Sony Alpha a6500 Premium E-mount APS-C Camera (Body Only)

Sony ILCE6500B.CEC (ILCE6500B/CEC, ILCE6500B_CEC, ILCE6500B CEC) (a/6500, a-6500) Alpha a6500 Premium E-mount APS-C Camera (Body Only) Stable, fast, and versatile, the Alpha a6500 from Sony is an apt APS-C-format mirrorless camera well-suited for both photo and video applications. Revolving around a 24.2MP Exmor CMOS sensor and BIONZ X image processor, clean image quality is provided with a wide expandable sensitivity range to ISO 51200, along with accelerated readout speeds for internal 4K30 and Full HD 1080p120 video recording with full pixel readout.  The processor further benefits videographers with the inclusion of an S&Q (Slow & Quick) Motion setting that permits capturing Full HD video at a variety of frame rates ranging from 1-120 fps. Stills shooters also benefit from the apt processing speed, which enables continuous shooting at 11 fps for up to 301 JPEGs in a burst, as well as 14-bit raw file output. Complementing both stills and video, 5-axis SteadyShot INSIDE image stabilization minimizes the appearance of camera shake with all mounted lenses to support working with slower shutter speeds.  The sensor and processor combination also avails 4D FOCUS, which utilizes a wide-coverage 425-point phase-detection system with a 169-area contrast detection system for quick and precise focusing performance. This focusing system also enables High-density Tracking AF for more efficient and accurate tracking of moving subjects across the image frame. Increasingly versatile and fully featured in both photo and video realms, the a6500 is a fast and precise imaging tool for multimedia capture. 24.2 MP Exmor® CMOS image sensor The α6500 features an APS-C image sensor with approx. 24.2 effective megapixels plus thin wiring layer and large photodiode substrate for light collection efficiency. Combined with BIONZ X™ image processing engine, the image sensor achieves a wide sensitivity range of ISO 100-51200 with low noise. The sensor’s quick-transmission copper wiring layer helps the camera to shoot movies in 4K and Full HD at 120fps (100fps). 425 phase-detection AF points with High-density Tracking AF Technology With 425 focal plane phase-detection AF points helping to provide distinctively wide and dense AF point coverage, the α6500 focuses accurately, efficiently and reliably on subjects throughout the frame. Also, High-density Tracking AF Technology seamlessly activates AF points to cover and track subjects moving within frame with unerring precision. Fast Hybrid AF for stills and movies The α6500 features the world's fastest (0.05 sec.) AF speed. Such speed is achieved by integrating the Fast Hybrid AF’s autofocusing performance plus the BIONZ X™ image processing engine’s highly efficient, accurate handling of information. This makes for extraordinarily fast, accurate AF and tracking performance when shooting movies or stills. (1) Point of focus (2) Contrast-detection AF (3) Phase-detection AF 11fps (Hi+) continuous shooting and 8fps (Hi) live-view continuous shooting Clearly capture moving subjects with high-speed continuous shooting at up to 11fps (Hi+). Or choose among three speeds up to 8fps (Hi), for live-view continuous shooting with very little lag on the EVF or LCD screen ― it’s practically as immediate as shooting with an optical viewfinder. Huge buffer for up to 307 images (over 35 seconds) in continuous shooting Faster internal processing and a higher-capacity buffer memory now allow up to 307 images (over 36 seconds) of high-speed continuous shooting. In-body 5-axis image stabilization The α6500 compensates for five types of camera shake, extending opportunities to shoot steadier still images and movies. The new high-accuracy gyro sensor provides an image stabilization effect equivalent to a 5-steps-faster shutter speed. The camera enables you to zoom in on faraway subjects, snap detailed close-ups, capture night scenes and more ― all with minimal camera shake blur. (1) Yaw (2) Pitch (3) Roll Intuitive Touch Focus even with your eye to the viewfinder Touch Focus makes focus point selection more intuitive ― simply use a finger to touch the LCD touchscreen at the point of the image that you want to focus on. The Touch Pad function lets you shift the focus point smoothly by swiping a finger on the touchscreen, even while viewing the viewfinder. 4K movie recording 4K movie recording in the Super 35 mm format with full pixel readout and no pixel binning allows approx. 2.4 times as much information as is basically required for 4K (QFHD: 3840 x 2160). Data this rich is, in fact, equivalent to 6K data, so it clearly conveys exceptionally high resolution in 4K images. XGA OLED Tru-Finder™ The α6500 introduces a high-contrast, high-resolution, high-visibility XGA OLED Tru-Finder™. It reproduces darkness and color in very fine detail, for clear, smooth views of scenes and tracking of subjects. You can select either 120 (100fps) or 60fps (50fp) frame rate for use of this viewfinder. Eye AF (AF-C compatible) The α6500 features the Eye AF function that detects an eye and focuses on it with pinpoint accuracy even when shooting with a fast lens with aperture fully open and therefore with shallow depth of field. Eye AF also works in AF-C mode, so even if the subject moves, the wide coverage of the high-density 425-point focal plane phase-detection AF sensor maintains very accurate focus on the eyes. Lock-on AF This function maintains focus on a moving subject automatically. Simply align the target frame and the subject to be tracked. If you lose track of the subject, the camera can detect that subject and resume the Lock-on AF function when the subject reappears on the screen. High-durability shutter tested to approx. 200,000 release cycles with low vibration Enjoy less blur from vibration and a very quiet, durable shutter tested to about 200,000 shutter releases. Added braking mechanisms near the end of the rear shutter path plus elastic material as shock absorber produce these benefits. The reduced vibration also helps optimize image sensor resolution performance. Further advanced image processing system The BIONZ X™ image processing engine is supported by newly developed front-end LSI. The image processing algorithm optimized for the image sensor enhances texture reproduction and image clarity while minimizing noise, particularly in the mid-to-high sensitivity range. Slow and Quick Motion Up to 5x Slow Motion and up to 60x Quick Motion can be recorded at up to 50 Mbps in high-quality Full HD in camera. You can choose among eight shooting frame rates ranging from 1fps to 120fps (100fps), as well as 24p, 30p (25p), or 60p (50p) recording format. Slow Motion and Quick Motion footage can be played back after it is shot, without PC-based post-production processing. Focal plane phase-detection AF for A-mount lenses The α6500 offers focal plane phase-detection AF even when an A-mount lens is mounted using a mount adaptor (LA-EA3) from Sony. So you can take advantage of the autofocus system’s uniquely wide coverage provided by 425 focal plane phase-detection AF points, as well as fast, fluid tracking performance when shooting with other lenses as well as E-mount lenses. (1) A-mount lenses AF in Focus Magnifier You can use autofocus even while enlarging a selected image area on the viewfinder or LCD screen, for finer adjustment of focus, for example. Excellent for macro shooting, when accurate focusing is crucial. Gamma Display Assist and Zebra function With Gamma Display Assist, you can view images with natural contrast while recording in S-Log gamma setting, converting S-Log2 and S-Log3 into ITU709 (800%) gamma for monitoring images, or checking focus while enlarging an image on the LCD screen or viewfinder. Moreover, Zebra function simplifies exposure monitoring, especially when shooting in S-Log gamma setting. Target a video signal brightness level from 0 to 109%, and set a range between +10 and –10% of that value; zebra pattern indicates areas with that level of exposure within that range. S-Gamut/S-Log shooting S-Gamut and S-Log shooting give you flexibility to perform color grading in post-production. The S-Log3 and S-Log2 gamma curves feature wide dynamic range (up to 1300%) to minimize whiteout and blackout. The α6500 even offers impressive 14-stop latitude in S-Log3 gamma setting. The camera also supports S-Gamut, S-Gamut3 and S-Gamut3. Cine color space from Sony.brNOTE: S-Log2 and S-Log3 are premised on processing pictures. Terminals expand connectivity The camera supports line input from professional-standard audio devices with XLR terminal, with use of a separately sold XLR adaptor kit (XLR-K2M/XLR-K1M) that enables connection with various high-end microphones. This camera also supports clean HDMI output that allows uncompressed 4K and Full HD movies to be output to an external recorder or monitor. Dust and moisture resistance Comprehensive dust and moisture resistance measures that help prevent water and dust from entering the body include sealing around the buttons and dials, as well as a protective double-layered structure that tightly interlocks panels and components. Tough magnesium alloy body and robust lens mount With internal frames, rear cover, top cover and front cover constructed of magnesium alloy, α6500 is designed for solid reliability and steady handling, as its compact form readily withstands the rigors of shooting in the field. Also, the strength and rigidity of the lens mount provide an especially solid foundation for mounting and withstanding rugged use with even large, heavy lenses such as telephoto lenses. Silent shooting Silent Shooting mode releases the shutter without a sound, even in continuous shooting up to about 3fps with AF/AE tracking, so it's very convenient for shooting indoor performances, outdoor wildlife, and in other situations where silence is essential. To turn this mode on/off more intuitively and less intrusively, assign it to a customizable button. New menu interface The redesigned menu has a new categorization scheme. Now, the group name being selected can be found at the screen top, and each tab is colored differently. This allows quick access to desired menu items, which enables you to change settings smoothly even during shooting. File Name setting Each file name starts with "DSC" by default, but you can use the camera to change, register and thereby customize the file name to include the first three characters of your choice. This facilitates management of files, especially when working on assignments with multiple cameras. PlayMemories Camera Apps™ Express photographs more creatively with PlayMemories Camera Apps™, the application download service that lets you add new functions to your camera’s feature set. Choose among Time-lapse for recording images at intervals and combining them, Smart Remote Control for control of settings from a smartphone or tablet, Sky HDR (high-dynamic-range-imaging), Star Trail, Liveview Grading, Smooth Reflection and other apps. Note: Services availability depends on region. Location Information Link After the camera has been paired via Bluetooth® to the PlayMemories Mobile™ app installed on a compatible mobile phone or tablet device, it can acquire and record location data from the mobile device. The acquired location data can also be used to correct the camera’s date/time and location settings. The PlayMemories Home™ application can then be used on a personal computer to organize on a map any still images imported into the computer. One-touch remote/One-touch sharing One-touch remote makes your smartphone or tablet a viewfinder/remote control. One-touch sharing transfers photos/videos to your device for social network site (SNS) sharing. Just install a PlayMemories Mobile™ app via Wi-Fi® to your NFC-enabled Android device, then touch the device to the camera to connect them. No NFC? No problem. New QR code compatibility can also pair the devices. Supported in Capture One Express (for Sony) Capture One Express (for Sony) is one of the world’s best RAW converters, rendering precise colors and incredible detail. It contains flexible digital asset management, all the essential adjustment tools and fast, responsive performance in one customizable and integrated solution. Enhanced auto exposure functions Along with Multi, Center, and Spot metering modes, the camera features new ones including Highlight, which automatically detects the brightest area in the frame and concentrates exposure metering on that area to avoid blown highlights; and Average, which determines average metering for the entire image in order to maintain stable AE tracking performance as shooting angles change as well as predictable AE behavior. Also, when [Focus Area] parameter is set to [Flexible Spot] or [Expand Flexible Spot] the metering spot location can be linked to the focus area (selectable from Center/Focus Point Link). Moreover, standard exposure value can be adjusted from -1 to +1 stop in 1/6-stop increments, and set separately for each metering mode. Priority Set in AWB When white balance is set to Auto and incandescent lamps or similar illumination are the light sources, the color tone priority can be set to [Standard], [Ambience] or [White]. [Ambience] produces a warm tone; [White] reproduces white tones faithfully. Enhanced Remote Camera Control function When the camera is connected to a computer, you can use Remote Camera Control to take pictures or change camera settings from the computer. This computer-to-camera connection now makes it possible for you to store still images in camera as well as on the computer, so you can visually check images without leaving the camera position. It is now also possible to transfer only JPEG (rather than both JPEG and RAW) files to the computer, reducing the file data volume and allowing transferred images to be checked almost immediately.

Sony Multi-Format Video Switcher

Sony XVS-8000 (XVS8000, XVS/8000, xvs-8000) Multi-Format Video Switcher The latest generation XVS-8000 multi-format video switcher delivers massive benefits in terms of flexibility and operability for top end production, giving you the ability to realise a powerful mixed environment with SDI and IP. Utilising the flexible ICP-X7000 X-Panel assignable modular design, you can configure the control panel to suit your specific operations.The XVS-8000 provides you with a similar 4K production capability as you get with HD. Support of Networked Media Interface (NMI) also places the switcher at the heart of the new generation IP Live production system. The advanced features and operational flexibility of the XVS-8000 make it Sony’s most advanced flagship production switcher offering ultimate quality combined with significant return on investment. IP Live switcher The core of the new generation IP Live production system supports Networked Media Interface (NMI) to realise a mixed SDI and IP environment. Powerful 4K switcher 4K production capability similar to HD production, with 5 M/E, 40 inputs, 12 assignable outputs for 4K and format converter outputs, plus up to 10 full keyers and 10 sub keyers, enabling simultaneous 4K and HD operation, and powerful 4K features. Evolutionary switcher controller The XVS-8000 utilises the ICP-X7000 X-Panel for very flexible panel configuration with a modular style design, OLED display, RGB XPT buttons and LCD button pad. The button layout is also re-designed. The X-Panel has a flexible mounting style for flat or curved mounting, or even for splitting into two positions. Flexible and scalable configurations The processors of the XVS-8000 can be configured to suit the exact needs of each particular user in terms of operation, resolution, frame rate, number of I/Os, number of M/E banks, and more. 5 M/E for large 4K production systems 5 M/E functionality enables you to operate with different video formats per M/E, allowing 4K and HD simultaneous operation. Variety of M/E mode selections Using the advanced mix effect modes in the XVS-8000, one bank can be configured to control not only the main M/E output, but also a sub mix from that M/E. This Double M/E Mode is perfect for producing multiple outputs of the same event, for example "clean" and "dirty" feeds of a soccer match from within the same M/E. Simplified live operations with programmable macros Macros are extremely useful in live environments when time is critical and there is no tolerance for making operational mistakes. Using the FlexiPad module, or the 10-key Pad module, users can simply record operational sequences, then store and assign them to any desired button. Not only can macros record complex panel operational sequences, but menu operation can also be recorded as a macro. Macros can be edited either directly from the control panel or by using the touch-screen menu display. Flexible X-Panel assignable modular design The ICP-X7000 X-Panel offers very flexible panel configuration with a modular style design, OLED display, RGB XPT buttons and LCD button pad. The button layout is also re-designed. The X-Panel has a flexible mounting style for flat or curved mounting, or even for splitting into two positions. XPT FlexiPad allows function mapping customisation according to your operators’ preferences.

Sony XDCAM Juke Professional Disc Library

Sony XDJ-1000 (XDJ1000, XDJ/1000, xdj-1000) XDCAM Juke Professional Disc Library The XDJ-1000 Professional Disc Library, XDCAM Juke, enhances the XDCAM file-base operations such as ingest, distribution and archive by media. The XDJ-1000 holds multiple XDCAM disc drives, automated robotic and library control software in a compact chassis. Furthermore, by combining the network and metadata capabilities of the XDCAM system with automated robotic features, the XDJ-1000 increases the efficiency of workflows in these applications by reducing the amount of manual labour required. By integrating the XDJ-1000 XDCAM Juke into the production environment, the same Professional Disc media can be used throughout the entire production process, from acquisition to archiving, resulting in flexible and truly efficient operations. This product comes with PrimeSupport – fast, hassle-free repairs and a helpline offering expert technical advice. Which gives you the peace of mind that Sony is looking after your equipment, and your business.

Sony Redundant Power Supply Unit for XDCAM

Sony XDBK-101 (XDBK101, XDBK/101, xdbk-101) Redundant Power Supply Unit for XDCAM The XDBK-101 is the redundant power supply option for the XDS-1000, XDS-PD1000, and XDS-PD2000 Professional Media Station units.

Sony WD-850A UHF Antenna Divider

Sony WD-850A (WD/850A, WD_850A, WD850A, WD 850A, wd-850a) UHF Antenna Divider The WD-850A antenna distribution unit can provide diversity output, covering 470-862MHz, for up to four fixed Sony wireless receivers using the two pairs of inputs and four pairs of output connections. A secondary unit can be lined via a single pair of cascade outputs. RF muting, otherwise known as squelch, can be switched between 5/10/15dB/off positions. Wide frequency coverage with choice of channels available The extra wide switching bandwidth covers a wide area, with a wide choice of channels available across multiple models - please refer to product specifications for more information. UC14: 470.125 MHz to 541.875 MHz (UHF-TV channels 14 to 25) UC30: 566.125 MHz to 607.875 MHz and 614.125 MHz to 637.875 MHz (UHF-TV channels 30 - 36 and 38 - 41) (not available in Brazil) UC42: 638.125 MHz to 697.875 MHz (UHF-TV channels 42 - 51)

Sony Viewfinder Hood

Sony VFH-790 (VFH790, VFH/790, vfh-790) Viewfinder Hood Sony's VFH790 Viewfinder Hood is designed for use with the HDVFEL70 & HDVFEL75 electronic viewfinders. It allows easier viewing under bright sunlight or studio lights, and is especially useful for applications such as OB and sporting events.

Sony Extended Viewfinder Hood

Sony VFH-570 (VFH570, VFH/570, vfh-570) Extended Viewfinder Hood Sony's VFH-570 Extended Viewfinder Hood is designed for use with the DXF-C50W professional viewfinder. It allows easier viewing under bright sunlight or studio lights, and is especially useful for applications such as OB and sporting events.

Sony 5-inch Type Viewfinder Sports Hood for BVF-55

Sony VFH-550 (VFH550, VFH/550, vfh-550) (BVF/55, BVF_55) 5-inch Type Viewfinder Sports Hood for BVF-55 The Sony VHF-550 is an outdoor hood designed specifically for the BVF-55 studio viewfinder used with BVP series broadcast cameras. The hood prevents sunlight from hitting the viewfinder screen, reducing glare.

Sony ENG Monitor Field Kit

Sony VF-510 (VF510, VF/510, vf-510) ENG Monitor Field Kit The Sony VF-510 is a field monitor accessory kit for the LMD940W monitor. This kit includes a high quality monitor hood, a carry handle for transport and a cable protector for the rear of the monitor.   This kit offers the user accessories to facilitate a location production with great monitoring capabilities.

Sony Shoulder Mount Brace for PMW-F5 and PMW-F55 Cameras

Sony VCT-FSA5 (VCTFSA5, VCT/FSA5, vct-fsa5) (PMW_F5, PMW/F5) (PMW F55, PMW_F55) Shoulder Mount Brace for PMW-F5 and PMW-F55 Cameras The Sony VCT-FSA5 Shoulder Mount Accessory for PMW-F5/PMW-F55 is specifically built to allow you to comfortably hand hold the F5/F55 camera for documentary style shooting. The shoulder mount features a low profile to maintain a low center of gravity and a sliding balance mechanism for adjusting the camera's balance front to back. It includes two stainless steel 15mm support rods, and two 1/4"-20 camera tie down screws. The mount integrates a rubberized foam cushion for comfort, and two Arri compatible mounting rosettes for accessories. It is made from cast aluminum and features the necessary front wedge and back plate to fasten it to an available VCT-14 quick release plate. This allows you to go from tripod to hand held mode and back to tripod mode quickly, easily, and without having to adjust the shoulder pad.

Sony Lightweight 15mm Rods & Adjustable Shoulder Pad

Sony VCT-FS7 (VCTFS7, VCT/FS7, vct-fs7) Lightweight 15mm Rods & Adjustable Shoulder Pad The VCT-FS7 lightweight rods support for the PXW-FS7 XDCAM camera features 15mm rods and an adjustable shoulder pad. This enables the use of additional Matte boxes, the easy attachment of Follow Focus systems or of an external recorder with the PXW-FS7.

Sony UTX-B03HR/K21 UWP-D Body-Pack Transmitter

Sony UTX-B03HR/K21 (UTX-B03HR-K21, UTX/B03HR/K21, UTX_B03HR_K21, UTXB03HRK21, utx-b03hr/k21) UWP-D Body-Pack Transmitter The UTX-B03HR body-pack transmitter forms part of a complete UWP-D audio system offering the sound quality of digital audio processing combined with the reliability of analogue FM modulation . It offers wide frequency coverage with up to 72 MHz bandwidth (depending on region) across a wide range of channels, with a choice of models to choose from. Easy-to-use features include a large display, automatic channel setting function, USB connection for power supply and line input availability. The UWP-D Series system provides superb transient response performance for all ENG / EFP production applications. SMC9-4S microphone input connector The UTX-B03HR is equipped with a SMC9-4S (female) microphone connector designed to withstand the rigors of ENG shooting. A standard broadcast lavalier microphone ECM-77BC or ECM-44BC can be used with the connector. Digital Audio Processing for high quality sound Improves transient response performance between the UWP-D transmitter and receiver, providing impressive natural sound quality compared to conventional analogue wireless systems. Wide frequency coverage with choice of channels available The extra wide switching bandwidth covers a wide area, with a wide choice of channels available across multiple models – please refer to product specifications for more information. Easy to use features Large display, automatic channel setting function, USB connection for power supply and line input availability. SMC9-4S microphone input connector The UTX-B03HR is equipped with a SMC9-4S (female) microphone connector designed to withstand the rigors of ENG shooting. A standard broadcast lavalier microphone ECM-77BC or ECM-44BC can be used with the connector. UWP-D Digital Audio Processing for high quality sound The UWP-D Series wireless microphone systems uses Sony Digital Audio Processing to improve sound quality and transient response performance compared to conventional analogue wireless systems. It provides superb transient response performance. Analogue companding systems cannot accurately reproduce sounds such as a bell, tee shot or handclap, but Sony Digital Audio Processing reproduces them faithfully. Large display for ease of use UTX-B03HR body-pack transmitter features a bright 11.5mm x 27.8mm display, significantly larger than previous UWP models to make them easily readable in all situations. Automatic channel setting The receiver will automatically set the transmitter channel by IR Sync. Wide frequency coverage The extra wide switching bandwidth covers a wide area, with a wide choice of channels available across - please refer to product specifications for more information. True Diversity reception system The UWP-D system achieves exceptionally stable audio signal being delivered from two independent receiver sections within the unit. Optimum signal quality is delivered by the two receivers sections and a comparison circuit constantly pulls the one with the best signal to give dropout free transmission. Compatibility with Sony 800 and UWP Series analogue audio receivers The UWP-D Series transmitters and receivers are also compatible with Sony’s WL-800 Series, UWP Series and Freedom Series, allowing users to switch between different companding modes. USB for external power supply or charging batteries UTX-B03HR body-pack transmitter has a micro USB terminal for connection to USB external portable power sources allowing the unit to be powered by the camcorder during use, resulting in hassle free power. You can also load NiMh batteries into the belt-pack to be charged through the micro USB. Robust metal body UTX-B03HR body-pack transmitter is made of strong, durable metal. Metal construction supports reliable use in rough operating conditions. Line Input available The UWP-D Series system has line input available for added flexibility.

Sony URX-S03D/K42 UWP-D Portable Two-Channel Wireless Receiver

Sony URX-S03D/K42 (URX-S03D-K42, URX/S03D/K42, URX_S03D_K42, URXS03DK42, URX-S03D/K42, urx-s03d/k42) UWP-D Portable Two-Channel Wireless Receiver Digital Audio Processing for high quality sound The URX-S03D is the first two-channel portable receiver in the UWP-D Series that fits directly in the slot of Sony XDCAM and HDCAM camcorders. Working with the UTX-B03HR belt-pack transmitter, the system features easy channel setting functions, advanced functionality for stable RF transmission and Digital Audio Processing technology ensures high-quality sound. With advanced usability with Sony XDCAM and HDCAM camcorders, it also works seamlessly with Sony 800 and UWP Series transmitters. Digital Audio Processing for high quality sound Improves transient response performance between the UWP-D transmitter and receiver, providing impressive natural sound quality compared to conventional analogue wireless systems. Stable RF transmission True diversity reception system achieves highly stable reception from two adjustable receiving antennas, each with its own RF circuits. Great usability with Sony XDCAM and HDCAM camcorders The URX-S03D fits in the slot of Sony’s XDCAM camcorder with 2-channel digital audio connections directly from the DSP. It can also be matched with the slot of an HDCAM camcorder with single channel audio connection. Easy to use features Automatic channel setting function*, headphone output, USB connection for power supply and line input availability. *For customers in North and Latin America, when a /25 version of either transmitter or receiver is used with /14, /30 or /30A version of receiver or transmitter, AUTO SET (auto channel setting) function or frequency transferring function with IR sync cannot be used. Manual setting of matching frequencies is still available. Wide frequency coverage with choice of channels available The extra wide switching bandwidth covers a wide area, with a wide choice of channels available across multiple models – please refer to product specifications for more information. 14UC: 470.125 MHz to 541.875 MHz (UHF-TV channels 14 to 25) (not available in Brazil) 25UC: 536.125 MHz to 607.875 MHz (UHF-TV channels 25-36) 42LA: 638.125 MHz to 697.875 MHz (UHF-TV channels 42-51) (not available in US or Canada) Robust metal body The URX-P03 portable receiver is made of strong, durable metal. Metal construction supports reliable use in rough operating conditions. Weatherproof structure Waterproof structure of the URX-S03D makes it safe to use in extreme conditions Selectable squelch The squelch can be easily turned on or off in the menu. Compatible with a wide range of Sony camcorders PXW-X320, PXW-X400, PDW-850/750, PXW-X500, PMW-400/580, PDW-510/510P, PDW-530/530P, PDW-700/740/F800,PMW-TD300, PMW-500/350, PMW-320, (PMW-F5/F55 with CBK-55BK), HDW-F900R, HDW-650/680/800P, MSW-930P, DSR-400/400P, DSR-450WS/450WSP

Sony URX-S03D/K33 UWP-D Portable Two-Channel Wireless Receiver

Sony URX-S03D/K33 (URX-S03D-K33, URX/S03D/K33, URX_S03D_K33, URXS03DK33, urx-s03d/k33) UWP-D Portable Two-Channel Wireless Receiver Digital Audio Processing for high quality sound The URX-S03D is the first two-channel portable receiver in the UWP-D Series that fits directly in the slot of Sony XDCAM and HDCAM camcorders. Working with the UTX-B03HR belt-pack transmitter, the system features easy channel setting functions, advanced functionality for stable RF transmission and Digital Audio Processing technology ensures high-quality sound. With advanced usability with Sony XDCAM and HDCAM camcorders, it also works seamlessly with Sony 800 and UWP Series transmitters. Digital Audio Processing for high quality sound Improves transient response performance between the UWP-D transmitter and receiver, providing impressive natural sound quality compared to conventional analogue wireless systems. Stable RF transmission True diversity reception system achieves highly stable reception from two adjustable receiving antennas, each with its own RF circuits. Great usability with Sony XDCAM and HDCAM camcorders The URX-S03D fits in the slot of Sony’s XDCAM camcorder with 2-channel digital audio connections directly from the DSP. It can also be matched with the slot of an HDCAM camcorder with single channel audio connection. Easy to use features Automatic channel setting function*, headphone output, USB connection for power supply and line input availability. *For customers in North and Latin America, when a /25 version of either transmitter or receiver is used with /14, /30 or /30A version of receiver or transmitter, AUTO SET (auto channel setting) function or frequency transferring function with IR sync cannot be used. Manual setting of matching frequencies is still available. Wide frequency coverage with choice of channels available The extra wide switching bandwidth covers a wide area, with a wide choice of channels available across multiple models – please refer to product specifications for more information. 14UC: 470.125 MHz to 541.875 MHz (UHF-TV channels 14 to 25) (not available in Brazil) 25UC: 536.125 MHz to 607.875 MHz (UHF-TV channels 25-36) 42LA: 638.125 MHz to 697.875 MHz (UHF-TV channels 42-51) (not available in US or Canada) Robust metal body The URX-P03 portable receiver is made of strong, durable metal. Metal construction supports reliable use in rough operating conditions. Weatherproof structure Waterproof structure of the URX-S03D makes it safe to use in extreme conditions Selectable squelch The squelch can be easily turned on or off in the menu. Compatible with a wide range of Sony camcorders PXW-X320, PXW-X400, PDW-850/750, PXW-X500, PMW-400/580, PDW-510/510P, PDW-530/530P, PDW-700/740/F800,PMW-TD300, PMW-500/350, PMW-320, (PMW-F5/F55 with CBK-55BK), HDW-F900R, HDW-650/680/800P, MSW-930P, DSR-400/400P, DSR-450WS/450WSP

Sony URX-S03D/K21 UWP-D Portable Two-Channel Slot-In Receiver

Sony URX-S03D/K21 (URX-S03D-K21, URX/S03D/K21, URX_S03D_K21, URXS03DK21, urx-s03d/k21) UWP-D Portable Two-Channel Slot-In Receiver Digital Audio Processing for high quality sound The URX-S03D is the first two-channel portable receiver in the UWP-D Series that fits directly in the slot of Sony XDCAM and HDCAM camcorders. Working with the UTX-B03HR belt-pack transmitter, the system features easy channel setting functions, advanced functionality for stable RF transmission and Digital Audio Processing technology ensures high-quality sound. With advanced usability with Sony XDCAM and HDCAM camcorders, it also works seamlessly with Sony 800 and UWP Series transmitters. Digital Audio Processing for high quality sound Improves transient response performance between the UWP-D transmitter and receiver, providing impressive natural sound quality compared to conventional analogue wireless systems. Stable RF transmission True diversity reception system achieves highly stable reception from two adjustable receiving antennas, each with its own RF circuits. Great usability with Sony XDCAM and HDCAM camcorders The URX-S03D fits in the slot of Sony’s XDCAM camcorder with 2-channel digital audio connections directly from the DSP. It can also be matched with the slot of an HDCAM camcorder with single channel audio connection. Easy to use features Automatic channel setting function*, headphone output, USB connection for power supply and line input availability. *For customers in North and Latin America, when a /25 version of either transmitter or receiver is used with /14, /30 or /30A version of receiver or transmitter, AUTO SET (auto channel setting) function or frequency transferring function with IR sync cannot be used. Manual setting of matching frequencies is still available. Wide frequency coverage with choice of channels available The extra wide switching bandwidth covers a wide area, with a wide choice of channels available across multiple models – please refer to product specifications for more information. 14UC: 470.125 MHz to 541.875 MHz (UHF-TV channels 14 to 25) (not available in Brazil) 25UC: 536.125 MHz to 607.875 MHz (UHF-TV channels 25-36) 42LA: 638.125 MHz to 697.875 MHz (UHF-TV channels 42-51) (not available in US or Canada) Robust metal body The URX-P03 portable receiver is made of strong, durable metal. Metal construction supports reliable use in rough operating conditions. Weatherproof structure Waterproof structure of the URX-S03D makes it safe to use in extreme conditions Selectable squelch The squelch can be easily turned on or off in the menu. Compatible with a wide range of Sony camcorders PXW-X320, PXW-X400, PDW-850/750, PXW-X500, PMW-400/580, PDW-510/510P, PDW-530/530P, PDW-700/740/F800,PMW-TD300, PMW-500/350, PMW-320, (PMW-F5/F55 with CBK-55BK), HDW-F900R, HDW-650/680/800P, MSW-930P, DSR-400/400P, DSR-450WS/450WSP

Sony URX-P03D/K33 Two-Channel Portable Receiver for UWP-D Systems

Sony URX-P03D/K33 (URX-P03D-K33, URX/P03D/K33, URX_P03D_K33, URXP03DK33, urx-p03d/k33) Two-Channel Portable Receiver for UWP-D SystemsGiving you the ability to simultaneously receive audio from 2 compatible UWP-D series transmitters as well as a third wired microphone, the URX-P03D from Sony is a portable digital audio receiver that offers wide frequency coverage with up to 72 MHz bandwidth across a broad range of channels. Its integrated 3-channel mixer allows you to control your levels as well as assign outputs freely. The URX-P03D receiver can be mounted directly (without cables) onto many Sony cameras that have an MI (Multi-Interface) Shoe by using the optional SMAD-P3D two-channel shoe adapter. It can be used with any size camcorder or DSLR camera, when paired with a transmitter and microphone (sold separately), to capture audio for ENG (Electronic NewsGathering), EFP (Electronic Field Production), and other sound applications for video.It features automatic channel settings, headphone output, a USB connection for power supply, and line input availability.The UWP-D Series system provides a superb transient response performance for all ENG/EFP production applications and more. This unit transmits on the 470 to 542 MHz frequency.Digital Audio Processing The UWP-D Series wireless microphone system uses Sony Digital Audio Processing to improve sound quality and transient response performance, compared to conventional analog wireless systems External Mic Input The URX-P03D two-channel portable receiver has an external mic input connector for additional wired microphones. Sony microphones with BMP plug or plug-in power microphones (stereo/mono) are applicable by menu setting. It also has a three-channel mixer function for the two wireless microphones and one wired microphone. It can assign output 1 and/or 2 freely Large Display It is designed to fit even small camcorders or DSLR cameras, with dimensions of 2.5 x 3.2 x 1.1" (W x H x D) and a weight of approx. 7.4 oz (including batteries). The receiver also feature a bright 0.5 in x 1.1" display, significantly larger than previous UWP models, making them easily readable in all situations Easy Channel Scan With its Clear Channel Scan, Active Channel Scan function, and IR Sync features, the system detects unoccupied channels and selects the most appropriate channel automatically for fast- and-easy system setup Automatic Channel Setting Mode The Auto Set channel mode allows the user to find and set available frequencies to use within the operating frequencies of the system. The receiver will automatically set the transmitter channel using the IR Sync feature Wide Frequency Coverage The extra-wide switching bandwidth covers a large area, with a wide choice of channels available across multiple models True Diversity Reception The UWP-D system achieves an exceptionally stable audio signal being delivered from two independent receiver sections within the unit. Optimum signal quality is delivered by the two receivers sections, and a comparison circuit constantly pulls the one with the best signal to give dropout-free transmission Compatible with Sony 800 and UWP Series Analog Receivers The UWP-D Series transmitters and receivers are compatible with Sony's WL-800 Series, UWP Series, and Freedom Series, allowing users to switch between different companding modes Headphone Output for Monitoring The UWP-D system provides its own headphone output socket, which is particularly useful when working with a camera that does not have a headphone output USB External Power The URX-P03 portable receiver has a Micro-USB terminal for connection to USB external portable power sources, allowing the unit to be powered by the camcorder during use and resulting in hassle-free power. You can also load NiMh batteries into the receiver to be charged through the Micro-USB Robust Metal Body The URX-P03 portable receiver is made of strong, durable metal construction that supports reliable use in rough operating conditions Variable Output Level on Portable Receiver The system provides variable output level control of ±12 dB, for use with the various input levels of camcorders and DSLR cameras

Sony URX-P03D/K21 Two-Channel Portable Receiver for UWP-D Systems

Sony URX-P03D/K21 (URX-P03D-K21, URX/P03D/K21, URX_P03D_K21, URXP03DK21, urx-p03d/k21) Two-Channel Portable Receiver for UWP-D Systems 2 channel portable receiver for high quality sound for ENG/EFP productions The URX-P03D 2-channel portable receiver forms part of a complete UWP-D audio system offering the sound quality of digital audio processing combined with the reliability of analogue FM modulation. The URX-P03D offers wide frequency coverage with up to 72 MHz bandwidth (depending on region) across a wide range of channels, with a choice of models to choose from. Easy-to-use features include a large display and small size to fit neatly on any size camcorder or DSLR camera, automatic channel setting function, headphone output, USB connection for power supply and line input availability. The receiver also has external mic input for an additional wired microphone and 3 channel mixer function. The UWP-D Series system provides superb transient response performance for all ENG / EFP production applications. 2 channel portable receiver Digital Audio Processing for high quality sound Improves transient response performance between the UWP-D transmitter and receiver, which will provide impressive natural sound quality compared to conventional analogue wireless systems. External mic input for additional wired microphone This portable receiver has an external mic input connector for additional wired microphone. It also has a 3 channel mixer function for the two wireless microphones and one wired microphone. Wide frequency coverage with choice of channels available The extra wide switching bandwidth covers a wide area, with a wide choice of channels available across multiple models - please refer to product specifications for more information. 14UC: 470.125 MHz to 541.875 MHz (UHF-TV channels 14 to 25) 25UC: 536.125 MHz to 607.875 MHz (UHF-TV channels 25-36) 42LA: 638.125 MHz to 697.875 MHz (UHF-TV channels 42-51) (not available in US or Canada) Large display and small size receiver The receiver features a large display for ease of use, while its small size means it fits neatly on any size camcorder or DSLR camera. Easy to use features Automatic channel setting function*, headphone output, USB connection for power supply and line input availability.

Sony Tuner Module for MB806A Tuner Base

Sony URX-M2/K38 (URXM2/K38, URX/M2/K38, urx-m2/k38)(MB-806A, MB/806A) Tuner Module for MB806A Tuner BaseThe Sony URX-M2 Tuner Module is a wireless microphone UHF receiver, specifically designed to install into Sony tuner bases. Among some of the compatible tuner bases are the MB-X6 and MB806A, and SRP-X700P, SRP-X500P, SRP-X351P powered mixer units. Modular Design The URX-M2 is specifically designed for direct integration with the MB806A multiple tuner base (accommodates up to 6), SRP-X700P and SRP-X351P mixer/amplifier units. Frequency Agile PLL synthesized UHF technology provides up to 188 user selectable frequencies. Comprehensive LCD The LCD display provides channel and frequency information and more.

Sony URX-M2/K33 UWP Series Plug-in Tuner Module

Sony URX-M2/K33 (URX/M2/K33, URX-M2-K33, URX_M2_K33, URXM2K33, URX M2 K33, urx-m2_k33) UWP Series Plug-in Tuner Module The Sony URX-M2 Tuner Module is a wireless microphone UHF receiver, specifically designed to install into Sony tuner bases. Among some of the compatible tuner bases are the MB-X6 and MB806A, and SRP-X700P, SRP-X500P, SRP-X351P powered mixer units. Modular Design The URX-M2 is specifically designed for direct integration with the MB806A multiple tuner base (accommodates up to 6), SRP-X700P and SRP-X351P mixer/amplifier units. Frequency Agile PLL synthesized UHF technology provides up to 188 user selectable frequencies. Comprehensive LCD The LCD display provides channel and frequency information and more.

Sony Power Booster Kit for the CA-4000 4K Fibre

Sony SKC-PB40 (SKC_PB40, SKC/PB40, SKCPB40, SKC.PB40) Power Booster Kit for the CA-4000 4K Fibre The SKC-PB40 is an optional accessory of the 4K Live Camera System using the PMW-F55 camera. It provides power to the large Box-type lens that is often used in sports production.

Sony 35mm E-Mount 28-135mm Zoom Lens

Sony SELP28135G.SYX (SELP28135G_SYX, SELP28135G/SYX, SELP28135G-SYX, SELP28135G) 35mm E-Mount 28-135mm Zoom Lens  The SELP28135G is a powered zoom lens that has been created to satisfy professional optical and operational requirements for high-quality movie imagery, including 4K, when matched with a 35mm full frame format camera such as the α7S or a Super 35 format camcorder such as the PXW-FS7*. Focus breathing and zoom image shift have been reduced to an absolute minimum, while aspherical elements and advanced multi-coating technology effectively suppress aberration. Quiet operation is also a priority, so an SSM (Super Sonic wave Motor) drive system has been employed for precise, quiet zooming. Independent control rings for zoom, focus, and iris using physical stops are provided for the first time into an E-Mount an lens. Built-in Optical SteadyShot image stabilization adds to the extraordinary performance of this outstanding lens which is supporting a constant F4. *Zoom range increases to 42-202.5mm when using the lens on an APS-C or Super 35 camera. 35mm full frame imagery Precision optical design supports top-quality 4K production with minimum angle of view variation while focusing and axial displacement while zooming. F4 OSS with extendable zoom range The SELP28135G has minimum focus of 0.4 m (AF) / 0.95 m (MF) and has extanded zoom range of 42-202.5mm when used on an APS-C or S35 camera. High speed operation with independent control rings High-end operation and feel inherited from Sony professional equipment. Three control rings for iris, focus and zoom offer manual control for demanding large format production. Quiet operation The world’s first SSM (Super Sonic wave Motor) drive in a lens designed for moviemaking achieves quiet zoom and extra-smooth iris control. Lightweight and compact Compact, lightweight design that is also dust and moisture resistant is ideal for situations that require mobility plus reliability.s

Sony 18-200mm f3.5-6.3 OSS PowerZoom Lens

Sony SELP18200.AE (SELP18200_AE, SELP18200-AE, SELP18200/AE, SELP18200) 18-200mm f3.5-6.3 OSS PowerZoom Lens E PZ 18-200mm F3.5-6.3 OSS Power Zoom Lens This "Powered Zoom" lens produces smooth constant-speed zooms that can be difficult to achieve manually. Other features that make this lens an excellent choice for moviemaking as well as stills include a wide 11x zoom range and Optical SteadyShot image stabilisation that can keep your subjects sharp at all focal lengths, even when shooting handheld. Circular Aperture When changing your aperture to defocus the background, the light sources appear blurred. This ‘bokeh’ effect of the blurred background can be enhanced with circular aperture blades used in this lens. Conventional aperture blades have flat sides creating unappealing polygonal shaped defocussed points of light. α lenses overcome this problem through a unique design that keeps the aperture almost perfectly circular from its wide-open setting to when it is closed by 2 stops. Smoother, more natural defocusing can be obtained as a result. ED (Extra-low Dispersion) glass As focal lengths get longer, lenses built with conventional optical glass have difficulties with chromatic aberration, and as a result images suffer from lower contrast, lower colour quality, and lower resolution. ED glass dramatically reduces chromatic aberration at telephoto ranges, and provides superior contrast across the entire image, even at large aperture settings. Super ED glass provides enhanced compensation for chromatic aberration. Lens-based optical image stabilisation Gyro sensors built into the lens detect even the slightest movement, and the stabilisation lens is precisely shifted to counteract any image blur that might occur. The use of precision, quiet linear motors and technology inherited from high-end Sony professional camcorders results in exceptionally quiet, effective image stabilisation that contributes to high-quality movies as well as stills. Internal focusing Only the middle groups of the optical system move to achieve focus, so the overall length of the lens does not change. Other important benefits include fast autofocusing and a short minimum focusing distance. Also, the filter thread at the front of the lens does not rotate, which is convenient if you’re using a polarizing filter. Optical image stabilisation with Active Mode Moving around while shooting movies means more camera shake that can cause blur. Although conventional image stabilisation systems were not effective at compensating for this type of movement, “Active Mode” employs a wider range of motion for the compensation lens, achieving improved stabilisation over a greater range of camera movement. Stabilisation at the wide end of the zoom range is significantly improved, facilitating handheld movie shooting with minimum image blur.

Sony E PZ 18-105mm F4 G OSS Lens

Sony SELP18105G.AE (SELP18105GAE, SELP18105G/AE, SELP18105G_AE, SELP18105G-AE) E PZ 18-105mm F4 G OSS Lens This G Lens for E-mount cameras delivers stunning still or movie imagery with the flexibility of 6x power zoom. Maximum aperture is a constant F4 from 18mm wide angle to 105mm medium telephoto, with excellent resolution and contrast throughout. A lever and ring on the lens barrel allow zoom speed to be freely adjusted as required while maintaining a sure, stable grip.

Sony 16-50mm f3.5-5.6 OSS Lens

Sony SELP1650.AE (SELP1650-AE, SELP1650_AE, SELP1650/AE, SELP1650) 16-50mm f3.5-5.6 OSS Lens  Retractable lens with powered zoom Great for travel, this lightweight, retractable mid-range zoom collapses down to just 29.9mm. It also features a power zoom for smooth, silent, effortless zooming. Powered zoom for effortless control Shooting stills or video, a powered zoom gives you maximum creative control. For added convenience, it can be operated via a zoom rocker on selected E Mount cameras. Capture smooth, blur-free images Built-in Optical SteadyShot™ image stabilisation within the lens ensures smooth, blur-free photos and videos when shooting handheld. Smooth defocusing Instead of a standard polygon-shaped lens aperture, this lens features a 7-blade circular aperture for more natural, rounded defocusing or ‘bokeh’. Refined optical performance Aspherical lens elements minimise distortion while ED (Extra-low Dispersion) glass elements provide superior contrast, resolution, and colour fidelity.

