Red Helium 'Weapon' 8K 550h Camera, Used

Red Helium 'Weapon' 8K 550h Camera, Used(FMP60862KSBR) Note - "Missing a baseplate" Excellent condition, 3 months warranty  

RED Gemini 5k DSMC2 S35 Camcorder w/accessories, 500 hours, used

RED Gemini 5k DSMC2 S35 Camcorder w/accessories, 500 hours, used(FMP60703JPBR) 3 months warranty, Good condition The DSMC2 GEMINI® features the GEMINI 5K S35 sensor, RED's highest-sensitivity sensor to date. The DSMC2 GEMINI is a powerful, dual sensitivity camera that offers the ability to shoot in either Low Light or Standard modes.    

RED HELIUM DSMC2 2500 Hours, 8k 60FPS, Used

RED HELIUM DSMC2 2500 Hours, 8k 60FPS, Used (FMP60087LPBR)   3 MONTH WARRANTY - GREAT CONDITION   Bundling high-performance raw video recording in a compact camera body, the RED DIGITAL CINEMA DSMC2 BRAIN with HELIUM 8K S35 Sensor is part of the 2018 unified DSMC2 lineup and is designed to be built up the way you want, enabling you to tell your story in nearly any way possible. Since the DSMC2 form factor is standard, accessories from RED and other manufacturers can be easily attached to enhance your camera. While other RED cameras use sensors larger than Super 35, the HELIUM is unique in that it allows for high-resolution 8K recording with classic cinema lenses designed for the Super 35 film format. Although 8K exhibition is not yet mainstream, the extra recorded resolution is beneficial for VFX artists and future-proofs your productions for a time when 8K becomes standardized. The DSMC2 system offers nearly limitless lens options. While this camera requires a separately available lens mount, DSMC lens mounts are offered in different varieties for compatibility with a wide array of lens systems. REDCODE RAW is the format of choice for DSMC2 cameras. RED's versatile raw codec uses wavelet compression to reduce data rates while maintaining visually lossless image rendering. This efficient codec can be edited on many available NLE software programs without transcoding. However, if you prefer a proxy workflow, ProRes or DNx files can be recorded simultaneously to the MINI-MAG media. Lowering the recording resolution allows the sensor to capture higher frame rates for dramatic slow-motion footage. The DSMC2 cameras use sensor windowing to record slow motion in lower resolutions, requiring wider or smaller-format lenses to compensate for the additional crop. Recording rates range from 12 fps and up, including 24/25/30/48/50/60 fps and higher. Bundling high-performance raw video recording in a compact camera body, the RED DIGITAL CINEMA DSMC2 BRAIN with HELIUM 8K S35 Sensor is part of the 2018 unified DSMC2 lineup and is designed to be built up the way you want, enabling you to tell your story in nearly any way possible. Since the DSMC2 form factor is standard, accessories from RED and other manufacturers can be easily attached to enhance your camera. While other RED cameras use sensors larger than Super 35, the HELIUM is unique in that it allows for high-resolution 8K recording with classic cinema lenses designed for the Super 35 film format. Although 8K exhibition is not yet mainstream, the extra recorded resolution is beneficial for VFX artists and future-proofs your productions for a time when 8K becomes standardized. The DSMC2 system offers nearly limitless lens options. While this camera requires a separately available lens mount, DSMC lens mounts are offered in different varieties for compatibility with a wide array of lens systems. REDCODE RAW is the format of choice for DSMC2 cameras. RED's versatile raw codec uses wavelet compression to reduce data rates while maintaining visually lossless image rendering. This efficient codec can be edited on many available NLE software programs without transcoding. However, if you prefer a proxy workflow, ProRes or DNx files can be recorded simultaneously to the MINI-MAG media. Lowering the recording resolution allows the sensor to capture higher frame rates for dramatic slow-motion footage. The DSMC2 cameras use sensor windowing to record slow motion in lower resolutions, requiring wider or smaller-format lenses to compensate for the additional crop. Recording rates range from 12 fps and up, including 24/25/30/48/50/60 fps and higher.   HELIUM S35 Sensor The HELIUM 8K Monochrome sensor, boasting 35.4 megapixels, captures intricate details and delivers smooth lines and shapes without the aliasing or "stair-stepping" effects seen in lower-resolution footage. For higher frame rates, you can opt for lower resolutions and wider aspect ratios, achieving up to 300 fps. The HELIUM sensor has been measured by RED to offer 16.5 stops of dynamic range, effectively capturing both deep shadows and bright highlights in a single frame. REDCODE RAW At the heart of RED's workflow is the powerful REDCODE RAW file format. Utilizing wavelet compression with ratios ranging from 2:1 to 22:1, REDCODE RAW provides the flexibility of raw files without the heavy storage demands of uncompressed data. Since its inception with the RED ONE cinema camera, REDCODE RAW has been supported by many popular NLE software programs, including Adobe Premiere Pro, Blackmagic Design DaVinci Resolve, Apple Final Cut Pro, and Avid Media Composer, allowing for seamless import and editing without the need for transcoding. Capture rates range from 12 fps and upwards, including 24/25/30/48/50/60 fps and higher. Note: Not all compression ratios are available at all resolutions and frame rates. Apple ProRes and Avid DNx Formats For projects requiring proxy files or faster turnaround times, Apple ProRes or Avid DNx formats can be recorded at 4K and 2K resolutions directly to the onboard MINI-MAG media. These de-bayered video files can be recorded simultaneously with the raw files, eliminating the need for proxy transcoding. You can bring the de-bayered files straight into your NLE and start editing immediately. REDCODE Options • 5:1 REDCODE for 8K Full Format (8192 x 4320) at 24 fps • 12:1 REDCODE for 8K Full Format (8192 x 4320) at 60 fps • 2:1 REDCODE for 4K Full Format (4096 x 2160) at 24 fps • 3:1 REDCODE for 4K Full Format (4096 x 2160) at 60 fps DSMC2 Form Factor Building on the DSMC camera line, RED designed the DSMC2 cameras to be modular, accommodating a variety of production workflows. Smaller and lighter than the original DSMC design, the DSMC2 BRAIN is a high-resolution gimbal workhorse when stripped down. Adding DSMC2 modules to the rear enables professional I/O connections and battery power. Many parts of the DSMC2 design are interchangeable. You can swap lens mounts to access different libraries of lenses, exchange the standard OLPF (Optical Low-Pass Filter) for alternative image renderings, and mount an EVF without cumbersome cables, or use an adapter to attach RED LCDs via LEMO cable. The standardized DSMC2 form factor ensures compatibility with any DSMC2 body, making upgrades or additions seamless. Color Management • Supports 33x33x33, 32x32x32, 26x26x26, and 17x17x17 3D LUTs • Variable number of 3D LUT outputs with DSMC2 expander module • User-programmable shaper 1D LUTs • Tetrahedral interpolation, 16-bit processing  

