Blackmagic ATEM Streaming Bridge

Blackmagic BMDSWATEMMINISW (BMD-SWATEMMINISW, BMD/SWATEMMINISW, BMD_SWATEMMINISW, BMD SWATEMMINISW) ATEM Streaming Bridge STREAM TO YOURSELF WITH ATEM STREAMING BRIDGE The ATEM Streaming Bridge is a video converter that lets you receive a H.264 stream from any ATEM Mini Pro and convert it back to SDI and HDMI video. This means you can send video to remote locations around your local Ethernet network, or via the internet globally. That's possible because it uses advanced H.264 codecs for higher quality at very low data rates. Imagine broadcasters and bloggers collaborating on shows and creating global networks of ATEM Mini Pro remote broadcast studios. Setup is easy as the ATEM software utility can create setup files that you can email to remote ATEM Mini Pro studios. ATEM Streaming Bridge is the perfect way use ATEM Mini Pro as a remote broadcast studio.

Blackmagic PYXIS 6K PL Full Frame Cinema Camera

Blackmagic PYXIS 6K PL Full Frame Cinema Camera (The World’s Most Riggable Full Frame Cinema Camera) Meet the next generation of customizable cinema cameras. Blackmagic PYXIS 6K delivers stunning full-frame digital film images with precise skin tones and rich, organic color. Its modular aerospace-grade aluminum body is designed for maximum riggability, letting you build the perfect setup for any production. Featuring a 36 × 24 mm 6K sensor with a matched optical low-pass filter, 13 stops of dynamic range, and dual native ISO up to 25,600, it captures beautiful, low-noise images in any lighting. Choose from EF, PL, or L-Mount models, and enjoy dual CFexpress recorders, Ethernet for Blackmagic Cloud, and simultaneous recording of 12-bit Blackmagic RAW and H.264 proxies. Maximum Flexibility and Customization PYXIS’ lightweight CNC-machined aluminum chassis and multiple mounting points make it easy to rig on cranes, gimbals, or drones. Interchangeable side plates expand mounting options for handles, microphones, or SSDs—so you can configure it for any workflow, from handheld to studio rigs. Cinematic Large-Format Imaging With a 6048 × 4032 full-frame sensor nearly three times larger than Super 35, PYXIS offers a shallow depth of field, true 6:5 anamorphic capture, and open-gate 3:2 flexibility for reframing in post. Record up to 36 fps full-sensor or 120 fps windowed, and enjoy the same Blackmagic color science found in high-end cinema cameras. Three Lens Mount Options Pick from L-Mount, EF, or PL to suit modern, DSLR, or professional cinema lenses. The L-Mount supports Leica, Panasonic, and Sigma lenses with adapters for vintage glass; the EF version uses common DSLR lenses; and the PL model works natively with ARRI, Cooke, and Zeiss cine optics. Professional HDR and Low-Light Performance PYXIS offers 13 stops of dynamic range and dual gain ISO (400 and 3200) for pristine images from bright daylight to dim interiors. Capture brilliant HDR footage with full control in DaVinci Resolve Studio, included with every camera. Multiple Resolutions and Frame Rates Record in HD, 4K DCI, and 6K, or shoot stills at 24.6 MP. Get 6K Open Gate at 36 fps, 4K DCI at 60 fps, or windowed Super 16 up to 100 fps. True 6:5 anamorphic recording produces ultra-wide cinematic detail. Integrated 4″ HDR LCD Monitor The bright 1500-nit Full HD touchscreen doubles as a focus assist and control interface, displaying overlays, histograms, and LUT previews—even in direct sunlight. Streamlined Controls Essential functions like ISO, white balance, and shutter are accessible via tactile buttons and a scroll wheel. Three customizable keys provide instant access to tools such as false color or high-frame-rate mode. Advanced Connectivity Features include 12G-SDI out, mini XLR with 48 V phantom power, 3.5 mm audio input, Ethernet, USB-C, timecode in, headphone jack, and locking DC power. Record to dual CFexpress or external USB-C drives for long-format projects. Blackmagic RAW and Proxy Workflow Record full-quality 12-bit RAW and simultaneous H.264 proxies for instant global collaboration. Blackmagic Cloud enables editors anywhere to access footage in real time. Resolve Studio’s color tools give complete creative control with preserved metadata. Built-In Live Streaming With integrated SRT and RTMP support, you can stream directly to YouTube, Facebook, or an ATEM Streaming Bridge. Connect via Ethernet or 5G/4G mobile data for real-time monitoring by remote teams. Post-Production Ready and Cloud-Connected Shoot, sync, and share instantly. PYXIS uploads proxies to the cloud as you record, letting editors begin work immediately. It even supports direct recording into a Resolve project via Blackmagic Cloud. Professional Audio and Power Record high-fidelity sound with dual microphones, mini XLR and 3.5 mm inputs, plus a built-in speaker and headphone jack. Power the camera via 12 V DC or BP-U batteries, offering up to 3 hours per charge. More Smart Features 3D LUT support for on-set look preview or baked-in color. Blackmagic OS and Gen 5 Color Science for fast operation and lifelike color. Bluetooth remote control with SDK for custom apps. Multilanguage UI (13 languages). URSA Cine EVF compatibility for professional viewing. Complete Post-Production Suite   Each PYXIS 6K includes DaVinci Resolve Studio, offering Hollywood-grade editing, color, VFX, and audio tools in one package.

Blackmagic Pocket Cinema Camera Pro EVF for 6K Pro & 6K G2

Blackmagic Pocket Cinema Camera Pro EVF for 6K Pro & 6K G2 BMDCINECAMPOCEV (BMD-CINECAMPOCEV, BMD/CINECAMPOCEV, BMD_CINECAMPOCEV, BMD CINECAMPOCEV) Pocket Cinema Camera Pro EVF The Pocket Cinema Camera 6K Pro is compatible with an optional electronic viewfinder, making outdoor and handheld shooting more precise and convenient. This advanced viewfinder features a 1280 x 960 color OLED display with a built-in proximity sensor and a 4-element glass diopter for exceptional clarity. It offers a wide focus adjustment range of -4 to +4 and includes a digital focus chart for precise viewfinder setup. Users can also access critical status information, such as frame guides, directly in the viewfinder. The Pocket Cinema Camera Pro EVF connects seamlessly to the Blackmagic Pocket Cinema Camera 6K Pro with a single connector. It offers a 70-degree swivel range and comes with four interchangeable eyecups, suitable for both left- and right-eye use. The Blackmagic Pocket Cinema Camera Pro EVF is an essential accessory for effortless outdoor and handheld shooting. This premium viewfinder features a built-in proximity sensor, a 4-element glass diopter with an impressive -4 to +4 adjustment range, integrated status information, and a digital focus chart for precise control. It connects seamlessly to the Blackmagic Pocket Cinema Camera 6K Pro through a single connector. Offering up to 70 degrees of swivel and a set of four eyecups (including options for both left and right eyes), this EVF is designed for maximum comfort and flexibility.

Blackmagic DaVinci Resolve Micro Color Panel

Blackmagic BMDDVRESPNMICEN (BMD-DVRESPNMICEN, BMD/DVRESPNMICEN, BMD_DVRESPNMICEN, BMD DVRESPNMICEN) DaVinci Resolve Micro Color Panel DaVinci Resolve Color Panels DaVinci Resolve color panels let you adjust multiple parameters at once so you can create unique looks that are impossible with a mouse and keyboard. The incredibly small DaVinci Resolve Micro Color Panel is great for new colourists just getting started or anyone that needs a portable panel. It features 3 high quality trackballs, knobs for primary grading controls and buttons for accessing additional tools. The DaVinci Resolve Mini Panel features additional controls and screens for accessing virtually all palettes and tools. For the ultimate control, the DaVinci Resolve Advanced Panel gives high end professional colourists access to every single feature and command mapped to a specific button. Three Panels to Choose From With three panels to choose from, it’s easy to find one that perfectly fits your job and project scope. If you're just getting started, the DaVinci Resolve Micro Color Panel is incredibly compact while featuring dozens of professional colour controls. It fits perfectly next to a keyboard and is great for on set grading with a laptop. The DaVinci Resolve Mini Panel is ideal for freelance artists that need a fully featured portable panel that can be set up at home or moved between jobs. The DaVinci Resolve Advanced Panel is designed for professional colour suites on feature film, television and commercial projects. All 3 panels have similar layouts, making it easy to move up when you’re ready. DaVinci Resolve Micro Color Panel Powerful color panel gives you all the control you need to create cinematic images. Includes controls for refined colour grading including adding windows. Connects via Bluetooth or USB-C. Professional Trackballs The trackballs let you adjust the colours in an image based on lift, gamma and gain tonal ranges. Unlike a mouse and keyboard, you can manipulate multiple trackballs simultaneously to create unique effects. The smooth gliding rings around the trackballs let you set master levels and establish dynamic contrast. Keys above each trackball reset the colour adjustment, level adjustment or both. Three keys at the top of the DaVinci Resolve Mini and Micro Color Panels let you switch between primary and log wheel modes, activate offset, temperature and tint controls and turn on your full screen viewer output. The DaVinci Resolve Advanced Panel has a fourth master gain trackball to adjust the entire image. Primary Adjustment Controls Primary adjustment controls affect the luminance and chrominance of your entire image using a variety of tools that target specific tonal and hue ranges. These tools represent the most common adjustments required to produce dynamic imagery, making them a popular choice for photographers, graphic designers and colourists working on a tight deadline. The DaVinci Resolve Micro Color Panel and Mini Panel include 12 primary colour correction control knobs that make it easy to quickly adjust image contrast, saturation, hue, temperature, tint, midtone detail, colour boost, shadows, highlights and more. All knobs can be pressed to instantly reset the control so you can easily experiment with new looks. Flexible Power Options The DaVinci Resolve Micro Color Panel is fully powered via USB so you can simply plug it into a laptop to get up and running at home, in a studio or on set. That makes it ideal for grading with a portable system on a cart while shooting. The DaVinci Resolve Mini Panel includes a built in power supply so there’s no bulky external power brick. It also features ethernet and supports PoE (power over Ethernet). That means you can operate it via your network and power it from over the network connection so you don’t need to plug in the power cable. The DaVinci Resolve Advanced Panel features an auto switching international power supply, making it compatible with mains power anywhere in the world.  

BlackMagic Design BMDSMTV4K12G3 SmartView 4K G3

BlackMagic Design BMDSMTV4K12G3 SmartView 4K G3 SmartView 4K G3 features built in optical and copper SMPTE‑2110 IP video connections so you can connect directly to IP based broadcast systems. You also get two 12G-SDI inputs for connecting to a wide range of professional video equipment. Plus both the 12G-SDI and 2110 video inputs can output to a 12G-SDI loop output connection. The design still features a lightweight machined aluminum chassis and a full resolution Ultra HD LCD. The on screen overlays include focus peaking, framing guides, safe area and more. You also get built in 3D LUTs for adding creative looks, converting log film gamma or handling custom HDR profiles.   The Perfect Video Monitoring Solution Broadcast SmartView 4K is ideal for broadcast as it supports both 12G-SDI and 2110 IP up to 2160p60. Switch between SDI and IP at the push of a button. SmartView 4K follows the video input so will switch between all SD, HD or Ultra HD standards automatically.   Live Production For live production, it's vital to get a solution with features to accurately monitor cameras. Powerful camera features include focus peaking, zoom, aspect ratio markers and tally. Plus the 4K display lets you see incredibly fine camera image detail.   Fly Away Kits Fly away kits need to be portable and tough. SmartView 4K is lightweight aluminium so it's light, plus it's only a few inches deep, so allows great rack ventilation via natural convection. Plus it has lots of camera and technical monitoring features.   Anodized Machined Metal Design in Deep Black SmartView 4K features an incredibly strong machined aluminium metal design with crisp clean lines. The design is anodized in deep black, so it looks fantastic mounted in equipment racks with other Blackmagic Design equipment. Plus SmartView 4K is only a few inches deep. Because monitors are often installed at the top of equipment racks, this thin design allows a large area behind the monitor to better ventilate the whole rack and keep all the equipment cool. Along the bottom of the SmartView 4K is a range of button controls that are tilted slightly so they're easier to press. On the rear of the monitor are all the video connections, plus there's even a VESA mounting point.   Bright High Resolution Display The LCD used on SmartView 4K features an extremely high resolution so it will display every pixel in an Ultra HD image. That means you get an incredibly clean image with deep colour fidelity. To avoid messy fingerprints on the LCD screen, SmartView 4K has a row of buttons along the bottom of the screen so you can adjust all the monitor controls without touching the screen. SmartView 4K is designed for broadcast so it will instantly lock to a new video source, which is very common when the monitor is connected to a router and the input can change constantly to different timed sources. Unlike TVs, the video is not over scanned so you get all image pixels right to the edge of the LCD.   Front Panel Buttons for Monitor Control The SmartView 4K front panel includes a wide range of monitoring controls. The input button selects between the two 12G-SDI video inputs and the 2110 IP video input. The display button allows you to adjust display brightness. The H/V display is a traditional broadcast monitor function that lets you look into the image blanking. Blue only is great for checking hue from SD archive content. The zoom button lets you zoom the image in for adjusting camera focus. Peaking highlights sharp image detail and is also perfect for adjusting camera focus. The 3D LUT buttons let you enable and switch between 3D LUTs. The H and V marker buttons let you display and adjust up to 4 on screen markers.   Includes Frame Guides and Focus Peaking When you're working with cameras, SmartView 4K has everything you need to assist in framing and focus with its on screen graphic overlays. Overlays include safe area and safe title markers. Plus there are 4 separate frame guides, 2 vertical and 2 horizontal, which can be displayed simultaneously and are perfect for social media and feature film framing. The markers are all individually adjustable so you can create any aspect ratio you like. You also get on screen focus peaking, which can be turned on and off with a dedicated front panel button. Focus peaking is perfect when using SmartView 4K for remote camera monitoring, as you can ensure your remote camera has perfect focus at all times.   Get Colour Accurate Monitoring with 3D LUTs Broadcasters and feature film productions often work with SDI sources that are encoded with log film gamma or an HDR profile. This means the images can look washed out or have incorrect colours. SmartView 4K solves this problem because it includes support for 3D LUTs. This means you can use a 3D LUT to re-map the SDI or 2110 input colourspace to the SmartView 4K screen. Plus you could also use 3D LUTs for exciting creative looks. 3D LUTs are easy to use and are uploaded using the SmartView utility. You can also export DaVinci Resolve colour grades as custom 3D LUTs. Because DaVinci Resolve can be downloaded free, it costs absolutely nothing to start creating a library of exciting 3D LUTs.   Supports SD, HD and 2K DCI Film The high performance 12G-SDI and 10G Ethernet based 2110 IP inputs are multi rate so they support lower resolution SD for archive, plus HD for broadcast and 2K for feature film use. These include 525i59.94 NTSC, 625i50 PAL, 720p50, 720p59.94, 720p60, 1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p47.95, 1080p48, 1080p50, 1080p59.94, 1080p60, 1080PsF25, 1080PsF29.97, 1080PsF30, 1080i50, 1080i59.94, 1080i60, 2Kp23.98 DCI, 2Kp24 DCI, 2Kp25 DCI, 2Kp29.97 DCI, 2Kp30 DCI, 2Kp47.95 DCI, 2Kp48 DCI, 2Kp50 DCI, 2Kp59.94 DCI and 2Kp60 DCI, 2KPsF25 DCI, 2KPsF29.97 DCI and 2KPsF30 DCI. When connected to 3G-SDI sources, both level A and B video standards are supported.   Supports Ultra HD and 4K DCI Film SmartView 4K also supports Ultra HD video standards on both its 12G-SDI and the 10G Ethernet based 2110 IP video inputs. Ultra HD video standards include 2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p47.95, 2160p48, 2160p50, 2160p59.94 and 2160p60. Supported 4K film standards include 4Kp23.98 DCI, 4Kp24 DCI, 4Kp25 DCI, 4Kp29.97 DCI, 4Kp30 DCI, 4Kp47.95 DCI, 4Kp48 DCI, 4Kp50 DCI, 4Kp59.94 DCI and 4Kp60 DCI, 4KPsF25 DCI, 4KPsF29.97 DCI and 4KPsF30 DCI. This means SmartView 4K is the ideal monitor because it allows you to migrate to Ultra HD and 4K work now. Plus SmartView 4K can be software updated, so new television standards can be added when they are invented.   Connect Directly to SMPTE 2110 IP Networks Now you can build modern IP video systems because SmartView 4K fully conforms to the SMPTE‑2110 standard for IP video with both optical fiber and copper 10G Ethernet connections. SMPTE‑2110 specifies the transport, synchronization and description of video, audio and ancillary data over IP networks for broadcast. This includes support for SMPTE‑2110-20 uncompressed video, the Blackmagic IP codec for high frame rate Ultra HD as well as SMPTE‑2110-21 traffic shaping/timing, SMPTE‑2110-30 audio and SMPTE‑2110-40 support for ancillary data. Plus the selected video input can be sent out via the 10G Ethernet SMPTE‑2110 IP connection with full support for multicast out to multiple destinations.   Includes NMOS Protocol for Virtual Routing SmartView 4K supports the NMOS interface specifications so all your 2110 IP video devices can operate together as a large virtual router. Plus Videohub Smart Control can route sources to destinations on 2110 IP networks because it can act as an NMOS controller. The NMOS interface specification describes how SMPTE 2110 devices are discovered and controlled on IP networks. SmartView 4K supports IS-04 for discovery and registration of IP video devices and IS-05 for connection management between IP video devices. This means you can make connections between sources and destinations just like a traditional SDI router.   Built-in Tally Border for On Air Status When you’re working with live production, SmartView 4K supports the Blackmagic SDI Tally Protocol and illuminates a coloured border around the image, in red for on air or green for preview. This SDI tally standard is used on all ATEM live production switchers so you can simply connect the monitor to the switcher SDI outputs to get the image and the tally with a single BNC cable. This means that a director can cut between cameras and the tally information will be sent back to the SmartView 4K via the SDI video feed. This totally eliminates complex cabling and the Blackmagic SDI Tally Protocol helps you set up for jobs much faster.   Remote Control Software for Mac and Windows When you need to change settings or update the software on your SmartView 4K, then you can simply download and run the SmartView Utility software which is available free of charge on the Blackmagic Design support site. This software is available for both Mac and Windows computers and it connects via the USB connection or Ethernet when you have the SmartView 4K Ethernet connected. You can use the utility to change the monitor custom name for identifying monitors in larger systems. You can also select between 3G-SDI level A and level B formatting. To protect against unauthorized network access, Ethernet is disabled by default, but can be enabled when connecting via USB.   Develop Custom Remote Control Solutions Videohub includes a powerful remote control protocol so you can create custom remote control solutions for integrating SmartView 4K into your broadcast systems. It's extremely easy to learn because it's a simple text based protocol you can even play with using a Telnet client. This means you can create custom control solutions on all computer platforms and from embedded hardware such as Raspberry Pi and Arduino. You get full control of LCD brightness, contrast, saturation, tally, input selection and you can even activate a 3D LUT. The best way to learn the protocol is to log in using a simple Telnet app and then use the documentation in the SmartView 4K manual to try out each command.   Flexible and Redundant Power The all in one design of SmartView 4K includes a built in power supply so you don’t have to carry around an external power brick. Simply plug it into any AC mains outlet and start live production. The international power supply automatically works from 100 to 240V AC, so you can use it anywhere in the world. Plus, for safety, SmartView 4K includes both AC and 12V DC power connections. The mini converter style 12V DC power connection is perfect for backup power or for running on batteries. Running on batteries means you can use it in extremely remote locations. Plus, if the internal power supply should ever malfunction, then you can connect a DC power supply to keep running.

Blackmagic BMDCPYXA60LFL PYXIS 6K Advanced digital Film Camera L-Mount

Blackmagic BMDCPYXA60LFL (BMD-CPYXA60LFL, BMD/CPYXA60LFL, BMD_CPYXA60LFL, BMD CPYXA60LFL) PYXIS 6K Advanced digital Film Camera L-Mount The World’s Most Riggable Full Frame Digital Film Camera Introducing the next generation customizable cinema camera. Blackmagic PYXIS 6K is a high end digital film camera that produces precise skin tones and rich organic colours. It features an extremely versatile design that lets you build the perfect camera rig for your production. You get a full-frame 36 x 24mm 6K sensor with wide dynamic range with a built-in optical low pass filter that's been designed to perfectly match the sensor. Plus there are 3 models available in either EF, PL or L-Mount. You also get 2 x CFexpress media recorders and Ethernet for sharing media to Blackmagic Cloud. It even records both 12-bit Blackmagic RAW and extremely small H.264 proxy files at the same time. Designed for Maximum Customizability With multiple mounting points and accessory side plates, it’s easy to configure Blackmagic PYXIS into the camera you need it to be. PYXIS’ compact body is made from precision CNC machined aerospace aluminium, which means it is lightweight yet very strong. You can easily mount it on a range of camera rigs such as cranes, gimbals or drones. In addition to the multiple 1/4″ and 3/8″ thread mounts on the top and bottom of the body, Blackmagic PYXIS has a range of side plates that further extend your ability to mount accessories such as handles, microphones or even SSDs. All this means you can build the perfect camera for the any production that’s both rugged and reliable. Get the "Hollywood Look" with Digital Film Blackmagic PYXIS has the professional features you need for feature film, television programming and documentaries, however, now this same quality can be used to create cinematic content for social media, YouTube videos and more. You get the same features found on high end digital film cameras, allowing capture of deeper colours, higher image detail and a wider dynamic range between the brightest highlights and deepest shadows. It's the reason why feature films look so amazing and now you can get the same high-end production values for any kind of work. Imagine shooting with large-format digital film on low budget independent films, TV commercials or even corporate video. Large Format Cinematic Digital Film Sensor Blackmagic PYXIS features a massive full frame sensor with a native resolution of 6048 x 4032. That's almost three times larger than a Super 35 sensor and allows you to shoot with a shallow depth of field or to use anamorphic lenses uncropped for a true cinematic look. Whether you’re shooting in bright sunlight or in almost no light at all, the 13 stops of dynamic range with dual native ISO up to 25,600 provide stunning low noise images in all lighting conditions. Plus you can shoot up to 36 fps at full sensor resolution or 120 fps windowed. This amazing sensor combined with Blackmagic colour science means you get the same imaging technology as expensive digital cinema cameras. Full Frame Flexibility The large full-frame sensor in Blackmagic PYXIS lets you work in a variety of film formats and aspect ratios without sacrificing quality. Using the full area of the sensor gives you a unique open gate 3:2 image which also lets you reframe your shots in post-production. The large sensor also lets you work in true 6:5 anamorphic without cropping, making widescreen cinematic images more detailed and in higher resolution than previously possible. You can even use the classic Super 35 sized window on the sensor to create an instant ‘close up’ version of your shot that fits seamlessly with open gate footage. All this lets you create distinctive cinematic content in the highest quality. Three Great Models. With 3 models, you can choose between L-Mount, EF or PL lenses, making Blackmagic PYXIS compatible with the largest range of cinema and photographic lenses in the world. The L-Mount model works with the latest full frame lenses from Leica, Panasonic and Sigma but can also accommodate lens adapters, allowing you to use a wide variety of new and vintage lenses. The EF model lets you use high-quality photographic lenses you already own from DSLRs or even Blackmagic Pocket Cinema Cameras. Or the PL model lets you work with professional cinema lenses from Zeiss, ARRI, Cooke and more without needing an adapter. With Blackmagic PYXIS, you get a choice of lens mounts for unlimited creative choice. Shoot Incredible High Dynamic Range (HDR) Images The distance between the lightest and the darkest parts of an image is called dynamic range and is measured in stops. Blackmagic PYXIS has an incredible 13 stops of dynamic range which means it preserves more detail in the lightest and darkest areas of an image than simple video cameras can. This allows you to set exposure for an indoor scene such as a cafe and still retain the details of bright outdoor light coming through a window. You also get more colours than the standard DCI-P3 colourspace used for feature films. Plus DaVinci Resolve Studio is included with the camera, so you get total creative freedom with full exposure adjustment and recovery controls when colour grading. Dual Gain ISO for Exceptional Low Light Performance In digital film ISO is a measurement of the image sensor’s sensitivity to light. This means the higher the ISO number the more sensitivity to light so it’s possible to shoot using natural light even at night. Blackmagic PYXIS features dual native ISO up to 25,600, which means it’s optimized to minimize grain or noise in images, while maintaining the full dynamic range of the sensor. The native ISO of 400 is ideal for scenes with on-set lighting. The secondary high base ISO of 3200 is perfect when shooting in dimly lit environments. The gain is set automatically as you adjust the ISO setting, so it's easy to capture great images when you don’t have time to set up lights. Multiple Resolutions and Frame Rates Blackmagic PYXIS can shoot in all standard resolutions and frame rates from HD up to DCI 4K and even 6K. You can even shoot stills at 24.6 megapixels. Blackmagic PYXIS will shoot up to 36 fps at 6048 x 4032 3:2 open gate or 60 fps at 6048 x 2520 2.4:1 and 60 fps at 4096 x 2160 4K DCI. For higher frame rates you can window the sensor and shoot up to 100 fps at 2112 x 1184 Super 16. You can even work in true anamorphic 6:5 at much higher resolutions than other cameras using anamorphic lenses in 4.8K 24 fps at 4832 x 4032. You can even shoot 120 fps in 1080HD. With Blackmagic PYXIS, you’ll always be able to shoot the right resolution for the job. Large 4″ LCD Monitor The built-in LCD on Blackmagic PYXIS is more than just a simple status display. It’s a 4″ high-resolution HDR touchscreen that is also perfect for monitoring and reviewing shots on set. Its full HD resolution means you can frame and focus your shots without needing to carry around a bulky external monitor. You can even use the display as a focus assist station. Plus, as an HDR display, it has 1500 nits of brightness so you can always see your shot or change settings, even in bright sunlight. On screen overlays show status and record parameters, histograms, levels, frame guides and more. You can even quickly apply 3D LUTs for monitoring shots with the desired colour and look. All Controls at your Fingertips Blackmagic PYXIS features a logical design that puts important functions such as ISO, WB and shutter at your fingertips with both touchscreen and physical controls. There’s even a scroll wheel for making quick adjustments to settings. A row of 3 customizable function buttons means you don’t have to go hunting through menus on a tiny screen to find a command. The Blackmagic PYXIS features easy to reach recording and still buttons that are placed exactly where you expect, including function keys for high frame rate, focus, zoom, false colour and more. The controls can even be locked to avoid accidentally changing settings during a shot or when the camera is out of reach on a rig. Side Plates for Flexible Mounting Options The innovative side plates expand the riggability of your camera even further. The standard plate included with Blackmagic PYXIS is made from the same aircraft grade aluminium as the camera body and features 2 1/4″ thread mounts and one 3/8″ thread mount, allowing you to add microphones, brackets or other accessories. Or you can attach the included SSD plate which offers a convenient location to securely attach a USB-C drive for recording or even a mobile phone for live streaming. The optional Rosette Plate gives you maximum flexibility with 5 1/4″ thread mounts and 4 3/8″ thread mounts for adding accessories, plus a rosette mounting point for attaching handgrips or extension arms. Post Production Friendly File Formats Blackmagic PYXIS records in Blackmagic RAW to preserve control of detail, exposure and colour during post-production. It also records HD H.264 proxies in real time making it easy to share media around the world in minutes. Blackmagic RAW is highly optimized, multi‑threaded, works across multiple CPU cores and is also GPU accelerated to work with Apple Metal, CUDA and OpenCL. This means your images always maintain unprecedented resolution and quality for colour, keying, compositing, reframing, stabilization and tracking in HD, 4K or 6K. Media files work on all operating systems plus you can format media cards and disks in HFS+ for Mac and ExFAT for Windows. Record to CFexpress Cards or External Disks The Blackmagic PYXIS features two built-in CFexpress card recorders, and a USB-C expansion port for recording direct to external flash media disks or an SSD. CFexpress media are more durable and faster than even older media so are perfect for recording full-resolution, 12-bit Blackmagic RAW files. Imagine capturing over an hour of full-resolution 6K images on a single 256GB CFexpress card. Plus, with dual CFexpress slots, you can keep recording because you can hot swap full cards without stopping. The very high speed of CFexpress cards makes them perfect for mounting on your computer and editing directly from them using the included DaVinci Resolve Studio software. Blackmagic RAW The quality of RAW and the speed of video Blackmagic RAW is a revolutionary new format designed to capture and preserve the quality of the sensor data from your camera. Blackmagic RAW eliminates quality problems so you get stunning images with incredible detail and colour throughout the production pipeline from camera to edit, colour and mastering. It also saves camera settings as metadata so you can set ISO, white balance and exposure in camera or override them later while editing, all without any loss of quality. Blackmagic RAW files are also small and fast to use making them easy to work with. Only Blackmagic RAW gives you the highest quality, smallest files and fastest performance. Colour Temperature Setting the colour temperature tells the camera how to interpret white and other colours in an image. Instead of saving images with colour values baked in, Blackmagic RAW makes it possible for you to change the temperature in post-production with DaVinci Resolve Studio. Contrast Adjusting contrast, or the tonal range of an image, can make different parts of the image stand out. While you should always try to get the best shot on set, Blackmagic RAW gives you the flexibility to adjust contrast without any loss of quality while you’re editing and colour-correcting. ISO Changing the ISO adjusts the camera’s sensitivity to light. Properly exposed shots require the right combination of ISO, aperture and shutter speed. Depending on the lights and exposure settings, you may need to adjust ISO in post. Tint Adjusting tint is another way you can affect the overall colour balance of an image. Unlike saturation or midpoint which can make reds redder or yellows more yellow, adjusting tint actually lets you push the colours in different directions. Saturation Saturation is the strength or purity of a colour. More saturated colours are pure and less saturated colours have a percentage of gray in proportion to their hue. Adjusting saturation in Blackmagic RAW images can help make the colours visually pop or become muted. Exposure In order for your images to look good, you need to make sure that it’s not too bright (overexposed) or too dark (underexposed). With Blackmagic RAW, the exposure settings can be changed in post so you can save shots that were not properly exposed. Powered by Blackmagic OS With the advanced Blackmagic OS, you get an intuitive and user-friendly camera operating system based on the latest technology. Blackmagic OS is a true modern operating system where all camera features run independently for smoother control, plus the camera powers on virtually instantly. It features the same controls and menus as other Blackmagic Design cameras so you can move between cameras on set easily. The interface uses simple tap and swipe gestures to adjust settings, add metadata and view recording status. You also get full control over advanced camera features such as on screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings and more. Generation 5 Colour Science Featuring the same generation 5 colour science as the high end URSA Cine, the Blackmagic PYXIS delivers an even greater advancement in image quality with stunning, accurate skin tones and faithful colour in every shot. You get a new dynamic 12-bit gamma curve designed to capture more colour data in the highlights and shadows, for better looking images. The colour science also handles some of the complex Blackmagic RAW image processing, so colour and dynamic range data from the sensor is preserved via metadata which you can use in post-production. That means you get images that have a natural, film like response to colour adjustments in post with DaVinci Resolve. Live Sync to Blackmagic Cloud and Editors Blackmagic PYXIS supports creating a small H.264 proxy file in addition to the camera's original media when recording. This means the small proxy file can upload to Blackmagic Cloud in seconds so your media is available back at the studio in real-time. The ability to transfer media directly into the DaVinci Resolve media bin as editors are working is revolutionary and has never before been possible. Any editor working anywhere in the world will get the shots. If you have multiple cameras, then the new multi-source feature in DaVinci Resolve's Cut page will show each camera angle in a multiview. Blackmagic Cloud is a revolution in global post-production workflows. Three Post Production Workflows Record to Internal Storage You can record to the internal media or an external USB-C flash disk. This will allow you to browse the clips and let the camera sync your media files to other users globally. Select and Upload Clips If you're offline, then later when you have internet access you can browse media and manually select which clips you want to upload to Blackmagic Cloud. Record into DaVinci Resolve Log into Blackmagic Cloud and select a DaVinci Resolve project before recording. After each individual recording the media will automatically upload and sync to all DaVinci users on that project. Connect 5G or 4G Phones for Mobile Data When uploading to Blackmagic Cloud, you can use an Apple or Android phone to get a connection to the internet via mobile data. Simply connect the phone to the USB-C port and Blackmagic PYXIS will configure for mobile data. Plus it works with the latest high-speed 5G phones, as well as 4G phones. You can also connect via wired Ethernet using the camera’s Ethernet port. This lets you get your media out as you shoot so post-production teams anywhere in the world can start work in real time. Plus on set grading can be done in a grading suite and synced back to DaVinci on set. It’s a truly global post-production solution that works with Blackmagic Cloud to create amazing teams of creative people. Works with URSA Cine Viewfinder and Accessories Blackmagic PYXIS supports the optional Blackmagic URSA Cine EVF to make outdoor and handheld shooting accurate and easy. You get an integrated high-quality 1920 x 1080 colour OLED display with a built-in proximity sensor, 4 element glass diopter for incredible accuracy with a wide focus adjustment. A built-in digital focus chart ensures you get the perfect viewfinder focus setup. You can also view critical status information such as frame guides. The URSA Cine EVF is extremely easy to connect as it simply mounts to the included extension arm and connects to the camera using a single USB-C cable. The viewfinder can be positioned in multiple ways and comes with 2 different types of eyecups. Professional Connections for Custom Rigs Blackmagic PYXIS features a wide range of connections for audio, monitoring, power and more. The camera includes a 12G-SDI out for monitoring with support for HDR and Ultra HD output. That means you can connect an SDI display for on set monitoring of images, with or without overlays that show critical information and camera status. SDI allows for much longer cable runs than HDMI making it easier to reach monitors that are further away on set. There’s also a mini XLR connection with 48-volt phantom power for microphones, a 3.5 mm video camera style microphone input, timecode in, reference input, headphone connection and a locking DC power connector. Built-in Microphones and Professional Audio Inputs With professional, high fidelity audio recording built in you'll never have to carry around a separate sound recorder again. Blackmagic PYXIS features a mini XLR input with 48 volts of phantom power for connecting professional microphones such as lapel mics and booms. The built-in mics have an extremely low noise floor and are shock and wind-resistant, capturing great sound and are ideal for recording guide tracks on location. There’s also a 3.5mm audio input for connecting video camera microphones, along with a built-in speaker for playback and a 3.5mm headphone jack. These audio connections allow you to record separate audio tracks using microphones, without an external mixer. Load Custom 3D LUTs to Recreate Film Looks Digital film cameras shoot logarithmic colourspace to preserve the dynamic range, which is great for later post-production, however when these files are viewed on a monitor they can look flat and washed out. 3D LUTs solve this problem because they allow you to apply a "look" to the monitor so you get an idea of how the finished images will look when editing. LUTs can be applied temporarily for monitoring only, or they can be recorded into the Blackmagic RAW files for use in post-production. The Blackmagic PYXIS works with industry standard 17 and 33 point 3D LUT files, or you can work with the built-in LUTs such as Extended Video, Film to Video, Film to Rec.2020 and more. USB-C for External Disks and Ethernet Control The Blackmagic PYXIS features an innovative and high-speed USB-C Expansion Port that operates at up to 5 Gb/s. USB-C is available on most new computers and even provides power. That means you can connect external accessories such as flash drives and high-capacity SSDs for significantly longer recording times. Best of all, when shooting is complete you can simply move the external disk to your computer and start editing and colour correction from the same disk straight away, eliminating file copying. You can also use the camera’s built-in Ethernet port to control your camera over a network via secure and easy-to-use REST APIs. You can even copy files off the camera via the network. Built In SRT and RTMP Live Streaming Now you can live stream from film sets. Blackmagic PYXIS features a built hardware streaming engine that supports RTMP and SRT streaming to YouTube, Facebook, X and more. For internet access, you have two options, one to connect via Ethernet or you can connect a 4G or 5G phone for mobile data. As the streaming is built into the camera, you can see the stream status and data rate in the viewfinder and the LCD. If you want to create a wireless link back to the studio, then you can stream to a Blackmagic ATEM Streaming Bridge, which is an H.264 decoder that converts the video stream back to video. Now the whole post-production team can keep an eye on the shoot, live, while it's happening. Get Multi Camera Shoots in Perfect Sync Professional cameras include professional features and you also get a timecode input, allowing shooting with more than one camera while keeping perfect sync. Simply plug in an external timecode generator to the BNC timecode input and the camera will automatically detect timecode and lock the internal generator. Now each camera can start and stop recording and all the shots from all cameras will have the same matched timecode. Imagine shooting a music festival with multiple roving cameras. Best of all, DaVinci Resolve will automatically find and sync the shots from all cameras so you don't need to waste time sorting through thousands of shots. Shoot Still Frames up to 24.6 Megapixels In addition to shooting video, Blackmagic PYXIS can also capture high-resolution stills. Simply press the dedicated stills button to record 24.6 megapixel images. Still images are saved as Blackmagic RAW, so you get a very high image quality, which is perfect for making high-resolution professional prints or for later editing in DaVinci Resolve. Capturing still images is great for keeping track of continuity between shots or for sharing images to get approval from clients that are not on set. Localized in 13 Popular Languages Blackmagic PYXIS is designed to be used worldwide and supports 13 different languages. When setting up your camera, you can choose to work in English, German, French, Spanish, Portuguese, Italian, Polish, Russian, Ukrainian, Turkish, Chinese, Japanese or Korean. It’s easy to switch to another language so you can share your camera with other crew when traveling to locations worldwide. When you switch languages, all on-screen overlays, setup menus and monitoring information will be displayed in the selected language. Wireless Bluetooth Camera Remote Control If you're positioning the camera on the end of a boom, or in another hard to reach location, you can get full control via Bluetooth from up to 30 feet away. You can download the Blackmagic Camera Control app for your iPad or use third-party apps such as Bluetooth+ or tRigger on your iOS and Android devices. There’s even a free developer SDK with sample code available from the Blackmagic Design developer website, so you can create your own remote camera control and digital slate solutions. Imagine building an app that can jam sync timecode and trigger all cameras to record at the same time. The possibilities are endless. Power from Batteries or 12V DC Blackmagic PYXIS uses high-capacity BP-U series batteries. These popular batteries come in a variety of capacities and are commonly available around the world. The highest capacity BP-U series battery lets you shoot for over 3 hours on a single charge. Plus there are a wide range of battery adapters and charger plates available from third parties so never have a flat battery. When using DC power, a locking connector is used so you won't have to worry about losing power during a shoot, perfect for when your camera is out of reach on a mount or jib. You also get a set of international socket adapters for worldwide use. Includes DaVinci Resolve Studio Blackmagic PYXIS includes a full version of DaVinci Resolve Studio, which is the same software used in Hollywood for creating high-end feature films, episodic television shows, commercials and more. DaVinci Resolve features the new cut page with intelligent editing tools and innovative new features designed to help you quickly find the footage you want, edit it together and output it fast. In addition to the new cut page, you also get DaVinci’s legendary professional editing, advanced colour correction, audio post and visual effects tools, all in a single software application. Now you can use the the same high end software that professional editors and colourists use.

