DPA CSM4000 Compact Microphone Shock Mount

DPA CSM4000 (CSM-4000, CSM/4000, CSM_4000) Compact Microphone Shock Mount The DPA Compact Microphone Shock Mount is a shock mount designed for use with compact microphones measured at 19mm in diameter (.75"). The mount features rubber isolation for optimum resistance against noise caused by shock and a threaded fitting that accommodates the most popular international threads.

DPA Modular Active Cable, MicroDot, Side, 1.8 m (5.9 ft)

DPA MMP-GS (MMPGS, MMP/GS, MMP GS, MMP.GS) Modular Active Cable, MicroDot, Side, 1.8 m (5.9 ft) The MMP-G Modular Active Cable is an ultra-transparent preamplifier. It can be combined with any modular capsule in the d:dicate Recording Microphones Series. The MMP-G also features a MicroDot connector, which allows the microphone to be linked with all leading wireless miking solutions through the extensive range of DPA adapters.  The MMP-G is available in two variations, MMP-GR with the cable extending from the rear or MMP-GS with the cable extending from the side. For one of the highest-quality wireless instrument miking solutions on the market, attach your favorite d:dicate Microphone Capsule to a MMP-G Modular Active Cable. Then you can seamlessly connect them to the GSM4000 Gooseneck Mount for d:dicate. This combination allows you to create a wireless solution with your favorite d:dicateMicrophone.

DPA Modular Active Cable, MicroDot, Rear, 1.8 m (5.9 ft)

DPA MMP-GR (MMPGR, MMP/GR, MMP_GR, MMP.GR) Modular Active Cable, MicroDot, Rear, 1.8 m (5.9 ft) The MMP-G Modular Active Cable is an ultra-transparent preamplifier. It can be combined with any modular capsule in the d:dicate™ Recording Microphones Series. The MMP-G also features a MicroDot connector, which allows the microphone to be linked with all leading wireless miking solutions through the extensive range of DPA adapters.  The MMP-G is available in two variations, MMP-GR with the cable extending from the rear or MMP-GS with the cable extending from the side.

DPA Modular Active Cable, XLR, Side, 3 m (9.8 ft)

DPA MMP-ES (MMPES, MMP/ES, MMP ES, MMP.ES) Modular Active Cable, XLR, Side, 3 m (9.8 ft)  The d:dicate MMP-ES Modular Active Side Cable by DPA Microphones is a microphone preamp. It is used with any d:dicate modular capsule for capturing audio in applications such as with hanging mics or low-profile table or instrument mics. The MMP-ES features a high quality preamp built with a 12mm housing and a 3-pin XLR connector. The capsule attaches to a cable with a length of 3 meters or optionally up to 30 meters. The preamp features impedance balancing with active drive to reject radio frequency interference. This model is built with a side mounted cable. The preamp is ultra transparent and features the DPA designed impedance balancing with active drive to reject radio frequency interference Can be combined with any DPA d:dicate modular capsule

DPA d:dicate 2011ES Twin Diaphragm Cardioid Mic, Side Cable, XLR

DPA 2011ES (2011/ES, 2011 ES, 2011_ES, 2011.ES) d:dicate 2011ES Twin Diaphragm Cardioid Mic, Side Cable, XLR  The 2011ES Cardioid Microphone, Active Side Cable from DPA is designed for capturing audio and can be used in various environments, including theater, recording studios, broadcast TV, and similar applications. It features a cardioid directional pattern and a frequency range of 20 Hz to 20 kHz. The microphone contains an MMP-E active cable preamp, which splits amplification and phantom power duties. Additionally, the microphone offers a modular capsule with high-quality directivity control and radio frequency interference rejection. The 2011ER capsule is also suitable for capturing instruments in sound reinforcement applications. The capsule's twin diaphragm is designed to provide a fast impulse response and large frequency bandwidth, resulting in low inherent noise. The microphone's modular design allows users to manually switch optional capsules for enhanced versatility and performance. The preamp terminates with a 12mm attachment at one end and an XLR connector at the other. The 2011ER features a compact appearance and includes a SM4000-C Suspension Mount.

DPA d:dicate 2011ER Twin Diaphragm Cardioid Mic, Rear Cable, XLR

DPA 2011ER (2011/ER, 2011 ER, 2011_ER, 2011.ER) d:dicate 2011ER Twin Diaphragm Cardioid Mic, Rear Cable, XLR The 2011ER Cardioid Microphone, Active Rear Cable from DPA is designed for capturing audio and can be used in various environments, including theater, recording studios, broadcast TV, and similar applications. It features a cardioid directional pattern and a frequency range of 20 Hz to 20 kHz. The microphone contains an MMP-E active cable preamp, which splits amplification and phantom power duties. Additionally, the microphone offers a modular capsule with high-quality directivity control and radio frequency interference rejection. The 2011ER capsule is also suitable for capturing instruments in sound reinforcement applications. The capsule's twin diaphragm is designed to provide a fast impulse response and large frequency bandwidth, resulting in low inherent noise. The microphone's modular design allows users to manually switch optional capsules for enhanced versatility and performance. The preamp terminates with a 12mm attachment at one end and an XLR connector at the other. The 2011ER features a compact appearance and includes a SM4000-C Suspension Mount.

DPA Mic Base, White, XLR, P48

DPA DM6000-WX (DM6000WX, DM6000/WX, DM6000 WX, DM6000.WX) Mic Base, White, XLR, P48 The DPA Microphone Base (DM6000) brings sleek Scandinavian design and superior audio technology seamlessly into your meeting rooms. Made of brushed aluminium and including a built-in shock mount system, The Microphone Base suppresses most all unwanted handling or vibration noise from the table or podium. Hidden mounting holes below the top cover allow for permanent mounting to any flat surface, and it looks just great. It can be ceiling-mounted upside down or positioned on top of a table.

