DPA 2028-B-SE2 2028 Supercardioid Vocal Mic, SE2 Adapter

DPA 2028-B-SE2 (2028_b_se2, 2028bse2, 2028/B/SE2, 2028/b/se2) 2028 Supercardioid Vocal Mic, SE2 Adapter The black 2028-B-SE2 Supercardioid Vocal Condenser Microphone Capsule with SE2 Adapter from DPA is designed for the unique challenges of live stage performances. It can be used when paired with a Sennheiser 2000, 6000, 9000, or evolution series transmitter and receiver (sold separately) to capture and deliver a transparent, natural audio for live stage, theater, and broadcast applications. The 2028's supercardioid condenser capsule offers a flat off-axis response. This give the microphone a very high gain-before-feedback, and at the same time, makes it so much easier for sound engineers to handle bleed from other instruments at close proximity. The capsule is fixed in its position on top of the newly designed shockmount and can't be dismounted. The pop filter too is specific for the 2028 microphone. In addition, on a live stage, the 2028 needs no (or very little) EQ to sound just like if you where standing next to the singer listening to their performance. This allows the singer to use their voice just as if no mic was present. Also, it allows sound engineers to spend their time shaping the sound experience rather than covering up due to artifacts. This makes the 2028 the perfect match for all types of live performances.

DPA 2028-B-SL1 2028 Supercardioid Vocal Mic, SL1 Adapter

DPA 2028-B-SL1 2028 (2028_b_sl1, 2028bsl1, 2028/B/SL1, 2028/b/sl1) Supercardioid Vocal Mic, SL1 Adapter The black 2028-B-SL1 Supercardioid Vocal Condenser Microphone Capsule with SL1 Adapter from DPA is designed for the unique challenges of live stage performances. It can be used when paired with a Shure, Sony, or Lectrosonics series transmitter and receiver (sold separately) to capture and deliver a transparent, natural audio for live stage, theater, and broadcast applications. The 2028's supercardioid condenser capsule offers a flat off-axis response. This give the microphone a very high gain-before-feedback, and at the same time, makes it so much easier for sound engineers to handle bleed from other instruments at close proximity. The capsule is fixed in its position on top of the newly designed shockmount and can't be dismounted. The pop filter too is specific for the 2028 microphone. In addition, on a live stage, the 2028 needs no (or very little) EQ to sound just like if you where standing next to the singer listening to their performance. This allows the singer to use their voice just as if no mic was present. Also, it allows sound engineers to spend their time shaping the sound experience rather than covering up due to artifacts. This makes the 2028 the perfect match for all types of live performances.

DPA 2028-B-B01 Microphones 2028 Vocal Supercardioid Handheld Microphone

DPA 2028-B-B01 (2028-b-b01, 2028bb01, 2028/b/b01, 2028_b_b01) Microphones 2028 Vocal Supercardioid Handheld Microphone The black 2028 Vocal Supercardioid Handheld Microphone from DPA is designed for the unique challenges of live stage performances. It can be utilized to capture audio and deliver a transparent, natural vocals for live stage, theater, and broadcast applications. The 2028 is powered by 48V phantom power and the supercardioid capsule offers a flat off-axis response. This give the microphone a very high gain-before-feedback, and at the same time, makes it so much easier for sound engineers to handle bleed from other instruments at close proximity. The capsule is fixed in its position on top of the newly designed shockmount and can't be dismounted. The pop filter is specific for the 2028 microphone. Furthermore, on a live stage, the 2028 needs no (or very little) EQ to sound just like you are standing next to the singer listening to their performance. This allows the singer to use their voice just as if no mic was present. In addition, it allows sound engineers to spend their time shaping the sound experience rather than covering up due to artifacts.

DPA d:facto 4018V Softboost Supercardioid Mic, SE2-ew Adapter, Nickel

DPA 4018V-N-SE2 (4018VNSE2, 4018V/N/SE2, 4018V N SE2, 4018VN/SE2) d:facto 4018V Softboost Supercardioid Mic, SE2-ew Adapter, Nickel. The nickel d:facto 4018V Softboost Supercardioid Microphone with SE2 Wireless Adapter from DPA is designed to bring a natural studio sound to the live stage and broadcasting studio. This microphone capsule and wireless adapter is configured for Sennheiser 2000, 6000, 9000, D1, and Evolution Series wireless systems and can be used to capture vocals for live stage, theater, and rehearsal applications. The modular nature of the d:facto series allows you to switch the capsule as well as the adapter, making it a very flexible vocal microphone. The d:facto MMC4018V Supercardioid Microphone Capsule for Vocal from DPA features an isolation-optimized polar pattern and is designed to augment the human vocal range. It can be used to capture speech and vocals in sound reinforcement applications such as for stage, recordings, and more.  

DPA d:facto 4018V Softboost Supercardioid Mic, SL1 Adapter, Black

The d:facto™ Vocal Microphone 4018V B SL1 (4018V-B-SL1, 4018V_B_SL1, 4018V/B/SL1) is engineered especially for vocal performances onstage. It captures electrifying stage performances and accurately replicates a singer's voice transparently, consistently and thrillingly. The mic is optimized for use in sound reinforcement as well as recording applications. It offers natural sound, high separation from distant sound sources and SPL handling up to 160 dB. The phantom-powered DPA handle has a sleek look and state-of-the-art electronic design. And, if you decide to go wireless, you can just switch to an adapter for wireless at a quarter of the cost of a new microphone. The modular nature of the d:facto™ seriesallows you to switch both the capsule as well as the adapter. The d:facto™ Supercardioid Capsule features an isolation-optimized supercardioid polar pattern. It is specifically designed to augment the human vocal range. It uses directional characteristic from the best of two worlds – both cardioid and supercardioid patterns. The capsule’s directional pattern and definition gives high separation and true sound color onstage. It is ideal for PA amplification and recording. Frequency response and phase, both on- and off-axis, is linear. You can remove the capsule and replace it with any other d:facto™ or d:dicate™ capsule if your needs change. The mic also features a robust three-stage pop protection grid built into the microphone that removes unwanted noise. Although this version of the d:facto™ Vocal Microphone comes with a d:facto™ Handle for a wired solution, the d:facto™ Vocal Microphone is also the perfect choice to use with your favorite wireless system.

DPA d:facto 4018V Softboost Supercardioid Mic, WI2 Adapter (Wisycom), Black

The d:facto™ Vocal Microphone 4018V B WI2 (4018V-B-WI2, 4018V/B/WI2, 4018V_B_WI2) is engineered especially for vocal performances onstage. It captures electrifying stage performances and accurately replicates a singer's voice transparently, consistently and thrillingly. The mic is optimized for use in sound reinforcement as well as recording applications. It offers natural sound, high separation from distant sound sources and SPL handling up to 160 dB. The phantom-powered DPA handle has a sleek look and state-of-the-art electronic design. And, if you decide to go wireless, you can just switch to an adapter for wireless at a quarter of the cost of a new microphone. The modular nature of the d:facto™ seriesallows you to switch both the capsule as well as the adapter. The d:facto™ Supercardioid Capsule features an isolation-optimized supercardioid polar pattern. It is specifically designed to augment the human vocal range. It uses directional characteristic from the best of two worlds – both cardioid and supercardioid patterns. The capsule’s directional pattern and definition gives high separation and true sound color onstage. It is ideal for PA amplification and recording. Frequency response and phase, both on- and off-axis, is linear. You can remove the capsule and replace it with any other d:facto™ or d:dicate™ capsule if your needs change. The mic also features a robust three-stage pop protection grid built into the microphone that removes unwanted noise. Although this version of the d:facto™ Vocal Microphone comes with a d:facto™ Handle for a wired solution, the d:facto™ Vocal Microphone is also the perfect choice to use with your favorite wireless system.