RED DIGITAL CINEMA DSMC2 BRAIN with GEMINI 5K S35 Sensor (2018 Unified DSMC2 Lineup)

RED DIGITAL CINEMA DSMC2 BRAIN with GEMINI 5K S35 Sensor (2018 Unified DSMC2 Lineup) The RED DIGITAL CINEMA DSMC2 BRAIN with GEMINI 5K S35 Sensor is a compact, high-performance camera designed for modular customization within the DSMC2 lineup. Ideal for productions that demand versatility, it supports accessories from RED and other manufacturers, making it adaptable for diverse filmmaking setups. The GEMINI 5K Super35 sensor offers dual native sensitivity modes—Standard for general conditions and Low Light for enhanced sensitivity in dim environments, while retaining highlight detail and minimizing noise. Key Features GEMINI 5K Super35 Sensor Resolution: 5K (5120 x 3000) Dual Sensitivity Modes: Standard for regular lighting, Low Light mode for enhanced sensitivity Frame Rates: 12 fps and up, including 24/25/30/48/50/60 fps and higher REDCODE RAW Format: REDCODE RAW wavelet compression from 2:1 to 22:1 Resolution & Frame Rates:5K and 4K at various REDCODE ratios: 5K Full Height (5120 x 3000): 3:1 REDCODE at 24 fps, 6:1 at 60 fps 5K Full Format (5120 x 2700): 2:1 REDCODE at 24 fps, 8:1 at 96 fps 4K Full Format (4096 x 2160): 2:1 REDCODE at 24 fps, 6:1 at 120 fps Compatibility: Editable in popular NLEs like Adobe Premiere Pro, DaVinci Resolve, Final Cut Pro, and Avid Media Composer without transcoding Apple ProRes and Avid DNx Formats Proxy Recording: Records ProRes or DNx in 4K or 2K alongside REDCODE RAW for quick editing Workflow Efficiency: No need to transcode proxies—debayered files can be imported directly into NLEs Modular DSMC2 Form Factor Customization: Compatible with RED DSMC2 modules and accessories for flexibility in workflow Interchangeable Lens Mounts: Supports various lens systems with optional DSMC lens mounts Optional Components: Expand I/O, battery power, and swap OLPFs or mount EVFs for different setups Color Management 3D LUT Support: Accepts 33x33x33, 32x32x32, 26x26x26, and 17x17x17 3D LUTs LUT Outputs: Adjustable with DSMC2 expander module, including user-programmable 1D LUTs Processing: 16-bit processing with tetrahedral interpolation for enhanced color fidelity