Blackmagic BMD-VHUBSMAS12G1010 Videohub 10x10 12G Video Router

Blackmagic BMD-VHUBSMAS12G1010 (BMD/VHUBSMAS12G1010, BMD_VHUBSMAS12G1010, BMDVHUBSMAS12G1010, BMD VHUBSMAS12G1010) Videohub 10x10 12G Video Router The new Blackmagic Videohub 12G-SDI video routers let you connect all your equipment without creating a complex cable mess! Blackmagic Videohub routers support 12G-SDI so they allow you to connect and route any combination of SD, HD and Ultra HD on the same router at the same time. Plus they have zero latency so are perfect for live production and broadcast! The design features an elegant front panel with LCD for labels and even live video, shortcut buttons and a machined metal spin knob with soft rubber coating that lets you browse video sources. Ethernet is also included so you can remotely control the router using a range of external hardware or software control panels. ELIMINATES COMPLEX CABLE MESS Blackmagic Videohub 12G eliminates cable mess because you can plug all your SDI equipment into the router, then do connections electronically! You don't need complex system diagrams for your studio because you can connect any video input to any video output, or even a single video input to multiple video outputs. This means monitors can view any source in the studio! You get total flexibility to handle constant change or even emergencies. It lets you use multiple HyperDeck recorders for redundant mastering. Or you can route video to multiple streaming processors for all broadcast platforms. Blackmagic Videohub 12G is also great for adding extra inputs to an ATEM switcher! THREE GREAT MODELS Blackmagic Videohub 10x10 12G Advanced 12G-SDI 10x10 zero latency video router which supports any combination of SD, HD and Ultra HD on the router at the same time. Features built in control panel with LCD and machined spin knob, SDI re-clocking and external software control. Blackmagic Videohub 20x20 12G Larger 20x20 zero latency 12G-SDI video router which supports any combination of SD, HD and Ultra HD on the router at the same time. Features built in control panel with LCD and machined spin knob, SDI re-clocking and external software control. Blackmagic Videohub 40x40 12G Largest 40x40 zero latency 12G-SDI video router which supports any combination of SD, HD and Ultra HD on the router at the same time. Features built in control panel with large LCD and machined spin knob, SDI re-clocking and external control. ELEGANTLY DESIGNED FRONT PANEL The built in front control panel lets you route video, so you get the perfect solution for live production racks that don't have the space for extra hardware panels. The front panel is similar to a Videohub Master Control Pro and it features a spin knob for browsing, direct entry buttons for speed and an LCD for displaying labels. However because the panel is built into the router, you can also see live video on the LCD! The LCD also has menus so it lets you change router settings. Shortcut Buttons The shortcut buttons allow direct entry of sources and destinations. They can also be used with the numeric keys. Plus if a button uses a dedicated input label, then they will act like a cut bus! In Button The in button switches the panel over so the spin knob and shortcut buttons will be selecting from the list of input video sources. By rolling the spin knob, you can see all your inputs. Clear Button The clear button is similar to undo and it lets you clear a new routing selection. It's the alternative to the take button, and it will clear the route to retain the current routing without change. LCD for Labels and Video The LCD has large and easy to read labels that show the connection between inputs and outputs. Plus the LCD features live video so you can scroll sources based on viewing the content of the input. Numeric Keypad The numerical keypad has a range of numbers marked 0 through to 9. It allows multiple labels, such as Mon 1, Mon 2, Mon 3 etc. You would select one of the shortcut buttons first and then the number. Out Button The out button switches the panel to selecting the output. Normally you do this first, so you know what output you are going to change. You will then see the current input, before changing it. Take Button The take button is the final conformation that you want to accept the new input selection. This eliminates mistakes! You can also disable the take function for specific outputs for live routing. Spin Knob The spin knob has a machined metal design, soft rubber coating and an electronic clutch. You can scroll labels in alphabetical order and then the clutch will stop the knob at the end of the list. CHANGE ROUTER CROSSPOINTS VISUALLY With a built in LCD, Blackmagic Videohub 12G can show you live video of all your router inputs! This means you can see all router inputs as live video before you change a route. There are also labels displayed below the live video to make it easy to identify the input you are viewing. What this means is you can scroll up and down the router sources in alphabetical order and see each input as live video, even if the inputs are different video standards. Imagine scrolling through your connections while viewing them as live video on the LCD! Plus in portable equipment racks where space is limited, the visual routing means you can see video inputs without adding an external SDI monitor. ADVANCED 12G-SDI FOR SD, HD AND ULTRA HD ROUTING All models of Blackmagic Videohub 12G feature advanced 12G-SDI connections which are multi rate so they support any SD, HD and Ultra HD video format up to 2160p60 and will connect to any SD, HD-SDI, 3G-SDI, 6G-SDI and 12G-SDI equipment. Plus Blackmagic Videohub 12G also supports routing any video standard on the same router at the same time. That means on the 40x40 model you could route up to 40 different video standards at the same time! 12G-SDI gives you high frame rate Ultra HD via a single BNC connection that also plugs into all of your regular HD equipment! With 12G-SDI you get a future proof technology that connects to the equipment you have now and in the future! FEATURES FULL SDI RE‑CLOCKING Videohub includes built in SDI re-clocking on every 12G-SDI input. SDI re-clocking regenerates the video signal for maximum video quality. This is extremely important because longer video cables degrade the signal. Expensive premium "digital" cables can help a little, but still cannot eliminate signal integrity loss due to cable lengths getting longer. With SDI re-clocking all of the SDI devices in your studio receive a regenerated signal with improved jitter performance. That means longer cable lengths, and no drop outs in your video. ADD EXTERNAL HARDWARE CONTROL PANELS All Blackmagic Videohub routers can be remotely controlled, which is vital in large broadcast studios where the equipment connected to the router is located in different areas of the building. There are 2 different types of hardware panel available. The Videohub Master Control Pro is similar to the front panel and has a spin knob, LCD and shortcut buttons. While the Videohub Smart Control Pro model features all buttons and is generally programmed so the panel controls a single router output with each button programmed to a router input. Then you can just cut along the panel buttons to change the router output instantly. It works best when you install a smart panel below each video monitor! GET ROUTER CONTROL ON MAC, WINDOWS AND IPAD If you need external router control that's affordable, then Videohub Software Control is perfect because it can be downloaded free! Videohub Software Control is available for both Mac and Windows, so you can run it on the computers you're already using for creative work. The software features large buttons that are easy to press. Each button can be customized to a router input, a router output, and has an icon assigned to help you identify it visually. The big buttons are great for use on a touchscreen PC, where the software becomes a large screen XY control panel! You can even download a version of the software for the Apple iPad! INCLUDES VIDEOHUB SETUP UTILITY When you first purchase Blackmagic Videohub 12G, all the video inputs and outputs will have simple default labels, however you can customize them to match the equipment you have connected! That’s why the Blackmagic Videohub 12G installer includes Videohub Setup software, which lets you customize the router input and output labels. You can even enable the take button to be used when changing sources, plus the take button can be enabled for each specific video output. The Videohub Setup also lets you program the buttons on the front panel, update the router software, or configure external hardware panels. The software supports Mac and Windows and can be connected via Ethernet or USB. CUSTOMIZE ROUTER CONTROL WITH THE DEVELOPER SDK Videohub includes a free software development kit so developers and system integrators can easily add protocol support for integration into broadcast automation systems. Plus all Videohub routers use a simple text based protocol thats easy to learn. This makes it very simple to create custom control solutions from all computer platforms and even embedded hardware such as Raspberry Pi and Arduino. The protocol can even be used with a Telnet app so you can experiment with controlling the router before you start coding! Plus the protocol is the same one used for the Videohub Software Control so it's well tested and includes all the features needed for complex control apps. LOCALIZED FOR 13 POPULAR LANGUAGES Blackmagic Videohub 12G supports multiple languages so you can customize it to the language you prefer. You get support for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese, Turkish, Polish and Ukrainian. Simply go into the setup menu to set the language, or you can change at any time in the future. Once a language is selected, the menus and the display on the LCD will change to the selected language. However, independent of the language you set, the input and output labels are always unicode so you can customize the labels to a mix of multiple languages! Multiple languages means you can work anywhere in the world and with any local crew! VIDEOHUB FEATURES BETTER IMAGE QUALITY Supports Multiple Formats When you need to work on global events then you need to stay updated with the latest technology and television standards. Videohub gives you support for all 525SD and 625SD, 720HD and 1080HD, and the Ultra HD video standards. Plus you can connect multiple video standards simultaneously! Embedded Audio for Audio and Video The SDI standard includes up to 32 channels of embedded audio included with the SDI video signal. The advantage to embedded audio is that it all connects with a single BNC cable and all audio remains perfectly synchronized to the video. Plus all modern SDI equipment supports embedded SDI audio! Deeper Bit Depth and Colour Precision Videohub is designed to support the highest quality video. 10-bit is the most commonly used standard as colours can be represented more accurately than 8-bit video. You can route 4:2:2 8-bit or 10-bit video in any standard, and it even works with 4:4:4 12-bit SDI up to 2160p30 for feature film!

Blackmagic BMD-VHUBSMAS12G2020 Videohub 20x20 12G Video Router

Blackmagic BMD-VHUBSMAS12G2020 (BMD/VHUBSMAS12G2020, BMD_VHUBSMAS12G2020, BMDVHUBSMAS12G2020, BMD VHUBSMAS12G2020) Videohub 20x20 12G Video Router The new Blackmagic Videohub 12G-SDI video routers let you connect all your equipment without creating a complex cable mess! Blackmagic Videohub routers support 12G-SDI so they allow you to connect and route any combination of SD, HD and Ultra HD on the same router at the same time. Plus they have zero latency so are perfect for live production and broadcast! The design features an elegant front panel with LCD for labels and even live video, shortcut buttons and a machined metal spin knob with soft rubber coating that lets you browse video sources. Ethernet is also included so you can remotely control the router using a range of external hardware or software control panels. ELIMINATES COMPLEX CABLE MESS Blackmagic Videohub 12G eliminates cable mess because you can plug all your SDI equipment into the router, then do connections electronically! You don't need complex system diagrams for your studio because you can connect any video input to any video output, or even a single video input to multiple video outputs. This means monitors can view any source in the studio! You get total flexibility to handle constant change or even emergencies. It lets you use multiple HyperDeck recorders for redundant mastering. Or you can route video to multiple streaming processors for all broadcast platforms. Blackmagic Videohub 12G is also great for adding extra inputs to an ATEM switcher! THREE GREAT MODELS Blackmagic Videohub 10x10 12G Advanced 12G-SDI 10x10 zero latency video router which supports any combination of SD, HD and Ultra HD on the router at the same time. Features built in control panel with LCD and machined spin knob, SDI re-clocking and external software control. Blackmagic Videohub 20x20 12G Larger 20x20 zero latency 12G-SDI video router which supports any combination of SD, HD and Ultra HD on the router at the same time. Features built in control panel with LCD and machined spin knob, SDI re-clocking and external software control. Blackmagic Videohub 40x40 12G Largest 40x40 zero latency 12G-SDI video router which supports any combination of SD, HD and Ultra HD on the router at the same time. Features built in control panel with large LCD and machined spin knob, SDI re-clocking and external control. ELEGANTLY DESIGNED FRONT PANEL The built in front control panel lets you route video, so you get the perfect solution for live production racks that don't have the space for extra hardware panels. The front panel is similar to a Videohub Master Control Pro and it features a spin knob for browsing, direct entry buttons for speed and an LCD for displaying labels. However because the panel is built into the router, you can also see live video on the LCD! The LCD also has menus so it lets you change router settings. Shortcut Buttons The shortcut buttons allow direct entry of sources and destinations. They can also be used with the numeric keys. Plus if a button uses a dedicated input label, then they will act like a cut bus! In Button The in button switches the panel over so the spin knob and shortcut buttons will be selecting from the list of input video sources. By rolling the spin knob, you can see all your inputs. Clear Button The clear button is similar to undo and it lets you clear a new routing selection. It's the alternative to the take button, and it will clear the route to retain the current routing without change. LCD for Labels and Video The LCD has large and easy to read labels that show the connection between inputs and outputs. Plus the LCD features live video so you can scroll sources based on viewing the content of the input. Numeric Keypad The numerical keypad has a range of numbers marked 0 through to 9. It allows multiple labels, such as Mon 1, Mon 2, Mon 3 etc. You would select one of the shortcut buttons first and then the number. Out Button The out button switches the panel to selecting the output. Normally you do this first, so you know what output you are going to change. You will then see the current input, before changing it. Take Button The take button is the final conformation that you want to accept the new input selection. This eliminates mistakes! You can also disable the take function for specific outputs for live routing. Spin Knob The spin knob has a machined metal design, soft rubber coating and an electronic clutch. You can scroll labels in alphabetical order and then the clutch will stop the knob at the end of the list. CHANGE ROUTER CROSSPOINTS VISUALLY With a built in LCD, Blackmagic Videohub 12G can show you live video of all your router inputs! This means you can see all router inputs as live video before you change a route. There are also labels displayed below the live video to make it easy to identify the input you are viewing. What this means is you can scroll up and down the router sources in alphabetical order and see each input as live video, even if the inputs are different video standards. Imagine scrolling through your connections while viewing them as live video on the LCD! Plus in portable equipment racks where space is limited, the visual routing means you can see video inputs without adding an external SDI monitor. ADVANCED 12G-SDI FOR SD, HD AND ULTRA HD ROUTING All models of Blackmagic Videohub 12G feature advanced 12G-SDI connections which are multi rate so they support any SD, HD and Ultra HD video format up to 2160p60 and will connect to any SD, HD-SDI, 3G-SDI, 6G-SDI and 12G-SDI equipment. Plus Blackmagic Videohub 12G also supports routing any video standard on the same router at the same time. That means on the 40x40 model you could route up to 40 different video standards at the same time! 12G-SDI gives you high frame rate Ultra HD via a single BNC connection that also plugs into all of your regular HD equipment! With 12G-SDI you get a future proof technology that connects to the equipment you have now and in the future! FEATURES FULL SDI RE‑CLOCKING Videohub includes built in SDI re-clocking on every 12G-SDI input. SDI re-clocking regenerates the video signal for maximum video quality. This is extremely important because longer video cables degrade the signal. Expensive premium "digital" cables can help a little, but still cannot eliminate signal integrity loss due to cable lengths getting longer. With SDI re-clocking all of the SDI devices in your studio receive a regenerated signal with improved jitter performance. That means longer cable lengths, and no drop outs in your video. ADD EXTERNAL HARDWARE CONTROL PANELS All Blackmagic Videohub routers can be remotely controlled, which is vital in large broadcast studios where the equipment connected to the router is located in different areas of the building. There are 2 different types of hardware panel available. The Videohub Master Control Pro is similar to the front panel and has a spin knob, LCD and shortcut buttons. While the Videohub Smart Control Pro model features all buttons and is generally programmed so the panel controls a single router output with each button programmed to a router input. Then you can just cut along the panel buttons to change the router output instantly. It works best when you install a smart panel below each video monitor! GET ROUTER CONTROL ON MAC, WINDOWS AND IPAD If you need external router control that's affordable, then Videohub Software Control is perfect because it can be downloaded free! Videohub Software Control is available for both Mac and Windows, so you can run it on the computers you're already using for creative work. The software features large buttons that are easy to press. Each button can be customized to a router input, a router output, and has an icon assigned to help you identify it visually. The big buttons are great for use on a touchscreen PC, where the software becomes a large screen XY control panel! You can even download a version of the software for the Apple iPad! INCLUDES VIDEOHUB SETUP UTILITY When you first purchase Blackmagic Videohub 12G, all the video inputs and outputs will have simple default labels, however you can customize them to match the equipment you have connected! That’s why the Blackmagic Videohub 12G installer includes Videohub Setup software, which lets you customize the router input and output labels. You can even enable the take button to be used when changing sources, plus the take button can be enabled for each specific video output. The Videohub Setup also lets you program the buttons on the front panel, update the router software, or configure external hardware panels. The software supports Mac and Windows and can be connected via Ethernet or USB. CUSTOMIZE ROUTER CONTROL WITH THE DEVELOPER SDK Videohub includes a free software development kit so developers and system integrators can easily add protocol support for integration into broadcast automation systems. Plus all Videohub routers use a simple text based protocol thats easy to learn. This makes it very simple to create custom control solutions from all computer platforms and even embedded hardware such as Raspberry Pi and Arduino. The protocol can even be used with a Telnet app so you can experiment with controlling the router before you start coding! Plus the protocol is the same one used for the Videohub Software Control so it's well tested and includes all the features needed for complex control apps. LOCALIZED FOR 13 POPULAR LANGUAGES Blackmagic Videohub 12G supports multiple languages so you can customize it to the language you prefer. You get support for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese, Turkish, Polish and Ukrainian. Simply go into the setup menu to set the language, or you can change at any time in the future. Once a language is selected, the menus and the display on the LCD will change to the selected language. However, independent of the language you set, the input and output labels are always unicode so you can customize the labels to a mix of multiple languages! Multiple languages means you can work anywhere in the world and with any local crew! VIDEOHUB FEATURES BETTER IMAGE QUALITY Supports Multiple Formats When you need to work on global events then you need to stay updated with the latest technology and television standards. Videohub gives you support for all 525SD and 625SD, 720HD and 1080HD, and the Ultra HD video standards. Plus you can connect multiple video standards simultaneously! Embedded Audio for Audio and Video The SDI standard includes up to 32 channels of embedded audio included with the SDI video signal. The advantage to embedded audio is that it all connects with a single BNC cable and all audio remains perfectly synchronized to the video. Plus all modern SDI equipment supports embedded SDI audio! Deeper Bit Depth and Colour Precision Videohub is designed to support the highest quality video. 10-bit is the most commonly used standard as colours can be represented more accurately than 8-bit video. You can route 4:2:2 8-bit or 10-bit video in any standard, and it even works with 4:4:4 12-bit SDI up to 2160p30 for feature film!

Blackmagic ATEM 4 M/E Constellation 4K

Blackmagic ATEM 4 M/E Constellation 4K(BMD-SWATEMSCN2/2ME4/4K, BMD SWATEMSCN2/2ME4/4K, BMD-SWATEMSCN2/2ME4/4K) Introducing ATEM Constellation, the world’s most powerful HD and 4K live production switchers! These incredibly powerful switchers are available in 4 great models, including a 1 M/E model with 10 inputs, a 2 M/E model with 20 inputs and two massive 4 M/E models with 40 inputs! Plus each SDI input features a full standards converter! ATEM Constellation includes advanced features such as DVEs, ATEM advanced chroma keyers, media players, multiviews, and SuperSource processors! Plus the built in Fairlight audio mixer includes a compressor, limiter, 6 band parametric EQ and expander on each input. The free ATEM Software Control is included, or you can add a 1 M/E, 2 M/E or 4 M/E ATEM Advanced Panel. SERIOUSLY ADVANCED BROADCAST POWER ATEM Constellation switchers feature a compact rack mount design with a built in control panel. This allows operation of the switcher, critical during setup or for emergency use. Also included is a large LCD so you can see program output and change switcher settings via on screen menus. The compact design is perfect for portable live production, with the rear of the switcher including connections for 3G-SDI or 12G-SDI inputs, aux outputs, balanced audio and Ethernet for control. The top 4 M/E models even include RS-422 for serial control and MADI digital audio connections. Even with all this power, ATEM Constellation is extremely quiet with its innovative high efficiency thermal system. 4 POWERFUL MODELS ATEM 1 M/E Constellation HD Powerful 1 M/E live production switcher includes 10 standards converted 3G-SDI inputs, 6 x 3G-SDI outputs, DVE, 4 chroma keyers, a 16 way multiview, media players, talkback and USB webcam output. ATEM 2 M/E Constellation HD The 2 M/E model doubles the features of the 1 M/E model with 20 x 3G‑SDI inputs, 12 x 3G-SDI outputs, 2 DVEs, 8 ATEM Advanced Keyers, 2 multiviews and a SuperSource for a total of 6 DVEs. ATEM 4 M/E Constellation HD The massive 4 M/E model doubles the features of the 2 M/E model with 40 x 3G-SDI inputs, 24 x 3G-SDI outputs, 4 DVEs, 16 ATEM Advanced Keyers, 4 multiviews and 2 SuperSource for 12 x DVEs in total. ATEM 4 M/E Constellation 4K Massive 4 M/E Ultra HD live production switcher with 40 standards converted 12G‑SDI inputs, 24 12G-SDI aux outputs,16 ATEM Advanced Keyers, 4 multiviews and 2 SuperSource for a total of 12 DVEs. DESIGNED FOR MASSIVE LIVE EVENTS With 4 powerful models, ATEM Constellation switchers are ideal for concerts and music festivals because you can place cameras on all areas of the stage for amazing coverage. Even live sports benefit from the huge number of inputs and DVEs let you build multi-layer compositions to cover the action. The fastest way to produce programming is live. With powerful internal graphics and lots of ATEM advanced chroma keyers, you get everything you need for complex program production. ATEM Constellation is also perfect for house of worship programming as it’s big enough to allow professional results, but it’s very simple to learn so it’s easy to train a volunteer crew. TRUE BROADCAST STYLE MIX EFFECTS SWITCHING ATEM Constellation uses a professional "program/preview" style operation, which is the exact same way large broadcasters use live production switchers. This means you are using the same type of switcher used by the television industry. Both the free ATEM Software Control and the optional hardware ATEM Advanced Panels will allow program/preview style switching. This means you can select a source on the preview bus to ensure it’s correct before pushing the CUT or AUTO button to switch it on air. This 2 step program/preview process means far fewer mistakes. Program/preview operation means ATEM Constellation is the best solution for training students for a career in broadcast television. FULL FRONT PANEL CONTROL With a control panel built into the front panel, you can simply walk up and operate the ATEM Constellation at any time. ATEM Constellation has similar features to ATEM Mini, so it’s a fantastic upgrade when you need a bigger switcher. Plus the front panel control buttons are the same premium type used on full sized panels so they are extremely reliable. You can even control keyers, media and fade to black from the front panel. There is an industry standard 5 pin talkback headset connector on the front panel, with controls for talkback control. Plus the front panel LCD and menu buttons also allow almost every single operational feature of the switcher to be accessed. UP TO 40 STANDARDS CONVERTED SDI INPUTS. The ATEM Constellation family features HD models that have up to 40 independent 3G-SDI inputs as well as a 4K model with 12G-SDI inputs, with each input featuring its own dedicated up and cross converter. That means it’s possible to convert any 1080p input source to the video standard of the switcher. That means you could have each switcher SDI input running a different television standard and all the inputs will just work. On the ATEM 4 M/E Constellation models, you can even loop out audio channels 1, 2, 3 and 4 from SDI inputs 1 to 30 to the two MADI digital audio outputs, so you can hand off the switcher input audio to an external audio engineer for mixing. UP TO 24 CUSTOMIZABLE SDI OUTPUTS The ATEM Constellation family has a massive number of fully independent outputs. Even the small 1 M/E model has 6 x 3G-SDI outputs. The 2 M/E model has 12 x 3G-SDI outputs and the 4 M/E models have either a massive 24 x 3G-SDI or 12G-SDI outputs. These SDI outputs are very powerful because you can independently route any SDI input or any internal source to each SDI output. That’s perfect for running independent feeds to stage screens, master recorders and streaming processors. Or use the SDI outputs for ISO recorders, where each deck will get a resynchronized switcher input with matching timecode. All SDI outputs contain program audio, RP-188 timecode, SDI camera control, tally and talkback. USB WEBCAM OUTPUT FOR VIDEO SOFTWARE For live streaming, the USB-C connection on ATEM Constellation operates as a webcam source. That means you can plug into a computer and get working with any video software. The software is tricked into thinking the ATEM Constellation is a common webcam, but it's really a live production switcher. That guarantees full compatibility with any video software in full resolution 1080HD quality. Choose any software you like, such as Zoom, Microsoft Teams or Skype for a new way to do presentations with a professional multi camera broadcast quality style. The ATEM Constellation webcam output also works with streaming software such as Open Broadcaster, XSplit Broadcaster and more. CHOOSE FROM HARDWARE OR SOFTWARE CONTROL PANELS All ATEM switchers feature a wide range of hardware and software control options, plus it’s possible to share control panels between all ATEM models for different events. Included with ATEM Constellation is a free software based control panel for Mac and Windows. The software connects to the switcher via Ethernet or USB and you can control the switcher, upload media, mix audio and control cameras. Then, when you need more power, you can add an ATEM Advanced Panel for professional switching or an ATEM Camera Control Panel for controlling cameras. There's even an ATEM developer SDK so you can build your own custom automation control solution. INCLUDES MULTIVIEW WITH LABELS, TALLY AND METERS The built in multiview lets you monitor multiple sources on a single monitor. The 1 M/E model includes 1 multiview, the 2 M/E model has 2 independent multiviews and the 4 M/E models have 4 independent multiviews. All external SDI inputs, plus all internal video sources can be routed to any view. All multiviews are fully customizable and can be independently set to 4, 7, 10, 13 or 16 simultaneous views. That’s up to 32 views in total on the 2 M/E model and a massive 64 views across 4 monitors with the 4 M/E models. You can add the tally border plus source label and VU meters as an overlay on each view. Plus a red and green border will show tally on each view, so you know what sources are on air. BROADCAST TRANSITIONS, DVE, STINGERS AND MORE. ATEM Constellation includes a wide range of broadcast quality native transitions such as mix, dip, wipe, and more. All transitions can be customized in the system control menus with adjustments for border color, border width, position, direction and a lot more. The ATEM Constellation switcher includes a powerful digital video effects processor for DVE transitions, which can be used to squeeze the current picture off screen revealing a new video under it. The DVE can even be used to create graphic wipe transitions. To eliminate errors, ATEM Constellation features a preview transition feature so you can setup your transitions before you switch it on air. BUILT IN DVE FOR VIDEO EFFECTS ATEM Constellation features up to 4 independent DVEs, depending on the model, that let you reposition graphics and create picture in picture compositions. You get amazing quality and the DVE supports position, resize and scale, all in real time. The DVE lets you create professional picture in picture effects with customizable 3D borders, shadows and lighting. DVEs can also be used to create amazing DVE transitions with squeeze and swoosh effects for adding excitement to your programming. You can even combine DVE transitions with custom graphics to create your own graphic wipe transitions. Then the 2 and 4 M/E models include SuperSource processors for even more DVEs. PROFESSIONAL BROADCAST TALKBACK To keep crews working as a single creative team, ATEM Constellation features built in talkback. Talkback supports a 5 pin XLR headset connector, plus a rear mounted RJ12 connector for interfacing with industry standard talkback systems such as ClearCom or RTS. You get full talkback control including program and engineering loops, sidetone control for hearing the headset mic into the headphones and program mix. ATEM Constellation also supports SDI talkback that uses SDI channels 15 and 16 for 2-way communication with Blackmagic Design cameras. You can even use channels 13 and 14 for engineering talkback. It’s even possible to mix the talkback mic into the program audio for voiceovers. INTERNAL MEDIA FOR STILLS AND MOTION GRAPHICS The built in media pool stores broadcast quality RGBA graphics and animations that can be played back instantly by the 2 or 4 media players. Media players simply appear as additional input sources on the ATEM Constellation, so you don’t have to use extra SDI inputs for graphics. The built in media pool holds graphics for use with the media players and the 1 M/E model can hold 20 stills and 200 frame animations, the 2 M/E model can hold 40 stills and 400 frame animations and the 4 M/E models can hold 60 stills and up to 400 frame animations. You can easily manage all of your media using the included ATEM Software Control or download directly from Photoshop using the ATEM Photoshop plug-in. INCLUDES NEW ATEM ADVANCED CHROMA KEYS For news or virtual set work, ATEM Constellation is perfect as it features lots of ATEM advanced keyers for high quality chroma or luminance keying. The chroma keyer is incredibly powerful and features a color picker to sample background colors for automatic generation of the key parameters. You get precise controls for edge and flare, and there is even a foreground color corrector so you can match the "look" of the foreground layer to the background layer making seamless compositions possible. The keyer can also be used for pattern and DVE keying. You get 4 ATEM Advanced Keyers on the 1 M/E model, 8 ATEM Advanced Keyers on the 2 M/E model and 16 ATEM Advanced Keyers on the 4 M/E models. CREATE AMAZING VIRTUAL SETS With 4 upstream chroma keyers per M/E row, you get the perfect solution for building virtual sets. With so many ATEM advanced chroma keyers, you can use a keyer per camera to create a seamless composition of the camera over the custom background. Even the 1 M/E model has enough keyers to generate a 4 camera virtual set. You can use external image processors for virtual sets, or you can even build a fixed camera virtual set by loading pre rendered still image backgrounds from the media players and media pool. You can setup macros to change cameras and load the correct background into the media players. With so much flexibility, you can experiment to try out different studio setups. POWERFUL SUPERSOURCE PROCESSING. In addition to the DVEs in the M/E rows, the 2 M/E and 4 M/E models include powerful SuperSource multi layer processors with 4 extra DVE layers plus a background layer, that all appear to ATEM Constellation as an additional input source. Any switcher video input can be used for each SuperSource DVE, then it’s all layered together over a media pool custom background. SuperSource is just like having an extra multi-layer VFX switcher built in. SuperSource is perfect for doing picture in picture displays for interviews because you can set up the effect while keeping the main DVEs free for other tasks. The ATEM 4 M/E Constellation models even have 2 completely independent SuperSource processors. MULTI RATE SDI FOR HD AND ULTRA HD VIDEO STANDARDS With up to 40 multi rate SDI input connections, depending on the model, the ATEM Constellation is compatible with all types of video sources. You can connect equipment in HD or Ultra HD television standards including 720p, 1080i,1080p and 2160p formats. Only multi rate SDI allows switching between formats so you can instantly adapt to the needs of the job you are doing anywhere in the world. The SDI inputs will also handle embedded audio and mix audio from all video inputs. The program outputs include talkback, tally and camera control information. So you can connect any of the switcher SDI outputs back to the camera for program return, camera control, and talkback. THE FIRST SWITCHER WITH TRULY PROFESSIONAL AUDIO ATEM Constellation is the world’s first live production switcher that fully embraces live professional audio production. All SDI inputs are connected to a built in Fairlight audio mixer that features 6 band parametric EQ, compressor, limiter, noise gate and expander on each input. On the ATEM 4 M/E Constellation models there are 2 MADI outputs for breaking out channels 1, 2, 3 and 4 of the first 30 SDI inputs out to an external audio engineer, plus a MADI input for allowing an extra 32 external audio channels in to the audio mixer. The Fairlight audio mixer even has additional inputs for mixing audio from analog inputs, talkback microphones for voice over and more. PROFESSIONAL FAIRLIGHT AUDIO MIXER With a built in Fairlight audio mixer, the ATEM Constellation makes it possible to do extremely complex live sound mixing. The internal mixer has up to 156 input channels, for the biggest audio mixer in a live production switcher. Audio is de-embedded from all the SDI video inputs and passed to the audio mixer. Then the 4 M/E models have extra audio mixer input channels for the MADI audio inputs. Each input channel features the highest quality 6 band parametric EQ and compressor, limiter, expander and noise gate as well as full panning. All this audio power can be controlled via the ATEM Software Control or a Mackie compatible panel. INCLUDES FREE SOFTWARE CONTROL PANEL The ATEM Software Control Panel gives you total control over your switcher and is included free. The ATEM Software Control Panel features a beautifully designed interface with a visual switcher and parameter palettes for making quick adjustments. Multiple users can connect to the switcher via Ethernet and all work on different parts of the event at the same time. The ATEM Software Control also lets you access camera control, audio mixing, media, macro programming and even control of HyperDeck disk recorders. You can even save the full state of the switcher as XML files, plus all media is backed up from the media pool. Plus you can run the software on Mac or Windows. ADD THE SPEED AND POWER OF AN ATEM HARDWARE PANEL Only ATEM Constellation has such as wide range of control panel options with 3 models of ATEM Advanced Panels available. ATEM Advanced Panels feature an industry standard, familiar M/E style layout. Each panel has built-in LCDs for menus, high quality buttons with customizable illumination color, a DVE joystick plus T-bar fader. You can even setup and trigger Macros. All rows of M/E buttons include integrated LCDs for dynamic input button labeling. The 1 M/E model features a single M/E row with 10 input buttons. The 2 M/E models features 2 M/E rows with 20, 30 or 40 input buttons depending on the model. The massive 4 M/E model features 4 M/E rows with 40 input buttons per row and 4 independent system control LCD screens. GET INDUSTRY STANDARD PROFESSIONAL CAMERA CONTROL The new ATEM Camera Control Panel provides 4 industry standard camera controllers for the same workflow as camera chains costing hundreds of thousands of dollars. Designed to be portable, ATEM Camera Control Panel can be placed on a desktop or on a slide out rack shelf. All control commands are sent to the cameras using the SDI camera control protocol which is supported by cameras such as Blackmagic URSA Broadcast and Blackmagic Studio Cameras. You get dedicated controls including CCU style joystick and controls for RGB camera color, master gain, black, iris and more. Plus all controls are arranged in a familiar broadcast layout perfect for both experienced or new operators. COMPATIBLE WITH BLACKMAGIC CAMERAS, PANELS, DECKS AND MORE ATEM switchers are powerful because they can grow and expand with you. Add an ATEM Advanced Panel to get professional industry standard switcher control. Then add an ATEM Camera Control Panel for fast control and color balancing of up to four cameras. For cameras, Blackmagic Studio Cameras make great studio cameras as they have tally, talkback and control all built into the compact and very portable design. For mastering, Blackmagic HyperDeck Studio recorders are perfect because they include popular file formats such as ProRes, H.264 and DNx. You can even live stream using an UltraStudio or Blackmagic Web Presenter. Then add a Micro Converter SDI to HDMI 3G converter for HDMI monitoring. ALL FEATURES INCLUDED. NO HIDDEN COSTS Unlike other switchers, all features are included in the purchase price. That means you get all features fully enabled and always ready for use. There are no license fees to allow you to use features and no ongoing monthly costs. This means you'll never experience a license expiring 5 minutes before your program starts. Advanced features such as multiview, SuperSource, DVEs or the ATEM Advanced Keyers are always enabled and always ready to use. Plus, you can use the free ATEM Software Control on an unlimited number of computers. That’s important when you divide up the workload with separate people for audio mix, graphics prep, camera control and switcher operation.

