with 15mm LW support. This kit consists of an MB-216 matte box, a 114mm flexible cuff ring, 15mm swing away bracket and a height adjustable bars adapter.

Vocas 0500-0035 MFC-3F Follow Focus

Vocas 0500-0035 (0500_0035, 0500/0035, 05000035, 0500-0035) MFC-3F Follow Focus The unique feature of the new follow focus system MFC-3 is that the focus knob and drive gear consist of only one part, there is no transmission in the new MFC-3. This is a direct drive, and because of the elimination of internal gears, there can never be any difference in the motion going in and going out, making it 100% playless, Vocas can guarantee you that. This design also results in the MFC-3 having a 1:1 'transmission' ratio making it ideal for lenses with a small focus throw such as DSLR lenses and smaller cameras with integrated lenses. Additionally, because of the elimination of internal gears the lifespan of the product is increased dramatically. The unique shape of the drive gear teeth is what makes this all possible. These specially shaped teeth can push the gear ring of the lens up or down when rotating the focus knob the same way a camera operator is used to. The MFC-3F has one additional feature over the standard version, namely it has an adjustable friction built in. Rotating the red dial on the focus knob allows you to fine tune the internal friction of the MFC-3F yo your own preference. This follow focus is angled slightly downwards for more comfort and can be rotated horizontally to a certain extent to make operating it even more ergonomic. The rotation direction can also be reversed. This is easily done by moving the follow focus forward and backwards to let the gear grip the lens on the left or right side of the drive gear.

Vocas 0900-0116 Sony E-mount to LPL Adapter

Vocas 0900-0116 (0900_0116, 0900/0116, 09000116, 0900-0116) Sony E-mount to LPL Adapter Sony E-mount to LPL adapter excluding 15 mm rail support. This adapter allows the use of LPL lenses on E-mount cameras. The separate Vocas LPL mount cap is included. *** Please see that this is a special order item.

Vocas 0400-0436 MB-436 Matte Box

Vocas 0400-0436 (0400_0436, 0400/0436, 04000436, 0400-0436) MB-436 Matte Box The MB-436 Clip-On Matte Box from Vocas is for use with specific lenses, sensors, and 3D cameras. It is also compatible with the optional Vocas Swing Away Bracket. The MB-256 has one 4 x 5.65" filter frame and one rotatable 4 x 4" filter tray, a place for one fixed 4 x 4" filter in the front end of the hood.

Vocas 0410-0100 5-Axis Diopter Holder

Vocus 0410-0100 (0410_0100, 0410/0100, 04100100, 0410-0100) 5-Axis Diopter Holder The 5-axis diopter holder is ready to use on 15 mm rails. It allows you to enhance your creativity and enables you to shoot that previously impossible shot with adjusted and / or multiple focus planes.  The 5-axis diopter holder gives you the possibility to adjust the pitch, roll, yaw, vertical and horizontal shift. These axes can be changed independently and run through the optical axis, which means the diopter’s position to the lens will not change while tilted, rolled or rotated. So the Vocas 5-axes diopter holder will not interfere with your creativity.   The diopter holder allows any round 138 mm diopter and, due to its flexible cuff, will fit any lens perfect while preventing stray light. For additional accessories, for example a flexible flag, an interchangeable (1/4” or 3/8 “) treaded hole is available which is located at the top of the diopter holder.

Vocas 0410-0101 5-Axis Diopter Holder

Vocus 0410-0101 (0410_0101, 0410/0101, 04100101, 0410-0101) 5-Axis Diopter Holder The 5-axis diopter holder kit is ready to use on 15 mm or 19 mm rails. It allows you to enhance your creativity and enables you to shoot that previously impossible shot with adjusted and / or multiple focus planes.  The 5-axis diopter holder gives you the possibility to adjust the pitch, roll, yaw, vertical and horizontal shift. These axes can be changed independently and run through the optical axis, which means the diopter’s position to the lens will not change while tilted, rolled or rotated. So the Vocas 5-axes diopter holder will not interfere with your creativity! The diopter holder allows any round 138 mm diopter and, due to its flexible cuff, will fit any lens perfect while preventing stray light. For additional accessories, for example a flexible flag, an interchangeable (1/4” or 3/8 “) treaded hole is available which is located at the top of the diopter holder. The kit includes the 5-axis Diopter holder (0410-100) and the Universal 19 mm to 15 mm adapter (0490-0001).

Canon SS-42-IASD Zoom/Focus Servo Kit

Canon SS-42-IASD (SS/42/IASD, SS_42_IASD, ss-42-iasd) Zoom/Focus Servo Kit The Canon SS-42-IASD Zoom/Focus Servo Kit includes the FPD-400D Focus Demand, the ZSG-200M Zoom Demand, the CR-10 Tripod Handle Mount and the EC-80 Zoom Demand Cable. This kit is for select Canon broadcast video lenses. Please consult your lens manual to verify compatibility. The FPD-400D provides precision focus control and is useful in a variety of professional broadcast applications.

Canon MS-15 Economical Zoom and Focus Control Kit

Canon MS-15 (MS/15, MS_15, ms-15) Economical Zoom and Focus Control Kit The Canon MS-15M is a digital semi-servo (MS = manual/servo) rear lens controller kit for ENG/EFP lenses, including YH13 and YH14. The kit consists of flex cable, flex focus module, focus handle, and zoom demand. The MS-15M covers the complete range of precision zoom/focus functions and is useful in both field recording and broadcast environments, including live event and sports coverage.

Canon FM-12 Flexible Focus Module for Canon ENG/EFP Lenses

Canon FM-12 (FM/12, FM_12, fm-12) Flexible Focus Module for Canon ENG/EFP Lenses The Canon FM-12 is a flexible focus module for Canon EFP/ENG lenses. The module is used in conjunction with a manual focus controller, increasing critical focus precision.

Canon 3803C003 CN-E 85mm T1.3 FP X Sumire Cinema PL Mount Prime Lens

Canon 3803C003 (CN-E 85mm T1.3 FP X SUMIRE, CN-E 85mm T1.3 FP X, cn-e-85mm-pl) CN-E 85mm T1.3 FP X Sumire Cinema PL Mount Prime Lens The Sumire Prime CN-E85mm T1.3 FP X lens offers a compact, consistent lens design and proven Canon lens elements for performance and reliability in professional shooting environments. Intended for the working professional, Sumire Prime CN-E85mm T1.3 FP X lens has markings on angled surfaces on both sides of the barrel, making it easy to read focus and aperture settings from behind or from either side of the camera. Focus markings can even be switched from standard labeling to metric. The control rings are engineered to maintain the proper amount of resistance with consistent operating torque. Designed to fulfill contemporary 4K production standards, it features a full-frame imaging circle in a lightweight, compact design. This phenomenal lens is also perfect for any number of applications. It also features an 11-blade aperture diaphragm for beautiful background blur and innovative glass construction that counteracts barrel expansion and contraction to avoid temperature induced marking discrepancies. Sumire Prime Lenses Canon's brilliant Sumire Prime lenses offer spectacular optical performance for demanding high-end productions. Sharing the same gear position, front diameter and rotation angle, the lenses' compatibility with third-party accessories allows crews to easily change lenses without making adjustments to the rig setup. Perfect on the EOS C700 FF, these lenses are designed for use with the latest full-frame and Super 35mm PL-mount cameras from leading manufacturers.

Canon 3361C003 CN-E 50mm T1.3 FP X Sumire Cinema PL Mount Prime Lens

Canon 3361C003 (CN-E 50mm T1.3 FP X SUMIRE, CN-E50mm T1.3 FP X, CN-E 50MM T1.3, cn-e-50mm-pl) CN-E 50mm T1.3 FP X Sumire Cinema PL Mount Prime Lens The Sumire Prime CN-E50mm T1.3 FP X lens offers a compact, consistent lens design and proven Canon lens elements for performance and reliability in professional shooting environments. Intended for the working professional, Sumire Prime CN-E50mm T1.3 FP X lens has markings on angled surfaces on both sides of the barrel, making it easy to read focus and aperture settings from behind or from either side of the camera. Focus markings can even be switched from standard labeling to metric. The control rings are engineered to maintain the proper amount of resistance with consistent operating torque. Designed to fulfill contemporary 4K production standards, it features a full-frame imaging circle in a lightweight, compact design. This phenomenal lens is also perfect for any number of applications. It also features an 11-blade aperture diaphragm for beautiful background blur and innovative glass construction that counteracts barrel expansion and contraction to avoid temperature induced marking discrepancies. Sumire Prime Lenses Canon's brilliant Sumire Prime lenses offer spectacular optical performance for demanding high-end productions. Sharing the same gear position, front diameter and rotation angle, the lenses' compatibility with third-party accessories allows crews to easily change lenses without making adjustments to the rig setup. Perfect on the EOS C700 FF, these lenses are designed for use with the latest full-frame and Super 35mm PL-mount cameras from leading manufacturers.

Canon 3360C003 CN-E35mm T1.5 FP X Sumire Cinema PL Mount Prime Lens

Canon 3360C003 (CN-E 35mm T1.5 FP X, CN-E 35MM T1.5, cn-e-35mm-pl) CN-E35mm T1.5 FP X Sumire Cinema PL Mount Prime Lens Subtle, cinematic and expressive. Yet beautifully refined. Designed to offer delicate and subtle rendering of a subject, these seven prime lenses offer fast apertures and precise manual control with a crafted focus bokeh aimed at careful creative expression.Capture every detail with ease Specially designed ‘cinematic look’: A unique optical design offers a nuanced look at the lens’ wider aperture settings, subtly modifying textural renderings for pleasing bokeh with superb expressiveness. PL mount with Full-Frame coverage: The lens offers wide compatibility options for PL mount 35mm Full-Frame and Super 35mm cameras and can be changed to an EF mount at any authorised service facility.  Unified warm colour tone: Sumire primes inherit the same subtle warm colour tone from the Canon cinema lens range, making it easy to change lenses without affecting colour balance.  Fast and bright with beautiful bokeh: A fast T-number is thanks to a large lens diameter and together with an 11-blade iris, offers richer levels of bokeh. The lens design also significantly reduces focus breathing. Fine focusing with filter and gear consistency: With carefully developed focus resistance, delicate focus adjustments can be made over a 300-degree rotation angle. All lenses accept 105mm screw-on filters, have a 114mm diameter lens front and have consistently positioned gears for ease of use.

Canon 3802C003 CN-E20mm T1.5 FP X Sumire Cinema PL Mount Prime Lens

Canon 3802C003 (CN-E20mm-T1.5-FP-X, cn-E_20mm_t1.5_fp_x, sumire-prime-cn-e-20mm-pl) CN-E20mm T1.5 FP X Sumire Cinema PL Mount Prime Lens Subtle, cinematic and expressive. Yet beautifully refined. Designed to offer delicate and subtle rendering of a subject, these seven prime lenses offer fast apertures and precise manual control with a crafted focus bokeh aimed at careful creative expression.Capture every detail with ease Specially designed ‘cinematic look’: A unique optical design offers a nuanced look at the lens’ wider aperture settings, subtly modifying textural renderings for pleasing bokeh with superb expressiveness. PL mount with Full-Frame coverage: The lens offers wide compatibility options for PL mount 35mm Full-Frame and Super 35mm cameras and can be changed to an EF mount at any authorised service facility.  Unified warm colour tone: Sumire primes inherit the same subtle warm colour tone from the Canon cinema lens range, making it easy to change lenses without affecting colour balance.  Fast and bright with beautiful bokeh: A fast T-number is thanks to a large lens diameter and together with an 11-blade iris, offers richer levels of bokeh. The lens design also significantly reduces focus breathing. Fine focusing with filter and gear consistency: With carefully developed focus resistance, delicate focus adjustments can be made over a 300-degree rotation angle. All lenses accept 105mm screw-on filters, have a 114mm diameter lens front and have consistently positioned gears for ease of use.

Canon 3801C003 CN-E14mm T3.1 FP X Sumire Cinema PL Mount Prime Lens

Canon 3801C003 (CN-E 14mm T3.1 FP X, cn-e 14mm t3.1 fp x, CN-E_14mm_T3.1_FP_X) CN-E14mm T3.1 FP X Sumire Cinema PL Mount Prime Lens Designed to offer delicate and subtle rendering of a subject, the Canon CN-E14mm T3.1 FP X Sumire Cinema PL Mount Prime Lens offers fast aperture and precise manual control with a crafted focus bokeh aimed at careful creative expression. Specifically Designed 'Cinematic Look' A unique optical design offers a nuanced look at the lens' wider aperture settings, subtly modifying textural renderings for pleasing bokeh with superb expressiveness. PL Mount with Full-Frame Coverage The CN-E14mm lens offers wide compatibility options for PL mount 35mm Full-Frame and Super 35mm cameras and can be changed to an EF mount at any authorised service facility. Unified Warm Colour Tone Sumire primes inherit the same subtle warm colour tone from the Canon cinema lens range, making it easy to change lenses without affecting colour balance. Fast and Bright with Beautiful Bokeh A fast T-number is thanks to a large lens diameter and together with an 11-blade iris, offers richer levels of bokeh. The lens design also significantly reduces focus breathing. Fine Focusing with Filter and Gear Consistency With carefully developed focus resistance, delicate focus adjustments can be made over a 300-degree rotation angle. All lenses accept 105mm screw-on filters, have a 114mm diameter lens front and have consistently positioned gears for ease of use.

Canon 3804C003 CN-E135mm T2.2 FP X Sumire Cinema PL Mount Prime Lens

Canon 3804C003 (CN-E-135mm-T2.2-FP, CN-E/135mm/T2.2/FP, cn-E_135mm_t2.2_fp) CN-E135mm T2.2 FP X Sumire Cinema PL Mount Prime Lens Subtle, cinematic and expressive. Yet beautifully refined. Designed to offer delicate and subtle rendering of a subject, the CN-E135mm T2.2 FP X Sumire Cinema PL Mount Prime Lens offers fast aperture and precise manual control with a crafted focus bokeh aimed at careful creative expression. Specially Designed 'Cinematic Look' A unique optical design offers a nuanced look at the lens' wider aperture settings, subtly modifying textural renderings for pleasing bokeh with superb expressiveness. PL Mount with Full-Frame Coverage The lens offers wide compatibility options for PL mount 35mm Full-Frame and Super 35mm cameras and can be changed to an EF mount at any authorised service facility. Unified Warm Colour Tone Sumire primes inherit the same subtle warm colour tone from the Canon cinema lens range, making it easy to change lenses without affecting colour balance. Fast and Bright with Beautiful Bokeh A fast T-number is thanks to a large lens diameter and together with an 11-blade iris, offers richer levels of bokeh. The lens design also significantly reduces focus breathing. Fine Focusing with Filter and Gear Consistency With carefully developed focus resistance, delicate focus adjustments can be made over a 300-degree rotation angle. All lenses accept 105mm screw-on filters, have a 114mm diameter lens front and have consistently positioned gears for ease of use.

Canon 1518B009AD KJ20x8.2B KRSD 8.2-164mm HDgc ENG Zoom Lens

Canon 1518B009AD (KJ20x8.2B-KRSD, KJ20x8.2B/KRSD, KJ20x8.2B_KRSD, kj20X8.2b krsd) KJ20x8.2B KRSD 8.2-164mm HDgc ENG Zoom Lens Canon's KJ20x8.2B KRSD offers an impressive specification alongside a compact design that guarantees advanced performance and operability. Its 20x zoom lens offers a 1.0 second maximum speed over its entire zoom range, alongside a Minimum Object Distance of 0.9M (10mm with Macro). Focal lengths range from an extra-wide angle 8.2mm (60.7 degrees angular field of view horizontal in 16:9 aspect ratio) to 164mm, combining with a f/1.9 maximum reflective aperture to provide excellent operational capabilities – all in a package weighing just 1.25 kg. Optical performance that outperforms the rest - The new lens has been developed to deliver superior optical performance within its category. With tighter control of MTF across the entire image plane, a minimisation of chromatic aberrations and the maximisation of image contrast, the lens delivers superb levels of picture sharpness. Contrast is maximised thanks to substantial reduction of flare, veiling glare and internal reflections. The lens offers tight control of the geometric distortion at wide-angle settings, while spectral transmittance characteristic is to HDTV colorimetric standards. With relative light distribution optimised for more open aperture settings, uniform brightness, excellent picture sharpness and high contrast, operators can be sure of producing vividly clear HD pictures. Advanced technologies for pristine imaging - The superior optical performance of the Canon KJ20x8.2B KRSD can be attributed to a range of Canon technical innovations. A new optical design includes the precision optical element and multilayer coatings, as well as Canon’s Internal Focus – a floating optical system that vastly improves control of chromatic aberrations. The lens also incorporates Shuttle Shot, an advanced digital drive system that allows operators to precisely zoom between pre-programmed focal lengths, instantly and on-demand. Solid, reliable, rugged and Earth friendly - The KJ20x8.2B KRSD’s has been manufactured to exacting Canon standards. A range of user-friendly design features have been included, such as a compact drive unit mounted to the lens at an ergonomically designed 12.5 degree angle, to improve comfort and balance during operation. Like all of Canon’s current lenses, the lens is also designed with the environment in mind, with the use of any materials and substances potentially harmful to the environment completely eliminated. Its high-grade design also makes it suitable for shooting in a wide range of situations – offering outstanding flexibility to complement its advanced performance.

Canon 2098B004AC KJ13x6B KRSD HDgc 13x 2/3" ENG/EFP Lens

Canon 2098B004AC (KJ13x6-KRSD, KJ13x6B_KRSD, KJ13x6B/KRSD, kj13X6b krsd) KJ13x6B KRSD HDgc 13x 2/3" ENG/EFP Lens The Canon KJ13x6B KRSD HDgc 13x 2/3" ENG/EFP Lens is a 13x zoom lens for professional 2/3" HD video cameras that comes with a full-servo mode. The lens is intended for the HD News gathering, reality show and lower budget HD production markets. The focal-length range is 6-78mm with a shallow minimum object distance of 15.7" (0.4 m). KJ13x6B also offers a wide field of view of 77.3 degrees. The KJ13x6B represents a strong compromise between the demands for mobility in a handheld HDTV camera system and the high imaging performance requirements for HDTV production. High Definition Ready This HD lens weighs the same as its SD predecessor, yet it is designed specifically for HD Video. The multi-coated lens elements are designed to produce clear and sharp HD images. Improved Image Quality The lens element design greatly reduces aberrations and image distortions. These advances contribute to more balanced imaging from center to edge throughout the aperture range. Shuttle Shot The KJ13x6B also comes outfitted with Shuttle Shot, which allows the lens to memorize two focal lengths and the Digital Drive can zoom back and forth between the two positions. It can be used to zoom to the telephoto position to check focus and then return instantly to the original position or you can "shuttle" between any two zoom positions at any time. Maximum zoom time between positions is 1.2 seconds. Internal Focus for Ultimate Versatility The lens is made for the highest quality professional video cameras. The front lens element is stationary and can be used with a matte box for greater lens flair protection as well as a wide array of square and rectangular filters. Ecological Design This lens avoids the use of materials and substances potentially harmful to the environment in its construction.

Canon 3792C005 RF 70-200mm F2.8L IS USM Lens

Canon 3792C005 (RF-70-200mm-f/2.8L-IS-USM, RF/70-200mm/f/2.8L/IS/USM, RF_70-200mm_f/2.8L_IS_USM, rf 70-200mm f/2.8l is usm) RF 70-200mm F2.8L IS USM Lens For serious enthusiasts and pros looking for the ultimate telephoto zoom, the RF 70-200mm F2.8L IS USM offers exceptional image quality in a compact and lightweight body, designed to work in all conditions. This RF system lens is the smallest of its kind while providing even higher image quality compared to the legendary EF 70-200mm f/2.8L IS II USM so beloved of DSLR users. Appealing to sports, travel, portrait or wedding photographers because of its lightness and amazing 5-stop image stabilisation, the RF 70-200mm F2.8L IS USM will take your photography to new heights thanks to Dual Nano USM motors for even faster focusing, advanced lens coatings for even sharper images and L-series build quality for outstanding results in all conditions. An essential workhorse lens, with a 70-200mm focal length range, perfect for travel, wildlife, news and sport A constant f/2.8 aperture gives exceptional clarity in low light as well as excellent depth-of-field creativity For the first time in a Canon lens, dual Nano USM motors bring incredible new levels of rapid and silent continuous focusing, perfect for stills or video Fluorine coatings used on the front and rear elements allows the outer surfaces to be cleaned easily to help resist dust and scratches A 5-stop Image Stabilizer provides new levels of handholding agility, perfect for reportage or wedding work where light levels fluctuate A 9-blade aperture makes highlights really stand out and allows excellent depth-of-field creativity The build quality is distinctly L-series with weather-sealing and fluorine coatings on the front and rear elements to guard against water, dust and scratches Thanks to the lens design, it’s shorter and more compact than the EF equivalent, with improved close focusing and full-time manual focusing as well as rapid AF Zoom ring lock stops the lens from accidentally extending when travelling, making it a compact lens when stowed in a bag White heat-blocking paint ensures the lens internal components do not overheat in extreme temperatures

Canon 3447C005 RF 85mm F1.2L USM Lens

Canon 3447C005 (RF 85MM F1.2L USM, RF 85mm f/1.2L USM, rf 85mm f/1.2l usm) RF 85mm F1.2L USM Lens The Canon RF 85mm F1.2L USM lens offers a superior optical performance thanks to its advance lens design and the use of ground-breaking Canon EOS R optics. Designed with a short telephoto focal length for flattering portraits, it produces elegant and detailed results with a pleasing perspective and no distortion. Thanks to the fast speed of the RF mount, the RF 85mm F1.2L USM locks onto a subject quickly, while the Lens Control Ring provides additional control over the settings. The RF 85mm F1.2L USM is the ideal short telephoto for flattering portraits, producing elegant and detailed results with a pleasing perspective and no distortion With a fast f/1.2 aperture, the lens is superb in low light offering incredible sharpness and creative expression with pleasing and unique bokeh The lens employs Blue Spectrum Refractive (BR) optics and a UD lens element which negate colour aberrations, while a ground aspheric lens element and ASC coating prevent flare The build quality redefines L-series quality with weather-sealing and fluorine coatings on the front and rear elements to guard against water, dust and scratches The RF 85mm F1.2L USM is fast to lock onto a subject while the Lens Control Ring provides additional customisable control over settings

Canon 3680C005 RF 24-70mm F2.8L IS USM Lens

Canon 3680C005 (RF 24-70mm f/2.8L IS USM, RF 24-70MM F2.8L IS USM, rf 24-70mm f/2.8l is usm) RF 24-70mm F2.8L IS USM Lens The RF 24-70mm F2.8L IS USM is a fast RF zoom lens with the popular 24-70 mm focal length plus a fast and constant f/2.8 maximum aperture, producing exceptional optical quality. With 5-stops of image stabilisation it’s great in low light and ideal for a wide range of subjects where speed and versatility are key such as reportage, portraiture and wedding photography. Change exposure settings instantly without taking your eye away from the viewfinder, or control favoured settings all via the Lens Control Ring, ideal for a variety of situations including macro work, with focusing as close as 0.21 m.

Canon 3682C005 RF 15-35mm F2.8L IS USM Lens

Canon 3682C005 (RF-15-35mm-F2.8L-IS-USM, RF/15-35mm/F2.8L/IS/USM, RF_15-35mm_F2.8L_IS_USM, rf 15-35mm f/2.8l is usm) RF 15-35mm F2.8L IS USM Lens Capture new creative angles thanks to this fast and sharp, professional f/2.8 ultra-wide-angle zoom lens. Designed for exceptional flexibility even low light, this L-series RF lens is ideal for landscape and architectural photography thanks to its superb wide-angle quality and 5-stop Image Stabilization; producing clear and dynamic angles even in tight spaces. Enjoy rapid, accurate focusing thanks to a Nano USM motor that ensures instant and silent autofocus with exceptional smoothness ideal for shooting movies. Plus control your settings via the Lens Control Ring, for use in many situations including macro work, with focusing as close as 0.28 m.

