Vinten Vision 100 with Carbon Fibre Legs, used

Vinten Vision 100 with Carbon Fibre Legs, used 3 Months Warranty   Combining Perfect Balance with the TF drag system, the Vision 100 allows total control and consistent performance in the toughest conditions. Illuminated drag controls and a digital counterbalance readout ensure simple and repeatable camera set-up in any lighting situation. Digital balance readout for quick repeatable set-ups Instant responsiveness from Perfect Balance Thin Film drag (TF) for outstanding whip pan in any condition High contrast amber LED levelling bubble for quick, precise set-up Extensive operating temperature from -40°C to +60°CApplication: Documentaries, Live, Newsgathering, Outside Broadcast, Sports, Studio

Samyang Cine T1.5/24mm as Rokinon Wide Angle Lens Canon EF, used

Samyang Cine T1.5/24mm as Rokinon Wide Angle Lens Canon EF, used 3 Months Warranty, Good Condition.  Canon HD Wide Converter 0.8X W80HD (BGO-6670) Adapter BG2-2034 (BGO-6670). Cannon acc adapter bg2-2034 with cannon wide converter Bgo-6086This Canon W80-iiiB .8x Wide Angle Converter Lens for ENG / EFP Lenses is a 0.8x wide angle converter lens for center depth Canon ENG and EFP broadcast lenses.   It's an attachment lens that features full zoom-through capability. It attaches by one of two separately-sold Canon lens adapters -- the Canon 85iii for attaching onto a lens with an 85mm outer diameter, and the 98ii for a 98mm outer diameter lens.

Sennheiser EK 100 G4-GB Receiver 606-648MHz, used

Sennheiser EK 100 G4-GB Receiver 606-648MHz, used Professional Wireless Bodypack Receiver for Sennheiser G4 In-Ear Monitoring Systems The Sennheiser EK 100 G4-GB is a rugged, professional bodypack receiver designed for use with Sennheiser evolution wireless G4 in-ear monitoring systems. Operating in the GB frequency range (606–648 MHz), it delivers reliable RF performance, clear stereo audio and robust construction, making it ideal for musicians, live sound engineers, theatres and broadcast productions.    Key Features Professional wireless stereo bodypack receiver GB Frequency Range: 606–648 MHz Adaptive diversity reception for reliable RF performance Up to 42 MHz switching bandwidth Up to 1,680 selectable frequencies Infrared synchronisation with compatible G4 transmitters HDX compander system for clear, detailed audio Adjustable limiter and High Boost EQ Standard 3.5 mm headphone output Compatible with Sennheiser evolution wireless G4 IEM transmitters

Micron SDR770 Receiver(One Damaged Antenna),Used

Micron SDR770 Receiver(One Damaged Antenna),Used Good condition 3 months warranty  *Please note- one slightly damaged antenna but still functioning   The Micron SDR770 is a compact professional true diversity UHF wireless receiver designed for ENG, EFP, location sound and outside broadcast applications. Its lightweight construction makes it ideal for camera mounting or use with portable audio recorders, while delivering the exceptional RF performance and audio quality that Micron wireless systems are renowned for. Featuring dual independent receiver sections with automatic diversity switching, the SDR770 significantly reduces signal dropouts and maintains reliable reception even in challenging RF environments. Advanced PLL frequency synthesis and Micron's proprietary noise reduction technology ensure stable operation, excellent selectivity and broadcast-quality audio.   The receiver offers both microphone and balanced line-level outputs, making it suitable for a wide range of professional production workflows. Visual LED indicators provide continuous monitoring of RF signal strength and transmitter battery status, helping operators maintain reliable wireless performance throughout a shoot. 

Micron SDR770 Receiver,used

Good condition 3 months warranty  The Micron SDR770 is a compact professional true diversity UHF wireless receiver designed for ENG, EFP, location sound and outside broadcast applications. Its lightweight construction makes it ideal for camera mounting or use with portable audio recorders, while delivering the exceptional RF performance and audio quality that Micron wireless systems are renowned for. Featuring dual independent receiver sections with automatic diversity switching, the SDR770 significantly reduces signal dropouts and maintains reliable reception even in challenging RF environments. Advanced PLL frequency synthesis and Micron's proprietary noise reduction technology ensure stable operation, excellent selectivity and broadcast-quality audio.   The receiver offers both microphone and balanced line-level outputs, making it suitable for a wide range of professional production workflows. Visual LED indicators provide continuous monitoring of RF signal strength and transmitter battery status, helping operators maintain reliable wireless performance throughout a shoot. 

Sony Venice 2 8K Camera Kit 277 Hours + Full Licenses,Used

Sony Venice 2 8K Camera Kit 277 Hours + Full Licenses,Used Excellent condition 3 months warranty   6x24mm Full-Frame Sensor for Cinema The Sony Venice 2 features one of two 36x24mm full-frame image sensors, designed specifically for the demands and performance of high-end cinematography. Each offers remarkable sensitivity, latitude and colour rendition, and because the sensor blocks are interchangeable, users can easily switch between sensors—without any extra firmware—and can even use the sensor from their original VENICE. The new 8K sensor can capture images up to a maximum resolution of 8640 x 5760, while the established 6K sensor offers up to 6048 x 4032. Bothoffer powerful oversampling for incredible 4K images. Creative Freedom Full-Frame full width 36 mm 8K and 6K In full-frame, you can use the full width of the sensors (8640 or 6048 pixels) for widescreen spherical 2.39:1 or Large Format Scope. FullFrame can be used creatively in several ways – forexample, to allow for extra shallow depth of field or super-wide shooting. Super35 full height 2.0x squeeze Anamorphic For anamorphic shooting and production, Super35 full height 2x squeeze anamorphic is supported. Super35 17:9 and 16:9 These popular imager sizes have native support in VENICE 2, and the 8K sensor makes it possible to capture 5.8K footage in these modes. Current Super35mm PL mount lenses can be used as well. Surround View (Look Around) Using the 6K sensor, the Sony Venice 2 camera records only the active area but the viewfinder and on-set monitors can display a 5% margin around it.Surround View supports three imager modes: 3.8K 16:9, 4K 17:9 and 4K 4:3. Phenomenal Latitude The Sony Venice 2 8K sensor has an exceptional 16 stops of latitude, while the 6K sensor boasts 15+ stops of latitude. This means that both imagers can deliver phenomenal images withvery little noise, in conditions that range from searing sunlight to almost no light. VENICE 2 also excels at High Dynamic Range imaging,allowing for unprecedented creative freedom in grading. Dual Base ISO VENICE 2 features dual base ISO, meaning that the 8K sensor offers Base ISO3200 in addition to Base ISO800, while the 6K sensor has Base ISO500 and Base ISO2500. 8K sensor excels inlow-light, High Dynamic Range capture, with an exposure latitude from 6 stops over to 10 stops under 18% Middle Gray, for a total of 16 stops. 6K sensor offers an exposure latitude from 6stops over to 9 stops under 18% Middle Gray, for a total of 15+ stops. More Colours for More Expression The Sony Venice 2 can exceed the BT.2020 colour space, with a colour range wider than DCI-P3. This means it can beautifully reproduce the true colour of the scene in front of your lens. The cameraalso provides a broad palette in the grading suite, using the established workflow of Sony’s S-Log3 and Ultra-wide Colour space, S-Gamut3. Plus, VENICE 2’s 8K and 6K sensors match colours almost perfectly, making your grading experience even better. High Frame Rate VENICE 2 can shoot at speeds of up to 120fps at 4K and 90fps at 6K, when using the 6K sensor. In combination with an anamorphic license, it also allows shooting at speeds of up to 75fps at 4K4:3 and 72fps at 4K 6:5. With the 8K sensor, VENICE 2 can achieve up to 60fps at 8.2K and 90fps at 5.8K. Fast Shutter Jello effect is something we don’t need when filming. VENICE 2 has high speed readout sensors that minimize the jello effects typical with CMOS sensors. PL Lens Mount The Sony Venice 2 comes with the industry-standard PL lens mount, and is compatible with all Super35 and full-frame PL lenses—spherical and anamorphic. The lens mount includes contacts that support Cooke/i Technology, and lens information is recorded as metadata, frame byframe. We have also added support for ZEISS eXtended Data.   Lever Lock Type E-mount E-mount offers unsurpassed compatibility with Sony lenses. E-mount (lever lock type) gives users the ability to change lenses by rotating the locking collar rather than the lens itself, which means that in mostcases lens support rigs don’t need to be removed, saves time during a production.

Envoy TXBLU-V Transmitter + Sony ECM77BPC mic,Used

Envoy TXBLU-V Transmitter + Sony ECM77BPC mic,Used Good condition 3 months warranty  Envoy TXBLU-V Transmitter The Audio Ltd Envoy TXBLU-V is a compact professional UHF bodypack transmitter designed for broadcast, film and live production. Built for use with lavalier, headset and instrument microphones, it provides dependable RF performance and natural, transparent audio quality in demanding production environments. Designed to work seamlessly with Audio Ltd Envoy receivers, the TXBLU-V offers selectable frequencies within its allocated tuning block, adjustable input gain and robust RF transmission for reliable operation during ENG, television and location recording. Its lightweight construction makes it comfortable for talent while maintaining the durability expected from professional broadcast equipment. Ideal for interviews, documentaries, live events and studio productions, the TXBLU-V combines dependable wireless performance with Audio Ltd's renowned broadcast audio quality.

Micron SDR770 Wireless Receiver 199.7-201MHz, Used

Micron SDR 770 Receiver,Used Frequency Range: 199.700–201.000 MHz  Frequency Band: 200 MHZ Good condition 3 months warranty  The Micron SDR770 is a compact professional true diversity UHF wireless receiver designed for ENG, EFP, location sound and outside broadcast applications. Its lightweight construction makes it ideal for camera mounting or use with portable audio recorders, while delivering the exceptional RF performance and audio quality that Micron wireless systems are renowned for. Featuring dual independent receiver sections with automatic diversity switching, the SDR770 significantly reduces signal dropouts and maintains reliable reception even in challenging RF environments. Advanced PLL frequency synthesis and Micron's proprietary noise reduction technology ensure stable operation, excellent selectivity and broadcast-quality audio.   The receiver offers both microphone and balanced line-level outputs, making it suitable for a wide range of professional production workflows. Visual LED indicators provide continuous monitoring of RF signal strength and transmitter battery status, helping operators maintain reliable wireless performance throughout a shoot. 

Envoy TXBLU-V Transmitter,Used

Envoy TXBLU-V Transmitter,Used The Audio Ltd Envoy TXBLU-V is a compact professional UHF bodypack transmitter designed for broadcast, film and live production. Built for use with lavalier, headset and instrument microphones, it provides dependable RF performance and natural, transparent audio quality in demanding production environments. Designed to work seamlessly with Audio Ltd Envoy receivers, the TXBLU-V offers selectable frequencies within its allocated tuning block, adjustable input gain and robust RF transmission for reliable operation during ENG, television and location recording. Its lightweight construction makes it comfortable for talent while maintaining the durability expected from professional broadcast equipment. Ideal for interviews, documentaries, live events and studio productions, the TXBLU-V combines dependable wireless performance with Audio Ltd's renowned broadcast audio quality. Key Features   Professional UHF bodypack transmitter Designed for broadcast, ENG and film production Compatible with Audio Ltd Envoy wireless receivers Compact and lightweight construction Adjustable microphone input gain Broadcast-quality audio transmission Reliable RF performance for demanding environments Suitable for lavalier, headset and instrument microphones  

Envoy TXBLU-V Transmitter & Sony ECM 77BPC Mic,Used

Envoy TXBLU-V Transmitter & Sony ECM 77BPC Mic,Used Good condition 3 months warranty  Envoy TXBLU-V Transmitter The Audio Ltd Envoy TXBLU-V is a compact professional UHF bodypack transmitter designed for broadcast, film and live production. Built for use with lavalier, headset and instrument microphones, it provides dependable RF performance and natural, transparent audio quality in demanding production environments. Designed to work seamlessly with Audio Ltd Envoy receivers, the TXBLU-V offers selectable frequencies within its allocated tuning block, adjustable input gain and robust RF transmission for reliable operation during ENG, television and location recording. Its lightweight construction makes it comfortable for talent while maintaining the durability expected from professional broadcast equipment.   Ideal for interviews, documentaries, live events and studio productions, the TXBLU-V combines dependable wireless performance with Audio Ltd's renowned broadcast audio quality. 

Micron TX700 Transmitter + Sony ECM 77BPC Mic,Used

Micron TX700 Transmitter + Sony ECM 77BPC Mic,Used Good condition 3 months warranty  Micron TX700 Pocket Transmitter The Micron TX700 is a professional UHF bodypack transmitter developed for broadcast, television, film, ENG and location sound recording. Designed around a low-noise voltage-controlled oscillator (VCO) with digitally controlled PLL circuitry, the TX700 delivers exceptionally clean RF transmission and the renowned audio quality expected from the Micron 700 Series. Constructed from a rugged one-piece aluminium extrusion, the TX700 is lightweight yet durable enough for demanding production environments. The transmitter features adjustable audio gain with peak-level LED indicators, a user-adjustable soft limiter, bass-cut filter and phase-reverse switch, allowing engineers to optimise performance for a wide range of microphones and recording situations. Compatible with both microphone and line-level sources via dedicated input leads, the TX700 also provides remote low-battery signalling to compatible Micron receivers, ensuring reliable operation during live productions and location shoots. Key Features   Professional UHF bodypack transmitter Digitally controlled PLL frequency synthesis Low-noise VCO RF design Lightweight rugged aluminium construction Adjustable audio gain with LED modulation indicators User-adjustable soft limiter Switchable bass-cut filter Phase-reverse switch Supports microphone and line-level inputs Low-battery transmission warning Designed for broadcast, ENG, film and live production Compatible with Micron 700 Series receivers

Envoy CXIR CA Receiver,Used

Envoy CXIR CA Receiver,Used Good condition 3 months warranty   The Envoy CXiR-CA is a professional UHF true diversity slot-in wireless receiver designed for broadcast, ENG and documentary production. Built specifically for compatible broadcast camcorders, the CXiR-CA integrates directly into the camera's wireless slot, providing reliable RF performance without the need for external brackets or additional cabling. Employing true diversity technology with dual independent RF receiver sections, the CXiR-CA continuously monitors both antennas and automatically selects the strongest signal to minimise dropouts and maintain uninterrupted broadcast-quality audio. Infra-red remote programming via the Audio Ltd SwitchiR controller enables quick adjustment of frequencies, gain and system settings, even while the receiver remains installed in the camera.   Offering 32 switchable frequencies within a 24 MHz tuning block (frequency block dependent), the CXiR-CA is fully compatible with Audio Ltd Envoy transmitters as well as legacy RMS 2020 and RMS 2000 Series systems, making it a versatile choice for professional location sound, television production and live broadcasting. 

Envoy TXBLU-V Transmitter,Used

Envoy TXBLU-V Transmitter,Used Good condition 3 months warranty Envoy TXBLU-V Transmitter The Audio Ltd Envoy TXBLU-V is a compact professional UHF bodypack transmitter designed for broadcast, film and live production. Built for use with lavalier, headset and instrument microphones, it provides dependable RF performance and natural, transparent audio quality in demanding production environments. Designed to work seamlessly with Audio Ltd Envoy receivers, the TXBLU-V offers selectable frequencies within its allocated tuning block, adjustable input gain and robust RF transmission for reliable operation during ENG, television and location recording. Its lightweight construction makes it comfortable for talent while maintaining the durability expected from professional broadcast equipment. Ideal for interviews, documentaries, live events and studio productions, the TXBLU-V combines dependable wireless performance with Audio Ltd's renowned broadcast audio quality.  Key Features • Professional UHF bodypack transmitter  • Designed for broadcast, ENG and film production  • Compatible with Audio Ltd Envoy wireless receivers  • Compact and lightweight construction  • Adjustable microphone input gain  • Broadcast-quality audio transmission  • Reliable RF performance for demanding environments  • Suitable for lavalier, headset and instrument microphones  

Envoy CXIR CA Receiver,Used

Envoy CXIR CA Receiver,Used Good condition 3 months warranty The Audio Ltd Envoy CXiR-CA is a professional UHF true diversity slot-in wireless receiver designed for broadcast, ENG and documentary production. Built specifically for compatible broadcast camcorders, the CXiR-CA integrates directly into the camera's wireless slot, providing reliable RF performance without the need for external brackets or additional cabling. Employing true diversity technology with dual independent RF receiver sections, the CXiR-CA continuously monitors both antennas and automatically selects the strongest signal to minimise dropouts and maintain uninterrupted broadcast-quality audio. Infra-red remote programming via the Audio Ltd SwitchiR controller enables quick adjustment of frequencies, gain and system settings, even while the receiver remains installed in the camera.   Offering 32 switchable frequencies within a 24 MHz tuning block (frequency block dependent), the CXiR-CA is fully compatible with Audio Ltd Envoy transmitters as well as legacy RMS 2020 and RMS 2000 Series systems, making it a versatile choice for professional location sound, television production and live broadcasting. 

Envoy CXIR V Receiver,Used

Envoy CXIR V Receiver,Used Frequency Range: 200.300–201.000 MHz Band: 200 MHz The Audio Ltd Envoy CXiR-V is a professional UHF true diversity slot-in receiver designed for ENG, broadcast and field production. Engineered for seamless integration with compatible professional camcorders, the CXiR-V delivers exceptional RF stability and transparent audio quality while eliminating the need for external receiver mounting. Featuring true diversity reception with dual independent RF sections, the CXiR-V continuously selects the strongest signal to minimise dropouts and ensure reliable wireless performance in demanding production environments. Infra-red programming allows quick frequency and setup changes without removing the receiver from the camera, making it ideal for fast-paced news, documentary and live event applications. Compatible with Audio Ltd Envoy transmitters, the receiver offers 32 switchable frequencies across a 24MHz tuning block (depending on frequency variant), low-latency audio transmission and full broadcast-quality performance trusted by professional sound recordists worldwide. Key Features Professional UHF true diversity slot-in receiver Designed for compatible Sony, Ikegami and Philips broadcast cameras True diversity technology for improved RF reliability Infra-red remote programming and status monitoring 32 switchable frequencies within a 24MHz tuning range Broadcast-quality, low-noise audio performance Compact, lightweight design for ENG and documentary use   Compatible with Audio Ltd Envoy wireless transmitters

Envoy CXIR-V & TXBLU-V Radio Mic Kit,Used

Envoy CXIR-V & TXBLU-V Radio Mic Kit,UsedGood condition 3 months warranty The Audio Ltd Envoy CXiR-V is a professional UHF true diversity slot-in receiver designed for ENG, broadcast and field production. Engineered for seamless integration with compatible professional camcorders, the CXiR-V delivers exceptional RF stability and transparent audio quality while eliminating the need for external receiver mounting. Featuring true diversity reception with dual independent RF sections, the CXiR-V continuously selects the strongest signal to minimise dropouts and ensure reliable wireless performance in demanding production environments. Infra-red programming allows quick frequency and setup changes without removing the receiver from the camera, making it ideal for fast-paced news, documentary and live event applications. Compatible with Audio Ltd Envoy transmitters, the receiver offers 32 switchable frequencies across a 24MHz tuning block (depending on frequency variant), low-latency audio transmission and full broadcast-quality performance trusted by professional sound recordists worldwide.  Key Features Professional UHF true diversity slot-in receiver Designed for compatible Sony, Ikegami and Philips broadcast cameras True diversity technology for improved RF reliability Infra-red remote programming and status monitoring 32 switchable frequencies within a 24MHz tuning range Broadcast-quality, low-noise audio performance Compact, lightweight design for ENG and documentary use Compatible with Audio Ltd Envoy wireless transmitters Envoy TXBLU-V Transmitter The Audio Ltd Envoy TXBLU-V is a compact professional UHF bodypack transmitter designed for broadcast, film and live production. Built for use with lavalier, headset and instrument microphones, it provides dependable RF performance and natural, transparent audio quality in demanding production environments. Designed to work seamlessly with Audio Ltd Envoy receivers, the TXBLU-V offers selectable frequencies within its allocated tuning block, adjustable input gain and robust RF transmission for reliable operation during ENG, television and location recording. Its lightweight construction makes it comfortable for talent while maintaining the durability expected from professional broadcast equipment. Ideal for interviews, documentaries, live events and studio productions, the TXBLU-V combines dependable wireless performance with Audio Ltd's renowned broadcast audio quality. Key Features Professional UHF bodypack transmitter Designed for broadcast, ENG and film production Compatible with Audio Ltd Envoy wireless receivers Compact and lightweight construction Adjustable microphone input gain Broadcast-quality audio transmission Reliable RF performance for demanding environments Suitable for lavalier, headset and instrument microphones

Envoy TXBU-V & CXIR CA Radio Mic Kit,Used

  Good condition 3 months warranty Envoy TXBU-V & CXIR CA Radio Mic Kit,Used  The Audio Ltd Envoy CXiR-CA is a professional UHF true diversity slot-in wireless receiver designed for broadcast, ENG and documentary production. Built specifically for compatible broadcast camcorders, the CXiR-CA integrates directly into the camera's wireless slot, providing reliable RF performance without the need for external brackets or additional cabling. Employing true diversity technology with dual independent RF receiver sections, the CXiR-CA continuously monitors both antennas and automatically selects the strongest signal to minimise dropouts and maintain uninterrupted broadcast-quality audio. Infra-red remote programming via the Audio Ltd SwitchiR controller enables quick adjustment of frequencies, gain and system settings, even while the receiver remains installed in the camera. Offering 32 switchable frequencies within a 24 MHz tuning block (frequency block dependent), the CXiR-CA is fully compatible with Audio Ltd Envoy transmitters as well as legacy RMS 2020 and RMS 2000 Series systems, making it a versatile choice for professional location sound, television production and live broadcasting. Key Features Professional UHF true diversity slot-in receiver Designed for compatible broadcast camcorders Dual independent RF receiver sections Automatic diversity switching for reliable reception Infra-red programming via Audio Ltd SwitchiR 32 switchable frequencies Up to 24 MHz switching bandwidth Broadcast-quality low-noise audio performance Compact, lightweight camera-integrated design Compatible with Audio Ltd Envoy, RMS 2020 and RMS 2000 Series transmitters     Envoy TXBLU-V Transmitter The Audio Ltd Envoy TXBLU-V is a compact professional UHF bodypack transmitter designed for broadcast, film and live production. Built for use with lavalier, headset and instrument microphones, it provides dependable RF performance and natural, transparent audio quality in demanding production environments. Designed to work seamlessly with Audio Ltd Envoy receivers, the TXBLU-V offers selectable frequencies within its allocated tuning block, adjustable input gain and robust RF transmission for reliable operation during ENG, television and location recording. Its lightweight construction makes it comfortable for talent while maintaining the durability expected from professional broadcast equipment. Ideal for interviews, documentaries, live events and studio productions, the TXBLU-V combines dependable wireless performance with Audio Ltd's renowned broadcast audio quality. Key Features   Professional UHF bodypack transmitter Designed for broadcast, ENG and film production Compatible with Audio Ltd Envoy wireless receivers Compact and lightweight construction Adjustable microphone input gain Broadcast-quality audio transmission Reliable RF performance for demanding environments Suitable for lavalier, headset and instrument microphones

Micron SDR 770 & TX700 Radio Mic Kit,Used

Micron SDR 770 & TX700 Radio Mic Kit,used Good condition 3 months warranty  The Micron SDR770 is a compact professional true diversity UHF wireless receiver designed for ENG, EFP, location sound and outside broadcast applications. Its lightweight construction makes it ideal for camera mounting or use with portable audio recorders, while delivering the exceptional RF performance and audio quality that Micron wireless systems are renowned for. Featuring dual independent receiver sections with automatic diversity switching, the SDR770 significantly reduces signal dropouts and maintains reliable reception even in challenging RF environments. Advanced PLL frequency synthesis and Micron's proprietary noise reduction technology ensure stable operation, excellent selectivity and broadcast-quality audio. The receiver offers both microphone and balanced line-level outputs, making it suitable for a wide range of professional production workflows. Visual LED indicators provide continuous monitoring of RF signal strength and transmitter battery status, helping operators maintain reliable wireless performance throughout a shoot. Key Features Professional true diversity UHF receiver Compact design for camera or recorder mounting Dual independent RF receiver sections Digitally controlled PLL frequency synthesis Outstanding RF sensitivity and selectivity Broadcast-quality audio performance Simultaneous mic and balanced line-level outputs RF signal strength and transmitter battery indication Internal or external power operation Compatible with Micron 700 Series transmitters Micron TX700 Pocket Transmitter The Micron TX700 is a professional UHF bodypack transmitter developed for broadcast, television, film, ENG and location sound recording. Designed around a low-noise voltage-controlled oscillator (VCO) with digitally controlled PLL circuitry, the TX700 delivers exceptionally clean RF transmission and the renowned audio quality expected from the Micron 700 Series. Constructed from a rugged one-piece aluminium extrusion, the TX700 is lightweight yet durable enough for demanding production environments. The transmitter features adjustable audio gain with peak-level LED indicators, a user-adjustable soft limiter, bass-cut filter and phase-reverse switch, allowing engineers to optimise performance for a wide range of microphones and recording situations. Compatible with both microphone and line-level sources via dedicated input leads, the TX700 also provides remote low-battery signalling to compatible Micron receivers, ensuring reliable operation during live productions and location shoots. Key Features Professional UHF bodypack transmitter Digitally controlled PLL frequency synthesis Low-noise VCO RF design Lightweight rugged aluminium construction Adjustable audio gain with LED modulation indicators User-adjustable soft limiter Switchable bass-cut filter Phase-reverse switch Supports microphone and line-level inputs Low-battery transmission warning Designed for broadcast, ENG, film and live production Compatible with Micron 700 Series receivers    

Envoy TXIR-V & CXIR-V Radio Mic Kit,Used

Envoy TXIR-V & CXIR-V Radio Mic Kit,Used Good condition 3 months warranty   The Audio Ltd Envoy TXiR-V is a professional UHF bodypack transmitter developed for broadcast, ENG, film and live production. Designed to deliver exceptional RF reliability and crystal-clear audio, the TXiR-V forms part of the renowned Audio Ltd Envoy wireless system, trusted by television broadcasters and sound professionals worldwide. Built with advanced PLL frequency synthesis, the TXiR-V provides stable wireless transmission and outstanding audio performance in demanding RF environments. The compact, lightweight bodypack is comfortable for all-day wear while its rugged metal construction ensures dependable operation in the field. The transmitter features infra-red programming using the Audio Ltd SwitchiR system, allowing fast frequency synchronisation with compatible Envoy receivers. Adjustable microphone gain, a selectable low-cut filter and comprehensive battery monitoring provide the flexibility needed for professional location sound, interviews and live broadcasting.   Compatible with a wide range of lavalier, headset and line-level sources via its locking LEMO connector, the TXiR-V integrates seamlessly with Audio Ltd Envoy receivers to deliver reliable, broadcast-quality wireless audio. The Audio Ltd Envoy CXiR-V is a professional UHF true diversity slot-in receiver designed for ENG, broadcast and field production. Engineered for seamless integration with compatible professional camcorders, the CXiR-V delivers exceptional RF stability and transparent audio quality while eliminating the need for external receiver mounting. Featuring true diversity reception with dual independent RF sections, the CXiR-V continuously selects the strongest signal to minimise dropouts and ensure reliable wireless performance in demanding production environments. Infra-red programming allows quick frequency and setup changes without removing the receiver from the camera, making it ideal for fast-paced news, documentary and live event applications.   Compatible with Audio Ltd Envoy transmitters, the receiver offers 32 switchable frequencies across a 24MHz tuning block (depending on frequency variant), low-latency audio transmission and full broadcast-quality performance trusted by professional sound recordists worldwide. 

Micron TX700, SDR770 & TX705 Radio Mic Kit,Used

Micron TX700, SDR770 & TX705 Radio Mic Kit,UsedGood condition 3 months warranty  The Micron SDR770 is a compact professional true diversity UHF wireless receiver designed for ENG, EFP, location sound and outside broadcast applications. Its lightweight construction makes it ideal for camera mounting or use with portable audio recorders, while delivering the exceptional RF performance and audio quality that Micron wireless systems are renowned for. Featuring dual independent receiver sections with automatic diversity switching, the SDR770 significantly reduces signal dropouts and maintains reliable reception even in challenging RF environments. Advanced PLL frequency synthesis and Micron's proprietary noise reduction technology ensure stable operation, excellent selectivity and broadcast-quality audio. The receiver offers both microphone and balanced line-level outputs, making it suitable for a wide range of professional production workflows. Visual LED indicators provide continuous monitoring of RF signal strength and transmitter battery status, helping operators maintain reliable wireless performance throughout a shoot. Key Features Professional true diversity UHF receiver Compact design for camera or recorder mounting Dual independent RF receiver sections Digitally controlled PLL frequency synthesis Outstanding RF sensitivity and selectivity Broadcast-quality audio performance Simultaneous mic and balanced line-level outputs RF signal strength and transmitter battery indication Internal or external power operation Compatible with Micron 700 Series transmitters     Micron TX700 Pocket Transmitter The Micron TX700 is a professional UHF bodypack transmitter developed for broadcast, television, film, ENG and location sound recording. Designed around a low-noise voltage-controlled oscillator (VCO) with digitally controlled PLL circuitry, the TX700 delivers exceptionally clean RF transmission and the renowned audio quality expected from the Micron 700 Series. Constructed from a rugged one-piece aluminium extrusion, the TX700 is lightweight yet durable enough for demanding production environments. The transmitter features adjustable audio gain with peak-level LED indicators, a user-adjustable soft limiter, bass-cut filter and phase-reverse switch, allowing engineers to optimise performance for a wide range of microphones and recording situations. Compatible with both microphone and line-level sources via dedicated input leads, the TX700 also provides remote low-battery signalling to compatible Micron receivers, ensuring reliable operation during live productions and location shoots. Key Features Professional UHF bodypack transmitter Digitally controlled PLL frequency synthesis Low-noise VCO RF design Lightweight rugged aluminium construction Adjustable audio gain with LED modulation indicators User-adjustable soft limiter Switchable bass-cut filter Phase-reverse switch Supports microphone and line-level inputs Low-battery transmission warning Designed for broadcast, ENG, film and live production Compatible with Micron 700 Series receivers   The Micron TX705 is a professional UHF bodypack wireless transmitter designed for broadcast, ENG, location sound and live production. Built to withstand the rigours of daily professional use, the TX705 combines Micron's renowned audio quality with reliable RF performance, making it an ideal choice for television crews, sound recordists and theatre productions. Engineered with digitally controlled PLL frequency synthesis, the TX705 delivers a stable, low-noise RF signal while maintaining exceptional audio clarity. Its rugged aluminium housing provides excellent durability without adding unnecessary weight, making it comfortable for all-day wear by presenters, actors and contributors. The transmitter features adjustable input gain, an integrated audio limiter, low-cut filter and low-battery warning system, allowing it to deliver clean, distortion-free audio in demanding environments. Compatible with a wide range of lavalier, headset and line-level sources using the appropriate Micron input cable, the TX705 integrates seamlessly with Micron wireless receiver systems for dependable, broadcast-quality operation. Key Features   Professional UHF bodypack transmitter Digitally synthesised PLL frequency control Stable, low-noise RF transmission Broadcast-quality audio performance Rugged lightweight aluminium construction Adjustable microphone/line input gain Integrated soft audio limiter Switchable low-cut filter Low-battery LED indication and transmitted battery warning Compatible with lavalier, headset and line-level inputs Designed for broadcast, ENG, film and live production Compatible with Micron 700 Series wireless receivers 

Envoy CXIR CA & TXBLU-V Kit,Used

Envoy CXIR CA & TXBLU-V Kit,Used Good condition 3 months warranty  The Audio Ltd Envoy CXiR-CA is a professional UHF true diversity slot-in wireless receiver designed for broadcast, ENG and documentary production. Built specifically for compatible broadcast camcorders, the CXiR-CA integrates directly into the camera's wireless slot, providing reliable RF performance without the need for external brackets or additional cabling. Employing true diversity technology with dual independent RF receiver sections, the CXiR-CA continuously monitors both antennas and automatically selects the strongest signal to minimise dropouts and maintain uninterrupted broadcast-quality audio. Infra-red remote programming via the Audio Ltd SwitchiR controller enables quick adjustment of frequencies, gain and system settings, even while the receiver remains installed in the camera. Offering 32 switchable frequencies within a 24 MHz tuning block (frequency block dependent), the CXiR-CA is fully compatible with Audio Ltd Envoy transmitters as well as legacy RMS 2020 and RMS 2000 Series systems, making it a versatile choice for professional location sound, television production and live broadcasting. Key Features Professional UHF true diversity slot-in receiver Designed for compatible broadcast camcorders Dual independent RF receiver sections Automatic diversity switching for reliable reception Infra-red programming via Audio Ltd SwitchiR 32 switchable frequencies Up to 24 MHz switching bandwidth Broadcast-quality low-noise audio performance Compact, lightweight camera-integrated design Compatible with Audio Ltd Envoy, RMS 2020 and RMS 2000 Series transmitters     Envoy TXBLU-V Transmitter The Audio Ltd Envoy TXBLU-V is a compact professional UHF bodypack transmitter designed for broadcast, film and live production. Built for use with lavalier, headset and instrument microphones, it provides dependable RF performance and natural, transparent audio quality in demanding production environments. Designed to work seamlessly with Audio Ltd Envoy receivers, the TXBLU-V offers selectable frequencies within its allocated tuning block, adjustable input gain and robust RF transmission for reliable operation during ENG, television and location recording. Its lightweight construction makes it comfortable for talent while maintaining the durability expected from professional broadcast equipment. Ideal for interviews, documentaries, live events and studio productions, the TXBLU-V combines dependable wireless performance with Audio Ltd's renowned broadcast audio quality. Key Features   Professional UHF bodypack transmitter Designed for broadcast, ENG and film production Compatible with Audio Ltd Envoy wireless receivers Compact and lightweight construction Adjustable microphone input gain Broadcast-quality audio transmission Reliable RF performance for demanding environments Suitable for lavalier, headset and instrument microphones

Birddog Eyes P240 NDI PTZ Camera x3 + Birddog PTZ Keyboard Controller,Used

Birddog Eyes P240 NDI PTZ Camera x3 + Birddog PTZ Keyboard Controller,UsedExcellent condition 3 months warranty BirdDog presents the ultimate PTZ camera bundle with the BirdDog 3x P240 Black and 1xPTZ Keyboard.This bundle features the latest in NDI technology, including Full NDI, NDI|HX2 and HX PTZ Camera, and an updated Sony Exmor R broadcast sensor for superior image quality and performance. The P240 offers three output options – NDI, SDI, and HDMI – for ultimate video flexibility, along with Balanced XLR audio for professional audio connections. The IP output options include multiple flavours of NDI, SRT, and h.264, and BirdDog Cloud 3.0 integration for globally connected remote productions. Additional features of the P240 include Free Auto-Tracking, FreeD output for AR/VR workflows, an OLED display to show the IP address, 360° mohawk tally, filter thread, safety anchor point, and carry handle. And with NDI 5.5 support, these cameras are ready for all your live production needs. The P240’s comprehensive interface, presented in an intuitive way, provides valuable system statistics and insights at a quick glance. The camera also supports RUDP for reduced network load and error correction, NDI Genlock for predictable timing in multi-camera environments, and NDI Video Scopes for monitoring scopes on the NDI Proxy feed. Innovative features like the 360° Mohawk Tally, unique numbering system, OLED display, and sophisticated color tools make the P240 stand out from other PTZ cameras. And with the free BirdDog Cam Control app, users can easily access and control all functions of the camera.   Building upon the NDI® PTZ category defining P200, the all new P240 introduces an updated Sony Exmor R broadcast sensor to deliver increased light sensitivity and best in class image quality and performance. P240 offers three output options including NDI®, SDI, and HDMI for ultimate video flexibility while Balanced XLR audio adds professional audio connections. IP output options include multiple flavours of NDI® including Full NDI®, NDI®|HX2, and HX3, SRT, and h.264, whilst BirdDog Cloud 3.0 integration unlocks globally connected remote productions. Free Auto-Tracking, FreeD output for AR/VR workflows, and additional features comprising an OLED display to show the IP address, 360° mohawk tally, filter thread, safety anchor point, and carry handle make P240 the best choice for live productions.And yes, the cameras support NDI® 5.5 natively. BIRDDOG DASHBOARD WITH HEADS UP DISPLAY The P240 features a comprehensive interface that provides system statistics such as the number of active connections, current bandwidth usage, and network traffic, and presented in an intuitive way to give users valuable insights at a quick glance. RUDP Support for Reliable User Datagram Protocol reduces overall network load as not every packet needs to be acknowledged by every receiver. RUDP has error correction built in for smoothness and maximum reliability. NDI GENLOCK With NDI Genlock, users can select an NDI source to be the timing master to provide more predictable timing in multi camera environments. FREED FreeD is a protocol for sending PTZ positioning data to AR/VR systems including Unreal Engine, Brainstorm, Vizrt’s Viz Virtual Studio, and many more. The P240 supports FreeD built directly into The Dashboard. NDI VIDEO SCOPES The P240 cameras can generate scopes in-camera to send out as NDI, NDI Proxy, or both. This allows for monitoring scopes on the NDI Proxy while sending a clean main NDI feed simultaneously. Users can choose from Histogram, Waveform, Vectorscope, or RGB Parade and the position on the NDI stream. 360° MOHAWK TALLY Innovative new Mohawk Tally gives a full 360 degree view to eliminate the guesswork of which camera users need to be talking to. UNIQUE NUMBERING SYSTEM Removable silicon numbers at the back of the P240 give additional Tally vision and allow switcher operators to easily identify cameras. OLED DISPLAY Convenient OLED displays allow for information such as IP Address, Device Name, Stream Name, Resolution, and Frame Rate. This feature can also be accessed in The Dashboard. MOST FORMATS NOW SUPPORTED Along with Full NDI, the P240 will soon support a significant number of formats including NDI|HX2, NDI|HX3, SRT, H.264 for low bandwidth requirements. GLOBALLY CONNECTED No computers needed By adding a BirdDog Cloud subscription, users can now access the PTZ cameras and all features from anywhere in the world with no additional computers needed on the camera side. SOPHISTICATED COLOUR TOOLS The P240 hosts an expansive set of colour tools. With 64 levels of saturation and hue control over red, green, blue, cyan, yellow, and magenta, users can shade and match P240 cameras like a professional colourist. FREE CAM CONTROL The BirdDog Cam Control app offers simple, user-friendly features for dialing in to BirdDog cameras. Simply load on a Windows 10 machine on the same network as the BirdDog cameras and access all functions of the camera through a beautiful interface. Quickly dial in the look you like and copy settings across multiple cameras in seconds. And it is free with all BirdDog cameras.  

Lectrosonics UM400 Block 26 Digital Hybrid Wireless Bodypack TX, Used

Lectrosonics UM400 Digital Hybrid Wireless Bodypack Transmitter (Used) BLOCK 26  665.6 - 691.1 freq The Lectrosonics UM400 is a professional UHF Digital Hybrid Wireless® bodypack transmitter built for demanding broadcast, film, television, ENG and location sound applications.  Renowned for its exceptional RF performance, robust construction and reliable long-range operation, the UM400 became an industry-standard workhorse for professional sound recordists worldwide.  Its rugged machined aluminium housing is designed to withstand the rigours of daily production use, while its flexible input stage accommodates a wide range of lavalier microphones, dynamic microphones and line-level audio sources.  The UM400 delivers excellent audio quality with low noise, wide dynamic range and strong RF performance, making it a dependable solution for professional wireless audio systems. Suitable for: Film production Television broadcast ENG / EFP Documentary production Corporate video production   Location sound recording    

Lectrosonics HMA/E01-B1 Plug on transmitter 537.600–614.375 MHz, used

Lectrosonics HMA/E01-B1 Digital Hybrid Wireless Plug-On Transmitter (Used) 537.600–614.375 MHz The Lectrosonics HMA/E01-B1 is a professional broadcast-quality Digital Hybrid Wireless® plug-on transmitter designed for film, television, ENG, documentary, theatre and live production environments.  Featuring a standard XLR connector, the HMA converts virtually any wired microphone into a wireless microphone system when paired with compatible Lectrosonics receivers. It supports both microphone and line-level sources and provides selectable 5V, 15V or 48V phantom power for condenser microphones.  Built from rugged machined aluminium, the HMA is engineered for demanding field production and location sound work. Its wideband tuning, excellent RF performance and renowned Lectrosonics audio quality make it a trusted choice for professional sound recordists worldwide.    This is a used unit. Please refer to photographs for cosmetic condition and included accessories.

Sound Devices PIX-E5 5" 4K Monitor Recorder with Accessories, Used

Sound Devices PIX-E5 5" 4K Monitor Recorder with Accessories, Used Excellent Condition The Sound Devices PIX-E5 is a professional 5" touchscreen monitor and recorder designed for filmmakers, broadcast professionals and content creators who require reliable 4K recording and accurate on-camera monitoring. Featuring a bright Full HD 1920 x 1080 touchscreen display, the PIX-E5 provides excellent image monitoring, focus assist, waveform scopes and exposure tools, making it an ideal companion for cinema cameras, mirrorless cameras and professional camcorders. The PIX-E5 records directly to SpeedDrive SSD media in Apple ProRes formats up to 4K DCI (4096 x 2160), while supporting both HDMI and 6G-SDI workflows. It is capable of recording HD footage at frame rates up to 120fps for smooth slow-motion capture. Key Features Professional 5" Full HD (1920 x 1080) touchscreen monitor Records up to DCI 4K via HDMI and 6G-SDI Apple ProRes recording up to ProRes 4444 XQ Simultaneous 4K ProRes and 1080p H.264 recording capability HDMI and SDI input and loop-through outputs Waveform, vectorscope and focus assist tools Gorilla Glass protected touchscreen Compatible with Sony L-Series batteries Compact and lightweight design ideal for camera rigs and field production Perfect For Documentary filmmaking Broadcast production Corporate video production Live event recording Independent filmmakers Camera monitoring and ProRes recording workflows Condition Used. Fully tested and in good working order. Please refer to the photographs for the exact cosmetic condition and included accessories. A versatile all-in-one monitoring and recording solution from Sound Devices, ideal for users looking for professional ProRes recording and monitoring capabilities without the cost of newer monitor-recorder systems.

