Sony FX2 Cinema Line Full-Frame Cinema Camera with XLR Handle Unit

Sony FX2 Cinema Line Full-Frame Interchangeable-Lens Camera with XLR Handle Bring your cinematic vision to life with the Sony FX2, powered by a 33MP full-frame sensor designed for filmmakers who demand exceptional image quality and creative control. Capture breathtaking 4K video up to 60p, rich colour depth with 4:2:2 10-bit recording, and more than 15 stops of dynamic range using S-Log3 for maximum post-production flexibility. Create your look in-camera with S-Cinetone, Creative Looks, or imported LUTs, or push your grade further in post. Advanced AI-driven real-time autofocus keeps your subject sharp and reliable, while Framing Stabilizer intelligently maintains composition—even when your subject is moving. In-Body Image Stabilization (IBIS) combined with Active and Dynamic Active modes delivers smooth, confident handheld footage. A tilting LCD monitor and newly integrated electronic viewfinder (EVF) ensure precise framing in any lighting condition. Built for professional versatility, the FX2 features a removable XLR handle for high-quality audio capture, a built-in cooling fan for extended recording sessions, and fast switching between stills, video, and S&Q modes. CineAlta-inspired ergonomics, 16-bit RAW output, and seamless Sony lens integration make the FX2 a powerful and intuitive tool for modern filmmakers. FULL-FRAME CINEMATIC PERFORMANCE Record stunning 4K video up to 60p with outstanding detail and cinematic motion. The FX2 supports advanced 4:2:2 10-bit codecs and delivers over 15 stops of dynamic range using S-Log3, offering exceptional latitude for colour grading. For a ready-to-deliver look, choose S-Cinetone, Creative Looks, or MLUTs while recording. RELIABLE FOCUS, EVERY TIME Experience fast, precise autofocus powered by real-time AI technology. Advanced subject recognition supports humans, animals, birds, and more, including accurate eye detection. Framing Stabilizer helps keep your subject centred, even during movement. STABLE HANDHELD SHOOTING Shoot confidently on the move with IBIS, enhanced by Active and Dynamic Active stabilization modes. The tilting LCD and high-resolution EVF provide flexible, accurate framing in bright or challenging environments. READY FOR ANY PRODUCTION Designed for adaptable workflows, the FX2 supports cages and accessories, includes a professional XLR audio handle, and features active cooling for long recording sessions. A dedicated still/video/S&Q switch and Log shooting mode streamline on-set operation. ADVANCED CINEMA TOOLS Step into professional filmmaking with a CineAlta-inspired user interface, 16-bit RAW output, and anamorphic de-squeeze support, meeting the demands of high-end production environments. FULL SONY SYSTEM INTEGRATION   Unlock the benefits of the Sony ecosystem with focus breathing compensation for compatible Sony lenses, enabling smooth, cinematic focus transitions. The Monitor & Control app adds advanced monitoring tools such as waveforms, along with remote operation and touch focus for a fully integrated shooting experience.

Sony Burano 8K Camera

Sony Burano 8K Camera(BURANO) Versatile, lightweight, and compact full-frame 8K cinema camera with 16 stops of latitude, image stabilisation for PL and E-mount lenses. Easily configurable for solo and team production. A New Era in Cinematography BURANO is a new concept in cinema cameras. It takes VENICE’s superior image quality and usability but re-imagines it for solo and small team productions. 33% lighter than VENICE 2, more power efficient and supporting CFexpress media – it’s not just our smallest full-frame CineAlta camera, in many ways it’s our most technically advanced. Expect uncompromising image quality wherever you are, whatever the size of your crew. Smarter Shooting BURANO makes shooting highest quality 8K simpler than you can imagine. The world’s first PL mount compatible camera with a built-in stabilisation system*. A ground-breaking combination of our unique electronic variable ND filter system with in-body image stabilisation (IBIS) in a full-frame PL and E-mount cinema camera. For the first time in a full-frame CineAlta camera, Fast Hybrid and Subject Recognition AF with AI makes it easier to get the shots you want under the most demanding scenarios. With BURANO, you don’t need a studio or big crew to excel. Shoot The Way You Want BURANO adapts to be the camera you want to be whatever the shoot. A multi-purpose touchscreen LCD monitor, with flexible mounting system and a versatile, robust handle, allow you to easily configure BURANO for different shooting styles. A lightweight, compact chassis and ergonomic balance make it easy to switch between shoulder-mount, handheld, gimbal or drone operation. BURANO can be configured for large and small projects, solo or with an entire crew. It’s all your choice. Full-Frame 8.6K Sensor BURANO has a large 36x24mm full-frame image sensor that delivers high-quality images and superb rendition with wide latitude and a rich colour gamut. It achieves the beautiful bokeh and dynamic wide-angle shooting that only a full-frame sensor can provide. 8K image quality with a maximum resolution of 8632 x 4856 and, through oversampling, it can output phenomenal looking 4K content. Multiple Image Scan Modes BURANO supports 16:9 and 17:9 readouts in full-frame (8.6K) and Super 35mm (5.8K). Image scan modes include full-frame and Super35 as well as finely optimised down sampled and high-speed modes such as 6K 60p (FF crop), 5.8K 60p (S35), and 4K 120p (S35 crop*) catering for a wide range of production requirements. *Only 17:9 in Super 35 Cropped (S25c) mode 16 Stop Latitude With a wide latitude of 16 stops*, BURANO captures beautiful, low-noise images under almost any lighting conditions. The camera’s wide dynamic range captures everything from highlights to shadows expertly with superb colour rendition, giving operators maximum flexibility in colour grading. * S-Log3 shooting. Sony measurements. Wide Colour Gamut BURANO features Sony’s signature S-Gamut/S-Gamut.Cine wide colour space that, as with the VENICE 2, covers a gamut exceeding BT.2020 and DCI-P3. S-Log3 and X-OCN also dramatically enhances creative flexibility in post-production. As BURANO offers the same colour accuracy as VENICE 2 it’s easy to use both cameras together for a seamless and efficient post-production workflow. Dual Base ISO Cinematographers worldwide love VENICE 2’s ability to switch the sensor’s sensitivity to capture clean images even in low light conditions. BURANO supports the same Dual Base ISO 800 and 3200 as VENICE 2. This means clear images with low noise whether shooting in a brightly lit environments (ISO 800) or in challenging dimly lit scenarios (ISO 3200). With BURANO, it’s possibly to shoot amazing imagery with nothing more than candlelight. Internal 16-bit X-OCN LT and XAVC H recording Despite its compact dimensions, BURANO offers internal recording of X-OCN LT* as well as our new XAVC H and proven industry standard XAVC-I format. X-OCN is Sony’s compressed RAW format that records everything that the 8.6K sensor can capture in a broad latitude 16-bit scene linear file full of rich tonal gradation. X-OCN LT’s high efficiency reduces storage requirements and accelerates file transfer times for 8K content for a post-production workflow that’s comparable to a 4K project. BURANO also features 10-bit S-Log3 with XAVC H-I HQ recording at 1200 Mbps and XAVC H-I SQ recording at 800 Mbps for 8K30p image quality. This enables even great data savings and faster post-production workflow. * Not compatible with X-OCN XT and X-OCN ST recording formats New in-camera Looks for Ready-to-Use Footage BURANO has four new looks – Warm, Cool, Vintage and Teal and Orange – to choose between alongside the established s709 and 709 (800) looks in Cine EI mode. Creatively tuned to suit typical shooting scenarios, they give the operator a choice of distinctive, engaging looks at the touch of a button. Moreover, LUT data from a shoot can be embedded in those clips’ metadata for an efficient colour workflow. s709: Kodak 2383-like natural tones and colours s709(800): Standard 709 tone curve for accurate colour reproduction Teal and Orange A modern, colourful, contrasty reformulation of the classic film look. With a strong separation between cool backgrounds and warm skin tones, it’s an ideal look for productions with a focus on human subjects. Warm A soft, gentle look with amber highlights, and flattering for skin. Cool Evokes the chill of a shadow, and the blue of twilight – ideal for midnight blue or the coolness of a city at dawn. Vintage Transports the camera’s high resolution cinema quality into a previous era. The look applies a film-like bleach bypass and faded, pale sepia effect. Lens Mount Flexibility PL Lens Mount BURANO comes with the industry-standard PL lens mount and is compatible with Super 35mm and full-frame PL lenses (spherical and anamorphic). The lens mount includes contacts that support Cooke/i Technology, and lens information is recorded as metadata, frame by frame.  Lever Lock Type E-mount E-mount lenses can be fitted when the PL mount adapter is removed. E-mount (lever lock type) gives users the ability to change lenses by rotating the locking collar rather than the lens itself, which means that in most cases lens support rigs don’t need to be removed, saving time during a production. Sony’s ever-increasing range of E-mount lenses, from ultra-wide to ultra-telephoto, are supported by the BURANO’s advanced image stabilisation and AF capabilities – ideal for mobile and single-operator projects. Anamorphic Lens De-Squeeze function BURANO comes with an anamorphic de-squeeze function as standard. The monitoring menu gives a choice from 1.3x/2.0x, based on the anamorphic lens’ magnification. The result can be seen on the LCD monitor display, and on external monitors at FHD resolution. The camera monitor output supports SDI or HDMI for X-OCN shooting, and HDMI for non-X-OCN content. In-Body Stabilisation with PL mount lenses BURANO is the world’s first cinema camera that supports in-body optical image stabilisation (IBIS) for almost any attached lens, including for the first time PL. The new, compact image stabilisation system was originally developed for the Alpha series of mirrorless cameras. Featuring a gyroscopic sensor and control algorithm, it compensates for camera shake even for handheld shooting while walking. The stabilisation is so effective that it removes the need for any extra equipment for many applications. Stabilisation is even greater with E-mount lenses, allowing more difficult shots to be captured without blurring. Camera shake data can be passed to post production for precise alignment with CGI and in volume stages. Electronic Variable ND Filter Sony’s unique electronic Variable ND Filter has been redesigned to be both smaller and compatible with the built-in image stabilisation mechanism. It can smoothly and continuously change its density from 0.6 (1/4) to 2.1 (1/128). With physical ND filters no longer needed, operators can adjust the electronic filter density by simply rotating the ND dial. Operators can maintain a constant depth of field by adjusting the electronic ND filter and the iris control together. Continuous or stepped changes can be selected with the ND STEP/VARIABLE switch, depending on the application. The [Auto ND] function automatically adjusts the filter density to give a correct exposure, effectively allowing the use of the ND filter as an alternative Auto IRIS. Catch the action with Fast Hybrid AF* Effortlessly track fast moving subjects with pin-sharp focus, even when using wide lens aperture settings to maintain a shallow depth of field with BURANO’s full-frame sensor. Originally developed by Sony’s Alpha camera engineers, enhanced Fast Hybrid AF combines phase detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. In addition, Face Detection intelligently recognises and locks on to human faces. The dedicated 627-point phase detection AF sensor covers approximately 88.7% of the whole image area, allowing consistently accurate, responsive AF tracking, even with shallow depth-of-field. AI Subject Recognition AF with touch* Our onboard AI processing unit recognises not only eye position but also accurately senses human torso and head positions. Subject Recognition AF automatically draws a frame around people’s faces when they are detected. Human pose estimation technology recognises body and head position, so you can even track a subject facing away from the camera or wearing a mask. Touch a person to focus on, and the camera will track that person precisely. Even in challenging situations like a bowed head or when hair covering a face, the camera accurately captures the eyes, so that operators can focus accurately even in the most difficult circumstances. * Over 70 E-mount lenses can use BURANO’s advanced Hybrid AF and AI Subject Recognition AF features Virtual Production made simple Up to 8K recording, 16-bit colours and a very fast sensor readout speed allow cinematographers to focus on the art of shooting virtual sets rather than technical compromises. The flawless synch with advanced Crystal LED controllers is unique in the industry. Dual CFexpress Type B Slots Sony’s new CFexpress card VPG400 allows for reliable capture at exceptional high data rates, including X-OCN LT recording in full 8K. BURANO’s dual media slots allow relay and simultaneous recording*, while versatile CFexpress Type B media are convenient for backing up and transferring data in the field. An additional SD card slot is for storing Proxy and camera setting information. * XAVC-only Smaller, Lighter, Stronger At 2.9 kg including the PL adaptor, BURANO is approximately 33% lighter than Sony’s top-of-the-line VENICE 2 digital cinema camera – a significant advantage when shooting hand-held or shoulder mounted, as well as when using with gimbal, drone, cranes and jibs. All the button and key layouts have been carefully considered to suit the new compact size and solo or team operation. The main cinematography controls are on the Operator Switch Side and can be illuminated for use in dark environments. The camera has tally lights in three positions, so operators can check status from four different directions. There’s also an optional audio beep for recording start and stop. Despite its compact size, BURANO is engineered to Sony’s highest standards of reliability with a housing constructed of sturdy magnesium alloy and aluminium for shooting in the harshest environments. Recording for hours on end is no problem with a highly efficient cooling system which is completely isolated from image sensor and other dust sensitive components. Exceptional ergonomics Intuitive Menu Control with Touch BURANO’s LCD Monitor has a quick access control menu for commonly accessed features. With a single touch, you can press to change key settings including: Codec, Imager Scan mode, Picture Size and frequency Base ISO/Sensitivity Shooting Mode Audio Levels Versatile Monitor BURANO features a 3.5 type LCD monitor that can be freely adjusted to suit the shooting style. A viewfinder loupe can be attached, autofocus is operated by touching the screen, and the display can also be mounted in a wide variety of ways to adapt to the project style. Smart Grip Flexibility Popular with operators around the world, the FS7/FX9 telescoping arm with grip control transformed shooting on the go and now with GP-VR100* we’ve made it even better for BURANO. The arm’s length is easily adjustable at the turn of a knob, while a quick-release lever adjusts the angle. Once perfectly adjusted for shooting from your shoulder or waist, Sony’s Grip Remote Control puts all the important controls at your fingertips with Zoom, Start/Stop and a range of Assign controls, including a dial you can use to adjust Iris. So, you can operate BURANO without taking your hand off the grip.

Sony 4K Handheld Camcorder

Sony 4K Handheld Camcorder(ZV-1FBDI) Specifically designed for vloggers and online content creators, the Sony ZV-1F Vlogging Camera is a pocket-sized camera with a large 1" sensor and a 20mm equivalent wide-angle lens. The camera lets you take a group selfie with a wide view of the background scenery and get everything in the frame, even at arm's length.The lens captures a wider field of view than the human eye, allowing you to take images with stunning depth and perspective both indoors and outdoors. external. Small and lightweight, the camera is designed to be carried around so you can capture everyday life with ease and capture content on the go. Equipped with a 3.0" touchscreen0" detachable microphone and a 3-capsule directional microphone perfect for front-facing recording, the ZV-1F will also appeal to those who appreciate the camera's unique Product Showcase setting, background blur function, real-time Eye AF (autofocus ), Face Priority AE (automatic exposure), as well as a new touchscreen interface, which makes it easier to use. Fast, intelligent autofocus Offering 425 contrast-detection AF points to cover a large area of the captured image, the ZV-1F offers high-precision focusing to ensure your footage remains razor-sharp. Easy Bokeh at the Touch of a Button With a simple push of the bokeh switch, the ZV-1F lets you achieve beautiful blurry backgrounds like a pro. Beautiful skin tones for everyone. Look your best every time you shoot. Without any special settings, the camera captures skin tones accurately, ensuring a healthy and natural look. There is also a Soft Skin Effect mode to adjust the smoothness of the skin. Still footage while walking Showing your viewers the world around you creates engaging content, but shaky footage can be distracting. The ZV-1F lets you capture video clearly even while walking. Image stabilization in active mode helps minimize image blur from handheld shooting for steadier shots. Slow & Speed Capture poignant moments in slow motion or ramp up the energy for dramatic scenes without any editing. With the ZV-1F, you can easily adjust the speed of your footage by simply pressing the Slow and Quick buttons. Easy smartphone connectivity Transfer all recorded images and videos to your smartphone via Wi-Fi via the Imaging Edge Mobile Plus app. The app also turns your phone into a remote control for remote shooting. Simple streaming   Turn the ZV-1F into a high-quality webcam by simply connecting a compatible device via USB. The 1" image sensor and Creative Look mode ensure vibrant images, while the 3-capsule directional microphone delivers excellent audio.

Sony ZV-E1 FF Mirrorless Vlog Camera - Full-frame 35mm sensor (Black)

Sony ZV-E1 FF Mirrorless Vlog Camera - Full-frame 35mm sensor (Black)(ZV-E1) Introducing the Sony ZV-E1, with a unique set of features designed for cinematic content creation and demanding video shooters looking for the best shooting experience. This is a compact camera that includes a large and high performance full-frame sensor capable of 4K 60p recording, a unique AI-based Autofocus with multiple object recognition, and professional audio quality. It also packs Sony's own set of vlogging features, such as Product showcase or the direct to streaming camera solution in 4K, aimed at making content creation easier. For the first time, record your adventures with a cinematic look thanks to a unique Cinematic Vlog settings and professional picture profile S-CINETONE. Keep your shots extremely stable with the new frame stabiliser and in-body stabilisation. Get the ultimate content creation experience with the Sony ZV-E1 and shoot your content like a pro. Professional Grade Full-Frame Quality Shoot cinematic content with the professional sized full-frame 4K 60p image quality for unlimited creative expression, even in the dimmest light situations. Made easy for video content creation, benefit from the cinematic look of S-CINETONE and Cinematic Vlog profiles. The Sony ZV-E1 is also capable of cinematic 4K 120p slow-motion inherited from professional cameras via a free firmware update. Equipped with a dedicated AI chip, this vlogging camera is capable of advanced Autofocus features detecting human eyes, pets, and a variety of objects, so your footage is always in focus. Additionally, it includes new features such as auto-framing and framing stabilisation to keep your subject stable and centred in the frame. The ZV-E1 includes features designed for content creation such as a Bokeh switch that blurs the background and a Product showcase mode for reviewers who want to ensure objects are in focus when shown to the camera. Paired with a swivel, fully touch capable screen and a tally lamp, it has never been easier to vlog and focus on your content. The features on this 4K camera pack a punch for serious filmmaking. Sony's latest Focus breathing compensation feature eliminates any breathing when focusing at different distances (only compatible with Sony lenses), you can import your own LUT to get a full preview of the end result, and more. Pair your Sony vlogging camera seamlessly with your smartphone using the latest app and transfer high quality clips straight to your phone. Additionally, this camera is streaming ready at up to 4K 30p or Full HD 60p without the need for a capture card or extra software. As part of Sony's extensive system, enjoy different angles of view with 60+ full-frame lenses available and capture sound like never before with the series of ECM digital microphones.

Sony Alpha A6700 Aps-c Camera With 16-50mm Lens

Sony Alpha A6700 Aps-c Camera With 16-50mm Lens(ILCE-6700L) Next Generation Creativity on the Go The α6700 combines the latest AI technology with Sony's outstanding α-series image quality in a compact APS-C camera body. Offering enhanced subject recognition, the latest technology for capturing stills and movies, and E-mount lens compatibility, the lightweight α6700 is designed for creative adventures, anytime, anywhere. APS-C Format Exmor R Back-Illuminated CMOS Sensor The advanced Exmor R CMOS image sensor with 26.01 effective megapixels is packed with Sony's image sensor technologies. It offers extraordinary sensitivity, resolution and dynamic range, thanks to its back-illuminated format, gapless on-chip lenses, and AR coating (anti-reflection seal glass) BIONZ XR™ processing power for exceptional image quality With up to eight times2 more processing power than previous versions, the latest BIONZ XR image processing engine delivers natural gradations and realistic colors with low noise for stills and movies. Wide dynamic range for diverse shooting scenarios The α6700's standard sensitivity ranges from a low ISO 100 to ISO 320003, and offers a wide dynamic range so that natural gradations can be captured in high-contrast scenes without blown highlights or blocked shadows. Consistently accurate exposure and color The α6700 offers impressive exposure control. It's equipped with a new AE algorithm, initially developed for full-frame models, which enables it to accurately detect the skin area of faces and adjust exposure accordingly when shooting stills and movies. It can also maintain realistic colors under a wide range of light sources, from sunlight through to theater and stadium lighting, and produce more natural skin tones, sky and foliage colors. Choose your Creative Look The Creative Look setting offers greater creative flexibility with added simplicity. It provides 10 presets that can be used just as they are or customized via 8 adjustable parameters to suit the subject or scene, whether you’re shooting stills, movies or live-streaming. You can easily set the mood ahead of shooting so your images are ready to share immediately. 5-axis optical image stabilization Shoot hand-held or in low-light with confidence — the 5-axis in-body optical image stabilization system is supported by precision gyro sensors to deliver up to 5-steps4 of shake compensation. It detects and compensates for various types of camera shake, including angular (pitch/yaw) shake that is more apparent at longer focal lengths, or when shooting with slower shutter speeds. Precise compensation at the single-pixel level Through enhanced design and control of key parameters, the α6700 provides precise detection and control right down to the single-pixel level, taking full advantage of the sensor's 26.0 megapixel1 resolution to produce images that capture all the finer details. Selectable RAW file types and quality In addition to compressed RAW capture, the α6700 supports lossless compressed RAW capture that provides efficient compression, allowing a greater number of high-quality images to be shot in continuous bursts. A new Light image quality selection that generates less data is provided for JPEG and HEIF images. HEIF: High compression with excellent image quality For the first time in an APS-C camera, the α6700 includes the HEIF (High Efficiency Image File) format with smooth 10-bit gradations for more realistic reproduction of skies and portrait skin tones. The HEIF format also uses advanced compression technology to maintain image quality while significantly reducing file size and saving storage space. Innovative AI processing The α6700 is equipped with an innovative AI processing unit that greatly enhances its performance, including more accurate recognition for a wider range of subjects. Human pose estimation The α6700 uses subject form data to recognize movement, achieving greatly improved human eye recognition. It also employs learned human forms and postures to precisely recognize body and head positions, making it possible to lock onto and track a subject facing away from the camera, or with their face partly obscured by a helmet or sunglasses. Wider subject recognition In addition to humans and animals, the α6700 now recognizes birds, insects, cars, trains and airplanes7, providing even greater flexibility and reliability when shooting both stills and movies. Heads and bodies are recognized in addition to eyes (Real-time Eye AF) for the Human and Animal settings, and now for the Bird setting too, with animal recognition performance more than 40%8 higher compared to the α6600. Smarter Real-time Tracking9 The upgraded and more reliable AI-based Real-time Tracking makes shooting in a wider range of situations simpler, leaving you free to concentrate on framing and composition. The α6700 can even track people wearing helmets or animals facing away from the camera.10 Shooting responsibly when using face registration The face registration feature involves the use of biometric data. You are responsible for your collection and use of such data, and compliance with applicable local law. For more details, please visit the website below. Faster, more precise wide-area AF The immense processing power and updated algorithms of the new BIONZ XR engine achieve notably improved AF performance, with up to 759 phase detection points, 11 covering approximately 93% of the image area when shooting stills. Accurate AF in low EV -3.0 light The latest AF algorithms achieve high AF precision at light levels as low as EV -3.0 in AF-S mode (ISO 100 equivalent, F2.0 lens). The Focus Priority mode also provides more reliable AF in low light or when using smaller apertures. Shoot more than 1000 images at 11fps The a6700's powerful BIONZ XR processing engine combines with a large buffer memory to boost write speeds to memory cards, so that the camera can shoot more than 1000 JPEG images, up to 59 compressed RAW images, or up to 23 lossless compressed RAW images in continuous high-speed bursts. Full-time DMF When shooting stills with AF-C or AF-S autofocus, the lens's focus ring can be rotated to instantly switch to manual focus mode at any time. This makes it easy to switch focus to a different subject on the fly. Focus bracketing to capture the best shot The a6700 can automatically shoot up to 299 images with sequentially shifted focus points according to intervals and a sequence specified by you. Pick the perfect shot, or post-process multiple shots to achieve creative composites with incredible depth of focus. Flicker suppression Suppress flicker from artificial lighting whether you're shooting stills or movies. Simply select "Anti-flicker Shoot", or use "Var. Shutter" to fine-tune shutter speeds to match flicker rates when filming. 4K movie recording for stunning quality The α6700 captures 4K (QFHD: 3840 x 2160) at up to 60p (50p) using Sony's proprietary 6K oversampling technology. By compressing this expanded detail into the output, it achieves 4K video quality with outstanding definition, even at higher frame rates. The camera also supports high-quality XAVC S-I (All-Intra) and XAVC HS formats with 10-bit 4:2:2 color sampling.16 High frame rate 4K 120p (100p) recording17 High frame rate recording at up to 120p for 4K QFHD (3840 x 2160) output makes it possible to capture high-resolution movies in-camera. This expands creative possibilities in post-production by allowing subject motion to be emphasized or transformed into smooth slow motion. S&Q mode18 also enables recording of slow or quick motion sequences in camera from the outset. Expressive S-Cinetone™ Incorporating the same color science as the highly regarded CineAlta and Cinema Line, the α6700 includes Sony's S-Cinetone picture profile as a preset, delivering images with more faithful color reproduction and natural skin tones. S-Log3 gamma curve with 14+ stops19 of latitude The S-Log3 gamma curve emphasizes gradation characteristics from shadows to mid-grey (18% grey), achieving up to 14+ stops19 of latitude for flexible and creative color editing. Real-time Tracking for movies AI-based Real-time Tracking provides a dramatic improvement in Real-time Tracking performance, automatically recognizing, tracking, and focusing on the eyes of a specified subject.20 In addition to using the Touch Tracking function to initiate tracking, a custom button can be used to temporarily track a selected subject regardless of the subject's position in the frame and the focus area setting. Active Mode for enhanced movie image stabilization21 Active Mode21 provides powerful image stabilization for handheld movie shooting. The α6700 can accurately measure camera shake which is then precisely compensated for optically, providing highly effective stabilization without sacrificing mobility, even when shooting 4K22. Breathing compensation for consistent angle of view23 When shooting movies with compatible lenses, automatic breathing compensation uses Clear Image Zoom technology to maintain a consistent angle of view, suppressing changes that may occur due to shifts in focus position. Breathing metadata can also be used in post-production24. Import user LUT files See how your footage will look in post-processing while you're shooting. The a6700 allows you to import a custom LUT (Look Up Table) that can be applied to the camera's monitor image while recording, providing a preview. Movie making made simple The a6700 is jampacked with features to support movie shooting and production. Its Auto Framing?5 function automatically crops and re-frames the image while using Al to track the subject. Or, for a cinematic touch, the in-camera time-lapse function allows you to create time-lapse videos within the camera itself. Made for your hands With its compact shape, and lightweight 493 gram body, the α6700 offers remarkable portability and maneuverability without compromising image quality. A new grip design provides a solid, even more comfortable hold on the camera, while giving greater control for shooting both stills and movies. High-performance electronic viewfinder A 2.36 million-dot (approx.) XGA OLED electronic viewfinder with approximately 1.07x magnification26 delivers an exceptional view of your world. With twice the brightness of the α6600, and a wider 33-degree viewing angle, it offers clear, easy viewing while shooting. The finder frame rate can be set to 120 fps — twice the normal rate — for a smooth viewfinder image, with minimum display motion blur when tracking and shooting moving subjects. Enhanced shooting flexibility with vari-angle monitor The α6700 features a large 3.0-type 1.03 million-dot (approx.) touch-panel LCD monitor with a 3:2 aspect ratio and side-opening vary-angle flexibility. This allows greater positioning and framing freedom, giving you plenty of creative options for handheld and gimbal-mounted shooting of stills and movies. Intuitive touch control Just touch the screen to activate key functions, such as selecting a focus point or subject to track, or triggering the shutter. Swiping in from the left or right edge of the shooting display reveals touch icons that allow quick changes to the shooting mode and other settings. The function (Fn) menu can also be displayed by a simple swipe-up. During playback, you can easily select and zoom into images through taps and intuitive pinch-out/pinch-in gestures. Improved menu structure Responding to feedback from professional photographers and videographers, the α6700 comes with a new Main Menu structure similar to the latest full-frame α series models. The logical layout provides more efficient access to important shooting parameters, such as frame rate, shutter speed, and more. It can be assigned to a custom key for quick access when needed, and touch operation means that adjusting key settings has never been faster. More than 70 E-mount lenses to choose from Take your pick from a comprehensive range of E-mount lenses from Sony. Our acclaimed line-up includes the full-frame G Master™ series that blends breathtaking resolution with exquisite bokeh, and the G Lens™ series that offers excellent image quality and value. Combined with an APS-C body, Sony's ultra-wide lenses can capture sweeping scenery or large subjects in a single frame, while telephoto lenses, assisted by the 1.5 crop factor of APS-C cameras and teleconverter lenses as needed, make it possible to capture distant subjects with stunning clarity and detail. Accessories expand creative horizons A variety of high-performance compatible microphones can be connected to the the camera’s Multi Interface Shoe for direct, noise-free digital audio transfer to the camera. Or choose from a variety of high-output flash units such as the HVL-F60RM2 that support high-speed continuous shooting, giving you even more ways to capture creative imagery. Easy and stable smartphone connectivity Make the most of the a6700's greatly enhanced connection stability with Sony's free Creators' App27 that enables simple transfers of photos and movies to your smartphone or tablet. Transfers continue in the background even if the smartphone display sleeps or a different app is launched.28 You can also use your smartphone to control the camera remotely. Stream high-quality live content Connected to a personal computer or smartphone 29 via USB, the a6700 can function as a 4K (2160p) webcam with advanced AF that makes online meetings and live streaming events even smoother. Fast Wi-Fi for PC tethering Built-in Wi-Fi (IEEE 802.11a/b/g/n/ac) allows communication on the 2.4 GHz and 5 GHz30 bands for fast and stable data transfer. Creators' Cloud platform Creators' Cloud is a platform that supports creative work from shooting to production by combining advanced Sony camera technology with cloud-based AI. It's also a place for discovery and collaboration with other creators around the world. Explore web, mobile, and PC-based apps providing efficient solutions that integrate cameras with shooting and production apps and services. Accessible technology on α cameras Sony's α cameras are equipped with a number of accessibility features so that as many people as possible can utilize and enjoy our technology. For example, the screen reader function reads text on the menu screens aloud, with volume and reading speed adjustable as needed. Approximate, effective Compared to the BIONZ X image processing engine in the α6600. Sony tests. Expandable to ISO 50 - 102400 for stills. Based on CIPA standard. Pitch/yaw shake only. With FE 50mm F1.2 GM lens mounted. Long-exposure Noise Reduction off. The latest version of Imaging Edge Desktop (Remote/Viewer/Edit) is required to view and edit HEIF images. All specified subjects may not be accurately recognized in all conditions. Subject types other than the type specified may be erroneously recognized in some cases. Sony internal tests [Tracking] in the menu. Based on advanced artificial intelligence, including machine learning. Camera operation depends on focus area settings and touch operation. Accurate focus may not be achieved in some situations. The number of distance measuring points when shooting stills. The number of points used depends on the selected shooting mode. JPEG FINE format, continuous Hi+ mode. Actual number of images may vary according to shooting conditions. Not applicable to the E PZ 16-50mm F3.5-5.6 OSS and E 18-200mm F3.5-6.3 OSS LE lenses or any A-mount lens. Full-time DMF is not available when shooting continuously in AF-C or AF-A mode (not including Lo), or when using the FE 70-200mm F2.8 GM II OSS lens in AF-C mode. A-mount lenses not supported. Only 100 Hz and 120 Hz flicker are detected. Continuous shooting speed may decrease. Phase-detection AF coverage is reduced. Flicker-free shooting is not available during silent shooting, BULB exposure, or movie recording. Recording frame rates are indicated as the closest integer values. The actual corresponding frame rates are as follows: 24p: 23.98 fps, 30p: 29.97 fps, 60p: 59.94 fps, and 120p: 119.88 fps. QFHD (3840 x 2160) with approx. 38 % image crop. Audio recording not available in the S&Q mode. S-Log3 movies. Sony internal tests. When subject recognition is ON during AF shooting. Face, eye, etc. recognition status can be monitored when subject recognition frame display is ON. Accurate focus may not be achieved in some situations. Slight image crop in Active Mode. “Standard” setting recommended for focal lengths of 200 mm or longer. Active Mode is not available when recording at frame rates of 120 (100) fps or higher, including S&Q. Compatible lenses are listed at: https://support.d-imaging.sony.co.jp/support/ilc/breathing/en/ Angle of view and image quality may change slightly when this function is turned ON. Full compensation may not be possible with some lenses. This function is not available when shooting movies at 120p, when using the S&Q mode at 120p, or when shooting stills. Additional focus breathing compensation is available in post-production using the advanced breathing compensation capabilities of the latest Catalyst Browse/Prepare software application, processing metadata provided by the camera. Only available for movies. Framing is cropped from 4K images, resulting in a reduced angle of view. With 50mm lens at infinity, -1m-¹. 35mm camera equivalent: Approx. 0.70x. Download app at Google Play and the App Store. Network services, content, and operating system and software subject to terms and conditions and may be changed, interrupted or discontinued at any time and may require fees, registration and credit card information.Check regional availability of services and applications via the URL https://www.sony.net/cca/ Transfer may be interrupted when a different app is launched on some operating systems. When streaming via USB, maximum image resolution is 3840 x 2160 and maximum frame rate is 30 fps. The OS of the computer or smartphone used must be compatible with UVC/UAC. Use the most up-to-date OS available for your device. A commercially available USB cable and/or terminal adaptor may be used to connect to equipment with a USB Type-C port. When connected via USB 2.0, maximum image resolution is HD (720p) and maximum frame rate is 30p. 5 GHz communication may be restricted in some countries and regions. Not guaranteed to be 100% dust- and moisture-proof. Shooting time will vary according to conditions. Use the [Interval Timer] function to shoots sequences at long intervals (e.g. 10 minutes or more). Maximum exposure interval is 6 seconds when shooting 4K. Maximum exposure interval is 6 seconds when shooting 4K. The Focus Map function cannot be used in the following conditions: When the Focus Magnifier function is in use, when using digital zoom, during USB streaming, when no lens is mounted, when an A-mount lens is mounted, or when a lens that is not compatible with focal plane phase-detection AF is in use. Not including materials used in coatings and adhesives. Not including materials used in coatings and adhesives. Natural non-woven fabric may not be available during some production periods. Features and specifications are subject to change without prior notice. Number of effective pixels varies depending on attached lenses and camera settings. When using accessories that support 4ch output / 24 bits with the Multi Interface Shoe. Anti-flicker Shooting is not available when the [Shutter Type] setting is set to [Electronic Shutter]. With compatible Sony external flash Varies according to shooting conditions or memory card used Supports Micro USB compatible device. (Configuration method/Access method) WPS or manually /infrastructure mode. When connecting to smartphones, the camera can always work as a base without a wireless access point. (Security: WEP/WPA-PSK/WPA2-PSK/WPA3-SAE) Models sold in some countries/regions support IEEE 802.11b/g/n (2.4GHz) wireless LAN only. Sony accessories for the Accessory Shoe can be attached. When [Resolution] is set to [HD(720p)], [MJPEG] is only available. The LCD screen is turned on, shot once every 30 seconds, operate zoom alternately between W and T ends, flash strobe once every two times, turn power off and on once every ten times.   Indication recording time, which is defined by repeating the cycle: Power on, start recording, zoom , stand-by and power off.  