Canon 2309C005 EF 70-200mm f/4L IS II USM Lens

Canon 2309C005 (EF 70-200mm f/4L IS II USM, EF 70-200mm f4.0L IS USM, 70-200mm f4L IS II USM, 70-200mm_f4l_is_ii_usm) EF 70-200mm f/4L IS II USM Lens Ideal for photographers on the move, the professional L-Series EF 70-200mm F/4L IS II USM is designed to deliver superb image quality for a range of subjects in a compact and lightweight design. Built to withstand the rigours of professional use, its robust and weather-sealed for durable performance and the constant f/4 maximum aperture ensures consistent exposures at every zoom setting for a truly versatile experience. With a 70-200mm zoom range suitable for landscape and photojournalism, this lens earns a permanent place in a travelling photographer’s kit bag.

Canon 9660B001 RC-V100 Remote Controller

Canon 9660B001 (RCV100, RC_V100, RC/V100, rc-v100) RC-V100 Remote Controller The Canon Remote Control RC-V100 offers camcorder users greater freedom. Whether in a studio, on location, or simply somewhere previously out of reach, it provides wired remote control of almost any camcorder function. Powerful remote control This powerful wired remote control for Canon's professional camcorders brings basic and advanced image adjustment to your fingertips. Connect via the REMOTE A socket using the standard 5m 3.5mm-2.5mm jack cable, or with the REMOTE B socket (using the optional 8-pin RR-10 and RR-100 cables) for faster performance, simultaneous operation and increased range - up to 10m and 100m respectively. Extensive control The RC-V100 combines some of the benefits of an advanced remote control and a Camera Control Unit (CCU), typically found in a studio environment. Almost any adjustable function can be controlled - from focus, iris and zoom, to user-specific options such as Custom Picture presets and specific image adjustments like knee point and slope. Record more, differently Certain scenarios demand remote camera control: when the camera is mounted on a jib for elevated shots, for example, or in scenarios that require quick adjustment to compensate for changing conditions. Thanks to remote access and control, these recording obstacles can be overcome. In combination with the RC-V100, Canon professional camcorders become even more versatile tools to help realise your creative vision. Intuitive layout for greater control The controller's intuitive layout makes control of key camera functions and image parameters easy, even if you're not an expert on the camera concerned. It has been carefully designed to be easy to understand and learn, with key features grouped together in three main sections. Common image parameters are controlled using dials, making remote image fine-tuning incredibly simple. Furthermore, user-assignable buttons are provided for added versatility. Clear and simple operation, wherever, whenever To aid operation in low-light situations, the buttons are illuminated, with the option of an audible 'beep' to confirm user selections. Firmware updates Your camera firmware may need to be updated to enable compatibility with the RC-V100. If the RC-V100's REMOTE B terminal is not already enabled, this can be done via a service update using the device's USB port. Lens control not possible with PL-mount Cinema EOS cameras or manual lenses

Libec ZC-9PRO Zoom Control

Libec ZC-9PRO (ZC_9PRO, ZC/9PRO, ZC 9PRO) Zoom Control The Libec ZC-9PRO Zoom Control is a variable-speed remote zoom that clamps onto a tripod pan handle, stabilizer, or other device and controls both Canon and Fujinon ENG lenses. It includes a REC/RET button, converter switches for REC/RET and Canon/Fujinon, and an 8-pin connector cable.

Metabones MB_SPEF-EFM-BT1 Canon EF to EOS M T Speed Booster ULTRA 0.71x

Metabones MB_SPEF-EFM-BT1 (MB_SPEF_EFM_BT1, MB/SPEF/EFM BT1, MB SPEF EFM BT1) Canon EF to EOS M T Speed Booster ULTRA  0.71x This T Speed Booster Ultra 0.71x Adapter from Metabones allows a full-frame Canon EF-mount lens to be used on a Canon EF-M mount camera. The adapter's optics help to maximize the connected lens's apparent angle of view while providing a one-stop increase for the camera over the lens's aperture range. A full-frame Canon EF-mount lens is designed to project an image that is larger than a Canon EF-M mount camera's APS-C sensor. Ordinarily, that sensor would only be able capture the center portion of the projected image, creating an in-camera "crop factor." Inside this adapter, five optical elements in four groups condenses the light from the full-frame lens and effectively reduces the crop factor. This also makes available to the sensor an additional one stop of light throughout the lens's aperture range. This adapter is constructed from aluminum alloy for durability while minimizing weight and its mounting rings are made with brass to further prevent wear-and-tear. An internal, matte black coating prevents the appearance of reflections within the adapter barrel, and to help reduce stress on the camera mount when placed on a tripod, the adapter includes a detachable Arca-type compatible tripod foot with 1/4"-20 threads. This T Speed Booster Ultra 0.71x Adapter supports electronic communication between an attached camera and lens. If the lens includes autofocus, image stabilization, as well as camera-controlled aperture functions, this adapter is intended to allow use of those features. Also, if an attached lens is capable of generating EXIF metadata when used with a directly compatible camera, this adapter is designed to transfer that information, so it can be saved along with image files generated the combined Canon EF-mount lens and Canon EF-M mount camera. Allows a full-frame Canon EF-mount lens to be used on a Canon EF-M mount camera Supports electronic communication between camera and lens to enable autofocus, image stabilization, on-camera aperture control, and EXIF metadata generation when possible 0.71x magnification maximizes angle of view of combined camera and lens Provides a 1-stop increase for the camera over the lens's aperture range Five lens elements in four groups for optical clarity as well as color fidelity Internal, black matte coating minimizes the appearance of reflections within the adapter barrel Aluminum alloy components for weight reduction Brass mounting rings prevent wear-and-tear Detachable Arca-type tripod foot with 1/4"-20 threads can be used to reduces stress on a connected camera's mount Locking mechanism for secure attachment of lens with push-button release  

Metabones MB_SPHV-FG-BM1 Hasselblad V Lens to Fuji G CINE Speed Booster ULTRA 0.71x

Metabones MB_SPHV-FG-BM1 (MB_SPHV_FG_BM1, MB/SPHV/FG/BM1, MB SPHV FG BM1) Hasselblad V Lens to Fuji G CINE Speed Booster ULTRA 0.71x This CINE Speed Booster Ultra 0.71x Adapter from Metabones allows a Hasselblad V-mount lens to be used on a FUJIFILM G-Mount GFX camera. The adapter's optics help to maximize the connected lens's apparent angle of view while providing a one-stop increase for the camera over the lens's aperture range. A Hasselblad V-mount lens is designed to project an image that is larger than the sensor in a FUJIFILM G-Mount GFX camera. Ordinarily, that sensor would only be able capture the center portion of the projected image, creating an in-camera "crop factor." Inside this adapter, six optical elements in four groups condenses the light from the Hasselblad V-mount lens and effectively reduces the crop factor. This also makes available to the sensor an additional one stop of light throughout the lens's aperture range. This adapter is constructed from aluminum alloy for durability while minimizing weight and its mounting rings are made with brass to further prevent wear-and-tear. An internal, matte black coating prevents the appearance of reflections within the adapter barrel, and to help reduce stress on the camera mount when placed on a tripod, the adapter includes a removable tripod collar with a detachable Arca-type compatible tripod foot. This CINE Speed Booster Ultra 0.71x Adapter does not support electronic communication between an attached camera and lens. While any Hasselblad V-mount lens can be connected to a FUJIFILM G-Mount GFX camera with this adapter, it does not enable the use of leaf shutters. Instead, Hasselblad V-mount lenses that feature leaf shutters can be utilized along with a FUJIFILM G-Mount GFX camera's focal-plane shutter. Allows a Hasselblad V-mount lens to be used on a FUJIFILM G-Mount GFX camera 0.71x magnification maximizes angle of view of combined camera and lens Provides a 1-stop increase for the camera over the lens's aperture range Six lens elements in four groups for optical clarity as well as color fidelity Internal, black matte coating minimizes the appearance of reflections within the adapter barrel Aluminum alloy components for weight reduction  

Metabones MB_SPNFG-m43-BM4 Nikon G to BMPCC4K Speed Booster ULTRA 0.71x (Black Matt)

Metabones MB_SPNFG-m43-BM4 (MB/SPNFG/m43/BM4, MB SPNFG m43 BM4, MB_SPNFG_m43_BM4) Nikon G to BMPCC4K Speed Booster ULTRA 0.71x (Black Matt) The Speed Booster ULTRA 0.71x Adapter for Nikon F Lens to BMPCC 4K Camera from Metabones allows full-frame Nikon F-mount and G series lenses to be mounted onto a Blackmagic Design Pocket Cinema Camera 4K MFT-mount camera. While doing so, the adapter's optics help to maximize the connected lens's apparent angle of view while providing a 1-stop increase for the camera over the lens's aperture range. The adapter provides manual aperture control. If a lens intended for 35mm film or similarly sized full-frame camera sensors is connected to a camera with a Micro Four Thirds-sized sensor, it would project an image larger than the Micro Four Thirds sensor was built to accept. Able to capture only the center portion of the projected image, the effective angle of view of the lens would be narrowed, creating an in-camera crop factor. The Speed Booster 0.71x adapter condenses the light from a lens designed for 35mm film or "full-frame" camera sensors and projects it onto a Micro Four Thirds sensor. This allows the Blackmagic Pocket Cinema Camera 4K with a Micro Four Thirds sensor to utilize more of the light gathered by a connected lens, which effectively reduces the crop factor while making available to the sensor an additional 1-stop of light for each of the lens's f-stop settings. This adapter is constructed from aluminum for durability while minimizing weight, and its mounting rings are made with brass to further prevent wear and tear. The internal lens elements are designed to provide optical clarity as well as color fidelity, and a detachable tripod foot is included and features 1/4"-20 threads as well as compatibility with Arca-Swiss tripod heads. Features Allows a full-frame Nikon F-mount and G series lenses to be used with a Blackmagic Design Pocket Cinema Camera 4K MFT-mount camera 8-stop, clickless ring Manual aperture control Provides a 1-stop increase for the camera over the lens's aperture range 6 lens elements in 4 groups for optical clarity as well as color fidelity Detachable, Arca-Swiss compatible tripod foot with 1/4"-20 threads matches the BMPCC 4K camera height Aluminum components for weight reduction Brass mounting rings prevent wear and tear  

Metabones MB_SPNFG-m43-BM5 Nikon G to BMPCC4K Speed Booster XL 0.64x (Black Matt)

Metabones MB_SPNFG-m43-BM5 (MB_SPNFG_m43_BM5, MB/SPNFG-m43-BM5, MB_SPNFG-m43-BM5) Nikon G to BMPCC4K Speed Booster XL 0.64x (Black Matt) The Speed Booster XL 0.64x Adapter for Nikon F Lens to BMPCC 4K Camera from Metabones allows full-frame Nikon F-mount and G series lenses to be mounted onto a Blackmagic Design Pocket Cinema Camera 4K MFT-mount camera. While doing so, the adapter's optics help to maximize the connected lens's apparent angle of view while providing a 1.33-stop increase for the camera over the lens's aperture range. The adapter provides manual aperture control. If a lens intended for 35mm film or similarly sized full-frame camera sensors is connected to a camera with a Micro Four Thirds-sized sensor, it would project an image larger than the Micro Four Thirds sensor was built to accept. Able to capture only the center portion of the projected image, the effective angle of view of the lens would be narrowed, creating an in-camera crop factor. The Speed Booster 0.64x adapter condenses the light from a lens designed for 35mm film or "full-frame" camera sensors and projects it onto a Micro Four Thirds sensor. This allows the Blackmagic Pocket Cinema Camera 4K with a Micro Four Thirds sensor to utilize more of the light gathered by a connected lens, which effectively reduces the crop factor while making available to the sensor an additional 1.33-stop of light for each of the lens's f-stop settings. This adapter is constructed from aluminum for durability while minimizing weight, and its mounting rings are made with brass to further prevent wear and tear. The internal lens elements are designed to provide optical clarity as well as color fidelity, and a detachable tripod foot is included and features 1/4"-20 threads as well as compatibility with Arca-Swiss tripod heads. Features Allows a full-frame Nikon F-mount and G series lenses to be used with a Blackmagic Design Pocket Cinema Camera 4K MFT-mount camera 8-stop, clickless ring Manual aperture control Provides a 1.33-stop increase for the camera over the lens's aperture range 7 lens elements in 4 groups for optical clarity as well as color fidelity Detachable, Arca-Swiss compatible tripod foot with 1/4"-20 threads matches the BMPCC 4K camera height Aluminum components for weight reduction Brass mounting rings prevent wear and tear   *** Please see that this item is a special order item.

Metabones MB_SPEF-m43-BTB Canon EF to BMPCC4K T CINE Speed Booster ULTRA 0.64x

Metabones MB_SPEF-m43-BTB (MB_SPEF_m43_BTB, MB/SPEF/m43/BTB, MB SPEF m43 BTB) Canon EF to BMPCC4K T CINE Speed Booster ULTRA 0.64x The T CINE Speed Booster XL 0.64x Adapter for Canon EF Lens to BMPCC 4K from Metabones allows a full-frame Canon EF-mount lens to be mounted onto a Blackmagic Design Pocket Cinema Camera 4K MFT-mount camera. While doing so, the adapter's optics help to maximize the connected lens's apparent angle of view while providing a 1.33-stop increase for the camera over the lens's aperture range. This CINE-type adapter features a positive-lock mechanism for EF lenses. If a lens intended for 35mm film or similarly sized full-frame camera sensors is connected to a camera with a Micro Four Thirds-sized sensor, it would project an image larger than the Micro Four Thirds sensor was built to accept. Able to capture only the center portion of the projected image, the effective angle of view of the lens would be narrowed, creating an in-camera "crop factor." The T CINE Speed Booster XL 0.64x adapter condenses the light from a lens designed for 35mm film or "full-frame" camera sensors and projects it onto a Micro Four Thirds sensor. This allows the Blackmagic Pocket Cinema Camera 4K with a Micro Four Thirds sensor to utilize more of the light gathered by a connected lens, which effectively reduces the crop factor while making available to the sensor an additional 1.33-stop of light for each of the lens's f/stop settings. This adapter is constructed from aluminum for durability while minimizing weight and its mounting rings are made with brass to further prevent wear and tear. The internal lens elements are designed to provide optical clarity as well as color fidelity, and a detachable tripod foot is included and features 1/4"-20 threads as well as compatibility with Arca-Swiss tripod heads. The T CINE Speed Booster XL 0.64x adapter supports electronic communication between an attached camera and lens. If the lens includes autofocus, image stabilization, and camera-controlled aperture functions, this adapter is intended to allow those features to be used. Also, if an attached lens is capable of generating EXIF metadata when used with a directly compatible camera, the T CINE Speed Booster XL 0.64x adapter is designed to allow that information to be saved along with image files generated with a combination of the lens, a BMPCC 4K camera, and the adapter. Features Allows a full-frame Canon EF-mount lens to be used with a Blackmagic Design Pocket Cinema Camera 4K MFT-mount camera Maximizes apparent angle of view of combined camera and lens Provides a 1.33-stop increase for the camera over the lens's aperture range Integrated jog dial for incremental aperture adjustment and push-button access to lens's widest aperture setting when used with a compatible Panasonic camera 7 lens elements in 4 groups for optical clarity as well as color fidelity Supports electronic communication between camera and lens to enable autofocus, image stabilization, on-camera aperture control, and EXIF metadata generation when possible Internal coating minimizes reflections within the adapter barrel Detachable, Arca-Swiss compatible tripod foot with 1/4"-20 threads matches the BMPCC 4K camera height Aluminum components for weight reduction Brass mounting rings prevent wear and tear Special positive-lock EF mount for secure attachment of lens with push-button release  

Metabones MB_SPEF-m43-BTA Canon EF to BMPCC4K T CINE Speed Booster ULTRA 0.71x

Metabones MB_SPEF-m43-BTA (MB_SPEF/m43/BTA, MB SPEF m43 BTA, MB_SPEF_m43_BTA) Canon EF to BMPCC4K T CINE Speed Booster ULTRA 0.71x The T CINE Speed Booster ULTRA 0.71x Adapter for Canon EF Lens to BMPCC 4K from Metabones allows a full-frame Canon EF-mount lens to be mounted onto a Blackmagic Design Pocket Cinema Camera 4K MFT-mount camera. While doing so, the adapter's optics help to maximize the connected lens's apparent angle of view while providing a 1-stop increase for the camera over the lens's aperture range. This 0.71x adapter features Cinema EOS lens support for auto iris and servo zoom, and it also includes AF (autofocus) support which requires external 5V power via the micro-USB port. It also features a positive-lock mechanism for EF lenses. If a lens intended for 35mm film or similarly sized full-frame camera sensors is connected to a camera with a Micro Four Thirds-sized sensor, it would project an image larger than the Micro Four Thirds sensor was built to accept. Able to capture only the center portion of the projected image, the effective angle of view of the lens would be narrowed, creating an in-camera "crop factor." The T CINE Speed Booster ULTRA 0.71x adapter condenses the light from a lens designed for 35mm film or "full-frame" camera sensors and projects it onto a Micro Four Thirds sensor. This allows the Blackmagic Pocket Cinema Camera 4K with a Micro Four Thirds sensor to utilize more of the light gathered by a connected lens, which effectively reduces the crop factor while making available to the sensor an additional 1-stop of light for each of the lens's f/stop settings. This adapter is constructed from aluminum for durability while minimizing weight and its mounting rings are made with brass to further prevent wear and tear. The internal lens elements are designed to provide optical clarity as well as color fidelity, and a detachable tripod foot is included and features 1/4"-20 threads as well as compatibility with Arca-Swiss tripod heads. The T CINE Speed Booster ULTRA 0.71x adapter supports electronic communication between an attached camera and lens. If the lens includes autofocus, image stabilization, and camera-controlled aperture functions, this adapter is intended to allow those features to be used. Also, if an attached lens is capable of generating EXIF metadata when used with a directly compatible camera, the T CINE Speed Booster ULTRA 0.71x adapter is designed to allow that information to be saved along with image files generated with a combination of the lens, a BMPCC 4K camera, and the adapter. Features Allows a full-frame Canon EF-mount lens to be used with a Blackmagic Design Pocket Cinema Camera 4K MFT-mount camera Maximizes apparent angle of view of combined camera and lens Cinema EOS lens support, including AF (requires external 5V power via micro-USB port), auto iris, and servo zoom Provides a 1-stop increase for the camera over the lens's aperture range Integrated jog dial for incremental aperture adjustment and push-button access to lens's widest aperture setting when used with a compatible Panasonic camera 6 lens elements in 4 groups for optical clarity as well as color fidelity Supports electronic communication between camera and lens to enable autofocus, image stabilization, on-camera aperture control, and EXIF metadata generation when possible Internal coating minimizes reflections within the adapter barrel Detachable, Arca-Swiss compatible tripod foot with 1/4"-20 threads matches the BMPCC 4K camera height Aluminum components for weight reduction Brass mounting rings prevent wear and tear Special positive-lock EF mount for secure attachment of lens with push-button release  

Metabones MB_SPEF-m43-BT9 Canon EF to BMPCC4K T Speed Booster XL 0.64x

Metabones MB_SPEF-m43-BT9 (MB_SPEF_m43_BT9, MB/SPEF/m43/BT9, MB SPEF m43 BT9) Canon EF to BMPCC4K T Speed Booster XL 0.64x The T Speed Booster XL 0.64x Adapter for Canon EF Lens to BMPCC 4K from Metabones allows a full-frame Canon EF-mount lens to be mounted onto a Blackmagic Design Pocket Cinema Camera 4K MFT-mount camera. While doing so, the adapter's optics help to maximize the connected lens's apparent angle of view while providing a 1.33-stop increase for the camera over the lens's aperture range. If a lens intended for 35mm film or similarly sized full-frame camera sensors is connected to a camera with a Micro Four Thirds-sized sensor, it would project an image larger than the Micro Four Thirds sensor was built to accept. Able to capture only the center portion of the projected image, the effective angle of view of the lens would be narrowed, creating an in-camera "crop factor." The T Speed Booster XL 0.64x adapter condenses the light from a lens designed for 35mm film or "full-frame" camera sensors and projects it onto a Micro Four Thirds sensor. This allows the Blackmagic Pocket Cinema Camera 4K with a Micro Four Thirds sensor to utilize more of the light gathered by a connected lens, which effectively reduces the crop factor while making available to the sensor an additional 1.33-stop of light for each of the lens's f/stop settings. This adapter is constructed from aluminum for durability while minimizing weight and its mounting rings are made with brass to further prevent wear and tear. The internal lens elements are designed to provide optical clarity as well as color fidelity, and a detachable tripod foot is included and features 1/4"-20 threads as well as compatibility with Arca-Swiss tripod heads. The T Speed Booster XL 0.64x adapter supports electronic communication between an attached camera and lens. If the lens includes autofocus, image stabilization, and camera-controlled aperture functions, this adapter is intended to allow those features to be used. Also, if an attached lens is capable of generating EXIF metadata when used with a directly compatible camera, the T Speed Booster XL 0.64x adapter is designed to allow that information to be saved along with image files generated with a combination of the lens, a BMPCC 4K camera, and the adapter. Features Allows a full-frame Canon EF-mount lens to be used with a Blackmagic Design Pocket Cinema Camera 4K MFT-mount camera Maximizes apparent angle of view of combined camera and lens Provides a 1.33-stop increase for the camera over the lens's aperture range Integrated jog dial for incremental aperture adjustment and push-button access to lens's widest aperture setting when used with a compatible Panasonic camera 7 lens elements in 4 groups for optical clarity as well as color fidelity Supports electronic communication between camera and lens to enable autofocus, image stabilization, on-camera aperture control, and EXIF metadata generation when possible Internal coating minimizes reflections within the adapter barrel Detachable, Arca-Swiss compatible tripod foot with 1/4"-20 threads matches the BMPCC 4K camera height Aluminum components for weight reduction Brass mounting rings prevent wear and tear Locking mechanism for secure attachment of lens with push-button release

Metabones MB_SPEF-m43-BT8 EF Lens to BMPCC4K T Speed Booster ULTRA 0.71x

Metabones MB_SPEF-m43-BT8 (MB_SPEF/m43/BT8, MB_SPEF_m43_BT8, MB_SPEF-m43/BT8, mb_spef-m43-bt8) EF Lens to BMPCC4K T Speed Booster ULTRA 0.71x The T Speed Booster ULTRA 0.71x Adapter for Canon EF Lens to BMPCC 4K from Metabones allows a full-frame Canon EF-mount lens to be mounted onto a Blackmagic Design Pocket Cinema Camera 4K MFT-mount camera. While doing so, the adapter's optics help to maximize the connected lens's apparent angle of view while providing a 1-stop increase for the camera over the lens's aperture range. This 0.71x adapter features Cinema EOS lens support for auto iris and servo zoom, and it also includes AF (autofocus) support which requires external 5V power via the micro-USB port. If a lens intended for 35mm film or similarly sized full-frame camera sensors is connected to a camera with a Micro Four Thirds-sized sensor, it would project an image larger than the Micro Four Thirds sensor was built to accept. Able to capture only the center portion of the projected image, the effective angle of view of the lens would be narrowed, creating an in-camera "crop factor." The T Speed Booster ULTRA 0.71x adapter condenses the light from a lens designed for 35mm film or "full-frame" camera sensors and projects it onto a Micro Four Thirds sensor. This allows the Blackmagic Pocket Cinema Camera 4K with a Micro Four Thirds sensor to utilize more of the light gathered by a connected lens, which effectively reduces the crop factor while making available to the sensor an additional 1-stop of light for each of the lens's f/stop settings. This adapter is constructed from aluminum for durability while minimizing weight and its mounting rings are made with brass to further prevent wear and tear. The internal lens elements are designed to provide optical clarity as well as color fidelity, and a detachable tripod foot is included and features 1/4"-20 threads as well as compatibility with Arca-Swiss tripod heads. The T Speed Booster ULTRA 0.71x adapter supports electronic communication between an attached camera and lens. If the lens includes autofocus, image stabilization, and camera-controlled aperture functions, this adapter is intended to allow those features to be used. Also, if an attached lens is capable of generating EXIF metadata when used with a directly compatible camera, the T Speed Booster ULTRA 0.71x adapter is designed to allow that information to be saved along with image files generated with a combination of the lens, a BMPCC 4K camera, and the adapter.

