Blackmagic BMD CINEURSANWFRSUR Lightweight rackmount kit for Studio Fiber Converter

Blackmagic BMD CINEURSANWFRSUR ( BMD-CINEURSANWFRSUR, BMD CINEURSANWFRSUR, BMD/CINEURSANWFRSUR, bmd-cineursanwfrsur ) Lightweight rackmount kit for Studio Fiber Converter.  

Blackmagic BMD CINEURSANWFRSTUD Studio Fiber Converter

Blackmagic BMD-CINEURSANWFRSTUD ( CINEURSANWFRSTUD, BMDCINEURSANWFRSTUD, BMD/CINEURSANWFRSTUD, BMD CINEURSANWFRSTUD ) Studio Fiber Converter Connect to remote cameras up to 2 km away with multiple channels of video, talkback, control and power all over a single cable Blackmagic Studio Fiber Converter The Blackmagic Studio Fiber Converter is used at the other end of your broadcast camera chain back in the studio or outside broadcast truck. It converts signals from the remote camera back into standard television industry connections that can be used with your live production switchers, audio mixers and talkback interfaces. It features a high capacity power supply to drive the cable so it can provide enough power for your camera and any accessories that you might add. The studio fiber converter includes connections for tally, two dual channel intercoms for industry standard 3rd party talkback systems, and even a backup engineering talkback channel in case the fiber goes down. You get a main Ultra HD camera feed plus 3 independent HD return feeds with full remote camera control, PTZ, tracker talkback and ethernet, all through a single SMPTE fiber cable. Plus, there is a large 5 inch LCD screen right next to the SMPTE fiber connection on the front panel for monitoring signals from the remote camera. This allows for easy patching and verification of the remote camera function. Blackmagic Fiber Converters Extend and fully power cameras up to 2 km away using an open standard SMPTE fiber cable The Blackmagic Camera Fiber Converter and Blackmagic Studio Fiber Converter convert standard television industry connections for video, audio, power, talkback, and tally into a single SMPTE fiber optic cable. This allows cameras to be placed up to 2 km away from a studio or outside broadcast truck using a single convenient and incredibly durable cable. The Blackmagic Camera Fiber Converter also adds familiar broadcast studio camera controls to the rear of the camera, plus additional connections so you can use it with the talkback systems and switchers you already have. The Blackmagic fiber converters feature 12G-SDI and are designed to work with all HD and Ultra HD formats up to 2160p60. Now you can transform professional cameras such as URSA Broadcast and URSA Mini into a complete professional studio camera with all of the features you need for high end work. Place Cameras Anywhere Get cameras much closer to the action If you’re working in a studio or out at a large sporting venue, you often need to place cameras far apart. While SDI connections are common, the limited range of SDI makes it hard to use it over long distances. Traditionally, you would need to run multiple cables and expensive extenders for power, talkback, tally, video and audio. This makes set up incredibly complex and increases the chances of a technical problem. Now you can solve this problem by converting all essential connections and power into a single convenient SMPTE fiber cable that can run incredibly long distances. That means cameras can be placed anywhere and connected back to broadcast trucks parked outside of a venue or back to a central control room in a studio. Best of all, SMPTE fiber is a global broadcast industry standard so you can use cables and connection points that are commonly available. Blackmagic fiber converters are also affordable, so traditional broadcasters, new web broadcasters, AV producers, houses of worship and educators can all use the same high end broadcast technology. SMPTE Fiber for Industrial Strength and Safety Built in multi layer fail safe instantly cuts power to eliminate danger Blackmagic fiber converters work with standard SMPTE 311M hybrid electrical and fiber optic cables with standard SMPTE 304 connectors on each end. These cables feature a 2 way fiber pair, data pair and power pair, along with a central strength member that gives it the needed durability for continuous use. Once plugged in, the Blackmagic Studio Fiber Converter automatically performs safety checks and then powers up, sending an industry standard 200 volts of power over the SMPTE cable for the camera and accessories. This means you can install cameras in remote locations without having to worry about power drops over long distances. Both the studio and camera converters at each end have dedicated micro controllers that continuously monitor power status. The converters communicate with each other to ensure that both a stable optical signal is present and that the power supply is operating within safe parameters. If a damaged cable or a earth leak is detected, the power is instantly shut down to eliminate any danger to personnel. Add Studio Camera Controls Transform broadcast cameras into dedicated studio cameras Studio cameras are typically operated from the rear of the camera, but broadcast cameras usually have controls on the side of the camera. To solve this problem, the Blackmagic Camera Fiber Converter adds support for SMPTE fiber to your camera along with a wide range of controls and features to the rear of the camera, transforming it into a professional studio camera. You get 2 separate broadcast standard 5 pin talkback connections, 3 return video feeds, 2 extra audio inputs, connections for PTZ and trackers, plus additional DC and D-tap outputs for powering accessories. With all these extra controls added to the rear of the camera, you can operate the camera in the same way as traditional studio cameras. 10G Ethernet for IP Video Super fast, low latency ethernet link for video, audio and control The Blackmagic Camera Fiber Converter and the Blackmagic Studio Fiber Converter use IP video because the SMPTE fiber connection is an open standard 10G Ethernet link. That means all of your video and return feeds are IP video based using high end, lossless broadcast quality 10-bit video encoding and decoding. All other connections such as talkback, tally, camera control and lens control are also converted to low latency IP so you get incredibly reliable performance and high quality. Using IP video means the Blackmagic fiber converters are future proof and ready for customization using high speed Ethernet infrastructure in future. Dual Channel Talkback Two dual channel talkback intercoms with backup The Blackmagic Camera Fiber Converter and Blackmagic Studio Fiber Converter provide 2 dual channel digital talkback connections that are compatible with professional 5 pin XLR talkback headsets. The camera converter even has convenient controls for mixing in program return audio with your talkback headset so you can adjust the volume as needed while talking to the rest of the crew. The talkback intercoms can be used for both production and engineering. In addition, there is a backup channel available for troubleshooting in case the fiber link is down. This backup talkback channel automatically switches over and uses the data pair in the SMPTE cable if the fiber is not working. The Blackmagic Camera Fiber Converter also includes a standard 10 pin connection for tracker talkback, which is perfect when both headset connections are in use and you need to feed an additional talkback connection through to your crane operator. Designed for High End Broadcast Durable metal design, high end components and professional connections The Blackmagic Camera Fiber Converter features an extremely durable all metal design that perfectly matches URSA Broadcast, URSA Mini cameras or any camera that supports a standard battery plate. It’s built to withstand the harsh demands of outdoor field production and 24/7 operation. The Blackmagic Camera Fiber Converter features full size standard television industry connections with dust caps, along with an integrated VLock mount plate on top for adding a studio viewfinder. The Blackmagic Studio Fiber Converter is designed so that you can fit two of them side by side in a standard equipment rack using the optional rack mount kit. The optical fiber connector on the Blackmagic Studio Fiber Converter is conveniently located on the front panel, right next to the built in 5 inch LCD, so you can plug remote cameras in and instantly see the feed.

Blackmagic BMD CINEURSANMFRCAM Camera Fiber Converter

Blackmagic BMD-CINEURSANMFRCAM ( CINEURSANMFRCAM, BMDCINEURSANMFRCAM, BMD/CINEURSANMFRCAM, BMD CINEURSANMFRCAM ) Camera Fiber Converter Connect cameras to live switchers up to 2 km away with video, talkback, control and power, all over a single cable Blackmagic Camera Fiber Converter The Blackmagic Camera Fiber Converter attaches to the back of your URSA Mini or URSA Broadcast camera. In addition to converting all of the audio, video, camera control and talkback into fiber, it also adds professional studio camera controls to the back of your camera. You get control for return feeds, dual intercom controls with the ability to mix in program audio, record, focus and iris controls, headset connectors, audio and more. The camera converter also includes a VLock mount plate on the top for attaching accessories such as a professional Blackmagic Studio Viewfinder. The Blackmagic Camera Fiber Converter has connections for your Ultra HD camera feed, 3 HD return feeds, full remote camera control, PTZ, multiple channels of talkback, tally and more. Blackmagic Fiber Converters Extend and fully power cameras up to 2 km away using an open standard SMPTE fiber cable The Blackmagic Camera Fiber Converter and Blackmagic Studio Fiber Converter convert standard television industry connections for video, audio, power, talkback, and tally into a single SMPTE fiber optic cable. This allows cameras to be placed up to 2 km away from a studio or outside broadcast truck using a single convenient and incredibly durable cable. The Blackmagic Camera Fiber Converter also adds familiar broadcast studio camera controls to the rear of the camera, plus additional connections so you can use it with the talkback systems and switchers you already have. The Blackmagic fiber converters feature 12G-SDI and are designed to work with all HD and Ultra HD formats up to 2160p60. Now you can transform professional cameras such as URSA Broadcast and URSA Mini into a complete professional studio camera with all of the features you need for high end work. Place Cameras Anywhere Get cameras much closer to the action If you’re working in a studio or out at a large sporting venue, you often need to place cameras far apart. While SDI connections are common, the limited range of SDI makes it hard to use it over long distances. Traditionally, you would need to run multiple cables and expensive extenders for power, talkback, tally, video and audio. This makes set up incredibly complex and increases the chances of a technical problem. Now you can solve this problem by converting all essential connections and power into a single convenient SMPTE fiber cable that can run incredibly long distances. That means cameras can be placed anywhere and connected back to broadcast trucks parked outside of a venue or back to a central control room in a studio. Best of all, SMPTE fiber is a global broadcast industry standard so you can use cables and connection points that are commonly available. Blackmagic fiber converters are also affordable, so traditional broadcasters, new web broadcasters, AV producers, houses of worship and educators can all use the same high end broadcast technology. SMPTE Fiber for Industrial Strength and Safety Built in multi layer fail safe instantly cuts power to eliminate danger Blackmagic fiber converters work with standard SMPTE 311M hybrid electrical and fiber optic cables with standard SMPTE 304 connectors on each end. These cables feature a 2 way fiber pair, data pair and power pair, along with a central strength member that gives it the needed durability for continuous use. Once plugged in, the Blackmagic Studio Fiber Converter automatically performs safety checks and then powers up, sending an industry standard 200 volts of power over the SMPTE cable for the camera and accessories. This means you can install cameras in remote locations without having to worry about power drops over long distances. Both the studio and camera converters at each end have dedicated micro controllers that continuously monitor power status. The converters communicate with each other to ensure that both a stable optical signal is present and that the power supply is operating within safe parameters. If a damaged cable or a earth leak is detected, the power is instantly shut down to eliminate any danger to personnel. Add Studio Camera Controls Transform broadcast cameras into dedicated studio cameras Studio cameras are typically operated from the rear of the camera, but broadcast cameras usually have controls on the side of the camera. To solve this problem, the Blackmagic Camera Fiber Converter adds support for SMPTE fiber to your camera along with a wide range of controls and features to the rear of the camera, transforming it into a professional studio camera. You get 2 separate broadcast standard 5 pin talkback connections, 3 return video feeds, 2 extra audio inputs, connections for PTZ and trackers, plus additional DC and D-tap outputs for powering accessories. With all these extra controls added to the rear of the camera, you can operate the camera in the same way as traditional studio cameras. 10G Ethernet for IP Video Super fast, low latency ethernet link for video, audio and control The Blackmagic Camera Fiber Converter and the Blackmagic Studio Fiber Converter use IP video because the SMPTE fiber connection is an open standard 10G Ethernet link. That means all of your video and return feeds are IP video based using high end, lossless broadcast quality 10-bit video encoding and decoding. All other connections such as talkback, tally, camera control and lens control are also converted to low latency IP so you get incredibly reliable performance and high quality. Using IP video means the Blackmagic fiber converters are future proof and ready for customization using high speed Ethernet infrastructure in future. Dual Channel Talkback Two dual channel talkback intercoms with backup The Blackmagic Camera Fiber Converter and Blackmagic Studio Fiber Converter provide 2 dual channel digital talkback connections that are compatible with professional 5 pin XLR talkback headsets. The camera converter even has convenient controls for mixing in program return audio with your talkback headset so you can adjust the volume as needed while talking to the rest of the crew. The talkback intercoms can be used for both production and engineering. In addition, there is a backup channel available for troubleshooting in case the fiber link is down. This backup talkback channel automatically switches over and uses the data pair in the SMPTE cable if the fiber is not working. The Blackmagic Camera Fiber Converter also includes a standard 10 pin connection for tracker talkback, which is perfect when both headset connections are in use and you need to feed an additional talkback connection through to your crane operator. Designed for High End Broadcast Durable metal design, high end components and professional connections The Blackmagic Camera Fiber Converter features an extremely durable all metal design that perfectly matches URSA Broadcast, URSA Mini cameras or any camera that supports a standard battery plate. It’s built to withstand the harsh demands of outdoor field production and 24/7 operation. The Blackmagic Camera Fiber Converter features full size standard television industry connections with dust caps, along with an integrated VLock mount plate on top for adding a studio viewfinder. The Blackmagic Studio Fiber Converter is designed so that you can fit two of them side by side in a standard equipment rack using the optional rack mount kit. The optical fiber connector on the Blackmagic Studio Fiber Converter is conveniently located on the front panel, right next to the built in 5 inch LCD, so you can plug remote cameras in and instantly see the feed.

Blackmagic ATEM Camera Control Panel

Blackmagic BMD-SWPANELCCU4 ( SWPANELCCU4, BMDSWPANELCCU4, BMD/SWPANELCCU4, BMD SWPANELCCU4 ATEM ) Camera Control Panel Independent control for up to 4 URSA Mini, URSA Broadcast, Blackmagic Studio and Micro Studio cameras from a single control panel The ATEM Camera Control Panel is a compact remote camera control unit designed to control up to four different URSA Broadcast, URSA Mini, Blackmagic Studio or Blackmagic Micro Studio cameras. The control panel features traditional broadcast style controls and adjustments so a single person can monitor and adjust a wide range of technical parameters such as black levels, gain, colour balance, shutter speed and more. This leaves your camera operators free to focus on the more creative aspects of live production such as framing and composition. Unlike traditional CCU controllers, which have to be installed into a desk, the ATEM Camera Control Panel has been designed to be portable so it can simply be placed on any desktop or bolted down so it can be mounted in a slide out rack shelf. The controls are arranged in a familiar and logical layout, making it perfect for both experienced and new operators. Plus, it works with all ATEM switcher models CONTROL FOUR CAMERAS One person can control 4 cameras When working on live multi camera programs, it’s important to make sure all of the cameras are properly balanced and set up correctly so that you get consistent video from every angle. The ATEM Camera Control Panel features 4 camera controllers in one panel. Each camera controller includes a large LCD screen with soft buttons and knobs at the top of the panel, and a full set of professional controls below, on the main body of the panel. Scene and Camera Controls The top section lets you save and recall scene presets so you can quickly adjust cameras based on changes in the scene such as lighting. This section also includes controls for adjusting master gain, white balancing the camera and changing the camera’s shutter speed. White Balance Quickly set and adjust white balance Load Scenes Save and recall scene presets Master Gain Boost sensitivity of sensor in low light or when more depth of field is needed Shutter Speed Set the shutter speed of the camera Bars Select to output colour bars for the selected camera Gain and Pedestal Controls The center section features independent RGB controls for gain and pedestal, or white and black. This allows you to adjust the individual red, green and blue levels in your blacks and whites to compensate for unwanted colour. White Independent RGB control for gain/whites Black Adjust the RGB values for pedestal/blacks Lens and Iris Controls The bottom section features an LED camera number that indicates preview and on air status, along with a high quality professional joystick that’s used to precisely adjust the iris and master black. It also features a call button for talkback with the operator, along with a panel lock button and indicators for the network, power and cable connection to the camera. Iris Control Joystick for adjusting iris and master black. Adjust up and down for iris, rotate for master black and push to select camera to monitor Coarse Control Sets the limit of the iris control on the joystick Iris and Master Black Locks the iris and master black controls on the joystick to prevent accidental changes Master Black Controls the degree or level of black/pedestal without affecting contrast Panel Active Lock out the entire panel to prevent accidental changes Status Lights Indicate network connectivity, alarms and cable integrity Preview Used for sending the aux feed to the monitor so you don’t have to move the joystick Camera Number LED dot display that indicates camera number and on air/preview status Call Button Flashes tally light and sends tone to get operator’s attention LIVE PRODUCTION WORKFLOW Works seamlessly with ATEM switchers The ATEM Camera Control Panel connects directly to your ATEM live production switcher or ATEM hardware control panel via Ethernet. In many setups, you may be using multiple ATEM products such as an ATEM 4 M/E Broadcast Studio 4K switcher with an ATEM 1 M/E Advanced Panel and the ATEM Camera Control Panel. Ethernet can simply be looped from one ATEM device to another. FAST AND EASY CONTROL With traditional CCU controls, you can work much faster The ATEM Camera Control is incredibly fast to use as it features traditional broadcast CCU controls so you get the benefit of years of broadcast experience. You can use the knob on the LCD to set the camera number, which turns red when a camera is on the air. The main joystick control can be moved vertically to adjust the camera iris while the knob can then be rotated to change the master black level. Pressing down on the knob will let you monitor the camera you’re currently controlling via the aux output of the switcher. Simply push the knobs to rapidly switch between cameras to ensure all your cameras match colour. The ATEM Camera Control Panel is fast to set up so you can instantly start controlling the cameras that are connected to your switcher.

Blackmagic BMD SWPANELADV1ME ATEM 1 ME Advanced Panel

Blackmagic BMD-SWPANELADV1ME ( SWPANELADV1ME, BMDSWPANELADV1ME, BMD/SWPANELADV1ME BMD SWPANELADV1ME ) ATEM 1 ME Advanced Panel Professional hardware control panel for all ATEM switchers The new ATEM 1 M/E Advanced Panel is an elegantly designed professional hardware control panel for all ATEM switchers. It combines modern design with the latest broadcast technology for faster workflows. The new design features a built in LCD and high quality curved buttons that help reduce incorrect key presses. The buttons also have colour backlighting to help you quickly recognize important keys. You also get a professional joystick for DVE and camera adjustments, smooth weighted t-bar fader and much more. The buttons feature dynamic displays that allow full customization of the labels as well as custom colours. The shift buttons allow you to double up the number of inputs by selecting a second set of shifted source buttons so you can control up to 20 inputs.   The compact size and durable design of the ATEM 1 M/E Advanced Panel fits in a standard equipment rack, making it perfect for shelf mounting in broadcast trucks, mobile racks and fly away kits.

Blackmagic BMD-CINEURSAMUPROTPL PL Mount for URSA Mini Pro

Blackmagic Design BMD-CINEURSAMUPROTPL ( BMDCINEURSAMUPROTPL, BMD/CINEURSAMUPROTPL, BMD CINEURSAMUPROTPL, bmd-cineursamuprotpl ) PL Mount for URSA Mini Pro.  

Blackmagic BMD-CINEURSAMUPROTF F Mount for URSA Mini Pro

Blackmagic BMD-CINEURSAMUPROTF ( CINEURSAMUPROTF, BMDCINEURSAMUPROTF, BMD CINEURSAMUPROTF, BMD/CINEURSAMUPROTF ) F Mount for URSA Mini Pro.  

Blackmagic BMD-CINEURSAMUPROTB4HD B4 Mount for URSA Mini Pro

Blackmagic BMD-CINEURSAMUPROTB4HD ( CINEURSAMUPROTB4HD, BMDCINEURSAMUPROTB4HD, BMD CINEURSAMUPROTB4HD, BMD/CINEURSAMUPROTB4HD ) B4 Mount for URSA Mini Pro. The URSA Mini Pro B4 Mount from Blackmagic Design is a replacement mount for use on the URSA Mini Pro. This mount enables using your ENG-style B4 mounted HD lens on your URSA Mini Pro. The mount incorporates corrective optics that enable the use of a lens designed to work on a camera with three sensors and a prism, on the URSA Mini Pro, which is a single-sensor camera, without the image suffering from optical degradation. The lens mount accepts lenses with a B4 lens mount and features a locking lever to engage the mount's lock. The included shim kit enables precise flange distance adjustment when installing this mount on your camera. The integrated optics support HD resolution and are designed with spherical-aberration correction that compensate for the lens being used on a single-sensor camera while designed for a three-sensor/prism-block camera.

Blackmagic BMD-ULTMSMTREM4 SMART REMOTE 4

Blackmagic BMD-ULTMSMTREM4 ( ULTMSMTREM4, BMDULTMSMTREM4, BMD/ULTMSMTREM4, BMD ULTMSMTREM4 ) Remote Control for Ultimatte The Smart Remote 4 controls up to 8 unit id numbers of Ultimatte-12 via Ethernet or up to 8 unit id numbers of Ultimatte-11/Ultimatte-500 via RS485. Its larger display area and adjustable stand, along with brightness controls for both display and button illuminations, makes the operation user-friendly. With "Monitor Out Views" accessible from every menu, Smart Remote 4 provides the fastest and easiest navigation for every operator.

