Atomos Ninja Ultra 5" HDR monitor-recorder package b

Atomos Ninja Ultra 5"  HDR monitor-recorder for mirrorless and cinematic cameras(AO-ATOMNJAU01) package b includes: 1x Atomos Ninja Ultra 5" HDR monitor-recorder for mirrorless and cinematic cameras AO-ATOMNJAU01 1x AngelBird AB-ATOMXMINI1000PK AtomX SSDmini (1TB) 1x Atomos AO-ATOMACCKT2 5" Accessory Kit for Shinobi, Shinobi SDI, Ninja V Monitors *Digibroadcast has put together some bespoke Atomos packages for our clients based on our own research and surveys and holds the right to protect all of its content ©  

Atomos Ninja Ultra 5" HDR monitor-recorder package a

Atomos Ninja Ultra 5"  HDR monitor-recorder for mirrorless and cinematic cameras(AO-ATOMNJAU01) package a includes: 1x Atomos Ninja Ultra 5" HDR monitor-recorder for mirrorless and cinematic cameras AO-ATOMNJAU01   1x AngelBird AB-ATOMXMINI1000PK AtomX SSDmini (1TB) *Digibroadcast has put together some bespoke Atomos packages for our clients based on our own research and surveys and holds the right to protect all of its content ©

Atomos Shogun connect package b

Atomos Shogun Connect package b includes: 1x Atomos Shogun Connect 7" Network-Connected HDR Video Monitor & Recorder 8Kp30/4Kp120 AO-ATOMSHGCO1 1x Atomos NEXTORAGE ATOMX SSDMINI Compact form factor SSD - 1TB - AO-ATOMSSD01T 1x Atomos AO-ATOMXPWKT2 AtomX Power Kit THE FIRST ALL-IN-ONE DEVICE FOR HDR MONITORING, RAW RECORDING, AND A CONNECTION TO THE WORLD. The SHOGUN CONNECT builds on the ground-breaking SHOGUN product-line. Featuring a brighter screen and multiple recording options, the SHOGUN CONNECT is the first fully integrated product in the CONNECT range. It combines HDR monitoring, RAW recording, and cloud workflows. The SHOGUN CONNECT features a loop through 12G SDI IN and OUT interface with SDI RAW support included and send a signal to multiple devices. ATOMOS AirGlu™ wireless sync timecode technology which enables direct, long-range communication between devices, multiple power options to accommodate a variety of long range on-set scenarios, plus Wi-Fi 6, Gigabit Ethernet, Bluetooth LE, and USB C to ensure flexible, all-round connectivity. The SHOGUN CONNECT transforms professional cinema, mirrorless, and DSLR cameras into fully connected devices that support a range of advanced cloud-based workflows. STREAM FROM ANYWHERE SHOGUN CONNECT supports livestreaming to a range of online services including, Facebook Live, Twitch, and YouTube. With Wi-Fi 6, Gigabit Ethernet, and the ability to join cellular hotspots all built-in, the SHOGUN CONNECT helps filmmakers, streamers and video content producers reach their audience from anywhere. COLLABORATION FOR EVERYONE SHOGUN CONNECT is a fully integrated Frame.io Camera to Cloud (C2C) device. Through support of HDMI and SDI equipped cameras, the device offers advanced online workflows and remote collaboration to many more filmmakers, streamers, and video content creators. With Frame.io for Adobe Creative Cloud now part of the Creative Cloud subscription, even more filmmakers will have access to cloud-based workflows. DUAL RECORD C2C brings the domains of production and post closer together, enabling new ways for remote teams to collaborate. The dual record feature of the SHOGUN CONNECT creates matching “hero” Apple ProRes, ProRes RAW, Avid DHxHR/HD and “proxy” HEVC (H.265) files simultaneously. Proxy files can also be uploaded during capture using ATOMOS progressive transfer technology so that these files are available in the cloud as soon as recording stops. BRING YOUR OWN CAMERA The 7-inch SHOGUN CONNECT features a new, brighter HDR screen and comprehensive range of built-in interfaces including, loop through 12G SDI IN and OUT for SDI RAW and HDMI to support an expansive range of professional cinema, DSLR and mirrorless cameras. The device also features ATOMOS AirGlu™ technology which enables direct, long-range communication between devices and provides a wireless timecode lock CONNECT TO THE WORLD   SHOGUN CONNECT enables filmmakers, streamers, and video content producers of every kind to record, monitor, and share their work with an audience from anywhere, easily, and seamlessly.

Sony PXW-FX9 XDCAM 6K Full-Frame Camera System package h

Comes with 2 Years Sony Prime Support Warranty - Beware of grey imports. Sony PXW-FX9 (PXW_FX9, PXW/FX9, PXW FX9) XDCAM 6K Full-Frame Camera system package h © includes: 1x Sony PXW-FX9 XDCAM 6K Full-Frame Camera System (Body Only) (PXW-FX9) 1x Sony XDCA-FX9 Extension Unit for PXW-FX9 Camera (XDCA-FX9)   *Digibroadcast has put together some bespoke Sony packages for our clients based on our own research and surveys and holds the right to protect all of its content ©  Combined Sony’s technology in Digital cinema camera Venice, FS series and a (Alpha) ILC cameras. Sony’s full-frame 6K sensor camera with Fast Hybrid AF, dual base ISO and cinematic colour science and S-Cinetone. The Sony PXW-FX9 is the long awaited successor to the legendary PXW-FS7 is here and it brings some fantastic upgrades with it. The FX9 has a Full Frame 6K dual native ISO sensor, VENICE colour science, upgraded auto-focus capabilities, built in genlock and timecode and much more.  The FX9 features a full frame 6K 35.7 by 18.8mm back-illuminated Exmor-R CMOS sensor. This sensor is stated to have 15 plus stops of dynamic range and has a resolution of 6008 x 3168.  You will be able to shoot QFHD full frame up to 30fps, 1080p full frame at up to 120 fps and QFHD S35 up to 60fps and 1080p S35 at up to 120fps. The planned firmware updates will bring Full frame DCI 4K up to 60p, Full HD full frame up to 180fps and QFHD in Super 35 mode at up to 120fps while using an external recorder. You can also customise the autofocus, tweaking things like the AF transition between slow, for stuff like promo videos where you want slow smooth focus movements to fast which will be great for sports. You can also change the AF subject shift sensitivity which defines how easily the focus is switched to another subject. This goes from locked if you are wanting to do a walk and talk for example to responsive which you may need to keep better general focus. You can record up to four channels of audio with a range of different input options, The FX9 has an internal scratch mic, two XLR’s, you can use a dual channel receiver with the MI shoe on the handle or you can now use the DWX series of drop in receivers and transmitters with the new XDCA -FX9 back module. The FX9 does not feature SLOG2 only SLOG3 with S-Gamut3 & S-Gamut3. Cine, this is because the SLOG2 gamma curve is designed for 8-bit whereas all of the codecs on this camera are 10-bit. They have also added an S-Cinetone colour profile which is aimed to bring the colour science from the VENICE to the FX9. Realise beautiful 4K imagery with the creative freedom made possible by oversampling a huge high resolution full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh with a truly cinematic look. 15+ stops of dynamic range and Dual Base ISO enable capture of every nuance, from subtle shadow detail to specular highlights and with an immaculate colour palette. Capturing the Impossible Make sure your story’s always clear with enhanced Fast Hybrid AF that tracks your subject with unprecedented speed, smoothness and precision. Its impact is transformative for premium documentary, commercials and event applications. Shoot in Comfort, Expand your Horizons FX9 revolutionises full-frame cinematography with peerless ergonomics and advanced technology for on-the-go shooting. The world’s first full-frame electronic variable ND filter* transforms possibilities for shooting in variable lighting conditions. Built-in Wi-Fi and 12G-SDI support advanced workflows while the optional XDCA-FX9 extension kit further expands the operational possibilities of the PXW-FX9. 6K Full-Frame “Exmor R” Sensor for Stunning Picture Quality The camera’s full-frame 6K sensor provides superb recording in DCI 4K*, Ultra HD and HD resolutions. Powerful image processing with debayering and oversampling ensures image quality beyond the limits of conventional Super 35mm sensors. The back-illuminated CMOS image sensor also uses Sony’s Exmor R technology for improved sensitivity and noise reduction. Compared to a 4K Super 35mm sensor, the FX9’s 6K sensor has over twice the surface area while providing a wider angle of view and shallower depth of field. DCI 4K (4096 x 2160 at 17:9 recording) will be available with future firmware release. Phenomenal 15+ Stops Dynamic Range for Limitless Expression FX9 offers an exceptional 15+ stops of dynamic range – beyond the normal range of human perception – allowing for unprecedented creative freedom in colour grading and post. Camera operators can concentrate on framing the scene they want while relying upon the FX9 to capture every nuance and detail using either 4K 4:2:2 10-bit internal recording or 16-bit RAW external recording.* In grading, colourists can find colour and detail beyond the normal viewing abilities of the camera operator to create a final image that exactly portrays the mood of the scene. RAW recording requires future firmware release and external recorder. Dual Baso ISO for stunning images in any light FX9 features a base sensitivity of ISO 800, providing the optimal dynamic range for typical documentary applications such as shooting outside or in brightly lit interiors. A secondary High Base sensitivity of ISO 4000 excels in low light conditions such as early morning and evening shoots while maintaining superb image quality. ISO 4000 is also ideal whenever you’re using slow lenses. Combining Dual Base ISO with the camera’s electronic variable ND Filter provides superb creative control in almost any shooting environment, with truly next generation responsiveness to changing conditions. ISO 800 and ISO 4000 are used in S-Log3, Cine EI mode. Cinematic Colour Science with S-Cinetone S-Cinetone is the default look of FX9 that’s tuned to meet the requirements of today’s content creators with rich mid-range colours, alluring facial tones and a softer tonal look – developed with the same expertise as Sony’s world-leading VENICE digital cinematography camera. S-Cinetone means that straight out of the camera your content looks fresh and vivid, with subjects that really stand out while retaining plenty of latitude in post production thanks to the high performance full-frame image sensor. The advanced default looks delivers alluring facial tones and a softer tonal look. Selectable Frame Rates in Both Full-Frame & Super 35 Choose your desired frame-rate from 1fps up to 180fps* for impressive quick and slow-motion footage. FX9 creates an immersive image with a wide angle look and shallower depth of field provided by its full-frame sensor in combination with quick and slow-motion. Engage your audience with this new creative look. FX9 also offers a Quality priority setting* that maximises full HD slow motion image quality with advanced oversampling technology. Up to 120fps with Ver1.0. Full-HD 180fps will be supported with future firmware In Full-frame scanning mode: selectable at 1-30fps / In S35 scanning mode: selectable at 1-60fps  Supported in future firmware update Supported in future firmware update. RAW output only Supported in the future firmware update. Scanning area is cropped around 83% of full-frame and 122% larger than S35. (diagonal) Catch the Action with Enhanced Fast Hybrid AF Effortlessly track fast moving subjects with pin-sharp focus, even when using wide lens aperture settings to maintain a shallow depth of field with the camera’s full-frame sensor. Developed by Sony’s α camera engineers, enhanced Fast Hybrid AF combines phase detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. In addition, Face Detection intelligently recognises and locks on to human faces. The dedicated 561-point phase detection AF sensor covers approximately 94% of the whole image area width and 96% of height, allowing consistently accurate, responsive AF tracking, even with fast-moving subjects. Customisable AF Settings FX9’s comprehensive autofocus settings provide the creative flexibility to integrate with any project. Customisable AF settings can be used for a wide range of situations, depending on your requirements.  7-level AF transition speeds from Fast – switching between subjects as quickly as possible – to Slow, where speed is reduced to fit a more measured shooting style, such as a historical TV drama. 5-level AF subject shift sensitivity ranges from Locked-on – ignoring other moving subjects in the frame – to Responsive that switches focus from one subject to another – ideal for snapping between race cars as they speed by. AF Assist You can control MF ring during AF shooting if AF Assist is set to ON. You can adjust the focus manually even in AF shooting, you can manually operate the ring to focus the person behind. One Push AF While you are shooting in MF, pushing One Push AF button enables you to change to the focus mode to AF. Autofocus with all E-Mount Lenses Experience smooth, responsive autofocus with every E-mount lens, including Sony’s new Cinema Lens Series with premium optical performance and operability for demanding cinematography applications. Advanced E-mount lever lock operation allows quick, easy lens exchange in the field, plus added stability and security with large lenses. World’s First Electronic Variable ND Filter for Full-Frame Sensor Realise even greater creative control with Sony’s unique built-in electronic variable neutral density (ND) filter – a world first* for professional full-frame camcorders. Set to Auto, or adjust filter density manually in smooth increments from 1/4 to 1/128 as you shoot, for perfectly exposed images without affecting depth of field as lighting conditions change. Use higher density settings with a slower shutter speed for breath taking artistic effects. The built-in variable ND filter, with no need to prepare multiple ND filters separately can be flexibly and immediately used for every exposure change situation; when you move from inside to outside, and when you shoot under the natural light condition where exposure changes moment by moment. Proven Ergonomics & Accessories Compatibility FX9 chassis is the latest refinement of the revolutionary FS7 design, so you can be sure it will feel great to shoot with from almost any position, while also offering compatibility with a large proportion of the countless FS7 accessories including U-Series batteries, chargers, E-Mount lenses, plus third-party rigs, arms and lens adapters.* The control arm is easily adjusted without tools, so FX9 adapts effortlessly to your physique and preferred shooting style – handheld, at waist level or shoulder mounted. The smart grip features an updated design, more compact than before while still holding all the key shooting controls, allowing you to concentrate on the scene without distractions. FX9 also introduces a micro USB interface for improved responsiveness and support for a wrist strap. 16-bit RAW Capability 16-bit RAW offers a phenomenal increase in post-production creative freedom to fully exploit FX9’s exceptional 15+ stops of dynamic range. FX9 supports export of 16-bit RAW at either 4K or 2K resolution using the optional XDCA-FX9 extension unit with a single BNC cable connection to compatible external RAW recorders.** RAW output will be enabled with a future firmware release. Limited to 10-bit recording during 120fps high frame rate shooting within Super35 image circle Stable, Shake-Free Handheld Footage Advanced image stabilisation information means even handheld footage can be transformed with Sony Catalyst Browse/Catalyst Prepare software* in post-production to look as smooth as if it were shot with a gimbal.Unlike in-camera or lens stabilisation, meta data generated by FX9’s built-in gyro allows you to creatively choose the balance between the level of shake-compensation and the resolution of trimmed 4K imagery. This feature is also compatible with any E-mount lens and allows for far faster processing than conventional NLE stabilisation workflows**. Catalyst Browse/Catalyst Prepare Ver.2019.2 is required. Resolution and angle of view reduced compared to native footage. LCD Approx 1.8x higher resolution than the FS7M, with enhanced LCD with HD resolution has superb accuracy, high contrast and resolution, bringing higher visibility for focusing. Beautifully Matched Shooting Partners Optimised for professional cinematography applications, the light, compact, SELP28135G powered zoom lens is an ideal complement for the full frame imaging possibilities of the FX9. Circular aperture with full-frame image circle format Motorised servo zoom for smooth, precise zoom moves Independent three rings for focus, zoom and iris with smooth, silent drive You have the choice of purchasing the FX9 on its own (PXW-FX9) or with SELP28135G lens (PXW-FX9K). Cinema Lens Series Explore new artistic possibilities and precise creative control with Sony’s Cinema Lens Series. Purpose-built for documentary production and digital cinematography with full-frame cameras such as the FX9 and VENICE. The first lens in the series, the FE C 16-35mm T3.1 G full-frame wide angle zoom, is due in early 2020. Adds Shoulder-Style Operation, Advanced Networking Further extend the capabilities of the FX9 with the optional XDCA-FX9 extension unit that optimises camera weight distribution and ergonomics for comfortable shoulder-style shooting – ideal for ENG (Electronic News Gathering) and documentary applications. The extension unit also adds advanced networking for streaming/file transfers and Genlock/Timecode for multi-camera shoots. 4-Channel Audio Input and Recording  FX9 offers superb audio capabilities with independent control dials for each channel. In applications such as interview, 4-channel audio recording enables simultaneous use of an external microphone for recording ambient sounds, the built-in microphone for voice memos by the operator, and two optional UWP Series wireless microphones for voice of interviewer and interviewee. In addition, using the optional XLR-K3M, XLR-K2M or XLR-K1M XLR adapter – with two extra XLR inputs – allows even more devices to be connected.  

Sony PXW-FX9 XDCAM 6K Full-Frame Camera System package g

Comes with 2 Years Sony Prime Support Warranty - Beware of grey imports. Sony PXW-FX9 (PXW_FX9, PXW/FX9, PXW FX9) XDCAM 6K Full-Frame Camera system package g © includes: 1x Sony PXW-FX9 XDCAM 6K Full-Frame Camera System (Body Only) (PXW-FX9) 1x Sony QDG120F XQD G-Series 120GB 440MB/s Read-400MB/s Write Memory Card  1x Hawk-Woods VLM-FX9 V-Lok Camera mount 2x D-TAP for Sony FX9 1x IDX V-Mount Lithium Ion Battery with 2 x D Tap and USB Output DUO-C150 *Digibroadcast has put together some bespoke Sony packages for our clients based on our own research and surveys and holds the right to protect all of its content ©   Combined Sony’s technology in Digital cinema camera Venice, FS series and a (Alpha) ILC cameras. Sony’s full-frame 6K sensor camera with Fast Hybrid AF, dual base ISO and cinematic colour science and S-Cinetone. The Sony PXW-FX9 is the long awaited successor to the legendary PXW-FS7 is here and it brings some fantastic upgrades with it. The FX9 has a Full Frame 6K dual native ISO sensor, VENICE colour science, upgraded auto-focus capabilities, built in genlock and timecode and much more.  The FX9 features a full frame 6K 35.7 by 18.8mm back-illuminated Exmor-R CMOS sensor. This sensor is stated to have 15 plus stops of dynamic range and has a resolution of 6008 x 3168.  You will be able to shoot QFHD full frame up to 30fps, 1080p full frame at up to 120 fps and QFHD S35 up to 60fps and 1080p S35 at up to 120fps. The planned firmware updates will bring Full frame DCI 4K up to 60p, Full HD full frame up to 180fps and QFHD in Super 35 mode at up to 120fps while using an external recorder. You can also customise the autofocus, tweaking things like the AF transition between slow, for stuff like promo videos where you want slow smooth focus movements to fast which will be great for sports. You can also change the AF subject shift sensitivity which defines how easily the focus is switched to another subject. This goes from locked if you are wanting to do a walk and talk for example to responsive which you may need to keep better general focus. You can record up to four channels of audio with a range of different input options, The FX9 has an internal scratch mic, two XLR’s, you can use a dual channel receiver with the MI shoe on the handle or you can now use the DWX series of drop in receivers and transmitters with the new XDCA -FX9 back module. The FX9 does not feature SLOG2 only SLOG3 with S-Gamut3 & S-Gamut3. Cine, this is because the SLOG2 gamma curve is designed for 8-bit whereas all of the codecs on this camera are 10-bit. They have also added an S-Cinetone colour profile which is aimed to bring the colour science from the VENICE to the FX9. Realise beautiful 4K imagery with the creative freedom made possible by oversampling a huge high resolution full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh with a truly cinematic look. 15+ stops of dynamic range and Dual Base ISO enable capture of every nuance, from subtle shadow detail to specular highlights and with an immaculate colour palette. Capturing the Impossible Make sure your story’s always clear with enhanced Fast Hybrid AF that tracks your subject with unprecedented speed, smoothness and precision. Its impact is transformative for premium documentary, commercials and event applications. Shoot in Comfort, Expand your Horizons FX9 revolutionises full-frame cinematography with peerless ergonomics and advanced technology for on-the-go shooting. The world’s first full-frame electronic variable ND filter* transforms possibilities for shooting in variable lighting conditions. Built-in Wi-Fi and 12G-SDI support advanced workflows while the optional XDCA-FX9 extension kit further expands the operational possibilities of the PXW-FX9. 6K Full-Frame “Exmor R” Sensor for Stunning Picture Quality The camera’s full-frame 6K sensor provides superb recording in DCI 4K*, Ultra HD and HD resolutions. Powerful image processing with debayering and oversampling ensures image quality beyond the limits of conventional Super 35mm sensors. The back-illuminated CMOS image sensor also uses Sony’s Exmor R technology for improved sensitivity and noise reduction. Compared to a 4K Super 35mm sensor, the FX9’s 6K sensor has over twice the surface area while providing a wider angle of view and shallower depth of field. DCI 4K (4096 x 2160 at 17:9 recording) will be available with future firmware release. Phenomenal 15+ Stops Dynamic Range for Limitless Expression FX9 offers an exceptional 15+ stops of dynamic range – beyond the normal range of human perception – allowing for unprecedented creative freedom in colour grading and post. Camera operators can concentrate on framing the scene they want while relying upon the FX9 to capture every nuance and detail using either 4K 4:2:2 10-bit internal recording or 16-bit RAW external recording.* In grading, colourists can find colour and detail beyond the normal viewing abilities of the camera operator to create a final image that exactly portrays the mood of the scene. RAW recording requires future firmware release and external recorder. Dual Baso ISO for stunning images in any light FX9 features a base sensitivity of ISO 800, providing the optimal dynamic range for typical documentary applications such as shooting outside or in brightly lit interiors. A secondary High Base sensitivity of ISO 4000 excels in low light conditions such as early morning and evening shoots while maintaining superb image quality. ISO 4000 is also ideal whenever you’re using slow lenses. Combining Dual Base ISO with the camera’s electronic variable ND Filter provides superb creative control in almost any shooting environment, with truly next generation responsiveness to changing conditions. ISO 800 and ISO 4000 are used in S-Log3, Cine EI mode. Cinematic Colour Science with S-Cinetone S-Cinetone is the default look of FX9 that’s tuned to meet the requirements of today’s content creators with rich mid-range colours, alluring facial tones and a softer tonal look – developed with the same expertise as Sony’s world-leading VENICE digital cinematography camera. S-Cinetone means that straight out of the camera your content looks fresh and vivid, with subjects that really stand out while retaining plenty of latitude in post production thanks to the high performance full-frame image sensor. The advanced default looks delivers alluring facial tones and a softer tonal look. Selectable Frame Rates in Both Full-Frame & Super 35 Choose your desired frame-rate from 1fps up to 180fps* for impressive quick and slow-motion footage. FX9 creates an immersive image with a wide angle look and shallower depth of field provided by its full-frame sensor in combination with quick and slow-motion. Engage your audience with this new creative look. FX9 also offers a Quality priority setting* that maximises full HD slow motion image quality with advanced oversampling technology. Up to 120fps with Ver1.0. Full-HD 180fps will be supported with future firmware In Full-frame scanning mode: selectable at 1-30fps / In S35 scanning mode: selectable at 1-60fps  Supported in future firmware update Supported in future firmware update. RAW output only Supported in the future firmware update. Scanning area is cropped around 83% of full-frame and 122% larger than S35. (diagonal) Catch the Action with Enhanced Fast Hybrid AF Effortlessly track fast moving subjects with pin-sharp focus, even when using wide lens aperture settings to maintain a shallow depth of field with the camera’s full-frame sensor. Developed by Sony’s α camera engineers, enhanced Fast Hybrid AF combines phase detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. In addition, Face Detection intelligently recognises and locks on to human faces. The dedicated 561-point phase detection AF sensor covers approximately 94% of the whole image area width and 96% of height, allowing consistently accurate, responsive AF tracking, even with fast-moving subjects. Customisable AF Settings FX9’s comprehensive autofocus settings provide the creative flexibility to integrate with any project. Customisable AF settings can be used for a wide range of situations, depending on your requirements.  7-level AF transition speeds from Fast – switching between subjects as quickly as possible – to Slow, where speed is reduced to fit a more measured shooting style, such as a historical TV drama. 5-level AF subject shift sensitivity ranges from Locked-on – ignoring other moving subjects in the frame – to Responsive that switches focus from one subject to another – ideal for snapping between race cars as they speed by. AF Assist You can control MF ring during AF shooting if AF Assist is set to ON. You can adjust the focus manually even in AF shooting, you can manually operate the ring to focus the person behind. One Push AF While you are shooting in MF, pushing One Push AF button enables you to change to the focus mode to AF. Autofocus with all E-Mount Lenses Experience smooth, responsive autofocus with every E-mount lens, including Sony’s new Cinema Lens Series with premium optical performance and operability for demanding cinematography applications. Advanced E-mount lever lock operation allows quick, easy lens exchange in the field, plus added stability and security with large lenses. World’s First Electronic Variable ND Filter for Full-Frame Sensor Realise even greater creative control with Sony’s unique built-in electronic variable neutral density (ND) filter – a world first* for professional full-frame camcorders. Set to Auto, or adjust filter density manually in smooth increments from 1/4 to 1/128 as you shoot, for perfectly exposed images without affecting depth of field as lighting conditions change. Use higher density settings with a slower shutter speed for breath taking artistic effects. The built-in variable ND filter, with no need to prepare multiple ND filters separately can be flexibly and immediately used for every exposure change situation; when you move from inside to outside, and when you shoot under the natural light condition where exposure changes moment by moment. Proven Ergonomics & Accessories Compatibility FX9 chassis is the latest refinement of the revolutionary FS7 design, so you can be sure it will feel great to shoot with from almost any position, while also offering compatibility with a large proportion of the countless FS7 accessories including U-Series batteries, chargers, E-Mount lenses, plus third-party rigs, arms and lens adapters.* The control arm is easily adjusted without tools, so FX9 adapts effortlessly to your physique and preferred shooting style – handheld, at waist level or shoulder mounted. The smart grip features an updated design, more compact than before while still holding all the key shooting controls, allowing you to concentrate on the scene without distractions. FX9 also introduces a micro USB interface for improved responsiveness and support for a wrist strap. 16-bit RAW Capability 16-bit RAW offers a phenomenal increase in post-production creative freedom to fully exploit FX9’s exceptional 15+ stops of dynamic range. FX9 supports export of 16-bit RAW at either 4K or 2K resolution using the optional XDCA-FX9 extension unit with a single BNC cable connection to compatible external RAW recorders.** RAW output will be enabled with a future firmware release. Limited to 10-bit recording during 120fps high frame rate shooting within Super35 image circle Stable, Shake-Free Handheld Footage Advanced image stabilisation information means even handheld footage can be transformed with Sony Catalyst Browse/Catalyst Prepare software* in post-production to look as smooth as if it were shot with a gimbal.Unlike in-camera or lens stabilisation, meta data generated by FX9’s built-in gyro allows you to creatively choose the balance between the level of shake-compensation and the resolution of trimmed 4K imagery. This feature is also compatible with any E-mount lens and allows for far faster processing than conventional NLE stabilisation workflows**. Catalyst Browse/Catalyst Prepare Ver.2019.2 is required. Resolution and angle of view reduced compared to native footage. LCD Approx 1.8x higher resolution than the FS7M, with enhanced LCD with HD resolution has superb accuracy, high contrast and resolution, bringing higher visibility for focusing. Beautifully Matched Shooting Partners Optimised for professional cinematography applications, the light, compact, SELP28135G powered zoom lens is an ideal complement for the full frame imaging possibilities of the FX9. Circular aperture with full-frame image circle format Motorised servo zoom for smooth, precise zoom moves Independent three rings for focus, zoom and iris with smooth, silent drive You have the choice of purchasing the FX9 on its own (PXW-FX9) or with SELP28135G lens (PXW-FX9K). Cinema Lens Series Explore new artistic possibilities and precise creative control with Sony’s Cinema Lens Series. Purpose-built for documentary production and digital cinematography with full-frame cameras such as the FX9 and VENICE. The first lens in the series, the FE C 16-35mm T3.1 G full-frame wide angle zoom, is due in early 2020. Adds Shoulder-Style Operation, Advanced Networking Further extend the capabilities of the FX9 with the optional XDCA-FX9 extension unit that optimises camera weight distribution and ergonomics for comfortable shoulder-style shooting – ideal for ENG (Electronic News Gathering) and documentary applications. The extension unit also adds advanced networking for streaming/file transfers and Genlock/Timecode for multi-camera shoots. 4-Channel Audio Input and Recording  FX9 offers superb audio capabilities with independent control dials for each channel. In applications such as interview, 4-channel audio recording enables simultaneous use of an external microphone for recording ambient sounds, the built-in microphone for voice memos by the operator, and two optional UWP Series wireless microphones for voice of interviewer and interviewee. In addition, using the optional XLR-K3M, XLR-K2M or XLR-K1M XLR adapter – with two extra XLR inputs – allows even more devices to be connected.  

Sony PXW-FX9 XDCAM 6K Full-Frame Camera System package f

Comes with 2 Years Sony Prime Support Warranty - Beware of grey imports. Sony PXW-FX9 (PXW_FX9, PXW/FX9, PXW FX9) XDCAM 6K Full-Frame Camera system package f © includes: 1x Sony PXW-FX9 XDCAM 6K Full-Frame Camera System (Body Only) (PXW-FX9) 1x Sony QDG120F XQD G-Series 120GB 440MB/s Read-400MB/s Write Memory Card  1x Core CORE-CXV-FX9 Sony PXW-FX9 V-mount Plate  1x IDX V-Mount Lithium Ion Battery with 2 x D Tap and USB Output (DUO-C150) *Digibroadcast has put together some bespoke Sony packages for our clients based on our own research and surveys and holds the right to protect all of its content ©  Combined Sony’s technology in Digital cinema camera Venice, FS series and a (Alpha) ILC cameras. Sony’s full-frame 6K sensor camera with Fast Hybrid AF, dual base ISO and cinematic colour science and S-Cinetone. The Sony PXW-FX9 is the long awaited successor to the legendary PXW-FS7 is here and it brings some fantastic upgrades with it. The FX9 has a Full Frame 6K dual native ISO sensor, VENICE colour science, upgraded auto-focus capabilities, built in genlock and timecode and much more.  The FX9 features a full frame 6K 35.7 by 18.8mm back-illuminated Exmor-R CMOS sensor. This sensor is stated to have 15 plus stops of dynamic range and has a resolution of 6008 x 3168.  You will be able to shoot QFHD full frame up to 30fps, 1080p full frame at up to 120 fps and QFHD S35 up to 60fps and 1080p S35 at up to 120fps. The planned firmware updates will bring Full frame DCI 4K up to 60p, Full HD full frame up to 180fps and QFHD in Super 35 mode at up to 120fps while using an external recorder. You can also customise the autofocus, tweaking things like the AF transition between slow, for stuff like promo videos where you want slow smooth focus movements to fast which will be great for sports. You can also change the AF subject shift sensitivity which defines how easily the focus is switched to another subject. This goes from locked if you are wanting to do a walk and talk for example to responsive which you may need to keep better general focus. You can record up to four channels of audio with a range of different input options, The FX9 has an internal scratch mic, two XLR’s, you can use a dual channel receiver with the MI shoe on the handle or you can now use the DWX series of drop in receivers and transmitters with the new XDCA -FX9 back module. The FX9 does not feature SLOG2 only SLOG3 with S-Gamut3 & S-Gamut3. Cine, this is because the SLOG2 gamma curve is designed for 8-bit whereas all of the codecs on this camera are 10-bit. They have also added an S-Cinetone colour profile which is aimed to bring the colour science from the VENICE to the FX9. Realise beautiful 4K imagery with the creative freedom made possible by oversampling a huge high resolution full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh with a truly cinematic look. 15+ stops of dynamic range and Dual Base ISO enable capture of every nuance, from subtle shadow detail to specular highlights and with an immaculate colour palette. Capturing the Impossible Make sure your story’s always clear with enhanced Fast Hybrid AF that tracks your subject with unprecedented speed, smoothness and precision. Its impact is transformative for premium documentary, commercials and event applications. Shoot in Comfort, Expand your Horizons FX9 revolutionises full-frame cinematography with peerless ergonomics and advanced technology for on-the-go shooting. The world’s first full-frame electronic variable ND filter* transforms possibilities for shooting in variable lighting conditions. Built-in Wi-Fi and 12G-SDI support advanced workflows while the optional XDCA-FX9 extension kit further expands the operational possibilities of the PXW-FX9. 6K Full-Frame “Exmor R” Sensor for Stunning Picture Quality The camera’s full-frame 6K sensor provides superb recording in DCI 4K*, Ultra HD and HD resolutions. Powerful image processing with debayering and oversampling ensures image quality beyond the limits of conventional Super 35mm sensors. The back-illuminated CMOS image sensor also uses Sony’s Exmor R technology for improved sensitivity and noise reduction. Compared to a 4K Super 35mm sensor, the FX9’s 6K sensor has over twice the surface area while providing a wider angle of view and shallower depth of field. DCI 4K (4096 x 2160 at 17:9 recording) will be available with future firmware release. Phenomenal 15+ Stops Dynamic Range for Limitless Expression FX9 offers an exceptional 15+ stops of dynamic range – beyond the normal range of human perception – allowing for unprecedented creative freedom in colour grading and post. Camera operators can concentrate on framing the scene they want while relying upon the FX9 to capture every nuance and detail using either 4K 4:2:2 10-bit internal recording or 16-bit RAW external recording.* In grading, colourists can find colour and detail beyond the normal viewing abilities of the camera operator to create a final image that exactly portrays the mood of the scene. RAW recording requires future firmware release and external recorder. Dual Baso ISO for stunning images in any light FX9 features a base sensitivity of ISO 800, providing the optimal dynamic range for typical documentary applications such as shooting outside or in brightly lit interiors. A secondary High Base sensitivity of ISO 4000 excels in low light conditions such as early morning and evening shoots while maintaining superb image quality. ISO 4000 is also ideal whenever you’re using slow lenses. Combining Dual Base ISO with the camera’s electronic variable ND Filter provides superb creative control in almost any shooting environment, with truly next generation responsiveness to changing conditions. ISO 800 and ISO 4000 are used in S-Log3, Cine EI mode. Cinematic Colour Science with S-Cinetone S-Cinetone is the default look of FX9 that’s tuned to meet the requirements of today’s content creators with rich mid-range colours, alluring facial tones and a softer tonal look – developed with the same expertise as Sony’s world-leading VENICE digital cinematography camera. S-Cinetone means that straight out of the camera your content looks fresh and vivid, with subjects that really stand out while retaining plenty of latitude in post production thanks to the high performance full-frame image sensor. The advanced default looks delivers alluring facial tones and a softer tonal look. Selectable Frame Rates in Both Full-Frame & Super 35 Choose your desired frame-rate from 1fps up to 180fps* for impressive quick and slow-motion footage. FX9 creates an immersive image with a wide angle look and shallower depth of field provided by its full-frame sensor in combination with quick and slow-motion. Engage your audience with this new creative look. FX9 also offers a Quality priority setting* that maximises full HD slow motion image quality with advanced oversampling technology. Up to 120fps with Ver1.0. Full-HD 180fps will be supported with future firmware In Full-frame scanning mode: selectable at 1-30fps / In S35 scanning mode: selectable at 1-60fps  Supported in future firmware update Supported in future firmware update. RAW output only Supported in the future firmware update. Scanning area is cropped around 83% of full-frame and 122% larger than S35. (diagonal) Catch the Action with Enhanced Fast Hybrid AF Effortlessly track fast moving subjects with pin-sharp focus, even when using wide lens aperture settings to maintain a shallow depth of field with the camera’s full-frame sensor. Developed by Sony’s α camera engineers, enhanced Fast Hybrid AF combines phase detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. In addition, Face Detection intelligently recognises and locks on to human faces. The dedicated 561-point phase detection AF sensor covers approximately 94% of the whole image area width and 96% of height, allowing consistently accurate, responsive AF tracking, even with fast-moving subjects. Customisable AF Settings FX9’s comprehensive autofocus settings provide the creative flexibility to integrate with any project. Customisable AF settings can be used for a wide range of situations, depending on your requirements.  7-level AF transition speeds from Fast – switching between subjects as quickly as possible – to Slow, where speed is reduced to fit a more measured shooting style, such as a historical TV drama. 5-level AF subject shift sensitivity ranges from Locked-on – ignoring other moving subjects in the frame – to Responsive that switches focus from one subject to another – ideal for snapping between race cars as they speed by. AF Assist You can control MF ring during AF shooting if AF Assist is set to ON. You can adjust the focus manually even in AF shooting, you can manually operate the ring to focus the person behind. One Push AF While you are shooting in MF, pushing One Push AF button enables you to change to the focus mode to AF. Autofocus with all E-Mount Lenses Experience smooth, responsive autofocus with every E-mount lens, including Sony’s new Cinema Lens Series with premium optical performance and operability for demanding cinematography applications. Advanced E-mount lever lock operation allows quick, easy lens exchange in the field, plus added stability and security with large lenses. World’s First Electronic Variable ND Filter for Full-Frame Sensor Realise even greater creative control with Sony’s unique built-in electronic variable neutral density (ND) filter – a world first* for professional full-frame camcorders. Set to Auto, or adjust filter density manually in smooth increments from 1/4 to 1/128 as you shoot, for perfectly exposed images without affecting depth of field as lighting conditions change. Use higher density settings with a slower shutter speed for breath taking artistic effects. The built-in variable ND filter, with no need to prepare multiple ND filters separately can be flexibly and immediately used for every exposure change situation; when you move from inside to outside, and when you shoot under the natural light condition where exposure changes moment by moment. Proven Ergonomics & Accessories Compatibility FX9 chassis is the latest refinement of the revolutionary FS7 design, so you can be sure it will feel great to shoot with from almost any position, while also offering compatibility with a large proportion of the countless FS7 accessories including U-Series batteries, chargers, E-Mount lenses, plus third-party rigs, arms and lens adapters.* The control arm is easily adjusted without tools, so FX9 adapts effortlessly to your physique and preferred shooting style – handheld, at waist level or shoulder mounted. The smart grip features an updated design, more compact than before while still holding all the key shooting controls, allowing you to concentrate on the scene without distractions. FX9 also introduces a micro USB interface for improved responsiveness and support for a wrist strap. 16-bit RAW Capability 16-bit RAW offers a phenomenal increase in post-production creative freedom to fully exploit FX9’s exceptional 15+ stops of dynamic range. FX9 supports export of 16-bit RAW at either 4K or 2K resolution using the optional XDCA-FX9 extension unit with a single BNC cable connection to compatible external RAW recorders.** RAW output will be enabled with a future firmware release. Limited to 10-bit recording during 120fps high frame rate shooting within Super35 image circle Stable, Shake-Free Handheld Footage Advanced image stabilisation information means even handheld footage can be transformed with Sony Catalyst Browse/Catalyst Prepare software* in post-production to look as smooth as if it were shot with a gimbal.Unlike in-camera or lens stabilisation, meta data generated by FX9’s built-in gyro allows you to creatively choose the balance between the level of shake-compensation and the resolution of trimmed 4K imagery. This feature is also compatible with any E-mount lens and allows for far faster processing than conventional NLE stabilisation workflows**. Catalyst Browse/Catalyst Prepare Ver.2019.2 is required. Resolution and angle of view reduced compared to native footage. LCD Approx 1.8x higher resolution than the FS7M, with enhanced LCD with HD resolution has superb accuracy, high contrast and resolution, bringing higher visibility for focusing. Beautifully Matched Shooting Partners Optimised for professional cinematography applications, the light, compact, SELP28135G powered zoom lens is an ideal complement for the full frame imaging possibilities of the FX9. Circular aperture with full-frame image circle format Motorised servo zoom for smooth, precise zoom moves Independent three rings for focus, zoom and iris with smooth, silent drive You have the choice of purchasing the FX9 on its own (PXW-FX9) or with SELP28135G lens (PXW-FX9K). Cinema Lens Series Explore new artistic possibilities and precise creative control with Sony’s Cinema Lens Series. Purpose-built for documentary production and digital cinematography with full-frame cameras such as the FX9 and VENICE. The first lens in the series, the FE C 16-35mm T3.1 G full-frame wide angle zoom, is due in early 2020. Adds Shoulder-Style Operation, Advanced Networking Further extend the capabilities of the FX9 with the optional XDCA-FX9 extension unit that optimises camera weight distribution and ergonomics for comfortable shoulder-style shooting – ideal for ENG (Electronic News Gathering) and documentary applications. The extension unit also adds advanced networking for streaming/file transfers and Genlock/Timecode for multi-camera shoots. 4-Channel Audio Input and Recording  FX9 offers superb audio capabilities with independent control dials for each channel. In applications such as interview, 4-channel audio recording enables simultaneous use of an external microphone for recording ambient sounds, the built-in microphone for voice memos by the operator, and two optional UWP Series wireless microphones for voice of interviewer and interviewee. In addition, using the optional XLR-K3M, XLR-K2M or XLR-K1M XLR adapter – with two extra XLR inputs – allows even more devices to be connected.  