DPA Mic Base, White, MicroDot

DPA DM6000-WM (DM6000WM, DM6000/WM, DM6000 WM, DM6000.WM) Mic Base, White, MicroDot  The DPA DM6000-WM Microphone Base brings sleek Scandinavian design to the meeting rooms where it's used. It offers 2 main mounting possibilities: tabletop or ceiling, and is ideal for either. This particular model comes with the MicroDot, Passive, Unbalanced interface (Note: a DPA adapter will be needed to connect this to a wireless system - sold separately). This Microphone Base comes with an onboard shock mount system that provides very good suppression of unwanted handling noise from a table or the like. Hidden mounting holes below the top cover make it possible to permanently affix the unit to a flat surface for an exclusive appearance. The audio cables are an integral part of the Microphone Base unit. It's designed specifically to work with DPA's d:screet™ SC4098 Supercardioid Podium Microphone (sold separately). Recommended for use with microphones in these lengths: 6" (16cm), 11" (28cm), and 17" (43cm) (all mics sold separately). Longer goosenecks should be avoided. Read more about our microphones for installation.

DPA Mic Base, Black, XLR, P48

DPA DM6000-BX (DM6000-BX, DM6000-BX, DM6000-BX, DM6000-BX) Mic Base, Black, XLR, P48  The DPA Microphone Base (DM6000) brings sleek Scandinavian design and superior audio technology seamlessly into your meeting rooms. Made of brushed aluminium and including a built-in shock mount system, The Microphone Base suppresses most all unwanted handling or vibration noise from the table or podium. Hidden mounting holes below the top cover allow for permanent mounting to any flat surface, and it looks just great. It can be ceiling-mounted upside down or positioned on top of a table.  

DPA Mic Base, Black, MicroDot

DPA DM6000-BM (DM6000BM, DM6000/BM, DM6000_BM, DM6000.BM) Mic Base, Black, MicroDot The Microphone Base comes with a built-in shock mount system that gives very good suppression of unwanted handling noise from a table or the like. Hidden mounting holes below the top cover make it possible to permanently affix the unit to a flat surface for an exclusive appearance. The audio cables are an integral part of the Microphone Base unit.   

DPA Table Shock Mount

DPA TSM4001 (TSM 4001, TSM/4001, TSM.4001, TSM_4001) Table Shock Mount  The Table Shock Mount is a table shock mount for podium microphones. Vertical softness absorbs handling vibration. Horizontal movements are controlled to prevent the podium boom from touching the mount. Best performance is obtained with mics weighing between 140 g (5 oz) and 240 g (8.5 oz). The top part of the mount can be custom ordered with different finishes to match surrounding architectural appearance. The Table Shock Mount is easy to mount. It only requires a hole in the table plate with a diameter between 55-59 mm (2.16-2.32 in). The mount fits plate thicknesses from 8-38 mm (0.31-1.49 in).

DPA d:sign 4011 Cardioid Mic, Black, XLR, 122 cm (48 in) Boom, Floor Stand, Twin Mic

DPA 4011-DF-F-B01-120T (4011DFFB01120T, 4011/DF/F/B01/120T, 4011 DF F B01 120T, 4011DFF/B01/120T)  d:sign 4011 Cardioid Mic, Black, XLR, 122 cm (48 in) Boom, Floor Stand, Twin Mic  The 4011FGT Cardioid Microphone from DPA features a twin 120cm boom floor stand and is designed for capturing professional-grade audio. It can be used in various venues such as lectures, meeting rooms, public speaking events, and similar applications. The 4011FGT features a cardioid polar pattern and linear phase with a frequency range of 20 Hz to 20 kHz. The microphone floor stand is built with an XLR-3M connector and is finished with a black non-reflective surface for use in TV-studios, OB-vans, and on stage in theaters and concert halls. Additionally, it contains an integrated shock mounting solution, allowing the long boom pole to stabilize itself after being positioned. The microphone's capsule is powered by 48V of phantom power. Suitable for floor stand applications Equally suitable for close-up work on acoustic guitar, grand piano, overheads, percussion, wind instruments, and vocals The cardioid capsule features linear phase and frequency response with a wide dynamic range