Sony URX-P2 Rx & Sony UTX-P2 Tx,( 606.025 – 630.000mhz),Used

Sony URX-P2 Rx & Sony UTX-P2 Tx,( 606.025 – 630.000mhz),Used Good condition   3 months warranty Sony UTX-P1 Channel 38-40 ( 606.025 – 630.000mhz) The UTX-P1 is a plug-on transmitter to convert a wired microphone into a wireless microphone.   Plug-on transmitter designed for use with the UWP Series tuners Operates over a wide 24 MHz frequency band Converts a wired microphone to a wireless microphone via an XLR connector Compact and lightweight body provides balanced handling Attenuator function allows adjustment of the microphone-input level Durable connecting mechanism with a microphone for dependable operation5 0 mW RF power output for stable and long-distance transmission MIC/LINE input level switchable A backlit LCD provides extensive information, including the operating channel number and frequency in MHz, attenuator level, audio-input status, RF-output status, transmitter battery status, and accumulated operating time An LED indicator for audio-input status Approximately six hours of continuous operation with two AA-size alkaline (LR6) batteries Supplied with a soft case Sony URX-P2   URX-P2 portable receiver– Compact, lightweight, and robust metal body – well-suited for use with Sony'sprofessional camcorders– Convenient auto channel scanning function, allowing automatic search forunoccupied channels. 38-40 606-630 MHz

Canon HJ14ex7.6B IRSE HD Broadcast Zoom Lens B4 Mount, Used

Canon HJ14ex7.6B IRSE HD Broadcast Zoom Lens B4 Mount, Used Good Condition, 3 months warranty Canon's HJ11ex4.7B has been the most popular HDTV wide-angle lens in the world and is known for its outstanding optical performance and ease of operation. Now, Canon is introducing unique technology with the launch of our most advanced HDTV wide-angle lens, the HJ14ex4.3B. In addition to the lens's™ new design, the HJ14ex4.3B realized the widest angle among all the broadcast lenses while maintaining or even improving its exceptional optical performance. Moreover, the newly developed drive-unit will provide further more ease of operation which will strongly support the camera operator. Widest lens in the TV industry  HJ14ex4.3 features the widest angle in the industry by the focal length of 4.3mm and the angular field of view of 96.3°(2/3, 16:9) at wide end.  Not only the lens provides a wide angle picture, it also features a 14x zoom ratio reaching to 60mm(120mm with extender), which greatly expands the video expression. Improved optical performance Although the HJ14x features a wide angle and a high zoom ratio, by using the latest 3D design technology and large aspherical elements which creates an unique optical layout, the lens maintains high resolution from the center to each corner of the picture which even exceeds its predecessor's performance. Moreover, by adopting a new coating technology and the new simulation system, eminent is how much the focus breathing has been diminished  and how much the light quantity of the picture corners has been maintained.  The HJ14ex also features an ultimately minimized color aberration, ghosting and picture distortion, regardless to the enormous improvement of its specifications. Improve the operability and lighten the physical fatigue of cameraman Besides the exceptional optical performance, another remarkable character of this new lens is its newly designed drive unit. With the goal of pursuing ease of operation, Canon has reached a new design based on human ergonomics, refined by a long term research and testing. Canon HJ14ex4.3 IRSE Super Wide Angle HD Zoom Lens  

Zoom H5 Studio 32-Bit Float Recorder, Brand New

Brand New Zoom H5 Studio Handy Recorder The Zoom H5 Studio Handy Recorder is designed for filmmakers, podcasters, musicians, journalists and content creators who demand professional-quality audio without complexity. Featuring studio-grade preamps, 32-bit float recording, interchangeable microphone capsules and USB audio interface functionality, the H5 Studio delivers exceptional recordings in virtually any environment. The H5studio was made for seamless and professional production. Creators can record flawless audio with stunningly clear microphones, studio-grade preamps, and 32-bit float recording. The Largest Mics Ever on a Handy Recorder The 19.4mm microphones capture audio with incredible frequency response, 140 dB max SPL, and an expansive dynamic range. Their increased size captures recordings with unmatched depth and clarity. F-Series Power, Now in Your Hands The H5studio features Zooms F-series preamps, giving your audio unmatched clarity (-127 dBu EIN).  With dual AD converters and 32-bit float, it delivers an impressive 132dB dynamic range, capturing everything without noise or distortion. Complete Control, Zero Clipping 32-bit float and 16/24-bit formats each have their advantages. 32-bit float prevents clipping but requires post-production. 16/24-bit eliminates the need for post-processing but requires gain adjustment to prevent clipping.The H5studio offers the best of both worlds with 32-bit float and dedicated gain knobs—no clipping and no need for post-production. Six Tracks Up to 192 kHz The H5studio captures up to six tracks (four iso-tracks plus a stereo mix) with sample rates up to 192 kHz. Protect Your Sound Carefully engineered RF shielding keeps interference from smartphones and Wi-Fi routers out of your recordings, anywhere you go. Advanced Limiters The H5studio features “advanced look-ahead” limiters which anticipate potential overloads and prevent distortion before it reaches your track. The Inputs The two locking XLR/TRS inputs support +48V phantom power and +4dBu line level. There is also a 3.5mm stereo jack with plug-in power. Next Generation Capsule System The H5studio’s 3.0 capsule system* supports 32-bit float and gives creators more options to use the right mic for their recording.*Compatible with SSH-6e , EXH-6e Waveforms & Levels Monitor input levels and real-time waveforms with the full color LCD, making it easy to adjust and monitor audio in real time. Headphone Out Use the loud 20 mW headphone output to monitor or listen back to your recordings in any environment. Line Out Use the 3.5mm stereo LINE OUT to connect directly to a camera, easily syncing your audio and video. Onboard Speaker The built-in speaker has a maximum output of 250mW for previewing recordings on the spot. USB audio interface The H5studio is a 4-in/2-out USB audio interface for Mac, Windows, iOS, and Android, supporting 32-bit float and 16/24-bit recording. Stream live and simultaneously record a backup to microSD. Sync Smarter The TCA-1 timecode adapter* generates and outputs timecode or jams to an external clock. You can also receive wireless timecode from the ATOMOS® UltraSync BLUE.***Available separately, releasing summer 2025**TCA-1 or BTA-1 Required Wireless control   With the ZOOM Handy Control & Sync app for iOS, you can remotely manage multiple Zoom recorders*, control start/stop, and synchronize timecode effortlessly.***Current compatible models: H2essential, H5studio** BTA-1 or TCA-1 required.  

Sennheiser SK6000 Bodypack Tx A5-A8 550-638 MHz,BA61 Battery,Used

Sennheiser SK6000 Bodypack Tx A5-A8 550-638 MHz,BA61 Battery,Used Good Condition 3 months warranty    The SK 6000 pocket transmitter from Sennheiser offers three frequency variations (470-558 MHz, 550-638 MHz, 630-718 MHz) and a 3-pin connector for connecting to a variety of microphones or instruments. It also features highly effective intermodulation protection and AES 256 encryption for secure transmissions. The transmitter is compatible with EK 6042 and EM 9046 in Long Range mode and has a run time of 6.5 hours with Li-ion battery packs. Its magnesium housing provides durability and protection against moisture. The SK 6000 is intermodulation-free, allowing for maximum spectral efficiency and signal stability. It also features the legendary Sennheiser Digital Audio Codec for clear, artifact-free sound. This high-end transmitter is suitable for use with guitar/bass or Sennheiser clip-on microphones, headsets, and headmics. Its compact size, robust design, and low weight make it inconspicuous and easy to use. The optional lithium-ion battery pack ensures long operation time, and it can also be used with batteries using the battery set B 61. The pocket transmitter SK 6000 is intermodulation-free, which allows operation in an equidistant frequency grid. The transmission concept thereby permits, even in the toughest frequency ranges, maximum spectral efficiency. In short: more channels, maximum transmission performance at all times and hence outstanding signal stability. The legendary Sennheiser Digital Audio Codec (SeDAC) guarantees clear, artifact-free sound and optimum dynamics. In Link Density mode up to 5 links per 1 MHz bandwidth are possible.  The SK 6000 is the high-end solution for guitar/bass or as a transmitter for the Sennheiser clip-on microphones MKE 1, MKE 2 and MKE 40, headsets HSP 2,HSP 4 and SL Headmic. The magnesium housing combines the benefits of being inconspicuous in size,a robust design and low weight, while offering reliable protection against moisture. The lithium-ion battery pack BA 61 ensures up to 6.5 hours of operation; there is also the option of operation with batteries using the battery set B61.   The transmitter is likewise compatible with the EK 6042 and the EM 9046 in Long Range mode.

Sennheiser SK9000 TX A5-A8 550-638MHz, BA61 & ECM-77BPT, Used

Sennheiser SK9000 TX A5-A8 550-638MHz, BA61 & ECM-77BPT, Used Good condition 3 months warranty   SK 9000 Lightweight digital bodypack transmitter. For a broad variety of audio sources: on stage, in the studio or outdoors. Reliable sound transmission even under the toughest conditions. Easy to conceal in a costume. Compact, lightweight and powerful, the SK 9000 bodypack transmitter ensures impeccable sound transmission even under the toughest conditions. Equipped with a 3-pin Lemo socket, the SK 9000 accommodates lavalier microphones, line, and instrument signals, all with cable-like audio transmission. The housing of the SK 9000 is made of die cast magnesium to strike the perfect balance between lightweight design and roadworthy construction. Ease of use and safety against unwanted changes were the goals for the user interface, which features an intuitive icon based menu structure and infrared synchronization with the receiver for fast, efficient set-up. The SK 9000 can utilize exchangeable energy packs with environment-friendly Lithium Ion technology, maximizing operating time and saving thousands of batteries over time. Features Flexible use for a broad variety of audio sources 3-pin Lemo connector for lavalier microphones, guitars and instruments Robust and lightweight – easy to conceal in a costume Bodypack transmitter with magnesium housing    

Sennheiser SK6000 TX A5-A8 550-638MHz, BA61 & ECM-77BPT, Used

ennheiser SK6000 TX A5-A8 550-638MHz, BA61 & ECM-77BPT, Used Good Condition 3 months warranty    The SK 6000 pocket transmitter from Sennheiser offers three frequency variations (470-558 MHz, 550-638 MHz, 630-718 MHz) and a 3-pin connector for connecting to a variety of microphones or instruments. It also features highly effective intermodulation protection and AES 256 encryption for secure transmissions. The transmitter is compatible with EK 6042 and EM 9046 in Long Range mode and has a run time of 6.5 hours with Li-ion battery packs. Its magnesium housing provides durability and protection against moisture. The SK 6000 is intermodulation-free, allowing for maximum spectral efficiency and signal stability. It also features the legendary Sennheiser Digital Audio Codec for clear, artifact-free sound. This high-end transmitter is suitable for use with guitar/bass or Sennheiser clip-on microphones, headsets, and headmics. Its compact size, robust design, and low weight make it inconspicuous and easy to use. The optional lithium-ion battery pack ensures long operation time, and it can also be used with batteries using the battery set B 61. The pocket transmitter SK 6000 is intermodulation-free, which allows operation in an equidistant frequency grid. The transmission concept thereby permits, even in the toughest frequency ranges, maximum spectral efficiency. In short: more channels, maximum transmission performance at all times and hence outstanding signal stability. The legendary Sennheiser Digital Audio Codec (SeDAC) guarantees clear, artifact-free sound and optimum dynamics. In Link Density mode up to 5 links per 1 MHz bandwidth are possible.  The SK 6000 is the high-end solution for guitar/bass or as a transmitter for the Sennheiser clip-on microphones MKE 1, MKE 2 and MKE 40, headsets HSP 2,HSP 4 and SL Headmic. The magnesium housing combines the benefits of being inconspicuous in size,a robust design and low weight, while offering reliable protection against moisture. The lithium-ion battery pack BA 61 ensures up to 6.5 hours of operation; there is also the option of operation with batteries using the battery set B61. The transmitter is likewise compatible with the EK 6042 and the EM 9046 in Long Range mode.    

Sennheiser SKM3072-U-X Wireless Handheld Microphone 607-639MHz,Used

Sennheiser SKM3072-U-X Wireless Handheld Microphone 607-639MHz,Used Good condition 3 months warranty  The SKM 3072-U is a hand-held transmitter with super-cardioid condenser microphone head, suitable for both vocal and speech transmission. Up to 32 switchable transmission frequencies in the UHF band.  Features Interchangeable microphone heads for adapting the radiomicrophone to a wide variety of applications  Sophisticated design, rugged metal casing Powered by a 9 V PP3 battery HiDyn plus™ noise reduction with 117 dB(A) signal-to-noise ratio input sensitivity switchable in 4 steps  Special “lock mode” function to prevent accidental switching off LC display for frequency/channel, sensitivity, battery status and lock mode Battery status transmitted to suitable receivers UHF band, 470–960 MHz With ME 3005 e/ME 3005 microphone head (condenser, super-cardioid) for vocals/close miking   

Sennheiser SKP3000-U-G Plug-On Transmitter 606-642MHz, Used

Sennheiser SKP3000-U-G Plug-On Transmitter 606-642MHz, Used Fair condition 3 months warranty  The SKP 3000 is a miniature plug-on transmitter which enables any cabled microphone to be instantly converted to RF wireless operation - simply by plugging the transmitter onto the microphone connector. The SKP 3000 has an electronically balanced input and 48 V phantom powering for condenser microphones. The transmitter is available in nine frequency variants and is compatible with all 3000 and 5000 Series receivers. It is an ideal choice for ENG applications and an invaluable tool for the broadcast, film and video sound recording professional. Nine frequency ranges Frequencies tunable in 5 kHz steps HiDyn plus compander Robust metal housing Switchable 48 V phantom powering Electronically balanced input Backlit display  

Sennheiser SK5212 II N-GB RF Transmitter 606-790MHz,Used

Sennheiser SK5212 II N-GB RF Transmitter 606-790MHz,Used  Good condition 3 months warranty   The SK 5212-II bodypack transmitter combines reliability and diversity in a very small housing. Its compact design makes the transmitter inconspicuous and comfortable to wear. The new extended switching bandwidth of up to 184 MHz provides extra flexibility. The transmission power can be adjusted to improve transmission duration while meeting regional regulations. Also new: the Low Intermodulation Mode ("LoI") increases interference immunity, especially during multi-channel operation. An input sensitivity range of -30 dB to +40 dB makes the transmitter suitable for use in quiet interview situations as well as with very powerful singing voices in musicals. Its menu-driven user interface with backlit LCD is remarkably simple and intuitive. With its extensive power spectrum, the low power consumption of the SK 5212-II is particularly impressive: one alkaline manganese battery (Mignon/AA) lasts for at least 5 1/2 hours of operation.  

Sennheiser EK3041-U Diversity Camera receiver 838-862MHz, Used

Sennheiser EK3041-U Diversity Camera receiver 838-862MHz, Used Fair condition 3 months warranty    The EK 3041-U is a miniature true diversity radio microphone receiver designed for use with digital ENG camcorders. It can be inserted into the slot-in facility of the Philips LDK 120, Ikegami, Panasonic or Sony SX camcorders without any additional connecting cables being required. 32 switchable UHF receiving frequencies ensure flexible operation.

Sennheiser EK3241-B Diversity Camera Receiver 606-642MHz,Used

Sennheiser EK3241-B Diversity Camera Receiver 606-642MHz,Used Good condition 3 months warranty    The new EK 3241 has a switching bandwidth of 36 MHz and frequencies that can be tuned in steps of 5 kHz, making the true-diversity receiver the perfect partner for Sennheiser’s current transmitter models SKM 5200 and SK 5212. Frequency-agile products are in greater demand than ever as frequency resources become increasingly scarce. We have therefore developed a new tuner module for this true-diversity camera receiver and given the lightweight EK 3241 (200 g) the capacity for reliable, flexible RF wireless transmission: 32 custom frequencies have already been programmed within the switching bandwidth of 36 MHz; in addition the user is free to program and store another 20 frequencies in steps of 5 kHz into the user bank. The receiver can be easily and intuitively operated with a completely new user interface, which is similar to that of the SK 5212 bodypack transmitter. For a high operational reliability the EK 3241 displays the battery status of the transmitter in detail. The receiver is extremely reliable; its full-metal case is weatherproof and robust.

Sennheiser Mikroport SK2012 Tx 200,800 & EK2012 Rx 200.8 MHz,Used

Sennheiser Mikroport SK2012 Tx 200,800 & EK2012 Rx 200.8 MHz,Used Fair condition 3 months warranty   Sennheiser Microport EK 2012 Receiver & SK 2012 Transmitter A reliable and professional wireless audio solution, the Sennheiser Microport 2012 system combines the EK 2012 receiver with the SK 2012 bodypack transmitter, delivering stable RF performance and clear, broadcast-quality sound. Designed for ENG, broadcast, and live production environments, this system operates within the UHF band, ensuring strong signal integrity and resistance to interference in demanding setups. Ideal For   Broadcast & ENG crews Film & TV production Interviews and documentary work Live events and presentations  

Panasonic GH5 Camera w/ Leica 12-60mm Lens Kit, XLR, Battery, Charger, Used

Panasonic GH5 Camera w/ Leica 12-60mm Lens Kit, XLR, Battery, Charger, Used Excellent Condition The Panasonic Lumix GH5 is a highly regarded mirrorless camera, widely used for professional video production and hybrid shooting. This kit includes the premium Leica 12-60mm lens, offering excellent optical performance, sharpness, and versatility across a useful focal range. Ideal for filmmakers, content creators, and broadcast professionals, the GH5 delivers reliable 4K recording, robust build quality, and advanced video features.    

Veydra Mini Prime Lens set 19, 35, 50, 85mm, E Mount, Used

Veydra Mini Prime Lens set 19, 35, 50, 85mm, E Mount, Used Nice clean condition  The 4x Veydra Mini Primes Set of Lenses in Original Hard Case offers super 35 coverage with a maximum aperture of T2.2 and fixed prime focal lengths. These lenses are designed with an E mount, making them compatible with a variety of cameras like Sony FS5 FS7 for instance.  This rare set is ideal for videographers / DOP's looking for quality built set with the T2.2 aperture across that provide excellent image and sharpness, while also offering convenient storage and transport in the included hard case.  Beautiful look with modern sharp style optics and a distinctive vintage aesthetic. Maximum Aperture: 19mm – T2.6 35mm – T2.2 50mm – T2.2 85mm – T2.2 Additional note:   Cinema lenses use T-stops (Transmission stops) rather than f-stops, which means the aperture value reflects the actual light transmitted through the lens, giving consistent exposure across the whole set.

Panasonic AJ PX 270EJ camcorder Kit, 5363 hrs, Swit Battery, Charger, Cards used

Panasonic AJ PX 270EJ camcorder Kit, 5363 hrs, Swit Battery, Charger, Cards used Good condition, 3  months Warranty The Panasonic AJ-PX270 is a compact professional ENG camcorder designed for broadcast news gathering and documentary production. It features three 1/3-type 3MOS sensors and a powerful 22× optical zoom lens, delivering high-quality Full HD video with excellent dynamic range and low-light performance. The camera supports Panasonic’s AVC-ULTRA codec family, including AVC-Intra and AVC-LongG formats, and records to microP2 and P2 cards for reliable professional workflows. Built-in wired and wireless network capabilities allow live streaming, FTP transfer, and proxy recording for fast news production. With three manual lens rings, OLED viewfinder, optical image stabilization, ND filters, and professional XLR audio inputs, the AJ-PX270 offers the control and performance of larger shoulder-mounted broadcast cameras in a lightweight handheld design.

Panasonic AJ PX 270EJ camcorder Kit, 6994 hrs, Swit Battery, Charger,Cards used

Panasonic AJ PX 270EJ camcorder Kit, 6994 hrs, Swit Battery, Charger,Cards used Excellent Condition The Panasonic AJ-PX270 is a compact professional ENG camcorder designed for broadcast news gathering and documentary production. It features three 1/3-type 3MOS sensors and a powerful 22× optical zoom lens, delivering high-quality Full HD video with excellent dynamic range and low-light performance. The camera supports Panasonic’s AVC-ULTRA codec family, including AVC-Intra and AVC-LongG formats, and records to microP2 and P2 cards for reliable professional workflows. Built-in wired and wireless network capabilities allow live streaming, FTP transfer, and proxy recording for fast news production. With three manual lens rings, OLED viewfinder, optical image stabilization, ND filters, and professional XLR audio inputs, the AJ-PX270 offers the control and performance of larger shoulder-mounted broadcast cameras in a lightweight handheld design.

Panasonic AJ-PX270EJ Camcorder Kit 7138 Hrs, Cards, Battery, Charger

Panasonic AJ-PX270EJ Camcorder Kit 7138 Hrs, Cards, Battery, Charger (FMP61765KSSH) Excellent Condition The Panasonic AJ-PX270EJ is a compact professional ENG camcorder designed for broadcast news gathering and documentary production. It features three 1/3-type 3MOS sensors and a powerful 22× optical zoom lens, delivering high-quality Full HD video with excellent dynamic range and low-light performance. The camera supports Panasonic’s AVC-ULTRA codec family, including AVC-Intra and AVC-LongG formats, and records to microP2 and P2 cards for reliable professional workflows. Built-in wired and wireless network capabilities allow live streaming, FTP transfer, and proxy recording for fast news production.   With three manual lens rings, OLED viewfinder, optical image stabilization, ND filters, and professional XLR audio inputs, the AJ-PX270EJ offers the control and performance of larger shoulder-mounted broadcast cameras in a lightweight handheld design.

Panasonic AJ-PX270EJ Camcorder Kit 540 Hrs, Cards, Battery, Charger

Panasonic AJ-PX270EJ Camcorder Kit 540 Hrs, Cards, Battery, Charger Excellent condition, 3 month warranty  A reliable and industry-proven Panasonic AJ-PX270EJ professional handheld camcorder, ideal for broadcast, ENG, and production work. This unit has 540 operating hours, making it a great low-usage option for its class.   The PX270 series is well known for its AVC-Intra recording, P2 workflow, and excellent image quality, making it suitable for news gathering, documentaries, and corporate production.

Canon SS41 kit ZSD300D, FPD400D controllers, used

Canon SS41 kit ZSD300D, FPD400D controllers, used 3 months warranty  Good condition  The Canon SS-41-IASD is a full-servo controller kit for Canon digital ISAD and IASE lenses. The kit includes focus controller, digital servo zoom demand, and cables.  The system provides full servo zoom control and is useful in a variety of professional broadcast applications, including live event coverage and sports.    • Suitable for digital ISAD & IASE Lenses

TV-Logic LVM-074W 7-inch HD LCD Monitor with case, used

TV-Logic LVM-074W 7-inch HD LCD Monitor with case, used(FMP61752RHSH) 3 Months warranty, Excellent condition The LVM-074W features a high-resolution (1024x600) 7” LED backlit LCD panel housed in lightweight (600 grams) yet durable magnesium alloy case. An ideal monitor for the latest compact cinema cameras, the LVM-074W offers a wide range of professional features including: Waveform/Vectorscope, built-in HDMI to HD-SDI conversion output, Horizontal and Vertical Image Flip, Focus Assist, Audio Level Meter and more. A feature unique to the LVM-074W is TVLogic’s new user selectable Temperature Adaptive Color function that measures LCD panel temperature and automatically compensate the white balance drift caused by a cold or hot weather.  

PAG Mini PAGlink MPL99 V-Mount Li-Ion Battery 99Wh 14.8V & 6.7Ah, used

PAG Mini PAGlink MPL99 V-Mount Li-Ion Battery 99Wh 14.8V & 6.7Ah, used(FMP61750RHSH) 3 Months warranty, excellent condition We also sell the micro charger in used which is compatible with these batteries, see below:  https://www.digibroadcast.com/used-equipment-c211/pag-paglink-micro-charger-for-v-mount-batteries-used-p50528 The MPL99V is a 99Wh battery designed for powering smaller 4K cameras and accessories simultaneously. It features intelligent linking technology that allows capacities to be combined, and has a current draw capability of 12A when linked and 10A individually. The battery also has hot-swap capabilities and 2 built-in D-Tap outputs, making it ideal for continuous power on set. The MPL99V uses the best Li-Ion cells approved by NASA for their mission to Europa, and has a durable design with a 2-year guarantee. It is compatible with various V-Mount chargers and camera data systems, and has a unique display for run-time, capacity, and data. The battery can also be linked with up to 10 Mini PAGlink V-Mount batteries for increased capacity and can be externally updated for firmware.

Sennheiser MKH 60 P48 short gun microphone with Rycote Softie, used

Sennheiser MKH 60 P48 short gun microphone with Rycote Softie, used(FMP61741RHSH) 3 Months warranty, Excellent condition Sennheiser 003148 (003148, 003148, 003148, 003148) (MKH 60-1, MKH 60/1, MKH60-1) MKH 60-1 short gun microphone The MKH 60 is a lightweight short gun microphone. It is versatile and easy to handle and its superb lateral sound muting makes it an excellent choice for film and reporting applications. Its high degree of directivity ensures high sound quality for distance applications. Ideal for: - Broadcast production - Film & TV sound - Documentary recording - ENG/EFP audio - Boom pole operation - Outdoor dialogue recording  - Voiceover production

Sony URX-S03D/K33 UWP-D Portable Two-Channel Wireless Receiver, used

Sony URX-S03D/K33 UWP-D Portable Two-Channel Wireless Receiver, used(FMP61740RHSH) 3 months warranty, Excellent condition Frequency: 566.025 MHz to 630.000 MHz (UHF- TV channels 33 to 40) Sony URX-S03D/K33 (URX-S03D-K33, URX/S03D/K33, URX_S03D_K33, URXS03DK33, urx-s03d/k33) UWP-D Portable Two-Channel Wireless Receiver Digital Audio Processing for high quality sound The URX-S03D is the first two-channel portable receiver in the UWP-D Series that fits directly in the slot of Sony XDCAM and HDCAM camcorders. Working with the UTX-B03HR belt-pack transmitter, the system features easy channel setting functions, advanced functionality for stable RF transmission and Digital Audio Processing technology ensures high-quality sound. With advanced usability with Sony XDCAM and HDCAM camcorders, it also works seamlessly with Sony 800 and UWP Series transmitters. Digital Audio Processing for high quality sound Improves transient response performance between the UWP-D transmitter and receiver, providing impressive natural sound quality compared to conventional analogue wireless systems. Stable RF transmission True diversity reception system achieves highly stable reception from two adjustable receiving antennas, each with its own RF circuits. Great usability with Sony XDCAM and HDCAM camcorders The URX-S03D fits in the slot of Sony’s XDCAM camcorder with 2-channel digital audio connections directly from the DSP. It can also be matched with the slot of an HDCAM camcorder with single channel audio connection. Easy to use features Automatic channel setting function*, headphone output, USB connection for power supply and line input availability. *For customers in North and Latin America, when a /25 version of either transmitter or receiver is used with /14, /30 or /30A version of receiver or transmitter, AUTO SET (auto channel setting) function or frequency transferring function with IR sync cannot be used. Manual setting of matching frequencies is still available. Wide frequency coverage with choice of channels available The extra wide switching bandwidth covers a wide area, with a wide choice of channels available across multiple models – please refer to product specifications for more information. 14UC: 470.125 MHz to 541.875 MHz (UHF-TV channels 14 to 25) (not available in Brazil) 25UC: 536.125 MHz to 607.875 MHz (UHF-TV channels 25-36) 42LA: 638.125 MHz to 697.875 MHz (UHF-TV channels 42-51) (not available in US or Canada) Robust metal body The URX-P03 portable receiver is made of strong, durable metal. Metal construction supports reliable use in rough operating conditions. Weatherproof structure Waterproof structure of the URX-S03D makes it safe to use in extreme conditions Selectable squelch The squelch can be easily turned on or off in the menu. Compatible with a wide range of Sony camcorders PXW-X320, PXW-X400, PDW-850/750, PXW-X500, PMW-400/580, PDW-510/510P, PDW-530/530P, PDW-700/740/F800,PMW-TD300, PMW-500/350, PMW-320, (PMW-F5/F55 with CBK-55BK), HDW-F900R, HDW-650/680/800P, MSW-930P, DSR-400/400P, DSR-450WS/450WSP Oscillator Type: Crystal-controlled PLL Synthesizer Reception Type: True diversity Antenna Type: Detachable

Sony EX1R camcorder, 150 hours, used

Sony EX1R camcorder, used  (FMP61721KSSH) Sony's PMW-EX1R XDCAM EX HD Camcorder is the impressive successor to the popular PMW-EX1. While retaining everything that was right about the previous camera, Sony has listened to its professional users and taken several steps forward, not only improving ergonomics and convenience, but bringing a whole new set of features to the world's only full HD compact camcorder.   Like its predecessor, the PMW-EX1R's core is its three 1/2"-type CMOS sensors and 14x Fujinon zoom lens. This heavyweight imaging combo captures full 1920 x 1080 hi-def images to solid state SxS PRO memory cards (sold separately) at multiple bit rates, resolutions and frame rates. Whether you're shooting weddings, documentaries or feature films, there's a frame rate and resolution for you--from 60fps and native 23.98p recording at 720p, to 1fps at 1080i. SxS PRO cards of up to 64GB in capacity can be used. For 64GB cards, the camera will require software version 1.15 or greater installed from Sony's website. The way to install it is by downloading the version to a computer, connecting the camera to the computer by USB cable, and selecting the upgrade option in "Others" tab of the camera's menu table. If your computer has an SxS slot, you can just transfer the downloaded file onto the SxS card and then pop the card into the camera to transfer the download, which in this case also you would do through the "Others" menu. 64GB cards can record 200 minutes in HQ mode and 280 in SP mode.   But along with its already proven imaging abilities and professional workflow, the PMW-EX1R expands its usability by offering DVCAM SD recording, XDCAM HD compatibility, and HDMI output. That means no more time-consuming downconverting or transcoding to work in different formats or with different recording and playback devices. Other new features add even more convenience and flexibility, including a high-resolution 1.23MP viewfinder, Cache Record, one-click S&Q button, auto iris, and even image inversion for flipping the image while shooting with a 35mm adapter. Make no mistake: the Sony PMW-EX1R is the first HD compact camcorder that truly does have it all.   Three 1/2"-Type Exmor CMOS Sensors The PMW-EX1R is equipped with three newly developed 1/2"-type Exmor CMOS sensors, each with an effective pixel count of 1920 (H) x 1080 (V), which delivers excellent picture performance with full HD resolution. This 1/2"-type image sensor, using Sony's advanced accumulated sensor technologies, allows the camcorder to provide an excellent sensitivity of F10, a remarkable signal-to-noise ratio of 54dB, and a high horizontal resolution of 1000 TV lines (in 1920 x 1080/59.94i mode). In addition, this large 1/2"-type image sensor can capture images with a shallower depth of field than smaller-size image sensors, giving users more creative freedom of expression. What's more, the Exmor CMOS sensor's unique design deploys an A/D converter to each column of pixels, resulting in a much lower clock speed than conventional CMOS sensors. This makes it possible to greatly reduce power consumption of the camcorder and extend battery life. 1920 x 1080 HD Recording Using the "MPEG-2 Long GOP" Codec The PMW-EX1R records 1920 x 1080 full HD images using the "MPEG-2 Long GOP" codec, which conforms to the MPEG-2 MP@HL compression standard. "MPEG-2 Long GOP" is a mature codec--also adopted by the XDCAM HD and HDV 1080i series of products--which enables users to record stunning HD video and audio with highly efficient, reliable data compression. New Selectable Recording Modes Including DVCAM Recording The PMW-EX1R offers a choice of bit rates--either 35Mbs (HQ mode) or 25Mbs (SP mode)--depending on the desired picture quality and recording time. The HQ mode supports 1920 x 1080, 1440 x 1080 and 1280 x 720 resolutions. The 1440 x 1080 mode is new to the PMW-EX1R, ensuring native integration of XDCAM EX footage into an XDCAM HD Professional Disc workflow. By supporting 1440 x 1080, 35Mbs recording, material can be utilized with no transcode, just a rewrap to MXF for NLE and archiving. The SP mode supports 1440 x 1080 resolution at 25Mbs, which provides compatibility with HDV 1080i products. Footage recorded in this SP mode can be seamlessly integrated into HDV-compatible editing systems by transferring the stream from the camcorder via the i.LINK (HDV) interface.   The PMW-EX1R also supports 25Mbs DVCAM recording in either PAL or NTSC modes, again providing seamless integration into existing DVCAM workflows, offering ultimate flexibility worldwide.   Robust Nonlinear Recording Media, "SxS PRO" & "SxS-1" (<I>Sold Separately</i>) The XDCAM EX series uses high-speed SxS PRO and SxS-1 memory cards (sold separately) for its recording media. SxS PRO cards of up to 64GB in capacity can be used. For 64GB cards, the camera will require software version 1.15 or greater installed from Sony's website. The way to install it is by downloading the version to a computer, connecting the camera to the computer by USB cable, and selecting the upgrade option in "Others" tab of the camera's menu table. If your computer has an SxS slot, you can just transfer the downloaded file onto the SxS card and then pop the card into the camera to transfer the download, which in this case also you would do through the "Others" menu. 64GB cards can record 200 minutes in HQ mode and 280 in SP mode.   These cards are developed specifically for professional content creation applications with a number of key features: Compatible with ExpressCard/34 interface slot which is common on modern Windows PCs and Macs Uses PCI Express interface and achieves an extremely high "read" speed of 800 Mbs* Large storage capacity: SBP-16 (16 GB) and SBP-32 (32 GB) memory cards are available Can record up to 140 minutes of HD video and audio (using one 32-GB memory card) Compact size: approx. 75 x 34 x 5 mm (excluding the projecting parts)--half the size of the older PC Card standard Low power consumption Highly reliable: can resist shocks (up to 1500 G) and vibrations (up to 15 G) Affordability: SxS-1 media (introduced in late 2009) provides users with a lower cost alternative to SxS PRO media that offers the same high performance, but with an estimated 5-year life span when recording at full capacity once per day. Users can check the card life on their PMW-EX1R and PMW-350 camcorders and even see an alarm when the data rewriting limit is reached.     *This data-transfer speed is a theoretical value. Actual data-transfer speed depends on the file type and the performance of the PC. Wide Angle Professional 1/2" HD Lens The PMW-EX1R is equipped with a superb Fujinon 14x zoom lens specifically designed for the PMW-EX1R to offer optimum picture performance. It offers a wide angle of view of 5.8mm (equivalent to 31.4mm on a 35mm lens), and many other convenient features for both broadcasters and videographers. Unique Focus Operation - Professional Manual Focus and Auto Focus The Fujinon lens adopts a newly developed and unique focus ring mechanism, which offers two types of manual focus, plus an auto focus operation. The PMW-EX1R is equipped with two independent focus wheel mechanisms, which can be switched by sliding the focus ring itself back and forth. When the focus ring is in the front position, the lens works in the same way as a typical auto focus lens on a handheld camcorder. In this case, either manual or auto focus mode can be selected by the AF/MF switch on the lens. On the other hand, when the focus ring is set to the back position, the lens has an absolute focus position, and works in the same way as interchangeable-lens cameras, which professional users are familiar with.   Long Recording Time Utilizing a mature and highly efficient compression format together with high performance SxS memory cards, the PMW-EX1R can record superb quality HD images for an exceptional 140 minutes* on a single 32GB SxS card. As the PMW-EX1R features two memory card slots, this recording time is easily increased to 280 minutes (with two 32GB cards) and when recording across two cards, the transition is seamless without any frame loss. This feature makes the PMW-EX1R an ideal camcorder for a wide variety of content production applications, including wedding and event videography, that require a long recording time.   *When recording in HQ (35Mbs) mode, recording time may be more than the above specified figure depending on the actual bit rate that is adopted during VBR encoding. Multiple-format Recording The PMW-EX1R offers a wide array of recording formats for multiple content creation applications. In HD mode, scanning is switchable between 1920 x 1080, 1280 x 720, and 1440 x 1080 resolutions. Frame rate is also selectable from interlace and progressive: 59.94i, 50i, 29.97P, 25P, and native 23.98P.*   In addition, 59.94P and 50P progressive recording is available in 1280 x 720 mode. In SD mode, both 50/60i and 25P/30P modes are supported.   *In 1440 x 1080 and 1920 x 1080 modes, 23.98P images are handled as 23.98P and recorded as 59.94i signals through means of 2-3 pulldown. High-quality Uncompressed Audio Recording In addition to SD/HD video recording, high-quality audio is an equally significant feature in the XDCAM EX system. The PMW-EX1R camcorder records and plays back high-quality, two-channel 16-bit, 48-kHz linear PCM uncompressed audio. Built-in Stereo Microphone and Two-channel Audio Input The PMW-EX1R has a built-in stereo microphone and two XLR audio input connectors for connecting professional microphones or feeding an external-line audio source. IT Friendly With the XDCAM EX series, recordings are made as data files in the MP4 format, which is widely used in a number of recent electronic portable devices and has been standardized by ISO. For SD recording, industry accepted .AVI type-2 files have been adopted. The file-based recording allows material to be handled with great flexibility in an IT-based environment--easily available for copying, transferring, sharing, and archiving. All these operations are accomplished without any "digitizing" process required. File-based data copying allows for degradation-free dubbing of AV content, which can be performed easily on a PC or Mac. The file-based recording system also allows for material to be viewed directly on a PC or Mac--simply by inserting the SxS memory card into the ExpressCard slot, or by linking the device to the PMW-EX1R via a USB2 connection. This works in the same way as a PC or Mac reading files on an external drive. The file-based operation can dramatically improve the efficiency and quality of professional video applications. Immediate Recording Start and No Overwriting Footage By virtue of recording on flash memory cards, the PMW-EX1R can start recording virtually the instant the camcorder is turned on. Moreover, the PMW-EX1R system automatically records on an empty area of the card--there's no danger of overwriting existing content. This is extremely convenient, as camera operators do not have to worry about accidentally recording over good takes, and they don't have to search through footage for the correct position to start the next recording. In short, it means the camera is always ready for the next shot! Instant-access Thumbnail Search with "Expand" Function Each time a recording is started and stopped on the PMW-EX1R camcorder, the video and audio signals are recorded as one clip. During playback, users can cue-up to the next or previous clip simply by pressing the 'Next' or 'Previous' button, as you would do on a CD or DVD player. Furthermore, thumbnails are automatically generated for each clip as a visual reference, allowing operators to cue-up to a desired scene simply by guiding the cursor to a thumbnail and pressing the 'Play' button. For further convenience, the 'Expand' function allows one selected clip in the thumbnail display to be divided into 12 even-time intervals, each with their own thumbnail identifier. This is useful if you want to quickly search for a particular scene within a lengthy clip. New Image Inversion Function When a cine-style lens or a stills camera lens is attached to the camcorder with a DOF (Depth of Field) adapter, the image is usually rotated by 180°. The Image Inversion function normalizes the image for easy picture monitoring. This will also negate the need to flip the image in post-production. Three Independent Rings In addition to its unique focus ring, the PMW-EX1R is equipped with independent rings for zoom and iris adjustment. These are located adjacent to the focus ring, in the same layout as is common on shoulder-type camcorders. This gives users a high level of operational comfort and control. AF Assist The AF (Auto Focus) Assist function enables operators to manually change focus positions using the focus ring during AF mode. This means that AF reference focus positions can be shifted to manually changed positions. MF Assist The MF (Manual Focus) Assist function helps to precisely focus on the target subject when shooting in MF mode. When the MF Assist is turned on, auto focus is momentarily activated and finely focuses on the subject closest to the focal point of the lens at that time. One-push Auto Iris A One-push Auto Iris button has been added to the lens of the PMW-EX1R, allowing the user to go into Auto Iris mode only when this button is pushed. This is a feature seen on broadcast lenses and is used as a reference for camera operators when adjusting the iris settings. Expanded Focus At the touch of a button, the center of the screen on the LCD monitor and viewfinder can be magnified to about twice normal size, making it easier to confirm focus settings during manual focusing. Selectable Peaking The Peaking function can help operators adjust the camera's focus more accurately by altering the way pictures are displayed on the LCD monitor and viewfinder. It can enhance the outline of the image, which the camera focuses on most, and change its color to make it more visible. Enhance levels can be selected from a choice of "HIGH," "MIDDLE," and "LOW," and the outline color from "RED," "WHITE," "YELLOW," and "BLUE." Optical Image Stabilizer To minimize the blurring effect caused by hand-shake, the new lens incorporates an optical image stabilizer function that provides highly stable images. 23.98P Native Recording XDCAM EX compact camcorders are the first to be part of the legendary Sony CineAlta family. The PMW-EX1R offers native 23.98P* recording which, in combination with advanced creative features such as selectable gamma curves, makes this camcorder ideal for cinema production. *In 1440 x 1080/23.98P (SP) mode, images are handled as 23.98P and recorded as 59.94i signals through means of 2-3 pulldown.   Slow & Quick Motion Function The PMW-EX1R offers a powerful Slow & Quick Motion function--commonly known as 'over-cranking' and 'under-cranking' in film shooting--that enables users to create unique 'looks' or special effects with slow- and fast-motion images. The PMW-EX1R can capture images at frame rates selectable from 1 fps (frame per second) to 60 fps in 720P mode and from 1 fps to 30 fps in 1080P mode, in increments of 1 fps. For example, when viewed at 23.98P, images captured at 60 fps will appear 2.5 times slower than normal. Conversely, images captured at 4 fps will appear six times faster than normal. With the Slow & Quick Motion function of this camcorder, images are recorded natively without interpolating the frames. This means the quality of the slow- and fast-motion images is extremely high and incomparable to those created in the editing process. In addition, these slow- and quick-motion images can be played back immediately after shooting, without using any converters or processing on non-linear editing systems. New One-push S&Q Switch A new S&Q (Slow & Quick Motion) button has been added to the exterior of the camcorder. This allows the user to switch quickly between Normal mode and S&Q mode. In S&Q mode, a blue LED on the button lights up. When the switch is pressed, S&Q mode is activated, and the recording format and frame rate are instantly changed to the conditions previously set via the menu. Slow Shutter Function The PMW-EX1R offers a Slow Shutter function for capturing clear images in low-light environments. This allows the shutter speed to be extended to a maximum of 64 frames. The Slow Shutter function not only increases camera sensitivity but also produces a special blurring effect when shooting a moving object, for enhanced shooting creativity. The shutter speed is selectable from 2-, 3-, 4-, 5-, 6-, 7-, 8-, 16-, 32-, and 64-frame periods. Selectable Gamma Curves The PMW-EX1R camcorder offers a wide variety of gamma curves to flexibly handle contrast and give a specific 'look' to an image. In addition to four types of standard gamma curves, the PMW-EX1R provides four types of CINE Gamma (CINE 1, 2, 3, and 4), which are identical to those of other CineAlta camcorders. Operators can select the best-suited preset gamma curve, depending on scenes. New Cache Recording Function Once enabled, Cache Recording continuously streams audio and video through the camcorder's internal memory. Once the Record button is pushed, the content buffered in the camcorder's memory is recorded onto the memory media at the start of the recording clip. The caching period can be adjusted for up to 15 seconds, so in a situation such as monitoring a developing situation, Cache Record enables capturing an event up to 15 seconds before the record button is pressed. When in Cache Recording mode, an indicator on the inside panel lights up. Interval Recording Function The PMW-EX1R offers an Interval Recording function that records signals at predetermined intervals. This is convenient for shooting over long periods of time, and also when creating pictures with special effects of extremely quick motion. Frame Recording Function Frame Recording is a special feature of the PMW-EX1R camcorder that is especially useful for stop-motion/clay animation shooting. Using this function, images for predetermined frames are recorded every time the Record button is pressed. Shutter Angle Settings In addition to the electronic shutter speed controls, the PMW-EX1R also has a "shutter angle" control--which is familiar to film users. By setting the shutter speed to "angle," the PMW-EX1R automatically operates with the proper exposure time, determined by the selected frame rate and the shutter angle. Picture Profile Feature The Picture Profile feature allows camera operators to easily call up customized picture-tonal settings to suit particular shooting conditions, rather than having to readjust the camera each time--giving users greater operational efficiency. Up to six different picture-tonal settings such as the parameters of matrix, color correction, detail, gamma and knee can be saved in the memory. These settings are displayed on the LCD monitor at the touch of a button. Depth-of-field Indicator A Depth-of-field Indicator can be displayed on the LCD monitor and viewfinder to help camera operators easily recognize the depth-of-field of a scene, and thereby produce their desired images. Brightness-level Display The average brightness level of the center of a frame can be displayed on the LCD monitor and viewfinder as a percentage. This is useful when a waveform monitor is not available for shooting. Histogram Indicator The Histogram Indicator can be displayed on the LCD monitor and viewfinder, allowing operators to easily evaluate the distribution of brightness on currently captured images. This enables proper exposure control of iris, gain and gamma. 3.5" Hybrid Color LCD Screen The PMW-EX1R is equipped with a newly developed, large, easy-to-view, color LCD screen with a high resolution of 1920 x 480 pixels (horizontal resolution is 640 x 3, RGB). The LCD screen is located in an easy viewing position on top of the camera and can be flexibly rotated according to shooting angles--which is convenient when using it as a viewfinder. When not in use, it folds underneath the housing for the built-in stereo microphone. The LCD screen can also be used to instantly review recorded footage, as well as access the camera's set-up menus and view thumbnail display status indications such as audio meters, depth-of-field indicators, and the remaining memory and battery time. What's more, the Hybrid LCD screen--which comprises transmissive and reflective panels--offers clear viewing even in bright sunlight. New Easy-to-See Color LCD Viewfinder The PMW-EX1R comes equipped with a new 0.54" color LCD viewfinder, which displays high-resolution color pictures of approximately 1,226,000 pixels in a widescreen aspect ratio of 16:9, which simplifies focusing. Operators can switch between Color and Monochrome Display modes, according to their preference. Rotary Grip The grip of the PMW-EX1R can rotate 90°, which allows camera operators to flexibly adjust the angle of the grip. This gives users greater comfort during low-angle and high-angle shooting. In addition, the shape of this grip has been improved compared to the EX1 so as to better fit the user's hand. Four Assignable Buttons Frequently used functions can be programmed onto four assignable buttons, allowing operators to make rapid changes when working in the field. These can be functions such as ATW, Freeze Mix, Rec Review, Expanded Focus, Depth-of-field and more. On-handle Zoom Switch and REC Start/Stop Button In order to facilitate zoom control and recording operation during low-angle shooting, an additional zoom switch and record start/stop button are located on the carrying handle. The PMW-EX1R has a new zoom transition menu which allows camera operators to select 'soft' for smoother start/stop operation of the on-handle zoom. Shot Transition Function The Shot Transition function allows for smooth automatic scene transitions. The operator can program start and end settings for zoom, focus, and white balance into the A/B buttons and, by pressing the start button, a smooth transition will take place according to the set time. It works by automatically calculating the intermediate values during the scene transition. The start of this function can be synchronized with the camera's REC start function. The transition progress can be checked using an indicator displayed on the LCD monitor. In addition, a start timer function is also available for the Shot Transition function, helping to prevent operators from missing a shot. This function is very useful when complex camera settings are required during the scene transition--for example, when shooting subjects moving from the background to the foreground of a scene.   ATW & Hold Function The ATW (Auto Tracing White Balance) function of the PMW-EX1R automatically adjusts the camera's color temperature according to changes in lighting conditions. This function is useful when recording outside for long periods, as lighting changes gradually over time. The PMW-EX1R also has a new ATW Hold function, which allows the operator to hold auto tracing at a desired color balance via an assignable switch. Long Operating Time With the supplied BP-U30 battery attached, the PMW-EX1R can record continuously for approximately two hours, while the optional BP-U60 battery extends the operating time to approximately four hours. Wide Array of Interfaces The PMW-EX1R camcorder comes equipped with a wide range of interfaces optimized for a variety of operational needs. These include an HD-SDI output, downconverted SD-SDI output, i.LINK (HDV/DV) input/output, USB2 and analog composite/component output. There is also an HDMI output (Type A) that allows the user to show the picture on a consumer display or professional monitor equipped with an HDMI input. Noncompressed video and two channels of audio can be output. When HDMI output is selected, other outputs are not available. New IR Remote Control On Rear The PMW-EX1R has a new IR remote control receptor on the rear of its handle. This allows the user to control the PMW-EX1R with a Remote Commander both from the front and rear of the camcorder. Additional Aspect Markers For Cinematic Operation The PMW-EX1R benefits from the addition of several new aspect markers such as 1.66:1, 1.85:1, 2.35:1, and 2.4:1 for more convenient cinematic operation. Other Features Built-in ND filter wheel: 1: Clear, 2: 1/8ND, 3: 1/64ND Selectable gain: -3, 0, 3, 6, 9, 12, 18 dB High-speed picture search: x4, x15 Freeze Mix function Skin-tone Detail control Low-key saturation

Panasonic AJ-PX800 P2 HD Camcorder w/CVF15G and YJ19 Lens, used

Panasonic AJ-PX800 P2 HD Camcorder w/CVF15G and YJ19 Lens, used(FMP61630KSSH) Panasonic AJ-PX800 Overview Designed to be lighter than their previous 3 MOS ENG style cameras, the Panasonic AJ-PX800 P2 HD AVC-ULTRA Camcorder is a full-featured 2/3" ENG style video camera with an interchangeable lens system. Please note that this item only includes the camera body and does not include the lens or viewfinder. Suitable for newsgathering, the camera captures Full HD at up to 59.94p, recording to optional P2 cards, or micro P2 cards with an optional adapter. Using codecs in the AVC-ULTRA family allows you a choice of compression and data rate to suit your needs, and you can record proxy files on optional SD cards using the built-in SD media card slot. It features an SD/HD-SDI, and an HDMI output, as well as a monitor output switchable between SD/HD and Composite. With both Genlock in and Timecode In/Out, the camera is suitable for multi-camera and single camera news coverage. The camera comes ready to interface with your network via the built-in Ethernet connector. You can attach an optional USB dongle to the camera for wireless connectivity using WiFi, 4G, or LTE. The camera features a variety of in camera image settings, including Flash Band compensation, which minimizes the effects of still photo camera flashes captured on video. The built-in Uni Slot accepts optional wireless audio recording.

