Sennheiser EW-D SKM-S Digital Wireless Base Set (U1/5) 823.2 - 831.8 MHz & 863.2 - 864.8 MHz

Sennheiser 508766 (50-87-66, 50 87 66, 50/87/66, 50/87-66) EW-D SKM-S Digital Wireless Base Set (U1/5) 823.2 - 831.8 MHz & 863.2 - 864.8 MHz A versatile wireless set designed for digital applications, featuring a stationary receiver and handheld transmitter compatible with a wide range of Evolution Wireless Digital microphone heads. This feature-packed digital wireless system is perfect for speakers and singers, offering seamless pairing and management through the EW-D Smart Assist App. Built with a durable metal housing, the robust bodypack transmitter is ideal for everyday stage use. Raising the bar Evolution Wireless Digital sets a new standard by offering more dynamic range than any other wireless system on the market. It automatically locks onto the most reliable signal within seconds and supports scalability of up to 90 channels, thanks to its 56 MHz tuning bandwidth. It's clear that this wireless system truly stands in a league of its own. Equidistant Spacing – simpler than it sounds Evolution Wireless Digital incorporates an equidistant tuning grid, a feature previously exclusive to our flagship Digital 6000 and Digital 9000 systems. Its high-quality components with exceptional linearity eliminate intermodulation between EW-D transmitters, enabling frequencies to be evenly spaced every 600 kHz. This simplifies frequency coordination, making it easy for both wireless novices and professionals, while also enhancing the system's scalability and impressive channel capacity. An engineer in your pocket With Bluetooth Low Energy, the Sennheiser Smart Assist app gives you full control at your fingertips. Enjoy a lightning-fast automated setup, mobile access to every system setting, and the ability to remotely monitor your equipment—all from your Android or iOS device. Save time, conserve energy, and perform with confidence.

Sennheiser EW-D SKM-S Digital Wireless Base Set (S1-7) 606.2 - 662 MHz

Sennheiser 508763 (50-87-63, 50/87/63, 50 87 63, 50/87-63) EW-D SKM-S Digital Wireless Base Set (S1-7)606.2 - 662 MHz  A versatile wireless set designed for digital applications, featuring a stationary receiver and handheld transmitter compatible with a wide range of Evolution Wireless Digital microphone heads. This feature-packed digital wireless system is perfect for speakers and singers, offering seamless pairing and management through the EW-D Smart Assist App. Built with a durable metal housing, the robust bodypack transmitter is ideal for everyday stage use. Raising the bar Evolution Wireless Digital sets a new standard by offering more dynamic range than any other wireless system on the market. It automatically locks onto the most reliable signal within seconds and supports scalability of up to 90 channels, thanks to its 56 MHz tuning bandwidth. It's clear that this wireless system truly stands in a league of its own. Equidistant Spacing – simpler than it sounds Evolution Wireless Digital incorporates an equidistant tuning grid, a feature previously exclusive to our flagship Digital 6000 and Digital 9000 systems. Its high-quality components with exceptional linearity eliminate intermodulation between EW-D transmitters, enabling frequencies to be evenly spaced every 600 kHz. This simplifies frequency coordination, making it easy for both wireless novices and professionals, while also enhancing the system's scalability and impressive channel capacity. An engineer in your pocket With Bluetooth Low Energy, the Sennheiser Smart Assist app gives you full control at your fingertips. Enjoy a lightning-fast automated setup, mobile access to every system setting, and the ability to remotely monitor your equipment—all from your Android or iOS device. Save time, conserve energy, and perform with confidence.

Sennheiser EW-D ME3 Lavalier Microphone Set (U1/5) 823.2 - 831.8 MHz & 863.2 - 864.8 MHz

Sennheiser 508716 (50-87-16, 50/8716, 50 87 16, 50/87-16) EW-D ME3 Lavalier Microphone Set (U1/5) 823.2 - 831.8 MHz & 863.2 - 864.8 MHz A complete digital wireless lavalier set designed for singers and speakers, featuring the acclaimed Sennheiser ME 3 cardioid headset microphone. This versatile, feature-packed digital wireless system is ideal for speakers and presenters, offering effortless product pairing and control through the EW-D Smart Assist App. Housed in durable metal, the sturdy bodypack transmitter and the discreet ME 3 clip-on cardioid microphone, known for its exceptional speech clarity, are perfect for daily use on stage. Raising the bar Evolution Wireless Digital sets a new standard by offering greater dynamic range than any other wireless system available today. With the ability to automatically lock onto the most reliable signal in seconds and scalability to support up to 90 channels, thanks to its 56 MHz tuning bandwidth, this system truly stands apart from the competition. Equidistant Spacing Evolution Wireless Digital incorporates an equidistant tuning grid, a feature previously reserved for our top-tier Digital 6000 and Digital 9000 systems. Its high-quality components with outstanding linearity prevent intermodulation between EW-D transmitters, enabling frequencies to be evenly spaced every 600 kHz. This makes frequency coordination effortless for both wireless novices and experienced professionals, while also enhancing the system's scalability and enabling a high channel count. Your personal engineer, right in your pocket. With the Sennheiser Smart Assist app powered by Bluetooth Low Energy, you have complete control at your fingertips. Enjoy a lightning-fast automated setup, mobile access to all system settings, and the convenience of remote monitoring—right from your Android or iOS device. Save time, conserve energy, and perform with confidence.

Sennheiser 508713 EW-D ME3 Lavalier Microphone Set (S1-7) 606.2 - 662 MHz

Sennheiser 508713 (50-87-13, 50 87 13, 50/8713, 50/87-13) EW-D ME3 Lavalier Microphone Set (S1-7) 606.2 - 662 MHz A complete digital wireless lavalier set designed for singers and speakers, featuring the acclaimed Sennheiser ME 3 cardioid headset microphone. This versatile, feature-packed digital wireless system is ideal for speakers and presenters, offering effortless product pairing and control through the EW-D Smart Assist App. Housed in durable metal, the sturdy bodypack transmitter and the discreet ME 3 clip-on cardioid microphone, known for its exceptional speech clarity, are perfect for daily use on stage. Raising the bar Evolution Wireless Digital sets a new standard by offering greater dynamic range than any other wireless system available today. With the ability to automatically lock onto the most reliable signal in seconds and scalability to support up to 90 channels, thanks to its 56 MHz tuning bandwidth, this system truly stands apart from the competition. Equidistant Spacing Evolution Wireless Digital incorporates an equidistant tuning grid, a feature previously reserved for our top-tier Digital 6000 and Digital 9000 systems. Its high-quality components with outstanding linearity prevent intermodulation between EW-D transmitters, enabling frequencies to be evenly spaced every 600 kHz. This makes frequency coordination effortless for both wireless novices and experienced professionals, while also enhancing the system's scalability and enabling a high channel count. Your personal engineer, right in your pocket. With the Sennheiser Smart Assist app powered by Bluetooth Low Energy, you have complete control at your fingertips. Enjoy a lightning-fast automated setup, mobile access to all system settings, and the convenience of remote monitoring—right from your Android or iOS device. Save time, conserve energy, and perform with confidence.

Sennheiser EW-D ME2 Lavalier Microphone Set (U1/5) 823.2 - 831.8 MHz & 863.2 - 864.8 MHz

Sennheiser 508706 (50-87-06, 50/8706, 50 87 06, 50/87-06) EW-D ME2 Lavalier Microphone Set (U1/5) 823.2 - 831.8 MHz & 863.2 - 864.8 MHz All-in-one digital wireless lavalier set for those who speak featuring Sennheiser's renowned ME 2 omni-directional clip-on microphone. Versatile and feature-rich digital wireless system for those who speak or present that allows for seamless product pairing and management via the EW-D Smart Assist App. With a metal housing, the robust bodypack transmitter and unobstrusive clip-on microphone ME 2 (omni-directional) with high speech intelligibility suit perfectly for daily use on stage. Raising the bar Evolution Wireless Digital breaks the boundaries by providing more dynamic range than any wireless system currently on the market. Automatically securing the most reliable signal in a matter of seconds and scalable up 90 channels thanks to 56 MHz of tuning bandwidth, it’s easy to see why this wireless system is in a class of its own. Equidistant Spacing – simpler than it sounds Evolution Wireless Digital features an equidistant tuning grid previously only found in our flagship Digital 6000 and Digital 9000 wireless systems. Quality components with exceptional linearity eliminate intermodulation between EW-D transmitters, allowing frequencies to be equally spaced every 600 kHz alongside each other. This simplifies frequency coordination for wireless beginners and seasoned professionals alike, and also contributes to the system’s scalability and impressively high channel count. An engineer in your pocket The power of Bluetooth Low Energy puts full control right in the palm of your hand with the Sennheiser Smart Assist app. Take advantage of a remarkably fast automated setup, mobile access to every system setting and the added benefit of remote monitoring, all from the convenience of your Android or iOS device. Save time, save energy and perform with confidence.  

Sennheiser EW-D ME2 Lavalier Microphone Set (S1-7) 606.2 - 662 MHz

Sennheiser 508703 (50-87-03, 50/8703, 50 87 03, 50/87-03) EW-D ME2 Lavalier Microphone Set (S1-7) 606.2 - 662 MHz All-in-one digital wireless lavalier set for those who speak featuring Sennheiser's renowned ME 2 omni-directional clip-on microphone. Versatile and feature-rich digital wireless system for those who speak or present that allows for seamless product pairing and management via the EW-D Smart Assist App. With a metal housing, the robust bodypack transmitter and unobstrusive clip-on microphone ME 2 (omni-directional) with high speech intelligibility suit perfectly for daily use on stage. Raising the bar Evolution Wireless Digital breaks the boundaries by providing more dynamic range than any wireless system currently on the market. Automatically securing the most reliable signal in a matter of seconds and scalable up 90 channels thanks to 56 MHz of tuning bandwidth, it’s easy to see why this wireless system is in a class of its own. Equidistant Spacing – simpler than it sounds Evolution Wireless Digital features an equidistant tuning grid previously only found in our flagship Digital 6000 and Digital 9000 wireless systems. Quality components with exceptional linearity eliminate intermodulation between EW-D transmitters, allowing frequencies to be equally spaced every 600 kHz alongside each other. This simplifies frequency coordination for wireless beginners and seasoned professionals alike, and also contributes to the system’s scalability and impressively high channel count. An engineer in your pocket The power of Bluetooth Low Energy puts full control right in the palm of your hand with the Sennheiser Smart Assist app. Take advantage of a remarkably fast automated setup, mobile access to every system setting and the added benefit of remote monitoring, all from the convenience of your Android or iOS device. Save time, save energy and perform with confidence.

Sennheiser EW-D 835-S Wireless Handheld Microphone Set (S1-7) 606.2 - 662 MHz

Sennheiser 508753 (50-87-53, 50/8753, 50 87 53, 50/87-53) EW-D 835-S Wireless Handheld Microphone Set (S1-7) 606.2 - 662 MHzAll-in-one digital wireless handheld set for those who sing or speak featuring Sennheiser's renowned e 835 capsule.Versatile and feature-rich digital wireless system for those who sing, speak or play instruments that allows for seamless product pairing and management via the EW-D Smart Assist App. Receive state-of-the-art live sound featuring Sennheiser‘s renowned e 835 capsule on a lightweight handheld transmitter with integrated mute switch.Raising the barEvolution Wireless Digital breaks the boundaries by providing more dynamic range than any wireless system currently on the market. Automatically securing the most reliable signal in a matter of seconds and scalable up 90 channels thanks to 56 MHz of tuning bandwidth, it’s easy to see why this wireless system is in a class of its own.'Equidistant Spacing – simpler than it soundsEvolution Wireless Digital features an equidistant tuning grid previously only found in our flagship Digital 6000 and Digital 9000 wireless systems. Quality components with exceptional linearity eliminate intermodulation between EW-D transmitters, allowing frequencies to be equally spaced every 600 kHz alongside each other. This simplifies frequency coordination for wireless beginners and seasoned professionals alike, and also contributes to the system’s scalability and impressively high channel count.An engineer in your pocketThe power of Bluetooth Low Energy puts full control right in the palm of your hand with the Sennheiser Smart Assist app. Take advantage of a remarkably fast automated setup, mobile access to every system setting and the added benefit of remote monitoring, all from the convenience of your Android or iOS device. Save time, save energy and perform with confidence.

Sennheiser EW-D ME2/835-S SET (S1-7) 606.2 - 662 MHz

Sennheiser EW-D ME2/835-S SET (S1-7) 606.2 - 662 MHz Digital transmission operating in the UHF spectrum greatly enhances range, reliability and scalability Smart Assist App connects via Bluetooth Low Energy for a streamlined setup and operation at a distance Auto scan creates reliable connections with minimal time and effort 134 dB audio input dynamic range eliminates need for sensitivity adjustments and preserves every detail Elimination of intermodulation enables channels to be placed in an equidistant tuning grid 600 kHz apart 56 MHz of tuning bandwidth and equidistant spacing enables up to 90 channels 2,240 selectable frequencies allow for fine tuning Lithium-Ion battery pack (sold separately) delivers up to 12 hours of operation (up to 8 hours of operation with 2x provided AA batteries)

Rode Lightweight Headset Microphone - Large

Rode Lightweight Headset Microphone - Large(HS2B-LARGE) The RØDE HS2 is a low profile, ergonomic and lightweight headset microphone that provides clean, clear and pronounced audio for any application where the microphone needs to be in close proximity to presenter's mouth. The result of an extensive and complete redesign process, the RØDE HS2 features an adjustable corrosion resistant stainless spring-steel boom arm and headband connected to pliable hypoallergenic silicone ear strips for maximum flexibility and user comfort. Coated in a durable ceramic painted finish in either black (HS2-B) or pink (HS2-P) the HS2 is also available in two different sizes (small or large) to ensure the perfect fit and function for any individual. The headset is connected via a 1.2m (4') braid shielded, Kevlar® reinforced cable, terminating at a gold plated 3.5mm TRS output with a removable locking nut to ensure a secure connection to a wide range of recording devices and wireless transmitters, including the RØDE Filmmaker and News shooter kits. The HS2's light weight, comfortable fit, low self-noise, minimal appearance and user friendly omni-directional polar pattern make it an ideal microphone for film, television, video, theatre, house of worship and live vocal performance.

Rycote Bidirectional Pencil Microphone

Rycote Bidirectional Pencil Microphone(RYC979009) The Rycote BD-10 is a Bidirectional (Figure of 8) Condenser Microphone designed mainly for M/S stereo and ambient recording as well as dual dialogue. Perfect for use with the SC-08, CA-08 or HC-15 for a complete Rycote M/S Stereo or DM/S stereo solutions. BD-10   The Rycote BD-10 is a Bidirectional (Figure of 8) condenser Microphone designed mainly for M/S stereo and ambient recording as well as dual dialogue. Perfect for use with the SC-08, CA-08 or HC-15 for a complete Rycote M/S Stereo or DM/S stereo solutions. Based around our signature low self-noise capsule it delivers the precision and quality that our range of microphones has become renowned for.

Rycote 20 x Single Triangular Black Mic Flag

Rycote 20 x Single Triangular Black Mic Flag(RYC107315) Rycote Mic Flags are made from durable, shatter-proof moulded plastic and avoid the use of perishable foam inserts to make the flags fit the microphone. Instead, an array of internally fitted, hard-wearing red and black rubber ‘vanes’ secure the Flag snugly around the microphone, allowing the Rycote Mic Flags to be used with any microphones ranging from 19 to 38mm in diameter. With all of the black and red ‘vanes’ fitted, the Mic Flag will securely hold smaller mics, from 19 to 32mm diameter. Simply un-slot and remove all the vanes of one of the colours (either all the black vanes or all the red ones) and the Mic Flag will now accommodate larger mics, up to 38mm in diameter. Rycote Mic Flags provide a large printable area for sponsors’ logos. Three and four-sided Flags are available, in either black or white. The square Flag offers a printable logo area 57mm wide by 48mm high on each of its four sides; while the printable area of each side of the triangular Flag measure 89.5mm wide by 48mm.

Rycote OM-8 Sp Stereo Pair Omni Microphones

Rycote OM-8 Sp Stereo Pair Omni Microphones(RYC079008, RYC 079008, RYC/079008) The Rycote OM-08 (Stereo Pair) is a pair of omnidirectional pencil condenser microphones designed for a range of applications in studio and field recording. The OM-08 microphones provide solid low frequency response with virtually no drop off at 20Hz. The mics are built on Rycote’s low self-noise preamp design and capsules which offer a consistent sonic signature that mixes well when cut together with other Rycote microphones in the range. The OM-08 mics can be used individually or in matched stereo pairs.

Rycote SC-8 SP Stereo Pair Supercardioid Microphones

Rycote SC-8 SP Stereo Pair Supercardioid Microphones(RYC079007, RYC 079007, RYC/079007) The Rycote SC-08 is a supercardioid pencil condenser microphone designed for a range of applications in studio and field recording. The SC-08 microphones provide directionality with a virtually flat frequency response from 70Hz-20KHz, moderately dropping off below 60Hz. The mics are built on Rycote’s low self-noise preamp design and capsules which offer a consistent sonic signature that mixes well when cut together with other Rycote microphones in the range.

Rycote CA-08 Cardioid Microphones - Stereo Pair

Rycote CA-08 Cardioid Microphones - Stereo Pair(RYC079006, RYC 079006, RYC/079006) The Rycote CA-08 is a cardioid pencil condenser microphone designed for a range of applications in studio and field recording. The CA-08 microphones provide slight directionality with a virtually flat frequency response from 70Hz-20KHz gradually dropping off below 60Hz. The mics are built on Rycote’s low self-noise preamp design and capsules which offer a consistent sonic signature that mixes well when cut together with other Rycote microphones in the range.  

Sennheiser EW-DP SKP (R1-6) 520 - 576 MHz

Sennheiser EW-DP SKP (R1-6)(700081) 520 - 576 MHz The Sennheiser EW-DP SKP is a digital plug-on wireless transmitter equipped with a built-in recorder and compatible with EW-D Series receivers. It can be attached to a handheld microphone of your choice for man-on-the-street interviews or to a shotgun mic for wireless booming. The plug-on provides 48V phantom power, giving you the option to use a condenser microphone. There is also a 3.5mm mic input for connecting a lavalier mic. The EW-DP SKP can also be used as a standalone recorder with audio files recorded onto a microSD card (available separately).

Sennheiser ew-dp me4 Set (S1-7) 606.2 - 662 MHz

Sennheiser ew-dp me4 Set (S1-7)(700023) 606.2 - 662 MHz Portable digital UHF wireless microphone system with ME 2 omnidirectional lavalier or ME 4 cardioid lavalier for filmmakers, content creators, and broadcasters. EW-DP delivers an industry-leading audio workflow that only advanced digital technology and UHF transmission can offer. This fully digital UHF wireless microphone system features an all-new portable design and unmatched audio quality, purpose-built for filmmakers, content creators, and broadcasters. At the heart of EW-DP is a compact digital receiver that provides an intuitive user experience for all. Bluetooth synchronization and system control via our Smart Assist app helps you save time and energy on set. A front-facing OLED display allows for easy menu navigation and Smart Notifications help to troubleshoot your system when you encounter a challenge. Magnetic and stackable mounting configurations seamlessly integrate the receiver into your camera build while multiple powering options are ready to tackle long days on location.   Choose between the ME 2 omnidirectional lavalier which delivers clear, intelligible dialogue or the ME 4 cardioid lavalier which helps to isolate your speech in noisier environments.

Sennheiser ew-dp me4 Set (R4-9) 552 - 607.8 MHz

Sennheiser ew-dp me4 Set (R4-9)(700022) 552 - 607.8 MHz Streamline Your Audio with Setup Simplicity and Digital Clarity Purpose-built for content creators, videographers, and newsgatherers looking for a stress-free wireless experience, the Sennheiser EW-DP ME 4 SET with ME 4 Cardioid Lavalier is a camera-mount, fully digital wireless microphone system that utilizes professional UHF transmission to reliably deliver Sennheiser's pristine, broadcast-quality audio directly to your camera. This configuration includes an EW-DP EK camera-mount, single-channel receiver with mounting kit, a lightweight EW-D SK bodypack transmitter with ME 4 cardioid lavalier mic, plus 3.5mm and XLR output cables to connect the receiver to a DSLR/mirrorless camera or to a recorder or mixer.  Easy to set up and simple to operate, the EW-DP's pro-level features provide an intuitive user experience for first-time and experienced users alike. With a remarkable 134 dB dynamic range, the transmitter can handle just about any input level you throw at it without having to worry about setting the input gain to prevent clipping. The receiver's wide 56 MHz bandwidth, intelligent switching diversity reception with two antennas, and auto-scan with 2240 frequencies work to provide rock-solid wireless performance, even in challenging RF environments. Bluetooth capabilities allow you to remotely sync components and change settings from your phone using the Smart Assist app, while Smart Notifications provide you with troubleshooting and system guidance. Intelligent battery management gives you extended operating time on set with up to 12 hours on transmitter and 7 hours on receiver. Legendary Sennheiser Digital Sound with Ultrawide 134 dB Dynamic Range With a remarkable 134 dB dynamic range on the transmitter's input, the days of worrying about overloading your signal are over. The EW-D can handle a wide variety of sound sources, from quiet speakers or actors to the loudest sounds, all without requiring any gain adjustment at the transmitter. With 24-bit digital audio and a flat 20 Hz to 20 kHz frequency response, EW-DP delivers clear, accurate audio reproduction.  Rock-Solid UHF Wireless Audio for Professional Performance Used by professionals the world over, UHF transmission greatly enhances range (up to 330') and signal reliability because the system doesn’t have to compete with Wi-Fi devices and similar everyday sources of interference. Intelligent Switching Diversity technology compares incoming signals on the two independent antennas and receiver circuits to help eliminate dropouts and interference. The receiver switches between antennas only during header data as to never affect the audio information. The system equidistant tuning grid removes the need for frequency coordination and allows you to add additional transmitters and receivers—especially helpful when multiple wireless mics are used at the same time on a reality TV or film set. A very low latency of only 1.9ms helps you to easily keep the audio and video in sync.  Camera-Mount Receiver with OLED Screen and Multiple Powering Options At the heart of the system is the compact EW-DP EK portable, single-channel receiver, made with simplicity in mind for DIY cameramen, videographers, creators, and journalists working in the field without a crew. A front-facing OLED display allows for easy menu navigation and at-a-glance system status at any angle, in any light.  To ensure peace of mind during long hours on set, the receiver can be powered via two AA batteries or the BA 70 lithium-ion rechargeable battery pack (all included). Power can also be supplied through the USB port, allowing it to run for numerous hours on a USB power pack or indefinitely with access to AC.  Versatile Mounting Options for Receiver In addition to the cold shoe mount with a 1/4"-20 thread on the bottom, the receiver comes with a magnetic cheese plate that provides flexible mounting options for camera cages and accessory arms. The magnetic mounting system lets you securely stack a second transmitter right on top when you’re shooting two, on-camera personalities. Sennheiser offers a combiner cable that will allow you to record both receivers to a camera’s single 3.5mm input.  Bodypack Transmitter with Mute Switch and ME 4 Cardioid Lav Mic The ME 4 lavalier microphone features a cardioid pickup pattern, which helps to isolate speech in noisy environments. The lav plugs into the locking 3.5mm connection on the compact EW-D SK bodypack transmitter. The rugged, all-metal transmitter is equipped with a mute button that can be locked out and overridden from the receiver or a phone/tablet during a take. The transmitter quickly pairs with the receiver via Bluetooth at a distance up to 120' at the press of a button. The bodypack provides up to 8 hours of operation on two AA batteries or 12 hours with the BA 70 rechargeable battery pack.  Control from Your Phone with Smart Assist App—No Wireless Expertise Required EW-D Smart Assist app (free download available separately) provides automated setup, operation, and monitoring using any iOS or Android device via Bluetooth. Auto frequency coordination creates reliable wireless connections for up to 16 systems, no wireless expertise required. Remote access to system settings whether at camera or across the set allows for quick and discreet adjustments on the fly—without having to bring the transmitter close to the receiver. If your phone is not available, you can fully operate your system using the buttons on the receiver.  Guidance When You Need It Most EW-DP is a wireless system that troubleshoots for you. Smart Notifications provide suggestions to errors that occur when setting up or operating the system. If your audio clips, Smart Notifications will suggest lowering the gain. When your battery is running low, the system will alert you.  If you try to operate on a blocked frequency, you will be prompted to select another. If your transmitter and receiver are not linked, you’ll be prompted to press sync. And if the talent accidentally mutes their transmitter, you’ll be notified and will have the option to disable the mute remotely. 

Sennheiser ew-dp me2 set (U1/5) 823.2 - 831.8 MHz & 863.2 - 864.8 MHz

Sennheiser ew-dp me2 set (U1/5)(700016) 823.2 - 831.8 MHz & 863.2 - 864.8 MHz Portable digital UHF wireless microphone system with ME 2 omnidirectional lavalier or ME 4 cardioid lavalier for filmmakers, content creators, and broadcasters. EW-DP delivers an industry-leading audio workflow that only advanced digital technology and UHF transmission can offer. This fully digital UHF wireless microphone system features an all-new portable design and unmatched audio quality, purpose-built for filmmakers, content creators, and broadcasters. At the heart of EW-DP is a compact digital receiver that provides an intuitive user experience for all. Bluetooth synchronization and system control via our Smart Assist app helps you save time and energy on set. A front-facing OLED display allows for easy menu navigation and Smart Notifications help to troubleshoot your system when you encounter a challenge. Magnetic and stackable mounting configurations seamlessly integrate the receiver into your camera build while multiple powering options are ready to tackle long days on location.   Choose between the ME 2 omnidirectional lavalier which delivers clear, intelligible dialogue or the ME 4 cardioid lavalier which helps to isolate your speech in noisier environments.

Sennheiser Ew-dp Me2 Set (S1-7) 606.2 - 662 MHz

Sennheiser Ew-dp Me2 Set (S1-7)(700013) 606.2 - 662 MHzPortable digital UHF wireless microphone system with ME 2 omnidirectional lavalier or ME 4 cardioid lavalier for filmmakers, content creators, and broadcasters. Building on Sennheiser’s extensive knowledge amassed from decades of wireless excellence, EW-DP delivers an industry leading audio workflow that only advanced digital technology and UHF transmission can offer. Rounding out the award-winning Evolution Wireless Digital series, this fully digital UHF wireless microphone system features an all-new portable design and unmatched audio quality, purpose-built for filmmakers, content creators, and broadcasters. At the heart of EW-DP is a compact digital receiver that provides an intuitive user experience for those new to wireless and seasoned professionals alike. Convenient features like remote Bluetooth synchronization and system control via our Smart Assist app help you save time and energy on set. A front facing OLED display allows for easy menu navigation and at-a-glance system status at any angle in any light. Smart Notifications help to troubleshoot your system and suggest solutions for various challenges you may encounter. Versatile, magnetically stackable mounting configurations seamlessly integrate the receiver into your camera build while multiple powering options are ready to tackle long days on location.  Choose between the ME 2 omnidirectional lavalier which delivers clear, intelligible dialog capture or the ME 4 cardioid lavalier which helps to isolate your speech in louder environments. Omnidirectional lavaliers tend to have a more natural sound and are less susceptible to wind noise while cardioid lavaliers reject unwanted ambience.  Capture your full creative vision with EW-DP. Setup simplicity and digital clarity put time on your side so you can focus on what matters most. After all, production has enough challenges; sound doesn’t need to be one of them.  

Sennheiser Ew-Dp Me2 Set (Q1-6) 470.2 - 526 MHz

Sennheiser Ew-Dp Me2 Set (Q1-6) (700010) 470.2 - 526 MHz  Streamline Your Audio with Setup Simplicity and Digital Clarity Purpose-built for content creators, videographers, and newsgatherers looking for a stress-free wireless experience, the Sennheiser EW-DP ME 2 SET with ME 2 Omnidirectional Lavalier is a camera-mount, fully digital wireless microphone system that utilizes professional UHF transmission to reliably deliver Sennheiser's pristine, broadcast-quality audio directly to your camera. This configuration includes an EW-DP EK camera-mount, single-channel receiver with mounting kit, a lightweight EW-D SK bodypack transmitter with unobtrusive ME 2 omnidirectional lavalier mic, plus 3.5mm and XLR output cables to connect the receiver to a DSLR/mirrorless camera or to a recorder or mixer. Easy to set up and simple to operate, the EW-DP's pro-level features provide an intuitive user experience for first-time and experienced users alike. With a remarkable 134 dB dynamic range, the transmitter can handle just about any input level you throw at it without having to worry about setting the input gain to prevent clipping. The receiver's wide 56 MHz bandwidth, intelligent switching diversity reception with two antennas, and auto-scan with 2240 frequencies work to provide rock-solid wireless performance, even in challenging RF environments. Bluetooth capabilities allow you to remotely sync components and change settings from your phone, using the Smart Assist app, while Smart Notifications provide you with troubleshooting and system guidance. Intelligent battery management gives you extended operating time on set with up to 12 hours on transmitter and 7 hours on receiver. Legendary Sennheiser Digital Sound with Ultrawide 134 dB Dynamic Range With a remarkable 134 dB dynamic range on the transmitter's input, the days of worrying about overloading your signal are over. The EW-D can handle a wide variety of sound sources, from quiet speakers or actors to the loudest sounds, all without requiring any gain adjustment at the transmitter. With 24-bit digital audio and a flat 20 Hz to 20 kHz frequency response, EW-DP delivers clear, accurate audio reproduction. Rock-Solid UHF Wireless Audio for Professional Performance Used by professionals the world over, UHF transmission greatly enhances range (up to 330') and signal reliability because the system doesn’t have to compete with Wi-Fi devices and similar everyday sources of interference. Intelligent Switching Diversity technology compares incoming signals on the two independent antennas and receiver circuits to help eliminate dropouts and interference. The receiver switches between antennas only during header data as to never affect the audio information. The system equidistant tuning grid removes the need for frequency coordination and allows you to add additional transmitters and receivers—especially helpful when multiple wireless mics are used at the same time on a reality TV or film set. A very low latency of only 1.9ms helps you to easily keep the audio and video in sync. Camera-Mount Receiver with OLED Screen and Multiple Powering Options At the heart of the system is the compact EW-DP EK portable, single-channel receiver, made with simplicity in mind for DIY cameramen, videographers, creators, and journalists working in the field without a crew. A front-facing OLED display allows for easy menu navigation and at-a-glance system status at any angle, in any light. To ensure peace of mind during long hours on set, the receiver can be powered via two AA batteries or the BA 70 lithium-ion rechargeable battery pack (all included). Power can also be supplied through the USB port, allowing it to run for numerous hours on a USB power pack or indefinitely with access to AC. Versatile Mounting Options for Receiver In addition to the cold shoe mount with a 1/4"-20 thread on the bottom, the receiver comes with a magnetic cheese plate that provides flexible mounting options for camera cages and accessory arms. The magnetic mounting system lets you securely stack a second transmitter right on top when you’re shooting two, on-camera personalities. Sennheiser offers a combiner cable that will allow you to record both receivers to a camera’s single 3.5mm input. Bodypack Transmitter with Mute Switch and ME 2 Omni Lav Mic   The ME 2 lavalier microphone features a forgiving omnidirectional pickup pattern that captures sound equally well in every direction, for a consistent voice level, even when moving your head. The lav plugs into the locking 3.5mm connection on the compact EW-D SK bodypack transmitter. The rugged, all-metal transmitter is equipped with a mute button that can be locked out and overridden from the receiver or a phone/tablet during a take. The transmitter quickly pairs with the receiver via Bluetooth at a distance up to 120' at the press of a button. The bodypack provides up to 8 hours of operation on two AA batteries or 12 hours with the BA 70 rechargeable battery pack. Control from Your Phone with Smart Assist App—No Wireless Expertise Required EW-D Smart Assist app (free download available separately) provides automated setup, operation, and monitoring using any iOS or Android device via Bluetooth. Auto frequency coordination creates reliable wireless connections for up to 16 systems, no wireless expertise required. Remote access to system settings whether at camera or across the set allows for quick and discreet adjustments on the fly—without having to bring the transmitter close to the receiver. If your phone is not available, you can fully operate your system using the buttons on the receiver. Guidance When You Need It Most EW-DP is a wireless system that troubleshoots for you. Smart Notifications provide suggestions to errors that occur when setting up or operating the system. If your audio clips, Smart Notifications will suggest lowering the gain. When your battery is running low, the system will alert you. If you try to operate on a blocked frequency, you will be prompted to select another. If your transmitter and receiver are not linked, you’ll be prompted to press sync. And if the talent accidentally mutes their transmitter, you’ll be notified and will have the option to disable the mute remotely. EW-DP ME 2 SET at a Glance Fully digital UHF wireless microphone system for video applications EW-DP EK portable, single-channel receiver EW-D SK bodypack transmitter with ME 2 omnidirectional lavalier mic 56 MHz bandwidth with 2240 available frequencies for flexibility in any RF environment Industry leading 134 dB dynamic range for distortion-free transmission Exceptionally low latency (1.9 ms) Smart Assist app for monitor and control (iOS/Android) Integrated Bluetooth for synchronization and control Smart Notifications for troubleshooting and system guidance 3.5mm headphone output on transmitter Intelligent battery management provides optimized operating time Extended battery life: up to 12 hours on transmitter, 7 hours on receiver External charging and powering via USB-C (receiver only) Magnetically stackable components for versatile mounting

Sennheiser EW-DP EK Portable Receiver (S1-7) 606.2 - 662 MHz

Sennheiser EW-DP EK Portable Receiver (S1-7)(700053) 606.2 - 662 MHz Portable digital UHF receiver for use with EW-D SK bodypack, EW-D SKM-S handheld, and EW-D SKP plug-on transmitters.