Sony FE 70-200mm f/4 G OSS Lens

Sony SEL70200G.AE (SEL70200G/AE, SEL70200G-AE, sel70200g_ae) FE 70-200mm F/4 G OSS Lens The most advanced technology available has been applied in the G Master series, further refining acclaimed Sony G Lens performance. This model combines refined G Lens bokeh with new levels of resolution in an outstanding constant F2.8 telephoto zoom that offers unsurpassed rendering, blazing AF, and extraordinary image stabilization performance. Extraordinary detail and bokeh in one lens Specifically designed to resolve spatial frequencies with excellent contrast, this lens includes three aspherical elements, including one double-sided and one newly developed XA (extreme aspherical) element with 0.01 micron surface precision, to effectively control aberration for astonishing resolution plus glorious bokeh. Natural images without spurious colour Chromatic aberration that can be a problem in telephoto lenses is thoroughly suppressed by the use of four ED (Extra-low-Dispersion) glass elements and two Super ED glass elements. Colour bleeding is banished so the subject can be captured with maximum sharpness. Class-leading close-up performance Class-leading close-up performance with a minimum focusing distance of 0.96m and 0.25x maximum magnification is ideal for portraits, telephoto macro, and more. Contributing refinements include ED glass elements and a floating focus mechanism to control aberration that can be problematic in close-up applications. Fast AF optimized for stills and video Two heavy focus groups are rapidly and precisely positioned by separate actuators: a powerful ring SSM (Super Sonic wave Motor) actuator for the front group, and a double linear motor actuator for the rear group. Improved positioning precision works with real-time feedback from multiple position sensors to allow the body’s AF system to operate at full capacity. Further refinements for spot-on movie AF The focusing system’s double linear motor takes on the vital role of providing “wobbling” actuation for the AF contrast detection system when shooting video. An optical design that effectively minimizes focus breathing plus quiet mechanical operation further adds to focusing performance that is ideal for movies as well as stills. Outstanding clarity and contrast Advanced Nano AR Coating technology produces a lens coating with a precisely defined regular nano-structure that effectively suppresses reflections that can cause flare and ghosting, for notable improvements in clarity, contrast, and overall image quality.(1. Nano AR Coating / 2.Glass / 3.Transmitted light) 11 blades for luscious bokeh Sony’s circular aperture design has traditionally employed up to 9 blades, but this lens incorporates an 11-blade circular aperture that takes bokeh quality to new levels of smooth beauty with natural looking highlights. Operation and reliability optimized for fieldwork Rigid construction with constant lens length during focusing and zooming contribute to excellent handling in the widest range of shooting situations.Focus hold buttons can hold the focus point even during continuous AF operation, and a focus range limiter switch can be used to preset a focusing distance range for maximum AF speed. Stable even when panning To provide the greatest possible benefit from the built-in image stabilization system in the widest range of shooting situations, the SEL70200GM features switchable MODE 2 stabilization that allows image stabilization to be used with panned shots for greater clarity and impact. Stabilized for sharp, blur-free images High-performance image stabilization is built right into the lens for sharp, blur-free images with a wide range of subjects. The heavy stabilization lens is driven by a linear motor for fast, precise stabilization. 5-axis image stabilization becomes available when used with α series bodies that feature built-in image stabilization. Removable rotating tripod mount This versatile lens tripod mount allows the camera to be quickly removed from the tripod in shooting situations that require a rapid handheld response. It also features a revolving mechanism that allows quick changeover between landscape and portrait orientation. A lock mechanism prevents accidental detachment.  High reliability in harsh conditions A sealed dust and moisture resistant design and fluorine front element coating provide extra protection to ensure reliable operation in challenging environments.

Sony Sonnar T FE 55mm f/1.8 ZA Lens

Sony SEL55F18Z.AE (SEL55F18Z_AE, SEL55F18Z/AE, sel55f18z-ae) Sonnar T FE 55mm f/1.8 ZA Lens This standard prime lens with a 55mm focal length and large F1.8 maximum aperture offers stunning ZEISS Sonnar contrast and resolution for full-frame E-mount bodies. It can also create gorgeous background bokeh to set off your subject when needed. The big, bright maximum aperture means you can shoot handheld in low-light conditions while still getting outstanding sharpness and clarity.

Sony Sonnar T FE 35mm f/2.8 ZA Lens

Sony SEL35F28Z.AE (SEL 35F28ZAE, SEL35F28Z/AE, SEL35F28Z_AE, SEL-35F28Z.AE, SEL35F28Z) Sonnar T FE 35mm f/2.8 ZA Lens  Sonnar T* FE 35mm F2.8 ZA Wide-angle Prime (SEL35F28Z) Perfect for wide-angle shooting and close-ups, this bright 35mm prime lens from ZEISS delivers outstanding edge-to-edge image quality. A supplied dedicated hood matches the lens's compact form, while its dust and moisture resistant design gives you peace of mind when shooting outdoors. Crafted by ZEISS Founded in 1846, ZEISS AG is a legend in the field of camera optics. Their lenses are renowned for exceptional clarity, brightness, resolution and contrast. This one features the acclaimed ZEISS T* coating, which subdues internal reflections to minimise flare and ghosting. 35mm Full Frame imaging This 35mm Full Frame prime lens is designed to work with the latest Full Frame E-mount cameras from Sony, delivering outstanding contrast and resolution right out to the edges of the image. Advanced aspherical lens (AA lens) technology Aspherical lens technology maximises portability without sacrificing imaging power. The lens combines three aspherical elements with one ED (Extra-low Dispersion) glass element to deliver high-precision shots and breathtaking rendering – without the bulky design usually associated with similar DSLR lenses. Smooth defocusing Instead of a standard polygon-shaped lens aperture, this lens features a 7-blade circular aperture for more natural, rounded defocusing or ‘bokeh’. Refined optical performance To optimise performance, aspherical lens elements maintain high contrast (even with the aperture wide open) and minimise distortion and flatness of the image plane. Fast, agile focusing An internal focusing mechanism means the lens barrel doesn’t move, enabling a more compact design, faster autofocus response, and reduced minimum focusing distances.

Sony 28-70mm F/3.5-5.6 OSS Standard Zoom Lens - E Mount

Sony SEL2870.AE (SEL2870AE, SEL2870/AE, sel2870.ae) 28-70mm F/3.5-5.6 OSS Standard Zoom Lens - E Mount A top pick for users looking for a lightweight all-around zoom, the FE 28-70mm f/3.5-5.6 OSS Lens from Sony is a great go-to for full-frame E-mount shooters. The lens uses a variable f/3.5-5.6 maximum aperture range in order to achieve light weight and compact size and incorporates one extra-low dispersion element and three aspherical elements to minimize aberrations throughout the range. Also, it has a linear motor and internal focus that enable fast, reliable autofocusing. On top of this, the lens offers built-in Optical SteadyShot image stabilization to combat the effects of camera shake. Additionally, it is dust and moisture resistant and is equipped with a seven-blade circular diaphragm for smooth bokeh. Designed for full-frame E-mount cameras, this 28-70mm covers a versatile wide-angle to telephoto range. It also works on APS-C format cameras where it provides a 42-105mm equivalent focal length range. One extra-low dispersion glass element is featured in the lens design to help reduce chromatic aberrations and color fringing for improved clarity and color neutrality. Three aspherical elements are incorporated in the lens design to reduce astigmatism, field curvature, coma, and other monochromatic aberrations. An internal focus mechanism and linear motor contribute to faster, more responsive system and easier handling. Optical SteadyShot image stabilization helps to minimize the appearance of camera shake for sharper imagery when shooting handheld with slower shutter speeds. This stabilization system can be combined with select camera's sensor-shift type image stabilization for more effective control of camera blur. Dust- and moisture-sealed design better permits working in inclement conditions and rubberized control rings benefit handling in colder temperatures. Rounded seven-blade diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques.

Sony 24mm f1.8 ZA Sonnar T* Wide Angle Lens by Carl Zeiss - E Mount

Sony SEL24F18Z.AE (SEL24F18ZAE, SEL24F18Z/AE, sel24f18z.ae) 24mm f1.8 ZA Sonnar T* Wide Angle Lens by Carl Zeiss - E Mount  The Sony Vario-Tessar T* FE 24-70mm f/4 ZA OSS Lens is a wide-angle to portrait-length zoom lens that features a constant f/4 maximum aperture to support consistent performance in regard to exposure settings and focus placement throughout the zoom range. Five aspherical elements and one extra-low dispersion element help to reduce aberrations and distortions while contributing to notable image sharpness and clarity. A Carl Zeiss T* anti-reflective coating has also been applied to lens elements to reduce lens flare and ghosting for improved contrast and color fidelity. This lens also integrates Optical SteadyShot image stabilization to lessen the appearance of camera shake when working in low-light conditions or with longer focal lengths. Additionally, a dust- and moisture-resistant construction ensures this lens' use in tough environmental conditions. The mid-range zoom 24-70mm lens covers wide-angle to portrait-length perspectives and features a constant f/4 maximum aperture for consistent performance throughout the zoom range. Five aspherical elements and one extra-low dispersion element help minimize aberrations and distortions throughout the zoom range while contributing to high overall clarity. Tessar concept enables the lens design to be compact while maintaining high image quality and sharpness. Carl Zeiss T* anti-reflective coating lessens lens flare and ghosting for contrast-rich imagery with sustained color neutrality. Optical SteadyShot image stabilization minimizes the appearance of camera shake to better suit working with longer shutter speeds and telephoto focal lengths. Dust- and moisture-resistant design enables ensured performance when working in inclement environmental conditions. Circular diaphragm enables a smooth out-of-focus quality that is well-suited to shallow depth of field imagery.

Sony Vario-Tessar T* FE 24-70mm F4 ZA OSS E-Mount Lens

Sony SEL2470Z.AE (SEL2470ZAE, SEL2470Z/AE, sel2470z.ae) Vario-Tessar T* FE 24-70mm F4 ZA OSS E-Mount Lens The Vario-Tessar T* FE 24-70mm f/4 ZA OSS Lens from Sony, a compact full-frame option that covers wide-angle to short telephoto perspectives for working with a variety of different shooting styles and subjects. A constant f/4 aperture makes operation smooth and consistent throughout the zoom range. The lens further benefits from the use of one extra-low dispersion element and five aspherical elements to combat aberrations as well as a Zeiss T* anti-reflective coating to keep flare and ghosting to an absolute minimum. The lens is fast to focus as well due to the linear autofocus motor and an internal focus design. Additionally, the dust- and moisture-resistant lens is equipped with Optical SteadyShot image stabilization to reduce the effects of camera shake, and it has a seven-blade circular diaphragm for smooth bokeh. Based on the Zeiss Tessar optical concept, this lens uses a design with 12 elements in ten groups that helps ensure a smaller overall lens size along with reduced flaring, distortion, and chromatic aberrations. Covering wide-angle to short telephoto perspectives, this compact 24-70mm can quickly become a go-to lens for Sony's full-frame E-mount cameras. It can also be used on APS-C format cameras where it will provide a 36-105mm equivalent zoom range. A constant f/4 maximum aperture offers consistent performance throughout the zoom range and also lends greater control over focus position for shallow depth of field techniques. Zeiss T* anti-reflective coatings have been applied to each lens surface to help minimize reflections in order to provide greater image clarity, contrast, and color fidelity. One extra-low dispersion glass element is featured in the lens design to help reduce chromatic aberrations and color fringing for improved clarity and color neutrality. Five aspherical elements are incorporated in the lens design to reduce astigmatism, field curvature, coma, and other monochromatic aberrations. Optical SteadyShot image stabilization helps to minimize the appearance of camera shake for sharper imagery when shooting handheld with slower shutter speeds. This stabilization system can also be combined with select camera's sensor-shift type image stabilization for more effective control of camera blur. A linear autofocus motor and internal focus design provide quick and precise autofocus performance and enables accurate and silent focusing while recording videos. Dust- and moisture-sealed design better permits working in inclement conditions and rubberized control rings benefit handling in colder temperatures. Rounded seven-blade diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques.

Sony Vario-Tessar T* FE 16-35mm f/4 ZA OSS Lens

Sony SEL1635Z.SYX (SEL1635ZSYX, SEL1635Z/SYX, sel1635z.syx) Vario-Tessar T* FE 16-35mm f/4 ZA OSS Lens  With a dust and moisture resistant design, the compact and lightweight Sony Vario-Tessar T* FE 16-35mm f/4 ZA OSS Lens covers your wide-angle zoom needs and is designed for full-frame E-mount cameras but can also be used on APS-C E-mount cameras as well. A constant f/4 maximum aperture offers consistent performance throughout the zoom range. Benefiting working in dim light is Optical SteadyShot image stabilization, which serves to minimize the appearance of camera shake by up to four shutter speed steps. The optical construction incorporates five aspherical elements, including a large diameter AA (advanced aspherical) element, and three ED (extra-low dispersion) elements to help reduce chromatic aberrations throughout the zoom range as well as contribute to a compact overall form-factor. A Carl Zeiss T* anti-reflective coating has been applied to the lens elements to minimize lens flare and ghosting while providing enhanced contrast, clarity, and color fidelity. Wide-range zoom lens designed for full-frame E-mount cameras Constant f/4 maximum aperture enables greater consistency throughout the zoom range Features a circular aperture diaphragm that, through the use of curved blades, keeps the aperture almost perfectly circular from its wide-open setting to when it is closed for smoother, more natural defocusing highlights Optical SteadyShot image stabilization works to minimize the appearance of camera shake by up to four shutter speed steps to benefit shooting handheld in dim lighting Five aspherical elements, including one AA (advanced aspherical) element, and three ED elements helps to reduce chromatic aberrations throughout the zoom range while also maintaining a compact form-factor Carl Zeiss T* anti-reflective coating enhances contrast, clarity, and color reproduction by countering the effects of lens flare and ghosting Only the middle groups of the optical system move to achieve focus, so the overall length of the lens does not change when focusing. Also, the filter thread at the front of the lens does not rotate, which is convenient when using a polarizing filter

Sony CineAlta 4K PL mount lens pack x6 (metric)

Sony SCL-PK6/M (SCLPK6/M, SCL/PK6/M, scl-pk6/m) CineAlta 4K PL mount lens pack x6 (metric) The PMW-F55 and PMW-F5 cameras continue Sony’s efforts to offer the most flexible lens options. A PL-mount lets users choose cinematic lenses from suppliers such as Angénieux, ARRI, Canon, Carl Zeiss, Cooke, FUJIFILM and Leica. Sony is also launching a second generation of cost-effective PL mount prime lenses. Each is certified for 4K capture, and is designed to minimize geometric distortion, vignetting and breathing. A 9-blade iris delivers beautiful bokehs and the focus rings rotate 240°. The new lens series includes focal lengths of 20, 25, 35, 50, 85 and 135 mm. For easy lens changes, each has the same T2.0 aperture, the same external diameter, matte box diameter, and gear locations for follow focus and aperture. All are the same height except for the 135 mm lens. Shooters can use stills lenses by removing the supplied PL-mount adaptor to reveal the native FZ mount. This makes it easy to accept commercially available adaptors for third-party lenses, including Canon EF, Canon FD, Nikon DX, Nikon G, Leica M and even 2/3-inch B4 lenses. A third option is the use of Sony FZ-Mount lenses with auto focus servo zoom (model SCL-Z18X140.)  

Sony 11-15mm / T3.0 Wide Angle Zoom PL Mount Lens

Sony SCL-P11X15 (SCLP11X15, SCL/P11X15, scl-p11x15) 11-15mm / T3.0 Wide Angle Zoom PL Mount Lens Sony's SCL-P11X15 is a new PL mount lens for the PMW-F3 Camcorder. This wide-angle zoom 1.5x 11-16mm T3.0 aimed at high-end cinema, drama, documentary and commercial productions. The The SCL-P11X15 has been specifically designed to fit to the PMW-F3K via the camcorder’s supplied PL Mount Adapter, which also means the lens is compatible with any other PL Mount camcorder. Wide Angle Zoom 1.5x 11-16mm T3.0 - PL mount wide angle of view coupled with 1.5x zoom capabilities for flexible shooting in fast-moving situations such as high-end documentary.

Sony SAL35F14G.AE 35mm f/1.4 G Lens A-Mount Lens

Sony SAL35F14G.AE (SAL-35F14G.AE, SAL-35F14G, SAL35F14G, sal35f14g.ae) 35mm f/1.4 G Lens A-Mount Lens A fast wide prime for expressive freedom The fact that this 35 mm F1.4 prime G Lens delivers superb image quality is no surprise. Creative photographers will really appreciate its 35 mm focal length, considered the most versatile by many pros, and its bright, fast F1.4 maximum aperture that enables low-light shooting, makes it possible to increase shutter speed to capture fast action and achieve gorgeous background bokeh when needed. Superb prime lens quality for low light An F1.4 maximum aperture makes this superb lens ideal for snapshots and ambient-light photography while providing extended depth-of-field control. The ability to create smooth bokeh makes it great for portraits too. Another advantage of a large maximum aperture is that higher shutter speeds can be used when shooting fast action. Sharp, high-contrast imagery Premium G Lens optics, including moulded aspherical glass elements, achieve consistently high resolution and contrast right down to the lens's bright F1.4 maximum aperture. All types of aberration are effectively suppressed too, so that natural, life-reproduction of delicate gradations and details is achieved. From super sharp to gorgeous bokeh A 9-blade circular aperture works with this lens's F1.4 maximum aperture to produce beautifully smooth background bokeh with natural highlights when desired. Smooth background defocusing can make the in-focus focus really stand out in images with almost three-dimensional depth. Compact, manageable and versatile In addition to a remarkably compact, manageable design, this lens includes a convenient focus hold button on the lens barrel, and an auto-clutch that prevents the focus ring from rotating when autofocus is used.

Sony SAL2875.AE 28–75mm F2.8 SAM Zoom Lens

Sony SAL2875.AE (SAL-2875AE, SAL-2875, SAL2875, sal2875.ae) 28–75mm F2.8 SAM Zoom Lens This 35 MM Full-Frame lens works with Sony α cameras. A versatile lens for everyday use The SAL2875 offers an ideal balance of brightness and zoom range for a variety of situations. A constant F2.8 max aperture benefits handheld and low-light shots. Say goodbye to blur Pair the lens with a camera by Sony with SteadyShot™ INSIDE and you’ll enjoy smooth, blur-free results when shooting handheld, even zoomed-in. Smooth defocusing Instead of a standard polygon-shaped lens aperture, this lens features a 7-blade circular aperture for more natural, rounded defocusing or ‘bokeh’. Refined optical performance Aspherical lens elements minimise distortion while ED (Extra-low Dispersion) glass elements provide superior contrast, resolution and colour fidelity. Fast, smooth focusing Internal focusing enables reduced minimum focusing distances and fast autofocus response while a built-in SAM (Smooth Autofocus Motor) ensures smooth operation.

Sony SAL24F20Z.AE Distagon T 24mm F2 ZA SSM Lens

Sony SAL24F20Z.AE (SAL-24F20ZAE, SAL24F20Z, SAL-24F20Z, sal24f20z.ae) Distagon T 24mm F2 ZA SSM Lens Legendary Distagon wide-angle quality This first-rate 24 mm prime lens is an outstanding choice for landscapes, snapshots and more . It takes outstanding ZEISS Distagon® quality to a new level with precision aspherical and ED (Extra-low Dispersion) glass elements, and the large F2.0 maximum aperture and a circular aperture cooperate to deliver gorgeous bokeh effects. Extraordinary wide-angle rendering The ZEISS Distagon® design was created specifically to achieve excellent sharpness and contrast in wide-angle lenses, and it still excels in that field. The SAL24F20Z brings the Distagon® configuration up to date with the most advanced lens technology available, for unsurpassed corner-to-corner optical performance. Sharp, high-contrast imagery Two aspherical elements and two ED (Extra-low Dispersion) glass elements minimise aberration for superior sharpness and contrast throughout the image, while the ZEISS T* coating cuts flare and ghosting so that images are crisp and clear with well-defined blacks. That impressive performance is maintained at all apertures, right down to this lens’s bright F2.0 maximum. Outstanding colour and contrast ZEISS lenses are renowned for their outstanding colour reproduction and contrast. The ZEISS T* coating is an important contributing factor, effectively suppressing spurious reflections that can degrade overall image quality. Flare and ghosting are reduced for enhanced colour and contrast that give images a deep, three-dimensional feel. Get close for small subjects and details The SAL24F20Z can focus as close as 19 centimetres to capture small subjects and details with excellent quality. The large F2.0 maximum aperture and 9-blade circular aperture design can contribute to beautifully smooth background bokeh that supports the main in-focus subject in the most appealing way. SSM (Super Sonic wave Motor) focus drive The SSM (Super Sonic wave Motor) is a piezoelectric drive system that contributes to smooth, silent autofocus operation. Its capacity for high torque at low rotational speeds contributes to fast start and stop response as well as precise positioning. To the photographer that means quick, quiet, accurate focus. ED glass improves resolution and contrast The ED (Extra-low Dispersion) glass elements used in the SAL24F20Z are highly effective in reducing chromatic aberration. That not only minimises colour fringing, but also contributes to superior sharpness and contrast throughout the image area, even at large aperture settings.

Sony SAL1635Z2.SYX Vario-Sonnar T 16–35mm F2.8 ZA SSM II Lens

Sony SAL1635Z2.SYX (SAL-1635Z2.SYX, SAL1635Z2, SAL-1635Z2, sal1635z2.syx) Vario-Sonnar T 16–35mm F2.8 ZA SSM II Lens The Sony 16-35mm f/2.8 ZA SSM II Vario-Sonnar T* Lens is a fast and versatile wide-angle zoom that is designed for Sony and Minolta full-frame or APS-C A-Mount cameras. Users of compatible 35mm full-frame cameras can obtain a 107 to 63° angle of view, making this lens suitable for fitting subjects ranging from landscapes to large groups into your frame. On a Sony or Minolta APS-C A-Mount camera, this lens's angle of view becomes equivalent to that of a 24-52.5mm lens on a full-frame 35mm film camera or DSLR. Wide-angle photography on an APS-C A-Mount camera is supported, as well as the ability to replicate the narrower angle of view provided when a 50mm lens is placed on a full-frame 35mm film camera or DSLR which is a useful combination for street and travel photography. An extra-low dispersion, a super extra-low dispersion, and three aspherical elements are incorporated within the lens to maintain low distortion and corner sharpness while minimizing chromatic aberrations. Carl Zeiss T* (T-Star) lens coatings provide high contrast and uniform image resolution while helping to eliminate lens flare, internal reflection, and light scattering. Silent Super Sonic Wave autofocus motor and aperture mechanisms contribute to fast lens operation and the suppression of unwanted noise when capturing still photos as well as video clips. This lens's durable dust and weather-resistant design contributes to the versatility of Sony camera bodies that also feature weather-resistant components, allowing you to photograph in places or at times where exposure to the elements could impact camera system performance. When used with a Sony A-Mount to E-Mount Lens Adapter, or a Sony A-Mount to E-Mount Lens Adapter with Translucent Mirror Technology that helps maintain autofocus performance, full-frame or APS-C Sony E-Mount cameras can also utilize this lens. 16-35mm full-frame zoom offers a versatile wide-angle focal length on both Sony A-Mount full-frame cameras and APS-C cameras. On Sony A-Mount APS-C cameras, this lens provides a 35mm-equivalent focal length of 24-52.5mm. Full-frame or APS-C Sony E-Mount cameras can work with this lens using a Sony A-Mount to E-Mount Lens Adapter, or a Sony A-Mount to E-Mount Lens Adapter with Translucent Mirror Technology that helps maintain autofocus performance. Fast f/2.8 maximum aperture benefits working in difficult lighting conditions and also aids in selective focus control. Three aspherical elements help to maintain low distortion and corner sharpness, while one extra-low dispersion element and one super extra-low dispersion element reduce chromatic aberrations. Carl Zeiss T* (T-Star) coatings provide high contrast and uniform image resolution while helping to eliminate lens flare, internal reflection, and light scattering. Weather-resistant design permits outdoor use and contributes to the versatility of Sony camera bodies that also feature weather-resistant components. Super Sonic Wave Motor produces high torque at slow rotation. Quiet, precise, and immediate start and stop responses are provided. Silent autofocus and aperture operation prevent distracting sounds during video capture. Focusing is achieved internally, keeping the length of the lens consistent. Fast autofocus speed as well as focus tracking is maintained and the front of the lens or a polarizer mounted on it is prevented from unintentionally rotating. Once focus has been set, pressing the Focus Hold Button on the lens barrel keeps the lens locked to the selected focusing distance. Built-in Distance Encoder works in conjunction with Sony's Advanced Distance Integration flash metering system. This encoder helps a connected camera and a compatible flash take into account the distance of the subject from the camera system, helping to ensure that the correct amount of flash is used. Nine rounded diaphragm blades contribute to a pleasing out-of-focus quality and benefit the use of shallow depth of field techniques.

Sony Custom Rack Mounting Kit CCU-590P and CCU-TX50

Sony RMM-301 (RMM301, RMM/301, rmm-301)(CCU/590P, CCU_590P)(CCU TX50, CCU/TX50) Custom Rack Mounting Kit CCU-590P and CCU-TX50The Sony RMM-301 is the custom rack mounting kit for both the HDFX-100/S Triax adapters and CCU-550D Triax camera controller. This kit allows the camera controller to be mounted on a standard 19" wide equipment rack system.

Sony Rackmount Kit for Betacam SP VCRs

Sony RMM-110 (RMM110, RMM/110, rmm-110) Rackmount Kit for Betacam SP VCRsDesigned specifically for the PVW line of Betacam SP VTRs. This kit provides all the necessary parts to connect the VTR to any standard 19 inch racking system.Fits VTR to standard racking system This Rackmounting kit works with SRW-5000/5500/5800/5100 HDCAM-SR studio VTR.

Sony Rackmount Kit for PFV-L10 Interface Unit

Sony RMM-10 (RMM10, RMM/10, rmm-10) (PFV/L10, PFV_L10) Rackmount Kit for PFV-L10 Interface Unit The RMM-10 rack mount kit is designed to work with the MVS Series switchers and PFV-L10 interface unit. Standard rack mounting Allows the units to be rack mounted in all standard racks.

Sony IP Remote Control Panel for BRC Cameras

Sony RM-IP10 (RMIP10, RM/IP10, rm-ip10) IP Remote Control Panel for BRC Cameras The RM-IP10 remote control panel gives you control of up to 112 BRC cameras over an IP network, or 7 cameras over a traditional VISCA-controlled network. Up to 5 remote control panels can share control of the system. Easy to install control for BRC-H900, BRC-Z330 and BRC-Z700 cameras The RM-IP10 is compatible with the BRC-H900 and BRC-Z330 cameras when they are fitted with the BRBK-IP10 option board, and the BRC-Z700 camera when it is fitted with the BRBK-IP7Z option board. Easy and economical installation and set-up saves you time and cost. Control of up to 112 BRC cameras via IP The RM-IP10 remote control panel gives you control of up to 112 BRC cameras over an IP network. Simultaneous Preset recall to all cameras under control Instantaneous set-up of multiple cameras provides a big time saving for camera adjustments.

Sony Handheld Remote Control Unit

Sony RM-B170SYM (RMB170SYM, RM/B170SYM, rm-b170sym) Handheld Remote Control Unit The RM-B170 remote control unit is the successor to the RM-B150. It provides an even more affordable solution for basic remote camera operations, with added features, including the remote control of media and the operation of clips of non-linear media. It can be directly connected to a camera or camcorder as a portable-type remote control unit or it can be connected to a CCU for use as a simple remote control panel. The RM-B170 can control a camera from a distance of up to 100m (328 feet) when connected directly to the camera. For use with the following Sony cameras: HDCAM camcorders: HDW-700A, HDW-650, HDW-750, HDW-F900/H/R XDCAM HD422 Professional Disc camcorders: PDW-680, PDW-700, PDW-F800 XDCAM HD422 Memory camcorders: PMW-300, PMW-400, PMW-500 XDCAM EX Memory camcorders: PMW-EX3, PMW-320, PMW-350, PMW-F3 Digital Cinematography & 4K XAVC :F23, F35, F65, PMW-F5, PMW-F55 Studio cameras: BVP-950A, BVP-750A, BVP-550/570, HDC & HXC series

Sony Remote Commander with Focus, Iris and Zoom Control

Sony RM-30BP (RM30BP, RM30BP, rm-30bp) Remote Commander with Focus, Iris and Zoom Control The RM-30BP is the successor to the RM-1000BP, the industry’s first comprehensive, multifunctional remote commander.  Ideal for freelancers and small-budget productions, the lightweight remote can be handheld, placed on a table or attached to a tripod arm for operation. The RM-30BP can control most camera functions including: Lens control: one push auto / manual focus, iris and zoom control  Camera control: recording / display functions, shutter speed, white balance - including six assignable buttons  Playback and multi camera control (up to 3 cameras)  The RM-30BP can also be connected to the new MCX-500 for multi camera control directly from the switcher, and is compatible with the HXR-NX5R and PXW-FS7 v4.0, with plans to introduce compatibility for other Sony camcorders.

Sony RS-422 Editing Controller

Sony RM-280 (RM280, RM/280, rm-280) (RS/422, RS_422) Editing ControllerThe Sony RM280 is a remote edit controller for Sony broadcast video products. This lightweight remote is designed for basic VTR control and simple edit functions over linear systems. The unit is equipped with a jog wheel, can control up to 2 decks at once and supports multiple frame rates including 24p.

Sony Remote Control with Encoder Type Control for System Camera

Sony RCP-1001//U (RCP1001//U, RCP/1001//U, rcp-1001//u) Remote Control with Encoder Type Control for System CameraThe RCP-1001 is a remote control panel for configuring and controlling Sony’s studio and broadcast cameras. The RCP-1001 remote control panel is designed mainly for operation. Use a remote control panel with a camera on a one-to-one basis. The RCP-1001 is a compact control panel with specialized basic operations. The iris and master black adjustment block employs dial (knob) type control. Illuminated buttons with high visibility flash and light to notify you of the operation status to enable operation even in dark locations. Up to six units can be mounted in a SONY MSU19" RACK DRAWER( MSUDRAWER//A)

Sony RS-422 9-pin Male to 9-pin Male Serial Control Cable - 16ft

Sony RCC-5G (RCC5G, RCC/5G, rcc-5g) (RS/422, RS_422) RS-422 9-pin Male to 9-pin Male Serial Control Cable - 16ftThe Sony RCC-5GUS is a 9-pin control cable for RS-422A control protocol. The cable is 5 meters long, or about 16 feet.

Sony PXW-X500//U B4 mount Professional XDCAM Camcorder

Sony PXW-X500//U (PX-WX-500//U, PXWX500//U, PXW/X500//U, pxw-x500//u) B4 mount Professional XDCAM CamcorderSporting an ENG form factor and supporting a wide variety of HD and SD formats, the Sony PXW-X500 XAVC 60P 2/3" Camcorder Body features a 2/3" 3CCD sensor block and can capture full HD at up to 120 fps. This item is only the camcorder body only and does not include a lens, viewfinder, mic, or wireless receiver. It is ideal for owners who want to upgrade to a new camcorder body while retaining the other elements of their camera package, such as lens, viewfinder, and mic. The camcorder supports XAVC, MPEG2, and MPEG4 codecs, recording to SxS or SD media cards. It features 3G-SDI, HDMI, and Composite video outputs, allowing you to incorporate the camcorder into most production pathways, and the camera's built-in wireless slot accepts your compatible wireless receiver. Built into the side of the camcorder is a flip-out LCD viewscreen that displays battery capacity, media capacity, audio levels, and you can check camera playback on the camera. The camera incorporates a variety of professional features including Sony's slow and quick motion, picture cache recording, built-in GPS, a digital extender, and HyperGamma. Sensor The PXW-X500 features three 2/3" Power HAD FX IT CCDs that make up its sensor block. Auto Lens Aberration Compensation Expanded ALAC provides improved lateral chromatic aberration correction. Exposure Featuring two integrated filter wheels for exposure and image control, the ND wheel holds four optical filters, a clear, an ND 1/4, ND 1/16, and an ND 1/64. The second wheel controls electronic CC filters allowing you to adjust the camera's white balance by spinning the wheel, as if it used optical filters. Electronic CC filter settings include 3200K, 4300K, 5600K, and 6300K. Gamma Control The camera includes Standard Gamma, as well as four different HyperGamma settings and a user selectable setting. Slow Shutter Mode The camera features a slow shutter mode, allowing you to accumulate frames to increase exposure. You can accumulate frames in groups of 2, 3, 4, 5, 6, 7, 8, and 16 frames. Worldwide Camera The camera is capable of recording signals compatible with NTSC and PAL broadcast systems, so you can shoot and playback your footage in virtually any country. Specialty Recording You can access a variety of special recording modes: Sony's Slow & Quick Motion, for off speed recording. Interval record, for a timelapse like effect. The Pool feed input allows you record a signal input via a BNC cable, which is useful in press conference type situations when there is one feed.  Media Card Slots Dual SxS card slots allow simultaneous or relay recording, providing the same codec is being used. On Board LCD Panel It features a color LCD panel with 960 x 540 resolution that displays video, thumbnails, menu characters, audio level, and timecode display. GPS A GPS unit is integrated into the camera's handle, and the GPS information can be encoded into your HD footage.  

Sony PXW-X400KF//U 2/3-inch Professional XDCAM Camcorder with 16x Zoom Lens

 Sony PXW-X400KF//U (PXWX400KF//U, PXW/X400KF//U, pxw-x400kf//u) 2/3-inch Professional XDCAM Camcorder with 16x Zoom Lens Comes with standard Sony Warranty - Beware of grey imports. The PXW-X400 is an advanced shoulder camcorder that records a variety of professional broadcast quality formats including XAVC-L at 50p and 59.94p. The camcorder offers exceptional weight balance and low power consumption alongside excellent networking features and high picture quality. The reengineered design dramatically reduces the load on the operator’s right-arm. It supports Sony viewfinders including the QHD LCD CBK-VF02 and optionally available Full HD OLED HDVF-EL30 and HDVF-EL20. The camcorder also offers improved network connectivity, with built-in wireless module, embedded RJ-45 Ethernet 100B-T connector and Near Field Communication (NFC) function** for easy Wi-Fi setup and operation via a mobile or tablet with Sony’s Content Browser Mobile™ application. SD or HD-SDI (up to 1.5G) input supports pool feed recording. * The NFC function will be available in June, 2016. High quality XAVC Long GOP recordings at 50p and 59.94p operations The PXW-X400 supports a variety of codecs from SD to HD, including MPEG HD 422 50 Mbps in MXF (Material eXchange Format), which is widely accepted by major broadcasters worldwide, and XAVC Intra frame and XAVC Long GOP codecs. XAVC technology is based on the MPEG-4 AVC/H.264 standard, which provides an exceptional performance compression technology. XAVC provides higher picture quality and bit-depth, thus offers extended grading possibilities. High sensitivity image making The camcorder’s three 2/3-inch type Exmor CMOS sensors provide superb image quality with sensitivity of F12/F13 and a signal to noise ratio of 62dB. The camcorder’s digital extender offers x2, x3 or x4 operation. Improved ergonomic design for best-in-class weight-balance The camcorder has been redesigned to improve the weight and handling capabilities compared to predecessor models. The lighter lens grip resolves any front-heavy issues and dramatically reduces the load on the right-arm. This makes it easier to shoot for long periods and offers more stable images. Supports Full HD OLED viewfinders* The camcorder supports Sony viewfinders including the Full HD OLED HDVF-EL30 and HDVF-EL20, as well as the QHD LCD CBK-VF02. * HDVF-EL30 and HDVF-EL20 are optionally available from December 2015. Embedded RJ-45 connector An embedded RJ-45 Ethernet 100B-T connector on the right side of the camcorder provides a robust and fast network connection that can be utilised for file transfer, live streaming and camera control from a web browser. Near Field Communication* (NFC) function A Near Field Communication (NFC) function allows easy, one-touch wireless LAN connection to a smartphone or tablet device without manual setting of the network parameters. NFC allows close-range wireless communication between the PXW-X400 and an NFC-equipped smartphone or tablet device. This function will be available in June2016. Built-in wireless module with Content Browser Mobile™ The camcorder’s built-in wireless module gives you more mobility with no cable needed, enabling proxy recording and file transfer or live streaming. In file transfer mode, high-resolution files and XAVC Proxy files can be transferred over wireless connection to cloud or FTP server thanks to Content Browser Mobile* (CBM) application. In “Push” mode, the CBM application enables users to monitor the currently shot video and to wirelessly control camcorder settings such as focus, zoom, iris, white balance, REC START/STOP, and more. With Content Browser Mobile V2.0 proxy trim, proxy partial clip upload, and logging are available. “In streaming” mode, high quality live streaming is provided by the advanced Sony QoS technology embedded in the camcorder and in the PWS-100RX1 network RX station .Non QoS live streaming is also possible with a third-party receiver or VLC player. The CBM application can be downloaded from the Google Play Store or App Store. Dedicated ONLINE button for easy network connection A dedicated button gives simple on-off control of Network Client Mode, Auto Upload (Proxy) and Live Streaming. Pool feed (SDI input) An SD or HD-SDI (up to 1.5G) signal can be recorded by the camcorder, a useful function to record an external feed from another camera. Lower power consumption By optimising the design of the hardware, the lightweight PXW-X400 has a low power consumption of 22W (when the wireless function if off, without lens and viewfinder). This enables continuous recording operation for approximately 240 minutes with Sony’s BP-GL95A optional standard-type battery. Simultaneous Recording on two SxS cards The PXW-X400 offers a simultaneous recording function for peace-of-mind production. Recording is available on two SxS cards simultaneously as a backup measure within the same codec and operating point* when using the following recording formats; XAVC-Intra, XAVC-Long, MPEG HD422, or MPEG HD420. * Simultaneous recording with proxy file is supported in all combinations with the above formats an SD card. Flexible camera system operation The CA-FB70 Optical Fiber Camera Adaptor or the CA-TX70 Digital Triax Camera Adaptor can be attached to the PXW-X400 for live camera operation. The CA-FB70 enables the PXW-X400 to transmit signals via an optical fibre cable up to 250 m between the CA-FB70 and HXCU-FB70 Optical Fibre Camera Control Unit (CCU) with power and signal transmission. The CA-TX70 transmits signals via triax cable up to 600 m* between the CA-TX70 and HXCU-TX70 Digital Triax Camera Control Unit.

Sony PXW-X400KC//U 2/3-inch Professional XDCAM Camcorder with 20x Zoom Lens

Sony PXW-X400KC//U (PXWX400KC//U, PXW/X400KC//U, PXW X400KC//U) PXW-X400KC//U 2/3-inch Professional XDCAM Camcorder with 20x Zoom Lens The PXWX400 offers stunning imaging performance up to 1080/60p, optimized weight balance and ergonomics, and new networking features that enable field-to-air flexibility like never before. The PMWX400 has the perfect balance of performance and practicality. The enhanced ergonomics and mechanical balance allow for all-day shoulder-mount shooting. This camera puts advanced streaming, sophisticated codecs, the power of 1080/60p imagery, the nuances of 10-bit grayscale and the beauty of 4:2:2 colour – all within your reach. The PXWX400 supports a variety of Sony viewfinders including the QHD LCD CBKVF02 and the Full HD OLED HDVFEL30 and HDVFEL20. The camcorder offers improved network connectivity, with built-in wireless module, embedded RJ45 Ethernet 100B-T connector and Near Field Communication (NFC)* function for easy Wi-Fi setup and operation via a mobile or tablet with Sony’s Content Browser Mobile™ application. With a 1.5G HD-SDI input for pool feed recording, the PXWX400 is a powerful addition to the Sony XDCAM Camcorder family. High quality XAVC Long GOP recordings at 50p and 59.94p operations The PXW-X400 supports a variety of codecs from SD to HD, including MPEG HD 422 50 Mbps in MXF (Material eXchange Format), which is widely accepted by major broadcasters worldwide, and XAVC Intra frame and XAVC Long GOP codecs. XAVC technology is based on the MPEG-4 AVC/H.264 standard, which provides an exceptional performance compression technology. XAVC provides higher picture quality and bit-depth, thus offers extended grading possibilities. High sensitivity image making The camcorder’s three 2/3-inch type Exmor CMOS sensors provide superb image quality with sensitivity of F12/F13 and a signal to noise ratio of 62dB. The camcorder’s digital extender offers x2, x3 or x4 operation. Improved ergonomic design for best-in-class weight-balance The camcorder has been redesigned to improve the weight and handling capabilities compared to predecessor models. The lighter lens grip resolves any front-heavy issues and dramatically reduces the load on the right-arm. This makes it easier to shoot for long periods and offers more stable images. Supports Full HD OLED viewfinders* The camcorder supports Sony viewfinders including the Full HD OLED HDVF-EL30 and HDVF-EL20, as well as the QHD LCD CBK-VF02. * HDVF-EL30 and HDVF-EL20 are optionally available from December 2015. Embedded RJ-45 connector An embedded RJ-45 Ethernet 100B-T connector on the right side of the camcorder provides a robust and fast network connection that can be utilised for file transfer, live streaming and camera control from a web browser. Near Field Communication* (NFC) function A Near Field Communication (NFC) function allows easy, one-touch wireless LAN connection to a smartphone or tablet device without manual setting of the network parameters. * NFC allows close-range wireless communication between the PXW-X400 and an NFC-equipped smartphone or tablet device. This function will be available in June2016. Built-in wireless module with Content Browser Mobile™ The camcorder’s built-in wireless module gives you more mobility with no cable needed, enabling proxy recording and file transfer or live streaming. In file transfer mode, high-resolution files and XAVC Proxy files can be transferred over wireless connection to cloud or FTP server thanks to Content Browser Mobile* (CBM) application. In “Push” mode, the CBM application enables users to monitor the currently shot video and to wirelessly control camcorder settings such as focus, zoom, iris, white balance, REC START/STOP, and more. With Content Browser Mobile V2.0 proxy trim, proxy partial clip upload, and logging are available. “In streaming” mode, high quality live streaming is provided by the advanced Sony QoS technology embedded in the camcorder and in the PWS-100RX1 network RX station .Non QoS live streaming is also possible with a third-party receiver or VLC player. *The CBM application can be downloaded from the Google Play Store or App Store. Dedicated ONLINE button for easy network connection A dedicated button gives simple on-off control of Network Client Mode, Auto Upload (Proxy) and Live Streaming. Pool feed (SDI input) An SD or HD-SDI (up to 1.5G) signal can be recorded by the camcorder, a useful function to record an external feed from another camera. Lower power consumption By optimising the design of the hardware, the lightweight PXW-X400 has a low power consumption of 22W (when the wireless function if off, without lens and viewfinder). This enables continuous recording operation for approximately 240 minutes with Sony’s BP-GL95A optional standard-type battery. Simultaneous Recording on two SxS cards The PXW-X400 offers a simultaneous recording function for peace-of-mind production. Recording is available on two SxS cards simultaneously as a backup measure within the same codec and operating point* when using the following recording formats; XAVC-Intra, XAVC-Long, MPEG HD422, or MPEG HD420. * Simultaneous recording with proxy file is supported in all combinations with the above formats an SD card. Flexible camera system operation The CA-FB70 Optical Fiber Camera Adaptor or the CA-TX70 Digital Triax Camera Adaptor can be attached to the PXW-X400 for live camera operation. The CA-FB70 enables the PXW-X400 to transmit signals via an optical fibre cable up to 250 m between the CA-FB70 and HXCU-FB70 Optical Fibre Camera Control Unit (CCU) with power and signal transmission. The CA-TX70 transmits signals via triax cable up to 600 m* between the CA-TX70 and HXCU-TX70 Digital Triax Camera Control Unit.  