DPA d:facto 4018V Softboost Supercardioid Mic, SE2-ew Adapter, Black

The d:facto™ Vocal Microphone 4018V B SE2 (4018V-B-SE2, 4018V/B/SE2, 4018V_B_SE2) is engineered especially for vocal performances onstage. It captures electrifying stage performances and accurately replicates a singer's voice transparently, consistently and thrillingly. The mic is optimized for use in sound reinforcement as well as recording applications. It offers natural sound, high separation from distant sound sources and SPL handling up to 160 dB. The phantom-powered DPA handle has a sleek look and state-of-the-art electronic design. And, if you decide to go wireless, you can just switch to an adapter for wireless at a quarter of the cost of a new microphone. The modular nature of the d:facto™ seriesallows you to switch both the capsule as well as the adapter. The d:facto™ Supercardioid Capsule features an isolation-optimized supercardioid polar pattern. It is specifically designed to augment the human vocal range. It uses directional characteristic from the best of two worlds – both cardioid and supercardioid patterns. The capsule’s directional pattern and definition gives high separation and true sound color onstage. It is ideal for PA amplification and recording. Frequency response and phase, both on- and off-axis, is linear. You can remove the capsule and replace it with any other d:facto™ or d:dicate™ capsule if your needs change. The mic also features a robust three-stage pop protection grid built into the microphone that removes unwanted noise. Although this version of the d:facto™ Vocal Microphone comes with a d:facto™ Handle for a wired solution, the d:facto™ Vocal Microphone is also the perfect choice to use with your favorite wireless system.

DPA d:facto 4018V Softboost Supercardioid Mic, SE5 Adapter, Black

The d:facto™ Vocal Microphone 4018V B SE5 (4018V-B-SE5, 4018V_B_SE5, 4018V/B/SE5) is engineered especially for vocal performances onstage. It captures electrifying stage performances and accurately replicates a singer's voice transparently, consistently and thrillingly. The mic is optimized for use in sound reinforcement as well as recording applications. It offers natural sound, high separation from distant sound sources and SPL handling up to 160 dB. The phantom-powered DPA handle has a sleek look and state-of-the-art electronic design. And, if you decide to go wireless, you can just switch to an adapter for wireless at a quarter of the cost of a new microphone. The modular nature of the d:facto™ seriesallows you to switch both the capsule as well as the adapter. The d:facto™ Supercardioid Capsule features an isolation-optimized supercardioid polar pattern. It is specifically designed to augment the human vocal range. It uses directional characteristic from the best of two worlds – both cardioid and supercardioid patterns. The capsule’s directional pattern and definition gives high separation and true sound color onstage. It is ideal for PA amplification and recording. Frequency response and phase, both on- and off-axis, is linear. You can remove the capsule and replace it with any other d:facto™ or d:dicate™ capsule if your needs change. The mic also features a robust three-stage pop protection grid built into the microphone that removes unwanted noise. Although this version of the d:facto™ Vocal Microphone comes with a d:facto™ Handle for a wired solution, the d:facto™ Vocal Microphone is also the perfect choice to use with your favorite wireless system.

DPA 4006ES Omni Microphone with Active Side Cable

Dpa 4006ES Omni Microphone with Active Side Cable When small, lightweight and barely visible microphones for top-quality recordings are required, the active cable design and clean, transparent sound of our ultra-compact d:dicate™ 4006E Omnidirectional Microphone makes them the perfect choice. The mic features an integrated cable solution with either side (4006ES) or rear (4006ER) cable entry. These mics are particularly popular as A-B stereo or Decca Tree pairs in concert halls. This mic can be mounted, hung or concealed to create clean, transparent recordings. The SM4000 Suspension Mount is included in the package. This allows the mic to be hung from the ceiling to create precision spot-miking of orchestra sections or ambience atmosphere. The d:dicate™ 4006E Omnidirectional Microphone is ideal in theatres, opera houses, concert halls or houses of worship and for film applications, both in the studio and on location. These mics are also popular for ambience miking on soundstages, in sports stadiums and other environments where ambient sound needs to be recorded.   The microphone capsule The MMC4006 Omnidirectional Microphone Capsule offers total transparency in any recording situation. It picks up incredible detail and depth of sound. The definition of its high-frequency characteristics across a wide range of instruments is impressive. It offers natural sound, high sensitivity, low noise-floor and extremely linear frequency response from 10 to 20 kHz (±2 dB). A selection of accessories is available, including acoustic pressure equalizers, a nose cone and interchangeable protection grids. These accessories can acoustically transform the mic. By changing grids, it is possible to gain several unique frequency responses and directional characteristics from the mic. Furthermore, these accessories will not produce any phase shift, noise or distortion that would otherwise be introduced by an electrical filter.   A truly flexible range This mic is part of the flexible d:dicate™ Microphone Series. At any time, and with no tools needed, it is possible to transform the d:dicate™ 4006E Omnidirectional Microphone into a new configuration. You can combine it with another d:dicate™ or d:facto™ Microphone Capsule or Preamplifier. The d:dicate™ 4006ES replaces the non-modular legacy 4051 Omnidirectional Condenser Microphone and the d:dicate™  Features The product offers the following features Ultra-compact recording mic for hanging applications Full-bodied sound with minimal visual impact Legendary recording reference capsule Modular flexibility In The Box: MMC4006 OMNIDIRECTIONAL MICROPHONE CAPSULE (MMC4006) MMP-ER/ES MODULAR ACTIVE CABLE, XLR (MMP-ER/ES) FOAM WINDSCREEN FOR D:DICATE™ MICS WITH ACTIVE CABLE (DUA0041) FREE-FIELD GRID FOR D:DICATE™ 4006 (DD0251) CLOSE-MIKING GRID, TRAPEZOID, SILVER (DD DIFFUSE-FIELD GRID FOR D:DICATE™ 4003 AND 4006, BLACK (DD0297) CLIP FOR MMP-E PREAMP WITH ACTIVE CABLE (MC4001)  

DPA 4006ER Omni Microphone with Active Rear Cable

Dpa 4006ER Omni Microphone with Active Rear Cable When small, lightweight and barely visible microphones for top-quality recordings are required, the active cable design and clean, transparent sound of our ultra-compact d:dicate™ 4006E Omnidirectional Microphone makes them the perfect choice. The mic features an integrated cable solution with either side (4006ES) or rear (4006ER) cable entry.   These mics are particularly popular as A-B stereo or Decca Tree pairs in concert halls. This mic can be mounted, hung or concealed to create clean, transparent recordings. The SM4000 Suspension Mount is included in the package. This allows the mic to be hung from the ceiling to create precision spot-miking of orchestra sections or ambience atmosphere. The d:dicate™ 4006E Omnidirectional Microphone is ideal in theatres, opera houses, concert halls or houses of worship and for film applications, both in the studio and on location. These mics are also popular for ambience miking on soundstages, in sports stadiums and other environments where ambient sound needs to be recorded.   The microphone capsule The MMC4006 Omnidirectional Microphone Capsule offers total transparency in any recording situation. It picks up incredible detail and depth of sound. The definition of its high-frequency characteristics across a wide range of instruments is impressive. It offers natural sound, high sensitivity, low noise-floor and extremely linear frequency response from 10 to 20 kHz (±2 dB). A selection of accessories is available, including acoustic pressure equalizers, a nose cone and interchangeable protection grids. These accessories can acoustically transform the mic. By changing grids, it is possible to gain several unique frequency responses and directional characteristics from the mic. Furthermore, these accessories will not produce any phase shift, noise or distortion that would otherwise be introduced by an electrical filter.   A truly flexible range This mic is part of the flexible d:dicate™ Microphone Series. At any time, and with no tools needed, it is possible to transform the d:dicate™ 4006E Omnidirectional Microphone into a new configuration. You can combine it with another d:dicate™ or d:facto™ Microphone Capsule or Preamplifier. The d:dicate™ 4006ER replaces the non-modular legacy 4052 Omnidirectional Condenser Microphone.   Features The product offers the following features Ultra-compact recording mic for hanging applications Full-bodied sound with minimal visual impact Legendary recording reference capsule Modular flexibility In The Box: MMC4006 OMNIDIRECTIONAL MICROPHONE CAPSULE (MMC4006) MMP-ER/ES MODULAR ACTIVE CABLE, XLR (MMP-ER/ES) FOAM WINDSCREEN FOR D:DICATE™ MICS WITH ACTIVE CABLE (DUA0041) FREE-FIELD GRID FOR D:DICATE™ 4006 (DD0251) CLOSE-MIKING GRID, TRAPEZOID, SILVER (DD DIFFUSE-FIELD GRID FOR D:DICATE™ 4003 AND 4006, BLACK (DD0297) CLIP FOR MMP-E PREAMP WITH ACTIVE CABLE (MC4001)