DPA d:sign 4011 Cardioid Mic, Black, XLR, 20 cm 8 in Boom, full Gooseneck

A complete cardioid microphone floor stand solution in the modular d:sign™ Microphone Series offering a high-quality stage voice or instrument mic. 4011 DF G B01 015 (4011-DF-G-B01-015, 4011_DF_G_B01_015, 4011/DF/G/B01/015) This floor stand solution has an elegant and exclusive design with a black, non-reflective surface specifically made to handle the, from time to time, rough life in TV-studios, OB-vans and onstage in theaters and concert halls. The Floor Base has an integrated shock mounting solution. The thread screw holds the Stand Extension and MMP-F Modular Active Boom. This unique design allows for a long stage microphone boom pole that does not swing, but rapidly stabilizes itself after being positioned. These floor stand solutions can quickly, and with no tools needed, transform into a new configuration. You can combine it with another d:dicate™ Microphone Capsule or Preamplifier. d:sign™ 4011 Floor Stand Microphones Using the MMC4011 Cardioid Microphone Capsule for its directional quality and attention to detail, this solution makes everything sounds like the original. The first-order cardioid pickup pattern provides superb separation between sound sources. It is equally suitable for close-up work on acoustic guitar, grand piano, overheads, percussion, wind instruments and vocals as it is for spot-miking symphonies. It can handle incredibly high sound levels. A flat on-axis frequency response and excellent phase response deliver a faithful reproduction of the original sound. The off-axis response is similarly smooth so that any leakage is an accurate reflection of the original, though attenuated according to the true first-order cardioid pickup pattern. d:sign™ 4011 Floor Stand Microphones comes in the following lengths: d:dicate™ 4011-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120 Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4018 Floor Stand Microphones This solution uses the MMC4018 Cardioid Microphone Capsule, which has a highly-directional supercardioid pickup pattern with a smooth and uniform off-axis frequency response. The supercardioid shape is frequency independent, securing an identical sound color around the microphone. The usual rear lobe heard on most supercardioids is minimized on this capsule. This makes it much more isolated without sudden frequency dependent peaks and dips. d:sign™ 4018 Floor Stand Microphones comes in the following lengths: d:dicate™ 4018-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4018FGS Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4018-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4098 Floor Stand Microphones With very low noise and a high sensitivity, d:screet™ Supercardioid Microphones offer the most clear, transparent, and natural sound available on the miniature mic market. The mics are capable of handling extremely high SPL before clipping. With a linear response, low distortion and an extremely large dynamic range, they sound great no matter how challenging the environment. This floor stand solution comes in one length: d:screet™ SC4098-BX-FGS Supercardioid Microphone, XLR, 122 cm (48 in) Boom, Floor Stand

DPA d:sign 4011 Cardioid Mic, Black, XLR, 32 cm 13 in Boom, top and bottom Gooseneck

A complete cardioid microphone floor stand solution in the modular d:sign™ Microphone Series offering a high-quality stage voice or instrument mic. 4011 DF G B01 030 (4011-DF-G-B01-030, 4011_DF_G_B01_030, 4011/DF/G/B01/030) This floor stand solution has an elegant and exclusive design with a black, non-reflective surface specifically made to handle the, from time to time, rough life in TV-studios, OB-vans and onstage in theaters and concert halls. The Floor Base has an integrated shock mounting solution. The thread screw holds the Stand Extension and MMP-F Modular Active Boom. This unique design allows for a long stage microphone boom pole that does not swing, but rapidly stabilizes itself after being positioned. These floor stand solutions can quickly, and with no tools needed, transform into a new configuration. You can combine it with another d:dicate™ Microphone Capsule or Preamplifier. d:sign™ 4011 Floor Stand Microphones Using the MMC4011 Cardioid Microphone Capsule for its directional quality and attention to detail, this solution makes everything sounds like the original. The first-order cardioid pickup pattern provides superb separation between sound sources. It is equally suitable for close-up work on acoustic guitar, grand piano, overheads, percussion, wind instruments and vocals as it is for spot-miking symphonies. It can handle incredibly high sound levels. A flat on-axis frequency response and excellent phase response deliver a faithful reproduction of the original sound. The off-axis response is similarly smooth so that any leakage is an accurate reflection of the original, though attenuated according to the true first-order cardioid pickup pattern. d:sign™ 4011 Floor Stand Microphones comes in the following lengths: d:dicate™ 4011-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120 Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4018 Floor Stand Microphones This solution uses the MMC4018 Cardioid Microphone Capsule, which has a highly-directional supercardioid pickup pattern with a smooth and uniform off-axis frequency response. The supercardioid shape is frequency independent, securing an identical sound color around the microphone. The usual rear lobe heard on most supercardioids is minimized on this capsule. This makes it much more isolated without sudden frequency dependent peaks and dips. d:sign™ 4018 Floor Stand Microphones comes in the following lengths: d:dicate™ 4018-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4018FGS Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4018-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4098 Floor Stand Microphones With very low noise and a high sensitivity, d:screet™ Supercardioid Microphones offer the most clear, transparent, and natural sound available on the miniature mic market. The mics are capable of handling extremely high SPL before clipping. With a linear response, low distortion and an extremely large dynamic range, they sound great no matter how challenging the environment. This floor stand solution comes in one length: d:screet™ SC4098-BX-FGS Supercardioid Microphone, XLR, 122 cm (48 in) Boom, Floor Stand

DPA d:sign 4011 Cardioid Mic, Black, XLR, 47 cm 18 in Boom, top and bottom Gooseneck

A complete cardioid microphone floor stand solution in the modular d:sign™ Microphone Series offering a high-quality stage voice or instrument mic. 4011 DF G B01 045 (4011-DF-G-B01-045, 4011_DF_G_B01_045, 4011/DF/G/B01/045) This floor stand solution has an elegant and exclusive design with a black, non-reflective surface specifically made to handle the, from time to time, rough life in TV-studios, OB-vans and onstage in theaters and concert halls. The Floor Base has an integrated shock mounting solution. The thread screw holds the Stand Extension and MMP-F Modular Active Boom. This unique design allows for a long stage microphone boom pole that does not swing, but rapidly stabilizes itself after being positioned. These floor stand solutions can quickly, and with no tools needed, transform into a new configuration. You can combine it with another d:dicate™ Microphone Capsule or Preamplifier. d:sign™ 4011 Floor Stand Microphones Using the MMC4011 Cardioid Microphone Capsule for its directional quality and attention to detail, this solution makes everything sounds like the original. The first-order cardioid pickup pattern provides superb separation between sound sources. It is equally suitable for close-up work on acoustic guitar, grand piano, overheads, percussion, wind instruments and vocals as it is for spot-miking symphonies. It can handle incredibly high sound levels. A flat on-axis frequency response and excellent phase response deliver a faithful reproduction of the original sound. The off-axis response is similarly smooth so that any leakage is an accurate reflection of the original, though attenuated according to the true first-order cardioid pickup pattern. d:sign™ 4011 Floor Stand Microphones comes in the following lengths: d:dicate™ 4011-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120 Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4018 Floor Stand Microphones This solution uses the MMC4018 Cardioid Microphone Capsule, which has a highly-directional supercardioid pickup pattern with a smooth and uniform off-axis frequency response. The supercardioid shape is frequency independent, securing an identical sound color around the microphone. The usual rear lobe heard on most supercardioids is minimized on this capsule. This makes it much more isolated without sudden frequency dependent peaks and dips. d:sign™ 4018 Floor Stand Microphones comes in the following lengths: d:dicate™ 4018-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4018FGS Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4018-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4098 Floor Stand Microphones With very low noise and a high sensitivity, d:screet™ Supercardioid Microphones offer the most clear, transparent, and natural sound available on the miniature mic market. The mics are capable of handling extremely high SPL before clipping. With a linear response, low distortion and an extremely large dynamic range, they sound great no matter how challenging the environment. This floor stand solution comes in one length: d:screet™ SC4098-BX-FGS Supercardioid Microphone, XLR, 122 cm (48 in) Boom, Floor Stand

