Sony J-30 Sdi Compact Digital Betacam Player, used

Sony ECM-680S Electret Condenser M/S Stereo Shotgun, used

Sony ECM-680S Stereo Shotgun Electret Condenser Microphone, Used Condition: Good The Sony ECM-680S is a professional MS (Mid-Side) stereo shotgun electret condenser microphone designed for broadcast, ENG/EFP, location recording and professional video production. Offering both stereo and monaural operation, the ECM-680S provides flexibility for a wide range of production environments. In stereo mode, it captures natural ambience and spatial sound, making it ideal for location and environmental recording. When switched to monaural mode, its highly directional super-cardioid pickup pattern is well suited to dialogue, interviews and focused sound capture. Sony's MS microphone technology combines excellent localisation with low inherent noise and a wide frequency response. Its compact and lightweight design also makes the ECM-680S suitable for both camera-mounted and boom-pole applications.

Sony DWR-S01D/DWT-B01 wireless mic kit, used

Sony DWR-S01D/DWT-B01 wireless mic kit, used S01D 38-40 - freq 606.025 - 630mhz DWT B01 33-40 - freq 566.025 - 630mhz The Sony DWR-S01D is a professional dual-channel digital wireless receiver designed for Sony's DWX Series digital wireless microphone system. Its compact design makes it particularly suitable for professional broadcast, ENG/EFP, documentary, theatre and location sound applications.   The DWR-S01D uses space diversity reception and a dual-conversion superheterodyne circuit design to provide reliable wireless audio reception. It is capable of receiving two compatible Sony wireless transmitters simultaneously, making it a practical solution for professional two-microphone setups. Key Features Professional DWX Series digital wireless receiver Two-channel reception Space diversity reception for reliable wireless performance Dual-conversion superheterodyne receiver design Supports simultaneous operation with two DWT-B01 transmitters Professional digital wireless audio system BNC-R 50 Ω RF antenna connections D-sub 15-pin audio output Wireless remote-control capability via 2.4 GHz IEEE 802.15.4 Suitable for broadcast, ENG/EFP, theatre and location production Technical Specifications Specification Details Reception type Space diversity Circuit system Dual-conversion superheterodyne RF input BNC-R, 50 Ω Sensitivity 20 dBμ or less Audio delay 2.1 ms analogue output / 1.9 ms digital output Audio output D-sub 15-pin Dimensions Approx. 88 × 119 × 31.3 mm Weight Approx. 280 g Wireless remote control 2.4 GHz IEEE 802.15.4 Operating temperature 0–50°C Storage temperature -20–60°C Frequency Bands   The DWR-S01D was produced in different frequency versions, including: U3032: 566–590 MHz U4244: 638–662 MHz CE62: 798–822 MHz CE67: 838–862 MHz   The exact frequency range depends on the individual unit's model/frequency variant. Applications   Ideal for:   Broadcast and television ENG/EFP Documentary production Theatre and live events Professional video production Location sound Camera-mounted wireless systems Professional two-channel wireless microphone setups     Sony DWT-B01 Digital Wireless Bodypack Transmitter   The Sony DWT-B01 is a professional digital wireless bodypack transmitter from Sony's DWX Series. Designed for broadcast and professional production environments, it provides high-quality digital audio transmission in a compact bodypack format.   The transmitter supports a wide range of microphone and line-level input signals, with adjustable attenuation and selectable RF output power. It is suitable for use with lavalier microphones, headset microphones and other compatible professional microphone systems.   Sony's original specification lists 1 mW/10 mW selectable transmission power, 0–48 dB audio attenuation and operation from two AA alkaline batteries.   Key Features Professional DWX Series digital wireless transmitter Compact and lightweight bodypack design Switchable 1 mW / 10 mW RF output Wide range of audio input levels Adjustable audio attenuation from 0–48 dB 3 dB attenuation steps Sony 4-pin SMC9-4S microphone input Built-in low-cut filter Wireless remote-control functionality OLED display Powered by 2 × AA alkaline batteries Supplied with a compatible lavalier microphone in the original Sony package Designed for professional broadcast and location production Technical Specifications Specification Details Product type Digital wireless bodypack transmitter RF output power 1 mW / 10 mW selectable Transmission system Crystal-controlled PLL synthesizer Channel step 125 kHz Antenna λ/4 flexible wire Occupied bandwidth 192 kHz or less Microphone input -22 dBu at 0 dB attenuation Line input +24 dBu Audio attenuation 0–48 dB Attenuation steps 3 dB Microphone connector Sony SMC9-4S, 4-pin Input impedance 4.7 kΩ or higher Frequency response 20 Hz–22 kHz THD 0.03% or less Dynamic range 106 dB or more Power 3 V DC Batteries 2 × AA/LR6 alkaline Battery life Approx. 3.5 hours* Dimensions Approx. 63 × 73 × 17 mm Weight Approx. 125 g including batteries   *Sony's published battery-life figure is based on 25°C, 10 mW output, Sony LR6 alkaline batteries, wireless remote control switched off and display set to AUTO OFF.   Frequency   The DWT-B01 was produced in different frequency versions, so the exact operating frequency depends on the individual model/variant.   For a used unit, we strongly recommend including the frequency band or channel block shown on the transmitter label in your listing.   Ideal For   The Sony DWT-B01 is suitable for:   Television and broadcast production ENG/EFP Documentary production Interviews Presentations Theatre Live events Professional video production Location sound recording Lavalier microphone applications Original Supplied Accessories   Compatibility   The DWT-B01 is designed to work within Sony's DWX digital wireless system. Sony confirms that one DWR-S01D can receive two DWT-B01 transmitters simultaneously, provided they are configured to different compatible frequencies.  

Sony PDW-U2 XDCAM disc drive unit, used

Sony PDW-U2 XDCAM disc drive unit, used   Excellent condition -   The Sony PDW-U2 is a compact, professional XDCAM Professional Disc drive designed for direct access to XDCAM media from a PC or Mac. It provides high-speed read/write access via USB 3.0 and supports a wide range of XDCAM recording formats, including XDCAM HD422, XDCAM HD, XDCAM SD, MPEG IMX and DVCAM.    Ideal for broadcast, post-production, media archiving and professional video workflows, the PDW-U2 provides a convenient way to access, transfer and manage files stored on Sony Professional Disc media.    Key Features   Supports XDCAM HD422, XDCAM HD and XDCAM SD formats Compatible with MPEG IMX and DVCAM recording formats Supports Professional Disc media up to 128GB Compatible with quad-layer write-once, dual-layer and single-layer Professional Discs USB 3.0 SuperSpeed interface for high-speed data transfer Also supports USB 2.0 Direct access to Professional Disc files from a connected PC or Mac Supports both read and write operations with compatible software/NLE systems Approximately 2.6× faster read and 1.5× faster write performance than the earlier PDW-U1 Compact and portable design Can be operated horizontally or vertically Supports XDCAM proxy video and audio Suitable for professional media ingest, transfer, editing and archiving workflows Supported Professional Disc Media    The PDW-U2 supports:    PFD128QLW — 128GB quad-layer write-once Professional Disc PFD50DLA — 50GB dual-layer Professional Disc PFD23A — 23GB single-layer Professional Disc    At 50 Mbps XDCAM HD422, recording/playback capacity is approximately 95 minutes on PFD50DLA and 43 minutes on PFD23A. Sony specifies more than four hours of HD422 50 Mbps recording on the 128GB quad-layer media.    Supported Recording Formats       Video:       MPEG HD422 — CBR, 50 Mbps   MPEG HD — HQ 35 Mbps, SP 25 Mbps, LP 18 Mbps MPEG IMX — 50/40/30 Mbps DVCAM — 25 Mbps Proxy Video — MPEG-4       Audio:       MPEG HD422 — 8 channels, 24-bit, 48 kHz   MPEG HD — 4/2 channels, 16-bit, 48 kHz   MPEG IMX — 8 channels, 16-bit/48 kHz or 4 channels, 24-bit/48 kHz DVCAM — 4 channels, 16-bit, 48 kHz Connectivity       USB: SuperSpeed USB 3.0   USB Connector: USB 3.0 Standard-B   Power: DC 12V via supplied AC adaptor    The drive allows Professional Disc media to be accessed directly from a computer using USB. Sony provides XDCAM Drive Software for managing Professional Disc media and drive functions.   The Sony PDW-U2 is particularly suited to:       Broadcast video production   Television production   Post-production facilities   XDCAM media ingest   Professional video editing   Media transfer and backup   Long-term media archiving

Sony DWM-01 33 Handheld Wireless Microphone 566-630MHz, Used

Sony DWM-01 33 Handheld Wireless Microphone 566-630MHz, Used The Sony DWM-01/33 is a professional handheld digital wireless microphone designed for broadcast, live performance, presentations, and professional audio production. Operating in the 566–630MHz frequency range, this microphone delivers high-quality wireless audio transmission with reliable performance for demanding production environments.    This used Sony DWM-01/33 microphone is ideal for use with compatible Sony DWX digital wireless systems. It features a durable handheld design, dynamic microphone capsule, selectable RF output power, and professional-grade audio performance.

Sony DWM-01 33 Handheld Wireless Microphone 566-630MHz, Used

Sony DWM-01 33 Handheld Wireless Microphone 566-630MHz, Used The Sony DWM-01/33 is a professional digital handheld wireless microphone transmitter designed for demanding broadcast, live sound, theatre, corporate, and production applications. Operating within the 566–630MHz frequency range (TV Channels 33–40), it forms part of Sony's renowned DWX Digital Wireless Series, delivering exceptional audio quality, low latency, and reliable RF performance. Built with a rugged metal body for professional use, the DWM-01/33 features a high-performance dynamic microphone capsule with a supercardioid pickup pattern, providing excellent vocal clarity while minimising unwanted background noise and feedback. Selectable RF output power allows the transmitter to be optimised for a variety of operating environments, making it suitable for both indoor and outdoor productions.   This used microphone has been tested and is in full working order, making it an excellent choice for expanding an existing Sony DWX wireless system or replacing a compatible handheld transmitter. Ideal For Broadcast production Television studios Live music performances Theatre productions Corporate presentations Houses of worship Conferences and events Professional audio rental companies Film and television production   ENG and location recording

Sony FX5 Full-frame Cinema Line Camera - Body Only

Sony ILMEFX5BB.CEC (ILMEFX5BB/CEC, ILMEFX5BB_CEC, ILMEFX5BBCEC, ILMEFX5BB CEC) FX5 Full-frame Cinema Line Camera - Body Only The Sony FX5 Full-Frame Cinema Line Camera is a professional digital cinema camera designed for filmmakers, content creators, and production teams who require cinematic image quality in a compact and portable form factor. Positioned within Sony's acclaimed Cinema Line, the FX5 combines advanced imaging technology, powerful video capabilities, and production-focused features to support everything from independent filmmaking and documentaries to commercial productions and broadcast applications. Lighting the Way Forward Lighting a creative path, the FX5 empowers filmmakers to step confidently into the next stage of their professional journey. Bringing an advanced cinema look and refined operability together in a compact body, it gives creators the freedom to realise their vision with greater precision, control, and expressive potential. 5K full-frame fully-stacked Exmor RS™ CMOS sensor for speed, detail and latitude The full-frame stacked Exmor RS CMOS sensor enables fast readout for high-resolution, high-frame-rate recording. Wide latitude and low noise ensure smooth gradation and natural textures, even in high-contrast scenes. BIONZ XR2™ with integrated AI processing for enhanced shooting support The BIONZ XR2 engine delivers dramatic improvements in image, sound, communication, operation, and more. Built-in AI processing enables enhanced subject recognition and deep learning-based Auto Tracing White Balance (ATW), helping you shoot with confidence. Open Gate and other image scan modes The FX5 offers full-frame Open Gate recording — a first in the Cinema Line FX series. With 5K up to 120 fps (FF 3:2)15, 4K up to 240 fps (FF crop) and more, it gives you the freedom to adjust framing, speed and workflow to realise even the most ambitious vision. Internal X-OCN compressed RAW video recording Capture 16-bit scene-linear X-OCN internally eliminating the need for an external RAW data recorder. With LT, C1 and C2 codecs, you can balance image quality, file size and RAW workflow flexibility to suit the production. Three Base ISO settings for effective noise control in any environment Three Base ISO settings - a standard ISO 800, a mid-sensitivity ISO 4000, and a high-sensitivity ISO 1280019 for low light - are available to match your shooting environment. Capture clean shadows and wide latitude across varied lighting conditions, for consistently stunning clarity. 15+ stops of latitude for low-noise shadow detail Wide latitude helps capture highlight and shadow detail with smooth, natural gradation. Low shadow noise preserves clarity, texture and atmosphere, letting you push your creative grading choices further. Dual Gain Shooting debuts in the Cinema Line FX camera series Dual Gain Shooting maximises latitude while reducing noise to enhance shadow details. Making full use of the sensor’s capability, it delivers smooth, natural gradients for greater editing flexibility. High-frame-rate capture, including 5K at up to 120 fps2223 High frame rates open up striking slow-motion possibilities. The FX5 records up to 5K at 120 fps22 and 4K at 240 fps, giving creators the power to capture fast-paced action with impressive detail and clarity — ideal for everything from cinematic storytelling to sharp sports and documentary footage. Precise, reliable AF and tracking with AI-based subject recognition With built-in AI processing, the BIONZ XR2 engine accurately recognises human, animal, and bird eyes (Real-time Eye AF). Fast Hybrid AF uses up to 759 points to ensure accurate focus and tracking that keeps up with quick-moving subjects, even in dark scenes and when shooting with a shallow depth of field. Built-in de-squeeze for anamorphic shooting Built-in de-squeeze support makes anamorphic shooting easier on set. With 1.3x, 1.5x, 1.6x, 1.8x and 2.0x settings, the FX5 works smoothly with a wide range of anamorphic lenses Deep learning-based illumination estimation Deep-learning-based illumination estimation achieves unprecedented Auto Tracing White Balance (ATW) accuracy, even in challenging scenes. It delivers accurate colour reproduction even under lighting conditions that previously tended to cause colour cast. S-Cinetone™ for a refined cinematic look S-Cinetone brings Sony cinema colour science to the FX5, delivering natural skin tones, smooth gradation and a polished look straight out of camera. Wide-gamut colour for more grading control With colour gamuts exceeding both BT.2020 and DCI-P3, S-Gamut3 and S-Gamut.Cine retain broad colour information for more precise grading and easier colour matching with VENICE 2 in multi-camera shoots. Three S-Log3 modes for flexible workflows From cinematic shoots to run-and-gun, choose Cine EI, Cine EI Quick or Flexible ISO25 to capture imagery with maximum latitude. You can also import up to 16 user LUTs allowing you to easily monitor the intended look in real-time. 5-axis stabilisation for steadier handheld shooting A precision stabilisation unit and gyro sensors combine to provide optical 5-axis in-body stabilisation. An enhanced stabilisation unit expands the roll-direction compensation range by up to 2x, effectively reducing handheld roll shake. The result is a camera that’s ideal for handheld shooting. Dynamic active Mode adds extra electronic support, and stabilisation data can also be used in post-production. Lightweight, compact design for agility on set The compact flattop body and stable grip are built for comfortable handheld work. Paired with Sony's compact lenses, the FX5 becomes a mobile system for flexible shooting with gimbals, in tight spaces and more. High-quality 96 kHz / 32bit float audio recording The XLR handle unit30 supports two XLR/TRS inputs, a 3.5 mm stereo mini jack and up to 96 kHz / 32bit float audio. With up to 4 channels of top-quality audio recording, it helps you capture cleaner sound without slowing down the shoot. BIG6 (HOME) screen for faster on-set control Inherited directly from Sony’s high-end CineAlta cameras, the BIG6 (HOME) screen displays six essential settings together: frame rate, EI/ISO/Gain, shutter, iris, LUT and white balance. Touch operation, the multi-function dial, and Fixed/Variable frame-rate control help you work quickly and efficiently. Power that keeps pace with long shoots A high-capacity 2670 mAh NP-SA10036 battery can provide up to 170 minutes of recording time. Optimised power management, faster charging38, USB Power Delivery (PD)39 and battery condition display make day-to-day operation easier. Cooling designed for uninterrupted 170 minutes of recording An efficient fan cooling system and advanced design help keep the camera cool, even when the LCD monitor is closed. Three fan modes — [Auto], [Minimum], and [OFF in REC] — let you balance cooling and noise to suit your shooting needs.  

Sony HVR-Z5E 14X10 Hrs+ Vinten Vision Blue Tripod,Used

Sony HVR-Z5E 14X10 Hrs+ Vinten Vision Blue Tripod,Used Good condition 3 months warranty   Sony HVR-Z5E HDV Camcorder with Vinten Vision 100 Tripod, Used The Sony HVR-Z5E is a highly regarded professional HDV camcorder, trusted by broadcasters, production companies, and event videographers for its outstanding image quality, reliable performance, and ergonomic design. Featuring three 1/3-inch Exmor™ CMOS sensors and Sony's renowned G Lens with 20x optical zoom, the HVR-Z5E delivers sharp, vibrant Full HD images with excellent low-light performance. It records to MiniDV tape in HDV or DV format and can also be used with Sony's optional CompactFlash recording unit for tapeless workflows. Paired with the professional Vinten Vision 100 fluid head tripod, this package provides exceptionally smooth pan and tilt movements with precise counterbalance adjustment, making it ideal for ENG, documentary, studio, live events, and sports broadcasting. The Vision 100 is renowned throughout the broadcast industry for its superb stability, repeatable performance, and ability to comfortably support heavier professional camera configurations. Whether you're shooting interviews, live events, documentaries, or educational content, this complete camera and tripod package offers a dependable and professional production solution.

Sony Venice 2 8K Camera Kit 277 Hours + Full Licenses,Used

Sony Venice 2 8K Camera Kit 277 Hours + Full Licenses,Used Excellent condition 3 months warranty   6x24mm Full-Frame Sensor for Cinema The Sony Venice 2 features one of two 36x24mm full-frame image sensors, designed specifically for the demands and performance of high-end cinematography. Each offers remarkable sensitivity, latitude and colour rendition, and because the sensor blocks are interchangeable, users can easily switch between sensors—without any extra firmware—and can even use the sensor from their original VENICE. The new 8K sensor can capture images up to a maximum resolution of 8640 x 5760, while the established 6K sensor offers up to 6048 x 4032. Bothoffer powerful oversampling for incredible 4K images. Creative Freedom Full-Frame full width 36 mm 8K and 6K In full-frame, you can use the full width of the sensors (8640 or 6048 pixels) for widescreen spherical 2.39:1 or Large Format Scope. FullFrame can be used creatively in several ways – forexample, to allow for extra shallow depth of field or super-wide shooting. Super35 full height 2.0x squeeze Anamorphic For anamorphic shooting and production, Super35 full height 2x squeeze anamorphic is supported. Super35 17:9 and 16:9 These popular imager sizes have native support in VENICE 2, and the 8K sensor makes it possible to capture 5.8K footage in these modes. Current Super35mm PL mount lenses can be used as well. Surround View (Look Around) Using the 6K sensor, the Sony Venice 2 camera records only the active area but the viewfinder and on-set monitors can display a 5% margin around it.Surround View supports three imager modes: 3.8K 16:9, 4K 17:9 and 4K 4:3. Phenomenal Latitude The Sony Venice 2 8K sensor has an exceptional 16 stops of latitude, while the 6K sensor boasts 15+ stops of latitude. This means that both imagers can deliver phenomenal images withvery little noise, in conditions that range from searing sunlight to almost no light. VENICE 2 also excels at High Dynamic Range imaging,allowing for unprecedented creative freedom in grading. Dual Base ISO VENICE 2 features dual base ISO, meaning that the 8K sensor offers Base ISO3200 in addition to Base ISO800, while the 6K sensor has Base ISO500 and Base ISO2500. 8K sensor excels inlow-light, High Dynamic Range capture, with an exposure latitude from 6 stops over to 10 stops under 18% Middle Gray, for a total of 16 stops. 6K sensor offers an exposure latitude from 6stops over to 9 stops under 18% Middle Gray, for a total of 15+ stops. More Colours for More Expression The Sony Venice 2 can exceed the BT.2020 colour space, with a colour range wider than DCI-P3. This means it can beautifully reproduce the true colour of the scene in front of your lens. The cameraalso provides a broad palette in the grading suite, using the established workflow of Sony’s S-Log3 and Ultra-wide Colour space, S-Gamut3. Plus, VENICE 2’s 8K and 6K sensors match colours almost perfectly, making your grading experience even better. High Frame Rate VENICE 2 can shoot at speeds of up to 120fps at 4K and 90fps at 6K, when using the 6K sensor. In combination with an anamorphic license, it also allows shooting at speeds of up to 75fps at 4K4:3 and 72fps at 4K 6:5. With the 8K sensor, VENICE 2 can achieve up to 60fps at 8.2K and 90fps at 5.8K. Fast Shutter Jello effect is something we don’t need when filming. VENICE 2 has high speed readout sensors that minimize the jello effects typical with CMOS sensors. PL Lens Mount The Sony Venice 2 comes with the industry-standard PL lens mount, and is compatible with all Super35 and full-frame PL lenses—spherical and anamorphic. The lens mount includes contacts that support Cooke/i Technology, and lens information is recorded as metadata, frame byframe. We have also added support for ZEISS eXtended Data.   Lever Lock Type E-mount E-mount offers unsurpassed compatibility with Sony lenses. E-mount (lever lock type) gives users the ability to change lenses by rotating the locking collar rather than the lens itself, which means that in mostcases lens support rigs don’t need to be removed, saves time during a production.

Sony URX-P2 Rx & Sony UTX-P2 Tx,( 606.025 – 630.000mhz),Used

Sony URX-P2 Rx & Sony UTX-P2 Tx,( 606.025 – 630.000mhz),Used Good condition   3 months warranty Sony UTX-P1 Channel 38-40 ( 606.025 – 630.000mhz) The UTX-P1 is a plug-on transmitter to convert a wired microphone into a wireless microphone.   Plug-on transmitter designed for use with the UWP Series tuners Operates over a wide 24 MHz frequency band Converts a wired microphone to a wireless microphone via an XLR connector Compact and lightweight body provides balanced handling Attenuator function allows adjustment of the microphone-input level Durable connecting mechanism with a microphone for dependable operation5 0 mW RF power output for stable and long-distance transmission MIC/LINE input level switchable A backlit LCD provides extensive information, including the operating channel number and frequency in MHz, attenuator level, audio-input status, RF-output status, transmitter battery status, and accumulated operating time An LED indicator for audio-input status Approximately six hours of continuous operation with two AA-size alkaline (LR6) batteries Supplied with a soft case Sony URX-P2   URX-P2 portable receiver– Compact, lightweight, and robust metal body – well-suited for use with Sony'sprofessional camcorders– Convenient auto channel scanning function, allowing automatic search forunoccupied channels. 38-40 606-630 MHz

Sony MRW-G3 CFexpress Type A USB 40Gbps Card Reader

Sony CFexpress Type A reader MRW-G3 Sony MRW-G3 CFexpress Type A Card Reader delivers ultra-fast data transfer speeds for professional photo and video workflows. Designed specifically for CFexpress Type A memory cards, the MRW-G3 supports the latest CFexpress 4 standard and USB 40Gbps connectivity for rapid offloading of high-resolution images and large video files. Optimised for Sony CEA-G Series CFexpress Type A cards, the MRW-G3 helps maximise workflow efficiency for filmmakers, photographers and content creators working with high bitrate codecs and demanding production environments. The compact and lightweight design makes it ideal for studio, location and mobile editing workflows, while the advanced heat dissipation structure ensures stable and reliable performance during extended transfers.   Key Features: • CFexpress Type A card reader • Supports latest CFexpress 4 standard • High-speed USB 40Gbps transfer • USB Type-C connectivity • Optimised for Sony CEA-G Series cards • Compatible with Windows and macOS • Supports iOS, iPadOS and Android devices • Compact and lightweight portable design • Advanced heat dissipation for stable operation • Ideal for 4K, 6K and high bitrate video workflows   Ideal for: • Sony Alpha users • Professional video production • High-speed media offload • Content creators and photographers • Studio and location workflows • 4K and high frame rate recording environments

Sony 240GB CFexpress Type A Card

Sony 240GB CFexpress Type A Card(CEAG240T) The latest CFexpress Type A cards maximise the capabilities of Sony’s cameras and the latest image processing engines that they employ. These compact cards are a must-have for creators seeking higher levels of performance, dependability, and creative potential. CFexpress Type A G Series with high-capacity lineup The CFexpress Type A G Series lineup has capacity up to 1920 GB, for long video shoots and high-speed still image bursts. The 1920 GB (CEA-G1920T), the 960 GB (CEA-G960T), the 480 GB (CEA-G480T), and the 240 GB (CEA-G240T) cards support the CFexpress 4 standard11, with read speeds of up to 1800 MB/s and write speeds of up to 1700 MB/s12. Built tough for pro use, they offer 5x the drop strength and 10x the bend resistance of the CFexpress Type A standard13, along with dust and moisture resistance.14 Extraordinary response speed The 1920 GB (CEA-G1920T), the 960 GB (CEA-G960T), the 480 GB (CEA-G480T), and the 240 GB (CEA-G240T) cards use advanced flash memory control technology to deliver write speeds of up to 1700 MB/s and read speeds of up to 1800 MB/s15, reducing data transfer wait times when used with the optional MRW-G3 card reader. Dependable videography Sony's CFexpress Type A cards are optimised for continuous, high-bandwidth data writing, making them ideal for professional high-bitrate video recording, such as 4K 120p capture, where dependability is critical. They also carry the VPG (Video Performance Guarantee) 400 certification for extra reassurance and video recording stability. Faster workflows with our CFexpress Type A card reader Optimised for Sony's CFexpress Type A memory cards, the optional MRW-G3 card reader16 lets you transfer data via USB 40Gbps interface and take full advantage of high-speed backups and more efficient workflows. For the roughest places Thanks to Sony's unique TOUGH specification, our CFexpress Type A cards offer over ten times greater bend resistance than standard CFexpress cards. Designed for absolute dependability, their rigidity is tested to 150 newtons to protect your card data during drops from up to 7.5 metres – five times17 that mandated by the CFexpress Type A standard18. For the toughest conditions You can rely on Sony's CFexpress Type A memory cards to work faultlessly in extreme temperatures, harsh electrostatic environments, and under intense UV light and X-rays. With IP57-rated dust and moisture ingress protection14, your data is safe even from a drop at the beach or accidentally getting tossed in the washing machine18. File Rescue: Recover lost files Even if things go wrong, you can avoid disaster with downloadable rescue software for Sony memory card customers that recovers accidentally deleted files and corrupted photos and videos in various common formats19.

Sony A6500 premium E-mount Camera with XLR mount, used

Sony A6500 premium E-mount Camera with XLR mount, used Excellent Condition  The Sony a6500 is a 24.2 MP APS-C mirrorless camera featuring 5-axis in-body image stabilization (IBIS), 4K video recording, and a 425-point hybrid autofocus system. Released as a high-end, compact crop-sensor body, it offers a fast 11 fps burst rate, a large buffer, and a touchscreen, making it ideal for both action photography and hybrid content creation.   Key Features and Performance Imaging: 24.2 MP Exmor CMOS sensor with BIONZ X processor. Stabilization: 5-axis in-body image stabilization (IBIS), providing up to 5 stops of shake correction. Autofocus: 425 phase-detection points with 0.05s autofocus speed. Video: 4K recording (3840 x 2160) up to 30p, with 1080p up to 120fps for slow motion. Build: Touchscreen interface, 2.36M-dot OLED viewfinder, and a sturdy build.     Strengths Deep Buffer: Allows for extended, high-speed continuous shooting (up to 300 JPEGs). Fast AF: Exceptional tracking performance for fast-moving subjects. Compact 4K: Offers high-quality, full-pixel readout 4K video. Lens Selection: Wide range of available E-mount lenses.   Limitations Screen: The rear LCD screen does not flip up or out, which is not ideal for vlogging. Rolling Shutter: Noticeable in 4K, though manageable. Battery Life: Average, common among mirrorless cameras of its generation.   The Sony E PZ 16-50mm f/3.5-5.6 OSS (SELP1650) is a compact, retractable APS-C lens featuring built-in Optical Steady Shot (OSS) image stabilization and a Power Zoom (PZ) mechanism for smooth, silent zooming. Designed for travel, it offers a 24-75mm equivalent range, 7-blade circular aperture, and fast, quiet AF.   Key Features of the E PZ 16-50mm f/3.5-5.6 OSS: Retractable Design: The lens collapses to just 29.9mm in length when powered off, making it extremely portable. Power Zoom (PZ): A motorized zoom lever on the lens barrel allows for smooth, constant-speed zooming, ideal for video, which can also be controlled via compatible camera bodies. Optical Steady Shot (OSS): Built-in image stabilization minimizes camera shake, allowing for clearer handheld photos and videos. Optical Performance: Includes 4 aspherical elements to reduce distortion and 1 Extra-low Dispersion (ED) element for superior contrast and sharpness. Versatile Range: A 16-50mm (24-75mm equivalent) range covers wide-angle to portrait focal lengths. Aperture & Bokeh: A 7-blade circular aperture produces natural, smooth background blur (bokeh). Minimum Focusing Distance: 25cm (0.25m) at 16mm and 30cm (0.30m) at 50mm. Compact Size: Weighs approx. 116g to 107g (for II version)   The Sony XLR-A2M (often referred to within the XLR-K2M kit series) is a professional audio adapter designed to connect high-quality microphones and audio equipment to Sony mirrorless cameras (E-mount/FE-mount) and camcorders via the Multi-Interface (MI) Shoe.   Key Features and Capabilities: 2-Channel XLR Inputs: Allows for the connection of two professional, balanced XLR microphones or audio devices. Independent Controls: Features dedicated, manual controls for both channels, including recording level adjustments, attenuation (0, 10, 20 dB), and low-cut filters. Mic/Line Switching: Each channel has a switch to toggle between Mic, Mic+48V (phantom power), or Line input. Multi-Interface Shoe Connection: Direct mounting on the camera's hot shoe ensures a secure, cable-free connection for audio and power, reducing potential noise interference.   Robust Build: Features a durable, metal-bodied design.

Sony sxs Pro X 120gb Memory Card, used

Sony sxs Pro X 120gb Memory Card, used(FMP61744RHSH) 3 months warranty, Excellent condition Sony sxs Pro X 120gb Memory Card  (SBP_120F, SBP/120F, SBP 120F)  SxS Pro X is the next step up from SxS Pro+ and it offers transfer speeds of up to 10Gbps (1250MB/s). This is significantly faster than the SxS Pro+’s 3.5 Gbps max read speed, and 2.8 Gbps max write speed. The claimed transfer and write speeds of the new SxS Pro X are also higher than those of the Sony AXS Memory A-Series Cards that are used in their AXS-R7 and AXS-R5 RAW recorders.

Sony URX-S03D/K33 UWP-D Portable Two-Channel Wireless Receiver, used

Sony URX-S03D/K33 UWP-D Portable Two-Channel Wireless Receiver, used(FMP61740RHSH) 3 months warranty, Excellent condition Frequency: 566.025 MHz to 630.000 MHz (UHF- TV channels 33 to 40) Sony URX-S03D/K33 (URX-S03D-K33, URX/S03D/K33, URX_S03D_K33, URXS03DK33, urx-s03d/k33) UWP-D Portable Two-Channel Wireless Receiver Digital Audio Processing for high quality sound The URX-S03D is the first two-channel portable receiver in the UWP-D Series that fits directly in the slot of Sony XDCAM and HDCAM camcorders. Working with the UTX-B03HR belt-pack transmitter, the system features easy channel setting functions, advanced functionality for stable RF transmission and Digital Audio Processing technology ensures high-quality sound. With advanced usability with Sony XDCAM and HDCAM camcorders, it also works seamlessly with Sony 800 and UWP Series transmitters. Digital Audio Processing for high quality sound Improves transient response performance between the UWP-D transmitter and receiver, providing impressive natural sound quality compared to conventional analogue wireless systems. Stable RF transmission True diversity reception system achieves highly stable reception from two adjustable receiving antennas, each with its own RF circuits. Great usability with Sony XDCAM and HDCAM camcorders The URX-S03D fits in the slot of Sony’s XDCAM camcorder with 2-channel digital audio connections directly from the DSP. It can also be matched with the slot of an HDCAM camcorder with single channel audio connection. Easy to use features Automatic channel setting function*, headphone output, USB connection for power supply and line input availability. *For customers in North and Latin America, when a /25 version of either transmitter or receiver is used with /14, /30 or /30A version of receiver or transmitter, AUTO SET (auto channel setting) function or frequency transferring function with IR sync cannot be used. Manual setting of matching frequencies is still available. Wide frequency coverage with choice of channels available The extra wide switching bandwidth covers a wide area, with a wide choice of channels available across multiple models – please refer to product specifications for more information. 14UC: 470.125 MHz to 541.875 MHz (UHF-TV channels 14 to 25) (not available in Brazil) 25UC: 536.125 MHz to 607.875 MHz (UHF-TV channels 25-36) 42LA: 638.125 MHz to 697.875 MHz (UHF-TV channels 42-51) (not available in US or Canada) Robust metal body The URX-P03 portable receiver is made of strong, durable metal. Metal construction supports reliable use in rough operating conditions. Weatherproof structure Waterproof structure of the URX-S03D makes it safe to use in extreme conditions Selectable squelch The squelch can be easily turned on or off in the menu. Compatible with a wide range of Sony camcorders PXW-X320, PXW-X400, PDW-850/750, PXW-X500, PMW-400/580, PDW-510/510P, PDW-530/530P, PDW-700/740/F800,PMW-TD300, PMW-500/350, PMW-320, (PMW-F5/F55 with CBK-55BK), HDW-F900R, HDW-650/680/800P, MSW-930P, DSR-400/400P, DSR-450WS/450WSP Oscillator Type: Crystal-controlled PLL Synthesizer Reception Type: True diversity Antenna Type: Detachable

Sony 18-110mm G OSS lens, used

Sony 18-110mm G OSS lens, used  (FMP61707KSSH) Super 35mm/APS-C power zoom for 4K movies The SELP18110G zoom lens covers the most frequently used range for Super 35 mm/APS-C movies with a constant F4 maximum aperture. G Lens optical performance delivers image quality that is suitable for 4K production throughout, right out to the image periphery. Sony SMO design minimizes image shift due to lens operation, while high-level zoom control and refined focus add to professional overall performance. For professional Super 35 mm/APS-C production This powered zoom lens delivers optimum performance in Super 35 mm/APS-C moviemaking applications, starting at 18 mm wide-angle and extending through an impressive 6.1x zoom range with a constant F4 maximum aperture. G Lens optical performance delivers image quality that is suitable for 4K throughout the zoom range, right out to the image periphery. Smooth Motion Optics meet pro cinema needs Sony's original SMO (Smooth Motion Optics) design and construction minimizes optical shifts that can have a negative impact on movie quality. Focus breathing is minimized by an internal focus mechanism, focus shift is eliminated by precise focus tracking adjustment, and axial shift is minimized by a constant-length design. High-level, versatile zoom control In addition to smooth powered zoom, mechanical manual zoom ensures control with no lag. The desired angle of view can be accurately reached without overshoot or undershoot. Zoom ring direction can be easily switched as required, smooth, slow powered zoom is supported, and an inner zoom mechanism means that the length of the lens remains constant. Refined focus operation and features The focus ring slides to switch between auto and manual focus, so the switchover can be made with no break or change in shooting posture. A 0.8 mm pitch focus gear is built right into the lens, providing direct compatibility with standard focusing accessories.  Ideal size and weight for active shooting Compact, lightweight design contributes to the kind of mobility that active movie shooting demands. Small size and low weight can be advantageous when using gimbals and other types of support, too. Optical SteadyShot Built-in Optical SteadyShot image stabilization helps to keep captured images stable and blur-free in a wide range of shooting conditions. It can be a huge advantage when shooting in low light, minimizing the need to boost ISO and possibly introduce noise, as well as when moving around with the camera. Teleconverter support This lens is fully compatible with the Sony SEL14TC 1.4x teleconverter and SEL20TC 2x teleconverter, providing extended reach while maintaining outstanding image quality and autofocus performance.  Reliable in challenging conditions A sealed dust and moisture-resistant3 design provides extra protection and ensures reliable operation in challenging environments. Shoot with confidence in light rain or windy conditions. Lens Configuration The impeccable Sony G Lens design emphasizes a graceful balance between high resolution and gorgeous background bokeh that can enhance the artist’s vision. High-performance G series standard zoom lens Powered zoom Constant F4 maximum aperture throughout zoom range Built for high-quality 4K moviemaking Dust and moisture-resistant design

Sony EX1R camcorder, 150 hours, used

Sony EX1R camcorder, used  (FMP61721KSSH) Sony's PMW-EX1R XDCAM EX HD Camcorder is the impressive successor to the popular PMW-EX1. While retaining everything that was right about the previous camera, Sony has listened to its professional users and taken several steps forward, not only improving ergonomics and convenience, but bringing a whole new set of features to the world's only full HD compact camcorder.   Like its predecessor, the PMW-EX1R's core is its three 1/2"-type CMOS sensors and 14x Fujinon zoom lens. This heavyweight imaging combo captures full 1920 x 1080 hi-def images to solid state SxS PRO memory cards (sold separately) at multiple bit rates, resolutions and frame rates. Whether you're shooting weddings, documentaries or feature films, there's a frame rate and resolution for you--from 60fps and native 23.98p recording at 720p, to 1fps at 1080i. SxS PRO cards of up to 64GB in capacity can be used. For 64GB cards, the camera will require software version 1.15 or greater installed from Sony's website. The way to install it is by downloading the version to a computer, connecting the camera to the computer by USB cable, and selecting the upgrade option in "Others" tab of the camera's menu table. If your computer has an SxS slot, you can just transfer the downloaded file onto the SxS card and then pop the card into the camera to transfer the download, which in this case also you would do through the "Others" menu. 64GB cards can record 200 minutes in HQ mode and 280 in SP mode.   But along with its already proven imaging abilities and professional workflow, the PMW-EX1R expands its usability by offering DVCAM SD recording, XDCAM HD compatibility, and HDMI output. That means no more time-consuming downconverting or transcoding to work in different formats or with different recording and playback devices. Other new features add even more convenience and flexibility, including a high-resolution 1.23MP viewfinder, Cache Record, one-click S&Q button, auto iris, and even image inversion for flipping the image while shooting with a 35mm adapter. Make no mistake: the Sony PMW-EX1R is the first HD compact camcorder that truly does have it all.   Three 1/2"-Type Exmor CMOS Sensors The PMW-EX1R is equipped with three newly developed 1/2"-type Exmor CMOS sensors, each with an effective pixel count of 1920 (H) x 1080 (V), which delivers excellent picture performance with full HD resolution. This 1/2"-type image sensor, using Sony's advanced accumulated sensor technologies, allows the camcorder to provide an excellent sensitivity of F10, a remarkable signal-to-noise ratio of 54dB, and a high horizontal resolution of 1000 TV lines (in 1920 x 1080/59.94i mode). In addition, this large 1/2"-type image sensor can capture images with a shallower depth of field than smaller-size image sensors, giving users more creative freedom of expression. What's more, the Exmor CMOS sensor's unique design deploys an A/D converter to each column of pixels, resulting in a much lower clock speed than conventional CMOS sensors. This makes it possible to greatly reduce power consumption of the camcorder and extend battery life. 1920 x 1080 HD Recording Using the "MPEG-2 Long GOP" Codec The PMW-EX1R records 1920 x 1080 full HD images using the "MPEG-2 Long GOP" codec, which conforms to the MPEG-2 MP@HL compression standard. "MPEG-2 Long GOP" is a mature codec--also adopted by the XDCAM HD and HDV 1080i series of products--which enables users to record stunning HD video and audio with highly efficient, reliable data compression. New Selectable Recording Modes Including DVCAM Recording The PMW-EX1R offers a choice of bit rates--either 35Mbs (HQ mode) or 25Mbs (SP mode)--depending on the desired picture quality and recording time. The HQ mode supports 1920 x 1080, 1440 x 1080 and 1280 x 720 resolutions. The 1440 x 1080 mode is new to the PMW-EX1R, ensuring native integration of XDCAM EX footage into an XDCAM HD Professional Disc workflow. By supporting 1440 x 1080, 35Mbs recording, material can be utilized with no transcode, just a rewrap to MXF for NLE and archiving. The SP mode supports 1440 x 1080 resolution at 25Mbs, which provides compatibility with HDV 1080i products. Footage recorded in this SP mode can be seamlessly integrated into HDV-compatible editing systems by transferring the stream from the camcorder via the i.LINK (HDV) interface.   The PMW-EX1R also supports 25Mbs DVCAM recording in either PAL or NTSC modes, again providing seamless integration into existing DVCAM workflows, offering ultimate flexibility worldwide.   Robust Nonlinear Recording Media, "SxS PRO" & "SxS-1" (<I>Sold Separately</i>) The XDCAM EX series uses high-speed SxS PRO and SxS-1 memory cards (sold separately) for its recording media. SxS PRO cards of up to 64GB in capacity can be used. For 64GB cards, the camera will require software version 1.15 or greater installed from Sony's website. The way to install it is by downloading the version to a computer, connecting the camera to the computer by USB cable, and selecting the upgrade option in "Others" tab of the camera's menu table. If your computer has an SxS slot, you can just transfer the downloaded file onto the SxS card and then pop the card into the camera to transfer the download, which in this case also you would do through the "Others" menu. 64GB cards can record 200 minutes in HQ mode and 280 in SP mode.   These cards are developed specifically for professional content creation applications with a number of key features: Compatible with ExpressCard/34 interface slot which is common on modern Windows PCs and Macs Uses PCI Express interface and achieves an extremely high "read" speed of 800 Mbs* Large storage capacity: SBP-16 (16 GB) and SBP-32 (32 GB) memory cards are available Can record up to 140 minutes of HD video and audio (using one 32-GB memory card) Compact size: approx. 75 x 34 x 5 mm (excluding the projecting parts)--half the size of the older PC Card standard Low power consumption Highly reliable: can resist shocks (up to 1500 G) and vibrations (up to 15 G) Affordability: SxS-1 media (introduced in late 2009) provides users with a lower cost alternative to SxS PRO media that offers the same high performance, but with an estimated 5-year life span when recording at full capacity once per day. Users can check the card life on their PMW-EX1R and PMW-350 camcorders and even see an alarm when the data rewriting limit is reached.     *This data-transfer speed is a theoretical value. Actual data-transfer speed depends on the file type and the performance of the PC. Wide Angle Professional 1/2" HD Lens The PMW-EX1R is equipped with a superb Fujinon 14x zoom lens specifically designed for the PMW-EX1R to offer optimum picture performance. It offers a wide angle of view of 5.8mm (equivalent to 31.4mm on a 35mm lens), and many other convenient features for both broadcasters and videographers. Unique Focus Operation - Professional Manual Focus and Auto Focus The Fujinon lens adopts a newly developed and unique focus ring mechanism, which offers two types of manual focus, plus an auto focus operation. The PMW-EX1R is equipped with two independent focus wheel mechanisms, which can be switched by sliding the focus ring itself back and forth. When the focus ring is in the front position, the lens works in the same way as a typical auto focus lens on a handheld camcorder. In this case, either manual or auto focus mode can be selected by the AF/MF switch on the lens. On the other hand, when the focus ring is set to the back position, the lens has an absolute focus position, and works in the same way as interchangeable-lens cameras, which professional users are familiar with.   Long Recording Time Utilizing a mature and highly efficient compression format together with high performance SxS memory cards, the PMW-EX1R can record superb quality HD images for an exceptional 140 minutes* on a single 32GB SxS card. As the PMW-EX1R features two memory card slots, this recording time is easily increased to 280 minutes (with two 32GB cards) and when recording across two cards, the transition is seamless without any frame loss. This feature makes the PMW-EX1R an ideal camcorder for a wide variety of content production applications, including wedding and event videography, that require a long recording time.   *When recording in HQ (35Mbs) mode, recording time may be more than the above specified figure depending on the actual bit rate that is adopted during VBR encoding. Multiple-format Recording The PMW-EX1R offers a wide array of recording formats for multiple content creation applications. In HD mode, scanning is switchable between 1920 x 1080, 1280 x 720, and 1440 x 1080 resolutions. Frame rate is also selectable from interlace and progressive: 59.94i, 50i, 29.97P, 25P, and native 23.98P.*   In addition, 59.94P and 50P progressive recording is available in 1280 x 720 mode. In SD mode, both 50/60i and 25P/30P modes are supported.   *In 1440 x 1080 and 1920 x 1080 modes, 23.98P images are handled as 23.98P and recorded as 59.94i signals through means of 2-3 pulldown. High-quality Uncompressed Audio Recording In addition to SD/HD video recording, high-quality audio is an equally significant feature in the XDCAM EX system. The PMW-EX1R camcorder records and plays back high-quality, two-channel 16-bit, 48-kHz linear PCM uncompressed audio. Built-in Stereo Microphone and Two-channel Audio Input The PMW-EX1R has a built-in stereo microphone and two XLR audio input connectors for connecting professional microphones or feeding an external-line audio source. IT Friendly With the XDCAM EX series, recordings are made as data files in the MP4 format, which is widely used in a number of recent electronic portable devices and has been standardized by ISO. For SD recording, industry accepted .AVI type-2 files have been adopted. The file-based recording allows material to be handled with great flexibility in an IT-based environment--easily available for copying, transferring, sharing, and archiving. All these operations are accomplished without any "digitizing" process required. File-based data copying allows for degradation-free dubbing of AV content, which can be performed easily on a PC or Mac. The file-based recording system also allows for material to be viewed directly on a PC or Mac--simply by inserting the SxS memory card into the ExpressCard slot, or by linking the device to the PMW-EX1R via a USB2 connection. This works in the same way as a PC or Mac reading files on an external drive. The file-based operation can dramatically improve the efficiency and quality of professional video applications. Immediate Recording Start and No Overwriting Footage By virtue of recording on flash memory cards, the PMW-EX1R can start recording virtually the instant the camcorder is turned on. Moreover, the PMW-EX1R system automatically records on an empty area of the card--there's no danger of overwriting existing content. This is extremely convenient, as camera operators do not have to worry about accidentally recording over good takes, and they don't have to search through footage for the correct position to start the next recording. In short, it means the camera is always ready for the next shot! Instant-access Thumbnail Search with "Expand" Function Each time a recording is started and stopped on the PMW-EX1R camcorder, the video and audio signals are recorded as one clip. During playback, users can cue-up to the next or previous clip simply by pressing the 'Next' or 'Previous' button, as you would do on a CD or DVD player. Furthermore, thumbnails are automatically generated for each clip as a visual reference, allowing operators to cue-up to a desired scene simply by guiding the cursor to a thumbnail and pressing the 'Play' button. For further convenience, the 'Expand' function allows one selected clip in the thumbnail display to be divided into 12 even-time intervals, each with their own thumbnail identifier. This is useful if you want to quickly search for a particular scene within a lengthy clip. New Image Inversion Function When a cine-style lens or a stills camera lens is attached to the camcorder with a DOF (Depth of Field) adapter, the image is usually rotated by 180°. The Image Inversion function normalizes the image for easy picture monitoring. This will also negate the need to flip the image in post-production. Three Independent Rings In addition to its unique focus ring, the PMW-EX1R is equipped with independent rings for zoom and iris adjustment. These are located adjacent to the focus ring, in the same layout as is common on shoulder-type camcorders. This gives users a high level of operational comfort and control. AF Assist The AF (Auto Focus) Assist function enables operators to manually change focus positions using the focus ring during AF mode. This means that AF reference focus positions can be shifted to manually changed positions. MF Assist The MF (Manual Focus) Assist function helps to precisely focus on the target subject when shooting in MF mode. When the MF Assist is turned on, auto focus is momentarily activated and finely focuses on the subject closest to the focal point of the lens at that time. One-push Auto Iris A One-push Auto Iris button has been added to the lens of the PMW-EX1R, allowing the user to go into Auto Iris mode only when this button is pushed. This is a feature seen on broadcast lenses and is used as a reference for camera operators when adjusting the iris settings. Expanded Focus At the touch of a button, the center of the screen on the LCD monitor and viewfinder can be magnified to about twice normal size, making it easier to confirm focus settings during manual focusing. Selectable Peaking The Peaking function can help operators adjust the camera's focus more accurately by altering the way pictures are displayed on the LCD monitor and viewfinder. It can enhance the outline of the image, which the camera focuses on most, and change its color to make it more visible. Enhance levels can be selected from a choice of "HIGH," "MIDDLE," and "LOW," and the outline color from "RED," "WHITE," "YELLOW," and "BLUE." Optical Image Stabilizer To minimize the blurring effect caused by hand-shake, the new lens incorporates an optical image stabilizer function that provides highly stable images. 23.98P Native Recording XDCAM EX compact camcorders are the first to be part of the legendary Sony CineAlta family. The PMW-EX1R offers native 23.98P* recording which, in combination with advanced creative features such as selectable gamma curves, makes this camcorder ideal for cinema production. *In 1440 x 1080/23.98P (SP) mode, images are handled as 23.98P and recorded as 59.94i signals through means of 2-3 pulldown.   Slow & Quick Motion Function The PMW-EX1R offers a powerful Slow & Quick Motion function--commonly known as 'over-cranking' and 'under-cranking' in film shooting--that enables users to create unique 'looks' or special effects with slow- and fast-motion images. The PMW-EX1R can capture images at frame rates selectable from 1 fps (frame per second) to 60 fps in 720P mode and from 1 fps to 30 fps in 1080P mode, in increments of 1 fps. For example, when viewed at 23.98P, images captured at 60 fps will appear 2.5 times slower than normal. Conversely, images captured at 4 fps will appear six times faster than normal. With the Slow & Quick Motion function of this camcorder, images are recorded natively without interpolating the frames. This means the quality of the slow- and fast-motion images is extremely high and incomparable to those created in the editing process. In addition, these slow- and quick-motion images can be played back immediately after shooting, without using any converters or processing on non-linear editing systems. New One-push S&Q Switch A new S&Q (Slow & Quick Motion) button has been added to the exterior of the camcorder. This allows the user to switch quickly between Normal mode and S&Q mode. In S&Q mode, a blue LED on the button lights up. When the switch is pressed, S&Q mode is activated, and the recording format and frame rate are instantly changed to the conditions previously set via the menu. Slow Shutter Function The PMW-EX1R offers a Slow Shutter function for capturing clear images in low-light environments. This allows the shutter speed to be extended to a maximum of 64 frames. The Slow Shutter function not only increases camera sensitivity but also produces a special blurring effect when shooting a moving object, for enhanced shooting creativity. The shutter speed is selectable from 2-, 3-, 4-, 5-, 6-, 7-, 8-, 16-, 32-, and 64-frame periods. Selectable Gamma Curves The PMW-EX1R camcorder offers a wide variety of gamma curves to flexibly handle contrast and give a specific 'look' to an image. In addition to four types of standard gamma curves, the PMW-EX1R provides four types of CINE Gamma (CINE 1, 2, 3, and 4), which are identical to those of other CineAlta camcorders. Operators can select the best-suited preset gamma curve, depending on scenes. New Cache Recording Function Once enabled, Cache Recording continuously streams audio and video through the camcorder's internal memory. Once the Record button is pushed, the content buffered in the camcorder's memory is recorded onto the memory media at the start of the recording clip. The caching period can be adjusted for up to 15 seconds, so in a situation such as monitoring a developing situation, Cache Record enables capturing an event up to 15 seconds before the record button is pressed. When in Cache Recording mode, an indicator on the inside panel lights up. Interval Recording Function The PMW-EX1R offers an Interval Recording function that records signals at predetermined intervals. This is convenient for shooting over long periods of time, and also when creating pictures with special effects of extremely quick motion. Frame Recording Function Frame Recording is a special feature of the PMW-EX1R camcorder that is especially useful for stop-motion/clay animation shooting. Using this function, images for predetermined frames are recorded every time the Record button is pressed. Shutter Angle Settings In addition to the electronic shutter speed controls, the PMW-EX1R also has a "shutter angle" control--which is familiar to film users. By setting the shutter speed to "angle," the PMW-EX1R automatically operates with the proper exposure time, determined by the selected frame rate and the shutter angle. Picture Profile Feature The Picture Profile feature allows camera operators to easily call up customized picture-tonal settings to suit particular shooting conditions, rather than having to readjust the camera each time--giving users greater operational efficiency. Up to six different picture-tonal settings such as the parameters of matrix, color correction, detail, gamma and knee can be saved in the memory. These settings are displayed on the LCD monitor at the touch of a button. Depth-of-field Indicator A Depth-of-field Indicator can be displayed on the LCD monitor and viewfinder to help camera operators easily recognize the depth-of-field of a scene, and thereby produce their desired images. Brightness-level Display The average brightness level of the center of a frame can be displayed on the LCD monitor and viewfinder as a percentage. This is useful when a waveform monitor is not available for shooting. Histogram Indicator The Histogram Indicator can be displayed on the LCD monitor and viewfinder, allowing operators to easily evaluate the distribution of brightness on currently captured images. This enables proper exposure control of iris, gain and gamma. 3.5" Hybrid Color LCD Screen The PMW-EX1R is equipped with a newly developed, large, easy-to-view, color LCD screen with a high resolution of 1920 x 480 pixels (horizontal resolution is 640 x 3, RGB). The LCD screen is located in an easy viewing position on top of the camera and can be flexibly rotated according to shooting angles--which is convenient when using it as a viewfinder. When not in use, it folds underneath the housing for the built-in stereo microphone. The LCD screen can also be used to instantly review recorded footage, as well as access the camera's set-up menus and view thumbnail display status indications such as audio meters, depth-of-field indicators, and the remaining memory and battery time. What's more, the Hybrid LCD screen--which comprises transmissive and reflective panels--offers clear viewing even in bright sunlight. New Easy-to-See Color LCD Viewfinder The PMW-EX1R comes equipped with a new 0.54" color LCD viewfinder, which displays high-resolution color pictures of approximately 1,226,000 pixels in a widescreen aspect ratio of 16:9, which simplifies focusing. Operators can switch between Color and Monochrome Display modes, according to their preference. Rotary Grip The grip of the PMW-EX1R can rotate 90°, which allows camera operators to flexibly adjust the angle of the grip. This gives users greater comfort during low-angle and high-angle shooting. In addition, the shape of this grip has been improved compared to the EX1 so as to better fit the user's hand. Four Assignable Buttons Frequently used functions can be programmed onto four assignable buttons, allowing operators to make rapid changes when working in the field. These can be functions such as ATW, Freeze Mix, Rec Review, Expanded Focus, Depth-of-field and more. On-handle Zoom Switch and REC Start/Stop Button In order to facilitate zoom control and recording operation during low-angle shooting, an additional zoom switch and record start/stop button are located on the carrying handle. The PMW-EX1R has a new zoom transition menu which allows camera operators to select 'soft' for smoother start/stop operation of the on-handle zoom. Shot Transition Function The Shot Transition function allows for smooth automatic scene transitions. The operator can program start and end settings for zoom, focus, and white balance into the A/B buttons and, by pressing the start button, a smooth transition will take place according to the set time. It works by automatically calculating the intermediate values during the scene transition. The start of this function can be synchronized with the camera's REC start function. The transition progress can be checked using an indicator displayed on the LCD monitor. In addition, a start timer function is also available for the Shot Transition function, helping to prevent operators from missing a shot. This function is very useful when complex camera settings are required during the scene transition--for example, when shooting subjects moving from the background to the foreground of a scene.   ATW & Hold Function The ATW (Auto Tracing White Balance) function of the PMW-EX1R automatically adjusts the camera's color temperature according to changes in lighting conditions. This function is useful when recording outside for long periods, as lighting changes gradually over time. The PMW-EX1R also has a new ATW Hold function, which allows the operator to hold auto tracing at a desired color balance via an assignable switch. Long Operating Time With the supplied BP-U30 battery attached, the PMW-EX1R can record continuously for approximately two hours, while the optional BP-U60 battery extends the operating time to approximately four hours. Wide Array of Interfaces The PMW-EX1R camcorder comes equipped with a wide range of interfaces optimized for a variety of operational needs. These include an HD-SDI output, downconverted SD-SDI output, i.LINK (HDV/DV) input/output, USB2 and analog composite/component output. There is also an HDMI output (Type A) that allows the user to show the picture on a consumer display or professional monitor equipped with an HDMI input. Noncompressed video and two channels of audio can be output. When HDMI output is selected, other outputs are not available. New IR Remote Control On Rear The PMW-EX1R has a new IR remote control receptor on the rear of its handle. This allows the user to control the PMW-EX1R with a Remote Commander both from the front and rear of the camcorder. Additional Aspect Markers For Cinematic Operation The PMW-EX1R benefits from the addition of several new aspect markers such as 1.66:1, 1.85:1, 2.35:1, and 2.4:1 for more convenient cinematic operation. Other Features Built-in ND filter wheel: 1: Clear, 2: 1/8ND, 3: 1/64ND Selectable gain: -3, 0, 3, 6, 9, 12, 18 dB High-speed picture search: x4, x15 Freeze Mix function Skin-tone Detail control Low-key saturation

Sony CBK-WA02 5GHz/2.4GHz Wireless LAN Adapter

CBK-WA02 5GHz/2.4GHz Wireless LAN Adapter Excellent Condition- 3 month peace of mind warranty The CBK-NA1E Network Module Extension Adapter is a wireless network adapter that operates on dual bands at 2.4 or 5 GHz. This allows for easy switching between frequencies for better signal transmission. The adapter is specifically designed for use with camcorders such as the PXW-X500, PXW-X200, and PXW-X180, and is attached using a 1/4-inch accessory shoe.  For even better signal transmission, the CBK-WA02 Wireless LAN adapter can be used in conjunction with the CBK-NA1E adapter. This kit consists of two units - the wireless LAN adapter and the modem attachment for 3G/4G/LTE communication. It is compatible with camcorders that support wireless LAN network operation and have the appropriate firmware, as well as with other wireless adapters with V2.0 or greater firmware installed.  The CBK-WA02 Wireless LAN adapter enables wireless data transfer from specified Sony camcorders to other devices on the same network.  The kit consists of two units: the CBK-WA02 Wireless LAN Adapter and CBK-NA1E - modem attachment for 3G/4G/LTE communication  This kit is designed for use with camcorders such as PXW-X500, PXW-X200 and PXW-X180 that are compatible with wireless LAN network operation and have appropriate firmware.  CBK-WA02 is also compatible with wireless adapters CBK-WA100 and CBK-WA101 with V2.0 or greater firmware installed.    

Sony SXS-1 32GB Memory Card, used

Sony SXS-1 32GB Memory Card, used Excellent Condition  Rugged, proven technology to support all the recording features of the XDCAM EX camera lineup 32GB, 64GB, and 128GB capacity Read speed up to 440MB/s Supports EB Streaming between card and Sony camcorders enabling constant 2 way communication and insuring stable recording while avoiding speed degradation. Enhanced media management with Memory Media Utility

Sony FX2 Cinema Line Full-Frame Cinema Camera with XLR Handle Unit

Sony FX2 Cinema Line Full-Frame Interchangeable-Lens Camera with XLR Handle Bring your cinematic vision to life with the Sony FX2, powered by a 33MP full-frame sensor designed for filmmakers who demand exceptional image quality and creative control. Capture breathtaking 4K video up to 60p, rich colour depth with 4:2:2 10-bit recording, and more than 15 stops of dynamic range using S-Log3 for maximum post-production flexibility. Create your look in-camera with S-Cinetone, Creative Looks, or imported LUTs, or push your grade further in post. Advanced AI-driven real-time autofocus keeps your subject sharp and reliable, while Framing Stabilizer intelligently maintains composition—even when your subject is moving. In-Body Image Stabilization (IBIS) combined with Active and Dynamic Active modes delivers smooth, confident handheld footage. A tilting LCD monitor and newly integrated electronic viewfinder (EVF) ensure precise framing in any lighting condition. Built for professional versatility, the FX2 features a removable XLR handle for high-quality audio capture, a built-in cooling fan for extended recording sessions, and fast switching between stills, video, and S&Q modes. CineAlta-inspired ergonomics, 16-bit RAW output, and seamless Sony lens integration make the FX2 a powerful and intuitive tool for modern filmmakers. FULL-FRAME CINEMATIC PERFORMANCE Record stunning 4K video up to 60p with outstanding detail and cinematic motion. The FX2 supports advanced 4:2:2 10-bit codecs and delivers over 15 stops of dynamic range using S-Log3, offering exceptional latitude for colour grading. For a ready-to-deliver look, choose S-Cinetone, Creative Looks, or MLUTs while recording. RELIABLE FOCUS, EVERY TIME Experience fast, precise autofocus powered by real-time AI technology. Advanced subject recognition supports humans, animals, birds, and more, including accurate eye detection. Framing Stabilizer helps keep your subject centred, even during movement. STABLE HANDHELD SHOOTING Shoot confidently on the move with IBIS, enhanced by Active and Dynamic Active stabilization modes. The tilting LCD and high-resolution EVF provide flexible, accurate framing in bright or challenging environments. READY FOR ANY PRODUCTION Designed for adaptable workflows, the FX2 supports cages and accessories, includes a professional XLR audio handle, and features active cooling for long recording sessions. A dedicated still/video/S&Q switch and Log shooting mode streamline on-set operation. ADVANCED CINEMA TOOLS Step into professional filmmaking with a CineAlta-inspired user interface, 16-bit RAW output, and anamorphic de-squeeze support, meeting the demands of high-end production environments. FULL SONY SYSTEM INTEGRATION   Unlock the benefits of the Sony ecosystem with focus breathing compensation for compatible Sony lenses, enabling smooth, cinematic focus transitions. The Monitor & Control app adds advanced monitoring tools such as waveforms, along with remote operation and touch focus for a fully integrated shooting experience.

Sony A1 Digital Camera Body, Used

Sony A1 Digital Camera Body, Used(FMP61611RJSH) Excellent condition, 3 months warranty  Please note: Shutter count is 8330  Introducing the Sony A1 Digital Camera Body. This incredible new high-resolution 50.1MP model from Sony offers 30fps blackout-free shooting with AF that is double the speed of the a9 II. For video shooters, 8K 30P 10-bit 4:2:0 is available with up to 30 minutes of shooting before over-heating. For those more interested in 4K, you can shoot 120P at 10-bit 4:2:2 internally. In addition, this camera also features a wide 15 stops of dynamic for stills & 15+ stops for video. We also see the World's first EVF with 240fps, strong and stable IBIS, and a vastly improved AI-based real-time tracking performance. This is Sony's advanced and innovative camera yet and is guaranteed to send shock waves through the mirrorlesss-video market. Expanded Sony A1 Digital Camera Body Key Features: Designed for Speed The Sony A1 is designed to help you to capture each and every moment - moments that would otherwise be missed whilst using slower mirrorless cameras. The impressively fast readout speed from the 50.1-megapixel image sensor and large memory buffer, allows you to capture 155 full-frame compressed RAW images or 165 full-frame JPEG images at up to 30 frames per second (electronic shutter). This incredible speed is matched by full AF and AE tracking even whilst shooting at the highest speed, all thanks to a calculation speed of up to 120AF/AE per second.  Lightning Fast Autofocus Incredible AF performance has become a norm of any Sony camera release. But the Sony A1 takes this further. The camera offers 759 phase-detection points in a high-density focal-plane phase-detection AF system, and this covers approximately 92% of the image area. This vast coverage allows for accurate tracking of complex, fast-moving subjects with ease.  Sony's already-renowned Real-time Eye AF sees an upgraded detection performance by 30% of both humans and animal, and it doesn't stop there. Wildlife photographers and videographers will be pleased to hear that the Sony A1 is equipped with impressive subject recognition which will now actually respond to birds, locking on using the same Real-time Eye AF system. This particular system has optimised algorithms that are able to quickly adapter to birds sudden movings.  The Electronic Viewfinder You might wonder how Sony can improve on their already advanced electronic viewfinders found in their Alpha series, but when it comes to the A1 - Sony has delivered. The electronic viewfinder (EVF) used in the Sony A1 has a refresh rate of 240fps - A World first. This unprecedented speed compliments the pace of which this camera has been designed to provide. The 240fps offers super-smooth playback of your video and the viewfinder will not blackout when an exposure is made, which in turn allows for seamless, uninterrupted framing and tracking, even continuous shooting.  Fast, Silent & Stress-Free The electronic shutter system contributes to this impressive speed and professional performance of this camera. The electronic shutter operates silently, without any mechanical noise and is vibration-free. It offers silent anti-flicker continues shooting and thanks to this, it is now possible to capture stress-free continuous shooting even in fluorescent or flicker-prone artificial lighting.  In addition, the impressive high-speed readout from the Exmor RS CMOS image sensor has resulted in reducing rolling shutter by up to 1.5 times when capturing stills, when compared to the Sony A9 II. And another Alpha camera first sees the electronic shutter offering flash sync up to 1/200 sec, allowing you to truly take advantage of all the benefits of electronic shutters whilst using flash.  Sensational 8K Resolution Shooting A first for the Alpha camera, the Alpha 1 provides 8K 30p 10-bit 4:2:0 XAVC HS recording, along with 8.6K oversampling for unprecedented resolution. This is a videographer's dream, combining Sony's renowned AF tech, gradation and colour reproduction performance, with 8K footage down-graded to allow for flexible 4K editing during post-production - What's not to like?  In-camera 4K recording at a max. 120 fps gives you the ability to shoot up to 5 x slow-motion video, whilst supporting 10-bit 4:2:2 recording. The Alpha 1 also incorporates S-Cinetone (an identical colour matrix that produces FX9 and FX6 colour and skin tones), delivering soft colours, intricate highlights, expressive depth and natural mid-tones within the image. 15+ stops of dynamic range can be achieved via the S-Log3 gamma curve, whilst the S-Gamut3 and S-Gamut3. Cine colour gamut settings are there to match the Alpha 1's video footage to that of pro-cine cameras such as the VENICE or FX9 to the Alpha 1 - Leads to improved coherency and harmonious detail.  Body Modifications To Improve Video Capture Sony has covered every eventuality with the Alpha 1, building a heat-dissipating structure to keep the image sensor and image processing engine temperatures stable. By doing so, it prevents overheating and makes it possible to record 8K/30p video continuously for approx. 30 minutes - All within a stylish compact camera body. The Alpha 1's incredible 50.1-megapixel sensor is backed up by high-precision stabilisation unit and gyro sensors, as well as optimised image stabilisation (up to 5.5-step shutter speed advantage). For when handheld is the only option, switch to ‘Action Mode' to improve stabilisation. A digital audio interface has also been added to the Alpha 1's Multi Interface Shoe for crisper audio recordings when using Sony ext. mics, and 5.8K oversampled readout for high-resolution 4K movies in Super 35mm mode - We are only scratching the surface of what this Sony Alpha 1 can do.  Efficient Workflow For Professionals The Sony Alpha 1 has been made with photo and video journalists in mind. For fast delivery of stills/moving-images, you are now given advanced connectivity options for reliable file transfers. These include the industry's fastest built-in wireless LAN for communication of 2.4 GHz and 5 GHz bands (3.5 times faster wireless FTP transfer speed than Alpha 9 II), USB Type-C connector, built-in 1000BASE-T LAN connector, and FTPS is now supported to ensure enhanced data security through encryption. As well as compressed and uncompressed RAW, Lossless Compressed RAW stops image degradation. A new ‘Light' JPEG/HEIF quality setting, HEIF format for 10-bit gradations, and the ability to trim images to the correct aspect ratio in-camera, add to the Alpha 1's incredible efficiency - Compatible with a range of apps, add-ons and tools.  User-Centric Reliability The Sony Alpha 1 provides the reliability and durability demanded by professional image-makers. Two media slots supporting UHS-I and UHS-II SDXC/SDHC cards, as well as new CFexpress Type A cards for maximum capacity and fast read/write speeds. The magnesium alloy chassis is incredibly durable, with Z-battery (extended via optional VG-C4EM Vertical Grip). Also included is an improved dust removal feature, shutter close function when power-off occurs to protect the image sensor, plus dust and moisture resistance. The Sony Alpha 1 can cope with harsh shooting environments, with hard-wearing HDMI Type-A connector, and USB PD (Power Delivery) support. Both Touch Focus and Touch Tracking are supported on the updated 3.0 type 1.44 million-dot (approx.) LCD monitor, with revised menu structuring for efficient navigation - Customisable setting options to prioritise your individual workflow.  

Sony 18-105 lens, E Mount, used

Sony 18-105 lens, E Mount, used (FMP61500KSSH) The Sony 18-105mm lens is a versatile all-in-one zoom lens designed for both video and still photography. Covering a wide focal range from wide-angle to medium telephoto, it is ideal for a variety of shooting scenarios including interviews, events, and general-purpose filming. Featuring a constant aperture throughout the zoom range, this lens delivers consistent exposure and smooth performance, making it particularly well suited for video work. The built-in power zoom function allows for precise and controlled zooming, while optical image stabilisation helps to reduce camera shake for sharper results.   Compact and reliable, the Sony 18-105mm is a popular choice for content creators and professionals looking for flexibility without changing lenses.

Sony ENG UHF Wireless Set: UTX-B03, URX-P03 & UTX-P03 Transmitter, Used

Sony ENG UHF Wireless Set: UTX-B03, URX-P03 & UTX-P03 Transmitter, Used (FMP61489KSSH) 566-630 MHZ Good condition, 3 months warranty  The Sony UWP-D series wireless system is a reliable, broadcast-quality audio solution designed for ENG, EFP, and professional video production. This kit includes the UTX-B03 bodypack transmitter, URX-P03 portable receiver, and UTX-P03 plug-on transmitter, offering flexible wireless audio capture for both lavalier and handheld microphone setups. Combining Sony’s digital audio processing with analogue UHF transmission, the system delivers clear, natural sound with strong signal stability. Its true diversity reception helps minimise dropouts, making it ideal for demanding field environments. The system features wide frequency coverage (up to 72 MHz bandwidth depending on region), allowing easy operation across multiple channels and environments. Designed for ease of use, it includes automatic channel scanning and IR sync for quick setup between transmitter and receiver. The compact receiver mounts easily onto cameras, while the robust metal construction ensures durability for professional use. Additional features include USB power options, adjustable audio levels, and compatibility with a wide range of Sony wireless systems, making it a versatile choice for interviews, documentaries, and on-location shoots.   Condition: Used – fully tested and in good working order (cosmetic wear may be present).  

Sony BURANO 300 Hours Kit with Bright Tangerine Cage, Used

BURANO 300 Hours Kit with Bright Tangerine Cage, Used(FMP61474KSBR) Excellent like-new condition, 3 months warranty  BURANO  Versatile, lightweight, and compact full-frame 8K cinema camera with 16 stops of latitude, image stabilization for PL and E-mount lenses. Easily configurable for solo and team production.  A New Era in Cinematography  BURANO is a new concept in cinema cameras. It takes VENICE’s superior image quality and usability but re-imagines it for solo and small team productions. 33% lighter than VENICE 2, more power efficient and supporting CFexpress media – it’s not just our smallest full-frame CineAlta camera, in many ways it’s our most technically advanced. Expect uncompromising image quality wherever you are, whatever the size of your crew. Smarter Shooting  BURANO makes shooting highest quality 8K simpler than you can imagine. The world’s first PL mount compatible camera with a built-in stabilisation system*. A ground-breaking combination of our unique electronic variable ND filter system with in-body image stabilisation (IBIS) in a full-frame PL and E-mount cinema camera. For the first time in a full-frame CineAlta camera, Fast Hybrid and Subject Recognition AF with AI makes it easier to get the shots you want under the most demanding scenarios. With BURANO, you don’t need a studio or big crew to excel.* As of September 2023, based on Sony research for cinema cameras with standard equipped PL mount  Shoot The Way You Want  BURANO adapts to be the camera you want to be whatever the shoot. A multi-purpose touchscreen LCD monitor, with flexible mounting system and a versatile, robust handle, allow you to easily configure BURANO for different shooting styles. A lightweight, compact chassis and ergonomic balance make it easy to switch between shoulder-mount, handheld, gimbal or drone operation. BURANO can be configured for large and small projects, solo or with an entire crew. It’s all your choice.

Sony 18-105 Lens, Used

Sony 18-105 Lens, Used(FMP61462KSSH) Excellent condition, 3 months warranty The Sony E PZ 18-105mm f/4 G OSS Lens is a wide-ranging zoom lens that provides a 35mm-equivalent focal length range of 27-158mm, covering wide-angle to telephoto perspectives. A constant f/4 maximum aperture offers consistent performance throughout the zoom range and is especially beneficial when working with greater zoom magnifications in low-light conditions. Also benefitting working in dim light or at the long end of the zoom range is Optical SteadyShot image stabilization, which works to minimize the appearance of camera shake by up to four shutter speed steps. The optical construction incorporates two extra-low dispersion elements and three aspherical elements to minimize distortion and chromatic aberrations while also contributing to sharper overall imagery with enhanced contrast and clarity. The internal zoom operation utilizes Handycam technology and a floating axis design to help reduce noise during use and provide smooth, controlled zooming. A zoom lever is also integrated into the lens' design for easier control over the speed of zooming with both variable and fixed-speed settings. Additionally, a separate manual focusing ring is available to provide versatile handling in regard to setting both the focus and zoom positions simultaneously.

Sony HVR-Z7E Digital Camcorder - 3.2"LCD Screen - 1/3" CMOS - DV, Used

Sony HVR-Z7E Digital Camcorder - 3.2"LCD Screen - 1/3" CMOS - DV, Used(FMP61457KSSH) Excellent condition, 3 months warranty HVR-Z7E is the world's first HDV handheld camcorder with an interchangeable lens system, native progressive recording, and solid-state memory recording. A variety of video lenses can be attached to the HVR-Z7E, which is equipped with a universal standard 1/3-inch bayonet mount mechanism for the quick changing of lenses. Added to this a streamlined nonlinear editing workflow can be achieved using the supplied memory-recording unit, which provides HDV/DVCAM/DV file recording on a standard CompactFlash® solid-state memory card. This offers customers varying levels of flexibility and hybrid operation which is becoming an important requirement in video production. The HVR-Z7E also features 25p HDV native progressive recording mode and HDMI output. This new handheld Camcorder further enhances the operational versatility of the Sony professional HDV lineup, and opens up a world of possibilities for high-definition digital video production. Whether it's for documentaries, general TV production, low-budget movies, music videos, IPTV, education, or a wide range of corporate and event videography applications, Sony's new HVR-Z7E is ideal. NEW Interchangeable Lens System This camcorder is fitted with a new 1/3inch interchangeable lens system allowing customers either to use the supplied Carl Zeiss lens or use a whole range of other lenses available on the market. This is the first compact camcorder to offer interchangeable lens options. Flexible usage - the camera can be used for a myriad of different applications using different lenses, from TV work, through to budget movie making and with the use of still's lenses, wildlife videography. Various optional lens adaptor rings will allow conversion to 1/2inch or 2/3inch, plus an additional lens adaptor for Sony Alpha lenses. The supplied lens features professional operation with a new manual focus ring and zoom and iris rings. NEW 1/3inch ClearVid CMOS Processor Newly developed 1/3inch x 3 ClearVid CMOS processor offers high resolution, high sensitivity, wide dynamic range and excellent colour reproduction. Offers greater resolution than existing pixel-shift technologies regardless of the balance between colour elements. Offers great low-light capabilities especially important for camera operators who cannot control their ambient lighting., e.g. wedding videographers. Lower power consumption than traditional CCD's. 'Exmor' technology employed in the the new CMOS processor reduces noise in the A/D process. NEW Selectable 25p Progressive Modes The HVR-Z7E offers the ability to choose between a 25p scanning mode (sames as HVR-V1E) but also a 25p 'native' recording mode. In this native recording mode the picture is both scanned and recorded as a progressive image. Further improves the progressive reproduction by both scanning and recording progressively. Provides further flexibility of use. e.g. The camera can be used for a variety of applications from budget-movie making in 25p mode to standard interlace TV productions. Offers camera operators the use of the progressive 'filmic look', coupled with gamma curve correction makes the camera ideal for movie production. Switchable Recording and Playback- HDV1080i/DVCAM/DV The HVR-Z7e can switch between HDV1080i, DVCAM, and DV recording, providing full flexibility to record in either standard definition or high definition depending on your production needs Built-in Down-converter for SD Production The HVR-Z7e can convert material from 1080i down to 576i, and output the video signals through its i.LINK interface and other SD output connectors. This allows users to edit recorded material with a compatible nonlinear editing system using current DV editing software, as well as record SD signals to an external VTR. 1/3-inch type 3 ClearVid CMOS Sensor System The newly developed 1/3-inch type 3 ClearVid CMOS Sensor™ system has 45-degree rotated pixels on each chip in order to increase the signal density, while each pixel maintains sufficient surface area. In combination with Enhanced Imaging Processor™ (EIP), the 3 ClearVid CMOS Sensor system achieves high resolution, high sensitivity, wide dynamic range, and excellent colour reproduction. The pixel shift interpolation technique has been traditionally used in low-end 3CCD camcorders. However, it normally requires the combination of all three colour element (RGB) signals to maximize resolution. If an object lacks one or more colour elements, the resolution of the object may be degraded. The 3 ClearVid CMOS Sensor system is different. It can always produce maximum resolution, regardless of the balance between colour elements, thanks to its unique and sophisticated interpolation technology. Enhanced Functionality via the Technology of "Exmor The HVR-Z7offers cutting-edge features, such as the technology of "Exmor™" developed by Sony, which utilizes the full potential of the 3 ClearVid CMOS Sensor system. The technology of "Exmor", which features the column-parallel A/D conversion technique, is also used in the PMW-EX1 XDCAM EX camcorder and ?(Alpha)Digital SLR (Single Lens-Reflex) camera from Sony. Multiple A/D (analog to digital) converters on each pixel row convert analog signals to digital as soon as they are generated, unlike traditional technology that only has one A/D converter on each chip. The technology of "Exmor" can eliminate the influence of external noise that enters the signal chain during transfer to the A/D converter, resulting in high-quality digital signals with extremely low noise. This significantly enhances shooting in low-light environments. By adopting this groundbreaking technology, the new 1/3-inch 3 ClearVid CMOS Sensor system enables the HVR-Z7to achieve a low light sensitivity of just 1.5 lux. This will be of extreme importance to customers who shoot in lighting conditions that they can't control, e.g. wedding videographers. Wide Range of Lenses The flexible bayonet lens attachment system allows you to use a wide range of lenses. Standard 1/3-inch HD video lenses, from manufacturers such as Fujinon and Canon, can be attached directly to the HVR-Z7E. If you'd like to attach a 2/3-inch or 1/2-inch HD video lens on to the HVR-Z7E, it is possible to do so by adding a standard lens adaptor from the lens manufacturer. The HVR-Z7camcorder has 12-pin lens connectors allowing compatibility with professional ENG lenses. This feature is very useful not only for those who already have these professional HD video lenses, but also for those who prefer to use HD digital cinema lenses for their unique contrast, colour, and atmosphere. Carl Zeiss Lens for HD Video as Standard A high-quality, multi-purpose Carl Zeiss lens for HD video comes as standard with the HVR-S270E and HVR-Z7E. Stunning resolution and contrast is achieved thanks to the Carl Zeiss Vario-Sonnar™ T* coating, which suppresses unwanted reflections. A specially designed wide-angle lens is also available as an option, to suit a diverse range of shooting requirements. Alpha Lens Compatibility With a special adaptor from Sony, it is also possible to use the Alpha lens series designed for Sony Digital SLR still cameras. By using Alpha lenses in various configurations, creative effects can be achieved. This approach is ideal for filmmakers on a budget or those who already own Alpha lenses. 25p HDV Native Progressive Recording Modes The HVR-Z7newly features 25p HDV native progressive recording modes. The 3 ClearVid CMOS Sensor system and EIP create true 1080p images, which can then be recorded as progressive signals by the HVR-Z7in HDV format. The progressive HDV stream can be output from an i.LINK connector and used for progressive editing with compatible NLE software. Native progressive recording modes are suitable for output to film, CG composition, viewing on a progressive monitor, or as an Internet movie. Note: interlaced video is output from connectors other than i.LINK 25p Progressive Scan Modes In these modes, the 1080p image captured by the 3 ClearVid CMOS Sensor system is also recorded as an interlaced signal by dividing each frame into two fields. This enables compatibility with current editing and monitoring equipment that only accept interlace signals, while maintaining the quality of the 1080p image. Progressive scan modes are suitable for feature films, documentaries, and music videos, which have to be recorded as interlaced video for viewing on interlaced monitors, but want to offer a "progressive look" to their motion. A streamlined nonlinear editing workflow for HDV HDV signals can be recorded as a file on non-tape media. For example, when using the supplied CompactFlash (CF) solid-state memory recording unit - images can be stored on a standard CF card for quick nonlinear editing. The optional HVR-DR60 Hard Disk Recording Unit can be used in the same manner, with images being recorded on to its large-capacity 60GB hard drive, which provides 4.5 hours of recording time. BENEFITS : NEW Interchangeable Lens System This camcorder is fitted with a new 1/3inch interchangeable lens system allowing customers either to use the supplied Carl Zeiss lens or use a whole range of other lenses available on the market.  This is the first compact camcorder to offer interchangeable lens options.  Flexible usage - the camera can be used for a myriad of different applications using different lenses, from TV work, through to budget movie making and with the use of still's lenses, wildlife videography.  Various optional lens adaptor rings will allow conversion to 1/2inch or 2/3inch, plus an additional lens adaptor for Sony Alpha lenses.  The supplied lens features professional operation with a new manual focus ring and zoom and iris rings.   NEW 1/3inch ClearVid CMOS Processor Newly developed 1/3inch x 3 ClearVid CMOS processor offers high resolution, high sensitivity, wide dynamic range and excellent colour reproduction.  Offers greater resolution than existing pixel-shift technologies regardless of the balance between colour elements.  Offers great low-light capabilities especially important for camera operators who cannot control their ambient lighting., e.g. wedding videographers.  Lower power consumption than traditional CCD's.  'Exmor' technology employed in the the new CMOS processor reduces noise in the A/D process.   NEW Selectable 25p Progressive Modes The HVR-Z7offers the ability to choose between a 25p scanning mode (sames as HVR-V1E) but also a 25p 'native' recording mode. In this native recording mode the picture is both scanned and recorded as a progressive image.  Further improves the progressive reproduction by both scanning and recording progressively.  Provides further flexibility of use. e.g. The camera can be used for a variety of applications from budget-movie making in 25p mode to standard interlace TV productions.   Offers camera operators the use of the progressive 'filmic look', coupled with gamma curve correction makes the camera ideal for movie production. 

Sony PXW-Z300 XDCAM camcorder

Sony PXW-Z300 XDCAM camcorder(PXW-Z300) Sony has unveiled the PXW-Z300, a handheld XDCAM camcorder featuring 0.5in 4K 3-CMOS Exmor R sensors, the latest BIONZ XR image processing engine, and a dedicated AI-processing unit. This model comes equipped with a professional lens system that includes three independent manual control rings. Ideal for a wide range of applications including news, sports, corporate, faith, events, documentary, live programming, and reality. It is planned to be available in September 2025. The PXW-Z300 combines a 17x optical zoom lens and Electronic Variable ND filter, with versatile operational capabilities. In addition to high-quality 4K60p recording, it features AI-powered subject recognition for precise autofocus performance. The camera introduces a new articulating flexible LCD arm for adaptable capturing styles and a side V-Mount that allows smartphones or data transmitters to be securely attached. It is said to be the world’s first camcorder to embed digital signatures directly into video files, enabling content authentication to address the evolving needs of the content creation industry, including the growing demand for content authenticity. The PXW-Z300’s network functionality has been enhanced through improved communication device integration, which supports modern production workflows that utilise 5G and cloud technologies. This enables live streaming from shooting locations and efficient file transfer over networks. “This latest camcorder has new enhancements, including content authenticity capabilities, that will be very beneficial for those in the news and production industry, whether they’re capturing action-packed content, breaking stories, or producing educational documentaries,” said Anthony Kable, CCS group manager, Sony Australia. By utilising the digital extender function, individuals can achieve 1.5x zoom in 4K mode and up to 4x zoom in HD mode with minimal degradation, making the camera suitable for a wide range of capturing scenarios, including news gathering and event documentation. Additionally, the camera is equipped with an Electronic Variable ND filter that seamlessly adjusts transmission from 1/4 to 1/128, along with optical image stabilisation. This allows for smooth brightness adjustment and stable capture when moving between locations with varying light conditions, such as from bright outdoor areas to dim interior spaces. The PXW-Z300 incorporates a dedicated AI-processing unit in addition to its image processing engine. This enables high-precision subject (human) recognition based on face, eye, skeletal structure, and posture information. The system can maintain autofocus on subjects even when they are facing away from the camera or wearing facial coverings. It also features an auto-framing function that automatically adjusts composition to keep human subjects centred in the frame. The camera features a 17x optical zoom lens with F1.9 constant maximum aperture and three independent manual control rings for traditional camera operation. It also has a 3.5in high-brightness LCD monitor with approximately 2.76 million dots. It incorporates the newly developed Flexible LCD Arm with three-axis movement, which allows flexibility in adjusting the monitor’s position and angle. This enables the camera to accommodate various shooting styles. Operators can adjust the viewing distance when capturing content with the camera on their shoulder, position the LCD monitor at the camera’s optical centre for stable waist-level capture, or flip it forward for self-recording. The camera supports new workflows utilising 5G and cloud technologies, allowing immediate transfer of recorded material from shooting locations and live streaming through smartphone or WiFi/wired LAN connections. Recorded content can be transferred via network to cloud-based media sharing services or on-premises storage in high-quality, efficient formats. For proxy material transmission at lower resolutions, the camera newly supports the HEVC codec, enabling higher quality and compression rates. Additionally, it can transfer clips in chunk format (segmented recording) during shooting. This eliminates the need to remove media and transfer material after shooting, allowing editing to begin as material arrives. The camera supports common video streaming protocols including RTMP/RTMPS and SRT, enabling live broadcasting from remote locations. Furthermore, the PXW-Z300 utilises cloud services such as Ci Media Cloud, a cloud-based solution for media collaboration. This allows the camera to support more immediate and efficient video production workflows with material sharing and collaboration among project members, and live streaming with multiple cameras when combined with Sony’s M2 live cloud switcher. The PXW-Z300 supports various recording formats. It offers standard support for MXF file recording in formats adopted by the XDCAM series, such as MPEG HD422, XAVC Intra (4K/HD 4:2:2 10bit), and XAVC Long (4K 4:2:0 8bit/HD 4:2:2 10bit), as well as MP4 proxy recording in HEVC.

Sony RX1R III Digital Camera

Sony RX1R III Digital Camera(DSCRX1RM3B.CEC) A compact, always-there camera with performance that rivals Sony's professional mirrorless models, the RX1R III is the long-awaited third generation of the fixed-lens full-frame camera. Featuring a higher resolution 61MP BSI CMOS sensor, improved AF and video performance, an updated body design, larger battery, and the same beloved ZEISS Sonnar T* 35mm f/2 prime lens from past models, this is the high-performance companion camera that melds extreme image quality with a highly portable size. Full-Frame Sensor, BIONZ XR, AI Processing Unit 61MP Exmor R BSI Sensor  Borrowing the proven high-resolution sensor from the a7R V and a7CR cameras, the RX1R III features the full-frame 61MP Exmor R BSI chip, along with BIONZ XR processing, that achieves incredible resolution, high clarity, low noise, and a wide 15-stop dynamic range. The sensor's structure promotes impressive image quality, and a copper wiring layer dramatically improves data transmission speed for creating 14-bit, 61MP stills with a native sensitivity range from ISO 100-32000. BIONZ XR Processing  Matching the sensor is the adept BIONZ XR processor, which offers up to 8x greater processing performance compared to previous generations, which enables faster overall performance, impressive image quality with wide sensitivity and dynamic ranges, and more fluent processing that's capable of handling a bevy of AI tasks and intelligent AF alongside imaging processes. This processing system also reduces rolling shutter and other motion distortions for clean rendering of moving subjects. AI Processing Unit and Autofocus Using dedicated processing, the RX1R III's autofocus is greatly benefitted by more intelligent subject tracking and recognition capabilities along with the reliable hybrid AF system Alpha cameras are known for. Real-time Recognition AF works with seven different selectable target types: Human, which tracks body and head positions for accurate portraits. Real-time Eye AF performance has also been improved by 60% thanks to the human pose estimation capabilities.  Animal, Bird, and Animal/Bird modes are now 40% more accurate for tracking and recognizing a variety of animal types. Recognition of these subjects includes dogs, cats, birds and more, with the ability to pinpoint focus on eyes and recognize animal bodies and heads. Insect recognition offers even finer performance with the ability to detect the head or entire insect subject. Car/Train and Airplane recognition means the camera can detect the front part of a train, nose of an airplane, or easily detect the entire fast-moving subject.  Real-time Tracking benefits from AI-based subject recognition for following moving subjects, making it particularly well-suited to sports and action subjects. Also, Human pose estimation allows the camera to distinguish between multiple people and maintain focus on the targeted subject; even if someone crosses in front, the camera maintains focus on the key person. Advanced Fast Hybrid AF Covering 79% of the full-frame image area, or 100% of the APS-C cropped area, a Fast Hybrid AF system incorporates a dense 693 phase-detection point grid for quick and precise focusing in a variety of lighting conditions with sensitivity down to -4 EV. This focusing system is available for use in all recording modes, to benefit both video and stills applications.  Full-time DMF (Direct Manual Focus) enables using the lens's focus ring for manual focus control at any time, making it easier to switch focus to a different subject even when working with AF. Accurate Exposure and Color  Especially accurate metering and white balance is possible thanks to AI-powered algorithms, like Human Pose Estimation, to detect skin areas for more accurately balance exposures when shooting portraits. This AE method is approximately 20% more reliable, even in backlit or direct sunlight situations, or even when the subject is not directly facing the camera. Deep learning technology, along with external visible light and IR sensors, also contributes to more accurate color reproduction and auto white balance processing. Step Crop Modes  Suiting a high-resolution fixed lens camera, the RX1R III introduces Step Crop modes that simulate the field of view of lenses other than the built-in 35mm lens. By default, changing these modes is set to the C1 button and lets you cycle between 50mm (29MP) and 70mm (15MP) settings to make tighter in-camera compositions. Creative Looks  Also befitting a fixed lens, carry-everywhere camera, a series of new Creative Look settings have been added to impart a unique aesthetic to frames straight out of the camera. There are now 12 presets total, including the classic filmic FL setting; a new nostalgic FL2 film mode; a contrasty, slicker FL3 slide film-inspired look, and IN is reminiscent of instant film.

