Canon EOS C50 Cinema Camera

Canon 7034C011AA (70-34C0-11AA, 70/34C0/11AA, 70-34C0/11AA, 70 34C0 11AA) EOS C50 Cinema Camera The Canon EOS C50 is designed for creators who thrive under pressure—built for professionals working solo or in small crews. From interviews to social content, weddings to indie films, this ultra-lightweight camera earns its spot on every production. As Canon’s smallest professional cinema camera, it opens the door to true cinematic storytelling. Powered by a 7K Full Frame sensor, the EOS C50 delivers Open Gate RAW recording, 32MP stills, and pro-level connectivity in a sleek, modular design. Positioned between the EOS R5 C and C70, it bridges the gap between Canon’s V Series and Cinema EOS lineup, offering creators advanced video performance without fully stepping into high-end cinema gear. It’s Canon’s fifth RF-mount Cinema EOS model and the second hybrid in the series, blending mirrorless flexibility with cinema-grade features. Cinematic 7K Full Frame Capture Capture breathtaking detail with Canon’s 7K Full Frame CMOS sensor, Dual Base ISO (800/6400), and 15+ stops of dynamic range. Shoot 32MP stills at 40fps with ISO up to 64,000, or create oversampled 4K with Canon’s signature color science. Open Gate Flexibility Record in 12-bit RAW (6960x4640, 3:2) for ultimate versatility—perfect for widescreen, vertical, or anamorphic formats. Switch seamlessly between Full Frame, Super 35mm, and Super 16mm crop modes. RF Mount Versatility Take advantage of Canon’s RF mount with access to prime, zoom, hybrid, and cinema lenses, plus metadata support, fast AF/IS, and full compatibility with PL/EF lenses via adapters. Precision Autofocus Experience lightning-fast autofocus with Dual Pixel CMOS AF II, enhanced face, eye, and animal tracking, EOS iTR AF X, Focus Guide, and fully customizable AF speed controls. High Frame Rates Record Cinema RAW Light up to 7K 60p, plus 4K 120p and 2K 180p. Capture oversampled 4K 10-bit XF-AVC or HEVC in multiple formats, with CFexpress Type B and UHS-II SD card slots for smooth workflows and proxy recording. Professional Connectivity Includes HDMI, timecode, mic and headphone ports, USB-C, and a detachable handle with dual XLR inputs. Built-in Wi-Fi and USB-C enable IP streaming, UVC/UAC output, remote control, and Multi-Function Shoe support. Compact, Ergonomic Design Canon’s most compact Cinema EOS features a 3" articulating touchscreen, detachable top handle, 14 assignable buttons, tally lamp, active cooling, and multiple mounts—ideal for handheld use, gimbals, or drones. Multi-Camera Ready Seamlessly integrate with Canon’s XC Protocol accessories and apps for live production, studio control, or multi-cam setups with timecode sync and unified settings management. Future-Ready for VFX & VR The EOS C50 supports real-time lens metadata for virtual production, fully compatible with Unreal Engine and After Effects. Pair it with Canon’s RF 5.2mm Dual Fisheye to capture immersive 180° VR experiences.

Canon EOS C80 Cinema Camera RF Mount

Canon 6389C006 (63-89C0-06, 63/89C0-06, 63 89C0 06, 63_89C0_06) EOS C80 Cinema Camera RF Mount UNLEASH YOUR CREATIVE POTENTIAL Stay agile with the EOS C80, a compact and ergonomic powerhouse featuring a 6K full-frame BSI sensor, RF mount, and Dual Pixel CMOS AF II technology. It delivers exceptional image quality and versatility, perfect for cinema, live, and virtual production needs. A CLOSER LOOK AT THE EOS C80 Explore the standout features of the EOS C80 that elevate your professional video productions. 6K full frame BSI sensor The backside illuminated (BSI) sensor technology brings forth a striking balance of dynamic range and rich, natural color tones. Its triple base ISO system weaves together sharp clarity with low-noise performance, shaping visuals that feel both vivid and immersive. VIDEO PRODUCTION ELEVATED Full frame 6K BSI sensor Capture stunning visuals with Canon’s advanced backside illuminated (BSI) stacked CMOS sensor, offering next-level performance with triple base ISO (800 / 3200 / 12800), lifelike color reproduction, and an impressive 16 stops of dynamic range. Dual Pixel CMOS AF II with EOS iTR AF X Experience enhanced, faster autofocus technology with pinpoint accuracy and ultra-responsive tracking for faces, eyes, heads, bodies, and animals across the full sensor. Take full control with face-only recognition and customizable settings, ensuring your focus remains sharp and precise at all times. Compact, ergonomic and familiar design The updated, familiar design offers enhanced ergonomics, improved connectivity, and an upgraded joystick along with a multi-function shoe. Whether using the top handle or customizing your own rig, this camera provides the flexibility to shoot with ease, even in the most challenging conditions. Professional recording formats and high frame rates The EOS C80 supports 12-bit Cinema RAW Light LT recording at up to 6K 30P, and 4:2:2 10-bit at up to 4K 120P. It also offers oversampled 4K via XF-AVC, along with enhanced XF-AVC S and XF-HEVC S (MP4) formats, all featuring comprehensive metadata and structured filenames. Additionally, HDMI RAW output is available for use with compatible external recorders. RF mount Count on advanced prime, zoom, and cinema lenses for exceptional optical performance, real-time lens metadata, and lightning-fast AF/IS systems. Effortlessly use your PL and EF lenses with a Canon mount adapter for added versatility in your productions. Uncompromised connectivity The EOS C80 features professional on-body I/O options, including 12G-SDI, HDMI, 2x mini-XLR, Mic In, Remote, and Timecode ports. With built-in Wi-Fi and Ethernet, it supports real-time IP streaming (SRT / RTSP) and remote control via XC Protocol and the Multi-Camera Control app. The camera is also expandable through Canon’s Multi-Function Shoe for added versatility. Designed for the future The EOS C80 offers real-time lens metadata output and capture, ideal for virtual production (VP) and VFX workflows, with seamless integration with Unreal Engine and After Effects, including distortion correction data. Additionally, create immersive VR experiences using Canon’s RF 5.2mm F2.8L Dual Fisheye lens for unparalleled visual storytelling.

Canon EOS R1

Canon EOS R1 For sports, news and action photographers, looking to shoot career-defining work, Canon developed the EOS R1 – their flagship camera with speed and advanced technologies at its core.   Shoot career-defining images and video, even when the pressure is on, capturing transient moments at up to 40fps with exceptional image quality and AF. Game-changing speed and precision is backed up by a simple, reliable workflow that lets you get your work to the client fast. Seamless hybrid functionality lets you shoot superb 6K 60p video and even capture stills and video simultaneously.   The EOS R1 lets you capture fleeting moments and freeze action at 1/64,000sec, while Action Priority focus mode recognises and anticipates moments in key sports. A back-illuminated, stacked sensor offers incredible sensitivity and virtually no rolling-shutter distortion.   24.2 megapixel, back-illuminated, stacked sensor The EOS R1 features a 24.2-megapixel full-frame sensor that uses a back-illuminated, stacked design to deliver superb sensitivity, brilliant resolution and incredible speed. A low-pass filter has 16-point separation that effectively reduces false colour and moiré while preserving fine detail. The EOS R1’s Dual Pixel Intelligent AF uses Cross-Type AF that is sensitive to both horizontal and vertical detail. These increases focusing accuracy and speed in low light and low-contrast conditions.    The speed you need Capture fleeting moments with a customisable continuous shooting speed of up to 40fps, a 1/64,000 sec. top shutter speed and virtually zero rolling-shutter distortion. Pre-capture lets photographers capture moments before the shutter release is pressed.   Focusing on performance Deep-learning and Cross-type AF identifies and tracks subjects with phenomenal accuracy. The DIGIC Accelerator processor powers Action Priority mode, which automatically determines the main subject in football, volleyball and basketball, moving AF areas accordingly.   Hybrid creativity Shoot superb 6K video using frame rates up to 60p and using a wide variety of formats. Dual Shooting lets you cover the same event with Full HD video and 17-megapixel (16:9) photos – capturing stills and video separately and simultaneously.   Get home in first place Win the race – getting photos and video back to your client right when they need them. Lightning-fast connectivity is easy to use when the pressure’s on. Wi-Fi 6E1 with MIMO antennas, and 2.5G BASE-T ethernet, deliver super-stable performance   The ultimate photographic assistant Our flagship EOS is packed with advanced technology, including an 8.5-stop Image Stabilizer, a best-in-class 9.44m-dot electronic viewfinder, and in-camera image upscaling and noise reduction. Be inspired by the superb build quality that pros around the world have come to love.   DIGIC Accelerator The EOS R1 sees DIGIC Accelerator and DIGIC X image processors working alongside each other for phenomenal performance. AF tracking of people, animals and objects is improved – even objects that are momentarily obscured from view are tracked continuously and kept in sharp focus. Action priority recognises key events in football, basketball and volleyball and moves the active AF area. Stills and video can be captured simultaneously, thanks to the DIGIC Accelerator’s ability to process large volumes of data at speed.   Action Priority focus mode When shooting photos with the EOS R1’s advanced electronic shutter, the camera’s DIGIC Accelerator processor lets it identify significant actions in three sports: football, basketball and volleyball. The camera automatically switches the active AF areas to a person performing the kind of a critical action that has traditionally been hard to shoot, such as a shot from a high-speed pass.   Go large, with In-camera upscaling Deep-learning means that images can be upscaled in-camera by up to four times, generating high-resolution versions for cropping or printing at huge sizes. The same deep-learning capability delivers incredible noise reduction for smooth, detailed images at high ISO sensitivities   Advanced 9.44m-dot electronic viewfinder The EOS R1’s electronic viewfinder (EVF) is superior to an optical viewfinder in many ways. It’s 9.44m-dot high resolution provides an exceptionally clear and detailed view of a scene, with blackout-free continuous shooting at up to 40fps. It’s comfortable for extended periods too, with variable magnification and a locking adjustable dioptre. A larger eyecup is available for complete immersion in the shooting experience.   Next-generation Eye Control AF Select an AF point, or a subject to track, simply by looking at it. The use of newly developed optics and a revised line-of-sight algorithm enhances the accuracy of the system, compared with the EOS R3, and broadens the angle over which the system is effective, for a more natural experience.   Creativity through technology Since 1989, Canon EOS-1 series cameras have led the way for professional sports, news and action photographers. As the result of 35 years of evolution the EOS R1 looks to the future as our flagship EOS camera.   Autofocus powered by deep learning The EOS R1 harnesses the power of deep-learning to identify subjects, while its DIGIC Accelerator processor tracks and captures them more accurately than ever. Action Priority mode can even identify the subject based on the action, helping you predict what is coming next.   Dual Pixel Intelligent AF with Cross-type AF points EOS R1 has Cross-type AF that is sensitive to horizontal and vertical detail. This gives more sensitivity and precision, especially in low light and low-contrast conditions.   Jaw-dropping image quality A new 24-megapixel sensor delivers incredible results. A lightning-fast, stacked CMOS design is sensitive in low light. A low-pass filter with 16 point separation reduces moiré and false colour while still capturing very detailed resolution.   Stills and video. Separately and simultaneously Designed for professional hybrid shooters covering events. With the EOS R1’s Dual Shooting function switched on, a press of the shutter-release button while shooting Full HD video captures 5616x3168 pixel (17MP) JPG photos at up to 10fps using the same shutter speed – all without interrupting video capture.   Extraordinary Performance - Now as standard Freeze fleeting moments in time like never before: 40 frames per second continuous shooting pairs with a lightning-fast 1/64,000 sec electronic shutter and minimal rolling shutter distortion for incredible results.   Go back in time with continuous shooting Half press the shutter release button to begin continuously buffering 20 frames. At the moment you take the shot, these ‘pre-captured’ frames are stored too. At EOS R1’s maximum 40fps shooting speed, this means you’ll record the half-second before you pressed the shutter release. At slower shooting speeds, the pre-capture time gets longer, giving you even more flexibility.

Canon EOS R5 Mark II

Canon EOS R5 Mark II  Master the moment with incredible speed, resolution and all-round performance Experience incredible 45-megapixel resolution combined with blazing-fast speeds of up to 30fps and up to 8K 60p RAW video. This powerhouse excels in every genre of visual storytelling. Powered by DIGIC Accelerator technology, it features Dual Pixel Intelligent AF, next-generation Eye Control AF, and Action Priority mode. With a maximum ISO sensitivity of 51,200 (expandable to 102,400) and in-camera Neural Network noise reduction, you’ll achieve outstanding results even in low light. Plus, this highly connected camera allows you to deliver content quickly and reliably. The EOS R5 Mark II truly does it all, empowering you to conquer your creative ambitions. For photographers and filmmakers across genres—from wildlife and reportage to portraiture, filmmaking, interviews, and documentaries—the EOS R5 Mark II is the tool that will help you create your best work yet. DIGIC Accelerator meets DIGIC X for unparalleled performance The EOS R5 Mark II’s Dual Pixel Intelligent AF and Eye Control AF raise the bar for autofocus technology. It keeps fast-moving subjects in sharp focus, even when temporarily out of view. Action Priority mode tracks players in sports like football, basketball, and volleyball, adjusting the AF area in real-time to capture critical moments, such as a shot on goal from a fast pass. Where speed meets resolution No matter your creative vision, the EOS R5 Mark II delivers. Capture stunning 45-megapixel photos at 30fps with 15-frame Pre-Capture, or record impressive 8K 60p RAW video. Whatever your needs, this camera opens new possibilities for creativity. Switch to hybrid mode Shoot breathtaking 8K video using the full width of the EOS R5 Mark II’s sensor—perfect for cropping in post-production. The 8K 60p Light RAW format captures smooth motion, while 14-bit color depth ensures rich gradation and a wide dynamic range. Thanks to Dual Shooting, you can simultaneously capture 33.2-megapixel (16:9) stills at 7.5fps while recording Full HD video. Fast connectivity when it matters most Whether through Wi-Fi 6E1 or a tethered USB connection, you can quickly and reliably deliver your work to clients. An optional battery grip adds 2.5G BASE-T Ethernet for even faster connections. Advanced technology for powerful performance Packed with cutting-edge technology, including Canon’s revolutionary RF lens mount, the EOS R5 Mark II pushes creative boundaries. Its 8.5-stop Image Stabilizer lets you shoot handheld at slow shutter speeds, while customizable controls allow you to fine-tune the camera to your needs. All this is housed in a robust, agile design that inspires creativity from the moment you pick it up. Next-generation 45-megapixel stacked image sensor A new full-frame, back-illuminated stacked CMOS sensor delivers impressive resolution, dynamic range, and speed, with advanced video capabilities. Maximum ISO sensitivity of 51,200 (expandable to 102,400) is paired with in-camera neural network noise reduction for cleaner, more detailed JPEG images. DIGIC Accelerator The EOS R5 Mark II’s DIGIC Accelerator and DIGIC X processors work together to deliver exceptional performance. The system improves AF tracking of people, animals, and objects—even when briefly obscured. Action Priority mode intelligently anticipates key moments in sports like football, basketball, and volleyball, automatically adjusting the AF point. Simultaneous still and video capture Thanks to the power of the DIGIC Accelerator, you can capture high-quality stills and video simultaneously, processing large volumes of data with ease. In-camera upscaling and deep learning Harness deep-learning technology for in-camera upscaling, allowing images to be enlarged up to four times for high-resolution prints or cropping. This same technology also delivers remarkable noise reduction, resulting in smooth, detailed images even at high ISO sensitivities. Action Priority Focus Mode When using the EOS R5 Mark II’s advanced electronic shutter, the DIGIC Accelerator processor identifies critical moments in sports like football, basketball, and volleyball, automatically adjusting the AF area to capture decisive actions such as a shot made from a high-speed pass. Next-Generation Eye Control AF Choose your focus point or subject simply by looking at it. Enhanced optics and a refined line-of-sight algorithm make Eye Control AF even more accurate than in the EOS R3, and its broader field of effectiveness provides a more intuitive experience. Pre-continuous shooting The EOS R5 Mark II buffers 15 frames while the shutter release is half-pressed, storing them when you fully press the shutter. This ensures you capture moments even before you press the button. Slower shooting speeds increase the pre-capture time, giving you even more flexibility.

Canon EOS R5 Mark II W/ RF 24-105mm f/4 L IS USM

Canon EOS R5 Mark II W/ RF 24-105mm f/4 L IS USM Master the moment with incredible speed, resolution and all-round performance Incredible 45-megapixel resolution meets breath-taking speed up to 30fps and up to 8K 60p RAW video. The result is a camera that excels in every genre of visual story telling. DIGIC Accelerator technology powers Dual Pixel Intelligent AF – now with next-generation Eye Control AF and Action Priority mode. A max ISO 51,200 sensitivity (extendable to ISO 102,400) is supported by in-camera Neural Network noise reduction, for amazing results in low light. And this super-connected camera lets you get content to the client quickly, reliably and easily. The EOS R5 Mark II masters it all and lets you conquer your creative ambitions.   For photographers and filmmakers of all genres from wildlife, reportage and portrait photography to filmmaking, interviewing and documentaries., the EOS R5 Mark II is a camera that empowers you to shoot your most creative work yet.       DIGIC Accelerator meets DIGIC X for exceptional performance   EOS R5 Mark II’s Dual Pixel Intelligent AF and Eye Control AF set new standards. Sharp focus is maintained on moving subjects, even when briefly obscured from view. Action Priority mode detects players in football, basketball and volleyball, moving the active AF area in response to specific actions – such as a shot on goal made from a high-speed pass.       Where speed meets resolution   Whatever the story, the EOS R5 Mark II speaks your language. Shoot incredible 45-megapixel photos at 30fps speed and 15-frame Pre-Capture, or capture sumptuous 8K 60p RAW video that truly impresses. Whatever your needs, the EOS R5 Mark II unlocks new ways to be creative. Switch to hybrid   Use the full width of the EOS R5 Mark II’s sensor to shoot sensational 8K footage – rich in detail and crop-friendly during editing. 8K 60p Light RAW portrays moving subjects with silky smooth motion. 14-bit colour depth offers fine gradation and wide dynamic range. With EOS R5 Mark II’s Dual Shooting function, you can simultaneously capture 33.2-megapixel (16:9) photos at 7.5fps while also shooting Full HD video. When the pressure is on, get connected fast   Get your photos and video back to your client more quickly and reliably than ever, whether you’re connected wirelessly with Wi-Fi 6E1 or tethered via USB. Choose an optional battery grip to connect via 2.5G BASE-T Ethernet.       Powerful performance built on advanced technology   The EOS R5 Mark II is brimming with advanced technologies, including our revolutionary RF lens mount, that empowers you to be more creative. An up to 8.5-stop Image Stabilizer lets you shoot hand held with slow shutter speeds, while customisable controls let you set up the camera to suit the scene and your shooting style. All this from an agile, robust design that inspires creativity from the moment you hold it. Advanced 45-megapixel stacked image sensor   A next-generation full-frame back-illuminated stacked CMOS sensor combines stunning resolution and dynamic range with incredible speed and video capabilities. A max ISO 51,200 sensitivity (extendable to ISO 102,400) is supported by in-camera neural network noise reduction, for cleaner, more-detailed jpeg images.   DIGIC Accelerator   The EOS R5 MARK II sees DIGIC Accelerator and DIGIC X image processors working alongside each other for phenomenal performance.   AF tracking of people, animals and objects is improved – even objects that are momentarily obscured from view are tracked continuously and kept in sharp focus   Action priority recognises key events in football, basketball and volleyball and moves the active AF point in anticipation   Stills and video can be captured simultaneously, thanks to the DIGIC Accelerator’s ability to process large volumes of data at speed Go large, with in-camera upscaling   Deep-learning means that images can be upscaled in-camera by up to four times, generating high-resolution versions for cropping or printing at huge sizes. The same deep-learning capability delivers incredible noise reduction for smooth, detailed images at high ISO sensitivities Action Priority focus mode   When shooting photos with the EOS R5 Mark II’s advanced electronic shutter, the camera’s DIGIC Accelerator processor lets it identify significant actions in three sports: football, basketball and volleyball. The camera automatically switches the active AF area to a person performing the kind of a critical action that has traditionally been hard to shoot, such as a shot from a high-speed pass.   Next Generation Eye Control AF   Select an AF area, or a subject to track, simply by looking at it. The use of newly developed optics and a revised line-of-sight algorithm enhances the accuracy of the system, compared with the EOS R3, and broadens the angle over which the system is effective, for a more natural experience.       Pre-continuous shooting   15 frames are buffered continuously while the shutter-release is half pressed, and written to memory card when you actually take the shot. This lets you capture images from the previous ½ sec, so you nail that decisive moment. At slower shooting speeds, the pre-capture time increases, giving you even more flexibility.    Canon 24-105mm f/4L   Featuring fast, silent, Nano USM technology, the RF 24-105mm f/4 L IS USM zoom offers photographers and filmmakers a small, lightweight and compact general-purpose lens with 5-stops of image stabilisation and high optical quality and constant aperture. A general purpose, practical zoom for every day photography and filmmaking The RF 24-105mm f/4 L IS USM zoom offers the perfect solution for photographers and filmmakers looking for a professional quality, go anywhere, capture everything lens that can satisfy a wide range of genres.       The RF mount:   The RF mount at the heart of the EOS R System is designed to maximise lens design possibilities and features a short back focus design and wide lens throat. This has made it possible for Canon engineers to design new lenses that weren’t possible before. The RF mount also transmits data faster via a 12-pin connector meaning quicker AF and lens processing using Digital Lens Optimiser stored in the lens itself.    The RF 24-105mm f/4 L IS USM zoom features an innovative Control Ring on the barrel, offering photographers used to manual cameras a familiar and intuitive traditional control over a wide range of customisable settings. This feature gives the photographer greater and faster connection with the camera and allows full concentration to be given to the subject. The Control Ring has a reassuring and familiar ‘click’ as it rotates which can be de-clicked at service, useful for filmmakers wishing to retain the silent characteristics of the lens.       A general purpose, practical zoom for every day photography and filmmaking:   With a hugely versatile 24-105mm focal length range that encompasses the everyday needs of most photographers and filmmakers, the RF 24-105mm f/4 L IS USM zoom is the primary go-to lens particularly suited to subjects such as landscapes, portraits and travel. A fixed f/4 constant aperture ensures exposure consistency throughout the entire zoom range and allows for a smaller, more compact lens design. Weighing in at just 700g, the RF 24-105mm f/4 L IS USM is lightweight, practical and perfect for agile, handheld photography and filmmaking when covering a variety of events and genres in the same day.

Canon Rf 24-240mm F4-6.3 Lens

Canon Rf 24-240mm F4-6.3 Lens(3684C005) The photographic lens Canon RF 24-240mm F4-6.3 IS USM with RF mount, covering an impressive wide-angle to super-telephoto range, is a true all-in-one lens for nearly any shooting situation. Its 10x zoom range is complemented by an Optical Image Stabilizer, which compensates for up to five stops of camera shake to better realize sharp imagery when shooting handheld.   Dynamic IS of the Canon RF 24-240mm F4-6.3 also benefits video recording, and better compensates for footage shot while walking or moving. Benefitting both stills and video is a Nano USM autofocus motor, which delivers quick, quiet, and precise focusing performance. Additionally, the lens also features a unique customizable Control Ring, which can be configured to adjust a variety of exposure settings, including aperture, ISO, and exposure compensation.

Canon 18-150mm F3.5-6.3 - Rf-S stm lens

Canon 18-150mm F3.5-6.3 - Rf-S stm lens(5564C005) With a powerful 18-150mm zoom range the RF-S 18-150mm F3.5-6.3 IS STM lens is an affordable wide-to-telephoto zoom that packs several lenses in one, perfect for APS-C R System cameras. With super-quiet STM focusing that’s fast and responsive, it’s a great general-purpose lens for landscapes, wildlife, travel, sports photography and even great close-ups thanks to an optical design that lets you focus as close as 12 cm. Compact, and lightweight, it has a streamlined look with all function switches controlled directly from the camera for a simplified design while a 4.5-stop optical Image Stabilizer adds extra versatility to help overcome camera shake, even in low-light.

Canon Rf 24mm F1.8 Macro Is Stm lens

Canon Rf 24mm F1.8 Macro Is Stm lens(5668C005) This compact and lightweight 24mm lens combines a wide-angle field-of-view with a fast aperture for shooting creatively, even in low light. A 5-stops Optical Image Stabilizer¹ allows longer shutter speeds for hand-held shooting and slick video with more stabilisation (6.5-stops) on offer when used with an EOS R series camera featuring an In Body Image Stabilizer. A minimum focusing distance of 14 cm (0.5x magnification or half life-size) is a real advantage for creative wide-angle and lets you get extra close, showing your subject within its environment. A customisable Control Ring and a separate Focus Ring allows fine control of focusing, ISO, aperture or changing AF method.

Canon Drop-In Variable ND Filter

Canon Drop-In Variable ND Filter(3446C001) A neutral density filter for controlling exposure in movies and prolonging shutter speeds for a variety of creative movement effects in photographs.