Sennheiser EW-DP EK (R1-6) 520 - 576 MHz

Sennheiser EW-DP EK(700051) (R1-6) 520 - 576 MHz The Sennheiser EW-DP EK is a camera-mount, digital UHF receiver for use with EW-D SK bodypack, EW-D SKM-S handheld, or EW-D SKP plug-on transmitters. Designed for DIY cameramen, videographers, creators, and journalists working in the field without a crew, the EW-DP EK is easy to set up and simple to operate with pro-level features that deliver an intuitive user experience for first-time and experienced users alike. The EW-DP EK's wide 56 MHz bandwidth, intelligent switching diversity reception with two antennas and auto-scan with 2240 frequencies work to provide rock-solid wireless performance, even in challenging RF environments. Bluetooth capabilities allow you to remotely sync components and change settings from your phone using the Smart Assist app, while Smart Notifications provide you with troubleshooting and system guidance. A front-facing OLED display allows for easy menu navigation and at-a-glance system status at any angle, in any light. To ensure peace of mind during long hours on set, the EW-DP EK can be powered via two AA batteries or the BA 70 lithium-ion rechargeable battery pack (all included). Power can also be supplied through the USB port, allowing it to run for numerous hours on a USB power pack or indefinitely, if you have access to AC. Versatile Mounting Options In addition to the cold shoe mount with a 1/4"-20 thread on the bottom, the receiver comes with a magnetic cheese plate that provides flexible mounting options for camera cages and accessory arms. The magnetic mounting system lets you securely stack a second transmitter right on top when you’re shooting two on-camera personalities. And Sennheiser offers a combiner cable that will allow you to record both receivers to a camera’s single 3.5mm input. Control from Your Phone with Smart Assist App-No Wireless Expertise Required EW-D Smart Assist app (free download available separately) provides automated setup, operation, and monitoring using any iOS or Android device via Bluetooth. Auto frequency coordination creates reliable wireless connections for up to 16 systems, no wireless expertise required. Remote access to system settings whether at camera or across the set allows for quick and discreet adjustments on the fly—without having to bring the transmitter close to the receiver. If your phone is not available, you can fully operate your system using the buttons on the receiver. Guidance When You Need It Most EW-DP is a wireless system that troubleshoots for you. Smart Notifications provide suggestions to errors that occur when setting up or operating the system. If your audio clips, Smart Notifications will suggest lowering the gain. When your battery is running low, the system will alert you.   If you try to operate on a blocked frequency, you will be prompted to select another. If your transmitter and receiver are not linked, you’ll be prompted to press sync. And if the talent accidentally mutes their transmitter, you’ll be notified and will have the option to disable the mute remotely.

Sennheiser EW-DP 835 SET (U1/5) 823.2 - 831.8 MHz & 863.2 - 864.8 MHz

Sennheiser EW-DP 835 SET (U1/5)(700036) 823.2 - 831.8 MHz & 863.2 - 864.8 MHz EW-DP delivers an industry leading audio workflow that only advanced digital technology and UHF transmission can offer. This fully digital UHF wireless microphone system features an all-new portable design and unmatched audio quality, purpose-built for filmmakers, content creators, and broadcasters. At the heart of EW-DP is a compact digital receiver that provides an intuitive user experience for all. Bluetooth synchronization and system control via our Smart Assist app help you save time and energy on set. A front facing OLED display allows for easy menu navigation and Smart Notifications help to troubleshoot your system when you encounter a challenge. Magnetic and stackable mounting configurations seamlessly integrate the receiver into your camera build while multiple powering options are ready to tackle long days on location. The EW-DP 835 Set includes the SKM-S handheld transmitter with the MMD 835 cardioid dynamic microphone module, ideal for on-camera interviews and capturing isolated dialog in noisy environments. Capture every detail, every time When it comes to wireless transmission, UHF is the standard by which all other wireless audio systems are measured by. Used by professionals the world over, Evolution Wireless operates in the UHF spectrum and is known for its reliability, flexibility, and comprehensive feature set. Combine that with the spectral efficiency and audio clarity that only digital technology can offer, and you get EW-DP – our most advanced wireless audio system for video applications. It's the little things… Ergonomics were extremely important when developing EW-DP. Starting with the mechanical design, every button, connection, and component was thoughtfully considered for the best user experience possible. Furthermore, EW-DP is the first portable wireless system that has magnetically stackable receivers with a front-facing OLED display. These features allow for ease and flexibility when mounting your receiver, offering optimal visibility regardless of placement, angle, or light. A variety of powering options include primary-cells, lithium-ion rechargeable battery packs and direct power via USB-C, ensuring peace of mind during long hours on set. Guidance when you need it most EW-DP is a wireless system that troubleshoots for you. As the old saying goes, to err is human. Smart Notifications provide suggestions to errors that occur when setting up or operating EW-DP. If your audio clips, the system will suggest lowering the gain. When your battery is running low, the system will alert you. If you try to operate on a blocked frequency, you will be promoted to select another. If your transmitter and receiver are not linked, you’ll be prompted to press sync. And if the talent accidentally mutes their transmitter, you’ll be notified and will have the option to disable the mute remotely. These guides make all the difference when audio isn’t your only responsibility. Control in the palm of your hand   Sennheiser Smart Assist app provides automated setup, operation, and monitoring using any iOS or Android device via Bluetooth. Auto frequency coordination creates reliable wireless connections for up to 16 systems, no wireless expertise required. Remote access to system settings whether at camera or across the room allow for quick and discreet adjustments on the fly. You’ll also find a support hub with video tutorials and detailed manuals to help get you started.

Sennheiser EW-DP 835 SET (S1-7) 606.2 - 662 MHz

Sennheiser EW-DP 835 SET (S1-7) (700033) 606.2 - 662 MHz EW-DP delivers an industry leading audio workflow that only advanced digital technology and UHF transmission can offer. This fully digital UHF wireless microphone system features an all-new portable design and unmatched audio quality, purpose-built for filmmakers, content creators, and broadcasters. At the heart of EW-DP is a compact digital receiver that provides an intuitive user experience for all. Bluetooth synchronization and system control via our Smart Assist app help you save time and energy on set. A front facing OLED display allows for easy menu navigation and Smart Notifications help to troubleshoot your system when you encounter a challenge. Magnetic and stackable mounting configurations seamlessly integrate the receiver into your camera build while multiple powering options are ready to tackle long days on location. The EW-DP 835 Set includes the SKM-S handheld transmitter with the MMD 835 cardioid dynamic microphone module, ideal for on-camera interviews and capturing isolated dialog in noisy environments. Capture every detail, every time When it comes to wireless transmission, UHF is the standard by which all other wireless audio systems are measured by. Used by professionals the world over, Evolution Wireless operates in the UHF spectrum and is known for its reliability, flexibility, and comprehensive feature set. Combine that with the spectral efficiency and audio clarity that only digital technology can offer, and you get EW-DP – our most advanced wireless audio system for video applications. It's the little things… Ergonomics were extremely important when developing EW-DP. Starting with the mechanical design, every button, connection, and component was thoughtfully considered for the best user experience possible. Furthermore, EW-DP is the first portable wireless system that has magnetically stackable receivers with a front-facing OLED display. These features allow for ease and flexibility when mounting your receiver, offering optimal visibility regardless of placement, angle, or light. A variety of powering options include primary-cells, lithium-ion rechargeable battery packs and direct power via USB-C, ensuring peace of mind during long hours on set. Guidance when you need it most EW-DP is a wireless system that troubleshoots for you. As the old saying goes, to err is human. Smart Notifications provide suggestions to errors that occur when setting up or operating EW-DP. If your audio clips, the system will suggest lowering the gain. When your battery is running low, the system will alert you. If you try to operate on a blocked frequency, you will be promoted to select another. If your transmitter and receiver are not linked, you’ll be prompted to press sync. And if the talent accidentally mutes their transmitter, you’ll be notified and will have the option to disable the mute remotely. These guides make all the difference when audio isn’t your only responsibility. Control in the palm of your hand Sennheiser Smart Assist app provides automated setup, operation, and monitoring using any iOS or Android device via Bluetooth. Auto frequency coordination creates reliable wireless connections for up to 16 systems, no wireless expertise required. Remote access to system settings whether at camera or across the room allow for quick and discreet adjustments on the fly. You’ll also find a support hub with video tutorials and detailed manuals to help get you started.

Sennheiser Xsw-d PedalBoard Set

Sennheiser Xsw-d PedalBoard Set(508486) The Sennheiser XSW-D PEDALBOARD SET is a gig-ready, low-latency, wireless guitar system that's as easy to use as a guitar cable, while still providing the freedom of digital wireless. The XSW-D puts world-renowned Sennheiser sound quality into a plug-and-play, 1-button digital system that anyone can operate. Plug it in, power it up, and you're immediately up and playing, simplifying your setup so you can concentrate on performing with confidence. The XSW-D PEDALBOARD SET comes with a miniaturized 1/4" plug-on instrument transmitter. The pedalboard receiver includes a built-in tuner and direct box, which add versatility to your rig, while saving valuable space. The system connects to any guitar/bass amplifier, pedal, stage box, or mixing board, capturing the full range of your instrument without compromising your tone—on stage, at home, or in rehearsals. Unboxing the System The exceptionally lightweight and low-profile 1/4" plug-on transmitter plugs directly into the output on your guitar or instrument.  For a less obtrusive appearance, you can use the included belt clip and extension cable to attach the transmitter to your waist or strap. The extension cable can also be used when the transmitter doesn't fit in a specific instrument. The compact pedalboard receiver features a 1/4" instrument output to connect to your amplifier or pedal, as well as a DI output on a balanced XLR connection. There is also an onboard tuner with an LED display for visual confirmation, and a footswitch to mute your instrument when tuning. You're ready to turn it on and play—it's that easy. Plug In, Turn On: It Works The 1-button, 1-LED concept with single-button interface and status indicator effortlessly handles power and linking tasks for you. The receiver and transmitter are pre-paired at the factory so when you turn on the system, it works—without the need for any additional button pressing. (For optimal results, use of the XSW-D is recommended in environments with limited Wi-Fi / 2.4 GHz traffic.) Step Up to Sennheiser Sound Quality Sennheiser wireless systems are an industry standard, prized by professionals for their clarity and reliability. The XSW-D system allows first-time and budget-conscious users to get their hands on genuine Sennheiser sound quality without breaking the bank. Analog wireless systems need to squash your signal to operate in the FM band, resulting in a thin sound with a high noise floor. The XSW-D uses digital technology to preserve the dynamic range of your signal and deliver a crisp, clean, guitar sound with all the nuances of your performance. On stage, timing is critical, and the XSW-D uses the aptX Live codec to deliver an impressively low latency of 3.9ms, so you don't experience any lag when playing—keeping you on point and in the groove. Easy 2.4 GHz Digital Wireless Nothing ruins a take like hearing the weather report coming through your amp. Unlike traditional analog wireless systems, the XSW-D digital system operates in the 2.4 GHz ISM band, protecting the integrity of your signal from interruptions and dropouts caused by TV channels, radios, or other sources. Thanks to Sennheiser's channel allocation and interference management technology, the system selects the best operating frequency and automatically switches to a clean channel to provide reliable transmission at a distance up to 250' line of sight. Expand Your System as Your Needs Grow The functionality of this XSW-D PEDALBOARD SET can easily be expanded by adding XSW-D Series transmitters and receivers, as your needs evolve. With this set, adding the XSW-D 1/4" plug-on receiver gives you a streamlined option without the tuner and DI, which plugs directly into your amp (or pedal). If your band wants to go wireless, up to five musicians can each use an XSW-D system on the same stage. License-Free Operation Worldwide Because the XSW-D system operates in the license-free 2.4 GHz band, you don't have to worry about local licensing laws, frequency coordination, and other technical hassles. Simply let the system pick a channel for you and start recording, whether you're working at home or anywhere in the world.

Sennheiser MM 445 Microphone Module For MD 445

Sennheiser MM 445 Microphone Module For MD 445(508830) The dynamic microphone capsule MM 445 is impressive thanks to its unparalleled presence and openness for all vocal types. Its sophisticated acoustic tuning and lightweight aluminium-copper voice coil provide increased proximity and sensitivity. With its high rejection supercardioid pickup pattern, the MM 445 provides focus in every application and systematically protects against feedback – even at extreme volume levels. Thanks to its robust metal design it can withstand extensive wear and tear. The MM 445 capsule pushes the potential of dynamic microphones to the limits of what is technically viable. The direct, focused sound gives every voice greater presence and intensity. Its sophisticated transparency and the richness of the low and middle ranges create unparalleled acoustic intimacy. Time and effort have gone into newly tailoring the acoustics of the MM 445 for modern stages and the most demanding of live productions. In combination with a highly developed aluminium-copper voice coil it forms the basis for a noticeably direct and nuanced sound. The pick-up pattern of this high-rejection supercardioid microphone systematically blocks out ambient noise and guarantees maximum protection from feedback in every stage situation and set-up. The capsule is compatible with all Sennheiser wireless systems based on the Sennheiser standard capsule interface  

Sennheiser MM 435 Microphone Module For MD 435

Sennheiser MM 435 Microphone Module For MD 435(508829) Dynamic microphone capsule (cardioid) with nuanced resolution and transparency for a detailed sound. It amplifies vocals effortlessly, even in loud environments. Spring-mounted with a rugged metal basket, the MM 435 is superbly protected from external influences. Broad compatibility thanks to the Sennheiser standard capsule interface. The MM 435 provides every voice a commanding presence. Its high-quality aluminium-copper voice coil refines high frequencies with detailed transparency and highlights even the finest nuances. Even subtle vocals can be heard and accentuated effortlessly in the mix. The MM 435 may be sensitive when reproducing vocals, but it is robust when it comes to handling. The cardioid pickup pattern allows the user to be at varying distances and angles from the microphone and provides reliable protection against feedback. The MM 435 is the legitimate successor of the renowned MD 9235 head. It has proven itself in highly demanding live and broadcast productions and professional wireless systems worldwide. The MM 435 is compatible with all Sennheiser wireless systems based on the standard capsule interface.  

Sennheiser MKE with 3,5 mm jack and 9 cm length

Sennheiser MKE with 3,5 mm jack and 9 cm length(700179) The MKE mini is a high-quality, miniature omni-directional clip-on lavalier microphone. The KE 4 capsule in the MKE mini is derived from the industry standard MKE 2, with improvements that provide a warm and distortion-free signal, even at high sound pressure levels. MKE mini fulfills the highest demands on sound quality and ruggedness while also providing superior moisture protection via our ultralight Umbrella Diaphragm™. Anyone who has ever needed to mic up a presenter knows the challenges well. Finding the right mic placement, properly clipping the lavalier, hiding cables or wondering what to do with the bodypack can turn a relatively simple task into a struggle. With MKE mini, all you need to do is connect the mic to your bodypack and attach the lanyard. The MKE mini provides the easiest wearable solution with no fuss or cable-management issues.  

Sony UWP-D27-K33PRO Pro Dual Channel Kit

Sony UWP-D27-K33PRO (UWP/D27-K33PRO, UWP/D27/K33PRO, UWPD27K33PRO, UWP D27 K33PRO) Pro Dual Channel Kit The UWP-D27 is a complete wireless audio package that’s ideal for on-camera interviews, live presentations, and other applications where you need to capture crisp, clear sound with minimum fuss. The ECM-V1BMP omni-directional lavalier microphone connects to the light, compact UTX-B40 bodypack transmitter that’s worn by an interviewee. Audio is transmitted wirelessly to the URX-P41D 2-channel portable receiver, with quick and easy wireless pairing between transmitter and receiver. An optional Multi Interface Shoe Adaptor simplifies audio recording with compatible Sony cameras and handheld camcorders. Made with simplicity in mind for DIY cameramen, videographers, vloggers, and journalists working in the field without a crew, the 4th-generation Sony UWP-D27 is a dependable 2-channel, camera-mount wireless lavalier microphone system that delivers uncompromising audio quality, while still being easy to use and fast to set up with no menu diving. This compact system is packed with professional features including one-button NFC Automatic Channel-Setting mode and Auto-Gain functions, which handle time-consuming frequency setup and mic-level adjustments for you?so you're ready to shoot two people talking simultaneously directly to your camera within seconds. It is ideal for documentaries, wedding videos, YouTube content, corporate spots, hands-free interviews, and more. The UWP-D27 offers digital signal processing for pristine audio and analog UHF transmission with true-diversity reception for reliability, even under difficult shooting conditions. Rugged and lightweight, this system includes two bodypack transmitters, each with an ECM-V1BMP omnidirectional lavalier mic. It also comes with a low-profile camera-mount receiver designed for enhanced mobility with compact camcorders and smaller DSLR/mirrorless cameras. Sony shooters can take advantage of the SMAD-P5 digital MI Shoe adapter (available separately), which provides a direct, clean digital audio connection to select Sony cameras equipped with a digital Multi Interface Shoe. The UWP-D27 is backward-compatible with Sony WL-800, UWP Series, and third-generation UWP-D transmitters.

Sony URX-P41D UWP-D Dual Channel Portable Receiver 33-41, 566,025-630,000 MHz

Sony URX-P41D-K33 (URX-P41D/K33, URX/P41D/K33, URX P41D K33, URX_P41D_K33) URX-P41D UWP-D Dual Channel Portable Receiver 33-41, 566,025-630,000 MHz. Light, compact, and brilliantly easy to use, the URX-P41D 2-channel portable wireless receiver combines digital audio processing for sparkling sound quality with the reliability of analogue FM modulation and true diversity reception. Automatic pairing with UWP-D Series wireless transmitters saves time for busy videographers, documentary makers, and self-shooters. For extra versatility there’s an additional mic input and 3-channel mixer, making the URX-P41D an ideal sound acquisition partner for on-camera interviews. It’s also a great match for Sony cameras and handheld camcorders, with seamless integration via an optional Multi Interface Shoe Adaptor. ALL BAND scan mode The URX-P41D can select SCAN TYPE and can scan all available frequency bands when ALL BAND is selected. Backward compatibility with IR sync The IR port on the URX-P41D allows users to select NFC or IR in SYNC MODE from the Utility menu. This allows owners of previous transmitter models (UTX-B03/UTX-M03/UTX-P03) to sync receivers and transmitters with IR. Portable receiver with variable output level For use with the various input levels of different camcorders and DSLR cameras, the new system provides a variable output level control of ±12dB. Equipped with a new HIGH GAIN mode, the URX-P41D is especially useful when connecting to devices that require higher gain. True diversity for stable audio Excellent signal quality is assured by two independent receiver sections that ensure stable, dropout-free reception. Fast, fuss-free channel setting Uniquely quick and convenient, Sony’s friendly NFC SYNC feature allows secure channel pairing between the UTX-B40 wireless transmitter and URX-P41D receiver. High-quality sound Advanced digital audio processing technology assures pure, high-quality sound. An optional interface allows direct digital sound recording with compatible Sony cameras and camcorders via the SMAD-P5 Multi-Interface Shoe Adaptor, bypassing A/D and D/A conversion stages for uncompromised audio quality. Integration with Sony cameras Add the optional SMAD-P5 Multi-Interface Shoe Adaptor and enjoy seamless integration with compatible* Sony cameras and camcorders. The receiver information is displayed in the camera’s viewfinder, while audio signals are routed directly to the camera with no need for a cable connection. Light and compact The compact size and lightweight of the URX-P41D wireless receiver make it an ideal audio acquisition partner for shooting with handheld cameras and camcorders.    

Sennheiser ME 2 Omnidirectional Lavalier clip-on Microphone

Sennheiser 508935 (508-935, 508/935, 50-89-35,508 935) (ME2, ME-2, ME/2/) ME 2 Omnidirectional Lavalier clip-on Microphone The ME 2 is a sub-miniature clip-on lavalier microphone which is suitable for both speech and instrument miking applications. Colour: matt black.

Sony UWP-D22-K42 UHF Wireless Handheld Microphone Set & RX

Sony UWP-D22-K42 (UWP-D22/K42, UWP-D22_K42, UWPD22K42, UWP D22 K42, uwp-d22-k42) UHF Wireless Handheld Microphone Set & RX The Sony UWP-D22 is a dependable camera-mount wireless handheld microphone system that delivers uncompromising audio quality while still being easy to use and fast to set up with no menu diving. It is made with simplicity in mind for DIY cameramen, videographers, vloggers, and journalists working in the field without a crew. The system is packed with professional features including NFC Sync and Auto-Gain functions, which handle time-consuming frequency setup and mic-level adjustments for you, so you're ready to shoot within seconds. The UWP-D22 offers digital signal processing for pristine audio and analog UHF transmission with true-diversity reception for reliability, even under difficult shooting conditions. Rugged and lightweight, this system includes a handheld mic transmitter equipped with a cardioid capsule optimized for speech. The mic is ideal in situations when it's not convenient to position a lavalier mic or you need to quickly move the mic between several people. The system also comes with a low-profile camera-mount receiver designed for enhanced mobility with compact camcorders and smaller DSLR/mirrorless cameras. Sony shooters can take advantage of the SMAD-P5 digital MI Shoe adapter (available separately), which provides a direct, clean digital audio connection to select cameras equipped with a digital Multi Interface Shoe. With the UWP-D22, you can focus on the other critical elements competing for your attention during a shoot and confidently record crisp, clear speech or dialog for projects ranging from documentaries to wedding videos, YouTube content, corporate spots, and hands-free interviews. The UWP-D22 is backward-compatible with Sony WL-800 and UWP Series systems.

Sony UTX-M40-K42 UWP-D Dynamic Handheld Microphone

Sony UTX-M40-K42 (UTX-M40/K42, UTX-M40_K42, UTXM40-K42, UTXM40/K42, utx-m40/k42) UWP-D Dynamic Handheld Microphone Sony UTX-M40 / K42 Handheld UWP-D (638.025 MHz-694,000MHz) As high resolution content begins to dominate the video production industry, the demand for high quality audio is on the rise. Today's content creators need to achieve high-quality audio recording quickly, reliably, and with limited resources. Delivering superb sound quality with digital processing, reliable RF transmission, True Diversity dual tuner reception and user-friendly features, the UWP-D series is the ideal partner for ENG (news production) and VET (production field), as well as documentaries and weddings. Digital audio processing for high quality sound Sony's advanced digital audio processing technology ensures high-quality sound with enhanced transient response performance. A new audio interface [optional] enables direct digital audio recording with multiple Sony professional cameras and Alpha interchangeable lens cameras via the SMAD-P5 Multi Interface Shoe (MI) Adapter, without going through the steps of A / D and D / A conversion to ensure excellent sound quality. Quick and easy frequency setting Sony's user-friendly NFC SYNC function enables fast, intuitive and secure channel setting between transmitter and receiver. Lightweight and compact design The reduced size and weight of the system allows excellent mobility across a variety of applications, including news production, documentaries, weddings and remote production. The compact size and light weight of the receiver make it the perfect companion for using small cameras and interchangeable lens digital cameras.

Sony ECM-44H Omnidirectional Lavalier Condenser Mic

Sony ECM-44H (ECM_44H, ECM44H, ECM/44H, ECM 44H) Omnidirectional Lavalier Condenser Mic. Omnidirectional Lavalier Condenser Mic with 4-Pin Connector for Azden 400-UDR.

Sony UWP-D21-K42 UHF Wireless Set Bodypack & Receiver

Sony UWP-D21-K42 (UWP_D21_K42, UWP-D21/K33, UWP/D21/K33, UWPD21K42, uwp-d21/k33) UHF Wireless Set Bodypack & Receiver The Sony UWP-D21 is a dependable camera-mount wireless lavalier microphone system that delivers uncompromising audio quality while still being easy to use and fast to set up with no menu diving. It is made with simplicity in mind for DIY cameramen, videographers, vloggers, and journalists working in the field without a crew. The system is packed with professional features including NFC Sync and Auto-Gain functions, which handle time-consuming frequency setup and mic-level adjustments for you, so you're ready to shoot within seconds. The UWP-D21 offers digital signal processing for pristine audio and analog UHF transmission with true-diversity reception for reliability, even under difficult shooting conditions. Rugged and lightweight, this system includes a bodypack transmitter with an ECM-V1BMP omnidirectional lavalier mic. It also comes with a low-profile camera-mount receiver designed for enhanced mobility with compact camcorders and smaller DSLR/mirrorless cameras. Sony shooters can take advantage of the SMAD-P5 digital MI Shoe adapter (available separately), which provides a direct, clean digital audio connection to select cameras equipped with a digital Multi Interface Shoe. With the UWP-D21, you can focus on the other critical elements competing for your attention during a shoot and confidently record crisp, clear speech or dialog for projects ranging from documentaries to wedding videos, YouTube content, corporate spots, and hands-free interviews. The UWP-D21 is backward-compatible with Sony WL-800 and UWP Series systems.

Sennheiser 1511 MKH 416-P48U3 Short Shotgun Interference Tube Microphone

Sennheiser 001511 (001/511, 001-511, 00-15-11, 001 511) (MKH416P48U3, MKH/416-P48U3, MKH-416-P48U3) MKH 416-P48U3 Short Shotgun Interference Tube MicrophoneThe MKH 416 is a short gun interference tube microphone. Its excellent directivity and compact design, high consonant articulation and feedback rejection make the MKH 416 a superb all-round microphone for film, radio and television, especially for outside broadcast applications.

Sony UWP-D26-K42 UHF Wireless Microphone Transmitter Package

Sony UWP-D26-K42 (UWP-D26/K42, UWP_D26_K42, UWPD26K42, UWP D26 K42, uwp-d26/k42) UHF Wireless Microphone Transmitter Package The Sony UWP-D26 is a dependable camera-mount wireless combo microphone system that delivers uncompromising audio quality, while still being easy to use and fast to set up with no menu diving. It is made with simplicity in mind for DIY cameramen, videographers, vloggers, and journalists working in the field without a crew. The system is packed with professional features including NFC Sync and Auto-Gain functions, which handle time-consuming frequency setup and mic-level adjustments for you, so you're ready to shoot within seconds. Rugged and lightweight, the UWP-D26 includes a bodypack transmitter with an ECM-V1BMP omnidirectional lavalier mic. Also included is a plug-on transmitter, which can be attached to a handheld microphone of your choice for man-on-the-street interviews, or to a shotgun mic for wireless booming (both types of mics are available separately). The plug-on provides 48V phantom power, giving you the option to use a condenser microphone. The low-profile camera-mount receiver is designed for enhanced mobility with compact camcorders and smaller DSLR/mirrorless cameras. It offers digital signal processing for pristine audio and analog UHF transmission with true-diversity reception for reliability-even under difficult shooting conditions. Sony shooters can take advantage of the SMAD-P5 digital MI Shoe adapter (available separately), which provides a direct, clean digital audio connection to select cameras equipped with a digital Multi Interface Shoe. With the UWP-D26 you can focus on the other critical elements competing for your attention during a shoot, and confidently record crisp, clear speech or dialog for projects ranging from documentaries to wedding videos, YouTube content, corporate spots, and hands-free interviews.

Sony UWP-D22/K33 UHF Wireless Handheld Microphone Set & RX

Sony UWP-D22/K33 (UWP-D22-K33, UWP_D22_K33, UWPD22K33, UWP D22 K33, uwp-d22/k33) UHF Wireless Handheld Microphone Set & RX The demand for high quality audio is increasing as high resolution content becomes prevalent in the video production industry. Today’s content creators are faced with the challenge of capturing high-quality audio quickly, reliably and with limited resources. Offering superb sound quality with digital processing, reliable RF transmission, true double tuner diversity reception and friendly features, the UWP-D series is an ideal partner for ENG (electronic news gathering) and EFP (electronic field production), as well as documentaries and weddings. The UWP-D22 bodypack wireless microphone package includes the UTX-M40 handheld microphone and URX-P40 receiver, plus accessories. Digital Audio Processing for High Quality Sound Advanced digital audio processing technology by Sony assures high quality sound with improved transient response performance. A new [optional] digital audio interface enables direct digital sound recording with many Sony professional camcorders and Alpha interchangeable lens cameras via the SMAD-P5 Multi Interface MI shoe adaptor, bypassing A/D and D/A conversion stages to further ensure excellent sound quality. Seamless Camcorder Integration Integration with compatible* Sony camcorders (requires SMAD-P5 Multi Interface shoe adaptor) displays audio information such as RF level meter, audio mute status and transmitter low battery alert in the camera’s viewfinder. Via the SMAD-P5, audio signals are transmitted from receiver to camera without requiring a cable connection. The wireless receiver can also receive power from the camera, with synchronised power on/off between camera and receiver for more effective power management. Fast, Easy Frequency Setting  Sony’s uniquely user-friendly NFC SYNC feature allows quick, intuitive secure channel setting between transmitter and receiver. Light, Compact Design Reduced system size and weight enable superior mobility in a wide range of applications including news, documentaries, weddings and remote production. The receiver’s compact size and light weight make it an ideal partner for use small camcorders and interchangeable lens digital cameras.

Sony UTX-P40/K33 Digital XLR Plug-On Transmitter

Sony UTX-P40/K33 (UTX-P40-K33, UTX_P40_K33, UTX/P40/K33, UTXP40/K33, utx-p40/k33) Digital XLR Plug-On Transmitter The demand for high quality audio is increasing as high resolution content becomes prevalent in the video production industry. Today’s content creators are faced with the challenge of capturing high-quality audio quickly, reliably and with limited resources.Offering superb sound quality with digital processing, reliable RF transmission, true double tuner diversity reception and friendly features, the UWP-D series is an ideal partner for ENG (electronic news gathering) and EFP (electronic field production), as well as documentaries and weddings. Digital audio processing for high quality sound Advanced digital audio processing technology by Sony assures high quality sound with improved transient response performance. A new [optional] digital audio interface enables direct digital sound recording with many Sony professional camcorders and Alpha interchangeable lens cameras via the SMAD-P5 Multi Interface MI shoe adaptor, bypassing A/D and D/A conversion stages to further ensure excellent sound quality. Fast, easy frequency setting Sony’s uniquely user-friendly NFC SYNC feature allows quick, intuitive secure channel setting between transmitter and receiver. Light, compact design Reduced system size and weight enable superior mobility in a wide range of applications including news, documentaries, weddings and remote production. The receiver’s compact size and light weight make it an ideal partner for use small camcorders and interchangeable lens digital cameras.

DPA 2028-B-SE2 2028 Supercardioid Vocal Mic, SE2 Adapter

DPA 2028-B-SE2 (2028_b_se2, 2028bse2, 2028/B/SE2, 2028/b/se2) 2028 Supercardioid Vocal Mic, SE2 Adapter The black 2028-B-SE2 Supercardioid Vocal Condenser Microphone Capsule with SE2 Adapter from DPA is designed for the unique challenges of live stage performances. It can be used when paired with a Sennheiser 2000, 6000, 9000, or evolution series transmitter and receiver (sold separately) to capture and deliver a transparent, natural audio for live stage, theater, and broadcast applications. The 2028's supercardioid condenser capsule offers a flat off-axis response. This give the microphone a very high gain-before-feedback, and at the same time, makes it so much easier for sound engineers to handle bleed from other instruments at close proximity. The capsule is fixed in its position on top of the newly designed shockmount and can't be dismounted. The pop filter too is specific for the 2028 microphone. In addition, on a live stage, the 2028 needs no (or very little) EQ to sound just like if you where standing next to the singer listening to their performance. This allows the singer to use their voice just as if no mic was present. Also, it allows sound engineers to spend their time shaping the sound experience rather than covering up due to artifacts. This makes the 2028 the perfect match for all types of live performances.