Canon KJ20x8.2 B IRSD Portable 20x HD Lens x2 extender, used

Canon KJ20x8.2 B IRSD Portable 20x HD Lens x2 extender, used(FMP61534KSSH) 3-Month Warranty - Good Condition 2/3" 20x High-Performance HD Zoom Lens from Canon The Canon KJ20x8.2B KRSD combines impressive specifications with a compact design that ensures superior performance and ease of use. This 20x zoom lens boasts a maximum zoom speed of 1.0 second across the entire zoom range and a minimum object distance of 0.9 meters (10mm with Macro). Its focal length spans from a wide-angle 8.2mm (offering a 60.7-degree horizontal field of view in a 16:9 aspect ratio) to 164mm. With a maximum aperture of f/1.9, this lens delivers exceptional operational capabilities in a lightweight package of just 1.25 kg. Superior Optical Performance The KJ20x8.2B KRSD is engineered for superior optical performance in its class. With enhanced MTF (Modulation Transfer Function) control across the image plane, minimized chromatic aberration, and maximized image contrast, the lens ensures outstanding picture sharpness. Contrast is enhanced by reducing flare, veiling glare, and internal reflections. The lens maintains tight control over geometric distortion at wide-angle settings and meets HDTV colorimetric standards for spectral transmittance. Optimized light distribution at wider apertures ensures uniform brightness, sharp images, and high contrast, allowing operators to capture clear, vivid HD visuals. Advanced Technology for Pristine Imaging The Canon KJ20x8.2B KRSD's optical performance benefits from Canon's advanced innovations. A newly designed optical system, incorporating precision optical elements and multilayer coatings, significantly improves chromatic aberration control. Canon’s Internal Focus technology, a floating optical system, further enhances image quality. The lens also features Shuttle Shot, a digital drive system that enables precise, instant zooming between pre-programmed focal lengths. Rugged, Reliable, and Environmentally Friendly Manufactured to Canon’s rigorous standards, the KJ20x8.2B KRSD includes user-friendly features such as a compact drive unit angled at 12.5 degrees for enhanced comfort and balance during operation. Like all of Canon’s current lenses, it is designed with environmental sustainability in mind, eliminating harmful materials and substances. Its durable design makes it versatile for a wide range of shooting scenarios, providing flexibility alongside high-end performance.  

Fujinon x1.8 Teleconverter Lens, Used

Fujinon x1.8 Teleconverter Lens, Used(FMP61520RPSH) Good condition, 3 months warranty  Unlock added focal length for your compatible Fuji / Fujinon lenses with this professional-grade 1.8× teleconverter, model 54986. Designed for high-performance applications, this teleconverter gives you extra reach without needing a new long-lens from scratch.  Key Features 1.8× magnification factor: When mounted on a compatible lens, the effective focal length is multiplied by approximately 1.8×, allowing greater reach for wildlife, sports, events or remote-location shooting.  Optimised optical design: Built to Fujinon standards, it preserves lens performance and keeps aberrations and image degradation to a minimum.  Rugged construction: Professional build quality supports demanding usage conditions (studio or field) and integrated optics maintain alignment and clarity.  Compact & lightweight accessory: Adds minimal size and weight to your setup, making it a practical choice for photographers seeking longer reach without sacrificing portability.  Cost-effective upgrade: Rather than purchasing a new super-telephoto lens, the 1.8× teleconverter offers an efficient way to extend the usability of your existing compatible lens collection.  Why This Teleconverter Works For photographers and videographers who already own high-quality Fujinon telephoto or zoom lenses, the 54986 1.8× teleconverter provides the flexibility to go farther without buying an entirely new lens. It’s ideal for capturing distant subjects—wildlife, sports, events, documentary work—while utilising the sharp optical performance and trusted brand reputation of Fujinon.    

JVC GY-HM250 UHD 4K Streaming Camcorder

JVC GY-HM250 UHD 4K Streaming Camcorder with Built-in Lower-Thirds Graphics(GY-HM250U) The JVC GY-HM250 UHD 4K Streaming Camcorder with Built-in Lower-Thirds Graphics is a full-featured pro camcorder that enables a single operator to add lower-thirds and titles while recording in HD or streaming—no external character generator or switcher is required. It features a 1/2.3" sensor and captures UHD 4K video at 24/30p, and 4:2:2 4K at 24/30p. This versatile camera offers you the option of recording UHD 4K at rates up to 150 Mb/s to SDXC Class 3 cards or up to 70 Mb/s to SDXC/SDHC Class 10 cards. The GY-HM250's integrated IP engine enables you to stream Full HD in the field directly from the camcorder and offers remote camera control and monitoring from your mobile device or laptop. Compatible with RTMP, Zixi, and Wowza streaming, the GY-HM250 offers one-click zeroconf configuration when using a common LAN between cameras. A firmware update brings Facebook Live integration to the camera, streamlining the connection process. In HD mode, custom graphics can be created and controlled via a browser-controlled tablet or smartphone. The GY-HM250 also comes with pre-installed color schemes and the ability to upload icons or logos to add a personalized look to your footage. An integrated 12x zoom lens with a tele-macro function provides a 35mm equivalent focal range of 29.6 to 355mm, and a 24x dynamic zoom mode is available when recording in HD. For composing and monitoring video, the camcorder features a 3.5" LCD, a 0.24" viewfinder, and a smart focus assist function. Additional features include dual SDHC/SDXC card slots, two internal ND filters, and a built-in stereo microphone. Designed to fit into professional workflows, the JVC GY-HM250 camcorder comes with 3G-SDI and HDMI outputs and dual XLR audio inputs. A top handle unit with the integrated audio box, a 7.4 VDC battery, and an AC adapter are included with the camera. Facebook Live integration simplifies and streamlines by adding it as a menu choice. This is available via a firmware upgrade, which is included with the camera and can be downloaded for free. UHD 4K Recording with 150 and 70 Mb/s Options Record UHD 4K at rates up to 70 Mb/s onto lower-cost Class 10 SDHC/SDXC cards, or at 150 Mb/s using SDXC UHS-I Class 3 cards Add Graphic Overlays in HD or While Streaming Display custom lower-thirds and titles while recording in HD, or streaming—no external character generator or switcher required Built-In Streaming Technology   An integrated streaming engine enables the camcorder to live stream Full HD video using RTMP, Zixi, and Wowza Live 4K 3G-SDI and HDMI Output Connect a UHD 4K monitor using either the 3G-SDI or HDMI output and view the camera's live 4K signal 4:2:2 4K and Full HD Recording Options   Record broadcast-quality signals in 4:2:2 4K at 24 or 30p, or capture Full HD at 24 to 60p at rates up to 50 Mb/s

Samyang AF 35-150mm F2-2.8 L-Mount- 8034

Samyang AF 35-150mm F2-2.8 L-Mount- 8034 Autofocus, full frame, wide-angle to short-telephoto zoom lens - L Mount   The Fast All-Rounder Zoom The AF 35-150mm F2-2.8 L is the fast all-rounder zoom lens that features a versatile zoom range, fast F2-2.8 aperture, premium and solid design, outstanding resolution, fast and accurate AF performance, and convenient functionality. Thanks to its versatility, L-mount camera users can now unleash their limitless creativity.With its unparalleled versatility and performance, the AF 35-150mm F2-2.8 L is a must-have lens for L-mount camera users. Experience the ultimate creativity and convenience with this essential addition to your photography kit.   Versatile Zoom Range from 35mm to 150mm The AF 35-150mm F2-2.8 L stands out with its maximum aperture of F2 at its widest and F2.8 at the telephoto end, covering the five main focal lengths (35/50/85/135/150). Its wide zoom range makes it a versatile tool,designed to excel in various shooting scenarios, from portraits to travel photography.   Gorgeous Bokeh with a Fast F2-2.8 Aperture A large aperture starting from F2 presents an attractive background blur to the image's out-of-focus areas. The lens effectively separates the subject from the background, using a shallow depth of field to capture a unique image in which the background is compressed. The clear and natural bokeh created by the 9 diaphragm blades makes capturing beautiful day and night cityscapes possible.   Short Minimum Focusing Distance of 0.32m (1.05ft) The AF 35-150mm F2-2.8 L offers excellent close-up performance for an all-rounder zoom. With a MOD (Minimum Focusing Distance) of 0.32m(1.05ft) at 35mm and 0.85m(2.79ft) at 150mm, you can easily get close-ups with sharp details. Combined with the fast aperture of the lens, the background is beautifully blurred when close to the subject, making the lens even more versatile.   Premium and Solid Design The 'Hidden Red Ring', which upgraded Samyang's premium design to the next level, makes the lens even more attractive. As it is the L-mount lens, it adopts the red dot lens mount index. In addition, by applying a metal barrel, the build quality was improved and the lens was made more robust. A zoom lock switch helps users keep the lens set at its shortest 35mm position, making it more convenient and safe to carry.   Outstanding Resolution With the latest optical design using special lenses for 12 of the 21 total elements (in 18 groups), this lens demonstrates excellent optical performance throughout the zoom ranges from wide-angle to telephoto on the L-mount cameras. In addition, 'UMC (Ultra Multi-Coating)' technology is applied to minimize flare and ghosting, helping to produce natural and clear images.   Fast and Accurate AF Performance The Linear Stepping Motor provides high responsiveness and accuracy when shooting photos and videosand isexcellent for tracking fast-moving subjects.   Convenient Functionality If you set the custom switch to MODE 2 in the AF mode, the focusing ring operates with the aperture adjustment function. Switching to MODE 3 enables a unique video feature called 'Dolly Shot' in MF mode.Two Focus Hold Buttons are equipped onthe side, which can be used as focus hold buttons in AF mode and as focus save buttons in MF mode.   Optimized Features for Video Shooting The AF 35-150mm F2-2.8 L is also optimized for videography, helping you shoot more professional and creative content.   Dolly Shot (Mode 3, MF) A professional dolly can be expensive and challenging to operate, however, this lens allows you to easily recreate the dolly shot effects - identical subject scale but variable background scales -of using one by rotating the zoom ring while tracking the subject. Digital Par-Focal (Mode 1&2, MF) After focusing on the subject in MF mode, the focus doesn’t require adjusting again, even when zoomed in or out. This allows filmmakers to reduce shooting time and enable accurate and stable shooting. Weather-sealed Design Considering the users’ shooting environment, the lens is weather-sealed to prevent damage or contamination from dust, light rain, and snow.

Samyang AF 24-70mm F2.8 Sony FE - 8016

Samyang AF 24-70mm F2.8 Sony FE - 8016 Autofocus, full frame, wide-angle to short-telephoto zoom lens - Sony FE Mount The first in a new Zoom line-up, Samyang's AF 24-70mm F2.8 FE is the perfect all-in-one zoom to complement full-frame mirrorless cameras, delivering a wide angle of view and bright maximum aperture of F2.8 throughout the entire zoom range. Optimal resolution is achieved through an optical design of 17 elements in 14 groups, including 2 Aspherical, 1 Hybrid-Aspherical, 3 High Refractive and 3 Extra-Low Dispersion. In addition, UMC Ultra Multi-Coatings have been applied to minimise aberration and unnecessary light dispersion. Combined with Sony's full-frame image sensor, this zoom lens delivers superior sharpness and contrast in all areas of the image. Impressive background blur and bokeh with bright F2.8 aperture The AF 24-70mm F2.8 FE zoom uses a large-diameter aperture to provide smooth background blur. It effectively separates the subject from the background, using a shallow depth of field to capture a unique image of an ultra-wide angle in which the background is compressed. The 9 diaphragm blades create smooth and natural bokeh with light splitting. Enhanced usability with custom mode switch Equipped with a Custom Mode Switch, shooting and operation is more intuitive and simpler. You can easily select various functions such as Aperture Control Mode or MF Mode from the Switch and enjoy the shooting mode that suits your personal preference. Settings can be customised via the lens station (available separately) and more functions will be added through firmware updates in the future. Fast and quiet AF performance Tracking subjects accurately and quickly, the AF also operates quietly and smoothly when shooting video. Samyang's Linear STM (Stepping Motor) satisfies both photographers and videographers with quieter and more accurate control of the larger and heavier focusing lens groups which occur in zoom lenses. Short minimum focal distance The minimum focal distance is just 35cm, adding versatility and making it possible to produce a unique perspective close to the subject. The short focal distance also makes it easier to take portraits with exaggerated features, such as food on tables and interior shots in narrow spaces. Weather-Sealing design - Protects from light rain, snow and dust The usability of the AF 24-70mm F2.8 FE lens has been developed and enhanced, taking into consideration not only the design but also the user's shooting environment. It has a micro-patterned rubber focus ring, so feels great to operate and weather-sealing also protects the lens from light rain, snow and dust. Features optimised for video shooting Par-Focal: This function maintains focus on the subject when zooming in and out. It is a feature optimised for video shooting and normally seen on very expensive cine zoom lenses. Cinematic Video AF: As the AF speed is carefully controlled during video recording, focus wobble is reduced, so very stable video recording is possible. Linear MF Focus Control: Provides convenience to video shooters by matching the torque of the focus ring as closely as possible to that of a manual focus lens when shooting video in manual mode. Cine Kit: A Samyang ‘Cine Kit’, consisting of focus gearing, follow focus and tripod mount, will be available separately. This allows system exchange at the same time as lens change (with small configuration), so manoeuvrability is very good. In addition, a mount kit and follow focus are provided, allowing essential elements of video shooting at the same time.

Ledgo CN-600SC Light panel, Used

Ledgo CN-600SC Light panel, Used (FMP61491KSSH) Good condition, 3 months warranty  The Value Series LED Bi-Color Panel 600 from Ledgo is a 36W square light panel with the equivalent light output of a 688W tungsten light source. This bi-color panel allows you to fine tune the color of your light anywhere from 3,200 to 5,600K while generating 2,668 lumens and producing 4,720 lux at 3.28'. Customize your light with the included soft light diffusion filters or a 6,500K blue filter. Every Ledgo LED panel comes with an AC power adaptor and a metal yoke with a 5/8" receiver.  The Ledgo Value Line of LED Panels provides users with an affordable lighting solution without requiring them to sacrifice quality. All panels in this range feature a 95 CRI rating, stepless power adjustment, lightweight polycarbonate housing and barndoors and an integrated V-Lock battery plate for field work without access to mains power.

Sony ENG UHF Wireless Set: UTX-B03, URX-P03 & UTX-P03 Transmitter, Used

Sony ENG UHF Wireless Set: UTX-B03, URX-P03 & UTX-P03 Transmitter, Used (FMP61489KSSH) 566-630 MHZ Good condition, 3 months warranty  The Sony UWP-D series wireless system is a reliable, broadcast-quality audio solution designed for ENG, EFP, and professional video production. This kit includes the UTX-B03 bodypack transmitter, URX-P03 portable receiver, and UTX-P03 plug-on transmitter, offering flexible wireless audio capture for both lavalier and handheld microphone setups. Combining Sony’s digital audio processing with analogue UHF transmission, the system delivers clear, natural sound with strong signal stability. Its true diversity reception helps minimise dropouts, making it ideal for demanding field environments. The system features wide frequency coverage (up to 72 MHz bandwidth depending on region), allowing easy operation across multiple channels and environments. Designed for ease of use, it includes automatic channel scanning and IR sync for quick setup between transmitter and receiver. The compact receiver mounts easily onto cameras, while the robust metal construction ensures durability for professional use. Additional features include USB power options, adjustable audio levels, and compatibility with a wide range of Sony wireless systems, making it a versatile choice for interviews, documentaries, and on-location shoots.   Condition: Used – fully tested and in good working order (cosmetic wear may be present).  

Arri Alexa Mini Camera Kit with Full Licences, 6000hrs, used

Arri Alexa Mini Camera Kit with Full Licences, 6000hrs, used(FMP61480RPBR) Excellent Condition, 3 months warranty  Color output Rec 709, custom look or Log C Look control Import of custom 3D LUT, ASC CDL parameter (slope, offset, power, saturation) Adjustable image parameters Knee, gamma, saturation, black gamma, saturation by hue Focus and exposure control Peaking, zebra, false color White balance Manual and auto white balance Sound level -20 db(A) at standard frame rates Environmental -20 C to +50 C (-4 F to +122 F) @ 95% humidity max, non-condensing Splash and dust-proof through sealed electronics Viewfinder Multi Viewfinder MVF-1 (OLED and LCD ) with flip-out LCD screen military-grade connector to camera Control interface Soft buttons and OSD on SDI output, integration of Transvideo StarliteHD touch interface * ARRI lens motor control Built-in radio interface for ARRI lens control L-Bus motor output for daisy-chainable cforce lens control motors Wi-Fi remote control Built-in Wi-Fi interface and web-based remote control from phones, tablets and laptops Custom control Optional GPIO interface for integration with custom control interfaces Power input Lemo 8-pin, 10.5-34 V DC Video outputs 2x HD-SDI out 1.5G 3G: uncompressed HD video with embedded audio and metadata, SDI-6G interface to external CODEX recorder *  Inputs SDI-Genlock (optional activation through ARRI Service),timecode (in and output)

Panasonic AJ-SPC700E, with VF20WBE Camera, Used

Panasonic AJ-SPC700E, with VF20WBE Camera, Used Excellent condition, 3 months warranty Panasonic Broadcast introduces a cost-effective shoulder-mount AJ-SPC700 camcorder, tailor-made for a gamut of electronic newsgathering assignments. Since becoming available last spring, Panasonic’s DVCPRO P2 products have offered the extensive benefits of solid-state memory recording and IT integration, and have elevated digital video acquisition to a new level of speed and cost efficiency. By eliminating all moving parts from the camera recording path, Panasonic has ensured the AJ-SPC700 is extremely reliable and resistant to environmental hazards, such as the shock, vibration, cold, heat and humidity that threaten camcorders based on mechanical recording transports. AJ-SPC700 images are stored on a P2 card using MXF file format to ensure IT compatibility for file transfer. The AJ-SPC700 combines a high-performance 2/3” 520,000-pixel, IT 3-CCD camera with 60 fields interlace recording in 25Mbps DVCPRO/DV and 50Mbps 4:2:2 DVCPRO50 format on a P2 card. Switchable between 4:3 and 16:9 aspect ratios, the camcorder delivers broadcast-level performance, with low smear, 750-line resolution, an S/N ratio of 63dB, a high sensitivity of F11 at 2000 lux, and minimum illumination of 0.5 lux (at +36dB). With its newly-developed DSP, the AJ-SPC700 has a very low power consumption of about 20 watts, which minimizes the number of batteries needed for field work. It is equipped with an advanced 12-axis matrix color correction system, and a news gamma curve specially optimized for the demands of field news acquisition. The news gamma curve helps to preserve image quality by suppressing over-saturation in highlight areas during sudden changes in contrast. The AJ-SPC700 features five P2 card slots, providing up to 160 minutes record capacity at DVCPRO and 80 minutes in DVCPRO50 with 8GB P2 cards. A sixth PC card slot is provided to accept a range of options, such as a MPEG-4 Proxy Video Encoder. Proxy video – in three quality choices -- may be recorded to P2 cards and SD Memory cards, and subsequently viewed on a journalist’s PC or personal digital assistant (PDA). Its superb audio performance supports two audio input channels which will be recorded onto four audio channels of 48kHz/16-bit PCM audio in DVCPRO50, DVCPRO and DV. The AJ-SPC700 comes equipped with a USB 2.0 interface for file transfers, and users can add an IEEE-1394 interface (optional AJ-YAD800G board) for a real-time stream and for connection to laptop computers running a range of popular NLE applications, thereby providing a self-contained field editing solution. The AJ-SPC700 starts recording from the moment it’s switched on, so users can feel confident that they won’t miss an important shot. Its hot swap function assures non-stop recording, because it allows a user to replace any P2 card (except the one being recorded on) on the fly. Regarding its flexibility in the IT domain, the AJ-SPC700 offers many innovative functions: Three recording modes – Continuous, pre-record or loop-record assure a news crew has less chance of missing an important event, and eliminate waiting for tape scanners or optical media to spin-up prior to recording. Voice Memo - A built-in memo microphone permits the addition of metadata audio description to clip metadata with specified time code link. Shot marker indication on clips of video. Thumbnail clip display and selection – the built-in color 3.5” LCD monitor provides easy review of video clip thumbnails and the creation of an in-camera storyboard. The camcorder is highly customizable with features like four user scene files, three user setup buttons, and camera setup memory (up to eight camera setups can be saved to a SD Memory card).  Other valuable features of the AJ-SPC700 include: Auto Tracking White Balance, electronic shutter speeds (1/100 to 1/2000 sec.) with Synchro-Scan capability (1/60.3 to 1/249.7 sec.), 4-position (ND + CC) optical filter, zebra pattern display, and built-in SMPTE time code generator/reader.  Input/outputs include composite (in/out), Genlock (in), monitor (out), two XLR audio (in), one 3-pin XLR audio (out), two Microphone line (in), DC (in/out), ECU (in) two stereo headphone mini-jacks (out), plus UniSlot wireless Microphone (in). Panasonic also offers the shoulder-mount AJ-SPX800 2/3” DVCPRO P2 camcorder, which includes 24fps and 30fps progressive recording as well as 60 fields interlace recording.  Panasonic’s DVCPRO P2 series products are fully compatible with DVCPRO, the industry’s standard for digital newsgathering, and provide a seamless migration path to DVCPRO HD. DVCPRO P2 offers nonlinear acquisition and instant access to material, high-speed file transfer, laptop field editing without requirement for proxy videos, and compatibility with off-the-shelf data storage drives for low-cost archiving, while eliminating traditional digitizing and ingesting operations. The core DVCPRO P2 products eliminate transports and mechanisms, resulting in a significant maintenance cost-savings because of the absence of any moving parts that can break down or wear out from repetitive use. P2 cards can be re-used almost indefinitely, since a card can be re-written a minimum of 100,000 times without performance degradation and its ultra-reliable connector will last for a minimum of 30,000 insertion and removal cycles. Moreover, DVCPRO P2 products are resistant to environmental stresses such as shock and vibration

Teradek Bond 757 - Cube 755 + Bond + MPEG-TS Package, Used

Bond 757 - Cube 755 + Bond + MPEG-TS Package, Used(FMP61459KSSH) Excellent condition(original box) , 3 month warranty The Bond expansion module seamlessly connects to any Cube 600, 700, or 800 series through a pogo pin connector. Once connected, the module offers up to 4 additional modem connections via USB or 4-pin connector. A built-in 5 minute Li-Ion offers continuous power during battery swaps. Cube At the heart of Bond is Cube, a High-Profile H.264 and H.265 encoder that supports bit rates up to 30Mbps and a boot-to-live time of 20 seconds. Cube is capable of streaming in 4K and includes a series of professional features such as adaptive streaming, closed-captioning, and both HDMI and SDI inputs.

JVC 4K ENG hand-held camcorder

JVC 4K ENG hand-held camcorder(GY-HC500EC) The GY-HC500 is a handheld 4K production camcorder that can be upgraded to support NDI|HX, ideal for ENG, production and sports, featuring a 1-inch sensor and live streaming. It offers uncompromised live and recorded image quality, with exceptional IP connectivity features. Shoot 4K Ultra HD with HDR and record to SSD media in a wide variety of formats, including 10-bit ProRes 422 at 4K resolution and 50/60p frame rates.

Panasonic AU-XPD1 P2 Memory Card Drive, Used

Panasonic AU-XPD1 P2 Memory Card Drive, Used(FMP61258KSSH) Good Condition, 3 months warranty The AU-XPD1 is a compact and lightweight 1-slot P2 drive that is equipped with USB 3.0 connectors, allowing for high-speed data transfers. When connected to a PC or Mac with USB 3.0, it can transfer files at a rate of 2.4 Gbps from an expressP2 card or 1.2 Gbps from a P2 card E series / F series. This device is also compatible with expressP2, P2, and microP2 cards when used with the optional AJ-P2AD1G Memory Card Adapter. It is a cost-effective solution for transferring, copying, and editing footage directly from P2 cards.  The AU-XPD1 comes with driver software for Windows (7/8/8.1) and Mac OS X (10.7.5/10.8.5/10.9.3), making it compatible with the latest video applications for nonlinear editing and other tasks. With a thickness of only 33 mm and a weight of 280 g, it is a convenient and portable option for on-the-go use. The AU-XPD1 is a reliable and efficient tool for high-speed data transfers and editing, and it even supports the use of microP2 cards with the optional adapter.USB 3.0 Memory Card Drive for expressP2 Card, P2 Card and microP2 Card *1   The AU-XPD1 Memory Card Drive is a compact, lightweight 1-slot P2 drive. This compact device is driven by bus power*1 from a USB 3.0 interface. It enables space-saving, high-mobility operation when combined with a laptop PC or a MacBook. The AU-XPD1 transfers data at a rate of 2.4 Gbps from a expressP2 card and 1.2 Gbps from a P2 card.*2 It is capable for a high-speed data transfer with the latest Win/Mac OS.*3 This device supports not only the transferring and copying of clips recorded on P2 cards, but also direct editing. The microP2 card can be used with the optional AJ-P2AD1G Memory Card Adapter.   *1 Requires the optional AJ-P2AD1G Memory Card Adapter to use the microP2 card. The production of microP2 cards have been discontinued. When recording to SD memory cards in P2 format, please use SDXC memory cards with video speed class V90 or faster. Please use the latest version of the camera recorder software. *2 Connection of the AU-XPD1 requires two USB cables. And a power supply is connected with USB 3.0 port of PC or an AC adaptor.   *3 The actual transfer rate may be lower due to various factors, such as the file being transferred, the performance of the system (computer/OS) used, the application software and the P2 card version. Transfer rate with P2 card is when using the P2 card F series, E series.

Sachtler Reporter 100H ENG Tungsten Production Light, Used

Sachtler Reporter 100H ENG Tungsten Production Light, Used (FMP61075KSSH) The Reporter 100H is a small, battery-powered tungsten light designed mainly for on-camera use in ENG (news), documentary, and run-and-gun shooting. Ideal as a portable key light, accent light or interview fixture, the Reporter 100H features adjustable focus control together with integrated barndoors for precise lighting adjustment on location. Its compact size makes it especially suitable for mobile production crews, small studio setups, theatre use and vintage broadcast lighting systems.   Built to Sachtler’s renowned professional standards, the Reporter 100H remains a practical lighting solution for filmmakers, collectors and content creators seeking classic tungsten lighting characteristics and dependable build quality.  Features: On-camera or handheld use (built-in handle) Barndoors included to shape light Adjustable focus lets you switch between: Wider flood for general fill Narrow spot for stronger key light  Designed for portable battery setups (belt packs or camera batteries) Ideal For:   ENG and broadcast production Documentary filmmaking Interview lighting Accent and practical lighting Theatre and studio work Vintage production lighting setups Collectors of broadcast equipment

Sachtler Reporter 324H 300W Tungsten Video Light, Used

Sachtler Reporter 324H, Used(FMP61053KSSH) The Sachtler Reporter 324H is a professional portable 300W tungsten video light designed for ENG, broadcast, documentary, interview and location lighting workflows. Compact and lightweight, the Reporter 300H series can be handheld, stand mounted or camera mounted, making it ideal for fast-moving field production and portable lighting setups. The luminaire features adjustable spot-to-flood focusing, integrated filter holder and rotatable 4-leaf barndoors for flexible light shaping and controlled illumination during professional video production. Constructed from durable lightweight PPS housing material, the Reporter 324H is designed for reliable operation in demanding production environments while remaining easy to transport for on-location shoots. The light supports standard 300W tungsten halogen bulbs and provides approximately: 930 lux in spot mode 270 lux in flood mode  making it suitable for interviews, ENG crews, documentary production and portable tungsten lighting setups

Sachtler Reporter 300H Tungsten Compact light Set, Used

Sachtler Reporter 300H Compact Set, Used(FMP61047KSSH) The Sachtler Reporter 300H Compact Set is a professional portable 3-light tungsten ENG lighting kit designed for broadcast, documentary, interview and location video production workflows.  Featuring three compact 300W tungsten Reporter 300H luminaires, the kit provides lightweight portable continuous lighting suitable for camera mounting, handheld operation or stand-mounted use.

PAG Paglight, Used

PAG Paglight, Used(FMP61022KSSH) Good Condition, 3 months warranty A PAGlight 12V is a popular, modular, professional camera light system for broadcast/video, known for its interchangeable halogen or LED lamp modules that plug into a single reflector body, powered by 12-14.8V batteries (like Anton/Bauer or PAG's own) via a hot-shoe base with a D-Tap connector. These cool-running, focusable (spot to flood) lights offer flexibility, efficiency, and durability for on-camera or field use, with LED versions providing daylight-balanced output.

Calibrite ColorChecker Digital SG

Calibrite ColorChecker Digital SG(CALB505) Semi-gloss Camera and Scanner Reference Target for Calibration and ICC Profiles Obtain the widest colour gamut available! Nothing optimizes the power of your digital camera like the ColorChecker Digital SG (semi-gloss). It’s the original ColorChecker target, enhanced for digital photography. The ColorChecker Digital SG comes in the same size as the Classic – 215.9 x 279.4mm and can be used for a variety of applications, including: Digital Photography: Check images, correct white balance and perform extensive colour analysis for correction Film Photography: Check films, lights, filters and paper Graphic Arts: Check any printing or proofing process Scanner Profiling: Create custom ICC scanner profiles (with compatible software) Specifically designed to meet the needs of digital photographers, the Digital ColorChecker SG target includes the highest quality colour reference standards available. Each of the 140 patches was chosen for its location in colour space to expand the colour gamut, so you can create profiles that capture the full capabilities of your digital camera and scanner. The ColorChecker Digital SG target includes the colours from the standard ColorChecker target, many of which represent natural objects, such as human skin tone, foliage and blue sky. Additional skin-tone reference colours deliver greater accuracy and consistency over a wide variety of skin tones, and gray scale steps provide accurate control of camera balance to maintain a neutral aspect, regardless of light source. Digital ColorChecker SG can also be used to create a white balance with your digital camera to guarantee precise, uniform, neutral white under any lighting condition. ColorChecker Digital SG provides the same great value as the ColorChecker Classic to compare digital reproductions to real life scenes or test targets. The ColorChecker Digital SG takes a step beyond the traditional ColorChecker by representing a larger gamut and providing greater refinement of individual colours. Simply include ColorChecker Digital SG in your first photo if you’re shooting JPEG or traditional, or any photo in the series if you’re shooting RAW. Later, in the studio, use it to compare, measure and analyse differences in colour reproduction in any colour rendition system. This objective standard will help you avoid costly mistakes and trial-and-error colour correction after the fact. 3rd Party Software Support: Hasselblad Phocus for ICC camera profiling Phase One ICC Compatible with Calibrite PROFILER 2.0  Take your color accuracy to the next level with Calibrite PROFILER 2.0. This powerful software simplifies the camera calibration process with a user-friendly interface, automatic target recognition, and seamless integration with Adobe Lightroom®, Photoshop®, Capture One®, and other ICC-compatible software. Achieve true-to-life colors with enhanced DNG and ICC profiles, even in varied lighting conditions, and easily manage your custom profiles with the built-in Profile Manager.

Panasonic AWHE870 with SD/HD-SDI Conversion board installed, used

Panasonic AWHE870 with SD/HD-SDI Conversion board installed, used(FMP60829KSSH) Excellent condition, 3 months warranty This versatile AW-HE870 delivers affordable 2/3" quality acquisition for a wide range of applications. This new addition to Panasonic's best-selling HD convertible camera line supports 1080i/720p HD and 480i SD capture and is compatible with most 2/3-inch motor drive zoom lenses.  Combining versatile HD/SD functionality, high video quality and cost effectiveness, the HE870 is ideal for use in education, government, houses of worship, corporate boardrooms, staging and much more. Compatible with Panasonic's comprehensive line of high-performance indoor/outdoor pan-tilt systems, the compact HE870 offers a simple upgrade path to HD. Previously installed control systems may require a firmware upgrade to access all of the new camera's features.

Panasonic AWHE870 with SD/HD-SDI Conversion board installed, used

Panasonic AWHE870 with SD/HD-SDI Conversion board installed, used(FMP60828KSSH) Excellent condition, 3 months warranty This versatile AW-HE870 delivers affordable 2/3" quality acquisition for a wide range of applications. This new addition to Panasonic's best-selling HD convertible camera line supports 1080i/720p HD and 480i SD capture and is compatible with most 2/3-inch motor drive zoom lenses. Combining versatile HD/SD functionality, high video quality and cost effectiveness, the HE870 is ideal for use in education, government, houses of worship, corporate boardrooms, staging and much more. Compatible with Panasonic's comprehensive line of high-performance indoor/outdoor pan-tilt systems, the compact HE870 offers a simple upgrade path to HD. Previously installed control systems may require a firmware upgrade to access all of the new camera's features.

SONY PXW-X500 XDCAM, 282hrs, used

SONY PXW-X500 XDCAM, 282hrs, used(FMP60869LPBR) Good condition, 3 Months warranty   Sony PXW-X500//U (PX-WX-500//U, PXWX500//U, PXW/X500//U, pxw-x500//u) B4 mount Professional XDCAM Camcorder Sporting an ENG form factor and supporting a wide variety of HD and SD formats, the Sony PXW-X500 XAVC 60P 2/3" Camcorder Body features a 2/3" 3CCD sensor block and can capture full HD at up to 120 fps. This item is only the camcorder body only and does not include a lens, viewfinder, mic, or wireless receiver. It is ideal for owners who want to upgrade to a new camcorder body while retaining the other elements of their camera package, such as lens, viewfinder, and mic.   The camcorder supports XAVC, MPEG2, and MPEG4 codecs, recording to SxS or SD media cards. It features 3G-SDI, HDMI, and Composite video outputs, allowing you to incorporate the camcorder into most production pathways, and the camera's built-in wireless slot accepts your compatible wireless receiver. Built into the side of the camcorder is a flip-out LCD viewscreen that displays battery capacity, media capacity, audio levels, and you can check camera playback on the camera. The camera incorporates a variety of professional features including Sony's slow and quick motion, picture cache recording, built-in GPS, a digital extender, and HyperGamma.   Sensor   The PXW-X500 features three 2/3" Power HAD FX IT CCDs that make up its sensor block. Auto Lens Aberration Compensation Expanded ALAC provides improved lateral chromatic aberration correction. Exposure   Featuring two integrated filter wheels for exposure and image control, the ND wheel holds four optical filters, a clear, an ND 1/4, ND 1/16, and an ND 1/64. The second wheel controls electronic CC filters allowing you to adjust the camera's white balance by spinning the wheel, as if it used optical filters. Electronic CC filter settings include 3200K, 4300K, 5600K, and 6300K. Gamma Control   The camera includes Standard Gamma, as well as four different HyperGamma settings and a user selectable setting. Slow Shutter Mode   The camera features a slow shutter mode, allowing you to accumulate frames to increase exposure. You can accumulate frames in groups of 2, 3, 4, 5, 6, 7, 8, and 16 frames. Worldwide Camera   The camera is capable of recording signals compatible with NTSC and PAL broadcast systems, so you can shoot and playback your footage in virtually any country. Specialty Recording   You can access a variety of special recording modes:   Sony's Slow & Quick Motion, for off speed recording. Interval record, for a timelapse like effect. The Pool feed input allows you record a signal input via a BNC cable, which is useful in press conference type situations when there is one feed.  Media Card Slots   Dual SxS card slots allow simultaneous or relay recording, providing the same codec is being used. On Board LCD Panel   It features a color LCD panel with 960 x 540 resolution that displays video, thumbnails, menu characters, audio level, and timecode display. GPS   A GPS unit is integrated into the camera's handle, and the GPS information can be encoded into your HD footage.

Sony Burano Camera, 3 hours, Like-New

Sony Burano Camera, 3 hours, Like-New(FMP60865KSBR) Excellent / Like-New Condition – Fully Tested, 3 months warranty Note: This camera comes with Sony's updated IR Cut Filter for improved colour reproduction under strong lighting conditions.   Please note that the competitive price of this Sony BURANO should not be taken as an indication of its condition. This camera is in excellent, like-new condition and has been fully tested and is working correctly. We have priced this unit very competitively to achieve a quick sale, rather than because of any known fault or issue with the camera. The camera is also fitted with Sony's updated IR Cut Filter, designed to improve colour reproduction under strong lighting conditions. This represents an excellent opportunity to purchase a Sony BURANO in exceptional condition at a substantial saving compared with a new unit.     BURANO is a professional camera with a full-frame 8.6K sensor, providing high-quality images and a rich color gamut. It has multiple image scan modes, including full-frame and Super35, and offers a wide latitude of 16 stops for capturing beautiful, low-noise images in any lighting condition. BURANO also features Sonys signature S-Gamut/S-Gamut.Cine wide color space, Dual Base ISO sensitivity, and internal recording of X-OCN LT and XAVC H formats. It offers four new in-camera looks and is compatible with PL and E-mount lenses.   The cameras sensor can achieve 8K image quality with a maximum resolution of 8632 x 4856 and offers various image scan modes for different production requirements. With a wide dynamic range and color accuracy, BURANO allows for maximum flexibility in color grading. It also offers the option to switch between PL and E-mount lenses, making it a versatile choice for professional cinematographers.  

Canon HJ22ex7.6B IASE A, Lens, used

Canon HJ22ex7.6B IASE A, Lens, used(FMP60845KSSH) 3 Months Warranty - May look cosmetically poor but it functions as it should, no issues.  Recent years have witnessed expansions in both HD production and the range of program genres. Within this environment the worldwide popularity of the HJ22ex7.6B lens as a flexible multipurpose lens exhibiting high optical performance and ease of operation has grown significantly. The combination of a generous 22x zoom ratio and a wide 7.6mm field of view meets numerous challenging production applications that include dramas, documentaries, sports, news etc.   A newly developed digital drive unit has further streamlined the lens ergonomics to further empower camera operator shooting flexibility. The new drive unit will be identified with an “A” at the end of the model name - such as IRSE A or IASE A.

Panasonic AWHE870 with SD/HD-SDI Conversion board installed, used

Panasonic AWHE870 with SD/HD-SDI Conversion board installed, used(FMP60831KSSH) Excellent condition, 3 months warranty This versatile AW-HE870 delivers affordable 2/3" quality acquisition for a wide range of applications. This new addition to Panasonic's best-selling HD convertible camera line supports 1080i/720p HD and 480i SD capture and is compatible with most 2/3-inch motor drive zoom lenses. Combining versatile HD/SD functionality, high video quality and cost effectiveness, the HE870 is ideal for use in education, government, houses of worship, corporate boardrooms, staging and much more. Compatible with Panasonic's comprehensive line of high-performance indoor/outdoor pan-tilt systems, the compact HE870 offers a simple upgrade path to HD. Previously installed control systems may require a firmware upgrade to access all of the new camera's features.

Canon HJ14 ex4.3B IASE A Lens, New

Canon HJ14 ex4.3B IASE A Lens, New(FMP60835RPBR) Brand New, boxed    3 Months Warranty    Canon's HJ11ex4.7B has been the most popular HDTV wide-angle lens in the world and is known for its outstanding optical performance and ease of operation. Now, Canon is introducing unique technology with the launch of our most advanced HDTV wide-angle lens, the HJ14ex4.3B. In addition to the lens's™ new design, the HJ14ex4.3B realised the widest angle among all the broadcast lenses while maintaining or even improving its exceptional optical performance. Moreover, the newly developed drive-unit will provide further more ease of operation which will strongly support the camera operator.     