BLACKMAGIC ATEM Television Studio HD8

BLACKMAGIC ATEM Television Studio HD8(BMD-SWATEMTVSTA/HD08, BMD SWATEMTVSTA/HD08, BMD/SWATEMTVSTA/HD08) THE WORLD'S MOST PORTABLE ALL-IN-ONE TELEVISION STUDIO The new ATEM Television Studio is a professional live production switcher built into a broadcast control panel so it can be used for high end work while being extremely portable. This means you can use it in small venues that don't have the access for equipment racks or broadcast vans. You get a powerful switcher with 8 standards converted SDI inputs, aux outputs, 4 chroma keyers, 2 downstream keyers, SuperSource, 2 media players and lots of transitions. Plus it includes a whole television studio of features such as hardware streaming, recording, audio mixer, talkback, multiview and optional internal network shared storage. There's even an ISO model that records all 8 inputs for editing. THREE GREAT ATEM TELEVISION STUDIO MODELS ATEM Television Studio HD8 Compact live production switcher with built in broadcast control panel, 8 x 3G‑SDI inputs, streaming, recording, multiview, DVE, keyers, USB webcam, media players, talkback and optional cloud storage. ATEM Television Studio HD8 ISO Powerful ISO model includes all the features of ATEM Television Studio HD plus adds ISO recording of all 8 inputs and supports up to 8 remote cameras with control and tally for each camera. ATEM Television Studio 4K8 Powerful Ultra HD live production switcher similar to the non ISO HD model, however includes 8 x 12G-SDI inputs, 10 12G-SDI aux outputs for external recorders, 4 port 10G Ethernet switch and more. BRING MULTI CAMERA LIVE PRODUCTION TO ANY LOCATION Compact Broadcast Vans With the all in one design, you can build a new generation of ultra compact broadcast vans. You don't need racks of equipment, so you can eliminate clutter for a much nicer work environment. For stability, you can even mount the switcher inset into the desk. Music Venues and Clubs Some of the most exciting venues, such as downstairs music venues or comedy clubs, are too small for racks of video equipment. However ATEM Television Studio can be carried into any venue. It’s also easy to pack up, even if the venue is still crowded. Online Education ATEM Television Studio is perfect for creating education content. As the ISO model records the video inputs, you can finesse edits, replace shots and even add colour correction. Plus you can even connect to Zoom to incorporate live chat with students. Live Sports ATEM Television Studio is perfect for live sports because it has a simple design that's easy for community volunteers to use. It can be installed into sports clubs or taken on the road with the team. With up to 8 cameras, you'll catch all the exciting angles. SELF CONTAINED BROADCAST QUALITY SWITCHER The ATEM Television Studio combines a switcher and control panel into the same unit, so it’s extremely portable. You get everything you need. The front panel includes buttons for selecting sources, triggering transitions and setting up video effects. Plus the buttons are the same high-end type used on expensive broadcast switchers. You also get a built in t-bar for manual transition control. The front panel even has an innovative audio mixer control area with live metering on a dedicated LCD. There are also buttons for recording and streaming control, plus live aux switching that lets you change aux outputs between all 8 cameras, program, preview or the multiview. CONNECT UP TO 8 BROADCAST CAMERAS With 8 SDI video inputs, ATEM Television Studio lets you connect multiple cameras for different views of the performance. Video cameras with SDI outputs, such as Blackmagic Studio Camera or Blackmagic URSA Broadcast G2, are much better quality as they have better low light performance and use professional lenses. All video sources will re-sync to the switcher, even if they operate at different video standards. Everything just works so setup on location is easy and you don't have to worry about technical problems. Imagine taking advantage of the creative freedom of multi camera live production for interviews, advertorials, theater productions, music performances, sports and more. INCLUDES PRODUCTION, POST PRODUCTION AND DISTRIBUTION Live Production You get an incredibly powerful 8 input switcher with both program and aux outputs so you have everything you need for mobile production. That means you can connect up to 8 cameras. Plus you get professional camera control, talkback and audio mixing all designed into a familiar broadcast panel. Post Production The ISO model records all inputs into separate files so you can edit using any NLE that supports multi-cam. That's possible because all files have perfect timecode sync. Plus with built in network storage, you can edit while recording. Multiple users can even share media and collaborate. Distribution With a built in hardware streaming engine, you can live stream your event to a global audience. Recording to H.264 files with AAC audio means you get the correct format to upload to YouTube. Plus you share live broadcasts with your audience by using the aux outputs and large screens and projectors. EASY TO USE AND FAST TO LEARN There's never been a switcher that’s easier to use, as you simply press any of the program row buttons on the front panel to cut between video sources. Or you can pre select a source on the preview row and then choose between cut or effect transitions by selecting the cut or auto buttons. You can select from exciting transitions such as dissolve, or more dramatic effects such as dip to colour, DVE squeeze and DVE push. You can even add a DVE for picture in picture effects with customized graphics. There are also media players which let you store graphics with alpha channels for titles and graphics that you can load as live video inputs. Then you can live stream the results. TRUE BROADCAST STYLE MIX EFFECTS SWITCHING ATEM Television Studio uses a professional program/preview style of operation, which is exactly the way large broadcasters use live production switchers. However ATEM Television Studio can be switched to A/B style switching, which is easier when it's used by volunteers or community groups. However, if you want to operate the switcher like a broadcast professional then the program/preview is perfect. This means a source won't be put on air until you press the cut or auto button. This 2 step process means you see what you are selecting before putting it to air, so you get fewer mistakes. Plus program/preview operation is a fantastic way to train students for a career in broadcast television. EASY TO ADD EXCITING VIDEO EFFECTS One of the benefits of ATEM Television Studio is the range of professional built in video effects. The cut button ensures an instant cut when switching between sources. The t-bar fader can be used to transition video effects, or you can do the transition automatically by pressing the auto button. Auto uses the transition duration set in the system control. You can also select the type of effect you want including mix, which does a smooth transition between sources, or dip which transitions via a third video source, such as a colour generator. There is a wide range of SMPTE wipes included, plus fun DVE effects that slide or squeeze the image off screen when transitioning between video sources. INCLUDES LOADS OF EXTREMELY CREATIVE TRANSITIONS ATEM Television Studio includes the same kind of transitions found on expensive broadcast switchers. This means the effects and transitions can be customized in many different ways, so they are surprisingly powerful. You'll never stop finding new ways of using them. That’s because all transitions can be customized by adjusting parameters such as duration, border colour, border width, position and direction. You can even use the DVE with a wipe transition, where the DVE moves a graphic over the wipe edge. That's called a graphic wipe and it’s often used in sports broadcasting. The preview transition button can be used to set up effects offline, which is great for eliminating mistakes. BUILT IN DVE FOR BROADCAST VIDEO EFFECTS ATEM Television Studio features an independent DVE that lets you reposition graphics and create picture in picture compositions. You get amazing quality and the DVE supports position, resize and scale, all in real time. The DVE lets you create professional picture in picture effects with customizable 3D borders, shadows and lighting. DVEs can also be used to create amazing DVE transitions with squeeze, swoosh and push effects for adding excitement to your programming. You can even combine DVE transitions with custom graphics to create your own graphic wipe transitions. Pus there is also a SuperSource multi layer processing engine with 4 extra DVEs. SUPPORTS INTERNAL MEDIA FOR STILLS AND MOTION GRAPHICS The built in media pool stores broadcast quality graphics and animations that can be played back using the built in media players. Media players appear as independent sources so you don't need to waste any of the SDI inputs for graphics. For highest quality, all media supports RGB colourspace with alpha channel, allowing transparency and layering. The media pool can hold 20 HD or Ultra HD resolution stills. Depending on the model, motion graphics clips for animations and stingers can be up to 720 frames in 720HD, 360 frames in 1080HD and 90 frames in 2160 Ultra HD. The ATEM Software Control allows you to upload and manage media. You can even prepare graphics in Adobe Photoshop and then download to the media pool using the free ATEM Photoshop plug-in. INCLUDES 4 ATEM ADVANCED CHROMA KEYERS ATEM Television Studio is perfect for news and on-set presentation work because it features 4 ATEM Advanced Chroma Keyers for green screen keying effects. The chroma keyers are incredibly powerful and include features such as a colour picker to sample background colours for automatic generation of the key parameters. You get precise controls for edge and flare, and there is even a foreground colour corrector so you can match the foreground and background layers for seamless compositions. You can even use it for title overlays by creating graphics with a green or blue background. With 4 ATEM Advanced Chroma Keyers, ATEM Television Studio is perfect for creating fixed camera virtual sets. POWERFUL SUPERSOURCE PROCESSING In addition to the DVE in the ATEM Television Studio, there is also a powerful SuperSource multi layer processor. SuperSource gives you 4 extra DVE layers plus a background layer, all layered together as an additional input source. Any video input can be used as sources for each DVE, then it’s all layered together over a media pool custom background or live video. SuperSource is perfect for doing multiple picture in picture displays with people being interviewed because you can set up the effect so the viewer can see each person being interviewed all within a stylish graphic. SuperSource is just like having a completely independent multi-layer VFX switcher built in. UP TO 8 STANDARDS CONVERTED SDI INPUTS The ATEM Television Studio HD models feature 8 independent 3G-SDI inputs, and the 4K model has 8 12G-SDI inputs. Each SDI input has a dedicated standards converter so any 720 HD, 1080 HD or 2160 Ultra HD input source will be converted to the standard of the switcher. That means each SDI input could have a different television standard and all inputs will just work. SDI input audio channels 1, 2, 3 and 4 can also be manually routed to various embedded audio channels in the program and aux outputs. Plus you can even router out audio channels 1 and 2 from the SDI inputs to the MADI digital audio output, so you can hand off the switcher input audio to an external audio engineer for mixing. PROFESSIONAL SDI OUTPUTS WITH 16 CHANNEL EMBEDDED AUDIO The ATEM Television Studio includes up to nine SDI program outputs so you get enough connections to send a separate program return feed to all of your cameras. That’s important because the SDI program return is used to send tally, talkback and control information back to the cameras. You also get dedicated aux outputs for driving stage monitors and master recorders. Two of the aux outputs can be live switched using dedicated buttons on the control panel. One of the aux outputs also includes an on screen counter for presenter monitoring. Plus you can manually route audio into all 16 embedded audio channels in the SDI outputs. There's also a dedicated 3G-SDI and HDMI output for the multiview. BUILT IN AUDIO MIXER WITH 6 BAND EQ, COMPRESSOR AND LIMITER With a built in Fairlight audio mixer, ATEM Television Studio makes it possible to do complex live sound mixing. The internal mixer features enough channels for all SDI inputs, as well as extra channels for the XLR, RCA and MADI inputs. Each input channel features the highest quality 6 band parametric EQ, compressor, limiter, expander and noise gate as well as level and pan controls. You can mix all these input channels together at the same time, or you can set video sources to "audio follow video". The audio mixer is extremely powerful and it can be adjusted from the front panel using the dedicated audio mixer controls and LCD. Plus you can also mix audio using ATEM Software Control. BUILT-IN MULTIVIEW SUPPORTS 16 SOURCES ON A SINGLE MONITOR When doing larger live productions with multiple cameras, it’s vital to see all your video sources at the same time on a single monitor. ATEM Television Studio includes a professional multiview that lets you see all video inputs, preview and program on a single SDI or HDMI monitor. You can even send the multiview to the aux outputs. Each camera view includes tally indicators so you know when each source is on-air, plus each view has custom labels and audio meters. You can fully customize the multiview layout with up to 16 simultaneous views. You can also select one of the additional status views that lets you track recording, streaming and the audio mixer status, right from the multiview. LIVE STREAM TO A GLOBAL AUDIENCE ATEM Television Studio has a built in hardware streaming engine for live streaming to a global audience. That means you can live stream to services such as YouTube, Facebook and Twitch in better video quality and without dropped frames. Streaming works using the Ethernet connection to the internet, or you can connect a smartphone to use mobile data. Then you simply select the streaming service and enter the streaming key using ATEM Software Control. This makes streaming easy to setup, and the convenient data rate indicator shows the internet speed required. If you're technically minded, you can even update the streaming profiles in an XML settings file to add new services. CONNECT 5G OR 4G PHONES FOR MOBILE DATA If you’re doing live production on location then the ATEM Television Studio supports mobile data by connecting an Apple or Android phone to the USB port. It's also a great backup for the main Ethernet connection. Phone tethering works with the latest high speed 5G phones plus the more common 4G phones. The ATEM switcher will detect when a phone is connected and automatically switch its internet connection to use it if the Ethernet connection is lost. When connected, the phone will also power from the USB port so it always remains charged and ready to go. By using phone tethering and mobile data, you get the perfect mobile production solution that can be transported anywhere. OUTPUTS TO ANY SOFTWARE THAT SUPPORTS USB WEBCAMS You can use any video software with ATEM Television Studio because the USB connection will emulate a webcam. That means you can plug into a computer and use any video software that works with a webcam. The software is tricked into thinking the ATEM Television Studio is a common webcam, but it's really a live production switcher. That guarantees full compatibility with any video software and in full resolution 1080HD quality. Imagine doing a presentation from a professional broadcast studio to software such as Zoom, Teams or Skype. For streaming, the webcam output also works with streaming software such as Open Broadcaster, XSplit Broadcaster and more. RECORD TO INTERNAL STORAGE OR USB DISKS ATEM Television Studio supports recording to external USB flash disks. Or if an optional M.2 flash disk is installed, you can record directly to internal network shared storage. The internal storage plus any external USB disks will be available to share over the local Ethernet network so other people can work on post production tasks such as editing, colour correction and graphics preparation. All recordings are in H.264 format with AAC audio for broadcast quality video and small file sizes. You can also connect multiple USB disks, so recording will continue if a disk becomes full. You even get buttons on the control panel to start recording and you can see record status in the multiview. INTERNAL STORAGE SUPPORTS MULTIPLE USERS The ATEM Television Studio is also a fast network disk if you install an optional M.2 flash memory card inside the switcher. Flash memory is extremely fast so it can keep up with recording multiple ISO video files while lots of external simultaneous users all work on separate computers for editing, colour correction, VFX and audio post production. Plus the internal network storage is extremely easy to set up. You can also sync the storage to Dropbox and Google Drive, so recordings can be distributed between other ATEM Television Studios or Blackmagic Cloud Stores in different locations, even on lower cost internet connections. That’s the perfect global media sync solution. EDIT LIVE PRODUCTION WITH SEPARATE ISO RECORDINGS The ATEM Television Studio HD ISO model allows you to edit your live event as it can record all inputs to separate video files. You get 8 separate video input files with matching timecode and sync, plus the program video is also recorded into a separate master video file. This means you can edit using any NLE software that supports multi-cam editing. You can use any edit software that supports multi-cam because all input ISO video files will have matching timecode and be in perfect sync. Now it's easy to re-edit your show after the event, so your work will be absolutely perfect. Plus audio is recorded into separate WAV files so you can even professionally remix your audio. FULL INTEGRATION WITH DAVINCI RESOLVE Only ATEM Television Studio HD8 ISO is fully integrated into DaVinci Resolve. This means you can edit, colour correct, add VFX and audio mixing to your live production. Plus DaVinci Resolve is a free download for Mac, Windows and Linux, so there's no monthly license costs. Simply open the project and you'll see your live production as an edit timeline. You can trim edits and remove shots you don't want. In the cut page, the sync bin will show alternative shots in a multiview display. If you want to replace a shot, then simply click an alternative. Finally, you can add professional DaVinci colour correction. You can even relink to Blackmagic RAW camera files if you want to finish in Ultra HD. DISTRIBUTE FILES GLOBALLY With support for Dropbox and Google Drive sync, you can share files globally. That’s extremely important when working with video files that have long record durations so become large. If you need to work in multiple locations, then each user needs to have instant access to these files, even when most internet connections are too slow. While the internet is often too slow to access large video files in real time, it is perfect for syncing files to a storage provider such as Dropbox or Google Drive. Multiple Blackmagic Cloud Stores can sync down for local access in each location. Then everyone has a copy of their media on local network storage. It's the simplest solution for global media sync. Add Cloud Service Make sure your ATEM Television Studio is connected to the internet. Enter in your Dropbox or Google Drive account details, so the switcher can get access to allow sync. Set Sync Folders Next you need to set the sync folders. That tells the ATEM Television Studio where to sync its files to the remote Dropbox or Google Drive. You can have multiple sync folders for different jobs. Set Sync Direction Now set the sync direction. One direction is good when you have local files you want to share, but not enough room for everyone’s files. Both directions means everyone gets the same set of files. CONNECT TO REMOTE INTERNET CAMERAS Another exciting feature on the ATEM Television Studio HD8 ISO model is that it can connect to remote cameras. The Blackmagic URSA Broadcast G2, Blackmagic Studio Camera 4K Pro G2 and Blackmagic Studio Camera 6K Pro cameras can live stream in H.264 direct to the switcher. If you're connected to the local network, then simply select the camera in the input menu. However if the switcher is set to a fixed external IP address, then you can export an XML file with the camera settings to live stream from anywhere on the internet. Simply load the XML file into the camera. Plus you even get camera control and tally. Program audio is also sent back to the camera which is great for live interviews. INCLUDES FREE ATEM SOFTWARE CONTROL PANEL The ATEM Software Control app unlocks the hidden power of ATEM Television Studio by allowing access to all the features in the switcher. ATEM Software Control features a visual switcher user interface with parameter palettes for making adjustments. Although you can connect via USB, if you connect using Ethernet you can run multiple copies of ATEM Software Control on different computers. The software lets you live switch, mix audio, colour correct in the cameras and manage media. You can also build and run complex macros from the software. Plus you can save the switcher state as an XML file for recalling jobs later. You can even control trigger external HyperDeck recorders. LOCALIZED FOR 13 POPULAR LANGUAGES ATEM Television Studio supports multiple languages in the menus and in the ATEM Software Control, so you can customize it to the language you prefer. You get support for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese, Turkish, Polish and Ukrainian languages. Simply go into the setup menu to change the language, or you can always switch to another language at any time in the future. Once a language is selected, the menus on all the LCDs will change to the selected language. Multiple language support means ATEM Television Studio is perfect for doing live production work anywhere in the world and with any crew. DESIGNED TO BE EASY TO REPAIR With so many features built in, it’s vital that ATEM Television Studio can be easily repaired. Plus, there is already a lot of built in redundancy, with 4 Ethernet connections, up to 9 program SDI outputs, 2 USB ports and 2 power connections. However if someone trips on a cable and breaks a connector, then you need to be able to repair the connector at low cost. All the internal electronic PCBs are modular, so any qualified technician can buy a replacement and easily swap the board. This includes the connector PCBs, which can be purchased separately. All the technician needs to do is remove the bottom cover and replace the PCB. A large broadcaster could even buy the boards as a spare parts kit. FLEXIBLE AND REDUNDANT POWER The all in one design of ATEM Television Studio includes a built in power supply so you don’t have to carry around an external power brick. Simply plug it into any AC mains outlet and start live production. The international power supply automatically works from 100 to 240V AC, so you can use it anywhere in the world. Plus, ATEM Television Studio includes both AC and DC power connections. A broadcast standard XLR 12V DC power connection is included which is perfect for backup power or for running on batteries. That means you can use it in extremely remote locations. Plus, if the internal power supply should malfunction, then you can simply connect an external DC supply to keep running. ADD AUDIO EXPANSION FOR MORE MICROPHONES If you're building a podcasting studio or you need more microphones, then the ATEM Microphone Converter allows audio input expansion. It connects to the ATEM Television Studio using the MADI port, so there's no complex setup and you can daisy chain units to add more inputs. Each converter has 4 analogue inputs that are mic/line selectable and have phantom power. The design features amazing quality with an extremely low noise floor of -129dBV, a dynamic range of 131dB(A), low distortion of 0.002% and uniform tolerances across all channels. It even uses 8 separate ADCs on each input to collectively extend the dynamic range. Plus it has a fun HDMI monitoring output with scrolling audio waveforms. ADD THE ULTIMATE COMPACT STUDIO CAMERA When you need cameras that are perfectly designed for ATEM Television Studio then the new Blackmagic Studio Cameras are an ideal choice. Blackmagic Studio Cameras have the same features as large studio cameras, miniaturized into a single compact and portable design. Plus with digital film camera dynamic range and colour science, the cameras can handle extremely difficult lighting conditions while producing cinematic looking images. The sensor features an ISO up to 25,600 so you can create amazing images even in dimly lit venues. Advanced features include talkback, tally, camera control, built in colour corrector and Blackmagic RAW recording. You can even add focus and zoom controllers. MATCH CAMERAS WITH AN ATEM CAMERA CONTROL PANEL When working on live production, it’s critical all cameras are perfectly colour matched for a consistent look as you transition between different sources. ATEM Television Studio has camera control built in, however if you add a dedicated ATEM Camera Control Panel then you can adjust cameras using the same style of controls that are standard in the broadcast industry. Each camera controller includes an LCD screen with buttons and knobs for live camera adjustments, so you get a very clear indication of each camera’s parameters. The large joystick allows direct adjustment of iris and rotates to set black level. There are even red, green and blue knobs for fine control of camera colour tint. COMPATIBLE WITH BLACKMAGIC CAMERAS, PANELS, DECKS AND MORE ATEM Television Studio is even more powerful as it can be expanded to grow with you. Blackmagic Studio Cameras are a great solution as they are a professional broadcast studio cameras with tally, talkback and camera control, all miniaturized into a small and portable design. Of course, the full URSA Broadcast G2 is a broadcast style camera that uses B4 lenses, and has optional SMPTE fiber connections. If you want to control cameras using the same style of control broadcasters use, then you can add an ATEM Camera Control Panel for control and colour balancing of up to four cameras. For mastering, Blackmagic HyperDeck Studio recorders allow you to add recording in ProRes and DNx formats.

BLACKMAGIC Ultimatte 12 HD Mini

BLACKMAGIC Ultimatte 12 HD Mini(BMD-ULTMKEY12/A/HDM, BMD ULTMKEY12/A/HDM, BMD/ULTMKEY12/A/HDM) The all new Ultimatte 12 is more than the world’s best keyer, it’s an advanced real time compositing processor designed for the next generation of broadcast graphics. Ultimatte 12 features entirely new algorithms and colour science that deliver true photorealistic composites. You get incredible edge handling, greater colour separation, amazing colour fidelity and better spill suppression than ever before, even in dark shadow areas or through transparent objects such as windows. Ultimatte 12 is available in 4 amazing models, with HD, Ultra HD and even native 8K support. Imagine presenting the weather, sports, news and entertainment in a cinematic quality environment, all composited in real time. ADD AN ULTIMATTE 12 TO EACH CAMERA When you’re working live with multiple cameras shooting from different angles, it’s common for the green screens to suffer from variations. Plus the keyers built into live production switchers often have to be shared between cameras, which complicates keying because each camera sees the green screen a little differently. The new Ultimatte 12 eliminates these problems because you get incredible technology at an affordable price, allowing each camera to have a separate Ultimatte. That means each Ultimatte can be tuned to a specific camera’s view. With a dedicated Ultimatte on each camera, your compositions can go well beyond what's possible with set design, so you can create whole new worlds. GENERATE LIVE VIRTUAL ENVIRONMENTS FOR BROADCAST Whether you’re working in broadcast news, sports, film production, or magazine style entertainment programming, Ultimatte 12 has the quality for incredibly life like composites that place your talent into any scene. Plus the new Ultimatte 12 models include built in frame stores so you don't need live video sources for all inputs. You can also use Ultimatte 12 to layer computer generated augmented reality foreground objects into a scene, complete with realistic transparency that your talent can walk behind. Ultimatte 12 is also perfect for on set pre visualization in film production because it lets actors and directors watch the scene while they’re shooting. CREATE REALISTIC FIXED CAMERA VIRTUAL SETS Now you can create a massive broadcast set, even in small apartments or a basement. That's because all Ultimatte 12 models have frame stores so you can load pre rendered still frames from a 3D modeled broadcast set. This is a revolution in live production because you can now use a virtual set even if you don't have the space for a physical broadcast set. Plus without any external equipment. Just use multiple cameras, each with an Ultimatte 12 and a background frame loaded. As the backgrounds are pre rendered, they can be more photorealistic than a traditional virtual set. If the cameras don't move, the backgrounds will look perfect. Plus Ultimatte 12 is low cost, so you can use more cameras. NEW ALGORITHMS AND EXPANDED COLOUR SPACE All Ultimatte 12 models, even Ultimatte 12 HD Mini, have the same incredibly advanced image processing algorithms and a huge internal colour space. This means all models produce identical quality compositions. The processing automatically generates internal mattes so different parts of the image are processed separately based on the colours in each area. It’s like having the power of multiple Ultimatte keyers all working together on the same image. You get fine edge detail where it’s needed the most, like on hair, and smoother transitions between colours or other objects in the scene. Everything is handled by new math and sub pixel processing that’s designed for incredible quality and clarity. AUTOMATIC SCENE ANALYSIS FOR ONE TOUCH KEYING When it comes to live production, you need to work fast. Ultimatte 12 features one touch keying technology that analyzes a scene and automatically sets over a 100 parameters so you get great keys without having to do a lot of extra work. The first step is to ensure your scene is well lit and that the cameras are properly white balanced, then you simply activate the auto key and Ultimatte will do all the work for you. Plus all models include Screen Correction to compensate for unevenly lit green/blue screens. One touch keying is dramatically faster and helps you accurately pull a key with minimum effort. That leaves you free to focus on the program, while Ultimatte 12 takes care of the rest. ADD TRANSLUCENT LAYERS AND BROADCAST GRAPHICS Adding additional translucent objects, such as coloured or tinted glass and computer graphics, is virtually impossible with a traditional keyer. That’s because you can’t subtract a blue or green screen out of a semi-transparent coloured object without changing the object’s original colour. Now, with Ultimatte 12, you get a revolutionary new layer compositing mode that lets you add tinted objects on top of the foreground image. That allows a whole new generation of realistic translucent glass looks in broadcast graphics. This means that when you look through the object, or your talent walks behind it, the tinted colours are accurately preserved, making the shot look completely realistic. FAITHFULLY REPRODUCE AND RETAIN DIFFICULT COLOURS With Ultimatte 12, you get new advanced flare, edge and transition processing so you can remove the background, without affecting the colours you want to keep. What this means is you’ll be able to retain and faithfully reproduce colours that are impossible on other keyers, such as a bright yellow dress in front of a green screen. Ultimatte 12 is smart enough to isolate and treat different parts of the image separately, while also keeping the colour transitions between areas smooth. You get the highest quality compositing, so the final output looks photorealistic. Unlike other keyers, Ultimatte 12 delivers crisp clear images with vibrant colours that pop. KEY AND COMPOSITE IMAGES WITH SHADOWS AND TRANSPARENCY The improved flare algorithms in Ultimatte 12 can remove green tinting and spill from anything, which is one of the reasons why Ultimatte 12 creates true, realistic looking virtual environments. That also means you don’t have to worry about shadows or transparent objects with reflections. Ultimatte 12 automatically samples the colours, creates seamless mattes for walls, floors and other parts of the image, and then applies the necessary corrections. Shadows are properly mapped and composited onto the new background, spill is removed, and transparent objects are handled with perfection. WIDE RANGE OF VIDEO CONNECTIONS Ultimatte 12 features up to 7 different input connections, depending on the model, that are used for compositing different source elements together. These include foreground and background, along with holdout and garbage mattes, as well as additional layer inputs for superimposing additional images over the composited image. Ultimatte 12 even lets you use sources that are not synchronized when working with static shots. With the new Ultimatte 12 models, you can even operate without video sources because the internal frame stores let you load backgrounds and other elements internally. That dramatically lowers the cost of building Ultimatte based broadcast systems. Redundant Power Dual redundant 100‑240V power supplies ensure reliability in critical on‑air broadcast use USB-C USB allows you to update the firmware and connect to the Ultimatte administration utility software Fill Output If you want to layer composition in an external switcher, then you can use the fill and key output Talent Reference Connect a talent monitor so actors can see their composite Ethernet Connect to Ultimatte Software Control that’s included for Mac and Windows, or a Smart Remote 4 GPI Triggers The GPI inputs can be used to load and run a preset, or a sequence of macro style presets Matte Output This output is used with the fill output when building the composition in an external switcher Preview Monitor Monitoring loop lets an operator preview different internal sources across multiple Ultimatte units Background Input Source input containing the new background such as a virtual set video source or a matte painting Background Matte Input Used to displace opaque areas in the background so foreground elements can appear behind them Garbage Matte Input Removes areas of the foreground source that you don’t want to be included in the composite Foreground Input The foreground input is the source from your camera. This is the talent shot with the green screen Holdout Matte Input Keeps foreground objects from being keyed out such as items with similar colours to the screen colour Layer Input Downstream keyer input that allows you to superimpose sources over the foreground, such as titles Layer Matte Input This is the key for the layer source and is used when creating a composition with the layer input Program Output The main output for broadcast with background, foreground and layers all composited together FUTURE PROOF MODELS WITH ADVANCED 12G‑SDI The Ultimatte 12 4K and Ultimatte 12 8K models feature advanced 12G-SDI connections so you can operate with current HD video formats as well as future Ultra HD and 8K video formats. 12G-SDI gives you high frame rate Ultra HD via a single BNC connection that also plugs into all of your regular HD equipment. That means Ultimatte 12 4K is compatible with virtually all SD, HD, 3G, 6G and 12G-SDI equipment, and supports all HD and Ultra HD formats up to 2160p60. While the Ultimatte 12 8K model features Quad Link 12G-SDI for all video formats up to 4320p60 8K. All this means you can use Ultimatte 12 with your HD cameras now, but then instantly switch to Ultra HD or 8K when you’re ready. USE MULTIPLE ULTIMATTE UNITS ON A SINGLE MONITOR All Ultimatte 12 models feature a monitor cascade feature that lets you view the monitor output from up to eight Ultimatte units on a single SDI display. Simply connect up to eight Ultimatte units via an SDI daisy chain using the monitor input and monitor output connections, with the last Ultimatte unit then plugged into an SDI monitor. Then when you switch to monitor any specific Ultimatte unit using the Ultimatte Software Control or the Smart Remote 4, the monitor output will then clean switch, with almost zero latency, and be passed down the chain for display on the monitor. This greatly simplifies monitoring, even when working with lots of Ultimatte equipped cameras. CONTROL HDMI CAMERAS FROM SDI SWITCHERS The unique Ultimatte 12 HD Mini model has a special feature that allows conversion of SDI camera control to HDMI. This means an ATEM SDI switcher can control a HDMI connected Blackmagic Pocket Cinema Camera. All ATEM switchers send camera control over SDI, and this Ultimatte model can translate it to HDMI for the camera. Just connect SDI from the Ultimatte out to the switcher input, the switcher program out to the Ultimatte SDI input, and then the HDMI connects to the camera. Now add a camera number in the Ultimatte utility to get control of the camera colour corrector, tally and even remote record trigger. Plus you also get camera control with HDMI when used with switchers such as ATEM Mini. INCLUDES FREE ULTIMATTE SOFTWARE CONTROL All Ultimatte 12 models include the free Ultimatte Software Control for Mac and Windows. The main window has menus arranged in sections that perform different functions. Although the interface can look intimidating at first glance as it has so many different buttons and settings, it won’t take long to master, so you will quickly learn to move between settings instinctively as you build your composition. Because Ultimatte Software Control runs on a computer, you can upload the Ultimatte 12 frame stores. All settings and still frames are saved in flash memory so are preserved when the power is turned off. Plus the Ultimatte 12 4K and 8K models include 10G Ethernet for even faster file upload. Main Menu Buttons Tap the menu buttons along the top of the window to select the different input sources you want to adjust. You can also select the matte for making adjustments to the primary matte, and configure your Ultimatte 12 Functions The functions section provides specific Ultimatte settings that can be selected, enabled or disabled. For example, one of the most common controls is reset, which is located in this section if you need to restore a particular setting to its default state Groups This section of the interface contains the majority of the settings menus. For example, if you want to adjust the foreground flare controls, then simply click the foreground button, then click the Flare 1 button. The flare controls will now be visible on the main window side controls for adjustment Information and File Control This section lets you save preset files and configure some of the settings on your Ultimatte. Simply click the folder icon to save a preset. Plus settings can be copied between different models of Ultimatte 12. You can also view status and configuration by clicking on the small information icon Status Bar You can see all the Ultimatte units being controlled by the Ultimatte Software Control by looking at the status bar on the bottom of the main window. The status of each unit icon will illuminate green when identified on your network. When a unit is selected for control the icon will illuminate blue Monitor Out This is one of the most important controls and will set what images are displayed on a video monitor connected to your Ultimatte’s monitor output. You can change the monitor display between program out, foreground input, background input, combined matte view, internal matte view and fill out ADD AN OPTIONAL ULTIMATTE SMART REMOTE 4 The Ultimatte Smart Remote 4 is a touchscreen remote that connects via Ethernet to control up to eight Ultimatte 12 units. Combined with the monitor cascade, this means you can view up to eight Ultimatte 12 units without adding a video router. Smart Remote 4 also features physical buttons and knobs for finer control of the Ultimatte 12 parameters. There are also buttons for quickly loading and saving presets, and a touchscreen that gives you full control over every Ultimatte parameter. Plus the front panel of the Ultimatte rack unit also has buttons to allow recall of custom presets. You can also create custom control solutions with the easy to use text based Ultimatte control protocol.

Blackmagic DeckLink IP HD Optical

Blackmagic DeckLink IP HD Optical(BMD-BDLKIPDIP/OPT/HD, BMD BDLKIPDIP/OPT/HD, BMD/BDLKIPDIP/OPT/HD) THE PERFECT CAPTURE AND PLAYBACK FOR 2110 IP BROADCAST SYSTEMS DeckLink IP cards are the easiest way to capture and play back video directly into 2110 IP based broadcast systems. They have the same DeckLink features so all your existing software will just work. DeckLink IP cards support multiple video channels plus each channel can capture and play back at the same time. This means you can build racks of servers generating broadcast graphics, virtual sets, or GPU based AI image processing, all directly integrated into 2110 IP broadcast infrastructure. You can even use DaVinci Resolve for 2110 IP based broadcast editing workstations. DeckLink IP features a high speed PCIe connection so it works on the latest Mac Pro, Windows and Linux computers. THREE GREAT DECKLINK IP HD MODELS DeckLink IP HD DeckLink IP features 3 channels of capture and playback to 2110 IP broadcast systems via a single RJ45 style Ethernet connection. It supports all 720p, 1080i and 1080p video standards up to 1080p60. DeckLink IP HD Optical DeckLink IP features 3 channels of capture and playback to 2110 IP broadcast systems via an SFP based optical fiber Ethernet connection. It supports all 720p, 1080i and 1080p standards up to 1080p60. DeckLink IP/SDI HD For connection to both 3G-SDI and 2110 IP systems, this model has 2 capture and playback channels to 2110 IP via RJ45 Ethernet, 3G-SDI and ref out. Supports 720p, 1080i and 1080p standards to 1080p60. 10G ETHERNET FOR MULTIPLE SMPTE 2110 IP CHANNELS DeckLink IP cards conform to the SMPTE ST2110 standard for IP video, which specifies the transport, synchronization and description of video, audio and ancillary data over managed IP networks for broadcast. It also keeps video sources in sync using a common PTP clock. DeckLink IP supports SMPTE-2110-20 uncompressed video, SMPTE-2110-21 traffic shaping/timing, SMPTE-2110-30 audio and SMPTE-2110-40 for ancillary data. The big advantage of SMPTE 2110 is all video, audio and ancillary data are transported independently over the network. Plus DeckLink IP supports multicast, which is an extremely efficient way of distributing video, audio and data from a single source to multiple destinations. BUILT IN VIDEO FIREWALL FOR TOTAL IP NETWORK SECURITY The problem with computers and 2110 IP video networks is the vulnerability to rogue software or even hackers. That’s because anyone can send data to the computer’s Ethernet connection. However DeckLink IP eliminates this problem because all video is transferred using frame buffers. It’s like a video based firewall. This means the DeckLink IP Ethernet port is isolated from anything other than video and audio. Instead, like all DeckLink cards, the video and audio are transferred to on board DeckLink frame buffers where video playback is managed and then converted to 2110 IP video channels. This means it’s totally impossible for rogue software or hackers to access the 2110 IP network directly. HIGH SPEED 4 LANE PCIE CONNECTION With a high speed 4 lane PCI Express interface, DeckLink IP cards feature a PCIe connection to the host computer that's fast enough to handle multiple HD video channels, as well as simultaneous capture and playback on each of the channels. With PCI Express, you get very low latency combined with highly accurate time synchronization to the software that's capturing or playing video. Only DeckLink IP cards give you this performance all while using a simple and low cost 4 lane PCIe connection. This means you can install DeckLink IP into compact and very low cost computers. Plus DeckLink IP HD and DeckLink IP HD Optical are low profile, so they can be installed in rack mount servers. SUPPORTS ALL SD AND HD FORMATS UP TO 1080P60 DeckLink IP connections are multi rate so they support all SD and HD formats. Plus the DeckLink IP/SDI HD model includes both 2110 IP and 3G-SDI on the same card, so it can connect to all your existing SDI broadcast equipment, while simultaneously connecting to new IP based infrastructure. Or you can just use the 3G-SDI output for local monitoring. In standard definition, DeckLink IP supports both 525i59.94 and 625i50 standards. In high definition, DeckLink IP cards support all 720p video standards up to 720p60, all 1080 interlaced standards up to 1080i60 and all 1080p standards up to 1080p60. Plus there is no complex change over as the cards can switch instantly to a new video standard. GET TRUE 10-BIT BROADCAST VIDEO QUALITY DeckLink IP cards are designed to support the highest quality video. You get support for capture and playback to popular video formats such as Apple ProRes, DNxHD or even 10-bit uncompressed, so you’re never locked into a single file format. 10-bit is the most commonly used television standard as colours can be represented with 4 times the precision of 8-bit video. Only working with 10-bit uncompressed video will ensure all images are a perfect pixel for pixel clone of the original source, so you’re always working at the absolute highest quality possible. This means you get the sharpest green screen keying, seamless VFX compositions and superior colour correction. INCLUDES NMOS PROTOCOL FOR BUILDING A VIRTUAL ROUTER DeckLink IP supports the NMOS interface specifications so all 2110 IP video devices can operate together as a large virtual router. Plus Videohub Smart Control can route sources to destinations on 2110 IP networks because it can act as an NMOS controller. The NMOS interface specification describes how SMPTE 2110 devices such as DeckLink IP are discovered and controlled on IP networks. DeckLink IP supports IS-04 for discovery and registration of IP video devices and IS-05 for connection management between IP video devices. This means you can make connections between sources and destinations just like a traditional SDI router, but all within the Ethernet network. WORKS WITH ALL POPULAR VIDEO SOFTWARE DeckLink IP supports all popular video software, so you're free to work with the tools you already know and love. DeckLink IP is perfect for using DaVinci Resolve as a 2110 IP based broadcast editing and colour correction solution. Because DeckLink IP supports capture and playback at the same time, you can even use the live grading feature in DaVinci Resolve to capture video, apply colour correction and then output it all at the same time. DeckLink IP also works with other editing software including Final Cut Pro, Media Composer, Premiere Pro and more. You can even create stunning visual effects with Fusion, After Effects and Photoshop. Plus a Windows WDM driver is also included. COMPATIBLE WITH DAVINCI RESOLVE DeckLink IP is the perfect solution for DaVinci Resolve. Only DaVinci Resolve includes Hollywood level editing, colour correction, VFX and audio post production in the single software tool. Plus DaVinci Resolve is a free download for Mac, Windows and Linux, so there are no monthly license costs. The editing uses a familiar track based layout with lots of trim and edit tools, as well as loads of high quality transitions, effects and title templates. Then you can add professional DaVinci colour correction. DaVinci colour correction supports full 32‑bit float YRGB processing with tools including primaries, secondaries, power windows, 3D object tracking, advanced AI tools and more. USE POWERFUL BROADCAST GRAPHICS TOOLS When creating broadcast graphics and titles, you will want to use the same tools graphic designers are already familiar with, so you get the most creativity, with no retraining required. All DeckLink cards work with Fusion, which is the visual effects software integrated into DaVinci Resolve, as well as Adobe After Effects and Photoshop. Fusion Studio is a powerful node based compositing VFX tool with 2D and 3D environments, hundreds of effects and more. Plus you can download and use Fusion free of charge in DaVinci Resolve. You can use the included Blackmagic Media Express software to capture and play back video into files that can be loaded into Fusion, After Effects or Photoshop. BUILD CUSTOM BROADCAST AUTOMATION SERVERS When you need to run your broadcast programming remotely, for either a large broadcast network or local television station, DeckLink IP can be easily combined within your custom broadcast automation systems. There are so many fantastic automation tools and on the Mac platform, you can use Tools On Air just: Broadcast Suite, Softron OnTheAir, MovieRecorder and OnTheAir CG. On the Windows platform, you get compatibility with Vidblaster X, Studio and Broadcast, Uniplay and Playbox AirBox. These powerful software tools work with DeckLink IP to manage all types of broadcast automation tasks, and they are proven solutions that are currently running thousands of television stations worldwide. BUILD STREAMING SERVERS FOR GLOBAL BROADCASTING DeckLink IP works the same as other DeckLink cards, so it’s also fully compatible with popular video and audio streaming software. This means you can build streaming workstations that let you live stream to millions of global viewers online. On the Mac, you get fantastic streaming solutions such as Open Broadcaster, Wirecast, Livestream Producer and more. When streaming on Windows, you get compatibility with Open Broadcaster, Xsplit Broadcaster, Wirecast and Livestream Producer. With DeckLink IP, you can take any 2110 IP feed and convert into live streams to as many online platforms as you need. Or with the ATEM Streaming Bridge, you can even link up remote broadcast networks. INCLUDES MEDIA EXPRESS SOFTWARE If you're using video software that doesn't have direct hardware support for capture and playback, then Blackmagic Media Express is the perfect solution, plus it comes free with every DeckLink. Media Express lets you capture and playback in uncompressed YUV 4:2:2 QuickTime, AVI and DPX, ProRes, DVCPRO and MJPEG file formats. It’s a fantastic solution to capture from old broadcast decks for archiving. Because the speeds of flash based storage media can vary a lot between brands, DeckLink IP also includes Blackmagic Disk Speed Test. This means you can check the speed of media disks, with the results displayed in frames per second at various television standards. DEVELOP CUSTOM SOLUTIONS WITH THE DECKLINK SDK Available free with all DeckLink cards is an advanced developer SDK for Mac, Windows and Linux that you can download free of charge. The developer SDK makes it easy to develop your own custom solutions for in house use, or to sell to other broadcasters. The DeckLink SDK provides low level control of hardware when you need flexibility, as well as high level interfaces which are a lot easier to use when you need to perform more common tasks. Thousands of manufacturers and developers use Blackmagic DeckLink cards in their products, so you get the confidence that the DeckLink SDK will provide a solid foundation for developing commercial quality broadcast solutions. USE DECKLINK IP IN YOUR PRODUCTS If you are a manufacturer who would like to use DeckLink IP in your products, then you can contact Blackmagic Design's OEM team for more information. The first step is to download the Desktop Video SDK which has the DeckLink API documentation and example code, which should be a great way to get started. However if you have any trouble getting your code to work, please contact us, or visit us at trade shows such as NAB or IBC. Our developer support engineers can offer suggestions and help you with your code. Then when you have your solution working, you can contact us to learn more about bulk buying DeckLink cards. Or if your volume is low, you can simply buy from our reseller network worldwide.