Metabones MB_SPCN-E-BT1 Contax N Lens to Sony E-mount T Speed Booster ULTRA 0.71x Adapter

Metabones MB_SPCN-E-BT1 (MB_SPCN/E/BT1, MB_SPCN_E_BT1, MB_SPCN-E/BT1, mb_spcn-e-bt1) Contax N Lens to Sony E-mount T Speed Booster ULTRA 0.71x Adapter Owners of legendary Carl Zeiss optics in Contax N-Mount have long demanded a trusted migration path to mirrorless cameras. With the advent of Metabones® Contax N-Mount to Sony E-Mount Smart Adapter, the longing is over. Built upon the foundation of Metabones' past success, phase-detection autofocus on A9, A7R Mark III, A7 Mark III, A7R Mark II, A7 Mark II, A6500 and A6300 not only offers pinpoint accuracy but also AF speed significantly surpassing the original Contax N series AF cameras. (Tailored to single-lens reflex cameras with a traditional phase-detection autofocus system, Contax N lenses are not compatible with contrast-detection autofocus mirrorless cameras such as A7S Mark II.) Get a glimpse of the ergonomic experience of the original Contax N1 camera by using the lens' own aperture ring in aperture priority and manual exposure modes on A9, A7 series, A6500 and A6300. Fully automatic exposure and shutter priority are also available. A customizable button on the adapter can be assigned to more than 50 different functions on an A9, A7 series, A6500 or A6300 camera, including depth-of-field preview. Putting that button on the hand-grip side would have matched a genuine Contax N camera, but since that would have been next to Sony's lens release button, we opted to place this customizable button on the other side of the adapter instead, right where the thumb of your left hand is. The workmanship and attention to detail are evident from the signature Metabones design and the two electrical contacts carrying power, which are thicker in the same way as a genuine Contax N series autofocus camera. The inside of the adapter is flocked with felt to minimize internal reflection. A tripod foot compatible with Arca-Swiss style quick release is included. Metabones has a proven track record of firmware stability and timely firmware support. Firmware is user-upgradable via the adapter's micro USB port. Metabones adapters relay distance information from the lens to the camera body to enable full 5-axis in-body image stabilization of the A9, A7 Mark III series, A7 Mark II series and A6500. (The Contax 645 Makro-Planar 4/120 lens does not report distance information and supports only 3-axis in-body image stabilization.) Contax made history by offering the world's first full-frame digital camera, Contax N-Digital, in 2002. All Contax products had been discontinued by 2005, leaving some of the finest autofocus optics ever made in search of a successor. None of these lenses feature optical image stabilization, and this is where the 5-axis in-body image stabilization (SteadyShot INSIDE) of Sony A9, A7 Mark III series, A7 Mark II series and A6500 comes in as a much-needed complement. The heritage lives on, with the very same Carl Zeiss lenses from the dawn of full-frame digital photography now leveraging the latest and greatest mirrorless camera features and poised to benefit from further technological advances in the future. Speed Booster® ULTRA Speed Booster® ULTRA uses an advanced 5-element/4-group optical design by Caldwell Photographic Inc., incorporating ultra-high index tantalum-based optical glass to achieve extraordinary optical performance with improved corner sharpness, distortion and reduced vignetting. Speed Booster® ULTRA has a magnification of 0.71x,  effectively reducing the crop factor of APS-C cameras from 1.5x to 1.07x. The Speed Booster® ULTRA design makes very effective use of exotic materials at the furthest limit of glassmaking technology, and as a result is well corrected for use with virtually all full-frame SLR lenses regardless of exit pupil distance. Thus, the Speed Booster ULTRA performs extremely well with professional-grade f/2.8 zoom lenses such as the Carl Zeiss Vario-Sonnar T*2,8/17-35. Similarly, high-speed fixed focal length lenses such as the Carl Zeiss Planar T* 1,4/50 and Carl Zeiss Planar T* 1,4/85 will be transformed into f/1.0 lenses with excellent contrast and resolution from the center all the way to the edges of the image. Like all Metabones Speed Boosters, the Speed Booster ULTRA is optimized to fully account for the camera’s filter stack located near the sensor surface. This is especially critical at the extremely large apertures made possible by Speed Booster technology. As a result of this careful optimization, the complete range of Contax N and Contax 645 lenses will function flawlessly when adapted to Sony E-mount APS-C format camera bodies. (Speed Booster ULTRA cannot be used to adapt a Contax 645 lens to a full-frame E-Mount camera such as the A9 and the A7 series.)

Metabones MB_PL-X-BT1 ARRI PL Lens to Fujifilm X-mount T CINE Adapter

Metabones MB_PL-X-BT1 (MB_PL/X/BT1, MB_PL_X_BT1, MB_PL-X/BT1, mb_pl-x-bt1) ARRI PL Lens to Fujifilm X-mount T CINE Adapter Mount ARRI PL-mount lenses on your FUJIFILM X-Mount camera with this Metabones Camera Adapter. Aluminum body construction with chrome-plated mounts creates a precision fit with no gap, play, or wiggling. Felt material flocks the inside and bolsters optical quality by minimizing internal light reflections while a satin finish on the outside gives this adapter an OEM look. This adapter is designed to reach infinity focus while retaining the proper registration distance for maintaining optical quality when you are using CRC lenses or other lenses with floating elements. Because your camera's body cap cannot attach to the lens adapter, a rigid-and-removable locking dust cover is provided that allows you to disconnect your lens, leave the adapter mounted, and keep your camera's sensor protected during transportation. Additionally, a removable Arca-type tripod food is included for use with heavier lenses.

Metabones MB_CN-E-BT1 Contax N Lens to Sony E-mount T Smart Adapter

Metabones MB_CN-E-BT1 (MB_CN/E/BT1, MB_CN_E_BT1, MB_CN-E/BT1, mb_cn-e-bt1) Contax N Lens to Sony E-mount T Smart Adapter Owners of legendary Carl Zeiss optics in Contax N-Mount have long demanded a trusted migration path to mirrorless cameras. With the advent of Metabones® Contax N-Mount to Sony E-Mount Smart Adapter, the longing is over. Built upon the foundation of Metabones' past success, phase-detection autofocus on A9, A7R Mark III, A7 Mark III, A7R Mark II, A7 Mark II, A6500 and A6300 not only offers pinpoint accuracy but also AF speed significantly surpassing the original Contax N series AF cameras. (Tailored to single-lens reflex cameras with a traditional phase-detection autofocus system, Contax N lenses are not compatible with contrast-detection autofocus mirrorless cameras such as A7S Mark II.) Get a glimpse of the ergonomic experience of the original Contax N1 camera by using the lens' own aperture ring in aperture priority and manual exposure modes on A9, A7 series, A6500 and A6300. Fully automatic exposure and shutter priority are also available. A customizable button on the adapter can be assigned to more than 50 different functions on an A9, A7 series, A6500 or A6300 camera, including depth-of-field preview. Putting that button on the hand-grip side would have matched a genuine Contax N camera, but since that would have been next to Sony's lens release button, we opted to place this customizable button on the other side of the adapter instead, right where the thumb of your left hand is. The workmanship and attention to detail are evident from the signature Metabones design and the two electrical contacts carrying power, which are thicker in the same way as a genuine Contax N series autofocus camera. The inside of the adapter is flocked with felt to minimize internal reflection. A tripod foot compatible with Arca-Swiss style quick release is included. Metabones has a proven track record of firmware stability and timely firmware support. Firmware is user-upgradable via the adapter's micro USB port. Metabones adapters relay distance information from the lens to the camera body to enable full 5-axis in-body image stabilization of the A9, A7 Mark III series, A7 Mark II series and A6500. (The Contax 645 Makro-Planar 4/120 lens does not report distance information and supports only 3-axis in-body image stabilization.) Contax made history by offering the world's first full-frame digital camera, Contax N-Digital, in 2002. All Contax products had been discontinued by 2005, leaving some of the finest autofocus optics ever made in search of a successor. None of these lenses feature optical image stabilization, and this is where the 5-axis in-body image stabilization (SteadyShot INSIDE) of Sony A9, A7 Mark III series, A7 Mark II series and A6500 comes in as a much-needed complement. The heritage lives on, with the very same Carl Zeiss lenses from the dawn of full-frame digital photography now leveraging the latest and greatest mirrorless camera features and poised to benefit from further technological advances in the future.

Metabones MB_PL-EFR-BT1 ARRI PL Lens to Canon RF mount T CINE Adapter (EOS R)

Metabones MB_PL-EFR-BT1 (MB_PL/EFR/BT1, MB_PL_EFR_BT1, MB_PL-EFR/BT1, mb_pl-efr-bt1) ARRI PL Lens to Canon RF mount T CINE Adapter (EOS R) Mount ARRI PL-mount lenses on your Canon RF-Mount camera with this Metabones Camera Adapter. Aluminum body construction with chrome-plated mounts creates a precision fit with no gap, play, or wiggling. Felt material flocks the inside and bolsters optical quality by minimizing internal light reflections while a satin finish on the outside gives this adapter an OEM look. This adapter is designed to reach infinity focus while retaining the proper registration distance for maintaining optical quality when you are using CRC lenses or other lenses with floating elements. Because your camera's body cap cannot attach to the lens adapter, a rigid-and-removable locking dust cover is provided that allows you to disconnect your lens, leave the adapter mounted, and keep your camera's sensor protected during transportation. Additionally, a removable Arca-type tripod food is included for use with heavier lenses.

Dedolight DV6B Vacuum Mount with Locking Swivel Joint and 5/8" Stud

Dedolight DV6B (DL-DV6B, DL/DV6B, DL_DV6B, dv6b) Vacuum Mount with Locking Swivel Joint and 5/8" Stud Dedolight 152 mm (Approx. 6 Inch) diameter vacuum cup creates a powerful suction, enabling you to mount the dedolight head securely to windows, doors or other flat, nonporous surfaces. The swivel joint has a 16mm (Approx. 5/8 Inch) stud for easy mounting of light fixtures up to 15 kg (Approx. 33 lbs).

Dedolight DV3GA Suction Mount with Articulated Arm for Ledzilla

Dedolight DV3GA (DL-DV3GA, DL/DV3GA, DL_DV3GA, dv3ga) Suction Mount with Articulated Arm for Ledzilla The Dedolight Suction Mount with Articulated Arm for DLOBML makes it possible for you to mount the Ledzilla DLOBML (DedoLight On Board Mini LED) on a window or any other flat plane surface. This 3" (7.5 cm) suction mount comes with a vacuum pump and an articulating arm for maximum flexibility in placing the DLOBML. The Dedolight DLOBML is a tiny-but-powerful on-camera (usually) LED light. Makes it possible to mount the DLOBML light on a window or other flat, smooth surface

DLWAR Wide Angle for Dedolight Classic with Rotating Barndoors

Dedolight DLWAR (DL-DLWAR, DL/DLWAR, DL_DLWAR, dlwar) Wide Angle for Dedolight Classic with Rotating Barndoors Dedolight Wide Angle Attachment with Rotating barn door leaves give parallel shadows. Focuses like no other light.

Dedolight DSBSM Dedoflex Silver Dome, Medium (61 x 81cm)

Dedolight DSBSM (DL-DSBSM, DL/DSBSM, DL_DSBSM, dsbsm) Dedoflex Silver Dome, Medium (61 x 81cm) The Dedolight Dedoflex Medium Softbox with silver interior is designed for use with all Dedolight softlight fixtures, except the PARSOFT. With fabric intended for the heat of a continuous light, the medium softbox is ideal for work in small spaces where softening of the light is desired. The 24 x 32" size is portable and lightweight, and is suitable for a portrait of 2 people or a product shot of 4 or 5 smaller-than-a-breadbox items. The front face of the Dedoflex can be removed for easy access to the light and the interior baffle from the front.

Dedolight DP1S Universal projection attachment for DLED2 LED light heads

Dedolight DP1S (DL-DP1S, DL/DP1S, DL_DP1S, dp1s) Universal projection attachment for DLED2 LED light heads For the DLED2 and DLED3 series of lights. The Dedolight Imager Projectors take Inchpainting with light Inch to a new level.

Marshall CS-0734-12MP CS-Mount 7-34mm Varifocal Lens

Marshall CS-0734-12MP (CS_0734_12MP, CS/073412MP, CS 0734 12MP) CS-Mount 7-34mm Varifocal Lens The CS-Mount 7-34mm Varifocal Lens from Marshall Electronics is designed for use with 12MP cameras that have a 1/1.7" sensor. This lens has a 7-34mm focal length with a 53.6-16.7° horizontal field of view. It features a DC auto iris, along with manual operation of zoom and focus.

Marshall CS-1040-8MP 8MP 4K/UHD 10-40mm Varifocal CS Mount Lens

Marshall CS-1040-8MP (CS_1040_8MP, CS 1040 8MP, CS/1040/8MP) 8MP 4K/UHD 10-40mm Varifocal CS Mount Lens The CS-1040-8MP is a 8MP 10-40mm F1.4-F1.7 4K/UHD varifocal CS mount lens for the CV420-CS and CV420-CS true 4K60 compact cameras.

Marshall CV-LENS-PACK Electronics CV Lens Pack

Marshall CV-LENS-PACK (CV_LENS_PACK, CV/LENS/PACK, CV LENS PACK) Electronics CV Lens Pack The Marshall Electronics CV Lens Pack is an addition to the CV505-M Mini Broadcasting Camera and includes 6 lenses (2.3mm, 2.8mm, 6mm, 8mm, 12mm, and 16mm). This CV Lens Pack has been designed and manufactured with the utmost precision, and incorporates lenses with improved image quality to maximise the capability and performance for a wider variety of applications such as security, broadcast TV, and sport. Compatible with most Marshall cameras.

Samyang 8008 14mm F2.8 AF Lens - Canon EF Mount

Samyang 8008 (SMY-8008, SMY/8008, SMY 8008, SMY_8008, smy-8008) 14mm F2.8 AF Lens - Canon EF Mount The AF 14mm F2.8 EF is Samyang's first autofocus lens designed for Canon full frame DSLR cameras. This light weight wide-angle lens inherits the renowned image quality of Samyang’s wide angle series and importantly, the minimised weight and motion of the focusing lens group enables fast, quiet and precise autofocus. With a total of 15 lens elements in 10 groups, this lens uses 7 special optical elements to maximise image quality. The use of 2 aspherical lenses, 4 high-refractive lenses, and 1 extra-low dispersion lens minimises distortion and aberrations while producing crystal clear resolution. Ultra Multi Coating effectively eliminates flare and ghosting to improve resolution even further. The remarkably even image quality from centre to edge of the wide 116.6 degree angle of view is very apparent on the MTF chart. This compact Samyang AF 14mm F2.8 EF weighhs only 485g (without lens caps and hood) and is the ideal travel partner to capture unforgettable moments along your journey. Weather-sealing and a built-in AF/MF switch increase usability. Beautiful bokeh and star effects can be achieved thanks to the wide aperture and 7 rounded diaphragm blades

Samyang 7493 135mm f/2.0 ED UMC Lens for Canon EF Mount

Samyang 7493 (SMY-7493, SMY/7493, SMY 7493, SMY_7493, smy-7493) 135mm f/2.0 ED UMC Lens for Canon EF Mount Work in low light and capture images with exceptional "bokeh" with the 135mm f/2.0 ED UMC Lens from Samyang, available here for Canon EF mount full frame & APS-C cameras. This all-manual telephoto prime offers a flattering perspective well-suited to portraits and other sensitive subject matter, and the fast f/2.0 maximum aperture helps ensure the image will be bright and have an extremely shallow depth-of-field. Also, this lens features one extra-low dispersion element to reduce the impact of chromatic aberrations in the final image as well as an Ultra Multi-Coating to reduce flare and ghosting. A large manual focus ring as well as a physical aperture ring are available on the lens barrel for making smooth, deliberate adjustments. Also, this lens has a minimum focus distance of 2.6' and a front filter thread diameter of 77mm. Assisting with smooth, pleasing out-of-focus elements is a circular 9-blade diaphragm. Additionally, it comes with a removable lens hood and soft pouch.

Sony Filter Adapter Kit for RX0 Camera

Sony VFA305R1.SYH (VFA305R1_SYH, VFA305R1/SYH, VFA305R1 SYH) Filter Adapter Kit for RX0 Camera The Sony Filter Adapter Kit for RX0 Camera includes a 30.5mm filter adapter, a multi-coated protective filter, and a lens hood. These components reduce the amount of undesired light entering the RX0 Camera's lens. You might consider leaving the MC filter (UV filter) attached to your RX0 camera at all times, as it both protects the camera's lens from scratches while reducing ultraviolet light. The lens hood helps eliminate unwanted reflections and glare, and the filter adapter lets you attach 30.5mm filters to achieve various effects.

Sony 50 Metre Compsite Fibre Cable

Sony CCF-50 (CCF_50, CCF/50, CCF50, ccf-50) 50 Metre Compsite Fibre Cable Sony CCF-50 (CCF5) 50 Metre Compsite Fibre Cable.

Sony Hybrid Fibre Cable for HDC-1500 Camera Family (300m)

Sony CCF-300 (CCF/300, CCF_300, CCF 300) (HDC/1500, HDC_1500) Hybrid Fibre Cable for HDC-1500 Camera Family (300m) Sony CCF-300 (CCF300) Hybrid Fibre Cable for HDC-1500 Camera Family (300m). Applicable Models: HDC-1000, HDC-1500, HDC-3300, HDCU-1000, HDCU-1500, HDCU-3300.

Sony Hybrid Fibre Cable for HDC-1500 Camera Family (200m)

Sony CCF-200 (CCF_200, CCF/200, CCF 200)(HDC_1500, HDC/1500) Hybrid Fibre Cable for HDC-1500 Camera Family (200m) Sony CCF-200 (CCF200) Hybrid Fibre Cable for HDC-1500 Camera Family (200m). Applicable Models : HDC-1000, HDC-1500, HDC-3300, HDCU-1000, HDCU-1500, HDCU-3300.

Sony Hybrid Fibre Cables for HDC-1500 Camera Family (100m)

Sony CCF-100 (CCF_100, CCF/100, CCF 100) (HDC/1500, HDC_1500) Hybrid Fibre Cables for HDC-1500 Camera Family (100m) Sony CCF-100 (CCF100) Hybrid Fibre Cables for HDC-1500 Camera Family (100m). Applicable Models: HDC-1000,HDC-1500, HDC-3300, HDCU-1000, HDCU-1500, HDCU-3300

Shape Follow Focus Kit with Single 15mm Rod Clamp

Shape SH-FA123 (SH/FA123, SH_FA123, SHFA123, SH FA123) Follow Focus Kit with Single 15mm Rod Clamp Use the compact SHAPE Follow Focus Kit with Single 15mm Rod Clamp with your camera setup to make focus pulling easy. The modular design allows you to add and remove any of the components without screws or tools, and its small profile allows the addition of a matte box or accessories around your lens. At the core of the kit is a rubber, anti-slip follow focus wheel attached to a single aluminum 15mm rod clamp. The clamp rotates to adjust to most lens sizes, and it's tightened by a locking lever. The clamp's rotation also allows the focus wheel to easily swing out of the way when changing lenses. Five drive gears are included to fit a variety of lens sizes: 0.5 MOD/78T, 0.6 MOD/64T, 0.8 MOD/38T, 0.8 MOD/43T, and 0.8 MOD/78T. The gears can be flipped from front to back to facilitate different lens configurations. A 49mm rubber friction wheel is also included for the 0.5 MOD/78T gear which is most commonly used with DSLR lenses. For alternate fine-focus configurations, use the included speed crank or 11" whip, both of which attach to the center point of the knob. Four magnetic marking disks are included to attach to the focus wheel. Modular design allows for addition and removal of components without tools or screws. Its compact size allows it to fit easily with lens accessories like a matte box. The rubber follow focus wheel is attached to an adjustable, aluminum 15mm rod clamp which can swing away when changing lenses. The focus wheel fits most lens sizes. Five drive gears are included: 0.5 MOD/78T, 0.6 MOD/64T, 0.8 MOD/38T, 0.8 MOD/43T, and 0.8 MOD/78T. A rubber friction wheel is included for the 0.5 MOD/78T gear which is most commonly used with DSLR lenses. An 11" whip and a speed crank are included. Each connects to the focus wheel for fine adjustments. Four magnetic marking disks are included to attach to the focus wheel.    

Manfrotto Pan bar Remote Control

Manfrotto MAN-MVR901EPLA (MAN-MVR-901EPLA, MAN/MVR/901EPLA, MAN MVR 901EPLA) Pan bar Remote Control  Handy, versatile, and dependable, this Pan-bar Remote Control unit is compatible with Sony and Canon equipment using the LANC (Logic Application Control System or Local Application Control Bus System). Allowing you to control your camera from a distance, you'll be able to save time and energy on you next shoot. To use this remote control unit, simply plug a cable into the LANC port to connect it to you camera. Rather than running back to adjust and forth to take shots using your camera button, you'll be able to capture shots from a distance and keep a better eye on you subjects. Spend more time focusing on the shot and less on the mechanics of your gear with this handy tool. you'll also be able to better control the pan-bar mounted on the video head. This control allows you to have a second pan-bar which can be a welcomed plus for shooting on location. With additional features such as a zoom direction switch, a maximum-speed zoom potentiometer, a stand-by push button, RET push buttons, record/zoom/focus indicator LEDs, controlled zoom and focus direction know, multi-speed zoom and focus knob, you'll have everything you need to get that perfect shot. Designed in Italy with the highest standards of quality, this remote control was built-to-last.  

Manfrotto Clamp-On Zoom Remote Control for LANC and Panasonic Cameras

Manfrotto MAN-MVR901ECPL (MAN_MVR-901ECPL, MAN-MVR/901ECPL, MAN/MVR 901ECPL) Clamp-On Zoom Remote Control for LANC and Panasonic Cameras Designed for Canon & Sony camcorders with LANC control and Panasonic camcorders, the Manfrotto Clamp-On Zoom Remote Control helps you to control your camcorder's zoom with its “Fast Zoom” and “Max Speed” features. Furthermore, this remote control helps in stabilizing your camcorder when shooting or capturing images and tweaking your camcorder’s settings without manual effort. The clamp-on zoom remote control can be easily connected to the camcorder with its 2.5mm male/male jack coiled cord cable measuring 55” when extended. The clamp-on feature allows you to easily mount the remote control onto a pan bar, tubes, piping, tabletops, and handle bars as per your requirement.

Canon Codex Digital Raw Recorder for EOS C700 - Gold Mount

Canon 3165V706 (316-65V706, 316 5V706, 316/5V706, 3165V-706) (EOS/C700, EOS-C700, EOS C700) Codex Digital Raw Recorder for EOS C700 - Gold Mount Record Digital Raw with the C700 Recorder Module Gold Mount  Enjoy the full potential of the C700 camera with the Codex Digital Raw Recorder developed with Canon. Using the attachment accessory included with the C700, simply piggyback the recorder on the C700. The built-in V-mount battery plate powers both the recorder and the camera simultaneously. Hinging on the well-established Codex Digital workflow, this recorder can write 12-bit 4K-resolution raw sensor data to Codex Digital Capture Drive 2.0 SSDs at up to 120 fps. XF-AVC or ProRes files can be recorded in-camera, simultaneously, for versatile workflow options.