Canon RF 5.2mm Dual Fisheye RF VR Lens

Canon RF 5.2mm Dual Fisheye RF VR Lens(5554C005) Capture views that are more than virtual Capture the world in virtual reality thanks to the RF 5.2mm F2.8L DUAL FISHEYE; a compact, stereoscopic L-series RF lens capable of capturing super-sharp content that – with the rest of Canon’s EOS VR SYSTEM, including a camera and software solution – transforms footage into a truly breathtaking visual experience, immersing you within the environment. Canon RF 5.2mm F2.8L DUAL FISHEYE lens A virtual reality lens that simplifies the capture and post-production of professional 180° VR content. Experience the video below through using a VR headset (for a fully immersive and stereoscopic experience), a mobile device or computer. An inspirational story captured by VR Director, Mary Matheson and Director of Photography, Richard Stegmann. Amazingly practical (3D) 180° VR capture The compact, single mount design simplifies quick camera setups for professional stereoscopic 180° VR capture, when using compatible high resolution, Full Frame, RF mount cameras, such as the EOS R51 and R5 C. Efficient and simplified workflow Featuring a stereoscopic 190° field of view, two offset circular fisheye images are perfectly synchronised and recorded side-by-side onto a single Full Frame sensor, ready for Canon’s powerful EOS VR Utility2/plug-in2 to seamlessly process for final edit, requiring no additional stitching. RAW (8K / 60P) video workflow Compatible RAW video files taken with supported cameras (including 8K / 60P RAW LT files from the EOS R5 C) are automatically processed within EOS VR Utility, further simplifying a RAW workflow with higher frame rates. High quality image capture Featuring perfectly aligned, dual forward facing fisheye lenses, the RF 5.2mm F2.8L DUAL FISHEYE utilises two UD elements per lens to correct for aberrations plus Canon’s special SWC coatings to reduce ghosting and flare, even in backlit conditions. Fast f/2.8 aperture for low light shooting The RF 5.2mm F2.8L DUAL FISHEYE performs superbly in low light thanks to a fast f/2.8 aperture with accurately synchronised exposure and precise control via a dual Electro Magnetic Diaphragm (EMD) design. L-series build and weather resistance Because it’s an L-series lens, the RF 5.2mm F2.8L DUAL FISHEYE is built for professional use. It is dust and splash resistant and features fluorine coatings to repel water and dirt on the lens surface. Gel filter holder for precise exposure control   The RF 5.2mm F2.8L DUAL FISHEYE has a rear-mounted gelatin filter holder for pre-cut ND gels which can be used to help precisely control light levels when in use on 180° VR video productions.

Canon CN-R 50mm T1.3 L F Prime Lens

Canon CN-R 50mm T1.3 L F Prime Lens(6402C001AA) Offering exceptional optical performance, excellent colour reproduction, professional robust design and ultra-fast lens data communication, Canon CN-R Prime lenses are perfect for RF mount cameras such as the EOS R5 C and EOS C70. The lenses range from 14mm to 135mm and are well-suited for professional video productions including drama, documentaries and music videos. RF Mount cinema lenses for professional productions Step into cinematic filmmaking with a range of RF Mount Cine Prime lenses that offer ultra-fast, real-time metadata capture plus all-new features such as in-camera electronic distortion correction. Uncompromised full-frame creativity Bring a new dimension to your creativity with lenses that boast T-stops up to T1.3 with broad focal lengths covering ultra-wide to telephoto, all with shallow depth-of-field. These lenses can also be utilised on Super 35mm sensor RF mount cameras for extra versatility. Exceptional optical performance Meet the demanding requirements of professional 4K, 8K and HDR productions. These lenses produce exceptional clarity with minimal focus breathing, alongside authentic warm colour and skin tone reproduction. Mechanical precision in a compact design With a smooth and consistent 300-degree focus rotation, consistent gear positions / front diameter and a compact, robust and drip-proof design, offering a no-compromise lightweight solution for professional productions. Refined ergonomics, redefined handling Confidently secure your lenses without the need for an adapter when utilising RF mount Cinema EOS cameras such as the EOS C70 and EOS R5 C. With a newly developed fixed ring design, CN-R Prime lenses make handheld operation more comfortable, intuitive, and efficient.

Canon CN-R 85mm T1.3 L F Prime Lens

Canon CN-R 85mm T1.3 L F Prime Lens(6403C001AA) Offering exceptional optical performance, excellent colour reproduction, professional robust design and ultra-fast lens data communication, Canon CN-R Prime lenses are perfect for RF mount cameras such as the EOS R5 C and EOS C70. The lenses range from 14mm to 135mm and are well suited for professional video productions including drama, documentaries and music videos. RF Mount cinema lenses for professional productions Step into cinematic filmmaking with a range of RF Mount Cine Prime lenses that offer ultra-fast, real-time metadata capture plus all-new features such as in-camera electronic distortion correction.  Uncompromised full frame creativity Bring a new dimension to your creativity with lenses that boast T-stops up to T1.3 with broad focal lengths covering ultra-wide to telephoto, all with shallow depth-of-field. These lenses can also be utilised on Super 35mm sensor RF mount cameras for extra versatility. Exceptional optical performance Meet the demanding requirements of professional 4K, 8K and HDR productions. These lenses produce exceptional clarity with minimal focus breathing, alongside authentic warm colour and skin tone reproduction.  Mechanical precision in a compact design With a smooth and consistent 300-degree focus rotation, consistent gear positions / front diameter and a compact, robust and drip-proof design, offering a no-compromise lightweight solution for professional productions. Refined ergonomics, redefined handling Confidently secure your lenses without the need for an adapter when utilising RF mount Cinema EOS cameras such as the EOS C70 and EOS R5 C. With a newly developed fixed ring design, CN-R Prime lenses make handheld operation more comfortable, intuitive, and efficient.

Canon CN-R 135mm T2.2 L F Prime Lens

Canon CN-R 135mm T2.2 L F Prime Lens(6404C001AA) Offering exceptional optical performance, excellent colour reproduction, professional robust design and ultra-fast lens data communication, Canon CN-R Prime lenses are perfect for RF mount cameras such as the EOS R5 C and EOS C70. The lenses range from 14mm to 135mm and are well suited for professional video productions including drama, documentaries and music videos. RF Mount cinema lenses for professional productions Step into cinematic filmmaking with a range of RF Mount Cine Prime lenses that offer ultra-fast, real-time metadata capture plus all-new features such as in-camera electronic distortion correction.  Uncompromised full frame creativity Bring a new dimension to your creativity with lenses that boast T-stops up to T1.3 with broad focal lengths covering ultra-wide to telephoto, all with shallow depth-of-field. These lenses can also be utilised on Super 35mm sensor RF mount cameras for extra versatility. Exceptional optical performance Meet the demanding requirements of professional 4K, 8K and HDR productions. These lenses produce exceptional clarity with minimal focus breathing, alongside authentic warm colour and skin tone reproduction.  Mechanical precision in a compact design With a smooth and consistent 300-degree focus rotation, consistent gear positions / front diameter and a compact, robust and drip-proof design, offering a no-compromise lightweight solution for professional productions. Refined ergonomics, redefined handling Confidently secure your lenses without the need for an adapter when utilising RF mount Cinema EOS cameras such as the EOS C70 and EOS R5 C. With a newly developed fixed ring design, CN-R Prime lenses make handheld operation more comfortable, intuitive, and efficient.

Canon Rf 10-20mm f/4 L Is Stm Lens

Canon Rf 10-20mm f/4 L Is Stm Lens(6182C005AA) Redefining the professional ultrawide-angle zoom lens with the RF 10-20mm F4L IS STM. Wider, smaller and with more features than its rivals, this lens empowers photographers and filmmakers with the performance they need to realise their creative ambitions. Whatever you shoot, and wherever you shoot it, the RF 10-20mm F4L IS STM gives you extra creative options for photography and filmmaking. Ultrawide focal lengths from 10mm to 20mm let you put more in the frame and create dramatic perspectives. An advanced Image Stabilizer lets you shoot pin-sharp photos handheld in low light, as well as gimbal-smooth video. All this from a pro-grade lens that weighs just 570g – light enough to earn a permanent place in your bag. The ultimate ultrawide for photos and video Get more in the frame and create dramatic perspectives – Add  extra foreground interest and shoot tight interiors and architecture. It’s great for creative establishing shots when filmmaking too. Ultrawide, ultraportable Weighing just 570g, the RF 10-20mm F4L IS STM deserves a permanent place in your bag. Take the ultrawide viewpoint to more places more often and take a different perspective to usual. Every detail – just how it should be Expect incredible sharpness and clarity with virtually no distortion – so straight lines remain straight, even at the edges of the frame. All thanks to an advanced optical formula. Stabilisation that just works Photo or video. Centre or edge. A Peripheral Control Image Stabilizer gives up to five stops of protection against camera shake – six stops with an EOS featuring in-body stabilisation. Built for the professionals A constant f/4 maximum aperture gives consistent exposures through the zoom range. A lens function button and control ring allow instinctive shooting. Naturally, the RF 10-20mm F4L IS STM is resistant to dust and moisture too. Ultrawide, ultracompact The RF 10-20mm F4L IS STM is the widest AF zoom ever made for a full-frame camera*, with an angle of view up to 130˚. The RF mount’s short back-focus and large lens-mount allow amazing image quality from a compact design.  In fact, the RF 10-20mm F4L IS STM is 610g lighter, and 2cm smaller in width and length, than the EF11-24mm F4L USM, despite offering a wider angle of view and more technology, such as IS.   The lens has three glass-moulded aspherical elements for high-resolution performance. Advanced lens coatings minimise ghosting and flare.

Canon Rf 200-800mm f/6.3-9 Is Usm Lens

Canon Rf 200-800mm f/6.3-9 Is Usm Lens(6263C005AA) Capture distant subjects with a power you never thought possible. The RF 200-800mm F6.3-9 IS USM blends Canon’s renowned optical prowess into a practical lens and works in harmony with your EOS R series camera, delivering a flexible 200-800mm zoom range for sports, nature and wildlife moments previously out of reach. A Closer Look at the RF 200-800MM F6.3-9 IS USM Discover the key features and technologies that make the RF 200-800mm F6.3-9 IS USM such a useable and powerful super telephoto zoom. A Powerful Zoom with Astonishing Reach Discover the many different scenarios where this lens could deliver a whole new level of impact for your photography. Reach the unreachable Achieve images you never thought possible, from wildlife to sports. Thanks to an 800mm maximum focal length1 plus extender compatibility with the whole AF area2, the RF 200-800mm F6.3-9 IS USM has incredible power to pull even small subjects right into the frame, from as close as 0.8m. Create impact with ease Make a statement and capture attention-grabbing images easily. With up to 5.5-stops of optical image stabilisation3 you can shoot handheld, letting you react quickly to situations as they happen. Capture subjects with greater clarity Inside, three UD lenses correct chromatic aberration while a Super Spectra coating reduces ghosting and flare. A Nano USM keeps moving subjects in sharp focus, providing fast, quiet and accurate AF while a nine-blade aperture gives you beautiful background rendering. Keep on shooting, even in changeable conditions Get the shot you want, even when hiking to a location where the elements might be against you, with dust and moisture resistance equivalent to our pro L-series lenses, and white exterior paint for reliable optical performance when shooting out in the sun. Extra practicality for greater control   Balance your camera and lens for comfort by using the attached tripod collar when you’re in a fixed position for extended periods. Lens function buttons help you shoot instinctively while zoom torque adjustment and a combined Focus and Control Ring let you shoot smarter.

Canon Rf-s 10-18mm f/4.5-6.3 Is Stm Lens

Canon Rf-s 10-18mm f/4.5-6.3 Is Stm Lens(6262C005AA) Explore the wider world and creatively capture images and video in new, dynamic, ways with this ultra-wide RF-S lens. Discover the key features and technologies in the RF-S 10-18mm F4.5-6.3 IS STM. A Lightweight Lens for Super Wide Images Discover the many different scenarios where this lens could deliver a whole new level of impact for your photography.  An ultra-wide zoom for versatile views Get more in the shot even when you can’t stand back and experiment with foregrounds, backgrounds, scale and size. Capture wide views, up close or far away, indoors or out for stills and video. Explore, experiment and enjoy ultra-wide creativity Discover angles you never thought possible. A 0.5x magnification allows stunning wide close-up shots while a combined lens control and focus ring helps you fine tune images while you shoot. Take control and shoot handheld Shoot or film in low light without reaching for a tripod. A 4-stop Optical Image Stabilizer1 produces smooth, shake-free results while Movie Digital IS gives super smooth videos even while walking. Small enough to take anywhere Thanks to the RF mount, the RF-S 10-18mm F4.5-6.3 IS STM is Canon’s smallest and lightest ultra-wide zoom, featuring a lens retraction mechanism to make it even smaller when not shooting – ideal when you can only take a smaller bag. It’s the perfect wide lens to take on your travels. Shoot great movies, let the lens do the work   Stunning quality movies come easily thanks to an STM motor that performs smoothly for cinematic quality focus pulls. Focus breathing correction compatibility2 provides a consistent, natural looking field of view when you are shifting focus.

Canon EOS R50 Mirrorless Camera With RF-S 18-45mm

Canon EOS R50 Mirrorless Camera With RF-S 18-45mm(5811C031) Create your best, top performing content with the Canon EOS R50 that shoots professional-looking stills and 4K 30p movies to show off your creativity. Featuring a compact, lightweight design and a large 24.2 megapixel APS-C sized sensor, this EOS R mirrorless all-rounder delivers your passion to your followers in true-to-life quality. Capture more angles than you thought possible due to the flexible Vari-angle touchscreen. When you need to block out distractions, shoot through the electronic viewfinder for the most immersive experience. A great portable camera, the EOS R50’s deep learning Dual Pixel CMOS AF II automatically recognises, focusses on and tracks your moving subject, so you never miss a shot. Your creative breakthrough awaits. Designed for active creators, the compact and lightweight Canon EOS R50 features a Vari-Angle touchscreen, an electronic viewfinder and a grip that fits naturally in your hand Whether you’re shooting still or moving people, animals or vehicles, the EOS R50 instinctively detects and tracks your subject thanks to the Dual Pixel CMOS Auto Focus II Continuous high-speed silent shooting at up to 15 fps with electronic shutter – or at 12 fps with a mechanical shutter – so you catch every moment The ultra-compact RF-S 18-45mm F4.5-6.3 IS STM Lens is a superb match for the EOS R50 and delivers outstanding quality in a compact size. Retracts to just 44.3 mm in length, offering featherweight portability at 130 g Capture razor-sharp detail and control depth of field for genuine portraits without digital mimicry – even in low light – thanks to the high resolution 24.2 megapixel APS-C sized sensor Transform your filmmaking with UHD 4K 30p video oversampled from 6K. Expand your creativity in the edit by cropping and zooming while retaining Full HD resolution. For a more cinematic perspective, slow down your subject by 4 times Break boundaries, not your flow. The EOS R50 effortlessly connects to smart devices via Bluetooth® and Wi-Fi, so it’s easy to share photos and upload to your followers. Control the camera remotely with the Canon Camera Connect app for alternative viewpoints. RF-S 18-45MM F4.5-6.3 IS STM Start your EOS R APS-C mirrorless journey with a lens that covers all your photo and video needs. The RF-S 18-45mm F4.5-6.3 IS STM is light and compact, offering a 4-stop optical Image Stabilizer plus a useful 18-45mm1 zoom range for great results every day. Capture everyday moments with a lens that is perfect for great pictures and video. With a useful zoom range and close focusing this APS-C lens for the EOS R-series is ideal for lifestyle situations. Compact, lightweight and quiet, its 4-stop optical Image Stabilizer adds extra versatility to help overcome camera shake, even in dimly lit situations. The perfect starter lens for exploration Capture life in all its glory with a compact APS-C zoom for the EOS R series that packs in a 29-72mm (35mm equiv.) zoom range. It’s ideal for travel, family or even vlogging and can be easily stowed away in your kit bag Sharp, stable handheld images and video Never worry about having to use flash when you have 4-stops of image stabilisation to hand. For sure and steady shots this lens has you covered, with even more compensation on offer when used with compatible cameras. Smooth, quiet focus with creative control An STM motor allows smooth, silent and accurate focusing while a seven blade, circular f/4.5-6.3 aperture is perfect for creating artistic out of focus highlights or 'bokeh'. Experiment with manual focusing Go manual and get close with a higher magnification in MF mode. It’s the perfect solution for capturing subjects in glorious detail and allows you get as close as to 15cm with a 0.25x magnification. Lightweight, compact – perfect for every day   The combined weight of the RF-S 18-45mm F4.5-6.3 IS STM and an EOS R APS-C mirrorless camera offers a significant weight savings compared to a DSLR equivalent. Less weight means you can use for longer – and never miss a moment.

Canon EOS R50 Mirrorless Camera With RF-S 18-45mm Lens (White)

Canon EOS R50 Mirrorless Camera With RF-S 18-45mm Lens (White)(5812C029) Canon Europe today announces the new EOS R50 – the perfect gateway into the EOS R range for content creators looking to step up from their smartphone. With the ability to shoot 4K video, impressive audio and sharp stills, this versatile camera does it all. Its easy to use interface, simplified ergonomics and advanced new automatic modes ensure professional looking results. The EOS R50 is perfect for all aspiring creators seeking a dedicated camera to refine their style in both stills and video. EOS R50 is a small and easy to use APS-C mirrorless camera designed with content creators in mind Shoot with ease The EOS R50’s lightweight design and comfortable grip means active content creators can take it anywhere. Compose a shot at any angle with the vari-angle touch screen – up high, down low or with the camera facing you for vlogging and selfies. The touch screen interface, electronic viewfinder and simplified layout of controls make the camera intuitive to use. Creative assist automatically offers the ideal settings for different scenes, while creative bracketing provides multiple looks for each image. This makes the EOS R50 ideal for anyone new to mirrorless looking for a camera they can develop their skills with at their own pace. Create like a professional The high resolution 24.2 megapixel APS-C sized sensor offers genuine control over depth of field, taking sharp detailed stills with beautifully blurred backgrounds, and records UHD 4K 30p video oversampled from 6K. Automatic in-camera image merging guarantees focus when capturing subjects close up. The camera also has reduced digital noise and controlled highlights when shooting at night, and more contrast when there’s a wide dynamic range. The EOS R50 gives users the power to do more and expand creativity, with Dual Pixel CMOS Auto Focus II that detects and tracks people, animals and vehicles to quickly focus on subjects, even if they are moving. This is supported by continuous shooting at 12fps using the electronic first curtain and 15fps silent electronic shutter to ensure creators never miss a moment. RF lens compatibility and access to the EF lens range with an adapter makes shooting anything possible. From ultra-wide angle to super telephoto, versatile zooms to fixed lenses – the EOS R50 consistently delivers artistic results. Featuring a multi-function hot shoe, vloggers can easily connect external accessories such as a microphone to the camera, which is more resistant to noise interference than when connected via a cable. The multi-function shoe can also be used to supply power from the camera to new accessories meaning users are free from the hassle of power management when creating content on the go. Connect and share seamlessly The camera gives ambitious content creators the ability to break boundaries without breaking their flow. Seamless Wi-Fi and Bluetooth connectivity1 enables image and movie transfer using the Camera Connect app for instant sharing and remote shooting. Perfect for vlogging or group photos, the Bluetooth connection also allows simple control with the BR-E1 remote control or a smartphone to take images or start and stop recording. It’s also possible to use the EOS R50 as a webcam using UVC/UAC over a USB connection, requiring no additional software, to achieve professional quality live streams and video conferencing. Canon has also made updates to image.canon, expanding its use to a number of new users with Adobe Lightroom movie and corporate support enabling compatibility with a range of services including Frame.io and Google Photo accountsTM 2.

Canon EOS R50 Mirrorless Camera Body, Black

Canon EOS R50 Mirrorless Camera Body, Black(5811C030) The new Canon EOS R50 is the perfect gateway into the EOS R range for active content creators looking to level up from their smartphone to a dedicated, mirrorless camera. This do-it-all camera offers the complete stills and video package combining lightweight, compact design with a large 24.2MP APS-C sized sensor for thumb-stopping results.  Shoot instinctively with Dual Pixel CMOS Auto Focus II that detects your subject, while UHD 4K 30p video oversampled from 6K lets you realise your movie ideas in crystal clear detail.  Fits into life’s adventures Designed for active creators, the compact and lightweight Canon EOS R50 features a Vari-Angle touchscreen, electronic viewfinder and a grip that fits naturally in your hand.   Get the inimitable Canon look Capture razor-sharp detail and control depth of field for genuine portraits without digital mimicry, thanks to the high resolution 24.2MP APS-C sized sensor.  Focuses faster than you Whether you’re shooting, the EOS R50 instinctively detects and tracks your subject due to the Dual Pixel CMOS Auto Focus II. Results guaranteed.  Production-ready UHD 4K filming Capture superior detail in your movies with UHD 4K 30p video oversampled from 6K. Expand your creativity in the edit by cropping and zooming while retaining Full HD resolution.  Seamless sharing and connectivity  Break boundaries, not your flow. With seamless Bluetooth® and Wi-Fi connectivity, the Camera Connect app enables image and movie transfer for instant sharing and remote shooting.

Canon Cr-n100 4K Ndi Ptz Camera (Black)

Canon Cr-n100 4K Ndi Ptz Camera (Black)(6527C003AA) The CR-N100 PTZ camera produces outstanding image quality and is equipped with powerful features and functions in a cost-effective and compact form factor that can easily be placed in a variety of settings. Featuring a Canon 1/2.3" CMOS image sensor capable of 4K UHD video capture at 30 fps, or up to 60 fps in Full HD mode, coupled with a 4K 20x optical zoom lens, the CR-N100 is a versatile tool for that can be utilized in many industries including House of Worship, Education, Broadcast, Corporate, Events and more. 1/2.3 Type CMOS Sensor The CR-N100 features a Canon 1/2.3 Type 4K UHD CMOS image sensor capable of 4K UHD video capture at 30p up to 60fps in Full HD, making the PTZ camera a strong contender for professional productions. DIGIC DV6 Image Processor Canon's DIGIC DV 6 Image Processor is essential in providing high image quality, advanced performance and convenient operability to the CR-N100. This advanced core technology component provides the image-processing power and speed that enables features such as 4K UHD video acquisition and precise Hybrid AF. Over Sampling HD Processing   The full HD recording (over sampling HD processing) takes full advantage of the image information acquired by the 4K sensor to generate beautiful high-definition full HD video. This helps content creators produce stunningly detailed FHD video when utilizing the CR-N100. Hybrid AF The CR-N100 is equipped with "Hybrid AF" – an auto focus system that combines high-precision contrast AF technology and the high-speed phase-difference AF technology to confirm auto focus from the camera. This hybrid auto focus system helps achieve auto focus faster and more reliably compared to contrast auto focus alone.  Canon 4K UHD Lens The CR-N100 features a 20x optical zoom lens and exhibits a wide viewing angle of 65.6 degrees** (horizontal). At the wide end, the 29.3 mm* lens is capable of capturing extensive scenes in tight shooting spaces such as indoor events for impressive wide shots. The camera utilizes aspheric lens elements to achieve 4K image quality while minimizing various aberrations over the entire zoom range. Furthermore, the lens structure of the CR-N100 enables real-time responsiveness in a three-dimensional space, supporting optical image stabilization, which helps keep the image capture stable by minimizing vibration. High-precision Drive Mechanism for Smooth, Responsive PTZ Performance The CR-N100 features a PT (Pan, Tilt) drive mechanism that enables multi-step speed changes from high to low speeds, providing smooth PT in tandem with the zoom. This can be linked with optional remote controllers and applications to support many kinds of video production with a single operator. The CR-N100 exhibits a variable Pan speed of .2° - 300°/second and variable Tilt speed of .2° - 180°/second. Equipped with a Tally Lamp The CR-N100 is equipped with a tally lamp located on the front of the lens section that can illuminate red when the camera is shooting. This provides clear visual indications for staff and performers to know which camera is shooting live. Scene Modes for Impressive Video Expressions There are four types of Scene Modes: Portrait mode, which exhibits a blurred background while subject is in sharp focus, Sports mode, which enhances capture of moving objects, Low Light mode, which enhances capture of bright images even in dark places, and Spotlight mode, which enhances capture of beautiful images of spotlighted objects. By selecting a Scene Mode, capture can be performed without having to adjust multiple settings within the Camera menu which aids a speedy setup and configuration allowing the operator to start shooting with impressive image expression. Built-in NDI|HX and SRT Support The CR-N100 supports multiple professional protocols for ease of integration. NDI|HX is built-in to the camera and provides high image quality, low latency, and ease of implementation. SRT is also built-in to the camera that helps provide high-quality video over unpredictable public networks. Support for Canon XC Protocol The XC Protocol is an IP protocol that controls Canon video production equipment. With XC Protocol, the CR-N100 can be remotely controlled to support a wide range of applications, which includes sports, music, live events, lecture recording, corporate meeting rooms, video production, and more. Standard Protocol The CR-N100 supports the Standard Protocol to remotely control the camera via IP. When connecting a Standard Protocol compatible remote controller to the camera over IP or serial (RS-422) the camera can be operated remotely and shooting settings can be adjusted by utilizing an optional remote controller. The Standard Protocol is widely used in video production, broadcasting and many other markets, is regarded as an industry standard, and is suitable for operation within existing workflows.