RED Ranger Gemini 5K S35, 515 Hours, used

RED Ranger Gemini 5K S35, 515 Hours, used 3-Month Warranty The GEMINI sensor, RED’s most sensitive to date, excels in low-light conditions and delivers enhanced performance in shadow areas, providing flexibility in any shooting situation. The DSMC2 BRAIN supports data write speeds of up to 300 MB/s and allows simultaneous recording in REDCODE RAW and Apple ProRes or Avid DNxHR/HD. With features such as cable-free peripherals, an integrated media bay, wireless control, and more, the DSMC2 system is compatible with a wide range of modules and accessories from RED and third-party manufacturers. Additionally, interchangeable OLPFs and lens mounts give you ultimate control over your footage.  

RED Monstro VV 8K Digital Camera Kit,356hrs, used

RED Monstro VV 8K Digital Camera Kit,356hrs, used(FMP60167RPBR) 3 month warranty, good condition RED DSMC2 Digital Cinematography Camera with MONSTRO 8K VV Sensor and Aluminium PL Lens Mount - Brain Only (p/n 710-0303). All RED cameras deliver stunning resolution and image quality—creating clean and organic images that bring your footage to life. The MONSTRO and HELIUM sensors take the next step in exceeding beauty offered by film – up to 17x more resolution than HD—and over 4x more than 4K. A DSMC2 BRAIN is capable of data write speeds of 300 MB/s, and can simultaneously record in REDCODE RAW and Apple ProRes or Avid DNxHR/HD.   With features like cable-free peripherals, integrated media bay, wireless control, and more—DSMC2 is also compatible with a growing arsenal of modules and accessories—from RED and other Third-Party manufacturers. Tack on interchangeable OLPFs and lens mounts and DSMC2 gives you the ultimate control over your footage.

Red Gemini DSMC2 5K S35, 765 Hours, used

Red Gemini DSMC2 5K S35, 765 Hours, used (FMP60059LPBR) Great Condition, 3 Months warranty For flexibility in any situation, GEMINI is RED's highest sensitivity sensor to date and offers significantly increased performance in low-light settings and improved performance in shadows. A DSMC2 BRAIN is capable of data write speeds of 300 MB/s, and can simultaneously record in REDCODE RAW and Apple ProRes or Avid DNxHR/HD. With features like cable-free peripherals, integrated media bay, wireless control, and more—DSMC2 is also compatible with a growing arsenal of modules and accessories—from RED and other Third-Party manufacturers. Tack on interchangeable OLPFs and lens mounts and DSMC2 gives you the ultimate control over your footage.  

Top handgrip kit for RED KOMODO(-X)

Top handgrip kit for RED KOMODO(-X)(0600-0116, 06000116, 0600 0116) The Vocas top handgrip offers a comfortable grip for the KOMODO-X and features an integrated 15 mm hole for attaching 15 mm accessories like microphone holders, viewfinder brackets, cold shoes, etc. The Vocas top handgrip kit consists of one Vocas top or bottom bracket RED KOMODO and a Vocas Top handgrip Mini and requires the side cage kit (0600-0105).

Side cage kit for RED KOMODO(-X)

Side cage kit for RED KOMODO(-X)(0600-0105, 0600 0105, 06000105) These side cage brackets can be mounted to the left and right side of the camera, using the two M4 attachment points the camera provides. Equipped with a standard Arri rosette, two 3/8” and two ¼” Arri style threaded holes. The side cage kits consists of two brackets that are also sold separately (0600-0100). The side cage kit allows for the use of our top or bottom bracket (0600-0110).  

USBP-15 MKII baseplate for RED KOMODO(-X)

USBP-15 MKII baseplate for RED KOMODO(-X) (0350-2209, 03502209, 0350 2209) The USBP-15 MKII is a height adjustable shoulder base plate with a unique quick release balancing system to find optimal balance and stability with all kinds of different lenses in combination with the KOMODO(-X). The new camera adapter plate for the RED KOMODO(-X) and V-Raptor (0350-2281) is also sold separately. With this plate existing USBP-15 MKII users can mount their new KOMODO-X on their baseplate.