DPA 2028-B-SL1 2028 Supercardioid Vocal Mic, SL1 Adapter

DPA 2028-B-SL1 2028 (2028_b_sl1, 2028bsl1, 2028/B/SL1, 2028/b/sl1) Supercardioid Vocal Mic, SL1 Adapter The black 2028-B-SL1 Supercardioid Vocal Condenser Microphone Capsule with SL1 Adapter from DPA is designed for the unique challenges of live stage performances. It can be used when paired with a Shure, Sony, or Lectrosonics series transmitter and receiver (sold separately) to capture and deliver a transparent, natural audio for live stage, theater, and broadcast applications. The 2028's supercardioid condenser capsule offers a flat off-axis response. This give the microphone a very high gain-before-feedback, and at the same time, makes it so much easier for sound engineers to handle bleed from other instruments at close proximity. The capsule is fixed in its position on top of the newly designed shockmount and can't be dismounted. The pop filter too is specific for the 2028 microphone. In addition, on a live stage, the 2028 needs no (or very little) EQ to sound just like if you where standing next to the singer listening to their performance. This allows the singer to use their voice just as if no mic was present. Also, it allows sound engineers to spend their time shaping the sound experience rather than covering up due to artifacts. This makes the 2028 the perfect match for all types of live performances.

DPA 2028-B-B01 Microphones 2028 Vocal Supercardioid Handheld Microphone

DPA 2028-B-B01 (2028-b-b01, 2028bb01, 2028/b/b01, 2028_b_b01) Microphones 2028 Vocal Supercardioid Handheld Microphone The black 2028 Vocal Supercardioid Handheld Microphone from DPA is designed for the unique challenges of live stage performances. It can be utilized to capture audio and deliver a transparent, natural vocals for live stage, theater, and broadcast applications. The 2028 is powered by 48V phantom power and the supercardioid capsule offers a flat off-axis response. This give the microphone a very high gain-before-feedback, and at the same time, makes it so much easier for sound engineers to handle bleed from other instruments at close proximity. The capsule is fixed in its position on top of the newly designed shockmount and can't be dismounted. The pop filter is specific for the 2028 microphone. Furthermore, on a live stage, the 2028 needs no (or very little) EQ to sound just like you are standing next to the singer listening to their performance. This allows the singer to use their voice just as if no mic was present. In addition, it allows sound engineers to spend their time shaping the sound experience rather than covering up due to artifacts.

Rode NT-SF1 360° Ambisonic VR Spatial Audio Microphone

Rode RODENTSF1 (RODE-NT-SF1, RODE/NT/SF1, RODE NT SF1, NTSF1, NT-SF1, nt-sf1, ntsf1)  360° Ambisonic VR Spatial Audio Microphone The SoundField by RØDE NT-SF1 is a peerless ambisonic microphone that captures broadcast quality 360° surround sound (with height) in A-Format on four separate tracks. It is the first collaboration between the pioneering ambisonic brand SoundField (which invented the first commercial ambisonic microphone) and RØDE Microphones. Precision manufactured from solid brass, the NT-SF1 uses four RØDE TF-45C ½” true-condenser cardioid microphone capsules arranged in a tetrahedral array to record the entire spherical sound field. Every sound, every direction, perfectly. Created in-house at RØDE’s Sydney HQ, the TF-45C is machined to tolerances of less than 1 micron in our state-of-the-art fabrication facilities. The result is a capsule with breathtaking clarity, sonic purity and exceptionally low noise. Whether creating surround audio for video games, sports broadcasts, feature films or Virtual Reality (VR) content, the NT-SF1 is perfect for all surround sound recording and, because it is recorded in A-Format™ and easily converted to B-Format™, able to be manipulated in any direction in post-production. Using the free SoundField by RØDE Plugin, you are the architect of the soundscape and can alter the mic directivity, position and rotation. Create a full 7.1.4 surround mix. Create a fully head-tracked 360-degree soundscape for immersive video. Whether recording opera, a swamp or a feature film, the NT-SF1 offers unparalleled quality and flexibility. The SBR Plugin has all standard surround-sound set-ups including Dolby Atmos up to 7.1.4 and is supported by Protools, Q-base, Nuendo, Reaper and Logic in VST, AU or AAX formats, all with RØDE’s legendary ease-of-use. The NT-SF1 comes in a full kit, including custom suspension shockmount, blimp-style windshield and furry wind cover. It is all shipped in a beautiful presentation box.

RODEPROCASTER Broadcast Quality Dynamic Microphone

Rode RODEPROCASTER (RODE-PROCASTER, RODE/PROCASTER, RODE PROCASTER, PROCASTER, Procaster) Broadcast Quality Dynamic Microphone The RØDE Procaster is a professional broadcast quality dynamic microphone, specifically designed to offer no-compromise performance for voice applications in the broadcast environment. Featuring a tight polar pattern and tailored-for-voice frequency response, the Procaster is perfect for every application where a great sounding, robust microphone with superior ambient noise rejection is demanded. The Procaster features an internal pop filter, designed to minimise plosives sounds that can overload the microphone capsule and distort the audio output. Its high output dynamic capsule and balanced low impedance output make it an ideal broadcast and voice over microphone.

RODETF5MP Premium matched pair condenser cardioid microphones

Rode RODETF5MP (RODE-TF5MP, RODE/TF5MP, RODE TF5MP, TF-5MP, TF-5) Premium matched pair condenser cardioid microphones The TF-5 represent a new standard in small diaphragm condensers. The all-new capsule is engineered to sub-micron tolerances, giving unprecedented consistency of tone and response. The TF-5 features the hallmark clarity and airiness of other RØDE small diaphragm mics, and adds to this a unique warmth of tone which is often lacking in smaller ‘pencil mics’ of this type, making the TF-5 uniquely versatile.

DPA d:facto 4018V Softboost Supercardioid Mic, SE2-ew Adapter, Nickel

DPA 4018V-N-SE2 (4018VNSE2, 4018V/N/SE2, 4018V N SE2, 4018VN/SE2) d:facto 4018V Softboost Supercardioid Mic, SE2-ew Adapter, Nickel. The nickel d:facto 4018V Softboost Supercardioid Microphone with SE2 Wireless Adapter from DPA is designed to bring a natural studio sound to the live stage and broadcasting studio. This microphone capsule and wireless adapter is configured for Sennheiser 2000, 6000, 9000, D1, and Evolution Series wireless systems and can be used to capture vocals for live stage, theater, and rehearsal applications. The modular nature of the d:facto series allows you to switch the capsule as well as the adapter, making it a very flexible vocal microphone. The d:facto MMC4018V Supercardioid Microphone Capsule for Vocal from DPA features an isolation-optimized polar pattern and is designed to augment the human vocal range. It can be used to capture speech and vocals in sound reinforcement applications such as for stage, recordings, and more.  

Sony ECM-77LM Miniature Omni-Directional Electret Condenser Microphone

Sony ECM-77LM (ECM/77LM, ECM_77LM, ECM 77LM, ECM77LM, ecm-77lm) Miniature Omni-Directional Electret Condenser Microphone Lavalier mic with excellent sound quality, ideal for use with DWT-B03R wireless transmitter The Sony ECM-77 miniature lavalier microphone is seen in daily use on TV shows around the world, and is an equally familiar sight in both studio-based productions and on location. A discreet 'hands-free' alternative to handheld microphones, its popularity is due to a combination of excellent sound quality, robust construction and an attractive cosmetic design. The miniature design of the ECM-77 makes it easy to conceal in a stage performer's costume. The electret condenser microphone's omni-directional capsule is optimised for clear speech pick-up, with an extended frequency response, impressive sensitivity and low handling noise. Featuring a 3-pin Lemo connector, this ECM-77LM version is an ideal partner for use with the DWT-B03R DWX Series digital wireless microphone bodypack transmitter.

Sony ECM-77BC Omni-Directional Lavalier Electret Condenser Microphone

Sony ECM-77BC (ECM/77BC, ECM_77BC, ECM77BC, ECM 77BC, ecm-77bc) Omni-Directional Lavalier Electret Condenser Microphone The ECM-77 is probably the most often seen lavalier microphone on TV and it is used widely in both studio production and on location. Its popularity is based on a combination of excellent sound quality, robust construction and an attractive cosmetic design. This microphone is the ECM-77BC supplied with a 4-pin locking plug for use with wireless transmitters which have HIROSE SMC9-4S connector. Hands Free As a lavalier microphone, the ECM-77 is an alternative to the traditional hand held microphone and being 'hands free' it allows the presenter to concentrate on her/his performance. Professional Image The ECM-77 is probably the most seen microphone on TV and its compact design creates a professional image. Easy and Familiar Operation The ECM-77 is an essential tool for achieving good quality voice recording. The microphone's capsule is designed for voice pick-up with an extended frequency response and impressive sensitivity. The popularity of the microphone in TV production means that most sound people will be familiar with using the ECM-77.

Sennheiser XSW-D Wireless Digital Microphone - Instrument Base Set

Sennheiser 508493 (508-493, 508/493, 508_493, 508 493) (XSW_D, XSW/D) XSW-D Wireless Digital Microphone - Instrument Base Set  XS Wireless Digital. Like any classic romance, it’s elegant to see, complex in theory, but intuitive in action. These might sound like strong words for a wireless solution to your audio needs, but like any love story, you know it when you experience it. It’s an instant connection. XS Wireless Digital is essentially a cable replacement. It works digitally, using a 2.4GHz transmission to create a wireless peer-to-peer connection.  Freedom. With a simple touch of a button, step away from the cables and maintain a faithful connection. As a liberating solution for the musician moving about on stage, or a convenient approach to practicing in the rehearsal room, XS Wireless Digital empowers your inner creativity by allowing you to roam free. It means interacting with the crowd like you never have before and enables you to take your performance to the next level. It’s the power to turn audio limitations into audio opportunities. Frankly, it’s a simple but versatile tool that means more than Sennheiser had the time to discover. It works, and if you’re looking to change your relationship with cables and frequencies, then you need to try it out. A good connection doesn’t require being tied down. Wireless means no obstacles, no distractions, just effortless audio, every time. As a liberating solution for the musician moving about on stage, or a convenient approach to practicing in the rehearsal room, XS Wireless Digital empowers your inner creativity by allowing you to roam free. Lose the cables but keep the connection. One touch ease-of-use It’s simple, each XS Wireless Digital has only one button. Press to power up and link simultaneously, click once to mute, and hold to power down. It’s as easy as plugging in a cable, minus the cable part. Digital for worldwide operation Your sound should be as boundless as your ideas. Forget about having to set frequencies and step into the world of digital. Using a 2.4 GHz transmission, sync and go anywhere, anytime - effortlessly. One-touch ease-of-use wireless audio set that utilises a digital transmission to seamlessly link audio sources. This elegant solution makes wireless audio for your DSLR easier than ever before while maintaining a reliable connection.

Sennheiser XSW-D Wireless Digital Microphone - Presentation Base Set

Sennheiser 508492 (508-492, 508/492, 508 492, 50-84-92) XSW-D Wireless Digital Microphone - Presentation Base Set  XS Wireless Digital. Like any classic romance, it’s elegant to see, complex in theory, but intuitive in action. These might sound like strong words for a wireless solution to your audio needs, but like any love story, you know it when you experience it. It’s an instant connection. XS Wireless Digital is essentially a cable replacement. It works digitally, using a 2.4GHz transmission to create a wireless peer-to-peer connection.  Freedom. With a simple touch of a button, step away from the cables and maintain a faithful connection. As a liberating solution for the musician moving about on stage, or a convenient approach to practicing in the rehearsal room, XS Wireless Digital empowers your inner creativity by allowing you to roam free. It means interacting with the crowd like you never have before and enables you to take your performance to the next level. It’s the power to turn audio limitations into audio opportunities. Frankly, it’s a simple but versatile tool that means more than Sennheiser had the time to discover. It works, and if you’re looking to change your relationship with cables and frequencies, then you need to try it out. A good connection doesn’t require being tied down. Wireless means no obstacles, no distractions, just effortless audio, every time. As a liberating solution for the musician moving about on stage, or a convenient approach to practicing in the rehearsal room, XS Wireless Digital empowers your inner creativity by allowing you to roam free. Lose the cables but keep the connection. One touch ease-of-use It’s simple, each XS Wireless Digital has only one button. Press to power up and link simultaneously, click once to mute, and hold to power down. It’s as easy as plugging in a cable, minus the cable part. Digital for worldwide operation Your sound should be as boundless as your ideas. Forget about having to set frequencies and step into the world of digital. Using a 2.4 GHz transmission, sync and go anywhere, anytime - effortlessly. One-touch ease-of-use wireless audio set that utilises a digital transmission to seamlessly link audio sources. This elegant solution makes wireless audio for your DSLR easier than ever before while maintaining a reliable connection.

Sennheiser XSW-D Wireless Digital Microphone - XLR Base Set

Sennheiser 508491 (508-491, 508/491, 508_491, 508 491) (XSW/D, XSW_D) XSW-D Wireless Digital Microphone - XLR Base Set  XS Wireless Digital. Like any classic romance, it’s elegant to see, complex in theory, but intuitive in action. These might sound like strong words for a wireless solution to your audio needs, but like any love story, you know it when you experience it. It’s an instant connection. XS Wireless Digital is essentially a cable replacement. It works digitally, using a 2.4GHz transmission to create a wireless peer-to-peer connection.  Freedom. With a simple touch of a button, step away from the cables and maintain a faithful connection. As a liberating solution for the musician moving about on stage, or a convenient approach to practicing in the rehearsal room, XS Wireless Digital empowers your inner creativity by allowing you to roam free. It means interacting with the crowd like you never have before and enables you to take your performance to the next level. It’s the power to turn audio limitations into audio opportunities. Frankly, it’s a simple but versatile tool that means more than Sennheiser had the time to discover. It works, and if you’re looking to change your relationship with cables and frequencies, then you need to try it out. A good connection doesn’t require being tied down. Wireless means no obstacles, no distractions, just effortless audio, every time. As a liberating solution for the musician moving about on stage, or a convenient approach to practicing in the rehearsal room, XS Wireless Digital empowers your inner creativity by allowing you to roam free. Lose the cables but keep the connection. One touch ease-of-use It’s simple, each XS Wireless Digital has only one button. Press to power up and link simultaneously, click once to mute, and hold to power down. It’s as easy as plugging in a cable, minus the cable part. Digital for worldwide operation Your sound should be as boundless as your ideas. Forget about having to set frequencies and step into the world of digital. Using a 2.4 GHz transmission, sync and go anywhere, anytime - effortlessly. One-touch ease-of-use wireless audio set that utilises a digital transmission to seamlessly link audio sources. This elegant solution makes wireless audio for your DSLR easier than ever before while maintaining a reliable connection.  

Sennheiser XSW-D Wireless Digital Microphone - Vocal Set

Sennheiser 508484 (508-484, 508/484, 508_484,508-484) (XSW/D, XSW_D) XSW-D Wireless Digital Microphone - Vocal Set  XS Wireless Digital. Like any classic romance, it’s elegant to see, complex in theory, but intuitive in action. These might sound like strong words for a wireless solution to your audio needs, but like any love story, you know it when you experience it. It’s an instant connection. XS Wireless Digital is essentially a cable replacement. It works digitally, using a 2.4GHz transmission to create a wireless peer-to-peer connection.  Freedom. With a simple touch of a button, step away from the cables and maintain a faithful connection. As a liberating solution for the musician moving about on stage, or a convenient approach to practicing in the rehearsal room, XS Wireless Digital empowers your inner creativity by allowing you to roam free. It means interacting with the crowd like you never have before and enables you to take your performance to the next level. It’s the power to turn audio limitations into audio opportunities. Frankly, it’s a simple but versatile tool that means more than Sennheiser had the time to discover. It works, and if you’re looking to change your relationship with cables and frequencies, then you need to try it out. A good connection doesn’t require being tied down. Wireless means no obstacles, no distractions, just effortless audio, every time. As a liberating solution for the musician moving about on stage, or a convenient approach to practicing in the rehearsal room, XS Wireless Digital empowers your inner creativity by allowing you to roam free. Lose the cables but keep the connection. One touch ease-of-use It’s simple, each XS Wireless Digital has only one button. Press to power up and link simultaneously, click once to mute, and hold to power down. It’s as easy as plugging in a cable, minus the cable part. Digital for worldwide operation Your sound should be as boundless as your ideas. Forget about having to set frequencies and step into the world of digital. Using a 2.4 GHz transmission, sync and go anywhere, anytime - effortlessly. One-touch ease-of-use wireless audio set that utilises a digital transmission to seamlessly link audio sources. Equipped with an XS 1 microphone, this elegant solution makes wireless vocals easier than ever before while maintaining a reliable connection.  

Sony ECM-90BC Electret Condenser Microphone

Sony ECM-90BC (ECM/90BC, ECM_90BC, ECM 90BC, ECM90BC, ecm-90bc) Electret Condenser Microphone Ultra-miniature, omni-directional electret condenser lavalier microphone designed for quality-critical applications in ENG, Studio, EFP, and Location Sound applications. Dual diaphragm design contributes to high sensitivity, wide dynamic range, and low noise. Generous diaphragm mounting architecture radically reduces common cable noise associated with lavalier microphone designs. Flat and wide frequency response (20Hz – 20kHz) provides natural sound reproduction. Water resistant design maintains sound clarity in almost any application or environment. Shielded for use with digital wireless transmitters.

Sennheiser HSP ESSENTIAL OMNI-BLACK-3-PIN Neckworn Microphone with 3-Pin LEMO Connector (Black)

Sennheiser 508247 (508-247, 508/247, 50-82-47, 508 247) (HSP-ESSENTIAL-OMNI-BLACK-3-PIN, HSP/ESSENTIAL OMNI/BLACK/3/PIN) HSP ESSENTIAL OMNI-BLACK-3-PIN Neckworn Microphone with 3-Pin LEMO Connector (Black) Nothing else is needed to convince you With the HSP Essential Omni, the name is also a philosophy: it compresses professional requirements relating to quality and function down to the essentials – for a substantially lower price. For this price it combines a high level of wearing comfort with a robust frame, brilliant sound with distortion-free transmission and an inconspicuous appearance with a light-weight design. The result is a professional headset microphone to suit any budget. HSP Essential Omni. Focus on what's really important. Adaptable Thanks to its continuously adjustable neckband, the HSP Essential Omni adapts perfectly to any head size or shape. Once adjusted, it is barely felt, as the optimally distributed lightweight design of only 25 grams exerts very gentle pressure. Furthermore, the microphone boom can be positioned on either the right or left side depending on the user’s preference. Gives weight to every voice The HSP Essential Omni features Sennheiser’s tried-and-true high-quality condenser KE 4 capsule. It is omnidirectional and achieves a clear, warm and distortion-free sound, even with very loud voices. Its patented umbrella diaphragm also provides reliable protection from moisture. Inconspicuous and lightweight All the components of the HSP essential Omni, such as the particularly slim microphone boom, have been kept as small as possible so as not to be noticeable during use. Select from both black and beige for easy concealment. Its lightweight, compact form factor is exceptionally robust and is designed for a long life-span. Should anything malfunction, the components of the HSP Essential Omni can also be easily replaced.

Sennheiser HSP ESSENTIAL OMNI-BEIGE-3-PIN Neckworn Microphone with 3-Pin LEMO Connector (Beige)

Sennheiser 508248 (508-248, 508/248, 50-82-48, 508 248) (HSP-ESSENTIAL-OMNI-BEIGE-3-PIN, HSP/ESSENTIAL OMNI/BEIGE/3/PIN) HSP ESSENTIAL OMNI-BEIGE-3-PIN Neckworn Microphone with 3-Pin LEMO Connector (Beige) Nothing else is needed to convince you With the HSP Essential Omni, the name is also a philosophy: it compresses professional requirements relating to quality and function down to the essentials – for a substantially lower price. For this price it combines a high level of wearing comfort with a robust frame, brilliant sound with distortion-free transmission and an inconspicuous appearance with a light-weight design. The result is a professional headset microphone to suit any budget. HSP Essential Omni. Focus on what's really important. Adaptable Thanks to its continuously adjustable neckband, the HSP Essential Omni adapts perfectly to any head size or shape. Once adjusted, it is barely felt, as the optimally distributed lightweight design of only 25 grams exerts very gentle pressure. Furthermore, the microphone boom can be positioned on either the right or left side depending on the user’s preference. Gives weight to every voice The HSP Essential Omni features Sennheiser’s tried-and-true high-quality condenser KE 4 capsule. It is omnidirectional and achieves a clear, warm and distortion-free sound, even with very loud voices. Its patented umbrella diaphragm also provides reliable protection from moisture. Inconspicuous and lightweight All the components of the HSP essential Omni, such as the particularly slim microphone boom, have been kept as small as possible so as not to be noticeable during use. Select from both black and beige for easy concealment. Its lightweight, compact form factor is exceptionally robust and is designed for a long life-span. Should anything malfunction, the components of the HSP Essential Omni can also be easily replaced.

Sennheiser HSP ESSENTIAL OMNI-BEIGE Neckworn Microphone with 3.5mm Connector (Beige)

Sennheiser 508246 (508-246, 508/246, 50-82-46, 508 246) (HSP-ESSENTIAL-OMNI-BEIGE, HSP/ESSENTIAL/OMNI/ BEIGE, HSP _ESSENTIAL_OMNI_BEIGE) HSP ESSENTIAL OMNI-BEIGE Neckworn Microphone with 3.5mm Connector (Beige) Nothing else is needed to convince you With the HSP Essential Omni, the name is also a philosophy: it compresses professional requirements relating to quality and function down to the essentials – for a substantially lower price. For this price it combines a high level of wearing comfort with a robust frame, brilliant sound with distortion-free transmission and an inconspicuous appearance with a light-weight design. The result is a professional headset microphone to suit any budget. HSP Essential Omni. Focus on what's really important. Adaptable Thanks to its continuously adjustable neckband, the HSP Essential Omni adapts perfectly to any head size or shape. Once adjusted, it is barely felt, as the optimally distributed lightweight design of only 25 grams exerts very gentle pressure. Furthermore, the microphone boom can be positioned on either the right or left side depending on the user’s preference. Gives weight to every voice The HSP Essential Omni features Sennheiser’s tried-and-true high-quality condenser KE 4 capsule. It is omnidirectional and achieves a clear, warm and distortion-free sound, even with very loud voices. Its patented umbrella diaphragm also provides reliable protection from moisture. Inconspicuous and lightweight All the components of the HSP essential Omni, such as the particularly slim microphone boom, have been kept as small as possible so as not to be noticeable during use. Select from both black and beige for easy concealment. Its lightweight, compact form factor is exceptionally robust and is designed for a long life-span. Should anything malfunction, the components of the HSP Essential Omni can also be easily replaced.

Sennheiser MKE ESSENTIAL OMNI-BEIGE-3-PIN Lavalier Microphone, 3-Pin

Sennheiser 508252 (508-252, 508/252, 50-82-52, 508 252) (MKE-ESSENTIAL-OMNI-BEIGE-3-PIN, MKE/ESSENTIAL OMNI/BEIGE/3/PIN, MKE ESSENTIAL OMNI BEIGE 3 PIN) Lavalier Microphone, 3-Pin Meets high expectations even on smaller budgets The MKE Essential Omni small condenser microphone brings warmth and brilliance to every stage voice. Even at enormous input volumes, the signal remains distortion-free. The new KE 4 capsule inherits its high standards from Broadway star MKE 2, but its price remains affordable even for smaller productions. Made for sweat and tears Highly sensitive on the one hand, absolutely stage-safe on the other: the capsule of the MKE Essential Omni is protected against all forms of moisture (typically sweat) by a patented, ultra-light tandem membrane. This not only protects the signal at all times, but also your investment in high-quality miking. Of course, all cable connections are also designed for tensile strength. Stage equipment included Whether on the forehead or on the cheek; with adhesive tape, magnetic holder or Dracula clip, with or without make-up covers, with wind protection, black or skin-colored: the MKE Essential Omni comes with stage-proven accessories and fits every make up and every requirement. It has all the talents to stay inconspicuous – except for its sound, of course. The MKE Essential Omni (omnidirectional) is designed for demanding everyday use on live stages. The newly developed KE 4 capsule is derived from the Broadway standard MKE 2, with improvements that provide a warm and distortion-free signal, even at high sound pressure levels. Reduced to the essentials, the aspirations of big productions become feasible, even for smaller productions and smaller budgets. The MKE Essential Omni has multiple safeguards against the tough demands of theatrical productions. A sophisticated patented umbrella diaphragm protects the more sensitive components against sweat. The massive potential of the MKE Essential Omni remains unobtrusive thanks to its lightweight and easy-to-conceal design. If you don’t attach the microphone near your mouth with tape, you have a wide variety of accessories to utilize, including rotatable clips, magnetic mounts and makeup cover-ups. The MKE Essential Omni is available in black and beige.    

Sennheiser MKE ESSENTIAL OMNI-BEIGE Lavalier Microphone, 3.5mm Jack

Sennheiser 508250 (508-250, 508/250, 50-82-50, 508 250) (MKE-ESSENTIAL-OMNI-BEIGE, MKE/ESSENTIAL/OMNI/BEIGE, MKE ESSENTIAL OMNI BEIGE) MKE ESSENTIAL OMNI-BEIGE Lavalier Microphone, 3.5mm Jack  Meets high expectations even on smaller budgets The MKE Essential Omni small condenser microphone brings warmth and brilliance to every stage voice. Even at enormous input volumes, the signal remains distortion-free. The new KE 4 capsule inherits its high standards from Broadway star MKE 2, but its price remains affordable even for smaller productions. Made for sweat and tears Highly sensitive on the one hand, absolutely stage-safe on the other: the capsule of the MKE Essential Omni is protected against all forms of moisture (typically sweat) by a patented, ultra-light tandem membrane. This not only protects the signal at all times, but also your investment in high-quality miking. Of course, all cable connections are also designed for tensile strength. Stage equipment included Whether on the forehead or on the cheek; with adhesive tape, magnetic holder or Dracula clip, with or without make-up covers, with wind protection, black or skin-colored: the MKE Essential Omni comes with stage-proven accessories and fits every make up and every requirement. It has all the talents to stay inconspicuous – except for its sound, of course. The MKE Essential Omni (omnidirectional) is designed for demanding everyday use on live stages. The newly developed KE 4 capsule is derived from the Broadway standard MKE 2, with improvements that provide a warm and distortion-free signal, even at high sound pressure levels. Reduced to the essentials, the aspirations of big productions become feasible, even for smaller productions and smaller budgets. The MKE Essential Omni has multiple safeguards against the tough demands of theatrical productions. A sophisticated patented umbrella diaphragm protects the more sensitive components against sweat. The massive potential of the MKE Essential Omni remains unobtrusive thanks to its lightweight and easy-to-conceal design. If you don’t attach the microphone near your mouth with tape, you have a wide variety of accessories to utilize, including rotatable clips, magnetic mounts and makeup cover-ups. The MKE Essential Omni is available in black and beige.    

Sennheiser MKE 40-ew Clip On Microphone With Cardioid Pattern

Sennheiser 500527 (500-52, 500/527, 50-05-27, 500 527) (MKE-40-ew, MKE/40/ew, MKE 40 ew) MKE 40-ew Clip On Microphone With Cardioid Pattern Clip-on microphone with cardioid pattern.

Sennheiser MKE 40-4 Clip On Microphone With Cardioid Pattern

Sennheiser 003579 (003-579, 003/579, 00-35-79, 003 579) (MKE-40-4, MKE/40/4, MKE 40 4) MKE 40-4 Clip On Microphone With Cardioid Pattern The Sennheiser MKE 40 is a condenser lavalier microphone compatible with SK 100, SK 300, and SK 500 Evolution Wireless Series bodypack transmitters. Featuring a cardioid polar pattern that helps keep unwanted sound from coming through the mic, and high gain-before-feedback, it is well suited to capture speech on stage, or in any live sound applications. The MKE 40 delivers a 40 Hz to 20 kHz frequency response and handles sound pressure levels up to 118 dB. It can be used for close-miking both voices and instruments to capture a direct sound with accurate bass reproduction. The microphone ships with two windshields (black & gray), a clip (black), and the MZM 2 / MZM 10 magnetic mount set.

Sennheiser MKE 2-ew-GOLD Condenser Lavalier Microphone - Black

Sennheiser 009831 (009-831, 009/831, 00-98-31, 009 831) (MKE-2-ew-GOLD, MKE/2/ew/GOLD, MKE 2 ew GOLD) MKE 2-ew-GOLD Condenser Lavalier Microphone - Black  The MKE 2-4 Gold-C is a high-quality, sub-miniature clip-on lavalier microphone which is suitable for both speech and instrument miking applications in all areas of live work. It fulfils the most stringent demands on sound quality and is extremely rugged. A special Umbrella Diaphragm™ and a welded housing protect the MKE 2 Gold against sweat and moisture, making it an ideal choice for theatrical productions. Colour: matt black.

Sennheiser MKE 2-ew-3-GOLD Condenser Lavalier Microphone - Beige

Sennheiser 009832 (009-832, 009/832, 00-98-32, 009 832) (MKE-2-ew-3-GOLD, MKE/2/ew/3/GOLD, MKE 2 ew 3 GOLD) MKE 2-ew-3-GOLD Condenser Lavalier Microphone - Beige The MKE 2-4 Gold-C is a high-quality, sub-miniature clip-on lavalier microphone which is suitable for both speech and instrument miking applications in all areas of live work. It fulfils the most stringent demands on sound quality and is extremely rugged. A special Umbrella Diaphragm™ and a welded housing protect the MKE 2 Gold against sweat and moisture, making it an ideal choice for theatrical productions. Colour: Beige

Sennheiser MKE 2-5-3 GOLD-C Condenser Lavalier Microphone - Beige

Sennheiser 004738 (004-738, 004/738, 00-47-38, 004 738) (MKE-2-5-3-GOLD-C , MKE/2/5/3/GOLD/C , MKE2-5-3 GOLD C) MKE 2-5-3 GOLD-C Condenser Lavalier Microphone - Beige The MKE 2-4 Gold-C is a high-quality, sub-miniature clip-on lavalier microphone which is suitable for both speech and instrument miking applications in all areas of live work. It fulfils the most stringent demands on sound quality and is extremely rugged. A special Umbrella Diaphragm™ and a welded housing protect the MKE 2 Gold against sweat and moisture, making it an ideal choice for theatrical productions. Colour: Beige

Sennheiser MKE 2-5 Gold-C Condenser Lavalier Microphone - Black

Sennheiser 004735 (004-735, 004/735, 00-47-35, 004 735) (MKE/2/5/Gold/C, MKE-2-5-Gold-C, MKE 2 5 Gold C) MKE 2-5 Gold-C Condenser Lavalier Microphone - Black The MKE 2-4 Gold-C is a high-quality, sub-miniature clip-on lavalier microphone which is suitable for both speech and instrument miking applications in all areas of live work. It fulfils the most stringent demands on sound quality and is extremely rugged. A special Umbrella Diaphragm™ and a welded housing protect the MKE 2 Gold against sweat and moisture, making it an ideal choice for theatrical productions. Colour: matt black.

Sennheiser MKE 2-4-3 GOLD-C Condenser Lavalier Microphone - Beige

Sennheiser 004739 (004 739, 004/739, 004-739,00-47-39) (MKE-2-4-3-GOLD-C, MKE/2/4/3/GOLD/C, MKE 2-4-3 GOLD C) MKE 2-4-3 GOLD-C Condenser Lavalier Microphone - Beige The MKE 2-4 Gold-C is a high-quality, sub-miniature clip-on lavalier microphone which is suitable for both speech and instrument miking applications in all areas of live work. It fulfils the most stringent demands on sound quality and is extremely rugged. A special Umbrella Diaphragm™ and a welded housing protect the MKE 2 Gold against sweat and moisture, making it an ideal choice for theatrical productions. Colour: Beige

Sennheiser MKE 2-P-C Condenser Lavalier Microphone - Black

Sennheiser 004224 (00-42-24, 004/224, 004 224, 004-224) (MKE-2-P-C , MKE2-P-C , MKE/2/P/C) MKE 2-P-C Condenser Lavalier Microphone - Black The MKE 2-4 Gold-C is a high-quality, sub-miniature clip-on lavalier microphone which is suitable for both speech and instrument miking applications in all areas of live work. It fulfils the most stringent demands on sound quality and is extremely rugged. A special Umbrella Diaphragm™ and a welded housing protect the MKE 2 Gold against sweat and moisture, making it an ideal choice for theatrical productions. Colour: matt black.

Sennheiser MKE 1-EW-3 Miniature lavalier microphone Beige

Sennheiser 502879 (502-879, 502/879, 50-28-79, 502 879) (MKE-1-EW-3, MKE/1/EW-3, MKE1-EW-3) MKE 1-EW-3 Miniature lavalier microphone Beige Our smallest Sound Pro. Whether for musicals and live shows, or for broadcasting applications, the MKE 1 - Sennheiser's smallest clip-on microphone - performs at its best in all situations where a microphone needs to be virtually invisible and still offer outstanding sound quality. Reliability: Sweat protected by a newly developed protective membrane, the MKE 1 stands up better than other clip-on microphones to harsh live conditions. Its special gauze and multi-purpose cap offer additional protection from moisture so that it only picks up what it is meant to pick up - perfect sound. The MKE 1 is robust in every respect. The cable with moulded anti-kink sleeve minimises handling noise and makes this a microphone you can rely upon completely.