Sony PXW-X400//U XDCAM Shoulder Camcorder Body Only

Sony PXW-X400//U (PX-WX-400//U , PXWX400//U, PXW/X400//U, pxw-x400//u) XDCAM Shoulder Camcorder Body Only The PXW-X400 is an advanced shoulder camcorder that records a variety of professional broadcast quality formats including XAVC-L at 50p and 59.94p. The camcorder offers exceptional weight balance and low power consumption alongside excellent networking features and high picture quality. The reengineered design dramatically reduces the load on the operator’s right-arm. It supports Sony viewfinders including the QHD LCD CBK-VF02 and optionally available Full HD OLED HDVF-EL30 and HDVF-EL20. The camcorder also offers improved network connectivity, with built-in wireless module, embedded RJ-45 Ethernet 100B-T connector and Near Field Communication (NFC) function** for easy Wi-Fi setup and operation via a mobile or tablet with Sony’s Content Browser Mobile™ application. SD or HD-SDI (up to 1.5G) input supports pool feed recording. The NFC function will be available in June, 2016. High quality XAVC Long GOP recordings at 50p and 59.94p operations The PXW-X400 supports a variety of codecs from SD to HD, including MPEG HD 422 50 Mbps in MXF (Material eXchange Format), which is widely accepted by major broadcasters worldwide, and XAVC Intra frame and XAVC Long GOP codecs. XAVC technology is based on the MPEG-4 AVC/H.264 standard, which provides an exceptional performance compression technology. XAVC provides higher picture quality and bit-depth, thus offers extended grading possibilities. High sensitivity image making The camcorder’s three 2/3-inch type Exmor CMOS sensors provide superb image quality with sensitivity of F12/F13 and a signal to noise ratio of 62dB. The camcorder’s digital extender offers x2, x3 or x4 operation. Improved ergonomic design for best-in-class weight-balance The camcorder has been redesigned to improve the weight and handling capabilities compared to predecessor models. The lighter lens grip resolves any front-heavy issues and dramatically reduces the load on the right-arm. This makes it easier to shoot for long periods and offers more stable images. Supports Full HD OLED viewfinders* The camcorder supports Sony viewfinders including the Full HD OLED HDVF-EL30 and HDVF-EL20, as well as the QHD LCD CBK-VF02. HDVF-EL30 and HDVF-EL20 are optionally available from December 2015. Embedded RJ-45 connector An embedded RJ-45 Ethernet 100B-T connector on the right side of the camcorder provides a robust and fast network connection that can be utilised for file transfer, live streaming and camera control from a web browser. Near Field Communication* (NFC) function A Near Field Communication (NFC) function allows easy, one-touch wireless LAN connection to a smartphone or tablet device without manual setting of the network parameters. NFC allows close-range wireless communication between the PXW-X400 and an NFC-equipped smartphone or tablet device. This function will be available in June2016. Built-in wireless module with Content Browser Mobile™ The camcorder’s built-in wireless module gives you more mobility with no cable needed, enabling proxy recording and file transfer or live streaming. In file transfer mode, high-resolution files and XAVC Proxy files can be transferred over wireless connection to cloud or FTP server thanks to Content Browser Mobile* (CBM) application. In “Push” mode, the CBM application enables users to monitor the currently shot video and to wirelessly control camcorder settings such as focus, zoom, iris, white balance, REC START/STOP, and more. With Content Browser Mobile V2.0 proxy trim, proxy partial clip upload, and logging are available. “In streaming” mode, high quality live streaming is provided by the advanced Sony QoS technology embedded in the camcorder and in the PWS-100RX1 network RX station .Non QoS live streaming is also possible with a third-party receiver or VLC player. The CBM application can be downloaded from the Google Play Store or App Store. Dedicated ONLINE button for easy network connection A dedicated button gives simple on-off control of Network Client Mode, Auto Upload (Proxy) and Live Streaming. Pool feed (SDI input) An SD or HD-SDI (up to 1.5G) signal can be recorded by the camcorder, a useful function to record an external feed from another camera. Lower power consumption By optimising the design of the hardware, the lightweight PXW-X400 has a low power consumption of 22W (when the wireless function if off, without lens and viewfinder). This enables continuous recording operation for approximately 240 minutes with Sony’s BP-GL95A optional standard-type battery. Simultaneous Recording on two SxS cards The PXW-X400 offers a simultaneous recording function for peace-of-mind production. Recording is available on two SxS cards simultaneously as a backup measure within the same codec and operating point* when using the following recording formats; XAVC-Intra, XAVC-Long, MPEG HD422, or MPEG HD420. Simultaneous recording with proxy file is supported in all combinations with the above formats an SD card. Flexible camera system operation The CA-FB70 Optical Fiber Camera Adaptor or the CA-TX70 Digital Triax Camera Adaptor can be attached to the PXW-X400 for live camera operation. The CA-FB70 enables the PXW-X400 to transmit signals via an optical fibre cable up to 250 m between the CA-FB70 and HXCU-FB70 Optical Fibre Camera Control Unit (CCU) with power and signal transmission. The CA-TX70 transmits signals via triax cable up to 600 m* between the CA-TX70 and HXCU-TX70 Digital Triax Camera Control Unit.    

Sony PXW-X320 HD Shoulder Mount XDCAM Camcorder with a Three 1/2-inch type Exmor CMOS Sensor and 16x Zoom HD Lens

Sony PXW-X320//U (PX-WX-320//U , PXWX320//U, PXW/X320//U, pxw-x320//u) HD Shoulder Mount XDCAM Camcorder with a Three 1/2-inch type Exmor CMOS Sensor and 16x Zoom HD Lens The PXW-X320 is a high-performance SxS memory camcorder which inherits field-proven operability from the reputable PMW-320. The PXW-X320 has become a part of the XDCAM HD422 family, comes equipped with cutting-edge imaging technology – three 1/2-inch-type Full-HD Exmor CMOS sensors with an extremely high S/N ratio – with Flash Band Reducer feature to provide outstanding picture quality.  The PXW-X320 supports XAVC offering high quality content creation in the HD domain. In addition to XAVC, MPEG HD422, MPEG HD, MPEG IMX, and DVCAM are supported. Two HD/SD-SDI, HDMI, i.LINK™, and composite outputs provide a wide range of AV and IT interfaces. The PXW-X320 also supports wireless operation using an optional adapter, the CBK-WA101. This enables easy and quick clip data transmission to broadcast stations, saving the time and transportation cost of shot clip delivery.  With various functions inherited from Sony’s world-acclaimed XDCAM camcorders and yet highly cost effective with lens included, the PXW-X320 is an ideal choice for many different camera professionals, from those engaged in news gathering, when speed is the key concern, to those who produce TV programs and documentaries, when quality is crucial. High picture quality recording on SxS memory cards Offer high resolution, high sensitivity (F11 at 59.94 Hz / F12 at 50 Hz), low noise (60 dB), and a wide dynamic range. Selectable format and bit rates Includes Full HD (1920 x 1080) 59.94i/50i/29.97p/25p/23.98p and HD (1280 x 720) 59.94p/50p, as well as XAVC Intra at 100 Mbps, XAVC Long at up to 50 Mbps, MPEG HD422 at 50 Mbps, MPEG HD at up to 35 Mbps, MPEG IMX at 50 Mbps and DVCAM at 25 Mbps. Variety of interfaces Interfaces include 2 x SD / HD-SDI, HDMI, USB and i.Link. Wireless adaptor increases operational flexibility Supports wireless operation using an optional wireless adapter, the CBK-WA101, for live streaming via an IP network. 1/2-inch 16x HD zoom lens  Supplied with a 16x high definition auto-focus optical zoom lens.

Sony SDI Input/Output Interface Board for PWS-4500

Sony PWSK-4504 (PWSK_4504, PWSK/4504, PWSK 4504) SDI Input/Output Interface Board for PWS-4500 The PWS-4504 is an optional SDI interface board that adds SDI I/O interfaces to the PWS-4500 live server. The PWS-4500 is equipped with the two SDI interface boards as standard, which handles up to four HD I/O signals or up to two 4K I/O signals (when additionally installed the PWSL-HR45 4K/HD Cut Out software). Up to two PWSK-4504 boards can be installed, which enables to handle up to eight HD I/O signal or up to four 4K I/O signals (when additionally installed the PWSL-HR45 4K/HD Cut Out Software). Providing additional SDI input and output terminals to the PWS-4500 Newly Designed SDI Interface (I/O’s) Board for PWS-4500  

Sony Control Panel for PWS-4400

Sony PWSK-4403 (PWSK4403, PWSK/4403, pwsk-4403) Control Panel for PWS-4400 PWSK-4403 USB Control Device integrates with the PWA-PRC1 Production Control Software. It is used to control slow-motion replay of live video and other functions. It is equipped with the control buttons, jog dial, and fader lever that are required to control slow-motion replay on the PWS-4400. The PWSK-4403 is the USB control device that is used in conjunction with the PWA-PRC1 Production Control application. It controls slow-motion replay, clip management, and playlist editing. Button layout designed for ease of use Familiar operation to other slow motion control panels

Sony Multi-Port AV Storage System

Sony PWS-4500 (PWS/4500, PWS_4500, PWS 4500) Multi-Port AV Storage System  Capable of recording images in the XAVC recording format, the PWS-4500 Multi-Port AV Storage System from Sony offers flexible I/O configurations, high-frame-rate (HFR) recording, and an intuitive user interface designed for professional operators. It creates a multi-port slow-replay server system for live sports production in both 4K and HD infrastructures. The connectivity with Sony’s IP-based infrastructure is assured by a Networked Media Interface, while enhanced system efficiency and flexibility are provided by a Share Play file sharing feature. To establish the PWS-4500 System as the replay server in a live server system, you need three additional units including the PWSK-4403 Control Panel, the PWS-100PR1 Production Control Station, and the PWS-100MG1 Media Gateway Station. XAVC Format Capable of recording up to four 4K video signals/six HD video signals and 16 audio channels (uncompressed, 24-bit, 48 KHz) using the XAVC recording format In a 4K workflow, a single XAVC file is created and recorded to the PWS-4500 System, which is easily handled by non-linear editing systems in the post production stage The system records 4K/HD XAVC intra frames between 600 Mb/s (4K 50p/59.94p) and 100 Mb/s (1080, 50i/50.94i) in HD XAVC fits into the growing 4K live production environment and you can explore creative possibilities in both 4K and HD live production With the optional PWSL-DH45 codec, the PWS-4500 System can also record files as Avid DNxHD 220x/145/45, which is an ideal fit for the Avid DNxHD post production environment Flexible configuration for 4K and HD PWS-4500 System can be configured flexibly using various option boards and software From a 4-channel HD production recorder with a basic configuration, you can expand to a 4-channel 4K recorder/HD 8-channel recorder solution with a Networked Media Interface 4K/HD HFR Recording and Replay System records camera feeds captured at a high frame rate with Sony’s live camera systems, and can instantaneously replay them in very smooth slow motion at HD 2x and 3x as standard You can also achieve HD 4x, 6x, and 8x, and 4K 2x slow-motion replay by using either of the optional software: HD 4x, 6x, and 8x: PWSL-HF45 HFR / 4K 2x: PWSL-HR45 4K/HD Cut Out Software and PWSL-HF45 HFR (High-frame rate) software The intuitive operability of the PWS-4403 Control Panel helps you to control slow-motion replay and making full use of its jog dial, fader lever, and industry standard button layout Large-Capacity Memory Storage Large 2TB memory enables 6 hours of recording in 4K and 24-hour recording in HD Memory expandable up to 8TB HD Cut Out from 4K By installing the PWSL-HR45 4K/HD Cut Out software, a full HD picture can be cut out from up to 3 recorded 4K sources Each cut out sequence uses key frames referenced to timecode, position & zoom level for fast, intuitive, and creative operation You can also select Live Zoom mode 4K/HD Simultaneous Recording PWS-4500 System can simultaneously create and record HD files from a 4K camera feed, and you can use those HD files as proxy material Redundant Power Supply To assure high reliability, the PWS-4500 System comes with a redundant power supply unit as standard Connectivity with Next-Generation IP-Based Infrastructure Networked Media Interface lets you connect with any IP live production environment simply by adding the optional PWSK-4506F Networked Media Interface Board, allowing video and audio signals to be received and transmitted over an IP network. Efficient file sharing via 10 GbE IP Networking Once clips have been recorded by a PWS-4500 Server connected to a dedicated 10 GbE IP network, the new Share Play feature enables these clips to be shared among all connected PWS-4500 Servers to deliver a more efficient workflow Eliminates the need to push or pull clips between different servers Multi Port AV Storage Unit PWS-4500 System can be used as a multi-channel recorder using the XAVC recording format Supports 4K to HD resolutions The unit features high-speed & high-capacity memory storage and supports transfers over IP, so it fits well into the network infrastructure  

Sony PWS-100TD1 Tape Digitizing Station

Sony PWS-100TD1 (PWS100TD1, PWS/100TD1, pws-100td1) Tape Digitizing Station The PWS-100TD1 Tape Digitize Station provides efficient management of the digitization of legacy tape archives – video encoding, tape error checking, file quality control and control of storage are all included. Supporting a number of different codecs, it can create A/V files in your house archive format with proxy’s for integration with existing MAM/Archive systems or shelf archive systems with the direct connection of up four Sony Optical Disc Archives (ODS-D77U). Digitization of up to four VTRs can be managed concurrently with the simple user interface provided in the PWS-100TD1.Efficient digitization of legacy video tapeTransfer up to four video tapes at a time with error checkingSimple-to-use one-box solutionConnect the VTRs, connect the storage, start the workCustomers can choose Direct transfer to Optical Disc Archive or transfer to existing Archive/MAMSupports existing MAM/Archive solutions or shelf storage solutions with Sony Optical Disc Archive (ODS-D77U)Proxy Generation for network previewCreate proxies as part of the digitization process for reviewing or use in the MAM/Archive system

Sony Network RX Station for XDCAM

Sony PWS-100RX1 (PWS100RX1, PWS/100RX1, pws-100rx1) Network RX Station for XDCAM It's an advanced system for cost efficient live streaming video and audio direct from XDCAM camcorders using 4G/LTE and Wi-Fi networks. It uses Sony's unique QoS (quality of service) technology or MPEG2-TS to maintain video and audio integrity during transmission. One unit can simultaneously control two SDI outputs, which can be used to stream live from two locations at the same time. Multiple systems can be used together for greater input and output loads. The PWS-100RX1 features reference and timecode input connectors, which enable synchronized operation with broadcast systems. In addition, it can output in a variety of broadcast formats, including 1080i and 720p. It comes with pre-installed Connection Control Manager software that enables easy connection to camcorders and delivers efficient handling of the live streams. The system works with a 4G/LTE or Wi-Fi dongle, or with the CBK-WA100 and CBK-WA101 wireless LAN adapter, all sold separately. As well as live streaming, the unit enables the streaming of MP4 or MXF files for efficient recording and editing. (The PXW-X180, PXW-X200, and PXW-X500 camcorders have built-in live streaming version upgrades.) Cost efficient live streaming of 1080i and 720p over 4G/LTE or Wi-Fi direct from XDCAM camcorders Employs Sony's QoS (quality of service) technology or MPEG2-TS to maintain video and audio integrity during transmission Two SDI outputs allow you to simultaneously manage two separate streams in and out Streaming of MP4 or MXF files for recording and editing

Sony 55-inch Trimaster EL OLED Professional Monitor

Sony PVM-X550 (PVMX550, PVM/X550, pvm-x550) 55-inch Trimaster EL OLED Professional Monitor The Sony PVM-X550 is a 55-inch, 3840 x 2160 4K TRIMASTER EL™ OLED monitor offering high grade picture quality suitable for critical monitoring applications.  It has a thin bezel and light weight making it suitable for wall mounting. The OLED display ensures true black performance, plus quick pixel response and high colour fidelity. There is a quad view display allowing for different individual settings for each display. The display also supports HDR (High Dynamic Range) and a wide colour gamut supporting DCI-P3 and most of the ITU-R BT.2020 standard.  Designed to be an ideal companion to the standard-setting BVM-X300 monitor, the PVM-X500 provides an impressive preview client viewing platform. Its 4K OLED display gives vibrancy,colour accuracy and resolution in equal measure, with a wide choice of colour spaces depending on your application, be that broadcast or cinema. The OLED screen type lends itself well to HDR with breathtaking contrast and represents blacks in their truest form, as well as having fast refresh giving vitually no motion blur.

Sony PSP.E.RAVRBC.2ER 2 Years Extension Repair

Sony PSP.E.RAVRBC.2ER (PSPE.RAVRBC.2ER, PSP/E.RAVRBC.2ER, psp.e.ravrbc.2er) 2 Years Extension RepairTHE AGREEMENTWe will provide Support Services to You for the Supported Products as detailed in the Schedule of Services and Standard Terms and Conditions explained.SERVICE PERIODThe Service Period of this Agreement is for 2 years in respect of the unit and starts on the Start Date as defined in the Terms and Conditions, or, in the case of an extension of renewal of the provision of Support Services, starts on the date of payment of the Charges.SUPPORTED PRODUCTSThis Agreement covers the products you have purchased as referenced by the Contract Type/Contract ID supplied to you with the products.EXCLUSIONS & LIMITATIONSWe do not cover option cards, lamps, accessories and consumable items, or provide any cleaning or preventative maintenance services, as these will remain your responsibility unless defined otherwise in the Schedule of Services.

Sony PSP.A.OAPOMP.1ER 1 Year PrimeSupport Plus Extend

Sony PSP.A.OAPOMP.1ER (PSPA.OAPOMP.1ER, PSP/A.OAPOMP.1ER, psp.a.oapomp.1er) 1 Year PrimeSupport Plus ExtendTo register your Prime Support pleadse follow this link: http://response.pro.sony.eu/PS_ALL_14_CRMP_PrimeSupportRegistration_EN    This document gives You details of your PrimeSupport Agreement with Us. Please read it carefully. To activate the Support Services you must register your agreement or provide proof of purchase before any services can be provided.THE AGREEMENTWe will provide Support Services to You for the Supported Products as detailed in the Schedule of Services and Standard Terms and Conditions explained.SERVICE PERIODThe Service Period of this Agreement is for 1 year in respect of the unit and starts on the Start Date as defined in the Terms and Conditions, or, in the case of an extension of renewal of the provision of Support Services, starts on the date of payment of the Charges.SUPPORTED PRODUCTSThis Agreement covers the products you have purchased as referenced by the Contract Type/Contract ID supplied to you with the products.EXCLUSIONS & LIMITATIONSWe do not cover option cards, lamps, accessories and consumable items, or provide any cleaning or preventative maintenance services, as these will remain your responsibility unless defined otherwise in the Schedule of Services.

PMW-F55/R7 CineAlta Camcorder with Sony AXS-R7 Recorder

Sony PMW-F55/R7 (PMWF55/R7, PMW/F55/R7, pmw-f55/r7) (AXS/R7, AXS_R7) CineAlta Camcorder with Sony AXS-R7 Recorder Comes with 2 Years Sony Prime Support Warranty - Beware of grey imports. Sony 4K sensor for gorgeous, super-sampled HD, 2K and 4K. The PMW-F55 CineAlta camera shoots spectacular images with its 8.9 megapixels (effective) Sony 4K image sensor, incorporating a revolutionary electronic global shutter to eliminate rolling shutter distortions. You get superb dynamic range, the widest colour gamut, and pristine image quality, whether you shoot in HD, 2K or 4K. Multiple recording formats includes HD/2K/4K on SxS memory and 16-bit RAW 2K/4K on AXSM media Multiple recording formats include MPEG-2 HD422, MPEG4 SStP*, XAVC 2K*/HD, XAVC QFHD*/4K and 16-bit RAW 2K/4K. You can have simultaneous recording on internal high-speed SxS PRO+ memory cards and RAW 2K/4K recording on sleek AXSM memory cards using the optional bolt-on AXS-R5 recorder, designed specifically to attach seamlessly to the F55 and F5 cameras. There is also high speed shooting up to 240 fps RAW 2K and 60 fps in RAW 4K recording onto the AXS-R5. Expected as a future upgrade. Recording onto the optional AXS-R5 recorder. Lightweight modular design to maximise versatility in 2D and 3D. The F55 is exceptionally small, light and modular, letting you build up the right configuration for each job – or each shot. As well as the choice of formats and internal and external recording options, you can attach a variety of viewfinders, including the revolutionary optional DVF-EL100 OLED viewfinder, PL-mount, FZ-mount and still lenses, including second-generation Sony PL-mount lenses, and extra long-life Olivine – Lithium Iron Phosphate – batteries. The chassis is only slightly wider than a typical PL-mount prime lens, perfect for 3D rigs. An optional shoulder rig provides for hand-held and shoulder-mounted shooting. Higher resolution, higher contrast LCD digital viewfinder for CineAlta cameras The DVF-L350 colour HD digital viewfinder offers LCD quality for CineAlta cameras with a digital interface, such as the PMW-F55 and PMW-F5. Take a major step forward in operating with the incredible image of this 3.5-inch* LCD viewfinder. Compared to previous Sony viewfinders, the DVF-L350 has higher resolution (960 x 540) plus ten times the contrast. And the eyepiece flips up for direct monitoring. Viewable area, measured diagonally. AXS-R7 External Recorder The durable, dust and splash-proof AXS-R7 Portable Memory Recorder attaches seamlessly to the high end F55 and F5 CineAlta cameras, speeding up the 4K production workflow without compromising quality. The AXS-R7 doubles 4K RAW recording from 60 fps up to 120 fps for the F55 camera compared to previous Sony recorders. For shooting at higher frame rates, the recorder captures 2K RAW at up to 240 fps for the F55 and F5, for playback with 10x super slow motion. Working with high-speed AXSM™ A Series memory cards, the recorder features dual memory card slots for extra security and to extend recording times. The recorder also offers 4K RAW cache recordings up to 30 seconds while in standby mode. The tough, all-metal casing makes the AXS-R7 the ideal companion to the F55 and F5 for all kinds of high-end drama, documentary and wildlife productions.

Sony SD Record & Playback option PDW-HD1500

Sony PDBK-S1500 (PDBKS1500, PDBK/S1500, pdbk-s1500) SD Record & Playback option PDW-HD1500 The Sony PDBKS1500 is a software key designed specifically to work with the PDW-HD1500. The key updates and enhances the deck making it cable of recording and playing back XDCAM SD footage.

Sony SxS Card Slot Option Board for PDW-HR1

Sony PDBK-MK1 (PDBKMK1, PDBK/MK1, pdbk-mk1) SxS Card Slot Option Board for PDW-HR1 The Sony SxS Card Slot Option Board for PDW-HR1 is an SxS Memory Card Adaptor that can be used as an option for adding 2 SxS card slots to the PDW-HR1 Professional Disc Field Station. You can use play content on SxS memory cards and copy content between professional discs and SxS memory cards via the optional board. You can directly browse files on SxS cards via the PDW-HR1 and also perform various clip transcoding and copy functions. You can copy data to and from the \UserData folder of the PDW-HR1 and thus maintain the original XDCAM EX card BPAV folder structure whenever required. Rewrapping or transcoding of XDCAM EX MP4 files to optical XDCAM MXF files during copy process is also possible using the SxS Card Slot Option Board for PDW-HR1. Consolidation of all footage on a disc using the MXF file format is also possible which is useful for XDCAM EX and optical XDCAM photographers. You can easily transcode and upconvert SD clips to HD as well as cross convert 720p material to 1080i material using the SxS Card Slot Option Board for PDW-HR1. SxS Memory Card Adaptor that can be used as an option for adding 2 SxS card slots to the PDW-HR1 Professional Disc Field Station Allow you to play content on SxS memory cards and copy content between professional discs and SxS memory cards via the optional board Allows you to directly browse files on SxS cards via the PDW-HR1 and also perform various clip transcoding and copy functions Allows copying data to and from the \UserData folder of the PDW-HR1 and thus maintaining the original XDCAM EX card BPAV folder structure whenever required Enables rewrapping or transcoding of XDCAM EX MP4 files to optical XDCAM MXF files during copy process Consolidates all footage on a disc using the MXF file format Transcodes and upconverts SD clips to HD as well as cross converts 720p material to 1080i material

Sony MPEG TS Option Board

Sony PDBK-201 (PDBK201, PDBK/201, pdbk-201) MPEG TS Option BoardThe PDBK201 is a MPEG TS option board for the PDW-HD1500 and PDW-F1600 recorders that gives them the ability to output an MPEG transport stream. Interface via i.Link Provides File Access Mode for MPEG transport stream.

Sony ODS-L60E PetaSite Optical Disc Archive Library Expansion Unit

Sony ODS-L60E (ODSL60E, ODS/L60E, ods-l60e) PetaSite Optical Disc Archive Library Expansion UnitThe ODS-L60E is a 61-slot expansion unit for the ODS-L30M master library unit that expands the capacity of the PetaSite Optical Disc Archive scalable library for broadcast, post production, editing and desktop operations. The unit holds up to four Optical Disc Archive drives, such as the ODS-D77F, a maximum of 61 cartridges, and a built-in robotic mechanism in a 7U, 19-inch rack-mountable chassis.Expand library with up to five extension units attached to ODS-L30MThe ODS-L60E extends the PetaSite Optical Disc Archive, operating alongside the ODS-L30M and ODS-L100E (cartridge only) expansion units. A total of five expansion units maximum can attach to the ODS-L30M to make up a single 42U library offering a maximum 535 cartridges (802TB), depending on the extension units used.Ideal for deep archive and near-online archiveThe Sony Optical Disc Archive system is ideal for deep archive for very long term archiving, such as broadcaster archives where data tape does not provide the assurance or meet the need for write-once, very long-term archive requirements. It provides second copy archive at a remote site and is ideal for business continuity/disaster recovery, post house and production back-up and for video, film and stock footage archives or national archives. The system can also be used for news and sports clips that need to be near-online and as an on-line browse and proxy clip store.

Sony PetaSite Optical Disc Archive Library Expansion Unit

Sony ODS-L100E (ODSL100E, ODS/L100E, ods-l100e) PetaSite Optical Disc Archive Library Expansion Unit The ODS-L100E is an expansion unit for the ODS-L30M master library unit that extends the size of a PetaSite Optical Disc Archive scalable library for broadcast, post production, editing and desktop operations. The unit holds up to a maximum of 101 cartridges and a built-in robotic mechanism in a 7U, 19-inch rack-mountable chassis. Expand library with up to five extension units attached to ODS-L30M The ODS-L100E extends the PetaSite Optical Disc Archive, operating alongside the ODS-L30M and ODS-L60E (drive and cartridge) expansion units. A total of five expansion units maximum can attach to the ODS-L30M to make up a single 42U library offering a maximum 535 cartridges (802TB), depending on the extension units used. Ideal for deep archive and near-online archive The Sony Optical Disc Archive system is ideal for deep archive for very long term archiving, such as broadcaster archives where data tape does not provide the assurance or meet the need for write-once, very long-term archive requirements. It provides second copy archive at a remote site and is ideal for business continuity/disaster recovery, post house and production back-up and for video, film and stock footage archives or national archives. The system can also be used for news and sports clips that need to be near-online and as an on-line browse and proxy clip store.

Sony Optical Disc Archive Fiber Channel Drive Unit for PetaSite Scalable Libraries

Sony ODS-D280F (ODS-D280F, ODS-D280F, ODS-D280F) Optical Disc Archive Fiber Channel Drive Unit for PetaSite Scalable Libraries The ODS-D280F Optical Disc Archive fiber channel drive unit works with the ODS-L30M/L30E/L100E PetaSite scalable library. The drive is part of the Optical Disc family of data storage products designed to provide an extended life cycle for storing and archiving all forms of audio-visual assets and data files for the very long term. Fully backward-read compatible, the Sony Optical Disc Archive drive technology is designed to provide read capability for all generations of optical disc cartridge media, giving you access to your content for 50+ years, whilst eliminating the need for a forced media migration due to media and drive obsolescence. The drive unit handles a single optical disc cartridge that offers an alternative to LTO or traditional forms of data tape for the longer-term archiving of valuable assets. With a low total cost of ownership, the Sony optical disc cartridge offers very fast random access to all content and files. The innovative drive design provides for a "dual channel" capability and, being file format independent, it can store your assets in a data file format. 100 years estimated archive life for all data files The ODS-D280F Optical Disc Archive fiber channel drive unit works with the ODS-L30M/L30E/L100E PetaSite scalable library. The drive is part of the Optical Disc family of data storage products designed to provide an extended life cycle for storing and archiving all forms of audio-visual assets and data files for the very long term. Deep archive for very long-term archiving requirements Fully backward-read compatible, the Sony Optical Disc Archive drive technology is designed to provide read capability for all generations of optical disc cartridge media, giving you access to your content for 50+ years, whilst eliminating the need for a forced media migration due to media and drive obsolescence. Reliable and robust large-capacity media The drive unit handles a single optical disc cartridge that offers an alternative to LTO or traditional forms of data tape for the longer-term archiving of valuable assets. With a low total cost of ownership, the Sony optical disc cartridge offers very fast random access to all content and files. The innovative drive design provides for a "dual channel" capability and, being file format independent, it can store your assets in a data file format. Ideal for deep archive and near-online archive The Sony Optical Disc Archive system is ideal for deep archive for very long term archiving, such as broadcaster archives where data tape does not provide the assurance or meet the need for write-once, very long-term archive requirements. It provides second copy archive at a remote site and is ideal for business continuity/disaster recovery, post house and production back-up and for video, film and stock footage archives or national archives. The system can also be used for news and sports clips that need to be near-online and as an on-line browse and proxy clip store.  

Sony ODBK-102 Power Supply Unit

Sony ODBK-102 (ODBK102, ODBK/102, odbk-102) Power Supply Unit The ODBK-102 power supply unit works with the ODS-L60E PetaSite scalable library and the ODS-D77F fibre channel drive unit. The Optical Disc family of data storage products is designed to provide an extended life cycle for storing and archiving all forms of audio-visual assets and data files for the very long term.Ideal for deep archive and near-online archiveThe Sony Optical Disc Archive system is ideal for deep archive for very long term archiving, such as broadcaster archives where data tape does not provide the assurance or meet the need for write-once, very long-term archive requirements. It provides second copy archive at a remote site and is ideal for business continuity/disaster recovery, post house and production back-up and for video, film and stock footage archives or national archives. The system can also be used for news and sports clips that need to be near-online and as an on-line browse and proxy clip store.

Sony Power Supply Unit

Sony ODBK-101 (ODBK101, ODBK/101, odbk-101) Power Supply Unit The ODBK-101 power supply unit works with the ODS-L30M PetaSite scalable library and the ODS-D77F fibre channel drive unit. The Optical Disc family of data storage products is designed to provide an extended life cycle for storing and archiving all forms of audio-visual assets and data files for the very long term.Ideal for deep archive and near-online archive The Sony Optical Disc Archive system is ideal for deep archive for very long term archiving, such as broadcaster archives where data tape does not provide the assurance or meet the need for write-once, very long-term archive requirements. It provides second copy archive at a remote site and is ideal for business continuity/disaster recovery, post house and production back-up and for video, film and stock footage archives or national archives. The system can also be used for news and sports clips that need to be near-online and as an on-line browse and proxy clip store.

Sony System Interface Unit for ICP-X7000 Control Panel

Sony MKS-X7700 (MKSX7700, MKS/X7700, mks-x7700) System Interface Unit for ICP-X7000 Control PanelIt features serial tally and tally/GPI interfaces, along with a remote interface that supports various protocols. It also features six additional slots for adding more Tally/GPI outputs and serial remote interfaces.

Sony Extension Adapter for ICPX7000 Control Panel

Sony MKS-X7075 (MKSX7075, MKS/X7075, mks-x7075) (ICPX-7000, ICPX/7000) Extension Adapter for ICPX7000 Control PanelThe Extension Adapter from Sony is for use with the ICPX7000 Control Panel.

Sony Blank Panel for ICPX7000 Control Panel - 1/2

Sony MKS-X7041 (MKSX7041, MKS/X7041, mks-x7041) (ICPX-7000, ICPX/7000) Blank Panel for ICPX7000 Control Panel - 1/2The 1/2 Blank Panel from Sony is for use with the ICPX7000 Control Panel.

Sony Blank Panel for ICPX7000 Control Panel - 1/3

Sony MKS-X7040 (MKSX7040, MKS/X7040, mks-x7040)(ICPX-7000, ICPX/7000) Blank Panel for ICPX7000 Control Panel - 1/3The 1/3 Blank Panel from Sony is for use with the ICPX7000 Control Panel.

Sony Utility/Shotbox Module for ICPX7000 Control Panel

Sony MKS-X7033 (MKSX7033, MKS/X7033, mks-x7033) (ICPX-7000, ICPX/7000) Utility/Shotbox Module for ICPX7000 Control PanelThe Sony MKSX7033 Utility/Shotbox Module is for use with the ICPX7000 MVS Control Panel. Keyframe creation and editing can be performed in this module (key frame module not included) Run control is operated by trackball 16 assignable buttons surrounding the LCD button  

Sony Track Ball Module for ICPX7000 Control Panel

Sony MKS-X7031TB (MKSX7031TB, MKS/X7031TB, mks-x7031tb) (ICPX-7000, ICPX7000) Track Ball Module for ICPX7000 Control PanelThe Sony MKSX7031TB Track Ball Module is for use with the ICPX7000 MVS Control Panel. Small-sized Trackball/Z-ring Value Adjustment and control parameters can be checked easily in Status Display, instead of menu page

Sony 10 Key Pad Module for ICP-X7000 Control Panel

Sony MKS-X7026 (MKSX7026, MKS/X7026, mks-x7026) (ICP/X7000, ICP_X7000) 10 Key Pad Module for ICP-X7000 Control PanelThis 10 Key Pad Module from Sony is for use with the ICPX7000 Control Panel. It displays selected region names (convenient if multiple regions are assigned in one button).

Sony Flexipad Module for ICPX7000 Control Panel

Sony MKS-X7024 (MKSX7024, MKS/X7024, mks-x7024) (ICPX-7000, ICPX7000) Flexipad Module for ICPX7000 Control PanelThe Flexipad Module from Sony is for use with the ICPX7000 Control Panel. It features 14 assignable buttons surrounding the LCD button. The module is useful for key snapshot, key transition-type changes, and register recall such as Snapshot, Macro, and ShortBox. Up to 14 pages, each page can be named  

Sony Standard Transition Module for ICPX7000 Control Panel

Sony MKS-X7020 (MKSX7020, MKS/X7020, mks-x7020) (ICPX-7000, ICPX/7000) Standard Transition Module for ICPX7000 Control PanelThe Standard Transition Module from Sony is for use with the ICPX7000 Control Panel. It features 8 keyers that are directly controlled and key transition type such as MIX, WIPE, DME, and key snapshot that can be performed in flexipad module. 8 keyers are directly controlled Default button assign and layout may be changed Key transition type such as MIX, WIPE, DME, and key snapshot can be performed in FlexiPad module  

Sony RGB XPT Module - 20 Buttons

Sony MKS-X7019 (MKSX7019, MKS/X7019, mks-x7019) RGB XPT Module - 20 ButtonsThe Sony MKS-X7019 XPT Module features 20 RGB LCD buttons that can be used on the XPT Pad, OLED displays, and RGB LED indicators.

Sony RGB XPT Module - 28 Buttons

Sony MKS-X7018 (MKSX7018, MKS/X7018, mks-x7018) RGB XPT Module - 28 ButtonsThe Sony MKSX7018 XPT Module features 28 RGB LCD buttons that can be used on the XPT Pad, OLED displays, and RGB LED indicators.

Sony RGB XPT Module - 36 Buttons

Sony MKS-X7017 (MKSX7017, MKS/X7017, mks-x7017) RGB XPT Module - 36 ButtonsThe Sony MKSX7017 XPT Module features 36 RGB LCD buttons that can be used on the XPT Pad, OLED displays, and RGB LED indicators.

Sony Menu Panel for ICP-X7000 Control Panel

Sony MKS-X7011 (MKSX7011, MKS/X7011, mks-x7011)(ICP/X7000, ICP_X7000) Menu Panel for ICP-X7000 Control PanelThis Menu Panel from Sony is for use with the ICP-X7000 Control Panel.

Sony System Interface Unit

Sony MKS-X2700 (MKSX2700, MKS/X2700, mks-x2700) System Interface UnitThe Sony MKS-X2700 System Interface Unit is used in the ICP-X7000 Control Panel. It features serial tally and tally/GPI interfaces, along with a remote interface that supports various protocols.

Sony Serial Interface Board for MKS-8700 Control Unit

Sony MKS-8702 (MKS8702, MKS/8702, mks-8702) Serial Interface Board for MKS-8700 Control UnitThe MKS-8702 is a serial interface board for MVS-8000 Series in conjunction with MKS-8700 Device Control Unit and/or MKS-8701 Tally/GPI Interface Board. Up to five boards can be installed. One MKS-8700 can provide RS-422A port expansion in 6-port increments up to 30 ports in combination with the MKS-8702. It can also provide Tally/GPI port expansion in 3-port increments up to 15 ports (18 channels per one port) in combination with the MKS-8701.

Sony Tally/GPI I/O Board

Sony MKS-8701 (MKS8701, MKS/8701, mks-8701) Tally/GPI I/O BoardThe MKS-8701 is a tally/GPI output board for MVS-8000 Series in conjunction with MKS-8700 Device Control Unit and/or MKS-8702 Serial Interface Board. Up to five boards can be installed. One MKS-8700 can provide Tally/GPI port expansion in 3-port increments up to 15 ports (18 channels per one port) in combination with the MKS-8701. It can also provide RS-422A port expansion in 6-port increments up to 30 ports in combination with the MKS-8702.

Sony Device Control Unit Processor for MVS-8000 Series

Sony MKS-8700 (MKS8700, MKS/8700, mks-8700) Device Control Unit Processor for MVS-8000 SeriesThe Sony Device Control Unit Processor is designed for MVS-8000 Multi-Format Switcher Processor. This chassis accepts plug-in boards to add tally, GPI and/or device control capabilities to an MVS-8000 system. Each MKS-8700 chassis can hold up to 15 Device Control Unit Option cards. Up to two MKS-8700 chassis may be connected to each control panel on an MVS-8000 system.

Sony Auxilliary Bus Remote Panel

Sony MKS-8080 (MKS8080, MKS/8080, mks-8080) Auxilliary Bus Remote Panel The Sony MKS-8080 is an Auxilliary Bus Remote Panel for MVS-8000 & DVS-9000 production switchers. This option provides a 32 source X-Y remote operation of switching functions on the main switcher. It offers four re-entry buttons with single destination capabilities. Application This remote panel can provide director control of switching functions offering the same button arrangements of the CCP-8000/9000 Series Center Control Panels.

Sony 2 Channel DME Option Board

Sony MKS-6570 (MKS6570, MKS/6570, mks-6570) 2 Channel DME Option Board The MVS-6500 processor offers the option of two channels of internal digital multi-effects (DME) with installation of the MKS-6570 DME board. This switcher supports brilliant non-linear effects as well as frequently used DME patterns. For example, the following effects can be performed: Digital SPARKLE Effects*, 3D Linear Transformation, Video Modify, Freeze, Light/Trail, Input/Output Effect, Digital SKETCH, Metal, and Glow. These capabilities ensure the highly affordable MVS-6500 Series is user friendly. * These non-linear effects are supported on a single channel.

Sony Format Converter Option

Sony MKS-6550 (MKS6550, MKS/6550, mks-6550) Format Converter Option The Sony MKS-6550 Format Converter Option allows for up, down, cross-conversion, or frame delay of up to 8 inputs to the MVS-3000 or MVS-6500 series switchers. This converter can be configured as 8 input and zero output or 4 input and 2 output channels.

Sony Device Controller

Sony MKS-2700 (MKS2700, MKS/2700, mks-2700) Device Controller The module takes 1RU in any standard 19" racking system and can be fitted with optional boards indicated through its series of tally lights. Control through both RS-422A and RS-45. This specific model is compatible with the MVS8000A, DVS9000 and MFS2000 switchers.

Sony Multi-Camera Live Producer

Sony MCX-500 (MCX500, MCX/500, mcx-500) Multi-Camera Live Producer The MCX-500 from Sony is a affordable, user-friendly and flexible Multi-Camera Live Switcher. The MCX-500 is an affordable, uniquely user-friendly and flexible production switcher that makes it simple for a single operator or small team to produce a broadcast quality live event. Multiple video inputs include professional 3G-SDI, HDMI, Composite Video plus dedicated DSK mean you can mix and match kit as needed for each production. New opportunities Live events increasingly rely on video to attract customers, enliven presentations and turn a profit via live streaming or selling recordings. The MCX-500 is ideal for a wide range of live and recorded applications from pop concerts to weddings, educational seminars to corporate presentations, and sermons at houses of worship. Using the MCX-500, you can go beyond simply capturing an event to transforming it into an experience that engages everyone. Meet any challenge Today’s event might be simply mixing together multiple video inputs to support a presenter’s on-stage presentation. Tomorrow’s event might be creating a program for distribution across multiple screens in a vast conference hall. Next week’s event might be live streaming, either via PC or Mac or directly from the MCX-500 itself using Ustream® with a router*. Whatever the event, it’s simple to give your customer an immediate recording of the event thanks to a built-in SD Card slot – no external recorder needed or time lost assembling a post-event cut. In regions where Ustream® is not available, alternative services may be supported. Please consult with your local Sony Professional Solutions Specialist Dealer. Events that excite and engage Keeping an audience’s interest during an event can be challenging. The MCX-500 puts at your fingertips a set of features to easily transform any event: cut between multiple cameras with a wide-range of broadcast quality transitions, mix in a secondary video feed with picture-in-picture, put a presenter in front of live or recorded video using Sony’s broadcast standard chroma key technology. 8 video inputs, plus a dedicated DSK channel (total 9 inputs) for on-screen graphics and a 5-channel audio mixer give you everything needed to wow an audience. Working smarter To minimise your workload, the MCX-500 offers hassle-free integration with camcorders such as the HXR-NX5R. The lightweight RM-30BP remote controller allows you to control all the key features of suitable camcorders while sitting at your control desk. It also allows tally signals to be sent to connected camcorders, so a camera operator knows when each camcorder is on-air. Work faster, more efficiently with MCX-500’s advanced workflow. Smart controls with configurable LCD Touchscreen If you’re running the show on your own, you need controls that suit the way you work – intuitive and yet somehow also fully featured. The MCX-500 achieves this by carefully thought out physical controls that you will find easy to operate without looking away from the action for a second. More advanced features can be tuned to your exact workflow requirements and mapped to an LCD touch-screen control with easily recognisable ICON buttons. Trigger the sophisticated effects you’ve pre-defined with a single touch on a user-defined ICON. It’s a robust, user-friendly system that’s easily extended to bring in additional team members as productions grow. Go solo or team work made easy The MCX-500 makes it easy for a single operator to run a professional live event. Multi-view monitoring puts all your sources on a single display. To keep your eyes on the action, all the main functions are accessible via physical controls that are easy to operate without looking away from the action for a second. More advanced features can be tuned to your exact workflow requirements and mapped to an LCD touch-screen control with customisable ICON buttons. You can even remote operate or extend the control functions of the MCX-500 via PC, Mac or Tablet over Ethernet or WiFi*. External WiFi router required. Audio mixing of up to 5 channels including XLR You can perform a sophisticated multi-channel stereo audio mix in the MCX-500 with no need for an external audio mixer. With a stereo XLR (left/right) interface for external sources, the audio mixer function allows you to mix XLR inputs and 4 channels of embedded audio. You can control all five stereo channels individually, including intuitive audio level control on the LCD touch-screen control panel, mixing channels and also linking the audio to the video. Pre-Fader Listen (PFL) allows you to monitor each audio source before executing the mix. Stream content live over the internet The MCX-500 is ideal for live streaming events and productions. The switcher allows you to live mix the output of multiple sources with direct streaming in real time using services such as Ustream®. Share scenes as they happen with high quality picture and sound, direct from the MCX-500 to a router via Ethernet – no PC required. Mix between 8 video sources + 1 Title (total 9 inputs) The switcher is designed to expand your operations for full control of a multi-camera shoot. There is no need to worry about swapping out inputs during a production – the MCX-500 features no less than 8 video inputs (plus dedicated Title input) to easily accommodate any small-to-medium sized production. Inputs include professional 3G-SDI (x4), standard HDMI (x2) and even composite video (x2), allowing you to connect a wide variety of cameras and other equipment. A dedicated RGB Title input allows you to connect a PC or Mac to use as a dedicated source of titles for your production.

Sony Mounting Bracket for PVMA-170 Monitor

Sony MB-P17 (MBP17, MB/P17, mb-p17) (PVMA_170, PVMA/170) Mounting Bracket for PVMA-170 Monitor Use this Mounting Bracket from Sony to mount your PVMA-170 monitor directly onto a 19-inch EIA standard equipement rack. The metal construction ensures durability and secure installation.

Sony Mounting Bracket for LMDA-220 Monitor

Sony MB-L22 (MBL22, MB/L22, mb-l22) (LMDA/220, LMDA_220) Mounting Bracket for LMDA-220 Monitor The MB-L22 is a mounting bracket specially designed for mounting the LMDA-220 Sony Professional video monitor directly on a 19-inch EIA standard rack for OB or Operations Room applications.

Sony Mounting Bracket for LMDA-170 Monitor

Sony MB-L17 (MBL17, MB/L17, mb-l17) (LMDA/170, LMDA_170) Mounting Bracket for LMDA-170 Monitor  The MB-L17 is a mounting bracket specially designed for mounting the LMDA-170 Sony Professional video monitor directly on a 19-inch EIA standard rack. 7U high design for easy monitoring in operations room and OB truck.

