Hollyland Solidcom SE - 5S (Global Version)

Hollyland Solidcom SE – 2S (Global Version) The Solidcom SE is designed for small production teams looking to elevate their communication without adding complexity or cost. Built with affordability in mind and no compromise on performance, this 2.4 GHz full-duplex wireless intercom system combines a lightweight design with advanced Environmental Noise Cancellation, along with water and wind resistance. The result is a reliable, easy-to-use solution ideal for commercial video production, live events, and waterside operations. Reliable Communication. Expandable Performance. Solidcom SE delivers a stable and uninterrupted connection at distances of up to 1,100 ft (350 m) over the 2.4 GHz frequency band. Automatic frequency hopping intelligently switches channels when interference is detected, ensuring clear and dependable communication at all times. Dual-Mic ENC. Clear, Natural Sound. Equipped with advanced dual-microphone Environmental Noise Cancellation, the system effectively suppresses surrounding noise so your voice remains clear—even in loud environments. With a 70 dB signal-to-noise ratio, Solidcom SE provides accurate and immersive audio reproduction for confident team coordination. Effortless, Ready-to-Use Operation. All headsets are factory pre-paired, allowing immediate use straight out of the box. Flexible control options include Push-to-Talk, a moveable mic boom for talk/mute control, and a convenient latching mechanism for hands-free communication—ensuring smooth and intuitive operation on set. Continuous Power. Unlimited Creativity. Detachable batteries minimise downtime and keep production moving. USB-C charging support allows you to power the system via a power bank, ensuring uninterrupted communication throughout long shooting days. Built for the Elements. Designed to withstand real-world conditions, Solidcom SE offers water and wind resistance. Advanced wind-noise reduction algorithms and internal protective coating help maintain reliable performance during rainy or windy shoots. Lightweight Comfort. All-Day Wear.   Constructed from durable, lightweight materials, each headset weighs roughly the same as an apple, providing exceptional comfort for extended use. The replaceable over-ear ear pads improve hygiene and comfort, especially during warm conditions.

Rode RØDE Streamer X Streaming Audio Interface & 4K HDMI Capture Card

RØDE Streamer X Streaming Audio Interface & 4K HDMI Capture Card A revolutionary new product that combines an audio interface and video capture card in a compact, easy-to-use console. The RØDE STREAMER X (Streamer X) is a compact, all-in-one solution built for streamers and content creators, integrating a broadcast-quality audio interface, a 4K video capture card, and an intuitive control surface in a single unit. It features an XLR input with RØDE’s ultra-low-noise Revolution Preamp and onboard APHEX processing, alongside 4K30 video capture with 4K60 pass-through for high-quality streaming and recording.   Designed for simplicity and flexibility, Streamer X includes customizable SMART pads, dedicated mute buttons, and seamless control via RØDE Central software. It supports Series IV wireless microphones, headsets, and dual USB-C connections for multi-PC workflows, making it easy to manage complex audio and video routing for streaming, gaming, podcasts, and presentations—all from one powerful, streamlined device.

MAKI Live Kit 3x 4K Portable Live Streaming Camera with NDI HX 3x Optical Zoom

BirdDog MAKI Live Kit 3x 4K Portable Live Streaming Camera with NDI HX 3x Optical Zoom   MAKI Live is a compact, battery-powered 4K live streaming camera built for creators who need professional results anywhere. Ideal for live streaming, education, podcasting, worship, and mobile production, it delivers broadcast-quality video without complex setups. With Wi-Fi and NDI® | HX, MAKI Live connects wirelessly to the MAKI Studio iPad app, creating a simple all-in-one workflow for switching, streaming, and sharing content. Just power it on, connect, and go live—no cables, no clutter. Despite its small size, MAKI Live delivers impressive performance. Capture sharp Ultra HD video with a 3× optical zoom and fast TOF autofocus for smooth, accurate framing, even in dynamic environments. A built-in battery provides up to 6 hours of runtime, giving you complete freedom to shoot indoors, outdoors, or on the move. The integrated HALO Tally offers a bright, 360° on-air indicator, making multi-camera productions clear and professional.   Designed with BirdDog’s signature image quality and ease of use, MAKI Live is a powerful, portable solution for anyone looking to elevate their live content—anywhere.  

BirdDog MAKI Live 4K Streaming Camera with NDI® | HX & Built-in Battery

MAKI Live- 4K Portable Live Streaming camera with NDI | HX, 3x Optical Zoom, HALO Tally, WiFi 6 and inbuilt battery MAKI Live is a compact, professional 4K portable live streaming camera designed for creators who need broadcast-quality video anywhere. Ideal for live streaming, teaching, podcasting, worship, and remote production, MAKI Live combines powerful imaging, wireless connectivity, and all-day portability in one easy-to-use system. Capture crisp, professional-grade 4K video with vibrant colour and fine detail, powered by BirdDog’s imaging expertise. The 3× optical zoom allows full-resolution framing without image degradation, while ultra-fast TOF autofocus locks onto subjects instantly—even during fast movement or changing lighting conditions. Designed for true mobility, MAKI Live features a built-in battery delivering up to 6 hours of continuous operation, eliminating the need for external power or cables. Integrated Wi-Fi and NDI® | HX support enables low-latency, high-efficiency video streaming over IP networks, making it easy to integrate into modern wireless production workflows. The signature HALO Tally system provides a bright, 360° on-air indicator, clearly showing when and which camera is live—perfect for professional multi-camera setups. AI gesture control lets you adjust framing with simple hand movements, while advanced AI noise reduction and built-in microphones ensure clear, natural audio. MAKI Live works seamlessly with the optional MAKI Studio iPad app and Control Surface, enabling intuitive multi-camera switching, streaming, and control from a single portable interface. Free MAKI Live control apps and BirdUI provide full access to camera settings and functions. With a standard 1/4″-20 mounting thread, MAKI Live can be mounted on tripods, clamps, or handheld rigs, making it adaptable to any setup.   Simply power it on, connect, and go live. No cables. No clutter. Just professional 4K streaming—anywhere.  