Sony 16.5-inch 4K TRIMASTER HX Professional Master Monitor

Sony 16.5-inch 4K TRIMASTER HX Professional Master Monitor(BVM-HX1710N) The BVM-HX1710N offers unparalleled precision and vivid colours within the BVM-HX 4K Professional Master Monitor range. Tailored for OB vans and studio control rooms, this groundbreaking 16.5-inch monitor is the first in the Sony’s lineup to offer stunning 4K resolution. With 3000 nits of HDR peak brightness, it sets a new standard for true-to-life colour accuracy and brightness. Higher peak luminance and greater contrast ratio As a 4K(3840×2160) HDR master monitor, the BVM-HX1710N is designed for unparalleled colour fidelity. *Peak luminance has been increased to 3000 cd/m² while the black colour stays black. Shaders will see subtle details, delicate highlights and rich colours, even in areas of the image where details were previously lost, with deep blacks. Faster pixel response Activated by an optional licence, high-speed pixel response of the BVM-HX1710N is perfect for live sports and music productions. Pan and tilt movements are displayed with less motion blur, while scrolling tickers are easier to read and check. The combination of rapid video response and high brightness make this display far clearer than existing OLED competitors. Even wider viewing angles Undertake monitoring work with more people, thanks to a wider viewing angle. Reviewing our optical display materials has allowed us to expand the practical viewing angle of our newest master monitor at 45°.  Moreover, this improvement also makes viewing performance of transitions from 0 to 45° and more than 45° improved naturally. Improved reflection performance Advanced AR processing takes care of reflections so users can concentrate on their production work. This technology cancels out incoming ambient lights to the screen through optical wave cancellation that’s similar to noise-cancelling audio technology. That means better contrast, better black reproduction and a clearer image with minimal resolution degradation. BVM-HX1710N with integrated IP support The IP interface is exclusive to BVM-HX1710N. Slot seamlessly into IP productions, with support for ST2110-20/21/22/30/40, NMOS IS04/IS05, Clean Switch, Hitless Failover, and PTP. A web menu makes IP interface configuration simple and it’s easy to add licences to support both SNMP and JPEG XS decoder. Direct IP signal input also removes the need for an IP-SDI converter, saving space and a number of power outlets. Plus we’ve incorporated greater compatibility with Sony’s Networked Live ecosystem. TRIMASTER HX TRIMASTER™ Technology is a design architecture that elicits the full performance capabilities of professional flat-panel displays. Its core technologies deliver the highest levels of colour accuracy, precision imaging, and picture-quality consistency, enabling the BVM-HX1710 series to achieve the precise imaging that professionals trusted in the BVM-HX3110. Meanwhile, the BVM-HX1710 series feature a Sony-designed dual layer anti-reflection LCD panel with Sony proprietary signal processing, supporting higher peak luminance, faster pixel response and wider viewing angles. HDR-SDR converter function Unlock simultaneous production of 4K/HD HDR video and HD SDR video, with an optional licence that undertakes SDR shading while you view an SDR or HDR signal, for a picture without saturated highlights or crushed lowlights. Three licences are available: BVML-H10 supports Sony’s HDR-SDR, 3D LUT and 4K-HD conversion BVML-S10 supports 3D LUT/4K-HD conversion BVML-T10 supports 3D LUT conversion only The screen display and conversion output can also work independently, so you can rely on the same signal output, even when the display switches. Conversion can be applied to an IP input signal and you can check the converted signal with a built-in waveform monitor and vectorscope. Anti-fingerprint Designed to make it easy to wipe off accidental fingerprints from transportation or installation. Recycled plastic Uniting sustainability with high performance, the BVM-HX3110 starts to use Sony’s SORPLAS™ (Sustainable Oriented Recycled Plastic), reducing the monitor’s environmental impact. User 3D LUTs Check different LUTs with the touch of a button, on set or in post. Load customized LUTs from a USB stick or other EOTF for comparison during pre-grading. High quality tetrahedral interpolation allows you to use LUTs for HDR-SDR conversion as well. Quad view display Instantly compare up to four sets of custom display settings, including EOTF, colour space, transfer matrix, colour temperature, contrast, brightness and chroma. View LUTs side by side and compare with original footage. 4K/HD scopes with HDR/SDR scale   See waveform monitor and vectorscope displayed with scales for HDR or SDR. These scales change automatically, according to the selected EOTF setting. A colour gamut scope is also available, mapping onto the CIE1931 standard chart with the standard colour space area display. Waveform monitor options include luma, RGB parade, YCBCR paragde, RGB overlay and HDR/SDR scale.

Sony, VENICE 6K + ARRI Cage + Wooden Camera D-Box

Sony, VENICE 6K + ARRI Cage + Wooden Camera D-Box(8037-K-FH) Providing a heavily accessorized camera package ready for not only your next film shoot but for those beyond, the Sony VENICE 6K Digital Motion Picture Camera Package provides support for full-frame production at up to 6K resolution, as well as anamorphic production. The kit includes the AXS-R7 external recorder that enables raw capture. The camera body features a full-frame CMOS sensor with 15+ stops of dynamic range and the included full-frame license enables using the entire sensor, or you can choose to window the sensor to shoot Super 35. The included full-frame upgrade permanently liberates the camera from its original Super 35mm limitation, allowing you to shoot full-frame at aspect ratios of 3:2, 1.85:1, 17:9, and 2.39:1 at 6K, or 16:9 at 5.7K. The included anamorphic upgrade enables shooting 4K at either 4:3 or 6:5 for capturing anamorphic images on the camera. You can record using XAVC in DCI or UHD 4K, as well as HD, internally, or capture raw on the included AXS-R7 recorder using a variety of recording data rate options. The included EVF features a 0.7" OLED panel with 1920 x 1080 resolution and 200 cd/M2 brightness. A built-in diopter ring enables adjusting the EVF to suit most eyes. The built-in eye sensor controls the anti-burn-in function of the OLED.

Sony, FX9 6K Camera + ARRI Pro-Set

Sony, FX9 6K Camera + ARRI Pro-Set(8036-K-FH) Realize beautiful 4K imagery with the creative freedom made possible by oversampling a huge high resolution full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh for a truly cinematic look. 15+ stops of dynamic range and Dual Base ISO enable you to capture every nuance, from subtle shadow detail to specular highlights, with an immaculate color palette.

SONY PXW-X500 XDCAM, 282hrs, used

SONY PXW-X500 XDCAM, 282hrs, used(FMP60869LPBR) Good condition, 3 Months warranty   Sony PXW-X500//U (PX-WX-500//U, PXWX500//U, PXW/X500//U, pxw-x500//u) B4 mount Professional XDCAM Camcorder Sporting an ENG form factor and supporting a wide variety of HD and SD formats, the Sony PXW-X500 XAVC 60P 2/3" Camcorder Body features a 2/3" 3CCD sensor block and can capture full HD at up to 120 fps. This item is only the camcorder body only and does not include a lens, viewfinder, mic, or wireless receiver. It is ideal for owners who want to upgrade to a new camcorder body while retaining the other elements of their camera package, such as lens, viewfinder, and mic.   The camcorder supports XAVC, MPEG2, and MPEG4 codecs, recording to SxS or SD media cards. It features 3G-SDI, HDMI, and Composite video outputs, allowing you to incorporate the camcorder into most production pathways, and the camera's built-in wireless slot accepts your compatible wireless receiver. Built into the side of the camcorder is a flip-out LCD viewscreen that displays battery capacity, media capacity, audio levels, and you can check camera playback on the camera. The camera incorporates a variety of professional features including Sony's slow and quick motion, picture cache recording, built-in GPS, a digital extender, and HyperGamma.   Sensor   The PXW-X500 features three 2/3" Power HAD FX IT CCDs that make up its sensor block. Auto Lens Aberration Compensation Expanded ALAC provides improved lateral chromatic aberration correction. Exposure   Featuring two integrated filter wheels for exposure and image control, the ND wheel holds four optical filters, a clear, an ND 1/4, ND 1/16, and an ND 1/64. The second wheel controls electronic CC filters allowing you to adjust the camera's white balance by spinning the wheel, as if it used optical filters. Electronic CC filter settings include 3200K, 4300K, 5600K, and 6300K. Gamma Control   The camera includes Standard Gamma, as well as four different HyperGamma settings and a user selectable setting. Slow Shutter Mode   The camera features a slow shutter mode, allowing you to accumulate frames to increase exposure. You can accumulate frames in groups of 2, 3, 4, 5, 6, 7, 8, and 16 frames. Worldwide Camera   The camera is capable of recording signals compatible with NTSC and PAL broadcast systems, so you can shoot and playback your footage in virtually any country. Specialty Recording   You can access a variety of special recording modes:   Sony's Slow & Quick Motion, for off speed recording. Interval record, for a timelapse like effect. The Pool feed input allows you record a signal input via a BNC cable, which is useful in press conference type situations when there is one feed.  Media Card Slots   Dual SxS card slots allow simultaneous or relay recording, providing the same codec is being used. On Board LCD Panel   It features a color LCD panel with 960 x 540 resolution that displays video, thumbnails, menu characters, audio level, and timecode display. GPS   A GPS unit is integrated into the camera's handle, and the GPS information can be encoded into your HD footage.

Sony FX2 Cinema Line Full Frame Interchangeable-Lens Camera

Sony FX2 Cinema Line Full Frame Interchangeable-Lens Camera(ILME-FX2B) Unleash your cinematic vision with the Sony FX2 and its 33MP Full Frame sensor. Capture stunning 4K up to 60P, advanced colours with 4:2:2 10-bit codecs, and over 15 stops of dynamic range. Stylize with S-Cinetone, imported LUTs, or maximize flexibility in post production with S-Log3. Real-time AI autofocus ensures your subject stays sharp, while Framing Stabilizer keeps them centred even on the move. IBIS and Active modes deliver smooth handheld shots, and a tilting monitor plus an integrated new EVF offer accurate monitoring in any light.   Built for versatility, the FX2 has an optional removable XLR handle and is equipped with a built-in cooling fan, and fast switching between stills and video. CineAlta-inspired controls, 16-bit RAW output, and Sony lens integration create a powerful, intuitive system for filmmakers who demand more. Sony FX2 Cinema Line Full Frame Interchangeable-Lens Camera Unleash your cinematic vision with the Sony FX2 and its 33MP Full Frame sensor. Capture stunning 4K up to 60P, advanced colours with 4:2:2 10-bit codecs, and over 15 stops of dynamic range. Stylize with S-Cinetone, imported LUTs, or maximize flexibility in post production with S-Log3. Real-time AI autofocus ensures your subject stays sharp, while Framing Stabilizer keeps them centred even on the move. IBIS and Active modes deliver smooth handheld shots, and a tilting monitor plus an integrated new EVF offer accurate monitoring in any light. Built for versatility, the FX2 has an optional removable XLR handle and is equipped with a built-in cooling fan, and fast switching between stills and video. CineAlta-inspired controls, 16-bit RAW output, and Sony lens integration create a powerful, intuitive system for filmmakers who demand more.  

Sony Burano Camera, 3 hours, Like-New

Sony Burano Camera, 3 hours, Like-New(FMP60865KSBR) Excellent / Like-New Condition – Fully Tested, 3 months warranty Note: This camera comes with Sony's updated IR Cut Filter for improved colour reproduction under strong lighting conditions.   Please note that the competitive price of this Sony BURANO should not be taken as an indication of its condition. This camera is in excellent, like-new condition and has been fully tested and is working correctly. We have priced this unit very competitively to achieve a quick sale, rather than because of any known fault or issue with the camera. The camera is also fitted with Sony's updated IR Cut Filter, designed to improve colour reproduction under strong lighting conditions. This represents an excellent opportunity to purchase a Sony BURANO in exceptional condition at a substantial saving compared with a new unit.     BURANO is a professional camera with a full-frame 8.6K sensor, providing high-quality images and a rich color gamut. It has multiple image scan modes, including full-frame and Super35, and offers a wide latitude of 16 stops for capturing beautiful, low-noise images in any lighting condition. BURANO also features Sonys signature S-Gamut/S-Gamut.Cine wide color space, Dual Base ISO sensitivity, and internal recording of X-OCN LT and XAVC H formats. It offers four new in-camera looks and is compatible with PL and E-mount lenses.   The cameras sensor can achieve 8K image quality with a maximum resolution of 8632 x 4856 and offers various image scan modes for different production requirements. With a wide dynamic range and color accuracy, BURANO allows for maximum flexibility in color grading. It also offers the option to switch between PL and E-mount lenses, making it a versatile choice for professional cinematographers.  

Sony FE 50-150mm F2 GM Lens

Sony FE 50-150mm F2 GM Lens(SEL50150GM) The Sony FE 50-150mm f2 G Master Lens offers a constant f2 aperture and 11-blade diaphragm for smooth, spherical bokeh and excellent low-light performance. Its newly designed G Master optics deliver high contrast and resolution across the frame. Four XD Linear Motors ensure fast, reliable autofocus and precise subject tracking—even during high-frame-rate capture up to 4K 120p on Alpha cameras.

Sony PMW-500 XDCAM full HD camcorder w HDVF 20A Viewfinder, used

Sony PMW-500 XDCAM full HD camcorder w HDVF 20A Viewfinder, used(FMP60801KSBR) 3 months warranty, good condition The first compact camcorder with solid state recording perfect for various shooting situations! Three 2/3-inch Power HAD FX CCD sensors XDCAM HD422 camcorder recording full HD (plus SD option) The PMW-500 is Sony Professional's first XDCAM HD422 Camcorder with solid state recording. It supports full-HD 422 50-Mbps MXF record and playback based on highly developed MPEG-2 Long GOP compression technology. Equipped with three 2/3-inch type 2.2-megapixel full-HD progressive CCDs - the same sensors as used in Sony's acclaimed PDW-F800/700 XDCAM Professional Disc HD 422 camcorders. It offers a high sensitivity of F12 at 50i (F11 at 59.94i) SxS Memory Cards Combine High Transfer Speeds and High Reliability Both SxS PRO™ and SxS-1™ memory cards use the PCI Express interface to achieve an extremely high data-transfer speed of 800 Mbps, and can resist considerable shock (1500 G) and vibration (15 G). Also, a unique Salvage function serves to restore content damaged by power loss or memory disconnection during recording. HD 1920x1080 and 1280x720 Recording Using the MPEG HD 422 Codec The PMW 500 records and plays back high-definition video with 1920x1080 and 1280x720 resolutions up to 50 Mbps using MPEG-2 4:2:2P HL compression technology. 24-bit Four-channel Audio Recording The PMW500 records uncompressed four-channel, 24-bit audio in MPEG HD 422 mode or MPEG IMX mode. Each channel level can be adjusted independently by individual level controllers. Selectable Recording Modes and Video Formats In addition to high-quality MPEG HD 422 50-Mbps mode, the PMW-500 can record and play back videos at different bit rates and in a variety of video formats. The PMW-500 supports both the broadcast-standard MXF file wrapper and IT-standard MP4 file wrapper. Long Recording Time With highly efficient MPEG-2 Long GOP compression and a large-capacity SxS memory card, the PMW/500 can record high-quality HD 422 50-Mbps images for a long recording time of 110 minutes on a single 64-GB SxS memory card. The SxS memory card can be hot-swapped with two cards while shooting, without interrupting the recording. Well-balanced Compact Body Designed to be very compact and ergonomically well balanced, the PMW-500 provides a high level of mobility and comfort in various shooting situations. It inherits the design of Sony's well regarded PMW-350/320 XDCAM EX™ camcorders. The main body weighs only 3.4 kg Low power consumption The power consumption of the PMW-500 is only 29W Digital Extender With optional CBK-HD02 boards, the Digital Extender function of the PMW-500 enables images to be digitally doubled in size. Focus Magnification A magnified camera picture (x2) is available in the viewfinder, simplifying precise focus adjustment. Auto Focus Assist Function The Auto Focus Assist function enables operators to change focus positions manually using the focus ring in AF mode. Slow and Quick Motion Function The PMW-500 offers a powerful Slow and Quick Motion function that enables users to create elegant fast- and slow-motion footage. The PMW-500 can capture images at frame rates selectable from 1 fps (frame per second) to 60 fps in 720p mode and from 1 fps to 30 fps in 1080p mode, in increments of 1 fps. (With the PAL setting in UDF (MXF) mode, frame rates are selectable up to 50 fps in 720p mode and up to 25 fps in 1080p mode.) Slow Shutter A maximum of 64 frames can be accumulated using the Slow Shutter function. HyperGamma Four types of HyperGamma curve – inherited from Sony's CineAlta camcorders – are provided in addition to six standard gammas. Interval Recording Function The Interval Recording function intermittently records one frame at pre-determined intervals. This is convenient for shooting over long periods of time, and also when creating special effects with extremely rapid motion. Frame Recording Function The Frame Recording function records images for pre-determined frames every time the Record button is pressed. This is particularly useful for clay animation shooting. Optical ND Filters and Electrical CC Filters The PMW-500 camcorder comes equipped with optical ND filters and electrical CC filters. With electrical CC filters, users can easily select a colour temperature -3200K, 4300K, 5600K, or 6300K - by rotation using a camcorder-assignable switch. Gain Control Gain Control(-6 dB to +42 dB) and Turbo Gain ("Shockless gain control") provide smooth transition in gain control. Easy-to-view 3.5-inch Colour LCD Monitor The PMW-500 is equipped with a large, easy-to-view, 3.5-inch colour LCD monitor with a high resolution of approx. 921,000 effective pixels. Why not check out our full range of camcorders by visiting our Camcorders Category or shop more items from the Sony range.  

SONY BURANO 8.6K Full-Frame Cinema Camera, 33 Hours, used

SONY BURANO 8.6K Full-Frame Cinema Camera, 33 Hours, used(FMP60793LPBR) Good condition, 3 months warranty BURANO is a professional camera with a full-frame 8.6K sensor, providing high-quality images and a rich color gamut. It has multiple image scan modes, including full-frame and Super35, and offers a wide latitude of 16 stops for capturing beautiful, low-noise images in any lighting condition. BURANO also features Sonys signature S-Gamut/S-Gamut.Cine wide color space, Dual Base ISO sensitivity, and internal recording of X-OCN LT and XAVC H formats. It offers four new in-camera looks and is compatible with PL and E-mount lenses.   The cameras sensor can achieve 8K image quality with a maximum resolution of 8632 x 4856 and offers various image scan modes for different production requirements. With a wide dynamic range and color accuracy, BURANO allows for maximum flexibility in color grading. It also offers the option to switch between PL and E-mount lenses, making it a versatile choice for professional cinematographers.

Sony PMW 500 XDCAM Camcorder with HDVF20A viewfinder, used

Sony PMW 500 XDCAM Camcorder with HDVF20A viewfinder, used(FMP60790RHSH) 3 month warranty, Excellent condition Note - 829 hours used  The PMW-500 is Sony Professional’s first XDCAM HD422 Camcorder with solid state recording. It supports full-HD 422 50-Mbps MXF record and playback based on highly developed MPEG-2 Long GOP compression technology. Uniquely, it can also be switched to record in HD 420 35-Mbps MP4 format which makes for seamless integration when used alongside XDCAM EX models.  Its 2/3-inch type three Power HAD FX CCD sensors deliver the same outstanding picture quality and low-light performance as the acclaimed PDW-700, however it records onto Solid State SxS media rather than optical Professional Disc. The exceptionally ergonomic chassis is a development of the acclaimed PDW-700/F800, while already class-leading power consumption is further reduced along with weight for superb on-location usability.   Sony’s XDCAM product range sets the benchmark for high speed, exceptionally flexible, file-based workflow. XDCAM Professional Disc products were first introduced in 2004, followed by high-speed memory-based XDCAM EX in 2007. A common technology platform provides a unique hybrid workflow meeting a broad variety of customer application needs.

Sony a7S MK III w/ FE 24-105 mm F4 G OSS Lens, used

Sony a7S MK III w/ FE 24-105 mm F4 G OSS Lens, used(FMP60788JPBR) 3 Month Warranty, Good condition  Description. The Sony a7S III is a full-frame mirrorless still and video camera featuring a new 12.1 MP back-illuminated Exmor R sensor and BIONZ XR image processor for incredible image quality and speed. Film makers can shoot pro quality footage at up to 4K/120p or 4K/60p without crop with fast and precise autofocus.  Excellent optical performance and a high zoom ratio are packed into a compact, lightweight only 663 grams (23.4 oz.). The compact lightweight design extend to E-mount bodies for outstanding system mobility and handling ease. This one high-performance lens lets you shoot a wide range of subjects and situations.  

Sony PXW FX9 6k Full Frame XDCAM Camcorder, 890hrs, used

Sony PXW FX9 6k Full Frame XDCAM Camcorder, 890hrs, used(FMP60700RPBR) 3 months warranty,  Good Condition Combined Sony’s technology in Digital cinema camera Venice, FS series and a (Alpha) ILC cameras. Sony’s full-frame 6K sensor camera with Fast Hybrid AF, dual base ISO and cinematic colour science and S-Cinetone. The Sony PXW-FX9 is the long awaited successor to the legendary PXW-FS7 is here and it brings some fantastic upgrades with it. The FX9 has a Full Frame 6K dual native ISO sensor, VENICE colour science, upgraded auto-focus capabilities, built in genlock and timecode and much more.  The FX9 features a full frame 6K 35.7 by 18.8mm back-illuminated Exmor-R CMOS sensor. This sensor is stated to have 15 plus stops of dynamic range and has a resolution of 6008 x 3168.  You will be able to shoot QFHD full frame up to 30fps, 1080p full frame at up to 120 fps and QFHD S35 up to 60fps and 1080p S35 at up to 120fps. The planned firmware updates will bring Full frame DCI 4K up to 60p, Full HD full frame up to 180fps and QFHD in Super 35 mode at up to 120fps while using an external recorder. You can also customise the autofocus, tweaking things like the AF transition between slow, for stuff like promo videos where you want slow smooth focus movements to fast which will be great for sports. You can also change the AF subject shift sensitivity which defines how easily the focus is switched to another subject. This goes from locked if you are wanting to do a walk and talk for example to responsive which you may need to keep better general focus. You can record up to four channels of audio with a range of different input options, The FX9 has an internal scratch mic, two XLR’s, you can use a dual channel receiver with the MI shoe on the handle or you can now use the DWX series of drop in receivers and transmitters with the new XDCA -FX9 back module. The FX9 does not feature SLOG2 only SLOG3 with S-Gamut3 & S-Gamut3. Cine, this is because the SLOG2 gamma curve is designed for 8-bit whereas all of the codecs on this camera are 10-bit. They have also added an S-Cinetone colour profile which is aimed to bring the colour science from the VENICE to the FX9. Realise beautiful 4K imagery with the creative freedom made possible by oversampling a huge high resolution full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh with a truly cinematic look. 15+ stops of dynamic range and Dual Base ISO enable capture of every nuance, from subtle shadow detail to specular highlights and with an immaculate colour palette. Capturing the Impossible Make sure your story’s always clear with enhanced Fast Hybrid AF that tracks your subject with unprecedented speed, smoothness and precision. Its impact is transformative for premium documentary, commercials and event applications. Shoot in Comfort, Expand your Horizons FX9 revolutionises full-frame cinematography with peerless ergonomics and advanced technology for on-the-go shooting. The world’s first full-frame electronic variable ND filter* transforms possibilities for shooting in variable lighting conditions. Built-in Wi-Fi and 12G-SDI support advanced workflows while the optional XDCA-FX9 extension kit further expands the operational possibilities of the PXW-FX9. 6K Full-Frame “Exmor R” Sensor for Stunning Picture Quality The camera’s full-frame 6K sensor provides superb recording in DCI 4K*, Ultra HD and HD resolutions. Powerful image processing with debayering and oversampling ensures image quality beyond the limits of conventional Super 35mm sensors. The back-illuminated CMOS image sensor also uses Sony’s Exmor R technology for improved sensitivity and noise reduction. Compared to a 4K Super 35mm sensor, the FX9’s 6K sensor has over twice the surface area while providing a wider angle of view and shallower depth of field. DCI 4K (4096 x 2160 at 17:9 recording) will be available with future firmware release. Phenomenal 15+ Stops Dynamic Range for Limitless Expression FX9 offers an exceptional 15+ stops of dynamic range – beyond the normal range of human perception – allowing for unprecedented creative freedom in colour grading and post. Camera operators can concentrate on framing the scene they want while relying upon the FX9 to capture every nuance and detail using either 4K 4:2:2 10-bit internal recording or 16-bit RAW external recording.* In grading, colourists can find colour and detail beyond the normal viewing abilities of the camera operator to create a final image that exactly portrays the mood of the scene. RAW recording requires future firmware release and external recorder. Dual Baso ISO for stunning images in any light FX9 features a base sensitivity of ISO 800, providing the optimal dynamic range for typical documentary applications such as shooting outside or in brightly lit interiors. A secondary High Base sensitivity of ISO 4000 excels in low light conditions such as early morning and evening shoots while maintaining superb image quality. ISO 4000 is also ideal whenever you’re using slow lenses. Combining Dual Base ISO with the camera’s electronic variable ND Filter provides superb creative control in almost any shooting environment, with truly next generation responsiveness to changing conditions. ISO 800 and ISO 4000 are used in S-Log3, Cine EI mode. Cinematic Colour Science with S-Cinetone  S-Cinetone is the default look of FX9 that’s tuned to meet the requirements of today’s content creators with rich mid-range colours, alluring facial tones and a softer tonal look – developed with the same expertise as Sony’s world-leading VENICE digital cinematography camera. S-Cinetone means that straight out of the camera your content looks fresh and vivid, with subjects that really stand out while retaining plenty of latitude in post production thanks to the high performance full-frame image sensor. The advanced default looks delivers alluring facial tones and a softer tonal look.  Selectable Frame Rates in Both Full-Frame & Super 35  Choose your desired frame-rate from 1fps up to 180fps* for impressive quick and slow-motion footage. FX9 creates an immersive image with a wide angle look and shallower depth of field provided by its full-frame sensor in combination with quick and slow-motion. Engage your audience with this new creative look. FX9 also offers a Quality priority setting* that maximises full HD slow motion image quality with advanced oversampling technology. Up to 120fps with Ver1.0. Full-HD 180fps will be supported with future firmware In Full-frame scanning mode: selectable at 1-30fps / In S35 scanning mode: selectable at 1-60fps  Supported in future firmware update Supported in future firmware update. RAW output only Supported in the future firmware update. Scanning area is cropped around 83% of full-frame and 122% larger than S35. (diagonal) Catch the Action with Enhanced Fast Hybrid AF Effortlessly track fast moving subjects with pin-sharp focus, even when using wide lens aperture settings to maintain a shallow depth of field with the camera’s full-frame sensor. Developed by Sony’s α camera engineers, enhanced Fast Hybrid AF combines phase detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. In addition, Face Detection intelligently recognises and locks on to human faces. The dedicated 561-point phase detection AF sensor covers approximately 94% of the whole image area width and 96% of height, allowing consistently accurate, responsive AF tracking, even with fast-moving subjects. Customisable AF Settings FX9’s comprehensive autofocus settings provide the creative flexibility to integrate with any project. Customisable AF settings can be used for a wide range of situations, depending on your requirements.  7-level AF transition speeds from Fast – switching between subjects as quickly as possible – to Slow, where speed is reduced to fit a more measured shooting style, such as a historical TV drama. 5-level AF subject shift sensitivity ranges from Locked-on – ignoring other moving subjects in the frame – to Responsive that switches focus from one subject to another – ideal for snapping between race cars as they speed by. AF Assist You can control MF ring during AF shooting if AF Assist is set to ON. You can adjust the focus manually even in AF shooting, you can manually operate the ring to focus the person behind. One Push AF While you are shooting in MF, pushing One Push AF button enables you to change to the focus mode to AF. Autofocus with all E-Mount Lenses Experience smooth, responsive autofocus with every E-mount lens, including Sony’s new Cinema Lens Series with premium optical performance and operability for demanding cinematography applications. Advanced E-mount lever lock operation allows quick, easy lens exchange in the field, plus added stability and security with large lenses. World’s First Electronic Variable ND Filter for Full-Frame Sensor Realise even greater creative control with Sony’s unique built-in electronic variable neutral density (ND) filter – a world first* for professional full-frame camcorders. Set to Auto, or adjust filter density manually in smooth increments from 1/4 to 1/128 as you shoot, for perfectly exposed images without affecting depth of field as lighting conditions change. Use higher density settings with a slower shutter speed for breath taking artistic effects. The built-in variable ND filter, with no need to prepare multiple ND filters separately can be flexibly and immediately used for every exposure change situation; when you move from inside to outside, and when you shoot under the natural light condition where exposure changes moment by moment. Proven Ergonomics & Accessories Compatibility FX9 chassis is the latest refinement of the revolutionary FS7 design, so you can be sure it will feel great to shoot with from almost any position, while also offering compatibility with a large proportion of the countless FS7 accessories including U-Series batteries, chargers, E-Mount lenses, plus third-party rigs, arms and lens adapters.* The control arm is easily adjusted without tools, so FX9 adapts effortlessly to your physique and preferred shooting style – handheld, at waist level or shoulder mounted. The smart grip features an updated design, more compact than before while still holding all the key shooting controls, allowing you to concentrate on the scene without distractions. FX9 also introduces a micro USB interface for improved responsiveness and support for a wrist strap. 16-bit RAW Capability 16-bit RAW offers a phenomenal increase in post-production creative freedom to fully exploit FX9’s exceptional 15+ stops of dynamic range. FX9 supports export of 16-bit RAW at either 4K or 2K resolution using the optional XDCA-FX9 extension unit with a single BNC cable connection to compatible external RAW recorders.** RAW output will be enabled with a future firmware release. Limited to 10-bit recording during 120fps high frame rate shooting within Super35 image circle Stable, Shake-Free Handheld Footage Advanced image stabilisation information means even handheld footage can be transformed with Sony Catalyst Browse/Catalyst Prepare software* in post-production to look as smooth as if it were shot with a gimbal.Unlike in-camera or lens stabilisation, meta data generated by FX9’s built-in gyro allows you to creatively choose the balance between the level of shake-compensation and the resolution of trimmed 4K imagery. This feature is also compatible with any E-mount lens and allows for far faster processing than conventional NLE stabilisation workflows**. Catalyst Browse/Catalyst Prepare Ver.2019.2 is required. Resolution and angle of view reduced compared to native footage. LCD  Approx 1.8x higher resolution than the FS7M, with enhanced LCD with HD resolution has superb accuracy, high contrast and resolution, bringing higher visibility for focusing.  Beautifully Matched Shooting Partners  Optimised for professional cinematography applications, the light, compact, SELP28135G powered zoom lens is an ideal complement for the full frame imaging possibilities of the FX9.  Circular aperture with full-frame image circle format  Motorised servo zoom for smooth, precise zoom moves  Independent three rings for focus, zoom and iris with smooth, silent drive  You have the choice of purchasing the FX9 on its own (PXW-FX9) or with SELP28135G lens (PXW-FX9K).  Cinema Lens Series  Explore new artistic possibilities and precise creative control with Sony’s Cinema Lens Series. Purpose-built for documentary production and digital cinematography with full-frame cameras such as the FX9 and VENICE.  The first lens in the series, the FE C 16-35mm T3.1 G full-frame wide angle zoom, is due in early 2020.  Adds Shoulder-Style Operation, Advanced Networking  Further extend the capabilities of the FX9 with the optional XDCA-FX9 extension unit that optimises camera weight distribution and ergonomics for comfortable shoulder-style shooting – ideal for ENG (Electronic News Gathering) and documentary applications. The extension unit also adds advanced networking for streaming/file transfers and Genlock/Timecode for multi-camera shoots.  4-Channel Audio Input and Recording   FX9 offers superb audio capabilities with independent control dials for each channel. In applications such as interview, 4-channel audio recording enables simultaneous use of an external microphone for recording ambient sounds, the built-in microphone for voice memos by the operator, and two optional UWP Series wireless microphones for voice of interviewer and interviewee. In addition, using the optional XLR-K3M, XLR-K2M or XLR-K1M XLR adapter – with two extra XLR inputs – allows even more devices to be connected.   

Sony PVM-740 7.8" Monitor, used

Sony PVM-740 7.8" Monitor, used(FMP60683LPBR) Good Condition, 3 month warranty  The PVM-740 is a new type of 7.4-inch high-resolution (960 x 540 pixel) portable monitor which incorporates an Organic Light-Emitting Diode (OLED) display panel with Sony's unique Super Top EmissionTM technology. Thanks to the nature of the OLED display panel and Sony's Super Top EmissionTM technology, the PVM-740 offers outstanding high-contrast images. Incorporating a 10-bit panel driver, Sony's Super Top EmissionTM OLED display panel creates lifelike and smoother-than-ever gradation from dark to bright portions of a scene. Also, an excellent blur-free quick response to fast motion benefits a variety of applications and scenes, e.g., sports broadcasting, monitoring of camera panning, and text scrolling. In addition to the high-purity deep colour reproduction characteristics inherent in Sony's Super Top EmissionTM OLED display panel, two other elements – Sony's 10-bit panel driver and ChromaTRU technologies – work effectively to emulate the colours and gammas of CRT monitors, and to support broadcast standards (SMPTE-C, EBU, and ITU-R BT.709). Incorporating a compact, lightweight, and robust aluminium die-cast body, the PVM-740 suits many different indoor and outdoor applications. The PVM-740 is equipped with standard interface connectors – a composite video, 3G/HD/SD-SDI, and HDMI – which accept a variety of video signal formats from PAL/NTSC up to 1080/50p and 60p. This PVM-740 is ideal for a wide range of professional monitoring applications including use in an editing studio, outside broadcast, acquisition, field production, engineering and even research and development. Superior picture performance Thanks to the nature of the OLED display panel and Sony's Super Top EmissionTM technology, the PVM-740 offers superb picture performance: its deep black, in particular, is outstanding. The characteristics of high-contrast, high-purity deep colour reproduction can add impressive reality to an image. By optimally combining OLED display panel technology with Sony's unique 10-bit panel driver and ChromaTRU technologies, the PVM-740 monitor achieves superb picture quality and offers many user benefits. Quick response with motion blur-free Because the OLED electroluminescent layer inherently responds to any electrical current input, it emits light immediately. By this mechanism, excellent quick response characteristics can be achieved in fast-motion images. As Sony's OLED electroluminescent layer is not a liquid crystal type of layer, performance is maintained in any climate, and the speed of response is unaffected by low temperatures. High-contrast images and outstanding deep blacks A feature of the OLED display panel is that it does not emit light when no electric current is applied or when a black signal is received. In this way, the deep black of a night scene can be accurately displayed and the black portion of an image is not raised even in a low-illumination edit suite making the PVM-740 superior in performances to a LCD or even a CRT Extremely high peak brightness Sony's Super Top EmissionTM structure takes emitted light from the opposite side of the TFT circuit without limiting the circuit's aperture ratio. This method offers more efficient light emission. In addition, Sony's Super Top EmissionTM is equipped with a micro-cavity structure and incorporates colour filters. The micro-cavity structure improves light efficiency and increases the brightness of emitted light. High-purity and rich colour reproduction Thanks to the Sony's micro-cavity structure and RGB colour filters of the Super Top EmissionTM OLED panel, colour purity is dramatically enhanced and stunning rich colour can be reproduced. Accurate colour reproduction and consistency Every PVM-740 monitor is precisely colour calibrated at the factory, providing characteristics consistent with those of CRT displays. So that the R, G, B colour coordinates are virtually the same as those of a CRT monitor. The PVM-740 monitor is also equipped with a Sony's unique feed-back circuit system. This system works to monitor the emitted lights all the time, and feed the monitor-result back and adjust the white balance. This system ensures colour and gamma consistency, and reduces maintenance strain of the users. Robust, Light-weight, and Compact body Incorporating a light-weight and compact aluminium die-cast body with a detachable AR-coated protection panel, this model is flexible enough to change style according to user requirements: with or without stand (which is easily detachable), tilted on a stand (15-degree slant), rack-mounted, or set on a camera pedestal.

SONY PXW-x400 Camcorder w/ EL-20 VF, 5000 Hours, used

SONY PXW-x400 Camcorder w/ EL-20 VF, 5000 Hours, used(FMP60647RJSH) Note : Pictures are for illustrative purposes only. Good Condition, 3 Months warranty  The PXW-X400 is an advanced shoulder camcorder that records a variety of professional broadcast quality formats including XAVC-L at 50p and 59.94p. The camcorder offers exceptional weight balance and low power consumption alongside excellent networking features and high picture quality. The reengineered design dramatically reduces the load on the operator’s right-arm. It supports Sony viewfinders including the QHD LCD CBK-VF02 and optionally available Full HD OLED HDVF-EL30 and HDVF-EL20. The camcorder also offers improved network connectivity, with built-in wireless module, embedded RJ-45 Ethernet 100B-T connector and Near Field Communication (NFC) function** for easy Wi-Fi setup and operation via a mobile or tablet with Sony’s Content Browser Mobile™ application. SD or HD-SDI (up to 1.5G) input supports pool feed recording.   High quality XAVC Long GOP recordings at 50p and 59.94p operations   The PXW-X400 supports a variety of codecs from SD to HD, including MPEG HD 422 50 Mbps in MXF (Material eXchange Format), which is widely accepted by major broadcasters worldwide, and XAVC Intra frame and XAVC Long GOP codecs. XAVC technology is based on the MPEG-4 AVC/H.264 standard, which provides an exceptional performance compression technology. XAVC provides higher picture quality and bit-depth, thus offers extended grading possibilities.   High sensitivity image making   The camcorder’s three 2/3-inch type Exmor CMOS sensors provide superb image quality with sensitivity of F12/F13 and a signal to noise ratio of 62dB. The camcorder’s digital extender offers x2, x3 or x4 operation.   Improved ergonomic design for best-in-class weight-balance   The camcorder has been redesigned to improve the weight and handling capabilities compared to predecessor models. The lighter lens grip resolves any front-heavy issues and dramatically reduces the load on the right-arm. This makes it easier to shoot for long periods and offers more stable images.   Supports Full HD OLED viewfinders*   Embedded RJ-45 connector   An embedded RJ-45 Ethernet 100B-T connector on the right side of the camcorder provides a robust and fast network connection that can be utilised for file transfer, live streaming and camera control from a web browser.   Near Field Communication* (NFC) function   A Near Field Communication (NFC) function allows easy, one-touch wireless LAN connection to a smartphone or tablet device without manual setting of the network parameters.   NFC allows close-range wireless communication between the PXW-X400 and an NFC-equipped smartphone or tablet device. This function will be available in June2016.   Built-in wireless module with Content Browser Mobile™   The camcorder’s built-in wireless module gives you more mobility with no cable needed, enabling proxy recording and file transfer or live streaming. In file transfer mode, high-resolution files and XAVC Proxy files can be transferred over wireless connection to cloud or FTP server thanks to Content Browser Mobile* (CBM) application. In “Push” mode, the CBM application enables users to monitor the currently shot video and to wirelessly control camcorder settings such as focus, zoom, iris, white balance, REC START/STOP, and more. With Content Browser Mobile V2.0 proxy trim, proxy partial clip upload, and logging are available. “In streaming” mode, high quality live streaming is provided by the advanced Sony QoS technology embedded in the camcorder and in the PWS-100RX1 network RX station .Non QoS live streaming is also possible with a third-party receiver or VLC player.   The CBM application can be downloaded from the Google Play Store or App Store.   Dedicated ONLINE button for easy network connection   A dedicated button gives simple on-off control of Network Client Mode, Auto Upload (Proxy) and Live Streaming.   Pool feed (SDI input)   An SD or HD-SDI (up to 1.5G) signal can be recorded by the camcorder, a useful function to record an external feed from another camera.   Lower power consumption   By optimising the design of the hardware, the lightweight PXW-X400 has a low power consumption of 22W (when the wireless function if off, without lens and viewfinder). This enables continuous recording operation for approximately 240 minutes with Sony’s BP-GL95A optional standard-type battery.   Simultaneous Recording on two SxS cards   The PXW-X400 offers a simultaneous recording function for peace-of-mind production. Recording is available on two SxS cards simultaneously as a backup measure within the same codec and operating point* when using the following recording formats; XAVC-Intra, XAVC-Long, MPEG HD422, or MPEG HD420.   Simultaneous recording with proxy file is supported in all combinations with the above formats an SD card.   Flexible camera system operation   The CA-FB70 Optical Fiber Camera Adaptor or the CA-TX70 Digital Triax Camera Adaptor can be attached to the PXW-X400 for live camera operation. The CA-FB70 enables the PXW-X400 to transmit signals via an optical fibre cable up to 250 m between the CA-FB70 and HXCU-FB70 Optical Fibre Camera Control Unit (CCU) with power and signal transmission. The CA-TX70 transmits signals via triax cable up to 600 m* between the CA-TX70 and HXCU-TX70 Digital Triax Camera Control Unit.  

Sony PDW-510 XDCAM Camcorder, 495 Hours, used

Sony PDW-510 XDCAM Camcorder, 495 Hours, used(FMP60636LPBR) Good Condition, 3 Months Warranty  The Sony PDW-510 XDCAM Camcorder provides the durability and reliability professionals have become accustomed to with their full line of ENG camcorders. The PDW-510 provides excellent image quality, using the same imaging technology as the highly regarded MSW-900. The XDCAM takes recording to the next level, utilizing non-linear optical Blue Laser technology. Less time logging, capturing and digitizing footage allows videographers to move seamlessly between acquisition and post-production. This increase in efficiency will result in shorter production times leading to higher profitability.   Blue Laser Optical Drive Technology The XDCAM series is anchored by blue laser disc, which allows for storage capabilities large enough to record professional quality video. Optical discs gives operators more control of the footage they acquire. This can be useful in instances such as news gathering, where footage often goes direct-to-broadcast. The hassle of rolling through tape is eliminated. Optical recording provides users with the advantages of non-linear work-flow combined the long record times that are necessary in the field. Advanced Video Chip Technology The camera uses advanced CCD technology. The Power HAD EX CCDs have specifications that approach the very highest quality FIT chips found in top-tier equipment such as those used in HDTV production. The camera has an amazing 65 dB signal to noise ratio and smear level of -140 dB. The dynamic range of the camera makes it possible to control critical details in both the very brightest and lowest lighted portions of a scene Progressive Recording The PDW-510 has the ability to record in progressive mode, which enhances image quality and can provide a more 'film-like' image. The camera can switch between standard (30 fps) and 24P modes. The 24P mode gives video the look and shutter of film, which is conventionally shot at 24 frames per second. Loop Recording Camera Operators often find themselves missing the first few seconds of action due to camera pre-roll. With the XDCAM this becomes a thing of the past! Simply set the camera to the Loop Recording mode and the camera will buffer 10 seconds of audio and video into the camera's memory. This capability can help prevent the loss of unexpected but important events occurring before the operator even has the chance to press the REC button. Thumbnail Scene Selection Blue Laser allows for quick and easy scene selection using Sony's attached LCD. Bringing up clips couldn't be any easier. Randomly access clips and review them seamlessly.  

SONY PMW-500 w/ HDVF-20A Black & White VF, 3162 Hours, used

SONY PMW-500 w/ HDVF-20A Black & White VF, 3162 Hours, used 3 Months Warranty, Good Condition The PMW-500 is the first compact camcorder with solid-state recording, making it ideal for a variety of shooting scenarios. Key Features: Three 2/3-inch Power HAD FX CCD Sensors: XDCAM HD422 camcorder capable of recording in full HD, with an optional SD format. Full-HD Recording: The PMW-500 supports 50-Mbps MXF record and playback using highly efficient MPEG-2 Long GOP compression. It’s equipped with three 2/3-inch type 2.2-megapixel full-HD progressive CCDs, the same sensors as Sony’s PDW-F800/700 XDCAM HD 422 camcorders. It boasts high sensitivity of F12 at 50i (F11 at 59.94i). SxS Memory Cards: Both SxS PRO™ and SxS-1™ memory cards provide high transfer speeds (800 Mbps) and reliability, with resistance to shock and vibration. The unique Salvage function restores content damaged by power loss or disconnection during recording. HD Recording with MPEG HD 422 Codec: The PMW-500 records in 1920x1080 and 1280x720 resolutions up to 50 Mbps using MPEG-2 4:2:2P HL compression. 24-bit Four-channel Audio Recording: The camcorder supports uncompressed 24-bit, four-channel audio recording in MPEG HD 422 or MPEG IMX mode, with independent level controls for each channel. Selectable Recording Modes and Video Formats: In addition to MPEG HD 422 50-Mbps mode, the PMW-500 supports various bit rates and formats, including both MXF and MP4 file wrappers. Extended Recording Time: Using a large-capacity SxS memory card, the PMW-500 can record HD 422 50-Mbps footage for up to 110 minutes on a single 64-GB card, with the ability to hot-swap cards without interrupting recording. Compact, Well-balanced Design: The PMW-500 inherits the ergonomically balanced design of Sony's PMW-350/320 XDCAM EX™ camcorders, offering superior mobility and comfort. The main body weighs just 3.4 kg. Low Power Consumption: The PMW-500 consumes only 29W of power, making it energy-efficient. Additional Features: Digital Extender: Optional CBK-HD02 boards enable a digital zoom that doubles the image size. Focus Magnification: A 2x magnified view in the viewfinder helps with precise focus adjustments. Auto Focus Assist: Allows for manual focus adjustments in AF mode using the focus ring. Slow and Quick Motion Function: Capture footage at frame rates between 1 fps and 60 fps in 720p mode, and between 1 fps and 30 fps in 1080p mode. In PAL settings, rates go up to 50 fps for 720p and 25 fps for 1080p. Slow Shutter: Accumulates up to 64 frames for smooth slow-motion shots. HyperGamma Curves: Four HyperGamma curves (inherited from CineAlta camcorders) and six standard gammas are available for more creative control. Interval Recording: Record one frame at pre-set intervals, ideal for time-lapse shots. Frame Recording: Record pre-determined frames for each press of the record button, useful for animation work. Optical ND and Electrical CC Filters: Optical ND filters and electrical CC filters allow for easy color temperature adjustments (3200K, 4300K, 5600K, or 6300K) with a camcorder-assignable switch. Gain Control: The camcorder offers a smooth transition in gain control with settings from -6 dB to +42 dB and a Turbo Gain feature for quick adjustments. 3.5-inch Colour LCD Monitor: The large 3.5-inch screen has a resolution of approx. 921,000 effective pixels, making it easy to view footage.

Sony Alpha 1 II Full-frame Mirrorless Camera

Sony Alpha 1 II Full-frame Mirrorless Camera ILCE-1M2B, Alpha II, Sony ILCE-1M2B, Sony Alpha II, ILCE-1M2B camera The Sony Alpha 1 II is Sony's latest flagship full-frame mirrorless camera, designed to deliver exceptional speed, resolution, and advanced AI capabilities for professional photographers and videographers. Key Features: Sensor and Image Processing: 50.1-megapixel full-frame Exmor RS stacked CMOS sensor. Advanced BIONZ XR image processor for enhanced speed and performance. Continuous Shooting: Up to 30 frames per second (fps) continuous shooting with full autofocus (AF) and auto-exposure (AE) tracking. Pre-capture function allows recording up to one second before the shutter is pressed, ensuring critical moments are captured. Autofocus and AI Capabilities: Dedicated AI processing unit for improved subject recognition and tracking. Real-time Recognition AF with enhanced accuracy for humans, animals, birds, and vehicles. 759-point phase-detection AF system covering a wide area of the frame. Video Recording: 8K video recording at 30p with 10-bit 4:2:2 color depth. 4K recording up to 120p for high-quality slow-motion footage. Dynamic Active Mode for improved image stabilization during video capture. Design and Ergonomics: Body design inspired by the Sony A9 III, featuring a taller grip for improved handling. Vari-angle 3.2-inch LCD touchscreen for flexible shooting angles. Enhanced in-body image stabilization offering up to 8.5 stops of correction. Connectivity and Storage: Dual card slots supporting CFexpress Type A and SD UHS-II cards. Advanced connectivity options, including 2.5GBASE-T Ethernet and compatibility with 5G portable data transmitters for rapid data transfer and remote shooting capabilities. Additional Features: Anti-distortion shutter to minimize rolling shutter effects. Improved battery life with the NP-FZ100 rechargeable lithium-ion battery. Eco-friendly, plastic-free packaging in line with Sony's commitment to environmental sustainability. AC adapter not supplied, 27W AC adapter with PD required

Sony LMD-2451W 24-inch Monitor

Sony LMD-2451W (LMD2451, LMD2451W) 24-inch Monitor Sony’s LMD-2451W is a 24-inch WUXGA high grade monitor replacing the LMD-2450W.  Designed for demanding broadcast and professional applications the 2451W features a CCFL backlight with a wide colour gamut and high-fidelity colour reproduction. The LMD-2451W is 3G-SDI ready using the BKM-250TG option board and has a 1920 x 1200 resolution with wide viewing angle.  The 2451W display has 1080/60P and 50P 4:2:2 10-bit capability for 3G. An improved wave form monitor increases versatility in the field, offering the ability to support multiple colour standards, including SMPTE-C, EBU, and ITU-R709. The LMD-2451W still features Sony’s ChromaTRU™ colour processing. This technology compensates for variations in LCD colour levels commonly caused by differences in chromaticity coordinates, colour temperature and gamma curves.  

Sony 17" LCD Production Monitor

Sony LMD-A170 (LMD_A170, LMD/A170, LMD A170) 17" LCD Production Monitor The LMD-A170 is a 17-inch LMD-A Series LCD monitor offers Full HD resolution, along with a lightweight and compact design. There is more than a 12% to 22% reduction in mass, 30% reduction in depth, and more than 25% reduction in power consumption, compared to Sony’s previous models. The LMD-A Series offers the same user-interface design, convenient features, functions and operability as PVM-A Series OLED picture monitors. This consistency between the PVM-A and LMD-A Series brings great user benefits when both types of monitor are used in the same network. Furthermore, LMD-A Series monitors provide versatility for a wide range of user applications both in the studio and in the field. These include DC operation, VESA mount and yoke-mount holes, and an optional protection kit. The LMD-A series offers full HD resolution, along with a lightweight and compact design. There is more than a 12% to 22% reduction in mass, 30% reduction in depth, and more than 25% reduction in power consumption, compared to Sony’s previous models. This Series also offers the same user-interface design, convenient features and functions, and operability as PVM-A Series OLED picture monitors. This consistency between the PVM-A and LMD-A Series brings great user benefits when both types of monitor are used in the same network. Furthermore, LMD-A Series monitors provide versatility for a wide range of user applications both in the studio and in the field: DC operation, VESA mount and yoke-mount holes, and an optional protection kit (LMD-A170 only). This broad and powerful professional LCD monitor continues to meet the broadest range of application needs for excellent cost:performance picture monitoring.

Sony 24-inch LCD Production Monitor

Sony LMD-A240 (LMD/A240, LMD_A240, LMD A240) 24-inch LCD Production Monitor The LMD-A240 24-inch LMD-A Series LCD monitor offers Full HD resolution, along with a lightweight and compact design. There is more than a 12% to 22% reduction in mass, 30% reduction in depth, and more than 25% reduction in power consumption, compared to Sony’s previous models. The LMD-A Series offers the same user-interface design, convenient features, functions and operability as PVM-A Series OLED picture monitors. This consistency between the PVM-A and LMD-A Series brings great user benefits when both types of monitor are used in the same network. Furthermore, LMD-A Series monitors provide versatility for a wide range of user applications both in the studio and in the field. These include DC operation, VESA mount and yoke-mount holes. Stylish lightweight and slim body with industry’s widest viewing angle Robust double-coated paint finish and stylish sharp edges chassis. Perfect for group monitoring. More than a 12% to 22% reduction in mass, 30% reduction in depth, and more than 25% reduction in power consumption, compared to Sony’s previous models. It provides cost savings for transportation and power consumption. It also saves space and weight in digital galleries. Latest camera-linkage functions Includes camera and lens metadata display and a Picture and Picture function with side by side, wipe, blending, difference and auto input switching. Ideal for OnSet and live production monitoring. User presets and password protection Secure your monitor settings for greater peace of mind. Five user presets are available. One colour temperature memory USER1 can also be password protected. 2K format display and Dual-Link HD-SDI mode This feature offers a cost effective 2K monitoring solution, ideal for OnSet digital cinematography. In addition, a Dual-link HD-SDI input is available. Multiple monitors firmware upgrade utility Save you time to upgrade simultaneously your monitors through your network.  

Sony 31inch 4K Trimaster HX Professional Master Monitor

Sony BVM-HX310 (BVM_HX310, BVM/HX310, BVM_HX310) 31inch 4K Trimaster HX Professional Master Monitor It’s the 4K HDR monitor professional colourists have been waiting for. An optimal choice for critical colour grading and CG tasks, the BVM-HX310 offers support for industry‑leading wide colour gamuts including DCI‑P3, ITU‑R BT.2020, S‑Gamut3.cine and S‑Gamut3. With consistent, faithful colour reproduction over the entire luminance range, it’s an ideal partner for cinematography production and post production workflow with Sony’s 4K cinematography cameras. Note: BVM‑HX310 does not cover the ITU-R BT.2020, S-Gamut/S-Gamut3 and S-Gamut3.cine colour space in full. Fully realising the advanced performance of the TRIMASTER HX panel, the BVM-HX310 achieves 1,000 nits* of full-screen brightness with 1,000,000:1 contrast ratio. It’s ideal for producing High Dynamic Range (HDR) content with rich, deep black areas and accurate reproduction of bright peak highlights. Together with support for a much wider colour gamut than conventional monitors, the BVM-HX310 can reproduce high-resolution HDR images with images clarity, depth and realism. As well as conventional 2.2, 2.4, 2.6, and CRT gamma, the BVM-HX310 supports standardized Electro-Optical Transfer Functions (EOTF) for HDR such as SMPTE ST.2084 and ITU-R BT.2100 (HLG). Both standards are used to meet the demands of today’s broadcast and cinematography industries. Additional EOTF tables for live and post production environments include 2.4 (HDR), S-Log2 (HDR), S-Log3 (HDR) and S-Log3 (Live HDR) – enabling easy workflows close to that of film while delivering 4K wide dynamic range. Support for VPID (Video Payload ID) identifies EOTF, colour space and RGB source information embedded in the SDI signal. Monitor settings are adjusted automatically, cutting the risk of human error in pressured live production environments. The BVM-HX310 effortlessly keeps pace with today’s production workflows. Integration in the latest system environments is streamlined with a single-cable 12G-SDI input, plus connections for 3G-SDI, HD-SDI including Single Link/Dual Link and HDMI (HDCP2.3/1.4). Easily check the effect of different LUTs while you’re on set or in post. Load customised User LUT (Look Up Table) files from a USB stick for comparison during pre-grading or with a different EOTF. See the effect of different LUTs at the touch of a button. Quad View Display mode allows instant comparison of up to four sets of custom display settings, including EOTF, Colour Space, Transfer Matrix and Colour Temperature, Contrast, Brightness and Chroma. It’s invaluable for comparing original footage with the look of different EOTF converted images. View up to four LUTs side-by-side in Quad View display mode. Minimal processing delays are a critical factor in live production and broadcasting applications. With a processing delay of less than one video frame, the BVM-HX310 is ideally suited to the demands of real time video monitoring. Interlace Display mode offers faithful reproduction of 1080i input signals, free from artefacts and picture degradation that can often occur during I/P conversion. Anyone who’s used the BVM‑X300 master monitor will feel instantly at home with the familiar front control panel of the BVM-HX310. Seven user assignable function buttons are complemented by manual controls for aperture, chroma, brightness, and contrast. Usability is enhanced further with dimmable button lights and on/off switchable indicator lights.

Sony PTZ Camera Remote Controller

Sony RM-IP500/AC (RM-IP500-AC, RM/IP500/AC, RM-IP500_AC) PTZ Camera Remote Controller This compact remote controller features a high-quality joystick that allows effortless one-handed pan, tilt and zoom adjustments of compatible Sony PTZ remote cameras. Zoom can also be controlled via the joystick or a supplementary seesaw lever; dedicated knobs and control buttons simplify direct access to frequently-needed camera functions. The RM-IP500 simplifies the building of cost-effective multi-camera content creation systems with a wide range of applications - from live events to conference halls, broadcast studios, education institutes and houses of worship. PTZ speed can be adjusted from slow to fast for more polished, professional-looking results. Up to 100* combinations of camera angles and settings can be stored as presets. Trace Memory* allows a sequence of camera moves to be stored and recalled whenever required. Up to 100 compatible Sony BRC or SRG Series PTZ remote cameras can be controlled over a standard IP network. Set-up's simple: the controller automatically assigns IP addresses to connected Sony PTZ cameras on the network, also assigning a camera number to each. Full compatibility is provided with these Sony PTZ remote camera models: BRC-X1000, BRC-H900, BRC-H800, SRG-360SHE. The RM-IP500 is an ideal partner for the Sony MCX-500 Multi-Camera Live Producer, creating a complete IP streaming and SD recording solution for a wide range of content production applications.   * Depends on camera specification. Version up might be required.

Sony UWP-D27 Wireless Audio Kit (TV-channel 33-41, 566,025-630,000 MHz)

Sony UWP-D27 Wireless Audio Kit (TV-channel 33-41, 566,025-630,000 MHz) UWP D27 K33 UWPD27K33 UWP-D27-K33 UWP/D27/K33 Wireless Bodypack Microphone Package This package includes a bodypack transmitter, 2-channel portable receiver, lavalier microphone, and accessories. It is easy to use, delivers high-quality sound, and integrates seamlessly with Sony cameras. The UWP-D27 is a complete wireless audio solution, perfect for on-camera interviews, live presentations, and other scenarios where capturing crisp, clear sound with minimal hassle is essential. The ECM-V1BMP omni-directional lavalier microphone connects to the lightweight and compact UTX-B40 bodypack transmitter, which is worn by the interviewee. Audio is transmitted wirelessly to the URX-P41D 2-channel portable receiver, ensuring quick and easy pairing between the transmitter and receiver. An optional Multi Interface Shoe Adaptor simplifies audio recording with compatible Sony cameras and handheld camcorders.

Sony FE 24-90 f/2.8 Macro Lenses

Sony SEL2490M-FH (SEL2490M-FH, SEL2490M-FH, SEL2490M-FH, SEL2490M-FH) FE 24-90 f/2.8 Macro Lenses.The Sony FE 24-90mm f/2.8 Macro Lens is a versatile, normal-length prime lens with impressive close-focusing abilities, delivering a 1:1 maximum magnification and a minimum focusing distance of just 6.3", ideal for life-size close-up photography. Designed for precision, the lens features convenient controls like a top-printed distance and magnification scale, a focus range limiter, and a focus hold button, enhancing accuracy for refined focus adjustments. Optically, the lens integrates both an aspherical element and an extra-low dispersion element to minimize chromatic and spherical aberrations, ensuring clarity across the focus range. Additionally, its dust- and moisture-resistant construction allows for reliable performance in challenging weather conditions.

Sony PXW-FS7 XDCAM Super 35 Camera System

Sony PXW-FS7 XDCAM Super 35 Camera System The Sony PXW-FS7 XDCAM Super 35 Camera System is designed for versatile productions, from “Cinéma Vérité”-style documentaries to reality TV, commercials, and corporate applications. It offers a flexible 4K camera system with a Super 35mm sensor that delivers cinematic depth of field. The E-mount, crafted from stainless steel, provides compatibility with E-mount lenses and, with optional adapters, supports PL, EF, Leica, and Nikon lenses. The PXW-FS7 captures footage onto XQD media cards, supporting resolutions of DCI 4K (4096 x 2160) and UHD (3840 x 2160) up to 60 fps, and HD up to 180 fps. Recording formats include XAVC-I, XAVC-L, and MPEG-2, though MPEG-2 only supports HD recording due to limited data rates. The camera’s dual XQD card slots allow for simultaneous or relay recording, and the ergonomic handgrip includes an adjustable support arm for easy control of the camera’s functions. Firmware Updates XQD-G-E Card Firmware: To support faster XQD-G-E cards, firmware version 4.00 is required and can be downloaded from Sony. Firmware 2.0: This update, which can be installed by users, adds key enhancements: Expands audio to four channels at 24-bit, 48 kHz. Enables DCI-compliant 4096 x 2160 XAVC-Intra recording up to 60 fps. Adds HD Apple ProRes codecs, allowing HQ and 422 recording. Corrects magenta cast in WB preset mode. Renames the “Color Temp” menu to “Preset White.” Steady Shot stays enabled after power cycling. Paint menu settings are retained after power cycling. Key Features The 4K Super35 EXMOR sensor offers 14 stops of dynamic range and a wide color gamut. XAVC codecs support 4K and HD recording, with options for XAVC Intra and XAVC Long GOP compression, providing flexible encoding from HD to UHD. The XAVC Intra format uses efficient intra-frame compression, while XAVC Long offers extended recording time with high-quality, low-noise results. The camera provides 10-bit 422 color for HD and a choice of 10-bit 422 or 8-bit 420 for UHD. The durable, lightweight magnesium body weighs only four pounds and includes a shoulder pad, allowing for comfortable shoulder-mounted operation or hand-held use with the SmartGrip extended in front. The SmartGrip itself provides Zoom, Start/Stop, and Assign controls, enabling easy operation with the right hand and freeing the left hand to operate the lens. The grip’s arm and angle are adjustable for maximum flexibility. Recording Capabilities The PXW-FS7 records 4K internally up to 60 fps in UHD (3840 x 2160) and HD up to 180 fps in XAVC-I, or up to 120 fps in XAVC-L. Recording Apple ProRes to the internal XQD slots requires the optional EXCA-FS7 extension box. For 4K (4096 x 2160) recording, an external recorder is needed. The camera includes two XQD media slots that support simultaneous or relay recording and an SD card slot for saving configuration data (not for video recording).

Sony PXW-FS7 Mark II 4K XDCAM Super 35mm Camcorder

Sony PXW-FS7M2 (PX-WFS-7M2, PXWFS7M2, PXW/FS7M2, pxw-fs7m2) Mark II 4K XDCAM Super 35mm Camcorder Expanding on the original FS7, Sony's PXW-FS7M2 XDCAM Super 35 Camera System is a flexible 4K camera system. Designed as a camera that is at home on productions as diverse as "Cinéma Vérité"-style documentaries, reality TV, commercial, and corporate applications It features a Super 35mm sized sensor that allows you to capture images with cinematic depth of field. The camera incorporates a stronger locking E-mount that is fully compatible with E-Mount lenses, and supports all electronic connections. The locking mount reduces lens play, and allows you to use most 35mm lenses including PL, EF, Leica, and Nikon via optional adapters. This stronger E-mount is ideal for using heavier-long cine-zooms without the need for additional lens support. Just behind the lens mount sits an electronic variable ND system that provides a clear filter and 3 user definable presets. The variable ND can be adjusted to provide between 2 and 7 stops of ND. The camera can capture footage to optional on-board XQD media cards in either DCI 4K (4096 x 2160) or UHD 4K (3840 x 2160) at up to 59.94 fps or HD at up to 180 fps. The camera records in your choice of XAVC-I, XAVC-L, or MPEG-2. However, MPEG-2 recording does not support the high data rates the camera is capable of generating when shooting in UHD, and is limited to recording HD video only. The camera incorporates Dual XQD media card slots that support simultaneous or relay recording. An ergonomically designed handgrip provides control of many of the camera's functions and features an adjustable length support arm. Sensor The 4K Super 35 EXMOR sensor features 14 Stops of latitude and a wide color gamut. It offers a choice of XAVC or MPEG-2 codecs. The XAVC codec can be used for 4K and HD recording, while MPEG-2 is limited to HD recording. XAVC comes in two flavors, XAVC INTRA, and XAVC Long, allowing you to encode from HD to UHD using Intra-Frame or Long GOP compression with 10-bit 4:2:2 for HD and the choice of 10-bit 4:2:2 or 8-bit 4:2:0 for UHD. XAVC intra compression is very efficient, recording at modest bit rates and XAVC Long also substantially extends the recording time while attaining very high quality and low noise. Signal Processing The Camera supports two signal processing modes; Cine-EI and Custom. Cine-EI offers three color grading spaces for electronic cinematography production. The Custom mode supports Rec-709 and Rec BT-2020 at UHD 3840 x 2160 with Y, Cb, Cr color subsampling. You can set the PXW-FS7M2 to record onboard and monitor on a BT 2020 compliant monitors via HDMI 10-bit 4:2:2 or SDI at 10-bit 4:2:2 with a 709 monitor LUT applied. Locking E-Mount The PXW-FS7M2 is equipped with a locking E-Mount that provides improved stability and strength compared to a standard E-Mount. It features a safety interlock system that helps prevent accidental disengagement of your lens from the camera body. The locking mount also reduces lens play compared to a standard E-Mount and the locking mount is strong enough to support long cine and ENG zooms that normally require a lens support. It accepts optional E-Mount lenses from Sony, Zeiss and other manufacturers. The shallow flange distance of the E-Mount allows you to mount most 35mm lens types such as PL, Canon EF, Leica, Nikon, as well as many others with simple mechanical adapters. Electronic Variable ND Behind the lens mount sits a retractable clear filter. When you engage the internal ND filters, the clear filter retracts and a stepless electronic ND filter drops into place maintaining the proper flange focal distance. You can program the electronic ND filter to act as three individual filters and rotating the filter knob will step between these presets. Additionally, you can manually adjust the density of the filter from 2 to 7 stops. One of the advantages of the electronically variable ND filter is that you can use the iris on your lens to set your depth of field, and then make exposure adjustments with the ND, as it does not introduce any color shift as the strength of the ND changes. Magnesium Construction The camera body is made from magnesium, which is lighter and stronger than aluminum. This allows the camera body to weigh only four pounds. It also incorporates a shoulder pad and is designed to sit on the operator's shoulder by extending the support arm of the SmartGrip, which allows the camera to be held in front of the operator without requiring a support rig. SmartGrip The camera includes an ergonomic handgrip that Sony calls a SmartGrip, which features Zoom, Start/Stop, and Assign controls. The SmartGrip facilitates camera operation with the right hand, leaving the left hand free to operate the lens. Both the arm and handgrip can be positioned at different angles permitting great flexibility, and it has been re-designed for additional extension adjustment. Redesigned Viewfinder and Mic Holder Mount With the PXW-FS7M2 the viewfinder and mic holder mount has been repositioned. The viewfinder and mic holder now attach to a replaceable 15mm rod. This allows you to swap out the included rod with a longer rod (not included), allowing you to move the position of the viewfinder or mic holder relative to the camera. You can adjust the position of the viewfinder so a left-eye shooter can use their left eye, while the camera is resting on their right shoulder. In addition, the viewfinder itself now rides on a square mounting rod that ensures level operation. Internal Recording The PXW-FS7M2 records internally in both DCI 4K and UHD 4K at up to 59.94 fps, and in HD up to 180 fps using XAVC-I or up to 120 fps with XAVC-L. DCI 4K (4096 x 2160) can be recorded internally without the need of an external recorder. Media Card Slots The camera features two XQD media slots that support simultaneous or relay recording. The XQD card slots are shallower on the PXW-FS7M2 compared to the FS7, making inserting and removing media cards easier. Genlock and Timecode Genlock and timecode breakout is available with an optional XDCA-FS7, this also allows for raw and ProRes recording with optional recorders.  

Sony PMW-F55 Compact CineAlta Camera

Sony PMW-F55 (PMW/F55, PMW F55, PM-WF-55, PMWF/55) Compact CineAlta Camerax The Sony PMW-F55 CineAlta 4K Digital Cinema Camera features an 8.9MP Super 35mm image sensor, capable of capturing 4K, 2K and HD resolution video in a variety of formats via the camera's internal recorder. The F55 is among the first digital motion picture cameras with a global shutter, which completely eliminates motion skew and other "rolling" shutter distortions. Sony has designed the F55 as the foundation of an exceptionally versatile, modular system. Optional components¹ of the F55 system include bolt-on recording units, a series of digital viewfinders, and camera support rigs. Notably, the AXS-R5 recorder¹ can be mounted onto the rear of the F55, enabling 4K and 2K 16-bit RAW recording and high speed frame rates of up to 240 fps in 2K². In keeping with Sony's mandate on versatility, the F55 will have a native FZ-mount, which will provide an interface for Sony's SCL-Z18x140³ auto focus servo zoom lens as well as a wide range of lens adapters, such as the included PL-mount adapter. Many digital sensors can match and even surpass traditional motion picture film for resolution and low light image quality, but with approximately 14.3 stops of dynamic range, film has maintained an advantage over most digital sensors. However, the F55's exposure latitude is rated at 14 stops of dynamic range, for truly film-like rendering of highlights and shadows. Moreover, the F55 incorporates the same color filter array technology used in Sony's flagship F65, for a color gamut that is even wider than motion picture film. On-board 4K recording requires high-data rate recording media, and the F55 will use Sony's newly developed SxS PRO+ memory cards. A 128 GB card will provide enough space for approximately 40 minutes of 4K video in the XAVC Intra 422 format. SxS PRO+ cards will also allow on-board recording of 2K video at up to 180 frames per second² as well as SStP 4:4:4 at 440 Mbps when set to RGB. 8.9MP Super 35mm CMOS Image Sensor With 8.9 effective megapixels (11.6 total MP), the Sony 4K CMOS sensor captures a true 4K 4096 x 2160 DCI-standard cinema image. The sensor approximates the size of traditional 2-perf, Super 35mm motion picture film, which allows cinematographers to use their favorite lenses on the F55 without a significant disparity in apparent angle-of-view. Internal 4K/2K/HD Recording The F55 CineAlta camera incorporates high-speed SxS PRO+ memory card recording that allows the choice of 8-bit MPEG-2 HD422 at 50 Mbps, 10-bit XAVC 2K/HD at 100 Mbps, SR Codec 10-bit MPEG4 SStP at 220/440/880 Mbps, and XAVC 4K/QFHD at 300 Mbps. All formats can be recorded at a range of interlace and progressive frame rates. Some recording settings will require a free firmware upgrade. Electronic Global Shutter Traditional CMOS sensors employ what is commonly known as a "rolling shutter." The F55 is among the first digital motion picture cameras with a global shutter, which completely eliminates motion skew and other rolling shutter distortions. Highly Modular Design In addition to the AXS-R5 recorder, a digital interface on the F55 allows for a variety of optional viewfinders. DVF-EL100 is a 0.7" OLED viewfinder with 1280 x 720 resolution. DVF-L350 is a 3.5" LCD viewfinder with 960 x 540 resolution, and the eyepiece flips up for direct monitoring. DVF-L700 is a 7" LCD viewfinder with 1920 x 1080 resolution for monitoring Full HD pixel-for-pixel. Other modular components include the optional Sony shoulder rig, which features industry-standard rosettes on both sides for quick and easy attachment of third-party hand grips and other accessories. Optional AXS-R5 "Bolt-on" Recorder The optional AXS-R5 recorder is designed to dock on the rear of the PMW-F55 and enables 4K and 2K resolution video recording in 16-bit RAW. The AXS-R5 also facilitates high speed frame rates of up to 240 fps in 2K and simultaneous RAW + on-board SxS recording. The recorder uses Sony's newly developed AXSM memory cards, which are compatible with an optional USB 3.0 reader (AXS-CR1). RAW files can be screened using Sony's free RAW Viewer software. (AXS-R5 is sold separately.) Native FZ-Mount and PL-Mount Adapter The F55 is designed to accommodate a wide range of lenses. With the PL-mount adaptor, you can take advantage of acclaimed cine optics from Angénieux, Canon, Carl Zeiss, Cooke, FUJIFILM, Leica and more. Slip off the supplied PL-mount adaptor to reveal the native FZ-mount with an 18mm flange focal distance. The FZ-mount provides an interface for native FZ lenses like Sony's SCL-Z18X140 auto focus servo zoom lens or a range of adaptors for still lenses, including Canon EF, Canon FD, Nikon F, Leica M and more. Dynamic Range Rated at 14 Stops The ability to render a range of exposure values from deepest shadows to brightest highlights is a crucial test of any digital camera. The F55 is capable of an impressive 14 stops of exposure latitude, low-light sensitivity and low noise in the blacks. The digital sensor's dynamic range approaches that of traditional motion picture film. Wider Color Gamut than Film The F55 incorporates the same advanced color filter array technology as Sony's flagship F65, for a color gamut that is even wider than motion picture film. SxS Pro+ Media Cards On-board recording of XAVC 4K and 180 fps XAVC 2K/HD requires high-data-rate recording media. The F55 will use Sony's 64 and 128 GB SxS PRO+ memory cards. A 128 GB card will provide enough space for approximately 40 minutes of 4K video in the XAVC Intra 422 format. Intuitive One-touch Interface Designed with significant input from cinematographers, the F55 features an intuitive interface for a range of controls. Instead of diving through menus, you get direct, one-touch access to key shooting parameters including frame rate, shutter speed, color temperature, ISO sensitivity and gamma. Assignable buttons mean that your favorite adjustments are always at your fingertips. Real-time 4K Output and Other Vital Connections The F55 supports real-time 4K output to a compatible monitor, via four 3G-SDI outputs. There is also HDMI, USB, DC input, a removable XLR audio module and a removable time code/genlock module. The XLR inputs accept balanced analogue signals, provide 48-Volt phantom power and will accept four channels of AES/EBU digital audio with an expected firmware upgrade. Long-life Olivine Battery and Quick Charger   The F55 takes advantage of Sony's BP-FL75 battery pack, which uses Olivine Lithium Iron Phosphate instead of conventional Lithium Ion cathodes. The result is a substantial increase in charge-discharge cycles, compared to previous Sony batteries. The Olivine battery works with Sony's BC-L90 quick charger. The camera is also compatible with Sony's BP-GL95A, GL65A, L80S and L60S batteries, which use the BC-L70 and L160 chargers.  

Sony PXW-Z450 4K 2/3-type CMOS sensor advanced shoulder Camcorder

Sony PXW-Z450 (PXWZ450, PXW/Z450, PX-WZ-450, PXW Z450) 4K 2/3-type CMOS sensor advanced shoulder Camcorder The PXW-Z450 4K UHD Shoulder Camcorder from Sony features a single Exmor R CMOS sensor with 3840 x 2160 resolution. The PXW-Z450 camcorder supports the Sony XAVC codec up to 4K UHD, 1080/59.94p and 50p recording, in addition to MPEG and DVCAM formats. In combination with the optional PWS-100RX1 Network RX Station, this camcorder enables simple yet high-quality wireless ENG workflow, providing QoS (Quality of Service)-based live streaming that will save considerable time. The PXW-Z450 Camcorder provides a variety of AV and IT interfaces including four 3G-SDI outputs, as well as RJ-45, and USB 3.0 connection ports. Its built-in wireless function and an HD/SD-SDI input that supports a pool-feed function make it even more convenient for use. This powerful, user-oriented XDCAM Series camcorder meets a broad variety of ENG and studio applications. Image Sensor The camcorder features a single 4K UHD (3840 x 2160) EXMOR R CMOS sensor. The R designation indicates it is a backlit sensor, which means that the circuitry that normally is in the front of the sensor and can limit the light reaching the sensor's photosites, has been moved to the back of the sensor. this has the effect of increasing the sensor's low light performance. Multiple Format Recording The PXW-Z450 Camcorder offers a wide array of recording formats for a variety of applications including ENG, EFP, and studio use. Developed on MPEG-4 AVC/H.264 compression, the XAVC codec provides support for the 4K UHD and Full HD format of XAVC long 4:2:2 1080/59.94p and 50p formats. The camcorder also supports SD video in a variety of resolutions using DVCAM compression. Built-in Wireless Module and ONLINE Button To support effective wireless news production workflows, the PXW-Z450 Camcorder incorporates a built-in wireless capability. It also provides an 'ONLINE' button, located on the inside panel, which lets you instantly switch on functions like Network Client Mode, Auto Proxy Upload, and Live Streaming. Embedded RJ-45 Connector This Ethernet connector provides robust and fast connection to the network and can be utilized for file transfer, live streaming, and camera control from a web browser NFC (Near Field Communication) for Easy Wireless LAN Connection An NFC function supports easy connection for launching the CBM (Content Browser Mobile) application on a smartphone or tablet. This means you can skip cumbersome setup procedures. Optimized Weight Balance Building upon its years of camera design, Sony has shifted the camcorder's center of gravity towards the back of the body to optimize the camcorder's weight balance. Low Power Consumption This camcorder achieves power consumption as low as 24W in normal recording mode. This enables continuous recording operation for approximately 160 minutes with Sony's BP-FLX75 (sold separately) standard-type battery. Supports Full HD OLED Viewfinder Equipped with two types of connectors for a viewfinder interface, the PXW-Z450 Camcorder supports a variety of Sony's viewfinders, including the Full HD OLED HDVF-EL30 and HDVF-EL20, as well as the QHD LCD CBK-VF02. The HDVF-EL30 has a 960 x 540 resolution sub-LCD panel. ONLINE Button for Easy Network Connection The PXW-Z450 Camcorder is equipped with a dedicated ONLINE button. This delivers simple one-touch operation of ON/OFF switching for three network connection functions. Content Browser Mobile (CBM) CBM application software controls the camcorder remotely and is available on both Android and iOS. Network Client Mode You can connect Sony's PWS-100RX1 Network RX Station (sold separately) to send proxy clips or live streaming with Sony's QoS technology. The PXW-Z450 Camcorder can also be controlled remotely by the RX station. Auto Upload (Proxy) Clip files recorded on the camcorder can be transmitted via a network automatically when the recording is finished. XAVC 4:2:0 Long GOP clips are supported. Live Streaming This camcorder can transfer MPEG2-TS (UDP/RTP) to a third-party decoder Three-color LED Indicator The ONLINE button indicates the status (Disabled, Ready, Enabled) in three ways (off, orange, blue). Sony's QoS Technology Sony's unique QoS (Quality of Service) technology minimizes risk of image quality degradation, image freeze, or audio disruption, and helps maintain video and audio integrity during communications. The PWS-100RX1 Network RX Station comes with Sony-original algorithms that automatically adjust bandwidths and buffer sizes to match the characteristics of wireless communications. Sony Advanced Streaming with QoS The Sony QoS Technology improves the clarity that's possible on a single 3G/4G/LTE cellular channel or your own wireless LAN network, or limited communication band of Ethernet. You get better pictures, even given the limitations of real-world networks. The endpoint of Sony's QoS streaming is the versatile PWS-100RX1 Receiver Station. 1 Conventional MPEG2-TS Streaming For maximum flexibility, Sony's XDCAM wireless solutions also support conventional MPEG-TS streaming, so that you can stream to a wide range of receivers, including compatible third-party receivers and decoders. Sony wireless solutions will stream over a wireless LAN network, or over a 3G/4G/LTE cellular network with the appropriate carrier dongle and service. You can also enjoy wired streaming over Ethernet, using the embedded RJ-45 connector, via a router/hub. Flexible file transfer During field shooting news or other time-sensitive content, you can transfer files wirelessly. So, there's no need to wait for the delivery of physical media. The receiving server gets a bit-for-bit clone of the original camera file, with all the original audio, video, and metadata. Simultaneous Recording on Two SxS Cards The PXW-Z450 Camcorder offers a simultaneous recording capability for peace-of-mind productions. Simultaneous recording is available on both SxS card slots as a backup measure. This is within the same codec and with the same operating point in the recording formats such as XAVC-Intra, XAVC-Long, MPEG HD422, or MPEG HD (420). You can also achieve simultaneous recording with a proxy file in all combinations with the above formats recording the proxy to an SD card. GPS Functionality On activation, the built-in GPS receiver module records GPS data in an MXF file and a proxy file, and automatically imposes it on the live streaming signal. It is also useful for tracking shooting locations in post-production and when station-based staffs need to map a crew's location with the PWS-100RX1 Receiver for streaming. Flexible Camera System Operation The CA-FB70 Optical Fiber Camera Adapter or the CA-TX70 Digital Triax Camera Adapter (both sold separately) can be attached to the PXW-Z450 Camcorder for live camera operation. The CA-FB70 Adapter enables the camcorder to transmit signals via an optical fiber cable up to 820' between the CA-FB70 and HXCU-FB70 Optical Fiber Camera Control Unit (CCU) with power and signal transmission. The CA-TX70 Adapter transmits signals via triax cable up to 1968' between the CATX70 and HXCU-TX70 Digital Triax Camera Control Unit. RGB Color LCD Display The PXW-Z450 Camcorder is equipped with an RGB color LCD display on the inside panel. In addition to thumbnail and menu displays, you can see and monitor video reproduction in QHD (960 x 540 pixels) resolution. Other Features Newly developed ALAC (Automatic Lens Aberration Compensation) feature decreases specific patterns of chromatic aberration caused by the lens. The camcorder supports user gamma and Focus Assist function for easier focusing on the viewfinder and provides a graphic bar indicator, while the viewfinder can indicate Waveform, Vector Scope, or Histogram. The Digital Extender function enables images to be digitally expanded two to four times in size without any loss of F-drop image sensitivity.

Sony a7S III Mirrorless Camera

Sony ILCE7SM3B.CEC (ILCE-7SM3B.CEC, ILCE7SM3B, ILCE7SM3, ILCE-7SM3, a7s III, ilce7sm3, a7s-iii) α7S III Full-Frame Mirrorless Camera Body For visual trailblazers With extreme full-frame movie performance including high sensitivity (expanded ISO up to 409600), 15-stop wide dynamic range, 4K 120p2, fast and dependable autofocusing, and extra-strong image stabilization, the α7S III again raises the bar for movie makers. Large pixels deliver high sensitivity and low noise The new full-frame 12.1-megapixel3 back-illuminated Exmor RTM CMOS image sensor packs major innovations in light-gathering, wiring and output optimization. These deliver blazing doubled readout speeds, superb image quality throughout the whole sensitivity range, 15-stop4 wide dynamic range, and reduced rolling shutter, with the sensor also providing focal-plane phase-detection AF. Up to 8x more powerful5 BIONZ XRTM image processor Along with the new sensor and its unprecedented speed, the BIONZ XR image processing engine has also been newly developed and packs up to 8x more processing power5. With a future-oriented architecture, it delivers high quality images faster for superlative still and video expression, as well as dramatically improved camera interface responsiveness. Stunning AF performance even at 4K 120p2 The new Exmor R full-frame image sensor and revolutionary BIONZ XR image-processing engine deliver always-active pinpoint AF for astonishing detail in both space and time, and stunning 4K movies even at 120 frames per second2 or in slow motion. With the resolution and depth of field only possible from a full-frame sensor, the results are spectacular. 10-bit 4:2:2 recording Record right on the camera with the amazing richness of 10-bit depth and 4:2:2 color sampling, for far greater flexibility in image grading, post-processing and compositing. All-Intra encoding available As well as Long GOP, All-Intra encoding is now provided. This encodes every frame independently at bitrates up to 600 Mbps, to capture complex motions more accurately for recording on either internal or external media, and allow more efficient editing workflows. [1] All-Intra (All-I) [2] Long GoP [3] Group of Pictures Superior quality and smaller files with XAVC HS The new XAVC HS recording format uses HEVC/H.265 encoding to achieve twice the compression efficiency of AVC/H.264 encoding, for superior image quality and smaller file sizes6. Our renowned sensitivity delivers expanded ISO 409600 The renowned sensitivity of the series scales new heights, with an expanded ISO range for movies from 80 to a remarkable 409600 (standard range 80–102400). With advanced light-gathering and output optimization, the 12.1-megapixel3 full-frame sensor achieves low noise throughout the sensitivity range, and can capture usable images in near-total darkness. S-Log3 gamma, S-Gamut3.Cine gamut as on pro camcorders The S-Log3 gamma curve and S-Gamut3.Cine color gamut, shared with pro camcorders, provide wider dynamic range and easier color matching for smoother post-production workflows.  HLG (Hybrid Log-Gamma) HLG (Hybrid Log Gamma) simplifies HDR production, producing footage for HLG-compatible BRAVIA TVs on the camera with no complex post-production, and smooth gradations from the 10-bit color depth. [1] High flexibility to fine-tune images as desired (color grading required) [2] Instant high-quality image (color grading not required) Image quality improvements The new BIONZ XR image processing engine delivers improvements in color reproduction, stability against different light sources, natural tonal gradation and roll-off, and reduced rolling shutter. 16-bit RAW HDMI output For demanding post-production workflows, 16-bit RAW output7 is available via HDMI connection to compatible external recorders8 while XAVC HS 4K, XAVC S 4K, or XAVC S-I 4K, and proxy files are simultaneously captured in-camera. Efficient editing through proxy recording While recording high-bitrate 4K movies, HD proxies (in 8 or 10-bit depth) can be generated in-camera9. Editing the smaller proxy files reduces computer load and speeds up workflow prior to final 4K delivery. Fast Hybrid AF for accuracy and tenacity The wide-area AF uses intelligent tracking and on-sensor phase-detection covering most of the frame. The result is that every bit of supremely accurate and tenacious AF performance is extracted in combination with high-quality E-mount lenses, even when shooting moving subjects at shallow depths-of-field in 4K and at 120p frame rates2. Powerful focus control for solo shooters With AF Transition Speed selectable over 7 levels, and AF Subject Shift Sensitivity over 5 levels, you can better convey your creative intentions when switching subjects or, for example, rack focusing. A simple touch can temporarily activate AF even during manual focus operation. Real-time Eye AF for movies Real-time Eye AF uses AI to ensure pinpoint focusing precision for eyes, with performance now improved by 30 on profile or partially-obscured faces. Tenacious eye tracking lets you concentrate on composition even with a shallow focus depth.  Real-time Tracking with intuitive touch operation Real-time Tracking analyzes subject color, pattern, depth, and face information to track the subject. Touch Tracking intuitively and automatically tracks a subject touched on the LCD screen.  In-body 5-axis image stabilization A highly accurate image stabilization unit and gyro-sensor are provided, delivering 5-axis optical image stabilization. [1] Yaw [2] Roll [3] Pitch Active Mode for hand-held shooting The new Active Mode11 12 provides increased stabilization for movie shooting. To preserve image quality, the BIONZ XR processor accurately measures camera shake and compensates optically. This makes stable video possible even when shooting hand-held where space restraints prevent gimbal use, while walking, and at 4K resolution12. Digital audio interface for clear sound recording A digital audio interface added to the Multi Interface (MI) Shoe allows direct 24-bit input. Available settings are 48 kHz/16-bit 2-ch, and by using the optional XLR-K3M adaptor kit, 48 kHz/24-bit 2-ch and 48 kHz/24-bit 4-ch. Unique heat dissipation, for dependable recording A unique Sony Σ (sigma) shaped graphite heatsink is built into the image-stabilization unit. This dissipates heat 5x more effectively13 for extended recording time, without interfering with image stabilization. Movie-shooting comfort Responding to feedback from professional users, the MOVIE button has been moved to the top face for improved operability in any shooting position. Mode dial ordering and speed of switching have also been improved. High ISO sensitivity With an amazingly wide standard ISO range of 80–102400 (expandable to 40–409600 for stills), the α7S III offers incredible creative opportunities. The newly-developed image sensor and image processing algorithms produce even cleaner images and more natural textures than the previous α7S II model, even when shooting in near total darkness. Fast Hybrid AF for stills The Fast Hybrid AF system combines speed and precision. With 759 focal plane phase-detection sensors and 425 contrast-detection points distributed across most of the image area, the α7S III quickly finds and tracks your subject throughout the frame. Outstanding continuous shooting performance Use your choice of mechanical or electronic shutter for continuous burst shooting, with AF/AE tracking, at up to 10 fps14. Capture decisive moments with over 1,000 frames of continuous uncompressed RAW shooting possible15. Highly-sensitive AF for low-light focusing AF algorithm advances have allowed the α7S III to achieve autofocus in lighting conditions as dim as EV-616, where subjects are barely even visible with the naked eye. Still-image quality advances through new sensor and engine The newly-developed image sensor and image processing engine deliver improvements in color reproduction, particularly of skin tones, and texture depiction in still images.  New HEIF format and HLG image capture modes17 The HEIF image file format is supported, offering better image quality and greater compression efficiency than JPEG, plus 10-bit color. High Dynamic Range still images can also be captured in HLG mode for viewing on compatible TVs. Two CFexpress Type A-compatible media slots Both card slots support both ultra-fast CFexpress Type A cards, allowing high-bitrate recording and fast buffer clearance, and SDXC UHS-II cards. Parallel and Relay recording are also available. Vari-angle LCD monitor for comfortable movie shooting The variable-angle 1.44 million-dot18 3.0-type touch screen features a side-open design, for flexible positioning and improved visibility when mounting on gimbals or rigs. 9.44 million-dot18 high-definition electronic viewfinder The new EVF offers resolution, contrast and color unlike anything in its class19. It also offers world-leading 0.9x finder magnification20, a 41 ° diagonal field of view, and a 25-mm-high eyepoint. Advanced operability The menu structure has been redesigned to reflect feedback from both pro photographers and videographers. Camera settings are now more intuitive and the camera is more responsive to setting changes. New menu structure Based on requests from our most demanding professional users, major improvements have been made to the menu structure, for improved at-a-glance readability and reduced menu navigation. Intuitive touch operation The menu screen can be operated by touch, while the playback screen features swiping, and pinch-to-zoom. Operability of the touch functions when shooting has also been improved. 5 GHz25 Wi-Fi compatible As well as 2.4 GHz, 5 GHz25 Wi-Fi® connectivity is provided for remote operation, wireless preview, and faster and more stable data transfer of both still images and video. Wired LAN connectivity For complex, interference-prone environments, or higher bandwidth needs, 1000BASE-T wired LAN connectivity is available by connecting a compatible USB-Ethernet adaptor cable to the camera's USB Type C® port. Remote preview and shooting Either wired or wireless remote shooting is available from a PC, or from a mobile device with Imaging Edge MobileTM installed, for more efficient workflows and shooting in challenging environments. Imaging Edge DesktopTM Elevate your photography with Imaging Edge Desktop applications. Use "Remote" to control and monitor shooting live on your PC screen; "Viewer"26 to quickly preview, rate, and select photos from large image libraries; and "Edit" to develop RAW data into high-quality photos for delivery. Get the best from Sony RAW files, and manage your productions more efficiently27. Capture One for Sony Capture One Express (for Sony)28 is free award-winning editing software that provides RAW development, easy management, and powerful editing tools. Capture One Pro (for Sony) is also available for even more editing tools and tethered shooting capability.