DPA 4018A Supercardioid Microphone

DPA 4018A Supercardioid Microphone d:dicateâ„¢ 4018A Supercardioid Microphone 4018A Supercardioid Microphone • Highly directional Supercardioid  • Uniform, frequency independent directionality • Low noise and high sensitivity for distant positioning • Excellent for spot miking orchestra sections or singers The 4018A is a highly directional, first-class supercardioid microphone and is a part of the modular DPA d:dicate Recording Microphones series. With its remarkably well controlled supercardioid shape and uniform off-axis frequency response, the 4018A offers high separation without odd off-axis frequency peaks and dips. The supercardioid shape is frequency independent, securing an identical sound color around the microphone. The usual rear lobe heard on most supercardioids is minimized on the 4018A making it much more isolated.   Designed for a broad range of music recording and broadcast/ENG/film long-distance miking applications, such as booming, dialogue, interview and table or spot-recording use, the 4018A also offers superb expandability through modular accessories. The 4018A is ideal for use as spot or hanging mic for orchestra recording situations.

DPA 4018ES Supercardioid Microphone Side cable

DPA 4018ES Supercardioid Microphone Side cable d:dicateâ„¢ 4018E Supercardioid Microphone, Active Cable 4018ER Supercardioid Microphone, Rear cable 4018ES Supercardioid Microphone, Side cable • Ultra-compact table or hanging mic • Frequency consistent polar pattern • Highly directional • Low-key appearance Ideal for unobtrusive or distant miking such as desktop or hanging use, the 4018E is an ultra-compact supercardioid microphone from the modular DPA d:dicate Recording Microphones series. With a length of only 3,5 cm, the low-key appearance of the 4018E is as unique as the highly directional supercardioid pickup pattern with a smooth and uniform off-axis frequency response. The supercardioid shape is frequency independent, securing an identical sound color around the microphone. The usual rear lobe heard on most supercardioids is minimized on the 4018E making it much more isolated without sudden frequency dependent peaks and dips. Designed for a broad range of broadcast/ENG/film long-distance miking applications, such as various dialogue capturing, interview and table or podium use, the modular 4018 capsule offers superb flexibility through modular accessories. The 4018E is also ideal for use as spot or hanging mic for orchestra recording situations with the SM4000-C suspension mount, which is included in the package. This allows the 4018E to be hung from the ceiling and create precision spot miking of orchestra sections or ambience atmosphere.   At any time and with no tools necessary it is possible to transform the basic 4018E microphone into a new configuration by combining it with another DPA microphone capsule or preamp.

DPA MMC4018V Microphone Capsule for Vocal, Super Cardoid

DPA MMC4018V (MMC 4018 V MMC-4018-V MMC/4018/V) Microphone Capsule for Vocal, Super Cardoid FEATURES: • Tweaked for close miking vocals• Highly directional for high isolation• Most controlled supercardioid shape• Superb definition and natural response The MMC4018V modular microphone capsule is part of the flexible DPA d:facto vocal microphone series. Equally at home in sound reinforcement and recording applications, the DPA d:facto is a high quality stage vocal microphone with extraordinary natural sound, high separation from nearby sound sources and extreme sound level handling. Its supercardioid pattern and superb definition gives high separation and true sound color on stage, equally suitable for PA amplification and recording. The MMC4018V provides improved audio performance, as it is superbly linear in frequency and phase, both on- and off-axis, while its impressive definition and accuracy reproduces a singer’s voice effortlessly.Our recommendation for stage applications with the d:facto II is using the MMC4018V capsule. This capsule offers an applicable opening angle around the center axis comparable to a cardioid. This means that a pleasant tolerance around the center axis is obtained for the singer. Concurrently, the rear rejection is as higher than other supercardioids. The rear lobe opening normally seen on supercardioids at 180° angle is extremely uniform and controlled on the MMC4018V. For more distant placements or applications acquiring a more open characteristic, such as interviewing or certain studio performances, our standard d:dicated MMC4011 cardioid or MMC4015 wide cardioid capsules can be chosen. Combine the MMC4018V with any of the d:facto adapters for wireless systems or the DPA handle for wired use. Also, the MMC4018V fits the d:dicate Recording Microphone pre-amps.    

DPA 4041-SP Large Diaphragm Microphone, P48

DPA 4041-SP (4041SP 4041 SP 4041/SP) Large Diaphragm Microphone, P48 FEATURES: handles high sound pressure levels with no distortion natural and transparent sound The 4041-SP is designed to work in a standard 48 V phantom power environment. Since the capsule is the same as for the high voltage alternative 4041-S, the 4041-SP offers the same superior sound quality, with very slight changes in the specifications. The cartridge MMC4041 can be unscrewed from the preamplifier which allows for the exchange of the preamplifier module. It is therefore always possible to upgrade to the high voltage preamplifier, also using the DPA mic amp HMA5000. The frequency response has a 4-6 dB soft lift around 8 kHz and matches the response of the legendary 4040 Hybrid Microphone. This microphone offers a totally transparent audio path with an exceptionally low noise floor of maximum 8 dB(A) and a SPL handling capability of 134 dB SPL peak.  

DPA MMC4017 Shotgun Microphone Capsule

DPA MMC4017 (MMC 4017 MMC-4017 MMC/4017) Shotgun Microphone Capsule The MMC4017 capsule is part of the flexible DPA d:dicate Recording Microphones series. Equipped with a highly directional supercardioid pickup pattern, obtained using a supercardioid design with an interference tube that provides excellent off-axis rejection, the DPA 4017B combined with the MMP-B preamplifier is a short and exceptionally lightweight shotgun microphone that truly measures up to DPA’s impressive reputation for accuracy, clarity, and musicality. Designed for a broad range of applications, the 4017B is ideal for use with camera systems, in fixed positions at sports facilities, for broadcast/ENG/film booming, and even studio recording environments. Tune out the surroundings Extensive research and development has been undertaken to optimize the sound coming from the sides and behind the microphone. Minimizing the often very un-linear response of a shotgun microphone due to its side lobes is one of the key accomplishments of the MMC4017. The condenser capsule uses a high voltage pre-polarized back plate, endowing the shotgun with high output as well as wide dynamics, extremely low noise and distortion specifications.  