BirdDog MAKI Live CS Bundle

Bundle: 3x MAKI Live | 1x MAKI Studio MAKI Live is a compact, battery-powered 4K camera built for creators who need professional results anywhere. Ideal for live streaming, teaching, podcasting, and mobile production, it delivers broadcast-quality video in an ultra-portable design. With built-in Wi-Fi and NDI® | HX, MAKI Live connects wirelessly to MAKI Studio on iPad, giving you an intuitive all-in-one solution for switching, streaming, and sharing—no cables or capture hardware required. Just power it on, connect, and go live. Despite its small size, MAKI Live packs serious performance. Capture crisp Ultra HD video with a 3× optical zoom and fast TOF autofocus that locks onto subjects instantly, even in challenging lighting or fast-moving scenes. An internal battery provides up to 6 hours of runtime, giving you complete freedom to shoot indoors, outdoors, or on the move. BirdDog’s HALO Tally offers a bright 360° on-air indicator, making multi-camera setups simple and professional. Paired with the optional MAKI Studio iPad app and Control Surface, MAKI Live becomes a full portable production system—perfect for educators, influencers, houses of worship, and anyone looking to elevate their content without complex gear.   No cables. No clutter. Just go live. MAKI Studio with Control Surface is a portable, iPad-based live production system designed for effortless multi-camera switching and streaming. Built to work seamlessly with MAKI Live cameras and NDI® | HX, it delivers professional live production without a laptop or complex cabling. The MAKI Studio iPad app provides intuitive touchscreen control for switching, streaming, audio mixing, graphics, picture-in-picture, and recording—all from a single device. Add the MAKI Control Surface for tactile buttons, dials, and joystick control, giving you fast, broadcast-style operation in a compact, wireless form.   Together, they form a complete production studio you can carry anywhere—ideal for streamers, educators, houses of worship, podcasters, and live events.

Sony FX2 Cinema Line Full-Frame Cinema Camera with XLR Handle Unit

Sony FX2 Cinema Line Full-Frame Interchangeable-Lens Camera with XLR Handle Bring your cinematic vision to life with the Sony FX2, powered by a 33MP full-frame sensor designed for filmmakers who demand exceptional image quality and creative control. Capture breathtaking 4K video up to 60p, rich colour depth with 4:2:2 10-bit recording, and more than 15 stops of dynamic range using S-Log3 for maximum post-production flexibility. Create your look in-camera with S-Cinetone, Creative Looks, or imported LUTs, or push your grade further in post. Advanced AI-driven real-time autofocus keeps your subject sharp and reliable, while Framing Stabilizer intelligently maintains composition—even when your subject is moving. In-Body Image Stabilization (IBIS) combined with Active and Dynamic Active modes delivers smooth, confident handheld footage. A tilting LCD monitor and newly integrated electronic viewfinder (EVF) ensure precise framing in any lighting condition. Built for professional versatility, the FX2 features a removable XLR handle for high-quality audio capture, a built-in cooling fan for extended recording sessions, and fast switching between stills, video, and S&Q modes. CineAlta-inspired ergonomics, 16-bit RAW output, and seamless Sony lens integration make the FX2 a powerful and intuitive tool for modern filmmakers. FULL-FRAME CINEMATIC PERFORMANCE Record stunning 4K video up to 60p with outstanding detail and cinematic motion. The FX2 supports advanced 4:2:2 10-bit codecs and delivers over 15 stops of dynamic range using S-Log3, offering exceptional latitude for colour grading. For a ready-to-deliver look, choose S-Cinetone, Creative Looks, or MLUTs while recording. RELIABLE FOCUS, EVERY TIME Experience fast, precise autofocus powered by real-time AI technology. Advanced subject recognition supports humans, animals, birds, and more, including accurate eye detection. Framing Stabilizer helps keep your subject centred, even during movement. STABLE HANDHELD SHOOTING Shoot confidently on the move with IBIS, enhanced by Active and Dynamic Active stabilization modes. The tilting LCD and high-resolution EVF provide flexible, accurate framing in bright or challenging environments. READY FOR ANY PRODUCTION Designed for adaptable workflows, the FX2 supports cages and accessories, includes a professional XLR audio handle, and features active cooling for long recording sessions. A dedicated still/video/S&Q switch and Log shooting mode streamline on-set operation. ADVANCED CINEMA TOOLS Step into professional filmmaking with a CineAlta-inspired user interface, 16-bit RAW output, and anamorphic de-squeeze support, meeting the demands of high-end production environments. FULL SONY SYSTEM INTEGRATION   Unlock the benefits of the Sony ecosystem with focus breathing compensation for compatible Sony lenses, enabling smooth, cinematic focus transitions. The Monitor & Control app adds advanced monitoring tools such as waveforms, along with remote operation and touch focus for a fully integrated shooting experience.

BirdDog X4 Ultra Bundle- 3x X4 Ultra Black | 1x KBD

X4 Ultra 4K60 PTZ Camera featuring NDI ® | HX3, Wi-Fi 6, 3G-SDI, HDMI, e-ink label and HALO Tally - Black KBD The Ultimate Tool for PTZ Camera Control

Panasonic AG-CX18EJ Compact 4K 10bit 60p camcorder with IP connectivity

AG-CX18EJ Compact 4K 10bit 60p camcorder with IP connectivity (AG-CX18EJ) The AG-CX20 and AG-CX18 models camcorders feature state-of-the-art optical technology, in addition to a lightweight and compact chassis design that delivers increased mobility, and high-quality video production. Wide angle zoom lens for precise shooting The camcorders offer superior optical performance thanks to a powerful integrated 25mm (35mm camera equivalent.) wide angle to 600mm (AG-CX20 only.) telephoto zoom lens, with 24x optical zoom. They feature a 4-Drive Lens System that operates each lens group independently, in addition to two manual focus rings. All four cameras feature both Optical and Electric Image Stabilisation to detect and correct any unwanted camera shake through five axes, including rotational blurring. This is especially useful when shooting subjects from very high and low angles. All models provide superior focusing speed, stability, and tracking performance when shooting in both 4K and FHD, thanks to the Face Detection AF/AE feature that provides precise focusing and exposure for subjects. IP-based video for seamless streaming The high-end CX20 model will support full-HD live streaming through the next-generation, IP-based SRT protocol (To be added by firmware update.), with the CX20 and CX18 delivering simultaneous SDI/HDMI outputs. Panasonic’s CX20 also supports NDI®* HX2 IP connectivity for high-quality, low-latency live streaming in a network environment, without the need for external converters. Both the CX20 and CX18 support Real-Time Messaging Protocol (RTMP) (Supported protocols: RTSP/RTP/RTMP/RTMPS.), allowing content to be streamed live directly to social media platforms and video sharing sites, such as YouTube. Listening to the needs of the industry Panasonic’s intimate knowledge of what directors and cinematographers require from high-performance camcorders when shooting on location have been reflected within the improvements made to all four models, further increasing usability and functionality. Compact design for superior mobility The unique design of all four models enables heat to be dispersed from the front panel thanks to a slimline fan. This increases reliability and enables the body to be as small as possible. The CX20 and CX18 include Panasonic’s VW-HU1 handle unit, featuring a two-channel XLR audio input and control, and bright, adjustable LED light for shooting in low light conditions. Users can also easily operate lens zoom from the handle unit. All four camcorders support multiple bit rates and formats for a variety of requirements. When configured for 10 bit recording with an HDMI output, all models deliver 4K 60p 4:2:2 output with an external recorder. All camcorders support the MOV, MP4 and AVCHD formats, whilst the CX20 supports the P2 MXF workflow.