Canon EOS R8 Mirrorless Camera Body

Canon EOS R8 Mirrorless Camera 24.2MP Full-Frame CMOS Sensor 4k60p 10-Bit   A lightweight, travel-friendly, full-frame camera body, the Canon EOS R8 Mirrorless Camera offers powerful photo and video capabilities for both photographers and multimedia content creators. Utilizing a newly developed sensor also found in the EOS R6 Mark II, the R8 features a 24.2MP CMOS sensor paired with a DIGIC X processor. Together, this combination provides outstanding stills performance, impressive 4K 60p 10-bit video, and fast autofocus.   24.2MP Full-Frame CMOS Sensor 4K60p 10-Bit Internal Video, Canon Log 3 2.36m-Dot OLED Electronic Viewfinder 3.0" 1.62m-Dot Vari-Angle Touchscreen Dual Pixel CMOS AF II 40 fps Electronic Shutter Movie Digital IS Vertical Movie Mode Microphone Input, Headphone Output Multi-Function Shoe, Wi-Fi & Bluetooth   Camera compatible with EF lenses with use of the RF to EF adapter (to be purchased separately)

Canon EOS R3 Mirrorless Camera, Body Only

Canon 4895C013 (4-895C-013, 4/895C/013, 4 895C 013, 4_895C_013) EOS R3 Mirrorless Camera, Body Only The full-frame mirrorless EOS R3 revolutionizes sports, news and wildlife photography. Freeze action with shutter speeds up to 1/64,000 sec and 30 fps burst shooting – all in total silence thanks to a ground-breaking electronic shutter. Our innovative Eye Controlled AF offers new levels of instinctive control, letting you select subjects just by looking at them. Subject Tracking keeps people, animals and vehicles sharp wherever they are in the frame. The EOS R3 shines in low light too, with a max ISO 102,400 and up to 8-stop Image Stabilizer¹. This hybrid video/stills camera also captures 6K RAW or 4K over-sampled footage – ideal for documentaries and visual storytelling. And in the fast-paced world of pro sports photography, the camera’s ethernet, Wi-Fi and smartphone connectivity helps you smash that deadline. Outpace. Outperform A camera that lets you photograph sport, wildlife and news like never before. Identify subjects just by looking at them – a truly intuitive experience – and stay ahead of the competition with 30fps continuous shooting and advanced connectivity that lets you smash your deadline. Explosive speed at 30fps Enjoy a top shutter speed of 1/64,000sec and 30fps burst shooting, with simultaneous AF/AE tracking. Mastering movement The EOS R3 captures fleeting moments at 30fps which extends up to 195fps1, revealing details that are missed with the naked eye. The camera’s back-illuminated stacked sensor is so fast it lets photographers use an electronic shutter to freeze fast movement without worrying about ‘rolling shutter’ distortion. Enjoy a top shutter speed of 1/64,000sec plus 30fps shooting with simultaneous AF/AE tracking for up to 420 frames when shooting Raw files. Want more? With custom high-speed continuous shooting, the EOS R3 can shoot customisable frame rate bursts up to 195fps, capturing exquisite detail in fast-moving subjects. Up to 50 frames can be captured in single burst with images stored as JPEG, HEIF or RAW. To help balance daylight and flash in bright conditions, or freeze fast-moving subjects, flash sync is now possible when using the camera’s electronic shutter – both with Canon Speedlites and third-party studio flash units. See. React. Respond With our next-generation Eye Control autofocus technology, the EOS R3 focuses wherever you are tracking. Advanced eye-control AF Ever used a camera that feels like it’s reading your mind? With our next-generation Eye Control autofocus technology, the EOS R3 focuses wherever you are looking. This unparalleled control over AF allows the camera to react as quickly as you do – allowing you to respond fast to ever-changing scenes. A fusion of video and still-photo performance The EOS R3 is a professional hybrid, able to capture cinematic, broadcast-quality video and sensational still photography. Bristling with features that empower filmmakers to new levels of creativity, the camera can capture oversampled 4K as well as 6K RAW footage internally to a CFexpress card. Canon Log 3 provides greater dynamic range and colour-grading possibilities. Crucially, the same object recognition available to stills photographers is also available to videographers, so you can track moving objects around the frame, keeping them in sharp focus even when working. Connected to the world Connectivity is vital for sports and news photographers. The EOS R3 uses its wired LAN socket and 2.4/5GHz Wi-Fi to talk to computer networks, laptops and mobile devices for fast, easy image sharing and remote camera control. The EOS R3 is also compatible with our Mobile File Transfer app, which lets pro photographers add metadata and transmit images from a smartphone, using either Wi-Fi or mobile phone data. The EOS R3 also features a new multifunction accessory shoe that provides data communication and power for new accessories, as well as acting as a hotshoe for existing Speedlites and triggers. Designed and built for the pros The EOS R3 is built to withstand the demands of day-to-day professional use, and whatever life throws at you. From dust storm to downpour, a tough, magnesium-alloy body is dust-and-water sealed to the same level as our legendary EOS-1D series cameras. Have the confidence to keep shooting whatever the conditions throw at you. Responsive customisable controls The EOS R3 is a professional thoroughbred. It’s shape and form are informed by our EOS-1DX series cameras, but is smaller and lighter, incorporating the design principles of the mirrorless EOS R system for superb handling. The camera offers a choice of controls, with both a multi-controller and smart controller falling instinctively within reach of your thumb. Three customisable dials on the camera body, plus a Lens Control ring on each RF mount lens, allow shutter speed, aperture, ISO and exposure compensation to be adjusted with the camera at your eye. An instant 1.6x digital teleconverter is also available at the touch of a button for extended reach – particularly useful for on-the-spot cropping with reduced need for post processing. The EOS R3 is also equipped with a four-million-dot high-resolution Vari-Angle screen, that is clear and brilliant, even in bright conditions. It lets you compose easily from creative perspectives. Dual card slots allow image files and video footage to be written to widely available SD cards (with support for UHS-II) or super-fast, next-generation CFexpress media. Use electronic shutter with flash To help you balance daylightand flash even In the bright conditions, or freeze fast-moving subjects head, flash sync Is now possible when using the camera's electronic shutter - both Canon Speedlites and third-party studio flash units.

Canon XA70 UHD 4K Professional Camcorder

Canon 5736C005 (5-736C-005, 5/736C/005, 5/736C-005, 5 736C 005) XA70 UHD 4K Professional Camcorder The Canon XA70 is a 4K professional video camera that packs many pro features into a compact body Easy to use, this professional camcorder is suitable for documentary filmmaking, journalism and many more applications where 3G-SDI is not required. Shoot high-quality HD video with outstanding Over Sampled HD processing, capturing incredible footage via the 1.0-inch type CMOS sensor and DIGIC DV6 processing, entrusting Canon’s Dual Pixel CMOS AF and 15x optical zoom lens to ensure everything is sharp. And when you want to share a live video feed, opt for HD livestreaming in UVC¹ via USB-C. The Canon XA70 can record in two modes – XF-AVC or MP4 – while recorded footage can easily be incorporated into a wider professional workflow thanks to an HDMI output. Compact professional 4K UHD camcorder Capture stunning 4K UHD and superior Full HD images thanks to a 1.0-inch Type CMOS 4K sensor and DIGIC DV6 image processor. Over Sampling HD processing delivers Full HD images from the sensor. 4K 15x optical zoom lens The Canon lens covers a 25.5 – 382mm (35mm equivalent) range. A digital zoom boosts to 600x with 5-axis image stabilisation. Fast, precise focusing with face detection Adjustable focusing speeds and advanced Dual Pixel CMOS AF give fast and precise focusing. Use the 3.5-inch LCD display to set focus by touching the AF point required. Face Detection AF and Face Tracking are available while Manual Focus is set via the focus/zoom ring. XF-AVC and MP4 for flexible recording Choose from XF-AVC or MP4 recording formats. Record XF-AVC 4K UHD 160Mbps at 25P, plus Full HD 45Mbps at 50P/50i/25P. For smaller files, record MP4 4K 150Mbps at 25P and Full HD 35Mbps or 17Mbps at 50P/25P. Professional inputs and outputs Output options include simultaneous backup and relay recording via dual SD card and Infrared mode. For specialist capture, record Slow Motion in Full HD 0.5x or Fast Motion in 4K/Full HD up to 1200x. Colour match with other Canon cameras via the custom picture menu. Livestream and more Stream HD footage via UVC1 over a computer or add a date and time stamp with OSD recording. Two XLR terminals on a detachable handle plus 4-channel linear PCM bring pro audio options.  

Canon EOS R6 Mark II Mirrorless Camera Body

Canon 5666C028 (5-666-C028, 5/666/C028, 5/666-C028, 5 666 C028) EOS R6 Mark II Mirrorless Camera Body For paid shoots or for pure pleasure, the EOS R6 Mark II hybrid camera delivers innovative ways for creators to master their creativity. From event photography to filmmaking projects, this is a versatile camera for video and photography – ideal for pretty much any subject you can think of. Action photography is made simple with continuous shooting at up to 40 fps³ electronically or up to 12 fps⁴ mechanically, all with intelligent autofocus. Enjoy low light photography, shoot long exposures handheld without a tripod and tell stories in dark, atmospheric conditions. Capture steady handheld video when filmmaking, thanks to best-in-class image stabilisation. Edit and share wherever you are with Wi-Fi and Bluetooth™, FTP support and image.canon cloud image processing Intense sharpness from Dual Pixel CMOS AF II Our deep-learning AI delivers even more powerful autofocus. The EOS R6 Mark II recognises and tracks more subjects with even greater speed, reliability and precision. The freedom to shoot handheld Shoot long exposures with biting sharpness, thanks to an 8-stop Image Stabilizer. Video footage is super steady too, perfect for on-the-go filmmaking and documentaries. Race ahead of the competition Setting new speed records, the EOS R6 Mark II can shoot continuously at up to 40fps electronically, and up to 12fps mechanically. Capture the action before you press the button with Pre-shooting in RAW burst mode. Hone your filmmaking Use the full width of the EOS R6 Mark II’s sensor to capture superb oversampled 4K 60p video or 6K RAW. Focus-breathing correction and Detect-only AF make professional results easier than ever. Extreme performance in extreme conditions Capture the ambience of the moment whatever the conditions. Shoot up to ISO 102,400 sensitivity and focus in as little light as -6.5EV. Advanced Dual Pixel CMOS AF II, with eye detection The EOS R6 Mark II uses Canon’s state-of-the-art Dual Pixel CMOS AF II technology to focus and track subjects, keeping them sharp as they move through a scene. Using deep-learning artificial intelligence, we’ve programmed the camera to recognise people, vehicles (cars, motorbikes, trains and aircraft) and animals (dogs, cats, birds and horses). The type of subject to be detected can be chosen in the EOS R6 Mark II’s menu, or set to Auto if you shoot in a range of scenarios. When detecting people or animals, the EOS R6 Mark II first looks for a subject’s eyes, and it’s now possible to specify which eye (left or right) should be given priority. If the eyes can’t be seen, the camera focuses on the face instead, and if the subject turns away for a moment, the head is tracked. If the head isn’t visible, the EOS R6 Mark II will track their body. Advanced Dual Pixel CMOS AF II, with eye detection The EOS R6 Mark II uses Canon’s state-of-the-art Dual Pixel CMOS AF II technology to focus and track subjects, keeping them sharp as they move through a scene. Using deep-learning artificial intelligence, we’ve programmed the camera to recognise people, vehicles (cars, motorbikes, trains and aircraft) and animals (dogs, cats, birds and horses). The type of subject to be detected can be chosen in the EOS R6 Mark II’s menu, or set to Auto if you shoot in a range of scenarios. When detecting people or animals, the EOS R6 Mark II first looks for a subject’s eyes, and it’s now possible to specify which eye (left or right) should be given priority. If the eyes can’t be seen, the camera focuses on the face instead, and if the subject turns away for a moment, the head is tracked. If the head isn’t visible, the EOS R6 Mark II will track their body. ‘Detect only’ option for Movie Servo AF A technology shared with Canon’s Cinema EOS family, a new Movie Servo AF option – ‘Detect only’ – has been added to the EOS R6 Mark II, and is similar to the ‘Face only’ feature found in our Cinema EOS C70 camera. When this is activated, if the subject specific in the Subject to detect menu moves out of the focus area, the camera will remain at its current point of focus without refocusing on other subjects. For example, if ‘People’ is specified in the menu, focus will not change if a subject walks out of shot. Traditionally, a camera would then refocus on the background, which is often not what’s wanted, especially if the subject may be about to move back into the frame again. Focus-breathing correction The EOS R6 Mark II can use digital processing to compensate for the effects of focus breathing – the small, but noticeable changes in viewing angle or magnification that happen as some lenses undergo significant changes in focus. Full-frame 24.2-megapixel sensor The EOS R6 Mark II features a full-frame 24.2 megapixel CMOS sensor, designed by Canon. Working in tandem with a powerful DIGIC X processor, it powers many of the camera’s groundbreaking features and provides an ideal balance of resolution, low-light and speed. The new sensor is fast, powering 40fps6 continuous shooting. Compared to the EOS R6, this new sensor reduces ‘rolling shutter’ distortion, allowing the camera’s electronic shutter to be used to freeze fast-moving objects. This speed also enables oversampled 4K 60p video using the full width of the sensor, and helps power the EOS R6 Mark II’s extraordinarily quick focusing. In-camera focus bracketing When you need more depth of field than is available, the EOS R6 Mark II can deploy focus bracketing and depth compositing to help achieve perfect focus throughout the frame. After specifying the focus range and number of shots, a single press of the shutter-release button tells the camera to begin shooting, varying focus from near to far as it does so. When this sequence of images is blended together, the result is perfect depth of field for the scene. This image sequence can now be merged in-camera, creating a perfect ready-to-go result. The feature can also be used as an on-location preview of what can be achieved later in post-production, giving you the confidence that you have what you need. Depth compositing is great for shooting close-up or macro work when depth of field is limited. It also allows photographers to reduce time spent post-processing images from multiple frames and lets them achieve a result quickly, in-camera. 4K 60p full-width oversampled & 6K RAW The EOS R6 Mark II can shoot 4K 60p UHD using the full width of the EOS R6 Mark II’s sensor, with simultaneous Dual Pixel CMOS AF II focusing. Footage is created by oversampling the sensor’s 6K output, resulting in superb image quality. Improved circuit designs are highly heat efficient, allowing longer recording times of up to 610 hours, depending on ambient temperature, memory card space and battery life. For filmmakers wanting even higher performance, the EOS R6 Mark II outputs 6K RAW via its HDMI output, which can be recorded on an Atomos Ninja V+ recorder in ProRes RAW. This provides more detail, as well as the ability to adjust parameters such as white balance in post-production. Full HD proxy footage can be captured internally to a memory card. Movie pre-recording When this function is activated, video is continuously streamed through the camera in standby. Such pre-captured footage can be captured from the 3 or 5 secs before the video record button is pressed – very handy when shooting unpredictable subjects or an unmissable one-off moment. UVC support for webcam and live streaming The EOS R6 Mark II can be used as a webcam on PC and Mac computers running video-call apps such as Skype, Zoom and Teams, without having to install additional software. This plug-and-play capability is powered by industry-standard USB Video Class (UVC) and USB Audio Class (UAC) drivers that are built into Windows and MacOS operating systems. Used in this way, the EOS R6 Mark II provides improved image quality compared with standard computer webcams, letting you look your best when you need to make a great impression online. False-colour indication A technology shared with Canon’s Cinema EOS family, the EOS R6 Mark II features false colour warnings that give an easy-to-see indication of current exposure levels. Six colours, each representing a different luminance level, are overlaid on viewfinder and viewscreen images. Recording emphasis and Aspect marker When the EOS R6 Mark II’s Recording emphasis feature is turned on, a blinking red frame is visible at the edges of the frame when the camera is recording video. In addition, the EOS R6 Mark II includes an Aspect marker option, which acts as a guide to how footage will look when it’s been processed for different aspect ratios, such as 2.35:1 Cinema Scope, vertical 9:16, 5:4, and even Instagram friendly 1:1. This is very useful when shooting footage for social-media platforms, which often require different frame shapes. More exposure modes when shooting video When capturing video footage, EOS R6 Mark II users can now shoot in aperture-priority (Av) and shutter-priority (Tv) exposure modes, as well as manual (M), Program (P) and 3 custom setting modes giving more convenience and creative control. Multifunction shoe The multifunction shoe, first seen on the EOS R3, is also included on the EOS R6 Mark II, allowing a range of new accessories to be used with the camera. These include the DM-E1D digital microphone and Tascam XLR adapter, for recording high-quality sound, and a smartphone adapter – as well as new Speedlite flashes. Advanced overheat management The EOS R6 Mark II is able to capture video for longer by managing the camera’s response to rises in temperature. Advanced warning of overheating informs videographers well before shooting needs to be paused. Low-resolution standby mode helps reduce the likelihood of overheating when the camera is on standby between takes. Display frame rate and image quality are temporarily reduced, conserving power and extending recording time.

Canon 6022C001 CR-N700 4K PTZ Camera - Black

Canon 6022C001 (60-22C-001, 60/22C-001, 60/22C/001, 60 22C 001) CR-N700 4K PTZ Camera - Black Harness the power of a 1.0-type 4K sensor and DIGIC DV7 processor with Dual Pixel AF. A 15x optical zoom (30x in Full HD) captures productions in exceptional detail, even in Night Mode. Stream 4K60P and HDR quality broadcast footage via a wide range of IP protocols. An exceptional 4K60P professional PTZ camera with 12G-SDI connectivity and class-leading autofocus with intelligent head detection and eye tracking. 4K detail for imaging excellence A 1.0-Type CMOS sensor and DIGIC DV7 processor deliver 4K UHD 60P imagery in up to 4:2:2 10-bit, 12G-SDI and HDMI for broadcast-standard image quality, plus 4K60P over IP. Class-leading optical precision The CR-N700’s high-performance lens has a 15x optical zoom (25.5mm - 382.5mm, 35mm equivalent) plus a 30x Advanced Zoom when shooting in Full HD. And when conditions are unstable, Canon’s renowned Image Stabilizer captures optimal footage. Award-winning Auto Focus technology Fast, intelligent, and extremely accurate focussing via multiple modes thanks to Canon’s proprietary Dual Pixel CMOS AF technology with advanced EOS iTR AF X. Multiple protocols for seamless integration The CR-N700 features SRT and NDI|HX1 that produce high quality video streams for broadcasters. RTMP/RTMPS, RTP/RTSP are included, along with Canon XC and Standard communication protocols, plus FreeD for integration into virtual productions. Powerful HDR imagery and low light capture Achieve stunning HDR imagery with direct recording into either PQ or HLG formats. A range of custom picture settings includes Canon Log 3 and Wide Dynamic Range to match your image with other Canon cameras. Crop function – single camera, two video feeds Select and extract a point of interest via a separate feed. The chosen area can then be output as a main or secondary signal and up to two cropped areas can be set in FHD. Night Mode Capture footage in near-darkness thanks to IR Mode, which extends the spectrum visible to the camera. Comprehensive connectivity Connect flexibly with 12G-SDI, HDMI or IP (PoE++) all supporting 4K60P, as well as professional dual XLR audio inputs. CR-N700 also includes 3G-SDI and GEN-LOCK. Smooth and precise control The CR-N700 has a high-precision drive mechanism for fine Pan and Tilt movement as slow as 0.1°/s. Compatible with the RC-IP100 controller and Remote Camera Control Application controllers, it can also be configured with selected third-party units.

Canon 5734C005 Legria HF G70 4K Camcorder

Canon 5734C005 (57-34C-005, 57/34C-005, 57/34C/005, 57 34C 005) Legria HF G70 4K Camcorder Start your filmmaking journey in glorious 4K with the compact and lightweight Canon LEGRIA HF G70. A powerful 20x optical zoom with image stabilizing technology lets you shoot on the move, enjoying shake-free footage from all distances that even corrects roll and tilt. An 8-blade aperture achieves cinema-worthy blurred highlights, for a better aesthetic when shooting creatively. Dramatic effects are well within reach, too, with slow and fast motion recording and a custom picture menu to match colour with other Canon cameras. And when you want to share your video feed, Livestream the HD footage in UVC via USB-C over a computer. Trust in a Canon 4K sensor A 4K sensor and DIGIC DV6 image processor deliver crisp, sharp UHD images for 4K televisions while an 8-blade aperture achieves cinema-style out-of-focus highlights. Frame your shot with the 3.5-inch LCD or hold the camera to your eye and use the built in EVF. Take creative control Add impact to your films with dynamic wides and close ups captured with the powerful 20x optical zoom and advanced image stabilisation. Customise the camera with five assignable buttons, and use the built-in ND filters to adjust exposure for wider apertures or slower shutter speeds. Fast, precise focusing with face detection The LEGRIA HF G70 features an advanced Hybrid AF system with focusing speed adjustable for either Fast or Smooth AF. Using the 3.5-inch LCD display, set the focus by simply touching the AF point you need. For even greater accuracy and convenience, especially with busy environments where you need to keep a subject in shot, Face Detection AF and Face Tracking is available while Manual Focus can be achieved via the control ring on the lens. MP4 recording The LEGRIA HF G70 supports MP4 for playing through a compatible TV. It also records 4K UHD 150Mbps at 25P, plus Full HD 35Mbps or 17Mbps at 50P/25P. Wide range of Shooting functions A host of outputs and recording options include, Slow Motion recording in Full HD 0.5x, Fast Motion recording in 4K/Full HD up to 1200x plus an array of Scene Modes. A custom picture menu enables colour matching with other Canon cameras while audio scene mode adds sound recording tuned to your environment. Simultaneous backup and relay recording via dual SD card slots is also included. Full HD UVC streaming is available via the USB-C output.

Canon XA60 4K UHD Professional Camcorder

Canon 5733C006 (57-33C-006, 57/33/C006, 57 33 C006, 57_33_C006) XA60 4K UHD Professional Camcorder The Canon XA60 is a professional video camera with a great balance of image quality and portability, ideal for news gathering, documentary, and a wide range of shooting applications. No matter where you are, you can shoot high-quality 4K UHD footage that can easily be incorporated into a wider professional workflow thanks to an HDMI output. With outstanding Over Sampled HD processing, advanced autofocus, a Canon 20x optical zoom lens, and HD live streaming in UVC¹ via USB-C over a computer, the Canon XA60 lets you shoot footage easily and record onto SD, SDHC, and SDXC cards or share it later in either XF-AVC or MP4 formats. Shoot, record, stream Shoot high-quality 4K UHD video with the compact XA60. As well as outstanding Over Sampling HD processing, advanced autofocus, a Canon 20x optical zoom lens, and HD live streaming in UVC1 via USB-C over a computer, Capture high-quality footage in either XF-AVC or MP4 formats. Compact professional 4K UHD camcorder Capture stunning 4K UHD and superior Full HD images thanks to a 4K 1/2.3" type CMOS sensor and DIGIC DV6 image processor. Over Sampling HD processing delivers Full HD images from the 4K sensor. XF-AVC and MP4 for flexible recording Choose from XF-AVC or MP4 recording formats. Record XF-AVC 4K UHD 160Mbps at 25P, plus Full HD 45Mbps at 50P/50i/25P. For smaller files, record MP4 4K 150Mbps at 25P and Full HD 35Mbps or 17Mbps at 50P/25P. 4K 20x optical zoom lens The Canon lens covers a 29.3mm wide angle (35mm equivalent) plus a powerful 612mm reach with Dynamic IS. A digital zoom boosts to 800x with 5-axis image stabilisation. Professional inputs and outputs Output options include simultaneous backup and relay recording via dual SD card and Infrared mode. For specialist capture, record Slow Motion in Full HD 0.5x or Fast Motion in 4K/Full HD up to 1200x. Colour match with other Canon cameras via the custom picture menu. Fast, precise focusing with face detection Adjustable focusing speeds and an advanced Hybrid AF system give fast and precise focusing. Use the 3.5-inch LCD display to set focus by touching the AF point required. Face Detection AF and Face Tracking are available while Manual Focus is set via the focus/zoom ring. Livestream and more Stream HD footage via UVC1 over a computer or add a date and time stamp with OSD recording. Two XLR terminals on a detachable handle plus a 4-channel linear PCM bring pro audio options.

Canon EOS R10 - Body Only

Canon EOS R10 - Body Only 5331C030 5331 C030 5331-C030 5331/C030 The perfect next step in photography, whether you’re moving on from a smartphone or upgrading your DSLR. The EOS R10 lets you be creative in ways you simply couldn’t before – the only limit is your imagination. Stay focused on the subject Track subjects accurately, keeping them pin-sharp, with Dual Pixel CMOS AF II. It’s programmed with deep-learning AI to recognise people, animals and vehicles, wherever they are in the frame. Turn fleeting moments into lifelong memories Photograph fast-moving subjects with high-speed bursts of images, freezing them in time to reveal unseen detail. The EOS R10 can shoot continuously at 15fps, or bursts up to 23/30fps with its silent electronic shutter.  Video and photos from the same hybrid camera 4K/30p footage from the EOS R10 looks simply superb – it’s captured by oversampling 6K sensor data, and the results need to be seen to be believed. 4K 60p footage3 as well as Full-HD at up to 120p can also be captured. Get close and fill the frame The EOS R10’s APS-C sized sensor gives 1.6x more telephoto reach than the same focal length lens on a full-frame camera. Great for finding details in landscapes when travelling or getting close to local wildlife. Connected to the world Wherever you are, the EOS R10 helps get your content where it needs to be. Upload straight from the camera to the canon.image cloud with Wi-Fi, or connect to your smartphone for sharing to social media. Panoramic shot mode Stunning photos covering a huge angle can be shot quickly and easily using the EOS R10’s Panoramic Shot mode. The camera combines the images shot as the camera is panned, merging them together to create the final panoramic result. Photographers can choose the direction of movement – up, down, left or right – and, although any RF, RF-S, EF or EF-S lens can be used, those with built in optical IS will reduce any blurring that comes from camera movement. In-camera depth compositing When depth of field is limited, for example when shooting up close, the EOS R10 lets photographers extend and control the zone of sharpness by shooting multiple images at different focus distances then merging these using in-camera depth compositing. The results of the merge can be seen immediately, so users can get the perfect outcome. image.canon cloud RAW processing   Raw files from the EOS R10 can be processed in the image.canon cloud for the ultimate in image quality. More advanced noise and moire reduction results in more natural looking JPEG and HEIF image files.