DPA d:sign 4011 Cardioid Mic, Black, XLR, 77 cm 30 in Boom, top and bottom Gooseneck

A complete cardioid microphone floor stand solution in the modular d:sign™ Microphone Series offering a high-quality stage voice or instrument mic. 4011 DF G B01 075 (4011-DF-G-B01-075, 4011_DF_G_B01_075, 4011/DF/G/B01/075) This floor stand solution has an elegant and exclusive design with a black, non-reflective surface specifically made to handle the, from time to time, rough life in TV-studios, OB-vans and onstage in theaters and concert halls. The Floor Base has an integrated shock mounting solution. The thread screw holds the Stand Extension and MMP-F Modular Active Boom. This unique design allows for a long stage microphone boom pole that does not swing, but rapidly stabilizes itself after being positioned. These floor stand solutions can quickly, and with no tools needed, transform into a new configuration. You can combine it with another d:dicate™ Microphone Capsule or Preamplifier. d:sign™ 4011 Floor Stand Microphones Using the MMC4011 Cardioid Microphone Capsule for its directional quality and attention to detail, this solution makes everything sounds like the original. The first-order cardioid pickup pattern provides superb separation between sound sources. It is equally suitable for close-up work on acoustic guitar, grand piano, overheads, percussion, wind instruments and vocals as it is for spot-miking symphonies. It can handle incredibly high sound levels. A flat on-axis frequency response and excellent phase response deliver a faithful reproduction of the original sound. The off-axis response is similarly smooth so that any leakage is an accurate reflection of the original, though attenuated according to the true first-order cardioid pickup pattern. d:sign™ 4011 Floor Stand Microphones comes in the following lengths: d:dicate™ 4011-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120 Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4018 Floor Stand Microphones This solution uses the MMC4018 Cardioid Microphone Capsule, which has a highly-directional supercardioid pickup pattern with a smooth and uniform off-axis frequency response. The supercardioid shape is frequency independent, securing an identical sound color around the microphone. The usual rear lobe heard on most supercardioids is minimized on this capsule. This makes it much more isolated without sudden frequency dependent peaks and dips. d:sign™ 4018 Floor Stand Microphones comes in the following lengths: d:dicate™ 4018-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4018FGS Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4018-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4098 Floor Stand Microphones With very low noise and a high sensitivity, d:screet™ Supercardioid Microphones offer the most clear, transparent, and natural sound available on the miniature mic market. The mics are capable of handling extremely high SPL before clipping. With a linear response, low distortion and an extremely large dynamic range, they sound great no matter how challenging the environment. This floor stand solution comes in one length: d:screet™ SC4098-BX-FGS Supercardioid Microphone, XLR, 122 cm (48 in) Boom, Floor Stand

DPA d:sign 4018 Supercardioid Mic, Black, XLR, 20 cm 8 in Boom, full Gooseneck

A complete cardioid microphone floor stand solution in the modular d:sign™ Microphone Series offering a high-quality stage voice or instrument mic. 4018 DF G B01 015 (4018-DF-G-B01-015, 4018_DF_G_B01_015, 4018/DF/G/B01/015) This floor stand solution has an elegant and exclusive design with a black, non-reflective surface specifically made to handle the, from time to time, rough life in TV-studios, OB-vans and onstage in theaters and concert halls. The Floor Base has an integrated shock mounting solution. The thread screw holds the Stand Extension and MMP-F Modular Active Boom. This unique design allows for a long stage microphone boom pole that does not swing, but rapidly stabilizes itself after being positioned. These floor stand solutions can quickly, and with no tools needed, transform into a new configuration. You can combine it with another d:dicate™ Microphone Capsule or Preamplifier. d:sign™ 4011 Floor Stand Microphones Using the MMC4011 Cardioid Microphone Capsule for its directional quality and attention to detail, this solution makes everything sounds like the original. The first-order cardioid pickup pattern provides superb separation between sound sources. It is equally suitable for close-up work on acoustic guitar, grand piano, overheads, percussion, wind instruments and vocals as it is for spot-miking symphonies. It can handle incredibly high sound levels. A flat on-axis frequency response and excellent phase response deliver a faithful reproduction of the original sound. The off-axis response is similarly smooth so that any leakage is an accurate reflection of the original, though attenuated according to the true first-order cardioid pickup pattern. d:sign™ 4011 Floor Stand Microphones comes in the following lengths: d:dicate™ 4011-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120 Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4018 Floor Stand Microphones This solution uses the MMC4018 Cardioid Microphone Capsule, which has a highly-directional supercardioid pickup pattern with a smooth and uniform off-axis frequency response. The supercardioid shape is frequency independent, securing an identical sound color around the microphone. The usual rear lobe heard on most supercardioids is minimized on this capsule. This makes it much more isolated without sudden frequency dependent peaks and dips. d:sign™ 4018 Floor Stand Microphones comes in the following lengths: d:dicate™ 4018-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4018FGS Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4018-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4098 Floor Stand Microphones With very low noise and a high sensitivity, d:screet™ Supercardioid Microphones offer the most clear, transparent, and natural sound available on the miniature mic market. The mics are capable of handling extremely high SPL before clipping. With a linear response, low distortion and an extremely large dynamic range, they sound great no matter how challenging the environment. This floor stand solution comes in one length: d:screet™ SC4098-BX-FGS Supercardioid Microphone, XLR, 122 cm (48 in) Boom, Floor Stand