Sony Alpha A6700 Aps-c Camera With 18-135mm Lens

Sony Alpha A6700 Aps-c Camera With 18-135mm Lens(ILCE-6700M) Next Generation Creativity on the Go The α6700 combines the latest AI technology with Sony's outstanding α-series image quality in a compact APS-C camera body. Offering enhanced subject recognition, the latest technology for capturing stills and movies, and E-mount lens compatibility, the lightweight α6700 is designed for creative adventures, anytime, anywhere. APS-C Format Exmor R Back-Illuminated CMOS Sensor The advanced Exmor R CMOS image sensor with 26.01 effective megapixels is packed with Sony's image sensor technologies. It offers extraordinary sensitivity, resolution and dynamic range, thanks to its back-illuminated format, gapless on-chip lenses, and AR coating (anti-reflection seal glass) BIONZ XR™ processing power for exceptional image quality With up to eight times2 more processing power than previous versions, the latest BIONZ XR image processing engine delivers natural gradations and realistic colors with low noise for stills and movies. Wide dynamic range for diverse shooting scenarios The α6700's standard sensitivity ranges from a low ISO 100 to ISO 320003, and offers a wide dynamic range so that natural gradations can be captured in high-contrast scenes without blown highlights or blocked shadows. Consistently accurate exposure and color The α6700 offers impressive exposure control. It's equipped with a new AE algorithm, initially developed for full-frame models, which enables it to accurately detect the skin area of faces and adjust exposure accordingly when shooting stills and movies. It can also maintain realistic colors under a wide range of light sources, from sunlight through to theater and stadium lighting, and produce more natural skin tones, sky and foliage colors. Choose your Creative Look The Creative Look setting offers greater creative flexibility with added simplicity. It provides 10 presets that can be used just as they are or customized via 8 adjustable parameters to suit the subject or scene, whether you’re shooting stills, movies or live-streaming. You can easily set the mood ahead of shooting so your images are ready to share immediately. 5-axis optical image stabilization Shoot hand-held or in low-light with confidence — the 5-axis in-body optical image stabilization system is supported by precision gyro sensors to deliver up to 5-steps4 of shake compensation. It detects and compensates for various types of camera shake, including angular (pitch/yaw) shake that is more apparent at longer focal lengths, or when shooting with slower shutter speeds. Precise compensation at the single-pixel level Through enhanced design and control of key parameters, the α6700 provides precise detection and control right down to the single-pixel level, taking full advantage of the sensor's 26.0 megapixel1 resolution to produce images that capture all the finer details. Selectable RAW file types and quality In addition to compressed RAW capture, the α6700 supports lossless compressed RAW capture that provides efficient compression, allowing a greater number of high-quality images to be shot in continuous bursts. A new Light image quality selection that generates less data is provided for JPEG and HEIF images. HEIF: High compression with excellent image quality For the first time in an APS-C camera, the α6700 includes the HEIF (High Efficiency Image File) format with smooth 10-bit gradations for more realistic reproduction of skies and portrait skin tones. The HEIF format also uses advanced compression technology to maintain image quality while significantly reducing file size and saving storage space. Innovative AI processing The α6700 is equipped with an innovative AI processing unit that greatly enhances its performance, including more accurate recognition for a wider range of subjects. Human pose estimation The α6700 uses subject form data to recognize movement, achieving greatly improved human eye recognition. It also employs learned human forms and postures to precisely recognize body and head positions, making it possible to lock onto and track a subject facing away from the camera, or with their face partly obscured by a helmet or sunglasses. Wider subject recognition In addition to humans and animals, the α6700 now recognizes birds, insects, cars, trains and airplanes7, providing even greater flexibility and reliability when shooting both stills and movies. Heads and bodies are recognized in addition to eyes (Real-time Eye AF) for the Human and Animal settings, and now for the Bird setting too, with animal recognition performance more than 40%8 higher compared to the α6600. Smarter Real-time Tracking9 The upgraded and more reliable AI-based Real-time Tracking makes shooting in a wider range of situations simpler, leaving you free to concentrate on framing and composition. The α6700 can even track people wearing helmets or animals facing away from the camera.10 Shooting responsibly when using face registration The face registration feature involves the use of biometric data. You are responsible for your collection and use of such data, and compliance with applicable local law. For more details, please visit the website below. Faster, more precise wide-area AF The immense processing power and updated algorithms of the new BIONZ XR engine achieve notably improved AF performance, with up to 759 phase detection points, 11 covering approximately 93% of the image area when shooting stills. Accurate AF in low EV -3.0 light The latest AF algorithms achieve high AF precision at light levels as low as EV -3.0 in AF-S mode (ISO 100 equivalent, F2.0 lens). The Focus Priority mode also provides more reliable AF in low light or when using smaller apertures. Shoot more than 1000 images at 11fps The a6700's powerful BIONZ XR processing engine combines with a large buffer memory to boost write speeds to memory cards, so that the camera can shoot more than 1000 JPEG images, up to 59 compressed RAW images, or up to 23 lossless compressed RAW images in continuous high-speed bursts. Full-time DMF When shooting stills with AF-C or AF-S autofocus, the lens's focus ring can be rotated to instantly switch to manual focus mode at any time. This makes it easy to switch focus to a different subject on the fly. Focus bracketing to capture the best shot The a6700 can automatically shoot up to 299 images with sequentially shifted focus points according to intervals and a sequence specified by you. Pick the perfect shot, or post-process multiple shots to achieve creative composites with incredible depth of focus. Flicker suppression Suppress flicker from artificial lighting whether you're shooting stills or movies. Simply select "Anti-flicker Shoot", or use "Var. Shutter" to fine-tune shutter speeds to match flicker rates when filming. 4K movie recording for stunning quality The α6700 captures 4K (QFHD: 3840 x 2160) at up to 60p (50p) using Sony's proprietary 6K oversampling technology. By compressing this expanded detail into the output, it achieves 4K video quality with outstanding definition, even at higher frame rates. The camera also supports high-quality XAVC S-I (All-Intra) and XAVC HS formats with 10-bit 4:2:2 color sampling.16 High frame rate 4K 120p (100p) recording17 High frame rate recording at up to 120p for 4K QFHD (3840 x 2160) output makes it possible to capture high-resolution movies in-camera. This expands creative possibilities in post-production by allowing subject motion to be emphasized or transformed into smooth slow motion. S&Q mode18 also enables recording of slow or quick motion sequences in camera from the outset. Expressive S-Cinetone™ Incorporating the same color science as the highly regarded CineAlta and Cinema Line, the α6700 includes Sony's S-Cinetone picture profile as a preset, delivering images with more faithful color reproduction and natural skin tones. S-Log3 gamma curve with 14+ stops19 of latitude The S-Log3 gamma curve emphasizes gradation characteristics from shadows to mid-grey (18% grey), achieving up to 14+ stops19 of latitude for flexible and creative color editing. Real-time Tracking for movies AI-based Real-time Tracking provides a dramatic improvement in Real-time Tracking performance, automatically recognizing, tracking, and focusing on the eyes of a specified subject.20 In addition to using the Touch Tracking function to initiate tracking, a custom button can be used to temporarily track a selected subject regardless of the subject's position in the frame and the focus area setting. Active Mode for enhanced movie image stabilization21 Active Mode21 provides powerful image stabilization for handheld movie shooting. The α6700 can accurately measure camera shake which is then precisely compensated for optically, providing highly effective stabilization without sacrificing mobility, even when shooting 4K22. Breathing compensation for consistent angle of view23 When shooting movies with compatible lenses, automatic breathing compensation uses Clear Image Zoom technology to maintain a consistent angle of view, suppressing changes that may occur due to shifts in focus position. Breathing metadata can also be used in post-production24. Import user LUT files See how your footage will look in post-processing while you're shooting. The a6700 allows you to import a custom LUT (Look Up Table) that can be applied to the camera's monitor image while recording, providing a preview. Movie making made simple The a6700 is jampacked with features to support movie shooting and production. Its Auto Framing?5 function automatically crops and re-frames the image while using Al to track the subject. Or, for a cinematic touch, the in-camera time-lapse function allows you to create time-lapse videos within the camera itself. Made for your hands With its compact shape, and lightweight 493 gram body, the α6700 offers remarkable portability and maneuverability without compromising image quality. A new grip design provides a solid, even more comfortable hold on the camera, while giving greater control for shooting both stills and movies. High-performance electronic viewfinder A 2.36 million-dot (approx.) XGA OLED electronic viewfinder with approximately 1.07x magnification26 delivers an exceptional view of your world. With twice the brightness of the α6600, and a wider 33-degree viewing angle, it offers clear, easy viewing while shooting. The finder frame rate can be set to 120 fps — twice the normal rate — for a smooth viewfinder image, with minimum display motion blur when tracking and shooting moving subjects. Enhanced shooting flexibility with vari-angle monitor The α6700 features a large 3.0-type 1.03 million-dot (approx.) touch-panel LCD monitor with a 3:2 aspect ratio and side-opening vary-angle flexibility. This allows greater positioning and framing freedom, giving you plenty of creative options for handheld and gimbal-mounted shooting of stills and movies. Intuitive touch control Just touch the screen to activate key functions, such as selecting a focus point or subject to track, or triggering the shutter. Swiping in from the left or right edge of the shooting display reveals touch icons that allow quick changes to the shooting mode and other settings. The function (Fn) menu can also be displayed by a simple swipe-up. During playback, you can easily select and zoom into images through taps and intuitive pinch-out/pinch-in gestures. Improved menu structure Responding to feedback from professional photographers and videographers, the α6700 comes with a new Main Menu structure similar to the latest full-frame α series models. The logical layout provides more efficient access to important shooting parameters, such as frame rate, shutter speed, and more. It can be assigned to a custom key for quick access when needed, and touch operation means that adjusting key settings has never been faster. More than 70 E-mount lenses to choose from Take your pick from a comprehensive range of E-mount lenses from Sony. Our acclaimed line-up includes the full-frame G Master™ series that blends breathtaking resolution with exquisite bokeh, and the G Lens™ series that offers excellent image quality and value. Combined with an APS-C body, Sony's ultra-wide lenses can capture sweeping scenery or large subjects in a single frame, while telephoto lenses, assisted by the 1.5 crop factor of APS-C cameras and teleconverter lenses as needed, make it possible to capture distant subjects with stunning clarity and detail. Accessories expand creative horizons A variety of high-performance compatible microphones can be connected to the the camera’s Multi Interface Shoe for direct, noise-free digital audio transfer to the camera. Or choose from a variety of high-output flash units such as the HVL-F60RM2 that support high-speed continuous shooting, giving you even more ways to capture creative imagery. Easy and stable smartphone connectivity Make the most of the a6700's greatly enhanced connection stability with Sony's free Creators' App27 that enables simple transfers of photos and movies to your smartphone or tablet. Transfers continue in the background even if the smartphone display sleeps or a different app is launched.28 You can also use your smartphone to control the camera remotely. Stream high-quality live content Connected to a personal computer or smartphone 29 via USB, the a6700 can function as a 4K (2160p) webcam with advanced AF that makes online meetings and live streaming events even smoother. Fast Wi-Fi for PC tethering Built-in Wi-Fi (IEEE 802.11a/b/g/n/ac) allows communication on the 2.4 GHz and 5 GHz30 bands for fast and stable data transfer. Creators' Cloud platform Creators' Cloud is a platform that supports creative work from shooting to production by combining advanced Sony camera technology with cloud-based AI. It's also a place for discovery and collaboration with other creators around the world. Explore web, mobile, and PC-based apps providing efficient solutions that integrate cameras with shooting and production apps and services. Accessible technology on α cameras Sony's α cameras are equipped with a number of accessibility features so that as many people as possible can utilize and enjoy our technology. For example, the screen reader function reads text on the menu screens aloud, with volume and reading speed adjustable as needed. Approximate, effective Compared to the BIONZ X image processing engine in the α6600. Sony tests. Expandable to ISO 50 - 102400 for stills. Based on CIPA standard. Pitch/yaw shake only. With FE 50mm F1.2 GM lens mounted. Long-exposure Noise Reduction off. The latest version of Imaging Edge Desktop (Remote/Viewer/Edit) is required to view and edit HEIF images. All specified subjects may not be accurately recognized in all conditions. Subject types other than the type specified may be erroneously recognized in some cases. Sony internal tests [Tracking] in the menu. Based on advanced artificial intelligence, including machine learning. Camera operation depends on focus area settings and touch operation. Accurate focus may not be achieved in some situations. The number of distance measuring points when shooting stills. The number of points used depends on the selected shooting mode. JPEG FINE format, continuous Hi+ mode. Actual number of images may vary according to shooting conditions. Not applicable to the E PZ 16-50mm F3.5-5.6 OSS and E 18-200mm F3.5-6.3 OSS LE lenses or any A-mount lens. Full-time DMF is not available when shooting continuously in AF-C or AF-A mode (not including Lo), or when using the FE 70-200mm F2.8 GM II OSS lens in AF-C mode. A-mount lenses not supported. Only 100 Hz and 120 Hz flicker are detected. Continuous shooting speed may decrease. Phase-detection AF coverage is reduced. Flicker-free shooting is not available during silent shooting, BULB exposure, or movie recording. Recording frame rates are indicated as the closest integer values. The actual corresponding frame rates are as follows: 24p: 23.98 fps, 30p: 29.97 fps, 60p: 59.94 fps, and 120p: 119.88 fps. QFHD (3840 x 2160) with approx. 38 % image crop. Audio recording not available in the S&Q mode. S-Log3 movies. Sony internal tests. When subject recognition is ON during AF shooting. Face, eye, etc. recognition status can be monitored when subject recognition frame display is ON. Accurate focus may not be achieved in some situations. Slight image crop in Active Mode. “Standard” setting recommended for focal lengths of 200 mm or longer. Active Mode is not available when recording at frame rates of 120 (100) fps or higher, including S&Q. Compatible lenses are listed at: https://support.d-imaging.sony.co.jp/support/ilc/breathing/en/ Angle of view and image quality may change slightly when this function is turned ON. Full compensation may not be possible with some lenses. This function is not available when shooting movies at 120p, when using the S&Q mode at 120p, or when shooting stills. Additional focus breathing compensation is available in post-production using the advanced breathing compensation capabilities of the latest Catalyst Browse/Prepare software application, processing metadata provided by the camera. Only available for movies. Framing is cropped from 4K images, resulting in a reduced angle of view. With 50mm lens at infinity, -1m-¹. 35mm camera equivalent: Approx. 0.70x. Download app at Google Play and the App Store. Network services, content, and operating system and software subject to terms and conditions and may be changed, interrupted or discontinued at any time and may require fees, registration and credit card information.Check regional availability of services and applications via the URL https://www.sony.net/cca/ Transfer may be interrupted when a different app is launched on some operating systems. When streaming via USB, maximum image resolution is 3840 x 2160 and maximum frame rate is 30 fps. The OS of the computer or smartphone used must be compatible with UVC/UAC. Use the most up-to-date OS available for your device. A commercially available USB cable and/or terminal adaptor may be used to connect to equipment with a USB Type-C port. When connected via USB 2.0, maximum image resolution is HD (720p) and maximum frame rate is 30p. 5 GHz communication may be restricted in some countries and regions. Not guaranteed to be 100% dust- and moisture-proof. Shooting time will vary according to conditions. Use the [Interval Timer] function to shoots sequences at long intervals (e.g. 10 minutes or more). Maximum exposure interval is 6 seconds when shooting 4K. Maximum exposure interval is 6 seconds when shooting 4K. The Focus Map function cannot be used in the following conditions: When the Focus Magnifier function is in use, when using digital zoom, during USB streaming, when no lens is mounted, when an A-mount lens is mounted, or when a lens that is not compatible with focal plane phase-detection AF is in use. Not including materials used in coatings and adhesives. Not including materials used in coatings and adhesives. Natural non-woven fabric may not be available during some production periods. Features and specifications are subject to change without prior notice. Number of effective pixels varies depending on attached lenses and camera settings. When using accessories that support 4ch output / 24 bits with the Multi Interface Shoe. Anti-flicker Shooting is not available when the [Shutter Type] setting is set to [Electronic Shutter]. With compatible Sony external flash Varies according to shooting conditions or memory card used Supports Micro USB compatible device. (Configuration method/Access method) WPS or manually /infrastructure mode. When connecting to smartphones, the camera can always work as a base without a wireless access point. (Security: WEP/WPA-PSK/WPA2-PSK/WPA3-SAE) Models sold in some countries/regions support IEEE 802.11b/g/n (2.4GHz) wireless LAN only. Sony accessories for the Accessory Shoe can be attached. When [Resolution] is set to [HD(720p)], [MJPEG] is only available. The LCD screen is turned on, shot once every 30 seconds, operate zoom alternately between W and T ends, flash strobe once every two times, turn power off and on once every ten times.   Indication recording time, which is defined by repeating the cycle: Power on, start recording, zoom , stand-by and power off.  

Sony Alpha A6700 Aps-c Camera Body

Sony Alpha A6700 Aps-c Camera Body(ILCE-6700) Next Generation Creativity on the Go The α6700 combines the latest AI technology with Sony's outstanding α-series image quality in a compact APS-C camera body. Offering enhanced subject recognition, the latest technology for capturing stills and movies, and E-mount lens compatibility, the lightweight α6700 is designed for creative adventures, anytime, anywhere. APS-C Format Exmor R Back-Illuminated CMOS Sensor The advanced Exmor R CMOS image sensor with 26.01 effective megapixels is packed with Sony's image sensor technologies. It offers extraordinary sensitivity, resolution and dynamic range, thanks to its back-illuminated format, gapless on-chip lenses, and AR coating (anti-reflection seal glass) BIONZ XR™ processing power for exceptional image quality With up to eight times2 more processing power than previous versions, the latest BIONZ XR image processing engine delivers natural gradations and realistic colors with low noise for stills and movies. Wide dynamic range for diverse shooting scenarios The α6700's standard sensitivity ranges from a low ISO 100 to ISO 320003, and offers a wide dynamic range so that natural gradations can be captured in high-contrast scenes without blown highlights or blocked shadows. Consistently accurate exposure and color The α6700 offers impressive exposure control. It's equipped with a new AE algorithm, initially developed for full-frame models, which enables it to accurately detect the skin area of faces and adjust exposure accordingly when shooting stills and movies. It can also maintain realistic colors under a wide range of light sources, from sunlight through to theater and stadium lighting, and produce more natural skin tones, sky and foliage colors. Choose your Creative Look The Creative Look setting offers greater creative flexibility with added simplicity. It provides 10 presets that can be used just as they are or customized via 8 adjustable parameters to suit the subject or scene, whether you’re shooting stills, movies or live-streaming. You can easily set the mood ahead of shooting so your images are ready to share immediately. 5-axis optical image stabilization Shoot hand-held or in low-light with confidence — the 5-axis in-body optical image stabilization system is supported by precision gyro sensors to deliver up to 5-steps4 of shake compensation. It detects and compensates for various types of camera shake, including angular (pitch/yaw) shake that is more apparent at longer focal lengths, or when shooting with slower shutter speeds. Precise compensation at the single-pixel level Through enhanced design and control of key parameters, the α6700 provides precise detection and control right down to the single-pixel level, taking full advantage of the sensor's 26.0 megapixel1 resolution to produce images that capture all the finer details. Selectable RAW file types and quality In addition to compressed RAW capture, the α6700 supports lossless compressed RAW capture that provides efficient compression, allowing a greater number of high-quality images to be shot in continuous bursts. A new Light image quality selection that generates less data is provided for JPEG and HEIF images. HEIF: High compression with excellent image quality For the first time in an APS-C camera, the α6700 includes the HEIF (High Efficiency Image File) format with smooth 10-bit gradations for more realistic reproduction of skies and portrait skin tones. The HEIF format also uses advanced compression technology to maintain image quality while significantly reducing file size and saving storage space. Innovative AI processing The α6700 is equipped with an innovative AI processing unit that greatly enhances its performance, including more accurate recognition for a wider range of subjects. Human pose estimation The α6700 uses subject form data to recognize movement, achieving greatly improved human eye recognition. It also employs learned human forms and postures to precisely recognize body and head positions, making it possible to lock onto and track a subject facing away from the camera, or with their face partly obscured by a helmet or sunglasses. Wider subject recognition In addition to humans and animals, the α6700 now recognizes birds, insects, cars, trains and airplanes7, providing even greater flexibility and reliability when shooting both stills and movies. Heads and bodies are recognized in addition to eyes (Real-time Eye AF) for the Human and Animal settings, and now for the Bird setting too, with animal recognition performance more than 40%8 higher compared to the α6600. Smarter Real-time Tracking9 The upgraded and more reliable AI-based Real-time Tracking makes shooting in a wider range of situations simpler, leaving you free to concentrate on framing and composition. The α6700 can even track people wearing helmets or animals facing away from the camera.10 Shooting responsibly when using face registration The face registration feature involves the use of biometric data. You are responsible for your collection and use of such data, and compliance with applicable local law. For more details, please visit the website below. Faster, more precise wide-area AF The immense processing power and updated algorithms of the new BIONZ XR engine achieve notably improved AF performance, with up to 759 phase detection points, 11 covering approximately 93% of the image area when shooting stills. Accurate AF in low EV -3.0 light The latest AF algorithms achieve high AF precision at light levels as low as EV -3.0 in AF-S mode (ISO 100 equivalent, F2.0 lens). The Focus Priority mode also provides more reliable AF in low light or when using smaller apertures. Shoot more than 1000 images at 11fps The a6700's powerful BIONZ XR processing engine combines with a large buffer memory to boost write speeds to memory cards, so that the camera can shoot more than 1000 JPEG images, up to 59 compressed RAW images, or up to 23 lossless compressed RAW images in continuous high-speed bursts. Full-time DMF When shooting stills with AF-C or AF-S autofocus, the lens's focus ring can be rotated to instantly switch to manual focus mode at any time. This makes it easy to switch focus to a different subject on the fly. Focus bracketing to capture the best shot The a6700 can automatically shoot up to 299 images with sequentially shifted focus points according to intervals and a sequence specified by you. Pick the perfect shot, or post-process multiple shots to achieve creative composites with incredible depth of focus. Flicker suppression Suppress flicker from artificial lighting whether you're shooting stills or movies. Simply select "Anti-flicker Shoot", or use "Var. Shutter" to fine-tune shutter speeds to match flicker rates when filming. 4K movie recording for stunning quality The α6700 captures 4K (QFHD: 3840 x 2160) at up to 60p (50p) using Sony's proprietary 6K oversampling technology. By compressing this expanded detail into the output, it achieves 4K video quality with outstanding definition, even at higher frame rates. The camera also supports high-quality XAVC S-I (All-Intra) and XAVC HS formats with 10-bit 4:2:2 color sampling.16 High frame rate 4K 120p (100p) recording17 High frame rate recording at up to 120p for 4K QFHD (3840 x 2160) output makes it possible to capture high-resolution movies in-camera. This expands creative possibilities in post-production by allowing subject motion to be emphasized or transformed into smooth slow motion. S&Q mode18 also enables recording of slow or quick motion sequences in camera from the outset. Expressive S-Cinetone™ Incorporating the same color science as the highly regarded CineAlta and Cinema Line, the α6700 includes Sony's S-Cinetone picture profile as a preset, delivering images with more faithful color reproduction and natural skin tones. S-Log3 gamma curve with 14+ stops19 of latitude The S-Log3 gamma curve emphasizes gradation characteristics from shadows to mid-grey (18% grey), achieving up to 14+ stops19 of latitude for flexible and creative color editing. Real-time Tracking for movies AI-based Real-time Tracking provides a dramatic improvement in Real-time Tracking performance, automatically recognizing, tracking, and focusing on the eyes of a specified subject.20 In addition to using the Touch Tracking function to initiate tracking, a custom button can be used to temporarily track a selected subject regardless of the subject's position in the frame and the focus area setting. Active Mode for enhanced movie image stabilization21 Active Mode21 provides powerful image stabilization for handheld movie shooting. The α6700 can accurately measure camera shake which is then precisely compensated for optically, providing highly effective stabilization without sacrificing mobility, even when shooting 4K22. Breathing compensation for consistent angle of view23 When shooting movies with compatible lenses, automatic breathing compensation uses Clear Image Zoom technology to maintain a consistent angle of view, suppressing changes that may occur due to shifts in focus position. Breathing metadata can also be used in post-production24. Import user LUT files See how your footage will look in post-processing while you're shooting. The a6700 allows you to import a custom LUT (Look Up Table) that can be applied to the camera's monitor image while recording, providing a preview. Movie making made simple The a6700 is jampacked with features to support movie shooting and production. Its Auto Framing?5 function automatically crops and re-frames the image while using Al to track the subject. Or, for a cinematic touch, the in-camera time-lapse function allows you to create time-lapse videos within the camera itself. Made for your hands With its compact shape, and lightweight 493 gram body, the α6700 offers remarkable portability and maneuverability without compromising image quality. A new grip design provides a solid, even more comfortable hold on the camera, while giving greater control for shooting both stills and movies. High-performance electronic viewfinder A 2.36 million-dot (approx.) XGA OLED electronic viewfinder with approximately 1.07x magnification26 delivers an exceptional view of your world. With twice the brightness of the α6600, and a wider 33-degree viewing angle, it offers clear, easy viewing while shooting. The finder frame rate can be set to 120 fps — twice the normal rate — for a smooth viewfinder image, with minimum display motion blur when tracking and shooting moving subjects. Enhanced shooting flexibility with vari-angle monitor The α6700 features a large 3.0-type 1.03 million-dot (approx.) touch-panel LCD monitor with a 3:2 aspect ratio and side-opening vary-angle flexibility. This allows greater positioning and framing freedom, giving you plenty of creative options for handheld and gimbal-mounted shooting of stills and movies. Intuitive touch control Just touch the screen to activate key functions, such as selecting a focus point or subject to track, or triggering the shutter. Swiping in from the left or right edge of the shooting display reveals touch icons that allow quick changes to the shooting mode and other settings. The function (Fn) menu can also be displayed by a simple swipe-up. During playback, you can easily select and zoom into images through taps and intuitive pinch-out/pinch-in gestures. Improved menu structure Responding to feedback from professional photographers and videographers, the α6700 comes with a new Main Menu structure similar to the latest full-frame α series models. The logical layout provides more efficient access to important shooting parameters, such as frame rate, shutter speed, and more. It can be assigned to a custom key for quick access when needed, and touch operation means that adjusting key settings has never been faster. More than 70 E-mount lenses to choose from Take your pick from a comprehensive range of E-mount lenses from Sony. Our acclaimed line-up includes the full-frame G Master™ series that blends breathtaking resolution with exquisite bokeh, and the G Lens™ series that offers excellent image quality and value. Combined with an APS-C body, Sony's ultra-wide lenses can capture sweeping scenery or large subjects in a single frame, while telephoto lenses, assisted by the 1.5 crop factor of APS-C cameras and teleconverter lenses as needed, make it possible to capture distant subjects with stunning clarity and detail. Accessories expand creative horizons A variety of high-performance compatible microphones can be connected to the the camera’s Multi Interface Shoe for direct, noise-free digital audio transfer to the camera. Or choose from a variety of high-output flash units such as the HVL-F60RM2 that support high-speed continuous shooting, giving you even more ways to capture creative imagery. Easy and stable smartphone connectivity Make the most of the a6700's greatly enhanced connection stability with Sony's free Creators' App27 that enables simple transfers of photos and movies to your smartphone or tablet. Transfers continue in the background even if the smartphone display sleeps or a different app is launched.28 You can also use your smartphone to control the camera remotely. Stream high-quality live content Connected to a personal computer or smartphone 29 via USB, the a6700 can function as a 4K (2160p) webcam with advanced AF that makes online meetings and live streaming events even smoother. Fast Wi-Fi for PC tethering Built-in Wi-Fi (IEEE 802.11a/b/g/n/ac) allows communication on the 2.4 GHz and 5 GHz30 bands for fast and stable data transfer. Creators' Cloud platform Creators' Cloud is a platform that supports creative work from shooting to production by combining advanced Sony camera technology with cloud-based AI. It's also a place for discovery and collaboration with other creators around the world. Explore web, mobile, and PC-based apps providing efficient solutions that integrate cameras with shooting and production apps and services. Accessible technology on α cameras Sony's α cameras are equipped with a number of accessibility features so that as many people as possible can utilize and enjoy our technology. For example, the screen reader function reads text on the menu screens aloud, with volume and reading speed adjustable as needed. Approximate, effective Compared to the BIONZ X image processing engine in the α6600. Sony tests. Expandable to ISO 50 - 102400 for stills. Based on CIPA standard. Pitch/yaw shake only. With FE 50mm F1.2 GM lens mounted. Long-exposure Noise Reduction off. The latest version of Imaging Edge Desktop (Remote/Viewer/Edit) is required to view and edit HEIF images. All specified subjects may not be accurately recognized in all conditions. Subject types other than the type specified may be erroneously recognized in some cases. Sony internal tests [Tracking] in the menu. Based on advanced artificial intelligence, including machine learning. Camera operation depends on focus area settings and touch operation. Accurate focus may not be achieved in some situations. The number of distance measuring points when shooting stills. The number of points used depends on the selected shooting mode. JPEG FINE format, continuous Hi+ mode. Actual number of images may vary according to shooting conditions. Not applicable to the E PZ 16-50mm F3.5-5.6 OSS and E 18-200mm F3.5-6.3 OSS LE lenses or any A-mount lens. Full-time DMF is not available when shooting continuously in AF-C or AF-A mode (not including Lo), or when using the FE 70-200mm F2.8 GM II OSS lens in AF-C mode. A-mount lenses not supported. Only 100 Hz and 120 Hz flicker are detected. Continuous shooting speed may decrease. Phase-detection AF coverage is reduced. Flicker-free shooting is not available during silent shooting, BULB exposure, or movie recording. Recording frame rates are indicated as the closest integer values. The actual corresponding frame rates are as follows: 24p: 23.98 fps, 30p: 29.97 fps, 60p: 59.94 fps, and 120p: 119.88 fps. QFHD (3840 x 2160) with approx. 38 % image crop. Audio recording not available in the S&Q mode. S-Log3 movies. Sony internal tests. When subject recognition is ON during AF shooting. Face, eye, etc. recognition status can be monitored when subject recognition frame display is ON. Accurate focus may not be achieved in some situations. Slight image crop in Active Mode. “Standard” setting recommended for focal lengths of 200 mm or longer. Active Mode is not available when recording at frame rates of 120 (100) fps or higher, including S&Q. Compatible lenses are listed at: https://support.d-imaging.sony.co.jp/support/ilc/breathing/en/ Angle of view and image quality may change slightly when this function is turned ON. Full compensation may not be possible with some lenses. This function is not available when shooting movies at 120p, when using the S&Q mode at 120p, or when shooting stills. Additional focus breathing compensation is available in post-production using the advanced breathing compensation capabilities of the latest Catalyst Browse/Prepare software application, processing metadata provided by the camera. Only available for movies. Framing is cropped from 4K images, resulting in a reduced angle of view. With 50mm lens at infinity, -1m-¹. 35mm camera equivalent: Approx. 0.70x. Download app at Google Play and the App Store. Network services, content, and operating system and software subject to terms and conditions and may be changed, interrupted or discontinued at any time and may require fees, registration and credit card information.Check regional availability of services and applications via the URL https://www.sony.net/cca/ Transfer may be interrupted when a different app is launched on some operating systems. When streaming via USB, maximum image resolution is 3840 x 2160 and maximum frame rate is 30 fps. The OS of the computer or smartphone used must be compatible with UVC/UAC. Use the most up-to-date OS available for your device. A commercially available USB cable and/or terminal adaptor may be used to connect to equipment with a USB Type-C port. When connected via USB 2.0, maximum image resolution is HD (720p) and maximum frame rate is 30p. 5 GHz communication may be restricted in some countries and regions. Not guaranteed to be 100% dust- and moisture-proof. Shooting time will vary according to conditions. Use the [Interval Timer] function to shoots sequences at long intervals (e.g. 10 minutes or more). Maximum exposure interval is 6 seconds when shooting 4K. Maximum exposure interval is 6 seconds when shooting 4K. The Focus Map function cannot be used in the following conditions: When the Focus Magnifier function is in use, when using digital zoom, during USB streaming, when no lens is mounted, when an A-mount lens is mounted, or when a lens that is not compatible with focal plane phase-detection AF is in use. Not including materials used in coatings and adhesives. Not including materials used in coatings and adhesives. Natural non-woven fabric may not be available during some production periods. Features and specifications are subject to change without prior notice. Number of effective pixels varies depending on attached lenses and camera settings. When using accessories that support 4ch output / 24 bits with the Multi Interface Shoe. Anti-flicker Shooting is not available when the [Shutter Type] setting is set to [Electronic Shutter]. With compatible Sony external flash Varies according to shooting conditions or memory card used Supports Micro USB compatible device. (Configuration method/Access method) WPS or manually /infrastructure mode. When connecting to smartphones, the camera can always work as a base without a wireless access point. (Security: WEP/WPA-PSK/WPA2-PSK/WPA3-SAE) Models sold in some countries/regions support IEEE 802.11b/g/n (2.4GHz) wireless LAN only. Sony accessories for the Accessory Shoe can be attached. When [Resolution] is set to [HD(720p)], [MJPEG] is only available. The LCD screen is turned on, shot once every 30 seconds, operate zoom alternately between W and T ends, flash strobe once every two times, turn power off and on once every ten times.   Indication recording time, which is defined by repeating the cycle: Power on, start recording, zoom , stand-by and power off.  