Canon BG-R10 Battery Grip

Canon 4365C001 (BG R10, BG/R10, BG_R10, BGR10) BG-R10 Battery Grip. Add a BG-R10 Battery Grip to your EOS R5 or EOS R6 and you’ll be able to shoot for longer, without stopping to switch or charge batteries. Two of LP-E6NH, LP-E6N or LP-E6 batteries can be used together to extend your shooting time. LP-E6NH and LP-E6N batteries can be charged in the grip by connecting the camera to a PD-compatible USB power source, like the Canon PD-E1. The grip also has a duplicate set of camera controls – including an AF point selection joystick – that is positioned to replicate the layout of the camera’s own buttons and dials. They fall instinctively under the right fingers and thumbs when the camera is held vertically. The BG-R10 is built to the same exacting standards as the EOS R5 and EOS R6 cameras, with the same level of resistance to dust and moisture. Benefits Shoot for longer with your EOS R5 or EOS R6 by using two of LP-E6NH, LP-E6N or LP-E6 batteries at the same time The BG-R10 makes it more comfortable to hold your camera vertically, with an ergonomically sculptured grip and a duplicate set of controls that are instinctive to find with the camera at your eye Power your EOS R5 or EOS R6 with mains electricity by connecting the BG-R10 to the DR-E6 DC Coupler and AC-E6N AC Adapter Charge LP-E6NH or LP-E6N batteries without removing them from the grip. Just connect the camera to a PD-compatible USB power source Duplicate controls include an AF point selection joystick that makes it easy to move the active focus point around the frame Shoot with confidence when conditions turn bad – the BG-R10 is built to the same exacting standards as the EOS R5 and EOS R6 cameras, with the same level of resistance to dust and moisture  

Canon RF 85mm F2 MACRO IS STM Lens

Canon 4234C005 (RF-85mm-F2-MACRO-IS-STM, RF/85mm/F2/MACRO/IS/STM, RF/85mm/F2-MACRO-IS-STM, RF_85mm_F2_MACRO_IS_STM) RF 85mm F2 MACRO IS STM Lens.Take your portraits to the next level with the compact and lightweight RF 85mm F2 IS STM prime lens, which flatters your subjects and inspires you to discover beautiful detail. With its short telephoto 85mm focal length this is an ideal lens for portrait photography, producing elegant results with beautiful soft backgrounds thanks to a wide f/2 aperture. Offering huge versatility, this macro photography lens can also pick out stunning details thanks to close focusing up to 35 cm, allowing you the freedom to discover fine detail with the assurance of a 5-stop image stabilisation to let you shoot in low light. Weighing just 500 g with dimensions of just 78 cm x 90.5 cm, this Canon RF lens is unobtrusive, compact and easy to pack for exciting creative opportunities.BenefitsAchieve beautiful portraits with a natural, flattering perspective and take advantage of the lens’ shallow depth of field for soft backgrounds thanks to a wide, 9 blade apertureGo for stunning close up details of beauty, portraits and fashion thanks to 0.5x Macro capability or reveal hidden details on the move. This telephoto portrait lens will give you a new perspectiveCarry anywhere, at any time thanks to a lightweight 500 g design and compact dimensions that make the lens easy to put in a pocket or pack into a small gadget bagGet excellent results even in low light thanks to 5-stop image stabilisation which gives you the confidence to carry on shooting without a tripod when light levels have droppedEnjoy fast and silky smooth AF in stills and movies thanks to an STM motor that is quick to lock on to a subject and works in near silence to help you remain unobtrusive  

Canon EOS R5C Mirrorless Camera, Body only

Canon EOS R5C Mirrorless Camera EOS R5C EOSR5C EOS-R5C EOS/R5C For all the wedding videographers, drone camera operators, and multimedia journalists who have professional photo still and cinema video production needs, get ready for a new type of shooting experience with the EOS R5 C Mirrorless Cinema Camera from Canon. With a simple switch, the R5 C is a full featured still photo camera with all the settings of the R5 EOS mirrorless camera. When switched in the other direction, it becomes a full-frame 8K60 Cinema EOS camera that internally records 12-bit Cinema RAW Light footage. There's no more need to carry a second camera with you to your production when stills and video are available within a single compact design. The R5 C enhances a number of features in comparison to its siblings the R5 and C70, including 4K120 recording, HDMI RAW output, Canon Log 3 HLG/PQ support, unlimited recording time, a timecode port, Dual Pixel CMOS AF with eye detection, an active cooling system, a high-power LP-E6NH battery, 13 reassign able buttons, and a multi-function shoe for XLR adapters. The camera also retains the reliable features of those cameras such as Wi-Fi/Bluetooth, footage compatibility with DaVinci Resolve and Canon apps, an electronic RF mount, CFexpress/SD card slots, a similar button layout, and more. And all this is packed into a tiny 1.7 lb body that is just asking to become your go-to drone camera. Two Cameras in One Body: Photo + Cinema 45MP Stills, Full-Frame 8K CMOS Sensor Photo/Video Switch Changes Settings Menu JPEG/C-RAW, 12-Bit Cinema RAW Light Dual Pixel CMOS AF with Eye Detection Cfexpress Type-B and SD UHS-II Slots Dual-Slot Record, Unlimited Record Time Timecode DIN Port, Multi-Function Shoe 4-Channel Audio Record with XLR Adapter 13 Reassign able Buttons Common Features & Technology as the EOS R5 Canon's 45MP full-frame CMOS imaging sensor is at the heart of the EOS R5 C camera's superb image quality, which also leads the way for impressive 8K60 RAW cinematic video shooting. Focus and speed are paramount in the EOS R5 C camera, providing impressive still-image continuous capture at speeds of up to 20 fps. Dual Pixel CMOS AF II capability, to track split second movements of even the most elusive subjects. With 1053 Automatic AF zones, it is easy to photograph people with the use of Eye, Face, and Head Detection AF, or intuitively track the whole body, face, or eyes of cats, dogs, or birds with Animal Detection AF. For those with the need for speed, Canon has also included still-image vehicle subject detection to assist with accurate tracking of cars and motorcycles. Connectivity like 5 and 2.4GHz Wi-Fi and Bluetooth is also included for the transfer of still images.  

Canon EOS 850D Kit (18-55 STM)

Canon EOS 850D Kit (18-55 STM), 3925C015AA (1620C005, 9518A007) The Canon EOS 850D comes in a portable body and offers advanced imaging capabilities with convenient controls and connectivity. The 850D can capture high-res stills and videos with a range of ISO-100-51200.  

Canon CN-E-14mm-T3.1-L-M Metric Scale

Canon CN-E-14mm-T3.1-L-M (CN-E/14mm/T3.1-L-M, CN E 14mm T3.1 L M, CN/E/14mm/T3.1/L/M, CNE14mmT3.1LM) Metric Scale. Part of Canon’s range of EF Cinema prime lenses, the CN-E14mm T3.1 L M is a lightweight, compact fixed focal length lens designed for EF mounts. It offers spectacular 4K image quality and a full-frame image circle plus great low light performance and fine creative control over focusing and depth of field. Compact, lightweight 14mm lens Compact and lightweight with a user-friendly design this 14mm prime lens is ideal for a wide range of applications and can be used with most standard accessories and matte boxes. T3.1 The CN-E14mm T3.1 L M provides fine control over the depth of field with the widest angle of view available from an EF Cinema lens. Superb 4K optical performance Large aspherical lens elements ensure sharp, consistent images in virtually every shooting situation, while the 11-blade aperture provides beautiful bokeh. Innovative construction counteracts barrel expansion and contraction to avoid temperature-induced marking discrepancies. Industry-standard controls Industry-standard manual control rings are engineered to provide smooth consistent operation. Unified front lens diameter and gear positions throughout Canon's range of EF Cinema prime lenses enable film crews to quickly change lenses without adjusting rig setups. EF mount compatible The CN-E14mm T3.1 L M lens is designed for use with EF mount cameras with either full-frame 35 mm or Super 35mm-type sensors – perfect for Cinema EOS cameras as well as Canon's range of EOS DSLRs. Contacts on the EF mount facilitate communication between camera and lens for recording of metadata, and other functions. Benefits: Compact 14mm, T3.1 prime lens Spectacular 4K image quality Full frame image circle Industry-standard manual control 11 blade diaphragm for attractive blurring Designed for EF mount 35 mm and Super 35mm cameras

Canon CN-E-35mm-T1.5-L-M Cine Prime Lens EF 35mm T1.5 Metric scale

Canon CN-E-35mm-T1.5-L-M (CN E 35mm T1.5 L M, CN/E-35mm-T1.5/L-M, CN/E/35mm/T1.5/L/M, CNE35mmT1.5LM) Cine Prime Lens EF 35mm T1.5 Metric scale. Exceptional optical performance for 4K production Great in low light with fine creative control over depth of field, the wide-angle CN-E35mm T1.5 L (M) offers spectacular 4K image quality with a full-frame image circle in a light, compact EF mount body. Compact, lightweight 35mm wide-angle lens  Compact and lightweight (1.1kg) with a user-friendly design this 35mm prime lens brings a natural perspective to wide-angle shots. It is also suitable for use in severe shooting conditions thanks to a drip-proof structure and can be used with most standard movie industry accessories and matte boxes. Large T1.5 aperture A large maximum aperture of T1.5 provides outstanding speed for shooting in low-light conditions. The large aperture also provides fine creative control over depth of field. EF mount compatible The CN-E35mm T1.5 L (M) lens is designed for use on EF mount 35 mm and Super 35mm cameras – perfect on Cinema EOS cameras as well as Canon EOS DSLRs. A contact on the EF mount facilitates communication between camera and lens. Superb 4K optical performance A 4K lens with a full-frame imaging circle offers unrivaled optical performance in professional shooting environments. Large aspherical lens elements ensure sharp, consistent images in virtually every shooting situation, while the 11-blade aperture diaphragm offers beautiful bokeh. Innovative glass construction counteracts barrel expansion and contraction to avoid temperature-induced marking discrepancies. Industry-standard controls Industry-standard manual control rings are engineered to maintain the proper amount of resistance with consistent operating torque. Unified front lens diameter and gear positions enable film crews to quickly change lenses without adjusting the rig setup.

Canon CR-N300 4K NDI PTZ Camera (Satin Black)

Canon 5157C001AA (51-57C-001-AA, 51/57C/001/AA, 51/57C-001-AA, 51 57C 001 AA) CR-N300 4K NDI PTZ Camera (Satin Black). Canon’s CR-N300 PTZ camera delivers exceptional image quality and is equipped with powerful features, making it ideal for various industries, including Houses of Worship, Education, Broadcast, Corporate, Events, and more. The CR-N300 PTZ produces stunning 4K and HD image quality, thanks to its 1/2.3” CMOS sensor and the DIGIC DV 6 image processor. It features a Canon 4K lens with a 20x optical zoom ratio that maintains high precision throughout the zoom range. The smooth and responsive pan and tilt mechanism allows for on-air pan and tilt movements. The CR-N300 supports Canon’s new XC Protocol, Real-Time Messaging Streaming Protocol, NDI|HX Live Video Production Protocol, Standard (VISCA) Protocol, and more. It can be controlled remotely via IP, Serial, IR, USB, or wirelessly through Wi-Fi. The camera can be powered using PoE+ (Power-over-Ethernet) through its LAN port, seamlessly integrating into your existing PoE+ network and reducing cabling requirements. It supports a wide dynamic range, with brightness down to 1.5 lux, and its lens offers a 35mm equivalent focal length of 29.3 to 601mm. For remote control, the camera can utilize an external controller via RS-422/VISCA or Canon's proprietary XC IP protocol on a private, secure LAN, using the optional RC-IP100 PTZ controller. Alternatively, Canon's free camera control software for Windows OS allows you to control all camera functions from a laptop or tablet. The software supports a 9x9 live view, control of up to 100 cameras, settings loading and configuration, and tally functions. An IR remote, a ceiling mounting plate, and an AC adapter are included.

Canon 3075C128 EOS R Body with RF 24-105mm F4-7.1 IS STM Lens

Canon 3075C128 (3-075-C12-8, 3/075-C12-8, 3/075/C12/8, 3 075 C12 8) EOS R Body with RF 24-105mm F4-7.1 IS STM Lens. With over 30 years of EOS innovation and design in its wake, the EOS R system’s pioneering lens mount sets the new standard for the cameras of the future. Offering the fastest autofocus in the world¹, this EOS R body brings new levels of operability to professional and advanced EOS users, with faster communication between lens and camera, redefining photo and video capability. Incredible low light performance with -6EV autofocus², the camera also boasts 4K video, Vari-Angle touchscreen, and intuitive controls for responsive handling. Paired with the versatile and compact RF 24-105mm F4-7.1 IS STM zoom lens – this kit is perfect for photographers and filmmakers alike. Benefits Professional and advanced EOS users can achieve new levels of creativity with the pioneering technology of the new EOS R system. Incredible low light performance with -6EV autofocus² Enjoy incredible levels of image stabilization when shooting in 4K video, plus stunning detail and grading possibilities from 10bit Canon Log footage when recorded to an external recorder. The EOS R body can be used with existing EF-S (with a cropped area) and EF lenses with no loss of performance, when attached to the Mount Adapter EF-EOS R (not included). A multi-function touch bar allows easy thumb adjustment over a wide range of customizable settings Take full advantage of the EOS R lens resolution with the full-frame 30.3 MP sensor with optimized low light performance. Faster communication between lens and camera with the new EOS R system redefines photo and video performance for professional photographers and filmmakers. The RF 24-105mm F4-7.1 IS STM is an ideal lightweight everyday zoom lens with a compact design, perfect for capturing stills and movies, day and night. Easily pair to smartphones or tablets for enhanced shooting such as remote control with always-on Bluetooth and Wi-Fi. The ideal companion when working in the studio, this camera can be remotely connected to a computer via USB 3.1 or Wi-Fi for instant image review.

Canon 4111C005 RF 24-105mm F4-7.1 IS STM Lens

Canon 4111C005 (4 111 C00 5, 4/111-C00-5, 4/111/C00/5, 4-111-C00-5) RF 24-105mm F4-7.1 IS STM Lens. Capture the very best of every day, from epic vistas, striking portraits, candid family moments and much more with an all-purpose lens introducing you to the exciting world of Canon’s EOS R full frame mirrorless system. Easy to use, the RF 24-105mm F4-7.1 IS STM is lightweight, compact and wonderfully versatile with an in-built 5-stop optical Image Stabilizer to help keep your images and movies rock steady – even when you’re out and about without a tripod. And as an added advantage, the lens features Centre Focus Macro with 0.5x macro performance for creative detail shots. It’s a stunning zoom that will take your photography to the next level. Benefits Full frame quality, superb 5-stop optical Image Stabilizer and fast, smooth AF See the whole story; epic vistas, tiny detail, striking portraits and candid moments plus shoot at 13 cm with 0.5x Centre Focus Macro for detail shots Thanks to a lightweight and compact design at just 395 g, it’s a practical zoom from which to start your full-frame mirrorless journey Combined focus and Lens Control Ring for intuitive, customised control over camera settings Track subjects and achieve smooth, natural focus when shooting movies thanks to the quiet STM motor that makes this lens ideal for stunning photos and video  

Canon RF-85mm-F1.2L-USM-DS Lens

Canon RF-85mm-F1.2L-USM-DS (RF85mmF1.2L-USMDS, RF/85mm/F1.2L/USM/DS, RF/85mm-F1.2L-USM-DS, RF85mmF1.2LUSMDS) Lens. The Canon RF 85mm f/1.2L USM DS is a unique portrait-length prime, characterized by its flattering focal length, exceptionally bright maximum aperture, and advanced optical design. Differentiating itself from Canon's other RF 85mm f/1.2 lens, this version features a DS (Defocus Smoothing) coating that helps to soften and smooth the bokeh quality when working at wider aperture settings, making it particularly suitable for shallow depth of field applications. Beyond the bokeh-optimized design, the optical layout of this lens incorporates a Blue Spectrum Refractive Optics element; a specially developed element that helps to nearly eliminate chromatic aberrations and color fringing for notable clarity and color accuracy. In addition to this, an ultra-low dispersion element and one aspherical element are also featured to further control various aberrations and distortion for great sharpness and resolution. Individual elements also feature an Air Sphere Coating to suppress flare and ghosting for high contrast and color fidelity when working in bright and backlit conditions. Complementing the imaging capabilities is an apt ring-type Ultrasonic Motor, which delivers fast, near-silent autofocus and full-time manual focus override. A unique Control Ring is also integrated into the lens design for intuitive control over exposure settings from the lens itself. Portrait-length prime is designed for full-frame Canon RF-mount mirrorless digital cameras. Exceptionally bright f/1.2 maximum aperture affords extensive control over depth of field for selective focus applications and also benefits working in low-light situations. Defocus Smoothing coating helps to achieve an especially soft and smooth bokeh quality when working at wide aperture positions. While this coating softens the look and feel of the out-of-focus regions in an image, sharpness is still retained on the in-focus portions for noticeable subject separation and overall three-dimensional quality. The effect is greatest when working at f/1.2, however, the DS coating requires approximately 1.3 stops more exposure than the standard version of the lens when shooting wide open. By f/3.2, the two versions of the lens have nearly identical light transmission and performance. Blue Spectrum Refractive Optics element virtually eliminates color fringing and chromatic aberrations by refracting shorter wavelengths of the visible spectrum (blue light). One aspherical element and one UD element also help to control aberrations and distortions for sharper, clearer image quality. An Air Sphere Coating (ASC) has been applied to lens elements to reduce backlit flaring and ghosting for maintained light transmission and high contrast in strong lighting conditions. Ring-type Ultrasonic Motor (USM), along with optimized focusing algorithms, a high-speed CPU, and an internal focusing design, is employed to deliver fast, precise, and quiet autofocus performance as well as full-time manual focus override. Configurable Control Ring can be used to adjust a variety of exposure settings, including aperture, ISO, and exposure compensation. As a member of the esteemed L-series, this lens has a weather-resistant design that protects against dust and moisture to enable its use in inclement conditions. Rounded 9-blade diaphragm contributes to a pleasing bokeh quality.

Canon EF-85mm-F1.2L-II-USM Lens

Canon EF-85mm-F1.2L-II-USM (EF 85mm F1.2L II USM, EF/85mm/F1.2L /II/USM, EF85mmF1.2LIIUSM, EF-85mm/F1.2L-II-USM) USM Lens. The Canon EF 85mm f/1.2L II USM Autofocus Lens is a fast lens that delivers superb optical performance. A maximum aperture of f/1.2 makes it the professional's choice for shooting without flash in low light conditions. The large aperture also provides fine control over the depth of field for compelling portrait photography. Retaining the impressive optical performance and large aperture of its predecessor, this medium telephoto lens has been improved with a Ring-type USM, high-speed CPU, and optimized algorithms to achieve an autofocus speed of approximately 1.8x faster than the original. The high-speed AF and circular aperture create a shallow depth-of-field that brings attention to the subject and blurs the background, which is ideal for portraits and weddings. Benefits Extreme f/1.2 maximum aperture Fast, quiet autofocus Super Spectra coatings Circular aperture for smooth background bokeh Integration with E-TTL II flash system

Canon RF-50mm-F1.8-STM STM Lens

Canon RF-50mm-F1.8-STM (RF 50mm F1.8 STM, RF/50mm/F1.8/STM, RF/50mm-F1.8-STM, RF50mmF1.8STM) RF 50mm f/1.8 STM Lens. The Canon RF 50mm f/1.8 STM is Compact, lightweight and affordable lens with a fast f/1.8 aperture, ideal in low light and great for creative depth-of-field. The optical design incorporates one aspherical element, which reduces spherical aberrations and distortion, and also sports a Super Spectra coating to minimize flare and ghosting for improved contrast and color accuracy. Also, an STM stepping motor offers fast, quiet, smooth, and accurate autofocus performance that is ideal for video recording as well as still shooting. The RF 50mm F1.8 STM lens is a simple yet hugely versatile lens. Its superior sharpness, great low light performance and stunning bokeh make it ideal for many types of photography and video. This modern ‘nifty fifty’ will advance your photography. Wide aperture creativity Create artistic and impactful images at lower ISO thanks to a wide f/1.8 aperture that achieves sharp focus on a subject yet delivers a beautiful blurred background. Sharp, quiet focusing The STM (Stepping Motor) technology focuses very smoothly and in near-silence, ideal for stills and video. Super Spectra Coating on the lens elements ensure quality. Compact and lightweight At 160g and 40.5mm, it is a highly compact and lightweight partner for your day-to-day shooting with EOS R-series cameras, with no adapter required.

Canon RF-800mm-f/11-IS-STM IS STM Lens

Canon RF-800mm-f/11-IS-STM (RF-800mm-f11-IS-STM, RF/800mm/f11/IS/STM, RF-800mm/f11/IS-STM, RF 800mm f/11 IS STM) RF 800mm f/11 IS STM Lens. The RF 800mm F11 IS STM is a super telephoto prime lens with exceptional 4-stop image stabilization and a higher focal length than RF600mm f/11 IS STM, aimed primarily at the casual, travel-wildlife enthusiast but also extending to aviation photography for the ultimate reach. Characterized by its retractable design and a fixed f/11 aperture, this lens's sleek profile makes handheld super-tele shooting a very real possibility, and four stop-effective optical image stabilization further helps to achieve sharp imagery when working in difficult lighting conditions. Also contributing to the reduced size is a distinct optical layout, which uses gapless dual-layer diffractive optics instead of multiple heavier individual elements, which also effectively controls color fringing and chromatic aberrations for high clarity. Complementing this design is an STM stepping motor that delivers quick and quiet autofocus performance that is suitable for both stills and video needs. Additionally, a Control Ring is also integrated into the lens design for intuitive control over exposure settings from the lens itself. If you decide you need more than 800mm, this lens is compatible with the 1.4x and 2x RF Extenders for an equivalent focal length of 1120mm or 1600mm, respectively. Bring your world closer Capture safari, aircraft or travel views and shoot the ultimate frame-filling moments in glorious detail that benefit from creative telephoto compression. Enjoy sharp, shake-free images An Optical Image Stabilizer helps to minimize the appearance of camera shake by up to four stops to better enable working in low-light conditions and with slower shutter speeds. Revolutionary size and weight Thanks to the RF mount, an F11 aperture and Diffractive Optics, the lens contracts to 281.8 mm in length when stored and weighs only 1260 g. Focus smoothly and quietly STM stepping motor offers fast, quiet, smooth, and accurate autofocus performance that is ideal for video recording as well as still shooting. An extreme telephoto for all Now it’s easy to pack a super telephoto lens in your kitbag with powerful image stabilisation and AF which is available to all enthusiasts who want to travel light.  

Canon RC-IP100 Touchscreen PTZ Joystick Controller

Canon RC-IP100 (RCIP100, RC/IP-100, RC-IP-100, RC/IP/100) Touchscreen PTZ Joystick Controller. Take control of your remote cameras with this robust and compact hardware controller, provides IP control for up to 100 PTZ and the controller is compatible with the Canon CR-N300 and CR-N500 PTZ cameras. The controller is equipped with a large 7” diagonal touch screen, zoom lever and joystick in order to pan, tilt, zoom and change camera picture settings with precise precision. It also features four customizable buttons and knobs to make accessing settings and controls quick and easy. The DB-9 input/output port on the back allows you to monitor camera tally information. The unit is powered using a 12V barrel power adapter. The IP100 is compatible with the proprietary Canon XC IP protocol, not a standard LAN, so you can create a private, secure network to control your cameras using the LAN port. It also features a second RJ45 port that allows you to control the cameras via RS-422 serial protocol. The bright 7" touchscreen allows you to control and configure up to 100 cameras and it can create and store up to 100 presets. *** Please see that this is a special order item.

Canon RF-600mm-f/11-IS-STM IS STM Lens

Canon RF-600mm-f/11-IS-STM (RF/600mm/f11/IS/STM, RF/600mm-f/11-IS/STM, RF 600mm f/11 IS STM, RF/600mm-f/11-IS-STM) RF 600mm f/11 IS STM. Reach out and grab your world with a 600mm super telephoto full frame lens that is lightweight, powerful and perfect for capturing distant subjects in glorious detail. An impressive and incredibly unique super-telephoto, the Canon RF 600mm f/11 IS STM is an especially compact and lightweight lens considering its long focal length. Featuring a retractable design and a fixed f/11 aperture, this lens's sleek profile makes handheld super-tele shooting a very real possibility, and optical image stabilization further helps to achieve sharp imagery when working in difficult lighting conditions. Also contributing to the reduced size is a distinct optical layout, which uses gapless dual-layer diffractive optics instead of multiple heavier individual elements, which also effectively controls color fringing and chromatic aberrations for high clarity. Complementing this design is an STM stepping motor that delivers quick and quiet autofocus performance that is suitable for both stills and video needs. Additionally, a Control Ring is also integrated into the lens design for intuitive control over exposure settings from the lens itself. If you need more reach, the 600mm is compatible with the 1.4x and 2x RF Extenders for an effective focal length of 840mm or 1200mm, respectively. Super-telephoto prime is designed for use with full-frame Canon RF-mount mirrorless digital cameras. Fixed f/11 aperture contributes to the sleek and portable form factor as well as a balanced mixture of depth of field and sharpness. Gapless dual-layer diffractive optics contribute to a marked reduction in chromatic and spherical aberrations as well as benefit the design of a relatively compact and lightweight lens. Retractable/extendable design, with a locking lens barrel, offers an impressively compact form factor considering the super-telephoto design. An Optical Image Stabilizer helps to minimize the appearance of camera shake by up to five stops to better enable working in low-light conditions and with slower shutter speeds. STM stepping motor offers fast, quiet, smooth, and accurate autofocus performance that is ideal for video recording as well as still shooting. Configurable Control Ring can be used to adjust a variety of exposure settings, including aperture, ISO, and exposure compensation. Compatible with optional Extender RF 1.4x and Extender RF 2x teleconverters to further increase the effective focal length.