Sennheiser MKE 1-ew Miniature lavalier microphone Black

Sennheiser 502876 (502-876, 502/876, 50-28-76, 502 876) (MKE-1-ew, MKE/1/ew, MKE1-ew) MKE 1-ew Miniature lavalier microphone Black Our smallest Sound Pro. Whether for musicals and live shows, or for broadcasting applications, the MKE 1 - Sennheiser's smallest clip-on microphone - performs at its best in all situations where a microphone needs to be virtually invisible and still offer outstanding sound quality. Reliability: Sweat protected by a newly developed protective membrane, the MKE 1 stands up better than other clip-on microphones to harsh live conditions. Its special gauze and multi-purpose cap offer additional protection from moisture so that it only picks up what it is meant to pick up - perfect sound. The MKE 1 is robust in every respect. The cable with moulded anti-kink sleeve minimises handling noise and makes this a microphone you can rely upon completely.

Sennheiser MKE 1-5-3 Miniature lavalier microphone Beige

Sennheiser 502169 (502-169, 502/169, 50-21-69, 502 169) (MKE-1-5-3, MKE/1/5/3, MKE1-5-3) MKE 1-5-3 Miniature lavalier microphone Beige Our smallest Sound Pro. Whether for musicals and live shows, or for broadcasting applications, the MKE 1 - Sennheiser's smallest clip-on microphone - performs at its best in all situations where a microphone needs to be virtually invisible and still offer outstanding sound quality. Reliability: Sweat protected by a newly developed protective membrane, the MKE 1 stands up better than other clip-on microphones to harsh live conditions. Its special gauze and multi-purpose cap offer additional protection from moisture so that it only picks up what it is meant to pick up - perfect sound. The MKE 1 is robust in every respect. The cable with moulded anti-kink sleeve minimises handling noise and makes this a microphone you can rely upon completely.

Sennheiser MKE 1-5 Miniature lavalier microphone Black

Sennheiser 502046 (502-046, 502/046, 50-20-46, 502 046) (MKE1-5, MKE-1-5, MKE /1-5) MKE 1-5 Miniature lavalier microphone Black Our smallest Sound Pro. Whether for musicals and live shows, or for broadcasting applications, the MKE 1 - Sennheiser's smallest clip-on microphone - performs at its best in all situations where a microphone needs to be virtually invisible and still offer outstanding sound quality. Reliability: Sweat protected by a newly developed protective membrane, the MKE 1 stands up better than other clip-on microphones to harsh live conditions. Its special gauze and multi-purpose cap offer additional protection from moisture so that it only picks up what it is meant to pick up - perfect sound. The MKE 1 is robust in every respect. The cable with moulded anti-kink sleeve minimises handling noise and makes this a microphone you can rely upon completely.

Sennheiser MKE 1-4-M Miniature lavalier microphone Light Beige

Sennheiser 502881 (502-881, 502/881, 50-28-81, 502 881) (MKE-1-4-M, MKE1-4-M, MKE/1/4/M) MKE 1-4-M Miniature lavalier microphone Light Beige Our smallest Sound Pro. Whether for musicals and live shows, or for broadcasting applications, the MKE 1 - Sennheiser's smallest clip-on microphone - performs at its best in all situations where a microphone needs to be virtually invisible and still offer outstanding sound quality. Reliability: Sweat protected by a newly developed protective membrane, the MKE 1 stands up better than other clip-on microphones to harsh live conditions. Its special gauze and multi-purpose cap offer additional protection from moisture so that it only picks up what it is meant to pick up - perfect sound. The MKE 1 is robust in every respect. The cable with moulded anti-kink sleeve minimises handling noise and makes this a microphone you can rely upon completely.

Sennheiser MKE 1-4-2 Miniature lavalier microphone Brown

Sennheiser 502834 (502-834, 502/834, 50-28-34, 502 834) (MKE-1-4-2, MKE/1/4/2, MKE1-4-2) MKE 1-4-2 Miniature lavalier microphone Brown Our smallest Sound Pro. Whether for musicals and live shows, or for broadcasting applications, the MKE 1 - Sennheiser's smallest clip-on microphone - performs at its best in all situations where a microphone needs to be virtually invisible and still offer outstanding sound quality. Reliability: Sweat protected by a newly developed protective membrane, the MKE 1 stands up better than other clip-on microphones to harsh live conditions. Its special gauze and multi-purpose cap offer additional protection from moisture so that it only picks up what it is meant to pick up - perfect sound. The MKE 1 is robust in every respect. The cable with moulded anti-kink sleeve minimises handling noise and makes this a microphone you can rely upon completely.

Sennheiser MKE 1-4-1 Miniature lavalier microphone White

Sennheiser 502833 (502-833, 502/833, 50-28-33, 502 833) (MKE-1-4-1, MKE/1-4-1, MKE1-4-1) MKE 1-4-1 Miniature lavalier microphone White  Our smallest Sound Pro. Whether for musicals and live shows, or for broadcasting applications, the MKE 1 - Sennheiser's smallest clip-on microphone - performs at its best in all situations where a microphone needs to be virtually invisible and still offer outstanding sound quality. Reliability: Sweat protected by a newly developed protective membrane, the MKE 1 stands up better than other clip-on microphones to harsh live conditions. Its special gauze and multi-purpose cap offer additional protection from moisture so that it only picks up what it is meant to pick up - perfect sound. The MKE 1 is robust in every respect. The cable with moulded anti-kink sleeve minimises handling noise and makes this a microphone you can rely upon completely.

Sennheiser SL TS 153 GN-L SET DW-3 UK Tablestand with gooseneck microphone

Sennheiser 506619 (506-619, 506/619, 50-66-19, 506 619) )(SL TS 153 GN L SET DW 3 UK, SL-TS-153-GN-L-SET DW-3-UK, SL/TS/153/GN/L/SET/DW/3/UK) SL TS 153 GN-L SET DW-3 UK Tablestand with gooseneck microphone The wireless tablestand set SL TS 153 GN-L Set DW includes the SL Tablestand 153- DW, the MEG 14-40-L-II B gooseneck microphone, the SL Rack Receiver DW and everything needed for usage and installation. The SL Tablestand 153-S DW is dedicated to speech. For a solid connection with the gooseneck microphone, an XLR 5 socket is featured. Being utterly wireless, the SL Tablestand 153-S DW and the gooseneck with integrated LED ring are the perfect solution for ad hoc press conferences or podium discussions in any location. The SL Tablestand 153-S DW features the most common wireless Qi charging standard. It can either be charged wirelessly or via USB. The wireless charging base CHG 2W for two mobile devices is available separately. The SL Tablestand 153-S DW provides clear battery life indication via dedicated battery status LEDs. The set comes with rechargeable accupacks with up to 10 hours of operating time. All devices of the SL Tablestand 153-S DW Set can be monitored and controlled with the Sennheiser Control Cockpit.

Sennheiser SL HANDHELD DW-3- EU Wireless Handheld Microphones without capsule

Sennheiser 505884 (505-884, 505/884, 50-58-84, 505 884) (SL-HANDHELD-DW-3- EU, SL/HANDHELD/DW/3- EU, SL HANDHELD DW 3 EU) SL HANDHELD DW-3- EU Wireless Handheld Microphones without capsule The sleek but robust SL Handheld DW is optimized for speech in presentations or lectures where every word matters. Thanks to bidirectional communication between transmitter and receiver, no settings need to be adjusted on the transmitter. The automatic frequency and interference management allows convenient and reliable operation. The LC display provides the link name, battery status and reception quality. The ergonomically positioned mute-slider makes the use of the microphone very convenient. The SL Handheld DW comes with a rechargeable Li-Ion battery with external charging contacts - for easy charging with the CHG 2 - and a USB socket.

Sennheiser SL TS 133 GN SET DW3 UK Digital Wireless Microphone Set

Sennheiser 506618 (506-618, 506/618, 50-66-18, 506 618) (SL-TS-133 GN SET DW3 UK, SL/TS/133 GN SET DW3 UK, SL TS 133 GN SET DW 3 UK) SL TS 133 GN SET DW3 UK Digital Wireless Microphone Set The SpeechLine Digital Wireless Microphone Set from Sennheiser includes an SL Table Stand 133-S DW, a MEG 14-40 B gooseneck microphone, an SL Rack Receiver DW with power supply, a BA 40 rechargeable battery, and a rackmount kit. Optimized for speech transmission, this flexible wireless set offers speech intelligibility and ease of use for meeting participants, in conference rooms, offices, and huddle rooms. The table stand features a 3-pin XLR port for connecting to the gooseneck microphone; it connects wirelessly to the receiver and can be charged wirelessly or via included USB cable. The rechargeable battery allows up to 11 hours of operation and an LED provides battery life status. The receiver features a clear visible OLED display for easy setup and operation. The automatic frequency and interference management allows convenient and reliable operation. The microphone set can be controlled and monitored remotely via the Sennheiser Control Cockpit software (available separately).

Sennheiser SL LAVALIER SET DW3-UK R Lavalier microphone set

Sennheiser 505893 (505-893, 505/893, 50-58-93, 505 893) (SL-LAVALIER-SET-DW3-UK R, SL/LAVALIER/SET/DW3-UK R, SL LAVALIER SET DW3 UK R) SL LAVALIER SET DW3-UK R Lavalier microphone set The set includes the bodypack transmitter, stationary receiver and everything to use or install.  It comes wiht the MKE 1 condensor lavalier microphone – so not just A lavalier mic, but the best and most unobstrusive one for great presentations with best speech clarity. All sets also come with rechargeable accupacks with up to 15 hrs of operating time. The accupack is also USB rechargeable, the cable is in the box, the USB socket is presumably just a step away from you. The two types of sets are either Rackmount Sets (-R version), which come with everything needed for rack mounting, or Case Sets (-C version), in a transport case – without rackmounts, if you do not want to install the receiver.

Sennheiser SL BOUNDARY SET DW-3 UK SpeechLine Wireless Boundary Microphone Set

Sennheiser 506617 (506-617, 506/617, 50-66-17, 506 617) (SL BOUNDARY SET DW 3 UK, SL-BOUNDARY-SET-DW-3 UK, SL/BOUNDARY/SET/DW-3/UK) SL BOUNDARY SET DW-3 UK SpeechLine Wireless Boundary Microphone Set The SL Boundary Set DW includes the wireless boundary microphone SL Boundary 114-S DW, the SL Rack Receiver DW and everything needed for usage and installation. The SL Boundary 114-S DW is optimized for speech transmission in conference rooms. Being independent from any cables, the SL Boundary 114-S DW offers highly flexible application possibilities for users. The SL Boundary SET DW features inductive charging, the SL Boundary 114-S DW can either be charged wirelessly or via USB. The wireless power transmitter CHG 2W for two mobile devices is available separately. The SL Boundary 114-S DW provides clear battery life indication via dedicated battery status LEDs. The set comes with rechargeable accupack with up to 12 hours of operating time. All devices can be monitored and controlled remotely with the Sennheiser Control Cockpit. 

Sennheiser SKM AVX-835S-3 Handheld Transmitter with Mute Switch

Sennheiser 505860 (505-860, 505/860, 50-58-60, 505 860) (SKM AVX 835S-3 , SKM AVX-835S-3, SKM/AVX/835S-3) SKM AVX-835S-3 Handheld Transmitter with Mute Switch  The SKM AVX-835 handheld transmitter for the AVX system is fully self configuring which makes the setup of radio frequencies a thing of the past. The AVX matches perfectely to your camera's input sensitivity without having to adjust the audio level on the microphone. The mute switch on the handheld transmitter gives you full controll during your interview.

Sennheiser SKM AVX-3 W/O CAPSULE Handheld Transmitter without Capsule

Sennheiser 507186 (507 186, 507/186, 50-71-86, 507-186) (SKM-AVX-3 W/O CAPSULE, SKM/AVX-3 W/O CAPSULE, SKM AVX 3 W/O CAPSULE) SKM AVX-3 W/O CAPSULE Handheld Transmitter without Capsule SKM AVX-835-3 is the transmitter part of a Sennheiser SKM AVX wireless handheld microphone. It features self configuring digital transmission which eliminates time-consuming radio frequency setup. Combined with an appropriate mic capsule and receiver the SKM AVX system is optimized for video and speech. 

Sennheiser SKM AVX-835-3 Digital Handheld Microphone

Sennheiser 506157 (506-157, 506/157, 50-61-57, 506 157) (SKM-AVX-835-3, SKM/AVX-835-3, SKM AVX 835 3) SKM AVX-835-3 Digital Handheld Microphone The SKM AVX-835 handheld transmitter for the AVX system and features self configuring digital transmission which eliminates time-consuming radio frequency setup. The AVX matches perfectly to your camera's input sensitivity without having to adjust the audio level on the microphone.

Sennheiser MMD 42-1 Omnidirectional Dynamic Microphone Capsule

Sennheiser 506772 (506-772, 506/772, 506 772, 50-67-72) (MMD-42-1, MMD/42-1, MMD42-1) MMD 42-1 Omnidirectional Dynamic Microphone Capsule The MMD 42 is a high-quality dynamic microphone head with omni-directional pick-up pattern that ensures excellent speech intelligibility without having to point the microphone directly at your interview partner. The special design minimizes wind and handling noise.

Sennheiser SKM 865-XSW-GB Handheld Transmitter with e865 Capsule (GB: 606 - 630 MHz)

Sennheiser 507348 (507 348, 507-348, 50-73-48, 507/348) (SKM865-XSW-GB, SKM-865-XSW-GB, SKM/865-XSW-GB) SKM 865-XSW-GB Handheld Transmitter with e865 Capsule (GB: 606 - 630 MHz) The SKM 865-XSW-GB Handheld Transmitter from Sennheiser is a wireless microphone equipped with an e865 Supercardioid Condenser Capsule. It is designed to be paired with the EM-XSW 1 or EM-XSW 2 wireless receivers (sold separately) and can be used to capture audio for singers, presenters, and live sound applications. Featuring automatic frequency management, the transmitter offers up to 10 compatible channels in a stable UHF band. This transmitter is built to withstand even the toughest stress in everyday on-stage use and offers reliable transmission with an easy-to-use set up. No matter whether you're a band, a theater, or at a seminar, the SKM 865-XSW-GB Handheld Transmitter lets you do your thing and not worry about channel selection. Great Performance and Price The SKM XSW transmitter lets you concentrate on your talent—and not the equipment. Just switch it on and its automatic frequency management does the rest. You can operate up to 10 coordinated frequency preset wireless connections. Live Sound The transmitter yields an open, natural sound. No lengthy set up—just go! Reliable Transmission On stage, you must put up with a lot of things—so does your equipment. XS Wireless 1 is built to last: Transmitters are designed to withstand even the toughest stress in everyday on-stage use.

Sennheiser SKM 865-XSW-E Handheld Transmitter with e865 Capsule (E: 821 - 832 MHz, 863 - 865 MHz)

Sennheiser 507347 (507 347, 507/347, 507-347, 50-73-47) (SKM/865-XSW-E, SKM-865-XSW-E, SKM865-XSW-E) SKM 865-XSW-E Handheld Transmitter with e865 Capsule (E: 821 - 832 MHz, 863 - 865 MHz) The SKM 865-XSW-E Handheld Transmitter from Sennheiser is a wireless microphone equipped with an e865 Supercardioid Condenser Capsule. It is designed to be paired with the EM-XSW 1 or EM-XSW 2 wireless receivers (sold separately) and can be used to capture audio for singers, presenters, and live sound applications. Featuring automatic frequency management, the transmitter offers up to 10 compatible channels in a stable UHF band. This transmitter is built to withstand even the toughest stress in everyday on-stage use and offers reliable transmission with an easy-to-use set up. No matter whether you're a band, a theater, or at a seminar, the SKM 865-XSW-E Handheld Transmitter lets you do your thing and not worry about channel selection. Great Performance and Price The SKM XSW transmitter lets you concentrate on your talent—and not the equipment. Just switch it on and its automatic frequency management does the rest. You can operate up to 10 coordinated frequency preset wireless connections. Live Sound The transmitter yields an open, natural sound. No lengthy set up—just go! Reliable Transmission On stage, you must put up with a lot of things—so does your equipment. XS Wireless 1 is built to last: Transmitters are designed to withstand even the toughest stress in everyday on-stage use.

Sennheiser SKM 865-XSW-A Handheld Transmitter with e865 Capsule (A: 548 to 572 MHz)

Sennheiser 507343 (507-343, 507/343, 50-73-43, 507 343) (SKM/865-XSW-A, SKM-865-XSW-A, SKM865-XSW-A) SKM 865-XSW-A Handheld Transmitter with e865 Capsule (A: 548 to 572 MHz) The SKM 865-XSW-A Handheld Transmitter from Sennheiser is a wireless microphone equipped with an e865 Supercardioid Condenser Capsule. It is designed to be paired with the EM-XSW 1 or EM-XSW 2 wireless receivers (sold separately) and can be used to capture audio for singers, presenters, and live sound applications. Featuring automatic frequency management, the transmitter offers up to 10 compatible channels in a stable UHF band. This transmitter is built to withstand even the toughest stress in everyday on-stage use and offers reliable transmission with an easy-to-use set up. No matter whether you're a band, a theater, or at a seminar, the SKM 865-XSW-A Handheld Transmitter lets you do your thing and not worry about channel selection. Great Performance and Price The SKM XSW transmitter lets you concentrate on your talent—and not the equipment. Just switch it on and its automatic frequency management does the rest. You can operate up to 10 coordinated frequency preset wireless connections. Live Sound The transmitter yields an open, natural sound. No lengthy set up—just go! Reliable Transmission On stage, you must put up with a lot of things—so does your equipment. XS Wireless 1 is built to last: Transmitters are designed to withstand even the toughest stress in everyday on-stage use.

Sennheiser SKM 835-XSW-GB Wireless Handheld Microphone Transmitter - GB Range

Sennheiser 507341 (507/341, 507 341, 50-73-41, 507-341) (SKM-835-XSW-GB, SKM835-XSW-GB, SKM/835-XSW-GB) SKM 835-XSW-GB Wireless Handheld Microphone Transmitter - GB Range The SKM 835-XSW-GB Handheld Transmitter from Sennheiser is a wireless microphone equipped with an e835 Dynamic Cardioid Capsule. It is designed to be paired with the EM-XSW 1 or EM-XSW 2 wireless receivers (sold separately) and can be used to capture audio for singers, presenters, and live sound applications. Featuring automatic frequency management, the transmitter offers up to 10 compatible channels in a stable UHF band. This transmitter is built to withstand even the toughest stress in everyday on-stage use and offers reliable transmission with an easy-to-use set up. No matter whether you're a band, a theater, or at a seminar, the SKM 835-XSW-GB Handheld Transmitter lets you do your thing and not worry about channel selection. Great Performance and Price The SKM XSW transmitter lets you concentrate on your talent—and not the equipment. Just switch it on and its automatic frequency management does the rest. You can operate up to 10 coordinated frequency preset wireless connections. Live Sound The transmitter yields an open, natural sound. No lengthy set up—just go! Reliable Transmission On stage, you must put up with a lot of things—so does your equipment. XS Wireless 1 is built to last: Transmitters are designed to withstand even the toughest stress in everyday on-stage use.

Sennheiser SKM 835-XSW-E Wireless Handheld Microphone Transmitter - E Range

Sennheiser 507340 (507/340, 507-340, 50-73-40, 507 340) (SKM/835-XSW-E, SKM835-XSW-E, SKM-835-XSW-E) SKM 835-XSW-E Wireless Handheld Microphone Transmitter - E Range The SKM 835-XSW-E Handheld Transmitter from Sennheiser is a wireless microphone equipped with an e835 Dynamic Cardioid Capsule. It is designed to be paired with the EM-XSW 1 or EM-XSW 2 wireless receivers (sold separately) and can be used to capture audio for singers, presenters, and live sound applications. Featuring automatic frequency management, the transmitter offers up to 10 compatible channels in a stable UHF band. This transmitter is built to withstand even the toughest stress in everyday on-stage use and offers reliable transmission with an easy-to-use set up. No matter whether you're a band, a theater, or at a seminar, the SKM 835-XSW-E Handheld Transmitter lets you do your thing and not worry about channel selection. Great Performance and Price The SKM XSW transmitter lets you concentrate on your talent—and not the equipment. Just switch it on and its automatic frequency management does the rest. You can operate up to 10 coordinated frequency preset wireless connections. Live Sound The transmitter yields an open, natural sound. No lengthy set up—just go! Reliable Transmission On stage, you must put up with a lot of things—so does your equipment. XS Wireless 1 is built to last: Transmitters are designed to withstand even the toughest stress in everyday on-stage use.

Sennheiser SKM 825-XSW-E Wireless Handheld Microphone Transmitter - E Range

Sennheiser 507333 (507-333, 507/333, 507 333, 50-73-33) (SKM825-XSW-E, SKM/825-XSW-E, SKM-825-XSW-E) SKM 825-XSW-E Wireless Handheld Microphone Transmitter - E Range The SKM 825-XSW-E Handheld Transmitter from Sennheiser is a wireless microphone equipped with an e825 Dynamic Cardioid Capsule. It is designed to be paired with the EM-XSW 1 or EM-XSW 2 wireless receivers (sold separately) and can be used to capture audio for singers, presenters, and live sound applications. Featuring automatic frequency management, the transmitter offers up to 10 compatible channels in a stable UHF band. This transmitter is built to withstand even the toughest stress in everyday on-stage use and offers reliable transmission with an easy-to-use set up. No matter whether you're a band, a theater, or at a seminar, the SKM 825-XSW-E Handheld Transmitter lets you do your thing and not worry about channel selection. Great Performance and Price The SKM XSW transmitter lets you concentrate on your talent—and not the equipment. Just switch it on and its automatic frequency management does the rest. You can operate up to 10 coordinated frequency preset wireless connections. Live Sound The transmitter yields an open, natural sound. No lengthy set up—just go! Reliable Transmission  On stage, you must put up with a lot of things—so does your equipment. XS Wireless 1 is built to last: Transmitters are designed to withstand even the toughest stress in everyday on-stage use.  

Sennheiser XSW 2-ME3-GB Wireless Headset Microphone GB Range

Sennheiser 507134 (507-134, 507/134, 507 134, 50-71-34) (XSW/2-ME3-GB, XSW-2-ME3-GB, XSW2-ME3-GB) XSW 2-ME3-GB Wireless Headset Microphone GB Range Hands-free performance. High flexibility for those willing to go a step further. XS WIRELESS 2 grows with your demands by offering an intuitive LCD display for more manual options and 12 compatible channels in a stable UHF band, withstanding tougher live stage conditions. The XS WIRELESS 2 HEADMIC SET is an easy to use all-in-one wireless system for singers and performers, excellent for live sound that involves dancing and singing all at the same time. Metal receiver housing and rackmount kit included.

Sennheiser XSW 2-ME3-E Wireless Headset Microphone E Range

Sennheiser 507133 (507 133, 507/133, 507-133, 50-71-33) (XSW/2-ME3-E, XSW-2-ME3-E, XSW2-ME3-E) XSW 2-ME3-E Wireless Headset Microphone E Range Hands-free performance. High flexibility for those willing to go a step further. XS WIRELESS 2 grows with your demands by offering an intuitive LCD display for more manual options and 12 compatible channels in a stable UHF band, withstanding tougher live stage conditions. The XS WIRELESS 2 HEADMIC SET is an easy to use all-in-one wireless system for singers and performers, excellent for live sound that involves dancing and singing all at the same time. Metal receiver housing and rackmount kit included.

Sennheiser XSW 2-ME2-GB Wireless Lavalier Microphone System GB-Range: 606 - 630 MHz

Sennheiser 507127 (507-127, 507 127, 507/127, 50-71-27) (XSW/2-ME2-GB, XSW-2-ME2-GB, XSW2-ME2-GB) XSW 2-ME2-GB Wireless Lavalier Microphone System GB-Range: 606 - 630 MHz Inspire your audience. High flexibility for those willing to go a step further. XS WIRELESS 2 grows with your demands by offering an intuitive LCD display for more manual options and 12 compatible channels in a stable UHF band, withstanding tougher live stage conditions. The XS WIRELESS 2 LAVALIER MIC SET is an easy to use all-in-one wireless system for presenters and moderators, excellent for a powerful and inspiring presentation. The set includes a stationary receiver for quick set-up and hassle-free handling, as well as a lightweight bodypack transmitter and an unobstrusive clip-on microphone. Metal receiver housing and rackmount kit included.  

Sennheiser XSW 2-ME2-E Wireless Lavalier Microphone System E-Range :821 - 832 MHz, 863 - 865 MHz

Sennheiser 507126 (507-126, 507 126, 507/126, 50-71-26) (XSW-2-ME2-E, XSW/2-ME2-E, XSW2-ME2-E) XSW 2-ME2-E Wireless Lavalier Microphone System E-Range :821 - 832 MHz, 863 - 865 MHz Inspire your audience. High flexibility for those willing to go a step further. XS WIRELESS 2 grows with your demands by offering an intuitive LCD display for more manual options and 12 compatible channels in a stable UHF band, withstanding tougher live stage conditions. The XS WIRELESS 2 LAVALIER MIC SET is an easy to use all-in-one wireless system for presenters and moderators, excellent for a powerful and inspiring presentation. The set includes a stationary receiver for quick set-up and hassle-free handling, as well as a lightweight bodypack transmitter and an unobstrusive clip-on microphone. Metal receiver housing and rackmount kit included.  

Sennheiser XSW 2-Cl1-E Wireless 2 Instrument System E Range : 821 - 832 MHz, 863 - 865 MHz

Sennheiser 507140 (507-140, 507/140, 507 140, 50-71-40) (XSW-2-Cl1-E, XSW/2-Cl1-E, XSW2-Cl1-E) XSW 2-Cl1-E Wireless 2 Instrument System E Range : 821 - 832 MHz, 863 - 865 MHz Amplify your tunes. High flexibility for those willing to go a step further. XS WIRELESS 2 grows with your demands by offering an intuitive LCD display for more manual options and 12 compatible channels in a stable UHF band, withstanding tougher live stage conditions. The XS WIRELESS 2 INSTRUMENT SET is an easy to use all-in- one wireless system for guitarists and bassists, excellent for live sound. The set includes a stationary receiver for quick set-up and hassle-free handling, as well as a compact bodypack transmitter and a robust instrument cable. Metal receiver housing and rackmount kit included.

Sennheiser XSW 2-865-GB Wireless Handheld Microphone System - GB Range

Sennheiser 507155 (507-155, 507/155, 507 155, 50-71-55) (XSW-2-865-GB, XSW/2-865-GB, XSW2-865-GB) XSW 2-865-GB Wireless Handheld Microphone System - GB Range Raise your voice. High flexibility for those willing to go a step further. XS WIRELESS 2 grows with your demands by offering an intuitive LCD display for more manual options and 12 compatible channels in a stable UHF band, withstanding tougher live stage conditions.   The XS WIRELESS 2 VOCAL SET is an easy to use all-in-one wireless system for singers and presenters featuring Sennheiser’s renowned evolution microphone capsule e865 (condenser, super-cardioid) to capture every detail. True Diversity receiver in a metal housing and rackmount kit included.

Sennheiser XSW 2-865-E Wireless Handheld Microphone System - E Range

Sennheiser 507154 (507-154, 507/154, 507 154, 50-71-54) (XSW-2-865-E, XSW/2-865-E, XSW2-865-E) XSW 2-865-E Wireless Handheld Microphone System - E Range Raise your voice. High flexibility for those willing to go a step further. XS WIRELESS 2 grows with your demands by offering an intuitive LCD display for more manual options and 12 compatible channels in a stable UHF band, withstanding tougher live stage conditions.   The XS WIRELESS 2 VOCAL SET is an easy to use all-in-one wireless system for singers and presenters featuring Sennheiser’s renowned evolution microphone capsule e865 (condenser, super-cardioid) to capture every detail. True Diversity receiver in a metal housing and rackmount kit included.

Sennheiser XSW 2-835-GB 606-630 MHz, Wireless Handheld Microphone System GB Range

Sennheiser 507148 (507-148, 507/148, 507 148, 50-71-48) (XSW/2-835-GB, XSW-2-835-GB, XSW 2-835-GB) XSW 2-835-GB Wireless Handheld Microphone System GB Range Raise your voice. High flexibility for those willing to go a step further. XS WIRELESS 2 grows with your demands by offering an intuitive LCD display for more manual options and 12 compatible channels in a stable UHF band, withstanding tougher live stage conditions. The XS WIRELESS 2 VOCAL SET is an easy to use all-in-one wireless system for singers and presenters featuring Sennheiser’s renowned evolution microphone capsule e835 (superior dynamic, cardioid) to perform under pressure. True Diversity receiver in a metal housing and rackmount kit included.

Sennheiser XSW 2-835-E Wireless Handheld Microphone System E Range

Sennheiser 507147 (507-147, 507/147, 507 147, 50-71-47) (XSW/2-835-E, XSW-2-835-E, XSW2-835-E) XSW 2-835-E Wireless Handheld Microphone System E Range (E: 821-832 MHz, 863-865 MHz) Raise your voice. High flexibility for those willing to go a step further. XS WIRELESS 2 grows with your demands by offering an intuitive LCD display for more manual options and 12 compatible channels in a stable UHF band, withstanding tougher live stage conditions. The XS WIRELESS 2 VOCAL SET is an easy to use all-in-one wireless system for singers and presenters featuring Sennheiser’s renowned evolution microphone capsule e835 (superior dynamic, cardioid) to perform under pressure. True Diversity receiver in a metal housing and rackmount kit included.

Sennheiser XSW 1-ME3-GB Wireless Headmic Set, GB Range

Sennheiser 506992 (506 992, 506/992, 506-992, 50-69-92) (XSW-1-ME3-GB, XSW/1-ME3-GB, XSW1-ME3-GB) XSW 1-ME3-GB Wireless Headmic Set, GB Range  Hands-free performance. Go for XS WIRLESS 1 and rely on a solid wireless transmission with up to 10 compatible channels in a stable UHF band. The XS WIRELESS 1 HEADMIC SET is an easy to use all-in-one wireless system for singers and presenters, excellent for live sound that involves dancing and singing all at the same time. The set includes an intuitive stationary receiver for quick setup and hassle-free handling, as well as a compact bodypack transmitter and a lightweight headset microphone.

Sennheiser XSW 1-ME3-E Wireless Headmic Set, E Range

Sennheiser 506991 (506-991, 506/991, 50-69-91, 506 991) (XSW/1-ME3-E, XSW-1-ME3-E, XSW1-ME3-E) XSW 1-ME3-E Wireless Headmic Set, E Range  Hands-free performance. Go for XS WIRLESS 1 and rely on a solid wireless transmission with up to 10 compatible channels in a stable UHF band. The XS WIRELESS 1 HEADMIC SET is an easy to use all-in-one wireless system for singers and presenters, excellent for live sound that involves dancing and singing all at the same time. The set includes an intuitive stationary receiver for quick setup and hassle-free handling, as well as a compact bodypack transmitter and a lightweight headset microphone.

Sennheiser XSW 1-ME2-GB Wireless Presentation Microphone, GB Range

Sennheiser 506985 (506 985, 506-985, 506/985, 50-69-85) (XSW/1-ME2-GB, XSW-1-ME2-GB, XSW1-ME2-GB) XSW 1-ME2-GB Wireless Presentation Microphone, GB Range Inspire your audience. Go for XS WIRLESS 1 and rely on a solid wireless transmission with up to 10 compatible channels in a stable UHF band. The XS WIRELESS 1 LAVALIER MIC SET is an easy to use all-in- one wireless system for presenters and moderators, excellent for a powerful and inspiring presentation. The set includes an intuitive stationary receiver for quick set-up and hassle-free handling, as well as a lightweight bodypack transmitter and an unobstrusive clip-on microphone.

Sennheiser XSW 1-ME2-E Wireless Presentation Microphone, E Range

Sennheiser 506984 (506 984, 506/984, 506-984, 50-69-84) (XSW/1-ME2-E, XSW-1-ME2-E, XSW1-ME2E) XSW 1-ME2-E Wireless Presentation Microphone, E Range Inspire your audience. Go for XS WIRLESS 1 and rely on a solid wireless transmission with up to 10 compatible channels in a stable UHF band. The XS WIRELESS 1 LAVALIER MIC SET is an easy to use all-in- one wireless system for presenters and moderators, excellent for a powerful and inspiring presentation. The set includes an intuitive stationary receiver for quick set-up and hassle-free handling, as well as a lightweight bodypack transmitter and an unobstrusive clip-on microphone.