Blackmagic BMD-HDLSMTWSCOPEDUO4K2 SmartScope Duo 4K

Blackmagic BMD-HDLSMTWSCOPEDUO4K2 ( BMD-HDLSMTWSCOPEDUO4K2, BMDHDLSMTWSCOPEDUO4K2, BMD HDLSMTWSCOPEDUO4K2, bmd-hdlsmtwscopeduo4k2 ) SmartScope Duo 4K Dual 8" 6G-SDI monitors with waveform analysis INTELLIGENT SDI MONITORING WITH BROADCAST QUALITY SCOPES! When you need high quality SDI monitoring, SmartView monitors are the perfect solution! SmartView monitors are extremely thin and lightweight, so are perfect for both broadcast and portable use, and automatically switch between SD, HD and 3G-SDI video formats. There are 3 great models; SmartView HD features a large 17" display, SmartView Duo has 2 independent 8" displays and SmartScope Duo 4K adds the flexibility of built in waveform monitoring that can be assigned to either of its 8” displays. SmartView monitors are the perfect choice to add SDI monitoring anywhere you need it. You can use them for broadcast, post production, on set monitoring, flyaway kits, broadcast trucks and more. When you're working with live production switchers you can build a video wall of camera monitors in your control room and see all your sources. You can mix and match different SmartView models in a rack for a customized monitoring solution where you can view your images and choice of scope displays side by side. PERFECT MONITORING SmartView monitors are ideal for high end broadcast monitoring because they feature high quality filtering and scaling, so you retain fine detail in the image. The fully digital design with high quality SDI inputs ensures precise color that’s easy to manage across multiple displays. SmartView includes ethernet so you can connect them to your network and centrally control all your monitors from a single computer using the SmartView software utility. SmartView also includes integrated tally that is fully compatible with many switchers or automation systems. ACCURATE WAVEFORM MONITORING When you need to analyze image quality more accurately than simply looking at the picture then use SmartScope Duo 4K’s built in waveform monitoring! You can view two independent sources simultaneously and conveniently switch between monitoring or scope views whenever you need! Choose from waveform, vectorscope, RGB parade, YUV parade, histogram and audio phase and level displays, and get broadcast accurate waveform monitoring that shows everything you need to know technically about your video and audio signals. SmartScope Duo 4K removes the need for separate expensive scopes. ULTRA THIN DESIGN SmartView monitors feature an elegant front panel that is designed to allow multiple SmartView HD, SmartView Duo and SmartScope Duo 4K models to be mounted next to each other to create a beautiful wall of monitors that share the same appearance and width. Lightweight and ultra thin, SmartView is perfect for broadcast trucks and fly away kits. When you need to mount SmartView in the extreme top or bottom of an equipment rack, the units can be rotated upside down and the images will automatically flip to provide the optimum viewing angle. GREATER SDI COMPATIBILITY SmartView supports SD, HD and 3G-SDI formats SmartView has been designed for broadcast as well as post production and includes support for multiple SDI video standards, including SD, HD and 3G-SDI formats. They support new advanced video standards used in post production including 1080 progressive HD rates and even 2K over 3G-SDI. All video formats can be connected and changed at any time, because SmartView will automatically switch in less than a second to the new format. EASY ADJUSTMENTS SmartView connects via ethernet and all monitors can be adjusted remotely from one location, making it easy to match monitors. The SmartView software utility for Mac OS X and Windows lets you make changes even with a laptop and copy settings from one monitor to another. The software includes an identify function so you can find the monitor you’re adjusting even when you're working with lots of monitors. Because the adjustments are electronic, monitor color is stable over time. You can easily add new software updates for new video formats and waveform displays via USB. AMAZING SCOPES SmartScope Duo 4K includes incredible built in waveform monitoring so you can analyze video and audio signals with broadcast accuracy. THIN LIGHTWEIGHT DESIGN SmartView features an ultra thin lightweight design that’s perfect for broadcast racks, trucks and portable flyaway kits. EASY TO CONNECT SmartView’s high quality SDI inputs and loop through SDI output make it easy to connect SDI monitoring in any production environment. TECH SPECS Get support for the latest high bandwidth video standards including 1080 progressive HD and 2K over 3G-SDI.

Blackmagic BMD-HDLSMTVDUO2 Dual 8-inch SDI LCD rack monitors

Blackmagic BMD-HDLSMTVDUO2 ( HDLSMTVDUO2, BMD-HDLSMTVDUO2, BMD HDLSMTVDUO2, BMD/HDLSMTVDUO2 ) Dual 8-inch SDI LCD rack monitors Affordable SDI Monitoring with the new SmartView Duo Get the ultimate in low cost SDI monitoring with SmartView Duo. Perfect for post production, broadcast or live events, SmartView Duo features two large 8 inch LCD screens in a compact rack mount design that's less than an inch thick. SmartVideo Duo handles all SD, HD and 3 Gb/s SDI video standards, and all screens can be remotely adjusted via your ethernet network. Use SmartView Duo in racks for local monitoring, for multi monitor video walls in master control rooms or for camera monitoring for production switchers. With SmartView Duo you can afford to put SDI monitoring everywhere you need. Perfect for Live Production  SmartView Duo is perfectly designed for building a video wall for monitoring all sources into live production switchers, and because it’s so incredibly thin, it’s even perfect for portable setups where you need to save space. Imagine having all your video sources displayed on large 8 inch LCD screens so you can see camera focus and quality. Now you can build full live broadcast presentation monitoring that’s small enough to be fully portable. SmartView Duo is lightweight and thin, so it’s perfect for outside broadcast vans or even installed into portable monitor racks to reduce shipping costs of flyway kits. Monitor Everywhere Good quality SDI monitoring is expensive and often makes it hard to put monitoring on all the devices in your racks, or control rooms because costs add up quickly. SmartView Duo eliminates this problem and includes two large beautiful 8 inch displays in a compact 3 rack unit size. You get full loop though SDI connections, and ethernet network connection for setup. SmartView Duo includes easy to use software for Mac and Windows so you can see all the monitors on your network for remote adjustments. That’s perfect when you want to color match all screens in a video wall remotely from your laptop. SmartView Duo even includes tally. International Power Supply If you’re traveling all over the world, SmartView Duo is perfect because it includes a standard 12 volt power supply with socket adapters for each country. Ideal for live location use where you don’t have engineering support, a standard 12 volt power socket means you can get spare power supplies from any electrical store. Smart Ethernet Control There’s nothing more complicated than trying to match all your monitors by climbing all over your equipment and using little screwdrivers. Simply connect your SmartView Duo to your Ethernet network and use the included Mac and Windows software to adjust all your monitors from one central location. Greater SDI Compatibility SmartView Duo is designed to be used for broadcast as well as post production so it includes support for more SDI video standards, including SD, HD and 3 Gb/s SDI formats. SmartView Duo allows firmware updating so it’s easy to upgrade to new SDI video formats when they are invented, and updates are free from the Blackmagic Design web site. Broadcast and Post Production  In a busy facility you can never have enough monitors, and SmartView Duo is perfect when you need monitoring for all your equipment. Install SmartView Duo into your editing desks so you can keep track of decks and other video sources and create an exciting “mission control” environment which will blow your clients’ minds. SmartView Duo is perfect for in-rack monitoring so you always know what’s going on. Now with SmartView Duo, everyone can have that exciting “broadcast experience” of monitoring wherever it’s needed. Incredible Design  SmartView Duo features two fully independent 8 inch monitors for incredible monitoring. Each monitor includes loop through SDI video, which instantly switches between any SD, HD and 3 Gb/s SDI source, even 2K video over 3 Gb/s SDI. SmartView Duo includes no mechanical controls so it won’t suffer from damage or settings drift. When matching multiple screens in master control rooms, SmartView Duo includes loop though Ethernet for remote adjustment, even from a laptop computer. If you need to mount SmartView Duo in the extreme top or bottom of an equipment rack, SmartView Duo’s LCDs can be rotated upside down for the optimum viewing angle. SmartView Duo will automatically sense the rotation and flip both onscreen images. SmartView Duo even includes a choice of red, green or blue tally inputs. Integrated Tally  SmartView Duo includes full tally features so it’s the perfect companion for live broadcasters. Unlike a simple tally light, SmartView Duo includes tally borders that can be independently displayed in red, green or blue. Each screen features an independent tally in the three colors so you can signal to the user more than a simple on air status. Tally is connected via a standard parallel pin connector on the rear of SmartView Duo so you get full compatibility with any switcher or automation system.

Blackmagic BMD-DV/RES/BBPNLMINI Davinci Resolve Mini Panel

Blackmagic BMD-DV/RES/BBPNLMINI (BMD-DV-RES-BBPNLMINI, BMD_DV_RES_BBPNLMINI, DV-RES-BBPNLMINI, DV/RES/BBPNLMINI) Davinci Resolve Mini Panel The DaVinci Resolve Mini Panel from Blackmagic Design is a step-up in functionality from the Micro panel but without all the features of the Advanced panel. It is a portable control surface suitable for those that need to switch between editing and color grading. It can sit on your desk top, in a rack, or be bolted to a surface. As with the Micro panel, it features three high-resolution, weighted trackballs and 12 control knobs for accessing essential primary color-correction tools in the Resolve software. 18 dedicated keys on the right side also give you access to the most commonly used grading features and playback controls. However, the Mini Panel also features two LCD screens that allow you to display menus or the parameters of the tools you are working with. Eight customizable soft knobs provide precise control and a quick reset by pushing the knob. Dedicated feature buttons allow you to change tools without needing to use the mouse. The Mini panel incorporates a USB Type-C and Ethernet interface. It is compatible with Mac, Windows, and select Linux systems. You can power the panel via an AC power source, a 4-pin XLR connector, or PoE. For the panel to work with Resolve, your computer must be running DaVinci Resolve 14.3 or DaVinci Resolve Studio 14.3 or later. An included USB 3.0 Type-A to USB Type-C cable provides backward compatibility for systems that are limited to USB Type-A connectors. Small enough to take with you, so you can bring it to any Resolve system (14.3 or later) and do color correction on location or at the editor's suite Shares basic layout with both Micro and Advanced Panels Interfaces with and controls software Three track balls with outer control rings Log and Offset color-correction selection buttons Buttons are backlit and light up when actuated Two LCD display screens for displaying the menu system or the parameters of the tools you are wotking with Custom control knobs with 4096 steps per rotation and push button reset Primary Correction Creative Control Knobs Control knobs are grouped into four sets of three knobs Luminance Y Lift Control: Adjust the contrast of the image in the darker areas, specifically in the Y (luminance) channel only. This adjustment allows changing the black point without changing saturation. Y Gamma Control: Adjust the contrast of the image in the mid-tone areas, specifically in the Y (luminance) channel only. This control helps add depth and extra vibrancy to shots Y Gain: You can reduce hot spots or tweak the whites to define a look. Contrast Contrast Control: Increase contrast to make the blacks darker and the whites brighter, or decrease contrast to do the opposite. Pivot: Change the center of tonality about which dark and bright parts of the image are stretched or narrowed during a contrast adjustment. Mid-Tone Detail: Affect the contrast of regions of the image with high edge detail to increase or decrease the perception of image sharpness and definition. Often used for softening facial features making it popular for beauty shots. Detail Color Boost Control: Raise the saturation in regions of the image with low saturation while leaving properly saturated areas alone. Also known as a vibrance operation, this is useful for adding color without over-saturating the image. Shadow Control: Selectively lighten or darken shadow detail without affecting your images mid-tones. Highlight Control: Enable retrieving blown-out highlight detail in high dynamic range media by lowering this parameter. This allows you to achieve a smooth blend between the retrieved highlights and unadjusted mid tones for a natural-looking image. Saturation Increases or decreases overall image saturation — you can turn your color image into a grayscale image with this control. Hue Control: Rotates all hues of the image around 360° of the color wheel. The default setting is 50, which retains the original distribution of hues. Luminance Mix Control: Controls the balance between the YRGB adjustments and Y only adjustments made using the Y channel lift, gamma, and gain controls. The system powers from either AC power or a 12 VDC source via the 4-pin XLR connector. The Mini panel can sit on a desktop, be mounted in a rack, or mounted to a surface to prevent theft or be used in a moving vehicle or on a cart.

Blackmagic BMD-DV/RES/BBPNLMIC Davinci Resolve Micro Panel

Blackmagic BMD-DV/RES/BBPNLMIC ( BMD-DV-RES-BBPNLMIC, BMD/DV/RES/BBPNLMIC, BMDDVRESBBPNLMIC, BMD DV RES BBPNLMIC, bmd-dv-res-bbpnlmic ) Davinci Resolve Micro Panel. Small, portable hardware control panel The DaVinci Resolve Micro Panel is a high quality, portable low profile panel that features three high resolution trackballs and 12 precision machined control knobs for accessing all essential primary color correction tools. Above the center trackball are keys for switching between log and offset color correction, as well as a key to display DaVinci Resolve’s full screen viewer, which is great for use with laptops. Eighteen dedicated keys on the right side also give you access to the most commonly used grading features and playback controls. DaVinci Resolve Micro Panel is perfect for independent editors and colorists that need a truly portable solution, great on set to create looks and evaluate color and lighting, ideal for quickly grading video in broadcast trucks, great for education and much more. PRIMARY CORRECTION CREATIVE CONTROLS To take your color grading to the next creative level, the DaVinci Resolve Mini and Micro panels include 12 dedicated primary color correction control knobs. These are designed to make it easy for you to stylize the look of your images and generate precise “film looks.” All knobs can be pressed to instantly reset the control. That’s perfect for when you are trying an exciting new style but get a bit lost. Simply press the knobs to reset. LIFT Adjust the contrast of the image in the darker areas, specifically in the Y (luminance) channel only. This adjustment is great for a changing the black point without changing saturation. Y GAMMA Adjust the contrast of the image in the mid-tone areas, specifically in the Y (luminance) channel only. This control helps add depth to shots, along with extra vibrancy. Y GAIN Adjust the contrast of the image in the brighter areas, specifically in the Y (luminance) channel only. You can reduce hot shots or pull the whites to make the shot look more angelic. CONTRAST Increase contrast to make the blacks darker and the whites brighter, or decrease contrast to do the opposite. Use this to improve the dynamic range and make shots pop. PIVOT Changes the center of tonality about which dark and bright parts of the image are stretched or narrowed during a contrast adjustment. MID-TONE DETAIL Increases the contrast of regions of the image with high edge detail to increase or decrease the perception of image sharpness and definition or when lowered regions of the image with low amounts of detail are softened while areas of high detail are left untouched. Great for softening facial features and popular for beauty shots. COLOUR BOOST Naturally raise the saturation in regions of the image with low saturation while leaving properly saturated areas alone. Sometimes referred to as a vibrance operation, this is great for adding color without over saturating the image. SHADOWS Selectively lighten or darken shadow detail. Raising this value retrieves shadow detail while leaving the mid-tones untouched. HIGHLIGHTS Easily retrieve blown out highlight detail in high dynamic range media by lowering this parameter to achieve a smooth blend between the retrieved highlights and the unadjusted mid tones for a natural result. SATURATION Increases or decreases overall image saturation. At higher values, colors appear more intense, while at lower values color intensity diminishes and can be adjusted until all color is gone, leaving a grayscale image. HUE Rotates all hues of the image around the full perimeter of the color wheel. The default setting is 50, which retains the original unaffected distribution of hues. LUMINANCE MIX Control the balance between the YRGB adjustments and Y only adjustments made using the Y channel lift, gamma and gain controls in the primaries palette or the un-ganged luma curve. PROFESSIONAL TRACKBALLS Trackballs provide RGB balance adjustments for lift, gamma and gain, each with a master level control. The Advanced panel also features a dedicated RGB offset and master gain trackball to adjust the tint and brightness of the entire image. The trackballs can be set to work in either log or RGB with the touch of a button. ILLUMINATED KEYS The buttons and keys on the DaVinci Resolve control panels illuminate when selected so you can easily see which controls are active. On the Advanced and Mini panels, the keys are also backlit, making it easy to clearly see each button in a dimly lit suite. QUICKLY CHANGE TOOLS The DaVinci Resolve Advanced and Mini panels include dedicated feature buttons that let you quickly change tools so you don’t have to switch back and forth between the mouse and panel. With the push of a button you can easily access tools such as the RAW palette, primary color correctors, curves, qualifiers, windows, tracker and more. STILL STORE REFERENCE MANAGEMENT Colorists constantly grab and play stills to compare grades using the gallery. The DaVinci Resolve Advanced, Mini and Micro panels have dedicated keys to quickly save and recall stills. On the DaVinci Resolve Advanced Panel you can also use the fader T-bar to wipe between saved stills and your grading timeline. TRANSPORT CONTROLS The play forward, reverse and stop transport keys on all the panels give you full control of your project timeline or deck while the Advanced panel adds a jog/shuttle knob for faster and more precise scrubbing. FLEXIBLE POWER OPTIONS The DaVinci Resolve Micro Panel is fully powered via USB so you can simply plug and play to get up and running. Power over USB means you can use it with a laptop and it will operate from the laptop’s battery, making it ideal for on set grading. The DaVinci Resolve Mini Panel also includes ethernet so it can operate via your network, making it fantastic for larger facilities. Plus, the ethernet PoE support means it can even power itself via the network connection so you don’t need to plug in the power connection.

Blackmagic BMD-BDLKDUO2 Decklink Duo 2

Blackmagic BMD-BDLKDUO2 (BMD BDLKDUO2, BMDBDLKDUO2, BMD/BDLKDUO2, bmd-bdlkduo2) Decklink Duo 2 With four bi-directional SDI interfaces, the Blackmagic Design DeckLink Duo 2 is a versatile video I/O card for professional video workflows. Since each SDI interface can be configured to be either an input or an output, a computer with this card installed can be purposed as a media play-out system, a multi-screen digital signage server, a live keyer, a real-time multi-channel capture system, or a combination of the above to fit your specific workflow of the moment. A reference input is also available for syncing with other studio equipment. Processing Colorspace Conversion: Hardware based real time HD Down Conversion: Built-in, high quality software down converter from HD to SD on output. Down converted SD selectable between letterbox, anamorphic 16:9 and center cut 4:3 styles. HD Up Conversion: Built-in, high quality software up conversion from SD to 720HD or 1080HD on input. Selectable between 4:3 pillarbox, 14:9 zoom and 16:9 zoom Cross Conversion: Built-in, high quality hardware cross conversion from 720HD to 1080HD, 1080HD to 720HD on playback Real Time Effects Support: Final Cut Pro X internal effects, Premiere Pro CC Mercury Playback Engine effects, Avid Media Composer internal effects Software Compatibility The DeckLink Duo 2 interfaces with many popular NLE, DAW, and professional software programs including: Blackmagic Design: DaVinci Resolve, Fusion 8 Apple: Final Cut Pro X Adobe: Premiere Pro CC, After Effects CC, Photoshop CC Avid: Media Composer, Pro Tools Stienberg: Cubase, Nuendo

Blackmagic BMD-BDLKULSR4KEXTR3 UltraStudio 4K Extreme 3

Blackmagic BMD-BDLKULSR4KEXTR3 ( BMDBDLKULSR4KEXTR3, BMD BDLKULSR4KEXTR3, BMD/BDLKULSR4KEXTR3, bmd-bdlkulsR4kextr3 ) UltraStudio 4K Extreme 3 Advanced 40Gb/s Thunderbolt 3 and PCIe solution with 12G SDI, HDMI 2.0, Analog, 4:4:4, Ultra HD and 4K up to 2160p60 and hardware encoder for H.265 UltraStudio 4K Extreme 3 is the world’s most advanced capture and playback solution for PCIe and Thunderbolt computers. It features incredibly fast 40Gb/s Thunderbolt 3, advanced 12G-SDI and HDMI 2.0 connections for working at up to 60 frames per second with deep color, 12-bit RGB, support for HDR workflows via HDMI 2.0a and extremely large 4K frame sizes, even in 3D. Featuring the widest range of analog and digital connections, UltraStudio 4K Extreme is compatible with virtually any camera, deck, router or display. There’s even an extremely powerful hardware encoder built-in that supports realtime H.265 encoding. SOFTWARE INCLUDED DaVinci Resolve Media Express Disk Speed Test LiveKey Blackmagic Desktop Video Utility and Blackmagic driver on Mac OS X Blackmagic Desktop Video Utility and Blackmagic driver on Windows 7, 8 and 10 Blackmagic Desktop Video Utility and Blackmagic driver on Linux