DPA MMC4015 Wide Cardioid Microphone Capsule

DPA MMC4015 (MMC 4015 MMC-4015 MMC/4015) Wide Cardioid Microphone Capsule Modular flexibility The MMC4015 capsule is part of the flexible DPA d:dicate Recording Microphones series. The 4015A with the MMP-A preamplifier suits acoustic instruments and voices with rich and open sound, where the 4015C with the MMP-C compact preamplifier is an excellent spot mic as a fill-in between an omni and a cardioid – and easier to position. Expand your horizon with a wider pattern If you are already a DPA 4011 devotee, you will discover an exciting alternative in our wide cardioid microphones. The MMC4015 wide cardioid capsule differs in its polar pattern and is the perfect fill-in between an omni and a more directional microphone. Sometimes a conventional cardioid pattern just isn’t quite open enough, such as when recording instruments with complex radiation patterns. In those instances, the generous polar pattern of our wide cardioids allows you to pick up a broader sound field and more accurately capture the full breadth of a stirring performance.  

DPA MMC4011 Cardioid Microphone Capsule

ic on literally any style of live music, from rock ‘n’ roll to opera.  

DPA MMC4006 Omni Microphone Capsule

DPA MMC4006 (MMC 4006 MMC-4006 MMC/4006) Omni Microphone Capsule Modular flexibility The MMC4006 capsule is part of the flexible DPA d:dicate Recording Microphones series. The 4006A with the MMP-A preamplifier is a legendary recording classic with natural tone and dynamics, where the 4006C with the MMP-C compact preamplifier provides neutral sonic and visual design for reproducing acoustic environments. Several tools in one A wide selection of acoustic modification accessories, including nose cone and interchangeable protection grids, allows the MMC4006 capsule to be acoustically transformed into seven different microphone versions, making it the most multifaceted mic in your collection and a tremendous value. By simply changing a grid or mounting an element over the capsule, it is possible to gain several unique frequency responses and directional characteristics from a single mic. Furthermore, these grids and elements will not produce any phase shift, noise or distortion that would otherwise be introduced by an electrical filter.

DPA MMC2006 Twin Diaphragm Omni Microphone Capsule

DPA MMC2006 (MMC 2006 MMC-2006 MMC/2006) Twin Diaphragm Omni Microphone Capsule Twin Diaphragm Capsule technology The overall distinctive sound image from the DPA miniatures is so well balanced that it meets the high demands of the DPA d:dicate Recording Microphones series. In an MMC2006 capsule two opposite facing miniature capsules are custom re-built into a double diaphragm, one-capsule composition. This combines the advantages of small capsules (fast impulse response and large frequency bandwidth) with lower inherent noise achieved from a larger diaphragm area. The capsules are loaded to the supreme d:dicate Recording Mic preamps instead of the tiny miniature FET preamp from the miniature mics, offering even more air and precision. Comparison with its big brother, the iconic 4006, is inevitable. The relationship between the two is clearly heard; the 2000 series simply performs like much more exclusive microphones from the premium class and redefines the term value for money. Modular upgradability The MMC2006 capsule is part of the flexible DPA Reference Standard series. The 2006A with the MMP-A preamplifier is the audiophile’s choice with low distortion and total accurate and faithful sound, where the 2006C MMP-C compact preamplifier offers a subtle character alteration with a bit more “body” to the low end – in addition to its easier-to-position approach.

DPA Surround Kit with 5 x 4015A Clips Windscreens in Peli Case

DPA 5015A (5015 A 5015-A 5015/A) Surround Kit with 5 x 4015A, Clips, Windscreens in Peli Case FEATURES: Wide pickup area and natural sound Five carefully matched microphones Ambience pickup with convenient directionality PeliTM Case transportation and protection The DPA 5015A is a complete DPA 4015A surround kit with five carefully factory-matched wide cardioid microphones. Even though the standard tolerances on DPA Reference Standards are extremely low, the surround match is even closer. The specially selected DPA 4015A microphones are matched within ±1 dB on both frequency response and sensitivity from mean of set. The maximum phase response difference is 5°. Recording orchestras or other acoustic ensembles sometimes requires a compromise between blending in the room reverberation and a more precise localization. The natural response and dynamic range make the DPA 4015As an obvious choice for Precise tone quality and wide dynamic range make 5015A right for AB, Decca Tree or surround main arrays like the DPA Wide Cardioid Surround Array. The foam design in the heavy-duty transportation box allows for fast and easy exchange of microphone/accessory inlays. Included in this kit:Five carefully matched, sturdy PeliTM case, holders, and windscreens.  

DPA Surround Kit with 3 x 4006A 2 x 4011A Clips Windscreens in Peli Case

DPA 5006-11A (5006 11A 5006/11A 5006 11 A) Surround Kit with 3 x 4006A, 2 x 4011A, Clips, Windscreens in Peli Case FEATURES: Three + two carefully matched microphones Decca Tree front + cardioids rear Specially useful as orchestral main pair PeliTM Case transportation and protection The DPA 5006-11A is a complete surround kit combining three DPA 4006A and two 4011A, carefully factory-matched to achieve full precision. Even though the standard tolerances on DPA Reference Standard Mics are extremely low, the surround match is even closer. The specially selected DPA 4006A microphones are matched within ±0.5 dB on both frequency response and sensitivity. The maximum phase response difference is 5°. The 4011A’s are matched within ±1 dB. The natural sound, high sensitivity, low noise-floor and extremely linear frequency response from 10 Hz to 20 kHz (±2 dB) of the microphones make the 4006As the perfect choice for all AB Stereo, Decca Tree or surround main array recordings. The precise reproduction, total transparency and natural-sounding clarity of a DPA 4006A microphone will provide you with a lifetime of satisfying listening. The foam design in the heavy-duty transportation box allows for fast and easy exchange of microphone/accessory inlays. Included in this kit:Carefully matched microphones, sturdy PeliTM case, holders, grids, and windscreens.  

DPA Surround Kit with 5 x 4006A Clips Windscreens in Peli Case

DPA 5006A (5006 A 5006-A 5006/A) Surround Kit with 5 x 4006A, Clips, Windscreens in Peli Case   The 5006A Surround Microphone Kit from DPA Microphones includes five 4006A omnidirectional microphones, matched within 0.5dB on both frequency response and sensitivity. They can be used for AB stereo, Decca Tree, or surround main array recording techniques for orchestral settings. DPA includes mic holders, grids, and windscreens for all mics. The included Peli foam-lined case can be used for transportation and storage.

DPA ST2006C, ST2006 C, ST2006-C, ST2006/C Stereo Pair w. 2 x 2006C, Clips, Windscreens in Peli Case

DPA ST2006C (ST2006 C, ST2006-C, ST2006/C) Stereo Pair w. 2 x 2006C, Clips, Windscreens in Peli Case    FEATURES: Sensitivity selected pair Compact size and authentic sound Full-bodied sound from a small-bodied mic PeliTM Case transportation and protection The DPA ST2006C is a complete DPA 2006C Stereo Pair with two handpicked omni microphones, selected on sensitivity within ±1.5 dB. As a small, lightweight and inconspicuous main AB stereo pair the 2006s deliver precise acoustic fingerprint and true tone. Meeting classic architecture and installation requirements, the 2006C’s can be mounted, hung or concealed to create clean, transparent recordings. The foam design in the heavy-duty transportation box allows for fast and easy exchange of microphone/accessory inlays. Included in this kit: Two carefully matched 2006C omni microphones, sturdy PeliTM case, holders, and windscreens.  