Arri Signature Prime Lens Set 18,25,35,47,75,125mm, Used

Arri Signature Prime Lens Set 18,25,35,47,75,125mm, Used(FMP60843RPBR) Great Condition,  3 Months warranty Note - Full ARRI report done recently (25/05/2025) Covers Large-Format Sensors 6 x Primes Ranging from 18 to 125mm ARRI LPL LDS-2 Mount Fast T1.8 Maximum Aperture 11-Blade Iris for Smooth Bokeh Compact, Lightweight Magnesium Design Common 114mm Front Diameter Smooth Focus Fall-Off   Marked in Feet

Panasonic AWHE870 with SD/HD-SDI Conversion board installed, used

Panasonic AWHE870 with SD/HD-SDI Conversion board installed, used(FMP60827KSSH) Excellent condition, 3 months warranty This versatile AW-HE870 delivers affordable 2/3" quality acquisition for a wide range of applications. This new addition to Panasonic's best-selling HD convertible camera line supports 1080i/720p HD and 480i SD capture and is compatible with most 2/3-inch motor drive zoom lenses.   Combining versatile HD/SD functionality, high video quality and cost effectiveness, the HE870 is ideal for use in education, government, houses of worship, corporate boardrooms, staging and much more. Compatible with Panasonic's comprehensive line of high-performance indoor/outdoor pan-tilt systems, the compact HE870 offers a simple upgrade path to HD. Previously installed control systems may require a firmware upgrade to access all of the new camera's features.  

Panasonic AWHE870 with SD/HD-SDI Conversion board installed, used

Panasonic AWHE870 with SD/HD-SDI Conversion board installed, used(FMP60826KSSH) Excellent condition, 3 months warranty This versatile AW-HE870 delivers affordable 2/3" quality acquisition for a wide range of applications. This new addition to Panasonic's best-selling HD convertible camera line supports 1080i/720p HD and 480i SD capture and is compatible with most 2/3-inch motor drive zoom lenses. Combining versatile HD/SD functionality, high video quality and cost effectiveness, the HE870 is ideal for use in education, government, houses of worship, corporate boardrooms, staging and much more. Compatible with Panasonic's comprehensive line of high-performance indoor/outdoor pan-tilt systems, the compact HE870 offers a simple upgrade path to HD. Previously installed control systems may require a firmware upgrade to access all of the new camera's features.

Panasonic AWHE870 with SD/HD-SDI Conversion board installed, used

Panasonic AWHE870 with SD/HD-SDI Conversion board installed, used(FMP60825KSSH) Excellent condition, 3 months warranty This versatile AW-HE870 delivers affordable 2/3" quality acquisition for a wide range of applications. This new addition to Panasonic's best-selling HD convertible camera line supports 1080i/720p HD and 480i SD capture and is compatible with most 2/3-inch motor drive zoom lenses.   Combining versatile HD/SD functionality, high video quality and cost effectiveness, the HE870 is ideal for use in education, government, houses of worship, corporate boardrooms, staging and much more. Compatible with Panasonic's comprehensive line of high-performance indoor/outdoor pan-tilt systems, the compact HE870 offers a simple upgrade path to HD. Previously installed control systems may require a firmware upgrade to access all of the new camera's features.

Panasonic AWHE870 with SD/HD-SDI Conversion board installed, used

Panasonic AWHE870 with SD/HD-SDI Conversion board installed, used(FMP60820KSSH) Excellent condition, 3 months warranty  This versatile AW-HE870 delivers affordable 2/3" quality acquisition for a wide range of applications. This new addition to Panasonic's best-selling HD convertible camera line supports 1080i/720p HD and 480i SD capture and is compatible with most 2/3-inch motor drive zoom lenses. Combining versatile HD/SD functionality, high video quality and cost effectiveness, the HE870 is ideal for use in education, government, houses of worship, corporate boardrooms, staging and much more. Compatible with Panasonic's comprehensive line of high-performance indoor/outdoor pan-tilt systems, the compact HE870 offers a simple upgrade path to HD. Previously installed control systems may require a firmware upgrade to access all of the new camera's features.  

IDX Imicro-98P Lithium-Ion Mini V-Mount Battery, ex demo

IDX Imicro-98P Lithium-Ion Mini V-Mount Battery, ex demo(IMICRO-98P-EXDEMO) The IMICRO-98P is a revolutionary battery pack that boasts of being the smallest in the world at its capacity. With a rating of 97Wh, it meets the carry-on limit for passenger aircrafts, making it a convenient choice for travelers. Its compact size is also advantageous for those with small equipment and gimbal setups, and it can even fit the new RED V-RAPTOR.

Sony PMW-500 XDCAM full HD camcorder w HDVF 20A Viewfinder, used

Sony PMW-500 XDCAM full HD camcorder w HDVF 20A Viewfinder, used(FMP60801KSBR) 3 months warranty, good condition The first compact camcorder with solid state recording perfect for various shooting situations! Three 2/3-inch Power HAD FX CCD sensors XDCAM HD422 camcorder recording full HD (plus SD option) The PMW-500 is Sony Professional's first XDCAM HD422 Camcorder with solid state recording. It supports full-HD 422 50-Mbps MXF record and playback based on highly developed MPEG-2 Long GOP compression technology. Equipped with three 2/3-inch type 2.2-megapixel full-HD progressive CCDs - the same sensors as used in Sony's acclaimed PDW-F800/700 XDCAM Professional Disc HD 422 camcorders. It offers a high sensitivity of F12 at 50i (F11 at 59.94i) SxS Memory Cards Combine High Transfer Speeds and High Reliability Both SxS PRO™ and SxS-1™ memory cards use the PCI Express interface to achieve an extremely high data-transfer speed of 800 Mbps, and can resist considerable shock (1500 G) and vibration (15 G). Also, a unique Salvage function serves to restore content damaged by power loss or memory disconnection during recording. HD 1920x1080 and 1280x720 Recording Using the MPEG HD 422 Codec The PMW 500 records and plays back high-definition video with 1920x1080 and 1280x720 resolutions up to 50 Mbps using MPEG-2 4:2:2P HL compression technology. 24-bit Four-channel Audio Recording The PMW500 records uncompressed four-channel, 24-bit audio in MPEG HD 422 mode or MPEG IMX mode. Each channel level can be adjusted independently by individual level controllers. Selectable Recording Modes and Video Formats In addition to high-quality MPEG HD 422 50-Mbps mode, the PMW-500 can record and play back videos at different bit rates and in a variety of video formats. The PMW-500 supports both the broadcast-standard MXF file wrapper and IT-standard MP4 file wrapper. Long Recording Time With highly efficient MPEG-2 Long GOP compression and a large-capacity SxS memory card, the PMW/500 can record high-quality HD 422 50-Mbps images for a long recording time of 110 minutes on a single 64-GB SxS memory card. The SxS memory card can be hot-swapped with two cards while shooting, without interrupting the recording. Well-balanced Compact Body Designed to be very compact and ergonomically well balanced, the PMW-500 provides a high level of mobility and comfort in various shooting situations. It inherits the design of Sony's well regarded PMW-350/320 XDCAM EX™ camcorders. The main body weighs only 3.4 kg Low power consumption The power consumption of the PMW-500 is only 29W Digital Extender With optional CBK-HD02 boards, the Digital Extender function of the PMW-500 enables images to be digitally doubled in size. Focus Magnification A magnified camera picture (x2) is available in the viewfinder, simplifying precise focus adjustment. Auto Focus Assist Function The Auto Focus Assist function enables operators to change focus positions manually using the focus ring in AF mode. Slow and Quick Motion Function The PMW-500 offers a powerful Slow and Quick Motion function that enables users to create elegant fast- and slow-motion footage. The PMW-500 can capture images at frame rates selectable from 1 fps (frame per second) to 60 fps in 720p mode and from 1 fps to 30 fps in 1080p mode, in increments of 1 fps. (With the PAL setting in UDF (MXF) mode, frame rates are selectable up to 50 fps in 720p mode and up to 25 fps in 1080p mode.) Slow Shutter A maximum of 64 frames can be accumulated using the Slow Shutter function. HyperGamma Four types of HyperGamma curve – inherited from Sony's CineAlta camcorders – are provided in addition to six standard gammas. Interval Recording Function The Interval Recording function intermittently records one frame at pre-determined intervals. This is convenient for shooting over long periods of time, and also when creating special effects with extremely rapid motion. Frame Recording Function The Frame Recording function records images for pre-determined frames every time the Record button is pressed. This is particularly useful for clay animation shooting. Optical ND Filters and Electrical CC Filters The PMW-500 camcorder comes equipped with optical ND filters and electrical CC filters. With electrical CC filters, users can easily select a colour temperature -3200K, 4300K, 5600K, or 6300K - by rotation using a camcorder-assignable switch. Gain Control Gain Control(-6 dB to +42 dB) and Turbo Gain ("Shockless gain control") provide smooth transition in gain control. Easy-to-view 3.5-inch Colour LCD Monitor The PMW-500 is equipped with a large, easy-to-view, 3.5-inch colour LCD monitor with a high resolution of approx. 921,000 effective pixels. Why not check out our full range of camcorders by visiting our Camcorders Category or shop more items from the Sony range.  

DZO Vespid Primes 7x Lens Set (PL Mount)25,35,50,75,90,100,125mm, used

DZO Vespid Prime 7x Lens Set (PL Mount) 25,35,50,75,90,100,125mm, used(FMP60797LPBR) Good condition, 3 months warranty The DZOFilm VESPID Retro 7-Lens Kit offers a distinctive retro look for your cine-style video capture that combines cool blue tones with warm amber flares. This kit includes 25, 35, 50, 75, 90, 100, and 125mm prime lenses, each with interchangeable PL and EF mounts. The Retro series lenses cover full-frame and VV sensors, they have the same reliable mechanical performance as the original VESPID primes, and offer 270° of barrel rotation for precise focus pulls. Under certain conditions, the Retro primes' golden coating creates an art-house look with a warm tangerine glow that evokes sun-soaked, dreamy memories.  These lightweight yet durable lenses feature silver aluminum housings which distinguish the Retro lenses from the original DZOFilm VESPID series. The Retro series lenses have an 80mm front diameter, an M77 filter thread, and consistent focus and iris gearing to make swapping between them easier.

Canon CN10x25 IAS S 25-250mm Lens

Canon CN10x25 IAS S 25-250mm Lens(FMP60791RPBR) 3 months warranty, Brand new  The CINE-SERVO CN10 25-250 T2.95 lens provides cinematographers and broadcast operations with a compact, lightweight design (only 6.7 lbs.) using Canon optical elements, while offering outstanding performance and reliability in professional shooting environments. The new lens is fully 4K-ready, with a high optical resolution and support for Super35mm large-format cameras. An 11-blade aperture diaphragm helps ensure an artistic and beautiful representation of out-of-focus areas (or "Bokeh"). The lens also features a high 10x zoom magnification, wide focal length range of 25mm to 250mm, and a 180o smooth rotating focus ring. Acknowledging that broadcasters often need to control zoom, focus and iris/aperture in different ways than filmmakers, Canon has developed this zoom lens with full external servo control for drama, documentary and other broadcast productions. The servo drive unit is compatible with industry-standard protocols for control from a number of lens controllers including Canon's standard broadcast lens controllers (ZSD-300D/FPD-400D) and multiple industry standard cinema lens controllers. The drive unit can be easily removed for cinema-style shoots and can be easily re-attached without any manual re-alignment. A 16-bit metadata output enables connection to virtual studio systems.   Also available in EF mount, the lens can be converted at an authorized Canon service facility.

Sony a7S MK III w/ FE 24-105 mm F4 G OSS Lens, used

Sony a7S MK III w/ FE 24-105 mm F4 G OSS Lens, used(FMP60788JPBR) 3 Month Warranty, Good condition  Description. The Sony a7S III is a full-frame mirrorless still and video camera featuring a new 12.1 MP back-illuminated Exmor R sensor and BIONZ XR image processor for incredible image quality and speed. Film makers can shoot pro quality footage at up to 4K/120p or 4K/60p without crop with fast and precise autofocus.  Excellent optical performance and a high zoom ratio are packed into a compact, lightweight only 663 grams (23.4 oz.). The compact lightweight design extend to E-mount bodies for outstanding system mobility and handling ease. This one high-performance lens lets you shoot a wide range of subjects and situations.  

Canon ML-105 EF Multipurpose Camera EF , used

Canon ML-105 EF Multipurpose Camera EF (4843C001), used(FMP60731JPBR) 3 months Warranty, Good Condition  Get exceptional, low-light industrial video performance using the Canon ML-105 EF Multipurpose Camera. Built around a 35mm full-frame CMOS sensor, the highly sensitive ML-105 camera creates top-of-the-line imagery in a reduced form factor. Despite its compact size, this high-end EF-mount camera offers a robust selection of functions and meets MIL-standard equivalents. Highly Compact Functionality The ML-105 maintains the sensitivity performance of the ME20F-SH while measuring 50% smaller, around 4 x 3". It offers a minimum illumination of 0.0005 lux (or less), over 2.7 million pixels, and meets MIL Standard equivalents. Low-Light, Full-Frame Sensor The ML-105 EF's 35mm full-frame CMOS sensor uses larger 19μm photosites to obtain optimal performance even with a minimum subject illumination of 0.0005 lux or below (at maximum 75 dB gain). This sensor has a sensitivity equivalent to a higher than 4,000,000 ISO. Reduced Form Size This box-style camera can be easily configured with a wide range of system devices. Its modularity enables it to be used on multi-sensor optical systems, defense surveillance systems, research and surveying, and more. 3G-SDI BNC Output The ML-105 EF outputs 8-bit effective, 4:2:2 video at rates up to 1080p 59.94.   It also incorporates a Genlock BNC terminal. 

Arri Master Grips – full set, Used

Arri Master Grips – full set, Used(FMP60727RPBR) Good Condition, 3 Months Warranty  Control run-stop, focus, iris and zoom from the handheld moosebars (motors not included).  Ideal companion for high-end run-and-gun documentary style shooting. The Master Grips provide full control of focus, iris and zoom settings on cine lenses, including adjustable motor speed, zoom response and motor limits. They also offer a comfortable way to control the integrated servo motors of ENG and EF lenses (from ALEXA Mini/AMIRA SUP 5.0 – initially only iris support for EF lenses). Mounted on tripod pan arms or studio pedestal heads, the Master Grips can be used as focus and zoom demands for multi-camera setups, such as when using the AMIRA in Multicam mode. Camera control functionality includes user button access and REC start/stop for ARRI and third-party cameras, with the latter requiring the LCUBE CUB-1 accessory, updated with CUB-1 SUP 2.0.

Zeiss Supreme Prime 135mm T1.5 (PL), Used

Zeiss Supreme Prime 135mm T1.5 (PL), Used(FMP60724RPBR) Excellent Condition, 3 Months warranty The Zeiss Supreme range of prime lenses have been specifically developed for the latest generation full-frame/large format cinema cameras such as the Sony VENICE 1 and 2, ARRI Alexa LF, ALEXA Mini LF, RED V-Raptor, and others.   However, this lens has a 46.3mm image circle, which allows you to use the lens with full-frame and Super 35mm sensors. In addition, the lens has been designed to be small, as far as lenses that cover full-frame sensors go, to better match the diminishing size of cameras.    Though the lens is designed to be exceedingly sharp, it features a smooth focus roll-off; additionally this lens features a precision square helical thread that is smooth and durable. The focus barrel features 300 degrees of rotation for precise focus pulls.    The lens mounts are interchangeable in the field and communicate with Cooke /i and Zeiss Xtended Data protocols. The removable lens support foot features an integrated 3/8"-16 female threaded mounting hole   Moreover, the Zeiss Supreme Primes are equipped with a 16-blade iris that forms a circular aperture for round, out-of-focus highlights. The iris markings on the lens are not linear, providing you more room for precise incremental adjustments when the iris is open on the wide end, as well as making the overall size of the lens smaller   Cinematic sensor coverage and fast speed   The Zeiss Supreme Prime lenses are designed to cover cinematic sensors from Super 35 and smaller to full frame and beyond (FF+), making them ideal for current and future camera systems. With most lenses at T1.5 the Supreme Primes demonstrate their unsurpassed craftsmanship in tricky low-light environments.   Aesthetic focus fall-off and elegant bokeh   A very smooth transition between in-focus and out of focus areas characterize the unique look of the Zeiss Supreme Prime lenses. This adds richer texture and greater depth to the image.   A versatile look and gentle sharpness   The Zeiss Supreme Primes possess a look, which ensures freedom in creating the look you want to achieve. Especially when capturing crucial textures such as skin tones, the unique quality of the Zeiss Supreme Prime lenses is a gentle sharpness that renders a crisp but organic look.   Efficiency and reliability throughout the entire production   The unique Zeiss extended Data technology offers lens metadata critical for VFX-intensive productions and workflows on set. The frame accurate information about focal length, focusing distance, T-stop and depth-of-field enables the camera assistant to work more precisely and eliminates guesswork for the DIT.   Zeiss extended Data technology   Simplify and increase the accuracy of the image capturing and processing workflow. Zeiss extended Data unifies two data sets: key lens data based on the Cooke /i Technology and the Zeiss distortion and shading lens data. After recording on set together with the video files, they can be applied in post-production for compositing for example by using the Zeiss developed lens plugin.    

Zeiss Supreme Prime 150mm T1.5 (PL), Used

Zeiss Supreme Prime 150mm T1.5 (PL), Used(FMP60722RPBR) Excellent Condition, 3 Months warranty The ZEISS Supreme Prime lenses are specifically designed for cinematic large-format sensor coverage, making them the perfect choice for both current and future camera systems. With a maximum aperture of T1.5, these lenses showcase their exceptional craftsmanship in low-light environments, providing unparalleled performance.   The ZEISS Supreme Prime lenses offer a unique aesthetic with a smooth transition between in-focus and out-of-focus areas, adding depth and texture to the image. Their versatile look allows for creative freedom, especially when capturing delicate details like skin tones. Additionally, the lenses' gentle sharpness provides a crisp yet organic look.    

Zeiss Supreme Prime 65mm T1.5 (PL), Used

Zeiss Supreme Prime 65mm T1.5 (PL), Used(FMP60721RPBR) Excellent Condition, 3 Months Warranty     PL Mount With Lens Data. This Zeiss Supreme Prime 65mm lens features a PL mount capable of transmitting lens meta data via Cooke /i and Zeiss eXtended Data systems. Compatible cameras can read aperture and focus distance in real time and save that into the metadata of captured video.   Full Frame & VistaVision Coverage. With the availability of full frame cinema cameras on the rise, Zeiss set out to design the Supreme Prime line as a premium option to cover large format sensors. A large image circle of 46.3mm covers popular full frame cinema cameras like the Sony VENICE 2 8K Digital Motion Picture Camera, RED V-RAPTOR XL 8K VV DSMC3 Cinema Camera – Gold Mount, RED V-RAPTOR XL 8K VV DSMC3 Cinema Camera – V-Mount, ARRI ALEXA Mini LF Premium Gold Mount Kit, and ARRI ALEXA Mini LF Premium V-Mount Kit.   Lens Consistency. A defining characteristic of the Supreme Prime line of lenses is consistency of colour, contrast, and edge-to-edge sharpness. Colour is neutral, contrast is high while maintaining a bright image, and lenses are sharp to the corners for crisp 4K image capture.   Rugged Matched Housings. While relatively small for full frame cinema lenses, this series dwarfs the Zeiss CP.3 line. Once you get past the size and weight, you can begin to appreciate the matched gear placement, clear markings, and rugged, cinema-quality build of the housings. They are built to last.

Arri Alura Zoom 18-80, T2.6, PL Mount, lens, used

Arri Alura Zoom 18-80, T2.6, PL Mount, lens, used(FMP60706RPBR) Excellent Condition, 3 Months warranty ARRI and FUJINON have joined their extensive expertise to create a completely new family of modern cine zooms. Using the latest in optical design technology and innovative manufacturing techniques, the ARRI/FUJINON Alura Zooms combine the highest optical performance with an amazingly small size, weight and price. They are available as Studio zooms for use on a tripod or crane with a wider focal range, or as lightweight zooms which are significantly smaller and lighter in exchange for a reduced focal range. Matched Zooms Matched wide and long PL mount zooms for an efficient shooting pace, small size and low weight for quick and easy handling on the set. Fast and Steady T2.6 Consistent aperture over entire zoom range. Outstanding Optical Performance  

ARRI Alura Zoom Lens 45-250mm T2.6 - PL Fit, Used

ARRI Alura Zoom Lens 45-250mm T2.6 - PL Fit, Used(FMP60705RPBR) Good Condition, 3 Months Warranty ARRI / Fujinon Alura Zoom Lens 45-250/T2.6 (metres). ARRI and FUJINON have joined their extensive expertise to create a completely new family of modern cine zooms. Using the latest in optical design technology and innovative manufacturing techniques, the ARRI/FUJINON Alura Zooms combine the highest optical performance with an amazingly small size, weight and price. The Alura Zooms’ Colour characteristics, as well as their handling, are matched to existing prime lenses in ARRI’s outstanding repertoire. With two new extenders (1.4x and 2x) developed specifically for FUJINON PL mount zooms, ARRI now offers the widest range of cine lenses for all professional production demands, including zooms, high speed primes, standard speed primes, extreme wide angle and telephoto primes, macro, extenders and diopters.  

Cooke Anamorphic 65mm 2 x Macro Lens, Used

Cooke Anamorphic 65mm 2 x Macro Lens, Used(FMP60704RPBR) Cooke Optics, in collaboration with Thales Angénieux, has developed the Cooke Anamorphic/i cinema lenses. These lenses are manufactured using modern technologies while maintaining the renowned Cooke look and ensuring colour consistency with the 5/i, S4/i, and miniS4/i lens series. Additionally, they incorporate /i Squared technology (the next evolution of the /i system) for recording lens metadata. This system enables the capture of key data such as lens position and orientation in space, along with other parameters, which helps VFX artists work more efficiently with recorded footage, especially in dynamic camera movements. Cooke Anamorphic/i lenses produce high-quality images on both film and digital sensors, for which they are specifically optimized. These lenses deliver meticulously corrected aberrations across the entire image field, providing exceptional clarity, structure, and character. All Cooke Anamorphic/i lenses are true front anamorphic lenses. Cooke places great emphasis on the visual aesthetic of the image, as well as the quality of lens design and seamless integration with other filmmaking equipment.  

ARRIFLEX 435 camera Body 4-perf, standard IVS system, used

ARRIFLEX 435 camera Body 4-perf, standard IVS system, used(FMP60702JPBR) The Arriflex 435 is a movie camera product line created by Arri in 1995 to replace the Arriflex 35-III line. The number reflects its position as a successor camera to the Arri III and the fact that it is designed for 35 mm film. The 435 cameras are specifically designed as MOS cameras, which means that they are conventionally considered to be too loud to record usable location sound. However, this also frees the camera up to be optimized for non-sync sound uses, particularly any filming which either doesn't require sound or shooting at non-sync speed, shooting in reverse, or ramping between different speeds. As such, its potential applications are widespread, and thus it is regularly used on music videos, commercials, second unit work on features, special effects work, and motion control, among other usage. Rival Panavision even owns more 435s for rental than Arri's own hire houses; Panavisions, however, can be converted to Pan-Arri 435s where they are modified to accept Panavision lenses and accessories. In recognition of the achievements of the 435 system, AMPAS awarded Arri a Scientific and Engineering Academy Award in 1999.

Fujinon Premista 19-45mm Lens T2.9 - PL, Used

Fujinon Premista 19-45mm Lens T2.9 - PL, Used(FMP60693RPBR) Excellent Condition, 3 Months Warranty FUJIFILM Corporation is pleased to announce the development of the wide-angle zoom lens FUJINON Premista 19-45mm T2.9 (Premista 19-45mm). Offering Cinematographers focal lengths between 19 and 45mm, this will be the third model to join the Premista series of zoom lenses for cinema cameras that support large format sensors*1 and film. Just like the Premista 28-100mm and Premista 80-250mm lenses, this lens produces images with natural and beautiful bokeh, outstanding high resolution, accurate color rendition, and controllable flare with minimal ghosting for capturing high dynamic range. The Premista 19-45mm shows very little distortion *2 throughout the entire zoom range, lightening the burden of correcting footage after shooting and allowing high quality cinematic images to be created more efficiently. The Premista 19-45mm is scheduled for release in early 2021. In recent years, there has been an increase in the usage of cinema cameras equipped with large format sensors for feature film and high-end TV production.

Fujinon Premista 80-250mm Zoom, Used

Fujinon Premista 80-250mm Zoom, Used(FMP60691RPBR) Excellent condition, 3 Months Warranty Designed specifically for large-format sensor cameras, the PL mount Premista 80-250mm T2.9-3.5 Large-Format Zoom Lens covers up to a 46.3mm image circle in addition to Super 35 sensors. Its image quality is maintained from the center through the image corners and is color-matched to the Fujifilm cine lens line to reduce color grading in post. Compatibility with both ZEISS eXtended Data and Cooke /i Technology makes it easy to note your lens information for VFX work or matching shots. When paired with its 28-100mm companion, the two Premista zooms cover a wide range of frequently used focal lengths. This spherical zoom lens has a constant T2.9 maximum aperture from 80-200mm, then gradually ramps less than a full stop to T3.5 between 201-250mm. It features minimal aberration, low distortion, flare and ghost suppression, and a wide dynamic range. Housed in a durable lens barrel, the Premista80-250mm is designed with a 13-blade aperture for smooth bokeh, a wide focus barrel rotation of 280°, and a 114mm front diameter.

Cooke Panchro iClassic Lens Set 18,21,25,75mm, Used

Cooke Panchro iClassic Lens Set 18,21,25,75mm, Used(FMP60689RPBR) Excellent Condition-3 month warranty -The growing demand for vintage Cooke Speed Panchro lenses from the 1920s to 1960s prompted Cooke Optics to introduce a modern redesign of the vintage classic. They are pleased to introduce Cooke Panchro/i Classic, T2.2 to T3.2 Prime lenses.     The new Pancho, that is true to the original look of the now legendary Speed Panchro, recreates the same look and feel of the original with the advantage of modern glass mounted for today’s cameras. And, the new lenses come equipped with /i Technology for frame by frame digital information capture, as do all modern Cooke cine lenses for film and digital capture. The original Cooke Speed Panchro, designed by Horace W. Lee in the 1920s, was a cine prime lens that chromatically enhanced an image when filming under restricted illumination. Cooke Speed Panchros combined a relative aperture as wide as f2.0 with an angular field of view and definition previously impossible with much smaller apertures. They quickly gained a worldwide reputation for quality cinema production and were widely used throughout the 20th century.   Technology   The Cooke Panchro/i Classic lenses are supplied with /i Technology that collect detailed lens data for production, VFX and post-production teams and are designed for all PL mounted professional motion picture film and electronic cameras. The /i Technology provides cinematographers and camera operators with vital information on lens setting, focusing distance, aperture and depth-of-field, hyperfocal distance, serial number, owner data, lens type and focal length in both metric and footage measurements, as well as inertial tracking data, shading and distortion data. For zoom lenses, the zoom position is displayed.     

Cooke Anamorphic / I S35 7 Lens Set, Used

Cooke Anamorphic / I S35 7 Lens Set, Used(FMP60685RPBR) Excellent condition, 3 months warranty    The Anamorphic/i Super35 harness all the anamorphic lens characteristics demanded by filmmakers today and historically for film and digital image capture. They encompass the Cooke Look with distinctive oval bokeh and greatly minimised variation in astigmatism, through focus and reduced lateral colour to maximise image quality with digital cameras.   Superb optical and mechanical performance with images beautifully rendered for film and digital capture, and aberrations like astigmatism and longitudinal colour exceptionally well corrected.

Arri Ultra Prime 6 Lens Set, 16mm/24mm/32mm/50mm/85mm/135mm,used

Arri Ultra Prime 6 Lens Set, 16mm/24mm/32mm/50mm/85mm/135mm,used(FMP60671JPBR) 3 Month Warranty, Excellent Condition  Ultra Prime Lenses have the widest focal range of any prime lens set available. They are designed specifically for motion pictures but are an excellent choice for corporate and commercial work.    Ultra Prime Lenses retain their superb image quality even at close focus across the whole Super 35 frame. The Ultra Prime Lenses are lightweight standard speed lenses that are an optical match to the Arri Alura zoom Lenses.  

Sachtler Aktiv14T With Flowtech100mm Tripod, used

Sachtler Aktiv14T With Flowtech100mm Tripod, used(FMP60658JPBR) 3 month warranty Excellent condition Weighing only 7.5 kg (16.5 lbs.) the aktiv14T flowtech100 system is both lightweight and durable, designed to be a long-serving and high-performing part of your kit. This system is the perfect choice for professional medium-sized camcorders and digital Cine camera set ups of up to 16 kg (35.3 lbs.). 15 counterbalance steps allow for fast and precise balancing of your camera. Its Touch & Go mechanism with a sliding range of 70 mm make loading and positioning the camera quick and easy. Seven drag settings provide smooth and fast to adjust drag performance without jolts or vibrations. The illuminated Prism Bubble with top or side view makes levelling easy from any height.

SONY PXW-x400 Camcorder w/ EL-20 VF, 5000 Hours, used

SONY PXW-x400 Camcorder w/ EL-20 VF, 5000 Hours, used(FMP60647RJSH) Note : Pictures are for illustrative purposes only. Good Condition, 3 Months warranty  The PXW-X400 is an advanced shoulder camcorder that records a variety of professional broadcast quality formats including XAVC-L at 50p and 59.94p. The camcorder offers exceptional weight balance and low power consumption alongside excellent networking features and high picture quality. The reengineered design dramatically reduces the load on the operator’s right-arm. It supports Sony viewfinders including the QHD LCD CBK-VF02 and optionally available Full HD OLED HDVF-EL30 and HDVF-EL20. The camcorder also offers improved network connectivity, with built-in wireless module, embedded RJ-45 Ethernet 100B-T connector and Near Field Communication (NFC) function** for easy Wi-Fi setup and operation via a mobile or tablet with Sony’s Content Browser Mobile™ application. SD or HD-SDI (up to 1.5G) input supports pool feed recording.   High quality XAVC Long GOP recordings at 50p and 59.94p operations   The PXW-X400 supports a variety of codecs from SD to HD, including MPEG HD 422 50 Mbps in MXF (Material eXchange Format), which is widely accepted by major broadcasters worldwide, and XAVC Intra frame and XAVC Long GOP codecs. XAVC technology is based on the MPEG-4 AVC/H.264 standard, which provides an exceptional performance compression technology. XAVC provides higher picture quality and bit-depth, thus offers extended grading possibilities.   High sensitivity image making   The camcorder’s three 2/3-inch type Exmor CMOS sensors provide superb image quality with sensitivity of F12/F13 and a signal to noise ratio of 62dB. The camcorder’s digital extender offers x2, x3 or x4 operation.   Improved ergonomic design for best-in-class weight-balance   The camcorder has been redesigned to improve the weight and handling capabilities compared to predecessor models. The lighter lens grip resolves any front-heavy issues and dramatically reduces the load on the right-arm. This makes it easier to shoot for long periods and offers more stable images.   Supports Full HD OLED viewfinders*   Embedded RJ-45 connector   An embedded RJ-45 Ethernet 100B-T connector on the right side of the camcorder provides a robust and fast network connection that can be utilised for file transfer, live streaming and camera control from a web browser.   Near Field Communication* (NFC) function   A Near Field Communication (NFC) function allows easy, one-touch wireless LAN connection to a smartphone or tablet device without manual setting of the network parameters.   NFC allows close-range wireless communication between the PXW-X400 and an NFC-equipped smartphone or tablet device. This function will be available in June2016.   Built-in wireless module with Content Browser Mobile™   The camcorder’s built-in wireless module gives you more mobility with no cable needed, enabling proxy recording and file transfer or live streaming. In file transfer mode, high-resolution files and XAVC Proxy files can be transferred over wireless connection to cloud or FTP server thanks to Content Browser Mobile* (CBM) application. In “Push” mode, the CBM application enables users to monitor the currently shot video and to wirelessly control camcorder settings such as focus, zoom, iris, white balance, REC START/STOP, and more. With Content Browser Mobile V2.0 proxy trim, proxy partial clip upload, and logging are available. “In streaming” mode, high quality live streaming is provided by the advanced Sony QoS technology embedded in the camcorder and in the PWS-100RX1 network RX station .Non QoS live streaming is also possible with a third-party receiver or VLC player.   The CBM application can be downloaded from the Google Play Store or App Store.   Dedicated ONLINE button for easy network connection   A dedicated button gives simple on-off control of Network Client Mode, Auto Upload (Proxy) and Live Streaming.   Pool feed (SDI input)   An SD or HD-SDI (up to 1.5G) signal can be recorded by the camcorder, a useful function to record an external feed from another camera.   Lower power consumption   By optimising the design of the hardware, the lightweight PXW-X400 has a low power consumption of 22W (when the wireless function if off, without lens and viewfinder). This enables continuous recording operation for approximately 240 minutes with Sony’s BP-GL95A optional standard-type battery.   Simultaneous Recording on two SxS cards   The PXW-X400 offers a simultaneous recording function for peace-of-mind production. Recording is available on two SxS cards simultaneously as a backup measure within the same codec and operating point* when using the following recording formats; XAVC-Intra, XAVC-Long, MPEG HD422, or MPEG HD420.   Simultaneous recording with proxy file is supported in all combinations with the above formats an SD card.   Flexible camera system operation   The CA-FB70 Optical Fiber Camera Adaptor or the CA-TX70 Digital Triax Camera Adaptor can be attached to the PXW-X400 for live camera operation. The CA-FB70 enables the PXW-X400 to transmit signals via an optical fibre cable up to 250 m between the CA-FB70 and HXCU-FB70 Optical Fibre Camera Control Unit (CCU) with power and signal transmission. The CA-TX70 transmits signals via triax cable up to 600 m* between the CA-TX70 and HXCU-TX70 Digital Triax Camera Control Unit.  

Panasonic AJ-HD1400 DVC-ProHD Digital HD Video Cassestte Recorder, used

Panasonic AJ-HD1400 DVC-ProHD Digital HD Video Cassette Recorder, used(FMP60641KSSH) Good condition, 3 months warranty  Panasonic AJ-HD1400 Overview   The Panasonic AJ-HD1400 is a DVCPRO HD VTR in a cost-effective, lightweight package. Capable of playing back all broadcast level HD, as well as both DVCPRO 50 and 25 standard-definition formats, the unit is an indispensable asset for a wide range of professional applications and workflows.   The AJ-HD1400 can perform both HD/SD up-down conversion, as well as 720/1080 cross-conversion, providing users with the added flexibility necessary for broadcast recording and delivery. From field acquisition to nonlinear editing, this VTR provides a compact all-in-one solution that gets the job done.   Universal HD Production   The AJ-HD1400 can handle all formats for 1080 and 720 high definition signals. It can also play back 1080/24p (23.98) offered from the AJ-HDX900 DVCPRO HD camera. Additionally, the built-in cross conversion technology makes it simple when going between both resolutions. Since HDTV standards vary from network to network, this type of flexibility can be very useful for delivering broadcast-ready programming.   Lightweight Frame   The lightweight frame makes the AJ-HD1400 the ideal field-recording tool. Together with either the Varicam or HDX900, the VTR can be taken virtually anywhere without the added bulk of more cumbersome units. In the studio, it can fit into small places, saving desk or rack space for other equipment.   HD-SDI and FireWire Support    The AJ-HD1400 is capable of outputting digital signals both over FireWire (IEEE 1394) and HD-SDI. FireWire transmission is perfect for ingesting directly to nonlinear editing workstations, using programs such as Final Cut Pro and Avid. The HD-SDI connection is geared towards line recording and in-studio production. Whatever your input/output application requires, this VTR is up to the task.

SONY PMW-500 w/ HDVF-20A Black & White VF, 3162 Hours, used

SONY PMW-500 w/ HDVF-20A Black & White VF, 3162 Hours, used 3 Months Warranty, Good Condition The PMW-500 is the first compact camcorder with solid-state recording, making it ideal for a variety of shooting scenarios. Key Features: Three 2/3-inch Power HAD FX CCD Sensors: XDCAM HD422 camcorder capable of recording in full HD, with an optional SD format. Full-HD Recording: The PMW-500 supports 50-Mbps MXF record and playback using highly efficient MPEG-2 Long GOP compression. It’s equipped with three 2/3-inch type 2.2-megapixel full-HD progressive CCDs, the same sensors as Sony’s PDW-F800/700 XDCAM HD 422 camcorders. It boasts high sensitivity of F12 at 50i (F11 at 59.94i). SxS Memory Cards: Both SxS PRO™ and SxS-1™ memory cards provide high transfer speeds (800 Mbps) and reliability, with resistance to shock and vibration. The unique Salvage function restores content damaged by power loss or disconnection during recording. HD Recording with MPEG HD 422 Codec: The PMW-500 records in 1920x1080 and 1280x720 resolutions up to 50 Mbps using MPEG-2 4:2:2P HL compression. 24-bit Four-channel Audio Recording: The camcorder supports uncompressed 24-bit, four-channel audio recording in MPEG HD 422 or MPEG IMX mode, with independent level controls for each channel. Selectable Recording Modes and Video Formats: In addition to MPEG HD 422 50-Mbps mode, the PMW-500 supports various bit rates and formats, including both MXF and MP4 file wrappers. Extended Recording Time: Using a large-capacity SxS memory card, the PMW-500 can record HD 422 50-Mbps footage for up to 110 minutes on a single 64-GB card, with the ability to hot-swap cards without interrupting recording. Compact, Well-balanced Design: The PMW-500 inherits the ergonomically balanced design of Sony's PMW-350/320 XDCAM EX™ camcorders, offering superior mobility and comfort. The main body weighs just 3.4 kg. Low Power Consumption: The PMW-500 consumes only 29W of power, making it energy-efficient. Additional Features: Digital Extender: Optional CBK-HD02 boards enable a digital zoom that doubles the image size. Focus Magnification: A 2x magnified view in the viewfinder helps with precise focus adjustments. Auto Focus Assist: Allows for manual focus adjustments in AF mode using the focus ring. Slow and Quick Motion Function: Capture footage at frame rates between 1 fps and 60 fps in 720p mode, and between 1 fps and 30 fps in 1080p mode. In PAL settings, rates go up to 50 fps for 720p and 25 fps for 1080p. Slow Shutter: Accumulates up to 64 frames for smooth slow-motion shots. HyperGamma Curves: Four HyperGamma curves (inherited from CineAlta camcorders) and six standard gammas are available for more creative control. Interval Recording: Record one frame at pre-set intervals, ideal for time-lapse shots. Frame Recording: Record pre-determined frames for each press of the record button, useful for animation work. Optical ND and Electrical CC Filters: Optical ND filters and electrical CC filters allow for easy color temperature adjustments (3200K, 4300K, 5600K, or 6300K) with a camcorder-assignable switch. Gain Control: The camcorder offers a smooth transition in gain control with settings from -6 dB to +42 dB and a Turbo Gain feature for quick adjustments. 3.5-inch Colour LCD Monitor: The large 3.5-inch screen has a resolution of approx. 921,000 effective pixels, making it easy to view footage.

Sachtler 20 S1 Tripod System, used

Sachtler 20 S1 Tripod System, used   3 Month warranty, Good Condition   Description:   Working in the field calls for gear that is durable enough to go where you need it to, and versatile enough to do what you need it to. The Sachtler Video 20 S1 introduces an even wider payload range and an innovative, Speedbalance system for fast weight compensation. The wider range enables lightweight DSLR cameras to be used but it can also handle heavier ENG and EFP camcorders; switching between these payloads is made easy with the intuitive Boost Button.   EFP and ENG TV crews will love the excellent seven level drag properties, the Touch & Go function for speedy mounting and removal, robust temperature resistance, parking positions for spare camera screws and the self-illuminating bubble level. The Sachtler Video 20 S1 is designed to work as fast as you do.   Being able to support heavier payloads doesn’t mean that you have to give up on speed, simplicity and reliability. The Sachtler ENG 2 CF Heavy-Duty Carbon Fibre Tripod handles up to 95 kg while providing the lightweight, durable design that helps crews all over the world create amazing results in a range of environments. The carbon fibre design is stable and twist resistant, while the quick clamping system makes its simple to setup and start working safely.   The Sachtler ENG 2 CF Heavy-Duty Carbon Fibre Tripod’s dual extension provides a maximum height of 161 cm, along with a transport length of 75 cm and weight of 4 kg. Making everything easier is a built-in transport safety cord that prevents the legs from opening while you are moving the tripod. Operate with confidence in all environments with this robust and reliable tripod.  

Rode Wireless Go (GEN 3) Dual Wireless Microphone System 32-bit Float

Rode Wireless Go (GEN 3) Dual Wireless Microphone System 32-bit FloatYour Ultimate Wireless Audio Solution The Rode Wireless GO Gen 3 is a compact dual-channel wireless microphone system designed for content creators, videographers and professionals. Featuring 32-bit float onboard recording, it ensures you never lose audio due to clipping or incorrect levels. Advanced Audio Technology: Experience crystal-clear sound with RØDE’s Series IV 2.4GHz digital transmission, boasting a range of up to 260m and near-zero latency. Onboard Recording with 32-Bit Float: Never worry about clipped audio again! With 32-bit float onboard recording and 32GB of memory, recover even overexposed or underexposed recordings effortlessly in post-production. Intelligent GainAssist: Achieve perfectly balanced levels automatically, while granular gain controls and camera presets provide additional flexibility. Designed for Every Setup and SituationWhether you're a filmmaker, vlogger, or content creator, the Wireless GO adapts seamlessly to your workflow. Its universal compatibility supports cameras, smartphones, and computers, while locking lavalier connectors and dedicated controls ensure reliability on set. Dual Digital & Analog Outputs: Use it with DSLRs, smartphones, or even as a USB microphone for your computer. Headphone Monitoring: Monitor your audio in real-time with a high-power headphone output. Professional-Grade Mics: Built-in microphones with broadcast-grade capsules deliver flawless audio quality every time. A Legacy of ExcellenceBuilding on the success of its predecessors, the Wireless GO GEN 3 cements its position as the go-to wireless microphone for creators worldwide. Lightweight, intuitive, and versatile – it’s the perfect tool for capturing flawless sound with every take. Upgrade your content today with the RØDE Wireless GO GEN 3 – the world’s most advanced compact wireless microphone.

Arri Alexa Mini Camera, w/ accessories,Fully Licenced, 4200 hours, used

Arri Alexa Mini Camera, w/ accessories,Fully Licenced, 4200 hours, used Excellent condition Compact, lightweight, and self-contained - ARRI ALEXA Mini is the small and versatile allrounder in the ARRI camera family. The symmetrical design permits filming in any orientation, including upside-down and in portrait mode, while multiple accessory points enable highly creative mounting solutions.

Arri Alexa Plus w/ high speed and anamorphic license, used

Arri Alexa Plus w/ high speed and anamorphic license, used 3 Months Warranty, Good Condition The ALEXA Plus adds integrated wireless remote control, the ARRI Lens Data System (LDS), additional outputs, lens synchronization for 3D, and built-in position and motion sensors. It shares ALEXA's image performance, simplicity of operation, reliability in extreme environments and versatility of workflow, and is available either as part of a complete camera package or as an upgrade for the original ALEXA.   An advanced electronics side cover permits real-time wired or wireless remote control of camera REC/STOP and lens functions like focus and aperture, using either ARRI hand controllers such as the Wireless Compact Unit (WCU-3) or cmotion's modular cvolution system.   The lens mount of the Plus model incorporates LDS contacts, allowing lens data and depth of field to be displayed in the viewfinder or on monitors, and making speed/iris ramps easier. Lens metadata can be recorded using ProRes, HD-SDI or ARRIRAW.      