Sony PXW-FX9 XDCAM 6K Full-Frame Camera System package e

Comes with 2 Years Sony Prime Support Warranty - Beware of grey imports. Sony PXW-FX9 (PXW_FX9, PXW/FX9, PXW FX9) XDCAM 6K Full-Frame Camera system package e © includes: 1x Sony PXW-FX9 XDCAM 6K Full-Frame Camera System (Body Only) (PXW-FX9) 1x Sony QDG120F XQD G-Series 120GB 440MB/s Read-400MB/s Write Memory Card  1x Core CORE-CXV-FX9 Sony PXW-FX9 V-mount Plate *Digibroadcast has put together some bespoke Sony packages for our clients based on our own research and surveys and holds the right to protect all of its content ©  Combined Sony’s technology in Digital cinema camera Venice, FS series and a (Alpha) ILC cameras. Sony’s full-frame 6K sensor camera with Fast Hybrid AF, dual base ISO and cinematic colour science and S-Cinetone. The Sony PXW-FX9 is the long awaited successor to the legendary PXW-FS7 is here and it brings some fantastic upgrades with it. The FX9 has a Full Frame 6K dual native ISO sensor, VENICE colour science, upgraded auto-focus capabilities, built in genlock and timecode and much more.  The FX9 features a full frame 6K 35.7 by 18.8mm back-illuminated Exmor-R CMOS sensor. This sensor is stated to have 15 plus stops of dynamic range and has a resolution of 6008 x 3168.  You will be able to shoot QFHD full frame up to 30fps, 1080p full frame at up to 120 fps and QFHD S35 up to 60fps and 1080p S35 at up to 120fps. The planned firmware updates will bring Full frame DCI 4K up to 60p, Full HD full frame up to 180fps and QFHD in Super 35 mode at up to 120fps while using an external recorder. You can also customise the autofocus, tweaking things like the AF transition between slow, for stuff like promo videos where you want slow smooth focus movements to fast which will be great for sports. You can also change the AF subject shift sensitivity which defines how easily the focus is switched to another subject. This goes from locked if you are wanting to do a walk and talk for example to responsive which you may need to keep better general focus. You can record up to four channels of audio with a range of different input options, The FX9 has an internal scratch mic, two XLR’s, you can use a dual channel receiver with the MI shoe on the handle or you can now use the DWX series of drop in receivers and transmitters with the new XDCA -FX9 back module. The FX9 does not feature SLOG2 only SLOG3 with S-Gamut3 & S-Gamut3. Cine, this is because the SLOG2 gamma curve is designed for 8-bit whereas all of the codecs on this camera are 10-bit. They have also added an S-Cinetone colour profile which is aimed to bring the colour science from the VENICE to the FX9. Realise beautiful 4K imagery with the creative freedom made possible by oversampling a huge high resolution full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh with a truly cinematic look. 15+ stops of dynamic range and Dual Base ISO enable capture of every nuance, from subtle shadow detail to specular highlights and with an immaculate colour palette. Capturing the Impossible Make sure your story’s always clear with enhanced Fast Hybrid AF that tracks your subject with unprecedented speed, smoothness and precision. Its impact is transformative for premium documentary, commercials and event applications. Shoot in Comfort, Expand your Horizons FX9 revolutionises full-frame cinematography with peerless ergonomics and advanced technology for on-the-go shooting. The world’s first full-frame electronic variable ND filter* transforms possibilities for shooting in variable lighting conditions. Built-in Wi-Fi and 12G-SDI support advanced workflows while the optional XDCA-FX9 extension kit further expands the operational possibilities of the PXW-FX9. 6K Full-Frame “Exmor R” Sensor for Stunning Picture Quality The camera’s full-frame 6K sensor provides superb recording in DCI 4K*, Ultra HD and HD resolutions. Powerful image processing with debayering and oversampling ensures image quality beyond the limits of conventional Super 35mm sensors. The back-illuminated CMOS image sensor also uses Sony’s Exmor R technology for improved sensitivity and noise reduction. Compared to a 4K Super 35mm sensor, the FX9’s 6K sensor has over twice the surface area while providing a wider angle of view and shallower depth of field. DCI 4K (4096 x 2160 at 17:9 recording) will be available with future firmware release. Phenomenal 15+ Stops Dynamic Range for Limitless Expression FX9 offers an exceptional 15+ stops of dynamic range – beyond the normal range of human perception – allowing for unprecedented creative freedom in colour grading and post. Camera operators can concentrate on framing the scene they want while relying upon the FX9 to capture every nuance and detail using either 4K 4:2:2 10-bit internal recording or 16-bit RAW external recording.* In grading, colourists can find colour and detail beyond the normal viewing abilities of the camera operator to create a final image that exactly portrays the mood of the scene. RAW recording requires future firmware release and external recorder. Dual Baso ISO for stunning images in any light FX9 features a base sensitivity of ISO 800, providing the optimal dynamic range for typical documentary applications such as shooting outside or in brightly lit interiors. A secondary High Base sensitivity of ISO 4000 excels in low light conditions such as early morning and evening shoots while maintaining superb image quality. ISO 4000 is also ideal whenever you’re using slow lenses. Combining Dual Base ISO with the camera’s electronic variable ND Filter provides superb creative control in almost any shooting environment, with truly next generation responsiveness to changing conditions. ISO 800 and ISO 4000 are used in S-Log3, Cine EI mode. Cinematic Colour Science with S-Cinetone S-Cinetone is the default look of FX9 that’s tuned to meet the requirements of today’s content creators with rich mid-range colours, alluring facial tones and a softer tonal look – developed with the same expertise as Sony’s world-leading VENICE digital cinematography camera. S-Cinetone means that straight out of the camera your content looks fresh and vivid, with subjects that really stand out while retaining plenty of latitude in post production thanks to the high performance full-frame image sensor. The advanced default looks delivers alluring facial tones and a softer tonal look. Selectable Frame Rates in Both Full-Frame & Super 35 Choose your desired frame-rate from 1fps up to 180fps* for impressive quick and slow-motion footage. FX9 creates an immersive image with a wide angle look and shallower depth of field provided by its full-frame sensor in combination with quick and slow-motion. Engage your audience with this new creative look. FX9 also offers a Quality priority setting* that maximises full HD slow motion image quality with advanced oversampling technology. Up to 120fps with Ver1.0. Full-HD 180fps will be supported with future firmware In Full-frame scanning mode: selectable at 1-30fps / In S35 scanning mode: selectable at 1-60fps  Supported in future firmware update Supported in future firmware update. RAW output only Supported in the future firmware update. Scanning area is cropped around 83% of full-frame and 122% larger than S35. (diagonal) Catch the Action with Enhanced Fast Hybrid AF Effortlessly track fast moving subjects with pin-sharp focus, even when using wide lens aperture settings to maintain a shallow depth of field with the camera’s full-frame sensor. Developed by Sony’s α camera engineers, enhanced Fast Hybrid AF combines phase detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. In addition, Face Detection intelligently recognises and locks on to human faces. The dedicated 561-point phase detection AF sensor covers approximately 94% of the whole image area width and 96% of height, allowing consistently accurate, responsive AF tracking, even with fast-moving subjects. Customisable AF Settings FX9’s comprehensive autofocus settings provide the creative flexibility to integrate with any project. Customisable AF settings can be used for a wide range of situations, depending on your requirements.  7-level AF transition speeds from Fast – switching between subjects as quickly as possible – to Slow, where speed is reduced to fit a more measured shooting style, such as a historical TV drama. 5-level AF subject shift sensitivity ranges from Locked-on – ignoring other moving subjects in the frame – to Responsive that switches focus from one subject to another – ideal for snapping between race cars as they speed by. AF Assist You can control MF ring during AF shooting if AF Assist is set to ON. You can adjust the focus manually even in AF shooting, you can manually operate the ring to focus the person behind. One Push AF While you are shooting in MF, pushing One Push AF button enables you to change to the focus mode to AF. Autofocus with all E-Mount Lenses Experience smooth, responsive autofocus with every E-mount lens, including Sony’s new Cinema Lens Series with premium optical performance and operability for demanding cinematography applications. Advanced E-mount lever lock operation allows quick, easy lens exchange in the field, plus added stability and security with large lenses. World’s First Electronic Variable ND Filter for Full-Frame Sensor Realise even greater creative control with Sony’s unique built-in electronic variable neutral density (ND) filter – a world first* for professional full-frame camcorders. Set to Auto, or adjust filter density manually in smooth increments from 1/4 to 1/128 as you shoot, for perfectly exposed images without affecting depth of field as lighting conditions change. Use higher density settings with a slower shutter speed for breath taking artistic effects. The built-in variable ND filter, with no need to prepare multiple ND filters separately can be flexibly and immediately used for every exposure change situation; when you move from inside to outside, and when you shoot under the natural light condition where exposure changes moment by moment. Proven Ergonomics & Accessories Compatibility FX9 chassis is the latest refinement of the revolutionary FS7 design, so you can be sure it will feel great to shoot with from almost any position, while also offering compatibility with a large proportion of the countless FS7 accessories including U-Series batteries, chargers, E-Mount lenses, plus third-party rigs, arms and lens adapters.* The control arm is easily adjusted without tools, so FX9 adapts effortlessly to your physique and preferred shooting style – handheld, at waist level or shoulder mounted. The smart grip features an updated design, more compact than before while still holding all the key shooting controls, allowing you to concentrate on the scene without distractions. FX9 also introduces a micro USB interface for improved responsiveness and support for a wrist strap. 16-bit RAW Capability 16-bit RAW offers a phenomenal increase in post-production creative freedom to fully exploit FX9’s exceptional 15+ stops of dynamic range. FX9 supports export of 16-bit RAW at either 4K or 2K resolution using the optional XDCA-FX9 extension unit with a single BNC cable connection to compatible external RAW recorders.** RAW output will be enabled with a future firmware release. Limited to 10-bit recording during 120fps high frame rate shooting within Super35 image circle Stable, Shake-Free Handheld Footage Advanced image stabilisation information means even handheld footage can be transformed with Sony Catalyst Browse/Catalyst Prepare software* in post-production to look as smooth as if it were shot with a gimbal.Unlike in-camera or lens stabilisation, meta data generated by FX9’s built-in gyro allows you to creatively choose the balance between the level of shake-compensation and the resolution of trimmed 4K imagery. This feature is also compatible with any E-mount lens and allows for far faster processing than conventional NLE stabilisation workflows**. Catalyst Browse/Catalyst Prepare Ver.2019.2 is required. Resolution and angle of view reduced compared to native footage. LCD Approx 1.8x higher resolution than the FS7M, with enhanced LCD with HD resolution has superb accuracy, high contrast and resolution, bringing higher visibility for focusing. Beautifully Matched Shooting Partners Optimised for professional cinematography applications, the light, compact, SELP28135G powered zoom lens is an ideal complement for the full frame imaging possibilities of the FX9. Circular aperture with full-frame image circle format Motorised servo zoom for smooth, precise zoom moves Independent three rings for focus, zoom and iris with smooth, silent drive You have the choice of purchasing the FX9 on its own (PXW-FX9) or with SELP28135G lens (PXW-FX9K). Cinema Lens Series Explore new artistic possibilities and precise creative control with Sony’s Cinema Lens Series. Purpose-built for documentary production and digital cinematography with full-frame cameras such as the FX9 and VENICE. The first lens in the series, the FE C 16-35mm T3.1 G full-frame wide angle zoom, is due in early 2020. Adds Shoulder-Style Operation, Advanced Networking Further extend the capabilities of the FX9 with the optional XDCA-FX9 extension unit that optimises camera weight distribution and ergonomics for comfortable shoulder-style shooting – ideal for ENG (Electronic News Gathering) and documentary applications. The extension unit also adds advanced networking for streaming/file transfers and Genlock/Timecode for multi-camera shoots. 4-Channel Audio Input and Recording  FX9 offers superb audio capabilities with independent control dials for each channel. In applications such as interview, 4-channel audio recording enables simultaneous use of an external microphone for recording ambient sounds, the built-in microphone for voice memos by the operator, and two optional UWP Series wireless microphones for voice of interviewer and interviewee. In addition, using the optional XLR-K3M, XLR-K2M or XLR-K1M XLR adapter – with two extra XLR inputs – allows even more devices to be connected.  

Rode NTG5 shotgun microphone location recording kit package b

Introducing Rode NTG5 - brand new short, ultra-lightweight shotgun microphone ideal for use in the most demanding recording applications. NTG5 shotgun microphone location recording kit package b Rode NTG5 shotgun microphone location recording kit Rode RODEBLIMP2 Wind Shield and Shock Mount System  Digibroadcast 5 Metre 3 Pin Xlr Cable  Rode Professional Boompole - 3.3m   *Digibroadcast has put together some bespoke Rode packages for our clients based on our own research and surveys and holds the right to protect all of its content © Featuring a revolutionary acoustic design with circular ports replacing the linear slots found in other shotgun mics, it offers unmatched transparency and a more natural, uncoloured sound. Combined with a tightly controlled frequency response, smooth off-axis response, and very low self-noise (just 10dBA), the NTG5 sounds spectacular in a wide variety of applications, particularly location recording and demanding filmmaking scenarios where superlative audio is the imperative. No excuses.   The NTG5 is a boom operator’s dream, weighing a mere 76g and measuring just over 20cm, making it ideal for use on long, demanding shoots. It also features RF-bias circuitry to ensure reliable performance in adverse environments, with excellent resistance to high humidity, severe cold, damp, and dust. The perfect location recording mic.   Key features:   Revolutionary acoustic design, delivering a natural, uncoloured sound. Extremely lightweight (just 76g), and short in length (just 203mm) Tailored frequency response and very low self-noise of just 10dBA Highly directional supercardioid polar pattern and smooth off-axis response RF-bias technology and conformal coating ensure superior performance in adverse environmental conditions Comes in a complete location recording kit with WS10 windshield, PG2-R pistol grip and other accessories

Rode NTG5 shotgun microphone location recording kit package a

Introducing Rode NTG5 - brand new short, ultra-lightweight shotgun microphone ideal for use in the most demanding recording applications. NTG5 shotgun microphone location recording kit package a includes Rode NTG5 shotgun microphone location recording kit Rode RODEBLIMP2 Wind Shield and Shock Mount System  Digibroadcast 5 Metre 3 Pin Xlr Cable  *Digibroadcast has put together some bespoke Rode packages for our clients based on our own research and surveys and holds the right to protect all of its content © Featuring a revolutionary acoustic design with circular ports replacing the linear slots found in other shotgun mics, it offers unmatched transparency and a more natural, uncoloured sound. Combined with a tightly controlled frequency response, smooth off-axis response, and very low self-noise (just 10dBA), the NTG5 sounds spectacular in a wide variety of applications, particularly location recording and demanding filmmaking scenarios where superlative audio is the imperative. No excuses.   The NTG5 is a boom operator’s dream, weighing a mere 76g and measuring just over 20cm, making it ideal for use on long, demanding shoots. It also features RF-bias circuitry to ensure reliable performance in adverse environments, with excellent resistance to high humidity, severe cold, damp, and dust. The perfect location recording mic.   Key features:   Revolutionary acoustic design, delivering a natural, uncoloured sound. Extremely lightweight (just 76g), and short in length (just 203mm) Tailored frequency response and very low self-noise of just 10dBA Highly directional supercardioid polar pattern and smooth off-axis response RF-bias technology and conformal coating ensure superior performance in adverse environmental conditions Comes in a complete location recording kit with WS10 windshield, PG2-R pistol grip and other accessories

Canon XF400 4K Camcorder package g

Canon  (XF 400, XF-400, XF/400, XF4/00) XF400 4K Camcorder package g includes   1x Canon XF400 4K Camcorder 2213C007AA 1x Sandisk 128GB Extreme Pro SDXC UHS-I 170MB/s Memory Card SDSDXXY-128G-GN4IN 1x Canon BP-828 High Capacity 2670mah Battery Pack - 1x Camrade CAM-R&GB-CINEMA run&gunBag Cinema 1x Rode NTG2shotgun microphone NTG2 1x Rode RODEWS6 Deluxe Wind Shield RODEES6 1x Rode PG2R Pistol Grip Shock Mount -PG2R 1x 12inch 3Pin Male to Female Xlr Cable -12INCHXLR3PIN 1x Acebil i-605DX Tripod System -i-605DX 1x Sennheiser ew 112P G4-GB Omni-directional Wireless Lavalier Microphone System 507614 1x Sennheiser HD200 PRO studio headphones 507182 1x Libec ZFC-L Zoom and Focus Control for LANC Video Cameras -ZFC-L    *Digibroadcast has put together some bespoke Canon packages for our clients based on our own research and surveys and holds the right to protect all of its content © Offering broadcast quality UHD and Full HD capability into a handheld, lightweight body with a 1.0-Type CMOS sensor, a 15x 4K zoom lens and Dual Pixel CMOS AF, the XF400 produces outstanding clarity and sharpness. With the addition of a 100P high frame rate and network capability for FTP transfer and remote control, this camcorder is ideal for newsgathering, documentary or corporate use. 4K UHD/50P recording on SD cards with high frame rates  The XF400 supports UHD/50P MP4 and XF-AVC format (150Mbps) recording along with additional XF-AVC support coming via a firmware update in 2018. The XF400 offers 100P high frame rate recording, which brings stunning slow motion in Full HD. The combination of 1.0-Type CMOS sensor and dual DIGIC DV6 offers high image quality footage with clarity and detail with outstanding high sensitivity and low noise. “Wide DR” mode enables the user to shoot with an 800% wide dynamic range providing details in mid to high tone.  High quality 4K lens with 15x zoom  A newly developed 4K lens for 1.0 -Type CMOS sensor, using Super UD elements which minimise chromic aberration. The XF400 features an ultra-wide 25.5mm along with high magnification 15x optical zoom in 4K. A 30x Advanced Zoom capability in Full HD mode without image deterioration. A 9-blade iris diaphragm allows the operator to shoot beautiful and natural ’bokeh’. An advanced 5 axis Image Stabilizer helps to reduce image distortion. XF400 features three built-in optical density (ND) filters of 1/4, 1/16 and 1/64 (2, 4 and 6 stops). A 0.8x Wide angle and 1.5x tele-converter for additional flexibility and coverage in 4K and Full HD.  Dual Pixel CMOS AF for high-speed, precise autofocus  The XF400 offers Dual Pixel CMOS AF, fast and accurate autofocusing in area of approx. 80% (vertically) x 80% (horizontally) of the image. The XF400 touch screen allows focus control and camera operation for an intuitive operation. Various AF options are offered including Face Priority AF and Face Only AF. The innovative Dual Pixel Focus Guide supports manual focus shooting by telling the focus position visually.  Network capability with FTP transfer and remote control  The XF400 gives you more mobility – FTP files transfer directly from the camcorder or wirelessly by built-in WiFi. Using the XF400’s built-in Wi-Fi, it is possible to control via a smartphone or tablet using a Browser Remote. Additionally, the camcorder is fully compatible with the Canon Remote Controller RC-V100. IP Streaming (Full HD)* firmware update planned in 2018. *via firmware update planned in 2018  Compact and lightweight body, professional operability  Compact in size, lightweight and fully featured, the XF400 can meet a wide range of individual needs. The XF400 features an Infrared Mode allowing users to capture video in conditions with little to no ambient light. With Dual SD card slots the XF400 can record simultaneously to each of the two SD cards, providing an instant backup. With relay recording, the camera automatically switches recording from one SD card to the other when the first memory card becomes full. Variety of connectivity options feature on the XF400, including 3G-SDI (A model only), HDMI and two XLRs on the detachable handle. Flexible and high quality linear PCM 4ch audio is supported. Five assignable buttons on the XF400 body provide a convenient way to set up the camera to individual requirements and to customise control based on user preference. Remote operation of the XF400 is possible with the Canon Remote Controller RC-V100, allowing users to operate from a distance.      

Canon XF400 4K Camcorder package f

Canon 2213C007AA (XF 400, XF-400, XF/400, XF4/00) XF400 4K Camcorder package F includes   1x Canon XF400 4K Camcorder 2213C007AA 1x Sandisk 128GB Extreme Pro SDXC UHS-I 170MB/s Memory Card SDSDXXY-128G-GN4IN 1x Canon BP-828 High Capacity 2670mah Battery Pack - 1x Camrade CAM-CB-SINGLE-1 camBag Single 1  1x Rode NTG2shotgun microphone NTG2 1x Rode RODEWS6 Deluxe Wind Shield RODEES6 1x Rode PG2R Pistol Grip Shock Mount -PG2R 1x 12inch 3Pin Male to Female Xlr Cable -12INCHXLR3PIN 1x Acebil i-605DX Tripod System -i-605DX 1x Sennheiser ew 112P G4-GB Omni-directional Wireless Lavalier Microphone System 507614    *Digibroadcast has put together some bespoke Canon packages for our clients based on our own research and surveys and holds the right to protect all of its content © Offering broadcast quality UHD and Full HD capability into a handheld, lightweight body with a 1.0-Type CMOS sensor, a 15x 4K zoom lens and Dual Pixel CMOS AF, the XF400 produces outstanding clarity and sharpness. With the addition of a 100P high frame rate and network capability for FTP transfer and remote control, this camcorder is ideal for newsgathering, documentary or corporate use. 4K UHD/50P recording on SD cards with high frame rates  The XF400 supports UHD/50P MP4 and XF-AVC format (150Mbps) recording along with additional XF-AVC support coming via a firmware update in 2018. The XF400 offers 100P high frame rate recording, which brings stunning slow motion in Full HD. The combination of 1.0-Type CMOS sensor and dual DIGIC DV6 offers high image quality footage with clarity and detail with outstanding high sensitivity and low noise. “Wide DR” mode enables the user to shoot with an 800% wide dynamic range providing details in mid to high tone.  High quality 4K lens with 15x zoom  A newly developed 4K lens for 1.0 -Type CMOS sensor, using Super UD elements which minimise chromic aberration. The XF400 features an ultra-wide 25.5mm along with high magnification 15x optical zoom in 4K. A 30x Advanced Zoom capability in Full HD mode without image deterioration. A 9-blade iris diaphragm allows the operator to shoot beautiful and natural ’bokeh’. An advanced 5 axis Image Stabilizer helps to reduce image distortion. XF400 features three built-in optical density (ND) filters of 1/4, 1/16 and 1/64 (2, 4 and 6 stops). A 0.8x Wide angle and 1.5x tele-converter for additional flexibility and coverage in 4K and Full HD.  Dual Pixel CMOS AF for high-speed, precise autofocus  The XF400 offers Dual Pixel CMOS AF, fast and accurate autofocusing in area of approx. 80% (vertically) x 80% (horizontally) of the image. The XF400 touch screen allows focus control and camera operation for an intuitive operation. Various AF options are offered including Face Priority AF and Face Only AF. The innovative Dual Pixel Focus Guide supports manual focus shooting by telling the focus position visually.  Network capability with FTP transfer and remote control  The XF400 gives you more mobility – FTP files transfer directly from the camcorder or wirelessly by built-in WiFi. Using the XF400’s built-in Wi-Fi, it is possible to control via a smartphone or tablet using a Browser Remote. Additionally, the camcorder is fully compatible with the Canon Remote Controller RC-V100. IP Streaming (Full HD)* firmware update planned in 2018. *via firmware update planned in 2018  Compact and lightweight body, professional operability  Compact in size, lightweight and fully featured, the XF400 can meet a wide range of individual needs. The XF400 features an Infrared Mode allowing users to capture video in conditions with little to no ambient light. With Dual SD card slots the XF400 can record simultaneously to each of the two SD cards, providing an instant backup. With relay recording, the camera automatically switches recording from one SD card to the other when the first memory card becomes full. Variety of connectivity options feature on the XF400, including 3G-SDI (A model only), HDMI and two XLRs on the detachable handle. Flexible and high quality linear PCM 4ch audio is supported. Five assignable buttons on the XF400 body provide a convenient way to set up the camera to individual requirements and to customise control based on user preference. Remote operation of the XF400 is possible with the Canon Remote Controller RC-V100, allowing users to operate from a distance.      

Canon XF400 4K Camcorder package e

Canon 2213C007AA (XF 400, XF-400, XF/400, XF4/00) XF400 4K Camcorder package E includes   1x Canon XF400 4K Camcorder 2213C007AA 1x Sandisk 128GB Extreme Pro SDXC UHS-I 170MB/s Memory Card SDSDXXY-128G-GN4IN 1x Canon BP-828 High Capacity 2670mah Battery Pack - 1x Camrade CAM-CB-SINGLE-1 camBag Single 1  1x Rode NTG2shotgun microphone NTG2 1x Rode RODEWS6 Deluxe Wind Shield RODEES6 1x Rode PG2R Pistol Grip Shock Mount -PG2R 1x 12inch 3Pin Male to Female Xlr Cable -12INCHXLR3PIN 1x Acebil i-605DX Tripod System -i-605DX    *Digibroadcast has put together some bespoke Canon packages for our clients based on our own research and surveys and holds the right to protect all of its content © Offering broadcast quality UHD and Full HD capability into a handheld, lightweight body with a 1.0-Type CMOS sensor, a 15x 4K zoom lens and Dual Pixel CMOS AF, the XF400 produces outstanding clarity and sharpness. With the addition of a 100P high frame rate and network capability for FTP transfer and remote control, this camcorder is ideal for newsgathering, documentary or corporate use. 4K UHD/50P recording on SD cards with high frame rates  The XF400 supports UHD/50P MP4 and XF-AVC format (150Mbps) recording along with additional XF-AVC support coming via a firmware update in 2018. The XF400 offers 100P high frame rate recording, which brings stunning slow motion in Full HD. The combination of 1.0-Type CMOS sensor and dual DIGIC DV6 offers high image quality footage with clarity and detail with outstanding high sensitivity and low noise. “Wide DR” mode enables the user to shoot with an 800% wide dynamic range providing details in mid to high tone.  High quality 4K lens with 15x zoom  A newly developed 4K lens for 1.0 -Type CMOS sensor, using Super UD elements which minimise chromic aberration. The XF400 features an ultra-wide 25.5mm along with high magnification 15x optical zoom in 4K. A 30x Advanced Zoom capability in Full HD mode without image deterioration. A 9-blade iris diaphragm allows the operator to shoot beautiful and natural ’bokeh’. An advanced 5 axis Image Stabilizer helps to reduce image distortion. XF400 features three built-in optical density (ND) filters of 1/4, 1/16 and 1/64 (2, 4 and 6 stops). A 0.8x Wide angle and 1.5x tele-converter for additional flexibility and coverage in 4K and Full HD.  Dual Pixel CMOS AF for high-speed, precise autofocus  The XF400 offers Dual Pixel CMOS AF, fast and accurate autofocusing in area of approx. 80% (vertically) x 80% (horizontally) of the image. The XF400 touch screen allows focus control and camera operation for an intuitive operation. Various AF options are offered including Face Priority AF and Face Only AF. The innovative Dual Pixel Focus Guide supports manual focus shooting by telling the focus position visually.  Network capability with FTP transfer and remote control  The XF400 gives you more mobility – FTP files transfer directly from the camcorder or wirelessly by built-in WiFi. Using the XF400’s built-in Wi-Fi, it is possible to control via a smartphone or tablet using a Browser Remote. Additionally, the camcorder is fully compatible with the Canon Remote Controller RC-V100. IP Streaming (Full HD)* firmware update planned in 2018. *via firmware update planned in 2018  Compact and lightweight body, professional operability  Compact in size, lightweight and fully featured, the XF400 can meet a wide range of individual needs. The XF400 features an Infrared Mode allowing users to capture video in conditions with little to no ambient light. With Dual SD card slots the XF400 can record simultaneously to each of the two SD cards, providing an instant backup. With relay recording, the camera automatically switches recording from one SD card to the other when the first memory card becomes full. Variety of connectivity options feature on the XF400, including 3G-SDI (A model only), HDMI and two XLRs on the detachable handle. Flexible and high quality linear PCM 4ch audio is supported. Five assignable buttons on the XF400 body provide a convenient way to set up the camera to individual requirements and to customise control based on user preference. Remote operation of the XF400 is possible with the Canon Remote Controller RC-V100, allowing users to operate from a distance.      

Canon XF400 4K Camcorder package d

Canon 2213C007AA (XF 400, XF-400, XF/400, XF4/00) XF400 4K Camcorder package d includes 1x Canon XF400 4K Camcorder 2213C007AA 1x Sandisk 128GB Extreme Pro SDXC UHS-I 170MB/s Memory Card SDSDXXY-128G-GN4IN 1x Canon BP-828 High Capacity 2670mah Battery Pack - 1x Camrade CAM-CB-SINGLE-1 camBag Single 1  1x Rode NTG2shotgun microphone NTG2 1x Rode RODEWS6 Deluxe Wind Shield RODEES6 1x Rode PG2R Pistol Grip Shock Mount -PG2R 1x 12inch 3Pin Male to Female Xlr Cable -12INCHXLR3PIN     *Digibroadcast has put together some bespoke Canon packages for our clients based on our own research and surveys and holds the right to protect all of its content © Offering broadcast quality UHD and Full HD capability into a handheld, lightweight body with a 1.0-Type CMOS sensor, a 15x 4K zoom lens and Dual Pixel CMOS AF, the XF400 produces outstanding clarity and sharpness. With the addition of a 100P high frame rate and network capability for FTP transfer and remote control, this camcorder is ideal for newsgathering, documentary or corporate use. 4K UHD/50P recording on SD cards with high frame rates  The XF400 supports UHD/50P MP4 and XF-AVC format (150Mbps) recording along with additional XF-AVC support coming via a firmware update in 2018. The XF400 offers 100P high frame rate recording, which brings stunning slow motion in Full HD. The combination of 1.0-Type CMOS sensor and dual DIGIC DV6 offers high image quality footage with clarity and detail with outstanding high sensitivity and low noise. “Wide DR” mode enables the user to shoot with an 800% wide dynamic range providing details in mid to high tone.  High quality 4K lens with 15x zoom  A newly developed 4K lens for 1.0 -Type CMOS sensor, using Super UD elements which minimise chromic aberration. The XF400 features an ultra-wide 25.5mm along with high magnification 15x optical zoom in 4K. A 30x Advanced Zoom capability in Full HD mode without image deterioration. A 9-blade iris diaphragm allows the operator to shoot beautiful and natural ’bokeh’. An advanced 5 axis Image Stabilizer helps to reduce image distortion. XF400 features three built-in optical density (ND) filters of 1/4, 1/16 and 1/64 (2, 4 and 6 stops). A 0.8x Wide angle and 1.5x tele-converter for additional flexibility and coverage in 4K and Full HD.  Dual Pixel CMOS AF for high-speed, precise autofocus  The XF400 offers Dual Pixel CMOS AF, fast and accurate autofocusing in area of approx. 80% (vertically) x 80% (horizontally) of the image. The XF400 touch screen allows focus control and camera operation for an intuitive operation. Various AF options are offered including Face Priority AF and Face Only AF. The innovative Dual Pixel Focus Guide supports manual focus shooting by telling the focus position visually.  Network capability with FTP transfer and remote control  The XF400 gives you more mobility – FTP files transfer directly from the camcorder or wirelessly by built-in WiFi. Using the XF400’s built-in Wi-Fi, it is possible to control via a smartphone or tablet using a Browser Remote. Additionally, the camcorder is fully compatible with the Canon Remote Controller RC-V100. IP Streaming (Full HD)* firmware update planned in 2018. *via firmware update planned in 2018  Compact and lightweight body, professional operability  Compact in size, lightweight and fully featured, the XF400 can meet a wide range of individual needs. The XF400 features an Infrared Mode allowing users to capture video in conditions with little to no ambient light. With Dual SD card slots the XF400 can record simultaneously to each of the two SD cards, providing an instant backup. With relay recording, the camera automatically switches recording from one SD card to the other when the first memory card becomes full. Variety of connectivity options feature on the XF400, including 3G-SDI (A model only), HDMI and two XLRs on the detachable handle. Flexible and high quality linear PCM 4ch audio is supported. Five assignable buttons on the XF400 body provide a convenient way to set up the camera to individual requirements and to customise control based on user preference. Remote operation of the XF400 is possible with the Canon Remote Controller RC-V100, allowing users to operate from a distance.      

Canon XF705 4k Camcorder package e

Canon 3041C007AA  (XF/705 , XF-705 , XF 705) XF705 Camcorder package e includes 1x Canon XF705 4K Camcorder 3041C007AA 1x Core Nano-U98 HDV battery CORE-NANO-U98 1x Sandisk 256GB Extreme PRO UHS-I SDXC Memory Card SDSDXXY-256G-GN4IN 1x Camrade CAM-R&GB-LARGE run&gunBag Large bag CAM-R&GB-LARGE 1x Rode NTG2shotgun microphone NTG2 1x Rode RODEWS6 Deluxe Wind Shield RODEES6 1x Rode PG2R Pistol Grip Shock Mount -PG2R 1x 12inch 3Pin Male to Female Xlr Cable -12INCHXLR3PIN 1x Acebil i-605DX Tripod System -i-605DX  *Digibroadcast has put together some bespoke Canon packages for our clients based on our own research and surveys and holds the right to protect all of its content © Canon UK has launched the newest addition to its XF range of camcorders – the XF705. Equipped with the next-generation XF-HEVC format, XF705 offers 4K UHD 50P 4:2:2 10-bit recording to SD cards, with impressive image quality and superior levels of detail. Combined with a 1.0 type CMOS sensor and DIGIC DV6 processing, the XF705 delivers vastly improved noise performance, sensitivity and cinematic depth of field. With a host of enhanced HDR capabilities, including an advanced 12G-SDI interface and IP streaming, the XF705 is poised to revolutionise UHD HDR production workflows for the better. Versatile file formats to transform workflows: Underpinned by High Efficiency Video Codec (HEVC) video compression, and leveraging the industry standard Material eXchange Format (MXF) as the container, Canon has developed the XF-HEVC file format. HEVC offers a newer encoding technology that is about twice as efficient as mainstream H.264/AVC. By using XF-HEVC the XF705 streamlines the handling of 4K UHD data, offering the ability to record high-quality 4K UHD 50P 4:2:2 10-bit files directly to widely available SD cards. The XF705 is capable of recording HDR files internally using both the Hybrid Log Gamma (HLG) and Perceptual Quantisation (PQ) HDR formats. The camcorder also features extensive HDR assist functions to support the user when controlling exposure. The XF705 can also output a SDR signal at the same time as recording a HDR file internally to a SD card, enabling simultaneous HDR/SDR production. Equipped with an advanced 12G-SDI interface, which sends a high-quality and uncompressed UHD 50P signal over a single SDI cable, the XF705 also has the ability to stream 4K UHD HDR using the HEVC format via the network. Ideal for broadcast and video production applications, the XF705 meets the requirements of any user who needs to capture 4K UHD HDR video with a streamlined production workflow. Shoot with confidence: To make critical focus easier with the larger 1.0-type CMOS sensor, the XF705 also has Canon’s unique Dual Pixel CMOS AF. This provides accurate and fast autofocus with touch focus control, Face Detection AF and object tracking. The Dual Pixel Focus Guide also provides a graphical guide to support accurate focusing when manually adjusting the focus. Image capture starts with excellent optical systems and the XF705 offers incredible versatility combined with ease of use. It offers a 4K L-series quality lens which has a 15x optical zoom range, a maximum aperture of f/2.8, a wide angle of 25.5mm and effective IS to ensure maximum control for stable 4K UHD footage. This is combined with three independent control rings with end stops to ensure that the camcorder has the level of manual control that professionals expect.    

Canon XF705 4k Camcorder package D

Canon 3041C007AA  (XF/705 , XF-705 , XF 705) XF705 Camcorder package d includes 1x Canon XF705 4K Camcorder 3041C007AA 1x Core Nano-C98 HDV battery CORE-NANO-C98 1x Sandisk 256GB Extreme PRO UHS-I SDXC Memory Card SDSDXXY-256G-GN4IN 1x Camrade CAM-R&GB-LARGE run&gunBag Large bag CAM-R&GB-LARGE 1x Rode NTG2shotgun microphone NTG2 1x Rode RODEWS6 Deluxe Wind Shield RODEWS6 1x Rode PG2R Pistol Grip Shock Mount -PG2R 1x 12inch 3Pin Male to Female Xlr Cable -12INCHXLR3PIN  *Digibroadcast has put together some bespoke Canon packages for our clients based on our own research and surveys and holds the right to protect all of its content © Canon UK has launched the newest addition to its XF range of camcorders – the XF705. Equipped with the next-generation XF-HEVC format, XF705 offers 4K UHD 50P 4:2:2 10-bit recording to SD cards, with impressive image quality and superior levels of detail. Combined with a 1.0 type CMOS sensor and DIGIC DV6 processing, the XF705 delivers vastly improved noise performance, sensitivity and cinematic depth of field. With a host of enhanced HDR capabilities, including an advanced 12G-SDI interface and IP streaming, the XF705 is poised to revolutionise UHD HDR production workflows for the better. Versatile file formats to transform workflows: Underpinned by High Efficiency Video Codec (HEVC) video compression, and leveraging the industry standard Material eXchange Format (MXF) as the container, Canon has developed the XF-HEVC file format. HEVC offers a newer encoding technology that is about twice as efficient as mainstream H.264/AVC. By using XF-HEVC the XF705 streamlines the handling of 4K UHD data, offering the ability to record high-quality 4K UHD 50P 4:2:2 10-bit files directly to widely available SD cards. The XF705 is capable of recording HDR files internally using both the Hybrid Log Gamma (HLG) and Perceptual Quantisation (PQ) HDR formats. The camcorder also features extensive HDR assist functions to support the user when controlling exposure. The XF705 can also output a SDR signal at the same time as recording a HDR file internally to a SD card, enabling simultaneous HDR/SDR production. Equipped with an advanced 12G-SDI interface, which sends a high-quality and uncompressed UHD 50P signal over a single SDI cable, the XF705 also has the ability to stream 4K UHD HDR using the HEVC format via the network. Ideal for broadcast and video production applications, the XF705 meets the requirements of any user who needs to capture 4K UHD HDR video with a streamlined production workflow. Shoot with confidence: To make critical focus easier with the larger 1.0-type CMOS sensor, the XF705 also has Canon’s unique Dual Pixel CMOS AF. This provides accurate and fast autofocus with touch focus control, Face Detection AF and object tracking. The Dual Pixel Focus Guide also provides a graphical guide to support accurate focusing when manually adjusting the focus. Image capture starts with excellent optical systems and the XF705 offers incredible versatility combined with ease of use. It offers a 4K L-series quality lens which has a 15x optical zoom range, a maximum aperture of f/2.8, a wide angle of 25.5mm and effective IS to ensure maximum control for stable 4K UHD footage. This is combined with three independent control rings with end stops to ensure that the camcorder has the level of manual control that professionals expect.    