Sony ILME-FX3 FX3 Full-frame Cinema Line Camera

Sony ILME-FX3 (ILME/FX3, ILME_FX3, ILMEFX3, ILME FX3, ILMEFX3.CEC, ILME-FX3 Alpha FX3, ilme-fx3) FX3 Full-frame Cinema Line Camera (body only) Sony Alpha FX3 ILME-FX3, the most compact Cinema Line camera was designed for solo-shooting . With the internal cooling system the FX3 can extend the shooting time and will be able to cover a wider range of shooting situations.  It records outstanding 4K full frame quality at up to 120p with minimal rolling shutter, excellent low light capabilities (up to 409,800 ISO) and a wide dynamic range thanks to its 10.2 MP Exmor R CMOS sensor and new Bionz XR processor. It allows for more shooting expressions with the inclusion of S-LOG3 and S-CINETONE picture profiles defining a new era of Cinema line cameras from Sony. The Sony FX3 also provides more freedom for shooting videos with a fast and accurate Autofocus technology including Real-time Eye Autofocus,  Real-time touch tracking and customisable autofocus tracking sensitivity. It also includes a 5axis inbody stabilisation with Active Mode, which makes it ideal for handheld shots. On top of its small form factor, the Sony FX3 includes a detachable top-handle with XLR inputs for professional microphones or audio connections. The idea of a cage with the grip and screw options is already integrated in the body design, which is emphasizing the compact form factor. The Sony Cinema line FX3 is designed for the future of cinematic expressions. FX3 New Cinematic Freedom Sony's FX3 Cinema Line camera brings the visions of passionate content creators to life. Cinematic expression is matched with reliable performance and streamlined operation to serve the needs of today's creative community. Compact and lightweight, it's easy to carry and handle.  Full-frame image capture even in dim light The FX3's full-frame image sensor is coupled with innovative light-gathering techniques to let you capture clear and usable images even in dim light. The standard ISO sensitivity of 80-102400 for movies is expandable all the way up to 409600. Wide dynamic range, wider creative expression The FX3 offers an exceptional 15+ stops1 of dynamic range to handle settings ranging from well-lit interiors and outdoors in mid-day to morning and evening shots. Capture every nuance, and allow for unprecedented cinematic freedom in colour grading. Stunning bokeh and full-frame creativity Capture the scene in cinematic 4K resolution, with the shallow depth of field, stunning bokeh and cinematic freedom made possible with a full-frame sensor. Cinematic colour science of S-Cinetone S-Cinetone colour, developed for Sony’s acclaimed FX9, is the default look on the FX3 for cinematic expression. It's precisely tuned to meet the requirements of today's content creators, with rich colour and natural skin tones that match other Cinema Line cameras without grading.  4K 120fps with every frame in focus Even at high frame rates, detailed 4K imagery is captured thanks to the FX3's high-precision AF and high-speed readout capabilities. Slow and Quick (S&Q) mode gives you full control over the shooting frame rate, for beautiful motion sequences at up to 5x slow motion (with 24p output). 10-bit S-Log3 and HDR recording for smooth gradations S-Log3 gamma curve and S-Gamut3.Cine enable shooting with high-quality colour reproduction over a wide dynamic range, and they make it easy to match up footage with shots from other Cinema Line cameras during post-production. In addition, an HLG (Hybrid Log-Gamma) HDR picture profile enables direct HDR (HLG) playback on compatible TVs with no post-production. 16-bit RAW HDMI output For demanding post-production workflows, 16-bit RAW output3 is available over HDMI connection to compatible external recorders while XAVC HS 4K, XAVC S 4K, or XAVC S-I 4K, and proxy, files are simultaneously captured in-camera. RAW video output is 4264 x 2408 [16:9] resolution, exceeding DCI-4K resolution4. Enjoy rich detail and realistic colour The FX3 is capable of 4K internal recording, 10-bit depth and 4:2:2 colour sampling with All Intra on top of Long-GOP compression. This makes it possible to push your colour grades further while still retaining natural gradation, for true editing freedom.    [1] All-Intra (All-I)   [2] Long-GOP   [3] Group of Pictures Designed for comfortable solo shooting Dependable, highly accurate autofocus The wide-area AF with intelligent tracking uses focal-plane phase-detection for tenacious subject tracking across almost the entire frame5. The Fast Hybrid AF system delivers precise focusing even when shooting at a shallow depth of field and at high frame rates of 120p in 4K (QFHD)2. Sophisticated tracking AF for steady focus Sophisticated tracking features keep your subject in steady focus, so you can concentrate on composition. Real-time Eye AF ensures precise focus on the face and eyes, while Real-time Tracking is powered by Sony's unique AI-based subject recognition algorithms. Smooth transitions and touch focus control The FX3 includes AF Transition Speed in seven settings, to easily create rack focus, and five AF Subject Shift Sensitivity settings, which allows the user to customise how easily AF will switch or stay with the locked-on subject. You can also select the subject you want to focus on simply by touching the LCD monitor. High-performance E-mount lenses for movies Experience smooth, responsive autofocus with Sony's E-mount lenses, with premium optical performance and operability for demanding cinematography applications. The unique linear-drive actuator technology in Sony's E-mount lenses provides smoother, more precise and tenacious AF performance to support your creative endeavors. High-mobility performance wherever you go With its compact size and light weight, the FX3 is designed for high mobility. The attached handle and cage-free accessory mounting holes make for fast setup, fluid shooting and quick pack-down. The main body and covers are constructed from a lightweight magnesium alloy to enhance durability and performance even in challenging environments. Attachable XLR handle A handle equipped with an XLR adaptor with two full size XLR terminals can be attached to the Multi Interface (MI) Shoe on the camera for more comfortable and stable camerawork in difficult shooting situations, such as low-position shots. In-camera image stabilisation Active Mode6,7,8 is an optical in-body 5-axis image stabilisation system that provides increased stabilisation for movie shooting. To preserve image quality, the gyroscope sensor accurately measures camera shake and compensates optically. This makes stable video possible even when shooting hand-held without gimbal use, while walking, and at 4K resolution.  [1, 2] angular shake (pitch and yaw) [3, 4] shift shake (X and Y axes), [5] rotational shake (roll on Z axis) Image stabilisation and easier editing with Catalyst Camera-shake metadata is recorded by the built-in gyro, allowing handheld footage to be smoothed out and stabilised in post-production. Using Sony's Catalyst Browse / Catalyst Prepare desktop application9 you can easily balance automated shake-compensation and image-trimming levels. Catalyst can also make effective use of recorded camera-rotation data. Expandability and operability for content creators Front and rear tally lamps Tally lights on the front and rear of the FX3 indicate whether the camera is recording at any given moment. They are clearly visible to both the camera operator and the person performing in front of the camera. Vari-angle LCD touch-panel monitor The 3.0-type (1.44 million-dot10) LCD touch-screen panel features a side-opening design to allow flexible positioning and improved visibility when the camera is mounted on gimbals. Touch-panel support also provides intuitive menu control for many camera settings. Essential controls for efficient solo shooting In addition to six customisable buttons, frequently used controls are within easy one-handed reach, leaving your other hand free for lens operation or balance. And usability is enhanced by multiple screw holes on the body and handle, allowing accessories to be attached directly. Uninterrupted 4K/60p recording For uninterrupted 4K/60p11 recording, the FX3 is designed with an innovative heat dissipation system. Heatsink placement, airflow structure and a silent cooling fan work to optimise cooling even during long shoots. XLR adaptor and digital input for quality audio In addition to the camera's convenient built-in microphone, a variety of professional microphones can be connected externally via the full-size XLR connectors on the handle through a digital audio interface via Multi Interface (MI) Shoe. Three recording formats can be selected, including 24-bit 4-channel. Digital audio recording is also possible by attaching a digital microphone such as the ECM-B1M even when the handle is not used. Dual high-speed media slots Designed for next-generation filmmaking requirements, CFexpress Type A cards support high bit-rate recording. The camera's slots are ready for CFexpress Type A as well as conventional SDXC UHS-I and UHS-II cards, and having two identical media slots makes relay or backup shooting possible. Remote camera control and network transfer A network connection, via Wi-Fi® or wired via a USB type C connector, provides support for remote control from smartphones or tablets, with either NFC one-touch or manual pairing. Remote shooting can be controlled from a PC with Sony's Imaging Edge Desktop™ application, or from a mobile device with Imaging Edge Mobile™. And captured still and movie files can be transferred using high-speed FTP. Remote preview, shooting and streaming Either wired or wireless remote shooting is available from a PC, or from a mobile device with Imaging Edge Mobile installed, for more efficient workflows and shooting in challenging environments. Imaging Edge Webcam™ enables high-image-quality online video communication.

Sony FX-6 Alpha Full-frame 4K Cinema Line Camera - Body Only

Sony ILME-FX6 (ILME/FX6, ILME_FX6, ILMEFX6, ILME FX6) Alpha Full-frame 4K Cinema Line Camera - Body Only Sony FX6: Compact Cinema Capture The FX6 Full-Frame Camera from Sony was developed to offer versatile, cine-style imaging in a truly compact form. With the ability to capture up to 15+ stops of dynamic range, Sony's S-Cinetone gamma for filmlike skin tones, and up to 10-bit, 4:2:2 XAVC-I recording, the FX6 is poised to both supplement your FX9 or VENICE capture and to nimbly take on documentary, gimbal, and drone shoots on its own. 4K Full-Frame Exmor R Sensor The FX6 camera combines a 4K full-frame Exmor R sensor with a BIONX XR engine for extremely sensitive capture in a range of settings, using a base ISO of 800 as well as an ISO 12800 high-sensitivity mode for nuanced low-light scenes. This 10.2 MP image sensor features back-side illumination for excellent low-light performance, 627 focal plane points for speedy phase-detection autofocus, and full-frame lens compatibility that produces a rich, immersive look. The sensor's fast scan speed minimizes rolling shutter artifacts and supports high frame rates and quick autofocus responses. Compact, Single-Operator Design Weighing just under 2 lb, the FX6 body is a full 2 lb lighter than the FX9 and measuring 6 x 4.6", it packs a full-frame sensor into a body comparable to the S35-sensor Sony FS5. While the FX6 fits seamlessly into a pro-cine on-set workflow, it also offers several features that are a boon for a single-operator user. These include fast and accurate phase-detection autofocus with both Face Detection and real-time Eye autofocus, both auto and manual ND filter settings for quick exposure compensation, and a 3.5" LCD monitor that boasts time-saving touchscreen access to key menu settings and versatile positioning for comfortable operating. In addition to improving the camera's overall stability, firmware update v1.10 adds 100p and 120p options to the Slow and Quick Motion frame rate menu when the codec is set to RAW or RAW and XAVC-I. Versatile Addition to Sony Cinema Line As part of Sony's Cinema Line, the FX6 shares key imaging features with established cameras like the VENICE and FX9. Common core attributes include a full-frame sensor, filmlike color science, a compact, lightweight form, professional connector interfaces, and advanced autofocus choices. Compared to the FX9, the FX6 differs in several specs; but many FX6 specs tick the same boxes and several improve upon the FX9: It matches the FX9's video capture up to DCI 4K60 Has the same S-Cinetone, S-Log3, and HLG gamma choices  Outputs 16-bit raw like the FX9 Sony E lens mount Offers the same 1/4 to 1/128 ND options Also provides 2-channel XLR audio inputs Wide ISO Range Choose from a base ISO of 800, a high-sensitivity 12,800 ISO for lower-light capture, and a 409,600 maximum ISO for true low-light settings. Electronically Variable ND Filters Shown with Optional Equipment Set the FX6's integrated neutral density (ND) filter system to auto for correctly exposed shots, even in changing light conditions Smoothly adjust the ND filter density manually in increments from 1/4 to 1/128 as you shoot Both options will produce properly exposed images without affecting your chosen depth of field Advanced XAVC Codec Options The FX6 is the first compact, full-frame camera to offer UHD 4K 4:2:2 capture in the high-quality yet efficient XAVC-I codec. It also enables you to choose from a range of professional XAVC Intra and XAVC Long codecs at bit rates ranging from 35 to 600 Mb/s. Expressive Cinematic Look Sony's S-Cinetone gamma curve offers a cinematic look with filmlike color, softer tones, and pleasing skin tone reproduction. Not only is this cinematic look available for in-camera viewing, but it can also be captured and output with minimal or no grading at all for a time-saving post process. The S-Cinetone, S-Log3, S-Gamut3, and S-Gamut3.Cine choices also streamline the process of matching FX6 footage with your VENICE or FX9 video and offer broad color-grading options. Image Stabilization and More with Catalyst and Metadata Pair the FX6 with Sony's Catalyst Prepare/Browse software to use metadata to stabilize your image, automatically rotate gimbal footage, and add flags for easier clip filtering in postproduction. Touchscreen 3.5" LCD Control The FX6's 3.5" LCD monitor offers both high-resolution viewing and the ease of touchscreen camera control. The LCD quick menu controls include key settings like Codec, Imager Scan Mode, Picture Size and Frequency, Base ISO/Sensitivity, Shooting Mode, and Audio Levels. Reliable Design and Construction Constructed with a lightweight yet durable magnesium alloy chassis, the FX6 body offers maximum reliability and efficiently disperses heat to enable extended recording times. Exterior seams, buttons, and interfaces have been treated with updated sealing that improves the camera's dust and moisture resistance as well. 4-Channel Audio Recording The FX6 offers up to 4-channel audio recording by combining sources from the dual XLR inputs, the 2-channel multi-interface shoe input, and the stereo mic built into the camera's top handle. This enables the simultaneous use of an external microphone for recording your main audio source and the built-in microphone for ambient sound and/or voice memos by the operator. CFexpress Media Slots and Multiple Recording Modes The FX6's dual media slots accept both rugged, high-performance, high-capacity CFexpress Type A cards and widely available UHS-II/UHS-1 SDXC cards. Note that the CFexpress Type A cards are required for 100/120 fps UHD 4K capture and 150/180/200/240 fps HD high-speed capture. Modular, Grab-and-Go Design The modular design of the FX6 enables you to pare down to its compact body for gimbal or drone use, or it can be used with separately available accessories, such as a smart grip and smart handle for fingertip control when shooting handheld. A 3.5" LCD screen can be quickly positioned on the camera at multiple locations to provide comfortable, ergonomic viewing.  

Sony FR7 Cinema Line Full-Frame PTZ camera

Sony ILME-FR7 (ILME/FR7, ILME_FR7, ILMEFR7, ILME FR7) FR7 Cinema Line Full-Frame PTZ camera The FR7 provides smooth pan, tilt and zoom (PTZ) control coupled with a full-frame image sensor and a high-quality E-mount lens line-up. Focal length and shallow depth of field provide creative freedom and combine with remote PTZ control capability to open a new world of creative potential. Remote control for creative camera placement  With its integrated, remotely controllable pan and tilt mechanism, the FR7 can be mounted on the ceiling or in other out-of-the-way locations. Follow your subjects or instantly recall pre-composed shot framings, for unprecedented creative potential.  Innovative remote control  With a newly developed Web App that enables easy access via QR code or URL input, you can set up the FR7 from a tablet or a PC through a web browser. You can also use the optional RM-IP500 for precise joystick-controlled pan, tilt and zoom operation. Advanced technology for cinematic expression Bearing the Cinema Line name, the FR7 incorporates key features that support cinematic expression. The FR7 features a back-illuminated 35 mm full-frame CMOS image sensor for the first time in a pan, tilt and zoom (PTZ) camera. Also the BIONZ XR™ contributes to superb image quality with high sensitivity, smooth gradations, and true-to-life colour.  Limitless creativity with E-mount lenses The FR7 features Sony's E-mount and can be used with all E-mount lenses. These include the superlative G Master series, known for its stunning resolution and beautiful bokeh. A choice of focal lengths ranging from 12 mm to 1200 mm gives you comprehensive creative control. Cinema Line image quality The FR7's "Cinema Line" name identifies it as part of a renowned line-up of creative tools designed to unleash the true power of visual storytelling. It provides Custom and Cine EI modes that adjust camera operation to your workflow while maintaining consistency with other Cinema Line cameras. Staggering latitude for powerful expression The FR7 offers wide 15+ stop latitude to prevent blown highlights and crushed shadows. In Cine EI mode, base sensitivity can be set to either ISO 800 or 12800 for a consistent look regardless of lighting conditions. Astounding image quality in low light  The FR7 offers cleaner images in low light by taking full advantage of the sensor’s size and high sensitivity. ISO can be expanded as far as ISO 409600 when shooting in extremely low light conditions such as live concerts. Slow motion for extensive creative possibilities  Smooth 5x slow motion provides extensive creative possibilities, making every moment clearer and more dramatic. The FR7 allows internal slow-motion capture at up to 120 fps in 4K resolution, and up to 240 fps in full HD. 4K 60p 4:2:2 10-bit output  The FR7 supports clean, high-quality output via its HDMI and SDI OUT connectors. This makes it possible to record Apple ProRes 422 or Avid DNxHR® in 4K 60p 4:2:2 10-bit format with compatible external recorders via an HDMI or SDI cable. Support for S-Log3/S-Gamut3 The optional S-Log3 gamma curve and S-Gamut3.Cine let you capture the full colour gamut and dynamic range available to the sensor. They enable the retention of information in both highlights and shadows for flexibility in post-production. All-Intra recording for precise motion capture  The FR7 is capable of 4K internal recording with 10-bit depth and 4:2:2 colour sampling with All-Intra and Long-GOP compression. This makes it possible to push your colour grades further while still retaining natural gradation, for true editing freedom. An instant cinematic look with S-Cinetone™ S-Cinetone produces the natural mid-tones essential to healthy-looking skin, plus soft colours and gorgeous highlights. Beautiful cinematic images can be created in-camera, without extra colour grading. A wide variety of lenses to deliver your vision The FR7 features Sony's E-mount and can be used with high-quality E-mount lenses, including the superlative G Master series, known for its stunning resolution and softly dissolving bokeh. A choice of focal lengths ranging from 12 mm to 1200 mm gives you full creative control. Exquisite, impressive bokeh Taking advantage of the camera's full-frame sensor and Sony’s extraordinary line-up of lenses, you can create expressive bokeh effects with a shallow depth of field – an impossibility with other PTZ cameras. Using a prime lens such as an F1.2 lens will help achieve cinematic-style visual effects where the subject stands out from the background dramatically.  The advantages of Sony’s lenses for video shooting  The best camera deserves the best lenses. Discover four unique advantages in using Sony’s E-mount lenses for video shooting. The combination of Sony's lenses and the FR7 will enhance your video creation experience. Lens support rods Two lens rods provided below the camera head allow attachment of standard 15 mm rod mountable accessories. Capture the scene from any angle The FR7 incorporates smooth pan, tilt and zoom functionality that can be remotely controlled, or recalled to preset positions. The pan angle range is from -170° to +170°, and the tilt angle range is from -30° to +195° when used in normal upright orientation. A full-featured dedicated Web App With a new dedicated Web App, you can use a tablet or a computer's web browser to pan, tilt, zoom, focus, record, and adjust all camera settings. You can access cameras in hard-to-reach locations with easy setup using each camera’s unique QR code. The Web App uses the same menu format as the FX6 for intuitive operation. High-performance remote controller RM-IP500 The FR7 can be paired with Sony's RM-IP500 remote controller for PTZ cameras, providing precise joystick-controlled pan, tilt and zoom operation. Speed adjustment knobs let you set the speed of pan, tilt, zoom and focus operations suitable for the subject and setting. Zoom can be controlled either via the joystick or a seesaw lever. Expand your creative options The FR7 supports multi-camera production with just a small staff. It can be mounted on a tripod, on the ceiling, or in limited-access locations so that subjects can be unobtrusively followed and recorded from a range of viewpoints. A single RM-IP5002 remote control unit can be used for a setup of up to 100 FR7 cameras (10 groups of 10 cameras) Fine-tuned control over camera movement  Pan and tilt speed can be continuously varied from 0.02 degrees per second to 60 degrees per second, for flexible subject tracking and production scenarios. Up to 100 preset camera positions The supplied remote controller, dedicated FR7 Web App and RM-IP500 can remember up to 100 camera presets (camera direction, zoom and focus). Presets can be recalled at the touch of a button. Clear Image Zoom3 to refine your angle of view  The FR7 includes Sony's Clear Image Zoom function, giving you the option to zoom into your subject with minimal image degradation even when using a non-powered zoom lens or prime lens. Reliable autofocus for remote shooting For remote setting, the FR7 locks onto fast-moving subjects quickly and tracks them tenaciously even in low light, using 627 selectable phase-detection AF points and the powerful BIONZ XR processor. Real-time Tracking for remote shooting Concentrate on composition and leave focusing up to the camera. In the FR7’s Web App, Touch Tracking starts autofocus for your chosen subject, complete with Real-time Tracking for professional and efficient production Real-time Eye AF for remote shooting  Underpinned by the BIONZ XR processor, the FR7 offers reliable AF performance, indispensable for remote shooting. Pinpoint eye focus tracks an eye even when subjects are looking up or down at a steep angle. Electronic Variable ND Filter for smooth remote operation  Sony's built-in electronic variable ND (neutral density) filter allows exposure control at a distance, for smooth operation in a remote setup. It allows seamless ND adjustment from 1/4 to 1/128 to control exposure remotely, and depth of field can be conveniently controlled while maintaining a consistent exposure. Breathing compensation The FR7 includes a Breathing Compensation function that minimises unwanted changes in angle of view, for better looking focus transitions. With compatible lenses, the angle of view is automatically kept consistent even when focusing, making it possible to achieve smooth and dramatic focusing effects Tally lights to facilitate multi-camera production The FR7's red and green tally lights make it easy to identify which camera is currently active (on-air) in a multi-camera setup. A red tally light can identify the on-air camera while a green tally light indicates the preview camera. Supplied infrared remote controller  The infrared remote controller included with the FR7 controls pan, tilt, zoom and focus (with presets available) as well as recording and playback. Dedicated ceiling mount bracket CIB-PCM The FR7 is compatible with the CIB-PCM ceiling mount bracket2 for easy overhead setup. The "Ceiling" option in the Web App flips the control directions, for natural operation even with the camera mounted upside down. Interfaces and IP transmission methods for a wide range of use cases The FR7 provides excellent connectivity for video output, IP streaming, and synchronisation with other devices. HDMI video output can be used for real-time monitoring, while SDI video output delivers a RAW signal to an external recording device. Camera control, video and audio transfer, and power supply can be carried out via a single LAN cable. Connecting to external devices Easily connect to external devices to provide timecode synchronisation, control tally light signals, and coordinate synchronisation signals in multi-camera setups.  TC IN connector Receives timecode from an external device to be used for synchronisation.  "Option" connector Connects tally light signals to an external device. GENLOCK connector Receives synchronisation signals from an external device for use in multi-camera setups. LAN and PoE++ connector The FR7 can be powered with an external PoE++ (Power over Ethernet Plus Plus) device via a standard network cable (CAT5e or higher), eliminating the need for separate power supply cabling. DC IN connector  If not using PoE++, the supplied AC adaptor connects to the FR7's "DC IN" connector to power the unit. The cord clamp on the rear panel of the FR7 can be used to prevent the power cable from being accidentally unplugged.  Support for multiple protocols to meet your streaming needs RTSP streaming allows video output from one camera to be simultaneously distributed to up to five viewers. SRT enables high-quality, low-latency video transfer even in unstable network conditions. And NDI|HX connects to NDI compatible devices such as switchers and media servers, supporting efficient live video production using Internet protocols.

Sony PXW-FX9 XDCAM 6K Full-Frame Camera System

Sony PXW-FX9 XDCAM 6K Full-Frame Camera System Sony PXW-FX9 (PXW_FX9, PXW/FX9, PXW FX9) XDCAM 6K Full-Frame Camera System  Combined Sony’s technology in Digital cinema camera Venice, FS series and a (Alpha) ILC cameras. Sony’s full-frame 6K sensor camera with Fast Hybrid AF, dual base ISO and cinematic colour science and S-Cinetone. The Sony PXW-FX9 is the long awaited successor to the legendary PXW-FS7 is here and it brings some fantastic upgrades with it. The FX9 has a Full Frame 6K dual native ISO sensor, VENICE colour science, upgraded auto-focus capabilities, built in genlock and timecode and much more.  The FX9 features a full frame 6K 35.7 by 18.8mm back-illuminated Exmor-R CMOS sensor. This sensor is stated to have 15 plus stops of dynamic range and has a resolution of 6008 x 3168.  You will be able to shoot QFHD full frame up to 30fps, 1080p full frame at up to 120 fps and QFHD S35 up to 60fps and 1080p S35 at up to 120fps. The planned firmware updates will bring Full frame DCI 4K up to 60p, Full HD full frame up to 180fps and QFHD in Super 35 mode at up to 120fps while using an external recorder. You can also customise the autofocus, tweaking things like the AF transition between slow, for stuff like promo videos where you want slow smooth focus movements to fast which will be great for sports. You can also change the AF subject shift sensitivity which defines how easily the focus is switched to another subject. This goes from locked if you are wanting to do a walk and talk for example to responsive which you may need to keep better general focus. You can record up to four channels of audio with a range of different input options, The FX9 has an internal scratch mic, two XLR’s, you can use a dual channel receiver with the MI shoe on the handle or you can now use the DWX series of drop in receivers and transmitters with the new XDCA -FX9 back module. The FX9 does not feature SLOG2 only SLOG3 with S-Gamut3 & S-Gamut3. Cine, this is because the SLOG2 gamma curve is designed for 8-bit whereas all of the codecs on this camera are 10-bit. They have also added an S-Cinetone colour profile which is aimed to bring the colour science from the VENICE to the FX9. Realise beautiful 4K imagery with the creative freedom made possible by oversampling a huge high resolution full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh with a truly cinematic look. 15+ stops of dynamic range and Dual Base ISO enable capture of every nuance, from subtle shadow detail to specular highlights and with an immaculate colour palette. Capturing the Impossible Make sure your story’s always clear with enhanced Fast Hybrid AF that tracks your subject with unprecedented speed, smoothness and precision. Its impact is transformative for premium documentary, commercials and event applications. Shoot in Comfort, Expand your Horizons FX9 revolutionises full-frame cinematography with peerless ergonomics and advanced technology for on-the-go shooting. The world’s first full-frame electronic variable ND filter* transforms possibilities for shooting in variable lighting conditions. Built-in Wi-Fi and 12G-SDI support advanced workflows while the optional XDCA-FX9 extension kit further expands the operational possibilities of the PXW-FX9. 6K Full-Frame “Exmor R” Sensor for Stunning Picture Quality The camera’s full-frame 6K sensor provides superb recording in DCI 4K*, Ultra HD and HD resolutions. Powerful image processing with debayering and oversampling ensures image quality beyond the limits of conventional Super 35mm sensors. The back-illuminated CMOS image sensor also uses Sony’s Exmor R technology for improved sensitivity and noise reduction. Compared to a 4K Super 35mm sensor, the FX9’s 6K sensor has over twice the surface area while providing a wider angle of view and shallower depth of field. DCI 4K (4096 x 2160 at 17:9 recording) will be available with future firmware release. Phenomenal 15+ Stops Dynamic Range for Limitless Expression FX9 offers an exceptional 15+ stops of dynamic range – beyond the normal range of human perception – allowing for unprecedented creative freedom in colour grading and post. Camera operators can concentrate on framing the scene they want while relying upon the FX9 to capture every nuance and detail using either 4K 4:2:2 10-bit internal recording or 16-bit RAW external recording.* In grading, colourists can find colour and detail beyond the normal viewing abilities of the camera operator to create a final image that exactly portrays the mood of the scene. RAW recording requires future firmware release and external recorder. Dual Baso ISO for stunning images in any light FX9 features a base sensitivity of ISO 800, providing the optimal dynamic range for typical documentary applications such as shooting outside or in brightly lit interiors. A secondary High Base sensitivity of ISO 4000 excels in low light conditions such as early morning and evening shoots while maintaining superb image quality. ISO 4000 is also ideal whenever you’re using slow lenses. Combining Dual Base ISO with the camera’s electronic variable ND Filter provides superb creative control in almost any shooting environment, with truly next generation responsiveness to changing conditions. ISO 800 and ISO 4000 are used in S-Log3, Cine EI mode. Cinematic Colour Science with S-Cinetone S-Cinetone is the default look of FX9 that’s tuned to meet the requirements of today’s content creators with rich mid-range colours, alluring facial tones and a softer tonal look – developed with the same expertise as Sony’s world-leading VENICE digital cinematography camera. S-Cinetone means that straight out of the camera your content looks fresh and vivid, with subjects that really stand out while retaining plenty of latitude in post production thanks to the high performance full-frame image sensor. The advanced default looks delivers alluring facial tones and a softer tonal look. Selectable Frame Rates in Both Full-Frame & Super 35 Choose your desired frame-rate from 1fps up to 180fps* for impressive quick and slow-motion footage. FX9 creates an immersive image with a wide angle look and shallower depth of field provided by its full-frame sensor in combination with quick and slow-motion. Engage your audience with this new creative look. FX9 also offers a Quality priority setting* that maximises full HD slow motion image quality with advanced oversampling technology. Up to 120fps with Ver1.0. Full-HD 180fps will be supported with future firmware In Full-frame scanning mode: selectable at 1-30fps / In S35 scanning mode: selectable at 1-60fps  Supported in future firmware update Supported in future firmware update. RAW output only Supported in the future firmware update. Scanning area is cropped around 83% of full-frame and 122% larger than S35. (diagonal) Catch the Action with Enhanced Fast Hybrid AF Effortlessly track fast moving subjects with pin-sharp focus, even when using wide lens aperture settings to maintain a shallow depth of field with the camera’s full-frame sensor. Developed by Sony’s α camera engineers, enhanced Fast Hybrid AF combines phase detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. In addition, Face Detection intelligently recognises and locks on to human faces. The dedicated 561-point phase detection AF sensor covers approximately 94% of the whole image area width and 96% of height, allowing consistently accurate, responsive AF tracking, even with fast-moving subjects. Customisable AF Settings FX9’s comprehensive autofocus settings provide the creative flexibility to integrate with any project. Customisable AF settings can be used for a wide range of situations, depending on your requirements.  7-level AF transition speeds from Fast – switching between subjects as quickly as possible – to Slow, where speed is reduced to fit a more measured shooting style, such as a historical TV drama. 5-level AF subject shift sensitivity ranges from Locked-on – ignoring other moving subjects in the frame – to Responsive that switches focus from one subject to another – ideal for snapping between race cars as they speed by. AF Assist You can control MF ring during AF shooting if AF Assist is set to ON. You can adjust the focus manually even in AF shooting, you can manually operate the ring to focus the person behind. One Push AF While you are shooting in MF, pushing One Push AF button enables you to change to the focus mode to AF. Autofocus with all E-Mount Lenses Experience smooth, responsive autofocus with every E-mount lens, including Sony’s new Cinema Lens Series with premium optical performance and operability for demanding cinematography applications. Advanced E-mount lever lock operation allows quick, easy lens exchange in the field, plus added stability and security with large lenses. World’s First Electronic Variable ND Filter for Full-Frame Sensor Realise even greater creative control with Sony’s unique built-in electronic variable neutral density (ND) filter – a world first* for professional full-frame camcorders. Set to Auto, or adjust filter density manually in smooth increments from 1/4 to 1/128 as you shoot, for perfectly exposed images without affecting depth of field as lighting conditions change. Use higher density settings with a slower shutter speed for breath taking artistic effects. The built-in variable ND filter, with no need to prepare multiple ND filters separately can be flexibly and immediately used for every exposure change situation; when you move from inside to outside, and when you shoot under the natural light condition where exposure changes moment by moment. Proven Ergonomics & Accessories Compatibility FX9 chassis is the latest refinement of the revolutionary FS7 design, so you can be sure it will feel great to shoot with from almost any position, while also offering compatibility with a large proportion of the countless FS7 accessories including U-Series batteries, chargers, E-Mount lenses, plus third-party rigs, arms and lens adapters.* The control arm is easily adjusted without tools, so FX9 adapts effortlessly to your physique and preferred shooting style – handheld, at waist level or shoulder mounted. The smart grip features an updated design, more compact than before while still holding all the key shooting controls, allowing you to concentrate on the scene without distractions. FX9 also introduces a micro USB interface for improved responsiveness and support for a wrist strap. 16-bit RAW Capability 16-bit RAW offers a phenomenal increase in post-production creative freedom to fully exploit FX9’s exceptional 15+ stops of dynamic range. FX9 supports export of 16-bit RAW at either 4K or 2K resolution using the optional XDCA-FX9 extension unit with a single BNC cable connection to compatible external RAW recorders.** RAW output will be enabled with a future firmware release. Limited to 10-bit recording during 120fps high frame rate shooting within Super35 image circle Stable, Shake-Free Handheld Footage Advanced image stabilisation information means even handheld footage can be transformed with Sony Catalyst Browse/Catalyst Prepare software* in post-production to look as smooth as if it were shot with a gimbal.Unlike in-camera or lens stabilisation, meta data generated by FX9’s built-in gyro allows you to creatively choose the balance between the level of shake-compensation and the resolution of trimmed 4K imagery. This feature is also compatible with any E-mount lens and allows for far faster processing than conventional NLE stabilisation workflows**. Catalyst Browse/Catalyst Prepare Ver.2019.2 is required. Resolution and angle of view reduced compared to native footage. LCD Approx 1.8x higher resolution than the FS7M, with enhanced LCD with HD resolution has superb accuracy, high contrast and resolution, bringing higher visibility for focusing. Beautifully Matched Shooting Partners Optimised for professional cinematography applications, the light, compact, SELP28135G powered zoom lens is an ideal complement for the full frame imaging possibilities of the FX9. Circular aperture with full-frame image circle format Motorised servo zoom for smooth, precise zoom moves Independent three rings for focus, zoom and iris with smooth, silent drive You have the choice of purchasing the FX9 on its own (PXW-FX9) or with SELP28135G lens (PXW-FX9K). Cinema Lens Series Explore new artistic possibilities and precise creative control with Sony’s Cinema Lens Series. Purpose-built for documentary production and digital cinematography with full-frame cameras such as the FX9 and VENICE. The first lens in the series, the FE C 16-35mm T3.1 G full-frame wide angle zoom, is due in early 2020. Adds Shoulder-Style Operation, Advanced Networking Further extend the capabilities of the FX9 with the optional XDCA-FX9 extension unit that optimises camera weight distribution and ergonomics for comfortable shoulder-style shooting – ideal for ENG (Electronic News Gathering) and documentary applications. The extension unit also adds advanced networking for streaming/file transfers and Genlock/Timecode for multi-camera shoots. 4-Channel Audio Input and Recording  FX9 offers superb audio capabilities with independent control dials for each channel. In applications such as interview, 4-channel audio recording enables simultaneous use of an external microphone for recording ambient sounds, the built-in microphone for voice memos by the operator, and two optional UWP Series wireless microphones for voice of interviewer and interviewee. In addition, using the optional XLR-K3M, XLR-K2M or XLR-K1M XLR adapter – with two extra XLR inputs – allows even more devices to be connected.  

Sony PXW-Z750 4K 2/3-type 3-chip CMOS Shoulder-mount Camcorder

Sony PXW-Z750 (PXW/Z750, PXWZ750, PXW_Z750, pxw-z750) 4K 2/3-type 3-chip CMOS Shoulder-mount Camcorder PXW-Z750 4K 2/3-type 3-chip CMOS Shoulder-mount Camcorder with global shutter, high sensitivity, 4K/HD simultaneous recording, 120p HFR in HD, 12G-SDI and advanced wireless workflow capabilities. New benchmark for 4K, HDR and HD image quality Capture beautiful 4K images with the deep of depth of field made possible by 3-chip 2/3- type CMOS sensor. The Z750 is Sony’s first shoulder-mount camcorder with a global shutter to eliminate flash banding and “jello” effects. It sets a new class-leading standard for 4K, HDR and HD image quality for reality TV, documentary, news and sports production. In fast-moving applications where a second take is impossible, Z750 is the ideal choice. Saving time and money Delivering highest quality 4K with HD era workflows wastes time and money. The Z750’s latest generation XAVC-L422 QFHD 200 codec combined with high-speed SxS Pro media radically reduce real-world turnaround times. Premium 4K becomes deliverable on almost any project using the PXW-Z750. Transformative cloud-based collaboration Z750 is at the vanguard of seamlessly integrating Cloud-based production tools with familiar, easy-to-use interfaces and proven Sony reliability. Build stories fast, with secure, direct access from the studio to camcorders out in the field with XDCAM air. Distribute content for preview and editing with stakeholders across the world using Sony’s Ci Media Cloud. 3-chip 2/3-type CMOS Sensor with Global Shutter The PXW-Z750 incorporates a newly developed 3-chip 2/3” 4K CMOS sensor optical block with a wide colour gamut provides exquisite picture quality with true-to-life colour reproduction, high sensitivity and low noise level for a wide range of shooting scenarios. Versatile B4 lens options The 3-chip 2/3-type size sensor block of the Z750 matches the rugged, dependable B4 lens mount system, allowing you to use a wide variety of commercially-available B4 4K/HD lenses. This flexibility supports a variety of shooting applications while reducing cost by leveraging your existing lens investments. High Dynamic Range and wider, richer colours PXW-Z750 can record HDR using Sony S-Log3 or Hybrid Log Gamma (HLG). The camera’s wide colour gamut supports extended Sony S-Gamut3 and S-Gamut3.Cine colour spaces, as well as the industry standard ITU-R BT.2020 colour space. S-Log3 has a proven track record for premium applications, capturing the maximum dynamic range from the sensors, for the most creative colour grading processes.* Industry standard HLG delivers content quickly without additional colour grading, making it an ideal choice for day-to-day shooting, viewing, editing and broadcasting workflows. Superb slow motion Ideal for sports and nature programmes, the PXW-Z750 can acquire footage in 120fps in Full HD for beautifully smooth, finely-detailed slow-motion playback. Cache recording Never miss a shot with advanced cache recording in 4K and Full HD modes. Pre-record up to 13-15 sec in MPEG HD 422 50 (at 50/59.94fps) – giving you plenty of time to catch the action when it happens. Representative Cache Rec. Time (@50/59.94fps) XAVC QFHD L422 200: 2-4 sec XAVC-I 1920×1080P: 2-4 sec MPEG HD 422 50: 13-15 sec High quality at lower bitrates As well as the established XAVC-I QFHD Class 300 4K and standard MPEG HD422 codecs, the PXW-Z750 also supports the latest generation XAVC-L422 QFHD 200 codec. Compressing 4K Ultra HD images with a LongGOP frame structure, this achieves significant bitrate savings over previous Intra Frame codecs while maintaining superb 4K image quality. Lower data rates increase recording times while reducing storage requirements. Uncompromised picture quality is ensured by 10-bit quantisation and 4:2:2 colour sampling, making the PXW-Z750 ideal for HDR productions. A wide range of 4K codecs provide the flexibility to select the recording format that is best suited for the requirements of the production you are working on. Lightning-fast transfers with latest generation media The PXW-Z750 supports latest-generation SxS Pro X media, enabling very high speed file transfers at up to 10Gbps (1250MB/s)¹ with the SBAC-T40 Thunderbolt™ 3,* SxS card reader/writer. Transfers are approximately three times faster than previous generation media/reader combinations, dramatically accelerating workflows for any application and bringing down production costs. *Based on Sony internal testing. Transfer speeds vary and are dependent on host devices, the OS version or usage conditions. Next generation wireless workflow Built-in wireless connectivity enables advanced workflow production features including live streaming, FTP transfer and even remote control from a smartphone or tablet* via Wi-Fi. Wireless workflow is made even more efficient using XDCAM air, Sony’s professional cloud service including dual-link cellular operation.** * Requires Content Browser Mobile and device running iOS 9.0 (or higher) or Android 4.4 (or higher) ** Requires XDCAM air subscription and CBK-DL1 USB Extension Adaptor Seamless wireless audio integration PXW-Z750 is compatible with Sony’s DWX series of digital wireless microphone systems offering ENG and documentary teams the benefits of an all-digital audio workflow, including robust end-to-end encryption for truly secure operation.* Wireless transmitter parameters can be controlled directly from the PXW-Z750 using the Cross Remote function Transmitter power save mode synchronises with the camera’s on/off control, and is controllable by assignable buttons to save transmitter battery life Audio and video are precisely synchronized, ensuring no delays or lip-sync problems Power save status and receiver RF levels are displayed in the viewfinder *For details, please consult local sales company. Familiar refinement, evolved The Z750 is lighter than the previous generation PDW-700, while also being more ergonomically balanced so it’s considerably less fatiguing for longer shooting days. All the controls and interfaces are a subtle refinement of previous shoulder camcorders, ensuring that shooting with this camcorder is easy and hassle-free. From power-on, it’s a matter of seconds to be shooting highest quality footage while advanced new features are easy to learn and utilise.

Sony Rialto Camera Extension System 2 for Sony VENICE/VENICE 2

Sony Rialto Camera Extension System 2 for Sony VENICE/VENICE 2 Maximize the creative potential of your VENICE camera by adding the Sony Rialto Camera Extension System 2. Compatible with the VENICE, VENICE 2 6K, and VENICE 2 8K, the Rialto Extension System 2 allows you to detach the sensor block and lens from the main camera body, providing increased mobility without any loss in full-frame image quality. Designed for handheld and gimbal setups, jib, crane, and car rigs, this lightweight and compact system also enables shooting in previously inaccessible tight spaces. The updated 9.8' and 39' tethering cable options facilitate wide-bandwidth sensor data transmission over longer distances than the original Rialto system. New Features The Rialto Extension System 2 includes a built-in gyro sensor (for VENICE 2 only) that transmits tilt and roll metadata through the SDI output, ideal for visual effects applications. Additionally, it has four user-assignable buttons (one assignable button for VENICE) for easy access to essential camera functions like run/stop and ND filter adjustment. Weighing approximately 4.6 lb, the Extension System 2 retains the same compact size as the original, measuring 6.2 x 5.8 x 5 inches. Firmware Requirements To operate the Extension System 2, VENICE 2 firmware v.2.00 and VENICE firmware v.6.3 are required and were made available in early 2023. Maintains Image Quality The Extension System 2 preserves VENICE’s renowned image quality, even when using the new 9.8' or extended 39' tethering cables. Enhanced Mobility Separating the sensor block from the camera body by up to 39 feet provides significant flexibility for setups involving gimbals, jibs, cranes, handheld rigs, and custom installations such as 3D/VR or helicopter and underwater housings. This setup allows easier operation in confined spaces, such as inside vehicles, with the sensor block weighing just 4.6 lb when equipped with a PL mount. Integrated Gyro Sensor For visual effects applications, the Extension System 2’s internal gyro sensor records tilt and roll information in the metadata, outputting this data through the camera’s SDI port for VENICE 2 models. User-Assignable Function Buttons The Extension System 2 offers four user-assignable buttons for VENICE 2 8K and 6K models, and one assignable button for the VENICE. These buttons provide quick access to key camera functions, including run/stop and ND filter selection, enhancing the ease of operation during complex shoots.

Sony Rialto Camera Extension System for Sony VENICE

Sony Rialto Camera Extension System for Sony VENICE The Sony Rialto Camera Extension System provides remarkable flexibility by allowing you to detach the sensor block from the VENICE camera body and extend it up to 18 feet without sacrificing image quality. Ideal for mounting on stabilizers, shooting from helicopters, or working in tight spaces, the Rialto enables remote image capture while retaining the VENICE’s acclaimed 6K quality and full functionality. Full Functionality with Added Features The Rialto preserves all VENICE camera features and even enhances capabilities with an additional SDI monitor output and 12/24 VDC power output at the sensor end. The 12/24 VDC output can power accessories, and the SDI monitor output allows for an on-camera monitor when hand-holding the sensor block. Additionally, the sensor block case includes mounting holes on all sides—top, bottom, and back—for compatibility with camera supports and handheld rigs. Requires Firmware Version 3.0 To use the Rialto extension system, the VENICE camera requires Firmware version 3.0, available as a free download from Sony for users with earlier versions. Maintains Image Quality The Rialto ensures no loss in image quality, even at the maximum 18-foot extension, enabling consistent 6K capture regardless of setup. Enhanced Mobility for Dynamic Shots By separating the camera body and sensor block, the Rialto allows for unique mounting options and high mobility for gimbals, handheld shots, helicopter and underwater housings, and custom rigs used in 3D/VR productions. This flexibility is especially useful in confined spaces, like vehicle interiors. The separated sensor block is lightweight, weighing just 4 lb with the PL mount and 3 lb with the E-mount. Advanced Features Retained The Rialto (CBK-3610XS) maintains all of the VENICE camera’s advanced features, including its 8-step built-in ND filter system and Dual Base ISO, so users can fully leverage the VENICE’s capabilities even in extended setups. Flexible Power Options The Rialto adds an HD-SDI output and 12 or 24 VDC accessory power to the camera head, making it easy to power lens servo motors, monitors, and other accessories. The VENICE body plate has a 24 VDC Fischer 3-pin connector, enabling 24 VDC output at the camera head via a Fischer 3-pin cable. For 12 VDC output, the Hirose 4-pin connector on the VENICE can be connected with a Hirose 4-pin to Fischer 3-pin cable. Mounting Compatibility The Rialto system features multiple 1/4"-20 mounting points on all components, while the sensor block case includes additional 3/8"-16 mounting points, offering versatile setup options for various rigs and configurations.

Sony VENICE 6K Digital Motion Picture Camera

Sony VENICE 6K Digital Motion Picture Camera The Sony VENICE 6K Digital Motion Picture Camera offers a versatile design that allows users to configure the camera to meet their specific needs without unnecessary investment. At its core is a full-frame CMOS sensor boasting over 15 stops of dynamic range. In its basic setup, the sensor is windowed for Super 35 shooting. The camera comes equipped with a removable PL mount that supports Cooke /i Technology for lens metadata, making it compatible with a range of cinema lenses, from vintage to modern. It natively supports DCI and UHD 4K recording, with planned firmware updates unlocking additional capabilities, such as anamorphic shooting, full-frame capture, and variable frame rates from 1 to 72 fps. Removing the PL mount reveals a Sony E-Mount with a locking ring, enabling users to mount their lens without rotating it, ensuring a secure attachment. The camera also features eight motorized ND filters, ranging from clear to seven stops of ND, adjustable in one-stop increments. Additional features include an assistant-side information screen and a smaller display for the operator, along with dual SxS card slots for recording XAVC or HD ProRes formats. Firmware 6.0 Update The Firmware 6.0 update introduces several new features, including: 5.7K at 16:9 up to 72 fps 4K at 6:5 up to 72 fps 3.8K at 16:9 up to 110 fps 3D LUT viewing in the viewfinder Import of ART (Advanced Rendering Transform) files SDI switching updates for 3G-SDI Level A/B Additional frame line presets for 9:16 and 1:1 Adjustable record beep and alarm volume Retention of CamID and Reel# when loading ALL files Display of Genlock and TC lock on the on-screen display De-squeeze toggle for anamorphic footage via the USER button Enhanced RCP Call function Gyro data recording in metadata Support for ZEISS eXtended Data from FUJINON Premista-series lenses This update requires Firmware 4.00 or higher before installation. Key Functions The VENICE offers a range of functions designed to expand with your needs: 6K 2.39:1 and 5.7K 16:9 imager modes (with Full-Frame License) X-OCN XT recording format support Rialto VENICE Extension System compatibility Anamorphic de-squeeze ratios of 1.25x, 1.3x, 1.5x, and 1.8x Cache and AXS Relay recording functions SxS recording folder structure options 6G/12G SDI output support Enhanced imaging assist features Wireless LAN adapter support (CBK-WA02) Improved menu and frame line settings for the viewfinder CDL file compatibility Use Case The VENICE is designed to grow with you. Its modular design and flexible upgrade path mean that you can start with a basic camera configuration and add new features as needed through firmware updates and optional licenses. This allows you to upgrade the camera's functionality for specific projects without having to invest in a new system. Sensor The full-frame sensor delivers more than 15 stops of dynamic range, surpassing the BT.2020 color space and providing exceptional image quality that exceeds current and future specs. Full-Frame Recording With an optional firmware upgrade and license, the camera supports full-frame recording, utilizing the entire 6048-pixel width of the sensor for widescreen 2.39:1 or large format scope. High-Speed Shutter The VENICE's fast sensor readout minimizes the "jello" effect common with CMOS sensors. PL and E-Mount Compatibility The camera includes a PL mount for Super 35 and full-frame lenses, with support for both spherical and anamorphic options. The PL mount features contacts for Cooke /i Technology, enabling frame-by-frame lens metadata recording. The E-Mount, revealed by removing the PL mount, features a locking mechanism that secures the lens without rotating it, which is ideal for setups where time and stability are critical. Recording Options The VENICE records XAVC UHD 4K or HD ProRes to dual SxS card slots. With an optional AXS-R7 recorder, the camera will support 16-bit Raw and X-OCN recording to AXS cards after a planned firmware update.

Sony VENICE 2 Digital Motion Picture Camera (8K)

Sony VENICE 2 Digital Motion Picture Camera (8K) The Sony VENICE 2 8K Digital Motion Picture Camera elevates high-resolution capture for filmmakers, offering stunning 16-stop dynamic range, internal recording up to ProRes 4K 4444 and 422, and an interchangeable sensor design. With improvements in usability and body design, it enhances workflows for DPs, camera assistants, colorists, VR specialists, and VFX departments, delivering film-like imagery and exceptional post-production flexibility. Exceptional Imagery in Any Lighting The VENICE 2's wide dynamic range enables capturing beautiful images in extreme lighting conditions, from low-light scenes to bright sunlight. Its dual native ISO (800 and 3200) further extends creative lighting possibilities. 8.6K Sensor & Dual ISO The new 8.6K sensor improves image flexibility for post-production, while maintaining compatibility with the original 6K sensor. You can even swap the 6K sensor block (sold separately) into the VENICE 2, allowing for higher frame rates than the 8.6K sensor supports. The camera recognizes different sensor blocks and adjusts automatically without firmware changes. Lens Mount Options The VENICE 2 comes with a PL lens mount, compatible with Super35 and full-frame PL lenses, both spherical and anamorphic. The PL mount supports Cooke /i technology for frame-by-frame metadata. Removing the PL mount exposes the E-mount, designed with a lever-lock system for quick and secure lens changes. A future firmware update will fully enable E-mount functionality. Built-in ND Filters The VENICE 2 features an 8-step, servo-controlled ND filter mechanism, providing a range from clear (no ND) to 2.4 ND (8 stops). This flexibility allows for quick exposure adjustments in changing lighting environments. Servo Control & Remote Options Servo control enhances the VENICE 2’s use in remote setups, such as drones or underwater housings. For extreme scenarios, the optional Rialto 2 system allows you to detach the sensor block from the camera body by up to 39 feet. The camera’s smaller body size compared to the original VENICE also makes it more adaptable for drones. Internal Recording & Media Ditch the need for external recorders—the VENICE 2 records directly onto AXS cards via its dual card slots, supporting X-OCN and 4K ProRes formats with relay recording for extended shooting. Cache recording is also supported, with twice the cache memory of the original VENICE. Super35 Support The VENICE 2’s 8K sensor allows for 5.8K recording in Super35 17:9 and 16:9 modes, enabling the use of Super35 PL-mount lenses without compromising image quality. Color Gamut & Grading The VENICE 2 exceeds the BT.2020 color space and offers a wider gamut than DCI-P3, providing a vibrant color palette for grading. With support for S-Log3 and S-Gamut3 workflows, the camera ensures an excellent match between its 6K and 8K sensors. Minimized Rolling Shutter Thanks to the high-speed readout of the 8.6K sensor, the VENICE 2 minimizes the rolling shutter (Jello) effect typical in CMOS sensors, ensuring cleaner, more natural motion capture. New Features and Functions: Zoom to Fit Monitoring: Crops viewing outputs (VF/SDI/HDMI) to the desired aspect ratio while recording the full sensor frame, perfect for VFX or reframing in post. LUT Support: Apply LUTs to 4K or HD outputs, with LUT/CDL import via Ethernet or Wi-Fi. Remote Control via RM/RCP: Enables color and paint adjustments, including ITU-R Rec. 2020 and HLG settings. Sensor Modes & Imager Licenses: The camera supports popular imager modes like 5.8K, 7.6K, 8.2K, and 8.6K, with licenses available for specific modes such as anamorphic. Improved Assist Functions: Enhanced imaging assist, CDL file support, and frame line settings streamline production workflows. High Frame Rate Support: Capture up to 72 fps in 5.7K and 110 fps in 3.8K 16:9 modes. Additional Features: Support for ZEISS eXtended Data SDI output options, including 6G and 12G Record gyro information for precise metadata 4-channel audio recording in 24-bit, 48 kHz LPCM format Enhanced VF menu operations and cache recording

Sony BURANO 8K Digital Motion Picture Camera

Sony BURANO 8K Digital Motion Picture Camera The Sony BURANO 8K Digital Cinema Camera is designed for solo, mobile cine-style shooting, delivering up to 8.6K video in a compact full-frame form. Featuring unique in-camera stabilization for both E- and PL-mount lenses, Fast Hybrid Autofocus, and an adjustable ND filter, the BURANO makes single-operator capture and seamless image matching a breeze, making it an ideal companion to the VENICE as a B or C camera. Full-Frame 8.6K CMOS Sensor The 8.6K CMOS sensor in the BURANO matches the exceptional quality of the VENICE 8K, with Sony’s renowned autofocus technology. This is particularly helpful for single operators working in fast-paced environments. The sensor supports both full-frame and Super35 modes, providing flexibility with a wide range of lenses for different types of projects. ARRI PL and Sony E Mounts The BURANO supports both ARRI PL and Sony E-mount lenses, allowing for a versatile range of lens options. The PL mount is compatible with Super35 and full-frame lenses in spherical and anamorphic formats and supports Cooke/I technology for frame-by-frame metadata, as well as ZEISS eXtended Data. The E-mount supports Sony E-mount lens metadata. Autofocus and Image Stabilization The Fast Hybrid AF and Human Eye AF technologies ensure accurate focus for fast-moving subjects, even when operated by a single user. BURANO also features in-camera image stabilization for both E-mount and PL-mount lenses. E-mount lenses benefit from 5-axis stabilization, while PL-mount lenses receive 3-axis stabilization (pitch, yaw, and roll), both with various stabilization settings. Variable ND Filter The built-in, electronically variable ND filter (ranging from 0.6 to 2.1 ND) allows operators to easily adjust exposure in changing lighting conditions, making it easier to shoot solo in dynamic environments. Exceptional Latitude and Dual-Base ISO The BURANO’s sensor delivers 16 stops of dynamic range, ensuring excellent low-noise performance in both low-light and bright conditions. It also supports HDR imaging and features dual-base ISOs of 800 and 3200, offering flexibility in lighting scenarios with a wide exposure latitude (6 stops over, 10 stops under 18% middle gray). Versatile Frame Rates and 8K Recording The camera supports multiple resolutions and frame rates, including full-frame 8.6K at 30 fps, cropped 6K at 60 fps, Super35 5.8K, and Super35 4K at 120 fps. Recording formats include XAVC H (H.265), X-OCN LT for RAW images, and XAVC-I/L for 4K UHD and HD. X-OCN supports resolutions up to 8.6K, providing 16-bit precision with manageable file sizes. Viewfinder and Media Slots The detachable viewfinder/LCD combo doubles as a touchscreen controller, offering quick access to key camera settings. The BURANO supports dual CFexpress Type B cards for internal recording, with an additional SD card slot for utility functions. Advanced Interface and Lightweight Design The BURANO features a comprehensive interface, including 12G/6G/3G-SDI and HDMI outputs, 3-pin XLR audio inputs, timecode, genlock, and dual-band Wi-Fi. The magnesium alloy body ensures durability in harsh conditions, with a dust- and water-resistant ventilation system. The fan is silent and easily replaceable. This compact yet powerful camera is designed for versatile shooting environments, offering a robust toolset for high-end productions with the flexibility needed for solo operation.

Sony URX-S03D/K42 UWP-D Portable Two-Channel Wireless Receiver, Used

Sony URX-S03D/K42 UWP-D Portable Two-Channel Wireless Receiver, Used3 months warranty – Excellent condition. UWP-D Portable Two-Channel Wireless Receiver from Sony   The URXS03D/K42 UWP-D Portable Two-Channel Wireless Receiver from Sony operates in UHF-TV channels 42-51 and fits directly in the slot of Sony XDCAM and HDCAM camcorders.   It can be used to capture audio when paired with the UTX-B03HR beltpack transmitter & microphone (sold separately) and features easy channel setting functions, stable RF transmission, and Digital Audio Processing technology for wireless audio and video applications.   The receiver can access 2,541 frequencies and offers True Diversity reception. It is built with a robust metal body and has a weatherproof structure, a selectable squelch, and wide frequency coverage with a choice of channels available. In addition, it also works seamlessly with Sony 800 and UWP Series transmitters. It includes two whip antennas.   True Diversity Reception System for Stable Reception   Wireless microphone transmission systems are typically subject to interruptions in reception (RF signal dropout). The UWP-D series reduces this to a minimum and utilizes a true diversity reception per channel. It compares the RF signals from the two antennas and automatically selects the stronger signal for output   Digital Audio Processing   Sony Digital Audio Processing is used to improve sound quality and transient response performance compared to conventional analog wireless systems. Analog companding systems cannot accurately reproduce sounds such as a bell, tee shot or handclap, but Sony Digital Audio Processing reproduces them faithfully   Direct Digital Connection to Camcorders   The URX-S03D provides a digital connection with two-channel (with XDCAM camcorders) and a single-channel (with HDCAM camcorders) via a D-sub 15-pin interface. With HDCAM camcorders, two audio signals from two transmitters can be output in the single channel as a two-channel mixing function. Sony camcorders can also show each wireless microphone's RF/AF level in the viewfinder   Automatic Channel Setting Mode   The Auto Set channel mode allows the user to find and set available frequencies to use within the operating frequencies of the system. The receiver will automatically set the transmitter channel using the IR Sync feature   Easy Channel Scan   With its Clear Channel Scan, Active Channel Scan function and IR Sync features, the system detects unoccupied channels and selects the most appropriate channel automatically for fast and easy system setup   Compatible with Sony 800 & UWP Series Wireless   DSP enables a digital compander to match Sony's analog wireless system. The WP-D Series transmitters and receivers are also compatible with Sony's WL-800 Series and UWP Series, allowing users to switch between different companding modes   Wide Frequency Coverage   The switching bandwidth covers a wide area and has a wide choice of channels available   PLL Synthesized System   The receiver achieves stable transmission and reception by using a UHF PLL (Phase Locked Loop) frequency synthesized system, which provides accurate carrier signal frequencies. This system is used in both the transmitters and tuners, so that a stable carrier is generated at the transmitter, and accurately tuned in at the tuner. This PLL-controlled system provides highly stable, user-selectable frequencies in increments of both 25 kHz and 125 kHz   Key Features   True Diversity Reception System Direct Digital Connection to Camcorder Automatic Channel-Setting Mode Fast & Easy Channel Scan Compatible with Sony 800 & UWP Systems Wide Frequency Coverage PLL Synthesized System   Sony URX-S03D/K42 UWP-D Portable Two-Channel Wireless Receiver

Sony ECM-530 Microphone, ex-demo

Sony ECM-530 High-Quality Uni-Directional Tabletop Microphone(Model: ECM-530, ECM_530, ECM/530) 3-Month Warranty, Good Condition Compact Design with Quality Audio The Sony ECM-530 is a compact tabletop microphone featuring a sleek finish and high-quality audio. It's perfect for use in lecture halls, conferences, and other settings where clear sound projection is essential. Its flexible gooseneck design allows easy adjustment, while the noise-isolated base ensures minimal interference, and discreet wiring keeps the setup tidy. The ECM-530 operates on either an 'AA' battery or phantom power, making it versatile for various environments. High Dynamic Range & Voice Pick-Up This microphone excels in large spaces such as halls, conferences, or theaters, delivering clear voice projection thanks to its wide dynamic range and excellent voice pick-up capabilities. Discreet and Flexible Design With its compact size, the ECM-530 sits unobtrusively on any surface, and its flexible gooseneck can be easily adjusted in any direction to suit your needs.  

Sony ECM-530 Microphone, ex-demo

Sony ECM-530 High-Quality Uni-Directional Tabletop Microphone(Model: ECM-530, ECM_530, ECM/530) 3-Month Warranty, Good Condition Compact Design with Quality Audio The Sony ECM-530 is a compact tabletop microphone featuring a sleek finish and high-quality audio. It's perfect for use in lecture halls, conferences, and other settings where clear sound projection is essential. Its flexible gooseneck design allows easy adjustment, while the noise-isolated base ensures minimal interference, and discreet wiring keeps the setup tidy. The ECM-530 operates on either an 'AA' battery or phantom power, making it versatile for various environments. High Dynamic Range & Voice Pick-Up This microphone excels in large spaces such as halls, conferences, or theaters, delivering clear voice projection thanks to its wide dynamic range and excellent voice pick-up capabilities. Discreet and Flexible Design With its compact size, the ECM-530 sits unobtrusively on any surface, and its flexible gooseneck can be easily adjusted in any direction to suit your needs.    

Sony ECM-680S Electret Condenser M/S Stereo Shotgun, used

Sony ECM-680S MS Stereo Shotgun Electret Condenser Microphone 3-Month Warranty, Good Condition The Sony ECM-680S is a versatile MS stereo* shotgun, electret condenser microphone, perfect for a wide range of field production and broadcast studio applications. Featuring newly developed microphone capsules, the ECM-680S provides excellent sensitivity, low inherent noise, and a broad, flat frequency response. Its standout feature is the switchable operation between a highly directional monaural mode and a stereo mode. In monaural mode, the microphone captures focused, highly directional sound, while stereo mode offers natural, spatial audio. Compact and lightweight, the ECM-680S is ideal for use with Sony’s professional camcorders and can also be mounted on a boom pole for greater flexibility. Thanks to its exceptional sound quality and versatility, the ECM-680S is an excellent choice for quality-conscious audio recording in various environments. *The MS microphone signal of the ECM-680S is internally decoded to L and R stereo outputs. This product is supported by PrimeSupport, which includes fast, hassle-free repairs and a helpline with expert technical advice, giving you peace of mind that your equipment and business are in good hands with Sony.

Sony ECM-680S Electret Condenser M/S Stereo Shotgun, used

Sony ECM-680S MS Stereo Shotgun Electret Condenser Microphone 3 Months Warranty, good condition  The Sony ECM-680S from Sony is an MS stereo* shotgun, electret condenser-type microphone, ideal for a broad range of field production and broadcast studio applications. Incorporating newly developed microphone capsules, the ECM-680S offers excellent sensitivity, low inherent noise, and a flat-and wide frequency response. The most distinguished feature of the ECM-680S is its switchable operation between a highly directional monaural mode and stereo mode. Monaural mode provides highly directional sound pickup, while stereo mode delivers natural and spatial sound. The ECM-680S is compact and lightweight, making it well-suited to use with a range of Sony professional camcorders. In addition, it can be mounted on a boom pole for more versatility. With its excellent quality and versatility, the ECM-680S is an ideal choice for quality-conscious sound gathering applications. * MS microphone signal of th e ECM- 680S is internally decoded to L and R (stereo) outputs This product comes with PrimeSupport – fast, hassle-free repairs and a helpline offering expert technical advice. Which gives you the peace of mind that Sony is looking after your equipment, and your business.  

SONY HXCU-100 HD Triax Camera Control Unit, used

SONY HXCU-100 HD Triax Camera Control Unit, used 3 Months Warranty, Good Condition The HXCU-100 Camera Control Unit connects to a Sony HXC-100 HD color camera. It performs signal processing, provides an interface for external equipment, and supplies power to the camera. The CCU features a down converter which converts HD1) signals from a camera to SD2) signals, and a simplified return video up converter which converts SD signals to HD signals. It is compatible with both HD camera system and SD camera system formats, making it flexible to use. 1) HD (High Definition) signal: Name for 1125/750-line HDTV signals 2) SD (Standard Definition) signal: Name for NTSC/PAL, 525/625 component, and 525/625 composite signals The CCU can be combined with an RCP-700/900 Remote Control Panel (optional) to form a camera control system. The CCU also supports an HKCU-FP1 CCU Control Panel (optional) which can be mounted on the front of the CCU to form a simple remote control system.  

Sony HSC-100R Camera with HDVF-20A viewfinder, Used

Sony HSC-100R, with HDVF-20A viewfinder , used 3 Months Warranty, Good Condition The Sony HSC-100R Digital Triax Broadcast Camera is an HD/SD camera with a digital triax CCU input. Its triax system integrates seamlessly into existing triax-based infrastructures, allowing easy upgrades, and supports cable runs up to 3,937 ft to an optional CCU. The camera features a 2/3" CCD sensor with F10 sensitivity for 1080i59.94 and F11 for 1080i50, boasting a -60dB signal-to-noise ratio. It records in 720p, 1080PsF, and down-converts to high-quality SD. Optional HZC-PSF3 software is required for 1080/29.97PsF/25PsF recording. The camera is equipped with a Sony Bayonet lens mount and offers a wide range of inputs/outputs, including XLR audio, XLR mic, HD/SD-SDI output, VF signal, return signal, SDI prompter output, genlock input, return input, and XLR intercom. Additionally, it includes an electronic color correction filter and four built-in ND filters. The camera’s 16-bit A/D converter processes images with high color precision, while the Digital Extender function enlarges the center of the image by a factor of two without decreasing sensitivity. Auto Lens Aberration Compensation 2 reduces chromatic aberration with horizontal and vertical compensation for supported lenses. The camera offers seven standard-gamma and four hyper-gamma tables for contrast adjustment, and the Multi-Matrix function allows for user-specified color adjustments. Adaptive-Matrix improves color conversion under challenging lighting, while Master White Gain enables precise, step-less gain level adjustments. Focus assist options include "Viewfinder Detail" and "Focus Assist Indicator" for easier focusing. Built for durability, the camera’s chassis is made from magnesium-alloy casting, and the integrated shoulder pad is adjustable without tools. The handle is designed for stability, featuring a protrusion for added support and a non-slip structure for a better grip. Assignable switches are located on the side and rear panels, with additional assignable buttons on the handle. Key Features: HD/SD triax CCU input for broadcast Supports existing triax infrastructures Triax cable runs up to 3,937 ft 2/3" CCD sensor with F10 sensitivity for 1080i59.94 and -60dB signal-to-noise ratio Records in 1080i59.94/50, 720p, 1080PsF Built-in SD down-converter 16-bit A/D converter 7 standard-gamma and 4 hyper-gamma tables Sony Bayonet lens mount    

Sony ECM-680S Electret Condenser M/S Stereo Shotgun, used

Sony ECM-680S MS Stereo Shotgun Electret Condenser Microphone, Used3 Months Warranty, Good conditionDescription:The Sony ECM-680S is an MS stereo* shotgun, electret condenser microphone designed for a wide range of field production and broadcast studio applications. It incorporates newly developed microphone capsules that offer excellent sensitivity, low inherent noise, and a flat, wide frequency response. The ECM-680S features switchable operation between monaural and stereo modes. In monaural mode, the microphone provides highly directional sound pickup, while stereo mode delivers natural, spatial sound, making it ideal for capturing a range of audio environments.Compact and lightweight, the ECM-680S is compatible with Sony professional camcorders and can also be mounted on a boom pole for added versatility. The microphone comes with PrimeSupport, providing fast, hassle-free repairs and expert technical advice, giving you peace of mind.*MS microphone signal of the ECM-680S is internally decoded to L and R (stereo) outputs.

Sony HXR-NX800 4K HDR Camcorder

Sony HXR-NX800 4K HDR Camcorder(HXR-NX800, HXR/NX800, HXR_NX800, HXRNX800, HXR NX800) Shoot, record, and stream in 4K HDR with 20x optical zoom, AI-powered Subject Recognition AF, and integrated 2.4 GHz/5 GHz* Wi-Fi. *5 GHz communication may be restricted in some regions and countries. Crisp details and vivid colors, every time Capture stunning 4K HDR footage with vibrant colors, textures, and outstanding detail. The HXR-NX800’s powerful 1.0-type Exmor RS™ stacked CMOS sensor provides high sensitivity and low noise, allowing up to 120fps* in 4K and 240fps in FHD. Full-pixel readout and BIONZ XR™ real-time image processing preserve every detail, while 709tone and S-Cinetone™ compatibility ensure easy color matching with Cinema Line and other Sony system cameras. *With approx. 23% crop. Please refer to the Operating Instructions for memory card requirements to ensure proper operation. Intelligent features for smarter shooting Sony’s innovative AI Processing Unit recognizes human subjects, while the Fast Hybrid AF system keeps your subject in focus at all times. The Electronic Variable ND Filter allows for optimal exposure in various lighting conditions, and the Auto ND function can automatically adjust exposure for you. Reliable streaming and remote operation Built-in 2.4 GHz and 5 GHz Wi-Fi, combined with Sony’s C3 Portal (paid) or XDCAM Pocket apps, enables simple, high-quality streaming directly from the camera. The Monitor and Control app lets you check angles and monitor your shots remotely via your smartphone or tablet—ideal for solo operators looking for an efficient, high-speed workflow. 1.0-type Exmor RS CMOS sensor For unparalleled imaging performance in a compact camcorder, the HXR-NX800 uses a large, approximately 14.0-megapixel 1.0-type Exmor RS CMOS sensor. Its unique stacked structure allows faster readout speeds and superior low-light performance, thanks to back-illuminated pixels. BIONZ XR image processing Sony’s BIONZ XR image processor ensures higher frame rates, faster autofocus, enhanced Auto Tracing White Balance (ATW) control, and superior noise reduction. This powerful processor extracts maximum performance from the high-resolution image sensor, delivering stunning 4K (3840 x 2160) 60p video through 5K oversampling with full-pixel readout. Enhanced White Balance Accuracy With the help of the AI Processing Unit, the Auto Tracing White Balance (ATW) on the HXR-NX800 has been refined to offer more precise control, even in challenging lighting conditions such as shadows. Advanced AI Processing Unit for next-generation AF Working in conjunction with BIONZ XR, the specialized AI Processing Unit uses deep learning to recognize human subjects with high precision based on form and posture. The Fast Hybrid AF system, which covers 81% of the frame, supports Subject Recognition AF and Real-time Tracking, ensuring the NX800 can effortlessly follow subjects throughout the frame. Auto Framing With Auto Framing enabled, the camera tracks recognized human subjects and adjusts the framing so they remain prominently positioned. This feature allows solo operators to focus on engaging with interviewees, as the camera handles framing adjustments autonomously. 4K 120fps for stunning slow-motion footage The Exmor RS sensor’s high readout speed enables 4K High Frame Rate (HFR) recording at up to 120fps and FHD at 240fps. You can achieve 4x slow motion in 4K at 30p or 5x slow motion at 24p. The high-speed AF system ensures your subject remains in focus throughout. Slow & Quick Motion** mode supports up to 4K 120fps and FHD 240fps recording. *With approx. 23% crop. 100fps/200fps in PAL mode. Please refer to the manual for memory card requirements. 20x optical zoom The 20x G Lens™ optical zoom covers everything from wide-angle interviews to telephoto sports shots. With a zoom range of 24-480 mm (35mm full-frame equivalent), the lens also supports Sony’s Clear Image Zoom technology, offering 30x zoom in 4K and 40x zoom in FHD. You can explore apertures of F2.8 (wide) to F4.5 (telephoto), with smooth and silent zooming. Advanced image stabilization Minimize the effects of camera shake with built-in image stabilization. In Active Mode*, optical and electronic stabilization work together to create smooth, stable footage even in handheld shooting. *Active Mode results in a slight image crop and is unavailable when recording at frame rates of 120 (100) fps or higher. Built-in Electronic Variable ND Filter The built-in Electronic Variable ND Filter adjusts seamlessly to different lighting conditions. You can move from 1/4 to 1/128 ND with a simple dial adjustment or rely on the Auto ND function to maintain the best exposure as you transition between environments. Accurate LCD monitor and OLED viewfinder The HXR-NX800 features a 3.5-type LCD monitor with approximately 27.6 million dots, offering outstanding brightness and clarity. The monitor can swing up and down as well as backward for a comfortable viewing angle. For clear viewing, the 0.39-type OLED viewfinder provides high contrast and approximately 23.6 million dots, blocking out extraneous light. Compact design and storage The HXR-NX800 is lightweight and compact, weighing approximately 1.93 kg (4 lb 4.1 oz.). When stored, its dimensions shrink for easier portability. The detachable microphone holder offers additional flexibility for travel. Flexible camera control Designed for maximum control, the HXR-NX800 features two independent control rings for focus/zoom and two dials for IRIS/ND Variable. It also has 12 assignable buttons for quick access to key functions, offering a customizable user experience. AUTO/MANUAL switch Adapt quickly to changing shooting conditions with the AUTO/MANUAL switch. In AUTO mode, the camera will automatically adjust key settings like ND Filter, Iris, Gain, Shutter, and White Balance. Cinematic and broadcast base looks Achieve cinematic or broadcast-quality visuals with pre-set looks like S-Cinetone, ITU709, 709tone, HLG Live, HLG Mild, and HLG Natural. You can also tweak black, matrix, and other settings to match the look of your production. Multiple recording options The HXR-NX800 offers a wide range of recording formats, including XAVC S-I for high-quality 10-bit 4:2:2 4K (QFHD) recording with Intra-Frame H.264, and XAVC HS-L (H.265) or XAVC S-L (H.264) for more efficient, extended recording times. Proxy recording in XAVC HS at up to 16 Mbps is also available, allowing for faster editing and previewing. Comprehensive connectivity The camera supports a variety of connections, including HDMI Type-A, USB Type-C®, LAN, REMOTE, and more. Wireless monitoring and remote control Built-in Wi-Fi allows for wireless monitoring and control via the free Monitor & Control app. You can adjust settings like focus and iris, record remotely, and more. 4-channel audio Capture up to four channels of audio through XLR connectors and the Multi Interface (MI) Shoe. Adjust levels using external dials for easy operation without needing to access the camera menu. Designed for live streaming The HXR-NX800 supports direct streaming to compatible services via a wired or Wi-Fi connection, with RTMP/RTMPS or SRT protocols ensuring efficient workflow for solo operators. Simple file transfers Upload proxy and original clips directly to a cloud or FTP server from the memory card. The C3 Portal (paid) application simplifies cloud transfers, ensuring quick access to files for editing and sharing. Dual memory card slots The camera’s dual memory card slots support CFexpress Type A and SD memory cards, allowing for simultaneous recording or relay recording for additional security. Dependable battery power The HXR-NX800 is compatible with BP-U35, BP-U70, and BP-U100 batteries, providing up to 120 minutes of continuous operation with the BP-U35. These batteries are also interchangeable with other Sony cameras. Internal fan and vents A built-in cooling fan and optimized vents ensure the camera maintains its optimal operating temperature. Accessibility A screen reader function provides audible feedback for menu navigation, while the screen magnifier feature increases the size of menus, playback, and recording screens. Sustainability Sony has implemented measures to reduce the environmental footprint of the HXR-NX800 throughout its lifecycle, from product development to packaging.

Sony PXW-Z200 4K HDR Camcorder

Sony PXW-Z200 4K HDR Camcorder(Sony PXW-Z200, PXW/Z200, PXW_Z200, PXWZ200, PXW Z200) Shoot, record, and stream in 4K HDR with a 20x optical zoom, AI-powered Subject Recognition AF, integrated 2.4 GHz/5 GHz* Wi-Fi, and 12G-SDI connectivity. Crisp details and vivid colors, every time Capture stunning 4K HDR footage with exceptional colors, textures, and details. The PXW-Z200’s powerful 1.0-type Exmor RS™ stacked CMOS sensor ensures high sensitivity and low noise, delivering up to 120fps* in 4K and 240fps in FHD. Full-pixel readout and BIONZ XR™ image processing maintain every detail, while 709tone and S-Cinetone™ compatibility make color-matching with Sony system cameras and Cinema Line seamless. Intelligent features for smarter shooting Sony innovations ensure you capture top-quality content. The advanced AI Processing Unit recognizes human subjects, while the Fast Hybrid AF system tracks and maintains precise focus. The Electronic Variable ND Filter allows for optimal exposure in various lighting conditions, with Auto ND handling adjustments automatically. Reliable streaming and broadcast-friendly connectivity Built-in 2.4 GHz/5 GHz* Wi-Fi works seamlessly with Sony’s C3 Portal (paid) or XDCAM Pocket apps for simple, high-quality streaming directly from the camera. The Monitor & Control** app enables remote operation from your smartphone or tablet. The PXW-Z200 also features built-in 12G-SDI for enhanced bandwidth, TC input/output, and XAVC (MXF) broadcast-friendly recording. 1.0-type Exmor RS CMOS sensor Delivering exceptional imaging performance for a compact camcorder, the PXW-Z200 features a 1.0-type Exmor RS CMOS sensor with approximately 14.0 effective megapixels. Its unique stacked structure improves readout speeds and enhances low-light performance. BIONZ XR image processing The BIONZ XR image processor, integrated within the sensor, ensures faster autofocus, higher frame rates, improved Auto Tracing White Balance (ATW), and superior noise reduction. The 5K oversampling with full-pixel readout transforms ample image data into stunning 4K (3840 x 2160) 60p video. Advanced AI Processing Unit for next-generation autofocus The PXW-Z200’s AI Processing Unit, combined with BIONZ XR, uses deep learning based on human form and posture data to deliver precise human subject recognition. The Fast Hybrid AF system offers 81% coverage, supporting Subject Recognition AF and Real-time Tracking, ensuring focus on subjects across the frame. 4K 120fps for stunning slow-motion footage The Exmor RS sensor enables high frame rate (HFR) recording, capturing 4K footage at up to 120fps and FHD at 240fps. This allows for 4x slow-motion in 4K at 30p or 5x slow-motion at 24p, with fast autofocus maintaining sharp focus throughout. 20x optical zoom The 20x power zoom G Lens™ covers a versatile range, from wide-angle interviews to telephoto close-ups. Clear Image Zoom technology boosts the zoom to 30x in 4K or 40x in FHD, while offering smooth, silent operation with maximum apertures of F2.8 (wide) to F4.5 (telephoto). Built-in Electronic Variable ND Filter Effortlessly adjust the built-in Electronic Variable ND Filter from 1/4 to 1/128 ND or use the Auto ND function for automatic exposure adjustments—ideal for dynamic shooting conditions. Compact design and portability The PXW-Z200’s lightweight, compact design makes it easy to transport. The main body weighs only 1.96 kg (4 lb 5.1 oz) and measures 175.6 mm x 201.3 mm x 371.1 mm. For storage, the dimensions shrink, and the detachable microphone holder adds further portability. Flexible camera control Two independent control rings for focus/zoom and two dials for IRIS/ND Variable provide easy control over exposure, focus, and zoom. The camera also features 12 user-assignable buttons for personalized settings and fast operation. Multiple recording formats The PXW-Z200 supports a range of recording formats, including XAVC (MXF), XAVC S-I for high-quality 10-bit 4:2:2 recording, XAVC HS-L (H.265), XAVC S-L (H.264), and proxy recording. These options provide flexibility for post-production and efficient file management. Dependable battery power The PXW-Z200 is compatible with Sony BP-U35, BP-U70, or BP-U100 lithium-ion batteries, delivering up to 90 minutes of continuous operation with a BP-U35. The batteries are also interchangeable with other Sony cameras like the PXW-Z280 and FX9. Wireless monitoring and remote control Built-in Wi-Fi supports wireless monitoring and remote control via the Monitor & Control app, enabling touch focus, iris adjustment, and more. Designed for live streaming Stream directly to live streaming platforms via Wi-Fi or a wired connection. Support for RTMP/RTMPS and SRT protocols makes it easy for solo operators to manage streaming and distribution, while apps like C3 Portal (paid) enhance workflow efficiency. Sustainability Sony has made efforts to reduce the environmental footprint of the PXW-Z200 across the product lifecycle, from development and supply chain to production and packaging.

Sony DWR-S01D Digital Wireless Receiver, used

Sony DWR-S01D Digital Wireless Receiver, used 3 Months Warranty, Excellent Condition Sony proudly presents its digital wireless microphone system, crafted for superior digital performance and advanced system functionality—ideal for ENG/EFP applications. This system, which includes the DWT-B01 beltpack transmitter and the DWR-S01D dual portable receiver, ensures exceptional wireless transmission of 24-bit/48-kHz digital audio. Powered by Sony's proprietary codec, it delivers low-latency, secure, and reliable operation. The system also supports up to 60% more simultaneous multi-channel operations* compared to conventional analog systems, offering users increased flexibility. With outstanding audio quality and operational versatility, Sony’s digital wireless microphone system unlocks new possibilities for professional audio applications. Slot-In Receiver for Camcorders The DWR-S01D can be directly mounted into PDW-700 XDCAM HD 422 camcorders, enabling two-channel wireless operation with a unique remote control feature via the camera’s viewfinder. It can also be used with other cameras or operated in a mixer bag using the DWA-01D adapter, supporting both AES3 digital audio and analog audio outputs. For easy setup, the receiver includes clear channel and active channel scan functions. Dual-Channel Slot-in Receiver The DWR-S01D features two tuners in one unit, improving space and weight efficiency compared to analog systems. It is compatible with XDCAM HD 422 and newer camcorders, and can be mounted on HDCAM™, XDCAM®, Digital Betacam®, and MPEG IMX® camcorders using the DWA-01D adapter. Meta-Data Transport The system supports meta-data transport from the transmitter to the camcorder’s viewfinder, allowing monitoring of RF and AF conditions, delay management, and more. Analog and AES3 Digital Audio Output The DWR-S01D offers both digital and two-channel unbalanced analog audio output options. Weatherproof Design When used with the optional DWA-01D adapter and two antennas, the DWR-S01D ensures a weatherproof setup, whether mounted on a camera or used separately. Versatile OLED Display The organic LED display provides clear, at-a-glance information, including reception channel, audio and RF signal status, user name, group, and lock status. Wireless Remote Control The duplex wireless remote control feature allows the DWR-S01D to remotely manage the transmitter, with changes on the receiver automatically transmitted to the paired transmitter. Wide Operating Frequency Range The DWR-S01D operates over a 24 MHz frequency range, equivalent to three TV channels. High-Quality Wireless Transmission The system delivers 24-bit/48-kHz digital audio transmission with a dynamic range exceeding 106 dB, a frequency response of 20 Hz to 20 kHz, and excellent transient response, all within regulated frequency bands. Sony’s original codec ensures superior sound quality. Stable and Secure Transmission Equipped with a newly developed digital modulator, the system provides highly stable wireless transmission, resistant to interference. The digital modulation and encryption ensure secure communication, reducing the risk of interception. Multi-Channel Operation The system supports large-scale, multi-channel operations with intermodulation-free channel spacing, allowing up to 16 channels to operate simultaneously within an 8-MHz frequency band.

Sony DWR-S01D Digital Wireless Receiver 606-630 Mhz, used

Sony DWR-S01D Digital Wireless Receiver, 606-630 Mhz, used 3 Months Warranty, Excellent Condition Sony is proud to introduce its digital wireless microphone system, designed for top-tier digital performance and superior functionality—perfect for advanced ENG/EFP applications. This system, consisting of the DWT-B01 beltpack transmitter and the DWR-S01D dual portable receiver, delivers outstanding wireless transmission of 24-bit/48-kHz digital audio. Utilizing Sony’s proprietary codec, it ensures low-latency, secure, and reliable operation. The system also supports up to a 60% increase in simultaneous multi-channel operations* compared to conventional analog systems, providing users with greater flexibility. With its exceptional audio quality and versatile operation, the Sony digital wireless microphone system expands the possibilities for audio applications. The slot-in receiver can be directly mounted into PDW-700 XDCAM HD 422 camcorders, enabling two-channel wireless operation, complete with a unique remote control feature accessible from the camera's viewfinder. The DWR-S01D can also be mounted on existing cameras or used within a mixer bag via the DWA-01D adapter, offering both AES3 digital audio and analog audio outputs. To simplify setup, the receiver includes clear and active channel scan functions. Dual Channel Slot-in Receiver for Camcorders The DWR-S01D houses two tuners in one compact body, improving space and weight efficiency over analog systems. This dual-channel receiver is compatible with XDCAM HD 422 and newer camcorders and can be easily mounted on HDCAM™, XDCAM®, Digital Betacam®, and MPEG IMX® camcorders using the DWA-01D adapter. Meta-Data Transport This system supports meta-data transport between the transmitter and receiver to the camcorder's viewfinder, allowing monitoring of RF and AF conditions, delay management, and more. Supports Analog or AES3 Digital Audio Output The DWR-S01D offers both digital and two-channel unbalanced analog audio interface options. Weatherproof Design When attached to a camera or used with the optional DWA-01D wireless adapter and two antennas, the DWR-S01D provides a weatherproof configuration. Versatile OLED Display The OLED display offers clear, at-a-glance information such as reception channel, audio and RF signal status, user name, group, and lock status. Wireless Remote Control A duplex wireless remote control feature allows the DWR-S01D to control the transmitter remotely. Any changes made on the receiver are automatically sent to the paired transmitter. Wide Operating Frequency Range The system supports operation across a 24 MHz frequency band (equivalent to three TV channels). Superior Wireless Transmission & Reception Quality This system delivers high-quality 24-bit/48-kHz digital audio transmission within frequency bandwidths that meet the Wireless Communication Regulations of each country. Powered by Sony's original codec, it boasts a dynamic range exceeding 106 dB, a frequency response of 20 Hz to 20 kHz, and excellent transient response. Stable and Secure Transmission Featuring a newly developed digital modulator, the system ensures highly stable wireless transmission, resistant to interference. The transmission of digitally modulated, encrypted data also ensures secure communication and reduces the risk of interception. Simultaneous Multi-Channel Operation The system supports large-scale, multi-channel operations with intermodulation-free, equally spaced channel allocation. Thanks to digital wireless technology, it significantly increases the number of simultaneous channels compared to analog systems. For instance, up to 16 channels can operate simultaneously within an 8 MHz frequency band.    

Sony DWR-S01D Digital Wireless Receiver 606-630 Mhz, used

Sony DWR-S01D Digital Wireless Receiver 606-630 Mhz, used(FMP60355KSSH) 3 Months Warranty, Excellent Condition This system, consisting of the DWT-B01 beltpack transmitter and the DWR-S01D dual portable receiver, delivers outstanding wireless transmission of 24-bit/48-kHz digital audio. Utilizing Sony’s proprietary codec, it ensures low-latency, secure, and reliable operation. The system also supports up to a 60% increase in simultaneous multi-channel operations* compared to conventional analog systems, providing users with greater flexibility. With its exceptional audio quality and versatile operation, the Sony digital wireless microphone system expands the possibilities for audio applications. The slot-in receiver can be directly mounted into PDW-700 XDCAM HD 422 camcorders, enabling two-channel wireless operation, complete with a unique remote control feature accessible from the camera's viewfinder. The DWR-S01D can also be mounted on existing cameras or used within a mixer bag via the DWA-01D adapter, offering both AES3 digital audio and analog audio outputs. To simplify setup, the receiver includes clear and active channel scan functions. Dual Channel Slot-in Receiver for Camcorders The DWR-S01D houses two tuners in one compact body, improving space and weight efficiency over analog systems. This dual-channel receiver is compatible with XDCAM HD 422 and newer camcorders and can be easily mounted on HDCAM™, XDCAM®, Digital Betacam®, and MPEG IMX® camcorders using the DWA-01D adapter. Meta-Data Transport This system supports meta-data transport between the transmitter and receiver to the camcorder's viewfinder, allowing monitoring of RF and AF conditions, delay management, and more. Supports Analog or AES3 Digital Audio Output The DWR-S01D offers both digital and two-channel unbalanced analog audio interface options. Weatherproof Design When attached to a camera or used with the optional DWA-01D wireless adapter and two antennas, the DWR-S01D provides a weatherproof configuration. Versatile OLED Display The OLED display offers clear, at-a-glance information such as reception channel, audio and RF signal status, user name, group, and lock status. Wireless Remote Control A duplex wireless remote control feature allows the DWR-S01D to control the transmitter remotely. Any changes made on the receiver are automatically sent to the paired transmitter. Wide Operating Frequency Range The system supports operation across a 24 MHz frequency band (equivalent to three TV channels). Superior Wireless Transmission & Reception Quality This system delivers high-quality 24-bit/48-kHz digital audio transmission within frequency bandwidths that meet the Wireless Communication Regulations of each country. Powered by Sony's original codec, it boasts a dynamic range exceeding 106 dB, a frequency response of 20 Hz to 20 kHz, and excellent transient response. Stable and Secure Transmission Featuring a newly developed digital modulator, the system ensures highly stable wireless transmission, resistant to interference. The transmission of digitally modulated, encrypted data also ensures secure communication and reduces the risk of interception. Simultaneous Multi-Channel Operation The system supports large-scale, multi-channel operations with intermodulation-free, equally spaced channel allocation. Thanks to digital wireless technology, it significantly increases the number of simultaneous channels compared to analog systems. For instance, up to 16 channels can operate simultaneously within an 8 MHz frequency band.