BLACKMAGIC ATEM SDI

BLACKMAGIC ATEM SDI(BMD-SWATEMMXEP, BMD SWATEMMXEP, BMD/SWATEMMXEP)A NEW GENERATION OF ULTRA PORTABLE LIVE PRODUCTIONATEM SDI gives you the portable design of ATEM Mini, but its SDI connections means you can connect advanced broadcast quality cameras and recorders. This opens up a whole new world of ultra portable live production. The incredibly portable design means you can fit a whole broadcast quality live production system in a small bag or even a backpack. You can use multiple cameras on location and live stream direct to YouTube, or create a broadcast quality link back to a studio with ATEM Streaming Bridge. Unlike single camera remote shoots, ATEM SDI lets you connect multiple cameras so you can create interesting remote interviews with multiple camera angles.SELF CONTAINED BROADCAST QUALITY SWITCHERATEM SDI’s compact all in one design includes both a control panel as well as connections. The front panel includes easy to use buttons for selecting sources, video effects and transitions. The source buttons are large so it’s possible to use it by feel, letting the presenter do the switching. You even get buttons for audio mixing. The ATEM SDI Pro and Extreme models have buttons for recording and streaming control, as well as output selection buttons that let you change the video output between program, direct camera feeds and the multiview. On the rear panel there are SDI connections for cameras, extra microphone inputs, USB for webcam plus multiple SDI "aux" outputs for program video.EASY TO USE AND FAST TO LEARNThere's never been a switcher that’s easier to use, as you simply press any of the input buttons labelled by number on the front panel to cut between video sources. You can choose between cut or effects transitions by selecting the cut or auto buttons. Unlike cut, the auto button tells ATEM SDI to use a video effect when switching inputs. You can select from exciting transitions such as dissolve, or more dramatic effects such as dip to colour, DVE squeeze and DVE push. Add a DVE effect for picture in picture effects with customized picture positions and background. There are even "media players" which are a still store for titles and graphics that you can load via external software control.CONNECT UP TO 8 BROADCAST CAMERASWith 4 or 8 video inputs, depending on the model, ATEM SDI lets you connect multiple cameras for different views of the performance. Video cameras with SDI outputs such as Blackmagic Studio Camera or Blackmagic URSA Broadcast G2 are much better quality as they have better low light performance and they use professional lenses. All video sources will re-sync to the switcher, even if they operate at different video standards. Everything just works so setup on location is easy and you don't have to worry about technical problems. Imagine taking advantage of the creative freedom of multi camera live production for interviews, advertorials, theater production, music performances, sports and more.OUTPUTS WEBCAM FOR VIDEO SOFTWARETo ensure maximum compatibility, all ATEM SDI models feature USB that operates as a simple webcam source. That means you can plug into a computer and get working with any video software. The software is tricked into thinking the ATEM SDI is a common webcam, but it's really a live production switcher. That guarantees full compatibility with any video software and in full resolution 1080HD quality. Choose any software you like, such as Zoom, Microsoft Teams or Skype for a new way to do presentations with a professional multi camera broadcast quality style. The ATEM SDI webcam output also works with streaming software such as Open Broadcaster, XSplit Broadcaster and more.LIVE STREAM VIA ETHERNET ON ATEM SDI PROATEM SDI Pro and ATEM SDI Extreme models have a built in hardware streaming engine for live streaming via their ethernet connections. That means you can live stream to YouTube, Facebook and Twitch in better quality, without dropped frames and with simpler settings. Just select the streaming service and enter the streaming key. There are palettes in ATEM Software Control for streaming setup, plus streaming status is also displayed in the multiview. Streaming status is easy to understand as the data rate indicator shows internet speed required for the video format you're using. If you're technically minded, you can update the streaming profiles in an XML settings file to load new services.CONNECT 5G OR 4G PHONES FOR MOBILE DATAIf you’re doing live production on location then the ATEM SDI Pro and Extreme models support connecting an Apple or Android phone to the USB port to use mobile data. It's also a great backup for the main Ethernet connection. Phone tethering works with the latest high speed 5G phones plus the more common 4G phones. The ATEM switcher will automatically detect when a phone is connected and switch its internet connection to use it, eliminating the need for changing settings. When connected, the phone will power from the USB port so it remains charged from the switcher. By using phone tethering for mobile data, ATEM SDI Pro and ATEM SDI Extreme become the perfect mobile production solutions.RECORD DIRECT TO USB FLASH DISKS WITH ATEM SDI PROThe ATEM SDI Pro and Extreme models also support direct recording of your streaming data to USB flash disks. That means you get very long recordings in the same H.264 video files with AAC audio that you streamed, so you can direct upload to any online video site, such as YouTube or Vimeo. Recording to multiple disks is also supported via a USB hub so when a disk fills, recording can continue to a second disk so you get non-stop recording. Record settings and disk selection are set up in ATEM Software Control and you can also display the recording status in the multiview.EDIT LIVE PRODUCTION WITH SEPARATE ISO RECORDINGSThe ATEM SDI Pro ISO and Extreme ISO models allow you to edit your live event as they can record multiple video streams, including clean feeds of all inputs and program, all at the same time. Media pool images used are also saved with the video files. The video files include metadata tags such as synced timecode and camera numbers. Imagine re-editing your show with new colour grades, effects and graphics. Even the audio sources are all recorded so you can professionally remix your audio.EDIT LIVE PRODUCTION IN DAVINCI RESOLVEThe ISO models also save a DaVinci Resolve project file, so with a single click you can open your live production as a video edit. All cuts, dissolves and media pool graphics will be loaded. This means you can fine tune edit points or even completely replace shots. The DaVinci Resolve Sync Bin lets you edit shots via a multiview interface, so it's easy to use and fast. All ISO files will be automatically aligned by timecode, so you can scroll along and see all camera angles perfectly synced.ADD EXCITING VIDEO EFFECTSOne of the benefits of ATEM SDI is the professional production values that are possible using the range of built in video effects. The cut button ensures an instant cut when switching between sources. The auto button is a professional term that's used on large broadcast switchers to enable video effect transitions. There are duration buttons for video effects allowing 0.5, 1, 1.5 and 2 second settings. You can also select the type of effect you want including mix, which does a smooth transition between sources, and dip which fades via a colour during the transition. Or use fun DVE effects that move the image off screen when transitioning between sources.WORK WITH PROFESSIONAL MICROPHONESWith two independent 3.5mm stereo audio inputs, you can connect desktop and lapel microphones. You can even connect a music player to generate introduction music after the live stream commences but before the program starts. With 2 extra stereo audio inputs, you can ensure a host and guest both have lapel microphones when doing interviews. All audio inputs to ATEM SDI include buttons on the panel for adjusting audio level and enabling inputs into the audio mixer. Plus all models feature a Fairlight audio mixer with all SDI inputs and both microphone inputs connected to the audio mixer allowing live mixing from all your audio sources. The ATEM SDI Extreme also adds a headphone output.AUTOMATICALLY CONVERTS ANY SDI INPUT FORMATEach 3G-SDI video input features its own dedicated standards converter. That means ATEM SDI will automatically convert 1080p, 1080i and 720p sources to the switcher video standard. By default the switcher will set its video format automatically, however you can also set the switcher to any video standard manually. The SDI outputs are a true "aux" outputs so you can independently customize the source video routed to each SDI output. All outputs can be connected to cameras as they include camera control and tally information. On the more powerful ATEM SDI Pro and ATEM SDI Extreme models, the SDI output can also be selected to display the built in multiview.SECRET BROADCAST FEATURES BUILT INWhile ATEM SDI is easy to use, it also has very powerful high end broadcast features. ATEM SDI is even perfect for training new live production crews as it has the same features as the massive switchers used in large broadcast studios. You get an ATEM Advanced Chroma Key, Fairlight audio mixer, DVE, still store for graphics and much more. Simply run the free ATEM Software Control app on Mac or Windows while connected via USB or Ethernet to access the extended features of the ATEM SDI. With a little experimentation you can learn how to produce broadcast quality live production. Only ATEM SDI is a true broadcast switcher hidden in a tiny and affordable design.INCLUDES FREE ATEM SOFTWARE CONTROL PANELThe ATEM Software Control app unlocks the hidden power of ATEM SDI and allows access to every feature in the switcher. ATEM Software Control features a visual switcher user interface with parameter palettes for making quick adjustments. Although you can normally connect via USB, if you connect using Ethernet it's possible for multiple users to connect to ATEM SDI using separate copies of ATEM Software Control on different computers. The software lets you access full audio mixing with effects, load still frames and even do advanced macro programming. You can even save the switcher state as an XML file. If you need clip playback, you can even control HyperDeck disk recorders via Ethernet.DVE FOR PICTURE IN PICTURE, TRANSITIONS AND EFFECTSOne of the most exciting features on ATEM SDI is the built in DVE that allows picture in picture effects and DVE transitions. The DVE lets you create professional picture in picture effects with customizable 3D borders, shadows and lighting. The image quality is the same as high end ATEM switcher models and the DVE supports position, resize and scale, all in real time. The DVE can also be used to create amazing transitions with 16 different DVE squeeze and DVE push effects for adding excitement to your programming. The DVE features a "fly key" so you can use it with custom graphics to create graphic wipe transitions.PROFESSIONAL BROADCAST TRANSITIONSATEM SDI includes a wide range of broadcast quality HD native transitions such as mix, dip, wipe and more. All transitions can be customized by adjusting parameters such as duration, border colour, border width, position and direction. You can also use the DVE in transitions, allowing a graphic to be moved over the wipe edge which is called a graphic wipe, and is commonly used in sports programming. To eliminate errors, ATEM SDI has a preview transition feature so you can check your transitions before putting them to air.BUILT-IN GRAPHICS WITH PHOTOSHOP PLUG‑INThe built in "media pool" allows the loading of up to 20 separate broadcast quality RGBA graphics for titles, opening plates and logos. The media player is used to output the selected image so it appears as an extra internal video source for use in graphics and titles. You can even use still frames for complex effects such as graphic wipes. ATEM SDI can also grab stills from video and save them to the internal media pool. Graphics can be loaded via ATEM Software Control or downloaded directly from Photoshop using the ATEM Photoshop plug-in. The Photoshop Plug-in is perfect for graphics that change often, such as scoreboards, as you can download directly into the media player.INCLUDES NEW ATEM ADVANCED CHROMA KEYFor news or on-set presentation work, ATEM SDI is perfect as it features the powerful ATEM Advanced Chroma Key for green screen keying effects. The chroma keyer is incredibly powerful and features a colour picker to sample background colours for automatic generation of the key parameters. You get precise controls for edge and flare, and there is even a foreground colour corrector so you can match the foreground and background layers for seamless compositions. You can even use it for title overlays by creating graphics with a green or blue background. Plus the ATEM SDI Extreme includes a massive 4 separate ATEM Advanced Chroma Keyers, for a keyer per camera, allowing virtual set production.CREATE AMAZING VIRTUAL SETSThe ATEM SDI Extreme models include 4 upstream chroma keyers and this allows you to build exciting virtual sets. With 4 independent chroma keyers, you get a keyer per camera so you can build a virtual set for up to 4 cameras. With ATEM SDI Extreme you have 8 inputs, 4 to use for cameras and the other 4 can be connected to a virtual set computer for the rendered backgrounds. Or if you don't need to move your cameras, you can do fixed camera virtual sets by loading pre rendered still image backgrounds from the media players and media pool. You can setup macros to change cameras and load the correct background into the media players.POWERFUL SUPERSOURCE PROCESSINGIn addition to 2 independent DVEs in the ATEM SDI Extreme models, there's also a powerful SuperSource multi layer processor with 4 extra DVE layers plus a background layer, that all appear to ATEM SDI Extreme as an additional input source. Any ATEM SDI Extreme video input can be used for each SuperSource DVE, then it’s all layered together over a media pool custom background. SuperSource is perfect for doing multiple picture in picture displays with people being interviewed because you can set up the effect before putting it to air, still keeping both main DVEs free for other tasks. SuperSource is just like having an extra multi-layer VFX switcher built in.TRUE BROADCAST STYLE MIX EFFECTS SWITCHINGAlthough ATEM SDI works in "cut bus" mode when first purchased, it can also be changed to "program/preview" style operation, which is the way broadcasters normally use live production switchers. Cut bus switching is easy and selecting any input will instantly switch to that source. However if you want to operate ATEM SDI like a true professional then you can change the switcher to program/preview using ATEM Software Control settings. Mix effects operation allows a source to be selected but it won't be put on air until you press the cut or auto buttons. That 2 step program/preview process means fewer mistakes.MONITOR SOURCES AND STATUS WITH ATEM SDI PRO MULTIVIEWWhen doing larger live productions with multiple cameras, it’s very useful to see all your video sources at the same time on a single monitor. The ATEM SDI Pro and ATEM SDI Extreme models include a professional multiview that lets you see all video inputs, preview and program on a single SDI monitor. Simply select M/V button on the front panel to select the multiview. Each camera view includes tally indicators so you know when each source is on-air, and each view also has custom labels and audio meters. Plus the ATEM SDI Extreme models allow you to select up to 16 custom views. Multiview even includes status for recording, streaming and the audio mixer.BUILT IN AUDIO MIXER WITH 6 BAND EQ, COMPRESSOR AND LIMITERWith a built in Fairlight audio mixer, ATEM SDI makes it possible to do complex live sound mixing. The internal mixer features enough channels for each SDI input so you can mix audio from all sources. That’s audio from all SDI sources, plus the 2 stereo mic inputs. Each input channel features the highest quality 6 band parametric EQ and compressor, limiter, expander and noise gate as well as full panning. You can even set up the software to auto mix between inputs as you switch "AFV" or to live mix multiple sources together all at once. All this audio power can be controlled via ATEM Software Control, or you can add a Mackie compatible panel.CREATE BROADCAST LINKS WITH ATEM STREAMING BRIDGEThe ATEM Streaming Bridge is a video converter that lets you receive a H.264 stream from any ATEM SDI Pro or ATEM SDI Extreme and convert it back to video. This means you can send video to remote locations around your local Ethernet network, or via the internet globally. That's possible because it uses an advanced H.264 codec for high quality at very low data rates. This means you can create broadcast quality links back to your studio using the internet, so it's much lower cost. To make setup is easy, the ATEM software utility can create a setup files that you can email to the remote studio. ATEM Streaming Bridge is the perfect way to use ATEM SDI as a remote broadcast studio.DEVELOP CUSTOM REMOTE CONTROL SOLUTIONSThe Ethernet connection also allows customized control solutions. Even though ATEM SDI includes ATEM Software Control, you can use the Ethernet to control the ATEM remotely, anywhere in the world. A popular workflow is to use the Ethernet to allow the ATEM SDI to be positioned near the cameras, but the control is positioned remotely in a quieter space, such as a control room. Imagine using the switcher from a control room and building a professional broadcasting studio where the control room can be separated away from the performance or interviews. Ethernet allows you to add as many panels as you like all at the same time, or you can build custom solutions using the developer SDK.CONNECT A HDMI COMPUTERIf you need to connect computer graphics to ATEM SDI, then you can use a Micro Converter HDMI to SDI. Because the connection is direct, the quality is amazing. If you create graphics with a green background, then the ATEM Advanced Keyer will allow compositing titles over a live background. Computers also make fantastic media players.CONNECT A HDMI CAMERAConnect a Blackmagic Pocket Cinema Camera 4K or 6K by using a Micro Converter BiDirect SDI/HDMI. It will convert the camera HDMI to the switcher SDI input. It can also take an SDI output of the switcher and embed the camera control into the HDMI data link back to the camera. This gives you tally and colour corrector control direct from the switcher.SWITCH FASTER WITH AN ATEM 1 M/E ADVANCED PANELWith Ethernet built in, ATEM SDI can use hardware control panels for high end workflows that take advantage of the hidden broadcast features in the switcher. The ATEM 1 M/E Advanced Panel features the fast program/preview style with separate source buttons for both program and preview rows. Get direct access to all transitions automatically or manually using the t-bar. For accurate control of the DVE, the joystick provides X, Y positioning with rotation setting the DVE size. You also get LCD menus to control features that don't have dedicated knobs and buttons. You can even program and trigger macros. Plus you can still use the hardware panel if you upgrade to a bigger ATEM switcher later.GET INDUSTRY STANDARD PROFESSIONAL CAMERA CONTROLWhen working on live production, its critical all cameras are perfectly matched with good colour balance for a consistent look when transitioning between the each camera. The ATEM Camera Control Panel works with ATEM SDI and is the perfect solution for camera control. All control commands are sent to the cameras using the SDI camera control protocol which is supported by cameras such as Blackmagic URSA Broadcast and Blackmagic Studio Cameras. You get dedicated controls including CCU style joystick and controls for RGB camera colour, master gain, black, iris and more. Plus all controls are arranged in a familiar broadcast layout perfect for both experienced and new operators.COMPATIBLE WITH BLACKMAGIC CAMERAS, PANELS, DECKS AND MOREATEM SDI is even more powerful it can be expanded to grow with you. Add an ATEM Advanced Panel to get professional industry standard switcher control. Then add an ATEM Camera Control Panel for fast control and colour balancing of up to four cameras. For cameras, Blackmagic Studio Cameras make great studio cameras as they have tally and control all built into the compact and very portable design. For mastering, Blackmagic HyperDeck Studio recorders are perfect because they include popular file formats such as ProRes, H.264 and DNx. You can even live stream using an UltraStudio or Blackmagic Web Presenter. Then add a Micro Converter SDI to HDMI 3G converter for HDMI monitoring.Blackmagic URSA Broadcast G2Designed for broadcast and live production, you get a 6K sensor with +36dB of gain, wide dynamic range and B4 lens mount. Includes Blackmagic RAW, ProRes, H.264 and H.265 record file formats.Blackmagic Studio Viewfinder G2Turn URSA Mini into the ultimate live camera with a professional 7 inch studio viewfinder!Blackmagic Camera Fiber ConverterConnect cameras to live switchers up to 2 km away with video, control and power, all over a single cable!Blackmagic Studio Fiber ConverterConnect to remote cameras up to 2 km away with multiple channels of video, control and power all over a single cable!Blackmagic Studio Camera 4K ProDesigned for professional SDI switchers, you get all the features of the Plus model, as well as 12G-SDI, professional XLR audio, brighter HDR LCD and 10G Ethernet IP link.HyperDeck Studio HD MiniMiniaturized deck records H.264, ProRes or DNxHD files onto SD/UHS-II cards or external USB disks in SD/HD formats to 1080p60. Includes timecode and reference generators, 3G-SDI in/out and HDMI out.HyperDeck Studio HD ProIncludes all the features of the Plus model, and adds 2 SSD slots as well as the 2 SD card slots. Also includes machined metal search dial with clutch, SDI monitor out and XLR timecode connections.ATEM Camera Control PanelControl up to 4 cameras at one time including iris, shutter speed, white balance, master gain, pedestal, RGB and more!

Blackmagic Studio Camera 4K Pro G2

Blackmagic Studio Camera 4K Pro G2(BMD-CINSTUDMFT/G24PDFG2, BMD CINSTUDMFT/G24PDFG2, BMD/CINSTUDMFTG24PDFG2) BLACKMAGIC STUDIO CAMERA 4K PRO G2 Designed for powerful SDI switchers, Blackmagic Studio Camera 4K Pro G2 adds professional 12G‑SDI and 10G Ethernet connections. That's perfect when the camera is located a long distance from a switcher. There's a 12G‑SDI output and a 12G‑SDI program return input that includes camera control, talkback and tally. You also get the same powerful HDMI output with control features. Plus the 10G Ethernet connection allows all connections on a single cable for a SMPTE style workflow that's much lower cost. THE ULTIMATE SELF CONTAINED LIVE STUDIO CAMERAS With 3 models of Blackmagic Studio Camera, you can choose the one that’s best for your work. Even with 3 different models, each camera still has the same Blackmagic generation 5 colour science, so have the same cinematic images when mixed and matched on the same job. The distinctive design has the benefits of a large studio camera as it’s a combination of camera and viewfinder in a single lightweight design. All models offer gain from -12dB (100 ISO) up to +36dB (25,600 ISO) for amazing low light performance with low image grain and noise, as well as maximum dynamic range from the sensor. That means you can shoot in locations with limited lighting. They even have built in colour correctors. LIGHTWEIGHT CARBON FIBER POLYCARBONATE Blackmagic Studio Cameras are built from advanced carbon fiber reinforced polycarbonate, so they are light weight and very strong. That's important when you are carrying multiple cameras into venues such as old theatres, stadiums or nightclubs that have crazy stairs and hard to access backstage areas. Plus the ergonomic design has all external connections on the tripod handle side of the camera. This design and the folding sunshade makes the cameras extremely fast to set up. HIGHLY VISIBLE TALLY LIGHT Blackmagic Studio Cameras have a large built in tally light to see which camera is on-air. The light is so big, you can see it from a great distance! Plus numeric decals are included so you can number each camera. There's also a separate tally light on the rear under the sunshade, perfect when tilting the camera down. Tally is flexible as it works via SDI, HDMI or the Ethernet connection. When using Ethernet, the Blackmagic Studio Converter even includes conventional tally GPI inputs. LARGE BUILT IN VIEWFINDER The design of the Blackmagic Studio Camera is based on an incredible full HD resolution viewfinder with a bright screen and wide viewing angle. Until now, only incredibly expensive studio cameras had the advantage of such a large viewfinder for better focusing and framing of shots! For outdoor use, there's a sunshade included that folds up to protect the screen. This sunshade can also be easily unclipped and removed, or even replaced with the metal sunshade from the URSA Studio Viewfinder. TOUCHSCREEN AND MANUAL CONTROLS For fast moving live production, it's vital to have all camera controls instantly accessible. The viewfinder LCD is also a touchscreen so you can access camera settings via on screen menus. You get knobs for LCD brightness and contrast, and a focus peaking knob lets you fine tune the focus highlighting for accurate camera focus. There's also touch parameters for camera settings such as colour temp, gain, audio level and more. Plus there's even a program return and customizable function buttons. COMPATIBLE WITH POPULAR PHOTOGRAPHIC LENSES As photographic lenses are designed to handle high resolutions and are mass produced, they're great for high end television use. The MFT and EF lens mounts allow you to choose from a massive range of lenses from a wide range of different manufacturers. Often these lenses are so well built, you get broadcast style results combined with very accurate focus and zoom control. This means you can add the optional focus and zoom demands and use the camera just like a professional broadcast camera. BOTH BROADCAST AND CONSUMER CONNECTIONS The Blackmagic Studio Cameras have been designed to look attractive but still provide all the connections in a logical lay out. The connections on the right are for all video inputs and outputs and this means they can be tied to the tripod handle. On the left side are the connections for your talkback, audio inputs, USB and more. That's great for headphones as the connection on the camera is on the same side as the connection on the headphones, so you don't have to deal with any cable tangles. INCLUDES TRIPOD MOUNT Every Blackmagic Studio Camera includes a tripod mount so you don't need to purchase any accessories. The mount includes a quick release sliding plate, so you can attach the camera to the tripod just by sliding it onto the plate. That makes setup very fast when arriving on location. Plus the tripod mount includes two horizontal mounting holes so you can add optional rails when you need to support heavy items on the lens side of the camera such as prompters, matte boxes or heavy lenses. DC, XLR OR ETHERNET POWERED The Blackmagic Studio Camera features a common plug pack power connection with a locking ring so it won't get disconnected accidentally. On the Pro models, you can also connect via a 4 pin broadcast style XLR power connection, or if you use the Blackmagic Studio Converter to connect via Ethernet, the single Ethernet connection will also fully power the camera. That means when you use Ethernet, you don't need to plug in any local camera power at all.

Blackmagic Atem sdi Extreme Iso

Blackmagic Atem sdi Extreme Iso(BMD-SWATEMMXEPCEXTISO, BMD SWATEMMXEPCEXTISO, BMD/SWATEMMXEPCEXTISO) A NEW GENERATION OF ULTRA PORTABLE LIVE PRODUCTION ATEM SDI gives you the portable design of ATEM Mini, but its SDI connections means you can connect advanced broadcast quality cameras and recorders. This opens up a whole new world of ultra portable live production. The incredibly portable design means you can fit a whole broadcast quality live production system in a small bag or even a backpack. You can use multiple cameras on location and live stream direct to YouTube, or create a broadcast quality link back to a studio with ATEM Streaming Bridge. Unlike single camera remote shoots, ATEM SDI lets you connect multiple cameras so you can create interesting remote interviews with multiple camera angles. SELF CONTAINED BROADCAST QUALITY SWITCHER ATEM SDI’s compact all in one design includes both a control panel as well as connections. The front panel includes easy to use buttons for selecting sources, video effects and transitions. The source buttons are large so it’s possible to use it by feel, letting the presenter do the switching. You even get buttons for audio mixing. The ATEM SDI Pro and Extreme models have buttons for recording and streaming control, as well as output selection buttons that let you change the video output between program, direct camera feeds and the multiview. On the rear panel there are SDI connections for cameras, extra microphone inputs, USB for webcam plus multiple SDI "aux" outputs for program video. EASY TO USE AND FAST TO LEARN There's never been a switcher that’s easier to use, as you simply press any of the input buttons labelled by number on the front panel to cut between video sources. You can choose between cut or effects transitions by selecting the cut or auto buttons. Unlike cut, the auto button tells ATEM SDI to use a video effect when switching inputs. You can select from exciting transitions such as dissolve, or more dramatic effects such as dip to colour, DVE squeeze and DVE push. Add a DVE effect for picture in picture effects with customized picture positions and background. There are even "media players" which are a still store for titles and graphics that you can load via external software control. CONNECT UP TO 8 BROADCAST CAMERAS With 4 or 8 video inputs, depending on the model, ATEM SDI lets you connect multiple cameras for different views of the performance. Video cameras with SDI outputs such as Blackmagic Studio Camera or Blackmagic URSA Broadcast G2 are much better quality as they have better low light performance and they use professional lenses. All video sources will re-sync to the switcher, even if they operate at different video standards. Everything just works so setup on location is easy and you don't have to worry about technical problems. Imagine taking advantage of the creative freedom of multi camera live production for interviews, advertorials, theater production, music performances, sports and more. OUTPUTS WEBCAM FOR VIDEO SOFTWARE To ensure maximum compatibility, all ATEM SDI models feature USB that operates as a simple webcam source. That means you can plug into a computer and get working with any video software. The software is tricked into thinking the ATEM SDI is a common webcam, but it's really a live production switcher. That guarantees full compatibility with any video software and in full resolution 1080HD quality. Choose any software you like, such as Zoom, Microsoft Teams or Skype for a new way to do presentations with a professional multi camera broadcast quality style. The ATEM SDI webcam output also works with streaming software such as Open Broadcaster, XSplit Broadcaster and more. LIVE STREAM VIA ETHERNET ON ATEM SDI PRO ATEM SDI Pro and ATEM SDI Extreme models have a built in hardware streaming engine for live streaming via their ethernet connections. That means you can live stream to YouTube, Facebook and Twitch in better quality, without dropped frames and with simpler settings. Just select the streaming service and enter the streaming key. There are palettes in ATEM Software Control for streaming setup, plus streaming status is also displayed in the multiview. Streaming status is easy to understand as the data rate indicator shows internet speed required for the video format you're using. If you're technically minded, you can update the streaming profiles in an XML settings file to load new services. CONNECT 5G OR 4G PHONES FOR MOBILE DATA If you’re doing live production on location then the ATEM SDI Pro and Extreme models support connecting an Apple or Android phone to the USB port to use mobile data. It's also a great backup for the main Ethernet connection. Phone tethering works with the latest high speed 5G phones plus the more common 4G phones. The ATEM switcher will automatically detect when a phone is connected and switch its internet connection to use it, eliminating the need for changing settings. When connected, the phone will power from the USB port so it remains charged from the switcher. By using phone tethering for mobile data, ATEM SDI Pro and ATEM SDI Extreme become the perfect mobile production solutions. RECORD DIRECT TO USB FLASH DISKS WITH ATEM SDI PRO The ATEM SDI Pro and Extreme models also support direct recording of your streaming data to USB flash disks. That means you get very long recordings in the same H.264 video files with AAC audio that you streamed, so you can direct upload to any online video site, such as YouTube or Vimeo. Recording to multiple disks is also supported via a USB hub so when a disk fills, recording can continue to a second disk so you get non-stop recording. Record settings and disk selection are set up in ATEM Software Control and you can also display the recording status in the multiview. EDIT LIVE PRODUCTION WITH SEPARATE ISO RECORDINGS The ATEM SDI Pro ISO and Extreme ISO models allow you to edit your live event as they can record multiple video streams, including clean feeds of all inputs and program, all at the same time. Media pool images used are also saved with the video files. The video files include metadata tags such as synced timecode and camera numbers. Imagine re-editing your show with new colour grades, effects and graphics. Even the audio sources are all recorded so you can professionally remix your audio. EDIT LIVE PRODUCTION IN DAVINCI RESOLVE The ISO models also save a DaVinci Resolve project file, so with a single click you can open your live production as a video edit. All cuts, dissolves and media pool graphics will be loaded. This means you can fine tune edit points or even completely replace shots. The DaVinci Resolve Sync Bin lets you edit shots via a multiview interface, so it's easy to use and fast. All ISO files will be automatically aligned by timecode, so you can scroll along and see all camera angles perfectly synced. ADD EXCITING VIDEO EFFECTS One of the benefits of ATEM SDI is the professional production values that are possible using the range of built in video effects. The cut button ensures an instant cut when switching between sources. The auto button is a professional term that's used on large broadcast switchers to enable video effect transitions. There are duration buttons for video effects allowing 0.5, 1, 1.5 and 2 second settings. You can also select the type of effect you want including mix, which does a smooth transition between sources, and dip which fades via a colour during the transition. Or use fun DVE effects that move the image off screen when transitioning between sources. WORK WITH PROFESSIONAL MICROPHONES With two independent 3.5mm stereo audio inputs, you can connect desktop and lapel microphones. You can even connect a music player to generate introduction music after the live stream commences but before the program starts. With 2 extra stereo audio inputs, you can ensure a host and guest both have lapel microphones when doing interviews. All audio inputs to ATEM SDI include buttons on the panel for adjusting audio level and enabling inputs into the audio mixer. Plus all models feature a Fairlight audio mixer with all SDI inputs and both microphone inputs connected to the audio mixer allowing live mixing from all your audio sources. The ATEM SDI Extreme also adds a headphone output. AUTOMATICALLY CONVERTS ANY SDI INPUT FORMAT Each 3G-SDI video input features its own dedicated standards converter. That means ATEM SDI will automatically convert 1080p, 1080i and 720p sources to the switcher video standard. By default the switcher will set its video format automatically, however you can also set the switcher to any video standard manually. The SDI outputs are a true "aux" outputs so you can independently customize the source video routed to each SDI output. All outputs can be connected to cameras as they include camera control and tally information. On the more powerful ATEM SDI Pro and ATEM SDI Extreme models, the SDI output can also be selected to display the built in multiview. SECRET BROADCAST FEATURES BUILT IN While ATEM SDI is easy to use, it also has very powerful high end broadcast features. ATEM SDI is even perfect for training new live production crews as it has the same features as the massive switchers used in large broadcast studios. You get an ATEM Advanced Chroma Key, Fairlight audio mixer, DVE, still store for graphics and much more. Simply run the free ATEM Software Control app on Mac or Windows while connected via USB or Ethernet to access the extended features of the ATEM SDI. With a little experimentation you can learn how to produce broadcast quality live production. Only ATEM SDI is a true broadcast switcher hidden in a tiny and affordable design. INCLUDES FREE ATEM SOFTWARE CONTROL PANEL The ATEM Software Control app unlocks the hidden power of ATEM SDI and allows access to every feature in the switcher. ATEM Software Control features a visual switcher user interface with parameter palettes for making quick adjustments. Although you can normally connect via USB, if you connect using Ethernet it's possible for multiple users to connect to ATEM SDI using separate copies of ATEM Software Control on different computers. The software lets you access full audio mixing with effects, load still frames and even do advanced macro programming. You can even save the switcher state as an XML file. If you need clip playback, you can even control HyperDeck disk recorders via Ethernet. DVE FOR PICTURE IN PICTURE, TRANSITIONS AND EFFECTS One of the most exciting features on ATEM SDI is the built in DVE that allows picture in picture effects and DVE transitions. The DVE lets you create professional picture in picture effects with customizable 3D borders, shadows and lighting. The image quality is the same as high end ATEM switcher models and the DVE supports position, resize and scale, all in real time. The DVE can also be used to create amazing transitions with 16 different DVE squeeze and DVE push effects for adding excitement to your programming. The DVE features a "fly key" so you can use it with custom graphics to create graphic wipe transitions. PROFESSIONAL BROADCAST TRANSITIONS ATEM SDI includes a wide range of broadcast quality HD native transitions such as mix, dip, wipe and more. All transitions can be customized by adjusting parameters such as duration, border colour, border width, position and direction. You can also use the DVE in transitions, allowing a graphic to be moved over the wipe edge which is called a graphic wipe, and is commonly used in sports programming. To eliminate errors, ATEM SDI has a preview transition feature so you can check your transitions before putting them to air. BUILT-IN GRAPHICS WITH PHOTOSHOP PLUG‑IN The built in "media pool" allows the loading of up to 20 separate broadcast quality RGBA graphics for titles, opening plates and logos. The media player is used to output the selected image so it appears as an extra internal video source for use in graphics and titles. You can even use still frames for complex effects such as graphic wipes. ATEM SDI can also grab stills from video and save them to the internal media pool. Graphics can be loaded via ATEM Software Control or downloaded directly from Photoshop using the ATEM Photoshop plug-in. The Photoshop Plug-in is perfect for graphics that change often, such as scoreboards, as you can download directly into the media player. INCLUDES NEW ATEM ADVANCED CHROMA KEY For news or on-set presentation work, ATEM SDI is perfect as it features the powerful ATEM Advanced Chroma Key for green screen keying effects. The chroma keyer is incredibly powerful and features a colour picker to sample background colours for automatic generation of the key parameters. You get precise controls for edge and flare, and there is even a foreground colour corrector so you can match the foreground and background layers for seamless compositions. You can even use it for title overlays by creating graphics with a green or blue background. Plus the ATEM SDI Extreme includes a massive 4 separate ATEM Advanced Chroma Keyers, for a keyer per camera, allowing virtual set production. CREATE AMAZING VIRTUAL SETS The ATEM SDI Extreme models include 4 upstream chroma keyers and this allows you to build exciting virtual sets. With 4 independent chroma keyers, you get a keyer per camera so you can build a virtual set for up to 4 cameras. With ATEM SDI Extreme you have 8 inputs, 4 to use for cameras and the other 4 can be connected to a virtual set computer for the rendered backgrounds. Or if you don't need to move your cameras, you can do fixed camera virtual sets by loading pre rendered still image backgrounds from the media players and media pool. You can setup macros to change cameras and load the correct background into the media players. POWERFUL SUPERSOURCE PROCESSING In addition to 2 independent DVEs in the ATEM SDI Extreme models, there's also a powerful SuperSource multi layer processor with 4 extra DVE layers plus a background layer, that all appear to ATEM SDI Extreme as an additional input source. Any ATEM SDI Extreme video input can be used for each SuperSource DVE, then it’s all layered together over a media pool custom background. SuperSource is perfect for doing multiple picture in picture displays with people being interviewed because you can set up the effect before putting it to air, still keeping both main DVEs free for other tasks. SuperSource is just like having an extra multi-layer VFX switcher built in. TRUE BROADCAST STYLE MIX EFFECTS SWITCHING Although ATEM SDI works in "cut bus" mode when first purchased, it can also be changed to "program/preview" style operation, which is the way broadcasters normally use live production switchers. Cut bus switching is easy and selecting any input will instantly switch to that source. However if you want to operate ATEM SDI like a true professional then you can change the switcher to program/preview using ATEM Software Control settings. Mix effects operation allows a source to be selected but it won't be put on air until you press the cut or auto buttons. That 2 step program/preview process means fewer mistakes. MONITOR SOURCES AND STATUS WITH ATEM SDI PRO MULTIVIEW When doing larger live productions with multiple cameras, it’s very useful to see all your video sources at the same time on a single monitor. The ATEM SDI Pro and ATEM SDI Extreme models include a professional multiview that lets you see all video inputs, preview and program on a single SDI monitor. Simply select M/V button on the front panel to select the multiview. Each camera view includes tally indicators so you know when each source is on-air, and each view also has custom labels and audio meters. Plus the ATEM SDI Extreme models allow you to select up to 16 custom views. Multiview even includes status for recording, streaming and the audio mixer. BUILT IN AUDIO MIXER WITH 6 BAND EQ, COMPRESSOR AND LIMITER With a built in Fairlight audio mixer, ATEM SDI makes it possible to do complex live sound mixing. The internal mixer features enough channels for each SDI input so you can mix audio from all sources. That’s audio from all SDI sources, plus the 2 stereo mic inputs. Each input channel features the highest quality 6 band parametric EQ and compressor, limiter, expander and noise gate as well as full panning. You can even set up the software to auto mix between inputs as you switch "AFV" or to live mix multiple sources together all at once. All this audio power can be controlled via ATEM Software Control, or you can add a Mackie compatible panel. CREATE BROADCAST LINKS WITH ATEM STREAMING BRIDGE The ATEM Streaming Bridge is a video converter that lets you receive a H.264 stream from any ATEM SDI Pro or ATEM SDI Extreme and convert it back to video. This means you can send video to remote locations around your local Ethernet network, or via the internet globally. That's possible because it uses an advanced H.264 codec for high quality at very low data rates. This means you can create broadcast quality links back to your studio using the internet, so it's much lower cost. To make setup is easy, the ATEM software utility can create a setup files that you can email to the remote studio. ATEM Streaming Bridge is the perfect way to use ATEM SDI as a remote broadcast studio. DEVELOP CUSTOM REMOTE CONTROL SOLUTIONS The Ethernet connection also allows customized control solutions. Even though ATEM SDI includes ATEM Software Control, you can use the Ethernet to control the ATEM remotely, anywhere in the world. A popular workflow is to use the Ethernet to allow the ATEM SDI to be positioned near the cameras, but the control is positioned remotely in a quieter space, such as a control room. Imagine using the switcher from a control room and building a professional broadcasting studio where the control room can be separated away from the performance or interviews. Ethernet allows you to add as many panels as you like all at the same time, or you can build custom solutions using the developer SDK. CONNECT A HDMI COMPUTER If you need to connect computer graphics to ATEM SDI, then you can use a Micro Converter HDMI to SDI. Because the connection is direct, the quality is amazing. If you create graphics with a green background, then the ATEM Advanced Keyer will allow compositing titles over a live background. Computers also make fantastic media players.   CONNECT A HDMI CAMERA Connect a Blackmagic Pocket Cinema Camera 4K or 6K by using a Micro Converter BiDirect SDI/HDMI. It will convert the camera HDMI to the switcher SDI input. It can also take an SDI output of the switcher and embed the camera control into the HDMI data link back to the camera. This gives you tally and colour corrector control direct from the switcher. SWITCH FASTER WITH AN ATEM 1 M/E ADVANCED PANEL With Ethernet built in, ATEM SDI can use hardware control panels for high end workflows that take advantage of the hidden broadcast features in the switcher. The ATEM 1 M/E Advanced Panel features the fast program/preview style with separate source buttons for both program and preview rows. Get direct access to all transitions automatically or manually using the t-bar. For accurate control of the DVE, the joystick provides X, Y positioning with rotation setting the DVE size. You also get LCD menus to control features that don't have dedicated knobs and buttons. You can even program and trigger macros. Plus you can still use the hardware panel if you upgrade to a bigger ATEM switcher later. GET INDUSTRY STANDARD PROFESSIONAL CAMERA CONTROL When working on live production, its critical all cameras are perfectly matched with good colour balance for a consistent look when transitioning between the each camera. The ATEM Camera Control Panel works with ATEM SDI and is the perfect solution for camera control. All control commands are sent to the cameras using the SDI camera control protocol which is supported by cameras such as Blackmagic URSA Broadcast and Blackmagic Studio Cameras. You get dedicated controls including CCU style joystick and controls for RGB camera colour, master gain, black, iris and more. Plus all controls are arranged in a familiar broadcast layout perfect for both experienced and new operators. COMPATIBLE WITH BLACKMAGIC CAMERAS, PANELS, DECKS AND MORE ATEM SDI is even more powerful it can be expanded to grow with you. Add an ATEM Advanced Panel to get professional industry standard switcher control. Then add an ATEM Camera Control Panel for fast control and colour balancing of up to four cameras. For cameras, Blackmagic Studio Cameras make great studio cameras as they have tally and control all built into the compact and very portable design. For mastering, Blackmagic HyperDeck Studio recorders are perfect because they include popular file formats such as ProRes, H.264 and DNx. You can even live stream using an UltraStudio or Blackmagic Web Presenter. Then add a Micro Converter SDI to HDMI 3G converter for HDMI monitoring. Blackmagic URSA Broadcast G2 Designed for broadcast and live production, you get a 6K sensor with +36dB of gain, wide dynamic range and B4 lens mount. Includes Blackmagic RAW, ProRes, H.264 and H.265 record file formats. Blackmagic Studio Viewfinder G2 Turn URSA Mini into the ultimate live camera with a professional 7 inch studio viewfinder! Blackmagic Camera Fiber Converter Connect cameras to live switchers up to 2 km away with video, control and power, all over a single cable! Blackmagic Studio Fiber Converter Connect to remote cameras up to 2 km away with multiple channels of video, control and power all over a single cable! Blackmagic Studio Camera 4K Pro Designed for professional SDI switchers, you get all the features of the Plus model, as well as 12G-SDI, professional XLR audio, brighter HDR LCD and 10G Ethernet IP link. HyperDeck Studio HD Mini Miniaturized deck records H.264, ProRes or DNxHD files onto SD/UHS-II cards or external USB disks in SD/HD formats to 1080p60. Includes timecode and reference generators, 3G-SDI in/out and HDMI out. HyperDeck Studio HD Pro Includes all the features of the Plus model, and adds 2 SSD slots as well as the 2 SD card slots. Also includes machined metal search dial with clutch, SDI monitor out and XLR timecode connections. ATEM Camera Control Panel Control up to 4 cameras at one time including iris, shutter speed, white balance, master gain, pedestal, RGB and more!

BLACKMAGIC Micro Converter SDI to HDMI 12G- no PSU

BLACKMAGIC Micro Converter SDI to HDMI 12G- no PSU(BMD-CONVCMIC/SH12G) The world’s smallest 12G-SDI to HDMI broadcast quality converter! Blackmagic Micro Converter SDI to HDMI 12G is a miniaturized broadcast quality video converter that’s been specifically designed for professional monitoring. It includes a 33 point 3D LUT for color calibrating any monitor, projector or television. Micro Converters feature full size HDMI and professional 12G-SDI connections for working with all NTSC, PAL, 720p, 1080p, 1080PsF, 1080i and 2160p rates, including 4K DCI at 24/47.95/48. You can power it over USB from a television or a mobile phone charger!