Panasonic AG-CX20EJ Compact 4K 10bit 60p camcorder with IP connectivity

AG-CX20EJ Compact 4K 10bit 60p camcorder with IP connectivity The Panasonic AG-CX20 and AG-CX18 camcorders combine advanced optical engineering with a compact, lightweight body for exceptional mobility and professional-grade image quality. Precision Optics and Wide Zoom Range Both models feature an integrated wide-angle zoom lens, delivering outstanding optical performance. The AG-CX20 offers a 25mm (35mm equivalent) wide-angle to an impressive 600mm telephoto range with 24x optical zoom. A 4-Drive Lens System independently controls each lens group for smooth, precise operation, while dual manual focus rings provide intuitive control. Equipped with both optical and electronic image stabilisation, these camcorders compensate for unwanted movement across five axes—including rotational blur—ensuring steady shots even at extreme angles. Face Detection AF/AE technology enhances focus accuracy, stability, and tracking for subjects in both 4K and Full HD shooting modes. IP-Based Streaming and Connectivity Designed for the modern production environment, the AG-CX20 supports Full-HD live streaming via the next-generation SRT protocol (available via firmware update) and features simultaneous SDI/HDMI outputs. It also includes NDI® HX2 IP connectivity for seamless, low-latency streaming without external converters. Both the CX20 and CX18 support RTMP, RTMPS, RTSP, and RTP protocols, allowing direct live streaming to platforms such as YouTube and other social channels. Built for Professionals Panasonic has refined these models based on direct feedback from industry professionals, enhancing usability and operational efficiency for field production. Compact, Reliable, and Feature-Rich An innovative heat-dissipation system allows for a slim, lightweight body without sacrificing reliability. The CX20 and CX18 come with the VW-HU1 handle unit, which includes dual XLR audio inputs, dedicated controls, and an integrated LED light for low-light shooting. Lens zoom can also be operated from the handle.   Supporting multiple recording formats and bit rates, both models deliver 10-bit 4:2:2 4K 60p output via HDMI when paired with an external recorder. They accommodate MOV, MP4, and AVCHD formats, while the CX20 additionally supports the professional P2 MXF workflow.

Accsoon CineView Master 4K TX 4K60 Wireless Video Transmission System

Accsoon ACSWIT07TX (ACS-WIT07TX, ACS/WIT07TX, ACS WIT07TX, ACS_WIT07TX) CineView Master 4K TX 4K60 Wireless Video Transmission System (Transmitter only) Experience high quality details with CineView Master 4K. From input to output, this fully end-to-end 4K60 solution offers stunning 4K resolution at a fluid 60 frames per second, perfect for monitoring, recording, live-streaming and any other video productions. Cutting-Edge Wireless Technology Pioneering Multi-Frequency Transmission Accsoon Tri-Band transmission technology is a quantum leap forward from the previous Dual-Band transmission technology. Based on the proprietary RTMS 4.0 protocol developed by Accsoon, it integrates 2.4GHz, 5GHz, and all-new 6GHz frequencies, enabling intelligent dynamic adjustment of audio and video data across three bands, promising greater robustness, faster connection times, lower latency, and the ability to gracefully manage multiple connections. Accsoon Tri-Band Transmission vs. SDR Greater interference resistance Wider bandwidth Better transmission efficiency 25 ms Best in Class Latency Follow the Moment, Focus the Frame Accsoon CineView Master 4K significantly reduces latency from input to output to only 25ms. This near real-time performance is notably faster and directly addresses the demands of cinematographers, camera operators and assistants, ensuring precision and efficiency in fast-paced filming environments, enhancing overall productivity in professional filmmaking. Maximized Creative Range Within Reach Accsoon CineView Master 4K with its original revolutionary Tri-band transmission technology and innovative hardware design, achieves an impressive 2.5 km ultra-long transmission distance. Distance is no barrier to the CineView Masrer 4K. Not only does it work over vast distances, it does so with incredible stability, pushing the limits to make it the highest performing Accsoon system to date. Direct On-camera Video Output to Your iPhone/iPad Superb Image Quality Resolution Up to 4K60 Apple Standard Display iPhone and iPad displays have been designed, tested, and manufactured for Apple quality and performance standards. Charge Your iOS Device Charge the connected iPhone or iPad at the same time over Lightning or USB-C. Wired Connection Without Latency Create smoothly and seamlessly, with every detail in real time. Camera to Cloud Easily share your creations to Frame.io through the C2C integration, enabling real-time automatic uploads from almost any camera to the cloud. Compatible with: iPhone/iPad equipped with Apple A14 proccesor and above [3] Versatile Wireless Connections for Any Production Crew CineView Master 4K Receiver Delivers stable, high-quality video transmission for sharp and smooth on-site monitoring. Wireless Monitoring Made Easy with Accsoon SEE App Adapts to versatile shooting needs, stays flexible and efficient even during fast movements. Empowered 8K Processor Wireless Optimized to Perfection Accsoon developed the proprietary RTMS 4.0 protocol to work with the new High-Performance A/V Processor with 8K capabilities. In combination the protocol and the processor represent a remarkable 400% increase in processing capabilities. Driving even greater performance for synchronized multi-video streams, the processor can effortlessly manage Tri-Band multi-stream video transmission even under the most demanding conditions. Measured when shooting 1080p/60fps video under low bitrate. Measured when shooting 1080p/60fps video under low bitrate with FCC compliance in an unobstructed, interference-free environment. iPhone 12 above and later; iPad Pro 12.9-inch Gen 3 above and later; iPad Pro 11-inch Gen 3 above and later; iPad Gen 9 above and later; iPad Air Gen 4 above and later; iPad mini 6. Requires separate purchase.