DPA d:sign 4018 Supercardioid Mic, Black, XLR, 32 cm 13 in Boom, top and bottom Gooseneck

A complete cardioid microphone floor stand solution in the modular d:sign™ Microphone Series offering a high-quality stage voice or instrument mic. 4018 DF G B01 030 (4018-DF-G-B01-030, 4018_DF_G_B01_030, 4018/DF/G/B01/030) This floor stand solution has an elegant and exclusive design with a black, non-reflective surface specifically made to handle the, from time to time, rough life in TV-studios, OB-vans and onstage in theaters and concert halls. The Floor Base has an integrated shock mounting solution. The thread screw holds the Stand Extension and MMP-F Modular Active Boom. This unique design allows for a long stage microphone boom pole that does not swing, but rapidly stabilizes itself after being positioned. These floor stand solutions can quickly, and with no tools needed, transform into a new configuration. You can combine it with another d:dicate™ Microphone Capsule or Preamplifier. d:sign™ 4011 Floor Stand Microphones Using the MMC4011 Cardioid Microphone Capsule for its directional quality and attention to detail, this solution makes everything sounds like the original. The first-order cardioid pickup pattern provides superb separation between sound sources. It is equally suitable for close-up work on acoustic guitar, grand piano, overheads, percussion, wind instruments and vocals as it is for spot-miking symphonies. It can handle incredibly high sound levels. A flat on-axis frequency response and excellent phase response deliver a faithful reproduction of the original sound. The off-axis response is similarly smooth so that any leakage is an accurate reflection of the original, though attenuated according to the true first-order cardioid pickup pattern. d:sign™ 4011 Floor Stand Microphones comes in the following lengths: d:dicate™ 4011-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120 Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4018 Floor Stand Microphones This solution uses the MMC4018 Cardioid Microphone Capsule, which has a highly-directional supercardioid pickup pattern with a smooth and uniform off-axis frequency response. The supercardioid shape is frequency independent, securing an identical sound color around the microphone. The usual rear lobe heard on most supercardioids is minimized on this capsule. This makes it much more isolated without sudden frequency dependent peaks and dips. d:sign™ 4018 Floor Stand Microphones comes in the following lengths: d:dicate™ 4018-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4018FGS Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4018-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4098 Floor Stand Microphones With very low noise and a high sensitivity, d:screet™ Supercardioid Microphones offer the most clear, transparent, and natural sound available on the miniature mic market. The mics are capable of handling extremely high SPL before clipping. With a linear response, low distortion and an extremely large dynamic range, they sound great no matter how challenging the environment. This floor stand solution comes in one length: d:screet™ SC4098-BX-FGS Supercardioid Microphone, XLR, 122 cm (48 in) Boom, Floor Stand

DPA d:sign 4018 Supercardioid Mic, Black, XLR, 47 cm 18 in Boom, top and bottom Gooseneck

A complete cardioid microphone floor stand solution in the modular d:sign™ Microphone Series offering a high-quality stage voice or instrument mic. 4018 DF G B01 045(4018-DF-G-B01-045,4018_DF_G_B01_045, 4018/DF/G/B01/045) This floor stand solution has an elegant and exclusive design with a black, non-reflective surface specifically made to handle the, from time to time, rough life in TV-studios, OB-vans and onstage in theaters and concert halls. The Floor Base has an integrated shock mounting solution. The thread screw holds the Stand Extension and MMP-F Modular Active Boom. This unique design allows for a long stage microphone boom pole that does not swing, but rapidly stabilizes itself after being positioned. These floor stand solutions can quickly, and with no tools needed, transform into a new configuration. You can combine it with another d:dicate™ Microphone Capsule or Preamplifier. d:sign™ 4011 Floor Stand Microphones Using the MMC4011 Cardioid Microphone Capsule for its directional quality and attention to detail, this solution makes everything sounds like the original. The first-order cardioid pickup pattern provides superb separation between sound sources. It is equally suitable for close-up work on acoustic guitar, grand piano, overheads, percussion, wind instruments and vocals as it is for spot-miking symphonies. It can handle incredibly high sound levels. A flat on-axis frequency response and excellent phase response deliver a faithful reproduction of the original sound. The off-axis response is similarly smooth so that any leakage is an accurate reflection of the original, though attenuated according to the true first-order cardioid pickup pattern. d:sign™ 4011 Floor Stand Microphones comes in the following lengths: d:dicate™ 4011-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120 Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4018 Floor Stand Microphones This solution uses the MMC4018 Cardioid Microphone Capsule, which has a highly-directional supercardioid pickup pattern with a smooth and uniform off-axis frequency response. The supercardioid shape is frequency independent, securing an identical sound color around the microphone. The usual rear lobe heard on most supercardioids is minimized on this capsule. This makes it much more isolated without sudden frequency dependent peaks and dips. d:sign™ 4018 Floor Stand Microphones comes in the following lengths: d:dicate™ 4018-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4018FGS Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4018-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4098 Floor Stand Microphones With very low noise and a high sensitivity, d:screet™ Supercardioid Microphones offer the most clear, transparent, and natural sound available on the miniature mic market. The mics are capable of handling extremely high SPL before clipping. With a linear response, low distortion and an extremely large dynamic range, they sound great no matter how challenging the environment. This floor stand solution comes in one length: d:screet™ SC4098-BX-FGS Supercardioid Microphone, XLR, 122 cm (48 in) Boom, Floor Stand