Sony DWR-S01D Digital Wireless Receiver, used

Sony DWR-S01D Digital Wireless Receiver, used 3 Months Warranty, Excellent Condition Sony proudly introduces its digital wireless microphone system, designed for high-quality digital performance and superior system functionality—ideal for advanced ENG/EFP applications. This system, comprising the DWT-B01 beltpack transmitter and the DWR-S01D dual portable tuner, provides exceptional wireless transmission of 24-bit/48-kHz digital audio. With Sony's original codec, it offers low-latency, secure, and reliable operation. Additionally, the system supports up to a 60% increase in the number of simultaneous multi-channel operations* compared to conventional analog systems, offering greater flexibility for users. With its outstanding audio quality and operational adaptability, the Sony digital wireless microphone system unlocks new possibilities for audio applications. The slot-in receiver can be directly mounted into PDW-700 XDCAM HD 422 camcorders, enabling two-channel wireless operation with a unique wireless remote control feature from the camera's viewfinder. The DWR-S01D can also be mounted on existing cameras or operated within a mixer bag via the DWA-01D adapter, supporting both AES3 digital audio or analog audio outputs. To simplify setup, the receiver includes clear channel and active channel scan functions. Dual Channel Slot-in Receiver for Camcorders The DWR-S01D incorporates two tuners in a single body, improving space and weight efficiency compared to analog systems. This dual-channel slot-in receiver is compatible with XDCAM HD 422 and newer camcorders, and can easily be mounted on HDCAM™, XDCAM®, Digital Betacam®, and MPEG IMX® camcorders using the DWA-01D adapter. Meta-Data Transport This system supports meta-data transport from the transmitter and receiver to the camcorder's viewfinder, allowing for monitoring of RF and AF conditions, delay management, and more. Supports Analog or AES3 Digital Audio Output The DWR-S01D provides both digital and two-channel unbalanced analog audio interface options. Weatherproof Design When mounted on a camera or used with the optional DWA-01D wireless adapter and two antennas, the DWR-S01D offers a weatherproof setup. Versatile OLED Display The system's organic LED display offers clear, at-a-glance information such as reception channel, audio and RF signal status, user name, user group, and lock status. Wireless Remote Control A duplex wireless remote control feature allows the DWR-S01D to control the transmitter remotely. Changes made on the receiver are automatically transmitted to the paired transmitter. Wide Operating Frequency Range The DWR-S01D supports operation over a 24 MHz frequency band (equivalent to three TV channels). Superior Quality Wireless Transmission & Reception This system delivers high-quality 24-bit/48-kHz digital audio transmission within specific frequency bandwidths that meet the Wireless Communication Regulations of each country. Powered by Sony's original codec, the system provides a dynamic range exceeding 106 dB, a wide frequency response of 20 Hz to 20 kHz, and excellent transient response. Stable and Secure Transmission Featuring a newly developed digital modulator, this system enables highly stable wireless transmission, resistant to interference. The transmission and reception of digitally modulated, encrypted data also ensures secure communication and reduces the risk of interception. Simultaneous Multi-Channel Operation The system supports large-scale, multi-channel operations with intermodulation-free, equally spaced channel allocation. Thanks to the digital wireless transmission technology, it significantly increases the number of simultaneous channels compared to current analog systems. For instance, up to 16 channels can operate simultaneously within an 8-MHz frequency band.

Sony FE 16-25mm f/2.8 G Lens, Full Frame | f/2.8 to f/22, Autofocus (Sony E)

Sony FE 16-25mm f/2.8 G Lens, Full Frame | f/2.8 to f/22, Autofocus (Sony E) A sleek and powerful wide-angle zoom designed for E-mount mirrorless cameras, the FE 16-25mm f/2.8 G lens from Sony is an excellent carry-on lens that specializes in landscape, travel, and close-up photography.By pairing a fast f/2.8 maximum aperture with an 11-blade diaphragm, smooth, beautiful bokeh is naturally created.Additionally, this bright maximum aperture enables high-quality images to be achieved even in low-light shooting scenarios.Not only is the FE 16-25mm f/2.8 dust and moisture resistant, it also features a fluorine coating on the front lens element to repel the accumulation of fingerprints, water, and oil.The removable aperture ring is a great boon for video enthusiasts to ensure smooth transitions.° Three dedicated control ringsThree control rings are available for making quick adjustments while shooting: focus, zoom and aperture.The aperture ring can be set to click and provide tactile feedback when shooting stills, or it can be disabled for smooth, quiet control when shooting video.

Brand New SONY HXR-NX5 AVCHD MPEG-2 SD

  1/3 Inch-type 3 ClearVid CMOS sensor system High-performance "G lens" HD/SD switchable recording with AVCHD and MPEG2 SD GPS Metadata Recording Brand New SONY HXR-NX5 AVCHD MPEG-2 SD  Touch Screen Operation Active SteadyShot HDSDI and HDMI Output Linear PCM Audio Simultaneous SD/HD Recording via HXR-FMU128 SMPTE Time Code In/Out Connector PRO Duo HG and SDHC Card Compatible

Sony DWT-P30/H plug-on transmitter

Sony DWT-P30/H plug-on transmitter, TV channel 33-51, 566.025 MHz to 714.000 MHz This high performance wireless plug-on transmitter is an ideal choice for live sound applications including theatre and concerts, as well as studio based TV production and ENG/EFP.The DWT-P30 is part of Sony's third generation DWX series digital wireless microphone system that combines advanced digital technologies, analogue microphone expertise, wireless audio transmission technologies and an enviable reputation for stability.Sophisticated audio processing, encryption and RF transmission technologies assure secure, stable digital transmission and reception of very high quality audio with low latency.The transmitter operates with a wide bandwidth up to 148 MHz (depending on region), and the high density 375 kHz interval channel plan enables simultaneous multi-channel operation, increasing the probability of finding unoccupied frequencies in congested metropolitan areas.The DWT-P30 is compatible with Sony Wireless Studio control software for PC (Ver 5.22 or later) , allowing flexible remote operation. Control of up to 82 transmitters is possible using the Cross Remote™ function combined with the RMU-01 remote control unit (available separately).

Sony AXS-M 512GB S24 Memory Card, Used

Sony AXS-M 512GB S24 Memory Card, Used(FMP60119NRSH) Good condition, 3 months warranty Sony AXS-512S24 512GB Media Card - compatible with AXS-R5 Recorder for use with PMW-F5, PMW-F55 and NEX-FS700. The AXS-512S24 AXS Memory (AXSM™) card is an ultra-high speed, high capacity, and high reliability flash memory media, for demanding high frame rate (HFR) 4K and 2K 16-bit linear high-resolution digital cinematography

Sony PVM-X1800 18" HDR TRIMASTER 4K Monitor

Sony PVM-X1800 18" HDR TRIMASTER 4K Monitor(PVM-X1800) 4K HDR picture monitor colour-matched with BVM-HX310 master monitor, ideal for various 4K productions - The PVM-X1800 is an 18.4-inch 4K HDR high grade picture monitor, incorporating a Sony-specified premium LCD panel that offers 1000 cd/m2 luminance and colour matching with the BVM-HX310 4K HDR master monitor. This makes group monitoring easy in on-set, studio and OB van walls, and in 19” EIA racks for editing, audio mixing etc. TRIMASTER assures accurate colour reproduction, precise imaging and consistent picture quality - Sony’s acclaimed TRIMASTER architecture delivers accurate picture reproduction, precise imaging and quality picture consistency. There are many advantages in the panel control and signal processing system such as fast processing, accurate linearizing of an input signal with Optical Electrical Transfer Function, accurate colour reproduction, etc. HDR-SDR conversion support - With V2.0 firmware and optional PVML-HSX1 HDR-SDR conversion license, the PVM-X1800 supports HDR-SDR conversion in live production environments. The license activates 4K to HD down-conversion, colour space conversion and OETF conversion. It also allows output of converted pictures to another 4K or HD monitor from the Enhanced Monitor Output. This function can be used at a remote sites fed only by an HDR signal. Live production metadata* - The PVM-X1800 offers support for live production metadata, allowing confirmation if input source settings and monitor settings are matched. * Supported with V2.0. Live production metadata includes SR Live metadata. Dynamic Contrast Drive and Black Detail High/Mid/Low - Dynamic contrast drive adapts backlight luminance to suit the scene, achieving a 1,000,000:1 dynamic contrast ratio. Total balance of highlights and low lights can be confirmed at a glance. Due to the mechanism of LCD panels, backlight leaking from the panel surface is unavoidable. Black Detail mode provides more accurate monitoring of black details in dark, low-APL (average picture level) images. Inputs for 12G-SDI and Quad-Link 3G-SDI to HD-SDI as well as HDMI - The PVM-X1800 can accept 12G-SDI from latest sources, and can input quad-link 3G-SDI and a single HD-SDI from traditional devices. This input utility is HDMI supports from 640x480/60P PC signal to 4096 x 2160/60P 4:2:2 YCBCR 12bit. Various scopes - Waveform monitor and vector scope can be simultaneously displayed with scales for both HDR and SDR, allowing conveniently checking of both input signal level and output luminance by the HDR scales of the waveform monitor. There are three different displays for luminance, RGB/YCBCR parade or RGB overlay with the gamut error display. The waveform of a specified line can also be displayed. Unique quad view display with User 3D LUT - The PVM-X1800 provides a quad view display, with individual settings for EOTF (SDR/HDR), colour space, transfer matrix, colour temperature, contrast, brightness, SDI/HDMI, RGB/YCBCR, as well as User 3D LUTs for each display view. Enhanced user interface and channel select button - The monitor’s OSD has been signiciantly enhanced to make operation even quicker and more intuitive. Design of the menu allow review and quick adjustment of settings. The Channel select button protects users from making inadvertent setting errors. Optimised features for field operation - DC 24V operation allows field-based operation, despite the monitor’s 18.4” screen size and very high 1000 cd/m2 luminance. An optional protection panel* protects the premium LCD screen from inadvertent shocks. User 3D LUTs and yoke-mounting are also supported. Dynamic Contrast Drive is particularly valuable when shooting night scenes. Field operation is further enhanced by false colour and camera focus functions**. * Optional protection panel cannot be used during monitor operation to protect screen from backlight heat. ** Supported with V2.0. Various mount capabilities - The PVM-X1800 can be installed to 19-inch EIA standard rack in studio and OB van environments. Yoke-mount and VESA mount options are also convenient for installation in a C stand for field use, or on a desktop arm for editing. Powerful stereo sound with audio muting - The PVM-X1800 incorporates stereo speakers (2W+2W) with audio muting.

Sony AXS R5 Recorder & HXR-IF15 Adapter, Used

Sony AXS R5 Recorder & HXR-IF15 Adapter, Used(FMP59916NRSH) Excellent Condition, Like New, 3 Months Warranty  AXS-R5 Designed to attach seamlessly to PMW-F55 and PMW-F5 cameras The bolt-on AXS-R5 recorder works with the PMW-F55 and PMW-F5 cameras to record the highest quality 16-bit RAW 2K/4K images. The recorder works with sleek, optional AXSM™ memory cards, which are compatible with an affordable optional USB 3.0 reader, the AXS-CR1.Once on a PC, the RAW files can be screened using Sony’s free RAW Viewer software. AXSM memory provides a super fast, affordable format for sensational quality recordings. Important information: AXS-R5 is compatible with NEX-FS700 when used in combination with the HXR-IFR5 interface. Version 3 (or higher) firmware is required. 16-bit RAW 2K/4K recording options for PMW-F55 and PMW-F5 CineAlta cameras Record RAW at your choice of resolutions: the PMW-F55 and PMW-F5 captures native 4K or beautiful, derived 2K.RAW recording preserves the greatest latitude for colour correction and other post processes. Sony’s 16-bit recording captures more tonal values than the human eye can differentiate.Sony RAW retains 16 times as many Red, Green and Blue gradations as 12-bit RAW and 64 times as many tones per channel as 10-bit recording. Sony 16-bit linear RAW is also the ideal point of entry into the 16-bit linear Academy Color Encoding System (ACES) workflow. Records onto ASXM™ memory cards The AXS-R5 recorder works with sleek, high-capacity AXSM™ memory cards, which are compatible with an affordable optional USB 3.0 reader, the AXS-CR1. Once on a PC, the RAW files can be screened using Sony’s free RAW Viewer software. AXSM memory provides a super fast, affordable format for sensational quality recordings. High speed shooting up to 240 fps 2KRAW with F55 and 120 fps 2K RAW with F5 The AXS-R5 allows you to record up to 240 fps 2K RAW with the F55 and up to 120 fps 2K RAW with the F5, with free planned upgrades, achieving the highest frame rates most productions will need, while retaining exceptional, 16-bit image quality. Provides simultaneous RAW and on board camera SxS recording Sony provides a coordinated “off-line, on-line” workflow with simultaneous recording for the F55 and F5 cameras to internal SxS cards and the AXS-R5 Portable Memory Recorder. For seamless conforming in post, you get matching timecode, start frame, stop frame, file names and other metadata. Real world workflows Sony understands a fundamental truth: working cameras require practical workflows.That’s why the AXS-R5 is part of a larger production platform that includes affordable media cards, affordable card readers, free RAW Viewer software and compatibility with popular NLEs and finishing tools. Lightweight modular design to maximise versatility in 2D and 3D The AXS-R5 is designed to bolt-on seamlessly to the F55 and F5 cameras, allowing the cameras to maintain a sleek, lightweight and ergonomic design. Both recorder and camera chassis are only slightly wider than a typical PL-mount prime lens, perfect for 3D rigs. Sony HXR-IFR5 (HXRIFR5, HXR/IFR5, HXR IFR5, HX-RIF-R5) (NEX_FS700E, NEX/FS700E) Interface Unit for NEX-FS700E NXCAM Camcorder The HXR-IFR5 interface unit allows the Full-HD Super Slow Motion NEX-FS700 camcorder to capture stunning 4K/2K RAW movie footage with the AXS-R5 RAW recorder. 2K and 4K RAW files shot with the FS700 can take advantage of the trail blazed by the RAW workflow of Sony’s PMW-F55/F5 CineAlta cameras. RAW files created by the NEX-FS700R/RH (FS700RAW Files) are sent to the HXR-IFR5 interface unit which docks to the AXS-R5 RAW recorder. The AXS-R5 recorder is part of the AXSM Access Memory System, which also includes the AXS-512S24 memory card and an affordable USB 3.0 reader, the AXS-CR1. Once on a fast HDD, FS700RAW files can be screened and converted using Sony’s free RAW Viewer software

Sony AXSM S24 512GB Card, used

Sony AXSM S24 512GB Card, used(FMP59914NRSH) Good Condition, 3 Months Warranty   Sony AXS-512S24 512GB Media Card - compatible with AXS-R5 Recorder for use with PMW-F5, PMW-F55 and NEX-FS700. The AXS-512S24 AXS Memory (AXSM™) card is an ultra-high speed, high capacity, and high reliability flash memory media, for demanding high frame rate (HFR) 4K and 2K 16-bit linear high-resolution digital cinematography.

Sony AXSM S24 512GB Card, used

Sony AXSM S24 512GB Card, used(FMP59912NRSH) Good Condition, 3 Months Warranty Sony AXS-512S24 512GB Media Card - compatible with AXS-R5 Recorder for use with PMW-F5, PMW-F55 and NEX-FS700. The AXS-512S24 AXS Memory (AXSM™) card is an ultra-high speed, high capacity, and high reliability flash memory media, for demanding high frame rate (HFR) 4K and 2K 16-bit linear high-resolution digital cinematography.

Sony A6100 Camera with 16-50mm Lens

Sony A6100 Camera with 16-50mm Lens(ILCE6100LB.CEC) Capture special moments and portraits to remember and share. Thanks to stunning image quality and speed based on technology developed for our full-frame models, you can leave the hard work to the camera. The α6100 ensures you'll never miss an instant. Real-time Tracking Follow your subject with reliable precision Keeping active subjects in constant, steady focus is absolutely vital to capturing every important moment, whether you're covering a sporting event or documenting everyday life. Sony's sophisticated AI-based1 subject-tracking algorithms won't let you down, processing massive volumes of spatial data at high speed and in real time. Real-time Eye AF for human Real-time Eye AF provides continuous eye tracking when shooting portraits in motion. You can prioritise either the left or the right eye, and it works even when the face is partially hidden, backlit or facing downwards. Real-time Eye AF for animal Sony's innovative eye-detection algorithms have been adapted to animal2 as well as human, to give you sharply focused pet portraits and beautiful wildlife shots Autofocus you can rely on Wide AF area, super-fast acquisition speed and persistent tracking The camera's wide AF coverage is based on dense arrays of 425 phase-detection points and 425 contrast-detection points, for greatly increased detection accuracy. Fast performance from the latest-generation processing engine helps achieve a remarkable 0.02-second AF acquisition speed, while advanced algorithms work to predict your subject's future location. Fast continuous shooting at up to 11 frames per second, with AF/AE Impressively speedy internal processing and the high-capacity buffer memory mean you can fire off continuous shots at up to 11fps4 with after-view or 8fps4 for real-time preview, with minimal display lag. You can take around 77 shots5 in JPEG (Standard) format in one continuous burst. Silent continuous shooting at up to 8fps Silent shooting is helpful in situations where noise would be distracting, such as at live performances or when taking animal portraits. The α6100 can shoot continuously without shutter noise at up to 8fps6 with AF/AE tracking, even in AF-C mode, and with Real-time Eye AF or with Real-time Tracking Superior image resolution and natural-looking textures The APS-C sensor uses copper wiring for better conductivity and enhanced circuit processing to help optimise light-collection efficiency. In conjunction with the latest-generation image processing engine, this enables better image resolution and natural-looking textures. Cleaner images in dimly lit settings Improved noise suppression produces cleaner images in dark settings where high-sensitivity shooting is required. The native ISO sensitivity reaches a maximum ISO 32000, with expanded ISO sensitivity up to ISO 51200 for stills. Noise reduction is particularly effective in the frequently used medium-to-high sensitivity range. Lifelike skin tones The skin tone feature inherited from our latest, highly acclaimed full-frame cameras captures the natural beauty of human skin tones, helping you take portraits that look their best. Realistic colour reproduction Natural-looking images with improved colour reproduction better match what you see in real life, with more vibrant colours of flowers and similar objects as well as suppression of jaggies and false colours. Fast Hybrid AF for movies Phase-detection AF and contrast-detection AF working together Fast Hybrid AF brings high speed, accuracy and tracking performance to meet the stringent autofocus demands of 4K movies. More effective use of the focal plane phase-detection system enables more stable AF, while the contrast-detection AF system contributes to overall accuracy. Smooth, steady focus is maintained even when an object crosses in front of your subject. High-resolution 4K movie recording Full pixel readout, with no pixel binning, processes approximately 2.4 times7 as much information as is required for 4K (QFHD: 3840 x 2160) recording8, to produce movies with extraordinary detail, depth and realism. Touch tracking for movies The camera's Touch Tracking feature provides smooth, continuous focus tracking of your subject, and it can be activated with a simple touch of the display screen. Expand your movie-making options The camera can directly record movies in slow motion (up to 5x) and quick motion (up to 60x), without the need for PC post-processing. External mic input for high-quality audio The α6100 is equipped with an external microphone jack, giving you greater options for audio, to suit serious movie shooting and high-quality vlogging. Self-framing made easy It's easy to frame yourself for vlog recording and selfie shots thanks to the camera's LCD monitor, which tilts upward through a full 180 degrees. Flexible low-angle shooting The monitor tilts upward by 180° and downward by 74°, letting you more easily frame up your subject when shooting from low or high angles. Flexible low-angle shooting The monitor tilts upward by 180° and downward by 74°, letting you more easily frame up your subject when shooting from low or high angles. Customisable controls for your convenience You can set up your α6100 for maximum convenience by assigning up to eight of its keys and controls to any of 89 different shooting and playback operations. My Menu feature for quick access The camera's My Menu feature lets you register up to 30 different menu items for quick access to operations that you use often. User-interface customisation The custom settings screen illustrates the position of camera control keys and buttons, so you can confirm function assignments at a glance. Also, you can view function menu options while you're customising the function menu, for easier setup. Retractable lens with powered zoom Great for travel, this lightweight, retractable mid-range zoom collapses down to just 29.9mm. It also features a power zoom for smooth, silent, effortless zooming. Powered zoom for effortless control Shooting stills or video, a powered zoom gives you maximum creative control. For added convenience, it can be operated via a zoom rocker on selected E Mount cameras. Capture smooth, blur-free images Built-in Optical SteadyShot™ image stabilisation within the lens ensures smooth, blur-free photos and videos when shooting handheld. Smooth defocusing Instead of a standard polygon-shaped lens aperture, this lens features a 7-blade circular aperture for more natural, rounded defocusing or ‘bokeh’. Refined optical performance Aspherical lens elements minimise distortion while ED (Extra-low Dispersion) glass elements provide superior contrast, resolution, and colour fidelity.

Sony a6700 Mirrorless Camera 4K Uhd Cmos Sensor + 16-50mm F/3.5-5.6 Lens - Black

Sony a6700 Mirrorless Camera 4K Uhd Cmos Sensor + 16-50mm F/3.5-5.6 Lens - Black(ILCE6700LB) The Multi-Tool for the Multi-Hyphenate A compact synthesis of Sony's Cinema Line innovations, a-series still-image rendering quality, and advancements in AI-based recognition technology, the a6700 Mirrorless Camera puts powerful and versatile imaging capabilities into the hands of ambitious content creators. Powered-up by its combo of the latest 26.0MP back-illuminated Exmor R CMOS sensor and the BIONZ XR processor, the camera nevertheless weighs less than its predecessor, resulting in a mobile workhorse capable of an unstrained 11 fps continuous stills capture or stress-free UHD 4K video oversampled from a 6K resolution, making it a formidable multi-tool for the multi-hyphenate creative. ° 26.0MP Exmor R CMOS Sensor and BIONZ XR Processor The Sony a6700's advanced imaging system is powered by the 26MP APS-C Exmor R CMOS sensor and BIONZ XR processor, a combination introduced in the FX30 Digital Cinema Camera that is capable of 10-bit UHD 4K imagery at up to 120 fps or a top continuous shooting rate of 11 fps with AF and AE and up to 59 compressed raw still images in bursts. The introduction of the back-illuminated structure to the camera's sensor gives it a higher resolution without sacrificing sensitivity. With an ISO range of 100-32000 that's expandable to ISO50-102400 when shooting stills, the camera boasts low-light performance with minimal noise and more than 14 stops of dynamic range. ° Cinematic Video in UHD 4K Along with its powerful sensor and processor, the Sony a6700 brings a strong suite of professional video features from its Cinema Line series to everyday content creators and aspiring filmmakers. Full pixel readout from the 6K sensor creates high-quality UHD 4K video, with approximately 2.4x the data required for 4K video, minimizing moiré and aliasing. UHD 4K recording is possible with frame rates up to 120p and full HD recording up to 240p, using full 1:1 pixel readout without binning. Record in 10-bit 4:2:2 using advanced XAVC HS and XAVC S-I formats for consistent performance and quality at bitrates up to 600 Mb/s. Record for more than two hours in 4K 30p, or more than 40 minutes at 4K 60p on a 128GB card. Slow & Quick (S&Q) mode allows shooters to capture 4K video at specified steps between 1-120 fps and Full HD between 1-240 fps, depending on the format. These settings will allow you to slow down action as well as speed up a slow-moving scene. S-Cinetone can be used to deliver distinct colors and healthy-looking skin tone rendering that is based on technology from the professional Cinema Line cameras, such as the VENICE. This color profile offers natural mid-tones, soft colors, and especially well-controlled highlights. The S-Log3 and S-Gamut3.Cine Gamma Curves allow for more than 14 stops of dynamic range and allows for increased post-production flexibility, including matching video from other Sony Cinema Line cameras. Creative Looks can be baked into the recorded footage to create a specific mood during recording and minimize the need for editing. User-created LUTs and presets can be set for accurately monitoring footage or previewing a specific look during shooting and can be applied to the camera's monitor, EVF, or HDMI output. The camera supports instant time-lapse settings with framerate, recording, light, and interval customization. ° AI-Powered Autofocus and Image Stabilization (Autofocus) The Sony a6700's AI Processing Unit brings a host of enhanced capabilities to the camera's autofocus and image stabilization systems, ensuring smooth handling and clarity no matter the shooting conditions. The camera's 759 phase detection points, covering 93% of the image area, are enhanced with AI-powered subject recognition performance and real-time tracking. Other autofocus features include focus bracketing in up to 299 images with sequentially-shifted focus points, focus accuracy in low light down to EV -3.0, focus breathing compensation, autofocus assist, focus mapping, and focus peaking during autofocus. ° AI-Enhanced Framing   Additionally, the AI Processing Unit recognizes and tracks subjects when recording video, allowing for adjustment of the speed and sensitivity of the tracking, auto-cropping to focus in on a subject, touch-adjustment of the tracked subject, and customized framing location

Sony a6700 Mirrorless Camera UHD 4:2:2 CMOS Sensor - Black

Sony a6700 Mirrorless Camera UHD 4:2:2 CMOS Sensor - Black(ILCE6700B) The Multi-Tool for the Multi-Hyphenate A compact synthesis of Sony's Cinema Line innovations, a-series still-image rendering quality, and advancements in AI-based recognition technology, the a6700 Mirrorless Camera puts powerful and versatile imaging capabilities into the hands of ambitious content creators. Powered-up by its combo of the latest 26.0MP back-illuminated Exmor R CMOS sensor and the BIONZ XR processor, the camera nevertheless weighs less than its predecessor, resulting in a mobile workhorse capable of an unstrained 11 fps continuous stills capture or stress-free UHD 4K video oversampled from a 6K resolution, making it a formidable multi-tool for the multi-hyphenate creative. ° 26.0MP Exmor R CMOS Sensor and BIONZ XR Processor The Sony a6700's advanced imaging system is powered by the 26MP APS-C Exmor R CMOS sensor and BIONZ XR processor, a combination introduced in the FX30 Digital Cinema Camera that is capable of 10-bit UHD 4K imagery at up to 120 fps or a top continuous shooting rate of 11 fps with AF and AE and up to 59 compressed raw still images in bursts. The introduction of the back-illuminated structure to the camera's sensor gives it a higher resolution without sacrificing sensitivity. With an ISO range of 100-32000 that's expandable to ISO50-102400 when shooting stills, the camera boasts low-light performance with minimal noise and more than 14 stops of dynamic range. ° Cinematic Video in UHD 4K Along with its powerful sensor and processor, the Sony a6700 brings a strong suite of professional video features from its Cinema Line series to everyday content creators and aspiring filmmakers. Full pixel readout from the 6K sensor creates high-quality UHD 4K video, with approximately 2.4x the data required for 4K video, minimizing moiré and aliasing. UHD 4K recording is possible with frame rates up to 120p and full HD recording up to 240p, using full 1:1 pixel readout without binning. Record in 10-bit 4:2:2 using advanced XAVC HS and XAVC S-I formats for consistent performance and quality at bitrates up to 600 Mb/s. Record for more than two hours in 4K 30p, or more than 40 minutes at 4K 60p on a 128GB card. Slow & Quick (S&Q) mode allows shooters to capture 4K video at specified steps between 1-120 fps and Full HD between 1-240 fps, depending on the format. These settings will allow you to slow down action as well as speed up a slow-moving scene. S-Cinetone can be used to deliver distinct colors and healthy-looking skin tone rendering that is based on technology from the professional Cinema Line cameras, such as the VENICE. This color profile offers natural mid-tones, soft colors, and especially well-controlled highlights. The S-Log3 and S-Gamut3.Cine Gamma Curves allow for more than 14 stops of dynamic range and allows for increased post-production flexibility, including matching video from other Sony Cinema Line cameras. Creative Looks can be baked into the recorded footage to create a specific mood during recording and minimize the need for editing. User-created LUTs and presets can be set for accurately monitoring footage or previewing a specific look during shooting and can be applied to the camera's monitor, EVF, or HDMI output. The camera supports instant time-lapse settings with framerate, recording, light, and interval customization. ° AI-Powered Autofocus and Image Stabilization (Autofocus) The Sony a6700's AI Processing Unit brings a host of enhanced capabilities to the camera's autofocus and image stabilization systems, ensuring smooth handling and clarity no matter the shooting conditions. The camera's 759 phase detection points, covering 93% of the image area, are enhanced with AI-powered subject recognition performance and real-time tracking. Other autofocus features include focus bracketing in up to 299 images with sequentially-shifted focus points, focus accuracy in low light down to EV -3.0, focus breathing compensation, autofocus assist, focus mapping, and focus peaking during autofocus. ° AI-Enhanced Framing   Additionally, the AI Processing Unit recognizes and tracks subjects when recording video, allowing for adjustment of the speed and sensitivity of the tracking, auto-cropping to focus in on a subject, touch-adjustment of the tracked subject, and customized framing location

Sony ECM-G1 Wireless Shotgun Microphone

Sony ECM-G1 Wireless Shotgun Microphone(ECMG1Z.SYU) Sound quality plays a vital role in the perceived standard of movies. Viewers judge movies based on sound as well as vision, so don't overlook the importance of audio. High-quality sound provides a clear "voice" for you and your friends, while the dynamic sounds of animals and nature create vivid impressions. Well-balanced audio and imagery help deliver the enjoyment, surprise, and emotional impact of any scene. Excellent for the human voice Well suited to the frequency bands characteristic of human voices, the ECM-G1 captures vocal audio clearly and distinctly. It's ideal for shooting vlogs of product reviews and interviews. A larger capsule for high-quality sound Built around a large-diameter (14.6 mm) microphone capsule, the ECM-G1 provides a high-quality audio track similar to high-end dedicated audio recorders, with clear, clean sound capture and effective noise suppression. Wind screen for trouble-free outdoor shooting The ECM-G1 comes with an easily detachable wind screen that can reduce wind noise when shooting outdoors under windy conditions. Anti-vibration construction The vibration-suppressing design of the ECM-G1 helps reduce minor bumps and mechanical noise, such as when focusing or zooming. When connected via Multi Interface (MI) Shoe, the cable-free setup eliminates any possibility of cable-transmitted vibration noise. Capture sound in front of the camera and suppress ambient noise The super-cardioid characteristics of the ECM-G1 are ideal for vlogging and other productions where you want to concentrate on sounds coming from in front of the camera, while suppressing ambient noise, echo and voice reverberation. Compact, unobtrusive design   At less than 50 mm (1.97 inches) in length and 34 grams (1.4 oz) in weight, the ECM-G1 is highly portable to bring along to any shoot location. The clever design needs no dangling cables, and remains clear of both viewfinder use, and your framed shot, even when using wide angles lenses – making it ideal for tight vlogging shots.

SONY BVM-HX310 31-inch 4K TRIMASTER HX , 1500 Hours, used

SONY BVM-HX310 31-inch 4K TRIMASTER HX , 1500 Hours, used(FMP59888LPBR) Good condition, 3 month warranty The BVM-HX310 TRIMASTER HX™ Professional Master Monitor gives absolute confidence that you’re always seeing the true picture. Offering unrivalled 4K HDR picture quality, accuracy and consistency, it’s ideal for demanding on-set, studio and post-production applications including 4K digital cinematography. True colours It’s the 4K HDR monitor professional colourists have been waiting for. An optimal choice for critical colour grading and CG tasks, the BVM-HX310 offers support for industry‑leading wide colour gamuts including DCI‑P3, ITU‑R BT.2020, S‑Gamut3.cine and S‑Gamut3. With consistent, faithful colour reproduction over the entire luminance range, it’s an ideal partner for cinematography production and post production workflow with Sony’s 4K cinematography cameras. Note: BVM‑HX310 does not cover the ITU-R BT.2020, S-Gamut/S-Gamut3 and S-Gamut3.cine colour space in full. Ready for HDR Fully realising the advanced performance of the TRIMASTER HX panel, the BVM-HX310 achieves 1,000 nits* of full-screen brightness with 1,000,000:1 contrast ratio. It’s ideal for producing High Dynamic Range (HDR) content with rich, deep black areas and accurate reproduction of bright peak highlights. Together with support for a much wider colour gamut than conventional monitors, the BVM-HX310 can reproduce high-resolution HDR images with images clarity, depth and realism. Great HDR flexibility As well as conventional 2.2, 2.4, 2.6, and CRT gamma, the BVM-HX310 supports standardized Electro-Optical Transfer Functions (EOTF) for HDR such as SMPTE ST.2084 and ITU-R BT.2100 (HLG). Both standards are used to meet the demands of today’s broadcast and cinematography industries. Additional EOTF tables for live and post production environments include 2.4 (HDR), S-Log2 (HDR), S-Log3 (HDR) and S-Log3 (Live HDR) – enabling easy workflows close to that of film while delivering 4K wide dynamic range. Make no mistake Support for VPID (Video Payload ID) identifies EOTF, colour space and RGB source information embedded in the SDI signal. Monitor settings are adjusted automatically, cutting the risk of human error in pressured live production environments. Easy system integration The BVM-HX310 effortlessly keeps pace with today’s production workflows. Integration in the latest system environments is streamlined with a single-cable 12G-SDI input, plus connections for 3G-SDI, HD-SDI including Single Link/Dual Link and HDMI (HDCP2.3/1.4). Enhance your workflow Easily check the effect of different LUTs while you’re on set or in post. Load customised User LUT (Look Up Table) files from a USB stick* for comparison during pre-grading or with a different EOTF. See the effect of different LUTs at the touch of a button. *Note: BKM-17R controller is required. Quality assurance efficiency Quad View Display mode allows instant comparison of up to four sets of custom display settings, including EOTF, Colour Space, Transfer Matrix and Colour Temperature, Contrast, Brightness and Chroma. It’s invaluable for comparing original footage with the look of different EOTF converted images. View up to four LUTs side-by-side in Quad View display mode. Work in real time Minimal processing delays are a critical factor in live production and broadcasting applications. With a processing delay of less than one video frame, the BVM-HX310 is ideally suited to the demands of real time video monitoring. True interlace mode Interlace Display mode offers faithful reproduction of 1080i input signals, free from artefacts and picture degradation that can often occur during I/P conversion. You’re always in control Anyone who’s used the BVM‑X300 master monitor will feel instantly at home with the familiar front control panel of the BVM-HX310. Seven user assignable function buttons are complemented by manual controls for aperture, chroma, brightness, and contrast. Usability is enhanced further with dimmable button lights and on/off switchable indicator lights. More peace of mind Help’s right here when you need it. PrimeSupport goes beyond your standard warranty, giving you privileged access to expert technical advice when you need it. And that’s just the start. Depending on your Sony product and chosen level of PrimeSupport, you’ll enjoy more great benefits for extra peace of mind. Make It Your Own Instant access Save time when you’re under pressure. The BVM-HX310 can retain settings last used in the status menu, including colour space, EOTF, User Preset and more. When the menu’s opened again, everything’s instantly available. Mark your area Two flexible shooting area markers can be set anywhere on screen. It’s useful for applications like shopping channels, where you need to differentiate clearly between views of the featured product and its buying information. Password protected Multiple users can register their own password to access colour temperature and user preset data settings. This allows each user to correctly recall their own preset data, while keeping information safe from unauthorised use. Ready for action Key settings including last memory and user preset are loaded instantly when the monitor’s powered up. It’s a major time saver that’s invaluable for rental applications. Area aspect ratio markers The BVM-HX310 can display various markers, including an aspect marker, safe area marker, and centre marker. In addition to this flexible selection of marker types, detailed display settings of each marker are offered. For example, the colour, brightness, horizontal/vertical position, and width of aspect markers can all be controlled, while the height and width of safe area markers can be adjusted.

Sony Circular PL Filter - 72mm

Sony Circular PL Filter - 72mm(VF72CPAM2.SYH, VF72CPAM2SYH, VF72CPAM2/SYH) Designed to match the quality of Sony's esteemed G Master series lenses, this 72mm T* Circular Polarizer Filter helps to cut reflections and glare in order to enhance color rendering and tonal saturation. By filtering out light that has become polarized due to reflection from a non-metallic surface, this filter better enables photographing through windows or water and also reduces haze and UV rays to suit general landscape shooting. This filter features a ZEISS T* anti-reflective coating to minimize surface reflections and glare between the filter and lens in order to maintain high contrast and color accuracy. Additionally, its slim profile lessens the likelihood of vignetting when used with wide-angle lenses.

Sony LHP-1 Lens hood for RX1

Sony LHP-1 Lens hood for RX1(LHP1.SYH, LHP1SYH, LHP1/SYH) Ѕtор ѕtrау lіght ѕtrіkіng thе lеnѕ ѕurfасе - Сарturе ѕhаrр, hіgh соntrаѕt ѕtіllѕ bу рrеvеntіng іmаgе-dеgrаdіng lеnѕ flаrе іn mоѕt ѕhооtіng соndіtіоnѕ Рrоtесt thе lеnѕ frоm unwаntеd knосkѕ - Тhе rоbuѕt mеtаl dеѕіgn оf thе lеnѕ hооd рrоtесtѕ thе frоnt bаrrеl оf уоur Суbеr-ѕhоt RХ1 frоm unехресtеd bumрѕ аnd knосkѕ Ѕtор bаd wеаthеr frоm ruіnіng thе ѕhоt - Gеt thе drаmа оf ѕtоrmу ѕсеnеѕ wіthоut wіnd-blоwn dеbrіѕ оr drіvіng rаіn іmреdіng thе lеnѕ Тоugh mеtаl dеѕіgn - Тhе lеnѕ hооd іѕ mаdе frоm mасhіnеd-mеtаl рrесіѕеlу еngіnееrеd fоr rоbuѕt аnd еffесtіvе lіght ѕhіеldіng реrfоrmаnсе Dеѕіgnеd fоr quісk аnd еаѕу аttасhmеnt - Ѕрееdіlу аttасh uѕіng а bауоnеt-tуре fіttіng bу аlіgnіng rеd dоtѕ оn thе саmеrа аnd lеnѕ hооd аnd turnіng 90 dеgrееѕ сlосkwіѕе Uѕе fіltеrѕ аt thе ѕаmе tіmе - Gіvе уоur рhоtоѕ а dіѕtіnсtіvе ѕtуlе bу fіttіng fіltеrѕ рrіоr tо аttасhіng thе lеnѕ hооd Соmfоrtаblе ѕhооtіng thаt wоn't wеіgh уоu dоwn - Wеіghіng оnlу 16g, thе lеnѕ hооd wоn't аffесt саmеrа hаndlіng оr ѕtор уоu trаvеllіng lіght Сlаѕѕіс lооkѕ tо mаtсh уоur Суbеr-ѕhоt RХ1 - Соmрlеmеnt thе bеаutіful ѕtуlе оf уоur Суbеr-ѕhоt™ RХ1 wіth thе ѕtrіkіng mеtаllіс fіnіѕh оf thе lеnѕ hооd Ѕtоrе уоur hооd іn thе роuсh fоr еаѕу trаvеl - Тhе 65mm (w) х 22mm (h) х 65mm (d) lеnѕ hооd еаѕіlу ѕlірѕ іntо thе ѕuррlіеd роuсh fоr еаѕу trаvеl аnd ѕtоrаgе    

Sony LA-EA5 Adapter - A-Mount Lens to E-Mount Body

Sony LA-EA5 Adapter - A-Mount Lens to E-Mount Body(LAEA5.SYU) Ѕоnу hаѕ рrоduсеd mаnу mоunt аdарtеrѕ thаt аllоw thе uѕе оf dіffеrеnt lеnѕеѕ оn vаrіоuѕ Ѕоnу bоdу, but untіl nоw thеrе wаѕn't аn А-Моunt Lеnѕ tо Е-Моunt Воdу. Еntеr thе Ѕоnу LА-ЕА5 Аdарtеr. Тhіѕ аdарtеr еnаblеѕ thе uѕе оf Ѕоnу А-mоunt lеnѕеѕ оn Е-mоunt mіrrоrlеѕѕ саmеrа bоdіеѕ whіlѕt mаіntаіnіng full lеnѕ funсtіоnаlіtу іnсludіng аutоfосuѕ оn ЅЅМ, ЅАМ, аnd еvеn АF lеnѕеѕ wіthоut аn іntеrnаl mоtоr. Ѕоnу hаѕ орtіmіѕеd thе аdарtеr tо ѕuрроrt рhаѕе-dеtесtіоn аutоfосuѕ whісh іn turn mаіntаіnѕ rеаl-tіmе trасkіng аnd еуе АF, аnd еvеn 11 fрѕ соntіnuоuѕ ѕhооtіng wіth АF/АЕ trасkіng. Ѕоnу еvеn еnаblеѕ АF аnd АЕ trасkіng whеn uѕеd wіth lеnѕеѕ wіth nо іntеrnаl mоtоr (Ѕоnу А7R ІV аnd А6600). Тhе аdарtеr hаѕ а ѕlіm аnd unоbtruѕіvе суlіndrісаl dеѕіgn thаt ѕеаmlеѕѕlу аttасhеѕ tо уоur саmеrа bоdу.

Sony 15mm F1.4 G - E Mount lens

Sony 15mm F1.4 G - E Mount lens(SEL15F14G.SYX) Featuring an advanced optical design that includes one ED (Extra Low Dispersion), one Super ED and three aspherical elements ensuring outstanding resolution in this constant F1.4 aperture APS-C lens. Beautiful background defocus (bokeh) is achieved with a 7-blade circular aperture. Two Linear Motors deliver fast and accurate focusing capability for both photography and videography. An incredible Sony e-mount lens for video, the SEL15F14G delivers smooth, fast and continuous auto focus performance for movie shooting, with minimised focus breathing, focus shift, and axis shift for refined imagery. Incredibly Sharp One ED (Extra Low Dispersion), one Super ED and three aspherical elements ensure outstanding resolution in this constant F1.4 aperture, aps-c ultra wide angle lens, delivering high corner-to-corner resolution and beautiful bokeh. An excellent Sony E lens for vlogging, content creation, videography stills and photography. Beautifully Smooth Backgrounds A circular 7-blade aperture on this Sony 15mm lens creates beautiful circular background bokeh defocus effects with a constant F1.4 aperture.  Fast and Precise Autofocus  Two Linear Motors deliver fast and accurate focusing for both photography and videography. You won't miss a shot with this ultra wide angle prime lens. Bright in all Weathers A constant F1.4 maximum aperture keeps an impressive brightness that makes this an invaluable lens for content creation, stills photography and vlogging.

Sony 11mm F1.8 E Mount Lens

Sony 11mm F1.8 E Mount Lens(SEL11F18.SYX) Sony E 11mm f/1.8 Lens With an 11 mm (35mm full-frame equivalent: 16.5 mm) focal length for dynamic images and a large F1.8 aperture for deep bokeh, this 181-gram (6.4 oz.) APS-C format lens has the mobility you need to capture stunning stills and movies anywhere. It also features two linear motors for fast, precise AF that supports both stills and movies. Deep, expressive bokeh A large F1.8 max. aperture delivers expressive bokeh in deep, impressive images. 0.12 meter (0.4 ft) minimum focus and 0.2x maximum magnification let you get close to the subject while producing beautifully defocused backgrounds. Precisely controlled spherical aberration and a 7-blade circular aperture contribute significantly to this lens’s sensational bokeh. Dynamic 11 mm vistas This versatile lens’s ultra-wide 11 mm angle of view is a great choice for landscapes, architecture, interiors, and even vlogging. It offers unique visual perspectives for a wide range of subjects and situations. Excellent ultra-wide resolution Innovative optics deliver high resolution right out to the image edges. Optimal placement of three aspherical elements ideally corrects field curvature for excellent resolution throughout the image area. Three ED (Extra-low Dispersion) glass elements effectively suppress chromatic aberration and colour fringing for superb image quality. Compact, lightweight freedom This compact, lightweight lens is a perfect match for APS-C camera bodies, providing easy handling that is great for long handheld or grip-mounted shooting sessions. Spherical and aspherical elements combine to achieve stunning optical performance in a lens that is only 66 x 57.5 mm (2-5/8 x 2-3/8 in.) and weighs only 181 g (6.4 oz.) Advanced AF maximises body speed potential Two linear motors give this large-aperture lens impressively fast, precise autofocus and tracking performance for both stills and movies. AF and tracking are so responsive that the full speed potential of the body used can be fully realized so that even fast or erratically moving subjects can be reliably captured.

Sony E Pz 10-20mm F4 G Lens

Sony E Pz 10-20mm F4 G Lens(SELP1020G.SYX)  A new ultra wide angle powerzoom lens in a constant F4 aperture, offering evolved image quality and ideal operability, for both stills and movie expression. Featuring an advanced optical design that includes two ED (Extra Low Dispersion), one aspherical ED and three aspherical elements ensuring outstanding resolution in this constant F4 aperture APS-C lens. Beautiful background defocus (bokeh) is achieved with a 7-blade circular aperture. Two Linear Motors deliver fast and accurate focusing capability for both photography and videography.  An incredible Sony e-mount lens for video, the SELP1020G delivers smooth, fast and continuous auto focus performance for movie shooting, with minimised focus breathing, focus shift when zooming, and axis shift when zooming for refined imagery.

Sony FE 20-70mm F4 G SYX Full Frame E Lens

Sony FE 20-70mm F4 G SYX Full Frame E Lens(SEL2070G.SYX) The advanced optical design includes three ED (Extra Low Dispersion), two AA (Advanced Aspherical), one ED (Extra Low Dispersion Aspherical) and one aspherical element, ensuring outstanding resolution with this Sony camera lens. Beautiful background defocus (bokeh) is achieved with a 9-blade circular aperture. Two XD (Extreme Dynamic) Linear Motors with their complex construction deliver faster, more accurate focusing capabilities for both photography and videography. An incredible Sony E-mount lens for video, the SEL2070G delivers smooth, fast, continuous autofocus performance for movie shooting, with minimised focus breathing, and focus shift and axis shift when zooming, for refined imagery. INCREDIBLY SHARP One ED (Extra Low Dispersion Aspherical), three ED, two AD (Advanced Aspherical) and one aspherical element ensure outstanding resolution in this constant F4 aperture G standard zoom lens, delivering high corner-to-corner resolution and beautiful bokeh. This is an excellent Sony full-frame lens for content creation, stills photography and videography. BEAUTIFULLY SMOOTH BACKGROUNDS A circular 9-blade aperture on this Sony G 20-70mm lens creates beautiful circular background bokeh defocus effects with a constant F4 aperture. FAST AND PRECISE AUTOFOCUS Two XD (Extreme Dynamic) Linear Motors with their complex construction deliver faster, more accurate focusing for filmmaking and photography. You won't miss a shot with this ultra wide standard zoom camera lens. BRIGHT IN ALL WEATHERS A constant F4 maximum aperture throughout the zoom range keeps the brightness even when the focal length changes. The front element on this Sony G lens features a fluorine coating that repels water, oil and other contaminants, while making it easy to wipe off any dust or fingerprints. PROFESSIONAL ERGONOMICS A dust- and moisture-resistant design, along with versatile controls, makes this Sony G lens ideal to use in the most difficult scenarios—both indoors and outdoors. The focus breathing feature is also compatible on this ultra wide angle standard zoom lens. BUILT FOR THE FUTURE   Sony lenses allow you to take full advantage of your next Sony camera's features.

Sony FE 16-35mm f2.8 G Master II Lens

Sony FE 16-35mm f2.8 G Master II Lens(SEL1635GM2.SYX) Introducing the FE 16-35 F2.8 GM II, the game-changing G Master wide-angle zoom lens from Sony. Designed to meet the evolving needs of photographers and videographers, this lens combines unrivalled optical performance, lightning-fast autofocus, and exceptional versatility in a more compact and lightweight form. Its advanced manufacturing technology ensures high resolution, reduced chromatic aberration, and minimized flare and ghosting, making it perfect for capturing outstanding images. With four XD Linear Motors, this lens offers extraordinary AF performance, agile tracking, and even breathing compensation making it ideal for both Photography and filmmaking. As the world's smallest and lightest F2.8 wide-angle zoom, it provides unequaled mobility and reduces the total system weight when combined with other bright lenses. Experience superior control and reliability with its dust and moisture-resistant design and fluorine coating. The SEL1635GM2 empowers creators to realize their creative vision with cutting-edge lens technology.

Sony HDVF-EL760 7.4" HD Color OLED Viewfinder with Advanced Mount

Sony HDVF-EL760 7.4" HD Color OLED Viewfinder with Advanced Mount Sony HDVF-EL760 Overview The HDVF-EL760 7.4" HD Color OLED Viewfinder with Advanced Mount provides bright viewing with accurate focusing for the HDC, XDCAM, and additional Sony camera series. Its highly adjustable mount offers tilting, panning, and a wider vertical range using a counterbalanced mechanism. The video interface provides a 20-pin digital input, offering compatibility with multiple Sony cameras. HDVF-EL760 features include a BBM (Boosted Brightness Mode) for exterior use, a 3200-9500K color temperature range adjustable in 100K steps, access to camera head menus, and both tally and DC power inputs. 1920 x 1080 OLED Panel The HDVF-EL760 viewfinder features a 7.4" 1920 x 1080 OLED panel that enables accurate focusing for Sony 4K or HD camcorders and XDCAM cameras. Digital Video Input The 20-pin Sony connector transmits 1080p signals from Sony HDC and additional series cameras. Counterbalanced Pan and Tilt Mount The included tilting mount features both front-to-back sliding and a wider range of vertical movement for optimal viewing. The counterbalanced lifting mechanism provides exact vertical positioning using a clicking, four-step system. A brake sets the pan rotation at any position within 270°, and the tilt can be clicked into place at -90, 0, or +90°. Flexible Menu Options The HDVF-EL760 enables you to access both the Sony HDC camera and viewfinder menus. Most functions can be assigned to dedicated switches on the viewfinder panel, enabling the operator to concentrate on a single interface. Image Functions A waveform display, assignable buttons, and an adjustable 3200-9500K color temperature enable users to quickly adjust the image for each setup. The flicker suppression mode reduces flicker when shooting at 59.94p, 50p, 48p, 47.94p, 29.97p, 25p, or 23.97p. Boosted Brightness Mode The BBM (boosted brightness mode) function increases the display level from 315 to 700 cd/m² for easier viewing in exterior or brightly lit settings.

5x Sony PFD-23A Disc - 23GB, used

5x Sony PFD-23A Disc - 23GB, used(FMP59820KSSH) Excellent condition, 3 months warranty  Sony PFD-23 blank optical disc media is designed for use with all XDCAM and XDCAM HD camcorders. It offers guaranteed performance of at least 1,000 read/write cycles, ensuring reliable and long-lasting use. This media is compatible with a range of Sony camcorder models, including the PDW-680, PDW-700, PDW-F335K/2, PDW-F335L, PDW-F355L, and PDW-F800.  With the Sony PFD-23 blank optical disc media, users can confidently capture and store high-quality footage without worrying about data loss or performance issues. This versatile and durable media is an essential component for any professional videographer using Sony XDCAM or XDCAM HD camcorders.

Sony Digital Shotgun Microphone

Sony Digital Shotgun Microphone(ECMM1.CE7, ECMM1CE7, ECMM1/CE7) Compact shotgun microphone with eight audio recording modes Completely redefines shotgun microphone performance with beamforming technology that provides the world's first1 eight dial-selectable audio recording modes in a compact microphone with outstanding versatility and audio quality. Versatile and compact, with superb sound The ECM-M1 uses beamforming technology and advanced digital processing technology to provide eight audio recording modes including stereo for outstanding versatility and superb sound quality in a wide range of video shooting situations. Eight audio recording modes in one versatile microphone Beamforming technology combines four discrete microphone capsules with precision algorithms, to maximize pickup sensitivity in the desired directions while reducing it in others. The result is an incredibly compact and versatile microphone with high performance even in challenging audio environments. Simple controls for easy setting and operation Simply turning a dial on the rear of the microphone allows easy, intuitive selection of pickup patterns, and a lock button in the center prevents accidental changes. Other controls are also straightforward and easy to understand and operate.

Sony Wireless Streaming Microphone

Sony Wireless Streaming Microphone(ECM-S1, ECMS1, ECM/S1) Experience Streaming and Podcasting Like Never Before with the ECM-S1 Streaming Microphone. Designed with content creators in mind, this compact and lightweight microphone offers high fidelity voice quality, noise cut filter, directional sound capture, and ease of use at the tip of your fingers. With true wireless capabilities, explore new options to record outside your studio and conceal it easily within the frame thanks to its elegant and small design. Share your unique perspective with the ECM-S1. Designed for Streaming & Podcasting                                                                                                                                                                                                                                                                              With a high fidelity voice sound signature, the ECM-S1 is the best companion for your streaming and podcasting content, ensuring no delay in your voice capture. Shipped with a pop guard and a stand, it can also be attached with a screw mount to an arm for your studio setup. Wire it to your PC directly via USB or via the receiver on your camera and start telling the stories of tomorrow. Clear Sound Recording in All Situations                                                                                                                                                                                                                                                                          The ECM-S1 also includes Sony's own Digital Audio Technology, providing a unique feature to your recording experience. Eliminate ambient noise within your recording space using Noise-Cut technology. Modify the sound capture's directionality from omnidirectional to unidirectional or stereo, ensuring top-notch quality in any studio scenario. Stream from Anywhere                                                                                                                                                                                                                                                                                                  The ECM-S1 has the unique ability to let you stream from anywhere by simply mounting the receiver onto your camera, wiring it via USB, and connecting the microphone through Bluetooth. With a battery life of 3 hours, a range of up to 150m, and low audio latency, transport your podcast setup wherever you need to go or simply improve your home setup with fewer cables. Easy to Use Out of the Box                                                                                                                                                                                                                                                                                            The ECM-S1 is designed so you never have to rely on a third-party app or software to take control of the sound. Directly access the audio and headphone levels on the microphone, monitor the audio level with a dedicated audio lamp, and control the directivity and Noise Cut features with direct switches. Maintain audio control at all times with a simple touch of your fingertips. Compact and Slick Design                                                                                                                                                                                                                                                                                              Crafted with live creators in mind, the ECM-S1 is both compact and lightweight to be easily concealed during live streaming or when mounted onto most arm mount accessories without payload restriction. Boasting an elegant black matt finish, its design will blend in any studio setup or podcast show without distracting from the action.

Sony Wireless Microphone System

Sony Wireless Microphone System(ECM-W3, ECMW3, ECM/W3) Transform interviews and content creation into captivating dialogues with the ECM-W3 Wireless Microphone System. Designed for versatility and excellence, it offers seamless mobility for interviews from anywhere. Compact, lightweight, and offering an extended battery life of 6 hours on a single charge, this system ensures high-quality voice recording without missing the moment. With Sony's unique Digital Audio technology, the ECM-W3 features high signal-to-noise ratio microphone units, effortless background noise reduction through its Noise Cut filter feature, and intuitive operations. Providing an all-in-one experience with the charging case, protector case/stand, and windscreen, it's the perfect wireless sound capture device for freelance videographers and content creators. Freedom of Sound Capturing                                                                                                                                                                                                                                                                                    Whether you're shooting interviews in various scenarios or creating travel content, the ECM-W3 offers an easy solution for obtaining clear voice recordings from anywhere. With a compact design, extended battery life (Transmitter up to 6 hours and receiver powered by the camera), and a wireless transmission range of up to 150m*¹, enjoy the freedom to capture excellent audio on the go. Clear Voice Recording Even in Noisy Situations                                                                                                                                                                                                                                                             Step into the realm of studio-quality sound. The ECM-W3 boasts an impressive high signal-to-noise ratio, delivering sharp and true-to-life Sony voice sound signature. Thanks to Sony's unique Digital Audio Technology, you can eliminate surrounding noise using its Low Cut and Noise Cut filters, directly accessible from the microphone. With USB Digital Audio output (48kHz, 24 bits), capture the richness of any voice with professional-grade sound quality Easy to Set Up                                                                                                                                                                                                                                                                                                              Thanks to its unique features, the ECM-W3 is easy to set up, making your sound recording journey smooth. Adjust the attenuator directly on the mic for quick adjustments or utilize its simultaneous recording (-0dB and -20dB) to ensure accurate sound capture. With compatible Sony cameras, the receiver is powered through the MI Shoe, eliminating the hassle of cables or charging. Attach your mic anywhere with the grippy clipping mechanism, and use the included case for transportation or as a receiver stand during interviews. All You Need in One Box                                                                                                                                                                                                                                                                                                Equipped to fulfill your requirements, the ECM-W3 Wireless Microphone System includes 2 microphones (transmitters), a 2-channel receiver, a windscreen, a connection protector holder/stand, a pouch, and a charging case. The ECM-W3 is ready for action right out of the box.

Sony Wireless Microphone System

Sony Wireless Microphone System(ECM-W3S, ECMW3S, ECM/W3S) Transform interviews and content creation into captivating dialogues with the ECM-W3S Wireless Microphone System. Designed for versatility and excellence, it offers seamless mobility for interviews from anywhere. Compact, lightweight, and offering an extended battery life of 6 hours on a single charge, this system ensures high-quality voice recording without missing the moment. With Sony's unique Digital Audio technology, the ECM-W3S features high signal-to-noise ratio microphone units, effortless background noise reduction through its Noise Cut filter feature, and intuitive operations. Providing an all-in-one experience with the charging case, protector case/stand, and windscreen, it's the perfect wireless sound capture device for freelance videographers and content creators. Clear Voice Recording Even in Noisy Situations                                                                                                                                                                                                                                                           Step into the realm of studio-quality sound. The ECM-W3S boasts an impressive high signal-to-noise ratio, delivering sharp and true-to-life Sony voice sound signature. Thanks to Sony's unique Digital Audio Technology, you can eliminate surrounding noise using its Low Cut and Noise Cut filters, directly accessible from the microphone. With USB Digital Audio output (48kHz, 24 bits), capture the richness of any voice with professional-grade sound quality. Easy to Set Up                                                                                                                                                                                                                                                                                                              Thanks to its unique features, the ECM-W3S is easy to set up, making your sound recording journey smooth. Adjust the attenuator directly on the mic for quick adjustments or utilize its simultaneous recording (-0dB and -20dB) to ensure accurate sound capture. With compatible Sony cameras, the receiver is powered through the MI Shoe, eliminating the hassle of cables or charging. Attach your mic anywhere with the grippy clipping mechanism, and use the included case for transportation or as a receiver stand during interviews. All You Need in One Box                                                                                                                                                                                                                                                                                                Equipped to fulfill your requirements, the ECM-W3S Wireless Microphone System includes 1 microphone, a receiver, a windscreen, a connection protector holder/stand, a pouch, and a charging case. The ECM-W3S is ready for action right out of the box.

Sony PVM-740 OLED 7.4 Director Monitor, used

Sony PVM-740 OLED 7.4 Director Monitor, used(FMP59811KSSH) Good condition, 3 months warranty  The PVM-740 is a new type of 7.4-inch high-resolution (960 x 540 pixel) portable monitor which incorporates an Organic Light-Emitting Diode (OLED) display panel with Sony's unique Super Top EmissionTM technology. Thanks to the nature of the OLED display panel and Sony's Super Top EmissionTM technology, the PVM-740 offers outstanding high-contrast images. Incorporating a 10-bit panel driver, Sony's Super Top EmissionTM OLED display panel creates lifelike and smoother-than-ever gradation from dark to bright portions of a scene. Also, an excellent blur-free quick response to fast motion benefits a variety of applications and scenes, e.g., sports broadcasting, monitoring of camera panning, and text scrolling. In addition to the high-purity deep colour reproduction characteristics inherent in Sony's Super Top EmissionTM OLED display panel, two other elements – Sony's 10-bit panel driver and ChromaTRU technologies – work effectively to emulate the colours and gammas of CRT monitors, and to support broadcast standards (SMPTE-C, EBU, and ITU-R BT.709). Incorporating a compact, lightweight, and robust aluminium die-cast body, the PVM-740 suits many different indoor and outdoor applications. The PVM-740 is equipped with standard interface connectors – a composite video, 3G/HD/SD-SDI, and HDMI – which accept a variety of video signal formats from PAL/NTSC up to 1080/50p and 60p. This PVM-740 is ideal for a wide range of professional monitoring applications including use in an editing studio, outside broadcast, acquisition, field production, engineering and even research and development.    

Sony PVM-A250 25in HD Monitor, Used

Sony PVM-A250 25in HD Monitor, Used(FMP59790RPBR) Good condition, 3 month warranty Original factory packaging PVM-A250 series Super Top Emission OLED display panels provide superior black performance and wide colour gamut. Sony PVM-A250 combining Full HD (1920 x 1080) OLED panel, a 10-bit RGB driver and a Super Top Emission OLED creates realistic and smoother gradient from dark to bright portions of scene like sunset/sunrise.  Sony TRIMASTER EL provides largest colour range within Sony range of monitors.  PVM series not only have high purity of the three primary colours but also maintain this wide colour gamut throughout the entire luminance range.  The PVM-A250 weights only 6.1kg which is about 40% slimmer than a model from previous PVM-41 series.

Sony FE 300mm F2.8 Gm Oss G Master Full-frame Telephoto Lens

Sony FE 300mm F2.8 Gm Oss G Master Full-frame Telephoto Lens(SEL300F28GM.SYX, SEL300F28GM SYX,  SEL300F28GM/SYX) Introducing the FE 300mm F2.8 GM OSS, Sony's latest game-changing G Master telephoto lens. Designed to meet the changing needs of professionals, this lens combines unrivalled optical performance, lightning-fast autofocus, and exceptional versatility in an extremely compact and lightweight form. Its advanced manufacturing technology ensures high resolution, reduced chromatic aberration, and minimised flare and ghosting, making it perfect for capturing outstanding content—ideal for sports and wildlife. With two XD Linear Motors, this lens offers extraordinary AF performance, agile tracking, and even focus breathing compensation, making it ideal for both photography and filmmaking. The smallest and lightest F2.8 telephoto, it provides unparalleled mobility, ergonomics, and balance. Experience superior control and reliability with its dust and moisture-resistant design and fluorine coating. The SEL300F28GM empowers creators to realise their creative vision with cutting-edge lens technology. Lightning-Fast Autofocus: Smooth & Precise, Ideal for Sports and Wildlife Photography Including Sony's own XD Linear Motor technology, this lens delivers excellent autofocus performance, ensuring precise, fast, and silent focusing for professional photographers and filmmakers. Designed to keep up with the latest AI-based autofocus in Sony Alpha cameras* and provide the user with a seamless experience when tracking fast-moving subjects, it is ideal for sports and wildlife subjects. *On selected cameras. GMaster Quality: Stunning Resolution & Bokeh The new G Master telephoto FE 300mm F2.8 GM OSS lens integrates the best optics from our G Master lens range to deliver the most exquisite image quality from the centre to the corner of the image. Any ghosting or flare is minimised even when shooting against a direct light source - delivering professional-quality content in any situation. Lightweight for Extraordinary Mobility Developed with unique Sony optical solutions, the FE 300mm F2.8 GM OSS lens offers incredible versatility and mobility. Weighing just 1470g and with the weight concentrated toward the rear, it's designed for handheld use on long shooting days. With teleconverter compatibility, it adds remarkable versatility for tracking fast-moving subjects. Precision & Reliability: Built for Excellence The FE 300mm F2.8 GM OSS offers a versatile shooting experience and excellent controls for professionals. Embrace all the best functionalities of Sony lenses, including four customizable focus hold buttons, built-in optical image stabilization, and a function ring for assigning additional functions. With a dust and moisture-resistant design and a fluorine coating on the front element, it delivers high reliability both indoors and outdoors. Built for the Future   Sony lenses enable you to make the most of your next Sony camera's capabilities. Pair them with the latest Alpha camera and unlock extraordinary features, such as capturing up to 30 frames per second with the Alpha 1. Experience flawless autofocus tracking in stunning 4K120p resolution, elevating your photography and filmmaking to new heights.

Sony FX9 Camcorder 330 hours, used

Sony FX9 Camcorder 330 hours, used(FMP59714JPBR) 3-month warranty Excellent Condition  The Sony PXW FX9 is a professional 6K full frame camcorder, featuring a back-illuminated full frame 6K CMOS sensor with Sony’s Exmor R technology for improved sensitivity and reduced noise.  This new sensor has twice the surface area of the FS7’s 4K Supper 35mm sensor, providing a wider angle of view making it easier to gain a shallower depth of field. The FX9 also offers an exceptional 15+ stops of dynamic range, allowing unprecedented creative freedom in colour grading and post.  Camera operators can concentrate on framing the scene they want while relying upon the FX9 to capture every nuance and detail using either 4K 4:2:2 10-bit internal recording or 16-bit RAW external recording (with the XDCA-FX9 Extension Unit). The FX9 has some great focusing features, including Fast Hybrid AF, which combines phase detection AF with contrast AF to provide fast and accurate subject tracking.  As well as Eye AF with real-time tracking; high speed, high precision image processing maintains a pin-sharp focus, to capture your subjects most subtle expressions with seamless AI-based tracking.  Simply touch a subject on the viewfinder or select a face with the FX9 joystick and the camera will track and maintain focus automatically.

Sony a9 III Full-frame Mirrorless Camera

Sony a9 III Full-frame Mirrorless Camera(ILCE9M3B.CEC) The Alpha 9 III is a revolution in camera design tailored for sports and wildlife photography. This latest addition to the Alpha 9 series is a groundbreaking development, featuring a newly developed Exmor RS™ image sensor - the world’s first Full-frame stacked 24.6MP CMOS sensor to feature a global shutter system. Say good-bye to distortion in fast-moving scenes and witness zero viewfinder blackout during still image capture. Shoot continuous bursts at an astounding 120 frames per second with full AF and AE tracking. The Alpha 9 III AI processing unit ensures unparalleled subject recognition accuracy. It features a 1/80000 second maximum shutter speed for freezing fast objects, along with flash sync seamlessly at all shutter speeds up to the maximum 1/80000 second, eliminating the illumination drop-off seen with High-Speed Sync (HSS) and enabling you to capture challenging scenes. Experience the power of one frame.  A New Technological Leap Step into a new era of photography with the Alpha 9 III, featuring a newly developed Exmor RS™ image sensor that is the world’s first Full-Frame stacked 24.6MP CMOS sensor to feature a global shutter system. No more distortion in fast-paced scenes. This cutting-edge technology guarantees perfect shots every time, even in video. Shoot high-resolution 4K 120fps video without cropping, enabling precise angle previsualization. With 6K oversampling, it delivers exceptional 4K image quality.  Capture all fleeting moments Blackout-Free Continuous Shooting at up to 120 fps, ensuring no more missed shots, and with the AI processing unit, every subject is recognized and captured with stunning precision. Additionally, the new pre-capture feature and burst continuous shooting mode enables you to either speed up the frame rate or capture the action before you press the shutter button, all while preserving the option to shoot in RAW. Fastest and most accurate Autofocus yet In addition to Sony's exceptional AI-based AF, this camera now detects subjects' eyes from a distance, providing extra tools for professionals to capture uncompromisingly sharp shots. It's also paired with a 9.44 million-dot EVF and rapid refresh rates, that guarantee that your subjects stay in focus no matter how dynamic the scene. Experience sharper, clearer focus that extends beyond your expectations. Lightning-Fast Shooting For the first time, experience a blistering shutter speed of 1/80,000 second, enabling you to freeze moments that your eye couldn't perceive. What's more, the flash sync speed has been enhanced to match any shutter speed you wish to use. Unleash your portrait photography creativity even in broad daylight. The Ultimate Professional Tool   The Alpha 9 III has been meticulously crafted with professionals in mind, focusing on both comfort and execution speed. This camera offers a robust and durable body design, featuring a new grip for enhanced handling. With a 4-axis multi-angle screen, new customizable buttons, and improved connectivity, it's designed to meet the demands of professional photographers.

Sony FX-6 Alpha Full-frame 4K Cinema Line Camera - Body Only

Sony ILME-FX6 (ILME/FX6, ILME_FX6, ILMEFX6, ILME FX6) Alpha Full-frame 4K Cinema Line Camera - Body Only Sony FX6: Compact Cinema Capture The FX6 Full-Frame Camera from Sony was developed to offer versatile, cine-style imaging in a truly compact form. With the ability to capture up to 15+ stops of dynamic range, Sony's S-Cinetone gamma for filmlike skin tones, and up to 10-bit, 4:2:2 XAVC-I recording, the FX6 is poised to both supplement your FX9 or VENICE capture and to nimbly take on documentary, gimbal, and drone shoots on its own. 4K Full-Frame Exmor R Sensor The FX6 camera combines a 4K full-frame Exmor R sensor with a BIONX XR engine for extremely sensitive capture in a range of settings, using a base ISO of 800 as well as an ISO 12800 high-sensitivity mode for nuanced low-light scenes. This 10.2 MP image sensor features back-side illumination for excellent low-light performance, 627 focal plane points for speedy phase-detection autofocus, and full-frame lens compatibility that produces a rich, immersive look. The sensor's fast scan speed minimizes rolling shutter artifacts and supports high frame rates and quick autofocus responses. Compact, Single-Operator Design Weighing just under 2 lb, the FX6 body is a full 2 lb lighter than the FX9 and measuring 6 x 4.6", it packs a full-frame sensor into a body comparable to the S35-sensor Sony FS5. While the FX6 fits seamlessly into a pro-cine on-set workflow, it also offers several features that are a boon for a single-operator user. These include fast and accurate phase-detection autofocus with both Face Detection and real-time Eye autofocus, both auto and manual ND filter settings for quick exposure compensation, and a 3.5" LCD monitor that boasts time-saving touchscreen access to key menu settings and versatile positioning for comfortable operating. In addition to improving the camera's overall stability, firmware update v1.10 adds 100p and 120p options to the Slow and Quick Motion frame rate menu when the codec is set to RAW or RAW and XAVC-I. Versatile Addition to Sony Cinema Line As part of Sony's Cinema Line, the FX6 shares key imaging features with established cameras like the VENICE and FX9. Common core attributes include a full-frame sensor, filmlike color science, a compact, lightweight form, professional connector interfaces, and advanced autofocus choices. Compared to the FX9, the FX6 differs in several specs; but many FX6 specs tick the same boxes and several improve upon the FX9: It matches the FX9's video capture up to DCI 4K60 Has the same S-Cinetone, S-Log3, and HLG gamma choices  Outputs 16-bit raw like the FX9 Sony E lens mount Offers the same 1/4 to 1/128 ND options Also provides 2-channel XLR audio inputs Wide ISO Range Choose from a base ISO of 800, a high-sensitivity 12,800 ISO for lower-light capture, and a 409,600 maximum ISO for true low-light settings. Electronically Variable ND Filters Shown with Optional Equipment Set the FX6's integrated neutral density (ND) filter system to auto for correctly exposed shots, even in changing light conditions Smoothly adjust the ND filter density manually in increments from 1/4 to 1/128 as you shoot Both options will produce properly exposed images without affecting your chosen depth of field Advanced XAVC Codec Options The FX6 is the first compact, full-frame camera to offer UHD 4K 4:2:2 capture in the high-quality yet efficient XAVC-I codec. It also enables you to choose from a range of professional XAVC Intra and XAVC Long codecs at bit rates ranging from 35 to 600 Mb/s. Expressive Cinematic Look Sony's S-Cinetone gamma curve offers a cinematic look with filmlike color, softer tones, and pleasing skin tone reproduction. Not only is this cinematic look available for in-camera viewing, but it can also be captured and output with minimal or no grading at all for a time-saving post process. The S-Cinetone, S-Log3, S-Gamut3, and S-Gamut3.Cine choices also streamline the process of matching FX6 footage with your VENICE or FX9 video and offer broad color-grading options. Image Stabilization and More with Catalyst and Metadata Pair the FX6 with Sony's Catalyst Prepare/Browse software to use metadata to stabilize your image, automatically rotate gimbal footage, and add flags for easier clip filtering in postproduction. Touchscreen 3.5" LCD Control The FX6's 3.5" LCD monitor offers both high-resolution viewing and the ease of touchscreen camera control. The LCD quick menu controls include key settings like Codec, Imager Scan Mode, Picture Size and Frequency, Base ISO/Sensitivity, Shooting Mode, and Audio Levels. Reliable Design and Construction Constructed with a lightweight yet durable magnesium alloy chassis, the FX6 body offers maximum reliability and efficiently disperses heat to enable extended recording times. Exterior seams, buttons, and interfaces have been treated with updated sealing that improves the camera's dust and moisture resistance as well. 4-Channel Audio Recording The FX6 offers up to 4-channel audio recording by combining sources from the dual XLR inputs, the 2-channel multi-interface shoe input, and the stereo mic built into the camera's top handle. This enables the simultaneous use of an external microphone for recording your main audio source and the built-in microphone for ambient sound and/or voice memos by the operator. CFexpress Media Slots and Multiple Recording Modes The FX6's dual media slots accept both rugged, high-performance, high-capacity CFexpress Type A cards and widely available UHS-II/UHS-1 SDXC cards. Note that the CFexpress Type A cards are required for 100/120 fps UHD 4K capture and 150/180/200/240 fps HD high-speed capture. Modular, Grab-and-Go Design The modular design of the FX6 enables you to pare down to its compact body for gimbal or drone use, or it can be used with separately available accessories, such as a smart grip and smart handle for fingertip control when shooting handheld. A 3.5" LCD screen can be quickly positioned on the camera at multiple locations to provide comfortable, ergonomic viewing.  

Sony A7C Mirrorless Camera with 28-60mm Lens (Black)

Sony A7C Mirrorless Camera with 28-60mm Lens (Black)(ILCE-7CL/B, ILCE7CL/B, ILCE/7CL/B ) Compact and capable, the black Sony Alpha a7C mixes the quality and advantages of a full-frame sensor with an especially portable and sleek body design. Featuring a 24.2MP Exmor R BSI CMOS sensor, the a7C offers hybrid abilities to suit both photo and video recording needs along with a form factor for everyday, all-day carry. The full-frame sensor and BIONZ X image processor offer up to a 15 stop dynamic range along with UHD 4K video recording, extended sensitivity from ISO 50-204800, and a top continuous shooting rate of 10 fps for working with moving subjects. The sensor also houses a Fast Hybrid AF system, which uses 693 phase-detection points and 425 contrast detection areas for quick, intelligent, and precise autofocus performance with support for Real-time Eye AF and Tracking AF technologies. Also benefiting both photo and video needs is 5-axis in-body image stabilization, which compensates for up to five stops of camera shake for sharper handheld shooting. Compared to other a7-series camera bodies, the a7C has a distinctly sleeker profile that mimics the styling of a rangefinder, with an offset viewfinder and a streamlined top plate. The re-positioned electronic viewfinder is a 0.39"-type OLED with 2.36m-dot resolution and is complemented by a 3.0" side-opening vari-angle touchscreen LCD. Built-in Wi-Fi and Bluetooth also enable wireless connectivity for remote camera control and sharing files to a connected mobile device. 24.2MP Exmor R BSI CMOS Sensor and BIONZ X Image Processor Featuring a back-illuminated design, the full-frame 24.2-megapixel Exmor R CMOS sensor works with the BIONZ X image processor to offer high-resolution stills and video while minimizing noise and improving speed. This sensor structure works with a gapless on-chip lens design and an anti-reflection coating to improve light collection and enhance detail. Also, the copper wiring layer dramatically improves data transmission speed for creating 14-bit, high-resolution stills with a native sensitivity range from ISO 100-51200, which can be further expanded to ISO 50-204800. Also, it enables internal UHD 4K video recording with a wide dynamic range using the full width of the full-frame sensor. The BIONZ X processor also works in conjunction with a high-speed front-end LSI to realize faster processing times along with the ability to capture an impressive 15-stop dynamic range at low sensitivity values. The sensor and processor combination also avails fast continuous shooting at up to 10 fps at full resolution, for approximately consecutive JPEGs or 115 consecutive raw files, and with full-time AF/AE when working with either a mechanical shutter or an electronic shutter. UHD 4K Video Recording in XAVC S Format Internal recording of UHD 4K videos is possible in multiple frame rates up to 30 fps and using 2.4x oversampling renders greater detail and full pixel readout is possible for higher quality imagery with reduced moiré and aliasing. Full HD 1080p recording is also supported in frame rates up to 120 fps, and both resolutions utilize the 100 Mb/s XAVC S format contained within an MP4 wrapper with 4:2:0 8-bit sampling. The high-speed, 120 fps recording also enables 4x and 5x slow-motion movie recording with the frame rate set to either 30p or 24p. In addition to high-resolution internal recording, uncompressed HDMI output also enables the use of an optional external recorder for clean 4K recording with 4:2:2 8-bit sampling. Affording extensive customizable color and gamma controls, the a7C allows users to adjust the gamma, black level, knee, color level, and more. Also, users can use the same S-Log2 Gamma Curve that is found on high end Sony Cinema cameras that squeezes up to 1300% more dynamic range into the video signal then traditional REC709, for increased post-production flexibility. HLG (Hybrid Log-Gamma) support is also available for HDR recording within a wide color gamut and, in addition to S-Log2, S-Log3 is also available for producing an effective 14-stop dynamic range with increased grading control in the shadow to mid-tone regions of the image. FE 28-60mm f/4-5.6 Lens Included with the camera body is the wide-angle to long-normal FE 28-60mm f/4-5.6 zoom, which is characterized by its retractable design and sleek profile to complement the compact camera body. The svelte design makes this lens ideal for walkaround, everyday shooting and the flexible focal length range benefits a wide range of subject types. The optical design incorporates three aspherical elements, which help to reduce distortion and spherical aberrations and promote greater sharpness and accurate rendering. Complementing the optics is a linear motor and internal focusing design, which achieve quick and quiet autofocus performance for both photo and video needs. The lens body is also weather-sealed to permit working in trying environmental conditions.

Sony Cybershot DSC-RX100 mark VII

 Sony Cybershot DSC-RX100 mark VII(DSC-RX100M7.CE3) Mixing speed, reach, and portability, the Sony RX100 VII is a pocket-sized camera packing a wealth of stills and video versatility. This seventh-generation camera in the esteemed RX100 series is the second to feature the impressive 24-200mm-equivalent ZEISS Vario-Sonnar T* lens that covers wide-angle to telephoto focal lengths for greater shooting flexibility in a variety of conditions. Making use of the extended range is a redesigned 20.1MP 1" Exmor RS CMOS sensor, along with an improved BIONZ X image processor, for fast shooting performance, high sensitivity to ISO 12800, and UHD 4K video recording. The updated sensor design is all about speed and enables blackout-free continuous shooting up to 20 fps for easier subject tracking. Single Burst Shooting also permits shooting at an extreme 90-fps setting for working with the fastest moving subjects. The sensor's design also provides a 357-point hybrid AF system for quick and accurate focus performance and subject tracking in both stills and video modes. A stacked design and front-end LSI also contribute to quickened operation and enhanced image quality. Video performance also remains impressive with the incorporation of S-Log3 and HLG gamma settings, and High Frame Rate shooting allows you to record at up to 960 fps for slow-motion playback. Retaining the classic sleek form factor of an RX100, the VII still has a pocketable stature despite the extended zoom lens. A pop-up 2.36m-dot OLED electronic viewfinder is a sleek means for eye-level viewing or, alternatively, a 3.0" 921.6k-dot LCD touchscreen can be used. The LCD features a tilting design to support working from high and low angles and its touch capability permits the use of Touch Focus and Touch Shutter functions. The camera also sports Bluetooth and Wi-Fi connectivity for sharing imagery to a linked mobile device or for embedding location information from your smartphone. 20.1MP 1" Exmor RS CMOS Sensor & BIONZ X Image Processor Utilizing an advanced stacked structure with an integrated DRAM chip, the updated 20.1MP 1" Exmor RS CMOS sensor of the RX100 VII is able to deliver outstanding image quality from ISO 100-12800 with incredibly fast performance. This sensor stacks the pixel area, a high-speed signal processing circuit, and memory in order to increase data throughput and deliver features such as Single Burst Shooting, an Anti-Distortion shutter, UHD 4K video, and more. This 1" sensor also has 357 phase-detection AF points and 425 contrast detection areas for faster, more precise focusing. This sensor is paired with a revised BIONZ X image processor and front-end LSI, which dramatically improve the speed and throughput of the entire imaging system, enabling blackout-free continuous shooting at up to 20 fps with continuous AF/AE calculations being performed at 60 times per second. The Single Burst Shooting function also permits recording up to seven frames, in raw or JPEG, at 90 fps, 60 fps, or 30 fps for capturing the fastest of moments. The front-end LSI and enhanced sensor performance also improve overall image quality, especially at higher sensitivities, by reducing noise and offering higher perceived resolution and color definition. ZEISS Vario-Sonnar T* 24-200mm Lens Spanning an impressive 24-200mm equivalent range, the integrated ZEISS Vario-Sonnar T* lens suits photographing in a wide range of situations. Now covering wide-angle to mid-telephoto, the updated zoom range affords greater shooting versatility while still retaining a compact form factor due to the f/2.8-4.5 maximum aperture range. The optical design incorporates eight aspherical elements, including four advanced aspherical (AA) elements, to greatly reduce aberrations and distortions in order to achieve high sharpness and accurate rendering. A ZEISS T* anti-reflective coating has also been applied to suppress reflections and glare for improved contrast and color fidelity. The flexible reach is complemented by four stop-effective Optical SteadyShot image stabilization, which minimizes the appearance of camera shake to suit handheld shooting in low-light conditions. Additionally, Clear Image Zoom can also be used to further extend the effective reach of the zoom with nearly no image degradation. Fast Hybrid AF System with 315 Phase-Detection Points The RX100 VII is equipped with an on-sensor phase-detection AF system that dramatically improves autofocus speed for both stills and video. The camera uses a hybrid system with 357 phase-detection points that cover approximately 68% of the frame along with a 425-area contrast-detection system to provide fast, accurate focusing in a range of situations. The RX100 VII is able to lock onto subjects quickly, in just 0.02 seconds, and it can use Real-time Tracking for AI-based tracking on moving subjects. Real-time Eye AF, suitable for both humans and animals, also ensures critical sharpness when shooting portraits. UHD 4K Video Recording Able to record UHD 4K video at 30/24 fps, the RX100 VII, is capable of producing movies with exceptional clarity. By using a full pixel readout without binning, the camera collects about 1.7x the information needed for 4K output. This oversampling helps to increase clarity while reducing the impact of moiré and jaggies. Benefitting sharper recording, an Active SteadyShot mode can be used for recording that prioritizes smoothness when reducing the appearance of camera shake. Fast Hybrid AF is available during movie shooting for ensuring accurate, fast tracking using phase-detection AF points. The camera also offers Sony's advanced XAVC S format for recording a high bit rates up to 100 Mb/s. In addition to high-resolution internal recording, uncompressed HDMI output also enables the use of an optional external recorder for clean 4K recording with 4:2:2 sampling. Affording extensive customizable color and gamma controls, the RX100 VII allows users to adjust the gamma, black level, knee, color level, and more. Also, users can use the same S-Log2 Gamma Curve that is found on high-end Sony Cinema cameras that squeezes up to 1300% more dynamic range into the video signal then traditional REC709, for increased post-production flexibility. HLG (Hybrid Log-Gamma) support is also available, along with the BT.2020 color space, for recording within a wide color gamut and, in addition to S-Log2, S-Log3 is also available for producing an effective 14-stop dynamic range with increased grading control in the shadow to mid-tone regions of the image. Speed is also a huge advantage of the RX100 VII, and, in video, users will benefit from advanced High Frame Rate shooting and super slow motion. In Full HD, shooters will have access to a standard 120 fps setting that will enable outstanding slow motion when placed in editing software. In addition to this, the camera also offers a dedicated HFR mode that boosts the camera's frame rate to up to 960 fps. A Photo Capture function is built directly into the camera, allowing shooters to quickly save an 8.29MP still from their UHD 4K movies. Full HD can also benefit from this feature, where users will be able to pull a 2MP still. Additionally, the camera is NTSC/PAL switchable, making it usable around the world, vertical videos can be recorded with embedded metadata to correct for the vertical orientation during playback. Body Design and Wireless Connectivity Rear 3.0" 921.6k-dot tilting LCD features a touchscreen design for intuitive operation, including the ability for working with Touch Focus, Touch Pad AF, and Touch Shutter functions. The screen's tilting design, which goes from 180° upward to 90° downward, also suits photographing from high, low, and front-facing angles. One-push pop-up XGA OLED electronic viewfinder offers a resolution of 2.36m dots and 0.59x magnification for crisp, clear viewing. The EVF also uses a ZEISS T* coating, to ensure clarity from corner to corner, and has a one-push access design for more convenient switching between the LCD and EVF. Integrated 3.5mm external microphone port supports improved audio recording quality. A manual control ring surrounds the lens and features a smooth, click-less design for quick and quiet changing of settings. The ring can be assigned to control a variety of features, at different values, including zoom and aperture. Custom button and other programmable button can be set to one of over 40 functions for quick access to commonly used settings. Pop-up flash will help illuminate subjects in dimly lit scenes. Built-in Wi-Fi connectivity enables instant transferring of imagery to mobile devices for direct sharing online to social networking, via email, and to cloud storage sites. NFC (Near Field Communication) is also supported, which allows for one-touch connection between the camera and compatible mobile devices, with no complex set-up required. Once connected, the linked mobile device can also display a live view image on its screen and, using Smart Remote Control, remotely control the camera's shutter release. Additionally, connection to a smartphone using a QR code is also possible. Bluetooth connectivity, via the PlayMemories Mobile app, also allows you to embed location information into both stills and movie files for geotagging.

Sony a7C II Mirrorless Camera 33MP Full-Frame Exmor R BSI Sensor, Sony E - Silver

Sony a7C II Mirrorless Camera 33MP Full-Frame Exmor R BSI Sensor, Sony E - Silver(ILCE-7CM2S.CEC, ILCE7CM2S.CEC, ILCE/7CM2S.CEC) Building off the sleek profile and full-frame sensor combination of its first-generation predecessor, the black Sony a7C II offers improved resolution, autofocus, in-body image stabilization, and video capabilities in the same compact, all-day, everyday form factor. ° 33.0MP Exmor R CMOS Sensor and BIONZ XR Processor The Sony a7C II's advanced imaging system is powered by a 33MP full-frame Exmor R CMOS sensor and the BIONZ XR processor, a combination capable of 10-bit 4K imagery at up to 30 fps or a top continuous shooting rate of 10 fps with AF and AE using either the mechanical or electronic shutter. The introduction of the back-illuminated structure to the camera's sensor gives it a higher resolution without sacrificing sensitivity. With an ISO range of 100-51200 that's expandable to ISO 50-204800, the camera boasts low-light performance with minimal noise and wide dynamic range. ° AI-Powered Autofocus and Image Stabilization The Sony a7C II's AI processing unit brings a host of enhanced capabilities to the camera's autofocus and image stabilization systems, ensuring smooth handling and clarity no matter the shooting conditions. The camera's 759 phase detection points in stills mode and 495 points in video mode, covering 94% of the image area, are enhanced with AI-powered subject recognition performance and real-time tracking. The AI processor also uses a new autoexposure algorithm, Human Pose Estimation, to prioritize exposure areas for a 20% improvement in overall exposure accuracy. The auto white balance also benefits from the improved AI processor, aiding in difficult lighting conditions. Other autofocus features include focus bracketing in up to 299 images with sequentially shifted focus points, focus accuracy in low light down to EV -4.0, focus breathing compensation, autofocus assist, focus mapping, and focus peaking during autofocus. ° Image Stabilization Now offering seven stops of shake compensation, the camera's pixel-level 5-axis optical image stabilization system, which counters five different types of camera shake encountered during handheld shooting of stills and video, is algorithmically optimized for precision detection and control down to a single pixel. The AI Processing Unit also improves communication between the body and the lens, providing more stable framing before shooting. This allows users to confidently use any lens, even adapted lenses, for critical imaging without encountering blur from camera shake. ° Advanced Rendering For stills-shooters, the a7C II offers a wide range of color renderings and compressions for optimal image quality and storage management, led by the introduction of the High Efficiency Image File (HEIF) format. Users also have the choice between Compressed and Lossless Compressed options when shooting raw. The AI Processing Unit also helps to achieve better exposure results in Auto mode with applicable algorithmic adjustments made for skin tone, backlit situations, and white balance. The same Creative Looks presets available in video are also available when shooting stills, allowing additionally for user-defined configurations with eight adjustable parameters.   For optimal viewing of stills when tethered to select monitors and televisions, the a7C II now offers a stills-designed Hybrid Log-Gamma mode that delivers accurate dynamic range in 10-bit HEIF format.  