Canon Codex Digital Raw Recorder for EOS C700 - V-Mount

Canon 3165V705 (316 5V705, 316-5V705, 316/5V705, 316/5V/705) (EOSC700, EOS/C700, EOS-C700) Codex Digital Raw Recorder for EOS C700 - V-Mount  Enjoy the full potential of the C700 camera with the Codex Digital Raw Recorder developed with Canon. Using the attachment accessory included with the C700, simply piggyback the recorder on the C700. The built-in V-mount battery plate powers both the recorder and the camera simultaneously. Hinging on the well-established Codex Digital workflow, this recorder can write 12-bit 4K-resolution raw sensor data to Codex Digital Capture Drive 2.0 SSDs at up to 120 fps. XF-AVC or ProRes files can be recorded in-camera, simultaneously, for versatile workflow options.  

Canon CN-E 35mm T1.5 L F Cine Lens (EF Mount)

Canon 9139B002AC (913/9B002AC, 913-9B00-2AC, 913 9B00/2AC, 913/9B00 2AC) (CNE, CN E, CN/E) CN-E 35mm T1.5 L F Cine Lens (EF Mount) The Canon CN-E 35mm T1.5 L F Cine Lens is an EF-mount standard-width lens for Canon's C-series cinema cameras, for full-frame EOS DSLRs, and for any video-capable cameras that accept EF-mount lenses.    

Canon CN-E 24mm T1.5 L F EF Mount Digital Cinema Prime Lens

Canon 6569B001AC (656/9B001AC, 656/9B00-1AC, 656 9B00 1AC, 6569B00/1AC) (CNE CN/E CN E) CN-E 24mm T1.5 L F EF Mount Digital Cinema Prime Lens The Canon CN-E 24mm T1.5 L F Cine Lens is a wide-angle fixed focus prime lens that offers a broader perspective to capture spectacular landscapes or small interiors. The 24mm T1.5 L F Cine Lens with EF mount is lightweight (1.2kg) and features a constant f/1.5 maximum aperture to enable hand-held shooting in low light. The well-rounded 11-blade diaphragm provides a smooth, attractive blur for elements in the image that are out of focus. This lens has been designed for use with Canon’s C-series cinema cameras (EOS C100, C300 & C500) and Canon’s range of full-frame DSLRs with an EF-mount (such as the Canon 5D Mark III, 1D X and 1D C).

14MM T3.1L -Canon EF

Canon 8325B002AC (832/5B002AC, 832-5B002AC, 832/5B00/2AC, 832 5B00 2AC) 14MM T3.1L -Canon EF Part of Canon’s range of EF Cinema prime lenses, the CN-E14mm T3.1 L F is a lightweight, compact fixed focal length lens designed for EF mounts. It offers spectacular 4K image quality and a full frame image circle plus great low light performance and fine creative control over focusing and depth of field.

Canon 9859A001 TA-100 Tripod Adapter

Canon 9859A001 (985/9A001,985 9A001, 9859A/001,9859A-001) (TA100, TA/100, TA 100) TA-100 Tripod Adapter The TA-100 Tripod Adapter from Canon is compatible with the Canon EOS C300, EOS C300 PL, XF 100 Refurbished, XF100, XF105, XH A1, XH A1S, XH G1, XH G1S, XH_A1_Refurbished, XL H1, XL H1A, XL H1S, XL2, XL2 Body Kit, and XL2_Refurbished cameras. It allows you to quickly mount/dismount the camera from a tripod.

Canon TS-E 90mm f/2.8

Canon 254/4A016 (254-4A016,254 4A016, 254/4A016, 2544A/016) TS-E 90mm f/2.8 This is the world's first 35 mm-format 90 mm lens with tilt and shift movements. Gaussian optics give high-quality delineation and true background blur. The lens is suited for a variety of subjects, from products to portraits.

Canon TS-E 135mm f/4L Macro Lens

Canon 2275C005 (227/5C005, 227-5C005, 2275C/005, 227 5C005) TS-E 135mm f/4L Macro Lens The TS-E 135mm f/4L tilt-and-shift lens has a longer focal length, offering unique ways to control perspective and plane of focus thanks to calibrated ±10° Tilt and a ±12 mm Shift movements, outstanding optical engineering and precision moulded glass for low distortion. This lens produces edge-to-edge definition and macro capability down to 1:2 life-size ratio, achieving exceptional focus and clarity thanks to 0.5x maximum magnification. An ideal studio lens with a greater reach to give you room for lighting set-ups, designed to give you ultimate shooting flexibility.

Canon ET-155 Lens Hood (WII)

Canon 4415B001 (441/5B001, 441-5B001, 4415B/001, 4415B 001) ET-155 Lens Hood (WII). The ET-155 (WII) Lens Hood for Select Canon Telephoto Lenses from Canon  is a dedicated lens hood for the Canon EF 400mm f/2.8L IS II USM and EF 800mm f/5.6L IS USM lenses. Lens hoods are primarily designed to prevent unwanted stray light from entering the lens by extending and shading the end of the lens. In addition, since the end of the lens is extended, you get the benefit of extra protection from accidental impact. Dedicated lens hoods are designed to match the specific focal length of the lenses for which they were designed.

Canon ET-138 Lens Hood (WII)

Canon 5171B001 (517/1B001, 517-1B001, 5171B/001, 5171B 001) ET-138 Lens Hood (WII). The ET-138W II Lens Hood for EF 500mm f/4 Lens from Canon is compatible with the Canon 500mm f/4L EF IS II USM Lens. It extends significantly from the front end of the lens to deflect stray, unwanted light from entering the lens and creating flare in your image. It also provides the lens with a degree of protection from accidental impact and the elements. The length of the lens hood is designed specifically for the 500mm focal length of the lens.

Canon ET-120B Lens Hood

Canon 2346B001 (234/6B001, 234-6B001, 2346B/001, 2346B 001) ET-120B Lens Hood. The Canon ET-120B Lens Hood is the replacement lens hood for the 200mm f/2L IS USM lens. Dedicated lens hoods are designed to match the specific focal length of the lenses they are designed for. Lens hoods are primarily designed to prevent unwanted stray light from entering the lens by extending and shading the end of the lens. In addition, since the end of the lens is extended, you also get the added benefit of some extra protection from accidental impact.

Canon ET-160 Lens Hood (WII)

Canon 5174B001 (51-74-B0-01, 51/74/B0/01, 51 74 B0 01, 51 74-B0/01) ET-160 Lens Hood (WII) The ET-160W II Lens Hood for EF 600mm f/4 Lens from Canon is compatible with the Canon EF 600mm f/4L IS II USM Lens. It extends significantly from the front end of the lens to deflect stray, unwanted light from entering the lens and creating flare in your image. It also provides the lens with a degree of protection from accidental impact and the elements. The length of the lens hood is designed specifically for the 600mm focal length of the lens.

Canon Lens Hood Et-160

Canon 2706A001 (27-06-A0-01, 27/06/A0/01, 27 06 A0 01, 27-06/A0 01) Lens Hood Et-160 Lens hoods are primarily designed to prevent unwanted stray light from entering the lens by extending and shading the end of the lens. In addition, since the end of the lens is extended, you also get the added benefit of some extra protection from accidental impact. Dedicated lens hoods are designed to match the specific focal length of the lens it was designed for.

Canon 52mm PL-C Drop-In Circular Polarising Filter (WII)

Canon 4774B001 (47-74-B0-01, 47/74/B0/01, 47 74 B0 01 47 74-B0/01) 52mm PL-C Drop-In Circular Polarising Filter (WII) Benefits Drops into EF 300mm f/2.8L IS II USM, EF 400mm f/4 DO IS II USM, EF 400mm f/2.8L IS II USM, EF 500mm f/4L IS II USM and EF 600mm f/4L IS II USM lenses Built-in gearing rotates the filter when it's inside the lens, to vary the intensity of its effect. Reduces the appearance of reflections in non-metallic surfaces Makes colours appear more saturated

Canon EF-S 55-250mm f/4-5.6 IS STM Lens

Canon 8546B005 (854/6B005, 854-6B005, 8546B/005, 8546B 005) EF-S 55-250mm f/4-5.6 IS STM Lens. Combining powerful telephoto performance with high-quality images, the affordable, lightweight and compact EF-S 55-250mm f/4-5.6 IS STM lens is the ideal companion for travel and shooting wildlife and sports. Stepping motor (STM) technology delivers smooth, quiet focusing when shooting video and the Image Stabilizer counter-acts your camera-shake, ideal for low-light environments or when shooting hand-held. The automatic Panning Detection works to track your subject and turns off the stabilisation, helping convey a sense of speed when photographing movement. Benefits: Get close to distant subjects, like wildlife and sport Easy-to-use design that delivers superb image quality Lightweight, compact design you can take everywhere Image Stabilizer reduces blur from camera shake Smooth, quiet STM focusing when shooting movies

Canon EF-M 55-200mm f/4.5-6.3 IS STM Lens - Silver

Canon 1122C005 (11-22-C0-05, 11/22/C0/05, 11 22 C0 05,11-22/C0 05) EF-M 55-200mm f/4.5-6.3 IS STM Lens - Silver Combining powerful telephoto performance with high-quality images, the lightweight and compact EF-M 55-200mm f/4.5-6.3 IS STM lens is the ideal companion for travel and shooting wildlife and sports with your mirrorless camera. A manual-focus ring enables precise yet easy focusing adjustments – with closest-focusing distance of 1 meter it’s also great for powerful portraits. Stepping motor technology (STM) delivers smooth, quiet focusing when shooting video and the Image Stabilizer counter-acts your camera-shake, ideal for low-light environments or when shooting hand-held.  

Canon EF-S 17-55mm f/2.8 IS USM Lens

Canon 1242B005 (124/2B005, 124-2B005,1242B/005, 1242B/005) EF-S 17-55mm f/2.8 IS USM Lens. The 17-55mm zoom range delivers outstanding flexibility, producing high-quality images for landscape, portrait and travel photography. The f/2.8 aperture remains constant throughout the full focal length range, so you can zoom without slowing the shutter speed. With fast focusing in Ultra-Sonic motor (USM) technology you can roam city streets and expansive scenery, capturing subjects without interruption. The 3-stop optical Image Stabilizer and wide aperture reduces camera shake, enabling hand-held photography in low-light conditions or night photography without using a flash.

Canon EF 50mm f/1.2L USM fixed focal length lens

Canon 1257B005 (12-57-B0-05, 12/57/B0/05, 12 57 B0 05) EF 50mm f/1.2L USM fixed focal length lens This professional L-Series prime lens is an ideal general-purpose solution for the professional’s kit bag. With a large maximum aperture of f/1.2 its fast when shooting in low light, with excellent control over focusing for shallow depth of field and creative effects when on location. For a truly professional finish, the ring-type Ultra Sonic Motor (USM) drives fast and quiet autofocus, with a circular 8-bladed aperture diaphragm giving out-of-focus areas an even softer look and elegant bokeh. Part of the Canon professional L-series flagship range, its designed for robust handling and resistant to dust and moisture.

Canon EF 8-15mm f/4L Fisheye USM Lens

Canon 4427B005 (4427B005, 4427B005, 4427B005, 4427B005) EF 8-15mm f/4L Fisheye USM Lens. A creative option for photographers, the EF 8-15mm f/4L Fisheye USM is a versatile lens that provides a 180-degree circular field of view on full frame cameras at 8 mm, opening to an ultra-wide fisheye view at 15 mm. Ideal for creative shooting with artistic results, distorting the angle of view lets you get more of the landscape within the frame or distort your subject for unique visual effects. Part of the Canon professional L-series flagship range, this lens is designed for robust handling and resistant to dust and moisture.

Canon EF 50mm f/1.4 USM Lens

Canon 2515A012 (2515A/012, 2515A-012, 2515A/012, 2515A 012) EF 50mm f/1.4 USM Lens. With its fast maximum aperture and focusing system, the compact, high performance EF 50mm f/1.4 USM standard lens delivers superb performance in any field of photography, from landscapes and travel scenes to portraits and reportage. It’s compact and lightweight design make it an affordable choice for travel and general-use, the Ultra Sonic Motor (USM) motor drives autofocus extremely quickly and quietly, with excellent holding torque ensuring the point of focus is reached accurately. A circular 8-bladed aperture diaphragm gives out-of-focus regions a softer look, letting sharp foreground objects stand out against elegant bokeh.

Canon EF 24-70mm f/2.8L II USM Lens

Canon 5175B005 (517/5B005, 517-5B005, 517 5B005, 5175B-005) EF 24-70mm f/2.8L II USM Lens Tackling virtually any subject with an extended 24-70 mm zoom range, this L-series prime lens is a go-to zoom for professional photographers. Delivering outstanding image quality with a fast f/2.8 aperture for optimum control over depth-of-field, the 9-bladed diaphragm also helps to achieve beautiful background blur. A great low-light performer – the fast and constant aperture of the EF 24-70mm f/2.8L II USM makes the most of available ambient light. Split-second moments are captured in fast, responsive Auto Focus with Ultra-Sonic Motor (USM) so it’s an excellent choice for professional, high-quality results whilst travelling light. Part of the Canon professional L-series flagship range, its designed for robust handling and resistant to dust and moisture.  

Canon EF 17-40mm f/4L USM Lens

Canon 8806A007 (880/6A007, 880-6A007, 880 6A007, 8806A/007) EF 17-40mm f/4L USM Ultra Wide Angle Zoom Lens The EF 17-40mm f/4L USM Lens is an ultra-wide-angle lens producing stunning clarity in a range of focal lengths. Its compact, lightweight body makes it an ideal travel companion - suited to interiors, architecture and landscapes, fitting more in the frame without the need to step back. Produce consistent exposures with the large f/4 aperture over the 17-40 mm zoom range and create softer background blur with a 7-blade circular aperture diaphragm. Part of the Canon professional L-series flagship range, its designed for robust handling and resistant to dust and moisture. Ultra wide lens for analogue EOS SLR cameras The EF17-40mm f/4L USM is an ultra wide angle Canon EF zoom lens meant for professional and high amateur SLR EOS camera users. Standard zoom lens for digital EOS SLR cameras While it is an excellent lens when used with an analogue SLR camera, the EF17-40mm f/4L USM is especially well suited for digital SLR cameras with an imaging sensor size smaller than the 35mm format. Indeed on such digital SLR cameras these focal lengths can give an angle of view approximately equivalent to that of a 28-70mm lens used on a 35mm camera, which makes it the ideal standard zoom lens. Superior optical performance The EF17-40mm f/4L USM has 12 lens elements arranged in 9 groups. Super Spectra Coating on the elements ensures excellent colour balance and minimises ghosting and flare. To provide superb image quality over a 17-40mm zoom range the lens uses three aspheric elements of two different types, while Super UD (Ultra-low Dispersion) glass is used to prevent the chromatic aberrations that often can degrade the subject edge clarity. Extensive set of high-end features Minimum focusing distance is just 28cm throughout the entire zoom range.   The Auto-focus works silently and quickly thanks to a fast central processing unit with an improved AF algorithm. You can override AF mode with manual focus should you wish.Controlled by an electromagnetic diaphragm, the EF17-40mm f/4L USMs circular aperture can achieve a more attractive appearance to out of focus background areas in a picture.The front of the lens does not rotate as you focus. This means, for example, that polarising filters still function effectively as you zoom in and out. At the rear of the lens theres a drop-in gelatin filter holder.Highly resistant to moisture and dust, the EF17-40mm f/4L USM is ideally suited for use in harsh environments. Environment friendly lead-free glass is used throughout its construction.

Canon EF 16-35mm f/4L IS USM Lens

Canon, 9518B005, EF 16-35mm f/4L IS USM, EF 16-35mm, EF-16-35mm, 16-35mm, EF, f/4L, f4L, IS, USM, Lens,  ultra-wide-angle, wide lens. The EF 16-35mm f/4L IS USM is an ultra-wide-angle lens producing stunning clarity in a range of focal lengths. The zoom range combines a fixed f/4 aperture with excellent optical performance, making it ideal for landscapes, architectural shots and photojournalism – delivering sharp and expansive images with little distortion. The 4-stop Optical Image Stabilizer reduces camera shake for faster, sharper images, even in low-light and the in-built Ultra-Sonic Motor (USM) drives fast and quiet Auto Focus with optional full manual override. Part of the Canon professional L-series flagship range, its designed for robust handling and resistant to dust and moisture.      

Canon EF 135mm f/2L USM Lens

Canon 2520A015 (252/0A015, 252-0A015, 252 0A015, 2520A/015) EF 135mm f/2L USM Lens A versatile telephoto lens, the long focal length of the EF 135mm f/2L USM coupled with the f/2 maximum aperture provides greater control over depth of field, ideal for portraiture and sports photography. This lens isolates the subject with beautiful bokeh thanks to its 8-bladed fast aperture also allowing for hand-held shooting in in low-light. Benefits A lens suited to portrait and indoor sports photography A fixed, fast aperture for low light shooting Produce sharp, high-contrast images with Super UD (ultra-low dispersion) elements to suppress chromatic aberrations Reduce ghosting and flare with Super Spectra coating The in-built Ultra-Sonic Motor (USM) drives fast and quiet Auto Focus with optional full manual override Compatible with all Canon DSLR cameras and EOS-M mirrorless cameras with an EF-EOS M Mount adapter

Canon EF 24-105mm f/4L IS II USM Lens

Canon 1380C005 (138/0C005, 138-0C005, 138 0C005, 1380C/005) EF 24-105mm f/4L IS II USM Lens The standard zoom that goes that little bit further. Tackle virtually any subject with an extended 24-105mm zoom range, plus superb image quality and robust, weather-proof construction. With a constant f/4 maximum aperture, this is a great choice for those looking to shoot high-quality photography or video while traveling light, perhaps with just a single camera and lens.  

Canon EF 85mm f/1.4L IS USM Lens

Canon 2271C005 (227/1C005, 227-1C005 2271C/005, 2271C 005) EF 85mm f/1.4L IS USM Lens This fast portrait lens uses Canon’s latest optical technology to deliver clear, sharp images full of contrast and colour with razor sharp detail right across the image, edge to edge. Built with the needs of the creative photographer in mind, this lens features a wide maximum aperture of f/1.4 plus 4-stop image stabilisation to allow precise focusing and faster shutter speeds even in low light.  Benefits f/1.4 maximum aperture 4-stop image stabilisation Large, bright aperture Air Sphere Coating Shock absorbing front casing Weather sealing Durable and weather resistant Compatibility EOS-1D X  EOS 5DS  EOS 5DS R  EOS 5D  EOS 6D  EOS 7D  EOS 60D  EOS 70D  EOS 77D  EOS 80D  EOS 100D  EOS 200D  EOS 300D  EOS 350D  EOS 400D  EOS 450D  EOS 500D  EOS 550D  EOS 600D  EOS 700D  EOS 750D  EOS 760D  EOS 800D  EOS 1100D  EOS 1200D  EOS 1300D

Canon EF 600mm f/4L Is II Usm L Series

Canon 5125B005 (5125B005, 5125B005, 5125B005, 5125B005) EF 600mm f/4L Is II UsM L Series. Canon EF 600mm f/4L Is II UsM L Series Super-Telephoto Fixed Focal length lens (p/n 5125B005AA) . The EF 600mm f/4L IS II USM is a high-magnification, super-telephoto lens featuring integrated Image Stabilizer technology and a fast f/4 maximum aperture. Perfect for wildlife, nature and sports photographers working in the field. Compatibility EOS 550D  EOS 100D  EOS 1100D  EOS 450D  EOS 500D  EOS 5DS  EOS 700D  EOS 7D Mark II  EOS 1300D  EOS 5D Mark IV  EOS 77D  EOS 1200D  EOS 200D  EOS 600D  EOS 6D  EOS 750D  EOS 760D  EOS 400D  EOS 6D Mark II  EOS 70D  EOS 800D  EOS 80D  EOS-1D X Mark II  EOS 350D  EOS 5D  EOS 5DS R  EOS 60D  EOS-1D X  EOS 300D  EOS 7D

Canon EF 200mm f/2L IS USM L Series Telephoto Lens

Canon 2297B005 ( 22-97-B0-05, 22/97/B0/05, 22 97 B0 05 ) EF 200mm f/2L IS USM L Series Telephoto Lens The EF 200mm f/2L IS USM is a high-performance medium telephoto lens for professional photographers. Its large f/2 aperture ensures optimum results indoors and in low-light situations.

Shape Delta Marbel Quick Release Kit

Shape SH-DELTAQUICK (SHDELTAQUICK, SH/DELTAQUICK, SH DELTAQUICK, DELTAQUICK, sh-deltaquick) Delta Marbel Quick Release Kit The SHAPE Delta Marbel Quick Release Kit includes a V-lock delta quick release plate and V-lock delta quick release adapter that you can use to quickly mount any camera to any support platform. Featuring one 1/4"-20 thread and one 3/8"-16 thread, the quick release plate can be attached to the camera platform of any tripod or video rig. The quick release adapter features two 1/4" holes, attaches on the bottom of your camera, and allows quick release mounting/dismounting on and off the plate. A simple push of a release button on the side of the quick-release plate releases the adapter and allows you to remove your camera. The plate supports loads up to 50 lb. All the necessary screws are supplied. The adapter attaches to your camera along with an included, thin camera plate. The camera plate has stoppers on the back that will keep the camera from twisting sideways. The camera plate and stoppers are both adjustable to support different-size cameras, and the stoppers can be removed completely to make room for full-size cameras. An alignment screw is included to secure the camera plate in place. The quick release adapter is also compatible with third party V-lock delta plates, such as the Sony VCT-U14.

Shape SH-ALEXVM V-Mount Battery Plate for ARRI ALEXA Mini Camera

Shape SH-ALEXVM (SH_ALEXVM, SHALEXVM, SH/ALEXVM, SH ALEXVM) V-Mount Battery Plate for ARRI ALEXA Mini Camera Our V-Mount battery plate provides the right battery voltage and amperage to use with your ALEXA Mini camera.  You can easily mount the battery plate to a Cheese Plate rig while a 10" integrated cable connects to the ALEXA Mini's power input. Additional accessories can also be powered off the P-Tap port.

Shape SH-ALEXGM Gold Mount Battery Plate for ARRI ALEXA Mini Camera

Shape SH-ALEXGM (SH_ALEXGM, SHALEXGM, SH/ALEXGM, SH ALEXGM) Gold Mount Battery Plate for ARRI ALEXA Mini Camera The Gold Mount ALEXA Mini Battery Plate is perfect to power your ALEXA Mini camera with this QRC-MINI Gold Mount Bracket from Anton Bauer.  You can easily mount the battery plate to a Cheese Plate rig while a 10" integrated cable connects to the ALEXA Mini's power input and provides the necessary amount of power to the camera.

Shape Cheeseplate V-Mount with 15mm Rod Bloc for Canon C300 Mark II

Shape SH-CP300M2 (SHCP300M2, SH/CP300M2, SH CP300M2, CP300M2, sh-cp300m2) Cheeseplate V-Mount with 15mm Rod Bloc for Canon C300 Mark II The 15mm Cheeseplate V-Mount enables V-Mount batteries to power Canon C300 Mark II series cameras. The V-Mount plate for C300 Mark II is fixed on Shape Cheeseplate and includes a ROD BLOC for Mounting. Perfect to Mount any accessories such as; Shape MAGIC ARM, lights, monitors and audio devices. It is also a perfect fit with V-Mount battery plates and features several accessory threads. Also includes an exclusive DC LEMO cable with the standard output voltage for C300 Canon Mark II series cameras.