Blackmagic BMD-CINECAMPOCHDEF6K2 Pocket Cinema Camera 6K G2

Blackmagic BMD-CINECAMPOCHDEF6K2 (BMD/CINECAMPOCHDEF6K2, BMD_CINECAMPOCHDEF6K2, BMDCINECAMPOCHDEF6K2, BMD CINECAMPOCHDEF6K2) Pocket Cinema Camera 6K G2 Featuring a large 6144 x 3456 Super 35 sensor and EF lens mount, the Blackmagic Pocket Cinema Camera 6K G2 lets you use EF photographic lenses to create cinematic images with shallower depth of field. It also has an adjustable tilt LCD, viewfinder mount, mini XLR audio inputs and a NP-F570 style battery. Dramatically improve the production value of your work by upgrading to digital film! Blackmagic Pocket Cinema Camera is better than a simple video camera because it has professional features allowing you to create the same "look" as Hollywood feature films. The combination of high dynamic range, great low light performance and Blackmagic RAW gives you feature film images with precise skin tones and gorgeous organic colours. You get advanced features such as 4K, 6K G2 or 6K Pro models, large 5" LCD for easy focus, SD card and CFast media, external USB-C media disk recording, EF or MFT lens mounts and more. DaVinci Resolve Studio is also included for editing, colour correction, audio post and VFX. GET THE "HOLLYWOOD LOOK" WITH DIGITAL FILM. Pocket Cinema Camera has the professional features you need for feature film, television programming and documentaries, however now these same features can be used to revolutionize other types of work such as blog videos, YouTube content and more. You get the same features found on expensive digital film cameras, allowing capture of deeper colours, higher image detail and a wider dynamic range between the brightest highlights and deepest shadows. It's the reason why feature films look so amazing and now you can get the same high end production values for any kind of work. Imagine getting film quality on independent film, music videos, weddings, corporate videos, documentaries and more. LIGHTWEIGHT CARBON FIBER POLYCARBONATE COMPOSITE The elegant design of the Blackmagic Pocket Cinema Camera packs an incredible number of high end digital film features into a miniaturized, handheld design. Made from lightweight carbon fiber polycarbonate composite, the camera features a multifunction handgrip with all controls for recording, ISO, WB and shutter angle right at your fingertips. Because it's an advanced digital film camera, the sensor is designed to reduce thermal noise allowing cleaner shadows and higher ISO. Plus the large 5 inch LCD makes it possible to get perfect focus at 4K and 6K resolutions. You also get a removable battery door, 4 shock proof microphones, heavy duty lens mount and built in speaker. MULTIFUNCTION GRIP WITH FINGERTIP CONTROLS. The multifunction handgrip features an ergonomic design that puts important functions such as ISO, WB and shutter buttons at your fingertips. There’s even a scroll wheel under your index finger for making quick iris adjustments. Additional controls go beyond those found on a DSLR, which means you don’t have to go hunting through menus on a tiny screen to find a command. The Blackmagic Pocket Cinema Camera features easy to reach recording and still buttons that are placed exactly where you expect, including user assignable function keys allowing buttons for high frame rate, focus zoom, false colour and more. Fingertip Shooting Controls The front and top of the Blackmagic Pocket Cinema Camera features record start/stop and still photo buttons along with dedicated controls for iris, ISO, white balance and shutter speed. The main power switch is located on the top next to a row of 3 customizable function buttons. Back Panel Controls Conveniently placed below the right thumb rest, you can quickly change shooting speed with the high frame rate button, zoom into the image with the magnifying glass, access setup menus and quickly play back shots for review. HIGH RESOLUTION CINEMATIC DIGITAL FILM SENSOR The Blackmagic Pocket Cinema Camera 6K G2 features a native resolution of 6144 x 3456. Whether you’re shooting in bright sunlight or in almost no light at all, the 13 stops of dynamic range with dual native ISO up to 25,600 provide stunning low noise images in all lighting conditions. Plus the 6K models feature a larger Super 35 sensor that allows shooting with a shallow depth of field and anamorphic lenses. All models let you shoot up to 60 fps in full resolution or 120 fps windowed. An amazing sensor combined with Blackmagic colour science means you get the same imaging technology as the most expensive digital film cameras. COMPATIBLE WITH CINEMA AND PHOTOGRAPHIC LENSES With 3 models, you can choose between EF or MFT lenses, making Blackmagic Pocket Cinema Camera compatible with the largest range and most popular lenses in the world. The 6K models feature an EF lens mount so you can use lenses you already own from other cameras such as DSLR, URSA Mini Pro or even the original Blackmagic Cinema Camera. You can use commonly available photographic lenses that provide incredible creative choice and wonderful feature film quality lens effects. The active lens mount lets you adjust focus and iris from the buttons on the camera or the touch screen. For even greater flexibility, the MFT lens mount on the 4K model can be adapted to PL, C, EF or other lens types. SHOOT INCREDIBLE HIGH DYNAMIC RANGE (HDR) IMAGES The distance between the lightest and the darkest parts of an image is called dynamic range and is measured in stops. Pocket Cinema Cameras have an incredible 13 stops of dynamic range which means they preserve more detail in the lightest and darkest areas of an image than simple video cameras can. This allows you to set exposure for an indoor scene such as a cafe and still retain the details of bright outdoor light coming through a window. You also get more colours than the standard DCI-P3 colourspace used for feature films. Plus DaVinci Resolve Studio is included with the camera, so you get total creative freedom with full exposure adjustment and recovery controls when colour grading. DUAL GAIN ISO FOR EXCEPTIONAL LOW LIGHT PERFORMANCE In digital film ISO is a measurement of the image sensor’s sensitivity to light. This means the higher the ISO number the more sensitivity to light so it’s possible to shoot using natural light even at night. The Pocket Cinema Cameras feature dual gain ISO up to 25,600, which means they're optimized to minimize grain or noise in images, while maintaining the full dynamic range of the sensor. The native ISO of 400 is ideal for scenes with on-set lighting. The secondary high base ISO of 3200 is perfect when shooting in dimly lit environments. The gain is set automatically as you adjust the ISO setting, so it's easy to capture great images when you don’t have time to set up lights. MULTIPLE RESOLUTIONS AND FRAME RATES Depending on the model, the Blackmagic Pocket Cinema Camera can shoot in all standard resolutions and frame rates from HD up to DCI 4K and even 6K. You can shoot stills at 21.2 megapixels on the 6K models and 8.8 megapixels on the 4K model. The 6K models will shoot up to 50 fps at 6144 x 3456 16:9 or 60 fps at 6144 x 2560 2.4:1 and 60 fps at 5744 x 3024 17:9. For higher frame rates you can window the sensor and shoot up to 120 fps at 2.8K 2868 x 1512 17:9. You can even work in true anamorphic 6:5 using anamorphic lenses in 3.7K 60 fps at 3728 x 3104. On the 4K model you can shoot up to 60 fps 4K DCI at 4096 x 2160 and 60 fps in Ultra HD at 3840 x 2160. You can even shoot 120 fps in 1080HD. POST PRODUCTION FRIENDLY FILE FORMATS Blackmagic Pocket Cinema Camera records using standard open file formats so you don’t have to waste time transcoding media. Files are compatible with all post production software so you can work with the software of your choice, or use the included DaVinci Resolve Studio. Recording works in industry standard 10-bit Apple ProRes files in all formats up to 4K or 12-bit Blackmagic RAW in all formats up to 6K. Blackmagic RAW is the fastest growing RAW format. Developers can download and use the free Blackmagic RAW SDK to add support into their applications. Best of all media files work on all operating systems plus you can format media cards and disks in HFS+ for Mac and ExFAT for Windows. USE STANDARD SD CARDS, UHS‑II OR CFAST 2.0 MEDIA The Blackmagic Pocket Cinema Camera features built in CFast and SD UHS-II card recorders, and a USB-C expansion port for recording direct to an external media disk. You can use regular SD cards for HD or higher performance UHS-II and CFast cards for native 4K or 6K when using Blackmagic RAW. Imagine capturing over an hour of full resolution 6K images on a single 256GB SD UHS-II card. The ProRes and Blackmagic RAW files work with all video software. You can even mount the media cards on your computer and start editing directly from them using the included DaVinci Resolve Studio software. BLACKMAGIC RAW THE QUALITY OF RAW AND THE SPEED OF VIDEO Blackmagic RAW is a revolutionary new format designed to capture and preserve the quality of the sensor data from your camera. Video formats such as H.264 are highly compressed, plus add noise and weird artifacts, causing original sensor detail to be lost forever. Blackmagic RAW eliminates this problem and gives you stunning images with incredible detail and colour throughout the production pipeline from camera to edit, colour and mastering. It also saves camera settings as metadata so you can set ISO, white balance and exposure in camera or override them later while editing, all without any loss of quality. Blackmagic RAW files are also small and fast to use making them easy to work with. Only Blackmagic RAW gives you the highest quality, smallest files and fastest performance. Colour Temperature Setting the colour temperature tells the camera how to interpret white and other colours in an image. Instead of saving images with colour values baked in, Blackmagic RAW makes it possible for you to change the temperature in post production with DaVinci Resolve Studio. Contrast Adjusting contrast, or the tonal range of an image, can make different parts of the image stand out. While you should always try to get the best shot on set, Blackmagic RAW gives you the flexibility to adjust contrast without any loss of quality while you’re editing and colour correcting. ISO Changing the ISO adjusts the camera’s sensitivity to light. Properly exposed shots require the right combination of ISO, aperture and shutter speed. Depending on the lights and exposure settings, you may need to adjust ISO in post. Tint Adjusting tint is another way you can affect the overall colour balance of an image. Unlike saturation or midpoint which can make reds redder or yellows more yellow, adjusting tint actually lets you push the colours in different directions. Saturation Saturation is the strength or purity of a colour. More saturated colours are pure and less saturated colours have a percentage of gray in proportion to their hue. Adjusting saturation in Blackmagic RAW images can help make the colours visually pop or become muted. Exposure In order for your images to look good, you need to make sure that it’s not too bright (overexposed) or too dark (underexposed). With Blackmagic RAW, the exposure settings can be changed in post so you can save shots that were not properly exposed. TOUCHSCREEN FOR FAST SETUP The large LCD touchscreen displays critical information on the heads up display, or HUD, as well as access to camera setup menus. The HUD lets you see and adjust settings such as the frame rate, iris, timecode, shutter angle, white balance, ISO, audio levels and more with a single tap. You can show or hide the HUD by simply swiping up or down. Adjust settings such as white balance simply by touching the WB indicator, or change the audio levels by touching the audio meters. Everything is interactive, so you can tap any item and instantly change settings without searching through confusing menus. You can also access settings such as the digital slate, to quickly add metadata to any shot. LARGE 5" LCD MONITOR Blackmagic Pocket Cinema Camera features a large, bright 5 inch touchscreen that makes it easy for you to frame shots and accurately focus. That means you don’t have to carry around an external monitor. On screen overlays show status and record parameters, histogram, focus peaking indicators, levels, frame guides and more. You can quickly apply 3D LUTs for monitoring shots with the desired colour and look. The LCD monitor on the Pocket Cinema Camera 6K G2 and Pro models is a more advanced HDR display that can be tilted up and down so it's easy to monitor your shot from any position. Plus the 6K Pro model’s HDR display features 1500 nits of brightness, ideal for use in bright sunlight. POWERED BY BLACKMAGIC OS With the advanced Blackmagic OS, you get an intuitive and user friendly camera operating system based on the latest technology. Blackmagic OS is a true modern operating system where all camera features run independently for smoother control, plus the camera powers on virtually instantly. It features the same controls and menus as other Blackmagic Design cameras so you can move between cameras on set easily. The interface uses simple tap and swipe gestures to adjust settings, add metadata and view recording status. You also get full control over advanced camera features such as on screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings and more. LATEST GENERATION 5 COLOUR SCIENCE STUNNING SKIN TONES AND FAITHFUL COLOUR REPRODUCTION Featuring the same generation 5 colour science as the high end URSA Mini Pro 12K, thePocket Cinema Camera 6K Pro delivers an even greater advancement in image quality with stunning, accurate skin tones and faithful colour in every shot. You get a new dynamic 12-bit gamma curve designed to capture more colour data in the highlights and shadows, for better looking images. The colour science also handles some of the complex Blackmagic RAW image processing, so colour and dynamic range data from the sensor is preserved via metadata which you can use in post production. That means you get images that have a natural, film like response to colour adjustments in post with DaVinci Resolve Studio. OPTIONAL VIEWFINDER FOR PROFESSIONAL SHOOTING The Pocket Cinema Camera 6K G2 and 6K Pro supports an optional viewfinder to make outdoors and handheld shooting accurate and easy. You get an integrated high quality 1280 x 960 colour OLED display with built in proximity sensor, 4 element glass diopter for incredible accuracy with a wide -4 to +4 focus adjustment. A built in digital focus chart ensures you get perfect viewfinder focus setup. You can also view critical status information such as frame guides. The Pocket Cinema Camera Pro EVF connects quickly to the Blackmagic Pocket Cinema Camera 6K G2 and 6K Pro via a single connector. The viewfinder has a 70 degree swivel range and comes with 4 different types of eyecups for both left and right eyes. PROFESSIONAL CONNECTIONS FOR CUSTOM RIGS. Though small and portable, the Blackmagic Pocket Cinema Camera features a wide range of connections for audio, monitoring, power and more. The camera includes a full size HDMI connector for monitoring with support for HDR and clean 10-bit output. That means you can connect an HDMI display for on set monitoring of images, with or without overlays that show critical information and camera status. There’s also a mini XLR connection with 48 volt phantom power for attaching professional microphones, a 3.5 mm video camera style microphone input, headphone connection and a professional locking DC power connector. The USB-C connection lets you connect and record direct to your media disk. 4 BUILT-IN MICROPHONES AND PROFESSIONAL AUDIO INPUTS With professional, high fidelity audio recording built in you'll never have to carry around a separate sound recorder again. Blackmagic Pocket Cinema Cameras feature a mini XLR input with 48 volts of phantom power for connecting professional microphones such as lapel mics and booms. The 6K Pro model features 2 mini XLR connections, allowing you to record 2 separate audio tracks using 2 mics, without an external mixer. The four built in mics have an extremely low noise floor and are shock and wind resistant, capturing great sound in any location. There’s also a 3.5mm audio input for connecting video camera microphones, along with a built in speaker for playback and a 3.5mm headphone jack. LOAD CUSTOM 3D LUTS TO RECREATE FILM LOOKS Digital film cameras shoot logarithmic colourspace to preserve the dynamic range, which is great for later post production, however when these files are viewed on a monitor they can look flat and washed out. 3D LUTs solve this problem because they allow you to apply a "look" to the monitor so you get an idea of how the finished images will look when editing. LUTs can be applied temporarily for monitoring only, or they can be recorded into the Blackmagic RAW files for use in post production. The Pocket Cinema Camera works with industry standard 17 and 33 point 3D LUT files, or you can work with the built in LUTs such as Extended Video, Film to Video, Film to Rec.2020 and more. USB-C FOR RECORDING DIRECT TO EXTERNAL MEDIA DISKS The Blackmagic Pocket Cinema Camera features an innovative and high speed USB-C Expansion Port that operates at up to 5 Gb/s. USB-C is available on most new computers and even provides power. That means you can connect external accessories such as flash drives and SSDs for significantly longer recording times. A high speed external disk allows shooting 6K in the highest constant quality 12-bit Blackmagic RAW in the Q0 setting or at high frame rates. Best of all, when shooting is complete you can simply move the external disk to your computer and start editing and colour correction from the same disk, eliminating file copying. BUILT IN TIMECODE GENERATOR, GET FAST MULTI CAMERA SHOOTS IN PERFECT SYNC. Professional cameras include professional features and you also get a built in timecode generator, allowing shooting with more than one camera while keeping perfect sync. Simply plug in an external timecode generator such as Tentacle Sync into the 3.5 mm audio jack and the camera will automatically detect timecode and lock the internal generator. Now each camera can start and stop recording and all the shots from all cameras will have the same matched timecode. Imagine shooting a music festival with multiple roving cameras. Best of all, DaVinci Resolve will automatically find and sync the shots from all cameras so you don't need to waste time sorting through thousands of shots. SHOOT STILL FRAMES UP TO 21.2 MEGAPIXELS. In addition to shooting video, the Blackmagic Pocket Cinema Camera can also capture high resolution stills. Simply press the dedicated stills button to record 21.2 megapixel images on the 6K models or 8 megapixel images on the 4K model. Still images are saved as fully uncompressed DNG frames, so you get the maximum image quality, which is perfect for making professional prints. Capturing still images is great for keeping track of continuity between shots or for sharing images to get approval from clients that are not on set. LOCALIZED IN 13 POPULAR LANGUAGES The Blackmagic Pocket Cinema Camera is designed to be used worldwide and supports 13 different languages. When setting up your camera, you can choose to work in English, German, French, Spanish, Portuguese, Italian, Polish, Russian, Ukrainian, Turkish, Chinese, Japanese or Korean. It’s easy to switch to another language so you can share your camera with other crew when traveling to locations worldwide. When you switch languages, all on screen overlays, setup menus and monitoring information will be displayed in the selected language. WIRELESS BLUETOOTH CAMERA REMOTE CONTROL If you're positioning the camera on the end of a boom, or in another hard to reach location, you can get full control via Bluetooth from up to 30 feet away. You can download the Blackmagic Camera Control app for your iPad or use third party apps such as Bluetooth+ or tRigger on your iOS and Android devices. There’s even a free developer SDK with sample code available from the Blackmagic Design developer website, so you can create your own remote camera control and digital slate solutions. Imagine building an app that can jam sync timecode and trigger all cameras to record at the same time. The possibilities are endless. POWER FROM BATTERIES, 12V DC AND RECHARGE VIA USB‑C. The Blackmagic Pocket Cinema Camera 4K uses removable LP-E6 type batteries while the 6K G2 and 6K Pro models use larger NP-F570 batteries. A locking DC power connector is used so you won't have to worry about losing power during a shoot. Plus the included AC plug pack can power the camera and charge the battery simultaneously. You also get a set of international socket adapters for worldwide use. Even the USB-C expansion port can trickle charge the battery, so you can use portable battery packs, mobile phone chargers or laptops. The optional battery grip lets you add extra batteries to dramatically extend the power of the camera so you can keep shooting all day. USE POCKET CINEMA CAMERA AS A LIVE STUDIO CAMERA. Blackmagic Pocket Cinema Camera now works as a studio camera for live production when used with ATEM Mini. Video and control is via the HDMI connection, which is available as soon as you plug the cameras in. The record light becomes a tally light so you can see which camera is on air. The ATEM Software Control camera page has a camera control unit (CCU) style interface for adjusting and matching your cameras. Move the CCU control vertically for iris and left to right to adjust black level. It's the same as a broadcast CCU. There are also controls for colour tint to balance cameras as well as focus, gain and shutter speed. You can even ISO record Blackmagic RAW in the camera for editing later. INCLUDES DAVINCI RESOLVE STUDIO GET PROFESSIONAL EDITING, COLOUR CORRECTION, AUDIO POST AND VFX. All Pocket Cinema Camera models include a full version of DaVinci Resolve Studio, which is the same software used in Hollywood for creating high end feature films, episodic television shows, commercials and more. DaVinci Resolve features the new cut page with intelligent editing tools and innovative new features designed to help you quickly find the footage you want, edit it together and output it fast. In addition to the new cut page, you also get DaVinci’s legendary professional editing, advanced colour correction, audio post and visual effects tools, all in a single software application. Now you can use the the same high end software that professional editors and colourists use.    

Blackmagic CLOUD POD

Blackmagic CLOUD POD BMD DWCLDA POD BMDDWCLDAPOD BMD-DWCLDA-POD BMD/DWCLDA/POD TURN ANY USB DISK INTO NETWORK STORAGE The Blackmagic Cloud Pod lets you turn any USB-C disk into network storage. That’s perfect when you want to share a media disk recorded on a camera with multiple users on your network. It features a high speed 10G Ethernet connection for extremely fast file access. It’s fast, even with lots of simultaneous users all accessing files at the same time. With Dropbox live sync, files can be distributed between multiple units globally, for very fast local file access, even on lower cost internet connections. Plus you don't need IT consultants as it's easy to use. There's even an HDMI monitor output. Blackmagic Cloud Pod is the perfect solution for sharing files on your network. DESIGNED FOR FILM AND TELEVISION Blackmagic Cloud Pod will transform customer's work. It's perfect for film and television because you can record onto USB-C flash disks and then use the Blackmagic Cloud Pod to make the disk available on the network for multiple editors and colourists to use. Depending on the brand of USB-C flash disk used, it even handles massive 12K Blackmagic RAW digital cinema files. USB-C flash disks are amazing because they are affordable, have zero seek times and you can buy them in any office supply store. Dropbox sync allows you to place pods in different locations so everyone can have a fast local copy of their files. Then each location gets the fastest editing experience possible. PORTABLE AND QUIET DESIGN Blackmagic Cloud Pod features an extremely small and thin design because it doesn't have any storage internally. It’s also very quiet and very portable. It features two USB-C ports so it can host two separate USB disks on your network at the same time. The 10G Ethernet port means you get extremely high performance. There is also an HDMI monitoring output so you can watch a live graphic view of the storage operating on a TV or monitor. Along the front there is a status light that shows disk activity, so you know when the USB-C disk is being accessed. There's also a DC power connection so you can use the included power supply, or run it from a battery when it’s used on location. CONNECTIONS DC Power A 12V DC power supply is included with Blackmagic Cloud Pod. All international AC voltages are supported so you can use it globally. Adapters for international power sockets are also included. 10G Ethernet 10G Ethernet allows high speed computers to be connected. It's fast, even when lots of users are connected all at the same time. It’s perfect for connecting to the latest 10G Ethernet switches. USB-C Connections There are two USB-C ports so you can host two disks on each Blackmagic Cloud Pod. Connect any type of USB-C storage, such as mechanical or flash disks. USB-C is also used for settings and updates. HDMI Monitor Output The HDMI monitor output lets you see the status of your cloud pod in real time. Simply plug in a TV or monitor. You can see a storage map, speed graphs, sync, active users and power status. LIVE SYNC TO DROPBOX Now you can setup a local cache of your Dropbox files. This makes working much faster because files are instantly available without needing to be downloaded from the internet. Blackmagic Cloud Pod will constantly work to stay in sync. You can save space on your computer by moving cached Dropbox files to the Blackmagic Cloud Pod so everyone on your network can share them. You can even sync multiple Blackmagic Cloud Pods or Cloud Stores via Dropbox so people in different geographic locations can collaborate without latency because everyone has a local copy of the files. That makes it a perfect home or offsite solution. DISTRIBUTE FILES GLOBALLY With support for Dropbox sync, you can use multiple Blackmagic Cloud Pod units to share files globally. That’s important when working with large datasets or massive digital film and video files. These files need to be constantly accessed dozens of times a second, so most internet connections are too slow to handle it. While the internet has too much latency to access large files remotely, you can use it to sync these files. Syncing the files to local storage totally eliminates delays in accessing them. That's because everyone has a local copy of the files on their network. Blackmagic Cloud Pod will constantly sync files, even if your computer is turned off. REAL TIME MONITORING The most exciting feature is the HDMI monitoring output. Simply connect a TV or computer monitor to get a live status of the Blackmagic Cloud Pod. The storage map shows a graphic representation of the memory core and real time read and write access happening for the connected users. It’s quite mesmerizing to watch. There are also graphs that show you the data transfers on the Ethernet connection. The main space indicator shows you the capacity of the two USB-C disks and how much is currently being used. You can also add a custom name to the pod. The status for each Dropbox connection is also shown. It's even possible to see connected users and the power status. HIGH PERFORMANCE 10G ETHERNET The Blackmagic Cloud Pod has a high speed 10G Ethernet port, which is only found on expensive workstation computers. With 10G Ethernet, you get 10 times the speed of regular Ethernet. Plus most computers can be upgraded to add 10G Ethernet. The Blackmagic Cloud Pod is so fast, it will run the 10G Ethernet port to its maximum capacity. Even when connected to an Ethernet switch with dozens of users accessing files at the same time. The Ethernet also features very low latency for fast access times. That’s similar performance to expensive business SANs but in a low cost design that you can install yourself. NO SUBSCRIPTION COSTS One of the big advantages of the Blackmagic Cloud Pod is that it’s private storage that you fully control. There are no subscriptions to sign up for. There are no monthly license fees. There is no tracking of your usage or data. You don't even need to log into a web page to maintain the storage settings, because Blackmagic Cloud Pod uses a free to download software utility that runs on Mac and Windows. That means you can run a private network, totally disconnected from the internet. This is critical for many security standards where computer networks cannot be connected to the external internet. With Blackmagic Cloud Pod, you can customize your network storage solution with total freedom. FREE SOFTWARE FOR MAC AND WINDOWS When you need to change settings, you can use the Blackmagic Cloud Pod utility that's available on Mac and Windows. By default, the Blackmagic Cloud Pod is set to DHCP, so you can connect it to your network and start transferring files. In many ways, it plugs in just like a regular hard disk. That means it's so easy to setup, you won't need an IT person to get started. However if you want to customize your network, then the utility software lets you change the network settings in the Cloud Pod. The utility also lets you add Dropbox sync folders. PERFECT MULTI CAMERA VIDEO WORKFLOW   Get broadcast quality video workflows by connecting USB-C disks recorded on camera to the USB-C port on the Blackmagic Cloud Pod. This lets multiple DaVinci Resolve workstations access the recorded files instantly, without any file copying. DaVinci Resolve is a free download and allows you to edit and colour the camera files. That’s a fantastic workflow solution when using Blackmagic Pocket Cinema Cameras, which can record direct to USB-C disks. The camera’s sensor features dual ISO up to 25,600 so you can create cinematic images even in moonlight. So you get a perfect workflow solution for independent film production. Plus Blackmagic Cloud Pod is so fast, it’s perfect for multicam editing.

Blackmagic Hyperdeck Extreme 4K Hdr

HYPERDECK EXTREME 4K HDR BMD HYPERD RSTEX4KHDR BMDHYPERDRSTEX4KHDR BMD-HYPERD-RSTEX4KHDR BMD/HYPERD/RSTEX4KHDR Powerful Ultra HD touchscreen HyperDeck records and plays H.265 and ProRes files in all SD, HD and Ultra HD standards up to 2160p60. Includes scopes, upgradable cache plus SDI, HDMI and analogue video. HyperDeck Extreme features the trusted reliability of HyperDeck combined with new innovations such as space saving H.265 files, optional internal cache, 3D LUTs and HDR support! With the ability to record up to native 8K in H.265, you get reduced storage costs and amazing image quality. The large touch screen ensures a perfect view of your recording as well as control over all deck settings. You can then add HyperDeck Extreme Control to transform it into a traditional broadcast deck! This means HyperDeck Extreme is the perfect solution for the next generation of broadcast, live production and digital signage. MODERN DESIGN WITH TRADITIONAL CONTROLS HyperDeck Extreme has an innovative touch screen user interface with deck controls as well as a large screen to view your recording. Then add a HyperDeck Extreme Control for traditional broadcast deck controls and a large shuttle knob that feels incredibly luxurious to use. You can even rack mount the HyperDeck and the controller. HyperDeck Extreme also includes 2 media slots, 12G‑SDI, analogue connections for archiving, USB‑C external disk recording, plus a front panel speaker and headphone jack. There's also an optional cache that eliminates dropped frames if your media becomes full or is too slow. Both AC and DC power connections are also included for studio or on location use. PERFECT FOR LIVE PRODUCTION, DIGITAL SIGNAGE AND ARCHIVE With its amazing versatility, HyperDeck Extreme is also great for live production as a master recorder, clip player and for recording ISO cameras. The analogue inputs allow you to record from old video tapes, so legacy programming can be used on the latest streaming services or for use in editing. Digital signage is easy with HyperDeck Extreme as it has 10G Ethernet for fast media uploads, plus it features a simple remote control protocol. You can even use it as a field recorder as it includes HDMI, SDI and analogue inputs with built in scopes and 3D LUTs. The scopes also help you QA masters to ensure compliance with broadcast standards before streaming and broadcast. CONVERT LEGACY PROGRAMMING FOR STREAMING As streaming services have become common, preserving cultural diversity through maintaining localized content is increasingly important. The solution is to get each country’s legacy programs onto streaming services at an affordable cost. HyperDeck Extreme Control lets you connect to legacy broadcast decks, set an in and an out point, then edit. Just add HyperDeck Extreme and HyperDeck Extreme Control to each legacy deck to keep them all archiving constantly with just one operator. It’s even possible to edit across formats by using Teranex Express to convert tapes from SD to HD in one step. You can control a wide range of decks, including Digital Betacam, 1 inch C format, and Betacam SP. BIG BRIGHT SCREEN FOR EASY TOUCH CONTROL The innovative touch LCD user interface provides incredible control. On screen, there are dedicated buttons for play, stop and record, plus a mini timeline for scrolling through your recordings. You can even image swipe to jog. The LCD includes a heads up display of timecode, video standard, media status as well as audio meters. Scopes can be enabled via the touch screen as well as focus and exposure assist. There's also an extensive range of settings all controlled from the large LCD. Plus you can load and save 3D LUTs. You also get direct buttons for transport control, enabling the 3D LUT and remote enable. Then you can always add traditional deck controls with HyperDeck Extreme Control. TRADITIONAL BROADCAST DECK CONTROLS HyperDeck Extreme Control extends your HyperDeck Extreme to add traditional broadcast deck controls. It works like a traditional broadcast deck with a familiar layout. You can control up to 8 decks via industry standard RS‑422 control. You can even rack mount to the HyperDeck Extreme to create a single "broadcast deck" unit. Because it uses standard RS‑422, you can control old broadcast decks and perform edits using set in and out points. That's perfect for archiving work. Plus you can even edit between frame rates if standards converting between formats. Even the controls have been developed in-house by Blackmagic Design to ensure a premium feel with traditional styling. DUAL CFAST MEDIA FOR NON STOP RECORDING CFast media support allows you to record to commonly available flash memory cards. The H.265 files are small enough to allow long recordings on standard CFast cards. Plus there are 2 CFast card slots so you can swap out any full cards even during recording, allowing infinite length recording. CFast cards are perfect for broadcast because they are small, high speed and affordable. You can even use a Blackmagic MultiDock 10G to add SSD compatibility. With H.265, you can record up to 1,398 minutes at 8Kp60 on a 1 TB card, 3,530 minutes in 2160p60 Ultra HD and 9,446 minutes in 1080p59.94 on a 1 TB card. That’s over 23 hours in 8K and over 6 days in HD. RECORD DIRECT TO EXTERNAL USB‑C MEDIA DISKS If recording to other media types is required, then the USB‑C Expansion port lets you plug in an external flash disk for recording. USB‑C flash disks have massive capacity as they don't suffer from any size constraint. Plus, it’s possible to record to the same disk you are using or editing, so you don't need to waste time copying files before starting post production. Flash disks are so fast, they can record high data rate formats that are too big for CFast cards, such as real time ProRes in 4K or 8K. Adding a Blackmagic MultiDock 10G also makes it easy to use SSDs for compatibility with other HyperDeck models. You even get on screen menus for managing external disks using the touch screen. OPTIONAL MEDIA CACHE ELIMINATES DROPPED FRAMES Sometimes your media can fill before you change to a blank card, or if the card is too slow, then you can get dropped frames in your recording. To eliminate this problem, you can install a PCIe flash disk into HyperDeck Extreme to use as a record cache. This eliminates problems with CFast media or external disks, as the cache will automatically take over and record any content the media could not capture. Even if a card fills, recording will continue to the cache until it’s swapped. The cache even lets you record formats that are too fast for the media card or external disk. Common PCIe flash disks are used and a thermal pad is included to allow user installation. SUPPORTS 12G‑SDI, HDMI AND LEGACY ANALOGUE HyperDeck Extreme features a wide range of video and audio connections such as multi-rate 12G-SDI for SD, HD, Ultra HD and 8K devices. The 12G-SDI outputs support fill and key when playing RGBA 4:4:4:4 files. HDMI is included for consumer televisions and video projectors. For archiving work, HyperDeck also includes both balanced analogue, HiFi audio plus timecode connections. For monitoring there's even a down converted monitor SDI output that includes overlays. The USB‑C connection lets you plug in flash disks or disk arrays for recording. The latest 10G Ethernet is included for high speed upload using FTP protocols. HyperDeck even includes both AC and XLR 12V DC power connections. ADVANCED HDR SUPPORT AND BRIGHT WIDE GAMUT LCD You'll be ready for the latest HDR workflows with support for the latest HDR standards and an extremely bright screen with a wide colour gamut. The built in scopes even change to HDR scopes when working in HDR formats. Files are tagged with the correct HDR information then SDI and HDMI inputs will also automatically detect HDR video standards. Static metadata PQ and HLG formats are handled according to the ST2084 standard. The bright LCD has a wider colour gamut so can handle both Rec. 2020 and Rec. 709 colourspaces. The built in HyperDeck Extreme HDR LCD colour gamut can even handle 100% of the DCI‑P3 format. BUILT IN SCOPES ENSURE COMPLIANCE TO BROADCAST STANDARDS HyperDeck Extreme features full internal waveform monitoring so you can ensure compliance to broadcast standards when used on high end work. The waveform display provides a traditional luminance (brightness) levels view of your input or playback signal. The vectorscope display allows you to see the intensity of colour at 100% SDI reference levels. You also get RGB and YUV parade displays which are ideal for colour correction and checking for illegal levels. Histogram shows the distribution of white to black detail in your images and highlights or shadows clipping. The built in scopes can be overlaid on live video, or as a small picture in picture view at the top right of the scope. LATEST MULTIRATE 12G-SDI FOR SD, HD AND ULTRA HD You get full support for the most popular video standards. The SDI and HDMI connections are multi-rate, so handle SD, HD and Ultra HD. SD formats include NTSC and PAL. 720p HD standards include 720p50 and 59.94p. 1080i HD interlaced formats include 1080i50 and 59.94. 1080p HD formats include 1080p23.98, 24, 25, 29.97, 30, 50, 59.94 and 60p. You can even do 1080 PsF formats. Ultra HD is supported up to 2160p59.94. 2K and 4K DCI rates are available up to 25p. STANDARD H.265 AND PRORES FILES FOR WIDE COMPATIBILITY H.265 files are extremely small and range from 60:1 to 285:1 compression ratios which means much lower file sizes. Plus H.265 is now supported on all major operating systems. HyperDeck Extreme even supports ProRes 422 HQ, ProRes 422, ProRes 422 LT for recording and playback plus ProRes 4444 for playback to fill and key out. This means files will be compatible with software such as DaVinci Resolve, Media Composer, Premiere Pro or Final Cut Pro. PROFESSIONAL MULTI CHANNEL SDI AND ANALOGUE AUDIO HyperDeck Extreme includes professional audio for modern broadcasters or archiving from older broadcast decks. When working in SDI formats, you can record 2, 4, 8 or 16 channels of audio in real time. For capturing legacy programming there are 4 XLR analogue audio inputs that let you record all 4 channels from Betacam SP decks. You can monitor using 4 on screen audio meters with user selectable VU or PPM ballistics. For consumer devices such as VHS, DVD and set top boxes, there are also direct HiFi audio inputs. HyperDeck Extreme models use the latest broadcast technology, however the analogue connections have also been designed to low noise and low distortion broadcast specifications. LOCALIZED FOR POPULAR LANGUAGES Multiple languages are fully supported so you don't need to learn another language to use it. Support is included for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese and Turkish. At first start, HyperDeck Extreme will display a menu for selecting a language, plus you can still use the menus to change languages any time you need. When a language is selected, the on screen text overlays will change, as well as all menus and the overlays on the SDI monitoring output will also be displayed with the selected language. All this means HyperDeck is perfect for doing international location work with different crews. THE FASTEST NETWORKING WITH MODERN 10G ETHERNET With 10G Ethernet, HyperDeck Extreme is perfect for digital signage because remote uploads are extremely fast. What's amazing is the ethernet uploads on HyperDeck Extreme are much faster than CFast card transfer speeds. Both models use an easy text based protocol plus you can use Telnet to test control commands. Simply log into HyperDeck and then type "play" or "record" and it will execute the command. It's that simple. To upload media files remotely, you can use FTP, or even use simple FTP client software. When the ethernet protocol and FTP is used with large USB-C disk arrays, HyperDeck Extreme becomes a great broadcast server for ingest, media management and play out. TRADITIONAL RS-422 BROADCAST DECK CONTROL The most popular control connection used on broadcast decks since the early 1980s is the RS‑422 protocol. Originally developed by Sony, RS‑422 is used on almost all broadcast gear. HyperDeck Extreme features wide protocol support so you can connect it direct to broadcast systems. It also supports extra commands for the Advanced Media Protocol for managing disk recorders. When designing RS‑422 control solutions, you'll know you’re connected to a HyperDeck Extreme when you see the ID 0xF0E0 in 30/60p, 0xF1E0 in 25/50p or 0xF2E0 in 24p. The full set of support remote commands are included in the instruction manual and you can download this from the support page of our web site. COMPATIBLE WITH CONTROLLERS, SWITCHERS, CONVERTERS AND MORE   There's a wide range of Blackmagic Design products you can use with HyperDeck Extreme, including the HyperDeck Extreme Control for adding traditional broadcast deck controls. Plus it uses the industry standard RS‑422 deck control protocol so it works with any broadcast deck. Add the Blackmagic MultiDock 10G to use regular SSDs for compatibility with media from other HyperDeck models. HyperDeck Extreme is also a perfect mastering recorder with the ATEM Constellation 8K, or for clip playback and ISO recording. For monitoring, the Teranex SDI to HDMI 8K allows broadcast monitoring on a television and it also has monitor calibration, 3D LUTs and on screen scopes.

Blackmagic Cloud Store Mini 8TB

Cloud Store Mini 8TB BMD DWCLDE CLDMINI08 BMDDWCLDECLDMINI08 BMD-DWCLDE-CLDMINI08 BMD/DWCLDE/CLDMINI08 High Performance Network Storage With Global Sync Cloud Store Mini 8TB   The Blackmagic Cloud Store Mini is a fast network storage solution in a compact rack mount design. It features a high speed 10G Ethernet connection and four internal M.2 flash memory cards operating in parallel RAID 0 for extremely fast file access. It’s fast, even with lots of simultaneous users all accessing files at the same time. With Dropbox live sync, files can be distributed between multiple units globally, for very fast local file access, even on lower cost internet connections. Plus you don't need IT consultants as it's easy to use. There's even an HDMI monitor output. Blackmagic Cloud Store Mini is the perfect solution for storing and sharing files on your network. Designed For Film and Television Blackmagic Cloud Store Mini is the perfect network storage solution for any use. It's great for film and television where large media files need to be shared between multiple users for editing, colour correction, audio post and VFX work. It even handles massive 12K Blackmagic RAW digital cinema files. Each user gets zero latency and they don't need to store files on their local computer. It’s the perfect solution for DaVinci Resolve. Dropbox sync allows multiple disks to be synchronized in different locations globally. Then each location gets the fastest editing experience possible. That’s critical for multicam editing where multiple media files are playing simultaneously. Portable and Quiet Design Blackmagic Cloud Store Mini features a compact rack mount design that's very portable and whisper quiet. Internally it has an array of 4 flash memory cards working in parallel for higher speed. The 10G Ethernet port and the 1G Ethernet port operate as a 2 port network switch. That’s great if you don't have a 10G Ethernet network, as you can connect the 10G port directly into your computer and the 1G port to your existing network. If you need to access files quickly, then the USB-C even operates as a network connection, simply by plugging it into your computer. There is also an HDMI monitoring output so you can watch a live graphic view of the storage operating on a TV or monitor. Connections Flexible Power An IEC power socket is included for connecting AC power. All international AC voltages are supported so you can use it globally. Plus there is a separate DC power input for redundancy or battery use. 10G Ethernet The 10G Ethernet port allows high speed computers to be connected. It's fast, even when lots of users are connected at the same time. It’s perfect for connecting to the latest 10G Ethernet switches. 1G Ethernet The 1G Ethernet connection is provided for slower connections such as the internet or slower computers. It is part of the built in Ethernet switch and helps keep the faster 10G port free. USB-C Connection The USB-C port supports Ethernet for connecting it to your computer to access files. That’s possible because there is a USB-C to Ethernet adapter built in. USB-C is also used for settings and updates. HDMI Monitor Output The HDMI monitor output lets you see the status of your Cloud Store Mini in real time. Simply plug in a TV or monitor. You can see a storage map, speed graphs, sync, active users and power status. Flash Memory Allows Multiple Simultaneous users The Blackmagic Cloud Store Mini is available with 8 TB of flash memory, so you have lots of space for your files. That’s fantastic for television production, as it’s small enough to be portable, but it has enough storage space for lots of video media. M.2 flash memory cards are used for extreme reliability, high access speeds and zero seek times. Plus the four M.2 cards are arranged in a parallel RAID 0 group so they can operate much faster than a single card. That ensures enough speed to keep up with the 10G Ethernet connection. Plus in the future, as new larger M.2 cards are released, the flash memory cards can be replaced with new ones. That ensures a very long life. High Performance for Digital Film files With a separate very high speed 10G Ethernet connection, Blackmagic Cloud Store Mini is very fast. The internal memory core has been designed to saturate the 10G Ethernet port to its theoretical maximum speed, even with multiple users connected. It’s so fast, most computers cannot keep up. Plus file access is very low latency, so responsiveness is fast. That’s possible because of the parallel processing used by the memory core. Even at maximum speed, the Blackmagic Cloud Store Mini is extremely quiet with very little cooling fan noise. Even when editing large 12K digital film RAW files. It’s so fast, multicam editing is very smooth, even if it’s used with large digital film camera files. Sync to Dropbox Now you can setup a local cache of your Dropbox files. This makes working much faster because files are instantly available without needing to be downloaded from the internet. Blackmagic Cloud Store Mini will constantly work to stay in sync. You can save space on your computer by moving cached Dropbox files to the Blackmagic Cloud Store Mini so everyone on your network can share them. You can even sync multiple Blackmagic Cloud Store Minis via Dropbox so people in different geographic locations can collaborate without latency because everyone has a local copy of the files. Dropbox is also a fantastic backup solution. Distribute Files Globally With support for Dropbox sync, you can use multiple Blackmagic Cloud Store Mini units to share files globally. That’s important when working with large datasets or massive digital film and video files. These files need to be constantly accessed dozens of times a second, so most internet connections are too slow to handle it. While the internet has too much latency to access large files remotely, you can use it to sync these files. Syncing the files to local storage totally eliminates delays in accessing them. That's because everyone has a local copy of the files on their network. Blackmagic Cloud Store Mini will constantly sync files, even if your computer is turned off. Real Time Monitoring The most exciting feature is the HDMI monitoring output. Simply connect a TV or computer monitor to get a live status of the Blackmagic Cloud Store Mini. The storage map shows a graphic representation of the memory core and real time read and write access happening for the connected users. It’s quite mesmerizing to watch. There are also graphs that show you the data transfers on the Ethernet connections. The main space indicator shows you the capacity of the memory core and how much is currently being used. You can also add a custom name to the store. The status for each Dropbox connection is also shown. It's even possible to see connected users and the power supply status. High Performance 10G Ethernet The Blackmagic Cloud Store Mini has a high speed 10G Ethernet port, which is only found on expensive workstation computers. With 10G Ethernet, you get 10 times the speed of regular Ethernet. Plus most computers can be upgraded to add 10G Ethernet. The Blackmagic Cloud Store Mini is so fast, it will run the 10G Ethernet port to its maximum capacity. Even when connected to an Ethernet switch with dozens of users accessing files at the same time. The 10G Ethernet port also features very low latency for fast access times. There is also a separate 1G Ethernet port, plus Ethernet on the USB-C port, so you can keep the fast 10G Ethernet port free for a faster computer. Connect via USB-C for Quick file access Modern laptop computers are so thin, they often don't even have an Ethernet connection. That means you need an adapter to connect to an Ethernet network. These adapters are annoying and make it harder to just plug your computer into the storage to access a file. Blackmagic Cloud Store Mini has a USB-C to Ethernet adapter built in and you can access it simply by plugging your computer into the USB-C port on the store. Plus USB-C cables are much nicer than stiff Ethernet cables. Once you have connected the Cloud Store Mini’s USB-C connection to your computer, you have an Ethernet connection to the store. That means you can just plug in to quickly grab files when you need them urgently. Repairable Design for Long life Blackmagic Cloud Store Mini is easy to repair by qualified IT engineers. The design is based on a single PCB that attaches to the 4 memory cards and the AC power supply. This means the flash memory cards can be removed and replaced. Plus Blackmagic Cloud Store Mini runs Blackmagic OS so it applies wear leveling, so each M.2 card won't see excessive data writes. You can also see any card faults on the utility and the HDMI monitor output. Plus in future, as new and larger M.2 flash memory cards are released, the Blackmagic Cloud Store Mini can be upgraded so it has much larger capacity. That’s possible because M.2 flash memory cards are an open standard and available from any computer dealer. NO Subscription Costs One of the big advantages of the Blackmagic Cloud Store Mini is it’s private storage that you fully control. There are no subscriptions to sign up for. There are no monthly license fees. There is no tracking of your usage or data. You don't even need to log into a web page to maintain the storage settings, because Blackmagic Cloud Store Mini uses a free to download software utility that runs on Mac and Windows. That means you can run a private network, totally disconnected from the internet. This is critical for many security standards where computer networks cannot be connected to the external internet. With Blackmagic Cloud Store Mini, you get performance, portability, and total freedom. Free Software for Mac and Windows When you need to change settings, you can use the Blackmagic Cloud Store utility that's available on Mac and Windows. By default, the Blackmagic Cloud Store Mini is set to DHCP, so you can connect it to your network and start transferring files. In many ways, it plugs in just like a regular hard disk. That means it's so easy to setup, you won't need an IT person to get started. However if you want to customize your network, then the utility software lets you change the network settings in the cloud store. The utility also lets you add Dropbox sync folders. Perfect Multi Camera Video Workflow  Get broadcast quality video workflows by recording from a HyperDeck Studio directly into Blackmagic Cloud Store Mini. Just connect the HyperDeck Studio to the 1G Ethernet port, while the 10G Ethernet port can be connected to a high speed network so multiple DaVinci Resolve workstations can edit the media recorded by the HyperDeck. DaVinci Resolve is a free download and allows you to edit and colour the camera files. There is a wide range of HyperDeck Studio recorders and they are the perfect interface between the broadcast video world and the file based world used by editing software. Once the files are recorded, DaVinci Resolve will let you start editing immediately.