Litepanels Brick Bi-Colour LED Light, Used

Litepanels Brick Bi-Colour LED Light, Used 3 Months Warranty, Good condition  A compact and powerful variable colour LED light that can withstand the elements The Litepanels Brick builds on the legacy of the original MiniPlus which revolutionized the lighting industry. Now more robust, Bi-Colour and IP-65 rated, the Brick is the perfect on-camera solution for ENG camera operators on the go or needing full spectrum lighting during wet conditions.  Following the Litepanels familiar rectangular form factor, the Brick is designed with select premium quality, high CRI, surface mount LEDs and paired with custom designed TIR optics. These tightly binned LEDs and fine-tuned optics provide the Brick with superior color reproduction and a light output that is up to four times brighter than the original MiniPlus. This higher intensity results in a longer throw and illuminates a wider area, allowing the Brick to compete with strong exterior light sources or illuminate a larger area effectively. Features:- Output is up to 4X brighter than the original MiniPlus High performance LEDs with custom paired optics Higher intensity = Longer throw = Wider effective beam spread Superior colour reproduction High colour rendition (CRI) Adjustable (daylight to tungsten), accurate colour temperatures Efficient thermal management Completely silent passive cooling Ultra-smooth dimming from 100% to 0 No noticeable colour shift throughout the entire range Flicker-free at any frame rate or shutter angle Dedicated on/off power switch ¼-20 mounting posts IP 65 rated Dust tight Withstands water projected from any direction Integrated P-Tap cable AC or DC powering option  

RED HELIUM DSMC2 2500 Hours, 8k 60FPS, Used

RED HELIUM DSMC2 2500 Hours, 8k 60FPS, Used (FMP60087LPBR)   3 MONTH WARRANTY - GREAT CONDITION   Bundling high-performance raw video recording in a compact camera body, the RED DIGITAL CINEMA DSMC2 BRAIN with HELIUM 8K S35 Sensor is part of the 2018 unified DSMC2 lineup and is designed to be built up the way you want, enabling you to tell your story in nearly any way possible. Since the DSMC2 form factor is standard, accessories from RED and other manufacturers can be easily attached to enhance your camera. While other RED cameras use sensors larger than Super 35, the HELIUM is unique in that it allows for high-resolution 8K recording with classic cinema lenses designed for the Super 35 film format. Although 8K exhibition is not yet mainstream, the extra recorded resolution is beneficial for VFX artists and future-proofs your productions for a time when 8K becomes standardized. The DSMC2 system offers nearly limitless lens options. While this camera requires a separately available lens mount, DSMC lens mounts are offered in different varieties for compatibility with a wide array of lens systems. REDCODE RAW is the format of choice for DSMC2 cameras. RED's versatile raw codec uses wavelet compression to reduce data rates while maintaining visually lossless image rendering. This efficient codec can be edited on many available NLE software programs without transcoding. However, if you prefer a proxy workflow, ProRes or DNx files can be recorded simultaneously to the MINI-MAG media. Lowering the recording resolution allows the sensor to capture higher frame rates for dramatic slow-motion footage. The DSMC2 cameras use sensor windowing to record slow motion in lower resolutions, requiring wider or smaller-format lenses to compensate for the additional crop. Recording rates range from 12 fps and up, including 24/25/30/48/50/60 fps and higher. Bundling high-performance raw video recording in a compact camera body, the RED DIGITAL CINEMA DSMC2 BRAIN with HELIUM 8K S35 Sensor is part of the 2018 unified DSMC2 lineup and is designed to be built up the way you want, enabling you to tell your story in nearly any way possible. Since the DSMC2 form factor is standard, accessories from RED and other manufacturers can be easily attached to enhance your camera. While other RED cameras use sensors larger than Super 35, the HELIUM is unique in that it allows for high-resolution 8K recording with classic cinema lenses designed for the Super 35 film format. Although 8K exhibition is not yet mainstream, the extra recorded resolution is beneficial for VFX artists and future-proofs your productions for a time when 8K becomes standardized. The DSMC2 system offers nearly limitless lens options. While this camera requires a separately available lens mount, DSMC lens mounts are offered in different varieties for compatibility with a wide array of lens systems. REDCODE RAW is the format of choice for DSMC2 cameras. RED's versatile raw codec uses wavelet compression to reduce data rates while maintaining visually lossless image rendering. This efficient codec can be edited on many available NLE software programs without transcoding. However, if you prefer a proxy workflow, ProRes or DNx files can be recorded simultaneously to the MINI-MAG media. Lowering the recording resolution allows the sensor to capture higher frame rates for dramatic slow-motion footage. The DSMC2 cameras use sensor windowing to record slow motion in lower resolutions, requiring wider or smaller-format lenses to compensate for the additional crop. Recording rates range from 12 fps and up, including 24/25/30/48/50/60 fps and higher.   HELIUM S35 Sensor The HELIUM 8K Monochrome sensor, boasting 35.4 megapixels, captures intricate details and delivers smooth lines and shapes without the aliasing or "stair-stepping" effects seen in lower-resolution footage. For higher frame rates, you can opt for lower resolutions and wider aspect ratios, achieving up to 300 fps. The HELIUM sensor has been measured by RED to offer 16.5 stops of dynamic range, effectively capturing both deep shadows and bright highlights in a single frame. REDCODE RAW At the heart of RED's workflow is the powerful REDCODE RAW file format. Utilizing wavelet compression with ratios ranging from 2:1 to 22:1, REDCODE RAW provides the flexibility of raw files without the heavy storage demands of uncompressed data. Since its inception with the RED ONE cinema camera, REDCODE RAW has been supported by many popular NLE software programs, including Adobe Premiere Pro, Blackmagic Design DaVinci Resolve, Apple Final Cut Pro, and Avid Media Composer, allowing for seamless import and editing without the need for transcoding. Capture rates range from 12 fps and upwards, including 24/25/30/48/50/60 fps and higher. Note: Not all compression ratios are available at all resolutions and frame rates. Apple ProRes and Avid DNx Formats For projects requiring proxy files or faster turnaround times, Apple ProRes or Avid DNx formats can be recorded at 4K and 2K resolutions directly to the onboard MINI-MAG media. These de-bayered video files can be recorded simultaneously with the raw files, eliminating the need for proxy transcoding. You can bring the de-bayered files straight into your NLE and start editing immediately. REDCODE Options • 5:1 REDCODE for 8K Full Format (8192 x 4320) at 24 fps • 12:1 REDCODE for 8K Full Format (8192 x 4320) at 60 fps • 2:1 REDCODE for 4K Full Format (4096 x 2160) at 24 fps • 3:1 REDCODE for 4K Full Format (4096 x 2160) at 60 fps DSMC2 Form Factor Building on the DSMC camera line, RED designed the DSMC2 cameras to be modular, accommodating a variety of production workflows. Smaller and lighter than the original DSMC design, the DSMC2 BRAIN is a high-resolution gimbal workhorse when stripped down. Adding DSMC2 modules to the rear enables professional I/O connections and battery power. Many parts of the DSMC2 design are interchangeable. You can swap lens mounts to access different libraries of lenses, exchange the standard OLPF (Optical Low-Pass Filter) for alternative image renderings, and mount an EVF without cumbersome cables, or use an adapter to attach RED LCDs via LEMO cable. The standardized DSMC2 form factor ensures compatibility with any DSMC2 body, making upgrades or additions seamless. Color Management • Supports 33x33x33, 32x32x32, 26x26x26, and 17x17x17 3D LUTs • Variable number of 3D LUT outputs with DSMC2 expander module • User-programmable shaper 1D LUTs • Tetrahedral interpolation, 16-bit processing  

Livestream Studio HD500 Live Production Switcher, used

Livestream Studio HD500 Live Production Switcher – Used, 3-Month Warranty, Excellent Condition The Livestream Studio HD500 is a portable 5-input live production switcher, perfect for field production. Its built-in display and compact design provide flexibility and ease for on-the-go setups. The switcher comes with a Blackmagic Design DeckLink Quad and DeckLink Studio, supporting up to 5 inputs from a range of analog and digital sources or 4 inputs plus 1 output for broadcast-quality output display. It also includes a Tom Bihn carry bag, making it suitable for travel.

Cooke S4 6x lens Set,14,18,25,32,50,75+100mm S4i, Used

Cooke S4 6x lens Set,14,18,25,32,50,75+100mm S4i, Used 3 month warranty, Great condition Cooke S4 optics offer superb optical and mechanical performance, control of flare, distortion, veiling glare and spherical aberrations at full aperture. The cam-type focus mechanism allows for smooth focus adjustments. Modular construction increases ease of maintenance and serviceability. All of the S4 Prime lenses (and CXX zoom lens) are now supplied equipped with /i Technology, as of February 2005. S4/i lenses are designed for all PL mounted professional motion picture film and electronic cameras. The /i Technology provides cinematographers and camera operators with vital information on lens setting, focusing distance, aperture and depth-of-field, hyperfocal distance, serial number, owner data, lens type and focal length in both metric and footage measurements. For zoom lenses, the zoom position is displayed.          

Canon HJ18ex28B IASE Lens, Used

Canon HJ18ex28B IASE Lens, Used 3 month warranty, Good condition Portable super telephoto ENG/EFP lens The HJ18ex28B IASE provides the longest focal length in its class. With an overall length of 176.2mm and a weight of just 2.576kg it requires no mechanical support system to mount to the HD camera. Aerial shooting (using stabilized gimbals), means sports, entertainment coverage and portable HD acquisition in arduous terrain are all superbly supported by this low-weight compact lens. The HJ18ex28B IASE can extend to 500mm focal length (and to 1000mm with the extender). It has a very impressive optical speed of F2.8 up to a focal length of 286mm.   High contrast is ensured by superb control of black reproduction – with optical and mechanical design innovations that substantially reduced flare, veiling glare, and any internal reflections. Similar attention to minimization of ghost images and other highlight-related chromatic distortions caused by strong light sources on-axis and off-axis further extend the operational contrast range of the lens.   Optical Technologies   Power Optics - combination of specialized materials, contemporary optical design, and multilayer coatings that produce the superb imagery   Internal Focus - a Canon design innovation that uses a floating optical system to better control chromatic aberrations   Crossover Technology - switchable operation between 16:9 and 4:3 aspect ratio imagery   Digital Technologies   New third-generation enhanced digital servo systems using Canon-developed 16-bit optical rotary encoder devices introduce new creativity to handheld acquisition systems. Enhanced Digital Drive technology - encompasses a microcomputer driven servo control that embodies position memory and user-defined digital functionality to significantly empower the camera operator. A 16-bit rotary encoder for aperture control reports to the associated camera Iris control system (10-bit compatibility). Maximum Zoom speed is 0.5 seconds and Focus is 1.5 seconds   Mechanical Technologies   Compact digital servo drive unit is mounted to the lens at a 12.5 degree angle for comfort and balance. Magnesium alloy body for light weight and exceptional durability   Ecological Design   All contemporary Canon lenses avoid the use of materials and substances potentially harmful to the environment. Lead has been removed from all optics and other identified substances from all components comprising the composite lens system.

CARL ZEISS CP.2 25mm T2.9 - Canon PL fit, Used

CARL ZEISS CP.2 25mm T2.9 - Canon PL fit, Used 3 Months Warranty, Very good condition Compact and Lightweight Lenses with Interchangeable Mount System A successful production relies on the competence and diversity of your team. Whether you're shooting a commercial that demands exquisite color rendition and high contrast or a tense, dramatic sequence in low light for a feature film, Compact Prime lenses deliver the performance you need to capture the perfect scene. With a wide range of focal lengths, full-frame coverage, superb image quality, excellent flare suppression, and precise focusing with a large rotation angle, Compact Prime lenses provide a versatile set of tools to make your film shine. ZEISS, with its extensive history in both photo and cine lenses, is dedicated to supporting filmmakers by delivering the highest possible image quality in any situation. Switching between traditional film, digital PL cine cameras, and HDSLR cameras is no longer a challenge. The improved functionality of Compact Prime CP.2 lenses means enhanced ergonomics compared to standard SLR lenses, with standard housing dimensions, consistent focus and iris gear positions, a uniform front diameter, robust construction, longer focus rotation, and manual focus—offering the flexibility that users demand. With precision and speed, Compact Prime CP.2 lenses are the perfect tools for independent filmmakers, professional still photographers expanding their services, or large studios using HDSLRs as a second camera for TV and feature film productions.      

CARL ZEISS CP.2 SuperSpeed 85mm T1.5 - Canon PL fit, Used

CARL ZEISS CP.2 SuperSpeed 85mm T1.5 - Canon PL fit, Used 3 Months Warranty, Very good condition Compact and Lightweight Lenses with Interchangeable Mount System A successful production relies on the competence and diversity of your team. Whether you're shooting a commercial that demands exquisite color rendition and high contrast or a tense, dramatic sequence in low light for a feature film, Compact Prime lenses deliver the performance you need to capture the perfect scene. With a wide range of focal lengths, full-frame coverage, superb image quality, excellent flare suppression, and precise focusing with a large rotation angle, Compact Prime lenses provide a versatile set of tools to make your film shine. ZEISS, with its extensive history in both photo and cine lenses, is dedicated to supporting filmmakers by delivering the highest possible image quality in any situation. Switching between traditional film, digital PL cine cameras, and HDSLR cameras is no longer a challenge. The improved functionality of Compact Prime CP.2 lenses means enhanced ergonomics compared to standard SLR lenses, with standard housing dimensions, consistent focus and iris gear positions, a uniform front diameter, robust construction, longer focus rotation, and manual focus—offering the flexibility that users demand. With precision and speed, Compact Prime CP.2 lenses are the perfect tools for independent filmmakers, professional still photographers expanding their services, or large studios using HDSLRs as a second camera for TV and feature film productions.  

Carl Zeiss CP.2 SuperSpeed 50mm T2.1 - Canon PL fit, Used

Carl Zeiss CP.2 SuperSpeed 50mm T2.1 - Canon PL fit, Used 3 Months Warranty, Very Good condition Compact and Lightweight Lenses with Interchangeable Mount System A successful production relies on the competence and diversity of your team. Whether you're shooting a commercial that demands exquisite color rendition and high contrast or a tense, dramatic sequence in low light for a feature film, Compact Prime lenses deliver the performance you need to capture the perfect scene. With a wide range of focal lengths, full-frame coverage, superb image quality, excellent flare suppression, and precise focusing with a large rotation angle, Compact Prime lenses provide a versatile set of tools to make your film shine. ZEISS, with its extensive history in both photo and cine lenses, is dedicated to supporting filmmakers by delivering the highest possible image quality in any situation. Switching between traditional film, digital PL cine cameras, and HDSLR cameras is no longer a challenge. The improved functionality of Compact Prime CP.2 lenses means enhanced ergonomics compared to standard SLR lenses, with standard housing dimensions, consistent focus and iris gear positions, a uniform front diameter, robust construction, longer focus rotation, and manual focus—offering the flexibility that users demand. With precision and speed, Compact Prime CP.2 lenses are the perfect tools for independent filmmakers, professional still photographers expanding their services, or large studios using HDSLRs as a second camera for TV and feature film productions.

Sony URX-S03D/K42 UWP-D Portable Two-Channel Wireless Receiver, Used

Sony URX-S03D/K42 UWP-D Portable Two-Channel Wireless Receiver, Used3 months warranty – Excellent condition. UWP-D Portable Two-Channel Wireless Receiver from Sony   The URXS03D/K42 UWP-D Portable Two-Channel Wireless Receiver from Sony operates in UHF-TV channels 42-51 and fits directly in the slot of Sony XDCAM and HDCAM camcorders.   It can be used to capture audio when paired with the UTX-B03HR beltpack transmitter & microphone (sold separately) and features easy channel setting functions, stable RF transmission, and Digital Audio Processing technology for wireless audio and video applications.   The receiver can access 2,541 frequencies and offers True Diversity reception. It is built with a robust metal body and has a weatherproof structure, a selectable squelch, and wide frequency coverage with a choice of channels available. In addition, it also works seamlessly with Sony 800 and UWP Series transmitters. It includes two whip antennas.   True Diversity Reception System for Stable Reception   Wireless microphone transmission systems are typically subject to interruptions in reception (RF signal dropout). The UWP-D series reduces this to a minimum and utilizes a true diversity reception per channel. It compares the RF signals from the two antennas and automatically selects the stronger signal for output   Digital Audio Processing   Sony Digital Audio Processing is used to improve sound quality and transient response performance compared to conventional analog wireless systems. Analog companding systems cannot accurately reproduce sounds such as a bell, tee shot or handclap, but Sony Digital Audio Processing reproduces them faithfully   Direct Digital Connection to Camcorders   The URX-S03D provides a digital connection with two-channel (with XDCAM camcorders) and a single-channel (with HDCAM camcorders) via a D-sub 15-pin interface. With HDCAM camcorders, two audio signals from two transmitters can be output in the single channel as a two-channel mixing function. Sony camcorders can also show each wireless microphone's RF/AF level in the viewfinder   Automatic Channel Setting Mode   The Auto Set channel mode allows the user to find and set available frequencies to use within the operating frequencies of the system. The receiver will automatically set the transmitter channel using the IR Sync feature   Easy Channel Scan   With its Clear Channel Scan, Active Channel Scan function and IR Sync features, the system detects unoccupied channels and selects the most appropriate channel automatically for fast and easy system setup   Compatible with Sony 800 & UWP Series Wireless   DSP enables a digital compander to match Sony's analog wireless system. The WP-D Series transmitters and receivers are also compatible with Sony's WL-800 Series and UWP Series, allowing users to switch between different companding modes   Wide Frequency Coverage   The switching bandwidth covers a wide area and has a wide choice of channels available   PLL Synthesized System   The receiver achieves stable transmission and reception by using a UHF PLL (Phase Locked Loop) frequency synthesized system, which provides accurate carrier signal frequencies. This system is used in both the transmitters and tuners, so that a stable carrier is generated at the transmitter, and accurately tuned in at the tuner. This PLL-controlled system provides highly stable, user-selectable frequencies in increments of both 25 kHz and 125 kHz   Key Features   True Diversity Reception System Direct Digital Connection to Camcorder Automatic Channel-Setting Mode Fast & Easy Channel Scan Compatible with Sony 800 & UWP Systems Wide Frequency Coverage PLL Synthesized System   Sony URX-S03D/K42 UWP-D Portable Two-Channel Wireless Receiver

Leonardo LED 3 70 Fresnel LED 120w DeSisti, used

Leonardo LED 3 70 Fresnel LED 120W DeSisti - Used Condition: Good, with 3 months warranty. The DeSisti Leonardo Piccolo 120W Spotlight is equipped with a 150mm Fresnel lens, engineered for high efficiency. It utilizes an LED array combined with a sophisticated optical system to maximize light performance. This compact fixture offers DMX control from 0 to 100%, with minimal color temperature variation. Locally adjustable parameters allow for enhanced flexibility. The light features a Daylight-balanced CCT, offering performance slightly below a 575W HMI Fresnel. It also provides classic spot/flood beam control, along with barn door cutting. The unit comes with a C-Clamp and Junior receiver for easy mounting. Key Features: 150mm high-quality, shock-resistant Borosilicate Fresnel lens mounted on spring supports. Durable and lightweight carbon steel housing with a low-glare black epoxy powder coating, reinforced by internal double walls. High-Efficiency Active Cooling: Thermal stabilization of the LED operating temperature is automatically managed by an internal sensor and CPU, with a variable speed fan ensuring silent operation. The heat sink keeps the LED temperature stable at a maximum of 149°F (65°C). LED-Specific Optics: The steel cable-driven focus mechanism uses Teflon bushings on two guide rods for smooth focusing in any tilt position. The bushings also help clean the guide rails during operation. Focusing Flexibility: The fixture’s focus mechanism can be activated from both the front and rear, offering full spot-to-flood adjustment with just 1.5 turns of the knob. Accessory Mounting: The unit includes a hinged lens door with a wire guard, as well as brackets for accessories. One bracket features a locking knob and is spring-loaded for secure accessory attachment or fast changes. A second safety bracket with a spring-loaded catch (sold separately) can be added for additional security. Secure Installation: Accessories are securely held in place regardless of fixture orientation, allowing for one-handed installation. Manual Yoke: The fixture comes with a positive lock manual yoke for easy handling and positioning. Power and DMX Daisy Chaining: The unit is equipped with 5-pin XLR DMX input and output (DMX In/Out) connectors, along with 20A Powercon connectors (Power In and Power Out) for the main power supply.  

Sony ECM-530 Microphone, ex-demo

Sony ECM-530 High-Quality Uni-Directional Tabletop Microphone(Model: ECM-530, ECM_530, ECM/530) 3-Month Warranty, Good Condition Compact Design with Quality Audio The Sony ECM-530 is a compact tabletop microphone featuring a sleek finish and high-quality audio. It's perfect for use in lecture halls, conferences, and other settings where clear sound projection is essential. Its flexible gooseneck design allows easy adjustment, while the noise-isolated base ensures minimal interference, and discreet wiring keeps the setup tidy. The ECM-530 operates on either an 'AA' battery or phantom power, making it versatile for various environments. High Dynamic Range & Voice Pick-Up This microphone excels in large spaces such as halls, conferences, or theaters, delivering clear voice projection thanks to its wide dynamic range and excellent voice pick-up capabilities. Discreet and Flexible Design With its compact size, the ECM-530 sits unobtrusively on any surface, and its flexible gooseneck can be easily adjusted in any direction to suit your needs.    

Sony ECM-680S Electret Condenser M/S Stereo Shotgun, used

Sony ECM-680S MS Stereo Shotgun Electret Condenser Microphone 3-Month Warranty, Good Condition The Sony ECM-680S is a versatile MS stereo* shotgun, electret condenser microphone, perfect for a wide range of field production and broadcast studio applications. Featuring newly developed microphone capsules, the ECM-680S provides excellent sensitivity, low inherent noise, and a broad, flat frequency response. Its standout feature is the switchable operation between a highly directional monaural mode and a stereo mode. In monaural mode, the microphone captures focused, highly directional sound, while stereo mode offers natural, spatial audio. Compact and lightweight, the ECM-680S is ideal for use with Sony’s professional camcorders and can also be mounted on a boom pole for greater flexibility. Thanks to its exceptional sound quality and versatility, the ECM-680S is an excellent choice for quality-conscious audio recording in various environments. *The MS microphone signal of the ECM-680S is internally decoded to L and R stereo outputs. This product is supported by PrimeSupport, which includes fast, hassle-free repairs and a helpline with expert technical advice, giving you peace of mind that your equipment and business are in good hands with Sony.

Sony ECM-680S Electret Condenser M/S Stereo Shotgun, used

Sony ECM-680S MS Stereo Shotgun Electret Condenser Microphone 3 Months Warranty, good condition  The Sony ECM-680S from Sony is an MS stereo* shotgun, electret condenser-type microphone, ideal for a broad range of field production and broadcast studio applications. Incorporating newly developed microphone capsules, the ECM-680S offers excellent sensitivity, low inherent noise, and a flat-and wide frequency response. The most distinguished feature of the ECM-680S is its switchable operation between a highly directional monaural mode and stereo mode. Monaural mode provides highly directional sound pickup, while stereo mode delivers natural and spatial sound. The ECM-680S is compact and lightweight, making it well-suited to use with a range of Sony professional camcorders. In addition, it can be mounted on a boom pole for more versatility. With its excellent quality and versatility, the ECM-680S is an ideal choice for quality-conscious sound gathering applications. * MS microphone signal of th e ECM- 680S is internally decoded to L and R (stereo) outputs This product comes with PrimeSupport – fast, hassle-free repairs and a helpline offering expert technical advice. Which gives you the peace of mind that Sony is looking after your equipment, and your business.  

CHRISTIE SPYDER X20 1608 VIDEO PROCESSOR 16 INPUTS 8 OUTPUTS, used

CHRISTIE SPYDER X20 1608 VIDEO PROCESSOR 16 INPUTS 8 OUTPUTS, used 3 Months Warranty, Good Condition The Christie® Spyder X20 combines the power of a video processor with the flexibility of a video matrix switcher to easily convert and route any signal to any combination of display devices. Drive multiple displays in any combination of edge-blended widescreen, single and multiscreen applications and achieve higher brightness, enhanced image quality and improved resolution. When it comes to creative visual effects, the only limit is your imagination. Any input can operate as a Native High Resolution Channel, Scaled PIP, Scaled Background or Key Channel on any display in the system. The Christie Spyder X20 gives users a 20 megapixel bandwidth for 16 video layers of unrestricted blending, windowing, mixing and scaling along with key frame effects for dynamic content programming capabilities in both live and pre-programmed video environments. The Christie Spyder X20 is easy to deploy and install with all components in one unit, reducing the number of wires, boxes and rack space you need. You can add inputs, outputs and pixel real estate with powerful expansion capabilities that allow inputs/outputs from other Christie Spyder systems to contribute to a single pixel space

SONY HXCU-100 HD Triax Camera Control Unit, used

SONY HXCU-100 HD Triax Camera Control Unit, used 3 Months Warranty, Good Condition The HXCU-100 Camera Control Unit connects to a Sony HXC-100 HD color camera. It performs signal processing, provides an interface for external equipment, and supplies power to the camera. The CCU features a down converter which converts HD1) signals from a camera to SD2) signals, and a simplified return video up converter which converts SD signals to HD signals. It is compatible with both HD camera system and SD camera system formats, making it flexible to use. 1) HD (High Definition) signal: Name for 1125/750-line HDTV signals 2) SD (Standard Definition) signal: Name for NTSC/PAL, 525/625 component, and 525/625 composite signals The CCU can be combined with an RCP-700/900 Remote Control Panel (optional) to form a camera control system. The CCU also supports an HKCU-FP1 CCU Control Panel (optional) which can be mounted on the front of the CCU to form a simple remote control system.  

Sony HSC-100R Camera with HDVF-20A viewfinder, Used

Sony HSC-100R, with HDVF-20A viewfinder , used 3 Months Warranty, Good Condition The Sony HSC-100R Digital Triax Broadcast Camera is an HD/SD camera with a digital triax CCU input. Its triax system integrates seamlessly into existing triax-based infrastructures, allowing easy upgrades, and supports cable runs up to 3,937 ft to an optional CCU. The camera features a 2/3" CCD sensor with F10 sensitivity for 1080i59.94 and F11 for 1080i50, boasting a -60dB signal-to-noise ratio. It records in 720p, 1080PsF, and down-converts to high-quality SD. Optional HZC-PSF3 software is required for 1080/29.97PsF/25PsF recording. The camera is equipped with a Sony Bayonet lens mount and offers a wide range of inputs/outputs, including XLR audio, XLR mic, HD/SD-SDI output, VF signal, return signal, SDI prompter output, genlock input, return input, and XLR intercom. Additionally, it includes an electronic color correction filter and four built-in ND filters. The camera’s 16-bit A/D converter processes images with high color precision, while the Digital Extender function enlarges the center of the image by a factor of two without decreasing sensitivity. Auto Lens Aberration Compensation 2 reduces chromatic aberration with horizontal and vertical compensation for supported lenses. The camera offers seven standard-gamma and four hyper-gamma tables for contrast adjustment, and the Multi-Matrix function allows for user-specified color adjustments. Adaptive-Matrix improves color conversion under challenging lighting, while Master White Gain enables precise, step-less gain level adjustments. Focus assist options include "Viewfinder Detail" and "Focus Assist Indicator" for easier focusing. Built for durability, the camera’s chassis is made from magnesium-alloy casting, and the integrated shoulder pad is adjustable without tools. The handle is designed for stability, featuring a protrusion for added support and a non-slip structure for a better grip. Assignable switches are located on the side and rear panels, with additional assignable buttons on the handle. Key Features: HD/SD triax CCU input for broadcast Supports existing triax infrastructures Triax cable runs up to 3,937 ft 2/3" CCD sensor with F10 sensitivity for 1080i59.94 and -60dB signal-to-noise ratio Records in 1080i59.94/50, 720p, 1080PsF Built-in SD down-converter 16-bit A/D converter 7 standard-gamma and 4 hyper-gamma tables Sony Bayonet lens mount    

Sony ECM-680S Electret Condenser M/S Stereo Shotgun, used

Sony ECM-680S MS Stereo Shotgun Electret Condenser Microphone, Used3 Months Warranty, Good conditionDescription:The Sony ECM-680S is an MS stereo* shotgun, electret condenser microphone designed for a wide range of field production and broadcast studio applications. It incorporates newly developed microphone capsules that offer excellent sensitivity, low inherent noise, and a flat, wide frequency response. The ECM-680S features switchable operation between monaural and stereo modes. In monaural mode, the microphone provides highly directional sound pickup, while stereo mode delivers natural, spatial sound, making it ideal for capturing a range of audio environments.Compact and lightweight, the ECM-680S is compatible with Sony professional camcorders and can also be mounted on a boom pole for added versatility. The microphone comes with PrimeSupport, providing fast, hassle-free repairs and expert technical advice, giving you peace of mind.*MS microphone signal of the ECM-680S is internally decoded to L and R (stereo) outputs.

Arri Alexa Mini LF Camera Kit, 4300 Hours, used

Arri Alexa Mini LF Camera Kit, 4300 Hours (Used) 3-Month Warranty, Great Condition Description: ARRI Build Quality:With nearly a century of experience, ARRI is known for producing cameras that are robust, reliable, and user-friendly. The Alexa Mini LF inherits these qualities, making it a top choice for professionals working in demanding on-set conditions. ALEV Sensors:The ARRI ALEV III sensor delivers a film-like look with HDR capability, a feature that has been a standard since 2010. Originally developed for the ARRI ALEXA camera family, this sensor is sized similarly to a 35mm film frame. The ALEXA Mini LF uses the A2X version, which offers a slightly larger sensor than standard full frame, providing exceptional image quality and dynamic range. Image Processing:ARRI consistently strives to enhance image quality through continuous software updates, allowing cinematographers to shape their vision on set. Even footage recorded before an update benefits, as it can be re-processed with the latest image processing pipeline. Lens Mounts:Great lenses create great images, and ARRI’s precision-engineered lens mounts ensure lenses are positioned exactly where they need to be. The new ARRI LPL mount offers unique advantages, designed for larger format lenses and optimal image quality. Viewfinders:ARRI viewfinders are designed to meet the specific needs of professional camera operators, delivering fast image display, high image quality, accurate color reproduction, and features inherited from ARRI’s optical viewfinders, such as surround view. Workflow:ARRI’s workflow concept functions like a digital film lab, allowing users to view, edit, and post footage recorded with ARRI digital cameras. ARRI develops its own Software Development Kit (ARRIRAW SDK) to process ARRIRAW data into RGB images, ensuring seamless compatibility with third-party tools.

Sony DWR-S01D Digital Wireless Receiver, used

Sony DWR-S01D Digital Wireless Receiver, used 3 Months Warranty, Excellent Condition Sony proudly presents its digital wireless microphone system, crafted for superior digital performance and advanced system functionality—ideal for ENG/EFP applications. This system, which includes the DWT-B01 beltpack transmitter and the DWR-S01D dual portable receiver, ensures exceptional wireless transmission of 24-bit/48-kHz digital audio. Powered by Sony's proprietary codec, it delivers low-latency, secure, and reliable operation. The system also supports up to 60% more simultaneous multi-channel operations* compared to conventional analog systems, offering users increased flexibility. With outstanding audio quality and operational versatility, Sony’s digital wireless microphone system unlocks new possibilities for professional audio applications. Slot-In Receiver for Camcorders The DWR-S01D can be directly mounted into PDW-700 XDCAM HD 422 camcorders, enabling two-channel wireless operation with a unique remote control feature via the camera’s viewfinder. It can also be used with other cameras or operated in a mixer bag using the DWA-01D adapter, supporting both AES3 digital audio and analog audio outputs. For easy setup, the receiver includes clear channel and active channel scan functions. Dual-Channel Slot-in Receiver The DWR-S01D features two tuners in one unit, improving space and weight efficiency compared to analog systems. It is compatible with XDCAM HD 422 and newer camcorders, and can be mounted on HDCAM™, XDCAM®, Digital Betacam®, and MPEG IMX® camcorders using the DWA-01D adapter. Meta-Data Transport The system supports meta-data transport from the transmitter to the camcorder’s viewfinder, allowing monitoring of RF and AF conditions, delay management, and more. Analog and AES3 Digital Audio Output The DWR-S01D offers both digital and two-channel unbalanced analog audio output options. Weatherproof Design When used with the optional DWA-01D adapter and two antennas, the DWR-S01D ensures a weatherproof setup, whether mounted on a camera or used separately. Versatile OLED Display The organic LED display provides clear, at-a-glance information, including reception channel, audio and RF signal status, user name, group, and lock status. Wireless Remote Control The duplex wireless remote control feature allows the DWR-S01D to remotely manage the transmitter, with changes on the receiver automatically transmitted to the paired transmitter. Wide Operating Frequency Range The DWR-S01D operates over a 24 MHz frequency range, equivalent to three TV channels. High-Quality Wireless Transmission The system delivers 24-bit/48-kHz digital audio transmission with a dynamic range exceeding 106 dB, a frequency response of 20 Hz to 20 kHz, and excellent transient response, all within regulated frequency bands. Sony’s original codec ensures superior sound quality. Stable and Secure Transmission Equipped with a newly developed digital modulator, the system provides highly stable wireless transmission, resistant to interference. The digital modulation and encryption ensure secure communication, reducing the risk of interception. Multi-Channel Operation The system supports large-scale, multi-channel operations with intermodulation-free channel spacing, allowing up to 16 channels to operate simultaneously within an 8-MHz frequency band.

Sony DWR-S01D Digital Wireless Receiver 606-630 Mhz, used

Sony DWR-S01D Digital Wireless Receiver, 606-630 Mhz, used 3 Months Warranty, Excellent Condition Sony is proud to introduce its digital wireless microphone system, designed for top-tier digital performance and superior functionality—perfect for advanced ENG/EFP applications. This system, consisting of the DWT-B01 beltpack transmitter and the DWR-S01D dual portable receiver, delivers outstanding wireless transmission of 24-bit/48-kHz digital audio. Utilizing Sony’s proprietary codec, it ensures low-latency, secure, and reliable operation. The system also supports up to a 60% increase in simultaneous multi-channel operations* compared to conventional analog systems, providing users with greater flexibility. With its exceptional audio quality and versatile operation, the Sony digital wireless microphone system expands the possibilities for audio applications. The slot-in receiver can be directly mounted into PDW-700 XDCAM HD 422 camcorders, enabling two-channel wireless operation, complete with a unique remote control feature accessible from the camera's viewfinder. The DWR-S01D can also be mounted on existing cameras or used within a mixer bag via the DWA-01D adapter, offering both AES3 digital audio and analog audio outputs. To simplify setup, the receiver includes clear and active channel scan functions. Dual Channel Slot-in Receiver for Camcorders The DWR-S01D houses two tuners in one compact body, improving space and weight efficiency over analog systems. This dual-channel receiver is compatible with XDCAM HD 422 and newer camcorders and can be easily mounted on HDCAM™, XDCAM®, Digital Betacam®, and MPEG IMX® camcorders using the DWA-01D adapter. Meta-Data Transport This system supports meta-data transport between the transmitter and receiver to the camcorder's viewfinder, allowing monitoring of RF and AF conditions, delay management, and more. Supports Analog or AES3 Digital Audio Output The DWR-S01D offers both digital and two-channel unbalanced analog audio interface options. Weatherproof Design When attached to a camera or used with the optional DWA-01D wireless adapter and two antennas, the DWR-S01D provides a weatherproof configuration. Versatile OLED Display The OLED display offers clear, at-a-glance information such as reception channel, audio and RF signal status, user name, group, and lock status. Wireless Remote Control A duplex wireless remote control feature allows the DWR-S01D to control the transmitter remotely. Any changes made on the receiver are automatically sent to the paired transmitter. Wide Operating Frequency Range The system supports operation across a 24 MHz frequency band (equivalent to three TV channels). Superior Wireless Transmission & Reception Quality This system delivers high-quality 24-bit/48-kHz digital audio transmission within frequency bandwidths that meet the Wireless Communication Regulations of each country. Powered by Sony's original codec, it boasts a dynamic range exceeding 106 dB, a frequency response of 20 Hz to 20 kHz, and excellent transient response. Stable and Secure Transmission Featuring a newly developed digital modulator, the system ensures highly stable wireless transmission, resistant to interference. The transmission of digitally modulated, encrypted data also ensures secure communication and reduces the risk of interception. Simultaneous Multi-Channel Operation The system supports large-scale, multi-channel operations with intermodulation-free, equally spaced channel allocation. Thanks to digital wireless technology, it significantly increases the number of simultaneous channels compared to analog systems. For instance, up to 16 channels can operate simultaneously within an 8 MHz frequency band.    

Sony DWR-S01D Digital Wireless Receiver 606-630 Mhz, used

Sony DWR-S01D Digital Wireless Receiver 606-630 Mhz, used(FMP60355KSSH) 3 Months Warranty, Excellent Condition This system, consisting of the DWT-B01 beltpack transmitter and the DWR-S01D dual portable receiver, delivers outstanding wireless transmission of 24-bit/48-kHz digital audio. Utilizing Sony’s proprietary codec, it ensures low-latency, secure, and reliable operation. The system also supports up to a 60% increase in simultaneous multi-channel operations* compared to conventional analog systems, providing users with greater flexibility. With its exceptional audio quality and versatile operation, the Sony digital wireless microphone system expands the possibilities for audio applications. The slot-in receiver can be directly mounted into PDW-700 XDCAM HD 422 camcorders, enabling two-channel wireless operation, complete with a unique remote control feature accessible from the camera's viewfinder. The DWR-S01D can also be mounted on existing cameras or used within a mixer bag via the DWA-01D adapter, offering both AES3 digital audio and analog audio outputs. To simplify setup, the receiver includes clear and active channel scan functions. Dual Channel Slot-in Receiver for Camcorders The DWR-S01D houses two tuners in one compact body, improving space and weight efficiency over analog systems. This dual-channel receiver is compatible with XDCAM HD 422 and newer camcorders and can be easily mounted on HDCAM™, XDCAM®, Digital Betacam®, and MPEG IMX® camcorders using the DWA-01D adapter. Meta-Data Transport This system supports meta-data transport between the transmitter and receiver to the camcorder's viewfinder, allowing monitoring of RF and AF conditions, delay management, and more. Supports Analog or AES3 Digital Audio Output The DWR-S01D offers both digital and two-channel unbalanced analog audio interface options. Weatherproof Design When attached to a camera or used with the optional DWA-01D wireless adapter and two antennas, the DWR-S01D provides a weatherproof configuration. Versatile OLED Display The OLED display offers clear, at-a-glance information such as reception channel, audio and RF signal status, user name, group, and lock status. Wireless Remote Control A duplex wireless remote control feature allows the DWR-S01D to control the transmitter remotely. Any changes made on the receiver are automatically sent to the paired transmitter. Wide Operating Frequency Range The system supports operation across a 24 MHz frequency band (equivalent to three TV channels). Superior Wireless Transmission & Reception Quality This system delivers high-quality 24-bit/48-kHz digital audio transmission within frequency bandwidths that meet the Wireless Communication Regulations of each country. Powered by Sony's original codec, it boasts a dynamic range exceeding 106 dB, a frequency response of 20 Hz to 20 kHz, and excellent transient response. Stable and Secure Transmission Featuring a newly developed digital modulator, the system ensures highly stable wireless transmission, resistant to interference. The transmission of digitally modulated, encrypted data also ensures secure communication and reduces the risk of interception. Simultaneous Multi-Channel Operation The system supports large-scale, multi-channel operations with intermodulation-free, equally spaced channel allocation. Thanks to digital wireless technology, it significantly increases the number of simultaneous channels compared to analog systems. For instance, up to 16 channels can operate simultaneously within an 8 MHz frequency band.

Sony DWR-S01D Digital Wireless Receiver, used

Sony DWR-S01D Digital Wireless Receiver, used 3 Months Warranty, Excellent Condition Sony proudly introduces its digital wireless microphone system, designed for high-quality digital performance and superior system functionality—ideal for advanced ENG/EFP applications. This system, comprising the DWT-B01 beltpack transmitter and the DWR-S01D dual portable tuner, provides exceptional wireless transmission of 24-bit/48-kHz digital audio. With Sony's original codec, it offers low-latency, secure, and reliable operation. Additionally, the system supports up to a 60% increase in the number of simultaneous multi-channel operations* compared to conventional analog systems, offering greater flexibility for users. With its outstanding audio quality and operational adaptability, the Sony digital wireless microphone system unlocks new possibilities for audio applications. The slot-in receiver can be directly mounted into PDW-700 XDCAM HD 422 camcorders, enabling two-channel wireless operation with a unique wireless remote control feature from the camera's viewfinder. The DWR-S01D can also be mounted on existing cameras or operated within a mixer bag via the DWA-01D adapter, supporting both AES3 digital audio or analog audio outputs. To simplify setup, the receiver includes clear channel and active channel scan functions. Dual Channel Slot-in Receiver for Camcorders The DWR-S01D incorporates two tuners in a single body, improving space and weight efficiency compared to analog systems. This dual-channel slot-in receiver is compatible with XDCAM HD 422 and newer camcorders, and can easily be mounted on HDCAM™, XDCAM®, Digital Betacam®, and MPEG IMX® camcorders using the DWA-01D adapter. Meta-Data Transport This system supports meta-data transport from the transmitter and receiver to the camcorder's viewfinder, allowing for monitoring of RF and AF conditions, delay management, and more. Supports Analog or AES3 Digital Audio Output The DWR-S01D provides both digital and two-channel unbalanced analog audio interface options. Weatherproof Design When mounted on a camera or used with the optional DWA-01D wireless adapter and two antennas, the DWR-S01D offers a weatherproof setup. Versatile OLED Display The system's organic LED display offers clear, at-a-glance information such as reception channel, audio and RF signal status, user name, user group, and lock status. Wireless Remote Control A duplex wireless remote control feature allows the DWR-S01D to control the transmitter remotely. Changes made on the receiver are automatically transmitted to the paired transmitter. Wide Operating Frequency Range The DWR-S01D supports operation over a 24 MHz frequency band (equivalent to three TV channels). Superior Quality Wireless Transmission & Reception This system delivers high-quality 24-bit/48-kHz digital audio transmission within specific frequency bandwidths that meet the Wireless Communication Regulations of each country. Powered by Sony's original codec, the system provides a dynamic range exceeding 106 dB, a wide frequency response of 20 Hz to 20 kHz, and excellent transient response. Stable and Secure Transmission Featuring a newly developed digital modulator, this system enables highly stable wireless transmission, resistant to interference. The transmission and reception of digitally modulated, encrypted data also ensures secure communication and reduces the risk of interception. Simultaneous Multi-Channel Operation The system supports large-scale, multi-channel operations with intermodulation-free, equally spaced channel allocation. Thanks to the digital wireless transmission technology, it significantly increases the number of simultaneous channels compared to current analog systems. For instance, up to 16 channels can operate simultaneously within an 8-MHz frequency band.

Sachtler Video 15 SB tripod system with Carbon eng legs, used

Sachtler Video 15 SB tripod system with Carbon eng legs, used 3 Months Warranty, Excellent condition The Video-15SB ENG Carbon Fiber Tripod System, with a load capacity of up to 35.3 lb, is expertly designed for the latest generation of professional digital camcorders in today’s market. It features a 12-step counterbalance system to perfectly counterbalance the camera, whether equipped with a light or heavy lens, and offers 7-step vertical and horizontal drag for smooth operation, even in the toughest conditions. The system also includes the ENG 2CF double-extension carbon fiber tripod, providing enhanced stability and an extended height range. Video-15SB Fluid Head Frictionless, Leak-Proof Fluid Damping This frictionless, leak-proof fluid damping system offers 7 levels of drag for flawless panning, free from jerks or vibrations. The drag is identical across both horizontal and vertical planes, with the option to fully disengage for rapid panning. Quick Release The Touch & Go Quick Release / Automatic Locking System allows for quick setup, eliminating the need to screw and unscrew the camera from the head. It also features a safety lock lever to prevent accidental disengagement of the camera latch. Sliding Balance Plate The sliding camera mount and plate, with a 2.8" sliding range, ensures fast and precise balancing of the camera along the horizontal plane. Dynamic Counterbalancing System The 12-step dynamic counterbalancing system compensates for torque as the camera tilts, preventing unintentional tipping and ensuring secure positioning at any tilt angle. The counterbalance can be activated or deactivated individually as needed.