Sony 17-inch Full HD LCD Monitor

Sony LMD-B170 (LMDB170, LMD/B170, lmd-b170) 17-inch Full HD LCD Monitor The LMD-B170 17-inch LMD-B Series lightweight and compact LCD monitor offers Full HD resolution. The monitor boasts similar mass and power consumption as Sony’s previous, smaller 15-inch models, as well as a 24% reduction in depth. The LMD-B Series offers convenient features, functions and the same user-interface design and operability as PVM-A Series OLED and LMD-A Series Premium LCD picture monitors. This consistency between the PVM-A, LMD-A and LMD-B Series makes it easy for users to work with all three monitors and integrate them in the same work environment.The LMD-B Series monitors are a cost-effective and versatile solution for a wide range of professional applications, including DC operation and wall-mounting. In addition, the LMD-B170 includes a natural ventilation system meaning no audio disruption from an internal cooling fan, making the monitor highly suitable for video shooting and critical audio operations. Industry standard 17-inch screen size and Full HD resolution The LMD-B170’s industry standard 17-inch screen is ideal for a wide variety of applications, from a desk-top use to wall-mounting, arm-mounting and outfield shooting. The Full HD (1920 x 1080) resolution is approximately 200% higher resolution than Wide-XG A(1366 x 768 or 1280 x 768), giving you sharp focus for pixel-by-pixel checking of a Full HD video with no scaling. Stylish lightweight and slim body The monitor has a robust and stylish sharp-edges chassis. Lighter weight and lower power consumption saves you money as well as space and weight in digital galleries. The monitor is also ideal for stand-alone applications such as basic non-linear editing, audio control room, simple video monitoring or video shooting. It's easy to carry. Simple all-in-one design style with front stereo speakers and natural ventilation system The LMD-B170 inherits its all-in-one design style from the PVM-A and LMD-A series. It has the mandatory interfaces such as SDI, HDMI and composite video with stereo analogue audio. You can monitor the embedded audio signals of an SDI signal on the audio level meters of the screen. 2W+2W front stereo speakers are more powerful than a monaural speaker or a rear speaker system and you can get a good stereophonic effect from them. It can be powered by both AC and DC with no AC adaptor. The supplied stand has a tilt function and a 100mm x 100mm wall mounting function means you can install it more flexibly. Its natural ventilation system ensures there are no distracting cooling fan noise. Easy operation in a group of Sony PVM/LMD monitors With the same operability as the PVM-A and LMD-A Series, you can easily go back and forth when using monitors from the different ranges in one system. You can easily select the best monitor for a function, according to your feature, quality and budget requirements. Selected essential functions for basic video operations LMD-B170 offers vital functions, including Markers, WFM/Vector, audio level meters, timecode display, camera focus function, side by side, Flip H/V and on-screen tally. The user reset function makes it easy to return the monitor to the default setting very quickly. This is very useful if a user is not familiar with the monitor settings. LMD-B170 can be also operated in one of 7 languages (Chinese, English, French, Germany, Italian, Japanese and Spanish). Lightweight and compact with lower power consumption The LMD-B170 offers a design that is uniquely lightweight and compact. Its weight and power consumption is much the same as the predecessor 15-inch models, despite having a 2-inch larger screen. Its depth is reduced by more than 24%. Optimised low-latency I/P conversion The I/P conversion system delivers automatically optimised signal processing according to input signals with low-latency (less than 0.5 field). This system helps users to edit and monitor for a live production. Video input versatility The LMD-B170 monitor is equipped with built-in standard input interfaces: HD/SD-SDI (x2), HDMI (HDCP) input (x1) and composite (x1). Computer input versatility Multiple computer signals can be received via an HDMI/DVI interface; the resolution range is from 640 x 480 to 1680 x 1050 pixels. Waveform monitor, vector scope and audio level meter display An input signal waveform and vector scope with an SDI-embedded 2-channel audio level meter can be displayed on screen. The waveform of a specified line can also be displayed. In conjunction with the Picture & Picture function, the waveform monitor and vector scope display can monitor two camera signals. In addition, an audio level meter can display the embedded audio signal from the SDI or HDMI input. It can display on screen the ch1 to ch8 or ch9 to ch16. Front stereo speakers 2W+2W front stereo speakers are more powerful than a monaural speaker or a rear speaker system and you can get a good stereophonic effect from them. You can select audio sources from either embedded audio or analog audio. User-friendly operability and user interface This monitor has an intuitive and appropriate user interface for a video production. You can easily choose an input and a function by a single click. Rotary encoder knob is easy to select an item and enter it. The lighted control panel has a good readability in dark. This user interface including OSD menu layout is carefully designed for a time critical operation as either a single unit or multiple units with the Sony different range of professional monitors in one system. Consistent design with PVM/LMD-A Series monitors LMD-B170 monitor offers the same functions and operability as PVM-A and LMD-A Series monitors and shares a consistent front control panel design. This means that these types of monitor can be operated and controlled in the same way. User reset, key inhibit, user short-cut to function key configuration When multiple users share the same monitor, you need to reset it in a quick operation. User reset function quickly returns the unit to the default settings. Key inhibit protects the required settings of it from any inadvertent operations For improving speed of the function key configuration, the user can take a short-cut to the settings menu screen by simply holding down one of the Function keys. Camera focus function The LMD-B170 monitor can control the aperture level of a video signal, and display images on the screen with sharpened edges to help camera focus operation. Further to this, the sharpened edges can be displayed in user-selectable colours (white, red, green, blue, and yellow) for more precise focusing. Time code function LTC and VITC time code can be displayed at the top or bottom of the picture. Side by side function The side by side function of the LMD-B170 allows simultaneous display of two input signals on the monitors screen. This function helps with colour adjustment and setting of camera frames. This function works when synchronous SDI signals are input. On-screen tally The monitor is also equipped with a three-colours red, green and yellow on-screen tally function. The position of the tally display can be changed to either the upper or lower section of the screen. Flip functions The Flip function turns the reversed image to a normal view, horizontally or vertically. DC low power indicator DC power supply is available in the range of 12V to 17V. The power indicator blinks when the DC power supply is low. Wall-mount capability There are also wall-mount 100mm pitch holes on each monitor’s rear panel. A built-in AC circuit allows you to install the monitor more easily and flexibly than a monitor with an AC adaptor. Natural ventilation system There is no cooling fan inside and making the monitor suitable for video shooting and critical audio operations.

Sony 24-inch LCD Production Monitor

Sony LMD-A240 (LMD/A240, LMD_A240, LMD A240) 24-inch LCD Production Monitor The LMD-A240 24-inch LMD-A Series LCD monitor offers Full HD resolution, along with a lightweight and compact design. There is more than a 12% to 22% reduction in mass, 30% reduction in depth, and more than 25% reduction in power consumption, compared to Sony’s previous models. The LMD-A Series offers the same user-interface design, convenient features, functions and operability as PVM-A Series OLED picture monitors. This consistency between the PVM-A and LMD-A Series brings great user benefits when both types of monitor are used in the same network. Furthermore, LMD-A Series monitors provide versatility for a wide range of user applications both in the studio and in the field. These include DC operation, VESA mount and yoke-mount holes. Stylish lightweight and slim body with industry’s widest viewing angle Robust double-coated paint finish and stylish sharp edges chassis. Perfect for group monitoring. More than a 12% to 22% reduction in mass, 30% reduction in depth, and more than 25% reduction in power consumption, compared to Sony’s previous models. It provides cost savings for transportation and power consumption. It also saves space and weight in digital galleries. Latest camera-linkage functions Includes camera and lens metadata display and a Picture and Picture function with side by side, wipe, blending, difference and auto input switching. Ideal for OnSet and live production monitoring. User presets and password protection Secure your monitor settings for greater peace of mind. Five user presets are available. One colour temperature memory USER1 can also be password protected. 2K format display and Dual-Link HD-SDI mode This feature offers a cost effective 2K monitoring solution, ideal for OnSet digital cinematography. In addition, a Dual-link HD-SDI input is available. Multiple monitors firmware upgrade utility Save you time to upgrade simultaneously your monitors through your network.  

Sony 22-inch LCD Production Monitor

Sony LMD-A220 (LMDA220, LMD/A220, lmd-a220) 22-inch LCD Production Monitor The LMD-A220 22-inch LMD-A Series LCD monitor offers Full HD resolution, along with a lightweight and compact design. There is more than a 12% to 22% reduction in mass, 30% reduction in depth, and more than 25% reduction in power consumption, compared to Sony’s previous models. The LMD-A Series offers the same user-interface design, convenient features, functions and operability as PVM-A Series OLED picture monitors. This consistency between the PVM-A and LMD-A Series brings great user benefits when both types of monitor are used in the same network. Furthermore, LMD-A Series monitors provide versatility for a wide range of user applications both in the studio and in the field. These include DC operation, VESA mount and yoke-mount holes. Stylish lightweight and slim body with industry’s widest viewing angle Robust double-coated paint finish and stylish sharp edges chassis. Perfect for group monitoring. More than a 12% to 22% reduction in mass, 30% reduction in depth, and more than 25% reduction in power consumption, compared to Sony’s previous models. It provides cost savings for transportation and power consumption. It also saves space and weight in digital galleries. Latest camera-linkage functions Includes camera and lens metadata display and a Picture and Picture function with side by side, wipe, blending, difference and auto input switching. Ideal for OnSet and live production monitoring. User presets and password protection Secure your monitor settings for greater peace of mind. Five user presets are available. One colour temperature memory USER1 can also be password protected. 2K format display and Dual-Link HD-SDI mode This feature offers a cost effective 2K monitoring solution, ideal for OnSet digital cinematography. In addition, a Dual-link HD-SDI input is available. Multiple monitors firmware upgrade utility Save you time to upgrade simultaneously your monitors through your network.  

Sony 17 inch LCD Monitor with BKM-PL17 Panel Protection Kit

Sony LMD-A170/R (LMDA170/R, LMD/A170/R, lmd-a170/r)(BKM/PL17, BKM_PL17) 17 inch LCD Monitor with BKM-PL17 Panel Protection Kit The monitor features an IPS LCD display with wide 178° horizontal and vertical viewing angles and provides 3G/HD/SD-SDI, HDMI, and composite inputs, which support NTSC/PAL, 720p, 1080i, and 1080p input signals with frames rates from 24p to 60p.The monitor introduces several new features and upgrades from previous LMD series monitors, including a new low latency automatic I/P conversion, new video processing engine for improved image accuracy, on screen tally, and yoke mounting screw holes. The monitor also provides a wide range of professional monitoring features, such as built-in waveform and vectorscope, focus assist with adjustable colored peaking, time code display, and a Slog2 to Rec 709 LUT.A built-in audio decoder lets you display up to 16 channels of embedded SDI audio. Audio can be monitored using the 3.5mm headphone jack on the front panel, or with the 1W built-in speaker. A composite input with loop-out provides connectivity for standard-definition analog devices and is paired with a 3.5mm stereo mini jack audio input. Two Ethernet ports provide connectivity for serial and parallel remotes; letting you control and load monitor settings via your network, as well as upgrade the monitor's software. For use in the field, there is a 12V DC power input on 4-pin XLR.The monitor is compatible with standard VESA 100 x 100mm mounting hardware. Optional rack mount brackets are also available. Monitor feet and a handle are included. Stylish lightweight and slim body with industry’s widest viewing angle Robust and stylish sharp edges chassis. Perfect for group monitoring. More than a 12% to 22% reduction in mass, 30% reduction in depth, and more than 25% reduction in power consumption, compared to Sony’s previous models. It provides cost savings for transportation and power consumption. It also saves space and weight in digital galleries. Latest camera-linkage functions Includes camera and lens metadata display and a Picture and Picture function with side by side, wipe, blending, difference and auto input switching. Ideal for OnSet and live production monitoring. User presets and password protection Secure your monitor settings for greater peace of mind. Five user presets are available. One colour temperature memory USER1 can also be password protected. 2K format display and Dual-Link HD-SDI mode This feature offers a cost effective 2K monitoring solution, ideal for OnSet digital cinematography. In addition, a Dual-link HD-SDI input is available. Multiple monitors firmware upgrade utility Save you time to upgrade simultaneously your monitors through your network.

Sony 17" LCD Production Monitor

Sony LMD-A170 (LMD_A170, LMD/A170, LMD A170) 17" LCD Production Monitor The LMD-A170 is a 17-inch LMD-A Series LCD monitor offers Full HD resolution, along with a lightweight and compact design. There is more than a 12% to 22% reduction in mass, 30% reduction in depth, and more than 25% reduction in power consumption, compared to Sony’s previous models. The LMD-A Series offers the same user-interface design, convenient features, functions and operability as PVM-A Series OLED picture monitors. This consistency between the PVM-A and LMD-A Series brings great user benefits when both types of monitor are used in the same network. Furthermore, LMD-A Series monitors provide versatility for a wide range of user applications both in the studio and in the field. These include DC operation, VESA mount and yoke-mount holes, and an optional protection kit. The LMD-A series offers full HD resolution, along with a lightweight and compact design. There is more than a 12% to 22% reduction in mass, 30% reduction in depth, and more than 25% reduction in power consumption, compared to Sony’s previous models. This Series also offers the same user-interface design, convenient features and functions, and operability as PVM-A Series OLED picture monitors. This consistency between the PVM-A and LMD-A Series brings great user benefits when both types of monitor are used in the same network. Furthermore, LMD-A Series monitors provide versatility for a wide range of user applications both in the studio and in the field: DC operation, VESA mount and yoke-mount holes, and an optional protection kit (LMD-A170 only). This broad and powerful professional LCD monitor continues to meet the broadest range of application needs for excellent cost:performance picture monitoring.

Sony LCS-F01D Soft Case for DWA-F01D Adapter

Sony LCS-F01D (LCS/F01D, LCS_F01D, LCS F01D, LCSF01D, lcs-f01d) Soft Case for DWA-F01D Adapter The LCS-F01D Soft Carrying Case is a carrying case specifically designed for the Sony DWA-F01D Wireless Adapter (not supplied). Includes built-in V-shoe for mounting DWA-F01D adapter using V-mount . Supplied with V-mount plate. The battery (not supplied) can be attached to the DWA-F01D while it is inside the case. By opening the covers, you can connect cables and operate switches and buttons without removing the DWA-F01D from the case. The clear window allows you to view the DWA-F01D display and indicators. A shoulder belt can be attached to the case. The supplied mount plate can be used to mount the case to a camcorder.

Sony Soft Carrying Case for Anycast Touch AWS-750

Sony LCS-A750 (LCSA750, LCS/A750, lcs-a750)(AWS_750, AWS/750) Soft Carrying Case for Anycast Touch AWS-750 The Anycast Touch carrying case is specially made to give added protection when you take your ultra-portable Anycast Touch from one event to another. The smart carrying case includes a pouch for a battery unit and has an adjustable shoulder strap for added portability and comfort.

Sony Carrying Case For DXC camera

Sony LC-HB330 (LCHB330, LC/HB330, lc-hb330) Carrying Case For DXC camera Sony LC-HB330 (LCHB330) Hard Carrying Case for DXC-D55 Series Camera.

Sony Soft Carry Case For DSR-300P/500WSP

Sony LC-DS300SFT (LCDS300SFT, LC/DS300SFT, lc-ds300sft) (DSR/300P, DSR_300P)(DSR/500WSP, DSR 500WSP) Soft Carry Case For DSR-300P/500WSP Direct pack with accessories attached: Battery pack, Microphone, Viewfinder and Zoom lens. Easy to pack a variety of accessories such as Battery charger and other items.

Sony 24-Button Control Panel for MVS-6530

Sony ICP-6530 (ICP6530, ICP/6530, icp-6530) (MVS/6530, MVS_6530) 24-Button Control Panel for MVS-6530 The ICP-6530 24-Button Control Panel from Sony is designed for the MVS-6530 switcher. It features 3 M/E rows, 24 cross-point coloured buttons, OLED mnemonic displays for optimal visibility, and an intuitive menu operation (menu display sold separately).

Sony 24-Button Control Panel for MVS-6520

Sony ICP-6520 (ICP6520, ICP/6520, icp-6520) (MVS/6520, MVS_6520) 24-Button Control Panel for MVS-6520 The ICP-6520 24-Button Control Panel from Sony is designed for the MVS-6520 switcher. It features 2 M/E rows, 24 cross-point colored buttons, OLED mnemonic displays for optimal visibility, and an intuitive menu operation (menu display sold separately).

Sony Menu Panel for ICP-6500 Series Center Control Panel

Sony ICP-6511 (ICP6511, ICP/6511, icp-6511) (ICP_6500, ICP/6500) Menu Panel for ICP-6500 Series Center Control Panel The ICP-6511 Menu Panel from Sony works with the ICP-3000 and ICP-6000 series control panels. It features an MVS style touchscreen GUI menu, dedicated buttons for quick Menu Page recall, and dedicated rotary controls for easy adjustment.

Sony 2 M/E 16 Button Control Panel

Sony ICP-3016 (ICP3016, ICP/3016, icp-3016) 2 M/E 16 Button Control Panel This 16 Button Control Panel from Sony, has  2 M/E rows and is designed to be used with the MVS-3000A Switcher. It features OLED mnemonic displays to provide optimal visibility when in use.

Sony 24-Button Control Panel for MVS-3000

Sony ICP-3000 (ICP3000, ICP/3000, icp-3000) (MVS/3000, MVS_3000) 24-Button Control Panel for MVS-3000 The ICP-3000 24-Button Control Panel from Sony is designed for the MVS-3000 switcher. It features 2 M/E rows, 24 cross-point colored buttons, OLED mnemonic displays for optimal visibility, and an intuitive menu operation (menu display sold separately).

Sony HXC-P70H//U 3x2/3" C-MOS HD Exmor Camera Head

Sony HXC-P70H//U (HXCP70H//U, HXC/P70H//U, hxc-p70h//u) 3x2/3" C-MOS HD Exmor Camera Head Comes with 2 Years Sony Prime Support Warranty - Beware of grey imports. The HXC-P70 is a point-of-view “POV” camera developed for a wide range of more affordable applications than the HDC-P1, thanks to a longer cable distance extension and a higher sensitivity, in addition to its compact size, light weight and lower power consumption. The HXC-P70 allows direct connection to the HXCU-FB70 camera control unit by optical fibre cable, in addition to two HD/SD-SDI outputs. The hybrid type fibre cable can extend the distance from the CCU up to 500 m, while supplying the required power. If a single-mode fibre cable is connected, the distance can extend up to 10 km with a local power supply. The HXC-P70 adopts the same three 2.2-million pixels 2/3-inch type CMOS sensors as used on Sony high end camera such as the HXC-D70 and delivers high sensitivity of F12 at 59.94Hz or F13 at 50Hz. In addition, the camera uses an electrical CC filter alongside a servo motorized optical ND filter. These help to reduce the power consumption and make for an affordable total system with the CCU, cables, and remote controller. The camera is ideal for a wide variety of applications, from production studio and event hall/stadium work, to wider applications such as surveillance, conference and house of worship installations. High sensitivity and low noise Incorporates high quality three 2/3-inch Exmor CMOS sensors, plus integrated motorised ND Filter and electrical CC filter. Optical fibre transmission with direct cable connection Up to 500m by the hybrid type optical fibre cable with power supply and up to 10km by the single-mode fibre cable with local power supply. HXCU-FB70 Camera Control Unit Connects to the HXCU-FB70 for precise remote control. Low power consumption Power saving design provides low power consumption of 17W. Superb three 2/3-inch-type CMOS sensors Keeping the same compact and lightweight body as the HDC-P1, the HXC-P70 achieves a cost reduction while providing the high picture quality equivalent to the reputable HXC-D70 HD/SD system camera by using the same image sensor. It achieves high sensitivity of F12 (at 1080/59.94i) or F13 (at 1080/50i) while keeping low noise ratio. Integrated ND filter / Electrical CC filter, and TLCS The HXC-P70 is equipped with a Neutral Density (ND) optical servo filter unit and electrical Colour Correction (CC) filter. The electrical CC filter can be controlled from the remote control panel, which allows you to assign with four different colour temperatures. In addition to the filter functions, thanks to the TLCS (Total Level Control System) function, gain/iris/shutter is automatically controlled by the ambient brightness, making it very efficient for nature shooting or surveillance use from morning to night. Expandable operability with HXCU-FB70 Connecting the HXC-P70 with the HXCU-FB70 optical fibre camera control unit (CCU) enables precise remote control in picture adjustment and colour matching of cameras, while also monitoring the SDI output signal. Long-distance transmission up to 10 km The hybrid type optical fibre cable can extend the distance from the HXCU-FB70 camera control unit up to 500 m while supplying the required power. In the case of connection with a single-mode fibre cable (SMF), it can extend up to 10 km, if you are using a local power supply. Using the SMF already laid as infrastructure in many facilities enables you to install the camera system quickly and easily. Beneficial digital extender by 2x or 4x The digital extender function expands the size of the image by a factor of two or four times in the centre of the image sensor’s captured image. This function works without a decrease in sensitivity, such as an F-number drop, which typically occurs when using conventional optical extender functions.  

Sony HXC-FB75PK 2/3" Exmor SD/HD Studio Camera with a Fibre CCU

Sony HXC-FB75PK (HXCFB75PK, HXC/FB75PK, hxc-fb75pk) 2/3" Exmor SD/HD Studio Camera with a Fibre CCU Sony HXC-FB75KC//U 2/3" Exmor SD/HD Studio CameraThe HXC-FB75 is a high-performance, yet affordable, HD camera system that inherits Sony’s proven field-proven operability from the highly regarded DXC-D Series of system cameras. The camera is equipped with three 2/3-inch Full HD Exmor CMOS sensors to provide excellent sensitivity (F12 at 1080i/60) with a low noise ratio for clear images. Those sensors are common to the HXC-P70, HXC-D70 and PXW-X400, and enable perfect integration with those cameras which gives you more flexibility. In addition, a wide range of output formats are available, including 1080i/59.94,50, 1080PsF/29.97,25, 720p/59.94,50, 480i/59.94 and 576i/50. Smooth and precise focusing is enabled by focus assist function and the latest viewfinder options. Video/Audio and control signal transmission, with power, can extend up to 350m via Hybrid Type Optical Fibre Cable. The camera is also controllable from a CCU panel and remote controller.The HXC-FB75KC camera package is supplied with the HDVF-L10 3.5-inch QHD colour LCD monocular viewfinder, portable HD 20x zoom lens and omni-directional monaural electret condenser microphone.Full HDExmor CMOS sensorsThe HXC-FB75 features three 2/3-inch Exmor CMOS sensors to produce excellent HD pictures.Captures a variety of HD imagesThe HXC-FB75 produces a variety of selectable progressive and interlace HD signal formats, including 1080i/59.94,50, 1080PsF/29.97,25, 720p/59.94,50SD down-converterDown converted SD signal output from HXCU-FB70Hybrid-type optical fibre cable connection to CCU extends signal transmission with power supply to 350mConnected to the HXCU-FB70, hybrid type optical fibre cable with a Neutric connector can extend signal transmission with required power supply up to 350m. Full camera control is possible through a user-friendly operational panel designed specifically to work with the HXC series camera.Long-distance transmission up to 10km with single-mode fibre cableIn the case of connection with a single-mode fibre cable (SMF), transmission can extend up to 10km, if you are using a local power supply. In many facilities the SMF already laid as infrastructure, it enables you to install the camera system quickly and easily.HDVF interface for connecting a variety of viewfindersThe HXC-FB75 has an HDVF interface that allows the latest HD portable viewfinders to be used, as well as all types of large HDVF viewfinders.Wide range of image control functionsThe system camera is full of creative image control functions such as MultiMatrix, Skin Tone Detail, Low Key Saturation, Knee Saturation, and Auto Lens Aberration Compensation (ALAC).Supplied with digital HD viewfinder HD lens and monaural microphoneThe HXC-FB75KC camera package is supplied with the HDVF-L10 3.5-inch QHD colour LCD monocular viewfinder that offers better and easier focusing. The camera is also supplied with a portable HD 20x zoom lens and monaural electret condenser microphone.Sony HXCU-FB70 Camera Control UnitSony's HXCU-FB70 optical fibre CCU for HXC-D70 and PMW-320/350/500 camcorders, allows connection to the CA-FB70 optical fibre camera adaptor. With the CCU, it is possible to control the HXC-D70 and PMW-320/350/500 up to a maximum distance of 250 meters, including the power and signals of Tally, Intercom, Video Return and also Prompter.Optical fibre connection - The HXCU-FB70 helps ensure the best picture quality and easy integration using optical fibre connection for distances up to 250m with power supply or up to 10km with single mode fibre and local power supply.Connection for all signals - The HXCU-FB70 provides flexible integration and the possibility to extend the operation with all signals (Tally, Intercom, Video Return and Prompter) in full HD.Compatible with RCP-1xxx Series remote control panels and RCP software - The HXCU-FB70 allows you to use the popular RCP-1xxx Series remote control panels that well known on all HD system cameras. You are also able to lower the cost of the system by using HZC-RCP5 (PC-RCP) to network and display your parameters on a big screen.Operates with CA-FB70 and HXCE-FB70 for greater flexibility - The HXCU-FB70 works seamlessly withthe CA-FB70 optical fibre adaptor and HXCE-FB70 power extension unit when power supply is required for the CA-FB70 attached to theHXC-D70 camera or PMW-320/350/500camcorders, or when the long distance signal transmission is requiredbetween the CA-FB20 and HXCU-FB70.Connector options - The HXCU-FB70 is supplied with an optical Neutrikoptical CON DUO connector, which accepts either a LC-Duplex connector for a cost effective single mode fibre cable, or a rugged Neutrik optical CON connector for a SMPTE-type power and fibre composite cable.Selectable outputs - The HXCU-FB70 features 4x selectable SD/HD-SDI outputs plus analogue VBS and component, HDMI and S-Video outputs.

Sony HXC-FB75/TRIAX 2/3" Exmor CMOS Sensor SD/HD Studio Camera - Body Only

Sony HXC-FB75/TRIAX (HXCFB75/TRIAX, HXC/FB75/TRIAX, hxc-fb75/triax) 2/3" Exmor CMOS Sensor SD/HD Studio Camera - Body Only Sony introduces an ideal solution for entry level HD & SD live production, delivering better quality and performance for live production.The HXC-FB75 is a high-performance, yet affordable, HD camera system that inherits Sony’s proven field-proven operability from the highly regarded DXC-D Series of system cameras. The camera is equipped with three 2/3-inch Full HD Exmor CMOS sensors to provide excellent sensitivity (F12 at 1080i/60) with a low noise ratio for clear images. Those sensors are common to the HXC-P70, HXC-D70 and PXW-X400, and enable perfect integration with those cameras which gives you more flexibility. In addition, a wide range of output formats are available, including 1080i/59.94,50, 1080PsF/29.97,25, 720p/59.94,50, 480i/59.94 and 576i/50. Smooth and precise focusing is enabled by focus assist function and the latest viewfinder options. Video/Audio and control signal transmission, with power, can extend up to 350m via Hybrid Type Optical Fibre Cable. The camera is also controllable from a CCU panel and remote controller.Full HDExmor CMOS sensorsThe HXC-FB75 features three 2/3-inch Exmor CMOS sensors to produce excellent HD pictures.Captures a variety of HD imagesThe HXC-FB75 produces a variety of selectable progressive and interlace HD signal formats, including 1080i/59.94,50, 1080PsF/29.97,25, 720p/59.94,50SD down-converterDown converted SD signal output from HXCU-FB70Hybrid-type optical fibre cable connection to CCU extends signal transmission with power supply to 350mConnected to the HXCU-FB70, hybrid type optical fibre cable with a Neutric connector can extend signal transmission with required power supply up to 350m. Full camera control is possible through a user-friendly operational panel designed specifically to work with the HXC series camera.Long-distance transmission up to 10km with single-mode fibre cableIn the case of connection with a single-mode fibre cable (SMF), transmission can extend up to 10km, if you are using a local power supply. In many facilities the SMF already laid as infrastructure, it enables you to install the camera system quickly and easily.HDVF interface for connecting a variety of viewfindersThe HXC-FB75 has an HDVF interface that allows the latest HD portable viewfinders to be used, as well as all types of large HDVF viewfinders.Wide range of image control functionsThe system camera is full of creative image control functions such as MultiMatrix, Skin Tone Detail, Low Key Saturation, Knee Saturation, and Auto Lens AberrationCompensation (ALAC).HXC-FB75KC variant of this model includes a digital HD viewfinder, HD lens and Monaural microphone.HDVF-L10 3.5-inch QHD colour LCD monocular viewfinder offers better and easier focusing.A x 20 HD portable lens and a monaural microphone are also included as an all-in-one camera package.

Sony Power Supply Extension Unit

Sony HXCE-FB70//U (HXCEFB70//U, HXCE/FB70//U, hxce-fb70//u) Power Supply Extension Unit Extends fibre connection from 250m to 10km The HXCE-FB70 is an extension module for the fibre connection between the CA-FB70 optical fibre adaptor and HXCU-FB70 optical fibre CCU. It receives power via a fibre from the HXCU-FB70. It then connects to the CA-FB70 with a single mode fibre cable. In this case, it can extend the extension distance from 250m to 250m + 10km if the CA-FB70 is powered locally. The HXCE-FB70 is designed to work with the HXC-D70 and PMW-320/350/500 camcorders. Full HD picture quality and connection for all signals The HXCE-FB70 provides the excellent picture images as well as flexible integration and the possibility to extend the operation with all signals (Tally, Intercom, Video Return and Prompter) in full HD.  

Sony Compact Camera Control Unit for HSC-300R and HSC-100R

Sony HSCU-300RT/4M (HSCU300RT/4M, HSCU/300RT/4M, hscu-300rt/4m) (HSC_300R, HSC/300R) (HSC100R, HSC100R) Compact Camera Control Unit for HSC-300R and HSC-100R The highly compact 1.5 RU-size HSCU-300R Camera Control Unit creates a standardised 19-inch rack system that is ideal for space-limited production areas. When the blank front panel of the HSCU-300R is replaced with the optional CCU Front Control Panel HKCU-FP2, a simple remote control system can be configured. Many functions of the camera can be controlled by the control knobs and switches on the HKCU-FP2.Multiple camera control Furthermore, when the optional HZCU-MC3 camera operating software is installed, the HSCU-300R allows the HSC-300R or the HSC-100R to be controlled by an MSU-1000/1500 Master Setup Unit or RCP-1000 series Remote Control Unit, enabling the camera to be used as a simple studio system or as part of a large-scale broadcasting system consisting of multiple cameras.

Sony Compact Camera Control Unit for HSC-300R and HSC-100R

Sony HSCU-300RT/4E (HSCU300RT/4E, HSCU/300RT/4E, hscu-300rt/4e) (HSC_300R, HSC/300R) (HSC100R, HSC100R) Compact Camera Control Unit for HSC-300R and HSC-100R The highly compact 1.5 RU-size HSCU-300R Camera Control Unit creates a standardised 19-inch rack system that is ideal for space-limited production areas. When the blank front panel of the HSCU-300R is replaced with the optional CCU Front Control Panel HKCU-FP2, a simple remote control system can be configured. Many functions of the camera can be controlled by the control knobs and switches on the HKCU-FP2. Multiple camera control Furthermore, when the optional HZCU-MC3 camera operating software is installed, the HSCU-300R allows the HSC-300R or the HSC-100R to be controlled by an MSU-1000/1500 Master Setup Unit or RCP-1000 series Remote Control Unit, enabling the camera to be used as a simple studio system or as part of a large-scale broadcasting system consisting of multiple cameras.

Sony Compact Camera Control Unit for HSC-300RF and HSC-100RF

Sony HSCU-300RF (HSCU300RF, HSCU/300RF, hscu-300rf) (HSC_300RF, HSC/300RF)(HSC100RF, HSC 100RF)  Compact Camera Control Unit for HSC-300RF and HSC-100RFThe highly compact 1.5 RU-size HSCU-300RF Camera Control Unit creates a standardised 19-inch rack system that is ideal for space-limited production areas. When the front panel of the HSCU-300RF is replaced with the optional CCU Front Control Panel HKCU-FP2, a simple remote control system can be configured. Many functions of the camera can be controlled by the control knobs and switches on the HKCU-FP2.Multiple camera control Furthermore, when the optional HZCU-MC3 camera operating software is installed, the HSCU-300RF allows the HSC-300RF or the HSC-100RF to be controlled by an MSU-1000/1500 Master Setup Unit or RCP-1000 series Remote Control Unit, enabling the HSC-300RF to be used as a simple studio system or as part of a large-scale broadcasting system consisting of multiple cameras.

Sony HSC-300RT/4M Digital Triax Broadcast Camera

Sony HSC-300RT/4M (HSC300RT/4M, HSC/300RT/4M, hsc-300rt/4m) Digital Triax Broadcast Camera The Sony HSC-300RT Digital Triax Broadcast Camera is an HD/SD camera with a digital triax CCU input. The triax system integrates into conventional triax-based infrastructures, allowing upgrades from existing systems, and supports cable runs up to 5,905 ft to an optional CCU. The camera features a 2/3" type CCD sensor offering F10 sensitivity for 1080i59.94 and F11 for 1080i50, with -60dB signal-to-noise ratio. It also records in 720p and 1080PsF and down-converts to high-quality SD. An optional HZC-PSF3 software is required for 1080/29.97PsF/25PsF. The lens mount is Sony Bayonet. Inputs/outputs include XLR audio, XLR mic, HD/SD-SDI output, VF signal, return signal, SDI prompter output/genlock input/return input, and XLR intercom. The HSC-300R supports large lenses via Sony HDLA-1500, HDLA-1505, and HDLA-1507 large lens adapters, and it features built-in Neutral Density and Color Correction optical servo filters that can be remotely controlled using an RCP or MSU. The adapters and controllers are sold separately.A 16-bit A/D converter processes images with very high color precision. A Digital Extender function expands an image by a factor of two in the center of the sensor's captured image without any decrease in sensitivity. Auto Lens Aberration Compensation 2 automatically reduces chromatic aberration by horizontal and vertical compensation when using lenses that support this function. Seven standard-gamma and four hyper-gamma tables are available for use in adjusting contrast. A Multi-Matrix function applies color adjustments over a user-specified color range, and Adaptive-Matrix enables color conversion even when shooting under excessively strong ambient light. Master White Gain allows step-less gain level adjustments. Two types of focus assist are available -- Viewfinder Detail adds dedicated edge signals to the viewfinder, allowing easy recognition of a focusing point, and Focus Assist Indicator displays an indicator for adjustment at the bottom or elsewhere within the viewfinder frame.The main chassis is made of durable magnesium-alloy casting. An integrated shoulder pad is adjustable back and forth without any tools. A protrusion on the front of the carrying handle allows added stability while shooting, and a non-slip structure on the handle's lower surface provides better grasp. Assignable switches are available on the side and rear panels and assignable buttons on the handle.Multi-Format Operation The HSC-300R records in 1080/59.94i/50i, 720/59.94p/50p, and 1080/29.97PsF/25PsF (an optional HZC-PSF3 software is required for 1080/29.97PsF/25PsF) 2/3" CCD Sensor A 2/3" type full-resolution 1920 x 1080 CCD sensor offers a high F10 sensitivity for 59.94 Hz and F11 for 50 Hz, with a signal-to-noise ratio of -60 dB. Digital Triax Operation The HSC-300R uses a digital triax CCU input/transmission system that can be integrated into conventional triax-based infrastructures. This allows an easy upgrade from existing systems. Cable runs up to 5,905 ft can be established between the camera and optional CCU via a 14.5mm diameter cable, also optional. 16-Bit A/D Conversion and DSP LSI A 16-bit A/D converter enables captured images to be processed with maximum precision, and the Auto Lens Aberration Compensation function can optimize lens performance. Large Lens Operation The HSC-300R supports large lenses via optional HDLA-1500, HDLA-1505, and HDLA-1507 large lens adapters. ND/CC Dual Optical Servo Filters Built-in Neutral Density and Color Correction optical servo filters can be remotely controlled via an optional RCP-1000 Series remote control panel (RCP) or MSU-1000/1500 master setup unit (MSU). Digital Extender The Digital Extender function expands the size of the image by a factor of two in the center of the sensor's captured image. This function works without a decrease in sensitivity as is common with conventional optical extender functions. Auto Lens Aberration Compensation 2 The ALAC2 function automatically reduces chromatic aberration by both horizontal and vertical compensation when using lenses that support this function. Versatile Interfaces A wide range of inputs and outputs including HD/SD-SDI output, VF signal, return signal, SDI Prompter signal, and an intercom channel (ENG/PROD). Robust Design The main chassis is made of a magnesium-alloy casting, which ensures the durability and helps protect the camera's lightweight precision components, such as integrated optical elements and electronics. Position-Adjustable Shoulder Pad The integrated shoulder pad can be adjusted forwards or backwards to provide weight balance, useful when the camera is docked with a lens or camera adapter. This adjustment doesn't require any tools. Two Types of Focus Assist "Viewfinder Detail" adds dedicated image-enhancing edge signals directly to the viewfinder, enabling the camera operator to recognize a focusing point. "Focus Assist Indicator" displays an indicator for adjustment at the bottom or other position of the viewfinder frame, particularly beneficial when shooting wide. Optimized Handle Shape for Stable Shooting The designed carrying handle enhances camera operability. A protrusion positioned on the front of the handle allows holding the camera with added stability while shooting. And the non-slip structure of the handle's lower surface helps grasp the handle firmly. Function-Assignable Switches The camera features assignable switches on the side and rear panels and assignable buttons on the handle. Built-In Down Converter This down converter allows superior SD images as standard. Multiple Gamma Tables Seven types of standard-gamma and four types of hyper-gamma tables are available for handling the contrast range and look of an image in-camera. HyperGamma HyperGamma is a set of transfer functions that provide contrast handling by making maximum use of the CCD sensor's capacity and wide dynamic range. These functions are quickly accessible via the set-up menu, and four curves are available to choose from. You can, for example, enhance natural reproduction in low-key areas to achieve greater flexibility in wide dynamic scenes. Multi-Matrix The Multi-Matrix function applies color adjustments over a user-specified color range. The color spectrum is divided into 16 areas of adjustment, where the hue and/or saturation of each area can be modified. This function is especially useful when only the hue of certain colors needs to be adjusted for special-effects work. Multi-Matrix is effective for capturing images with similar color tone in a system configured with existing SD cameras or other models of camera. This function enables the picture from another model of camera to be easily matched. Adaptive-Matrix This function enables color conversion even when shooting under excessively strong ambient light, like under bright monochromatic blue light. Such a condition typically causes a conventional matrix function to exceed the color conversion range. Master White Gain The Master White Gain function allows step-less adjustment of gain levels, allowing the gain levels to be adjusted more precisely compared to conventional stepwise adjustment. Compatible CCU Model: HSCU-300R 1.5 RU.

Sony PXW-FS7M2K 4K XDCAM Super 35mm Camcorder with 18-110mm Servo Zoom Lens

Sony PXW-FS7M2K (PXW-FS7-M2K , PXWFS7M2K, PXW/FS7M2K, pxw-fs7m2k) 4K XDCAM Super 35mm Camcorder with 18-110mm Servo Zoom Lens This pairing of a PXW-FS7M2 4K XDCAM Super 35 Camcorder Kit with an 18-110mm Zoom Lens from Sony provides you with a camera and lens system ready for today's Super 35mm 4K single-camera productions. Well suited to cinema, documentaries, news magazines, or as the base of a kit to build upon for commercial production. A sturdy locking E-mount, which can support cinema-style zoom lenses, and an electronic variable ND filter highlight some of the camera's features. The camera supports recording of HD, UHD 4K, and DCI 4K to integrated XQD media card slots. The included Sony 18-110mm power zoom lens covers the Super 35mm format and supports 4K resolution. It features a Sony E-mount, which allows it to mount directly on the camera without requiring an adapter. The power zoom incorporates a mechanically linked zoom ring for precise control with no motor lag, and it features separate geared focus, zoom, and iris rings for manual image control. PXW-FS7M2 XDCAM Super 35 Camera System Expanding on the original FS7, Sony's PXW-FS7M2 XDCAM Super 35 Camera System is a flexible 4K camera system. Designed as a camera that is at home on productions as diverse as "Cinéma Vérité"-style documentaries, reality TV, commercial, and corporate applications It features a Super 35mm sized sensor that allows you to capture images with cinematic depth of field. The camera incorporates a stronger locking E-mount that is fully compatible with E-Mount lenses, and supports all electronic connections. The locking mount reduces lens play, and allows you to use most 35mm lenses including PL, EF, Leica, and Nikon via optional adapters. This stronger E-mount is ideal for using heavier-long cine-zooms without the need for additional lens support. Just behind the lens mount sits an electronic variable ND system that provides a clear filter and 3 user definable presets. The variable ND can be adjusted to provide between 2 and 7 stops of ND. The camera can capture footage to optional on-board XQD media cards in either DCI 4K (4096 x 2160) or UHD 4K (3840 x 2160) at up to 59.94 fps or HD at up to 180 fps. The camera records in your choice of XAVC-I, XAVC-L, or MPEG-2. However, MPEG-2 recording does not support the high data rates the camera is capable of generating when shooting in UHD, and is limited to recording HD video only. The camera incorporates Dual XQD media card slots that support simultaneous or relay recording. An ergonomically designed handgrip provides control of many of the camera's functions and features an adjustable length support arm. Sensor The 4K Super 35 EXMOR sensor features 14 Stops of latitude and a wide color gamut. It offers a choice of XAVC or MPEG-2 codecs. The XAVC codec can be used for 4K and HD recording, while MPEG-2 is limited to HD recording. XAVC comes in two flavors, XAVC INTRA, and XAVC Long, allowing you to encode from HD to UHD using Intra-Frame or Long GOP compression with 10-bit 4:2:2 for HD and the choice of 10-bit 4:2:2 or 8-bit 4:2:0 for UHD. XAVC intra compression is very efficient, recording at modest bit rates and XAVC Long also substantially extends the recording time while attaining very high quality and low noise. Signal Processing The Camera supports two signal processing modes; Cine-EI and Custom. Cine-EI offers three color grading spaces for electronic cinematography production. The Custom mode supports Rec-709 and Rec BT-2020 at UHD 3840 x 2160 with Y, Cb, Cr color subsampling. You can set the PXW-FS7M2 to record onboard and monitor on a BT 2020 compliant monitors via HDMI 10-bit 4:2:2 or SDI at 10-bit 4:2:2 with a 709 monitor LUT applied. Locking E-Mount The PXW-FS7M2 is equipped with a locking E-Mount that provides improved stability and strength compared to a standard E-Mount. It features a safety interlock system that helps prevent accidental disengagement of your lens from the camera body. The locking mount also reduces lens play compared to a standard E-Mount and the locking mount is strong enough to support long cine and ENG zooms that normally require a lens support. It accepts optional E-Mount lenses from Sony, Zeiss and other manufacturers. The shallow flange distance of the E-Mount allows you to mount most 35mm lens types such as PL, Canon EF, Leica, Nikon, as well as many others with simple mechanical adapters. Electronic Variable ND Behind the lens mount sits a retractable clear filter. When you engage the internal ND filters, the clear filter retracts and a stepless electronic ND filter drops into place maintaining the proper flange focal distance. You can program the electronic ND filter to act as three individual filters and rotating the filter knob will step between these presets. Additionally, you can manually adjust the density of the filter from 2 to 7 stops. One of the advantages of the electronically variable ND filter is that you can use the iris on your lens to set your depth of field, and then make exposure adjustments with the ND, as it does not introduce any color shift as the strength of the ND changes. Magnesium Construction The camera body is made from magnesium, which is lighter and stronger than aluminum. This allows the camera body to weigh only four pounds. It also incorporates a shoulder pad and is designed to sit on the operator's shoulder by extending the support arm of the SmartGrip, which allows the camera to be held in front of the operator without requiring a support rig. SmartGrip The camera includes an ergonomic handgrip that Sony calls a SmartGrip, which features Zoom, Start/Stop, and Assign controls. The SmartGrip facilitates camera operation with the right hand, leaving the left hand free to operate the lens. Both the arm and handgrip can be positioned at different angles permitting great flexibility, and it has been re-designed for additional extension adjustment. Redesigned Viewfinder and Mic Holder Mount With the PXW-FS7M2 the viewfinder and mic holder mount has been repositioned. The viewfinder and mic holder now attach to a replaceable 15mm rod. This allows you to swap out the included rod with a longer rod (not included), allowing you to move the position of the viewfinder or mic holder relative to the camera. You can adjust the position of the viewfinder so a left-eye shooter can use their left eye, while the camera is resting on their right shoulder. In addition, the viewfinder itself now rides on a square mounting rod that ensures level operation. Internal Recording The PXW-FS7M2 records internally in both DCI 4K and UHD 4K at up to 59.94 fps, and in HD up to 180 fps using XAVC-I or up to 120 fps with XAVC-L. DCI 4K (4096 x 2160) can be recorded internally without the need of an external recorder. Media Card Slots The camera features two XQD media slots that support simultaneous or relay recording. The XQD card slots are shallower on the PXW-FS7M2 compared to the FS7, making inserting and removing media cards easier. Genlock and Timecode Genlock and timecode breakout is available with an optional XDCA-FS7, this also allows for raw and ProRes recording with optional recorders. E PZ 18-110mm f/4 G OSS Lens With a wide focal-length range and a constant f/4 aperture in a compact form factor, the Sony E PZ 18-110mm f/4 G OSS Lens offers videographers and cinematographers a versatile lens choice for lightweight operations. While the lens may seem small, it has professional features to back it up. The 18-110m focal-length range covers moderately wide to narrow angles-of-view. Sony's built-in Smooth Motion Optics leverage the internal mechanics of the lens to minimize focus breathing, focus shifting, and other anomalies that would otherwise be noticeable when adjusting the lens during recording. The body of the lens sports separate focus, zoom, and iris rings for complete manual control. Just pull the focus ring back and full-time manual focus is engaged. The focus ring itself has built-in cinema-standard gearing for follow-focus compatibility. Zoom functionality can be operated both manually and electronically. The zoom ring is connected to the lens mechanically, so crash-zooms can be achieved without lag. Iris operation can be done automatically, or by rotating the iris ring. By disengaging the iris click switch, manual iris adjustments can be made smoothly. For smaller, less robust cameras, a quick-release tripod foot is included. The foot secures towards the rear of the lens for tripod use. Alternatively, a conventional lens support can be attached near front of the lens for compatibility with rod-based lens supports. The filter thread will accept 95mm-diameter round filters and the included lens cap. A lens hood is also included for minimizing flare. The hood's shuttered design can be closed when the camera is not in use. Smooth Motion Optics Sony's SMO (Smooth Motion Optics) design and construction minimizes optical shifts that can have a negative impact on image quality. Focus breathing is minimized by an internal focus mechanism, focus shift while zooming is eliminated by precise focus tracking adjustment, and axial shift is minimized by a constant-length design. Versatile Zoom Control In addition to a smooth servo zoom, mechanical manual zoom ensures precise control with an immediate response. The desired angle of view can be accurately reached by preventing over or undershoot due to lag. Zoom ring direction can be easily switched as required, smooth, slow powered zoom is supported, and an inner zoom mechanism means that the length of the lens remains constant, regardless of focal length. Professional Focusing Features The focus ring slides back to quickly engage manual focusing. Cinema-standard MOD 0.8 gear teeth are built into the focus ring, enabling use of standard follow focuses without requiring cumbersome focus gear accessories. Compact Design The lightweight form-factor of this lens contributes to the kind of mobility that active movie shooting demands. Small size and low weight can be advantageous when using gimbals and other types of support as well. Optical SteadyShot Built-in Optical SteadyShot (OSS) image stabilization helps to keep recorded images stable and free of excess blur in a wide range of handheld or locked-down shooting conditions involving camera movement. Weather Resistance  A dust and moisture-resistant design provides extra protection and ensures reliable operation in challenging environments and inclement weather. Shoot with confidence in light rain or windy conditions.    