Accsoon CineView Master 4K60 Wireless Video Transmission System - RX

Accsoon ACSWIT07RX (ACS-WIT07RX, ACS/WIT07RX, ACS WIT07RX, ACS_WIT07RX) CineView Master 4K60 Wireless Video Transmission System - RX (Receiver only) Experience high quality details with CineView Master 4K. From input to output, this fully end-to-end 4K60 solution offers stunning 4K resolution at a fluid 60 frames per second, perfect for monitoring, recording, live-streaming and any other video productions. Cutting-Edge Wireless Technology Pioneering Multi-Frequency Transmission Accsoon Tri-Band transmission technology is a quantum leap forward from the previous Dual-Band transmission technology. Based on the proprietary RTMS 4.0 protocol developed by Accsoon, it integrates 2.4GHz, 5GHz, and all-new 6GHz frequencies, enabling intelligent dynamic adjustment of audio and video data across three bands, promising greater robustness, faster connection times, lower latency, and the ability to gracefully manage multiple connections. Accsoon Tri-Band Transmission vs. SDR Greater interference resistance Wider bandwidth Better transmission efficiency 25 ms Best in Class Latency Follow the Moment, Focus the Frame Accsoon CineView Master 4K significantly reduces latency from input to output to only 25ms. This near real-time performance is notably faster and directly addresses the demands of cinematographers, camera operators and assistants, ensuring precision and efficiency in fast-paced filming environments, enhancing overall productivity in professional filmmaking. Maximized Creative Range Within Reach Accsoon CineView Master 4K with its original revolutionary Tri-band transmission technology and innovative hardware design, achieves an impressive 2.5 km ultra-long transmission distance. Distance is no barrier to the CineView Masrer 4K. Not only does it work over vast distances, it does so with incredible stability, pushing the limits to make it the highest performing Accsoon system to date. Direct On-camera Video Output to Your iPhone/iPad Superb Image Quality Resolution Up to 4K60 Apple Standard Display iPhone and iPad displays have been designed, tested, and manufactured for Apple quality and performance standards. Charge Your iOS Device Charge the connected iPhone or iPad at the same time over Lightning or USB-C. Wired Connection Without Latency Create smoothly and seamlessly, with every detail in real time. Camera to Cloud Easily share your creations to Frame.io through the C2C integration, enabling real-time automatic uploads from almost any camera to the cloud. Compatible with: iPhone/iPad equipped with Apple A14 proccesor and above [3] Versatile Wireless Connections for Any Production Crew CineView Master 4K Receiver Delivers stable, high-quality video transmission for sharp and smooth on-site monitoring. Wireless Monitoring Made Easy with Accsoon SEE App Adapts to versatile shooting needs, stays flexible and efficient even during fast movements. Empowered 8K Processor Wireless Optimized to Perfection Accsoon developed the proprietary RTMS 4.0 protocol to work with the new High-Performance A/V Processor with 8K capabilities. In combination the protocol and the processor represent a remarkable 400% increase in processing capabilities. Driving even greater performance for synchronized multi-video streams, the processor can effortlessly manage Tri-Band multi-stream video transmission even under the most demanding conditions. Measured when shooting 1080p/60fps video under low bitrate. Measured when shooting 1080p/60fps video under low bitrate with FCC compliance in an unobstructed, interference-free environment. iPhone 12 above and later; iPad Pro 12.9-inch Gen 3 above and later; iPad Pro 11-inch Gen 3 above and later; iPad Gen 9 above and later; iPad Air Gen 4 above and later; iPad mini 6. Requires separate purchase.  

Portkeys Wireless control SDL Monitor

Portkeys Wireless control SDL Monitor(PK-LS7P) The Portkeys LS7P is a rugged 7-inch on-camera monitor featuring 1,000 nits of brightness, HDMI/SDI video input and output ports, and wireless camera control capabilities. The Portkeys LS7P features a 7-inch touchscreen panel with a resolution of 1920 x 1080. With a maximum brightness of 1,000nits and a contrast ratio of 1000:1, this daylight-viewable monitor is usable in all shooting conditions, whether outdoors under bright sunlight or indoors in a murky studio. Trusting your on-camera monitor’s colors and image is essential for making creative decisions on set, which is why the LS7P features a 10-bit (8+2 FRC) panel, and every monitor is factory color-calibrated. With a weigh of only 409 grams (14.42 ounces) and measuring 176.2 x 103.8 x 39.3 mm (6.93 x 4.08 x 1.54 inches), this monitor is a compact and comfortable choice for camera operators and focus pullers. With a wide viewing angle of 80° from all sides, the display is easy to see, and it comes with two screen protectors to safeguard the touchscreen from accidental damage. The LS7P features one 4K DCI 30P/1080P60 HDMI input port and one 1080P60 HDMI output port, conveniently located on the bottom left side of the monitor. On the right-hand side of the monitor, you will find 3G-SDI 1080P60 video input and output ports. Additionally, cross-conversion from SDI input to HDMI output is possible, and the monitor supports 3D LUTs for both HDMI and SDI outputs.   At the top of the monitor, you will find four user-assignable buttons that allow you to activate or deactivate your favorite monitor tools quickly. Additionally, there is an on/off switch, a touchscreen lock switch, and a 1/4″-20 mounting point with locating pins. The LS7P also includes two more 1/4″-20 mounting points located on the bottom and right sides, providing filmmakers with multiple options for mounting the monitor. For future firmware updates and loading custom LUTs, a USB-A port is located at the bottom, along with a 3.5mm headphone jack. The Portkeys LS7P monitor can be powered using a single Sony NP-F battery. With a low power draw of just 13W, a single Sony NP-F970 battery can power the monitor for up to 3.5 hours. Additionally, the monitor features a DC 7-24V power input with a locking DC 5.5×2.1mm barrel connector. This allows you to extend the monitor’s usage time by powering it via a V-Mount or Gold Mount battery using the included D-TAP to screw-in DC power cable. Furthermore, the LS7P features a patented design that includes a built-in Sony NP-F power output dummy battery plate. This rotatable battery plate can be adjusted both horizontally and vertically. It also offers power pass-through capabilities (8V/10W), enabling you to connect and power a wireless video receiver directly at the back of the LS7P. This design allows for a sleek and minimalist setup.

Accsoon CineView M7 Pro 7inch 4K60 Wireless transmission Monitor

Accsoon ACSMIT01 (AC-SMIT01, AC/SMIT01, AC SMIT01, AC_SMIT01) CineView M7 Pro 7inch 4K60 Wireless transmission Monitor The Accsoon CineView M7 Pro is a rugged 7″ touchscreen smart monitor that combines full-featured HDMI/SDI monitoring and recording (up to 4K60 in H.264/H.265) with an integrated dual-band wireless TX/RX module supporting 350 m range and ~60 ms latency—everything powered by a robust Android-based platform with GPU and NPU acceleration. Featuring a sharp 1920 × 1200 Gorilla Glass Victus display with 100% Rec.709 coverage, 1000-nit brightness, and Delta E < 2 color accuracy, it also includes pro monitoring tools (False Color, Histogram, Zebras, Waveform, Vectorscope), LUT box functionality, cross-conversion, Wi‑Fi 6 with RTMP/SRT streaming, and flexible power via NP‑F, USB‑C PD, or DC input.