Blackmagic BMD-MULTIP6G/04 MultiView 4

Blackmagic BMD-MULTIP6G/04 ( BMDMULTIP6G04, BMD MULTIP6G 04, BMD/MULTIP6G/04, bmd-multip6g/04 ) MultiView 4 Monitor any combination of SD, HD and Ultra HD sources all on the same screen, at the same time Blackmagic MultiView 4 has four completely independent 6G-SDI inputs that work with all SD, HD and Ultra HD formats up to 2160p30. Simply connect your sources and you’ll get a standard 2x2 grid view on an HD or Ultra HD television. Using the included Ethernet remote control software, you can turn on audio meters, choose which audio to output, as well as create custom labels, and more! MultiView 4 is compatible with the Teranex Mini Rack Shelf so you can use it on your desktop or rack mount it. You can also add an optional Teranex Mini Smart Panel for front panel control! For the ultimate in broadcast reliability and redundancy, you can power MultiView 4 via the AC connection as well as power over Ethernet. STUDIO OR LIVE USE MULTI SOURCE MONITORING DESIGNED FOR BROADCASTERS Multi view monitoring is perfect for massive control rooms with lots of incoming feeds, for live multi camera production or for use on location and in tight spaces that don’t have room for multiple monitors. With Blackmagic MultiViews you don’t need to connect multiple monitors, dozens of cables or run extra power to see all of your video sources! Simply plug your cameras, decks, switchers and routers into the SDI connections to see everything with amazing clarity and detail on a single HD or Ultra HD monitor. INDEPENDENT MONITORING MIX ANY COMBINATION OF SD, HD AND ULTRA HD SOURCES Each view on a Blackmagic MultiView works as a completely independent video monitor. You get full frame re-synchronization on all of the 6G-SDI inputs. That means they can be any video standard and frame rate, and each input is completely independent of the others. You can mix any combination of referenced or non-referenced NTSC, PAL, 720p, 1080i, 1080p, and Ultra HD up to 2160p30, all on the same display at the same time! It's like getting 4 or 16 independent monitors in one! HIGH RESOLUTION MONITORING THE WORLD’S HIGHEST RESOLUTION MULTI VIEWER. Blackmagic MultiView works with both HD as well as Ultra HD displays, so you get maximum compatibility with your existing HD equipment. That means you can use regular HD displays but you also have the choice to use an Ultra HD monitor for incredible sharpness! Ultra HD has four times the number of pixels of regular HD, so your video will look sharper and clearer than ever before! What this means is when displaying the 2x2 view on an Ultra HD monitor, each view is a full 1920 x 1080 HD resolution with no scaling! MultiView includes both 6G-SDI and HDMI outputs so you can connect to televisions, video projectors, broadcast monitors and more. ADVANCED MONITORING TOOLS CUSTOM LABELS, TALLY, AUDIO METERS AND MORE. Blackmagic MultiViews feature advanced monitoring tools that can be displayed with your video. You get custom labels, audio meters, tally indicators and more! You can also choose which audio source is routed to the video output. The on screen source labels have a subtle, elegant design and resize proportionally based on the selected layout. In addition, you get anamorphic support in standard definition so you can view 16 x 9 anamorphic video sources in widescreen. MULTI RATE 6G-SDI CONNECTIONS SUPPORTS ALL OF YOUR SD, HD AND ULTRA HD EQUIPMENT. MultiView 4 features multi rate 6G-SDI inputs with full frame re-synchronization and separate loop through outputs, making it compatible with your existing equipment. The SDI inputs automatically detect and re-sync’s SD, HD and Ultra HD formats up to 2160p30. You also get HDMI 2.0 and 6G-SDI for both HD and Ultra HD output. DESIGN MultiView 4 is designed to give you compact, portable multi viewing that’s easy to setup and can be used anywhere. Simply plug in your sources, turn it on and you’ll instantly see a quad split view displaying everything. MULTI MULTIVIEWS CREATE CUSTOMIZED VIEWS WITH EVEN MORE SOURCES! Blackmagic MultiView 4 handles 4 sources in an incredibly compact size, however if you have more, you can combine multiple MultiViews together to create customized displays! Simply daisy chain two together by connecting the output of one MultiView 4 to one of the inputs on another. That means you can now monitor seven sources at once, all on the same display! There’s no limit to how you can combine units together to create your own customized display. OPTIONAL FRONT PANEL CONTROLS WORKS WITH TERANEX MINI SMART PANELS. Blackmagic MultiView 4 works with the optional Teranex Mini Smart Panel so you can add front panel controls to your MultiView 4! Installation is as simple as swapping the front panel and, once installed, it’s even easier to set up and adjust settings on the fly! The Smart Panel features dedicated buttons, a built in LCD screen and a spin knob so you can turn on custom labels, audio meters, borders, tally and more! You can even adjust settings such as the IP address and output video format right from the front panel. TERANEX MINI SIZE USE ALL THE ACCESSORIES FOR TERANEX MINI. MultiView 4 is the same size as Blackmagic Design’s Teranex Mini range of 12G-SDI converters. This means you can use the Teranex Mini Rack Shelf for rack mounting the MultiView 4 and even combine multiple MultiView 4 models on the same rack shelf, or combine with a mix of Teranex Mini converters and MultiViews. The choice is yours! If you are in critical broadcast environments where you need to be able to change settings at any time then you can also add the Teranex Mini Smart Panel. This gives you full access to all MultiView 4 settings in easy to use graphical menus that are simpler and faster to use than the switches on the default panel. EXTERNAL “ROUTER” CONTROL SUPPORTS VIDEOHUB ROUTER PROTOCOL FOR EASY EXTERNAL CONTROL! MultiView 16 emulates a Blackmagic Videohub router so you get full compatibility with all of the external Videohub software and hardware control panels for routing any of the inputs onto any of the monitoring views! Both models can also be controlled via the included software utility on Mac or Windows computers so you can quickly change settings remotely if access to the front panel is restricted! You can even add on screen labels and other settings remotely.

Blackmagic BMD-CONVNTRM/DA/QDSDI Teranex Mini - Quad SDI to 12G-SDI

Blackmagic BMD-CONVNTRM/DA/QDSDI ( BMDCONVNTRMDAQDSDI, BMD CONVNTRM DA QDSDI, BMD/CONVNTRM/DA/QDSDI, bmd-convntrm/da/qdsdi ) Teranex Mini - Quad SDI to 12G-SDI Convert Quad Link SDI to 12G-SDI Convert Quad Link SDI to 12G-SDI so you can connect Quad Link Ultra HD equipment to the latest 12G-SDI Ultra HD equipment. Allows equipment that uses four BNC cables to be connected using a single 12G-SDI BNC cable for connecting to the latest routers, switchers, projectors and more! Supports both Level A and Level B 3G-SDI equipment.

Blackmagic BMD-CONVNTRM/DB/SDIQD Teranex Mini - 12G-SDI to Quad SDI

Blackmagic BMD-CONVNTRM/DB/SDIQD ( BMDCONVNTRMDBSDIQD, BMD CONVNTRM DB SDIQD, BMD/CONVNTRM/DB/SDIQD, bmd-convntrm/db/sdiqd ) Teranex Mini - 12G-SDI to Quad SDI Convert 12G-SDI to Quad Link SDI Convert 12G-SDI to Quad Link SDI so you can connect the latest 12G-SDI Ultra HD equipment with Quad Link Ultra HD equipment. Also allows Ultra HD SDI to be separated into four HD SDI outputs for using regular HD displays for creating video wall style displays. Includes 12G-SDI loop through and support for both Level A and Level B 3G-SDI equipment.

Blackmagic BMD-CONVNTRM/EA/DA Teranex Mini - SDI Distribution 12G

Blackmagic BMD-CONVNTRM/EA/DA ( BMDCONVNTRMEADA, BMD CONVNTRM EA DA, BMD/CONVNTRM/EA/DA, bmd-convntrm/ea/da ) Teranex Mini - SDI Distribution 12G Distribute a single SDI video input to up to eight SDI outputs Distribute a single SDI video input to up to eight SDI outputs. Features the latest multi rate 12G-SDI connections with full SDI re-clocking allowing the converter to automatically switch between all SD, HD and Ultra HD formats up to 2160p60. Perfect for distributing a single SDI signal to multiple devices such as monitors, switchers and encoders.

Blackmagic BMD-BDLKDVQD2 DeckLink Quad 2

Blackmagic BMD-BDLKDVQD2 ( BDLKDVQD2, BMDBDLKDVQD2, BMD BDLKDVQD2, BMD/BDLKDVQD2, bmd-bdlkdvqd2 ) DeckLink Quad 2 Eight channel configurable PCIe video capture and playback up to 1080p60 DeckLink Quad 2 features 8 independent SDI capture and playback channels in a single card! Fully compatible with the previous 4 channel model, this new model also allows 4 independent capture and playback channels but now also includes 4 extra channels that developers can use for configuring the card in any combination of up to 8 capture or 8 playback channels. This means DeckLink Quad 2 allows each of the 8 3G-SDI BNC connectors to switch direction between capture or playback in SD and HD up to 1080p60 and as a complete independent channel.

Blackmagic BMD-DV/RESSTUD DaVinci Resolve Studio Activation Key - v16

Blackmagic BMD-DV/RESSTUD (DV/RESSTUD, BMDDV/RESSTUD, BMD/DV/RESSTUD, BMD DV RESSTUD) DaVinci Resolve Studio Activation Key - v16 Originally designed for Hollywood's elite colourists, DaVinci Resolve has been used on more feature films and TV shows than anything else because it lets you create images that are simply impossible with other tools. DaVinci is also the world's fastest growing and most advanced editing software. Now, with DaVinci Resolve 14, you get incredible new Fairlight audio tools specifically designed for film and television post production. It's like getting 3 high end applications in one. All it takes is a single click to switch between editing, colour correcting, audio mastering and delivery. Best of all, if you're collaborating on a team, you can all work on the same project at the same time. DaVinci Resolve 14 is a revolution in post production. Download it for free and try it today. WHAT'S NEW! INCREDIBLE SPEED, PROFESSIONAL FAIRLIGHT AUDIO, REVOLUTIONARY COLLABORATION AND MORE! DaVinci Resolve 14 has hundreds of new features for editors, colourists and now, for the first time, audio professionals. The new playback engine dramatically increases responsiveness with up to 10x better performance for editors. You also get a whole new page with the full Fairlight audio post production tools that let you record, edit, mix, sweeten and master sound with full 3D audio space and up to 1000 channels. Colourists will find amazing new filters that include automatic facial recognition and tracking for quickly smoothing skin tones, brightening eyes, changing lip colour and more. Plus, DaVinci Resolve 14 features revolutionary new multi user collaboration tools such as bin locking, chat and timeline merging that allow editors, colourists, and sound editors to all work on the same project at the same time. All these new features make DaVinci Resolve 14 the world's most advanced post production software. PROFESSIONAL EDITING DaVinci Resolve includes virtually every imaginable editing and trimming tool available, making it perfect for both creative and online editing. The new high performance playback engine, which is up to 10x faster, makes playback instantaneous and trimming more responsive than ever, even for processor intensive formats such as H.264 and RAW. CREATIVE EDITING Familiar multi track timeline with quick edit pop-up, seven different types of edits, customizable keyboard shortcuts and more. ADVANCED TRIMMING Context sensitive trimming to ripple, roll, slip or slide based on the mouse position so you don't have to switch tools. MULTICAM EDITING Full multi camera editing with realtime 2, 4, 9 or 16 camera playback views for cutting shows on the fly. SPEED EFFECTS Quickly create constant or variable speed changes, complete with ramps and editable curves. TIMELINE CURVE EDITOR Animate and add keyframes for virtually any parameter using the inspector or the timeline based curve editor. TRANSITIONS AND EFFECTS Quickly add transitions and filters from the built in library, or add 3rd party plug ins to create incredible effects. FINISHING Powerful tools, including the new position lock, that make conforming and finishing projects for final delivery faster than ever before. COLOUR CORRECTION DaVinci Resolve has been used on more feature films and television shows than any other grading system. You get the industry's most powerful primary and secondary correction tools, advanced curve editor, tracking and stabilization, noise reduction and grain tools, Resolve FX and more. LEGENDARY QUALITY Patented YRGB colour science and 32-bit float image processing lets you achieve looks that are simply impossible with other software. PRIMARY CORRECTION Traditional primary colour wheels along with 12 advanced primary controls for quickly adjusting temperature, tint, mid-tone detail, and more. CURVE EDITORS Quickly sculpt contrast along various highlight and shadow areas of an image with separate curves and soft clipping for each channel. SECONDARIES Isolate and track different parts of an image using HSL qualifiers, keyers and basic or custom rotoscope shapes so you can make targeted corrections. HIGH DYNAMIC RANGE (HDR) Work in wide latitude and wide colour formats such as Dolby Vision, Hybrid Log Gamma, and more! BROAD FORMAT SUPPORT Work natively with camera original RAW files and virtually every other format for total control over your images at the highest quality possible. FAIRLIGHT AUDIO New professional tools for audio post production. DaVinci Resolve now includes fully featured Fairlight audio in the same software you use for editing and colour correction. You get high end mixing for up to 1,000 channels in real time, plus support for massive Fairlight audio consoles. It's a true end to end workflow that supports recording and ADR, sound editing, sound effects, sweetening and mixing. You can even mix down and master to multiple formats, including 3D audio space formats such as 5.1, 7.1 and even 22.2. UP TO 1,000 TRACKS Create up to 1,000 audio tracks with 8 main, sub and aux outputs. Add Fairlight Audio Accelerator zero latency realtime performance. EQUALIZATION AND DYNAMICS Get real time 6 band equalization, along with expander/gate, compressor and limiter dynamics on every single track. EDITING AND AUTOMATION Edit clips at up to 192kHz and 24-bit with automation for adjusting fade, levels and more, all the way down to individual audio samples. MIXING Full professional mixer with input selection, effects, insert, EQ and dynamic graphs, output selection, aux, pan, main and submix selections, and more. PLUG IN EFFECTS Add 3rd party VST plug ins for even more creative options. You can get real time processing performance for up to 6 plug ins per track. MASTERING All the tools you need for mastering. Deliver anything from mono up to stereo, 5.1, 7.1, Dolby and even 22.2, complete with full 3D panning. MEDIA AND DELIVERY DaVinci Resolve 14 makes importing, syncing and organizing footage fast! Whether you're going out to the web, tape, or theatrical distribution, DaVinci Resolve features everything you need to deliver projects in virtually any format! You'll be able to get to work quickly and output files fast, so you'll never miss a deadline. IMPORT FOOTAGE Use the media page to import footage, sync audio and prep it for editing. Simply drag and drop files from your storage into bins or even your timeline. ORGANIZE CLIPS Create free form or metadata based smart bins to organize clips. You get customizable list views, multiple bin windows and more. METADATA Use embedded metadata or add your own to sort and sync clips, change display names, detect starts and stops in Multicam angles, and much more. DELIVERY OPTIONS Output to the web, round trip projects and media with other applications, or even create digital cinema packages for theatrical distribution. RENDER QUEUE Quickly add multiple jobs to the render queue for batch processing. You can even offload output to another workstation. EASY ROUND TRIPPING DaVinci Resolve give you native compatibility with virtually all major post production file types, formats and even other applications. MULTI USER COLLABORATION REVOLUTIONARY NEW TOOLS ALLOW SIMULTANEOUS EDITING, COLOUR CORRECTION AND AUDIO POST! DaVinci Resolve 14 completely redefines post production workflows. Assistant editors can prepare footage while editors cut the picture, colourists grade the shots, and sound editors mix and finish audio, all in the same project at the same time. You no longer have to waste time conforming and you no longer have to wait for a locked edit before starting colour and audio work. That means picture editors, colourists, and sound editors can now work in parallel, leaving more time for everyone to be creative. CLIP, TIMELINE AND BIN LOCKING Locking a bin, clip or a timeline lets you safely work on a specific part of the project. You get full access and others have read access until you unlock it. BUILT IN CHAT The integrated chat client lets you speak with other members of the team without ever having to leave DaVinci Resolve so you can all stay on the same page. TIMELINE COMPARISON The visual timeline comparison tool makes it fast and easy to see differences between two timelines so you can accept and merge changes. OPEN STORAGE You don't need to buy special, expensive or proprietary storage and servers to work as a team in DaVinci Resolve. You can use any shared storage. DAVINCI RESOLVE STUDIO  UPGRADE TO DAVINCI RESOLVE STUDIO FOR EVEN MORE CREATIVE TOOLS AND OPTIONS! The free version of DaVinci Resolve has all of the professional editing, legendary colour correction and Fairlight audio tools you need for SD, HD and Ultra HD work at up to 60 frames per second. DaVinci Resolve Studio adds support for 4K and higher, along with frame rates up to 120 fps. It also includes dozens of additional image processing features and filters that are not in the free version. This includes film grain, temporal and spatial noise reduction, amazing new face enhancement tools, lens flares, lens distortion correction, optical quality blur and mist effects, match move, warping and much more. NO MONTHLY CLOUD LICENCING Unlike cloud based software, DaVinci Resolve Studio does not require a connection to the internet and there are no monthly subscription fees. Plus, you get full nonlinear editing, advanced colour correction and a massive suite of new Fairlight audio tools, all included in the one easy to buy solution. It's like getting 3 high end professional applications for the cost of one. NEW HIGH PERFORMANCE PLAYBACK ENGINE  FLY THROUGH EDITS AND COLOUR CORRECTION WITH UP TO 10X THE PERFORMANCE DaVinci Resolve 14 features an incredible new video playback engine with CPU and GPU optimizations, fast 16-bit float playback, lower latency, faster UI refresh, support for Apple Metal, and more. These upgrades combine to make DaVinci Resolve faster and far more responsive than ever. Working on long timelines with thousands of clips is incredibly fluid and editing is even more precise. Scrubbing and playback are instant, often starting before you lift your fingers off the keyboard! Powerful acceleration for processor intensive formats, like H.264, makes it possible to edit 4K material on a laptop in realtime. Whether you're working in HD or 4K, with ProRes, H.264 or even RAW images, DaVinci Resolve 14 is completely responsive and fast enough to keep up with your every move. LEGENDARY DAVINCI QUALITY UNIQUE YRGB 32-BIT FLOAT IMAGE PROCESSING DaVinci Resolve's Emmy™ award-winning image processing technology features deep 32-bit float processing combined with unique, patented YRGB colour science that processes luminance independent of colour. This allows you to adjust the luminance of video without rebalancing the colour of your highlights, midtones, or shadows. The massive internal colour space is perfect for the latest HDR and wide colour gamut workflows, and lets you generate looks that are simply impossible to create on other systems. HARDWARE CONTROL PANELS WORK FASTER, BE MORE CREATIVE AND GET ABSOLUTE CONTROL! When you have a client looking over your shoulder you need to work fast. DaVinci Resolve control panels are designed to give you fluid, hands-on control over multiple parameters at the same time, allowing you to create looks that are simply impossible with a standard mouse. All controls are logically placed near your natural hand positions and are made out of the highest quality materials. You get smooth, high resolution weighted trackballs, along with precision engineered knobs and dials that feature the perfect amount of resistance so you can accurately adjust any setting. DaVinci Resolve control panels let you instinctively touch every part of the image. FAIRLIGHT PROFESSIONAL CONSOLES MODULAR AND UPGRADABLE DESKTOP OR FREE STANDING CONSOLES! Fairlight mixing consoles provide high quality tactile controls for nearly every parameter and feature in the software. Unique user interfaces and fast to use buttons and controls allow quick mapping of the console keys into a configuration that is optimized for the task at hand, allowing you to work faster with Fairlight audio than any other tool in the world. Desktop and free standing consoles are available in a variety of configurations to meet the needs of your facility. MAC, WINDOWS AND LINUX THE ONLY POST PRODUCTION SOLUTION THAT RUNS ON ALL POPULAR PLATFORMS! DaVinci Resolve runs on all major platforms so you can use it at home or in a post facility on a Mac, at a broadcast facility running Windows, or a VFX studio on Linux. This gives you the freedom to use the platform of your choice, making it easy to integrate with your existing systems and workflows. If you're running Red Hat or CentOS Linux, you can even build your own workstation using low cost motherboards, extremely fast processors, massive amounts of RAM and up to 8 GPUs. Imagine building your own super computer for incredible real time performance. OPEN AND COMPATIBLE THE WORLD'S MOST COMPATIBLE POST PRODUCTION SOLUTION! With all of the different workflows and systems out there, you need a post production solution that's compatible and open enough to handle anything! DaVinci Resolve has been designed to work with all major file formats, media types, and post production software. You can use XML, EDLs, or AAF to move projects between DaVinci Resolve, Final Cut Pro, Avid Media Composer, and Premiere Pro. Deep integration with Fusion makes it easy to send shots out for VFX work, or you can roundtrip with software such as After Effects. For audio, projects can easily be moved between DaVinci Resolve and ProTools. When you're on a tight deadline, you can count on DaVinci Resolve to "just work!".

Blackmagic BMD-CONVMSDIDA SDI Distribution Amp

Blackmagic BMD-CONVMSDIDA (BMDCONVMSDIDA, BMD CONVMSDIDA, BMD/CONVMSDIDA, bmd-convmsdida) SDI Distribution Amp. Ideal for connecting the same signal to several devices at once. SDI distribution has an SD, HD and 3Gb/s auto switching input and provides 8 re-clocked outputs. It even handles ASI. It also supports ancillary data and embedded audio. HIGH QUALITY SDI Mini Converters are built to the highest quality standards with low SDI jitter. You get the longest SDI cable lengths combined with ultra low noise analogue video and audio for a true broadcast quality solution. You also get the latest broadcast technology such as re-clocking and 3 Gb/s SDI. NEW 3 GB/S SDI TECHNOLOGY With the latest 3 Gb/s SDI technology built into Mini Converters you get modern broadcast technology that's future proof. INTERNATIONAL POWER SUPPLY Unlike other converters, a high quality low noise universal power supply is included with international socket adapters for all countries. To stop power accidentally being disconnected, a cable tie point is included to lock down the power connection tight and secure.