Sony Pmw-F5 Full Hd 4K Camera, Dvf L100 Vf, 4K Raw, 1750 Hours

Sony Pmw-F5 Full Hd 4K Camera, Dvf L100 Vf, 4K Raw, 1750 Hours(FMP59141LPBR) 3 Months Warranty, Excellent Condition  Sony's PMW-F5 CineAlta camera shoots spectacular images with its 8.9 megapixels (effective) Sony 4K image sensor. You get superior, super-sampled pictures with noticeably higher contrast, rich colour reproduction and greater clarity. The camera offers robust built-in recording modes, all with vibrant 4:2:2 colour. Irresistible options include the amazing precision of 16-bit linear RAW 2K/4K recording and high speed shooting at up to 120 fps without cropping.  Multiple recording formats include MPEG-2 HD422, MPEG4 SStP, XAVC 2K/HD and 16-bit RAW 2K/4K**. You can have simultaneous recording on internal high-speed SxS PRO+ memory cards and RAW 2K/4K recording on sleek AXSM™ memory cards using the optional bolt-on AXS-R5 recorder, designed specifically to attach seamlessly to the F55 and F5 cameras. There is also high speed shooting up to120 fps XAVC 2K/HD* internally and 120 fps RAW 2K onto the AXS-R5.  Upgrade Available - AXS-R5  The bolt-on AXS-R5 recorder works with the PMW-F55 and PMW-F5 cameras to record the highest quality 16-bit RAW 2K/4K images. The recorder works with sleek, optional AXSM™ memory cards, which are compatible with an affordable optional USB 3.0 reader, the AXS-CR1 .Once on a PC, the RAW files can be screened using Sony’s free RAW Viewer software. AXSM memory provides a super fast, affordable format for sensational quality recordings. 16-bit RAW 2K/4K recording options for PMW-F55 and PMW-F5 CineAlta cameras  Record RAW at your choice of resolutions: the PMW-F55 and PMW-F5 captures native 4K or beautiful, derived 2K.RAW recording preserves the greatest latitude for colour correction and other post processes. Sony’s 16-bit recording captures more tonal values than the human eye can differentiate.Sony RAW retains 16 times as many Red, Green and Blue gradations as 12-bit RAW and 64 times as many tones per channel as 10-bit recording. Sony 16-bit linear RAW is also the ideal point of entry into the 16-bit linear Academy Color Encoding System (ACES) workflow. Records onto ASXM™ memory cards  The AXS-R5 recorder works with sleek, high-capacity AXSM™ memory cards, which are compatible with an affordable optional USB 3.0 reader, the AXS-CR1. Once on a PC, the RAW files can be screened using Sony’s free RAW Viewer software. AXSM memory provides a super fast, affordable format for sensational quality recordings. High speed shooting up to 240 fps 2KRAW with F55 and 120 fps 2K RAW with F5  The AXS-R5 allows you to record up to 240 fps 2K RAW with the F55 and up to 120 fps 2K RAW with the F5, with free planned upgrades, achieving the highest frame rates most productions will need, while retaining exceptional, 16-bit image quality. Provides simultaneous RAW and on board camera SxS recording  Sony provides a coordinated “off-line, on-line” workflow with simultaneous recording for the F55 and F5 cameras to internal SxS cards and the AXS-R5 Portable Memory Recorder. For seamless conforming in post, you get matching timecode, start frame, stop frame, file names and other metadata. Real world workflows  Sony understands a fundamental truth: working cameras require practical workflows.That’s why the AXS-R5 is part of a larger production platform that includes affordable media cards, affordable card readers, free RAW Viewer software and compatibility with popular NLEs and finishing tools. Lightweight modular design to maximise versatility in 2D and 3D    The AXS-R5 is designed to bolt-on seamlessly to the F55 and F5 cameras, allowing the cameras to maintain a sleek, lightweight and ergonomic design. Both recorder and camera chassis are only slightly wider than a typical PL-mount prime lens, perfect for 3D rigs.

Sony FX30 Cinema Camera, body package e

Sony FX30 Cinema Camera package E includes: 1x Sony FX30 Cinema Camera, body 1x Sony NP-FZ100 Rechargeable Lithium-Ion Battery (2280mAh) 1x Sony CEA-G Series CFexpress Type A Memory Card 320GB 1x Sony MRW-G2 CFexpress Type A / SD Card Reader 1x Sony E-mount PZ 18-105mm F4 G OSS Lens  Leap into the world of filmmaking Sony's acclaimed line-up of Cinema Line cameras sets the standard for filmmaking, with beautiful cinematic imagery, high performance and highly efficient workflow. Enjoy hassle-free shooting with S-Cinetone™ and S-Log3 for high level grading plus numerous other features. The compact FX30 makes filmmaking more accessible than ever for up-and-coming creators.

Sony FX30 Cinema Camera, body package d

Sony FX30 Cinema Camera package D includes: 1x Sony FX30 Cinema Camera, body 1x Sony NP-FZ100 Rechargeable Lithium-Ion Battery (2280mAh) 1x Sony CEA-G Series CFexpress Type A Memory Card 320GB 1x Sony E-mount PZ 18-105mm F4 G OSS Lens  Leap into the world of filmmaking Sony's acclaimed line-up of Cinema Line cameras sets the standard for filmmaking, with beautiful cinematic imagery, high performance and highly efficient workflow. Enjoy hassle-free shooting with S-Cinetone™ and S-Log3 for high level grading plus numerous other features. The compact FX30 makes filmmaking more accessible than ever for up-and-coming creators.

Sony FX30 Cinema Camera, body package c

Sony FX30 Cinema Camera package C includes: 1x Sony FX30 Cinema Camera, body 1x Sony NP-FZ100 Rechargeable Lithium-Ion Battery (2280mAh) 1x Sony CEA-G Series CFexpress Type A Memory Card 320GB 1x Sony MRW-G2 CFexpress Type A / SD Card Reader Leap into the world of filmmaking Sony's acclaimed line-up of Cinema Line cameras sets the standard for filmmaking, with beautiful cinematic imagery, high performance and highly efficient workflow. Enjoy hassle-free shooting with S-Cinetone™ and S-Log3 for high level grading plus numerous other features. The compact FX30 makes filmmaking more accessible than ever for up-and-coming creators.

Sony FX30 Cinema Camera, body package b

Sony FX30 Cinema Camera package B includes: 1x Sony FX30 Cinema Camera, body 1x Sony NP-FZ100 Rechargeable Lithium-Ion Battery (2280mAh) 1x Sony CEA-G Series CFexpress Type A Memory Card 320GB Leap into the world of filmmaking Sony's acclaimed line-up of Cinema Line cameras sets the standard for filmmaking, with beautiful cinematic imagery, high performance and highly efficient workflow. Enjoy hassle-free shooting with S-Cinetone™ and S-Log3 for high level grading plus numerous other features. The compact FX30 makes filmmaking more accessible than ever for up-and-coming creators.

Sony FX30 Cinema Camera, body package a

Sony FX30 Cinema Camera package a includes: 1x Sony FX30 Cinema Camera, body   1x Sony NP-FZ100 Rechargeable Lithium-Ion Battery (2280mAh)    Leap into the world of filmmaking   Sony's acclaimed line-up of Cinema Line cameras sets the standard for filmmaking, with beautiful cinematic imagery, high performance and highly efficient workflow. Enjoy hassle-free shooting with S-Cinetone™ and S-Log3 for high level grading plus numerous other features. The compact FX30 makes filmmaking more accessible than ever for up-and-coming creators.

Sony ILME-FX3 FX3 Full-frame Cinema Line Camera Package D

Sony ILME-FX3 (ILME/FX3, ILME_FX3, ILMEFX3, ILME FX3, ILMEFX3.CEC, ILME-FX3 Alpha FX3, ilme-fx3) FX3 Full-frame Cinema Line Camera Package d includes: 1x Sony ILME-FX3 FX3 Full-frame Cinema Line Camera 1x Sony CEA-G80T 80GB CFexpress Type A Memory Card  1x Sony MRW-G2 CFexpress Type A / SD Card Reader 1x Sony NP-FZ100 Rechargeable Lithium-Ion Battery (2280mAh)   1x Camrade CAM-R&GBACKP-MEDIUM run&gunBackpack Medium Sony Alpha FX3 ILME-FX3, the most compact Cinema Line camera was designed for solo-shooting . With the internal cooling system the FX3 can extend the shooting time and will be able to cover a wider range of shooting situations.  It records outstanding 4K full frame quality at up to 120p with minimal rolling shutter, excellent low light capabilities (up to 409,800 ISO) and a wide dynamic range thanks to its 10.2 MP Exmor R CMOS sensor and new Bionz XR processor. It allows for more shooting expressions with the inclusion of S-LOG3 and S-CINETONE picture profiles defining a new era of Cinema line cameras from Sony. The Sony FX3 also provides more freedom for shooting videos with a fast and accurate Autofocus technology including Real-time Eye Autofocus,  Real-time touch tracking and customisable autofocus tracking sensitivity. It also includes a 5axis inbody stabilisation with Active Mode, which makes it ideal for handheld shots. On top of its small form factor, the Sony FX3 includes a detachable top-handle with XLR inputs for professional microphones or audio connections. The idea of a cage with the grip and screw options is already integrated in the body design, which is emphasizing the compact form factor. The Sony Cinema line FX3 is designed for the future of cinematic expressions. FX3 New Cinematic Freedom Sony's FX3 Cinema Line camera brings the visions of passionate content creators to life. Cinematic expression is matched with reliable performance and streamlined operation to serve the needs of today's creative community. Compact and lightweight, it's easy to carry and handle.  Full-frame image capture even in dim light The FX3's full-frame image sensor is coupled with innovative light-gathering techniques to let you capture clear and usable images even in dim light. The standard ISO sensitivity of 80-102400 for movies is expandable all the way up to 409600. Wide dynamic range, wider creative expression The FX3 offers an exceptional 15+ stops1 of dynamic range to handle settings ranging from well-lit interiors and outdoors in mid-day to morning and evening shots. Capture every nuance, and allow for unprecedented cinematic freedom in colour grading. Stunning bokeh and full-frame creativity Capture the scene in cinematic 4K resolution, with the shallow depth of field, stunning bokeh and cinematic freedom made possible with a full-frame sensor. Cinematic colour science of S-Cinetone S-Cinetone colour, developed for Sony’s acclaimed FX9, is the default look on the FX3 for cinematic expression. It's precisely tuned to meet the requirements of today's content creators, with rich colour and natural skin tones that match other Cinema Line cameras without grading.  4K 120fps with every frame in focus Even at high frame rates, detailed 4K imagery is captured thanks to the FX3's high-precision AF and high-speed readout capabilities. Slow and Quick (S&Q) mode gives you full control over the shooting frame rate, for beautiful motion sequences at up to 5x slow motion (with 24p output). 10-bit S-Log3 and HDR recording for smooth gradations S-Log3 gamma curve and S-Gamut3.Cine enable shooting with high-quality colour reproduction over a wide dynamic range, and they make it easy to match up footage with shots from other Cinema Line cameras during post-production. In addition, an HLG (Hybrid Log-Gamma) HDR picture profile enables direct HDR (HLG) playback on compatible TVs with no post-production. 16-bit RAW HDMI output For demanding post-production workflows, 16-bit RAW output3 is available over HDMI connection to compatible external recorders while XAVC HS 4K, XAVC S 4K, or XAVC S-I 4K, and proxy, files are simultaneously captured in-camera. RAW video output is 4264 x 2408 [16:9] resolution, exceeding DCI-4K resolution4. Enjoy rich detail and realistic colour The FX3 is capable of 4K internal recording, 10-bit depth and 4:2:2 colour sampling with All Intra on top of Long-GOP compression. This makes it possible to push your colour grades further while still retaining natural gradation, for true editing freedom.    [1] All-Intra (All-I)   [2] Long-GOP   [3] Group of Pictures Designed for comfortable solo shooting Dependable, highly accurate autofocus The wide-area AF with intelligent tracking uses focal-plane phase-detection for tenacious subject tracking across almost the entire frame5. The Fast Hybrid AF system delivers precise focusing even when shooting at a shallow depth of field and at high frame rates of 120p in 4K (QFHD)2. Sophisticated tracking AF for steady focus Sophisticated tracking features keep your subject in steady focus, so you can concentrate on composition. Real-time Eye AF ensures precise focus on the face and eyes, while Real-time Tracking is powered by Sony's unique AI-based subject recognition algorithms. Smooth transitions and touch focus control The FX3 includes AF Transition Speed in seven settings, to easily create rack focus, and five AF Subject Shift Sensitivity settings, which allows the user to customise how easily AF will switch or stay with the locked-on subject. You can also select the subject you want to focus on simply by touching the LCD monitor. High-performance E-mount lenses for movies Experience smooth, responsive autofocus with Sony's E-mount lenses, with premium optical performance and operability for demanding cinematography applications. The unique linear-drive actuator technology in Sony's E-mount lenses provides smoother, more precise and tenacious AF performance to support your creative endeavors. High-mobility performance wherever you go With its compact size and light weight, the FX3 is designed for high mobility. The attached handle and cage-free accessory mounting holes make for fast setup, fluid shooting and quick pack-down. The main body and covers are constructed from a lightweight magnesium alloy to enhance durability and performance even in challenging environments. Attachable XLR handle A handle equipped with an XLR adaptor with two full size XLR terminals can be attached to the Multi Interface (MI) Shoe on the camera for more comfortable and stable camerawork in difficult shooting situations, such as low-position shots. In-camera image stabilisation Active Mode6,7,8 is an optical in-body 5-axis image stabilisation system that provides increased stabilisation for movie shooting. To preserve image quality, the gyroscope sensor accurately measures camera shake and compensates optically. This makes stable video possible even when shooting hand-held without gimbal use, while walking, and at 4K resolution.  [1, 2] angular shake (pitch and yaw) [3, 4] shift shake (X and Y axes), [5] rotational shake (roll on Z axis) Image stabilisation and easier editing with Catalyst Camera-shake metadata is recorded by the built-in gyro, allowing handheld footage to be smoothed out and stabilised in post-production. Using Sony's Catalyst Browse / Catalyst Prepare desktop application9 you can easily balance automated shake-compensation and image-trimming levels. Catalyst can also make effective use of recorded camera-rotation data. Expandability and operability for content creators Front and rear tally lamps Tally lights on the front and rear of the FX3 indicate whether the camera is recording at any given moment. They are clearly visible to both the camera operator and the person performing in front of the camera. Vari-angle LCD touch-panel monitor The 3.0-type (1.44 million-dot10) LCD touch-screen panel features a side-opening design to allow flexible positioning and improved visibility when the camera is mounted on gimbals. Touch-panel support also provides intuitive menu control for many camera settings. Essential controls for efficient solo shooting In addition to six customisable buttons, frequently used controls are within easy one-handed reach, leaving your other hand free for lens operation or balance. And usability is enhanced by multiple screw holes on the body and handle, allowing accessories to be attached directly. Uninterrupted 4K/60p recording For uninterrupted 4K/60p11 recording, the FX3 is designed with an innovative heat dissipation system. Heatsink placement, airflow structure and a silent cooling fan work to optimise cooling even during long shoots. XLR adaptor and digital input for quality audio In addition to the camera's convenient built-in microphone, a variety of professional microphones can be connected externally via the full-size XLR connectors on the handle through a digital audio interface via Multi Interface (MI) Shoe. Three recording formats can be selected, including 24-bit 4-channel. Digital audio recording is also possible by attaching a digital microphone such as the ECM-B1M even when the handle is not used. Dual high-speed media slots Designed for next-generation filmmaking requirements, CFexpress Type A cards support high bit-rate recording. The camera's slots are ready for CFexpress Type A as well as conventional SDXC UHS-I and UHS-II cards, and having two identical media slots makes relay or backup shooting possible. Remote camera control and network transfer A network connection, via Wi-Fi® or wired via a USB type C connector, provides support for remote control from smartphones or tablets, with either NFC one-touch or manual pairing. Remote shooting can be controlled from a PC with Sony's Imaging Edge Desktop™ application, or from a mobile device with Imaging Edge Mobile™. And captured still and movie files can be transferred using high-speed FTP. Remote preview, shooting and streaming Either wired or wireless remote shooting is available from a PC, or from a mobile device with Imaging Edge Mobile installed, for more efficient workflows and shooting in challenging environments. Imaging Edge Webcam™ enables high-image-quality online video communication.

Sony ILME-FX3 FX3 Full-frame Cinema Line Camera Package c

Sony ILME-FX3 (ILME/FX3, ILME_FX3, ILMEFX3, ILME FX3, ILMEFX3.CEC, ILME-FX3 Alpha FX3, ilme-fx3) FX3 Full-frame Cinema Line Camera package c includes: 1x Sony ILME-FX3 FX3 Full-frame Cinema Line Camera 1x Sony CEA-G80T 80GB CFexpress Type A Memory Card    1x Sony MRW-G2 CFexpress Type A / SD Card Reader 1x Sony NP-FZ100 Rechargeable Lithium-Ion Battery (2280mAh) Sony Alpha FX3 ILME-FX3, the most compact Cinema Line camera was designed for solo-shooting . With the internal cooling system the FX3 can extend the shooting time and will be able to cover a wider range of shooting situations.  It records outstanding 4K full frame quality at up to 120p with minimal rolling shutter, excellent low light capabilities (up to 409,800 ISO) and a wide dynamic range thanks to its 10.2 MP Exmor R CMOS sensor and new Bionz XR processor. It allows for more shooting expressions with the inclusion of S-LOG3 and S-CINETONE picture profiles defining a new era of Cinema line cameras from Sony. The Sony FX3 also provides more freedom for shooting videos with a fast and accurate Autofocus technology including Real-time Eye Autofocus,  Real-time touch tracking and customisable autofocus tracking sensitivity. It also includes a 5axis inbody stabilisation with Active Mode, which makes it ideal for handheld shots. On top of its small form factor, the Sony FX3 includes a detachable top-handle with XLR inputs for professional microphones or audio connections. The idea of a cage with the grip and screw options is already integrated in the body design, which is emphasizing the compact form factor. The Sony Cinema line FX3 is designed for the future of cinematic expressions. FX3 New Cinematic Freedom Sony's FX3 Cinema Line camera brings the visions of passionate content creators to life. Cinematic expression is matched with reliable performance and streamlined operation to serve the needs of today's creative community. Compact and lightweight, it's easy to carry and handle.  Full-frame image capture even in dim light The FX3's full-frame image sensor is coupled with innovative light-gathering techniques to let you capture clear and usable images even in dim light. The standard ISO sensitivity of 80-102400 for movies is expandable all the way up to 409600. Wide dynamic range, wider creative expression The FX3 offers an exceptional 15+ stops1 of dynamic range to handle settings ranging from well-lit interiors and outdoors in mid-day to morning and evening shots. Capture every nuance, and allow for unprecedented cinematic freedom in colour grading. Stunning bokeh and full-frame creativity Capture the scene in cinematic 4K resolution, with the shallow depth of field, stunning bokeh and cinematic freedom made possible with a full-frame sensor. Cinematic colour science of S-Cinetone S-Cinetone colour, developed for Sony’s acclaimed FX9, is the default look on the FX3 for cinematic expression. It's precisely tuned to meet the requirements of today's content creators, with rich colour and natural skin tones that match other Cinema Line cameras without grading.  4K 120fps with every frame in focus Even at high frame rates, detailed 4K imagery is captured thanks to the FX3's high-precision AF and high-speed readout capabilities. Slow and Quick (S&Q) mode gives you full control over the shooting frame rate, for beautiful motion sequences at up to 5x slow motion (with 24p output). 10-bit S-Log3 and HDR recording for smooth gradations S-Log3 gamma curve and S-Gamut3.Cine enable shooting with high-quality colour reproduction over a wide dynamic range, and they make it easy to match up footage with shots from other Cinema Line cameras during post-production. In addition, an HLG (Hybrid Log-Gamma) HDR picture profile enables direct HDR (HLG) playback on compatible TVs with no post-production. 16-bit RAW HDMI output For demanding post-production workflows, 16-bit RAW output3 is available over HDMI connection to compatible external recorders while XAVC HS 4K, XAVC S 4K, or XAVC S-I 4K, and proxy, files are simultaneously captured in-camera. RAW video output is 4264 x 2408 [16:9] resolution, exceeding DCI-4K resolution4. Enjoy rich detail and realistic colour The FX3 is capable of 4K internal recording, 10-bit depth and 4:2:2 colour sampling with All Intra on top of Long-GOP compression. This makes it possible to push your colour grades further while still retaining natural gradation, for true editing freedom.    [1] All-Intra (All-I)   [2] Long-GOP   [3] Group of Pictures Designed for comfortable solo shooting Dependable, highly accurate autofocus The wide-area AF with intelligent tracking uses focal-plane phase-detection for tenacious subject tracking across almost the entire frame5. The Fast Hybrid AF system delivers precise focusing even when shooting at a shallow depth of field and at high frame rates of 120p in 4K (QFHD)2. Sophisticated tracking AF for steady focus Sophisticated tracking features keep your subject in steady focus, so you can concentrate on composition. Real-time Eye AF ensures precise focus on the face and eyes, while Real-time Tracking is powered by Sony's unique AI-based subject recognition algorithms. Smooth transitions and touch focus control The FX3 includes AF Transition Speed in seven settings, to easily create rack focus, and five AF Subject Shift Sensitivity settings, which allows the user to customise how easily AF will switch or stay with the locked-on subject. You can also select the subject you want to focus on simply by touching the LCD monitor. High-performance E-mount lenses for movies Experience smooth, responsive autofocus with Sony's E-mount lenses, with premium optical performance and operability for demanding cinematography applications. The unique linear-drive actuator technology in Sony's E-mount lenses provides smoother, more precise and tenacious AF performance to support your creative endeavors. High-mobility performance wherever you go With its compact size and light weight, the FX3 is designed for high mobility. The attached handle and cage-free accessory mounting holes make for fast setup, fluid shooting and quick pack-down. The main body and covers are constructed from a lightweight magnesium alloy to enhance durability and performance even in challenging environments. Attachable XLR handle A handle equipped with an XLR adaptor with two full size XLR terminals can be attached to the Multi Interface (MI) Shoe on the camera for more comfortable and stable camerawork in difficult shooting situations, such as low-position shots. In-camera image stabilisation Active Mode6,7,8 is an optical in-body 5-axis image stabilisation system that provides increased stabilisation for movie shooting. To preserve image quality, the gyroscope sensor accurately measures camera shake and compensates optically. This makes stable video possible even when shooting hand-held without gimbal use, while walking, and at 4K resolution.  [1, 2] angular shake (pitch and yaw) [3, 4] shift shake (X and Y axes), [5] rotational shake (roll on Z axis) Image stabilisation and easier editing with Catalyst Camera-shake metadata is recorded by the built-in gyro, allowing handheld footage to be smoothed out and stabilised in post-production. Using Sony's Catalyst Browse / Catalyst Prepare desktop application9 you can easily balance automated shake-compensation and image-trimming levels. Catalyst can also make effective use of recorded camera-rotation data. Expandability and operability for content creators Front and rear tally lamps Tally lights on the front and rear of the FX3 indicate whether the camera is recording at any given moment. They are clearly visible to both the camera operator and the person performing in front of the camera. Vari-angle LCD touch-panel monitor The 3.0-type (1.44 million-dot10) LCD touch-screen panel features a side-opening design to allow flexible positioning and improved visibility when the camera is mounted on gimbals. Touch-panel support also provides intuitive menu control for many camera settings. Essential controls for efficient solo shooting In addition to six customisable buttons, frequently used controls are within easy one-handed reach, leaving your other hand free for lens operation or balance. And usability is enhanced by multiple screw holes on the body and handle, allowing accessories to be attached directly. Uninterrupted 4K/60p recording For uninterrupted 4K/60p11 recording, the FX3 is designed with an innovative heat dissipation system. Heatsink placement, airflow structure and a silent cooling fan work to optimise cooling even during long shoots. XLR adaptor and digital input for quality audio In addition to the camera's convenient built-in microphone, a variety of professional microphones can be connected externally via the full-size XLR connectors on the handle through a digital audio interface via Multi Interface (MI) Shoe. Three recording formats can be selected, including 24-bit 4-channel. Digital audio recording is also possible by attaching a digital microphone such as the ECM-B1M even when the handle is not used. Dual high-speed media slots Designed for next-generation filmmaking requirements, CFexpress Type A cards support high bit-rate recording. The camera's slots are ready for CFexpress Type A as well as conventional SDXC UHS-I and UHS-II cards, and having two identical media slots makes relay or backup shooting possible. Remote camera control and network transfer A network connection, via Wi-Fi® or wired via a USB type C connector, provides support for remote control from smartphones or tablets, with either NFC one-touch or manual pairing. Remote shooting can be controlled from a PC with Sony's Imaging Edge Desktop™ application, or from a mobile device with Imaging Edge Mobile™. And captured still and movie files can be transferred using high-speed FTP. Remote preview, shooting and streaming Either wired or wireless remote shooting is available from a PC, or from a mobile device with Imaging Edge Mobile installed, for more efficient workflows and shooting in challenging environments. Imaging Edge Webcam™ enables high-image-quality online video communication.