DPA d:sign 4018 Supercardioid Mic, Black, XLR, 77 cm 30 in Boom, top and bottom Gooseneck

A complete cardioid microphone floor stand solution in the modular d:sign™ Microphone Series offering a high-quality stage voice or instrument mic. 4018 DF G B01 075 (4018-DF-G-B01-075, 4018_DF_G_B01_075, 4018/DF/G/B01/075) This floor stand solution has an elegant and exclusive design with a black, non-reflective surface specifically made to handle the, from time to time, rough life in TV-studios, OB-vans and onstage in theaters and concert halls. The Floor Base has an integrated shock mounting solution. The thread screw holds the Stand Extension and MMP-F Modular Active Boom. This unique design allows for a long stage microphone boom pole that does not swing, but rapidly stabilizes itself after being positioned. These floor stand solutions can quickly, and with no tools needed, transform into a new configuration. You can combine it with another d:dicate™ Microphone Capsule or Preamplifier. d:sign™ 4011 Floor Stand Microphones Using the MMC4011 Cardioid Microphone Capsule for its directional quality and attention to detail, this solution makes everything sounds like the original. The first-order cardioid pickup pattern provides superb separation between sound sources. It is equally suitable for close-up work on acoustic guitar, grand piano, overheads, percussion, wind instruments and vocals as it is for spot-miking symphonies. It can handle incredibly high sound levels. A flat on-axis frequency response and excellent phase response deliver a faithful reproduction of the original sound. The off-axis response is similarly smooth so that any leakage is an accurate reflection of the original, though attenuated according to the true first-order cardioid pickup pattern. d:sign™ 4011 Floor Stand Microphones comes in the following lengths: d:dicate™ 4011-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120 Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4018 Floor Stand Microphones This solution uses the MMC4018 Cardioid Microphone Capsule, which has a highly-directional supercardioid pickup pattern with a smooth and uniform off-axis frequency response. The supercardioid shape is frequency independent, securing an identical sound color around the microphone. The usual rear lobe heard on most supercardioids is minimized on this capsule. This makes it much more isolated without sudden frequency dependent peaks and dips. d:sign™ 4018 Floor Stand Microphones comes in the following lengths: d:dicate™ 4018-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4018FGS Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4018-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4098 Floor Stand Microphones With very low noise and a high sensitivity, d:screet™ Supercardioid Microphones offer the most clear, transparent, and natural sound available on the miniature mic market. The mics are capable of handling extremely high SPL before clipping. With a linear response, low distortion and an extremely large dynamic range, they sound great no matter how challenging the environment. This floor stand solution comes in one length: d:screet™ SC4098-BX-FGS Supercardioid Microphone, XLR, 122 cm (48 in) Boom, Floor Stand

DPA d:sign 4018 Supercardioid Mic, Black, XLR, 122 cm 48 in Boom, top and bottom Gooseneck

A complete cardioid microphone floor stand solution in the modular d:sign™ Microphone Series offering a high-quality stage voice or instrument mic. 4018 DF G B01 120 (4018-DF-G-B01-120, 4018_DF_G_B01_120, 4018/DF/G/B01/120) This floor stand solution has an elegant and exclusive design with a black, non-reflective surface specifically made to handle the, from time to time, rough life in TV-studios, OB-vans and onstage in theaters and concert halls. The Floor Base has an integrated shock mounting solution. The thread screw holds the Stand Extension and MMP-F Modular Active Boom. This unique design allows for a long stage microphone boom pole that does not swing, but rapidly stabilizes itself after being positioned. These floor stand solutions can quickly, and with no tools needed, transform into a new configuration. You can combine it with another d:dicate™ Microphone Capsule or Preamplifier. d:sign™ 4011 Floor Stand Microphones Using the MMC4011 Cardioid Microphone Capsule for its directional quality and attention to detail, this solution makes everything sounds like the original. The first-order cardioid pickup pattern provides superb separation between sound sources. It is equally suitable for close-up work on acoustic guitar, grand piano, overheads, percussion, wind instruments and vocals as it is for spot-miking symphonies. It can handle incredibly high sound levels. A flat on-axis frequency response and excellent phase response deliver a faithful reproduction of the original sound. The off-axis response is similarly smooth so that any leakage is an accurate reflection of the original, though attenuated according to the true first-order cardioid pickup pattern. d:sign™ 4011 Floor Stand Microphones comes in the following lengths: d:dicate™ 4011-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120 Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4018 Floor Stand Microphones This solution uses the MMC4018 Cardioid Microphone Capsule, which has a highly-directional supercardioid pickup pattern with a smooth and uniform off-axis frequency response. The supercardioid shape is frequency independent, securing an identical sound color around the microphone. The usual rear lobe heard on most supercardioids is minimized on this capsule. This makes it much more isolated without sudden frequency dependent peaks and dips. d:sign™ 4018 Floor Stand Microphones comes in the following lengths: d:dicate™ 4018-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4018FGS Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4018-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4098 Floor Stand Microphones With very low noise and a high sensitivity, d:screet™ Supercardioid Microphones offer the most clear, transparent, and natural sound available on the miniature mic market. The mics are capable of handling extremely high SPL before clipping. With a linear response, low distortion and an extremely large dynamic range, they sound great no matter how challenging the environment. This floor stand solution comes in one length: d:screet™ SC4098-BX-FGS Supercardioid Microphone, XLR, 122 cm (48 in) Boom, Floor Stand

DPA ADH0002-500 Double-Sided Tape for Concealer, 500 pcs.