Shape Cheeseplate V-Mount with 15mm Rod Bloc for Canon C Series Cameras

Shape SH-CP300 (SHCP300, SH/CP300, SH CP300, CP300, sh-cp300) Cheeseplate V-Mount with 15mm Rod Bloc for Canon C Series Cameras The 15mm Cheeseplate V-Mount enables V-Mount batteries to power Canon C300 Mark II series cameras. The V-Mount plate for C300 Mark II is fixed on Shape Cheeseplate and includes a Rob Bloc for mounting. Perfect to mount any accessories such as; Shape Magic Arm, lights, monitors and audio devices. It is also a perfect fit with V-Mount battery plates and features several accessory threads. Also includes an exclusive DC Lemo cable with the standard output voltage for C300 Canon Mark II series cameras.  

Shape Canon C-Series Grip Relocator Inc. Extension Cable

Shape SH-HAC300-RE (SHHAC300-RE, SH/HAC300-RE, SH HAC300-RE, HAC300-RE, sh-hac300-re) Canon C-Series Grip Relocator Inc. Extension Cable The unique design of the C-300 bracket allows the user to remove the C-300 handle from the camera body in order to use with the ball and socket part of SHAPE DOUBLE QUICK HANDLE ROSETTE. By removing the rubber handle off the DOUBLE QUICK HANDLE ROSETTE, you can insert the C-300 bracket and secure it by tightening it with an Allan Key. When installed on the handle, the user has access to several functions available on the C300 handle such as; trigger on/off control, zoom, main menu, lens aperture control and many more! The user also has access to the unique SHAPE red-push button technology that can rotate individually on a 360 degree axis.

MTF Bayonet to Sony E Adapter

MTF (MTABSEM ) Bayonet to Sony E Adapter  This adaptor is designed specifically for the Sony FS7 in crop (2k) mode. This adaptor allows you to use Arri Bayonet lenses on your Sony FS7 in 2k mode. MTF own stainless steel E Mount MTF own stainless steel and brass bayonet lock

Panasonic Lumix Panasonic LEICA DG Vario Elmarit 8-18mm f2.8-4.0 ASPH Wide Zoom Lens

Panasonic Lumix PAN HE08018E (HE08018E, PANHE08018E, PAN/HE08018E ,PAN HE08018E) Leica DG Vario-Elmarit 8-18mm f/2.8-4 ASPH. Lens Panasonic introduces a new wide zoom lens, the LEICA DG VARIO-ELMARIT 8-18mm / F2.8-4.0 ASPH. (35 mm camera equivalent: 16-36 mm) as the second lens within the LEICA DG VARIO-ELMARIT F2.8-4.0 Series. Covering a focusing distance from ultra wide angle to super telephoto, this new LEICA DG VARIO-ELMARIT F2.8-4.0 Series achieves superb picture quality and high performance for both photo and video recording and yet its size is kept compact. All lenses take advantage of Panasonic’s Nano Surface Coating technology to minimize ghosts and flaring. Boasting a rugged, dust/splash-proof design, the lenses are even freeze-proof down to -10℃ to withstand professional use under harsh conditions. The high-quality video recording capability is also one of the advantages of this lens series. The new LEICA DG VARIO-ELMARIT 8-18mm / F2.8-4.0 ASPH. offers a zoom range of ultra wide 8mm to versatile 36 mm (35mm camera equivalent). It covers a variety of daily shooting situations, from dynamic landscapes to snapshots. Taking advantage of the F2.8-4.0 high-speed performance, it is suitable for capturing starry sky or a night scenery. ND or PL filter (67mm) attachments enable the lens to be flexible while at the same time the filters become creative and useful tools for photographers or videographers. Comprising 15 elements in 10 groups, the lens system features an aspherical ED (Extra-low Dispersion) lens, three aspherical lenses, two ED lenses and an UHR (Ultra High Refractive Index) lens. The use of these lenses effectively suppress spherical distortion or chromatic aberration to achieve high resolution and contrast from center to corners, ensuring amazing picture quality. The sensor drive at max. 240 fps enables to take full advantage of cameras with high-speed, high-precision Contrast AF. It also helps to reduce wobbling, ensuring smooth and crisp videos. Notably, the new lens excels in video recording performance. In addition to the silent operation achieved by the inner focus drive system, the micro-step drive system in the aperture control section helps the camera to smoothly catch up to brightness changes when zooming or panning. The optical design achieves exceptional barycentric stability to minimize image shifts during zooming. Thanks to high-speed frame analysis for focus control, the AF tracking performance in zooming is also improved. Offered in sharp, metallic black color, the LEICA DG VARIO-ELMARIT F2.8-4.0 Series stylishly matches the LUMIX G Compact System Camera lineup will expand with additional 50-200mm (100-400mm, 35mm camera equivalent) telephoto zoom lens.

Metabones MB ALPA-LM-BM2 ALPA to Leica M with 6-Bit (Black Matt)

Metabones MB_ALPA-LM-BM2 (MB_ALPA_LM_BM2, MB/ALPA/LM/BM2, MB ALPA LM BM2) ALPA to Leica M with 6-Bit (Black Matt) Adapt your Alpa-mount 50mm lenses to a Leica M-mount camera by picking up this Adapter with 6-Bit Coding from Metabones. Designed to work with all Alpa 50mm lenses, this adapter is both rangefinder-coupled and 6-bit coded, allowing rangefinder cameras to properly focus and show frame lines as well as recognize the lens and optimize imaging. Infinity focus is guaranteed while a leaf spring design provides a secure lock when the lens is attached. Additionally, the satin finished adapter is made of brass with a chromium plating.

Metabones MB_SPEF-m43-BT5 Canon EF to MicroFourThirds T CINE Speed Booster ULTRA 0.71x

Metabones MB_SPEF-m43-BT5 (MB_SPEF_m43_BT5, MB/SPEF/m43/BT5, MB SPEF m43 BT5) Canon EF to MicroFourThirds T CINE Speed Booster ULTRA 0.71x Boost the performance of your full-frame or APS-C Canon EF-mount lenses when mounted to your Micro Four Thirds camera with this fifth-generation T CINE Speed Booster ULTRA 0.71x from Metabones. This cinema-styled electronic adapter features a positive-lock lens mount that will ensure that your adapted lenses are secure and uses optics to reduce the effects of crop factor by making the lens 0.71x wider and simultaneously increasing the maximum aperture by about 1 stop. Further improving on previous generations of Smart Adapters, this fifth-generation model now features a rubber gasket to protect the camera's mount from dust and moisture. This adapter is equipped with numerous capabilities thanks to the use of a high-performance processor. The features include support for autofocus as well as the ability to control the aperture from the camera body. Smooth iris effects are possible as well on select lenses and 5-axis stabilization is available thanks to communication of information with supported lenses. Also, it enables electronic (focus-by-wire) manual focusing, transmits Exif data to the camera, and works with in-lens image stabilization. Additionally, distance and zoom is displayed on certain camcorders and mirrorless cameras and Cinema EOS lenses are supported when running the adapter off an external 5 VDC power supply via the micro-USB port. Beyond electronic communication, the adapter has many physical advantages as well, such as a black felt flocking on the inside of the adapter that prevents reflections. For larger lenses, there is a removable Arca-type-compatible tripod foot with a 1/4"-20 thread on the base. Allows users to adapt a full-frame or APS-C Canon EF-mount lens to a Micro Four Thirds camera. Optics are used with a 0.71x magnification to reduce crop factor from 2x to 1.4x and simultaneously improve the maximum aperture by one stop. An advanced optical design with 5 elements in 4 groups that will help improve sharpness and performance of adapted lenses. Positive-lock lens mount provides extra security when attaching large lenses. Receives power from camera body or optional 5 VDC power supply via micro-USB port. Electronic contacts permit transmission of data between the lens and camera enabling autofocus, auto exposure, image stabilization, aperture control from the camera body, saving Exif information, and more. Smooth iris support with select Canon (2009 and later), Tamron (SP series 2013 and later), and Sigma (2016 and later) lenses. Enables electronic manual focusing on lenses, such as the Canon EF 85mm f/1.2L II, that use a focus-by-wire system. Support for distance and zoom display. Internal felt flocking prevents reflections. Covers 4K video area on GH4 when using APS-C format lenses. Cinema EOS lenses are supported when an external 5 VDC power supply is used, including autofocus, auto iris, and servo zoom. Removable Arca-type compatible tripod foot with 1/4"-20 thread. Powered by camera body.  

Metabones MB_SPOM-m43-BM3 Olympus OM to Micro FourThirdsSpeed Booster ULTRA 0.71x (Black Matt)

Metabones MB_SPOM-m43-BM3 (MB_SPOM_m43_BM3, MB/SPOM/m43/BM3, MB SPOM m43 BM3) Olympus OM to Micro FourThirdsSpeed Booster ULTRA 0.71x (Black Matt) The Speed Booster Ultra 0.71x Adapter for Olympus OM-Mount Lens to Micro Four Thirds-Mount Camera from Metabones allows a Olympus OM-mount lens to be mounted onto a Micro Four Thirds-mount camera. While doing so, the adapter's optics help to maximize the connected lens's apparent angle of view while providing a 1-stop increase for the camera over the lens's aperture range. If a lens intended for 35mm film or similarly-sized full-frame camera sensors is connected to a camera with a Micro Four Thirds-sized sensor, it would project an image larger than the Micro Four Thirds sensor was built to accept. Able to capture only the center portion of the projected image, the effective angle of view of the lens would be narrowed, creating an in-camera "crop factor." The Speed Booster Ultra 0.71x Adapter for Olympus OM-Mount Lens to Micro Four Thirds-Mount Camera condenses the light from a lens designed for 35mm film or "full frame" camera sensors and projects it onto a Micro Four Thirds sensor. This allows a Micro Four Thirds sensor to utilize more of the light gathered by a connected lens, which effectively reduces the crop factor while making available to the sensor an additional 1 stop of light for each of the lens's f/stop settings. This adapter is constructed from aluminum alloy for durability while minimizing weight and its mounting rings are made with brass to further prevent wear-and-tear. Inside are five lens elements in four groups that are designed to provide optical clarity as well as color fidelity, and a detachable tripod foot is included that features 1/4"-20 threads as well as compatibility with Arca-Swiss tripod heads. The Speed Booster Ultra 0.71x Adapter for Olympus OM-Mount Lens to Micro Four Thirds-Mount Camera does not support electronic communication between an attached camera and lens. To help determine the amount of light that enters a Micro Four Thirds-mount camera when using this adapter and a Contax/Yashica-mount lens, users should use the aperture ring found on the lens. Allows a full-frame Olympus OM-mount lens to be used with a Micro Four Thirds-mount camera Maximizes apparent angle of view of combined camera and lens Provides a 1-stop increase for the camera over the lens's aperture range Five lens elements in four groups for optical clarity as well as color fidelity Detachable, Arca-Swiss compatible tripod foot with 3/8" threads Aluminum alloy components for weight reduction Brass mounting rings prevent wear-and-tear Locking mechanism for secure attachment of lens with push-button release  

Metabones MB_SPMD-m43-BM3 Minolta MD to Micro FourThirdsSpeed Booster ULTRA 0.71x (Black Matt)

Metabones MB_SPMD-m43-BM3 (MB_SPMD_m43_BM3, MB/SPMD/m43/BM3, MB SPMD m43 BM3) Minolta MD to Micro FourThirdsSpeed Booster ULTRA 0.71x (Black Matt) The Speed Booster Ultra 0.71x Adapter for Minolta MD-Mount Lens to Micro Four Thirds-Mount Camera from Metabones allows a Minolta MD-mount lens to be mounted onto a Micro Four Thirds-mount camera. While doing so, the adapter's optics help to maximize the connected lens's apparent angle of view while providing a 1-stop increase for the camera over the lens's aperture range. If a lens intended for 35mm film or similarly-sized full-frame camera sensors is connected to a camera with a Micro Four Thirds-sized sensor, it would project an image larger than the Micro Four Thirds sensor was built to accept. Able to capture only the center portion of the projected image, the effective angle of view of the lens would be narrowed, creating an in-camera "crop factor." The Speed Booster Ultra 0.71x Adapter for Minolta MD-Mount Lens to Micro Four Thirds-Mount Camera condenses the light from a lens designed for 35mm film or "full frame" camera sensors and projects it onto a Micro Four Thirds sensor. This allows a Micro Four Thirds sensor to utilize more of the light gathered by a connected lens, which effectively reduces the crop factor while making available to the sensor an additional 1 stop of light for each of the lens's f/stop settings. This adapter is constructed from aluminum alloy for durability while minimizing weight and its mounting rings are made with brass to further prevent wear-and-tear. Inside are five lens elements in four groups that are designed to provide optical clarity as well as color fidelity, and a detachable tripod foot is included that features 1/4"-20 threads as well as compatibility with Arca-Swiss tripod heads. The Speed Booster Ultra 0.71x Adapter for Minolta MD-Mount Lens to Micro Four Thirds-Mount Camera does not support electronic communication between an attached camera and lens. To help determine the amount of light that enters a Micro Four Thirds-mount camera when using this adapter and a Contax/Yashica-mount lens, users should use the aperture ring found on the lens. Allows a full-frame Minolta MD-mount lens to be used with a Micro Four Thirds-mount camera Maximizes apparent angle of view of combined camera and lens Provides a 1-stop increase for the camera over the lens's aperture range Five lens elements in four groups for optical clarity as well as color fidelity Detachable, Arca-Swiss compatible tripod foot with 3/8" threads Aluminum alloy components for weight reduction Brass mounting rings prevent wear-and-tear Locking mechanism for secure attachment of lens with push-button release  

Metabones MB_SPLR-m43-BM3 Leica R to Micro FourThirdsSpeed Booster ULTRA 0.71x (Black Matt)

Metabones MB_SPLR-m43-BM3 (MB_SPLR_m43_BM3, MB/SPLR/m43/BM3, MB SPLR m43 BM3) Leica R to Micro FourThirdsSpeed Booster ULTRA 0.71x (Black Matt) The Speed Booster Ultra 0.71x Adapter for Leica R-Mount Lens to Micro Four Thirds-Mount Camera from Metabones allows a Leica R-mount lens to be mounted onto a Micro Four Thirds-mount camera. While doing so, the adapter's optics help to maximize the connected lens's apparent angle of view while providing a 1-stop increase for the camera over the lens's aperture range. If a lens intended for 35mm film or similarly-sized full-frame camera sensors is connected to a camera with a Micro Four Thirds-sized sensor, it would project an image larger than the Micro Four Thirds sensor was built to accept. Able to capture only the center portion of the projected image, the effective angle of view of the lens would be narrowed, creating an in-camera "crop factor." The Speed Booster Ultra 0.71x Adapter for Leica R-Mount Lens to Micro Four Thirds-Mount Camera condenses the light from a lens designed for 35mm film or "full frame" camera sensors and projects it onto a Micro Four Thirds sensor. This allows a Micro Four Thirds sensor to utilize more of the light gathered by a connected lens, which effectively reduces the crop factor while making available to the sensor an additional 1 stop of light for each of the lens's f/stop settings. This adapter is constructed from aluminum alloy for durability while minimizing weight and its mounting rings are made with brass to further prevent wear-and-tear. Inside are five lens elements in four groups that are designed to provide optical clarity as well as color fidelity, and a detachable tripod foot is included that features 1/4"-20 threads as well as compatibility with Arca-Swiss tripod heads. The Speed Booster Ultra 0.71x Adapter for Leica R-Mount Lens to Micro Four Thirds-Mount Camera does not support electronic communication between an attached camera and lens. To help determine the amount of light that enters a Micro Four Thirds-mount camera when using this adapter and a Contax/Yashica-mount lens, users should use the aperture ring found on the lens. Allows a full-frame Leica R-mount lens to be used with a Micro Four Thirds-mount camera Maximizes apparent angle of view of combined camera and lens Provides a 1-stop increase for the camera over the lens's aperture range Five lens elements in four groups for optical clarity as well as color fidelity Detachable, Arca-Swiss compatible tripod foot with 3/8" threads Aluminum alloy components for weight reduction Brass mounting rings prevent wear-and-tear Locking mechanism for secure attachment of lens with push-button release  

Metabones MB_SPROLLEI-X-BM2 Rollei QBM to X-mount Speed Booster ULTRA 0.71x (Black Matt)

Metabones MB_SPROLLEI-X-BM2 (MB_SPROLLEI_X_BM2, MB/SPROLLEI/X/BM2, MB SPROLLEI X BM2) Rollei QBM to X-mount Speed Booster ULTRA  0.71x (Black Matt) Speed Booster ULTRA  for Rollei QBM lenses to adapt for use with Fuji X cameras. Sharper corners, less distortion, reduced vignetting  New optical design: Advanced 5-element/4-group optical design incorporating ultra-high index tanatalum-based optical glass to achieve extraordinary optical performance with improved corner sharpness, distortion and reduced vignetting. Like the revolutionary original Metabones Speed Booster announced in January 2013, the Speed Booster ULTRA has a magnification of 0.71x, and so it effectively reduces the crop factor of mirrorless cameras with DX-sized sensors, such as Sony E-mount and Fuji X-mount cameras, from 1.5x to 1.07x.  However, the new ULTRA design makes very effective use of exotic materials at the furthest limit of glassmaking technology, and as a result is well corrected for use with virtually all fullframe SLR lenses regardless of exit pupil distance. Thus, the Speed Booster ULTRA performs extremely well with professional-grade f/2.8 zoom lenses such as the 24-70mm f/2.8 and 70-200mm f/2.8 zooms by Canon and Nikon to produce 17-50mm f/2.0 and 50-142mm f/2.0 high-speed zooms, respectively.  Similarly, high-speed fixed focal length lenses such as a 50mm f/1.2 will be transformed into a 35.5mm f/0.9 lens with excellent contrast and resolution from the center all the way to the edges of the image. 

Metabones MB_SPROLLEI-E-BM2 Rollei QBM to E-mount Speed Booster ULTRA 0.71x (Black Matt)

Metabones MB_SPROLLEI-E-BM2 (MB_SPROLLEI_E_BM2, MB/SPROLLEI/E/BM2, MB SPROLLEI E BM2) Rollei QBM to E-mount Speed Booster ULTRA  0.71x (Black Matt) Speed Booster ULTRA  for Rollei QBM mount lenses to adapt for use with Sony E-Mount cameras. Sharper corners, less distortion, reduced vignetting  New optical design: Advanced 5-element/4-group optical design incorporating ultra-high index tanatalum-based optical glass to achieve extraordinary optical performance with improved corner sharpness, distortion and reduced vignetting. Like the revolutionary original Metabones Speed Booster announced in January 2013, the Speed Booster ULTRA has a magnification of 0.71x, and so it effectively reduces the crop factor of mirrorless cameras with DX-sized sensors, such as Sony E-mount and Fuji X-mount cameras, from 1.5x to 1.07x.  However, the new ULTRA design makes very effective use of exotic materials at the furthest limit of glassmaking technology, and as a result is well corrected for use with virtually all fullframe SLR lenses regardless of exit pupil distance. Thus, the Speed Booster ULTRA performs extremely well with professional-grade f/2.8 zoom lenses such as the 24-70mm f/2.8 and 70-200mm f/2.8 zooms by Canon and Nikon to produce 17-50mm f/2.0 and 50-142mm f/2.0 high-speed zooms, respectively.  Similarly, high-speed fixed focal length lenses such as a 50mm f/1.2 will be transformed into a 35.5mm f/0.9 lens with excellent contrast and resolution from the center all the way to the edges of the image. 

Metabones MB_SPMD-E-BM2 Minolta MD to E-mount Speed Booster ULTRA 0.71x (Black Matt)

Metabones MB_SPMD-E-BM2 (MB_SPMD_E_BM2, MB/SPMD/E/BM2, MB SPMD E BM2) Minolta MD to E-mount Speed Booster ULTRA  0.71x (Black Matt) The Metabones Minolta MD Lens to Sony E-Mount Camera ULTRA Speed Booster improves upon the original Metabones Speed Booster with a 5 element/4 group optical design that incorporates ultra-high refractive index tantalum-based glass for improved sharpness and reduced distortion and vignetting. The Speed Booster ULTRA allows a full frame Minolta MD lens to be mounted to an APS-C format E-Mount camera and in doing so, increases the angle of view and increases the maximum aperture by approximately one f/stop. When a lens intended for full frame sensors or 35mm film is mounted to a camera with an APS-C sized sensor, it transmits a larger area of light than the smaller sensor was built to accept and therefore the effective angle of view of the lens increases. The Speed Booster condenses light from the lens and projects it onto the APS-C sensor allowing the sensor to utilize all of the lens' light and effectively reduces the crop factor of and APS-C E-Mount camera from 1.5x to 1.07x, producing a full-frame angle of view with an APS-C sensor. A corresponding increase in the maximum aperture of one f/stop makes the lens more effective in low-light situations and able to create a shallow depth of field. Metabones Speed Boosters are quality made using precision-machined brass with chromium plating on both the camera body and the lens side of the booster in order to ensure smooth mounting, quality aesthetic and durability. This adapter has a detachable tripod foot that is compatible with Arca Swiss, Markins and Photo Clam ball heads. Although the lens will fit physically, automatic diaphragm (AE metering) or other auto functions are not retained using this speed booster. These speed boosters are only fully compatible with mirrorless cameras housing APS-C or smaller image sensors. They will physically fit the Sony full frame mirrorless cameras, but the camera must be set in Crop Mode to fully support the speed booster's functions.

Metabones MB_PL-m43-BT1 PL to Micro FourThirds T (Black Matt)

Metabones MB_PL-m43-BT1 (MB_PL_m43_BT1, MB/PL/m43/BT1, MB PL m43 BT1) PL to Micro FourThirds T (Black Matt) Mount your PL lens to your Micro Four Thirds camera with this T Adapter from Metabones. Precision-crafted from brass and given chromium plating, this adapter is designed for daily use and will guarantee infinity focus. This model has a flocked interior that will limit flaring and ghosting from reflections inside the adapter, and a satin exterior finish matches that of most cameras for a unified appearance. Additionally, it has a detachable Arca-type compatible tripod foot for simple mounting to a variety of tripods. While this adapter allows users to mount a PL lens on their Micro Four Thirds camera, automatic functions such as autofocus and electronic aperture control will not be supported.

Metabones MB_SPEF-E-BT4 Canon EF to Emount T CINE Speed Booster ULTRA 0.71x (Black Matt)

Metabones MB_SPEF-E-BT4 (MB_SPEF_E_BT4, MB/SPEF/E/BT4, MB SPEF E BT4) Canon EF to Emount T CINE Speed Booster ULTRA 0.71x (Black Matt) Realize the full potential of your full-frame Canon EF-Mount glass on your APS-C and Super35 format Sony E-Mount cameras with this Metabones Canon EF to Sony E-Mount T Speed Booster ULTRA II 0.71x. Utilizing advanced optics, this adapter will increase the apparent angle of view of your full-frame lens by 0.71x, effectively combating the crop factor of an APS-C camera. This also increases the apparent sharpness of your image while also increasing the maximum aperture by 1 stop, making your full-frame lens look as if it were mounted on a full-frame camera. Further improving on previous generations of Smart Adapters, this fifth-generation model now features a rubber gasket to protect the camera's mount from dust and moisture, offers a status notification LED light to check operation modes, and provides a dedicated switch that controls in-body image stabilization of select cameras. Also, this version is compatible with the Sony PXW-FS7 Mark II video camera. This adapter is equipped with numerous capabilities thanks to the use of a high-performance 32-bit processor. The features include support for both phase-detect and contrast-detect AF systems, as well as the ability to control the aperture from the camera body. Smooth iris effects are possible on select lenses, and 5-axis stabilization is available thanks to communication of distance information with supported lenses. Also, it features a programmable function button, enables electronic (focus-by-wire) manual focusing, transmits EXIF data to the camera, and works with in-lens image stabilization. Additionally, distance and zoom is displayed on certain camcorders and mirrorless cameras, auto magnify can be enabled, and it can automatically switch into APS-C mode, depending on the lens used. Beyond electronic communication, the adapter has many physical advantages as well, such as a black felt flocking on the inside of the adapter that prevents reflections. For larger lenses, there is a removable Arca-type compatible tripod foot with a 1/4"-20 thread on the base. Allows users to adapt a full-frame Canon EF-Mount lens to an APS-C/Super35 Sony E-Mount camera, or a full-frame camera in APS-C mode. Advanced 5-element in 4-group optical construction uses ultra-high index tantalum-based glass, increasing the angle of view of a full-frame lens by 0.71x, and the maximum aperture by one stop. This effectively compensates for the 1.5x crop factor of APS-C cameras and provides an image like that of a full-frame lens on a full-frame camera. Electronic contacts permit transmission of data between the lens and camera enabling autofocus, auto exposure, image stabilization, aperture control from the camera body, saving EXIF information, and more. Status notification LED light on the adapter will show the user what mode the adapter is currently in. Dedicated switch for controlling in-body image stabilization. Programmable function button for rapid access to commonly used settings and features. Support for phase-detect AF with the a7R II, a7 II, a6500, and a6300 cameras. Compatible with Sony PXW-FS7M2 (Mark II) camera. Smooth iris support with select Canon (2009 and later), Tamron (SP series 2013 and later), and Sigma (2016 and later) lenses. Enables electronic manual focusing on lenses, such as the Canon EF 85mm f/1.2L II, that use a focus-by-wire system. Support for distance and zoom display, auto magnify, and auto APS-C Size Capture settings on select cameras. Internal felt flocking prevents reflections. Removable Arca-type compatible tripod foot with 1/4"-20 thread. Powered by camera body.  