Sennheiser XSW 1-Cl1-GB Instrument Wireless Microphone, GB Range

Sennheiser 506999 (506 999, 506/999, 506-999, 50-69-99) (XSW/1-Cl1-GB, XSW-1-Cl1-GB, XSW 1-Cl1GB) XSW 1-Cl1-GB Instrument Wireless Microphone, GB Range Amplify your tunes. Go for XS WIRLESS 1 and rely on a solid wireless transmission with up to 10 compatible channels in a stable UHF band. The XS WIRELESS 1 INSTRUMENT SET is an easy to use all-inone wireless system for guitarists and bassists, excellent for live sound. The set includes an intuitive stationary receiver for quick set-up and hassle-free handling, as well as a compact bodypack transmitter and a robust instrument cable.

Sennheiser XSW 1-Cl1-E Instrument Wireless Microphone, E Range

Sennheiser 506998 (506 998, 506/998, 506-998, 50-69-98) (XSW-1-Cl1-E, XSW/1-Cl1-E, XSW1-Cl1/E) XSW 1-Cl1-E Instrument Wireless Microphone, E Range Amplify your tunes. Go for XS WIRLESS 1 and rely on a solid wireless transmission with up to 10 compatible channels in a stable UHF band. The XS WIRELESS 1 INSTRUMENT SET is an easy to use all-inone wireless system for guitarists and bassists, excellent for live sound. The set includes an intuitive stationary receiver for quick set-up and hassle-free handling, as well as a compact bodypack transmitter and a robust instrument cable.

Sennheiser XSW 1-835-GB Wireless Handheld Microphone System - GB Range

Sennheiser 507120 (507-120, 507/120, 507 120, 50-71-20) (XSW-1-835-GB, XSW/1-835-GB, XSW 1/835/GB) XSW 1-835-GB Wireless Handheld Microphone System - GB Range Raise your voice. Go for XS WIRLESS 1 and rely on a solid wireless transmission with up to 10 compatible channels in a stable UHF band. The XS WIRELESS 1 VOCAL SET is an easy to use all-in-one wireless system for singers and presenters, excellent for live sound featuring Sennheiser’s renowned evolution microphone capsules, e825 (dynamic, cardioid) or e835 (superior dynamic, cardioid) to get started. The set includes an intuitive stationary receiver for quick setup and hassle-free handling, as well as a vocal microphone and microphone clamp.

Sennheiser XSW 1-835-E Wireless Handheld Microphone System - E Range

Sennheiser 507119 (507 119, 507-119, 5071 19, 50-71-19) (XSW-1-835-E, XSW/1-835-E, XSW1-835-E) XSW 1-835-E Wireless Handheld Microphone System - E Range Raise your voice. Go for XS WIRLESS 1 and rely on a solid wireless transmission with up to 10 compatible channels in a stable UHF band. The XS WIRELESS 1 VOCAL SET is an easy to use all-in-one wireless system for singers and presenters, excellent for live sound featuring Sennheiser’s renowned evolution microphone capsules, e825 (dynamic, cardioid) or e835 (superior dynamic, cardioid) to get started. The set includes an intuitive stationary receiver for quick setup and hassle-free handling, as well as a vocal microphone and microphone clamp.

Sennheiser XSW 1-825-GB Vocal Wireless Microphone, GB Range 606-630 MHz

Sennheiser 507113 (507-113, 507/113, 507 113, 50-71-13) (XSW-1-825-GB, XSW/1-825-GB, XSW1-825-GB) XSW 1-825-GB Vocal Wireless Microphone, GB Range 606-630 MHz  Raise your voice. Go for XS WIRLESS 1 and rely on a solid wireless transmission with up to 10 compatible channels in a stable UHF band. The XS WIRELESS 1 VOCAL SET is an easy to use all-in-one wireless system for singers and presenters, excellent for live sound featuring Sennheiser’s renowned evolution microphone capsules, e825 (dynamic, cardioid) or e835 (superior dynamic, cardioid) to get started. The set includes an intuitive stationary receiver for quick setup and hassle-free handling, as well as a vocal microphone and microphone clamp.

Sennheiser XSW 1-825-E Vocal Wireless Microphone, E Range 821-832 MHz, 863-865 MHz

Sennheiser 507112 (507 112, 50 71 12, 507/112, 507-112) (XSW-1-825-E, XSW/1-825-E, XSW1-825-E) XSW 1-825-E Vocal Wireless Microphone, E Range 821-832 MHz, 863-865 MHz Raise your voice. Go for XS WIRLESS 1 and rely on a solid wireless transmission with up to 10 compatible channels in a stable UHF band. The XS WIRELESS 1 VOCAL SET is an easy to use all-in-one wireless system for singers and presenters, excellent for live sound featuring Sennheiser’s renowned evolution microphone capsules, e825 (dynamic, cardioid) or e835 (superior dynamic, cardioid) to get started. The set includes an intuitive stationary receiver for quick setup and hassle-free handling, as well as a vocal microphone and microphone clamp.

Sennheiser XSW 1-835 DUAL-GB Band Vocal

Sennheiser 508275 (508 275, 508/275, 508-275, 50-82-75) (XSW-1-835 DUAL-GB, XSW/1-835/DUAL-GB, XSW1-835-DUAL-GB) XSW 1-835 DUAL-GB Band Vocal XS Wireless 1 DUAL is a 2-channel wireless system for singers and presenters. Designed with ease of use in mind, these analog UHF systems feature a sleek dual-channel receiver with built-in antennas and the streamlined interface from Sennheiser's popular XS Wireless 1 series.

Sennheiser XSW 1-835 DUAL-E Band Vocal

Sennheiser 508274 (508-274, 508/274, 50-82-74, 508 274) (XSW-1-835 DUAL-E, XSW/1-835 DUAL-E, XSW1-835 DUAL-E) XSW 1-835 DUAL-E  Band Vocal XS Wireless 1 DUAL is a 2-channel wireless system for singers and presenters. Designed with ease of use in mind, these analog UHF systems feature a sleek dual-channel receiver with built-in antennas and the streamlined interface from Sennheiser's popular XS Wireless 1 series.

Sennheiser XSW 1-835 DUAL-A XSW 1-835 Dual Wireless Dual Handheld Microphone System- A Range

Sennheiser 508270 (508 270, 508-270, 50/82/70, 508/270) (XSW-1-835 DUAL-A, XSW/1-835 DUAL/A, XSW1-835 DUAL/A) XSW 1-835 DUAL-A XSW 1-835 Dual Wireless Dual Handheld Microphone System- A Range XS Wireless 1 DUAL is a 2-channel wireless system for singers and presenters. Designed with ease of use in mind, these analog UHF systems feature a sleek dual-channel receiver with built-in antennas and the streamlined interface from Sennheiser's popular XS Wireless 1 series.

Sennheiser XSW 1-825 DUAL-GB Band Vocal (GB: 606-630 MHz )

Sennheiser 508268 (508-268, 508/268, 50-82-68, 508 268) (XSW-1-825 DUAL-GB, XSW/1-825 DUAL-GB, XSW1-825 DUAL-GB) XSW 1-825 DUAL-GB Band Vocal XS Wireless 1 DUAL is a 2-channel wireless system for singers and presenters. Designed with ease of use in mind, these analog UHF systems feature a sleek dual-channel receiver with built-in antennas and the streamlined interface from Sennheiser's popular XS Wireless 1 series.

Sennheiser XSW 1-825 DUAL-E Band Vocal

Sennheiser 508267 (508-267, 508/267, 508 267, 50-82-67) (XSW1-825 DUAL-E, XSW-1-825 DUAL-E ,XSW/1-825 DUAL-E)  XSW 1-825 DUAL-E Band Vocal XS Wireless 1 DUAL is a 2-channel wireless system for singers and presenters. Designed with ease of use in mind, these analog UHF systems feature a sleek dual-channel receiver with built-in antennas and the streamlined interface from Sennheiser's popular XS Wireless 1 series.

Sennheiser MEG 14-40-L-II B Gooseneck Microphone with Cardioid Directivity & Integrated Light Ring

Sennheiser 506398 (506 398, 506-398, 506/398, 50-63-98) (MEG14-40-LIIB, MEG-14-40-L-II-B, MEG/14-40-L-II/B) MEG 14-40-L-II B  Gooseneck Microphone with Cardioid Directivity & Integrated Light Ring  The MEG 14-40 features a made in Germany quality gooseneck microphone on an attractive price. It features a Sennheiser KE 10 microphone capsule with cardioid directivity for universal miking. The flexible element of the streamlined 40 cm gooseneck ensures precise alignment of the microphone. Additionally the MEG 14-40-L and MEG 14-40-L-II have an integrated light ring (L: red, L-II: green) which indicates the spokesperson that is allowed to take the floor. All versions come with XLR connector, an XLR 3M for the standard version and an XLR 5M for the MEG 14-40-L and MEG 14-40-L-II which delivers power for the light ring and connects the microphone signal.

Sennheiser MEG 14-40 B Gooseneck microphone

Sennheiser 504791 (504 791, 504/791, 504-791, 50-47-91) (MEG14-40B, MEG-14-40-B, MEG/14-40/B) MEG 14-40 B Gooseneck microphone The MEG 14-40 features a made in Germany quality gooseneck microphone on an attractive price. It features a Sennheiser KE 10 microphone capsule with cardioid directivity for universal miking. The flexible element of the streamlined 40 cm gooseneck ensures precise alignment of the microphone. Additionally the MEG 14-40-L and MEG 14-40-L-II have an integrated light ring (L: red, L-II: green) which indicates the spokesperson that is allowed to take the floor. All versions come with XLR connector, an XLR 3M for the standard version and an XLR 5M for the MEG 14-40-L and MEG 14-40-L-II which delivers power for the light ring and connects the microphone signal.

Sennheiser SL HEADMIC 1-4 SB SL Headmic 1-4 Headworn Microphone with LEMO Connector (Silver)

Sennheiser 506907 (506-907, 506 907, 50-69-07, 506/907) (SLHEADMIC1-4SB, SL/HEADMIC/1-4/SB, SL-HEADMIC 1-4-SB) SL HEADMIC 1-4 SB SL Headmic 1-4 Headworn Microphone with LEMO Connector (Silver) The SL Headmic 1 is an extremely unobtrusive and comfortable-to-use headworn microphone. It features the proven omni-directional MKE 1 microphone capsule. The adjustable neck band makes its use conventient for everyone. The extremely lightweight (7 g) but robust metal frame makes long-term usage most convenient. It comes with a sturdy and sleek soft-case, which can also hold a bodypack transmitter. The microphone is available in black or beige.  

Sennheiser SL HEADMIC 1-4 BE SL Headmic 1-4 Headworn Microphone with LEMO Connector (Beige)

Sennheiser 506906 (506-906, 506/906, 506 906, 50-69-06) (SLHEADMIC 1-4BE, SL/HEADMIC/1-4/BE, SLHEADMIC 1-4BE) SL HEADMIC 1-4 BE SL Headmic 1-4  Headworn Microphone with LEMO Connector (Beige) The SL Headmic 1 is an extremely unobtrusive and comfortable-to-use headworn microphone. It features the proven omni-directional MKE 1 microphone capsule. The adjustable neck band makes its use conventient for everyone. The extremely lightweight (7 g) but robust metal frame makes long-term usage most convenient. It comes with a sturdy and sleek soft-case, which can also hold a bodypack transmitter. The microphone is available in black or beige.

Sennheiser SL HEADMIC 1-4 BK SL Headmic 1-4 Headworn Microphone with LEMO Connector (Black)

Sennheiser 506905 (506-905, 506 905, 50-69-05, 506/905) (SLHEADMIC 1-4BK, SL/HEADMIC 1-4-BK, SLHEADMIC 1-4-BK) SL HEADMIC 1-4 BK SL Headmic 1-4 Headworn Microphone with LEMO Connector (Black) The SL Headmic 1 is an extremely unobtrusive and comfortable-to-use headworn microphone. It features the proven omni-directional MKE 1 microphone capsule. The adjustable neck band makes its use conventient for everyone. The extremely lightweight (7 g) but robust metal frame makes long-term usage most convenient. It comes with a sturdy and sleek soft-case, which can also hold a bodypack transmitter. The microphone is available in black or beige.  

Sennheiser SL HEADMIC 1 SB SpeechLine Digital Wireless SL Headmic 1 Headworn Microphone (Silver)

Sennheiser 506904 (506-904, 506 904, 50-69-04,506 904) (SL-HEADMIC-1-SB, SL/HEADMIC/1/SB,SLHEADMIC1 SB) SL HEADMIC 1 SB SpeechLine Digital Wireless SL Headmic 1 Headworn Microphone (Silver) The SL Headmic 1 is an extremely unobtrusive and comfortable-to-use headworn microphone. It features the proven omni-directional MKE 1 microphone capsule. The adjustable neck band makes its use conventient for everyone. The extremely lightweight (7 g) but robust metal frame makes long-term usage most convenient. It comes with a sturdy and sleek soft-case, which can also hold a bodypack transmitter. The microphone is available in black or beige. 

Sennheiser SL HEADMIC 1 BK SpeechLine Digital Wireless SL Headmic 1 Headworn Microphone (Black)

Sennheiser 506271 (506-271, 506/271, 506 271, 50-62-71) (SLHEADMIC1BK, SL-HEADMIC-1-BK, SL/HEADMIC/1 BK) SL HEADMIC 1 BK SpeechLine Digital Wireless SL Headmic 1 Headworn Microphone (Black) The SL Headmic 1 is an extremely unobtrusive and comfortable-to-use headworn microphone. It features the proven omni-directional MKE 1 microphone capsule. The adjustable neck band makes its use conventient for everyone. The extremely lightweight (7 g) but robust metal frame makes long-term usage most convenient. It comes with a sturdy and sleek soft-case, which can also hold a bodypack transmitter. The microphone is available in black or beige.

Sennheiser SL HEADMIC 1 BE SpeechLine Digital Wireless SL Headmic 1 Headworn Microphone (Beige)

Sennheiser 506272 (50-62-72, 506/272, 506 272, 506-272) (SL-HEADMIC-1/BE , SLHEADMIC1BE , SL/HEADMIC1 BE) SL HEADMIC 1 BE SpeechLine Digital Wireless SL Headmic 1 Headworn Microphone (Beige) The SL Headmic 1 is an extremely unobtrusive and comfortable-to-use headworn microphone. It features the proven omni-directional MKE 1 microphone capsule. The adjustable neck band makes its use conventient for everyone. The extremely lightweight (7 g) but robust metal frame makes long-term usage most convenient. It comes with a sturdy and sleek soft-case, which can also hold a bodypack transmitter. The microphone is available in black or beige.

Sennheiser MEB 114-S Cardioid Boundary Microphone (White)

Sennheiser 505616 (505-616, 505/616, 50-56-16, 505 616) (MEB/114-S, MEB-114-S, MEB/114-S) MEB 114-S Cardioid Boundary Microphone (White) The sturdy on-table boundary layer microphone MEB 114 constitutes an improvement for any conferencing system. In its –S version it additionally features a programmable microphone button (PTT, PTM, toggle ON/off, permanent on), and a bi-color LED ring for status indication. A camera or media control system can be triggered via the TTL logic out on the bottom side. Thanks to its rugged housing and its high-quality microphone capsule the MEB 114 ensures the best speech intelligibility.

Sennheiser MEB 114-S Cardioid Boundary Microphone (Black)

Sennheiser  505615 (505-615, 505/615, 50-56-15, 505 615) (MEB/114-S, MEB114-S, MEB-114-S) MEB 114-S Cardioid Boundary Microphone (Black) The sturdy on-table boundary layer microphone MEB 114 constitutes an improvement for any conferencing system. In its –S version it additionally features a programmable microphone button (PTT, PTM, toggle ON/off, permanent on), and a bi-color LED ring for status indication. A camera or media control system can be triggered via the TTL logic out on the bottom side. Thanks to its rugged housing and its high-quality microphone capsule the MEB 114 ensures the best speech intelligibility.

Sennheiser MEB 114 Cardioid Table Boundary Microphone (White)

Sennheiser 505613 (505-613, 505/613, 50-56-13, 505 613) (MEB/114, MEB-114, MEB114) MEB 114 Cardioid Table Boundary Microphone (White) The sturdy on-table boundary layer microphone MEB 114 constitutes an improvement for any conferencing system. Thanks to its rugged housing and its high-quality microphone capsule the MEB 114 ensures the best speech intelligibility.

Sennheiser MEB 114 Cardioid Table Boundary Microphone (Black)

Sennheiser 505612 (50-56-12, 505/612, 505-612, 505 612) (MEB/114, MEB-114, MEB114) MEB 114 Cardioid Table Boundary Microphone (Black) The sturdy on-table boundary layer microphone MEB 114 constitutes an improvement for any conferencing system. Thanks to its rugged housing and its high-quality microphone capsule the MEB 114 ensures the best speech intelligibility.  

Sennheiser MEB 104-L Cardioid Boundary Microphone (White)

Sennheiser 505610 (505-610, 505/610, 505 610, 50-56-10)(MEB/104L, MEB-104-L, MEB104-L) MEB 104-L Cardioid Boundary Microphone (White) Compact and unobtrusively designed, the cardioid boundary layer microphone MEB 104 (cardioid) fits any style of interior and can be easily installed into surfaces such as tables or ceiling tiles. It features a proven Sennheiser microphone capsule for the best speech intelligibility, and is protected by a rugged housing. Its -L variant features a bi-color LED ring for status indication.

Sennheiser MEB 104 L Cardioid Boundary Microphone (Black)

Sennheiser 505609 (505-609, 505 609, 50-56-09, 505/609) (MEB/104-L , MEB104L ,MEB/104/L ) MEB 104 L Cardioid Boundary Microphone (Black) Compact and unobtrusively designed, the cardioid boundary layer microphone MEB 104 (cardioid) fits any style of interior and can be easily installed into surfaces such as tables or ceiling tiles. It features a proven Sennheiser microphone capsule for the best speech intelligibility, and is protected by a rugged housing. Its -L variant features a bi-color LED ring for status indication.  

Sennheiser MEB 104 Cardioid Boundary Microphone (White)

Sennheiser 505607 (505/607, 505-607, 505 607, 50-56-07) (MEB104, MEB/104, MEB-104) MEB 104 Cardioid Boundary Microphone (White)  Compact and unobtrusively designed, the cardioid boundary layer microphone MEB 104 (cardioid) fits any style of interior and can be easily installed into surfaces such as tables or ceiling tiles. It features a proven Sennheiser microphone capsule for the best speech intelligibility, and is protected by a rugged housing. Its -L variant features a bi-color LED ring for status indication.  

Sennheiser MEB 104 Cardioid Boundary Microphone (Black)

Sennheiser 505606 (505-606, 505/606, 505 606, 50/56/06) (MEB/104, MEB-104, MEB104) MEB 104 Cardioid Boundary Microphone (Black) Compact and unobtrusively designed, the cardioid boundary layer microphone MEB 104 (cardioid) fits any style of interior and can be easily installed into surfaces such as tables or ceiling tiles. It features a proven Sennheiser microphone capsule for the best speech intelligibility, and is protected by a rugged housing. Its -L variant features a bi-color LED ring for status indication.

Sennheiser MEB 102-L Omnidirectional Boundary Microphone (Black)

Sennheiser 505603 (505-603, 505/603, 50-56-03, 505 603) (MEB/102-L, MEB-102-L, MEB102-L) MEB 102-L Omnidirectional Boundary Microphone (Black) Compact and unobtrusively designed, the cardioid boundary layer microphone MEB 102 (omnidirectional) fits any style of interior and can be easily installed into surfaces such as tables or ceiling tiles. It features a proven Sennheiser microphone capsule for the best speech intelligibility, and is protected by a rugged housing. Its -L variant features a bi-color LED ring for status indication.    

Sennheiser MEB 102-L Omnidirectional Boundary Microphone (White)

Sennheiser 505604 (505-604, 505/604, 505 604, 50-56-04) (MEB/102-L, MEB-102-L, MEB102-L) MEB 102-L Omnidirectional Boundary Microphone (White)  Compact and unobtrusively designed, the cardioid boundary layer microphone MEB 102 (omnidirectional) fits any style of interior and can be easily installed into surfaces such as tables or ceiling tiles. It features a proven Sennheiser microphone capsule for the best speech intelligibility, and is protected by a rugged housing. Its -L variant features a bi-color LED ring for status indication.

Sennheiser MEB 102 W Omnidirectional Boundary Microphone (White)

Sennheiser 505601 (505 601, 505/601, 505 601, 50-56-01) (MEB/102/W, MEB102W, MEB-102-W) MEB 102 W Omnidirectional Boundary Microphone (White) Compact and unobtrusively designed, the cardioid boundary layer microphone MEB 102 (omnidirectional) fits any style of interior and can be easily installed into surfaces such as tables or ceiling tiles. It features a proven Sennheiser microphone capsule for the best speech intelligibility, and is protected by a rugged housing. Its -L variant features a bi-color LED ring for status indication.

Sennheiser MEB 102 B Omnidirectional Boundary Microphone (Black)

Sennheiser 505600 (505-600, 505 600, 50-56-00, 505/600) (MEB-102-B, MEB/102/B, MEB102B) MEB 102 B Omnidirectional Boundary Microphone (Black) Compact and unobtrusively designed, the cardioid boundary layer microphone MEB 102 (omnidirectional) fits any style of interior and can be easily installed into surfaces such as tables or ceiling tiles. It features a proven Sennheiser microphone capsule for the best speech intelligibility, and is protected by a rugged housing. Its -L variant features a bi-color LED ring for status indication.

Sennheiser MKH-8090 Compact Wide Cardioid Condenser Microphone

Sennheiser 506294 (506-294, 506/294, 50-62-94, 506 294) (MKH/8090, MKH 8090, MKH 8090) MKH-8090 Compact Wide Cardioid Condenser Microphone The MKH 8090 is a high-end RF condenser microphone with a wide cardioid pick-up pattern. It is the ideal main microphone when less acoustic impression of space is demanded. As a support microphone it excels in capturing larger groups of instruments. The microphone operates on the RF principle that has been used by Sennheiser for more than 50 years, now brought to the highest level of perfection. Among the many advantages of this principle are an extremely low inherent self-noise, the capability to handle high sound pressure levels without distortion, and a high resistance to adverse climatic conditions.

Sennheiser MKH-8070 Long Shotgun Microphone

Sennheiser 506293 (506-293, 506/293, 506 293, 50-62-93) (MKH/8070, MKH8070, MKH 8070) MKH-8070 Long Shotgun Microphone  The long shotgun microphone MKH 8070 was especially designed for picking up distant sources of sound in best quality. Its very natural sound makes it the ideal choice for major broadcast and sporting events. Featuring extreme directivity and a pronounced lobar pick-up pattern it will reliably capture that magic moment from a distance, even under the toughest sonic and climatic conditions. The MKH 8070's special design ensures attenuation of off-axis sound without coloration. Like all mics of the 8000-family it can be easily combined with the MZD 8000 digital module, turning it into a full-fledged digital microphone.  

Sennheiser MKH 8060 Compact shotgun microphone

Sennheiser 506292 (506-292, 506 292, 506/292, 50-62-92) (MKH/8060, MKH-8060, MKH8060) MKH 8060 Compact shotgun microphone Whether it's a feature film, a documentary, an outdoor shoot or a studio production, the MKH 8060 will provide high quality sound to match your great pictures. Handily compact it shows its strengths as a professional shotgun microphone: The MKH 8060 delivers an absolute natural sound and outstanding off-axis linearity, attenuating sound coming from the side without coloration. Like all mics of the 8000-family it can be easily combined with the MZD 8000 digital module, turning it into a full-fledged digital microphone.

Sennheiser MKH-8040 Compact Cardioid Condenser Microphone (Stereo Set)

Sennheiser 506290 (506-290, 506/290, 506 290, 50-62-90) (MKH/8040, MKH8040, MKH 8040) MKH-8040 Compact Cardioid Condenser Microphone (Stereo Set)  Due to its cardioid pick-up pattern the MKH 8040 is perfectly suitable for a wide range of applications. It features a balanced frequency response throughout the whole pick-up pattern, as well as a significantly reduced pick-up of rear sound without depriving it of its natural timbre: Very valuable talents when used in rooms with poor acoustics or when disturbing sounds impinge mainly from the rear.

Sennheiser MKH 8040 Compact Cardioid Condenser Microphone (Single Microphone)

Sennheiser 506289 (506/289, 506-289, 50-62-89, 506 289)(MKH/8040, MKH8040, MKH-8040) MKH 8040 Compact Cardioid Condenser Microphone (Single Microphone) Due to its cardioid pick-up pattern the MKH 8040 is perfectly suitable for a wide range of applications. It features a balanced frequency response throughout the whole pick-up pattern, as well as a significantly reduced pick-up of rear sound without depriving it of its natural timbre: Very valuable talents when used in rooms with poor acoustics or when disturbing sounds impinge mainly from the rear.

Sennheiser MKH 8020 StereoSet Compact Omnidirectional Condenser Microphone

Sennheiser 506288 (506 288, 506/288, 506-288, 50-62-88) MKH 8020 StereoSet Compact Omnidirectional Condenser Microphone The omni-directional MKH 8020 is ideal for recording large and small sound sources, for a "Decca Tree" or for use in an OSS "Jecklin Disk" array. As it does not suffer from a proximity effect, it is also a good choice for close-miking. If the acoustic ambiance is right, this microphone will provide very impressive recordings. The extra octave at the bottom end makes the MKH 8020 perfect for recording pipe organs, grand piano and acoustic double-bass.

Sennheiser Drum Kit 600 Drum Microphone Package

Sennheiser 504296 (504/296, 504-296, 504 296, 50-42-96) Drum Kit 600 Drum Microphone Package  The Sennheiser Drum Kit 600 Drum Microphone Package is a reliable and cost-effective drum microphone package for recording and live sound reinforcement. The package includes a Sennheiser e602 dynamic kick drum microphone, four e604 cardioid tom/snare microphones, and a pair of e614 supercardioid overhead microphones. The microphones and their associated hardware are all shipped in a custom hardshell case with die-cut foam.

Sennheiser AMBEO VR Microphone

Sennheiser 507195 (50-71-95, 50/71/95, 50 71 95, 507-195) AMBEO VR Microphone The Sennheiser AMBEO VR is a microphone intended to bring the full vision of VR content creators to life in all its four-channel glory. Indeed, the microphone utilizes four KE 14 capsules situated in a tetrahedral arrangement to ensure that from wherever you're standing, the AMBEO will record the surrounding audio in a spherical manner, resulting in true Ambisonics recordings. The science behind these principles is a bit arduous to lay out in the space provided for this description (indeed, multiple dissertations have been written about the Ambisonics format—developed by the British National Research Development Council in the 1970s); the principles are, however, of interest to the VR community, which utilize the technique to capture truly immerse aspects of any given sonic picture, giving you the left, right, bottom, top and center of the image in a way especially suited to the VR experience.  To help in working with the resulting audio in post-production, the microphone comes with a format encoder that will work in AU, AAX, VST, and standalone formats. Also included are a Rycote suspension mount, a split-cable designed to connect the microphone to four separate XLR terminations, and a windshield. Convey the true experience Especially designed for 360° spatial audio recording, the easy-to-use AMBEO® VR Mic is an ambisonic microphone fitted with four matched KE 14 capsules in a tetrahedral arrangement. This special design allows you to capture the surrounding sound from one single point. As a result you get fully spherical ambisonics sound to match your VR video/spherical 360 content. A jewel in your high-end VR sound chain The AMBEO VR Mic is meant to work together with specialized high-end software and hardware. Ideal companions for the AMBEO VR Mic are, for example, field recorders like the Zoom F8, digital audio workstations like the Avid Pro Tools HD or the Cockos Reaper and binaural decoders e. g. from Noise Makers. Output is possible via HMD, VR Game Engine or 360° Social Media platforms. Ambisonics - Technology for you to shape the future of audio Ambisonics is a multi-channel technique that lets you spherically capture the sound arriving from all directions, at a single point in space. For playback this representation is rendered binaurally, allowing you to virtually rotate the orientation of the perspective in all directions, horizontally and vertically. Ambisonics is supported by all of the major post-production and playback tools on the market today. This makes ambisonics the appropriate tool for Virtual Reality and all other applications involving 3D sound. A tool to create new worlds of sound with. Benefit from a design developed with you in mind By means of the VR Creators Program Sennheiser made sure to involve the professionals of the industry in the realization of the AMBEO® VR Mic right from the beginning. Thus, we developed a comprehensive product package including many well-conceived accessories that allow for a smooth workflow ¬– not least the A-B encoder software that works as a plugin, which can be seamless embedded in your post-production process. AMBEO A-B format converter plugin The capsules of the Sennheiser AMBEO VR Mic deliver A-format, a raw 4-channel output that has to be converted into a new set of 4 channels, the Ambisonics B-format. This is done by the specifically designed Sennheiser AMBEO A-B format converter plugin, which is available as free download for VST, AU and AAX format for your preferred Digital Audio Workstation for both PC and Mac. B-format is a W, X, Y, Z representation of the sound field around the microphone. W being the sum of all 4 capsules, whereas X, Y and Z are three virtual bi-directional microphone patterns representing front/back, left/right and up/down. Thus, any direction from the microphone can be auditioned by the listener during playback of   

RODELINKRXCAM Camera-Mounted Wireless Receiver

Rode RODELINKRXCAM (RODE-LINK-RX-CAM, RODE/LINK/RX/CAM, RODE LINK RX CAM, RX-CAM, RX/CAM, RX CAM) Camera-Mounted Wireless Receiver The Rode RX-CAM is a camera-mounted wireless receiver designed to provide easy reception of wireless audio for videographers, filmmakers, and electronic news gatherers. It works with RODELink digital wireless systems and can be powered via two AA batteries or a micro-USB connection. An internal antenna contributes to the compactness of the RX-CAM. It supports mounting to a standard camera shoe mount or via 3/8” thread or belt clip. The bottom panel slides down for access to the gain switch, which has positions for 0 dB, -10 dB, and -20 dB. An OLED display delivers clear indication of level, battery status for the receiver and transmitter, current channel, and mute status. Dedicated buttons for power, channel selection, and mute offer simple menu-free operation. The 3.5mm TRS output is wired for dual mono and features a locking jack socket to prevent accidental disconnection. 

RODEK2 Variable Pattern Dual 1" Condenser Valve Microphone

Rode RODEK2 (RODE-K2, RODE/K2, RODE K2, rode-k22, rode/k2, rode k2, K2, k2) Variable Pattern Dual 1" Condenser Valve Microphone The RØDE K2 is a premium valve condenser microphone featuring dual 1” gold sputtered diaphragms. Infinitely variable control of the polar pattern from omnidirectional through cardioid and bidirectional/figure-8 provides the freedom and flexibility to excel in any recording situation. High-performance specifications (including a maximum SPL of 162dB) are combined with the character and subtleties of the legendary mics of the 1950s to provide a microphone that not only provides world-class vocals but is perfectly at home recording a wide range of instruments both up-close or in a wider ‘room’ capacity. The RØDE K2 microphone is designed and made in Australia, and covered by RØDE Microphones' industry leading 10 year warranty.

DPA d:facto 4018V Softboost Supercardioid Mic, SL1 Adapter, Black

The d:facto™ Vocal Microphone 4018V B SL1 (4018V-B-SL1, 4018V_B_SL1, 4018V/B/SL1) is engineered especially for vocal performances onstage. It captures electrifying stage performances and accurately replicates a singer's voice transparently, consistently and thrillingly. The mic is optimized for use in sound reinforcement as well as recording applications. It offers natural sound, high separation from distant sound sources and SPL handling up to 160 dB. The phantom-powered DPA handle has a sleek look and state-of-the-art electronic design. And, if you decide to go wireless, you can just switch to an adapter for wireless at a quarter of the cost of a new microphone. The modular nature of the d:facto™ seriesallows you to switch both the capsule as well as the adapter. The d:facto™ Supercardioid Capsule features an isolation-optimized supercardioid polar pattern. It is specifically designed to augment the human vocal range. It uses directional characteristic from the best of two worlds – both cardioid and supercardioid patterns. The capsule’s directional pattern and definition gives high separation and true sound color onstage. It is ideal for PA amplification and recording. Frequency response and phase, both on- and off-axis, is linear. You can remove the capsule and replace it with any other d:facto™ or d:dicate™ capsule if your needs change. The mic also features a robust three-stage pop protection grid built into the microphone that removes unwanted noise. Although this version of the d:facto™ Vocal Microphone comes with a d:facto™ Handle for a wired solution, the d:facto™ Vocal Microphone is also the perfect choice to use with your favorite wireless system.