Accsoon CineView Master 4K 4K60 TX/RX Wireless Video Transmission System

Accsoon ACSWIT07 (AC-SWIT07, AC/SWIT07, AC SWIT07, AC_SWIT07) CineView Master 4K 4K60 TX/RX Wireless Video Transmission System Experience high quality details with CineView Master 4K. From input to output, this fully end-to-end 4K60 solution offers stunning 4K resolution at a fluid 60 frames per second, perfect for monitoring, recording, live-streaming and any other video productions. Cutting-Edge Wireless Technology Pioneering Multi-Frequency Transmission Accsoon Tri-Band transmission technology is a quantum leap forward from the previous Dual-Band transmission technology. Based on the proprietary RTMS 4.0 protocol developed by Accsoon, it integrates 2.4GHz, 5GHz, and all-new 6GHz frequencies, enabling intelligent dynamic adjustment of audio and video data across three bands, promising greater robustness, faster connection times, lower latency, and the ability to gracefully manage multiple connections. Accsoon Tri-Band Transmission vs. SDR Greater interference resistance Wider bandwidth Better transmission efficiency 25 ms Best in Class Latency Follow the Moment, Focus the Frame Accsoon CineView Master 4K significantly reduces latency from input to output to only 25ms. This near real-time performance is notably faster and directly addresses the demands of cinematographers, camera operators and assistants, ensuring precision and efficiency in fast-paced filming environments, enhancing overall productivity in professional filmmaking. Maximized Creative Range Within Reach Accsoon CineView Master 4K with its original revolutionary Tri-band transmission technology and innovative hardware design, achieves an impressive 2.5 km ultra-long transmission distance. Distance is no barrier to the CineView Masrer 4K. Not only does it work over vast distances, it does so with incredible stability, pushing the limits to make it the highest performing Accsoon system to date. Direct On-camera Video Output to Your iPhone/iPad Superb Image Quality Resolution Up to 4K60 Apple Standard Display iPhone and iPad displays have been designed, tested, and manufactured for Apple quality and performance standards. Charge Your iOS Device Charge the connected iPhone or iPad at the same time over Lightning or USB-C. Wired Connection Without Latency Create smoothly and seamlessly, with every detail in real time. Camera to Cloud Easily share your creations to Frame.io through the C2C integration, enabling real-time automatic uploads from almost any camera to the cloud. Compatible with: iPhone/iPad equipped with Apple A14 proccesor and above [3] Versatile Wireless Connections for Any Production Crew CineView Master 4K Receiver Delivers stable, high-quality video transmission for sharp and smooth on-site monitoring. Wireless Monitoring Made Easy with Accsoon SEE App Adapts to versatile shooting needs, stays flexible and efficient even during fast movements. Empowered 8K Processor Wireless Optimized to Perfection Accsoon developed the proprietary RTMS 4.0 protocol to work with the new High-Performance A/V Processor with 8K capabilities. In combination the protocol and the processor represent a remarkable 400% increase in processing capabilities. Driving even greater performance for synchronized multi-video streams, the processor can effortlessly manage Tri-Band multi-stream video transmission even under the most demanding conditions. Measured when shooting 1080p/60fps video under low bitrate. Measured when shooting 1080p/60fps video under low bitrate with FCC compliance in an unobstructed, interference-free environment. iPhone 12 above and later; iPad Pro 12.9-inch Gen 3 above and later; iPad Pro 11-inch Gen 3 above and later; iPad Gen 9 above and later; iPad Air Gen 4 above and later; iPad mini 6. Requires separate purchase.

Portkeys PT5 II 5-inch Touchscreen On-camera Monitor

Portkeys PK-PT5-II (PK/PT5-II, PK/PT5/II, PKPT5II, PK PT5 II) PT5 II 5-inch Touchscreen On-camera Monitor The Portkeys PT5 II is a compact, ultra-lightweight 5-inch on-camera monitor designed for content creators and filmmakers seeking an affordable yet capable monitoring solution. Weighing just 125g (4.41oz) thanks to its durable polycarbonate body, it offers excellent portability without compromising on features. Toughened glass protects the touchscreen display from scratches, while its slim profile (136 x 72 x 18.3mm) makes it feel as compact as a smartphone on your rig. The PT5 II delivers vivid and accurate visuals with its 5-inch Full HD (1920 x 1080) panel, 500-nit brightness, 1000:1 contrast ratio, and wide 178° viewing angle. Its 10-bit (8+2 FRC) color processing ensures smooth gradients and rich detail without color banding. Despite its entry-level positioning, the PT5 II includes a full suite of professional monitoring tools: Exposure tools: Luma & RGB waveform, histogram, false color, zebra Focus assist: Enhanced peaking algorithm LUT support: Load 3D LUTs via USB for precise color monitoring Framing tools: Grids, guides, image flip, and custom aspect ratios (0.25x to 4.0x) Anamorphic de-squeeze: Supports standard and custom squeeze ratios Audio monitoring: On-screen meters and a 3.5mm headphone jack Image controls: Adjust sharpness, chroma, brightness, tint, and color temperature The monitor features a 4K HDMI input and output, supporting signals up to 4K DCI 24p, 4K UHD 30p, and 1080p 60p. A 3.5mm headphone jack on the left side allows direct audio monitoring. For power, the PT5 II offers excellent flexibility with a dual battery plate supporting both Sony NP-F and Canon LP-E6 batteries. Its low power consumption (only 7W) enables long runtimes on a single battery. Additionally, a 5.5mm barrel connector (7.4–24V) on the right side allows continuous operation with external power sources. Compact, capable, and budget-friendly, the Portkeys PT5 II is an ideal companion for anyone needing reliable on-camera monitoring in a lightweight package.