Red Epic-W Helium 8k S35 Camcorder and Accessories, 1125 hours used

Red Epic-W Helium 8k S35 Camcorder and Accessories, 1125  hours used Excellent condition 3 month warranty  EPIC-W carries on the legacy of the original EPIC, which became the industry workhorse upon its release in 2010. Powered by the HELIUM™ 8K S35 sensor, EPIC-W is capable of shooting 8K Full Frame at up to 30 frames per second (fps).  At full 8K resolution EPIC-W captures 35.4 Megapixels images—delivering more detail and creative possibilities in every frame. With HELIUM sensor advancements, EPIC-W boasts improved low-light sensitivity and impressive dynamic range. Leveraging lightning fast data rates up to 275 MB/s, EPIC-W can record REDCODE RAW, as well as proxy 4K Apple ProRes or Avid DNxHR—simultaneously.  Joining the DSMC2 lineup, EPIC-W benefits from the advanced modularity of the RED ecosystem and offers cable-free peripherals, an integrated mounting plate, wireless control, and compatibility with a growing supply of modules and accessories. Also featuring interchangeable OLPFs and lens mounts, EPIC-W provides an all new perspective with full sensor coverage and support for your arsenal of S35 glass.    

RED Redvolt XL Module , used

RED Redvolt XL Module , used 3 months warranty The REDVOLT XL Module is a flexible and robust power solution for your DSMC® BRAIN®. Engineered with a reversible Switch Plate, the REDVOLT XL Module can be mounted directly to the camera or to another attached module—providing support for long-lasting and rechargeable lithium-ion REDVOLT XL batteries. Batteries can also be hot-swapped, as long as power is provided from a REDVOLT-equipped DSMC Side Handle or an DSMC AC Power Adaptor is connected to the DC IN port on the BRAIN. The on-board 2-pin 0B AUX port provides a convenient 3.8 A power source for additional camera accessories.

Red Digital Cinema Red Arm 5", used, parts missing spares only

RED DIGITAL CINEMA RED ARM 5", USED Parts missing, for spares only.  RED® ARMs provide a secure, adjustable mounting arm for RED EVF and LCD displays. ·         Single Lever for Tightening/Loosening ·         1/4"-20 Threaded Mounting Studs

RED DSMC Left Side Plate (SSD Side) for Epic, Scarlet, Dragon, used

RED DSMC Left Side Plate (SSD Side) for Epic, Scarlet, Dragon, used 3 month warranty Good condition

RED DSMC Left Side Plate (SSD Side) for Epic, Scarlet, Dragon, used

RED DSMC Left Side Plate (SSD Side) for Epic, Scarlet, Dragon, used 3 month warranty Excellent condition

RED DSMC Left Side Plate (SSD Side) for Epic, Scarlet, Dragon, used

RED DSMC Left Side Plate (SSD Side) for Epic, Scarlet, Dragon, used 3 month warranty Immaculate condition, like new!

RED DSMC Left Side Plate (SSD Side) for Epic, Scarlet, Dragon, used

DSMC Left Side Plate (SSD Side) for Epic, Scarlet, Dragon, used 3 month warranty Good condition with light surface scratches, no structural damage.

RED Can Command Cable 50ft 790-0408, New

RED Can Command Cable 50ft  790-0408, New 3 month warranty Excellent Condition - New In Packaging The RED® CAN COMMAND CABLE connects your RED T.H.C. (TACTICAL HAND CONTROLLER) to your RED W.M.D. (WIRELESS MOTOR DRIVER) for hard-wired, reliable lens control communication.

Red Can Command Cable 50ft 790-0408, New

Red Can Command Cable 50ft 790-0408, New 3 month warranty Excellent Condition - New In Packaging The RED® CAN COMMAND CABLE connects your RED T.H.C. (TACTICAL HAND CONTROLLER) to your RED W.M.D. (WIRELESS MOTOR DRIVER) for hard-wired, reliable lens control communication.

RED Can Command Cable 100ft 790-0409, New

RED Can Command Cable  100ft 790-0409, New 3 months warranty Excellent Condition - New In Packaging   The RED® CAN COMMAND CABLE connects your RED T.H.C. (TACTICAL HAND CONTROLLER) to your RED W.M.D. (WIRELESS MOTOR DRIVER) for hard-wired, reliable lens control communication.

RED Can Command Cable 100ft 790-0409, New

RED Can Command Cable  100ft 790-0409, New 3 months warranty Excellent Condition - New In Packaging

RED Can Command Cable 100ft 790-0409, New

RED Can Command Cable  100ft 790-0409, New 3 months warranty Excellent Condition - New In Packaging    

RED DSMC S35 MG PL Lens MOUNT 2.0, Ex Demo

RED DSMC S35 MG PL Lens MOUNT 2.0, Ex Demo 3 months warranty Excellent condition Comes with: original box screwdriver The DSMC® S35 Mg PL Mount 2.0 allows you to use PL mount cinema lenses with your DSMC® or DSMC2® BRAIN. Lightweight magnesium construction and a solid locking mechanism provides durable, lightweight support for PL mount glass. Captive screws provide a secure attachment and allows for more convenient mount removal. This mount is a must have for cinematographers looking for the cinematic aesthetic of PL lenses.