DPA d:facto 4018V Softboost Supercardioid Mic, WI2 Adapter (Wisycom), Black

The d:facto™ Vocal Microphone 4018V B WI2 (4018V-B-WI2, 4018V/B/WI2, 4018V_B_WI2) is engineered especially for vocal performances onstage. It captures electrifying stage performances and accurately replicates a singer's voice transparently, consistently and thrillingly. The mic is optimized for use in sound reinforcement as well as recording applications. It offers natural sound, high separation from distant sound sources and SPL handling up to 160 dB. The phantom-powered DPA handle has a sleek look and state-of-the-art electronic design. And, if you decide to go wireless, you can just switch to an adapter for wireless at a quarter of the cost of a new microphone. The modular nature of the d:facto™ seriesallows you to switch both the capsule as well as the adapter. The d:facto™ Supercardioid Capsule features an isolation-optimized supercardioid polar pattern. It is specifically designed to augment the human vocal range. It uses directional characteristic from the best of two worlds – both cardioid and supercardioid patterns. The capsule’s directional pattern and definition gives high separation and true sound color onstage. It is ideal for PA amplification and recording. Frequency response and phase, both on- and off-axis, is linear. You can remove the capsule and replace it with any other d:facto™ or d:dicate™ capsule if your needs change. The mic also features a robust three-stage pop protection grid built into the microphone that removes unwanted noise. Although this version of the d:facto™ Vocal Microphone comes with a d:facto™ Handle for a wired solution, the d:facto™ Vocal Microphone is also the perfect choice to use with your favorite wireless system.

DPA d:facto 4018V Softboost Supercardioid Mic, SE2-ew Adapter, Black

The d:facto™ Vocal Microphone 4018V B SE2 (4018V-B-SE2, 4018V/B/SE2, 4018V_B_SE2) is engineered especially for vocal performances onstage. It captures electrifying stage performances and accurately replicates a singer's voice transparently, consistently and thrillingly. The mic is optimized for use in sound reinforcement as well as recording applications. It offers natural sound, high separation from distant sound sources and SPL handling up to 160 dB. The phantom-powered DPA handle has a sleek look and state-of-the-art electronic design. And, if you decide to go wireless, you can just switch to an adapter for wireless at a quarter of the cost of a new microphone. The modular nature of the d:facto™ seriesallows you to switch both the capsule as well as the adapter. The d:facto™ Supercardioid Capsule features an isolation-optimized supercardioid polar pattern. It is specifically designed to augment the human vocal range. It uses directional characteristic from the best of two worlds – both cardioid and supercardioid patterns. The capsule’s directional pattern and definition gives high separation and true sound color onstage. It is ideal for PA amplification and recording. Frequency response and phase, both on- and off-axis, is linear. You can remove the capsule and replace it with any other d:facto™ or d:dicate™ capsule if your needs change. The mic also features a robust three-stage pop protection grid built into the microphone that removes unwanted noise. Although this version of the d:facto™ Vocal Microphone comes with a d:facto™ Handle for a wired solution, the d:facto™ Vocal Microphone is also the perfect choice to use with your favorite wireless system.

DPA d:facto 4018V Softboost Supercardioid Mic, SE5 Adapter, Black

The d:facto™ Vocal Microphone 4018V B SE5 (4018V-B-SE5, 4018V_B_SE5, 4018V/B/SE5) is engineered especially for vocal performances onstage. It captures electrifying stage performances and accurately replicates a singer's voice transparently, consistently and thrillingly. The mic is optimized for use in sound reinforcement as well as recording applications. It offers natural sound, high separation from distant sound sources and SPL handling up to 160 dB. The phantom-powered DPA handle has a sleek look and state-of-the-art electronic design. And, if you decide to go wireless, you can just switch to an adapter for wireless at a quarter of the cost of a new microphone. The modular nature of the d:facto™ seriesallows you to switch both the capsule as well as the adapter. The d:facto™ Supercardioid Capsule features an isolation-optimized supercardioid polar pattern. It is specifically designed to augment the human vocal range. It uses directional characteristic from the best of two worlds – both cardioid and supercardioid patterns. The capsule’s directional pattern and definition gives high separation and true sound color onstage. It is ideal for PA amplification and recording. Frequency response and phase, both on- and off-axis, is linear. You can remove the capsule and replace it with any other d:facto™ or d:dicate™ capsule if your needs change. The mic also features a robust three-stage pop protection grid built into the microphone that removes unwanted noise. Although this version of the d:facto™ Vocal Microphone comes with a d:facto™ Handle for a wired solution, the d:facto™ Vocal Microphone is also the perfect choice to use with your favorite wireless system.

DPA 4006ES Omni Microphone with Active Side Cable

Dpa 4006ES Omni Microphone with Active Side Cable When small, lightweight and barely visible microphones for top-quality recordings are required, the active cable design and clean, transparent sound of our ultra-compact d:dicate™ 4006E Omnidirectional Microphone makes them the perfect choice. The mic features an integrated cable solution with either side (4006ES) or rear (4006ER) cable entry. These mics are particularly popular as A-B stereo or Decca Tree pairs in concert halls. This mic can be mounted, hung or concealed to create clean, transparent recordings. The SM4000 Suspension Mount is included in the package. This allows the mic to be hung from the ceiling to create precision spot-miking of orchestra sections or ambience atmosphere. The d:dicate™ 4006E Omnidirectional Microphone is ideal in theatres, opera houses, concert halls or houses of worship and for film applications, both in the studio and on location. These mics are also popular for ambience miking on soundstages, in sports stadiums and other environments where ambient sound needs to be recorded.   The microphone capsule The MMC4006 Omnidirectional Microphone Capsule offers total transparency in any recording situation. It picks up incredible detail and depth of sound. The definition of its high-frequency characteristics across a wide range of instruments is impressive. It offers natural sound, high sensitivity, low noise-floor and extremely linear frequency response from 10 to 20 kHz (±2 dB). A selection of accessories is available, including acoustic pressure equalizers, a nose cone and interchangeable protection grids. These accessories can acoustically transform the mic. By changing grids, it is possible to gain several unique frequency responses and directional characteristics from the mic. Furthermore, these accessories will not produce any phase shift, noise or distortion that would otherwise be introduced by an electrical filter.   A truly flexible range This mic is part of the flexible d:dicate™ Microphone Series. At any time, and with no tools needed, it is possible to transform the d:dicate™ 4006E Omnidirectional Microphone into a new configuration. You can combine it with another d:dicate™ or d:facto™ Microphone Capsule or Preamplifier. The d:dicate™ 4006ES replaces the non-modular legacy 4051 Omnidirectional Condenser Microphone and the d:dicate™  Features The product offers the following features Ultra-compact recording mic for hanging applications Full-bodied sound with minimal visual impact Legendary recording reference capsule Modular flexibility In The Box: MMC4006 OMNIDIRECTIONAL MICROPHONE CAPSULE (MMC4006) MMP-ER/ES MODULAR ACTIVE CABLE, XLR (MMP-ER/ES) FOAM WINDSCREEN FOR D:DICATE™ MICS WITH ACTIVE CABLE (DUA0041) FREE-FIELD GRID FOR D:DICATE™ 4006 (DD0251) CLOSE-MIKING GRID, TRAPEZOID, SILVER (DD DIFFUSE-FIELD GRID FOR D:DICATE™ 4003 AND 4006, BLACK (DD0297) CLIP FOR MMP-E PREAMP WITH ACTIVE CABLE (MC4001)  

Sennheiser MKH-8020 Compact Omnidirectional Condenser Microphone

Sennheiser 506287 (506/287, 5062 87, 5062-87, 506-287) (MKH8020, MKH/8020, MKH 8020) MKH-8020 Compact Omnidirectional Condenser Microphone Its omni-directional pick-up pattern makes the MKH 8020 the ideal main mic for “spaced pair” and “Decca Tree” recordings or the use in an OSS “Jecklin Disk“ array. Especially in acoustically favorable ambiences this excellent microphone unfolds its outstanding quality. With a wide frequency response, which reaches deep down to 10 Hz the MKH 8020 is a perfect choice for capturing instruments like organ, grand piano or double bass in all their natural beauty. Furthermore, its capsule design is optimized for an extraordinarily even directional diagram.

Sennheiser e 835 Cardioid Handheld Dynamic Microphone Kit (3-Pack)

Sennheiser 506666 (506/666, 50-66 66, 5066-66, 50/66/66) (e/835, e-835, e835) e 835 Cardioid Handheld Dynamic Microphone Kit (3-Pack) The Sennheiser E 835 is a lead, vocal stage mic, designed to perform under pressure. Uniform frequency pick-up pattern maintains signal quality when moving on and off axis during performance. Gentle presence boost to even tonal response ensures clarity and projection. Minimal proximity effect provides consistently clear bass and performance when singing closer to or further from capsule. This is a three-pack, giving you three microphones in one package.

Sennheiser e835-S Cardioid Vocal Microphone - 3 Pack

Sennheiser 507359 (507/359, 50 73 59, 50-73-59, 507/359) (e835S, e-835-S, e/835-S) e835-S Cardioid Vocal Microphone - 3 Pack The e835-S THREE PACK from Sennheiser is a bundle of three switched e835-S cardioid dynamic microphones in a value-added package. These rugged handheld mics offers excellent feedback rejection, minimal proximity effect, and a gentle presence boost for clarity. They can be used for speech, vocals, lectures, and more. The e835 microphone is equipped with a noiseless on/off switch and XLR output, and is a popular choice for houses of worship, stages, presentations, or conferences where speech intelligibility is critical. In addition, the e835-S THREE PACK from Sennheiser provides a mic clip for each microphone and carrying pouches.

Sennheiser MK 8 Vocal Recording Microphone

Sennheiser 506195 (506195, 506195, 506195) MK 8 (MK-8, MK/8, MK8, mk 8) Vocal Recording Microphone The MK 8 offers a great solution for advanced home recording applications and project studios alike. It is the microphone for people who pour all of their passion into their audio projects. The MK 8 offers sophisticated options to sign off your sound with your own personal handwriting. The dual-diaphragm condenser microphone delivers warm and precise sound reproduction. Its five independent polar patters allow for a multitude of recording applications and sound design options.  No matter which mixing desk or recording device is used, the MK 8 matches the input sensitivity with a 3-step attenuator. Two adjustable filters compensate for the proximity effect as well as low frequency rumble or structure born noise. The MK 8 has dual one-inch diaphragms precisely spattered with 24-carat gold. The shock-mounted capsule is accommodated within a sturdy metal housing. The MK 8 will be available in late summer 2014. The MK 8. Pride in Sound - Made in Germany.

Sennheiser MK 4 Studio Condenser Microphone

Sennheiser 504298 (50-42-98, 50/42/98, 50 42 98) MK 4 (MK/4, MK-4, MK4, mk 4) Studio Condenser Microphone The MK 4 is a large-diaphragm true condenser microphone for professional studio recordings. Featuring fine resolution and outstanding sound quality, the MK 4 is easy to handle and excellent value for money, making it an ideal choice for professional project studios and home recordists. It features a 1" true condenser capsule based on the acoustics of the e 965 high-end vocal mic, optimised for recording. The MK 4 is made in Germany, its transducer being manufactured in the same clean room as all high-end Sennheiser condenser capsules.

Sennheiser MKE 440 Microphone For Camera & Camcorder

Sennheiser 506258 (506 258, 506-258, 506/258, 50-62-58) (MKE/440, MKE-440, MKE440) MKE 440 Microphone For Camera & Camcorder The MKE 440 has two aligned and matched mini shotgun mics ensuring that the MKE 440 captures the audio you want. The stainless steel micro-mesh wind protection reduces wind noise and protects the fine high frequency details in your sound. The MKE 440 provides nicely balanced stereo ambience and amplifies the sound source in front of your camera.

RODESVMP-R Stereo VideoMic Pro Rycote On-camera Microphone

Rode RODESVMP-R (RODE-SVMP-R, RODE/SVMP-R, RODE SVMP-R, rodesvmp-r, svmp-r, SVMP-R) Stereo VideoMic Pro Rycote On-camera Microphone The new Stereo VideoMic Pro provides a high quality stereo option for videographers, and is ideal for recording music, and the atmospheric ambience essential in building a realistic audio scene. Based around the all new capsule with its matched pair of high sensitivity ½”cardioid condensers in a coincident XY pair, the Stereo VideoMic Pro provides a wide stereo image with natural depth. Another new addition is the integrated Rycote® Lyre® based shock mounting system, which separates the Stereo VideoMic Pro capsule and electronics from its mount, providing isolation from external physical factors that may cause unwanted rumble and vibrations in the microphone. Constructed from a single piece of hard-wearing thermoplastic, the Lyre® provides superior acoustic suspension to traditional elastic solutions, and will never wear out, sag or snap. The Stereo VideoMic Pro, with its ergonomic form factor, make it perfectly suited to DSLR, consumer camcorders and large-sensor video cameras. The newly designed Kevlar reinforced braided cable, as well as the improved foam windscreen, provides excellent acoustic decoupling from the camera and offers significantly lower noise transference and higher sensitivity. The user friendly designed rear of the microphone body features the power and equalisation controls, including a high pass filter at 75Hz which is designed to cut out the noise generated by air conditioning, traffic and other undesirable low frequency interference. A -10dB PAD allows the user to reduce the sensitivity of the microphone, making it suitable for recording loud sound sources such as live music or at sporting events. Like the VideoMic Pro, the Stereo VideoMic Pro features a +20dB level boost specifically designed to provide a higher quality signal with DSLR cameras. When activated, the typically low quality camera preamp level can be reduced, resulting in a lower noise floor and much clearer recording.

Sony Belt-pack Mic Package

Sony UWP-D11/K33PRO (UWP/D11/K33PRO, UWP_D11/K33PRO, UWP D11/K33PRO) Belt-pack Mic Package The UWP-D11 belt-pack wireless microphone package offers the sound quality of digital audio processing combined with the reliability of analogue FM modulation. The package includes the UTX-B03 belt-pack transmitter and URX-P03 portable receiver. Also included is a high quality omni-directional lavalier microphone and a range of accessories including windscreen, microphone holder clip, belt-clip and shoe-mount adaptor.The UWP-D11 package offers wide frequency coverage with up to 72 MHz bandwidth (depending on region) across a wide range of channels, with a choice of models to choose from. Easy-to-use features include a large display and small size receiver to fit neatly on any size camcorder or DSLR camera, automatic channel setting function, headphone output, USB connection for power supply and line input availability. The UWP-D Series system provides superb transient response performance for all ENG / EFP production applications. Digital Audio Processing for high quality sound Improves transient response performance between the UWP-D transmitter and receiver, which will provide impressive natural sound quality compared to conventional analogue wireless systems. Complete package The UWP-D11 PRO kit comes as a complete package including the UTX-B03 belt-pack transmitter, URX-P03 portable receiver, omni-directional lavalier microphone, plus an extra ECM-77BMP lavalier microphone, and everything you need to operate the wireless audio system. Wide frequency coverage with choice of channels available The extra wide switching bandwidth covers a wide area, with a wide choice of channels available across multiple models - please refer to product specifications for more information. Large display and small size receiver The transmitter and receiver both feature a large display for ease of use, while the small size receiver fits neatly on any size camcorder or DSLR camera. Easy to use features Automatic channel setting function, headphone output, USB connection for power supply and line input availability.

RODENTR Active Ribbon Microphone

Rode RODENTR (RODE-NTR, RODE/NTR, RODE NTR, NTR, rode ntr) Active Ribbon Microphone At first glance of the NTR you’re aware that it’s very special and unique – an intricate blend of art and science. Designed to hang in the world’s finest recording studios and performance halls equally as well as home studio spaces, its existence is a labour of love for RØDE. Every element of the NTR, from the transformer to the ribbon element itself, has been designed and created in-house at RØDE’s headquarters in Sydney, Australia. All with the aim of crafting the finest ribbon microphone available. Sonically, the NTR is capable of reproducing unprecedented high frequency detail and accuracy, addressing common criticisms of other ribbon microphones, while opening up the possible usage scenarios considerably. This allows it to record sound sources that usually require a more sensitive microphone element.

Rode NTG4PLUS Directional Condenser Microphone with Inbuilt Battery

Rode NTG4PLUS (NTG4-PLUS, NTG4/PLUS, NTG4 PLUS, NTG4+ NTG4/+ NTG4 +, ntg4 +, ntg4/+, ntg4+) Directional Condenser Microphone with Inbuilt Battery Building on the popularity and acceptance of the RØDE NTG2, the NTG4+ features an all-new condenser capsule with low noise, high sensitivity and the convenience of on-board equalisation/level control via digital switching. The NTG4+ is the very first microphone to feature an in-built battery that provides 150+ hours of operation with the convenience of USB charging.

DPA 4006ER Omni Microphone with Active Rear Cable

Dpa 4006ER Omni Microphone with Active Rear Cable When small, lightweight and barely visible microphones for top-quality recordings are required, the active cable design and clean, transparent sound of our ultra-compact d:dicate™ 4006E Omnidirectional Microphone makes them the perfect choice. The mic features an integrated cable solution with either side (4006ES) or rear (4006ER) cable entry.   These mics are particularly popular as A-B stereo or Decca Tree pairs in concert halls. This mic can be mounted, hung or concealed to create clean, transparent recordings. The SM4000 Suspension Mount is included in the package. This allows the mic to be hung from the ceiling to create precision spot-miking of orchestra sections or ambience atmosphere. The d:dicate™ 4006E Omnidirectional Microphone is ideal in theatres, opera houses, concert halls or houses of worship and for film applications, both in the studio and on location. These mics are also popular for ambience miking on soundstages, in sports stadiums and other environments where ambient sound needs to be recorded.   The microphone capsule The MMC4006 Omnidirectional Microphone Capsule offers total transparency in any recording situation. It picks up incredible detail and depth of sound. The definition of its high-frequency characteristics across a wide range of instruments is impressive. It offers natural sound, high sensitivity, low noise-floor and extremely linear frequency response from 10 to 20 kHz (±2 dB). A selection of accessories is available, including acoustic pressure equalizers, a nose cone and interchangeable protection grids. These accessories can acoustically transform the mic. By changing grids, it is possible to gain several unique frequency responses and directional characteristics from the mic. Furthermore, these accessories will not produce any phase shift, noise or distortion that would otherwise be introduced by an electrical filter.   A truly flexible range This mic is part of the flexible d:dicate™ Microphone Series. At any time, and with no tools needed, it is possible to transform the d:dicate™ 4006E Omnidirectional Microphone into a new configuration. You can combine it with another d:dicate™ or d:facto™ Microphone Capsule or Preamplifier. The d:dicate™ 4006ER replaces the non-modular legacy 4052 Omnidirectional Condenser Microphone.   Features The product offers the following features Ultra-compact recording mic for hanging applications Full-bodied sound with minimal visual impact Legendary recording reference capsule Modular flexibility In The Box: MMC4006 OMNIDIRECTIONAL MICROPHONE CAPSULE (MMC4006) MMP-ER/ES MODULAR ACTIVE CABLE, XLR (MMP-ER/ES) FOAM WINDSCREEN FOR D:DICATE™ MICS WITH ACTIVE CABLE (DUA0041) FREE-FIELD GRID FOR D:DICATE™ 4006 (DD0251) CLOSE-MIKING GRID, TRAPEZOID, SILVER (DD DIFFUSE-FIELD GRID FOR D:DICATE™ 4003 AND 4006, BLACK (DD0297) CLIP FOR MMP-E PREAMP WITH ACTIVE CABLE (MC4001)

DPA 4018A Supercardioid Microphone

DPA 4018A Supercardioid Microphone d:dicateâ„¢ 4018A Supercardioid Microphone 4018A Supercardioid Microphone • Highly directional Supercardioid  • Uniform, frequency independent directionality • Low noise and high sensitivity for distant positioning • Excellent for spot miking orchestra sections or singers The 4018A is a highly directional, first-class supercardioid microphone and is a part of the modular DPA d:dicate Recording Microphones series. With its remarkably well controlled supercardioid shape and uniform off-axis frequency response, the 4018A offers high separation without odd off-axis frequency peaks and dips. The supercardioid shape is frequency independent, securing an identical sound color around the microphone. The usual rear lobe heard on most supercardioids is minimized on the 4018A making it much more isolated.   Designed for a broad range of music recording and broadcast/ENG/film long-distance miking applications, such as booming, dialogue, interview and table or spot-recording use, the 4018A also offers superb expandability through modular accessories. The 4018A is ideal for use as spot or hanging mic for orchestra recording situations.

DPA 4018ES Supercardioid Microphone Side cable

DPA 4018ES Supercardioid Microphone Side cable d:dicateâ„¢ 4018E Supercardioid Microphone, Active Cable 4018ER Supercardioid Microphone, Rear cable 4018ES Supercardioid Microphone, Side cable • Ultra-compact table or hanging mic • Frequency consistent polar pattern • Highly directional • Low-key appearance Ideal for unobtrusive or distant miking such as desktop or hanging use, the 4018E is an ultra-compact supercardioid microphone from the modular DPA d:dicate Recording Microphones series. With a length of only 3,5 cm, the low-key appearance of the 4018E is as unique as the highly directional supercardioid pickup pattern with a smooth and uniform off-axis frequency response. The supercardioid shape is frequency independent, securing an identical sound color around the microphone. The usual rear lobe heard on most supercardioids is minimized on the 4018E making it much more isolated without sudden frequency dependent peaks and dips. Designed for a broad range of broadcast/ENG/film long-distance miking applications, such as various dialogue capturing, interview and table or podium use, the modular 4018 capsule offers superb flexibility through modular accessories. The 4018E is also ideal for use as spot or hanging mic for orchestra recording situations with the SM4000-C suspension mount, which is included in the package. This allows the 4018E to be hung from the ceiling and create precision spot miking of orchestra sections or ambience atmosphere.   At any time and with no tools necessary it is possible to transform the basic 4018E microphone into a new configuration by combining it with another DPA microphone capsule or preamp.

Sony AD-KIT77 Accessory kit for ECM-77

Sony AD-KIT77 (AD/KIT77, AD_KIT77, ADKIT77, AD KIT77, ad-kit77) Accessory kit for ECM-77 The AD-KIT77B is a lavalier microphone accessory kit for the ECM-77 Series. This accessory kit includes one horizontal (black) single holder clip, one vertical (black) single holder clip, one horizontal (black) double holder clip, one safety pin clip, one (black) metal wind screen, and six coloured urethane wind screens. 

Sony Microphone Accessory Kit for ECM-88 series of Lavalier Microphones

Sony AD-KIT88B (ADKIT88B, AD KIT88B, AD/KIT88B) (ECM_88, ECM88) Microphone Accessory Kit for ECM-88 series of Lavalier Microphones The AD-KIT88B is a lavalier microphone accessory kit for the ECM-88 Series. Includes four types of microphone clips (single/horizontal, single/vertical, double/horizontal, and safety-pin type tie clip) and six urethane windscreens (red, yellow, green, blue, gray, and black)

Sony CU-C31 Condenser Cardioid Mic Capsule for DWM-02

Sony CU-C31 (CU/C31, CU_C31, CUC31, CU C31, cu-c31) Condenser Cardioid Mic Capsule for DWM-02 The Sony CUC31 Condenser Cardioid Microphone Capsule is designed for vocal applications including live music performance. It is designed for use with the DWM-02 and DWZ series handheld transmitters.

Sony CU-F31 Dynamic Super-Cardioid Microphone Capsule Unit for DWM-02

Sony CU-F31 (CU/F31, CU_F31, CUF31, CU F31, cu-f31) Dynamic Super-Cardioid Microphone Capsule Unit for DWM-02 The Sony CUF31 Dynamic Super-Cardioid Microphone Capsule is designed for vocal applications including live music performance. It is designed for use with the DWM-02 and DWZ series handheld transmitters.

Sony CU-F32 Dynamic Wide-Cardioid Mic Capsule for DWM-02 and DWZ

Sony CU-F32 (CU/F32, CU_F32, CUF32, CU F32, cu-f32) Dynamic Wide-Cardioid Mic Capsule for DWM-02 and DWZ The CU-F32 Dynamic Wide Cardioid Mic Capsule for DWZ Handheld Transmitters from Sony is designed to work with DWZ wireless series handheld transmitters such as the DWM-02.

Sony DWA-01D Digital Wireless Receiver Adaptor

Sony DWA-01D (DWA/01D, DWA_01D, DWA01D, DWA 01D, dwa-01d) Digital Wireless Receiver Adaptor Sony is proud to introduce a digital wireless microphone system that offers high-quality full-digital operation and enhanced system performance - a perfect match for high-quality ENG/EFP applications. Stable and Secure Transmission Incorporating the newly developed digital modulator, the digital wireless microphone system allows highly stable wireless transmission that is extremely tolerant to unwanted interference. Simultaneous Multi-channel Operation. The digital wireless microphone system allows for large-scale multi-channel operations. Thanks to the newly developed digital modulator, the system realises an intermodulation-free, equally spaced channel allocation. The digital wireless transmission technology used in this system enables a significant increase in the number of simultaneous operations in comparison with current analogue wireless systems. For example, up to16 channels of simultaneous operation is possible in an 8-MHz operating band.

Sony Digital Wireless Microphone with Interchangeable Heads

Sony DWM-02/33 (DWM0233, DWM 0233, DWM/0233) Digital Wireless Microphone with Interchangeable Heads Part of the DWX Series digital wireless microphone system, the DWM-02 is a handheld digital wireless microphone that works seamlessly with Sonys digital wireless transmitters and receivers with the same frequency range.  Interchangeable head mechanism supports Sony and third party capsules. The DVM-02 features an interchangeable head/capsule mechanism. Sony supplies three microphone heads – the CU-C31, CU-F31 and CU-F32 – that allow operators to capture sound depending on their requirements. It also supports third party microphone capsules maximising the flexibility for users.  The DVM-02 microphone is suitable for live stage performances and other events, broadcast studios, halls, and theatre applications

Sony Digital Plug-in Transmitter - Ch. 42

Sony DWT/P01/E42 (DWT_P01_E42, DWT-P01/E42, DWT/P01/E42) Digital Plug-in Transmitter - Ch. 42 The transmitter features 48V phantom power for condenser microphones, and digital audio processing for lower noise and longer, efficient range. Up to three selectable output power settings are provided for maximum results and improved battery efficiency. Two AA alkaline batteries power the DWT-P01 for up to 5 hours at the 10mW power setting. Additional features include an input attenuator, RF frequency selection, RF power output, Audio LCF frequency and a power sleep mode (in the transmitter) that can be remotely controlled from the DWR-S01D digital wireless receiver. Supports mic or line input Audio and metadata transmission operates on UHF-TV channels 42 to 51 (638 to 698 MHz) Transmitter settings can be remotely controlled from the digital wireless receiver (using 2.4 GHz IEEE802.15.4 communication technology) Compact, lightweight and built with a sturdy die-cast magnesium body 5 hr battery life using two AA alkaline batteries @ 10 mW power setting Selectable output power 1 / 10 /50mW

Sony DWZ-B70HL//CEK Digital Wireless Headset and Lavalier Microphone Set

Sony DWZ-B70HL//CEK (DWZ-B70HL-CEK, DWZ/B70HL/CEK, DWZ_B70HL_CEK, DWZB70HLCEK, dwz-b70hl-cek) Digital Wireless Headset and Lavalier Microphone Set Sony's newest wireless microphone series combines ease of use, superb RF transmission reliability and high sound quality intofour affordable and highly flexible packages. The new 2.4 GHz DWZ series includes combinations of hand-held microphones, bodypack transmitters and rack-mount or compact size receivers, with the various components ideal for use by musicians, or in classroom, corporate and institutions AV applications. The new packages are distinguished by their sleek design and contemporary look, highlighted by a yellow band on each of the products as a unique identifying feature. The DWZ components share many high-performance features, including:  24-bit linear PCM digital audio transmission Two modes of 2.4GHz frequency selection (wide band frequency hopping for simple operation or narrow band frequency hopping for coordinated spectrum use) Rack-mount receiverswith integrated colour LCD and built-in digital Equalizer Interchangeable handheld capsule design supports Sony or third-party microphone capsules  Balanced and unbalanced audio outputs. The DWZ-B70HL Headset and Lavalier Kit includes a uni-directional condenser headset microphone and a uni-directional condenser Lavalier microphone with one bodypack transmitter and a half-rack size receiver with advanced DSP functions. 

Sony DWZ-B70HL//EU PCM Digital Wireless Microphone TX Bodypack

Sony DWZ-B70HL//EU (DWZ-B70HL-EU, DWZ/B70HL/EU, DWZ_B70HL_EU, DWZB70HLEU, dwz-b70hl-eu) PCM Digital Wireless Microphone TX Bodypack Sony's newest wireless microphone series combines ease of use, superb RF transmission reliability and high sound quality intofour affordable and highly flexible packages. The new 2.4 GHz DWZ series includes combinations of hand-held microphones, bodypack transmitters and rack-mount or compact size receivers, with the various components ideal for use by musicians, or in classroom, corporate and institutions AV applications. The new packages are distinguished by their sleek design and contemporary look, highlighted by a yellow band on each of the products as a unique identifying feature. The DWZ components share many high-performance features, including:  24-bit linear PCM digital audio transmission Two modes of 2.4GHz frequency selection (wide band frequency hopping for simple operation or narrow band frequency hopping for coordinated spectrum use) Rack-mount receiverswith integrated colour LCD and built-in digital Equalizer Interchangeable handheld capsule design supports Sony or third-party microphone capsules  Balanced and unbalanced audio outputs. The DWZ-B70HL Headset and Lavalier Kit includes a uni-directional condenser headset microphone and a uni-directional condenser Lavalier microphone with onebodypack transmitter and a half-rack size receiver with advanced DSP functions. 

Sony Digital Wireless Vocal/Speech Set

Sony DWZ-M70//CEK (DWZM70CEK, DWZ M70 CEK, DWZ/M70/CEK) Digital Wireless Vocal/Speech Set The DWZ-M70 Digital Wireless Vocal/Speech Set from Sony includes a ZTX-M02RC handheld transmitter with interchangeable cardioid dynamic microphone capsule and a ZRX-M70 half-rack wireless receiver. It operates on a 2.4GHz ISM bandwidth and can be used for speech and other vocal performances in applications requiring a wireless setup. The ZRX-M70 half-rack wireless receiver features a built-in 5-band graphic EQ and includes one XLR output and two 1/4" TS outputs. Its LCD display provides information on remaining transmitter battery life, diversity reception RF levels, audio metering, EQ status, and channel selection. The set is capable of 24-bit Linear PCM quality digital audio and features AES 128-bit encryption as well as an intelligent feedback reducer. In addition to the included dynamic cardioid mic capsule, the ZTX-M02RC handheld transmitter is compatible with the CU-C31 Cardioid Condenser capsule, the CU-F31 Super Cardioid Dynamic capsule, and the CU-F32 Wide Cardioid Dynamic capsule The ZTX-M02RC handheld transmitter has support for contactless rechargeable function with the optional BC-DWZ1 battery charger using NiMH AA batteries Includes two antennas and a mic clip    

Sony Head Worn Electret Conenser Microphone

Sony ECM-322BC (ECM322BC, ECM 322BC, ECM/322BC) Head Worn Electret Conenser Microphone The ECM-322BC is a head worn microphone, ideal for a variety of multimedia presentation applications ranging from seminars, conferences to lectures and workshops.

Sony ECM-55B Omni-Directional Lavalier Electret Condenser Microphone

Sony ECM-55B (ECM/55B, ECM_55B, ECM55B, ECM 55B, ecm-55b) Omni-Directional Lavalier Electret Condenser Microphone With a black anodized finish and a frequency response tailored for enhanced presence and improved voice quality, Sony's ECM55B Omni-Directional Electret Condenser Lavalier Microphone is well suited for a wide range of applications. The microphone features a two-way powering system, meaning it will operate on a AA-size battery or an external power supply. And the head of the mic weighs only 0.23 ounces.  

Sony ECM-FT5BMP Back Electret Condenser Lavalier Microphone

Sony ECM-FT5BMP (ECM/FT5BMP, ECM_FT5BMP, ECM FT5BMP, ECM-FT5-BMP, ECMFT5BMP, ecm-ft5bmp) Back Electret Condenser Lavalier Microphone  The Sony ECM-FT5BMP Back Electret Condenser Lavalier Microphone features an omnidirectional polar pattern, wide frequency response and BMP type connection for use with compatible wireless lavalier bodypack transmitters. The capsule's unobtrusive yet rugged metal construction features a flat shape for easy concealment underneath clothing. The microphone is shipped with a windscreen, tie clip and taping mount. 

Sony ECM-MS2 Compact Electret Condenser Microphone

Sony ECM-MS2 (ECM/MS2, ECM_MS2, ECMMS2, ECM MS2, ecm-ms2) Compact Electret Condenser Microphone The ECM-MS2 compact Electret condenser microphone is designed to work with handheld camcorders. The compact 137mm length prevents the microphone inadvertently appearing in view and makes it easier to transport. The ECM-MS2 offers both stereo and mono operation, increasing the versatility of the microphone. It is particularly useful for capturing accurate ambient stereo sound when dialogue might be alternately captured with wireless microphones. This makes the ECM-MS2 very well suited to applications such as news gathering and documentary shooting on location.