Canon XF705 4k Camcorder package c

Canon 3041C007AA  (XF/705 , XF-705 , XF 705) XF705 Camcorder package C includes 1x Canon XF705 4K Camcorder 3041C007AA 1x Core Nano-U98 HDV battery CORE-NANO-U98 1x Sandisk 256GB Extreme PRO UHS-I SDXC Memory Card SDSDXXY-256G-GN4IN 1x Camrade CAM-R&GB-LARGE run&gunBag Large bag CAM-R&GB-LARGE  *Digibroadcast has put together some bespoke Canon packages for our clients based on our own research and surveys and holds the right to protect all of its content © Canon UK has launched the newest addition to its XF range of camcorders – the XF705. Equipped with the next-generation XF-HEVC format, XF705 offers 4K UHD 50P 4:2:2 10-bit recording to SD cards, with impressive image quality and superior levels of detail. Combined with a 1.0 type CMOS sensor and DIGIC DV6 processing, the XF705 delivers vastly improved noise performance, sensitivity and cinematic depth of field. With a host of enhanced HDR capabilities, including an advanced 12G-SDI interface and IP streaming, the XF705 is poised to revolutionise UHD HDR production workflows for the better. Versatile file formats to transform workflows: Underpinned by High Efficiency Video Codec (HEVC) video compression, and leveraging the industry standard Material eXchange Format (MXF) as the container, Canon has developed the XF-HEVC file format. HEVC offers a newer encoding technology that is about twice as efficient as mainstream H.264/AVC. By using XF-HEVC the XF705 streamlines the handling of 4K UHD data, offering the ability to record high-quality 4K UHD 50P 4:2:2 10-bit files directly to widely available SD cards. The XF705 is capable of recording HDR files internally using both the Hybrid Log Gamma (HLG) and Perceptual Quantisation (PQ) HDR formats. The camcorder also features extensive HDR assist functions to support the user when controlling exposure. The XF705 can also output a SDR signal at the same time as recording a HDR file internally to a SD card, enabling simultaneous HDR/SDR production. Equipped with an advanced 12G-SDI interface, which sends a high-quality and uncompressed UHD 50P signal over a single SDI cable, the XF705 also has the ability to stream 4K UHD HDR using the HEVC format via the network. Ideal for broadcast and video production applications, the XF705 meets the requirements of any user who needs to capture 4K UHD HDR video with a streamlined production workflow. Shoot with confidence: To make critical focus easier with the larger 1.0-type CMOS sensor, the XF705 also has Canon’s unique Dual Pixel CMOS AF. This provides accurate and fast autofocus with touch focus control, Face Detection AF and object tracking. The Dual Pixel Focus Guide also provides a graphical guide to support accurate focusing when manually adjusting the focus. Image capture starts with excellent optical systems and the XF705 offers incredible versatility combined with ease of use. It offers a 4K L-series quality lens which has a 15x optical zoom range, a maximum aperture of f/2.8, a wide angle of 25.5mm and effective IS to ensure maximum control for stable 4K UHD footage. This is combined with three independent control rings with end stops to ensure that the camcorder has the level of manual control that professionals expect.    

RODECASTERPRO Integrated Podcast Production Studio package c

Rode RODECASTERPRO (RODE-CASTER-PRO, RODE/CASTER/PRO, RODE CASTER PRO, CASTERPRO, RODECaster Pro, Caster Pro) Integrated Podcast Production Studio package c includes; 1x Rode RODECASTERPRO Integrated Podcast Production Studio 1x Rode RODEPODMIC Dynamic Podcasting Microphone  1x Rode RODEPSA1 Professional Studio Boom Arm 1x Audiotechnica BPHS1 Broadcast Stereo Headset with Dynamic Boom Microphone  *Digibroadcast has put together some bespoke Rode packages for our clients based on our own research and surveys and holds the right to protect all of its content © The RODECaster Pro is designed to simplify podcast production whilst delivering superb audio quality. It supports up to four presenters, as well as offering easy connection to phone, USB and Bluetooth™ sources. Eight programmable pads offer instant playback of sound effects and jingles. Podcasts can be recorded directly to microSD™ card, or to a computer via USB. Ease of use is assured, with intuitive controls and large full-colour touchscreen.

RODECASTERPRO Integrated Podcast Production Studio package b

Rode RODECASTERPRO (RODE-CASTER-PRO, RODE/CASTER/PRO, RODE CASTER PRO, CASTERPRO, RODECaster Pro, Caster Pro) Integrated Podcast Production Studio package b includes; 1x Rode RODECASTERPRO Integrated Podcast Production Studio 1x Rode RODEPODMIC Dynamic Podcasting Microphone  1x Rode RODEPSA1 Professional Studio Boom Arm *Digibroadcast has put together some bespoke Rode packages for our clients based on our own research and surveys and holds the right to protect all of its content © The RODECaster Pro is designed to simplify podcast production whilst delivering superb audio quality. It supports up to four presenters, as well as offering easy connection to phone, USB and Bluetooth™ sources. Eight programmable pads offer instant playback of sound effects and jingles. Podcasts can be recorded directly to microSD™ card, or to a computer via USB. Ease of use is assured, with intuitive controls and large full-colour touchscreen.

RODECASTERPRO Integrated Podcast Production Studio package a

Rode RODECASTERPRO (RODE-CASTER-PRO, RODE/CASTER/PRO, RODE CASTER PRO, CASTERPRO, RODECaster Pro, Caster Pro) Integrated Podcast Production Studio package a includes; 1x Rode RODECASTERPRO Integrated Podcast Production Studio 1x Rode RODEPODMIC Dynamic Podcasting Microphone  *Digibroadcast has put together some bespoke Rode packages for our clients based on our own research and surveys and holds the right to protect all of its content © The RODECaster Pro is designed to simplify podcast production whilst delivering superb audio quality. It supports up to four presenters, as well as offering easy connection to phone, USB and Bluetooth™ sources. Eight programmable pads offer instant playback of sound effects and jingles. Podcasts can be recorded directly to microSD™ card, or to a computer via USB. Ease of use is assured, with intuitive controls and large full-colour touchscreen.

Sony PXW-FX9 XDCAM 6K Full-Frame Camera package c

Comes with 2 Years Sony Prime Support Warranty - Beware of grey imports. Sony PXW-FX9 (PXW_FX9, PXW/FX9, PXW FX9) XDCAM 6K Full-Frame Camera package C © includes: 1x Sony PXW-FX9 XDCAM 6K Full-Frame Camera System (Body Only) (PXW-FX9) 1x Sony XQD G-Series 240GB 400MB/s Read/ Write (QDG240F) 1x Sony 18-110mm f/4 Servo Zoom Sony G OSS Lens (SELP18110G.SYX) 1x Sony XDCA-FX9 Extension Unit for PXW-FX9 Camera (XDCA-FX9) *Digibroadcast has put together some bespoke Sony packages for our clients based on our own research and surveys and holds the right to protect all of its content ©   Combined Sony’s technology in Digital cinema camera Venice, FS series and a (Alpha) ILC cameras. Sony’s full-frame 6K sensor camera with Fast Hybrid AF, dual base ISO and cinematic colour science and S-Cinetone. The Sony PXW-FX9 is the long awaited successor to the legendary PXW-FS7 is here and it brings some fantastic upgrades with it. The FX9 has a Full Frame 6K dual native ISO sensor, VENICE colour science, upgraded auto-focus capabilities, built in genlock and timecode and much more.  The FX9 features a full frame 6K 35.7 by 18.8mm back-illuminated Exmor-R CMOS sensor. This sensor is stated to have 15 plus stops of dynamic range and has a resolution of 6008 x 3168.  You will be able to shoot QFHD full frame up to 30fps, 1080p full frame at up to 120 fps and QFHD S35 up to 60fps and 1080p S35 at up to 120fps. The planned firmware updates will bring Full frame DCI 4K up to 60p, Full HD full frame up to 180fps and QFHD in Super 35 mode at up to 120fps while using an external recorder. You can also customise the autofocus, tweaking things like the AF transition between slow, for stuff like promo videos where you want slow smooth focus movements to fast which will be great for sports. You can also change the AF subject shift sensitivity which defines how easily the focus is switched to another subject. This goes from locked if you are wanting to do a walk and talk for example to responsive which you may need to keep better general focus. You can record up to four channels of audio with a range of different input options, The FX9 has an internal scratch mic, two XLR’s, you can use a dual channel receiver with the MI shoe on the handle or you can now use the DWX series of drop in receivers and transmitters with the new XDCA -FX9 back module. The FX9 does not feature SLOG2 only SLOG3 with S-Gamut3 & S-Gamut3. Cine, this is because the SLOG2 gamma curve is designed for 8-bit whereas all of the codecs on this camera are 10-bit. They have also added an S-Cinetone colour profile which is aimed to bring the colour science from the VENICE to the FX9. Realise beautiful 4K imagery with the creative freedom made possible by oversampling a huge high resolution full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh with a truly cinematic look. 15+ stops of dynamic range and Dual Base ISO enable capture of every nuance, from subtle shadow detail to specular highlights and with an immaculate colour palette. Capturing the Impossible Make sure your story’s always clear with enhanced Fast Hybrid AF that tracks your subject with unprecedented speed, smoothness and precision. Its impact is transformative for premium documentary, commercials and event applications. Shoot in Comfort, Expand your Horizons FX9 revolutionises full-frame cinematography with peerless ergonomics and advanced technology for on-the-go shooting. The world’s first full-frame electronic variable ND filter* transforms possibilities for shooting in variable lighting conditions. Built-in Wi-Fi and 12G-SDI support advanced workflows while the optional XDCA-FX9 extension kit further expands the operational possibilities of the PXW-FX9. 6K Full-Frame “Exmor R” Sensor for Stunning Picture Quality The camera’s full-frame 6K sensor provides superb recording in DCI 4K*, Ultra HD and HD resolutions. Powerful image processing with debayering and oversampling ensures image quality beyond the limits of conventional Super 35mm sensors. The back-illuminated CMOS image sensor also uses Sony’s Exmor R technology for improved sensitivity and noise reduction. Compared to a 4K Super 35mm sensor, the FX9’s 6K sensor has over twice the surface area while providing a wider angle of view and shallower depth of field. DCI 4K (4096 x 2160 at 17:9 recording) will be available with future firmware release. Phenomenal 15+ Stops Dynamic Range for Limitless Expression FX9 offers an exceptional 15+ stops of dynamic range – beyond the normal range of human perception – allowing for unprecedented creative freedom in colour grading and post. Camera operators can concentrate on framing the scene they want while relying upon the FX9 to capture every nuance and detail using either 4K 4:2:2 10-bit internal recording or 16-bit RAW external recording.* In grading, colourists can find colour and detail beyond the normal viewing abilities of the camera operator to create a final image that exactly portrays the mood of the scene. RAW recording requires future firmware release and external recorder. Dual Baso ISO for stunning images in any light FX9 features a base sensitivity of ISO 800, providing the optimal dynamic range for typical documentary applications such as shooting outside or in brightly lit interiors. A secondary High Base sensitivity of ISO 4000 excels in low light conditions such as early morning and evening shoots while maintaining superb image quality. ISO 4000 is also ideal whenever you’re using slow lenses. Combining Dual Base ISO with the camera’s electronic variable ND Filter provides superb creative control in almost any shooting environment, with truly next generation responsiveness to changing conditions. ISO 800 and ISO 4000 are used in S-Log3, Cine EI mode. Cinematic Colour Science with S-Cinetone S-Cinetone is the default look of FX9 that’s tuned to meet the requirements of today’s content creators with rich mid-range colours, alluring facial tones and a softer tonal look – developed with the same expertise as Sony’s world-leading VENICE digital cinematography camera. S-Cinetone means that straight out of the camera your content looks fresh and vivid, with subjects that really stand out while retaining plenty of latitude in post production thanks to the high performance full-frame image sensor. The advanced default looks delivers alluring facial tones and a softer tonal look. Selectable Frame Rates in Both Full-Frame & Super 35 Choose your desired frame-rate from 1fps up to 180fps* for impressive quick and slow-motion footage. FX9 creates an immersive image with a wide angle look and shallower depth of field provided by its full-frame sensor in combination with quick and slow-motion. Engage your audience with this new creative look. FX9 also offers a Quality priority setting* that maximises full HD slow motion image quality with advanced oversampling technology. Up to 120fps with Ver1.0. Full-HD 180fps will be supported with future firmware In Full-frame scanning mode: selectable at 1-30fps / In S35 scanning mode: selectable at 1-60fps  Supported in future firmware update Supported in future firmware update. RAW output only Supported in the future firmware update. Scanning area is cropped around 83% of full-frame and 122% larger than S35. (diagonal) Catch the Action with Enhanced Fast Hybrid AF Effortlessly track fast moving subjects with pin-sharp focus, even when using wide lens aperture settings to maintain a shallow depth of field with the camera’s full-frame sensor. Developed by Sony’s α camera engineers, enhanced Fast Hybrid AF combines phase detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. In addition, Face Detection intelligently recognises and locks on to human faces. The dedicated 561-point phase detection AF sensor covers approximately 94% of the whole image area width and 96% of height, allowing consistently accurate, responsive AF tracking, even with fast-moving subjects. Customisable AF Settings FX9’s comprehensive autofocus settings provide the creative flexibility to integrate with any project. Customisable AF settings can be used for a wide range of situations, depending on your requirements.  7-level AF transition speeds from Fast – switching between subjects as quickly as possible – to Slow, where speed is reduced to fit a more measured shooting style, such as a historical TV drama. 5-level AF subject shift sensitivity ranges from Locked-on – ignoring other moving subjects in the frame – to Responsive that switches focus from one subject to another – ideal for snapping between race cars as they speed by. AF Assist You can control MF ring during AF shooting if AF Assist is set to ON. You can adjust the focus manually even in AF shooting, you can manually operate the ring to focus the person behind. One Push AF While you are shooting in MF, pushing One Push AF button enables you to change to the focus mode to AF. Autofocus with all E-Mount Lenses Experience smooth, responsive autofocus with every E-mount lens, including Sony’s new Cinema Lens Series with premium optical performance and operability for demanding cinematography applications. Advanced E-mount lever lock operation allows quick, easy lens exchange in the field, plus added stability and security with large lenses. World’s First Electronic Variable ND Filter for Full-Frame Sensor Realise even greater creative control with Sony’s unique built-in electronic variable neutral density (ND) filter – a world first* for professional full-frame camcorders. Set to Auto, or adjust filter density manually in smooth increments from 1/4 to 1/128 as you shoot, for perfectly exposed images without affecting depth of field as lighting conditions change. Use higher density settings with a slower shutter speed for breath taking artistic effects. The built-in variable ND filter, with no need to prepare multiple ND filters separately can be flexibly and immediately used for every exposure change situation; when you move from inside to outside, and when you shoot under the natural light condition where exposure changes moment by moment. Proven Ergonomics & Accessories Compatibility FX9 chassis is the latest refinement of the revolutionary FS7 design, so you can be sure it will feel great to shoot with from almost any position, while also offering compatibility with a large proportion of the countless FS7 accessories including U-Series batteries, chargers, E-Mount lenses, plus third-party rigs, arms and lens adapters.* The control arm is easily adjusted without tools, so FX9 adapts effortlessly to your physique and preferred shooting style – handheld, at waist level or shoulder mounted. The smart grip features an updated design, more compact than before while still holding all the key shooting controls, allowing you to concentrate on the scene without distractions. FX9 also introduces a micro USB interface for improved responsiveness and support for a wrist strap. 16-bit RAW Capability 16-bit RAW offers a phenomenal increase in post-production creative freedom to fully exploit FX9’s exceptional 15+ stops of dynamic range. FX9 supports export of 16-bit RAW at either 4K or 2K resolution using the optional XDCA-FX9 extension unit with a single BNC cable connection to compatible external RAW recorders.** RAW output will be enabled with a future firmware release. Limited to 10-bit recording during 120fps high frame rate shooting within Super35 image circle Stable, Shake-Free Handheld Footage Advanced image stabilisation information means even handheld footage can be transformed with Sony Catalyst Browse/Catalyst Prepare software* in post-production to look as smooth as if it were shot with a gimbal.Unlike in-camera or lens stabilisation, meta data generated by FX9’s built-in gyro allows you to creatively choose the balance between the level of shake-compensation and the resolution of trimmed 4K imagery. This feature is also compatible with any E-mount lens and allows for far faster processing than conventional NLE stabilisation workflows**. Catalyst Browse/Catalyst Prepare Ver.2019.2 is required. Resolution and angle of view reduced compared to native footage. LCD Approx 1.8x higher resolution than the FS7M, with enhanced LCD with HD resolution has superb accuracy, high contrast and resolution, bringing higher visibility for focusing. Beautifully Matched Shooting Partners Optimised for professional cinematography applications, the light, compact, SELP28135G powered zoom lens is an ideal complement for the full frame imaging possibilities of the FX9. Circular aperture with full-frame image circle format Motorised servo zoom for smooth, precise zoom moves Independent three rings for focus, zoom and iris with smooth, silent drive You have the choice of purchasing the FX9 on its own (PXW-FX9) or with SELP28135G lens (PXW-FX9K). Cinema Lens Series Explore new artistic possibilities and precise creative control with Sony’s Cinema Lens Series. Purpose-built for documentary production and digital cinematography with full-frame cameras such as the FX9 and VENICE. The first lens in the series, the FE C 16-35mm T3.1 G full-frame wide angle zoom, is due in early 2020. Adds Shoulder-Style Operation, Advanced Networking Further extend the capabilities of the FX9 with the optional XDCA-FX9 extension unit that optimises camera weight distribution and ergonomics for comfortable shoulder-style shooting – ideal for ENG (Electronic News Gathering) and documentary applications. The extension unit also adds advanced networking for streaming/file transfers and Genlock/Timecode for multi-camera shoots. 4-Channel Audio Input and Recording  FX9 offers superb audio capabilities with independent control dials for each channel. In applications such as interview, 4-channel audio recording enables simultaneous use of an external microphone for recording ambient sounds, the built-in microphone for voice memos by the operator, and two optional UWP Series wireless microphones for voice of interviewer and interviewee. In addition, using the optional XLR-K3M, XLR-K2M or XLR-K1M XLR adapter – with two extra XLR inputs – allows even more devices to be connected.  

Sony PXW-FX9 XDCAM 6K Full-Frame Camera system package b

Comes with 2 Years Sony Prime Support Warranty - Beware of grey imports. Sony PXW-FX9 (PXW_FX9, PXW/FX9, PXW FX9) XDCAM 6K Full-Frame Camera package b © includes: 1x Sony PXW-FX9 XDCAM 6K Full-Frame Camera System (Body Only) (PXW-FX9) 1x Sony XQD G-Series 240GB 400MB/s Read/ Write (QDG240F) 1x Sony 18-110mm f/4 Servo Zoom Sony G OSS Lens (SELP18110G.SYX) *Digibroadcast has put together some bespoke Sony packages for our clients based on our own research and surveys and holds the right to protect all of its content © Combined Sony’s technology in Digital cinema camera Venice, FS series and a (Alpha) ILC cameras. Sony’s full-frame 6K sensor camera with Fast Hybrid AF, dual base ISO and cinematic colour science and S-Cinetone. The Sony PXW-FX9 is the long awaited successor to the legendary PXW-FS7 is here and it brings some fantastic upgrades with it. The FX9 has a Full Frame 6K dual native ISO sensor, VENICE colour science, upgraded auto-focus capabilities, built in genlock and timecode and much more.  The FX9 features a full frame 6K 35.7 by 18.8mm back-illuminated Exmor-R CMOS sensor. This sensor is stated to have 15 plus stops of dynamic range and has a resolution of 6008 x 3168.  You will be able to shoot QFHD full frame up to 30fps, 1080p full frame at up to 120 fps and QFHD S35 up to 60fps and 1080p S35 at up to 120fps. The planned firmware updates will bring Full frame DCI 4K up to 60p, Full HD full frame up to 180fps and QFHD in Super 35 mode at up to 120fps while using an external recorder. You can also customise the autofocus, tweaking things like the AF transition between slow, for stuff like promo videos where you want slow smooth focus movements to fast which will be great for sports. You can also change the AF subject shift sensitivity which defines how easily the focus is switched to another subject. This goes from locked if you are wanting to do a walk and talk for example to responsive which you may need to keep better general focus. You can record up to four channels of audio with a range of different input options, The FX9 has an internal scratch mic, two XLR’s, you can use a dual channel receiver with the MI shoe on the handle or you can now use the DWX series of drop in receivers and transmitters with the new XDCA -FX9 back module. The FX9 does not feature SLOG2 only SLOG3 with S-Gamut3 & S-Gamut3. Cine, this is because the SLOG2 gamma curve is designed for 8-bit whereas all of the codecs on this camera are 10-bit. They have also added an S-Cinetone colour profile which is aimed to bring the colour science from the VENICE to the FX9. Realise beautiful 4K imagery with the creative freedom made possible by oversampling a huge high resolution full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh with a truly cinematic look. 15+ stops of dynamic range and Dual Base ISO enable capture of every nuance, from subtle shadow detail to specular highlights and with an immaculate colour palette. Capturing the Impossible Make sure your story’s always clear with enhanced Fast Hybrid AF that tracks your subject with unprecedented speed, smoothness and precision. Its impact is transformative for premium documentary, commercials and event applications. Shoot in Comfort, Expand your Horizons FX9 revolutionises full-frame cinematography with peerless ergonomics and advanced technology for on-the-go shooting. The world’s first full-frame electronic variable ND filter* transforms possibilities for shooting in variable lighting conditions. Built-in Wi-Fi and 12G-SDI support advanced workflows while the optional XDCA-FX9 extension kit further expands the operational possibilities of the PXW-FX9. 6K Full-Frame “Exmor R” Sensor for Stunning Picture Quality The camera’s full-frame 6K sensor provides superb recording in DCI 4K*, Ultra HD and HD resolutions. Powerful image processing with debayering and oversampling ensures image quality beyond the limits of conventional Super 35mm sensors. The back-illuminated CMOS image sensor also uses Sony’s Exmor R technology for improved sensitivity and noise reduction. Compared to a 4K Super 35mm sensor, the FX9’s 6K sensor has over twice the surface area while providing a wider angle of view and shallower depth of field. DCI 4K (4096 x 2160 at 17:9 recording) will be available with future firmware release. Phenomenal 15+ Stops Dynamic Range for Limitless Expression FX9 offers an exceptional 15+ stops of dynamic range – beyond the normal range of human perception – allowing for unprecedented creative freedom in colour grading and post. Camera operators can concentrate on framing the scene they want while relying upon the FX9 to capture every nuance and detail using either 4K 4:2:2 10-bit internal recording or 16-bit RAW external recording.* In grading, colourists can find colour and detail beyond the normal viewing abilities of the camera operator to create a final image that exactly portrays the mood of the scene. RAW recording requires future firmware release and external recorder. Dual Baso ISO for stunning images in any light FX9 features a base sensitivity of ISO 800, providing the optimal dynamic range for typical documentary applications such as shooting outside or in brightly lit interiors. A secondary High Base sensitivity of ISO 4000 excels in low light conditions such as early morning and evening shoots while maintaining superb image quality. ISO 4000 is also ideal whenever you’re using slow lenses. Combining Dual Base ISO with the camera’s electronic variable ND Filter provides superb creative control in almost any shooting environment, with truly next generation responsiveness to changing conditions. ISO 800 and ISO 4000 are used in S-Log3, Cine EI mode. Cinematic Colour Science with S-Cinetone S-Cinetone is the default look of FX9 that’s tuned to meet the requirements of today’s content creators with rich mid-range colours, alluring facial tones and a softer tonal look – developed with the same expertise as Sony’s world-leading VENICE digital cinematography camera. S-Cinetone means that straight out of the camera your content looks fresh and vivid, with subjects that really stand out while retaining plenty of latitude in post production thanks to the high performance full-frame image sensor. The advanced default looks delivers alluring facial tones and a softer tonal look. Selectable Frame Rates in Both Full-Frame & Super 35 Choose your desired frame-rate from 1fps up to 180fps* for impressive quick and slow-motion footage. FX9 creates an immersive image with a wide angle look and shallower depth of field provided by its full-frame sensor in combination with quick and slow-motion. Engage your audience with this new creative look. FX9 also offers a Quality priority setting* that maximises full HD slow motion image quality with advanced oversampling technology. Up to 120fps with Ver1.0. Full-HD 180fps will be supported with future firmware In Full-frame scanning mode: selectable at 1-30fps / In S35 scanning mode: selectable at 1-60fps  Supported in future firmware update Supported in future firmware update. RAW output only Supported in the future firmware update. Scanning area is cropped around 83% of full-frame and 122% larger than S35. (diagonal) Catch the Action with Enhanced Fast Hybrid AF Effortlessly track fast moving subjects with pin-sharp focus, even when using wide lens aperture settings to maintain a shallow depth of field with the camera’s full-frame sensor. Developed by Sony’s α camera engineers, enhanced Fast Hybrid AF combines phase detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. In addition, Face Detection intelligently recognises and locks on to human faces. The dedicated 561-point phase detection AF sensor covers approximately 94% of the whole image area width and 96% of height, allowing consistently accurate, responsive AF tracking, even with fast-moving subjects. Customisable AF Settings FX9’s comprehensive autofocus settings provide the creative flexibility to integrate with any project. Customisable AF settings can be used for a wide range of situations, depending on your requirements.  7-level AF transition speeds from Fast – switching between subjects as quickly as possible – to Slow, where speed is reduced to fit a more measured shooting style, such as a historical TV drama. 5-level AF subject shift sensitivity ranges from Locked-on – ignoring other moving subjects in the frame – to Responsive that switches focus from one subject to another – ideal for snapping between race cars as they speed by. AF Assist You can control MF ring during AF shooting if AF Assist is set to ON. You can adjust the focus manually even in AF shooting, you can manually operate the ring to focus the person behind. One Push AF While you are shooting in MF, pushing One Push AF button enables you to change to the focus mode to AF. Autofocus with all E-Mount Lenses Experience smooth, responsive autofocus with every E-mount lens, including Sony’s new Cinema Lens Series with premium optical performance and operability for demanding cinematography applications. Advanced E-mount lever lock operation allows quick, easy lens exchange in the field, plus added stability and security with large lenses. World’s First Electronic Variable ND Filter for Full-Frame Sensor Realise even greater creative control with Sony’s unique built-in electronic variable neutral density (ND) filter – a world first* for professional full-frame camcorders. Set to Auto, or adjust filter density manually in smooth increments from 1/4 to 1/128 as you shoot, for perfectly exposed images without affecting depth of field as lighting conditions change. Use higher density settings with a slower shutter speed for breath taking artistic effects. The built-in variable ND filter, with no need to prepare multiple ND filters separately can be flexibly and immediately used for every exposure change situation; when you move from inside to outside, and when you shoot under the natural light condition where exposure changes moment by moment. Proven Ergonomics & Accessories Compatibility FX9 chassis is the latest refinement of the revolutionary FS7 design, so you can be sure it will feel great to shoot with from almost any position, while also offering compatibility with a large proportion of the countless FS7 accessories including U-Series batteries, chargers, E-Mount lenses, plus third-party rigs, arms and lens adapters.* The control arm is easily adjusted without tools, so FX9 adapts effortlessly to your physique and preferred shooting style – handheld, at waist level or shoulder mounted. The smart grip features an updated design, more compact than before while still holding all the key shooting controls, allowing you to concentrate on the scene without distractions. FX9 also introduces a micro USB interface for improved responsiveness and support for a wrist strap. 16-bit RAW Capability 16-bit RAW offers a phenomenal increase in post-production creative freedom to fully exploit FX9’s exceptional 15+ stops of dynamic range. FX9 supports export of 16-bit RAW at either 4K or 2K resolution using the optional XDCA-FX9 extension unit with a single BNC cable connection to compatible external RAW recorders.** RAW output will be enabled with a future firmware release. Limited to 10-bit recording during 120fps high frame rate shooting within Super35 image circle Stable, Shake-Free Handheld Footage Advanced image stabilisation information means even handheld footage can be transformed with Sony Catalyst Browse/Catalyst Prepare software* in post-production to look as smooth as if it were shot with a gimbal.Unlike in-camera or lens stabilisation, meta data generated by FX9’s built-in gyro allows you to creatively choose the balance between the level of shake-compensation and the resolution of trimmed 4K imagery. This feature is also compatible with any E-mount lens and allows for far faster processing than conventional NLE stabilisation workflows**. Catalyst Browse/Catalyst Prepare Ver.2019.2 is required. Resolution and angle of view reduced compared to native footage. LCD Approx 1.8x higher resolution than the FS7M, with enhanced LCD with HD resolution has superb accuracy, high contrast and resolution, bringing higher visibility for focusing. Beautifully Matched Shooting Partners Optimised for professional cinematography applications, the light, compact, SELP28135G powered zoom lens is an ideal complement for the full frame imaging possibilities of the FX9. Circular aperture with full-frame image circle format Motorised servo zoom for smooth, precise zoom moves Independent three rings for focus, zoom and iris with smooth, silent drive You have the choice of purchasing the FX9 on its own (PXW-FX9) or with SELP28135G lens (PXW-FX9K). Cinema Lens Series Explore new artistic possibilities and precise creative control with Sony’s Cinema Lens Series. Purpose-built for documentary production and digital cinematography with full-frame cameras such as the FX9 and VENICE. The first lens in the series, the FE C 16-35mm T3.1 G full-frame wide angle zoom, is due in early 2020. Adds Shoulder-Style Operation, Advanced Networking Further extend the capabilities of the FX9 with the optional XDCA-FX9 extension unit that optimises camera weight distribution and ergonomics for comfortable shoulder-style shooting – ideal for ENG (Electronic News Gathering) and documentary applications. The extension unit also adds advanced networking for streaming/file transfers and Genlock/Timecode for multi-camera shoots. 4-Channel Audio Input and Recording  FX9 offers superb audio capabilities with independent control dials for each channel. In applications such as interview, 4-channel audio recording enables simultaneous use of an external microphone for recording ambient sounds, the built-in microphone for voice memos by the operator, and two optional UWP Series wireless microphones for voice of interviewer and interviewee. In addition, using the optional XLR-K3M, XLR-K2M or XLR-K1M XLR adapter – with two extra XLR inputs – allows even more devices to be connected.  

Sony PXW-FX9 XDCAM 6K Full-Frame Camera package a

Comes with 2 Years Sony Prime Support Warranty - Beware of grey imports. Sony PXW-FX9 (PXW_FX9, PXW/FX9, PXW FX9) XDCAM 6K Full-Frame Camera package a © includes: 1x Sony PXW-FX9 XDCAM 6K Full-Frame Camera System (Body Only) (PXW-FX9) 1x Sony XQD G-Series 240GB 400MB/s Read/ Write (QDG240F) *Digibroadcast has put together some bespoke Sony packages for our clients based on our own research and surveys and holds the right to protect all of its content © Combined Sony’s technology in Digital cinema camera Venice, FS series and a (Alpha) ILC cameras. Sony’s full-frame 6K sensor camera with Fast Hybrid AF, dual base ISO and cinematic colour science and S-Cinetone. The Sony PXW-FX9 is the long awaited successor to the legendary PXW-FS7 is here and it brings some fantastic upgrades with it. The FX9 has a Full Frame 6K dual native ISO sensor, VENICE colour science, upgraded auto-focus capabilities, built in genlock and timecode and much more.  The FX9 features a full frame 6K 35.7 by 18.8mm back-illuminated Exmor-R CMOS sensor. This sensor is stated to have 15 plus stops of dynamic range and has a resolution of 6008 x 3168.  You will be able to shoot QFHD full frame up to 30fps, 1080p full frame at up to 120 fps and QFHD S35 up to 60fps and 1080p S35 at up to 120fps. The planned firmware updates will bring Full frame DCI 4K up to 60p, Full HD full frame up to 180fps and QFHD in Super 35 mode at up to 120fps while using an external recorder. You can also customise the autofocus, tweaking things like the AF transition between slow, for stuff like promo videos where you want slow smooth focus movements to fast which will be great for sports. You can also change the AF subject shift sensitivity which defines how easily the focus is switched to another subject. This goes from locked if you are wanting to do a walk and talk for example to responsive which you may need to keep better general focus. You can record up to four channels of audio with a range of different input options, The FX9 has an internal scratch mic, two XLR’s, you can use a dual channel receiver with the MI shoe on the handle or you can now use the DWX series of drop in receivers and transmitters with the new XDCA -FX9 back module. The FX9 does not feature SLOG2 only SLOG3 with S-Gamut3 & S-Gamut3. Cine, this is because the SLOG2 gamma curve is designed for 8-bit whereas all of the codecs on this camera are 10-bit. They have also added an S-Cinetone colour profile which is aimed to bring the colour science from the VENICE to the FX9. Realise beautiful 4K imagery with the creative freedom made possible by oversampling a huge high resolution full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh with a truly cinematic look. 15+ stops of dynamic range and Dual Base ISO enable capture of every nuance, from subtle shadow detail to specular highlights and with an immaculate colour palette. Capturing the Impossible Make sure your story’s always clear with enhanced Fast Hybrid AF that tracks your subject with unprecedented speed, smoothness and precision. Its impact is transformative for premium documentary, commercials and event applications. Shoot in Comfort, Expand your Horizons FX9 revolutionises full-frame cinematography with peerless ergonomics and advanced technology for on-the-go shooting. The world’s first full-frame electronic variable ND filter* transforms possibilities for shooting in variable lighting conditions. Built-in Wi-Fi and 12G-SDI support advanced workflows while the optional XDCA-FX9 extension kit further expands the operational possibilities of the PXW-FX9. 6K Full-Frame “Exmor R” Sensor for Stunning Picture Quality The camera’s full-frame 6K sensor provides superb recording in DCI 4K*, Ultra HD and HD resolutions. Powerful image processing with debayering and oversampling ensures image quality beyond the limits of conventional Super 35mm sensors. The back-illuminated CMOS image sensor also uses Sony’s Exmor R technology for improved sensitivity and noise reduction. Compared to a 4K Super 35mm sensor, the FX9’s 6K sensor has over twice the surface area while providing a wider angle of view and shallower depth of field. DCI 4K (4096 x 2160 at 17:9 recording) will be available with future firmware release. Phenomenal 15+ Stops Dynamic Range for Limitless Expression FX9 offers an exceptional 15+ stops of dynamic range – beyond the normal range of human perception – allowing for unprecedented creative freedom in colour grading and post. Camera operators can concentrate on framing the scene they want while relying upon the FX9 to capture every nuance and detail using either 4K 4:2:2 10-bit internal recording or 16-bit RAW external recording.* In grading, colourists can find colour and detail beyond the normal viewing abilities of the camera operator to create a final image that exactly portrays the mood of the scene. RAW recording requires future firmware release and external recorder. Dual Baso ISO for stunning images in any light FX9 features a base sensitivity of ISO 800, providing the optimal dynamic range for typical documentary applications such as shooting outside or in brightly lit interiors. A secondary High Base sensitivity of ISO 4000 excels in low light conditions such as early morning and evening shoots while maintaining superb image quality. ISO 4000 is also ideal whenever you’re using slow lenses. Combining Dual Base ISO with the camera’s electronic variable ND Filter provides superb creative control in almost any shooting environment, with truly next generation responsiveness to changing conditions. ISO 800 and ISO 4000 are used in S-Log3, Cine EI mode. Cinematic Colour Science with S-Cinetone S-Cinetone is the default look of FX9 that’s tuned to meet the requirements of today’s content creators with rich mid-range colours, alluring facial tones and a softer tonal look – developed with the same expertise as Sony’s world-leading VENICE digital cinematography camera. S-Cinetone means that straight out of the camera your content looks fresh and vivid, with subjects that really stand out while retaining plenty of latitude in post production thanks to the high performance full-frame image sensor. The advanced default looks delivers alluring facial tones and a softer tonal look. Selectable Frame Rates in Both Full-Frame & Super 35 Choose your desired frame-rate from 1fps up to 180fps* for impressive quick and slow-motion footage. FX9 creates an immersive image with a wide angle look and shallower depth of field provided by its full-frame sensor in combination with quick and slow-motion. Engage your audience with this new creative look. FX9 also offers a Quality priority setting* that maximises full HD slow motion image quality with advanced oversampling technology. Up to 120fps with Ver1.0. Full-HD 180fps will be supported with future firmware In Full-frame scanning mode: selectable at 1-30fps / In S35 scanning mode: selectable at 1-60fps  Supported in future firmware update Supported in future firmware update. RAW output only Supported in the future firmware update. Scanning area is cropped around 83% of full-frame and 122% larger than S35. (diagonal) Catch the Action with Enhanced Fast Hybrid AF Effortlessly track fast moving subjects with pin-sharp focus, even when using wide lens aperture settings to maintain a shallow depth of field with the camera’s full-frame sensor. Developed by Sony’s α camera engineers, enhanced Fast Hybrid AF combines phase detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. In addition, Face Detection intelligently recognises and locks on to human faces. The dedicated 561-point phase detection AF sensor covers approximately 94% of the whole image area width and 96% of height, allowing consistently accurate, responsive AF tracking, even with fast-moving subjects. Customisable AF Settings FX9’s comprehensive autofocus settings provide the creative flexibility to integrate with any project. Customisable AF settings can be used for a wide range of situations, depending on your requirements.  7-level AF transition speeds from Fast – switching between subjects as quickly as possible – to Slow, where speed is reduced to fit a more measured shooting style, such as a historical TV drama. 5-level AF subject shift sensitivity ranges from Locked-on – ignoring other moving subjects in the frame – to Responsive that switches focus from one subject to another – ideal for snapping between race cars as they speed by. AF Assist You can control MF ring during AF shooting if AF Assist is set to ON. You can adjust the focus manually even in AF shooting, you can manually operate the ring to focus the person behind. One Push AF While you are shooting in MF, pushing One Push AF button enables you to change to the focus mode to AF. Autofocus with all E-Mount Lenses Experience smooth, responsive autofocus with every E-mount lens, including Sony’s new Cinema Lens Series with premium optical performance and operability for demanding cinematography applications. Advanced E-mount lever lock operation allows quick, easy lens exchange in the field, plus added stability and security with large lenses. World’s First Electronic Variable ND Filter for Full-Frame Sensor Realise even greater creative control with Sony’s unique built-in electronic variable neutral density (ND) filter – a world first* for professional full-frame camcorders. Set to Auto, or adjust filter density manually in smooth increments from 1/4 to 1/128 as you shoot, for perfectly exposed images without affecting depth of field as lighting conditions change. Use higher density settings with a slower shutter speed for breath taking artistic effects. The built-in variable ND filter, with no need to prepare multiple ND filters separately can be flexibly and immediately used for every exposure change situation; when you move from inside to outside, and when you shoot under the natural light condition where exposure changes moment by moment. Proven Ergonomics & Accessories Compatibility FX9 chassis is the latest refinement of the revolutionary FS7 design, so you can be sure it will feel great to shoot with from almost any position, while also offering compatibility with a large proportion of the countless FS7 accessories including U-Series batteries, chargers, E-Mount lenses, plus third-party rigs, arms and lens adapters.* The control arm is easily adjusted without tools, so FX9 adapts effortlessly to your physique and preferred shooting style – handheld, at waist level or shoulder mounted. The smart grip features an updated design, more compact than before while still holding all the key shooting controls, allowing you to concentrate on the scene without distractions. FX9 also introduces a micro USB interface for improved responsiveness and support for a wrist strap. 16-bit RAW Capability 16-bit RAW offers a phenomenal increase in post-production creative freedom to fully exploit FX9’s exceptional 15+ stops of dynamic range. FX9 supports export of 16-bit RAW at either 4K or 2K resolution using the optional XDCA-FX9 extension unit with a single BNC cable connection to compatible external RAW recorders.** RAW output will be enabled with a future firmware release. Limited to 10-bit recording during 120fps high frame rate shooting within Super35 image circle Stable, Shake-Free Handheld Footage Advanced image stabilisation information means even handheld footage can be transformed with Sony Catalyst Browse/Catalyst Prepare software* in post-production to look as smooth as if it were shot with a gimbal.Unlike in-camera or lens stabilisation, meta data generated by FX9’s built-in gyro allows you to creatively choose the balance between the level of shake-compensation and the resolution of trimmed 4K imagery. This feature is also compatible with any E-mount lens and allows for far faster processing than conventional NLE stabilisation workflows**. Catalyst Browse/Catalyst Prepare Ver.2019.2 is required. Resolution and angle of view reduced compared to native footage. LCD Approx 1.8x higher resolution than the FS7M, with enhanced LCD with HD resolution has superb accuracy, high contrast and resolution, bringing higher visibility for focusing. Beautifully Matched Shooting Partners Optimised for professional cinematography applications, the light, compact, SELP28135G powered zoom lens is an ideal complement for the full frame imaging possibilities of the FX9. Circular aperture with full-frame image circle format Motorised servo zoom for smooth, precise zoom moves Independent three rings for focus, zoom and iris with smooth, silent drive You have the choice of purchasing the FX9 on its own (PXW-FX9) or with SELP28135G lens (PXW-FX9K). Cinema Lens Series Explore new artistic possibilities and precise creative control with Sony’s Cinema Lens Series. Purpose-built for documentary production and digital cinematography with full-frame cameras such as the FX9 and VENICE. The first lens in the series, the FE C 16-35mm T3.1 G full-frame wide angle zoom, is due in early 2020. Adds Shoulder-Style Operation, Advanced Networking Further extend the capabilities of the FX9 with the optional XDCA-FX9 extension unit that optimises camera weight distribution and ergonomics for comfortable shoulder-style shooting – ideal for ENG (Electronic News Gathering) and documentary applications. The extension unit also adds advanced networking for streaming/file transfers and Genlock/Timecode for multi-camera shoots. 4-Channel Audio Input and Recording  FX9 offers superb audio capabilities with independent control dials for each channel. In applications such as interview, 4-channel audio recording enables simultaneous use of an external microphone for recording ambient sounds, the built-in microphone for voice memos by the operator, and two optional UWP Series wireless microphones for voice of interviewer and interviewee. In addition, using the optional XLR-K3M, XLR-K2M or XLR-K1M XLR adapter – with two extra XLR inputs – allows even more devices to be connected.  