Blackmagic ATEM 4 M/E Constellation HD

Blackmagic ATEM 4 M/E Constellation HD BMD SWATEMSCN2 1ME4 HD BMDSWATEMSCN21ME4HD BMD-SWATEMSCN2-1ME4-HD BMD/SWATEMSCN2/1ME4/HD The Blackmagic ATEM 4 M/E Constellation HD is one of the world's most powerful HD live production switchers! We have 3 incredibly powerful HD switchers available, including the  ATEM 1 M/E Constellation HD model with 10 inputs, and the ATEM 2 M/E Constellation HD model with with 20 inputs! Plus each SDI input features a full standards converter! ATEM Constellation includes advanced features such as DVEs, ATEM advanced chroma keyers, media players, multiviews, and SuperSource processors! Plus the built in Fairlight audio mixer includes a compressor, limiter, 6 band parametric EQ and expander on each input. The free ATEM Software Control is included, or you can add a 1 M/E, 2 M/E or 4 M/E ATEM Advanced Panel! ATEM Constellation HD switchers feature a compact rack mount design with a built in control panel. This allows operation of the switcher, critical during setup or for emergency use. Also included is a large LCD so you can see program output and change switcher settings via on screen menus. The compact design is perfect for portable live production, with the rear of the switcher including the connections for 3G-SDI inputs, 3G-SDI aux outputs, balanced audio and Ethernet for control. The top 4 M/E model even includes RS-422 for serial control and MADI digital audio connections. Even with all this power, ATEM Constellation is extremely quiet with its innovative high efficiency thermal system. The massive 4 M/E model doubles the features of the 2 M/E model with 40 x 3G-SDI inputs, 24 x 3G-SDI outputs, 4 DVEs, 16 ATEM Advanced Keyers, 4 multiviews and 2 SuperSource for 12 x DVEs in total. With 3 powerful models, ATEM Constellation HD switchers are ideal for concerts and music festivals because you can place cameras on all areas of the stage for amazing coverage! Even live sports benefit from the huge number of inputs and DVEs let you build multi-layer compositions to cover the action. The fastest way to produce programming is live! With powerful internal graphics and lots of ATEM advanced chroma keyers, you get everything you need for complex program production.   ATEM Constellation is also perfect for house of worship programming as it’s big enough to allow professional results, but it’s very simple to learn so it’s easy to train a volunteer crew!

Blackmagic Focus Demand

Blackmagic Focus Demand BMD CINSTUDMFT H FD BMDCINSTUDMFTHFD BMD-CINSTUDMFT-H-FD BMD/CINSTUDMFT/H/FD Eliminates the need to reach for the lens because you can control the lens direct from the tripod handles, just like a true broadcast lens.

Blackmagic DaVinci Speed Editor

Blackmagic DaVinci Speed Editor BMD-DV/RES/BBPNLMLEKA BMD-DV-RES-BBPNLMLEKA BMD/DV/RES/BBPNLMLEKA BMDDVRESBBPNLMLEKA BMD DV RES BBPNLMLEKA The DaVinci Resolve keyboards have been designed in conjunction with the cut page to make editing dramatically faster. You get physical controls that you can feel in your hands, making the experience much better than software only editing. Unlike a mouse, the machined metal search dial with soft rubber coating allows very accurate search and positioning of the timeline. It feels just like holding the timeline in your hand! Trim keys allow the search dial to be used for live trimming, which is faster because the search dial is larger and more accurate. Editing and trimming with the search dial is a whole new way to work! All of this means DaVinci Resolve is the next generation of editing!

Blackmagic Studio Converter

BLACKMAGIC Studio Converter BMD-CINSTUDMFT/H/SC BMD/CINSTUDMFT/H/SC BMD-CINSTUDMFT-H-SC BMDCINSTUDMFTHSC BMD CINSTUDMFT H SC With 10G Ethernet on the Pro model, you can connect all signals to the camera with the one Ethernet IP link connection. That means the camera feed, return program feed, timecode, reference, tally, talkback and control are all sent down the single cable. That's the same benefits of SMPTE fiber, but the standard 10G copper Ethernet cable is much lower cost. The Blackmagic Studio Converter allows breakout of all the video, audio and talkback connections at the studio end. It also includes a massive power supply that powers the camera down the Ethernet cable, so you don't need a power source near the camera. Plus you can fit 2 per rack unit using a Blackmagic Universal Rack Shelf.

Blackmagic Micro Converter SDI to HDMI 12G with Power Supply

Blackmagic Micro Converter SDI to HDMI 12G with Power Supply (BMD-CONVCMIC/SH12G/WPSU BMD/CONVCMIC/SH12G/WPSU BMD-CONVCMIC-SH12G-WPSU BMDCONVCMICSH12GWPSU BMD CONVCMIC SH12G WPSU) Super compact and rugged, the Micro Converter SDI to HDMI 12G from Blackmagic Design enables you to link SDI cameras or computers to pro-style HDMI monitors, projectors, or displays, and it features a 33-point LUT for color calibration. This compact converter has one 12G-SDI input, one 12G-SDI loop output, and one HDMI output. It auto-detects and matches your SDI input to the HDMI output and is compatible with input/output resolutions up to DCI/UHD 4K60. The pocket-sized Micro Converter SDI to HDMI 12G features timecode support, SDI re-clocking for stability over long cable runs, and support for a wide range of pro broadcast resolutions including cine-style 48 fps. The converter features a sturdy metal housing with power and signal LED status indicators and rugged connector interfaces. The USB Type-C port enables the SDI to HDMI 12G converter to easily connect to and be powered by adapters, monitors, laptops, or desktop computers, and it also facilitates firmware updates from a Windows or macOS computer. A power supply and an international plug adapter set is included with the converter.

Blackmagic Videohub Master Control Pro

Blackmagic Videohub Master Control Pro BMD/VHUB/WMSTRCRL/PRO BMD-VHUB-WMSTRCRL-PRO BMD VHUB WMSTRCRL PRO BMDVHUBWMSTRCRLPRO BMD-VHUB/WMSTRCRL/PRO When you need to access your whole router without sacrificing speed, then Videohub Master Control Pro lets you scroll your router sources and destinations with the easy to use spin knob control or via direct button entry. You can even see all routes on the beautiful LCD. Powers via DC or the Ethernet connection. HARDWARE CONTROL PANELS ADD INCREDIBLE RACK MOUNT HARDWARE CONTROL PANELS For dedicated remote router panels, you can choose between Videohub Smart Control Pro and Videohub Master Control Pro. Both optional panels connect to your network via Ethernet and can control any Videohub model. Videohub Smart Control Pro is ideal for direct cut bus style routing to monitors or decks, while Videohub Master Control Pro gives you full spin knob control and direct label entry with an LCD display to see your router crosspoint labels. You get perfect integration and 24/7 broadcast reliability with Blackmagic Videohub remote panels.

Blackmagic Videohub Master Control Pro

Blackmagic Design Micro Converter BiDirectional SDI/HDMI 12G

Blackmagic Design Micro Converter BiDirectional SDI/HDMI 12G BMD CONVBDC SDI HDMI12G BMD/CONVBDC/SDI/HDMI12G BMD-CONVBDC-SDI-HDMI12G BMDCONVBDCSDIHDMI12G BMD-CONVBDC/SDI/HDMI12G Easily combine SDI and HDMI components in your video setup with the Micro Converter BiDirectional SDI/HDMI 12G from Blackmagic Design. This compact bidirectional converter can convert SDI to HDMI and HDMI to SDI in all SD, HD, and UHD formats up to 2160p60. Since each conversion direction can be a different SD, HD, or UHD video standard, it's like getting two converters in one. It also offers camera control conversion for Blackmagic HDMI cameras like the Pocket Cinema Camera 4K or 6K, enabling you to use them with an SDI-based live switcher. The pocket-sized Micro Converter BiDirectional SDI/HDMI 12G features HDMI timecode support, SDI re-clocking for stability over long cable runs, support for a wide range of pro broadcast resolutions, including cine-style 48 fps, and both HDMI and SDI embedded audio input and output. This converter features a sturdy metal housing with power and signal LED status indicators and rugged connector interfaces. A USB Type-C port enables the converter to easily connect to and be powered by large-screen monitors, laptops, desktop computers, or projectors. The converter is powered using a separately available power supply.

Blackmagic Atem Streaming bridge

Atem Streaming bridge BMD SWATEMMINISBPR BMDSWATEMMINISBPR BMD-SWATEMMINISBPR BMD/SWATEMMINISBPR STREAM TO YOURSELF WITH ATEM STREAMING BRIDGE The ATEM Streaming Bridge is a video converter that lets you receive a H.264 stream from any ATEM Mini Pro and convert it back to SDI and HDMI video. This means you can send video to remote locations around your local Ethernet network, or via the internet globally. That's possible because it uses advanced H.264 codecs for higher quality at very low data rates. Imagine broadcasters and bloggers collaborating on shows and creating global networks of ATEM Mini Pro remote broadcast studios. Setup is easy as the ATEM software utility can create setup files that you can email to remote ATEM Mini Pro studios. ATEM Streaming Bridge is the perfect way use ATEM Mini Pro as a remote broadcast studio.

Blackmagic Design Zoom Demand

Blackmagic Design Zoom Demand BMD/CINSTUDMFT/H/FZD BMD-CINSTUDMFT-H-FZD BMD CINSTUDMFT H FZD BMDCINSTUDMFTHFZD Add pan handle-mounted zoom control to your Studio Plus or Studio Pro camera with this Blackmagic Design Zoom Demand. Featuring dual USB connectors, the zoom demand mounts on your pan handle with a rosette so you can adjust its position for your comfort. It features a familiar in/out toggle with a speed selection knob and a rec start/stop button.

Blackmagic Micro Converter BiDirectional SDI/HDMI

  Blackmagic Micro Converter BiDirectional SDI/HDMI BMD-CONVBDC-SDI-HDMI12G-WPSU BMD/CONVBDC/SDI/HDMI12G/WPSU BMDCONVBDCSDIHDMI12GWPSU Micro Converter SDI to HDMI 12G Now you can convert SDI to HDMI and HDMI to SDI in all SD, HD and Ultra HD formats up to 2160p60! Each conversion direction can be a different SD, HD or Ultra HD video standard, it’s like getting two converters in one! The all metal durable design is perfect for live production and broadcast. Plus it’s small enough to be hidden and used anywhere. It can be powered from any USB-C socket! Use Anywhere, Pocket sized broadcast quality converters! Blackmagic Micro Converters are so small you can use them anywhere! That means it’s always easy to keep a few available for any urgent conversion task! Because they are extremely high quality, you can trust them for all kinds of broadcast, live production and on set use. Use them to turn any computer display, television or video projector into a high quality colour calibrated broadcast monitor. They're also perfect for converting the HDMI outputs of computers and consumer video cameras to high end SDI equipment. Imagine using a slide show running on a computer for high end broadcast quality titles in live production! You could even use them for extending HDMI long distances using SDI. Miniaturized Design, Precision engineered broadcast grade converters! Unlike other small SDI converters, Blackmagic Micro Converters feature the highest quality broadcast technology, miniaturized into an incredibly strong metal enclosure. Each converter has the highest quality broadcast industry standard SDI and HDMI connectors. Blackmagic Micro Converters include a USB connection for power, as well as for changing settings via the converter utility on Mac and Windows. Because the USB powers the converter, you can even power it from televisions or laptop computers. There are even LEDs for status. You can also buy Blackmagic Micro Converters with an AC power supply including 4 adapters for international use. Broadcast Quality, Big converter quality, miniaturized! Unlike cheap converters, Blackmagic Micro Converters include the highest quality signal processing and deep bit depth video pipeline. Micro Converters have been engineered with precision electronics so you get very low SDI jitter, allowing you to extend SDI cables over long distances. That’s vital for live production where equipment such as cameras can be a long distance from switchers. Blackmagic Micro Converters work with both 8 and 10-bit video formats, in RGB or YUV, and in all SD, HD and Ultra HD formats, depending on the model, up to 2160p60. They even support 1080p24, 1080p47.95, 1080p48, 4Kp24, 4Kp47.95 and 4Kp48 film rates! Plus you get fully embedded audio and timecode support. Update and Change Settings! You can also change settings and update the converter software with the free converter utility that can be downloaded from the Blackmagic Design web site. This software connects to the USB connection on the Micro Converters and runs on both Mac and Windows computers. You can use the utility to change the converter name, which can be useful for identifying which converter is used for which task! When using the bidirectional converter, you can even set the camera number, so the converter knows when it’s being controlled from a live production switcher. You can also select between level A and level B when working with 3G-SDI video standards. Monitoring with 3D LUTs, Get colour accurate monitoring on any type of display! For colour accurate monitoring, some models include a 3D LUT! You can apply custom looks, colour and gamma changes in real time for on set monitoring. Plus LUTs can also be applied to the SDI loop output, allowing you to use the converter as a 3D LUT processor! 3D LUTs are great for allowing a low cost computer monitor or TV to be used as a colour calibrated broadcast or grading monitor. 3D LUTs are included on the SDI to HDMI 3G, SDI to HDMI 12G and BiDirectional SDI/HDMI 12G models. You can even use DaVinci Resolve to create custom 3D LUTs! Because DaVinci Resolve can be downloaded free, it costs nothing to start creating your own library of 3D LUTs! Imagine reproducing old film stocks! Latest HDR Support Micro Converter 12G models have everything for the latest HDR workflows. Simply connect a HDR monitor, projector or TV and you are ready for HDR monitoring! Static metadata PQ and Hybrid Log Gamma (HLG) formats in the VPID are handled according to the ST2108-1, ST2084 and the ST425 standards. Micro Converter 12G models handle ST425 which defines 2 new bits in the VPID to indicate transfer characteristic of SDR, HLG or PQ. Plus the ST2108-1 standard defines how to transport HDR static or dynamic metadata over SDI. There is also support for ST2082-10 for 12G SDI as well as ST425 for 3G-SDI sources. Both Rec.2020 and Rec.709 colourspaces are supported. Convert with Camera Control The new Micro Converter BiDirectional SDI/HDMI models even support camera control so you can use a Blackmagic Pocket Cinema Camera with an ATEM SDI switcher. ATEM switchers send camera control over SDI, and the converter can translate this to HDMI for the camera. Just connect SDI from the converter out to the switcher input, the switcher program out to the converter input, and then the HDMI converter input connects to the Pocket Cinema Camera. Now add a camera number in the converter utility and you'll get control of the camera colour corrector, tally and even remote recording! It even works in reverse and you can connect and control an SDI camera from an HDMI switcher such as ATEM Mini! Includes HDMI Timecode Support The new Micro Converter models use a new Blackmagic Design custom hardware design so they're more advanced to better support the technical features critical to high end broadcast workflows. These features include support for HDMI and SDI timecode conversion. You even get full support for timecode in both standard definition and high definition video formats. This means if you have any HDMI device that supports timecode, you can convert it to SDI and get that timecode into larger broadcast systems. Blackmagic Micro Converters might be low cost, however they don't miss out on advanced features needed for high end film, television and post production work. SDI Re‑clocking, Perfect for longer SDI cable lengths Blackmagic Micro Converters include SDI re-clocking on the SDI output. SDI re-clocking will regenerate the SDI video, reduce SDI jitter and improve SDI eye pattern before the converter sends the signal to other equipment. This allows longer cable lengths because even degraded SDI signals can still be used. Other converters often leave out important features such as re-clocking so are not reliable for broadcast use. Blackmagic Micro Converters don’t suffer from these problems because they are a more technically advanced design. All models comply with SMPTE 259M, SMPTE 292M, SMPTE 296M, SMPTE 424M and SMPTE 425M broadcast standards. The 12G models add SMPTE 2081-10 and SMPTE 2082-10 standards. Wider Range of SD and HD Video Standards All Blackmagic Micro Converter models support SDI formats including 525i59.94 NTSC, 625i50 PAL, 720p50, 720p59.94, 720p60, 1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p47.95, 1080p48, 1080p50, 1080p59.94, 1080p60, 1080PsF25, 1080PsF29.97, 1080PsF30, 1080i50, 1080i59.94, 1080i60, 2Kp23.98  DCI, 2Kp24 DCI, 2Kp25 DCI, 2Kp29.97 DCI, 2Kp30 DCI, 2Kp47.95 DCI, 2Kp48 DCI, 2Kp50 DCI, 2Kp59.94 DCI and 2Kp60 DCI, 2KPsF25 DCI, 2KPsF29.97 DCI and 2KPsF30 DCI. HDMI video standards include 525i59.94 NTSC, 625i50 PAL, 720p50, 720p59.94, 720p60, 1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60, 1080i50, 1080i59.94 and 1080i60. Plus 3G level A and B are supported. Get Ultra HD and 4K with 12G-SDI Models Blackmagic Micro Converter 12G models add all the SDI and HD formats of the 3G models plus powerful Ultra HD and 4K formats. 12G-SDI formats include 2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p47.95, 2160p48, 2160p50, 2160p59.94, 2160p60, 4Kp23.98 DCI, 4Kp24 DCI, 4Kp25 DCI, 4Kp29.97 DCI, 4Kp30 DCI, 4Kp47.95 DCI, 4Kp48 DCI, 4Kp50 DCI, 4Kp59.94 DCI and 4Kp60 DCI, 4KPsF25 DCI, 4KPsF29.97 DCI and 4KPsF30 DCI. All these formats mean the Micro Converter 12G-SDI models have the film and television standards of the future so you can move to Ultra HD whenever you want! Plus all Micro Converters can be software updated, so you can add new television standards as they are invented.

BLACKMAGIC HyperDeck Studio HD Plus

BLACKMAGIC HyperDeck Studio HD Plus, BMD-HYPERD/ST/DCHP (BMD/HYPERD/ST/DCHP, BMD_HYPERD/ST/DCHP, BMD HYPERD/ST/DCHP, HYPERD/ST/DCHP) Broadcast deck with button controls and 6G-SDI

BLACKMAGIC URSA Studio Viewfinder G2

BLACKMAGIC URSA Studio Viewfinder G2, BMD-CINEURSANSVF2 (BMD/CINEURSANSVF2, BMD_CINEURSANSVF2, BMD CINEURSANSVF2, CINEURSANSVF2)  

BLACKMAGIC URSA Broadcast G2

BLACKMAGIC URSA Broadcast G2, BMD-CINEURSAMWC6KG2 (BMD_CINEURSAMWC6KG2, BMD CINEURSAMWC6KG2, BMD/CINEURSAMWC6KG2, CINEURSAMWC6KG2) Professional broadcast camera for HD, 4K & 6K

Blackmagic BMD-HYPERD/ST/DG4P Hyperdeck Studio 4K Pro

Blackmagic BMD-HYPERD/ST/DG4P (BMDHYPERD/ST/DG4P, BMD HYPERD/ST/DG4P, BMD-HYPERD-ST/DG4P,BMD-HYPERD-ST-DG4P) Hyperdeck Studio 4K Pro. The Blackmagic Design HyperDeck Studio 4K Pro is an updated 1 RU file-based deck that features the same functionality and control of professional tape decks in a digital design. This model updates the previous HyperDeck Studio models with several features including 12G-SDI support, two added SD card slots, USB Type-C recording output, timecode input and output, Ref input and output, a redesigned jog/shuttle wheel, 10G Ethernet, and a speaker on the front. The Studio 4K Pro records uncompressed video with 10-bit 4:2:2 color using either ProRes or DNxHD codecs, as well as the H.264 and H.265 compression formats. With two SSD slots and two SD card slots, you can record almost endlessly as one SSD becomes full, recording automatically continues on to the other, and the SD card slots are also hot-swappable. The Studio 4K Pro features one 12G-SDI input, two 12G-SDI outputs, a loop-through 12G-SDI output, a dedicated SDI monitor output, and there's also one HDMI input and one HDMI output that can all output up to DCI 4K. The 4K Pro can even play ProRes 4444 files in true UHD for fill and key outputs. The ports autodetect the signal and will adjust to the SD, HD, 6G-SDI, or 12G-SDI format input. The 3-pin XLR timecode input and output allow you to sync timecode with other devices, and it also allows you to daisy-chain with other devices to create a timecode sync chain. The Studio 4K Pro is a 1 RU rack-mountable unit, with built-in rack mount ears. It features illuminated front panel button control and a heavy jog/shuttle wheel for analog scrubbing. RS-422 control is supported for external control using the Ref input and output ports. The USB Type-C port allows you to record to external disks, and you can also use it to plug into a computer to use as a source for a web stream. An integrated LCD on the front panel allows you to monitor the video and display timecode and transport information. Professional Broadcast Deck The new HyperDeck Studio recorders have been totally redesigned with dozens of new features. The advanced models have new broadcast-style front panel controls and more connections on the rear panel. The LCD screen supports both light and dark modes, plus the transport control buttons are stronger with a firm professional feel. The Pro models feature a machined metal search dial with increased mass and a soft rubber surface that feels nice to the touch. Plus the search dial features an active clutch, just like a traditional broadcast dec. With dual media slots, you can change cards without interrupting recording. The advanced models even include a front headphone connection and speaker. Mastering Recorder All models record to H.264, ProRes, and DNx files, so are perfect for recording broadcast masters, plus the 4K model adds H.265 when recording to UHD files. You can even use PCM or AAC audio. You get everything you need to send shows to broadcasters and for uploading to YouTube. ISO Recording All models feature timecode and reference generators, with outputs to loop to other HyperDecks. This means you can build a rack of HyperDeck Studios for ISO camera recording, allowing multi-cam editing after live events. You can even sync cameras to the SDI output and the SDI input has frame sync. Digital Signage HyperDeck Studio is perfect for digital signage as all models have HDMI output for connecting to large screen TVs and projectors. The built-in sync generator lets you combine multiple HyperDecks for large multiscreen video walls. There's even FTP for file upload and a protocol for remote control. Broadcast Archive HyperDeck Studio supports all SD and HD standards so it's ideal for archiving old television shows from broadcast decks such as Digital Betacam, Betacam SP, 1", U-matic, and VHS. You can even record directly to H.264 to maximize storage. For analog decks, just add a Mini Converter Analog to SDI. Bright Color LCD Status Display HyperDeck Studio features traditional deck-style transport controls, including a search dial for jog, shuttle, and scroll. The compact LCD shows timecode and transport information, plus a full-color thumbnail preview of the current clip in record or playback. It also displays information about each card's recording status, along with video format, frame rate information, and audio levels, all on the same display. The LCD includes monitoring for video, plus audio level meters, selectable between technically accurate VU or PPM ballistics. The combination of familiar VTR style controls with the built-in LCD screen makes HyperDeck Studio incredibly fast to use and very easy to learn. Traditional Broadcast Deck Controls HyperDeck Studio includes a traditional broadcast-style control panel that's very fast to use. Simply press the record button and you instantly start recording the video input to a file. You can also change the record file format from the menu. There are transport control buttons for playback, rewind, fast forward, previous clip, next clip, and more. The Pro models have a machined metal search dial that supports shuttle, jog, and scroll so you can find clips fast. Any button pressed on the front panel is sent to the rear RS-422 remote output for looping control to multiple HyperDecks. The Plus and Pro models also include a front panel speaker and headphone socket for live audio monitoring. Supports SD Cards, UHS-II Cards or SSDs All HyperDeck Studio models support recording to common SD cards and UHS-II cards so you don't need expensive custom media. However, the Pro models also add two SSD slots so you can use two different types of media. SD cards and SSDs are the perfect choices for broadcast media because they are small and very affordable. When using H.264, the files are so incredibly small you get very long recordings even on smaller low-cost cards. Plus, you can even record to external USB disks. With H.265, you can record up to 58 hours in 2160p60 Ultra HD or up to 157 hours of H.264 recording in 1080p59.94 on a 1TB card. That's over 6 days of recording in HD using a single 1TB card. Dual Media Slots for Non-Stop Recording All HyperDeck Studio models feature dual media slots for nonstop recording. When the recording card becomes full, recording automatically continues onto the next card. That's perfect when recording long live events because you can "hot swap" a full card for an empty card while recording continues in the other slot. Each slot has a status indicator to show which card is being used, either red for record or green for playback. Plus all models now feature very long file recordings to a single file for easy file distribution. HyperDeck Studio is easily repairable with each card slot using an individual PCB assembly that can be replaced if it ever becomes worn out from heavy use. Record to External USB Type-C Media Disks If recording to other types of media is required, the USB Type-C expansion port lets you plug in an external flash disk for recording. USB Type-C flash disks have unlimited capacity because they can be physically larger than an SD card or SSD. Plus, it's even possible to record to a disk array you'll use for editing, so you don't need to waste time copying files before starting post-production. Just move the disk over to a computer and instantly start editing. You can even add a Blackmagic MultiDock 10G that has 4 separate SSD media slots, so you can add compatibility with SSD media to the HyperDeck Studio Mini and Plus models. There are also menus for managing external disks on the built-in LCD. Popular ProRes, DNx, H.264, and H.265 Files HyperDeck supports the most popular codecs in use today. All models include DNx and ProRes file formats. However, all models also include H.264 in quality levels up to full 10 bit 4:2:2 when recording in NTSC, PAL, 720p, 1080p, and true 1080i interlaced formats. While the 4K model adds H.265 when recording in Ultra HD. That means you get tight 60:1 to 285:1 compression ratios for very small files at full broadcast quality. Plus you can choose uncompressed PCM audio, or even AAC audio when uploading files to YouTube. All models support both ExFAT and HFS+ disk formats and long-duration single file recordings. The Plus and Pro models even support ProRes 4444 allowing fill and key playback. Advanced Broadcast Connections Depending on the model HyperDeck Studio features a wide range of video and audio connections such as 3G-SDI, 6G-SDI, or 12G-SDI. All models include HDMI for connecting to televisions and projectors. There's even a dedicated SDI monitoring output on the Pro and Plus models with on-screen status. The Pro and Plus models include two SDI outputs so you can play ProRes 4444 files, allowing simultaneous fill and key output for keying in live production switchers. The internal timecode and reference generator connections can be looped to sync multiple units for ISO recording. The 4K model has 10G Ethernet for extremely fast network file copying. All models even include AC and locking DC power. Choose 3G-SDI, 6G-SDI, or 12G-SDI Models With multi-rate SDI, you get support for the most popular video standards. The SDI and HDMI connections will automatically switch video standards, so handle SD, HD, and Ultra HD formats depending on the model. SD formats include NTSC and PAL. 720p HD standards include 720p50 and 720p59.94p. 1080i HD interlaced formats include 1080i50 and 1080i59.94. 1080p HD formats include 1080p23.98, 24, 25, 29.97, 30, 50, 59.94, and 60p. HyperDeck can even support 1080 PsF formats. On the 4K model, Ultra HD formats up to 2160p60 are supported. Plus the 4K model supports 2K and 4K DCI rates up to 30p. HyperDeck Studio also supports level A and level B when running HD video at 3G-SDI rates. Fill and Key Outputs for Broadcast Animations The HyperDeck Studio Plus and Pro models can play ProRes 4444 HD files to the two separate SDI fill and key outputs. That means you can use HyperDeck Studio as a graphics clip player for broadcast animation because the ProRes 4444 file's alpha channel will be automatically converted to the key SDI output for real-time keying in a live production switcher. Plus the HyperDeck Studio 4K Pro model adds fill and key playback in UHD. Imagine running animated lower third titles and stingers with key channel outputs for incredibly clean multilayered titles. Plus, switchers such as Blackmagic Design ATEM models connect to HyperDeck Studio via Ethernet to trigger playback synced to transitions. USB Webcam Output for Video Software For compatibility with a wide range of computer software, HyperDeck Studio features webcam support using the USB connection. If you're not recording to an external USB disk, you can plug the HyperDeck USB connection directly into a computer to get live video into any video software. The computer is tricked into thinking the HyperDeck is a common webcam, but it's really a broadcast-quality video source. That guarantees full compatibility with any video software and in full resolution 1080 HD quality. HyperDeck Studio's USB webcam feature works with any video software including Zoom, Microsoft Teams, and Skype, or get live streaming with Open Broadcaster, XSplit Broadcaster, and more. Advanced HDR Support and Monitoring 3D LUTs You'll be ready for the latest feature film workflows with support for advanced HDR standards. All HDR status information is embedded into the SDI connections so downstream equipment can detect when HDR files are played. When recording, the SDI and HDMI inputs will also automatically detect HDR video standards and then tag the files with the correct HDR information. Static metadata PQ and HLG formats are handled according to the ST2084 standard. Plus the front panel LCD has a wider color gamut for both Rec. 2020 and Rec. 709 color spaces. HyperDeck Studio Plus and Pro models even allow you to load a 3D LUT into the monitoring output to add looks or to convert film to video gamma. Includes Professional Multi-Channel SDI Audio HyperDeck Studio includes professional multi-channel SDI audio for recording up to 16 channels. When recording from the SDI input, you can select in the menu to record 2, 4, 8, or 16 channels of audio in real time. There's extra space on the SDI monitoring status overlay, which allows the audio meter display to show the number of channels you have enabled all at the same time, and the audio meters will show 2, 4, 8, or 16 channels simultaneously. The audio meters are designed to use the correct ballistics, and you can change between different VU and PPM meter displays in the LCD menu. HyperDeck Studio is more than just a video recorder, as it also has quality sound. Incredibly Fast Network File Transfers All HyperDeck models allow media files to be uploaded remotely, using simple FTP client software. With 10G Ethernet built into the HyperDeck Studio 4K Pro model, file transfers are so fast, they are faster than the SD card or SSD media disks. For remote deck control, all models use an easy-to-learn text-based protocol, so you can use a simple terminal app like Telnet to test control commands. Simply log into the HyperDeck and then type "play" or "record" and it will execute the command. If you combine the control protocol and file transfers with a HyperDeck connected to a large USB Type-C disk array, you get a fantastic broadcast server for ingest, media management, and play out. Traditional RS-422 Broadcast Deck Control The most popular control connection used on broadcast decks since the early 1980s is the RS-422 protocol. Originally developed by Sony, RS-422 is used on almost all broadcast gear. HyperDeck Studio features wide protocol support so you can connect it directly to broadcast systems. It also supports extra commands for the Advanced Media Protocol for managing disk recorders. When designing RS-422 control solutions, you'll know you're connected to a HyperDeck Studio when you see the ID 0xF0E0 in 30/60p, 0xF1E0 in 25/50p or 0xF2E0 in 24p. The full set of support remote commands are included in the instruction manual and you can download this from the support page of our website. Built-In Timecode and Sync Generators With a timecode and sync generator built into all models, you can stack multiple units for digital signage or multi-channel recording. Each HyperDeck has dedicated outputs for reference and timecode, direct from the internal sync and timecode generators. The generators "free run" unless reference or timecode is connected to the inputs, and then generators will automatically lock. This means you can loop from HyperDeck to HyperDeck to create perfectly timed array or recorders. Blackmagic OS The innovative Blackmagic OS has been designed for high-performance film and broadcast products and it manages all functions on HyperDeck Studio. Only Blackmagic OS provides instant power on while including powerful features such as LCD with video, timecode and audio metering, monitoring with overlays, menus, fast networking, multi-disk media management, 3D LUTs plus localization. The on-screen LCD menus include settings to customize your HyperDeck Studio, plus the menus now support both light and dark mode. Blackmagic OS provides world-leading network performance and HyperDeck Studio 4K Pro can sustain data transfers at a massive 1.2 gigabytes per second on its 10G Ethernet connection. Localized for 13 Popular Languages HyperDeck Studio supports multiple languages so you don't need to learn a new language just to use it. You get support for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese, Turkish, Polish, and Ukrainian languages. When initially powered on for the first time, HyperDeck Studio will display a menu for selecting a language, plus you can always use the LCD menu to change the language at any time in the future. Once a language is selected, the LCD menus will change, plus the overlays on the SDI monitoring output will also change to the selected language. All this means HyperDeck Studio is perfect for doing work anywhere in the world. Use All Video Software and Streaming Sites HyperDeck Studio records files that are compatible with virtually all post-production software. Plus if you record in H.264, you can upload files from HyperDeck Studio direct to streaming services such as YouTube, Facebook, Vimeo, Twitter, and more. You can use popular editing software such as DaVinci Resolve, Apple Final Cut Pro, Adobe Premiere Pro, or Avid Media Composer because HyperDeck uses the same file formats used in post-production. Even VFX software such as Fusion and Adobe After Effects work with the files. Because HyperDeck records to disks formatted on computers, you can simply mount the disk on any computer and start editing without needing to transcode or convert the files. Built-In Redundancy Keeps You on Air Serious broadcasters need redundancy because it increases reliability. HyperDeck Studio includes redundant features to help ensure you stay on air. With dual media slots on all models, and the Pro models having 4 media slots, you can stay on air, even if one of the slots becomes damaged. Plus with the HyperDeck Studio HD Mini model you get 3 totally independent recorders in a single rack unit, while the HyperDeck Studio HD Plus model allows 2 independent recorders in a single rack unit. All HyperDeck models include both AC and a locking DC power connection, so you use the DC connection with an external battery pack for redundant power. Designed for Both Portable or Rack Mount Use When you need a portable broadcast solution, the HyperDeck Studio HD Mini model includes most features miniaturized into an elegant 5" wide compact design that's only one-third of a rack unit wide. That means you can fit three recorders in a single rack unit. Just use the optional Teranex Mini Rack Shelf and you can mount the three units side by side, then bolt it into a standard equipment rack. Or you can combine HyperDeck Studio Mini with other modules, such as a Teranex Mini Analog to 12G-SDI to convert the input from analog to SDI, all in the same rack which is perfect for archive work. HyperDeck Studio HD Mini looks great when it's not rack-mounted and simply used by itself on a desktop. Compatible with Switchers, Disk Docks, and Cameras There's a wide range of Blackmagic Design products you can use with HyperDeck including switchers, cameras, and streaming solutions. As the Mini and Plus models don't include SSD slots, you can add a Blackmagic MultiDock 10G to use regular SSDs, allowing compatibility with media from other HyperDeck models. HyperDeck Studio will manage all the disks for you and automatically record to disks in the MultiDock. You can even use the MultiDock with the HyperDeck Studio Pro models just to add extra SSDs for longer recording times. HyperDeck Studio is also a perfect mastering recorder when used with ATEM switchers, a clip player with fill and key, or looped on switcher inputs for ISO recording.

Blackmagic BMD-CINECAMPOCHDMFTEVF Pocket Cinema Camera Pro EVF

Blackmagic BMD-CINECAMPOCHDMFTEVF (BMD/CINECAMPOCHDMFTEVF, BMD_CINECAMPOCHDMFTEVF, CINECAMPOCHDMFTEVF, BMDCINECAMPOCHDMFTEVF, BMD CINECAMPOCHDMFTEVF, bmd-cinecampochdmftevf) Pocket Cinema Camera Pro EVF Add a compact viewfinder to your Pocket Cinema Camera 6K Pro with this Pocket Cinema Camera Pro EVF from Blackmagic Design. The EVF is designed specifically to fit into the EVF slot on the 6K Pro, and it locks using an integrated M4 screw. When in use, it turns off the built-in touchscreen LCD, so you don't accidentally change settings while using the EVF. The display provides a 1280 x 960 resolution image on its crisp micro-OLED display. The display provides a variety of overlays such as status, meters, and settings in the blank areas above and below the camera image. It accepts input frame rates up to 60 fps and 24-bit RGB color for a clear representation of your image. Its glass diopter features -4 to +4 adjustment, and the display also features a digital focus chart. It can swivel up to 70°, and a set of four eyecups are included and provide compact, medium, cinematic left eye, and cinematic right eye configurations.

Blackmagic BMD-CINECAMPOCHDXBT2 Pocket Camera Battery Pro Grip

Blackmagic BMD-CINECAMPOCHDXBT2 (BMD/CINECAMPOCHDXBT2, BMD_CINECAMPOCHDXBT2, CINECAMPOCHDXBT2, BMDCINECAMPOCHDXBT2, BMD CINECAMPOCHDXBT2, bmd-cinecampochdxbt2) Pocket Camera Battery Pro Grip Add up to three hours of shooting time from two batteries to your Pocket Cinema Camera 6K Pro with this Pocket Cinema Camera Battery Grip from Blackmagic Design. The battery grip features nonslip handgrips on the sides, and it's constructed with lightweight, durable carbon fiber material. The grip installs onto the bottom of the Pocket Cinema Camera 6K Pro and provides a slide-out tray for two NP-F570 L-series batteries to add up to three hours to your shooting time. The status of both batteries displays on the camera's display. The batteries can also be charged while installed using the camera's 12 VDC power input.

Blackmagic BMD-SWATEMMINICEXT ATEM Mini Extreme Switcher

Blackmagic BMD-SWATEMMINICEXT (BMD/SWATEMMINICEXT, BMD_SWATEMMINICEXT, BMD SWATEMMINICEXT, BMDSWATEMMINICEXT, bmd-swatemminicext) ATEM Mini Extreme Switcher ATEM Mini Extreme is an advanced switcher for true professionals. You get all the ATEM Mini Pro features plus 8 HDMI inputs, 2 separate HDMI outputs, 2 USB ports and a headphone connection. There are also 4 chroma keyers, 6 picture in picture DVEs, 2 media players and a multiview with up to 16 views. EASY TO USE AND FAST TO LEARN There's never been a switcher that’s easier to use, as you simply press any of the input buttons labelled by number on the front panel to cut between video sources. You can choose between cut or effects transitions by selecting the cut or auto buttons. Unlike cut, the auto button tells ATEM Mini to use a video effect when switching inputs. You can select from exciting transitions such as dissolve, or more dramatic effects such as dip to colour, DVE squeeze and DVE push. Add a DVE effect for picture in picture effects with customized picture positions and background. There are even "media players" which are a still store for titles and graphics that you can load via external software control. STREAM LIVE INTERVIEWS ATEM Mini is perfect for interviews as you can connect multiple cameras for close ups of the host, or interviewee, as well as wide shots plus ATEM Mini is so small the host can even switch in small studios. Plus ATEM Mini Pro and Extreme models support live streaming to YouTube, Facebook and more. CONNECT UP TO 8 INDEPENDENT CAMERAS With 4 or 8 HDMI inputs depending on the model, you can connect multiple cameras for different views. Video cameras with HDMI outputs are better quality than simple webcams as they use higher quality lenses and have better low light sensitivity. All video sources will re-sync to the switcher if they operate at different video standards so you don't have to worry about connecting video devices as they all just work. Cameras with HDMI often support interchangeable lenses so you can change to wide angle lenses for wide shots and zoom lenses for close ups. Imagine taking advantage of the low light capability of better cameras for theater production, weddings, school concerts and music videos. OUTPUTS TO HDMI VIDEO AND USB WEBCAM To ensure maximum compatibility, all ATEM Mini models feature USB that operates as a simple webcam source. That means you can plug into a computer and get working with any video software. The software is tricked into thinking the ATEM Mini is a common webcam, but it's really a live production switcher. That guarantees full compatibility with any video software and in full resolution 1080HD quality. Choose any software you like, such as Zoom, Microsoft Teams or Skype for a new way to do presentations with a professional multi camera broadcast quality style. The ATEM Mini webcam output also works with streaming software such as Open Broadcaster, XSplit Broadcaster and more. LIVE STREAM VIA ETHERNET ATEM Mini Extreme models have a built in hardware streaming engine for live streaming via their ethernet connections. That means you can live stream to YouTube, Facebook and Twitch in better quality, without dropped frames and with simpler settings. Just select the streaming service and enter the streaming key. There are palettes in ATEM Software Control for streaming setup, plus streaming status is also displayed in the multiview. Streaming status is easy to understand as the data rate indicator shows internet speed required for the video format you're using. If you're technically minded, you can update the streaming profiles in an XML settings file to load new services. CONNECT 5G OR 4G PHONES FOR MOBILE DATA If you’re doing live production on location then the ATEM Mini Extreme models support connecting an Apple or Android phone to the USB port to use mobile data. It's also a great backup for the main Ethernet connection. Phone tethering works with the latest high speed 5G phones plus the more common 4G phones. The ATEM switcher will automatically detect when a phone is connected and switch its internet connection to use it, eliminating the need for changing settings. When connected, the phone will power from the USB port so it remains charged from the switcher. By using phone tethering and mobile data, ATEM Mini Extreme become the perfect mobile production solutions. WORK WITH PROFESSIONAL MICROPHONES With two independent 3.5mm stereo audio inputs, you can connect desktop and lapel microphones. You can even connect a music player to generate introduction music after the live stream commences but before the program starts. With 2 extra stereo audio inputs, you can ensure a host and guest both have lapel microphones when doing interviews. All audio inputs to ATEM Mini include buttons on the panel for adjusting audio level and enabling inputs into the audio mixer. Plus all models feature a Fairlight audio mixer with all HDMI inputs and both microphone inputs are all connected to the audio mixer so you can live mix from all audio sources. The ATEM Mini Extreme also adds a headphone output.

Blackmagic BMD-SWATEMMINIBPRISO Mini pro ISO production switcher

Blackmagic 4 HDMI input live production switcher adds recording of up to 5 separate H.264 video streams in real time. That's a clean feed of all inputs and plus the live program. A DaVinci Resolve project file is also saved so you can open your live production to adjust edits, change shots, remix audio and add colour correction.

Blackmagic videohub smart control pro

Blackmagic videohub smart control pro(BMD-VHUB/WSC/PRO) When you want the fastest routing you can get, then Videohub Smart Control Pro lets you route with a single button press. Program each button for a single router cross point and when pressed the route is made. You can program to have multiple destinations and even a take button. Powers via DC or the Ethernet connection. HARDWARE CONTROL PANELS ADD INCREDIBLE RACK MOUNT HARDWARE CONTROL PANELS  For dedicated remote router panels, you can choose between Videohub Smart Control Pro and Videohub Master Control Pro. Both optional panels connect to your network via Ethernet and can control any Videohub model. Videohub Smart Control Pro is ideal for direct cut bus style routing to monitors or decks, while Videohub Master Control Pro gives you full spin knob control and direct label entry with an LCD display to see your router crosspoint labels. You get perfect integration and 24/7 broadcast reliability with Blackmagic Videohub remote panels.  

Blackmagic BMD-12GBIOPT 12G SFP Optical Module

Blackmagic BMD-12GBIOPT (BMD_12GBIOPT, BMD/12GBIOPT, BMD 12GBIOPT) 12G SFP Optical Module 12G SFP Optical Module with LC Connectors .