DPA ST2011A, ST 2011 A, ST-2011-A , ST/2011/A Stereo Pair w. 2 x 2011A, Clips, Windscreens in Peli Case

DPA ST2011A (ST 2011 A,  ST-2011-A , ST/2011/A) Stereo Pair w. 2 x 2011A, Clips, Windscreens in Peli Case FEATURES: Sensitivity selected pair Superb stage separation and level control All-round workhorses PeliTM Case transportation and protection The ST2011A is a complete DPA 2011A Stereo Pair with two handpicked cardioid microphones, selected on sensitivity within ±1.5 dB making several stereo principles like XY and ORTF easy to obtain. Finding its use on numerous stages and recording sessions, the ST2011A exhibits a previously unheard blend of clarity, richness and dynamic range, the 2011As perform close to much more exclusive microphone pairs. The foam design in the heavy-duty transportation box allows for fast and easy exchange of microphone/accessory inlays. Included in this kit: Two carefully matched 2011A cardioid microphones, sturdy PeliTM case, holders, and windscreens.  

DPA ST2006A, ST2006, A ST2006-A, ST2006/A Stereo Pair w. 2 x 2006A, Clips, Windscreens in Peli Case

DPA ST2006A (ST2006, A ST2006-A, ST2006/A) Stereo Pair w. 2 x 2006A, Clips, Windscreens in Peli Case FEATURES: Sensitivity selected pair Acoustic authenticity Linear in a large frequency bandwidth PeliTM Case transportation and protection The DPA ST2006A is a complete DPA 2006A Stereo Pair with two handpicked omni microphones, selected on sensitivity within ±1.5 dB. As main AB stereo pair the 2006As deliver precise acoustic fingerprint and true tone. Orchestra, acoustic piano, guitar, wind instruments and choirs are among the most evident applications for this high-value-for-money pair. The foam design in the heavy-duty transportation box allows for fast and easy exchange of microphone and accessory inlays. Included in this kit: Two carefully matched 2006A omni microphones, sturdy PeliTM case, holders, and windscreens.  

DPA ST4015C, ST4015, C ST4015-C, ST4015/C Stereo Pair w. 2 x 4015C, Clips, Windscreens in Peli Case

DPA ST4015C (ST4015, C ST4015-C, ST4015/C) Stereo Pair w. 2 x 4015C, Clips, Windscreens in Peli Case FEATURES: Natural reproduction Carefully matched within ±1 dB Low profile – wide pickup area PeliTM Case transportation and protection Visually discreet, the 4015C Wide Cardioids represent an indispensably low-profile solution for audio engineers and set designers alike. Tremendously precise and natural sounding, the compact wide cardioids will excel when used on choirs, percussion setups, grand pianos, wind instruments, and much more. Also useful as spot mics for classical recording, the 4015C blends very naturally in with the main pair. The DPA ST4015C is a complete DPA 4015C Stereo Pair with two carefully factory-matched wide cardioid microphones. Even though the standard tolerances on DPA Reference Standards are extremely low, a stereo match is even closer. The specially selected DPA 4015C microphones are matched within ±1 dB on both frequency response and sensitivity. The foam design in the heavy-duty transportation box allows for fast and easy exchange of microphone/accessory inlays. Included in this kit: Two carefully matched 4015C wide cardioid microphones, sturdy PeliTM case, holders, and windscreens.    

DPA ST4011C, ST4011 C, ST4011-C, ST4011/C Stereo Pair w. 2 x 4011C, Clips, Windscreens in Peli Case

DPA ST4011C (ST4011 C,  ST4011-C,  ST4011/C) Stereo Pair w. 2 x 4011C, Clips, Windscreens in Peli Case   FEATURES: Excellent for both PA/Live and recording  Carefully matched within ± 1 dB Low profile mounting options PeliTM Case transportation and protection Whenever a small, lightweight, inconspicuous microphone for top-quality sound is required, the compact design and uniform unidirectional response of our versatile 4011C makes it the perfect choice. They are particularly popular as spot mics for classical recording and on-stage close mics for live sound. The DPA ST4011C is a complete DPA 4011C Stereo Pair with two carefully factory-matched first order cardioid microphones. Even though the standard tolerances on DPA Reference Standards are extremely low, a stereo match is even closer. The specially selected DPA 4011C microphones are matched within ±1 dB on both frequency response and sensitivity. The foam design in the heavy-duty transportation box allows for fast and easy exchange of microphone/accessory inlays. Included in this kit: Two carefully matched 4011C cardioid microphones, sturdy PeliTM case, holders, and windscreens.  

DPA ST4006C, ST4006, C ST4006-C, ST4006/C Stereo Pair w. 2 x 4006C, Clips, Windscreens in Peli Case

DPA ST4006C (ST4006, C ST4006-C, ST4006/C) Stereo Pair w. 2 x 4006C, Clips, Windscreens in Peli Case FEATURES: carefully matched microphones compact size and natural sound full-bodied sound from a small-bodied mic PeliTM Case transportation and protection Wherever a small, lightweight, inconspicuous microphone for top-quality recording is required, the compact design and clean, transparent sound of our versatile 4006C makes it the perfect choice. Particularly popular as A-B stereo pairs in concert halls where quality recordings can sometimes be compromised by classic architecture, the 4006C’s can be mounted, hung or concealed to create clean, transparent recordings. The DPA ST4006C is a complete DPA 4006C Stereo Pair with two carefully factory-matched omni microphones. Even though the standard tolerances on DPA Reference Standards are extremely low, a stereo match is even closer. The specially selected DPA 4006C microphones are matched within ±0.5 dB on both frequency response and sensitivity. The maximum phase response difference is 5°. The foam design in the heavy-duty transportation box allows for fast and easy exchange of microphone/accessory inlays. Included in this kit: Two carefully matched 4006C omni microphones, sturdy PeliTM case, holders, grids and windscreens.    

DPA ST4015A, ST4015 A, ST4015-A, ST4015/A Stereo Pair w. 2 x 4015A, Clips, Windscreens in Peli Case

DPA ST4015A (ST4015 A, ST4015-A,  ST4015/A) Stereo Pair w. 2 x 4015A, Clips, Windscreens in Peli Case   FEATURES: Wide pickup area and natural sound Ambience pickup with some directionality Carefully matched within ±1 dB PeliTM Case transportation and protection Recording orchestras or other acoustic ensembles sometimes requires a compromise between blending in the room reverberation and a more precise localization. The wide cardioid (also known as hemispheric) design covers a greater sound angle and is also an excellent choice for grand piano, guitar, marimba, and percussion, or as a spot mic for groups in a symphony orchestra. The DPA ST4015A is a complete DPA 4015A Stereo Pair with two carefully factory-matched wide cardioid microphones. Even though the standard tolerances on DPA Reference Standards are extremely low, a stereo match is even closer. The specially selected DPA 4015A microphones are matched within ±1 dB on both frequency response and sensitivity. The foam design in the heavy-duty transportation box allows for fast and easy exchange of microphone/accessory inlays. Included in this kit: Two carefully matched 4015A wide cardioid microphones, sturdy PeliTM case, holders, and windscreens.

DPA ST4011A, ST4011 A, ST4011-A, ST4011/A Stereo Pair w. 2 x 4011A, Clips, Windscreens in Peli Case

DPA ST4011A (ST4011 A, ST4011-A, ST4011/A) Stereo Pair w. 2 x 4011A, Clips, Windscreens in Peli Case   FEATURES: World-wide cardioid reference mic Handles very high sound pressure levels Carefully matched within ±1 dB PeliTM Case transportation and protection 4011A cardioids are exceptionally linear in their frequency response â€“ also off axis, giving you the natural experience. They handle extremely high SPL and will therefore allow for close placement and are often used for piano recordings with a placement closer to the hammers or as overheads for drums.  The DPA ST4011A is a complete DPA 4011A Stereo Pair with two carefully factory-matched first order cardioid microphones. Even though the standard tolerances on DPA Reference Standards are extremely low, a stereo match is even closer. The specially selected DPA 4011A microphones are matched within ±1 dB on both frequency response and sensitivity. The foam design in the heavy-duty transportation box allows for fast and easy exchange of microphone/accessory inlay. Included in this kit: Two carefully matched 4011A cardioid microphones, sturdy PeliTM case, holders, and windscreens.