Sony Slow Shutter Image Inverter

Sony HKDW-905R (HKDW905R, HKDW/905R, hkdw-905r) Slow Shutter Image InverterThe HKDW-905R Slow Shutter and Image Inverter Board** powerfully enhances the operational and creative versatility of the HDW-F900R camcorder. With the HKDW-905R equipped, the camcorder can slow its shutter speed down to a 64-frame period*. During such a long frame period, electrical charges accumulate on the CCDs, dramatically increasing sensitivity. This helps camera operators to shoot in extremely dark environments.In addition, because more picture blur occurs when shutter speed is reduced, the HKDW-905R allows operators to produce creative pictures when shooting moving objects, through the intentional use of blurred images. The image-inversion function of the HKDW-905R board also allows the use of a variety of image-inverting lenses, the Anamorphic Lens Adaptor, and cinema lenses with 2/3-inch adaptors. *The slow-shutter function and the image-inversion function cannot be used simultaneously. The shutter speed can be adjusted to a 1-, 2-, 3-, 4-, 5-, 6-, 7-, 8-, 16-, 32-, or 64-frame period.

Sony 2-3 Pull-Down/Converter Board

Sony HKDW-902R (HKDW902R, HKDW/902R, hkdw-902r) 2-3 Pull-Down/Converter BoardHKDW-902R is a down converter board for the HDW-F900R Provides the HDW-F900R with down-converted Standard Definition output, and on-set SD monitoring of 1080/23.98P signals on a conventional NTSC monitor. Enables SD output to the camcorder's viewfinder or a monitor connected to the camcorder during 23.98P recording The unit can get used in squeeze, letterbox or crop modes for SD viewing. Down converter that now incorporates 3:2 pull-down for on set SD monitoring.  

Sony Picture Cache Board

Sony HKDW-703/1 (HKDW703/1, HKDW/703/1, hkdw-703/1) Picture Cache Board The HDW-703 Picture Cache Board from Sony is an optional internal board that provides up to (7) or (8) seconds (depending on resolution and camera model) of loop recording using solid state memory with HDW Series digital camcorders. It is specifically designed to work with models HKDW-750, HKDW-750P, and HKDW-730S. When you start recording while using this board, everything that happened up to (7) or (8) seconds before the operator pressed recorded will also be included in your footage. The card can be custom configured to record other increments in whole seconds from (1) up to (7) or (8) seconds in length. Loop Recording Cache with HDW Series Digital Camcorders This board provides up to (7) or (8) seconds (depending on resolution and camera model) of loop recording using solid state memory with models HKDW-750, HKDW-750P, and HKDW-730S digital camcorders.

Sony Down Converter Board

Sony HKDW-702/1 (HKDW702/1, HKDW/702/1, hkdw-702/1) Down Converter Board The HKDW-702 Down Converter Board from Sony is an optional internal board that allows output of down converted HD camera signals when using HDW Series digital camcorders. It is specifically designed to work with models HDW-750, HDW-750P, and HDW-730S. It supports SD output with four channel audio embedded in the signal. SD-SDI or analog Composite video can be selected via the camcorder's setup menu. It also features the ability to crop, letterbox, or squeeze the image picture. Down Conversion for HDW Series Cameras This unit is an optional internal board that allows output of down converted HD camera signals when using HDW-750, HDW-750P, and HDW-730S digital camcorders.

Sony Control Panel For HDW-2000 Series

Sony HKDW-101 (HKDW101, HKDW/101, hkdw-101) (HDW/2000, HDW_2000) Control Panel For HDW-2000 SeriesThe HKDW101 Control Panel For HDW-2000 Series VTR from Sony is a control panel designed for Series VTR video products. This panel adds a wide range of advanced control features to HDW-2000/1, HDW-M2100/1 and HDW-M2000/1 HDCAM VTR devices.

Sony CCU Extension Adapter

Sony HKCU-SM100 (HKCUSM100, HKCU/SM100, hkcu-sm100) CCU Extension Adapter The HKCU-SM100 CCU extension adaptor works with the HDCE-100 camera extension adaptor to meet the fast-growing demand for an affordable total system solution for long-distance transmission with single mode fibre cable (SMF). The HKCU-SM100 and the HDCE-100 are designed for easily converting the cable format between the camera head and base station Camera Control Unit (CCU) from SMPTE optical fibre to SMF. The HDCE-100 on its own extends the distance between camera head and CCU. With the HKCU-SM100, the maximum distance extends to 10 km. In 4K camera systems, the HDCE-100 and HKCU-SM100 can be utilised with the BPU-4000 baseband processor unit to supply power to the CA-4000 camera system adaptor or HDC-4300 camera. Easy conversion from optical fibre to single mode fibre Easy conversion of the cable format between the camera head and base station Camera Control Unit (CCU) from SMPTE optical fibre to single mode fibre cable (SMF). Long-distance transmission Provides transmission on single mode fibre between CCU and 4K, HSC and HDC series cameras of up to 10 km.

Sony Front Control Panel for HSCU-300R/RF and HXCU-TX70

Sony HKCU-FP2 (HKCUFP2, HKCU/FP2, hkcu-fp2) (HSCU/300R/RF,HSCU_300R_RF)(HXCU/TX70, HXCUTX70)  Front Control Panel for HSCU-300R/RF and HXCU-TX70 Sony's Front Control Panel for HSCU-300R/RF and HXCU-TX70 is an optional control panel that attaches to the front of Sony's HSCU-300R/RF or HXCU-TX70 Camera Control Unit (CCU). It provides direct access for controlling white and black balance, iris and master black, shutter and master gain. It includes function assignable buttons and a potentiometer. Basic Camera Control from the CCU Front Panel It is a very compact solution for camera control, offering space saving for small control rooms and OB vans Direct Access to Main Camera Adjustments It is a cost effective solution for camera control compared to traditional RCP-type controllers    

Sony 3G/HD-SDI Output Board for HDCU-1700/2000/2500

Sony HKCU-2007 (HKCU2007, HKCU/2007, hkcu-2007) 3G/HD-SDI Output Board for HDCU-1700/2000/2500The easy-to-install HKCU-2007 output board provides 4x 3G-SDI / HD-SDI outputs (BNC) for the HDCU-2000 and HDCU-25000 Camera Control Units(CCUs) working with HDC-2000 and HDC-1500 Series cameras. The output board allows you to extend the network of cameras controlled by a single CCU, sending 3G bandwidth over a single coax line. HKCU-2007 is also compatible with the HDCU-1700 CCU working with the HDC-1700 camera.

Sony HD/SD Expansion Unit

Sony HKCU-1005 (HKCU1005, HKCU/1005, hkcu-1005) HD/SD Expansion UnitThe HKCU1005 is an interface expansion option board for the HDCU1000/HDCU1500. It provides four HD-SDI or SD-SDI outputs.

Sony Multi Interface Unit for HDCU-Series

Sony HKCU-1003 (HKCU1003, HKCU/1003, hkcu-1003) Multi Interface Unit for HDCU-SeriesThe easy-to-install HKCU-1003 multiinterface unitconsists of three distinct variations of output signals for the HDCU-2000/-2500, HDCU-1000/-1500, HDCU-3300 Camera Control Units(CCUs) working with HDC-2000 and HDC-1500 (HDC-3300) Series cameras. The interface unitis also compatible with the HDCU-1700 CCU working with the HDC-1700 camera.Three types of interface boards for HDCU-2000/-2500, HDCU-1000/-1500, HDCU-3300 and HDCU-1700 CCU The HKCU-1003 multi interface unit consists of three typesof interface board and provides: Two analogue NTSC or PAL VBS signal outputs, a PIX output,and a WFM output (Board A) A frame reference input, output to lock 2-3 pull-downsequence, a PIX output, and a WFM output (Board B) One analogue NTSC or PAL VBS signal output and analogue component R/G/Bor Y/R-Y/B-Y outputs (Board C)    

Sony SD Analogue Interface Unit

Sony HKCU-1001 (HKCU1001, HKCU/1001, hkcu-1001) SD Analogue Interface UnitThe easy-to-install HKCU-1001interface unit provides two analogue NTSC or PAL VBS signal outputs, a PIX (picture monitor) output, and a WFM (waveform monitor) output for the HDCU-2000/-2500, HDCU-1000/-1500 and HDCU-3300 Camera Control Units(CCUs) working with HDC-2000 and HDC-1500 (HDC-3300) Series cameras. The interface unitis also compatible with the HDCU-1700 CCU working with the HDC-1700 camera. SD analogue expansion for HDCU-2000/-2500, HDCU-1000/-1500, HDCU-3300and HDCU-1700 CCU The HKCU-1001 interface unit provides two analogue NTSC or PAL VBS signal outputs, a PIX (picture monitor) output, and a WFM (waveform monitor) output  

Sony Digital Triax Adapter

Sony HKC-TR27F (HKCTR27F, HKC/TR27F, hkc-tr27f) Digital Triax AdapterThe HKC-TR27 digital triax adaptor side cover for the HDC-2400/2500/2550 system cameras permits digital triax transmission with a bandwidth that allows the transmission of 1080P or 2xSloMo signals (2x1080i) over triax. Furthermore, digital triax transmission does not suffer from a decrease of SNR (Signal to Noise Ratio) over longer extensions, so the high performance signal quality can be kept over the maximum extension of 1,400m (using 14.5mm triax cable). Camera connects with HDFX-200 to HDCU-2000/2500 CCUs The digital triax transmission requires the use of an HDFX-200 converter to convert the triax signals to an SMPTE-Fibre cable to be accepted by the HDCU-2000/2500 or HDC-1000/1500Camera Control Unit (CCU). High quality digital signal transmission over conventional triax cable Existing triax infrastructure can be used with no need to install additional cables up to distances of 1,400m (using 14.5mm triax cable). Supports wide variety of frame rates The HKC-TR27 supports 1080i, 720P, 2x Slomo1080i/720P HD frame rates. 2xSloMo speed (1080i or 720P) 2xSloMo signal and normal HDTV signal is available. Camera connects with HDFX-200 to HDCU-2000/2500 CCUs The digital triax transmission requires the use of an HDFX-200 converter to convert the triax signals to an SMPTE-Fibre cable to be accepted by the Camera Control Unit (CCU).

Sony Digital Triax Adapter

Sony HKC-TR27/4E (HKCTR27/4E, HKC/TR27/4E, hkc-tr27/4e) Digital Triax Adapter The HKC-TR27 digital triax adaptor side cover for the HDC-2400/2500/2550 system cameras permits digital triax transmission with a bandwidth that allows the transmission of 1080P or 2xSloMo signals (2x1080i) over triax. Furthermore, digital triax transmission does not suffer from a decrease of SNR (Signal to Noise Ratio) over longer extensions, so the high performance signal quality can be kept over the maximum extension of 1,400m (using 14.5mm triax cable). Camera connects with HDFX-200 to HDCU-2000/2500 CCUs The digital triax transmission requires the use of an HDFX-200 converter to convert the triax signals to an SMPTE-Fibre cable to be accepted by the HDCU-2000/2500 or HDC-1000/1500Camera Control Unit (CCU). High quality digital signal transmission over conventional triax cable Existing triax infrastructure can be used with no need to install additional cables up to distances of 1,400m (using 14.5mm triax cable). Supports wide variety of frame rates The HKC-TR27 supports 1080i, 720P, 2x Slomo1080i/720P HD frame rates. 2xSloMo speed (1080i or 720P) 2xSloMo signal and normal HDTV signal is available. Camera connects with HDFX-200 to HDCU-2000/2500 CCUs The digital triax transmission requires the use of an HDFX-200 converter to convert the triax signals to an SMPTE-Fibre cable to be accepted by the Camera Control Unit (CCU).  

Sony Digital Triax Adaptor for HDC-2400/2500/2550

Sony HKC-TR27/3T (HKCTR27/3T, HKC/TR27/3T, hkc-tr27/3t) Digital Triax Adaptor for HDC-2400/2500/2550 The HKC-TR27 digital triax adaptor side cover for the HDC-2400/2500/2550 system cameras permits digital triax transmission with a bandwidth that allows the transmission of 1080P or 2xSloMo signals (2x1080i) over triax. Furthermore, digital triax transmission does not suffer from a decrease of SNR (Signal to Noise Ratio) over longer extensions, so the high performance signal quality can be kept over the maximum extension of 1,400m (using 14.5mm triax cable). Camera connects with HDFX-200 to HDCU-2000/2500 CCUs The digital triax transmission requires the use of an HDFX-200 converter to convert the triax signals to an SMPTE-Fibre cable to be accepted by the HDCU-2000/2500 or HDC-1000/1500Camera Control Unit (CCU). High quality digital signal transmission over conventional triax cable Existing triax infrastructure can be used with no need to install additional cables up to distances of 1,400m (using 14.5mm triax cable). Supports wide variety of frame rates The HKC-TR27 supports 1080i, 720P, 2x Slomo1080i/720P HD frame rates. 2xSloMo speed (1080i or 720P) 2xSloMo signal and normal HDTV signal is available. Camera connects with HDFX-200 to HDCU-2000/2500 CCUs The digital triax transmission requires the use of an HDFX-200 converter to convert the triax signals to an SMPTE-Fibre cable to be accepted by the Camera Control Unit (CCU).  

Sony CCD Extension Block Adaptor

Sony HKC-T1500 (HKCT1500, HKC/T1500, hkc-t1500) CCD Extension Block Adaptor The HKC-T1500 "split" adapter for the HDC1500 and HDC1550 multi-format high-definition cameras increases the flexibility of Sony's multi-format high-definition cameras, by allowing the image sensor assembly to be physically separated from the camera body, using up to 50 metres of multicore cable. This results in a very compact imaging assembly which may be hand held, or located to provide unique "point of view" shots. Designed for the HDC-1500 and HDC-1550 models, it supports 1080/50p operation as well as colour viewfinders such as Sony's new HDVF-C35W. The HDC1500 and HDC1550 (triax interface) portable cameras feature high-performance 2.2-megapixel 1920x1080 progressive scan CCDs, which provide enhanced image quality and stability. This CCD technology combines native 1080/60P image acquisition with a newly developed video image processor, utilizing the latest 0.11um semiconductor technology. The new cameras operate across the entire spectrum of HD standards including: Interlace 1080i mode @1080/59.94i, 50i Progressive 1080P mode @1080/23.98p, 29.97p, 24p, 25p, 50p*, 60p* Progressive 720P mode @720/59.94p, 50P * Camera head output only via dual link. Compact Imaging Assembly When the CCD block is fitted to the split adaptor, it provides a very compact unit, ideal for shooting in tight spaces, such as in a car, or for use on a motorbike. It may be hand held, or fitted to any traditional camera mounts. Light Weight The imaging assembly is also ideal where weight is critical, such as for prolonged hand-held shooting. Maximum Performance The HDC-1500 retains full performance when used in the split adaptor, giving much higher resolution than can be obtained from other dedicated compact cameras. Quick Conversion between modes The HDC-1500 optical assembly can be quickly converted between normal and "split" operation, avoiding the need for a specialist compact camera. The HKC-T1500 can be used with any HDC-1500 or 1550 camera head. Full Range of Shooting Formats There is no limitation to the operating format when the camera is fitted to the HKC-T1500 - all the HD format standards are available Interlace 1080i modes - 1080/59.94i, 50i Progressive 1080P modes - 1080/23.98p, 29.97p, 24p, 25p, 50p*, 60p* Progressive 720P mode - 720/59.94p, 50p * Camera head output only via dual link

Sony Optical Fiber Transmission Connector

Sony HKC-LC02//U (HKCLC02//U, HKC/LC02//U, hkc-lc02//u) Optical Fiber Transmission Connector The Sony HKC-LC02 Optical Fiber Transmission Connector is designed to provide Sony's HXCU-FB70 camera control unit or HXCE-FB70 power supply extension unit with a LEMO connector.

Sony Optical Fiber Transmission Connector

Sony HKC-LC01//U (HKCLC01//U, HKC/LC01//U, hkc-lc01//u) Optical Fiber Transmission Connector The Sony HKC-LC01 Optical Fiber Transmission Connector is designed to provide Sony's CA-FB70 or HXCE-FB70 with a LEMO connector for optical fiber transmission.

Sony Dual Servo Optical Filter Wheel for HDC-2400

Sony HKC-DF20 (HKCDF20, HKC/DF20, hkc-df20) (HDC_2400, HDC/2400) Dual Servo Optical Filter Wheel for HDC-2400 This Dual Optical Filter from Sony is compatible with the HDC-2400 and HDC-1700 cameras.Dual Optical Filter for HDC-2400, HDC-1700 and HDC 2000 Series cameras Supports a range of different shooting scenes and requirements.

Sony Interconnection Adapter

Sony HKC-CN20 (HKCCN20, HKC/CN20, hkc-cn20) Interconnection Adapter The HKC-CN20 is an internal attachment kit for HDC-2500 series cameras to receive exchangeable side panel. The HKC-FB20 allows the camera to benefit from fibre transmission, while the HKC-TR20 allows the camera to use triax transmission. The HKC-CN20 fits both side panels securely to the camera. Provides fibre or triax transmission options Operates with the HKC-FB20 or HKC-TR20 side panels. Allows HDC-2500 Series system cameras to operate with fibre or triax transmission Operates with the HKC-FB20 or HKC-TR20 side panels.

Sony 3.5" Colour LCD HD Viewfinder

Sony HDVF-L10 (HDVFL10, HDVF/L10, hdvf-l10) 3.5" Colour LCD HD Viewfinder The viewfinder can accept QHD signals from applicable cameras. Camera operators can use the optical loop or see the LCD screen directly by using the flip mechanism feature.

Sony 7.4-inch OLED Viewfinder

Sony HDVF-EL75//U (HDVFEL75//U, HDVF/EL75//U, hdvf-el75//u) 7.4-inch OLED Viewfinder The 7.4-inch* HDVF-EL75//U Viewfinder delivers strikingly high contrast, a wide dynamic range, and a fast response time thanks to the use of revolutionary Organic Light Emitting Diode (OLED) display technology.  OLED panels help prevent light emission when reproducing dark shades, resulting in very deep blacks and a contrast ratio of more than 1,000,000:1. The lack of a backlight allows the device to control all phases of light emission from zero to peak brightness. The innovative technology delivers exceptional colour expression and detail without wasting power, so it is also an exceptional energy-saver. High Definition acquisition requires extremely precise focusing, so OLED image quality delivers significant benefits by allowing the operator to accurately see contrast and colour levels when framing a shot. A wide viewing angle aids operator comfort while an extremely fast response time is particularly useful for applications such as sports coverage. In addition, the HDVF-EL75 is packed with a wide range of sophisticated, user-friendly features such as Focus Assist, four assignable switches and a position-adjustment mechanism with unprecedented flexibility.

Sony 7.4" HD Electronic Viewfinder for Studio Cameras

Sony HDVF-EL70//U (HDVFEL70//U, HDVF/EL70//U, hdvf-el70//u) 7.4" HD Electronic Viewfinder for Studio Cameras The Sony HDVF-EL70 7.4" HD Electronic Viewfinder for Studio Cameras is a professional color OLED -- organic light emitting diode -- display for high-definition studio cameras. Thanks to OLED technology, the HDVF-EL70 is able to deliver striking contrast, with a wide dynamic range and extremely fine gradation from shadows to highlights. Also made possible by the screen's OLED technology is the viewfinder's fast response time, which enables the EL70 to excel at tracking fast-moving objects. Mounting to the rear of a studio camera in a wide variety of positions, the HDVF-EL70 includes the critical features you expect from a professional display: peaking, focus assist, image magnification, and a waveform monitor. Advanced OLED Display Technology 7.4" quarter HD, 960 x 540 OLED panel for HDC studio cameras such as the HDC1000 Quick response for tracking and focusing on moving objects High contrast and wide dynamic range, thanks to OLED panel characteristics like deep black color reproduction and high peak brightness Incorporating a 10-bit driver, the OLED panel creates extremely smooth gradation from dark to bright portions Stable and long-term color reproduction with Sony's unique feedback circuit Focus Assist function supports accurate focusing Image Magnification function magnifies just the portion of the image that is in the viewfinder display Peaking Plus function enhances the edge of an object by color, area selected, or both Waveform Monitor function Four assignable switches Adjustment mechanism for flexible positioning

Sony 0.7" FHD OLED Viewfinder with 3.5" Display

Sony HDVF-EL30//U (HDVF/EL30//U, HDVF_EL30//U, HDVF EL30//U) 0.7" FHD OLED Viewfinder with 3.5" Display The Sony HDVF-EL30 0.7" Full HD Color OLED Viewfinder with 3.5" Display is used with a wide range of Sony cameras that feature the 20-pin round HDVF viewfinder interface. It features quick pixel response for tracking and focusing on moving objects. The use of OLED (Organic Light Emitting Diode) display technology helps deliver excellent contrast and a wide dynamic range. The viewfinder's specially developed optical loupe provides a high eye-point, which allows operators to see a wider area of the picture if they stand back from the eyepiece. The image displayed on the viewfinder can be downscaled via the menu or assignable button to avoid vignetting. The HDVF-EL30 is equipped with an additional 3.5" qHD (960 x 540) sub-LCD display for direct monitoring over a longer distance. Using both sub-LCD panel and OLED display offers full operational flexibility, enabling a camera assistant to monitor the sub-LCD display while the camera operator uses the OLED display. A tally indicator and the camera number can be displayed on the sub-LCD panel. The included flexible foldable hood for the sub-LCD reduces reflections caused by bright sunlight. Compatibility HD Color Camera: HDC-4300, HDC-2500 series, HSC-300R/100R series Disc Camcorder: PDW-680/700/750/850/F800 Solid State Memory Camcorder: PMW-500, PXW-X400/X500 Digital Motion Picture Camera: F65 OLED Display Technology Quick motion picture response and production of images with minimal blurring and ghosting Performance for shooting on location is not influenced by changes in environmental temperature OLED panel allows a pure black screen to be displayed Thanks to high-peak brightness, the panel is capable of displaying brilliance of sparkling objects such as twinkling of stars or glittering glass Self-luminescent OLED panel allows for excellent color reproduction across the entire spectrum in virtually any shade or brightness 3.5" qHD (960 x 540) Sub-LCD Panel Helpful for direct monitoring over a longer distance Using both sub-LCD panel and OLED display offers full operational flexibility, enabling a camera assistant to monitor the sub-LCD display while the camera operator uses the OLED display The included flexible foldable hood for the sub-LCD facilitates outside shooting in direct sunlight and reduces reflections Focus Assist Function Peaking Function: Edge enhancement can be performed in the horizontal/vertical direction on the entire screen; coloring the edge enhancement part can improve visibility Peaking Plus Function: Edge enhancement can be performed on the object that is specified using a color, an area selected, or both Image Magnification (Focus Mag) Function: Displays a part of the image expanded to twice the size, allowing you to focus with ease Assignable Switch and Presets Brightness and contrast can be pre-set for selection through an assignable switch or a menu operation Two assignable switches are provided for the storage of frequently used functions Tally Lamps The viewfinder has three tally lamps (red, green, and yellow), which light up in response to tally signals High-Performance Loupe The four-group seven-element lens (including aspheric lens) delivers pictures with low distortion and allows adjustment over a wide range of visibility The separately available close-up lens (Ø37) enables shifting the visibility ratio to the far-sighted side

Sony 0.7" Full HD Colour OLED Viewfinder

Sony HDVF-EL20//U (HDVFEL20//U, HDVF/EL20//U, hdvf-el20//u) 0.7" Full HD Colour OLED Viewfinder The Sony HDVF-EL20 0.7" Full HD Color OLED Viewfinder is used with a wide range of Sony cameras that feature the 20-pin round HDVF viewfinder interface. It features quick pixel response for tracking and focusing on moving objects. The use of OLED (Organic Light Emitting Diode) display technology helps deliver excellent contrast and a wide dynamic range. The viewfinder's specially developed optical loupe provides a high eye-point, which allows operators to see a wider area of the picture if they stand back from the eyepiece. The image displayed on the viewfinder can be downscaled via the menu or assignable button to avoid vignetting. Compatibility HD Color Camera: HDC-4300, HDC-2500 series, HSC-300R/100R series Disc Camcorder: PDW-680/700/750/850/F800 Solid State Memory Camcorder: PMW-500, PXW-X400/X500 Digital Motion Picture Camera: F65 OLED Display Technology Quick motion picture response and production of images with minimal blurring and ghosting Performance for shooting on location is not influenced by changes in environmental temperature OLED panel allows a pure black screen to be displayed Thanks to high-peak brightness, the panel is capable of displaying brilliance of sparkling objects such as twinkling of stars or glittering glass Self-luminescent OLED panel allows for excellent color reproduction across the entire spectrum in virtually any shade or brightness Focus Assist Function Peaking Function: Edge enhancement can be performed in the horizontal/vertical direction on the entire screen; coloring the edge enhancement part can improve visibility Peaking Plus Function: Edge enhancement can be performed on the object that is specified using a color, an area selected, or both Image Magnification (Focus Mag) Function: Displays a part of the image expanded to twice the size, allowing you to focus with ease Assignable Switch and Presets Brightness and contrast can be pre-set for selection through an assignable switch or a menu operation Two assignable switches are provided for the storage of frequently used functions Tally Lamps The viewfinder has three tally lamps (red, green, and yellow), which light up in response to tally signals 1 High-Performance Loupe The four-group seven-element lens (including aspheric lens) delivers pictures with low distortion and allows adjustment over a wide range of visibility The separately available close-up lens (Ø37) enables shifting the visibility ratio to the far-sighted side

Sony Fiber to Digital Triax Converter

Sony HDTX-200F (HDTX200F, HDTX/200F, hdtx-200f) Fiber to Digital Triax Converter The HDTX-200 field converter box allows a quick change from fibre to triax transmission for HDC-1500 Series or HDC-2000 Series system cameras that do not feature HKC-TR27 digital triax adaptor technology. The HDTX-200 converts the fibre signal to digital triax, allowing the transmission of 1080P or 2xSloMo signals (2x1080i) over triax. Working with the HDFX-200 digital triax adaptor, the HDTX-200 extends a digital triax system to distances of up to 3,700m between the camera and Camera Control Unit (CCU). High quality digital signal transmission over conventional triax cable for HDC-1500/2000 fibre cameras Existing triax infrastructure can be used with no need to install additional cables up to distances of 1,400m.Working with the HDFX-200 digital triax adaptor and HDCU-2000/-2500 Camera Control Unit (CCU), it is possible to extend the reach of the camera system up to a maximum distance of 3,700m between the CCU and the camera. Supports wide variety of frame rates The HDTX-200 supports 1080i, 720P, 2x Slomo1080i/720P HD frame rates, with no limit to the potential frame rates used, future-proofing the investment. 2xSloMo speed (1080i or 720P) 2xSloMo signal and normal HDTV signal is available. No additional power supply necessary The HDTX-200 is powered from the HDFX-200 via the triax cable, so no additional power supply to the HDTX-200 is necessary.

Sony Fiber to Digital Triax Converter

Sony HDTX-200/4E (HDTX200/4E, HDTX/200/4E, hdtx-200/4e) Fiber to Digital Triax Converter The HDTX-200 field converter box allows a quick change from fibre to triax transmission for HDC-1500 Series or HDC-2000 Series system cameras that do not feature HKC-TR27 digital triax adaptor technology. The HDTX-200 converts the fibre signal to digital triax, allowing the transmission of 1080P or 2xSloMo signals (2x1080i) over triax. Working with the HDFX-200 digital triax adaptor, the HDTX-200 extends a digital triax system to distances of up to 3,700m between the camera and Camera Control Unit (CCU). High quality digital signal transmission over conventional triax cable for HDC-1500/2000 fibre cameras Existing triax infrastructure can be used with no need to install additional cables up to distances of 1,400m.Working with the HDFX-200 digital triax adaptor and HDCU-2000/-2500 Camera Control Unit (CCU), it is possible to extend the reach of the camera system up to a maximum distance of 3,700m between the CCU and the camera. Supports wide variety of frame rates The HDTX-200 supports 1080i, 720P, 2x Slomo1080i/720P HD frame rates, with no limit to the potential frame rates used, future-proofing the investment. 2xSloMo speed (1080i or 720P) 2xSloMo signal and normal HDTV signal is available. No additional power supply necessary The HDTX-200 is powered from the HDFX-200 via the triax cable, so no additional power supply to the HDTX-200 is necessary.

Sony Fibre to Digital Triax Converter for HDC-1500/2000

Sony HDTX-200/3T (HDTX200/3T, HDTX/200/3T, hdtx-200/3t) (HDC/1500/2000, HDC_1500/2000) Fibre to Digital Triax Converter for HDC-1500/2000 The HDTX-200 field converter box allows a quick change from fibre to triax transmission for HDC-1500 Series or HDC-2000 Series system cameras that do not feature HKC-TR27 digital triax adaptor technology. The HDTX-200 converts the fibre signal to digital triax, allowing the transmission of 1080P or 2xSloMo signals (2x1080i) over triax. Working with the HDFX-200 digital triax adaptor, the HDTX-200 extends a digital triax system to distances of up to 3,700m between the camera and Camera Control Unit (CCU). High quality digital signal transmission over conventional triax cable for HDC-1500/2000 fibre cameras Existing triax infrastructure can be used with no need to install additional cables up to distances of 1,400m.Working with the HDFX-200 digital triax adaptor and HDCU-2000/-2500 Camera Control Unit (CCU), it is possible to extend the reach of the camera system up to a maximum distance of 3,700m between the CCU and the camera. Supports wide variety of frame rates The HDTX-200 supports 1080i, 720P, 2x Slomo1080i/720P HD frame rates, with no limit to the potential frame rates used, future-proofing the investment. 2xSloMo speed (1080i or 720P) 2xSloMo signal and normal HDTV signal is available. No additional power supply necessary The HDTX-200 is powered from the HDFX-200 via the triax cable, so no additional power supply to the HDTX-200 is necessary.  

Sony CRT Viewfinder Adapter without Large Lens for HDC Models (Black)

Sony HDLA-1507//UB (HDLA1507//UB, HDLA/1507//UB, hdla-1507//ub) CRT Viewfinder Adapter without Large Lens for HDC Models (Black) The HDLA-1507 is a highly sophisticated large viewfinder adapter for the HDC1500, HDC1550, and HDC3300. It accepts a large viewfinder - HDVF-700A/9900 - to be used with the portable camera.

Sony Large Lens Adapter HD Cam for LCD Viewfinders (white)

Sony HDLA-1505 (HDLA1505, HDLA/1505, hdla-1505) Large Lens Adapter HD Cam for LCD Viewfinders (white) The HDLA-1505 allows operation of the HDC-1500 HD portable camera or HDC-3300 SuperMotion camera together with large studio/OB lenses and LCD viewfinders. Unlike traditional lens "build-up kits", the HDLA-1505 provides a very simple one-touch cable-free mounting of the camera so that it can be quickly and easily converted from hand-held to tripod configuration. Note: The HDLA-1505 is finished in a pale grey body colour, the same as the HDC-1000 studio camera. If required, a dark coloured version, is also available. One-touch instant docking mechanism The camera can be fitted quickly and easily into the adaptor. This unique mechanism allows the HDC-1500 to be attached and detached without removing the large lens. Quick mounting for portable camera head To provide efficient operation in studio or OB environments, the large lens adaptor has a unique design which allows the camera to be converted from hand-held to large lens configuration in just a few seconds. Cable-free operation with all connections contained in "hot shoe" mounting Utilizing a newly developed interlocking mechanism, power, video, and control signals are passed on directly from the HDC-1500 to the HDLA-1505, without requiring additional cable connections. Note that the HDVF-C730W viewfinder does require a conventional cable connection Built-in teleprompter power supply Utility power (200-240V AC) is available from the large lens adaptor, when used in conjunction with the HDCU-1000 camera control unit Same handling characteristic as full size camera All the control features and functionality traditionally associated with full size cameras are provided in this efficient operational package. Compatible with HDVF-C730W colour LCD viewfinder The HDLA-1505 is specifically designed to allow the HDVF-C730W to be mounted on the rear of the camera body. The 7" CRT viewfinder, HDVF-700A, cannot be used with this lens adaptor

Sony Digital Triax to Fibre Converter

Sony HDFX-200F (HDFX200F, HDFX/200F, hdfx-200f) Digital Triax to Fibre Converter The HDFX-200 is an external converter box that allows the transmission of digital camera signals from the HDC-2400/2500/2550 system camera to the HDCU-2000/2500 Camera Control Unit (CCU) via conventional triax cable. When the system camera is fitted with the HKC-TR27 digital triax adaptor side cover, the system allowsthe transmission of 1080P or 2xSloMo signals (2x1080i) over triax. The HDFX-200 converts the triax signals to an SMPTE-Fibre cable to be accepted by the CCU. High quality digital signal transmission over conventional triax cable Existing triax infrastructure can be used with no need to install additional cables up to distances of 1,400m. Using the HDFX-200 and HDCU-2000/-2500 Camera Control Unit (CCU), it is possible to extend the reach of the camera system up to a maximum distance of 3,700m between the CCU and the camera. Supports wide variety of frame rates The HDFX-200 supports 1080i, 720P, 2x Slomo1080i/720P HD frame rates, with no limit to the potential frame rates used, future-proofing the investment. 2xSloMo speed (1080i or 720P) 2xSloMo signal and normal HDTV signal is available. Cable condition information displayed An optical indicator on the HDFX-200 displays the cable condition information. Two connectors on unit allow quick change from fibre to triax The HDFX-200features two connectors (triax and fibre) so that a quick change to the desired transmission technology is possible without changing the cabling.

Sony Digital Triax to Fibre Converter

Sony HDFX-200/4E (HDFX200/4E, HDFX/200/4E, hdfx-200/4e) Digital Triax to Fibre Converter The HDFX-200 is an external converter box that allows the transmission of digital camera signals from the HDC-2400/2500/2550 system camera to the HDCU-2000/2500 Camera Control Unit (CCU) via conventional triax cable. When the system camera is fitted with the HKC-TR27 digital triax adaptor side cover, the system allowsthe transmission of 1080P or 2xSloMo signals (2x1080i) over triax. The HDFX-200 converts the triax signals to an SMPTE-Fibre cable to be accepted by the CCU. High quality digital signal transmission over conventional triax cable Existing triax infrastructure can be used with no need to install additional cables up to distances of 1,400m. Using the HDFX-200 and HDCU-2000/-2500 Camera Control Unit (CCU), it is possible to extend the reach of the camera system up to a maximum distance of 3,700m between the CCU and the camera. Supports wide variety of frame rates The HDFX-200 supports 1080i, 720P, 2x Slomo1080i/720P HD frame rates, with no limit to the potential frame rates used, future-proofing the investment. 2xSloMo speed (1080i or 720P) 2xSloMo signal and normal HDTV signal is available. Cable condition information displayed An optical indicator on the HDFX-200 displays the cable condition information. Two connectors on unit allow quick change from fibre to triax The HDFX-200 features two connectors (triax and fibre) so that a quick change to the desired transmission technology is possible without changing the cabling.

Sony Digital Triax to Fibre Converter

Sony HDFX-200/3T (HDFX200/3T, HDFX/200/3T, hdfx-200/3t) Digital Triax to Fibre Converter The HDFX-200 is an external converter box that allows the transmission of digital camera signals from the HDC-2400/2500/2550 system camera to the HDCU-2000/2500 Camera Control Unit (CCU) via conventional triax cable. When the system camera is fitted with the HKC-TR27 digital triax adaptor side cover, the system allowsthe transmission of 1080P or 2xSloMo signals (2x1080i) over triax. The HDFX-200 converts the triax signals to an SMPTE-Fibre cable to be accepted by the CCU. High quality digital signal transmission over conventional triax cable Existing triax infrastructure can be used with no need to install additional cables up to distances of 1,400m. Using the HDFX-200 and HDCU-2000/-2500 Camera Control Unit (CCU), it is possible to extend the reach of the camera system up to a maximum distance of 3,700m between the CCU and the camera. Supports wide variety of frame rates The HDFX-200 supports 1080i, 720P, 2x Slomo1080i/720P HD frame rates, with no limit to the potential frame rates used, future-proofing the investment. 2xSloMo speed (1080i or 720P) 2xSloMo signal and normal HDTV signal is available. Cable condition information displayed An optical indicator on the HDFX-200 displays the cable condition information. Two connectors on unit allow quick change from fibre to triax The HDFX-200features two connectors (triax and fibre) so that a quick change to the desired transmission technology is possible without changing the cabling.

Sony Dual Channel HD Fibre Optic Transmission Adapter for HDC Series

Sony HDFA-200 (HDFA200, HDFA/200, hdfa-200) Dual Channel HD Fibre Optic Transmission Adapter for HDC Series The HDFA-200 combines 1.5 Gigabit signals from two HDC-P1 or HDC-1500R cameras into a single 3G-capable fibre-optic transmission feed, reducing complexity in 3D live production. The device also incorporates a viewfinder output with multiple analytical and diagnostic modes - including several specifically for 3D use. In 3D and conventional operation, the HDFA-200 minimises the cabling required for multiple cameras in live productions. It also integrates control and intercom data into the video feed, eliminating the need for any additional cables.

Sony Compact Camera Control Unit

Sony HDCU-4300 (HDCU4300, HDCU/4300, hdcu-4300) Compact Camera Control Unit Designed specifically for the HDC-4300 camera head owing to its 10Gbps fibre connection, the rackmount fitting HDCU is a CCU and BPU in a single unit. Supports IP network media interface using an optional HKCU-IP43F (not supplied). The HDCU-4300 is a space-saving, compact 2U full-rack sized camera control unit (CCU) and 4K / HD for IP baseband processor unit (BPU) with built-in IP and SDI interfaces designed to give flexibility to Outside Broadcast (OB) operations. The unit enables either 4K or HD IP operations through a single Networked Media Interface (NMI)*, alongside SDI outputs. The unit is also HDR (High Dynamic Range) ready** and can handle High Frame Rate (HFR) HD up to 8x slow motion***. The HDCU-4300 combined with the HDC-4300 camera offers OB operators a uniquely flexible, space-saving BPU/CCU for advanced 4K/HD IP operation.  Single NMI is 4K or HD selectable.  HDR: single output supports ITU BT.2020/S-Log3.  HFR requires optional software SZC-4002. Space-saving compact design gives OB operators more flexibility The 2U full-rack sized combined CCU/BPU is designed to save space and weight in OB trucks, while offering flexibility of outputs for SDI and IP operations in 4K and HD. 4K or HD IP operations supported The combined BPU/CCU HDCU-4300 works with the HDC-4300 4K/HD camera, enabling 4K or HD IP operations through the single NMI. LIVE-HDR ready The unit is HDR ready, with ITU BT.2020/S-Log3 supported. Up to 8x slow motion Full HD interlace pictures The unit can handle a variety of HFR HD, including at 480i/400i (8x slow motion) and 360i/300i (6x slow motion) interlace mode only. It also supports HD 4x, 3x and 2x slow motion in both progressive and interlace modes.

Sony Full-Rack Camera Control Unit

Sony HDCU-2000 (HDCU2000, HDCU/2000, hdcu-2000) Full-Rack Camera Control Unit The HDCU-2000 is a full 19”-rack-size camera control base station for the 3G Double-Speed Multi Format HD system camera HDC-2000 Series and the HDC-1500 Series, enabling more creative capabilities for studio, outside broadcast and sports productions. The HDCU-2000 is equipped with a range of built-in interfaces such as 3G-SDI/HD-SDI/SD-SDI outputs, 3G-SDI/HD-SDI/SD-SDI/analogue composite return inputs, and a down-converted analogue composite monitor output. In addition, a variety of output interfaces are offered via optional boards, which can be installed in four free slots on the HDCU-2000. Furthermore, a built-in LAN interface (10BASE-T/100BASE-TX) allows the camera to be controlled over a network. Menu buttons and indicators that show the status of optical transmission on the front panel provide great operability. Optic fibre extension includes power to the camera head The optical fibre transmission system used with the HDCU-2000 maintains the camera’s high picture quality across cable runs of up to 4,000 metres. When supplying power to the camera via optical fibre cable, maximum cable length varies with the camera system configuration, lens type, viewfinder type, the size of the optical fibre cable, and the number of cable connectors.

Sony HD Camera Control Unit

Sony HDCU-1700 (HDCU1700, HDCU/1700, hdcu-1700) HD Camera Control Unit The HDCU-1700 dedicated camera control unit (CCU) for the HDC-1700 camera is a19-inch half-rack size portable CCU for fibre transmission. The HDCU-1700 can control camera menu settings and display the fibre condition on its front panel. It has an expansion slot for the four HD/SD SDI outputs board; and the option board slot can be used for HKCU option cards to expand the CCUs output capability to include VBS out, PIX out, WFM out, and component video out. Long-distance fibre transmission The HDCU-1700 multi format HD Camera Control Unit (CCU) uses uncompressed (SMPTE fibre hybrid cable with LEMO connectors) and is capable of long-distance signal transmission up to 2,000 metres. Features all major broadcast interfaces as standard The HDCU-1700 handles all major broadcast interfaces, including HD/SD-SDIoutput (4x BNC) and HD/SD-SDI return input (3x BNC). Compact and lightweight design The CCU is a half 19-inch-rack size with a lightweight 6.7 kg, making it ideal for installation in OB vans and other confined spaces. Menu operation accessible from front panel The easy-to-access menu allows you to control the camera menu settings and display the fibre condition onthe CCU front panel for easy setup without having to open the CCU.      