Sony PXW-Z190 XDCAM Handheld Camcorder package b

Sony PXW-Z190 (PXWZ190, PXW Z190, PXW/Z190) XDCAM Handheld Camcorder package b includes: 1x Sony PXW-Z190 XDCAM Handheld Camcorder PXW-Z190 1x Sandisk 128GB Extreme Pro SDXC UHS-I 170MB/s Memory Card SDSDXXY-128G-GN4IN 1x Hedbox HED-BP95D Pro Battery Pack for SONY 6700mAh Li-Ion Battery HED-BP95D 1x Camrade CAM-CB-HD-SMALL-BL camBag HD Small - Black CAM-CB-HD-SMALL-BL    *Digibroadcast has put together some bespoke Sony packages for our clients based on our own research and surveys and holds the right to protect all of its content © Sony's PXW-Z190 4K 3-CMOS 1/3" Sensor XDCAM Camcorder continues the fine tradition of the XDCAM series of cameras. It captures 4K at up to 60p, relying on three 1/3" Exmor R sensors that provide improved low-light capability when compared to standard sensors. The camera integrates a 25x optical Sony G zoom lens and an electronic variable ND filter. The camera supports a variety of codecs out of the box, with an optional MPEG HD license enabling you to shoot HD video. The camera supports HLG (Hybrid Log Gamma), allowing you to shoot and deliver footage compatible with both HDR (high dynamic range) and SDR (standard dynamic range) without needing laborious post-production work. Dual SD card slots permit a variety of recording options including simultaneous HD and 4K recoding. The camera features built-in 2.4 and 5 GHz Wi-Fi.  

Blackmagic URSA Mini Pro G2 Super 35 4.6K Camcorder - EF Mount package a

Blackmagic BMD-CINEURSAMUPRO46KG2 (BMD_CINEURSAMUPRO46KG2, BMD/CINEURSAMUPRO46KG2, BMD CINEURSAMUPRO46KG2) URSA Mini Pro G2 Super 35 4.6K Camcorder - EF Mount package a includes:     1x Blackmagic Compact digital film camera with high performance 4.6K HDR sensor for shooting up to 300 fps (BMD-CINEURSAMUPRO46KG2) 1x Blackmagic high Resolution Viewfinder for URSA range (BMD-CINECAMURSANEVFP) *Digibroadcast has put together some bespoke Blackmagic packages for our clients based on our own research and surveys and holds the right to protect all of its content © URSA Mini Pro 4.6K G2, is a professional digital film camera that combines incredible 4.6K image quality with the features and controls of a traditional broadcast camera. The second generation URSA Mini Pro features fully redesigned electronics and a new Super 35mm 4.6K HDR image sensor that combine to give you much higher frame rate shooting. You also get built in ND filters, an interchangeable lens mount, Blackmagic RAW support, and both dual CFast and SD UHS-II card recorders for capturing images at up to 300 frames per second. There’s even a USB-C expansion port that lets you record directly to flash drives or SSD disks for even longer recording times. URSA Mini Pro 4.6K G2 features a massive number of controls intuitively positioned on the side of the camera so you can adjust most settings by feel, without ever having to take your eyes off the action. URSA Mini Pro is lightweight and comfortable enough to use all day, has controls that are extremely fast to use, and image quality that’s far superior to broadcast cameras costing ten times more. Digital Film Quality For Every Project - The Perfect Camera For Digital Film, Broadcast, Live Production And More: URSA Mini Pro cameras are “three cameras in one” because they combine high end digital film quality with the features and controls broadcasters need. They’re ideal for any kind of work from high end feature films, television shows and commercials, toindependent films, broadcast news, and even studio and live production. URSA Mini Pro cameras go beyond standard Ultra HD broadcast quality because they give you 4.6K resolution with 15 stops of dynamic range. Plus, the super wide colour gamut and Blackmagic Design Generation 4 colour science give you incredibly accurate skin tones andstunning, lifelike colour so you always capture cinematic quality images. The super compact body features broadcast camera controls and advanced operating software that make it faster to set up and use than any other camera. Whether you’re on set, onlocation or shooting run and gun, URSA Mini Pro has theimage quality and features you need to work on any typeof project. Three Incredible Models; Choose Ursa Mini 4K, Ursa Mini 4.6K Or Ursa Mini Pro 4.6K G2: The URSA Mini family are powerful and robust cameras that are available in three different models, so you can choose the camera that best suits your needs. The affordable URSA Mini 4K features a fixed EF mount along with dual CFast card recorders. URSA Mini Pro 4.6K G2 adds built in ND filters, an interchangeable lens mount, dual CFast and UHS-II SD card recorders, and a massive set of broadcast features and external controls. URSA Mini Pro 4.6K G2 is the ultimate high end digital film camera with second generation electronics, a high frame rate image sensor, and a USB-C for recording directly to external drives. Revolutionary Ursa Design - Big Camera Features That Are Fast To Use In A Lightweight, Portable Design: URSA Mini Pro is designed to include everything you need in a handheld camera so you can take it anywhere. Unlike cheap plastic cameras, the evenly weighted camera body is made out of a super tough magnesium alloy. It’s a true professional camera with full redundancy on every control, eventhe power switch. Plus, the familiar broadcast switches and controls allow full setting changes without having to take the camera off your shoulder. There’s an external high visibility backlit LCD status display so you can see critical shooting information, and a 4” foldout touch screen for reviewing shots. That means you don’t have tocarry an extra on‑set monitor. You get professional connections such as 12G‑SDI, XLR audio, a built in high quality microphone and more. The optional electronic viewfinder and shoulder mount kit lets you go from tripod to handheld shooting in seconds, or you can turn URSA Mini Pro into the ultimate live production camera by adding an URSA Studio Viewfinder. Built In Nd Filters - High Quality Neutral Density Filters With Ir Compensation: URSA Mini Pro G2 features high quality neutral density (ND) filters that let you quickly reduce the amount of light entering the camera. The 2, 4 and 6 stop filters have been specifically designed to match the colourimetry and colour science of the camera, providing you with additional latitude, even under harsh lighting conditions. This lets you use different combinations of aperture and shutter angle to achieve shallower depth of field, or specific levels of motion blur, in a wider range of situations. The IR filters have been designed to filter both optical wave lengths and IR wave lengths evenly to eliminate IR contamination of the images that most ND filters can suffer from. The ND filters are true optical filters with a precision mechanism that quickly moves them into place when the ND filter dial is turned. The filter settings can even be displayed as either an ND number, stop reduction or fraction on the LCD. Familiar Broadcast Control - Quickly Change Settings Without Taking The Camera Off Your Shoulder: Like the world’s best broadcast cameras, URSA Mini Pro 4.6K G2 features independent controls for direct access to the most important camera settings. Buttons, switches and dials are laid out in a logical order that makes them easy to find by feel while using the viewfinder. This means you’ll be able to adjust settings, add an ND filter or even change frame rate without having to fold out the touchscreen or take the camera off your shoulder. Interchangeable Lens Mounts - Compatible With Ef, Pl, B4 And F Mount Lenses: Different projects require different lenses, whichiswhy URSA Mini Pro models feature an interchangeable lensmount. Imagine shooting regular work using a photography lens but then being able to change to aPLmount cinema lens ifyou get a high end film job. URSA Mini Pro makesthat easy because you can quickly switch betweenEF, PL, B4 and F mount lenses, making it compatible with the widest possible range of professional lenses. That means you can work with high quality EF or F mount photographic lenses, large PL cinema lenses, and even B4 broadcast lenses, all with the same camera. URSA Mini Pro comes standard with an EF mount. Additional optional PL, B4 and F lens mounts can be purchased separately. With URSA Mini Pro, yougeta single camera that works with virtually all professional lenses so you can choose precisely the lens you need. Backlit Status Display - See Critical Shooting Information In Bright Daylight: The status display is a high visibility backlit LCD screen that’s designed to be easily seen, even in bright light. The status display shows record timecode, locked timecode and reference timecode, along with the current shooting frame rate, shutter angle, aperture, white balance, ISO and IRIS. Italso features a battery indicator, card recording status and audio meters for monitoring levels. The screen’s backlight can be turned on when you’re shooting in dimly lit locations, and off when you’re shooting outdoors and in bright light to increase contrast, making it easy to read under any condition. Cinematic 4.6K Sensor - Capture Incredible Digital Film Images With 15 Stops Of Dynamic Range: When it comes to image quality, URSA Mini Pro 4.6K G2 operates at a higher resolution and dynamic range that is well beyond traditional motion picture film. You get a 4.6K image sensor that captures up to 4608 x 2592 pixels, which is bigger than full size DCI 4K. The sensor features a massive 15 stops of dynamic range and support for up to 3200 ISO, making URSA Mini Pro models perfect for high dynamic range (HDR) projects. Built in active refrigeration ensures maximum dynamic range and low noise, so you get incredibly clean pictures with amazing detail in both the dark shadows and bright highlight areas. In addition, URSA Mini Pro 4.6K G2 supports high frame shooting at up to 300 frames per second and even better colour fidelity. You can also choose the lower cost URSA Mini 4K model with 12 stops of dynamic range when you don’t need the performance and are on a tighter budget. Advanced Colourimetry - Super Wide Colour Gamut And Precision Colour Science: #URSA Mini Pro models feature an incredibly wide colour gamut that captures more of the visible colour spectrum than Rec. 2020, which is vastly larger than the P3 digital cinema colour space. Blackmagic Design Generation 4 colour science is used to process the raw sensor data, enabling amazingly rich skin tones, natural colour response and enormous amounts of dynamic range. Whether you’re shooting a Hollywood blockbuster, an indie film, high end commercial, or a broadcast television show, URSA Mini Pro’s combination of resolution, dynamic range and colour gamut delivers amazingly rich and lifelike images. High Frame Rate Recording - Capture The Action At Up To 300 Frames Per Second: URSA Mini Pro 4.6K G2 is a more powerful second generation camera with entirely new electronics and a new high performance image sensor that lets you shoot crystal clear slow motion footage. You can record full sensor 4.6K images up to 120 frames per second, windowed DCI 4K at up to 150 frames per second, and regular windowed 1080 HD at an amazing 300 frames per second. A dedicated off-speed button on the camera’s body lets you quickly switch between your preset high frame rate and regular frame rate shooting. When it comes to high frame rate shooting, URSA Mini Pro 4.6K G2 is ideal for fast action sports, high speed nature photography and more. Non Stop Recording - Works With Both Cfast And Sd Card Media: URSA Mini Pro models feature both dual CFast 2.0 recorders and dual UHS‑II SD card recorders so you can choose the media that works best for you. CFast cards are ideal for full resolution Blackmagic RAW 12-bit recording, while SD UHS‑II cards are inexpensive and commonly available, making them perfect for recording Blackmagic RAW 5:1, 8:1 or 12:1 files. URSA Mini Pro 4.6K G2 also features a USB‑C connection so you can connect and record directly to portable SSD drives. Simply choose the media type, insert the cards and start shooting. With dual slots for each media type, you never haveto stop recording because when the first card is full, itautomatically continues onto the next card. You can even swap the full card for an empty one, all without having to stop recording. Blackmagic Ursa Mini Ssd Recorder - Record Onto 2.5 Inch Ssd Media: The optional Blackmagic URSA Mini SSD Recorder lets you record 12-bit Blackmagic RAW files onto standard 2.5 inch SSD Media with your URSA Mini orURSA Mini Pro cameras. That means you can use commonly available and inexpensive high capacity solid state media. Unlike other types of cards, SSD media is super fast so you can record fullresolution 4K and 4.6K 12-bit Blackmagic RAW files. Plus,SSD media comes in much larger sizes so you can record longer without having to change cards. The unique design of the Blackmagic URSA Mini SSD Recorder allows itto attach directly to the back of your URSA Mini or URSA Mini Pro between the camera and the battery. It uses 6G-SDI as a data link to the camera so you don’t have to worry about starting or stopping the SSD recorder. Everything is setup and controlled directly from the camera. Expansion Port - High Speed Usb-C Connection For Direct External Recording: URSA Mini Pro 4.6K G2 features an innovative high speed USB‑C Expansion Port. USB‑C is quickly becoming standard on all modern computers and devices. The massive bandwidth of USB‑C makes it possible to connect external accessories such as flash drives and SSDs for significantly longer recording times. This can be important when shooting high quality lossless 12‑bit Blackmagic RAW or high frame rate 300 fps images. Best of all, when you’re done shooting you can use the same drive for editing and post production. Built In Monitoring - Fold Out Touch Screen For Monitoring And Camera Control: The built in 4 inch fold out touchscreen on URSA Mini Pro models and the 5 inch fold out touchscreen on URSA Mini 4K and 4.6K are super bright, high resolution colour displays with a wide viewing angle that makes them perfect for monitoring and reviewing shots on set. The screen can also show you a “heads up display” overlay with critical information such as format, frame rate, timecode, ISO and more. You even get a histogram, card recording status indicators and audiometers. The fold out touchscreen lets you use the incredible new URSA Mini operating software so you get super fast access to every camera function, ATEM broadcast switcher integration features for live broadcast, digital slate for metadata management and more. Advanced Ursa Mini Software - Incredibly Fast Software With Revolutionary New User Interface All URSA Mini cameras feature a new user interfacethat revolutionises the way you work. The advanced camera operating software lets you use simple tap and swipe gestures to control all features, setup, the digital slate and more. You get powerful and super fast software with aunique heads up display that puts commonly used functions at your fingertips. Simply touch an on screen iconto make changes for things such as audio levels, whitebalance, shutter angle and more. You’ll instantly see sliders and controls formaking adjustments without ever having to navigate through any menus. The new digital slate makes entering metadata faster than ever before witha built in dictionary, predictive entry and on screen keyboard. Using a professional digital film camera has never been faster. Bluetooth® Camera Control - New Api Lets You Create Remote Camera Control Apps: All URSA Mini Pro cameras feature built in Bluetooth that allows you to send and receive commands from up to 30 feet away. Blackmagic Design has also published a new, open protocol and developer API, along with sample code for an iPad app that can control URSA Mini Pro. Now you can create your own remote camera control solutions, digitalslate applications, remote colour correction software and more. The possibilities are endless and this technology will enable entirely new workflows that were never before possible. Imagine building an app that can jam sync timecode and trigger all cameras to record to their internal media with matching metadata, all at the same time. Highly Customisable - Flexible Enough To Be Rigged For Any Production: Blackmagic URSA Mini cameras are completely customisable so you can create a rig that’s built specifically for your production. You can add accessories like the Blackmagic URSA Viewfinder, URSA Studio Viewfinder, URSA Mini Shoulder Kit and URSA Mini Mic Mount, or choose from hundreds of third party accessories. URSA Mini and URSA Mini Pro have 9 standard ¼” threaded mounting points on the top and bottom of the camera so you can mount it directly to a tripod aswell as add accessories such as rails, sliders, matteboxes, microphones, ring lights, batteries and more. Whether you’re building a feature film rig or outfitting the camera for an ENG style shoot, URSA Mini has all of the mount points and connections you need. High Resolution Viewfinder - Full Hd Display And Glass Optics Makes Precise Focus Easy: The optional Blackmagic URSA Viewfinder is designed to be the perfect match for URSA Mini Pro and URSA Mini cameras. You get a high resolution 1920 x 1080 colour OLED display matched with precision glass optics, adjustable diopter and built in digital focus chart so you get perfect focus every time. To preserve OLED screen life, there’s a built in sensor so the OLED only turns on when you’re looking through the viewfinder. TheBlackmagic URSA Viewfinder is adjustable so it can be used on both the left or the right eye. There’s even a built in record light. Blackmagic Ursa Studio Viewfinder - Turn Ursa Mini Into A True Professional Studio Camera: The URSA Studio Viewfinder is a true professional viewfinder for URSA Mini Pro and URSA Mini. You get a bright 7” screen with large handles and variable tension pivot points that let you smoothly adjust the viewfinder’s position and angle, even while you’re live on air. The control knobs and buttons give you direct control of settings so you can keep your eye on the action. Combined with the software for URSA Mini, the URSA Studio Viewfinder turns your URSA Mini into the ultimate live production camera. You get support for talkback, tally, and program return, along with remote control of focus, iris,colour balance and more, all from your ATEM Switcher. Professional Connections - Full Size, Durable Connections That Work With Standard Cables: Blackmagic URSA Mini Pro models feature multiple connections such as 12G‑SDI out, HD-SDI monitoring out, 2 LANC inputs, balanced XLR audio with phantom power, timecode in and reference input. On the front right side of the cameras is a 12 pin Hirose control connector for broadcast lenses. There’s also a 4 pin XLR DC output and an HD-SDI monitoring output that are located in the perfect position for connecting an optional viewfinder or on set monitor. The12G‑SDI output handles all formats up to 2160p60 using a single BNC cable, and also switches to 6G‑SDI or HD‑SDI depending on the shooting format. Advanced 12G‑Sdi - Work With All Formats Up To 2160P60 Over A Single Cable: 12G‑SDI is an incredible 8 times faster than regular HD-SDI which makes it fast enough for Ultra HD video at up to 60 frames per second, all over a single regular SDI cable. The high quality BNC connections are multi rate so it can automatically switch and work with 6G‑SDI, 3G‑SDI, and regular HD‑SDI equipment. That means URSA Mini Pro and URSA Mini cameras are compatible with all of your existing HD and Ultra HD equipment so you can plug it into things like ATEM live production switchers, on set monitors, decksand more. Professional Audio - Built In Production Quality Sound Recording: URSA Mini Pro models have a high quality microphone and professional audio recorder built right in so you don’t have to carry around extra sound equipment. Use the built in stereo microphone to record natural location sound or connect professional microphones using the two XLR wide dynamic range mic inputs. The XLR connections have 48V of switchable phantom power so you can plug in everything from shot gun to wireless clip on mics for capturing every detail of the performance. You can quickly adjust levels using the external knobs and monitor audio using the onscreen audio meters. Digital Slate - Embedded Metadata, Store Location, Camera Orientation, Scene Details And More: The built in touchscreen makes it astonishingly simple to set up and enter metadata for tagging clips. Metadata is saved directly in the video files so you don’t have to worry about managing extra files. You can import the files directly into software like DaVinci Resolve, Final Cut Pro and Avid Media Composer then use the metadata to sort, searchand find the clips you need so you can spend more time on creative editing and less time managing mountains of media. Flexible Power - Compatible With Industry Standard Batteries And Power: URSA Mini Pro and URSA Mini cameras include a 4-pin XLR industry standard power connector that works with 12V to 20V external power supplies. That means it’s easy to use thecamera with all of your existing power supplies and batteries. All URSA cameras use the same battery power connector and mounting points on the rear of the camera soyou can use a wide range of battery plates from manufacturers such as IDX, Blueshape, Anton Bauer and more. You can also add the optional Blackmagic URSA VLock Battery Plate or Blackmagic URSA Gold Battery Plate for using popular V‑Mount and Gold Mount batteries. Includes Davinci Resolve Studio - Professional Editing, Visual Effects, Colour Correction And Audio Post: All URSA cameras include a full version of DaVinci Resolve Studio, which is a complete post production solution. You get the world’s most advanced solution that combines professional editing, colour correction, audio post and visual effects all in one software tool. DaVinci Resolve is used to finish more Hollywood feature films than any other solution, so you'll get the best possible post production tools to edit native video from your camera and retain every bit of quality. Whether you’re working on major Hollywood feature films, episodic television productions, musicvideos, commercials or even the latest YouTube shoot,DaVinci Resolve Studio gives you a completelylossless workflow for native editing, colour correction, effects, audio and delivery, so your video always looks as good as possible. Optional Shoulder Mount Kit - From Tripod To Shoulder And Back In Seconds: URSA Mini cameras include multiple ¼ inch mount points on the bottom so you can attach it directly to any tripod. When you need to quickly move from tripod to handheld and back, the best solution is to use the optional Blackmagic URSA Mini Shoulder Kit. Thiskit includes the shoulder pad with built in rosettes, rail mounts and integrated quick lock release attachment points for instantly latching onto the quick release plate without removing the shoulder pad. The kit also includes a top handle for carrying the camera and attaching accessories.

Panasonic Lightweight 4K/HDR 10BIT REC Camera Recorder with Live Streaming package f

Panasonic PAN-AGCX350EJ (PAN/AGCX350EJ, PAN AGCX350EJ, PANAGCX350EJ, AGCX350EJ, pan-agcx350ej) Lightweight 4K/HDR 10BIT REC Camera Recorder with Live Streaming package f includes: 1x Panasonic PAN-AGCX350EJ Lightweight 4K/HDR 10BIT REC Camera Recorder with Live Streaming  1x Hedbox RP-VBD78 DV Battery Pack for Panasonic 7800mAh Li-Ion Battery 7.4V  1x Sandisk 128GB Extreme Pro SDXC UHS-I 170MB/s Memory Card SDSDXXY-128G-GN4IN 1x Camrade CAM-R&GB-CINEMA run&gunBag Cinema 1x Acebil i-605DX Tripod System  1x Rode NTG2 shotgun microphone 1x Rode PG2R Pistol Grip Shock Mount  1x Rode WS6 deluxe windshield 1x Digibroadcast 12inch 3pin XLR male to female cable 1x Sennheiser HD 200 PRO Studio Headphones (507182) 1x Sennheiser 507614 ew 112P G4-GB Set (507614) 1x Atomos Ninja V 5" 4K HDMI Recording Monitor       *Digibroadcast has put together some bespoke Panasonic packages for our clients based on our own research and surveys and holds the right to protect all of its content © 4K HDR Image In Your Hands Wide-Angle 24.5mm*1 Optical 20X Zoom, Plus I.Zoom The lens has the industry’s widest angle of 24.5mm*1 on the wide end and allows recording of wide-angle images with minimal distortion, without the use of a conversion lens. The optical 20x zoom covers up to 490mm telephoto in all modes. Furthermore, the i.Zoom enables seamless zooming of up to 32x in HD or up to 24x in UHD from the telephoto end with no degradation in resolution. The AG-CX350 also comes with digital 2x/ 5x/ 10x zoom.*2 HDR-Compliant Hlg (Hybrid Log-Gamma) Thanks to HLG (Hybrid Log-Gamma)*3 the AG-AC350 supports HDR (High Dynamic Range) which achieves a wide dynamic range on HDR-compatible TV monitors. The gamma mode can be selected from eight modes (HD, SD, FILMLIKE 1, FILMLIKE 2, FILMLIKE 3, FILM-REC, VIDEO-REC, HLG). New High-Definition, High-Sensitivity 1.0-Type 15M Mos Sensor The 1.0-type MOS (approximately 15,030,000 pixels) offers an outstanding depth of field and excellent balance between image quality and sensitivity. It supports multi-formats, such as UHD (3840 x 2160), FHD, HD and SD, and provides images without cropping in all modes. This MOS sensor also boasts high sensitivity of F12 (60Hz) /F13 (50Hz) (in both UHD and FHD in High Sensitivity mode). Built-in 5-Axis Hybrid Image Stabilizer Intelligent AF and Focus Assist Manual Three Rings Cabled/Wireless Remote Control Capability Superb 4K Image With 10Bit Codec Up To 50/59.94P Without Cropping New HEVC CODEC for High-Image-Quality 10Bit Uhd/50 Fps Recording at low Bit Rate The camcorder can record UHD/50 fps videos in high-image-quality 10bit on an SD memory card. It also features a new, high-efficiency HEVC codec (LongGOP, 10bit, 4:2:0, MOV) . 10Bit Variable Frame Rate (VFR) Without Cropping In UHD, variable frame rate (VFR) recording at 1fps to 50fps is possible. In FHD, super-slow can be realized at a maximum of 100fps. Both provide high-quality 10bit, full-frame pictures with no image area cropping even at high frame rates. MOV/AVCHD/P2 MXF* File Formats Supported Freeze Frame (Still Image Capture) Double Memory Card Slots Improve Recording Reliability Enhanced Network Connectivity For Live RTMP/RTSP-Compatible Hd Streaming The AG-CX350 can be used for live coverage of concerts and sports events as well as for live streaming of breaking news. Facebook, YouTube, and other streaming services are supported. Easy IP Connection: Preinstalled Ndi | HX*4 The industry’s first camcorder equipped with NDI | HX mode*4, it allows video transmission and camera control via IP connection, without using an external converter. The camera can be built in to larger systems working alongside Panasonic PTZ camera systems equipped with NDI | HX and the Live Production Center AV-HLC100. Wireless Control from a Tablet or Smartphone Parallel Output of SDI and HDMI TC Synchro Multi-Camera Recording Supported Broadcast-Grade Picture Quality Adjustment Functions 24-bit PCM Supporting High-Resolution Audio Compact, Light Weight, Low Power Consumption, And Ease Of Use Design Low Power Consuming, Large-Capacity Battery, Quick Charge Simultaneous Display on High-Brightness, High-Definition LCD and High-Resolution OLED EVF Compact, lightweight body 1.9 kg In 35mm equivalent. The AG-CX350’s wide 24.5mm angle is the widest in the industry for UHD/FHD (16:9). In the segment of camcorders with integrated lens, the Panasonic AG-UX180 achieved the industry’s widest angle of 24mm in UHD/24p (17:9). For UHD/FHD (16:9), 25.4mm is the widest angle in the industry. (Both as of January 2019, according to a Panasonic survey) When using the digital zoom, picture quality degrades as the magnification rate increases The HLG specification was developed jointly by Japanese broadcaster NHK and the BBC in the UK. It is defined in ARIB STD-B67 and ITU Rec. 2100. NDI: Network Device Interface, a technology of NewTek, Inc.. Industry’s first camcorder to support NDI | HX. As of January 2019 (according to a Panasonic survey). To use this function, an activation keycode from NewTek is required. Keycodes can be purchased from the following website: http://new.tk/ndi_panasonic

Panasonic Lightweight 4K/HDR 10BIT REC Camera Recorder with Live Streaming package e

Panasonic PAN-AGCX350EJ (PAN/AGCX350EJ, PAN AGCX350EJ, PANAGCX350EJ, AGCX350EJ, pan-agcx350ej) Lightweight 4K/HDR 10BIT REC Camera Recorder with Live Streaming package e includes: 1x Panasonic PAN-AGCX350EJ Lightweight 4K/HDR 10BIT REC Camera Recorder with Live Streaming  1x Hedbox RP-VBD78 DV Battery Pack for Panasonic 7800mAh Li-Ion Battery 7.4V  1x Sandisk 128GB Extreme Pro SDXC UHS-I 170MB/s Memory Card SDSDXXY-128G-GN4IN 1x Camrade CAM-R&GB-CINEMA run&gunBag Cinema 1x Acebil i-605DX Tripod System  1x Rode NTG2 shotgun microphone 1x Rode PG2R Pistol Grip Shock Mount  1x Rode WS6 deluxe windshield 1x Digibroadcast 12inch 3pin XLR male to female cable 1x Sennheiser HD 200 PRO Studio Headphones (507182) 1x Sennheiser 507614 ew 112P G4-GB Set (507614)      *Digibroadcast has put together some bespoke Panasonic packages for our clients based on our own research and surveys and holds the right to protect all of its content © 4K HDR Image In Your Hands Wide-Angle 24.5mm*1 Optical 20X Zoom, Plus I.Zoom The lens has the industry’s widest angle of 24.5mm*1 on the wide end and allows recording of wide-angle images with minimal distortion, without the use of a conversion lens. The optical 20x zoom covers up to 490mm telephoto in all modes. Furthermore, the i.Zoom enables seamless zooming of up to 32x in HD or up to 24x in UHD from the telephoto end with no degradation in resolution. The AG-CX350 also comes with digital 2x/ 5x/ 10x zoom.*2 HDR-Compliant Hlg (Hybrid Log-Gamma) Thanks to HLG (Hybrid Log-Gamma)*3 the AG-AC350 supports HDR (High Dynamic Range) which achieves a wide dynamic range on HDR-compatible TV monitors. The gamma mode can be selected from eight modes (HD, SD, FILMLIKE 1, FILMLIKE 2, FILMLIKE 3, FILM-REC, VIDEO-REC, HLG). New High-Definition, High-Sensitivity 1.0-Type 15M Mos Sensor The 1.0-type MOS (approximately 15,030,000 pixels) offers an outstanding depth of field and excellent balance between image quality and sensitivity. It supports multi-formats, such as UHD (3840 x 2160), FHD, HD and SD, and provides images without cropping in all modes. This MOS sensor also boasts high sensitivity of F12 (60Hz) /F13 (50Hz) (in both UHD and FHD in High Sensitivity mode). Built-in 5-Axis Hybrid Image Stabilizer Intelligent AF and Focus Assist Manual Three Rings Cabled/Wireless Remote Control Capability Superb 4K Image With 10Bit Codec Up To 50/59.94P Without Cropping New HEVC CODEC for High-Image-Quality 10Bit Uhd/50 Fps Recording at low Bit Rate The camcorder can record UHD/50 fps videos in high-image-quality 10bit on an SD memory card. It also features a new, high-efficiency HEVC codec (LongGOP, 10bit, 4:2:0, MOV) . 10Bit Variable Frame Rate (VFR) Without Cropping In UHD, variable frame rate (VFR) recording at 1fps to 50fps is possible. In FHD, super-slow can be realized at a maximum of 100fps. Both provide high-quality 10bit, full-frame pictures with no image area cropping even at high frame rates. MOV/AVCHD/P2 MXF* File Formats Supported Freeze Frame (Still Image Capture) Double Memory Card Slots Improve Recording Reliability Enhanced Network Connectivity For Live RTMP/RTSP-Compatible Hd Streaming The AG-CX350 can be used for live coverage of concerts and sports events as well as for live streaming of breaking news. Facebook, YouTube, and other streaming services are supported. Easy IP Connection: Preinstalled Ndi | HX*4 The industry’s first camcorder equipped with NDI | HX mode*4, it allows video transmission and camera control via IP connection, without using an external converter. The camera can be built in to larger systems working alongside Panasonic PTZ camera systems equipped with NDI | HX and the Live Production Center AV-HLC100. Wireless Control from a Tablet or Smartphone Parallel Output of SDI and HDMI TC Synchro Multi-Camera Recording Supported Broadcast-Grade Picture Quality Adjustment Functions 24-bit PCM Supporting High-Resolution Audio Compact, Light Weight, Low Power Consumption, And Ease Of Use Design Low Power Consuming, Large-Capacity Battery, Quick Charge Simultaneous Display on High-Brightness, High-Definition LCD and High-Resolution OLED EVF Compact, lightweight body 1.9 kg In 35mm equivalent. The AG-CX350’s wide 24.5mm angle is the widest in the industry for UHD/FHD (16:9). In the segment of camcorders with integrated lens, the Panasonic AG-UX180 achieved the industry’s widest angle of 24mm in UHD/24p (17:9). For UHD/FHD (16:9), 25.4mm is the widest angle in the industry. (Both as of January 2019, according to a Panasonic survey) When using the digital zoom, picture quality degrades as the magnification rate increases The HLG specification was developed jointly by Japanese broadcaster NHK and the BBC in the UK. It is defined in ARIB STD-B67 and ITU Rec. 2100. NDI: Network Device Interface, a technology of NewTek, Inc.. Industry’s first camcorder to support NDI | HX. As of January 2019 (according to a Panasonic survey). To use this function, an activation keycode from NewTek is required. Keycodes can be purchased from the following website: http://new.tk/ndi_panasonic

Panasonic Lightweight 4K/HDR 10BIT REC Camera Recorder with Live Streaming package d

Panasonic PAN-AGCX350EJ (PAN/AGCX350EJ, PAN AGCX350EJ, PANAGCX350EJ, AGCX350EJ, pan-agcx350ej) Lightweight 4K/HDR 10BIT REC Camera Recorder with Live Streaming package d includes: 1x Panasonic PAN-AGCX350EJ Lightweight 4K/HDR 10BIT REC Camera Recorder with Live Streaming  1x Hedbox RP-VBD78 DV Battery Pack for Panasonic 7800mAh Li-Ion Battery 7.4V  1x Sandisk 128GB Extreme Pro SDXC UHS-I 170MB/s Memory Card SDSDXXY-128G-GN4IN 1x Camrade CAM-R&GB-CINEMA run&gunBag Cinema 1x Acebil i-605DX Tripod System  1x Rode NTG2 shotgun microphone 1x Rode PG2R Pistol Grip Shock Mount  1x Rode WS6 deluxe windshield 1x Digibroadcast 12inch 3pin XLR male to female cable *Digibroadcast has put together some bespoke Panasonic packages for our clients based on our own research and surveys and holds the right to protect all of its content © 4K HDR Image In Your Hands Wide-Angle 24.5mm*1 Optical 20X Zoom, Plus I.Zoom The lens has the industry’s widest angle of 24.5mm*1 on the wide end and allows recording of wide-angle images with minimal distortion, without the use of a conversion lens. The optical 20x zoom covers up to 490mm telephoto in all modes. Furthermore, the i.Zoom enables seamless zooming of up to 32x in HD or up to 24x in UHD from the telephoto end with no degradation in resolution. The AG-CX350 also comes with digital 2x/ 5x/ 10x zoom.*2 HDR-Compliant Hlg (Hybrid Log-Gamma) Thanks to HLG (Hybrid Log-Gamma)*3 the AG-AC350 supports HDR (High Dynamic Range) which achieves a wide dynamic range on HDR-compatible TV monitors. The gamma mode can be selected from eight modes (HD, SD, FILMLIKE 1, FILMLIKE 2, FILMLIKE 3, FILM-REC, VIDEO-REC, HLG). New High-Definition, High-Sensitivity 1.0-Type 15M Mos Sensor The 1.0-type MOS (approximately 15,030,000 pixels) offers an outstanding depth of field and excellent balance between image quality and sensitivity. It supports multi-formats, such as UHD (3840 x 2160), FHD, HD and SD, and provides images without cropping in all modes. This MOS sensor also boasts high sensitivity of F12 (60Hz) /F13 (50Hz) (in both UHD and FHD in High Sensitivity mode). Built-in 5-Axis Hybrid Image Stabilizer Intelligent AF and Focus Assist Manual Three Rings Cabled/Wireless Remote Control Capability Superb 4K Image With 10Bit Codec Up To 50/59.94P Without Cropping New HEVC CODEC for High-Image-Quality 10Bit Uhd/50 Fps Recording at low Bit Rate The camcorder can record UHD/50 fps videos in high-image-quality 10bit on an SD memory card. It also features a new, high-efficiency HEVC codec (LongGOP, 10bit, 4:2:0, MOV) . 10Bit Variable Frame Rate (VFR) Without Cropping In UHD, variable frame rate (VFR) recording at 1fps to 50fps is possible. In FHD, super-slow can be realized at a maximum of 100fps. Both provide high-quality 10bit, full-frame pictures with no image area cropping even at high frame rates. MOV/AVCHD/P2 MXF* File Formats Supported Freeze Frame (Still Image Capture) Double Memory Card Slots Improve Recording Reliability Enhanced Network Connectivity For Live RTMP/RTSP-Compatible Hd Streaming The AG-CX350 can be used for live coverage of concerts and sports events as well as for live streaming of breaking news. Facebook, YouTube, and other streaming services are supported. Easy IP Connection: Preinstalled Ndi | HX*4 The industry’s first camcorder equipped with NDI | HX mode*4, it allows video transmission and camera control via IP connection, without using an external converter. The camera can be built in to larger systems working alongside Panasonic PTZ camera systems equipped with NDI | HX and the Live Production Center AV-HLC100. Wireless Control from a Tablet or Smartphone Parallel Output of SDI and HDMI TC Synchro Multi-Camera Recording Supported Broadcast-Grade Picture Quality Adjustment Functions 24-bit PCM Supporting High-Resolution Audio Compact, Light Weight, Low Power Consumption, And Ease Of Use Design Low Power Consuming, Large-Capacity Battery, Quick Charge Simultaneous Display on High-Brightness, High-Definition LCD and High-Resolution OLED EVF Compact, lightweight body 1.9 kg In 35mm equivalent. The AG-CX350’s wide 24.5mm angle is the widest in the industry for UHD/FHD (16:9). In the segment of camcorders with integrated lens, the Panasonic AG-UX180 achieved the industry’s widest angle of 24mm in UHD/24p (17:9). For UHD/FHD (16:9), 25.4mm is the widest angle in the industry. (Both as of January 2019, according to a Panasonic survey) When using the digital zoom, picture quality degrades as the magnification rate increases The HLG specification was developed jointly by Japanese broadcaster NHK and the BBC in the UK. It is defined in ARIB STD-B67 and ITU Rec. 2100. NDI: Network Device Interface, a technology of NewTek, Inc.. Industry’s first camcorder to support NDI | HX. As of January 2019 (according to a Panasonic survey). To use this function, an activation keycode from NewTek is required. Keycodes can be purchased from the following website: http://new.tk/ndi_panasonic