Sony a7C II Mirrorless Camera 33MP Full-Frame Exmor R BSI Sensor, Sony E - Black

Sony a7C II Mirrorless Camera 33MP Full-Frame Exmor R BSI Sensor, Sony E - Black(ILCE-7CM2B.CEC, ILCE7CM2B.CEC, ILCE/7CM2B.CEC) Building off the sleek profile and full-frame sensor combination of its first-generation predecessor, the black Sony a7C II offers improved resolution, autofocus, in-body image stabilization, and video capabilities in the same compact, all-day, everyday form factor. ° 33.0MP Exmor R CMOS Sensor and BIONZ XR Processor The Sony a7C II's advanced imaging system is powered by a 33MP full-frame Exmor R CMOS sensor and the BIONZ XR processor, a combination capable of 10-bit 4K imagery at up to 30 fps or a top continuous shooting rate of 10 fps with AF and AE using either the mechanical or electronic shutter. The introduction of the back-illuminated structure to the camera's sensor gives it a higher resolution without sacrificing sensitivity. With an ISO range of 100-51200 that's expandable to ISO 50-204800, the camera boasts low-light performance with minimal noise and wide dynamic range. ° AI-Powered Autofocus and Image Stabilization The Sony a7C II's AI processing unit brings a host of enhanced capabilities to the camera's autofocus and image stabilization systems, ensuring smooth handling and clarity no matter the shooting conditions. The camera's 759 phase detection points in stills mode and 495 points in video mode, covering 94% of the image area, are enhanced with AI-powered subject recognition performance and real-time tracking. The AI processor also uses a new autoexposure algorithm, Human Pose Estimation, to prioritize exposure areas for a 20% improvement in overall exposure accuracy. The auto white balance also benefits from the improved AI processor, aiding in difficult lighting conditions. Other autofocus features include focus bracketing in up to 299 images with sequentially shifted focus points, focus accuracy in low light down to EV -4.0, focus breathing compensation, autofocus assist, focus mapping, and focus peaking during autofocus. ° Image Stabilization Now offering seven stops of shake compensation, the camera's pixel-level 5-axis optical image stabilization system, which counters five different types of camera shake encountered during handheld shooting of stills and video, is algorithmically optimized for precision detection and control down to a single pixel. The AI Processing Unit also improves communication between the body and the lens, providing more stable framing before shooting. This allows users to confidently use any lens, even adapted lenses, for critical imaging without encountering blur from camera shake. ° Advanced Rendering For stills-shooters, the a7C II offers a wide range of color renderings and compressions for optimal image quality and storage management, led by the introduction of the High Efficiency Image File (HEIF) format. Users also have the choice between Compressed and Lossless Compressed options when shooting raw. The AI Processing Unit also helps to achieve better exposure results in Auto mode with applicable algorithmic adjustments made for skin tone, backlit situations, and white balance. The same Creative Looks presets available in video are also available when shooting stills, allowing additionally for user-defined configurations with eight adjustable parameters.   For optimal viewing of stills when tethered to select monitors and televisions, the a7C II now offers a stills-designed Hybrid Log-Gamma mode that delivers accurate dynamic range in 10-bit HEIF format.

Sony FE Full-frame Telephoto Zoom Lens

Sony FE Full-frame Telephoto Zoom Lens(SEL-70200G2.SYX, SEL70200G2.SYX, SEL/70200G2.SYX) Compact high-resolution telephoto zoom Sony's most advanced lens technology comes together in a compact, lightweight 70-200 mm F4 telephoto zoom G Lens that delivers outstanding optical and AF performance as well as half-macro capability throughout the zoom range. Impressive handling and mobility make it an excellent choice for a wide range of still and movie applications. Spectacular G Lens rendering Excellent corner-to-corner resolution and contrast throughout the zoom range are achieved by combining AA (advanced aspherical) and aspherical lens elements. Three ED (Extra-low Dispersion) elements and one Super ED element suppress chromatic aberration and color bleeding for revealing sharpness. Exquisite full-frame bokeh is enhanced by a circular 9-blade aperture mechanism and optimized spherical aberration. Eye-opening close-up performance This is the world's first zoom lens in its class to offer half-macro capability throughout the zoom range. Minimum focusing distance is 10- 1/4 in. (0.26 m) at the wide end and 16-1/2 in. (0.42 m) at the telephoto end of the zoom range, with a maximum magnification of 0.5x throughout. New levels of zoom close-up capability offer unprecedented versatility and freedom for shooting stills as well as movies. Fast autofocus matches high-speed cameras Four of Sony's original high-thrust XD linear motors work in conjunction with precision floating focus groups to achieve extremely fast, accurate focus drive. Thrust efficiency has been dramatically improved, resulting in up to approximately a 20% increase in autofocus speed throughout the entire zoom range when shooting stills. The speed potential of high-performance α series cameras is fully realized. Focus tracking continues uninterrupted even while zooming, ensuring that important moments of the action won't be lost. Refined movie performance and imagery Linear Response MF ensures that manual focus responds directly and linearly to subtle control. The breathing compensation function provided in compatible α series cameras is fully supported, reducing unwanted image shifts while focusing. Built-in optical image stabilization can work in conjunction with the in-body stabilization in compatible α series cameras to provide extremely smooth, stable handheld footage. Top-class performance with teleconverters The FE 70-200mm F4 Macro G OSS II is fully compatible with Sony's 1.4x and 2.0x teleconverters. In addition to increasing maximum focal length, the 2.0x teleconverter make it possible to shoot life-size 1:1 macro at all focal lengths for new creative potential. Attached with the 1.4x teleconverter, it can shoot max. 0.7x macro at all focal lengths. And because the working distance does not change with the teleconverter attached, you can move in close to the subject to capture truly impressive images. Compact, mobile, reliable, and easy to use This innovative lens offers a rare blend of performance and compact mobility. It is 3-1/4 in. (82.2 mm) in diameter by 5- 7/8 in. (149 mm) in length at the wide end of the zoom range and weighs 28.1 oz. (794 g). An extending lens design was chosen to maximize portability, and a zoom lock switch is provided to prevent unwanted lens extension during transportation. Advantages of Sony's lenses for video shooting Learn the four unique advantages of using Sony's E-mount lens for video shooting. The combination of Sony's lenses and cameras will enhance your video creation experience.  

Sony Compact Camera-Mount Digital Shotgun Microphone

Sony Compact Camera-Mount Digital Shotgun Microphone(ECM-B10, ECMB10, ECM/B10) Capture crystal-clear speech, interviews, ambience, or nature sounds with the Sony ECM-B10, a camera-mount digital shotgun microphone designed for on-the-go content creators, podcasters, and videographers using Sony cameras equipped with the Multi Interface Shoe (MI). Combining digital signal processing with advanced beamforming technology, the mic delivers superdirectional performance in a remarkably compact package that provides flexibility and mobility, even in gimbal and grip-mounted shots. The ECM-B10 offers three types of pickup patterns in a single mic. For selfies and interviews, use the superdirectional pattern to tightly focus audio capture on a single subject directly in front of the camera. Switch to the unidirectional pattern for a wider shot or if you have two subjects on camera. The omnidirectional setting captures audio in a 360° field around the mic, making it a smart choice to pick up environmental sounds and voices from behind the camera. High-Quality Recording and Digital Transmission to Your Camera The ECM-B10 converts analog sound to digital within the microphone body and performs digital signal processing using Sony's unique algorithms—enabling three directional pickup patterns as well as noise reduction. In-body digital conversion also helps to reduce noise inside the microphone. Direct digital audio transmission to the camera eliminates signal degradation, supplying pristine in-camera audio recordings without the noise and hiss common to analog preamps found in many cameras. A simple Digital/Analog switch also provides compatibility with a wide range of cameras using an analog interface. The ECM-B10 is compatible with a7R IV, a7C, ZVE10 cameras and other Sony products with MI (Multi-interface shoe) that support digital audio. Advanced Beamforming Technology   The ECM-B1M is equipped with four high-performance mic capsules. Digital signal processing using beamforming technology achieves high-quality audio with three switchable directivities, providing three microphones in one, including superdirectivity. Your Choice of Three Pickup Patterns   Choose the most suitable pickup pattern with an easy-to-reach, three-way switch on the rear panel of the microphone. Quickly switch back and forth among the three pickup patterns, giving you the flexibility to adapt to your shooting requirements. Superdirectional: Focused Front Area   Ideal for selfies or interviews, the superdirectional pattern collects sound from a focused area in front of the microphone, effectively suppressing sounds from off-axis and behind the camera. Unidirectional: Wide Frontal Range   Perfect for multiperson conversations, the unidirectional pattern captures sound from a wide field in front of the microphone, while minimizing pickup from behind. Omnidirectional : Sound from Any Direction   The omnidirectional pattern picks up audio equally from all directions, useful for recording environmental sounds or the voice of the camera operator. Intuitive, Easily Visible Rear Panel Controls for pickup pattern and other functions are easy to reach on the rear panel and visible at a glance for quick adjustments during shooting. The ECM-B10's noise-cut filter and low-cut filter are very effective at reducing extraneous ambient noises and cutting out low-frequency noise through the use of digital signal processing algorithms, maximizing audio quality at the recording stage and reducing the need for complex post-processing. Auto level control and a variable pad (-20, -10, 0 dB) makes it easy to set optimum recording levels. Compact and Portable Mic   Even at only 3.1" in length, the ECM-B10 offers impressive directional audio capture. Its small size gives you plenty of clearance for wide-angle lenses, viewfinder use, and gimbals. Cable-Free Connection   No cables are required for connection to a wide range of Sony cameras equipped with an MI shoe. The absence of connecting cables means that no noise can be transmitted to the microphone mechanically via cables and connectors. Designed to Minimize Shock and Vibration Noise   The ECM-B10 features an advanced shock- and vibration-suppressing design to effectively minimize low-frequency or handling noise, which can degrade audio quality. Dust- and Moisture-Resistant Design   Complementing similarly dust- and moisture-resistant cameras, the ECM-B10 designed for worry-free outdoor shooting. Battery-Free Operation   Power is supplied via the MI shoe in compatible cameras, so you don't have to worry about microphone batteries running out during a shoot. Supplied Windscreen   The ECM-B10 comes with a furry windshield that's easily detachable and effective with reducing wind noise for capturing crisp audio on outdoor shoots. ECM-B10

Sony alpha α7C II compact Full-Frame Camera

Sony alpha α7C II compact Full-Frame Camera(ILCE-7CM2LB.CEC, ILCE7CM2LBCEC, ILCE/7CM2LB.CEC) Sony a7C II Mirrorless Camera with 28-60mm Lens, 33MP Full-Frame Exmor R BSI Sensor, Sony E - Black Building off the sleek profile and full-frame sensor combination of its first-generation predecessor, the black Sony a7C II offers improved resolution, autofocus, in-body image stabilization, and video capabilities in the same compact, all-day, everyday form factor. ° 33.0MP Exmor R CMOS Sensor and BIONZ XR Processor The Sony a7C II's advanced imaging system is powered by a 33MP full-frame Exmor R CMOS sensor and the BIONZ XR processor, a combination capable of 10-bit 4K imagery at up to 30 fps or a top continuous shooting rate of 10 fps with AF and AE using either the mechanical or electronic shutter. The introduction of the back-illuminated structure to the camera's sensor gives it a higher resolution without sacrificing sensitivity. With an ISO range of 100-51200 that's expandable to ISO 50-204800, the camera boasts low-light performance with minimal noise and wide dynamic range. ° AI-Powered Autofocus and Image Stabilization The Sony a7C II's AI processing unit brings a host of enhanced capabilities to the camera's autofocus and image stabilization systems, ensuring smooth handling and clarity no matter the shooting conditions. The camera's 759 phase detection points in stills mode and 495 points in video mode, covering 94% of the image area, are enhanced with AI-powered subject recognition performance and real-time tracking. The AI processor also uses a new autoexposure algorithm, Human Pose Estimation, to prioritize exposure areas for a 20% improvement in overall exposure accuracy. The auto white balance also benefits from the improved AI processor, aiding in difficult lighting conditions. Other autofocus features include focus bracketing in up to 299 images with sequentially shifted focus points, focus accuracy in low light down to EV -4.0, focus breathing compensation, autofocus assist, focus mapping, and focus peaking during autofocus. ° Sony FE 28-60mm f/4-5.6 Lens Impressively compact and versatile, the Sony FE 28-60mm f/4-5.6 is a wide-angle to long-normal zoom characterized by its retractable design and sleek profile. Its svelte design makes this lens ideal for walkaround, everyday shooting, and the flexible focal length range benefits a wide range of subject types, from street shooting to portraiture to travel photography. ° Optics and AF Three aspherical elements help to reduce spherical aberrations and distortion throughout the zoom range for improved sharpness and accurate rendering. The use of specialized elements also contributes to a smaller, lighter physical design. Linear motor, along with an internal focusing mechanism, promotes fast, precise, and quiet focusing performance to suit both stills and video applications. In addition to the variety afforded by the 28-60mm focal length range, this lens also has a versatile 11.8" minimum focusing distance that enables working with close-up subjects.   Rounded seven-blade diaphragm contributes to a pleasing bokeh quality.

Sony Burano 8K Camera

Sony Burano 8K Camera(BURANO) Versatile, lightweight, and compact full-frame 8K cinema camera with 16 stops of latitude, image stabilisation for PL and E-mount lenses. Easily configurable for solo and team production. A New Era in Cinematography BURANO is a new concept in cinema cameras. It takes VENICE’s superior image quality and usability but re-imagines it for solo and small team productions. 33% lighter than VENICE 2, more power efficient and supporting CFexpress media – it’s not just our smallest full-frame CineAlta camera, in many ways it’s our most technically advanced. Expect uncompromising image quality wherever you are, whatever the size of your crew. Smarter Shooting BURANO makes shooting highest quality 8K simpler than you can imagine. The world’s first PL mount compatible camera with a built-in stabilisation system*. A ground-breaking combination of our unique electronic variable ND filter system with in-body image stabilisation (IBIS) in a full-frame PL and E-mount cinema camera. For the first time in a full-frame CineAlta camera, Fast Hybrid and Subject Recognition AF with AI makes it easier to get the shots you want under the most demanding scenarios. With BURANO, you don’t need a studio or big crew to excel. Shoot The Way You Want BURANO adapts to be the camera you want to be whatever the shoot. A multi-purpose touchscreen LCD monitor, with flexible mounting system and a versatile, robust handle, allow you to easily configure BURANO for different shooting styles. A lightweight, compact chassis and ergonomic balance make it easy to switch between shoulder-mount, handheld, gimbal or drone operation. BURANO can be configured for large and small projects, solo or with an entire crew. It’s all your choice. Full-Frame 8.6K Sensor BURANO has a large 36x24mm full-frame image sensor that delivers high-quality images and superb rendition with wide latitude and a rich colour gamut. It achieves the beautiful bokeh and dynamic wide-angle shooting that only a full-frame sensor can provide. 8K image quality with a maximum resolution of 8632 x 4856 and, through oversampling, it can output phenomenal looking 4K content. Multiple Image Scan Modes BURANO supports 16:9 and 17:9 readouts in full-frame (8.6K) and Super 35mm (5.8K). Image scan modes include full-frame and Super35 as well as finely optimised down sampled and high-speed modes such as 6K 60p (FF crop), 5.8K 60p (S35), and 4K 120p (S35 crop*) catering for a wide range of production requirements. *Only 17:9 in Super 35 Cropped (S25c) mode 16 Stop Latitude With a wide latitude of 16 stops*, BURANO captures beautiful, low-noise images under almost any lighting conditions. The camera’s wide dynamic range captures everything from highlights to shadows expertly with superb colour rendition, giving operators maximum flexibility in colour grading. * S-Log3 shooting. Sony measurements. Wide Colour Gamut BURANO features Sony’s signature S-Gamut/S-Gamut.Cine wide colour space that, as with the VENICE 2, covers a gamut exceeding BT.2020 and DCI-P3. S-Log3 and X-OCN also dramatically enhances creative flexibility in post-production. As BURANO offers the same colour accuracy as VENICE 2 it’s easy to use both cameras together for a seamless and efficient post-production workflow. Dual Base ISO Cinematographers worldwide love VENICE 2’s ability to switch the sensor’s sensitivity to capture clean images even in low light conditions. BURANO supports the same Dual Base ISO 800 and 3200 as VENICE 2. This means clear images with low noise whether shooting in a brightly lit environments (ISO 800) or in challenging dimly lit scenarios (ISO 3200). With BURANO, it’s possibly to shoot amazing imagery with nothing more than candlelight. Internal 16-bit X-OCN LT and XAVC H recording Despite its compact dimensions, BURANO offers internal recording of X-OCN LT* as well as our new XAVC H and proven industry standard XAVC-I format. X-OCN is Sony’s compressed RAW format that records everything that the 8.6K sensor can capture in a broad latitude 16-bit scene linear file full of rich tonal gradation. X-OCN LT’s high efficiency reduces storage requirements and accelerates file transfer times for 8K content for a post-production workflow that’s comparable to a 4K project. BURANO also features 10-bit S-Log3 with XAVC H-I HQ recording at 1200 Mbps and XAVC H-I SQ recording at 800 Mbps for 8K30p image quality. This enables even great data savings and faster post-production workflow. * Not compatible with X-OCN XT and X-OCN ST recording formats New in-camera Looks for Ready-to-Use Footage BURANO has four new looks – Warm, Cool, Vintage and Teal and Orange – to choose between alongside the established s709 and 709 (800) looks in Cine EI mode. Creatively tuned to suit typical shooting scenarios, they give the operator a choice of distinctive, engaging looks at the touch of a button. Moreover, LUT data from a shoot can be embedded in those clips’ metadata for an efficient colour workflow. s709: Kodak 2383-like natural tones and colours s709(800): Standard 709 tone curve for accurate colour reproduction Teal and Orange A modern, colourful, contrasty reformulation of the classic film look. With a strong separation between cool backgrounds and warm skin tones, it’s an ideal look for productions with a focus on human subjects. Warm A soft, gentle look with amber highlights, and flattering for skin. Cool Evokes the chill of a shadow, and the blue of twilight – ideal for midnight blue or the coolness of a city at dawn. Vintage Transports the camera’s high resolution cinema quality into a previous era. The look applies a film-like bleach bypass and faded, pale sepia effect. Lens Mount Flexibility PL Lens Mount BURANO comes with the industry-standard PL lens mount and is compatible with Super 35mm and full-frame PL lenses (spherical and anamorphic). The lens mount includes contacts that support Cooke/i Technology, and lens information is recorded as metadata, frame by frame.  Lever Lock Type E-mount E-mount lenses can be fitted when the PL mount adapter is removed. E-mount (lever lock type) gives users the ability to change lenses by rotating the locking collar rather than the lens itself, which means that in most cases lens support rigs don’t need to be removed, saving time during a production. Sony’s ever-increasing range of E-mount lenses, from ultra-wide to ultra-telephoto, are supported by the BURANO’s advanced image stabilisation and AF capabilities – ideal for mobile and single-operator projects. Anamorphic Lens De-Squeeze function BURANO comes with an anamorphic de-squeeze function as standard. The monitoring menu gives a choice from 1.3x/2.0x, based on the anamorphic lens’ magnification. The result can be seen on the LCD monitor display, and on external monitors at FHD resolution. The camera monitor output supports SDI or HDMI for X-OCN shooting, and HDMI for non-X-OCN content. In-Body Stabilisation with PL mount lenses BURANO is the world’s first cinema camera that supports in-body optical image stabilisation (IBIS) for almost any attached lens, including for the first time PL. The new, compact image stabilisation system was originally developed for the Alpha series of mirrorless cameras. Featuring a gyroscopic sensor and control algorithm, it compensates for camera shake even for handheld shooting while walking. The stabilisation is so effective that it removes the need for any extra equipment for many applications. Stabilisation is even greater with E-mount lenses, allowing more difficult shots to be captured without blurring. Camera shake data can be passed to post production for precise alignment with CGI and in volume stages. Electronic Variable ND Filter Sony’s unique electronic Variable ND Filter has been redesigned to be both smaller and compatible with the built-in image stabilisation mechanism. It can smoothly and continuously change its density from 0.6 (1/4) to 2.1 (1/128). With physical ND filters no longer needed, operators can adjust the electronic filter density by simply rotating the ND dial. Operators can maintain a constant depth of field by adjusting the electronic ND filter and the iris control together. Continuous or stepped changes can be selected with the ND STEP/VARIABLE switch, depending on the application. The [Auto ND] function automatically adjusts the filter density to give a correct exposure, effectively allowing the use of the ND filter as an alternative Auto IRIS. Catch the action with Fast Hybrid AF* Effortlessly track fast moving subjects with pin-sharp focus, even when using wide lens aperture settings to maintain a shallow depth of field with BURANO’s full-frame sensor. Originally developed by Sony’s Alpha camera engineers, enhanced Fast Hybrid AF combines phase detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. In addition, Face Detection intelligently recognises and locks on to human faces. The dedicated 627-point phase detection AF sensor covers approximately 88.7% of the whole image area, allowing consistently accurate, responsive AF tracking, even with shallow depth-of-field. AI Subject Recognition AF with touch* Our onboard AI processing unit recognises not only eye position but also accurately senses human torso and head positions. Subject Recognition AF automatically draws a frame around people’s faces when they are detected. Human pose estimation technology recognises body and head position, so you can even track a subject facing away from the camera or wearing a mask. Touch a person to focus on, and the camera will track that person precisely. Even in challenging situations like a bowed head or when hair covering a face, the camera accurately captures the eyes, so that operators can focus accurately even in the most difficult circumstances. * Over 70 E-mount lenses can use BURANO’s advanced Hybrid AF and AI Subject Recognition AF features Virtual Production made simple Up to 8K recording, 16-bit colours and a very fast sensor readout speed allow cinematographers to focus on the art of shooting virtual sets rather than technical compromises. The flawless synch with advanced Crystal LED controllers is unique in the industry. Dual CFexpress Type B Slots Sony’s new CFexpress card VPG400 allows for reliable capture at exceptional high data rates, including X-OCN LT recording in full 8K. BURANO’s dual media slots allow relay and simultaneous recording*, while versatile CFexpress Type B media are convenient for backing up and transferring data in the field. An additional SD card slot is for storing Proxy and camera setting information. * XAVC-only Smaller, Lighter, Stronger At 2.9 kg including the PL adaptor, BURANO is approximately 33% lighter than Sony’s top-of-the-line VENICE 2 digital cinema camera – a significant advantage when shooting hand-held or shoulder mounted, as well as when using with gimbal, drone, cranes and jibs. All the button and key layouts have been carefully considered to suit the new compact size and solo or team operation. The main cinematography controls are on the Operator Switch Side and can be illuminated for use in dark environments. The camera has tally lights in three positions, so operators can check status from four different directions. There’s also an optional audio beep for recording start and stop. Despite its compact size, BURANO is engineered to Sony’s highest standards of reliability with a housing constructed of sturdy magnesium alloy and aluminium for shooting in the harshest environments. Recording for hours on end is no problem with a highly efficient cooling system which is completely isolated from image sensor and other dust sensitive components. Exceptional ergonomics Intuitive Menu Control with Touch BURANO’s LCD Monitor has a quick access control menu for commonly accessed features. With a single touch, you can press to change key settings including: Codec, Imager Scan mode, Picture Size and frequency Base ISO/Sensitivity Shooting Mode Audio Levels Versatile Monitor BURANO features a 3.5 type LCD monitor that can be freely adjusted to suit the shooting style. A viewfinder loupe can be attached, autofocus is operated by touching the screen, and the display can also be mounted in a wide variety of ways to adapt to the project style. Smart Grip Flexibility Popular with operators around the world, the FS7/FX9 telescoping arm with grip control transformed shooting on the go and now with GP-VR100* we’ve made it even better for BURANO. The arm’s length is easily adjustable at the turn of a knob, while a quick-release lever adjusts the angle. Once perfectly adjusted for shooting from your shoulder or waist, Sony’s Grip Remote Control puts all the important controls at your fingertips with Zoom, Start/Stop and a range of Assign controls, including a dial you can use to adjust Iris. So, you can operate BURANO without taking your hand off the grip.

Sony Hdvf C35w viewfinder, Used

Sony Hdvf C35w viewfinder, Used(FMP59433KSBR) Good condition  Sony HDVF-C35W (HDVFC35W) 3.5inch LCD electronic HD viewfinder for HDCAM camcorders sony_hdvf-c35w / HDVF-C35W//U. The HDVF-C35W 3.5-inch HD LCD colour viewfinder provides crisp, clear images from its full colour TFT-LCD display. By using a uniquely designed detachable eyepiece, camera operators can clearly view images from various positions and angles. In addition, the LCD display provides a wide viewing angle, so that a number of people can view the same picture at the same time. The viewfinder features an aspherical lens in the eyepiece to reduce aberration at each corner of the viewfinder image for more precise focusing. The HDVF-C35W 3.5-inch HD LCD colour viewfinder provides crisp, clear images from its full colour TFT-LCD display. By using a uniquely designed detachable eyepiece, camera operators can clearly view images from various positions and angles. In addition, the LCD display provides a wide viewing angle, so that a number of people can view the same picture at the same time. The viewfinder features an aspherical lens in the eyepiece to reduce aberration at each corner of the viewfinder image for more precise focusing.

Sony Pxw-z280 4K 3-Cmos 1/2" Sensor Xdcam Camcorder

Sony Pxw-z280 4K 3-Cmos 1/2" Sensor Xdcam Camcorder(PXW-Z280V//C) Sony's PXW-Z280 4K 3-CMOS 1/2" Sensor XDCAM Camcorder continues the fine tradition of the XDCAM series of cameras. It captures 4K at up to 60p relying on three 1/2" Exmor R sensors that provide improved low-light capability when compared to standard sensors. The camera integrates a 17x optical zoom lens and an electronic variable ND filter. The camera supports modern codecs such as XAVC, as well as legacy codecs such as MPEG HD and DVCAM, allowing you to use one camera to shoot 4K, HD, or SD video. The camera supports S-Log 3 for improved performance, and HLG (Hybrid Log Gamma) which allows you to shoot and deliver footage compatible with both HDR (high dynamic range) and SDR (standard dynamic range) without needing laborious post-production work. You can record in both 4K and HD simultaneously, or output 4K 60p via the built-in 12G-SDI output. The camera features built-in 2.4 and 5 GHz Wi-Fi.

Sony Axsm Card Adapter, Used

Sony Axsm Card Adapter, Used(FMP59419LPSH) Good condition, 3 months warranty This is a Sony AXSM memory card adapter, for use with the small sized cards such as the AXS-A512S24, AXS-A512S48, AXS-A1TS24, AXS-A1TS48, allowing them to be used in the AXS-CR1 reader or AXS-R5 recorder. Ideal for use with Venice, PMW-F55, PMW-F5, or NEX-FS700 2K/4K RAW workflows.

Sony 4K Handheld Camcorder

Sony 4K Handheld Camcorder(ZV-1FBDI) Specifically designed for vloggers and online content creators, the Sony ZV-1F Vlogging Camera is a pocket-sized camera with a large 1" sensor and a 20mm equivalent wide-angle lens. The camera lets you take a group selfie with a wide view of the background scenery and get everything in the frame, even at arm's length.The lens captures a wider field of view than the human eye, allowing you to take images with stunning depth and perspective both indoors and outdoors. external. Small and lightweight, the camera is designed to be carried around so you can capture everyday life with ease and capture content on the go. Equipped with a 3.0" touchscreen0" detachable microphone and a 3-capsule directional microphone perfect for front-facing recording, the ZV-1F will also appeal to those who appreciate the camera's unique Product Showcase setting, background blur function, real-time Eye AF (autofocus ), Face Priority AE (automatic exposure), as well as a new touchscreen interface, which makes it easier to use. Fast, intelligent autofocus Offering 425 contrast-detection AF points to cover a large area of the captured image, the ZV-1F offers high-precision focusing to ensure your footage remains razor-sharp. Easy Bokeh at the Touch of a Button With a simple push of the bokeh switch, the ZV-1F lets you achieve beautiful blurry backgrounds like a pro. Beautiful skin tones for everyone. Look your best every time you shoot. Without any special settings, the camera captures skin tones accurately, ensuring a healthy and natural look. There is also a Soft Skin Effect mode to adjust the smoothness of the skin. Still footage while walking Showing your viewers the world around you creates engaging content, but shaky footage can be distracting. The ZV-1F lets you capture video clearly even while walking. Image stabilization in active mode helps minimize image blur from handheld shooting for steadier shots. Slow & Speed Capture poignant moments in slow motion or ramp up the energy for dramatic scenes without any editing. With the ZV-1F, you can easily adjust the speed of your footage by simply pressing the Slow and Quick buttons. Easy smartphone connectivity Transfer all recorded images and videos to your smartphone via Wi-Fi via the Imaging Edge Mobile Plus app. The app also turns your phone into a remote control for remote shooting. Simple streaming   Turn the ZV-1F into a high-quality webcam by simply connecting a compatible device via USB. The 1" image sensor and Creative Look mode ensure vibrant images, while the 3-capsule directional microphone delivers excellent audio.

Sony ZV-E1 FF Mirrorless Vlog Camera - Full-frame 35mm sensor (Black)

Sony ZV-E1 FF Mirrorless Vlog Camera - Full-frame 35mm sensor (Black)(ZV-E1) Introducing the Sony ZV-E1, with a unique set of features designed for cinematic content creation and demanding video shooters looking for the best shooting experience. This is a compact camera that includes a large and high performance full-frame sensor capable of 4K 60p recording, a unique AI-based Autofocus with multiple object recognition, and professional audio quality. It also packs Sony's own set of vlogging features, such as Product showcase or the direct to streaming camera solution in 4K, aimed at making content creation easier. For the first time, record your adventures with a cinematic look thanks to a unique Cinematic Vlog settings and professional picture profile S-CINETONE. Keep your shots extremely stable with the new frame stabiliser and in-body stabilisation. Get the ultimate content creation experience with the Sony ZV-E1 and shoot your content like a pro. Professional Grade Full-Frame Quality Shoot cinematic content with the professional sized full-frame 4K 60p image quality for unlimited creative expression, even in the dimmest light situations. Made easy for video content creation, benefit from the cinematic look of S-CINETONE and Cinematic Vlog profiles. The Sony ZV-E1 is also capable of cinematic 4K 120p slow-motion inherited from professional cameras via a free firmware update. Equipped with a dedicated AI chip, this vlogging camera is capable of advanced Autofocus features detecting human eyes, pets, and a variety of objects, so your footage is always in focus. Additionally, it includes new features such as auto-framing and framing stabilisation to keep your subject stable and centred in the frame. The ZV-E1 includes features designed for content creation such as a Bokeh switch that blurs the background and a Product showcase mode for reviewers who want to ensure objects are in focus when shown to the camera. Paired with a swivel, fully touch capable screen and a tally lamp, it has never been easier to vlog and focus on your content. The features on this 4K camera pack a punch for serious filmmaking. Sony's latest Focus breathing compensation feature eliminates any breathing when focusing at different distances (only compatible with Sony lenses), you can import your own LUT to get a full preview of the end result, and more. Pair your Sony vlogging camera seamlessly with your smartphone using the latest app and transfer high quality clips straight to your phone. Additionally, this camera is streaming ready at up to 4K 30p or Full HD 60p without the need for a capture card or extra software. As part of Sony's extensive system, enjoy different angles of view with 60+ full-frame lenses available and capture sound like never before with the series of ECM digital microphones.

Sony URX-P41D/K42 Dual Channel Portable Receiver TV-channel 42-48, 638,025-694,000 MHz

Sony URX-P41D/K42 Dual Channel Portable Receiver, TV-channel 42-48, 638,025-694,000 MHz Light, compact and brilliantly easy to use, the URX-P41D 2-channel portable wireless receiver combines digital audio processing for sparkling sound quality with the reliability of analogue FM modulation and true diversity reception. Automatic pairing with UWP-D Series wireless transmitters saves times for busy videographers, documentary makers and self-shooters. For extra versatility there’s an additional mic input and 3-channel mixer, making the URX-P41D an ideal sound acquisition partner for on-camera interviews. It’s also a great match for Sony cameras and handheld camcorders, with seamless integration via an optional Multi Interface Shoe Adaptor.

Sony Anycast AWS-G500 RGB Interface Module BKAW-550, used

Sony Anycast AWS-G500 RGB Interface Module BKAW-550, used Good condition, 3 Months Warranty The Sony BKAW-550 is an RGB input board for the Anycast Station Live Content Producer. This all-in-one unit comprises a high-quality video switcher, an audio mixer, a large LCD display, and a streaming encoder and server. This board is a standard input interface on the Anycast; an extra board allows 2 extra inputs of RGB PC video on HD-15 connectors.  

Sony Anycast AWS-G500 RGB Interface Module BKAW-550, used

Sony Anycast AWS-G500 RGB Interface Module BKAW-550, used Good condition, 3 Months Warranty The Sony BKAW-550 is an RGB input board for the Anycast Station Live Content Producer. This all-in-one unit comprises a high-quality video switcher, an audio mixer, a large LCD display, and a streaming encoder and server. This board is a standard input interface on the Anycast; an extra board allows 2 extra inputs of RGB PC video on HD-15 connectors.  

Sony Alpha A6700 Aps-c Camera With 16-50mm Lens

Sony Alpha A6700 Aps-c Camera With 16-50mm Lens(ILCE-6700L) Next Generation Creativity on the Go The α6700 combines the latest AI technology with Sony's outstanding α-series image quality in a compact APS-C camera body. Offering enhanced subject recognition, the latest technology for capturing stills and movies, and E-mount lens compatibility, the lightweight α6700 is designed for creative adventures, anytime, anywhere. APS-C Format Exmor R Back-Illuminated CMOS Sensor The advanced Exmor R CMOS image sensor with 26.01 effective megapixels is packed with Sony's image sensor technologies. It offers extraordinary sensitivity, resolution and dynamic range, thanks to its back-illuminated format, gapless on-chip lenses, and AR coating (anti-reflection seal glass) BIONZ XR™ processing power for exceptional image quality With up to eight times2 more processing power than previous versions, the latest BIONZ XR image processing engine delivers natural gradations and realistic colors with low noise for stills and movies. Wide dynamic range for diverse shooting scenarios The α6700's standard sensitivity ranges from a low ISO 100 to ISO 320003, and offers a wide dynamic range so that natural gradations can be captured in high-contrast scenes without blown highlights or blocked shadows. Consistently accurate exposure and color The α6700 offers impressive exposure control. It's equipped with a new AE algorithm, initially developed for full-frame models, which enables it to accurately detect the skin area of faces and adjust exposure accordingly when shooting stills and movies. It can also maintain realistic colors under a wide range of light sources, from sunlight through to theater and stadium lighting, and produce more natural skin tones, sky and foliage colors. Choose your Creative Look The Creative Look setting offers greater creative flexibility with added simplicity. It provides 10 presets that can be used just as they are or customized via 8 adjustable parameters to suit the subject or scene, whether you’re shooting stills, movies or live-streaming. You can easily set the mood ahead of shooting so your images are ready to share immediately. 5-axis optical image stabilization Shoot hand-held or in low-light with confidence — the 5-axis in-body optical image stabilization system is supported by precision gyro sensors to deliver up to 5-steps4 of shake compensation. It detects and compensates for various types of camera shake, including angular (pitch/yaw) shake that is more apparent at longer focal lengths, or when shooting with slower shutter speeds. Precise compensation at the single-pixel level Through enhanced design and control of key parameters, the α6700 provides precise detection and control right down to the single-pixel level, taking full advantage of the sensor's 26.0 megapixel1 resolution to produce images that capture all the finer details. Selectable RAW file types and quality In addition to compressed RAW capture, the α6700 supports lossless compressed RAW capture that provides efficient compression, allowing a greater number of high-quality images to be shot in continuous bursts. A new Light image quality selection that generates less data is provided for JPEG and HEIF images. HEIF: High compression with excellent image quality For the first time in an APS-C camera, the α6700 includes the HEIF (High Efficiency Image File) format with smooth 10-bit gradations for more realistic reproduction of skies and portrait skin tones. The HEIF format also uses advanced compression technology to maintain image quality while significantly reducing file size and saving storage space. Innovative AI processing The α6700 is equipped with an innovative AI processing unit that greatly enhances its performance, including more accurate recognition for a wider range of subjects. Human pose estimation The α6700 uses subject form data to recognize movement, achieving greatly improved human eye recognition. It also employs learned human forms and postures to precisely recognize body and head positions, making it possible to lock onto and track a subject facing away from the camera, or with their face partly obscured by a helmet or sunglasses. Wider subject recognition In addition to humans and animals, the α6700 now recognizes birds, insects, cars, trains and airplanes7, providing even greater flexibility and reliability when shooting both stills and movies. Heads and bodies are recognized in addition to eyes (Real-time Eye AF) for the Human and Animal settings, and now for the Bird setting too, with animal recognition performance more than 40%8 higher compared to the α6600. Smarter Real-time Tracking9 The upgraded and more reliable AI-based Real-time Tracking makes shooting in a wider range of situations simpler, leaving you free to concentrate on framing and composition. The α6700 can even track people wearing helmets or animals facing away from the camera.10 Shooting responsibly when using face registration The face registration feature involves the use of biometric data. You are responsible for your collection and use of such data, and compliance with applicable local law. For more details, please visit the website below. Faster, more precise wide-area AF The immense processing power and updated algorithms of the new BIONZ XR engine achieve notably improved AF performance, with up to 759 phase detection points, 11 covering approximately 93% of the image area when shooting stills. Accurate AF in low EV -3.0 light The latest AF algorithms achieve high AF precision at light levels as low as EV -3.0 in AF-S mode (ISO 100 equivalent, F2.0 lens). The Focus Priority mode also provides more reliable AF in low light or when using smaller apertures. Shoot more than 1000 images at 11fps The a6700's powerful BIONZ XR processing engine combines with a large buffer memory to boost write speeds to memory cards, so that the camera can shoot more than 1000 JPEG images, up to 59 compressed RAW images, or up to 23 lossless compressed RAW images in continuous high-speed bursts. Full-time DMF When shooting stills with AF-C or AF-S autofocus, the lens's focus ring can be rotated to instantly switch to manual focus mode at any time. This makes it easy to switch focus to a different subject on the fly. Focus bracketing to capture the best shot The a6700 can automatically shoot up to 299 images with sequentially shifted focus points according to intervals and a sequence specified by you. Pick the perfect shot, or post-process multiple shots to achieve creative composites with incredible depth of focus. Flicker suppression Suppress flicker from artificial lighting whether you're shooting stills or movies. Simply select "Anti-flicker Shoot", or use "Var. Shutter" to fine-tune shutter speeds to match flicker rates when filming. 4K movie recording for stunning quality The α6700 captures 4K (QFHD: 3840 x 2160) at up to 60p (50p) using Sony's proprietary 6K oversampling technology. By compressing this expanded detail into the output, it achieves 4K video quality with outstanding definition, even at higher frame rates. The camera also supports high-quality XAVC S-I (All-Intra) and XAVC HS formats with 10-bit 4:2:2 color sampling.16 High frame rate 4K 120p (100p) recording17 High frame rate recording at up to 120p for 4K QFHD (3840 x 2160) output makes it possible to capture high-resolution movies in-camera. This expands creative possibilities in post-production by allowing subject motion to be emphasized or transformed into smooth slow motion. S&Q mode18 also enables recording of slow or quick motion sequences in camera from the outset. Expressive S-Cinetone™ Incorporating the same color science as the highly regarded CineAlta and Cinema Line, the α6700 includes Sony's S-Cinetone picture profile as a preset, delivering images with more faithful color reproduction and natural skin tones. S-Log3 gamma curve with 14+ stops19 of latitude The S-Log3 gamma curve emphasizes gradation characteristics from shadows to mid-grey (18% grey), achieving up to 14+ stops19 of latitude for flexible and creative color editing. Real-time Tracking for movies AI-based Real-time Tracking provides a dramatic improvement in Real-time Tracking performance, automatically recognizing, tracking, and focusing on the eyes of a specified subject.20 In addition to using the Touch Tracking function to initiate tracking, a custom button can be used to temporarily track a selected subject regardless of the subject's position in the frame and the focus area setting. Active Mode for enhanced movie image stabilization21 Active Mode21 provides powerful image stabilization for handheld movie shooting. The α6700 can accurately measure camera shake which is then precisely compensated for optically, providing highly effective stabilization without sacrificing mobility, even when shooting 4K22. Breathing compensation for consistent angle of view23 When shooting movies with compatible lenses, automatic breathing compensation uses Clear Image Zoom technology to maintain a consistent angle of view, suppressing changes that may occur due to shifts in focus position. Breathing metadata can also be used in post-production24. Import user LUT files See how your footage will look in post-processing while you're shooting. The a6700 allows you to import a custom LUT (Look Up Table) that can be applied to the camera's monitor image while recording, providing a preview. Movie making made simple The a6700 is jampacked with features to support movie shooting and production. Its Auto Framing?5 function automatically crops and re-frames the image while using Al to track the subject. Or, for a cinematic touch, the in-camera time-lapse function allows you to create time-lapse videos within the camera itself. Made for your hands With its compact shape, and lightweight 493 gram body, the α6700 offers remarkable portability and maneuverability without compromising image quality. A new grip design provides a solid, even more comfortable hold on the camera, while giving greater control for shooting both stills and movies. High-performance electronic viewfinder A 2.36 million-dot (approx.) XGA OLED electronic viewfinder with approximately 1.07x magnification26 delivers an exceptional view of your world. With twice the brightness of the α6600, and a wider 33-degree viewing angle, it offers clear, easy viewing while shooting. The finder frame rate can be set to 120 fps — twice the normal rate — for a smooth viewfinder image, with minimum display motion blur when tracking and shooting moving subjects. Enhanced shooting flexibility with vari-angle monitor The α6700 features a large 3.0-type 1.03 million-dot (approx.) touch-panel LCD monitor with a 3:2 aspect ratio and side-opening vary-angle flexibility. This allows greater positioning and framing freedom, giving you plenty of creative options for handheld and gimbal-mounted shooting of stills and movies. Intuitive touch control Just touch the screen to activate key functions, such as selecting a focus point or subject to track, or triggering the shutter. Swiping in from the left or right edge of the shooting display reveals touch icons that allow quick changes to the shooting mode and other settings. The function (Fn) menu can also be displayed by a simple swipe-up. During playback, you can easily select and zoom into images through taps and intuitive pinch-out/pinch-in gestures. Improved menu structure Responding to feedback from professional photographers and videographers, the α6700 comes with a new Main Menu structure similar to the latest full-frame α series models. The logical layout provides more efficient access to important shooting parameters, such as frame rate, shutter speed, and more. It can be assigned to a custom key for quick access when needed, and touch operation means that adjusting key settings has never been faster. More than 70 E-mount lenses to choose from Take your pick from a comprehensive range of E-mount lenses from Sony. Our acclaimed line-up includes the full-frame G Master™ series that blends breathtaking resolution with exquisite bokeh, and the G Lens™ series that offers excellent image quality and value. Combined with an APS-C body, Sony's ultra-wide lenses can capture sweeping scenery or large subjects in a single frame, while telephoto lenses, assisted by the 1.5 crop factor of APS-C cameras and teleconverter lenses as needed, make it possible to capture distant subjects with stunning clarity and detail. Accessories expand creative horizons A variety of high-performance compatible microphones can be connected to the the camera’s Multi Interface Shoe for direct, noise-free digital audio transfer to the camera. Or choose from a variety of high-output flash units such as the HVL-F60RM2 that support high-speed continuous shooting, giving you even more ways to capture creative imagery. Easy and stable smartphone connectivity Make the most of the a6700's greatly enhanced connection stability with Sony's free Creators' App27 that enables simple transfers of photos and movies to your smartphone or tablet. Transfers continue in the background even if the smartphone display sleeps or a different app is launched.28 You can also use your smartphone to control the camera remotely. Stream high-quality live content Connected to a personal computer or smartphone 29 via USB, the a6700 can function as a 4K (2160p) webcam with advanced AF that makes online meetings and live streaming events even smoother. Fast Wi-Fi for PC tethering Built-in Wi-Fi (IEEE 802.11a/b/g/n/ac) allows communication on the 2.4 GHz and 5 GHz30 bands for fast and stable data transfer. Creators' Cloud platform Creators' Cloud is a platform that supports creative work from shooting to production by combining advanced Sony camera technology with cloud-based AI. It's also a place for discovery and collaboration with other creators around the world. Explore web, mobile, and PC-based apps providing efficient solutions that integrate cameras with shooting and production apps and services. Accessible technology on α cameras Sony's α cameras are equipped with a number of accessibility features so that as many people as possible can utilize and enjoy our technology. For example, the screen reader function reads text on the menu screens aloud, with volume and reading speed adjustable as needed. Approximate, effective Compared to the BIONZ X image processing engine in the α6600. Sony tests. Expandable to ISO 50 - 102400 for stills. Based on CIPA standard. Pitch/yaw shake only. With FE 50mm F1.2 GM lens mounted. Long-exposure Noise Reduction off. The latest version of Imaging Edge Desktop (Remote/Viewer/Edit) is required to view and edit HEIF images. All specified subjects may not be accurately recognized in all conditions. Subject types other than the type specified may be erroneously recognized in some cases. Sony internal tests [Tracking] in the menu. Based on advanced artificial intelligence, including machine learning. Camera operation depends on focus area settings and touch operation. Accurate focus may not be achieved in some situations. The number of distance measuring points when shooting stills. The number of points used depends on the selected shooting mode. JPEG FINE format, continuous Hi+ mode. Actual number of images may vary according to shooting conditions. Not applicable to the E PZ 16-50mm F3.5-5.6 OSS and E 18-200mm F3.5-6.3 OSS LE lenses or any A-mount lens. Full-time DMF is not available when shooting continuously in AF-C or AF-A mode (not including Lo), or when using the FE 70-200mm F2.8 GM II OSS lens in AF-C mode. A-mount lenses not supported. Only 100 Hz and 120 Hz flicker are detected. Continuous shooting speed may decrease. Phase-detection AF coverage is reduced. Flicker-free shooting is not available during silent shooting, BULB exposure, or movie recording. Recording frame rates are indicated as the closest integer values. The actual corresponding frame rates are as follows: 24p: 23.98 fps, 30p: 29.97 fps, 60p: 59.94 fps, and 120p: 119.88 fps. QFHD (3840 x 2160) with approx. 38 % image crop. Audio recording not available in the S&Q mode. S-Log3 movies. Sony internal tests. When subject recognition is ON during AF shooting. Face, eye, etc. recognition status can be monitored when subject recognition frame display is ON. Accurate focus may not be achieved in some situations. Slight image crop in Active Mode. “Standard” setting recommended for focal lengths of 200 mm or longer. Active Mode is not available when recording at frame rates of 120 (100) fps or higher, including S&Q. Compatible lenses are listed at: https://support.d-imaging.sony.co.jp/support/ilc/breathing/en/ Angle of view and image quality may change slightly when this function is turned ON. Full compensation may not be possible with some lenses. This function is not available when shooting movies at 120p, when using the S&Q mode at 120p, or when shooting stills. Additional focus breathing compensation is available in post-production using the advanced breathing compensation capabilities of the latest Catalyst Browse/Prepare software application, processing metadata provided by the camera. Only available for movies. Framing is cropped from 4K images, resulting in a reduced angle of view. With 50mm lens at infinity, -1m-¹. 35mm camera equivalent: Approx. 0.70x. Download app at Google Play and the App Store. Network services, content, and operating system and software subject to terms and conditions and may be changed, interrupted or discontinued at any time and may require fees, registration and credit card information.Check regional availability of services and applications via the URL https://www.sony.net/cca/ Transfer may be interrupted when a different app is launched on some operating systems. When streaming via USB, maximum image resolution is 3840 x 2160 and maximum frame rate is 30 fps. The OS of the computer or smartphone used must be compatible with UVC/UAC. Use the most up-to-date OS available for your device. A commercially available USB cable and/or terminal adaptor may be used to connect to equipment with a USB Type-C port. When connected via USB 2.0, maximum image resolution is HD (720p) and maximum frame rate is 30p. 5 GHz communication may be restricted in some countries and regions. Not guaranteed to be 100% dust- and moisture-proof. Shooting time will vary according to conditions. Use the [Interval Timer] function to shoots sequences at long intervals (e.g. 10 minutes or more). Maximum exposure interval is 6 seconds when shooting 4K. Maximum exposure interval is 6 seconds when shooting 4K. The Focus Map function cannot be used in the following conditions: When the Focus Magnifier function is in use, when using digital zoom, during USB streaming, when no lens is mounted, when an A-mount lens is mounted, or when a lens that is not compatible with focal plane phase-detection AF is in use. Not including materials used in coatings and adhesives. Not including materials used in coatings and adhesives. Natural non-woven fabric may not be available during some production periods. Features and specifications are subject to change without prior notice. Number of effective pixels varies depending on attached lenses and camera settings. When using accessories that support 4ch output / 24 bits with the Multi Interface Shoe. Anti-flicker Shooting is not available when the [Shutter Type] setting is set to [Electronic Shutter]. With compatible Sony external flash Varies according to shooting conditions or memory card used Supports Micro USB compatible device. (Configuration method/Access method) WPS or manually /infrastructure mode. When connecting to smartphones, the camera can always work as a base without a wireless access point. (Security: WEP/WPA-PSK/WPA2-PSK/WPA3-SAE) Models sold in some countries/regions support IEEE 802.11b/g/n (2.4GHz) wireless LAN only. Sony accessories for the Accessory Shoe can be attached. When [Resolution] is set to [HD(720p)], [MJPEG] is only available. The LCD screen is turned on, shot once every 30 seconds, operate zoom alternately between W and T ends, flash strobe once every two times, turn power off and on once every ten times.   Indication recording time, which is defined by repeating the cycle: Power on, start recording, zoom , stand-by and power off.  

Sony Alpha A6700 Aps-c Camera With 18-135mm Lens

Sony Alpha A6700 Aps-c Camera With 18-135mm Lens(ILCE-6700M) Next Generation Creativity on the Go The α6700 combines the latest AI technology with Sony's outstanding α-series image quality in a compact APS-C camera body. Offering enhanced subject recognition, the latest technology for capturing stills and movies, and E-mount lens compatibility, the lightweight α6700 is designed for creative adventures, anytime, anywhere. APS-C Format Exmor R Back-Illuminated CMOS Sensor The advanced Exmor R CMOS image sensor with 26.01 effective megapixels is packed with Sony's image sensor technologies. It offers extraordinary sensitivity, resolution and dynamic range, thanks to its back-illuminated format, gapless on-chip lenses, and AR coating (anti-reflection seal glass) BIONZ XR™ processing power for exceptional image quality With up to eight times2 more processing power than previous versions, the latest BIONZ XR image processing engine delivers natural gradations and realistic colors with low noise for stills and movies. Wide dynamic range for diverse shooting scenarios The α6700's standard sensitivity ranges from a low ISO 100 to ISO 320003, and offers a wide dynamic range so that natural gradations can be captured in high-contrast scenes without blown highlights or blocked shadows. Consistently accurate exposure and color The α6700 offers impressive exposure control. It's equipped with a new AE algorithm, initially developed for full-frame models, which enables it to accurately detect the skin area of faces and adjust exposure accordingly when shooting stills and movies. It can also maintain realistic colors under a wide range of light sources, from sunlight through to theater and stadium lighting, and produce more natural skin tones, sky and foliage colors. Choose your Creative Look The Creative Look setting offers greater creative flexibility with added simplicity. It provides 10 presets that can be used just as they are or customized via 8 adjustable parameters to suit the subject or scene, whether you’re shooting stills, movies or live-streaming. You can easily set the mood ahead of shooting so your images are ready to share immediately. 5-axis optical image stabilization Shoot hand-held or in low-light with confidence — the 5-axis in-body optical image stabilization system is supported by precision gyro sensors to deliver up to 5-steps4 of shake compensation. It detects and compensates for various types of camera shake, including angular (pitch/yaw) shake that is more apparent at longer focal lengths, or when shooting with slower shutter speeds. Precise compensation at the single-pixel level Through enhanced design and control of key parameters, the α6700 provides precise detection and control right down to the single-pixel level, taking full advantage of the sensor's 26.0 megapixel1 resolution to produce images that capture all the finer details. Selectable RAW file types and quality In addition to compressed RAW capture, the α6700 supports lossless compressed RAW capture that provides efficient compression, allowing a greater number of high-quality images to be shot in continuous bursts. A new Light image quality selection that generates less data is provided for JPEG and HEIF images. HEIF: High compression with excellent image quality For the first time in an APS-C camera, the α6700 includes the HEIF (High Efficiency Image File) format with smooth 10-bit gradations for more realistic reproduction of skies and portrait skin tones. The HEIF format also uses advanced compression technology to maintain image quality while significantly reducing file size and saving storage space. Innovative AI processing The α6700 is equipped with an innovative AI processing unit that greatly enhances its performance, including more accurate recognition for a wider range of subjects. Human pose estimation The α6700 uses subject form data to recognize movement, achieving greatly improved human eye recognition. It also employs learned human forms and postures to precisely recognize body and head positions, making it possible to lock onto and track a subject facing away from the camera, or with their face partly obscured by a helmet or sunglasses. Wider subject recognition In addition to humans and animals, the α6700 now recognizes birds, insects, cars, trains and airplanes7, providing even greater flexibility and reliability when shooting both stills and movies. Heads and bodies are recognized in addition to eyes (Real-time Eye AF) for the Human and Animal settings, and now for the Bird setting too, with animal recognition performance more than 40%8 higher compared to the α6600. Smarter Real-time Tracking9 The upgraded and more reliable AI-based Real-time Tracking makes shooting in a wider range of situations simpler, leaving you free to concentrate on framing and composition. The α6700 can even track people wearing helmets or animals facing away from the camera.10 Shooting responsibly when using face registration The face registration feature involves the use of biometric data. You are responsible for your collection and use of such data, and compliance with applicable local law. For more details, please visit the website below. Faster, more precise wide-area AF The immense processing power and updated algorithms of the new BIONZ XR engine achieve notably improved AF performance, with up to 759 phase detection points, 11 covering approximately 93% of the image area when shooting stills. Accurate AF in low EV -3.0 light The latest AF algorithms achieve high AF precision at light levels as low as EV -3.0 in AF-S mode (ISO 100 equivalent, F2.0 lens). The Focus Priority mode also provides more reliable AF in low light or when using smaller apertures. Shoot more than 1000 images at 11fps The a6700's powerful BIONZ XR processing engine combines with a large buffer memory to boost write speeds to memory cards, so that the camera can shoot more than 1000 JPEG images, up to 59 compressed RAW images, or up to 23 lossless compressed RAW images in continuous high-speed bursts. Full-time DMF When shooting stills with AF-C or AF-S autofocus, the lens's focus ring can be rotated to instantly switch to manual focus mode at any time. This makes it easy to switch focus to a different subject on the fly. Focus bracketing to capture the best shot The a6700 can automatically shoot up to 299 images with sequentially shifted focus points according to intervals and a sequence specified by you. Pick the perfect shot, or post-process multiple shots to achieve creative composites with incredible depth of focus. Flicker suppression Suppress flicker from artificial lighting whether you're shooting stills or movies. Simply select "Anti-flicker Shoot", or use "Var. Shutter" to fine-tune shutter speeds to match flicker rates when filming. 4K movie recording for stunning quality The α6700 captures 4K (QFHD: 3840 x 2160) at up to 60p (50p) using Sony's proprietary 6K oversampling technology. By compressing this expanded detail into the output, it achieves 4K video quality with outstanding definition, even at higher frame rates. The camera also supports high-quality XAVC S-I (All-Intra) and XAVC HS formats with 10-bit 4:2:2 color sampling.16 High frame rate 4K 120p (100p) recording17 High frame rate recording at up to 120p for 4K QFHD (3840 x 2160) output makes it possible to capture high-resolution movies in-camera. This expands creative possibilities in post-production by allowing subject motion to be emphasized or transformed into smooth slow motion. S&Q mode18 also enables recording of slow or quick motion sequences in camera from the outset. Expressive S-Cinetone™ Incorporating the same color science as the highly regarded CineAlta and Cinema Line, the α6700 includes Sony's S-Cinetone picture profile as a preset, delivering images with more faithful color reproduction and natural skin tones. S-Log3 gamma curve with 14+ stops19 of latitude The S-Log3 gamma curve emphasizes gradation characteristics from shadows to mid-grey (18% grey), achieving up to 14+ stops19 of latitude for flexible and creative color editing. Real-time Tracking for movies AI-based Real-time Tracking provides a dramatic improvement in Real-time Tracking performance, automatically recognizing, tracking, and focusing on the eyes of a specified subject.20 In addition to using the Touch Tracking function to initiate tracking, a custom button can be used to temporarily track a selected subject regardless of the subject's position in the frame and the focus area setting. Active Mode for enhanced movie image stabilization21 Active Mode21 provides powerful image stabilization for handheld movie shooting. The α6700 can accurately measure camera shake which is then precisely compensated for optically, providing highly effective stabilization without sacrificing mobility, even when shooting 4K22. Breathing compensation for consistent angle of view23 When shooting movies with compatible lenses, automatic breathing compensation uses Clear Image Zoom technology to maintain a consistent angle of view, suppressing changes that may occur due to shifts in focus position. Breathing metadata can also be used in post-production24. Import user LUT files See how your footage will look in post-processing while you're shooting. The a6700 allows you to import a custom LUT (Look Up Table) that can be applied to the camera's monitor image while recording, providing a preview. Movie making made simple The a6700 is jampacked with features to support movie shooting and production. Its Auto Framing?5 function automatically crops and re-frames the image while using Al to track the subject. Or, for a cinematic touch, the in-camera time-lapse function allows you to create time-lapse videos within the camera itself. Made for your hands With its compact shape, and lightweight 493 gram body, the α6700 offers remarkable portability and maneuverability without compromising image quality. A new grip design provides a solid, even more comfortable hold on the camera, while giving greater control for shooting both stills and movies. High-performance electronic viewfinder A 2.36 million-dot (approx.) XGA OLED electronic viewfinder with approximately 1.07x magnification26 delivers an exceptional view of your world. With twice the brightness of the α6600, and a wider 33-degree viewing angle, it offers clear, easy viewing while shooting. The finder frame rate can be set to 120 fps — twice the normal rate — for a smooth viewfinder image, with minimum display motion blur when tracking and shooting moving subjects. Enhanced shooting flexibility with vari-angle monitor The α6700 features a large 3.0-type 1.03 million-dot (approx.) touch-panel LCD monitor with a 3:2 aspect ratio and side-opening vary-angle flexibility. This allows greater positioning and framing freedom, giving you plenty of creative options for handheld and gimbal-mounted shooting of stills and movies. Intuitive touch control Just touch the screen to activate key functions, such as selecting a focus point or subject to track, or triggering the shutter. Swiping in from the left or right edge of the shooting display reveals touch icons that allow quick changes to the shooting mode and other settings. The function (Fn) menu can also be displayed by a simple swipe-up. During playback, you can easily select and zoom into images through taps and intuitive pinch-out/pinch-in gestures. Improved menu structure Responding to feedback from professional photographers and videographers, the α6700 comes with a new Main Menu structure similar to the latest full-frame α series models. The logical layout provides more efficient access to important shooting parameters, such as frame rate, shutter speed, and more. It can be assigned to a custom key for quick access when needed, and touch operation means that adjusting key settings has never been faster. More than 70 E-mount lenses to choose from Take your pick from a comprehensive range of E-mount lenses from Sony. Our acclaimed line-up includes the full-frame G Master™ series that blends breathtaking resolution with exquisite bokeh, and the G Lens™ series that offers excellent image quality and value. Combined with an APS-C body, Sony's ultra-wide lenses can capture sweeping scenery or large subjects in a single frame, while telephoto lenses, assisted by the 1.5 crop factor of APS-C cameras and teleconverter lenses as needed, make it possible to capture distant subjects with stunning clarity and detail. Accessories expand creative horizons A variety of high-performance compatible microphones can be connected to the the camera’s Multi Interface Shoe for direct, noise-free digital audio transfer to the camera. Or choose from a variety of high-output flash units such as the HVL-F60RM2 that support high-speed continuous shooting, giving you even more ways to capture creative imagery. Easy and stable smartphone connectivity Make the most of the a6700's greatly enhanced connection stability with Sony's free Creators' App27 that enables simple transfers of photos and movies to your smartphone or tablet. Transfers continue in the background even if the smartphone display sleeps or a different app is launched.28 You can also use your smartphone to control the camera remotely. Stream high-quality live content Connected to a personal computer or smartphone 29 via USB, the a6700 can function as a 4K (2160p) webcam with advanced AF that makes online meetings and live streaming events even smoother. Fast Wi-Fi for PC tethering Built-in Wi-Fi (IEEE 802.11a/b/g/n/ac) allows communication on the 2.4 GHz and 5 GHz30 bands for fast and stable data transfer. Creators' Cloud platform Creators' Cloud is a platform that supports creative work from shooting to production by combining advanced Sony camera technology with cloud-based AI. It's also a place for discovery and collaboration with other creators around the world. Explore web, mobile, and PC-based apps providing efficient solutions that integrate cameras with shooting and production apps and services. Accessible technology on α cameras Sony's α cameras are equipped with a number of accessibility features so that as many people as possible can utilize and enjoy our technology. For example, the screen reader function reads text on the menu screens aloud, with volume and reading speed adjustable as needed. Approximate, effective Compared to the BIONZ X image processing engine in the α6600. Sony tests. Expandable to ISO 50 - 102400 for stills. Based on CIPA standard. Pitch/yaw shake only. With FE 50mm F1.2 GM lens mounted. Long-exposure Noise Reduction off. The latest version of Imaging Edge Desktop (Remote/Viewer/Edit) is required to view and edit HEIF images. All specified subjects may not be accurately recognized in all conditions. Subject types other than the type specified may be erroneously recognized in some cases. Sony internal tests [Tracking] in the menu. Based on advanced artificial intelligence, including machine learning. Camera operation depends on focus area settings and touch operation. Accurate focus may not be achieved in some situations. The number of distance measuring points when shooting stills. The number of points used depends on the selected shooting mode. JPEG FINE format, continuous Hi+ mode. Actual number of images may vary according to shooting conditions. Not applicable to the E PZ 16-50mm F3.5-5.6 OSS and E 18-200mm F3.5-6.3 OSS LE lenses or any A-mount lens. Full-time DMF is not available when shooting continuously in AF-C or AF-A mode (not including Lo), or when using the FE 70-200mm F2.8 GM II OSS lens in AF-C mode. A-mount lenses not supported. Only 100 Hz and 120 Hz flicker are detected. Continuous shooting speed may decrease. Phase-detection AF coverage is reduced. Flicker-free shooting is not available during silent shooting, BULB exposure, or movie recording. Recording frame rates are indicated as the closest integer values. The actual corresponding frame rates are as follows: 24p: 23.98 fps, 30p: 29.97 fps, 60p: 59.94 fps, and 120p: 119.88 fps. QFHD (3840 x 2160) with approx. 38 % image crop. Audio recording not available in the S&Q mode. S-Log3 movies. Sony internal tests. When subject recognition is ON during AF shooting. Face, eye, etc. recognition status can be monitored when subject recognition frame display is ON. Accurate focus may not be achieved in some situations. Slight image crop in Active Mode. “Standard” setting recommended for focal lengths of 200 mm or longer. Active Mode is not available when recording at frame rates of 120 (100) fps or higher, including S&Q. Compatible lenses are listed at: https://support.d-imaging.sony.co.jp/support/ilc/breathing/en/ Angle of view and image quality may change slightly when this function is turned ON. Full compensation may not be possible with some lenses. This function is not available when shooting movies at 120p, when using the S&Q mode at 120p, or when shooting stills. Additional focus breathing compensation is available in post-production using the advanced breathing compensation capabilities of the latest Catalyst Browse/Prepare software application, processing metadata provided by the camera. Only available for movies. Framing is cropped from 4K images, resulting in a reduced angle of view. With 50mm lens at infinity, -1m-¹. 35mm camera equivalent: Approx. 0.70x. Download app at Google Play and the App Store. Network services, content, and operating system and software subject to terms and conditions and may be changed, interrupted or discontinued at any time and may require fees, registration and credit card information.Check regional availability of services and applications via the URL https://www.sony.net/cca/ Transfer may be interrupted when a different app is launched on some operating systems. When streaming via USB, maximum image resolution is 3840 x 2160 and maximum frame rate is 30 fps. The OS of the computer or smartphone used must be compatible with UVC/UAC. Use the most up-to-date OS available for your device. A commercially available USB cable and/or terminal adaptor may be used to connect to equipment with a USB Type-C port. When connected via USB 2.0, maximum image resolution is HD (720p) and maximum frame rate is 30p. 5 GHz communication may be restricted in some countries and regions. Not guaranteed to be 100% dust- and moisture-proof. Shooting time will vary according to conditions. Use the [Interval Timer] function to shoots sequences at long intervals (e.g. 10 minutes or more). Maximum exposure interval is 6 seconds when shooting 4K. Maximum exposure interval is 6 seconds when shooting 4K. The Focus Map function cannot be used in the following conditions: When the Focus Magnifier function is in use, when using digital zoom, during USB streaming, when no lens is mounted, when an A-mount lens is mounted, or when a lens that is not compatible with focal plane phase-detection AF is in use. Not including materials used in coatings and adhesives. Not including materials used in coatings and adhesives. Natural non-woven fabric may not be available during some production periods. Features and specifications are subject to change without prior notice. Number of effective pixels varies depending on attached lenses and camera settings. When using accessories that support 4ch output / 24 bits with the Multi Interface Shoe. Anti-flicker Shooting is not available when the [Shutter Type] setting is set to [Electronic Shutter]. With compatible Sony external flash Varies according to shooting conditions or memory card used Supports Micro USB compatible device. (Configuration method/Access method) WPS or manually /infrastructure mode. When connecting to smartphones, the camera can always work as a base without a wireless access point. (Security: WEP/WPA-PSK/WPA2-PSK/WPA3-SAE) Models sold in some countries/regions support IEEE 802.11b/g/n (2.4GHz) wireless LAN only. Sony accessories for the Accessory Shoe can be attached. When [Resolution] is set to [HD(720p)], [MJPEG] is only available. The LCD screen is turned on, shot once every 30 seconds, operate zoom alternately between W and T ends, flash strobe once every two times, turn power off and on once every ten times.   Indication recording time, which is defined by repeating the cycle: Power on, start recording, zoom , stand-by and power off.  

Sony Alpha A6700 Aps-c Camera Body

Sony Alpha A6700 Aps-c Camera Body(ILCE-6700) Next Generation Creativity on the Go The α6700 combines the latest AI technology with Sony's outstanding α-series image quality in a compact APS-C camera body. Offering enhanced subject recognition, the latest technology for capturing stills and movies, and E-mount lens compatibility, the lightweight α6700 is designed for creative adventures, anytime, anywhere. APS-C Format Exmor R Back-Illuminated CMOS Sensor The advanced Exmor R CMOS image sensor with 26.01 effective megapixels is packed with Sony's image sensor technologies. It offers extraordinary sensitivity, resolution and dynamic range, thanks to its back-illuminated format, gapless on-chip lenses, and AR coating (anti-reflection seal glass) BIONZ XR™ processing power for exceptional image quality With up to eight times2 more processing power than previous versions, the latest BIONZ XR image processing engine delivers natural gradations and realistic colors with low noise for stills and movies. Wide dynamic range for diverse shooting scenarios The α6700's standard sensitivity ranges from a low ISO 100 to ISO 320003, and offers a wide dynamic range so that natural gradations can be captured in high-contrast scenes without blown highlights or blocked shadows. Consistently accurate exposure and color The α6700 offers impressive exposure control. It's equipped with a new AE algorithm, initially developed for full-frame models, which enables it to accurately detect the skin area of faces and adjust exposure accordingly when shooting stills and movies. It can also maintain realistic colors under a wide range of light sources, from sunlight through to theater and stadium lighting, and produce more natural skin tones, sky and foliage colors. Choose your Creative Look The Creative Look setting offers greater creative flexibility with added simplicity. It provides 10 presets that can be used just as they are or customized via 8 adjustable parameters to suit the subject or scene, whether you’re shooting stills, movies or live-streaming. You can easily set the mood ahead of shooting so your images are ready to share immediately. 5-axis optical image stabilization Shoot hand-held or in low-light with confidence — the 5-axis in-body optical image stabilization system is supported by precision gyro sensors to deliver up to 5-steps4 of shake compensation. It detects and compensates for various types of camera shake, including angular (pitch/yaw) shake that is more apparent at longer focal lengths, or when shooting with slower shutter speeds. Precise compensation at the single-pixel level Through enhanced design and control of key parameters, the α6700 provides precise detection and control right down to the single-pixel level, taking full advantage of the sensor's 26.0 megapixel1 resolution to produce images that capture all the finer details. Selectable RAW file types and quality In addition to compressed RAW capture, the α6700 supports lossless compressed RAW capture that provides efficient compression, allowing a greater number of high-quality images to be shot in continuous bursts. A new Light image quality selection that generates less data is provided for JPEG and HEIF images. HEIF: High compression with excellent image quality For the first time in an APS-C camera, the α6700 includes the HEIF (High Efficiency Image File) format with smooth 10-bit gradations for more realistic reproduction of skies and portrait skin tones. The HEIF format also uses advanced compression technology to maintain image quality while significantly reducing file size and saving storage space. Innovative AI processing The α6700 is equipped with an innovative AI processing unit that greatly enhances its performance, including more accurate recognition for a wider range of subjects. Human pose estimation The α6700 uses subject form data to recognize movement, achieving greatly improved human eye recognition. It also employs learned human forms and postures to precisely recognize body and head positions, making it possible to lock onto and track a subject facing away from the camera, or with their face partly obscured by a helmet or sunglasses. Wider subject recognition In addition to humans and animals, the α6700 now recognizes birds, insects, cars, trains and airplanes7, providing even greater flexibility and reliability when shooting both stills and movies. Heads and bodies are recognized in addition to eyes (Real-time Eye AF) for the Human and Animal settings, and now for the Bird setting too, with animal recognition performance more than 40%8 higher compared to the α6600. Smarter Real-time Tracking9 The upgraded and more reliable AI-based Real-time Tracking makes shooting in a wider range of situations simpler, leaving you free to concentrate on framing and composition. The α6700 can even track people wearing helmets or animals facing away from the camera.10 Shooting responsibly when using face registration The face registration feature involves the use of biometric data. You are responsible for your collection and use of such data, and compliance with applicable local law. For more details, please visit the website below. Faster, more precise wide-area AF The immense processing power and updated algorithms of the new BIONZ XR engine achieve notably improved AF performance, with up to 759 phase detection points, 11 covering approximately 93% of the image area when shooting stills. Accurate AF in low EV -3.0 light The latest AF algorithms achieve high AF precision at light levels as low as EV -3.0 in AF-S mode (ISO 100 equivalent, F2.0 lens). The Focus Priority mode also provides more reliable AF in low light or when using smaller apertures. Shoot more than 1000 images at 11fps The a6700's powerful BIONZ XR processing engine combines with a large buffer memory to boost write speeds to memory cards, so that the camera can shoot more than 1000 JPEG images, up to 59 compressed RAW images, or up to 23 lossless compressed RAW images in continuous high-speed bursts. Full-time DMF When shooting stills with AF-C or AF-S autofocus, the lens's focus ring can be rotated to instantly switch to manual focus mode at any time. This makes it easy to switch focus to a different subject on the fly. Focus bracketing to capture the best shot The a6700 can automatically shoot up to 299 images with sequentially shifted focus points according to intervals and a sequence specified by you. Pick the perfect shot, or post-process multiple shots to achieve creative composites with incredible depth of focus. Flicker suppression Suppress flicker from artificial lighting whether you're shooting stills or movies. Simply select "Anti-flicker Shoot", or use "Var. Shutter" to fine-tune shutter speeds to match flicker rates when filming. 4K movie recording for stunning quality The α6700 captures 4K (QFHD: 3840 x 2160) at up to 60p (50p) using Sony's proprietary 6K oversampling technology. By compressing this expanded detail into the output, it achieves 4K video quality with outstanding definition, even at higher frame rates. The camera also supports high-quality XAVC S-I (All-Intra) and XAVC HS formats with 10-bit 4:2:2 color sampling.16 High frame rate 4K 120p (100p) recording17 High frame rate recording at up to 120p for 4K QFHD (3840 x 2160) output makes it possible to capture high-resolution movies in-camera. This expands creative possibilities in post-production by allowing subject motion to be emphasized or transformed into smooth slow motion. S&Q mode18 also enables recording of slow or quick motion sequences in camera from the outset. Expressive S-Cinetone™ Incorporating the same color science as the highly regarded CineAlta and Cinema Line, the α6700 includes Sony's S-Cinetone picture profile as a preset, delivering images with more faithful color reproduction and natural skin tones. S-Log3 gamma curve with 14+ stops19 of latitude The S-Log3 gamma curve emphasizes gradation characteristics from shadows to mid-grey (18% grey), achieving up to 14+ stops19 of latitude for flexible and creative color editing. Real-time Tracking for movies AI-based Real-time Tracking provides a dramatic improvement in Real-time Tracking performance, automatically recognizing, tracking, and focusing on the eyes of a specified subject.20 In addition to using the Touch Tracking function to initiate tracking, a custom button can be used to temporarily track a selected subject regardless of the subject's position in the frame and the focus area setting. Active Mode for enhanced movie image stabilization21 Active Mode21 provides powerful image stabilization for handheld movie shooting. The α6700 can accurately measure camera shake which is then precisely compensated for optically, providing highly effective stabilization without sacrificing mobility, even when shooting 4K22. Breathing compensation for consistent angle of view23 When shooting movies with compatible lenses, automatic breathing compensation uses Clear Image Zoom technology to maintain a consistent angle of view, suppressing changes that may occur due to shifts in focus position. Breathing metadata can also be used in post-production24. Import user LUT files See how your footage will look in post-processing while you're shooting. The a6700 allows you to import a custom LUT (Look Up Table) that can be applied to the camera's monitor image while recording, providing a preview. Movie making made simple The a6700 is jampacked with features to support movie shooting and production. Its Auto Framing?5 function automatically crops and re-frames the image while using Al to track the subject. Or, for a cinematic touch, the in-camera time-lapse function allows you to create time-lapse videos within the camera itself. Made for your hands With its compact shape, and lightweight 493 gram body, the α6700 offers remarkable portability and maneuverability without compromising image quality. A new grip design provides a solid, even more comfortable hold on the camera, while giving greater control for shooting both stills and movies. High-performance electronic viewfinder A 2.36 million-dot (approx.) XGA OLED electronic viewfinder with approximately 1.07x magnification26 delivers an exceptional view of your world. With twice the brightness of the α6600, and a wider 33-degree viewing angle, it offers clear, easy viewing while shooting. The finder frame rate can be set to 120 fps — twice the normal rate — for a smooth viewfinder image, with minimum display motion blur when tracking and shooting moving subjects. Enhanced shooting flexibility with vari-angle monitor The α6700 features a large 3.0-type 1.03 million-dot (approx.) touch-panel LCD monitor with a 3:2 aspect ratio and side-opening vary-angle flexibility. This allows greater positioning and framing freedom, giving you plenty of creative options for handheld and gimbal-mounted shooting of stills and movies. Intuitive touch control Just touch the screen to activate key functions, such as selecting a focus point or subject to track, or triggering the shutter. Swiping in from the left or right edge of the shooting display reveals touch icons that allow quick changes to the shooting mode and other settings. The function (Fn) menu can also be displayed by a simple swipe-up. During playback, you can easily select and zoom into images through taps and intuitive pinch-out/pinch-in gestures. Improved menu structure Responding to feedback from professional photographers and videographers, the α6700 comes with a new Main Menu structure similar to the latest full-frame α series models. The logical layout provides more efficient access to important shooting parameters, such as frame rate, shutter speed, and more. It can be assigned to a custom key for quick access when needed, and touch operation means that adjusting key settings has never been faster. More than 70 E-mount lenses to choose from Take your pick from a comprehensive range of E-mount lenses from Sony. Our acclaimed line-up includes the full-frame G Master™ series that blends breathtaking resolution with exquisite bokeh, and the G Lens™ series that offers excellent image quality and value. Combined with an APS-C body, Sony's ultra-wide lenses can capture sweeping scenery or large subjects in a single frame, while telephoto lenses, assisted by the 1.5 crop factor of APS-C cameras and teleconverter lenses as needed, make it possible to capture distant subjects with stunning clarity and detail. Accessories expand creative horizons A variety of high-performance compatible microphones can be connected to the the camera’s Multi Interface Shoe for direct, noise-free digital audio transfer to the camera. Or choose from a variety of high-output flash units such as the HVL-F60RM2 that support high-speed continuous shooting, giving you even more ways to capture creative imagery. Easy and stable smartphone connectivity Make the most of the a6700's greatly enhanced connection stability with Sony's free Creators' App27 that enables simple transfers of photos and movies to your smartphone or tablet. Transfers continue in the background even if the smartphone display sleeps or a different app is launched.28 You can also use your smartphone to control the camera remotely. Stream high-quality live content Connected to a personal computer or smartphone 29 via USB, the a6700 can function as a 4K (2160p) webcam with advanced AF that makes online meetings and live streaming events even smoother. Fast Wi-Fi for PC tethering Built-in Wi-Fi (IEEE 802.11a/b/g/n/ac) allows communication on the 2.4 GHz and 5 GHz30 bands for fast and stable data transfer. Creators' Cloud platform Creators' Cloud is a platform that supports creative work from shooting to production by combining advanced Sony camera technology with cloud-based AI. It's also a place for discovery and collaboration with other creators around the world. Explore web, mobile, and PC-based apps providing efficient solutions that integrate cameras with shooting and production apps and services. Accessible technology on α cameras Sony's α cameras are equipped with a number of accessibility features so that as many people as possible can utilize and enjoy our technology. For example, the screen reader function reads text on the menu screens aloud, with volume and reading speed adjustable as needed. Approximate, effective Compared to the BIONZ X image processing engine in the α6600. Sony tests. Expandable to ISO 50 - 102400 for stills. Based on CIPA standard. Pitch/yaw shake only. With FE 50mm F1.2 GM lens mounted. Long-exposure Noise Reduction off. The latest version of Imaging Edge Desktop (Remote/Viewer/Edit) is required to view and edit HEIF images. All specified subjects may not be accurately recognized in all conditions. Subject types other than the type specified may be erroneously recognized in some cases. Sony internal tests [Tracking] in the menu. Based on advanced artificial intelligence, including machine learning. Camera operation depends on focus area settings and touch operation. Accurate focus may not be achieved in some situations. The number of distance measuring points when shooting stills. The number of points used depends on the selected shooting mode. JPEG FINE format, continuous Hi+ mode. Actual number of images may vary according to shooting conditions. Not applicable to the E PZ 16-50mm F3.5-5.6 OSS and E 18-200mm F3.5-6.3 OSS LE lenses or any A-mount lens. Full-time DMF is not available when shooting continuously in AF-C or AF-A mode (not including Lo), or when using the FE 70-200mm F2.8 GM II OSS lens in AF-C mode. A-mount lenses not supported. Only 100 Hz and 120 Hz flicker are detected. Continuous shooting speed may decrease. Phase-detection AF coverage is reduced. Flicker-free shooting is not available during silent shooting, BULB exposure, or movie recording. Recording frame rates are indicated as the closest integer values. The actual corresponding frame rates are as follows: 24p: 23.98 fps, 30p: 29.97 fps, 60p: 59.94 fps, and 120p: 119.88 fps. QFHD (3840 x 2160) with approx. 38 % image crop. Audio recording not available in the S&Q mode. S-Log3 movies. Sony internal tests. When subject recognition is ON during AF shooting. Face, eye, etc. recognition status can be monitored when subject recognition frame display is ON. Accurate focus may not be achieved in some situations. Slight image crop in Active Mode. “Standard” setting recommended for focal lengths of 200 mm or longer. Active Mode is not available when recording at frame rates of 120 (100) fps or higher, including S&Q. Compatible lenses are listed at: https://support.d-imaging.sony.co.jp/support/ilc/breathing/en/ Angle of view and image quality may change slightly when this function is turned ON. Full compensation may not be possible with some lenses. This function is not available when shooting movies at 120p, when using the S&Q mode at 120p, or when shooting stills. Additional focus breathing compensation is available in post-production using the advanced breathing compensation capabilities of the latest Catalyst Browse/Prepare software application, processing metadata provided by the camera. Only available for movies. Framing is cropped from 4K images, resulting in a reduced angle of view. With 50mm lens at infinity, -1m-¹. 35mm camera equivalent: Approx. 0.70x. Download app at Google Play and the App Store. Network services, content, and operating system and software subject to terms and conditions and may be changed, interrupted or discontinued at any time and may require fees, registration and credit card information.Check regional availability of services and applications via the URL https://www.sony.net/cca/ Transfer may be interrupted when a different app is launched on some operating systems. When streaming via USB, maximum image resolution is 3840 x 2160 and maximum frame rate is 30 fps. The OS of the computer or smartphone used must be compatible with UVC/UAC. Use the most up-to-date OS available for your device. A commercially available USB cable and/or terminal adaptor may be used to connect to equipment with a USB Type-C port. When connected via USB 2.0, maximum image resolution is HD (720p) and maximum frame rate is 30p. 5 GHz communication may be restricted in some countries and regions. Not guaranteed to be 100% dust- and moisture-proof. Shooting time will vary according to conditions. Use the [Interval Timer] function to shoots sequences at long intervals (e.g. 10 minutes or more). Maximum exposure interval is 6 seconds when shooting 4K. Maximum exposure interval is 6 seconds when shooting 4K. The Focus Map function cannot be used in the following conditions: When the Focus Magnifier function is in use, when using digital zoom, during USB streaming, when no lens is mounted, when an A-mount lens is mounted, or when a lens that is not compatible with focal plane phase-detection AF is in use. Not including materials used in coatings and adhesives. Not including materials used in coatings and adhesives. Natural non-woven fabric may not be available during some production periods. Features and specifications are subject to change without prior notice. Number of effective pixels varies depending on attached lenses and camera settings. When using accessories that support 4ch output / 24 bits with the Multi Interface Shoe. Anti-flicker Shooting is not available when the [Shutter Type] setting is set to [Electronic Shutter]. With compatible Sony external flash Varies according to shooting conditions or memory card used Supports Micro USB compatible device. (Configuration method/Access method) WPS or manually /infrastructure mode. When connecting to smartphones, the camera can always work as a base without a wireless access point. (Security: WEP/WPA-PSK/WPA2-PSK/WPA3-SAE) Models sold in some countries/regions support IEEE 802.11b/g/n (2.4GHz) wireless LAN only. Sony accessories for the Accessory Shoe can be attached. When [Resolution] is set to [HD(720p)], [MJPEG] is only available. The LCD screen is turned on, shot once every 30 seconds, operate zoom alternately between W and T ends, flash strobe once every two times, turn power off and on once every ten times.   Indication recording time, which is defined by repeating the cycle: Power on, start recording, zoom , stand-by and power off.  

Sony E Series Uhs-I SD r270 w120 v60 128gb

Sony E Series Uhs-I SD r270 w120 v60 128gb(SFE128.AE) The 128GB SF-E Series UHS-II SDXC Memory Card from Sony features a storage capacity of 128GB and takes advantage of the UHS-II bus to support advanced DSLR functions such as continuous shutter bursts and rapid shooting, as well as raw and JPEG captures. This card is also well-suited for video capture, including 4K, 3D, HFR, and Full HD video, and can achieve maximum read speeds of up to 270 MB/s and maximum write speeds of up to 100 MB/s. Thanks to its V60 speed class rating, minimum write speeds are guaranteed not to drop below 60 MB/s. UHS-II media achieves its speed through an extra row of pins and while this card has been designed for cameras that are UHS-II / V60 compatible, it may be used in devices that do not support UHS-II / V60. However, bear in mind that this card will then default to your device's speed class and bus rating. When used in a UHS-I device, this card will deliver read speeds of up to 95 MB/s and write speeds of up to 90 MB/s. As with most Sony cards, this memory card is resistant against water, dust, drops, temperature, UV light, and X-rays and. Should the card's data become compromised, you also benefit from the option to download File Rescue software for free to help recover deleted content.

Sony E series Uhs-I Sd R270 w70 v30 64gb

Sony E series Uhs-I Sd R270 w70 v30 64gb(SFE64.AE) The 64GB SF-E Series UHS-II SDXC Memory Card from Sony features a storage capacity of 64GB and takes advantage of the UHS-II bus to support advanced DSLR functions such as continuous shutter bursts and rapid shooting, as well as raw and JPEG captures. This card is also well-suited for video capture, including 4K, 3D, HFR, and Full HD video, and can achieve maximum read speeds of up to 270 MB/s and maximum write speeds of up to 70 MB/s. Thanks to its V30 speed class rating, minimum write speeds are guaranteed not to drop below 30 MB/s. UHS-II media achieves its speed through an extra row of pins and while this card has been designed for cameras that are UHS-II / V30 compatible, it may be used in devices that do not support UHS-II / V30. However, bear in mind that this card will then default to your device's speed class and bus rating. When used in a UHS-I device, this card will deliver read speeds of up to 95 MB/s and write speeds of up to 70 MB/s. As with most Sony cards, this memory card is resistant against water, dust, drops, temperature, UV light, and X-rays and. Should the card's data become compromised, you also benefit from the option to download File Rescue software for free to help recover deleted content.

Sony M Series Uhs-II Sd r277 w150 512gb

Sony M Series Uhs-II Sd r277 w150 512gb(SFM512) An ultra-fast read speed of 277MB/s frees up more time for professional photographers to edit their shots, and to focus on their next projects.

Sony M Series Tough Uhs-II Sd R277 w150 512gb

Sony M Series Tough Uhs-II Sd R277 w150 512gb(SFM512T) The 512GB SF-M Tough Series UHS-II SDXC Memory Card from Sony features a storage capacity of 512GB and takes advantage of the UHS-II bus to support advanced DSLR functions such as continuous shutter bursts and rapid shooting, as well as raw and JPEG captures. This card is also well-suited for video capture, including 4K, Full HD, and 3D video. It can achieve maximum read speeds of up to 277 MB/s and maximum write speeds of up to 150 MB/s. Thanks to its V60 speed class rating, minimum write speeds are guaranteed not to drop below 60 MB/s. To help facilitate card usage in almost any environment, as well as keeping your content safe, Sony has built the Tough Series with a rugged design that can withstand drops up to 16.4' / 5m, immersion in up to 16.4' / 5m of water for up to 72 hours, and is bend and dust proof, as well as able to withstand temperature extremes from -13 to 185°F. The Tough Series is also up to 18 times stronger than standard SD media (180N compared to 10N) and features a one-piece molded construction that is ribless with no write protect switch, helping to further guard against physical damage that can affect SD cards, such as a broken plastic casing, a broken data protection lock, and broken connector ribs. Should the card's data become compromised, you also benefit from the option to download File Rescue software for free to help recover deleted content. UHS-II media achieves its speed through an extra row of pins and while this card has been designed for cameras that are UHS-II / V60 compatible, it may be used in devices that do not support UHS-II / V60. However, bear in mind that this card will then default to your device's speed class and bus rating, such as UHS-II and V30, which supports minimum write speeds of 30 MB/s, or UHS-I and U3, which also supports minimum write speeds of 30 MB/s. If your device does not support U3, this card is compatible with the U1 and Class 10 standards, each of which guarantees minimum write speeds of 10 MB/s. When used in a UHS-I device, this card delivers read speeds of up to 95 MB/s and write speeds of up to 90 MB/s. General Features Tough SD Card When you're shooting in challenging environments, this card will deliver for a wide range of professional photographers and videographers, as well as photo enthusiasts, since they're rugged enough for extreme shoots. With rock solid reliability and fast speeds, you have all the performance you need to catch the action. More Bending Resistance A strong resin-molded design makes this cards 18 times more resistant to bending than the SD standard. IP68 Waterproof and Dustproof This card can be immersed in 16.4' of water for up to 72 hours, and is also dustproof. That's total protection for shooting in almost any condition. Shock Resistant - Withstands Drops up to 16.4' Made from rock-solid materials in a one-piece mold, this card withstands drops of up to 16.4' One-Piece Molded Design With a one-piece molded design and high-durability materials, this card gives professionals and photo enthusiasts peace of mind and protection wherever their shoots take them. Ribless, Write Protect Switchless Design In designing this card, Sony got rid of the fragile connector ribs and write-protect switch found on conventional SD cards - parts which are easy to break and can prevent writing. Speed You Can Rely On Whether you're a professional photographer shooting high-resolution still images, a videographer working in 4K on a documentary, or a photo enthusiast exploring remote landscapes, this card has the speed you need to capture the action. It provides fast buffer clearing time after burst shooting and efficiently transfers content to a computer. Rapid Write Speeds With fast write speeds of up to 150 MB/s, this card supports longer burst shooting of high-resolution photos, as well as faster buffer memory clearing. Fast Backup and Data Transfer Spend more time shooting and less time transferring or backing up. With fast read speeds up to 277 MB/s, you can quickly transfer large media files to a computer. Optimized for High-Resolution Video with V60 Sony's SF-M media supports the V60 Video Speed Class for stable 4K recordings and high-bitrate video capture. This is good for shooting all kinds of high-resolution video. SD Scan Utility The downloadable SD Scan Utility automatically scans your SD card's memory, keeping you informed of its condition so you can take action before its limit is reached. File Rescue   Even when things go wrong, you can avoid disaster with downloadable File Rescue software that recovers photo and video files that have been accidentally deleted or that cannot be played back.