Blackmagic BMD-CONVMBASA Convert from SDI to analogue in HD/SD, plus balanced AES/EBU and analogue audio

Blackamagic BMD-CONVMBASA ( BMD CONVMBASA, BMDCONVMBASA, BMD/CONVMBASA, bmd-convmbasa ) Convert from SDI to analogue in HD/SD, plus balanced AES/EBU and analogue audio. Mini Converter SDI to Analogue includes everything you need to convert from SDI to analogue in HD/SD component, NTSC and PAL video, plus balanced AES/EBU and analogue audio. Now you can easily connect equipment such as Betacam SP, VHS, and analogue video monitors to SDI based equipment. Auto Switching SD and HD  Mini Converters instantly switch between standard definition and high definition video formats and change over is automatic when the video input changes. A huge range of video standards are supported including, NTSC, PAL, 1080i/59.94, 1080i/50, 1080psf/23.98, 1080psf/24, 720p/59.94 and 720p/50 formats, plus new formats can be added via USB. Redundant SDI Input Mini Converters feature a unique redundant input for mission critical tasks such as broadcast or live events. You can connect a redundant cable to the second input, so if the main input is lost due to cable damage or any other cause, Mini Converter will automatically switch over to the redundant input cable. This lets you use Mini Converters in locations where crowds or the environment might cause cable damage, or lets you place Mini Converters in hard to reach locations such as roof mounted video projectors etc. A loop though SDI output is also provided for connecting to other devices. A loop-thru SDI connection is also great if you need more than 2 audio channels, as you can connect the loop-thru to another Mini Converter to de-embedd extra audio channels! New 3 Gb/s SDI Technology  Only Mini Converters include the latest 3 Gb/s SDI technology and upgrades can be loaded via the built in USB connection for future video format compatibility. 3 Gb/s SDI is also fully compatible with all your standard definition and high definition SDI equipment. Built in AES/EBU or Analogue Audio Standard 1/4 inch jacks are built in for balanced analogue or AES/EBU audio. Because Mini Converters use standard 1/4 inch jack connectors for all audio connections, you can use standard cables commonly avalible from any pro audio store. Unlike other converters, Mini Converters don't need custom cables, as any balanced 1/4 inch jack cable can be used. Mini Converters are also unique as the same 1/4 inch jack connections can be switched between professional balanced analogue audio, or AES/EBU digital audio. This means you only need one model of Mini Converter for both analogue and digital audio. You can select the type of audio from one of the mini switches on the side of the Mini Converter unit. On modes with AES/EBU digital audio in, a sample rate converter lets you connect to any AES/EBU source, either synchronized, or un-syncronised. On HDMI models, you also have full access to the HDMI audio embedded in the HDMI video connection. High Quality  Mini Converters are built to highest quality standards with low SDI jitter so you get the longest SDI cable lengths combined with multiple internal power supplies for ultra low noise broadcast quality analogue video and audio. Unlike other converters, Mini Converters don't use "low grade" video electronics just to save cost. Mini Converters feature the highest grade broadcast quality analogue audio and video electronics. In fact, Mini Converters uses the same analogue video design as our most expensive and award winning Multibridge Eclipse! That means you get the highest quality, all in a very affordable and incredibly compact unit. International Power Supply Unlike other converters, a universal power supply is included with international socket adapters for all countries. This lets you take Mini Converters with you to any location worldwide, and plug directly into the local power sockets. To stop power accidentally being disconnected, a cable tie point is included to lock down the power connection tight. Changing Settings  With Blackmagic Design's Mini Converters, its as simple as using a pen to change settings. Settings vary between models, and include settings such as AES/EBU or analog audio, analog video connections, and more. Cinema Style Monitoring  With the Blackmagic Design SDI to HDMI Mini Converter you can utilize a HDMI Television for budget sensitive client monitoring. Simply connect your SDI signal into the SDI to HDMI Mini Converter and then plug your HDMI cable to either a big screen HDMI television or video projector. Can you just imagine how incredible it would be having a massive 60 inch flat screen TV for your client monitoring. Go the Distance  SDI video connects long distances up to 100m, so you can connect everyone together in your facility. Cables are simple BNC coax cables so you can easily make cables to the perfect length for your needs. Industry Standard Format  Connect to any SDI deck for all industry tape formats, from DV, Digital Betacamâ„¢, D1, up to HDCAM SRâ„¢ and HD D-5. Using capture cards such as Blackmagic Design's DeckLink, you can capture to formats such as JPEG, DV to uncompressed 8 bit, 10 bit or RGB 10 bit. Uncompressed Video Quality  SDI uses a higher data rate than DV, so its got the speed to handle full resolution video in standard definition or high definition completely uncompressed. That means you can preserve video quality until you need to compress the video - such as the final compression pass for streaming or broadcast.

Blackmagic BMD-CINECAMURSASHMKM Shoulder Mount Kit for URSA Mini

Blackmagic BMD-CINECAMURSASHMKM ( BMDCINECAMURSASHMKM, BMD CINECAMURSASHMKM, BMD/CINECAMURSASHMKM, bmd-cinecamursashmkm) Shoulder Mount Kit for URSA Mini. Shoulder mount kit for handheld shooting with URSA Broadcast, URSA Mini, URSA Mini Pro  From tripod to shoulder and back in seconds Kit includes the shoulder pad with built in rosettes, rail mounts and integrated quick lock release attachment points so you can instantly latch it into the quick release plate without needing to remove the shoulder pad Also includes a top handle for carrying the camera and attaching accessories

Blackmagic BMD-CONVNTRM/MB/HOPT HDMI to 12G optical fiber and 12G-SDI converter

Blackmagic BMD-CONVNTRM/MB/HOPT ( BMDCONVNTRMMBHOPT, BMD CONVNTRM MB HOPT, BMD/CONVNTRM/MB/HOPT, bmd-convntrm/mb/hopt ) Teranex Mini - HDMI to Optical 12G. HDMI to 12G optical fiber and 12G-SDI converter Introducing Teranex Mini, the next generation 12G-SDI converters with award winning Teranex quality and support for all SD, HD and Ultra HD formats up to 2160p60! All Teranex Minis include an internal AC power supply, professional XLR analog and AES/EBU audio connections and an ethernet connection for remote management and PoE alternate power! Teranex Mini features a user upgradable front panel that includes a color display and user controls so you can quickly monitor video and change settings right from the front of the converter! You get all of the same great features of regular mini converters and so much more. Use Anywhere The world’s most versatile converters. The all new Teranex Mini converters make building facilities and supporting all different types of video equipment easier than ever before. Teranex Mini is perfect for broadcast installations because they can be rack mounted and the optional front panel lets you see what’s being converted on the screen! They can even be remote managed over ethernet. Their compact size makes them great for portable racks at live events or in broadcast trucks, plus they have professional XLR audio connections for connecting to mixers and other audio gear! You can even use them in editing and color grading suites to drive big screen displays and projectors. Reinventing the Mini Converter The first mini converter you don’t have to hide. Teranex Minis are so small that you can use them like regular mini converters such as hiding them in cable ducts, behind equipment and attached to televisions for monitoring. Teranex Mini’s new flexible design lets you use them on the desktop where you can see them, or rack mount them in larger broadcast systems. Unlike regular mini converters, you get full size professional XLR audio connections built into the converters, plus each converter has an ethernet connection so they can be administered remotely. You get mini switches so you can change settings instantly or, when you’re doing mission critical work, you can add the optional front panel to see exactly what you’re converting. Rack Mountable The world's first 12G-SDI rack mount converters. Card based rack converters are expensive, cannot handle high SDI speeds such as 12G-SDI and you have to buy an entire rack chassis even if you only want to install one converter. Teranex Minis can be rack mounted in combinations of one or more and you can take them out and use them non rack mounted whenever you need! You get built in AC power and ethernet on every converter so there’s no single point of failure. Unlike card based converters, you can walk up and change settings from the front panel, monitor the video going through each converter, and you can also manage them remotely over ethernet! Because they’re so small you can mount them in the front or the rear of an equipment rack or road case. Advanced 12G-SDI Blazing fast 12G-SDI for SD, HD and Ultra HD. Teranex Mini converters feature cutting edge, multi rate 12G-SDI technology that’s 8 times faster than regular HD-SDI. 12G-SDI is multi rate so it will automatically detect and change between all SD, HD and Ultra HD video formats instantly, so you can connect Teranex Mini to all of your existing SD and HD equipment. 12G-SDI supports high frame rate Ultra HD up to 2160p60 on a single BNC cable so you can work in Ultra HD and keep your high frame rate production workflow for fast moving sports and action programming. Smart Thermal Design Easily handles 12G-SDI in tough environments. Teranex Mini features an innovative thermal design with crossflow cooling that keeps them running perfectly, even when rack mounted side by side and in tough environments! An intelligent thermal subsystem and internal heat pipe assist with cooling and keeps the air flowing at all times while minimizing noise. If a Teranex Mini gets too hot, you’ll instantly receive notification through the remote control ethernet utility and on the front panel. When rack mounted side by side, each Teranex Mini works together to pull air through the rack keeping them all cool and providing redundancy for each converter. Broadcast Connections True XLR audio, ethernet and built in IEC AC power connectors All Teranex Mini converters feature standard, professional broadcast quality connectors, including full size professional XLR audio connections and high speed BNC connections for handling the extremely high bandwidth of cutting edge 12G-SDI technology. All models feature a built in multi volt 90V-240V AC power supply and standard IEC AC power connector so you can use any regular power cable. The built in ethernet connection allows remote administration and can also be used to power the converter when connected to power over ethernet switch. Digital and Analog Audio Truly professional quality audio. The professional XLR connections can be switched between balanced analog or AES/EBU digital audio so you can connect to any professional analog or digital audio equipment. If you’re running pro digital audio gear, you can keep your audio digital the whole way through for perfect digital quality. With professional audio built into every converter, you can connect to pro audio gear like mixers, effects processors, compressors, limiters and more into SDI based video systems. For analog audio, Teranex Mini’s feature an extremely low noise floor of more than -115 dBFS so even analog audio background noise is virtually silent. Optical Fiber Models Build broadcast facilities using optical fiber. Optical fiber SDI is becoming more popular because it handles extremely long distances, even at the high speeds of 12G-SDI. Optical fiber cables can be installed by electricians or computer networking installers so it’s easy to use. Each model of Teranex Mini has a corresponding optical fiber model so you can run native optical fiber systems and convert directly from optical fiber to HDMI, analog video or audio. The optical fiber models still include a 12G-SDI connector so you can use them in both regular BNC or optical fiber systems. Local or Remote Control Easily control and manage your converters. Like regular Mini Converters, Teranex Mini features built in mini switches and a printed diagram on the converter so you can quickly and easily change settings. When using the optional Teranex Smart Panel, settings can be changed using the push buttons and simple on screen menus. If you’re in a larger facility using lots of converters, you can manage them over ethernet from a Mac or Windows computer using the included Converter Utility software. Highest Quality Patented Teranex Image Processing Built using high quality Teranex video processing technology, Teranex Mini is ideal for all broadcast, post production and professional video applications. You get full SDI re-clocking and low jitter so you can use longer cables and because Teranex Mini’s have been designed for 12G-SDI, you get extremely long cable lengths when running at slower SDI speeds such as 6G-SDI, 3G-SDI and HD-SDI. When converting to analog you get extremely low noise because of the high quality 12-bit video processing. When you’re running Ultra HD to analog video Teranex Mini’s will upscale or down convert to analog HD automatically.

Blackmagic BMD-CONVNTRM/MA/OPTH Teranex Mini - Optical to HDMI 12G

Blackmagic BMD-CONVNTRM/MA/OPTH ( BMDCONVNTRMMAOPTH, BMD CONVNTRM MA OPTH, BMD/CONVNTRM/MA/OPTH, bmd-convntrm/ma/opth ) Teranex Mini - Optical to HDMI 12G 12G optical fiber and 12G-SDI to HDMI converter Introducing Teranex Mini, the next generation 12G-SDI converters with award winning Teranex quality and support for all SD, HD and Ultra HD formats up to 2160p60! All Teranex Minis include an internal AC power supply, professional XLR analog and AES/EBU audio connections and an ethernet connection for remote management and PoE alternate power! Teranex Mini features a user upgradable front panel that includes a color display and user controls so you can quickly monitor video and change settings right from the front of the converter! You get all of the same great features of regular mini converters and so much more. Use Anywhere The world’s most versatile converters. The all new Teranex Mini converters make building facilities and supporting all different types of video equipment easier than ever before. Teranex Mini is perfect for broadcast installations because they can be rack mounted and the optional front panel lets you see what’s being converted on the screen! They can even be remote managed over ethernet. Their compact size makes them great for portable racks at live events or in broadcast trucks, plus they have professional XLR audio connections for connecting to mixers and other audio gear! You can even use them in editing and color grading suites to drive big screen displays and projectors. Reinventing the Mini Converter The first mini converter you don’t have to hide. Teranex Minis are so small that you can use them like regular mini converters such as hiding them in cable ducts, behind equipment and attached to televisions for monitoring. Teranex Mini’s new flexible design lets you use them on the desktop where you can see them, or rack mount them in larger broadcast systems. Unlike regular mini converters, you get full size professional XLR audio connections built into the converters, plus each converter has an ethernet connection so they can be administered remotely. You get mini switches so you can change settings instantly or, when you’re doing mission critical work, you can add the optional front panel to see exactly what you’re converting. Rack Mountable The world's first 12G-SDI rack mount converters. Card based rack converters are expensive, cannot handle high SDI speeds such as 12G-SDI and you have to buy an entire rack chassis even if you only want to install one converter. Teranex Minis can be rack mounted in combinations of one or more and you can take them out and use them non rack mounted whenever you need! You get built in AC power and ethernet on every converter so there’s no single point of failure. Unlike card based converters, you can walk up and change settings from the front panel, monitor the video going through each converter, and you can also manage them remotely over ethernet! Because they’re so small you can mount them in the front or the rear of an equipment rack or road case. Advanced 12G-SDI Blazing fast 12G-SDI for SD, HD and Ultra HD. Teranex Mini converters feature cutting edge, multi rate 12G-SDI technology that’s 8 times faster than regular HD-SDI. 12G-SDI is multi rate so it will automatically detect and change between all SD, HD and Ultra HD video formats instantly, so you can connect Teranex Mini to all of your existing SD and HD equipment. 12G-SDI supports high frame rate Ultra HD up to 2160p60 on a single BNC cable so you can work in Ultra HD and keep your high frame rate production workflow for fast moving sports and action programming. Smart Thermal Design Easily handles 12G-SDI in tough environments. Teranex Mini features an innovative thermal design with crossflow cooling that keeps them running perfectly, even when rack mounted side by side and in tough environments! An intelligent thermal subsystem and internal heat pipe assist with cooling and keeps the air flowing at all times while minimizing noise. If a Teranex Mini gets too hot, you’ll instantly receive notification through the remote control ethernet utility and on the front panel. When rack mounted side by side, each Teranex Mini works together to pull air through the rack keeping them all cool and providing redundancy for each converter. Broadcast Connections True XLR audio, ethernet and built in IEC AC power connectors All Teranex Mini converters feature standard, professional broadcast quality connectors, including full size professional XLR audio connections and high speed BNC connections for handling the extremely high bandwidth of cutting edge 12G-SDI technology. All models feature a built in multi volt 90V-240V AC power supply and standard IEC AC power connector so you can use any regular power cable. The built in ethernet connection allows remote administration and can also be used to power the converter when connected to power over ethernet switch. Digital and Analog Audio Truly professional quality audio. The professional XLR connections can be switched between balanced analog or AES/EBU digital audio so you can connect to any professional analog or digital audio equipment. If you’re running pro digital audio gear, you can keep your audio digital the whole way through for perfect digital quality. With professional audio built into every converter, you can connect to pro audio gear like mixers, effects processors, compressors, limiters and more into SDI based video systems. For analog audio, Teranex Mini’s feature an extremely low noise floor of more than -115 dBFS so even analog audio background noise is virtually silent. Optical Fiber Models Build broadcast facilities using optical fiber. Optical fiber SDI is becoming more popular because it handles extremely long distances, even at the high speeds of 12G-SDI. Optical fiber cables can be installed by electricians or computer networking installers so it’s easy to use. Each model of Teranex Mini has a corresponding optical fiber model so you can run native optical fiber systems and convert directly from optical fiber to HDMI, analog video or audio. The optical fiber models still include a 12G-SDI connector so you can use them in both regular BNC or optical fiber systems. Local or Remote Control Easily control and manage your converters. Like regular Mini Converters, Teranex Mini features built in mini switches and a printed diagram on the converter so you can quickly and easily change settings. When using the optional Teranex Smart Panel, settings can be changed using the push buttons and simple on screen menus. If you’re in a larger facility using lots of converters, you can manage them over ethernet from a Mac or Windows computer using the included Converter Utility software. Highest Quality Patented Teranex Image Processing Built using high quality Teranex video processing technology, Teranex Mini is ideal for all broadcast, post production and professional video applications. You get full SDI re-clocking and low jitter so you can use longer cables and because Teranex Mini’s have been designed for 12G-SDI, you get extremely long cable lengths when running at slower SDI speeds such as 6G-SDI, 3G-SDI and HD-SDI. When converting to analog you get extremely low noise because of the high quality 12-bit video processing. When you’re running Ultra HD to analog video Teranex Mini’s will upscale or down convert to analog HD automatically.

Blackmagic BMD-CONVNTRM/CB/AUSDI Teranex Mini - Audio to SDI 12G

Blackmagic BMD-CONVNTRM/CB/AUSDI ( CONVNTRM/CB/AUSDI,  BMDCONVNTRMCBAUSDI, BMD/CONVNTRM/CB/AUSDI, BMD CONVNTRM CB AUSDI ) Teranex Mini - Audio to SDI 12G Audio Embedder; 2 channel balanced analogue / optical / HiFi RCA, 4 channel AES/EBU Introducing Teranex Mini, the next generation 12G-SDI converters with award winning Teranex quality and support for all SD, HD and Ultra HD formats up to 2160p60! All Teranex Minis include an internal AC power supply, professional XLR analog and AES/EBU audio connections and an ethernet connection for remote management and PoE alternate power! Teranex Mini features a user upgradable front panel that includes a color display and user controls so you can quickly monitor video and change settings right from the front of the converter! You get all of the same great features of regular mini converters and so much more. Use Anywhere The world’s most versatile converters. The all new Teranex Mini converters make building facilities and supporting all different types of video equipment easier than ever before. Teranex Mini is perfect for broadcast installations because they can be rack mounted and the optional front panel lets you see what’s being converted on the screen! They can even be remote managed over ethernet. Their compact size makes them great for portable racks at live events or in broadcast trucks, plus they have professional XLR audio connections for connecting to mixers and other audio gear! You can even use them in editing and color grading suites to drive big screen displays and projectors. Reinventing the Mini Converter The first mini converter you don’t have to hide. Teranex Minis are so small that you can use them like regular mini converters such as hiding them in cable ducts, behind equipment and attached to televisions for monitoring. Teranex Mini’s new flexible design lets you use them on the desktop where you can see them, or rack mount them in larger broadcast systems. Unlike regular mini converters, you get full size professional XLR audio connections built into the converters, plus each converter has an ethernet connection so they can be administered remotely. You get mini switches so you can change settings instantly or, when you’re doing mission critical work, you can add the optional front panel to see exactly what you’re converting. Rack Mountable The world's first 12G-SDI rack mount converters. Card based rack converters are expensive, cannot handle high SDI speeds such as 12G-SDI and you have to buy an entire rack chassis even if you only want to install one converter. Teranex Minis can be rack mounted in combinations of one or more and you can take them out and use them non rack mounted whenever you need! You get built in AC power and ethernet on every converter so there’s no single point of failure. Unlike card based converters, you can walk up and change settings from the front panel, monitor the video going through each converter, and you can also manage them remotely over ethernet! Because they’re so small you can mount them in the front or the rear of an equipment rack or road case. Advanced 12G-SDI Blazing fast 12G-SDI for SD, HD and Ultra HD. Teranex Mini converters feature cutting edge, multi rate 12G-SDI technology that’s 8 times faster than regular HD-SDI. 12G-SDI is multi rate so it will automatically detect and change between all SD, HD and Ultra HD video formats instantly, so you can connect Teranex Mini to all of your existing SD and HD equipment. 12G-SDI supports high frame rate Ultra HD up to 2160p60 on a single BNC cable so you can work in Ultra HD and keep your high frame rate production workflow for fast moving sports and action programming. Smart Thermal Design Easily handles 12G-SDI in tough environments. Teranex Mini features an innovative thermal design with crossflow cooling that keeps them running perfectly, even when rack mounted side by side and in tough environments! An intelligent thermal subsystem and internal heat pipe assist with cooling and keeps the air flowing at all times while minimizing noise. If a Teranex Mini gets too hot, you’ll instantly receive notification through the remote control ethernet utility and on the front panel. When rack mounted side by side, each Teranex Mini works together to pull air through the rack keeping them all cool and providing redundancy for each converter. Broadcast Connections True XLR audio, ethernet and built in IEC AC power connectors All Teranex Mini converters feature standard, professional broadcast quality connectors, including full size professional XLR audio connections and high speed BNC connections for handling the extremely high bandwidth of cutting edge 12G-SDI technology. All models feature a built in multi volt 90V-240V AC power supply and standard IEC AC power connector so you can use any regular power cable. The built in ethernet connection allows remote administration and can also be used to power the converter when connected to power over ethernet switch. Digital and Analog Audio Truly professional quality audio. The professional XLR connections can be switched between balanced analog or AES/EBU digital audio so you can connect to any professional analog or digital audio equipment. If you’re running pro digital audio gear, you can keep your audio digital the whole way through for perfect digital quality. With professional audio built into every converter, you can connect to pro audio gear like mixers, effects processors, compressors, limiters and more into SDI based video systems. For analog audio, Teranex Mini’s feature an extremely low noise floor of more than -115 dBFS so even analog audio background noise is virtually silent. Optical Fiber Models Build broadcast facilities using optical fiber. Optical fiber SDI is becoming more popular because it handles extremely long distances, even at the high speeds of 12G-SDI. Optical fiber cables can be installed by electricians or computer networking installers so it’s easy to use. Each model of Teranex Mini has a corresponding optical fiber model so you can run native optical fiber systems and convert directly from optical fiber to HDMI, analog video or audio. The optical fiber models still include a 12G-SDI connector so you can use them in both regular BNC or optical fiber systems. Local or Remote Control Easily control and manage your converters. Like regular Mini Converters, Teranex Mini features built in mini switches and a printed diagram on the converter so you can quickly and easily change settings. When using the optional Teranex Smart Panel, settings can be changed using the push buttons and simple on screen menus. If you’re in a larger facility using lots of converters, you can manage them over ethernet from a Mac or Windows computer using the included Converter Utility software. Highest Quality Patented Teranex Image Processing Built using high quality Teranex video processing technology, Teranex Mini is ideal for all broadcast, post production and professional video applications. You get full SDI re-clocking and low jitter so you can use longer cables and because Teranex Mini’s have been designed for 12G-SDI, you get extremely long cable lengths when running at slower SDI speeds such as 6G-SDI, 3G-SDI and HD-SDI. When converting to analog you get extremely low noise because of the high quality 12-bit video processing. When you’re running Ultra HD to analog video Teranex Mini’s will upscale or down convert to analog HD automatically.