Portkeys BM7 II DS 7-inch High-Bright Monitor

Portkeys PK-BM7-II-DS (PK/BM7-II-DS, PK/BM7/II/DS, PKBM7IIDS, PK BM7 II DS) BM7 II DS 7-inch High-Bright Monitor The Portkeys BM7 II DS is a rugged 7-inch on-camera monitor that builds on the legacy of the popular BM5 III WR, offering an expanded feature set in a larger format. It retains key professional tools like a bright, daylight-viewable touchscreen, four customizable function buttons, wired and wireless camera control, and now adds a larger screen, more I/O options, and advanced monitoring capabilities. Constructed from durable aluminum and protected with reinforced glass, the BM7 II DS is designed to withstand the rigors of demanding sets. Weighing just 460g (16.2oz), it’s lighter than many 5-inch monitors on the market, while offering a larger viewing area. 1/4″-20 mounting points with ARRI locating holes on the top and bottom ensure flexible rigging options. With a brightness of 2,200 nits and a Full HD 1920x1080 resolution, the BM7 II DS excels in outdoor environments. The 10-bit (8+2 FRC) display delivers rich color reproduction without banding and supports 100% Rec.709 and 85% DCI-P3 color space coverage. Each unit is factory-calibrated for accurate color fidelity. Despite its size and brightness, the monitor consumes only 15W of power and features a dual NP-F battery plate with hot-swapping support—only one battery is required to run the monitor at full capacity. It also includes two power input options: a 2-pin LEMO and a locking 5.5mm barrel connector (with D-Tap cable included). Connectivity is comprehensive: two 3G-SDI inputs, one SDI output, and HDMI input/output. HDMI-to-SDI cross-conversion ensures seamless signal routing. Both SDI and HDMI outputs can deliver a clean feed or a video signal with a 3D LUT applied. The BM7 II DS supports dual-input monitoring with various split-screen modes: horizontal, vertical, and hybrid layouts. You can even view a single source cropped in 16:9 and 9:16 simultaneously—perfect for creating content for both traditional and social platforms. Advanced Camera Control: Wireless Control (2.4GHz WiFi): Compatible with RED Komodo, V-RAPTOR, and various Sony models (A7S III, A7 IV, FX3, FX30, etc.) Bluetooth Control: Supported for Blackmagic BMPCC 4K/6K/6K Pro Wired Control: Available for cameras from Sony, Canon, Panasonic, Blackmagic, and Z CAM Follow Focus Integration: Direct motor control via TILTA Nucleus N/M, with on-screen focus scale display  

Portkeys PL5 5.4" inch 4K HDMI/USB Monitor

Portkeys PK-PL5 (PK-PL5, PK-PL5, PK-PL5, PK-PL5) PL5 5.4" inch 4K HDMI/USB Monitor The Portkeys PL5 is a compact 5.4-inch on-camera monitor that also functions as a live-streaming capture card. Constructed from lightweight ABS and polycarbonate, it weighs just 154.5g (5.45oz) and measures 135.1 x 82.5 x 22mm—making it an ideal choice for portable shooting setups. The PL5 features a 5.4-inch 10-bit (8+2 FRC) touchscreen display with a 1920 x 1152 resolution, 500 nits brightness, 1000:1 contrast ratio, and a wide 178° viewing angle. Powered by the intuitive MOVNORM OS, it offers a full suite of professional monitoring tools, including: 3D LUT support with HDMI and USB-C output capabilities; custom LUTs can be loaded via the bottom USB-A port. Advanced False Color with 13 presets, including ARRI False Color. RGB and Luma Waveform/Histogram tools, plus adjustable Zebra settings. Anamorphic de-squeeze options for standard (1.33x, 1.5x, 2.0x) and custom (0.25–4.0x) aspect ratios. Stretch Leg tool for vertical shooting, with HDMI output compatibility. On the left side, the PL5 includes a 4K DCI 30p HDMI input, 3.5mm headphone output, and 3.5mm mic input. On the right, you'll find HDMI and USB-C outputs (up to 1080p60). The USB-C port also serves as a video output for live streaming via OBS when connected to a computer. As a true all-in-one device, it also offers: 3D LUT application on output video. A 360° color grading tool for selective hue and saturation adjustments. The rear of the PL5 houses a built-in Sony NP-F battery plate. With only a 7W power draw, a small NP-F550 battery can run the monitor for over two hours. For extended use, it can also be powered via the USB-C port. A USB-A port at the bottom allows for firmware updates and LUT loading. Mounting options include two 1/4”-20 threads with locating pins on the bottom and right sides—ideal for attaching to cameras, rigs, tripods, or gimbals.

Panasonic 4K Multipurpose Box Camera

Panasonic PANAWUB10E (PANA-WUB10E, PANA/WUB10E, PANA_WUB10E, PANA WUB10E) 4K Multipurpose Box Camera Box-style camera AW-UB10 is based on LUMIX digital interchangeable lens camera technology and equipped with a host of new functions designed to streamline video production workflows. Delivering stunning, vivid colour reproduction, the UB50 uses a 24.2-million pixel full-frame MOS sensor and supports IP-based transmission standards such as NDI® HX2[1]. The UB10 is the 4K multi-purpose camera supporting all common IP control protocols used in Panasonic’s remote camera systems. The box-style 4K multi-purpose cameras can support rich, versatile image capture and are incredibly easy to operate in the field, enabling more creative video production. The UB10 features a 10.2-million pixel full-frame sensor. It feature real-time recognition autofocus technology, enabling the cameras to automatically identify the subject and keep them in focus. UB10 camera features the 3G-SDI OUT, HDMI Type A, LAN terminal, TC IN/OUT, GENLOCK IN, and USB Type-C input/output interfaces. The LAN terminal is Power of Ethernet (PoE+) compatible, with video transmission, control, and power delivered via a single cable – further reducing complexity and clutter. The camera is ideal for a variety of applications from corporate to broadcasting and live entertainment. [1] NDI® is a video transmission and control technology and is a registered trademark of Vizrt NDI AB in the United States and other countries.

Atomos AOATOMSHG701C Shogun Classic 7-inch 4K HDR HDMI/SDI Pro/Cinema Monitor-Recorder-Switcher