Vocas 0256-2010 MB-256 Matte Box Kit

Vocas 0256-2010 (0256_2010, 0256/2010, 02562010, 0256-2010) MB-256 Matte Box Kit The Vocas MB-256 Matte Box Kit has been designed to work with any camera with 15mm LW support. This kit comes included with the MB-256 Matte box as well as a flexible cuff ring, swing away bracket and a height adjustable bars adapter.

Vocas 0436-2010 MB-436 Matte Box System Kit

Vocas 0436-2010 (0436_2010, 0436/2010, 04362010, 0436-2010) MB-436 Matte Box System Kit The Vocas MB-436 Kit includes the Matte Box System, Flexible Donut Adaptor Ring and Swing Away Bracket. Packed with features that protect your camera and enhance creativity, the MB-436 matte box is designed as a 4"x5.65" matte box with all the unique Vocas features but at an economical price and is perfectly compatible with big lenses and the latest large sensor and 3D cameras. When the filter trays need to be rotated above standard 15 mm rails it is advised to use a swing away bracket for this matte box.   This will allow the height of the rails to be lowered so the filter trays can rotate freely.

Vocas 0340-0001 Side Flag Kit

Vocas 0340-0001 (0340_0001, 0340/0001, 03400001, 0340-0001) Side Flag Kit The Vocas Side Flag Kit for MB-250/315/320 offers protection from undesired lens flare effects, especially in bright artificial lighting and sun, and is ideal for MB-315 and MB-325 matteboxes. With 2 side flags, an extra-large top flag, and 2 friction flags, the Side Flag Kit offers effective light management by reducing off-axis light from affecting the front of the lens. The friction hinges help fix the flags in the desired position.

Sony 35mm E-Mount 28-135mm Zoom Lens

Sony SELP28135G.SYX (SELP28135G_SYX, SELP28135G/SYX, SELP28135G-SYX, SELP28135G) 35mm E-Mount 28-135mm Zoom Lens  The SELP28135G is a powered zoom lens that has been created to satisfy professional optical and operational requirements for high-quality movie imagery, including 4K, when matched with a 35mm full frame format camera such as the α7S or a Super 35 format camcorder such as the PXW-FS7*. Focus breathing and zoom image shift have been reduced to an absolute minimum, while aspherical elements and advanced multi-coating technology effectively suppress aberration. Quiet operation is also a priority, so an SSM (Super Sonic wave Motor) drive system has been employed for precise, quiet zooming. Independent control rings for zoom, focus, and iris using physical stops are provided for the first time into an E-Mount an lens. Built-in Optical SteadyShot image stabilization adds to the extraordinary performance of this outstanding lens which is supporting a constant F4. *Zoom range increases to 42-202.5mm when using the lens on an APS-C or Super 35 camera. 35mm full frame imagery Precision optical design supports top-quality 4K production with minimum angle of view variation while focusing and axial displacement while zooming. F4 OSS with extendable zoom range The SELP28135G has minimum focus of 0.4 m (AF) / 0.95 m (MF) and has extanded zoom range of 42-202.5mm when used on an APS-C or S35 camera. High speed operation with independent control rings High-end operation and feel inherited from Sony professional equipment. Three control rings for iris, focus and zoom offer manual control for demanding large format production. Quiet operation The world’s first SSM (Super Sonic wave Motor) drive in a lens designed for moviemaking achieves quiet zoom and extra-smooth iris control. Lightweight and compact Compact, lightweight design that is also dust and moisture resistant is ideal for situations that require mobility plus reliability.s

Sony SAL1635Z2.SYX Vario-Sonnar T 16–35mm F2.8 ZA SSM II Lens

Sony SAL1635Z2.SYX (SAL-1635Z2.SYX, SAL1635Z2, SAL-1635Z2, sal1635z2.syx) Vario-Sonnar T 16–35mm F2.8 ZA SSM II Lens The Sony 16-35mm f/2.8 ZA SSM II Vario-Sonnar T* Lens is a fast and versatile wide-angle zoom that is designed for Sony and Minolta full-frame or APS-C A-Mount cameras. Users of compatible 35mm full-frame cameras can obtain a 107 to 63° angle of view, making this lens suitable for fitting subjects ranging from landscapes to large groups into your frame. On a Sony or Minolta APS-C A-Mount camera, this lens's angle of view becomes equivalent to that of a 24-52.5mm lens on a full-frame 35mm film camera or DSLR. Wide-angle photography on an APS-C A-Mount camera is supported, as well as the ability to replicate the narrower angle of view provided when a 50mm lens is placed on a full-frame 35mm film camera or DSLR which is a useful combination for street and travel photography. An extra-low dispersion, a super extra-low dispersion, and three aspherical elements are incorporated within the lens to maintain low distortion and corner sharpness while minimizing chromatic aberrations. Carl Zeiss T* (T-Star) lens coatings provide high contrast and uniform image resolution while helping to eliminate lens flare, internal reflection, and light scattering. Silent Super Sonic Wave autofocus motor and aperture mechanisms contribute to fast lens operation and the suppression of unwanted noise when capturing still photos as well as video clips. This lens's durable dust and weather-resistant design contributes to the versatility of Sony camera bodies that also feature weather-resistant components, allowing you to photograph in places or at times where exposure to the elements could impact camera system performance. When used with a Sony A-Mount to E-Mount Lens Adapter, or a Sony A-Mount to E-Mount Lens Adapter with Translucent Mirror Technology that helps maintain autofocus performance, full-frame or APS-C Sony E-Mount cameras can also utilize this lens. 16-35mm full-frame zoom offers a versatile wide-angle focal length on both Sony A-Mount full-frame cameras and APS-C cameras. On Sony A-Mount APS-C cameras, this lens provides a 35mm-equivalent focal length of 24-52.5mm. Full-frame or APS-C Sony E-Mount cameras can work with this lens using a Sony A-Mount to E-Mount Lens Adapter, or a Sony A-Mount to E-Mount Lens Adapter with Translucent Mirror Technology that helps maintain autofocus performance. Fast f/2.8 maximum aperture benefits working in difficult lighting conditions and also aids in selective focus control. Three aspherical elements help to maintain low distortion and corner sharpness, while one extra-low dispersion element and one super extra-low dispersion element reduce chromatic aberrations. Carl Zeiss T* (T-Star) coatings provide high contrast and uniform image resolution while helping to eliminate lens flare, internal reflection, and light scattering. Weather-resistant design permits outdoor use and contributes to the versatility of Sony camera bodies that also feature weather-resistant components. Super Sonic Wave Motor produces high torque at slow rotation. Quiet, precise, and immediate start and stop responses are provided. Silent autofocus and aperture operation prevent distracting sounds during video capture. Focusing is achieved internally, keeping the length of the lens consistent. Fast autofocus speed as well as focus tracking is maintained and the front of the lens or a polarizer mounted on it is prevented from unintentionally rotating. Once focus has been set, pressing the Focus Hold Button on the lens barrel keeps the lens locked to the selected focusing distance. Built-in Distance Encoder works in conjunction with Sony's Advanced Distance Integration flash metering system. This encoder helps a connected camera and a compatible flash take into account the distance of the subject from the camera system, helping to ensure that the correct amount of flash is used. Nine rounded diaphragm blades contribute to a pleasing out-of-focus quality and benefit the use of shallow depth of field techniques.

Sony Custom Rack Mounting Kit CCU-590P and CCU-TX50

Sony RMM-301 (RMM301, RMM/301, rmm-301)(CCU/590P, CCU_590P)(CCU TX50, CCU/TX50) Custom Rack Mounting Kit CCU-590P and CCU-TX50The Sony RMM-301 is the custom rack mounting kit for both the HDFX-100/S Triax adapters and CCU-550D Triax camera controller. This kit allows the camera controller to be mounted on a standard 19" wide equipment rack system.

Sony Rackmount Kit for PFV-L10 Interface Unit

Sony RMM-10 (RMM10, RMM/10, rmm-10) (PFV/L10, PFV_L10) Rackmount Kit for PFV-L10 Interface Unit The RMM-10 rack mount kit is designed to work with the MVS Series switchers and PFV-L10 interface unit. Standard rack mounting Allows the units to be rack mounted in all standard racks.

Sony CRT Viewfinder Adapter without Large Lens for HDC Models (Black)

Sony HDLA-1507//UB (HDLA1507//UB, HDLA/1507//UB, hdla-1507//ub) CRT Viewfinder Adapter without Large Lens for HDC Models (Black) The HDLA-1507 is a highly sophisticated large viewfinder adapter for the HDC1500, HDC1550, and HDC3300. It accepts a large viewfinder - HDVF-700A/9900 - to be used with the portable camera.

Sony Hybrid Optical Fiber Cable - 150m

Sony CCFN-150//U (CCFN150-U, CCFN/150_U, ccfn-150-u) Hybrid Optical Fiber Cable - 150m The 492' Hybrid Type Optical Fiber Cable from Sony is designed to connect the CA-FB70 optical fiber camera adapter to the HXCU-FB70 power supply extension unit. This cable features opticalCON connectors, which are compatible with LC connectors and offer improved strength and protection against dust. The cable can be combined with other cables for longer cable runs with the CCFN-JC1 coupler (sold separately). Fiber cable with power supply capability opticalCON connectors Designed to connect the CA-FB70 optical fiber camera adapter to the HXCU-FB70 Compatible with the HXC-D70H/K/L SD/HD studio camera kits

MTF MTSUPM43E M/43 & E Mount Support

MTF MTSUPM43E (MTS-UPM43E, MTS UPM43E, MTS/UPM43E, mtsupm43e) M/43 & E Mount Support Designed and built in the UK to compliment all MTF Micro 4/3 and E mount adaptors.     Fits any 15mm support bar system.     Protects camera lens mounts from damage.     Holds all adaptors firmly to avoid lens rotation while adjusting zoom and focus.     Bridge section doubles as a support for long SLR lenses.  

Metabones MB_SPFD-E-BM2 Canon FD to E-mount Speed Booster ULTRA 0.71x (Black Matt)

Metabones MB_SPFD-E-BM2 (MB_SPFD_E_BM2, MB/SPFD/E/BM2, MB SPFD E BM2) Canon FD to E-mount Speed Booster ULTRA 0.71x (Black Matt) The Canon FD Lens to Sony E-Mount Camera Speed Booster ULTRA from Metabones improves upon the original Metabones Speed Booster with a 5 element/4 group optical design that incorporates ultra-high refractive index tantalum-based glass for improved sharpness and reduced distortion and vignetting. The Speed Booster ULTRA allows a full frame Canon FD lens to be mounted to an APS-C format E-Mount camera and in doing so, increases the angle of view and increases the maximum aperture by approximately one f/stop.  When a lens intended for full frame sensors or 35mm film is mounted to a camera with an APS-C sized sensor, it transmits a larger area of light than the smaller sensor was built to accept and therefore the effective angle of view of the lens decreases. The Speed Booster condenses light from the lens and projects it onto the APS-C sensor allowing the sensor to utilize all of the lens' light and effectively reduces the crop factor of and APS-C E-Mount camera from 1.5x to 1.07x, producing a full-frame angle of view with an APS-C sensor. A corresponding increase in the maximum aperture of one f/stop makes the lens more effective in low-light situations and able to create a shallow depth of field.  Metabones Speed Boosters are quality made using precision-machined brass with chromium plating on both the camera body and the lens side of the booster in order to ensure smooth mounting, quality aesthetic, and durability. This adapter has a detachable tripod foot that is compatible with Arca Swiss, Markins, and Photo Clam ball heads. Although the lens will fit physically, automatic diaphragm (AE metering), or other auto functions are not retained using this speed booster. These speed boosters are only fully compatible with mirrorless cameras housing APS-C or smaller image sensors. They will physically fit the Sony full frame mirrorless cameras, but the camera must be set in Crop Mode to fully support the speed booster's functions. Allows a full frame Canon FD lens to be mounted to an E-mount APS-C format camera and in doing so, increases the angle of view and increases the maximum aperture by one f/stop. The Speed Booster ULTRA design incorporates ultra-high index tantalum-based optical glass for enhanced optical performance with improved corner sharpness and reduced distortion and vignetting. This glass technology and optical design perform extremely well with professional-grade f/2.8 zoom lenses and high-speed fixed focal length lenses such as a 50mm f/1.2 which will perform as a 35.5mm f/0.9 lens with high contrast and resolution from the center to the edges of the image. Precise fit and solid connection - lens has no play, gap or wiggling when mounted on speed booster and no adjustments are required to fit your lens. Both the camera-side and the lens-side of the speed booster are made of brass which is precision-machined and chrome-plated. The Speed Booster uses matte-black treatment to keep internal reflection to a minimum in order to maintain the maximum optical quality possible with the lens. The exterior features a black satin surface finish. Designed to reach infinity focus while maintaining the correct registration distance required to maintain optical quality of CRC lenses or lenses with floating elements. The speed booster features a detachable tripod foot which is compatible with Arca Swiss, Markins, Photo Clam ball heads. Although the lens will fit physically, automatic diaphragm (AE metering), or other auto functions are not retained using this speed booster.

Metabones MB_SPA-X-BM2 Sony Alpha to X-mount Speed Booster ULTRA 0.71x (Black Matt)

Metabones MB_SPA-X-BM2 (MB_SPA_X_BM2, MB/SPA/X/BM2, MB SPA X BM2) Sony Alpha to X-mount Speed Booster ULTRA 0.71x (Black Matt) The Speed Booster Ultra 0.71x Adapter for Sony A-Mount Lens to Fujifilm X-Mount Camera from Metabones allows a full-frame Sony A-mount lens to be mounted onto a Fujifilm X-mount camera. While doing so, the adapter's optics help to maximize the connected lens's apparent angle of view while providing a 1-stop increase for the camera over the lens's aperture range. If a lens intended for 35mm film or similarly sized full-frame camera sensors is connected to a camera with a Fuji X-mount APS-C-sized sensor, it would project an image larger than the Fuji X-mount APS-C sensor was built to accept. Able to capture only the center portion of the projected image, the effective angle of view of the lens would be narrowed, creating an in-camera "crop factor." The Speed Booster Ultra 0.71x Adapter for Sony A-Mount Lens to Fujifilm X-Mount Camera condenses the light from a lens designed for 35mm film or "full frame" camera sensors and projects it onto a Fuji X-mount APS-C sensor. This allows a Fuji X-mount APS-C sensor to utilize more of the light gathered by a connected lens, which effectively reduces the crop factor while making available to the sensor an additional 1 stop of light for each of the lens's f/stop settings. This adapter is constructed from aluminum alloy for durability while minimizing weight and its mounting rings are made with brass to further prevent wear-and-tear. Inside are five lens elements in four groups that are designed to provide optical clarity as well as color fidelity, and a detachable tripod foot is included that features 3/8" threads as well as compatibility with Arca-Swiss tripod heads. The Speed Booster Ultra 0.71x Adapter for Sony A-Mount Lens to Fujifilm X-Mount Camera does not support electronic communication between an attached camera and lens. To help determine the amount of light that enters a Fujifilm X-mount camera when using this adapter and a Sony A-mount lens, an aperture dial is built into the Speed Booster Ultra 0.71x Adapter for Sony A-Mount Lens to Fujifilm X-Mount Camera. Allows a full-frame Sony A-mount lens to be used with a Fujifilm X-mount camera Maximizes apparent angle of view of combined camera and lens Provides a 1-stop increase for the camera over the lens's aperture range Five lens elements in four groups for optical clarity as well as color fidelity Detachable, Arca-Swiss compatible tripod foot with 3/8" threads Aluminum alloy components for weight reduction Brass mounting rings prevent wear-and-tear Locking mechanism for secure attachment of lens with push-button release  

Metabones MB_SPA-E-BM2 Sony Alpha to E-mount Speed Booster ULTRA 0.71x (Black Matt)

Metabones MB_SPA-E-BM2 (MB_SPA_E_BM2, MB/SPA/E/BM2, MB SPA E BM2) Sony Alpha to E-mount Speed Booster ULTRA 0.71x (Black Matt) The Sony A-Mount Lens to Sony E-Mount Camera Speed Booster ULTRA from Metabones improves upon the original Metabones Speed Booster with a 5 element/4 group optical design that incorporates ultra-high refractive index tantalum-based glass for improved sharpness and reduced distortion and vignetting. The Speed Booster ULTRA allows a full frame Sony A-Mount lens to be mounted to an APS-C format E-Mount camera and in doing so, increases the angle of view and increases the maximum aperture by approximately one f/stop.  When a lens intended for full frame sensors or 35mm film is mounted to a camera with an APS-C sized sensor, it transmits a larger area of light than the smaller sensor was built to accept and therefore the effective angle of view of the lens decreases. The Speed Booster condenses light from the lens and projects it onto the APS-C sensor allowing the sensor to utilize all of the lens' light and effectively reduces the crop factor of and APS-C E-Mount camera from 1.5x to 1.07x, producing a full-frame angle of view with an APS-C sensor. A corresponding increase in the maximum aperture of one f/stop makes the lens more effective in low-light situations and able to create a shallow depth of field.  Metabones Speed Boosters are quality made using precision-machined brass with chromium plating on both the camera body and the lens side of the booster in order to ensure smooth mounting, quality aesthetic, and durability. This adapter has a detachable tripod foot that is compatible with Arca Swiss, Markins, and Photo Clam ball heads. Although the lens will fit physically, automatic diaphragm (AE metering), or other auto functions are not retained using this speed booster. A built-in aperture control ring enables manual control of aperture from the speed booster. These speed boosters are only fully compatible with mirrorless cameras housing APS-C or smaller image sensors. They will physically fit the Sony full frame mirrorless cameras, but the camera must be set in Crop Mode to fully support the speed booster's functions. Allows a full frame Sony A-Mount lens to be mounted to an E-mount APS-C format camera and in doing so, increases the angle of view and increases the maximum aperture by one f/stop. The Speed Booster ULTRA design incorporates ultra-high index tantalum-based optical glass for enhanced optical performance with improved corner sharpness and reduced distortion and vignetting. This glass technology and optical design perform extremely well with professional-grade f/2.8 zoom lenses and high-speed fixed focal length lenses such as a 50mm f/1.2 which will perform as a 35.5mm f/0.9 lens with high contrast and resolution from the center to the edges of the image. Precise fit and solid connection - lens has no play, gap or wiggling when mounted on speed booster and no adjustments are required to fit your lens. Both the camera-side and the lens-side of the speed booster are made of brass which is precision-machined and chrome-plated. The Speed Booster uses matte-black treatment to keep internal reflection to a minimum in order to maintain the maximum optical quality possible with the lens. The exterior features a black satin surface finish. A built-in aperture control ring enables manual control of aperture from the speed booster. Designed to reach infinity focus while maintaining the correct registration distance required to maintain optical quality of CRC lenses or lenses with floating elements. The speed booster features a detachable tripod foot which is compatible with Arca Swiss, Markins, Photo Clam ball heads. Although the lens will fit physically, automatic diaphragm (AE metering), or other auto functions are not retained using this speed booster.