Canon CN-E EF 20mm T1.5 (M)

The Canon CN-E 20mm T1.5 LF Cinema Prime Lens is a fixed focus manual focus lens that covers the Full Frame and Super 35 sensor formats. The lens offers a maximum aperture of T1.5, which is useful when shoot in low light situations or when you want to capture that aspect of extremely shallow depth of field. It has an 11-blade iris that provides round, fuzzy highlights for a natural-looking bokeh. The lens barrel has a gradual and uniform rotation of 300 ° from close focus to infinity, offering a high degree of precision and constant focus. The lens is equipped with gears with standard cinematic lens and is designed to minimize breathing of the focus and also has an innovative glass construction that contrasts the expansion and contraction of the barrel to avoid marking discrepancies induced by the temperature. It is double-fired, with marks on both sides of the barrel. The rear marks are located on an inclined surface, making it readable on both sides of the camera. It also has a dust and water resistant housing to minimize maintenance during normal use. Thanks to the use of anomalous dispersion glass, effective in reducing chromatic aberration, and large diameter aspherical lenses, this extraordinary 20mm Cine Prime offers high resolution 4K images over the entire frame.

Canon 3665C007 XA45 Professional UHD 4K Camcorder

Canon 3665C007 (3665C007-XA45, 3665C007/XA45, 3665C007_XA45, 3665c007, xa45) XA45 Professional UHD 4K Camcorder Compact and efficient – XA-series 4K camcorder with UHD resolution and high magnification The XA45/XA40 features a 1/2.3’’ type CMOS Sensor along with DIGIC DV6 image processor delivering 4K UHD. Full HD image quality is improved thanks to Over Sampling HD Processing. The XA45/XA40 features a lens with 20x optical zoom with 29.3mm wide angle. Ultra-compact professional 4K UHD camcorder The combination of a 4K 1/2.3” type CMOS sensor and DIGIC DV6 image processor delivers high quality 4K UHD images, and superior Full HD images thanks to Over Sampling HD processing. Recording options include XF-AVC 160Mbps / MP4 150Mbps at UHD 25P, XF-AVC 45Mbps at FHD 25P/50i/50P and MP4 17-35Mbps at FHD 25P/50P. 4K 20X optical zoom lens with wide angle Capture the images you need with 20x optical zoom with wide angle starting from 29.3mm. Consistency of imaging is ensured by a powerful 5-axis image stabilisation, whilst 3D real-time lens group structure support wide-angle zoom operation. Infrared recording capability The XA45/XA40 includes an Infrared Mode, allowing users to capture video in conditions with little to no ambient light. There is the option of recording in white or green mode. Slow and Fast Motion recording Work the way your project demands with continuous recording available in Slow and Fast motion modes in both UHD and Full HD, with a maximum speed of 1200x. Lightweight and compact with professional features The XA45 / XA40 weighs less than 1.2kg with a 3.0-inch LCD touch screen provides intuitive control. The highly portable camcorder also supports linear PCM 4-channel audio, with built-in stereo mic and two XLR terminals. Other features include 3G-SDI (XA45 only) Additionally, two SD memory card slots are provided for simultaneous or relay recording.

Canon RF-24-105mm-F4.0L-IS-USM Lens

Canon RF-24-105mm-F4.0L-IS-USM (RF_24-105mm-F4.0L-IS-USM, RF24-105mm-F4.0L-IS-USM, RF 24-105mm-F4.0L-IS-USM, RF/24-105mm-F4.0L-IS-USM) Lens. Prized for its versatility, the RF 24-105mm f/4L IS USM from Canon is a wide-angle to short telephoto zoom characterized by its constant f/4 maximum aperture. Ideal for use in nearly any shooting scenario, this zoom is benefitted by a five-stop-effective Image Stabilizer to minimize the appearance of camera shake for sharper handheld imagery. Also complementing handling is a unique customizable Control Ring, which can be configured to adjust a variety of exposure settings settings, including aperture, ISO, and exposure compensation. Benefitting image quality, the advanced optical design features a Super Spectra Coating, which helps to suppress ghosting and flare in order to improve contrast and color accuracy when working in bright and backlit conditions. Ideal for both photo and video applications, this lens also incorporates a Nano USM autofocus motor, which delivers quick, quiet, and precise focusing performance. Standard wide-angle to telephoto zoom lens is designed for use with full-frame Canon RF-mount mirrorless cameras. Constant f/4 maximum aperture maintains consistent illumination throughout the zoom range. Super Spectra coating has been applied to individual elements to minimize ghosting and flare for greater contrast and color neutrality when working in strong lighting conditions. An Optical Image Stabilizer helps to minimize the appearance of camera shake by five stops to better enable working in low-light conditions and with slower shutter speeds. Nano USM system utilizes both a ring type USM and an STM mechanism to realize quick and accurate focusing that is also smooth and near-silent to suit both photography and video applications. This focusing system also affords full-time manual focus control when working in the one-shot AF mode. Configurable Control Ring can be used to adjust a variety of exposure settings, including aperture, ISO, and exposure compensation. As a member of the esteemed L-series, this lens has a weather-resistant design that protects against dust and moisture to enable its use in inclement conditions. Rounded nine-blade diaphragm contributes to a pleasing bokeh quality.

Canon EF-50mm-F1.8-STM Lens

Canon EF-50mm-F1.8-STM (EF_50mm-F1.8-STM, EF50mm-F1.8-STM, EF 50mm-F1.8-STM, EF/50mm-F1.8-STM) Lens. One of the most versatile focal lengths available, the EF 50mm f/1.8 STM Lens from Canon is a compact, normal-length prime well-suited to everyday shooting. The bright f/1.8 maximum aperture benefits working in difficult lighting conditions and also affords increased control over depth of field for isolating subject matter. Individual elements feature a Super Spectra coating to help minimize flare and ghosting to realize greater contrast and color accuracy when working in backlit and harsh conditions. Additionally, an STM stepping AF motor is used to realize quick and near-silent autofocus performance along with full-time manual focus override. Normal-length prime is designed for full-frame Canon EF-mount DSLRs, however can also be used with APS-C models where it provides an 80mm equivalent focal length. Bright f/1.8 maximum aperture enables control over depth of field for selective focus applications and also benefits working in low-light situations. Super Spectra coating has been applied to individual elements to minimize ghosting and flare for greater contrast and color neutrality when working in strong lighting conditions. An STM stepping AF motor realizes smooth, near-silent autofocus that is complemented by advanced AF algorithms and a high-speed CPU for fast AF performance. Additionally, full-time manual focus override is also available. Redeveloped physical design incorporates a metal lens mount for durability as well as a re-located focusing ring to maintain a compact form factor. Rounded seven-blade diaphragm contributes to a pleasing out of focus quality that benefits the use of shallow depth of field and selective focus techniques.

Canon RF-28-70mm-F2L-USM Lens

Canon RF-28-70mm-F2L-USM (RF_28-70mm-F2L-USM, RF/28-70mm-F2L-USM, RF28-70mm-F2L-USM, RF 28-70mm-F2L-USM) Lens. Combining the versatility of a zoom with the speed typically reserved for a prime, the Canon RF 28-70mm f/2L USM is a wide-angle to portrait-length lens distinguished by its impressively unique f/2 constant maximum aperture. This bright design yields excellent low-light performance along with enhanced control over depth of field for isolating subject matter. Ultra-Low Dispersion glass is employed in the optical design, and greatly reduces color fringing and chromatic aberrations in order to realize high clarity and color accuracy. Complementing the advanced optical properties is Canon's proven ring-type Ultrasonic Motor, which delivers fast and quiet autofocus performance along with full-time manual focus control. Additionally, unique to RF lenses, this 28-70mm incorporates a configurable Control Ring for intuitively adjusting exposure settings, including ISO, aperture, and exposure compensation, from the lens itself. Standard wide-angle to short-telephoto zoom lens is designed for use with full-frame Canon RF-mount mirrorless cameras. Impressively bright f/2 maximum aperture maintains consistent illumination throughout the zoom range and suits working in low-light conditions as well as affords increased control over depth of field for working with selective focus techniques. Ultra-Low Dispersion (UD) elements are featured in the optical design, and help to suppress color fringing and chromatic aberrations in order to achieve greater clarity and color accuracy throughout the zoom range. A ring-type Ultrasonic Motor (USM), along with an internal focusing design, optimized focusing algorithms, and a high-speed CPU, is employed to deliver fast, precise, and quiet autofocus performance as well as full-time manual focus override. Configurable Control Ring can be used to adjust a variety of exposure settings, including aperture, ISO, and exposure compensation. As a member of the esteemed L-series, this lens has a weather-resistant design that protects against dust and moisture to enable its use in inclement conditions. Rounded nine-blade diaphragm contributes to a pleasing bokeh quality.

Canon RF-35mm-F1.8-Macro-IS-STM Lens

Canon RF-35mm-F1.8-Macro-IS-STM (RF_35mm-F1.8-Macro-IS-STM, RF35mm-F1.8-Macro-IS-STM, RF 35mm-F1.8-Macro-IS-STM, RF/35mm-F1.8-Macro-IS-STM) Lens. Compact, lightweight, and close-focusing, the RF 35mm f/1.8 IS Macro STM from Canon is a unique wide-angle prime mixing the versatility of a general wide lens with the specialty of a 1:2 macro optic. An advanced optical design is benefitted by a Super Spectra coating, which helps to control flare and ghosting for greater contrast and color accuracy when working in bright or backlit conditions. Capable of focusing down to 6.7" at half life-size, this lens is ideal for photographing everything from close-ups of plants to street scenes and landscapes. The bright f/1.8 maximum aperture offers increased control over depth of field and also suits working in a variety of lighting conditions. Complementing this is a five stop-effective image stabilization, which minimizes the appearance of camera shake for sharper handheld shooting. Also, an STM motor affords impressively quiet and smooth autofocus performance and full-time manual focus override. Additionally, a configurable Control Ring lets you adjust exposure settings, including ISO, aperture, and exposure compensation, from the lens itself. Wide-angle prime is designed for use with full-frame Canon RF-mount mirrorless digital cameras. Bright f/1.8 maximum aperture suits working in difficult lighting conditions and also offers increased control over depth of field. Super Spectra coating has been applied to individual elements to minimize ghosting and flare for greater contrast and color neutrality when working in strong lighting conditions. An Optical Image Stabilizer helps to minimize the appearance of camera shake by up to five stops to better enable working in low-light conditions and with slower shutter speeds. Macro design benefits working with close-up subjects and provides a 1:2 maximum magnification along with a minimum focusing distance of 6.7" STM stepping motor offers fast, quiet, smooth, and accurate autofocus performance that is ideal for video recording as well as still shooting. Configurable Control Ring can be used to adjust a variety of exposure settings, including aperture, ISO, and exposure compensation. Rounded nine-blade diaphragm contributes to a pleasing bokeh quality.

Canon EF-70-200mm-F4.0L-USM Lens

Canon EF-70-200mm-F4.0L-USM (EF_70-200mm-F4.0L-USM, EF70-200mm-F4.0L-USM, EF 70-200mm-F4.0L-USM, EF/70-200mm-F4.0L-USM) Lens. A flexible zoom distinguished by its relatively lightweight and compact design, the EF 70-200mm f/4L USM is a Canon L-series optic spanning a useful portrait-length to medium telephoto range. The constant f/4 maximum aperture allows you to maintain a consistent exposure throughout the zoom range and also contributes to the sleeker form factor when compared to other 70-200mm lenses. In regard to its optical performance, this lens employs one fluorite element and two ultra-low dispersion elements, which work in concert to suppress chromatic aberrations and color fringing for notable clarity and color accuracy. A Super Spectra coating has also been applied to control flare and ghosting for improved contrast when working in harsh lighting. Complementing the optical attributes, this lens also features a ring-type USM and internal focusing mechanism for quick, quiet, and accurate autofocus performance, as well as full-time manual focus override. Versatile telephoto zoom is designed for full-frame Canon EF-mount DSLRs, however can also be used with APS-C models where it provides a 112-320mm equivalent focal length range. Constant f/4 maximum aperture affords consistent performance throughout the zoom range and also contributes to the relatively lightweight design and compact form factor. One fluorite element and two ultra-low dispersion glass elements noticeably reduce color fringing and chromatic aberrations for high clarity and color fidelity. Super Spectra coating has been applied to individual elements to minimize ghosting and flare for greater contrast and color neutrality when working in strong lighting conditions. A ring-type Ultrasonic Motor (USM), along with an internal focusing system, is employed to deliver fast, precise, and quiet autofocus performance as well as full-time manual focus override. Focus Limiter switch lets you constrain the focusing to two different ranges to suit different applications: 3.9'-infinity or 9.8'-infinity. Rounded eight-blade diaphragm contributes to a pleasing out of focus quality that benefits the use of shallow depth of field and selective focus techniques. As a member of the esteemed L-series, this lens is sealed against dust and moisture for working in inclement environmental conditions. Optional rotating tripod collar is available and benefits working with the lens atop a tripod or monopod. Compatible with optional EF 1.4X and EF 2X teleconverters.

Canon EF-70-300mm-F4.0-5.6-IS-II-USM Lens

Canon EF-70-300mm-F4.0-5.6-IS-II-USM (EF70-300mm-F4.0-5.6-IS-II-USM, EF 70-300mm-F4.0-5.6-IS-II-USM, EF/70-300mm-F4.0-5.6-IS-II-USM, EF_70-300mm-F4.0-5.6-IS-II-USM) Lens. Spanning a useful telephoto range, the EF 70-300mm f/4-5.6 IS II USM Lens from Canon is a flexible zoom well-suited for a variety of subjects, ranging from portraiture to wildlife. Similarly versatile, the lens utilizes NANO USM technology that combines a fast, stills-optimized ring-type Ultrasonic Motor and a smooth, silent video-optimized Stepping Motor for all-around focusing performance to benefit multimedia image-makers. This dual-purpose AF motor also offers notably quicker performance throughout the zoom range for more responsive shooting from near to far. Additionally, also aiding both photo and movie recording, an Image Stabilizer system compensates for up to four stops of camera shake for sharper handheld shooting when working with slower shutter speeds. Beyond its performance attributes, this lens is also characterized by its unique Lens Information Display, which clearly showcases focus distance, focal length, and stabilizer settings on a top-facing screen for easy recognition. Benefitting optical performance, the lens' construction utilizes one Ultra Low Dispersion (UD) element to control chromatic aberrations and color fringing for improved clarity, and, additionally, a nine-blade diaphragm is used to produce a pleasing bokeh quality for shallow depth of field imagery. Telephoto zoom designed for full-frame Canon EF-mount DSLRs, this lens is also suitable for use with APS-C models where it provides a 112-480mm equivalent focal length range. One UD element is featured in the optical design to noticeably reduce chromatic aberrations and color fringing for increased clarity and improved color fidelity. Lens Information Display on the top of the lens barrel clearly highlights focusing distance, focal length, and Image Stabilizer amount. NANO USM system utilizes both a ring type USM and an STM mechanism to realize quick and accurate focusing that is also smooth and near-silent to suit both photography and video applications. This focusing system also affords full-time manual focus control when working in the one-shot AF mode. An Image Stabilizer compensates for up to four stops of camera shake for sharper handheld shooting when working in difficult lighting conditions and with slower shutter speeds. A circular nine-blade diaphragm contributes to a pleasing bokeh quality when working with selective focus and shallow depth of field techniques.

Canon EF-100mm-F2.8-Macro-USM Macro USM Lens

Canon EF-100mm-F2.8-Macro-USM (EF100mm-F2.8-Macro-USM, EF_100mm-F2.8-Macro-USM, EF 100mm-F2.8-Macro-USM, EF/100mm-F2.8-Macro-USM) Macro USM Lens. Optimized for close-up shooting, the EF 100mm f/2.8 Macro USM from Canon mixes a comfortable short telephoto focal length with a short working distance. As a macro lens, first and foremost, this lens affords a life-size, 1:1 maximum magnification along with a 1' minimum focusing distance and the 100mm focal length is also well-suited for portraiture and other mid-length subjects. Benefitting image quality, one ultra-low dispersion element is featured, which limits color fringing and chromatic aberrations for high clarity, and a Super Spectra coating is also applied to suppress flare and ghosting for improved contrast. A three-group internal floating focusing system is also used to maintain image quality throughout the entire focus range and an Ultrasonic Motor provides quick and quiet autofocus performance, along with full-time manual focus control. Short telephoto prime is designed for full-frame Canon EF-mount DSLRs, however can also be used with APS-C models where it provides a 160mm equivalent focal length. Ideal for macro shooting, this lens offers a life-size 1:1 maximum magnification along with a minimum focusing distance of 1' to suit working with close-up subjects. One ultra-low dispersion (UD) element greatly reduces chromatic aberrations and color fringing for improved clarity and color accuracy. Super Spectra coating has been applied to individual elements to minimize ghosting and flare for greater contrast and color neutrality when working in strong lighting conditions. A ring-type Ultrasonic Motor (USM) is employed to deliver fast, precise, and quiet autofocus performance as well as full-time manual focus override. Three-group floating elements system along with an internal focusing design helps to maintain consistent image quality throughout the focusing range. Focus Limiter switch lets you constrain the focusing to two different ranges for faster focusing performance: 1'-infinity and 1.6'-infinity. Rounded eight-blade diaphragm contributes to a pleasing out of focus quality that benefits the use of shallow depth of field and selective focus techniques. Optional rotating tripod collar is available and benefits working with the lens atop a tripod or monopod.

Canon RF-50mm-F1.2L-USM Lens

Canon RF-50mm-F1.2L-USM (RF_50mm-F1.2L-USM, RF50mm-F1.2L-USM, RF/50mm-F1.2L-USM, RF 50mm-F1.2L-USM) Lens. Distinguished by its speed, the RF 50mm f/1.2L USM from Canon is a desirable normal-length prime due to its versatile focal length and bright f/1.2 maximum aperture. This fast design excels in difficult lighting conditions and also benefits working with shallow depth of field and selective focus techniques. The optical layout incorporates one UD element and one aspherical element, which help to reduce both chromatic and spherical aberrations in order to produce greater clarity and sharpness. A rounded 10-blade diaphragm also benefits bokeh quality to suit isolating subjects with depth of field. Complementing the imaging capabilities is an apt ring-type Ultrasonic Motor, which delivers fast, near-silent autofocus and full-time manual focus override. Additionally, a unique Control Ring is integrated into the lens design for intuitive control over exposure settings from the lens itself. Normal-length prime is designed for full-frame Canon RF-mount mirrorless digital cameras. Exceptionally bright f/1.2 maximum aperture affords extensive control over depth of field for selective focus applications and also benefits working in low-light situations. One UD (Ultra-Low Dispersion) element is featured, and helps to minimize chromatic aberrations and color fringing in order to provide greater clarity and color accuracy. An aspherical element is used to correct spherical aberrations and distortion for improved sharpness and accurate rendering. Ring-type Ultrasonic Motor (USM), along with optimized focusing algorithms and a high-speed CPU, is employed to deliver fast, precise, and quiet autofocus performance as well as full-time manual focus override. Configurable Control Ring can be used to adjust a variety of exposure settings, including aperture, ISO, and exposure compensation. As a member of the esteemed L-series, this lens has a weather-resistant design that protects against dust and moisture to enable its use in inclement conditions. Rounded 10-blade diaphragm contributes to a pleasing bokeh quality.

Canon EF-75-300mm-F4.0-5.6-III-USM Zoom Lens

Canon EF-75-300mm-F4.0-5.6-III-USM (EF_75-300mm-F4.0-5.6-III-USM, EF75-300mm-F4.0-5.6-III-USM, EF/75-300mm-F4.0-5.6-III-USM, EF 75-300mm-F4.0-5.6-III-USM) Zoom Lens. The lightest 4x telephoto zoom lens in its class. Ideal for sports, portraiture, animals, etc. The telephoto effect can make the picture look compressed or have excellent background blur. At the 300mm focal length, you can fill the frame with a postcard from 4.9' away. The Micro-USM autofocus motor is quick, compact and quiet.

Canon EF-70-300mm-F4.5-5.6-DO-IS-USM Zoom Lens

Canon EF-70-300mm-F4.5-5.6-DO-IS-USM (EF_70-300mm-F4.5-5.6-DO-IS-USM, EF70-300mm-F4.5-5.6-DO-IS-USM, EF 70-300mm-F4.5-5.6-DO-IS-USM, EF/70-300mm-F4.5-5.6-DO-IS-USM) Zoom Lens. The Canon EF 70-300mm f/4.5-5.6 DO IS USM Lens is a relatively compact telephoto zoom offering superior maximum-aperture performance across its entire focal length range. It incorporates Canon's DO (Diffractive Optics) and IS (Image Stabilizing) technologies. The use of Diffraction Optics allows a lens to be shorter, lighter, and of higher image quality than comparable normal optical systems of the same focal length and aperture-while this lens is heavier than the consumer-grade EF 70-300mm f/4-5.6 IS USM lens, it is 28% shorter and uses Canon's very best ring-USM motor instead of the lighter, slower, and less costly 'micro-USM' motor. Beyond savings in mass, the DO lens performs admirably at its maximum aperture, with images that are very comparable to the "L" series telephotos. It has a circular aperture diaphragm to help create natural out-of-focus highlights, and its built-in image stabilizer allows you to handhold the lens at shutter speeds 3 steps slower than would otherwise be possible. The lens' AF is super-fast and silent with a ring-type USM that focuses down to 4.6', and features a zoom lock button that keeps the lens safe and secure when not in use or when being used at the shortest 70mm focal length setting. The EF 70-300mm f/4.5-5.6 DO IS USM is an ideal lens for sports, portraiture, animals, and other applications when you're shooting in relatively bright light. An autofocus telephoto zoom lens for both film and digital cameras Excellent maximum-aperture performance across entire zoom range Built-in image stabilizer action can be seen in the viewfinder Allows handheld images at shutter speeds 3 steps slower than without image stabilization Fast, silent autofocus with full-time manual focus override 28% Shorter than normal 70/75-300mm lenses Professionally sealed against moisture and dust ingress A superior performance, ultra-compact telephoto zoom lens with Canon's Image Stabilization. These Diffractive Optics elements are combined to reduce size and boost image quality. With rear focusing, the lens does not change length or rotate during focusing. Circular aperture diaphragm for natural-looking out of focus highlights Uses 58mm filters.

Canon 3795C006 EOS C300 Mark III - Body Only

Canon 3795C006 EOS C300 Mark III camera - Body Only. Equipped with a newly developed 4K S35mm sensor and DIGIC DV7 image processor, the new Canon EOS C300 Mark III delivers an exceptional high-resolution image with 16+ stops of latitude. It also has an impressive low light capability, with improved low noise, of up to ISO 102,400 where the human eye cannot easily see. The DGO sensor is a newly-developed imaging system that generates HDR video by reading out each pixel with different gains. It combines images using pixels shot with a saturation-prioritising amplifier for bright areas, and a low noise-prioritising amplifier for darker areas, resulting in higher dynamic range. It is also compatible with Dual Pixel CMOS AF. The EOS C300 Mark III supports continuous 4K recording at up to 120fps, both in Cinema RAW Light and XF-AVC. In 2K (crop) mode, frame rates from 12 fps up to 150 fps can also be set for greater creative freedom, while a dedicated Slow & Fast button, provides quick access to the desired Slow & Fast setting. Dual card slots enable simultaneous internal recording of 4K Cinema RAW Light files (10/12-bit) or 4K XF-AVC files (4:2:2 10-bit) onto CFexpress cards. XF-AVC supports ALL-I which delivers the best quality, and Long-GOP which enables longer recording times through higher compression. A Proxy can also be recorded onto an SD card, making editing work more efficient. The EOS C300 Mark III incorporates Electronic Image Stabilization (IS) into the camera body, supporting 5-axis camera shake correction. Even when used with lenses with no electronic lens communication, Electronic IS is possible by manually inputting the focal length. The EOS C300 Mark III provides support for optional interchangeable lens mounts for different project requirements. EF lens mount provides perfect compatibility with a huge range of Canon EF lenses including EF Cine Primes, while the optional PL mount supports the Cooke/i system. Additionally, B4 mount adapters are also available (for EF or PL mounts) to use with B4 lenses. Optional Extension Units offer a flexible modular design and configuration capability to cater for a variety of production requirements. Extension Unit 1 offers multi-camera support with a Genlock interface, while Extension Unit 2 adds further interfaces, such as two more XLR inputs, ideal for broadcast applications and a V-Lock battery mount for extended recording times. The optional EVF Unit is ideal for hand-held use but also answers user’s demands to make it easily removable for gimbal applications. Approx. 1,750g lightweight body enables it to be comfortably rigged with gimbals, hand-held rigs, making it ideal for various shooting conditions.

Canon CM-V1 Locking EF Mount Kit

Canon CM-V1 (CM_V1, CMV1, CM V1, CM/V1) Locking EF Mount Kit. The Canon CM-V1 Locking EF Mount Kit replaces the Canon EF mount that comes attached to your C500 Mark II. The locking mount maintains the same electronic functionality of the standard EF mount, but locks your lens into the mount to prevent play. Cinema lenses, especially zooms, require that lenses maintain a precise distance from the image plane for best results; any play between the lens and mount can cause the lens to suffer from poor optical or mechanical performance. The locking EF-C mount incorporates the EF mount electronic contacts and allows you to mount virtually any Canon EF mount lens, either the stills variety or the cinema lens variety, on your camera. The kit includes the locking EF mount and a shim kit for precisely adjusting the mount on your camera to ensure the correct flange distance.