Atomos AOATOMSHG701C (AO-ATOMSHG701C, AO/ATOMSHG701C, AO ATOMSHG701C, AO_ATOMSHG701C) Shogun Classic Shogun Classic 7-inch 4K HDR HDMI/SDI Pro/Cinema Monitor-Recorder-Switcher Apple ProRes and ProRes RAW recording and playback Crafted for professionals who push the boundaries of video quality, this 7-inch screen enhances the visuals from any HDMI or SDI camera. With an impressive contrast ratio of 1,000,000:1 and peak brightness of 3000 nits, the Shogun Classic is the ultimate all-in-one tool for video production and creative storytelling. The Shogun Classic supports high production standards with RAW and 4K HDR, giving you full control during production and post-production. Monitor every detail of SDR or HDR footage in real-time, and record up to 5.7K Apple ProRes RAW* or 4K Apple ProRes directly to affordable SSD drives, bypassing the high costs and limitations of SD memory cards. You can even shoot RAW at high frame rates up to HDp240**. Additionally, with asynchronous multicamera switching and support for a variety of codecs, you’ll have unprecedented power to bring your creative vision to life. *Panasonic EVA1 **Sony FS Series and EVA1 Multicamera touchscreen switching Live mix & record up to 5 streams Leverage the power of 4 x SDI inputs with the Shogun Classic, transforming it into a portable, quad-view live switcher and recorder for your multicamera shoots. Capture up to four 1080p60 streams simultaneously as separate ISOs, and seamlessly cue and switch between them in real-time with a simple tap on the screen. The mixed output can be displayed live on set via HDMI or SDI, or even streamed live for online audiences. The asynchronous switching feature eliminates the need for expensive, locked camera sources, making it possible to use more budget-friendly cameras. You can either view all streams at once in a quad-view layout or switch to a full-screen display of any of the four input streams. A simple tap on a stream in quad-view instantly switches to that feed, which becomes the program output. Each stream is recorded as a separate ISO with embedded audio in either Apple ProRes or Avid DNx, allowing for easy re-editing after the shoot. All switching decisions are saved as metadata, with transition types embedded in an FCPX .xml file. Once filming wraps, importing your ISOs into your editing software will ensure all streams and transitions are perfectly aligned with synced audio and video. Perfect exposure and colour Fine tune every detail, while you shoot A premium viewing experience allows you to make confident, informed decisions on set. With the Shogun Classic’s dynamic zoned backlight, you'll enjoy deeper blacks, brighter whites, and crystal-clear highlight details. See every nuance of what your camera sensor captures with unmatched precision. Leverage advanced HDR waveform tools, whether you're working with log or RAW footage, to achieve perfect exposure, color accuracy, and white balance. Shogun Classic provides full control to optimize HDR exposure while ensuring you're ready for SDR finishing in post-production. Intuitive monitoring tools put every aspect of the image at your fingertips. Customize 3D LUTs, apply false color profiles, adjust focus peaking, and zoom with movable 1:1 or 2:1 pixel magnification. For color accuracy, RGB parade and vectorscopes guarantee precise color reproduction on your calibrated monitor. The Shogun Classic is at home on practically any camera With its ProRes RAW recording capabilities, the Shogun Classic pairs seamlessly with industry powerhouses like the Canon C300 mkII, Panasonic EVA 1, and Sony FS5 II, delivering stunning images with maximum detail and post-production flexibility. It also revitalizes older models like the Sony FS700R, turning them into cinematic RAW shooting machines with advanced features like 4Kp60 and 2Kp240 RAW capture. For DSLR or mirrorless cameras, connect via HDMI to unlock up to 4Kp60 recording in Apple ProRes or AVID DNx formats, ensuring easy editing and archival-quality footage. When paired with high-end cameras such as ARRI, RED, or Sony Venice, the Shogun Classic offers precise HDR monitoring and all the professional tools needed to get the job done efficiently. Unlock the true potential of your camera Preserve your sensor's pristine pixels in ProRes RAW at up to 5.7kp30, 4kp60 DCI/HD and 2kp240 DCI/HD Amplify the creative advantages of shooting RAW The Shogun Classic captures RAW data directly from the camera’s sensor, preserving the unprocessed image and giving you the flexibility to fine-tune every aspect of your video during post-production. By applying ProRes compression to RAW image data, the Shogun Classic enhances your creative workflow. ProRes RAW files are more compact than most proprietary RAW formats, enabling faster and more efficient importing, editing, and grading. ProRes RAW is supported by major editing platforms such as Final Cut Pro X, Adobe Premiere, and Avid Media Composer*. In addition to ProRes RAW, the Shogun Classic offers a wide range of codec options, making it compatible with all major editing software. It records in Apple ProRes, Avid DNxHD and HR, and Adobe CinemaDNG, providing maximum versatility. With support for virtually any HDMI, SDI, Dual, or Quad Link SDI source, the Shogun Classic opens up possibilities for both new and existing cameras. Atomos proudly supports industry-standard cameras from brands like Nikon, Canon, Panasonic, Sony, RED, Arri, and Z-CAM. Dolby Vision Give on-set HDR monitoring to your client and creatives Experience your footage through your audience's eyes even before filming is complete with the Shogun Classic. It enables real-time content delivery via Dolby Vision live HDMI output from any HDR camera to a compatible Dolby Vision HDR TV or monitor. This ensures you see an accurate, high-brightness, full-color representation of your video while still on set. By providing a precise reference, the Shogun Classic allows you to adjust exposure and lighting with confidence, optimizing your footage for modern HDR displays. This gives the crew greater assurance in what they’re capturing and accelerates the finishing process, streamlining your entire production workflow. User-friendly AtomOS Intuitive touch screen operation With one-touch operation, the Shogun Classic offers instant access to a comprehensive suite of tools, including scopes, exposure controls, zoom, calibration, and focus aids. This intuitive interface ensures that you capture high-quality recordings every time, with precise control over every aspect of your footage. Shot tagging Easily tag your footage with metadata as you shoot, marking favorites, rejects, and more with just a few taps. Once you import your footage into your editing timeline, you can quickly filter and organize clips based on these tags, streamlining the post-production process and helping you find the best takes faster. Balanced audio Add 48V stereo microphones using an XLR breakout cable and choose between mic or line input levels for flexible audio recording. Capture up to 12 channels of digital audio from HDMI or SDI sources, and conveniently monitor your audio through the 3.5mm headphone jack to ensure top-quality sound throughout your production. High speed connections Easily cross-convert between HDMI 2.0 and 1.5G/3G/6G/12G single-link SDI or Dual/Quad Link in nearly any combination, eliminating the need for additional specialist converters. This flexibility allows seamless integration of various cameras and devices, streamlining your workflow and reducing complexity on set. Quad SDI & HDMI 2.0 In/Out Connect any SDI or HDMI device for both monitoring and recording with ease. The Shogun Classic allows you to cross-convert between HDMI 2.0 and 1.5G/3G/6G/12G Quadlink SDI, eliminating the need for specialized converters and ensuring smooth integration across different devices, making your workflow more efficient and adaptable.  