Sony F-112 High Quality Dynamic Microphone

Sony F-112 (F/112, F112, F_112, F 112, f-112) High Quality Dynamic Microphone The Sony F-112 is a high-quality dynamic microphone, specifically designed for field production and newsgathering applications. The Sony F112 is a professional, omnidirectional microphone designed for Electronic New Gathering (ENG) applications. The F112's frequency response and sensitivity are optimized for accurate reproduction of vocals, accentuating the range that enhances clarity while reducing residual noise. The omnidirectional pattern results in minimal noise from wind, with even signal reproduction at the sides and direct sections of the capsule. This is particularly useful while vying for the best possible microphone placement in awkward, crowded environments. The extra-long shaft allows plenty of room for radio and TV flags, and the rugged enclosure is durable enough to withstand frequent use on location. Enhanced Sound Quality The F112 delivers a high sensitivity of -54 dB (0 dB=1 V/Pa.), allowing clear voice pickup from any direction. Wide Frequency Response The F112 has a flat-and-wide frequency response (60 Hz to 17 kHz), which provides smooth and natural sound reproduction. Omnidirectional Pattern The omnidirectional polar pattern maintains an even frequency response at off-axis and direct sections of the microphone capsule. Rugged Design The body is made of metal, offering a high level of durability to withstand severe conditions encountered in demanding sound pickup scenarios.

Sony Wireless Lavalier System - Ch.33

Sony UWP-X7//K33 (UWPX7K33, UWP X7 K33, UWP/X7/K33) Wireless Lavalier System - Ch.33 The Sony UWP-X7 Wireless Microphone System consists of the UT-B2X bodypack transmitter, unidirectional (cardioid) lavalier microphone and URX-M2 tuner module. The system is intended for hands-free wireless operation in broadcast, presentation, theater applications, etc. The bodypack features a mic/line selectable input and 188 selectable UHF frequencies for optimum operation. Space diversity reception further minimizes drop-out radio-frequency interference and noise. The URX-M2 tuner module features a modular design and easily installs into the UWP-X7 Tuner Base, SRPX500P and SRPX700P digital powered mixers. UHF Synthesized Frequencies Both transmitter and receiver provide 188 user selectable frequencies, providing plenty of options when interference is present. Tuner-Module Receiver The compact tuner-module is designed to interface with compatible Sony base units such as the MBX6 receiver unit. Selectable RF Output The transmitter allows selection between 5mW output power and 30mW output. 5mW is suitable for indoor, simultaneous multi-channel operation while 30mW is intended for outdoor, long-range use. Comprehensive Display Both transmitter and receiver feature a comprehensive LED display providing channel and frequency information, battery life, total usage time and more. Uni-Directional Lavalier A high-quality uni-directional lavalier microphone provides the sonic quality needed to handle professional and non-professional applications.  

DPA MMC4018V Microphone Capsule for Vocal, Super Cardoid

DPA MMC4018V (MMC 4018 V MMC-4018-V MMC/4018/V) Microphone Capsule for Vocal, Super Cardoid FEATURES: • Tweaked for close miking vocals• Highly directional for high isolation• Most controlled supercardioid shape• Superb definition and natural response The MMC4018V modular microphone capsule is part of the flexible DPA d:facto vocal microphone series. Equally at home in sound reinforcement and recording applications, the DPA d:facto is a high quality stage vocal microphone with extraordinary natural sound, high separation from nearby sound sources and extreme sound level handling. Its supercardioid pattern and superb definition gives high separation and true sound color on stage, equally suitable for PA amplification and recording. The MMC4018V provides improved audio performance, as it is superbly linear in frequency and phase, both on- and off-axis, while its impressive definition and accuracy reproduces a singer’s voice effortlessly.Our recommendation for stage applications with the d:facto II is using the MMC4018V capsule. This capsule offers an applicable opening angle around the center axis comparable to a cardioid. This means that a pleasant tolerance around the center axis is obtained for the singer. Concurrently, the rear rejection is as higher than other supercardioids. The rear lobe opening normally seen on supercardioids at 180° angle is extremely uniform and controlled on the MMC4018V. For more distant placements or applications acquiring a more open characteristic, such as interviewing or certain studio performances, our standard d:dicated MMC4011 cardioid or MMC4015 wide cardioid capsules can be chosen. Combine the MMC4018V with any of the d:facto adapters for wireless systems or the DPA handle for wired use. Also, the MMC4018V fits the d:dicate Recording Microphone pre-amps.    

DPA 4041-SP Large Diaphragm Microphone, P48

DPA 4041-SP (4041SP 4041 SP 4041/SP) Large Diaphragm Microphone, P48 FEATURES: handles high sound pressure levels with no distortion natural and transparent sound The 4041-SP is designed to work in a standard 48 V phantom power environment. Since the capsule is the same as for the high voltage alternative 4041-S, the 4041-SP offers the same superior sound quality, with very slight changes in the specifications. The cartridge MMC4041 can be unscrewed from the preamplifier which allows for the exchange of the preamplifier module. It is therefore always possible to upgrade to the high voltage preamplifier, also using the DPA mic amp HMA5000. The frequency response has a 4-6 dB soft lift around 8 kHz and matches the response of the legendary 4040 Hybrid Microphone. This microphone offers a totally transparent audio path with an exceptionally low noise floor of maximum 8 dB(A) and a SPL handling capability of 134 dB SPL peak.  

DPA MMC4017 Shotgun Microphone Capsule

DPA MMC4017 (MMC 4017 MMC-4017 MMC/4017) Shotgun Microphone Capsule The MMC4017 capsule is part of the flexible DPA d:dicate Recording Microphones series. Equipped with a highly directional supercardioid pickup pattern, obtained using a supercardioid design with an interference tube that provides excellent off-axis rejection, the DPA 4017B combined with the MMP-B preamplifier is a short and exceptionally lightweight shotgun microphone that truly measures up to DPA’s impressive reputation for accuracy, clarity, and musicality. Designed for a broad range of applications, the 4017B is ideal for use with camera systems, in fixed positions at sports facilities, for broadcast/ENG/film booming, and even studio recording environments. Tune out the surroundings Extensive research and development has been undertaken to optimize the sound coming from the sides and behind the microphone. Minimizing the often very un-linear response of a shotgun microphone due to its side lobes is one of the key accomplishments of the MMC4017. The condenser capsule uses a high voltage pre-polarized back plate, endowing the shotgun with high output as well as wide dynamics, extremely low noise and distortion specifications.  

DPA MMC4015 Wide Cardioid Microphone Capsule

DPA MMC4015 (MMC 4015 MMC-4015 MMC/4015) Wide Cardioid Microphone Capsule Modular flexibility The MMC4015 capsule is part of the flexible DPA d:dicate Recording Microphones series. The 4015A with the MMP-A preamplifier suits acoustic instruments and voices with rich and open sound, where the 4015C with the MMP-C compact preamplifier is an excellent spot mic as a fill-in between an omni and a cardioid – and easier to position. Expand your horizon with a wider pattern If you are already a DPA 4011 devotee, you will discover an exciting alternative in our wide cardioid microphones. The MMC4015 wide cardioid capsule differs in its polar pattern and is the perfect fill-in between an omni and a more directional microphone. Sometimes a conventional cardioid pattern just isn’t quite open enough, such as when recording instruments with complex radiation patterns. In those instances, the generous polar pattern of our wide cardioids allows you to pick up a broader sound field and more accurately capture the full breadth of a stirring performance.  

DPA MMC4011 Cardioid Microphone Capsule

ic on literally any style of live music, from rock ‘n’ roll to opera.  

DPA MMC4006 Omni Microphone Capsule

DPA MMC4006 (MMC 4006 MMC-4006 MMC/4006) Omni Microphone Capsule Modular flexibility The MMC4006 capsule is part of the flexible DPA d:dicate Recording Microphones series. The 4006A with the MMP-A preamplifier is a legendary recording classic with natural tone and dynamics, where the 4006C with the MMP-C compact preamplifier provides neutral sonic and visual design for reproducing acoustic environments. Several tools in one A wide selection of acoustic modification accessories, including nose cone and interchangeable protection grids, allows the MMC4006 capsule to be acoustically transformed into seven different microphone versions, making it the most multifaceted mic in your collection and a tremendous value. By simply changing a grid or mounting an element over the capsule, it is possible to gain several unique frequency responses and directional characteristics from a single mic. Furthermore, these grids and elements will not produce any phase shift, noise or distortion that would otherwise be introduced by an electrical filter.

DPA MMC2006 Twin Diaphragm Omni Microphone Capsule

DPA MMC2006 (MMC 2006 MMC-2006 MMC/2006) Twin Diaphragm Omni Microphone Capsule Twin Diaphragm Capsule technology The overall distinctive sound image from the DPA miniatures is so well balanced that it meets the high demands of the DPA d:dicate Recording Microphones series. In an MMC2006 capsule two opposite facing miniature capsules are custom re-built into a double diaphragm, one-capsule composition. This combines the advantages of small capsules (fast impulse response and large frequency bandwidth) with lower inherent noise achieved from a larger diaphragm area. The capsules are loaded to the supreme d:dicate Recording Mic preamps instead of the tiny miniature FET preamp from the miniature mics, offering even more air and precision. Comparison with its big brother, the iconic 4006, is inevitable. The relationship between the two is clearly heard; the 2000 series simply performs like much more exclusive microphones from the premium class and redefines the term value for money. Modular upgradability The MMC2006 capsule is part of the flexible DPA Reference Standard series. The 2006A with the MMP-A preamplifier is the audiophile’s choice with low distortion and total accurate and faithful sound, where the 2006C MMP-C compact preamplifier offers a subtle character alteration with a bit more “body” to the low end – in addition to its easier-to-position approach.

DPA Surround Kit with 5 x 4015A Clips Windscreens in Peli Case

DPA 5015A (5015 A 5015-A 5015/A) Surround Kit with 5 x 4015A, Clips, Windscreens in Peli Case FEATURES: Wide pickup area and natural sound Five carefully matched microphones Ambience pickup with convenient directionality PeliTM Case transportation and protection The DPA 5015A is a complete DPA 4015A surround kit with five carefully factory-matched wide cardioid microphones. Even though the standard tolerances on DPA Reference Standards are extremely low, the surround match is even closer. The specially selected DPA 4015A microphones are matched within ±1 dB on both frequency response and sensitivity from mean of set. The maximum phase response difference is 5°. Recording orchestras or other acoustic ensembles sometimes requires a compromise between blending in the room reverberation and a more precise localization. The natural response and dynamic range make the DPA 4015As an obvious choice for Precise tone quality and wide dynamic range make 5015A right for AB, Decca Tree or surround main arrays like the DPA Wide Cardioid Surround Array. The foam design in the heavy-duty transportation box allows for fast and easy exchange of microphone/accessory inlays. Included in this kit:Five carefully matched, sturdy PeliTM case, holders, and windscreens.  

DPA Surround Kit with 3 x 4006A 2 x 4011A Clips Windscreens in Peli Case

DPA 5006-11A (5006 11A 5006/11A 5006 11 A) Surround Kit with 3 x 4006A, 2 x 4011A, Clips, Windscreens in Peli Case FEATURES: Three + two carefully matched microphones Decca Tree front + cardioids rear Specially useful as orchestral main pair PeliTM Case transportation and protection The DPA 5006-11A is a complete surround kit combining three DPA 4006A and two 4011A, carefully factory-matched to achieve full precision. Even though the standard tolerances on DPA Reference Standard Mics are extremely low, the surround match is even closer. The specially selected DPA 4006A microphones are matched within ±0.5 dB on both frequency response and sensitivity. The maximum phase response difference is 5°. The 4011A’s are matched within ±1 dB. The natural sound, high sensitivity, low noise-floor and extremely linear frequency response from 10 Hz to 20 kHz (±2 dB) of the microphones make the 4006As the perfect choice for all AB Stereo, Decca Tree or surround main array recordings. The precise reproduction, total transparency and natural-sounding clarity of a DPA 4006A microphone will provide you with a lifetime of satisfying listening. The foam design in the heavy-duty transportation box allows for fast and easy exchange of microphone/accessory inlays. Included in this kit:Carefully matched microphones, sturdy PeliTM case, holders, grids, and windscreens.  

DPA Surround Kit with 5 x 4006A Clips Windscreens in Peli Case

DPA 5006A (5006 A 5006-A 5006/A) Surround Kit with 5 x 4006A, Clips, Windscreens in Peli Case   The 5006A Surround Microphone Kit from DPA Microphones includes five 4006A omnidirectional microphones, matched within 0.5dB on both frequency response and sensitivity. They can be used for AB stereo, Decca Tree, or surround main array recording techniques for orchestral settings. DPA includes mic holders, grids, and windscreens for all mics. The included Peli foam-lined case can be used for transportation and storage.

DPA ST2006C, ST2006 C, ST2006-C, ST2006/C Stereo Pair w. 2 x 2006C, Clips, Windscreens in Peli Case

DPA ST2006C (ST2006 C, ST2006-C, ST2006/C) Stereo Pair w. 2 x 2006C, Clips, Windscreens in Peli Case    FEATURES: Sensitivity selected pair Compact size and authentic sound Full-bodied sound from a small-bodied mic PeliTM Case transportation and protection The DPA ST2006C is a complete DPA 2006C Stereo Pair with two handpicked omni microphones, selected on sensitivity within ±1.5 dB. As a small, lightweight and inconspicuous main AB stereo pair the 2006s deliver precise acoustic fingerprint and true tone. Meeting classic architecture and installation requirements, the 2006C’s can be mounted, hung or concealed to create clean, transparent recordings. The foam design in the heavy-duty transportation box allows for fast and easy exchange of microphone/accessory inlays. Included in this kit: Two carefully matched 2006C omni microphones, sturdy PeliTM case, holders, and windscreens.  

DPA ST2011A, ST 2011 A, ST-2011-A , ST/2011/A Stereo Pair w. 2 x 2011A, Clips, Windscreens in Peli Case

DPA ST2011A (ST 2011 A,  ST-2011-A , ST/2011/A) Stereo Pair w. 2 x 2011A, Clips, Windscreens in Peli Case FEATURES: Sensitivity selected pair Superb stage separation and level control All-round workhorses PeliTM Case transportation and protection The ST2011A is a complete DPA 2011A Stereo Pair with two handpicked cardioid microphones, selected on sensitivity within ±1.5 dB making several stereo principles like XY and ORTF easy to obtain. Finding its use on numerous stages and recording sessions, the ST2011A exhibits a previously unheard blend of clarity, richness and dynamic range, the 2011As perform close to much more exclusive microphone pairs. The foam design in the heavy-duty transportation box allows for fast and easy exchange of microphone/accessory inlays. Included in this kit: Two carefully matched 2011A cardioid microphones, sturdy PeliTM case, holders, and windscreens.  

DPA ST2006A, ST2006, A ST2006-A, ST2006/A Stereo Pair w. 2 x 2006A, Clips, Windscreens in Peli Case

DPA ST2006A (ST2006, A ST2006-A, ST2006/A) Stereo Pair w. 2 x 2006A, Clips, Windscreens in Peli Case FEATURES: Sensitivity selected pair Acoustic authenticity Linear in a large frequency bandwidth PeliTM Case transportation and protection The DPA ST2006A is a complete DPA 2006A Stereo Pair with two handpicked omni microphones, selected on sensitivity within ±1.5 dB. As main AB stereo pair the 2006As deliver precise acoustic fingerprint and true tone. Orchestra, acoustic piano, guitar, wind instruments and choirs are among the most evident applications for this high-value-for-money pair. The foam design in the heavy-duty transportation box allows for fast and easy exchange of microphone and accessory inlays. Included in this kit: Two carefully matched 2006A omni microphones, sturdy PeliTM case, holders, and windscreens.  

DPA ST4015C, ST4015, C ST4015-C, ST4015/C Stereo Pair w. 2 x 4015C, Clips, Windscreens in Peli Case

DPA ST4015C (ST4015, C ST4015-C, ST4015/C) Stereo Pair w. 2 x 4015C, Clips, Windscreens in Peli Case FEATURES: Natural reproduction Carefully matched within ±1 dB Low profile – wide pickup area PeliTM Case transportation and protection Visually discreet, the 4015C Wide Cardioids represent an indispensably low-profile solution for audio engineers and set designers alike. Tremendously precise and natural sounding, the compact wide cardioids will excel when used on choirs, percussion setups, grand pianos, wind instruments, and much more. Also useful as spot mics for classical recording, the 4015C blends very naturally in with the main pair. The DPA ST4015C is a complete DPA 4015C Stereo Pair with two carefully factory-matched wide cardioid microphones. Even though the standard tolerances on DPA Reference Standards are extremely low, a stereo match is even closer. The specially selected DPA 4015C microphones are matched within ±1 dB on both frequency response and sensitivity. The foam design in the heavy-duty transportation box allows for fast and easy exchange of microphone/accessory inlays. Included in this kit: Two carefully matched 4015C wide cardioid microphones, sturdy PeliTM case, holders, and windscreens.    

DPA ST4011C, ST4011 C, ST4011-C, ST4011/C Stereo Pair w. 2 x 4011C, Clips, Windscreens in Peli Case

DPA ST4011C (ST4011 C,  ST4011-C,  ST4011/C) Stereo Pair w. 2 x 4011C, Clips, Windscreens in Peli Case   FEATURES: Excellent for both PA/Live and recording  Carefully matched within ± 1 dB Low profile mounting options PeliTM Case transportation and protection Whenever a small, lightweight, inconspicuous microphone for top-quality sound is required, the compact design and uniform unidirectional response of our versatile 4011C makes it the perfect choice. They are particularly popular as spot mics for classical recording and on-stage close mics for live sound. The DPA ST4011C is a complete DPA 4011C Stereo Pair with two carefully factory-matched first order cardioid microphones. Even though the standard tolerances on DPA Reference Standards are extremely low, a stereo match is even closer. The specially selected DPA 4011C microphones are matched within ±1 dB on both frequency response and sensitivity. The foam design in the heavy-duty transportation box allows for fast and easy exchange of microphone/accessory inlays. Included in this kit: Two carefully matched 4011C cardioid microphones, sturdy PeliTM case, holders, and windscreens.  

DPA ST4006C, ST4006, C ST4006-C, ST4006/C Stereo Pair w. 2 x 4006C, Clips, Windscreens in Peli Case

DPA ST4006C (ST4006, C ST4006-C, ST4006/C) Stereo Pair w. 2 x 4006C, Clips, Windscreens in Peli Case FEATURES: carefully matched microphones compact size and natural sound full-bodied sound from a small-bodied mic PeliTM Case transportation and protection Wherever a small, lightweight, inconspicuous microphone for top-quality recording is required, the compact design and clean, transparent sound of our versatile 4006C makes it the perfect choice. Particularly popular as A-B stereo pairs in concert halls where quality recordings can sometimes be compromised by classic architecture, the 4006C’s can be mounted, hung or concealed to create clean, transparent recordings. The DPA ST4006C is a complete DPA 4006C Stereo Pair with two carefully factory-matched omni microphones. Even though the standard tolerances on DPA Reference Standards are extremely low, a stereo match is even closer. The specially selected DPA 4006C microphones are matched within ±0.5 dB on both frequency response and sensitivity. The maximum phase response difference is 5°. The foam design in the heavy-duty transportation box allows for fast and easy exchange of microphone/accessory inlays. Included in this kit: Two carefully matched 4006C omni microphones, sturdy PeliTM case, holders, grids and windscreens.    

DPA ST4015A, ST4015 A, ST4015-A, ST4015/A Stereo Pair w. 2 x 4015A, Clips, Windscreens in Peli Case

DPA ST4015A (ST4015 A, ST4015-A,  ST4015/A) Stereo Pair w. 2 x 4015A, Clips, Windscreens in Peli Case   FEATURES: Wide pickup area and natural sound Ambience pickup with some directionality Carefully matched within ±1 dB PeliTM Case transportation and protection Recording orchestras or other acoustic ensembles sometimes requires a compromise between blending in the room reverberation and a more precise localization. The wide cardioid (also known as hemispheric) design covers a greater sound angle and is also an excellent choice for grand piano, guitar, marimba, and percussion, or as a spot mic for groups in a symphony orchestra. The DPA ST4015A is a complete DPA 4015A Stereo Pair with two carefully factory-matched wide cardioid microphones. Even though the standard tolerances on DPA Reference Standards are extremely low, a stereo match is even closer. The specially selected DPA 4015A microphones are matched within ±1 dB on both frequency response and sensitivity. The foam design in the heavy-duty transportation box allows for fast and easy exchange of microphone/accessory inlays. Included in this kit: Two carefully matched 4015A wide cardioid microphones, sturdy PeliTM case, holders, and windscreens.

DPA ST4011A, ST4011 A, ST4011-A, ST4011/A Stereo Pair w. 2 x 4011A, Clips, Windscreens in Peli Case

DPA ST4011A (ST4011 A, ST4011-A, ST4011/A) Stereo Pair w. 2 x 4011A, Clips, Windscreens in Peli Case   FEATURES: World-wide cardioid reference mic Handles very high sound pressure levels Carefully matched within ±1 dB PeliTM Case transportation and protection 4011A cardioids are exceptionally linear in their frequency response â€“ also off axis, giving you the natural experience. They handle extremely high SPL and will therefore allow for close placement and are often used for piano recordings with a placement closer to the hammers or as overheads for drums.  The DPA ST4011A is a complete DPA 4011A Stereo Pair with two carefully factory-matched first order cardioid microphones. Even though the standard tolerances on DPA Reference Standards are extremely low, a stereo match is even closer. The specially selected DPA 4011A microphones are matched within ±1 dB on both frequency response and sensitivity. The foam design in the heavy-duty transportation box allows for fast and easy exchange of microphone/accessory inlay. Included in this kit: Two carefully matched 4011A cardioid microphones, sturdy PeliTM case, holders, and windscreens.

DPA ST4006A, ST4006, A ST4006-A, ST4006/A Stereo Pair w. 2 x 4006A, Clips, Windscreens in Peli Case

DPA ST4006A (ST4006, A ST4006-A, ST4006/A) Stereo Pair w. 2 x 4006A, Clips, Windscreens in Peli Case FEATURES: carefully matched microphones high sensitivity, low noise-floor and extremely linear frequency PeliTM case transportation and protection The DPA ST4006A is a complete DPA 4006A Stereo Pair with two carefully factory-matched omni microphones. Even though the standard tolerances on DPA Reference Standards are extremely low, a stereo match is even closer. The specially selected DPA 4006A microphones are matched within ±0.5 dB on both frequency response and sensitivity. The maximum phase response difference is 5°. The natural sound, high sensitivity, low noise-floor and extremely linear frequency response from 10 Hz to 20 kHz (±2 dB) of the microphone pair makes the ST4006A the perfect choice for all AB Stereo recordings. The design in the heavy-duty transportation box allows for fast and easy exchange of microphone/accessory foam inlays. Included in this kit Two carefully matched 4006A omni microphones, sturdy PeliTM case, holders, grids and windscreens.    

DPA 2006C Twin Diaphragm Omni Microphone, Compact

DPA 2006C (2006 C 2006-C 2006/C) Twin Diaphragm Omni Microphone, Compact FEATURES: Modular flexibility Twin-Diaphragm-Capsule technology Acoustic authenticity Linear in a large frequency bandwidth Redefining value for money The new DPA 2006 microphone has strong references to the acclaimed DPA 4006 omni microphone – by its type number 06, its overall sound character, and its industrial design. The difference is in the capsule technology that in the 2000 series features the new Twin Diaphragm Capsule technology. Comparison with its big brother, the iconic 4006, is inevitable. The relationship between the two is clearly heard from the first 2006 audio glance; the 2000 series simply performs like much more exclusive microphones from the premium class and redefines the term value for money. Modular upgradability 2006C is part of the flexible DPA d:dicate Recording Microphones series. The 2006C with the MMP-C compact preamplifier offers a subtle character alteration with a bit more “body” to the low end – in addition to its easier-to-position approach. The 2006A with the MMP-A preamplifier is the audiophile’s choice with low distortion and total accurate and faithful sound. At any time and with no tools necessary it is possible to transform the basic 2006 microphone into a new configuration by combining it with another DPA microphone capsule or preamp. Twin Diaphragm Capsule technology The overall distinctive sound image from the DPA miniatures is so well balanced that it meets the high demands of the DPA Reference Standard league. In a 2006 capsule two opposite facing miniature capsules are custom re-built into a double diaphragm, one-capsule composition. This combines the advantages of small capsules (fast impulse response and large frequency bandwidth) with lower inherent noise achieved from a larger diaphragm area. The capsules are loaded to the supreme Reference Standard preamps instead of the tiny miniature FET preamp from the miniature mics, offering even more air and precision. Dedicated to acoustic authenticity Every engineer and musician concerned with getting the precise acoustic fingerprint on track will be pleased by the true tone delivered by the 2006. Acoustic piano, guitar, wind instruments and choirs are among the most evident applications. As main AB stereo pair the 2006s offer an impeccable combination of two ordinary frequency responses from the 4006 with specially tailored high frequency response that lies perfectly in between the responses from the near-field (silver) grid and the diffuse-field (black) grid. Also available as selected stereo pair The ST2006C stereo pair is supplied in a specially designed PeliTM Case.    

DPA 2011A Twin Diaphragm Cardioid Microphone

DPA 2011A (2011 A 2011-A 2011/A) Twin Diaphragm Cardioid Microphone FEATURES: All-round workhorse â€“ blends clarity, richness and dynamics Twin-Diaphragm-Capsule and interference tube technologies Superb stage separation and level control Modular flexibility  All-round workhorse The new DPA 2011A microphone has strong references to the acclaimed close-miking and hi-SPL handling specialist DPA 4011 cardioid microphone – not only by its type number 11, also in its all-round capture abilities. 2011 is primarily optimized for on-stage use and the technology combines the new Twin Diaphragm Capsule and DPA’s strong know-how within interference tube technology. While 4011 has gained worldwide admiration for its total linearity at all sound confrontations, the 2011 is purposely aimed differently; the off-axis response is still linear but in a smaller frequency bandwidth making stage separation and gain-to-feedback higher and mic level easier to control. Modular flexibility 2011A is part of the flexible DPA d:dicate Recording Mics series. The 2011A with the MMP-A preamplifier is the audiophile’s choice with low distortion and total accurate and faithful sound, where the 2011C with the MMP-C compact preamplifier offers a subtle character alteration with a bit more “body” to the low end – in addition to its easier-to-position approach. At any time and with no tools necessary it is possible to transform the basic 2011 microphone into a new configuration by combining it with another DPA microphone capsule or preamp. Twin Diaphragm Capsule: cutting edge technology The overall distinctive sound image from the DPA miniatures is so well balanced that it meets the high demands of the DPA Reference Standard league. In a 2011 capsule two opposite facing miniature capsules are custom re-built into a double diaphragm, one-capsule composition. The use and control of interference tubes has become a DPA specialty and the 2011 is no exception; the capsules are loaded to the supreme Reference Standard preamps instead of the tiny miniature FET preamp from the 4060 miniature series, offering even more air and precision. Stage addict The 2011 has found its use on numerous stages and recording sessions.  Exhibiting a previously unheard blend of clarity, richness and dynamic range, the 2011 performs like a much more exclusive microphone and redefines the term value for money. When used for stereo recording Please read the acoustic center of the MMC2011 capsule. Also available as selected stereo pair The ST2011A stereo pair is supplied in a specially designed PeliTM Case.  

DPA 2006A Twin Diaphragm Omni Microphone

m-Capsule technology Acoustic authenticity Linear in a large frequency bandwidth Redefining value for money The new DPA 2006 microphone has strong references to the acclaimed DPA 4006 omni microphone – by its type number 06, its overall sound character, and its industrial design. The difference is in the capsule technology that in the 2000 series features the new Twin Diaphragm Capsule technology. Comparison with its big brother, the iconic 4006, is inevitable. The relationship between the two is clearly heard from the first 2006 audio glance; the 2000 series simply performs like much more exclusive microphones from the premium class and redefines the term value for money. Modular upgradability 2006A is part of the flexible d:dicate Recording Mics series. The 2006A with the MMP-A preamplifier is the audiophile’s choice with low distortion and total accurate and faithful sound, where the 2006C MMP-C compact preamplifier offers a subtle character alteration with a bit more “body” to the low end – in addition to its easier-to-position approach. At any time and with no tools necessary it is possible to transform the basic 2006 microphone into a new configuration by combining it with another DPA microphone capsule or preamp. Twin Diaphragm Capsule technology The overall distinctive sound image from the DPA miniatures is so well balanced that it meets the high demands of the DPA Reference Standard league. In a 2006 capsule two opposite facing miniature capsules are custom re-built into a double diaphragm, one-capsule composition. This combines the advantages of small capsules (fast impulse response and large frequency bandwidth) with lower inherent noise achieved from a larger diaphragm area. The capsules are loaded to the supreme Reference Standard preamps instead of the tiny miniature FET preamp from the miniature mics, offering even more air and precision. Dedicated to acoustic authenticity Every engineer and musician concerned with getting the precise acoustic fingerprint on track will be pleased by the true tone delivered by the 2006. Acoustic piano, guitar, wind instruments and choirs are among the most evident applications. As main AB stereo pair the 2006s offer an impeccable combination of two ordinary frequency responses from the 4006 with specially tailored high frequency response that lies perfectly in between the responses from the near-field (silver) grid and the diffuse-field (black) grid. Also available as selected stereo pair The ST2006A stereo pair is supplied in a specially designed PeliTM Case.

DPA 4015C Wide Cardioid Microphone, Compact

DPA 4015C (4015 C 4015-C 4015/C) Wide Cardioid Microphone, Compact FEATURES: Low profile – wide pickup area Natural reproduction Directional ambience pickup Exceptional for vocal Expand your horizon with a wider pattern If you are already a DPA 4011 devotee, you will discover an exciting alternative in our wide cardioid microphones. The DPA 4015C wide cardioid differs in its polar pattern and is the perfect fill-in between an omni and a more directional microphone. Sometimes a conventional cardioid pattern just isn’t quite open enough, such as when recording instruments with complex radiation patterns. In those instances, the generous polar pattern of our Compact Wide Cardioids allows you to pick up a broader sound field and more accurately capture the full breadth of a stirring performance. Limitless applications Recording orchestras or other ensembles sometimes requires a compromise between blending in the room reverberation and a more precise localization. The wide cardioid (also known as hemispheric) design covers a greater sound angle and is an excellent choice for grand piano, guitar, marimba, and percussion, or as a spot mic for groups in a symphony orchestra. Likewise, it is an excellent speech, dubbing, or vocal mic as its enhanced richness on the bass end nicely compliments many voices. Completely linear, even off-axis The off-axis characteristics of the 4015C are totally linear, a unique quality when it comes to authentic sound reproduction. Any leakage that occurs from off-axis sound sources is still a faithful reproduction of these sounds, just softly attenuated. Small, yet wide Visually discreet, the 4015C Wide Cardioids represent an indispensably low-profile solution for audio engineers and set designers alike. Tremendously precise and natural sounding, the Compact Wide Cardioids will certainly exceed expectations when used on choirs, percussion setups, grand pianos, wind instruments, and much more. Also available as matched stereo pair The ST4015C stereo pair is supplied in a specially designed PeliTM Case, the stereo matching is free of charge.  

DPA 4011C Cardioid Microphone, Compact

DPA 4011C (4011 C 4011-C 4011/C) Cardioid Microphone, Compact FEATURES: Close-miking Superior for high sound levels Accuracy Colorless Maximum clarity, minimum visibility DPA’s Compact Cardioid range is proof that stunning clarity and absolute neutrality are not solely the characteristics of full-sized studio condenser mics alone. Designed to be hidden from view, the diminutive design and high performance of the DPA 4011C makes it the outstanding choice for unobtrusively miking all types of television, film, theatre, concert and studio performances. Limited in size, not application Capable of handling high SPLs without distortion, the 4011C is perfectly tailored for close-miking applications, minimizing bleed from other instruments. When used to spot-mike larger orchestras, these mics are hard to beat, and in film and TV studios, they are excellent for off-camera voice recording or Foley work. For live on-camera recordings, their matte black finish gives them a classic yet inconspicuous appearance, while for sound reinforcement in concert halls, theatres and houses of worship, they provide clean, natural sound while reducing the noticeable effect of lighting reflection. Also available as matched stereo pair The ST4011C stereo pair is supplied in a specially designed PeliTM Case, the stereo matching is free of charge.  