Sony ILME-FX3 FX3 Full-frame Cinema Line Camera Package b

Sony ILME-FX3 (FX3, ILME/FX3, ILME_FX3, ILMEFX3, ILME FX3, ILMEFX3.CEC, ILME-FX3 Alpha FX3, ilme-fx3) FX3 Full-frame Cinema Line Camera Package B includes: 1x Sony ILME-FX3 FX3 Full-frame Cinema Line Camera 1x Sony CEA-G80T 80GB CFexpress Type A Memory Card 1x Sony MRW-G2 CFexpress Type A / SD Card Reader Sony Alpha FX3 ILME-FX3, the most compact Cinema Line camera was designed for solo-shooting . With the internal cooling system the FX3 can extend the shooting time and will be able to cover a wider range of shooting situations.  It records outstanding 4K full frame quality at up to 120p with minimal rolling shutter, excellent low light capabilities (up to 409,800 ISO) and a wide dynamic range thanks to its 10.2 MP Exmor R CMOS sensor and new Bionz XR processor. It allows for more shooting expressions with the inclusion of S-LOG3 and S-CINETONE picture profiles defining a new era of Cinema line cameras from Sony. The Sony FX3 also provides more freedom for shooting videos with a fast and accurate Autofocus technology including Real-time Eye Autofocus,  Real-time touch tracking and customisable autofocus tracking sensitivity. It also includes a 5axis inbody stabilisation with Active Mode, which makes it ideal for handheld shots. On top of its small form factor, the Sony FX3 includes a detachable top-handle with XLR inputs for professional microphones or audio connections. The idea of a cage with the grip and screw options is already integrated in the body design, which is emphasizing the compact form factor. The Sony Cinema line FX3 is designed for the future of cinematic expressions. FX3 New Cinematic Freedom Sony's FX3 Cinema Line camera brings the visions of passionate content creators to life. Cinematic expression is matched with reliable performance and streamlined operation to serve the needs of today's creative community. Compact and lightweight, it's easy to carry and handle.  Full-frame image capture even in dim light The FX3's full-frame image sensor is coupled with innovative light-gathering techniques to let you capture clear and usable images even in dim light. The standard ISO sensitivity of 80-102400 for movies is expandable all the way up to 409600. Wide dynamic range, wider creative expression The FX3 offers an exceptional 15+ stops1 of dynamic range to handle settings ranging from well-lit interiors and outdoors in mid-day to morning and evening shots. Capture every nuance, and allow for unprecedented cinematic freedom in colour grading. Stunning bokeh and full-frame creativity Capture the scene in cinematic 4K resolution, with the shallow depth of field, stunning bokeh and cinematic freedom made possible with a full-frame sensor. Cinematic colour science of S-Cinetone S-Cinetone colour, developed for Sony’s acclaimed FX9, is the default look on the FX3 for cinematic expression. It's precisely tuned to meet the requirements of today's content creators, with rich colour and natural skin tones that match other Cinema Line cameras without grading.  4K 120fps with every frame in focus Even at high frame rates, detailed 4K imagery is captured thanks to the FX3's high-precision AF and high-speed readout capabilities. Slow and Quick (S&Q) mode gives you full control over the shooting frame rate, for beautiful motion sequences at up to 5x slow motion (with 24p output). 10-bit S-Log3 and HDR recording for smooth gradations S-Log3 gamma curve and S-Gamut3.Cine enable shooting with high-quality colour reproduction over a wide dynamic range, and they make it easy to match up footage with shots from other Cinema Line cameras during post-production. In addition, an HLG (Hybrid Log-Gamma) HDR picture profile enables direct HDR (HLG) playback on compatible TVs with no post-production. 16-bit RAW HDMI output For demanding post-production workflows, 16-bit RAW output3 is available over HDMI connection to compatible external recorders while XAVC HS 4K, XAVC S 4K, or XAVC S-I 4K, and proxy, files are simultaneously captured in-camera. RAW video output is 4264 x 2408 [16:9] resolution, exceeding DCI-4K resolution4. Enjoy rich detail and realistic colour The FX3 is capable of 4K internal recording, 10-bit depth and 4:2:2 colour sampling with All Intra on top of Long-GOP compression. This makes it possible to push your colour grades further while still retaining natural gradation, for true editing freedom.    [1] All-Intra (All-I)   [2] Long-GOP   [3] Group of Pictures Designed for comfortable solo shooting Dependable, highly accurate autofocus The wide-area AF with intelligent tracking uses focal-plane phase-detection for tenacious subject tracking across almost the entire frame5. The Fast Hybrid AF system delivers precise focusing even when shooting at a shallow depth of field and at high frame rates of 120p in 4K (QFHD)2. Sophisticated tracking AF for steady focus Sophisticated tracking features keep your subject in steady focus, so you can concentrate on composition. Real-time Eye AF ensures precise focus on the face and eyes, while Real-time Tracking is powered by Sony's unique AI-based subject recognition algorithms. Smooth transitions and touch focus control The FX3 includes AF Transition Speed in seven settings, to easily create rack focus, and five AF Subject Shift Sensitivity settings, which allows the user to customise how easily AF will switch or stay with the locked-on subject. You can also select the subject you want to focus on simply by touching the LCD monitor. High-performance E-mount lenses for movies Experience smooth, responsive autofocus with Sony's E-mount lenses, with premium optical performance and operability for demanding cinematography applications. The unique linear-drive actuator technology in Sony's E-mount lenses provides smoother, more precise and tenacious AF performance to support your creative endeavors. High-mobility performance wherever you go With its compact size and light weight, the FX3 is designed for high mobility. The attached handle and cage-free accessory mounting holes make for fast setup, fluid shooting and quick pack-down. The main body and covers are constructed from a lightweight magnesium alloy to enhance durability and performance even in challenging environments. Attachable XLR handle A handle equipped with an XLR adaptor with two full size XLR terminals can be attached to the Multi Interface (MI) Shoe on the camera for more comfortable and stable camerawork in difficult shooting situations, such as low-position shots. In-camera image stabilisation Active Mode6,7,8 is an optical in-body 5-axis image stabilisation system that provides increased stabilisation for movie shooting. To preserve image quality, the gyroscope sensor accurately measures camera shake and compensates optically. This makes stable video possible even when shooting hand-held without gimbal use, while walking, and at 4K resolution.  [1, 2] angular shake (pitch and yaw) [3, 4] shift shake (X and Y axes), [5] rotational shake (roll on Z axis) Image stabilisation and easier editing with Catalyst Camera-shake metadata is recorded by the built-in gyro, allowing handheld footage to be smoothed out and stabilised in post-production. Using Sony's Catalyst Browse / Catalyst Prepare desktop application9 you can easily balance automated shake-compensation and image-trimming levels. Catalyst can also make effective use of recorded camera-rotation data. Expandability and operability for content creators Front and rear tally lamps Tally lights on the front and rear of the FX3 indicate whether the camera is recording at any given moment. They are clearly visible to both the camera operator and the person performing in front of the camera. Vari-angle LCD touch-panel monitor The 3.0-type (1.44 million-dot10) LCD touch-screen panel features a side-opening design to allow flexible positioning and improved visibility when the camera is mounted on gimbals. Touch-panel support also provides intuitive menu control for many camera settings. Essential controls for efficient solo shooting In addition to six customisable buttons, frequently used controls are within easy one-handed reach, leaving your other hand free for lens operation or balance. And usability is enhanced by multiple screw holes on the body and handle, allowing accessories to be attached directly. Uninterrupted 4K/60p recording For uninterrupted 4K/60p11 recording, the FX3 is designed with an innovative heat dissipation system. Heatsink placement, airflow structure and a silent cooling fan work to optimise cooling even during long shoots. XLR adaptor and digital input for quality audio In addition to the camera's convenient built-in microphone, a variety of professional microphones can be connected externally via the full-size XLR connectors on the handle through a digital audio interface via Multi Interface (MI) Shoe. Three recording formats can be selected, including 24-bit 4-channel. Digital audio recording is also possible by attaching a digital microphone such as the ECM-B1M even when the handle is not used. Dual high-speed media slots Designed for next-generation filmmaking requirements, CFexpress Type A cards support high bit-rate recording. The camera's slots are ready for CFexpress Type A as well as conventional SDXC UHS-I and UHS-II cards, and having two identical media slots makes relay or backup shooting possible. Remote camera control and network transfer A network connection, via Wi-Fi® or wired via a USB type C connector, provides support for remote control from smartphones or tablets, with either NFC one-touch or manual pairing. Remote shooting can be controlled from a PC with Sony's Imaging Edge Desktop™ application, or from a mobile device with Imaging Edge Mobile™. And captured still and movie files can be transferred using high-speed FTP. Remote preview, shooting and streaming Either wired or wireless remote shooting is available from a PC, or from a mobile device with Imaging Edge Mobile installed, for more efficient workflows and shooting in challenging environments. Imaging Edge Webcam™ enables high-image-quality online video communication.

Sony ILME-FX3 FX3 Full-frame Cinema Line Camera Package a

Sony ILME-FX3 (FX3, ILME/FX3, ILME_FX3, ILMEFX3, ILME FX3, ILMEFX3.CEC, ILME-FX3 Alpha FX3, ilme-fx3) FX3 Full-frame Cinema Line Camera Package a includes: 1x Sony ILME-FX3 FX3 Full-frame Cinema Line Camera   1x Sony CEA-G80T 80GB CFexpress Type A Memory Card Sony Alpha FX3 ILME-FX3, the most compact Cinema Line camera was designed for solo-shooting . With the internal cooling system the FX3 can extend the shooting time and will be able to cover a wider range of shooting situations.  It records outstanding 4K full frame quality at up to 120p with minimal rolling shutter, excellent low light capabilities (up to 409,800 ISO) and a wide dynamic range thanks to its 10.2 MP Exmor R CMOS sensor and new Bionz XR processor. It allows for more shooting expressions with the inclusion of S-LOG3 and S-CINETONE picture profiles defining a new era of Cinema line cameras from Sony. The Sony FX3 also provides more freedom for shooting videos with a fast and accurate Autofocus technology including Real-time Eye Autofocus,  Real-time touch tracking and customisable autofocus tracking sensitivity. It also includes a 5axis inbody stabilisation with Active Mode, which makes it ideal for handheld shots. On top of its small form factor, the Sony FX3 includes a detachable top-handle with XLR inputs for professional microphones or audio connections. The idea of a cage with the grip and screw options is already integrated in the body design, which is emphasizing the compact form factor. The Sony Cinema line FX3 is designed for the future of cinematic expressions. FX3 New Cinematic Freedom Sony's FX3 Cinema Line camera brings the visions of passionate content creators to life. Cinematic expression is matched with reliable performance and streamlined operation to serve the needs of today's creative community. Compact and lightweight, it's easy to carry and handle.  Full-frame image capture even in dim light The FX3's full-frame image sensor is coupled with innovative light-gathering techniques to let you capture clear and usable images even in dim light. The standard ISO sensitivity of 80-102400 for movies is expandable all the way up to 409600. Wide dynamic range, wider creative expression The FX3 offers an exceptional 15+ stops1 of dynamic range to handle settings ranging from well-lit interiors and outdoors in mid-day to morning and evening shots. Capture every nuance, and allow for unprecedented cinematic freedom in colour grading. Stunning bokeh and full-frame creativity Capture the scene in cinematic 4K resolution, with the shallow depth of field, stunning bokeh and cinematic freedom made possible with a full-frame sensor. Cinematic colour science of S-Cinetone S-Cinetone colour, developed for Sony’s acclaimed FX9, is the default look on the FX3 for cinematic expression. It's precisely tuned to meet the requirements of today's content creators, with rich colour and natural skin tones that match other Cinema Line cameras without grading.  4K 120fps with every frame in focus Even at high frame rates, detailed 4K imagery is captured thanks to the FX3's high-precision AF and high-speed readout capabilities. Slow and Quick (S&Q) mode gives you full control over the shooting frame rate, for beautiful motion sequences at up to 5x slow motion (with 24p output). 10-bit S-Log3 and HDR recording for smooth gradations S-Log3 gamma curve and S-Gamut3.Cine enable shooting with high-quality colour reproduction over a wide dynamic range, and they make it easy to match up footage with shots from other Cinema Line cameras during post-production. In addition, an HLG (Hybrid Log-Gamma) HDR picture profile enables direct HDR (HLG) playback on compatible TVs with no post-production. 16-bit RAW HDMI output For demanding post-production workflows, 16-bit RAW output3 is available over HDMI connection to compatible external recorders while XAVC HS 4K, XAVC S 4K, or XAVC S-I 4K, and proxy, files are simultaneously captured in-camera. RAW video output is 4264 x 2408 [16:9] resolution, exceeding DCI-4K resolution4. Enjoy rich detail and realistic colour The FX3 is capable of 4K internal recording, 10-bit depth and 4:2:2 colour sampling with All Intra on top of Long-GOP compression. This makes it possible to push your colour grades further while still retaining natural gradation, for true editing freedom.    [1] All-Intra (All-I)   [2] Long-GOP   [3] Group of Pictures Designed for comfortable solo shooting Dependable, highly accurate autofocus The wide-area AF with intelligent tracking uses focal-plane phase-detection for tenacious subject tracking across almost the entire frame5. The Fast Hybrid AF system delivers precise focusing even when shooting at a shallow depth of field and at high frame rates of 120p in 4K (QFHD)2. Sophisticated tracking AF for steady focus Sophisticated tracking features keep your subject in steady focus, so you can concentrate on composition. Real-time Eye AF ensures precise focus on the face and eyes, while Real-time Tracking is powered by Sony's unique AI-based subject recognition algorithms. Smooth transitions and touch focus control The FX3 includes AF Transition Speed in seven settings, to easily create rack focus, and five AF Subject Shift Sensitivity settings, which allows the user to customise how easily AF will switch or stay with the locked-on subject. You can also select the subject you want to focus on simply by touching the LCD monitor. High-performance E-mount lenses for movies Experience smooth, responsive autofocus with Sony's E-mount lenses, with premium optical performance and operability for demanding cinematography applications. The unique linear-drive actuator technology in Sony's E-mount lenses provides smoother, more precise and tenacious AF performance to support your creative endeavors. High-mobility performance wherever you go With its compact size and light weight, the FX3 is designed for high mobility. The attached handle and cage-free accessory mounting holes make for fast setup, fluid shooting and quick pack-down. The main body and covers are constructed from a lightweight magnesium alloy to enhance durability and performance even in challenging environments. Attachable XLR handle A handle equipped with an XLR adaptor with two full size XLR terminals can be attached to the Multi Interface (MI) Shoe on the camera for more comfortable and stable camerawork in difficult shooting situations, such as low-position shots. In-camera image stabilisation Active Mode6,7,8 is an optical in-body 5-axis image stabilisation system that provides increased stabilisation for movie shooting. To preserve image quality, the gyroscope sensor accurately measures camera shake and compensates optically. This makes stable video possible even when shooting hand-held without gimbal use, while walking, and at 4K resolution.  [1, 2] angular shake (pitch and yaw) [3, 4] shift shake (X and Y axes), [5] rotational shake (roll on Z axis) Image stabilisation and easier editing with Catalyst Camera-shake metadata is recorded by the built-in gyro, allowing handheld footage to be smoothed out and stabilised in post-production. Using Sony's Catalyst Browse / Catalyst Prepare desktop application9 you can easily balance automated shake-compensation and image-trimming levels. Catalyst can also make effective use of recorded camera-rotation data. Expandability and operability for content creators Front and rear tally lamps Tally lights on the front and rear of the FX3 indicate whether the camera is recording at any given moment. They are clearly visible to both the camera operator and the person performing in front of the camera. Vari-angle LCD touch-panel monitor The 3.0-type (1.44 million-dot10) LCD touch-screen panel features a side-opening design to allow flexible positioning and improved visibility when the camera is mounted on gimbals. Touch-panel support also provides intuitive menu control for many camera settings. Essential controls for efficient solo shooting In addition to six customisable buttons, frequently used controls are within easy one-handed reach, leaving your other hand free for lens operation or balance. And usability is enhanced by multiple screw holes on the body and handle, allowing accessories to be attached directly. Uninterrupted 4K/60p recording For uninterrupted 4K/60p11 recording, the FX3 is designed with an innovative heat dissipation system. Heatsink placement, airflow structure and a silent cooling fan work to optimise cooling even during long shoots. XLR adaptor and digital input for quality audio In addition to the camera's convenient built-in microphone, a variety of professional microphones can be connected externally via the full-size XLR connectors on the handle through a digital audio interface via Multi Interface (MI) Shoe. Three recording formats can be selected, including 24-bit 4-channel. Digital audio recording is also possible by attaching a digital microphone such as the ECM-B1M even when the handle is not used. Dual high-speed media slots Designed for next-generation filmmaking requirements, CFexpress Type A cards support high bit-rate recording. The camera's slots are ready for CFexpress Type A as well as conventional SDXC UHS-I and UHS-II cards, and having two identical media slots makes relay or backup shooting possible. Remote camera control and network transfer A network connection, via Wi-Fi® or wired via a USB type C connector, provides support for remote control from smartphones or tablets, with either NFC one-touch or manual pairing. Remote shooting can be controlled from a PC with Sony's Imaging Edge Desktop™ application, or from a mobile device with Imaging Edge Mobile™. And captured still and movie files can be transferred using high-speed FTP. Remote preview, shooting and streaming Either wired or wireless remote shooting is available from a PC, or from a mobile device with Imaging Edge Mobile installed, for more efficient workflows and shooting in challenging environments. Imaging Edge Webcam™ enables high-image-quality online video communication.

Sony ILME-FX3 FX3 Full-frame Cinema Line Camera

Sony ILME-FX3 (ILME/FX3, ILME_FX3, ILMEFX3, ILME FX3, ILMEFX3.CEC, ILME-FX3 Alpha FX3, ilme-fx3) FX3 Full-frame Cinema Line Camera (body only) Sony Alpha FX3 ILME-FX3, the most compact Cinema Line camera was designed for solo-shooting . With the internal cooling system the FX3 can extend the shooting time and will be able to cover a wider range of shooting situations.  It records outstanding 4K full frame quality at up to 120p with minimal rolling shutter, excellent low light capabilities (up to 409,800 ISO) and a wide dynamic range thanks to its 10.2 MP Exmor R CMOS sensor and new Bionz XR processor. It allows for more shooting expressions with the inclusion of S-LOG3 and S-CINETONE picture profiles defining a new era of Cinema line cameras from Sony. The Sony FX3 also provides more freedom for shooting videos with a fast and accurate Autofocus technology including Real-time Eye Autofocus,  Real-time touch tracking and customisable autofocus tracking sensitivity. It also includes a 5axis inbody stabilisation with Active Mode, which makes it ideal for handheld shots. On top of its small form factor, the Sony FX3 includes a detachable top-handle with XLR inputs for professional microphones or audio connections. The idea of a cage with the grip and screw options is already integrated in the body design, which is emphasizing the compact form factor. The Sony Cinema line FX3 is designed for the future of cinematic expressions. FX3 New Cinematic Freedom Sony's FX3 Cinema Line camera brings the visions of passionate content creators to life. Cinematic expression is matched with reliable performance and streamlined operation to serve the needs of today's creative community. Compact and lightweight, it's easy to carry and handle.  Full-frame image capture even in dim light The FX3's full-frame image sensor is coupled with innovative light-gathering techniques to let you capture clear and usable images even in dim light. The standard ISO sensitivity of 80-102400 for movies is expandable all the way up to 409600. Wide dynamic range, wider creative expression The FX3 offers an exceptional 15+ stops1 of dynamic range to handle settings ranging from well-lit interiors and outdoors in mid-day to morning and evening shots. Capture every nuance, and allow for unprecedented cinematic freedom in colour grading. Stunning bokeh and full-frame creativity Capture the scene in cinematic 4K resolution, with the shallow depth of field, stunning bokeh and cinematic freedom made possible with a full-frame sensor. Cinematic colour science of S-Cinetone S-Cinetone colour, developed for Sony’s acclaimed FX9, is the default look on the FX3 for cinematic expression. It's precisely tuned to meet the requirements of today's content creators, with rich colour and natural skin tones that match other Cinema Line cameras without grading.  4K 120fps with every frame in focus Even at high frame rates, detailed 4K imagery is captured thanks to the FX3's high-precision AF and high-speed readout capabilities. Slow and Quick (S&Q) mode gives you full control over the shooting frame rate, for beautiful motion sequences at up to 5x slow motion (with 24p output). 10-bit S-Log3 and HDR recording for smooth gradations S-Log3 gamma curve and S-Gamut3.Cine enable shooting with high-quality colour reproduction over a wide dynamic range, and they make it easy to match up footage with shots from other Cinema Line cameras during post-production. In addition, an HLG (Hybrid Log-Gamma) HDR picture profile enables direct HDR (HLG) playback on compatible TVs with no post-production. 16-bit RAW HDMI output For demanding post-production workflows, 16-bit RAW output3 is available over HDMI connection to compatible external recorders while XAVC HS 4K, XAVC S 4K, or XAVC S-I 4K, and proxy, files are simultaneously captured in-camera. RAW video output is 4264 x 2408 [16:9] resolution, exceeding DCI-4K resolution4. Enjoy rich detail and realistic colour The FX3 is capable of 4K internal recording, 10-bit depth and 4:2:2 colour sampling with All Intra on top of Long-GOP compression. This makes it possible to push your colour grades further while still retaining natural gradation, for true editing freedom.    [1] All-Intra (All-I)   [2] Long-GOP   [3] Group of Pictures Designed for comfortable solo shooting Dependable, highly accurate autofocus The wide-area AF with intelligent tracking uses focal-plane phase-detection for tenacious subject tracking across almost the entire frame5. The Fast Hybrid AF system delivers precise focusing even when shooting at a shallow depth of field and at high frame rates of 120p in 4K (QFHD)2. Sophisticated tracking AF for steady focus Sophisticated tracking features keep your subject in steady focus, so you can concentrate on composition. Real-time Eye AF ensures precise focus on the face and eyes, while Real-time Tracking is powered by Sony's unique AI-based subject recognition algorithms. Smooth transitions and touch focus control The FX3 includes AF Transition Speed in seven settings, to easily create rack focus, and five AF Subject Shift Sensitivity settings, which allows the user to customise how easily AF will switch or stay with the locked-on subject. You can also select the subject you want to focus on simply by touching the LCD monitor. High-performance E-mount lenses for movies Experience smooth, responsive autofocus with Sony's E-mount lenses, with premium optical performance and operability for demanding cinematography applications. The unique linear-drive actuator technology in Sony's E-mount lenses provides smoother, more precise and tenacious AF performance to support your creative endeavors. High-mobility performance wherever you go With its compact size and light weight, the FX3 is designed for high mobility. The attached handle and cage-free accessory mounting holes make for fast setup, fluid shooting and quick pack-down. The main body and covers are constructed from a lightweight magnesium alloy to enhance durability and performance even in challenging environments. Attachable XLR handle A handle equipped with an XLR adaptor with two full size XLR terminals can be attached to the Multi Interface (MI) Shoe on the camera for more comfortable and stable camerawork in difficult shooting situations, such as low-position shots. In-camera image stabilisation Active Mode6,7,8 is an optical in-body 5-axis image stabilisation system that provides increased stabilisation for movie shooting. To preserve image quality, the gyroscope sensor accurately measures camera shake and compensates optically. This makes stable video possible even when shooting hand-held without gimbal use, while walking, and at 4K resolution.  [1, 2] angular shake (pitch and yaw) [3, 4] shift shake (X and Y axes), [5] rotational shake (roll on Z axis) Image stabilisation and easier editing with Catalyst Camera-shake metadata is recorded by the built-in gyro, allowing handheld footage to be smoothed out and stabilised in post-production. Using Sony's Catalyst Browse / Catalyst Prepare desktop application9 you can easily balance automated shake-compensation and image-trimming levels. Catalyst can also make effective use of recorded camera-rotation data. Expandability and operability for content creators Front and rear tally lamps Tally lights on the front and rear of the FX3 indicate whether the camera is recording at any given moment. They are clearly visible to both the camera operator and the person performing in front of the camera. Vari-angle LCD touch-panel monitor The 3.0-type (1.44 million-dot10) LCD touch-screen panel features a side-opening design to allow flexible positioning and improved visibility when the camera is mounted on gimbals. Touch-panel support also provides intuitive menu control for many camera settings. Essential controls for efficient solo shooting In addition to six customisable buttons, frequently used controls are within easy one-handed reach, leaving your other hand free for lens operation or balance. And usability is enhanced by multiple screw holes on the body and handle, allowing accessories to be attached directly. Uninterrupted 4K/60p recording For uninterrupted 4K/60p11 recording, the FX3 is designed with an innovative heat dissipation system. Heatsink placement, airflow structure and a silent cooling fan work to optimise cooling even during long shoots. XLR adaptor and digital input for quality audio In addition to the camera's convenient built-in microphone, a variety of professional microphones can be connected externally via the full-size XLR connectors on the handle through a digital audio interface via Multi Interface (MI) Shoe. Three recording formats can be selected, including 24-bit 4-channel. Digital audio recording is also possible by attaching a digital microphone such as the ECM-B1M even when the handle is not used. Dual high-speed media slots Designed for next-generation filmmaking requirements, CFexpress Type A cards support high bit-rate recording. The camera's slots are ready for CFexpress Type A as well as conventional SDXC UHS-I and UHS-II cards, and having two identical media slots makes relay or backup shooting possible. Remote camera control and network transfer A network connection, via Wi-Fi® or wired via a USB type C connector, provides support for remote control from smartphones or tablets, with either NFC one-touch or manual pairing. Remote shooting can be controlled from a PC with Sony's Imaging Edge Desktop™ application, or from a mobile device with Imaging Edge Mobile™. And captured still and movie files can be transferred using high-speed FTP. Remote preview, shooting and streaming Either wired or wireless remote shooting is available from a PC, or from a mobile device with Imaging Edge Mobile installed, for more efficient workflows and shooting in challenging environments. Imaging Edge Webcam™ enables high-image-quality online video communication.