Sony fe 14mm F1.8 gm

Sony fe 14mm F1.8 gm(SEL14F18) Introducing the SEL14F18GM Full Frame Lens: A large aperture lens for stills and movies. Featuring an advanced optical design that includes two XA (extreme aspherical) elements for incredible corner-to-corner high-resolution, along with beautiful background defocus (bokeh). Two XD (Extreme Dynamic)  Linear Motors deliver fast, precise, and quiet autofocus and tracking in this compact-sized and lightweight Sony G Master lens. An incredible lens for video, the SEL14F18GM delivers smooth, fast and continuous auto focus performance for movie shooting. Broader Perspectives Pairing an ultra wide-angle focal length with an especially bright design, the FE 14mm f/1.8 GM from Sony is a fast and dynamic lens well-suited to landscape, nature, architectural, and astrophotography applications. Its extremely wide perspective is complemented by an f/1.8 maximum aperture for excellent performance in low-light conditions and its impressively compact form factor makes it a portable and versatile option for everything from casual walkaround shooting to staged architectural shoots. Fast Design and Refined Optics As a G Master lens, optical performance is prioritized and the 14mm f/1.8 emphasizes both sharpness and bokeh quality for versatility regardless of subject distance or aperture setting. Two XA (extreme aspherical) elements, along with one standard aspherical element, promote high sharpness throughout the aperture range, even when working at the bright f/1.8 position. Aspherical elements feature superior surface precision for effective control over astigmatism, field curvature, coma, distortion and other spherical aberrations for highly accurate rendering and low distortion. The combination of several aspherical elements, along with sophisticated focusing motors, promotes a truly compact and lightweight design, especially for such an ultra-wide focal length. One Super ED element and two extra-low dispersion elements are featured in the lens design and help to reduce chromatic aberrations and color fringing for improved clarity and color neutrality. Nano AR Coating II has been applied to reduce surface reflections, flare, and ghosting for increased contrast and color rendering in strong lighting conditions. This updated coating is better suited for larger, curved elements and is especially adept at minimizing internal reflections. Excels in Low-Light Conditions Rare for an ultra-wide, the f/1.8 maximum aperture is a useful asset for working in low-light conditions, such as for astrophotography applications and when making timelapses where shorter shutter speeds are required. The optical design has been optimized for shooting wide open; the integrated high-curvature XA elements minimize sagittal flare for cleaner, more accurate nighttime sky and point light source rendering. Fast and Precise Focusing An XD Linear Motor system uses two separate motors to provide quick, quiet, and precise autofocus and tracking performance. This design also contributes to more natural, intuitive Linear Response manual focus control and an AF/MF switch is located on the lens barrel for quick focus mode switching. Internal focusing design offers more responsive focusing performance and maintains a consistent overall lens length during operation. Minimum focusing distance of 9.8" suits making dynamic close-up images. Despite its ultra-wide field of view, the close minimum focusing distance and bright maximum aperture enable creating shallow depth of field imagery characterized by a strong close-up subject and a soft background. Reliable Construction Beyond outstanding optics, G Master lenses are also known for durable and reliable physical constructions, including extensive weather sealing and intuitive designs for easy operability. Also, specific to this 14mm f/1.8, it features a uniquely compact and lightweight design, measuring 3.3 x 3.9" and weighing just one pound. Physical aperture ring can be de-clicked for smooth, silent aperture switching to benefit video applications. The ring also incorporates a locking "A" position for use in automated exposure modes. A focus hold button is present on the lens barrel for intuitive tactile control and rapid access to select programmable settings. Integrated petal-shaped lens hood helps to block stray light from causing lens flare and also affords some physical protection to the front element. Filter holder is incorporated at the rear of the lens, within the lens mount, and accepts cut gel filters and a filter cutting template is included. Dust- and moisture-sealed design better permits working in inclement conditions and rubberized control rings benefit handling in colder temperatures.   Fluorine-coated front and rear elements resist dust, moisture, and fingerprints and are easy to clean.

Sony Pmw-F5 Full Hd 4K Camera, Dvf L100 Vf, 4K Raw, 1750 Hours

Sony Pmw-F5 Full Hd 4K Camera, Dvf L100 Vf, 4K Raw, 1750 Hours(FMP59141LPBR) 3 Months Warranty, Excellent Condition  Sony's PMW-F5 CineAlta camera shoots spectacular images with its 8.9 megapixels (effective) Sony 4K image sensor. You get superior, super-sampled pictures with noticeably higher contrast, rich colour reproduction and greater clarity. The camera offers robust built-in recording modes, all with vibrant 4:2:2 colour. Irresistible options include the amazing precision of 16-bit linear RAW 2K/4K recording and high speed shooting at up to 120 fps without cropping.  Multiple recording formats include MPEG-2 HD422, MPEG4 SStP, XAVC 2K/HD and 16-bit RAW 2K/4K**. You can have simultaneous recording on internal high-speed SxS PRO+ memory cards and RAW 2K/4K recording on sleek AXSM™ memory cards using the optional bolt-on AXS-R5 recorder, designed specifically to attach seamlessly to the F55 and F5 cameras. There is also high speed shooting up to120 fps XAVC 2K/HD* internally and 120 fps RAW 2K onto the AXS-R5.  Upgrade Available - AXS-R5  The bolt-on AXS-R5 recorder works with the PMW-F55 and PMW-F5 cameras to record the highest quality 16-bit RAW 2K/4K images. The recorder works with sleek, optional AXSM™ memory cards, which are compatible with an affordable optional USB 3.0 reader, the AXS-CR1 .Once on a PC, the RAW files can be screened using Sony’s free RAW Viewer software. AXSM memory provides a super fast, affordable format for sensational quality recordings. 16-bit RAW 2K/4K recording options for PMW-F55 and PMW-F5 CineAlta cameras  Record RAW at your choice of resolutions: the PMW-F55 and PMW-F5 captures native 4K or beautiful, derived 2K.RAW recording preserves the greatest latitude for colour correction and other post processes. Sony’s 16-bit recording captures more tonal values than the human eye can differentiate.Sony RAW retains 16 times as many Red, Green and Blue gradations as 12-bit RAW and 64 times as many tones per channel as 10-bit recording. Sony 16-bit linear RAW is also the ideal point of entry into the 16-bit linear Academy Color Encoding System (ACES) workflow. Records onto ASXM™ memory cards  The AXS-R5 recorder works with sleek, high-capacity AXSM™ memory cards, which are compatible with an affordable optional USB 3.0 reader, the AXS-CR1. Once on a PC, the RAW files can be screened using Sony’s free RAW Viewer software. AXSM memory provides a super fast, affordable format for sensational quality recordings. High speed shooting up to 240 fps 2KRAW with F55 and 120 fps 2K RAW with F5  The AXS-R5 allows you to record up to 240 fps 2K RAW with the F55 and up to 120 fps 2K RAW with the F5, with free planned upgrades, achieving the highest frame rates most productions will need, while retaining exceptional, 16-bit image quality. Provides simultaneous RAW and on board camera SxS recording  Sony provides a coordinated “off-line, on-line” workflow with simultaneous recording for the F55 and F5 cameras to internal SxS cards and the AXS-R5 Portable Memory Recorder. For seamless conforming in post, you get matching timecode, start frame, stop frame, file names and other metadata. Real world workflows  Sony understands a fundamental truth: working cameras require practical workflows.That’s why the AXS-R5 is part of a larger production platform that includes affordable media cards, affordable card readers, free RAW Viewer software and compatibility with popular NLEs and finishing tools. Lightweight modular design to maximise versatility in 2D and 3D    The AXS-R5 is designed to bolt-on seamlessly to the F55 and F5 cameras, allowing the cameras to maintain a sleek, lightweight and ergonomic design. Both recorder and camera chassis are only slightly wider than a typical PL-mount prime lens, perfect for 3D rigs.

Sony E-Mount Rear Lens & Body Cap

Sony E-Mount Rear Lens & Body Cap(ALCB1EM.SYH) The ALC-B1EM Body Cap for E-Mount Cameras from Sony protects your camera body from dust and dirt when the lens is not attached. It is also of great value when you store the camera and lens separately.

Sony ALCB1EM Replacement Body Lens Cap

Sony ALCB1EM Replacement Body Lens Cap(ALC-B1EM) The ALC-B1EM Body Cap for E-Mount Cameras from Sony protects your camera body from dust and dirt when the lens is not attached. It is also of great value when you store the camera and lens separately.  

Sony FE PZ 16-35mm f/4 G Lens, Filter size 72mm

Sony FE PZ 16-35mm f/4 G Lens, Filter size 72mm A compact design with superb optics and a power zoom function makes the Sony PZ 16-35mm f/4 G an ideal choice for all types of creators, whether that means you shoot video, stills, or both. This ultra-wide lens is among the lightest in its class and the constant f/4 aperture strikes an ideal balance that is bright enough for available-light shooting while remaining portable for all-day shoots. Optimized for Video A perfect companion for content creators, this lens's key features are ideal for video applications, including Power Zoom, suppressed focusing breathing, and versatile focus handling, along with a well-balanced design that performs well when mounted on a gimbal or drone or used handheld: The electronically controlled Power Zoom mechanism enables making smooth zooms during takes, with control possible via the lens body or from select camera bodies. Power Zoom mechanism uses four XD linear motors for precise, fast, and quiet zooming movement. Power Zoom can be used in conjunction with Sony camera's Clear Image Zoom function, which can further extend the effective reach by up to 2x while maintaining near original image quality. If the lens's zoom speed is set to Slow, and the zoom control is performed remotely from the camera body, the zooming transition will be seamless from optical zoom to Clear Image Zoom. Internal zoom and internal focus design maintains the overall lens length during operation. Smooth Motion Optics (SMO) suppresses focus breathing to help maintain compositional accuracy when changing focus. Additionally, this lens is also compatible with the Breathing Compensation function in select Alpha cameras.   Optical Design Wide-angle zoom design covers ultra-wide to standard wide focal lengths and a constant f/4 maximum aperture offers consistency and a strong balance between brightness and a compact design. Two Advanced Aspherical (AA) elements and one aspherical element help achieve high sharpness and suppress distortion and spherical aberrations. Super ED and ED elements promote greater clarity and color accuracy by reducing chromatic aberrations. One ED Aspherical element further contributes to impressive image quality by correcting for a variety of aberrations. Special attention has been given to achieve consistent and sharp performance throughout the zoom and focus ranges for maximum versatility. Rounded seven-blade diaphragm contributes a smooth bokeh quality.   Versatile Focusing Performance An XD Linear Motor system uses two separate motors to provide quick, quiet, and precise autofocus and tracking performance. This design also contributes to more natural, intuitive Linear Response manual focus control and an AF/MF switch is located on the lens barrel for quick focus mode switching. Internal focusing design offers more responsive focusing performance and maintains a consistent overall lens length during operation. Suitable for close-up shooting, the minimum focusing distance at the 16mm position is 11" and, at the 35mm position, is 9.4" with a 0.23x maximum magnification.

2 x Sony ECM-88BC Omni-Directional Miniature Lavalier Mic 4-pin connector, used

2 x Sony ECM-88BC Omni-Directional Miniature Lavalier Mic, used Sony ECM-88BC Lavalier Mic 4-Pin Omni Used 3 Months Warranty, Great Condition The Sony ECM 88BC is a miniature condenser, lavalier microphone with a 4-pin Hirose connection. The 4-pin connector enables use with Sony WRT-822B and WRT-8B bodypack transmitters. The capsule is 3.5 x 3.5 x 16.8mm, allowing natural-looking concealment on stage or camera. The electret condenser element uses a dual-diaphragm mechanism, resulting in high sensitivity. The microphone provides a flat, wide frequency response (20Hz to 20kHz) resulting in a natural sound reproduction, capturing in great detail. The water resistant design assures durability from the elements as well as moisture caused by sweat in stage applications. Miniature Design The microphones ultra-miniature design provides the level of concealment needed for the stage and on camera. 4-pin Hirose Connection The 4-pin connector enables use with Sony WRT-822B and WRT-8B bodypack transmitters. High Sonic Character The condenser element provides a wide, flat frequency response and high dynamic range resulting in clean, quiet recordings. Water Resistant The microphone is designed to resist moisture caused by the elements or sweat. 

Sony ZVE10LBDI.EU Alpha ZV-E10 Interchangeable Lens Vlog Camera with 16-50 mm f/3.5-5.6 Lens Kit

Sony ZVE10LBDI.EU (ZVE10LBDI-EU, ZVE10LBDI/EU, ZVE10LBDIEU, ZVE10LBDI EU) Alpha ZV-E10 Interchangeable Lens Vlog Camera with 16-50 mm f/3.5-5.6 Lens Kit The new interchangeable-lens vlog camera ZV-E10 - designed for vlogging - gives you next-level 4K video quality and Full HD 120p slow motion while remaining easy to use. It packs intuitive features and a vari-angle screen, making it a perfect content creation camera, and for all types of vlogs. With a directional microphone included, clearly capture your voice while recording. Compact and lightweight, the Sony ZV-E10 provides you with endless creative shooting options with more than 60 compatible Sony lenses. Content Creation in Mind This Sony vlogging camera features quick and intuitive vlogging operations with a touch capable swivel screen, tally light, Face autoexposure to keep your face bright in dim light and a bokeh switch to blur the background. Endless Creativity With 60+ compatible Sony lenses available for this vlogger camera, explore new ways to change the look of your content and step up the quality of your creations. Next Level 4K Video The large (24.3 MP APS-C type) sensor on this compact camera lets you record outstanding 4K (up to 30p) and Full HD slow motion (up to 120P) with good low light capabities and more bokeh to blur the background. Focus on the Important Things Keep your video in focus while recording in 4K with the Real-time Eye AF system to track your subject's eye. For product reviews, activate the Product showcase mode for quick and accurate transition when showing objects at the camera. Record Hight Quality Sound Make your voice heard even in windy conditions with a directional microphone and windshield (included) or take full advantage of the Digital audio interface by attaching a Sony-compatible external audio device. Instant Streaming Sessions Use the ZV-E10 as a live streaming camera device on any platform with great image quality and audio. Simply connect the camera to your computer's USB port without the need for a capture card (UVC/UAC standard). Choose how you see the world, and pick the lens that matches your style Choose just the right lens from Sony's extensive range of E-mount lenses, and bring your vlog to the next level with stunning and unique imagery. Incorporate background scenery into your script with a wide-angle lens, or make the subject grab the viewer's attention by using a fixed focal length lens with an artfully blurred background. Move in closer with a macro lens or pull in distant scenes with a telephoto lens. A large-format image sensor for professional-quality images The ZV-E10's impressive images are the result of the camera's large APS-C sized image sensor. Compared to a smartphone camera, the image sensor of the ZV-E10 is more than ten times bigger, allowing for beautiful, professional-looking images with high resolution and intricate detail. [1] APS-C [2] 1-inch [3] 1/2.3~1/3.4 inch. Efficient light collection for high-quality images with minimal noise The ZV-E10's large-format image sensor is designed to maximise light collection, producing 4K movies with high-quality images with less noise even when you're shooting in a dimly lit setting. Instant access to control buttons When you're shooting a vlog session the last thing you want to do is fumble for buttons. With the ZV-E10 you'll find the MOVIE button right on top, for quick access. There's also a handy zoom lever, and a Still/Movie/S&Q button that lets you easily switch between still images, normal videos and Slow & Quick Motion modes. Designed for easy selfie and vlog shoots Weighing in at just 364 grams (12.8 ounces) the ZV-E10 is ready to hit the road with you whenever you’re ready to vlog. The side-opening vari-angle LCD screen makes it easy to take selfies and check your framing, even when you're shooting from high or low positions, and the ergonomic grip is designed for a safe and stable hold. 4K video with oversampling for greater detail The camera's internal 4K video recordings are made using a full-pixel readout from the sensor, allowing the collection of approximately 2.4 times as much data as is required for 4K (roughly equivalent to 6K). This oversampling means that the recorded footage has more visual data condensed into every frame, resulting in remarkably detailed video imagery. (A) 2.4 times information. Let Real-time Tracking do the focusing work for you The ZV-E10's AI-driven Real-time Tracking is intuitive to use. Simply touch the monitor to indicate the subject you want to focus on and Real-time Tracking will take it from there, keeping a steady hold on the subject. Fast, precise autofocus Even quick-moving subjects stay in focus thanks to the ZV-E10's Fast Hybrid AF system. With 425 phase-detection points covering around 84% of the sensor's image area, this wide coverage and dense AF point placement help to precisely capture subjects that might otherwise be difficult to focus on. Protection against recording failures The ZV-E10 tells you at a glance that whether or not you are recording. A recording lamp on the front of the camera lights up in red, and the LCD monitor also displays a bold red frame, letting you know when recording is in progress. Precise focus transitions for smooth-looking product reviews With just the press of a button, you can activate the ZV-E10's Product Showcase Setting, ideal for product review videos. With the setting activated, whenever you hold a product up in front of the camera the focus will shift automatically to that object, and then back to your face again when you move the product out of frame. This setting is available even when image stabilisation is set to Active. Easy background blur control There's no need for complicated manual adjustments – just press a single button to turn background blurring (bokeh) on and off. The button switches between a blurred, bokeh-rich background and a clearly focused one, skipping all the complex setting. Leave it up to the camera to focus on you With the ZV-E10 you can concentrate on the more creative aspects of vlogging. The camera's Eye AF feature uses sophisticated detection algorithms to recognise and track a subject's eyes quickly and accurately, keeping a tight focus on a person's eyes. Stay brightly lit wherever you go Even when lighting conditions change abruptly, the ZV-E10 makes sure that you'll always be brightly lit. From direct sunlight and backlit angles to shadows and dimly lit interior corners, the camera detects the subject's face and automatically handles changes in brightness, performing rapid exposure adjustments to compensate. Smooth, soft skin appearance The ZV-E10 features a Soft Skin Effect to smooth your skin's appearance. The feature is designed to smooth out your skin while preserving sharpness in the eye and mouth regions. You can select from four levels (from "off" to "high") to determine the level of this effect, depending on your preference. Natural-looking skin tones The ZV-E10 is designed to produce healthy and natural-looking skin tones for everyone without extra editing. Thanks to the ZV-E10’s natural colour tuning, the camera automatically fine-tunes skin appearance. Designed for clear voice recording Equipped with a built-in Directional 3-Capsule Mic, the ZV-E10 records voices clearly even in crowded settings. It's optimised to capture voices in front of the camera with fewer distracting ambient sounds, perfect for vlogging use. Easy sped-up and slowed-down motion The camera's Slow & Quick Motion modes record videos up to 5x slower than real time or up to 60x faster. You can record at up to 50 Mbps with full HD quality, and it's all done in-camera, so you don't need to do any editing on a PC. You can also do high-speed full HD recording at 120fps to create high-resolution slow-motion sequences in post production. Smooth and stable images even while walking The ZV-E10 will help keep things smooth and steady when you're on the move. Active Mode electronic image stabilisation delivers stable video footage with minimal shake and blur during hand-held recording, and it's available even when the Product Showcase Setting is on.    

Sony ZVE10BDI.EU Alpha ZV-E10 Interchangeable Lens Vlog Camera

Sony ZVE10BDI.EU (ZVE10BDI-EU, ZVE10BDI/EU, ZVE10BDIEU, ZVE10BDI EU) Alpha ZV-E10 Interchangeable Lens Vlog Camera Body The new interchangeable-lens vlog camera ZV-E10 - designed for vlogging - gives you next level 4K video quality and Full HD 120p slow motion while remaining easy to use. It packs intuitive features and a vari-angle screen, making it a perfect content creation camera, and for all types of vlogs. With a directional microphone included, clearly capture your voice while recording. Compact and lightweight, the Sony ZV-E10 provides you with endless creative shooting options with more than 60 compatible Sony lenses. Content Creation in Mind This Sony vlogging camera features quick and intuitive vlogging operations with a touch capable swivel screen, tally light, Face autoexposure to keep your face bright in dim light and a bokeh switch to blur the background. Endless Creativity With 60+ compatible Sony lenses available for this vlogger camera, explore new ways to change the look of your content and step up the quality of your creations. Next Level 4K Video The large (24.3 MP APS-C type) sensor on this compact camera lets you record outstanding 4K (up to 30p) and Full HD slow motion (up to 120P) with good low light capabities and more bokeh to blur the background. Focus on the Important Things Keep your video in focus while recording in 4K with the Real-time Eye AF system to track your subject's eye. For product reviews, activate the Product showcase mode for quick and accurate transition when showing objects at the camera. Record Hight Quality Sound Make your voice heard even in windy conditions with a directional microphone and windshield (included) or take full advantage of the Digital audio interface by attaching a Sony-compatible external audio device. Instant Streaming Sessions Use the ZV-E10 as a live streaming camera device on any platform with great image quality and audio. Simply connect the camera to your computer's USB port without the need for a capture card (UVC/UAC standard). Choose how you see the world, and pick the lens that matches your style Choose just the right lens from Sony's extensive range of E-mount lenses, and bring your vlog to the next level with stunning and unique imagery. Incorporate background scenery into your script with a wide-angle lens, or make the subject grab the viewer's attention by using a fixed focal length lens with an artfully blurred background. Move in closer with a macro lens or pull in distant scenes with a telephoto lens. A large-format image sensor for professional-quality images The ZV-E10's impressive images are the result of the camera's large APS-C sized image sensor. Compared to a smartphone camera, the image sensor of the ZV-E10 is more than ten times bigger, allowing for beautiful, professional-looking images with high resolution and intricate detail. [1] APS-C [2] 1-inch [3] 1/2.3~1/3.4 inch. Efficient light collection for high-quality images with minimal noise The ZV-E10's large-format image sensor is designed to maximise light collection, producing 4K movies with high-quality images with less noise even when you're shooting in a dimly lit setting. Instant access to control buttons When you're shooting a vlog session the last thing you want to do is fumble for buttons. With the ZV-E10 you'll find the MOVIE button right on top, for quick access. There's also a handy zoom lever, and a Still/Movie/S&Q button that lets you easily switch between still images, normal videos and Slow & Quick Motion modes. Designed for easy selfie and vlog shoots Weighing in at just 364 grams (12.8 ounces) the ZV-E10 is ready to hit the road with you whenever you’re ready to vlog. The side-opening vari-angle LCD screen makes it easy to take selfies and check your framing, even when you're shooting from high or low positions, and the ergonomic grip is designed for a safe and stable hold. 4K video with oversampling for greater detail The camera's internal 4K video recordings are made using a full-pixel readout from the sensor, allowing the collection of approximately 2.4 times as much data as is required for 4K (roughly equivalent to 6K). This oversampling means that the recorded footage has more visual data condensed into every frame, resulting in remarkably detailed video imagery. (A) 2.4 times information. Let Real-time Tracking do the focusing work for you The ZV-E10's AI-driven Real-time Tracking is intuitive to use. Simply touch the monitor to indicate the subject you want to focus on and Real-time Tracking will take it from there, keeping a steady hold on the subject. Fast, precise autofocus Even quick-moving subjects stay in focus thanks to the ZV-E10's Fast Hybrid AF system. With 425 phase-detection points covering around 84% of the sensor's image area, this wide coverage and dense AF point placement help to precisely capture subjects that might otherwise be difficult to focus on. Protection against recording failures The ZV-E10 tells you at a glance that whether or not you are recording. A recording lamp on the front of the camera lights up in red, and the LCD monitor also displays a bold red frame, letting you know when recording is in progress. Precise focus transitions for smooth-looking product reviews With just the press of a button, you can activate the ZV-E10's Product Showcase Setting, ideal for product review videos. With the setting activated, whenever you hold a product up in front of the camera the focus will shift automatically to that object, and then back to your face again when you move the product out of frame. This setting is available even when image stabilisation is set to Active. Easy background blur control There's no need for complicated manual adjustments – just press a single button to turn background blurring (bokeh) on and off. The button switches between a blurred, bokeh-rich background and a clearly focused one, skipping all the complex setting. Leave it up to the camera to focus on you With the ZV-E10 you can concentrate on the more creative aspects of vlogging. The camera's Eye AF feature uses sophisticated detection algorithms to recognise and track a subject's eyes quickly and accurately, keeping a tight focus on a person's eyes. Stay brightly lit wherever you go Even when lighting conditions change abruptly, the ZV-E10 makes sure that you'll always be brightly lit. From direct sunlight and backlit angles to shadows and dimly lit interior corners, the camera detects the subject's face and automatically handles changes in brightness, performing rapid exposure adjustments to compensate. Smooth, soft skin appearance The ZV-E10 features a Soft Skin Effect to smooth your skin's appearance. The feature is designed to smooth out your skin while preserving sharpness in the eye and mouth regions. You can select from four levels (from "off" to "high") to determine the level of this effect, depending on your preference. Natural-looking skin tones The ZV-E10 is designed to produce healthy and natural-looking skin tones for everyone without extra editing. Thanks to the ZV-E10’s natural colour tuning, the camera automatically fine-tunes skin appearance. Designed for clear voice recording Equipped with a built-in Directional 3-Capsule Mic, the ZV-E10 records voices clearly even in crowded settings. It's optimised to capture voices in front of the camera with fewer distracting ambient sounds, perfect for vlogging use. Easy sped-up and slowed-down motion The camera's Slow & Quick Motion modes record videos up to 5x slower than real time or up to 60x faster. You can record at up to 50 Mbps with full HD quality, and it's all done in-camera, so you don't need to do any editing on a PC. You can also do high-speed full HD recording at 120fps to create high-resolution slow-motion sequences in post production. Smooth and stable images even while walking The ZV-E10 will help keep things smooth and steady when you're on the move. Active Mode electronic image stabilisation delivers stable video footage with minimal shake and blur during hand-held recording, and it's available even when the Product Showcase Setting is on.

Sony ZV1FB.CE3 ZV-1F Vlogging Camera

Sony ZV1FB.CE3 (ZV1FB-CE3, ZV1FB/CE3, ZV1FB_CE3, ZV1FBCE3) ZV-1F Vlogging Camera The Sony ZV-1F is a digital compact vlogging camera with a Type 1 (13.2x8.8mm) sensor and a fixed 20mm equivalent lens. Designed to be your first vlog camera. From social media to YouTube video, the ZV-1F camera elevates your vlogging easily with great image and audio quality. With the Sony ZV-1F, you can truly capture it all – a group selfie along with an expansive view of the background scenery. with the camera’s ultra-wide-angle 20 mm lens that captures a wider field of view than the human visual field. Look your best regardless of where you’re shooting. Sony's new vlog camera automatically adjusts the brightness to light your face even in situations where the brightness changes, such as when backlit or entering a room. Fit everything in frame With the ZV-1F, you can truly capture it all - it allows you to snap a group selfie along with an expansive view of the background scenery. Since the camera's ultra wide-angle 20 mm lens captures a wider field of view than the human visual field, you can take images with eye-popping depth and perspective, even in narrow spaces, both indoors and outdoors. Beautiful skin tones for everyone Look your best any time you're shooting. Without any special settings, the ZV-1F will accurately capture your skin tone, ensuring you a healthy and natural look. There's also a Soft Skin Effect selectable to OFF/ Low/ Mid /High to adjust your skin smoothness. Sharp AF, bright face Using Eye AF, the camera automatically recognises human faces and eyes, making sure you stay in focus in front of the lens. Switching the focus to another subject is easy - just touch the screen. There's no need to worry about lighting either, as Face Priority AE will automatically brighten your face. Easy bokeh at the push of a button Get beautiful defocused background like a pro with just a press of the Bokeh Switch. The camera's large 1.0-type image sensor allows for true optical bokeh. Select [Defocus] to make the main subject stand out against the bokeh background, or [Clear] to keep the entire image in focus. Impressive colours to match your style Shoot beautifully coloured images from the get-go without worrying about editing. With the ZV-1F, you don't need a fancy crew for fancy colour - just choose from 10 available presets for pro-level footage that matches the scene and your style. Slow or speed at the touch of a button Capture those touching moments in slow motion or ramp up the energy for dramatic scenes – all without any editing. With the ZV-1F, you can adjust the footage speed just by pressing the S&Q button. Shoot smooth video at speeds up to 5x slower, or use hyperlapse shooting to make the video up to 60x faster and bring your vision to life. Steady footage even when walking Showing your viewers the world around you makes engaging content, but shaky footage can be a bit distracting. The ZV-1F allows you to capture video clearly even while walking. Active Mode image stabilisation5 helps to minimise image blur from handheld shooting for steadier shots. Ideal for product-review videos Put your products on centre stage with a single touch. Just set the Product Showcase Setting, and simply hold a product in the centre of the frame. The camera will automatically focus on it – with no additional gestures needed. Let your viewers concentrate on what counts, when it counts. Clear audio, anytime, anywhere Indoors or outdoors, the ZV-1F is designed to always capture your voice clearly no matter where you’re shooting. The built-in Directional 3-Capsule Mic collects sound from the front area of the camera, giving you high quality audio, so you can put your energy into creativity, instead of worrying about the sound while recording. Effortlessly portable Small and lightweight, the camera is designed to be taken out and about – just like your smartphone. Capture everyday life with ease, and grab content on the go.

Sony ILCE7CB.CEC Alpha 7C Full-Frame Mirrorless Camera

Sony ILCE7CB.CEC (ILCE7CB-CEC, ILCE7CB/CEC, ILCE7CB_CEC, ILCE7CB CEC) Alpha 7C Full-Frame Mirrorless Camera Express yourself to the fullest degree Despite the compact size of the camera body, which is the world's smallest and lightest, the α7C delivers the spectacular image quality for both stills and movies that you'd expect from a full-frame camera. Fast, wide, and steadfast AF, rapid-fire continuous shooting and a handy vari-angle LCD monitor help capture the action whenever it happens. Uncompromising quality for stills and movies Stunning image quality, only possible from a full-frame sensor Superior light collection means high-quality, low-noise images Bigger sensors create better images, and the α7C's full-frame sensor is much larger than the sensors in smartphones, compact digital cameras and similar-sized APS-C interchangeable-lens cameras. The resulting increased light collection allows for professional-quality images with reduced noise, and more retained detail in both shadows and highlights. Make a difference with a larger sensor With a full-frame sensor it’s possible to take shots and achieve impressive images that are unique to this format. The α7C’s sensor is more than twice the size of the sensors found in APS-C cameras of similar body size, and up to 30 times larger than a smartphone sensor, for stunning images with greater depth and detail. Compact size, easy operation The α7C was fashioned to be compact, lightweight and portable without compromising genuine full-frame camera performance. This goal was accomplished by developing new mechanical components, such as a space-saving shutter and optical stabilisation unit, along with layout and structural enhancements. Enjoy the full-frame advantage The α7C's full-frame sensor does more than just capture more light. Enhanced image depth, dynamic range and detail are all possible thanks to the large sensor and pixel size. Enjoy the full-frame advantage The α7C's full-frame sensor does more than just capture more light. Enhanced image depth, dynamic range and detail are all possible thanks to the large sensor and pixel size. Capture all the beauty of the world The 24.2MP10 Exmor R™ CMOS sensor works with Sony's BIONZ X™ engine to deliver superb colour reproduction along with a wide 15-stop11 dynamic range, and it helps capture details and smooth transitions across all lighting conditions in both stills and movies. Stunning images, even at fast shutter speeds and in dim light The larger pixel sizes on the sensor allow for an increased signal-to-noise ratio, for beautiful images with more detail in textures and shadow areas. Noise reduction is particularly effective at the medium- and high-ISO sensitivities required for fast-moving or poorly lit subjects. Standard ISO100-51200 is extendable to ISO50-204800 A vast E-mount lens line-up, from wide to telephoto, video and specialised Whether you're an amateur or a professional, a photographer or a movie creator, a diverse range of over 50 E-mount lenses is available to elevate your creativity. Compact full-frame lenses provide exceptional low-distortion images, even at wide focal lengths, and allow for beautiful image depth and bokeh. 4K recording for beautiful movie imagery Shallow depth of field enables bokeh effects, one of the strengths of full-frame cameras. Full-pixel readout without pixel binning allows oversampling equivalent to 6K recording, for clean images with less moiré and jaggies. Widen your expression with S-Log, HLG and Picture Profile options S-Log support captures a wide dynamic range of 14 stops, revealing fine detail in both shadows and highlights in post-production. HLG (Hybrid Log-Gamma) facilitates direct HDR playback and workflow, and Picture Profile provides various settings options for capturing images. Capture the action as it happens, in beautiful detail  State-of-the-art AF and speedy continuous shooting capability help ensure you won't miss that important split-second shot. The α7C's optical image stabilisation unit keeps it steady and blur-free whether you're shooting stills or movies. Super-accurate AF finds the subject quickly and keeps it in steady focus The α7C takes advantage of the same AF advancements as our acclaimed α9, with unique 4D FOCUS for fast subject acquisition and steadfast tracking over a wide area. A total of 693 phase-detection AF points cover approx. 93% of the image area. Never miss a moment, even with fast-moving subjects To better capture subjects in motion, the α7C shoots in continuous bursts at up to 10fps16 with AF/AE tracking, and up to fps in live-view mode. It also supports silent shooting17 at up to fps with AF/AE tracking. Depend on persistent subject tracking Reliable subject tracking translates into more successful portraits. As with previous models, you can aim at the subject and half-press the preconfigured shutter button to start Real-time Eye AF. The α7C also has a new feature that lets you press the AF-ON button to activate Real-time Tracking even when not in AF-C mode, allowing you to use Real-time Tracking immediately. Focus is maintained even when the face is partially obstructed or when the subject is wearing glasses. Real-time Eye AF for Animals tracks and focuses on animals' eyes Taking successful shots of pets and other animals is much easier with Sony's cutting-edge algorithm-based AF. Fast, precise automatic detection and tracking of an animal's eyes, rather than the tip of the nose or the whiskers, keeps everything in clear focus – simply leave it up to the camera. It works dependably even when an obstacle comes into view or when the camera's horizontal/vertical orientation changes Reliable handheld still shots and movies Zoom in, grab close-ups and capture night scenes with greater clarity The α7C's optical 5-axis image stabilisation unit compensates for five types of camera shake with no loss of image quality, even when shooting without a gimbal or when shooting in the dark. These are angular shake (pitch and yaw) that tends to occur with a telephoto lens, shift shake (X and Y axes), noticeable as magnification increases, and rotational shake (roll on Z axis), which affects nighttime shots and video. Full-frame image quality for movie creators The α7C's side-opening vari-angle monitor can be easily viewed, for example, even when a mic is attached, a gimbal is used, or when shooting from various positions. In addition, headphone and mic jacks allow you to use your favourite equipment. Plus, the large-capacity battery allows for extended shoots. All in all, the α7C is perfectly suited for vloggers and other creators. Compact, lightweight and portable even with optional grip accessories The side-opening LCD monitor makes self-vlogging easy, an optional grip and mic combination21 is perfect for cable-free vlogging, and digital mic support22 provides extra-clear sound. Popular vertical-format video is also supported, using metadata to allow vertically recorded footage to be replayed and edited in the vertical position without needing to rotate it first. Grip accessories for a quick, high-level vlog setup The optional GP-VPT2BT Bluetooth® grip controls recording and zoom operations, and doubles as a tripod for hands-free shooting. A customisable button and easy camera angle adjustment make it perfect for efficient shooting. Clear 2x zoom for flexible shooting options Sony's Clear Image Zoom maintains subject resolution with almost no deterioration of image quality. Even single-focus lenses can be used as zoom lenses, with up to 2x zoom magnification. Digital audio interface for clear sound recording When using Sony's ECM-B1M Shotgun Microphone or XLR-K3M Adaptor Kit via the MI (Multi Interface) shoe, audio is transmitted as a digital signal, for high-quality sound recording without deterioration or extra audio cables. Fine-tune AF Subject Shift Sensitivity to maintain steady focus or allow focus shift AF sensitivity is adjustable for situations with multiple subjects in motion. Levels range from "1. Persistent" to maintain stable focus on the original subject, to "5. Sensitive" to switch easily to other subjects. Use AF Transition Speed to control how fast the focus shifts When autofocus does shift from one subject to another, you can specify the speed of the transition. Seven levels are available, from smooth, leisurely transitions to fast shifts in focus. In-camera recording up to 5x slower or 60x faster than real time Varying the pace of footage is an extra creative element you can add to movies, and the α7C's S&Q mode makes it easy. It supports high-speed full HD recording at 120fps, and both slow-motion and fast-motion effects are possible in camera, with frame rates ranging from 1-120fps. The resulting footage is up to 5x slower or 60x faster than real-time action. Easy visual effects for movies Picture Effect, Creative Style and Picture Profile features are a simple way to widen your creative expression when shooting movies. They provide a wide variety of visual effects and settings, from entry-level to professional. Picture Effect and Creative Style let you leave things to the camera, so there's no need for post-production grading. Side-opening LCD monitor for flexible operation The 921-thousand-dot 3.0-type touch panel rotates 176° horizontally and 270° vertically. Use Touch Focus to shift focus instantly, or Touch Shutter to focus and capture still images with a single touch to the screen. Easy battery charging even when shooting The large-capacity Z battery tucked into the α7C's compact body can take advantage of a USB power supply. A USB Type-C® cable is all you need for charging, and you can shoot while you're charging. Sturdy dust- and moisture-resistant construction Lightweight, high-rigidity magnesium alloy is used for the camera's top, front and rear covers, and sealing is provided throughout the body to minimise dust and moisture entry. Remote shooting from mobile devices and PCs The α7C's Wi-Fi® capability makes it easy to set up remote shooting. Set up your camera at a distance and take selfies or vlog footage, using a PC, smartphone or tablet to preview, adjust settings, and operate the shutter. Quick data transfer to mobile devices for social-media sharing Photos and videos can be transferred directly to smartphones and tablets on the spot, for easy viewing, sharing and storage via 2.4 or 5GHz Wi-Fi®. One-touch transfer is possible for certain devices, with QR-code connections for others. Imaging Edge Desktop Elevate your photography with Imaging Edge Desktop applications. Use the "Edit" function to develop RAW data into high-quality photos for delivery. Get the best from Sony RAW files, and manage your productions more efficiently. Imaging Edge Mobile™ app and Movie Edit add-on for more convenient movie-making Using the α7C's built-in Wi-Fi®, shutter release and movie recording can be controlled from a smartphone or tablet, and image data can be transferred wirelessly. The Movie Edit add-on corrects camera shake after shooting.

Sony ILCE7RM5B.CEC A7RV Full-Frame Mirrorless Camera

Sony ILCE7RM5B.CEC (ILCE7RM5B-CEC, ILCE7RM5B/CEC, ILCE7RM5B_CEC, ILCE7RM5BCEC) A7RV Full-Frame Mirrorless Camera Introducing the evolution of resolution with the Sony A7RV. Packing an infallible autofocus powered by AI and fast processing speed with the latest BIONZ XR™, the Sony A7R V camera delivers high 61MP full-frame image quality and 8K video recording, unlocking unprecedented subject detail and texture. It also includes an improved 8-stop in-body stabilisation system, a unique 4-way multi-angle screen, and high resolution EVF for a refined professional shooting experience. Paired with high speed connectivity, the Sony Alpha 7RV sets a revolution for those who want to capture every detail - from landscape, to wildlife or portrait - for enthusiasts and professionals. Newly developed AI processing unit A whole new level of camera intelligence State-of-the-art AI processing uses detailed information about human forms and postures to dramatically improve the camera's subject recognition accuracy and make full use of its potential resolution. Also, subject recognition has been expanded to include a number of new subject types, including vehicles and insects. AI processing unit for advanced subject recognition The α7R V is equipped with an AI processing unit specifically dedicated to processing significant amounts of data to enable more accurate recognition of subjects and recognition of a wider range of subject types. Human pose estimation The α7R V uses subject form data to recognise movement, providing a roughly 60% improvement in human eye recognition. Human pose estimation uses learned human forms and postures to precisely recognise not just eyes, but body and head position, making it possible to lock onto and track a subject facing away from the camera or wearing a mask, for example. Recognise a wider range of subjects In addition to humans, animals and birds, the camera now recognises insects, cars, trains and airplanes, providing even greater flexibility and reliability when shooting both stills and movies. Heads and bodies are now recognised in addition to eyes (Real-time Eye AF) for the Human, Animal, and Bird settings. Improved accuracy of WB control The α7R V's AWB function has evolved in tandem with the camera's AI capabilities. In addition to the "Visible Light + IR sensor" on the front of the body, the camera's AI processing unit helps to achieve more accurate white balance in difficult lighting, such as when the subject is in shadow. A new high in α resolution The output from the 35mm full-frame back-illuminated Exmor R™ CMOS image sensor, with approximately 61.0 million effective pixels, is processed in real time to the fullest extent by the advanced BIONZ XR™ processing engine to deliver breathtaking detail in both stills and movies. Real-time Recognition AF The α7R V's AF system delivers dramatically enhanced overall performance, drawing on major improvements in subject recognition performance. Deep learning technology supports powerful Real-time Recognition AF as well as more reliable Real-time Tracking which is supported by higher Fast Hybrid AF performance over a wider area. High-quality 8K movie recording 18 The XAVC HS format enables in-camera recording of high-resolution, high-quality 8K (7680 x 4320) 24p (25p)18 movies with efficient HEVC/H.265 compression, bringing out the very best in Sony's lenses and taking full advantage of the resolution provided by the sensor and full-pixel readout. Even the finest subject details are faithfully captured. Outstanding 4K movie recording up to 60p(50p)19 Full frame and Super 35mm formats can be selected for 4K movie recording. Full pixel readout in the Super 35mm mode without the need for pixel binning20 makes 2.6x oversampling possible for 4K movies. The XAVC S-I (All-Intra) or the XAVC HS format is supported, with 10-bit 4:2:2 colour sampling. New 4-axis multi-angle LCD monitor Unprecedented monitoring flexibility Sony's newly developed 4-axis multi-angle monitor combines the utility of a conventional tilting monitor with side-opening vari-angle flexibility. It allows greater shooting freedom by providing unrestricted angle adjustment in both horizontal and vertical orientations  

Sony FX30 Cinema Camera, body package e

Sony FX30 Cinema Camera package E includes: 1x Sony FX30 Cinema Camera, body 1x Sony NP-FZ100 Rechargeable Lithium-Ion Battery (2280mAh) 1x Sony CEA-G Series CFexpress Type A Memory Card 320GB 1x Sony MRW-G2 CFexpress Type A / SD Card Reader 1x Sony E-mount PZ 18-105mm F4 G OSS Lens  Leap into the world of filmmaking Sony's acclaimed line-up of Cinema Line cameras sets the standard for filmmaking, with beautiful cinematic imagery, high performance and highly efficient workflow. Enjoy hassle-free shooting with S-Cinetone™ and S-Log3 for high level grading plus numerous other features. The compact FX30 makes filmmaking more accessible than ever for up-and-coming creators.

Sony FX30 Cinema Camera, body package d

Sony FX30 Cinema Camera package D includes: 1x Sony FX30 Cinema Camera, body 1x Sony NP-FZ100 Rechargeable Lithium-Ion Battery (2280mAh) 1x Sony CEA-G Series CFexpress Type A Memory Card 320GB 1x Sony E-mount PZ 18-105mm F4 G OSS Lens  Leap into the world of filmmaking Sony's acclaimed line-up of Cinema Line cameras sets the standard for filmmaking, with beautiful cinematic imagery, high performance and highly efficient workflow. Enjoy hassle-free shooting with S-Cinetone™ and S-Log3 for high level grading plus numerous other features. The compact FX30 makes filmmaking more accessible than ever for up-and-coming creators.

Sony FX30 Cinema Camera, body package c

Sony FX30 Cinema Camera package C includes: 1x Sony FX30 Cinema Camera, body 1x Sony NP-FZ100 Rechargeable Lithium-Ion Battery (2280mAh) 1x Sony CEA-G Series CFexpress Type A Memory Card 320GB 1x Sony MRW-G2 CFexpress Type A / SD Card Reader Leap into the world of filmmaking Sony's acclaimed line-up of Cinema Line cameras sets the standard for filmmaking, with beautiful cinematic imagery, high performance and highly efficient workflow. Enjoy hassle-free shooting with S-Cinetone™ and S-Log3 for high level grading plus numerous other features. The compact FX30 makes filmmaking more accessible than ever for up-and-coming creators.

Sony FX30 Cinema Camera, body package b

Sony FX30 Cinema Camera package B includes: 1x Sony FX30 Cinema Camera, body 1x Sony NP-FZ100 Rechargeable Lithium-Ion Battery (2280mAh) 1x Sony CEA-G Series CFexpress Type A Memory Card 320GB Leap into the world of filmmaking Sony's acclaimed line-up of Cinema Line cameras sets the standard for filmmaking, with beautiful cinematic imagery, high performance and highly efficient workflow. Enjoy hassle-free shooting with S-Cinetone™ and S-Log3 for high level grading plus numerous other features. The compact FX30 makes filmmaking more accessible than ever for up-and-coming creators.

Sony FX30 Cinema Camera, body package a

Sony FX30 Cinema Camera package a includes: 1x Sony FX30 Cinema Camera, body   1x Sony NP-FZ100 Rechargeable Lithium-Ion Battery (2280mAh)    Leap into the world of filmmaking   Sony's acclaimed line-up of Cinema Line cameras sets the standard for filmmaking, with beautiful cinematic imagery, high performance and highly efficient workflow. Enjoy hassle-free shooting with S-Cinetone™ and S-Log3 for high level grading plus numerous other features. The compact FX30 makes filmmaking more accessible than ever for up-and-coming creators.

Sony FX30 Cinema Camera, body

Leap into the world of filmmaking Sony's acclaimed line-up of Cinema Line cameras sets the standard for filmmaking, with beautiful cinematic imagery, high performance and highly efficient workflow. Enjoy hassle-free shooting with S-Cinetone™ and S-Log3 for high level grading plus numerous other features. The compact FX30 makes filmmaking more accessible than ever for up-and-coming creators.

Sony FR7 Cinema Line Full-Frame PTZ camera

Sony ILME-FR7 (ILME/FR7, ILME_FR7, ILMEFR7, ILME FR7) FR7 Cinema Line Full-Frame PTZ camera The FR7 provides smooth pan, tilt and zoom (PTZ) control coupled with a full-frame image sensor and a high-quality E-mount lens line-up. Focal length and shallow depth of field provide creative freedom and combine with remote PTZ control capability to open a new world of creative potential. Remote control for creative camera placement  With its integrated, remotely controllable pan and tilt mechanism, the FR7 can be mounted on the ceiling or in other out-of-the-way locations. Follow your subjects or instantly recall pre-composed shot framings, for unprecedented creative potential.  Innovative remote control  With a newly developed Web App that enables easy access via QR code or URL input, you can set up the FR7 from a tablet or a PC through a web browser. You can also use the optional RM-IP500 for precise joystick-controlled pan, tilt and zoom operation. Advanced technology for cinematic expression Bearing the Cinema Line name, the FR7 incorporates key features that support cinematic expression. The FR7 features a back-illuminated 35 mm full-frame CMOS image sensor for the first time in a pan, tilt and zoom (PTZ) camera. Also the BIONZ XR™ contributes to superb image quality with high sensitivity, smooth gradations, and true-to-life colour.  Limitless creativity with E-mount lenses The FR7 features Sony's E-mount and can be used with all E-mount lenses. These include the superlative G Master series, known for its stunning resolution and beautiful bokeh. A choice of focal lengths ranging from 12 mm to 1200 mm gives you comprehensive creative control. Cinema Line image quality The FR7's "Cinema Line" name identifies it as part of a renowned line-up of creative tools designed to unleash the true power of visual storytelling. It provides Custom and Cine EI modes that adjust camera operation to your workflow while maintaining consistency with other Cinema Line cameras. Staggering latitude for powerful expression The FR7 offers wide 15+ stop latitude to prevent blown highlights and crushed shadows. In Cine EI mode, base sensitivity can be set to either ISO 800 or 12800 for a consistent look regardless of lighting conditions. Astounding image quality in low light  The FR7 offers cleaner images in low light by taking full advantage of the sensor’s size and high sensitivity. ISO can be expanded as far as ISO 409600 when shooting in extremely low light conditions such as live concerts. Slow motion for extensive creative possibilities  Smooth 5x slow motion provides extensive creative possibilities, making every moment clearer and more dramatic. The FR7 allows internal slow-motion capture at up to 120 fps in 4K resolution, and up to 240 fps in full HD. 4K 60p 4:2:2 10-bit output  The FR7 supports clean, high-quality output via its HDMI and SDI OUT connectors. This makes it possible to record Apple ProRes 422 or Avid DNxHR® in 4K 60p 4:2:2 10-bit format with compatible external recorders via an HDMI or SDI cable. Support for S-Log3/S-Gamut3 The optional S-Log3 gamma curve and S-Gamut3.Cine let you capture the full colour gamut and dynamic range available to the sensor. They enable the retention of information in both highlights and shadows for flexibility in post-production. All-Intra recording for precise motion capture  The FR7 is capable of 4K internal recording with 10-bit depth and 4:2:2 colour sampling with All-Intra and Long-GOP compression. This makes it possible to push your colour grades further while still retaining natural gradation, for true editing freedom. An instant cinematic look with S-Cinetone™ S-Cinetone produces the natural mid-tones essential to healthy-looking skin, plus soft colours and gorgeous highlights. Beautiful cinematic images can be created in-camera, without extra colour grading. A wide variety of lenses to deliver your vision The FR7 features Sony's E-mount and can be used with high-quality E-mount lenses, including the superlative G Master series, known for its stunning resolution and softly dissolving bokeh. A choice of focal lengths ranging from 12 mm to 1200 mm gives you full creative control. Exquisite, impressive bokeh Taking advantage of the camera's full-frame sensor and Sony’s extraordinary line-up of lenses, you can create expressive bokeh effects with a shallow depth of field – an impossibility with other PTZ cameras. Using a prime lens such as an F1.2 lens will help achieve cinematic-style visual effects where the subject stands out from the background dramatically.  The advantages of Sony’s lenses for video shooting  The best camera deserves the best lenses. Discover four unique advantages in using Sony’s E-mount lenses for video shooting. The combination of Sony's lenses and the FR7 will enhance your video creation experience. Lens support rods Two lens rods provided below the camera head allow attachment of standard 15 mm rod mountable accessories. Capture the scene from any angle The FR7 incorporates smooth pan, tilt and zoom functionality that can be remotely controlled, or recalled to preset positions. The pan angle range is from -170° to +170°, and the tilt angle range is from -30° to +195° when used in normal upright orientation. A full-featured dedicated Web App With a new dedicated Web App, you can use a tablet or a computer's web browser to pan, tilt, zoom, focus, record, and adjust all camera settings. You can access cameras in hard-to-reach locations with easy setup using each camera’s unique QR code. The Web App uses the same menu format as the FX6 for intuitive operation. High-performance remote controller RM-IP500 The FR7 can be paired with Sony's RM-IP500 remote controller for PTZ cameras, providing precise joystick-controlled pan, tilt and zoom operation. Speed adjustment knobs let you set the speed of pan, tilt, zoom and focus operations suitable for the subject and setting. Zoom can be controlled either via the joystick or a seesaw lever. Expand your creative options The FR7 supports multi-camera production with just a small staff. It can be mounted on a tripod, on the ceiling, or in limited-access locations so that subjects can be unobtrusively followed and recorded from a range of viewpoints. A single RM-IP5002 remote control unit can be used for a setup of up to 100 FR7 cameras (10 groups of 10 cameras) Fine-tuned control over camera movement  Pan and tilt speed can be continuously varied from 0.02 degrees per second to 60 degrees per second, for flexible subject tracking and production scenarios. Up to 100 preset camera positions The supplied remote controller, dedicated FR7 Web App and RM-IP500 can remember up to 100 camera presets (camera direction, zoom and focus). Presets can be recalled at the touch of a button. Clear Image Zoom3 to refine your angle of view  The FR7 includes Sony's Clear Image Zoom function, giving you the option to zoom into your subject with minimal image degradation even when using a non-powered zoom lens or prime lens. Reliable autofocus for remote shooting For remote setting, the FR7 locks onto fast-moving subjects quickly and tracks them tenaciously even in low light, using 627 selectable phase-detection AF points and the powerful BIONZ XR processor. Real-time Tracking for remote shooting Concentrate on composition and leave focusing up to the camera. In the FR7’s Web App, Touch Tracking starts autofocus for your chosen subject, complete with Real-time Tracking for professional and efficient production Real-time Eye AF for remote shooting  Underpinned by the BIONZ XR processor, the FR7 offers reliable AF performance, indispensable for remote shooting. Pinpoint eye focus tracks an eye even when subjects are looking up or down at a steep angle. Electronic Variable ND Filter for smooth remote operation  Sony's built-in electronic variable ND (neutral density) filter allows exposure control at a distance, for smooth operation in a remote setup. It allows seamless ND adjustment from 1/4 to 1/128 to control exposure remotely, and depth of field can be conveniently controlled while maintaining a consistent exposure. Breathing compensation The FR7 includes a Breathing Compensation function that minimises unwanted changes in angle of view, for better looking focus transitions. With compatible lenses, the angle of view is automatically kept consistent even when focusing, making it possible to achieve smooth and dramatic focusing effects Tally lights to facilitate multi-camera production The FR7's red and green tally lights make it easy to identify which camera is currently active (on-air) in a multi-camera setup. A red tally light can identify the on-air camera while a green tally light indicates the preview camera. Supplied infrared remote controller  The infrared remote controller included with the FR7 controls pan, tilt, zoom and focus (with presets available) as well as recording and playback. Dedicated ceiling mount bracket CIB-PCM The FR7 is compatible with the CIB-PCM ceiling mount bracket2 for easy overhead setup. The "Ceiling" option in the Web App flips the control directions, for natural operation even with the camera mounted upside down. Interfaces and IP transmission methods for a wide range of use cases The FR7 provides excellent connectivity for video output, IP streaming, and synchronisation with other devices. HDMI video output can be used for real-time monitoring, while SDI video output delivers a RAW signal to an external recording device. Camera control, video and audio transfer, and power supply can be carried out via a single LAN cable. Connecting to external devices Easily connect to external devices to provide timecode synchronisation, control tally light signals, and coordinate synchronisation signals in multi-camera setups.  TC IN connector Receives timecode from an external device to be used for synchronisation.  "Option" connector Connects tally light signals to an external device. GENLOCK connector Receives synchronisation signals from an external device for use in multi-camera setups. LAN and PoE++ connector The FR7 can be powered with an external PoE++ (Power over Ethernet Plus Plus) device via a standard network cable (CAT5e or higher), eliminating the need for separate power supply cabling. DC IN connector  If not using PoE++, the supplied AC adaptor connects to the FR7's "DC IN" connector to power the unit. The cord clamp on the rear panel of the FR7 can be used to prevent the power cable from being accidentally unplugged.  Support for multiple protocols to meet your streaming needs RTSP streaming allows video output from one camera to be simultaneously distributed to up to five viewers. SRT enables high-quality, low-latency video transfer even in unstable network conditions. And NDI|HX connects to NDI compatible devices such as switchers and media servers, supporting efficient live video production using Internet protocols.

Sony UWP-D27-K33PRO Pro Dual Channel Kit

Sony UWP-D27-K33PRO (UWP/D27-K33PRO, UWP/D27/K33PRO, UWPD27K33PRO, UWP D27 K33PRO) Pro Dual Channel Kit The UWP-D27 is a complete wireless audio package that’s ideal for on-camera interviews, live presentations, and other applications where you need to capture crisp, clear sound with minimum fuss. The ECM-V1BMP omni-directional lavalier microphone connects to the light, compact UTX-B40 bodypack transmitter that’s worn by an interviewee. Audio is transmitted wirelessly to the URX-P41D 2-channel portable receiver, with quick and easy wireless pairing between transmitter and receiver. An optional Multi Interface Shoe Adaptor simplifies audio recording with compatible Sony cameras and handheld camcorders. Made with simplicity in mind for DIY cameramen, videographers, vloggers, and journalists working in the field without a crew, the 4th-generation Sony UWP-D27 is a dependable 2-channel, camera-mount wireless lavalier microphone system that delivers uncompromising audio quality, while still being easy to use and fast to set up with no menu diving. This compact system is packed with professional features including one-button NFC Automatic Channel-Setting mode and Auto-Gain functions, which handle time-consuming frequency setup and mic-level adjustments for you?so you're ready to shoot two people talking simultaneously directly to your camera within seconds. It is ideal for documentaries, wedding videos, YouTube content, corporate spots, hands-free interviews, and more. The UWP-D27 offers digital signal processing for pristine audio and analog UHF transmission with true-diversity reception for reliability, even under difficult shooting conditions. Rugged and lightweight, this system includes two bodypack transmitters, each with an ECM-V1BMP omnidirectional lavalier mic. It also comes with a low-profile camera-mount receiver designed for enhanced mobility with compact camcorders and smaller DSLR/mirrorless cameras. Sony shooters can take advantage of the SMAD-P5 digital MI Shoe adapter (available separately), which provides a direct, clean digital audio connection to select Sony cameras equipped with a digital Multi Interface Shoe. The UWP-D27 is backward-compatible with Sony WL-800, UWP Series, and third-generation UWP-D transmitters.

Sony UWP-D27 Wireless bodypack microphone Kit

Sony UWP-D27-K42 (UWP-D27/K42, UWP/D27/K42, UWPD27K42, UWP D27 K42) UWP-D27 Wireless bodypack microphone Kit Wireless bodypack microphone package with bodypack transmitter, 2-channel portable receiver, lavalier microphone and accessories: easy to use with high-quality sound and seamless integration with Sony cameras. The UWP-D27 is a complete wireless audio package that’s ideal for on-camera interviews, live presentations and other applications where you need to capture crisp, clear sound with minimum fuss. The ECM-V1BMP omni-directional lavalier microphone connects to the light, compact UTX-B40 bodypack transmitter that’s worn by an interviewee. Audio is transmitted wirelessly to the URX-P41D 2-channel portable receiver, with quick and easy wireless pairing between transmitter and receiver. An optional Multi Interface Shoe Adaptor simplifies audio recording with compatible Sony cameras and handheld camcorders.

Sony UWP-D27/21KIT Wireless bodypack microphone Kit

Sony UWP-D27-21KIT (UWP/D27-21KIT, UWP/D27/21KIT, UWPD2721KIT, UWP D27 21KIT) Wireless bodypack microphone Kit Wireless bodypack microphone package with the bodypack transmitter, 2-channel portable receiver, lavalier microphone, and accessories: easy to use with high-quality sound and seamless integration with Sony cameras. The UWP-D27 is a complete wireless audio package that’s ideal for on-camera interviews, live presentations, and other applications where you need to capture crisp, clear sound with minimum fuss.  The ECM-V1BMP Omni-directional lavalier microphone connects to the light, compact UTX-B40 bodypack transmitter that’s worn by an interviewee. Audio is transmitted wirelessly to the URX-P41D 2-channel portable receiver, with quick and easy wireless pairing between transmitter and receiver. An optional Multi Interface Shoe Adaptor simplifies audio recording with compatible Sony cameras and handheld camcorders. *** Please see that this item is a special order item      

Sony FE 24–70 mm F2.8 GM II Lens

Sony SEL-2470GM2 (SEL/2470GM2, SEL_2470GM2, SEL2470GM2, SEL 2470GM2) FE 24–70 mm F2.8 GM II Lens The 24-70mm F2.8 GM II is perfect for event and wedding photographers, or any professional who wants the best quality general-purpose lens for their Alpha mirrorless camera. Its advanced optical design includes two ED (Extra-Low Dispersion), two Super ED, two XA (Extreme Aspherical), and three aspherical elements, ensuring outstanding resolution with this Sony camera lens. Beautiful background defocuses (bokeh) are achieved with an 11-blade circular aperture. Four XD (Extreme Dynamic) Linear Motors with their complex construction deliver faster, more accurate focusing capabilities for both photography and videography. An incredible Sony E-mount lens for video, the SEL2470GM2 delivers smooth, fast, continuous autofocus performance for movie shooting, with minimised focus breathing, and focus shift and axis shift when zooming, for refined imagery. Next-generation G Master standard zoom The FE 24-70mm F2.8 GM is an updated “holy trinity” standard zoom, packing evolved optics and AF performance into a convenient, compact, lightweight zoom design that offers maximum mobility for both stills and movies. It is an ideal match for high-performance compact α system bodies, and will cover a wide range of shooting situations. High resolution rivals the best primes Excellent contrast at high spatial frequencies means superb resolution even at F2.8. Two high-precision XA (extreme aspherical) elements, two ED (Extra-low dispersion) glass elements, two Super ED glass elements, and a floating focus mechanism control chromatic aberration, astigmatism, distortion, and coma at all zoom and aperture settings. Nano AR Coating II subdues flare and ghosting for outstanding clarity. Stunning G Master bokeh Exquisite F2.8 bokeh extends throughout the zoom range thanks to advanced optical design and a new 11-blade aperture unit. Bokeh is enhanced by precise control of spherical aberration during design and for each lens during manufacture. Two XA elements with 0.01-micron precision suppress onion ring bokeh. Minimum focusing distance is 0.21 meters at 24 mm and 0.30 meters at 70 mm, with max. magnification of 0.32x. The most compact, lightweight, and versatile in its class The smallest and lightest2 F2.8 24-70mm zoom in its class, this lens offers unprecedented flexibility and freedom. It weighs just 695 grams, 191 grams less than the previous model. Its length has been reduced by 16 mm, and overall volume has been reduced by approximately 18%. Impressive portability and mobility make it a good choice for professional or enthusiast still or movie use in a wide range of situations. Fast, precise AF and excellent response Four of Sony’s original XD (extreme dynamic) Linear Motors, a floating focus mechanism, and advanced lens control achieve high AF precision and approximately 2x better-tracking performance while zooming than the previous model. With a compatible body it can shoot at up to 30 frames per second. The new aperture unit also contributes to high speed, enabling full AF tracking performance even when shooting with the aperture stopped down  

Sony ILME-FX3 FX3 Full-frame Cinema Line Camera Package D

Sony ILME-FX3 (ILME/FX3, ILME_FX3, ILMEFX3, ILME FX3, ILMEFX3.CEC, ILME-FX3 Alpha FX3, ilme-fx3) FX3 Full-frame Cinema Line Camera Package d includes: 1x Sony ILME-FX3 FX3 Full-frame Cinema Line Camera 1x Sony CEA-G80T 80GB CFexpress Type A Memory Card  1x Sony MRW-G2 CFexpress Type A / SD Card Reader 1x Sony NP-FZ100 Rechargeable Lithium-Ion Battery (2280mAh)   1x Camrade CAM-R&GBACKP-MEDIUM run&gunBackpack Medium Sony Alpha FX3 ILME-FX3, the most compact Cinema Line camera was designed for solo-shooting . With the internal cooling system the FX3 can extend the shooting time and will be able to cover a wider range of shooting situations.  It records outstanding 4K full frame quality at up to 120p with minimal rolling shutter, excellent low light capabilities (up to 409,800 ISO) and a wide dynamic range thanks to its 10.2 MP Exmor R CMOS sensor and new Bionz XR processor. It allows for more shooting expressions with the inclusion of S-LOG3 and S-CINETONE picture profiles defining a new era of Cinema line cameras from Sony. The Sony FX3 also provides more freedom for shooting videos with a fast and accurate Autofocus technology including Real-time Eye Autofocus,  Real-time touch tracking and customisable autofocus tracking sensitivity. It also includes a 5axis inbody stabilisation with Active Mode, which makes it ideal for handheld shots. On top of its small form factor, the Sony FX3 includes a detachable top-handle with XLR inputs for professional microphones or audio connections. The idea of a cage with the grip and screw options is already integrated in the body design, which is emphasizing the compact form factor. The Sony Cinema line FX3 is designed for the future of cinematic expressions. FX3 New Cinematic Freedom Sony's FX3 Cinema Line camera brings the visions of passionate content creators to life. Cinematic expression is matched with reliable performance and streamlined operation to serve the needs of today's creative community. Compact and lightweight, it's easy to carry and handle.  Full-frame image capture even in dim light The FX3's full-frame image sensor is coupled with innovative light-gathering techniques to let you capture clear and usable images even in dim light. The standard ISO sensitivity of 80-102400 for movies is expandable all the way up to 409600. Wide dynamic range, wider creative expression The FX3 offers an exceptional 15+ stops1 of dynamic range to handle settings ranging from well-lit interiors and outdoors in mid-day to morning and evening shots. Capture every nuance, and allow for unprecedented cinematic freedom in colour grading. Stunning bokeh and full-frame creativity Capture the scene in cinematic 4K resolution, with the shallow depth of field, stunning bokeh and cinematic freedom made possible with a full-frame sensor. Cinematic colour science of S-Cinetone S-Cinetone colour, developed for Sony’s acclaimed FX9, is the default look on the FX3 for cinematic expression. It's precisely tuned to meet the requirements of today's content creators, with rich colour and natural skin tones that match other Cinema Line cameras without grading.  4K 120fps with every frame in focus Even at high frame rates, detailed 4K imagery is captured thanks to the FX3's high-precision AF and high-speed readout capabilities. Slow and Quick (S&Q) mode gives you full control over the shooting frame rate, for beautiful motion sequences at up to 5x slow motion (with 24p output). 10-bit S-Log3 and HDR recording for smooth gradations S-Log3 gamma curve and S-Gamut3.Cine enable shooting with high-quality colour reproduction over a wide dynamic range, and they make it easy to match up footage with shots from other Cinema Line cameras during post-production. In addition, an HLG (Hybrid Log-Gamma) HDR picture profile enables direct HDR (HLG) playback on compatible TVs with no post-production. 16-bit RAW HDMI output For demanding post-production workflows, 16-bit RAW output3 is available over HDMI connection to compatible external recorders while XAVC HS 4K, XAVC S 4K, or XAVC S-I 4K, and proxy, files are simultaneously captured in-camera. RAW video output is 4264 x 2408 [16:9] resolution, exceeding DCI-4K resolution4. Enjoy rich detail and realistic colour The FX3 is capable of 4K internal recording, 10-bit depth and 4:2:2 colour sampling with All Intra on top of Long-GOP compression. This makes it possible to push your colour grades further while still retaining natural gradation, for true editing freedom.    [1] All-Intra (All-I)   [2] Long-GOP   [3] Group of Pictures Designed for comfortable solo shooting Dependable, highly accurate autofocus The wide-area AF with intelligent tracking uses focal-plane phase-detection for tenacious subject tracking across almost the entire frame5. The Fast Hybrid AF system delivers precise focusing even when shooting at a shallow depth of field and at high frame rates of 120p in 4K (QFHD)2. Sophisticated tracking AF for steady focus Sophisticated tracking features keep your subject in steady focus, so you can concentrate on composition. Real-time Eye AF ensures precise focus on the face and eyes, while Real-time Tracking is powered by Sony's unique AI-based subject recognition algorithms. Smooth transitions and touch focus control The FX3 includes AF Transition Speed in seven settings, to easily create rack focus, and five AF Subject Shift Sensitivity settings, which allows the user to customise how easily AF will switch or stay with the locked-on subject. You can also select the subject you want to focus on simply by touching the LCD monitor. High-performance E-mount lenses for movies Experience smooth, responsive autofocus with Sony's E-mount lenses, with premium optical performance and operability for demanding cinematography applications. The unique linear-drive actuator technology in Sony's E-mount lenses provides smoother, more precise and tenacious AF performance to support your creative endeavors. High-mobility performance wherever you go With its compact size and light weight, the FX3 is designed for high mobility. The attached handle and cage-free accessory mounting holes make for fast setup, fluid shooting and quick pack-down. The main body and covers are constructed from a lightweight magnesium alloy to enhance durability and performance even in challenging environments. Attachable XLR handle A handle equipped with an XLR adaptor with two full size XLR terminals can be attached to the Multi Interface (MI) Shoe on the camera for more comfortable and stable camerawork in difficult shooting situations, such as low-position shots. In-camera image stabilisation Active Mode6,7,8 is an optical in-body 5-axis image stabilisation system that provides increased stabilisation for movie shooting. To preserve image quality, the gyroscope sensor accurately measures camera shake and compensates optically. This makes stable video possible even when shooting hand-held without gimbal use, while walking, and at 4K resolution.  [1, 2] angular shake (pitch and yaw) [3, 4] shift shake (X and Y axes), [5] rotational shake (roll on Z axis) Image stabilisation and easier editing with Catalyst Camera-shake metadata is recorded by the built-in gyro, allowing handheld footage to be smoothed out and stabilised in post-production. Using Sony's Catalyst Browse / Catalyst Prepare desktop application9 you can easily balance automated shake-compensation and image-trimming levels. Catalyst can also make effective use of recorded camera-rotation data. Expandability and operability for content creators Front and rear tally lamps Tally lights on the front and rear of the FX3 indicate whether the camera is recording at any given moment. They are clearly visible to both the camera operator and the person performing in front of the camera. Vari-angle LCD touch-panel monitor The 3.0-type (1.44 million-dot10) LCD touch-screen panel features a side-opening design to allow flexible positioning and improved visibility when the camera is mounted on gimbals. Touch-panel support also provides intuitive menu control for many camera settings. Essential controls for efficient solo shooting In addition to six customisable buttons, frequently used controls are within easy one-handed reach, leaving your other hand free for lens operation or balance. And usability is enhanced by multiple screw holes on the body and handle, allowing accessories to be attached directly. Uninterrupted 4K/60p recording For uninterrupted 4K/60p11 recording, the FX3 is designed with an innovative heat dissipation system. Heatsink placement, airflow structure and a silent cooling fan work to optimise cooling even during long shoots. XLR adaptor and digital input for quality audio In addition to the camera's convenient built-in microphone, a variety of professional microphones can be connected externally via the full-size XLR connectors on the handle through a digital audio interface via Multi Interface (MI) Shoe. Three recording formats can be selected, including 24-bit 4-channel. Digital audio recording is also possible by attaching a digital microphone such as the ECM-B1M even when the handle is not used. Dual high-speed media slots Designed for next-generation filmmaking requirements, CFexpress Type A cards support high bit-rate recording. The camera's slots are ready for CFexpress Type A as well as conventional SDXC UHS-I and UHS-II cards, and having two identical media slots makes relay or backup shooting possible. Remote camera control and network transfer A network connection, via Wi-Fi® or wired via a USB type C connector, provides support for remote control from smartphones or tablets, with either NFC one-touch or manual pairing. Remote shooting can be controlled from a PC with Sony's Imaging Edge Desktop™ application, or from a mobile device with Imaging Edge Mobile™. And captured still and movie files can be transferred using high-speed FTP. Remote preview, shooting and streaming Either wired or wireless remote shooting is available from a PC, or from a mobile device with Imaging Edge Mobile installed, for more efficient workflows and shooting in challenging environments. Imaging Edge Webcam™ enables high-image-quality online video communication.

Sony ILME-FX3 FX3 Full-frame Cinema Line Camera Package c

Sony ILME-FX3 (ILME/FX3, ILME_FX3, ILMEFX3, ILME FX3, ILMEFX3.CEC, ILME-FX3 Alpha FX3, ilme-fx3) FX3 Full-frame Cinema Line Camera package c includes: 1x Sony ILME-FX3 FX3 Full-frame Cinema Line Camera 1x Sony CEA-G80T 80GB CFexpress Type A Memory Card    1x Sony MRW-G2 CFexpress Type A / SD Card Reader 1x Sony NP-FZ100 Rechargeable Lithium-Ion Battery (2280mAh) Sony Alpha FX3 ILME-FX3, the most compact Cinema Line camera was designed for solo-shooting . With the internal cooling system the FX3 can extend the shooting time and will be able to cover a wider range of shooting situations.  It records outstanding 4K full frame quality at up to 120p with minimal rolling shutter, excellent low light capabilities (up to 409,800 ISO) and a wide dynamic range thanks to its 10.2 MP Exmor R CMOS sensor and new Bionz XR processor. It allows for more shooting expressions with the inclusion of S-LOG3 and S-CINETONE picture profiles defining a new era of Cinema line cameras from Sony. The Sony FX3 also provides more freedom for shooting videos with a fast and accurate Autofocus technology including Real-time Eye Autofocus,  Real-time touch tracking and customisable autofocus tracking sensitivity. It also includes a 5axis inbody stabilisation with Active Mode, which makes it ideal for handheld shots. On top of its small form factor, the Sony FX3 includes a detachable top-handle with XLR inputs for professional microphones or audio connections. The idea of a cage with the grip and screw options is already integrated in the body design, which is emphasizing the compact form factor. The Sony Cinema line FX3 is designed for the future of cinematic expressions. FX3 New Cinematic Freedom Sony's FX3 Cinema Line camera brings the visions of passionate content creators to life. Cinematic expression is matched with reliable performance and streamlined operation to serve the needs of today's creative community. Compact and lightweight, it's easy to carry and handle.  Full-frame image capture even in dim light The FX3's full-frame image sensor is coupled with innovative light-gathering techniques to let you capture clear and usable images even in dim light. The standard ISO sensitivity of 80-102400 for movies is expandable all the way up to 409600. Wide dynamic range, wider creative expression The FX3 offers an exceptional 15+ stops1 of dynamic range to handle settings ranging from well-lit interiors and outdoors in mid-day to morning and evening shots. Capture every nuance, and allow for unprecedented cinematic freedom in colour grading. Stunning bokeh and full-frame creativity Capture the scene in cinematic 4K resolution, with the shallow depth of field, stunning bokeh and cinematic freedom made possible with a full-frame sensor. Cinematic colour science of S-Cinetone S-Cinetone colour, developed for Sony’s acclaimed FX9, is the default look on the FX3 for cinematic expression. It's precisely tuned to meet the requirements of today's content creators, with rich colour and natural skin tones that match other Cinema Line cameras without grading.  4K 120fps with every frame in focus Even at high frame rates, detailed 4K imagery is captured thanks to the FX3's high-precision AF and high-speed readout capabilities. Slow and Quick (S&Q) mode gives you full control over the shooting frame rate, for beautiful motion sequences at up to 5x slow motion (with 24p output). 10-bit S-Log3 and HDR recording for smooth gradations S-Log3 gamma curve and S-Gamut3.Cine enable shooting with high-quality colour reproduction over a wide dynamic range, and they make it easy to match up footage with shots from other Cinema Line cameras during post-production. In addition, an HLG (Hybrid Log-Gamma) HDR picture profile enables direct HDR (HLG) playback on compatible TVs with no post-production. 16-bit RAW HDMI output For demanding post-production workflows, 16-bit RAW output3 is available over HDMI connection to compatible external recorders while XAVC HS 4K, XAVC S 4K, or XAVC S-I 4K, and proxy, files are simultaneously captured in-camera. RAW video output is 4264 x 2408 [16:9] resolution, exceeding DCI-4K resolution4. Enjoy rich detail and realistic colour The FX3 is capable of 4K internal recording, 10-bit depth and 4:2:2 colour sampling with All Intra on top of Long-GOP compression. This makes it possible to push your colour grades further while still retaining natural gradation, for true editing freedom.    [1] All-Intra (All-I)   [2] Long-GOP   [3] Group of Pictures Designed for comfortable solo shooting Dependable, highly accurate autofocus The wide-area AF with intelligent tracking uses focal-plane phase-detection for tenacious subject tracking across almost the entire frame5. The Fast Hybrid AF system delivers precise focusing even when shooting at a shallow depth of field and at high frame rates of 120p in 4K (QFHD)2. Sophisticated tracking AF for steady focus Sophisticated tracking features keep your subject in steady focus, so you can concentrate on composition. Real-time Eye AF ensures precise focus on the face and eyes, while Real-time Tracking is powered by Sony's unique AI-based subject recognition algorithms. Smooth transitions and touch focus control The FX3 includes AF Transition Speed in seven settings, to easily create rack focus, and five AF Subject Shift Sensitivity settings, which allows the user to customise how easily AF will switch or stay with the locked-on subject. You can also select the subject you want to focus on simply by touching the LCD monitor. High-performance E-mount lenses for movies Experience smooth, responsive autofocus with Sony's E-mount lenses, with premium optical performance and operability for demanding cinematography applications. The unique linear-drive actuator technology in Sony's E-mount lenses provides smoother, more precise and tenacious AF performance to support your creative endeavors. High-mobility performance wherever you go With its compact size and light weight, the FX3 is designed for high mobility. The attached handle and cage-free accessory mounting holes make for fast setup, fluid shooting and quick pack-down. The main body and covers are constructed from a lightweight magnesium alloy to enhance durability and performance even in challenging environments. Attachable XLR handle A handle equipped with an XLR adaptor with two full size XLR terminals can be attached to the Multi Interface (MI) Shoe on the camera for more comfortable and stable camerawork in difficult shooting situations, such as low-position shots. In-camera image stabilisation Active Mode6,7,8 is an optical in-body 5-axis image stabilisation system that provides increased stabilisation for movie shooting. To preserve image quality, the gyroscope sensor accurately measures camera shake and compensates optically. This makes stable video possible even when shooting hand-held without gimbal use, while walking, and at 4K resolution.  [1, 2] angular shake (pitch and yaw) [3, 4] shift shake (X and Y axes), [5] rotational shake (roll on Z axis) Image stabilisation and easier editing with Catalyst Camera-shake metadata is recorded by the built-in gyro, allowing handheld footage to be smoothed out and stabilised in post-production. Using Sony's Catalyst Browse / Catalyst Prepare desktop application9 you can easily balance automated shake-compensation and image-trimming levels. Catalyst can also make effective use of recorded camera-rotation data. Expandability and operability for content creators Front and rear tally lamps Tally lights on the front and rear of the FX3 indicate whether the camera is recording at any given moment. They are clearly visible to both the camera operator and the person performing in front of the camera. Vari-angle LCD touch-panel monitor The 3.0-type (1.44 million-dot10) LCD touch-screen panel features a side-opening design to allow flexible positioning and improved visibility when the camera is mounted on gimbals. Touch-panel support also provides intuitive menu control for many camera settings. Essential controls for efficient solo shooting In addition to six customisable buttons, frequently used controls are within easy one-handed reach, leaving your other hand free for lens operation or balance. And usability is enhanced by multiple screw holes on the body and handle, allowing accessories to be attached directly. Uninterrupted 4K/60p recording For uninterrupted 4K/60p11 recording, the FX3 is designed with an innovative heat dissipation system. Heatsink placement, airflow structure and a silent cooling fan work to optimise cooling even during long shoots. XLR adaptor and digital input for quality audio In addition to the camera's convenient built-in microphone, a variety of professional microphones can be connected externally via the full-size XLR connectors on the handle through a digital audio interface via Multi Interface (MI) Shoe. Three recording formats can be selected, including 24-bit 4-channel. Digital audio recording is also possible by attaching a digital microphone such as the ECM-B1M even when the handle is not used. Dual high-speed media slots Designed for next-generation filmmaking requirements, CFexpress Type A cards support high bit-rate recording. The camera's slots are ready for CFexpress Type A as well as conventional SDXC UHS-I and UHS-II cards, and having two identical media slots makes relay or backup shooting possible. Remote camera control and network transfer A network connection, via Wi-Fi® or wired via a USB type C connector, provides support for remote control from smartphones or tablets, with either NFC one-touch or manual pairing. Remote shooting can be controlled from a PC with Sony's Imaging Edge Desktop™ application, or from a mobile device with Imaging Edge Mobile™. And captured still and movie files can be transferred using high-speed FTP. Remote preview, shooting and streaming Either wired or wireless remote shooting is available from a PC, or from a mobile device with Imaging Edge Mobile installed, for more efficient workflows and shooting in challenging environments. Imaging Edge Webcam™ enables high-image-quality online video communication.

Sony ILME-FX3 FX3 Full-frame Cinema Line Camera Package b

Sony ILME-FX3 (FX3, ILME/FX3, ILME_FX3, ILMEFX3, ILME FX3, ILMEFX3.CEC, ILME-FX3 Alpha FX3, ilme-fx3) FX3 Full-frame Cinema Line Camera Package B includes: 1x Sony ILME-FX3 FX3 Full-frame Cinema Line Camera 1x Sony CEA-G80T 80GB CFexpress Type A Memory Card 1x Sony MRW-G2 CFexpress Type A / SD Card Reader Sony Alpha FX3 ILME-FX3, the most compact Cinema Line camera was designed for solo-shooting . With the internal cooling system the FX3 can extend the shooting time and will be able to cover a wider range of shooting situations.  It records outstanding 4K full frame quality at up to 120p with minimal rolling shutter, excellent low light capabilities (up to 409,800 ISO) and a wide dynamic range thanks to its 10.2 MP Exmor R CMOS sensor and new Bionz XR processor. It allows for more shooting expressions with the inclusion of S-LOG3 and S-CINETONE picture profiles defining a new era of Cinema line cameras from Sony. The Sony FX3 also provides more freedom for shooting videos with a fast and accurate Autofocus technology including Real-time Eye Autofocus,  Real-time touch tracking and customisable autofocus tracking sensitivity. It also includes a 5axis inbody stabilisation with Active Mode, which makes it ideal for handheld shots. On top of its small form factor, the Sony FX3 includes a detachable top-handle with XLR inputs for professional microphones or audio connections. The idea of a cage with the grip and screw options is already integrated in the body design, which is emphasizing the compact form factor. The Sony Cinema line FX3 is designed for the future of cinematic expressions. FX3 New Cinematic Freedom Sony's FX3 Cinema Line camera brings the visions of passionate content creators to life. Cinematic expression is matched with reliable performance and streamlined operation to serve the needs of today's creative community. Compact and lightweight, it's easy to carry and handle.  Full-frame image capture even in dim light The FX3's full-frame image sensor is coupled with innovative light-gathering techniques to let you capture clear and usable images even in dim light. The standard ISO sensitivity of 80-102400 for movies is expandable all the way up to 409600. Wide dynamic range, wider creative expression The FX3 offers an exceptional 15+ stops1 of dynamic range to handle settings ranging from well-lit interiors and outdoors in mid-day to morning and evening shots. Capture every nuance, and allow for unprecedented cinematic freedom in colour grading. Stunning bokeh and full-frame creativity Capture the scene in cinematic 4K resolution, with the shallow depth of field, stunning bokeh and cinematic freedom made possible with a full-frame sensor. Cinematic colour science of S-Cinetone S-Cinetone colour, developed for Sony’s acclaimed FX9, is the default look on the FX3 for cinematic expression. It's precisely tuned to meet the requirements of today's content creators, with rich colour and natural skin tones that match other Cinema Line cameras without grading.  4K 120fps with every frame in focus Even at high frame rates, detailed 4K imagery is captured thanks to the FX3's high-precision AF and high-speed readout capabilities. Slow and Quick (S&Q) mode gives you full control over the shooting frame rate, for beautiful motion sequences at up to 5x slow motion (with 24p output). 10-bit S-Log3 and HDR recording for smooth gradations S-Log3 gamma curve and S-Gamut3.Cine enable shooting with high-quality colour reproduction over a wide dynamic range, and they make it easy to match up footage with shots from other Cinema Line cameras during post-production. In addition, an HLG (Hybrid Log-Gamma) HDR picture profile enables direct HDR (HLG) playback on compatible TVs with no post-production. 16-bit RAW HDMI output For demanding post-production workflows, 16-bit RAW output3 is available over HDMI connection to compatible external recorders while XAVC HS 4K, XAVC S 4K, or XAVC S-I 4K, and proxy, files are simultaneously captured in-camera. RAW video output is 4264 x 2408 [16:9] resolution, exceeding DCI-4K resolution4. Enjoy rich detail and realistic colour The FX3 is capable of 4K internal recording, 10-bit depth and 4:2:2 colour sampling with All Intra on top of Long-GOP compression. This makes it possible to push your colour grades further while still retaining natural gradation, for true editing freedom.    [1] All-Intra (All-I)   [2] Long-GOP   [3] Group of Pictures Designed for comfortable solo shooting Dependable, highly accurate autofocus The wide-area AF with intelligent tracking uses focal-plane phase-detection for tenacious subject tracking across almost the entire frame5. The Fast Hybrid AF system delivers precise focusing even when shooting at a shallow depth of field and at high frame rates of 120p in 4K (QFHD)2. Sophisticated tracking AF for steady focus Sophisticated tracking features keep your subject in steady focus, so you can concentrate on composition. Real-time Eye AF ensures precise focus on the face and eyes, while Real-time Tracking is powered by Sony's unique AI-based subject recognition algorithms. Smooth transitions and touch focus control The FX3 includes AF Transition Speed in seven settings, to easily create rack focus, and five AF Subject Shift Sensitivity settings, which allows the user to customise how easily AF will switch or stay with the locked-on subject. You can also select the subject you want to focus on simply by touching the LCD monitor. High-performance E-mount lenses for movies Experience smooth, responsive autofocus with Sony's E-mount lenses, with premium optical performance and operability for demanding cinematography applications. The unique linear-drive actuator technology in Sony's E-mount lenses provides smoother, more precise and tenacious AF performance to support your creative endeavors. High-mobility performance wherever you go With its compact size and light weight, the FX3 is designed for high mobility. The attached handle and cage-free accessory mounting holes make for fast setup, fluid shooting and quick pack-down. The main body and covers are constructed from a lightweight magnesium alloy to enhance durability and performance even in challenging environments. Attachable XLR handle A handle equipped with an XLR adaptor with two full size XLR terminals can be attached to the Multi Interface (MI) Shoe on the camera for more comfortable and stable camerawork in difficult shooting situations, such as low-position shots. In-camera image stabilisation Active Mode6,7,8 is an optical in-body 5-axis image stabilisation system that provides increased stabilisation for movie shooting. To preserve image quality, the gyroscope sensor accurately measures camera shake and compensates optically. This makes stable video possible even when shooting hand-held without gimbal use, while walking, and at 4K resolution.  [1, 2] angular shake (pitch and yaw) [3, 4] shift shake (X and Y axes), [5] rotational shake (roll on Z axis) Image stabilisation and easier editing with Catalyst Camera-shake metadata is recorded by the built-in gyro, allowing handheld footage to be smoothed out and stabilised in post-production. Using Sony's Catalyst Browse / Catalyst Prepare desktop application9 you can easily balance automated shake-compensation and image-trimming levels. Catalyst can also make effective use of recorded camera-rotation data. Expandability and operability for content creators Front and rear tally lamps Tally lights on the front and rear of the FX3 indicate whether the camera is recording at any given moment. They are clearly visible to both the camera operator and the person performing in front of the camera. Vari-angle LCD touch-panel monitor The 3.0-type (1.44 million-dot10) LCD touch-screen panel features a side-opening design to allow flexible positioning and improved visibility when the camera is mounted on gimbals. Touch-panel support also provides intuitive menu control for many camera settings. Essential controls for efficient solo shooting In addition to six customisable buttons, frequently used controls are within easy one-handed reach, leaving your other hand free for lens operation or balance. And usability is enhanced by multiple screw holes on the body and handle, allowing accessories to be attached directly. Uninterrupted 4K/60p recording For uninterrupted 4K/60p11 recording, the FX3 is designed with an innovative heat dissipation system. Heatsink placement, airflow structure and a silent cooling fan work to optimise cooling even during long shoots. XLR adaptor and digital input for quality audio In addition to the camera's convenient built-in microphone, a variety of professional microphones can be connected externally via the full-size XLR connectors on the handle through a digital audio interface via Multi Interface (MI) Shoe. Three recording formats can be selected, including 24-bit 4-channel. Digital audio recording is also possible by attaching a digital microphone such as the ECM-B1M even when the handle is not used. Dual high-speed media slots Designed for next-generation filmmaking requirements, CFexpress Type A cards support high bit-rate recording. The camera's slots are ready for CFexpress Type A as well as conventional SDXC UHS-I and UHS-II cards, and having two identical media slots makes relay or backup shooting possible. Remote camera control and network transfer A network connection, via Wi-Fi® or wired via a USB type C connector, provides support for remote control from smartphones or tablets, with either NFC one-touch or manual pairing. Remote shooting can be controlled from a PC with Sony's Imaging Edge Desktop™ application, or from a mobile device with Imaging Edge Mobile™. And captured still and movie files can be transferred using high-speed FTP. Remote preview, shooting and streaming Either wired or wireless remote shooting is available from a PC, or from a mobile device with Imaging Edge Mobile installed, for more efficient workflows and shooting in challenging environments. Imaging Edge Webcam™ enables high-image-quality online video communication.