Sony Camera Extension Adapter

Sony HDCE-200 (HDCE200, HDCE/200, hdce-200) Camera Extension Adapter The HDCE-200 camera extension adaptor supports long-distance HD production with a single mode fibre cable, installing HKCU-SM27 into the HDCE-200 for camera-side and HDFX-200 for the Camera Control Unit (CCU) side and connecting together. The unit also integrates with third-party products, such as Riedel MediorNet, Lawo V_link4 and BMD systems, through its coax mode connection. The HDCE-200 can also supply power to the 4K live camera through a BPU-4000 baseband processor unit when a CCU is not used for the simple 4K live system. Long-distance HD production Long-distance transmission over a single mode fibre cable with HKCU-SM27 optional SMF kit. Sony HD camera system integration with third-party products Integrates with third-party products via coax mode connection, such as Riedel MediorNet, Lawo V_link4 and BMD systems. Supply power to the 4K live camera through BPU-4000 Supply power to the 4K live camera through a BPU-4000 baseband processor unit when a CCU is not used for the simple 4K live system. Long-distance HD production or integration with third-party products via its coax mode connection The HDCE-200 provides long-distance transmission from a camera to a Camera Control Unit (CCU) with a single mode fibre cable by installing HKCU-SM27 optional SMF kit. It also integrates with third-party products, such as Riedel MediorNet, Lawo V_link4 and BMD systems, through its coax mode connection

Sony Single Mode Fibre Adapter with CCU Extension Adapter

Sony HDCE-100/SM100 (HDCE100/SM100, HDCE/100/SM100, hdce-100/sm100) Single Mode Fibre Adapter with CCU Extension Adapter Single mode fibre adapter for HSC and HDC fibre cameras The HDCE-100 camera extension adaptor can convert the SMPTE-311M fibre from HSC or HDC Series to single mode fibre for long distance transmissions. The HDCE-100 provides the power supply to the camera head, avoiding the need for local power supply in the field. The HDCE-100 can also supply power to the 4K live camera through a BPU-4000 baseband processor unit when a CCU is not used for the simple 4K live systems. Long-distance HD production Long-distance transmission over a single mode fibre cable. Power Supply to the Camera Head available The HDCE-100 provides power supply to the camera head through the SMPTE-311M fibre connection to avoid the need of DC local power supply. Supply power to the 4K live camera through BPU-4000 Supply power to the 4K live camera through a BPU-4000 baseband processor unit when a CCU is not used for the simple 4K live system. CCU extension adaptor  The HKCU-SM100 CCU extension adaptor works with the HDCE-100 camera extension adaptor to meet the fast-growing demand for an affordable total system solution for long-distance transmission with single mode fibre cable (SMF). The HKCU-SM100 and the HDCE-100 are designed for easily converting the cable format between the camera head and base station Camera Control Unit (CCU) from SMPTE optical fibre to SMF. The HDCE-100 on its own extends the distance between camera head and CCU. With the HKCU-SM100, the maximum distance extends to 10 km. In 4K camera systems, the HDCE-100 and HKCU-SM100 can be utilised with the BPU-4000 baseband processor unit to supply power to the CA-4000 camera system adaptor or HDC-4300 camera. Easy conversion from optical fibre to single mode fibre Easy conversion of the cable format between the camera head and base station Camera Control Unit (CCU) from SMPTE optical fibre to single mode fibre cable (SMF). Long-distance transmission Provides transmission on single mode fibre between CCU and 4K, HSC and HDC series cameras of up to 10 km.

Sony Single Mode Fiber Camera Extension Adapter

Sony HDCE-100 (HDCE100, HDCE/100, hdce-100) Single Mode Fiber Camera Extension Adapter Many sports facilities including stadiums, golf courses, race tracks and winter sports venues utilize a single mode fiber cables on a temporary or permanent basis for long distance camera cable transmission. To meet the growing demand, Sony is introducing the HKCUSM100 CCU extension adapter and HDCE100 camera extension adapter. With these newly released products, Sony offers a total system solution from camera to CCU using single mode fiber cable. With the HKCUSM100 and HDCE100, the maximum distance extends up to 10 km. HKCUSM100 and HDCE100 will work with 4k (F55/CA4000 and HDC4300), HDC and HSC series camera system. Note: HDCE100 will supply the power to camera head via SMPTE FIBER cable Provides long-distance transmission from a camera to a Camera Control Unit (CCU) with single mode fibre and SMPTE fiber cables. Supply power to the camera head Work with 4K(F55/CA4000+BPU4000) HDC or HSC camera system

Sony TM TS Adapter

Sony HDCA-702 (HDCA702, HDCA/702, hdca-702) TM TS Adapter The HDCA-702 MPEG TS Adaptor is a unique new product which enhance a workflow flexibility with various interfaces in an ultra-compact design. It provides real-time encoding of HD-SDI input signals into an MPEG TS for output via a DVB-ASI connector. One of this adaptor's applications is field news gathering, using microwave and satellite transmission. The HDCA-702 encodes camcorder output signals to MPEG TS and outputs this stream via its DVB-ASI connector at the same time the camcorder is recording. The adaptor also supports output of HDV compatible MPEG streams from i.LINK connector to use with HDV-compatible HDD units and nonlinear editing systems. MPEG Transport Stream camera adapter for Sony camcorders with V-shoe mount The HDCA-702 can be docked to Sony's camcorders without cables through the use of the camcorder's 50-pin interface. Other Sony camcorders without 50-pin interface can be connected via the HD-SDI. HD-SDI input can be used to connect other non-Sony devices to the HDCA-702 Input will automatically switched if a 1080i or 720p signal is received The transport stream bitrate can be independently set to enable the deck to output a lower data rate transport stream over DVB-ASI while recording the highest quality video on disc or SxS card Outputs a 4:2:0 MP@HL MPEG-2 stream at video data rates starting from 15 - 43.25 Mbps In 1080i mode, a 1440x1080 resolution stream will be output when the video bitrate is set to less than 35 Mbps. At video bitrates 35 Mbps or above, a 1920x1080 resolution may be selected Program/Service number, Video, Audio, and PMT PIDs can be configured for use in multiprogram transport stream applications MPEG transport stream can be output via the HDCA-702 DVB-ASI (BNC) interface or as a 25 Mbps CBR HDV stream over the 6-pin i.LINK interface

Sony DWT-P01N/21 Digital Wireless Microphone Plug-On Transmitter

Sony DWT-P01N/21 (DWT-P01N-21, DWT/P01N/21, DWT_P01N_21, DWTP01N21, dwt-p01n/21) Digital Wireless Microphone Plug-On Transmitter High quality wide-band transmitter with three codec modes providing short audio latency and more reliable transmission The DWT-P01N XLR plug-on transmitter forms part of the DWX series digital wireless microphone system that offers high-quality full-digital operation shorter audio latency and more reliable RF transmission mode - a perfect match for high-quality ENG/EFP applications. The DWX series system delivers superb-quality wireless transmission of 24-bit digital audio. Thanks to its improved codec and new hardware, it can provide higher sound quality with lower audio latency. NOTE: This model is available in multiple versions to support the widest possible range of operating frequencies. Please refer to product specifications for more information. Three codec modes designed for wide variety of applications MODE1 for compatibility with DWX series applications, MODE2 with higher quality sound and low latency ideal for theatre, tour and broadcast applications, and MODE3 with more reliable RF transmission ideal for speech applications. Low audio latency and high quality sound MODE2 provides higher quality sound with a 96kHz sampling rate and very low audio latency of 1.5 msec*. More reliable RF transmissions expands the operation range MODE3 operation optimised for reliable transmission by preventing drop out by interference with additional error correction. Compatibility with DWX series MODE1 operation provides the same high quality, reliability and audio latency as the previous DWX series version.

Sony Hybrid Optical Fiber Cable - 200m

Sony CCFN-200//U (CCFN200//U, CCFN/200//U, ccfn-200//u) Hybrid Optical Fiber Cable - 200m The 656.2' Hybrid Type Optical Fiber Cable from Sony is designed to connect the CA-FB70 optical fiber camera adapter to the HXCU-FB70 power supply extension unit. This cable features opticalCON connectors, which are compatible with LC connectors and offer improved strength and protection against dust. The cable can be combined with other cables for longer cable runs with the CCFN-JC1 coupler (sold separately). Fiber cable with power supply capability opticalCON connectors Designed to connect the CA-FB70 optical fiber camera adapter to the HXCU-FB70 Compatible with the HXC-D70H/K/L SD/HD studio camera kits  

Sony Hybrid Optical Fiber Cable - 150m

Sony CCFN-150//U (CCFN150-U, CCFN/150_U, ccfn-150-u) Hybrid Optical Fiber Cable - 150m The 492' Hybrid Type Optical Fiber Cable from Sony is designed to connect the CA-FB70 optical fiber camera adapter to the HXCU-FB70 power supply extension unit. This cable features opticalCON connectors, which are compatible with LC connectors and offer improved strength and protection against dust. The cable can be combined with other cables for longer cable runs with the CCFN-JC1 coupler (sold separately). Fiber cable with power supply capability opticalCON connectors Designed to connect the CA-FB70 optical fiber camera adapter to the HXCU-FB70 Compatible with the HXC-D70H/K/L SD/HD studio camera kits

Sony Hybrid Optical Fiber Cable - 100m

Sony CCFN-100//U (CCFN100//U, CCFN/100//U, ccfn-100//u) Hybrid Optical Fiber Cable - 100m The 328' Hybrid Type Optical Fiber Cable from Sony is designed to connect the CA-FB70 optical fiber camera adapter to the HXCU-FB70 power supply extension unit. This cable features opticalCON connectors, which are compatible with LC connectors and offer improved strength and protection against dust. The cable can be combined with other cables for longer cable runs with the CCFN-JC1 coupler (sold separately). Fiber cable with power supply capability opticalCON connectors Designed to connect the CA-FB70 optical fiber camera adapter to the HXCU-FB70 Compatible with the HXC-D70H/K/L SD/HD studio camera kits

Sony HDC-2570/4M Portable Multi-Format HD System Camera

Sony HDC-2570/4M (HDC2570/4M, HDC/2570/4M, hdc-2570/4m) Portable Multi-Format HD System Camera The HDC-2570 multi-format HD camera features digital triax transmission with a bandwidth that allows the transmission of 1080P or 2xSloMo signals (2x1080i) over triax. Furthermore, digital triax transmission does not suffer from a decrease of SNR (Signal to Noise Ratio) over longer extensions, so the high performance signal quality can be kept over the maximum extension of 1,400m (using 14.5mm triax cable). High quality imaging The HDC-2570 incorporates Sony’s most advanced technologies for studio cameras. Three2/3-inch CCD and Digital Signal Processing (DSP) with 16 bit A/D converter provides amazing picture quality with very few noise and high dynamic range. The HDC-2570 is a full feature part of the HDC-2500 Series and as such hascompatibility with all the accessory items, such as viewfinders, large lens adaptors and remote control units. High quality digital signal transmission over conventional triax cable Existing triax infrastructure can be used with noneed to install additional cables up to distances of 1,400m (using 14.5mm triax cable). Optional 3G fibre transmission or wireless transmission By exchanging the side-cover of the camera, the optional HKC-FB20 provides 3G fibre transmission, while optional third party wireless systems can easily be added to ensure transmission flexibility. It means that the camera can be used in various environments and the investment is future proofed. Supports wide variety of frame rates as a standard 1080i, 720P, 2x Slomo1080i/720P HD frame rates are supported as a standard and can be used by simply pressing a button, with no further upgrade costs. Optional 2xSloMo speed (1080i or 720P) 2xSloMo signal and normal HDTV signal is available as an option in parallel as the output of the CCU.The camera can replace a SuperMotion camera plus a normal speed camera. Dual Filter Wheel with 5 positions each Separate filter control for neutral density (incoming light) and colour temperature provides fine choice of exposure control by ND filters, to control depth-of-field. CC filters allow the adjustment of colour temperature of ambient light. Even shallow depth-of-field control is possible by using the ND filters and there is no increase in noise under high colour temperature conditions due to the use of CC filters. Full compatibility with HDC-2500 Series accessories HDC-2570 is a full feature part of the HDC-2500 Series and as such hascompatibility with all the accessory items, such as viewfinders, large lens adaptors and remote control panels. Advanced CCD and Digital Signal Processing (DSP) The HDC-2750 provides incomparable picture quality due to three 2/3-inch Power HAD FX CCDs and 16-bit A/D converter, improved S/N Ratio, better low light and highlights handling. This enables more creative capabilities from variety shows to DMC productions and more realistic rendering of sport events.

Sony HDC-2570/4E Portable Multi-Format HD System Camera

Sony HDC-2570/4E (HDC2570/4E, HDC/2570/4E, hdc-2570/4e) Portable Multi-Format HD System Camera The HDC-2570 multi-format HD camera features digital triax transmission with a bandwidth that allows the transmission of 1080P or 2xSloMo signals (2x1080i) over triax. Furthermore, digital triax transmission does not suffer from a decrease of SNR (Signal to Noise Ratio) over longer extensions, so the high performance signal quality can be kept over the maximum extension of 1,400m (using 14.5mm triax cable). High quality imaging The HDC-2570 incorporates Sony’s most advanced technologies for studio cameras. Three2/3-inch CCD and Digital Signal Processing (DSP) with 16 bit A/D converter provides amazing picture quality with very few noise and high dynamic range. The HDC-2570 is a full feature part of the HDC-2500 Series and as such hascompatibility with all the accessory items, such as viewfinders, large lens adaptors and remote control units. High quality digital signal transmission over conventional triax cable Existing triax infrastructure can be used with noneed to install additional cables up to distances of 1,400m (using 14.5mm triax cable). Optional 3G fibre transmission or wireless transmission By exchanging the side-cover of the camera, the optional HKC-FB20 provides 3G fibre transmission, while optional third party wireless systems can easily be added to ensure transmission flexibility. It means that the camera can be used in various environments and the investment is future proofed. Supports wide variety of frame rates as a standard 1080i, 720P, 2x Slomo1080i/720P HD frame rates are supported as a standard and can be used by simply pressing a button, with no further upgrade costs. Optional 2xSloMo speed (1080i or 720P) 2xSloMo signal and normal HDTV signal is available as an option in parallel as the output of the CCU.The camera can replace a SuperMotion camera plus a normal speed camera. Dual Filter Wheel with 5 positions each Separate filter control for neutral density (incoming light) and colour temperature provides fine choice of exposure control by ND filters, to control depth-of-field. CC filters allow the adjustment of colour temperature of ambient light. Even shallow depth-of-field control is possible by using the ND filters and there is no increase in noise under high colour temperature conditions due to the use of CC filters. Full compatibility with HDC-2500 Series accessories HDC-2570 is a full feature part of the HDC-2500 Series and as such hascompatibility with all the accessory items, such as viewfinders, large lens adaptors and remote control panels. Advanced CCD and Digital Signal Processing (DSP) The HDC-2750 provides incomparable picture quality due to three 2/3-inch Power HAD FX CCDs and 16-bit A/D converter, improved S/N Ratio, better low light and highlights handling. This enables more creative capabilities from variety shows to DMC productions and more realistic rendering of sport events.

Sony HDC-2570/3T Portable Multi-Format HD System Camera

Sony HDC-2570/3T (HDC2570/3T, HDC/2570/3T, hdc-2570/3t) Portable Multi-Format HD System Camera The HDC-2570 multi-format HD camera features digital triax transmission with a bandwidth that allows the transmission of 1080P or 2xSloMo signals (2x1080i) over triax. Furthermore, digital triax transmission does not suffer from a decrease of SNR (Signal to Noise Ratio) over longer extensions, so the high performance signal quality can be kept over the maximum extension of 1,400m (using 14.5mm triax cable). High quality imaging The HDC-2570 incorporates Sony’s most advanced technologies for studio cameras. Three2/3-inch CCD and Digital Signal Processing (DSP) with 16 bit A/D converter provides amazing picture quality with very few noise and high dynamic range. The HDC-2570 is a full feature part of the HDC-2500 Series and as such hascompatibility with all the accessory items, such as viewfinders, large lens adaptors and remote control units. High quality digital signal transmission over conventional triax cable Existing triax infrastructure can be used with noneed to install additional cables up to distances of 1,400m (using 14.5mm triax cable). Optional 3G fibre transmission or wireless transmission By exchanging the side-cover of the camera, the optional HKC-FB20 provides 3G fibre transmission, while optional third party wireless systems can easily be added to ensure transmission flexibility. It means that the camera can be used in various environments and the investment is future proofed. Supports wide variety of frame rates as a standard 1080i, 720P, 2x Slomo1080i/720P HD frame rates are supported as a standard and can be used by simply pressing a button, with no further upgrade costs. Optional 2xSloMo speed (1080i or 720P) 2xSloMo signal and normal HDTV signal is available as an option in parallel as the output of the CCU.The camera can replace a SuperMotion camera plus a normal speed camera. Dual Filter Wheel with 5 positions each Separate filter control for neutral density (incoming light) and colour temperature provides fine choice of exposure control by ND filters, to control depth-of-field. CC filters allow the adjustment of colour temperature of ambient light. Even shallow depth-of-field control is possible by using the ND filters and there is no increase in noise under high colour temperature conditions due to the use of CC filters. Full compatibility with HDC-2500 Series accessories HDC-2570 is a full feature part of the HDC-2500 Series and as such hascompatibility with all the accessory items, such as viewfinders, large lens adaptors and remote control panels. Advanced CCD and Digital Signal Processing (DSP) The HDC-2750 provides incomparable picture quality due to three 2/3-inch Power HAD FX CCDs and 16-bit A/D converter, improved S/N Ratio, better low light and highlights handling. This enables more creative capabilities from variety shows to DMC productions and more realistic rendering of sport events.

Sony HDC-2400DF//U 3G Multi-Format HD System Camera

Sony HDC-2400DF//U (HDC2400DF//U, HDC-2400DF//U, hdc-2400df//u) 3G Multi-Format HD System Camera  Comes with 2 Years Sony Prime Support Warranty - Beware of grey imports. 3G Multi-Format HD System Camera from Sony The HDC-2400 system camera is part of the HDC-2500 Series - successor to the HDC-1500R Series - and incorporates Sony’s advanced technologies for studio cameras. A 2/3-inch CCD and the Digital Signal Processing (DSP) with 16 bit A/D converter provides amazing picture quality with minimal noise and high dynamic range. Extra functions and enhanced body design The HDC-2400 has a camera body designed for exceptional robustness and operational efficiency. The HDC-2400 also provides more flexibility on transmission due to its side panel that can be easily replaced for HD Wireless (3rd Party) or Triax transmission (availability TBC) systems. 3G capable The HDC-2400 is 3G and a multi-format product (1080/50i,59.94i and 720/50p,59.94p). It can be fully updated to the HDC-2500 by adding option keys (23.97p/25p, 50p/59.94p, 100i/119.88i). Newly developed CCD and DSP The CCD and DSP provides incomparable picture quality due to the new 2/3-inch CCD & 16bit A/D converter, improved S/N Ratio, better low light and highlights handling. This enables more creative capabilities from variety shows to DMC productions and more realistic rendering of sport events. 1080/50P and 3G single link The HDC-2400 offers 3G capability and Beyond 1080/50P,59.94P format using the extra bandwidth: RGB 12bit output for creative shootings, 3D Transmission on one cable, extra fibre length up to 4km, double speed acquisition, gigabit Ethernet Trunk line, and more. High reliability and operational efficiency The HDC-2400 has been designed for being more robust than ever for all kind of shooting conditions of Outside Broadcasters. It new carbon fibre body provides a more solid camera body for less weight and environmental footprint. Compatibility with HDC-1500R Series accessories As the HDC-2400 is fully compatible with HDC-1500R Series cameras, it inherits their very wide choice of peripherals such as viewfinders (HDVF), Remote Control Panels (RCP) and the Sony unique Large Lens Adapters (HDLA) system.

Sony HDC-2000W 3G Double-Speed Multi-Format HD Studio System Camera - White

Sony HDC-2000W (HDC2000W, HDC/2000W, hdc-2000w) 3G Double-Speed Multi-Format HD Studio System Camera - WhiteComes with 2 Years Sony Prime Support Warranty - Beware of grey imports.The HDC-2000 3G double-speed multi format studio system camera incorporates Sony’s advanced technologies for studio cameras. Threehigh end 2/3-inch Progressive IT CCDs and Digital Signal Processing (DSP) LSI with 16 bit A/D converter provides amazing picture quality with very little noise and high dynamic range.3G capable, 3D and double speed slow motion captureThe HDC-2000 features 3G transmission and has multi-format capability, from 1080/100i and 720/100p (double speed slow motion) to 1080/50p, as well as a wide range of other HD formats including 1080/50i, 720/50p,1080/25p and 1080/24p. The camera also provides 3D production capabilities with dual camera transmission via a single hybrid fibre cable.High picture quality and high performanceThe HDC-2000 features a 2/3-type wide Progressive IT CCD for 2,200,000 pixels and a signal processing LSI, both newly developed to help achieve a high level of image quality via improved S/N, high resolution, and low smear compared to previous models. A 16-bit AD converter allows for optimal picture quality and enhanced black reproduction.Slow motion via 2x speed recording1080/50i-59.94i and 720/50P-59.94P formats are supported, as well as 1080/23.98PsF-24PsF-25PsF-29.97PsF and 1080/ 50P-59.94P progressive formats, and 1080/100i-119.88i and 720/100P-119.88P slow-motion 2x speed recording formats.Standard 3G optical digital transmission unit3G optical digital transmission of signals between the camera and camera control unit (CCU) is included and allows the following kinds of video signal transmission and system configurations:1080/50P-60P progressive video signal transmissionTransmission of 2Å~ speed recording signals such as 1080/100i-119.88i for production of slow-motion videoTransmission of HD prompter, HD TRUNK, and network TRUNK signals that utilize empty bands during 1080/50i-60i and 720/50P-60P operationDual camera system for transmitting video signals from a second HD camera to two CCUs using just one optical fibre/multi-cableSub-camera system for transmitting video signals from both an HDC2000 and another sub-camera—such as the HDCP1— using just one optical fibre/multi-cable and outputting their signals from one CCUAdaptive-matrix colour-reproduction functionThis function accurately controls calculation factors for performing accurate colour conversion when shooting. This makes precise colour conversion possible even when shooting under conditions that would otherwise exceed the colour conversion range of traditional matrix functions, such as under strong monochromatic blue light sources.Multi-matrix colour correction for matching multiple camerasIn addition to the standard 6-axis matrix function, the camera has a multi-matrix function that permits you to adjust the hue and chroma for colour components in 16-axis directions independently. This is quite useful in colour matching among multiple cameras.Knee and low-key saturation for strong and low-key lightingChange of hue and decrease in chroma that occur in highlighted areas can be compensated. This enables reproduction of natural skin tones under strong lighting. Saturation in low-key zones can be compensated. Thus, compensation for colour reproduction in all zones is enabled in combination with matrix colour compensation and knee saturation functions.Selection of multiple gamma tablesSeven types of standard and 4 types of hyper gamma tables are provided with this camera. The hyper gamma values enable cinema-like image creations with wide dynamic range, which are different from those achieved with conventional video gamma. Gamma tables created with CvpFileEditor™ can be saved to a “Memory Stick”, or registered to HDC-2000 from the MSU-1000/1500 or RCP-1500 series.Versatile detail control functionsA skin-tone detail function/Natural skin detail function allows control (emphasis or suppression) of the detail level for specific hues or chroma areas in the image by creating a detail gate signal from colour components of your specified hue, such as skin tones. The detail levels of three kinds of hues can be adjusted independently at the same time. The HDC-2000 also features the natural skin detail function, which allows for adjustment of the detail gate signal, allowing even more vivid distinction of areas like skin that you want to make smooth while selectively keeping areas like eyebrows that don’t require smoothing.Numerous viewfinder functionsAlong with items such as operation messages, a zebra pattern, a safety-zone marker, and a centre marker, camera settings may also be displayed on the viewfinder screen. Furthermore, there are other indicators arranged above and below the viewfinder, such as a tally lampand a warning indicator to tell you that one or more settings are other than standard. Selections and settings for viewfinder display items, a safety-zone marker or centre marker, screen size marker, etc. can be made quickly and easily using setup menus displayed on the viewfinder screen or an external monitor. Assignable switches for operating the viewfinder are located on the rear panel of the camera. These switches are linked to viewfinder assignable switches, such as those featured on HDVF-EL70, and allow for using the camera’s buttons to perform functions like image zooming within the viewfinder.Wide variety of input/output interfacesIn addition to 3G/HD/SD-SDI output and HD/SD-SDI input, the HDC-2000 features a wide variety of input/output interfaces, including Network TRUNK function, HD TRUNK function and HD prompter function.User-friendly operationFeaturing a stylish exterior with a low overall height, the viewfinder’s position is kept as low as possible, bringing it closer to the optical axis of the lens. The camera also has a switch to which various functions can be assigned on the rear panel. You can activate your desired function, such as electronic colour-temperature conversion, instantly when shooting by assigning it to the switch in advance.USB connectorConnect a USB drive to the USB connector to save and load setup menu setting data.Function for prevention of electrical shockWhen the power connection is unsafe, this shuts off the power supply from the connected Camera Control Unit.

Sony HDC-2000B 3G Double-Speed Multiformat HD Studio System Camera

Sony HDC-2000B (HDC2000B, HDC/2000B, hdc-2000b) 3G Double-Speed Multiformat HD Studio System Camera Comes with 2 Years Sony Prime Support Warranty - Beware of grey imports. The HDC-2000 3G double-speed multi format studio system camera incorporates Sony’s advanced technologies for studio cameras. Three high end 2/3-inch Progressive IT CCDs and Digital Signal Processing (DSP) LSI with 16 bit A/D converter provides amazing picture quality with very little noise and high dynamic range. 3G capable, 3D and double speed slow motion capture The HDC-2000 features 3G transmission and has multi-format capability, from 1080/100i and 720/ 100p (double speed slow motion) to 1080/50p, as well as a wide range of other HD formats including 1080/50i, 720/50p, 1080/25p and 1080/24p. The camera also provides 3D production capabilities with dual camera transmission via a single hybrid fibre cable. High picture quality and high performance The HDC-2000 features a 2/3-type wide Progressive IT CCD for 2,200,000 pixels and a signal processing LSI, both newly developed to help achieve a high level of image quality via improved S/N, high resolution, and low smear compared to previous models. A 16-bit AD converter allows for optimal picture quality and enhanced black reproduction. Slow motion via 2x speed recording 1080/50i-59.94i and 720/50P-59.94P formats are supported, as well as 1080/ 23.98PsF-24PsF-25PsF-29.97PsF and 1080/ 50P-59.94P progressive formats, and 1080/ 100i-119.88i and 720/100P-119.88P slow-motion 2x speed recording formats. Standard 3G optical digital transmission unit 3G optical digital transmission of signals between the camera and camera control unit (CCU) is included and allows the following kinds of video signal transmission and system configurations: Transmission of 2Å~ speed recording signals such as 1080/100i-119.88i for production of slow motion video Transmission of HD prompter, HD TRUNK, and network TRUNK signals that utilize empty bands during 1080/50i-60i and 720/50P-60P operation Dual camera system for transmitting video signals from a second HD camera to two CCUs using just one optical fibre/multi-cable Sub-camera system for transmitting video signals from both an HDC2000 and another sub-camera - such as the HDCP1— using just one optical fibre/multi-cable and outputting their signals from one CCU Adaptive-matrix colour-reproduction function This function accurately controls calculation factors for performing accurate colour conversion when shooting. This makes precise colour conversion possible even when shooting under conditions that would otherwise exceed the colour conversion range of traditional matrix functions, such as under strong monochromatic blue light sources. Multi-matrix colour correction for matching multiple cameras In addition to the standard 6-axis matrix function, the camera has a multi-matrix function that permits you to adjust the hue and chroma for colour components in 16-axis directions independently. This is quite useful in colour matching among multiple cameras. Knee and low-key saturation for strong and low-key lighting Change of hue and decrease in chroma that occur in highlighted areas can be compensated. This enables reproduction of natural skin tones under strong lighting. Saturation in low-key zones can be compensated. Thus, compensation for colour reproduction in all zones is enabled in combination with matrix colour compensation and knee saturation functions. Selection of multiple gamma tables Seven types of standard and 4 types of hyper gamma tables are provided with this camera. The hyper gamma values enable cinema-like image creations with wide dynamic range, which are different from those achieved with conventional video gamma. Gamma tables created with CvpFileEditorTM can be saved to a “Memory Stick”, or registered to HDC-2000 from the MSU-1000/1500 or RCP-1500 series. Versatile detail control functions A skin-tone detail function/Natural skin detail function allows control (emphasis or suppression) of the detail level for specific hues or chroma areas in the image by creating a detail gate signal from colour components of your specified hue, such as skin tones. The detail levels of three kinds of hues can be adjusted in- dependently at the same time. The HDC-2000 also features the natural skin detail function, which allows for adjustment of the detail gate signal, allowing even more vivid distinction of areas like skin that you want to make smooth while selectively keeping areas like eyebrows that don’t require smoothing. Numerous viewfinder functions Along with items such as operation messages, a zebra pattern, a safety zone marker, and a centre marker, camera settings may also be displayed on the viewfinder screen. Furthermore, there are other indicators arranged above and below the viewfinder, such as a tally lamp and a warning indicator to tell you that one or more settings are other than standard. Selections and settings for viewfinder display items, a safety zone marker or centre marker, screen size marker, etc. can be made quickly and easily using setup menus displayed on the viewfinder screen or an external monitor. Assignable switches for operating the viewfinder are located on the rear panel of the camera. These switches are linked to viewfinder assignable switches, such as those featured on HDVF-EL70, and allow for using the camera’s buttons to perform functions like image zooming within the viewfinder. Wide variety of input/output interfaces In addition to 3G/HD/SD-SDI output and HD/SD-SDI input, the HDC-2000 features a wide variety of input/ output interfaces, including Network TRUNK function, HD TRUNK function and HD prompter function. User-friendly operation Featuring a stylish exterior with a low overall height, the viewfinder’s position is kept as low as possible, bringing it closer to the optical axis of the lens. The camera also has a switch to which various functions can be assigned on the rear panel. You can activate your desired function, such as electronic colour temperature conversion, instantly when shooting by as- signing it to the switch in advance. USB connector Connect a USB drive to the USB connector to save and load setup menu setting data. Function for prevention of electrical shock When the power connection is unsafe, this shuts off the power supply from the connected Camera Control Unit.  

Sony ELC-MVS01 Live Production Control Software Package

Sony ELC-MVS01 (ELCMVS01, ELC/MVS01, elc-mvs01) Live Production Control Software PackageSony’s new ELC-MVS01 (ELC), Live Production Control Automation system advances the state-of-the-art in automated news broadcasting. The ELC Automation system consists of a suite of software, computers, operation terminals and control panels optimized for the specific needs of a live broadcast environment. By leveraging the program sequence information already contained in the station’s newsroom computer system (NRCS), Sony’s ELC Automation system is able to tightly choreograph the news production by controlling the production switcher, playback servers, electronic graphics, camera robotics, audio console and other devices. The result is increased efficiency and consistency of the broadcast “look and feel”. In short, the ability to do more with fewer resources.Highlights: Sony and third-party hardware and the newsroom devices are integrated into a complete solution to provide event-based control of newsroom devices including camera robotics, transports, audio, switching, effects, and graphics An NRCS centric operational philosophy allows events to be created, scheduled and edited via a NRCS rundown Active-X plug-in interface. Convenient drag-and-drop operation for event scheduling and cue editing are provided via two user selectable views: Quick Cue and Cue Edit. The Quick Cue view allows convenient drag-and-drop placements of existing cues. Cues containing multiple calls can be dragged and dropped directly into the NRCS rundown, and executed upon take of the event. The Cue Edit view is used to create and edit cues. Cues can be created from scratch, or from templates Playlist Viewer is available from the NRCS plug-in interface for confirming the Playlist sequence. Resource management features based on known limitations of the system components such as camera shot conflict alarm, play-out channel conflict alarm, and switcher resource management are intended to warn operators of potential impending event conflicts To secure on-air operations, a single On-Air Playlist interface is available for taking cues and monitoring the playlist events during the live production. The MKS-8033A shot box is used to advance the playlist and provide programmable presets from a combination of the newsroom controlled devices Deliberately break away from the playlist for breaking news or other live situations, and return to the playlist seamlessly at any time The system can be configured with main and backup servers, each running identical ELC applications and a mirrored database.

Sony DWT-B01N/42 Digital Wireless Body-Pack Transmitter

Sony DWT-B01N/42 (DWT-B01N-42, DWT/B01N/42, DWT_B01N_42, DWTB01N42, dwt-b01n/42) Digital Wireless Body-Pack Transmitter High quality wide-band transmitter with three codec modes providing short audio latency and more reliable transmission The DWT-B01N body-pack transmitter forms part of the DWX series system, offering high-quality full-digital operation, shorter audio latency and more reliable RF transmission mode – ideal for a variety of high-quality applications, including broadcast studio, theatre and live sound. The DWX series system delivers superb-quality wireless transmission of 24-bit digital audio. Thanks to its improved codec and new hardware, it can provide higher sound quality with lower audio latency. The DWX series works with Sony control software Wireless Studio for PC and Wireless Studio Mobile for smartphones* to give users flexible control of the system. Remote control of up to 82 transmitters can be achieved using the Cross Remote™ function combined with the RMU-01 remote control unit. Three codec modes designed for wide variety of applications MODE1 for compatibility with DWX series applications, MODE2 with higher quality sound and low latency ideal for theatre, tour and broadcast applications, and MODE3 with more reliable RF transmission ideal for speech applications. Low audio latency and high quality sound MODE2 provides higher quality sound with a 96kHz sampling rate and very low audio latency of 1.5 msec**. Compatibility with DWX series MODE1 operation provides the same high quality, reliability and audio latency as the previous DWX series version. Smartphone control* Wireless Studio Mobile software gives users remote control of the DWX series system via a smartphone. Notes * Wireless Studio Mobile supported OS: iOS Ver.8.0 or later and Android Ver.4.1 or later. Operation is not guaranteed on all smartphones. **Analogue out, 2.5 msec for digital out

Sony DWR-R02DN/W DWX Series Digital Wireless Receiver

Sony DWR-R02DN/W (DWR-R02DN-W, DWR_R02DN_W, DWRR02DNW, DWR R02DN W, dwr-r02dn/w) DWX Series Digital Wireless Receiver The DWR-R02DN is a 2-channel receiver for 19 "rack installation (1 U). It is part of the DWX-N series of digital wireless microphone systems that offer high-quality, fully digital operation, shorter audio latency and a reliable mode RF transmission - ideal for a variety of demanding applications, whether in the broadcast studio, in the theater or live. The high-quality, all-digital broadband radio receiver with three new codec modes that delivers first-class audio latency and RF transmission. 19 "1U TV channel 21-50 (470-710MHz), with analogue XLR and 3x digital AES / EBU, 12 DC in, remote software. The DWX-N series system consists of the pocket radio transmitter DWT-B01N, the microphone DWM-02N and the receiver DWR-R02DN, which offer high-quality radio transmission of digital audio with 24 bits thanks to the improved codec and the new hardware it delivers higher sound quality with lower audio latency. The DWX-N series is compatible with the Sony control software Wireless Studio 4.2 or higher for PCs and with Wireless Studio Mobile for smartphones * in order to make system operation as flexible as possible for users. If the Cross Remote function is combined with the RMU-01 remote control, up to 82 transmitters can be remote-controlled.

Sony DWM-02N/42 Digital Wireless Handheld Transmitter

Sony DWM-02N/42 (DWM-02N-42, DWM/02N/42, DWM_02N_42, DWM02N42, dwm-02n/42) Digital Wireless Handheld Transmitter DVM-02N forms part of DWX N series digital wireless microphone system, working with the DWT-B01N body-pack transmitter and DWT-R02N receiver. Compatibility with DWX series The DWM-02N has full compatibility with its predecessor DWX series equipment. Three codec modes designed for wide variety of applications MODE1 for compatibility with DWX series applications, MODE2 with higher quality sound and low latency ideal for theatre, tour and broadcast applications, and MODE3 with more reliable RF transmission ideal for speech applications. Superb quality wireless transmission and reception The digital wireless microphone system transmits and receives high-quality 24-bit digital audio in a specific frequency bandwidth that meets the Wireless Communication Regulations of each country. Utilising the Sony original codec based on Sony's years of experience in engineering audio products, the system delivers a wide dynamic range of more than 106 dB, a wide frequency response of 20 Hz to 22 kHz, and an excellent transient response. Stable and secure transmission and reception Incorporating the improved digital modulator, the digital wireless microphone system allows highly stable wireless transmission that is extremely tolerant to unwanted interference.
In addition, the system transmits and receives digitally modulated and encrypted data to minimize the risk of interception, providing highly secure transmission and reception. Simultaneous multi-channel operation The digital wireless microphone system allows for large-scale multi-channel operations. Thanks to the digital modulator, the system realises an intermodulation-free, equally spaced channel allocation. The digital wireless transmission technology used in this system enables a significant increase in the number of simultaneous operations in comparison with current analogue wireless systems. For example, up to16 channels of simultaneous operation is possible in an 8-MHz operating band Three interchangeable heads and third party support The DWM-02N operates with three heads. The CU-F31 microphone head with dynamic capsule has a super cardioid pick-up and range from 60 Hz to 18 kHz. The CU-F32 microphone head with wide dynamic capsule has a wide cardioid pick-up and range from 70 Hz – 18 kHz. The CU-C31 microphone head with condenser capsule has a cardioid pick-up and range from 60 Hz to 20 kHz. The DWM-02N also supports a wide variety of third party heads. Quick open/closed mechanism for microphone heads A robust 31.3mm/pitch 1.0mm threading interchangeable mechanism allows microphone heads to be changed easily and quickly. Selectable output power Output power selectable between 1/10/50 mW. Chose the minimum power necessary for a venue, lengthening battery life, and reducing the already low possibility of interference. Allows the microphone to work effectively in a very wide range of venues. Remote control of transmitter functions from the receiver Input attenuation, RF frequency selection, RF power output, Audio Low-pass cutoff frequency and transmitter Sleep Mode can all be controlled remotely from the digital wireless receiver. Remote control of up to 82 transmitters can be achieved using the Cross Remote™ function and RMU-01 remote control unit. Smartphone control using Wireless Studio Mobile software The DWX N series works with Sony control software Wireless Studio 4.2 or later for PC and Wireless Studio Mobile for smartphones* to give users flexible control of the system.

Sony DWM-02N/33 Digital Wireless Handheld Transmitter For DWX Series

Sony DWM-02N/33 (DWM-02N-33, DWM/02N/33, DWM_02N_33, DWM02N33, dwm-02n/33) Digital Wireless Handheld Transmitter For DWX Series The DWM-02N digital wireless microphone forms part of the DWX N series system that offers high-quality full-digital operation shorter audio latency and more reliable RF transmission mode – ideal for a variety of high-quality applications, including broadcast studio, theatre and live sound. Maximising flexibility for users, the DWM-02N is not supplied with a microphone capsule as the DWM-02N Interchangeable head mechanism supports Sony and other third party capsules. Sony offers three microphone heads – the CU-C31, CU-F31 and CU-F32 - and there are also a wide variety of third-party capsules to choose from – ensuring whatever your requirements, the DWM-02N wireless handheld microphone is an ideal choice. The DWX N series system, which consists of the DWT-B01N body-pack transmitter, DWM-02N microphone and DWR-R02DN receiver, delivers superb-quality wireless transmission of 24-bit digital audio. Thanks to its improved codec and new hardware, it can provide higher sound quality with lower audio latency. The DWX N series works with Sony control software Wireless Studio 4.2 or later for PC and Wireless Studio Mobile for smartphones* to give users flexible control of the system. Remote control of up to 82 transmitters can be achieved using the Cross Remote™ function combined with the RMU-01 remote control unit. 

Sony DWM-02N/21 Digital Wireless Handheld Transmitter

Sony DWM-02N/21 (DWM-02N-21, DWM/02N/21, DWM_02N_21, DWM02N21, dwm-02n/21) Digital Wireless Handheld Transmitter High quality flexible microphone system with three codec modes providing short audio latency and more reliable transmission The DWM-02N digital wireless microphone forms part of the DWX series system offering high-quality full-digital operation shorter audio latency and more reliable RF transmission mode – ideal for a variety of high-quality applications, including broadcast studio, theatre and live sound. Maximising flexibility for users, the DWM-02N is not supplied with a microphone capsule as the DWM-02N Interchangeable head mechanism supports Sony and other third party capsules. Sony offers three microphone heads – the CU-C31, CU-F31 and CU-F32 - and there are also a wide variety of third-party capsules to choose from – ensuring whatever your requirements, the DWM-02N wireless handheld microphone is an ideal choice. The DWX series system delivers superb-quality wireless transmission of 24-bit digital audio. Thanks to its improved codec and new hardware, it can provide higher sound quality with lower audio latency. The DWX series works with Sony control software Wireless Studio for PC and Wireless Studio Mobile for smartphones* to give users flexible control of the system. Remote control of up to 82 transmitters can be achieved using the Cross Remote™ function combined with the RMU-01 remote control unit. NOTE: This model is available in multiple versions to support the widest possible range of operating frequencies. Please refer to product specifications for more information. * Wireless Studio Mobile supported OS: iOS Ver.8.0 or later and Android Ver.4.1 or later. Operation is not guaranteed on all smartphones. Low audio latency and high quality sound MODE2 provides higher quality sound with a 96kHz sampling rate A/D converter and very low audio latency of 1.5 msec.** Compatibility with DWX series The DWM-02N has full compatibility with its predecessor DWX series equipment. Smartphone control* Wireless Studio Mobile software gives users remote control of the DWX series system via a smartphone.

Sony Camera Control Network Adaptor

Sony CNA-1 (CNA1, CNA/1, cna-1) Camera Control Network AdaptorThe Sony CNA-1 Camera Control Network Adaptor enables third party system products to control Sony system cameras over IP networks. Based on Simple Protocol "text" based command protocol, it makes it easy and quick to develop applications for the Sony system cameras without requiring complex programming. Converts Sony 700PTP Protocol to Simple Protocol for Easy Control The Sony CNA-1 can work as a protocol converter, translating Sony cameras' original 700PTP protocol to and from Simple Protocol to allow the cameras to work easily with third party devices. The majority of functions of Sony camera control are included, with a few exceptions for the most complicated protocols. Add Additional Cameras and Products The adaptor converts serial protocol to IP protocol, allowing non-network capability products to a network. If an additional camera chain is required, it can be connected via the CNA-1. Network Working with MSU Software Control The CNA-1 can operate as the "master" module with the HZC-CSM10 PC-based Master Control Unit (MSU) software without needing additional hardware MSU.

Sony Hybrid Optical Fiber Cable - 50m

Sony CCFN-50//U (CCFN50//U, CCFN/50//U, ccfn-50//u) Hybrid Optical Fiber Cable - 50mThe 164' Hybrid Type Optical Fiber Cable from Sony is designed to connect the CA-FB70 optical fiber camera adapter to the HXCU-FB70 power supply extension unit. This cable features opticalCON connectors, which are compatible with LC connectors and offer improved strength and protection against dust. The cable can be combined with other cables for longer cable runs with the CCFN-JC1 coupler (sold separately). Fiber cable with power supply capability opticalCON connectors Designed to connect the CA-FB70 optical fiber camera adapter to the HXCU-FB70 Compatible with the HXC-D70H/K/L SD/HD studio camera kits

Sony Hybrid Optical Fiber Cable - 250m

Sony CCFN-250//U (CCFN250//U, CCFN/250//U, ccfn-250//u) Hybrid Optical Fiber Cable - 250mThe 820.2' Hybrid Type Optical Fiber Cable from Sony is designed to connect the CA-FB70 optical fiber camera adapter to the HXCU-FB70 power supply extension unit. This cable features opticalCON connectors, which are compatible with LC connectors and offer improved strength and protection against dust. The cable can be combined with other cables for longer cable runs with the CCFN-JC1 coupler (sold separately). Fiber cable with power supply capability opticalCON connectors Designed to connect the CA-FB70 optical fiber camera adapter to the HXCU-FB70 Compatible with the HXC-D70H/K/L SD/HD studio camera kits

Sony Hybrid Optical Fiber Cable - 25m

Sony CCFN-25//U (CCFN25//U, CCFN/25//U, ccfn-25//u) Hybrid Optical Fiber Cable - 25mThe 82' Hybrid Type Optical Fiber Cable from Sony is designed to connect the CA-FB70 optical fiber camera adapter to the HXCU-FB70 power supply extension unit. This cable features opticalCON connectors, which are compatible with LC connectors and offer improved strength and protection against dust. The cable can be combined with other cables for longer cable runs with the CCFN-JC1 coupler (sold separately). Fiber cable with power supply capability opticalCON connectors Designed to connect the CA-FB70 optical fiber camera adapter to the HXCU-FB70 Compatible with the HXC-D70H/K/L SD/HD studio camera kits

Sony Single-Mode Fiber Optic Cable - 200m

Sony CCFC-S200 (CCFCS200, CCFC/S200, ccfc-s200) Single-Mode Fiber Optic Cable - 200mThe Sony CCFC-S200 Single-Mode Fiber Optic Cable is a 656' (200m) cable designed to be used with HD pan-tilt-zoom cameras, such as the BRC-Z330, to transmit uncompressed digital data. In conjunction with an HD optical multiplex unit (such as the BRU-SF10), the CCFC-2200 cable can transmit external sync, camera control, and audio signals without deterioration.