Panasonic Lightweight 4K/HDR 10BIT REC Camera Recorder with Live Streaming package c

Panasonic PAN-AGCX350EJ (PAN/AGCX350EJ, PAN AGCX350EJ, PANAGCX350EJ, AGCX350EJ, pan-agcx350ej) Lightweight 4K/HDR 10BIT REC Camera Recorder with Live Streaming package c includes:   1x Panasonic PAN-AGCX350EJ Lightweight 4K/HDR 10BIT REC Camera Recorder with Live Streaming  1x Hedbox RP-VBD78 DV Battery Pack for Panasonic 7800mAh Li-Ion Battery 7.4V  1x Sandisk 128GB Extreme Pro SDXC UHS-I 170MB/s Memory Card SDSDXXY-128G-GN4IN 1x Camrade CAM-R&GB-CINEMA run&gunBag Cinema 1x Acebil i-605DX Tripod System     *Digibroadcast has put together some bespoke Panasonic packages for our clients based on our own research and surveys and holds the right to protect all of its content © 4K HDR Image In Your Hands Wide-Angle 24.5mm*1 Optical 20X Zoom, Plus I.Zoom The lens has the industry’s widest angle of 24.5mm*1 on the wide end and allows recording of wide-angle images with minimal distortion, without the use of a conversion lens. The optical 20x zoom covers up to 490mm telephoto in all modes. Furthermore, the i.Zoom enables seamless zooming of up to 32x in HD or up to 24x in UHD from the telephoto end with no degradation in resolution. The AG-CX350 also comes with digital 2x/ 5x/ 10x zoom.*2 HDR-Compliant Hlg (Hybrid Log-Gamma) Thanks to HLG (Hybrid Log-Gamma)*3 the AG-AC350 supports HDR (High Dynamic Range) which achieves a wide dynamic range on HDR-compatible TV monitors. The gamma mode can be selected from eight modes (HD, SD, FILMLIKE 1, FILMLIKE 2, FILMLIKE 3, FILM-REC, VIDEO-REC, HLG). New High-Definition, High-Sensitivity 1.0-Type 15M Mos Sensor The 1.0-type MOS (approximately 15,030,000 pixels) offers an outstanding depth of field and excellent balance between image quality and sensitivity. It supports multi-formats, such as UHD (3840 x 2160), FHD, HD and SD, and provides images without cropping in all modes. This MOS sensor also boasts high sensitivity of F12 (60Hz) /F13 (50Hz) (in both UHD and FHD in High Sensitivity mode). Built-in 5-Axis Hybrid Image Stabilizer Intelligent AF and Focus Assist Manual Three Rings Cabled/Wireless Remote Control Capability Superb 4K Image With 10Bit Codec Up To 50/59.94P Without Cropping New HEVC CODEC for High-Image-Quality 10Bit Uhd/50 Fps Recording at low Bit Rate The camcorder can record UHD/50 fps videos in high-image-quality 10bit on an SD memory card. It also features a new, high-efficiency HEVC codec (LongGOP, 10bit, 4:2:0, MOV) . 10Bit Variable Frame Rate (VFR) Without Cropping In UHD, variable frame rate (VFR) recording at 1fps to 50fps is possible. In FHD, super-slow can be realized at a maximum of 100fps. Both provide high-quality 10bit, full-frame pictures with no image area cropping even at high frame rates. MOV/AVCHD/P2 MXF* File Formats Supported Freeze Frame (Still Image Capture) Double Memory Card Slots Improve Recording Reliability Enhanced Network Connectivity For Live RTMP/RTSP-Compatible Hd Streaming The AG-CX350 can be used for live coverage of concerts and sports events as well as for live streaming of breaking news. Facebook, YouTube, and other streaming services are supported. Easy IP Connection: Preinstalled Ndi | HX*4 The industry’s first camcorder equipped with NDI | HX mode*4, it allows video transmission and camera control via IP connection, without using an external converter. The camera can be built in to larger systems working alongside Panasonic PTZ camera systems equipped with NDI | HX and the Live Production Center AV-HLC100. Wireless Control from a Tablet or Smartphone Parallel Output of SDI and HDMI TC Synchro Multi-Camera Recording Supported Broadcast-Grade Picture Quality Adjustment Functions 24-bit PCM Supporting High-Resolution Audio Compact, Light Weight, Low Power Consumption, And Ease Of Use Design Low Power Consuming, Large-Capacity Battery, Quick Charge Simultaneous Display on High-Brightness, High-Definition LCD and High-Resolution OLED EVF Compact, lightweight body 1.9 kg In 35mm equivalent. The AG-CX350’s wide 24.5mm angle is the widest in the industry for UHD/FHD (16:9). In the segment of camcorders with integrated lens, the Panasonic AG-UX180 achieved the industry’s widest angle of 24mm in UHD/24p (17:9). For UHD/FHD (16:9), 25.4mm is the widest angle in the industry. (Both as of January 2019, according to a Panasonic survey) When using the digital zoom, picture quality degrades as the magnification rate increases The HLG specification was developed jointly by Japanese broadcaster NHK and the BBC in the UK. It is defined in ARIB STD-B67 and ITU Rec. 2100. NDI: Network Device Interface, a technology of NewTek, Inc.. Industry’s first camcorder to support NDI | HX. As of January 2019 (according to a Panasonic survey). To use this function, an activation keycode from NewTek is required. Keycodes can be purchased from the following website: http://new.tk/ndi_panasonic

Sony PXW-Z280 4K Handheld Camcorder package f

Sony PXW-Z280 (PXW Z280, PXW_Z280) 4K Handheld Camcorder package f © includes: 1x Sony PXW-Z280 4K Handheld Camcorder (PXW-Z280) 1x Hedbox Pro Battery Pack for SONY 6700mAh Li-Ion Battery with 2x D-Tap 14.4V & USB 5V (BPU) (HED-BP95D) 1x Sony SBP-128E SxS Pro+ 128GB Read 3.5GB/s Write 2.8GB/s Memory Card (SBP-128E) 1x Camrade CAM-R&GB-MEDIUM run&gunBag Medium bag (CAM-R&GB-MEDIUM) 1x Rode NTG2 Multi-Powered Shotgun Microphone (NTG2) 1x Rode WS6 Deluxe Wind Shield (WS6) 1x Rode PG2R Pistol Grip Shock Mount (PG2R) 1x Digibroadcast 12inch 3Pin Male to Female Xlr Cable (12INCHXLR3PIN) 1x Acebil i-605DX Tripod System (i-605DX) 1x Sennheiser ew 100 ENG G4-GB Wireless Microphone Combo System (507638)   1x Sennheiser HD 200 PRO Studio Headphones (507182)   *Digibroadcast has put together some bespoke Sony packages for our clients based on our own research and surveys and holds the right to protect all of its content © World-leading handheld 4K HDR performance An all-new 4K 3CMOS 1/2-type sensor with a deep depth of field and class-leading performance provides the pinnacle of 4K HDR performance in your hand. Face Detection AF keeps your subject in focus, while HLG and S-Log3 provide stunning HDR to suit any workflow. Revolutionary networking capabilities Deliver your content faster wherever you are. PXW-Z280 is the world’s first camcorder with built-in Dual Link Cellular connection for double the uplink performance and reliability. Integrated 12G-SDI supports transfers at up to 12Gbps over a standard SDI cable. The complete package for professionals Unpack and shoot from day one. Advanced XAVC-Intra and XAVC-Long for 4K QFHD and HD, plus MPEG HD422, MPEG HD and DVCAM to support any workflow. Familiar Sony control layout and operation minimise training requirements. World's first 1/2-type 3CMOS Sensor for broadcast 4K The Z280’s all-new Exmor R™ imager is custom-designed for broadcast 4K acquisition. Its three 1/2-type Exmor R™ CMOS deliver a deep depth of field with superb image quality. Red, blue, and green light are independently captured by separate image sensors, contributing to high resolution, high sensitivity of F12 (59.94p) and wide dynamic range. An advanced LSI (featuring intelligent noise reduction, enhanced detail reproduction and distortion correction technologies) delivers remarkably lifelike 4K 4:2:2 10-bit images. Even if you’re delivering in HD, your recordings will capture detail and image texture that HD sensors simply cannot see.   17x professional HD zoom lens with three independent rings with end-stop and large focal length The PXW-Z280 is equipped with a 17x professional zoom lens able to zoom from 30.3mm to 515mm (35mm equivalent). The 1/2-inch type lens has three independent control rings with end-stop, which allows manual control of focus, zoom and iris, making for better and faster adjustment.   The image can be enlarged without any picture degradation in HD mode and 34x times zoom equivalent image is captured with sensor cropping extender.   Spectacular HDR performance Demand for HDR content is increasing and Z280 offers you a choice of two powerful workflows.   S-Log2/3 is the proven choice for premium applications where you wish to capture as much data as possible for the ultimate flexibility in grading Instant HDR Workflow is all about speed. Shoot, edit and view content in Hybrid Log-Gamma (HLG) to deliver content quickly without compromising on imaging expression and quality of content   Amazingly fast precision auto focus The PXW-Z280 features newly developed Face detection AF. You can choose between Face Priority AF and Face Only AF. Simply keep the person in frame and and however you move to obtain a better angle, you can be confident the PXW-Z280 will keep your subject in pin-sharp focus.   Built-in electronic Variable ND Filters Sony’s ground-breaking integration of electronic variable ND Filters into the body of a camcorder enables fast, agile shooting. Moving from shadowy interiors to bright sun-lit exteriors is no problem with PXW-Z280. Unlike conventional optical ND filters, the electronic ND filter on the PXW-Z280 can be controlled from 1/4ND to 1/128ND linearly while ND Filters can be set to fully auto. You can even manually adjust Depth of Field using the iris lens ring, while relying on the PXW-Z280 to maintain constant exposure without changing gain nor shutter speed.   12G-SDI accelerated workflow Revolutionise your workflow with 12Gbps content transfer – four times the bandwidth of 3G-SDI over a standard SDI cable and ideal for working with highest quality 4K content or speeding through HD content. Sony is the first broadcast manufacturer to build 12G-SDI into a compact handheld camcorder. Once you’ve tried it, you won’t want to use anything else.   Accurate OLED viewfinder An expansive 0.5-inch high quality OLED viewfinder is perfectly offset for right-eye or left-eye viewing. OLED’s superb accuracy, high contrast and high resolution (2.36M dot) enables precise manual focus and eliminates any colour-breaking phenomenon.      

Sony PXW-Z280 4K Handheld Camcorder package e

Sony PXW-Z280 (PXW Z280, PXW_Z280) 4K Handheld Camcorder package e © includes: 1x Sony PXW-Z280 4K Handheld Camcorder (PXW-Z280) 1x Hedbox Pro Battery Pack for SONY 6700mAh Li-Ion Battery with 2x D-Tap 14.4V & USB 5V (BPU) (HED-BP95D) 1x Sony SBP-128E SxS Pro+ 128GB Read 3.5GB/s Write 2.8GB/s Memory Card (SBP-128E) 1x Camrade CAM-R&GB-MEDIUM run&gunBag Medium bag (CAM-R&GB-MEDIUM) 1x Rode NTG2 Multi-Powered Shotgun Microphone (NTG2) 1x Rode WS6 Deluxe Wind Shield (WS6) 1x Rode PG2R Pistol Grip Shock Mount (PG2R) 1x Digibroadcast 12inch 3Pin Male to Female Xlr Cable (12INCHXLR3PIN) 1x Acebil i-605DX Tripod System (i-605DX)   *Digibroadcast has put together some bespoke Sony packages for our clients based on our own research and surveys and holds the right to protect all of its content ©   World-leading handheld 4K HDR performance An all-new 4K 3CMOS 1/2-type sensor with a deep depth of field and class-leading performance provides the pinnacle of 4K HDR performance in your hand. Face Detection AF keeps your subject in focus, while HLG and S-Log3 provide stunning HDR to suit any workflow. Revolutionary networking capabilities Deliver your content faster wherever you are. PXW-Z280 is the world’s first camcorder with built-in Dual Link Cellular connection for double the uplink performance and reliability. Integrated 12G-SDI supports transfers at up to 12Gbps over a standard SDI cable. The complete package for professionals Unpack and shoot from day one. Advanced XAVC-Intra and XAVC-Long for 4K QFHD and HD, plus MPEG HD422, MPEG HD and DVCAM to support any workflow. Familiar Sony control layout and operation minimise training requirements. World's first 1/2-type 3CMOS Sensor for broadcast 4K The Z280’s all-new Exmor R™ imager is custom-designed for broadcast 4K acquisition. Its three 1/2-type Exmor R™ CMOS deliver a deep depth of field with superb image quality. Red, blue, and green light are independently captured by separate image sensors, contributing to high resolution, high sensitivity of F12 (59.94p) and wide dynamic range. An advanced LSI (featuring intelligent noise reduction, enhanced detail reproduction and distortion correction technologies) delivers remarkably lifelike 4K 4:2:2 10-bit images. Even if you’re delivering in HD, your recordings will capture detail and image texture that HD sensors simply cannot see.   17x professional HD zoom lens with three independent rings with end-stop and large focal length The PXW-Z280 is equipped with a 17x professional zoom lens able to zoom from 30.3mm to 515mm (35mm equivalent). The 1/2-inch type lens has three independent control rings with end-stop, which allows manual control of focus, zoom and iris, making for better and faster adjustment.   The image can be enlarged without any picture degradation in HD mode and 34x times zoom equivalent image is captured with sensor cropping extender.   Spectacular HDR performance Demand for HDR content is increasing and Z280 offers you a choice of two powerful workflows.   S-Log2/3 is the proven choice for premium applications where you wish to capture as much data as possible for the ultimate flexibility in grading Instant HDR Workflow is all about speed. Shoot, edit and view content in Hybrid Log-Gamma (HLG) to deliver content quickly without compromising on imaging expression and quality of content   Amazingly fast precision auto focus The PXW-Z280 features newly developed Face detection AF. You can choose between Face Priority AF and Face Only AF. Simply keep the person in frame and and however you move to obtain a better angle, you can be confident the PXW-Z280 will keep your subject in pin-sharp focus.   Built-in electronic Variable ND Filters Sony’s ground-breaking integration of electronic variable ND Filters into the body of a camcorder enables fast, agile shooting. Moving from shadowy interiors to bright sun-lit exteriors is no problem with PXW-Z280. Unlike conventional optical ND filters, the electronic ND filter on the PXW-Z280 can be controlled from 1/4ND to 1/128ND linearly while ND Filters can be set to fully auto. You can even manually adjust Depth of Field using the iris lens ring, while relying on the PXW-Z280 to maintain constant exposure without changing gain nor shutter speed.   12G-SDI accelerated workflow Revolutionise your workflow with 12Gbps content transfer – four times the bandwidth of 3G-SDI over a standard SDI cable and ideal for working with highest quality 4K content or speeding through HD content. Sony is the first broadcast manufacturer to build 12G-SDI into a compact handheld camcorder. Once you’ve tried it, you won’t want to use anything else.   Accurate OLED viewfinder An expansive 0.5-inch high quality OLED viewfinder is perfectly offset for right-eye or left-eye viewing. OLED’s superb accuracy, high contrast and high resolution (2.36M dot) enables precise manual focus and eliminates any colour-breaking phenomenon.      

Sony PXW-Z280 4K Handheld Camcorder package d

Sony PXW-Z280 (PXW Z280, PXW_Z280) 4K Handheld Camcorder package d © includes: 1x Sony PXW-Z280 4K Handheld Camcorder (PXW-Z280) 1x Hedbox Pro Battery Pack for SONY 6700mAh Li-Ion Battery with 2x D-Tap 14.4V & USB 5V (BPU) (HED-BP95D) 1x Sony SBP-128E SxS Pro+ 128GB Read 3.5GB/s Write 2.8GB/s Memory Card (SBP-128E) 1x Camrade CAM-R&GB-MEDIUM run&gunBag Medium bag (CAM-R&GB-MEDIUM) 1x Rode NTG2 Multi-Powered Shotgun Microphone (NTG2) 1x Rode WS6 Deluxe Wind Shield (WS6) 1x Rode PG2R Pistol Grip Shock Mount (PG2R) 1x Digibroadcast 12inch 3Pin Male to Female Xlr Cable (12INCHXLR3PIN)   *Digibroadcast has put together some bespoke Sony packages for our clients based on our own research and surveys and holds the right to protect all of its content ©   World-leading handheld 4K HDR performance An all-new 4K 3CMOS 1/2-type sensor with a deep depth of field and class-leading performance provides the pinnacle of 4K HDR performance in your hand. Face Detection AF keeps your subject in focus, while HLG and S-Log3 provide stunning HDR to suit any workflow. Revolutionary networking capabilities Deliver your content faster wherever you are. PXW-Z280 is the world’s first camcorder with built-in Dual Link Cellular connection for double the uplink performance and reliability. Integrated 12G-SDI supports transfers at up to 12Gbps over a standard SDI cable. The complete package for professionals Unpack and shoot from day one. Advanced XAVC-Intra and XAVC-Long for 4K QFHD and HD, plus MPEG HD422, MPEG HD and DVCAM to support any workflow. Familiar Sony control layout and operation minimise training requirements. World's first 1/2-type 3CMOS Sensor for broadcast 4K The Z280’s all-new Exmor R™ imager is custom-designed for broadcast 4K acquisition. Its three 1/2-type Exmor R™ CMOS deliver a deep depth of field with superb image quality. Red, blue, and green light are independently captured by separate image sensors, contributing to high resolution, high sensitivity of F12 (59.94p) and wide dynamic range. An advanced LSI (featuring intelligent noise reduction, enhanced detail reproduction and distortion correction technologies) delivers remarkably lifelike 4K 4:2:2 10-bit images. Even if you’re delivering in HD, your recordings will capture detail and image texture that HD sensors simply cannot see.   17x professional HD zoom lens with three independent rings with end-stop and large focal length The PXW-Z280 is equipped with a 17x professional zoom lens able to zoom from 30.3mm to 515mm (35mm equivalent). The 1/2-inch type lens has three independent control rings with end-stop, which allows manual control of focus, zoom and iris, making for better and faster adjustment.   The image can be enlarged without any picture degradation in HD mode and 34x times zoom equivalent image is captured with sensor cropping extender.   Spectacular HDR performance Demand for HDR content is increasing and Z280 offers you a choice of two powerful workflows.   S-Log2/3 is the proven choice for premium applications where you wish to capture as much data as possible for the ultimate flexibility in grading Instant HDR Workflow is all about speed. Shoot, edit and view content in Hybrid Log-Gamma (HLG) to deliver content quickly without compromising on imaging expression and quality of content   Amazingly fast precision auto focus The PXW-Z280 features newly developed Face detection AF. You can choose between Face Priority AF and Face Only AF. Simply keep the person in frame and and however you move to obtain a better angle, you can be confident the PXW-Z280 will keep your subject in pin-sharp focus.   Built-in electronic Variable ND Filters Sony’s ground-breaking integration of electronic variable ND Filters into the body of a camcorder enables fast, agile shooting. Moving from shadowy interiors to bright sun-lit exteriors is no problem with PXW-Z280. Unlike conventional optical ND filters, the electronic ND filter on the PXW-Z280 can be controlled from 1/4ND to 1/128ND linearly while ND Filters can be set to fully auto. You can even manually adjust Depth of Field using the iris lens ring, while relying on the PXW-Z280 to maintain constant exposure without changing gain nor shutter speed.   12G-SDI accelerated workflow Revolutionise your workflow with 12Gbps content transfer – four times the bandwidth of 3G-SDI over a standard SDI cable and ideal for working with highest quality 4K content or speeding through HD content. Sony is the first broadcast manufacturer to build 12G-SDI into a compact handheld camcorder. Once you’ve tried it, you won’t want to use anything else.   Accurate OLED viewfinder An expansive 0.5-inch high quality OLED viewfinder is perfectly offset for right-eye or left-eye viewing. OLED’s superb accuracy, high contrast and high resolution (2.36M dot) enables precise manual focus and eliminates any colour-breaking phenomenon.      

Sony PXW-Z280 4K Handheld Camcorder package c

Sony PXW-Z280 (PXW Z280, PXW_Z280) 4K Handheld Camcorder package c © includes: 1x Sony PXW-Z280 4K Handheld Camcorder (PXW-Z280) 1x Hedbox Pro Battery Pack for SONY 6700mAh Li-Ion Battery with 2x D-Tap 14.4V & USB 5V (BPU) (HED-BP95D) 1x Sony SBP-128E SxS Pro+ 128GB Read 3.5GB/s Write 2.8GB/s Memory Card (SBP-128E) 1x Camrade CAM-R&GB-MEDIUM run&gunBag Medium bag (CAM-R&GB-MEDIUM) *Digibroadcast has put together some bespoke Sony packages for our clients based on our own research and surveys and holds the right to protect all of its content © World-leading handheld 4K HDR performance An all-new 4K 3CMOS 1/2-type sensor with a deep depth of field and class-leading performance provides the pinnacle of 4K HDR performance in your hand. Face Detection AF keeps your subject in focus, while HLG and S-Log3 provide stunning HDR to suit any workflow. Revolutionary networking capabilities Deliver your content faster wherever you are. PXW-Z280 is the world’s first camcorder with built-in Dual Link Cellular connection for double the uplink performance and reliability. Integrated 12G-SDI supports transfers at up to 12Gbps over a standard SDI cable. The complete package for professionals Unpack and shoot from day one. Advanced XAVC-Intra and XAVC-Long for 4K QFHD and HD, plus MPEG HD422, MPEG HD and DVCAM to support any workflow. Familiar Sony control layout and operation minimise training requirements. World's first 1/2-type 3CMOS Sensor for broadcast 4K The Z280’s all-new Exmor R™ imager is custom-designed for broadcast 4K acquisition. Its three 1/2-type Exmor R™ CMOS deliver a deep depth of field with superb image quality. Red, blue, and green light are independently captured by separate image sensors, contributing to high resolution, high sensitivity of F12 (59.94p) and wide dynamic range. An advanced LSI (featuring intelligent noise reduction, enhanced detail reproduction and distortion correction technologies) delivers remarkably lifelike 4K 4:2:2 10-bit images. Even if you’re delivering in HD, your recordings will capture detail and image texture that HD sensors simply cannot see.   17x professional HD zoom lens with three independent rings with end-stop and large focal length The PXW-Z280 is equipped with a 17x professional zoom lens able to zoom from 30.3mm to 515mm (35mm equivalent). The 1/2-inch type lens has three independent control rings with end-stop, which allows manual control of focus, zoom and iris, making for better and faster adjustment.   The image can be enlarged without any picture degradation in HD mode and 34x times zoom equivalent image is captured with sensor cropping extender.   Spectacular HDR performance Demand for HDR content is increasing and Z280 offers you a choice of two powerful workflows.   S-Log2/3 is the proven choice for premium applications where you wish to capture as much data as possible for the ultimate flexibility in grading Instant HDR Workflow is all about speed. Shoot, edit and view content in Hybrid Log-Gamma (HLG) to deliver content quickly without compromising on imaging expression and quality of content   Amazingly fast precision auto focus The PXW-Z280 features newly developed Face detection AF. You can choose between Face Priority AF and Face Only AF. Simply keep the person in frame and and however you move to obtain a better angle, you can be confident the PXW-Z280 will keep your subject in pin-sharp focus.   Built-in electronic Variable ND Filters Sony’s ground-breaking integration of electronic variable ND Filters into the body of a camcorder enables fast, agile shooting. Moving from shadowy interiors to bright sun-lit exteriors is no problem with PXW-Z280. Unlike conventional optical ND filters, the electronic ND filter on the PXW-Z280 can be controlled from 1/4ND to 1/128ND linearly while ND Filters can be set to fully auto. You can even manually adjust Depth of Field using the iris lens ring, while relying on the PXW-Z280 to maintain constant exposure without changing gain nor shutter speed.   12G-SDI accelerated workflow Revolutionise your workflow with 12Gbps content transfer – four times the bandwidth of 3G-SDI over a standard SDI cable and ideal for working with highest quality 4K content or speeding through HD content. Sony is the first broadcast manufacturer to build 12G-SDI into a compact handheld camcorder. Once you’ve tried it, you won’t want to use anything else.   Accurate OLED viewfinder An expansive 0.5-inch high quality OLED viewfinder is perfectly offset for right-eye or left-eye viewing. OLED’s superb accuracy, high contrast and high resolution (2.36M dot) enables precise manual focus and eliminates any colour-breaking phenomenon.      

Sony PXW-Z280 4K Handheld Camcorder package b

Sony PXW-Z280 (PXW Z280, PXW_Z280) 4K Handheld Camcorder package b © includes: 1x Sony PXW-Z280 4K Handheld Camcorder (PXW-Z280) 1x Hedbox Pro Battery Pack for SONY 6700mAh Li-Ion Battery with 2x D-Tap 14.4V & USB 5V (BPU) (HED-BP95D) 1x Sony SBP-128E SxS Pro+ 128GB Read 3.5GB/s Write 2.8GB/s Memory Card (SBP-128E) *Digibroadcast has put together some bespoke Sony packages for our clients based on our own research and surveys and holds the right to protect all of its content © World-leading handheld 4K HDR performance An all-new 4K 3CMOS 1/2-type sensor with a deep depth of field and class-leading performance provides the pinnacle of 4K HDR performance in your hand. Face Detection AF keeps your subject in focus, while HLG and S-Log3 provide stunning HDR to suit any workflow. Revolutionary networking capabilities Deliver your content faster wherever you are. PXW-Z280 is the world’s first camcorder with built-in Dual Link Cellular connection for double the uplink performance and reliability. Integrated 12G-SDI supports transfers at up to 12Gbps over a standard SDI cable. The complete package for professionals Unpack and shoot from day one. Advanced XAVC-Intra and XAVC-Long for 4K QFHD and HD, plus MPEG HD422, MPEG HD and DVCAM to support any workflow. Familiar Sony control layout and operation minimise training requirements. World's first 1/2-type 3CMOS Sensor for broadcast 4K The Z280’s all-new Exmor R™ imager is custom-designed for broadcast 4K acquisition. Its three 1/2-type Exmor R™ CMOS deliver a deep depth of field with superb image quality. Red, blue, and green light are independently captured by separate image sensors, contributing to high resolution, high sensitivity of F12 (59.94p) and wide dynamic range. An advanced LSI (featuring intelligent noise reduction, enhanced detail reproduction and distortion correction technologies) delivers remarkably lifelike 4K 4:2:2 10-bit images. Even if you’re delivering in HD, your recordings will capture detail and image texture that HD sensors simply cannot see.   17x professional HD zoom lens with three independent rings with end-stop and large focal length The PXW-Z280 is equipped with a 17x professional zoom lens able to zoom from 30.3mm to 515mm (35mm equivalent). The 1/2-inch type lens has three independent control rings with end-stop, which allows manual control of focus, zoom and iris, making for better and faster adjustment.   The image can be enlarged without any picture degradation in HD mode and 34x times zoom equivalent image is captured with sensor cropping extender.   Spectacular HDR performance Demand for HDR content is increasing and Z280 offers you a choice of two powerful workflows.   S-Log2/3 is the proven choice for premium applications where you wish to capture as much data as possible for the ultimate flexibility in grading Instant HDR Workflow is all about speed. Shoot, edit and view content in Hybrid Log-Gamma (HLG) to deliver content quickly without compromising on imaging expression and quality of content   Amazingly fast precision auto focus The PXW-Z280 features newly developed Face detection AF. You can choose between Face Priority AF and Face Only AF. Simply keep the person in frame and and however you move to obtain a better angle, you can be confident the PXW-Z280 will keep your subject in pin-sharp focus.   Built-in electronic Variable ND Filters Sony’s ground-breaking integration of electronic variable ND Filters into the body of a camcorder enables fast, agile shooting. Moving from shadowy interiors to bright sun-lit exteriors is no problem with PXW-Z280. Unlike conventional optical ND filters, the electronic ND filter on the PXW-Z280 can be controlled from 1/4ND to 1/128ND linearly while ND Filters can be set to fully auto. You can even manually adjust Depth of Field using the iris lens ring, while relying on the PXW-Z280 to maintain constant exposure without changing gain nor shutter speed.   12G-SDI accelerated workflow Revolutionise your workflow with 12Gbps content transfer – four times the bandwidth of 3G-SDI over a standard SDI cable and ideal for working with highest quality 4K content or speeding through HD content. Sony is the first broadcast manufacturer to build 12G-SDI into a compact handheld camcorder. Once you’ve tried it, you won’t want to use anything else.   Accurate OLED viewfinder An expansive 0.5-inch high quality OLED viewfinder is perfectly offset for right-eye or left-eye viewing. OLED’s superb accuracy, high contrast and high resolution (2.36M dot) enables precise manual focus and eliminates any colour-breaking phenomenon.      

Sony PXW-Z280 4K Handheld Camcorder package a

Sony PXW-Z280 (PXW Z280, PXW_Z280) 4K Handheld Camcorder package a © includes: 1x Sony PXW-Z280 4K Handheld Camcorder (PXW-Z280) 1x Hedbox Pro Battery Pack for SONY 6700mAh Li-Ion Battery with 2x D-Tap 14.4V & USB 5V (BPU) (HED-BP95D) *Digibroadcast has put together some bespoke Sony packages for our clients based on our own research and surveys and holds the right to protect all of its content © 1x Sony PXW-Z280 4K Handheld Camcorder (PXW-Z280)   1x Hedbox Pro Battery Pack for SONY 6700mAh Li-Ion Battery with 2x D-Tap 14.4V & USB 5V (BPU) (HED-BP95D) World-leading handheld 4K HDR performance An all-new 4K 3CMOS 1/2-type sensor with a deep depth of field and class-leading performance provides the pinnacle of 4K HDR performance in your hand. Face Detection AF keeps your subject in focus, while HLG and S-Log3 provide stunning HDR to suit any workflow. Revolutionary networking capabilities Deliver your content faster wherever you are. PXW-Z280 is the world’s first camcorder with built-in Dual Link Cellular connection for double the uplink performance and reliability. Integrated 12G-SDI supports transfers at up to 12Gbps over a standard SDI cable. The complete package for professionals Unpack and shoot from day one. Advanced XAVC-Intra and XAVC-Long for 4K QFHD and HD, plus MPEG HD422, MPEG HD and DVCAM to support any workflow. Familiar Sony control layout and operation minimise training requirements. World's first 1/2-type 3CMOS Sensor for broadcast 4K The Z280’s all-new Exmor R™ imager is custom-designed for broadcast 4K acquisition. Its three 1/2-type Exmor R™ CMOS deliver a deep depth of field with superb image quality. Red, blue, and green light are independently captured by separate image sensors, contributing to high resolution, high sensitivity of F12 (59.94p) and wide dynamic range. An advanced LSI (featuring intelligent noise reduction, enhanced detail reproduction and distortion correction technologies) delivers remarkably lifelike 4K 4:2:2 10-bit images. Even if you’re delivering in HD, your recordings will capture detail and image texture that HD sensors simply cannot see.   17x professional HD zoom lens with three independent rings with end-stop and large focal length The PXW-Z280 is equipped with a 17x professional zoom lens able to zoom from 30.3mm to 515mm (35mm equivalent). The 1/2-inch type lens has three independent control rings with end-stop, which allows manual control of focus, zoom and iris, making for better and faster adjustment.   The image can be enlarged without any picture degradation in HD mode and 34x times zoom equivalent image is captured with sensor cropping extender.   Spectacular HDR performance Demand for HDR content is increasing and Z280 offers you a choice of two powerful workflows.   S-Log2/3 is the proven choice for premium applications where you wish to capture as much data as possible for the ultimate flexibility in grading Instant HDR Workflow is all about speed. Shoot, edit and view content in Hybrid Log-Gamma (HLG) to deliver content quickly without compromising on imaging expression and quality of content   Amazingly fast precision auto focus The PXW-Z280 features newly developed Face detection AF. You can choose between Face Priority AF and Face Only AF. Simply keep the person in frame and and however you move to obtain a better angle, you can be confident the PXW-Z280 will keep your subject in pin-sharp focus.   Built-in electronic Variable ND Filters Sony’s ground-breaking integration of electronic variable ND Filters into the body of a camcorder enables fast, agile shooting. Moving from shadowy interiors to bright sun-lit exteriors is no problem with PXW-Z280. Unlike conventional optical ND filters, the electronic ND filter on the PXW-Z280 can be controlled from 1/4ND to 1/128ND linearly while ND Filters can be set to fully auto. You can even manually adjust Depth of Field using the iris lens ring, while relying on the PXW-Z280 to maintain constant exposure without changing gain nor shutter speed.   12G-SDI accelerated workflow Revolutionise your workflow with 12Gbps content transfer – four times the bandwidth of 3G-SDI over a standard SDI cable and ideal for working with highest quality 4K content or speeding through HD content. Sony is the first broadcast manufacturer to build 12G-SDI into a compact handheld camcorder. Once you’ve tried it, you won’t want to use anything else.   Accurate OLED viewfinder An expansive 0.5-inch high quality OLED viewfinder is perfectly offset for right-eye or left-eye viewing. OLED’s superb accuracy, high contrast and high resolution (2.36M dot) enables precise manual focus and eliminates any colour-breaking phenomenon.      

Panasonic AU-EVA1 Compact 5.7K Super 35mm Cinema Camera package H

Panasonic PAN-AUEVA1EJ ( PAN/AUEVA1EJ, PAN AUEVA1EJ, PANAUEVA1EJ, pan-aueva1ej) (AU/EVA1, AUEVA1, AU  EVA1, au-eva1) Compact 5.7K Super 35mm Cinema Camera package H includes: 1x Panasonic AU-EVA1 Compact 5.7K Super 35mm Cinema Camera (PAN-AUEVA1EJ) 1x Angel Bird AB-MP-EVA1 256GB Match Pack for the Panasonic EVA1 (2 x 128GB) (AB-MP-EVA1) 1x IDX SL-VBD96 7.2V / 70Wh / 9600mAh Lithium Ion Battery (SL-VBD96) 1x Camrade CAM-R&GB-CINEMA run&gunBag Cinema (CAM-R&GB-CINEMA) 1x Canon EF 17-40mm f/4L UsM Ultra Wide Angle Zoom Lens (ef-17-40mm-f4l-usm) 1x Rode NTG2 shotgun microphone (NTG2) 1x Rode WS6 deluxe windshield for NTG2 (WS6) 1x Rode PG2-R pistol grip (PG2-R) 1x Digibroadcast 12inch 3pin XLR cable (12INCHXLR3PIN) 1x Acebil i-605DX tripod (i-605DX) 1x Sennheiser HD 200 PRO Studio Headphones (507182) 1x Sennheiser Sennheiser ew 100 ENG G4-GB  (507638) *Digibroadcast has put together some bespoke Panasonic packages for our clients based on our own research and surveys and holds the right to protect all of its content © 5.7K Super 35mm Sensor The Panasonic AU-EVA1 contains a newly designed 5.7K Super 35mm-sized (5720 x 3016, approx. 17.25 million pixels) sensor for capturing true cinematic images. By starting at a higher native resolution, the 5.7K sensor yields a higher resolving image when down sampled to 4K, UHD, 2K, and even 720p. The increased colour information results in a finer, more accurate finished image. Dual Native ISO of 800 & 2500 The EVA1 includes dual native ISO like the VariCam 35, VariCam LT and VariCam Pure. Utilising a process that allows the sensor to be read in a fundamentally different way, dual native ISO extracts more information from the sensor without degrading the image. This results in a camera that can switch from a standard sensitivity to a high sensitivity without an increase in noise, or other artifacts. Dual native ISO is allowing cinematographers to use less light on set, saving time and money, as well as allowing for a great variety of artistic choices. V-Log / V-Gamut The ability to capture accurate colours and rich skin tones is a must for any filmmaker. Like the VariCam lineup of cinema cameras, the EVA1 contains V-Log/V-Gamut capture to deliver high dynamic range and broad colours with a capability of creating 14 stops of dynamic range. V-Log has log curve characteristics that are somewhat reminiscent of negative film and V-Gamut delivers a colour space even larger than film. The EVA1 will also import the celebrated colourimetry of the VariCam line. High Frame Rate Recording 4K 60 fps / 2K 240 fps Users can choose between MOV wrapped codecs up to 10-bit 422 even in 4K, as well as AVCHD. Capturing internally in 4K, UHD, 2K, Full HD and HD, the EVA1 offers up to 59.94fps/50fps for 4K/UHD, up to 120fps/100fps for 2K/Full HD, or 240fps/200fps (cropped area) for high-speed capturing. Cinematic Run & Gun Weighing only 1.2Kg (body-only) with a compact form factor (17cm x 13.5cm x 13.3cm) and a removable handgrip, EVA1 can be used for efficient handheld shooting applications and can also be mounted on a drone, gimbal rig, or jib arm for complex yet smooth camera moves. The adjustable handgrip offers several controls, including menu, REC start/stop, iris and two user defined buttons. The LCD monitor features a touch-panel function and allows flexible mounting. Low-Cost Media / SD Card Recording EVA1 records to two SD card slots, with the option to capture footage with Relay Rec (continuous record) or Simul Rec (simultaneous dual record). There’s also one shot record, which enables single frame video for stop motion capture. EF-Mount Lenses The camera utilises a native EF-mount, giving shooters access to the broad EF lens ecosystem, including dozens of cinema-style prime and zoom lenses from numerous manufacturers. E.I.S. & Integrated ND Filters Electronic Image Stabilisation (EIS) is employed to compensate for camera shake and blurring, which will help smooth out handheld or shoulder-mount shots on documentary or run-and-gun projects. Behind the lens mount, an integrated ND filter wheel in 2, 4, and 6 stops allows for precise exposure control. The EVA1 also allows the IR Cut filter to be swung out of the path to the sensor at the push of a button. Unique photographic effects and night vision imagery are possible with this control over infrared. Professional Features As a professional video production tool, the EVA1 offers dual balanced XLR audio inputs with Dolby Audio™* encoding. 4K-capable video outputs in both HDMI and SDI. where each can be adjusted separately, allowing HD to be fed to a viewfinder or other third party monitor while 4K is sent to an outboard recorder or monitor. Timecode In/Out is also supported on the EVA1 unlike some other cameras in its class. With the addition of the AJ-WM50 WIFI adapter, all EVA1 menu functions can be controlled remotely on IOS or Android using the dedicated app.