DPA ST4006A, ST4006, A ST4006-A, ST4006/A Stereo Pair w. 2 x 4006A, Clips, Windscreens in Peli Case

DPA ST4006A (ST4006, A ST4006-A, ST4006/A) Stereo Pair w. 2 x 4006A, Clips, Windscreens in Peli Case FEATURES: carefully matched microphones high sensitivity, low noise-floor and extremely linear frequency PeliTM case transportation and protection The DPA ST4006A is a complete DPA 4006A Stereo Pair with two carefully factory-matched omni microphones. Even though the standard tolerances on DPA Reference Standards are extremely low, a stereo match is even closer. The specially selected DPA 4006A microphones are matched within ±0.5 dB on both frequency response and sensitivity. The maximum phase response difference is 5°. The natural sound, high sensitivity, low noise-floor and extremely linear frequency response from 10 Hz to 20 kHz (±2 dB) of the microphone pair makes the ST4006A the perfect choice for all AB Stereo recordings. The design in the heavy-duty transportation box allows for fast and easy exchange of microphone/accessory foam inlays. Included in this kit Two carefully matched 4006A omni microphones, sturdy PeliTM case, holders, grids and windscreens.    

DPA 2006C Twin Diaphragm Omni Microphone, Compact

DPA 2006C (2006 C 2006-C 2006/C) Twin Diaphragm Omni Microphone, Compact FEATURES: Modular flexibility Twin-Diaphragm-Capsule technology Acoustic authenticity Linear in a large frequency bandwidth Redefining value for money The new DPA 2006 microphone has strong references to the acclaimed DPA 4006 omni microphone – by its type number 06, its overall sound character, and its industrial design. The difference is in the capsule technology that in the 2000 series features the new Twin Diaphragm Capsule technology. Comparison with its big brother, the iconic 4006, is inevitable. The relationship between the two is clearly heard from the first 2006 audio glance; the 2000 series simply performs like much more exclusive microphones from the premium class and redefines the term value for money. Modular upgradability 2006C is part of the flexible DPA d:dicate Recording Microphones series. The 2006C with the MMP-C compact preamplifier offers a subtle character alteration with a bit more “body” to the low end – in addition to its easier-to-position approach. The 2006A with the MMP-A preamplifier is the audiophile’s choice with low distortion and total accurate and faithful sound. At any time and with no tools necessary it is possible to transform the basic 2006 microphone into a new configuration by combining it with another DPA microphone capsule or preamp. Twin Diaphragm Capsule technology The overall distinctive sound image from the DPA miniatures is so well balanced that it meets the high demands of the DPA Reference Standard league. In a 2006 capsule two opposite facing miniature capsules are custom re-built into a double diaphragm, one-capsule composition. This combines the advantages of small capsules (fast impulse response and large frequency bandwidth) with lower inherent noise achieved from a larger diaphragm area. The capsules are loaded to the supreme Reference Standard preamps instead of the tiny miniature FET preamp from the miniature mics, offering even more air and precision. Dedicated to acoustic authenticity Every engineer and musician concerned with getting the precise acoustic fingerprint on track will be pleased by the true tone delivered by the 2006. Acoustic piano, guitar, wind instruments and choirs are among the most evident applications. As main AB stereo pair the 2006s offer an impeccable combination of two ordinary frequency responses from the 4006 with specially tailored high frequency response that lies perfectly in between the responses from the near-field (silver) grid and the diffuse-field (black) grid. Also available as selected stereo pair The ST2006C stereo pair is supplied in a specially designed PeliTM Case.    

DPA 2011A Twin Diaphragm Cardioid Microphone

DPA 2011A (2011 A 2011-A 2011/A) Twin Diaphragm Cardioid Microphone FEATURES: All-round workhorse â€“ blends clarity, richness and dynamics Twin-Diaphragm-Capsule and interference tube technologies Superb stage separation and level control Modular flexibility  All-round workhorse The new DPA 2011A microphone has strong references to the acclaimed close-miking and hi-SPL handling specialist DPA 4011 cardioid microphone – not only by its type number 11, also in its all-round capture abilities. 2011 is primarily optimized for on-stage use and the technology combines the new Twin Diaphragm Capsule and DPA’s strong know-how within interference tube technology. While 4011 has gained worldwide admiration for its total linearity at all sound confrontations, the 2011 is purposely aimed differently; the off-axis response is still linear but in a smaller frequency bandwidth making stage separation and gain-to-feedback higher and mic level easier to control. Modular flexibility 2011A is part of the flexible DPA d:dicate Recording Mics series. The 2011A with the MMP-A preamplifier is the audiophile’s choice with low distortion and total accurate and faithful sound, where the 2011C with the MMP-C compact preamplifier offers a subtle character alteration with a bit more “body” to the low end – in addition to its easier-to-position approach. At any time and with no tools necessary it is possible to transform the basic 2011 microphone into a new configuration by combining it with another DPA microphone capsule or preamp. Twin Diaphragm Capsule: cutting edge technology The overall distinctive sound image from the DPA miniatures is so well balanced that it meets the high demands of the DPA Reference Standard league. In a 2011 capsule two opposite facing miniature capsules are custom re-built into a double diaphragm, one-capsule composition. The use and control of interference tubes has become a DPA specialty and the 2011 is no exception; the capsules are loaded to the supreme Reference Standard preamps instead of the tiny miniature FET preamp from the 4060 miniature series, offering even more air and precision. Stage addict The 2011 has found its use on numerous stages and recording sessions.  Exhibiting a previously unheard blend of clarity, richness and dynamic range, the 2011 performs like a much more exclusive microphone and redefines the term value for money. When used for stereo recording Please read the acoustic center of the MMC2011 capsule. Also available as selected stereo pair The ST2011A stereo pair is supplied in a specially designed PeliTM Case.  

DPA 2006A Twin Diaphragm Omni Microphone

m-Capsule technology Acoustic authenticity Linear in a large frequency bandwidth Redefining value for money The new DPA 2006 microphone has strong references to the acclaimed DPA 4006 omni microphone – by its type number 06, its overall sound character, and its industrial design. The difference is in the capsule technology that in the 2000 series features the new Twin Diaphragm Capsule technology. Comparison with its big brother, the iconic 4006, is inevitable. The relationship between the two is clearly heard from the first 2006 audio glance; the 2000 series simply performs like much more exclusive microphones from the premium class and redefines the term value for money. Modular upgradability 2006A is part of the flexible d:dicate Recording Mics series. The 2006A with the MMP-A preamplifier is the audiophile’s choice with low distortion and total accurate and faithful sound, where the 2006C MMP-C compact preamplifier offers a subtle character alteration with a bit more “body” to the low end – in addition to its easier-to-position approach. At any time and with no tools necessary it is possible to transform the basic 2006 microphone into a new configuration by combining it with another DPA microphone capsule or preamp. Twin Diaphragm Capsule technology The overall distinctive sound image from the DPA miniatures is so well balanced that it meets the high demands of the DPA Reference Standard league. In a 2006 capsule two opposite facing miniature capsules are custom re-built into a double diaphragm, one-capsule composition. This combines the advantages of small capsules (fast impulse response and large frequency bandwidth) with lower inherent noise achieved from a larger diaphragm area. The capsules are loaded to the supreme Reference Standard preamps instead of the tiny miniature FET preamp from the miniature mics, offering even more air and precision. Dedicated to acoustic authenticity Every engineer and musician concerned with getting the precise acoustic fingerprint on track will be pleased by the true tone delivered by the 2006. Acoustic piano, guitar, wind instruments and choirs are among the most evident applications. As main AB stereo pair the 2006s offer an impeccable combination of two ordinary frequency responses from the 4006 with specially tailored high frequency response that lies perfectly in between the responses from the near-field (silver) grid and the diffuse-field (black) grid. Also available as selected stereo pair The ST2006A stereo pair is supplied in a specially designed PeliTM Case.