DPA 4006C Omni Microphone, Compact

DPA 4006C (4006 C 4006-C 4006/C) Omni Microphone, Compact FEATURES: Neutrality Versatility Precision Recording standard Full-bodied sound from a small-bodied mic Wherever a small, lightweight,  inconspicuous microphone for top-quality recording is required, the compact design and clean, transparent sound of our versatile 4006C makes it the perfect choice. They are particularly popular as A-B stereo pairs in concert halls where quality recordings can sometimes be compromised by classic architecture. The 4006C can be mounted, hung or concealed to create clean, transparent recordings. It is ideal in theatres, opera and concert halls or places of worship where there is a live audience, and for film applications, both in the studio and on location. These mics are also popular with musicians for close-miking instruments such as double bass, trumpet and piano. At the same time they are wonderful for ambience miking on soundstages, in sports stadiums and other environments where audience sound needs to be recorded. Several tools in one A selection of acoustic modification accessories, including nose cone and interchangeable protection grids, allows the 4006C to be acoustically transformed into different microphone versions, making it the most multifaceted mic in your collection and a tremendous value. By simply changing a grid, it is possible to gain several unique frequency responses and directional characteristics from a single mic. Furthermore, these grids and elements will not produce any phase shift, noise or distortion that would otherwise be introduced by an electrical filter. Also available as matched stereo pair The ST4006C stereo pair is supplied in a specially designed PeliTM Case.  

DPA 4015A Wide Cardioid Microphone

DPA 4015A (4015 A 4015-A 4015/A) Wide Cardioid Microphone FEATURES: Low profile – wide pickup area Natural reproduction Directional ambience pickup Exceptional for vocal Expand your horizon with a wider pattern If you are already a DPA 4011 devotee, you will discover an exciting alternative in our wide cardioid microphones. The phantom powered DPA 4015A wide cardioid differs in its polar pattern and is the perfect fill-in between an omni and a more directional microphone. Sometimes a conventional cardioid pattern just isn’t quite open enough, such as when recording instruments with complex radiation patterns. In those instances, the generous polar pattern of our Compact Wide Cardioids allows you to pick up a broader sound field and more accurately capture the full breadth of a stirring performance. Limitless applications Recording orchestras or other ensembles sometimes requires a compromise between blending in the room reverberation and a more precise localization. The wide cardioid (also known as hemispheric) design covers a greater sound angle and is an excellent choice for grand piano, guitar, marimba, and percussion, or as a spot mic for groups in a symphony orchestra. Likewise, it is an excellent speech, dubbing, or vocal mic as its enhanced richness on the bass end nicely compliments many voices. Completely linear, even off-axis The off-axis characteristics of the 4015A are totally linear, a unique quality when it comes to authentic sound reproduction. Any leakage that occurs from off-axis sound sources is still a faithful reproduction of these sounds, just softly attenuated. Specialists in extreme sound levels DPA’s wide cardioid microphones are capable of handling extremely high sound pressure levels before clipping occurs. The 4015A even includes a 20 dB pad switch in the center of the XLR connector to prevent overloading of the mic amp. Also available as matched stereo pair and surround kit The ST4015A stereo pair is supplied in a specially designed PeliTM Case, the stereo matching is free of charge. The SU4015A Surround Kit is supplied in a specially designed PeliTM Case, the surround matching is free of charge.    

DPA 4011A Cardioid Microphone

DPA 4011A (4011 A 4011-A 4011/A) Cardioid Microphone FEATURES: Close-miking Superior for high sound levels Accuracy Colorless Improving upon a classic The DPA 4011A cardioid condenser microphone is an upgraded version of our classic 4011, renowned in recording studios and live applications around the world as an exceptional mic. State-of-the-art components have been carefully selected to provide optimal neutrality, accuracy, and extremely low distortion. Pure linear cardioid The principal appeal of the 4011A is its directional quality and attention to detail: everything sounds like the original. The first-order cardioid pickup pattern provides superb separation between sound sources when used as a spot mic on literally any style of live music, from rock ‘n’ roll to opera. The 4011A is equally suitable for close-up work on acoustic guitar, grand piano, overheads, percussion, wind instruments and vocals as it is for spot-miking symphonies. It can handle incredibly high sound levels and even includes a 20 dB pad switch in the center of the XLR connector to attenuate the output of the microphone. Perfectly natural A flat on-axis frequency response and excellent phase response deliver a totally faithful reproduction of the original sound. The off-axis response is similarly smooth so that any leakage is an accurate reflection of the original, though attenuated according to the true first-order cardioid pickup pattern. The sensation of “being there” will always be more intense with the DPA 4011A than with any other cardioid. Chosen for its qualities as an all-around performer, the 4011A is a great, clean-sounding colorless mic. The variety of applications is as wide as the imagination of the user. Also available as matched stereo pair The ST4011A stereo pair is supplied in a specially designed PeliTM Case, the stereo matching is free of charge.  

DPA 4006A Omni Microphone

DPA 4006A (4006 A 4006-A 4006/A) Omni Microphone FEATURES: Neutrality Versatility Precision Recording standard Timeless transparency The versatile DPA 4006A is without doubt the most popular mic in our standard range and has rightly earned its status as a worldwide recording standard. This highly sought after omni has forged its enviable reputation over the past quarter of a century by repeatedly exhibiting its total transparency in any recording situation, and by picking up incredible detail and depth of sound. The definition of its high-frequency characteristics across a wide range of instruments is undeniably impressive for the vast majority of miking applications. Renaissance microphone With the 4006A, engineers, broadcasters and musicians alike can achieve extremely clean, natural and precise reproduction in a variety of applications. Ideal for A-B stereo pairs for symphonic concert hall recordings, the 4006A also excels on vocals and for close-miking instruments like grand piano, guitar, double bass and percussion. Several tools in one A selection of acoustic modification accessories, including nose cone and interchangeable protection grids, allows the 4006A to be acoustically transformed into different microphone versions, making it the most multifaceted mic in your collection and a tremendous value. By simply changing a grid, it is possible to gain several unique frequency responses and directional characteristics from a single mic. Furthermore, these grids and elements will not produce any phase shift, noise or distortion that would otherwise be introduced by an electrical filter. Also available as matched stereo pair and surround kit The ST4006A stereo pair is supplied in a specially designed PeliTM Case.  

Rode NTG8 RF-bias Long Shotgun Microphone

Rode NTG8 (NTG-8, NTG/8, NTG 8, ntg 8, ntg-8, ntg/8) RF-bias Long Shotgun Microphone Based on RØDE's award winning NTG3 shotgun microphone, the NTG8 is a broadcast quality RF-bias shotgun microphone that exhibits increased directionality across a wide frequency response range. This makes the NTG8 the perfect microphone for film, television, sports and outdoor broadcasting, live performance, and any professional distance miking application. Like the NTG3, the NTG8 features low self-noise, natural sound without colouration both on and off-axis, and RF bias technology to ensure that it is almost completely resistant to high humidity environments which could cause other condenser microphones to fail. The NTG8 is finished in matte black and supplied with a specially designed shock mount (SM8) that is engineered to provide excellent handling noise isolation, cable management and versatile mounting options for the microphone. A rugged weatherproof aluminium cylinder is also included, providing ultimate protection for the microphone when in transport or storage. The WSNTG8 windshield completes the package, providing light environmental protection.

Sennheiser MME 865-1 BK Microphone Capsule for ew G3 and 2000 Handheld

Sennheiser 502581 (502-581, 502/581, 50-25-81, 502 581) (MME-865-1 BK, MME/865-1 BK, MME865-1 BK) MME 865-1 BK Microphone Capsule for ew G3 and 2000 Handheld  Microphone module in condenser technique with high brillance and feedback rejection, applicable for either voice or speech. Compatible to all handheld transmitters of series ewG3 and 2000. Colour: black    

Sennheiser MMK 965-1 BK Condenser Microphone Module (Black)

Sennheiser 502582 (502-582, 50-25-82, 502/582, 502 582) (MMK-965-1 BK, MMK/965-1 BK, MMK965-1 BK) MMK 965-1 BK Condenser Microphone Module (Black)  Sennheiser's unrivaled experience in the fields of acoustics and stage technology is evident when listening to this large-diaphragm, true condenser capsule. Its powerful, high-definition sound makes it one of the best microphone heads of all time. Due to its dual-membrane technology, the pick-up pattern can be easily switched between cardioid and super-cardioid for extreme versatility. Compatible with all hand-held transmitters from the ew G3, 2000 as well as the Digital 9000 series, it can be installed in seconds without tools.

Sony Ear-Set Electret Condenser Microphone

Sony ECM-322BMP (ECM_322BMP, ECM_322BMP, ECM 322BMP) Ear-Set Electret Condenser Microphone The ECM-322BMP electret condenser headset mic is ideal for use in a variety of multimedia presentation applications, ranging from seminars and conferences to lectures and workshops. The ECM-322BMP incorporates an omni-directional microphone capsule providing highly sensitive and clear sound pick-up. It's lightweight and ergonomic design provides a tight and secure, yet extremely comfortable fit that can be worn on the right or left ear. This headset is equipped with a slim and flexible boom, so the microphone position can easily be adjusted for optimum voice pick up.   This (BMP) model contains a 3-pole mini-jack with a stable lock mechanism for use with Sony UWP Series wireless bodypack transmitters.

Sony ECM-44B Affordable Omni-Directional Lavalier Electret Condenser Microphone

Sony ECM-44B (ECM/44B, ECM_44B, ECM 44B, ECM44B, ECM-44-B, ecm-44b) Affordable Omni-Directional Lavalier Electret Condenser Microphone Sony has produced over five million professional ECM (Electret Condenser Microphones) microphones and the ECM-44 is the affordable, general voice model. It provides good sound quality and is widely used in business presentation systems and TV production. The ECM-44 is available in four versions, featuring different connector types. This model, ECM-44B, is the XLR version with power barrel for use as a wired microphone. Convenient to use The ECM-44 is an affordable alternative to the traditional hand held microphone and being 'hands free' it allows the presenter to concentrate on her/his performance Professional image Either 'in front of camera' or at a business presentation the ECM-44 creates a professional and tidy image. Easy to use It can often be difficult to achieve good quality voice pick-up but the ECM-44 can help get good results. The microphone's capsule is designed for general voice pick-up with a mid-frequency emphasis characteristic and a suitable frequency response. Tuned for voice pick-up The ECM-44's capsule features an emphasis curve and a suitable frequency response for voice pick-up. Compact size The capsule has a diameter of only 8.5mm and is 14.5mm long. Ready for wired applications The ECM-44B is the wired version with an XLR output and integral power supply barrel. This version can either be powered by an external microphone amp or internally by battery (LR6 or AA size). A single AA battery will provide several thousand hours of use.

RODENTK Valve 1" Condenser Microphone

Rode RODENTK (RODE-NTK, RODE/NTK, RODE NTK, rode-NTK, rode/NTK, rode NTK, NTK, ntk) Valve 1" Condenser Microphone Like it’s bigger brother the K2, the RØDE NTK is a premium valve condenser microphone designed to provide incredible detail and warmth in the studio. Its cardioid polar pattern is perfect for most single instrument recording scenarios. The electronic circuitry complementing this very sensitive transducer includes a hand-selected twin-triode 6922 valve and audiophile grade components. The result is an ultra-wide dynamic range, low noise, and stunning tube warmth. The NTK's rich valve sound is ideal for vocals, acoustic instruments, drum overheads, guitar amps and pianos.

RODES1 Live Condenser Vocal Microphone

Rode RODES1 (RODE/S1, RODE-S1, RODE S1, rode/s1, rode-s1, rode s1, S1, s1) Live Condenser Vocal Microphone The RØDE S1 live condenser vocal microphone provides the ultimate in performance for artists and engineers that demand studio-quality audio while on stage without compromising on mobility, versatility or durability. At the heart of the S1 is a super-cardioid 3/4" true-condenser capsule tuned to virtually eliminate feedback in on-stage performance scenarios. The combination of sophisticated internal shock mounting and a built-in high pass filter dramatically reduces undesirable low frequency background noise and handling noise. Multiple layers of acoustically optimised steel mesh in the microphone head filter the performer's breath as well as wind and plosive noises, without affecting the microphone sensitivity or frequency response. Due to its high performance specification and rich detail, the S1 is also an ideal handheld studio vocal microphone for artists that prefer to hold the microphone during recording. Available in satin-nickel finish or matte black (S1-B), the RØDE S1 live vocal condenser microphone is designed and made in Australia, and covered by RØDE's industry leading 10 year warranty.

Sennheiser e 901 Half-Cardioid Boundary Condenser Mic for Kick Drum

Sennheiser 500198 (500 198, 500/198, 500-198, 50-01-98) e 901 Half-Cardioid Boundary Condenser Mic for Kick Drum The e 901 is a rugged boundary microphone that handles high sound pressure levels extraordinarily well. Tailored to give the kick drum a highly precise, very dry sound character, the e 901 makes every attack lightning fast and realistic. The positioning of the e 901 in a bass drum couldn't be simpler: just put it in – done. The integrated preamp and gold-plated XLR connector have proven themselves to be exceptionally practical on stage.  

Sennheiser e 904 Compact cardioid dynamic microphone

Sennheiser 500200 (500-200, 500/200, 500 200, 50-02-00) (e/904, e-904, e904) e 904 Compact cardioid dynamic microphone With its consistent frequency response, the e 904 creates a sound that is as transparent as it is harmonic and that can be wonderfully shaped. It can be cleanly embedded in the drum mix thanks to its precise attacks and voluminous body. The set receives an extremely energetic and defined sound with this microphone. The e 904 reliably withstands even the hardest direct hits. Thanks to its practical clip, it is child's play to attach to the rims of snares and tom-toms. And, with its compact form, it takes up a very small amount of space.

Sennheiser e 906 Supercardioid Guitar Microphone

Sennheiser 500202 (500-202, 500/202, 500 202, 50-02-02) (e906, e-906, e/906) e 906 Supercardioid Guitar Microphone The e 906 captures the guitar sound just as you want it to be: from clean to distorted, from gentle to aggressive. It provides a high-resolution, natural sound without unwanted coloration. The transient response of the e 906 convinces in every style: it even transmits riffs with an extremely hard punch directly and straightforward.  The microphone features a switchable presence filter with three sound characteristic options: one to boost the presence range, one for "normal" presence and one to attenuate the presence range. Thanks to its flat shape, it can be positioned in front of the amp hanging from its cable – completely without a stand. Not to mention its distinctly rugged design.

Sennheiser e 908B-EW Condenser Microphone for Brass and Wind Instruments

Sennheiser 500204 (500-204, 500/204, 500 204, 50-02-04) (e908BEW, e/908B/EW, e-908B-EW) e 908B-EW Condenser Microphone for Brass and Wind Instruments The high-end sound of a condenser microphone is combined with the features of professional stage equipment to make the e 908 a small, highly flexible marvel. With an open and high-definition character, it creates surprisingly forceful sounds. It transmits the attack in a very clear and defined manner while structure-borne noise is reliably suppressed. Thanks to its shock-mounted head, gooseneck and special clips, the e 908 can be quickly attached and precisely oriented to the sound source. Despite its delicate form, the microphone is ruggedly constructed and easily takes even hard hits. The e 908 is available in four models: e 908 D: for drums and percussion e 908 B: for wind instruments, congas, and drums with free-floating suspension system e 908 B ew: for wireless miking of saxophones using an evolution wireless instrument transmitter  

Sennheiser e 908 B Condenser Microphone for Brass Instruments

Sennheiser 500203 (500/203, 500 203, 50-02-03, 500-203) (e908B, e/908/B, e-908-B) e 908 B Condenser Microphone for Brass Instruments The high-end sound of a condenser microphone is combined with the features of professional stage equipment to make the e 908 a small, highly flexible marvel. With an open and high-definition character, it creates surprisingly forceful sounds. It transmits the attack in a very clear and defined manner while structure-borne noise is reliably suppressed. Thanks to its shock-mounted head, gooseneck and special clips, the e 908 can be quickly attached and precisely oriented to the sound source. Despite its delicate form, the microphone is ruggedly constructed and easily takes even hard hits. The e 908 is available in four models: e 908 D: for drums and percussion e 908 B: for wind instruments, congas, and drums with free-floating suspension system e 908 B ew: for wireless miking of saxophones using an evolution wireless instrument transmitter  

Sennheiser e 914 High-Performance Condenser General Instrument Microphone

Sennheiser 500206 (500 206, 500/206, 500-206, 50-02-06) (e914, e/914, e 914) e 914 High-Performance Condenser General Instrument Microphone The e 914 is a condenser microphone of the superior class with a full-bodied sound and excellent dynamics. Its silky character, never headstrong, is developed from the gentle emphasis of the sophisticated treble. Its straightforward transient response accurately captures the temperament of each set, even at very high sound pressure levels. With its detailed resolution, the e 914 makes every live drum sound more refined. The capsule has extraordinary feedback resistance and can be individually adapted to various needs: three positions of bass roll-off/cut-off and pre-attenuation can be set.    

Sennheiser e 965 High End Condenser Microphone

Sennheiser 500881 (500-881, 500/881, 500 881, 50-08-81) (e965, e/965, e 965) e 965 High End Condenser Microphone The advantages of high-end studio and stage microphones are perfectly combined in the e 965: high-resolution, multifaceted sound supplemented by high feedback rejection and an extremely rugged design. The flagship of the evolution series is a true condenser, large-diaphragm microphone that has been developed for professional stage use. Its balanced sound is marked by clarity and sophistication; it gives the high-end a silky gloss and reproduces the lower mids in a warm, well-defined manner. The e 965 responds extremely quickly and transmits even the finest nuances in impressive detail. Depending on the stage setting, the pick-up pattern can be switched between gentle cardioid and more direct super-cardioid. This top model leaves no wishes unanswered in terms of sound, ruggedness and handling.    

Sennheiser MKE 1-4 Miniature lavalier microphone Black

Sennheiser 502167 (502-167, 502/167, 502 167, 50-21-67) (MKE1-4, MKE-1-4, MKE/1-4) MKE 1-4 Miniature lavalier microphone Black Our smallest Sound Pro. Whether for musicals and live shows, or for broadcasting applications, the MKE 1 - Sennheiser's smallest clip-on microphone - performs at its best in all situations where a microphone needs to be virtually invisible and still offer outstanding sound quality. Reliability: Sweat protected by a newly developed protective membrane, the MKE 1 stands up better than other clip-on microphones to harsh live conditions. Its special gauze and multi-purpose cap offer additional protection from moisture so that it only picks up what it is meant to pick up - perfect sound. The MKE 1 is robust in every respect. The cable with moulded anti-kink sleeve minimises handling noise and makes this a microphone you can rely upon completely.

Sennheiser MKE 1-4-3 Miniature lavalier microphone Beige

Sennheiser 502168 (502-168, 502/168, 50-21-68, 502 168) (MKE-1-4-3, MKE/1/4/3, MKE1-4-3) MKE 1-4-3 Miniature lavalier microphone Beige Our smallest Sound Pro. Whether for musicals and live shows, or for broadcasting applications, the MKE 1 - Sennheiser's smallest clip-on microphone - performs at its best in all situations where a microphone needs to be virtually invisible and still offer outstanding sound quality. Reliability: Sweat protected by a newly developed protective membrane, the MKE 1 stands up better than other clip-on microphones to harsh live conditions. Its special gauze and multi-purpose cap offer additional protection from moisture so that it only picks up what it is meant to pick up - perfect sound. The MKE 1 is robust in every respect. The cable with moulded anti-kink sleeve minimises handling noise and makes this a microphone you can rely upon completely.

Sennheiser 3109 Mkh 50-P48 Studio Directional Microphone

Sennheiser 3109 Mkh 50-P48 (MKH50-P48 MKH 50 P48 MKH-50-P48 MKH 50P48) Studio Directional Microphone Super-cardioid microphone designed for use as a soloist's or spot microphone for applications requiring a high degree of side-borne sound muting and feedback rejection. Frequency-independent directional characteristics. The super-cardioid MKH 50 offers a higher attenuation of diffuse field and lateral sound than the cardioid microphone. It is principally designed for use as a soloist's or spot microphone for applications requiring a high degree of side-borne sound muting and feedback rejection. The directional characteristics are frequency-independent. Super-cardioid pick-up pattern for higher attenuation of diffusefield and lateral sound Soloist’s or spot microphone for applications requiring a high degree of side-borne sound muting and feedback rejection Exceptionally low inherent self-noise

Sennheiser MKH 800 TWIN Nx Dual Capsule Microphone

Sennheiser 502083 (502 083, 502/083, 502 083, 50-20-83) (MKH800TWINNx, MKH-800-TWIN-Nx, MKH/800/TWIN/Nx) MKH 800 TWIN Nx Dual Capsule Microphone The MKH 800 TWIN is a universal studio condenser microphone of exceptional quality. It includes a dual capsule consisting of two symmetrical push-pull transducers with high linearity. This is a "side fire" microphone with the two cardioid pick-up patterns of the transducer aligned back-to-back across the axis of the microphone. The signals of both transducers are not combined in the microphone in order to generate differing pick-up patterns but are available separately as two channels at the microphone output. This allows the pick-up patterns of the MKH 800 TWIN to be remotely adjusted. The signals can be combined in any desired way in the mixing console in order to create all pick-up patterns from omni-directional to figure-8 with an infinite number of intermediate stages. Based on the legendary MKH 800, this microphone opens up to a new dimension of studio recordings.

Sennheiser MMD 935-1 BK Dynamic Cardioid Capsule for SKM 2000 transmitter (black)

Sennheiser 502577 (502-577, 502/577, 50-25-77, 502 577) (MMD-935-1 BK, MMD/935-1 BK, MMD935-1 BK) MMD 935-1 BK Dynamic Cardioid Capsule for SKM 2000 transmitter (black)  Designed for use with evolution wireless handheld transmitters, the cardioid MMD 935 microphone head features the excellent acoustic properties of the wired e 935 vocal microphone.

RODENT1000 Studio Condenser Microphone

Rode RODENT1000 (RODE-NT1000, RODE/NT1000, RODE NT1000, rode-nt1000, rode/nt1000, rode nt1000, NT1000, nt1000) Studio Condenser Microphone The NT1000 1" Studio Condenser Microphone from Rode features transformerless circuitry, giving the mic an ultra-low self-noise level of 6 dBA. It can be used to capture audio for both vocal and instrument applications and is well-suited for grand piano and drum overheads. It is built with a 3-pin XLR connector and requires 24 or 48V phantom power to operate. Also included is a RM2 ring-mount microphone stand and a ZP1 padded zip pouch. Cardioid Polar Pattern The cardioid pick-up pattern is effective in minimizing noise from off-axis sections of the microphone such as monitors, instruments, room ambiance, etc. Gold-Plated Diaphragm The gold-plated diaphragm provides transparent signal reproduction and frequency response. The diaphragm is internally shockmounted, providing protection against potential damage. Wide Frequency Response The NT1000's 20 Hz to 20 kHz frequency response allows the microphone to be used in a variety of applications.

RODENT2000 Seamlessly Variable Dual 1" Condenser Microphone

Rode RODENT2000 (RODE-NT2000, RODE/NT2000, RODE NT2000, rode-nt2000, rode/nt2000, rode nt2000, NT2000, nt2000) Seamlessly Variable Dual 1" Condenser Microphone The RØDE NT2000 microphone is a studio-quality large diaphragm condenser with seamlessly variable polar patterns. Its polar patterns selection, filter and pad are conveniently located on the front of the microphone body for ease of use. Audiophile quality surface-mount electronics combined with a gold-sputtered dual 1" capsule provide extremely low self-noise (7dBA) and a maximum SPL of 147 dB (up to 157 dB with pad fully engaged) giving an incredible amount of versatility and ensuring exceptional results. The RØDE NT2000 microphone is designed and made in Australia, and covered by RØDE's industry leading 10 year warranty.

RODENT2APACK Microphone Studio Pack

Rode RODENT2APACK (RODE-NT2APACK, RODE/NT2APACK, RODE NT2APACK, NT2/APACK, NT2-APACK, NT2 APACK, NT2APACK, nt2apack) Microphone Studio Pack The NT2-A Studio Solution Package from RODE includes the NT2-A multi-pattern condenser microphone, the SM6 shock mount and pop filter, a 10' XLR cable, and a dust cover. Also included in this package is an instructional DVD with an in-depth tutorial by Grammy nominated producer John Merchant. The Rode NT2-A has a high-quality, large dual-diaphragm multi-pattern condenser element that delivers maximum flexibility in many recording scenarios. Superior electronics result in ultra-low noise performance, and its fixed variable pad, pattern and filter adjustments provide the flexibility and control needed by musicians and recording engineers alike. The Rode NT2-A Studio Solution Package includes the SM6 shockmount, XLR cable, dust cover and instructional DVD by Grammy Award nominated producer John Merchant

RODENT3 3/4" Cardoid Condenser Microphone

Rode RODENT3 (RODE-NT3, RODE/NT3, RODE NT3, rode-nt3, rode nt3, rode/nt3, NT3, nt3) 3/4" Cardoid Condenser Microphone The NT3 is the definition of a studio workhorse. Featuring an end-address 3/4" gold-sputtered true-condenser transducer it provides incredible detail on almost any instrument you can imagine. Intended for studio, stage and location work, this versatile handheld, stand or boompole mounted microphone will give great results on drums, percussion, acoustic guitar, guitar amps, piano and all acoustic instruments as well as detailed voice reproduction when used as a handheld presentation microphone or indoor boom mic. For further versatility the NT3 can be powered by either P48 phantom power, or via a 9V battery for situations when power isn't available via the console or camera. Its rugged and durable all-metal body and mesh head ensure that it is well protected both in the studio and out in the field.

RODENT5SINGLE Compact 1/2" Cardioid Condenser Microphone

Rode RODENT5SINGLE (RODE-NT5-SINGLE, RODE/NT5/SINGLE, RODE NT5 SINGLE, NT5, nt5) Compact 1/2" Cardioid Condenser Microphone The NT5 is RØDE's premier small-diaphragm cardioid condenser microphone, sometimes referred to as a 'pencil mic'. Intended for recording acoustic instruments, drum overheads, cymbals and live performances, the compact externally polarized mic employs a 1/2" capsule, an active J-FET impedance converter with bipolar output buffer. Its tight cardioid pickup pattern also makes it ideal for use as an indoor dialogue microphone for filmmaking on a mic stand or boom. Expanding the NT5's versatility, an interchangeable omnidirectional capsule (NT45-O) is available. Finished in durable satin nickel, the NT5 available as a single microphone or as an acoustically matched pair. The NT5 is designed and made in Australia, and covered by RØDE's industry leading 10 year warranty.

RODENT55 Multi-Pattern 1/2" Condenser Microphones

Rode RODENT55 (RODE-NT55, RODE/NT55, RODE NT55, rode-nt55, rode/nt55, rode nt55, NT55, nt55) Multi-Pattern 1/2" Condenser Microphones Like the NT5, the RØDE NT55 is a small-diaphragm, true-condenser cardioid microphone, sometimes referred to as a 'pencil mic'. The NT55 adds both a three position pad (0, -10dB, -20dB) and three stage high pass filter (Off, 75Hz, 150Hz), and includes the interchangeable NT45-O omnidirectional capsule. Intended for recording acoustic instruments, drum overheads, cymbals and live performances, the compact externally polarized mic employs a 1/2" capsule, an active J-FET impedance converter with bipolar output buffer. Its tight cardioid pickup pattern also makes it ideal for use as an indoor dialogue microphone for filmmaking on a mic stand or boom. Finished in durable satin nickel, the NT55 available as a single microphone or as an acoustically matched pair.

Panasonic PAN-AGMC200G XLR Microphone

Panasonic PAN-AGMC200G ( AGMC200G,PANAGMC200G, PAN/AGMC200G, PAN AGMC200G )XLR Microphone The Panasonic AG-MC200G is a camera mounted condenser microphone with superior directional characteristics. The focused pickup of the AG-MC200G eliminates peripheral sound, greatly reducing ambiance and potential feedback problems. The AG-MC200G uses +48V phantom power and has standard XLR output.The microphone is ideal for use with the AG-HMC151, AG-HMC41 and AG-HMC71 cameras.

DPA 3506A d:dicate 4006A Stereo Kit

DPA 3506 (DPA3506 DPA-3506 DPA/3506) d:dicate™ 4006A Stereo Kit   The DPA 3506 is a complete 4006-TL Stereo Kit with two carefully factory-matched phantom powered (P48) condenser microphones. The DPA 3506 also includes a Stereo Boom and the complete range of DPA Acoustic Modification Accessories, all in a sturdy carrying case with a foam insert. The specially selected DPA 4006-TL microphones are matched within +/- 0.5 dB on both frequency range, sensitivity and self noise. The maximum phase response difference from 50 Hz to 20 kHz is 10 degrees. The high sensitivity, the low noise-floor and the extremely linear frequency response from 15 Hz to 20 kHz (+/-2 dB) of the microphone pair makes the DPA 3506 the perfect choice for all professional A-B Stereo recordings. 4006-TL Omni Microphone, P48, Transformerless detailed and natural reproduction high sensitivity and low noise-floor excellent for concert halls and spot miking for acoustical instruments  DPA 4006 is one of the most popular types in the DPA microphone range and is a worldwide reference thanks to its precise, detailed and natural reproduction. For more than 20 years it has impressed studio owners and broadcasters as well as musicians and engineers thanks to its transparent sound quality. It is one of the most sought after studio microphones in the industry - and the one that gives you the most value for your money. In striving to achieve an even cleaner sound, the 4006-TL is equipped with a state-of-the-art transformerless preamplifier and is powered via a standard 48 V Phantom Power supply. This design increases the sensitivity and provides an extended low-frequency handling capability (15 Hz to 20 kHz ±2 dB). All components in this construction are very carefully selected to fulfil the demand for optimal neutrality, accuracy and extremely low distortion even at very high sound pressure levels and at complex passages in the music. The applications of 4006-TL are numerous: AB stereo pair for symphonic concert hall recordings, close mic on instruments such as grand piano, guitar, double bass, percussion and speech/vocals, just to mention a few examples where a 4006-TL will give more detail and more open resolution. With the acoustic modification accessories it is possible to gain different frequency responses and directional characteristics with just one 4006-TL. You simply change a grid and it will influence the sound field acoustically without any phase shift, noise or distortion, that any electrical filter will introduce. 4006-TL is a product for sound engineers with demands for high quality. The precise reproduction, total transparency and natural-sounding clarity of this microphone will provide you with a lifetime of satisfying listening.

DPA 3511A d:dicate 4011A Stereo Kit

DPA 3511 (DPA3511 DPA-3511 DPA/3511)  d:dicate™ 4011A Stereo Kit 2 x UA0897 Shock Mount,Includes: 2 x UA0896 Windscreen for 4011/12/15/16, 1 x UA0836 Stereo Boom with Holders, 1 x DUA0019 Spacer for Stereo Boom, 19 mm (0.75 in) plus 2 x 4011-TL The DPA 3511 is a complete stereo kit for a broad range of recording applications using two 4011-TL Cardioid Microphones, carefully matched within +/- 1 dB on frequency response, sensitivity and self-noise. These cardioids are exceptionally linear in their frequency response - also off axis, giving you the natural experience. Several standard set-ups such as ORTF and XY are possible. The 4011-TL mics handle very high SPL and will therefore allow close placement as well as more distant. Often used for piano recordings of jazz or pop with a placement closer to the hammers or as overheads for drums. The kit includes 2 windscreens, 2 very effective shock mounts, a precision-crafted stereo boom for secure mounting of microphone pairs for A-B stereo recordings and a spacer to allow XY or ORTF stereo set-ups on the boom.    

DPA 4017B Shotgun Microphone

DPA 4017B (DPA4017B DPA-4017B DPA/4017B) Shotgun Microphone 4017B Shotgun Microphone FEATURES: Excellent RF Immunity Lightweight Uniform off-axis response Highly directional Equipped with a highly directional supercardioid pickup pattern, obtained using a supercardioid design with an interference tube that provides excellent off-axis rejection, the DPA 4017B is a short and exceptionally lightweight shotgun microphone that truly measures up to DPA’s impressive reputation for accuracy, clarity, and musicality. Designed for a broad range of applications, the phantom powered 4017B is ideal for use with camera systems, in fixed positions at sports facilities, for broadcast/ENG/film booming, and even studio recording environments. Tune out the surroundings Extensive research and development has been undertaken to optimize the sound coming from the sides and behind the microphone. Minimizing the often very un-linear response of a shotgun microphone due to its side lobes is one of the key accomplishments of the 4017B. The condenser capsule uses a high voltage pre-polarized back plate, endowing the shotgun with high output as well as wide dynamics, extremely low noise and distortion specifications. Small size, big performance At just 210 mm (8.3 in) in length and 68 g (2.4 oz) in weight, the aluminum-bodied DPA 4017B is among the smallest and lightest boom microphones available. But that’s not to say that it’s small on performance. Fully immune to RF emission, the 4017B’s 19 mm (0.75 in) condenser cartridge is capable of handling peak SPLs of 152 dB before clipping. Screwdriver-free filter access The 4017B features two onboard filters that are activated via an ingenious switching ring design. With the simple twist of two sturdy rings, engineers can implement a high-frequency boost that adds a 4 dB shelf at 8 kHz and a first-order bass roll-off below 120 Hz to minimize handling and wind noise. A permanent third-order high-pass filter at 50 Hz effectively removes unwanted low frequency disturbance from handling and wind noise.