Sony ILME-FX6V FX6 Full-Frame Cinema Camera Body Only package c

Sony ILME-FX6V (ILMEFX6VDI.EU, ILME-FX6 Alpha, FX6 ILME-FX6, PXW-FX6, pxw-fx6) FX6 Full-Frame Cinema Camera Body Only Package c © includes: 1x Sony ILME-FX6V FX6 Full-Frame Cinema Camera Body Only (ILME-FX6V) 1x Sony 128GB 300MB/s SDXC UHS-II TOUGH SD Card (SFG1TG)   1x Hedbox HED-BP95D Pro Battery Pack for SONY 6700mAh Li-Ion Battery (HED-BP95D) 1x Camrade CAM-R&GB-MEDIUM run&gunBag Medium Capture the impossible with expanded ISO sensitivity Capture usable images in near total darkness with an impressive ISO expanded range up to 4096001. The full-frame sensor coupled with innovative light gathering ensures limitless shooting possibilities. Stunning bokeh and full-frame creativity Realise beautiful 4K imagery with the creative freedom made possible by a full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh for a truly cinematic look. Cinematic colour science with S-Cinetone S-Cinetone colour, developed for Sony’s acclaimed FX9, is the default look on the FX6. Precisely tuned to meet the requirements of today’s content creators with rich colour and natural skin tones, it produces fresh and vivid images straight out of camera without grading, while retaining plenty of latitude for post production. Large pixels deliver high sensitivity and low noise The full-frame, back-illuminated, 10.2-megapixel2 Exmor R™ CMOS image sensor offers impressive light-gathering capability. Fast readout speeds and a dynamic range of 15+ stops3 deliver superb image quality with wide sensitivity and reduced noise. Powerful BIONZ XRTM image processor  The BIONZ XR image processing engine matches the sensor’s high-speed readout with enormous processing power. Built with a future-oriented architecture, it delivers high quality images faster and dramatically improves camera interface responsiveness. Impressive dynamic range for limitless expression At its base sensitivity of ISO8004, the FX6 offers optimal dynamic range for well-lit interiors and outdoor documentary shooting. An enhanced ISO 128004 sensitivity is designed for challenging low-light, morning and evening shots. The FX6 offers an exceptional 15+ stops3 of dynamic range ‒ beyond the perception of even the human eye in many conditions ‒ allowing for unprecedented creative freedom in colour grading and post. Fast Hybrid AF for accuracy and tenacity The wide-area AF uses intelligent tracking and on-sensor phase-detection for tenacious subject tracking across almost the entire frame (6275-point focal plane phase-detection AF covers approx. 89% of the image area). The hybrid AF system delivers precise focusing even when shooting at shallow depths of field and at 120p high frame rates in 4K (QFHD)6. Real-time Eye AF and Face Detection supported Real-time Eye AF and Face Detection ensure accurate, stable focus acquisition for interviews, events, and anywhere where precise focus on people is essential. Sophisticated real-time processing realises pinpoint eye focus even when subjects are looking down or up at steep angles, allowing the operator to concentrate fully on composing the best shot. Powerful focus control for solo shooters With AF Transition Speed selectable over 7 levels, and AF Subject Shift Sensitivity over 5 levels, you can better convey your creative intentions when switching subjects or, for example, rack focusing. Lens-ring AF subject selection When the AF Assist function is ON, rotating the focus ring instantly switches from autofocus to manual focus so that a different subject can be quickly selected. Autofocus operation resumes as soon as the user stops rotating the lens focus ring. Auto focus area/position For auto focus, you can set the target areaamong Flexible Spot, Zone, Wide and changethe position of the target area quickly duringshooting by simply touching the LCD monitor. 4K7 120fps with every frame in focus High Frame Rate shots can turn everyday action into a visual feast of elegant movement. The FX6 captures up to 120 frames per second (fps) at the 4K (QFHD) resolution. Slow and Quick (S&Q) modes give you full control over the captured frame rate from 1 to 120fps, allowing precise motion narratives, and up to a beautiful 5x Super Slow Motion (24fps output). Autofocus with Sony E-mount lenses Experience smooth, responsive autofocus with Sony E-mount lenses, with premium optical performance and operability for demanding cinematography applications. Unique actuator technology in Sony E-mount lenses provides faster and more precise AF performance, supporting your creative endeavors. Built-in electronic Variable ND Filter The FX6 features Sony’s unique built-in electronic Variable Neutral Density (ND) filter. Unlike conventional optical ND Filters, the electronic ND Filter on the FX6 can be controlled from 1/4ND to 1/128ND linearly, or set to auto. Ideal in changeable environments, there’s no need to change filters as lighting conditions change or to maintain your depth of field. Lightweight, modular and robust Despite its amazingly light 0.89kg body, the magnesium-alloy FX6 is more than tough enough for the rigours of real-world shooting. A detachable Smart Grip puts key functions at your fingertips and is easily adjustable with a single button. Grab and shoot mobility Ideal for low angle shooting, the smart handle is part of the FX6’s modular design. It’s easy to reconfigure for any application, including mounting in a gimbal, drone, or underwater housing. Magnesium body and frame for high durability with light weight To perform reliably in challenging environments, the main body, covers and top handle are made from a production-tested, lightweight magnesium alloy. The main frame achieves high strength and durability with minimum weight in order to maximise mobility. Architecture to prevent thermal shut down The custom ventilation system and chassis design help to prevent the thermal shut down of shooting8 at high frame rates and 4K (QFHD) resolutions. The number of heat sinks, the shape of air intakes and exhaust vents as well as the location of the low-noise fan9, and airflow paths have all been calculated with precision to ensure that optimum ventilation is achieved. 10-bit 4:2:2 recording Record right on the camera with the amazing richness of 10-bit depth and 4:2:2 colour sampling, for far greater flexibility in image grading, post-processing and compositing. All-Intra encoding available As well as Long GOP, internal All-Intra encoding is now provided. This encodes every frame independently at bitrates up to 600Mbps, to capture complex motion more accurately, and allow more efficient editing workflows. [1] All-Intra (All-I)  [2] Long GOP  [3] Group of Pictures 16-bit RAW SDI output  For demanding post-production workflows, 16-bit RAW output is available via SDI connection to compatible external recorders while XAVC-I files are simultaneously captured in-camera. RAW video output is 4096x2160 or 3840x2160 data from the image sensor with a choice of 59.94 / 50 / 29.97 / 25 / 24 / 23.98 frame rates10. Shooting modes that match creator workflows The FX6 offers shooting modes with preset looks like S-Cinetone that produce great-looking shots in-camera, or S-Log3 / S-Gamut3 with Cine-EI mode that capture perfectly-exposed images for post production. Scene File function allows easy look changes on-site Four preset scene file types are available for SDR shooting (S-Cinetone, Standard, Still, ITU709) and two for HDR (HLG Live, HLG Natural) plus 16 slots for imported user 3D LUTs for your preferred look without post production. Remarkable smart grip and smart handle Sony’s ergonomic Smart Grip and Smart Handle feature easy one-button adjustment. With zoom, record, and assignable control buttons, as well as a dial suitable for iris control, you can comfortably operate for hours. Professional connectivity A wide range of professional interfaces is available including 12G-SDI and HDMI outputs11, a remote interface, TC connectors for multi-camera sync, and SuperSpeed USB 5Gbps (USB 3.2) to support fluid data workflows. Multi-Interface (MI) Shoe Sony’s Multi-Interface (MI) Shoe provides power, signal and switching connections to compatible Sony accessories, including for example wireless microphone systems such as the UWP-D21 or UWP-D2212. Support for four-channel audio input and recording Four-channel audio input allows simultaneous capture of external microphones and the built-in microphone. UWP wireless microphones or XLR audio adaptors such as the XLR-K3M can also be used with the MI Shoe. Dual XLR inputs and enhanced audio capability The handle of the FX6 has two independent audio inputs, easy-access XLR connectors to connect external professional microphones. UWP series wireless microphones may also be connected via the MI Shoe. High-definition 2.76 million-dot13 flexible LCD panel The 3.5-inch LCD screen allows precise manual focusing in challenging shooting conditions. Flexible positioning of both mounting locations and angles allows comfortable shooting to suit varied preferences and rigging. Quick menu control with touch operation The LCD screen has a quick access control menu. With a single touch, you can change codec, imager scan mode, picture size and frequency, base ISO/sensitivity, shooting mode and audio levels. Dual CFexpress Type A-compatible media slots Dual media slots support CFexpress Type A cards14, along with conventional SDXC UHS-I and UHS-II cards, for fast buffer clearance and data management. Simultaneous, relay, interval and proxy modes are supported. Networked for high mobility Wi-Fi® connectivity enables a host of advanced wireless production features such as remote control via smartphones or tablets and the Content Browser Mobile app. Connect easily with either NFC one-touch or manual pairing. Metadata facilitates editing in Catalyst  The FX6 records three types of metadata: image stabilisation, clip flag, and camera rotation. These can be useful when previewing and preparing to edit in Sony’s free Catalyst Browse or cost-effective Catalyst Prepare software.

Sony ILME-FX6V FX6 Full-Frame Cinema Camera Body Only package b

Sony ILME-FX6V (ILMEFX6VDI.EU, ILME-FX6 Alpha, FX6 ILME-FX6, PXW-FX6, pxw-fx6) FX6 Full-Frame Cinema Camera Body Only package b © includes: 1x Sony ILME-FX6V FX6 Full-Frame Cinema Camera Body Only (ILME-FX6V) 1x Sony 128GB 300MB/s SDXC UHS-II TOUGH SD Card (SFG1TG) 1x Hedbox HED-BP95D Pro Battery Pack for SONY 6700mAh Li-Ion Battery (HED-BP95D) Capture the impossible with expanded ISO sensitivity Capture usable images in near total darkness with an impressive ISO expanded range up to 4096001. The full-frame sensor coupled with innovative light gathering ensures limitless shooting possibilities. Stunning bokeh and full-frame creativity Realise beautiful 4K imagery with the creative freedom made possible by a full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh for a truly cinematic look. Cinematic colour science with S-Cinetone S-Cinetone colour, developed for Sony’s acclaimed FX9, is the default look on the FX6. Precisely tuned to meet the requirements of today’s content creators with rich colour and natural skin tones, it produces fresh and vivid images straight out of camera without grading, while retaining plenty of latitude for post production. Large pixels deliver high sensitivity and low noise The full-frame, back-illuminated, 10.2-megapixel2 Exmor R™ CMOS image sensor offers impressive light-gathering capability. Fast readout speeds and a dynamic range of 15+ stops3 deliver superb image quality with wide sensitivity and reduced noise. Powerful BIONZ XRTM image processor  The BIONZ XR image processing engine matches the sensor’s high-speed readout with enormous processing power. Built with a future-oriented architecture, it delivers high quality images faster and dramatically improves camera interface responsiveness. Impressive dynamic range for limitless expression At its base sensitivity of ISO8004, the FX6 offers optimal dynamic range for well-lit interiors and outdoor documentary shooting. An enhanced ISO 128004 sensitivity is designed for challenging low-light, morning and evening shots. The FX6 offers an exceptional 15+ stops3 of dynamic range ‒ beyond the perception of even the human eye in many conditions ‒ allowing for unprecedented creative freedom in colour grading and post. Fast Hybrid AF for accuracy and tenacity The wide-area AF uses intelligent tracking and on-sensor phase-detection for tenacious subject tracking across almost the entire frame (6275-point focal plane phase-detection AF covers approx. 89% of the image area). The hybrid AF system delivers precise focusing even when shooting at shallow depths of field and at 120p high frame rates in 4K (QFHD)6. Real-time Eye AF and Face Detection supported Real-time Eye AF and Face Detection ensure accurate, stable focus acquisition for interviews, events, and anywhere where precise focus on people is essential. Sophisticated real-time processing realises pinpoint eye focus even when subjects are looking down or up at steep angles, allowing the operator to concentrate fully on composing the best shot. Powerful focus control for solo shooters With AF Transition Speed selectable over 7 levels, and AF Subject Shift Sensitivity over 5 levels, you can better convey your creative intentions when switching subjects or, for example, rack focusing. Lens-ring AF subject selection When the AF Assist function is ON, rotating the focus ring instantly switches from autofocus to manual focus so that a different subject can be quickly selected. Autofocus operation resumes as soon as the user stops rotating the lens focus ring. Auto focus area/position For auto focus, you can set the target areaamong Flexible Spot, Zone, Wide and changethe position of the target area quickly duringshooting by simply touching the LCD monitor. 4K7 120fps with every frame in focus High Frame Rate shots can turn everyday action into a visual feast of elegant movement. The FX6 captures up to 120 frames per second (fps) at the 4K (QFHD) resolution. Slow and Quick (S&Q) modes give you full control over the captured frame rate from 1 to 120fps, allowing precise motion narratives, and up to a beautiful 5x Super Slow Motion (24fps output). Autofocus with Sony E-mount lenses Experience smooth, responsive autofocus with Sony E-mount lenses, with premium optical performance and operability for demanding cinematography applications. Unique actuator technology in Sony E-mount lenses provides faster and more precise AF performance, supporting your creative endeavors. Built-in electronic Variable ND Filter The FX6 features Sony’s unique built-in electronic Variable Neutral Density (ND) filter. Unlike conventional optical ND Filters, the electronic ND Filter on the FX6 can be controlled from 1/4ND to 1/128ND linearly, or set to auto. Ideal in changeable environments, there’s no need to change filters as lighting conditions change or to maintain your depth of field. Lightweight, modular and robust Despite its amazingly light 0.89kg body, the magnesium-alloy FX6 is more than tough enough for the rigours of real-world shooting. A detachable Smart Grip puts key functions at your fingertips and is easily adjustable with a single button. Grab and shoot mobility Ideal for low angle shooting, the smart handle is part of the FX6’s modular design. It’s easy to reconfigure for any application, including mounting in a gimbal, drone, or underwater housing. Magnesium body and frame for high durability with light weight To perform reliably in challenging environments, the main body, covers and top handle are made from a production-tested, lightweight magnesium alloy. The main frame achieves high strength and durability with minimum weight in order to maximise mobility. Architecture to prevent thermal shut down The custom ventilation system and chassis design help to prevent the thermal shut down of shooting8 at high frame rates and 4K (QFHD) resolutions. The number of heat sinks, the shape of air intakes and exhaust vents as well as the location of the low-noise fan9, and airflow paths have all been calculated with precision to ensure that optimum ventilation is achieved. 10-bit 4:2:2 recording Record right on the camera with the amazing richness of 10-bit depth and 4:2:2 colour sampling, for far greater flexibility in image grading, post-processing and compositing. All-Intra encoding available As well as Long GOP, internal All-Intra encoding is now provided. This encodes every frame independently at bitrates up to 600Mbps, to capture complex motion more accurately, and allow more efficient editing workflows. [1] All-Intra (All-I)  [2] Long GOP  [3] Group of Pictures 16-bit RAW SDI output  For demanding post-production workflows, 16-bit RAW output is available via SDI connection to compatible external recorders while XAVC-I files are simultaneously captured in-camera. RAW video output is 4096x2160 or 3840x2160 data from the image sensor with a choice of 59.94 / 50 / 29.97 / 25 / 24 / 23.98 frame rates10. Shooting modes that match creator workflows The FX6 offers shooting modes with preset looks like S-Cinetone that produce great-looking shots in-camera, or S-Log3 / S-Gamut3 with Cine-EI mode that capture perfectly-exposed images for post production. Scene File function allows easy look changes on-site Four preset scene file types are available for SDR shooting (S-Cinetone, Standard, Still, ITU709) and two for HDR (HLG Live, HLG Natural) plus 16 slots for imported user 3D LUTs for your preferred look without post production. Remarkable smart grip and smart handle Sony’s ergonomic Smart Grip and Smart Handle feature easy one-button adjustment. With zoom, record, and assignable control buttons, as well as a dial suitable for iris control, you can comfortably operate for hours. Professional connectivity A wide range of professional interfaces is available including 12G-SDI and HDMI outputs11, a remote interface, TC connectors for multi-camera sync, and SuperSpeed USB 5Gbps (USB 3.2) to support fluid data workflows. Multi-Interface (MI) Shoe Sony’s Multi-Interface (MI) Shoe provides power, signal and switching connections to compatible Sony accessories, including for example wireless microphone systems such as the UWP-D21 or UWP-D2212. Support for four-channel audio input and recording Four-channel audio input allows simultaneous capture of external microphones and the built-in microphone. UWP wireless microphones or XLR audio adaptors such as the XLR-K3M can also be used with the MI Shoe. Dual XLR inputs and enhanced audio capability The handle of the FX6 has two independent audio inputs, easy-access XLR connectors to connect external professional microphones. UWP series wireless microphones may also be connected via the MI Shoe. High-definition 2.76 million-dot13 flexible LCD panel The 3.5-inch LCD screen allows precise manual focusing in challenging shooting conditions. Flexible positioning of both mounting locations and angles allows comfortable shooting to suit varied preferences and rigging. Quick menu control with touch operation The LCD screen has a quick access control menu. With a single touch, you can change codec, imager scan mode, picture size and frequency, base ISO/sensitivity, shooting mode and audio levels. Dual CFexpress Type A-compatible media slots Dual media slots support CFexpress Type A cards14, along with conventional SDXC UHS-I and UHS-II cards, for fast buffer clearance and data management. Simultaneous, relay, interval and proxy modes are supported. Networked for high mobility Wi-Fi® connectivity enables a host of advanced wireless production features such as remote control via smartphones or tablets and the Content Browser Mobile app. Connect easily with either NFC one-touch or manual pairing. Metadata facilitates editing in Catalyst  The FX6 records three types of metadata: image stabilisation, clip flag, and camera rotation. These can be useful when previewing and preparing to edit in Sony’s free Catalyst Browse or cost-effective Catalyst Prepare software.

Sony ILME-FX6V FX6 Full-Frame Cinema Camera Body Only package a

Sony ILME-FX6V (ILMEFX6VDI.EU, ILME-FX6 Alpha, FX6 ILME-FX6, PXW-FX6, pxw-fx6) FX6 Full-Frame Cinema Camera Body Only package a © includes: 1x Sony ILME-FX6V FX6 Full-Frame Cinema Camera Body Only (ILME-FX6V) 1x Sony 128GB 300MB/s SDXC UHS-II TOUGH SD Card (SFG1TG) Capture the impossible with expanded ISO sensitivity Capture usable images in near total darkness with an impressive ISO expanded range up to 4096001. The full-frame sensor coupled with innovative light gathering ensures limitless shooting possibilities. Stunning bokeh and full-frame creativity Realise beautiful 4K imagery with the creative freedom made possible by a full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh for a truly cinematic look. Cinematic colour science with S-Cinetone S-Cinetone colour, developed for Sony’s acclaimed FX9, is the default look on the FX6. Precisely tuned to meet the requirements of today’s content creators with rich colour and natural skin tones, it produces fresh and vivid images straight out of camera without grading, while retaining plenty of latitude for post production. Large pixels deliver high sensitivity and low noise The full-frame, back-illuminated, 10.2-megapixel2 Exmor R™ CMOS image sensor offers impressive light-gathering capability. Fast readout speeds and a dynamic range of 15+ stops3 deliver superb image quality with wide sensitivity and reduced noise. Powerful BIONZ XRTM image processor  The BIONZ XR image processing engine matches the sensor’s high-speed readout with enormous processing power. Built with a future-oriented architecture, it delivers high quality images faster and dramatically improves camera interface responsiveness. Impressive dynamic range for limitless expression At its base sensitivity of ISO8004, the FX6 offers optimal dynamic range for well-lit interiors and outdoor documentary shooting. An enhanced ISO 128004 sensitivity is designed for challenging low-light, morning and evening shots. The FX6 offers an exceptional 15+ stops3 of dynamic range ‒ beyond the perception of even the human eye in many conditions ‒ allowing for unprecedented creative freedom in colour grading and post. Fast Hybrid AF for accuracy and tenacity The wide-area AF uses intelligent tracking and on-sensor phase-detection for tenacious subject tracking across almost the entire frame (6275-point focal plane phase-detection AF covers approx. 89% of the image area). The hybrid AF system delivers precise focusing even when shooting at shallow depths of field and at 120p high frame rates in 4K (QFHD)6. Real-time Eye AF and Face Detection supported Real-time Eye AF and Face Detection ensure accurate, stable focus acquisition for interviews, events, and anywhere where precise focus on people is essential. Sophisticated real-time processing realises pinpoint eye focus even when subjects are looking down or up at steep angles, allowing the operator to concentrate fully on composing the best shot. Powerful focus control for solo shooters With AF Transition Speed selectable over 7 levels, and AF Subject Shift Sensitivity over 5 levels, you can better convey your creative intentions when switching subjects or, for example, rack focusing. Lens-ring AF subject selection When the AF Assist function is ON, rotating the focus ring instantly switches from autofocus to manual focus so that a different subject can be quickly selected. Autofocus operation resumes as soon as the user stops rotating the lens focus ring. Auto focus area/position For auto focus, you can set the target areaamong Flexible Spot, Zone, Wide and changethe position of the target area quickly duringshooting by simply touching the LCD monitor. 4K7 120fps with every frame in focus High Frame Rate shots can turn everyday action into a visual feast of elegant movement. The FX6 captures up to 120 frames per second (fps) at the 4K (QFHD) resolution. Slow and Quick (S&Q) modes give you full control over the captured frame rate from 1 to 120fps, allowing precise motion narratives, and up to a beautiful 5x Super Slow Motion (24fps output). Autofocus with Sony E-mount lenses Experience smooth, responsive autofocus with Sony E-mount lenses, with premium optical performance and operability for demanding cinematography applications. Unique actuator technology in Sony E-mount lenses provides faster and more precise AF performance, supporting your creative endeavors. Built-in electronic Variable ND Filter The FX6 features Sony’s unique built-in electronic Variable Neutral Density (ND) filter. Unlike conventional optical ND Filters, the electronic ND Filter on the FX6 can be controlled from 1/4ND to 1/128ND linearly, or set to auto. Ideal in changeable environments, there’s no need to change filters as lighting conditions change or to maintain your depth of field. Lightweight, modular and robust Despite its amazingly light 0.89kg body, the magnesium-alloy FX6 is more than tough enough for the rigours of real-world shooting. A detachable Smart Grip puts key functions at your fingertips and is easily adjustable with a single button. Grab and shoot mobility Ideal for low angle shooting, the smart handle is part of the FX6’s modular design. It’s easy to reconfigure for any application, including mounting in a gimbal, drone, or underwater housing. Magnesium body and frame for high durability with light weight To perform reliably in challenging environments, the main body, covers and top handle are made from a production-tested, lightweight magnesium alloy. The main frame achieves high strength and durability with minimum weight in order to maximise mobility. Architecture to prevent thermal shut down The custom ventilation system and chassis design help to prevent the thermal shut down of shooting8 at high frame rates and 4K (QFHD) resolutions. The number of heat sinks, the shape of air intakes and exhaust vents as well as the location of the low-noise fan9, and airflow paths have all been calculated with precision to ensure that optimum ventilation is achieved. 10-bit 4:2:2 recording Record right on the camera with the amazing richness of 10-bit depth and 4:2:2 colour sampling, for far greater flexibility in image grading, post-processing and compositing. All-Intra encoding available As well as Long GOP, internal All-Intra encoding is now provided. This encodes every frame independently at bitrates up to 600Mbps, to capture complex motion more accurately, and allow more efficient editing workflows. [1] All-Intra (All-I)  [2] Long GOP  [3] Group of Pictures 16-bit RAW SDI output  For demanding post-production workflows, 16-bit RAW output is available via SDI connection to compatible external recorders while XAVC-I files are simultaneously captured in-camera. RAW video output is 4096x2160 or 3840x2160 data from the image sensor with a choice of 59.94 / 50 / 29.97 / 25 / 24 / 23.98 frame rates10. Shooting modes that match creator workflows The FX6 offers shooting modes with preset looks like S-Cinetone that produce great-looking shots in-camera, or S-Log3 / S-Gamut3 with Cine-EI mode that capture perfectly-exposed images for post production. Scene File function allows easy look changes on-site Four preset scene file types are available for SDR shooting (S-Cinetone, Standard, Still, ITU709) and two for HDR (HLG Live, HLG Natural) plus 16 slots for imported user 3D LUTs for your preferred look without post production. Remarkable smart grip and smart handle Sony’s ergonomic Smart Grip and Smart Handle feature easy one-button adjustment. With zoom, record, and assignable control buttons, as well as a dial suitable for iris control, you can comfortably operate for hours. Professional connectivity A wide range of professional interfaces is available including 12G-SDI and HDMI outputs11, a remote interface, TC connectors for multi-camera sync, and SuperSpeed USB 5Gbps (USB 3.2) to support fluid data workflows. Multi-Interface (MI) Shoe Sony’s Multi-Interface (MI) Shoe provides power, signal and switching connections to compatible Sony accessories, including for example wireless microphone systems such as the UWP-D21 or UWP-D2212. Support for four-channel audio input and recording Four-channel audio input allows simultaneous capture of external microphones and the built-in microphone. UWP wireless microphones or XLR audio adaptors such as the XLR-K3M can also be used with the MI Shoe. Dual XLR inputs and enhanced audio capability The handle of the FX6 has two independent audio inputs, easy-access XLR connectors to connect external professional microphones. UWP series wireless microphones may also be connected via the MI Shoe. High-definition 2.76 million-dot13 flexible LCD panel The 3.5-inch LCD screen allows precise manual focusing in challenging shooting conditions. Flexible positioning of both mounting locations and angles allows comfortable shooting to suit varied preferences and rigging. Quick menu control with touch operation The LCD screen has a quick access control menu. With a single touch, you can change codec, imager scan mode, picture size and frequency, base ISO/sensitivity, shooting mode and audio levels. Dual CFexpress Type A-compatible media slots Dual media slots support CFexpress Type A cards14, along with conventional SDXC UHS-I and UHS-II cards, for fast buffer clearance and data management. Simultaneous, relay, interval and proxy modes are supported. Networked for high mobility Wi-Fi® connectivity enables a host of advanced wireless production features such as remote control via smartphones or tablets and the Content Browser Mobile app. Connect easily with either NFC one-touch or manual pairing. Metadata facilitates editing in Catalyst  The FX6 records three types of metadata: image stabilisation, clip flag, and camera rotation. These can be useful when previewing and preparing to edit in Sony’s free Catalyst Browse or cost-effective Catalyst Prepare software.

Sony ILCE-7M3GBDI.EU-a7MIII-24-105 Alpha A7 III Mirrorless Digital Camera

Sony ILCE-7M3GBDI.EU-a7MIII-24-105 (ILCE_7M3GBDI.EU-a7MIII-24-105, ILCE7M3GBDI.EU-a7MIII-24-105, ILCE/7M3GBDI.EU-a7MIII-24-105, ILCE 7M3GBDI.EU-a7MIII-24-105) Alpha A7 III Mirrorless Digital Camera. Distinguished by its updated sensor design, the Alpha a7 III Mirrorless Digital Camera from Sony is a well-rounded camera suitable for both photo and video applications in a variety of working situations. Refined for improved speed and low-light performance, the full-frame 24.2MP Exmor R BSI CMOS sensor and BIONZ X image processor pair to realize an impressive 10 fps continuous shooting rate and improved autofocus performance for faster, more reliable subject tracking along with wide frame coverage. This updated Fast Hybrid AF System employs a combination of 693 phase-detection points and 425 contrast-detection areas for quicker acquirement of focus in a variety of lighting conditions, and also maintains focus on subjects more effectively. In addition to speed and AF, the processing improvements also help to realize greater image clarity and reduced noise throughout the sensitivity range from ISO 100-51200, which can further be expanded to ISO 50-204800. Video recording capabilities have also been extended for enhanced quality when recording UHD 4K video with the full width of the full-frame sensor to minimize moiré and aliasing. Additionally, benefitting both stills and video operation, the a7 III utilizes a 5-axis SteadyShot INSIDE sensor-shift image stabilization, which is now effective to minimize the appearance of camera shake by up to 5 stops. Beyond just updates to the imaging system, the a7 III's body design has also been revised to include a rear 3.0" 922k-dot touchscreen LCD, which has a tilting design to better support working from high and low angles. A 2.36m-dot Tru-Finder OLED EVF is also featured for bright and clear eye-level monitoring. For greater shooting flexibility, dual SD memory card slots are now featured, and a larger NP-FZ100 battery is also employed to achieve up to approximately 710 shots per charge. Suiting the camera's use in trying conditions, the magnesium-alloy chassis and weather-sealing also render the a7 III dust- and moisture-resistant. An evolved 4D FOCUS system now employs a combination of 693 phase-detection points, which cover approximately 93% of the frame, along with 425 contrast-detection areas for reliable and quick autofocus and subject tracking performance. This Fast Hybrid AF System now achieves twice the focusing speed and more reliable tracking compared to previous a7 models, as well as improved low-light focusing. The use of phase-detection points also enables the use of A-mount lenses via the optional LA-EA3 or LA-EA1 lens mount adapters with full continuous AF/AE tracking compatibility. The apt focus system also lends itself to a variety of focusing functions for refined accuracy, including Lock-on AF, which maintains focus on moving subjects throughout the use of a configurable frame that is set over the desired moving subject, and Expand Flexible Spot, which employs neighboring focus points to retain focus on moving subjects even if the originally selected point loses focus. Additionally, Eye AF can be used to base focus on recognized subjects' eyes for portraits and is available in both AF-S and AF-C modes. Autofocus can also be used in conjunction with the Focus Magnifier function for critical focus when homing in on minute subject details. The rear touchscreen can also be used for Touch Focus control, and a Touchpad Focus Control mode lets you use the rear screen intuitively while keeping your eye to the viewfinder.

Sony PXW-Z750 4K 2/3-type 3-chip CMOS Shoulder-mount Camcorder

Sony PXW-Z750 (PXW/Z750, PXWZ750, PXW_Z750, pxw-z750) 4K 2/3-type 3-chip CMOS Shoulder-mount Camcorder PXW-Z750 4K 2/3-type 3-chip CMOS Shoulder-mount Camcorder with global shutter, high sensitivity, 4K/HD simultaneous recording, 120p HFR in HD, 12G-SDI and advanced wireless workflow capabilities. New benchmark for 4K, HDR and HD image quality Capture beautiful 4K images with the deep of depth of field made possible by 3-chip 2/3- type CMOS sensor. The Z750 is Sony’s first shoulder-mount camcorder with a global shutter to eliminate flash banding and “jello” effects. It sets a new class-leading standard for 4K, HDR and HD image quality for reality TV, documentary, news and sports production. In fast-moving applications where a second take is impossible, Z750 is the ideal choice. Saving time and money Delivering highest quality 4K with HD era workflows wastes time and money. The Z750’s latest generation XAVC-L422 QFHD 200 codec combined with high-speed SxS Pro media radically reduce real-world turnaround times. Premium 4K becomes deliverable on almost any project using the PXW-Z750. Transformative cloud-based collaboration Z750 is at the vanguard of seamlessly integrating Cloud-based production tools with familiar, easy-to-use interfaces and proven Sony reliability. Build stories fast, with secure, direct access from the studio to camcorders out in the field with XDCAM air. Distribute content for preview and editing with stakeholders across the world using Sony’s Ci Media Cloud. 3-chip 2/3-type CMOS Sensor with Global Shutter The PXW-Z750 incorporates a newly developed 3-chip 2/3” 4K CMOS sensor optical block with a wide colour gamut provides exquisite picture quality with true-to-life colour reproduction, high sensitivity and low noise level for a wide range of shooting scenarios. Versatile B4 lens options The 3-chip 2/3-type size sensor block of the Z750 matches the rugged, dependable B4 lens mount system, allowing you to use a wide variety of commercially-available B4 4K/HD lenses. This flexibility supports a variety of shooting applications while reducing cost by leveraging your existing lens investments. High Dynamic Range and wider, richer colours PXW-Z750 can record HDR using Sony S-Log3 or Hybrid Log Gamma (HLG). The camera’s wide colour gamut supports extended Sony S-Gamut3 and S-Gamut3.Cine colour spaces, as well as the industry standard ITU-R BT.2020 colour space. S-Log3 has a proven track record for premium applications, capturing the maximum dynamic range from the sensors, for the most creative colour grading processes.* Industry standard HLG delivers content quickly without additional colour grading, making it an ideal choice for day-to-day shooting, viewing, editing and broadcasting workflows. Superb slow motion Ideal for sports and nature programmes, the PXW-Z750 can acquire footage in 120fps in Full HD for beautifully smooth, finely-detailed slow-motion playback. Cache recording Never miss a shot with advanced cache recording in 4K and Full HD modes. Pre-record up to 13-15 sec in MPEG HD 422 50 (at 50/59.94fps) – giving you plenty of time to catch the action when it happens. Representative Cache Rec. Time (@50/59.94fps) XAVC QFHD L422 200: 2-4 sec XAVC-I 1920×1080P: 2-4 sec MPEG HD 422 50: 13-15 sec High quality at lower bitrates As well as the established XAVC-I QFHD Class 300 4K and standard MPEG HD422 codecs, the PXW-Z750 also supports the latest generation XAVC-L422 QFHD 200 codec. Compressing 4K Ultra HD images with a LongGOP frame structure, this achieves significant bitrate savings over previous Intra Frame codecs while maintaining superb 4K image quality. Lower data rates increase recording times while reducing storage requirements. Uncompromised picture quality is ensured by 10-bit quantisation and 4:2:2 colour sampling, making the PXW-Z750 ideal for HDR productions. A wide range of 4K codecs provide the flexibility to select the recording format that is best suited for the requirements of the production you are working on. Lightning-fast transfers with latest generation media The PXW-Z750 supports latest-generation SxS Pro X media, enabling very high speed file transfers at up to 10Gbps (1250MB/s)¹ with the SBAC-T40 Thunderbolt™ 3,* SxS card reader/writer. Transfers are approximately three times faster than previous generation media/reader combinations, dramatically accelerating workflows for any application and bringing down production costs. *Based on Sony internal testing. Transfer speeds vary and are dependent on host devices, the OS version or usage conditions. Next generation wireless workflow Built-in wireless connectivity enables advanced workflow production features including live streaming, FTP transfer and even remote control from a smartphone or tablet* via Wi-Fi. Wireless workflow is made even more efficient using XDCAM air, Sony’s professional cloud service including dual-link cellular operation.** * Requires Content Browser Mobile and device running iOS 9.0 (or higher) or Android 4.4 (or higher) ** Requires XDCAM air subscription and CBK-DL1 USB Extension Adaptor Seamless wireless audio integration PXW-Z750 is compatible with Sony’s DWX series of digital wireless microphone systems offering ENG and documentary teams the benefits of an all-digital audio workflow, including robust end-to-end encryption for truly secure operation.* Wireless transmitter parameters can be controlled directly from the PXW-Z750 using the Cross Remote function Transmitter power save mode synchronises with the camera’s on/off control, and is controllable by assignable buttons to save transmitter battery life Audio and video are precisely synchronized, ensuring no delays or lip-sync problems Power save status and receiver RF levels are displayed in the viewfinder *For details, please consult local sales company. Familiar refinement, evolved The Z750 is lighter than the previous generation PDW-700, while also being more ergonomically balanced so it’s considerably less fatiguing for longer shooting days. All the controls and interfaces are a subtle refinement of previous shoulder camcorders, ensuring that shooting with this camcorder is easy and hassle-free. From power-on, it’s a matter of seconds to be shooting highest quality footage while advanced new features are easy to learn and utilise.