Metabones MB_SPCX-X-BM1 Contarex to Xmount Speed Booster 0.71x (Black Matt)

Metabones MB_SPCX-X-BM1 (MB_SPCX_X_BM1, MB/SPCX/X/BM1, MB SPCX X BM1) Contarex to Xmount Speed Booster  0.71x (Black Matt) The Contarex Lens to Sony NEX Camera Speed Booster from Metabones allows Contarex lenses to be mounted to Sony E-Mount APS-C format cameras, increasing the angle of view and the maximum aperture of the lens by 1 f-stop. This photo accessory also comes with a detachable tripod foot that is compatible with Arca Swiss, Markins, and Photo Clam ball heads. The Speed Booster condenses light from the lens and projects it onto the APS-C sensor without vignetting; this allows the sensor to capture all of the lens' transmitted light and effectively produce full-frame coverage on non-full-frame sensors. A corresponding increase in the maximum aperture of 1 stop makes the lens more effective in low-light situations and able to create a shallow depth of field. Metabones' Speed Boosters are made of machined brass, finished in satin black, the camera-body, and chromium-plated on both mounts to ensure smooth mounting and reliability. These speed boosters are only fully compatible with mirrorless cameras housing APS-C or smaller image sensors. They will physically fit the Sony A7/A7R full frame mirrorless cameras but the camera must be set in Crop Mode to fully support the speed booster's functions. Automatic diaphragm (AE metering) and other auto functions are deactivated while Speed Booster is attached. Allows Contarex lens to be mounted to Sony E-Mount camera Increases the angle of view and maximum aperture by 1 stop Electronic integration of aperture diaphragm controlled from the camera body. Reaches infinity focus while maintaining the correct registration distance Precision-machined and chromium-plated brass lens and camera mounts Matte-black interior finish reduces internal reflection and helps preserve image quality Detachable tripod foot compatible with Arca Swiss, Markins, and Photo Clam ball heads Satin black finish exterior  

Metabones MB_SPCX-E-BM1 Contarex to Emount Speed Booster 0.71x (Black Matt)

Metabones MB_SPCX-E-BM1 (MB_SPCX_E_BM1, MB/SPCX/E/BM1, MB_SPCX_E_BM1) Contarex to Emount Speed Booster  0.71x (Black Matt) The Contarex Lens to Sony NEX Camera Speed Booster from Metabones allows Contarex lenses to be mounted to Sony E-Mount APS-C format cameras, increasing the angle of view and the maximum aperture of the lens by 1 f-stop. This photo accessory also comes with a detachable tripod foot that is compatible with Arca Swiss, Markins, and Photo Clam ball heads. The Speed Booster condenses light from the lens and projects it onto the APS-C sensor without vignetting; this allows the sensor to capture all of the lens' transmitted light and effectively produce full-frame coverage on non-full-frame sensors. A corresponding increase in the maximum aperture of 1 stop makes the lens more effective in low-light situations and able to create a shallow depth of field. Metabones' Speed Boosters are made of machined brass, finished in satin black, the camera-body, and chromium-plated on both mounts to ensure smooth mounting and reliability. These speed boosters are only fully compatible with mirrorless cameras housing APS-C or smaller image sensors. They will physically fit the Sony A7/A7R full frame mirrorless cameras but the camera must be set in Crop Mode to fully support the speed booster's functions. Automatic diaphragm (AE metering) and other auto functions are deactivated while Speed Booster is attached. Allows Contarex lens to be mounted to Sony E-Mount camera Increases the angle of view and maximum aperture by 1 stop Electronic integration of aperture diaphragm controlled from the camera body. Reaches infinity focus while maintaining the correct registration distance Precision-machined and chromium-plated brass lens and camera mounts Matte-black interior finish reduces internal reflection and helps preserve image quality Detachable tripod foot compatible with Arca Swiss, Markins, and Photo Clam ball heads Satin black finish exterior

Metabones MB_SPALPA-X-BM2 ALPA to Xmount Speed Booster ULTRA 0.71x (Black Matt)

Metabones MB_SPALPA-X-BM2 (MB_SPALPA_X_BM2, MB/SPALPA/X/BM2, MB SPALPA X BM2) ALPA to Xmount Speed Booster ULTRA 0.71x (Black Matt) The ALPA Lens to Fujifilm X-Mount Camera Speed Booster ULTRA from Metabones improves upon the original Metabones Speed Booster with a 5 element/4 group optical design that incorporates ultra-high refractive index tantalum-based glass for improved sharpness and reduced distortion and vignetting. The Speed Booster ULTRA allows a full frame ALPA lens to be mounted to an APS-C format X-Mount camera and in doing so, increases the angle of view and increases the maximum aperture by approximately one f/stop.  When a lens intended for full frame sensors or 35mm film is mounted to a camera with an APS-C sized sensor, it transmits a larger area of light than the smaller sensor was built to accept and therefore the effective angle of view of the lens increases. The Speed Booster condenses light from the lens and projects it onto the APS-C sensor allowing the sensor to utilize all of the lens' light and effectively reduces the crop factor of and APS-C E-Mount camera from 1.5x to 1.07x, producing a full-frame angle of view with an APS-C sensor. A corresponding increase in the maximum aperture of one f/stop makes the lens more effective in low-light situations and able to create a shallow depth of field.  Although the lens will fit physically, automatic diaphragm (AE metering), or other auto functions are not retained using this speed booster.  Metabones Speed Boosters are quality made, using precision-machined brass with chromium plating on both the camera body and the lens side of the booster in order to ensure smooth mounting, quality aesthetic, and durability. A matte black interior reduces internal reflections and a black satin finish external surface matches with most camera bodies and lenses. This adapter has a tripod foot that is compatible with Arca Swiss, Markins, and Photo Clam ball heads, and can be removed if needed with an included hex key. Allows a full frame ALPA lens to be mounted to an Fujifilm X-mount APS-C format camera and in doing so, increases the angle of view and increases the maximum aperture by one f/stop. The Speed Booster ULTRA design incorporates ultra-high index tantalum-based optical glass for enhanced optical performance with improved corner sharpness and reduced distortion and vignetting. This glass technology and optical design perform extremely well with professional-grade f/2.8 zoom lenses and high-speed fixed focal length lenses such as a 50mm f/1.2 which will perform as a 35.5mm f/0.9 lens with high contrast and resolution from the center to the edges of the image. Precise fit and solid connection - lens has no play, gap or wiggling when mounted on speed booster and no adjustments are required to fit your lens. Both the camera-side and the lens-side of the speed booster are made of brass which is precision-machined and chrome-plated. The Speed Booster uses matte-black treatment to keep internal reflection to a minimum in order to maintain the maximum optical quality possible with the lens. The exterior features a black satin surface finish. Designed to reach infinity focus while maintaining the correct registration distance required to maintain optical quality of CRC lenses or lenses with floating elements. The speed booster features a detachable tripod foot which is compatible with Arca Swiss, Markins, Photo Clam ball heads. Although the lens will fit physically, automatic diaphragm (AE metering), or other auto functions are not retained using this speed booster. Two hex keys included with the product, one to detach the tripod foot and another to tighten a mounting screw

MTF MTB4S16PL B4 2/3" to Super16 PL Adaptor

MTF MTB4S16PL (MTB-4S16PL, MTB 4S16PL, MTB/4S16PL, mtb4s16pl) B4 2/3" to Super16 PL Adaptor For MFT Cameras with Super 16mm Sensors   Less than 1 Stop of Light Loss Use B4 2/3" lenses on a PL mount camera with a Super16 sensor. This means you can take advantage of Sony's new 2K Super16 crop mode on the F5 and F55, as well as the 2K mode on RED's Epic and Scarlet cameras. MTF own stainless steel C Mount. Please note: although it has a PL mount, this adaptor will not cover anything larger than a Super16 size sensor. If you have a sensor that is larger than Super16, you can use the MTF B4 2/3" to Arri PL Adaptor. There will be approximately 0.8 stop of light loss when using this adaptor. We recommend you use HD lenses for the highest quality possible. Other Camera Fits: PL mount, Red Epic PL, Red Scarlet PL, Sony PMW-F5, Sony PMW-F55 Other Lens Fits:   B4 2/3"

Metabones MB_SPALPA-E-BM2 ALPA to Emount Speed Booster ULTRA 0.71x (Black Matt)

Metabones MB_SPALPA-E-BM2 (MB_SPALPA_E_BM2, MB/SPALPA/E/BM2, MB SPALPA E BM2) ALPA to Emount Speed Booster ULTRA 0.71x (Black Matt) The ALPA Lens to Sony E-Mount Camera Speed Booster ULTRA from Metabones improves upon the original Metabones Speed Booster with a 5 element/4 group optical design that incorporates ultra-high refractive index tantalum-based glass for improved sharpness and reduced distortion and vignetting. The Speed Booster ULTRA allows a full frame ALPA lens to be mounted to an APS-C format E-Mount camera and in doing so, increases the angle of view and increases the maximum aperture by approximately one f/stop.  When a lens intended for full frame sensors or 35mm film is mounted to a camera with an APS-C sized sensor, it transmits a larger area of light than the smaller sensor was built to accept and therefore the effective angle of view of the lens decreases. The Speed Booster condenses light from the lens and projects it onto the APS-C sensor allowing the sensor to utilize all of the lens' light and effectively reduces the crop factor of and APS-C E-Mount camera from 1.5x to 1.07x, producing a full-frame angle of view with an APS-C sensor. A corresponding increase in the maximum aperture of one f/stop makes the lens more effective in low-light situations and able to create a shallow depth of field.  Metabones Speed Boosters are quality made using precision-machined brass with chromium plating on both the camera body and the lens side of the booster in order to ensure smooth mounting, quality aesthetic, and durability. This adapter has a detachable tripod foot that is compatible with Arca Swiss, Markins, and Photo Clam ball heads. Although the lens will fit physically, automatic diaphragm (AE metering), or other auto functions are not retained using this speed booster. These speed boosters are only fully compatible with mirrorless cameras housing APS-C or smaller image sensors. They will physically fit the Sony full frame mirrorless cameras, but the camera must be set in Crop Mode to fully support the speed booster's functions. Allows a full frame ALPA lens to be mounted to an E-mount APS-C format camera and in doing so, increases the angle of view and increases the maximum aperture by one f/stop. The Speed Booster ULTRA design incorporates ultra-high index tantalum-based optical glass for enhanced optical performance with improved corner sharpness and reduced distortion and vignetting. This glass technology and optical design perform extremely well with professional-grade f/2.8 zoom lenses and high-speed fixed focal length lenses such as a 50mm f/1.2 which will perform as a 35.5mm f/0.9 lens with high contrast and resolution from the center to the edges of the image. Precise fit and solid connection - lens has no play, gap or wiggling when mounted on speed booster and no adjustments are required to fit your lens. Both the camera-side and the lens-side of the speed booster are made of brass which is precision-machined and chrome-plated. The Speed Booster uses matte-black treatment to keep internal reflection to a minimum in order to maintain the maximum optical quality possible with the lens. The exterior features a black satin surface finish. Designed to reach infinity focus while maintaining the correct registration distance required to maintain optical quality of CRC lenses or lenses with floating elements. The speed booster features a detachable tripod foot which is compatible with Arca Swiss, Markins, Photo Clam ball heads. Although the lens will fit physically, automatic diaphragm (AE metering), or other auto functions are not retained using this speed booster.  

Metabones MB_SPNFG-X-BM2 Nikon G to Xmount Speed Booster ULTRA 0.71x (Black Matt)

Metabones MB_SPNFG-X-BM2 (MB_SPNFG_X_BM2, MB/SPNFG/X/BM2, MB SPNFG X BM2) Nikon G to Xmount Speed Booster ULTRA 0.71x (Black Matt) The Nikon F-Mount G Lens to Fujifilm X-Mount Camera Speed Booster ULTRA from Metabones improves upon the original Metabones Speed Booster with a 5 element/4 group optical design that incorporates ultra-high refractive index tantalum-based glass for improved sharpness and reduced distortion and vignetting. The Speed Booster ULTRA allows a full frame Nikon F-Mount G lens to be mounted to an APS-C format X-Mount camera and in doing so, increases the angle of view and increases the maximum aperture by approximately one f/stop. It is compatible with NIKKOR F mount and F Mount G lenses including AI and non-AI mounts. When a lens intended for full frame sensors or 35mm film is mounted to a camera with an APS-C sized sensor, it transmits a larger area of light than the smaller sensor was built to accept and therefore the effective angle of view of the lens increases. The Speed Booster condenses light from the lens and projects it onto the APS-C sensor allowing the sensor to utilize all of the lens' light and effectively reduces the crop factor of and APS-C E-Mount camera from 1.5x to 1.07x, producing a full-frame angle of view with an APS-C sensor. A corresponding increase in the maximum aperture of one f/stop makes the lens more effective in low-light situations and able to create a shallow depth of field.  Although the lens will fit physically, automatic diaphragm (AE metering), or other auto functions are not retained using this speed booster. A built-in clickless aperture control ring enables manual control of aperture from the speed booster. This 8-stop ring with clearly marked 1/2-stop markings is shipped as clickless. Metabones Speed Boosters are quality made, using precision-machined brass with chromium plating on both the camera body and the lens side of the booster in order to ensure smooth mounting, quality aesthetic, and durability. A matte black interior reduces internal reflections and a black satin finish external surface matches with most camera bodies and lenses. This adapter has a tripod foot that is compatible with Arca Swiss, Markins, and Photo Clam ball heads, and can be removed if needed with an included hex key. Allows a full frame Nikon F-Mount G lens to be mounted to an Fujifilm X-mount APS-C format camera and in doing so, increases the angle of view and increases the maximum aperture by one f/stop. The Speed Booster ULTRA design incorporates ultra-high index tantalum-based optical glass for enhanced optical performance with improved corner sharpness and reduced distortion and vignetting. This glass technology and optical design perform extremely well with professional-grade f/2.8 zoom lenses and high-speed fixed focal length lenses such as a 50mm f/1.2 which will perform as a 35.5mm f/0.9 lens with high contrast and resolution from the center to the edges of the image. Precise fit and solid connection - lens has no play, gap or wiggling when mounted on speed booster and no adjustments are required to fit your lens. Both the camera-side and the lens-side of the speed booster are made of brass which is precision-machined and chrome-plated. The Speed Booster uses matte-black treatment to keep internal reflection to a minimum in order to maintain the maximum optical quality possible with the lens. The exterior features a black satin surface finish. A built-in clickless aperture control ring enables manual control of aperture from the speed booster. This 8-stop ring with clearly marked 1/2-stop markings is shipped as clickless. The speed booster is compatible with NIKKOR F mount and F Mount G lenses including AI and non-AI mounts. Designed to reach infinity focus while maintaining the correct registration distance required to maintain optical quality of CRC lenses or lenses with floating elements. The speed booster features a detachable tripod foot which is compatible with Arca Swiss, Markins, Photo Clam ball heads. Although the lens will fit physically, automatic diaphragm (AE metering), or other auto functions are not retained using this speed booster. Two hex keys included with the product, one to detach the tripod foot and another to tighten a mounting screw 

Metabones MB_SPNFG-E-BM2 Nikon G to Emount Speed Booster ULTRA 0.71x (Black Matt)

Metabones MB_SPNFG-E-BM2 (MB_SPNFG_E_BM2, MB/SPNFG/E/BM2, MB SPNFG E BM2) Nikon G to Emount Speed Booster ULTRA 0.71x (Black Matt) The Nikon F-Mount Lens to Sony E-Mount Camera Speed Booster ULTRA from Metabones improves upon the original Metabones Speed Booster with a 5 element/4 group optical design that incorporates ultra-high refractive index tantalum-based glass for improved sharpness and reduced distortion and vignetting. The Speed Booster ULTRA allows a full frame Nikon F-Mount lens to be mounted to an APS-C format E-Mount camera and in doing so, increases the angle of view and increases the maximum aperture by approximately one f/stop. It is compatible with NIKKOR F mount and F Mount G lenses including AI and non-AI mounts. When a lens intended for full frame sensors or 35mm film is mounted to a camera with an APS-C sized sensor, it transmits a larger area of light than the smaller sensor was built to accept and therefore the effective angle of view of the lens decreases. The Speed Booster condenses light from the lens and projects it onto the APS-C sensor allowing the sensor to utilize all of the lens' light and effectively reduces the crop factor of and APS-C E-Mount camera from 1.5x to 1.07x, producing a full-frame angle of view with an APS-C sensor. A corresponding increase in the maximum aperture of one f/stop makes the lens more effective in low-light situations and able to create a shallow depth of field.  etabones Speed Boosters are quality made using precision-machined brass with chromium plating on both the camera body and the lens side of the booster in order to ensure smooth mounting, quality aesthetic, and durability. This adapter has a detachable tripod foot that is compatible with Arca Swiss, Markins, and Photo Clam ball heads. Although the lens will fit physically, automatic diaphragm (AE metering), or other auto functions are not retained using this speed booster. A built-in clickless aperture control ring enables manual control of aperture from the speed booster. This 8-stop ring with clearly marked 1/2-stop markings is shipped as clickless. These speed boosters are only fully compatible with mirrorless cameras housing APS-C or smaller image sensors. They will physically fit the Sony full frame mirrorless cameras, but the camera must be set in Crop Mode to fully support the speed booster's functions. Allows a full frame Nikon F-Mount lens to be mounted to an E-mount APS-C format camera and in doing so, increases the angle of view and increases the maximum aperture by one f/stop. The Speed Booster ULTRA design incorporates ultra-high index tantalum-based optical glass for enhanced optical performance with improved corner sharpness and reduced distortion and vignetting. This glass technology and optical design perform extremely well with professional-grade f/2.8 zoom lenses and high-speed fixed focal length lenses such as a 50mm f/1.2 which will perform as a 35.5mm f/0.9 lens with high contrast and resolution from the center to the edges of the image. Precise fit and solid connection - lens has no play, gap or wiggling when mounted on speed booster and no adjustments are required to fit your lens. Both the camera-side and the lens-side of the speed booster are made of brass which is precision-machined and chrome-plated. The Speed Booster uses matte-black treatment to keep internal reflection to a minimum in order to maintain the maximum optical quality possible with the lens. The exterior features a black satin surface finish. A built-in clickless aperture control ring enables manual control of aperture from the speed booster. This 8-stop ring with clearly marked 1/2-stop markings is shipped as clickless. The speed booster is compatible with NIKKOR F mount and F Mount G lenses including AI and non-AI mounts. Designed to reach infinity focus while maintaining the correct registration distance required to maintain optical quality of CRC lenses or lenses with floating elements. The speed booster features a detachable tripod foot which is compatible with Arca Swiss, Markins, Photo Clam ball heads. Although the lens will fit physically, automatic diaphragm (AE metering), or other auto functions are not retained using this speed booster.  

Metabones MB_SPLR-X-BM2 Leica R to Xmount Speed Booster ULTRA 0.71x (Black Matt)

Metabones MB_SPLR-X-BM2 (MB_SPLR_X_BM2, MB/SPLR/X/BM2, MB SPLR X BM2) Leica R to Xmount Speed Booster ULTRA 0.71x (Black Matt) The Leica R Lens to Fujifilm X-Mount Camera Speed Booster ULTRA from Metabones improves upon the original Metabones Speed Booster with a 5 element/4 group optical design that incorporates ultra-high refractive index tantalum-based glass for improved sharpness and reduced distortion and vignetting. The Speed Booster ULTRA allows a full frame Leica R lens to be mounted to an APS-C format X-Mount camera and in doing so, increases the angle of view and increases the maximum aperture by approximately one f/stop.  When a lens intended for full frame sensors or 35mm film is mounted to a camera with an APS-C sized sensor, it transmits a larger area of light than the smaller sensor was built to accept and therefore the effective angle of view of the lens increases. The Speed Booster condenses light from the lens and projects it onto the APS-C sensor allowing the sensor to utilize all of the lens' light and effectively reduces the crop factor of and APS-C E-Mount camera from 1.5x to 1.07x, producing a full-frame angle of view with an APS-C sensor. A corresponding increase in the maximum aperture of one f/stop makes the lens more effective in low-light situations and able to create a shallow depth of field.  Although the lens will fit physically, automatic diaphragm (AE metering), or other auto functions are not retained using this speed booster.  Metabones Speed Boosters are quality made, using precision-machined brass with chromium plating on both the camera body and the lens side of the booster in order to ensure smooth mounting, quality aesthetic, and durability. A matte black interior reduces internal reflections and a black satin finish external surface matches with most camera bodies and lenses. This adapter has a tripod foot that is compatible with Arca Swiss, Markins, and Photo Clam ball heads, and can be removed if needed with an included hex key. Allows a full frame Leica R lens to be mounted to an Fujifilm X-mount APS-C format camera and in doing so, increases the angle of view and increases the maximum aperture by one f/stop. The Speed Booster ULTRA design incorporates ultra-high index tantalum-based optical glass for enhanced optical performance with improved corner sharpness and reduced distortion and vignetting. This glass technology and optical design perform extremely well with professional-grade f/2.8 zoom lenses and high-speed fixed focal length lenses such as a 50mm f/1.2 which will perform as a 35.5mm f/0.9 lens with high contrast and resolution from the center to the edges of the image. Precise fit and solid connection - lens has no play, gap or wiggling when mounted on speed booster and no adjustments are required to fit your lens. Both the camera-side and the lens-side of the speed booster are made of brass which is precision-machined and chrome-plated. The Speed Booster uses matte-black treatment to keep internal reflection to a minimum in order to maintain the maximum optical quality possible with the lens. The exterior features a black satin surface finish. Designed to reach infinity focus while maintaining the correct registration distance required to maintain optical quality of CRC lenses or lenses with floating elements. The speed booster features a detachable tripod foot which is compatible with Arca Swiss, Markins, Photo Clam ball heads. Although the lens will fit physically, automatic diaphragm (AE metering), or other auto functions are not retained using this speed booster. Two hex keys included with the product, one to detach the tripod foot and another to tighten a mounting screw  

Metabones MB_SPLR-E-BM2 Leica R to Emount Speed Booster ULTRA 0.71x (Black Matt)

Metabones MB_SPLR-E-BM2 (MB_SPLR_E_BM2, MB/SPLR/E/BM2, MB SPLR E BM2) Leica R to Emount Speed Booster ULTRA 0.71x (Black Matt) The Leica R Mount Lens to Sony E-Mount Camera Speed Booster ULTRA from Metabones improves upon the original Metabones Speed Booster with a 5 element/4 group optical design that incorporates ultra-high refractive index tantalum-based glass for improved sharpness and reduced distortion and vignetting. The Speed Booster ULTRA allows a full frame Leica R Mount lens to be mounted to an APS-C format E-Mount camera and in doing so, increases the angle of view and increases the maximum aperture by approximately one f/stop.  When a lens intended for full frame sensors or 35mm film is mounted to a camera with an APS-C sized sensor, it transmits a larger area of light than the smaller sensor was built to accept and therefore the effective angle of view of the lens decreases. The Speed Booster condenses light from the lens and projects it onto the APS-C sensor allowing the sensor to utilize all of the lens' light and effectively reduces the crop factor of and APS-C E-Mount camera from 1.5x to 1.07x, producing a full-frame angle of view with an APS-C sensor. A corresponding increase in the maximum aperture of one f/stop makes the lens more effective in low-light situations and able to create a shallow depth of field.  Metabones Speed Boosters are quality made using precision-machined brass with chromium plating on both the camera body and the lens side of the booster in order to ensure smooth mounting, quality aesthetic, and durability. This adapter has a detachable tripod foot that is compatible with Arca Swiss, Markins, and Photo Clam ball heads. Although the lens will fit physically, automatic diaphragm (AE metering), or other auto functions are not retained using this speed booster. These speed boosters are only fully compatible with mirrorless cameras housing APS-C or smaller image sensors. They will physically fit the Sony full frame mirrorless cameras, but the camera must be set in Crop Mode to fully support the speed booster's functions. Allows a full frame Leica R Mount lens to be mounted to an E-mount APS-C format camera and in doing so, increases the angle of view and increases the maximum aperture by one f/stop. The Speed Booster ULTRA design incorporates ultra-high index tantalum-based optical glass for enhanced optical performance with improved corner sharpness and reduced distortion and vignetting. This glass technology and optical design perform extremely well with professional-grade f/2.8 zoom lenses and high-speed fixed focal length lenses such as a 50mm f/1.2 which will perform as a 35.5mm f/0.9 lens with high contrast and resolution from the center to the edges of the image. Precise fit and solid connection - lens has no play, gap or wiggling when mounted on speed booster and no adjustments are required to fit your lens. Both the camera-side and the lens-side of the speed booster are made of brass which is precision-machined and chrome-plated. The Speed Booster uses matte-black treatment to keep internal reflection to a minimum in order to maintain the maximum optical quality possible with the lens. The exterior features a black satin surface finish. Designed to reach infinity focus while maintaining the correct registration distance required to maintain optical quality of CRC lenses or lenses with floating elements. The speed booster features a detachable tripod foot which is compatible with Arca Swiss, Markins, Photo Clam ball heads. Although the lens will fit physically, automatic diaphragm (AE metering), or other auto functions are not retained using this speed booster.  