Panasonic AU-EVA1 Compact 5.7K Super 35mm Cinema Camera package G

Panasonic PAN-AUEVA1EJ ( PAN/AUEVA1EJ, PAN AUEVA1EJ, PANAUEVA1EJ, pan-aueva1ej) (AU/EVA1, AUEVA1, AU  EVA1, au-eva1) Compact 5.7K Super 35mm Cinema Camera package G includes: 1x Panasonic AU-EVA1 Compact 5.7K Super 35mm Cinema Camera (PAN-AUEVA1EJ) 1x Angel Bird AB-MP-EVA1 256GB Match Pack for the Panasonic EVA1 (2 x 128GB) (AB-MP-EVA1) 1x IDX SL-VBD96 7.2V / 70Wh / 9600mAh Lithium Ion Battery (SL-VBD96) 1x Camrade CAM-R&GB-CINEMA run&gunBag Cinema (CAM-R&GB-CINEMA) 1x Canon EF 17-40mm f/4L UsM Ultra Wide Angle Zoom Lens (ef-17-40mm-f4l-usm) 1x Rode NTG2 shotgun microphone (NTG2) 1x Rode WS6 deluxe windshield for NTG2 (WS6) 1x Rode PG2-R pistol grip (PG2-R) 1x Digibroadcast 12inch 3pin XLR cable (12INCHXLR3PIN) 1x Acebil i-605DX tripod (i-605DX) *Digibroadcast has put together some bespoke Panasonic packages for our clients based on our own research and surveys and holds the right to protect all of its content © 5.7K Super 35mm Sensor The Panasonic AU-EVA1 contains a newly designed 5.7K Super 35mm-sized (5720 x 3016, approx. 17.25 million pixels) sensor for capturing true cinematic images. By starting at a higher native resolution, the 5.7K sensor yields a higher resolving image when down sampled to 4K, UHD, 2K, and even 720p. The increased colour information results in a finer, more accurate finished image. Dual Native ISO of 800 & 2500 The EVA1 includes dual native ISO like the VariCam 35, VariCam LT and VariCam Pure. Utilising a process that allows the sensor to be read in a fundamentally different way, dual native ISO extracts more information from the sensor without degrading the image. This results in a camera that can switch from a standard sensitivity to a high sensitivity without an increase in noise, or other artifacts. Dual native ISO is allowing cinematographers to use less light on set, saving time and money, as well as allowing for a great variety of artistic choices. V-Log / V-Gamut The ability to capture accurate colours and rich skin tones is a must for any filmmaker. Like the VariCam lineup of cinema cameras, the EVA1 contains V-Log/V-Gamut capture to deliver high dynamic range and broad colours with a capability of creating 14 stops of dynamic range. V-Log has log curve characteristics that are somewhat reminiscent of negative film and V-Gamut delivers a colour space even larger than film. The EVA1 will also import the celebrated colourimetry of the VariCam line. High Frame Rate Recording 4K 60 fps / 2K 240 fps Users can choose between MOV wrapped codecs up to 10-bit 422 even in 4K, as well as AVCHD. Capturing internally in 4K, UHD, 2K, Full HD and HD, the EVA1 offers up to 59.94fps/50fps for 4K/UHD, up to 120fps/100fps for 2K/Full HD, or 240fps/200fps (cropped area) for high-speed capturing. Cinematic Run & Gun Weighing only 1.2Kg (body-only) with a compact form factor (17cm x 13.5cm x 13.3cm) and a removable handgrip, EVA1 can be used for efficient handheld shooting applications and can also be mounted on a drone, gimbal rig, or jib arm for complex yet smooth camera moves. The adjustable handgrip offers several controls, including menu, REC start/stop, iris and two user defined buttons. The LCD monitor features a touch-panel function and allows flexible mounting. Low-Cost Media / SD Card Recording EVA1 records to two SD card slots, with the option to capture footage with Relay Rec (continuous record) or Simul Rec (simultaneous dual record). There’s also one shot record, which enables single frame video for stop motion capture. EF-Mount Lenses The camera utilises a native EF-mount, giving shooters access to the broad EF lens ecosystem, including dozens of cinema-style prime and zoom lenses from numerous manufacturers. E.I.S. & Integrated ND Filters Electronic Image Stabilisation (EIS) is employed to compensate for camera shake and blurring, which will help smooth out handheld or shoulder-mount shots on documentary or run-and-gun projects. Behind the lens mount, an integrated ND filter wheel in 2, 4, and 6 stops allows for precise exposure control. The EVA1 also allows the IR Cut filter to be swung out of the path to the sensor at the push of a button. Unique photographic effects and night vision imagery are possible with this control over infrared. Professional Features As a professional video production tool, the EVA1 offers dual balanced XLR audio inputs with Dolby Audio™* encoding. 4K-capable video outputs in both HDMI and SDI. where each can be adjusted separately, allowing HD to be fed to a viewfinder or other third party monitor while 4K is sent to an outboard recorder or monitor. Timecode In/Out is also supported on the EVA1 unlike some other cameras in its class. With the addition of the AJ-WM50 WIFI adapter, all EVA1 menu functions can be controlled remotely on IOS or Android using the dedicated app.

Panasonic AU-EVA1 Compact 5.7K Super 35mm Cinema Camera package F

Panasonic PAN-AUEVA1EJ ( PAN/AUEVA1EJ, PAN AUEVA1EJ, PANAUEVA1EJ, pan-aueva1ej) (AU/EVA1, AUEVA1, AU  EVA1, au-eva1) Compact 5.7K Super 35mm Cinema Camera package F includes: 1x Panasonic AU-EVA1 Compact 5.7K Super 35mm Cinema Camera (PAN-AUEVA1EJ) 1x Angel Bird AB-MP-EVA1 256GB Match Pack for the Panasonic EVA1 (2 x 128GB) (AB-MP-EVA1) 1x IDX SL-VBD96 7.2V / 70Wh / 9600mAh Lithium Ion Battery (SL-VBD96) 1x Camrade CAM-R&GB-CINEMA run&gunBag Cinema (CAM-R&GB-CINEMA) 1x Canon EF 17-40mm f/4L UsM Ultra Wide Angle Zoom Lens (ef-17-40mm-f4l-usm) 1x Rode NTG2 shotgun microphone (NTG2) 1x Rode WS6 deluxe windshield for NTG2 (WS6) 1x Rode PG2-R pistol grip (PG2-R) 1x Digibroadcast 12inch 3pin XLR cable (12INCHXLR3PIN) *Digibroadcast has put together some bespoke Panasonic packages for our clients based on our own research and surveys and holds the right to protect all of its content © 5.7K Super 35mm Sensor The Panasonic AU-EVA1 contains a newly designed 5.7K Super 35mm-sized (5720 x 3016, approx. 17.25 million pixels) sensor for capturing true cinematic images. By starting at a higher native resolution, the 5.7K sensor yields a higher resolving image when down sampled to 4K, UHD, 2K, and even 720p. The increased colour information results in a finer, more accurate finished image. Dual Native ISO of 800 & 2500 The EVA1 includes dual native ISO like the VariCam 35, VariCam LT and VariCam Pure. Utilising a process that allows the sensor to be read in a fundamentally different way, dual native ISO extracts more information from the sensor without degrading the image. This results in a camera that can switch from a standard sensitivity to a high sensitivity without an increase in noise, or other artifacts. Dual native ISO is allowing cinematographers to use less light on set, saving time and money, as well as allowing for a great variety of artistic choices. V-Log / V-Gamut The ability to capture accurate colours and rich skin tones is a must for any filmmaker. Like the VariCam lineup of cinema cameras, the EVA1 contains V-Log/V-Gamut capture to deliver high dynamic range and broad colours with a capability of creating 14 stops of dynamic range. V-Log has log curve characteristics that are somewhat reminiscent of negative film and V-Gamut delivers a colour space even larger than film. The EVA1 will also import the celebrated colourimetry of the VariCam line. High Frame Rate Recording 4K 60 fps / 2K 240 fps Users can choose between MOV wrapped codecs up to 10-bit 422 even in 4K, as well as AVCHD. Capturing internally in 4K, UHD, 2K, Full HD and HD, the EVA1 offers up to 59.94fps/50fps for 4K/UHD, up to 120fps/100fps for 2K/Full HD, or 240fps/200fps (cropped area) for high-speed capturing. Cinematic Run & Gun Weighing only 1.2Kg (body-only) with a compact form factor (17cm x 13.5cm x 13.3cm) and a removable handgrip, EVA1 can be used for efficient handheld shooting applications and can also be mounted on a drone, gimbal rig, or jib arm for complex yet smooth camera moves. The adjustable handgrip offers several controls, including menu, REC start/stop, iris and two user defined buttons. The LCD monitor features a touch-panel function and allows flexible mounting. Low-Cost Media / SD Card Recording EVA1 records to two SD card slots, with the option to capture footage with Relay Rec (continuous record) or Simul Rec (simultaneous dual record). There’s also one shot record, which enables single frame video for stop motion capture. EF-Mount Lenses The camera utilises a native EF-mount, giving shooters access to the broad EF lens ecosystem, including dozens of cinema-style prime and zoom lenses from numerous manufacturers. E.I.S. & Integrated ND Filters Electronic Image Stabilisation (EIS) is employed to compensate for camera shake and blurring, which will help smooth out handheld or shoulder-mount shots on documentary or run-and-gun projects. Behind the lens mount, an integrated ND filter wheel in 2, 4, and 6 stops allows for precise exposure control. The EVA1 also allows the IR Cut filter to be swung out of the path to the sensor at the push of a button. Unique photographic effects and night vision imagery are possible with this control over infrared. Professional Features As a professional video production tool, the EVA1 offers dual balanced XLR audio inputs with Dolby Audio™* encoding. 4K-capable video outputs in both HDMI and SDI. where each can be adjusted separately, allowing HD to be fed to a viewfinder or other third party monitor while 4K is sent to an outboard recorder or monitor. Timecode In/Out is also supported on the EVA1 unlike some other cameras in its class. With the addition of the AJ-WM50 WIFI adapter, all EVA1 menu functions can be controlled remotely on IOS or Android using the dedicated app.

Panasonic AU-EVA1 Compact 5.7K Super 35mm Cinema Camera package E

Panasonic PAN-AUEVA1EJ ( PAN/AUEVA1EJ, PAN AUEVA1EJ, PANAUEVA1EJ, pan-aueva1ej) (AU/EVA1, AUEVA1, AU  EVA1, au-eva1) Compact 5.7K Super 35mm Cinema Camera package E includes: 1x Panasonic AU-EVA1 Compact 5.7K Super 35mm Cinema Camera (PAN-AUEVA1EJ) 1x Angel Bird AB-MP-EVA1 256GB Match Pack for the Panasonic EVA1 (2 x 128GB) (AB-MP-EVA1) 1x IDX SL-VBD96 7.2V / 70Wh / 9600mAh Lithium Ion Battery (SL-VBD96) 1x Camrade CAM-R&GB-CINEMA run&gunBag Cinema (CAM-R&GB-CINEMA) 1x Canon EF 17-40mm f/4L UsM Ultra Wide Angle Zoom Lens (ef-17-40mm-f4l-usm) *Digibroadcast has put together some bespoke Panasonic packages for our clients based on our own research and surveys and holds the right to protect all of its content © 5.7K Super 35mm Sensor The Panasonic AU-EVA1 contains a newly designed 5.7K Super 35mm-sized (5720 x 3016, approx. 17.25 million pixels) sensor for capturing true cinematic images. By starting at a higher native resolution, the 5.7K sensor yields a higher resolving image when down sampled to 4K, UHD, 2K, and even 720p. The increased colour information results in a finer, more accurate finished image. Dual Native ISO of 800 & 2500 The EVA1 includes dual native ISO like the VariCam 35, VariCam LT and VariCam Pure. Utilising a process that allows the sensor to be read in a fundamentally different way, dual native ISO extracts more information from the sensor without degrading the image. This results in a camera that can switch from a standard sensitivity to a high sensitivity without an increase in noise, or other artifacts. Dual native ISO is allowing cinematographers to use less light on set, saving time and money, as well as allowing for a great variety of artistic choices. V-Log / V-Gamut The ability to capture accurate colours and rich skin tones is a must for any filmmaker. Like the VariCam lineup of cinema cameras, the EVA1 contains V-Log/V-Gamut capture to deliver high dynamic range and broad colours with a capability of creating 14 stops of dynamic range. V-Log has log curve characteristics that are somewhat reminiscent of negative film and V-Gamut delivers a colour space even larger than film. The EVA1 will also import the celebrated colourimetry of the VariCam line. High Frame Rate Recording 4K 60 fps / 2K 240 fps Users can choose between MOV wrapped codecs up to 10-bit 422 even in 4K, as well as AVCHD. Capturing internally in 4K, UHD, 2K, Full HD and HD, the EVA1 offers up to 59.94fps/50fps for 4K/UHD, up to 120fps/100fps for 2K/Full HD, or 240fps/200fps (cropped area) for high-speed capturing. Cinematic Run & Gun Weighing only 1.2Kg (body-only) with a compact form factor (17cm x 13.5cm x 13.3cm) and a removable handgrip, EVA1 can be used for efficient handheld shooting applications and can also be mounted on a drone, gimbal rig, or jib arm for complex yet smooth camera moves. The adjustable handgrip offers several controls, including menu, REC start/stop, iris and two user defined buttons. The LCD monitor features a touch-panel function and allows flexible mounting. Low-Cost Media / SD Card Recording EVA1 records to two SD card slots, with the option to capture footage with Relay Rec (continuous record) or Simul Rec (simultaneous dual record). There’s also one shot record, which enables single frame video for stop motion capture. EF-Mount Lenses The camera utilises a native EF-mount, giving shooters access to the broad EF lens ecosystem, including dozens of cinema-style prime and zoom lenses from numerous manufacturers. E.I.S. & Integrated ND Filters Electronic Image Stabilisation (EIS) is employed to compensate for camera shake and blurring, which will help smooth out handheld or shoulder-mount shots on documentary or run-and-gun projects. Behind the lens mount, an integrated ND filter wheel in 2, 4, and 6 stops allows for precise exposure control. The EVA1 also allows the IR Cut filter to be swung out of the path to the sensor at the push of a button. Unique photographic effects and night vision imagery are possible with this control over infrared. Professional Features As a professional video production tool, the EVA1 offers dual balanced XLR audio inputs with Dolby Audio™* encoding. 4K-capable video outputs in both HDMI and SDI. where each can be adjusted separately, allowing HD to be fed to a viewfinder or other third party monitor while 4K is sent to an outboard recorder or monitor. Timecode In/Out is also supported on the EVA1 unlike some other cameras in its class. With the addition of the AJ-WM50 WIFI adapter, all EVA1 menu functions can be controlled remotely on IOS or Android using the dedicated app.

Panasonic AU-EVA1 Compact 5.7K Super 35mm Cinema Camera package d

Panasonic PAN-AUEVA1EJ ( PAN/AUEVA1EJ, PAN AUEVA1EJ, PANAUEVA1EJ, pan-aueva1ej) (AU/EVA1, AUEVA1, AU  EVA1, au-eva1) Compact 5.7K Super 35mm Cinema Camera package D includes: 1x Panasonic AU-EVA1 Compact 5.7K Super 35mm Cinema Camera (PAN-AUEVA1EJ) 1x Angel Bird AB-MP-EVA1 256GB Match Pack for the Panasonic EVA1 (2 x 128GB) (AB-MP-EVA1) 1x IDX SL-VBD96 7.2V / 70Wh / 9600mAh Lithium Ion Battery (SL-VBD96) 1x Camrade CAM-R&GB-CINEMA run&gunBag Cinema (CAM-R&GB-CINEMA) 1x Acebil i-605DX tripod (i-605DX) *Digibroadcast has put together some bespoke Panasonic packages for our clients based on our own research and surveys and holds the right to protect all of its content © 5.7K Super 35mm Sensor The Panasonic AU-EVA1 contains a newly designed 5.7K Super 35mm-sized (5720 x 3016, approx. 17.25 million pixels) sensor for capturing true cinematic images. By starting at a higher native resolution, the 5.7K sensor yields a higher resolving image when down sampled to 4K, UHD, 2K, and even 720p. The increased colour information results in a finer, more accurate finished image. Dual Native ISO of 800 & 2500 The EVA1 includes dual native ISO like the VariCam 35, VariCam LT and VariCam Pure. Utilising a process that allows the sensor to be read in a fundamentally different way, dual native ISO extracts more information from the sensor without degrading the image. This results in a camera that can switch from a standard sensitivity to a high sensitivity without an increase in noise, or other artifacts. Dual native ISO is allowing cinematographers to use less light on set, saving time and money, as well as allowing for a great variety of artistic choices. V-Log / V-Gamut The ability to capture accurate colours and rich skin tones is a must for any filmmaker. Like the VariCam lineup of cinema cameras, the EVA1 contains V-Log/V-Gamut capture to deliver high dynamic range and broad colours with a capability of creating 14 stops of dynamic range. V-Log has log curve characteristics that are somewhat reminiscent of negative film and V-Gamut delivers a colour space even larger than film. The EVA1 will also import the celebrated colourimetry of the VariCam line. High Frame Rate Recording 4K 60 fps / 2K 240 fps Users can choose between MOV wrapped codecs up to 10-bit 422 even in 4K, as well as AVCHD. Capturing internally in 4K, UHD, 2K, Full HD and HD, the EVA1 offers up to 59.94fps/50fps for 4K/UHD, up to 120fps/100fps for 2K/Full HD, or 240fps/200fps (cropped area) for high-speed capturing. Cinematic Run & Gun Weighing only 1.2Kg (body-only) with a compact form factor (17cm x 13.5cm x 13.3cm) and a removable handgrip, EVA1 can be used for efficient handheld shooting applications and can also be mounted on a drone, gimbal rig, or jib arm for complex yet smooth camera moves. The adjustable handgrip offers several controls, including menu, REC start/stop, iris and two user defined buttons. The LCD monitor features a touch-panel function and allows flexible mounting. Low-Cost Media / SD Card Recording EVA1 records to two SD card slots, with the option to capture footage with Relay Rec (continuous record) or Simul Rec (simultaneous dual record). There’s also one shot record, which enables single frame video for stop motion capture. EF-Mount Lenses The camera utilises a native EF-mount, giving shooters access to the broad EF lens ecosystem, including dozens of cinema-style prime and zoom lenses from numerous manufacturers. E.I.S. & Integrated ND Filters Electronic Image Stabilisation (EIS) is employed to compensate for camera shake and blurring, which will help smooth out handheld or shoulder-mount shots on documentary or run-and-gun projects. Behind the lens mount, an integrated ND filter wheel in 2, 4, and 6 stops allows for precise exposure control. The EVA1 also allows the IR Cut filter to be swung out of the path to the sensor at the push of a button. Unique photographic effects and night vision imagery are possible with this control over infrared. Professional Features As a professional video production tool, the EVA1 offers dual balanced XLR audio inputs with Dolby Audio™* encoding. 4K-capable video outputs in both HDMI and SDI. where each can be adjusted separately, allowing HD to be fed to a viewfinder or other third party monitor while 4K is sent to an outboard recorder or monitor. Timecode In/Out is also supported on the EVA1 unlike some other cameras in its class. With the addition of the AJ-WM50 WIFI adapter, all EVA1 menu functions can be controlled remotely on IOS or Android using the dedicated app.

Panasonic AU-EVA1 Compact 5.7K Super 35mm Cinema Camera package C

Panasonic PAN-AUEVA1EJ ( PAN/AUEVA1EJ, PAN AUEVA1EJ, PANAUEVA1EJ, pan-aueva1ej) (AU/EVA1, AUEVA1, AU  EVA1, au-eva1) Compact 5.7K Super 35mm Cinema Camera package C includes: 1x Panasonic AU-EVA1 Compact 5.7K Super 35mm Cinema Camera (PAN-AUEVA1EJ) 1x Angel Bird AB-MP-EVA1 256GB Match Pack for the Panasonic EVA1 (2 x 128GB) (AB-MP-EVA1) 1x IDX SL-VBD96 7.2V / 70Wh / 9600mAh Lithium Ion Battery (SL-VBD96) 1x Camrade CAM-R&GB-CINEMA run&gunBag Cinema (CAM-R&GB-CINEMA) *Digibroadcast has put together some bespoke Panasonic packages for our clients based on our own research and surveys and holds the right to protect all of its content © 5.7K Super 35mm Sensor The Panasonic AU-EVA1 contains a newly designed 5.7K Super 35mm-sized (5720 x 3016, approx. 17.25 million pixels) sensor for capturing true cinematic images. By starting at a higher native resolution, the 5.7K sensor yields a higher resolving image when down sampled to 4K, UHD, 2K, and even 720p. The increased colour information results in a finer, more accurate finished image. Dual Native ISO of 800 & 2500 The EVA1 includes dual native ISO like the VariCam 35, VariCam LT and VariCam Pure. Utilising a process that allows the sensor to be read in a fundamentally different way, dual native ISO extracts more information from the sensor without degrading the image. This results in a camera that can switch from a standard sensitivity to a high sensitivity without an increase in noise, or other artifacts. Dual native ISO is allowing cinematographers to use less light on set, saving time and money, as well as allowing for a great variety of artistic choices. V-Log / V-Gamut The ability to capture accurate colours and rich skin tones is a must for any filmmaker. Like the VariCam lineup of cinema cameras, the EVA1 contains V-Log/V-Gamut capture to deliver high dynamic range and broad colours with a capability of creating 14 stops of dynamic range. V-Log has log curve characteristics that are somewhat reminiscent of negative film and V-Gamut delivers a colour space even larger than film. The EVA1 will also import the celebrated colourimetry of the VariCam line. High Frame Rate Recording 4K 60 fps / 2K 240 fps Users can choose between MOV wrapped codecs up to 10-bit 422 even in 4K, as well as AVCHD. Capturing internally in 4K, UHD, 2K, Full HD and HD, the EVA1 offers up to 59.94fps/50fps for 4K/UHD, up to 120fps/100fps for 2K/Full HD, or 240fps/200fps (cropped area) for high-speed capturing. Cinematic Run & Gun Weighing only 1.2Kg (body-only) with a compact form factor (17cm x 13.5cm x 13.3cm) and a removable handgrip, EVA1 can be used for efficient handheld shooting applications and can also be mounted on a drone, gimbal rig, or jib arm for complex yet smooth camera moves. The adjustable handgrip offers several controls, including menu, REC start/stop, iris and two user defined buttons. The LCD monitor features a touch-panel function and allows flexible mounting. Low-Cost Media / SD Card Recording EVA1 records to two SD card slots, with the option to capture footage with Relay Rec (continuous record) or Simul Rec (simultaneous dual record). There’s also one shot record, which enables single frame video for stop motion capture. EF-Mount Lenses The camera utilises a native EF-mount, giving shooters access to the broad EF lens ecosystem, including dozens of cinema-style prime and zoom lenses from numerous manufacturers. E.I.S. & Integrated ND Filters Electronic Image Stabilisation (EIS) is employed to compensate for camera shake and blurring, which will help smooth out handheld or shoulder-mount shots on documentary or run-and-gun projects. Behind the lens mount, an integrated ND filter wheel in 2, 4, and 6 stops allows for precise exposure control. The EVA1 also allows the IR Cut filter to be swung out of the path to the sensor at the push of a button. Unique photographic effects and night vision imagery are possible with this control over infrared. Professional Features As a professional video production tool, the EVA1 offers dual balanced XLR audio inputs with Dolby Audio™* encoding. 4K-capable video outputs in both HDMI and SDI. where each can be adjusted separately, allowing HD to be fed to a viewfinder or other third party monitor while 4K is sent to an outboard recorder or monitor. Timecode In/Out is also supported on the EVA1 unlike some other cameras in its class. With the addition of the AJ-WM50 WIFI adapter, all EVA1 menu functions can be controlled remotely on IOS or Android using the dedicated app.

Panasonic AU-EVA1 Compact 5.7K Super 35mm Cinema Camera package B

Panasonic PAN-AUEVA1EJ ( PAN/AUEVA1EJ, PAN AUEVA1EJ, PANAUEVA1EJ, pan-aueva1ej) (AU/EVA1, AUEVA1, AU  EVA1, au-eva1) Compact 5.7K Super 35mm Cinema Camera package B includes: 1x Panasonic AU-EVA1 Compact 5.7K Super 35mm Cinema Camera (PAN-AUEVA1EJ) 1x Angel Bird AB-MP-EVA1 256GB Match Pack for the Panasonic EVA1 (2 x 128GB) (AB-MP-EVA1) 1x IDX SL-VBD96 7.2V / 70Wh / 9600mAh Lithium Ion Battery (SL-VBD96) *Digibroadcast has put together some bespoke Panasonic packages for our clients based on our own research and surveys and holds the right to protect all of its content © 5.7K Super 35mm Sensor The Panasonic AU-EVA1 contains a newly designed 5.7K Super 35mm-sized (5720 x 3016, approx. 17.25 million pixels) sensor for capturing true cinematic images. By starting at a higher native resolution, the 5.7K sensor yields a higher resolving image when down sampled to 4K, UHD, 2K, and even 720p. The increased colour information results in a finer, more accurate finished image. Dual Native ISO of 800 & 2500 The EVA1 includes dual native ISO like the VariCam 35, VariCam LT and VariCam Pure. Utilising a process that allows the sensor to be read in a fundamentally different way, dual native ISO extracts more information from the sensor without degrading the image. This results in a camera that can switch from a standard sensitivity to a high sensitivity without an increase in noise, or other artifacts. Dual native ISO is allowing cinematographers to use less light on set, saving time and money, as well as allowing for a great variety of artistic choices. V-Log / V-Gamut The ability to capture accurate colours and rich skin tones is a must for any filmmaker. Like the VariCam lineup of cinema cameras, the EVA1 contains V-Log/V-Gamut capture to deliver high dynamic range and broad colours with a capability of creating 14 stops of dynamic range. V-Log has log curve characteristics that are somewhat reminiscent of negative film and V-Gamut delivers a colour space even larger than film. The EVA1 will also import the celebrated colourimetry of the VariCam line. High Frame Rate Recording 4K 60 fps / 2K 240 fps Users can choose between MOV wrapped codecs up to 10-bit 422 even in 4K, as well as AVCHD. Capturing internally in 4K, UHD, 2K, Full HD and HD, the EVA1 offers up to 59.94fps/50fps for 4K/UHD, up to 120fps/100fps for 2K/Full HD, or 240fps/200fps (cropped area) for high-speed capturing. Cinematic Run & Gun Weighing only 1.2Kg (body-only) with a compact form factor (17cm x 13.5cm x 13.3cm) and a removable handgrip, EVA1 can be used for efficient handheld shooting applications and can also be mounted on a drone, gimbal rig, or jib arm for complex yet smooth camera moves. The adjustable handgrip offers several controls, including menu, REC start/stop, iris and two user defined buttons. The LCD monitor features a touch-panel function and allows flexible mounting. Low-Cost Media / SD Card Recording EVA1 records to two SD card slots, with the option to capture footage with Relay Rec (continuous record) or Simul Rec (simultaneous dual record). There’s also one shot record, which enables single frame video for stop motion capture. EF-Mount Lenses The camera utilises a native EF-mount, giving shooters access to the broad EF lens ecosystem, including dozens of cinema-style prime and zoom lenses from numerous manufacturers. E.I.S. & Integrated ND Filters Electronic Image Stabilisation (EIS) is employed to compensate for camera shake and blurring, which will help smooth out handheld or shoulder-mount shots on documentary or run-and-gun projects. Behind the lens mount, an integrated ND filter wheel in 2, 4, and 6 stops allows for precise exposure control. The EVA1 also allows the IR Cut filter to be swung out of the path to the sensor at the push of a button. Unique photographic effects and night vision imagery are possible with this control over infrared. Professional Features As a professional video production tool, the EVA1 offers dual balanced XLR audio inputs with Dolby Audio™* encoding. 4K-capable video outputs in both HDMI and SDI. where each can be adjusted separately, allowing HD to be fed to a viewfinder or other third party monitor while 4K is sent to an outboard recorder or monitor. Timecode In/Out is also supported on the EVA1 unlike some other cameras in its class. With the addition of the AJ-WM50 WIFI adapter, all EVA1 menu functions can be controlled remotely on IOS or Android using the dedicated app.

Panasonic AU-EVA1 Compact 5.7K Super 35mm Cinema Camera Package a

Panasonic PAN-AUEVA1EJ ( PAN/AUEVA1EJ, PAN AUEVA1EJ, PANAUEVA1EJ, pan-aueva1ej) (AU/EVA1, AUEVA1, AU  EVA1, au-eva1) Compact 5.7K Super 35mm Cinema Camera package A includes: 1x Panasonic AU-EVA1 Compact 5.7K Super 35mm Cinema Camera (PAN-AUEVA1EJ) 1x Angel Bird AB-MP-EVA1 256GB Match Pack for the Panasonic EVA1 (2 x 128GB) (AB-MP-EVA1) *Digibroadcast has put together some bespoke Panasonic packages for our clients based on our own research and surveys and holds the right to protect all of its content © 5.7K Super 35mm Sensor The Panasonic AU-EVA1 contains a newly designed 5.7K Super 35mm-sized (5720 x 3016, approx. 17.25 million pixels) sensor for capturing true cinematic images. By starting at a higher native resolution, the 5.7K sensor yields a higher resolving image when down sampled to 4K, UHD, 2K, and even 720p. The increased colour information results in a finer, more accurate finished image. Dual Native ISO of 800 & 2500 The EVA1 includes dual native ISO like the VariCam 35, VariCam LT and VariCam Pure. Utilising a process that allows the sensor to be read in a fundamentally different way, dual native ISO extracts more information from the sensor without degrading the image. This results in a camera that can switch from a standard sensitivity to a high sensitivity without an increase in noise, or other artifacts. Dual native ISO is allowing cinematographers to use less light on set, saving time and money, as well as allowing for a great variety of artistic choices. V-Log / V-Gamut The ability to capture accurate colours and rich skin tones is a must for any filmmaker. Like the VariCam lineup of cinema cameras, the EVA1 contains V-Log/V-Gamut capture to deliver high dynamic range and broad colours with a capability of creating 14 stops of dynamic range. V-Log has log curve characteristics that are somewhat reminiscent of negative film and V-Gamut delivers a colour space even larger than film. The EVA1 will also import the celebrated colourimetry of the VariCam line. High Frame Rate Recording 4K 60 fps / 2K 240 fps Users can choose between MOV wrapped codecs up to 10-bit 422 even in 4K, as well as AVCHD. Capturing internally in 4K, UHD, 2K, Full HD and HD, the EVA1 offers up to 59.94fps/50fps for 4K/UHD, up to 120fps/100fps for 2K/Full HD, or 240fps/200fps (cropped area) for high-speed capturing. Cinematic Run & Gun Weighing only 1.2Kg (body-only) with a compact form factor (17cm x 13.5cm x 13.3cm) and a removable handgrip, EVA1 can be used for efficient handheld shooting applications and can also be mounted on a drone, gimbal rig, or jib arm for complex yet smooth camera moves. The adjustable handgrip offers several controls, including menu, REC start/stop, iris and two user defined buttons. The LCD monitor features a touch-panel function and allows flexible mounting. Low-Cost Media / SD Card Recording EVA1 records to two SD card slots, with the option to capture footage with Relay Rec (continuous record) or Simul Rec (simultaneous dual record). There’s also one shot record, which enables single frame video for stop motion capture. EF-Mount Lenses The camera utilises a native EF-mount, giving shooters access to the broad EF lens ecosystem, including dozens of cinema-style prime and zoom lenses from numerous manufacturers. E.I.S. & Integrated ND Filters Electronic Image Stabilisation (EIS) is employed to compensate for camera shake and blurring, which will help smooth out handheld or shoulder-mount shots on documentary or run-and-gun projects. Behind the lens mount, an integrated ND filter wheel in 2, 4, and 6 stops allows for precise exposure control. The EVA1 also allows the IR Cut filter to be swung out of the path to the sensor at the push of a button. Unique photographic effects and night vision imagery are possible with this control over infrared. Professional Features As a professional video production tool, the EVA1 offers dual balanced XLR audio inputs with Dolby Audio™* encoding. 4K-capable video outputs in both HDMI and SDI. where each can be adjusted separately, allowing HD to be fed to a viewfinder or other third party monitor while 4K is sent to an outboard recorder or monitor. Timecode In/Out is also supported on the EVA1 unlike some other cameras in its class. With the addition of the AJ-WM50 WIFI adapter, all EVA1 menu functions can be controlled remotely on IOS or Android using the dedicated app.