Canon BG-E16 Battery Grip for EOS 7D Mark I

Canon BG-E16 (BG_E16, BGE16, BG E16, BG/E16) Battery Grip for EOS 7D Mark I. Dedicated to the EOS 7D Mark II DSLR, the BG-E16 Battery Grip from Canon offers both enhanced handling capabilities as well as extended battery life. It accepts two LP-E6 lithium-ion battery packs to increase the camera's battery life or, alternatively, AA batteries can be used in conjunction with the included BGM-E16 Battery Magazine. Additionally, the grip is also compatible with the optional ACK-E16 AC Adapter Kit for continuous power. The design of the grip improves shooting in the vertical orientation and also provides an overall more ergonomic structure for holding the 7D Mark II. A second shutter release button, main dial, multi-controller, AF point selection button, AE/FE lock button, AF start button, and multi-function button are all integrated into the grip for improved and versatile handling.

Canon LM-V2 4.3 Inches LCD Monitor

Canon LM-V2 (LM_V2, LM V2, LMV2, LM/V2) 4.3 Inches LCD Monitor. Canon's LM-V2 4.3" LCD Monitor is a touchscreen viewfinder monitor for the Canon C500 Mark II camera. It features a screen resolution of 1.23 million dots and supports one-finger tap-focusing when using compatible lenses.

Canon SS-42-IASD Zoom/Focus Servo Kit

Canon SS-42-IASD (SS/42/IASD, SS_42_IASD, ss-42-iasd) Zoom/Focus Servo Kit The Canon SS-42-IASD Zoom/Focus Servo Kit includes the FPD-400D Focus Demand, the ZSG-200M Zoom Demand, the CR-10 Tripod Handle Mount and the EC-80 Zoom Demand Cable. This kit is for select Canon broadcast video lenses. Please consult your lens manual to verify compatibility. The FPD-400D provides precision focus control and is useful in a variety of professional broadcast applications.

Canon MS-15 Economical Zoom and Focus Control Kit

Canon MS-15 (MS/15, MS_15, ms-15) Economical Zoom and Focus Control Kit The Canon MS-15M is a digital semi-servo (MS = manual/servo) rear lens controller kit for ENG/EFP lenses, including YH13 and YH14. The kit consists of flex cable, flex focus module, focus handle, and zoom demand. The MS-15M covers the complete range of precision zoom/focus functions and is useful in both field recording and broadcast environments, including live event and sports coverage.

Canon FM-12 Flexible Focus Module for Canon ENG/EFP Lenses

Canon FM-12 (FM/12, FM_12, fm-12) Flexible Focus Module for Canon ENG/EFP Lenses The Canon FM-12 is a flexible focus module for Canon EFP/ENG lenses. The module is used in conjunction with a manual focus controller, increasing critical focus precision.

Canon 3803C003 CN-E 85mm T1.3 FP X Sumire Cinema PL Mount Prime Lens

Canon 3803C003 (CN-E 85mm T1.3 FP X SUMIRE, CN-E 85mm T1.3 FP X, cn-e-85mm-pl) CN-E 85mm T1.3 FP X Sumire Cinema PL Mount Prime Lens The Sumire Prime CN-E85mm T1.3 FP X lens offers a compact, consistent lens design and proven Canon lens elements for performance and reliability in professional shooting environments. Intended for the working professional, Sumire Prime CN-E85mm T1.3 FP X lens has markings on angled surfaces on both sides of the barrel, making it easy to read focus and aperture settings from behind or from either side of the camera. Focus markings can even be switched from standard labeling to metric. The control rings are engineered to maintain the proper amount of resistance with consistent operating torque. Designed to fulfill contemporary 4K production standards, it features a full-frame imaging circle in a lightweight, compact design. This phenomenal lens is also perfect for any number of applications. It also features an 11-blade aperture diaphragm for beautiful background blur and innovative glass construction that counteracts barrel expansion and contraction to avoid temperature induced marking discrepancies. Sumire Prime Lenses Canon's brilliant Sumire Prime lenses offer spectacular optical performance for demanding high-end productions. Sharing the same gear position, front diameter and rotation angle, the lenses' compatibility with third-party accessories allows crews to easily change lenses without making adjustments to the rig setup. Perfect on the EOS C700 FF, these lenses are designed for use with the latest full-frame and Super 35mm PL-mount cameras from leading manufacturers.

Canon 3361C003 CN-E 50mm T1.3 FP X Sumire Cinema PL Mount Prime Lens

Canon 3361C003 (CN-E 50mm T1.3 FP X SUMIRE, CN-E50mm T1.3 FP X, CN-E 50MM T1.3, cn-e-50mm-pl) CN-E 50mm T1.3 FP X Sumire Cinema PL Mount Prime Lens The Sumire Prime CN-E50mm T1.3 FP X lens offers a compact, consistent lens design and proven Canon lens elements for performance and reliability in professional shooting environments. Intended for the working professional, Sumire Prime CN-E50mm T1.3 FP X lens has markings on angled surfaces on both sides of the barrel, making it easy to read focus and aperture settings from behind or from either side of the camera. Focus markings can even be switched from standard labeling to metric. The control rings are engineered to maintain the proper amount of resistance with consistent operating torque. Designed to fulfill contemporary 4K production standards, it features a full-frame imaging circle in a lightweight, compact design. This phenomenal lens is also perfect for any number of applications. It also features an 11-blade aperture diaphragm for beautiful background blur and innovative glass construction that counteracts barrel expansion and contraction to avoid temperature induced marking discrepancies. Sumire Prime Lenses Canon's brilliant Sumire Prime lenses offer spectacular optical performance for demanding high-end productions. Sharing the same gear position, front diameter and rotation angle, the lenses' compatibility with third-party accessories allows crews to easily change lenses without making adjustments to the rig setup. Perfect on the EOS C700 FF, these lenses are designed for use with the latest full-frame and Super 35mm PL-mount cameras from leading manufacturers.

Canon 3360C003 CN-E35mm T1.5 FP X Sumire Cinema PL Mount Prime Lens

Canon 3360C003 (CN-E 35mm T1.5 FP X, CN-E 35MM T1.5, cn-e-35mm-pl) CN-E35mm T1.5 FP X Sumire Cinema PL Mount Prime Lens Subtle, cinematic and expressive. Yet beautifully refined. Designed to offer delicate and subtle rendering of a subject, these seven prime lenses offer fast apertures and precise manual control with a crafted focus bokeh aimed at careful creative expression.Capture every detail with ease Specially designed ‘cinematic look’: A unique optical design offers a nuanced look at the lens’ wider aperture settings, subtly modifying textural renderings for pleasing bokeh with superb expressiveness. PL mount with Full-Frame coverage: The lens offers wide compatibility options for PL mount 35mm Full-Frame and Super 35mm cameras and can be changed to an EF mount at any authorised service facility.  Unified warm colour tone: Sumire primes inherit the same subtle warm colour tone from the Canon cinema lens range, making it easy to change lenses without affecting colour balance.  Fast and bright with beautiful bokeh: A fast T-number is thanks to a large lens diameter and together with an 11-blade iris, offers richer levels of bokeh. The lens design also significantly reduces focus breathing. Fine focusing with filter and gear consistency: With carefully developed focus resistance, delicate focus adjustments can be made over a 300-degree rotation angle. All lenses accept 105mm screw-on filters, have a 114mm diameter lens front and have consistently positioned gears for ease of use.

Canon 3359C003 CN-E 24mm T1.5 FP X Sumire Cinema PL Mount Prime Lens

Canon 3359C003 (cn-e 24mm t1.5 fp x, CN-E24mm T1.5 FP X, CN-E 24mm T1.5 FP X, CN-E 24MM T1.5) CN-E 24mm T1.5 FP X Sumire Cinema PL Mount Prime Lens Subtle, cinematic and expressive. Yet beautifully refined. Designed to offer delicate and subtle rendering of a subject, these seven prime lenses offer fast apertures and precise manual control with a crafted focus bokeh aimed at careful creative expression.Capture every detail with ease Specially designed ‘cinematic look’: A unique optical design offers a nuanced look at the lens’ wider aperture settings, subtly modifying textural renderings for pleasing bokeh with superb expressiveness. PL mount with Full-Frame coverage: The lens offers wide compatibility options for PL mount 35mm Full-Frame and Super 35mm cameras and can be changed to an EF mount at any authorised service facility.  Unified warm colour tone: Sumire primes inherit the same subtle warm colour tone from the Canon cinema lens range, making it easy to change lenses without affecting colour balance.  Fast and bright with beautiful bokeh: A fast T-number is thanks to a large lens diameter and together with an 11-blade iris, offers richer levels of bokeh. The lens design also significantly reduces focus breathing. Fine focusing with filter and gear consistency: With carefully developed focus resistance, delicate focus adjustments can be made over a 300-degree rotation angle. All lenses accept 105mm screw-on filters, have a 114mm diameter lens front and have consistently positioned gears for ease of use.

Canon 3802C003 CN-E20mm T1.5 FP X Sumire Cinema PL Mount Prime Lens

Canon 3802C003 (CN-E20mm-T1.5-FP-X, cn-E_20mm_t1.5_fp_x, sumire-prime-cn-e-20mm-pl) CN-E20mm T1.5 FP X Sumire Cinema PL Mount Prime Lens Subtle, cinematic and expressive. Yet beautifully refined. Designed to offer delicate and subtle rendering of a subject, these seven prime lenses offer fast apertures and precise manual control with a crafted focus bokeh aimed at careful creative expression.Capture every detail with ease Specially designed ‘cinematic look’: A unique optical design offers a nuanced look at the lens’ wider aperture settings, subtly modifying textural renderings for pleasing bokeh with superb expressiveness. PL mount with Full-Frame coverage: The lens offers wide compatibility options for PL mount 35mm Full-Frame and Super 35mm cameras and can be changed to an EF mount at any authorised service facility.  Unified warm colour tone: Sumire primes inherit the same subtle warm colour tone from the Canon cinema lens range, making it easy to change lenses without affecting colour balance.  Fast and bright with beautiful bokeh: A fast T-number is thanks to a large lens diameter and together with an 11-blade iris, offers richer levels of bokeh. The lens design also significantly reduces focus breathing. Fine focusing with filter and gear consistency: With carefully developed focus resistance, delicate focus adjustments can be made over a 300-degree rotation angle. All lenses accept 105mm screw-on filters, have a 114mm diameter lens front and have consistently positioned gears for ease of use.

Canon 3801C003 CN-E14mm T3.1 FP X Sumire Cinema PL Mount Prime Lens

Canon 3801C003 (CN-E 14mm T3.1 FP X, cn-e 14mm t3.1 fp x, CN-E_14mm_T3.1_FP_X) CN-E14mm T3.1 FP X Sumire Cinema PL Mount Prime Lens Designed to offer delicate and subtle rendering of a subject, the Canon CN-E14mm T3.1 FP X Sumire Cinema PL Mount Prime Lens offers fast aperture and precise manual control with a crafted focus bokeh aimed at careful creative expression. Specifically Designed 'Cinematic Look' A unique optical design offers a nuanced look at the lens' wider aperture settings, subtly modifying textural renderings for pleasing bokeh with superb expressiveness. PL Mount with Full-Frame Coverage The CN-E14mm lens offers wide compatibility options for PL mount 35mm Full-Frame and Super 35mm cameras and can be changed to an EF mount at any authorised service facility. Unified Warm Colour Tone Sumire primes inherit the same subtle warm colour tone from the Canon cinema lens range, making it easy to change lenses without affecting colour balance. Fast and Bright with Beautiful Bokeh A fast T-number is thanks to a large lens diameter and together with an 11-blade iris, offers richer levels of bokeh. The lens design also significantly reduces focus breathing. Fine Focusing with Filter and Gear Consistency With carefully developed focus resistance, delicate focus adjustments can be made over a 300-degree rotation angle. All lenses accept 105mm screw-on filters, have a 114mm diameter lens front and have consistently positioned gears for ease of use.

Canon 3804C003 CN-E135mm T2.2 FP X Sumire Cinema PL Mount Prime Lens

Canon 3804C003 (CN-E-135mm-T2.2-FP, CN-E/135mm/T2.2/FP, cn-E_135mm_t2.2_fp) CN-E135mm T2.2 FP X Sumire Cinema PL Mount Prime Lens Subtle, cinematic and expressive. Yet beautifully refined. Designed to offer delicate and subtle rendering of a subject, the CN-E135mm T2.2 FP X Sumire Cinema PL Mount Prime Lens offers fast aperture and precise manual control with a crafted focus bokeh aimed at careful creative expression. Specially Designed 'Cinematic Look' A unique optical design offers a nuanced look at the lens' wider aperture settings, subtly modifying textural renderings for pleasing bokeh with superb expressiveness. PL Mount with Full-Frame Coverage The lens offers wide compatibility options for PL mount 35mm Full-Frame and Super 35mm cameras and can be changed to an EF mount at any authorised service facility. Unified Warm Colour Tone Sumire primes inherit the same subtle warm colour tone from the Canon cinema lens range, making it easy to change lenses without affecting colour balance. Fast and Bright with Beautiful Bokeh A fast T-number is thanks to a large lens diameter and together with an 11-blade iris, offers richer levels of bokeh. The lens design also significantly reduces focus breathing. Fine Focusing with Filter and Gear Consistency With carefully developed focus resistance, delicate focus adjustments can be made over a 300-degree rotation angle. All lenses accept 105mm screw-on filters, have a 114mm diameter lens front and have consistently positioned gears for ease of use.

Canon 1518B009AD KJ20x8.2B KRSD 8.2-164mm HDgc ENG Zoom Lens

Canon 1518B009AD (KJ20x8.2B-KRSD, KJ20x8.2B/KRSD, KJ20x8.2B_KRSD, kj20X8.2b krsd) KJ20x8.2B KRSD 8.2-164mm HDgc ENG Zoom Lens Canon's KJ20x8.2B KRSD offers an impressive specification alongside a compact design that guarantees advanced performance and operability. Its 20x zoom lens offers a 1.0 second maximum speed over its entire zoom range, alongside a Minimum Object Distance of 0.9M (10mm with Macro). Focal lengths range from an extra-wide angle 8.2mm (60.7 degrees angular field of view horizontal in 16:9 aspect ratio) to 164mm, combining with a f/1.9 maximum reflective aperture to provide excellent operational capabilities – all in a package weighing just 1.25 kg. Optical performance that outperforms the rest - The new lens has been developed to deliver superior optical performance within its category. With tighter control of MTF across the entire image plane, a minimisation of chromatic aberrations and the maximisation of image contrast, the lens delivers superb levels of picture sharpness. Contrast is maximised thanks to substantial reduction of flare, veiling glare and internal reflections. The lens offers tight control of the geometric distortion at wide-angle settings, while spectral transmittance characteristic is to HDTV colorimetric standards. With relative light distribution optimised for more open aperture settings, uniform brightness, excellent picture sharpness and high contrast, operators can be sure of producing vividly clear HD pictures. Advanced technologies for pristine imaging - The superior optical performance of the Canon KJ20x8.2B KRSD can be attributed to a range of Canon technical innovations. A new optical design includes the precision optical element and multilayer coatings, as well as Canon’s Internal Focus – a floating optical system that vastly improves control of chromatic aberrations. The lens also incorporates Shuttle Shot, an advanced digital drive system that allows operators to precisely zoom between pre-programmed focal lengths, instantly and on-demand. Solid, reliable, rugged and Earth friendly - The KJ20x8.2B KRSD’s has been manufactured to exacting Canon standards. A range of user-friendly design features have been included, such as a compact drive unit mounted to the lens at an ergonomically designed 12.5 degree angle, to improve comfort and balance during operation. Like all of Canon’s current lenses, the lens is also designed with the environment in mind, with the use of any materials and substances potentially harmful to the environment completely eliminated. Its high-grade design also makes it suitable for shooting in a wide range of situations – offering outstanding flexibility to complement its advanced performance.

Canon 2098B004AC KJ13x6B KRSD HDgc 13x 2/3" ENG/EFP Lens

Canon 2098B004AC (KJ13x6-KRSD, KJ13x6B_KRSD, KJ13x6B/KRSD, kj13X6b krsd) KJ13x6B KRSD HDgc 13x 2/3" ENG/EFP Lens The Canon KJ13x6B KRSD HDgc 13x 2/3" ENG/EFP Lens is a 13x zoom lens for professional 2/3" HD video cameras that comes with a full-servo mode. The lens is intended for the HD News gathering, reality show and lower budget HD production markets. The focal-length range is 6-78mm with a shallow minimum object distance of 15.7" (0.4 m). KJ13x6B also offers a wide field of view of 77.3 degrees. The KJ13x6B represents a strong compromise between the demands for mobility in a handheld HDTV camera system and the high imaging performance requirements for HDTV production. High Definition Ready This HD lens weighs the same as its SD predecessor, yet it is designed specifically for HD Video. The multi-coated lens elements are designed to produce clear and sharp HD images. Improved Image Quality The lens element design greatly reduces aberrations and image distortions. These advances contribute to more balanced imaging from center to edge throughout the aperture range. Shuttle Shot The KJ13x6B also comes outfitted with Shuttle Shot, which allows the lens to memorize two focal lengths and the Digital Drive can zoom back and forth between the two positions. It can be used to zoom to the telephoto position to check focus and then return instantly to the original position or you can "shuttle" between any two zoom positions at any time. Maximum zoom time between positions is 1.2 seconds. Internal Focus for Ultimate Versatility The lens is made for the highest quality professional video cameras. The front lens element is stationary and can be used with a matte box for greater lens flair protection as well as a wide array of square and rectangular filters. Ecological Design This lens avoids the use of materials and substances potentially harmful to the environment in its construction.

Canon 3792C005 RF 70-200mm F2.8L IS USM Lens

Canon 3792C005 (RF-70-200mm-f/2.8L-IS-USM, RF/70-200mm/f/2.8L/IS/USM, RF_70-200mm_f/2.8L_IS_USM, rf 70-200mm f/2.8l is usm) RF 70-200mm F2.8L IS USM Lens For serious enthusiasts and pros looking for the ultimate telephoto zoom, the RF 70-200mm F2.8L IS USM offers exceptional image quality in a compact and lightweight body, designed to work in all conditions. This RF system lens is the smallest of its kind while providing even higher image quality compared to the legendary EF 70-200mm f/2.8L IS II USM so beloved of DSLR users. Appealing to sports, travel, portrait or wedding photographers because of its lightness and amazing 5-stop image stabilisation, the RF 70-200mm F2.8L IS USM will take your photography to new heights thanks to Dual Nano USM motors for even faster focusing, advanced lens coatings for even sharper images and L-series build quality for outstanding results in all conditions. An essential workhorse lens, with a 70-200mm focal length range, perfect for travel, wildlife, news and sport A constant f/2.8 aperture gives exceptional clarity in low light as well as excellent depth-of-field creativity For the first time in a Canon lens, dual Nano USM motors bring incredible new levels of rapid and silent continuous focusing, perfect for stills or video Fluorine coatings used on the front and rear elements allows the outer surfaces to be cleaned easily to help resist dust and scratches A 5-stop Image Stabilizer provides new levels of handholding agility, perfect for reportage or wedding work where light levels fluctuate A 9-blade aperture makes highlights really stand out and allows excellent depth-of-field creativity The build quality is distinctly L-series with weather-sealing and fluorine coatings on the front and rear elements to guard against water, dust and scratches Thanks to the lens design, it’s shorter and more compact than the EF equivalent, with improved close focusing and full-time manual focusing as well as rapid AF Zoom ring lock stops the lens from accidentally extending when travelling, making it a compact lens when stowed in a bag White heat-blocking paint ensures the lens internal components do not overheat in extreme temperatures

Canon 3447C005 RF 85mm F1.2L USM Lens

Canon 3447C005 (RF 85MM F1.2L USM, RF 85mm f/1.2L USM, rf 85mm f/1.2l usm) RF 85mm F1.2L USM Lens The Canon RF 85mm F1.2L USM lens offers a superior optical performance thanks to its advance lens design and the use of ground-breaking Canon EOS R optics. Designed with a short telephoto focal length for flattering portraits, it produces elegant and detailed results with a pleasing perspective and no distortion. Thanks to the fast speed of the RF mount, the RF 85mm F1.2L USM locks onto a subject quickly, while the Lens Control Ring provides additional control over the settings. The RF 85mm F1.2L USM is the ideal short telephoto for flattering portraits, producing elegant and detailed results with a pleasing perspective and no distortion With a fast f/1.2 aperture, the lens is superb in low light offering incredible sharpness and creative expression with pleasing and unique bokeh The lens employs Blue Spectrum Refractive (BR) optics and a UD lens element which negate colour aberrations, while a ground aspheric lens element and ASC coating prevent flare The build quality redefines L-series quality with weather-sealing and fluorine coatings on the front and rear elements to guard against water, dust and scratches The RF 85mm F1.2L USM is fast to lock onto a subject while the Lens Control Ring provides additional customisable control over settings

Canon 3680C005 RF 24-70mm F2.8L IS USM Lens

Canon 3680C005 (RF 24-70mm f/2.8L IS USM, RF 24-70MM F2.8L IS USM, rf 24-70mm f/2.8l is usm) RF 24-70mm F2.8L IS USM Lens The RF 24-70mm F2.8L IS USM is a fast RF zoom lens with the popular 24-70 mm focal length plus a fast and constant f/2.8 maximum aperture, producing exceptional optical quality. With 5-stops of image stabilisation it’s great in low light and ideal for a wide range of subjects where speed and versatility are key such as reportage, portraiture and wedding photography. Change exposure settings instantly without taking your eye away from the viewfinder, or control favoured settings all via the Lens Control Ring, ideal for a variety of situations including macro work, with focusing as close as 0.21 m.

Canon 3682C005 RF 15-35mm F2.8L IS USM Lens

Canon 3682C005 (RF-15-35mm-F2.8L-IS-USM, RF/15-35mm/F2.8L/IS/USM, RF_15-35mm_F2.8L_IS_USM, rf 15-35mm f/2.8l is usm) RF 15-35mm F2.8L IS USM Lens Capture new creative angles thanks to this fast and sharp, professional f/2.8 ultra-wide-angle zoom lens. Designed for exceptional flexibility even low light, this L-series RF lens is ideal for landscape and architectural photography thanks to its superb wide-angle quality and 5-stop Image Stabilization; producing clear and dynamic angles even in tight spaces. Enjoy rapid, accurate focusing thanks to a Nano USM motor that ensures instant and silent autofocus with exceptional smoothness ideal for shooting movies. Plus control your settings via the Lens Control Ring, for use in many situations including macro work, with focusing as close as 0.28 m.

Canon 2309C005 EF 70-200mm f/4L IS II USM Lens

Canon 2309C005 (EF 70-200mm f/4L IS II USM, EF 70-200mm f4.0L IS USM, 70-200mm f4L IS II USM, 70-200mm_f4l_is_ii_usm) EF 70-200mm f/4L IS II USM Lens Ideal for photographers on the move, the professional L-Series EF 70-200mm F/4L IS II USM is designed to deliver superb image quality for a range of subjects in a compact and lightweight design. Built to withstand the rigours of professional use, its robust and weather-sealed for durable performance and the constant f/4 maximum aperture ensures consistent exposures at every zoom setting for a truly versatile experience. With a 70-200mm zoom range suitable for landscape and photojournalism, this lens earns a permanent place in a travelling photographer’s kit bag.

Canon 9660B001 RC-V100 Remote Controller

Canon 9660B001 (RCV100, RC_V100, RC/V100, rc-v100) RC-V100 Remote Controller The Canon Remote Control RC-V100 offers camcorder users greater freedom. Whether in a studio, on location, or simply somewhere previously out of reach, it provides wired remote control of almost any camcorder function. Powerful remote control This powerful wired remote control for Canon's professional camcorders brings basic and advanced image adjustment to your fingertips. Connect via the REMOTE A socket using the standard 5m 3.5mm-2.5mm jack cable, or with the REMOTE B socket (using the optional 8-pin RR-10 and RR-100 cables) for faster performance, simultaneous operation and increased range - up to 10m and 100m respectively. Extensive control The RC-V100 combines some of the benefits of an advanced remote control and a Camera Control Unit (CCU), typically found in a studio environment. Almost any adjustable function can be controlled - from focus, iris and zoom, to user-specific options such as Custom Picture presets and specific image adjustments like knee point and slope. Record more, differently Certain scenarios demand remote camera control: when the camera is mounted on a jib for elevated shots, for example, or in scenarios that require quick adjustment to compensate for changing conditions. Thanks to remote access and control, these recording obstacles can be overcome. In combination with the RC-V100, Canon professional camcorders become even more versatile tools to help realise your creative vision. Intuitive layout for greater control The controller's intuitive layout makes control of key camera functions and image parameters easy, even if you're not an expert on the camera concerned. It has been carefully designed to be easy to understand and learn, with key features grouped together in three main sections. Common image parameters are controlled using dials, making remote image fine-tuning incredibly simple. Furthermore, user-assignable buttons are provided for added versatility. Clear and simple operation, wherever, whenever To aid operation in low-light situations, the buttons are illuminated, with the option of an audible 'beep' to confirm user selections. Firmware updates Your camera firmware may need to be updated to enable compatibility with the RC-V100. If the RC-V100's REMOTE B terminal is not already enabled, this can be done via a service update using the device's USB port. Lens control not possible with PL-mount Cinema EOS cameras or manual lenses

Canon 1957C006 Speedlite 470EX-AI Flash

Canon 1957C006 (470 EX-AI, 470-EX-AI, 470_EX_AI, 470ex-ai) Speedlite 470EX-AI Flash Powerful mid-range Speedlite for professionally-lit images This powerful mid-range Speedlite offers an exciting way to take professionally-lit images quickly. Thanks to a motorised bounce and swivel head that automatically adjusts itself to ensure the correct angle, natural flattering, lighting is assured. Professional lighting made easy See how the Speedlite 470EX-AI anticipates every lighting situation A flash that reacts The motorised flash head automatically adjusts itself, ensuring the bounce angle is always correct for improved lighting where natural and professional looking flash images are required. Powerful, flexible and quick to adjust With a Guide Number of 47m the Speedlite 470EX-AI is ideal for lighting large groups and bouncing light from walls and ceilings for softer, more natural results. Light further and wider A built-in zoom head aims to match the angle of the flash’s output to the viewing angle of the lens being used, and operates across a 24-105mm zoom range (full frame equivalent). Clear, detailed display The dot-matrix display enables a display of characters for more detailed information while the LCD panel displays all the flash settings and is very easy to read. Creative lighting possibilities The Speedlite 470EX-AI can be fired off-camera using optical triggering. This allows EOS cameras featuring a built-in Integrated Speedlite Transmitter to fire the flash from up to 10m away, without the need for extra equipment.