Sachtler Video 15 SB tripod system with eng legs, used

Sachtler Video 15 SB tripod system with Carbon eng legs, used 3 Months Warranty, Excellent condition The Video-15SB ENG Carbon Fiber Tripod System, with a load capacity of up to 35.3 lb, is expertly designed for the latest generation of professional digital camcorders in today’s market. It features a 12-step counterbalance system to perfectly counterbalance the camera, whether equipped with a light or heavy lens, and offers 7-step vertical and horizontal drag for smooth operation, even in the toughest conditions. The system also includes the ENG 2CF double-extension carbon fiber tripod, providing enhanced stability and an extended height range. Video-15SB Fluid Head Frictionless, Leak-Proof Fluid Damping This frictionless, leak-proof fluid damping system offers 7 levels of drag for flawless panning, free from jerks or vibrations. The drag is identical across both horizontal and vertical planes, with the option to fully disengage for rapid panning. Quick Release The Touch & Go Quick Release / Automatic Locking System allows for quick setup, eliminating the need to screw and unscrew the camera from the head. It also features a safety lock lever to prevent accidental disengagement of the camera latch. Sliding Balance Plate The sliding camera mount and plate, with a 2.8" sliding range, ensures fast and precise balancing of the camera along the horizontal plane. Dynamic Counterbalancing System The 12-step dynamic counterbalancing system compensates for torque as the camera tilts, preventing unintentional tipping and ensuring secure positioning at any tilt angle. The counterbalance can be activated or deactivated individually as needed.

Sachtler Video 15 SB tripod system with eng legs, used

Sachtler Video 15 SB tripod system with Carbon eng legs, used 3 Months Warranty, Excellent condition The Video-15SB ENG Carbon Fiber Tripod System, with a load capacity of up to 35.3 lb, is expertly designed for the latest generation of professional digital camcorders in today’s market. It features a 12-step counterbalance system to perfectly counterbalance the camera, whether equipped with a light or heavy lens, and offers 7-step vertical and horizontal drag for smooth operation, even in the toughest conditions. The system also includes the ENG 2CF double-extension carbon fiber tripod, providing enhanced stability and an extended height range. Video-15SB Fluid Head Frictionless, Leak-Proof Fluid Damping This frictionless, leak-proof fluid damping system offers 7 levels of drag for flawless panning, free from jerks or vibrations. The drag is identical across both horizontal and vertical planes, with the option to fully disengage for rapid panning. Quick Release The Touch & Go Quick Release / Automatic Locking System allows for quick setup, eliminating the need to screw and unscrew the camera from the head. It also features a safety lock lever to prevent accidental disengagement of the camera latch. Sliding Balance Plate The sliding camera mount and plate, with a 2.8" sliding range, ensures fast and precise balancing of the camera along the horizontal plane. Dynamic Counterbalancing System The 12-step dynamic counterbalancing system compensates for torque as the camera tilts, preventing unintentional tipping and ensuring secure positioning at any tilt angle. The counterbalance can be activated or deactivated individually as needed.

Sachtler Video 15 SB tripod system with eng legs, used

Sachtler Video 15 SB tripod system with Carbon eng legs, used 3 Months Warranty, Excellent condition The Video-15SB ENG Carbon Fiber Tripod System, with a load capacity of up to 35.3 lb, is expertly designed for the latest generation of professional digital camcorders in today’s market. It features a 12-step counterbalance system to perfectly counterbalance the camera, whether equipped with a light or heavy lens, and offers 7-step vertical and horizontal drag for smooth operation, even in the toughest conditions. The system also includes the ENG 2CF double-extension carbon fiber tripod, providing enhanced stability and an extended height range. Video-15SB Fluid Head Frictionless, Leak-Proof Fluid Damping This frictionless, leak-proof fluid damping system offers 7 levels of drag for flawless panning, free from jerks or vibrations. The drag is identical across both horizontal and vertical planes, with the option to fully disengage for rapid panning. Quick Release The Touch & Go Quick Release / Automatic Locking System allows for quick setup, eliminating the need to screw and unscrew the camera from the head. It also features a safety lock lever to prevent accidental disengagement of the camera latch. Sliding Balance Plate The sliding camera mount and plate, with a 2.8" sliding range, ensures fast and precise balancing of the camera along the horizontal plane. Dynamic Counterbalancing System The 12-step dynamic counterbalancing system compensates for torque as the camera tilts, preventing unintentional tipping and ensuring secure positioning at any tilt angle. The counterbalance can be activated or deactivated individually as needed.

RED Ranger Gemini 5K S35, 515 Hours, used

RED Ranger Gemini 5K S35, 515 Hours, used 3-Month Warranty The GEMINI sensor, RED’s most sensitive to date, excels in low-light conditions and delivers enhanced performance in shadow areas, providing flexibility in any shooting situation. The DSMC2 BRAIN supports data write speeds of up to 300 MB/s and allows simultaneous recording in REDCODE RAW and Apple ProRes or Avid DNxHR/HD. With features such as cable-free peripherals, an integrated media bay, wireless control, and more, the DSMC2 system is compatible with a wide range of modules and accessories from RED and third-party manufacturers. Additionally, interchangeable OLPFs and lens mounts give you ultimate control over your footage.  

Arri Alexa Mini Camera Kit with 4:3 and Arriraw License, 1000hrs, used

Arri Alexa Mini Camera Kit with 4:3 and Arriraw License, 1000hrs, used 3 Months Warranty, Good Condition Color output Rec 709, custom look or Log C Look control Import of custom 3D LUT, ASC CDL parameter (slope, offset, power, saturation) Adjustable image parameters Knee, gamma, saturation, black gamma, saturation by hue Focus and exposure control Peaking, zebra, false color White balance Manual and auto white balance Sound level -20 db(A) at standard frame rates Environmental -20 C to +50 C (-4 F to +122 F) @ 95% humidity max, non-condensing Splash and dust-proof through sealed electronics Viewfinder Multi Viewfinder MVF-1 (OLED and LCD ) with flip-out LCD screen military-grade connector to camera Control interface Soft buttons and OSD on SDI output, integration of Transvideo StarliteHD touch interface * ARRI lens motor control Built-in radio interface for ARRI lens control L-Bus motor output for daisy-chainable cforce lens control motors Wi-Fi remote control Built-in Wi-Fi interface and web-based remote control from phones, tablets and laptops Custom control Optional GPIO interface for integration with custom control interfaces Power input Lemo 8-pin, 10.5-34 V DC Video outputs 2x HD-SDI out 1.5G 3G: uncompressed HD video with embedded audio and metadata, SDI-6G interface to external CODEX recorder *  Inputs SDI-Genlock (optional activation through ARRI Service),timecode (in and output)

Arri Alexa Mini Camera Kit with 4:3 and Raw License, 7500hrs, used

Arri Alexa Mini Camera Kit with 4:3 and Raw License, 7500hrs, used 3 Months Warranty, Good Condition Color output Rec 709, custom look or Log C Look control Import of custom 3D LUT, ASC CDL parameter (slope, offset, power, saturation) Adjustable image parameters Knee, gamma, saturation, black gamma, saturation by hue Focus and exposure control Peaking, zebra, false color White balance Manual and auto white balance Sound level -20 db(A) at standard frame rates Environmental -20 C to +50 C (-4 F to +122 F) @ 95% humidity max, non-condensing Splash and dust-proof through sealed electronics Viewfinder Multi Viewfinder MVF-1 (OLED and LCD ) with flip-out LCD screen military-grade connector to camera Control interface Soft buttons and OSD on SDI output, integration of Transvideo StarliteHD touch interface * ARRI lens motor control Built-in radio interface for ARRI lens control L-Bus motor output for daisy-chainable cforce lens control motors Wi-Fi remote control Built-in Wi-Fi interface and web-based remote control from phones, tablets and laptops Custom control Optional GPIO interface for integration with custom control interfaces Power input Lemo 8-pin, 10.5-34 V DC Video outputs 2x HD-SDI out 1.5G 3G: uncompressed HD video with embedded audio and metadata, SDI-6G interface to external CODEX recorder * Inputs SDI-Genlock (optional activation through ARRI Service),timecode (in and output)

8x Hitachi SK HD 1000 + 1x SSM HD SK 1500 Camera Chain, used

8x Hitachi SK HD 1000 + 1x SSM HD SK 1500 Camera Chain, used 3 Months Warranty, Good condition   The SK-HD1000E is a high-performance dockable design portable HDTV Studio and EFP camera. With its new 2.3 million pixels native 1080i 3-CCD, the SK-HD1000E provides outstanding performance. The camera offers sharper and cleaner HD images due to its 16-bit A/D converters and Hitachi’s implementation of the latest digital processing technology. The camera achieves outstanding high sensitivity and a low vertical smear.

SQN Electronics Sqn-5s Series Stereo Mixer, used

SQN Electronics Sqn-5s Series Stereo Mixer, used 3 Months Warranty - Mint Condition  A broadcast quality stereo portable mixer for TV, film and radio locations. With five full mic-powering input channels and twin camera drive. The original SQN-5S as successor to the classic SQN-4S Series IVe offered the same convenience of operation in exactly the same size case but with five channels and reduced weight. Recordists familiar with the earlier mixer were immediately at home with the SQN-5S and organizations that had been using the 4S found the new mixer to be completely compatible with the old.  

Canon Sumire 6 Lens Bundle, Like New

Canon Sumire 6 Lens Bundle, Like New (FMP60180LPBR) Good Condition, 3 Month Warranty  Introducing the Canon Sumire Full Frame Cinema Prime Lens Bundle PL Mount – CN-E 14, 24, 35, 50, 85 and 135mm, a set of prime lenses designed to offer a subtle, cinematic and expressive look. This bundle includes seven prime lenses with fast apertures, precise manual control and a crafted focus bokeh for careful creative expression. The specially designed ‘cinematic look’ of these lenses offers a unique optical design that subtly modifies textural renderings for pleasing bokeh and superb expressiveness. This allows filmmakers to capture every detail with ease and add a touch of artistry to their shots. The PL mount with Full-Frame coverage offers wide compatibility options for PL mount 35mm Full-Frame and Super 35mm cameras. And for added convenience, the lenses can be changed to an EF mount at any authorised service facility. Sumire primes inherit the same subtle warm colour tone from the Canon cinema lens range, making it easy to change lenses without affecting colour balance. This ensures a consistent and unified look throughout your shots. With a fast T-number and 11-blade iris, these lenses offer a bright and beautiful bokeh. The lens design also significantly reduces focus breathing, allowing filmmakers to achieve smooth and seamless focus transitions. And with carefully developed focus resistance, delicate focus adjustments can be made over a 300-degree rotation angle. All lenses in this bundle accept 105mm screw-on filters, have a 114mm diameter lens front and have consistently positioned gears for ease of use. This makes it easy for filmmakers to switch between lenses and maintain a consistent workflow. Don’t miss out on this amazing offer and elevate your cine experience with the Canon Sumire Full Frame Cinema Prime Lens Bundle PL Mount.    

RED Monstro VV 8K Digital Camera Kit,356hrs, used

RED Monstro VV 8K Digital Camera Kit,356hrs, used(FMP60167RPBR) 3 month warranty, good condition RED DSMC2 Digital Cinematography Camera with MONSTRO 8K VV Sensor and Aluminium PL Lens Mount - Brain Only (p/n 710-0303). All RED cameras deliver stunning resolution and image quality—creating clean and organic images that bring your footage to life. The MONSTRO and HELIUM sensors take the next step in exceeding beauty offered by film – up to 17x more resolution than HD—and over 4x more than 4K. A DSMC2 BRAIN is capable of data write speeds of 300 MB/s, and can simultaneously record in REDCODE RAW and Apple ProRes or Avid DNxHR/HD.   With features like cable-free peripherals, integrated media bay, wireless control, and more—DSMC2 is also compatible with a growing arsenal of modules and accessories—from RED and other Third-Party manufacturers. Tack on interchangeable OLPFs and lens mounts and DSMC2 gives you the ultimate control over your footage.

Blackwing Tribe-7 B-Tuned Lenses (opened but never used)

Blackwing Tribe-7 B-Tuned Lenses, Like new (FMP60133LPBR) Note - "opened once to check each lens on a camera but never used" Condition Like new , 3 months warranty The "B" tuned Blackwings have the same multi-coated lens elements from the "S" tuned range, so they perform the same in terms of light management and flare control. "B" tuned lenses exhibit a green/blue ghost flare and the optics have the edge-uncoating from the "X" tuned range, so they are lower in contrast. These lenses have the same optical prescription as the "T" tuned lenses giving them similar characteristics when stopped down.

Sony AXS-M 512GB S24 Memory Card, Used

Sony AXS-M 512GB S24 Memory Card, Used(FMP60119NRSH) Good condition, 3 months warranty Sony AXS-512S24 512GB Media Card - compatible with AXS-R5 Recorder for use with PMW-F5, PMW-F55 and NEX-FS700. The AXS-512S24 AXS Memory (AXSM™) card is an ultra-high speed, high capacity, and high reliability flash memory media, for demanding high frame rate (HFR) 4K and 2K 16-bit linear high-resolution digital cinematography

Kino Flo Kino-Flo Mini-Flo, used

Kino-Flo Mini-Flo, used(FMP60113LPSH) 3 months and good condition Kino Flo Mini-Flo is a unique lightweight lighting fixture enabling color control features which endeared it to video and broadcast lighting designers. The Mini-Flo System, sometimes called a “car kit,” can be found most often lighting nighttime car interiors and other small areas. However, over the years, the Mini-Flo’s unique lightweight and color control features have endeared it to video and broadcast lighting designers as a cool, efficient chin light for speakers at a podium or news anchors in a TV studio. The Mini-Flo is available with single dimming ballasts, plus a choice of 9” or 12” fixture and lamp sizes.  

Canon Used CN7x17 KAS S/P1 17-120mm T2.95 PL-MOUNT

Used CN7x17 KAS S/P1 17-120mm T2.95 PL-MOUNT   Excellent Condition - 3 months warranty   CC - 9002190000 COO - Japan   The Cine-Servo 17-120mm T2.95 with PL mount from Canon is designed to combine the functionality and form factor of a broadcast, ENG-style motorized zoom lens with the optical precision of a cinema zoom. The lens is designed for use on cinema cameras with sensors up to Super 35mm (26.2 x 13.8mm) in size and is suitable for 4K acquisition. With a detachable drive mechanism and support for rod attachment, it is designed to be equally at home whether being used by a solo camera operator or a full production team. With a 17 to 120mm focal length, the lens features 7x zoom and has a maximum aperture of T 2.95 when set to 91mm or wider. Additionally, it features an 11 blade iris to create circular bokeh patterns as well as to reduce refraction. For ENG-style shooters the lens drive features servo motors powering zoom, focus, and iris. The lens can be connected to the camera either using a standard 12-pin connector or will communicate directly through the lens mount when attached to compatible cameras. Three 20-pin connectors below the servo housing allow many Canon and third-party zoom, focus, and iris controllers to be connected.  

Libec JB-30 Jib (Green), used

Libec JB-30 Jib (Green), used(FMP60077LPSH) Good Condition, 3 Month warranty  Jib arm with tripod and dolly. Max payload between 10-20Kg (dependant on arm length). Max height approx. 7ft. Comes with camera undermount and weight kit. Dolly has swivel wheels and braking system (tripod head not included). Jib Arm with Legs and DL-3 Dolly. Maximum load 10-20kg (depending on arm length adjustment). Easy reverse bowl for extreme low camera angles. Easily adjusted main arm. Lightweight and portable. Very smooth operation.  Maximum height is approx 7ft.

Red Gemini DSMC2 5K S35, 765 Hours, used

Red Gemini DSMC2 5K S35, 765 Hours, used (FMP60059LPBR) Great Condition, 3 Months warranty For flexibility in any situation, GEMINI is RED's highest sensitivity sensor to date and offers significantly increased performance in low-light settings and improved performance in shadows. A DSMC2 BRAIN is capable of data write speeds of 300 MB/s, and can simultaneously record in REDCODE RAW and Apple ProRes or Avid DNxHR/HD. With features like cable-free peripherals, integrated media bay, wireless control, and more—DSMC2 is also compatible with a growing arsenal of modules and accessories—from RED and other Third-Party manufacturers. Tack on interchangeable OLPFs and lens mounts and DSMC2 gives you the ultimate control over your footage.  

Century Optics WA-8XLC Canon XF Wide Angle Converter, used

Century Optics WA-8XLC Canon XF Wide Angle Converter, used (FMP60028NRSH) Good Condition, 3 Months Warranty    Compact and lightweight .8x HD Wide Angle Converter screws onto the front of a 72mm DV/HDV camera zoom lens, effectively shortening its focal length while maintaining full zoom capabilities. Attach the compact .8x HD Wide Angle Converter to the front of a lens for 20% more coverage when set to wide angle, telephoto or anywhere in between.      

Steadicam Zephyr HD System, Ex-Demo

Steadicam Zephyr HD System, Ex-Demo(FMP60001LPBR) Excellent Condition, 3 Month warranty The Zephyr incorporates the same revolutionary features that previously won the coveted DV Professional Association’s “Best of Show” at NAB for Steadicam. “Style, functionality,  flexibility and affordability all wrapped within the new Steadicam Zephyr. A combination of innovative features derived from our popular PILOT, FLYER, and Archer 2 Steadicam systems now allows an excel in the range of operating possibilities. A new innovative approach to camera stabiliser design, the Steadicam Zephyr has a host of “future proof” features that allow it to be a versatile and an ever-evolving essential tool for camera stabilisation needs. The new Zephyr vest design incorporates adjustable and pivoting shoulder buckles to assure a new comfort level for extended use. New vest and pad covers are easily removed for cleaning or replacement offering extended durability. The new tools-free patented Iso-Elastic stabiliser Zephyr Arm has been upgraded from the Steadicam FLYER and supports 23lbs (10.4kg) of payload weight. The no-tools Arm /Vest interface allows for quick customization to the individual operator. “On the fly” weight adjustment frees the operator from dismounting the system to make changes. The open design of the arm has freedom of movement unknown in this weight class. The Zephyr adjustable and interchangeable arm post assembly is a feature usually found on more expensive systems. The Zephyr camera mounting stage was designed for enhanced mounting stability with standard HD and composite BNC video connectors, 2 x standard 3-pin LEMO power connectors and expandability ports for future accessories. The stage comes complete with a dual axis vernier adjustable mounting platform and extended camera mounting dovetail plate.   The Zephyr Sled Base features extendable rigid aluminium monitor and battery mounting rods, easily removable for compact storage or transport.  A single mounting rod release allows for quick set-ups and ease of dynamic and inertial adjustments.   

TriCaster TC410 Plus Base Bundle, used

TriCaster TC410 Plus Base Bundle, used(FMP59927JPBR) 3 Month warranty Good condition Set up a multicamera broadcast with this TriCaster TC410 Plus Base Bundle from NewTek, which includes the TriCaster 410 Plus and the TC1 Small Control Panel. The 410 Plus is a multicamera, multi-input, multi-format, 2 RU-sized switcher system that allows you to simultaneously broadcast, project, stream, and record. It supports real-time 4 M/E compositing and offers virtual sets, transitions, and brand elements, and audio is adjustable for all input sources. Built-in IsoCorder technology allows recording up to six isolated, simultaneous feeds during a live production and can send four independent video mix outputs via NDI. You can instantly publish content to popular social media sites, upload to FTP sites, transfer to storage volumes/network locations, share clips and stills during production, or upload your entire show within minutes after production wraps. Custom memory presets and key commands allow you to streamline sophisticated operation sequences that are too complex for real-time action execution. An advanced control interface is built into the system, and the hardware TC1 Small Control Panel is also included. Its intuitive key layout, illuminated buttons, and durable design help you switch and control your broadcasts with ease. Vizrt TriCaster TC410 Plus Simultaneously broadcast, stream, and record live productions from virtually anywhere with the TriCaster TC410 Plus from NewTek. This compact, all-in-one eight-input switcher lets you easily switch between four HD/SD-SDI or eight NDI video sources, mix audio, add graphics and titles, and add advanced effects such as virtual sets and animated transitions. Featuring an intuitive and full-featured control software, the TriCaster TC410 Plus is suited for both new users and seasoned professionals. In addition to the four HD/SD-SDI inputs, you can choose from eight NDI devices on the network including computers, PTZ cameras, or even wireless capture devices. Two HD/SD-SDI outputs, four NDI IP video mix outputs, and two independent IP live streams are supported for sending the program output with audio to external devices and services. The SDI, NDI, and streaming formats support up to 1080p59.94 resolutions, and the TC410 Plus also supports four-channel audio mixing. The TriCaster TC410 Plus features 3TB of internal storage and also supports recording to external storage via USB 3.0. The comprehensive switcher also supports live streaming to multiple platforms and services simultaneously. An optional control panel can also be incorporated for traditional tactile control with a T-bar and illuminated buttons. Broadcast Quality Production TriCaster TC410 Plus is an integrated video production system designed to create multi-platform productions live and on-demand. Your shows will be polished; engage with viewers through social and second-screen experiences, deliver revenue opportunities, and extend your brand. TriCaster 410 Plus is scaled for smaller racks and mobile units and gives you an end-to-end IP workflow from acquisition to delivery. Minimal Complexity TriCaster TC410 Plus enables producers to create high-end video smoother, faster, and easier. With only 2 RU of rack space in a flight pack or tight space, you gain the freedom of movement that's just not possible with racks of individual components pieced together. With an all-in-one design, do-it-yourself setup, and hundreds of entry-level and advanced production capabilities, you can be on your way to building captivating productions from anywhere simply and efficiently. Reach Diverse Viewers Live stream to multiple destinations simultaneously, including Facebook Live, Microsoft Azure, Periscope, Twitch, Ustream, YouTube Live, and more. Share media to multiple user accounts on your favorite social networks like Facebook, Imgur, LinkedIn, Twitter, Vimeo, YouTube, and more. Customizable Workflows Connect cameras directly or expand your available live sources over IP, flex your workspace and control to suit a single operator or a small team, and output to one or multiple destinations simultaneously on site or across the network. Automated Tasks Record common moves with macros and expand your production possibilities while reducing any on-air mistakes. Streamline sequences with a single action when they're too complicated to execute live. Use MIDI control, on-camera hot spots, and PTZ cameras to make smaller productions look like larger shows. Control in the Palm of Your Hand NewTek LivePanel for TriCaster TC410 Plus and TC1 makes it easier for more people to have control of the live production process. Providing the ability to configure a custom user interface that delivers exactly the tools and functions you need, accessible through any web browser or operating system. Live Virtual Sets Save on studio and set expenses without sacrificing production value. With integrated LiveSet technology, TriCaster TC410 Plus can transport your talent into professionally designed virtual environments complete with multiple angles, virtual camera movements, real-time reflections, specular highlights, animated lens flares, and stunning augmented reality effects that blur the line between virtual and reality. Select from more than 30 included virtual sets, purchase your choice of premium ready-made sets, or create endless custom environments with the optional Virtual Set Editor software. Vizrt Small Control Panel for TriCaster TC1 Plug in the NewTek Small Control Panel for TriCaster TC1 and switch your entire production. The surface itself has 14 switcher source buttons and 11 M/E source buttons arranged in 1.5 stripes. More advanced control can be had by using the T-bar and 3-axis joystick. This control panel connects via USB, so no separate power supply is required.

DZOFILM Catta ACE Bundle 18-35/35-80/70-135 T2.9 - PL/EF Mount, used

DZOFILM Catta ACE Bundle 18-35/35-80/70-135 T2.9 - PL/EF Mount, used(FMP59926JPBR) 3 Months Warranty Excellent Condition DZOFILM Catta ACE Bundle 18-35/35-80/70-135 T2.9-PL/EF Mount (Black) Catta FF Zoom 18-35mm Full Frame Wide Zoom offers enormous versatility The Catta Ace 18-35mm T2.9 wide-angle cinema zoom lens is compatible with the Full Frame image format and featuresan interchangeable PL, EF, and LPL mount for professional filmmaking flexibility. A broader horizon brings up more creative shooting possibilities With a minimum focusing distance of 0.51m (1ft 8"), the inspiring 18-35mm zoom lens allows you to go close to the subject while still including background details, facilitatingclose-up capturing of subtle emotions and generating visual dynamics and contrast in a single frame Innovative optical design with superior performance Each lens comprises four ED (Extra-low Dispersion) lens elements and one aspherical element, maintaining the outstanding image performance as the Catta Ace series while significantly minimizing field curvature and reducingchromatic aberrations at the wide-angle end to optimal colour correction and providing impressive sharpness. Cinematic image with visual appeal Aesthetic colour rendering and image texture present soft and natural flesh tones. 20-blade iris produces dreamy bokeh in out-of-focus areas, which is gorgeous and artistic. Solid and durable design with smooth operation The aluminium body of the lens makes it sturdy and reliable, as well as easy and comfortable to hold. Lightweight and compact wide-angle zoom cinema lens for handheldshooting, capturing details of characters, and creating more immersive storytelling images. Catta FF Zoom 35-80mm Authentic Colour Reproduction Embraced the design philosophy of natural, original and real, Catta Zoom lenses reproduce the real world on that small yet comprehensive sensor.The golden focal lengths of 35-80mm/70-135mm enable cinematographers to create cinematic images without sacrificing time in lens replacing. Flattering Skin Tone Comfortable and vivid reproduction of natural skin tone. Better Breathing Control Than Ever Same as it ever was minimal breathing in DZOFILM cine lenses, this time you can find a better performance in Catta.Invisible breathing whether zoom in or out Zoom along the journey, exempt from additional concerns. Aesthetic Bokeh with Fluid Transition Rounded Bokeh emerged from 16 bladed Iris, it characterizes exquisite texture and gentle sharpness to realize excellent image quality. Uniform and Consistent Performance These two lenses are uniform in both mechanics and optics. A perfect combo in shooting videos from wide to long focus. Zero distortion signify the multidimensional sense and can be flattering to the subject. Parfocal Design Retain focus while zooming. The parfocal optical design allows for zoom racking without loss of focus. It has dramatically reduced breathing and image shift. Catta FF Zoom 70-135mm Authentic Colour Reproduction Embraced the design philosophy of natural, original and real, Catta Zoom lenses reproduce the real world on that small yet comprehensive sensor.The golden focal lengths of 35-80mm/70-135mm enable cinematographers to create cinematic images without sacrificing time in lens replacing. Flattering Skin Tone Comfortable and vivid reproduction of natural skin tone. Better Breathing Control Than Ever Same as it ever was minimal breathing in DZOFILM cine lenses, this time you can find a better performance in Catta.Invisible breathing whether zoom in or out Zoom along the journey, exempt from additional concerns. Aesthetic Bokeh with Fluid Transition Rounded Bokeh emerged from 16 bladed Iris, it characterizes exquisite texture and gentle sharpness to realize excellent image quality. Uniform and Consistent Performance These two lenses are uniform in both mechanics and optics. A perfect combo in shooting videos from wide to long focus. Zero distortion signify the multidimensional sense and can be flattering to the subject. Parfocal Design Retain focus while zooming. The parfocal optical design allows for zoom racking without loss of focus. It has dramatically reduced breathing and image shift.    

Sony AXS R5 Recorder & HXR-IF15 Adapter, Used

Sony AXS R5 Recorder & HXR-IF15 Adapter, Used(FMP59916NRSH) Excellent Condition, Like New, 3 Months Warranty  AXS-R5 Designed to attach seamlessly to PMW-F55 and PMW-F5 cameras The bolt-on AXS-R5 recorder works with the PMW-F55 and PMW-F5 cameras to record the highest quality 16-bit RAW 2K/4K images. The recorder works with sleek, optional AXSM™ memory cards, which are compatible with an affordable optional USB 3.0 reader, the AXS-CR1.Once on a PC, the RAW files can be screened using Sony’s free RAW Viewer software. AXSM memory provides a super fast, affordable format for sensational quality recordings. Important information: AXS-R5 is compatible with NEX-FS700 when used in combination with the HXR-IFR5 interface. Version 3 (or higher) firmware is required. 16-bit RAW 2K/4K recording options for PMW-F55 and PMW-F5 CineAlta cameras Record RAW at your choice of resolutions: the PMW-F55 and PMW-F5 captures native 4K or beautiful, derived 2K.RAW recording preserves the greatest latitude for colour correction and other post processes. Sony’s 16-bit recording captures more tonal values than the human eye can differentiate.Sony RAW retains 16 times as many Red, Green and Blue gradations as 12-bit RAW and 64 times as many tones per channel as 10-bit recording. Sony 16-bit linear RAW is also the ideal point of entry into the 16-bit linear Academy Color Encoding System (ACES) workflow. Records onto ASXM™ memory cards The AXS-R5 recorder works with sleek, high-capacity AXSM™ memory cards, which are compatible with an affordable optional USB 3.0 reader, the AXS-CR1. Once on a PC, the RAW files can be screened using Sony’s free RAW Viewer software. AXSM memory provides a super fast, affordable format for sensational quality recordings. High speed shooting up to 240 fps 2KRAW with F55 and 120 fps 2K RAW with F5 The AXS-R5 allows you to record up to 240 fps 2K RAW with the F55 and up to 120 fps 2K RAW with the F5, with free planned upgrades, achieving the highest frame rates most productions will need, while retaining exceptional, 16-bit image quality. Provides simultaneous RAW and on board camera SxS recording Sony provides a coordinated “off-line, on-line” workflow with simultaneous recording for the F55 and F5 cameras to internal SxS cards and the AXS-R5 Portable Memory Recorder. For seamless conforming in post, you get matching timecode, start frame, stop frame, file names and other metadata. Real world workflows Sony understands a fundamental truth: working cameras require practical workflows.That’s why the AXS-R5 is part of a larger production platform that includes affordable media cards, affordable card readers, free RAW Viewer software and compatibility with popular NLEs and finishing tools. Lightweight modular design to maximise versatility in 2D and 3D The AXS-R5 is designed to bolt-on seamlessly to the F55 and F5 cameras, allowing the cameras to maintain a sleek, lightweight and ergonomic design. Both recorder and camera chassis are only slightly wider than a typical PL-mount prime lens, perfect for 3D rigs. Sony HXR-IFR5 (HXRIFR5, HXR/IFR5, HXR IFR5, HX-RIF-R5) (NEX_FS700E, NEX/FS700E) Interface Unit for NEX-FS700E NXCAM Camcorder The HXR-IFR5 interface unit allows the Full-HD Super Slow Motion NEX-FS700 camcorder to capture stunning 4K/2K RAW movie footage with the AXS-R5 RAW recorder. 2K and 4K RAW files shot with the FS700 can take advantage of the trail blazed by the RAW workflow of Sony’s PMW-F55/F5 CineAlta cameras. RAW files created by the NEX-FS700R/RH (FS700RAW Files) are sent to the HXR-IFR5 interface unit which docks to the AXS-R5 RAW recorder. The AXS-R5 recorder is part of the AXSM Access Memory System, which also includes the AXS-512S24 memory card and an affordable USB 3.0 reader, the AXS-CR1. Once on a fast HDD, FS700RAW files can be screened and converted using Sony’s free RAW Viewer software

Sony AXSM S24 512GB Card, used

Sony AXSM S24 512GB Card, used(FMP59914NRSH) Good Condition, 3 Months Warranty   Sony AXS-512S24 512GB Media Card - compatible with AXS-R5 Recorder for use with PMW-F5, PMW-F55 and NEX-FS700. The AXS-512S24 AXS Memory (AXSM™) card is an ultra-high speed, high capacity, and high reliability flash memory media, for demanding high frame rate (HFR) 4K and 2K 16-bit linear high-resolution digital cinematography.

Sony AXSM S24 512GB Card, used

Sony AXSM S24 512GB Card, used(FMP59912NRSH) Good Condition, 3 Months Warranty Sony AXS-512S24 512GB Media Card - compatible with AXS-R5 Recorder for use with PMW-F5, PMW-F55 and NEX-FS700. The AXS-512S24 AXS Memory (AXSM™) card is an ultra-high speed, high capacity, and high reliability flash memory media, for demanding high frame rate (HFR) 4K and 2K 16-bit linear high-resolution digital cinematography.

Leica-R SUMMICRON set 6x lens mid 80's, used

Leica-R SUMMICRON set 6x lens mid 80's, used(FMP59910KSBR) 3 months warranty and Like new condition BEAUTIFUL SET: MID 1980s! LEICA-R GLASS SET F. SUMMICRON | MID 1980s Leica-R Cinemodded set of six vintage lenses 28/2.8 Leica Elmarit-R I (3368434 / 1985) 35/2.0 Leica Summicron-R II (3363961 / 1985) 50/2.0 Leica Summicron-R II (3567702 /1991) 60/2.8 Leica Macro-Elmarit-R (3744339 / 1996) 90/2.0 Leica Summicron-R (3118897 / 1981) 135/2.8 Leica Elmarit-R II  (3341334 / 1984) Leica-R set custom built case Completely hand-picked & customized  These vintage Leica-R lenses (mid 1980s) are famous for their soft, yet very sharp look with beautiful bokeh. The lenses have all had a full Cleaning, Lubrication and Adjustment (CLA) so they run as smooth as possible. In addition, they have had a correct declick (no creeping aperture) which makes the aperture stepless. The lenses feature a sturdy EF mount from Leitax, follow focus gears from Simmod (with rubber inner rings and metal outer rings), 80mm OD / 77mm ID step-up rings and custom engraved caps from the same Canadian company Simmod. The lenses are delivered in a brand new HPRC 2400 case with custom inlay specially manufactured for this Leica-R set. Cinemodded, serviced and tested   The lenses were technically tested, fully serviced and modified to the highest standards. They were serviced as a full set aimed for use in film making. Special attention was given to light and smooth focusing mechanics that allow pleasant handheld operation as well as usage on focusing motors at the low power setting. In addition, attention was given to match the focusing and aperture feel across the set. Finally, the lenses were assembled with special techniques and tightened strongly with the aim to minimize the effect of focus click resulting in sudden jumps in the image when reversing focusing direction, an issue with vintage stills lenses used for film making that weren’t properly serviced. Certificates by our servicing partner are provided  

SONY BVM-HX310 31-inch 4K TRIMASTER HX , 1500 Hours, used

SONY BVM-HX310 31-inch 4K TRIMASTER HX , 1500 Hours, used(FMP59888LPBR) Good condition, 3 month warranty The BVM-HX310 TRIMASTER HX™ Professional Master Monitor gives absolute confidence that you’re always seeing the true picture. Offering unrivalled 4K HDR picture quality, accuracy and consistency, it’s ideal for demanding on-set, studio and post-production applications including 4K digital cinematography. True colours It’s the 4K HDR monitor professional colourists have been waiting for. An optimal choice for critical colour grading and CG tasks, the BVM-HX310 offers support for industry‑leading wide colour gamuts including DCI‑P3, ITU‑R BT.2020, S‑Gamut3.cine and S‑Gamut3. With consistent, faithful colour reproduction over the entire luminance range, it’s an ideal partner for cinematography production and post production workflow with Sony’s 4K cinematography cameras. Note: BVM‑HX310 does not cover the ITU-R BT.2020, S-Gamut/S-Gamut3 and S-Gamut3.cine colour space in full. Ready for HDR Fully realising the advanced performance of the TRIMASTER HX panel, the BVM-HX310 achieves 1,000 nits* of full-screen brightness with 1,000,000:1 contrast ratio. It’s ideal for producing High Dynamic Range (HDR) content with rich, deep black areas and accurate reproduction of bright peak highlights. Together with support for a much wider colour gamut than conventional monitors, the BVM-HX310 can reproduce high-resolution HDR images with images clarity, depth and realism. Great HDR flexibility As well as conventional 2.2, 2.4, 2.6, and CRT gamma, the BVM-HX310 supports standardized Electro-Optical Transfer Functions (EOTF) for HDR such as SMPTE ST.2084 and ITU-R BT.2100 (HLG). Both standards are used to meet the demands of today’s broadcast and cinematography industries. Additional EOTF tables for live and post production environments include 2.4 (HDR), S-Log2 (HDR), S-Log3 (HDR) and S-Log3 (Live HDR) – enabling easy workflows close to that of film while delivering 4K wide dynamic range. Make no mistake Support for VPID (Video Payload ID) identifies EOTF, colour space and RGB source information embedded in the SDI signal. Monitor settings are adjusted automatically, cutting the risk of human error in pressured live production environments. Easy system integration The BVM-HX310 effortlessly keeps pace with today’s production workflows. Integration in the latest system environments is streamlined with a single-cable 12G-SDI input, plus connections for 3G-SDI, HD-SDI including Single Link/Dual Link and HDMI (HDCP2.3/1.4). Enhance your workflow Easily check the effect of different LUTs while you’re on set or in post. Load customised User LUT (Look Up Table) files from a USB stick* for comparison during pre-grading or with a different EOTF. See the effect of different LUTs at the touch of a button. *Note: BKM-17R controller is required. Quality assurance efficiency Quad View Display mode allows instant comparison of up to four sets of custom display settings, including EOTF, Colour Space, Transfer Matrix and Colour Temperature, Contrast, Brightness and Chroma. It’s invaluable for comparing original footage with the look of different EOTF converted images. View up to four LUTs side-by-side in Quad View display mode. Work in real time Minimal processing delays are a critical factor in live production and broadcasting applications. With a processing delay of less than one video frame, the BVM-HX310 is ideally suited to the demands of real time video monitoring. True interlace mode Interlace Display mode offers faithful reproduction of 1080i input signals, free from artefacts and picture degradation that can often occur during I/P conversion. You’re always in control Anyone who’s used the BVM‑X300 master monitor will feel instantly at home with the familiar front control panel of the BVM-HX310. Seven user assignable function buttons are complemented by manual controls for aperture, chroma, brightness, and contrast. Usability is enhanced further with dimmable button lights and on/off switchable indicator lights. More peace of mind Help’s right here when you need it. PrimeSupport goes beyond your standard warranty, giving you privileged access to expert technical advice when you need it. And that’s just the start. Depending on your Sony product and chosen level of PrimeSupport, you’ll enjoy more great benefits for extra peace of mind. Make It Your Own Instant access Save time when you’re under pressure. The BVM-HX310 can retain settings last used in the status menu, including colour space, EOTF, User Preset and more. When the menu’s opened again, everything’s instantly available. Mark your area Two flexible shooting area markers can be set anywhere on screen. It’s useful for applications like shopping channels, where you need to differentiate clearly between views of the featured product and its buying information. Password protected Multiple users can register their own password to access colour temperature and user preset data settings. This allows each user to correctly recall their own preset data, while keeping information safe from unauthorised use. Ready for action Key settings including last memory and user preset are loaded instantly when the monitor’s powered up. It’s a major time saver that’s invaluable for rental applications. Area aspect ratio markers The BVM-HX310 can display various markers, including an aspect marker, safe area marker, and centre marker. In addition to this flexible selection of marker types, detailed display settings of each marker are offered. For example, the colour, brightness, horizontal/vertical position, and width of aspect markers can all be controlled, while the height and width of safe area markers can be adjusted.

Generic Light Stand, used

Generic Light Stand, used(FMP59872NRSH) Excellent condition   3 months warranty Generic light stand for LED lite panel  Extended Length- 280 Cm

MountFlow Money Belt for Travel, ex-demo

MountFlow Money Belt for Travel, ex-demo(FMP59868NRSH) Excellent condition 3 months warranty Anchor your adventure with security and style. The MountFlow Moneybelt is the ultimate hands-free travel companion designed for modern explorers, business travelers, and savvy tourists. Whether you’re navigating crowded airports, exploring street markets, or boarding international trains, this sleek and secure belt keeps your essentials protected and out of sight. RFID-Blocking Technology Built-in RFID-blocking layers shield your credit cards and passport from electronic theft and identity skimming. Ultra-Lightweight & Comfortable Fit Crafted with soft, breathable mesh backing, this moneybelt sits discreetly and comfortably under your clothes — even during long travel days.  Two Secure Zippered Compartments Organize your cash, passports, boarding passes, cards, and even a smartphone with dual compartments for smart separation.  Adjustable Elastic Waistband One-size-fits-all, with a low-profile elastic waistband that fits snugly around your waist and adjusts to your comfort.  ✅ Water-Resistant & Durable  Built for real-world travel. The water-resistant nylon material keeps your items safe from unexpected weather or spills.

Sametop Flat Curved Adhesive Mounts, ex-display

Sametop Flat Curved Adhesive Mounts, ex-display(FMP59864NRSH) Excellent condition  3 months warranty  High Quality- The industrial-strength 3M manufactured VHB 4991 adhesive pads is the strongest and waterproof. The original double-sided 3M sticky tape mount offers excellent outdoor durability and performance, resisting both high and low temperatures, as well as moisture. With premium plastic base mounts ideal for a wide variety of curved and flat surfaces. Multi Purpose- Perfect for mounting on helmets, ski/skate/surf/snow boards, dashcam, kayak, bike and motorcycle riding or other action sports. Perfect helmet attachment for skiing, snowboarding, cycling, motocross, mountain biking, kayaking, water sports, climbing, car, and other outdoor activities, solid and reliable for both professionals and weekend amateurs. Easy to Use -Ideal for motorcycle enthusiast, photography enthusiasts, drone enthusiasts, and outdoor hikers, car aficionado, or an adventure seeker. No worries about your Go Pro or other action camera coming loose during intense rides or extreme conditions. The helmet mounts can be cleanly removed by heating adhesive bond with a hair dryer then slowly peeling off mount.   Wide Compatibility-Compatible with GoPro Hero13, Hero12, Hero11, Hero10, Hero9, Hero8, Hero7, Hero6, Hero5, Hero4, Session, Hero3+, Hero3, Hero2, Hero1, Hero (2018), Max, Fusion cameras. For DJI Osmo Action 4, Action 3, Action 2. Works with every version of the Akaso Brave V50, EK7000, SJCAM, YI 4K Action, Vivitar, dragon touch 4k, CamPark, Crosstour, Insta 360 and others action cameras.

Ianiro Solaris 300 Spotlight, used

Ianiro Solaris 300 Spotlight, used(FMP59858NRSH) Good Condition, 3 Months Warranty  Construction all in aluminium. Colour matt silver anodized heat resistant. Fresnel lens diam. 80mm F40 - 14. Lamp holder GY9,5. Fitting halogen lamps 300W CP81(3200°K) Spot Flood control Manual. M.O. Yoke mount in aluminium, with 5/8" (16mm) diam. spigot. Power cable 3x1mmq 3,5 m. long. HAR H07 RN 8 Amp. 250V switch in line (16Amp. 125V). Inox safety wire guard. Supplied complete with gel frame and barndoor. Weight : MO 1,33 Kg. Without cable.

Auray MS-5230F Microphone Stand, used

Auray MS-5230F Microphone Stand, used(FMP59857NRSH) Good condition, 3 months warranty  The Auray MS-5230F Tripod Microphone Stand with Fixed Boom features durable, steel construction. The 31.5" boom arm allows you to angle the mic however you need it. An ergonomic twist-action clutch helps adjust the height of the stand, while the reinforced tripod base and non-slip feet keep it firmly and sturdily in place. The Auray MS-5230F mic stand collapses for easy transport.