Metabones MB_EF-m43-BT2 Canon EF to Micro Four Thirds T Adapter (Black Matt)

Metabones MB_EF-m43-BT2 (MB_EF_m43_BT2, MB/EF/m43/BT2, MB EF m43 BT2) Canon EF to Micro Four Thirds T Adapter (Black Matt) The T Smart Adapter for Canon EF or Canon EF-S Mount Lens to Select Micro Four Thirds-Mount Cameras from Metabones allows a Canon EF or EF-S mount lens to be mounted onto a Micro Four Thirds-mount camera. While doing so, the adapter is designed to support electronic communication between an attached camera and lens. If the lens includes autofocus, image stabilization, as well as camera-controlled aperture functions, this adapter is intended to allow those features to be used. If an attached lens is also capable of generating EXIF metadata when used with a directly compatible camera, the T Smart Adapter is designed to allow that information to be saved along with image files generated with a combination of the lens, a Micro Four Thirds-mount camera, and the adapter. By enabling camera-controlled aperture functions for a Canon EF or Canon EF-S Mount Lens when used with a Micro Four Thirds-mount camera, program, shutter-priority, aperture-priority, as well as manual modes can be set and used through the camera. Power for these functions is transferred from the camera to the lens, and when manual focusing is preferred with a compatible electronic lens and a Panasonic camera, an integrated jog dial that allows incremental aperture adjustment can be depressed to open the lens's aperture diaphragm to its largest setting. The resulting shallow depth-of-field can then be used to help ensure focus accuracy. When an image is taken with the T Smart Adapter, a matte black internal coating minimizes the potential for reflections within the adapter barrel, which could otherwise result in unwanted glare within the image. The T Smart Adapter is constructed from aluminum alloy for durability while minimizing weight. Its mounting rings are made with brass to further prevent wear-and-tear, and a detachable tripod foot is included that features 3/8" threads as well as compatibility with Arca-Swiss tripod heads. While the T Smart Adapter allows a Canon EF or EF-S mount lens to be mounted onto any Micro Four Thirds-mount camera, any functions that involve electronic communication currently require a Panasonic-brand Micro Four Thirds-mount camera. Allows a Canon EF or EF-S mount lens to be used with a Micro Four Thirds-mount camera Allows third-party, full-frame or APS-C EF-mount lenses to be used with a Micro Four Thirds-mount camera Supports electronic communication between camera and lens to enable autofocus, image stabilization, on-camera aperture control, and EXIF metadata generation when possible Internal coating minimizes reflections within the adapter barrel Integrated jog dial for incremental aperture adjustment and push-button access to lens's widest aperture setting when used with a compatible Panasonic camera Detachable, Arca-Swiss compatible tripod foot with 3/8" threads Aluminum-alloy components for weight reduction Brass mounting rings further prevent wear-and-tear Locking mechanism for secure attachment of lens with push-button release      

MTF MTABM43 ARRI BAYONET to MICRO 4/3 Adaptor

MTF MTABM43 (MT ABM43, MT-ABM43, MT/ABM43, mtabm43) ARRI BAYONET to MICRO 4/3 Adaptor Designed with the Blackmagic Pocket Cinema Camera in mind, MTF are proud to introduce the brand new Arri Bayonet to Micro Four Thirds adaptor. This adaptor allows you to use Arri Bayonet lenses on your new Pocket Camera, or on any other camera with a Micro Four Thirds mount.     MTF own stainless steel Mount. Provision to accept the MTF M/43 & E Mount Support. Please note: Super16 Arri Bayonet lenses will not cover cameras with a sensor larger than Super16. This includes the original Blackmagic Cinema Camera mFT and Panasonic Lumix cameras. Only 35mm Arri Bayonet lenses will cover these cameras with this adaptor. Other Camera Fits: Blackmagic Cinema Camera mFT, Blackmagic Pocket Cinema Camera, Micro Four Thirds Other Lens Fits:   Arri Bayonet

MTF Mtpl2x35 Pl 2x Extender

MTF MTPL2X35 (MT PL2X35, MT-PL2X35, MT/PL2X35, mtpl2x35) PL 2X Extender Double the focal length of your PL lens. Designed for use with 35mm and Super 35mm PL mount lenses.     MTF own stainless steel C mount. Please note: there is a light loss of 2 stops when using this adaptor. Other Camera Fits: AJA CION, Arri Alexa, Blackmagic URSA PL, Canon C300 PL, Canon C500 PL, PL mount, Red Epic PL, Red One PL, Red Scarlet PL, Sony PMW-F3, Sony PMW-F5, Sony PMW-F55 Other Lens Fits:   PL Mount  

MTF MTCANFDFZ CANON FD to SONY FZ Adaptor

MTF MTCANFDFZ (MT CANFDFZ, MT-CANFDFZ, MT/CANFDFZ, mtcanfdfz) CANON FD to SONY FZ Adaptor The worlds first Canon FD to Sony FZ adaptor. This adaptor allows you to Fit any Canon FD lens to Sony's new FZ-mount cameras, such as the F3, F5 and F55. (Please note. Using this adaptor will introduce a magnification factor of 1.5X with full frame lenses)     Original design for intuitive operation     Compatible with any current and future Sony FZ-mount cameras, such as the F3, F5 and F55     Built-in aperture activation pin     Flat black coated internal baffle     Impossible to damage lens during fitting and operation Other Camera Fits: Sony PMW-F3, Sony PMW-F5, Sony PMW-F55 Other Lens Fits:   Canon FD

MTF MTCANEFFZ Canon EF to Sony FZ Adaptor

MTF MTCANEFFZ (MT CANEFFZ, MT-CANEFFZ, MT/CANEFFZ, mtcaneffz) Canon EF to Sony FZ Adaptor   Canon EF to Sony FZ Adaptor An original design by Mike Tapa This is a mechanical adaptor with no electronics. The aperture on Canon EF lenses must be set beforehand. This adaptor allows you to fit any Canon EF mounted lens to Sony's new FZ-mount camera, such as the F3, F5 and F55. (Please note: Using this adaptor will introduce a magnification factor of 1.5X with full frame lenses)     Compatible with any current and future Sony FZ-mount cameras, such as the F3, F5 and F55.     Original design for intuitive operation.     Flat black coated internal baffle.     Impossible to damage lens during fitting and operation.   Other Camera Fits: Sony PMW-F3, Sony PMW-F5, Sony PMW-F55 Other Lens Fits: Canon EF

MTF MTB4CANEF B4 2/3" to Canon EF Adaptor

MTF MTB4CANEF (MTB 4CANEF, MTB-4CANEF, MTB/4CANEF, mtb4canef) B4 2/3" to Canon EF Adaptor The B4 2/3" broadcast lens to Canon EF adaptor is a useful way of utilising all of your B4 mounted lenses on APS-C and Super35 sized sensor cameras such as the Canon 7D, the Canon C300 and the Blackmagic Cinema Camera EF, as well as the upcoming Blackmagic Production Camera 4K. Please note: if using the adaptor with a Canon 1D C, the camera must be in video mode set to Super35 crop.     Solid all aluminium construction     Chrome plated Canon EF mount     Multi layer coated optics     Complete with support bridge     Complete with front and rear caps (Can only be used on B4 2/3" lenses with built in 2X extender engaged, HD lenses recomended)

Vocas 0500-1010 MFC-2S 15 mm Snap-on Bracket

Vocas 0500-1010 (0500_1010, 0500/1010, 05001010, 0500-1010) MFC-2S 15 mm Snap-on Bracket The 15mm Snap-On Bracket from Vocas is a separate 15mm bracket for the MFC-2 follow focus. It allows you to snap the MFC-2 onto the two rods of a camera rig and can be locked into place. The Snap-On Bracket enables horizontal adjustment of your follow focus unit.

Vocas 0500-1100 MFC-2 Gear Unit 1:1 ratio

Vocas 0500-1100 (0500_1100, 0500/1100, 05001100, 0500-1100) MFC-2 Gear Unit 1:1 ratio The 1:1 Ratio Gear Unit for MFC-2 from Vocas is a separate gear box for the MFC-2 follow focus. It has a 1:1 transmission ratio which works best with lenses that have a short focal range such as DSLR- and ENG-style lenses.

Vocas 0500-1110 MFC-2 Gear Unit 1:1.75 Ratio

Vocas 0500-1110 (0500_1110, 0500/1110, 05001110, 0500-1110) MFC-2 Gear Unit 1:1.75 Ratio The 1:1.75 Ratio Gear Unit for MFC-2 from Vocas is a separate gear box for the MFC-2 follow focus. It has a 1:1.75 transmission ratio which works best with lenses that have a long focal range such as cine-style lenses.

Vocas 0500-1201 MFC-2 Knob Standard

Vocas 0500-1201 (0500_1201, 0500/1201, 05001201, 0500-1201) MFC-2 Knob Standard The Standard Knob for MFC-2 from Vocas is a separate focus knob for the MFC-2 follow focus. The knob is made of industrial plastic and has a standard follow focus accessory attachment option.

Vocas 0500-1211 MFC-2 Knob Wood

Vocas 0500-1211 (0500_1211, 0500/1211, 05001211, 0500-1211) MFC-2 Knob Wood The Wood Knob for MFC-2 from Vocas is a separate focus knob for the MFC-2 follow focus. The knob is made of walnut wood and has a standard follow focus accessory attachment option.

Vocas 0500-1215 MFC-2 Knob Wood With Stops

Vocas 0500-1215 (0500_1215, 0500/1215, 05001215, 0500-1215) MFC-2 Knob Wood With Stops The Wood Knob with Stop for MFC-2 from Vocas is a separate focus knob with one adjustable stop for the MFC-2 follow focus. The knob is made of walnut wood and has a standard follow focus accessory attachment option.

Vocas 0500-1300 MFC-2S Palm Support Wood

Vocas 0500-1300 (0500_1300, 0500/1300, 05001300, 0500-1300) MFC-2S Palm Support Wood The Wood Palm Support for MFC-2 from Vocas is a separate wooden palm support for the MFC-2 follow focus. It attaches directly to the 15mm bracket of the follow focus and allows you to support the camera with your hand while still being able to access the focus knob.

Vocas 0400-0455 MB-455 matte box

Vocas 0400-0455 (0400_0455, 0400/0455, 04000455, 0400-0455) MB-455 matte box Packed with features that protect your camera and enhance creativity, this mattebox is perfect for any EFP/HD/film production. This mattebox is the biggest Vocas mattebox currently available. It comes standard with two fully rotatable 5,65”x5,65” filter trays as well as one fixed 4”x5.65” tray. It also features a rigid compartment in the front end of the mattebox that can house either a matte, a fourth filterframe or the new patented tilt filter unit. Three filterframes are included with the base MB-455 set Just like most other Vocas matteboxes, the MB-455 also includes a top-flag and externally operated patented eyebrows.

Vocas 0455-2010 Mb-455 Matte Box Kit

Vocus 0455-2010 (0455_2010, 0455/2010, 04552010, 0455-2010) Mb-455 Matte Box Kit Vocas MB-455 Matte box kit: for any camera with 15mm rail support (incl. SA & donut adapter ring) 0455-2010 The MB-455 kit is a complete MB-455 matte box system consisting the following products; MB-455 (0400-0455); 15 mm Light weight swing away bracket MKII for MB-450 & MB-455 (0460-0200); 143 mm Flexible donut adapter ring kit for MB-435 & MB-455 (0420-0601). The MB-455 matte box is designed for any EFP/HD/Film production, for use with lenses up to a front diameter of 143 mm. Two fully rotatable 5,65’’x5,65’’ filter frames and a fixed 4’’x5,65’’ tray are integrated in the rear compartiment of the matte box. Optionally, in the front unit of the hood, either a matte, a fourth filter frame (4’’x5,65’’) or a patented tilted filter unit (0410-0015) can be added. The flexible donut ring kit also offers the possibility to add a 138 mm round filter in the rear compartiment, for instance for a polariser. By adding the swing away adapter, the MB-455 can be easily transformed from clip-on matte box into a 15 mm LWS, or optional 15 mm studio or 19 mm bars mounted studio matte box. The Vocas patented internal eyebrows are integrated in the hood of matte box, for optimal flair control and reduction of reflections. Side flag hinges are integrated in the hood for mounting an optional side flag kit (0440-0002). The weight of the matte box is only 850 grams. Summarising, this matte box can hold two filters of 5,65'' x 5,65'' or smaller and one ór optionally two 4''x5,65'' filters and an optional 138 mm round filter. Included in the box: MB-455 mattebox, top flag compact (0430-0004), a combo filter frame 4’’x4’’ / 4’’x 5,65’’ (horizontal) (0410-0002), a combo filter frame 5,65’’x5,65’’ / 4’’x 5,65’’ (vertical) (0410-0003) and a fixed 4’’x 5,65’’ filter frame (0410-0001).

Vocas 0390-0151 Remote Cable for Sony PMW-F5 / F55 / VENICE

Vocas 0390-0151 (03900151, 0390 0151, 0390/0151, 0151) Remote Cable for Sony PMW-F5 / F55 / VENICE. The Remote Cable for Sony PMW-F5 / F55 from Vocas is a 20" coiled cable designed to connect the Vocas Wooden Handgrip to one of the two 4-pin HRS power output connectors on the back of the Sony PMW-F5 and F55 cameras. This connection enables the user to start and stop recording using the dedicated switch on the aforementioned handgrip.

Vocas 0390-0154 Remote Cable for Canon EOS C100 / C200 / C300 / C500

Vocas 0390-0154 (0390 0154, 0390/0154, 03900154, 0154) Remote Cable for Canon EOS C100 / C200 / C300 / C500. The Remote Coiled Cable from Vocas is compatible with the EOS C100, EOS C300, and EOS C500 cameras. It can be used to connect the Vocas Wooden Handgrip (right) with switch to the camera to use the remote start/stop switch on the handgrip, and can also be used with other Vocas remote switches (not included). The cable stretches 2.5x its coiled length, from 11 to 27.6". For EOS C100, EOS C300, and EOS C500 cameras Works with: Remote Switch for 19 or 20mm tubes, Remote Switch, Assembly, Vocas Wooden Handgrip with switch (right hand).

Shape Canon C100 C300 C500 Shoulder Mount

Shape SH-C300SM (SHC300SM, SH/C300SM, SH C300SM, C300SM, sh-c300sm) Canon C100 C300 C500 Shoulder Mount The Canon C100 C300 C500 Shoulder Mount from SHAPE is a shoulder rig with light weight support (LWS) for the Canon Cinema EOS line of movie cameras. As the three have a similar profile, this rig is compatible with the C100, C300, and C500 models. The base plate features specially recessed rods to accommodate the these cameras' uniquely tall stature while ensuring proper centering of lenses in case a matte box is used. The system includes 15mm rods with the standard LWS spacing of 60mm. Because rod-based accessories are standardized you can use virtually any 15mm accessories for LWS you want with this rig. Types of accessories include, follow focuses, matte boxes, mounts for external audio and video recorders, EVFs, battery plates, cages, and more. The included rods are 18" in length and can be extended if needed. Handles and a shoulder pad allow you to use the Canon C100 C300 C500 Shoulder Mount on a tripod or hand-held. The handles feature rosettes and spring-loaded push-buttons so that the angle can be adjusted on the fly without having to loosen a screw. Both the hand grips and the shoulder pad clamp onto the rods using a single red knob that ratchets in case you can't turn it a full circle. Extension rods can be added behind the shoulder pad for attaching weights, battery plates, or other accessories intended for behind the camera or to help balance the load.

Shape Follow Focus Pro

Shape SH-FFPRO (SH_FFPRO, SHFFPRO, SH/FFPRO, SH FFPRO) Follow Focus Pro The SHAPE Follow Focus Pro mounts on 15mm rods and features an adjustable arm which puts the gear at the optimal position for the lens, no matter what the diameter is. The unit snaps onto 15mm rods, allowing for quick attachment, removal, and re-positioning. Two 0.8 pitch gears come included and give you a choice of either 28 teeth or 43 teeth - depending on the throw distance of the lens. Additional features include two adjustable hard stops, removable marking disc, and an industry standard accessory port for using optional whips and cranks.

Shape Follow Focus Pro Full Kit

Shape SH-FFPROKIT (SH_FFPROKIT, SHFFPROKIT, SH/FFPROKIT, SH FFPROKIT) Follow Focus Pro Full Kit The Shape Follow Focus Pro Full Kit is a dual-sided follow focus system that mounts on 15mm rods and features an adjustable arm which puts the gear at the optimal position for the lens, no matter what the diameter is. The unit snaps onto 15mm rods, allowing for quick attachment, removal, and re-positioning. Attach the included extension to add a second focus-wheel for dual-sided control or remove it for single-sided operation. Two 0.8 pitch gears come included and give you a choice of either 28 teeth or 43 teeth - depending on the throw distance of the lens. Both focus wheels feature a removable marking disc, adjustable hard stops, and standard accessory port for using optional whips or cranks.

Metabones MB_HV-LS-BM1 Leica S to Hasselblad

Metabones MB_HV-LS-BM1 (MBHVLSBM1, MB HV LS BM1, MB/HV/LS/BM1, mb_hv-ls-bm1) Leica S to Hasselblad The Hasselblad V Lens to Leica S Camera Lens Mount Adapter from Metabones allows a Hasselblad V mount lens to be attached to Leica S cameras. Metabones adapters are quality made, using precision-machined brass with chromium plating on both the camera-body and the lens sides of the adapter in order to ensure smooth mounting, quality aesthetic, and durability. This adapter uses a matte-black finish to minimize internal reflection. Although the lens will fit physically, automatic diaphragm (AE metering), or other auto functions are not retained using this adapter. Both camera-side and lens-side of the adapter are made of brass, precision-machined and plated with chromium. Precise fit and solid connection - lens has no play, gap or wiggling when mounted on adapter and no adjustments are required to fit your lens. Designed to reach infinity focus while maintaining the correct registration distance required to maintain optical quality of CRC lenses or lenses with floating elements. The lens side of the adapter features a strong leaf-spring structure, strengthening the adapter-lens connection and ensuring tightness of the lens. Satin surface finish.

Metabones MB_PK67-LS-BM1 Leica S to Pantax 6X7

Metabones MB_PK67-LS-BM1 (MBPK67LSBM1, MB PK67 LS BM1, MB/PK67/LS/BM1, mb_pk67-ls-bm1) Leica S to Pantax 6X7 The Pentax 67 Lens to Leica S Camera Lens Mount Adapter from Metabones allows a Pentax 67 mount lens to be attached to Leica S cameras. Metabones adapters are quality made, using precision-machined brass with chromium plating on both the camera-body and the lens sides of the adapter in order to ensure smooth mounting, quality aesthetic, and durability. This adapter uses a matte-black finish to minimize internal reflection. Although the lens will fit physically, automatic diaphragm (AE metering), or other auto functions are not retained using this adapter. Both camera-side and lens-side of the adapter are made of brass, precision-machined and plated with chromium. Precise fit and solid connection - lens has no play, gap or wiggling when mounted on adapter and no adjustments are required to fit your lens. Designed to reach infinity focus while maintaining the correct registration distance required to maintain optical quality of CRC lenses or lenses with floating elements. The lens side of the adapter features a strong leaf-spring structure, strengthening the adapter-lens connection and ensuring tightness of the lens. Satin surface finish.

Metabones MB_M645-LS-BM1 Leica S to Mamiya 645

Metabones MB_M645-LS-BM1 (MBM645LSBM1, MB M645 LS BM1, MB/M645/LS/BM1, mb_m645-ls-bm1) Leica S to Mamiya 645 The Mamiya 645 Lens to Leica S Camera Lens Mount Adapter from Metabones allows a Mamiya 645 mount lens to be attached to Leica S cameras. Metabones adapters are quality made, using precision-machined brass with chromium plating on both the camera-body and the lens sides of the adapter in order to ensure smooth mounting, quality aesthetic, and durability. This adapter uses a matte-black finish to minimize internal reflection. Although the lens will fit physically, automatic diaphragm (AE metering), or other auto functions are not retained using this adapter. Both camera-side and lens-side of the adapter are made of brass, precision-machined and plated with chromium. Precise fit and solid connection - lens has no play, gap or wiggling when mounted on adapter and no adjustments are required to fit your lens. Designed to reach infinity focus while maintaining the correct registration distance required to maintain optical quality of CRC lenses or lenses with floating elements. The lens side of the adapter features a strong leaf-spring structure, strengthening the adapter-lens connection and ensuring tightness of the lens. Satin surface finish.

Metabones MB_SPNFG-BMCC-BM1 Nikon G to BMCC Speed Booster (Black Matt)

Metabones MB_SPNFG-BMCC-BM1 (MBSPNFGBMCCBM1, MB SPNFG BMCC BM1, MB/SPNFG/BMCC/BM1, mb_spnfg-bmcc-bm1) Nikon G to BMCC Speed Booster (Black Matt) The Nikon G Lens to Blackmagic 2.5k Cinema Camera with Micro-4/3 Mount Speed Booster from Metabones allows a Nikon G lens to be mounted to a 2.5k Cinema Camera and in doing so, increases the angle of view and the maximum aperture. The Speed Booster uses 6-element optical design that incorporates ultra-high index glass to achieve ideal optical performance at the largest apertures. It increases the maximum aperture by 1 1/3 stops with a maximum aperture of f/0.8, and reduces the crop factor from 2.39x to 1.53x. The Speed Booster not only increases the field of view and lens speed, it also increases the lens' MTF, or how faithfully the lens transfers detail from the object to the camera sensor. These increases in MTF are seen in the corners as well as the center of the images. Built into the Speed Booster is a clickless aperture ring, a must-have feature for cinematographers, as well as a removable Arca-type compatible tripod mount.

Metabones MB_SPNFG-BMPCC-BM1 Nikon G to BMPCC Speed Booster (Black Matt)

Metabones MB_SPNFG-BMPCC-BM1 (MBSPNFGBMPCCBM1, MB SPNFG BMPCC BM1, MB/SPNFG/BMPCC/BM1, mb_spnfg-bmpcc-bm1) Nikon G to BMPCC Speed Booster (Black Matt) The Nikon G Lens to Blackmagic Pocket Cinema Camera Speed Booster from Metabones allows a Nikon G lens to be mounted to a Pocket Cinema Camera, and in doing so, increases the angle of view and the maximum aperture. The 6-element optical design within the Speed Booster incorporates ultra-high index glass to achieve ideal optical performance at the largest apertures. It increases the maximum aperture by 1 2/3 stops with a maximum aperture of f/0.74, and reduces the crop factor from 2.88x to 1.75x. The Speed Booster not only increases the field of view and lens speed, it also increases the lens' MTF, or how faithfully the lens transfers detail from the object to the camera sensor. These increases in MTF are seen in the corners as well as the center of the images. Built into the Speed Booster is a clickless aperture ring, a must-have feature for cinematographers, as well as a removable Arca-type compatible tripod mount. This Speed Booster is not compatible with the Nikkor 2.1cm f/4.0 lens, or the 20mm f/2.8 AI-S lens.

Metabones MB_SPLR-BMCC-BM1 Leica R to BMCC Speed Booster (Black Matt)

Metabones MB_SPLR-BMCC-BM1 (MB_SPLR_BMCC_BM1, MB/SPLR/BMCC/BM1, MB SPLR BMCC BM1) Leica R to BMCC Speed Booster (Black Matt) The Leica R Lens to Blackmagic Cinema Camera Speed Booster from Metabones allows you to mount a Leica R lens on a Blackmagic Cinema Camera, while using custom optics to increase the angle of view and the maximum aperture of the lens. The Speed Booster works by shrinking the image circle of your Leica R lens down to better fit the smaller sensor of the Blackmagic Cinema Camera. This has the effect of making the angle of view of the lens 0.64x wider or, in other terms, reducing the crop factor of the camera from 2.39x to 1.53x. This yields an angle of view similar to APS-C or Super 35 sized sensors. When the Speed Booster concentrates the image circle from a lens, the brightness of the image is increased by 1 1/3 stops, with a maximum output aperture of f/0.9 when using a Leica R f/1.4 lens. In addition to lens speed and angle of view, the Speed Booster also increases the lens' MTF, or how faithfully the lens transfers detail from the object to the camera sensor. These increases in MTF are seen in the corners as well as the center of the images. For added lens support, a removable Arca-type tripod foot is included. Super telephotos such as the Telyt 560/5.6 may vignette at the corners.

Metabones MB_SPLR-BMPCC-BM1 Leica R to BMPCC Speed Booster (Black Matt)

Metabones MB_SPLR-BMPCC-BM1 (MBSPLRBMPCCBM1, MB SPLR BMPCC BM1, MB/SPLR/BMPCC/BM1, mb_splr-bmpcc-bm1) Leica R to BMPCC Speed Booster (Black Matt) The Leica R Lens to Blackmagic Pocket Cinema Camera Speed Booster from Metabones allows you to mount a Leica R lens on a Blackmagic Pocket Cinema Camera, while using custom optics to increase the angle of view and the maximum aperture of the lens. The Speed Booster works by shrinking the image circle of your Leica R lens down to better fit the smaller sensor of the Blackmagic Pocket Cinema Camera. This has the effect of making the angle of view of the lens 0.58x wider or, in other terms, reducing the crop factor of the camera from 2.88x to 1.75x. When the Speed Booster concentrates the image circle from a lens, the brightness of the image is increased by 1 2/3 stops, with a maximum output aperture of f/0.8 when using a Leica R f/1.4 lens. In addition to lens speed and angle of view, the Speed Booster also increases the lens' MTF, or how faithfully the lens transfers detail from the object to the camera sensor. These increases in MTF are seen in the corners as well as the center of the images. For added lens support, a removable Arca-type tripod foot is included. Super telephotos such as the Telyt 560/5.6 may vignette at the corners.