Canon 3794C011 EOS C500 Mark II 5.9K Full-Frame Camera Body (EF Mount)

Canon 3794C011 (379-4C0-11, 379/4C0/11, 379 4C0 11) EOS C500 Mark II 5.9K Full-Frame Camera Body (EF Mount) The Canon EOS C500 Mark II 5.9K Full-Frame Camera Body is part of the Cinema EOS lineup of cameras, and it features a full-frame CMOS sensor with an effective 18.69MP resolution. This allows it to feature a 5.9K output in full frame, and crop (window) the sensor for Super 35 and Super 16 frame sizes while maintaining a high resolution. The C500 Mark II comes with a Canon EF mount and features an interchangeable lens mount system, allowing you to swap out the mount in the field for an optional Cinema Locking EF or PL mount, thus greatly expanding the amount of glass you can use with the camera. The sensor features over 15 stops of dynamic range and Dual Pixel autofocus support, and the camera uses a DIG!C DV 7 chip for image processing. The camera internally records raw using the Canon Cinema RAW Light codec in 12- or 10-bit, or you can capture using the XF-AVC codec in 10-bit. Internal recording is done to CFexpress cards via two CFexpress card slots. 8-bit proxy recording in the XF-AVC codes, as well as JPEGs, can be captured onto an SD card via the built-in SD card slot. Supporting a variety of gamma settings including Canon Log 2 and Log 3, as well as supporting a variety of color gamuts including Cinema BT.2020, DCI-P3, and legacy BT.709. LUT importing is supported of course. The camera supports four channels of 24-bit, 48 kHz linear PCM audio recording. Sensor The full-frame CMOS sensor captures a clean, low-noise image with over 15 stops of dynamic range, and it has a color gamut that exceeds the BT-2020 specs. The sensor is capable of capturing footage in a variety of aspect formats, including DCI-4K, UHD and Anamorphic Widescreen. In addition to shooting using the sensor's full-frame size, you can use a variety of spherical and anamorphic glass designed for Super 35mm and Super 16mm capture using appropriate sensor crop modes, lens mounts, and adapters. DIG!C DV 7 Image Processor The EOS C500 Mark II uses the DiG!C DV 7 image processor that takes the extensive raw information captured from the 5.9K sensor. The DiG!C DV 7 enables high frame rate recording, Dual Pixel Auto Focus, Canon RAW Light Recording, HDR (PQ and HLG) output, electronic image stabilization, proxy recording, and oversampling processing. The high-speed DIG!C DV 7 enables the camera to simultaneously record 2K proxy files as XF-AVC 2K 4:2:0 8-bit to an SD card, while you are recording Cinema RAW Light files (5.9K, 4K Crop, or 2K Crop) to the internal CFexpress cards. Interchangeable Lens Mounts the C500 Mark II comes standard with a Canon EF lens mount that works with and has electronic iris control of a variety of Canon EF, ENG, and Canon Cine-Servo lenses. An optional EF Cine Lock mount also features the Canon EF electronic protocols, and it removes any play when mounting EF lenses to your camera. An industry-standard PL mount is also available, enabling using virtually any PL-mount lens on your C500 Mark II. The lens mounts are field-swappable by the user, and each mount comes with a set of shims for setting the correct depth. An optional B4 lens adapter is available for either the PL or EF lens mount; this adapter allows you to use B4 mount ENG-style lenses on your C500 Mark II. Dual Pixel CMOS AF with support for Touch AF and Face Detection AF DAF technology utilizes the fact that each pixel in the camera's CMOS sensor is configured with two photodiodes. Two independent image signals can then be detected at each photosite and compared using phase-difference to provide autofocus with compatible lenses. DAF can survey the scene and recognizes not only whether the subject is in focus or not, but in which direction (near or far) and by how much. Enabling auto-focus lenses to react when necessary and not have to "hunt" for focus. DAF technology can also be used to aid in manual focus. Focus information is translated to an on-screen guide that conveys to the operator the subject's current focus and direction to move in order to achieve focus. When sharp focus is achieved, the indicator turns green as a clear indication. You can also use DAF and the camera's touchscreen LCG to simulate a focus pull using preset locations. After setting two separate focus locations on the screen, the camera's set button can be used to alternate between the two focus points. The focus racking effect can be fine-tuned by adjusting AF tracking speed and response. Focus Control/Assist Focus control includes Dual Pixel CMOS AF (DAF), Manual Focus, One-Shot AF, Continuous AF, AF-Boosted MF, and Face Detection AF Shutter Settings Shutter settings include Speed, Angle, Clear Scan, Slow, or Off mode. Either 1/3 or 1/4 steps selected as speed increments. Electronic Image Stabilization A new feature to the Cinema EOS ecosystem, the C500 Mark II features built-in five-axis electronic IS that works with almost any lens, including anamorphic lenses. Optional Expansion Modules Expansion unit 1 adds genlock/sync out, remote B (RS-422), and Ethernet ports, making the camera well suited for multicamera live production and streaming. Expansion unit 2 expands the compact form factor and adds two additional XLR audio inputs, lens control port, 24-volt DC out, and D-Tap power, in addition to genlock, sync out, remote B (RS-422), and an Ethernet port. It also allows the camera to be powered using industry-standard V-mount batteries.

Canon EOS 250D Body, Black

Canon 3454C004 (34-54-C0-04, 34/54/C0/04, 34 54 C0 04, 34_54_C0_04) (EOS250D, EOS/250, DEOS-250D, EOS_250D) EOS 250D Body, Black This highly-portable DSLR camera is a great option for stepping up your photography from a smartphone or compact camera. Easy and enjoyable to use, this intuitive DSLR lets budding photographers take a more creative approach to capturing life’s big moments, and as the world’s lightest DSLR with a movable screen¹, the EOS 250D is a camera you can take everywhere. With its 4K movies, 24.1-megapixel sensor and Dual Pixel CMOS AF, shoot images in stunning quality and vivid detail, with Wi-Fi and Bluetooth®² to effortlessly connect to your smart device and share your results as you go. With the Vari-Angle touchscreen, you can shoot at more creative angles, using the guided user interface that helps you learn how to achieve the best results.

70-200mm f/2.8L IS III USM L-Series Zoom Lens - Canon EF Mount

Canon 3044C005 (3044C-005, 304-4C0-05, 304/4C0/05, 304 4C005) 70-200mm f/2.8L IS III USM L-Series Zoom Lens - Canon EF Mount  The EF 70-200mm f/2.8L IS III USM replaces Canon’s flagship 70-200mm lens, enhancing the experiences of photographers using this industry leading lens. It has been designed with high-performance and robustness at its heart, ideal for a photographer who requires a high-quality telephoto lens for accurate detail. Built to meet the demands of professionals, the EF 70-200mm f/2.8L IS III USM’s protective seals make it an obvious choice for challenging conditions. Resistant to both moisture and dust, the EF 70-200mm f/2.8L IS III USM also comprises fluorine-coated front and rear elements, which are easy to clean. With the functionality photographers love, updates to the EF 70-200mm f/2.8L IS III USM’s durability means it is excellent for shooting high-quality travel photography. With its wide f/2.8 maximum aperture and eight-bladed circular diaphragm, the EF 70-200mm f/2.8L IS III USM opens up a world of creative options. It enables the photographer to emphasise pin-sharp subjects against a silky smooth, out-of-focus background. Thanks to its first-class fluorite and UD optics, the EF 70-200mm f/2.8L IS III USM delivers high contrast and excellent resolution. When using this lens, a photographer can be confident that they can achieve the perfect shot. Shooting in low light is also no problem for the EF 70-200mm f/2.8L IS III USM, thanks to its fast f/2.8 maximum aperture, which is constant throughout the zoom range and lets in twice as much light as an f/4 lens. Camera shake isn’t something users of the EF 70-200mm f/2.8L IS III USM should be concerned about as a 3.5-stop Image Stabiliser compensates any blur caused by movement. A ring-type USM motor offers silent autofocus at outstanding speeds, and manual adjustments can be made at any time with a simple twist of the focus ring. These features make the EF 70-200mm f/2.8L IS III USM an exceptional lens for perfectly, and quietly, capturing animals in their natural habitat.

Canon Codex Capture Drive 2.0 Dock

Canon 3165V711 (316/5V711, 316-5V711, 316 5V711, 316/5V/711) Codex Capture Drive 2.0 Dock The Codex Capture Drive 2.0 Dock allows you to clone your camera original data in its original format from a Codex Capture Drive® 2.0 to external hard drives, ideal for projects where a configuration such as an Apple MacBook Pro or Mac Pro is being used on set to manage data. It also enables you to make a range of dailies deliverables with the option of adding look-up tables and burn-ins. Compatible with Codex Production SuiteTM for OS X and Codex BackboneTM for an integrated workflow. Make verified copies of camera original data from Codex Capture Drive 2.0 media. Familiar task-based Codex Vault PlatformTM user interface. Check, adjust and add metadata using Codex Vault Media Tools. Archive to disk or tape using Codex ArchiveTM. Generate metadata files such as .xml or .ale. Transcode to a wide range of deliverables. Create burn-ins and apply look-up tables where needed. Sync metadata with Codex BackboneTM with full reporting.  

Canon Codex Capture Drive 2.0 - 2TB for EOS C700

Canon 3165V710 (316-5V710, 316/5V710, 3165V/710, 316 5V710) Codex Capture Drive 2.0 - 2TB for EOS C700 The Codex Capture Drive® 2.0 meets the requirements of the new generation of digital cinematography cameras. Designed around the latest PCIe-based flash storage to deliver the fastest solid-state media available for professional media applications, it feeds seamlessly into Codex’s industry standard workflows via the Codex Vault and Codex Capture Drive® 2.0 Dock. Codex Capture Drive® 2.0 combines ultra-high performance solid-state storage with production reliability in a compact package.

Canon Codex Capture Drive 2.0 - 1TB for EOS C700

Canon 3165V709 (316-5V709, 316 5V709, 316 5V709, 316/5V/709) (EOS-C700, EOS/C700, EOSC700) Codex Capture Drive 2.0 - 1TB for EOS C700 The Codex Capture Drive® 2.0 meets the requirements of the new generation of digital cinematography cameras. Designed around the latest PCIe-based flash storage to deliver the fastest solid-state media available for professional media applications, it feeds seamlessly into Codex’s industry standard workflows via the Codex Vault and Codex Capture Drive® 2.0 Dock. Codex Capture Drive® 2.0 combines ultra-high performance solid-state storage with production reliability in a compact package.

Canon Codex Digital Raw Recorder for EOS C700 - Gold Mount

Canon 3165V706 (316-65V706, 316 5V706, 316/5V706, 3165V-706) (EOS/C700, EOS-C700, EOS C700) Codex Digital Raw Recorder for EOS C700 - Gold Mount Record Digital Raw with the C700 Recorder Module Gold Mount  Enjoy the full potential of the C700 camera with the Codex Digital Raw Recorder developed with Canon. Using the attachment accessory included with the C700, simply piggyback the recorder on the C700. The built-in V-mount battery plate powers both the recorder and the camera simultaneously. Hinging on the well-established Codex Digital workflow, this recorder can write 12-bit 4K-resolution raw sensor data to Codex Digital Capture Drive 2.0 SSDs at up to 120 fps. XF-AVC or ProRes files can be recorded in-camera, simultaneously, for versatile workflow options.

Canon Codex Digital Raw Recorder for EOS C700 - V-Mount

Canon 3165V705 (316 5V705, 316-5V705, 316/5V705, 316/5V/705) (EOSC700, EOS/C700, EOS-C700) Codex Digital Raw Recorder for EOS C700 - V-Mount  Enjoy the full potential of the C700 camera with the Codex Digital Raw Recorder developed with Canon. Using the attachment accessory included with the C700, simply piggyback the recorder on the C700. The built-in V-mount battery plate powers both the recorder and the camera simultaneously. Hinging on the well-established Codex Digital workflow, this recorder can write 12-bit 4K-resolution raw sensor data to Codex Digital Capture Drive 2.0 SSDs at up to 120 fps. XF-AVC or ProRes files can be recorded in-camera, simultaneously, for versatile workflow options.  

Canon SG-1 Shoulder-Style Grip Unit

Canon 1754C001AA (175/4C001AA, 175-4C001AA, 175 4C00/1AA, 175 4C00-1AA) (SG1, SG 1, SG/1) SG-1 Shoulder-Style Grip Unit The SG-1 Shoulder-Style Grip Unit from Canon enables you to control your EF lenses like regular ENG video lenses. It features a grip/rocker assembly that mounts on the rods of the separately available SU-15 Shoulder Support Unit. With it, you can control record start/stop, iris/aperture, and - if supported by the lens - zoom. It connects to the camera via a 12-pin connector, which also supplies the units power. 

Canon OU-700 Remote Operation Unit for EOS C700

Canon 1755C001AA (175/5C001AA , 175-5C001AA, 175/5C00/1AA, 175-5C00-1AA) (OU700, OU 700, OU/700) OU-700 Remote Operation Unit for EOS C700 The OU-700 Remote Operation Unit for EOS C700 is a control surface for accessing camera settings as well as enabling record start/stop. It can be mounted to the camera body or used remotely with an additional cable (UC-V75/UC-V1000). A dedicated unit cable is available in 75cm and 1000cm lengths for remote operation capability.

Canon CN-E 135mm T2.2 L F

Canon 8326B002AC (832/6B002AC, 832-6B002AC, 832/6B00/2AC, 832 6B00/2AC) (CNE, CN E, CN/E) CN-E 135mm T2.2 L F Part of Canon’s range of EF Cinema prime lenses, the CN-E135mm T2.2 L F is a lightweight, compact fixed focal length lens designed for EF mounts. It offers spectacular 4K image quality and a full frame image circle plus great low light performance and fine creative control over focusing and depth of field. Benefits Compact 135mm, T2.2 prime lens Spectacular 4K image quality Full frame image circle Industry standard manual control 11 blade diaphragm for attractive blurring Designed for EF mount 35 mm and Super 35mm cameras  

Canon CN-E 135mm T2.2 L F Digital Cinema Prime Lens (EF Mount)

Canon 8326B001AC (832/6B001AC, 832-6B001AC, 832/6B00/1AC, 832 6B00-1AC) (CNE ,CN E ,CN/E) CN-E 135mm T2.2 L F Digital Cinema Prime Lens (EF Mount) The Canon CN-E 135mm T2.2 L F Cinema Prime Lens is a telephoto prime lens for the full-frame sensor format, which makes it an ideal lens for the Cinema EOS series and all Canon DSLRs. The maximum aperture is T2.2, and the 11 blade iris ensures beautiful, rounded bokeh. The lens features markings on both sides of the barrel, making it easy to read settings from behind or on either side of the camera. In order to make lens changes quicker and easier, the 135mm T2.2 is designed to share similar dimensions with other CN-E lenses. Full-frame imaging circle 11-blade aperture diaphragm Designed to fulfill 4K production standards Markings on angled surfaces on both sides of the barrel Focus markings can be switched from standard labeling to metric Control rings engineered to maintain consistent operating torque Glass construction counteracts temperature induced marking discrepancies Shares gear position, diameter, and rotation angle with other CN-E lenses 114mm front diameter matches other CN-E lenses Ideal for Cinema EOS cameras and all EOS DSLRs

Canon CN-E 50mm T1,3 L M (Meter)

Canon 6570B002AC (657/0B002AC, 657-0B002AC, 657/0B00/2AC, 657-0B00/2AC) (CNE , CN E ,CN/E) CN-E 50mm T1,3 L M (Meter) From the Canon series of prime lenses, the CN-E 50mm T1.3 L F is a lightweight (1.3kg), compact fixed focal length lens designed for EF mounts. It offers spectacular 4K image quality and a full frame image circle plus great low light performance and fine creative control over focusing and depth of field.  Benefits Spectacular 4k image quality  Full frame image circle  Industry standard manual control  11 blade diaphragm for attractive blurring  Designed for EF mount 35 mm and Super 35mm cameras  Mountable on full size cameras     

Canon CN-E 50mm T1.3 L F Cine Lens

Canon 6570B001AC (657/0B001AC, 657-0B001AC, 657 0B001AC, 657/0B00/1AC) (CNE, CN E, CN/E) CN-E 50mm T1.3 L F Cine Lens The Canon CN-E50 T1.3mm L F Cine Lens is a lightweight (1.3kg), compact fixed focal length lens designed for great low light performance and fine creative control over focusing and depth of field. This lens has been designed for use with Canon’s C-series cinema cameras (EOS C100, C300 & C500) and Canon’s range of full-frame DSLRs with an EF-mount such as the Canon 5D Mark III, 1D X and 1D C.  

Canon CN-E 35mm T1.5 L F Cine Lens (EF Mount)

Canon 9139B002AC (913/9B002AC, 913-9B00-2AC, 913 9B00/2AC, 913/9B00 2AC) (CNE, CN E, CN/E) CN-E 35mm T1.5 L F Cine Lens (EF Mount) The Canon CN-E 35mm T1.5 L F Cine Lens is an EF-mount standard-width lens for Canon's C-series cinema cameras, for full-frame EOS DSLRs, and for any video-capable cameras that accept EF-mount lenses.    

Canon CN-E 24mm T1.5 L F EF Mount Digital Cinema Prime Lens

Canon 6569B001AC (656/9B001AC, 656/9B00-1AC, 656 9B00 1AC, 6569B00/1AC) (CNE CN/E CN E) CN-E 24mm T1.5 L F EF Mount Digital Cinema Prime Lens The Canon CN-E 24mm T1.5 L F Cine Lens is a wide-angle fixed focus prime lens that offers a broader perspective to capture spectacular landscapes or small interiors. The 24mm T1.5 L F Cine Lens with EF mount is lightweight (1.2kg) and features a constant f/1.5 maximum aperture to enable hand-held shooting in low light. The well-rounded 11-blade diaphragm provides a smooth, attractive blur for elements in the image that are out of focus. This lens has been designed for use with Canon’s C-series cinema cameras (EOS C100, C300 & C500) and Canon’s range of full-frame DSLRs with an EF-mount (such as the Canon 5D Mark III, 1D X and 1D C).

14MM T3.1L -Canon EF

Canon 8325B002AC (832/5B002AC, 832-5B002AC, 832/5B00/2AC, 832 5B00 2AC) 14MM T3.1L -Canon EF Part of Canon’s range of EF Cinema prime lenses, the CN-E14mm T3.1 L F is a lightweight, compact fixed focal length lens designed for EF mounts. It offers spectacular 4K image quality and a full frame image circle plus great low light performance and fine creative control over focusing and depth of field.

Canon ZSG-C10 Zoom Grip for Compact-Servo Lens

Canon 1715C003AA (171/5C003AA, 171-5C003AA, 171 5C003AA, 1715C00/3AA) (ZSGC10 , ZSG/C10, ZSG/C10, ZS/GC10 ) ZSG-C10 Zoom Grip for Compact-Servo Lens Designed specifically for use with CN-E Compact-Servo lenses, the Canon ZSG-C10 Zoom Grip adds an ENG-style operation to your camera setup. It has an ergonomic form factor for comfortable operation and features a seesaw rocker for zoom control, as well as REC start/stop and ONE-SHOT AF buttons. Because the grip provides electronic control for the drive unit, rather than mechanically driving the lens itself, you can choose to mount it directly to the side of the lens (using an included screw-on rosette) or mount it to an ARRI standard rosette elsewhere on your shoulder rig, as long as the 20-pin cable is still connected to the lens drive unit.

Canon CN-E 18-80mm T4.4 Compact-Servo Cinema Zoom Lens (EF Mount)

Canon 1714C003AA (171/4C003AA, 171-4C003AA, 1714C00/3AA, 171/4C00/3AA) CN-E 18-80mm T4.4 Compact-Servo Cinema Zoom Lens (EF Mount) The Canon CN-E 18-80mm T4.4 Compact-Servo Lens combines the functionality of Canon's EF lenses with the features and performance of their CN-E lineup. Designed for use with EF-mount cameras featuring Super 35 or APS-C sized sensors, the lens covers an incredibly useful 18 to 80mm focal range while maintaining a constant T-stop of T4.4 (f/4) throughout. Measuring 7.2" long and weighing only 2.65 lb, the lens presents itself as a compact, lightweight option suitable for a variety of productions, from narrative work to run-and-gun documentaries. Notably, the lens is Canon's first cine-style option to incorporate image stabilization and auto focus functionality when paired with Cinema EOS cameras. Further enhancing the versatility of this lens, Canon has equipped it with a servo drive unit compatible with industry-standard lens controllers, including Canon's broadcast ZSD-300D and FPD-400D, for full zoom, focus, and iris control. Alternatively, you can outfit the lens with the optional ZSG-C10 Control Grip for ENG-style lens control and operation. Power is provided to the grip from compatible cameras via the EF mount. For non-servo zoom control, the lens features cine-standard 0.8 mod gears, as well as a rubberized grip on the focus ring enabling comfortable manual operation. *** Please see that this is a special order item.

Canon 9859A001 TA-100 Tripod Adapter

Canon 9859A001 (985/9A001,985 9A001, 9859A/001,9859A-001) (TA100, TA/100, TA 100) TA-100 Tripod Adapter The TA-100 Tripod Adapter from Canon is compatible with the Canon EOS C300, EOS C300 PL, XF 100 Refurbished, XF100, XF105, XH A1, XH A1S, XH G1, XH G1S, XH_A1_Refurbished, XL H1, XL H1A, XL H1S, XL2, XL2 Body Kit, and XL2_Refurbished cameras. It allows you to quickly mount/dismount the camera from a tripod.

UN-10 Unit Cable for Canon EOS C200, C300 Mark II, C700, and XC15 (39"')

Canon 0887C001 (088/7C001, 088-7C001, 088 7C001,0887C/001) UN-10 (UN/10, UN 10, UN10, un-10) Unit Cable for Canon EOS C200, C300 Mark II, C700, and XC15 (39"')  The Canon UN-10 Unit Cable allows you to connect the Canon LM-V1 4" LCD Monitor to the Canon EOS C200, C300 Mark II, and C700 cameras. It also connects the Canon MA-400 Microphone Adapter to the C300 Mark II and Canon XC15.

Canon TS-E 90mm f/2.8

Canon 254/4A016 (254-4A016,254 4A016, 254/4A016, 2544A/016) TS-E 90mm f/2.8 This is the world's first 35 mm-format 90 mm lens with tilt and shift movements. Gaussian optics give high-quality delineation and true background blur. The lens is suited for a variety of subjects, from products to portraits.

Canon TS-E 135mm f/4L Macro Lens

Canon 2275C005 (227/5C005, 227-5C005, 2275C/005, 227 5C005) TS-E 135mm f/4L Macro Lens The TS-E 135mm f/4L tilt-and-shift lens has a longer focal length, offering unique ways to control perspective and plane of focus thanks to calibrated ±10° Tilt and a ±12 mm Shift movements, outstanding optical engineering and precision moulded glass for low distortion. This lens produces edge-to-edge definition and macro capability down to 1:2 life-size ratio, achieving exceptional focus and clarity thanks to 0.5x maximum magnification. An ideal studio lens with a greater reach to give you room for lighting set-ups, designed to give you ultimate shooting flexibility.

Canon ET-155 Lens Hood (WII)

Canon 4415B001 (441/5B001, 441-5B001, 4415B/001, 4415B 001) ET-155 Lens Hood (WII). The ET-155 (WII) Lens Hood for Select Canon Telephoto Lenses from Canon  is a dedicated lens hood for the Canon EF 400mm f/2.8L IS II USM and EF 800mm f/5.6L IS USM lenses. Lens hoods are primarily designed to prevent unwanted stray light from entering the lens by extending and shading the end of the lens. In addition, since the end of the lens is extended, you get the benefit of extra protection from accidental impact. Dedicated lens hoods are designed to match the specific focal length of the lenses for which they were designed.

Canon ET-138 Lens Hood (WII)

Canon 5171B001 (517/1B001, 517-1B001, 5171B/001, 5171B 001) ET-138 Lens Hood (WII). The ET-138W II Lens Hood for EF 500mm f/4 Lens from Canon is compatible with the Canon 500mm f/4L EF IS II USM Lens. It extends significantly from the front end of the lens to deflect stray, unwanted light from entering the lens and creating flare in your image. It also provides the lens with a degree of protection from accidental impact and the elements. The length of the lens hood is designed specifically for the 500mm focal length of the lens.