Sony PXW-FX9 XDCAM 6K Full-Frame Camera System package h

Comes with 2 Years Sony Prime Support Warranty - Beware of grey imports. Sony PXW-FX9 (PXW_FX9, PXW/FX9, PXW FX9) XDCAM 6K Full-Frame Camera system package h © includes: 1x Sony PXW-FX9 XDCAM 6K Full-Frame Camera System (Body Only) (PXW-FX9) 1x Sony XDCA-FX9 Extension Unit for PXW-FX9 Camera (XDCA-FX9)   *Digibroadcast has put together some bespoke Sony packages for our clients based on our own research and surveys and holds the right to protect all of its content ©  Combined Sony’s technology in Digital cinema camera Venice, FS series and a (Alpha) ILC cameras. Sony’s full-frame 6K sensor camera with Fast Hybrid AF, dual base ISO and cinematic colour science and S-Cinetone. The Sony PXW-FX9 is the long awaited successor to the legendary PXW-FS7 is here and it brings some fantastic upgrades with it. The FX9 has a Full Frame 6K dual native ISO sensor, VENICE colour science, upgraded auto-focus capabilities, built in genlock and timecode and much more.  The FX9 features a full frame 6K 35.7 by 18.8mm back-illuminated Exmor-R CMOS sensor. This sensor is stated to have 15 plus stops of dynamic range and has a resolution of 6008 x 3168.  You will be able to shoot QFHD full frame up to 30fps, 1080p full frame at up to 120 fps and QFHD S35 up to 60fps and 1080p S35 at up to 120fps. The planned firmware updates will bring Full frame DCI 4K up to 60p, Full HD full frame up to 180fps and QFHD in Super 35 mode at up to 120fps while using an external recorder. You can also customise the autofocus, tweaking things like the AF transition between slow, for stuff like promo videos where you want slow smooth focus movements to fast which will be great for sports. You can also change the AF subject shift sensitivity which defines how easily the focus is switched to another subject. This goes from locked if you are wanting to do a walk and talk for example to responsive which you may need to keep better general focus. You can record up to four channels of audio with a range of different input options, The FX9 has an internal scratch mic, two XLR’s, you can use a dual channel receiver with the MI shoe on the handle or you can now use the DWX series of drop in receivers and transmitters with the new XDCA -FX9 back module. The FX9 does not feature SLOG2 only SLOG3 with S-Gamut3 & S-Gamut3. Cine, this is because the SLOG2 gamma curve is designed for 8-bit whereas all of the codecs on this camera are 10-bit. They have also added an S-Cinetone colour profile which is aimed to bring the colour science from the VENICE to the FX9. Realise beautiful 4K imagery with the creative freedom made possible by oversampling a huge high resolution full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh with a truly cinematic look. 15+ stops of dynamic range and Dual Base ISO enable capture of every nuance, from subtle shadow detail to specular highlights and with an immaculate colour palette. Capturing the Impossible Make sure your story’s always clear with enhanced Fast Hybrid AF that tracks your subject with unprecedented speed, smoothness and precision. Its impact is transformative for premium documentary, commercials and event applications. Shoot in Comfort, Expand your Horizons FX9 revolutionises full-frame cinematography with peerless ergonomics and advanced technology for on-the-go shooting. The world’s first full-frame electronic variable ND filter* transforms possibilities for shooting in variable lighting conditions. Built-in Wi-Fi and 12G-SDI support advanced workflows while the optional XDCA-FX9 extension kit further expands the operational possibilities of the PXW-FX9. 6K Full-Frame “Exmor R” Sensor for Stunning Picture Quality The camera’s full-frame 6K sensor provides superb recording in DCI 4K*, Ultra HD and HD resolutions. Powerful image processing with debayering and oversampling ensures image quality beyond the limits of conventional Super 35mm sensors. The back-illuminated CMOS image sensor also uses Sony’s Exmor R technology for improved sensitivity and noise reduction. Compared to a 4K Super 35mm sensor, the FX9’s 6K sensor has over twice the surface area while providing a wider angle of view and shallower depth of field. DCI 4K (4096 x 2160 at 17:9 recording) will be available with future firmware release. Phenomenal 15+ Stops Dynamic Range for Limitless Expression FX9 offers an exceptional 15+ stops of dynamic range – beyond the normal range of human perception – allowing for unprecedented creative freedom in colour grading and post. Camera operators can concentrate on framing the scene they want while relying upon the FX9 to capture every nuance and detail using either 4K 4:2:2 10-bit internal recording or 16-bit RAW external recording.* In grading, colourists can find colour and detail beyond the normal viewing abilities of the camera operator to create a final image that exactly portrays the mood of the scene. RAW recording requires future firmware release and external recorder. Dual Baso ISO for stunning images in any light FX9 features a base sensitivity of ISO 800, providing the optimal dynamic range for typical documentary applications such as shooting outside or in brightly lit interiors. A secondary High Base sensitivity of ISO 4000 excels in low light conditions such as early morning and evening shoots while maintaining superb image quality. ISO 4000 is also ideal whenever you’re using slow lenses. Combining Dual Base ISO with the camera’s electronic variable ND Filter provides superb creative control in almost any shooting environment, with truly next generation responsiveness to changing conditions. ISO 800 and ISO 4000 are used in S-Log3, Cine EI mode. Cinematic Colour Science with S-Cinetone S-Cinetone is the default look of FX9 that’s tuned to meet the requirements of today’s content creators with rich mid-range colours, alluring facial tones and a softer tonal look – developed with the same expertise as Sony’s world-leading VENICE digital cinematography camera. S-Cinetone means that straight out of the camera your content looks fresh and vivid, with subjects that really stand out while retaining plenty of latitude in post production thanks to the high performance full-frame image sensor. The advanced default looks delivers alluring facial tones and a softer tonal look. Selectable Frame Rates in Both Full-Frame & Super 35 Choose your desired frame-rate from 1fps up to 180fps* for impressive quick and slow-motion footage. FX9 creates an immersive image with a wide angle look and shallower depth of field provided by its full-frame sensor in combination with quick and slow-motion. Engage your audience with this new creative look. FX9 also offers a Quality priority setting* that maximises full HD slow motion image quality with advanced oversampling technology. Up to 120fps with Ver1.0. Full-HD 180fps will be supported with future firmware In Full-frame scanning mode: selectable at 1-30fps / In S35 scanning mode: selectable at 1-60fps  Supported in future firmware update Supported in future firmware update. RAW output only Supported in the future firmware update. Scanning area is cropped around 83% of full-frame and 122% larger than S35. (diagonal) Catch the Action with Enhanced Fast Hybrid AF Effortlessly track fast moving subjects with pin-sharp focus, even when using wide lens aperture settings to maintain a shallow depth of field with the camera’s full-frame sensor. Developed by Sony’s α camera engineers, enhanced Fast Hybrid AF combines phase detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. In addition, Face Detection intelligently recognises and locks on to human faces. The dedicated 561-point phase detection AF sensor covers approximately 94% of the whole image area width and 96% of height, allowing consistently accurate, responsive AF tracking, even with fast-moving subjects. Customisable AF Settings FX9’s comprehensive autofocus settings provide the creative flexibility to integrate with any project. Customisable AF settings can be used for a wide range of situations, depending on your requirements.  7-level AF transition speeds from Fast – switching between subjects as quickly as possible – to Slow, where speed is reduced to fit a more measured shooting style, such as a historical TV drama. 5-level AF subject shift sensitivity ranges from Locked-on – ignoring other moving subjects in the frame – to Responsive that switches focus from one subject to another – ideal for snapping between race cars as they speed by. AF Assist You can control MF ring during AF shooting if AF Assist is set to ON. You can adjust the focus manually even in AF shooting, you can manually operate the ring to focus the person behind. One Push AF While you are shooting in MF, pushing One Push AF button enables you to change to the focus mode to AF. Autofocus with all E-Mount Lenses Experience smooth, responsive autofocus with every E-mount lens, including Sony’s new Cinema Lens Series with premium optical performance and operability for demanding cinematography applications. Advanced E-mount lever lock operation allows quick, easy lens exchange in the field, plus added stability and security with large lenses. World’s First Electronic Variable ND Filter for Full-Frame Sensor Realise even greater creative control with Sony’s unique built-in electronic variable neutral density (ND) filter – a world first* for professional full-frame camcorders. Set to Auto, or adjust filter density manually in smooth increments from 1/4 to 1/128 as you shoot, for perfectly exposed images without affecting depth of field as lighting conditions change. Use higher density settings with a slower shutter speed for breath taking artistic effects. The built-in variable ND filter, with no need to prepare multiple ND filters separately can be flexibly and immediately used for every exposure change situation; when you move from inside to outside, and when you shoot under the natural light condition where exposure changes moment by moment. Proven Ergonomics & Accessories Compatibility FX9 chassis is the latest refinement of the revolutionary FS7 design, so you can be sure it will feel great to shoot with from almost any position, while also offering compatibility with a large proportion of the countless FS7 accessories including U-Series batteries, chargers, E-Mount lenses, plus third-party rigs, arms and lens adapters.* The control arm is easily adjusted without tools, so FX9 adapts effortlessly to your physique and preferred shooting style – handheld, at waist level or shoulder mounted. The smart grip features an updated design, more compact than before while still holding all the key shooting controls, allowing you to concentrate on the scene without distractions. FX9 also introduces a micro USB interface for improved responsiveness and support for a wrist strap. 16-bit RAW Capability 16-bit RAW offers a phenomenal increase in post-production creative freedom to fully exploit FX9’s exceptional 15+ stops of dynamic range. FX9 supports export of 16-bit RAW at either 4K or 2K resolution using the optional XDCA-FX9 extension unit with a single BNC cable connection to compatible external RAW recorders.** RAW output will be enabled with a future firmware release. Limited to 10-bit recording during 120fps high frame rate shooting within Super35 image circle Stable, Shake-Free Handheld Footage Advanced image stabilisation information means even handheld footage can be transformed with Sony Catalyst Browse/Catalyst Prepare software* in post-production to look as smooth as if it were shot with a gimbal.Unlike in-camera or lens stabilisation, meta data generated by FX9’s built-in gyro allows you to creatively choose the balance between the level of shake-compensation and the resolution of trimmed 4K imagery. This feature is also compatible with any E-mount lens and allows for far faster processing than conventional NLE stabilisation workflows**. Catalyst Browse/Catalyst Prepare Ver.2019.2 is required. Resolution and angle of view reduced compared to native footage. LCD Approx 1.8x higher resolution than the FS7M, with enhanced LCD with HD resolution has superb accuracy, high contrast and resolution, bringing higher visibility for focusing. Beautifully Matched Shooting Partners Optimised for professional cinematography applications, the light, compact, SELP28135G powered zoom lens is an ideal complement for the full frame imaging possibilities of the FX9. Circular aperture with full-frame image circle format Motorised servo zoom for smooth, precise zoom moves Independent three rings for focus, zoom and iris with smooth, silent drive You have the choice of purchasing the FX9 on its own (PXW-FX9) or with SELP28135G lens (PXW-FX9K). Cinema Lens Series Explore new artistic possibilities and precise creative control with Sony’s Cinema Lens Series. Purpose-built for documentary production and digital cinematography with full-frame cameras such as the FX9 and VENICE. The first lens in the series, the FE C 16-35mm T3.1 G full-frame wide angle zoom, is due in early 2020. Adds Shoulder-Style Operation, Advanced Networking Further extend the capabilities of the FX9 with the optional XDCA-FX9 extension unit that optimises camera weight distribution and ergonomics for comfortable shoulder-style shooting – ideal for ENG (Electronic News Gathering) and documentary applications. The extension unit also adds advanced networking for streaming/file transfers and Genlock/Timecode for multi-camera shoots. 4-Channel Audio Input and Recording  FX9 offers superb audio capabilities with independent control dials for each channel. In applications such as interview, 4-channel audio recording enables simultaneous use of an external microphone for recording ambient sounds, the built-in microphone for voice memos by the operator, and two optional UWP Series wireless microphones for voice of interviewer and interviewee. In addition, using the optional XLR-K3M, XLR-K2M or XLR-K1M XLR adapter – with two extra XLR inputs – allows even more devices to be connected.  

Sony PXW-FX9 XDCAM 6K Full-Frame Camera System package g

Comes with 2 Years Sony Prime Support Warranty - Beware of grey imports. Sony PXW-FX9 (PXW_FX9, PXW/FX9, PXW FX9) XDCAM 6K Full-Frame Camera system package g © includes: 1x Sony PXW-FX9 XDCAM 6K Full-Frame Camera System (Body Only) (PXW-FX9) 1x Sony QDG120F XQD G-Series 120GB 440MB/s Read-400MB/s Write Memory Card  1x Hawk-Woods VLM-FX9 V-Lok Camera mount 2x D-TAP for Sony FX9 1x IDX V-Mount Lithium Ion Battery with 2 x D Tap and USB Output DUO-C150 *Digibroadcast has put together some bespoke Sony packages for our clients based on our own research and surveys and holds the right to protect all of its content ©   Combined Sony’s technology in Digital cinema camera Venice, FS series and a (Alpha) ILC cameras. Sony’s full-frame 6K sensor camera with Fast Hybrid AF, dual base ISO and cinematic colour science and S-Cinetone. The Sony PXW-FX9 is the long awaited successor to the legendary PXW-FS7 is here and it brings some fantastic upgrades with it. The FX9 has a Full Frame 6K dual native ISO sensor, VENICE colour science, upgraded auto-focus capabilities, built in genlock and timecode and much more.  The FX9 features a full frame 6K 35.7 by 18.8mm back-illuminated Exmor-R CMOS sensor. This sensor is stated to have 15 plus stops of dynamic range and has a resolution of 6008 x 3168.  You will be able to shoot QFHD full frame up to 30fps, 1080p full frame at up to 120 fps and QFHD S35 up to 60fps and 1080p S35 at up to 120fps. The planned firmware updates will bring Full frame DCI 4K up to 60p, Full HD full frame up to 180fps and QFHD in Super 35 mode at up to 120fps while using an external recorder. You can also customise the autofocus, tweaking things like the AF transition between slow, for stuff like promo videos where you want slow smooth focus movements to fast which will be great for sports. You can also change the AF subject shift sensitivity which defines how easily the focus is switched to another subject. This goes from locked if you are wanting to do a walk and talk for example to responsive which you may need to keep better general focus. You can record up to four channels of audio with a range of different input options, The FX9 has an internal scratch mic, two XLR’s, you can use a dual channel receiver with the MI shoe on the handle or you can now use the DWX series of drop in receivers and transmitters with the new XDCA -FX9 back module. The FX9 does not feature SLOG2 only SLOG3 with S-Gamut3 & S-Gamut3. Cine, this is because the SLOG2 gamma curve is designed for 8-bit whereas all of the codecs on this camera are 10-bit. They have also added an S-Cinetone colour profile which is aimed to bring the colour science from the VENICE to the FX9. Realise beautiful 4K imagery with the creative freedom made possible by oversampling a huge high resolution full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh with a truly cinematic look. 15+ stops of dynamic range and Dual Base ISO enable capture of every nuance, from subtle shadow detail to specular highlights and with an immaculate colour palette. Capturing the Impossible Make sure your story’s always clear with enhanced Fast Hybrid AF that tracks your subject with unprecedented speed, smoothness and precision. Its impact is transformative for premium documentary, commercials and event applications. Shoot in Comfort, Expand your Horizons FX9 revolutionises full-frame cinematography with peerless ergonomics and advanced technology for on-the-go shooting. The world’s first full-frame electronic variable ND filter* transforms possibilities for shooting in variable lighting conditions. Built-in Wi-Fi and 12G-SDI support advanced workflows while the optional XDCA-FX9 extension kit further expands the operational possibilities of the PXW-FX9. 6K Full-Frame “Exmor R” Sensor for Stunning Picture Quality The camera’s full-frame 6K sensor provides superb recording in DCI 4K*, Ultra HD and HD resolutions. Powerful image processing with debayering and oversampling ensures image quality beyond the limits of conventional Super 35mm sensors. The back-illuminated CMOS image sensor also uses Sony’s Exmor R technology for improved sensitivity and noise reduction. Compared to a 4K Super 35mm sensor, the FX9’s 6K sensor has over twice the surface area while providing a wider angle of view and shallower depth of field. DCI 4K (4096 x 2160 at 17:9 recording) will be available with future firmware release. Phenomenal 15+ Stops Dynamic Range for Limitless Expression FX9 offers an exceptional 15+ stops of dynamic range – beyond the normal range of human perception – allowing for unprecedented creative freedom in colour grading and post. Camera operators can concentrate on framing the scene they want while relying upon the FX9 to capture every nuance and detail using either 4K 4:2:2 10-bit internal recording or 16-bit RAW external recording.* In grading, colourists can find colour and detail beyond the normal viewing abilities of the camera operator to create a final image that exactly portrays the mood of the scene. RAW recording requires future firmware release and external recorder. Dual Baso ISO for stunning images in any light FX9 features a base sensitivity of ISO 800, providing the optimal dynamic range for typical documentary applications such as shooting outside or in brightly lit interiors. A secondary High Base sensitivity of ISO 4000 excels in low light conditions such as early morning and evening shoots while maintaining superb image quality. ISO 4000 is also ideal whenever you’re using slow lenses. Combining Dual Base ISO with the camera’s electronic variable ND Filter provides superb creative control in almost any shooting environment, with truly next generation responsiveness to changing conditions. ISO 800 and ISO 4000 are used in S-Log3, Cine EI mode. Cinematic Colour Science with S-Cinetone S-Cinetone is the default look of FX9 that’s tuned to meet the requirements of today’s content creators with rich mid-range colours, alluring facial tones and a softer tonal look – developed with the same expertise as Sony’s world-leading VENICE digital cinematography camera. S-Cinetone means that straight out of the camera your content looks fresh and vivid, with subjects that really stand out while retaining plenty of latitude in post production thanks to the high performance full-frame image sensor. The advanced default looks delivers alluring facial tones and a softer tonal look. Selectable Frame Rates in Both Full-Frame & Super 35 Choose your desired frame-rate from 1fps up to 180fps* for impressive quick and slow-motion footage. FX9 creates an immersive image with a wide angle look and shallower depth of field provided by its full-frame sensor in combination with quick and slow-motion. Engage your audience with this new creative look. FX9 also offers a Quality priority setting* that maximises full HD slow motion image quality with advanced oversampling technology. Up to 120fps with Ver1.0. Full-HD 180fps will be supported with future firmware In Full-frame scanning mode: selectable at 1-30fps / In S35 scanning mode: selectable at 1-60fps  Supported in future firmware update Supported in future firmware update. RAW output only Supported in the future firmware update. Scanning area is cropped around 83% of full-frame and 122% larger than S35. (diagonal) Catch the Action with Enhanced Fast Hybrid AF Effortlessly track fast moving subjects with pin-sharp focus, even when using wide lens aperture settings to maintain a shallow depth of field with the camera’s full-frame sensor. Developed by Sony’s α camera engineers, enhanced Fast Hybrid AF combines phase detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. In addition, Face Detection intelligently recognises and locks on to human faces. The dedicated 561-point phase detection AF sensor covers approximately 94% of the whole image area width and 96% of height, allowing consistently accurate, responsive AF tracking, even with fast-moving subjects. Customisable AF Settings FX9’s comprehensive autofocus settings provide the creative flexibility to integrate with any project. Customisable AF settings can be used for a wide range of situations, depending on your requirements.  7-level AF transition speeds from Fast – switching between subjects as quickly as possible – to Slow, where speed is reduced to fit a more measured shooting style, such as a historical TV drama. 5-level AF subject shift sensitivity ranges from Locked-on – ignoring other moving subjects in the frame – to Responsive that switches focus from one subject to another – ideal for snapping between race cars as they speed by. AF Assist You can control MF ring during AF shooting if AF Assist is set to ON. You can adjust the focus manually even in AF shooting, you can manually operate the ring to focus the person behind. One Push AF While you are shooting in MF, pushing One Push AF button enables you to change to the focus mode to AF. Autofocus with all E-Mount Lenses Experience smooth, responsive autofocus with every E-mount lens, including Sony’s new Cinema Lens Series with premium optical performance and operability for demanding cinematography applications. Advanced E-mount lever lock operation allows quick, easy lens exchange in the field, plus added stability and security with large lenses. World’s First Electronic Variable ND Filter for Full-Frame Sensor Realise even greater creative control with Sony’s unique built-in electronic variable neutral density (ND) filter – a world first* for professional full-frame camcorders. Set to Auto, or adjust filter density manually in smooth increments from 1/4 to 1/128 as you shoot, for perfectly exposed images without affecting depth of field as lighting conditions change. Use higher density settings with a slower shutter speed for breath taking artistic effects. The built-in variable ND filter, with no need to prepare multiple ND filters separately can be flexibly and immediately used for every exposure change situation; when you move from inside to outside, and when you shoot under the natural light condition where exposure changes moment by moment. Proven Ergonomics & Accessories Compatibility FX9 chassis is the latest refinement of the revolutionary FS7 design, so you can be sure it will feel great to shoot with from almost any position, while also offering compatibility with a large proportion of the countless FS7 accessories including U-Series batteries, chargers, E-Mount lenses, plus third-party rigs, arms and lens adapters.* The control arm is easily adjusted without tools, so FX9 adapts effortlessly to your physique and preferred shooting style – handheld, at waist level or shoulder mounted. The smart grip features an updated design, more compact than before while still holding all the key shooting controls, allowing you to concentrate on the scene without distractions. FX9 also introduces a micro USB interface for improved responsiveness and support for a wrist strap. 16-bit RAW Capability 16-bit RAW offers a phenomenal increase in post-production creative freedom to fully exploit FX9’s exceptional 15+ stops of dynamic range. FX9 supports export of 16-bit RAW at either 4K or 2K resolution using the optional XDCA-FX9 extension unit with a single BNC cable connection to compatible external RAW recorders.** RAW output will be enabled with a future firmware release. Limited to 10-bit recording during 120fps high frame rate shooting within Super35 image circle Stable, Shake-Free Handheld Footage Advanced image stabilisation information means even handheld footage can be transformed with Sony Catalyst Browse/Catalyst Prepare software* in post-production to look as smooth as if it were shot with a gimbal.Unlike in-camera or lens stabilisation, meta data generated by FX9’s built-in gyro allows you to creatively choose the balance between the level of shake-compensation and the resolution of trimmed 4K imagery. This feature is also compatible with any E-mount lens and allows for far faster processing than conventional NLE stabilisation workflows**. Catalyst Browse/Catalyst Prepare Ver.2019.2 is required. Resolution and angle of view reduced compared to native footage. LCD Approx 1.8x higher resolution than the FS7M, with enhanced LCD with HD resolution has superb accuracy, high contrast and resolution, bringing higher visibility for focusing. Beautifully Matched Shooting Partners Optimised for professional cinematography applications, the light, compact, SELP28135G powered zoom lens is an ideal complement for the full frame imaging possibilities of the FX9. Circular aperture with full-frame image circle format Motorised servo zoom for smooth, precise zoom moves Independent three rings for focus, zoom and iris with smooth, silent drive You have the choice of purchasing the FX9 on its own (PXW-FX9) or with SELP28135G lens (PXW-FX9K). Cinema Lens Series Explore new artistic possibilities and precise creative control with Sony’s Cinema Lens Series. Purpose-built for documentary production and digital cinematography with full-frame cameras such as the FX9 and VENICE. The first lens in the series, the FE C 16-35mm T3.1 G full-frame wide angle zoom, is due in early 2020. Adds Shoulder-Style Operation, Advanced Networking Further extend the capabilities of the FX9 with the optional XDCA-FX9 extension unit that optimises camera weight distribution and ergonomics for comfortable shoulder-style shooting – ideal for ENG (Electronic News Gathering) and documentary applications. The extension unit also adds advanced networking for streaming/file transfers and Genlock/Timecode for multi-camera shoots. 4-Channel Audio Input and Recording  FX9 offers superb audio capabilities with independent control dials for each channel. In applications such as interview, 4-channel audio recording enables simultaneous use of an external microphone for recording ambient sounds, the built-in microphone for voice memos by the operator, and two optional UWP Series wireless microphones for voice of interviewer and interviewee. In addition, using the optional XLR-K3M, XLR-K2M or XLR-K1M XLR adapter – with two extra XLR inputs – allows even more devices to be connected.  

Sony PXW-FX9 XDCAM 6K Full-Frame Camera System package f

Comes with 2 Years Sony Prime Support Warranty - Beware of grey imports. Sony PXW-FX9 (PXW_FX9, PXW/FX9, PXW FX9) XDCAM 6K Full-Frame Camera system package f © includes: 1x Sony PXW-FX9 XDCAM 6K Full-Frame Camera System (Body Only) (PXW-FX9) 1x Sony QDG120F XQD G-Series 120GB 440MB/s Read-400MB/s Write Memory Card  1x Core CORE-CXV-FX9 Sony PXW-FX9 V-mount Plate  1x IDX V-Mount Lithium Ion Battery with 2 x D Tap and USB Output (DUO-C150) *Digibroadcast has put together some bespoke Sony packages for our clients based on our own research and surveys and holds the right to protect all of its content ©  Combined Sony’s technology in Digital cinema camera Venice, FS series and a (Alpha) ILC cameras. Sony’s full-frame 6K sensor camera with Fast Hybrid AF, dual base ISO and cinematic colour science and S-Cinetone. The Sony PXW-FX9 is the long awaited successor to the legendary PXW-FS7 is here and it brings some fantastic upgrades with it. The FX9 has a Full Frame 6K dual native ISO sensor, VENICE colour science, upgraded auto-focus capabilities, built in genlock and timecode and much more.  The FX9 features a full frame 6K 35.7 by 18.8mm back-illuminated Exmor-R CMOS sensor. This sensor is stated to have 15 plus stops of dynamic range and has a resolution of 6008 x 3168.  You will be able to shoot QFHD full frame up to 30fps, 1080p full frame at up to 120 fps and QFHD S35 up to 60fps and 1080p S35 at up to 120fps. The planned firmware updates will bring Full frame DCI 4K up to 60p, Full HD full frame up to 180fps and QFHD in Super 35 mode at up to 120fps while using an external recorder. You can also customise the autofocus, tweaking things like the AF transition between slow, for stuff like promo videos where you want slow smooth focus movements to fast which will be great for sports. You can also change the AF subject shift sensitivity which defines how easily the focus is switched to another subject. This goes from locked if you are wanting to do a walk and talk for example to responsive which you may need to keep better general focus. You can record up to four channels of audio with a range of different input options, The FX9 has an internal scratch mic, two XLR’s, you can use a dual channel receiver with the MI shoe on the handle or you can now use the DWX series of drop in receivers and transmitters with the new XDCA -FX9 back module. The FX9 does not feature SLOG2 only SLOG3 with S-Gamut3 & S-Gamut3. Cine, this is because the SLOG2 gamma curve is designed for 8-bit whereas all of the codecs on this camera are 10-bit. They have also added an S-Cinetone colour profile which is aimed to bring the colour science from the VENICE to the FX9. Realise beautiful 4K imagery with the creative freedom made possible by oversampling a huge high resolution full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh with a truly cinematic look. 15+ stops of dynamic range and Dual Base ISO enable capture of every nuance, from subtle shadow detail to specular highlights and with an immaculate colour palette. Capturing the Impossible Make sure your story’s always clear with enhanced Fast Hybrid AF that tracks your subject with unprecedented speed, smoothness and precision. Its impact is transformative for premium documentary, commercials and event applications. Shoot in Comfort, Expand your Horizons FX9 revolutionises full-frame cinematography with peerless ergonomics and advanced technology for on-the-go shooting. The world’s first full-frame electronic variable ND filter* transforms possibilities for shooting in variable lighting conditions. Built-in Wi-Fi and 12G-SDI support advanced workflows while the optional XDCA-FX9 extension kit further expands the operational possibilities of the PXW-FX9. 6K Full-Frame “Exmor R” Sensor for Stunning Picture Quality The camera’s full-frame 6K sensor provides superb recording in DCI 4K*, Ultra HD and HD resolutions. Powerful image processing with debayering and oversampling ensures image quality beyond the limits of conventional Super 35mm sensors. The back-illuminated CMOS image sensor also uses Sony’s Exmor R technology for improved sensitivity and noise reduction. Compared to a 4K Super 35mm sensor, the FX9’s 6K sensor has over twice the surface area while providing a wider angle of view and shallower depth of field. DCI 4K (4096 x 2160 at 17:9 recording) will be available with future firmware release. Phenomenal 15+ Stops Dynamic Range for Limitless Expression FX9 offers an exceptional 15+ stops of dynamic range – beyond the normal range of human perception – allowing for unprecedented creative freedom in colour grading and post. Camera operators can concentrate on framing the scene they want while relying upon the FX9 to capture every nuance and detail using either 4K 4:2:2 10-bit internal recording or 16-bit RAW external recording.* In grading, colourists can find colour and detail beyond the normal viewing abilities of the camera operator to create a final image that exactly portrays the mood of the scene. RAW recording requires future firmware release and external recorder. Dual Baso ISO for stunning images in any light FX9 features a base sensitivity of ISO 800, providing the optimal dynamic range for typical documentary applications such as shooting outside or in brightly lit interiors. A secondary High Base sensitivity of ISO 4000 excels in low light conditions such as early morning and evening shoots while maintaining superb image quality. ISO 4000 is also ideal whenever you’re using slow lenses. Combining Dual Base ISO with the camera’s electronic variable ND Filter provides superb creative control in almost any shooting environment, with truly next generation responsiveness to changing conditions. ISO 800 and ISO 4000 are used in S-Log3, Cine EI mode. Cinematic Colour Science with S-Cinetone S-Cinetone is the default look of FX9 that’s tuned to meet the requirements of today’s content creators with rich mid-range colours, alluring facial tones and a softer tonal look – developed with the same expertise as Sony’s world-leading VENICE digital cinematography camera. S-Cinetone means that straight out of the camera your content looks fresh and vivid, with subjects that really stand out while retaining plenty of latitude in post production thanks to the high performance full-frame image sensor. The advanced default looks delivers alluring facial tones and a softer tonal look. Selectable Frame Rates in Both Full-Frame & Super 35 Choose your desired frame-rate from 1fps up to 180fps* for impressive quick and slow-motion footage. FX9 creates an immersive image with a wide angle look and shallower depth of field provided by its full-frame sensor in combination with quick and slow-motion. Engage your audience with this new creative look. FX9 also offers a Quality priority setting* that maximises full HD slow motion image quality with advanced oversampling technology. Up to 120fps with Ver1.0. Full-HD 180fps will be supported with future firmware In Full-frame scanning mode: selectable at 1-30fps / In S35 scanning mode: selectable at 1-60fps  Supported in future firmware update Supported in future firmware update. RAW output only Supported in the future firmware update. Scanning area is cropped around 83% of full-frame and 122% larger than S35. (diagonal) Catch the Action with Enhanced Fast Hybrid AF Effortlessly track fast moving subjects with pin-sharp focus, even when using wide lens aperture settings to maintain a shallow depth of field with the camera’s full-frame sensor. Developed by Sony’s α camera engineers, enhanced Fast Hybrid AF combines phase detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. In addition, Face Detection intelligently recognises and locks on to human faces. The dedicated 561-point phase detection AF sensor covers approximately 94% of the whole image area width and 96% of height, allowing consistently accurate, responsive AF tracking, even with fast-moving subjects. Customisable AF Settings FX9’s comprehensive autofocus settings provide the creative flexibility to integrate with any project. Customisable AF settings can be used for a wide range of situations, depending on your requirements.  7-level AF transition speeds from Fast – switching between subjects as quickly as possible – to Slow, where speed is reduced to fit a more measured shooting style, such as a historical TV drama. 5-level AF subject shift sensitivity ranges from Locked-on – ignoring other moving subjects in the frame – to Responsive that switches focus from one subject to another – ideal for snapping between race cars as they speed by. AF Assist You can control MF ring during AF shooting if AF Assist is set to ON. You can adjust the focus manually even in AF shooting, you can manually operate the ring to focus the person behind. One Push AF While you are shooting in MF, pushing One Push AF button enables you to change to the focus mode to AF. Autofocus with all E-Mount Lenses Experience smooth, responsive autofocus with every E-mount lens, including Sony’s new Cinema Lens Series with premium optical performance and operability for demanding cinematography applications. Advanced E-mount lever lock operation allows quick, easy lens exchange in the field, plus added stability and security with large lenses. World’s First Electronic Variable ND Filter for Full-Frame Sensor Realise even greater creative control with Sony’s unique built-in electronic variable neutral density (ND) filter – a world first* for professional full-frame camcorders. Set to Auto, or adjust filter density manually in smooth increments from 1/4 to 1/128 as you shoot, for perfectly exposed images without affecting depth of field as lighting conditions change. Use higher density settings with a slower shutter speed for breath taking artistic effects. The built-in variable ND filter, with no need to prepare multiple ND filters separately can be flexibly and immediately used for every exposure change situation; when you move from inside to outside, and when you shoot under the natural light condition where exposure changes moment by moment. Proven Ergonomics & Accessories Compatibility FX9 chassis is the latest refinement of the revolutionary FS7 design, so you can be sure it will feel great to shoot with from almost any position, while also offering compatibility with a large proportion of the countless FS7 accessories including U-Series batteries, chargers, E-Mount lenses, plus third-party rigs, arms and lens adapters.* The control arm is easily adjusted without tools, so FX9 adapts effortlessly to your physique and preferred shooting style – handheld, at waist level or shoulder mounted. The smart grip features an updated design, more compact than before while still holding all the key shooting controls, allowing you to concentrate on the scene without distractions. FX9 also introduces a micro USB interface for improved responsiveness and support for a wrist strap. 16-bit RAW Capability 16-bit RAW offers a phenomenal increase in post-production creative freedom to fully exploit FX9’s exceptional 15+ stops of dynamic range. FX9 supports export of 16-bit RAW at either 4K or 2K resolution using the optional XDCA-FX9 extension unit with a single BNC cable connection to compatible external RAW recorders.** RAW output will be enabled with a future firmware release. Limited to 10-bit recording during 120fps high frame rate shooting within Super35 image circle Stable, Shake-Free Handheld Footage Advanced image stabilisation information means even handheld footage can be transformed with Sony Catalyst Browse/Catalyst Prepare software* in post-production to look as smooth as if it were shot with a gimbal.Unlike in-camera or lens stabilisation, meta data generated by FX9’s built-in gyro allows you to creatively choose the balance between the level of shake-compensation and the resolution of trimmed 4K imagery. This feature is also compatible with any E-mount lens and allows for far faster processing than conventional NLE stabilisation workflows**. Catalyst Browse/Catalyst Prepare Ver.2019.2 is required. Resolution and angle of view reduced compared to native footage. LCD Approx 1.8x higher resolution than the FS7M, with enhanced LCD with HD resolution has superb accuracy, high contrast and resolution, bringing higher visibility for focusing. Beautifully Matched Shooting Partners Optimised for professional cinematography applications, the light, compact, SELP28135G powered zoom lens is an ideal complement for the full frame imaging possibilities of the FX9. Circular aperture with full-frame image circle format Motorised servo zoom for smooth, precise zoom moves Independent three rings for focus, zoom and iris with smooth, silent drive You have the choice of purchasing the FX9 on its own (PXW-FX9) or with SELP28135G lens (PXW-FX9K). Cinema Lens Series Explore new artistic possibilities and precise creative control with Sony’s Cinema Lens Series. Purpose-built for documentary production and digital cinematography with full-frame cameras such as the FX9 and VENICE. The first lens in the series, the FE C 16-35mm T3.1 G full-frame wide angle zoom, is due in early 2020. Adds Shoulder-Style Operation, Advanced Networking Further extend the capabilities of the FX9 with the optional XDCA-FX9 extension unit that optimises camera weight distribution and ergonomics for comfortable shoulder-style shooting – ideal for ENG (Electronic News Gathering) and documentary applications. The extension unit also adds advanced networking for streaming/file transfers and Genlock/Timecode for multi-camera shoots. 4-Channel Audio Input and Recording  FX9 offers superb audio capabilities with independent control dials for each channel. In applications such as interview, 4-channel audio recording enables simultaneous use of an external microphone for recording ambient sounds, the built-in microphone for voice memos by the operator, and two optional UWP Series wireless microphones for voice of interviewer and interviewee. In addition, using the optional XLR-K3M, XLR-K2M or XLR-K1M XLR adapter – with two extra XLR inputs – allows even more devices to be connected.  