Blackmagic MultiDock 10G

Blackmagic BMD-DISKMDOCK4/U10G (BMDDISKMDOCK4/U10G, BMD DISKMDOCK4/U10G, BMD/DISKMDOCK4/U10G, BMD-DISK/MDOCK4/U10G) MultiDock 10G Blackmagic MultiDock 10G is an advanced SSD dock that lets you access 4 separate SSDs via a single high speed 10 Gb/s USB‑C connection. Unlike cheap consumer adapters, Blackmagic MultiDock 10G has been specifically designed for the film and television industry and features a rack mount design with an independent SATA driver chip on each disk, ensuring much faster data transfer speeds. That's perfect for editors, colourists and media management on set! It can even be used for SSD compatibility on HyperDeck Extreme! Only Blackmagic MultiDock 10G gives you the industrial strength design you need for professional work. Premium All Metal Rack Mount Design Unlike cheap SSD docking cables, the Blackmagic MultiDock 10G is a compact 1 RU all metal design you can mount in any professional rack. Each disk slot features an illuminated disk indicator so you can see when disks are being accessed. The design is also repairable so you can replace the socket connector in each slot. Simply plug into any USB‑C Mac or Windows computer and there is no software to install. The rear panel features 2 USB‑C connections and a slide switch to allow selecting between using 4 disk slots on a single USB‑C connection, or 2 slots on each USB‑C connection for shared use. Plus, the built in AC power supply provides lots of power to run 4 SSDs or hard disks at the same time. Dock and Edit Blackmagic MultiDock supports up to 4 independent 2.5 inch SSDs so it’s possible to edit directly from the disks you recorded onto. Simply plug in your SSDs and they will mount on your Mac OS X and Windows computers like regular hard disks! Because Blackmagic MultiDock features 4 independent disk slots, you can mount all your media from a shoot all at the same time! Blackmagic MultiDock 10G is perfect for accessing media recorded with the URSA Mini Pro SSD Recorder. It's also the perfect solution to add SSD compatibility to HyperDeck Extreme 8K as it will let you interchange disks between HyperDeck Studio models. You can even stripe multiple disks together for a super-fast RAID array. Solid State Disks Solid state disks are the perfect storage solution for television because they are very fast and extremely large in size. Even a single solid-state disk is much faster than a disk array because the memory-based storage is accessed instantly without the mechanical lag, allowing a single SSD to record an entire event or film shoot. This means you get reliable, fast recording with the speed for the largest video files. With Blackmagic MultiDock 10G, it’s possible to plug in any brand of 2.5-inch solid state disk or if you need high capacity backup at low cost, a regular 2.5-inch laptop hard disk can be used. Best of all the driver is built into the operating system so no extra software is needed. Extreme 10GB/S USB-C Speed Blackmagic MultiDock uses advanced USB‑C technology so you get blazingly fast transfer speeds to your computer at up to 10 Gb/s with a single cable connection! That’s more than enough bandwidth to handle the highest resolution video formats including 8K in H.265 from HyperDeck Extreme 8K! MultiDock features a completely independent disk interface chip per disk slot so you never get slowdowns because of SATA bandwidth issues. Even though you get all 4 disks connected to a single USB‑C connection, you can also split Blackmagic MultiDock 10G and get 2 disks on one USB‑C connection and 2 disks on the second USB-C connection. That's perfect for dual computer use or increased speed. Flexible Raid Storage Unlike consumer disk arrays, Blackmagic MultiDock is a compact and robust 1 rack unit all metal design that can be quickly installed into equipment racks. The built-in power supply ensures no power is used from laptop batteries and it has enough power to run 4 high performance disks all at the same time for use in RAID configurations. Blackmagic MultiDock 10G even supports the RAID software built in to most operating systems, so you can customize your disk array for your needs. Each disk slot also features an attractive illuminated disk access indicator so you can see when your disks are being accessed. Use Any Software SSDs are so incredibly fast it's no longer necessary to use RAID arrays to get enough speed for editing. That means you can add up to 4 media disks to editing software such as DaVinci Resolve, Final Cut Pro X, Premiere Pro CC, Avid Media Composer, Autodesk Smoke and more. Blackmagic MultiDock 10G is also fantastic for backup as you can insert mechanical hard disks into the slots and backup direct to the disks. Mechanical hard disks are used on laptop computers and are extremely large and very low cost. If you're working with HyperDeck Extreme, you can also use Blackmagic MultiDock 10G to get compatibility with SSDs for interchange between HyperDeck models. Work with HyperDeck 8K HDR The secret to using Blackmagic MultiDock 10G with HyperDeck Extreme is the high-speed USB‑C port on the rear panel called External Disk. When you plug MultiDock into the HyperDeck External Disk port, it can see the SSDs and use them for recording. When using 2 HyperDeck Extreme units mounted side by side it’s possible to switch to 2 channel mode and use 2 disks with each HyperDeck. This also means it's possible to use 2 computers with a single MultiDock, one using each channel, or multiple rack mount servers can access the same MultiDock. When an SSD is inserted in MultiDock, it can be seen on the HyperDeck Extreme on-screen menus and you can select it for record and playback. Move Media Between Editing Systems If you're working in large facilities, then Blackmagic MultiDock allows media disks to be relocated simply by unplugging the disks and walking to a new location. That eliminates slow file copying and there is no need for complex network storage. This means you get the flexibility to change and move workflow as your client demands. You can even take your job from an editing room into a dedicated DaVinci Resolve colour correction room and then move to a larger theatre style room when your client arrives to review your job. With instant unplugging of media, you eliminate clunky devices hanging off cables plus you can always access the disks right from the front of the rack equipment.

Blackmagic DeckLink Quad HDMI Recorder

Blackmagic BMD-BDLKDVQDHDMI4K (BMD/BDLKDVQDHDMI4K,BMD_BDLKDVQDHDMI4K, BMD BDLKDVQDHDMI4K) DeckLink Quad HDMI Recorder The DeckLink Quad HDMI Recorder actually includes 4pcs of Decklink HDMI cards. Each interface is shown as a separate video device for the operating system. Each channel can have a different video format. HDMI 2.0B inputs support SD, HD, Ultra HD, 4K and even PC resolutions. Windows 10, Windows 7, Apple OSX, Linux compatibility DeckLink Quad HDMI Recorder is a high-performance PCIe card that lets you capture Capture from 4 different HDMI sources, all in the same time! Featuring 4 independent HDMI 2.0b input connections, DeckLink Quad HDMI is like getting 4 separate and customizable Capture Cards in one, making it perfect for software live switching, streaming and more!

Blackmagic Decklink Duo 2 Mini

Blackmagic BMD-BDLKDUO2LP (BMD_BDLKDUO2LP, BMD/BDLKDUO2LP, BMD BDLKDUO2LP) Decklink Duo 2 Mini Compact PCIe capture and playback card with 4 independent channels for SD and HD up to 1080p60.

Blackmagic BMD-CONVMBHS24K6G Mini Converter HDMI to SDI 6G

Blackmagic BMD-CONVMBHS24K6G ( BMDCONVMBHS24K6G, BMD/CONVMBHS24K6G, BMD CONVMBHS24K6G, bmd-convmbhs24k6g) Mini Converter HDMI to SDI 6G Blackmagic Mini Converters are the world’s most advanced converters because they include the latest 6G-SDI technology, automatically detect the input video format and instantly change between virtually all SD, HD and Ultra HD video standards up to 2160p30. You get advanced features such as redundant SDI inputs, re-clocked loop outputs, HDMI instant lock, 33 point LUT support, and full analogue and AES/EBU audio connections so you can convert video, as well as embed or de-embed audio. Mini Converter HDMI to SDI 6G includes everything you need to convert from HDMI devices to SDI video in SD, HD and Ultra HD video formats. With independent audio connections you can also embed SDI audio from HDMI, AES/EBU or balanced analog audio inputs. Mini Converter HDMI to SDI is the perfect solution to convert HDMI consumer cameras or computers to broadcast quality SDI. The new Mini Converter SDI to HDMI 6G and Mini Converter HDMI to SDI 6G models make it possible to convert SDI to HDMI or HDMI to SDI in all formats up to 2160p30 at an even more affordable price. The Mini Converter SDI to HDMI 6G model is also dramatically more powerful with HDMI instant lock, 33 point 3D LUT support and Ultra HD to HD down conversion. HDMI instant lock can lock to a new signal in as little as 1 frame, so you get glitch free switching when changing between sources that have the same video format. New 33-point 3D LUT support lets you apply custom looks in realtime using high precision film quality look up tables. Plus you still get the same powerful Mini Converter features such as independent balanced analogue and AES/EBU digital audio connections, redundant SDI inputs to protect against cable damage and automatic switching between SD, HD and Ultra HD video standards. HDMI INSTANT LOCK Get instant image lock when using consumer HDMI TV’s HDMI televisions and projectors can take a long time to lock onto a signal when a new source is connected. HDMI Instant Lock on the Mini Converter SDI to HDMI 6G solves this problem by continuously sending an active HDMI signal to the display. When you switch to a new source that’s the same format as the previous signal it will lock in as little as 1 frame so you get glitch free clean switching. 33 POINT 3D LUT SUPPORT Create custom looks with high precision 3D LUTs Mini Converter SDI to HDMI 6G also includes a full 33 point 3D lookup table for high precision colour conversions. That means you can apply custom looks, colour and gamma changes in realtime for on set monitoring. LUTs can also be used with the SDI loop output, transforming the converter into a 3D LUT processor! The LUT’s are compatible with DaVinci Resolve so you get consistent colour on set and in post.

Blackmagic BMD-CONVMBSH4K6G Convert SDI in SD, HD and Ultra HD to HDMI 4K with analogue and AES audio

Blackmagic BMD-CONVMBSH4K6G ( BMD CONVMBSH4K6G, BMDCONVMBSH4K6G, BMD/CONVMBSH4K6G, bmd-convmbsh4k6g ) Convert SDI in SD, HD and Ultra HD to HDMI 4K with analogue and AES audio.  Blackmagic Mini Converters are the world’s most advanced converters because they include the latest 6G-SDI technology, automatically detect the input video format and instantly change between virtually all SD, HD and Ultra HD video standards up to 2160p30. You get advanced features such as redundant SDI inputs, re-clocked loop outputs, HDMI instant lock, 33 point LUT support, and full analogue and AES/EBU audio connections so you can convert video, as well as embed or de-embed audio. Mini Converter SDI to HDMI 6G lets you convert from SDI to HDMI in SD, HD, and Ultra HD formats while de-embeding audio to HDMI, AES/EBU or balanced analogue audio. You also get advanced features such as down conversion for monitoring Ultra HD on HD HDMI monitors as well as built in 3D LUTs plus HDMI instant lock for instant video display when an SDI input is connected. The new Mini Converter SDI to HDMI 6G and Mini Converter HDMI to SDI 6G models make it possible to convert SDI to HDMI or HDMI to SDI in all formats up to 2160p30 at an even more affordable price. The Mini Converter SDI to HDMI 6G model is also dramatically more powerful with HDMI instant lock, 33 point 3D LUT support and Ultra HD to HD down conversion. HDMI instant lock can lock to a new signal in as little as 1 frame, so you get glitch free switching when changing between sources that have the same video format. New 33-point 3D LUT support lets you apply custom looks in realtime using high precision film quality look up tables. Plus you still get the same powerful Mini Converter features such as independent balanced analogue and AES/EBU digital audio connections, redundant SDI inputs to protect against cable damage and automatic switching between SD, HD and Ultra HD video standards. HDMI INSTANT LOCK Get instant image lock when using consumer HDMI TV’s HDMI televisions and projectors can take a long time to lock onto a signal when a new source is connected. HDMI Instant Lock on the Mini Converter SDI to HDMI 6G solves this problem by continuously sending an active HDMI signal to the display. When you switch to a new source that’s the same format as the previous signal it will lock in as little as 1 frame so you get glitch free clean switching. 33 POINT 3D LUT SUPPORT Create custom looks with high precision 3D LUTs Mini Converter SDI to HDMI 6G also includes a full 33 point 3D lookup table for high precision colour conversions. That means you can apply custom looks, colour and gamma changes in realtime for on set monitoring. LUTs can also be used with the SDI loop output, transforming the converter into a 3D LUT processor! The LUT’s are compatible with DaVinci Resolve so you get consistent colour on set and in post.

Blackmagic BMD CINEURSANWFRSUR Lightweight rackmount kit for Studio Fiber Converter

Blackmagic BMD CINEURSANWFRSUR ( BMD-CINEURSANWFRSUR, BMD CINEURSANWFRSUR, BMD/CINEURSANWFRSUR, bmd-cineursanwfrsur ) Lightweight rackmount kit for Studio Fiber Converter.  

Blackmagic BMD CINEURSANWFRSTUD Studio Fiber Converter

Blackmagic BMD-CINEURSANWFRSTUD ( CINEURSANWFRSTUD, BMDCINEURSANWFRSTUD, BMD/CINEURSANWFRSTUD, BMD CINEURSANWFRSTUD ) Studio Fiber Converter Connect to remote cameras up to 2 km away with multiple channels of video, talkback, control and power all over a single cable Blackmagic Studio Fiber Converter The Blackmagic Studio Fiber Converter is used at the other end of your broadcast camera chain back in the studio or outside broadcast truck. It converts signals from the remote camera back into standard television industry connections that can be used with your live production switchers, audio mixers and talkback interfaces. It features a high capacity power supply to drive the cable so it can provide enough power for your camera and any accessories that you might add. The studio fiber converter includes connections for tally, two dual channel intercoms for industry standard 3rd party talkback systems, and even a backup engineering talkback channel in case the fiber goes down. You get a main Ultra HD camera feed plus 3 independent HD return feeds with full remote camera control, PTZ, tracker talkback and ethernet, all through a single SMPTE fiber cable. Plus, there is a large 5 inch LCD screen right next to the SMPTE fiber connection on the front panel for monitoring signals from the remote camera. This allows for easy patching and verification of the remote camera function. Blackmagic Fiber Converters Extend and fully power cameras up to 2 km away using an open standard SMPTE fiber cable The Blackmagic Camera Fiber Converter and Blackmagic Studio Fiber Converter convert standard television industry connections for video, audio, power, talkback, and tally into a single SMPTE fiber optic cable. This allows cameras to be placed up to 2 km away from a studio or outside broadcast truck using a single convenient and incredibly durable cable. The Blackmagic Camera Fiber Converter also adds familiar broadcast studio camera controls to the rear of the camera, plus additional connections so you can use it with the talkback systems and switchers you already have. The Blackmagic fiber converters feature 12G-SDI and are designed to work with all HD and Ultra HD formats up to 2160p60. Now you can transform professional cameras such as URSA Broadcast and URSA Mini into a complete professional studio camera with all of the features you need for high end work. Place Cameras Anywhere Get cameras much closer to the action If you’re working in a studio or out at a large sporting venue, you often need to place cameras far apart. While SDI connections are common, the limited range of SDI makes it hard to use it over long distances. Traditionally, you would need to run multiple cables and expensive extenders for power, talkback, tally, video and audio. This makes set up incredibly complex and increases the chances of a technical problem. Now you can solve this problem by converting all essential connections and power into a single convenient SMPTE fiber cable that can run incredibly long distances. That means cameras can be placed anywhere and connected back to broadcast trucks parked outside of a venue or back to a central control room in a studio. Best of all, SMPTE fiber is a global broadcast industry standard so you can use cables and connection points that are commonly available. Blackmagic fiber converters are also affordable, so traditional broadcasters, new web broadcasters, AV producers, houses of worship and educators can all use the same high end broadcast technology. SMPTE Fiber for Industrial Strength and Safety Built in multi layer fail safe instantly cuts power to eliminate danger Blackmagic fiber converters work with standard SMPTE 311M hybrid electrical and fiber optic cables with standard SMPTE 304 connectors on each end. These cables feature a 2 way fiber pair, data pair and power pair, along with a central strength member that gives it the needed durability for continuous use. Once plugged in, the Blackmagic Studio Fiber Converter automatically performs safety checks and then powers up, sending an industry standard 200 volts of power over the SMPTE cable for the camera and accessories. This means you can install cameras in remote locations without having to worry about power drops over long distances. Both the studio and camera converters at each end have dedicated micro controllers that continuously monitor power status. The converters communicate with each other to ensure that both a stable optical signal is present and that the power supply is operating within safe parameters. If a damaged cable or a earth leak is detected, the power is instantly shut down to eliminate any danger to personnel. Add Studio Camera Controls Transform broadcast cameras into dedicated studio cameras Studio cameras are typically operated from the rear of the camera, but broadcast cameras usually have controls on the side of the camera. To solve this problem, the Blackmagic Camera Fiber Converter adds support for SMPTE fiber to your camera along with a wide range of controls and features to the rear of the camera, transforming it into a professional studio camera. You get 2 separate broadcast standard 5 pin talkback connections, 3 return video feeds, 2 extra audio inputs, connections for PTZ and trackers, plus additional DC and D-tap outputs for powering accessories. With all these extra controls added to the rear of the camera, you can operate the camera in the same way as traditional studio cameras. 10G Ethernet for IP Video Super fast, low latency ethernet link for video, audio and control The Blackmagic Camera Fiber Converter and the Blackmagic Studio Fiber Converter use IP video because the SMPTE fiber connection is an open standard 10G Ethernet link. That means all of your video and return feeds are IP video based using high end, lossless broadcast quality 10-bit video encoding and decoding. All other connections such as talkback, tally, camera control and lens control are also converted to low latency IP so you get incredibly reliable performance and high quality. Using IP video means the Blackmagic fiber converters are future proof and ready for customization using high speed Ethernet infrastructure in future. Dual Channel Talkback Two dual channel talkback intercoms with backup The Blackmagic Camera Fiber Converter and Blackmagic Studio Fiber Converter provide 2 dual channel digital talkback connections that are compatible with professional 5 pin XLR talkback headsets. The camera converter even has convenient controls for mixing in program return audio with your talkback headset so you can adjust the volume as needed while talking to the rest of the crew. The talkback intercoms can be used for both production and engineering. In addition, there is a backup channel available for troubleshooting in case the fiber link is down. This backup talkback channel automatically switches over and uses the data pair in the SMPTE cable if the fiber is not working. The Blackmagic Camera Fiber Converter also includes a standard 10 pin connection for tracker talkback, which is perfect when both headset connections are in use and you need to feed an additional talkback connection through to your crane operator. Designed for High End Broadcast Durable metal design, high end components and professional connections The Blackmagic Camera Fiber Converter features an extremely durable all metal design that perfectly matches URSA Broadcast, URSA Mini cameras or any camera that supports a standard battery plate. It’s built to withstand the harsh demands of outdoor field production and 24/7 operation. The Blackmagic Camera Fiber Converter features full size standard television industry connections with dust caps, along with an integrated VLock mount plate on top for adding a studio viewfinder. The Blackmagic Studio Fiber Converter is designed so that you can fit two of them side by side in a standard equipment rack using the optional rack mount kit. The optical fiber connector on the Blackmagic Studio Fiber Converter is conveniently located on the front panel, right next to the built in 5 inch LCD, so you can plug remote cameras in and instantly see the feed.

Blackmagic BMD CINEURSANMFRCAM Camera Fiber Converter

Blackmagic BMD-CINEURSANMFRCAM ( CINEURSANMFRCAM, BMDCINEURSANMFRCAM, BMD/CINEURSANMFRCAM, BMD CINEURSANMFRCAM ) Camera Fiber Converter Connect cameras to live switchers up to 2 km away with video, talkback, control and power, all over a single cable Blackmagic Camera Fiber Converter The Blackmagic Camera Fiber Converter attaches to the back of your URSA Mini or URSA Broadcast camera. In addition to converting all of the audio, video, camera control and talkback into fiber, it also adds professional studio camera controls to the back of your camera. You get control for return feeds, dual intercom controls with the ability to mix in program audio, record, focus and iris controls, headset connectors, audio and more. The camera converter also includes a VLock mount plate on the top for attaching accessories such as a professional Blackmagic Studio Viewfinder. The Blackmagic Camera Fiber Converter has connections for your Ultra HD camera feed, 3 HD return feeds, full remote camera control, PTZ, multiple channels of talkback, tally and more. Blackmagic Fiber Converters Extend and fully power cameras up to 2 km away using an open standard SMPTE fiber cable The Blackmagic Camera Fiber Converter and Blackmagic Studio Fiber Converter convert standard television industry connections for video, audio, power, talkback, and tally into a single SMPTE fiber optic cable. This allows cameras to be placed up to 2 km away from a studio or outside broadcast truck using a single convenient and incredibly durable cable. The Blackmagic Camera Fiber Converter also adds familiar broadcast studio camera controls to the rear of the camera, plus additional connections so you can use it with the talkback systems and switchers you already have. The Blackmagic fiber converters feature 12G-SDI and are designed to work with all HD and Ultra HD formats up to 2160p60. Now you can transform professional cameras such as URSA Broadcast and URSA Mini into a complete professional studio camera with all of the features you need for high end work. Place Cameras Anywhere Get cameras much closer to the action If you’re working in a studio or out at a large sporting venue, you often need to place cameras far apart. While SDI connections are common, the limited range of SDI makes it hard to use it over long distances. Traditionally, you would need to run multiple cables and expensive extenders for power, talkback, tally, video and audio. This makes set up incredibly complex and increases the chances of a technical problem. Now you can solve this problem by converting all essential connections and power into a single convenient SMPTE fiber cable that can run incredibly long distances. That means cameras can be placed anywhere and connected back to broadcast trucks parked outside of a venue or back to a central control room in a studio. Best of all, SMPTE fiber is a global broadcast industry standard so you can use cables and connection points that are commonly available. Blackmagic fiber converters are also affordable, so traditional broadcasters, new web broadcasters, AV producers, houses of worship and educators can all use the same high end broadcast technology. SMPTE Fiber for Industrial Strength and Safety Built in multi layer fail safe instantly cuts power to eliminate danger Blackmagic fiber converters work with standard SMPTE 311M hybrid electrical and fiber optic cables with standard SMPTE 304 connectors on each end. These cables feature a 2 way fiber pair, data pair and power pair, along with a central strength member that gives it the needed durability for continuous use. Once plugged in, the Blackmagic Studio Fiber Converter automatically performs safety checks and then powers up, sending an industry standard 200 volts of power over the SMPTE cable for the camera and accessories. This means you can install cameras in remote locations without having to worry about power drops over long distances. Both the studio and camera converters at each end have dedicated micro controllers that continuously monitor power status. The converters communicate with each other to ensure that both a stable optical signal is present and that the power supply is operating within safe parameters. If a damaged cable or a earth leak is detected, the power is instantly shut down to eliminate any danger to personnel. Add Studio Camera Controls Transform broadcast cameras into dedicated studio cameras Studio cameras are typically operated from the rear of the camera, but broadcast cameras usually have controls on the side of the camera. To solve this problem, the Blackmagic Camera Fiber Converter adds support for SMPTE fiber to your camera along with a wide range of controls and features to the rear of the camera, transforming it into a professional studio camera. You get 2 separate broadcast standard 5 pin talkback connections, 3 return video feeds, 2 extra audio inputs, connections for PTZ and trackers, plus additional DC and D-tap outputs for powering accessories. With all these extra controls added to the rear of the camera, you can operate the camera in the same way as traditional studio cameras. 10G Ethernet for IP Video Super fast, low latency ethernet link for video, audio and control The Blackmagic Camera Fiber Converter and the Blackmagic Studio Fiber Converter use IP video because the SMPTE fiber connection is an open standard 10G Ethernet link. That means all of your video and return feeds are IP video based using high end, lossless broadcast quality 10-bit video encoding and decoding. All other connections such as talkback, tally, camera control and lens control are also converted to low latency IP so you get incredibly reliable performance and high quality. Using IP video means the Blackmagic fiber converters are future proof and ready for customization using high speed Ethernet infrastructure in future. Dual Channel Talkback Two dual channel talkback intercoms with backup The Blackmagic Camera Fiber Converter and Blackmagic Studio Fiber Converter provide 2 dual channel digital talkback connections that are compatible with professional 5 pin XLR talkback headsets. The camera converter even has convenient controls for mixing in program return audio with your talkback headset so you can adjust the volume as needed while talking to the rest of the crew. The talkback intercoms can be used for both production and engineering. In addition, there is a backup channel available for troubleshooting in case the fiber link is down. This backup talkback channel automatically switches over and uses the data pair in the SMPTE cable if the fiber is not working. The Blackmagic Camera Fiber Converter also includes a standard 10 pin connection for tracker talkback, which is perfect when both headset connections are in use and you need to feed an additional talkback connection through to your crane operator. Designed for High End Broadcast Durable metal design, high end components and professional connections The Blackmagic Camera Fiber Converter features an extremely durable all metal design that perfectly matches URSA Broadcast, URSA Mini cameras or any camera that supports a standard battery plate. It’s built to withstand the harsh demands of outdoor field production and 24/7 operation. The Blackmagic Camera Fiber Converter features full size standard television industry connections with dust caps, along with an integrated VLock mount plate on top for adding a studio viewfinder. The Blackmagic Studio Fiber Converter is designed so that you can fit two of them side by side in a standard equipment rack using the optional rack mount kit. The optical fiber connector on the Blackmagic Studio Fiber Converter is conveniently located on the front panel, right next to the built in 5 inch LCD, so you can plug remote cameras in and instantly see the feed.

Blackmagic BMD-DV/RES/BBPNLMINI Davinci Resolve Mini Panel

Blackmagic BMD-DV/RES/BBPNLMINI (BMD-DV-RES-BBPNLMINI, BMD_DV_RES_BBPNLMINI, DV-RES-BBPNLMINI, DV/RES/BBPNLMINI) Davinci Resolve Mini Panel The DaVinci Resolve Mini Panel from Blackmagic Design is a step-up in functionality from the Micro panel but without all the features of the Advanced panel. It is a portable control surface suitable for those that need to switch between editing and color grading. It can sit on your desk top, in a rack, or be bolted to a surface. As with the Micro panel, it features three high-resolution, weighted trackballs and 12 control knobs for accessing essential primary color-correction tools in the Resolve software. 18 dedicated keys on the right side also give you access to the most commonly used grading features and playback controls. However, the Mini Panel also features two LCD screens that allow you to display menus or the parameters of the tools you are working with. Eight customizable soft knobs provide precise control and a quick reset by pushing the knob. Dedicated feature buttons allow you to change tools without needing to use the mouse. The Mini panel incorporates a USB Type-C and Ethernet interface. It is compatible with Mac, Windows, and select Linux systems. You can power the panel via an AC power source, a 4-pin XLR connector, or PoE. For the panel to work with Resolve, your computer must be running DaVinci Resolve 14.3 or DaVinci Resolve Studio 14.3 or later. An included USB 3.0 Type-A to USB Type-C cable provides backward compatibility for systems that are limited to USB Type-A connectors. Small enough to take with you, so you can bring it to any Resolve system (14.3 or later) and do color correction on location or at the editor's suite Shares basic layout with both Micro and Advanced Panels Interfaces with and controls software Three track balls with outer control rings Log and Offset color-correction selection buttons Buttons are backlit and light up when actuated Two LCD display screens for displaying the menu system or the parameters of the tools you are wotking with Custom control knobs with 4096 steps per rotation and push button reset Primary Correction Creative Control Knobs Control knobs are grouped into four sets of three knobs Luminance Y Lift Control: Adjust the contrast of the image in the darker areas, specifically in the Y (luminance) channel only. This adjustment allows changing the black point without changing saturation. Y Gamma Control: Adjust the contrast of the image in the mid-tone areas, specifically in the Y (luminance) channel only. This control helps add depth and extra vibrancy to shots Y Gain: You can reduce hot spots or tweak the whites to define a look. Contrast Contrast Control: Increase contrast to make the blacks darker and the whites brighter, or decrease contrast to do the opposite. Pivot: Change the center of tonality about which dark and bright parts of the image are stretched or narrowed during a contrast adjustment. Mid-Tone Detail: Affect the contrast of regions of the image with high edge detail to increase or decrease the perception of image sharpness and definition. Often used for softening facial features making it popular for beauty shots. Detail Color Boost Control: Raise the saturation in regions of the image with low saturation while leaving properly saturated areas alone. Also known as a vibrance operation, this is useful for adding color without over-saturating the image. Shadow Control: Selectively lighten or darken shadow detail without affecting your images mid-tones. Highlight Control: Enable retrieving blown-out highlight detail in high dynamic range media by lowering this parameter. This allows you to achieve a smooth blend between the retrieved highlights and unadjusted mid tones for a natural-looking image. Saturation Increases or decreases overall image saturation — you can turn your color image into a grayscale image with this control. Hue Control: Rotates all hues of the image around 360° of the color wheel. The default setting is 50, which retains the original distribution of hues. Luminance Mix Control: Controls the balance between the YRGB adjustments and Y only adjustments made using the Y channel lift, gamma, and gain controls. The system powers from either AC power or a 12 VDC source via the 4-pin XLR connector. The Mini panel can sit on a desktop, be mounted in a rack, or mounted to a surface to prevent theft or be used in a moving vehicle or on a cart.

Blackmagic Teranex Express Real Time Converter

Blackmagic Design BMD-TERANEXEXPAV12GQL (BMD TERANEXEXPAV12GQL, BMDTERANEXEXPAV12GQL, BMD/TERANEXEXPAV12GQL, bmd-teranexexpav12gql) Standards converter designed for professional AV with 12G-SDI, HDMI 2.0a, XLR and HiFi connections, low latency, a still store and 1089 conversions. Teranex AV is specifically designed with new features for live events and professional AV installations, as well as broadcast and post production workflows. You get 1,089 up, down, cross and standards conversions for all formats up to 2160p60, along with Teranex’s patented algorithms and legendary image quality. Teranex AV offers low latency, and features a still store for adding logos and graphics, a live freeze frame and can generate a reference signal. You get professional 12G-SDI and quad SDI connections which can be used simultaneously, consumer HiFi, XLR audio, HDMI in, loop and outputs, and more. There are even metal brackets at the rear to prevent cables and connections from getting damaged when installed in tight locations. The Teranex AV features low latency that’s as low as 67 milliseconds, which means that you can convert any HDMI or SDI video format instantaneously to a different format and output it for projection in sync with the live event. For example, customers using Teranex AV at a concert can project a close up of a virtuoso pianist as their fingers fly across the keys on a big screen projector in synchronization with the live performance. For audio, Teranex AV also features 2 channel consumer HiFi connections, as well as XLR connections for 4 channels of AES/EBU or 2 channels of balanced analogue audio. The consumer HiFi connections are critical for professional AV customers because they allow lapel microphones, laptop computers and other devices with consumer audio connections to be used with Teranex AV. Now customers can connect virtually any audio source to Teranex AV and use it to embed the audio with the video and output the signal in any format. Teranex AV also features a still store that can capture a video frame in any format and hold it in memory, even when the power is cycled. Customers can preload corporate logos or graphics to display between presenters at conferences, or for outputting sponsor logos at concerts and events between acts. Plus, Teranex AV has built in resynchronization, so customers always get clean switches between the still store and live feeds for professional looking presentations. There’s even a live freeze frame feature that temporarily holds any current frame on the screen until Teranex AV is switched to another video output, a black frame, or the still store. This is ideal for conferences and events where you may need to hold a slide on screen while the presenter makes changes to their presentation in the background. The freeze frame and still store make it possible to always have something on screen at all times. In addition to HDMI and 12G-SDI connections, Teranex AV also includes quad link 3G-SDI outputs, making it compatible with a wide range of older Ultra HD monitors and projectors that only support quad link SDI 1080 HD inputs. This also makes Teranex AV a great video wall processor because it can split Ultra HD into 4 HD screens, or it can scale regular HD up, split it and output it onto 4 large screens for a tiled video wall. That means customers can create massive multi-screen outdoor displays and digital signs that will amaze the crowd at live events. Customers also get BNC input and output connections for generating or receiving reference signals. The built in ethernet connection allows for remote control, and an optical fiber cage is available for adding optional SMPTE fiber optic modules so customers can send video and audio over massive distances. Teranex AV even has rear brackets to protect cables and connectors from damage during portable, outside broadcast, or field work. With Teranex AV, customers get 1089 up, down, cross and standards conversions for all formats up to 2160p60 in full 10-bit quality. Like all Teranex processors, Teranex AV features patented algorithms and powerful processing that give customers visually transparent conversions that are indistinguishable from the original. Conversions use optical quality scaling, have advanced de-interlacing, noise reduction, automatic 3:2 cadence detection, removal and insertion, and retain timecode, ancillary data, audio and more.

Blackmagic BMD-BDLKMINIREC4K Low profile PCIe capture card feat 6G-SDI and HDMI 2.0a, incl HDR

Blackmagic Design BMD-BDLKMINIREC4K (BMD BDLKMINIREC4K, BDLKMINIREC4K, BMD/BDLKMINIREC4K, Bmd-Bdlkminirec4k ) Low profile PCIe capture card featuring 6G-SDI and HDMI 2.0a for all formats up to 2160p30, including HDR. DeckLink Mini Recorder 4K is a low profile PCIe capture card, featuring 6G-SDI and the latest HDMI 2.0a connections so you can record all formats up to 2160p30 on your computer. The SDI and HDMI inputs automatically detect and switch between all video formats. You even get high dynamic range recording and metadata over HDMI, along with support for Rec. 2020 colour space. The DeckLink Mini Recorder 4K is perfect for integrating into mobile live capture environments, broadcast trucks and more. You can even develop your own custom capture solutions using the Blackmagic Desktop Video SDK for Mac OS X, Windows and Linux. Includes two PCIe shields for both full height and low profile slots. The new DeckLink Mini 4K models are low profile 4 lane generation 2 PCI Express cards that include 6G-SDI and HDMI 2.0a connections. This means the high quality connections support broadcast quality 10-bit YUV and 12-bit RGB video, along with the latest Rec. 2020 colour and support for high dynamic range (HDR) formats and HDR metadata. Both DeckLink Mini 4K models are fully compatible with the Blackmagic Desktop Video SDK, making them perfect for OEMs or developers that are building custom playback or recording solutions. DeckLink Mini Recorder 4K can capture broadcast quality video directly from SDI and HDMI sources like decks and cameras to their computer. The low profile design of DeckLink Mini Recorder 4K makes it incredibly versatile and ideal for integrating into mobile live capture environments and outside broadcast trucks. Both models work with uncompressed and compressed video in open standard file formats such as QuickTime and DPX so they are compatible with virtually all professional editing, colour correction and visual effects software. That means customers can use the DeckLink Mini 4K models with software such as DaVinci Resolve, Fusion, Media Composer, Final Cut Pro, Premiere Pro and more.    

Blackmagic BMD-BDLKMINIMON4K Low profile PCIe playback card featuring 6G-SDI and HDMI 2.0a for all formats up to 2160p30, including HDR

Blackmagic BMD-BDLKMINIMON4K (BMDBDLKMINIMON4K, BMD BDLKMINIMON4K, BMD/BDLKMINIMON4K, bmd-bdlkminimon4k) Low profile PCIe playback card featuring 6G-SDI and HDMI 2.0a for all formats up to 2160p30, including HDR. DeckLink Mini Monitor 4K is a low profile PCIe playback card, featuring 6G-SDI and the latest HDMI 2.0a connections so you can monitor all formats up to 2160p30 from your computer! The SDI and HDMI outputs let you connect to any television or monitor and automatically detect and switch between all video formats. You even get high dynamic range playback and metadata over HDMI, along with support for Rec. 2020 colour space. You can even develop your own custom playback solutions using the Blackmagic Desktop Video SDK for Mac OS X, Windows and Linux! Includes two PCIe shields for both full height and low profile slots. The new DeckLink Mini 4K models are low profile 4 lane generation 2 PCI Express cards that include 6G-SDI and HDMI 2.0a connections. This means the high quality connections support broadcast quality 10-bit YUV and 12-bit RGB video, along with the latest Rec. 2020 colour and support for high dynamic range (HDR) formats and HDR metadata. Both DeckLink Mini 4K models are fully compatible with the Blackmagic Desktop Video SDK, making them perfect for OEMs or developers that are building custom playback or recording solutions. DeckLink Mini Monitor 4K delivers better than broadcast quality SDI and HDMI monitoring and playback in all formats up to 2160p30, making it incredibly popular with editing and colour correction customers who work with systems such as DaVinci Resolve. The outputs automatically switch between all video formats, making it perfect for use with televisions, professional monitors and the latest HDMI projectors. In addition, support for HDR playback makes DeckLink Mini Monitor 4K the world's most affordable HDR playback solution available.

Blackmagic BMD-MULTIP6G/04 MultiView 4

Blackmagic BMD-MULTIP6G/04 ( BMDMULTIP6G04, BMD MULTIP6G 04, BMD/MULTIP6G/04, bmd-multip6g/04 ) MultiView 4 Monitor any combination of SD, HD and Ultra HD sources all on the same screen, at the same time Blackmagic MultiView 4 has four completely independent 6G-SDI inputs that work with all SD, HD and Ultra HD formats up to 2160p30. Simply connect your sources and you’ll get a standard 2x2 grid view on an HD or Ultra HD television. Using the included Ethernet remote control software, you can turn on audio meters, choose which audio to output, as well as create custom labels, and more! MultiView 4 is compatible with the Teranex Mini Rack Shelf so you can use it on your desktop or rack mount it. You can also add an optional Teranex Mini Smart Panel for front panel control! For the ultimate in broadcast reliability and redundancy, you can power MultiView 4 via the AC connection as well as power over Ethernet. STUDIO OR LIVE USE MULTI SOURCE MONITORING DESIGNED FOR BROADCASTERS Multi view monitoring is perfect for massive control rooms with lots of incoming feeds, for live multi camera production or for use on location and in tight spaces that don’t have room for multiple monitors. With Blackmagic MultiViews you don’t need to connect multiple monitors, dozens of cables or run extra power to see all of your video sources! Simply plug your cameras, decks, switchers and routers into the SDI connections to see everything with amazing clarity and detail on a single HD or Ultra HD monitor. INDEPENDENT MONITORING MIX ANY COMBINATION OF SD, HD AND ULTRA HD SOURCES Each view on a Blackmagic MultiView works as a completely independent video monitor. You get full frame re-synchronization on all of the 6G-SDI inputs. That means they can be any video standard and frame rate, and each input is completely independent of the others. You can mix any combination of referenced or non-referenced NTSC, PAL, 720p, 1080i, 1080p, and Ultra HD up to 2160p30, all on the same display at the same time! It's like getting 4 or 16 independent monitors in one! HIGH RESOLUTION MONITORING THE WORLD’S HIGHEST RESOLUTION MULTI VIEWER. Blackmagic MultiView works with both HD as well as Ultra HD displays, so you get maximum compatibility with your existing HD equipment. That means you can use regular HD displays but you also have the choice to use an Ultra HD monitor for incredible sharpness! Ultra HD has four times the number of pixels of regular HD, so your video will look sharper and clearer than ever before! What this means is when displaying the 2x2 view on an Ultra HD monitor, each view is a full 1920 x 1080 HD resolution with no scaling! MultiView includes both 6G-SDI and HDMI outputs so you can connect to televisions, video projectors, broadcast monitors and more. ADVANCED MONITORING TOOLS CUSTOM LABELS, TALLY, AUDIO METERS AND MORE. Blackmagic MultiViews feature advanced monitoring tools that can be displayed with your video. You get custom labels, audio meters, tally indicators and more! You can also choose which audio source is routed to the video output. The on screen source labels have a subtle, elegant design and resize proportionally based on the selected layout. In addition, you get anamorphic support in standard definition so you can view 16 x 9 anamorphic video sources in widescreen. MULTI RATE 6G-SDI CONNECTIONS SUPPORTS ALL OF YOUR SD, HD AND ULTRA HD EQUIPMENT. MultiView 4 features multi rate 6G-SDI inputs with full frame re-synchronization and separate loop through outputs, making it compatible with your existing equipment. The SDI inputs automatically detect and re-sync’s SD, HD and Ultra HD formats up to 2160p30. You also get HDMI 2.0 and 6G-SDI for both HD and Ultra HD output. DESIGN MultiView 4 is designed to give you compact, portable multi viewing that’s easy to setup and can be used anywhere. Simply plug in your sources, turn it on and you’ll instantly see a quad split view displaying everything. MULTI MULTIVIEWS CREATE CUSTOMIZED VIEWS WITH EVEN MORE SOURCES! Blackmagic MultiView 4 handles 4 sources in an incredibly compact size, however if you have more, you can combine multiple MultiViews together to create customized displays! Simply daisy chain two together by connecting the output of one MultiView 4 to one of the inputs on another. That means you can now monitor seven sources at once, all on the same display! There’s no limit to how you can combine units together to create your own customized display. OPTIONAL FRONT PANEL CONTROLS WORKS WITH TERANEX MINI SMART PANELS. Blackmagic MultiView 4 works with the optional Teranex Mini Smart Panel so you can add front panel controls to your MultiView 4! Installation is as simple as swapping the front panel and, once installed, it’s even easier to set up and adjust settings on the fly! The Smart Panel features dedicated buttons, a built in LCD screen and a spin knob so you can turn on custom labels, audio meters, borders, tally and more! You can even adjust settings such as the IP address and output video format right from the front panel. TERANEX MINI SIZE USE ALL THE ACCESSORIES FOR TERANEX MINI. MultiView 4 is the same size as Blackmagic Design’s Teranex Mini range of 12G-SDI converters. This means you can use the Teranex Mini Rack Shelf for rack mounting the MultiView 4 and even combine multiple MultiView 4 models on the same rack shelf, or combine with a mix of Teranex Mini converters and MultiViews. The choice is yours! If you are in critical broadcast environments where you need to be able to change settings at any time then you can also add the Teranex Mini Smart Panel. This gives you full access to all MultiView 4 settings in easy to use graphical menus that are simpler and faster to use than the switches on the default panel. EXTERNAL “ROUTER” CONTROL SUPPORTS VIDEOHUB ROUTER PROTOCOL FOR EASY EXTERNAL CONTROL! MultiView 16 emulates a Blackmagic Videohub router so you get full compatibility with all of the external Videohub software and hardware control panels for routing any of the inputs onto any of the monitoring views! Both models can also be controlled via the included software utility on Mac or Windows computers so you can quickly change settings remotely if access to the front panel is restricted! You can even add on screen labels and other settings remotely.