Sony Camera Control Cable - 3m

Sony CCA-5-3 (CCA5-3, CCA/5-3, cca-5-3) Camera Control Cable - 3mThe CCA5 cable has 3 shielded pairs; (1) 75ohm coax and (2) conductors for power. Cable assembly uses Hirose style 8 pin connector. (DOESN'T WORK with SONY'S RMB150 Controller, does NOT monitor Video Out)

Sony Control Cable for BVP and HDC Series Cameras

Sony CCA-5-10 (CCA5-10, CCA/5-10, cca-5-10) Control Cable for BVP and HDC Series CamerasThe Sony CCA-5-10 is a control cable that is specifically designed to drive Sony's line of BVP and HDC series cameras. The cable prevents multiple wires from getting tangled or tripped over, providing a clean and efficient means of connectivity.

Sony CBKZ-SLMP MPEG2 Upgrade

Sony CBKZ-SLMP (CBKZSLMP, CBKZ/SLMP, cbkz-slmp) MPEG2 UpgradeThe CBKZ-SLMP upgrade licence adds MPEG HD422 50Mbps and MPEG HD420 35Mbps recordings to the popular PXW-X70 palm-sized camcorder.* PXW-X70 requires Version 3.0 firmware or above.

Sony Mobile Network 3G/4G/LTE Wireless Adapter for XDCAM

Sony CBK-WA101/IFU (CBKWA101/IFU, CBK/WA101/IFU, cbk-wa101/ifu) Mobile Network 3G/4G/LTE Wireless Adapter for XDCAMThe CBKWA101/IFU Mobile Network 3G/4G/LTE Wireless Adapter for XDCAM from Sony support Wi-Fi, 3G/4G, and LTE transmission to transmit both proxy data, as well as high resolution data via a USB connection. This wireless adapter unit connects with mobile devices such as smartphones and tablets. It supports Android OS (version 4.1 and later) and iOS (version 7). It also supports TV program production in the field, and is ideal for ENG professionals.The CBKWA101/IFU is designed for the PMW-400 camera, and can be used with the PMW-500/300/200/160/50 with a USB connection, and the PMW-320 & PDW-F800/700 with HD-SDI connection as well. When the wireless adapter is connected to a camcorder/deck via a USB cable, you can use it for high resolution file transmission, basic remote camera control, and wireless adapter status indication. This unit does not require BNC and DC power cable connection.

Sony Wireless Mobile Network / Wi-Fi Adapter for PMW-400 Camcorder

Sony CBK-WA101 (CBK_WA101, CBK/WA101, CBK WA101)(PMW_400, PMW/400) Wireless Mobile Network / Wi-Fi Adapter for PMW-400 Camcorder The Sony CBK-WA101 Wireless Adapter connects directly to the PMW-400 camcorder body to enable easy transmission of content over a wireless network. Once attached it allows XAVC proxy files to be created and then saved on an SD card inside the adapter. The CBK-WA101 is then able to upload the proxy content and the original high-resolution content (depending on the model) via 3G/4G/LTE/Wi-Fi* to a broadcast station, on-premises server or to a cloud environment. Tablet or smartphone control via Wi-Fi By supporting Wi-Fi connectivity, the CBK-WA101 allows tablets or smartphones to interact with it and control it via Sony’s Content Browser Mobile application. This connectivity for the PMW-400 camcorder allows users on their mobile device to remotely control the camera, logging metadata on set and reviewing content without having to connect a monitor to the camcorder For wireless transmission, Wi-Fi/3G/4G/LTE dongles are necessary. For Wi-Fi dongle, Sony’s “IFU-WLM3”, 2.4GHz Wi-Fi dongle is available. As for the Modem dongle, recommended model differs country by country depending on carrier.

Sony 5GHz/2.4GHz Wireless LAN Adapter/Dongle

Sony CBK-WA02 (CBKWA02, CBK/WA02, cbk-wa02) 5GHz/2.4GHz Wireless LAN Adapter/DongleThe CBK-WA02 Wireless LAN adapter enables wireless data transfer from specified Sony camcorders to other devices on the same network. The kit consists of two units: the CBK-WA02 Wireless LAN Adapter and CBK-NA1E - modem attachment for 3G/4G/LTE communication.This kit is designed for use with camcorders such as PXW-X500, PXW-X200 and PXW-X180 that are compatible with wireless LAN network operation and have appropriate firmware. CBK-WA02 is also compatible with wireless adapters CBK-WA100 and CBK-WA101 with V2.0 or greater firmware installed.

Sony 3.5 inch Colour LCD HD Viewfinder for PXW-X500

Sony CBK-VF02 (CBKVF02, CBK/VF02, cbk-vf02)(PXW_X500,PXW/X500) 3.5 inch Colour LCD HD Viewfinder for PXW-X5003.5" Color LCD HD Viewfinder for the PXW-X500's 26-pin viewfinder interface. This viewfinder outputs the higher resolution QHD signal to the PXW-X500 and PMW-400 camcorders. Older cameras using the CBK-VF01 viewfinder are compatible with this viewfinder, but cannot take advantage of its higher resolution. The CBK-VF02 must be used with the PXW-X500. The CBK-VF01 is not compatible with the PXW-X500.

Sony Shoulder Pad for PMW-320, PMW-350 & PMW-500 camcorders

Sony CBK-SP01 (CBKSP01, CBK/SP01, cbk-sp01) (PMW_320, PMW/320) (PMW_350, PMW/350) (PMW_500, PMW 500) Shoulder Pad for PMW-320, PMW-350 & PMW-500 camcorders The CBK-SP01 is a soft-type shoulder pad option for the PMW-350 Solid-State Memory Camcorder. It is designed to fit your shoulder, so that its position never needs to be adjusted. The optional CBK-SP01 Soft Shoulder Pad is compatible with the PM-320, PMW-350, and PMW-500 camcorders.

Sony 50-Pin Camera Interface and Digital Extender for PMW-350/320

Sony CBKCE01 (CBKCE01, CBK/CE01, cbk-ce01) 50-Pin Camera Interface and Digital Extender for PMW-350/320  The CBK-CE01 is required to interface the XDCA-55 Camera Adapter to the PMW-350 and PMW-320 XDCAM EX camcorders. The CBK-CE01 also necessary to add the 2x Digital Extender functionality to these camcorders, which will be available Winter 2010 as a No Charge software update, installable once the CBK-CE01 is onboard. Installation of the CBK-CE01 by an authorized Sony Service Center is required. 

Sony ProRes and DNxHD Codec Board for the PMW-F55 and PMW-F5 CineAlta Cameras

Sony CBK-55PD (CBK55PD, CBK/55PD, cbk-55pd) ProRes and DNxHD Codec Board for the PMW-F55 and PMW-F5 CineAlta CamerasThe ProRes and DN x HD Codec Board from Sony provides additional support for Apple ProRes and DNxHD with the PMW-F55, PMW-F55LIVE, and PMW-F5 CineAlta cameras. This codec board supports ProRes 4444 12-bit Full HD, ProRes 422 (HQ) 10-bit Full HD, ProRes 422 10-bit Full HD, DNxHD 220x 10-bit Full HD, and DNxHD 145 8-bit Full HD at a variety of frame rates. Camera firmware update version 5.0 or higher is required.

2K Optical Low Pass Filter for Sony PMW-F5/F55

Sony CBK-55F2K (CBK55F2K, CBK/55F2K, cbk-55f2k) 2K Optical Low Pass Filter for Sony PMW-F5/F55The Sony 2K Optical Low Pass Filter for Sony PMW-F5/F55 is a replacement filter that softens the image your camera produces, creating a more organic look. Installing the filter does not require a service call, and will not void your warranty if properly installed. Designed to compensate for the camera's image processing when shooting at high frame rates that renders your camera's original OLPF ineffective, this filter can also be used when shooting 2K, and 4K at normal frame rates to reduce the effect of motion judder, or lend a softer look to your images. You can switch between the original OLPF that came with your camera, and the 2K OLPF to suit the needs of your production.

Sony Documentary Dock for PMW-F5 / PMW-F55 Camcorder

Sony CBK-55BK (CBK55BK, CBK/55BK, cbk-55bk) Documentary Dock for PMW-F5 / PMW-F55 Camcorder The CBK-55BK build-up kit enables one-person operation of the PMW-F55 and PMW–F5 CineAlta cameras, making it easy to achieve a shooting style to suit a variety of needs while maintaining the familiar, easy-to-use interface features of traditional shoulder camcorders. Two adjustable blocks for good weight balance - Shoulder pad has 33m adjustable range. Front block with all control buttons has 37mm adjustable range. RAW recording functionality - The build-up kit also supports the AXS-R5 for 2K/4K 16bit RAW recording up to 240 fps in 2K. Battery adaptor - Battery adaptor includes DC input, Hirose 1.8A DC output and D-TAP 4.17A (50W) DC output*. D-TAP DC output not available when using AXS-R5. Easy to attach/detach mechanism - The build-up kit features an easy to attach/detach mechanism that allows you to use the PMW-F55/F5 as a full shoulder camera or in the original style, giving you more flexibility in your style of shooting. Support of wireless audio receiver - The build-up kit includes an audio section and input/output section at the rear side, offering support for wireless audio, with a familiar design common to main broadcast camcorders. Lens support - Using standard PL lenses or common B4 2/3-inch broadcast lenses with the LA-FZB1 or LA-FZB2* will suit a wide variety of applications. When using the LA-FZB2, the original handle supplied with the camera needs to be used. Supplied top handle - The new improved top handle comes with a microphone holder and viewfinder cable protection. It also provides cover for the fan input on the top of the body to protect against rain or dust. The handle is also able to attach the CBK-WA100 wireless adaptor without needing a USB connection.  

Sony Return Switch Remote for Studio Cameras

Sony CAC-6 (CAC_6, CAC6, CAC/6, cac-6) Return Switch Remote for Studio CamerasThe CAC-6 return video selector allows you to remotely switch the camera on and off via the headphone microphone.

Sony 4K Fiber Transmission Camera Adapter for PMW-F55

Sony CA-4000PB (CA4000PB, CA/4000PB, ca-4000pb) (PMW/F55, PMW_F55) 4K Fiber Transmission Camera Adapter for PMW-F55 The CA-4000PB 4K Fiber Transmission Camera Adaptor from Sony permits live capture of 4K, providing Super 35mm 4K for live events such as sports, concerts and live studio programming. With the CA-4000PB adaptor attached to the docking interface of the PMW-F55 (sold separately), the Super 35mm 4K CMOS sensor camera is turned into a 4K Live system camera with High Frame Rate (HFR) capabilities and innovative HD cut-out operation. The 4K Live system works with the same range of Remote Control Panels (RCPs) and Master Setup Units (MSUs) as current HDC Series system cameras, providing a future-proofed migration path for customers. The system works across standard SMPTE fibre cables for distances up to 1.24 miles away. The CA-4000PB works with the BPU4000 Base Band Processor Unit (sold separately) to route 4K signals from the PMW-F55 camera. Thanks to the BPU4000, the 4K/HD picture is almost same as the HDC Series system camera and permits HDCU2000/2500 Camera Control Unit (CCU) operation. Docks to PMW-F55 16-Bit 4K RAW Camera With the CA-4000PB adaptor attached to the docking interface of the PMW-F55, the Super 35mm 4K CMOS sensor camera is turned into a 4K Live system camera. 4K Fiber Transmission Up to 1.24mi The 4K Live system works across standard SMPTE fiber cables for distances up to 1.24 miles away. Supports HDCU-2000/2500 CCU Operation The CA-4000PB works with the BPU4000 Base Band Processor Unit to route 4K signals from the PMW-F55 camera. Thanks the BPU4000, the 4K/HD picture is almost same as the HDC Series system camera and permits HDCU2000/2500 Camera Control Unit (CCU) operation. High Frame Rate Recordings The camera allows High frame rate (HFR) recordings up to 240 frames per second at 1080/50p HD Cut-Out Functionality It is possible to cut out a Full HD image from the 4K picture in real-time, allowing, for example, for the camera to be in a fixed camera position and operator free giving a wide view of the action, an area of which can be selected by the director. Same Interface as HDC-2500 Camera The CA-4000PB provides the same interface as the HDC-2500 to the camera operator such as RET, INTERCOM and MENU control. BPU4000 Operates without HDCU-2000/25000 CCU The BPU4000 has AC power capability to allow it work without the HDC-2000/25000 CCU. 4K output and down-converted HD output are available from BPU4000.  

Sony Optional HD Optical Multiplex Card for BRC-Z330 Camera

Sony BRBK-SF1 (BRBKSF1, BRBK/SF1, brbk-sf1) Optional HD Optical Multiplex Card for BRC-Z330 CameraThe BRBK-SF1 interface card is designed for use for use with the BRC-H900P Full-HD robotic camera and the BRC-Z330 HD robotic camera. The combined use of this card, CCFC-S200200m single-mode optical fibre cable segments and BRU-SF10 HD optical multiplex unit allows up to 2,000 metres (6,562 feet) transmission of camera images, external video syncsignals, 2 analogue audio channels and control signals via optical fibre cable.  

Sony Analog SD Output Card

Sony BRBK-SA1 (BRBKSA1, BRBK/SA1, brbk-sa1) Analog SD Output CardThe Sony Analog SD Output Card is used with the BRC-Z330 camera and the BRU-SF10 Optical multiplex unit. It supports output signals such as composite, S-Video, component video, and RGB/SYNC, and is compatible with connectors such as BNC, D-sub, and Mini DIN. Used with the BRC-Z330 camera and the BRU-SF10 Optical multiplex unit Supports output signals such as composite, S-Video, component video, and RGB/SYNC Compatible with connectors such as BNC, D-sub, and Mini DIN

Sony HD/SD SDI Output Card

Sony BRBK-HSD2 (BRBKHSD2, BRBK/HSD2, brbk-hsd2) HD/SD SDI Output CardThe BRBK-HSD2 output card is designed for use with the BRC-H900 and the BRC-Z330 HD robotic camera. It also works with the BRU-SF10 HD optical multiplex unit that connects to the BRC-Z330. It provides 3 digital video outputs. Use of this card allows output of images shot by the cameras as HD-SDI signals that conform to the SMPTE-292M serial digital interface standards, or as down-converted SD-SDI signals that conform to the SMPTE-259M serial digital interface standards.When using this card in HD-SDI mode, the camera menus can be super imposed on the video signal. Used with the BRU-SF10 and BRC-Z330 P/T/Z cameras Allows a remote monitor connected through the monitor-out connection to control the camera settings

Sony Rechargeable Lithium-ion Battery - V-Mount 95Wh

Sony BP-GL95A (BPGL95A, BP/GL95A, bp-gl95a) Rechargeable Lithium-ion Battery - V-Mount 95WhThe BP-GL Series Lithium-ion Battery Packs come with a durable V-mount mechanism, which provides high compatibility with a variety of Sony professional camcorders, some portable VTRs, and video monitors.Compact and powerful High power in a compact and lightweight body.

Sony V-Mount Dual Battery Adapter

Sony BKW-R4 (BKWR4, BKW/R4, bkw-r4) V-Mount Dual Battery AdapterThe Sony BKW-R4 V-Mount Dual Battery Adapter for SRMASTER Portable Recorder enables DC operation of the Sony F65 Digital Motion Picture camera and the SR-R4 SRMASTER portable recorder. LEMO 8-pin DC output connector 1 or 2 BP-GL95A batteries can be mounted Approximately 1.8 hours operating time for F65RS with 2 BP-GL95A batteries

Sony V-Mount Dual Battery Adaptor for HDCAM or XDCAM Camcorder

Sony BKW-L200 (BKWL200, BKW/L200, bkw-l200) V-Mount Dual Battery Adaptor for HDCAM or XDCAM Camcorder Battery adapter for enabling the battery is connected to the HDCAM or XDCAM camcorder. The adaptor extends the operating time of HDCAM/XDCAM camcorders by allowing up to two BP-GL95A high capacity batteries to be mounted. The V-mount mechanism allows for direct attachment to an HDCAM or XDCAM camcorder. Battery adaptor works with BP-GL95A high capacity Li-Ion V-mount battery packs.

Sony Viewfinder Rotation Bracket

Sony BKW-401 (BKW401, BKW/401, bkw-401) Viewfinder Rotation Bracket Sony BKW-401 (BKW401) ViewFinder Rotation Bracket. Sony  BKW-401 (BKW401) ViewFinder Rotation Bracket.

Sony Battery Adapter - 4-Pin XLR to V-Mount

Sony BKP-L551 (BKPL551, BKP/L551, bkp-l551) Battery Adapter - 4-Pin XLR to V-MountThe Sony BKP-L551 V-Mount to 4-pin XLR DC male connector battery adapter for PDW-D1. This allows equipment with a 4-Pin XLR power input to utilize V-Mount batteries. Along with the PDW-D1 this adapter will work with other XDCAM equipment. Works with range of Sony camcorders and decks Used with F35/F23 CineAlta cameras, and HDW-S280 and PDW-HD1500 recorders. More battery options Power Supply Capability from BP-GL/IL/L/M Series battery via XLR-4-pin connector.  

Sony System Expansion Board For CNU-700 camera command network unit

Sony BKP-7930//U (BKP7930//U, BKP/7930//U, bkp-7930//u) (CNU/700, CNU_700) System Expansion Board For CNU-700 camera command network unit The Sony BKP-7930/u is an expansion board for the CNU-700 command network unit, providing control for large broadcast camera systems including the BVP-900/950 series of cameras.  The board expands the unit's capability from 6 to 12 inputs,allowing for additional cameras to be used within the system.

Sony Single Page Script Holder

Sony BKP-7911 (BKP7911, BKP/7911, bkp-7911) Single Page Script Holder The BKP-7911 from Sony is a Single Page Script Holder with an integrated reading light. It attaches to your camera making it easier for the operator to follow the script.Attaches to Sony HD / SD system cameras The BKP-7911 is a single page script holder with a reading light.

Sony Remote Control Panel for MSW-2000/1 Series MPEG IMX VTRs

Sony BKMW-101 (BKMW101, BKMW/101, bkmw-101) Remote Control Panel for MSW-2000/1 Series MPEG IMX VTRs The Sony BKMW-101 is an optional remote control panel for the MSW series of MPEG/IMX VTRs. This can be incorporated into any standard 19" rack mounting system as well as the RKM-102 desktop mount for added convenience.

Sony Control Unit Attachment kit for BVM-E170/F170

Sony BKM-39H (BKM39H, BKM/39H, bkm-39h) (BVM E170, BVM/E170) (BVM/F170, BVM_F170) Control Unit Attachment kit for BVM-E170/F170The Sony BKM39H Attachment Stand is used with the BVML170 Trimaster LCD Broadcast Monitor (16.5”) and PVML1700 LCD Monitor Broadcast Applications (16.5"). It includes a cable to connect the BKM-16R to BVML170.

Sony Monitor Controller Attachment Stand for PVM-L2300/BVM-F250 and BVM-L231

Sony BKM-38H (BKM38H, BKM/38H, bkm-38h)(PVM/L2300,PVM_L2300)(BVM/F250, BVM_F250) (BVM/L231, BVM_L231) Monitor Controller Attachment Stand for PVM-L2300/BVM-F250 and BVM-L231 The BKM-38H/1 Controller Attachment Stand is an attachment stand for joining a Sony BVME250 or BVMF250 Trimaster OLED Monitor and a Sony BKM-16R/7 Monitor Control Unit.  

Sony Monitor Controller Attachment Stand

Sony BKM-37H (BKM37H, BKM/37H, bkm-37h) Monitor Controller Attachment Stand The Sony BKM-37H is an optional controller attachment stand for the BVML-Series of professional monitors. The stand attaches the monitor to the BKM-16R control unit. By using this attachment stand, the BVM-E250A/F250A can tilt between 5° forward and 10° backward.

Sony Dual V-Mount Battery Fast Charger for BP-FLX75

Sony BC-L70A (BCL70A, BC/L70A, bc-l70a) (BP/FLX75, BP_FLX75) Dual V-Mount Battery Fast Charger for BP-FLX75 The BC-L70A can charge the BP-FLX75 Olivine lithium-ion battery in only 65 minutes. It is also capable of simultaneous, continuous charging of up to two lithium-ion* battery packs. The BC-L70A has the same light weight and compact dimensions as its predecessor, the BC-L70. Note: The BC-L70A cannot charge nickel metal hydride battery packs BP-M50 or BPM100. Efficient charging for two battery packs The BC-L70A features an advanced charging system that allows quick, efficient charging; up to two battery packs can be attached and charged simultaneously. Battery back-up Should the AC power cord be accidentally unplugged from the AC power source, a charged lithium-ion battery pack attached to the BC-L70A provides an alternate back-up power to the connected device.

Sony BC-DWZ1//EU Battery Charger for DWZ-M70 and DWZ-B70HL

Sony BC-DWZ1//EU (BC-DWZ1-EU, BC/DWZ1/EU, BC_DWZ1_EU, BCDWZ1EU, bc-dwz1//eu) Battery Charger for DWZ-M70 and DWZ-B70HL Recharges AA NiMH-type batteries operating with the ZTX-M02RC digital wireless handheld transmitter and ZTX-B02RC digital wireless body-pack transmitter The BC-DWZ1 is a contactless recharger, this means you simply place the transmitter into the charging station to recharge NiMH-type batteries. You do not need to physically remove the batteries to recharge them, which saves you time and reduces wear and tear to the transmitters.

Sony 2K and 4K RAW External Recorder for use with PMW-F5, PMW-F55 cameras

Sony AXS-R7 (AXS/R7, AXS_R7, AXS R7) 2K and 4K RAW External Recorder for use with PMW-F5, PMW-F55 cameras 4K RAW / X-OCN recording at 120 fps* and cache recording speeds up 4K production workflow The durable, dust and splash-proof AXS-R7 Portable Memory Recorder attaches seamlessly to the high end F55 and F5 CineAlta cameras, speeding up the 4K production workflow without compromising quality. The AXS-R7 doubles 4K RAW recording from 60 fps up to 120 fps for the F55 camera compared to previous Sony recorders. For shooting at higher frame rates, the recorder captures 2K RAW at up to 240 fps for the F55 and F5, for playback with 10x super slow motion. Working with high-speed AXSM™ A Series memory cards, the recorder features dual memory card slots for extra security and to extend recording times. The recorder also offers 4K RAW cache recordings up to 30 seconds while in standby mode. The tough, all-metal casing makes the AXS-R7 the ideal companion to the F55 and F5 for all kinds of high-end drama, documentary and wildlife productions. In addition to AXS-R7 has new recording format, X-OCN. This new format support the high quality workflows at moderate bitrate. The system retains everything the sensor sees, delivering tonal gradation with 16-bit precision, ideal for High Dynamic Range (HDR) image grading and other cutting-edge workflows that require higher than 10-bit or 12-bit precision. * 4K RAW / X-OCN 120 fps recording only available for F55.

Sony AN-01//K Uni-Directional UHF Antenna

Sony AN-01//K (AN-01-K, AN/01/K, AN_01_K, AN01K, an-01//k) Uni-Directional UHF Antenna The AN01 Active Directional Antenna from Sony provides 0, 10 or 18dB of gain. Two antennas are required for Diversity Tuner Operation. This unit is for use with UHF-TV channels 14 through 69. The AN-01 is a uni-directional UHF Antenna, designed to be used with Sony analogue or digital wireless microphone systems.

Sony 12 Black urethane windshields for ECM-88 series of lavalier microphones

Sony AD-R88B (ADR88B, AD/R88B, ad-r88b)(ECM_88, ECM/88) 12 Black urethane windshields for ECM-88 series of lavalier microphones This Sony windscreen kit includes 12, replacement urethane windscreens for the Sony ECM88 lavalier microphone. Color, black.

Sony AD-PCM2//C CE7 Windshield for PCM-M10 Audio Recorder

Sony AD-PCM2//C CE7 (AD-PCM2, ADPCM2, ad-pcm2__c, AD-PCM2//C) Windshield for PCM-M10 Audio RecorderA must have for field recording, this optional windscreen is designed for use with PCM-M10 built-in microphones. The windscreen reduces wind noise up to 20 dB and it's made with 15mm long synthetic fur fabric.

Sony Power Supply & Fast Dual Charger Kit

Sony ACC-V1BPA (ACC V1BPA,  ACCV1BPA,  ACC/V1BPA, acc-v1bpa) Power Supply & Fast Dual Charger Kit Make sure your camcorder is always ready to shoot with the ACC-V1BPA dual charger/AC adaptor and InfoLITHIUM® rechargeable battery kit. Sony's ACC-V1BPA accessory kit includes the AC-VQV10 dual charger / AC adaptor and an NP-FV100 high capacity InfoLITHIUM® battery. This accessory kit offers real flexibility for professionals, giving longer battery life and faster re-charging than ever before. The AC-VQV10 can provide AC power to your camcorder or quickly charge two InfoLITHIUM batteries in sequence. It is fully compatible with InfoLITHIUM V, H & P series batteries. The NP-FV100 high capacity, long-lasting battery powers your camcorder longer than any other battery in the V-series, and has a 15% capacity increase over the NP-FH100. And because it's InfoLITHIUM you'll be able to see the remaining battery life displayed on your camcorder's screen.

Sony Digital Triax Adapter

Sony CA-TX70F//U (CATX70FU, CA TX70F U, CA/TX70F//U, ca-tx70f//u, ca-tx70f) Digital triax adapter for HXC-D70 and PMW-320/350/400/500 camcorders Enables connection via digital triax to HXCU-TX70 Camera Control Unit The CA-TX70 digital triax adaptor for the HXC-D70 studio camera and PMW-320/350/500 camcorders, allows connection to the popular HXCU-100 digital triax Camera Control Unit (CCU).With the CCU, it is possible to control the HXC-D70 and PMW-320/350/500 up to a maximum distance 1200 mt. with 14.5mm cable and 600 mt with 8.5mm cable, including the power and signals of Tally, Intercom, Video Return and also Prompter. CBK-HD02 is required when the CA-FB70 or CA-TX70 is configured with PMW-500. CBK-CE01 is required when the CA-FB70 or CA-TX70 is configured with PMW-400/350/320. Operates with HXCU-TX70 The CA-TX70 works seamlessly with the HXCU-TX70 digital triax Camera Control Unit (CCU). The HKCU-FP2 optional front control panel can be attached onto the HXCU-TX70. Digital triax connection The CA-TX70 helps ensure the best picture quality and easy integration of the HXC-D70 and PMW-320/350/400/500 using conventional triax infrastructure up to a maximum distance 1200 mt. with 14.5mm cable and 600 mt with 8.5mm cable. Connection for all signals The CA-TX70 provides flexible integration and the possibility to extend the operation with all signals (Tally, Intercom, Video Return and Prompter) in full HD.

Sony 4K Fiber Transmission Camera Adaptor

Sony CA-4000 (CA_4000, CA/4000, CA 4000) 4K Fiber Transmission Camera Adaptor The CA4000 4K Fiber Transmission Camera Adaptor from Sony permits live capture of 4K, providing Super 35mm 4K for live events such as sports, concerts and live studio programming. With the CA4000 adaptor attached to the docking interface of the PMW-F55 (sold separately), the Super 35mm 4K CMOS sensor camera is turned into a 4K Live system camera with High Frame Rate (HFR) capabilities and innovative HD cut-out operation. The 4K Live system works with the same range of Remote Control Panels (RCPs) and Master Setup Units (MSUs) as current HDC Series system cameras, providing a future-proofed migration path for customers. The system works across standard SMPTE fibre cables for distances up to 1.24 miles away. The CA4000 works with the BPU4000 Base Band Processor Unit (sold separately) to route 4K signals from the PMW-F55 camera. Thanks to the BPU4000, the 4K/HD picture is almost same as the HDC Series system camera and permits HDCU2000/2500 Camera Control Unit (CCU) operation. Docks to PMW-F55 16-Bit 4K RAW Camera With the CA4000 adaptor attached to the docking interface of the PMW-F55, the Super 35mm 4K CMOS sensor camera is turned into a 4K Live system camera. 4K Fiber Transmission Up to 1.24mi The 4K Live system works across standard SMPTE fiber cables for distances up to 1.24 miles away. Supports HDCU-2000/2500 CCU Operation The CA4000 works with the BPU4000 Base Band Processor Unit to route 4K signals from the PMW-F55 camera. Thanks the BPU4000, the 4K/HD picture is almost same as the HDC Series system camera and permits HDCU2000/2500 Camera Control Unit (CCU) operation. High Frame Rate Recordings The camera allows High frame rate (HFR) recordings up to 240 frames per second at 1080/50p HD Cut-Out Functionality It is possible to cut out a Full HD image from the 4K picture in real-time, allowing, for example, for the camera to be in a fixed camera position and operator free giving a wide view of the action, an area of which can be selected by the director. Same Interface as HDC-2500 Camera The CA4000 provides the same interface as the HDC-2500 to the camera operator such as RET, INTERCOM and MENU control. BPU4000 Operates without HDCU-2000/25000 CCU The BPU4000 has AC power capability to allow it work without the HDC-2000/25000 CCU. 4K output and down-converted HD output are available from BPU4000.  

Sony HD Optical Mutiplex Unit for BRC-Z330 Remote Camera

Sony BRU-SF10 (BRUSF10, BRU SF10, BRU/SF10, bru-sf10) (BRC_Z330, BRC/Z330) HD Optical Mutiplex Unit for BRC-Z330 Remote Camera The BRU-SF10 HD optical multiplex unit with the BRBK-SF1 HD optical multiplex card enables the BRC-Z330 HD camera to transmit uncompressed digital data without deterioration through the CCFC-S200 single-mode fiber-optic cable, at a maximum distance of about 6,500 feet (2 km).  

Sony 1/2 Type 3CMOS Full-HD Colour Video Camera

Sony BRC-H900 (BRC/H900, BRC_H900, BRC H900) 1/2 Type 3CMOS Full-HD Colour Video Camera The BRC-H900 remote studio camera combines uncompromising broadcast picture quality with the flexibility of PTZ operation.  Designed for unattended operation, this compact but powerful robotic camera is an ideal complement to other broadcast cameras for capturing images in hard-to-reach or unobtrusive positions. It's equally at home in TV newsrooms, remote studios and on-air suites, auditoriums, houses of worship, courtrooms or outdoor sports events.  The sensitive ½-type Exmor 3CMOS image sensor captures detail-packed Full HD footage with low noise and a wide dynamic range. Smooth, speedy remote PTZ with 14x optical zoom and on-board image stabilisation accommodates wide-angle scenes and tightly framed close-ups. Broadcast-friendly features include dual tally lamps for on-air operation, while operational flexibility is enhanced with options for ceiling, table top or tripod mounting.  There’s also a broad range of video interface and remote control possibilities, simplifying smooth integration into any broadcast or professional AV environment.

Sony BRBK-MF1 HD optical multiplex card for BRC-Z700 robotic camera

Sony BRBK-MF1 (BRBKMF1, BRBK MF1, BRBK/MF1, brbk-mf1) HD optical multiplex card for BRC-Z700 robotic camera Allows transmission of HD signal up to 1,000 metres with BRU-H700 HD optical multiplex unit The BRBK-MF1 interface card is designed for use with the BRC-Z700 HD 3 CMOS robotic camera. The combined use of this card, CCFC-M100HG optical fibre cable and BRU-H700 HD multi-mode optical multiplex unit allows up to 1,000 metres (3,281 feet) transmission of camera images, external video sync signals and control signals via one cable. Single fibre cable Combines multiple data for transmission. Allows use of single fibre cable Combines multiple data for transmission.

Sony Lithium-ion Battery (56Wh) with power out terminal

Sony BP-U60T (BPU60T, BP U60T, BP/U60T, bp-u60t) Lithium-ion Battery (56Wh) with power out terminal The BP-U60T (85 Wh) Lithium-ion battery supports professional video shooting in both the field and the studio. The battery has a 4 Pin 2A (Max) power output. The BP-U60T powers XDCAM handy camcorders such as the PMW-200, PMW-150 andPMW-100, as well as the PMW-50 portable deck. The battery provides power for more than two hours, depending on the camcorder. Intelligent INFO function displays battery status in camcorder The BP-U60T is equipped with a professional INFOfunction that shows the remaining capacity, chargingtime, and charge cycles on INFO-compatibleequipment such as Sony chargers and camcorders.

Sony 4K Base Band Processor Unit

Sony BPU-4000 (BPU4000, BPU 4000, BPU/4000, bpu-4000) 4K Base Band Processor Unit The BPU4000 works with the CA4000 to route 4K signals from the PMW-F55 Super 35mm 4K CMOS sensor camera. The BPU4000 generates 4K and HD signals at a similar colour matrix to match to the current Sony HD camera system, 4K and HD signal outputs simultaneously. The BPU4000 works with the HDCU-2000/2500 to permit the same system operation as the current HDC camera system. Routes 4K signals from the PMW-F55 camera fitted with CA4000 4K fibre transmission adaptor The BPU4000 works with the same range of Remote Control Panels (RCPs) and Master Setup Units (MSUs) as current HDC Series system cameras, providing a future-proofed migration path for customers. The system works across standard SMPTE fibre cables for distances up to 2,000m.

Sony 80W/h Rechargeable Li-Ion V-Mount Battery

Sony BP-L80S (BPL80S, BP L80S, BP/L80S, bp-l80s) 80W/h Rechargeable Li-Ion V-Mount Battery The new BP-L80S joins the existing BP-L60S, BP-GL65 and BP-GL95 rechargeable Li-ion batteries in the Sony line-up. It uses the same technology as the BP-L60S but has a higher capacity of 83.5Wh.  The BP-L80S is ideal for use with the complete range of DVCAM, XDCAM, MPEG IMX, Digital Betacam and HDCAM camcorders, and can also be used with portable VTRs (such as the HDW-S280/1 and SRW-1) and battery powered picture monitors.  The BP-L and BP-GL series batteries share many operational characteristics. Both have been designed to be highly durable and reliable, making them suitable for the harshest environments encountered in the most demanding ENG and EFP applications.  There are, however, some differences in operational characteristics between the BP-L and BP-GL batteries, providing a choice of battery type depending upon the specific requirements of the user.   The BP-L80S is ideally suited to applications where the battery has to supply a high current (e.g. where the camcorder is being used with lights powered from the camcorder) and where cells are charged and then stored for a number of days before use.  The BP-GL95 is ideally suited to applications where a lower current is being supplied (e.g. where just the camcorder is being used), where the lightest possible battery is required and where there is a very quick turn around time between charging and use.  

Sony Lithium-ion battery pack 66 Wh capacity

Sony BP-GL65A (BPGL65A, BP GL65A, BP/GL65A, bp-gl65a) Lithium-ion battery pack 66 Wh capacity The Sony BP-GL65 is a Lithium Ion chemistry battery for professional camcorders and VTRs that accept V-mount batteries. This battery has a power capacity of 65 Watt Hours, enough to run a 40 watt draw over 1 ½ hours. With interactive features and lithium chemistry's light weight, these batteries offer advanced reliability and portability. Advanced Info Feature  The BP-GL series of batteries offer the most accurate power consumption and run-time information for PDW, MSW, and HDW series camcorders. Power remaining data is viewed right through the viewfinder in 10% increments. For other camera systems the LED display gives accurate power-remaining information in 20% increments Discharge Power Curve Unlike other battery chemistries, these Li-Ion batteries provide full power output with consistent voltage over the entire run-time. Low voltage battery power often triggers a warning signal once voltage falls below a certain level, usually 12 volts. The BP-GL batteries provide at least 14.4 volts almost up to the very end of their power supply.  

Sony Olivine-Type Lithium Ion V-Mount Battery Pack (75Wh)

Sony BP-FLX75 (BPFLX75, BP FLX75, BP/FLX75, bp-flx75) Olivine-Type Lithium Ion V-Mount Battery Pack (75Wh) The innovative BP-FLX75 battery uses Olivine – Lithium Iron Phosphate – instead of conventional Lithium Ion cathodes. The result is a substantial increase in charge-discharge cycles compared to previous Sony batteries – effectively doubling the battery’s lifespan. It also takes only 65 minutes to be fully charged with the BC-L90 and BC-L70A fast battery charger while still being compatible with older Sony chargers.  

Sony BC-DWZ1//CEK DWZ Series Battery Charger

Sony BC-DWZ1//CEK (BC-DWZ1-CEK, BC/DWZ1/CEK, BC_DWZ1_CEK, BCDWZ1CEK, bc-dwz1-cek) DWZ Series Battery Charger Recharges AA NiMH-type batteries operating with the ZTX-M02RC digital wireless handheld transmitter and ZTX-B02RC digital wireless body-pack transmitter The BC-DWZ1 is a contactless recharger, this means you simply place the transmitter into the charging station to recharge NiMH-type batteries. You do not need to physically remove the batteries to recharge them, which saves you time and reduces wear and tear to the transmitters.

Sony Belt-pack Mic Package

Sony UWP-D11/K33PRO (UWP/D11/K33PRO, UWP_D11/K33PRO, UWP D11/K33PRO) Belt-pack Mic Package The UWP-D11 belt-pack wireless microphone package offers the sound quality of digital audio processing combined with the reliability of analogue FM modulation. The package includes the UTX-B03 belt-pack transmitter and URX-P03 portable receiver. Also included is a high quality omni-directional lavalier microphone and a range of accessories including windscreen, microphone holder clip, belt-clip and shoe-mount adaptor.The UWP-D11 package offers wide frequency coverage with up to 72 MHz bandwidth (depending on region) across a wide range of channels, with a choice of models to choose from. Easy-to-use features include a large display and small size receiver to fit neatly on any size camcorder or DSLR camera, automatic channel setting function, headphone output, USB connection for power supply and line input availability. The UWP-D Series system provides superb transient response performance for all ENG / EFP production applications. Digital Audio Processing for high quality sound Improves transient response performance between the UWP-D transmitter and receiver, which will provide impressive natural sound quality compared to conventional analogue wireless systems. Complete package The UWP-D11 PRO kit comes as a complete package including the UTX-B03 belt-pack transmitter, URX-P03 portable receiver, omni-directional lavalier microphone, plus an extra ECM-77BMP lavalier microphone, and everything you need to operate the wireless audio system. Wide frequency coverage with choice of channels available The extra wide switching bandwidth covers a wide area, with a wide choice of channels available across multiple models - please refer to product specifications for more information. Large display and small size receiver The transmitter and receiver both feature a large display for ease of use, while the small size receiver fits neatly on any size camcorder or DSLR camera. Easy to use features Automatic channel setting function, headphone output, USB connection for power supply and line input availability.

Sony LA-EA4.AE 35mm Full-Frame A-Mount Adaptor

Sony LA-EA4.AE (LA-EA4.AE, LA-EA4, LAEA4, la-ea4.ae) 35mm Full-Frame A-Mount Adaptor A-mount adapter for E-mount cameras Fit A-mount lenses on a Full Frame or APS-C camera Get more from your Full Frame or APS-C E-mount camera with this A-mount lens adapter. An aperture mechanism supports auto exposure for sharp images. Smooth, responsive autofocus Crisp images with Translucent Mirror Technology Shoot stills or movies in sharp detail with a built-in 15 TTL AF system and three cross sensors. Continuous phase detection keeps shooting smooth and focused.

Sony PXW-Z450 4K 2/3-type CMOS sensor advanced shoulder Camcorder

Sony PXW-Z450 (PXWZ450, PXW/Z450, PX-WZ-450, PXW Z450) 4K 2/3-type CMOS sensor advanced shoulder Camcorder The PXW-Z450 4K UHD Shoulder Camcorder from Sony features a single Exmor R CMOS sensor with 3840 x 2160 resolution. The PXW-Z450 camcorder supports the Sony XAVC codec up to 4K UHD, 1080/59.94p and 50p recording, in addition to MPEG and DVCAM formats. In combination with the optional PWS-100RX1 Network RX Station, this camcorder enables simple yet high-quality wireless ENG workflow, providing QoS (Quality of Service)-based live streaming that will save considerable time. The PXW-Z450 Camcorder provides a variety of AV and IT interfaces including four 3G-SDI outputs, as well as RJ-45, and USB 3.0 connection ports. Its built-in wireless function and an HD/SD-SDI input that supports a pool-feed function make it even more convenient for use. This powerful, user-oriented XDCAM Series camcorder meets a broad variety of ENG and studio applications. Image Sensor The camcorder features a single 4K UHD (3840 x 2160) EXMOR R CMOS sensor. The R designation indicates it is a backlit sensor, which means that the circuitry that normally is in the front of the sensor and can limit the light reaching the sensor's photosites, has been moved to the back of the sensor. this has the effect of increasing the sensor's low light performance. Multiple Format Recording The PXW-Z450 Camcorder offers a wide array of recording formats for a variety of applications including ENG, EFP, and studio use. Developed on MPEG-4 AVC/H.264 compression, the XAVC codec provides support for the 4K UHD and Full HD format of XAVC long 4:2:2 1080/59.94p and 50p formats. The camcorder also supports SD video in a variety of resolutions using DVCAM compression. Built-in Wireless Module and ONLINE Button To support effective wireless news production workflows, the PXW-Z450 Camcorder incorporates a built-in wireless capability. It also provides an 'ONLINE' button, located on the inside panel, which lets you instantly switch on functions like Network Client Mode, Auto Proxy Upload, and Live Streaming. Embedded RJ-45 Connector This Ethernet connector provides robust and fast connection to the network and can be utilized for file transfer, live streaming, and camera control from a web browser NFC (Near Field Communication) for Easy Wireless LAN Connection An NFC function supports easy connection for launching the CBM (Content Browser Mobile) application on a smartphone or tablet. This means you can skip cumbersome setup procedures. Optimized Weight Balance Building upon its years of camera design, Sony has shifted the camcorder's center of gravity towards the back of the body to optimize the camcorder's weight balance. Low Power Consumption This camcorder achieves power consumption as low as 24W in normal recording mode. This enables continuous recording operation for approximately 160 minutes with Sony's BP-FLX75 (sold separately) standard-type battery. Supports Full HD OLED Viewfinder Equipped with two types of connectors for a viewfinder interface, the PXW-Z450 Camcorder supports a variety of Sony's viewfinders, including the Full HD OLED HDVF-EL30 and HDVF-EL20, as well as the QHD LCD CBK-VF02. The HDVF-EL30 has a 960 x 540 resolution sub-LCD panel. ONLINE Button for Easy Network Connection The PXW-Z450 Camcorder is equipped with a dedicated ONLINE button. This delivers simple one-touch operation of ON/OFF switching for three network connection functions. Content Browser Mobile (CBM) CBM application software controls the camcorder remotely and is available on both Android and iOS. Network Client Mode You can connect Sony's PWS-100RX1 Network RX Station (sold separately) to send proxy clips or live streaming with Sony's QoS technology. The PXW-Z450 Camcorder can also be controlled remotely by the RX station. Auto Upload (Proxy) Clip files recorded on the camcorder can be transmitted via a network automatically when the recording is finished. XAVC 4:2:0 Long GOP clips are supported. Live Streaming This camcorder can transfer MPEG2-TS (UDP/RTP) to a third-party decoder Three-color LED Indicator The ONLINE button indicates the status (Disabled, Ready, Enabled) in three ways (off, orange, blue). Sony's QoS Technology Sony's unique QoS (Quality of Service) technology minimizes risk of image quality degradation, image freeze, or audio disruption, and helps maintain video and audio integrity during communications. The PWS-100RX1 Network RX Station comes with Sony-original algorithms that automatically adjust bandwidths and buffer sizes to match the characteristics of wireless communications. Sony Advanced Streaming with QoS The Sony QoS Technology improves the clarity that's possible on a single 3G/4G/LTE cellular channel or your own wireless LAN network, or limited communication band of Ethernet. You get better pictures, even given the limitations of real-world networks. The endpoint of Sony's QoS streaming is the versatile PWS-100RX1 Receiver Station. 1 Conventional MPEG2-TS Streaming For maximum flexibility, Sony's XDCAM wireless solutions also support conventional MPEG-TS streaming, so that you can stream to a wide range of receivers, including compatible third-party receivers and decoders. Sony wireless solutions will stream over a wireless LAN network, or over a 3G/4G/LTE cellular network with the appropriate carrier dongle and service. You can also enjoy wired streaming over Ethernet, using the embedded RJ-45 connector, via a router/hub. Flexible file transfer During field shooting news or other time-sensitive content, you can transfer files wirelessly. So, there's no need to wait for the delivery of physical media. The receiving server gets a bit-for-bit clone of the original camera file, with all the original audio, video, and metadata. Simultaneous Recording on Two SxS Cards The PXW-Z450 Camcorder offers a simultaneous recording capability for peace-of-mind productions. Simultaneous recording is available on both SxS card slots as a backup measure. This is within the same codec and with the same operating point in the recording formats such as XAVC-Intra, XAVC-Long, MPEG HD422, or MPEG HD (420). You can also achieve simultaneous recording with a proxy file in all combinations with the above formats recording the proxy to an SD card. GPS Functionality On activation, the built-in GPS receiver module records GPS data in an MXF file and a proxy file, and automatically imposes it on the live streaming signal. It is also useful for tracking shooting locations in post-production and when station-based staffs need to map a crew's location with the PWS-100RX1 Receiver for streaming. Flexible Camera System Operation The CA-FB70 Optical Fiber Camera Adapter or the CA-TX70 Digital Triax Camera Adapter (both sold separately) can be attached to the PXW-Z450 Camcorder for live camera operation. The CA-FB70 Adapter enables the camcorder to transmit signals via an optical fiber cable up to 820' between the CA-FB70 and HXCU-FB70 Optical Fiber Camera Control Unit (CCU) with power and signal transmission. The CA-TX70 Adapter transmits signals via triax cable up to 1968' between the CATX70 and HXCU-TX70 Digital Triax Camera Control Unit. RGB Color LCD Display The PXW-Z450 Camcorder is equipped with an RGB color LCD display on the inside panel. In addition to thumbnail and menu displays, you can see and monitor video reproduction in QHD (960 x 540 pixels) resolution. Other Features Newly developed ALAC (Automatic Lens Aberration Compensation) feature decreases specific patterns of chromatic aberration caused by the lens. The camcorder supports user gamma and Focus Assist function for easier focusing on the viewfinder and provides a graphic bar indicator, while the viewfinder can indicate Waveform, Vector Scope, or Histogram. The Digital Extender function enables images to be digitally expanded two to four times in size without any loss of F-drop image sensitivity.