Blackmagic BMD-CINECAMPOCHDMFT4K Pocket Cinema Camera 4K Package G

Blackmagic BMD-CINECAMPOCHDMFT4K (BMD CINECAMPOCHDMFT4K,  BMD/CINECAMPOCHDMFT4K,  CINECAMPOCHDMFT4K) Pocket Cinema Camera 4K Package G includes: 1x Blackmagic BMD-CINECAMPOCHDMFT4K Pocket Cinema Camera 4K (BMD-CINECAMPOCHDMFT4K) 1x Panasonic Lumix G Vario 7-14mm f/4 ASPH. Lens (PAN-HF007014E) 1x Blackmagic CFAST2128 Wise Advanced CFast Card - 128GB (CFAST2128) 1x Camrade CBSS Carry Case for Small Cameras (CAM-CBSS) 1x Hahnel HL-HLX-E6NPP Compact Dual charger + 1x HLX-E6N Battery Kit (HL-HLX-E6NPP) 1x Manfrotto MAN MVKBFR LIVE Befree Live Video Head|Befree Tripod System (MAN-MVKBFR-LIVE)  *Digibroadcast has put together some bespoke Blackmagic packages for our clients based on our own research and surveys and holds the right to protect all of its content © Ultra Portable Design Carbon fiber reinforced composite body that makes it extremely durable and lightweight Micro Four Thirds Lens Mount Record using standard SD cards, UHS-II cards or CFast 2.0 media High speed USB-C connection for direct external recording Blackmagic OS: gives you incredible control of advanced camera features including 3D LUTs for both recording and monitoring, HDR output via HDMI, metadata entry, custom presets, extended video format, Bluetooth remote control, external timecode from the audio input, RAW recording and more 5" Large Touchscreen Built in Microphones, Mini XLR input and 3.5mm stereo audio jack Full Size HDMI Connector Flexible Power Options: use LP-E6, DC or USB-C Ultra Portable Design Carbon fiber reinforced composite body that makes it extremely durable and lightweight Micro Four Thirds Lens Mount Record using standard SD cards, UHS-II cards or CFast 2.0 media High speed USB-C connection for direct external recording Blackmagic OS: gives you incredible control of advanced camera features including 3D LUTs for both recording and monitoring, HDR output via HDMI, metadata entry, custom presets, extended video format, Bluetooth remote control, external timecode from the audio input, RAW recording and more 5" Large Touchscreen Built in Microphones, Mini XLR input and 3.5mm stereo audio jack Full Size HDMI Connector Flexible Power BLACKMAGIC POCKET CINEMA CAMERA 4K Introducing the next generation handheld 4K digital film camera The revolutionary new Blackmagic Pocket Cinema Camera 4K is the camera you’ve been asking for. It features an all new handheld design that puts the latest advanced digital film technology into the palm of your hand. The Blackmagic Pocket Cinema Camera 4K has a 4/3 size sensor, 13 stops of dynamic range and dual native ISO up to 25,600. That means you get stunning HDR images and incredible low light performance. The external controls give you quick access to essential functions, while the large 5 inch touchscreen makes it easy to frame shots, focus accurately and change camera settings. Images are recorded onto standard SD/UHS-II or CFast 2.0 cards in RAW and ProRes at up to 120 frames per second. In addition, the Blackmagic Pocket Cinema Camera 4K has an MFT lens mount, built-in microphones, mini XLR input, full sized HDMI, 3D LUT support, Bluetooth, USB-C Expansion Port and more.   PORTABLE, AFFORDABLE AND PROFESSIONAL Now you can shoot anything in 4K The Blackmagic Pocket Cinema Camera 4K gives you the professional features you need, all in a portable and affordable design that can be used anywhere. It’s perfect for shooting independent films and documentaries, fashion shows, travel blogs, web videos, weddings, corporate video, sports and more. The incredible image quality, advanced Blackmagic Design colour science and RAW recording features let you shoot images that rival professional digital film cameras costing tens of thousands more. That means you get the image quality you need to seamlessly mix footage from the Blackmagic Pocket Cinema Camera 4K with other types of cameras used on high end Hollywood feature films and episodic television shows   ELEGANT MODERN DESIGN Designed to be portable, packed with features and fully expandable The portable handheld design of the Blackmagic Pocket Cinema Camera 4K gives you incredible mobility without sacrificing features. The highly compact form factor features a carbon fiber reinforced composite body that makes it extremely durable and lightweight so you can take it anywhere. You get a super bright 5” screen, 4 built in microphones, built in recorders and external buttons and dials that give you fast access to the most important functions. That means you can quickly check framing and focus, capture audio and record your files without having to carry around extra monitors, microphones, recorders and cables. You also get lots of mounting points, a mini XLR input with phantom power, Bluetooth control and more. With the Blackmagic Pocket Cinema Camera 4K you get a fully featured portable digital film camera that’s flexible and expandable.   4K DIGITAL FILM SENSOR Excellent low light performance and wide dynamic range The Blackmagic Pocket Cinema Camera 4K features a full size 4/3 sensor that gives you 4096 x 2160 resolution with an incredible 13 stops of dynamic range for true digital film quality. Because it’s full size, the 4/3 sensor reduces crop factor, giving you a wider field of view. It also has dual native ISO up to 25,600 so you get incredible low light performance. The Blackmagic Pocket Cinema Camera 4K can record at up to 60 frames per second in 4K and up to a massive 120 frames per second for windowed HD. The camera features fourth generation Blackmagic Design colour science with film, video and extended video modes. The new extended mode gives you the latitude of film with the convenience of video, so you get great looking images without having to do a lot of work in post production.   MFT LENS MOUNT Compatible with your current lenses The Blackmagic Pocket Cinema Camera 4K uses the same MFT (Micro Four Thirds) lens mount as the original Pocket Cinema Camera so you can use the lenses you already have. The MFT lens mount was designed specifically for smaller camera bodies with shorter flange focal distance. This means you can get high quality professional lenses that are much smaller than ever before. The MFT mount is extremely flexible and allows for different lens adapters. You can get adapters for PL, C, EF and more, so you can use lenses from manufacturers such as Canon, Nikon, Pentax, Leica and even Panavision.   RECORDING MEDIA Record using standard SD cards, UHS-II cards or CFast 2.0 media When it comes to recording, the Blackmagic Pocket Cinema Camera 4K gives you 3 kinds of media to choose from. Images can be recorded on to standard SD cards, faster UHS-II cards or CFast 2.0 cards. High definition video can be recorded using regular inexpensive SD cards. Higher performance UHS-II cards can be used for recording Ultra HD in ProRes at up to 60 frames per second and RAW at up to 30 frames per second. CFast cards can record 12-bit RAW at all supported frame rates. For longer recording times, you can also record directly to an external SSD or flash disk using the built in USB-C Expansion Port. Best of all, there’s nothing proprietary. The files will work with all professional post production software. You can even mount the media cards on your computer and start editing directly from them using the included DaVinci Resolve Studio software   EXPANSION PORT High speed USB-C connection for direct external recording The Blackmagic Pocket Cinema Camera 4K features an innovative high speed USB-C Expansion Port. USB-C is fast, flexible and even provides power, so it’s quickly becoming standard on all modern computers and devices. The massive bandwidth of USB-C makes it possible to connect external accessories such as flash drives and SSDs for significantly longer recording times. This can be important when shooting high quality lossless 12-bit RAW or even high frame rate 60 frame per second 4K. Best of all, when you’re done shooting you can use the same drive for editing and post production.   BLACKMAGIC OS Get the same advanced features as larger cameras The Blackmagic Pocket Cinema Camera 4K uses the same Blackmagic OS as URSA Mini. That means you get the world’s most advanced camera operating system and many of the same professional features found on larger cameras. If you’re just getting started, you can learn how to use the Pocket Cinema Camera 4K today and move up to an URSA Mini when you’re ready. If you already use an URSA Mini, there’s nothing new to learn. You get a modern touchscreen interface that uses simple tap and swipe gestures to adjust settings, add metadata and view recording status. The Blackmagic OS gives you incredible control of advanced camera features including 3D LUTs for both recording and monitoring, HDR output via HDMI, metadata entry, custom presets, extended video format, Bluetooth remote control, external timecode from the audio input, RAW recording and more.   SUPER LARGE TOUCHSCREEN Large and bright 5” touchscreen makes focusing fast and easy The back of the Blackmagic Pocket Cinema Camera 4K features a super bright, large 5 inch touchscreen. This makes it easy for you to frame shots and accurately focus, without having to carry around an external monitor or viewfinder. You get the same menus and interface found on URSA Mini cameras, including on screen overlays for recording parameters, status, histogram, focus and peaking indicators, and playback controls. In addition, you can apply 3D LUTs so you can monitor the shot with the desired colour and look. Not only can you use the 3D LUT for monitoring, it can even be baked into the recorded footage. There’s even a speaker located near the screen, which makes it easy to quickly play back and review shots on set.   PROFESSIONAL AUDIO Built in microphones and a mini XLR input The Blackmagic Pocket Cinema Camera 4K gives you professional high fidelity audio recording so you don’t have to carry around a separate sound recorder. The camera features a mini XLR input with 48 volts of phantom power for connecting professional microphones such as lapel mics and booms. There are also built in microphones with an extremely low noise floor so you can capture great sound on location. There’s even a 3.5mm stereo audio jack so you can use different types of video camera microphones.   ADVANCED CONNECTIONS HDMI monitoring, mini XLR audio input, power and more Even though it’s small and portable, the Blackmagic Pocket Cinema Camera 4K has a full size HDMI connector built in. You get support for advanced features such as HDR output and a clean 10-bit output with on screen overlays showing full camera status, making it perfect for on set monitoring. There’s also a mini XLR connection with 48 volts of phantom power for attaching professional microphones, a 3.5 mm video camera style microphone input and a professional locking DC power connector.   FLEXIBLE POWER OPTIONS Battery, DC and USB-C so you can shoot all day long The Blackmagic Pocket Cinema Camera 4K uses standard removable LP-E6 type batteries. You also get a locking DC power connector so it can’t be accidentally disconnected in the middle of a shoot. The included 110 - 220 volt plug pack can be used to simultaneously power the camera and charge the LP-E6 battery. Plus, it includes international socket adapters so it can be used anywhere in the world. The USB-C Expansion Port accepts power so you can charge the battery from portable battery packs, a mobile phone charger or even your laptop computer. The Blackmagic Pocket Cinema Camera 4K gives you a wide range of flexible power options so you can shoot all day.   INCLUDES DAVINCI RESOLVE STUDIO Professional editing, visual effects, colour correction and audio post The Blackmagic Pocket Cinema Camera 4K includes a full version of DaVinci Resolve Studio, which is a complete post production solution. You get the world’s most advanced solution that combines professional editing, colour correction, audio post and visual effects all in one software tool. DaVinci Resolve is used to finish more Hollywood feature films than any other solution, so you'll get the best possible post production tools to edit native video from your camera and retain every bit of quality. Whether you’re working on major Hollywood feature films, episodic television productions, music videos, commercials or even the latest YouTube shoot, DaVinci Resolve Studio gives you a completely lossless workflow for native editing, colour correction, effects, audio and delivery, so your video always looks as good as possible.ons: use LP-E6, DC or USB-C

Blackmagic BMD-CINECAMPOCHDMFT4K Pocket Cinema Camera 4K package F

Blackmagic BMD-CINECAMPOCHDMFT4K (BMD CINECAMPOCHDMFT4K,  BMD/CINECAMPOCHDMFT4K,  CINECAMPOCHDMFT4K) Pocket Cinema Camera 4K Package F includes: 1x Blackmagic BMD-CINECAMPOCHDMFT4K Pocket Cinema Camera 4K (BMD-CINECAMPOCHDMFT4K) 1x Panasonic Lumix G Vario 7-14mm f/4 ASPH. Lens (PAN-HF007014E) 1x Blackmagic CFAST2128 Wise Advanced CFast Card - 128GB (CFAST2128) 1x Camrade CBSS Carry Case for Small Cameras (CAM-CBSS) 1x Hahnel HL-HLX-E6NPP Compact Dual charger + 1x HLX-E6N Battery Kit (HL-HLX-E6NPP)   *Digibroadcast has put together some bespoke Blackmagic packages for our clients based on our own research and surveys and holds the right to protect all of its content © Ultra Portable Design Carbon fiber reinforced composite body that makes it extremely durable and lightweight Micro Four Thirds Lens Mount Record using standard SD cards, UHS-II cards or CFast 2.0 media High speed USB-C connection for direct external recording Blackmagic OS: gives you incredible control of advanced camera features including 3D LUTs for both recording and monitoring, HDR output via HDMI, metadata entry, custom presets, extended video format, Bluetooth remote control, external timecode from the audio input, RAW recording and more 5" Large Touchscreen Built in Microphones, Mini XLR input and 3.5mm stereo audio jack Full Size HDMI Connector Flexible Power Options: use LP-E6, DC or USB-C Ultra Portable Design Carbon fiber reinforced composite body that makes it extremely durable and lightweight Micro Four Thirds Lens Mount Record using standard SD cards, UHS-II cards or CFast 2.0 media High speed USB-C connection for direct external recording Blackmagic OS: gives you incredible control of advanced camera features including 3D LUTs for both recording and monitoring, HDR output via HDMI, metadata entry, custom presets, extended video format, Bluetooth remote control, external timecode from the audio input, RAW recording and more 5" Large Touchscreen Built in Microphones, Mini XLR input and 3.5mm stereo audio jack Full Size HDMI Connector Flexible Power BLACKMAGIC POCKET CINEMA CAMERA 4K Introducing the next generation handheld 4K digital film camera The revolutionary new Blackmagic Pocket Cinema Camera 4K is the camera you’ve been asking for. It features an all new handheld design that puts the latest advanced digital film technology into the palm of your hand. The Blackmagic Pocket Cinema Camera 4K has a 4/3 size sensor, 13 stops of dynamic range and dual native ISO up to 25,600. That means you get stunning HDR images and incredible low light performance. The external controls give you quick access to essential functions, while the large 5 inch touchscreen makes it easy to frame shots, focus accurately and change camera settings. Images are recorded onto standard SD/UHS-II or CFast 2.0 cards in RAW and ProRes at up to 120 frames per second. In addition, the Blackmagic Pocket Cinema Camera 4K has an MFT lens mount, built-in microphones, mini XLR input, full sized HDMI, 3D LUT support, Bluetooth, USB-C Expansion Port and more.   PORTABLE, AFFORDABLE AND PROFESSIONAL Now you can shoot anything in 4K The Blackmagic Pocket Cinema Camera 4K gives you the professional features you need, all in a portable and affordable design that can be used anywhere. It’s perfect for shooting independent films and documentaries, fashion shows, travel blogs, web videos, weddings, corporate video, sports and more. The incredible image quality, advanced Blackmagic Design colour science and RAW recording features let you shoot images that rival professional digital film cameras costing tens of thousands more. That means you get the image quality you need to seamlessly mix footage from the Blackmagic Pocket Cinema Camera 4K with other types of cameras used on high end Hollywood feature films and episodic television shows   ELEGANT MODERN DESIGN Designed to be portable, packed with features and fully expandable The portable handheld design of the Blackmagic Pocket Cinema Camera 4K gives you incredible mobility without sacrificing features. The highly compact form factor features a carbon fiber reinforced composite body that makes it extremely durable and lightweight so you can take it anywhere. You get a super bright 5” screen, 4 built in microphones, built in recorders and external buttons and dials that give you fast access to the most important functions. That means you can quickly check framing and focus, capture audio and record your files without having to carry around extra monitors, microphones, recorders and cables. You also get lots of mounting points, a mini XLR input with phantom power, Bluetooth control and more. With the Blackmagic Pocket Cinema Camera 4K you get a fully featured portable digital film camera that’s flexible and expandable.   4K DIGITAL FILM SENSOR Excellent low light performance and wide dynamic range The Blackmagic Pocket Cinema Camera 4K features a full size 4/3 sensor that gives you 4096 x 2160 resolution with an incredible 13 stops of dynamic range for true digital film quality. Because it’s full size, the 4/3 sensor reduces crop factor, giving you a wider field of view. It also has dual native ISO up to 25,600 so you get incredible low light performance. The Blackmagic Pocket Cinema Camera 4K can record at up to 60 frames per second in 4K and up to a massive 120 frames per second for windowed HD. The camera features fourth generation Blackmagic Design colour science with film, video and extended video modes. The new extended mode gives you the latitude of film with the convenience of video, so you get great looking images without having to do a lot of work in post production.   MFT LENS MOUNT Compatible with your current lenses The Blackmagic Pocket Cinema Camera 4K uses the same MFT (Micro Four Thirds) lens mount as the original Pocket Cinema Camera so you can use the lenses you already have. The MFT lens mount was designed specifically for smaller camera bodies with shorter flange focal distance. This means you can get high quality professional lenses that are much smaller than ever before. The MFT mount is extremely flexible and allows for different lens adapters. You can get adapters for PL, C, EF and more, so you can use lenses from manufacturers such as Canon, Nikon, Pentax, Leica and even Panavision.   RECORDING MEDIA Record using standard SD cards, UHS-II cards or CFast 2.0 media When it comes to recording, the Blackmagic Pocket Cinema Camera 4K gives you 3 kinds of media to choose from. Images can be recorded on to standard SD cards, faster UHS-II cards or CFast 2.0 cards. High definition video can be recorded using regular inexpensive SD cards. Higher performance UHS-II cards can be used for recording Ultra HD in ProRes at up to 60 frames per second and RAW at up to 30 frames per second. CFast cards can record 12-bit RAW at all supported frame rates. For longer recording times, you can also record directly to an external SSD or flash disk using the built in USB-C Expansion Port. Best of all, there’s nothing proprietary. The files will work with all professional post production software. You can even mount the media cards on your computer and start editing directly from them using the included DaVinci Resolve Studio software   EXPANSION PORT High speed USB-C connection for direct external recording The Blackmagic Pocket Cinema Camera 4K features an innovative high speed USB-C Expansion Port. USB-C is fast, flexible and even provides power, so it’s quickly becoming standard on all modern computers and devices. The massive bandwidth of USB-C makes it possible to connect external accessories such as flash drives and SSDs for significantly longer recording times. This can be important when shooting high quality lossless 12-bit RAW or even high frame rate 60 frame per second 4K. Best of all, when you’re done shooting you can use the same drive for editing and post production.   BLACKMAGIC OS Get the same advanced features as larger cameras The Blackmagic Pocket Cinema Camera 4K uses the same Blackmagic OS as URSA Mini. That means you get the world’s most advanced camera operating system and many of the same professional features found on larger cameras. If you’re just getting started, you can learn how to use the Pocket Cinema Camera 4K today and move up to an URSA Mini when you’re ready. If you already use an URSA Mini, there’s nothing new to learn. You get a modern touchscreen interface that uses simple tap and swipe gestures to adjust settings, add metadata and view recording status. The Blackmagic OS gives you incredible control of advanced camera features including 3D LUTs for both recording and monitoring, HDR output via HDMI, metadata entry, custom presets, extended video format, Bluetooth remote control, external timecode from the audio input, RAW recording and more.   SUPER LARGE TOUCHSCREEN Large and bright 5” touchscreen makes focusing fast and easy The back of the Blackmagic Pocket Cinema Camera 4K features a super bright, large 5 inch touchscreen. This makes it easy for you to frame shots and accurately focus, without having to carry around an external monitor or viewfinder. You get the same menus and interface found on URSA Mini cameras, including on screen overlays for recording parameters, status, histogram, focus and peaking indicators, and playback controls. In addition, you can apply 3D LUTs so you can monitor the shot with the desired colour and look. Not only can you use the 3D LUT for monitoring, it can even be baked into the recorded footage. There’s even a speaker located near the screen, which makes it easy to quickly play back and review shots on set.   PROFESSIONAL AUDIO Built in microphones and a mini XLR input The Blackmagic Pocket Cinema Camera 4K gives you professional high fidelity audio recording so you don’t have to carry around a separate sound recorder. The camera features a mini XLR input with 48 volts of phantom power for connecting professional microphones such as lapel mics and booms. There are also built in microphones with an extremely low noise floor so you can capture great sound on location. There’s even a 3.5mm stereo audio jack so you can use different types of video camera microphones.   ADVANCED CONNECTIONS HDMI monitoring, mini XLR audio input, power and more Even though it’s small and portable, the Blackmagic Pocket Cinema Camera 4K has a full size HDMI connector built in. You get support for advanced features such as HDR output and a clean 10-bit output with on screen overlays showing full camera status, making it perfect for on set monitoring. There’s also a mini XLR connection with 48 volts of phantom power for attaching professional microphones, a 3.5 mm video camera style microphone input and a professional locking DC power connector.   FLEXIBLE POWER OPTIONS Battery, DC and USB-C so you can shoot all day long The Blackmagic Pocket Cinema Camera 4K uses standard removable LP-E6 type batteries. You also get a locking DC power connector so it can’t be accidentally disconnected in the middle of a shoot. The included 110 - 220 volt plug pack can be used to simultaneously power the camera and charge the LP-E6 battery. Plus, it includes international socket adapters so it can be used anywhere in the world. The USB-C Expansion Port accepts power so you can charge the battery from portable battery packs, a mobile phone charger or even your laptop computer. The Blackmagic Pocket Cinema Camera 4K gives you a wide range of flexible power options so you can shoot all day.   INCLUDES DAVINCI RESOLVE STUDIO Professional editing, visual effects, colour correction and audio post The Blackmagic Pocket Cinema Camera 4K includes a full version of DaVinci Resolve Studio, which is a complete post production solution. You get the world’s most advanced solution that combines professional editing, colour correction, audio post and visual effects all in one software tool. DaVinci Resolve is used to finish more Hollywood feature films than any other solution, so you'll get the best possible post production tools to edit native video from your camera and retain every bit of quality. Whether you’re working on major Hollywood feature films, episodic television productions, music videos, commercials or even the latest YouTube shoot, DaVinci Resolve Studio gives you a completely lossless workflow for native editing, colour correction, effects, audio and delivery, so your video always looks as good as possible.ons: use LP-E6, DC or USB-C

Blackmagic BMD-CINECAMPOCHDMFT4K Pocket Cinema Camera 4K Package E

Blackmagic BMD-CINECAMPOCHDMFT4K (BMD CINECAMPOCHDMFT4K,  BMD/CINECAMPOCHDMFT4K,  CINECAMPOCHDMFT4K) Pocket Cinema Camera 4K Package E includes: 1x Blackmagic BMD-CINECAMPOCHDMFT4K Pocket Cinema Camera 4K (BMD-CINECAMPOCHDMFT4K) 1x Panasonic Lumix G Vario 7-14mm f/4 ASPH. Lens (PAN-HF007014E) 1x Blackmagic CFAST2128 Wise Advanced CFast Card - 128GB (CFAST2128) 1x Hahnel HL-HLX-E6NPP Compact Dual charger + 1x HLX-E6N Battery Kit (HL-HLX-E6NPP)   *Digibroadcast has put together some bespoke Blackmagic packages for our clients based on our own research and surveys and holds the right to protect all of its content © Ultra Portable Design Carbon fiber reinforced composite body that makes it extremely durable and lightweight Micro Four Thirds Lens Mount Record using standard SD cards, UHS-II cards or CFast 2.0 media High speed USB-C connection for direct external recording Blackmagic OS: gives you incredible control of advanced camera features including 3D LUTs for both recording and monitoring, HDR output via HDMI, metadata entry, custom presets, extended video format, Bluetooth remote control, external timecode from the audio input, RAW recording and more 5" Large Touchscreen Built in Microphones, Mini XLR input and 3.5mm stereo audio jack Full Size HDMI Connector Flexible Power Options: use LP-E6, DC or USB-C Ultra Portable Design Carbon fiber reinforced composite body that makes it extremely durable and lightweight Micro Four Thirds Lens Mount Record using standard SD cards, UHS-II cards or CFast 2.0 media High speed USB-C connection for direct external recording Blackmagic OS: gives you incredible control of advanced camera features including 3D LUTs for both recording and monitoring, HDR output via HDMI, metadata entry, custom presets, extended video format, Bluetooth remote control, external timecode from the audio input, RAW recording and more 5" Large Touchscreen Built in Microphones, Mini XLR input and 3.5mm stereo audio jack Full Size HDMI Connector Flexible Power BLACKMAGIC POCKET CINEMA CAMERA 4K Introducing the next generation handheld 4K digital film camera The revolutionary new Blackmagic Pocket Cinema Camera 4K is the camera you’ve been asking for. It features an all new handheld design that puts the latest advanced digital film technology into the palm of your hand. The Blackmagic Pocket Cinema Camera 4K has a 4/3 size sensor, 13 stops of dynamic range and dual native ISO up to 25,600. That means you get stunning HDR images and incredible low light performance. The external controls give you quick access to essential functions, while the large 5 inch touchscreen makes it easy to frame shots, focus accurately and change camera settings. Images are recorded onto standard SD/UHS-II or CFast 2.0 cards in RAW and ProRes at up to 120 frames per second. In addition, the Blackmagic Pocket Cinema Camera 4K has an MFT lens mount, built-in microphones, mini XLR input, full sized HDMI, 3D LUT support, Bluetooth, USB-C Expansion Port and more.   PORTABLE, AFFORDABLE AND PROFESSIONAL Now you can shoot anything in 4K The Blackmagic Pocket Cinema Camera 4K gives you the professional features you need, all in a portable and affordable design that can be used anywhere. It’s perfect for shooting independent films and documentaries, fashion shows, travel blogs, web videos, weddings, corporate video, sports and more. The incredible image quality, advanced Blackmagic Design colour science and RAW recording features let you shoot images that rival professional digital film cameras costing tens of thousands more. That means you get the image quality you need to seamlessly mix footage from the Blackmagic Pocket Cinema Camera 4K with other types of cameras used on high end Hollywood feature films and episodic television shows   ELEGANT MODERN DESIGN Designed to be portable, packed with features and fully expandable The portable handheld design of the Blackmagic Pocket Cinema Camera 4K gives you incredible mobility without sacrificing features. The highly compact form factor features a carbon fiber reinforced composite body that makes it extremely durable and lightweight so you can take it anywhere. You get a super bright 5” screen, 4 built in microphones, built in recorders and external buttons and dials that give you fast access to the most important functions. That means you can quickly check framing and focus, capture audio and record your files without having to carry around extra monitors, microphones, recorders and cables. You also get lots of mounting points, a mini XLR input with phantom power, Bluetooth control and more. With the Blackmagic Pocket Cinema Camera 4K you get a fully featured portable digital film camera that’s flexible and expandable.   4K DIGITAL FILM SENSOR Excellent low light performance and wide dynamic range The Blackmagic Pocket Cinema Camera 4K features a full size 4/3 sensor that gives you 4096 x 2160 resolution with an incredible 13 stops of dynamic range for true digital film quality. Because it’s full size, the 4/3 sensor reduces crop factor, giving you a wider field of view. It also has dual native ISO up to 25,600 so you get incredible low light performance. The Blackmagic Pocket Cinema Camera 4K can record at up to 60 frames per second in 4K and up to a massive 120 frames per second for windowed HD. The camera features fourth generation Blackmagic Design colour science with film, video and extended video modes. The new extended mode gives you the latitude of film with the convenience of video, so you get great looking images without having to do a lot of work in post production.   MFT LENS MOUNT Compatible with your current lenses The Blackmagic Pocket Cinema Camera 4K uses the same MFT (Micro Four Thirds) lens mount as the original Pocket Cinema Camera so you can use the lenses you already have. The MFT lens mount was designed specifically for smaller camera bodies with shorter flange focal distance. This means you can get high quality professional lenses that are much smaller than ever before. The MFT mount is extremely flexible and allows for different lens adapters. You can get adapters for PL, C, EF and more, so you can use lenses from manufacturers such as Canon, Nikon, Pentax, Leica and even Panavision.   RECORDING MEDIA Record using standard SD cards, UHS-II cards or CFast 2.0 media When it comes to recording, the Blackmagic Pocket Cinema Camera 4K gives you 3 kinds of media to choose from. Images can be recorded on to standard SD cards, faster UHS-II cards or CFast 2.0 cards. High definition video can be recorded using regular inexpensive SD cards. Higher performance UHS-II cards can be used for recording Ultra HD in ProRes at up to 60 frames per second and RAW at up to 30 frames per second. CFast cards can record 12-bit RAW at all supported frame rates. For longer recording times, you can also record directly to an external SSD or flash disk using the built in USB-C Expansion Port. Best of all, there’s nothing proprietary. The files will work with all professional post production software. You can even mount the media cards on your computer and start editing directly from them using the included DaVinci Resolve Studio software   EXPANSION PORT High speed USB-C connection for direct external recording The Blackmagic Pocket Cinema Camera 4K features an innovative high speed USB-C Expansion Port. USB-C is fast, flexible and even provides power, so it’s quickly becoming standard on all modern computers and devices. The massive bandwidth of USB-C makes it possible to connect external accessories such as flash drives and SSDs for significantly longer recording times. This can be important when shooting high quality lossless 12-bit RAW or even high frame rate 60 frame per second 4K. Best of all, when you’re done shooting you can use the same drive for editing and post production.   BLACKMAGIC OS Get the same advanced features as larger cameras The Blackmagic Pocket Cinema Camera 4K uses the same Blackmagic OS as URSA Mini. That means you get the world’s most advanced camera operating system and many of the same professional features found on larger cameras. If you’re just getting started, you can learn how to use the Pocket Cinema Camera 4K today and move up to an URSA Mini when you’re ready. If you already use an URSA Mini, there’s nothing new to learn. You get a modern touchscreen interface that uses simple tap and swipe gestures to adjust settings, add metadata and view recording status. The Blackmagic OS gives you incredible control of advanced camera features including 3D LUTs for both recording and monitoring, HDR output via HDMI, metadata entry, custom presets, extended video format, Bluetooth remote control, external timecode from the audio input, RAW recording and more.   SUPER LARGE TOUCHSCREEN Large and bright 5” touchscreen makes focusing fast and easy The back of the Blackmagic Pocket Cinema Camera 4K features a super bright, large 5 inch touchscreen. This makes it easy for you to frame shots and accurately focus, without having to carry around an external monitor or viewfinder. You get the same menus and interface found on URSA Mini cameras, including on screen overlays for recording parameters, status, histogram, focus and peaking indicators, and playback controls. In addition, you can apply 3D LUTs so you can monitor the shot with the desired colour and look. Not only can you use the 3D LUT for monitoring, it can even be baked into the recorded footage. There’s even a speaker located near the screen, which makes it easy to quickly play back and review shots on set.   PROFESSIONAL AUDIO Built in microphones and a mini XLR input The Blackmagic Pocket Cinema Camera 4K gives you professional high fidelity audio recording so you don’t have to carry around a separate sound recorder. The camera features a mini XLR input with 48 volts of phantom power for connecting professional microphones such as lapel mics and booms. There are also built in microphones with an extremely low noise floor so you can capture great sound on location. There’s even a 3.5mm stereo audio jack so you can use different types of video camera microphones.   ADVANCED CONNECTIONS HDMI monitoring, mini XLR audio input, power and more Even though it’s small and portable, the Blackmagic Pocket Cinema Camera 4K has a full size HDMI connector built in. You get support for advanced features such as HDR output and a clean 10-bit output with on screen overlays showing full camera status, making it perfect for on set monitoring. There’s also a mini XLR connection with 48 volts of phantom power for attaching professional microphones, a 3.5 mm video camera style microphone input and a professional locking DC power connector.   FLEXIBLE POWER OPTIONS Battery, DC and USB-C so you can shoot all day long The Blackmagic Pocket Cinema Camera 4K uses standard removable LP-E6 type batteries. You also get a locking DC power connector so it can’t be accidentally disconnected in the middle of a shoot. The included 110 - 220 volt plug pack can be used to simultaneously power the camera and charge the LP-E6 battery. Plus, it includes international socket adapters so it can be used anywhere in the world. The USB-C Expansion Port accepts power so you can charge the battery from portable battery packs, a mobile phone charger or even your laptop computer. The Blackmagic Pocket Cinema Camera 4K gives you a wide range of flexible power options so you can shoot all day.   INCLUDES DAVINCI RESOLVE STUDIO Professional editing, visual effects, colour correction and audio post The Blackmagic Pocket Cinema Camera 4K includes a full version of DaVinci Resolve Studio, which is a complete post production solution. You get the world’s most advanced solution that combines professional editing, colour correction, audio post and visual effects all in one software tool. DaVinci Resolve is used to finish more Hollywood feature films than any other solution, so you'll get the best possible post production tools to edit native video from your camera and retain every bit of quality. Whether you’re working on major Hollywood feature films, episodic television productions, music videos, commercials or even the latest YouTube shoot, DaVinci Resolve Studio gives you a completely lossless workflow for native editing, colour correction, effects, audio and delivery, so your video always looks as good as possible.ons: use LP-E6, DC or USB-C

Blackmagic BMD-CINECAMPOCHDMFT4K Pocket Cinema Camera 4K package D

Blackmagic BMD-CINECAMPOCHDMFT4K (BMD CINECAMPOCHDMFT4K,  BMD/CINECAMPOCHDMFT4K,  CINECAMPOCHDMFT4K) Pocket Cinema Camera 4K Package D includes: 1x Blackmagic BMD-CINECAMPOCHDMFT4K Pocket Cinema Camera 4K (BMD-CINECAMPOCHDMFT4K) 1x Panasonic Lumix G Vario 7-14mm f/4 ASPH. Lens (PAN-HF007014E) 1x Hedbox RP-LPE6 Info-Lithium Battery Pack (RP-LPE6) 1x Blackmagic CFAST2128 Wise Advanced CFast Card - 128GB (CFAST2128)   *Digibroadcast has put together some bespoke Blackmagic packages for our clients based on our own research and surveys and holds the right to protect all of its content © Ultra Portable Design Carbon fiber reinforced composite body that makes it extremely durable and lightweight Micro Four Thirds Lens Mount Record using standard SD cards, UHS-II cards or CFast 2.0 media High speed USB-C connection for direct external recording Blackmagic OS: gives you incredible control of advanced camera features including 3D LUTs for both recording and monitoring, HDR output via HDMI, metadata entry, custom presets, extended video format, Bluetooth remote control, external timecode from the audio input, RAW recording and more 5" Large Touchscreen Built in Microphones, Mini XLR input and 3.5mm stereo audio jack Full Size HDMI Connector Flexible Power Options: use LP-E6, DC or USB-C Ultra Portable Design Carbon fiber reinforced composite body that makes it extremely durable and lightweight Micro Four Thirds Lens Mount Record using standard SD cards, UHS-II cards or CFast 2.0 media High speed USB-C connection for direct external recording Blackmagic OS: gives you incredible control of advanced camera features including 3D LUTs for both recording and monitoring, HDR output via HDMI, metadata entry, custom presets, extended video format, Bluetooth remote control, external timecode from the audio input, RAW recording and more 5" Large Touchscreen Built in Microphones, Mini XLR input and 3.5mm stereo audio jack Full Size HDMI Connector Flexible Power BLACKMAGIC POCKET CINEMA CAMERA 4K Introducing the next generation handheld 4K digital film camera The revolutionary new Blackmagic Pocket Cinema Camera 4K is the camera you’ve been asking for. It features an all new handheld design that puts the latest advanced digital film technology into the palm of your hand. The Blackmagic Pocket Cinema Camera 4K has a 4/3 size sensor, 13 stops of dynamic range and dual native ISO up to 25,600. That means you get stunning HDR images and incredible low light performance. The external controls give you quick access to essential functions, while the large 5 inch touchscreen makes it easy to frame shots, focus accurately and change camera settings. Images are recorded onto standard SD/UHS-II or CFast 2.0 cards in RAW and ProRes at up to 120 frames per second. In addition, the Blackmagic Pocket Cinema Camera 4K has an MFT lens mount, built-in microphones, mini XLR input, full sized HDMI, 3D LUT support, Bluetooth, USB-C Expansion Port and more.   PORTABLE, AFFORDABLE AND PROFESSIONAL Now you can shoot anything in 4K The Blackmagic Pocket Cinema Camera 4K gives you the professional features you need, all in a portable and affordable design that can be used anywhere. It’s perfect for shooting independent films and documentaries, fashion shows, travel blogs, web videos, weddings, corporate video, sports and more. The incredible image quality, advanced Blackmagic Design colour science and RAW recording features let you shoot images that rival professional digital film cameras costing tens of thousands more. That means you get the image quality you need to seamlessly mix footage from the Blackmagic Pocket Cinema Camera 4K with other types of cameras used on high end Hollywood feature films and episodic television shows   ELEGANT MODERN DESIGN Designed to be portable, packed with features and fully expandable The portable handheld design of the Blackmagic Pocket Cinema Camera 4K gives you incredible mobility without sacrificing features. The highly compact form factor features a carbon fiber reinforced composite body that makes it extremely durable and lightweight so you can take it anywhere. You get a super bright 5” screen, 4 built in microphones, built in recorders and external buttons and dials that give you fast access to the most important functions. That means you can quickly check framing and focus, capture audio and record your files without having to carry around extra monitors, microphones, recorders and cables. You also get lots of mounting points, a mini XLR input with phantom power, Bluetooth control and more. With the Blackmagic Pocket Cinema Camera 4K you get a fully featured portable digital film camera that’s flexible and expandable.   4K DIGITAL FILM SENSOR Excellent low light performance and wide dynamic range The Blackmagic Pocket Cinema Camera 4K features a full size 4/3 sensor that gives you 4096 x 2160 resolution with an incredible 13 stops of dynamic range for true digital film quality. Because it’s full size, the 4/3 sensor reduces crop factor, giving you a wider field of view. It also has dual native ISO up to 25,600 so you get incredible low light performance. The Blackmagic Pocket Cinema Camera 4K can record at up to 60 frames per second in 4K and up to a massive 120 frames per second for windowed HD. The camera features fourth generation Blackmagic Design colour science with film, video and extended video modes. The new extended mode gives you the latitude of film with the convenience of video, so you get great looking images without having to do a lot of work in post production.   MFT LENS MOUNT Compatible with your current lenses The Blackmagic Pocket Cinema Camera 4K uses the same MFT (Micro Four Thirds) lens mount as the original Pocket Cinema Camera so you can use the lenses you already have. The MFT lens mount was designed specifically for smaller camera bodies with shorter flange focal distance. This means you can get high quality professional lenses that are much smaller than ever before. The MFT mount is extremely flexible and allows for different lens adapters. You can get adapters for PL, C, EF and more, so you can use lenses from manufacturers such as Canon, Nikon, Pentax, Leica and even Panavision.   RECORDING MEDIA Record using standard SD cards, UHS-II cards or CFast 2.0 media When it comes to recording, the Blackmagic Pocket Cinema Camera 4K gives you 3 kinds of media to choose from. Images can be recorded on to standard SD cards, faster UHS-II cards or CFast 2.0 cards. High definition video can be recorded using regular inexpensive SD cards. Higher performance UHS-II cards can be used for recording Ultra HD in ProRes at up to 60 frames per second and RAW at up to 30 frames per second. CFast cards can record 12-bit RAW at all supported frame rates. For longer recording times, you can also record directly to an external SSD or flash disk using the built in USB-C Expansion Port. Best of all, there’s nothing proprietary. The files will work with all professional post production software. You can even mount the media cards on your computer and start editing directly from them using the included DaVinci Resolve Studio software   EXPANSION PORT High speed USB-C connection for direct external recording The Blackmagic Pocket Cinema Camera 4K features an innovative high speed USB-C Expansion Port. USB-C is fast, flexible and even provides power, so it’s quickly becoming standard on all modern computers and devices. The massive bandwidth of USB-C makes it possible to connect external accessories such as flash drives and SSDs for significantly longer recording times. This can be important when shooting high quality lossless 12-bit RAW or even high frame rate 60 frame per second 4K. Best of all, when you’re done shooting you can use the same drive for editing and post production.   BLACKMAGIC OS Get the same advanced features as larger cameras The Blackmagic Pocket Cinema Camera 4K uses the same Blackmagic OS as URSA Mini. That means you get the world’s most advanced camera operating system and many of the same professional features found on larger cameras. If you’re just getting started, you can learn how to use the Pocket Cinema Camera 4K today and move up to an URSA Mini when you’re ready. If you already use an URSA Mini, there’s nothing new to learn. You get a modern touchscreen interface that uses simple tap and swipe gestures to adjust settings, add metadata and view recording status. The Blackmagic OS gives you incredible control of advanced camera features including 3D LUTs for both recording and monitoring, HDR output via HDMI, metadata entry, custom presets, extended video format, Bluetooth remote control, external timecode from the audio input, RAW recording and more.   SUPER LARGE TOUCHSCREEN Large and bright 5” touchscreen makes focusing fast and easy The back of the Blackmagic Pocket Cinema Camera 4K features a super bright, large 5 inch touchscreen. This makes it easy for you to frame shots and accurately focus, without having to carry around an external monitor or viewfinder. You get the same menus and interface found on URSA Mini cameras, including on screen overlays for recording parameters, status, histogram, focus and peaking indicators, and playback controls. In addition, you can apply 3D LUTs so you can monitor the shot with the desired colour and look. Not only can you use the 3D LUT for monitoring, it can even be baked into the recorded footage. There’s even a speaker located near the screen, which makes it easy to quickly play back and review shots on set.   PROFESSIONAL AUDIO Built in microphones and a mini XLR input The Blackmagic Pocket Cinema Camera 4K gives you professional high fidelity audio recording so you don’t have to carry around a separate sound recorder. The camera features a mini XLR input with 48 volts of phantom power for connecting professional microphones such as lapel mics and booms. There are also built in microphones with an extremely low noise floor so you can capture great sound on location. There’s even a 3.5mm stereo audio jack so you can use different types of video camera microphones.   ADVANCED CONNECTIONS HDMI monitoring, mini XLR audio input, power and more Even though it’s small and portable, the Blackmagic Pocket Cinema Camera 4K has a full size HDMI connector built in. You get support for advanced features such as HDR output and a clean 10-bit output with on screen overlays showing full camera status, making it perfect for on set monitoring. There’s also a mini XLR connection with 48 volts of phantom power for attaching professional microphones, a 3.5 mm video camera style microphone input and a professional locking DC power connector.   FLEXIBLE POWER OPTIONS Battery, DC and USB-C so you can shoot all day long The Blackmagic Pocket Cinema Camera 4K uses standard removable LP-E6 type batteries. You also get a locking DC power connector so it can’t be accidentally disconnected in the middle of a shoot. The included 110 - 220 volt plug pack can be used to simultaneously power the camera and charge the LP-E6 battery. Plus, it includes international socket adapters so it can be used anywhere in the world. The USB-C Expansion Port accepts power so you can charge the battery from portable battery packs, a mobile phone charger or even your laptop computer. The Blackmagic Pocket Cinema Camera 4K gives you a wide range of flexible power options so you can shoot all day.   INCLUDES DAVINCI RESOLVE STUDIO Professional editing, visual effects, colour correction and audio post The Blackmagic Pocket Cinema Camera 4K includes a full version of DaVinci Resolve Studio, which is a complete post production solution. You get the world’s most advanced solution that combines professional editing, colour correction, audio post and visual effects all in one software tool. DaVinci Resolve is used to finish more Hollywood feature films than any other solution, so you'll get the best possible post production tools to edit native video from your camera and retain every bit of quality. Whether you’re working on major Hollywood feature films, episodic television productions, music videos, commercials or even the latest YouTube shoot, DaVinci Resolve Studio gives you a completely lossless workflow for native editing, colour correction, effects, audio and delivery, so your video always looks as good as possible.ons: use LP-E6, DC or USB-C