Sony ILME-FX3 FX3 Full-frame Cinema Line Camera Package a

Sony ILME-FX3 (FX3, ILME/FX3, ILME_FX3, ILMEFX3, ILME FX3, ILMEFX3.CEC, ILME-FX3 Alpha FX3, ilme-fx3) FX3 Full-frame Cinema Line Camera Package a includes: 1x Sony ILME-FX3 FX3 Full-frame Cinema Line Camera   1x Sony CEA-G80T 80GB CFexpress Type A Memory Card Sony Alpha FX3 ILME-FX3, the most compact Cinema Line camera was designed for solo-shooting . With the internal cooling system the FX3 can extend the shooting time and will be able to cover a wider range of shooting situations.  It records outstanding 4K full frame quality at up to 120p with minimal rolling shutter, excellent low light capabilities (up to 409,800 ISO) and a wide dynamic range thanks to its 10.2 MP Exmor R CMOS sensor and new Bionz XR processor. It allows for more shooting expressions with the inclusion of S-LOG3 and S-CINETONE picture profiles defining a new era of Cinema line cameras from Sony. The Sony FX3 also provides more freedom for shooting videos with a fast and accurate Autofocus technology including Real-time Eye Autofocus,  Real-time touch tracking and customisable autofocus tracking sensitivity. It also includes a 5axis inbody stabilisation with Active Mode, which makes it ideal for handheld shots. On top of its small form factor, the Sony FX3 includes a detachable top-handle with XLR inputs for professional microphones or audio connections. The idea of a cage with the grip and screw options is already integrated in the body design, which is emphasizing the compact form factor. The Sony Cinema line FX3 is designed for the future of cinematic expressions. FX3 New Cinematic Freedom Sony's FX3 Cinema Line camera brings the visions of passionate content creators to life. Cinematic expression is matched with reliable performance and streamlined operation to serve the needs of today's creative community. Compact and lightweight, it's easy to carry and handle.  Full-frame image capture even in dim light The FX3's full-frame image sensor is coupled with innovative light-gathering techniques to let you capture clear and usable images even in dim light. The standard ISO sensitivity of 80-102400 for movies is expandable all the way up to 409600. Wide dynamic range, wider creative expression The FX3 offers an exceptional 15+ stops1 of dynamic range to handle settings ranging from well-lit interiors and outdoors in mid-day to morning and evening shots. Capture every nuance, and allow for unprecedented cinematic freedom in colour grading. Stunning bokeh and full-frame creativity Capture the scene in cinematic 4K resolution, with the shallow depth of field, stunning bokeh and cinematic freedom made possible with a full-frame sensor. Cinematic colour science of S-Cinetone S-Cinetone colour, developed for Sony’s acclaimed FX9, is the default look on the FX3 for cinematic expression. It's precisely tuned to meet the requirements of today's content creators, with rich colour and natural skin tones that match other Cinema Line cameras without grading.  4K 120fps with every frame in focus Even at high frame rates, detailed 4K imagery is captured thanks to the FX3's high-precision AF and high-speed readout capabilities. Slow and Quick (S&Q) mode gives you full control over the shooting frame rate, for beautiful motion sequences at up to 5x slow motion (with 24p output). 10-bit S-Log3 and HDR recording for smooth gradations S-Log3 gamma curve and S-Gamut3.Cine enable shooting with high-quality colour reproduction over a wide dynamic range, and they make it easy to match up footage with shots from other Cinema Line cameras during post-production. In addition, an HLG (Hybrid Log-Gamma) HDR picture profile enables direct HDR (HLG) playback on compatible TVs with no post-production. 16-bit RAW HDMI output For demanding post-production workflows, 16-bit RAW output3 is available over HDMI connection to compatible external recorders while XAVC HS 4K, XAVC S 4K, or XAVC S-I 4K, and proxy, files are simultaneously captured in-camera. RAW video output is 4264 x 2408 [16:9] resolution, exceeding DCI-4K resolution4. Enjoy rich detail and realistic colour The FX3 is capable of 4K internal recording, 10-bit depth and 4:2:2 colour sampling with All Intra on top of Long-GOP compression. This makes it possible to push your colour grades further while still retaining natural gradation, for true editing freedom.    [1] All-Intra (All-I)   [2] Long-GOP   [3] Group of Pictures Designed for comfortable solo shooting Dependable, highly accurate autofocus The wide-area AF with intelligent tracking uses focal-plane phase-detection for tenacious subject tracking across almost the entire frame5. The Fast Hybrid AF system delivers precise focusing even when shooting at a shallow depth of field and at high frame rates of 120p in 4K (QFHD)2. Sophisticated tracking AF for steady focus Sophisticated tracking features keep your subject in steady focus, so you can concentrate on composition. Real-time Eye AF ensures precise focus on the face and eyes, while Real-time Tracking is powered by Sony's unique AI-based subject recognition algorithms. Smooth transitions and touch focus control The FX3 includes AF Transition Speed in seven settings, to easily create rack focus, and five AF Subject Shift Sensitivity settings, which allows the user to customise how easily AF will switch or stay with the locked-on subject. You can also select the subject you want to focus on simply by touching the LCD monitor. High-performance E-mount lenses for movies Experience smooth, responsive autofocus with Sony's E-mount lenses, with premium optical performance and operability for demanding cinematography applications. The unique linear-drive actuator technology in Sony's E-mount lenses provides smoother, more precise and tenacious AF performance to support your creative endeavors. High-mobility performance wherever you go With its compact size and light weight, the FX3 is designed for high mobility. The attached handle and cage-free accessory mounting holes make for fast setup, fluid shooting and quick pack-down. The main body and covers are constructed from a lightweight magnesium alloy to enhance durability and performance even in challenging environments. Attachable XLR handle A handle equipped with an XLR adaptor with two full size XLR terminals can be attached to the Multi Interface (MI) Shoe on the camera for more comfortable and stable camerawork in difficult shooting situations, such as low-position shots. In-camera image stabilisation Active Mode6,7,8 is an optical in-body 5-axis image stabilisation system that provides increased stabilisation for movie shooting. To preserve image quality, the gyroscope sensor accurately measures camera shake and compensates optically. This makes stable video possible even when shooting hand-held without gimbal use, while walking, and at 4K resolution.  [1, 2] angular shake (pitch and yaw) [3, 4] shift shake (X and Y axes), [5] rotational shake (roll on Z axis) Image stabilisation and easier editing with Catalyst Camera-shake metadata is recorded by the built-in gyro, allowing handheld footage to be smoothed out and stabilised in post-production. Using Sony's Catalyst Browse / Catalyst Prepare desktop application9 you can easily balance automated shake-compensation and image-trimming levels. Catalyst can also make effective use of recorded camera-rotation data. Expandability and operability for content creators Front and rear tally lamps Tally lights on the front and rear of the FX3 indicate whether the camera is recording at any given moment. They are clearly visible to both the camera operator and the person performing in front of the camera. Vari-angle LCD touch-panel monitor The 3.0-type (1.44 million-dot10) LCD touch-screen panel features a side-opening design to allow flexible positioning and improved visibility when the camera is mounted on gimbals. Touch-panel support also provides intuitive menu control for many camera settings. Essential controls for efficient solo shooting In addition to six customisable buttons, frequently used controls are within easy one-handed reach, leaving your other hand free for lens operation or balance. And usability is enhanced by multiple screw holes on the body and handle, allowing accessories to be attached directly. Uninterrupted 4K/60p recording For uninterrupted 4K/60p11 recording, the FX3 is designed with an innovative heat dissipation system. Heatsink placement, airflow structure and a silent cooling fan work to optimise cooling even during long shoots. XLR adaptor and digital input for quality audio In addition to the camera's convenient built-in microphone, a variety of professional microphones can be connected externally via the full-size XLR connectors on the handle through a digital audio interface via Multi Interface (MI) Shoe. Three recording formats can be selected, including 24-bit 4-channel. Digital audio recording is also possible by attaching a digital microphone such as the ECM-B1M even when the handle is not used. Dual high-speed media slots Designed for next-generation filmmaking requirements, CFexpress Type A cards support high bit-rate recording. The camera's slots are ready for CFexpress Type A as well as conventional SDXC UHS-I and UHS-II cards, and having two identical media slots makes relay or backup shooting possible. Remote camera control and network transfer A network connection, via Wi-Fi® or wired via a USB type C connector, provides support for remote control from smartphones or tablets, with either NFC one-touch or manual pairing. Remote shooting can be controlled from a PC with Sony's Imaging Edge Desktop™ application, or from a mobile device with Imaging Edge Mobile™. And captured still and movie files can be transferred using high-speed FTP. Remote preview, shooting and streaming Either wired or wireless remote shooting is available from a PC, or from a mobile device with Imaging Edge Mobile installed, for more efficient workflows and shooting in challenging environments. Imaging Edge Webcam™ enables high-image-quality online video communication.

Sony ILCE-7M4K Alpha 7 IV Full-Frame Mirrorless Camera with FE 28-70mm F3.5-5.6 Lens

Sony ILCE-7M4K (ILCE/7M4K, ILCE_7M4K, ILCE7M4K, ILCE 7M4K) Alpha 7 IV Full-Frame Mirrorless Camera with FE 28-70mm F3.5-5.6 Lens Sony a7 IV: Beyond Basic An all-arounder that pushes beyond basic, the Sony a7 IV does double duty with strong stills and video performance. An advanced hybrid mirrorless camera, the a7 IV has the resolution and AF performance that appeals to photographers along with robust 4K 60p video recording for filmmakers and content creators. Sensor and Processor 33MP Exmor R BSI CMOS Sensor Newly developed 33MP Exmor R full-frame sensor features a back-illuminated design that promotes high clarity, low noise, and vivid color rendering. This design benefits working in low-light conditions and works in conjunction with a broad sensitivity range of ISO 100-51200. The sensor's design also achieves an impressive dynamic range of approximately 15 stops and files can be recorded in raw, JPEG, or the 10-bit HEIF format. BIONZ XR Processor Using the flagship-class BIONZ XR engine, high-speed image processing capabilities are available for fast continuous shooting, 4K video recording, and advanced AF tracking performance. The quick processing also helps to reduce rolling shutter and other motion distortions for clean rendering of moving subjects. In terms of shooting speeds, the sensor and processor enable up to 10 fps shooting, using either the mechanical or electronic shutter and with AF/AE enabled. Also, the buffer permits recording up to 828 consecutive uncompressed raw + JPEG frames when using a CFexpress Type A card. 4K 60p Video Recording in 10-Bit Making full use of the high-resolution 33MP sensor and fast processing capabilities, UHD 4K 30p XAVC HS 10-bit recording is possible using the full width of the sensor, offering 7K oversampling for impressive sharpness and realism. There is also oversampled 4K recording, via a 4.6K capture area, with a Super 35 crop, that offers UHD 4K output up to 60p in 10-bit. No recording time limit allows for unlimited clip lengths and the camera's physical design features an improved heat-dissipating structure to promote longer possible recording times; longer than one hour of continuous 4K 60p 10-bit 4:2:2 recording, for example. The a7 IV employs a pair of codecs to suit different workflows: XAVC HS, which uses HEVC/H.265 encoding to retain more detail at smaller bitrates and XAVC S-I, which is an intraframe codec for consistent performance and quality at bitrates up to 600 Mb/s. S-Cinetone, S-Log3, and Other Color and Gamma Controls S-Cinetone can be used to deliver distinct colors and healthy-looking skin tone rendering that matches the FX9 and FX6 cameras, along with the a1 and a7S III, and is based on technology from the professional Cinema Line cameras, such as the VENICE. This color profile offers natural mid-tones, soft colors, and especially well-controlled highlights. HLG (Hybrid Log-Gamma) support permits recording within a wide color gamut for producing HDR-ready content directly from the camera. S-Log3 is also available for producing a 15+-stop dynamic range with increased grading control in the shadow to mid-tone regions of the image. Fast Hybrid AF System AI-Based Autofocus Covering approximately 94% of the image area, a Fast Hybrid AF system incorporates 759 phase-detection points for quick and precise focusing in a variety of lighting conditions with sensitivity down to -4 EV. This focusing system is available for use in all recording modes, to benefit both video and stills applications. Real-time Tracking and Real-time Eye AF Borrowing from the flagship AF system, the a7 IV has tuned tracking and subject detection capabilities that lock onto subjects quickly and refines focus accurately on recognized eyes and faces of subjects: Real-time Tracking is an AI-based subject recognition system that recognizes color, pattern, and subject distance information for high accuracy and focusing speed. Beyond just tracking subjects, Real-time Eye AF fine-tunes the focusing accuracy and recognizes human, animal, and bird's eyes for critical sharpness. Real-time Eye AF even maintains focus on a subject's eye when they leave and re-enter the frame, allowing for working in more spontaneous shooting situations. AF During Video Recording and Additional Focusing Modes Real-time Eye AF is fully supported during video recording, for subject detection and tracking of human, animal, and bird eyes while shooting. For more control over how focus shifts appear during recording, seven-step AF transition speeds and five-step AF subject shift sensitivity controls let you refine how quickly focus shifts from point to point and how smoothly focusing shifts occur. Focus Map is a unique way of visualizing depth of field and functions in a similar way to peaking with a colorful overlay of the scene that indicates which parts of the scene are in front of and behind the focus point depending on the chosen aperture. A feature carried over from the FX6 digital cine camera, AF Assist lets you intuitively switch over to manual focus control for adjusting focus position when working with AF. This is a quick way to shift selective focus between various subjects in a scene while recording. A unique solution to compensate for how certain lenses perform when racking focus, Focus Breathing compensation will automatically smooth focus transitions and maintain a consistent field of view when changing the focus position during a shot. This mode crops into the image slightly and corrects for any detected shifts in composition when focusing is happening. Body Design, Connectivity, and Streaming Viewfinder and LCD Screen An improved QVGA OLED Tru-Finder EVF features a 3.68m-dot resolution that is approximately 1.6x higher in resolution than its predecessor for sharper, clearer viewing. This viewfinder supports both standard 60 fps and 120 fps frame rates for smooth motion rendering and its physical design has a long 23mm eye point, 0.78x-magnification, and 37.3° field of view. Perfect for vlogging or other self-recording needs, the side-opening 3.0" 1.03m-dot vari-angle articulating screen can be used in a front-facing orientation or can be tilted up or down to suit working from high or low shooting angles. This LCD is a touchscreen, too, for intuitive shooting control and menu navigation. Ports and Interface Full-size HDMI A port offers a more reliable connection when working with external recorders. A USB 3.2 Gen 2 Type-C port has been added, in addition to a micro-USB port, for faster, more reliable tethering support. The USB Type-C connection allows the camera to be charged or powered from the host power source while connected. Both 3.5mm headphone and external microphone ports facilitate greater control over audio recording. Multi Interface Shoe supports working with the optional ECM-B1M Shotgun Microphone or XLR-K3M XLR Adapter Kit, which provide improved, clear audio recording sound by sending a digital audio signal to the camera, opposed to an analog signal. USB Type-C port can be paired with an optional Ethernet wired LAN adapter to provide 1000BASE-T connectivity, wired remote shooting, or FTP transferring. 5-Axis SteadyShot INSIDE Image Stabilization Enhanced 5.5-stop effective 5-axis SteadyShot INSIDE image stabilization system compensates for five different types of camera shake encountered during handheld shooting of stills and video and allows users to confidently use any lens, even adapted lenses, for critical shooting without encountering blur from camera shake. For long focal lengths, the system will correct for pitch and yaw adjustments. Macro and high-magnification imagery, on the other hand, will benefit from the inclusion of horizontal and vertical shift compensation. All shooting styles will get usage out of the roll compensation. All 5 axes of stabilization will function at all times, even when used with third-party lenses and adapters or lenses with built-in optical stabilization. Additionally, specifically for video, there is also an Active IS mode that adds even more precise stabilization methods for even smoother footage straight out of camera. Advanced External Flash Control Suiting working with flash while photographing fast-moving subjects, P-TTL flash metering is possible in between each exposure when working with lo, mid, or even hi-speed continuous shooting modes. This helps to maintain stable illumination if making low-light bursts and greatly benefits working in changing light or low-light conditions. The updated flash control system also helps to reduce flash trigger lag, uses the camera's AWB information for natural color rendering, and supports adjusting select flash and transmitter units directly from the camera's interface. Wireless Connectivity and Streaming Built-in Wi-Fi enables the remote camera control and instant sharing of imagery to mobile devices for direct sharing online, and support for both 2.4 and 5 GHz bands also enables wireless tethered shooting support. This connectivity also provides remote camera control. Use of the Imaging Edge mobile app is benefitted by Bluetooth to maintain a reliable connection between the camera and mobile device. Supports Visual Story for easy cloud-based deliver of photos and videos immediately after shooting. Live streaming is possible directly from the camera simply by connecting the camera to a computer or compatible mobile device via USB, allowing the camera's video and audio capabilities to be used for live social media and video conferencing. 4K 15p, FHD 60p/30p, and HD 30p recording settings are available and there are also internal Creative Look and Soft Skin effects for a refined image quality straight from the camera. Internal recording is supported to a memory card while live streaming. UVC and UAC standards are supported for improved picture and sound quality during streaming. FE 28-70mm f/3.5-5.6 OSS Lens Included with the camera is the versatile wide-angle to portrait-length FE 28-70mm f/3.5-5.6 OSS lens. This lens features one extra-low dispersion element and three aspherical elements to control both chromatic and spherical aberrations throughout the zoom range. A linear autofocus motor, coupled with an internal focusing design, offers quick and quiet focusing performance to suit both stills and video shooting. Additionally, Optical SteadyShot image stabilization minimizes the appearance of camera shake and a weather-sealed design permits working in inclement conditions.

Sony URX-P41D UWP-D Dual Channel Portable Receiver 33-41, 566,025-630,000 MHz

Sony URX-P41D-K33 (URX-P41D/K33, URX/P41D/K33, URX P41D K33, URX_P41D_K33) URX-P41D UWP-D Dual Channel Portable Receiver 33-41, 566,025-630,000 MHz. Light, compact, and brilliantly easy to use, the URX-P41D 2-channel portable wireless receiver combines digital audio processing for sparkling sound quality with the reliability of analogue FM modulation and true diversity reception. Automatic pairing with UWP-D Series wireless transmitters saves time for busy videographers, documentary makers, and self-shooters. For extra versatility there’s an additional mic input and 3-channel mixer, making the URX-P41D an ideal sound acquisition partner for on-camera interviews. It’s also a great match for Sony cameras and handheld camcorders, with seamless integration via an optional Multi Interface Shoe Adaptor. ALL BAND scan mode The URX-P41D can select SCAN TYPE and can scan all available frequency bands when ALL BAND is selected. Backward compatibility with IR sync The IR port on the URX-P41D allows users to select NFC or IR in SYNC MODE from the Utility menu. This allows owners of previous transmitter models (UTX-B03/UTX-M03/UTX-P03) to sync receivers and transmitters with IR. Portable receiver with variable output level For use with the various input levels of different camcorders and DSLR cameras, the new system provides a variable output level control of ±12dB. Equipped with a new HIGH GAIN mode, the URX-P41D is especially useful when connecting to devices that require higher gain. True diversity for stable audio Excellent signal quality is assured by two independent receiver sections that ensure stable, dropout-free reception. Fast, fuss-free channel setting Uniquely quick and convenient, Sony’s friendly NFC SYNC feature allows secure channel pairing between the UTX-B40 wireless transmitter and URX-P41D receiver. High-quality sound Advanced digital audio processing technology assures pure, high-quality sound. An optional interface allows direct digital sound recording with compatible Sony cameras and camcorders via the SMAD-P5 Multi-Interface Shoe Adaptor, bypassing A/D and D/A conversion stages for uncompromised audio quality. Integration with Sony cameras Add the optional SMAD-P5 Multi-Interface Shoe Adaptor and enjoy seamless integration with compatible* Sony cameras and camcorders. The receiver information is displayed in the camera’s viewfinder, while audio signals are routed directly to the camera with no need for a cable connection. Light and compact The compact size and lightweight of the URX-P41D wireless receiver make it an ideal audio acquisition partner for shooting with handheld cameras and camcorders.    

Sony UWP-D27 Wireless Audio Kit (TV-channel 33-41, 566,025-630,000 MHz)

Sony UWP-D27 Wireless Audio Kit (TV-channel 33-41, 566,025-630,000 MHz) UWP D27 K33 UWPD27K33 UWP-D27-K33 UWP/D27/K33 Wireless Bodypack Microphone Package This package includes a bodypack transmitter, 2-channel portable receiver, lavalier microphone, and accessories. It is easy to use, delivers high-quality sound, and integrates seamlessly with Sony cameras. The UWP-D27 is a complete wireless audio solution, perfect for on-camera interviews, live presentations, and other scenarios where capturing crisp, clear sound with minimal hassle is essential. The ECM-V1BMP omni-directional lavalier microphone connects to the lightweight and compact UTX-B40 bodypack transmitter, which is worn by the interviewee. Audio is transmitted wirelessly to the URX-P41D 2-channel portable receiver, ensuring quick and easy pairing between the transmitter and receiver. An optional Multi Interface Shoe Adaptor simplifies audio recording with compatible Sony cameras and handheld camcorders.

Sony FE 70-200mm F2.8 GM OSS II Lens

Sony SEL-70200GM2.SYX (SEL70200GM2.SYX, SEL/70200GM2.SYX, SEL_70200GM2.SYX, SEL 70200GM2.SYX) FE 70-200mm F2.8 GM OSS II Lens. Introducing the SEL70200GM2 Full Frame Lens: A large aperture but extremely lightweight lens for stills and movies. Featuring an advanced optical design that includes one XA (extreme aspherical) element for incredible corner-to-corner high-resolution, along with beautiful background defocus (bokeh). Four XD (Extreme Dynamic) Linear Motors deliver fast, precise, and quiet autofocus and tracking in this lightweight Sony G Master lens. Also an incredible lens for video, the SEL70200GM2 delivers smooth, fast, and continuous autofocus performance for movie shooting, with minimized focus breathing, focus shift when zooming, and axis shift when zooming for refined imagery. INCREDIBLY SHARP One XA (extreme aspherical) element along with two ED (Extra-Low dispersion), two Super ED and one newly developed ED aspherical elements ensure outstanding resolution in this F2.8 telephoto lens delivering high corner-to-corner resolution and beautiful bokeh, making this an excellent full-frame lens for sports, wildlife, portraits, and videography. BEAUTIFULLY SMOOTH BACKGROUNDS A circular 11-blade aperture on this 70-200mm lens creates beautiful circular background bokeh defocus effects with a large F2.8 aperture. AMAZING CLARITY AND CONTRAST Even under strong sunlight and backlighting, Sony’s new Nano AR Coating II is evenly applied to the element surface, effectively minimizing internal reflections so that flare and ghosting do not occur when using this FE lens as a sports lens, lens for wildlife, or in other light-sensitive shooting scenarios. FAST AND PRECISE Four XD (Extreme Dynamic) Linear Motors with their complex construction deliver faster and more accurate focusing than conventional lenses for both photography and videography. You won't miss a shot on this large-aperture telephoto lens. PROFESSIONAL ERGONOMICS A dust and moisture resistant design, along with versatile controls on this Sony telephoto lens makes it ideal to use in the most difficult scenarios - both indoors and outdoors. DYNAMIC PERSPECTIVES The SEL70200GM2 Sony lens offers minimized focus breathing, focus shift when zooming, and axis shift when zooming for refined imagery.    

Sony Alpha 7 IV Full-Frame Mirrorless Camera

Sony ILCE-7M4B.CEC (ILCE7M4B.CEC, ILCE/7M4B.CEC, ILCE 7M4B.CEC, ILCE_7M4B.CEC, A7 mark 4, A7 mark iv) Alpha 7 IV Full-Frame Mirrorless Camera. The α7 IV is the ideal hybrid, providing breathtaking still and movie imagery for today's creators. With groundbreaking performance in both still and movie recording, the α7 IV is the ideal hybrid, providing breathtaking imagery along with connectivity for on-the-spot delivery and distribution. The α7 IV is a camera designed to bring to life the artistic visions of today's creators. BREATHTAKING IMAGE QUALITY The 33 MP full-frame Exmor R back-illuminated sensor paired with the new Bionz XR processing power delivers outstanding professional image quality - even in low light situations - for all. Inheriting the latest color science and creative modes from professional Sony cameras, shoot true-to-life vivid images with your own style. BEST AUTOFOCUS PERFORMANCE YET Equipped with the latest Real-time Tracking and Eye AF technology (human/animal/bird) for effortless tracking of your subject while shooting photos or recording videos. In addition, the A7 IV camera shoots at up to 10 frames per second with fast buffer clearance to capture the best moment of the action unveiling in front of you. UNIQUE SHOOTING EXPERIENCE With a refined design, the A7 IV includes a fast and clear 3.69M dots electronic viewfinder, a new 3'' vari-angle touchscreen monitor, and a 5 axis In-Body Image Stabilisation (IBIS) system for a comfortable and stable shooting experience. With the inclusion of Sony's intuitive new touch-capable menu system, a dedicated Photo/Video/S&Q dial, and a dual card slot, switch seamlessly from photo and video and focus on your creativity. VIDEO CONTENT CREATION AT ITS BEST Record your content in 4K glory at up to 60p with full pixel readout and no binning for the best quality. For seasoned filmmakers, the A7 IV can record in 4:2:2 10 bits and includes S-CINETONE/S-LOG 3 picture profiles for a cinematic look and ease of editing. Paired with blazing fast Real-time autofocus technology, track your subject's eye in motion with ease - it works for humans, animals, and birds. The Alpha 7 IV also includes unique video tools such as breathing compensation, a digital audio interface to attach professional audio microphones, and a heat dissipation structure for long recording sessions. YOUR CONTENT, ALWAYS CONNECTED The new Sony A7 IV has live streaming at up to 4K15p or Full HD 60p without the need for a capture card to keep you connected with your audience at all times. With the latest USB-C gen 3.2 compatibilities, ultrafast Wi-Fi chip, and an automatic Bluetooth image backup mode on this streaming camera, transfer and share instantly your images with the world. THE BEST SONY EXPERIENCE Choose from 40+ Sony native full-frame lenses to unleash your creativity. Designed specifically for Sony cameras, experience the best quality and shooting experience with Sony lenses. UNIQUE SHOOTING EXPERIENCE With a refined design, the A7 IV includes a fast and clear 3.69M dots electronic viewfinder, a new 3'' vari-angle touchscreen monitor, and a 5 axis In-Body Image Stabilisation (IBIS) system for a comfortable and stable shooting experience. With the inclusion of Sony's intuitive new touch-capable menu system, a dedicated Photo/Video/S&Q dial, and a dual card slot, switch seamlessly from photo and video and focus on your creativity.

Sony X-3605-838-2 Adaptor Assy, Tripod

Sony X-3605-838-2 (X/3605-838-2, X36058382, X 3605 838 2, X/3605/838/2) Adaptor Assy, Tripod. Sony Adaptor tripod for DXC-390P.

Sony X21889222 Cabinet Assembly, Cf Base

Sony X21889222 (X-218-892-22, X/218-892-22, X 218 892 22, X/218/892/22) Cabinet Assembly, Cf Base. Cabinet assay CF base per HVR-MRC1K.

Sony 387820902 Hinge, Switching

Sony 387820902 (3-878-209-02, 3/878-209-02, 3 878 209 02, 3/878/209/02) Hinge, Switching. Hinge, Switching for PMW-EX3.

Sony 196699413 Harness (Dpr311-lcd)

Sony 196699413 (1-966-994-13, 1/966-994-13, 1 966 994 13, 1/966/994/13) Harness (Dpr311-lcd). Sony Parts and Accessories, Sony Professional Parts and Accessories, Sony Wire Parts and Accessories.

Sony 184867213 Cable, Connection

Sony 184867213 (1-848-672-13, 1/848-672-13, 1 848 672 13, 1/848/672/13) Cable, Connection. Sony Parts and Accessories, Sony Professional Parts and Accessories, Sony Cables, PCB Cable Parts and Accessories.

Sony 1-480-339-11 Remote Control (Rmt-ds7)

Sony 1-480-339-11 ( 148033911, 1/480-339-11, 1 480 339 11, 1/480/339/11) Remote Control (Rmt-ds7) Sony is a manufacturer of consumer and professional electronics, gaming, and entertainment equipment. Sony Corporation is a Japanese multinational conglomerate corporation headquartered in Knan, Minato, Tokyo. Its diversified business includes consumer and professional electronics, gaming, and entertainment. Sony is a leading manufacturer of audio, video, communications, and information technology products for the consumer and professional markets. Sony products are reliable and affordable and there are options for any home or budget. They range from computers and professional technology to consumer electronics and home entertainment systems.

Sony ECM-88B Condenser Microphone, used

Sony ECM-88B Condenser Microphone, used 3 month warranty Sony ECM-88B (ECM88B, ECM 88B, ECM/88B) Miniature Broadcast Quality Wired Lavalier (tie clip) Microphone with PSU The Sony ECM-88B is a miniature omni-directional electret-condenser microphone ideally suited for quality-critical applications in broadcasting, theater and field production. This lavalier mic achieves high-sensitivity and has a flat-and-wide frequency response. The ECM-88B offers extremely low handling noise with unparalleled high sound quality. The ECM-88B comes with a DC-78 power supply and it has a cable length of 8.2 feet. This model is best suited for wired lav mic applications.

Sony 454708602 Resetta Screw Washers

Sony 454708602 (454 708602, 454-708602, 454/708602, 45470 8602) Resetta Screw Washers. Sony Screw fix for PXW-FS7 grip arm

Sony RMT-P1BT Wireless Remote Commander

Sony RMT-P1BT (RMTP1BT, RMT/P1BT, RMTP1BT, RMT P1BT) Wireless Remote Commander. A seamless means for remotely controlling select Sony cameras, the RMT-P1BT Wireless Remote Commander uses Bluetooth connectivity for adjusting certain camera settings and releasing the camera's shutter within a 16.4' range. The sleek commander incorporates +/- buttons for adjusting focus, recording, and power/digital zoom functions and has two assignable buttons—AF-ON and C1—that mirror the set functions of the same-named buttons on the camera body. A lock switch prevents accidental settings changes when the remote is not in use. Additionally, an LED indicator light shows the shutter, recording, or AF status. The device is dust and moisture resistant to suit its use in trying environments.

Sony Cfexpress Type B / Xqd USB 3.1 Gen2 Card Reader

Sony Cfexpress Type B / Xqd USB 3.1 Gen2 Card Reader (MRWG1.SYM, MRW-G1SYM, MRW/G1.SYM, MRWG1SYM)  Optimised for the Sony CFexpress Memory Card Get the most from Sony CFexpress memory cards via the USB interface, allowing data to be read extremely quickly so you can do more in less time. Save time with faster backups The MRW-G1 card reader supports the SuperSpeed USB 3.1 Gen 2 interface. Copying and backing up files at high speed boosts workflow, allowing you to get back to filming quickly.   Supports Sony XQD G series and M series memory cards Just one card reader is all you need to transfer data from CFexpress memory cards and supported XQD memory cards. Faster transfers using USB Type-C and USB 3.1 Gen 2  For much faster data transfer, connecting to the USB Type-C port on your PC (which supports Thunderbolt 3 or USB 3.1 Gen 2) is recommended. Ready to transfer with a “USB Type-C to USB Type-C” cable and “USB Type-C to USB Type-A” cable included. Compact, easy to carry Take the MRW-G1 anywhere. This USB bus powered reader fits comfortably in a pocket, case or bag.

Sony HVL-F28RM External Flash with Wireless Radio Control

Sony HVL-F28RM (HVL/F28RM, HVL_F28RM, HVLF28RM, HVLF28RM.CE7, HVL-F28RM.CE7) External Flash with Wireless Radio Control This high-output GN28 flash offers the type of optimized performance and control that only a genuine Sony product can provide. It can be controlled directly from the camera and is small enough to fit in a pocket while offering professional durability as well as wireless radio communication for a wide range of applications. The HVL-F28RM offers exceptional performance and stability with a7 series. It offers versatile features and detailed control plus the solid reliability needed for professional and advanced amateur applications in a compact, portable unit. The flash head and internal layout of the HVL-F28RM have been redesigned for reduced size and greater portability, making it a perfect match for compact mirrorless cameras. Although it slips easily into a pocket, the HVL-F28RM delivers output that rivals the high-end HVL-F45RM at the same illumination angle and can be effectively used for bounce lighting in a wide range of shooting situations. Flash compensation, light ratio, and other detailed flash parameters can be controlled directly from a compatible camera. A camera custom key can be assigned to call up the flash parameter display so that adjustments can be made while looking through the viewfinder and gripping the camera. Flash parameters are shown in the selected camera display language.

Sony NP-FV70A2 V-Series Rechargeable Battery Pack

Sony NP-FV70A2 (NP/FV70A2, NP_FV70A2, NPFV70A2, NP-FV70A2.ECN, NPFV70A2.ECN) V-Series Rechargeable Battery Pack The Sony NP-FV70A is a 7.3V, 1900mAh capacity lithium-ion battery compatible with all Handycam camcorders. It's designed with Sony's V-Series InfoLITHIUM feature, which enables it to communicate remaining time in minutes to the camera's LCD, so you know exactly how much time you have left. It can be charged while connected to the camera or off a dedicated charger, such as the AC-VQV10.

Sony NP-FV100A2 V-Series Rechargeable Battery Pack

Sony NP-FV100A2 (NP/FV100A2, NP_FV100A2, NPFV100A2, NPFV100A2.CE, NP-FV100A2.CE, np-fv100a2) V-Series Rechargeable Battery Pack The Sony NP-FV100A is a part of Sony's InfoLITHIUM V Series of batteries, designed with the capability to exchange data with compatible equipment. It communicates battery consumption data and remaining time in minutes, useful for long shoots. The NP-FV100A is compatible with all Handycam camcorders.

Sony NP-FH50 Lithium Rechargeable Battery

Sony NP-FH50 (NP/FH50, NP_FH50, NPFH50, NP FH50, np-fh50) Lithium Rechargeable Battery Use the high-capacity Sony NP-FH50 Battery to keep your select Sony digital cameras fully charged. Equipped with 900 mAh capacity, this rechargeable battery lets you shoot high-definition videos continuously. Simply use this battery to charge your digital camera and keep it ready for your on-the-go shooting requirements.

Sony ECM-LV1 Stereo Lavalier Microphone

Sony ECM-LV1 (ECM/LV1, ECM_LV1, ECMLV1, ecm-lv1) Stereo Lavalier Microphone ECM-LV1.SYU Versatile lavalier microphone, high quality digital audio with discreet design. ECM-LV1 is a versatile lavalier microphone suitable for various uses and situations. It works with various electronic devices and is very discreet: you can place it close to the speaker's mouth for optimal audio detection. Clear stereo sound With the ECM-LV1 you no longer have to worry about microphone orientation The omnidirectional capsules of the ECM-LV1 deliver clear, high-quality sound thanks to detection from all directions. Ready to use with a wide range of devices In addition to cameras and camcorders, the ECM-LV1 can be conveniently used with other electronic devices. Works with devices equipped with an external microphone input such as PCs and digital recorders. Flexible 360 Degree Swivel Clip Mount The flexible swivel clip allows you to attach the microphone at any angle. It can be fixed in any orientation, for example horizontally on the tie or vertically on a pocket. Simple and discreet design Small in size, with a length of only 32mm and a diameter of 11mm, the ECM-LV1 is discreet and versatile. It is designed to go unnoticed when attached to clothing and can be used in multiple shooting situations. Windproof System to Reduce Wind Noise ECM-LV1 features a windproof system designed to reduce wind noise and speaker's breath sounds. The result is clear and stable audio recording even when shooting outdoors on a windy day. Battery-free recording When used with devices that supply plug-in power, the ECM-LV1 can operate with the power supplied by the microphone connector, enabling battery-free operation.

Sony SMAD-V1-K V-Shoe Mount Adapter

Sony SMAD-V1-K (SMAD/V1/K, SMAD_V1_K, SMADV1K, smad-v1-k, SMAD-V1//K) V-Shoe Mount Adapter The Sony SMAD-V1 V-Shoe Mount Adapter is the V-shoe mount adapter for the URX-P2 portable receiver. The optional LCS-URXP2 soft case is required. For use with LCS-URXP2 soft case UWP V-shoe mount adapter for URX-P2 portable receiver. Requires use of optional LCS-URXP2 soft case. UWP V-shoe mount adapter for URX-P2 portable receiver Requires use of optional LCS-URXP2 soft case.

Sony ECM-XYST1M XYST1M Stereo Mic For Multi Interface Shoe

Sony ECM-XYST1M (ECM/XYST1M, ECM_XYST1M, ECMXYST1M, ECMXYST1M.CE7, ECM-XYST1M.CE7) XYST1M Stereo Mic For Multi Interface Shoe The Sony ECM-XYST1M Stereo Microphone is compatible with Handycam camcorders, Cyber-Shot cameras, Alpha/NEX cameras, and any other camera that has a Sony Multi Interface Shoe. The Multi Interface Shoe passes the audio directly to your camera, so no additional cable is required. For use with cameras that don't have a Multi Interface Shoe, you can connect the microphone to the mic input jack on your camera using an included stereo mini-jack cable. The directional angle of the mic capsules can me manually adjusted from 0° to 120°, allowing you to fine-tune your audio capture according to the setting. Plus, an included windscreen enhances audio-quality further by cutting down on wind noise pickup. Multi-Interface Shoe Compatible The ECM-XYST1M is compatible with Sony Handycam camcorders, Cyber-Shot cameras and Alpha/NEX cameras that have a Multi Interface Shoe. For cameras that don't have a Multi Interface Shoe, a stereo mini-jack cable is included. Wide Frequency Band Capture high-quality sound recordings with a wide frequency band from 0 to 120° Professional Design The mic's professional look and feel, thanks in part to its black casing, matches its professional quality audio Reduce Wind Noise High-quality audio is further enhanced thanks to the included wind screen

Sony ECM-W2BT Wireless Microphone with Bluetooth and Shoe Mount

Sony ECM-W2BT (ECM/W2BT, ECM_W2BT, ECMW2BT, ECM-W2BT.CE7, ECMW2BT.CE7) Wireless Microphone with Bluetooth and Shoe Mount The Sony ECM-W2BT Wireless Bluetooth® Microphone captures crystal clear audio, regardless of the environment, while maintaining a strong and stable connection up to an impressive 200m. Diverse functionality with three different recording modes means this wireless camera mic is truly ready for anything, whether you're a professional or hobbyist. Webinars, interviews and sports commentary have never sounded so clear. The ideal wireless microphone for vlogging Take the hassle out of vlog and interview audio with the wireless ECM-W2BT. Because it's wireless, it allows stress-free shooting and delivers clear audio in diverse environments, without worrying about the direction of the mic or the distance from the mic.  Clear audio pickup from any direction The ECM-W2BT can be positioned close to the speaker's mouth with a clip. The omnidirectional mic capsule also helps to pick up your voice clearly wherever it's coming from, so there's no need to worry about which way the unit is facing. Effective noise suppression during audio transmission Unlike conventional analogue audio transmission, you’ll never need to worry about cable signal interference. Just pair the ECM-W2BT with any Sony camera that supports a Digital Audio Interface via a Multi Interface (MI) Shoe for clear, low-noise, all-digital audio.  Simple audio optimisation for any source An attenuator function lets you easily adjust recording levels appropriately to match the source. Simply flip a switch to reduce the level of very loud sounds or amplify quiet ones, for optimised audio levels.  Clear sound even outdoors in the wind  The unit comes with a wind screen, allowing comfortable recording when shooting outside. Just attach the wind screen to the mic, and it effectively reduces wind noise as well as breath noise, for clear and stable sound even when shooting outdoors on a windy day. Stable transmission between microphone and receiver Qualcomm® aptX™ Low Latency Bluetooth® codec is used for transmission between the microphone and receiver units, ensuring low latency and undiminished audio quality. It helps avoid the stress of having to re-record audio due to interruptions in the recorded sound, and low latency enables better matching of the audio track with the video imagery.   Stable audio recording Thanks to a capacity twice as large as with conventional setups, the improved wireless connectivity greatly reduces the risk of interruption to the audio stream, even in crowded settings with a lot of wireless activity. In a location with good visibility without obstacles, communication is possible at up to 200 meters, allowing greater flexibility in camera and audio setups. Long battery life for extended shoots  There's no need to worry about battery life even during a day of extended outdoor shooting, thanks to the long battery life of the ECM-W2BT. When paired with cameras which supports power supply via an MI Shoe, you can shoot up to nine hours wirelessly. Dust- and moisture-resistant construction With its moisture- and dust-resistant design, the ECM-W2BT is set up for comfortable outdoor shooting. Its components incorporate weather-sealed seams and port covers to help maximise dust and moisture resistance. Support for two-person shoots  When you're shooting with a two-person configuration (on-camera performer and camera operator), you can still depend on the ECM-W2BT for your audio needs. In addition to the main wireless microphone there's also an internal microphone inside the receiver unit, allowing you to record both the camera operator and the main subject.  Even multi-person shoots are easily handled Set the mic in a central position by using the connector protect holder included with the unit as a microphone stand. The omnidirectional microphone will capture audio from everyone, even when shooting multiple people.  Expandability with 3.5mm stereo mini-jack Add that extra professional touch to your vlog production with a more realistic-sounding audio track. The microphone is expandable via the 3.5mm stereo mini-jack on the transmitter, and the ECM-LV14 can be connected for high-quality stereo sound. Flexible connectivity In addition to simple connections to Sony cameras equipped with an MI Shoe, the ECM-W2BT can also be used with a wide variety of other cameras5 and equipment. A 3.5mm stereo mini-jack output lets you connect the receiver to other cameras, PCs, digital voice recorders6, or any device with an analogue audio input.  Perfectly paired with the ECM-LV1 microphone The all-black, simple and unobtrusive design of the ECM-LV1 enables distraction-free audio recording, for use with any type of clothing. The clip rotates 360 degrees, which allows it to be positioned anywhere on your clothing. Compact and lightweight design for mobility The ECM-W2BT is light in weight and easy to carry, providing excellent mobility especially when shooting outdoors. The microphone unit weighs in at just 27 grams while the receiver is 28 grams, so they won't weigh you down during a shoot.   Easy, cableless configuration for stress-free shooting With a Sony camera equipped with an MI Shoe you can enjoy a cable-free setup, eliminating worries about troublesome cables and accidental disconnection. The Digital Audio Interface available on compatible cameras also ensures pristine, high-quality digital sound.  Conveniently adjustable audio pickup modes A switch on the receiver lets you select from three available pickup modes – microphone only, receiver only, or a mix of both microphone and receiver.  Protection against recording failures The ECM-W2BT features clear indicator LEDs on the receiver for peace of mind while recording. A LINK lamp shows the status of communication between the microphone and receiver, while a POWER lamp indicates remaining battery charge. Easy portability The connector protect holder included with the ECM-W2BT can be used to carry the receiver and microphone together as one unit. The holder is designed to make it easy to use the receiver and microphone in combination, and it also functions as a handy storage unit when you want to take the ECM-W2BT with you somewhere.

Sony UTX-H2-67 UWP UHF Handheld Transmitter

Sony UTX-H2-67 (UTX/H2/67, UTX_H2_67, UTXH267, UTX-H2/67, utx-h2-67) UWP UHF Handheld Transmitter The UTX-H2 handheld microphone contains a uni-directional microphone capsule. This handheld microphone is ideally suited for A/V presentation and interview applications. The UTX-H2 handheld transmitter works with any of the UWP receivers operating within the same frequency band. Proven Technology The UWP series is based on proven technology that offers high levels of performance at a greatly reduced price. Sony has long been established in the wireless microphone market and brings together a wealth of knowledge and technical expertise to provide the latest wireless microphone products. Microphone attenuation function. The attenuator function permits the user to adjust the audio input level to the belt-pack transmitter to suit the vocal characteristics. Low running costs The UTX-B2 unit operates on AA batteries as opposed to the traditional 9 volt (PP3). This reduces running costs to the user. A surprising amount of money can be saved over a very short period of time. Running costs are not always considered when choosing a wireless microphone system. All new features The new UWP range has all the advantages of the existing UWP range with the addition of a completely new design, All metal body, LCD displays & improved sound quality.

Sony SEL-C1635G FE C 16–35mm T/3.1 G E-Mount Lens

Sony SEL-C1635G (SEL/C1635G, SEL_C1635G, SELC1635G, SELC1635G.SYX, SEL-C1635G.SYX) FE C 16–35mm T/3.1 G E-Mount Lens Cinematic images with beautiful bokeh Experience beautiful cinematic images, with excellent corner-to-corner resolution and consistent T3.1 (F2.8) large aperture from wide to telephoto for stunning background bokeh effects. Responsive manual control for content creators Adjust focus, zoom and iris with smooth, consistent precision. Enjoy fine control over realising your artistic vision with large-format sensor cameras such as the PXW-FX9 and VENICE. Shoot with extra intelligence Enjoy smart functions unique to Sony’s E-mount lens system, including AF (autofocus) support, servo zoom and zoom/iris/focus control from your camera, remote or smartphone, allowing cinematographers to concentrate on composition and focus without touching lens rings.* *Requires compatible cameras, remote controllers, smartphones and mobile apps. Unlimited expression for content creators Explore new artistic possibilities and precise creative control with Cinema Lens Series – the refined expression of Sony’s technological expertise for uncompromising content creators. This wide angle zoom lens is optimised for digital cinematography, documentary production and other premium content produced with full-frame cameras such as the FX9 and VENICE. Advanced optical design Two XA (Extreme Aspherical) lens elements and three aspheric elements minimise distortion, curvature and astigmatism. Two ED (Extra-low Dispersion) glass elements suppress colour distortion, while an advanced nano AR (Anti Reflection) coating on optical surfaces drastically reduces flare and ghosting. The floating focus mechanism is optimised for motion picture applications, ensuring outstanding resolution and very low distortion at any shooting distance. Smooth, natural bokeh An ideal partner for the full-frame sensor of Sony’s acclaimed FX9 and VENICE cameras, the consistent T3.1 (F2.8) large aperture and circular 11-blade aperture of the SELC1635G lets professional cinematographers enjoy shallow depth of field and the creation of beautifully smooth bokeh (background defocus) effects. [1] Conventional aperture [2] Circular aperture Precise, responsive manual focus Linear Response MF enables smooth, lag-free manual focus, allowing DoPs and camera operators to adjust focus accurately and intuitively. The focus ring offers a 120deg large angle of rotation for finer control, with distance scale markers for consistent focus reset during multiple takes. For complete creative control to suit any user including photographers who are used to shooting stills, SELC1635G also offers reversible zoom ring rotation, modes switchable between AF/MF and Full manual, and the option to engage ‘click stops’, providing tactile feedback for precise adjustments of the aperture ring. When the click stops are disengaged, the aperture ring moves smoothly and quietly. More options for content creators The SELC1635G has a 0.8mm pitch gear and 114mm lens diameter, which is regarded as the industry standard in cinematography, providing compatibility with a wide range of accessories include matte boxes and follow focus systems. Detachable servo zoom The included servo unit provides comfortable fingertip control for smooth, gradual zooms suitable for a slow moving drama or promotional video. Servo and Manual control are switchable by the button on the lens unit, and while set to servo, you can control zoom via camera’s handle or grip zoom.Also, the servo can be detached if preferred, making the lens lighter and more portable. Fast, accurate AF and AE The SELC1635G fully supports the Enhanced Hybrid phase/contrast detection autofocus (AF) and Auto Exposure (AE) capabilities of the FX9 full-frame camera. This breakthrough technology allows you to concentrate on framing while the camera and lens work seamlessly together to maintain focus on subjects with shallow depth of field. Alpha cameras and lenses Discover the Alpha range of interchangeable lens camera and E-mount lenses for photographers and video makers.

Sony SEL-50F25G FE 50mm F/2.5 G Lens

Sony SEL-50F25G (SEL/50F25G, SEL_50F25G, SEL50F25G, SEL-50F25G.SYX, SEL50F25G.SYX) FE 50mm F/2.5 G Lens Introducing the SEL50F25G Full Frame Lens: A wide angle lens for stills and movies. Featuring an advanced optical design that includes two aspherical elements and one ED (Extra-low Dispersion) element for incredible corner-to-corner high-resolution, along with beautiful background defocus (bokeh). Two double linear motors provide fast, precise AF with excellent tracking performance, with quiet autofocus and tracking in this compact-sized and lightweight Sony G lens. Internal focusing ensures the angle of view is stable during focusing (focus breathing minimised). An incredible video lens, the SEL50F25G delivers smooth, fast and continuous auto focus performance for movie shooting. INCREDIBLY SHARP State-of-the-art optics, using two aspherical elements and one ED (Extra-low Dispersion) glass element, deliver high resolution and suppress colour fringing in all parts of the image. Delivering high corner-to-corner resolution and beautiful bokeh, the SEL50F25G is an excellent compact, lightweight full frame lens for cityscapes, landscapes and videography, these features making it an excellent portrait lens too. BEAUTIFULLY SMOOTH BACKGROUNDS A 7-blade circular aperture on this Sony lens creates beautiful circular background bokeh defocus effects with a large F2.5 aperture. FAST AND PRECISE Two linear motors deliver fast, precise AF with excellent tracking capability, fully utilising the continuing rapid advances in the speed performance of camera bodies. Taking maximum advantage of this performance, tracking is maintained despite instantaneous changes in subject motion, making the lens ideal for situations like snap shooting of moving subjects. You'll never miss a shot with this lightweight and compact lens. SUPERB BUILD QUALITY The high-quality build uses metal (aluminium) for the exterior finish and hood, achieving a sophisticated look, contributing to increased strength and durability. The iris ring indices, focal length markings, and Sony logo on the hood of the 50mm lens, are engraved rather than printed, giving a finish with a sophisticated feel. GREAT FOR MOVIE SHOOTING The fast, precise AF with excellent tracking performance delivered by two linear motors is also quiet, making this FE  lens ideal for both still and movie shooting. A great 50mm view, intuitive operability, in a compact, lightweight design.

Sony SEL-40F25G FE 40mm F/2.5 G Lens

Sony SEL-40F25G (SEL/40F25G, SEL_40F25G, SEL40F25G, SEL-40F25G.SYX, SEL40F25G.SYX) FE 40mm F/2.5 G Lens Introducing the SEL40F25G Full Frame Lens: A wide angle lens for stills and movies. Featuring an advanced optical design that includes three aspherical elements for incredible corner-to-corner high-resolution, along with beautiful background defocus (bokeh). Two double linear motors provide fast, precise AF with excellent tracking performance, with quiet autofocus and tracking in this compact-sized and lightweight Sony G lens. Internal focusing ensures the angle of view is stable during focusing (focus breathing minimised). An incredible video lens, the SEL40F25G delivers smooth, fast and continuous auto focus performance for movie shooting. INCREDIBLY SHARP State-of-the-art optics, using three aspherical elements, deliver high resolution and suppress colour fringing in all parts of the image. Delivering high corner-to-corner resolution and beautiful bokeh, this is an excellent compact, lightweight, full frame lens for cityscapes, landscapes and videography, these features making it an ideal portrait lens too. BEAUTIFULLY SMOOTH BACKGROUNDS A 7-blade circular aperture on this Sony lens creates beautiful circular background bokeh defocus effects with a large F2.5 aperture. FAST AND PRECISE Two linear motors deliver fast, precise AF with excellent tracking capability, fully utilising the continuing rapid advances in the speed performance of camera bodies. Taking maximum advantage of this performance, tracking is maintained despite instantaneous changes in subject motion, making the lens ideal for situations like snap shooting of moving subjects. You'll never miss a shot with this lightweight and compact lens. SUPERB BUILD QUALITY The high-quality build uses metal (aluminium) for the exterior finish and hood, achieving a sophisticated look, contributing to increased strength and durability. The iris ring indices, focal length markings, and Sony logo on the hood of the 40mm lens, are engraved rather than printed, giving a finish with a sophisticated feel. GREAT FOR MOVIE SHOOTING The fast, precise AF with excellent tracking performance delivered by two linear motors is also quiet, making this FE lens ideal for both still and movie shooting. A great 40mm wide view (or when mounted on an APS-C body or shooting in Super 35mm movie format, the angle of view is 36mm equivalent), intuitive operability, in a compact, lightweight design.

Sony SEL-2860 FE 28–60mm F4–5.6 Lens

Sony SEL-2860 (SEL/2860, SEL_2860, SEL2860, SEL-2860.SYX, SEL2860.SYX) FE 28–60mm F4–5.6 Lens The wide-angle to long-normal FE 28-60mm f / 4-5.6 zoom is characterized by its modern design and elegant profile. The slim design makes this lens ideal for walkaround, everyday shooting and the flexible focal length range offers great versatility. The optical design incorporates three aspherical elements, which help reduce distortion and spherical aberrations and promote greater sharpness and accurate rendering. Complementing the optics is a linear motor and internal focusing that ensure fast and quiet autofocus performance for both photographic and video needs. The lens body is also weatherproof to allow you to work in harsh environmental conditions. With a versatile and practical focal length of 28-60mm, this lens is suitable for a variety of common subjects. In addition, the minimum focusing distance between 0.3m (wide angle) and 0.45m (telephoto) guarantees excellent results in close-ups, making the device suitable for applications such as table photography and vlogging, always with the high full-frame image quality. The linear AF motor enables the fast and precise AF performance required by the latest full-frame camera models. Thanks to the quiet motor, the device is suitable for stills as well as video shooting, while the speed and accuracy ensure maximum performance on the camera's AF functions, such as Real Time Tracking and Real Time Eye AF.

Sony SEL-24F28G FE 24 mm F2.8 G Lens

Sony SEL-24F28G (SEL/24F28G, SEL_24F28G, SEL24F28G, SEL-24F28G.SYX, SEL24F28G.SYX) FE 24 mm F2.8 G Lens Introducing the Sony SEL24F28G 24mm F2.8 G Full Frame Lens: A wide angle prime lens ideal for stills and movies. Featuring an advanced optical design that includes three aspherical elements and one ED (Extra-low Dispersion) element for incredibly high corner-to-corner resolution, along with beautiful background defocus (bokeh). Two double linear motors provide fast, precise AF with excellent tracking performance, with quiet autofocus and tracking in this compact-sized and lightweight Sony G lens. Internal focusing ensures the angle of view is stable during focusing (focus breathing minimised). An incredible video lens, this 24mm F2.8 G Full Frame Lens delivers smooth, fast and quiet autofocus for movie shooting. INCREDIBLY SHARP State-of-the-art optics, using three aspherical elements and one ED (Extra-low Dispersion) glass element, delivers high resolution and suppresses colour fringing in all parts of the image. High corner-to-corner resolution and beautiful bokeh make this an excellent compact, lightweight, wide angle lens for cityscapes, landscapes and videography. BEAUTIFULLY SMOOTH BOKEH A large F2.8, 7-blade circular aperture on this Sony lens creates beautiful background defocus. FAST AND PRECISE Two linear motors deliver fast, precise AF with excellent tracking capability, fully utilising the continuing rapid advances in the speed performance of camera bodies. Taking maximum advantage of this performance, tracking is maintained despite instantaneous changes in subject motion, making this landscape lens ideal for situations like snap shooting of moving subjects. You'll never miss a shot with this lightweight and compact lens. SUPERB BUILD QUALITY The high-quality build uses metal (aluminium) for the exterior finish and hood, achieving a sophisticated look, contributing to increased strength and durability. The iris ring indices, focal length markings and Sony logo on the hood are engraved rather than printed, giving this FE lens a finish with a premium feel. GREAT FOR MOVIE SHOOTING The fast, precise AF with excellent tracking performance delivered by two linear motors is also very quiet, making the 24mm lens ideal for both stills and movie shooting. Intuitive operability in a compact, lightweight design.

Sony SEL-1224GM FE 12-24mm F2.8 GM Lens

Sony SEL-1224GM (SEL/1224GM, SEL_1224GM, SEL1224GM, SEL-1224GM.SYX, SEL1224GM.SYX, sel-1224gm.syx) FE 12-24mm F2.8 GM Lens Sony boosts full-frame lens line-up with launch of 12-24mm G Master™, the world’s widest zoom with a constant F2.8 aperture. This compact and versatile lens is ideal for shooting landscapes, starry skies and architecture while providing extra mobility for active sports shooters who want to use ultra-wide angles. As part of Sony’s flagship G Master series lenses, it delivers outstanding image quality up to an ultra-wide 12mm angle of view with F2.8 constant aperture, combined with beautiful bokeh effects.This new lens allows the F2.8 range of Sony’s G Master lenses to extend all the way through from 12mm to 200mm** and at 12mm, offers the world’s widest zoom at F2.8*. At this focal length, it is possible to emphasise distance and create dynamic perspectives beyond the scope of the human eye. Incredibly sharp Three XA (extreme aspherical) elements ensure outstanding resolution in this F2.8 ultra-wide angle lens. Along with one aspherical element, two super ED and three ED (Extra-low Dispersion) glass elements deliver high corner-to-corner resolution and beautiful bokeh, making this an excellent full frame lens for landscapes and starscapes.  Beautifully smooth background A circular 9-blade aperture creates beautiful background bokeh defocus effects with a large aperture F2.8 that is constant throughout the entire zoom range on this Sony lens. Fast and precise  Four XD Linear (Extreme Dynamic) Motors with their complex construction deliver faster and more accurate focusing than conventional lenses for both photography and videography. Amazing clarity and contrast New Sony Nano AR Coating II effectively eliminates light anomalies - such as flare and ghosting. Professional ergonomics A dust and moisture-resistant design, along with versatile controls make it ideal to use in the most difficult scenarios - both indoors and outdoors. Dynamic perspectives With an ultra-wide 12mm angle of view, create dynamic perspectives that are beyond the scope of the human eye. Target usages: Landscape, Architecture, Night/Astro, Video, Sports

Sony BVM-E171-HDR 16.5 Inch TRIMASTER EL OLED Monitor with HDR License

Sony BVM-E171-HDR (BVM/E171/HDR, BVM_E171_HDR, BVME171HDR, BVM E171 HDR, BVM-E171/HDR) 16.5 Inch TRIMASTER EL OLED Monitor with HDR License Sony BVM E171 HDR Licence included 16.5" TRIMASTER EL OLED Critical Reference Monitor from Sony features a wide viewing angle for critical picture evaluation in the studio and on-set for professional applications such as color grading, high-end editing, broadcasting and scientific research. Sony?s leading edge Organic Light-Emitting Diode (OLED) technology and signal processing technology ensures high performance with the BVM-E171. It allows several people to evaluate the image with accuracy at the same time, increasing the monitor?s versatility in top end monitoring solutions. Technology Top Emission technology enhances OLED's benefits to deliver outstanding black performance, a quick response time with virtually no motion blur, and a wide color gamut. A 12-bit output digital signal processing engine provides a non-linear cubic conversion color-management system that delivers precise color reproduction, picture uniformity, gamma performance, and picture quality consistency. Flicker Free Mode The TRIMASTER EL OLED panel's quick response and scan-driving performance delivers remarkable picture quality with virtually no motion blur. However, there is a possibility that flicker is just visible especially when a lower frequency signal is displayed (24p, 24PsF, and 50i). To remove visible flicker, the BVM E171 is equipped with flicker-free mode. DC Operation The BVM E171 can be DC operated. This feature gives more flexibility and mobility to users who want the larger size screen for the on-set application. Support for 4K Production The BVM E171 is an HD monitor that conforms to ITU-R BT.709 color space. Responding to an increase of the demand of using an HD monitor in a 4K production, the monitor supports ITU-R BT.2020 color space and transfer matrix. Accepts Computer Signals via HDMI The BVM E171 accepts various computer signals input up to 1920 x 1080 through its HDMI connector. It is also equipped with Digital Cinema 2048 x 1080 signals. Picture Performance Sony TRIMASTER EL technology combines the ultimate performance of Sony OLED display with the TRIMASTER technology to provide the highest level of picture performance: Wide viewing angle Accurate Black Reproduction High purity and accurate color reproduction Quick response time with virtually no motion blur Very high contrast ratio Sony Display Engine High-precision signal processing engine has been developed to fulfill the reference monitor criteria and is optimized to maximize OLED panel performance. This engine incorporates 12-bit output accuracy at each process, and provides both a high quality I/P conversion algorithm and a highly accurate color management system. Multi-Format Signal Support The BVM E171 monitor can accept almost any SD or HD video format, such as analog composite video, HDMI and SDI, and variable computer signals through HDMI. Auto White Balance The color temperature and white balance of BVM Series monitors can be automatically adjusted by the Auto White Balance function using specified color temperature probes, such as: Konica Minolta: CA-210, CA-310, CS-200 DK-Technologies: PM5639/06 X-Rite: i1 (Eye-One) Pro and i1Pro2 Photo Research: PR-655, PR-670 Klein: K-10 Jeti: Specbos 1211

Sony BRC-X400B IP 4K Pan-Tilt-Zoom Camera

Sony BRC-X400B (BRC/X400B, BRC_X400B, BRCX400B, BRC-X400, brc-x400b) IP 4K Pan-Tilt-Zoom Camera Capture every point of view in 4K with excellent picture quality and efficient IP production workflow The versatile BRC-X400 PTZ camera is ideal for use in a wide range of environments - from broadcast studios and remote on-air suites to sports stadiums, arenas, houses of worship and lecture halls. The camera's 1/2.5-type Exmor R™ sensor captures broadcast quality 4K images with excellent sensitivity, very low noise and rich, natural colour reproduction. It's complemented by the integrated high-resolution lens that offers a powerful zoom capability of up to 80x in Full HD** (30x in 4K), with an expansive approx. 70° wide angle coverage to capture every point of view. Efficient IP-based live production is augmented with support for NDI®|HX (via optional license), allowing flexible configuration with other networked NDI-enabled devices. Images also can be reviewing remotely via a web browser, with support for RTSP (Real Time Streaming Protocol), RTMP*** (Real Time Messaging Protocol) and SRT*** (Secure Reliable Transport) ensuring smooth, stable streaming of video plus audio (from an optional microphone, available separately) over an IP network. Installation and set-up is easy, with a new Picture Setting File**** allowing the same settings to be applied to multiple cameras through a web interface from a laptop or PC. Convenient integration in multi-camera live events is also simplified with genlock support and an 'on-air' tally lamp. * NDI® is a registered trademark of NewTek, Inc. ** With Clear Image Zoom and Tele Convert Mode *** Requires firmware V3.00 **** Requires firmware V2.00

Sony ZV-1 Vlog Digital Camera

Sony ZV-1BDI (ZV/1BDI, ZV_1BDI, ZV1BDI, ZV-1BDI.EU, ZV1BDI.EU) ZV-1 Vlog Digital Camera Content creators and vloggers rejoice! The Sony ZV-1 is a compact digital camera specifically designed for those targeting the web with their photos and videos. Built on the advanced RX100-series platform, the ZV-1 retains many desirable imaging capabilities while introducing a refined physical design and specialized modes perfect for vlogging and content creation. A standout feature is the side flip-out 3.0" touchscreen, ideal for front-facing recording. The body also includes a directional 3-capsule microphone for enhanced audio recording and a Multi Interface Shoe for attaching various accessories. The ZV-1 is sleek and lightweight, with a larger right-hand grip for one-handed recording, a front tally lamp, and a large REC button on the top plate. Beyond its physical design, the ZV-1 incorporates several dedicated imaging functions, including the Product Showcase Setting for optimized focusing between faces and close-up objects, the Background Defocus function for creating shallow depth of field effects, a Skin Softening function, and a Face Priority Auto-Exposure setting to ensure correct exposures when on camera. Internally, the ZV-1 features a 20.1MP 1"-type Exmor RS stacked CMOS sensor and BIONZ X image processor with front-end LSI. This setup delivers impressively fast performance and wide-ranging sensitivity for various conditions. The camera supports Real-Time Eye AF and Real-Time Tracking for quick and precise focusing and subject tracking. It also supports UHD 4K recording at 30p with no recording limit, and a micro-HDMI port allows use with an external recorder or monitor. Footage benefits from Sony's S-Log2 and HLG picture profiles, providing refined color, dynamic range, and detail matching their professional cine cameras. The ZV-1 is equipped with a ZEISS 24-70mm-equivalent standard zoom lens with a bright f/1.8-2.8 maximum aperture range, perfect for isolating subjects and performing in low-light conditions. This versatile zoom lens also features Optical SteadyShot image stabilization, which works with electronic digital image stabilization and Active SteadyShot mode to ensure steady footage and photos in challenging lighting and shooting conditions.  

Sony ZV-1BDI-GP-VPT2BT-ECM-W2BT Vlog Camera Kit With Wireless Microphone & Shooting Grip

Sony ZV-1BDI-GP-VPT2BT-ECM-W2BT (ZV-1BDI/GP-VPT2BT/ECM-W2BT, ZV-1BDI_GP-VPT2BT_ECM-W2BT, ZV-1BDI+GP-VPT2BT+ECM-W2BT, ZV1BDI-GPVPT2BT-ECMW2BT) Vlog Camera Kit With Wireless Microphone & Shooting Grip ZV1BDI.EU Professional yet simple video creation The ZV-1 is designed for content creation with a selfie-friendly vari-angle LCD screen, body grip and a recording lamp. A directional 3-capsule mic with wind screen picks up your voice clearly with less wind noise; and the Bokeh switch and Product Showcase Setting make videos more interesting with less effort. GP-VPT2BT//CSYU An ideal grip and tripod for general photography or vlogging, with built-in BLUETOOTH® wireless remote control. Attached to a compact or mirrorless interchangeable lens camera, this shooting grip offers outstanding hold and positioning versatility for still and movie shooting. This contoured shooting grip and tripod offers wireless Bluetooth® remote control, plus outstanding comfort and stability with a wide range of cameras. ECM-W2BT AMEA Versatile wireless microphone with MIX recording function With its high-quality sound and reliable connectivity, the ECM-W2BT is an excellent choice for various styles of vlogging. A selection of recording modes facilitates use for both solo sessions and multi-person shoots.

Sony ILCE-7CL-S-GP-VPT2BT-KIT ILCE-7CL Digital Camera With GP-VPT2BT Wireless Remote Control

Sony ILCE-7CL-S-GP-VPT2BT-KIT (ILCE-7CL-S/GP-VPT2BT/KIT, ILCE-7CL-S_GP-VPT2BT_KIT, ILCE7CLS+GPVPT2BT-KIT, ILCE-7CL/S+GP-VPT2BT/KIT, ILCE-7CL/S+GP-VPT2BT-KIT) ILCE-7CL Digital Camera With GP-VPT2BT Wireless Remote Control Compact and capable, the black Sony Alpha a7C mixes the quality and advantages of a full-frame sensor with an especially portable and sleek body design. Featuring a 24.2MP Exmor R BSI CMOS sensor, the a7C offers hybrid abilities to suit both photo and video recording needs along with a form factor for everyday, all-day carry. The full-frame sensor and BIONZ X image processor offer up to a 15 stop dynamic range along with UHD 4K video recording, extended sensitivity from ISO 50-204800, and a top continuous shooting rate of 10 fps for working with moving subjects. The sensor also houses a Fast Hybrid AF system, which uses 693 phase-detection points and 425 contrast detection areas for quick, intelligent, and precise autofocus performance with support for Real-time Eye AF and Tracking AF technologies. Also benefiting both photo and video needs is 5-axis in-body image stabilization, which compensates for up to five stops of camera shake for sharper handheld shooting. Compared to other a7-series camera bodies, the a7C has a distinctly sleeker profile that mimics the styling of a rangefinder, with an offset viewfinder and a streamlined top plate. The re-positioned electronic viewfinder is a 0.39"-type OLED with 2.36m-dot resolution and is complemented by a 3.0" side-opening vari-angle touchscreen LCD. Built-in Wi-Fi and Bluetooth also enable wireless connectivity for remote camera control and sharing files to a connected mobile device. 24.2MP Exmor R BSI CMOS Sensor and BIONZ X Image Processor Featuring a back-illuminated design, the full-frame 24.2-megapixel Exmor R CMOS sensor works with the BIONZ X image processor to offer high-resolution stills and video while minimizing noise and improving speed. This sensor structure works with a gapless on-chip lens design and an anti-reflection coating to improve light collection and enhance detail. Also, the copper wiring layer dramatically improves data transmission speed for creating 14-bit, high-resolution stills with a native sensitivity range from ISO 100-51200, which can be further expanded to ISO 50-204800. Also, it enables internal UHD 4K video recording with a wide dynamic range using the full width of the full-frame sensor. The BIONZ X processor also works in conjunction with a high-speed front-end LSI to realize faster processing times along with the ability to capture an impressive 15-stop dynamic range at low sensitivity values. The sensor and processor combination also avails fast continuous shooting at up to 10 fps at full resolution, for approximately consecutive JPEGs or 115 consecutive raw files, and with full-time AF/AE when working with either a mechanical shutter or an electronic shutter. UHD 4K Video Recording in XAVC S Format Internal recording of UHD 4K videos is possible in multiple frame rates up to 30 fps and using 2.4x oversampling renders greater detail and full pixel readout is possible for higher quality imagery with reduced moiré and aliasing. Full HD 1080p recording is also supported in frame rates up to 120 fps, and both resolutions utilize the 100 Mb/s XAVC S format contained within an MP4 wrapper with 4:2:0 8-bit sampling. The high-speed, 120 fps recording also enables 4x and 5x slow-motion movie recording with the frame rate set to either 30p or 24p. In addition to high-resolution internal recording, uncompressed HDMI output also enables the use of an optional external recorder for clean 4K recording with 4:2:2 8-bit sampling. Affording extensive customizable color and gamma controls, the a7C allows users to adjust the gamma, black level, knee, color level, and more. Also, users can use the same S-Log2 Gamma Curve that is found on high end Sony Cinema cameras that squeezes up to 1300% more dynamic range into the video signal then traditional REC709, for increased post-production flexibility. HLG (Hybrid Log-Gamma) support is also available for HDR recording within a wide color gamut and, in addition to S-Log2, S-Log3 is also available for producing an effective 14-stop dynamic range with increased grading control in the shadow to mid-tone regions of the image. FE 28-60mm f/4-5.6 Lens Included with the camera body is the wide-angle to long-normal FE 28-60mm f/4-5.6 zoom, which is characterized by its retractable design and sleek profile to complement the compact camera body. The svelte design makes this lens ideal for walkaround, everyday shooting and the flexible focal length range benefits a wide range of subject types. The optical design incorporates three aspherical elements, which help to reduce distortion and spherical aberrations and promote greater sharpness and accurate rendering. Complementing the optics is a linear motor and internal focusing design, which achieve quick and quiet autofocus performance for both photo and video needs. The lens body is also weather-sealed to permit working in trying environmental conditions. GP-VPT2BT//CSYU   An ideal grip and tripod for general photography or vlogging, with built-in BLUETOOTH® wireless remote control. Attached to a compact or mirrorless interchangeable lens camera, this shooting grip offers outstanding hold and positioning versatility for still and movie shooting.

Sony ZV-1BDI-GP-VPT2BT ZV-1 Digital Camera and GP-VPT2BT Wireless Shooting Grip

Sony ZV-1BDI-GP-VPT2BT (ZV-1BDI/GP-VPT2BT, ZV-1BDI_GP-VPT2BT, ZV1BDIGPVPT2BT, ZV-1BDI+GP-VPT2BT) ZV-1 Digital Camera and GP-VPT2BT Wireless Shooting Grip ZV1BDI.EU The ZV-1 is designed for content creation with a selfie-friendly vari-angle LCD screen, body grip and a recording lamp. A directional 3-capsule mic with wind screen picks up your voice clearly with less wind noise; and the Bokeh switch and Product Showcase Setting make videos more interesting with less effort. GP-VPT2BT//CSYU An ideal grip and tripod for general photography or vlogging, with built-in BLUETOOTH® wireless remote control. Attached to a compact or mirrorless interchangeable lens camera, this shooting grip offers outstanding hold and positioning versatility for still and movie shooting.

Sony ILCE-9M2 Alpha 9 II Full-Frame Camera With Pro Capability

Sony ILCE-9M2 (ILCE/9M2, ILCE_9M2, ILCE9M2, ILCE9M2/B, ILCE-9M2.CEC a9 Mark II) Alpha 9 II Full-Frame Camera With Pro Capability The new Alpha 9 II builds on the impressive legacy of the original Alpha 9, maintaining groundbreaking speed performance, including blackout-free continuous shooting of up to 20 frames per second with Auto Focus and Auto Exposure tracking, 60 times per second AF calculations / AE by incorporating even more features driven directly by the voice of professionals. Updates include significantly improved connectivity and file delivery, continuous shooting up to 10fps with mechanical shutter, advanced AF performance with newly optimized algorithms, a redesigned structure to improve durability and operability, and more. Alpha 9 II includes a built-in 1000BASE-T Ethernet terminal, which enables Gigabit communication for stable, high-speed data transfer operations. In addition, file transfer via SSL or TLS encryption (FTPS) is supported for increased data security and PC remote shooting (tether) performance is improved, with reduced release delay and live view screen delay reduced when using the "Remote Camera Tool" desktop application. The speed of the camera's built-in wireless LAN functionality has also been increased by adding a stable and fast 5 GHz band (IEEE 802.11ac), in addition to the 2.4 GHz provided in Alpha 9. The IEEE 802.11a / b / g / n / ac standards are all supported. Designed to improve the speed of news agency workflow, the Alpha 9 II features a new Voice Memo feature that allows you to attach voice information to images in the form of voice memos that can be played back when the images are reviewed. Voice data can also be included with images sent to an editor, providing them with the important information they need for effective editing. Alternatively, a field photographer can also use the "Imaging Edge" application of the "Transfer & Tagging" add-on to transfer voice tags with images to their mobile device and have voice memos automatically converted to text and added to images JPEG in the form of IPTC metadata. All this can be done automatically or manually, By combining wireless voice / image transfer and automatic voice-to-text conversion with the ability to automatically transfer images with FTP-linked voice memos, you can shoot and transfer the results to an FTP server without ever having to use a smartphone. FTP settings within the app can also be sent to a camera via Bluetooth, allowing for a faster workflow.

Sony ILCE-7CL-S Alpha 7C Compact Full-Frame Camera (Silver)

Sony ILCE-7CL-S (ILCE/7CL/S, ILCE_7CL_S, ILCE7CL/S, ILCE-7CL/S, ILCE-7CL, ilce-7cl-s) Alpha 7C Compact Full-Frame Camera (Silver) Compact and lightweight Full-frame Mirrorless Digital Camera, Real-time Autofocus, 24.2 MP, Integrated 5-Axis Stabilizer, Long Battery Life (Silver) with FE 28-60mm f / 4-5.6 lens. Despite the compact body, the smallest and lightest in the world, the a7C silver version offers both stills and movies the spectacular image quality you expect from a full-frame camera. Fast, wide and stable AF, lightning fast continuous shooting and the handy angled LCD monitor help capture the action in real time. Larger sensors create more beautiful images, and the a7C's full-frame sensor is much larger than that of similarly sized smartphones, compact digital cameras, and interchangeable lens cameras with APS-C sensors. The increased amount of light captured allows you to take professional, low-noise photos, and to retain more detail in both shade and light. The back-illuminated Exmor R CMOS sensor and BIONZ X image processor work beautifully in synergy. The extra-large pixels of the 24.2-megapixel full-frame sensor collect more light, resulting in up to 15-stop dynamic range and smoother gradations from shadows to highlights. Excellent subjective resolution and noise reduction combine with precise color reproduction, for beautifully accurate skin tones and natural textures. The a7C is capable of continuous shooting at up to 10fps with AF / AE tracking, and up to 8fps in Live View mode, to keep a moving subject in focus and capture the moment precisely. Combined with silent shooting, it shoots up to 10 fps, making it possible to photograph in noise-sensitive environments or capture scenes with sleeping children or animals, without the shutter sound disturbing them. INTUITIVE USE: Internal image stabilization up to 5 stops, swiveling and touch screen, Z-type battery for longer life, digital audio interface with microphone and headphone jacks, better resistance to dust and humidity. EASILY TRANSFER YOUR CONTENT: Download the Sony Imaging Edge app to your smartphone or other smart device which will allow you to easily share and stream your content. FE 28-60mm f / 4-5.6 lens Included with the camera body the wide-angle to long-normal FE 28-60 mm f / 4-5.6 zoom is characterized by its modern design and elegant profile. The sleek design makes this lens ideal for walkaround, everyday shooting and the flexible focal length range offers great versatility. The optical design incorporates three aspherical elements, which help reduce distortion and spherical aberrations and promote greater sharpness and accurate rendering. Complementing the optics is a linear motor and internal focusing that ensure fast and quiet autofocus performance for both photographic and video needs. The lens body is also weatherproof to allow you to work in harsh environmental conditions.

Sony SEL50F12GM FE 50mm F/1.2 GM Lens

Sony SEL50F12GM (SEL-50F12GM, SEL/50F12GM, SEL_50F12GM, SEL50F12GM.SYX, SEL-50F12GM.SYX) FE 50mm F/1.2 GM Lens Introducing the SEL50F12GM Full Frame Lens: A large aperture lens for stills and movies. Featuring an advanced optical design that includes three XA (extreme aspherical) elements for incredible corner-to-corner high-resolution, along with beautiful background defocus (bokeh). Four XD (Extreme Dynamic)  Linear Motors deliver fast, precise, and quiet autofocus and tracking in this compact-sized and lightweight Sony G Master lens. Internal focusing ensures the angle of view is stable during focusing (focus breathing minimised).An incredible lens for video, the SEL50F12GM delivers smooth, fast and continuous auto focus performance for movie shooting. Incredibly Sharp Three XA (extreme aspherical) elements ensure outstanding resolution in this F1.2 prime lens delivering high corner-to-corner resolution and beautiful bokeh, making this an excellent full frame lens for portraits, landscapes, starscapes and videography. Beautifully Smooth Backgrounds A circular 11-blade aperture on this 50mm lens creates beautiful circular background bokeh defocus effects with a large F1.2 aperture. Amazing Clarity and Contrast Even under strong sunlight and backlighting, Sony’s new Nano AR Coating II is evenly applied to the element surface, effectively minimising internal reflections so that flare and ghosting do not occur when using this FE lens. Fast and Precise Four XD (Extreme Dynamic) Linear Motors with their complex construction deliver faster and more accurate focusing than conventional lenses for both photography and videography. You won't miss a shot on this large aperture lens. Professional Ergonomics A dust and moisture resistant design, along with versatile controls on this Sony prime lens makes it ideal to use in the most difficult scenarios - both indoors and outdoors. Dynamic Perspectives The SEL50F12GM Sony lens offers excellent close-up performance with a wide angle of view.

Sony SEL35F14GM FE 35mm F/1.4 GM Lens

Sony SEL35F14GM (SEL-35F14GM, SEL/35F14GM, SEL_35F14GM, SEL-35F14GM.SYX, SEL35F14GM.SYX) FE 35mm F/1.4 GM Lens The FE 35mm F1.4 GM is a must-have for Sony’s E-mount users, as in combination with Sony’s camera bodies it boasts advanced focusing capabilities - perfect for a wide range of uses such as shooting landscapes, portraits and street photography, both stills and video. Superlative resolution in a compact lens Sony’s advanced optical design and manufacturing technology brings extraordinary resolution, gorgeous bokeh, and precision focus performance to a compact lens that fits comfortably in the palm of your hand, weighing a mere 524 grams and measuring just 76 mm dia. x 96 mm with a filter diameter of Φ67mm. The FE 35mm F1.4 GM boasts advanced optical technology that delivers stunning contrast and superb resolution. Two XA (extreme aspherical) elements effectively maintain superb resolution throughout the image area. The compact 35mm lens is not only mobile and manageable, it performs admirably in difficult lighting. An ED glass element and other optical refinements effectively suppress chromatic aberration and purple fringing for breathtaking results. Beautiful bokeh for broad expressive capability The FE 35mm F1.4 GM delivers an almost circular aperture thanks to its 11-blade construction – a rare level of quality for a mobile lens. Painstaking spherical aberration control at both the design and the manufacturing stages contributes to beautiful G Master bokeh that make subjects really stand out. Two innovative XA elements allow for impossibly impressive close-ups with smooth, creamy background bokeh. The combination of F1.4 maximum aperture and the flexibility to choose the perfect shooting distance (minimum focusing distance of just 27cm with a maximum magnification of 0.23x in autofocus mode) allows for ultimate control and stunning bokeh when shooting both stills and video. Advanced focus for enhanced imagery Two of Sony’s XD (extreme dynamic) Linear Motors provide the high thrust efficiency needed for precise AF (autofocus) and tracking - resulting in outstanding resolution at any distance. State-of-the-art control algorithms, developed specifically for the XD Linear Motors, improve control response and precision whilst minimising vibration and noise for fast, smooth and silent AF performance. Advanced focusing can also be achieved when shooting at a high frame rate. Linear Response MF is ideal for creative focusing effects when shooting video as it ensures the focus ring responds to subtle control when focusing manually. The focus ring rotation translates directly to a corresponding change in focus, so control feels immediate and precise. Professional control and reliability The FE 35mm F1.4 GM offers full professional control, with a focus hold button, focus mode switch to support smooth, efficient operation. An aperture ring with switchable click stops can be turned off for movie shooting, and when used on an APS-C camera or with a Super 35 angle of view, it can be used as a standard lens equivalent to 52.5mm, making the FE 35mm F1.4 GM the perfect choice for creating videos. The focus hold button can be assigned to several other functions via a camera body menu, providing direct access to functions that are vital to photographers and videographers alike. It was created to be reliable with a dust and moisture resistant design and a fluorine front element coating that repels water, oil, and other contaminants.

Sony ILME-FX3 FX3 Full-frame Cinema Line Camera

Sony ILME-FX3 (ILME/FX3, ILME_FX3, ILMEFX3, ILME FX3, ILMEFX3.CEC, ILME-FX3 Alpha FX3, ilme-fx3) FX3 Full-frame Cinema Line Camera (body only) Sony Alpha FX3 ILME-FX3, the most compact Cinema Line camera was designed for solo-shooting . With the internal cooling system the FX3 can extend the shooting time and will be able to cover a wider range of shooting situations.  It records outstanding 4K full frame quality at up to 120p with minimal rolling shutter, excellent low light capabilities (up to 409,800 ISO) and a wide dynamic range thanks to its 10.2 MP Exmor R CMOS sensor and new Bionz XR processor. It allows for more shooting expressions with the inclusion of S-LOG3 and S-CINETONE picture profiles defining a new era of Cinema line cameras from Sony. The Sony FX3 also provides more freedom for shooting videos with a fast and accurate Autofocus technology including Real-time Eye Autofocus,  Real-time touch tracking and customisable autofocus tracking sensitivity. It also includes a 5axis inbody stabilisation with Active Mode, which makes it ideal for handheld shots. On top of its small form factor, the Sony FX3 includes a detachable top-handle with XLR inputs for professional microphones or audio connections. The idea of a cage with the grip and screw options is already integrated in the body design, which is emphasizing the compact form factor. The Sony Cinema line FX3 is designed for the future of cinematic expressions. FX3 New Cinematic Freedom Sony's FX3 Cinema Line camera brings the visions of passionate content creators to life. Cinematic expression is matched with reliable performance and streamlined operation to serve the needs of today's creative community. Compact and lightweight, it's easy to carry and handle.  Full-frame image capture even in dim light The FX3's full-frame image sensor is coupled with innovative light-gathering techniques to let you capture clear and usable images even in dim light. The standard ISO sensitivity of 80-102400 for movies is expandable all the way up to 409600. Wide dynamic range, wider creative expression The FX3 offers an exceptional 15+ stops1 of dynamic range to handle settings ranging from well-lit interiors and outdoors in mid-day to morning and evening shots. Capture every nuance, and allow for unprecedented cinematic freedom in colour grading. Stunning bokeh and full-frame creativity Capture the scene in cinematic 4K resolution, with the shallow depth of field, stunning bokeh and cinematic freedom made possible with a full-frame sensor. Cinematic colour science of S-Cinetone S-Cinetone colour, developed for Sony’s acclaimed FX9, is the default look on the FX3 for cinematic expression. It's precisely tuned to meet the requirements of today's content creators, with rich colour and natural skin tones that match other Cinema Line cameras without grading.  4K 120fps with every frame in focus Even at high frame rates, detailed 4K imagery is captured thanks to the FX3's high-precision AF and high-speed readout capabilities. Slow and Quick (S&Q) mode gives you full control over the shooting frame rate, for beautiful motion sequences at up to 5x slow motion (with 24p output). 10-bit S-Log3 and HDR recording for smooth gradations S-Log3 gamma curve and S-Gamut3.Cine enable shooting with high-quality colour reproduction over a wide dynamic range, and they make it easy to match up footage with shots from other Cinema Line cameras during post-production. In addition, an HLG (Hybrid Log-Gamma) HDR picture profile enables direct HDR (HLG) playback on compatible TVs with no post-production. 16-bit RAW HDMI output For demanding post-production workflows, 16-bit RAW output3 is available over HDMI connection to compatible external recorders while XAVC HS 4K, XAVC S 4K, or XAVC S-I 4K, and proxy, files are simultaneously captured in-camera. RAW video output is 4264 x 2408 [16:9] resolution, exceeding DCI-4K resolution4. Enjoy rich detail and realistic colour The FX3 is capable of 4K internal recording, 10-bit depth and 4:2:2 colour sampling with All Intra on top of Long-GOP compression. This makes it possible to push your colour grades further while still retaining natural gradation, for true editing freedom.    [1] All-Intra (All-I)   [2] Long-GOP   [3] Group of Pictures Designed for comfortable solo shooting Dependable, highly accurate autofocus The wide-area AF with intelligent tracking uses focal-plane phase-detection for tenacious subject tracking across almost the entire frame5. The Fast Hybrid AF system delivers precise focusing even when shooting at a shallow depth of field and at high frame rates of 120p in 4K (QFHD)2. Sophisticated tracking AF for steady focus Sophisticated tracking features keep your subject in steady focus, so you can concentrate on composition. Real-time Eye AF ensures precise focus on the face and eyes, while Real-time Tracking is powered by Sony's unique AI-based subject recognition algorithms. Smooth transitions and touch focus control The FX3 includes AF Transition Speed in seven settings, to easily create rack focus, and five AF Subject Shift Sensitivity settings, which allows the user to customise how easily AF will switch or stay with the locked-on subject. You can also select the subject you want to focus on simply by touching the LCD monitor. High-performance E-mount lenses for movies Experience smooth, responsive autofocus with Sony's E-mount lenses, with premium optical performance and operability for demanding cinematography applications. The unique linear-drive actuator technology in Sony's E-mount lenses provides smoother, more precise and tenacious AF performance to support your creative endeavors. High-mobility performance wherever you go With its compact size and light weight, the FX3 is designed for high mobility. The attached handle and cage-free accessory mounting holes make for fast setup, fluid shooting and quick pack-down. The main body and covers are constructed from a lightweight magnesium alloy to enhance durability and performance even in challenging environments. Attachable XLR handle A handle equipped with an XLR adaptor with two full size XLR terminals can be attached to the Multi Interface (MI) Shoe on the camera for more comfortable and stable camerawork in difficult shooting situations, such as low-position shots. In-camera image stabilisation Active Mode6,7,8 is an optical in-body 5-axis image stabilisation system that provides increased stabilisation for movie shooting. To preserve image quality, the gyroscope sensor accurately measures camera shake and compensates optically. This makes stable video possible even when shooting hand-held without gimbal use, while walking, and at 4K resolution.  [1, 2] angular shake (pitch and yaw) [3, 4] shift shake (X and Y axes), [5] rotational shake (roll on Z axis) Image stabilisation and easier editing with Catalyst Camera-shake metadata is recorded by the built-in gyro, allowing handheld footage to be smoothed out and stabilised in post-production. Using Sony's Catalyst Browse / Catalyst Prepare desktop application9 you can easily balance automated shake-compensation and image-trimming levels. Catalyst can also make effective use of recorded camera-rotation data. Expandability and operability for content creators Front and rear tally lamps Tally lights on the front and rear of the FX3 indicate whether the camera is recording at any given moment. They are clearly visible to both the camera operator and the person performing in front of the camera. Vari-angle LCD touch-panel monitor The 3.0-type (1.44 million-dot10) LCD touch-screen panel features a side-opening design to allow flexible positioning and improved visibility when the camera is mounted on gimbals. Touch-panel support also provides intuitive menu control for many camera settings. Essential controls for efficient solo shooting In addition to six customisable buttons, frequently used controls are within easy one-handed reach, leaving your other hand free for lens operation or balance. And usability is enhanced by multiple screw holes on the body and handle, allowing accessories to be attached directly. Uninterrupted 4K/60p recording For uninterrupted 4K/60p11 recording, the FX3 is designed with an innovative heat dissipation system. Heatsink placement, airflow structure and a silent cooling fan work to optimise cooling even during long shoots. XLR adaptor and digital input for quality audio In addition to the camera's convenient built-in microphone, a variety of professional microphones can be connected externally via the full-size XLR connectors on the handle through a digital audio interface via Multi Interface (MI) Shoe. Three recording formats can be selected, including 24-bit 4-channel. Digital audio recording is also possible by attaching a digital microphone such as the ECM-B1M even when the handle is not used. Dual high-speed media slots Designed for next-generation filmmaking requirements, CFexpress Type A cards support high bit-rate recording. The camera's slots are ready for CFexpress Type A as well as conventional SDXC UHS-I and UHS-II cards, and having two identical media slots makes relay or backup shooting possible. Remote camera control and network transfer A network connection, via Wi-Fi® or wired via a USB type C connector, provides support for remote control from smartphones or tablets, with either NFC one-touch or manual pairing. Remote shooting can be controlled from a PC with Sony's Imaging Edge Desktop™ application, or from a mobile device with Imaging Edge Mobile™. And captured still and movie files can be transferred using high-speed FTP. Remote preview, shooting and streaming Either wired or wireless remote shooting is available from a PC, or from a mobile device with Imaging Edge Mobile installed, for more efficient workflows and shooting in challenging environments. Imaging Edge Webcam™ enables high-image-quality online video communication.