Blackmagic BMD-CONVNTRM/CA/SDIAU Teranex Mini - SDI to Audio 12G

Blackmagic BMD-CONVNTRM/CA/SDIAU ( BMDCONVNTRMCASDIAU, BMD CONVNTRM CA SDIAU, BMD/CONVNTRM/CA/SDIAU, bmd-convntrm/ca/sdiau ) Teranex Mini - SDI to Audio 12G De-embed audio from any SD, HD or Ultra HD SDI video connection and output 2 channels of analog audio to balanced XLR, optical or HiFi RCA, or output up to 4 channels of AES/EBU digital audio. Introducing Teranex Mini, the next generation 12G-SDI converters with award winning Teranex quality and support for all SD, HD and Ultra HD formats up to 2160p60! All Teranex Minis include an internal AC power supply, professional XLR analog and AES/EBU audio connections and an ethernet connection for remote management and PoE alternate power! Teranex Mini features a user upgradable front panel that includes a color display and user controls so you can quickly monitor video and change settings right from the front of the converter! You get all of the same great features of regular mini converters and so much more. Use Anywhere The world’s most versatile converters. The all new Teranex Mini converters make building facilities and supporting all different types of video equipment easier than ever before. Teranex Mini is perfect for broadcast installations because they can be rack mounted and the optional front panel lets you see what’s being converted on the screen! They can even be remote managed over ethernet. Their compact size makes them great for portable racks at live events or in broadcast trucks, plus they have professional XLR audio connections for connecting to mixers and other audio gear! You can even use them in editing and color grading suites to drive big screen displays and projectors. Reinventing the Mini Converter The first mini converter you don’t have to hide. Teranex Minis are so small that you can use them like regular mini converters such as hiding them in cable ducts, behind equipment and attached to televisions for monitoring. Teranex Mini’s new flexible design lets you use them on the desktop where you can see them, or rack mount them in larger broadcast systems. Unlike regular mini converters, you get full size professional XLR audio connections built into the converters, plus each converter has an ethernet connection so they can be administered remotely. You get mini switches so you can change settings instantly or, when you’re doing mission critical work, you can add the optional front panel to see exactly what you’re converting. Rack Mountable The world's first 12G-SDI rack mount converters. Card based rack converters are expensive, cannot handle high SDI speeds such as 12G-SDI and you have to buy an entire rack chassis even if you only want to install one converter. Teranex Minis can be rack mounted in combinations of one or more and you can take them out and use them non rack mounted whenever you need! You get built in AC power and ethernet on every converter so there’s no single point of failure. Unlike card based converters, you can walk up and change settings from the front panel, monitor the video going through each converter, and you can also manage them remotely over ethernet! Because they’re so small you can mount them in the front or the rear of an equipment rack or road case. Advanced 12G-SDI Blazing fast 12G-SDI for SD, HD and Ultra HD. Teranex Mini converters feature cutting edge, multi rate 12G-SDI technology that’s 8 times faster than regular HD-SDI. 12G-SDI is multi rate so it will automatically detect and change between all SD, HD and Ultra HD video formats instantly, so you can connect Teranex Mini to all of your existing SD and HD equipment. 12G-SDI supports high frame rate Ultra HD up to 2160p60 on a single BNC cable so you can work in Ultra HD and keep your high frame rate production workflow for fast moving sports and action programming. Smart Thermal Design Easily handles 12G-SDI in tough environments. Teranex Mini features an innovative thermal design with crossflow cooling that keeps them running perfectly, even when rack mounted side by side and in tough environments! An intelligent thermal subsystem and internal heat pipe assist with cooling and keeps the air flowing at all times while minimizing noise. If a Teranex Mini gets too hot, you’ll instantly receive notification through the remote control ethernet utility and on the front panel. When rack mounted side by side, each Teranex Mini works together to pull air through the rack keeping them all cool and providing redundancy for each converter. Broadcast Connections True XLR audio, ethernet and built in IEC AC power connectors All Teranex Mini converters feature standard, professional broadcast quality connectors, including full size professional XLR audio connections and high speed BNC connections for handling the extremely high bandwidth of cutting edge 12G-SDI technology. All models feature a built in multi volt 90V-240V AC power supply and standard IEC AC power connector so you can use any regular power cable. The built in ethernet connection allows remote administration and can also be used to power the converter when connected to power over ethernet switch. Digital and Analog Audio Truly professional quality audio. The professional XLR connections can be switched between balanced analog or AES/EBU digital audio so you can connect to any professional analog or digital audio equipment. If you’re running pro digital audio gear, you can keep your audio digital the whole way through for perfect digital quality. With professional audio built into every converter, you can connect to pro audio gear like mixers, effects processors, compressors, limiters and more into SDI based video systems. For analog audio, Teranex Mini’s feature an extremely low noise floor of more than -115 dBFS so even analog audio background noise is virtually silent. Optical Fiber Models Build broadcast facilities using optical fiber. Optical fiber SDI is becoming more popular because it handles extremely long distances, even at the high speeds of 12G-SDI. Optical fiber cables can be installed by electricians or computer networking installers so it’s easy to use. Each model of Teranex Mini has a corresponding optical fiber model so you can run native optical fiber systems and convert directly from optical fiber to HDMI, analog video or audio. The optical fiber models still include a 12G-SDI connector so you can use them in both regular BNC or optical fiber systems. Local or Remote Control Easily control and manage your converters. Like regular Mini Converters, Teranex Mini features built in mini switches and a printed diagram on the converter so you can quickly and easily change settings. When using the optional Teranex Smart Panel, settings can be changed using the push buttons and simple on screen menus. If you’re in a larger facility using lots of converters, you can manage them over ethernet from a Mac or Windows computer using the included Converter Utility software. Highest Quality Patented Teranex Image Processing Built using high quality Teranex video processing technology, Teranex Mini is ideal for all broadcast, post production and professional video applications. You get full SDI re-clocking and low jitter so you can use longer cables and because Teranex Mini’s have been designed for 12G-SDI, you get extremely long cable lengths when running at slower SDI speeds such as 6G-SDI, 3G-SDI and HD-SDI. When converting to analog you get extremely low noise because of the high quality 12-bit video processing. When you’re running Ultra HD to analog video Teranex Mini’s will upscale or down convert to analog HD automatically.

Blackmagic BMD-CONVNTRM/BB/ANSDI Teranex Mini - Analog to SDI 12G

Blackmagic BMD-CONVNTRM/BB/ANSDI ( BMDCONVNTRMBBANSDI, BMD CONVNTRM BB ANSDI, BMD/CONVNTRM/BB/ANSDI, bmd-convntrm/bb/ansdi ) Teranex Mini - Analog to SDI 12G Introducing Teranex Mini, the next generation 12G-SDI converters with award winning Teranex quality and support for all SD, HD and Ultra HD formats up to 2160p60! All Teranex Minis include an internal AC power supply, professional XLR analog and AES/EBU audio connections and an ethernet connection for remote management and PoE alternate power! Teranex Mini features a user upgradable front panel that includes a color display and user controls so you can quickly monitor video and change settings right from the front of the converter! You get all of the same great features of regular mini converters and so much more. Use Anywhere The world’s most versatile converters. The all new Teranex Mini converters make building facilities and supporting all different types of video equipment easier than ever before. Teranex Mini is perfect for broadcast installations because they can be rack mounted and the optional front panel lets you see what’s being converted on the screen! They can even be remote managed over ethernet. Their compact size makes them great for portable racks at live events or in broadcast trucks, plus they have professional XLR audio connections for connecting to mixers and other audio gear! You can even use them in editing and color grading suites to drive big screen displays and projectors. Reinventing the Mini Converter The first mini converter you don’t have to hide. Teranex Minis are so small that you can use them like regular mini converters such as hiding them in cable ducts, behind equipment and attached to televisions for monitoring. Teranex Mini’s new flexible design lets you use them on the desktop where you can see them, or rack mount them in larger broadcast systems. Unlike regular mini converters, you get full size professional XLR audio connections built into the converters, plus each converter has an ethernet connection so they can be administered remotely. You get mini switches so you can change settings instantly or, when you’re doing mission critical work, you can add the optional front panel to see exactly what you’re converting. Rack Mountable The world's first 12G-SDI rack mount converters. Card based rack converters are expensive, cannot handle high SDI speeds such as 12G-SDI and you have to buy an entire rack chassis even if you only want to install one converter. Teranex Minis can be rack mounted in combinations of one or more and you can take them out and use them non rack mounted whenever you need! You get built in AC power and ethernet on every converter so there’s no single point of failure. Unlike card based converters, you can walk up and change settings from the front panel, monitor the video going through each converter, and you can also manage them remotely over ethernet! Because they’re so small you can mount them in the front or the rear of an equipment rack or road case. Advanced 12G-SDI Blazing fast 12G-SDI for SD, HD and Ultra HD. Teranex Mini converters feature cutting edge, multi rate 12G-SDI technology that’s 8 times faster than regular HD-SDI. 12G-SDI is multi rate so it will automatically detect and change between all SD, HD and Ultra HD video formats instantly, so you can connect Teranex Mini to all of your existing SD and HD equipment. 12G-SDI supports high frame rate Ultra HD up to 2160p60 on a single BNC cable so you can work in Ultra HD and keep your high frame rate production workflow for fast moving sports and action programming. Smart Thermal Design Easily handles 12G-SDI in tough environments. Teranex Mini features an innovative thermal design with crossflow cooling that keeps them running perfectly, even when rack mounted side by side and in tough environments! An intelligent thermal subsystem and internal heat pipe assist with cooling and keeps the air flowing at all times while minimizing noise. If a Teranex Mini gets too hot, you’ll instantly receive notification through the remote control ethernet utility and on the front panel. When rack mounted side by side, each Teranex Mini works together to pull air through the rack keeping them all cool and providing redundancy for each converter. Broadcast Connections True XLR audio, ethernet and built in IEC AC power connectors All Teranex Mini converters feature standard, professional broadcast quality connectors, including full size professional XLR audio connections and high speed BNC connections for handling the extremely high bandwidth of cutting edge 12G-SDI technology. All models feature a built in multi volt 90V-240V AC power supply and standard IEC AC power connector so you can use any regular power cable. The built in ethernet connection allows remote administration and can also be used to power the converter when connected to power over ethernet switch. Digital and Analog Audio Truly professional quality audio. The professional XLR connections can be switched between balanced analog or AES/EBU digital audio so you can connect to any professional analog or digital audio equipment. If you’re running pro digital audio gear, you can keep your audio digital the whole way through for perfect digital quality. With professional audio built into every converter, you can connect to pro audio gear like mixers, effects processors, compressors, limiters and more into SDI based video systems. For analog audio, Teranex Mini’s feature an extremely low noise floor of more than -115 dBFS so even analog audio background noise is virtually silent. Optical Fiber Models Build broadcast facilities using optical fiber. Optical fiber SDI is becoming more popular because it handles extremely long distances, even at the high speeds of 12G-SDI. Optical fiber cables can be installed by electricians or computer networking installers so it’s easy to use. Each model of Teranex Mini has a corresponding optical fiber model so you can run native optical fiber systems and convert directly from optical fiber to HDMI, analog video or audio. The optical fiber models still include a 12G-SDI connector so you can use them in both regular BNC or optical fiber systems. Local or Remote Control Easily control and manage your converters. Like regular Mini Converters, Teranex Mini features built in mini switches and a printed diagram on the converter so you can quickly and easily change settings. When using the optional Teranex Smart Panel, settings can be changed using the push buttons and simple on screen menus. If you’re in a larger facility using lots of converters, you can manage them over ethernet from a Mac or Windows computer using the included Converter Utility software. Highest Quality Patented Teranex Image Processing Built using high quality Teranex video processing technology, Teranex Mini is ideal for all broadcast, post production and professional video applications. You get full SDI re-clocking and low jitter so you can use longer cables and because Teranex Mini’s have been designed for 12G-SDI, you get extremely long cable lengths when running at slower SDI speeds such as 6G-SDI, 3G-SDI and HD-SDI. When converting to analog you get extremely low noise because of the high quality 12-bit video processing. When you’re running Ultra HD to analog video Teranex Mini’s will upscale or down convert to analog HD automatically.

Blackmagic BMD-CONVNTRM/BA/SDIAN Teranex Mini - SDI to Analog 12G

Blackmagic BMD-CONVNTRM/BA/SDIAN ( BMDCONVNTRMBASDIAN, BMD CONVNTRM BA SDIAN, BMD/CONVNTRM/BA/SDIAN, bmd-convntrm/ba/sdian ) Teranex Mini - SDI to Analog 12G Introducing Teranex Mini, the next generation 12G-SDI converters with award winning Teranex quality and support for all SD, HD and Ultra HD formats up to 2160p60! All Teranex Minis include an internal AC power supply, professional XLR analog and AES/EBU audio connections and an ethernet connection for remote management and PoE alternate power! Teranex Mini features a user upgradable front panel that includes a color display and user controls so you can quickly monitor video and change settings right from the front of the converter! You get all of the same great features of regular mini converters and so much more. Use Anywhere The world’s most versatile converters. The all new Teranex Mini converters make building facilities and supporting all different types of video equipment easier than ever before. Teranex Mini is perfect for broadcast installations because they can be rack mounted and the optional front panel lets you see what’s being converted on the screen! They can even be remote managed over ethernet. Their compact size makes them great for portable racks at live events or in broadcast trucks, plus they have professional XLR audio connections for connecting to mixers and other audio gear! You can even use them in editing and color grading suites to drive big screen displays and projectors. Reinventing the Mini Converter The first mini converter you don’t have to hide. Teranex Minis are so small that you can use them like regular mini converters such as hiding them in cable ducts, behind equipment and attached to televisions for monitoring. Teranex Mini’s new flexible design lets you use them on the desktop where you can see them, or rack mount them in larger broadcast systems. Unlike regular mini converters, you get full size professional XLR audio connections built into the converters, plus each converter has an ethernet connection so they can be administered remotely. You get mini switches so you can change settings instantly or, when you’re doing mission critical work, you can add the optional front panel to see exactly what you’re converting. Rack Mountable The world's first 12G-SDI rack mount converters. Card based rack converters are expensive, cannot handle high SDI speeds such as 12G-SDI and you have to buy an entire rack chassis even if you only want to install one converter. Teranex Minis can be rack mounted in combinations of one or more and you can take them out and use them non rack mounted whenever you need! You get built in AC power and ethernet on every converter so there’s no single point of failure. Unlike card based converters, you can walk up and change settings from the front panel, monitor the video going through each converter, and you can also manage them remotely over ethernet! Because they’re so small you can mount them in the front or the rear of an equipment rack or road case. Advanced 12G-SDI Blazing fast 12G-SDI for SD, HD and Ultra HD. Teranex Mini converters feature cutting edge, multi rate 12G-SDI technology that’s 8 times faster than regular HD-SDI. 12G-SDI is multi rate so it will automatically detect and change between all SD, HD and Ultra HD video formats instantly, so you can connect Teranex Mini to all of your existing SD and HD equipment. 12G-SDI supports high frame rate Ultra HD up to 2160p60 on a single BNC cable so you can work in Ultra HD and keep your high frame rate production workflow for fast moving sports and action programming. Smart Thermal Design Easily handles 12G-SDI in tough environments. Teranex Mini features an innovative thermal design with crossflow cooling that keeps them running perfectly, even when rack mounted side by side and in tough environments! An intelligent thermal subsystem and internal heat pipe assist with cooling and keeps the air flowing at all times while minimizing noise. If a Teranex Mini gets too hot, you’ll instantly receive notification through the remote control ethernet utility and on the front panel. When rack mounted side by side, each Teranex Mini works together to pull air through the rack keeping them all cool and providing redundancy for each converter. Broadcast Connections True XLR audio, ethernet and built in IEC AC power connectors All Teranex Mini converters feature standard, professional broadcast quality connectors, including full size professional XLR audio connections and high speed BNC connections for handling the extremely high bandwidth of cutting edge 12G-SDI technology. All models feature a built in multi volt 90V-240V AC power supply and standard IEC AC power connector so you can use any regular power cable. The built in ethernet connection allows remote administration and can also be used to power the converter when connected to power over ethernet switch. Digital and Analog Audio Truly professional quality audio. The professional XLR connections can be switched between balanced analog or AES/EBU digital audio so you can connect to any professional analog or digital audio equipment. If you’re running pro digital audio gear, you can keep your audio digital the whole way through for perfect digital quality. With professional audio built into every converter, you can connect to pro audio gear like mixers, effects processors, compressors, limiters and more into SDI based video systems. For analog audio, Teranex Mini’s feature an extremely low noise floor of more than -115 dBFS so even analog audio background noise is virtually silent. Optical Fiber Models Build broadcast facilities using optical fiber. Optical fiber SDI is becoming more popular because it handles extremely long distances, even at the high speeds of 12G-SDI. Optical fiber cables can be installed by electricians or computer networking installers so it’s easy to use. Each model of Teranex Mini has a corresponding optical fiber model so you can run native optical fiber systems and convert directly from optical fiber to HDMI, analog video or audio. The optical fiber models still include a 12G-SDI connector so you can use them in both regular BNC or optical fiber systems. Local or Remote Control Easily control and manage your converters. Like regular Mini Converters, Teranex Mini features built in mini switches and a printed diagram on the converter so you can quickly and easily change settings. When using the optional Teranex Smart Panel, settings can be changed using the push buttons and simple on screen menus. If you’re in a larger facility using lots of converters, you can manage them over ethernet from a Mac or Windows computer using the included Converter Utility software. Highest Quality Patented Teranex Image Processing Built using high quality Teranex video processing technology, Teranex Mini is ideal for all broadcast, post production and professional video applications. You get full SDI re-clocking and low jitter so you can use longer cables and because Teranex Mini’s have been designed for 12G-SDI, you get extremely long cable lengths when running at slower SDI speeds such as 6G-SDI, 3G-SDI and HD-SDI. When converting to analog you get extremely low noise because of the high quality 12-bit video processing. When you’re running Ultra HD to analog video Teranex Mini’s will upscale or down convert to analog HD automatically.