Blackmagic BMD-CINECAMPOCHDMFT4K Pocket Cinema Camera 4K package C

Blackmagic BMD-CINECAMPOCHDMFT4K (BMD CINECAMPOCHDMFT4K,  BMD/CINECAMPOCHDMFT4K,  CINECAMPOCHDMFT4K) Pocket Cinema Camera 4K Package C includes: 1x Blackmagic BMD-CINECAMPOCHDMFT4K Pocket Cinema Camera 4K (BMD-CINECAMPOCHDMFT4K) 1x Panasonic Lumix G Vario 7-14mm f/4 ASPH. Lens (PAN-HF007014E) 1x Hedbox RP-LPE6 Info-Lithium Battery Pack (RP-LPE6) 1x Camrade CBSS Carry Case for Small Cameras (CAM-CBSS)    *Digibroadcast has put together some bespoke Blackmagic packages for our clients based on our own research and surveys and holds the right to protect all of its content © Ultra Portable Design Carbon fiber reinforced composite body that makes it extremely durable and lightweight Micro Four Thirds Lens Mount Record using standard SD cards, UHS-II cards or CFast 2.0 media High speed USB-C connection for direct external recording Blackmagic OS: gives you incredible control of advanced camera features including 3D LUTs for both recording and monitoring, HDR output via HDMI, metadata entry, custom presets, extended video format, Bluetooth remote control, external timecode from the audio input, RAW recording and more 5" Large Touchscreen Built in Microphones, Mini XLR input and 3.5mm stereo audio jack Full Size HDMI Connector Flexible Power Options: use LP-E6, DC or USB-C Ultra Portable Design Carbon fiber reinforced composite body that makes it extremely durable and lightweight Micro Four Thirds Lens Mount Record using standard SD cards, UHS-II cards or CFast 2.0 media High speed USB-C connection for direct external recording Blackmagic OS: gives you incredible control of advanced camera features including 3D LUTs for both recording and monitoring, HDR output via HDMI, metadata entry, custom presets, extended video format, Bluetooth remote control, external timecode from the audio input, RAW recording and more 5" Large Touchscreen Built in Microphones, Mini XLR input and 3.5mm stereo audio jack Full Size HDMI Connector Flexible Power BLACKMAGIC POCKET CINEMA CAMERA 4K Introducing the next generation handheld 4K digital film camera The revolutionary new Blackmagic Pocket Cinema Camera 4K is the camera you’ve been asking for. It features an all new handheld design that puts the latest advanced digital film technology into the palm of your hand. The Blackmagic Pocket Cinema Camera 4K has a 4/3 size sensor, 13 stops of dynamic range and dual native ISO up to 25,600. That means you get stunning HDR images and incredible low light performance. The external controls give you quick access to essential functions, while the large 5 inch touchscreen makes it easy to frame shots, focus accurately and change camera settings. Images are recorded onto standard SD/UHS-II or CFast 2.0 cards in RAW and ProRes at up to 120 frames per second. In addition, the Blackmagic Pocket Cinema Camera 4K has an MFT lens mount, built-in microphones, mini XLR input, full sized HDMI, 3D LUT support, Bluetooth, USB-C Expansion Port and more.   PORTABLE, AFFORDABLE AND PROFESSIONAL Now you can shoot anything in 4K The Blackmagic Pocket Cinema Camera 4K gives you the professional features you need, all in a portable and affordable design that can be used anywhere. It’s perfect for shooting independent films and documentaries, fashion shows, travel blogs, web videos, weddings, corporate video, sports and more. The incredible image quality, advanced Blackmagic Design colour science and RAW recording features let you shoot images that rival professional digital film cameras costing tens of thousands more. That means you get the image quality you need to seamlessly mix footage from the Blackmagic Pocket Cinema Camera 4K with other types of cameras used on high end Hollywood feature films and episodic television shows   ELEGANT MODERN DESIGN Designed to be portable, packed with features and fully expandable The portable handheld design of the Blackmagic Pocket Cinema Camera 4K gives you incredible mobility without sacrificing features. The highly compact form factor features a carbon fiber reinforced composite body that makes it extremely durable and lightweight so you can take it anywhere. You get a super bright 5” screen, 4 built in microphones, built in recorders and external buttons and dials that give you fast access to the most important functions. That means you can quickly check framing and focus, capture audio and record your files without having to carry around extra monitors, microphones, recorders and cables. You also get lots of mounting points, a mini XLR input with phantom power, Bluetooth control and more. With the Blackmagic Pocket Cinema Camera 4K you get a fully featured portable digital film camera that’s flexible and expandable.   4K DIGITAL FILM SENSOR Excellent low light performance and wide dynamic range The Blackmagic Pocket Cinema Camera 4K features a full size 4/3 sensor that gives you 4096 x 2160 resolution with an incredible 13 stops of dynamic range for true digital film quality. Because it’s full size, the 4/3 sensor reduces crop factor, giving you a wider field of view. It also has dual native ISO up to 25,600 so you get incredible low light performance. The Blackmagic Pocket Cinema Camera 4K can record at up to 60 frames per second in 4K and up to a massive 120 frames per second for windowed HD. The camera features fourth generation Blackmagic Design colour science with film, video and extended video modes. The new extended mode gives you the latitude of film with the convenience of video, so you get great looking images without having to do a lot of work in post production.   MFT LENS MOUNT Compatible with your current lenses The Blackmagic Pocket Cinema Camera 4K uses the same MFT (Micro Four Thirds) lens mount as the original Pocket Cinema Camera so you can use the lenses you already have. The MFT lens mount was designed specifically for smaller camera bodies with shorter flange focal distance. This means you can get high quality professional lenses that are much smaller than ever before. The MFT mount is extremely flexible and allows for different lens adapters. You can get adapters for PL, C, EF and more, so you can use lenses from manufacturers such as Canon, Nikon, Pentax, Leica and even Panavision.   RECORDING MEDIA Record using standard SD cards, UHS-II cards or CFast 2.0 media When it comes to recording, the Blackmagic Pocket Cinema Camera 4K gives you 3 kinds of media to choose from. Images can be recorded on to standard SD cards, faster UHS-II cards or CFast 2.0 cards. High definition video can be recorded using regular inexpensive SD cards. Higher performance UHS-II cards can be used for recording Ultra HD in ProRes at up to 60 frames per second and RAW at up to 30 frames per second. CFast cards can record 12-bit RAW at all supported frame rates. For longer recording times, you can also record directly to an external SSD or flash disk using the built in USB-C Expansion Port. Best of all, there’s nothing proprietary. The files will work with all professional post production software. You can even mount the media cards on your computer and start editing directly from them using the included DaVinci Resolve Studio software   EXPANSION PORT High speed USB-C connection for direct external recording The Blackmagic Pocket Cinema Camera 4K features an innovative high speed USB-C Expansion Port. USB-C is fast, flexible and even provides power, so it’s quickly becoming standard on all modern computers and devices. The massive bandwidth of USB-C makes it possible to connect external accessories such as flash drives and SSDs for significantly longer recording times. This can be important when shooting high quality lossless 12-bit RAW or even high frame rate 60 frame per second 4K. Best of all, when you’re done shooting you can use the same drive for editing and post production.   BLACKMAGIC OS Get the same advanced features as larger cameras The Blackmagic Pocket Cinema Camera 4K uses the same Blackmagic OS as URSA Mini. That means you get the world’s most advanced camera operating system and many of the same professional features found on larger cameras. If you’re just getting started, you can learn how to use the Pocket Cinema Camera 4K today and move up to an URSA Mini when you’re ready. If you already use an URSA Mini, there’s nothing new to learn. You get a modern touchscreen interface that uses simple tap and swipe gestures to adjust settings, add metadata and view recording status. The Blackmagic OS gives you incredible control of advanced camera features including 3D LUTs for both recording and monitoring, HDR output via HDMI, metadata entry, custom presets, extended video format, Bluetooth remote control, external timecode from the audio input, RAW recording and more.   SUPER LARGE TOUCHSCREEN Large and bright 5” touchscreen makes focusing fast and easy The back of the Blackmagic Pocket Cinema Camera 4K features a super bright, large 5 inch touchscreen. This makes it easy for you to frame shots and accurately focus, without having to carry around an external monitor or viewfinder. You get the same menus and interface found on URSA Mini cameras, including on screen overlays for recording parameters, status, histogram, focus and peaking indicators, and playback controls. In addition, you can apply 3D LUTs so you can monitor the shot with the desired colour and look. Not only can you use the 3D LUT for monitoring, it can even be baked into the recorded footage. There’s even a speaker located near the screen, which makes it easy to quickly play back and review shots on set.   PROFESSIONAL AUDIO Built in microphones and a mini XLR input The Blackmagic Pocket Cinema Camera 4K gives you professional high fidelity audio recording so you don’t have to carry around a separate sound recorder. The camera features a mini XLR input with 48 volts of phantom power for connecting professional microphones such as lapel mics and booms. There are also built in microphones with an extremely low noise floor so you can capture great sound on location. There’s even a 3.5mm stereo audio jack so you can use different types of video camera microphones.   ADVANCED CONNECTIONS HDMI monitoring, mini XLR audio input, power and more Even though it’s small and portable, the Blackmagic Pocket Cinema Camera 4K has a full size HDMI connector built in. You get support for advanced features such as HDR output and a clean 10-bit output with on screen overlays showing full camera status, making it perfect for on set monitoring. There’s also a mini XLR connection with 48 volts of phantom power for attaching professional microphones, a 3.5 mm video camera style microphone input and a professional locking DC power connector.   FLEXIBLE POWER OPTIONS Battery, DC and USB-C so you can shoot all day long The Blackmagic Pocket Cinema Camera 4K uses standard removable LP-E6 type batteries. You also get a locking DC power connector so it can’t be accidentally disconnected in the middle of a shoot. The included 110 - 220 volt plug pack can be used to simultaneously power the camera and charge the LP-E6 battery. Plus, it includes international socket adapters so it can be used anywhere in the world. The USB-C Expansion Port accepts power so you can charge the battery from portable battery packs, a mobile phone charger or even your laptop computer. The Blackmagic Pocket Cinema Camera 4K gives you a wide range of flexible power options so you can shoot all day.   INCLUDES DAVINCI RESOLVE STUDIO Professional editing, visual effects, colour correction and audio post The Blackmagic Pocket Cinema Camera 4K includes a full version of DaVinci Resolve Studio, which is a complete post production solution. You get the world’s most advanced solution that combines professional editing, colour correction, audio post and visual effects all in one software tool. DaVinci Resolve is used to finish more Hollywood feature films than any other solution, so you'll get the best possible post production tools to edit native video from your camera and retain every bit of quality. Whether you’re working on major Hollywood feature films, episodic television productions, music videos, commercials or even the latest YouTube shoot, DaVinci Resolve Studio gives you a completely lossless workflow for native editing, colour correction, effects, audio and delivery, so your video always looks as good as possible.ons: use LP-E6, DC or USB-C

Blackmagic BMD-CINECAMPOCHDMFT4K Pocket Cinema Camera 4K package A

Blackmagic BMD-CINECAMPOCHDMFT4K (BMD CINECAMPOCHDMFT4K,  BMD/CINECAMPOCHDMFT4K,  CINECAMPOCHDMFT4K) Pocket Cinema Camera 4K package A includes: 1x Blackmagic BMD-CINECAMPOCHDMFT4K Pocket Cinema Camera 4K (BMD-CINECAMPOCHDMFT4K) 1x Panasonic Lumix G Vario 7-14mm f/4 ASPH. Lens (PAN-HF007014E) *Digibroadcast has put together some bespoke Blackmagic packages for our clients based on our own research and surveys and holds the right to protect all of its content © Ultra Portable Design Carbon fiber reinforced composite body that makes it extremely durable and lightweight Micro Four Thirds Lens Mount Record using standard SD cards, UHS-II cards or CFast 2.0 media High speed USB-C connection for direct external recording Blackmagic OS: gives you incredible control of advanced camera features including 3D LUTs for both recording and monitoring, HDR output via HDMI, metadata entry, custom presets, extended video format, Bluetooth remote control, external timecode from the audio input, RAW recording and more 5" Large Touchscreen Built in Microphones, Mini XLR input and 3.5mm stereo audio jack Full Size HDMI Connector Flexible Power Options: use LP-E6, DC or USB-C Ultra Portable Design Carbon fiber reinforced composite body that makes it extremely durable and lightweight Micro Four Thirds Lens Mount Record using standard SD cards, UHS-II cards or CFast 2.0 media High speed USB-C connection for direct external recording Blackmagic OS: gives you incredible control of advanced camera features including 3D LUTs for both recording and monitoring, HDR output via HDMI, metadata entry, custom presets, extended video format, Bluetooth remote control, external timecode from the audio input, RAW recording and more 5" Large Touchscreen Built in Microphones, Mini XLR input and 3.5mm stereo audio jack Full Size HDMI Connector Flexible Power BLACKMAGIC POCKET CINEMA CAMERA 4K Introducing the next generation handheld 4K digital film camera The revolutionary new Blackmagic Pocket Cinema Camera 4K is the camera you’ve been asking for. It features an all new handheld design that puts the latest advanced digital film technology into the palm of your hand. The Blackmagic Pocket Cinema Camera 4K has a 4/3 size sensor, 13 stops of dynamic range and dual native ISO up to 25,600. That means you get stunning HDR images and incredible low light performance. The external controls give you quick access to essential functions, while the large 5 inch touchscreen makes it easy to frame shots, focus accurately and change camera settings. Images are recorded onto standard SD/UHS-II or CFast 2.0 cards in RAW and ProRes at up to 120 frames per second. In addition, the Blackmagic Pocket Cinema Camera 4K has an MFT lens mount, built-in microphones, mini XLR input, full sized HDMI, 3D LUT support, Bluetooth, USB-C Expansion Port and more.   PORTABLE, AFFORDABLE AND PROFESSIONAL Now you can shoot anything in 4K The Blackmagic Pocket Cinema Camera 4K gives you the professional features you need, all in a portable and affordable design that can be used anywhere. It’s perfect for shooting independent films and documentaries, fashion shows, travel blogs, web videos, weddings, corporate video, sports and more. The incredible image quality, advanced Blackmagic Design colour science and RAW recording features let you shoot images that rival professional digital film cameras costing tens of thousands more. That means you get the image quality you need to seamlessly mix footage from the Blackmagic Pocket Cinema Camera 4K with other types of cameras used on high end Hollywood feature films and episodic television shows   ELEGANT MODERN DESIGN Designed to be portable, packed with features and fully expandable The portable handheld design of the Blackmagic Pocket Cinema Camera 4K gives you incredible mobility without sacrificing features. The highly compact form factor features a carbon fiber reinforced composite body that makes it extremely durable and lightweight so you can take it anywhere. You get a super bright 5” screen, 4 built in microphones, built in recorders and external buttons and dials that give you fast access to the most important functions. That means you can quickly check framing and focus, capture audio and record your files without having to carry around extra monitors, microphones, recorders and cables. You also get lots of mounting points, a mini XLR input with phantom power, Bluetooth control and more. With the Blackmagic Pocket Cinema Camera 4K you get a fully featured portable digital film camera that’s flexible and expandable.   4K DIGITAL FILM SENSOR Excellent low light performance and wide dynamic range The Blackmagic Pocket Cinema Camera 4K features a full size 4/3 sensor that gives you 4096 x 2160 resolution with an incredible 13 stops of dynamic range for true digital film quality. Because it’s full size, the 4/3 sensor reduces crop factor, giving you a wider field of view. It also has dual native ISO up to 25,600 so you get incredible low light performance. The Blackmagic Pocket Cinema Camera 4K can record at up to 60 frames per second in 4K and up to a massive 120 frames per second for windowed HD. The camera features fourth generation Blackmagic Design colour science with film, video and extended video modes. The new extended mode gives you the latitude of film with the convenience of video, so you get great looking images without having to do a lot of work in post production.   MFT LENS MOUNT Compatible with your current lenses The Blackmagic Pocket Cinema Camera 4K uses the same MFT (Micro Four Thirds) lens mount as the original Pocket Cinema Camera so you can use the lenses you already have. The MFT lens mount was designed specifically for smaller camera bodies with shorter flange focal distance. This means you can get high quality professional lenses that are much smaller than ever before. The MFT mount is extremely flexible and allows for different lens adapters. You can get adapters for PL, C, EF and more, so you can use lenses from manufacturers such as Canon, Nikon, Pentax, Leica and even Panavision.   RECORDING MEDIA Record using standard SD cards, UHS-II cards or CFast 2.0 media When it comes to recording, the Blackmagic Pocket Cinema Camera 4K gives you 3 kinds of media to choose from. Images can be recorded on to standard SD cards, faster UHS-II cards or CFast 2.0 cards. High definition video can be recorded using regular inexpensive SD cards. Higher performance UHS-II cards can be used for recording Ultra HD in ProRes at up to 60 frames per second and RAW at up to 30 frames per second. CFast cards can record 12-bit RAW at all supported frame rates. For longer recording times, you can also record directly to an external SSD or flash disk using the built in USB-C Expansion Port. Best of all, there’s nothing proprietary. The files will work with all professional post production software. You can even mount the media cards on your computer and start editing directly from them using the included DaVinci Resolve Studio software   EXPANSION PORT High speed USB-C connection for direct external recording The Blackmagic Pocket Cinema Camera 4K features an innovative high speed USB-C Expansion Port. USB-C is fast, flexible and even provides power, so it’s quickly becoming standard on all modern computers and devices. The massive bandwidth of USB-C makes it possible to connect external accessories such as flash drives and SSDs for significantly longer recording times. This can be important when shooting high quality lossless 12-bit RAW or even high frame rate 60 frame per second 4K. Best of all, when you’re done shooting you can use the same drive for editing and post production.   BLACKMAGIC OS Get the same advanced features as larger cameras The Blackmagic Pocket Cinema Camera 4K uses the same Blackmagic OS as URSA Mini. That means you get the world’s most advanced camera operating system and many of the same professional features found on larger cameras. If you’re just getting started, you can learn how to use the Pocket Cinema Camera 4K today and move up to an URSA Mini when you’re ready. If you already use an URSA Mini, there’s nothing new to learn. You get a modern touchscreen interface that uses simple tap and swipe gestures to adjust settings, add metadata and view recording status. The Blackmagic OS gives you incredible control of advanced camera features including 3D LUTs for both recording and monitoring, HDR output via HDMI, metadata entry, custom presets, extended video format, Bluetooth remote control, external timecode from the audio input, RAW recording and more.   SUPER LARGE TOUCHSCREEN Large and bright 5” touchscreen makes focusing fast and easy The back of the Blackmagic Pocket Cinema Camera 4K features a super bright, large 5 inch touchscreen. This makes it easy for you to frame shots and accurately focus, without having to carry around an external monitor or viewfinder. You get the same menus and interface found on URSA Mini cameras, including on screen overlays for recording parameters, status, histogram, focus and peaking indicators, and playback controls. In addition, you can apply 3D LUTs so you can monitor the shot with the desired colour and look. Not only can you use the 3D LUT for monitoring, it can even be baked into the recorded footage. There’s even a speaker located near the screen, which makes it easy to quickly play back and review shots on set.   PROFESSIONAL AUDIO Built in microphones and a mini XLR input The Blackmagic Pocket Cinema Camera 4K gives you professional high fidelity audio recording so you don’t have to carry around a separate sound recorder. The camera features a mini XLR input with 48 volts of phantom power for connecting professional microphones such as lapel mics and booms. There are also built in microphones with an extremely low noise floor so you can capture great sound on location. There’s even a 3.5mm stereo audio jack so you can use different types of video camera microphones.   ADVANCED CONNECTIONS HDMI monitoring, mini XLR audio input, power and more Even though it’s small and portable, the Blackmagic Pocket Cinema Camera 4K has a full size HDMI connector built in. You get support for advanced features such as HDR output and a clean 10-bit output with on screen overlays showing full camera status, making it perfect for on set monitoring. There’s also a mini XLR connection with 48 volts of phantom power for attaching professional microphones, a 3.5 mm video camera style microphone input and a professional locking DC power connector.   FLEXIBLE POWER OPTIONS Battery, DC and USB-C so you can shoot all day long The Blackmagic Pocket Cinema Camera 4K uses standard removable LP-E6 type batteries. You also get a locking DC power connector so it can’t be accidentally disconnected in the middle of a shoot. The included 110 - 220 volt plug pack can be used to simultaneously power the camera and charge the LP-E6 battery. Plus, it includes international socket adapters so it can be used anywhere in the world. The USB-C Expansion Port accepts power so you can charge the battery from portable battery packs, a mobile phone charger or even your laptop computer. The Blackmagic Pocket Cinema Camera 4K gives you a wide range of flexible power options so you can shoot all day.   INCLUDES DAVINCI RESOLVE STUDIO Professional editing, visual effects, colour correction and audio post The Blackmagic Pocket Cinema Camera 4K includes a full version of DaVinci Resolve Studio, which is a complete post production solution. You get the world’s most advanced solution that combines professional editing, colour correction, audio post and visual effects all in one software tool. DaVinci Resolve is used to finish more Hollywood feature films than any other solution, so you'll get the best possible post production tools to edit native video from your camera and retain every bit of quality. Whether you’re working on major Hollywood feature films, episodic television productions, music videos, commercials or even the latest YouTube shoot, DaVinci Resolve Studio gives you a completely lossless workflow for native editing, colour correction, effects, audio and delivery, so your video always looks as good as possible.ons: use LP-E6, DC or USB-C

Panasonic AGUX90 4K Camcorder package E

Panasonic AGUX90 4K Camcorder package E © INCLUDES:   1x Panasonic AGUX90 4K Camcorder (PAN-AGUX90) 1x Sandisk SDSDXVE-064G-GNCIN Extreme PLUS SDHC 64GB 90MB/s memory card (SDSDXVE-064G-GNCIN) 1x Camrade Run and Gun Bag  for Cinema style cameras up to 47 cm (CAM-RGCIN) 1x Rode NTG2 shotgun microphone (NTG2) 1x Rode WS6 Deluxe Windshield (WS6) 1x Rode Pistol Grip PG2-R (PG2-R) 1x Digibroadcast 12 inch XLR 3 pin cable (12INCHXLR3PIN) 1x Acebil i-605dx Tripod (i-605dx) 1x Sennheiser HD 200 PRO Studio Headphones 507182 1x Sennheiser ew 112P G4-GB Omni-directional Wireless Lavalier Microphone System 507614     *Digibroadcast has put together some bespoke Panasonic packages for our clients based on our own research and surveys and holds the right to protect all of its content ©

Panasonic AGUX90 4K Camcorder Package D

Panasonic AGUX90 4K Camcorder package D © INCLUDES:   1x Panasonic AGUX90 4K Camcorder (PAN-AGUX90) 1x Sandisk SDSDXVE-064G-GNCIN Extreme PLUS SDHC 64GB 90MB/s memory card (SDSDXVE-064G-GNCIN) 1x Camrade CAM-R&GB-CINEMA run&gunBag Cinema CAM-R&GB-CINEMA 1x Rode NTG2 shotgun microphone (NTG2) 1x Rode WS6 Deluxe Windshield (WS6) 1x Rode Pistol Grip PG2-R (PG2-R) 1x Digibroadcast 12 inch XLR 3 pin cable (12INCHXLR3PIN) 1x Acebil i-605dx Tripod (i-605dx)     *Digibroadcast has put together some bespoke Panasonic packages for our clients based on our own research and surveys and holds the right to protect all of its content ©

Panasonic AGUX90 4K Camcorder Package C

Panasonic AGUX90 4K Camcorder package C © INCLUDES:   1x Panasonic AGUX90 4K Camcorder (PAN-AGUX90) 1x Sandisk SDSDXVE-064G-GNCIN Extreme PLUS SDHC 64GB 90MB/s memory card (SDSDXVE-064G-GNCIN) 1x Camrade CAM-R&GB-CINEMA run&gunBag Cinema CAM-R&GB-CINEMA 1x Rode NTG2 shotgun microphone (NTG2) 1x Rode WS6 Deluxe Windshield (WS6) 1x Rode Pistol Grip PG2-R (PG2-R) 1x Digibroadcast 12 inch XLR 3 pin cable (12INCHXLR3PIN)     *Digibroadcast has put together some bespoke Panasonic packages for our clients based on our own research and surveys and holds the right to protect all of its content ©

Panasonic AGUX90 4K Camcorder Package B

Panasonic AGUX90 4K Camcorder package B © INCLUDES:   1x Panasonic AGUX90 4K Camcorder (PAN-AGUX90) 1x Sandisk SDSDXVE-064G-GNCIN Extreme PLUS SDHC 64GB 90MB/s memory card (SDSDXVE-064G-GNCIN) 1x Camrade CAM-R&GB-CINEMA run&gunBag Cinema CAM-R&GB-CINEMA     *Digibroadcast has put together some bespoke Panasonic packages for our clients based on our own research and surveys and holds the right to protect all of its content ©

Panasonic AGUX90 4K Camcorder Package A

Panasonic AGUX90 4K Camcorder package a © INCLUDES:   1x Panasonic AGUX90 4K Camcorder (PAN-AGUX90) 1x Sandisk SDSDXVE-064G-GNCIN Extreme PLUS SDHC 64GB 90MB/s memory card (SDSDVNE-064G-GNCIN)     *Digibroadcast has put together some bespoke Panasonic packages for our clients based on our own research and surveys and holds the right to protect all of its content ©

Rode Podcaster package b

Rode Podcaster Package b © includes: Available January 2016     1x Rode Podcaster (PODCASTER) 1x Rode PSM1 Microphone Shock Mount for Procaster or Podcaster (PSM1) 1x Rode PSA1 Professional Studio Boom Arm (PSA1)       *Digibroadcast has put together some bespoke Rode packages for our clients based on our own research and surveys and holds the right to protect all of its content ©

Rode Podcaster Microphone Package A

Rode Podcaster Package a © includes:     1x Rode Podcaster (PODCASTER) 1x Rode Microphone Shock Mount PSM1 (PSM1)       *Digibroadcast has put together some bespoke Rode packages for our clients based on our own research and surveys and holds the right to protect all of its content ©

Rode NTG4+ Directional Condenser Microphone Inbuilt Battery package C

Rode NTG4PLUS Directional Condenser Microphone with Inbuilt Battery package C includes: 1x Rode NTG4PLUS Directional Condenser Microphone with Inbuilt Battery (NTG4PLUS) 1x Rode WS6 Deluxe windshield (WS6) 1x Rode SM3R Camera Shoe Shock Mount (SM3R) 1x Rode Boom Pole (3m) (BOOMPOLE) 1x Digibroadcast 5m 3 pin XLR cable (5METERXLR3PIN)      *Digibroadcast has put together some bespoke Rode packages for our clients based on our own research and surveys and holds the right to protect all of its content ©

Rode NTG4+ Directional Condenser Microphone Inbuilt Battery pack B

Rode NTG4PLUS Directional Condenser Microphone with Inbuilt Battery package B © includes:   1x Rode NTG4PLUS Directional Condenser Microphone with Inbuilt Battery (NTG4PLUS) 1x Rode WS6 Deluxe windshield (WS6) 1x Rode PG2-R Pistol Grip and shock mount (PG2-R) 1x Digibroadcast XLR 12" CABLE (12INCHXLR3PIN)   *Digibroadcast has put together some bespoke Rode packages for our clients based on our own research and surveys and holds the right to protect all of its content ©

Rode NTG4+ Directional Condenser Microphone with Inbuilt Battery package A

Rode NTG4PLUS Directional Condenser Microphone with Inbuilt Battery package A includes:   1x Rode NTG4PLUS Directional Condenser Microphone with Inbuilt Battery (NTG4PLUS) 1x Rode WS6 Deluxe windshield (WS6) *Digibroadcast has put together some bespoke Rode packages for our clients based on our own research and surveys and holds the right to protect all of its content ©

Sony PMW-F5 35mm Full HD Camcorder with LCD viewfinder package B

Sony PMW-F5 HD Camcorder with LCD viewfinder Package B © includes: Sony PMW-F5 (PMWF5 PMW F5 PMW/F5) Super 35mm Full HD 4K CMOS Sensor Compact CineAlta Camcorder - Records HD/2K on SxS memory plus 16-bit RAW 2K/4K output Sony DVF-L350 (DVFL350, DVF L350, DVF/L350, dvf-l350) LCD Viewfinder for PMW-F5, PMW-F55 *Digibroadcast has put together some bespoke Sony packages for our clients based on our own research and surveys and holds the right to protect all of its content ©

Sony PMW-F5 35mm Full HD Camcorder with OLED viewfinder package a

Sony PMW-F5 HD Camcorder with OLED viewfinder Package A© includes: Sony PMW-F5 (PMWF5 PMW F5 PMW/F5) Super 35mm Full HD 4K CMOS Sensor Compact CineAlta Camcorder - Records HD/2K on SxS memory plus 16-bit RAW 2K/4K output Sony DVF-EL100 oled 0.7-inch colour hd digital viewfinder   *Digibroadcast has put together some bespoke Sony packages for our clients based on our own research and surveys and holds the right to protect all of its content ©

Sennheiser MKE 600 Camera Microphone with fluffy package A

Sennheiser MKE 600 Package A © includes:   1x Sennheiser MKE 600 Microphone - supplied with Foam Wind Shield and Shock Mount  (505453) 1x Sennheiser MZH 600 wind shield (softie style) for MKE 600 (505454)     *Digibroadcast has put together some bespoke Sennheiser packages for our clients based on our own research and surveys and holds the right to protect all of its content ©

Rode NTG3 Package D

Rode NTG-3 PACKAGE D © includes:     1x Rode NTG3B shotgun microphone (NTG3B) 1x Rode Boompole 3m (BOOMPOLE) 1x Rode BLIMP2 Windshield and pistol grip system for NTG series (BLIMP2) 1x Digibroadcast 5MTR XLR CABLE (5MXLR3PIN) 1x Rode SM3R shock mount with Rycote lyre suspension mount (SM3R)   The NTG-3 is the result of years of development by RØDE engineers, providing the professional broadcast and film industries with an affordable yet uncompromising microphone.Using a technology known as RF-bias the RØDE NTG-3 is almost completely resistant to moisture, making it the only option when recording in any demanding environments where condensation is an issue.In addition to its robust properties the NTG-3 combines very low weight (163g), a durable anti-glare finish and incredibly low handling and self-noise (13dBA) to become RØDE’s premier A/V microphone.When not in use the NTG-3 can be stored away in the included weather resistant aluminium storage cylinder, providing additional protection when travelling and storing the microphone. Designed to withstand adverse environmental conditions 50% less self-noise than the majority of shotgun microphones True condenser (externally RF biased) Extremely low handling noise High level of immunity to radio frequency broadcast Superior broadcast sound quality Weather resistant aluminium storage cylinder Telescopic Boom Pole. Extends to 3m RØDE Microphones releases the Blimp, an all new suspension windshield for use with professional shotgun microphones. The new RØDE Blimp is a complete windshield and shock mounting accessory, designed to accommodate the RØDE NTG-1, NTG-2 and NTG-3 shotgun microphones in addition to the NT4 stereo microphone and most third party shotgun microphones up to 325mm (12 ¾”) in length.“During the design of the RØDE Blimp we continually focussed on adding tangible performance benefits for the user.” explained the RØDE Blimp’s Lead Industrial Designer, Matthew Hall. “None of the features unique to the Blimp were incorporated without careful analysis and consideration for their purpose. We took great care to ensure all elements worked cohesively and were integrated into the overall design in a manner to provide the best possible windshield product on the market today.”The Blimp’s main housing is based on a 10 frequency geodesic dome, with a triangular cross-section that allows the part to be injection-moulded in one piece. This geometry creates a high open-area ratio that greatly improves the acoustic transparency over existing solutions, yet an unparalleled level of robustness and physical protection for the microphone. The end-domes can be easily removed by twisting off, allowing easy access to the microphone. An oversize thread allows easy and intuitive re-attachment of the domes, avoiding clip systems that are difficult to use and vulnerable to breaking.A high quality ‘Dead Wombat’ synthetic fur cover and brush is supplied for additional wind protection in extreme environments. 5 Meter 3 Pin XLR Cable NTSM3 Suspension shock mount (cold shoe adaptor). Made for the RØDE NTG series. Features a 4-way rubber suspension system with quick release tilt mechanism, and a 3-way mounting system with 1/4"x20 and 3/8"x16 internal threads for boom pole or tripod mounting and a standard hot shoe adaptor for direct camera mounting. Will work with all similar diameter shotgun mics.     *Digibroadcast has put together some bespoke Rode packages for our clients based on our own research and surveys and holds the right to protect all of its content ©  

Rode NTG3 Package C

Rode NTG-3 microphone package C © includes:     Rode NTG3 shotgun microphone (NTG3B) Rode BLIMP (BLIMP2) Digibroadcast XLR 12" CABLE (12INCH3PIN)       *Digibroadcast has put together some bespoke Rode packages for our clients based on our own research and surveys and holds the right to protect all of its content ©

Rode NTG3 Package B

Rode NTG-3 microphone package B © includes:   1x Rode NTG3B shotgun microphone (NTG3B) 1x Rode deluxe windshield WS7 (WS7) 1x Rode Boompole 3m (BOOMPOLE) 1x Digibroadcast 5MTR XLR CABLE (5MXLR3PIN) 1x Rode SM3R shock mount with Rycote lyre suspension mount (SM3R)   *Digibroadcast has put together some bespoke Rode packages for our clients based on our own research and surveys and holds the right to protect all of its content ©

Rode NTG3 Package A

Rode NTG-3 microphone package A © includes:       Rode NTG3 shotgun microphone (NTG3B) Rode Deluxe windshield WS7 (WS7) Digibroadcast XLR 12" CABLE (12INCH3PIN)     *Digibroadcast has put together some bespoke Rode packages for our clients based on our own research and surveys and holds the right to protect all of its content ©  

Rode NTG2 Package E

NTG2 PACKAGE E © includes:     1x Rode NTG2 shotgun microphone (NTG2) 1x Rode BLIMP2 Windshield and pistol grip system for NTG series (BLIMP2) 1x Rode Boompole 3m (BOOMPOLE) 1x Rode SM3R shock mount with Rycote lyre suspension mount(SM3R) 1x 5M XLR CABLE (5MXLR3PIN)     *Digibroadcast has put together some bespoke Rode packages for our clients based on our own research and surveys and holds the right to protect all of its content ©

Rode NTG2 Shotgun Microphone Package D

Rode NTG-2 PACKAGE D © includes:   1x Rode NTG2 (NTG2) 1x Rode BLIMP2 (BLIMP2) 1x 5M XLR CABLE (5MTR3PINXLR)      *Digibroadcast has put together some bespoke Rode packages for our clients based on our own research and surveys and holds the right to protect all of its content ©  

Rode NTG2 Microphone Package C

Rode NTG-2 package C includes:     1x Rode NTG2 shotgun microphone (NTG2) 1x Rode WS6 Deluxe windshield (WS6) 1x Rode SM3R shock mount  with Rycote lyre suspension mount (SM3R) 1x Rode Boom Pole (3m) (BOOMPOLE) 1x Digibroadcast 5m 3 pin XLR cable (5MXLR3PIN)    The new RODE NTG-2 is a lightweight condenser shotgun microphone, designed for professional applications within the film, video, television and production industries.  The NTG-2 provides a balanced low impedance output stage and operates either from an internal 1.5 V battery (AA) or 48 V to the P48 standard. A wide bandwidth and controlled polar response coupled with low noise SMT electronics, makes the NTG-2 the perfect choice for film, video engineering and voice-over work. The NTG-2 is extremely lightweight making it ideal for mounting directly to video cameras or on boom poles. The NTG-2 comes complete with mount and windshield.The windscreen effectively suppresses wind noise when recording outdoors in moderate conditions. Included accessories: ZP2 (zip pouch), RM5 (stand mount) WSVM (windshield) The RØDE WS6 Deluxe Windshield is designed to reduce wind noise when recording in adverse environmental conditions.Suitable for the RØDE NTG-1 and NTG-2, as well as any shotgun microphone with a maximum slot length of 160.5mm (6 1/4") and a diameter of 21-22.5mm. Suspension shock mount (cold shoe adaptor). Made for the RØDE NTG series. Features a 4-way rubber suspension system with quick release tilt mechanism, and a 3-way mounting system with 1/4"x20 and 3/8"x16 internal threads for boom pole or tripod mounting and a standard hot shoe adaptor for direct camera mounting. Will work with all similar diameter shotgun mics. Telescopic Boom Pole  Extends to 3m. Suits Videomic, NTG1 / NTG2. 5 Meter 3 Pin XLR Cable  *Digibroadcast has put together some bespoke Rode packages for our clients based on our own research and surveys and holds the right to protect all of its content ©

Rode NTG2 Microphone Package B

Rode NTG-2 PACKAGE B © includes:   1x Rode NTG2 (NTG2) 1x Rode WS6 Deluxe windshield (WS6) 1x Rode PG2-R Pistol Grip and shock mount (PG2-R) 1x 12 INCH XLR CABLE (12INCH3PIN)    The new RODE NTG-2 is a lightweight condenser shotgun microphone, designed for professional applications within the film, video, television and production industries.  The NTG-2 provides a balanced low impedance output stage and operates either from an internal 1.5 V battery (AA) or 48 V to the P48 standard. A wide bandwidth and controlled polar response coupled with low noise SMT electronics, makes the NTG-2 the perfect choice for film, video engineering and voice-over work. The NTG-2 is extremely lightweight making it ideal for mounting directly to video cameras or on boom poles. The NTG-2 comes complete with mount and windshield.The windscreen effectively suppresses wind noise when recording outdoors in moderate conditions. Included accessories: ZP2 (zip pouch), RM5 (stand mount) WSVM (windshield) The RØDE WS6 Deluxe Windshield is designed to reduce wind noise when recording in adverse environmental conditions.Suitable for the RØDE NTG-1 and NTG-2, as well as any shotgun microphone with a maximum slot length of 160.5mm (6 1/4") and a diameter of 21-22.5mm.   The RØDE PG2 Pistol Grip Shock Mount is designed to reduce handling noise when recording with shotgun microphones.It supports microphones with a diameter of 19-20mm or 21-22.5mm using the supplied interchangeable mounts, and a handy release lever on the mount allows for quick and easy adjustment of the microphone angle.Cable management is an integral design feature of the PG2 pistol grip, with the cable running through the handle assembly to minimise any handling noise or clutter. Additional cable security is provided on either side of the rubber shock mount.The PG2 can be operated by hand or attached to a boompole via the 3/8" thread attachment at the base. 12inch 3Pin Xlr Cable   *Digibroadcast has put together some bespoke Rode packages for our clients based on our own research and surveys and holds the right to protect all of its content ©

Rode NTG2 Microphone Package A

Rode NTG-2 PACKAGE A © includes:   Rode NTG2 shotgun microphone (NTG2) Rode WS6 Deluxe windshield (WS6)     *Digibroadcast has put together some bespoke Rode packages for our clients based on our own research and surveys and holds the right to protect all of its content ©

Rode NTG1 Package C

NTG-1 PACKAGE C © includes:    Rode NTG-1 shotgun microphone  Rode Blimp - complete windshield system  Rode Boom Pole (3m)  Rode WS6 Deluxe windshield  5m XLR audio cable      *Digibroadcast has put together some bespoke Rode packages for our clients based on our own research and surveys and holds the right to protect all of its content ©

Rode NTG1 Microphone Package B

Rode NTG-1 PACKAGE B © includes:      Rode NTG-1 package  Rode NT-SM4R Shotgun Mount  Rode Boom Pole (3m)  Rode WS6 Deluxe windshield  5m XLR audio cable       *Digibroadcast has put together some bespoke Rode packages for our clients based on our own research and surveys and holds the right to protect all of its content ©

Rode NTG1 Package A

Rode NTG-1 microphone package A  © includes:     Rode NTG-1 shotgun microphone (NTG1) Rode PG2-R pistol grip and shock mount (PG2-R) Rode WS6 Deluxe windshield (WS6) 5m XLR audio cable (5MXLR3PIN)       *Digibroadcast has put together some bespoke Rode packages for our clients based on our own research and surveys and holds the right to protect all of its content ©