Blackmagic BMD-CONVNTRM/DA/QDSDI Teranex Mini - Quad SDI to 12G-SDI

Blackmagic BMD-CONVNTRM/DA/QDSDI ( BMDCONVNTRMDAQDSDI, BMD CONVNTRM DA QDSDI, BMD/CONVNTRM/DA/QDSDI, bmd-convntrm/da/qdsdi ) Teranex Mini - Quad SDI to 12G-SDI Convert Quad Link SDI to 12G-SDI Convert Quad Link SDI to 12G-SDI so you can connect Quad Link Ultra HD equipment to the latest 12G-SDI Ultra HD equipment. Allows equipment that uses four BNC cables to be connected using a single 12G-SDI BNC cable for connecting to the latest routers, switchers, projectors and more! Supports both Level A and Level B 3G-SDI equipment.

Blackmagic BMD-CONVNTRM/DB/SDIQD Teranex Mini - 12G-SDI to Quad SDI

Blackmagic BMD-CONVNTRM/DB/SDIQD ( BMDCONVNTRMDBSDIQD, BMD CONVNTRM DB SDIQD, BMD/CONVNTRM/DB/SDIQD, bmd-convntrm/db/sdiqd ) Teranex Mini - 12G-SDI to Quad SDI Convert 12G-SDI to Quad Link SDI Convert 12G-SDI to Quad Link SDI so you can connect the latest 12G-SDI Ultra HD equipment with Quad Link Ultra HD equipment. Also allows Ultra HD SDI to be separated into four HD SDI outputs for using regular HD displays for creating video wall style displays. Includes 12G-SDI loop through and support for both Level A and Level B 3G-SDI equipment.

Blackmagic BMD-BDLKDVQD2 DeckLink Quad 2

Blackmagic BMD-BDLKDVQD2 ( BDLKDVQD2, BMDBDLKDVQD2, BMD BDLKDVQD2, BMD/BDLKDVQD2, bmd-bdlkdvqd2 ) DeckLink Quad 2 Eight channel configurable PCIe video capture and playback up to 1080p60 DeckLink Quad 2 features 8 independent SDI capture and playback channels in a single card! Fully compatible with the previous 4 channel model, this new model also allows 4 independent capture and playback channels but now also includes 4 extra channels that developers can use for configuring the card in any combination of up to 8 capture or 8 playback channels. This means DeckLink Quad 2 allows each of the 8 3G-SDI BNC connectors to switch direction between capture or playback in SD and HD up to 1080p60 and as a complete independent channel.

Blackmagic BMD-CONVMBASA Convert from SDI to analogue in HD/SD, plus balanced AES/EBU and analogue audio

Blackamagic BMD-CONVMBASA ( BMD CONVMBASA, BMDCONVMBASA, BMD/CONVMBASA, bmd-convmbasa ) Convert from SDI to analogue in HD/SD, plus balanced AES/EBU and analogue audio. Mini Converter SDI to Analogue includes everything you need to convert from SDI to analogue in HD/SD component, NTSC and PAL video, plus balanced AES/EBU and analogue audio. Now you can easily connect equipment such as Betacam SP, VHS, and analogue video monitors to SDI based equipment. Auto Switching SD and HD  Mini Converters instantly switch between standard definition and high definition video formats and change over is automatic when the video input changes. A huge range of video standards are supported including, NTSC, PAL, 1080i/59.94, 1080i/50, 1080psf/23.98, 1080psf/24, 720p/59.94 and 720p/50 formats, plus new formats can be added via USB. Redundant SDI Input Mini Converters feature a unique redundant input for mission critical tasks such as broadcast or live events. You can connect a redundant cable to the second input, so if the main input is lost due to cable damage or any other cause, Mini Converter will automatically switch over to the redundant input cable. This lets you use Mini Converters in locations where crowds or the environment might cause cable damage, or lets you place Mini Converters in hard to reach locations such as roof mounted video projectors etc. A loop though SDI output is also provided for connecting to other devices. A loop-thru SDI connection is also great if you need more than 2 audio channels, as you can connect the loop-thru to another Mini Converter to de-embedd extra audio channels! New 3 Gb/s SDI Technology  Only Mini Converters include the latest 3 Gb/s SDI technology and upgrades can be loaded via the built in USB connection for future video format compatibility. 3 Gb/s SDI is also fully compatible with all your standard definition and high definition SDI equipment. Built in AES/EBU or Analogue Audio Standard 1/4 inch jacks are built in for balanced analogue or AES/EBU audio. Because Mini Converters use standard 1/4 inch jack connectors for all audio connections, you can use standard cables commonly avalible from any pro audio store. Unlike other converters, Mini Converters don't need custom cables, as any balanced 1/4 inch jack cable can be used. Mini Converters are also unique as the same 1/4 inch jack connections can be switched between professional balanced analogue audio, or AES/EBU digital audio. This means you only need one model of Mini Converter for both analogue and digital audio. You can select the type of audio from one of the mini switches on the side of the Mini Converter unit. On modes with AES/EBU digital audio in, a sample rate converter lets you connect to any AES/EBU source, either synchronized, or un-syncronised. On HDMI models, you also have full access to the HDMI audio embedded in the HDMI video connection. High Quality  Mini Converters are built to highest quality standards with low SDI jitter so you get the longest SDI cable lengths combined with multiple internal power supplies for ultra low noise broadcast quality analogue video and audio. Unlike other converters, Mini Converters don't use "low grade" video electronics just to save cost. Mini Converters feature the highest grade broadcast quality analogue audio and video electronics. In fact, Mini Converters uses the same analogue video design as our most expensive and award winning Multibridge Eclipse! That means you get the highest quality, all in a very affordable and incredibly compact unit. International Power Supply Unlike other converters, a universal power supply is included with international socket adapters for all countries. This lets you take Mini Converters with you to any location worldwide, and plug directly into the local power sockets. To stop power accidentally being disconnected, a cable tie point is included to lock down the power connection tight. Changing Settings  With Blackmagic Design's Mini Converters, its as simple as using a pen to change settings. Settings vary between models, and include settings such as AES/EBU or analog audio, analog video connections, and more. Cinema Style Monitoring  With the Blackmagic Design SDI to HDMI Mini Converter you can utilize a HDMI Television for budget sensitive client monitoring. Simply connect your SDI signal into the SDI to HDMI Mini Converter and then plug your HDMI cable to either a big screen HDMI television or video projector. Can you just imagine how incredible it would be having a massive 60 inch flat screen TV for your client monitoring. Go the Distance  SDI video connects long distances up to 100m, so you can connect everyone together in your facility. Cables are simple BNC coax cables so you can easily make cables to the perfect length for your needs. Industry Standard Format  Connect to any SDI deck for all industry tape formats, from DV, Digital Betacamâ„¢, D1, up to HDCAM SRâ„¢ and HD D-5. Using capture cards such as Blackmagic Design's DeckLink, you can capture to formats such as JPEG, DV to uncompressed 8 bit, 10 bit or RGB 10 bit. Uncompressed Video Quality  SDI uses a higher data rate than DV, so its got the speed to handle full resolution video in standard definition or high definition completely uncompressed. That means you can preserve video quality until you need to compress the video - such as the final compression pass for streaming or broadcast.

Blackmagic BMD-CONVNTRM/BB/ANSDI Teranex Mini - Analog to SDI 12G

Blackmagic BMD-CONVNTRM/BB/ANSDI ( BMDCONVNTRMBBANSDI, BMD CONVNTRM BB ANSDI, BMD/CONVNTRM/BB/ANSDI, bmd-convntrm/bb/ansdi ) Teranex Mini - Analog to SDI 12G Introducing Teranex Mini, the next generation 12G-SDI converters with award winning Teranex quality and support for all SD, HD and Ultra HD formats up to 2160p60! All Teranex Minis include an internal AC power supply, professional XLR analog and AES/EBU audio connections and an ethernet connection for remote management and PoE alternate power! Teranex Mini features a user upgradable front panel that includes a color display and user controls so you can quickly monitor video and change settings right from the front of the converter! You get all of the same great features of regular mini converters and so much more. Use Anywhere The world’s most versatile converters. The all new Teranex Mini converters make building facilities and supporting all different types of video equipment easier than ever before. Teranex Mini is perfect for broadcast installations because they can be rack mounted and the optional front panel lets you see what’s being converted on the screen! They can even be remote managed over ethernet. Their compact size makes them great for portable racks at live events or in broadcast trucks, plus they have professional XLR audio connections for connecting to mixers and other audio gear! You can even use them in editing and color grading suites to drive big screen displays and projectors. Reinventing the Mini Converter The first mini converter you don’t have to hide. Teranex Minis are so small that you can use them like regular mini converters such as hiding them in cable ducts, behind equipment and attached to televisions for monitoring. Teranex Mini’s new flexible design lets you use them on the desktop where you can see them, or rack mount them in larger broadcast systems. Unlike regular mini converters, you get full size professional XLR audio connections built into the converters, plus each converter has an ethernet connection so they can be administered remotely. You get mini switches so you can change settings instantly or, when you’re doing mission critical work, you can add the optional front panel to see exactly what you’re converting. Rack Mountable The world's first 12G-SDI rack mount converters. Card based rack converters are expensive, cannot handle high SDI speeds such as 12G-SDI and you have to buy an entire rack chassis even if you only want to install one converter. Teranex Minis can be rack mounted in combinations of one or more and you can take them out and use them non rack mounted whenever you need! You get built in AC power and ethernet on every converter so there’s no single point of failure. Unlike card based converters, you can walk up and change settings from the front panel, monitor the video going through each converter, and you can also manage them remotely over ethernet! Because they’re so small you can mount them in the front or the rear of an equipment rack or road case. Advanced 12G-SDI Blazing fast 12G-SDI for SD, HD and Ultra HD. Teranex Mini converters feature cutting edge, multi rate 12G-SDI technology that’s 8 times faster than regular HD-SDI. 12G-SDI is multi rate so it will automatically detect and change between all SD, HD and Ultra HD video formats instantly, so you can connect Teranex Mini to all of your existing SD and HD equipment. 12G-SDI supports high frame rate Ultra HD up to 2160p60 on a single BNC cable so you can work in Ultra HD and keep your high frame rate production workflow for fast moving sports and action programming. Smart Thermal Design Easily handles 12G-SDI in tough environments. Teranex Mini features an innovative thermal design with crossflow cooling that keeps them running perfectly, even when rack mounted side by side and in tough environments! An intelligent thermal subsystem and internal heat pipe assist with cooling and keeps the air flowing at all times while minimizing noise. If a Teranex Mini gets too hot, you’ll instantly receive notification through the remote control ethernet utility and on the front panel. When rack mounted side by side, each Teranex Mini works together to pull air through the rack keeping them all cool and providing redundancy for each converter. Broadcast Connections True XLR audio, ethernet and built in IEC AC power connectors All Teranex Mini converters feature standard, professional broadcast quality connectors, including full size professional XLR audio connections and high speed BNC connections for handling the extremely high bandwidth of cutting edge 12G-SDI technology. All models feature a built in multi volt 90V-240V AC power supply and standard IEC AC power connector so you can use any regular power cable. The built in ethernet connection allows remote administration and can also be used to power the converter when connected to power over ethernet switch. Digital and Analog Audio Truly professional quality audio. The professional XLR connections can be switched between balanced analog or AES/EBU digital audio so you can connect to any professional analog or digital audio equipment. If you’re running pro digital audio gear, you can keep your audio digital the whole way through for perfect digital quality. With professional audio built into every converter, you can connect to pro audio gear like mixers, effects processors, compressors, limiters and more into SDI based video systems. For analog audio, Teranex Mini’s feature an extremely low noise floor of more than -115 dBFS so even analog audio background noise is virtually silent. Optical Fiber Models Build broadcast facilities using optical fiber. Optical fiber SDI is becoming more popular because it handles extremely long distances, even at the high speeds of 12G-SDI. Optical fiber cables can be installed by electricians or computer networking installers so it’s easy to use. Each model of Teranex Mini has a corresponding optical fiber model so you can run native optical fiber systems and convert directly from optical fiber to HDMI, analog video or audio. The optical fiber models still include a 12G-SDI connector so you can use them in both regular BNC or optical fiber systems. Local or Remote Control Easily control and manage your converters. Like regular Mini Converters, Teranex Mini features built in mini switches and a printed diagram on the converter so you can quickly and easily change settings. When using the optional Teranex Smart Panel, settings can be changed using the push buttons and simple on screen menus. If you’re in a larger facility using lots of converters, you can manage them over ethernet from a Mac or Windows computer using the included Converter Utility software. Highest Quality Patented Teranex Image Processing Built using high quality Teranex video processing technology, Teranex Mini is ideal for all broadcast, post production and professional video applications. You get full SDI re-clocking and low jitter so you can use longer cables and because Teranex Mini’s have been designed for 12G-SDI, you get extremely long cable lengths when running at slower SDI speeds such as 6G-SDI, 3G-SDI and HD-SDI. When converting to analog you get extremely low noise because of the high quality 12-bit video processing. When you’re running Ultra HD to analog video Teranex Mini’s will upscale or down convert to analog HD automatically.

Blackmagic BMD-CONVNTRM/BA/SDIAN Teranex Mini - SDI to Analog 12G

Blackmagic BMD-CONVNTRM/BA/SDIAN ( BMDCONVNTRMBASDIAN, BMD CONVNTRM BA SDIAN, BMD/CONVNTRM/BA/SDIAN, bmd-convntrm/ba/sdian ) Teranex Mini - SDI to Analog 12G Introducing Teranex Mini, the next generation 12G-SDI converters with award winning Teranex quality and support for all SD, HD and Ultra HD formats up to 2160p60! All Teranex Minis include an internal AC power supply, professional XLR analog and AES/EBU audio connections and an ethernet connection for remote management and PoE alternate power! Teranex Mini features a user upgradable front panel that includes a color display and user controls so you can quickly monitor video and change settings right from the front of the converter! You get all of the same great features of regular mini converters and so much more. Use Anywhere The world’s most versatile converters. The all new Teranex Mini converters make building facilities and supporting all different types of video equipment easier than ever before. Teranex Mini is perfect for broadcast installations because they can be rack mounted and the optional front panel lets you see what’s being converted on the screen! They can even be remote managed over ethernet. Their compact size makes them great for portable racks at live events or in broadcast trucks, plus they have professional XLR audio connections for connecting to mixers and other audio gear! You can even use them in editing and color grading suites to drive big screen displays and projectors. Reinventing the Mini Converter The first mini converter you don’t have to hide. Teranex Minis are so small that you can use them like regular mini converters such as hiding them in cable ducts, behind equipment and attached to televisions for monitoring. Teranex Mini’s new flexible design lets you use them on the desktop where you can see them, or rack mount them in larger broadcast systems. Unlike regular mini converters, you get full size professional XLR audio connections built into the converters, plus each converter has an ethernet connection so they can be administered remotely. You get mini switches so you can change settings instantly or, when you’re doing mission critical work, you can add the optional front panel to see exactly what you’re converting. Rack Mountable The world's first 12G-SDI rack mount converters. Card based rack converters are expensive, cannot handle high SDI speeds such as 12G-SDI and you have to buy an entire rack chassis even if you only want to install one converter. Teranex Minis can be rack mounted in combinations of one or more and you can take them out and use them non rack mounted whenever you need! You get built in AC power and ethernet on every converter so there’s no single point of failure. Unlike card based converters, you can walk up and change settings from the front panel, monitor the video going through each converter, and you can also manage them remotely over ethernet! Because they’re so small you can mount them in the front or the rear of an equipment rack or road case. Advanced 12G-SDI Blazing fast 12G-SDI for SD, HD and Ultra HD. Teranex Mini converters feature cutting edge, multi rate 12G-SDI technology that’s 8 times faster than regular HD-SDI. 12G-SDI is multi rate so it will automatically detect and change between all SD, HD and Ultra HD video formats instantly, so you can connect Teranex Mini to all of your existing SD and HD equipment. 12G-SDI supports high frame rate Ultra HD up to 2160p60 on a single BNC cable so you can work in Ultra HD and keep your high frame rate production workflow for fast moving sports and action programming. Smart Thermal Design Easily handles 12G-SDI in tough environments. Teranex Mini features an innovative thermal design with crossflow cooling that keeps them running perfectly, even when rack mounted side by side and in tough environments! An intelligent thermal subsystem and internal heat pipe assist with cooling and keeps the air flowing at all times while minimizing noise. If a Teranex Mini gets too hot, you’ll instantly receive notification through the remote control ethernet utility and on the front panel. When rack mounted side by side, each Teranex Mini works together to pull air through the rack keeping them all cool and providing redundancy for each converter. Broadcast Connections True XLR audio, ethernet and built in IEC AC power connectors All Teranex Mini converters feature standard, professional broadcast quality connectors, including full size professional XLR audio connections and high speed BNC connections for handling the extremely high bandwidth of cutting edge 12G-SDI technology. All models feature a built in multi volt 90V-240V AC power supply and standard IEC AC power connector so you can use any regular power cable. The built in ethernet connection allows remote administration and can also be used to power the converter when connected to power over ethernet switch. Digital and Analog Audio Truly professional quality audio. The professional XLR connections can be switched between balanced analog or AES/EBU digital audio so you can connect to any professional analog or digital audio equipment. If you’re running pro digital audio gear, you can keep your audio digital the whole way through for perfect digital quality. With professional audio built into every converter, you can connect to pro audio gear like mixers, effects processors, compressors, limiters and more into SDI based video systems. For analog audio, Teranex Mini’s feature an extremely low noise floor of more than -115 dBFS so even analog audio background noise is virtually silent. Optical Fiber Models Build broadcast facilities using optical fiber. Optical fiber SDI is becoming more popular because it handles extremely long distances, even at the high speeds of 12G-SDI. Optical fiber cables can be installed by electricians or computer networking installers so it’s easy to use. Each model of Teranex Mini has a corresponding optical fiber model so you can run native optical fiber systems and convert directly from optical fiber to HDMI, analog video or audio. The optical fiber models still include a 12G-SDI connector so you can use them in both regular BNC or optical fiber systems. Local or Remote Control Easily control and manage your converters. Like regular Mini Converters, Teranex Mini features built in mini switches and a printed diagram on the converter so you can quickly and easily change settings. When using the optional Teranex Smart Panel, settings can be changed using the push buttons and simple on screen menus. If you’re in a larger facility using lots of converters, you can manage them over ethernet from a Mac or Windows computer using the included Converter Utility software. Highest Quality Patented Teranex Image Processing Built using high quality Teranex video processing technology, Teranex Mini is ideal for all broadcast, post production and professional video applications. You get full SDI re-clocking and low jitter so you can use longer cables and because Teranex Mini’s have been designed for 12G-SDI, you get extremely long cable lengths when running at slower SDI speeds such as 6G-SDI, 3G-SDI and HD-SDI. When converting to analog you get extremely low noise because of the high quality 12-bit video processing. When you’re running Ultra HD to analog video Teranex Mini’s will upscale or down convert to analog HD automatically.

Blackmagic BMD-CONVMCAUDS4K SD/HD/3G-SDI audio embedder from 8 ch AES/EBU or 4 ch analog audio

Blackmagic BMD-CONVMCAUDS4K ( BMDCONVMCAUDS4K, BMD CONVMCAUDS4K, BMD/CONVMCAUDS4K, bmd-convmcauds4k ) SD/HD/3G-SDI audio embedder from 8 ch AES/EBU or 4 ch analog audio. Mini Converter Audio to SDI 4K includes everything you need to embed 4 channels of analogue audio or 8 channels of AES/EBU digital audio into any SDI video connection. Now you can embed professional audio from devices such as audio mixers and analogue decks into SDI video connections for use with SDI routers and decks or to add extra audio channels to video converters. Mini Converters include the latest 6G-SDI technology, plus automatically detect the input video format and instantly change between virtually all SD, HD and Ultra HD video standards. Simply plug in and Mini Converters will convert between your equipment all automatically. You get advanced features such as redundant SDI inputs, re-clocked loop outputs and full analog and AES/EBU audio inputs and outputs so you can convert between formats as well as embed or de-embed audio all on the one converter. Choose from a range of 13 models depending on the conversion you need. Easy To Use Features Broadcast, post production and professional AV environments are built using SDI equipment and cabling. It’s essential when converting to and from SDI that you maintain the highest possible video and audio quality. Mini Converters are compact, affordable and easy-to-use. Settings can be changed quickly using built-in mini switches, and with a diagram showing pin settings printed on the back you never need to refer to a manual. Mini Converters use standard broadcast video and audio connections, so you get the convenience and cost savings of using your own cables. Ultra HD and 6G-SDI Technology Make the move to Ultra HD, the broadcast standard of the future, easy. Be prepared now by installing equipment that is fully compatible with all your SD and HD-SDI infrastructure, but will also switch over to Ultra HD via 6G-SDI when you need to run Ultra HD. This means you're ready for the future and can build your system with full Ultra HD compatibility. Ultra HD features an incredible 4 times the resolution of regular 1080 HD video for a massive 3840 x 2160 frame size. The advanced 6G-SDI design also means the new Blackmagic Mini Converters models perform better when used in SD and HD formats than simple HD only converters. Highest Quality Processing With the highest quality video processing, Mini Converters are ideal for all broadcast, post production and professional AV applications. Multiple internal power supplies ensure incredibly low noise levels when moving between analogue and digital video formats. Specific models include up/down/cross conversion that lets you move easily between PAL and NTSC SD video standards and the high number of HD formats in up to 3840 x 2160 Ultra HD resolutions. Easy Settings Control Changing Mini Converter's built-in mini switch settings is as easy as using a pen. This is great when you need to change settings quickly as there are no complicated menus to navigate. You can also control settings using the included Converter Utility software. Connect a Mini Converter to any Mac OS X or Windows based laptop or desktop computer. All models can be updated via USB 2.0 by simply downloading software upgrades directly from the Blackmagic Design website

Blackmagic BMD-TERANEXEXP12GDL Teranex Express

Blackmagic BMD-TERANEXEXP12GDL ( BMDTERANEXEXP12GDL, BMD TERANEXEXP12GDL, BMD/TERANEXEXP12GDL, bmd-teranexexp12gdl ) Teranex Express 12G-SDI real time SD, HD and Ultra HD up and down converter. Introducing Teranex Express, the world’s first real time SD, HD and Ultra HD broadcast up and down converter. Featuring advanced patented algorithms, Teranex Express gives you visually transparent quality conversions and are mandated by major broadcasters and studios worldwide. You get an incredible 178 SD, HD and Ultra HD conversions in full 10-bit quality complete with audio, closed captions, timecode and more.   Use Anywhere Perfect for live events, post and broadcast power supply   Imagine converting your SD to HD all the way up to Ultra HD in real time for presentation on massive outdoor LED displays, digital signs and live concerts or sporting events. Teranex Express is perfect as a dedicated up and down converter between broadcast equipment in television studios, and for remastering older SD and HD tapes into Ultra HD. You can even use Teranex Express in outside broadcast vehicles to up or down convert and synchronize video feeds instantly for live broadcast.   Featuring the familiar Teranex 2D and 3D control panel, Teranex Express has all of the controls you need at your fingertips. The built in LCD monitor lets you easily navigate menus and see source format and frame rate with live video, so you don’t have to use an external monitor. With an elegant machined metal front panel, its compact 1RU size and built in international power supply, Teranex Express not only looks great in your studio, but is also perfect for portable racks and outside broadcast vehicles.   Use Anywhere Transparent conversions between SD, HD and Ultra HD   Teranex Express can perform an incredible 178 up/down conversions between SD, HD, and Ultra HD in real time. You can use Teranex Express for video conversions or to synchronize non genlocked, external feeds, or cameras into switchers for live production. Conversions retain timecode, include closed caption data, and always maintain perfect audio sync so your video is immediately ready for editing or broadcast.   Advanced Connections Broadcast quality connections for 24/7 reliability   Teranex Express features the most advanced broadcast connections, including the world’s first dual link 12G-SDI that is compatible with all of your existing SDI equipment. The genlock input lets you synchronize signals between equipment and for larger studios, you can install an optional fiber optic module that lets you run video from up to 28 miles away.   12G-SDI High speed multi-rate SDI for SD, HD and Ultra HD   Teranex Express is the world’s first broadcast converter to include multi-rate 12G-SDI connections. That means it can switch between 6G-SDI, 3G-SDI, HD-SDI and SD-SDI making it compatibile with all of your existing SD, HD, and Ultra HD equipment. These connections can transfer data at an amazing 12 gigabits per second, making them fast enough to support progressive Ultra HD video at up to 60fps. That means Teranex Express will be able to support emerging formats when they become available, making it the most expandable and future proof solution you can buy.   Teranex Quality Amazing detail, sharpness and clarity   Teranex Express features the advanced processing technology developed and patented by Teranex, which allows instant calculations on thousands of pixels simultaneously. You get full 10 bit processing, extremely high quality de-interlace and new optical quality Ultra HD scaling algorithms that interpolate images in real time with amazing detail, sharpness and clarity without artifacts. That’s why Teranex conversions are indistinguishable from the original source video.   High Quality Deinterlace Patented PixelMotion technology and multi direction filtering   Teranex’s proprietary and patented PixelMotion deinterlacing algorithms create perfect progressive frames for conversion by adjusting the aperture on a pixel by pixel basis. That means you get improved image quality because the vertical resolution is maintained. PixelMotion deinterlacing preserves source detail and, when combined with multi direction diagonal filters, eliminates jaggies on conversions so you get well defined edges and the sharpest images possible.   Video Control Adjust colour, aspect ratio and more.   Now you can quickly and easily find the tools you need to correct colour, convert formats or change aspect ratio. Teranex Express features a logically designed front panel and soft menus so you can adjust luminance, saturation, hue, black level, R-Y/B-Y colour difference, sharpness, and more with the built in proc amp controls. Teranex Express features an integrated LCD screen on the front panel so you can make adjustments with confidence during live broadcasts.   Ancillary Data Multi channel audio, timecode and subtitles   Video includes a lot more than images, and Teranex supports conversion of up to 16 audio channels plus timecode and closed caption VANC data. Teranex Express is also compatible with Dolby encoded audio, so it never has to be decoded or re-encoded during up and down conversions. With Teranex Express your subtitles are always retained and both audio and timecode always stay in perfect sync with your video.   Mandated By Broadcasters Teranex is asked for by name worldwide.   Teranex processing is so well known for quality that it has been mandated globally by many country’s broadcasters for converting video. Because of its patented 10-bit processing algorithms and high quality deinterlacing, Teranex conversions look perfect, making distribution simple and problem free.

Blackmagic BMD-6GBIOPT Adapter - 6G BD SFP Optical Module

Blackmagic BMD-6GBIOPT (BMD6GBIOPT, BMD 6GBIOPT, BMD/6GBIOPT, bmd-6gbiopt) Adapter - 6G BD SFP Optical Module  Blackmagic 6G BD SFP Optical Module suitable for the Studio Handheld 4K Camera

Blackmagic BMD-BDLKSTUDIO4K DeckLink Studio 4K

Blackmagic BMD-BDLKSTUDIO4K ( BMDBDLKSTUDIO4K, BMD BDLKSTUDIO4K, BMD/BDLKSTUDIO4K, bmd-bdlkstudio4k ) DeckLink Studio 4K. Capture and playback 6G-SDI, HDMI 4K and analogue in SD, HD and Ultra HD DeckLink capture and playback cards are used every day in the production of television commercials, music videos, episodic television programs and Hollywood feature films. With cutting edge technologies built in, you get the highest quality video and maximum reliability. No other capture cards support more applications and more platforms than DeckLink, so you can always work with your favorite software. Every DeckLink PCIe card can be installed in Mac, Windows and Linux based workstations and media servers to give you ultimate flexibility. DECKLINK STUDIO 4K If you work with a wide range of analog video and audio gear, and need to move seamlessly between SD, HD, 2K and Ultra HD, then DeckLink Studio 4K is perfect. DeckLink Studio 4K includes a massive number of analogue and digital video connections including SD/HD/Ultra HD 6G-SDI, HDMI 1.4b, SD/HD component, composite, S-video, 4 ch balanced analogue audio, 2 ch AES/EBU switchable to 6 ch out, black burst and tri-sync reference input, RS-422 deck control connections, keying in SD and a hardware down converter. Perform editing, paint and broadcast design with the ultimate future proof design. PERFECT FOR POST PRODUCTION SD, HD, 3D and Ultra HD 4K. Work with any video format and resolution that you need. Capture from cameras, decks and live feeds directly into editing, effects and design software applications. DeckLink Studio 4K and DeckLink SDI 4K feature high resolution Ultra HD, while 4K Extreme also includes 4:4:4 image quality, 3D stereoscopic for advanced feature film visual effects, editing and colour correction. There are DeckLink models to support either file or tape based workflows to precisely deliver perfect monitoring in editing and grading suites using professional SDI monitors, HDMI televisions and even video projectors. UNRIVALED VIDEO QUALITY DeckLink lets you work with compressed video formats such as ProRes and DNxHD as well as 10-bit uncompressed video. When working with uncompressed video, all images are a mathematically perfect pixel-for-pixel clone of the source, without any generational loss, so you have the confidence you’re working at the absolute highest quality possible. Get sharper keying with green screens, cleaner compositions, superior colour correction and more. Support for industry leading file formats ensures that you can maintain high quality throughout post production should you need to use video compression. ADVANCED TECHNOLOGY Get the latest 6G-SDI technology so you can capture and playback in full resolution Ultra HD video, while remaining fully compatible with all SD and HD-SDI equipment. That's 4 times the resolution of regular 1080 HD video at a massive 3840 x 2160 image size. DeckLink SDI 4K, DeckLink Studio 4K and DeckLink 4K Extreme include 6G-SDI as standard while the advanced DeckLink 4K Extreme model includes dual 6G-SDI inputs and outputs for higher colour resolution, dual stream 3D stereoscopic support and even higher frame rates! DeckLink 4K Extreme is the perfect choice for DaVinci Resolve colour correction.

Blackmagic BMD-CONVMSDIDA4K Distribute to 8 x SDI outputs in all formats including SDI, HD-SDI, 3G-SDI and 6G-SDI.

Blackmagic BMD-CONVMSDIDA4K ( BMDCONVMSDIDA4K, BMD CONVMSDIDA4K, BMD/CONVMSDIDA4K, bmd-convmsdida4k ) Distribute to 8 x SDI outputs in all formats including SDI, HD-SDI, 3G-SDI and 6G-SDI. The Blackmagic Mini Converter range are the worlds most advanced converters because they include the latest 6G-SDI technology, plus automatically detect the input video format and instantly change between virtually all SD, HD and Ultra HD video standards! Simply plug in and Mini Converters will convert between your equipment all automatically. You get advanced features such as redundant SDI inputs, re-clocked loop outputs and full analog and AES/EBU audio inputs and outputs so you can convert between formats as well as embed or de-embed audio all on the one converter. SDI DISTRIBUTION 4K When you need to connect to multiple SDI devices, then Mini Converter SDI Distribution 4K is the perfect solution. Connect a single SDI source to 8 re-clocked SDI outputs with automatic switching between all SD-SDI, HD-SDI, 3G-SDI and 6G-SDI video formats, plus all ASI, ancillary and embedded audio formats. EASY TO USE FEATURES Broadcast, post production and professional AV environments are built using SDI equipment and cabling. It’s essential when converting to and from SDI that you maintain the highest possible video and audio quality. Mini Converters are compact, affordable and easy-to-use. Settings can be changed quickly using built-in mini switches, and with a diagram showing pin settings printed on the back you never need to refer to a manual! Mini Converters use standard broadcast video and audio connections, so you get the convenience and cost savings of using your own cables. ULTRA HD AND 6G-SDI TECHNOLOGY Make the move to Ultra HD, the broadcast standard of the future, easy! Be prepared now by installing equipment that is fully compatible with all your SD and HD-SDI infrastructure, but will also switch over to Ultra HD via 6G-SDI when you need to run Ultra HD! This means you’re ready for the future and can build your system with full Ultra HD compatibility! Ultra HD features an incredible 4 times the resolution of regular 1080 HD video for a massive 3840 x 2160 frame size! Ultra HD is amazing! The advanced 6G-SDI design also means the new Blackmagic Mini Converters models perform better when used in SD and HD formats than simple HD only converters. STANDARD AUDIO CONNECTIONS Mini Converters support embedded SDI and HDMI audio and several models let you separately embed or de-embed analogue or digital audio. Mini Converters support 24 bit analogue and AES/EBU audio and use standard 1/4" audio jacks so you don't need custom cables. HIGHEST QUALITY PROCESSING With the highest quality video processing, Mini Converters are ideal for all broadcast, post production and professional AV applications. Multiple internal power supplies ensure incredibly low noise levels when moving between analog and digital video formats. Specific models include up/down/cross conversion that lets you move easily between PAL and NTSC SD video standards and the high number of HD formats in up to 3840 x 2160 Ultra HD resolutions. EASY SETTINGS CONTROL Changing Mini Converter's built-in mini switch settings is as easy as using a pen. This is great when you need to change settings quickly as there are no complicated menus to navigate. You can also control settings using the included Converter Utility software. Connect a Mini Converter to any Mac OS X or Windows based laptop or desktop computer. All models can be updated via USB 2.0 by simply downloading software upgrades directly from the Blackmagic Design website.

Blackmagic BMD-CONVMASA4K Convert SDI in SD, HD or UltraHD to analogue video with down converter and audio.

Blackmagic BMD-CONVMASA4K ( CONVMASA4K, BMDCONVMASA4K, BMD CONVMASA4K, BMD/CONVMASA4K, bmd-convmasa4k) Convert SDI in SD, HD or UltraHD to analogue video with down converter and audio. The Blackmagic Mini Converter range are the worlds most advanced converters because they include the latest 6G-SDI technology, plus automatically detect the input video format and instantly change between virtually all SD, HD and Ultra HD video standards. Simply plug in and Mini Converters will convert between your equipment all automatically. You get advanced features such as redundant SDI inputs, re-clocked loop outputs and full analog and AES/EBU audio inputs and outputs so you can convert between formats as well as embed or de-embed audio all on the one converter. SDI to Analog 4K Mini Converter SDI to Analog 4K includes everything you need to convert from SD, HD, 3G and 6G-SDI video to analogue in HD/SD component, NTSC and PAL video. The built in down converter means you can even connect Ultra HD sources to component video in SD or HD as well as NTSC and PAL video. Easily connect any analog equipment such as Betacam SP, VHS, and video monitors. Easy To Use Features Broadcast, post production and professional AV environments are built using SDI equipment and cabling. It’s essential when converting to and from SDI that you maintain the highest possible video and audio quality. Mini Converters are compact, affordable and easy-to-use. Settings can be changed quickly using built-in mini switches, and with a diagram showing pin settings printed on the back you never need to refer to a manual. Mini Converters use standard broadcast video and audio connections, so you get the convenience and cost savings of using your own cables. Ultra HD and 6G-SDI Technology Make the move to Ultra HD, the broadcast standard of the future, easy. Be prepared now by installing equipment that is fully compatible with all your SD and HD-SDI infrastructure, but will also switch over to Ultra HD via 6G-SDI when you need to run Ultra HD. This means you’re ready for the future and can build your system with full Ultra HD compatibility. Ultra HD features an incredible 4 times the resolution of regular 1080 HD video for a massive 3840 x 2160 frame size. Ultra HD is amazing. The advanced 6G-SDI design also means the new Blackmagic Mini Converters models perform better when used in SD and HD formats than simple HD only converters. Standard Audio Connections Mini Converters support embedded SDI and HDMI audio and several models let you separately embed or de-embed analogue or digital audio. Mini Converters support 24 bit analogue and AES/EBU audio and use standard 1/4" audio jacks so you don't need custom cables. Highest Quality Processing With the highest quality video processing, Mini Converters are ideal for all broadcast, post production and professional AV applications. Multiple internal power supplies ensure incredibly low noise levels when moving between analog and digital video formats. Specific models include up/down/cross conversion that lets you move easily between PAL and NTSC SD video standards and the high number of HD formats in up to 3840 x 2160 Ultra HD resolutions. Easy Settings Control Changing Mini Converter's built-in mini switch settings is as easy as using a pen. This is great when you need to change settings quickly as there are no complicated menus to navigate. You can also control settings using the included Converter Utility software. Connect a Mini Converter to any Mac OS X or Windows based laptop or desktop computer. All models can be updated via USB 2.0 by simply downloading software upgrades directly from the Blackmagic Design website.

Blackmagic BMD-CONVMAAS2 Convert from analogue HD/SD video to SDI

Blackmagic BMD-CONVMAAS2 ( BMDCONVMAAS2, BMD CONVMAAS2, BMD/CONVMAAS2, bmd-convmaas2 ) Convert from analogue HD/SD video to SDI. Mini Converter Analogue to SDI is perfect for converting from analogue video in HD/SD component, NTSC, PAL or S-Video to SDI video with the choice to embed SDI audio from balanced AES/EBU or analogue audio inputs. Now you can convert analogue devices such as Betacam SP, VHS, Set top box's and HDV cameras to SDI video. Auto Switching SD and HD  Mini Converters instantly switch between standard definition and high definition video formats and change over is automatic when the video input changes. A huge range of video standards are supported including, NTSC, PAL, 1080i/59.94, 1080i/50, 1080psf/23.98, 1080psf/24, 720p/59.94 and 720p/50 formats, plus new formats can be added via USB. New 3 Gb/s SDI Technology  Only Mini Converters include the latest 3 Gb/s SDI technology and upgrades can be loaded via the built in USB connection for future video format compatibility. 3 Gb/s SDI is also fully compatible with all your standard definition and high definition SDI equipment. Built in AES/EBU or Analogue Audio Standard 1/4 inch jacks are built in for balanced analogue or AES/EBU audio. Because Mini Converters use standard 1/4 inch jack connectors for all audio connections, you can use standard cables commonly avalible from any pro audio store. Unlike other converters, Mini Converters don't need custom cables, as any balanced 1/4 inch jack cable can be used. Mini Converters are also unique as the same 1/4 inch jack connections can be switched between professional balanced analogue audio, or AES/EBU digital audio. This means you only need one model of Mini Converter for both analogue and digital audio. You can select the type of audio from one of the mini switches on the side of the Mini Converter unit. On modes with AES/EBU digital audio in, a sample rate converter lets you connect to any AES/EBU source, either synchronized, or un-syncronised. On HDMI models, you also have full access to the HDMI audio embedded in the HDMI video connection. High Quality  Mini Converters are built to highest quality standards with low SDI jitter so you get the longest SDI cable lengths combined with multiple internal power supplies for ultra low noise broadcast quality analogue video and audio. Unlike other converters, Mini Converters don't use "low grade" video electronics just to save cost. Mini Converters feature the highest grade broadcast quality analogue audio and video electronics. In fact, Mini Converters uses the same analogue video design as our most expensive and award winning Multibridge Eclipse! That means you get the highest quality, all in a very affordable and incredibly compact unit. International Power Supply Unlike other converters, a universal power supply is included with international socket adapters for all countries. This lets you take Mini Converters with you to any location worldwide, and plug directly into the local power sockets. To stop power accidentally being disconnected, a cable tie point is included to lock down the power connection tight. Blackmagic Design Mini ConvertersChanging Settings  With Blackmagic Design's Mini Converters, it's as simple as using a pen to change settings. Settings vary between models, and include settings such as AES/EBU or analog audio, analog video connections, and more. Blackmagic Design Mini ConvertersCinema Style Monitoring  With the Blackmagic Design SDI to HDMI Mini Converter you can utilize a HDMI Television for budget sensitive client monitoring. Simply connect your SDI signal into the SDI to HDMI Mini Converter and then plug your HDMI cable to either a big screen HDMI television or video projector. Can you just imagine how incredible it would be having a massive 60 inch flat screen TV for your client monitoring. Blackmagic Design Mini ConvertersGo the Distance  SDI video connects long distances up to 100m, so you can connect everyone together in your facility. Cables are simple BNC coax cables so you can easily make cables to the perfect length for your needs. Industry Standard Format  Connect to any SDI deck for all industry tape formats, from DV, Digital Betacamâ„¢, D1, up to HDCAM SRâ„¢ and HD D-5. Using capture cards such as  Blackmagic Design's DeckLink, you can capture to formats such as JPEG, DV to uncompressed 8 bit, 10 bit or RGB 10 bit. Blackmagic Design Mini ConvertersUncompressed Video Quality   SDI uses a higher data rate than DV, so its got the speed to handle full resolution video in standard definition or high definition completely uncompressed. That means you can preserve video quality until you need to compress the video - such as the final compression pass for streaming or broadcast.