DPA ADH0002-500 (ADH0002500 ADH0002 500 ADH0002/500) Double-Sided Tape for Concealer, 500 pcs. Double-Sided Tape for Concealer, 500 pcs.  

DPA UA0897 Shock Mount

DPA UA0897 (UA 0897 UA-0897 UA/0897) Shock Mount The UA0897 Shock Mount is designed for use in environments where vibration levels are unusually high. Its ultra-compact, robust design significantly reduces the amount of vibration, that reaches the microphone without having adverse acoustical effects. This shock mount was designed using modern vibration measuring techniques, using Brüel & Kjær's world famous vibration test equipment. Unlike other shock mounts, the vibration reduction is clearly specified. It can be used stand mounted in the studio, or in hand-held boom applications.Use extra soft Rubber Mounts for the more lightweight microphones and medium soft for the heavier types.The UA0897 is supplied as standard with the DDS0731 Rubber Mounts for 19 mm microphones. The UA0897 is fitted with a thread adapter, which allows usage on up to three of the most popular international standard threads used on microphone stands.

DPA UA0837 Stereo Boom excluding Holders

DPA UA0837 (UA 0837 UA-0837 UA/0837) Stereo Boom excluding Holders The UA0837 is a precision-crafted microphone boom for secure mounting of microphone pairs for A-B stereo recordings. It has adjustment possibilities for both microphone spacing and microphone angle. The boom can be mounted on a stand, or suspended from wires, and has centimeter graduations on the boom and angle graduations on the microphone holders for quick and easy configuration of the recording set-up. The UA0837 is supplied without microphone holders, but can also be ordered with two UA0961 Microphone Holders as UA0836. Any microphone holder will fit the boom.The stereo boom can be fitted with the DUA0019 19 mm spacer, which allows you to assemble an XY stereo or ORTF stereo setup with two cardioid microphones.Length: 54 cm.  

DPA UA0836 Stereo Boom with Holders

DPA UA0836 (UA 0836 UA-0836 UA/0836) Stereo Boom with Holders The UA0836 is a precision-crafted microphone boom for secure mounting of microphone pairs for A-B stereo recordings. It has adjustment possibilities for both microphone spacing and microphone angle. The boom can be mounted on a stand, or suspended from wires, and has centimeter graduations on the boom and angle graduations on the microphone holders for quick and easy configuration of the recording set-up. The UA0836 is supplied with two UA0961 Microphone Holders, but can also be ordered without the holders (UA0837). Any microphone holder will fit the boom.The stereo boom can be fitted with the DUA0019 19 mm spacer, which allows you to assemble an XY stereo or ORTF stereo setup with two cardioid microphones.Length: 54 cm.    

DPA S5 Surround Microphone Mount - Five Point Microphone Mount

DPA S5 (s5) Surround Microphone Mount - Five Point Microphone Mount The DPA S5 Surround Microphone Mount accommodates up to five cardioid microphones and two omnidirectional microphones as outriggers for blending in between front and rear channels. This method was originated by NHK's Akira Fukada and is a proven method for capturing surround audio in performances, film, sound stages, etc. The microphones may be spaced up to 2 to 7' (60.96 to 213.36cm) between each other and the center disc features a cable-through hole and inscriptions for correct pole alignment. The kit includes all necessary poles, extensions and accessories, and all may be neatly packed and transported in the included road case. The S5 Surround Microphone Mount is ideal in orchestra capturing, ambiance recording, sound reinforcement, location recording and more. DPA or Third Party Microphones The S5 is optimized for use with DPA microphones but the 3/8" threaded mounts allow for any microphone to be used. Spacious Surround Perspective The five point configurations provide spacious, surround recordings of full orchestras, performances, ambiance, etc. Easy Setup and Breakdown The center disc features a cable channel and is inscribed with markings for easy pole setup. The main poles telescope and extensions are also provided for adding length.  

DPA DAO4020 Microphone Cable with Flush XLR Connector, 20 m (66 ft)

DPA DAO4020 (DAO 4020 DAO-4020 DAO/4020) Microphone Cable with Flush XLR Connector, 20 m (66 ft) Cable for suspension or minimal visual appearance This brilliant installation solution uses Mogami cable and an ultra slim XLR housing, adding only a few millimeters extra length to the microphone. Most of the connector will be locked and hidden in the microphone itself. For installations like concert halls, conference rooms, TV Broadcast or live sound reinforcement these cables will give the highest visual elegance. The special DPA Microphone cable is available in three different standard lengths: 10 m (33 ft), 20 m (66 ft) and 50 m (164 ft). Custom lengths can be ordered.  

DPA DAO4010 Microphone Cable with Flush XLR Connector, 10 m (33 ft)

DPA DAO4010 (DAO 4010 DAO-4010 DAO/4010) Microphone Cable with Flush XLR Connector, 10 m (33 ft) Cable for suspension or minimal visual appearance This brilliant installation solution uses Mogami cable and an ultra slim XLR housing, adding only a few millimeters extra length to the microphone. Most of the connector will be locked and hidden in the microphone itself. For installations like concert halls, conference rooms, TV Broadcast or live sound reinforcement these cables will give the highest visual elegance. The special DPA Microphone cable is available in three different standard lengths: 10 m (33 ft), 20 m (66 ft) and 50 m (164 ft). Custom lengths can be ordered.  