DPA 4015C Wide Cardioid Microphone, Compact

DPA 4015C (4015 C 4015-C 4015/C) Wide Cardioid Microphone, Compact FEATURES: Low profile – wide pickup area Natural reproduction Directional ambience pickup Exceptional for vocal Expand your horizon with a wider pattern If you are already a DPA 4011 devotee, you will discover an exciting alternative in our wide cardioid microphones. The DPA 4015C wide cardioid differs in its polar pattern and is the perfect fill-in between an omni and a more directional microphone. Sometimes a conventional cardioid pattern just isn’t quite open enough, such as when recording instruments with complex radiation patterns. In those instances, the generous polar pattern of our Compact Wide Cardioids allows you to pick up a broader sound field and more accurately capture the full breadth of a stirring performance. Limitless applications Recording orchestras or other ensembles sometimes requires a compromise between blending in the room reverberation and a more precise localization. The wide cardioid (also known as hemispheric) design covers a greater sound angle and is an excellent choice for grand piano, guitar, marimba, and percussion, or as a spot mic for groups in a symphony orchestra. Likewise, it is an excellent speech, dubbing, or vocal mic as its enhanced richness on the bass end nicely compliments many voices. Completely linear, even off-axis The off-axis characteristics of the 4015C are totally linear, a unique quality when it comes to authentic sound reproduction. Any leakage that occurs from off-axis sound sources is still a faithful reproduction of these sounds, just softly attenuated. Small, yet wide Visually discreet, the 4015C Wide Cardioids represent an indispensably low-profile solution for audio engineers and set designers alike. Tremendously precise and natural sounding, the Compact Wide Cardioids will certainly exceed expectations when used on choirs, percussion setups, grand pianos, wind instruments, and much more. Also available as matched stereo pair The ST4015C stereo pair is supplied in a specially designed PeliTM Case, the stereo matching is free of charge.  

DPA 4011C Cardioid Microphone, Compact

DPA 4011C (4011 C 4011-C 4011/C) Cardioid Microphone, Compact FEATURES: Close-miking Superior for high sound levels Accuracy Colorless Maximum clarity, minimum visibility DPA’s Compact Cardioid range is proof that stunning clarity and absolute neutrality are not solely the characteristics of full-sized studio condenser mics alone. Designed to be hidden from view, the diminutive design and high performance of the DPA 4011C makes it the outstanding choice for unobtrusively miking all types of television, film, theatre, concert and studio performances. Limited in size, not application Capable of handling high SPLs without distortion, the 4011C is perfectly tailored for close-miking applications, minimizing bleed from other instruments. When used to spot-mike larger orchestras, these mics are hard to beat, and in film and TV studios, they are excellent for off-camera voice recording or Foley work. For live on-camera recordings, their matte black finish gives them a classic yet inconspicuous appearance, while for sound reinforcement in concert halls, theatres and houses of worship, they provide clean, natural sound while reducing the noticeable effect of lighting reflection. Also available as matched stereo pair The ST4011C stereo pair is supplied in a specially designed PeliTM Case, the stereo matching is free of charge.  

DPA 4006C Omni Microphone, Compact

DPA 4006C (4006 C 4006-C 4006/C) Omni Microphone, Compact FEATURES: Neutrality Versatility Precision Recording standard Full-bodied sound from a small-bodied mic Wherever a small, lightweight,  inconspicuous microphone for top-quality recording is required, the compact design and clean, transparent sound of our versatile 4006C makes it the perfect choice. They are particularly popular as A-B stereo pairs in concert halls where quality recordings can sometimes be compromised by classic architecture. The 4006C can be mounted, hung or concealed to create clean, transparent recordings. It is ideal in theatres, opera and concert halls or places of worship where there is a live audience, and for film applications, both in the studio and on location. These mics are also popular with musicians for close-miking instruments such as double bass, trumpet and piano. At the same time they are wonderful for ambience miking on soundstages, in sports stadiums and other environments where audience sound needs to be recorded. Several tools in one A selection of acoustic modification accessories, including nose cone and interchangeable protection grids, allows the 4006C to be acoustically transformed into different microphone versions, making it the most multifaceted mic in your collection and a tremendous value. By simply changing a grid, it is possible to gain several unique frequency responses and directional characteristics from a single mic. Furthermore, these grids and elements will not produce any phase shift, noise or distortion that would otherwise be introduced by an electrical filter. Also available as matched stereo pair The ST4006C stereo pair is supplied in a specially designed PeliTM Case.  

DPA 4015A Wide Cardioid Microphone

DPA 4015A (4015 A 4015-A 4015/A) Wide Cardioid Microphone FEATURES: Low profile – wide pickup area Natural reproduction Directional ambience pickup Exceptional for vocal Expand your horizon with a wider pattern If you are already a DPA 4011 devotee, you will discover an exciting alternative in our wide cardioid microphones. The phantom powered DPA 4015A wide cardioid differs in its polar pattern and is the perfect fill-in between an omni and a more directional microphone. Sometimes a conventional cardioid pattern just isn’t quite open enough, such as when recording instruments with complex radiation patterns. In those instances, the generous polar pattern of our Compact Wide Cardioids allows you to pick up a broader sound field and more accurately capture the full breadth of a stirring performance. Limitless applications Recording orchestras or other ensembles sometimes requires a compromise between blending in the room reverberation and a more precise localization. The wide cardioid (also known as hemispheric) design covers a greater sound angle and is an excellent choice for grand piano, guitar, marimba, and percussion, or as a spot mic for groups in a symphony orchestra. Likewise, it is an excellent speech, dubbing, or vocal mic as its enhanced richness on the bass end nicely compliments many voices. Completely linear, even off-axis The off-axis characteristics of the 4015A are totally linear, a unique quality when it comes to authentic sound reproduction. Any leakage that occurs from off-axis sound sources is still a faithful reproduction of these sounds, just softly attenuated. Specialists in extreme sound levels DPA’s wide cardioid microphones are capable of handling extremely high sound pressure levels before clipping occurs. The 4015A even includes a 20 dB pad switch in the center of the XLR connector to prevent overloading of the mic amp. Also available as matched stereo pair and surround kit The ST4015A stereo pair is supplied in a specially designed PeliTM Case, the stereo matching is free of charge. The SU4015A Surround Kit is supplied in a specially designed PeliTM Case, the surround matching is free of charge.    