Blackmagic BMD-CONVNTRM/AB/HSDI Teranex Mini - HDMI to SDI 12G

Blackmagic BMD-CONVNTRM/AB/HSDI ( BMDCONVNTRMABHSDI, BMD CONVNTRM AB HSDI, BMD/CONVNTRM/AB/HSDI, bmd-convntrm/ab/hsdi ) Teranex Mini - HDMI to SDI 12G. HDMI to 12G-SDI Converter Introducing Teranex Mini, the next generation 12G-SDI converters with award winning Teranex quality and support for all SD, HD and Ultra HD formats up to 2160p60! All Teranex Minis include an internal AC power supply, professional XLR analog and AES/EBU audio connections and an ethernet connection for remote management and PoE alternate power! Teranex Mini features a user upgradable front panel that includes a color display and user controls so you can quickly monitor video and change settings right from the front of the converter! You get all of the same great features of regular mini converters and so much more. Use Anywhere The world’s most versatile converters. The all new Teranex Mini converters make building facilities and supporting all different types of video equipment easier than ever before. Teranex Mini is perfect for broadcast installations because they can be rack mounted and the optional front panel lets you see what’s being converted on the screen! They can even be remote managed over ethernet. Their compact size makes them great for portable racks at live events or in broadcast trucks, plus they have professional XLR audio connections for connecting to mixers and other audio gear! You can even use them in editing and color grading suites to drive big screen displays and projectors. Reinventing the Mini Converter The first mini converter you don’t have to hide. Teranex Minis are so small that you can use them like regular mini converters such as hiding them in cable ducts, behind equipment and attached to televisions for monitoring. Teranex Mini’s new flexible design lets you use them on the desktop where you can see them, or rack mount them in larger broadcast systems. Unlike regular mini converters, you get full size professional XLR audio connections built into the converters, plus each converter has an ethernet connection so they can be administered remotely. You get mini switches so you can change settings instantly or, when you’re doing mission critical work, you can add the optional front panel to see exactly what you’re converting. Rack Mountable The world's first 12G-SDI rack mount converters. Card based rack converters are expensive, cannot handle high SDI speeds such as 12G-SDI and you have to buy an entire rack chassis even if you only want to install one converter. Teranex Minis can be rack mounted in combinations of one or more and you can take them out and use them non rack mounted whenever you need! You get built in AC power and ethernet on every converter so there’s no single point of failure. Unlike card based converters, you can walk up and change settings from the front panel, monitor the video going through each converter, and you can also manage them remotely over ethernet! Because they’re so small you can mount them in the front or the rear of an equipment rack or road case. Advanced 12G-SDI Blazing fast 12G-SDI for SD, HD and Ultra HD. Teranex Mini converters feature cutting edge, multi rate 12G-SDI technology that’s 8 times faster than regular HD-SDI. 12G-SDI is multi rate so it will automatically detect and change between all SD, HD and Ultra HD video formats instantly, so you can connect Teranex Mini to all of your existing SD and HD equipment. 12G-SDI supports high frame rate Ultra HD up to 2160p60 on a single BNC cable so you can work in Ultra HD and keep your high frame rate production workflow for fast moving sports and action programming. Smart Thermal Design Easily handles 12G-SDI in tough environments. Teranex Mini features an innovative thermal design with crossflow cooling that keeps them running perfectly, even when rack mounted side by side and in tough environments! An intelligent thermal subsystem and internal heat pipe assist with cooling and keeps the air flowing at all times while minimizing noise. If a Teranex Mini gets too hot, you’ll instantly receive notification through the remote control ethernet utility and on the front panel. When rack mounted side by side, each Teranex Mini works together to pull air through the rack keeping them all cool and providing redundancy for each converter. Broadcast Connections True XLR audio, ethernet and built in IEC AC power connectors All Teranex Mini converters feature standard, professional broadcast quality connectors, including full size professional XLR audio connections and high speed BNC connections for handling the extremely high bandwidth of cutting edge 12G-SDI technology. All models feature a built in multi volt 90V-240V AC power supply and standard IEC AC power connector so you can use any regular power cable. The built in ethernet connection allows remote administration and can also be used to power the converter when connected to power over ethernet switch. Digital and Analog Audio Truly professional quality audio. The professional XLR connections can be switched between balanced analog or AES/EBU digital audio so you can connect to any professional analog or digital audio equipment. If you’re running pro digital audio gear, you can keep your audio digital the whole way through for perfect digital quality. With professional audio built into every converter, you can connect to pro audio gear like mixers, effects processors, compressors, limiters and more into SDI based video systems. For analog audio, Teranex Mini’s feature an extremely low noise floor of more than -115 dBFS so even analog audio background noise is virtually silent. Optical Fiber Models Build broadcast facilities using optical fiber. Optical fiber SDI is becoming more popular because it handles extremely long distances, even at the high speeds of 12G-SDI. Optical fiber cables can be installed by electricians or computer networking installers so it’s easy to use. Each model of Teranex Mini has a corresponding optical fiber model so you can run native optical fiber systems and convert directly from optical fiber to HDMI, analog video or audio. The optical fiber models still include a 12G-SDI connector so you can use them in both regular BNC or optical fiber systems. Local or Remote Control Easily control and manage your converters. Like regular Mini Converters, Teranex Mini features built in mini switches and a printed diagram on the converter so you can quickly and easily change settings. When using the optional Teranex Smart Panel, settings can be changed using the push buttons and simple on screen menus. If you’re in a larger facility using lots of converters, you can manage them over ethernet from a Mac or Windows computer using the included Converter Utility software. Highest Quality Patented Teranex Image Processing Built using high quality Teranex video processing technology, Teranex Mini is ideal for all broadcast, post production and professional video applications. You get full SDI re-clocking and low jitter so you can use longer cables and because Teranex Mini’s have been designed for 12G-SDI, you get extremely long cable lengths when running at slower SDI speeds such as 6G-SDI, 3G-SDI and HD-SDI. When converting to analog you get extremely low noise because of the high quality 12-bit video processing. When you’re running Ultra HD to analog video Teranex Mini’s will upscale or down convert to analog HD automatically

Blackmagic BMD-CONVNTRM/AA/SDIH Teranex Mini - SDI to HDMI 12G

Blackmagic BMD-CONVNTRM/AA/SDIH ( BMDCONVNTRMAASDIH, BMD CONVNTRM AA SDIH, BMD/CONVNTRM/AA/SDIH, bmd-convntrm/aa/sdih ) Teranex Mini - SDI to HDMI 12G Introducing Teranex Mini, the next generation 12G-SDI converters with award winning Teranex quality and support for all SD, HD and Ultra HD formats up to 2160p60! All Teranex Minis include an internal AC power supply, professional XLR analog and AES/EBU audio connections and an ethernet connection for remote management and PoE alternate power! Teranex Mini features a user upgradable front panel that includes a color display and user controls so you can quickly monitor video and change settings right from the front of the converter! You get all of the same great features of regular mini converters and so much more. Use Anywhere The world’s most versatile converters. The all new Teranex Mini converters make building facilities and supporting all different types of video equipment easier than ever before. Teranex Mini is perfect for broadcast installations because they can be rack mounted and the optional front panel lets you see what’s being converted on the screen! They can even be remote managed over ethernet. Their compact size makes them great for portable racks at live events or in broadcast trucks, plus they have professional XLR audio connections for connecting to mixers and other audio gear! You can even use them in editing and color grading suites to drive big screen displays and projectors. Reinventing the Mini Converter The first mini converter you don’t have to hide. Teranex Minis are so small that you can use them like regular mini converters such as hiding them in cable ducts, behind equipment and attached to televisions for monitoring. Teranex Mini’s new flexible design lets you use them on the desktop where you can see them, or rack mount them in larger broadcast systems. Unlike regular mini converters, you get full size professional XLR audio connections built into the converters, plus each converter has an ethernet connection so they can be administered remotely. You get mini switches so you can change settings instantly or, when you’re doing mission critical work, you can add the optional front panel to see exactly what you’re converting. Rack Mountable The world's first 12G-SDI rack mount converters. Card based rack converters are expensive, cannot handle high SDI speeds such as 12G-SDI and you have to buy an entire rack chassis even if you only want to install one converter. Teranex Minis can be rack mounted in combinations of one or more and you can take them out and use them non rack mounted whenever you need! You get built in AC power and ethernet on every converter so there’s no single point of failure. Unlike card based converters, you can walk up and change settings from the front panel, monitor the video going through each converter, and you can also manage them remotely over ethernet! Because they’re so small you can mount them in the front or the rear of an equipment rack or road case. Advanced 12G-SDI Blazing fast 12G-SDI for SD, HD and Ultra HD. Teranex Mini converters feature cutting edge, multi rate 12G-SDI technology that’s 8 times faster than regular HD-SDI. 12G-SDI is multi rate so it will automatically detect and change between all SD, HD and Ultra HD video formats instantly, so you can connect Teranex Mini to all of your existing SD and HD equipment. 12G-SDI supports high frame rate Ultra HD up to 2160p60 on a single BNC cable so you can work in Ultra HD and keep your high frame rate production workflow for fast moving sports and action programming. Smart Thermal Design Easily handles 12G-SDI in tough environments. Teranex Mini features an innovative thermal design with crossflow cooling that keeps them running perfectly, even when rack mounted side by side and in tough environments! An intelligent thermal subsystem and internal heat pipe assist with cooling and keeps the air flowing at all times while minimizing noise. If a Teranex Mini gets too hot, you’ll instantly receive notification through the remote control ethernet utility and on the front panel. When rack mounted side by side, each Teranex Mini works together to pull air through the rack keeping them all cool and providing redundancy for each converter. Broadcast Connections True XLR audio, ethernet and built in IEC AC power connectors All Teranex Mini converters feature standard, professional broadcast quality connectors, including full size professional XLR audio connections and high speed BNC connections for handling the extremely high bandwidth of cutting edge 12G-SDI technology. All models feature a built in multi volt 90V-240V AC power supply and standard IEC AC power connector so you can use any regular power cable. The built in ethernet connection allows remote administration and can also be used to power the converter when connected to power over ethernet switch. Digital and Analog Audio Truly professional quality audio. The professional XLR connections can be switched between balanced analog or AES/EBU digital audio so you can connect to any professional analog or digital audio equipment. If you’re running pro digital audio gear, you can keep your audio digital the whole way through for perfect digital quality. With professional audio built into every converter, you can connect to pro audio gear like mixers, effects processors, compressors, limiters and more into SDI based video systems. For analog audio, Teranex Mini’s feature an extremely low noise floor of more than -115 dBFS so even analog audio background noise is virtually silent. Optical Fiber Models Build broadcast facilities using optical fiber. Optical fiber SDI is becoming more popular because it handles extremely long distances, even at the high speeds of 12G-SDI. Optical fiber cables can be installed by electricians or computer networking installers so it’s easy to use. Each model of Teranex Mini has a corresponding optical fiber model so you can run native optical fiber systems and convert directly from optical fiber to HDMI, analog video or audio. The optical fiber models still include a 12G-SDI connector so you can use them in both regular BNC or optical fiber systems. Local or Remote Control Easily control and manage your converters. Like regular Mini Converters, Teranex Mini features built in mini switches and a printed diagram on the converter so you can quickly and easily change settings. When using the optional Teranex Smart Panel, settings can be changed using the push buttons and simple on screen menus. If you’re in a larger facility using lots of converters, you can manage them over ethernet from a Mac or Windows computer using the included Converter Utility software. Highest Quality Patented Teranex Image Processing Built using high quality Teranex video processing technology, Teranex Mini is ideal for all broadcast, post production and professional video applications. You get full SDI re-clocking and low jitter so you can use longer cables and because Teranex Mini’s have been designed for 12G-SDI, you get extremely long cable lengths when running at slower SDI speeds such as 6G-SDI, 3G-SDI and HD-SDI. When converting to analog you get extremely low noise because of the high quality 12-bit video processing. When you’re running Ultra HD to analog video Teranex Mini’s will upscale or down convert to analog HD automatically.

Blackmagic BMD CINECAMURSANEVFP URSA Viewfinder

Blackmagic BMD-CINECAMURSANEVFP (CINECAMURSANEVFP, BMDCINECAMURSANEVFP, BMD/CINECAMURSANEVFP, BMD CINECAMURSANEVFP, bmd-cinecamursanevep ) URSA Viewfinder The Blackmagic URSA Viewfinder is designed specifically for use with the URSA and URSA mini digital film cameras. It features a high-resolution 1920 x 1080 color OLED display, precision glass optics, and an adjustable diopter to fine tune to your vision. It also has a built-in digital focus chart to help when focusing on your subjects. To boost the longevity of the OLED screen, the viewfinder uses a built-in sensor that only turns the screen on when you're looking through it. It screws directly onto the top of your URSA camera and is adjustable, so it can be used with the left or right eye.  

Blackmagic BMD-DV/STUFUS Advanced 2D and 3D compositing, VR and motion graphics software

Blackmagic BMD-DV/STUFUS ( BMDDVSTUFUS, BMD DV STUFUS, BMD/DV/STUFUS, bmd-dv/stufus ) Advanced 2D and 3D compositing, VR and motion graphics software. THE WORLD’S MOST ADVANCED VISUAL EFFECTS, 3D, VR AND MOTION GRAPHICS SOLUTION. Fusion is the world’s most advanced compositing software for visual effects artists, broadcast and motion graphic designers, and 3D animators. Over the last 30 years, Fusion has been used on thousands of Hollywood blockbuster movies and television shows. Fusion features a powerful node based interface that lets you quickly and easily create sophisticated effects by connecting different types of image processing tools together. You get a massive range of tools, incredible VR and 3D support, GPU accelerated performance, unlimited network rendering and more. Fusion gives you everything you need to create exciting broadcast graphics, dramatic titles, and even major feature film visual effects. WHAT’S NEW IN FUSION 9. Incredible new VR tools that bring Fusion to a new generation of artists. Fusion 9 is a massive new release with features specifically designed for the latest virtual reality, visual effects, motion graphics, and 3D workflows. The entirely new VR toolset makes Fusion indispensable for virtual reality projects, while new camera and planar tracking features make it possible to precisely track and composite objects while maintaining perspective and camera motion. Fusion 9 also includes delta keyer, with advanced image science that makes it the world’s most advanced keyer. In addition, you also get Studio Player which includes new multi user collaboration tools for tracking and managing shots, along with version history, annotation notes and more. OVER 40 POWERFUL NEW FEATURES VIRTUAL REALITY Support for all major VR headsets, incredible realtime viewing for interactivity with VR scenes, support for stereoscopic VR and more. CAMERA TRACKING Analyzes camera motion of live action shots and will reconstruct the 3D camera movement, focal length of the lens, and create a 3D point cloud of the scene. So adding CG and elements to a moving shot is easy. PLANAR TRACKING Tracks areas of an image, automatically finding the tracking detail and then calculating planes of motion that can be used to corner pin, and stabilize images. DELTA KEYER AND CLEAN PLATE Get incredibly clean keys from any background color by using delta keyer’s advanced matte controls which are designed to preserve fine details such as hair. PLANAR ROTOSCOPING Apply planar tracking data to rotoscoped elements so they move correctly and follow the motion and perspective of other objects in the shot. STUDIO PLAYER New playback engine and multi shot timeline with support for custom playlists, storyboards, version tracking, annotation notes and more. NEW FORMATS ProRes, DNxHR and MXF support for seamlessly transferring shots between DaVinci Resolve, Fusion and other applications. GPU ACCELERATION In addition to standard GPU acceleration, many of Fusion’s tools now use OpenCL so they can compute on the GPU, making Fusion faster than ever. HOLLYWOOD’S BIGGEST BLOCKBUSTERS Thousands of Hollywood’s biggest blockbusters and hit television shows use Fusion to create their groundbreaking visual effects. Fusion has been used on feature films like The Hunger Games, Dr Strange and Guardians of the Galaxy, as well as hit television shows like Empire, NCIS and American Horror Story. Fusion also plays a major role in the development of cinematics for major video games such as Dawn of War III, Halo 5 and more. NODES ARE A MUCH FASTER WAY TO WORK. Nodes are incredibly easy to use, especially as scenes become more complex. Fusion’s nodes are small icons that represent effects, filters and other image processing operations. Nodes can be easily connected together to build larger and more complex visual effects. Tools, images, and objects can be combined in any order to create unlimited visual effects. Simply click on a node to quickly adjust any single part of your project. That’s much faster than a timeline based tool because you don’t need to hunt through nested stacks of confusing layers and filters. GET THE MOST POWERFUL VFX SOFTWARE AVAILABLE. Whether you need to pull a key, track objects, retouch images, animate titles, or create amazing particle effects, Fusion has a massive toolset that lets you tackle the most demanding jobs. You get a true 3D workspace along with tools for compositing, keying, painting, animation, virtual reality, stereoscopic 3D and more. Fusion combines effects and motion graphics, along with 3D modeling and rendering into a single toolset. That means you can import and render 3D models and scenes with the rest of your composite in Fusion. You don’t have to pre‑render assets or transfer between multiple applications. BROADCAST GRAPHICS AND TITLES ANIMATED TEXT Powerful character generators let you create incredible animated 2D or 3D text and title sequences in any language. 3D MOTION GRAPHICS Create advanced motion graphics with incredible depth using Fusion’s infinite 3D workspace to seamlessly combine vector graphics, live action and 3D objects. 3D PARTICLE SYSTEMS Create amazing 3D animated particle effects with real world physics like gravity, wind, and collision so particles can interact with objects in your scene. VISUAL EFFECTS AND COMPOSITING TRUE 3D COMPOSITING Combine live action with 3D models, cameras, lights and more in a true 3D workspace to create amazing, photorealistic effects and motion graphics. FAST MOTION TRACKING Match moves, stabilize cameras and track rotoscope points or paint strokes so objects and effects blend seamlessly and in perfect synchronization. POWERFUL KEYING Key any element using the new Delta keyer, Primatte, Ultra, Chroma, Luma and Differential keyers to create the best possible composite. VECTOR PAINT AND ROTOSCOPING Advanced vector paint and rotoscoping tools let you create masks and mattes for applying effects and image corrections to specific parts of an image. OPTICAL FLOW IMAGE ANALYSIS Fusion Studio uses advanced optical flow algorithms to generate motion vectors so you can fix shots, retime, steady and morph images with astounding results. STEREOSCOPIC 3D TOOLS Fusion Studio includes the world’s most advanced camera matching, stereo alignment, convergence and spatialization tools for creating realistic, eye popping stereo 3D. UNLIMITED FILTERS AND EFFECTS Fusion includes hundreds of built-in tools that can be combined together or, in Fusion Studio, with third party filters to create an unlimited number of effects. VIRTUAL REALITY AND 3D PANORAMIC VIEWER Use the new Panoramic Viewer to work in 360º VR environments, or wear popular VR headsets and get incredible interactivity so you can see your work in realtime. IMPORT AND RENDER 3D MODELS Import full 3D models from applications like Maya, 3ds Max and Cinema 4D, then use Fusion to light, shade, composite and render with full GPU acceleration. DEEP PIXEL COMPOSITING Take advantage of both RGB color and XYZ position information in each pixel when using OpenEXR files so you can blend 2D images with 3D elements like volumetric fog and lights with interactive control. SCRIPTING AND AUTOMATION Built on an extensible and customizable framework, Fusion allows game developers, 3D feature film animators and media artists to use its open architecture to extend their own internal systems. Fusion supports both Lua and Python, a popular and intuitive scripting solution used by animators worldwide. You can save time by writing scripts to create custom tools, pass data back and forth between Fusion and other applications, automate repetitive tasks, and even add entirely new features. GPU ACCELERATED CREATIVE WORKFLOW Fusion is extremely fast and responsive enough to be used in high pressure, client driven sessions. With its GPU acceleration, you get instant feedback while you work so you can see exactly what you’re doing. Fusion 9 features more GPU and OpenCL pipelining than ever so whether you’re working alone or with a client, you get the real time control you need. That means you’ll be able to spend more time being creative and less time waiting. Fusion is so fast that you can even work in VR while wearing a headset and still get over 90 frames per second of interactivity. UNLIMITED RENDER POWER Fusion has the world’s fastest production quality render engine. With Fusion Studio, you can even distribute your render jobs across an unlimited number of networked computers for incredible performance, at no additional cost. There’s no “per node” render license fees. Simply install it on as many render nodes as you need. That means you can render complex scenes incredibly fast to meet the intense deadlines of production, without having to sacrifice creativity or quality. FUSION CONNECT Fusion Connect lets DaVinci Resolve and Avid Media Composer editors take advantage of Fusion’s massive visual effects and motion graphics toolset, right from their timelines. Editors can select individual clips or layers of clips and send them to Fusion. A new Fusion composition is automatically created and linked dynamically back to the timeline. You can work on the VFX and motion graphics yourself or, if you’re on shared storage, let another artist work on them for you. Once the Fusion composition is rendered, the shots are automatically updated back in the DaVinci Resolve or Avid Media Composer timelines. COLLABORATE WITH LARGE TEAMS When you’re working with a large creative team, Fusion Studio also includes the new Studio Player application. Studio Player features a single layer timeline with basic shot trimming, storyboard tools, versioning and annotation notes. Fusion Studio also features a bin server to let everyone share and see common assets that are needed for the job. That means you don’t have to copy and track multiple elements on different computers.