Canon ET-120B Lens Hood

Canon 2346B001 (234/6B001, 234-6B001, 2346B/001, 2346B 001) ET-120B Lens Hood. The Canon ET-120B Lens Hood is the replacement lens hood for the 200mm f/2L IS USM lens. Dedicated lens hoods are designed to match the specific focal length of the lenses they are designed for. Lens hoods are primarily designed to prevent unwanted stray light from entering the lens by extending and shading the end of the lens. In addition, since the end of the lens is extended, you also get the added benefit of some extra protection from accidental impact.

Canon ET-160 Lens Hood (WII)

Canon 5174B001 (51-74-B0-01, 51/74/B0/01, 51 74 B0 01, 51 74-B0/01) ET-160 Lens Hood (WII) The ET-160W II Lens Hood for EF 600mm f/4 Lens from Canon is compatible with the Canon EF 600mm f/4L IS II USM Lens. It extends significantly from the front end of the lens to deflect stray, unwanted light from entering the lens and creating flare in your image. It also provides the lens with a degree of protection from accidental impact and the elements. The length of the lens hood is designed specifically for the 600mm focal length of the lens.

Canon Lens Hood Et-160

Canon 2706A001 (27-06-A0-01, 27/06/A0/01, 27 06 A0 01, 27-06/A0 01) Lens Hood Et-160 Lens hoods are primarily designed to prevent unwanted stray light from entering the lens by extending and shading the end of the lens. In addition, since the end of the lens is extended, you also get the added benefit of some extra protection from accidental impact. Dedicated lens hoods are designed to match the specific focal length of the lens it was designed for.

Canon 52mm PL-C Drop-In Circular Polarising Filter (WII)

Canon 4774B001 (47-74-B0-01, 47/74/B0/01, 47 74 B0 01 47 74-B0/01) 52mm PL-C Drop-In Circular Polarising Filter (WII) Benefits Drops into EF 300mm f/2.8L IS II USM, EF 400mm f/4 DO IS II USM, EF 400mm f/2.8L IS II USM, EF 500mm f/4L IS II USM and EF 600mm f/4L IS II USM lenses Built-in gearing rotates the filter when it's inside the lens, to vary the intensity of its effect. Reduces the appearance of reflections in non-metallic surfaces Makes colours appear more saturated

Canon EF-S 55-250mm f/4-5.6 IS STM Lens

Canon 8546B005 (854/6B005, 854-6B005, 8546B/005, 8546B 005) EF-S 55-250mm f/4-5.6 IS STM Lens. Combining powerful telephoto performance with high-quality images, the affordable, lightweight and compact EF-S 55-250mm f/4-5.6 IS STM lens is the ideal companion for travel and shooting wildlife and sports. Stepping motor (STM) technology delivers smooth, quiet focusing when shooting video and the Image Stabilizer counter-acts your camera-shake, ideal for low-light environments or when shooting hand-held. The automatic Panning Detection works to track your subject and turns off the stabilisation, helping convey a sense of speed when photographing movement. Benefits: Get close to distant subjects, like wildlife and sport Easy-to-use design that delivers superb image quality Lightweight, compact design you can take everywhere Image Stabilizer reduces blur from camera shake Smooth, quiet STM focusing when shooting movies

Canon EF-M 55-200mm f/4.5-6.3 IS STM Lens - Silver

Canon 1122C005 (11-22-C0-05, 11/22/C0/05, 11 22 C0 05,11-22/C0 05) EF-M 55-200mm f/4.5-6.3 IS STM Lens - Silver Combining powerful telephoto performance with high-quality images, the lightweight and compact EF-M 55-200mm f/4.5-6.3 IS STM lens is the ideal companion for travel and shooting wildlife and sports with your mirrorless camera. A manual-focus ring enables precise yet easy focusing adjustments – with closest-focusing distance of 1 meter it’s also great for powerful portraits. Stepping motor technology (STM) delivers smooth, quiet focusing when shooting video and the Image Stabilizer counter-acts your camera-shake, ideal for low-light environments or when shooting hand-held.  

Canon EF-S 18-135mm f/3.5-5.6 IS USM Lens

Canon 1276C005 (127/6C005, 127-6C005, 1276C/005, 1276C 005) EF-S 18-135mm f/3.5-5.6 IS USM Lens. From landscapes to portraits and action-packed moments, capture it all in vivid detail with this versatile EF-S 18-135mm wide-angle zoom lens. Due to its wide focal range and compact, lightweight design this lens is ideal for travel or outdoor action, delivering speed and smooth focus for impulsive stills and movies. With Nano USM technology you can focus on your subject with outstanding speed, combined with a versatile focal range it enables you to capture dramatic landscapes, beautiful portraits and fast-paced action - with 4-stop Optical Image Stabilizer to counter-act camera shake to capture sharp, high-quality images even in low light or when using zoom. Benefits: Versatile focal range to capture a wide range of subjects Compact, high performance lens with optional power zoom accessory Record rock steady movie footage with Dynamic IS Pin sharp photos with 4-stop Optical Image Stabilizer Nano USM for fast AF for photos and smooth, quiet AF for movies

Canon EF-S 17-55mm f/2.8 IS USM Lens

Canon 1242B005 (124/2B005, 124-2B005,1242B/005, 1242B/005) EF-S 17-55mm f/2.8 IS USM Lens. The 17-55mm zoom range delivers outstanding flexibility, producing high-quality images for landscape, portrait and travel photography. The f/2.8 aperture remains constant throughout the full focal length range, so you can zoom without slowing the shutter speed. With fast focusing in Ultra-Sonic motor (USM) technology you can roam city streets and expansive scenery, capturing subjects without interruption. The 3-stop optical Image Stabilizer and wide aperture reduces camera shake, enabling hand-held photography in low-light conditions or night photography without using a flash.

Canon EF 50mm f/1.2L USM fixed focal length lens

Canon 1257B005 (12-57-B0-05, 12/57/B0/05, 12 57 B0 05) EF 50mm f/1.2L USM fixed focal length lens This professional L-Series prime lens is an ideal general-purpose solution for the professional’s kit bag. With a large maximum aperture of f/1.2 its fast when shooting in low light, with excellent control over focusing for shallow depth of field and creative effects when on location. For a truly professional finish, the ring-type Ultra Sonic Motor (USM) drives fast and quiet autofocus, with a circular 8-bladed aperture diaphragm giving out-of-focus areas an even softer look and elegant bokeh. Part of the Canon professional L-series flagship range, its designed for robust handling and resistant to dust and moisture.

Canon EF 8-15mm f/4L Fisheye USM Lens

Canon 4427B005 (4427B005, 4427B005, 4427B005, 4427B005) EF 8-15mm f/4L Fisheye USM Lens. A creative option for photographers, the EF 8-15mm f/4L Fisheye USM is a versatile lens that provides a 180-degree circular field of view on full frame cameras at 8 mm, opening to an ultra-wide fisheye view at 15 mm. Ideal for creative shooting with artistic results, distorting the angle of view lets you get more of the landscape within the frame or distort your subject for unique visual effects. Part of the Canon professional L-series flagship range, this lens is designed for robust handling and resistant to dust and moisture.

Canon EF 50mm f/1.4 USM Lens

Canon 2515A012 (2515A/012, 2515A-012, 2515A/012, 2515A 012) EF 50mm f/1.4 USM Lens. With its fast maximum aperture and focusing system, the compact, high performance EF 50mm f/1.4 USM standard lens delivers superb performance in any field of photography, from landscapes and travel scenes to portraits and reportage. It’s compact and lightweight design make it an affordable choice for travel and general-use, the Ultra Sonic Motor (USM) motor drives autofocus extremely quickly and quietly, with excellent holding torque ensuring the point of focus is reached accurately. A circular 8-bladed aperture diaphragm gives out-of-focus regions a softer look, letting sharp foreground objects stand out against elegant bokeh.

Canon EF 24-70mm f/2.8L II USM Lens

Canon 5175B005 (517/5B005, 517-5B005, 517 5B005, 5175B-005) EF 24-70mm f/2.8L II USM Lens Tackling virtually any subject with an extended 24-70 mm zoom range, this L-series prime lens is a go-to zoom for professional photographers. Delivering outstanding image quality with a fast f/2.8 aperture for optimum control over depth-of-field, the 9-bladed diaphragm also helps to achieve beautiful background blur. A great low-light performer – the fast and constant aperture of the EF 24-70mm f/2.8L II USM makes the most of available ambient light. Split-second moments are captured in fast, responsive Auto Focus with Ultra-Sonic Motor (USM) so it’s an excellent choice for professional, high-quality results whilst travelling light. Part of the Canon professional L-series flagship range, its designed for robust handling and resistant to dust and moisture.  

Canon EF 17-40mm f/4L USM Lens

Canon 8806A007 (880/6A007, 880-6A007, 880 6A007, 8806A/007) EF 17-40mm f/4L USM Ultra Wide Angle Zoom Lens The EF 17-40mm f/4L USM Lens is an ultra-wide-angle lens producing stunning clarity in a range of focal lengths. Its compact, lightweight body makes it an ideal travel companion - suited to interiors, architecture and landscapes, fitting more in the frame without the need to step back. Produce consistent exposures with the large f/4 aperture over the 17-40 mm zoom range and create softer background blur with a 7-blade circular aperture diaphragm. Part of the Canon professional L-series flagship range, its designed for robust handling and resistant to dust and moisture. Ultra wide lens for analogue EOS SLR cameras The EF17-40mm f/4L USM is an ultra wide angle Canon EF zoom lens meant for professional and high amateur SLR EOS camera users. Standard zoom lens for digital EOS SLR cameras While it is an excellent lens when used with an analogue SLR camera, the EF17-40mm f/4L USM is especially well suited for digital SLR cameras with an imaging sensor size smaller than the 35mm format. Indeed on such digital SLR cameras these focal lengths can give an angle of view approximately equivalent to that of a 28-70mm lens used on a 35mm camera, which makes it the ideal standard zoom lens. Superior optical performance The EF17-40mm f/4L USM has 12 lens elements arranged in 9 groups. Super Spectra Coating on the elements ensures excellent colour balance and minimises ghosting and flare. To provide superb image quality over a 17-40mm zoom range the lens uses three aspheric elements of two different types, while Super UD (Ultra-low Dispersion) glass is used to prevent the chromatic aberrations that often can degrade the subject edge clarity. Extensive set of high-end features Minimum focusing distance is just 28cm throughout the entire zoom range.   The Auto-focus works silently and quickly thanks to a fast central processing unit with an improved AF algorithm. You can override AF mode with manual focus should you wish.Controlled by an electromagnetic diaphragm, the EF17-40mm f/4L USMs circular aperture can achieve a more attractive appearance to out of focus background areas in a picture.The front of the lens does not rotate as you focus. This means, for example, that polarising filters still function effectively as you zoom in and out. At the rear of the lens theres a drop-in gelatin filter holder.Highly resistant to moisture and dust, the EF17-40mm f/4L USM is ideally suited for use in harsh environments. Environment friendly lead-free glass is used throughout its construction.

Canon EF 16-35mm f/4L IS USM Lens

Canon, 9518B005, EF 16-35mm f/4L IS USM, EF 16-35mm, EF-16-35mm, 16-35mm, EF, f/4L, f4L, IS, USM, Lens,  ultra-wide-angle, wide lens. The EF 16-35mm f/4L IS USM is an ultra-wide-angle lens producing stunning clarity in a range of focal lengths. The zoom range combines a fixed f/4 aperture with excellent optical performance, making it ideal for landscapes, architectural shots and photojournalism – delivering sharp and expansive images with little distortion. The 4-stop Optical Image Stabilizer reduces camera shake for faster, sharper images, even in low-light and the in-built Ultra-Sonic Motor (USM) drives fast and quiet Auto Focus with optional full manual override. Part of the Canon professional L-series flagship range, its designed for robust handling and resistant to dust and moisture.      

Canon EF 135mm f/2L USM Lens

Canon 2520A015 (252/0A015, 252-0A015, 252 0A015, 2520A/015) EF 135mm f/2L USM Lens A versatile telephoto lens, the long focal length of the EF 135mm f/2L USM coupled with the f/2 maximum aperture provides greater control over depth of field, ideal for portraiture and sports photography. This lens isolates the subject with beautiful bokeh thanks to its 8-bladed fast aperture also allowing for hand-held shooting in in low-light. Benefits A lens suited to portrait and indoor sports photography A fixed, fast aperture for low light shooting Produce sharp, high-contrast images with Super UD (ultra-low dispersion) elements to suppress chromatic aberrations Reduce ghosting and flare with Super Spectra coating The in-built Ultra-Sonic Motor (USM) drives fast and quiet Auto Focus with optional full manual override Compatible with all Canon DSLR cameras and EOS-M mirrorless cameras with an EF-EOS M Mount adapter

Canon EF 100mm f/2.8L Macro IS USM Lens

Canon 3554B005 (355/4B005, 355-4B005, 355 4B005, 3554B/005) EF 100mm f/2.8L Macro IS USM Lens The EF 100mm f/2.8L Macro IS USM has a true macro magnification ratio of 1:1, a versatile lens its perfect for both portrait and macro photography with a fast, fixed aperture for shallow depth of field with beautiful bokeh. The built-in 4-stop Hybrid Image Stabilization allows for handheld shooting, counteracting regular angular shake and lateral shift-shake – especially designed for macro - so you can produce sharp and clear images at extreme close-ups. Part of the Canon professional L-series flagship range, its designed for robust handling and resistant to dust and moisture.    

Canon EF 24-105mm f/4L IS II USM Lens

Canon 1380C005 (138/0C005, 138-0C005, 138 0C005, 1380C/005) EF 24-105mm f/4L IS II USM Lens The standard zoom that goes that little bit further. Tackle virtually any subject with an extended 24-105mm zoom range, plus superb image quality and robust, weather-proof construction. With a constant f/4 maximum aperture, this is a great choice for those looking to shoot high-quality photography or video while traveling light, perhaps with just a single camera and lens.  

Canon Lens Case 600

Canon 2804A001 (280/4A001, 280-4A001, 280 4A001, 2804A/001) Lens Case 600 Lens Case 600 for the Canon EF 600mm f/4.0L IS USM Lens. Compatibility EF 600mm f/4L IS USM

Canon Lens Case 400C

Canon 4419B001 (441/9B001, 441-9B001, 441 9B001, 4419B/001) Lens Case 400C The Canon Lens Case 400C from Canon is a hard lens case, providing added protection against hard impacts during shipping and travel--made to carry a Canon EF 400mm f/2.8L IS II USM Lens. Hard Lens Case protecting against hard impacts during shipping and travel Black Rubber Corners, Rubber Non-skid Feet Compatible Canon EF 400mm f/2.8L IS II USM Lens

Canon Lens Case 400B

Canon 6747A001 (674/7A001, 674-7A001, 674 7A001, 6747A/001) Lens Case 400B The Canon Carrying Case 400B is a replacement hard protective lens case made to fit the Canon EF 400mm f/4.0 DO-IS lens. It provides a dedicated storage bed for the lens with included accessories.

Canon Lens Case 300

Canon 2801A001 (280 1A001, 280/1A001, 280-1A001, 2801A/001) Lens Case 300 The Canon Lens Trunk 300 is made to carry a Canon EF 300mm f/2.8L IS USM Lens. It is a replacement case for the original supplied with the lens. Hard trunk style lens case Black rubber corners Rubber non-skid feet Compatible Canon EF 300mm f/2.8L IS Lens

Canon Lens Case 200

Canon 2348B001 (234/8B001, 234 8B001, 234-8B001, 2348B/001) Lens Case 200 The Canon Lens Case 200 is a replacement hard protective lens case made to fit the Canon EF 200mm f/2.0 L IS USM autofocus lens. It provides a dedicated storage bed for the lens with included accessories. Compatible with Canon EF 200mm f/2.0 L IS USM autofocus lens

Canon EF 85mm f/1.4L IS USM Lens

Canon 2271C005 (227/1C005, 227-1C005 2271C/005, 2271C 005) EF 85mm f/1.4L IS USM Lens This fast portrait lens uses Canon’s latest optical technology to deliver clear, sharp images full of contrast and colour with razor sharp detail right across the image, edge to edge. Built with the needs of the creative photographer in mind, this lens features a wide maximum aperture of f/1.4 plus 4-stop image stabilisation to allow precise focusing and faster shutter speeds even in low light.  Benefits f/1.4 maximum aperture 4-stop image stabilisation Large, bright aperture Air Sphere Coating Shock absorbing front casing Weather sealing Durable and weather resistant Compatibility EOS-1D X  EOS 5DS  EOS 5DS R  EOS 5D  EOS 6D  EOS 7D  EOS 60D  EOS 70D  EOS 77D  EOS 80D  EOS 100D  EOS 200D  EOS 300D  EOS 350D  EOS 400D  EOS 450D  EOS 500D  EOS 550D  EOS 600D  EOS 700D  EOS 750D  EOS 760D  EOS 800D  EOS 1100D  EOS 1200D  EOS 1300D

Canon EF 600mm f/4L Is II Usm L Series

Canon 5125B005 (5125B005, 5125B005, 5125B005, 5125B005) EF 600mm f/4L Is II UsM L Series. Canon EF 600mm f/4L Is II UsM L Series Super-Telephoto Fixed Focal length lens (p/n 5125B005AA) . The EF 600mm f/4L IS II USM is a high-magnification, super-telephoto lens featuring integrated Image Stabilizer technology and a fast f/4 maximum aperture. Perfect for wildlife, nature and sports photographers working in the field. Compatibility EOS 550D  EOS 100D  EOS 1100D  EOS 450D  EOS 500D  EOS 5DS  EOS 700D  EOS 7D Mark II  EOS 1300D  EOS 5D Mark IV  EOS 77D  EOS 1200D  EOS 200D  EOS 600D  EOS 6D  EOS 750D  EOS 760D  EOS 400D  EOS 6D Mark II  EOS 70D  EOS 800D  EOS 80D  EOS-1D X Mark II  EOS 350D  EOS 5D  EOS 5DS R  EOS 60D  EOS-1D X  EOS 300D  EOS 7D

Canon EF 300mm f / 2.8L IS II USM Telephoto Lens

Canon 4411B005 (44-11-B0-05, 44/11/B0/05, 44 11-B0/05, 44 11 B0 05) EF 300mm f / 2.8L IS II USM Telephoto Lens High-performance L-series super-telephoto lens, with 4 stop Image Stabilizer with 3 modes ideal for all types of action photography. The EF 300mm f/2.8L IS II USM delivers outstanding image quality in a robust lightweight construction. Compatible Cameras EOS 5DS EOS 5DS R EOS 6D EOS 700D EOS-1D X EOS 350D  EOS 5D  EOS 5D Mark IV  EOS 60D  EOS 6D Mark II  EOS 750D  EOS 77D  EOS-1D X Mark II  EOS 1100D  EOS 500D  EOS 7D  EOS 1200D  EOS 1300D  EOS 300D  EOS 400D  EOS 70D  EOS 760D  EOS 7D Mark II  EOS 450D  EOS 550D  EOS 600D  EOS 80D  EOS 100D  EOS 200D  EOS 800D

Canon EF 200mm f/2L IS USM L Series Telephoto Lens

Canon 2297B005 ( 22-97-B0-05, 22/97/B0/05, 22 97 B0 05 ) EF 200mm f/2L IS USM L Series Telephoto Lens The EF 200mm f/2L IS USM is a high-performance medium telephoto lens for professional photographers. Its large f/2 aperture ensures optimum results indoors and in low-light situations.

Canon Car Battery Charger

Canon 3350B001 (33-50-B0-01, 33/50/B0/01, 33 50 B0 01) Car Battery Charger The 3350B001 Car Battery Charger for LP-E6 Battery from Canon is designed for use with the Canon EOS 5D Mark II Digital SLR camera. This unit can be used to charge the LP-E6 battery for the 5D Mark II from the standard lighter outlet in your automobile.

Canon Camera Battery Charger

Canon 5752B003 ( 57-52-B0-03, 57/52/B0/03, 57 52 B0 03 ) Camera Battery Charger  Compatible with EOS-1D X, EOS-IDs Mark III, EOS-1D Mark IV and EOS-1D Mark III.

Canon 1485C001 BG-E20 Battery Grip for EOS 5D Mark IV

Canon 1485C001 (BG/E20, BG_E20, BG E20, BGE20, bg_e20) BG-E20 Battery Grip for EOS 5D Mark IV Extend your shooting time when travelling or shooting on location by using two batteries with your compatible DSLR. Fitting both LP-E6 and LP-E6N batteries, this battery grip offers duplicate controls, such as shutter release or AF point selection, working in both landscape and portrait orientation for intuitive control of your camera. Use up to two batteries at once with the EOS 5D Mark IV, extending your shooting time Compatible both LP-E6 and LP-E6N batteries or an optional DC Coupler DR-E6 and AC Adapter AC-E6N Featuring a variety of controls such as a shutter button, main dial, multi-controller, AF point selection button, AE/FE lock button, AF start button, and multifunction button making it ideal for vertical shooting An oversized grip is more comfortable for those with larger hands and makes it easier to hold the camera vertically

Canon Battery Charger

Canon 1170C003 (11-70-C0-03, 11/70/C0/03, 11 70 C0 03) Battery Charger Step up your kit with a spare or replacement LC-E19 battery charger. The 1170C003 Battery Charger from Canon will charge two separate LP-E19, LP-E4, or LP-E4N battery packs. LP-E19 batteries charge at a rate of 170 minutes per battery, while LP-E4 and LP-E4N charge at a rate of 140 minutes per battery. It plugs directly into AC outlets and includes an AC adapter.

Canon CN-E 14mm T3.1 L F Digital Cinema Prime Lens (EF Mount)

Canon 8325B001AC (832/5B001AC, 832-5B001AC, 832 5B001AC, 832/5B00/1AC) (CNE , CN/E, C/NE )CN-E 14mm T3.1 L F Digital Cinema Prime Lens (EF Mount) The Canon CN-E 14mm T3.1 L F Cinema Prime Lens is an ultra wide-angle prime lens for the full-frame sensor format, which makes it an ideal lens for the Cinema EOS series and all Canon DSLRs. The maximum aperture is T3.1, and the 11 blade iris ensures beautiful, rounded bokeh. The lens features markings on both sides of the barrel, making it easy to read settings from behind or on either side of the camera. In order to make lens changes quicker and easier, the 14mm T3.1 is designed to share similar dimensions with other CN-E lenses.

Canon EF-S-18-135mm-f/3.5-5.6-IS Lens

Canon EF-S-18-135mm-f/3.5-5.6-IS, EF-S 18-135mm f/3.5-5.6 IS Lens  The Canon EF-S 18-135mm f3.5-5.6 IS lens is an all-in-one lens for EOS EF-S mount bodies. The powerful lens features an impressive 4-stop Image Stabiliser and a 7.5x super zoom range (approx. 29-216mm equivalent focal length). Covering a wide range of focal lengths, the Canon EF-S 18-135mm f/3.5-5.6 IS lens has a 0.45m minimum focusing distance. This lens is a general purpose zoom lens, ideal for photographers who want to try their hand at something different to a standard kit lens. Featuring fantastic low-light performance, this lens also includes ultra low dispersion (UD) lenses, aspherical lens elements and lens coatings optimised to combat ghosting and flare - meaning high quality throughout. The versatile, all-purpose powerful standard zoom lens. Offering a multi purpose zoom range from wide angle to telephoto, and featuring Canon’s 4-stop Image Stabilizer, the EF-S 18-135mm f/3.5-5.6 IS provides complete versatility what ever your needs. Benefits Versatile zoom range – great for landscapes, portraits and travel Compact lightweight design Avoid camera shake with a four-stop optical Image Stabilizer STM Motor gives smooth, near-silent focusing when shooting video 0.25m close focusing distance   The multi function zoom lens Offering a 35mm equivalent effective focal length range of 29-216mm, the EF-S 18-135mm f/3.5-5.6 IS combines the majority of all the most popular focal lengths in one lens. Whether it's a wide angle for landscapes you need, or a telephoto for sports day, the EF-S 18-135mm f/3.5-5.6 IS covers all your requirements. Image Stabilizer The EF-S 18-135mm f/3.5-5.6 IS features Canon’s 4-stop Image Stabilizer (IS). Ideal for low light conditions when a tripod can’t be used, the Image Stabilizer system allows shutter speeds of up to 4 stops slower than normal to be used without causing image blur. Beauty is not just skin deep The EF-S 18-135mm f/3.5-5.6 IS also features a textured exterior finish for a sophisticated look and feel that matches your EOS camera. High speed auto focus A new DC autofocus motor combined with a high-speed CPU and improved AF algorithm enables quick and accurate auto focus performance. Super Spectra coatings Canon’s Super Spectra lens coating is used to prevent flare and ghosting, which are more prone to occur with digital cameras due to reflection off the image sensor. The use of optimised lens coatings prevent flare and ghosting and ensure excellent color balance and contrast. Discover creative blur A 6-blade circular aperture enables you to blur your background creatively. This can be used to enhance portraits by creatively blurring background detail making the subject more striking.

Canon WD-H34II Wide-Converter

Canon WD-H34II (WDH34II WD H 34 II) Wide-Converter for HF R Series camcorders The Canon WD-H34II wide converter is for the HF R series of camcorders.

Canon WD-H43 0.7x Wide Converter

Canon WD-H43 (WDH43 WD H 43) 0.7x Wide Converter for HV20 and HG10 0.7x wide able converter for use with the Canon camcorders HV20 and HG10.