Sony Alpha 1 Mirrorless Digital Camera (Body Only)

Sony ILCE1B.CEC (ILCE-1, ILCE-1/B, ILCE1B a1, Alpha1, ilce1b.cec, alpha 1) Alpha 1 Mirrorless Digital Camera (Body Only) 50.1 megapixel17 Exmor RS image sensor The α1 features a full-frame stacked back-illuminated CMOS Exmor RS™ sensor with 50.1 effective megapixels and integrated memory. In addition to delivering outstanding image quality, this allows the α1 to shoot continuously at up 30 frames per second while offering fast, precise phase-detection AF and top-quality 8K movies with full-frame 8.6K oversampling for the first time in the α series. Unprecedented performance for a new era of image making. Advanced BIONZ XR engine boosts speed by up to 8x18 The α1 features a revised system architecture with greatly enhanced processing performance from image capture through all signal processing stages. Processing latency is minimised while image processing power is dramatically increased for extraordinary image quality. User interface, network, and file management processing is distributed so that fast, stress-free control response is maintained regardless of real-time processing load. Continuous shooting at up to 30 fps19 High speed readout from the 50.1-megapixel image sensor and a large buffer memory make it possible to shoot up to approximately 165 full-frame JPEG images20 or 155 full-frame compressed RAW images21 at up to 30 frames per second19 with the electronic shutter while maintaining full AF and AE tracking performance. This can be a huge confidence-booster when timing is critical for sports and other moving subjects. Blackout-free shooting The α1 viewfinder does not black out when an exposure is made, so you have an uninterrupted view that allows smooth, seamless framing and tracking even during continuous shooting. High readout speed from the new image sensor makes it possible to refresh the live-view EVF display 24022 times per second while shooting continuous bursts, overcoming the distracting time lag that is usually associated with EVF viewing.  (A) Blackout-free Shooting  (B) Shooting with blackouts Silent, vibration-free electronic shutter The electronic shutter23 operates silently, without mechanical noise that can be disruptive when shooting sports or events in a quiet environment. The electronic shutter is also vibration-free, minimising the likelihood of vibration-induced blur and further contributing to superior image quality. And since it has no moving components the electronic shutter is much more durable than any mechanical counterpart. Anti-flicker shooting with electronic shutter High-speed readout from the new image sensor has made it possible to provide Anti-flicker Shooting with an electronic shutter for the first time24. This enables blackout-free shooting, up to 120 AF/AE tracking calculations per second, up to 30 fps continuous shooting25, silent shooting, and other advantages of the electronic shutter without flicker issues when shooting under fluorescent, LED or other flicker-prone types of artificial light.  Anti-flicker [1] ON  [2] OFF Electronic shutter flash sync + high-speed mechanical sync For the first time in an α camera, electronic shutter flash sync is possible thanks to high readout speed from the stacked CMOS sensor. All electronic shutter advantages are available at up to 1/200 sec. If you need even more speed a new mechanical shutter system allows flash sync up to 1/400 sec. (1/500 sec. APS-C), making it easier to capture dynamic action and opening the door to new creative possibilities. High resolution and sensitivity with 15-stop  dynamic range The α1 employs highly efficient noise reduction processing to deliver extraordinary resolution from its 50.1 effective megapixel image sensor. That resolution is complemented by high sensitivity with low noise, plus approximately 15 stops26 of dynamic range at lower sensitivities for smooth, natural gradations from shadows to highlights. Wide sensitivity range Even with this sensor’s high pixel count, its back-illuminated structure, gapless on-chip lenses, AR-coated seal glass and other original imaging technologies work with the new BIONZ XR image processing engine to deliver high resolution and low noise throughout a wide sensitivity range: ISO100~32000 standard, expandable to ISO50~10240027. New Real-time Eye AF bird mode In addition to Real-time Eye AF for humans and animals, the α1 employs high-level subject recognition technology to provide Real-time Eye AF for birds29. Select the bird to be tracked, and the camera will automatically detect and focus on that bird’s eye whether the bird is still or in flight. Optimized algorithms ensure that tracking is maintained even if a sitting bird suddenly takes flight, or the framing suddenly changes30. 5-axis optical in-body image stabilization for a 5.5-step28 shutter speed advantage A high-precision stabilization unit and gyro sensors, plus optimized image stabilization algorithms, achieve up to a 5.5-step shutter speed advantage, maximizing the quality of the high-resolution images derived from the camera’s 50.1-megapixel sensor. The α1 also features an Active Mode that offers outstanding stabilization for handheld movie shooting.  [1] Yaw  [2] Pitch  [3] Roll Use Creative Look to create moods in camera A selection of new Creative Looks makes it easy to create interesting moods for stills and movies right in the camera. 10 Creative Looks are provided as presets with different combinations of colour, colour depth, brightness, contrast, sharpness, and more. The presets can be used as they are or customised by the user. Customised Creative Looks can be stored as Custom Looks for later recall and use. 759 point full-area phase detection AF 75931 phase detection points in a high-density focal plane phase-detection AF system cover approximately 92% of the image area, ensuring accuracy and unfailing focus in scenes where focusing might otherwise be difficult. The 759-point focal plane phase-detection AF system works with a 425-point contrast AF system to ensure precise AF operation in any environment. Stunning realism with 8K 30p movies For the first time in the α series, the α1 offers 8K 30p32 XAVC HS recording with 8.6K oversampling for extraordinary resolution and realism. Combined with superior α1 AF, gradation, and colour reproduction performance, 8K resolution brings the world to life. 8K footage is also ideally suited to flexible 4K editing. Low-bit-rate proxy files with HD resolution can be recorded simultaneously with 8K. Tenacious Real-time Tracking The α1 includes AI-based Real-time Tracking that automatically maintains accurate focuswhile the shutter button is half-pressed. A newly developed subject recognition algorithm uses colour, pattern (brightness), and subject distance (depth) data to process spatial information in real time at high speed. α1 Real-time Tracking is faster, more accurate, and more tenacious than ever before. Full pixel readout without binning for high-res 4K Full frame and Super 35 formats can be selected for 4K movie recording. Full pixel readout in the Super 35 mode (approx. APS-C 16:9), without the need for pixel binning, makes it possible to condense approximately 2.3 times the amount of data required for 4K movies, resulting in high-resolution, high-detail 4K with minimal moiré and jaggies. Bit rates up to 600 Mbps can be used for 4K XAVC HS, XAVC S, and XAVC S-I recording.  (A) 2.3 times information S-Log3 and 10-bit HLG deliver extra depth The S-Log3 gamma curve makes it possible to achieve 15+ stops of dynamic range, while the S-Gamut3 and S-Gamut3.Cine colour gamut settings make it easy to match α1 footage with footage shot on the VENICE digital cinema camera, PXW-FX9, and other professional camcorders. An HLG (Hybrid Log-Gamma) picture profile is also provided, allowing direct playback on an HDR (HLG) compatible TV without the need for colour grading. 4K movie recording at up to 120 frames per second The α1 offers in-camera 4K recording at up to 120 frames per second33. Extraordinarily smooth 5x (max.) slow-motion imagery34 at 4K resolution provides new expressive capability. In addition to supporting 10-bit 4:2:2 recording, this feature can be used with efficient Long GOP inter-frame compression or high-quality Intra (All-I) intra-frame compression. Effective heat-dissipation for extended recording A newly developed heat dissipating structure keeps image sensor and image processing engine temperatures within their normal operating range, preventing overheating while maintaining compact body dimensions. This makes it possible to record 8K/30p or 4K/60p videos10-bit 4:2:0 video continuously for more than 30 minutes. S-Cinetone for that expressive cinematic look The α1 includes S-Cinetone, the same colour matrix that produces the highly regarded FX9 and FX6 colour and skin tones. Based on technology acquired through development of Cinema Line cameras such as VENICE, S-Cinetone delivers natural mid-tones that are essential to healthy-looking skin colour, plus soft colours and gorgeous highlights. S-Cinetone responds to a growing need for more expressive depth. 16-bit RAW output The α1 allows 16-bit RAW output to an external recorder via HDMI for maximum post-production flexibility. Full-frame 4332 x 2448 16-bit image output easily covers 4096 x 2048 DCI-4K, with a choice of frame rates and colour spaces. It is also possible to output RAW via HDMI while recording XAVC HS 4K, XAVC S 4K, or XAVC S-I 4K to internal card media. Proxy recording is also available. Seamlessly switch full-frame and APS-C formats M and S size images have the same number of pixels in the full-frame and APS-C modes36, so you can switch seamlessly between full-frame [M:M21] and APS-C [M:M21], for example, while shooting the same scene. And because the full array of 759 phase detection points is available in APS-C mode as well as full-frame mode, you get the same smooth AF performance.  [1] Full Frame  [2] APS-C Independent still and movie settings A subset of the camera’s shooting settings now change according to the selected shooting mode. This can be an advantage when you want to use different aperture, shutter speed, and other settings for shooting stills and movies. The available settings are: Aperture, Shutter Speed, Exposure Compensation, ISO Sensitivity, Metering Mode, White Balance, and Picture Profile. Pan shots with electronic shutter Using electronic shutter at low shutter speeds can reduce display response, making it difficult to follow fast subjects. Turn [Low Frame Rate Limit] ON when shooting at a shutter speed lower than 1/60 to insert blackout frames at an appropriate frame rate to improve display response and make it easier to follow the subject without display lag35. Built-in Wi-Fi supports 2x2 MIMO Built-in wireless LAN allows communication on the 2.4 GHz and 5 GHz38 bands, the latter with 2x2 MIMO support (IEEE 802.11a/b/g/n/ac) for industry-leading speed. Dual antennas ensure reliable communication, even with the camera’s durable magnesium alloy chassis. 5 GHz communication can be a notable advantage for news and sports shooters who need to deliver with reliable speed. Fast USB Type-C and 1000BASE-T network connections A USB Type-C® connector that supports fast SuperSpeed USB 10Gbps (USB 3.2) data transfer is provided. This makes high-speed PC Remote (tethered) data transfer available for smooth handling of large image files. The α1 also has a built-in 1000BASE-T LAN connector for high-speed, stable data transfers, including remote shooting. FTPS (File Transfer over SSL/TLS) is supported, allowing SSL or TLS encryption for increased data security. High-resolution viewfinder with the widest view in its class A 9.44 million-dot (approx.) electronic viewfinder with high-definition OLED display and refined optics delivers the highest resolution in its class37. It also offers 0.90x viewfinder magnification, a 41° diagonal FOV, and a 25mm high eyepoint for clear, low-distortion viewing from corner to corner. This advanced viewfinder also features up to 240 fps refresh rate with UXGA FOV for super-smooth display. HEIF: High compression with excellent image quality In addition to a versatile range of RAW and JPEG formats, the α1 includes the HEIF (High Efficiency Image File) format for smooth 10-bit gradations that provide more realistic reproduction of skies and portrait subjects where subtle, natural gradation is essential. The advanced compression technology used by the HEIF format also maintains image quality that is on a par with the best JPEGs, with approximately twice the compression. Comprehensive touch operation A revised menu structure provides easier navigation, and touch-responsive menu operation offers faster, more intuitive control. All main and function menus are touch responsive. Even more intuitive control is provided by Touch Focus and Touch Tracking. With Touch Tracking enabled, all you have to do is touch a subject on the monitor to initiate Real-time Tracking for that subject, for both stills and movies. Lossless compression plus “Light” JPEG In addition to compressed and uncompressed RAW, The α1 includes efficient lossless compression with minimal quality degradation. There is also a new “Light” JPEG size setting that results in smaller files than the “Standard” setting, allowing faster deliver for news and sports photographers who depend on speed. Two CFexpress Type A compatible media slots The α1 has two media slots that both support UHS-I and UHS-II SDXC/SDHC cards as well as new CFexpress Type A cards for higher overall capacity and faster read/write speeds. CFexpress Type A cards are ideally suited to high-speed continuous still shooting as well as high-resolution, high-bitrate movie recording. Recorded stills and movies can be saved to the memory media in numerous ways, to match a wide range of applications and needs.

Sony ILME-FX6V FX6 Full-Frame Cinema Camera Body Only package c

Sony ILME-FX6V (ILMEFX6VDI.EU, ILME-FX6 Alpha, FX6 ILME-FX6, PXW-FX6, pxw-fx6) FX6 Full-Frame Cinema Camera Body Only Package c © includes: 1x Sony ILME-FX6V FX6 Full-Frame Cinema Camera Body Only (ILME-FX6V) 1x Sony 128GB 300MB/s SDXC UHS-II TOUGH SD Card (SFG1TG)   1x Hedbox HED-BP95D Pro Battery Pack for SONY 6700mAh Li-Ion Battery (HED-BP95D) 1x Camrade CAM-R&GB-MEDIUM run&gunBag Medium Capture the impossible with expanded ISO sensitivity Capture usable images in near total darkness with an impressive ISO expanded range up to 4096001. The full-frame sensor coupled with innovative light gathering ensures limitless shooting possibilities. Stunning bokeh and full-frame creativity Realise beautiful 4K imagery with the creative freedom made possible by a full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh for a truly cinematic look. Cinematic colour science with S-Cinetone S-Cinetone colour, developed for Sony’s acclaimed FX9, is the default look on the FX6. Precisely tuned to meet the requirements of today’s content creators with rich colour and natural skin tones, it produces fresh and vivid images straight out of camera without grading, while retaining plenty of latitude for post production. Large pixels deliver high sensitivity and low noise The full-frame, back-illuminated, 10.2-megapixel2 Exmor R™ CMOS image sensor offers impressive light-gathering capability. Fast readout speeds and a dynamic range of 15+ stops3 deliver superb image quality with wide sensitivity and reduced noise. Powerful BIONZ XRTM image processor  The BIONZ XR image processing engine matches the sensor’s high-speed readout with enormous processing power. Built with a future-oriented architecture, it delivers high quality images faster and dramatically improves camera interface responsiveness. Impressive dynamic range for limitless expression At its base sensitivity of ISO8004, the FX6 offers optimal dynamic range for well-lit interiors and outdoor documentary shooting. An enhanced ISO 128004 sensitivity is designed for challenging low-light, morning and evening shots. The FX6 offers an exceptional 15+ stops3 of dynamic range ‒ beyond the perception of even the human eye in many conditions ‒ allowing for unprecedented creative freedom in colour grading and post. Fast Hybrid AF for accuracy and tenacity The wide-area AF uses intelligent tracking and on-sensor phase-detection for tenacious subject tracking across almost the entire frame (6275-point focal plane phase-detection AF covers approx. 89% of the image area). The hybrid AF system delivers precise focusing even when shooting at shallow depths of field and at 120p high frame rates in 4K (QFHD)6. Real-time Eye AF and Face Detection supported Real-time Eye AF and Face Detection ensure accurate, stable focus acquisition for interviews, events, and anywhere where precise focus on people is essential. Sophisticated real-time processing realises pinpoint eye focus even when subjects are looking down or up at steep angles, allowing the operator to concentrate fully on composing the best shot. Powerful focus control for solo shooters With AF Transition Speed selectable over 7 levels, and AF Subject Shift Sensitivity over 5 levels, you can better convey your creative intentions when switching subjects or, for example, rack focusing. Lens-ring AF subject selection When the AF Assist function is ON, rotating the focus ring instantly switches from autofocus to manual focus so that a different subject can be quickly selected. Autofocus operation resumes as soon as the user stops rotating the lens focus ring. Auto focus area/position For auto focus, you can set the target areaamong Flexible Spot, Zone, Wide and changethe position of the target area quickly duringshooting by simply touching the LCD monitor. 4K7 120fps with every frame in focus High Frame Rate shots can turn everyday action into a visual feast of elegant movement. The FX6 captures up to 120 frames per second (fps) at the 4K (QFHD) resolution. Slow and Quick (S&Q) modes give you full control over the captured frame rate from 1 to 120fps, allowing precise motion narratives, and up to a beautiful 5x Super Slow Motion (24fps output). Autofocus with Sony E-mount lenses Experience smooth, responsive autofocus with Sony E-mount lenses, with premium optical performance and operability for demanding cinematography applications. Unique actuator technology in Sony E-mount lenses provides faster and more precise AF performance, supporting your creative endeavors. Built-in electronic Variable ND Filter The FX6 features Sony’s unique built-in electronic Variable Neutral Density (ND) filter. Unlike conventional optical ND Filters, the electronic ND Filter on the FX6 can be controlled from 1/4ND to 1/128ND linearly, or set to auto. Ideal in changeable environments, there’s no need to change filters as lighting conditions change or to maintain your depth of field. Lightweight, modular and robust Despite its amazingly light 0.89kg body, the magnesium-alloy FX6 is more than tough enough for the rigours of real-world shooting. A detachable Smart Grip puts key functions at your fingertips and is easily adjustable with a single button. Grab and shoot mobility Ideal for low angle shooting, the smart handle is part of the FX6’s modular design. It’s easy to reconfigure for any application, including mounting in a gimbal, drone, or underwater housing. Magnesium body and frame for high durability with light weight To perform reliably in challenging environments, the main body, covers and top handle are made from a production-tested, lightweight magnesium alloy. The main frame achieves high strength and durability with minimum weight in order to maximise mobility. Architecture to prevent thermal shut down The custom ventilation system and chassis design help to prevent the thermal shut down of shooting8 at high frame rates and 4K (QFHD) resolutions. The number of heat sinks, the shape of air intakes and exhaust vents as well as the location of the low-noise fan9, and airflow paths have all been calculated with precision to ensure that optimum ventilation is achieved. 10-bit 4:2:2 recording Record right on the camera with the amazing richness of 10-bit depth and 4:2:2 colour sampling, for far greater flexibility in image grading, post-processing and compositing. All-Intra encoding available As well as Long GOP, internal All-Intra encoding is now provided. This encodes every frame independently at bitrates up to 600Mbps, to capture complex motion more accurately, and allow more efficient editing workflows. [1] All-Intra (All-I)  [2] Long GOP  [3] Group of Pictures 16-bit RAW SDI output  For demanding post-production workflows, 16-bit RAW output is available via SDI connection to compatible external recorders while XAVC-I files are simultaneously captured in-camera. RAW video output is 4096x2160 or 3840x2160 data from the image sensor with a choice of 59.94 / 50 / 29.97 / 25 / 24 / 23.98 frame rates10. Shooting modes that match creator workflows The FX6 offers shooting modes with preset looks like S-Cinetone that produce great-looking shots in-camera, or S-Log3 / S-Gamut3 with Cine-EI mode that capture perfectly-exposed images for post production. Scene File function allows easy look changes on-site Four preset scene file types are available for SDR shooting (S-Cinetone, Standard, Still, ITU709) and two for HDR (HLG Live, HLG Natural) plus 16 slots for imported user 3D LUTs for your preferred look without post production. Remarkable smart grip and smart handle Sony’s ergonomic Smart Grip and Smart Handle feature easy one-button adjustment. With zoom, record, and assignable control buttons, as well as a dial suitable for iris control, you can comfortably operate for hours. Professional connectivity A wide range of professional interfaces is available including 12G-SDI and HDMI outputs11, a remote interface, TC connectors for multi-camera sync, and SuperSpeed USB 5Gbps (USB 3.2) to support fluid data workflows. Multi-Interface (MI) Shoe Sony’s Multi-Interface (MI) Shoe provides power, signal and switching connections to compatible Sony accessories, including for example wireless microphone systems such as the UWP-D21 or UWP-D2212. Support for four-channel audio input and recording Four-channel audio input allows simultaneous capture of external microphones and the built-in microphone. UWP wireless microphones or XLR audio adaptors such as the XLR-K3M can also be used with the MI Shoe. Dual XLR inputs and enhanced audio capability The handle of the FX6 has two independent audio inputs, easy-access XLR connectors to connect external professional microphones. UWP series wireless microphones may also be connected via the MI Shoe. High-definition 2.76 million-dot13 flexible LCD panel The 3.5-inch LCD screen allows precise manual focusing in challenging shooting conditions. Flexible positioning of both mounting locations and angles allows comfortable shooting to suit varied preferences and rigging. Quick menu control with touch operation The LCD screen has a quick access control menu. With a single touch, you can change codec, imager scan mode, picture size and frequency, base ISO/sensitivity, shooting mode and audio levels. Dual CFexpress Type A-compatible media slots Dual media slots support CFexpress Type A cards14, along with conventional SDXC UHS-I and UHS-II cards, for fast buffer clearance and data management. Simultaneous, relay, interval and proxy modes are supported. Networked for high mobility Wi-Fi® connectivity enables a host of advanced wireless production features such as remote control via smartphones or tablets and the Content Browser Mobile app. Connect easily with either NFC one-touch or manual pairing. Metadata facilitates editing in Catalyst  The FX6 records three types of metadata: image stabilisation, clip flag, and camera rotation. These can be useful when previewing and preparing to edit in Sony’s free Catalyst Browse or cost-effective Catalyst Prepare software.

Sony ILME-FX6V FX6 Full-Frame Cinema Camera Body Only package b

Sony ILME-FX6V (ILMEFX6VDI.EU, ILME-FX6 Alpha, FX6 ILME-FX6, PXW-FX6, pxw-fx6) FX6 Full-Frame Cinema Camera Body Only package b © includes: 1x Sony ILME-FX6V FX6 Full-Frame Cinema Camera Body Only (ILME-FX6V) 1x Sony 128GB 300MB/s SDXC UHS-II TOUGH SD Card (SFG1TG) 1x Hedbox HED-BP95D Pro Battery Pack for SONY 6700mAh Li-Ion Battery (HED-BP95D) Capture the impossible with expanded ISO sensitivity Capture usable images in near total darkness with an impressive ISO expanded range up to 4096001. The full-frame sensor coupled with innovative light gathering ensures limitless shooting possibilities. Stunning bokeh and full-frame creativity Realise beautiful 4K imagery with the creative freedom made possible by a full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh for a truly cinematic look. Cinematic colour science with S-Cinetone S-Cinetone colour, developed for Sony’s acclaimed FX9, is the default look on the FX6. Precisely tuned to meet the requirements of today’s content creators with rich colour and natural skin tones, it produces fresh and vivid images straight out of camera without grading, while retaining plenty of latitude for post production. Large pixels deliver high sensitivity and low noise The full-frame, back-illuminated, 10.2-megapixel2 Exmor R™ CMOS image sensor offers impressive light-gathering capability. Fast readout speeds and a dynamic range of 15+ stops3 deliver superb image quality with wide sensitivity and reduced noise. Powerful BIONZ XRTM image processor  The BIONZ XR image processing engine matches the sensor’s high-speed readout with enormous processing power. Built with a future-oriented architecture, it delivers high quality images faster and dramatically improves camera interface responsiveness. Impressive dynamic range for limitless expression At its base sensitivity of ISO8004, the FX6 offers optimal dynamic range for well-lit interiors and outdoor documentary shooting. An enhanced ISO 128004 sensitivity is designed for challenging low-light, morning and evening shots. The FX6 offers an exceptional 15+ stops3 of dynamic range ‒ beyond the perception of even the human eye in many conditions ‒ allowing for unprecedented creative freedom in colour grading and post. Fast Hybrid AF for accuracy and tenacity The wide-area AF uses intelligent tracking and on-sensor phase-detection for tenacious subject tracking across almost the entire frame (6275-point focal plane phase-detection AF covers approx. 89% of the image area). The hybrid AF system delivers precise focusing even when shooting at shallow depths of field and at 120p high frame rates in 4K (QFHD)6. Real-time Eye AF and Face Detection supported Real-time Eye AF and Face Detection ensure accurate, stable focus acquisition for interviews, events, and anywhere where precise focus on people is essential. Sophisticated real-time processing realises pinpoint eye focus even when subjects are looking down or up at steep angles, allowing the operator to concentrate fully on composing the best shot. Powerful focus control for solo shooters With AF Transition Speed selectable over 7 levels, and AF Subject Shift Sensitivity over 5 levels, you can better convey your creative intentions when switching subjects or, for example, rack focusing. Lens-ring AF subject selection When the AF Assist function is ON, rotating the focus ring instantly switches from autofocus to manual focus so that a different subject can be quickly selected. Autofocus operation resumes as soon as the user stops rotating the lens focus ring. Auto focus area/position For auto focus, you can set the target areaamong Flexible Spot, Zone, Wide and changethe position of the target area quickly duringshooting by simply touching the LCD monitor. 4K7 120fps with every frame in focus High Frame Rate shots can turn everyday action into a visual feast of elegant movement. The FX6 captures up to 120 frames per second (fps) at the 4K (QFHD) resolution. Slow and Quick (S&Q) modes give you full control over the captured frame rate from 1 to 120fps, allowing precise motion narratives, and up to a beautiful 5x Super Slow Motion (24fps output). Autofocus with Sony E-mount lenses Experience smooth, responsive autofocus with Sony E-mount lenses, with premium optical performance and operability for demanding cinematography applications. Unique actuator technology in Sony E-mount lenses provides faster and more precise AF performance, supporting your creative endeavors. Built-in electronic Variable ND Filter The FX6 features Sony’s unique built-in electronic Variable Neutral Density (ND) filter. Unlike conventional optical ND Filters, the electronic ND Filter on the FX6 can be controlled from 1/4ND to 1/128ND linearly, or set to auto. Ideal in changeable environments, there’s no need to change filters as lighting conditions change or to maintain your depth of field. Lightweight, modular and robust Despite its amazingly light 0.89kg body, the magnesium-alloy FX6 is more than tough enough for the rigours of real-world shooting. A detachable Smart Grip puts key functions at your fingertips and is easily adjustable with a single button. Grab and shoot mobility Ideal for low angle shooting, the smart handle is part of the FX6’s modular design. It’s easy to reconfigure for any application, including mounting in a gimbal, drone, or underwater housing. Magnesium body and frame for high durability with light weight To perform reliably in challenging environments, the main body, covers and top handle are made from a production-tested, lightweight magnesium alloy. The main frame achieves high strength and durability with minimum weight in order to maximise mobility. Architecture to prevent thermal shut down The custom ventilation system and chassis design help to prevent the thermal shut down of shooting8 at high frame rates and 4K (QFHD) resolutions. The number of heat sinks, the shape of air intakes and exhaust vents as well as the location of the low-noise fan9, and airflow paths have all been calculated with precision to ensure that optimum ventilation is achieved. 10-bit 4:2:2 recording Record right on the camera with the amazing richness of 10-bit depth and 4:2:2 colour sampling, for far greater flexibility in image grading, post-processing and compositing. All-Intra encoding available As well as Long GOP, internal All-Intra encoding is now provided. This encodes every frame independently at bitrates up to 600Mbps, to capture complex motion more accurately, and allow more efficient editing workflows. [1] All-Intra (All-I)  [2] Long GOP  [3] Group of Pictures 16-bit RAW SDI output  For demanding post-production workflows, 16-bit RAW output is available via SDI connection to compatible external recorders while XAVC-I files are simultaneously captured in-camera. RAW video output is 4096x2160 or 3840x2160 data from the image sensor with a choice of 59.94 / 50 / 29.97 / 25 / 24 / 23.98 frame rates10. Shooting modes that match creator workflows The FX6 offers shooting modes with preset looks like S-Cinetone that produce great-looking shots in-camera, or S-Log3 / S-Gamut3 with Cine-EI mode that capture perfectly-exposed images for post production. Scene File function allows easy look changes on-site Four preset scene file types are available for SDR shooting (S-Cinetone, Standard, Still, ITU709) and two for HDR (HLG Live, HLG Natural) plus 16 slots for imported user 3D LUTs for your preferred look without post production. Remarkable smart grip and smart handle Sony’s ergonomic Smart Grip and Smart Handle feature easy one-button adjustment. With zoom, record, and assignable control buttons, as well as a dial suitable for iris control, you can comfortably operate for hours. Professional connectivity A wide range of professional interfaces is available including 12G-SDI and HDMI outputs11, a remote interface, TC connectors for multi-camera sync, and SuperSpeed USB 5Gbps (USB 3.2) to support fluid data workflows. Multi-Interface (MI) Shoe Sony’s Multi-Interface (MI) Shoe provides power, signal and switching connections to compatible Sony accessories, including for example wireless microphone systems such as the UWP-D21 or UWP-D2212. Support for four-channel audio input and recording Four-channel audio input allows simultaneous capture of external microphones and the built-in microphone. UWP wireless microphones or XLR audio adaptors such as the XLR-K3M can also be used with the MI Shoe. Dual XLR inputs and enhanced audio capability The handle of the FX6 has two independent audio inputs, easy-access XLR connectors to connect external professional microphones. UWP series wireless microphones may also be connected via the MI Shoe. High-definition 2.76 million-dot13 flexible LCD panel The 3.5-inch LCD screen allows precise manual focusing in challenging shooting conditions. Flexible positioning of both mounting locations and angles allows comfortable shooting to suit varied preferences and rigging. Quick menu control with touch operation The LCD screen has a quick access control menu. With a single touch, you can change codec, imager scan mode, picture size and frequency, base ISO/sensitivity, shooting mode and audio levels. Dual CFexpress Type A-compatible media slots Dual media slots support CFexpress Type A cards14, along with conventional SDXC UHS-I and UHS-II cards, for fast buffer clearance and data management. Simultaneous, relay, interval and proxy modes are supported. Networked for high mobility Wi-Fi® connectivity enables a host of advanced wireless production features such as remote control via smartphones or tablets and the Content Browser Mobile app. Connect easily with either NFC one-touch or manual pairing. Metadata facilitates editing in Catalyst  The FX6 records three types of metadata: image stabilisation, clip flag, and camera rotation. These can be useful when previewing and preparing to edit in Sony’s free Catalyst Browse or cost-effective Catalyst Prepare software.

Sony ILME-FX6V FX6 Full-Frame Cinema Camera Body Only package a

Sony ILME-FX6V (ILMEFX6VDI.EU, ILME-FX6 Alpha, FX6 ILME-FX6, PXW-FX6, pxw-fx6) FX6 Full-Frame Cinema Camera Body Only package a © includes: 1x Sony ILME-FX6V FX6 Full-Frame Cinema Camera Body Only (ILME-FX6V) 1x Sony 128GB 300MB/s SDXC UHS-II TOUGH SD Card (SFG1TG) Capture the impossible with expanded ISO sensitivity Capture usable images in near total darkness with an impressive ISO expanded range up to 4096001. The full-frame sensor coupled with innovative light gathering ensures limitless shooting possibilities. Stunning bokeh and full-frame creativity Realise beautiful 4K imagery with the creative freedom made possible by a full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh for a truly cinematic look. Cinematic colour science with S-Cinetone S-Cinetone colour, developed for Sony’s acclaimed FX9, is the default look on the FX6. Precisely tuned to meet the requirements of today’s content creators with rich colour and natural skin tones, it produces fresh and vivid images straight out of camera without grading, while retaining plenty of latitude for post production. Large pixels deliver high sensitivity and low noise The full-frame, back-illuminated, 10.2-megapixel2 Exmor R™ CMOS image sensor offers impressive light-gathering capability. Fast readout speeds and a dynamic range of 15+ stops3 deliver superb image quality with wide sensitivity and reduced noise. Powerful BIONZ XRTM image processor  The BIONZ XR image processing engine matches the sensor’s high-speed readout with enormous processing power. Built with a future-oriented architecture, it delivers high quality images faster and dramatically improves camera interface responsiveness. Impressive dynamic range for limitless expression At its base sensitivity of ISO8004, the FX6 offers optimal dynamic range for well-lit interiors and outdoor documentary shooting. An enhanced ISO 128004 sensitivity is designed for challenging low-light, morning and evening shots. The FX6 offers an exceptional 15+ stops3 of dynamic range ‒ beyond the perception of even the human eye in many conditions ‒ allowing for unprecedented creative freedom in colour grading and post. Fast Hybrid AF for accuracy and tenacity The wide-area AF uses intelligent tracking and on-sensor phase-detection for tenacious subject tracking across almost the entire frame (6275-point focal plane phase-detection AF covers approx. 89% of the image area). The hybrid AF system delivers precise focusing even when shooting at shallow depths of field and at 120p high frame rates in 4K (QFHD)6. Real-time Eye AF and Face Detection supported Real-time Eye AF and Face Detection ensure accurate, stable focus acquisition for interviews, events, and anywhere where precise focus on people is essential. Sophisticated real-time processing realises pinpoint eye focus even when subjects are looking down or up at steep angles, allowing the operator to concentrate fully on composing the best shot. Powerful focus control for solo shooters With AF Transition Speed selectable over 7 levels, and AF Subject Shift Sensitivity over 5 levels, you can better convey your creative intentions when switching subjects or, for example, rack focusing. Lens-ring AF subject selection When the AF Assist function is ON, rotating the focus ring instantly switches from autofocus to manual focus so that a different subject can be quickly selected. Autofocus operation resumes as soon as the user stops rotating the lens focus ring. Auto focus area/position For auto focus, you can set the target areaamong Flexible Spot, Zone, Wide and changethe position of the target area quickly duringshooting by simply touching the LCD monitor. 4K7 120fps with every frame in focus High Frame Rate shots can turn everyday action into a visual feast of elegant movement. The FX6 captures up to 120 frames per second (fps) at the 4K (QFHD) resolution. Slow and Quick (S&Q) modes give you full control over the captured frame rate from 1 to 120fps, allowing precise motion narratives, and up to a beautiful 5x Super Slow Motion (24fps output). Autofocus with Sony E-mount lenses Experience smooth, responsive autofocus with Sony E-mount lenses, with premium optical performance and operability for demanding cinematography applications. Unique actuator technology in Sony E-mount lenses provides faster and more precise AF performance, supporting your creative endeavors. Built-in electronic Variable ND Filter The FX6 features Sony’s unique built-in electronic Variable Neutral Density (ND) filter. Unlike conventional optical ND Filters, the electronic ND Filter on the FX6 can be controlled from 1/4ND to 1/128ND linearly, or set to auto. Ideal in changeable environments, there’s no need to change filters as lighting conditions change or to maintain your depth of field. Lightweight, modular and robust Despite its amazingly light 0.89kg body, the magnesium-alloy FX6 is more than tough enough for the rigours of real-world shooting. A detachable Smart Grip puts key functions at your fingertips and is easily adjustable with a single button. Grab and shoot mobility Ideal for low angle shooting, the smart handle is part of the FX6’s modular design. It’s easy to reconfigure for any application, including mounting in a gimbal, drone, or underwater housing. Magnesium body and frame for high durability with light weight To perform reliably in challenging environments, the main body, covers and top handle are made from a production-tested, lightweight magnesium alloy. The main frame achieves high strength and durability with minimum weight in order to maximise mobility. Architecture to prevent thermal shut down The custom ventilation system and chassis design help to prevent the thermal shut down of shooting8 at high frame rates and 4K (QFHD) resolutions. The number of heat sinks, the shape of air intakes and exhaust vents as well as the location of the low-noise fan9, and airflow paths have all been calculated with precision to ensure that optimum ventilation is achieved. 10-bit 4:2:2 recording Record right on the camera with the amazing richness of 10-bit depth and 4:2:2 colour sampling, for far greater flexibility in image grading, post-processing and compositing. All-Intra encoding available As well as Long GOP, internal All-Intra encoding is now provided. This encodes every frame independently at bitrates up to 600Mbps, to capture complex motion more accurately, and allow more efficient editing workflows. [1] All-Intra (All-I)  [2] Long GOP  [3] Group of Pictures 16-bit RAW SDI output  For demanding post-production workflows, 16-bit RAW output is available via SDI connection to compatible external recorders while XAVC-I files are simultaneously captured in-camera. RAW video output is 4096x2160 or 3840x2160 data from the image sensor with a choice of 59.94 / 50 / 29.97 / 25 / 24 / 23.98 frame rates10. Shooting modes that match creator workflows The FX6 offers shooting modes with preset looks like S-Cinetone that produce great-looking shots in-camera, or S-Log3 / S-Gamut3 with Cine-EI mode that capture perfectly-exposed images for post production. Scene File function allows easy look changes on-site Four preset scene file types are available for SDR shooting (S-Cinetone, Standard, Still, ITU709) and two for HDR (HLG Live, HLG Natural) plus 16 slots for imported user 3D LUTs for your preferred look without post production. Remarkable smart grip and smart handle Sony’s ergonomic Smart Grip and Smart Handle feature easy one-button adjustment. With zoom, record, and assignable control buttons, as well as a dial suitable for iris control, you can comfortably operate for hours. Professional connectivity A wide range of professional interfaces is available including 12G-SDI and HDMI outputs11, a remote interface, TC connectors for multi-camera sync, and SuperSpeed USB 5Gbps (USB 3.2) to support fluid data workflows. Multi-Interface (MI) Shoe Sony’s Multi-Interface (MI) Shoe provides power, signal and switching connections to compatible Sony accessories, including for example wireless microphone systems such as the UWP-D21 or UWP-D2212. Support for four-channel audio input and recording Four-channel audio input allows simultaneous capture of external microphones and the built-in microphone. UWP wireless microphones or XLR audio adaptors such as the XLR-K3M can also be used with the MI Shoe. Dual XLR inputs and enhanced audio capability The handle of the FX6 has two independent audio inputs, easy-access XLR connectors to connect external professional microphones. UWP series wireless microphones may also be connected via the MI Shoe. High-definition 2.76 million-dot13 flexible LCD panel The 3.5-inch LCD screen allows precise manual focusing in challenging shooting conditions. Flexible positioning of both mounting locations and angles allows comfortable shooting to suit varied preferences and rigging. Quick menu control with touch operation The LCD screen has a quick access control menu. With a single touch, you can change codec, imager scan mode, picture size and frequency, base ISO/sensitivity, shooting mode and audio levels. Dual CFexpress Type A-compatible media slots Dual media slots support CFexpress Type A cards14, along with conventional SDXC UHS-I and UHS-II cards, for fast buffer clearance and data management. Simultaneous, relay, interval and proxy modes are supported. Networked for high mobility Wi-Fi® connectivity enables a host of advanced wireless production features such as remote control via smartphones or tablets and the Content Browser Mobile app. Connect easily with either NFC one-touch or manual pairing. Metadata facilitates editing in Catalyst  The FX6 records three types of metadata: image stabilisation, clip flag, and camera rotation. These can be useful when previewing and preparing to edit in Sony’s free Catalyst Browse or cost-effective Catalyst Prepare software.

Sony ILME-FX6V Alpha Full-frame 4K Cinema Line Camera with 24-105mm Lens

Sony ILME-FX6V (ILME/FX6V, ILME_FX6V, ILMEFX6V, ILME FX6V) Alpha Full-frame 4K Cinema Line Camera with 24-105mm Lens Developed to offer versatile, cine-style imaging in a truly compact form, the FX6 Full-Frame Camera Kit from Sony pairs the FX6 camera with the 24-105mm f/4 G OSS E-mount zoom lens. With the ability to capture up to 15+ stops of dynamic range, Sony's S-Cinetone gamma for filmlike skin tones, and up to 10-bit, 4:2:2 XAVC-I recording, the FX6 is poised to both supplement your FX9 or VENICE capture and to nimbly take on documentary, gimbal, and drone shoots on its own. The FX6 camera combines a 4K full-frame Exmor R sensor with a BIONX XR engine for extremely sensitive capture in a range of settings using a base ISO of 800 as well as an ISO 12800 high-sensitivity mode for nuanced low-light scenes. Weighing just under 2 lb, the FX6 body is a full 2 lb lighter than the FX9 and measures 6 x 4.6". It packs a full-frame sensor into a body comparable to the S35-sensor Sony FS5. While the FX6 fits seamlessly into a pro-cine on-set workflow, it also offers several features that are a boon for a single-operator user. These include fast and accurate phase-detection autofocus with both Face Detection and real-time Eye autofocus, both auto and manual ND filter settings for quick exposure compensation, and a 3.5" LCD monitor that boasts timesaving touchscreen access to key menu settings and versatile positioning for comfortable operating. In addition to improving the camera's overall stability, firmware update v1.10 adds 100p and 120p options to the Slow and Quick Motion frame rate menu when the codec is set to RAW or RAW and XAVC-I. 4K Full-Frame CMOS Exmor R Sensor The FX6's 10.2 MP image sensor features backside illumination for excellent low-light performance, 627 focal plane points for speedy phase-detection autofocus, and full-frame lens compatibility that produces a rich, immersive look. The sensor's fast scan speed minimizes rolling shutter artifacts and supports high frame rates and quick autofocus responses. 15+ Stops of Dynamic Range The Exmor R sensor also enables the FX6 to capture a whopping 15+ stops of dynamic range in Cine EI mode with S-Log3, creating nuanced, high-resolution images. Wide ISO Range Choose from a base ISO of 800, a high-sensitivity 12,800 ISO for lower-light capture, and a 409,600 maximum ISO for true low-light settings. Electronically Variable ND Filters Set the FX6's integrated neutral density (ND) filter system to auto for correctly exposed shots even in changing light conditions, or smoothly adjust the ND filter density manually in increments from 1/4 to 1/128 as you shoot; both options will produce properly exposed images without affecting your chosen depth of field. Advanced XAVC Codec Options The FX6 is the first compact, full-frame camera to offer UHD 4K 4:2:2 capture in the high-quality yet efficient XAVC-I codec. It also enables you to choose from a range of professional XAVC Intra and XAVC Long codecs at bit rates ranging from 35 to 600 Mb/s. High Frame Rate Selections For slow-motion and fast action looks, choose from full-frame rates ranging from: 1-60 fps in HD to DCI 4K resolutions 100 or 120 fps in HD through UHD 4K  150, 180, 200, or 240 fps in Full HD  Super35 choices include 1-60, 100, and 120 fps in Full HD Expressive Cinematic Look Sony's S-Cinetone gamma curve offers a cinematic look with filmlike color, softer tones, and pleasing skin tone reproduction. Not only is this cinematic look available for in-camera viewing, but it can also be captured and output with minimal or no grading at all for a time-saving post process. The S-Cinetone, S-Log3, S-Gamut3, and S-Gamut3.Cine choices also streamline the process of matching FX6 footage with your VENICE or FX9 video and offer broad color-grading options. Fast Hybrid/Phase Detection Autofocus Compatible with 50+ native Sony E-mount lenses, the FX6's improved autofocus choices include Face Detection and Eye Autofocus modes for rapid focusing with extremely sharp accuracy, even in lower-light settings. The phase detection autofocus accomplishes this accuracy using seven transition-speed steps and five subject-sensitivity. Image Stabilization and More with Catalyst and Metadata Pair the FX6 with Sony's Catalyst Prepare/Browse software to use metadata to stabilize your image, automatically rotate gimbal footage, and add flags for easier clip filtering in post-production. Touchscreen 3.5" LCD Control The FX6's 3.5" LCD monitor offers both high-resolution viewing and the ease of touchscreen camera control. The LCD quick menu controls include key settings like Codec, Imager Scan Mode, Picture Size and Frequency, Base ISO/Sensitivity, Shooting Mode, and Audio Levels. Reliable Design and Construction Constructed with a lightweight yet durable magnesium alloy chassis, the FX6 body offers maximum reliability and efficiently disperses heat to enable extended recording times. Exterior seams, buttons, and interfaces have been treated with updated sealing that improves the camera's dust and moisture resistance as well. 4-Channel Audio Recording The FX6 offers up to 4-channel audio recording by combining sources from the dual XLR inputs, the 2-channel multi-interface shoe input, and the stereo mic built into the camera's top handle. This enables the simultaneous use of an external microphone for recording your main audio source and the built-in microphone for ambient sound and/or voice memos by the operator. Professional Input/Output Interface FX6 input and output ports include a selectable 12G/6G/3G-SDI output for flexible monitoring, 12-bit raw output via SDI, and an HDMI output. It also has timecode input and output for syncing multiple cameras and a built-in Wi-Fi module. CFexpress Media Slots and Multiple Recording Modes The FX6's dual media slots accept both rugged, high-performance, high-capacity CFexpress Type A cards and widely available UHS-II/UHS-1 SDXC cards. Note that the CFexpress Type A cards are required for 100/120 fps UHD 4K capture and 150/180/200/240 fps HD high-speed capture. Modular, Grab-and-Go Design The modular design of the FX6 enables you to pare down to its compact body for gimbal or drone use, or it can be used with separately available accessories such as a smart grip and smart handle for fingertip control when shooting handheld. A 3.5" LCD screen can be quickly positioned on the camera at multiple locations to provide comfortable, ergonomic viewing. Content Browser Mobile Compatibility When used with the separately available Content Browser Mobile app and a compatible smartphone or remote control, the FX6's Wi-Fi function enables remote monitoring and focus/iris/zoom control.

Sony BP-U100 Lithium Ion Battery 97 Wh

Sony BP-U100 (BP/U100, BP_U100, BP U100, BPU100, bp-u100) Lithium Ion Battery (98 Wh) The BP-U100 is a high performance 97 Wh capacity lithium ion battery optimised for professional video shooting. Its high capacity makes the BP-U100 ideal for extended shooting times in the field or in the studio, with the camera either shoulder- or tripod-mounted. Battery status data is continuously communicated to the camera. Remaining capacity is displayed on the camera’s LCD monitor and viewfinder, allowing operators to monitor battery status easily and accurately while shooting. The BP-U100 offers significantly higher capacity than the previous generation BP-U90. Compatible Camcorders PXW-FX9, PXW-FS7M2, PXW-FS7, PXW-FS5M2, PXW-FS5, PXW-X160, PXW-X180, PXW-X200, PXW-Z190, PXW-Z280, PMW-300K1.

Sony BP-U70 Lithium-ion Battery 72Wh

Sony BP-U70 (BP/U70, BP_U70, BPU70, BP U70, bp-u70) Lithium-ion Battery 72Wh The BP-U70 is a 72 Wh capacity lithium ion battery that offers an ideal balance of capacity and weight for many professional video applications. Battery status data is continuously communicated to the camera. Remaining capacity is displayed on the camera’s LCD monitor and viewfinder, allowing operators to monitor battery status easily and accurately while shooting. The BP-U70 offers significantly higher capacity while having the same charging time than the previous generation BP-U60.

Sony DWT-B30/L DWX Gen3 Digital Wireless Bodypack Transmitter

Sony DWT-B30/L (DWT/B30/L, DWT-B30-L, DWT_B30_L, DWTB30L, dwt-b30/l) DWX Gen3 Digital Wireless Bodypack Transmitter This high performance wireless bodypack transmitter is an ideal choice for live sound applications including theatre and concerts, as well as studio based TV production and ENG/EFP. The DWT-B30 is part of Sony's third generation DWX series digital wireless microphone system that combines advanced digital technologies, analogue microphone expertise, wireless audio transmission technologies and an enviable reputation for stability. Sophisticated audio processing, encryption and RF transmission technologies assure secure, stable digital transmission and reception of very high quality audio with low latency. The transmitter operates with a wide bandwidth up to 148 MHz (depending on region), and the high density 375 kHz interval channel plan enables simultaneous multi-channel operation, increasing the probability of finding unoccupied frequencies in congested metropolitan areas. The DWT-B30 is compatible with Sony Wireless Studio control software for PC (Ver 5.22 or later) , allowing flexible remote operation. Control of up to 82 transmitters is possible using the Cross Remote™ function combined with the RMU-01 remote control unit (available separately).

Sony DWT-B30/H DWX Gen3 Digital Wireless Bodypack Transmitter

Sony DWT-B30/H (DWT/B30/H, DWT-B30-H, DWT_B30_H, DWTB30H, dwt-b30/h) DWX Gen3 Digital Wireless Bodypack Transmitter This highDWX Series Gen3 bodypack, 566.025 MHz to 714.000 MHz Performance wireless bodypack transmitter is an ideal choice for live sound applications including theatre and concerts, as well as studio-based TV production and ENG/EFP. The DWT-B30 is part of Sony's third generation DWX series digital wireless microphone system that combines advanced digital technologies, analogue microphone expertise, wireless audio transmission technologies and an enviable reputation for stability. Sophisticated audio processing, encryption and RF transmission technologies assure secure, stable digital transmission and reception of very high-quality audio with low latency. The transmitter operates with a wide bandwidth of up to 148 MHz (depending on region), and the high density 375 kHz interval channel plan enables simultaneous multi-channel operation, increasing the probability of finding unoccupied frequencies in congested metropolitan areas. The DWT-B30 is compatible with Sony Wireless Studio control software for PC (Ver 5.22 or later) , allowing flexible remote operation. Control of up to 82 transmitters is possible using the Cross Remote™ function combined with the RMU-01 remote control unit (available separately).

Sony DWT-B03R/L DWX Series Digital Wireless Microphone Bodypack Transmitter

Sony DWT-B03R/L (DWT-B03R-L, DWT/B03R/L, DWT_B03R_L, DWTB03RL, dwt-b03r/l) DWX Series Digital Wireless Microphone Bodypack Transmitter Superb audio quality and stable operation in a wide range of environments The third generation of Sony's acclaimed DWX series, this high performance digital wireless bodypack transmitter is an ideal choice for live sound applications including theatre and concerts, as well as studio based TV production and ENG/EFP. Light and compact (27% smaller than its DWT-B01N predecessor), the DWT-B03R features a tough magnesium body that's resistant to rain, spray and sweat. Sony's advanced digital audio processing, encryption and RF transmission technologies assure secure, stable transmission and reception of very high quality audio with low latency. The DWT-B03R is ideal for use in large-scale multi-channel productions, supporting up to 21 simultaneous channels per 8MHz TV band or up to 16 simultaneous channels per 6MHz TV band. The DWT-B03R is compatible with Sony Wireless Studio control software for PC (Ver 5.0 or later) , allowing flexible remote operation. Remote control of up to 82 transmitters is possible using the Cross Remote™ function combined with the RMU-01 remote control unit (available separately).

Sony DWT-P01N/42 Digital Wireless Microphone Plug-On Transmitter

Sony DWT-P01N/42 (DWT/P01N/42, DWT-P01N-42, DWT_P01N_42, DWTP01N42, dwt-p01n/42) Digital Wireless Microphone Plug-On Transmitter High quality wide-band transmitter with three codec modes providing short audio latency and more reliable transmission The DWT-P01N XLR plug-on transmitter forms part of the DWX series digital wireless microphone system that offers high-quality full-digital operation shorter audio latency and more reliable RF transmission mode - a perfect match for high-quality ENG/EFP applications. The DWX series system delivers superb-quality wireless transmission of 24-bit digital audio. Thanks to its improved codec and new hardware, it can provide higher sound quality with lower audio latency. NOTE: This model is available in multiple versions to support the widest possible range of operating frequencies. Please refer to product specifications for more information. Three codec modes designed for wide variety of applications MODE1 for compatibility with DWX series applications, MODE2 with higher quality sound and low latency ideal for theatre, tour and broadcast applications, and MODE3 with more reliable RF transmission ideal for speech applications. Low audio latency and high quality sound MODE2 provides higher quality sound with a 96kHz sampling rate and very low audio latency of 1.5 msec*. More reliable RF transmissions expands the operation range MODE3 operation optimised for reliable transmission by preventing drop out by interference with additional error correction. Compatibility with DWX series MODE1 operation provides the same high quality, reliability and audio latency as the previous DWX series version. NOTE: *Analogue out, 2.5 msec for digital out

Sony DWR-S03D-LU1 Digital wireless 2-channel slot-in radio receiver

Sony DWR-S03D-LU1 (DWR-S03D/LU1, DWR_S03D_LU1, DWR/S03D/LU1, DWRS03DLU1, dwr-s03d-lu1) Digital wireless 2-channel slot-in radio receiver The DWR-S03D is a digital wireless 2-channel slot-in radio receiver of the DWX series, which is especially suitable for multi-channel operation with high density in large productions. The receiver belongs to the 3rd generation of the professional DWX series and has four different codec modes for a variety of applications. MODE1 is compatible with the 1st generation DWX series devices, MODE2 prioritizes short latency times while maintaining transmission stability and high audio quality, MODE3 provides additional signal processing and suppresses noise caused by unexpected pulse interference, and MODE4 prioritizes audio quality while maintaining transmission stability and low delay time. It transmits high-quality 24-bit audio within certain frequency bandwidths (depending on the country). The monitoring and control functions of Cross Remote™ allow input attenuation, RF frequency selection, RF output power, cut-off frequency for audio low-pass filters, and sleep mode of the associated Sony DWT-B30 pocket transmitter to be remotely controlled via the receiver. This eliminates unplanned shooting breaks and walking distances. Included in delivery is the interface adapter DWA-SLAU1 with 25-pin D-Sub connector, which can be attached to devices with UniSlot®. Optionally, the interface adapter DWA-SLAS1 with 15-pin D-Sub connector is also available, which enables it to be attached to camcorders by Sony. For ENG/EFP applications, the two optional receiver adapters DWA-01D and DWA-F01D are available.

Sony DWR-S03D-LS1 Digital wireless 2-channel slot-in radio receiver

Sony DWR-S03D-LS1 (DWR-S03D/LS1, DWR_S03D_LS1, DWR/S03D/LS1, DWRS03DLS1, dwr-s03d-ls1) Digital wireless 2-channel slot-in radio receiver The DWR-S03D is a digital wireless 2-channel slot-in radio receiver of the DWX series, which is especially suitable for multi-channel operation with high density in large productions. The receiver belongs to the 3rd generation of the professional DWX series and has four different codec modes for a variety of applications. MODE1 is compatible with the 1st generation DWX series devices, MODE2 prioritizes short latency times while maintaining transmission stability and high audio quality, MODE3 provides additional signal processing and suppresses noise caused by unexpected pulse interference, and MODE4 prioritizes audio quality while maintaining transmission stability and low delay time. It transmits high-quality 24-bit audio within certain frequency bandwidths (depending on the country). The monitoring and control functions of Cross Remote™ allow input attenuation, RF frequency selection, RF output power, cut-off frequency for audio low-pass filters, and sleep mode of the associated Sony DWT-B30 pocket transmitter to be remotely controlled via the receiver. This eliminates unplanned shooting breaks and walking distances. Included in delivery is the interface adapter DWA-SLAS1 with 15-pin D-Sub connector, which can be attached to Sony camcorders. Optionally, the interface adapter DWA-SLAU1 with 25-pin D-Sub connector is also available, which enables it to be attached to devices with UniSlot®. For ENG/EFP applications, the two optional receiver adapters DWA-01D and DWA-F01D are available.

Sony DWR-S03D-HU1 Digital wireless 2-channel slot-in radio receiver

Sony DWR-S03D-HU1 (DWR-S03D/HU1, DWR_S03D_HU1, DWR/S03D/HU1, DWRS03DHU1, dwr-s03d-hu1) Digital wireless 2-channel slot-in radio receiver The DWR-S03D is a digital wireless 2-channel slot-in radio receiver of the DWX series, which is especially suitable for multi-channel operation with high density in large productions. The receiver belongs to the 3rd generation of the professional DWX series and has four different codec modes for a variety of applications. MODE1 is compatible with the 1st generation DWX series devices, MODE2 prioritizes short latency times while maintaining transmission stability and high audio quality, MODE3 provides additional signal processing and suppresses noise caused by unexpected pulse interference, and MODE4 prioritizes audio quality while maintaining transmission stability and low delay time. It transmits high-quality 24-bit audio within certain frequency bandwidths (depending on the country). The monitoring and control functions of Cross Remote™ allow input attenuation, RF frequency selection, RF output power, cut-off frequency for audio low-pass filters, and sleep mode of the associated Sony DWT-B30 pocket transmitter to be remotely controlled via the receiver. This eliminates unplanned shooting breaks and walking distances. Included in delivery is the interface adapter DWA-SLAU1 with 25-pin D-Sub connector, which can be attached to devices with UniSlot®. Optionally, the interface adapter DWA-SLAS1 with 15-pin D-Sub connector is also available, which enables it to be attached to camcorders by Sony. For ENG/EFP applications, the two optional receiver adapters DWA-01D and DWA-F01D are available.

Sony DWR-S03D-HS1 DWX Gen3 2-Channel Digital Wireless Slot-In Receiver

Sony DWR-S03D-HS1 (DWR-S03D/HS1, DWR_S03D_HS1, DWR/S03D/HS1, DWRS03DHS1, dwr-s03d/hs1) DWX Gen3 2-Channel Digital Wireless Slot-In Receiver The DWR-S03D is a digital wireless 2-channel slot-in radio receiver of the DWX series, which is especially suitable for multi-channel operation with high density in large productions. The receiver belongs to the 3rd generation of the professional DWX series and has four different codec modes for a variety of applications. MODE1 is compatible with the 1st generation DWX series devices, MODE2 prioritizes short latency times while maintaining transmission stability and high audio quality, MODE3 provides additional signal processing and suppresses noise caused by unexpected pulse interference, and MODE4 prioritizes audio quality while maintaining transmission stability and low delay time. It transmits high-quality 24-bit audio within certain frequency bandwidths (depending on the country). The monitoring and control functions of Cross Remote™ allow input attenuation, RF frequency selection, RF output power, cut-off frequency for audio low-pass filters, and sleep mode of the associated Sony DWT-B30 pocket transmitter to be remotely controlled via the receiver. This eliminates unplanned shooting breaks and walking distances. Included in delivery is the interface adapter DWA-SLAS1 with 15-pin D-Sub connector, which can be attached to Sony camcorders. Optionally, the interface adapter DWA-SLAU1 with 25-pin D-Sub connector is also available, which enables it to be attached to devices with UniSlot®. For ENG/EFP applications, the two optional receiver adapters DWA-01D and DWA-F01D are available.

Sony DWR-S03D-L DWX Gen3 2-Channel Digital Wireless Slot-In Receiver

Sony DWR-S03D-L (DWR-S03D/L, DWR_S03D_L, DWRS03DL, DWR/S03D/L, DWR-S03D_L, dwr-s03D/l) DWX Gen3 2-Channel Digital Wireless Slot-In Receiver This high performance 2-channel portable slot-in receiver is an ideal choice for ENG/EFP and location sound applications. The DWR-S03D is part of Sony's third generation DWX series digital wireless microphone system that combines advanced digital technologies, analogue microphone expertise, wireless audio transmission technologies and an enviable reputation for stability. The receiver operates with a wide bandwidth up to 148 MHz (depending on region), increasing the probability of finding unoccupied frequencies in congested metropolitan areas. Light and compact, the DWR-S03D can be mounted in the slot of Sony or other professional camcorders using the optional DWA-SLAS1 or DWA-SLAU1 interface adaptor. Automatic channel scan and sync permits quick, easy frequency setting, and the high density 375 kHz interval channel plan enables simultaneous multi-channel operation.

Sony UWP-D22-K42 UHF Wireless Handheld Microphone Set & RX

Sony UWP-D22-K42 (UWP-D22/K42, UWP-D22_K42, UWPD22K42, UWP D22 K42, uwp-d22-k42) UHF Wireless Handheld Microphone Set & RX The Sony UWP-D22 is a dependable camera-mount wireless handheld microphone system that delivers uncompromising audio quality while still being easy to use and fast to set up with no menu diving. It is made with simplicity in mind for DIY cameramen, videographers, vloggers, and journalists working in the field without a crew. The system is packed with professional features including NFC Sync and Auto-Gain functions, which handle time-consuming frequency setup and mic-level adjustments for you, so you're ready to shoot within seconds. The UWP-D22 offers digital signal processing for pristine audio and analog UHF transmission with true-diversity reception for reliability, even under difficult shooting conditions. Rugged and lightweight, this system includes a handheld mic transmitter equipped with a cardioid capsule optimized for speech. The mic is ideal in situations when it's not convenient to position a lavalier mic or you need to quickly move the mic between several people. The system also comes with a low-profile camera-mount receiver designed for enhanced mobility with compact camcorders and smaller DSLR/mirrorless cameras. Sony shooters can take advantage of the SMAD-P5 digital MI Shoe adapter (available separately), which provides a direct, clean digital audio connection to select cameras equipped with a digital Multi Interface Shoe. With the UWP-D22, you can focus on the other critical elements competing for your attention during a shoot and confidently record crisp, clear speech or dialog for projects ranging from documentaries to wedding videos, YouTube content, corporate spots, and hands-free interviews. The UWP-D22 is backward-compatible with Sony WL-800 and UWP Series systems.

Sony UWP-D22-K21 UHF Wireless Set Consisting Of Handheld Microphone & RX

Sony UWP-D22-K21 (UWP-D22/K21, UWP-D22_K21, UWP-D22 K21, UWPD22K21, uwp-d22/k21) UHF Wireless Set Consisting Of Handheld Microphone & RX The Sony UWP-D22 is a dependable camera-mount wireless handheld microphone system that delivers uncompromising audio quality while still being easy to use and fast to set up with no menu diving. It is made with simplicity in mind for DIY cameramen, videographers, vloggers, and journalists working in the field without a crew. The system is packed with professional features including NFC Sync and Auto-Gain functions, which handle time-consuming frequency setup and mic-level adjustments for you, so you're ready to shoot within seconds. The UWP-D22 offers digital signal processing for pristine audio and analog UHF transmission with true-diversity reception for reliability, even under difficult shooting conditions. Rugged and lightweight, this system includes a handheld mic transmitter equipped with a cardioid capsule optimized for speech. The mic is ideal in situations when it's not convenient to position a lavalier mic or you need to quickly move the mic between several people. The system also comes with a low-profile camera-mount receiver designed for enhanced mobility with compact camcorders and smaller DSLR/mirrorless cameras. Sony shooters can take advantage of the SMAD-P5 digital MI Shoe adapter (available separately), which provides a direct, clean digital audio connection to select cameras equipped with a digital Multi Interface Shoe. With the UWP-D22, you can focus on the other critical elements competing for your attention during a shoot and confidently record crisp, clear speech or dialog for projects ranging from documentaries to wedding videos, YouTube content, corporate spots, and hands-free interviews. The UWP-D22 is backward-compatible with Sony WL-800 and UWP Series systems.

Sony UTX-P40-K42 Digital Wireless XLR Plug-on Transmitter

Sony UTX-P40-K42 (UTX-P40/K42, UTX_P40_K42, UTXP40/K42, UTX-P40_K42, utx-p40/k42) Digital Wireless XLR Plug-on Transmitter The Sony UTX-P40 / K42 is an XLR plug-on transmitter for the WL-800, UWP and UWP-D series and works in the frequency range of 638 - 694 MHz (channels 42 - 48). The UWP-D series offers excellent sound quality with digital processing, reliable RF transmission, true dual tuner diversity reception and user-friendly functions. The demand for high quality audio is increasing as high resolution content becomes prevalent in the video production industry. Today’s content creators are faced with the challenge of capturing high-quality audio quickly, reliably and with limited resources. Offering superb sound quality with digital processing, reliable RF transmission, true double tuner diversity reception and friendly features, the UWP-D series is an ideal partner for ENG (electronic news gathering) and EFP (electronic field production), as well as documentaries and weddings. The UWP-D26 package includes the UTX-B40 bodypack transmitter, UTX-P40 XLR plug-on transmitter and URX-P40 receiver, plus accessories.

Sony UTX-M40-K42 UWP-D Dynamic Handheld Microphone

Sony UTX-M40-K42 (UTX-M40/K42, UTX-M40_K42, UTXM40-K42, UTXM40/K42, utx-m40/k42) UWP-D Dynamic Handheld Microphone Sony UTX-M40 / K42 Handheld UWP-D (638.025 MHz-694,000MHz) As high resolution content begins to dominate the video production industry, the demand for high quality audio is on the rise. Today's content creators need to achieve high-quality audio recording quickly, reliably, and with limited resources. Delivering superb sound quality with digital processing, reliable RF transmission, True Diversity dual tuner reception and user-friendly features, the UWP-D series is the ideal partner for ENG (news production) and VET (production field), as well as documentaries and weddings. Digital audio processing for high quality sound Sony's advanced digital audio processing technology ensures high-quality sound with enhanced transient response performance. A new audio interface [optional] enables direct digital audio recording with multiple Sony professional cameras and Alpha interchangeable lens cameras via the SMAD-P5 Multi Interface Shoe (MI) Adapter, without going through the steps of A / D and D / A conversion to ensure excellent sound quality. Quick and easy frequency setting Sony's user-friendly NFC SYNC function enables fast, intuitive and secure channel setting between transmitter and receiver. Lightweight and compact design The reduced size and weight of the system allows excellent mobility across a variety of applications, including news production, documentaries, weddings and remote production. The compact size and light weight of the receiver make it the perfect companion for using small cameras and interchangeable lens digital cameras.

Sony URX-P40-K21 UHF Portable Receiver for UWP-D Series

Sony URX-P40-K21 (URX-P40/K21, URX-P40_K21, URXP40-K21, urx-p40-k21) UHF Portable Receiver for UWP-D Series The new Sony URX-P40 / K21 is a portable UHF receiver with a frequency range of 470 - 542 MHz (channels: 21 - 29). The UWP-D series offers excellent sound quality with digital processing, reliable RF transmission, true double-sub-diversity reception and user-friendly functions. The receiver is compatible with Sony's WL-800 and UWP series. This makes it the ideal partner for ENG (electronic reporting) and EFP (electronic field use) as well as for documentation and weddings. The demand for high quality audio increases with the increase in high definition content in the video production industry. Today's content creators are faced with the challenge of recording high quality audio files quickly, reliably, and with limited resources. Digital audio processing for high quality sound Advanced digital audio processing technology by Sony assures high quality sound with improved transient response performance. A new [optional] digital audio interface enables direct digital sound recording with many Sony professional camcorders and Alpha interchangeable lens cameras via the SMAD-P5 Multi Interface MI shoe adaptor, bypassing A/D and D/A conversion stages to further ensure excellent sound quality. Seamless camcorder integration Integration with compatible* Sony camcorders (requires SMAD-P5 Multi Interface shoe adaptor) displays audio information such as RF level meter, audio mute status and transmitter low battery alert in the camera’s viewfinder. Via the SMAD-P5, audio signals are transmitted from receiver to camera without requiring a cable connection. The wireless receiver can also receive power from the camera, with synchronised power on/off between camera and receiver for more effective power management. *See details on SMAD-P5 for compatibility information. Fast, easy frequency setting Sony’s uniquely user-friendly NFC SYNC feature allows quick, intuitive secure channel setting between transmitter and receiver. Light, compact design Reduced system size and weight enable superior mobility in a wide range of applications including news, documentaries, weddings and remote production. The receiver’s compact size and light weight make it an ideal partner for use small camcorders and interchangeable lens digital cameras.

Sony URX-P40-K42 Portable UWP-D Receiver

Sony URX-P40-K42 (URX-P40/K42, URX-P40_K42, URXP40K42, urp_p40-k42, urx-p40/k42) Portable UWP-D Receiver The demand for high quality audio is increasing as high resolution content becomes prevalent in the video production industry. Today's content creators are faced with the challenge of capturing high-quality audio quickly, reliably and with limited resources. Offering superb sound quality with digital processing, reliable RF transmission, true double tuner diversity reception and friendly features, the UWP-D series is an ideal partner for ENG (electronic news gathering) and EFP (electronic field production), as well as documentaries and weddings. High quality sound with Sony digital audio processing NFC SYNC function for quick and easy secure channel setting (IR sync capability with URX-P03, URX-P03D, and URX-S03D receivers) Auto gain mode volume control 15 dB gain volume boost mode for off-mic audio Line input 48V power supply Transmitter frequency sent to receiver for matching multiple receivers to one transmitter Variable muting function Compatibility with Sony WL-800/UWP/UWP-D series High visibility OLED display, ideal for indoor/outdoor use USB connector for power supply.

Sony A7S III Full-Frame Mirrorless Camera Body

Sony ILCE7SM3B.CEC (ILCE-7SM3B.CEC, ILCE7SM3B, ILCE7SM3, ILCE-7SM3, a7s III, ilce7sm3, a7s-iii) α7S III Full-Frame Mirrorless Camera Body For visual trailblazers With extreme full-frame movie performance including high sensitivity (expanded ISO up to 409600), 15-stop wide dynamic range, 4K 120p2, fast and dependable autofocusing, and extra-strong image stabilization, the α7S III again raises the bar for movie makers. Large pixels deliver high sensitivity and low noise The new full-frame 12.1-megapixel3 back-illuminated Exmor RTM CMOS image sensor packs major innovations in light-gathering, wiring and output optimization. These deliver blazing doubled readout speeds, superb image quality throughout the whole sensitivity range, 15-stop4 wide dynamic range, and reduced rolling shutter, with the sensor also providing focal-plane phase-detection AF. Up to 8x more powerful5 BIONZ XRTM image processor Along with the new sensor and its unprecedented speed, the BIONZ XR image processing engine has also been newly developed and packs up to 8x more processing power5. With a future-oriented architecture, it delivers high quality images faster for superlative still and video expression, as well as dramatically improved camera interface responsiveness. Stunning AF performance even at 4K 120p2 The new Exmor R full-frame image sensor and revolutionary BIONZ XR image-processing engine deliver always-active pinpoint AF for astonishing detail in both space and time, and stunning 4K movies even at 120 frames per second2 or in slow motion. With the resolution and depth of field only possible from a full-frame sensor, the results are spectacular. 10-bit 4:2:2 recording Record right on the camera with the amazing richness of 10-bit depth and 4:2:2 color sampling, for far greater flexibility in image grading, post-processing and compositing. All-Intra encoding available As well as Long GOP, All-Intra encoding is now provided. This encodes every frame independently at bitrates up to 600 Mbps, to capture complex motions more accurately for recording on either internal or external media, and allow more efficient editing workflows. [1] All-Intra (All-I) [2] Long GoP [3] Group of Pictures Superior quality and smaller files with XAVC HS The new XAVC HS recording format uses HEVC/H.265 encoding to achieve twice the compression efficiency of AVC/H.264 encoding, for superior image quality and smaller file sizes6. Our renowned sensitivity delivers expanded ISO 409600 The renowned sensitivity of the series scales new heights, with an expanded ISO range for movies from 80 to a remarkable 409600 (standard range 80–102400). With advanced light-gathering and output optimization, the 12.1-megapixel3 full-frame sensor achieves low noise throughout the sensitivity range, and can capture usable images in near-total darkness. S-Log3 gamma, S-Gamut3.Cine gamut as on pro camcorders The S-Log3 gamma curve and S-Gamut3.Cine color gamut, shared with pro camcorders, provide wider dynamic range and easier color matching for smoother post-production workflows.  HLG (Hybrid Log-Gamma) HLG (Hybrid Log Gamma) simplifies HDR production, producing footage for HLG-compatible BRAVIA TVs on the camera with no complex post-production, and smooth gradations from the 10-bit color depth. [1] High flexibility to fine-tune images as desired (color grading required) [2] Instant high-quality image (color grading not required) Image quality improvements The new BIONZ XR image processing engine delivers improvements in color reproduction, stability against different light sources, natural tonal gradation and roll-off, and reduced rolling shutter. 16-bit RAW HDMI output For demanding post-production workflows, 16-bit RAW output7 is available via HDMI connection to compatible external recorders8 while XAVC HS 4K, XAVC S 4K, or XAVC S-I 4K, and proxy files are simultaneously captured in-camera. Efficient editing through proxy recording While recording high-bitrate 4K movies, HD proxies (in 8 or 10-bit depth) can be generated in-camera9. Editing the smaller proxy files reduces computer load and speeds up workflow prior to final 4K delivery. Fast Hybrid AF for accuracy and tenacity The wide-area AF uses intelligent tracking and on-sensor phase-detection covering most of the frame. The result is that every bit of supremely accurate and tenacious AF performance is extracted in combination with high-quality E-mount lenses, even when shooting moving subjects at shallow depths-of-field in 4K and at 120p frame rates2. Powerful focus control for solo shooters With AF Transition Speed selectable over 7 levels, and AF Subject Shift Sensitivity over 5 levels, you can better convey your creative intentions when switching subjects or, for example, rack focusing. A simple touch can temporarily activate AF even during manual focus operation. Real-time Eye AF for movies Real-time Eye AF uses AI to ensure pinpoint focusing precision for eyes, with performance now improved by 30 on profile or partially-obscured faces. Tenacious eye tracking lets you concentrate on composition even with a shallow focus depth.  Real-time Tracking with intuitive touch operation Real-time Tracking analyzes subject color, pattern, depth, and face information to track the subject. Touch Tracking intuitively and automatically tracks a subject touched on the LCD screen.  In-body 5-axis image stabilization A highly accurate image stabilization unit and gyro-sensor are provided, delivering 5-axis optical image stabilization. [1] Yaw [2] Roll [3] Pitch Active Mode for hand-held shooting The new Active Mode11 12 provides increased stabilization for movie shooting. To preserve image quality, the BIONZ XR processor accurately measures camera shake and compensates optically. This makes stable video possible even when shooting hand-held where space restraints prevent gimbal use, while walking, and at 4K resolution12. Digital audio interface for clear sound recording A digital audio interface added to the Multi Interface (MI) Shoe allows direct 24-bit input. Available settings are 48 kHz/16-bit 2-ch, and by using the optional XLR-K3M adaptor kit, 48 kHz/24-bit 2-ch and 48 kHz/24-bit 4-ch. Unique heat dissipation, for dependable recording A unique Sony Σ (sigma) shaped graphite heatsink is built into the image-stabilization unit. This dissipates heat 5x more effectively13 for extended recording time, without interfering with image stabilization. Movie-shooting comfort Responding to feedback from professional users, the MOVIE button has been moved to the top face for improved operability in any shooting position. Mode dial ordering and speed of switching have also been improved. High ISO sensitivity With an amazingly wide standard ISO range of 80–102400 (expandable to 40–409600 for stills), the α7S III offers incredible creative opportunities. The newly-developed image sensor and image processing algorithms produce even cleaner images and more natural textures than the previous α7S II model, even when shooting in near total darkness. Fast Hybrid AF for stills The Fast Hybrid AF system combines speed and precision. With 759 focal plane phase-detection sensors and 425 contrast-detection points distributed across most of the image area, the α7S III quickly finds and tracks your subject throughout the frame. Outstanding continuous shooting performance Use your choice of mechanical or electronic shutter for continuous burst shooting, with AF/AE tracking, at up to 10 fps14. Capture decisive moments with over 1,000 frames of continuous uncompressed RAW shooting possible15. Highly-sensitive AF for low-light focusing AF algorithm advances have allowed the α7S III to achieve autofocus in lighting conditions as dim as EV-616, where subjects are barely even visible with the naked eye. Still-image quality advances through new sensor and engine The newly-developed image sensor and image processing engine deliver improvements in color reproduction, particularly of skin tones, and texture depiction in still images.  New HEIF format and HLG image capture modes17 The HEIF image file format is supported, offering better image quality and greater compression efficiency than JPEG, plus 10-bit color. High Dynamic Range still images can also be captured in HLG mode for viewing on compatible TVs. Two CFexpress Type A-compatible media slots Both card slots support both ultra-fast CFexpress Type A cards, allowing high-bitrate recording and fast buffer clearance, and SDXC UHS-II cards. Parallel and Relay recording are also available. Vari-angle LCD monitor for comfortable movie shooting The variable-angle 1.44 million-dot18 3.0-type touch screen features a side-open design, for flexible positioning and improved visibility when mounting on gimbals or rigs. 9.44 million-dot18 high-definition electronic viewfinder The new EVF offers resolution, contrast and color unlike anything in its class19. It also offers world-leading 0.9x finder magnification20, a 41 ° diagonal field of view, and a 25-mm-high eyepoint. Advanced operability The menu structure has been redesigned to reflect feedback from both pro photographers and videographers. Camera settings are now more intuitive and the camera is more responsive to setting changes. New menu structure Based on requests from our most demanding professional users, major improvements have been made to the menu structure, for improved at-a-glance readability and reduced menu navigation. Intuitive touch operation The menu screen can be operated by touch, while the playback screen features swiping, and pinch-to-zoom. Operability of the touch functions when shooting has also been improved. 5 GHz25 Wi-Fi compatible As well as 2.4 GHz, 5 GHz25 Wi-Fi® connectivity is provided for remote operation, wireless preview, and faster and more stable data transfer of both still images and video. Wired LAN connectivity For complex, interference-prone environments, or higher bandwidth needs, 1000BASE-T wired LAN connectivity is available by connecting a compatible USB-Ethernet adaptor cable to the camera's USB Type C® port. Remote preview and shooting Either wired or wireless remote shooting is available from a PC, or from a mobile device with Imaging Edge MobileTM installed, for more efficient workflows and shooting in challenging environments. Imaging Edge DesktopTM Elevate your photography with Imaging Edge Desktop applications. Use "Remote" to control and monitor shooting live on your PC screen; "Viewer"26 to quickly preview, rate, and select photos from large image libraries; and "Edit" to develop RAW data into high-quality photos for delivery. Get the best from Sony RAW files, and manage your productions more efficiently27. Capture One for Sony Capture One Express (for Sony)28 is free award-winning editing software that provides RAW development, easy management, and powerful editing tools. Capture One Pro (for Sony) is also available for even more editing tools and tethered shooting capability.

Sony PFD-23A-Kit-5 Professional Disk 23GB

Sony PFD-23A-Kit-5 (PFD_23A-Kit-5, PFD23A-Kit-5, PFD/23A-Kit-5, PFD 23A-Kit-5) Professional Disk 23GB. Sony 5 Professional Disk 23GB Disc? it is an extraordinarily compact and reliable single-sided optical disc. Based on the new blue-violet laser technology, it reaches the very high capacity of 23.3 GB. It is also the recording medium chosen for the 2006 range of Sony XDCAM HD camcorders.

Sony PFD-50DLA-Kit-10 Professional Disk

Sony PFD-50DLA-Kit-10 (PFD_50DLA-Kit-10, PFD50DLA-Kit-10, PFD/50DLA-Kit-10, PFD 50DLA-Kit-10) Professional Disk. Sony 10 Professional Disk 50GB.

Sony PFD-23A-Kit-50 Professional Disk 23GB

Sony PFD-23A-Kit-50 (PFD_23A-Kit-50, PFD23A-Kit-50, PFD 23A-Kit-50, PFD/23A-Kit-50) Professional Disk 23GB. Sony 50 Professional Disk 23GB. The Professional Disc? it is an extraordinarily compact and reliable single-sided optical disc. Based on the new blue-violet laser technology, it reaches the very high capacity of 23.3 GB. It is also the recording medium chosen for the 2006 range of Sony XDCAM HD camcorders.

Sony PFD-128QLW-Kit-5 Professional Disk 128GB

Sony PFD-128QLW-Kit-5 (PFD_128QLW-Kit-5, PFD128QLW-Kit-5, PFD 128QLW-Kit-5, PFD/128QLW-Kit-5) Professional Disk 128GB. Sony 5 Professional Disk 128GB writable 1 time only.

Sony X31679021 Windscreen Sponge

Sony X31679021 (X3_1679021, X3 1679021, X3/1679021, X31679021) Windscreen Sponge. Sponge windscreen for UTX-B1 series capsule - ECM-V1BMP Ø 8,5mm snap connection.

Sony PFD-50DLA-Kit-5 Professional Disk 50GB

Sony PFD-50DLA-Kit-5 (PFD_50DLA-Kit-5, PFD50DLA-Kit-5, PFD 50DLA-Kit-5, PFD/50DLA-Kit-5) Professional Disk 50GB. Sony 5 Professional Disk 50GB.

Sony ILCE-7M3GBDI.EU-a7MIII-24-105 Alpha A7 III Mirrorless Digital Camera

Sony ILCE-7M3GBDI.EU-a7MIII-24-105 (ILCE_7M3GBDI.EU-a7MIII-24-105, ILCE7M3GBDI.EU-a7MIII-24-105, ILCE/7M3GBDI.EU-a7MIII-24-105, ILCE 7M3GBDI.EU-a7MIII-24-105) Alpha A7 III Mirrorless Digital Camera. Distinguished by its updated sensor design, the Alpha a7 III Mirrorless Digital Camera from Sony is a well-rounded camera suitable for both photo and video applications in a variety of working situations. Refined for improved speed and low-light performance, the full-frame 24.2MP Exmor R BSI CMOS sensor and BIONZ X image processor pair to realize an impressive 10 fps continuous shooting rate and improved autofocus performance for faster, more reliable subject tracking along with wide frame coverage. This updated Fast Hybrid AF System employs a combination of 693 phase-detection points and 425 contrast-detection areas for quicker acquirement of focus in a variety of lighting conditions, and also maintains focus on subjects more effectively. In addition to speed and AF, the processing improvements also help to realize greater image clarity and reduced noise throughout the sensitivity range from ISO 100-51200, which can further be expanded to ISO 50-204800. Video recording capabilities have also been extended for enhanced quality when recording UHD 4K video with the full width of the full-frame sensor to minimize moiré and aliasing. Additionally, benefitting both stills and video operation, the a7 III utilizes a 5-axis SteadyShot INSIDE sensor-shift image stabilization, which is now effective to minimize the appearance of camera shake by up to 5 stops. Beyond just updates to the imaging system, the a7 III's body design has also been revised to include a rear 3.0" 922k-dot touchscreen LCD, which has a tilting design to better support working from high and low angles. A 2.36m-dot Tru-Finder OLED EVF is also featured for bright and clear eye-level monitoring. For greater shooting flexibility, dual SD memory card slots are now featured, and a larger NP-FZ100 battery is also employed to achieve up to approximately 710 shots per charge. Suiting the camera's use in trying conditions, the magnesium-alloy chassis and weather-sealing also render the a7 III dust- and moisture-resistant. An evolved 4D FOCUS system now employs a combination of 693 phase-detection points, which cover approximately 93% of the frame, along with 425 contrast-detection areas for reliable and quick autofocus and subject tracking performance. This Fast Hybrid AF System now achieves twice the focusing speed and more reliable tracking compared to previous a7 models, as well as improved low-light focusing. The use of phase-detection points also enables the use of A-mount lenses via the optional LA-EA3 or LA-EA1 lens mount adapters with full continuous AF/AE tracking compatibility. The apt focus system also lends itself to a variety of focusing functions for refined accuracy, including Lock-on AF, which maintains focus on moving subjects throughout the use of a configurable frame that is set over the desired moving subject, and Expand Flexible Spot, which employs neighboring focus points to retain focus on moving subjects even if the originally selected point loses focus. Additionally, Eye AF can be used to base focus on recognized subjects' eyes for portraits and is available in both AF-S and AF-C modes. Autofocus can also be used in conjunction with the Focus Magnifier function for critical focus when homing in on minute subject details. The rear touchscreen can also be used for Touch Focus control, and a Touchpad Focus Control mode lets you use the rear screen intuitively while keeping your eye to the viewfinder.

Sony DIBOXCC5 Digital Imaging-Kasko and Warranty.

Sony DIBOXCC5 (DI_BOXCC5, DI BOXCC5, DI/BOXCC5, DIBOXCC5) Digital Imaging-Kasko and Warranty. Sony Complete Warranty for 5 years for Sony Digital Imaging - Kasko & Warranty.

Sony PFD-23A-Kit-10 Professional Disk

Sony PFD-23A-Kit-10 (PFD_23A-Kit-10, PFD23A-Kit-10, PFD/23A-Kit-10, PFD 23A-Kit-10) Professional Disk. The Professional Disc? it is an extraordinarily compact and reliable single-sided optical disc. Based on the new blue-violet laser technology, it reaches the very high capacity of 23.3 GB. It is also the recording medium chosen for the 2006 range of Sony XDCAM HD camcorders.

Sony PFD-23A-Kit-100 Professional Disk 23GB

Sony PFD-23A-Kit-100 (PFD_23A-Kit-100, PFD23A-Kit-100, PFD 23A-Kit-100, PFD/23A-Kit-100) Professional Disk 23GB. Sony PFD-23 blank optical disc media for all XDCAM and XDCAM HD camcorders, guaranteed performance of at least 1,000 read / write cycles. Compatible with: Sony PDW-680 Sony PDW-700 Sony PDW-F335K/2 Sony PDW-F335L Sony PDW-F355L Sony PDW-F800.

Sony PFD-128QLW-Kit-10 Professional Disk 128GB

Sony PFD-128QLW-Kit-10 (PFD_128QLW-Kit-10, PFD128QLW-Kit-10, PFD/128QLW-Kit-10, PFD 128QLW-Kit-10) Professional Disk 128GB. Sony 10 Professional Disk 128GB Write-Once.

Sony PFD-100TLA-Kit-5 Professional Disk 100GB

Sony PFD-100TLA-Kit-5 (PFD_100TLA-Kit-5, PFD100TLA-Kit-5, PFD 100TLA-Kit-5, PFD/100TLA-Kit-5) Professional Disk 100GB. Proven technology in use since 2003, this system gives optimum cost per GB and the 100GB disc will store typically over 3 hours of XDCAM 4.2.2 footage Ideal for archiving and deliveies and compatible with the following: Sony PDW-U2 Disc Drive Unit Sony XDJ-1000 Disc Library Sony XDS-PD1000 Deck Sony XDS-PD2000 Deck.

Sony SEL-20F18G.SYX Ultra-Wide Prime Lens

Sony SEL-20F18G.SYX (SEL_20F18G.SYX, SEL20F18G.SYX, SEL/20F18G.SYX, SEL 20F18G.SYX) Ultra-Wide Prime Lens. A compact high-resolution 20mm F1.8 prime: Sony’s latest optical technology achieves impressive corner-to-corner resolution from maximum F1.8 aperture in a large-aperture wide-angle prime lens. It is also remarkably compact, and matched with an E-mount body makes up a versatile, mobile system with outstanding AF performance, control, and reliability for a wide variety of shooting needs. Ultra-wide 20mm perspectives, superb resolution from F1.8: Two AA (advanced aspherical) elements in an innovative optical design minimise aberration for outstanding corner-to-corner resolution right from the lens’s widest F1.8 aperture. Compact and lightweight for enhanced mobility and handling:  An advanced optical design that includes two AA elements is supported by a refined mechanical system in a G Lens that weighs just 373 grams (13.2 oz.). Small size and light weight enhance mobility when used with compact E-mount bodies, and make up a well-balanced system that is ideal for use on gimbals or accessory grips. The FE 20mm F1.8 G is a versatile lens for a wide variety of still and movie shooting situations. Smooth, natural-looking bokeh:  In addition to precise control of spherical aberration that has a significant influence on bokeh quality, the FE 20mm F1.8 G has a 9-blade circular aperture that contributes to smooth, creamy bokeh and natural-looking highlights that are hallmarks of the G Lens series. Realistically rendered point sources:  Two AA (advanced aspherical) elements and three ED (Extra-low Dispersion) glass elements are employed to minimise sagittal flare so that point light sources are reproduced accurately, without colour smearing. XD Linear Motors maximise AF speed, precision, and tracking: Two XD (eXtreme Dynamic) Linear Motors easily keep up with the high-speed capabilities of today’s most advanced camera bodies, taking advantage of their full autofocus speed, precision, and tracking potential to capture the most dynamic subjects. New control algorithms make it possible to drive the lens’s large focus group smoothly and without delays for responsive, silent, low-vibration autofocus. Excellent close-up performance, even for selfies: In addition to the fact that 20mm is a great focal length for selfies, this lens has a minimum focusing distance of just 0.19 meter (0.63 ft) when used in AF mode, and an even closer 0.18 meter (0.59 ft) minimum focusing distance when focused manually. It is an excellent choice for gimbal/grip mounting, whether shooting selfies or other subjects. Smooth operation and high reliability in a compact lens:  A focus hold button, focus mode switch, aperture ring, and other controls are designed and positioned for easy operation and a smooth workflow. Alternative functions that support the user’s individual shooting needs can be assigned to the focus hold button via camera body menu settings. The front lens element is fluorine coated to repel water and grime, and the lens is dust and moisture resistant design provides the reliability needed for outdoor use in challenging conditions. Lens Configuration:  Impeccable Sony G Lens design emphasises a graceful balance between high resolution and gorgeous background bokeh that can enhance the artist’s vision.

Sony 3-088-528-02 Lens Hood

Sony 3-088-528-02 (3/088/528/02, 3_088_528_02, 308852802, 3 088 528 02) Lens Hood Sony Lens hood for DSR-PD170P.

Sony UTX-B2V-67 TX Lavalier

Sony UTX-B2V-67 (UTXB2V-67, UTX B2V-67, UTX/B2V-67, UTX_B2V-67) TX Lavalier. Sony TX lavalier 838 MHz - 862 MHz.

Sony 3-682-494-02 Eye Cup

Sony 3-682-494-02 (3_682-494-02, 3682-494-02, 3 682-494-02, 3/682-494-02) Eye Cup. Sony eye cup for DXF-701 HDVF-200-HDVF-20A to complete order also X-3678-187-1.

Sony ECM-44H Omnidirectional Lavalier Condenser Mic

Sony ECM-44H (ECM_44H, ECM44H, ECM/44H, ECM 44H) Omnidirectional Lavalier Condenser Mic. Omnidirectional Lavalier Condenser Mic with 4-Pin Connector for Azden 400-UDR.

Sony X-2023-933-3 Microphone Support

Sony X-2023-933-3 (X_2023-933-3, X2023-933-3, X 2023-933-3, X/2023-933-3) Microphone Support. Microphone support for HVR-Z1E.

Sony 304848101 Wind Screen

Sony 304848101 (30_4848101, 30 4848101, 30/4848101, 304848101) Wind Screen. Wind screen for ECM-NV1 - ECM-674 - ECM-XM1 - ECM-673 lenght 120mm diameter 19/22.

Sony ECM-44U Microphone Lavalier Condenser

Sony ECM-44U (ECM_44U, ECM44U, ECM 44U, ECM/44U) Microphone Lavalier Condenser. Sony microphone Lavalier condenser Omnidirectional with Phantom power for transmitter radio Azden 15BT, 35BT and 31LT complete with: 1x microphone ECM-44 with Jack 3,5" (It will be power supplied by the following transmitters Azden :15BT, 35BT and 31LT).

Sony UWP-D26-K21 XLR Wireless Microphone Transmitter and UWP-D Bodypack

Sony UWP-D26-K21 (UWP-D26-K21, UWP_D26_K21, UWPD26K21, UWP D26 K21, uwp-d26/k21) XLR Wireless Microphone Transmitter and UWP-D Bodypack The Sony UWP-D26 is a dependable camera-mount wireless combo microphone system that delivers uncompromising audio quality, while still being easy to use and fast to set up with no menu diving. It is made with simplicity in mind for DIY cameramen, videographers, vloggers, and journalists working in the field without a crew. The system is packed with professional features including NFC Sync and Auto-Gain functions, which handle time-consuming frequency setup and mic-level adjustments for you, so you're ready to shoot within seconds. Rugged and lightweight, the UWP-D26 includes a bodypack transmitter with an ECM-V1BMP omnidirectional lavalier mic. Also included is a plug-on transmitter, which can be attached to a handheld microphone of your choice for man-on-the-street interviews, or to a shotgun mic for wireless booming (both types of mics are available separately). The plug-on provides 48V phantom power, giving you the option to use a condenser microphone. The low-profile camera-mount receiver is designed for enhanced mobility with compact camcorders and smaller DSLR/mirrorless cameras. It offers digital signal processing for pristine audio and analog UHF transmission with true-diversity reception for reliability-even under difficult shooting conditions. Sony shooters can take advantage of the SMAD-P5 digital MI Shoe adapter (available separately), which provides a direct, clean digital audio connection to select cameras equipped with a digital Multi Interface Shoe. With the UWP-D26 you can focus on the other critical elements competing for your attention during a shoot, and confidently record crisp, clear speech or dialog for projects ranging from documentaries to wedding videos, YouTube content, corporate spots, and hands-free interviews. The UWP-D26 is backward-compatible with Sony WL-800 and UWP Series systems. Note: While this system includes two transmitters, only one can be used at a time.

Sony NP-F970.CE L-Series Rechargeable Battery

Sony NP-F970.CE (NPF970.CE, NP-F970, NPF970, np-f970) L-Series Rechargeable Battery This battery provides the longest running time of all L series batteries, with approximately 4-5 hours operation on an HVR-Z1E or up to 7 hours on a DSR-PD170P. Incorporates Sony InfoLithium technology which enables compatible camcorders to accurately report the charge remaining. Also compatible with the HVR-Z7E, HXR-NX5E, PXW-Z100, DSR-PD175P, HVR-HD1000E, HVR-V1E, HVR-Z1E, HVR-Z5E, NEX-FS100E, and DWA-F01D.

Sony NP-QM91D.CE Rechargeable Battery

Sony NP-QM91D.CE (NP_QM91D.CE, NPQM91D.CE, NP/QM91D.CE, NP QM91D.CE) Rechargeable Battery. Sony Rechargeable Battery -InfoLITHIUM - Series M 8,4 V, 4140 mAh, 29,8 W/h, 7,2 V / 1180 mAh.