Behringer MS20 Digital 20 Watt Stereo Near Field Monitor Audio Speakers +Roland MA-15D, used

Behringer MS20 Digital 20 Watt Stereo Near Field Monitor Audio Speakers +Roland MA-15D, used(FMP59854NRSH) Good condition(slight damage on one of the speakers) 3 months warranty THIS IS A COMPATIBLE SPEAKER SET Behringer MS20 The MS20 Two-Way Active Personal Monitor System can tackle these tasks and more, and is the ideal way to upgrade your sound system. This high-performance, 20-Watt compact stereo system features full 24-Bit/192 kHz digital performance with powerful woofers and high resolution tweeters, plus dedicated Volume, Bass and Treble controls for the ultimate flexibility. Together with a full host of other features, they’re sure to liven up any listening experience!  Sound Quality Sporting 3.625" woofers and 2.5" high-resolution tweeters, MS20 monitor speakers bring high-quality audio within the reach of anyone with a computer workstation. Whether you’re a musician tracking your latest masterpieces, or just someone who listens to your favorite songs at work, MS20 loudspeakers will make them sound significantly better. They also make excellent add-on speakers for electronic keyboards. Front-mounted volume and individual bass and treble controls make accurate sound adjustments a breeze.  Built-in Mixer The MS20 takes audio to an even higher level with its multiple input options. The built-in mixer features 1⁄8" stereo inputs for connecting CD/MD/MP3 players, dual RCA jacks for tape decks and stereo keyboard modules, and even both RCA and TOSLINK connectors for digital signal sources. This adds up to a system that lets you play along with a variety of prerecorded tracks. And you can wail away to your heart’s content in total privacy, thanks to MS20’s powerful headphone jack.  Roland MA-15D The MA-15Ds feature a built-in Bass Enhancer, which operates on psychoacoustic principles that converts low frequencies into a series of overtones the human ear cannot distinguish from the original low frequencies. This allows the listener to perceive bass frequencies outside of the normal range of the speaker cone, without overdriving the woofer. With the Bass Enhancer the MA-15Ds offer a strong low-end in a very compact set of reference speakers. In addition the MA-15Ds offer a Sub-Out port, to connect a subwoofer.  The MA-15Ds accept input from digital sources through either the coaxial or optical S/PDIF ports, supporting up to 24-bit/192kHz sources. With this, you can connect digital sources directly to your speakers, keeping an unadulterated audio signal all the way to the power amplifier in your speakers. Hear exactly what you have recorded!  The MA-15Ds offer conveniently placed Volume and Tone controls. While a large studio setup typically uses a mixer to control output level to the speakers, compact desktop setups can rarely afford the space a mixer requires. This is not an issue with the MA-15Ds, as you can adjust your output volume and tone right on the front of the speaker.  You can also connect two different sources directly into the MA-15Ds, allowing you to listen to audio from any two line-level sources. You can have both your computer and your stereo connected to the MA-15Ds, for example. The MA-15Ds offer independent volume control for each of these inputs, effectively taking the place of a small desktop mixer for monitoring.  You can also plug headphones directly into the MA-15Ds and mix without disturbing other people. Plugging in headphones automatically defeats the speakers, allowing you to mix without disturbing others, and without having to disconnect anything in your setup.

Litepanels Lite Panels Miro Pro Light Kit, used

Lite Panels Miro Pro Light Kit, used(FMP59851NRSH) 3 Months Warranty, Good Condtion   The Litepanels Micro™ offers the most compact, lightweight solution for on-camera lighting with daylight balanced LEDs that can light up an interview or add a little sparkle to the eye. Easily mountable on DSLR or video camera, the Micro can run up to 1.5 hours on just four AA batteries. For longer runtimes camcorder batteries can be used with an adapter place. A great on the go kit lighting accessory.  

5x Sony PFD-23A Disc - 23GB, used

5x Sony PFD-23A Disc - 23GB, used(FMP59820KSSH) Excellent condition, 3 months warranty  Sony PFD-23 blank optical disc media is designed for use with all XDCAM and XDCAM HD camcorders. It offers guaranteed performance of at least 1,000 read/write cycles, ensuring reliable and long-lasting use. This media is compatible with a range of Sony camcorder models, including the PDW-680, PDW-700, PDW-F335K/2, PDW-F335L, PDW-F355L, and PDW-F800.  With the Sony PFD-23 blank optical disc media, users can confidently capture and store high-quality footage without worrying about data loss or performance issues. This versatile and durable media is an essential component for any professional videographer using Sony XDCAM or XDCAM HD camcorders.

Sony PVM-740 OLED 7.4 Director Monitor, used

Sony PVM-740 OLED 7.4 Director Monitor, used(FMP59811KSSH) Good condition, 3 months warranty  The PVM-740 is a new type of 7.4-inch high-resolution (960 x 540 pixel) portable monitor which incorporates an Organic Light-Emitting Diode (OLED) display panel with Sony's unique Super Top EmissionTM technology. Thanks to the nature of the OLED display panel and Sony's Super Top EmissionTM technology, the PVM-740 offers outstanding high-contrast images. Incorporating a 10-bit panel driver, Sony's Super Top EmissionTM OLED display panel creates lifelike and smoother-than-ever gradation from dark to bright portions of a scene. Also, an excellent blur-free quick response to fast motion benefits a variety of applications and scenes, e.g., sports broadcasting, monitoring of camera panning, and text scrolling. In addition to the high-purity deep colour reproduction characteristics inherent in Sony's Super Top EmissionTM OLED display panel, two other elements – Sony's 10-bit panel driver and ChromaTRU technologies – work effectively to emulate the colours and gammas of CRT monitors, and to support broadcast standards (SMPTE-C, EBU, and ITU-R BT.709). Incorporating a compact, lightweight, and robust aluminium die-cast body, the PVM-740 suits many different indoor and outdoor applications. The PVM-740 is equipped with standard interface connectors – a composite video, 3G/HD/SD-SDI, and HDMI – which accept a variety of video signal formats from PAL/NTSC up to 1080/50p and 60p. This PVM-740 is ideal for a wide range of professional monitoring applications including use in an editing studio, outside broadcast, acquisition, field production, engineering and even research and development.    

Zeiss Superspeed Mark ii Lens Set -9.5mm,12mm,16mm & 25mm, used

Zeiss Superspeed Mark ii Lens Set -9.5mm,12mm,16mm & 25mm, used(FMP59795LPBR) 3 MONTHS WARRANTY GOOD CONDITION This Zeiss Superspeed Mark ii 16mm lens set includes four lenses with focal lengths of 9.5mm, 12mm, 16mm and 25mm. They are compatible with an Arri PL mount. Please note the 16mm has some light internal haze beginning, this can be cleaned by a lens tech during service. The set is in great cosmetic condition and elements are free from scratches or chips.

StreamStar IPX 860, Used

StreamStar IPX 860, Used(FMP59793LPBR) Good condition 8 channel, extreme performance, live production and streaming studio that confidently delivers professional, broadcast quality results. Packed in a 4RU chassis with a redundant power supply, the system supports a variety of inputs and offers a full range of professional features including Streamstar's renowned replays and slomo, media playlists, amazing graphics capabilities, internal character generator, live sports graphics templates and their dynamic control and of course Streamstar's brilliantly designed, intuitive, touch screen user interface. This is the ultimate live production system - unmatched by any other product. Professional results with confidence and excellence.

Panasonic AWRP120GJ Remote IP Camera Controller, used

Panasonic AWRP120GJ Remote IP Camera Controller, used(FMP59792KSSH) Good condition, 3 months warranty  The AW-RP120G Remote Camera Controller supports a variety of Panasonic remote camera systems. IP connection allows a large-scale, flexible, and simple system configuration for controlling up to 100 remote cameras and the simultaneous use of multiple controllers. A new joystick enables high response pan and tilt operation, and a newly designed control panel adds color adjustment dials.    A preset memory with a new batch recall function and tracing memory save labor by allowing single-person operation. Equipped with Paint and other camera adjustment functions, the AW-RP120G meets a wide range of high-end needs. It is the ideal all-in-one controller for many applications such as event, conference hall, public facility, wedding and broadcasting use. 

DD Redbyte 3G2sd Sd Down-Converter, used

DD Redbyte 3G2sd Sd Down-Converter, used(FMP59698KSSH) Good condition, 3 Month warranty 3G/HD to SD Down-conversion

Ledgo LG-B308C - 308 Bi-Colour LED Camera Top Light, used

Ledgo LG-B308C - 308 Bi-Colour LED  Camera Top Light, used(FMP59655JPSH) 3-month warranty, Good condition The LEDGO 308 Daylight LED fits onto a camera unit or mini studio kit. Its modular design can combine multiple light panels together for a large light source. The on-camera dimmer switch gives you control of the light brightness, while the included filters offer creative lighting options.    

Speco Dm-520 Handheld Microphone, used

Speco Dm-520 Handheld Microphone, used(FMP59598LPSH) Good condition, 3 month warranty A general purpose hand-held microphone with a heavyweight design. Ideal for presentations, karaoke and general speech or vocal applications.

DM-520 Professional Dynamic Handheld Microphone, used

DM-520 Professional Dynamic Handheld Microphone, used(FMP59579JPSH) 3-month warranty Good Condition DM-520 Professional Dynamic Handheld Microphone    

Teradek TER-11-1448 RT Pre-Marked Focus Ring - 20 inch Minimum Focus, open box

Teradek TER-11-1448 RT Pre-Marked Focus Ring - 20 inch Minimum Focus, open box The Pre-Marked Focus Ring from Teradek, with imperial measurements, is designed for use with the CTRL.1 lens controller unit for RT lens mapping. It supports a minimum focus distance of 20".        

Canon Cn-E Primes Lens Metric set Ef 14, 24, 35, 50, 85, 135,Used

Canon Cn-E Primes Lens Metric set Ef 14, 24, 35, 50, 85, 135,Used(FMP59531RPBR) 3 months warranty, Good condition Each lens features an 11-bladed iris, which provides rounded out of focus highlights for a more natural looking image and consistency when switching focal lengths. The lenses incorporate angled focus scales on each side of the barrel, which makes it easier to read lens markings from the side and behind the camera, as well as share a consistent form factor across the family of prime lenses. The lenses share the same barrel and front diameter, as well as gear position, minimizing differences to adjust for as you switch lenses during your shoot day. Canon CN-E 14mm T3.1 L F Cinema Prime Lens (EF Mount) The Canon CN-E 14mm T3.1 L F Cinema Prime Lens is an ultra wide-angle, manual focus prime lens that covers Full Frame and Super 35 sensor formats. The lens offers a maximum T stop of 3.1 and has an 11-blade iris that provides round out of focus highlights for a natural looking bokeh. The lens barrel features 300° of stepless, smooth rotation from close focus to infinity, giving you a high degree of precision and consistent focus. The lens is designed to minimize focus breathing and also has innovative glass construction that counteracts barrel expansion and contraction to avoid temperature-induced marking discrepancies. It has focus distance markings on both sides of the barrel, with the rear markings on an angled surface, making it readable from either side of the camera. It also has a dust and water resistant housing to minimize maintenance. The CN-E 14mm and the other five CN-E lenses share the same 114m front barrel diameter, focus rotation, 36° iris rotation, and focus and iris gear positions, allowing for easier lens swaps.

Envoy Cxir receiver, Used

Envoy CXiR Receiver (Used - FMP59520NRSH)3-Month WarrantyGood Condition Description: The Envoy CXiR is a multi-frequency UHF infra-red controlled true diversity receiver, specifically designed for ENG (Electronic News Gathering) applications. Audio's Envoy system is engineered to outperform rival systems with a feature set that surpasses any similar ENG product available. The CXiR is the smallest true diversity receiver in the world, eliminating mechanical switching by utilizing an infra-red remote control. It is designed to seamlessly integrate with the latest digital cameras, including models like Sony SX, Philips LDK120, Panasonic, and Ikegami HLV77. Once installed in a camera, LED indicators provide a clear view of the receiver's status, ensuring you never lose a crucial news story due to unexpected signal loss. The indicators allow you to monitor the signal strength and TX battery power at all times. The CXiR offers 32 switchable UHF frequency channels, all configurable using the SwitchiR infra-red remote, giving you a greater chance of finding interference-free channels in any environment. For added flexibility, the CXiR can also function as a stand-alone receiver using a six-pin Lemo™ adapter, making it compatible with cameras that don’t have a dedicated receiver slot. Built on the same cutting-edge technology used in Audio products for location sound recording, the Envoy CXiR is the most advanced and reliable ENG system available today.  

Arri Amira camera with accessories, 1865 hours, used

Arri Amira camera with accessories, 1865 hours, used(FMP59503RPBR) Licences Applied to this Camera:  AMIRA Premium License Key,  AMIRA 4K UHD License Key The ARRI AMIRA Premium Camera Set is the most feature-packed version of this camera, including licenses for UHD 4K and 2K recording, and including the ARRI Look Library license. The AMIRA family provides optimal image quality in a ready-to-shoot form factor designed for extended handheld use. This Premium version offers frame rates up to 200 fps, ProRes 4444 and Log C capture, Wi-Fi and Ethernet remote control, and a pre-recording buffer function. It can import custom 3D LUTs, in-camera ASC CDL grading, dynamic, auto-tracking white balance, and Bluetooth audio monitoring. Additional AMIRA Premium features include a de-noising option for 4K UHD, 6G UHD-SDI output, and a 1.3x anamorphic de-squeeze function. Using the same 35mm CMOS sensor as in the ARRI ALEXA, the AMIRA Premium provides a 14-stop dynamic range, natural skin tones, and an EI range of 160 to 3200 with a native 800 ISO. It offers a selection of codecs to suit your project, from ProRes 4444 for feature productions, to the lower-bandwidth 422 (LT), suitable for digital broadcasting. This AMIRA set includes Premium and UHD Licenses, and the MVF-1 electronic viewfinder with mount and cables. The versatile AMIRA records in-camera to relatively affordable CFast 2.0 cards, with an option of simultaneously capturing to the CFast cards and an external recorder. All ProRes flavors are available up to 60 fps in ProRes 4K UHD or 3.2K, with Rec. 709 and Log C functions. The included Premium License bumps the basic AMIRA's 100 fps maximum frame rate to a top speed of 200 fps, providing even greater detail for your slow-motion shots. The buffer function captures a pre-recorded segment, enabling you to grab unpredictable wildlife, sports, and action shots. A lens mount is not included with this set; choose from separately available LDS PL, PL, EF, and B4 mounts. For greater creative control, the AMIRA Premium offers both pre-loaded LUTs and the ability to import custom-made 3D LUTs. Burn in your preferred looks, or use the LUTs for monitoring only, and choose your final look later. Peaking, zebra, false color, and dynamic auto-tracking white balance functions further enhance your image-control options. Audio features include XLR inputs, easily accessible operator-side controls, and Bluetooth compatibility. Use the AMIRA Premium's Bluetooth functions to monitor your audio via a wireless headset, or to record editing or other commentary to a fifth audio track separate from your main sound. Additional AMIRA Premium features include a quick 13-second boot-up time, efficient cooling, and easily accessible user buttons and controls. The AMIRA Premium's innovative viewfinder unit combines an OLED EVF with a fold-out LCD, providing full camera control. Note: SUP 5.0 is required for select AMIRA Premium functions.

IDX IMICRO-98P 14.54V 97Wh High Load micro V-mount Battery

IDX IMICRO-98P 14.54V 97Wh High Load micro V-mount Battery(IMICRO-98P ) The Imicro-98 is the smallest battery pack in the world at this capacity. Rated at 97Wh, the Imicro-98 meets the passenger aircraft carry-on limit while remaining useful in many diverse applications. The Imicro’s size is beneficial for users with small equipment and gimbal set ups. The Imicro-98 also includes two on-battery D-Tap outputs. Future accessories will make the Imicro Series your new go-to setup.

Hollyland Mars 4K Wireless Video Transmitter & Receiver System

Hollyland 450ft 4K UHD Wireless Video Transmission(HL-MARS-4K) The Hollyland Mars 4K Wireless Video Transmission System is a professional wireless monitoring solution designed for filmmakers, broadcasters, live event crews and content creators who require reliable, high-quality video transmission with ultra-low latency. Supporting up to 4K UHD video transmission at 30fps, the Mars 4K delivers sharp and detailed image quality while maintaining stable wireless performance over distances of up to 450ft (150m line-of-sight). Its low latency performance of approximately 0.06 seconds makes it ideal for real-time monitoring applications including directing, focus pulling, live production and multi-camera workflows. The system features both HDMI and 3G-SDI input/output connections, allowing seamless integration with professional cinema cameras, mirrorless cameras, switchers, monitors and broadcast equipment. Support for broadcast and production frame rates including 23.98, 29.97 and 59.94fps ensures compatibility across professional production environments. Designed with production flexibility in mind, the Mars 4K transmitter can connect to up to two receivers or up to four mobile devices via the Hollyview app, allowing multiple crew members to monitor footage simultaneously in real time. Built-in smart channel scanning helps maintain a stable signal in busy wireless environments.   The compact aluminium housing is lightweight yet durable, making it suitable for handheld rigs, gimbals, studio setups and on-location productions. Multiple powering options including NP-F batteries, DC input and USB-C provide additional flexibility for demanding shooting environments. Ideal for: Film & TV production Live event broadcasting Wireless director monitoring Multi-camera workflows Gimbal and handheld rigs Live streaming setups   Compatible with a wide range of professional cameras, monitors and video production equipment using HDMI or SDI connections.  

Sony Hdvf C35w viewfinder, Used

Sony Hdvf C35w viewfinder, Used(FMP59433KSBR) Good condition  Sony HDVF-C35W (HDVFC35W) 3.5inch LCD electronic HD viewfinder for HDCAM camcorders sony_hdvf-c35w / HDVF-C35W//U. The HDVF-C35W 3.5-inch HD LCD colour viewfinder provides crisp, clear images from its full colour TFT-LCD display. By using a uniquely designed detachable eyepiece, camera operators can clearly view images from various positions and angles. In addition, the LCD display provides a wide viewing angle, so that a number of people can view the same picture at the same time. The viewfinder features an aspherical lens in the eyepiece to reduce aberration at each corner of the viewfinder image for more precise focusing. The HDVF-C35W 3.5-inch HD LCD colour viewfinder provides crisp, clear images from its full colour TFT-LCD display. By using a uniquely designed detachable eyepiece, camera operators can clearly view images from various positions and angles. In addition, the LCD display provides a wide viewing angle, so that a number of people can view the same picture at the same time. The viewfinder features an aspherical lens in the eyepiece to reduce aberration at each corner of the viewfinder image for more precise focusing.

Pulnix TMC-X Video Camera, used

Pulnix TMC-X Video Camera, used(FMP59360NRSH) Good condition, 3 months warranty  The Pulnix TMC-X is a high-resolution, black-and-white CCD video camera engineered for precision imaging in industrial, scientific, and machine vision applications. Designed with Pulnix’s renowned build quality and imaging reliability, the TMC-X delivers outstanding image clarity, low-light sensitivity, and robust performance in demanding environments.

IDX CW-5 Cam-Wave HD Wireless Video TX/RX with XLR cable kit, used

IDX CW-5 Cam-Wave HD, used(FMP59365NRSH) Good Condition, 3 Months Warranty The IDX CW-5HD Cam-Wave HD is a wireless transmitter and receiver designed to connect HD video cameras to monitors or recording devices. This system provides an uncompressed signal, eliminating the need for cumbersome cables, with a range of up to 150 feet. The transmitter can operate on one V-Mount series battery or via DC power through its 4-pin XLR input. Weighing just over 1.8 lbs, the CW-5HD offers high-definition wireless support without adding significant bulk to your camera setup. Uncompressed Wireless Signals: The CW-5HD transmits pristine video from either SD-SDI or HD-SDI, producing a completely uncompressed signal. This signal can be fed into a field monitor, studio monitor, or recording deck. Additionally, video signals can be transmitted with 256-bit encryption, ensuring your footage remains secure from unauthorized viewing. Instant Transmission: The CW-5HD features less than 1ms latency between transmitting and receiving, ensuring real-time video delivery.

Ambient Recording GmbH Tc - Trx B Transmitter (418MHz), used

Ambient Recording GmbH Tc - Trx B Transmitter (418MHz), used(FMP59345NRSH) Good Condition, 3 Months Warranty  The Ambient Recording Wireless Timecode Transceiver, 418MHz Frequency is compact module can be set for transmit mode or receive mode via a switch inside the battery compartment. When set for Transmit mode, the indicator LED will be green. When set for Receive mode, the LED will be red. The module has a standard Lemo connector for connecting to timecode devices.  

Sony Anycast AWS-G500 RGB Interface Module BKAW-550, used

Sony Anycast AWS-G500 RGB Interface Module BKAW-550, used Good condition, 3 Months Warranty The Sony BKAW-550 is an RGB input board for the Anycast Station Live Content Producer. This all-in-one unit comprises a high-quality video switcher, an audio mixer, a large LCD display, and a streaming encoder and server. This board is a standard input interface on the Anycast; an extra board allows 2 extra inputs of RGB PC video on HD-15 connectors.  

Sony Anycast AWS-G500 RGB Interface Module BKAW-550, used

Sony Anycast AWS-G500 RGB Interface Module BKAW-550, used Good condition, 3 Months Warranty The Sony BKAW-550 is an RGB input board for the Anycast Station Live Content Producer. This all-in-one unit comprises a high-quality video switcher, an audio mixer, a large LCD display, and a streaming encoder and server. This board is a standard input interface on the Anycast; an extra board allows 2 extra inputs of RGB PC video on HD-15 connectors.  

Kramer Power Amplifier 907, used

Kramer Power Amplifier 907, used 3 Months Warranty, Good Condition The 907 is a high−performance power amplifier for line−level stereo audio signals. It accepts a balanced stereo audio signal on a terminal block connector and delivers 40 watts per channel into an 8Ω load.   High Efficiency — Class D operation.  Controls — Volume control knob & mute button.  Gain Control DIP–Switch.  Mute and On Indicator LEDs.  Compact MultiTOOLS® — Up to 4 units can be rack mounted side–by–side in a 1U rack space with the recommended rack adapter.  

Red Rock Redrock Micro Mattebox Deluxe, used

Redrock Micro Mattebox Deluxe, used(FMP59379NRSH) Good Condition Whether you are shooting with a DSLR or the latest digital cinema camera with a cinema zoom lens, the micro MatteBox is up to the task. The Redrock micro MatteBox is the original industry-leading matte box for independent productions and owner/operators, and continues to be used by thousands of filmmakers in countless productions worldwide. Whether you are shooting with a DSLR or the latest digital cinema camera with a cinema zoom lens, the micro MatteBox is up to the task. This professional-grade matte box gives you control over your light, enhancing your image with its expandable filter stage system, and control over your future by providing a uniquely modular system that is compatible with virtually any camera and lens for years to come. Control the Light The matte box shade controls the light that enters your lens. It prevents unwanted light from hitting your lens, which can introduce unwanted and distracting flares to your image. The full-size lens shade and removable matte maximizes light protection, but also works with lenses as wide as 20mm (on 35mm full frame equivalent). The micro MatteBox has the ability to further extend and control this protection with a top flag, side flags, and even a bottom flag. Flags give you extended control over what light comes in contact with the lens Enhance the Image The filter stages enable you to enhance or modify the light to control exposure, add creative effects, or improve the overall image that often is not possible in post-production. The microMatteBox enables you to use industry standard filters in as few or as many at one time as you wish. Use ND filters to cut down the light and open the lens aperture for more cinematic selective focus. Rotating stages enable a polarizer filter to dial in just the right amount of blue sky, or precisely align a graduated ND with the horizon. Protect Your Lenses Your lenses are one of the most important investments you will make, and the microMatteBox can help you protect them. With its large high-impact ABS shade and all-aluminum construction, protects your lenses from unwanted dust, dings, or unexpected falls. Control Your Future With a truly universal design, the micro MatteBox is the only mattebox you will ever need. It can work with virtually every camera on the planet – from DSLR to Arri Alexa – and everything in between. Whether you are upgrading your camera body, or renting one for a special project, you can use your micro MatteBox with confidence. The large rear lens opening supports lenses with a front element up to 138mm in diameter, so even the largest cinema zooms are covered. Even the filter trays can support the most popular filter sizes and give you the coverage you need.  

Canon TV Zoom Lens J6x11 11-70mm 1/1.4, used(spares & repairs)

Canon TV Zoom Lens J6x11 11-70mm 1/1.4, used(spares & repairs)(FMP59368NRSH) Note- There is some noticeable signs of haze/fungus Good Condition, 3 Months Warranty  Clean and intact but may have some signs of cosmetic wear The Sony-Canon 11-70mm Tv Zoom Lens is a macro industrial camera lens with manual zoom for C- and CS camera. The C Mount 11-70mm f/1.4 is suitable for multiple applications  

Panasonic Aj-Pg50 Memory Card Recorder, used

Panasonic Aj-Pg50 Memory Card Recorder, used(FMP59367NRSH) 3 Months Warranty, Good Condition The AJ-PG50 Memory Card Recorder supports the AVC-ULTRA codec family, featuring the AVC-Intra200 codec, which rivals the outstanding quality of uncompressed images, the AVC-LongG codec, which lets you choose from a variety of bit rates, and AVC-Proxy for high-quality proxy video. It is compact and lightweight, equipped with microP2*2 and P2 card slots, operates on a battery pack, and comes with a high-resolution QHD LCD monitor. The AJ-PG50 is provided with a variety of interfaces such as HDMI input/output, 3G-SDI input/output and others, so it connects to a wide range of video and audio devices for recording and playback of video and audio. It also has a high-speed USB 3.0 (HOST) interface for transferring backup data to an external storage device and previewing externally stored files.*3 Network connection is possible by wired/wireless LAN*4 or 4G/LTE.*5 The AJ-PG50 offers high speed and high quality and flexibly supports the most advanced AVC-ULTRA workflows.  

Canon Servo Zoom Pistol Grip - Zsg-200m, used

Canon Servo Zoom Pistol Grip - Zsg-200m, used(FMP59359NRSH) Good Condition, 3 Months Warranty The Canon ZSG-200M is a momentary type zoom servo demand for Canon Lens Controller kits. The controller provides precision zoom capability in a grip gun-style controller and is useful in a variety of professional broadcast applications, including live event coverage and sports.   The Canon ZSG-200M Zoom Servo Grip works for all ENG/EFP Lenses except the Canon YH13X and YH14X the ZSG-200M has a pistol grip and a momentary VTR switch.

Vocas Matte Box Mb-325 4"x 4", ex-demo

Vocas Matte Box Mb-325 4"x 4", ex-demo(FMP59356NRSH) 3 Months Warranty, Excellent Condition  The MB-325 is a compact matte box and features a quick-lock mounting system that attaches directly to the front lens barrel. This matte box accomodates a 3” x 3” through a 4’’ x 6’’ filter and works with most wide angle lenses in both 4:3 and 16:9 aspect ratios. Compact matte box with 2 stages (both rotating) including 2 pcs. 4" x 4" Used as clip-on for the ENG/EFP cameras Support for a maximum lens diameter of 105mm Features a quick-lock mounting system that attaches directly to the front lens barrel Can be used with a MBS-100 mattebox support and a bars adaptor on standard 15mm rails Equipped with 2 independently rotatable filter trays Compatible with wide angle lenses in both 4:3 and 16:9 aspect ratios Accommodates 3 x 3" and 4 x 6" filters Uses one 4.5x4.5" rotatable filter or one 4" wide non-rotatable filter for lenses wider than 5mm   Includes a standard internal eyebrow and a French flag allowing easy adjustment of the mattebox to the different lens positions

SteadiCam Volt Electronic Handheld Gimbal Stabiliser, ex-demo

SteadiCam Volt Electronic Handheld Gimbal Stabiliser, ex-demo(FMP59355NRSH) Ex-demo - 3 months warranty  Combine a 3-axis electronic gyroscopic stabilizer with a classic handheld platform and add clips for smartphones and GoPro cameras, and you get the Steadicam Volt. Featuring an inertia-based stabilization device paired with an electronic gyroscope and haptic feedback, the Volt offers easy balancing and natural camera motion similar to larger, heavier stabilization platforms. Its arced balancing design folds down for easy transport. The Volt is powered by two included rechargeable lithium-ion batteries. Since these batteries only power the gyroscope, a properly balanced Volt can still be operated manually once the batteries are drained. While the electronics are active, you can use the accompanying app to configure the gyroscope settings in one of two modes. Sport mode (enabled by default) utilizes inertia for panning movements, while Movie mode uses inertia for both panning and tilting movements, providing a more traditional Steadicam shooting experience. Included with the Volt are a charger, USB charging cable, balance weights, and a carry pouch. Lightweight folding design for easy storage and transport Smartphone app for precise balance and tuning Haptic control with Simulated Inertia dual operating modes for both beginners and experienced users Accommodates phones (with or without cases) weighing 3.5 to 8.8 ounces and measuring 2.3 to 3.3 inches wide Compatible with GoPro HERO3, HERO3+, HERO4, and HERO5 Black action cameras via the included 3-prong clip Operates manually even after the batteries are depleted

Fujinon x0.8 Wide Converter Lens, used

Fujinon x0.8 Wide Converter Lens, used(FMP59351NRSH) Excellent Condition, 3-month warranty Fujinon WCV-82SC Wide Angle Converter with 82mm thread fitment for JVC GY-HD100 camcorders jvc_wcv-82sc / WCV-82SC. WCV-82SC 0.8x Wide angle converter, 82mm WCV-82SC 0.8x Wide angle converter, 82mm Suitable for GY-HD100, GY-HD101  

Ambient Recording Gmbh Tc - Trx B Transmitter (418MHz), used

Ambient Recording Gmbh Tc - Trx B Transmitter (418MHz), used(FMP59343NRSH) Good Condition, 3 Months Warranty  The Ambient Recording Wireless Timecode Transceiver, 418MHz Frequency is compact module can be set for transmit mode or receive mode via a switch inside the battery compartment. When set for Transmit mode, the indicator LED will be green. When set for Receive mode, the LED will be red. The module has a standard Lemo connector for connecting to timecode devices.  

VolAmp Ltd Camlinx connector/mixer

VolAmp Ltd Camlinx connector/mixer(FMP59331KSSH) Good condition  The Camlinx System is a complete camera remote control system for use with single or multi camera units. The unit is lightweight and off ers full control of cameras providing all the features expected from a multi camera OB package namely; rack control of the camera head, HD/SD-SDI video feed and return video, Tally, Talkback, Syncs, audio feed and programme sound. HD/SD-SDI Video Pal or NTSC Compati ble ( Head stati on to cable connector to suit client requirement cost of opti ons listed below) 2 Channel’s of RS 232/422 Bi directi onal Remote control data channels For RCP units Return video output HD SDI or SD SDI Talk back intercom facility with wide dynamic range and volume control at camera head Tally light with on off switch built in. Additi onal Tally output for viewfi nder display Fibre Link performance monitoring feature Menu display of head unit control parameters dual butt on controlled Video output accepted HD SDI or SD SDI Power supply built into head stati on as standard converts down from 48V to 13.5v Batt ery power opti on as back up or for long cable runs (over 200m) Clip on system using camera batt ery mount EG Paglok or V Lock System Piggy back feed through capability for Batt ery power   Light weight under 1.15 Kg  

Canon W80hd Wide Adapter, ex demo

Canon W80hd Wide Adapter, ex demo(FMP59312NRSH) 3 Months Warranty, Good Condition. Canon HD Wide Converter 0.8X W80HD (BGO-6670) Adapter BG2-2034 (BGO-6670). Cannon acc adapter bg2-2034 with cannon wide converter Bgo-6086This Canon W80-iiiB .8x Wide Angle Converter Lens for ENG / EFP Lenses is a 0.8x wide angle converter lens for center depth Canon ENG and EFP broadcast lenses. It's an attachment lens that features full zoom-through capability. It attaches by one of two separately-sold Canon lens adapters -- the Canon 85iii for attaching onto a lens with an 85mm outer diameter, and the 98ii for a 98mm outer diameter lens.  

Panasonic F-Series P2 60gb Memory Cards - Aj-P2e060fg, 4 Pack Bundle, Used

Panasonic F-Series P2 60gb Memory Cards - Aj-P2e060fg, 4 Pack Bundle, Used(FMP59302KSSH) Good condition, 3 months warranty  The Panasonic P2 card is a durable and reliable memory card specifically designed for broadcast and professional video production. It can withstand impacts up to 1,500 G and vibrations up to 15 G, making it suitable for use in harsh conditions. It can also operate in temperatures ranging from -20C to 60C and can be stored in temperatures as low as -40C and as high as 80C. These rugged specifications make the P2 card ideal for newsgathering on the go, as it eliminates the need for a transport mechanism and reduces the risk of mechanical damage that can occur with traditional videotapes. The P2 card also features a flash memory error correction system, similar to a RAID system, which greatly enhances its data retention reliability. It is also designed to comply with the PC card standard and can be easily mounted into the PC card slot of a laptop for data transfer.    When used with a P2 Drive, such as the AJ-PCD30 or AJ-PCD35, the P2 card can transfer recording data at speeds of up to 1.2 Gbps. It also supports writing speeds up to AVC-Intra Class 200 in the AVC-ULTRA family, a high-quality video compression codec specifically designed for professional use. The P2 card F series does not support all formats supported by AVC-Intra 200, but it does offer a card replacement interval of approximately five years when the entire data is rewritten once a day. The P2 card also features a rugged connector that has passed a mount and unmount test of 30,000 repetitions, proving its durability and reliability compared to ordinary PC cards. Overall, the Panasonic P2 card is a versatile and robust option for professional video production needs.

Panasonic Ag-Hpg10e Recorder, used

Panasonic Ag-Hpg10e Recorder, used(FMP59295KSSH) Fair condition, 3 months warranty   The AG-HPG10 P2 Gear is a small, lightweight, battery-powered P2 HD portable recorder/player that's tough enough for rugged field work. With two P2 card slots and a 3.5-inch LCD monitor, P2 Gear allows HD/SD multi-format recording and playback and quick, on-the-spot viewing of P2 content. You can also use P2 Gear for line recording of IEEE 1394 input*, outputting a playback signal to a large monitor, or transferring files to an external hard disk drive or nonlinear editor. Add a camera-recorder such as the AG-HPX500 or AG-HVX200, and the P2 Gear brings greater speed, mobility and flexibility to your P2 workflow.

Panasonic Ag-Hpg10e Recorder, used

Panasonic Ag-Hpg10e Recorder, used(FMP59294KSSH) Fair condition, 3 months warranty   The AG-HPG10 P2 Gear is a small, lightweight, battery-powered P2 HD portable recorder/player that's tough enough for rugged field work. With two P2 card slots and a 3.5-inch LCD monitor, P2 Gear allows HD/SD multi-format recording and playback and quick, on-the-spot viewing of P2 content. You can also use P2 Gear for line recording of IEEE 1394 input*, outputting a playback signal to a large monitor, or transferring files to an external hard disk drive or nonlinear editor. Add a camera-recorder such as the AG-HPX500 or AG-HVX200, and the P2 Gear brings greater speed, mobility and flexibility to your P2 workflow.

Panasonic Ag-Hpg10e Recorder, used

Panasonic Ag-Hpg10e Recorder, used(FMP59293KSSH) Fair condition, 3 months warranty    The AG-HPG10 P2 Gear is a small, lightweight, battery-powered P2 HD portable recorder/player that's tough enough for rugged field work. With two P2 card slots and a 3.5-inch LCD monitor, P2 Gear allows HD/SD multi-format recording and playback and quick, on-the-spot viewing of P2 content. You can also use P2 Gear for line recording of IEEE 1394 input*, outputting a playback signal to a large monitor, or transferring files to an external hard disk drive or nonlinear editor. Add a camera-recorder such as the AG-HPX500 or AG-HVX200, and the P2 Gear brings greater speed, mobility and flexibility to your P2 workflow. 

Panasonic Aj-Pg50ej Recorder, used

Panasonic Aj-Pg50ej Recorder, used(FMP59289KSSH) Good condition, 3 months warranty  The AJ-PG50EJ is a portable field recorder featuring the AVC-ULTRA*1 codec, microP2 card compatibility, HDMI input/output, and network data transfer capabilities.  Compact and lightweight, the AJ-PG50 Memory Card Recorder supports the AVC-ULTRA codec family*1 and is equipped with two microP2 slots and a P2 card slot. It operates using either a battery pack or an AC adapter and includes a high-resolution QHD LCD monitor.  Designed for professional field operators, the AJ-PG50 offers a variety of interfaces, including HDMI input/output*5, 3G SDI input/output, and more, ensuring easy connection to a wide range of video and studio devices for recording and playback of video and audio content.  Additionally, it features a high-speed USB 3.0 (HOST) interface for transferring backup data to an external storage device and previewing externally stored files.2 Network connectivity is available via wired/wireless LAN3 or 4G*4/LTE,*4 supporting numerous network workflow functions such as FTP content transfer and proxy streaming (RTSP only, no QoS).     The AJ-PG50 delivers high speed and high quality at a reasonable cost, flexibly supporting advanced AVC-ULTRA workflows.

Panasonic Aj-Px5000G 2/3 type, 3 Chip, Avc-ultra P2 HD camcorder, 1252 hrs, used

Panasonic Aj-Px5000G 2/3 type, 3 Chip, Avc-ultra P2 HD camcorder, 1252 hrs, used(FMP59276KSSH) Note-Missing plastic window on P2 cards cover Panasonic AVC-ULTRA offers master-quality and/or low-bit-rate 10-bit, 4:2:2 recording in Full raster HD to meet a variety of user needs from mastering to transmission. Addressing the need for high-speed file exchange, its high-resolution AVC-Proxy encodes in parallel with higher bandwidth production formats, enabling fast, efficient offline editing, at bit rates from 3.5 megabits down to 800 kilobits per second. Like the current AG-HPX600, the PX5000G provides innovative network functionality to improve workflows. The PX5000G AVC-Proxy files and Network function (wired/wireless LAN) make it possible to configure a workflow for previewing images, editing metadata, editing playlists, and uploading motion images quickly and at low cost with a PC/Mac, tablet, or smartphone. A new 3G/4G/LTE dongle for wireless workflow over a mobile network is scheduled for the near future. The camcorder incorporates a choice of AVC-LongG quality levels, including AVC-LongG50 and AVC-LongG25. Designed for applications where file size is critical, these 10-bit, 4:2:2 sampled codecs record in a much smaller file size, saving storage cost and transfer times over MPEG-2 while maintaining equal or better video quality. In the future, lower bit rate AVC-LongG12 will be made available. The PX5000G offers optional AVC-Intra200 recording, which at twice the bit rate per frame of AVC-Intra100 is visually lossless, delivering a master quality codec in an affordable, file-based camera. The AVC-Intra200 option will yield a cost-effective approach to network-level program acquisition, film-outs and higher levels of color correction. In addition to AVC-LongG and AVC-Intra100/50, the PX5000G offers standard recording in DVCPRO HD, DVCPRO50, DVCPRO and DV. In addition to 1080/60i, the AJ-PX5000G supports 24p, 30p, 60p (AVC-Intra100 only), and 720p multi HD format and SD recording. Also, 50i, 50p, and 25p are supported by 59.94 Hz/50 Hz switching. Weighing only 7.5 pounds, the camera has two microP2 slots and two standard P2 card slots, as well as an SD card slot for proxy/metadata recording. MicroP2 cards are substantially downsized to match the size of an SD card, and offer a considerable reduction in cost compared to a P2 card. Professional interfaces include MON out (can be set to output HD-SDI), HDMI out, HD/SD-SDI in/out, 3G-SDI out, genlock in for multi-camera operation, timecode in/out, USB 3.0 (host) and a two-channel UniSlot compatible wireless receiver.  The PX5000G s three 2.2M pixel MOS sensors deliver a horizontal resolution of 1000 TV lines; the camcorder achieves high F12 (59.94 Hz)/F13 (50 Hz) sensitivity and produces excellent images with an S/N ratio of 62 dB. The shoulder-type design accommodates a variety of interchangeable B4 mount 2/3 lenses.  The camcorder will be equipped with Chromatic Aberration Compensation (CAC) to maximize lens performance; Dynamic Range Stretch (DRS) function to optimize scene image contrast at the pixel level, reducing overexposure and crushed shadow content and dramatically improving human skin rendition; and a highly accurate flash band detection and compensation algorithm that minimizes partial image exposure due to strobe lighting. The PX5000G delivers seven-mode (HD/SD/FILMLIKE 1/FILMLIKE 2/FILMLIKE 3/FILM-REC/VIDEO-REC) gamma selection and extensive digital image settings. Innovative features include a smart user interface that permits accessibility to the camera extensive functions from an LCD display on the side of the camera; a 16:9, 3.5-inch, 920,000-dot resolution LCD color viewfinder, which doubles as a LCD monitor when open; a simplified waveform and vectorscope; a 10-pin remote terminal enabling remote camera operation; and an optional camera studio system. Audio capabilities include two XLR audio inputs, and recording up to four channels of 48kHz, 24-bit audio in AVC-Intra formats (16-bit in AVC-LongG, DVCPRO HD, DVCPRO and DV). Standard features include Scan Reverse for use with a cinema lens adaptor; Digital Zoom function for 2x, 3x and 4x boosts; Presettable Shutter Speed from 1/12 to 1/2000 sec plus fully variable Synchro Scan; two four-position optical filters, ND and CC, with four positions each. (The CC filters are 3200K, 4300K, 5600K and 6300K, NDs are Clear, 2, 4, 6 stops.  

Canon Hd Wide Angle Zoom-Thru Converter 0.8x Vintage Lens, used

Canon HD Wide Angle Zoom-Thru Converter 0.8x Vintage Lens (Used - FMP59260NRSH) Condition: Good Warranty: 3 Months This Canon HD Wide Converter 0.8X W80HD (BGO-6670), paired with the Canon Adapter BG2-2034, is a versatile wide-angle converter lens designed for ENG/EFP broadcast lenses. The Canon W80-iiiB 0.8x Wide Angle Converter Lens enhances the center depth and offers full zoom-through capability, making it ideal for professional broadcasting applications. Key Features: Compatible with Canon ENG and EFP broadcast lenses. Full zoom-through functionality for seamless performance. Requires one of two separately-sold Canon lens adapters: Canon 85iii for lenses with an 85mm outer diameter. Canon 98ii for lenses with a 98mm outer diameter. This lens is an excellent addition for professionals seeking enhanced wide-angle capabilities for their vintage Canon setups.

Panasonic Ag-Hpg10 Portable P2 Gear Player/Recorder, used

Panasonic Ag-Hpg10 Portable P2 Gear Player/Recorder, used(FMP59225NRSH) 3 Months Warranty - Good Condition The Panasonic AG-HPG10 P2 Gear is a portable player and recorder for P2 memory cards. Designed to be familiar to users of P2 cameras like the AG-HPX500 and AG-HVX200, it features the same intuitive control layout. As a lightweight addition to any P2 workflow, the AG-HPG10 enables users to monitor, record, downconvert, and archive P2 footage while retaining Panasonic's user-friendly thumbnail viewing interface. This battery-powered, durable, all-in-one solution makes P2 solid-state recording both efficient and affordable. Effortless Footage Viewing The AG-HPG10 outputs footage for viewing through HD/SD-SDI, component, or composite signals. Optional downconversion allows for quick and easy viewing of high-definition footage on standard definition sets. Key Versatility The AG-HPG10 can record directly to P2 cards via its IEEE 1394 port for additional backup. It also offers the option to copy files directly to an external hard drive using either USB 2.0 or IEEE 1394.

Panasonic Ag-Hpg10 Portable P2 Gear Player/Recorder, used

Panasonic Ag-Hpg10 Portable P2 Gear Player/Recorder, used 3 Months Warranty - Good Condition The Panasonic AG-HPG10 P2 Gear is a portable player and recorder for P2 memory cards. Designed to be familiar to users of P2 cameras like the AG-HPX500 and AG-HVX200, it features the same intuitive control layout. As a lightweight addition to any P2 workflow, the AG-HPG10 enables users to monitor, record, downconvert, and archive P2 footage while retaining Panasonic's user-friendly thumbnail viewing interface. This battery-powered, durable, all-in-one solution makes P2 solid-state recording both efficient and affordable. Effortless Footage Viewing The AG-HPG10 outputs footage for viewing through HD/SD-SDI, component, or composite signals. Optional downconversion allows for quick and easy viewing of high-definition footage on standard definition sets. Key Versatility   The AG-HPG10 can record directly to P2 cards via its IEEE 1394 port for additional backup. It also offers the option to copy files directly to an external hard drive using either USB 2.0 or IEEE 1394.  