DPA TB4000 Table Base

DPA TB4000 (TB 4000 TB-4000 TB/4000) Table Base Table Base The Table Base TB4000 is a beautifully designed base for use with most microphone holders with a 3/8-inch thread. It has a black non-reflective surface and is optimized for use with Compact Shock Mount CSM4000, resulting in a table microphone solution, that is not affected by low frequency transmission through the table.

DPA SBS0400 Stereo Boom with Shock Mounts

DPA SBS0400 (SBS 0400 SBS-0400 SBS/0400) Stereo Boom with Shock Mounts Stereo Boom with Shock Mounts - Modular SBS0400  

DPA SB0400 Stereo Boom

DPA SB0400 (SB 0400 SB-0400 SB/0400) Stereo Boom Stereo BoomModular SB0400  

DPA SM1500 Shock Mount

DPA SM1500 (SM 1500 SM-1500 SM/1500) Shock Mount Shock Mount Modular SM1500  

DPA GM1500 Gooseneck Mount

DPA GM1500 (GM 1500 GM-1500 GM/1500) Gooseneck Mount Gooseneck Mount Modular GM1500

DPA MMP-C Compact Microphone Preamp

DPA MMP-C (MMPC MMP C MMP/C) Compact Microphone Preamp Ultra-compact preamp with active drive for impedance balancing. Has a slightly softer character than the other preamps in the DPA d:dicate Recording Microphones series. Combine this preamp with any capsule in the series.  

DPA MMP-B Lightweight Microphone Preamp, Low Cut and High Boost Option

DPA MMP-B (MMPB MMP B MMP/B) Lightweight Microphone Preamp, Low Cut and High Boost Option Preamplifier with low cut and high boost filters. Combine this preamp with any capsule in the DPA d:dicate Recording Microphones series.  

DPA MMP-A Microphone Preamp

DPA MMP-A (MMPA  MMP A  MMP/A) Microphone Preamp Ultra transparent transformerless preamplifier with active drive for impedance balancing. Combine this preamp with any capsule in the DPA d:dicate Recording Microphones series.

DPA 3506A d:dicate 4006A Stereo Kit

DPA 3506 (DPA3506 DPA-3506 DPA/3506) d:dicate™ 4006A Stereo Kit   The DPA 3506 is a complete 4006-TL Stereo Kit with two carefully factory-matched phantom powered (P48) condenser microphones. The DPA 3506 also includes a Stereo Boom and the complete range of DPA Acoustic Modification Accessories, all in a sturdy carrying case with a foam insert. The specially selected DPA 4006-TL microphones are matched within +/- 0.5 dB on both frequency range, sensitivity and self noise. The maximum phase response difference from 50 Hz to 20 kHz is 10 degrees. The high sensitivity, the low noise-floor and the extremely linear frequency response from 15 Hz to 20 kHz (+/-2 dB) of the microphone pair makes the DPA 3506 the perfect choice for all professional A-B Stereo recordings. 4006-TL Omni Microphone, P48, Transformerless detailed and natural reproduction high sensitivity and low noise-floor excellent for concert halls and spot miking for acoustical instruments  DPA 4006 is one of the most popular types in the DPA microphone range and is a worldwide reference thanks to its precise, detailed and natural reproduction. For more than 20 years it has impressed studio owners and broadcasters as well as musicians and engineers thanks to its transparent sound quality. It is one of the most sought after studio microphones in the industry - and the one that gives you the most value for your money. In striving to achieve an even cleaner sound, the 4006-TL is equipped with a state-of-the-art transformerless preamplifier and is powered via a standard 48 V Phantom Power supply. This design increases the sensitivity and provides an extended low-frequency handling capability (15 Hz to 20 kHz ±2 dB). All components in this construction are very carefully selected to fulfil the demand for optimal neutrality, accuracy and extremely low distortion even at very high sound pressure levels and at complex passages in the music. The applications of 4006-TL are numerous: AB stereo pair for symphonic concert hall recordings, close mic on instruments such as grand piano, guitar, double bass, percussion and speech/vocals, just to mention a few examples where a 4006-TL will give more detail and more open resolution. With the acoustic modification accessories it is possible to gain different frequency responses and directional characteristics with just one 4006-TL. You simply change a grid and it will influence the sound field acoustically without any phase shift, noise or distortion, that any electrical filter will introduce. 4006-TL is a product for sound engineers with demands for high quality. The precise reproduction, total transparency and natural-sounding clarity of this microphone will provide you with a lifetime of satisfying listening.

DPA 3511A d:dicate 4011A Stereo Kit

DPA 3511 (DPA3511 DPA-3511 DPA/3511)  d:dicate™ 4011A Stereo Kit 2 x UA0897 Shock Mount,Includes: 2 x UA0896 Windscreen for 4011/12/15/16, 1 x UA0836 Stereo Boom with Holders, 1 x DUA0019 Spacer for Stereo Boom, 19 mm (0.75 in) plus 2 x 4011-TL The DPA 3511 is a complete stereo kit for a broad range of recording applications using two 4011-TL Cardioid Microphones, carefully matched within +/- 1 dB on frequency response, sensitivity and self-noise. These cardioids are exceptionally linear in their frequency response - also off axis, giving you the natural experience. Several standard set-ups such as ORTF and XY are possible. The 4011-TL mics handle very high SPL and will therefore allow close placement as well as more distant. Often used for piano recordings of jazz or pop with a placement closer to the hammers or as overheads for drums. The kit includes 2 windscreens, 2 very effective shock mounts, a precision-crafted stereo boom for secure mounting of microphone pairs for A-B stereo recordings and a spacer to allow XY or ORTF stereo set-ups on the boom.