Blackmagic BMD-MULTIP6G/16 MultiView 16

Blackmagic BMD-MULTIP6G/16 ( BMDMULTIP6G16, BMD MULTIP6G 16, BMD/MULTIP6G/16, bmd-multip6g/16, BMD-MULTIP6G-16 ) MultiView 16 16 Input UltraHD Multiviewer Blackmagic MultiView 16 is the world's first multi viewer that operates natively in Ultra HD, which allows you to use an Ultra HD monitor or television for twice the image sharpness, even if you are not even using Ultra HD in your facility yet. Now you can connect up to 16 different SD, HD and Ultra HD SDI sources into one display for monitoring. Blackmagic MultiView 16 allows 4, 9 or 16 views to be selected and each input includes a full frame re-synchronizer so you can have any combination of SD, HD and Ultra HD SDI sources connected, all at the same time. Incredibly Sharp Monitoring View up to 16 sources on a single screen With the availability of Ultra HD consumer televisions, now it's possible to use the extra resolution these displays have to build incredibly sharp multi view monitoring at low cost. Imagine having big screen televisions in your facility with high resolution monitoring of each view. That's twice the resolution of a normal multi view. Blackmagic MultiView 16 is incredibly flexible as it allows you to choose from 2x2 layout for 4 sources, 3x3 layout for 9 sources and 4x4 layout for 16 simultaneous sources, all from the front panel. Each of the inputs can be any combination of SD, HD and Ultra HD, all at the same time so it's just like having 16 independent broadcast monitors on the single display. Studio or Live Use Multi source monitoring designed for broadcasters Multi view monitoring is ideal whether you're building a massive control room with lots of incoming feeds or are working on location in tight spaces that don't have room for multiple monitors. Blackmagic MultiView 16 can be used for live production, on set, in control rooms, post facilities and more. With Blackmagic MultiView 16 you don't need to connect multiple monitors, dozens of cables or run extra power to see all of your video sources. Simply plug your cameras, decks, switchers, routers and feeds into the SDI connections and you can see everything with amazing clarity and detail on a single Ultra HD monitor. Use HD or Ultra HD Monitors Works with an Ultra HD monitor so you get twice the sharpness MultiView 16 works with both regular HD as well as the latest Ultra HD displays, so you get maximum compatibility with your existing HD equipment but have the choice to use an Ultra HD monitor for incredible sharpness. That's four times the number of pixels in each view so your video will look sharper and clearer than ever before possible. Using an Ultra HD monitor means you get an incredible 1920 x 1080 full resolution HD in each view when running 2x2 for 4 views. Even if you're running 4x4 for 16 views, each view will still display an amazing 960 x 540 pixels. You get both 6G-SDI and HDMI outputs so you can connect direct to televisions, video projectors and broadcast monitors. Elegant Design Easy to use, interactive design for real time use Featuring a compact, machined metal single rack unit design, MultiView 16 is incredibly easy to use because it has dedicated buttons on the front panel for quickly selecting any source into any of the views. Once selected, video can be routed to any position on the grid at the push of a button or you can simply use the spin knob control so it works just like a video router. Use the SOLO button for instant full screen monitoring of any source at any time. MultiView 16 also features a built in multi voltage AC power supply and professional broadcast 6G-SDI input connections with loop through so it integrates easily into any facility. 6G-SDI Multi Rate SDI Connections Supports any combination of SD, HD and Ultra HD video sources MultiView 16 includes sixteen multi rate 6G-SDI inputs with separate loop thru that are compatible with all of your existing SD, HD and Ultra HD equipment. It does not matter what video standard each input connection is running as each input view will act as an independent video monitor, so you can even have up to 16 different video standards connected all at the same time. All inputs feature automatic re-sync so you can even mix and match non referenced SD, HD, and Ultra HD sources. The reference input is included if you want to connect the Blackmagic MultiView 16 to other studio equipment. External “Router” Control Supports Videohub router protocol for easy external control MultiView 16 includes Ethernet which emulates a Blackmagic Videohub router protocol so you get full compatibility with all of the external Videohub software and hardware control panels for routing any of the inputs onto any of the monitoring views. Blackmagic MultiView 16 can also be controlled via the included software utility on Mac or Windows computers so that you can quickly change settings remotely if access to the front panel is restricted. You can even add on screen labels and other settings remotely.

Blackmagic BMD-BDLKHDEXTR4K12G DeckLink 4K Extreme 12G

Blackmagic BMD-BDLKHDEXTR4K12G ( BMDBDLKHDEXTR4K12G, BMD BDLKHDEXTR4K12G, BMD/BDLKHDEXTR4K12G, bmd-bdlkhdextr4k12g ) DeckLink 4K Extreme 12G 12G-SDI capture card The ultimate digital cinema capture card featuring two full frame DCI 4K inputs and outputs via 12G-SDI. You get dual link multi rate 12G-SDI connections that work with SD, HD and Ultra HD even in Ultra HD 60p, as well as full frame DCI 4K at 4096 x 2160 resolution up to 60p. Capture 10-bit YUV or full colour bandwidth 12-bit RGB. Includes AES/EBU audio, up, down and cross conversion, plus built in 3D stereoscopic output at full bandwidth 4:4:4:4 RGB. No other capture and playback card supports more video formats and video connections. PERFECT FOR POST PRODUCTION SD, HD, 3D and Ultra HD Work with any video format and resolution that you need. Capture from cameras, decks and live feeds directly into editing, effects and design software applications. DeckLink 4K Extreme 12G features high resolution Ultra HD and also includes dual link 12G-SDI, 2160p60 support, 4:4:4 image quality, 3D stereoscopic for advanced feature film visual effects, editing and colour correction. HIGHEST QUALITY CONNECTIONS Every DeckLink card features the highest quality connections so you get pristine video and audio quality and can connect to the widest range of professional SDI equipment. DeckLink 4K Extreme 12G includes Dual Link 12G-SDI, HDMI 4K, analogue video, as well as 2 channels of AES/EBU audio and 2 channels of balanced analogue audio in and out, black burst/tri-sync reference and serial deck control. DeckLink 4K Extreme 12G switches between SD and HD and Ultra HD and supports DCI 4K and other high frame rate feature film formats. UNRIVALED VIDEO QUALITY DeckLink lets you work with compressed video formats such as ProRes and DNxHD as well as 10-bit uncompressed video. When working with uncompressed, all images are a mathematically perfect pixel-for-pixel clone of the source, without any generational loss, so you have the confidence you're working at the absolute highest quality possible. Get sharper keying with green screens, cleaner compositions, superior colour correction and more. Should you need to use compression, support for industry leading file formats ensures that you can maintain the highest quality throughout post production. ADVANCED TECHNOLOGY Get the latest 6G-SDI and 12G-SDI technology so you can capture and playback in full resolution Ultra HD video, while remaining fully compatible with all SD and HD-SDI equipment. That's 4 times the resolution of regular 1080 HD video at a massive 3840 x 2160 image size. DeckLink 4K Extreme 12G includes Dual Link 12G-SDI connections for higher colour resolution, dual stream 3D stereoscopic support and frame rates up to Ultra HD 60p. DeckLink 4K Extreme 12G is the perfect choice for DaVinci Resolve editing and color correction.

Blackmagic BMD-CONVMCSAUD4K SD/HD/3G-SDI audio de embedder to 8 ch AES/EBU or 4 ch analogue audio

Blackmagic BMD-CONVMCSAUD4K (BMDCONVMCSAUD4K, BMD CONVMCSAUD4K, BMD/CONVMCSAUD4K, bmd-convmcsaud4k) SD/HD/3G-SDI audio de embedder to 8 ch AES/EBU or 4 ch analogue audio. Mini Converter SDI to Audio 4K includes everything you need to de-embed 4 channels of analogue audio or 8 channels of AES/EBU digital audio from any SDI video connection. Now you can access the audio in any SDI video connection for output to a massive range of audio equipment such as audio mixers, analogue broadcast decks, audio monitors and more. Mini Converters include the latest 6G-SDI technology, plus automatically detect the input video format and instantly change between virtually all SD, HD and Ultra HD video standards. Simply plug in and Mini Converters will convert between your equipment all automatically. You get advanced features such as redundant SDI inputs, re-clocked loop outputs and full analog and AES/EBU audio inputs and outputs so you can convert between formats as well as embed or de-embed audio all on the one converter. Choose from a range of 13 models depending on the conversion you need. Easy To Use Features Broadcast, post production and professional AV environments are built using SDI equipment and cabling. It’s essential when converting to and from SDI that you maintain the highest possible video and audio quality. Mini Converters are compact, affordable and easy-to-use. Settings can be changed quickly using built-in mini switches, and with a diagram showing pin settings printed on the back you never need to refer to a manual. Mini Converters use standard broadcast video and audio connections, so you get the convenience and cost savings of using your own cables. Ultra HD and 6G-SDI Technology Make the move to Ultra HD, the broadcast standard of the future, easy. Be prepared now by installing equipment that is fully compatible with all your SD and HD-SDI infrastructure, but will also switch over to Ultra HD via 6G-SDI when you need to run Ultra HD. This means you're ready for the future and can build your system with full Ultra HD compatibility. Ultra HD features an incredible 4 times the resolution of regular 1080 HD video for a massive 3840 x 2160 frame size. The advanced 6G-SDI design also means the new Blackmagic Mini Converters models perform better when used in SD and HD formats than simple HD only converters. Highest Quality Processing With the highest quality video processing, Mini Converters are ideal for all broadcast, post production and professional AV applications. Multiple internal power supplies ensure incredibly low noise levels when moving between analogue and digital video formats. Specific models include up/down/cross conversion that lets you move easily between PAL and NTSC SD video standards and the high number of HD formats in up to 3840 x 2160 Ultra HD resolutions. Easy Settings Control Changing Mini Converter's built-in mini switch settings is as easy as using a pen. This is great when you need to change settings quickly as there are no complicated menus to navigate. You can also control settings using the included Converter Utility software. Connect a Mini Converter to any Mac OS X or Windows based laptop or desktop computer. All models can be updated via USB 2.0 by simply downloading software upgrades directly from the Blackmagic Design website.

Blackmagic BMD-CONVMCAUDS4K SD/HD/3G-SDI audio embedder from 8 ch AES/EBU or 4 ch analog audio

Blackmagic BMD-CONVMCAUDS4K ( BMDCONVMCAUDS4K, BMD CONVMCAUDS4K, BMD/CONVMCAUDS4K, bmd-convmcauds4k ) SD/HD/3G-SDI audio embedder from 8 ch AES/EBU or 4 ch analog audio. Mini Converter Audio to SDI 4K includes everything you need to embed 4 channels of analogue audio or 8 channels of AES/EBU digital audio into any SDI video connection. Now you can embed professional audio from devices such as audio mixers and analogue decks into SDI video connections for use with SDI routers and decks or to add extra audio channels to video converters. Mini Converters include the latest 6G-SDI technology, plus automatically detect the input video format and instantly change between virtually all SD, HD and Ultra HD video standards. Simply plug in and Mini Converters will convert between your equipment all automatically. You get advanced features such as redundant SDI inputs, re-clocked loop outputs and full analog and AES/EBU audio inputs and outputs so you can convert between formats as well as embed or de-embed audio all on the one converter. Choose from a range of 13 models depending on the conversion you need. Easy To Use Features Broadcast, post production and professional AV environments are built using SDI equipment and cabling. It’s essential when converting to and from SDI that you maintain the highest possible video and audio quality. Mini Converters are compact, affordable and easy-to-use. Settings can be changed quickly using built-in mini switches, and with a diagram showing pin settings printed on the back you never need to refer to a manual. Mini Converters use standard broadcast video and audio connections, so you get the convenience and cost savings of using your own cables. Ultra HD and 6G-SDI Technology Make the move to Ultra HD, the broadcast standard of the future, easy. Be prepared now by installing equipment that is fully compatible with all your SD and HD-SDI infrastructure, but will also switch over to Ultra HD via 6G-SDI when you need to run Ultra HD. This means you're ready for the future and can build your system with full Ultra HD compatibility. Ultra HD features an incredible 4 times the resolution of regular 1080 HD video for a massive 3840 x 2160 frame size. The advanced 6G-SDI design also means the new Blackmagic Mini Converters models perform better when used in SD and HD formats than simple HD only converters. Highest Quality Processing With the highest quality video processing, Mini Converters are ideal for all broadcast, post production and professional AV applications. Multiple internal power supplies ensure incredibly low noise levels when moving between analogue and digital video formats. Specific models include up/down/cross conversion that lets you move easily between PAL and NTSC SD video standards and the high number of HD formats in up to 3840 x 2160 Ultra HD resolutions. Easy Settings Control Changing Mini Converter's built-in mini switch settings is as easy as using a pen. This is great when you need to change settings quickly as there are no complicated menus to navigate. You can also control settings using the included Converter Utility software. Connect a Mini Converter to any Mac OS X or Windows based laptop or desktop computer. All models can be updated via USB 2.0 by simply downloading software upgrades directly from the Blackmagic Design website

Blackmagic BMD-TERANEXEXP12GDL Teranex Express

Blackmagic BMD-TERANEXEXP12GDL ( BMDTERANEXEXP12GDL, BMD TERANEXEXP12GDL, BMD/TERANEXEXP12GDL, bmd-teranexexp12gdl ) Teranex Express 12G-SDI real time SD, HD and Ultra HD up and down converter. Introducing Teranex Express, the world’s first real time SD, HD and Ultra HD broadcast up and down converter. Featuring advanced patented algorithms, Teranex Express gives you visually transparent quality conversions and are mandated by major broadcasters and studios worldwide. You get an incredible 178 SD, HD and Ultra HD conversions in full 10-bit quality complete with audio, closed captions, timecode and more.   Use Anywhere Perfect for live events, post and broadcast power supply   Imagine converting your SD to HD all the way up to Ultra HD in real time for presentation on massive outdoor LED displays, digital signs and live concerts or sporting events. Teranex Express is perfect as a dedicated up and down converter between broadcast equipment in television studios, and for remastering older SD and HD tapes into Ultra HD. You can even use Teranex Express in outside broadcast vehicles to up or down convert and synchronize video feeds instantly for live broadcast.   Featuring the familiar Teranex 2D and 3D control panel, Teranex Express has all of the controls you need at your fingertips. The built in LCD monitor lets you easily navigate menus and see source format and frame rate with live video, so you don’t have to use an external monitor. With an elegant machined metal front panel, its compact 1RU size and built in international power supply, Teranex Express not only looks great in your studio, but is also perfect for portable racks and outside broadcast vehicles.   Use Anywhere Transparent conversions between SD, HD and Ultra HD   Teranex Express can perform an incredible 178 up/down conversions between SD, HD, and Ultra HD in real time. You can use Teranex Express for video conversions or to synchronize non genlocked, external feeds, or cameras into switchers for live production. Conversions retain timecode, include closed caption data, and always maintain perfect audio sync so your video is immediately ready for editing or broadcast.   Advanced Connections Broadcast quality connections for 24/7 reliability   Teranex Express features the most advanced broadcast connections, including the world’s first dual link 12G-SDI that is compatible with all of your existing SDI equipment. The genlock input lets you synchronize signals between equipment and for larger studios, you can install an optional fiber optic module that lets you run video from up to 28 miles away.   12G-SDI High speed multi-rate SDI for SD, HD and Ultra HD   Teranex Express is the world’s first broadcast converter to include multi-rate 12G-SDI connections. That means it can switch between 6G-SDI, 3G-SDI, HD-SDI and SD-SDI making it compatibile with all of your existing SD, HD, and Ultra HD equipment. These connections can transfer data at an amazing 12 gigabits per second, making them fast enough to support progressive Ultra HD video at up to 60fps. That means Teranex Express will be able to support emerging formats when they become available, making it the most expandable and future proof solution you can buy.   Teranex Quality Amazing detail, sharpness and clarity   Teranex Express features the advanced processing technology developed and patented by Teranex, which allows instant calculations on thousands of pixels simultaneously. You get full 10 bit processing, extremely high quality de-interlace and new optical quality Ultra HD scaling algorithms that interpolate images in real time with amazing detail, sharpness and clarity without artifacts. That’s why Teranex conversions are indistinguishable from the original source video.   High Quality Deinterlace Patented PixelMotion technology and multi direction filtering   Teranex’s proprietary and patented PixelMotion deinterlacing algorithms create perfect progressive frames for conversion by adjusting the aperture on a pixel by pixel basis. That means you get improved image quality because the vertical resolution is maintained. PixelMotion deinterlacing preserves source detail and, when combined with multi direction diagonal filters, eliminates jaggies on conversions so you get well defined edges and the sharpest images possible.   Video Control Adjust colour, aspect ratio and more.   Now you can quickly and easily find the tools you need to correct colour, convert formats or change aspect ratio. Teranex Express features a logically designed front panel and soft menus so you can adjust luminance, saturation, hue, black level, R-Y/B-Y colour difference, sharpness, and more with the built in proc amp controls. Teranex Express features an integrated LCD screen on the front panel so you can make adjustments with confidence during live broadcasts.   Ancillary Data Multi channel audio, timecode and subtitles   Video includes a lot more than images, and Teranex supports conversion of up to 16 audio channels plus timecode and closed caption VANC data. Teranex Express is also compatible with Dolby encoded audio, so it never has to be decoded or re-encoded during up and down conversions. With Teranex Express your subtitles are always retained and both audio and timecode always stay in perfect sync with your video.   Mandated By Broadcasters Teranex is asked for by name worldwide.   Teranex processing is so well known for quality that it has been mandated globally by many country’s broadcasters for converting video. Because of its patented 10-bit processing algorithms and high quality deinterlacing, Teranex conversions look perfect, making distribution simple and problem free.

Blackmagic BMD-BDLKSTUDIO4K DeckLink Studio 4K

Blackmagic BMD-BDLKSTUDIO4K ( BMDBDLKSTUDIO4K, BMD BDLKSTUDIO4K, BMD/BDLKSTUDIO4K, bmd-bdlkstudio4k ) DeckLink Studio 4K. Capture and playback 6G-SDI, HDMI 4K and analogue in SD, HD and Ultra HD DeckLink capture and playback cards are used every day in the production of television commercials, music videos, episodic television programs and Hollywood feature films. With cutting edge technologies built in, you get the highest quality video and maximum reliability. No other capture cards support more applications and more platforms than DeckLink, so you can always work with your favorite software. Every DeckLink PCIe card can be installed in Mac, Windows and Linux based workstations and media servers to give you ultimate flexibility. DECKLINK STUDIO 4K If you work with a wide range of analog video and audio gear, and need to move seamlessly between SD, HD, 2K and Ultra HD, then DeckLink Studio 4K is perfect. DeckLink Studio 4K includes a massive number of analogue and digital video connections including SD/HD/Ultra HD 6G-SDI, HDMI 1.4b, SD/HD component, composite, S-video, 4 ch balanced analogue audio, 2 ch AES/EBU switchable to 6 ch out, black burst and tri-sync reference input, RS-422 deck control connections, keying in SD and a hardware down converter. Perform editing, paint and broadcast design with the ultimate future proof design. PERFECT FOR POST PRODUCTION SD, HD, 3D and Ultra HD 4K. Work with any video format and resolution that you need. Capture from cameras, decks and live feeds directly into editing, effects and design software applications. DeckLink Studio 4K and DeckLink SDI 4K feature high resolution Ultra HD, while 4K Extreme also includes 4:4:4 image quality, 3D stereoscopic for advanced feature film visual effects, editing and colour correction. There are DeckLink models to support either file or tape based workflows to precisely deliver perfect monitoring in editing and grading suites using professional SDI monitors, HDMI televisions and even video projectors. UNRIVALED VIDEO QUALITY DeckLink lets you work with compressed video formats such as ProRes and DNxHD as well as 10-bit uncompressed video. When working with uncompressed video, all images are a mathematically perfect pixel-for-pixel clone of the source, without any generational loss, so you have the confidence you’re working at the absolute highest quality possible. Get sharper keying with green screens, cleaner compositions, superior colour correction and more. Support for industry leading file formats ensures that you can maintain high quality throughout post production should you need to use video compression. ADVANCED TECHNOLOGY Get the latest 6G-SDI technology so you can capture and playback in full resolution Ultra HD video, while remaining fully compatible with all SD and HD-SDI equipment. That's 4 times the resolution of regular 1080 HD video at a massive 3840 x 2160 image size. DeckLink SDI 4K, DeckLink Studio 4K and DeckLink 4K Extreme include 6G-SDI as standard while the advanced DeckLink 4K Extreme model includes dual 6G-SDI inputs and outputs for higher colour resolution, dual stream 3D stereoscopic support and even higher frame rates! DeckLink 4K Extreme is the perfect choice for DaVinci Resolve colour correction.

Blackmagic BMD-BDLKSDI4K Capture and playback with 6G-SDI for SD, HD, 2K and Ultra HD

Blackmagic BMD-BDLKSDI4K ( BDLKSDI4K, BMDBDLKSDI4K, BMD BDLKSDI4K, BMD/BDLKSDI4K, bmd-bdlksdi4k ) Capture and playback with 6G-SDI for SD, HD, 2K and Ultra HD. DeckLink capture and playback cards are used every day in the production of television commercials, music videos, episodic television programs and Hollywood feature films. With cutting edge technologies built in, you get the highest quality video and maximum reliability. No other capture cards support more applications and more platforms than DeckLink, so you can always work with your favorite software. Every DeckLink PCIe card can be installed in Mac, Windows and Linux based workstations and media servers to give you ultimate flexibility. DECKLINK SDI 4K DeckLink SDI 4K is perfect when you need an SDI only solution but demand the highest quality SDI capture and playback. You get incredible quality 6G-SDI on any PCI Express Mac, Windows or Linux computer. DeckLink SDI 4K is the world's smallest and most affordable multi rate SD/HD and Ultra HD SDI video card that lets you connect to any SD, HD, 2K and Ultra HD equipment. You also get RS422 deck control, internal keying and reference input for a complete solution for editing, paint and design. PERFECT FOR POST PRODUCTION SD, HD, 3D and Ultra HD 4K. Work with any video format and resolution that you need! Capture from cameras, decks and live feeds directly into editing, effects and design software applications. DeckLink Studio 4K and DeckLink SDI 4K feature high resolution Ultra HD, while 4K Extreme also includes 4:4:4 image quality, 3D stereoscopic for advanced feature film visual effects, editing and colour correction. There are DeckLink models to support either file or tape based workflows to precisely deliver perfect monitoring in editing and grading suites using professional SDI monitors, HDMI televisions and even video projectors. UNRIVALED VIDEO QUALITY DeckLink lets you work with compressed video formats such as ProRes and DNxHD as well as 10-bit uncompressed video. When working with uncompressed video, all images are a mathematically perfect pixel-for-pixel clone of the source, without any generational loss, so you have the confidence you’re working at the absolute highest quality possible. Get sharper keying with green screens, cleaner compositions, superior colour correction and more. Support for industry leading file formats ensures that you can maintain high quality throughout post production should you need to use video compression. ADVANCED TECHNOLOGY   Get the latest 6G-SDI technology so you can capture and playback in full resolution Ultra HD video, while remaining fully compatible with all SD and HD-SDI equipment! That’s 4 times the resolution of regular 1080 HD video at a massive 3840 x 2160 image size! DeckLink SDI 4K, DeckLink Studio 4K and DeckLink 4K Extreme include 6G-SDI as standard while the advanced DeckLink 4K Extreme model includes dual 6G-SDI inputs and outputs for higher colour resolution, dual stream 3D stereoscopic support and even higher frame rates! DeckLink 4K Extreme is the perfect choice for DaVinci Resolve colour correction.