Sony Quick-Release Tripod Adapter

Sony VCT-14 (VCT14, VCT 14, VCT/14, vct-14) Quick-Release Tripod Adapter The VCT-14 features a robust, all-metal construction and provides rigid mounting of broadcast SD / HD camcorders.  We have also noticed that for DSR camcorders from the DSR-300 upwards this plate eliminates wobble that occurs with the slightly cheaper VCT-U14 model.

Sony LANC Remote Zoom Controller

Sony RM-1BP (RM1BP, RM 1BP, RM/1BP, rm-1bp) LANC Remote Zoom Controller The RM-1BP Remote Commander controller is a small hard-wired controller designed to work with any Sony HDV and DVCAM camcorders that have a LANC port. The RM-1BP Remote Commander unit attaches to the handle of most standard tripods and enables the user to remotely control focus and zoom of the camcorder, as well as offering Start-Stop record and Record/Review control. The RM-1BP Remote Commander unit offers three different zoom speed ranges, for enhanced creativity and precise control.

Sony HSC-100RT/3T Digital Triaxial Studio Camera Head

Sony HSC-100RT/3T (HSC100RT3T, HSC 100RT 3T, HSC/100RT/3T, hsc-100rt/3t) Digital Triaxial Studio Camera Head The Sony HSC-100R Digital Triax Broadcast Camera is an HD/SD camera with a digital triax CCU input. The triax system integrates into conventional triax-based infrastructures, allowing upgrades from existing systems, and supports cable runs up to 3,937 ft to an optional CCU. The camera features a 2/3" type CCD sensor offering F10 sensitivity for 1080i59.94 and F11 for 1080i50, with -60dB signal-to-noise ratio. It also records in 720p and 1080PsF and down-converts to high-quality SD. An optional HZC-PSF3 software is required for 1080/29.97PsF/25PsF. The lens mount is Sony Bayonet. Inputs/outputs include XLR audio, XLR mic, HD/SD-SDI output, VF signal, return signal, SDI prompter output/genlock input/return input, and XLR intercom. An electronic color correction filter and four ND filters are built in. A 16-bit A/D converter processes images with very high color precision. A Digital Extender function expands an image by a factor of two in the center of the sensor's captured image without any decrease in sensitivity. Auto Lens Aberration Compensation 2 automatically reduces chromatic aberration by horizontal and vertical compensation when using lenses that support this function. Seven standard-gamma and four hyper-gamma tables are available for use in adjusting contrast. A Multi-Matrix function applies color adjustments over a user-specified color range, and Adaptive-Matrix enables color conversion even when shooting under excessively strong ambient light. Master White Gain allows step-less gain level adjustments. Two types of focus assist are available -- Viewfinder Detail adds dedicated edge signals to the viewfinder, allowing easy recognition of a focusing point, and Focus Assist Indicator displays an indicator for adjustment at the bottom or elsewhere within the viewfinder frame. The main chassis is made of durable magnesium-alloy casting. An integrated shoulder pad is adjustable back and forth without any tools. A protrusion on the front of the carrying handle allows added stability while shooting, and a non-slip structure on the handle's lower surface provides better grasp. Assignable switches are available on the side and rear panels and assignable buttons on the handle. Multi-Format Operation The HSC-100R records in 1080/59.94i/50i, 720/59.94p/50p, and 1080/29.97PsF/25PsF (an optional HZC-PSF3 software is required for 1080/29.97PsF/25PsF) 2/3" CCD Sensor A 2/3" type full-resolution 1920 x 1080 CCD sensor offers a high F10 sensitivity for 59.94 Hz and F11 for 50 Hz, with a signal-to-noise ratio of -60 dB. Digital Triax Operation The HSC-100R uses a digital triax CCU input/transmission system that can be integrated into conventional triax-based infrastructures. This allows an easy upgrade from existing systems. Cable runs up to 3,937 ft can be established between the camera and optional CCU via a 14.5mm diameter cable, also optional. 16-Bit A/D Conversion and DSP LSI A 16-bit A/D converter enables captured images to be processed with maximum precision, and the Auto Lens Aberration Compensation function can optimize lens performance. Digital Extender The Digital Extender function expands the size of the image by a factor of two in the center of the sensor's captured image. This function works without a decrease in sensitivity as is common with conventional optical extender functions. Auto Lens Aberration Compensation 2 The ALAC2 function automatically reduces chromatic aberration by both horizontal and vertical compensation when using lenses that support this function. Versatile Interfaces A wide range of inputs and outputs including HD/SD-SDI output, VF signal, return signal, SDI Prompter signal, and an intercom channel (ENG/PROD). Robust Design The main chassis is made of a magnesium-alloy casting, which ensures the durability and helps protect the camera's lightweight precision components, such as integrated optical elements and electronics. Position-Adjustable Shoulder Pad The integrated shoulder pad can be adjusted forwards or backwards to provide weight balance, useful when the camera is docked with a lens or camera adapter. This adjustment doesn't require any tools. Two Types of Focus Assist "Viewfinder Detail" adds dedicated image-enhancing edge signals directly to the viewfinder, enabling the camera operator to recognize a focusing point. "Focus Assist Indicator" displays an indicator for adjustment at the bottom or other position of the viewfinder frame, particularly beneficial when shooting wide. Optimized Handle Shape for Stable Shooting The designed carrying handle enhances camera operability. A protrusion positioned on the front of the handle allows holding the camera with added stability while shooting. And the non-slip structure of the handle's lower surface helps grasp the handle firmly. Function-Assignable Switches The camera features assignable switches on the side and rear panels and assignable buttons on the handle. Built-In Down Converter This down converter allows superior SD images as standard. Multiple Gamma Tables Seven types of standard-gamma and four types of hyper-gamma tables are available for handling the contrast range and look of an image in-camera. HyperGamma HyperGamma is a set of transfer functions that provide contrast handling by making maximum use of the CCD sensor's capacity and wide dynamic range. These functions are quickly accessible via the set-up menu, and four curves are available to choose from. You can, for example, enhance natural reproduction in low-key areas to achieve greater flexibility in wide dynamic scenes. Multi-Matrix The Multi-Matrix function applies color adjustments over a user-specified color range. The color spectrum is divided into 16 areas of adjustment, where the hue and/or saturation of each area can be modified. This function is especially useful when only the hue of certain colors needs to be adjusted for special-effects work. Multi-Matrix is effective for capturing images with similar color tone in a system configured with existing SD cameras or other models of camera. This function enables the picture from another model of camera to be easily matched. Adaptive-Matrix This function enables color conversion even when shooting under excessively strong ambient light, like under bright monochromatic blue light. Such a condition typically causes a conventional matrix function to exceed the color conversion range. Master White Gain The Master White Gain function allows step-less adjustment of gain levels, allowing the gain levels to be adjusted more precisely compared to conventional stepwise adjustment. Compatible CCU Models HSCU-300R and HSCU-300RF, both 1.5 RU.  

Sony F65RS/VF F65RS Camera with HDVF-C30WR Viewfinder

Sony F65RS/VF (F65RSVF, F65RS VF, F65/RS/VF, f65rs/vf) (HDVF/C30WR, HDVF_C30WR)(f65rs)F65RS Camera with HDVF-C30WR Viewfinder Comes with 2 Years Sony Prime Support Warranty - Beware of grey imports. Digital Motion Picture Camera with Rotary Shutter & Viewfinderfrom Sony New Digital Cinematography camera which utilizes New 20 Megapixel Super 35mm CMOS imager, whose active image area is 24.7mm X 13.1mm. F65 camera has an integral PL mount which is standard for Film cameras. ARRI and Cooke Lens interface data and Metadata are recorded on SR Memory recorder. F65 camera has base sensitivity of 800EI. In this mode you have 7 stops latitude over key and 7 stops under providing phenomenal Dynamic Range. F65 covers a wider color space over any other digital cameras. This allows more headroom for color grading and future proof camera original material. The Rotary shutter has range of 11.5 degrees to 180 degrees. This eliminates CMOS motion artifacts. F65/RS also outputs shutter pulse for 3D /Motion Control rig application. With the rotary shutter you also have Built in ND filters of 0.9, 1.2, 1.5 and 1.8. In the viewfinder and monitor output from the camera, X2 and X4 magnification can be enabled for critical focusing. Ergonomics of the camera allows use of film accessories without any modification to the camera. When camera is used in 16bit RAW File mode (Digital Negative), in POST one can render multiple resolutions such as:- 4K Cinema (4096 X 2160) 3840 X 2160 2K Cinema HDTV

Sony Wide Angle Lens with Matte Box

Sony VCL-HG0872K (VCLHG0872K, VCL HG0872K, VCL/HG0872K, vcl-hg0872k) Wide Angle Lens with Matte Box The VCL-HG0872K connects to the via a bayonet mount to the fixed lens on the front of the camera. The lens comes complete with a matte box, French flag and carrying case. The Matte box provided with the lens features a single slot for 4" x 5.6" filters.  

Sony VCL-HG0737K High-resolution wide conversion lens

Sony VCL-HG0737K (VCLHG0737K, VCL HG0737K, VCL/HG0737K, vcl-hg0737k) High-resolution wide conversion lens The VCL-HG0737K is a 0.7 x wide conversion lens kit for the Sony HVR-HD1000E and PMW-100 camcorders. This kit is supplied in standard package of PMW-100 camcorder and it’s an option for HVR-HD1000E. This kit consists of the lens, large lens hood and protective carry case. The VCL-HG0737K enhances your creative options by widening the field of view for small spaces and moving camera applications. The lens hood is quickly and easily attached to the camcorder using a standard bayonet mount giving you extra flexibility to change your shooting style and provides effective protection against halation whilst also enhancing the professional look of the HVR-HD1000E and PMW-100.

Sony SRMaster Data Transfer Unit for use with F65 Camera

Sony SR-PC4 (SRPC4, SR PC4, SR/PC4, sr-pc4) SRMaster Data Transfer Unit for use with F65 Camera The Sony SR-PC4 SRMemory Data Transfer Unit is specifically designed for a portable environment. It can be smartly integrated into a PC-based production environment such as an on-set video village, an on-set dailies system, and a production office. Materials shot by the F65 can be instantly reviewed via the SR-PC4’s web-based GUI just after shooting. Fast Ingest: It allows fast data transfer from SRMemory cards to servers and/or NLEs via a 10Giga-E network interface. It is also provided with GbE and eSATA interfaces for increased flexibility. It also enables fast ingest from HDCAM SR tapes using a third party PCIe board Simple Viewing: A web GUI interface allows for simple viewing and control via any Internet browser. SRK-P11 RAW monitoring support allows HD-SDI output of SRRAW files for high-quality monitoring. It also supports F65RAW monitoring via an HD-SDI connection SRMemory read/write DC operation (AC adapter supplied)

Sony Dual Slots SXS Pro+ and USB 3.0 Card Reader/Writer

Sony SBAC-UT100 (SBACUT100, SBAC UT100, SBAC/UT100, sbac-ut100) Dual Slots SXS Pro+ and USB 3.0 Card Reader/Writer High speed transfers from SxS PRO+ and SxS-1 cards with dual slots and daisy-chain operation The SBAC-UT100 SxS PRO+ and SxS-1 memory card reader/writer works on both Windows-based PCs and Macintosh computers. The unit provides 2x Thunderbolt 2 (TB2) interface for Mac and USB 3.0 interface for Mac and Windows for high-speed transfer of audio-visual material. The reader is also compatible with a USB 2.0 interface. Daisy-chain connection is possible to connect up to 6 units, providing up to 12 card slots. High speed transfers Read speeds of approx. 360 Mbps for two cards simultaneously from latest SxS Pro+ and SxS-1 cards using Thunderbolt 2. Daisy-chain operation Connect up to 6 units, providing up to 12 card slots, allowing simultaneous ingest up to 1800 Mbps total (300 Mbps each slot).  

Sony Remote Control Unit

Sony RM-B750//U (RMB750U, RM B750 U, RM/B750//U, rm-b750//u) Remote Control Unit Sony's RM-B750 Remote Control Unit has been designed to establish a highly mobile and fully controllable camera system in the field by integrating control capability equivalent to a Master Set-up Unit into a compact unit powered from the device to be controlled. The RM-B750 can be connected directly to any HDC1500R/1400R series and super slow motion HDC3300R HD Camera. The combination of an LCD touch-panel screen and direct push buttons enables full parameter adjustment of the camera to be controlled. When necessary, basic tape transport functions of a portable VTR can be controlled*. For further operational convenience, the RM-B750 has a MemoryStick media card slot enabling various setup parameters to be stored and transferred between camcorders.

Sony Simple Remote Control Panel Joystick for System Camera

Sony RCP-1000//U (RCP1000U, RCP 1000 U, RCP/1000//U, rcp-1000//u) Simple Remote Control Panel (Joystick) for System Camera The RCP-1000 is a remote control panel for configuring and controlling Sony’s studio and broadcast cameras. The RCP-1000 remote control panel is designed mainly for operation. Use a remote control panel with a camera on a one-to-one basis. The RCP-1000 is a compact control panel with specialized basic operations. The iris and master black adjustment block employs joystick type control. Illuminated buttons with high visibility flash and light to notify you of the operation status to enable operation even in dark locations. Up to six units can be mounted in a SONY MSU19" RACK DRAWER( MSUDRAWER//A).

Sony 4K/HD Multi Port AV Storage Unit

Sony PWS-4400 (PWS4400, PWS 4400, PWS/4400, pws-4400) 4K/HD Multi Port AV Storage Unit  The PWS-4400 system is one of the key elements of Sony’s next-generation 4K/HD live production solution With the capability to record images in highly-efficient XAVC/Avid DNxHD®* recording format, flexible I/O configurations, HFR recording capability, intuitive user interface for professional operators in the industry and many more, it can create an efficient slow replay server system that could be used in live sporting events for both 4K and HD infrastructures.  The PWS-4400 replay server system consists of 4 products – the PWS-4400 Multi Port AV Storage Unit (as a recording deck), the PWSK-4403 USB Control Device (as a control panel with a jog shuttle and a fader lever), the PWS-100PR1 Production Control Station (Workstation that runs production application software), and the PWS-100MG1 Media Gateway Station (Workstation that transfers files).  The PWS-4400 system has been evolving by ongoing software version upgrades, with the newest software V1.4 (available from May 2015), featuring enhancements such as HFR recording capability up to HD 480/400p and 4K/HD simultaneous recording and transcoding capability between XAVC and XDCAM MPEG2**.  Moreover, the new associated Window’s 8 PC running application software, the PWA-RCT1 Recording Control Software, which can trigger rec/stop/play/file transfer from a PC would add operational flexibility to the PWS-4400 so that it could be offered as an easy-to-use multi-port 4K/HD production recorder for wider variety of production usages.  Requires V1.2 or above and the PWA-CD401 Optional Codec Requires V1.4 and the PWA-MGW1B Video Transcode Option to the PWS-100MG1 Media Gateway Station Supporting both XAVC and Avid DNxHD® Requires V1.2 or above and PWA-CD401 optional codec Flexible I/O configuration 4 channels 4K & QFHD 8 channels 2K & HD (1080 or 720) Improved slow motion capabilities Working with the HDC-4300 camera recording up to HD480/400P (8x slow motion HD) Requires Version 1.4. Simultaneous 4K and HD recordings* The PWS-4400 can record 4K and HD simultaneously, giving you the option of using the HD as a proxy. Requires Version 1.4. Transcoding Capability between XAVC and XDCAM MPEG2 files The PWS-4400 working with the PWS100MG1 Media Gateway Workstation allows you to transcode XAVC to and from XDCAM MPEG2 MXF for accessing media stored on USB Hard Drive, Optical Disc Archive and SxS cards. Requires PWS-4400 Version 1.4 and PWA-MGW1B Video Transcode Option. An another option to control the PWS-4400 Simple and intuitive control of PWS-4400 using the new PWA-RCT1 Record Control Software, which can trigger rec/stop/play/file transfer from a PC would add operational flexibility to the PWS-4400 opens up the new applications for the PWS-4400 as a useful multi-port 4K/HD recorder.

Sony Compact Dual SxS Field Recorder

Sony PMW-RX50 (PMWRX50, PMW RX50, PMW/RX50, pmw-rx50) Compact Dual SxS Field Recorder The Sony PMW-RX50 XAVC Portable SxS Card Recorder is a compact deck that supports Sony's 10-bit XAVC Intra-frame and Long GOP codecs at resolutions up to 1080 59.94p/50p. To suit a broad range of needs, the deck also supports MPEG HD422, MPEG HD420, and standard definition codecs such as MPEG IMX50 and DVCAM. It features dual ExpressCard 34 media slots, which can be used to record footage from the 3G/HD/SD-SDI input to SxS memory cards. You can also insert SxS cards from your camcorder and use the built-in 3.5" LCD for field review of footage. In addition to the SDI input, the deck also features a detachable Audio Input Box for inputting and recording two channels of XLR audio. SDI, HDMI, and i.LINK video outputs are provided for monitoring or ingesting footage into your NLE system. There is also a USB 3.0 port for copying clips directly to an external hard drive. To facilitate easy integration into existing workflows, the recorder is powered using the same BP-U series batteries and AC adapters as Sony's XDCAM handheld camcorders. DC output is also provided for the CBK-WA100 mobile network 3G/4G/LTE wireless LAN adapter. Multi-Format Support The PMW-RX50 plays and records video using XAVC Intra and Long GOP codecs at resolutions of up to 1920x1080 at 59.94p, 50p, 59.94i, 50i, 29.97p, 25p, and 23.98p, as well as 1280x720 59.94p and 50p. This makes it fully compatible with XAVC camcorders using exFAT/.mxf files. It also supports MPEG HD422, MPEG HD420, MPEG IMX, and DVCAM formats, with the choice of either UDF/MXF mode, which is compatible with existing Professional Disc XDCAM workflows, or FAT/.MP4 mode which is compatible with XDCAM EX workflows. Dual SxS Card Slots The PMW-RX50 features dual SxS card slots for recording and playback of footage. Footage can be recorded straight from the SDI input. A Continuous Recording functions enables you to create a single file, even when recording multiple clips, for easier upload when editing. There is also a Loop Recording function that automatically switches the recording media from one slot to the other when your first card becomes full, and continuously records until the stop button is pressed. Simultaneous recording to both cards will be supported via a future firmware update. Clip Marking Several convenient playback features are offered to make viewing content faster and easier. The "OK Clip" marker lets you denote good takes, letting you play through only the clips that you plan on using for your edit. You can also play back selected portions of clips by picking selecting a Shotmark1 (start point) and Shotmark2 (end point). 3.5" Display Footage can be monitored using the built-in 3.5" flip-up display with 960x540 resolution. This lets the PMW-RX50 act as a stand-alone multi-format SxS viewier or desktop card reader. Multiple Inputs and Outputs In addition to the 3G/HD/SD-SDI input, the PMW-RX50 has two 3G/HD/SD-SDI outputs, an HDMI output, and an analog composite output. There is also an analog audio input and output, stereo headphone jack, USB 3.0, and i.LINK interface. Two XLR audio inputs with level dials are available via a detachable Audio Box. Optional Wi-Fi Adapter A 4-pin DC output is provided to power the optional CBK-WA100 wireless LAN adapter, letting you monitor footage or your mobile device as well as transfer files over Wi-Fi.  

Sony PMW-F5/CBK-55BK F5 Camera + ENG Shoulder Kit

Sony PMW-F5/CBK-55BK (PMWF5CBK55BK, PMW F5 CBK 55BK, PMW/F5/CBK/55BK, pmw-f5/cbk-55bk) F5 Camera + ENG Shoulder Kit The Sony PMW-F5 offers robust built-in recording modes, all with vibrant 4:2:2 colour. Further options include the wonderful precision of 16-bit linear RAW 2K/4K recording and high speed shooting at up to 120 fps without cropping. The various recording formats available include MPEG-2 HD422, MPEG4 SStP, XAVC 2K/HD and 16-bit RAW 2K/4K. The Sony F5 has simultaneous recording on to internal high-speed SxS PRO+ memory cards and RAW 2K/4K recording on sleek AXSM™ memory cards using the optional bolt-on AXS-R5 recorder, designed specifically to attach seamlessly to both the F55 and F5 cameras. High speed shooting up to120 fps XAVC 2K/HD* internally and 120 fps RAW 2K onto the AXS-R5 is also available for the PMW-F5 camera. Sony PMW-F5 - A lightweight modular design. Small and compact the Sony PMW-F5 allows you to configure the right set-up for each project – or individual shot with it’s modular design. A range of formats, both internal and external recording options and accessories are available on the F5 camera. A range of viewfinders are available, including the revolutionary optional DVF-EL100 OLED viewfinder, PL-mount, FZ-mount and still lenses, including second-generation Sony PL-mount lenses, and extra long-life Olivine – Lithium Iron Phosphate – batteries. The chassis on the Sony PMW-F5 Camera is only slightly wider than a typical PL-mount prime lens, perfect for 3D rigs. An optional shoulder rig provides for hand-held and shoulder-mounted shooting with the Sony F5. CBK-55BK: Greater flexibility of shooting style for documentaries, sports and news The CBK-55BK build-up kit enables one-person operation of the PMW-F55 and PMW–F5 CineAlta cameras, making it easy to achieve a shooting style to suit a variety of needs while maintaining the familiar, easy-to-use interface features of traditional shoulder camcorders. Good weight balance The CK55BK shoulder mount pack has an ergonomic design usable with any lenses and featuring an adjustable shoulder pad and front block control. DWX Digital Wireless Audio Slot-in The Sony CBK-55BK provides a slot-in option for the DWX Series DWR-S02D 2 channel digital wireless receiver.

Sony XDCAM Professional Disc Drive Unit

Sony PDW-U2 (PDWU2, PDW U2, PDW/U2, pdw-u2) XDCAM Professional Disc Drive Unit The PDW-U2 extends the IT credentials of XDCAM by offering a simple and portable drive that can be used with a PC or Mac for viewing purposes (using free Sony software) or full read/write access with a compatible NLE. As a highly successful alternative to the PWD-U, the PDW-U2 supports the use of four, double and single XDCAM Professional Disc media, offering capacity of up to 128 G. Rewritable Triple layer discs will be supported at a later stage.

Sony XDCAM Field Editing Workstation with SxS Adaptor

Sony PDW-HR1/MK1 (PDWHR1MK1, PDW HR1 MK1, PDW/HR1/MK1, pdw-hr1/mk1) XDCAM Field Editing Workstation with SxS Adaptor The PDW-HR1/MK1, is the PDW-HR1 mobile deck with the PDBK-MK1 SxS Card Option pre-installed. The PDW-HR1 the latest addition to the XDCAM family, is a highly mobile field recorder. The PDBK-MK1 SxS Card Option enables you to review material recorded on either Professional Disc or SxS Card media. Its design is similar to PDW-R1 SD Field Recorder, but the PDW-HR1 provides a lot of additional functionalities. Firstly the PDW-HR1 supports all the XDCAM formats as standard, including the frame rate of 23.98P in 1080i mode and SD (DVCAM and MPEG IMX). Also new concept GUI for EDL-based editing and direct DVB-ASI output provides the field operator more flexible workflow. Its compact, lightweight body makes the PDW-HR1 ideal for use in the field as a pool-feed recorder, backup recorder, comact recorder installed in an extremely confined space such as a car or helicopter and simple field editor by itself.

Sony XDCAM HD422 Professional Disc Recorder

Sony PDW-HD1550 (PDWHD1550, PDW HD1550, PDW/HD1550, pdw-hd1550) XDCAM HD422 Professional Disc Recorder The PDW-HD1550 XDCAM HD422 recorder provides advanced XAVC Intra 422 at 100 Mbps recording capabilities on all types of Professional Disc, including Quad Layer and Triple Layer disc. The recorder also provides an USB interface that supports an SxS and Professional Disc bridge solution. The compact yet powerful recorder can realise smooth jog/shuttle operation by creating proxy data, which feels to the user like tape-based operation. As well as XAVC, the recorder also records MPEG HD 422 at 50 Mbps and MPEG HD 420 at 35 Mbps and 25 Mbps, as well as MPEG IMX and DVCAM. Multi-format recording and playback, including XAVC Intra 422 Records and playback of a variety of XAVC bitrates, including 59.94i, 50i, 29.97p, 23.98p and 25p. The recorder also records MPEG HD 422 at 50 Mbps, MPEG HD 420 at 35 Mbps and 25 Mbps, as well as MPEG IMX and DVCAM. Supports all Professional Disc media Including Quad Layer and Triple Layer discs. SxS memory card media support USB interface to record SxS memory on an external SBAC-US20 card reader. Smooth jog/shuttle dial operation Creates proxy data, which feels to the user like tape-based operation.

Sony ODS-D77F Optical Disc Archive Fibre Channel Drive Unit

er speeds up to 1,150 Mbps (read) and 780 Mbps (write-once disc) or 310 Mbps (rewritable disc) 50+ years estimated archive life for all data files The ODS-D77F Optical Disc Archive fibre channel drive unit works with the ODS-L30M PetaSite scalable library. The drive is part of the Optical Disc family of data storage products designed to provide an extended life cycle for storing and archiving all forms of audio-visual assets and data files for the very long term. Deep archive for very long-term archiving requirements Fully backward-read compatible, the Sony Optical Disc Archive drive technology is designed to provide read capability for all generations of optical disc cartridge media, giving you access to your content for 50+ years, whilst eliminating the need for a forced media migration due to media and drive obsolescence. Reliable and robust large-capacity media The drive unit handles a single optical disc cartridge that offers an alternative to LTO or traditional forms of data tape for the longer-term archiving of valuable assets. With a low total cost of ownership, the Sony optical disc cartridge offers very fast random access to all content and files. The innovative drive design provides for a ‘dual channel’ capability and, being file format independent, it can store your assets in a data file format. Sony optical disc cartridges are available in 300 GB, 600 GB, 1.2 TB and 1.5 TB capacity sizes, in re-writable and write-once formats. Ideal for deep archive and near-online archive   The Sony Optical Disc Archive system is ideal for deep archive for very long term archiving, such as broadcaster archives where data tape does not provide the assurance or meet the need for write-once, very long-term archive requirements. It provides second copy archive at a remote site and is ideal for business continuity/disaster recovery, post house and production back-up and for video, film and stock footage archives or national archives. The system can also be used for news and sports clips that need to be near-online and as an on-line browse and proxy clip store. Very fast transfer speeds for ODS-L30M PetaSite scalable library The ODS-D77F has very high transfer speeds. Read: 1,150 Mbps. Write-once: 780 Mbps for 300GB and 600GB discs, 665 Mbps for 1.5TB discs. Rewritable: 260 Mbps for 300GB and 600GB discs, 310 Mbps for 1.2TB discs. Very low power consumption The Optical Disc Archive fibre drive unit has a power consumption of 38W to contribute to low total cost of ownership. Content Manager for ease of use The Optical Disc Archive fibre drive unit comes with Sony’s simple Content Manager application for ease of managing assets, generating a proxy copy and providing search and metadata entry functions.

Sony XDCAM HD422 Professional Disc Recorder

Sony PDW-F1600 (PDW/F1600, PDW_F1600, PDW F1600) XDCAM HD422 Professional Disc Recorder Sony's top-of-the-line XDCAM HD422 Series is being embraced around the world for its file-based recording capability utilizing high-capacity and highly reliable Professional Disc media. Thanks to its newly developed MPEG HD422 codec, the XDCAM HD422 Series provides high-quality video and audio recording capabilities, with an image resolution of 1920 x 1080 and eight-channel 24-bit uncompressed audio. Now, Sony is proud to announce a new addition to the series - the PDW-F1600 deck. The PDW-F1600 offers multi-format recording flexibility as standard - including SD recording and a frame rate of 23.98P in 1080 mode. The foundation of the PDW-F1600 deck incorporates the features of the PDW-HD1500, and acts as more than just a file-based recording deck. With its insert/assemble editing capability, it can be used as a recorder in a linear editing system - just like a conventional VTR.  

Sony Remote Control Panel for DVW-2000 Series Recorders

Sony BKDW-101 (BKDW101, BKDW 101, BKDW/101, bkdw-101) (DVW/2000,DVW_2000) Remote Control Panel for DVW-2000 Series Recorders The BKDW-101 is a remote control-panel for the operation of the DVW-M2000 and DVW2000 Digi-Beta VTRs. This optional accessory gives full access to all the tape and menu selection funtions that appear on the front panel of the VTR itself. A BKMW-102 accessory is a desk-top frame for the panel. The BKMW-103 is the cable for the remotely located control panel.

Sony Quad Li-Ion Battery Charger, DC Out 6A

Sony BC-L160 (BCL160, BC L160, BC/L160, bc-l160) Quad Li-Ion Battery Charger, DC Out 6A Sony is pleased to introduce the new BC-L160 Lithium Ion Battery Charger. This new portable four (4) position charger is the successor model to the BC-M150, and offers simultaneous four battery charging. The BC-L160 offers several enhancements from the previous model such as high/low (H/L) charge voltage selection, selectable fast/slow, silent (F/S) charge model selection, as well as the ability to selectively skip the trickle charge sequence to prolong battery life. The BC-L160 is also equipped with an LCD display for easy checking of the current charging status, with indicators for Charging Capacity, Charging Cycle Time, Estimated Charging Time, Charge Mode, and Skip Function (trickle charge). A Battery Diagnostic feature is also added with the new BC-L160 (CH1 slot only). Please note: The new BC-L160 is for use with Sony professional V-Mount type lithium-ion batteries only.

Sony Compact and lightweight AC adaptor / single channel battery charger

Sony AC-DN10 (ACDN10, AC DN10, AC/DN10, ac-dn10) Compact and lightweight AC adaptor / single channel battery charger The AC-DN10 is a compact and lightweight AC adaptor/charger. It has a maximum 100W DC power supply and features a V-mount mechanism for direct attachment to compatible camcorders. Battery Charging function Direct attachment to the V-shoe of a camcorder High Speed Charging: Around 2 times faster than AC-DN1/DN2B XLR-4-pin output to power other equipment Quick charging--- a BP-GL95 can be fully charged in approximately 145 minutes Can charge batteries while supplying AC power to other equipment  

Sony XQD-S32E Memory card,Ex Demo

Sony XQD-S32E Memory card, Ex Demo Memory card 32GB 1x 32GB XQD Card  Comes with 3 months warranty

Sony Wireless LAN / Modem Adapter with SDI Input for XDCAM

Sony CBK-WA100 (CBK_WA100,CBK/WA100, CBK WA100) Wireless LAN / Modem Adapter with SDI Input for XDCAM  Sony CBK-WA100 Wireless Adapter for XDCAM EX Camcorders Mobile network 3G / 4G / LTE / Wi-Fi wireless adapter for XDCAM EX camcorders  Enables easy transmission of content over a wireless network significantly accelerating the ENG workflow  The CBK-WA100 adapter connects directly to a camera and allows XAVC proxy files to be created and then saved on an SD card in the adapter. The CBK-WA100 is then able to upload the proxy content and the original high-resolution content via 3G/4G/LTE/Wi-Fi* to a broadcast station, on premise server or to a cloud environment.  Tablet or smartphone control via Wi-Fi  By supporting Wi-Fi connectivity, the CBK-WA100 allows tablets or smartphones to interact with it and control it via Sony’s Content Browser Mobile application. This connectivity for XDCAM camcorders allows users on their mobile device to remotely control the camera, logging metadata on set and reviewing content without having to connect a monitor to the camcorder.  For wireless transmission, Wi-Fi/3G/4G/LTE dongles are necessary. For Wi-Fi dongle, Sony’s “IFU-WLM3”, 2.4GHz Wi-Fi dongle is available. As for the Modem dongle, recommended model differs country by country depending on carrier.  

Sony ILCE7M2KB.CEC Alpha a7 II Mirrorless Digital Camera with FE 28-70mm OSS Lens

Sony ILCE7M2KB.CEC (ILC-E7M2KB.CEC, ILC/E7M2KB.CEC, ILC/E7M 2KB.CEC, ILC E7M 2KB.CEC) Alpha a7 II Mirrorless Digital Camera with FE 28-70mm OSS Lens Sony has taken their line of full-frame cameras to the next level with the Alpha a7 II Mirrorless Digital Camera with FE 28-70mm f/3.5-5.6 OSS Lens, which features 5-axis SteadyShot INSIDE image stabilization with 4.5 stops of compensation for pitch, yaw, horizontal shift, vertical shift, and roll. Operation of the 24.3-megapixel series has been streamlined with a redesigned grip, shutter release button, and customizable controls. The a7 II also features a moisture- and dust-resistant design with a magnesium alloy body and a more robust lens mount. And, with refined algorithms and better utilization of the BIONZ X image processor, the a7 II has an enhanced Fast Hybrid AF system that is about 30% faster than the previous model along with a 5 fps burst rate with continuous autofocus as well as a 40% faster start time. The 24.3-megapixel sensor enables high resolution images and low light effectiveness with its standard ISO sensitivity range of 100-25600. The BIONZ X image processor offers fast processing and operation speeds and front-end LSI (large-scale integration) improves the early stages of image processing resulting in more natural details and richer tones. And, 16-bit image processing and 14-bit RAW output preserves the detail provided by the sensor. In addition to highly detailed stills with smooth gradations, the a7 II now has access to the high-bit-rate XAVC S format with 60p, 30p, and 24p recording options, all at 50 Mbps. The look of movies can also be adjusted with picture profiles, including the addition of the S-Log2 gamma setting with a dynamic range approximately 1,300% of the standard sRGB spectrum. Timecode and user bit settings are available as well as clean HDMI output for a variety of recording options. The advanced Sony Multi-Interface shoe expands compatibility options for flash, microphone, and other accessories and, as an E-mount full-frame camera, the a7 II is compatible with all present APS-C E-mount lenses in APS-C crop mode as well as new E-mount full-frame Zeiss and Sony G-series lenses. Lens mount adapters with a tripod mount are also available to use A-mount lenses on E-mount cameras, and an optional dedicated battery grip enables stable extended shooting and vertical orientation stability. Rounding out the a7 II's imaging capabilities, both a 3.0" 1,228.8k-dot tilting LCD monitor and 2.36 million-dot OLED electronic viewfinder are available for image monitoring and review. Built-in Wi-Fi connectivity, with support for NFC, is available, too, for instant sharing of imagery from the camera as well as remote camera control from a linked mobile device. Bundled with the a7 II in this kit is the FE 28-70mm f/3.5-5.6 OSS E-mount lens. This wide-to-portrait zoom incorporates three aspherical elements and one extra-low dispersion element into its design to minimize chromatic aberrations and enhance overall image clarity. An optical SteadyShot image stabilization system has also been added to minimize the appearance of camera shake to suit working in dim lighting and with low shutter speeds. This stabilization will work with the in-body stabilization found in the camera. It has a minimum focus distance of 11.8". 24.3MP Exmor CMOS Image Sensor and BIONZ X Image Processor Incorporated into the a7II's redesigned body are a 24.3-megapixel Exmor CMOS image sensor and BIONZ X image processor, which work together to enable a wide dynamic range with minimal noise and rich, subtle gradations. The camera features an ISO range of 100-51,200 which can be expanded down to ISO 50. Also, this combination allows the a7II to reproduce details with excellent clarity. Benefitting image quality is the use of detail reproduction technology and diffraction-reducing technology which suppresses the effects of diffraction to reproduce fine details at small aperture settings. Add to this area-specific noise reduction to selectively apply different noise reduction to each area for clear imagery. Also, the sensor features 16-bit image processing with a 14-bit RAW output to preserve detail and ensure optimal quality for later adjustment. Further improved in this generation is metering performance, which is now possible down to a rated -1 EV. Also, the a7II will start up approximately 40% faster than the previous generation for almost instant on. 5-Axis SteadyShot INSIDE Image Stabilization Packed into the svelte a7II is a remarkable 5-axis SteadyShot INSIDE image stabilization system. This compensates for five types of camera shake encountered during handheld shooting of still images and video. This allows users to confidently use any lens, even adapted lenses, for critical imaging without encountering blur from camera shake. This system will compensate for approximately 4.5 stops of shutter speed for working with a huge variety of subjects. For long focal lengths, the system will correct for pitch and yaw adjustments. Macro and high magnification imagery on the other hand will benefit from the inclusion of horizontal and vertical shift compensation. And, all shooting styles will get usage out of the roll compensation. All 5 axes of stabilization will function at all times, even when used with third-party lenses and adapters or lenses with built-in optical stabilization. When using lenses that do not transmit imaging data to the camera, manual settings can be used to input the correct focal length and ensure proper stabilization. Also, the viewfinder can be used to preview the amount of compensation by pressing the shutter release button halfway or magnifying the image. Enhanced Fast Hybrid AF Utilizing 117 phase-detection and 25 contrast-detection autofocus points with a wide area of coverage, the a7II can smoothly and quickly track fast-moving subjects throughout the frame. It optimizes for both speed and accuracy with an enhanced algorithm that improves performance by about 30% when compared to previous generations. This just developed algorithm will also more accurately predict subject movement for tracking that is 1.5x more accurate. Additionally, it can capture images at a rate of 5 fps while using continuous autofocus and automatic exposure. This can be captured in a burst of up to 77 frames when shooting in JPEG Fine L format and a continuous AF Display allows users to view the active AF points. Another feature available with this AF system is a Lock-on AF tracking that will analyze more information from the scene to provide dramatically improved accuracy and stability. Eye AF is also available which will prioritize a subject's pupil for excellent portraits even with a shallow depth of field. Full HD Video Recording and XAVC S Format Shoot full HD 1920 x 1080 video at frame rates of 60p, 30p, and 24p with the high-bit-rate 50Mbps XAVC S format. This results in excellent image quality with minimal noise and artifacts without requiring a large amount of disk space. Additionally, the system using linear PCM sound for high quality audio. When recording internally, users will record video with a 4:2:0 sampling at 8-bit, however, to even further improve image quality the a7II has clean HDMI output for use with an external recorder. This allows users to capture 4:2:2 uncompressed video and save in an edit-ready format. Timecode and User Bit Settings The a7II has multiple timecode recording options to meet different workflows. It has the standard 'Record Run" mode that only advances the timecode when recording, as well as "Free Run" timecode that advances the timecode even when not recording, which can be great for syncing multiple cameras at live events. It can also record timecode in both drop frame and non-drop frame modes. When recording internally the a7II is also able to output timecode via HDMI. Customizable Colour Profiles and S-Log2 Gamma To make sure the a7II is able to use its extensive dynamic range while recording video it incorporates extensive customizable color and gamma controls. Users can adjust the gamma, black level, knee, color level, and more. Also users can use the same S-Log2 Gamma Curve that is found on high end Sony Cinema cameras that squeezes up to 1300% more dynamic range into the video signal then traditional REC709, for increased post-production flexibility. 3.0" 1,228.8k-Dot Tilting LCD Monitor With a higher 1,228.8k-dot resolution, the LCD screen will provide shooters with an excellent screen for composing images, adjusting settings, and reviewing video and photos. It also tilts upward 107° and downward 41° for working with multiple shooting angles. Use in sunlight is improved with the implementation of WhiteMagic technology which doubles the brightness of the display through a RGBW pixel structure. 0.5" 2.36M-Dot XGA OLED Tru-Finder Electronic Viewfinder With its 3-lens optical system the viewfinder faithfully displays what will appear in your recording, including the effects of your camera settings. You'll enjoy rich tonal gradations and improved contrast. High-end features like 100% frame coverage and a wide viewing angle enable comfortable and stable eye-level composition. Redesigned Grip, Shutter Release Button, and Controls With a larger, more refined shape to the grip, users will find the a7II to have a more secure feel and grasp even when large lenses are mounted. Also, the shutter release button has been reshaped and moved forward for a more natural shooting position and a decrease in camera shake. The controls also have been refined with new position for easier handling and improved operation. Button customization is available with the ability to assign any of 56 functions to any of the 10 customizable buttons for a more personalized setup. Magnesium Alloy Construction and Robust Lens Mount The compact form is well-built with a magnesium allow top cover, front cover, and internal structure. The lens mount has been redesigned with a greater strength and rigidity for extra security when using larger or longer lenses. The body itself also features greater sealing for dust and moisture resistance, providing more protection when shooting out in the elements. Additionally, the optical filter on the sensor has an anti-static coating and there is an anti-dust mechanism to prevent dust from adhering to the sensor. Audio Input & Headphone Jack The a7II features a 3.5mm microphone input jack for compatibility with external microphones. And for users needing more the a7II is also compatible with the Sony XLR-K2M XLR Adapter for recording professional balanced XLR audio signals with phantom power and adjustable mic/line inputs. For monitoring audio the a7II features a 3.5mm headphone jack as well as real time audio levels for a visual reference. Built-In Wi-Fi Connectivity with NFC Built-in Wi-Fi connectivity enables the a7II to instantly share imagery to mobile devices for direct sharing online to social networking, via email, and to cloud storage sites. NFC (Near Field Communication) is also supported, which allows for one-touch connection between the camera and compatible mobile devices; no complex set-up is required. Once connected, the linked mobile device can also display a live view image on its screen and remotely control the camera's shutter. Additionally, PlayMemories Camera Apps are also supported via the built-in Wi-Fi connection, and allow you to personalize the camera's features depending on specific shooting styles. Apps are available to suit creating portraits, detailed close-ups, sports, time lapse, motion shot, and other specific types of imagery. Other Camera Features Picture Effect modes: Posterization (Colour, B&W), Pop Colour, Retro Photo, Partial Colour (R/G/B/Y), High Contrast Monochrome, Toy Camera, Soft High-Key, Soft Focus, HDR Painting, Rich-Tone Monochrome, Miniature, Watercolor, and Illustration. Creative Style settings: Standard, Vivid, Neutral, Clear, Deep, Light, Portrait, Landscape, Sunset, Night Scene, Autumn Leaves, Black & White, and Sepia (all with +/- 3 step contrast, saturation, and sharpness adjustment). Colour space: sRGB standard (with sYCC gamut) and Adobe RGB standard compatible with TRILUMINOS Colour. Picture Profile parameters: Black Level, Gamma (Movie, Still, Cine 1-4, ITU709, ITU709 [800%], S-Log2), Black Gamma, Knee, Colour Mode, Colour Level, Colour Phase, Colour Depth, Detail, Copy, and Reset. Scene Selection modes: Portrait, Landscape, Macro, Sports Action, Sunset, Night Portrait, Night Scene, Hand-held Twilight, and Anti Motion Blur. Face Detection is available to base exposure and focus on up to eight recognized faces. Furthermore, Eye AF can be used for even greater precision by maintaining critical focus on a subject's eye. 2x Clear Image Zoom can be used to effectively double the magnification afforded by any lens in use with minimal image degradation. For even greater magnification, 1.5x and 2x Smart zoom is available, as well as 4x digital zoom. Pre-flash TTL control with flash bracketing available and a variety of flash modes, including: Flash off, auto, fill-flash, rear sync, slow sync, red-eye reduction, hi-speed sync, and wireless control