Panasonic Ag-Hpg10 Portable P2 Gear Player/Recorder, used

Panasonic Ag-Hpg10 Portable P2 Gear Player/Recorder, used 3 Months Warranty - Good Condition The Panasonic AG-HPG10 P2 Gear is a portable player and recorder for P2 memory cards. Designed to be familiar to users of P2 cameras like the AG-HPX500 and AG-HVX200, it features the same intuitive control layout. As a lightweight addition to any P2 workflow, the AG-HPG10 enables users to monitor, record, downconvert, and archive P2 footage while retaining Panasonic's user-friendly thumbnail viewing interface. This battery-powered, durable, all-in-one solution makes P2 solid-state recording both efficient and affordable. Effortless Footage Viewing The AG-HPG10 outputs footage for viewing through HD/SD-SDI, component, or composite signals. Optional downconversion allows for quick and easy viewing of high-definition footage on standard definition sets. Key Versatility   The AG-HPG10 can record directly to P2 cards via its IEEE 1394 port for additional backup. It also offers the option to copy files directly to an external hard drive using either USB 2.0 or IEEE 1394.  

Panasonic AG-HPG10 Portable P2 Gear Player/Recorder, used

Panasonic AG-HPG10 Portable P2 Gear Player/Recorder, used(FMP59194KSSH) Good Condition The Panasonic AG-HPG10 P2 Gear is a portable P2 memory card player and recorder. The unit will instantly feel familiar to anyone using P2 cameras such as the AG-HPX500 and AG-HVX200; all the controls are laid out in the same manner. Built as a lightweight complement to any P2 workflow, the AG-HPG10 allows users to monitor, record, downconvert, and archive P2 footage, while still having access to Panasonic's intuitive thumbnail viewing interface. The result is a battery powered, durable, all-in-one solution that continues to make P2 solid-state recording both efficient and affordable.   The AG-HPG10 is small-sized and battery-operated to guarantee easy usage. It enables you to check P2 contents shot by a camcorder on a larger LCD display and can playback the contents via HD-SDI to the monitor or other equipment. The AG-HPG10 can be used as temporary archive when copying the content from P2 cards to it via IEEE1394 and USB2.0 HOST to ext. HDD.

Envoy Cxir receiver, Used

Envoy CXIR receiver, Used(FMP59186KSSH) Good Condition MULTI-FREQUENCY UHF INFRA RED CONTROLLED TRUE DIVERSITY RECEIVER Specifically designed for ENG use, Audios Envoy makes rival systems look like yesterdays news. The system sports a range of features that far exceed those of any similar ENG product. The smallest true diversity receiver in the world, CXiR eliminates all mechanical switching by utilising an infra red remote control. Its designed to slot neatly into the latest digital cameras – including Sony SX, Philips LDK120, Panasonic and Ikegami HLV77. Once fitted to a camera, LED indicators allow you to determine the status of the receiver. No more losing important news stories because of unexpected signal loss. You can always see if you have a signal and enough TX battery power. It also features 32 switchable UHF frequency channels, all settable from the SwitchiR infra red remote. This ensures that youll always have a greater chance of finding a channel thats free from local interference. You can even use the CXiR as a stand-alone receiver by employing a six pin Lemo™ adapter, which can be used with those cameras that dont have a dedicated slot for a receiver. The Envoy system employs the same acclaimed technology as Audio products designed for location sound recording applications. As such, its undoubtedly the most advanced, most reliable ENG system money can buy.

Cooke Panchro i/Classics - 6 lens set - 18mm / 25mm / 32mm / 40mm / 50mm / 75mm - used

Cooke Panchro i/Classics - 6 lens set - 18mm / 25mm / 32mm / 40mm / 50mm / 75mm - used(FMP59147JPBR) -Excellent Condition -3 month warranty -The growing demand for vintage Cooke Speed Panchro lenses from the 1920s to 1960s prompted Cooke Optics to introduce a modern redesign of the vintage classic. They are pleased to introduce Cooke Panchro/i Classic, T2.2 to T3.2 Prime lenses.   The new Pancho, that is true to the original look of the now legendary Speed Panchro, recreates the same look and feel of the original with the advantage of modern glass mounted for today’s cameras. And, the new lenses come equipped with /i Technology for frame by frame digital information capture, as do all modern Cooke cine lenses for film and digital capture. The original Cooke Speed Panchro, designed by Horace W. Lee in the 1920s, was a cine prime lens that chromatically enhanced an image when filming under restricted illumination. Cooke Speed Panchros combined a relative aperture as wide as f2.0 with an angular field of view and definition previously impossible with much smaller apertures. They quickly gained a worldwide reputation for quality cinema production and were widely used throughout the 20th century. Technology The Cooke Panchro/i Classic lenses are supplied with /i Technology that collect detailed lens data for production, VFX and post-production teams and are designed for all PL mounted professional motion picture film and electronic cameras. The /i Technology provides cinematographers and camera operators with vital information on lens setting, focusing distance, aperture and depth-of-field, hyperfocal distance, serial number, owner data, lens type and focal length in both metric and footage measurements, as well as inertial tracking data, shading and distortion data. For zoom lenses, the zoom position is displayed. 

Carl Zeiss CP2 T2.1 4x lens set - 28, 35, 50 & 85mm, used

Carl Zeiss CP2 T2.1 4x lens set - 28, 35, 50 & 85mm, used 3 months warranty, excellent condition One of the most critical factors in a successful production is the competence and diversity of your team. Whether you’re shooting a commercial requiring exquisite color rendition and high contrast, or capturing a tense, dramatic sequence in low light for a feature film, Compact Prime lenses deliver the performance needed to perfect your scenes. With a wide range of focal lengths, full-frame coverage, exceptional image quality, excellent flare suppression, and precise focusing through a large rotation angle, Compact Prime lenses provide a versatile set of tools to make your film stand out. With its long-standing expertise in both photo and cine lenses, ZEISS is committed to supporting filmmakers, ensuring you benefit from the highest possible image quality in any situation. Interchangeable Mount: Full-frame coverage (CP.2 18mm only APS-H) Robust cine-style housing with the ability to utilize follow-focus Standard focus and iris gear positions Five different mounts available (PL, EF, F, E, and MFT mount) Consistent front diameter (except for 50 Macro) Longer focus rotation with manual focus and iris Calibrated focus scales Switching between traditional film and digital PL cine cameras and HDSLR cameras is no longer an issue. The improved functionality of the Compact Prime CP.2 lenses means better ergonomics compared to standard SLR lenses, with standard housing dimensions, standard focus and iris gear positions, consistent front diameter, robust construction, longer focus rotation, and manual focus, providing the flexibility users demand. With precision and speed, Compact Prime CP.2 lenses are the perfect tools for independent filmmakers, professional still photographers expanding their services, or large studios using HDSLRs as a second camera for TV and feature film productions.  

Sony Pmw-F5 Full Hd 4K Camera, Dvf L100 Vf, 4K Raw, 1750 Hours

Sony Pmw-F5 Full Hd 4K Camera, Dvf L100 Vf, 4K Raw, 1750 Hours(FMP59141LPBR) 3 Months Warranty, Excellent Condition  Sony's PMW-F5 CineAlta camera shoots spectacular images with its 8.9 megapixels (effective) Sony 4K image sensor. You get superior, super-sampled pictures with noticeably higher contrast, rich colour reproduction and greater clarity. The camera offers robust built-in recording modes, all with vibrant 4:2:2 colour. Irresistible options include the amazing precision of 16-bit linear RAW 2K/4K recording and high speed shooting at up to 120 fps without cropping.  Multiple recording formats include MPEG-2 HD422, MPEG4 SStP, XAVC 2K/HD and 16-bit RAW 2K/4K**. You can have simultaneous recording on internal high-speed SxS PRO+ memory cards and RAW 2K/4K recording on sleek AXSM™ memory cards using the optional bolt-on AXS-R5 recorder, designed specifically to attach seamlessly to the F55 and F5 cameras. There is also high speed shooting up to120 fps XAVC 2K/HD* internally and 120 fps RAW 2K onto the AXS-R5.  Upgrade Available - AXS-R5  The bolt-on AXS-R5 recorder works with the PMW-F55 and PMW-F5 cameras to record the highest quality 16-bit RAW 2K/4K images. The recorder works with sleek, optional AXSM™ memory cards, which are compatible with an affordable optional USB 3.0 reader, the AXS-CR1 .Once on a PC, the RAW files can be screened using Sony’s free RAW Viewer software. AXSM memory provides a super fast, affordable format for sensational quality recordings. 16-bit RAW 2K/4K recording options for PMW-F55 and PMW-F5 CineAlta cameras  Record RAW at your choice of resolutions: the PMW-F55 and PMW-F5 captures native 4K or beautiful, derived 2K.RAW recording preserves the greatest latitude for colour correction and other post processes. Sony’s 16-bit recording captures more tonal values than the human eye can differentiate.Sony RAW retains 16 times as many Red, Green and Blue gradations as 12-bit RAW and 64 times as many tones per channel as 10-bit recording. Sony 16-bit linear RAW is also the ideal point of entry into the 16-bit linear Academy Color Encoding System (ACES) workflow. Records onto ASXM™ memory cards  The AXS-R5 recorder works with sleek, high-capacity AXSM™ memory cards, which are compatible with an affordable optional USB 3.0 reader, the AXS-CR1. Once on a PC, the RAW files can be screened using Sony’s free RAW Viewer software. AXSM memory provides a super fast, affordable format for sensational quality recordings. High speed shooting up to 240 fps 2KRAW with F55 and 120 fps 2K RAW with F5  The AXS-R5 allows you to record up to 240 fps 2K RAW with the F55 and up to 120 fps 2K RAW with the F5, with free planned upgrades, achieving the highest frame rates most productions will need, while retaining exceptional, 16-bit image quality. Provides simultaneous RAW and on board camera SxS recording  Sony provides a coordinated “off-line, on-line” workflow with simultaneous recording for the F55 and F5 cameras to internal SxS cards and the AXS-R5 Portable Memory Recorder. For seamless conforming in post, you get matching timecode, start frame, stop frame, file names and other metadata. Real world workflows  Sony understands a fundamental truth: working cameras require practical workflows.That’s why the AXS-R5 is part of a larger production platform that includes affordable media cards, affordable card readers, free RAW Viewer software and compatibility with popular NLEs and finishing tools. Lightweight modular design to maximise versatility in 2D and 3D    The AXS-R5 is designed to bolt-on seamlessly to the F55 and F5 cameras, allowing the cameras to maintain a sleek, lightweight and ergonomic design. Both recorder and camera chassis are only slightly wider than a typical PL-mount prime lens, perfect for 3D rigs.

Canon CN-E31.5-95MM T1.7 L S / SP (EF Mount)

Canon CN-E31.5-95MM T1.7 L S / SP (EF Mount)(6417C003) Expand your Canon cine-style lens choices with the Super35-format CN-E Flex Zoom 31.5-95mm T1.7 Cinema EOS Lens. This EF-mount lens is color matched to the rest of the EOS cine line, featuring a warm look with natural skin tones and accurate color rendition. The 31.5-95mm Flex Zoom and its 14-35mm counterpart both boast a fast T1.7 maximum aperture across their entire focal ranges, enabling low-light capture with the ease of a zoom lens. Use the 31.5-95mm zoom with the separately available RL-F2 Relay Kit to convert it to a 45-135mm T2.4 full-frame equivalent. Interchangeable EF and PL lens mounts make it easy to use the Flex zooms with a variety of cine-style cameras. Coated glass elements reduce chromatic aberration and block flares and ghosting, making this 3x zoom ideal for 4K to 8K cine-style HDR capture. An 11-blade iris produces soft, cinematic bokeh, and consistent .08 MOD gear placement and front diameter size suit the Flex Zooms for use with industry-standard matte boxes and accessories. This EF-mount lens features Cooke i/ metadata display and pass-through, enabling you to record information that is crucial to FX and post-production conforming. 8K Optical Performance The Flex Zoom lenses produce the warm color balance and beautiful skin tones that are consistent across the Canon cinema line. Each lens is ideal for 4K-8K HDR capture with a tonal range that reproduces natural-looking images with reduced chromatic aberration and minimal flaring and ghosting. Constant T1.7 Throughout Range A constant T1.7 maximum aperture enables low-light capture throughout the zoom's entire focal length range. Supe35 Sensor Coverage The 31.5-95mm Flex Zoom covers Super35 cinema camera sensors and is ideal for creating nuanced images with bokeh and shallow depth-of-field looks. Optional Full-Frame Relay Kit Use with the optional RL-F2 Relay Kit to convert the 31.5-95mm Super35 Flex Zoom to a 45-135mm T2.4 Full-Frame equivalent lens. Natural Bokeh An 11-blade aperture creates natural-looking bokeh across the minimum to maximum aperture range and a gently diffused look when capturing subjects with a bright glow. Interchangeable Mounts The interchangeable-mount Flex zooms offer both Canon EF and ARRI PL mount options, enabling you to use them with a wide array of cine-style cameras. Cine-Style Form Consistent gear placement, front-diameter size, and gear rotation ranges make it easy to switch between the Flex Zooms. Industry-standard 0.8 MOD gear rings, luminous focus marks, and a durable build make these compact zooms easy with which to work.

Canon CN-E 30-105mm T2.8 4K Cine Telephoto Zoom Lens, PL Mount, used

Canon CN-E 30-105mm T2.8 4K Cine Telephoto Zoom Lens, PL Mount, used(FMP59087LPBR) 3 months warranty and excellent condition Canon CN-E 30-105mm T2.8 L SP - PL Mount 4K Cine Telephoto Zoom Lens (p/n 7623B001AC). Outstanding Optical Performance The CN-E30-105mm T2.8 L S/SP is a lightweight EF/PL mount lens for Super 35mm format with exception optical performance for demanding high-end productions. This lens will surpass the performance requirements of any HD imaging system. It features advanced optical design with fluorite and large aspherical lens elements to achieve sharp, consistent images throughout its zoom range, and has a unique optical design that has significantly minimized focus breathing facilitating a new level of creativity in focus pulls. It also has a remarkably broad rotation angle of Focus 300°/ Zoom 160° which realizes high accuracy in operating the lens.

RODE XLR CABLE PURPLE 6 Metre

RODE XLR CABLE PURPLE 6 Metre(XLR6M-PU) Rode XLR-6 Purple 6m XLR Cable w/ Neutrik Connectors The Rode XLR-6 Purple is a professional-grade 6 metre XLR microphone cable designed for exceptional audio performance in studio, broadcast, podcasting and live sound environments. Built using premium Canare™ cable and genuine Neutrik® connectors, the XLR-6 delivers ultra-low noise signal transfer with excellent durability and reliability for demanding professional applications. The distinctive purple finish is perfect for colour-coded studio and podcast setups, particularly when paired with Rodecaster systems, streaming rigs and multi-microphone productions. Suitable for:   Studio microphones Podcast setups Streaming rigs Broadcast audio Live sound production Content creation studios     

Smallrig 1051 15mm Rods M12-20cm

Smallrig 1051 15mm Rods M12-20cm(SR1051) Includes 2pcs of 20cm long industry-standard 15mm rod. There is an inner M12 thread on each end of the rod so that you can extend the rod with an M12 threaded rod.

Canon EF 16-35mm f/2.8L II USM Lens, USED

Canon EF 16-35mm f/2.8L II USM Lens, USED Excellent Condition 3 month warranty Professional Canon EF 16-35mm f/2.8L II USM ultra-wide zoom lens in good used condition and fully tested. Part of Canon’s premium L-Series range, this fast f/2.8 full-frame lens is ideal for landscape, architecture, filmmaking, events and low-light photography. A premium quality ultra-wide angle lens that’s designed for high optical performance. Enjoy superb edge-to-edge sharpness and a fast f/2.8 aperture that’s ideal for handheld photography in low-light. Durable L-series construction is weather sealed against dust and moisture.   Benefits   Capture dramatic perspectives in landscape photography, and enjoy wider angles when shooting architecture and interiors Includes a protective lens case Flare is reduced when shooting into the light, thanks to advanced ASC and SWC lens coatings Be prepared for split-second moments with a fast, responsive autofocus Work in harsh environments, thanks to weatherproof sealing and robust design Premium image quality, with excellent sharpness right across the frame Shoot in low light, with a fast f/2.8 maximum aperture that is constant throughout the zoom range Add excitement and impact when shooting photojournalism and sports photography, with a versatile range of focal lengths

TLS Hawk Matte Box, used

TLS Hawk Matte Box, used(FMP58999KSSH) Good Condition

TLS Hawk Matte Box, used

TLS Hawk Matte Box, used(FMP58998KSSH) Good Condition

TLS Hawk Matte Box, used

TLS Hawk Matte Box, used(FMP58997KSSH) Good Condition

Ianiro Varibeam 800w Flood To Spot 2 Head Continuous Pro Light Kit In Bag, Used

Ianiro Varibeam 800w Flood To Spot 2 Head Continuous Pro Light Kit In Bag, Used Ianiro 800CE (800 CE, 800-CE, 800/CE, 800ce) VARIBEAM 800W- YOKE MOUNT FIBRE HOUSING-3 SCREWS Ianiro Redhead / Varibeam : the best selling open faced tungsten light for the past 40 years.  

Kondor Blue hdmi to hdmi 16" braided cable for on camera monitors

hdmi to hdmi 16" braided cable for on camera monitors (KON-HDMI16_BK, KON/HDMI16_BK, KONHDMI16_BK) Connect your camcorder to your on-camera monitor with the black 16" Braided High-Speed HDMI Cable. It supports 4K 60 Hz and 3D video and features a nylon braid.  Suitable for use with Blackmagic Pocket Cinema Cameras, URSA G2 camcorders, and HDR 12G Video Assist monitors  

Wise CFexpress Type B / Sd Uhs-II Card Reader

Wise CFexpress Type B / Sd Uhs-II Card Reader(WISE-WA-CXS08) Wise CFexpress Type B & SD UHS-II Card Reader USB-C 10Gbps Dual Slot Designed for professional video and photography workflows, the Wise CFexpress Type B & SD UHS-II card reader enables fast and efficient data transfer for high-resolution footage and large file sizes. Built to handle high-end media, Wise is committed to manufacturing compact card readers to transfer your hard-earned footage fast and safe. Perfect for:   4K / 8K video workflows DIT & post-production Canon, Sony, Nikon mirrorless cameras Fast media offloading on set Bursting Speeds Of Up To 10 Gbps With a blazing-fast 10 Gbps read speed, you are able to transfer RAW images, high-res photos, and HD, 3D, and 4K video with ease. Built-in Write Protect Switch With our proprietary write-protect switch design, filmmakers can avoid the risk of losing their precious footage. Aluminium Design   The sleek aluminium design is not only solid but also protects the drive from overheating.

2 x Sony ECM-88BC Omni-Directional Miniature Lavalier Mic 4-pin connector, used

2 x Sony ECM-88BC Omni-Directional Miniature Lavalier Mic, used Sony ECM-88BC Lavalier Mic 4-Pin Omni Used 3 Months Warranty, Great Condition The Sony ECM 88BC is a miniature condenser, lavalier microphone with a 4-pin Hirose connection. The 4-pin connector enables use with Sony WRT-822B and WRT-8B bodypack transmitters. The capsule is 3.5 x 3.5 x 16.8mm, allowing natural-looking concealment on stage or camera. The electret condenser element uses a dual-diaphragm mechanism, resulting in high sensitivity. The microphone provides a flat, wide frequency response (20Hz to 20kHz) resulting in a natural sound reproduction, capturing in great detail. The water resistant design assures durability from the elements as well as moisture caused by sweat in stage applications. Miniature Design The microphones ultra-miniature design provides the level of concealment needed for the stage and on camera. 4-pin Hirose Connection The 4-pin connector enables use with Sony WRT-822B and WRT-8B bodypack transmitters. High Sonic Character The condenser element provides a wide, flat frequency response and high dynamic range resulting in clean, quiet recordings. Water Resistant The microphone is designed to resist moisture caused by the elements or sweat. 

Arri Alexa Mini LF ready to shoot kit, 544 hours, Used

Arri Alexa Mini LF ready to shoot kit, 544 hours, Used 3 Months Warranty, Excellent Condition ARRI Built Quality: Almost a century of experience, an obsessive attention to detail and an intimate familiarity with the conditions on set have led to generations of ARRI cameras that are robust, reliable and simple to operate - all features that ARRI digital cameras have inherited. ALEV Sensors: ARRI's very own ALEV III sensor plays its strengths in a film-like look and feel with HDR capability (since 2010). Originally developed for ARRI ALEXA camera family, it had the same height and width as a 35mm film frame. Nowadays the ALEV III comes to live in different cameras and shapes: ALEXA 65 uses the A3X version - a 65mm sensor - whereas ALEXA LF and ALEXA Mini LF use A2X, the slightly smaller variant that covers a little bit more than "full frame". Image Processing: A steady look-out for image quality is key to delivering the best possible image through a given pipeline. In this way new developments and ways to shape the DoP's vision on set can be integrated into ARRI cameras via new software releases. ARIRAW footage recorded before such an update benefits as well as it can be re-processed through an updated pipeline. Lens Mounts: Great images derive from great lenses with their individual touch to the image. For this to happen the lens has to sit precisely where it should be, responsible for that is the lens mount. Get to know all ARRI lens mounts and find out what makes ARRI new LPL mount unique. Viewfinders: ARRI viewfinder are specifically designed to meet the needs of professional camera operators by offering an extremely fast image display, high image quality, accurate color reproduction and a number of features inherited from ARRI optical viewfinders, including surround view. Workflow: The concept behind the term "workflow" is the digital film lab. Hence being able to view, edit and "post" footage recorded with ARRI digital cameras. ARRI develop their own Software Development Kit (ARRIRAW SDK) for processing ARRIRAW data to RGB images and talk to 3rd party vendors to ensure support in their tools.  

Zhiyou Triple Cold Shoe Mount Block, Ex Demo

 Zhiyou Triple Cold Shoe Mount Block, Ex Demo 3 Months Warranty, Excellent Condition Provides 3 Shoe Mounts. Compact and lightweight Connects via Shoe Mount or 1/4"-20 Mount Allows the use of multiple shoe mount accessories at the same time

Woohoo holder Ex Demo

Woohoo holder (holds iphone etc. on hot shoe) Ex Demo 3 Months Warranty, excellent Condition  

Cam Caddie Cold Shoe Extension Bar 4 Inch (for lights, mics etc.), Ex Demo

Cam Caddie Cold Shoe Extension Bar 4 Inch (for lights, mics etc.), Ex Demo 3 Months Warranty, Excellent condition     Our Quick Release design allows you to mount multiple accessories in seconds and start shooting. Perfect for run & gun situations or stealing shots in public areas. Built on the traditional flash shoe platform that virtually all cameras use. Mount multiple photo/video Flash Shoe Accessories to any camera with a standard Flash Shoe footprint. The Flashtrak Extension is dual sided allowing for accessories to be mounted to the top and bottom of the Extension bracket. This doubles the mounting options and configurations. Combine multiple Flashner Kits to create additional mounting options. Seamlessly attach and detach LED lights, field monitors, microphones, field recorders, and lavalier transmitters.

HDMI to HDMI Braided Cable 4K@60Hz 3M, used

HDMI to HDMI Braided Cable 4K@60Hz 3M, used(FMP58776LPSH) Good condition Premium High speed HDMI cables with Ethernet & Audio Return Channel (ARC) Supports 2160p resolution @60Hz Stylish design with chrome effect headshells Gold plated HDMI connectors 30AWG cable with nylon outer cable braiding  

Ugreen Micro HDMI to HDMI 2.0 Cable, Ex Demo

Ugreen Micro HDMI to HDMI 2.0 Cable, Ex Demo 3 Months warranty, Excellent Condition Micro HDMI Connectivity: UGREEN Micro HDMI to HDMI cable support transfer of Micro HDMI to HDMI port. This Micro HDMI cable enables you to play games on your big-screen HDTV display or share high-definition video and digital audio together with your family and friends.

Yosh USB-C/Thunderbolt 3 to HDMI 4K@60Hz Braided Cable 1.8M, Ex Demo

Yosh USB-C/Thunderbolt 3 to HDMI 4K@60Hz Braided Cable 1.8M, Ex Demo 3 Months Warranty, Excellent Condition. Plug and Play：Easy to use, no external power and driver required. You can directly connect between USB-C/Thunderbolt 3 devices such as laptop to monitor/projector/HDTV, Type-C to HDMI cables is lightweight to carry in your bag Portable&Friendly Design：Premium aluminium and compact chipset casting for better heat insulation. Braided nylon cable for extra durability. Standard Type-C(Thunderbolt 3) port delivers stable signal transfer. Wide Compatibility：Compatible with 2018/2017 MacBook Pro, iPad Pro 2018 / Mac Mini 2018, MacBook 2017/2016, Surface Book 2, Pixelbook, Galaxy Book, Galaxy S10/S9/S8 Plus/ Note 9, Dell XPS 15, Chromebook, Pixel Slate, and other USB-C devices. 4K @60hz HDMI Resolution：Support up to 4K Ultra HD media at 60Hz with backwards compatibility to HD 1080p and 720p. Clear and high quality video.

Ugreen 3.5mm Audio Mic Extension Cable, Ex Demo

Ugreen 3.5mm Audio Mic Extension Cable, Ex Demo 3 Months Warranty, Excellent Condition Ugreen 3.5mm Audio Mic Extension Cable 4-Pole TRRS Aux Headphone Male to Female Extender Lead Earphone Mini Jack Plug Cord 2M

Rode SC1 3.5mm TRRS Extension Cable 6M, Ex Demo

Rode SC1 3.5mm TRRS Extension Cable 6M, Ex Demo 3 Months Warranty, excellent Condition The SC1 is a premium shielded extension cable for TRRS microphones, such as the smartLav+. Measuring 6 metres, the SC1 features gold-plated contacts for superior audio reproduction.

Xlr cable 25cm, Ex Demo

Xlr cable 25cm, Ex Demo 3 Months Warranty, Excellent Condition This two core screened microphone cable is ideal for live or studio performances. The cable being screened prevents interference from near by audio equipment or power supplies. 3-pin XLR Plug to Socket microphone leads Tough two core screened cable Cable diameter: 6mm All Metal Robust ends for reliability Pins connections: 1:1 2:2 and 3:3 XLR connectors Male pins and Female Holes Pure copper conductors  

Rode DCS-1 Dual Cold Shoe Mount, Ex Demo

Rode DCS-1 Dual Cold Shoe Mount, Ex Demo 3 Months Warranty, Excellent Condition The DCS-1 is a dual cold shoe mount for mounting two microphones or cold shoe accessories on a device with a single cold shoe mount. Constructed from lightweight aluminium, it is sturdy and discreet and is compatible with all RØDE products that feature a cold shoe adaptor. It also includes cable management slots for select RØDE audio cables. When paired with the SC11, it provides a neat, streamlined solution for connecting two microphones to a single DSLR-style camera or recording device, for example dual Wireless GO receivers, or a wireless receiver and a VideoMic.

Metabones MB_SPLR-EFR-BM1 Leica R Lens to RF-Mount Speed Booster ULTRA 0.71x

Metabones MB_SPLR-EFR-BM1 (MB-SPLR-EFR-BM1, MB/SPLR-EFR-BM1, MB/SPLR/EFR/BM1, MBSPLREFRBM1) Leica R Lens to RF-Mount Speed Booster ULTRA 0.71x Sharper corners, less distortion, reduced vignetting  New optical design:  advanced 5-element/4-group optical design incorporating ultra-high index tanatalum-based optical glass to achieve extraordinary optical performance with improved corner sharpness, distortion and reduced vignetting. Like the revolutionary original Metabones Speed Booster announced in January 2013, the Speed Booster ULTRA has a magnification of 0.71x, and so it effectively reduces the crop factor of mirrorless cameras with DX-sized sensors, such as Sony E-mount and Fuji X-mount cameras, from 1.5x to 1.07x.  However, the new ULTRA design makes very effective use of exotic materials at the furthest limit of glassmaking technology, and as a result is well-corrected for use with virtually all full-frame SLR lenses regardless of exit pupil distance. Thus, the Speed Booster ULTRA performs extremely well with professional-grade f/2.8 zoom lenses such as the 24-70mm f/2.8 and 70-200mm f/2.8 zooms by Canon and Nikon to produce 17-50mm f/2.0 and 50-142mm f/2.0 high-speed zooms, respectively.  Similarly, high-speed fixed focal length lenses such as a 50mm f/1.2 will be transformed into a 35.5mm f/0.9 lens with excellent contrast and resolution from the center all the way to the edges of the image. Limitations The product is designed for the APS-C format camera (eg. Canon C70 and RED Komodo, etc.) or using with the APS-Crop mode of EOS R3, R5, R6, EOS R and EOS RP; The rear element of the lens cannot protrude from the flange more than 10.5mm. The following lenses require modification in order to fit on the Speed Booster. Super-Elmar-R 15mm Elmarit R 28/2.8 Elmarit R 35/2.8 Summicron R 50/2 Super telephotos such as the Telyt 560/5.6 may vignette at the corners. This adapter is a mechanical adapter. It does NOT support electronic aperture control, AF, and EXIF.

Fujinon XS8X4AS-XB8 lens, Used

Fujinon XS8X4AS-XB8 lens, Used Good Condition, 3 month warranty. Wide Angle lens for Sony PMW-EX3 with special Sony mount and optical anti-vibration system. The Fujinon XS8X4AS-XB8 is an 8x 1/2" wide-angle high definition lens designed specifically for the Sony PMW-EX3 XDCAM EX camcorder. The lens is fitted with the EX bayonet mount, making it easy to attach and remove. The focal-length range is 4-32mm with a minimum object distance of under 0.6 meter, or about 2 feet.

DJI Phantom with Futaba Controller, used

DJI Phantom with Futaba Controller, used(FMP58509KSSH) DJI Phantom - Customized - Spares or repair as the unit is untested. The drone is in excellent condition, and should work as normal but unfortunately we dont have the resources to test the unit.  The drone has been customized with improved transmitter. Attractive And Highly Integrated Design A compact and highly integrated design means that it is easier for you to pack it into your backpack. The streamlined design brilliantly reflects the aesthetics of its industrial design and the fantastic visual effects allows you to become the focus of the crowd. Moreover, you can mount a GoPro or other light and handy cameras on your Phantom to shoot some footage from the air which will bring you a brand new travel experience. Ready To Fly Design The hardware mounting and software tuning are all done prior to delivery. The Phantom is ready to fly the moment you unpack it, you just need to attach propellers, charge the LiPo and install the transmitter batteries before use. Contains Remote Control Unit. (Just Add 4 X AA Batteries) Phantom contains a remote control and receiver, which help the user to completely avoid the inconvenience of purchasing such things. The only thing you need to do is to add TX batteries (4x AA dry cell). The 2.4 G ISM frequency makes the effective control distance up to 1000 meters (can be impacted by the specific flight environment). The frequency hopping anti-interference design allows multiple remote controllers to work at the same time, and provides a reliable remote communications link. Stable, Yet Agile Performance, Easy To Fly Phantom has an integrated flight dynamics system, the Naza-M + GPS multi-rotor autopilot system, as well as the dedicated remote control and receiver. Flight parameters and functions have been setup before delivery, so you can fly your Phantom the moment you receive it. The proven stability of the Naza-M autopilot system allows you to easily achieve great flight performance. Two Flight Control Modes, Including Position Hold With the built-in Naza-M autopilot system plus a GPS module, the Phantom has GPS Attitude and Attitude Control Mode. Pilots can switch between the two modes to achieve a particular flight experience. Intelligent Orientation Control (IOC) Phantom also has the Intelligent Orientation Control (IOC) function of the Naza-M autopilot system. Usually, the forward direction of a flying multi-rotor is the same as the nose direction. By using Intelligent Orientation Control (IOC), wherever the nose points, the forward direction has nothing to do with nose direction: In course lock flying, the forward direction is the same as a recorded nose direction. In home lock flying, the forward direction is the same as the direction from home point to the multi-rotor. Failsafe & Auto Go Home/Landing Phantom also has the fail-safe function of the Naza-M autopilot system. This means when the communication between the Main Controller and the transmitter is disconnected, the outputs of all command sticks from controller will go to the center position. If the GPS signal is good enough, the system will automatically trigger Return To Home and will land safely. Low Voltage Protection Phantom also has two levels of low voltage protection, a function of the Naza-M autopilot system. It prevents your multi-rotor from crashing or other harmful consequences caused by low battery voltage. In the first level of protection, the LED indicator blinks red to warn you. In the second level protection the system will trigger the Phantom to land automatically. Maximum Flight Speed 10 M/S The maximum horizontal flight speed of the Phantom can reach 10m/s and the maximum vertical speed is 6 m/s. The perfect combination of speed and stability allows you to experience the glamour of Phantom. High Intensity LED Lights, To Aid Orientation During Flight Under each arm of the Phantom there are some high intensity LED indicators which are used to help you to see the orientation during flight. GOPRO CAMERA MOUNT (CAMERA NOT INCLUDED) Phantom has an external removable camera mount for you to mount light and handy cameras (GoPro for example) or other video shooting electronic equipment. It is very convenient for you to record your flight. 10 To 15 Minutes Of Flight Time Phantom includes a 3S LiPo battery (with the capacity of 2200mAh, weight only 170g) and a balance charger. With the all-in-one design and light air frame, the flying time could last 10 to 15 minutes which will give you a more extensive flight experience.

Micron Explorer TX700-A Transmitter, Used

Micron Explorer TX700-A Transmitter, Used(FMP58504KSSH) Fair condition, 3 months warranty  The Professional Sound Recordist’s choice with switched selection from 100 frequencies which can be in preset multi-channel sets over 24 or 32MHz to order. This covers four UHF bands in Europe and up to 6 UHF bands in USA and Canada (32MHz). Supplied with belt clip and antenna, all in a small carrying case with Instruction Manual on CD, and a Quick User Guide, listing the channel frequencies.

Micron Explorer TX700-A Transmitter, Used

Micron Explorer TX700-A Transmitter, Used(FMP58503KSSH) Fair condition, 3 months warranty  The Professional Sound Recordist’s choice with switched selection from 100 frequencies which can be in preset multi-channel sets over 24 or 32MHz to order. This covers four UHF bands in Europe and up to 6 UHF bands in USA and Canada (32MHz). Supplied with belt clip and antenna, all in a small carrying case with Instruction Manual on CD, and a Quick User Guide, listing the channel frequencies.

Sonnet DuoModo Single-Module Desktop Enclosure

Sonnet DuoModo Single-Module Desktop Enclosure SON-DM-ENC-1M-D SONDMENC1MD SON DM ENC 1M D SON/DM/ENC/1M/D The Single-Module Desktop Enclosure enables the interchangeable expansion of one DuoModo™ Expansion Module.

Samyang 35mm T1.5 MK2 Cine Lens Sony FE Full Frame

VDSLR-8835 VDSLR8835 VDSLR 8835 VDSLR/8835 The Samyang VDSLR 35mm T1.5 MK2 is a compact, high quality, fast prime cine lens, available in several mounts. It has full-frame coverage and is optimised for use on video, DSLR and mirrorless cameras. Whether this is your first dedicated cine lens or you are simply looking for amazing performance from compact glass, the MK2 version inherits the superb optics and build quality from the previous model, but has several added features for enhanced performance and handling. All models in the VDSLR MK2 range have unified focus and aperture gear ring positions. This allows for easy changing of lenses without having to adjust follow-focus systems and rigs. For added convenience and professional usage, focus scales, apertures and focal lengths are visible on both sides of the lenses. The new 9-bladed aperture delivers smooth and circular bokeh, which adds a three dimensional quality to the subject and pleasing out-of-focus effects. An 18-ray starburst highlight effect can also be created by stopping down to small apertures. Weather-sealing now protects the most vulnerable gap between the lens and camera mount, to prevent dust, light rain and snow from penetrating. It provides the ability and confidence to capture stunning images in less than perfect conditions. Due their compact dimensions and light weight, Samyang VDSLR MK2 lenses are ideal for use handheld, with gimbal, on car mounts and drones. They offer an ideal way to experience the quality of genuine cine lenses on a low budget, for high quality video making. They are especially popular with YouTubers.

Sony ECM-88B Condenser Microphone, used

Sony ECM-88B Condenser Microphone, used 3 month warranty Sony ECM-88B (ECM88B, ECM 88B, ECM/88B) Miniature Broadcast Quality Wired Lavalier (tie clip) Microphone with PSU The Sony ECM-88B is a miniature omni-directional electret-condenser microphone ideally suited for quality-critical applications in broadcasting, theater and field production. This lavalier mic achieves high-sensitivity and has a flat-and-wide frequency response. The ECM-88B offers extremely low handling noise with unparalleled high sound quality. The ECM-88B comes with a DC-78 power supply and it has a cable length of 8.2 feet. This model is best suited for wired lav mic applications.

Rycote 016924 Connbox CB3 (2XLR-3F)

Rycote Connbox CB3 2XLR-3F – M/S Stereo Mic Cable for Windshield Systems 016924 Connbox CB3 (2XLR-3F) (cb-3, cb/3, 2xlr3f, 2xlr/3f) An effective and ready-to-use solution to connection problems, the Connbox will enable professional sound recorders to achieve clean, high quality audio recordings. Acting as a transition connector and anchor point for the microphone tail, the lengths of cable are set to work perfectly with the microphone fitted in the windshield, without touching the internal surface of the basket. The soft cable then greatly reduces the transmission path of cable-borne noise, thus further reducing cable rumble. The Connbox is made of the highest quality components, using Gold 3-pin Neutrik X-series XLR connectors, and an ultra soft Mogami star-quad cable. What it does:   Connects 2 microphones → 1 XLR output (M/S stereo) Reduces handling & cable noise Designed for Rycote windshield systems Acts as a shock-isolated cable junction  

Manfrotto MTALUVR Virtual Reality Aluminium 4-Section Tripod

Manfrotto MTALUVR (MTALU-VR, MTALU/VR, MTALU_VR, MTALU VR, mtaluvr) Virtual Reality Aluminium 4-Section Tripod The VR Big Aluminium Base is the partner of choice for 360° photographers and videographers. It combines professional performance with minimalist design. This compact, robust aluminium tripod is perfect for use with the VR Medium Aluminium extension boom MBOOMAVR (not included) and comes with a specially designed aluminium adapter to connect the MBOOMAVR extension laterally and achieve maximum stability, even when you need to get several meters off the ground. The tripod has aluminium legs equipped with the M-lock system - a fast twist-locking mechanism that secures and releases the leg sections - enabling the tripod to be set up in seconds and letting photographers concentrate on the shots they want to capture. The M-lock can be engaged or disengaged with a single 90° rotation movement. The tripod has 4 independent leg-angle positions for increasing footprint, enabling the base to ensure maximum stability when the 360° camera needs to be high above the ground.

Atomos HDR Sun Hood for Flame Series & Inferno (Black), open box

Atomos HDR Sun Hood for Flame Series & Inferno (Black), open box Atomos AO-ATOMSUN006 (AOATOMSUN006, AO/ATOMSUN006, AO ATOMSUN006, ATOMSUN006, ao-atomsun006) HDR Sun Hood for Flame Series & Inferno (Black)   This sunhood is designed to secure to the 1/4"-20 threaded hole on the top of the monitor using an included thumbscrew. The thumbscrew offers a 1/4"-20 female threaded hole on top so you don't lose the monitor's threaded hole. A viewing cover is also included that magnetically snaps to the sunhood to provide an even more concentrated viewing window. Compatibility : Atomos Flame and Inferno Series Monitors Colour : Black 

Red Epic-W Helium 8k S35 Camcorder and Accessories, 1125 hours used

Red Epic-W Helium 8k S35 Camcorder and Accessories, 1125  hours used Excellent condition 3 month warranty  EPIC-W carries on the legacy of the original EPIC, which became the industry workhorse upon its release in 2010. Powered by the HELIUM™ 8K S35 sensor, EPIC-W is capable of shooting 8K Full Frame at up to 30 frames per second (fps).  At full 8K resolution EPIC-W captures 35.4 Megapixels images—delivering more detail and creative possibilities in every frame. With HELIUM sensor advancements, EPIC-W boasts improved low-light sensitivity and impressive dynamic range. Leveraging lightning fast data rates up to 275 MB/s, EPIC-W can record REDCODE RAW, as well as proxy 4K Apple ProRes or Avid DNxHR—simultaneously.  Joining the DSMC2 lineup, EPIC-W benefits from the advanced modularity of the RED ecosystem and offers cable-free peripherals, an integrated mounting plate, wireless control, and compatibility with a growing supply of modules and accessories. Also featuring interchangeable OLPFs and lens mounts, EPIC-W provides an all new perspective with full sensor coverage and support for your arsenal of S35 glass.    

Miller G0016 Classic Bottle Opener/Camera Plate Screw Tightener

Miller G0016 (G-0016, G/0016, G_0016, g0016) Classic Bottle Opener/Camera Plate Screw Tightener

Canon CG-A20 Battery Charger

Canon CG-A20 (CG_A20, CGA20, CG A20, CG/A20) Battery Charger. The CG-A20 Battery Charger is a compact charger for a single battery. Supplied with a CA-CP200B compact power adapter. Canon CG-A20 battery charger designed for BP-A series batteries. Ideal for professional use with Canon Cinema EOS cameras, offering reliable and efficient charging for production environments. Compatible with:   BP-A30 / BP-A60 batteries Canon EOS C200 Canon EOS C300 Mark II Canon EOS C200B

Sony 458749701 LCD Display Film Safety

Sony 458749701 (458_749701, 458749701, 458 749701, 458/749701) LCD Display Film Safety. Sony LCD display film safety for PXW-FS5.

Movcam MOV-303-1122 Rosette Extension Arm (10 Inches)

Movcam MOV-303-1122 (MOV303-1122, MOV 303-1122, MOV/303-1122, 303-1122) Rosette Extension Arm (10 Inches). The Rosette Extension Arm from Movcam is a basic 10" extension arm for most rosette-equipped shoulder rigs and cages. The arm may be used to re-position grips or handles, add additional accessories to an existing rig, or construct a custom rig. Additionally, the arm features 4 rows of 1/4"-20 threaded holes to support video related accessories.

Vocas 0350-2260 Canon Eos C200 Dovetail Adapter Plate

Vocas 0350-2260 (0350_2260, 0350/2260, 03502260, 0350-2260) Canon Eos C200 Dovetail Adapter Plate The Vocas Dovetail Adapter Plate attaches to the USBP-15 MKII Baseplate, enabling you to mount the Canon EOS C200 Camera.

Vocas 0700-0011 Viewfinder Bracket Universal (EVF / monitor mount)

Vocas 0700-0011 (0700_0011, 0700/0011, 07000011, 0700-0011) Viewfinder Bracket Universal This viewfinder bracket kit is designed for use with any viewfinder with a 1/4" thread on the bottom side. The Vocas Universal Viewfinder Bracket is a robust NATO rail mounting solution designed to securely attach viewfinders and monitors to professional camera rigs. Works with:   Sony FX6 / FX9 / FS7 Canon C300 / C500 Blackmagic Pocket / URSA Any camera rig with NATO rail Eliminates EVF twisting and misalignment Keeps horizon straight during shooting   Provides stable, professional rig mounting

Vocas MB-216 Matte Box 114mm Clip-On 4x4 Filter DSLR Cine

Vocas 0200-0216 (0200_0216, 0200/0216, 02000216, 0200-0216) MB-216 Matte Box Vocas MB-216 Matte Box 114mm Clip-On 4x4 Filter DSLR Cine The Vocas MB-216 is a compact, lightweight matte box designed for DSLR and cinema camera rigs, offering professional light control and flexible filter use in a streamlined form factor. The Vocas MB-216 features a Quick-Lock mounting systemthat attaches directly to the front lens barrel of 114 mm lenses. If required, this matte box can also be attached to the camera with a 15 mm lightweight support or on top 15 mm rails. The MB-216 matte box is also compatible with the Vocas swing away bracket (0460-0600). This matte box accommodates a 3x3" through a 4x6" filter and works with most wide angle lenses in both 4:3 and 16:9 aspect ratios.The Vocas MB-216 has one rotatable 4"X4" filter tray and place for one fixed 4"X4"  filter in the front end of the hood. The MB-216 is wide enough to work on most cameras with wide angle converter without fignetting. Although the MB-216 can be used as a clip-on matte box, we recommend the use of a barsadapter or swing away bracket and a 15 mm matte box support. Why people buy it (important)   Reduce lens flare and improve image contrast Use ND, polariser, and creative filters Build a professional camera rig