Sony PXW-FX9 XDCAM 6K Full-Frame Camera System package e

Comes with 2 Years Sony Prime Support Warranty - Beware of grey imports. Sony PXW-FX9 (PXW_FX9, PXW/FX9, PXW FX9) XDCAM 6K Full-Frame Camera system package e © includes: 1x Sony PXW-FX9 XDCAM 6K Full-Frame Camera System (Body Only) (PXW-FX9) 1x Sony QDG120F XQD G-Series 120GB 440MB/s Read-400MB/s Write Memory Card  1x Core CORE-CXV-FX9 Sony PXW-FX9 V-mount Plate *Digibroadcast has put together some bespoke Sony packages for our clients based on our own research and surveys and holds the right to protect all of its content ©  Combined Sony’s technology in Digital cinema camera Venice, FS series and a (Alpha) ILC cameras. Sony’s full-frame 6K sensor camera with Fast Hybrid AF, dual base ISO and cinematic colour science and S-Cinetone. The Sony PXW-FX9 is the long awaited successor to the legendary PXW-FS7 is here and it brings some fantastic upgrades with it. The FX9 has a Full Frame 6K dual native ISO sensor, VENICE colour science, upgraded auto-focus capabilities, built in genlock and timecode and much more.  The FX9 features a full frame 6K 35.7 by 18.8mm back-illuminated Exmor-R CMOS sensor. This sensor is stated to have 15 plus stops of dynamic range and has a resolution of 6008 x 3168.  You will be able to shoot QFHD full frame up to 30fps, 1080p full frame at up to 120 fps and QFHD S35 up to 60fps and 1080p S35 at up to 120fps. The planned firmware updates will bring Full frame DCI 4K up to 60p, Full HD full frame up to 180fps and QFHD in Super 35 mode at up to 120fps while using an external recorder. You can also customise the autofocus, tweaking things like the AF transition between slow, for stuff like promo videos where you want slow smooth focus movements to fast which will be great for sports. You can also change the AF subject shift sensitivity which defines how easily the focus is switched to another subject. This goes from locked if you are wanting to do a walk and talk for example to responsive which you may need to keep better general focus. You can record up to four channels of audio with a range of different input options, The FX9 has an internal scratch mic, two XLR’s, you can use a dual channel receiver with the MI shoe on the handle or you can now use the DWX series of drop in receivers and transmitters with the new XDCA -FX9 back module. The FX9 does not feature SLOG2 only SLOG3 with S-Gamut3 & S-Gamut3. Cine, this is because the SLOG2 gamma curve is designed for 8-bit whereas all of the codecs on this camera are 10-bit. They have also added an S-Cinetone colour profile which is aimed to bring the colour science from the VENICE to the FX9. Realise beautiful 4K imagery with the creative freedom made possible by oversampling a huge high resolution full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh with a truly cinematic look. 15+ stops of dynamic range and Dual Base ISO enable capture of every nuance, from subtle shadow detail to specular highlights and with an immaculate colour palette. Capturing the Impossible Make sure your story’s always clear with enhanced Fast Hybrid AF that tracks your subject with unprecedented speed, smoothness and precision. Its impact is transformative for premium documentary, commercials and event applications. Shoot in Comfort, Expand your Horizons FX9 revolutionises full-frame cinematography with peerless ergonomics and advanced technology for on-the-go shooting. The world’s first full-frame electronic variable ND filter* transforms possibilities for shooting in variable lighting conditions. Built-in Wi-Fi and 12G-SDI support advanced workflows while the optional XDCA-FX9 extension kit further expands the operational possibilities of the PXW-FX9. 6K Full-Frame “Exmor R” Sensor for Stunning Picture Quality The camera’s full-frame 6K sensor provides superb recording in DCI 4K*, Ultra HD and HD resolutions. Powerful image processing with debayering and oversampling ensures image quality beyond the limits of conventional Super 35mm sensors. The back-illuminated CMOS image sensor also uses Sony’s Exmor R technology for improved sensitivity and noise reduction. Compared to a 4K Super 35mm sensor, the FX9’s 6K sensor has over twice the surface area while providing a wider angle of view and shallower depth of field. DCI 4K (4096 x 2160 at 17:9 recording) will be available with future firmware release. Phenomenal 15+ Stops Dynamic Range for Limitless Expression FX9 offers an exceptional 15+ stops of dynamic range – beyond the normal range of human perception – allowing for unprecedented creative freedom in colour grading and post. Camera operators can concentrate on framing the scene they want while relying upon the FX9 to capture every nuance and detail using either 4K 4:2:2 10-bit internal recording or 16-bit RAW external recording.* In grading, colourists can find colour and detail beyond the normal viewing abilities of the camera operator to create a final image that exactly portrays the mood of the scene. RAW recording requires future firmware release and external recorder. Dual Baso ISO for stunning images in any light FX9 features a base sensitivity of ISO 800, providing the optimal dynamic range for typical documentary applications such as shooting outside or in brightly lit interiors. A secondary High Base sensitivity of ISO 4000 excels in low light conditions such as early morning and evening shoots while maintaining superb image quality. ISO 4000 is also ideal whenever you’re using slow lenses. Combining Dual Base ISO with the camera’s electronic variable ND Filter provides superb creative control in almost any shooting environment, with truly next generation responsiveness to changing conditions. ISO 800 and ISO 4000 are used in S-Log3, Cine EI mode. Cinematic Colour Science with S-Cinetone S-Cinetone is the default look of FX9 that’s tuned to meet the requirements of today’s content creators with rich mid-range colours, alluring facial tones and a softer tonal look – developed with the same expertise as Sony’s world-leading VENICE digital cinematography camera. S-Cinetone means that straight out of the camera your content looks fresh and vivid, with subjects that really stand out while retaining plenty of latitude in post production thanks to the high performance full-frame image sensor. The advanced default looks delivers alluring facial tones and a softer tonal look. Selectable Frame Rates in Both Full-Frame & Super 35 Choose your desired frame-rate from 1fps up to 180fps* for impressive quick and slow-motion footage. FX9 creates an immersive image with a wide angle look and shallower depth of field provided by its full-frame sensor in combination with quick and slow-motion. Engage your audience with this new creative look. FX9 also offers a Quality priority setting* that maximises full HD slow motion image quality with advanced oversampling technology. Up to 120fps with Ver1.0. Full-HD 180fps will be supported with future firmware In Full-frame scanning mode: selectable at 1-30fps / In S35 scanning mode: selectable at 1-60fps  Supported in future firmware update Supported in future firmware update. RAW output only Supported in the future firmware update. Scanning area is cropped around 83% of full-frame and 122% larger than S35. (diagonal) Catch the Action with Enhanced Fast Hybrid AF Effortlessly track fast moving subjects with pin-sharp focus, even when using wide lens aperture settings to maintain a shallow depth of field with the camera’s full-frame sensor. Developed by Sony’s α camera engineers, enhanced Fast Hybrid AF combines phase detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. In addition, Face Detection intelligently recognises and locks on to human faces. The dedicated 561-point phase detection AF sensor covers approximately 94% of the whole image area width and 96% of height, allowing consistently accurate, responsive AF tracking, even with fast-moving subjects. Customisable AF Settings FX9’s comprehensive autofocus settings provide the creative flexibility to integrate with any project. Customisable AF settings can be used for a wide range of situations, depending on your requirements.  7-level AF transition speeds from Fast – switching between subjects as quickly as possible – to Slow, where speed is reduced to fit a more measured shooting style, such as a historical TV drama. 5-level AF subject shift sensitivity ranges from Locked-on – ignoring other moving subjects in the frame – to Responsive that switches focus from one subject to another – ideal for snapping between race cars as they speed by. AF Assist You can control MF ring during AF shooting if AF Assist is set to ON. You can adjust the focus manually even in AF shooting, you can manually operate the ring to focus the person behind. One Push AF While you are shooting in MF, pushing One Push AF button enables you to change to the focus mode to AF. Autofocus with all E-Mount Lenses Experience smooth, responsive autofocus with every E-mount lens, including Sony’s new Cinema Lens Series with premium optical performance and operability for demanding cinematography applications. Advanced E-mount lever lock operation allows quick, easy lens exchange in the field, plus added stability and security with large lenses. World’s First Electronic Variable ND Filter for Full-Frame Sensor Realise even greater creative control with Sony’s unique built-in electronic variable neutral density (ND) filter – a world first* for professional full-frame camcorders. Set to Auto, or adjust filter density manually in smooth increments from 1/4 to 1/128 as you shoot, for perfectly exposed images without affecting depth of field as lighting conditions change. Use higher density settings with a slower shutter speed for breath taking artistic effects. The built-in variable ND filter, with no need to prepare multiple ND filters separately can be flexibly and immediately used for every exposure change situation; when you move from inside to outside, and when you shoot under the natural light condition where exposure changes moment by moment. Proven Ergonomics & Accessories Compatibility FX9 chassis is the latest refinement of the revolutionary FS7 design, so you can be sure it will feel great to shoot with from almost any position, while also offering compatibility with a large proportion of the countless FS7 accessories including U-Series batteries, chargers, E-Mount lenses, plus third-party rigs, arms and lens adapters.* The control arm is easily adjusted without tools, so FX9 adapts effortlessly to your physique and preferred shooting style – handheld, at waist level or shoulder mounted. The smart grip features an updated design, more compact than before while still holding all the key shooting controls, allowing you to concentrate on the scene without distractions. FX9 also introduces a micro USB interface for improved responsiveness and support for a wrist strap. 16-bit RAW Capability 16-bit RAW offers a phenomenal increase in post-production creative freedom to fully exploit FX9’s exceptional 15+ stops of dynamic range. FX9 supports export of 16-bit RAW at either 4K or 2K resolution using the optional XDCA-FX9 extension unit with a single BNC cable connection to compatible external RAW recorders.** RAW output will be enabled with a future firmware release. Limited to 10-bit recording during 120fps high frame rate shooting within Super35 image circle Stable, Shake-Free Handheld Footage Advanced image stabilisation information means even handheld footage can be transformed with Sony Catalyst Browse/Catalyst Prepare software* in post-production to look as smooth as if it were shot with a gimbal.Unlike in-camera or lens stabilisation, meta data generated by FX9’s built-in gyro allows you to creatively choose the balance between the level of shake-compensation and the resolution of trimmed 4K imagery. This feature is also compatible with any E-mount lens and allows for far faster processing than conventional NLE stabilisation workflows**. Catalyst Browse/Catalyst Prepare Ver.2019.2 is required. Resolution and angle of view reduced compared to native footage. LCD Approx 1.8x higher resolution than the FS7M, with enhanced LCD with HD resolution has superb accuracy, high contrast and resolution, bringing higher visibility for focusing. Beautifully Matched Shooting Partners Optimised for professional cinematography applications, the light, compact, SELP28135G powered zoom lens is an ideal complement for the full frame imaging possibilities of the FX9. Circular aperture with full-frame image circle format Motorised servo zoom for smooth, precise zoom moves Independent three rings for focus, zoom and iris with smooth, silent drive You have the choice of purchasing the FX9 on its own (PXW-FX9) or with SELP28135G lens (PXW-FX9K). Cinema Lens Series Explore new artistic possibilities and precise creative control with Sony’s Cinema Lens Series. Purpose-built for documentary production and digital cinematography with full-frame cameras such as the FX9 and VENICE. The first lens in the series, the FE C 16-35mm T3.1 G full-frame wide angle zoom, is due in early 2020. Adds Shoulder-Style Operation, Advanced Networking Further extend the capabilities of the FX9 with the optional XDCA-FX9 extension unit that optimises camera weight distribution and ergonomics for comfortable shoulder-style shooting – ideal for ENG (Electronic News Gathering) and documentary applications. The extension unit also adds advanced networking for streaming/file transfers and Genlock/Timecode for multi-camera shoots. 4-Channel Audio Input and Recording  FX9 offers superb audio capabilities with independent control dials for each channel. In applications such as interview, 4-channel audio recording enables simultaneous use of an external microphone for recording ambient sounds, the built-in microphone for voice memos by the operator, and two optional UWP Series wireless microphones for voice of interviewer and interviewee. In addition, using the optional XLR-K3M, XLR-K2M or XLR-K1M XLR adapter – with two extra XLR inputs – allows even more devices to be connected.  

Sony PXW-FX9 6k Full-Frame XDCAM 6K System with 28-135mm lens

Sony PXW-FX9VK (PXW_FX9, PXW/FX9, PXW FX9, FX9K, FX9VK) Full-Frame XDCAM 6K System with 28-135mm lens Full-frame creativity Realise beautiful 4K imagery with the creative freedom made possible by oversampling a huge high resolution full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh with a truly cinematic look. 15+ stops of dynamic range and Dual Base ISO enable capture of every nuance, from subtle shadow detail to specular highlights and with an immaculate colour palette.   Capturing the impossible Make sure your story’s always clear with enhanced Fast Hybrid AF that tracks your subject with unprecedented speed, smoothness and precision. Its impact is transformative for premium documentary, commercials and event applications.   Shoot in comfort, expand your horizons FX9 revolutionises full-frame cinematography with peerless ergonomics and advanced technology for on-the-go shooting. The world’s first full-frame electronic variable ND filter* transforms possibilities for shooting in variable lighting conditions. Built-in Wi-Fi and 12G-SDI support advanced workflows while the optional XDCA-FX9 extension unit further expands the operational possibilities of the PXW-FX9.   6K Full-Frame “Exmor R” sensor for stunning picture quality The camera’s full-frame 6K sensor provides superb recording in DCI 4K*, Ultra HD and HD resolutions. Powerful image processing with debayering and oversampling ensures image quality beyond the limits of conventional Super 35mm sensors. The back-illuminated CMOS image sensor also uses Sony’s Exmor R technology for improved sensitivity and noise reduction. Compared to a 4K Super 35mm sensor, the FX9’s 6K sensor has over twice the surface area while providing a wider angle of view and shallower depth of field.   Phenomenal 15+ stops dynamic range for limitless expression FX9 offers an exceptional 15+ stops of dynamic range – beyond the normal range of human perception – allowing for unprecedented creative freedom in colour grading and post. Camera operators can concentrate on framing the scene they want while relying upon the FX9 to capture every nuance and detail using either 4K 4:2:2 10-bit internal recording or 16-bit RAW external recording.* In grading, colourists can find colour and detail beyond the normal viewing abilities of the camera operator to create a final image that exactly portrays the mood of the scene.   Dual Base ISO for stunning images in any light FX9 features a base sensitivity of ISO 800, providing the optimal dynamic range for typical documentary applications such as shooting outside or in brightly lit interiors. A secondary High Base sensitivity of ISO 4000 excels in low light conditions such as early morning and evening shoots while maintaining superb image quality. ISO 4000 is also ideal whenever you’re using slow lenses. Combining Dual Base ISO with the camera’s electronic variable ND Filter provides superb creative control in almost any shooting environment, with truly next generation responsiveness to changing conditions.   Cinematic colour science with S-Cinetone™ S-Cinetone is the default look of FX9 that’s tuned to meet the requirements of today’s content creators with rich mid-range colours, alluring facial tones and a softer tonal look – developed with the same expertise as Sony’s world-leading VENICE digital cinematography camera. S-Cinetone means that straight out of the camera your content looks fresh and vivid, with subjects that really stand out while retaining plenty of latitude in post production thanks to the high performance full-frame image sensor.   Selectable frame rates in both full-frame & Super 35  Choose your desired frame-rate from 1fps up to 180fps* for impressive quick and slow motion footage. FX9 creates an immersive image with a wide-angle look and shallower depth of field provided by its full-frame sensor in combination with quick and slow motion. Engage your audience with this new creative look. FX9 also offers a Quality priority setting** that maximizes full HD image quality using full-frame 6K scan mode or Super 35 4K scan mode with advanced oversampling technology.   Super 35 2K imager scan mode prioritizes frame rates, so image quality may be reduced depending on the shooting environment. In this instance, below settings are recommended.   Cine EI mode: Set EI gain lower and exposure level higher instead. Custom mode: Choose the gamma category setting of Original (S-Cinetone) or STD (STD1 to 6). · *Up to 120fps with Ver1.0. Full-HD 180fps will be supported with future firmware   · **In full-frame scanning mode: selectable at 1–30fps/in super 35 scanning mode: selectable at 1–60fps. Quality priority setting is recommended if desired framerate is available.   Catch the action with enhanced Fast Hybrid AF Effortlessly track fast moving subjects with pin-sharp focus, even when using wide lens aperture settings to maintain a shallow depth of field with the camera’s full-frame sensor. Developed by Sony’s α camera engineers, enhanced Fast Hybrid AF combines phase detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. In addition, Face Detection intelligently recognises and locks on to human faces.   The dedicated 561-point phase detection AF sensor covers approximately 94% of the whole image area width and 96% of height, allowing consistently accurate, responsive AF tracking, even with fast-moving subjects.   Customisable AF settings FX9’s comprehensive autofocus settings provide the creative flexibility to integrate with any project.   7-level AF transition speeds from Fast – switching between subjects as quickly as possible – to Slow, where speed is reduced to fit a more measured shooting style, such as a historical TV drama.   5-level AF subject shift sensitivity ranges from Locked-on – ignoring other moving subjects in the frame – to Responsive that switches focus from one subject to another – ideal for snapping between race cars as they speed by.   Autofocus with all E-mount lenses Experience smooth, responsive autofocus with every E-mount lens, including Sony’s new Cinema Lens Series with premium optical performance and operability for demanding cinematography applications. Advanced E-mount lever lock operation allows quick, easy lens exchange in the field, plus added stability and security with large lenses.   World’s first electronic variable ND filter for full-frame sensor* Realise even greater creative control with Sony’s unique built-in electronic variable neutral density (ND) filter – a world first* for professional full-frame camcorders. Set to Auto, or adjust filter density manually in smooth increments from 1/4 to 1/128 as you shoot, for perfectly exposed images without affecting depth of field as lighting conditions change. Use higher density settings with a slower shutter speed for breathtaking artistic effects.   Proven ergonomics & accessory compatibility FX9 chassis is the latest refinement of the revolutionary FS7 design, so you can be sure it will feel great to shoot with from almost any position, while also offering compatibility with a large proportion of the countless FS7 accessories including U-series batteries, chargers, E-mount lenses, plus arms and lens adapters.*   The control arm is easily adjusted without tools, so FX9 adapts effortlessly to your physique and preferred shooting style – handheld, at waist level or shoulder mounted.   The smart grip features an updated design, more compact than before while still holding all the key shooting controls, allowing you to concentrate on the scene without distractions. FX9 also introduces a micro USB interface for improved responsiveness and support for a wrist strap.   * BP-U30 and XDCA-FS7 are not compatible with the FX9.   6-bit RAW capability* 16-bit RAW offers a phenomenal increase in post-production creative freedom to fully exploit FX9’s exceptional 15+ stops of dynamic range. FX9 supports export of 16-bit RAW at either 4K or 2K resolution using the optional XDCA-FX9 extension unit with a single BNC cable connection to compatible external RAW recorders.**   Stable, shake-free handheld footage Advanced image stabilisation information means even handheld footage can be transformed with Sony Catalyst Browse/Catalyst Prepare software* in post-production to look as smooth as if it were shot with a gimbal.Unlike in-camera or lens stabilisation, meta data generated by FX9’s built-in gyro allows you to creatively choose the balance between the level of shake-compensation and the resolution of trimmed 4K imagery. This feature is also compatible with any E-mount lens and allows for far faster processing than conventional NLE stabilisation workflows**.   Beautifully matched shooting partners Optimised for professional cinematography applications, the light, compact, SELP28135G  powered zoom lens is an ideal complement for the full frame imaging possibilities of the FX9.   Circular aperture with full-frame image circle format Motorised servo zoom for smooth, precise zoom moves Independent three rings for focus, zoom and iris with smooth, silent drive You have the choice of purchasing the FX9 on its own (PXW-FX9) or with SELP28135G lens (PXW-FX9K).   Cinema Lens Series Explore new artistic possibilities and precise creative control with Sony’s Cinema Lens Series. Purpose-built for documentary production and digital cinematography with full-frame cameras such as the FX9 and VENICE.   Adds shoulder-style operation, advanced networking Further extend the capabilities of the FX9 with the optional XDCA-FX9 extension unit that optimises camera weight distribution and ergonomics for comfortable shoulder-style shooting – ideal for ENG (Electronic News Gathering) and documentary applications. The extension unit also adds advanced networking for streaming/file transfers and Timecode for multi-camera shoots.   4-channel audio input and recording FX9 offers superb audio capabilities with independent control dials for each channel. In applications such as interview, 4-channel audio recording enables simultaneous use of an external microphone for recording ambient sounds, the built-in microphone for voice memos by the operator, and two optional UWP Series wireless microphones for voice of interviewer and interviewee. In addition, using the optional XLR-K3M, XLR-K2M or XLR-K1M XLR adapter – with two extra XLR inputs – allows even more devices to be connected.   Multi-Interface (MI) Shoe Sony’s flexible Multi-Interface (MI) Shoe provides power, signal connections and coordinated on/off switching with compatible Sony accessories. For example, you can connect and control Sony UWP-D wireless microphone systems (optional).   Networked for high mobility The FX9 features internal 5GHz* and 2.4GHz Wi-Fi capability as standard. Just switch on and log onto your preferred network to enable a host of advanced wireless production features:   Content Browser Mobile™** allows the PXW-FX9 to be controlled remotely from a smartphone or tablet computer via a Wi-Fi connection. Adjust the exposure level, zoom, Record/Stop and more via your mobile device – it’s ideal for single operator shoots. One-touch authentication is also possible with smartphones offering NFC connectivity. FTP Transfer allows content files to be sent over the internet for remote storage on an FTP server even while shooting. In case of signal interruption, the system will automatically resume as soon as connection restored. Trimming allows you to set start and end points in a clip, eliminating time-wasting transfers of unneeded content. XDCAM air can upload proxy footage to the cloud from multiple camera operators in the field, so editing can start immediately. Uploaded content can be accessed securely from any location. News teams can even start logging clips while shooting is still going on, saving even more valuable time when a story’s breaking.   Wired LAN port with optional XDCA-FX9 allows connection of the FX9 to the Internet with a standard Ethernet cable, allowing files to be streamed or transferred by FTP. Dual Link Cellular is enabled with optional XDCA-FX9 and uses two cellular networks in combination to provide an even more reliable network connection. FX9 is compatible with standard USB cellular dongles from most networks. (Please check for most appropriate service provider for your region. Standard network fees will apply.) High quality Sony QoS Streaming to Network RX station (optional) and XDCAM air by Sony allows images to be streamed live for viewing at a remote location   PrimeSupport for PXW-FX9 Get 1 year of service coverage for free, in addition to the 2 years already included in your camera, by registering to PrimeSupport Pro Enhanced Cover with PrimeSupport Elite for PXW-FX9

Sony F5 Full HD 4K Camera + Wide Lens Kit

Sony PMW-F5/WIDELENS (PMW/F5/WIDELENS, PMW-F5-WIDELENS, PMW/F5_WIDELENS) F5 Full HD 4K Camera + Wide Lens Kit Sony 4K sensor for gorgeous, super-sampled HD and 2K. The PMW-F5 CineAlta allows you to shoot spectacular images with its 8.9 megapixels (effective) Sony 4K image sensor. Superior, super-sampled pictures with higher contrast, rich colour reproduction and greater clarity. Robust built-in recording modes, all with vibrant 4:2:2 colour. Irresistible options include the amazing precision of 16-bit linear RAW 2K/4K recording and high speed shooting at up to 120 fps without cropping. Multiple recording formats Includes 16-bit RAW 2K/4K on AXSM media and HD/2K on SxS memory, MPEG-2 HD422, MPEG4 SStP*, XAVC 2K*/HD and 16-bit RAW 2K/4K**. Simultaneous recording on internal high-speed SxS PRO+ memory cards and RAW 2K/4K recording on sleek AXSM™ memory cards using the optional bolt-on AXS-R5 recorder, designed specifically to attach seamlessly to the F55 and F5 cameras. There is also high speed shooting up to120 fps XAVC 2K/HD* internally and 120 fps RAW 2K onto the AXS-R5. Lightweight modular design to maximise versatility in 2D and 3D. The F5 is exceptionally small, light and modular, letting you build up the right configuration for each job – or each shot. As well as the choice of formats and internal and external recording options, you can attached a variety of viewfinders, including the revolutionary optional DVF-EL100 OLED viewfinder, PL-mount, FZ-mount and still lenses, including second-generation Sony PL-mount lenses, and extra long-life Olivine – Lithium Iron Phosphate – batteries. The chassis is only slightly wider than a typical PL-mount prime lens, perfect for 3D rigs. An optional shoulder rig provides for hand-held and shoulder-mounted shooting. This camcorder includes a wide-angle zoom 1.5-times 11-16mm T3.0 lens aimed at high-end cinema, drama, documentary and commercials productions. The SCL-P11X15 has been specifically designed to fit to the PMW-F3K via the camcorder’s supplied PL Mount Adapter, which also means the lens is compatible with any other PL Mount camcorder from Sony and also camcorders from many other manufacturers. PrimeSupport This product comes with PrimeSupport – fast, hassle-free repairs and a helpline offering expert technical advice. Which gives you the peace of mind that Sony is looking after your equipment, and your business.  