Blackmagic BMD-CONVMSDIDA4K Distribute to 8 x SDI outputs in all formats including SDI, HD-SDI, 3G-SDI and 6G-SDI.

Blackmagic BMD-CONVMSDIDA4K ( BMDCONVMSDIDA4K, BMD CONVMSDIDA4K, BMD/CONVMSDIDA4K, bmd-convmsdida4k ) Distribute to 8 x SDI outputs in all formats including SDI, HD-SDI, 3G-SDI and 6G-SDI. The Blackmagic Mini Converter range are the worlds most advanced converters because they include the latest 6G-SDI technology, plus automatically detect the input video format and instantly change between virtually all SD, HD and Ultra HD video standards! Simply plug in and Mini Converters will convert between your equipment all automatically. You get advanced features such as redundant SDI inputs, re-clocked loop outputs and full analog and AES/EBU audio inputs and outputs so you can convert between formats as well as embed or de-embed audio all on the one converter. SDI DISTRIBUTION 4K When you need to connect to multiple SDI devices, then Mini Converter SDI Distribution 4K is the perfect solution. Connect a single SDI source to 8 re-clocked SDI outputs with automatic switching between all SD-SDI, HD-SDI, 3G-SDI and 6G-SDI video formats, plus all ASI, ancillary and embedded audio formats. EASY TO USE FEATURES Broadcast, post production and professional AV environments are built using SDI equipment and cabling. It’s essential when converting to and from SDI that you maintain the highest possible video and audio quality. Mini Converters are compact, affordable and easy-to-use. Settings can be changed quickly using built-in mini switches, and with a diagram showing pin settings printed on the back you never need to refer to a manual! Mini Converters use standard broadcast video and audio connections, so you get the convenience and cost savings of using your own cables. ULTRA HD AND 6G-SDI TECHNOLOGY Make the move to Ultra HD, the broadcast standard of the future, easy! Be prepared now by installing equipment that is fully compatible with all your SD and HD-SDI infrastructure, but will also switch over to Ultra HD via 6G-SDI when you need to run Ultra HD! This means you’re ready for the future and can build your system with full Ultra HD compatibility! Ultra HD features an incredible 4 times the resolution of regular 1080 HD video for a massive 3840 x 2160 frame size! Ultra HD is amazing! The advanced 6G-SDI design also means the new Blackmagic Mini Converters models perform better when used in SD and HD formats than simple HD only converters. STANDARD AUDIO CONNECTIONS Mini Converters support embedded SDI and HDMI audio and several models let you separately embed or de-embed analogue or digital audio. Mini Converters support 24 bit analogue and AES/EBU audio and use standard 1/4" audio jacks so you don't need custom cables. HIGHEST QUALITY PROCESSING With the highest quality video processing, Mini Converters are ideal for all broadcast, post production and professional AV applications. Multiple internal power supplies ensure incredibly low noise levels when moving between analog and digital video formats. Specific models include up/down/cross conversion that lets you move easily between PAL and NTSC SD video standards and the high number of HD formats in up to 3840 x 2160 Ultra HD resolutions. EASY SETTINGS CONTROL Changing Mini Converter's built-in mini switch settings is as easy as using a pen. This is great when you need to change settings quickly as there are no complicated menus to navigate. You can also control settings using the included Converter Utility software. Connect a Mini Converter to any Mac OS X or Windows based laptop or desktop computer. All models can be updated via USB 2.0 by simply downloading software upgrades directly from the Blackmagic Design website.

Blackmagic BMD-CONVMASA4K Convert SDI in SD, HD or UltraHD to analogue video with down converter and audio.

Blackmagic BMD-CONVMASA4K ( CONVMASA4K, BMDCONVMASA4K, BMD CONVMASA4K, BMD/CONVMASA4K, bmd-convmasa4k) Convert SDI in SD, HD or UltraHD to analogue video with down converter and audio. The Blackmagic Mini Converter range are the worlds most advanced converters because they include the latest 6G-SDI technology, plus automatically detect the input video format and instantly change between virtually all SD, HD and Ultra HD video standards. Simply plug in and Mini Converters will convert between your equipment all automatically. You get advanced features such as redundant SDI inputs, re-clocked loop outputs and full analog and AES/EBU audio inputs and outputs so you can convert between formats as well as embed or de-embed audio all on the one converter. SDI to Analog 4K Mini Converter SDI to Analog 4K includes everything you need to convert from SD, HD, 3G and 6G-SDI video to analogue in HD/SD component, NTSC and PAL video. The built in down converter means you can even connect Ultra HD sources to component video in SD or HD as well as NTSC and PAL video. Easily connect any analog equipment such as Betacam SP, VHS, and video monitors. Easy To Use Features Broadcast, post production and professional AV environments are built using SDI equipment and cabling. It’s essential when converting to and from SDI that you maintain the highest possible video and audio quality. Mini Converters are compact, affordable and easy-to-use. Settings can be changed quickly using built-in mini switches, and with a diagram showing pin settings printed on the back you never need to refer to a manual. Mini Converters use standard broadcast video and audio connections, so you get the convenience and cost savings of using your own cables. Ultra HD and 6G-SDI Technology Make the move to Ultra HD, the broadcast standard of the future, easy. Be prepared now by installing equipment that is fully compatible with all your SD and HD-SDI infrastructure, but will also switch over to Ultra HD via 6G-SDI when you need to run Ultra HD. This means you’re ready for the future and can build your system with full Ultra HD compatibility. Ultra HD features an incredible 4 times the resolution of regular 1080 HD video for a massive 3840 x 2160 frame size. Ultra HD is amazing. The advanced 6G-SDI design also means the new Blackmagic Mini Converters models perform better when used in SD and HD formats than simple HD only converters. Standard Audio Connections Mini Converters support embedded SDI and HDMI audio and several models let you separately embed or de-embed analogue or digital audio. Mini Converters support 24 bit analogue and AES/EBU audio and use standard 1/4" audio jacks so you don't need custom cables. Highest Quality Processing With the highest quality video processing, Mini Converters are ideal for all broadcast, post production and professional AV applications. Multiple internal power supplies ensure incredibly low noise levels when moving between analog and digital video formats. Specific models include up/down/cross conversion that lets you move easily between PAL and NTSC SD video standards and the high number of HD formats in up to 3840 x 2160 Ultra HD resolutions. Easy Settings Control Changing Mini Converter's built-in mini switch settings is as easy as using a pen. This is great when you need to change settings quickly as there are no complicated menus to navigate. You can also control settings using the included Converter Utility software. Connect a Mini Converter to any Mac OS X or Windows based laptop or desktop computer. All models can be updated via USB 2.0 by simply downloading software upgrades directly from the Blackmagic Design website.

Blackmagic BMD-CONVMSYNC Tri-Sync and Black Burst generator with 6 video reference outputs for SD and HD

Blackmagic BMD-CONVMSYNC ( BMDCONVMSYNC, BMD/CONVMSYNC, BMD CONVMSYNC, bmd-convmsync ) Tri-Sync and Black Burst generator with 6 video reference outputs for SD and HD Mini Converter Sync Generator includes 6 crystal stabilized video reference outputs for referencing all the video equipment in your studio in either high definition Tri-Sync or standard definition Black Burst television standards. Auto Switching SD and HD  Mini Converters instantly switch between standard definition and high definition video formats and change over is automatic when the video input changes. A huge range of video standards are supported including, NTSC, PAL, 1080i/59.94, 1080i/50, 1080psf/23.98, 1080psf/24, 720p/59.94 and 720p/50 formats, plus new formats can be added via USB. Redundant SDI Input Mini Converters feature a unique redundant input for mission critical tasks such as broadcast or live events. You can connect a redundant cable to the second input, so if the main input is lost due to cable damage or any other cause, Mini Converter will automatically switch over to the redundant input cable. This lets you use Mini Converters in locations where crowds or the environment might cause cable damage, or lets you place Mini Converters in hard to reach locations such as roof mounted video projectors etc. A loop though SDI output is also provided for connecting to other devices. A loop-thru SDI connection is also great if you need more than 2 audio channels, as you can connect the loop-thru to another Mini Converter to de-embedd extra audio channels! New 3 Gb/s SDI Technology  Only Mini Converters include the latest 3 Gb/s SDI technology and upgrades can be loaded via the built in USB connection for future video format compatibility. 3 Gb/s SDI is also fully compatible with all your standard definition and high definition SDI equipment. Built in AES/EBU or Analogue Audio Standard 1/4 inch jacks are built in for balanced analogue or AES/EBU audio. Because Mini Converters use standard 1/4 inch jack connectors for all audio connections, you can use standard cables commonly avalible from any pro audio store. Unlike other converters, Mini Converters don't need custom cables, as any balanced 1/4 inch jack cable can be used. Mini Converters are also unique as the same 1/4 inch jack connections can be switched between professional balanced analogue audio, or AES/EBU digital audio. This means you only need one model of Mini Converter for both analogue and digital audio. You can select the type of audio from one of the mini switches on the side of the Mini Converter unit. On modes with AES/EBU digital audio in, a sample rate converter lets you connect to any AES/EBU source, either synchronized, or un-syncronised. On HDMI models, you also have full access to the HDMI audio embedded in the HDMI video connection. High Quality  Mini Converters are built to highest quality standards with low SDI jitter so you get the longest SDI cable lengths combined with multiple internal power supplies for ultra low noise broadcast quality analogue video and audio. Unlike other converters, Mini Converters don't use "low grade" video electronics just to save cost. Mini Converters feature the highest grade broadcast quality analogue audio and video electronics. In fact, Mini Converters uses the same analogue video design as our most expensive and award winning Multibridge Eclipse! That means you get the highest quality, all in a very affordable and incredibly compact unit. International Power Supply   Unlike other converters, a universal power supply is included with international socket adapters for all countries. This lets you take Mini Converters with you to any location worldwide, and plug directly into the local power sockets. To stop power accidentally being disconnected, a cable tie point is included to lock down the power connection tight.

Blackmagic BMD-BINTSPRO4K Capture and playback for PCIe computers in NTSC/PAL, HD and Ultra HD video

Blackmagic BMD-BINTSPRO4K ( BMDBINTSPRO4K, BMD BINTSPRO4K, BMD BINTSPRO4K, bmd-bintspro4k ) Capture and playback for PCIe computers in NTSC/PAL, HD and Ultra HD video. Introducing the new Intensity Pro 4K, the easiest and highest quality way to capture video on your computer. Intensity Pro 4K has all the same great features of the original Intensity Pro capture card but now you also get Ultra HD and 1080p60 high frame rate support. Now you can capture Ultra HD images at up to 30 frames per second or 1080HD at an incredible 60 frames per second. You can save files with or without compression and use it with the most popular Mac and Windows video software. Intensity Pro 4K also includes DaVinci Resolve Lite so you get a full capture and playback solution along with professional video editing and colour grading, without having to buy any extra software. CONNECT AND CAPTURE FROM ANYTHING Edit and stream video, capture gameplay or convert old tapes. Whether you're editing video and you need a realtime preview on a big screen TV, if you're a hardcore gamer creating high frame rate walk throughs of your latest gameplay, or you’re trying to save family videos from old VHS tapes, Intensity Pro 4K has all the video connections and features you need! Intensity Pro 4K includes both analogue and digital connections that let you easily plug in everything from older VHS decks to the latest big screen 4K televisions! You can even connect your cameras and use Intensity Pro 4K for live streaming, video conferencing, presentations and more. HIGHEST QUALITY CONNECTIONS Connect to all of your SD, HD and Ultra HD devices. Intensity Pro 4K features the highest quality HDMI and analogue connections so you always get the best looking video possible. Intensity Pro 4K includes HDMI connectors for working with the latest HD and Ultra HD equipment, as well as analogue YUV, S-Video, and NTSC/PAL connections for working with older analogue televisions, videotape players and more. That means Intensity Pro 4K works with everything from your old VHS decks and DVD players all the way up to the latest gaming consoles and big screen Ultra HD televisions. SD, HD AND ULTRA HD Supports video formats up to 1080p60 and 2160p30. Intensity Pro 4K works with everything from NTSC, PAL, 720HD, 1080HD and all the way up to Ultra HD, the world’s newest video standard. Ultra HD has a massive resolution of 3840 x 2160 pixels which is four times the resolution of regular 1080HD. That means you get an amazing, lifelike experience because the images are incredibly sharp, colours literally pop off the screen and you’ll be able to see more detail than ever! With Intensity Pro 4K you can capture full 10-bit quality YUV video and deep colour from the latest game consoles. INTENSE GAME CAPTURE Capture every thrilling moment of your latest gaming adventure. Today’s HD game consoles can run up to 60 frames per second so you get the smoothest motion during even the fastest paced gameplay. That’s double the frame rate of ordinary HD video. The latest consoles also feature deep colour, so you get dramatically better colour for a more realistic gaming experience. Intensity Pro 4K can capture 1080 HD video at up to 60 frames per second. That means you can capture every heart pounding detail of gameplay and create the most amazing looking walk through videos for posting online to share with your audience. ARCHIVE OLD TAPES AND DVDS Preserve your most valuable video forever. Rescue your old VHS, BetaMax video tapes and DVDs by making digital archives with Intensity Pro 4K. If your DVDs get scratched or your old tapes deteriorate and break you could lose important video memories forever. And as tapes get older, it’s harder and harder to find working decks to play them back! Intensity Pro 4K captures better looking video than other solutions because it includes a professional, broadcast grade time base corrector to help stabilize video from poor quality tapes, like VHS and older DVDs. You can even adjust the audio and video levels before you capture so that your video looks as good as possible. Files can be saved as either uncompressed or compressed video so your valuable video is preserved forever. SIMPLY BETTER QUALITY Broadcast quality components for broadcast quality video. Intensity Pro 4K is the only consumer video capture and playback card that’s built using the same broadcast quality video components that professionals in the film and television industry use! Files can be saved in professional compressed formats, like ProRes and DNxHD, or as fully uncompressed 10-bit video, the format used by professional television production studios. That means you always get the highest quality video and the best colour precision possible when working with the latest Ultra HD televisions and projectors, gaming consoles, set top boxes, consumer cameras, VHS decks, DVD players, older broadcast decks and more. WORKS WITH EVERYTHING Use the video software you know and love. Intensity Pro 4K is a PCIe card for Mac, Windows, and Linux computers. It includes the easy to use Media Express software for Mac, Windows and Linux, along with DaVinci Resolve Lite for Mac and Windows. That means you get a complete video capture and post production solution in the box without having to buy any additional software! You can also save files in QuickTime or Windows Media format and then use them with other popular Mac and Windows applications like Final Cut Pro X, Premiere Pro, Vegas Pro, Media Composer, Fusion, After Effects, Flash and many more. DAVINCI RESOLVE LITE Professional editing, grading and delivery included free.   Now you can edit and grade your video using the same tools that Hollywood uses. DaVinci Resolve Lite for Mac and Windows is included free with Intensity Pro 4K. You get the same multi track video editing and advanced colour grading system that professional editors and colourists use to make Hollywood’s biggest blockbuster films, television shows and commercials.

Blackmagic BMD-SWTALGPI8 GPI and Tally Interface Box

Blackmagic BMD-SWTALGPI8 ( SWTALGPI8, BMDSWTALGPI8, BMD SWTALGPI8, BMD/SWTALGPI8 GPI ) and Tally Interface Box. GPI and Tally Interface connects to an ATEM switcher and provides 8 contact closure Tally outputs.  Tallies will be displayed when connected to an ATEM switcher to indicate their "on-air" status and you can even connect multiple interfaces together to increase the number of tally outputs.

Blackmagic BMD-SWRCONV ATEM Camera Converter

Blackmagic BMD-SWRCONV ( BMDSWRCONV, BMD/SWRCONV, BMD SWRCONV, bmd-swrconv ) ATEM Camera Converter   Optic fibre camera controller with tally and intercom Extend SDI or HDMI camera feeds over 28 miles  Extend the effective cable length of SDI or HDMI-based cameras using low cost optical fibre. Imagine connecting to cameras at remote locations on racing tracks, live sporting venus or even massive golf courses! Now with ATEM Camera Converter you can have more cameras closer to the action for the most amazing shots in live production.  ATEM Camera Converter not only converts your camera to optical fiber, but it also includes talkback, external microphone input, program return feed, tally and built in battery power source! Now you can place cameras in multiple locations miles away from your switcher while keeping full broadcast HD video quality. Professional Multi-Camera Production  ATEM Camera Converter gives you essential tools for live production in a single converter. Connect your camera to the SDI or HDMI inputs to convert to optical fiber, and connect your switcher program feed to the optical fiber input to convert to SDI and HDMI for monitoring. The SDI and HDMI monitoring outputs can be switched between your camera input or optical fiber input! Professional local microphone inputs are included. ATEM Camera Converter also includes an internal battery for remote use when your cameras are located far away from power sources, as well as built in talkback and tally! Optical Fiber Link  Optical fiber is the perfect connection because it's used in computer networking and is common, affordable and easy to purchase! ATEM Camera Converter uses a single mode optical fiber pair with LC type connectors, so you get the freedom to connect your cameras up to 147,000 feet or 45KM from your switcher! INCLUDES TALKBACK In live production it's critical for your camera operators to talk to the switcher operator so you can work as a team! ATEM Camera Converter includes talkback using low cost PC headsets or iPhone-compatible headphones, so each camera can communicate with the director at the switcher. Broadcast & Consumer Connections ATEM Camera Converter connects to both HDMI and SDI video cameras! Video and audio are embedded into the optical fiber output, and microphone inputs are included for the ultimate in audio flexibility. That's perfect when you need higher quality or wireless microphones on your cameras! Perfect For All Types Of Events!  ATEM Camera Converter uses optical fiber for its connection, so you get long distances combined with full uncompressed HD video quality. This lets you move your cameras farther away from your switcher and closer to the action! Imagine placing a camera at the end of drag racing strip, at the starting gate of a horse race, or even at the far end of a golf course! Even low cost consumer HD cameras look amazing when used with ATEM Camera Converter! ATEM Camera Converter is perfect for concerts, sporting events or even lecture theaters, houses of worship, surveillance, or any remote camera location! Ultra Tough Design  ATEM Camera Converter is designed tough enough for the rigors of life on the road! For incredible strength, ATEM Camera Converter is machined from a solid billet of aircraft-grade aluminum with recessed connectors and a button control panel. This results in an incredibly strong design that can handle bumps and knocks without breaking. ATEM Camera Converter includes a side mounted clip, so you can hang it from your belt for maxiumum portability, then simply plug in your headset, camera and optical link! The built in button pad gives you control over power, microphone level, talkback and video, as well as battery indicators. You even get a USB port for software updates! Belt Clip or Camera Mount  When you need to move around, ATEM Camera Converter is perfect because it moves with you! With an integrated belt clip, you can simply snap it onto your belt, connect the cables, and move around with ease. Built in Tally Now you can clearly see when your cameras are “on airâ€Â! ATEM Camera Converter uses an open standard tally packet in the SDI output on any ATEM switcher to illuminate 2 built in tally LEDs! Battery or AC Powered ATEM Camera Converter includes a standard 12 volt input that supports operation up to 30 volt DC. That let's you use a wide range of power sources or even a car battery! Designed for Live Production  Now you can eliminate multiple boxes hanging off your camera that limit your mobility, because ATEM Camera Converter includes everything you need for operating a camera in a live production. You get a simple solution that's really 4 converters in one! The built in keyboard is located on the top, so it's easy to adjust. ATEM Camera Converter even adjusts the microphone audio level smoothly, so when adjusted on air you won't notice the level change! ATEM Camera Converter is fully bi-directional, so you can connect both your camera and a return program feed to the switcher at the same time! Broadcast Quality  ATEM Camera Converter might be affordable, but it's got full broadcast quality with 10-bit video data paths, HD-SDI video technology and support for optical fiber SDI with a high quality laser driver for long distance connections. You get a solid design that looks great, but protects the connectors and keyboard from damage during live production use. Only ATEM Camera Converter gives you the best video technology available, so you get incredible quality HD video to your switcher for a true broadcast production standard.