DPA 4011A Cardioid Microphone

DPA 4011A (4011 A 4011-A 4011/A) Cardioid Microphone FEATURES: Close-miking Superior for high sound levels Accuracy Colorless Improving upon a classic The DPA 4011A cardioid condenser microphone is an upgraded version of our classic 4011, renowned in recording studios and live applications around the world as an exceptional mic. State-of-the-art components have been carefully selected to provide optimal neutrality, accuracy, and extremely low distortion. Pure linear cardioid The principal appeal of the 4011A is its directional quality and attention to detail: everything sounds like the original. The first-order cardioid pickup pattern provides superb separation between sound sources when used as a spot mic on literally any style of live music, from rock ‘n’ roll to opera. The 4011A is equally suitable for close-up work on acoustic guitar, grand piano, overheads, percussion, wind instruments and vocals as it is for spot-miking symphonies. It can handle incredibly high sound levels and even includes a 20 dB pad switch in the center of the XLR connector to attenuate the output of the microphone. Perfectly natural A flat on-axis frequency response and excellent phase response deliver a totally faithful reproduction of the original sound. The off-axis response is similarly smooth so that any leakage is an accurate reflection of the original, though attenuated according to the true first-order cardioid pickup pattern. The sensation of “being there” will always be more intense with the DPA 4011A than with any other cardioid. Chosen for its qualities as an all-around performer, the 4011A is a great, clean-sounding colorless mic. The variety of applications is as wide as the imagination of the user. Also available as matched stereo pair The ST4011A stereo pair is supplied in a specially designed PeliTM Case, the stereo matching is free of charge.  

DPA 4006A Omni Microphone

DPA 4006A (4006 A 4006-A 4006/A) Omni Microphone FEATURES: Neutrality Versatility Precision Recording standard Timeless transparency The versatile DPA 4006A is without doubt the most popular mic in our standard range and has rightly earned its status as a worldwide recording standard. This highly sought after omni has forged its enviable reputation over the past quarter of a century by repeatedly exhibiting its total transparency in any recording situation, and by picking up incredible detail and depth of sound. The definition of its high-frequency characteristics across a wide range of instruments is undeniably impressive for the vast majority of miking applications. Renaissance microphone With the 4006A, engineers, broadcasters and musicians alike can achieve extremely clean, natural and precise reproduction in a variety of applications. Ideal for A-B stereo pairs for symphonic concert hall recordings, the 4006A also excels on vocals and for close-miking instruments like grand piano, guitar, double bass and percussion. Several tools in one A selection of acoustic modification accessories, including nose cone and interchangeable protection grids, allows the 4006A to be acoustically transformed into different microphone versions, making it the most multifaceted mic in your collection and a tremendous value. By simply changing a grid, it is possible to gain several unique frequency responses and directional characteristics from a single mic. Furthermore, these grids and elements will not produce any phase shift, noise or distortion that would otherwise be introduced by an electrical filter. Also available as matched stereo pair and surround kit The ST4006A stereo pair is supplied in a specially designed PeliTM Case.  

DPA 3506A d:dicate 4006A Stereo Kit

DPA 3506 (DPA3506 DPA-3506 DPA/3506) d:dicate™ 4006A Stereo Kit   The DPA 3506 is a complete 4006-TL Stereo Kit with two carefully factory-matched phantom powered (P48) condenser microphones. The DPA 3506 also includes a Stereo Boom and the complete range of DPA Acoustic Modification Accessories, all in a sturdy carrying case with a foam insert. The specially selected DPA 4006-TL microphones are matched within +/- 0.5 dB on both frequency range, sensitivity and self noise. The maximum phase response difference from 50 Hz to 20 kHz is 10 degrees. The high sensitivity, the low noise-floor and the extremely linear frequency response from 15 Hz to 20 kHz (+/-2 dB) of the microphone pair makes the DPA 3506 the perfect choice for all professional A-B Stereo recordings. 4006-TL Omni Microphone, P48, Transformerless detailed and natural reproduction high sensitivity and low noise-floor excellent for concert halls and spot miking for acoustical instruments  DPA 4006 is one of the most popular types in the DPA microphone range and is a worldwide reference thanks to its precise, detailed and natural reproduction. For more than 20 years it has impressed studio owners and broadcasters as well as musicians and engineers thanks to its transparent sound quality. It is one of the most sought after studio microphones in the industry - and the one that gives you the most value for your money. In striving to achieve an even cleaner sound, the 4006-TL is equipped with a state-of-the-art transformerless preamplifier and is powered via a standard 48 V Phantom Power supply. This design increases the sensitivity and provides an extended low-frequency handling capability (15 Hz to 20 kHz ±2 dB). All components in this construction are very carefully selected to fulfil the demand for optimal neutrality, accuracy and extremely low distortion even at very high sound pressure levels and at complex passages in the music. The applications of 4006-TL are numerous: AB stereo pair for symphonic concert hall recordings, close mic on instruments such as grand piano, guitar, double bass, percussion and speech/vocals, just to mention a few examples where a 4006-TL will give more detail and more open resolution. With the acoustic modification accessories it is possible to gain different frequency responses and directional characteristics with just one 4006-TL. You simply change a grid and it will influence the sound field acoustically without any phase shift, noise or distortion, that any electrical filter will introduce. 4006-TL is a product for sound engineers with demands for high quality. The precise reproduction, total transparency and natural-sounding clarity of this microphone will provide you with a lifetime of satisfying listening.

DPA 3511A d:dicate 4011A Stereo Kit

DPA 3511 (DPA3511 DPA-3511 DPA/3511)  d:dicate™ 4011A Stereo Kit 2 x UA0897 Shock Mount,Includes: 2 x UA0896 Windscreen for 4011/12/15/16, 1 x UA0836 Stereo Boom with Holders, 1 x DUA0019 Spacer for Stereo Boom, 19 mm (0.75 in) plus 2 x 4011-TL The DPA 3511 is a complete stereo kit for a broad range of recording applications using two 4011-TL Cardioid Microphones, carefully matched within +/- 1 dB on frequency response, sensitivity and self-noise. These cardioids are exceptionally linear in their frequency response - also off axis, giving you the natural experience. Several standard set-ups such as ORTF and XY are possible. The 4011-TL mics handle very high SPL and will therefore allow close placement as well as more distant. Often used for piano recordings of jazz or pop with a placement closer to the hammers or as overheads for drums. The kit includes 2 windscreens, 2 very effective shock mounts, a precision-crafted stereo boom for secure mounting of microphone pairs for A-B stereo recordings and a spacer to allow XY or ORTF stereo set-ups on the boom.    

DPA 4017B Shotgun Microphone

DPA 4017B (DPA4017B DPA-4017B DPA/4017B) Shotgun Microphone 4017B Shotgun Microphone FEATURES: Excellent RF Immunity Lightweight Uniform off-axis response Highly directional Equipped with a highly directional supercardioid pickup pattern, obtained using a supercardioid design with an interference tube that provides excellent off-axis rejection, the DPA 4017B is a short and exceptionally lightweight shotgun microphone that truly measures up to DPA’s impressive reputation for accuracy, clarity, and musicality. Designed for a broad range of applications, the phantom powered 4017B is ideal for use with camera systems, in fixed positions at sports facilities, for broadcast/ENG/film booming, and even studio recording environments. Tune out the surroundings Extensive research and development has been undertaken to optimize the sound coming from the sides and behind the microphone. Minimizing the often very un-linear response of a shotgun microphone due to its side lobes is one of the key accomplishments of the 4017B. The condenser capsule uses a high voltage pre-polarized back plate, endowing the shotgun with high output as well as wide dynamics, extremely low noise and distortion specifications. Small size, big performance At just 210 mm (8.3 in) in length and 68 g (2.4 oz) in weight, the aluminum-bodied DPA 4017B is among the smallest and lightest boom microphones available. But that’s not to say that it’s small on performance. Fully immune to RF emission, the 4017B’s 19 mm (0.75 in) condenser cartridge is capable of handling peak SPLs of 152 dB before clipping. Screwdriver-free filter access The 4017B features two onboard filters that are activated via an ingenious switching ring design. With the simple twist of two sturdy rings, engineers can implement a high-frequency boost that adds a 4 dB shelf at 8 kHz and a first-order bass roll-off below 120 Hz to minimize handling and wind noise. A permanent third-order high-pass filter at 50 Hz effectively removes unwanted low frequency disturbance from handling and wind noise.