Sony HDC-P43 4K/HD POV Camera

Sony HDC-P43 (HDC/P43, HDC_P43, HDC P43) 4K/HD POV Camera The HDC-P43 is a lightweight Point of View (POV) style camera integrates seamlessly with existing HD infrastructure, lenses and accessories, while giving you the option to create the finest 4K and super slow motion productions. Perfect as part of a multi-camera shoot or used as a standalone device, the HDC-P43 can be mounted on a crane or operated as a fixed camera position.} As part of Sony’s flexible, no-compromise 4K/HD live system, the HDC-P43 helps you generate maximum returns on today’s production budgets. Seamless integration with existing workflows The HDC-P43 is the companion model to the HDC-4300 system camera, with the same advanced three 2/3-inch 4K imaging device and B4-mount lens mount. Operation is reassuringly familiar to operators and cameramen, so you’re up and running faster without expensive re-training. The HDC-P43 is also fully compatible with the wide range of existing products currently being used with the HDC 4300, this includes BPU-4500/BPU-4000 Baseband Processor Units, the HDCU-4300/HDCU-2000/HDCU-2500 full rack and half rack Camera Control Units, and the RCP series Remote Control Panels. Choose the level of operation you need The HDC-P43 works with the BPU-4000/4500 baseband processor units or the HDCU-4300 camera control unit via direct connection by single mode fibre cable, allowing you to activate 4K, HFR and HD Cut Out with the same optional software keys as the HDC-4300. These let you add amazing 4K x2 [*1] and HD 8x super slow motion and 4K image capture to standard HD outputs as and when you want them. All the flexibility and control you demand are right there in a single high-performance platform. Note *1: 4K x2 is available only with BPU-4000/BPU-4500. Amazing coour and imagery with next-generation innovation The HDC-P43’s advanced optical system supports the next-generation ITU-R BT.2020 colour gamut, enabling much wider and more precise colour reproduction in live broadcasts. You’ll see the difference with vibrant, true-to-life images that make viewers feel as if they’re actually there. Moreover, thanks to S-Log3 process, the High Dynamic Range operation is available for 4K and HD simultaneous live operation. Direct installation of B4-mount lenses Thanks to the 2/3-inch camera mount, the HDC-P43 works directly with B4 lenses. The B4-mount supports both HD and 4K lenses, allowing you to use B4-mount high power large lenses to capture sports scenes with a deep depth of field. Superb 4K capabilities with wide dynamic range and wide colour space With optional software key SZC-4001, the HDC-P43 has the function of capturing 4K images exactly like the HDC-4300. The HDC-P43 is equipped with the same three 2/3-inch 4K imagers and ultra-precision alignment technology used to mount the chips to an advanced prism. This optical system supports the wide colour gamut of ITU-R BT.2020*, enabling more precise colour reproduction in live broadcasts. * ITU-R BT.2020 is the specification of video format defined by ITU-R. High-frame-rate capture for 4K 2x and HD 8x super slow motion The HDC-P43’s real 4K imagers capture at four times the resolution of HD. In HD shooting, this can be used to achieve extreme high-speed image capture at a maximum of 479.52/400 fps with the optional software upgrade*. The frame rates of 59.94/50, 119.88/100 and 179.82/150 fps are available as standard. In 4K shooting, a maximum of 119.88/100 fps can be achieved. The real-time full digital process is applied to each frame even at high-frame rates in the BPU-4000/4500, producing the same quality in the images as one at the normal speed. Captured images can be recorded to the PWS-4400 or the PWS-4500 4K/HD multi-port AV storage unit for super slow motion replay**. * With optional software, SZC-4002 for BPU4000/4500. ** Some third party manufacturer servers may also be used. HD cut out function for clear images Sony’s innovative software technology enables a full HD image to be cut out from a 4K picture in real-time. Two modes are available: you can select either Zoom & Perspective mode or Simple HD mode. Keeping the camera in a fixed position, any portion of the captured image can be cropped to provide a close-up HD image to viewers as if the camera had been panned. In Zoom & Perspective mode, one portion can be cut out while performing perspective transformation, according to the lens focal length. In Simple HD mode, two portions can be cut out at the same time. With optional software, SZC-2001 for BPU-4000/4500. Smooth and easy migration from HD to 4K* The HDC-P43 is designed to fit into the growing Sony 4K live production environment alongside the HDC-4300 live camera configurations. With an optional software upgrade, the HDC-P43 enables 4K capture for multiple 4K and HD outputs, working directly with the BPU-4000/4500 baseband processor units and the HDCU-4300 camera control unit. With optional software, SZC-4001. Seamless integration into Sony HD workflows The HDC-P43 is part of Sony’s acclaimed and widely adopted HDC Series family of live production solutions and benefits from direct compatibility with the companion HDC-4300 system camera and its wide range of accessories, including viewfinders, large lens adaptors, remote control panels and camera control units. The camera is also designed to work with third-party control systems. Compact and lightweight with low power consumption The HDC-P43 is compact and lightweight, making it ideal for mounting in many applications, such as on a crane, or operated as a fixed camera position. With low power consumption* and a large fan motor, the camera benefits from lower noise levels. * The HDC-P43 is powered by local power supply only. Two remote control optical filters   The HDC-P43 has the same two optical filters as the HDC-4300 – Neutral Density (ND) and Colour Correction (CC) – to provide more flexibility under changing lighting conditions. Both filters are servo driven and are easily controlled remotely via camera command through the BPU-4000/4500 or HDCU-4300.

Sony HDC-P1/A//U Full HD Compact System Camera with HD-SDI Output

Sony HDC-P1/A//U (HDC/P1/A//U, HDC P1/A//U, HDC_P1/A//U) Full HD Compact System Camera with HD-SDI Output Uncompromising, Full-HD performance from compact camera. There is an increasing demand for small "Box" type or "Point-Of -View" cameras with the flexibility to shoot from almost anywhere while still delivering highest quality full-HD pictures for use standalone or in seamless integration with content from full-size cameras. The HDC-P1 delivers unprecedented picture quality thanks to its full use of the technologies from Sony's flagship HDC Series studio cameras. Three 2/3"-inch type Power HAD FX CCDs offer a sensitivity of F11 at 1080/50i or F10 at 1080/59.94i. A wide range of formats are supported, including 720/50P, 59.94P, and 1080 50/59.94P, 23.98PsF, 24PsF, 25PsF, and 29.97PsF capabilities available via optional software upgrades. It is also the first camera of its class to feature dual ND/CC filters, both of which are servo controlled, and its ultra-narrow, 86mm body makes it ideal for applications such as 3D. Other applications include a range of unmanned and point-of-view HD applications, such as stadiums, conference rooms and schools. It can also be used as a "companion" camera in automated broadcast studios. Compromise-free HD Picture Quality - Despite its diminutive dimensions, the HDC-P1 delivers outstanding quality, full-HD images. Three 2/3-inch type full HD "Power HAD FX" CCDs offer a sensitivity of F11 at 1080 50i and a high signal-to-noise ratio of -58 dB. Shoot Anywhere - Compact and lightweight, the HDC-P1 is ideal for capturing HD-quality images in locations and from angles where bulky production HD cameras cannot be installed. Weighing only 1.7 kg (3 lb 12 oz) enables easy installation in space-constrained and awkward areas such as on a crane head or helicopter. The supplied tally unit can be easily detached from the camera body, minimizing the camera size to be fitted in, for example, a pan/tilt head or an underwater housing. Easily integrated with your existing systems - The HDC-P1 camera is fully compatible with Sony's current master set-up units (MSU) and remote control panels (RCP). This flexibility makes it easy to integrate with everything from extensive multi-camera systems or simple point-to-point systems.

Sony HDC-4300//U 4K/HD System Camera (Body Only)

Sony HDC-4300//U (HDC/4300//U, HDC_4300//U, HDC 4300//U) 4K/HD System Camera (Body Only) Flexible, no-compromise production in 4K and HD The HDC-4300 puts you in total control of your content. For the first time, one camera platform is all you need to handle 4K, HD and super slow motion – helping you generate maximum returns on today’s production budgets. Delivering uncompromised image quality, the HDC-4300 integrates seamlessly with HD infrastructures and accessories as well as the world’s most advanced 4K live production workflows. Optional software upgrades let you add amazing HD 8x super slow motion and 4K image capture to standard HD outputs. All the flexibility and control you demand are right there in a single high-performance platform. Seamless integration with existing workflows The HDC-4300 joins Sony’s widely acclaimed HDC Series family of live production solutions. Operation is reassuringly familiar to operators and cameramen, so you’re up and running faster without expensive re-training. The HDC-4300 is fully compatible with a wide range of existing products and workflows, including viewfinders, large lens adaptors and camera control units. There’s no need for investment in additional accessories, keeping costs and inventory down. Amazing colour and imagery with next-generation innovation Featured in the HDC-4300, cutting-edge Sony technological innovation and unparalleled hands-on live production experience are crystallised in the design of the world’s first three 2/3-inch 4K imaging device. This advanced optical system supports the next-generation ITU-R BT.2020 colour gamut, enabling more precise colour reproduction in live broadcasts. You’ll see the difference with vibrant, true-to-life images that make viewers feel as if they’re actually there.  

Sony HDC-2570F Multi-format HD Camera - Digital Triax version of HDC-2400DF//U-Fisher connector

Sony HDC-2570F (HDC_2570F, HDC/2570F, HDC 2570F) (HDC_2400DF//U, HDC/2400DF//U) Multi-format HD Camera - Digital Triax version of HDC-2400DF//U-Fisher connector  The HDC-2570 incorporates Sony’s most advanced technologies for studio cameras. Three 2/3-inch CCD and Digital Signal Processing (DSP) with 16 bit A/D converter provides amazing picture quality with very few noise and high dynamic range. The HDC-2570 is a full feature part of the HDC-2500 Series and as such has compatibility with all the accessory items, such as viewfinders, large lens adaptors and remote control units.

Sony 4K PTZ Camera with 1in Exmor R CMOS Sensor and 12x Optical Zoom with AC Adapter (white)

Sony BRC-X1000W/AC (BRC_X1000W_AC, BRC/X1000W/AC, BRC X1000W AC) 4K PTZ Camera with 1in Exmor R CMOS Sensor and 12x Optical Zoom with AC Adapter (white) The BRC-X1000 is Sony's first 4K remote camera, combining uncompromising broadcast picture quality and smooth, silent PTZ operation with the flexibility of 3G-SDI and HDMI connections. Designed for remote operation, this compact but powerful robotic camera is an ideal complement to other broadcast cameras for capturing images in hard-to-reach or unobtrusive positions. It's equally at home in TV newsrooms, remote studios and on-air suites, auditoriums, houses of worship, courtrooms or sports stadiums. It's also particularly suited to efficient multi-camera set-ups, under the control of a single operator. The 1-inch type Exmor R CMOS image sensor captures detail-packed 4K footage at 30p with four times the pixel count of Full HD, and excellent low-light sensitivity. The large image sensor also allows the creation of beautiful 'bokeh' effects with a shallow depth of field to suit any artistic intention. Speedy, near-silent PTZ operation with 12x optical zoom accommodates wide-angle scenes and tightly framed close-ups, with Clear Image Zoom 18x (4K), 24x(HD) extending this range even further without visible loss of resolution. Broadcast-friendly features include dual tally lamps for on-air operation, while operational flexibility is enhanced with options for ceiling, table top or tripod mounting. There’s also a broad range of video interfacing and remote control possibilities - plus support for PoE+ and genlock - for smooth integration into any broadcast, professional or corporate AV environment.

Sony PXW-X320 HD Shoulder Mount XDCAM Camcorder with a Three 1/2-inch type Exmor CMOS Sensor and 16x Zoom HD Lens

Sony PXW-X320//U (PX-WX-320//U , PXWX320//U, PXW/X320//U, pxw-x320//u) HD Shoulder Mount XDCAM Camcorder with a Three 1/2-inch type Exmor CMOS Sensor and 16x Zoom HD Lens The PXW-X320 is a high-performance SxS memory camcorder which inherits field-proven operability from the reputable PMW-320. The PXW-X320 has become a part of the XDCAM HD422 family, comes equipped with cutting-edge imaging technology – three 1/2-inch-type Full-HD Exmor CMOS sensors with an extremely high S/N ratio – with Flash Band Reducer feature to provide outstanding picture quality.  The PXW-X320 supports XAVC offering high quality content creation in the HD domain. In addition to XAVC, MPEG HD422, MPEG HD, MPEG IMX, and DVCAM are supported. Two HD/SD-SDI, HDMI, i.LINK™, and composite outputs provide a wide range of AV and IT interfaces. The PXW-X320 also supports wireless operation using an optional adapter, the CBK-WA101. This enables easy and quick clip data transmission to broadcast stations, saving the time and transportation cost of shot clip delivery.  With various functions inherited from Sony’s world-acclaimed XDCAM camcorders and yet highly cost effective with lens included, the PXW-X320 is an ideal choice for many different camera professionals, from those engaged in news gathering, when speed is the key concern, to those who produce TV programs and documentaries, when quality is crucial. High picture quality recording on SxS memory cards Offer high resolution, high sensitivity (F11 at 59.94 Hz / F12 at 50 Hz), low noise (60 dB), and a wide dynamic range. Selectable format and bit rates Includes Full HD (1920 x 1080) 59.94i/50i/29.97p/25p/23.98p and HD (1280 x 720) 59.94p/50p, as well as XAVC Intra at 100 Mbps, XAVC Long at up to 50 Mbps, MPEG HD422 at 50 Mbps, MPEG HD at up to 35 Mbps, MPEG IMX at 50 Mbps and DVCAM at 25 Mbps. Variety of interfaces Interfaces include 2 x SD / HD-SDI, HDMI, USB and i.Link. Wireless adaptor increases operational flexibility Supports wireless operation using an optional wireless adapter, the CBK-WA101, for live streaming via an IP network. 1/2-inch 16x HD zoom lens  Supplied with a 16x high definition auto-focus optical zoom lens.

PMW-F55/R7 CineAlta Camcorder with Sony AXS-R7 Recorder

Sony PMW-F55/R7 (PMWF55/R7, PMW/F55/R7, pmw-f55/r7) (AXS/R7, AXS_R7) CineAlta Camcorder with Sony AXS-R7 Recorder Comes with 2 Years Sony Prime Support Warranty - Beware of grey imports. Sony 4K sensor for gorgeous, super-sampled HD, 2K and 4K. The PMW-F55 CineAlta camera shoots spectacular images with its 8.9 megapixels (effective) Sony 4K image sensor, incorporating a revolutionary electronic global shutter to eliminate rolling shutter distortions. You get superb dynamic range, the widest colour gamut, and pristine image quality, whether you shoot in HD, 2K or 4K. Multiple recording formats includes HD/2K/4K on SxS memory and 16-bit RAW 2K/4K on AXSM media Multiple recording formats include MPEG-2 HD422, MPEG4 SStP*, XAVC 2K*/HD, XAVC QFHD*/4K and 16-bit RAW 2K/4K. You can have simultaneous recording on internal high-speed SxS PRO+ memory cards and RAW 2K/4K recording on sleek AXSM memory cards using the optional bolt-on AXS-R5 recorder, designed specifically to attach seamlessly to the F55 and F5 cameras. There is also high speed shooting up to 240 fps RAW 2K and 60 fps in RAW 4K recording onto the AXS-R5. Expected as a future upgrade. Recording onto the optional AXS-R5 recorder. Lightweight modular design to maximise versatility in 2D and 3D. The F55 is exceptionally small, light and modular, letting you build up the right configuration for each job – or each shot. As well as the choice of formats and internal and external recording options, you can attach a variety of viewfinders, including the revolutionary optional DVF-EL100 OLED viewfinder, PL-mount, FZ-mount and still lenses, including second-generation Sony PL-mount lenses, and extra long-life Olivine – Lithium Iron Phosphate – batteries. The chassis is only slightly wider than a typical PL-mount prime lens, perfect for 3D rigs. An optional shoulder rig provides for hand-held and shoulder-mounted shooting. Higher resolution, higher contrast LCD digital viewfinder for CineAlta cameras The DVF-L350 colour HD digital viewfinder offers LCD quality for CineAlta cameras with a digital interface, such as the PMW-F55 and PMW-F5. Take a major step forward in operating with the incredible image of this 3.5-inch* LCD viewfinder. Compared to previous Sony viewfinders, the DVF-L350 has higher resolution (960 x 540) plus ten times the contrast. And the eyepiece flips up for direct monitoring. Viewable area, measured diagonally. AXS-R7 External Recorder The durable, dust and splash-proof AXS-R7 Portable Memory Recorder attaches seamlessly to the high end F55 and F5 CineAlta cameras, speeding up the 4K production workflow without compromising quality. The AXS-R7 doubles 4K RAW recording from 60 fps up to 120 fps for the F55 camera compared to previous Sony recorders. For shooting at higher frame rates, the recorder captures 2K RAW at up to 240 fps for the F55 and F5, for playback with 10x super slow motion. Working with high-speed AXSM™ A Series memory cards, the recorder features dual memory card slots for extra security and to extend recording times. The recorder also offers 4K RAW cache recordings up to 30 seconds while in standby mode. The tough, all-metal casing makes the AXS-R7 the ideal companion to the F55 and F5 for all kinds of high-end drama, documentary and wildlife productions.

Sony PXW-Z450 4K 2/3-type CMOS sensor advanced shoulder Camcorder

Sony PXW-Z450 (PXWZ450, PXW/Z450, PX-WZ-450, PXW Z450) 4K 2/3-type CMOS sensor advanced shoulder Camcorder The PXW-Z450 4K UHD Shoulder Camcorder from Sony features a single Exmor R CMOS sensor with 3840 x 2160 resolution. The PXW-Z450 camcorder supports the Sony XAVC codec up to 4K UHD, 1080/59.94p and 50p recording, in addition to MPEG and DVCAM formats. In combination with the optional PWS-100RX1 Network RX Station, this camcorder enables simple yet high-quality wireless ENG workflow, providing QoS (Quality of Service)-based live streaming that will save considerable time. The PXW-Z450 Camcorder provides a variety of AV and IT interfaces including four 3G-SDI outputs, as well as RJ-45, and USB 3.0 connection ports. Its built-in wireless function and an HD/SD-SDI input that supports a pool-feed function make it even more convenient for use. This powerful, user-oriented XDCAM Series camcorder meets a broad variety of ENG and studio applications. Image Sensor The camcorder features a single 4K UHD (3840 x 2160) EXMOR R CMOS sensor. The R designation indicates it is a backlit sensor, which means that the circuitry that normally is in the front of the sensor and can limit the light reaching the sensor's photosites, has been moved to the back of the sensor. this has the effect of increasing the sensor's low light performance. Multiple Format Recording The PXW-Z450 Camcorder offers a wide array of recording formats for a variety of applications including ENG, EFP, and studio use. Developed on MPEG-4 AVC/H.264 compression, the XAVC codec provides support for the 4K UHD and Full HD format of XAVC long 4:2:2 1080/59.94p and 50p formats. The camcorder also supports SD video in a variety of resolutions using DVCAM compression. Built-in Wireless Module and ONLINE Button To support effective wireless news production workflows, the PXW-Z450 Camcorder incorporates a built-in wireless capability. It also provides an 'ONLINE' button, located on the inside panel, which lets you instantly switch on functions like Network Client Mode, Auto Proxy Upload, and Live Streaming. Embedded RJ-45 Connector This Ethernet connector provides robust and fast connection to the network and can be utilized for file transfer, live streaming, and camera control from a web browser NFC (Near Field Communication) for Easy Wireless LAN Connection An NFC function supports easy connection for launching the CBM (Content Browser Mobile) application on a smartphone or tablet. This means you can skip cumbersome setup procedures. Optimized Weight Balance Building upon its years of camera design, Sony has shifted the camcorder's center of gravity towards the back of the body to optimize the camcorder's weight balance. Low Power Consumption This camcorder achieves power consumption as low as 24W in normal recording mode. This enables continuous recording operation for approximately 160 minutes with Sony's BP-FLX75 (sold separately) standard-type battery. Supports Full HD OLED Viewfinder Equipped with two types of connectors for a viewfinder interface, the PXW-Z450 Camcorder supports a variety of Sony's viewfinders, including the Full HD OLED HDVF-EL30 and HDVF-EL20, as well as the QHD LCD CBK-VF02. The HDVF-EL30 has a 960 x 540 resolution sub-LCD panel. ONLINE Button for Easy Network Connection The PXW-Z450 Camcorder is equipped with a dedicated ONLINE button. This delivers simple one-touch operation of ON/OFF switching for three network connection functions. Content Browser Mobile (CBM) CBM application software controls the camcorder remotely and is available on both Android and iOS. Network Client Mode You can connect Sony's PWS-100RX1 Network RX Station (sold separately) to send proxy clips or live streaming with Sony's QoS technology. The PXW-Z450 Camcorder can also be controlled remotely by the RX station. Auto Upload (Proxy) Clip files recorded on the camcorder can be transmitted via a network automatically when the recording is finished. XAVC 4:2:0 Long GOP clips are supported. Live Streaming This camcorder can transfer MPEG2-TS (UDP/RTP) to a third-party decoder Three-color LED Indicator The ONLINE button indicates the status (Disabled, Ready, Enabled) in three ways (off, orange, blue). Sony's QoS Technology Sony's unique QoS (Quality of Service) technology minimizes risk of image quality degradation, image freeze, or audio disruption, and helps maintain video and audio integrity during communications. The PWS-100RX1 Network RX Station comes with Sony-original algorithms that automatically adjust bandwidths and buffer sizes to match the characteristics of wireless communications. Sony Advanced Streaming with QoS The Sony QoS Technology improves the clarity that's possible on a single 3G/4G/LTE cellular channel or your own wireless LAN network, or limited communication band of Ethernet. You get better pictures, even given the limitations of real-world networks. The endpoint of Sony's QoS streaming is the versatile PWS-100RX1 Receiver Station. 1 Conventional MPEG2-TS Streaming For maximum flexibility, Sony's XDCAM wireless solutions also support conventional MPEG-TS streaming, so that you can stream to a wide range of receivers, including compatible third-party receivers and decoders. Sony wireless solutions will stream over a wireless LAN network, or over a 3G/4G/LTE cellular network with the appropriate carrier dongle and service. You can also enjoy wired streaming over Ethernet, using the embedded RJ-45 connector, via a router/hub. Flexible file transfer During field shooting news or other time-sensitive content, you can transfer files wirelessly. So, there's no need to wait for the delivery of physical media. The receiving server gets a bit-for-bit clone of the original camera file, with all the original audio, video, and metadata. Simultaneous Recording on Two SxS Cards The PXW-Z450 Camcorder offers a simultaneous recording capability for peace-of-mind productions. Simultaneous recording is available on both SxS card slots as a backup measure. This is within the same codec and with the same operating point in the recording formats such as XAVC-Intra, XAVC-Long, MPEG HD422, or MPEG HD (420). You can also achieve simultaneous recording with a proxy file in all combinations with the above formats recording the proxy to an SD card. GPS Functionality On activation, the built-in GPS receiver module records GPS data in an MXF file and a proxy file, and automatically imposes it on the live streaming signal. It is also useful for tracking shooting locations in post-production and when station-based staffs need to map a crew's location with the PWS-100RX1 Receiver for streaming. Flexible Camera System Operation The CA-FB70 Optical Fiber Camera Adapter or the CA-TX70 Digital Triax Camera Adapter (both sold separately) can be attached to the PXW-Z450 Camcorder for live camera operation. The CA-FB70 Adapter enables the camcorder to transmit signals via an optical fiber cable up to 820' between the CA-FB70 and HXCU-FB70 Optical Fiber Camera Control Unit (CCU) with power and signal transmission. The CA-TX70 Adapter transmits signals via triax cable up to 1968' between the CATX70 and HXCU-TX70 Digital Triax Camera Control Unit. RGB Color LCD Display The PXW-Z450 Camcorder is equipped with an RGB color LCD display on the inside panel. In addition to thumbnail and menu displays, you can see and monitor video reproduction in QHD (960 x 540 pixels) resolution. Other Features Newly developed ALAC (Automatic Lens Aberration Compensation) feature decreases specific patterns of chromatic aberration caused by the lens. The camcorder supports user gamma and Focus Assist function for easier focusing on the viewfinder and provides a graphic bar indicator, while the viewfinder can indicate Waveform, Vector Scope, or Histogram. The Digital Extender function enables images to be digitally expanded two to four times in size without any loss of F-drop image sensitivity.

Sony PMW-F5/CBK-55BK F5 Camera + ENG Shoulder Kit

Sony PMW-F5/CBK-55BK (PMWF5CBK55BK, PMW F5 CBK 55BK, PMW/F5/CBK/55BK, pmw-f5/cbk-55bk) F5 Camera + ENG Shoulder Kit The Sony PMW-F5 offers robust built-in recording modes, all with vibrant 4:2:2 colour. Further options include the wonderful precision of 16-bit linear RAW 2K/4K recording and high speed shooting at up to 120 fps without cropping. The various recording formats available include MPEG-2 HD422, MPEG4 SStP, XAVC 2K/HD and 16-bit RAW 2K/4K. The Sony F5 has simultaneous recording on to internal high-speed SxS PRO+ memory cards and RAW 2K/4K recording on sleek AXSM™ memory cards using the optional bolt-on AXS-R5 recorder, designed specifically to attach seamlessly to both the F55 and F5 cameras. High speed shooting up to120 fps XAVC 2K/HD* internally and 120 fps RAW 2K onto the AXS-R5 is also available for the PMW-F5 camera. Sony PMW-F5 - A lightweight modular design. Small and compact the Sony PMW-F5 allows you to configure the right set-up for each project – or individual shot with it’s modular design. A range of formats, both internal and external recording options and accessories are available on the F5 camera. A range of viewfinders are available, including the revolutionary optional DVF-EL100 OLED viewfinder, PL-mount, FZ-mount and still lenses, including second-generation Sony PL-mount lenses, and extra long-life Olivine – Lithium Iron Phosphate – batteries. The chassis on the Sony PMW-F5 Camera is only slightly wider than a typical PL-mount prime lens, perfect for 3D rigs. An optional shoulder rig provides for hand-held and shoulder-mounted shooting with the Sony F5. CBK-55BK: Greater flexibility of shooting style for documentaries, sports and news The CBK-55BK build-up kit enables one-person operation of the PMW-F55 and PMW–F5 CineAlta cameras, making it easy to achieve a shooting style to suit a variety of needs while maintaining the familiar, easy-to-use interface features of traditional shoulder camcorders. Good weight balance The CK55BK shoulder mount pack has an ergonomic design usable with any lenses and featuring an adjustable shoulder pad and front block control. DWX Digital Wireless Audio Slot-in The Sony CBK-55BK provides a slot-in option for the DWX Series DWR-S02D 2 channel digital wireless receiver.

Sony PDW-850 XDCAM HD422 Ultimate Professional Disc Camcorder

Sony PDW-850 (PDW850, PDW/850, PD-W8-50, pwd-850) XDCAM HD422 Ultimate Professional Disc Camcorder Successor to both the PDW-700 and PDW-F800, the PDW-850 combines the best of both these models into one model featuring lighter mass and lower power consumption. The latest triple PowerHAD FX CCD sensors have been included and the camera will record in both HD and SD formats including  MPEG HD 422 50 Mbps onto ready-to-archive and robust Professional Disc media. Sensitivity is high at F12 at 50i and there is an excellent signal-to-noise ratio of 62dB. The PDW-850 features a high quality colour QHD 960 x 540 LCD side monitor, while also providing an HDVF interface to allow the latest optional colour and monochrome viewfinders to be attached. The ergonomically well balanced camcorder now fully supports the CBK-WA100 wireless adapter, enabling proxy recording and proxy/high resolution content transfer via Wi-Fi/3G/4G/LTE, as well as Planning Metadata management (with a future upgrade). Ethernet, USB interfaces and GPS are included. The camcorder weighs only 4.2 kg (body only), lighter than the PDW-700, and has lower power consumption compared to its predecessors. The PDW-850 can also be configured in a live production system by docking the CA-FB70 fibre adapter or CA-TX70 digital triax adapter CA-TX70 to the standard 50-pin interface. Superb Image Quality The CCDs offer the world’s top-end picture quality, with high sensitivity (F12 at 50i), wider dynamic range and the elimination of motion artefacts. On top of this, the PDW-850 offers an excellent signal-to-noise ratio of 62dB. It records the most popular broadcast MXF formats: MPEG HD 422 50 Mbps, MPEG HD 420 35 Mbps and 25 Mbps, MPEG IMX 50 Mbps and DVCAM. Lighter and more Ergonomic Weighs only 4.2 kg (body only) and offers lower power consumption than predecessor models PDW-680, PDW-700 and PDW-F800 of only 37W in normal operating conditions. Full Live Production Integration in HSC/HDC Camera Environment Full integration with Camera Control Units (CCUs) via the CA-FB70 optical fibre adapter and CA-TX70 digital triax adapter The PDW-850 shares the same CCD and Digital Signal Processing as the HSC and HDC system cameras, allowing you to perfectly match the picture output. Ideal for Field Acquisition Features CBK-WA100 wireless adapter support with USB connector and GPS included for synchronised proxy recording, low latency tablet/smartphone monitoring and proxy/high resolution content transfer over Wi-Fi/3G/4G/LTE, and better planning metadata management. High Quality LCD Side Monitor and Optional HDVF Viewfinder Interface Large, easy-to-focus, high quality colour Quarter Full HD 960 x 540 LCD monitor, plus an HDVF interface to allow the latest optional colour and monochrome eyepiece or studio viewfinders to be attached.  

Sony PMW-F5 35mm Full HD Camcorder with LCD viewfinder package B

Sony PMW-F5 HD Camcorder with LCD viewfinder Package B © includes: Sony PMW-F5 (PMWF5 PMW F5 PMW/F5) Super 35mm Full HD 4K CMOS Sensor Compact CineAlta Camcorder - Records HD/2K on SxS memory plus 16-bit RAW 2K/4K output Sony DVF-L350 (DVFL350, DVF L350, DVF/L350, dvf-l350) LCD Viewfinder for PMW-F5, PMW-F55 *Digibroadcast has put together some bespoke Sony packages for our clients based on our own research and surveys and holds the right to protect all of its content ©

Sony PMW-F5 35mm Full HD Camcorder with OLED viewfinder package a

Sony PMW-F5 HD Camcorder with OLED viewfinder Package A© includes: Sony PMW-F5 (PMWF5 PMW F5 PMW/F5) Super 35mm Full HD 4K CMOS Sensor Compact CineAlta Camcorder - Records HD/2K on SxS memory plus 16-bit RAW 2K/4K output Sony DVF-EL100 oled 0.7-inch colour hd digital viewfinder   *Digibroadcast has put together some bespoke Sony packages for our clients based on our own research and surveys and holds the right to protect all of its content ©