Sony PXW-Z200 4K HDR Camcorder

Sony PXW-Z200 4K HDR Camcorder(Sony PXW-Z200, PXW/Z200, PXW_Z200, PXWZ200, PXW Z200) Shoot, record, and stream in 4K HDR with a 20x optical zoom, AI-powered Subject Recognition AF, integrated 2.4 GHz/5 GHz* Wi-Fi, and 12G-SDI connectivity. Crisp details and vivid colors, every time Capture stunning 4K HDR footage with exceptional colors, textures, and details. The PXW-Z200’s powerful 1.0-type Exmor RS™ stacked CMOS sensor ensures high sensitivity and low noise, delivering up to 120fps* in 4K and 240fps in FHD. Full-pixel readout and BIONZ XR™ image processing maintain every detail, while 709tone and S-Cinetone™ compatibility make color-matching with Sony system cameras and Cinema Line seamless. Intelligent features for smarter shooting Sony innovations ensure you capture top-quality content. The advanced AI Processing Unit recognizes human subjects, while the Fast Hybrid AF system tracks and maintains precise focus. The Electronic Variable ND Filter allows for optimal exposure in various lighting conditions, with Auto ND handling adjustments automatically. Reliable streaming and broadcast-friendly connectivity Built-in 2.4 GHz/5 GHz* Wi-Fi works seamlessly with Sony’s C3 Portal (paid) or XDCAM Pocket apps for simple, high-quality streaming directly from the camera. The Monitor & Control** app enables remote operation from your smartphone or tablet. The PXW-Z200 also features built-in 12G-SDI for enhanced bandwidth, TC input/output, and XAVC (MXF) broadcast-friendly recording. 1.0-type Exmor RS CMOS sensor Delivering exceptional imaging performance for a compact camcorder, the PXW-Z200 features a 1.0-type Exmor RS CMOS sensor with approximately 14.0 effective megapixels. Its unique stacked structure improves readout speeds and enhances low-light performance. BIONZ XR image processing The BIONZ XR image processor, integrated within the sensor, ensures faster autofocus, higher frame rates, improved Auto Tracing White Balance (ATW), and superior noise reduction. The 5K oversampling with full-pixel readout transforms ample image data into stunning 4K (3840 x 2160) 60p video. Advanced AI Processing Unit for next-generation autofocus The PXW-Z200’s AI Processing Unit, combined with BIONZ XR, uses deep learning based on human form and posture data to deliver precise human subject recognition. The Fast Hybrid AF system offers 81% coverage, supporting Subject Recognition AF and Real-time Tracking, ensuring focus on subjects across the frame. 4K 120fps for stunning slow-motion footage The Exmor RS sensor enables high frame rate (HFR) recording, capturing 4K footage at up to 120fps and FHD at 240fps. This allows for 4x slow-motion in 4K at 30p or 5x slow-motion at 24p, with fast autofocus maintaining sharp focus throughout. 20x optical zoom The 20x power zoom G Lens™ covers a versatile range, from wide-angle interviews to telephoto close-ups. Clear Image Zoom technology boosts the zoom to 30x in 4K or 40x in FHD, while offering smooth, silent operation with maximum apertures of F2.8 (wide) to F4.5 (telephoto). Built-in Electronic Variable ND Filter Effortlessly adjust the built-in Electronic Variable ND Filter from 1/4 to 1/128 ND or use the Auto ND function for automatic exposure adjustments—ideal for dynamic shooting conditions. Compact design and portability The PXW-Z200’s lightweight, compact design makes it easy to transport. The main body weighs only 1.96 kg (4 lb 5.1 oz) and measures 175.6 mm x 201.3 mm x 371.1 mm. For storage, the dimensions shrink, and the detachable microphone holder adds further portability. Flexible camera control Two independent control rings for focus/zoom and two dials for IRIS/ND Variable provide easy control over exposure, focus, and zoom. The camera also features 12 user-assignable buttons for personalized settings and fast operation. Multiple recording formats The PXW-Z200 supports a range of recording formats, including XAVC (MXF), XAVC S-I for high-quality 10-bit 4:2:2 recording, XAVC HS-L (H.265), XAVC S-L (H.264), and proxy recording. These options provide flexibility for post-production and efficient file management. Dependable battery power The PXW-Z200 is compatible with Sony BP-U35, BP-U70, or BP-U100 lithium-ion batteries, delivering up to 90 minutes of continuous operation with a BP-U35. The batteries are also interchangeable with other Sony cameras like the PXW-Z280 and FX9. Wireless monitoring and remote control Built-in Wi-Fi supports wireless monitoring and remote control via the Monitor & Control app, enabling touch focus, iris adjustment, and more. Designed for live streaming Stream directly to live streaming platforms via Wi-Fi or a wired connection. Support for RTMP/RTMPS and SRT protocols makes it easy for solo operators to manage streaming and distribution, while apps like C3 Portal (paid) enhance workflow efficiency. Sustainability Sony has made efforts to reduce the environmental footprint of the PXW-Z200 across the product lifecycle, from development and supply chain to production and packaging.

BirdDog BDX5W X5 Ultra UHD PTZ Camera - White

BirdDog BDX5W (BD-X5W, BD/X5W, BD_X5W, BD X5W) X5 Ultra UHD PTZ Camera - White 4K60 Production PTZ Camera featuring NDI® | HX3, NDI® | HX2/3 Decoder, 12G-SDI, advanced mechanical drive, 2x e-ink display and HALO Tally - White X5 Ultra. In every way. Productions are demanding; the X5 Ultra makes demanding a walk in the park. Featuring unparalleled capability, quality, and performance – take your PTZ game up a notch with X5 Ultra. Imagine next-level robotic controls with ultra-fine and precise movement thanks to its category-busting advanced motor drive system. Movements on air are a breeze, and acceleration/deceleration of moves look natural and slick. Sporting BirdDog’s signature Halo tally system for true audience engagement, revolutionary built-in NDI® decoding*, all the video connectors, including 12G-SDI, dual e-ink displays make branding and maintenance a snap, all wrapped up with a stunning Sony 4K60 image sensor delivering the highest performance NDI® | HX3 possible. X5 Ultra. In every way. Halo Tally. A higher order of visual queue. Professional results need professional tools. The X5 Ultra sports the most visible and effective Tally system available. Up front, with a large, daylight-visible border keeping talent looking directly at the camera. Your cast and crew will always know where to look, keeping your audience engaged. AI Tracking. Built for now and the future. We aren’t playing catch-phrase bingo here. X5 Ultra takes AI auto-tracking and framing to the next level. Featuring an order of magnitude more neural processing capabilities, the out-of-the-box X5 Ultra has incredible AI powers but also the headroom to grow as AI progresses. Magic. NDI® | HX3. Performance meets convenience The X5 Ultra delivers superior network performance via our implementation of NDI® | HX3. Significantly reducing network impact while maintaining excellent image quality, meaning it is more friendly in more network environments. BirdDog’s NDI® | HX3 surpasses certification parameters, delivering quality and performance you can count on. Connectivity for days. Video productions all look different. We love NDI® because it allows a single network cable to operate everything, but sometimes it makes sense to take a different path. X5 Ultra makes this a snap. In a world of compromise, the X5 Ultra stands proud. With 12G-SDI output, dual HDMI outputs, multiple network formats, including NDI® | HX3, SRT, RTMP and RTSP, Webcam connectivity over USB, however you work and whatever demand in quality you have, X5 Ultra has got your back for today’s production… and tomorrow’s! Integrated NDI® | HX Decoder. It can’t get much more convenient! The X5 Ultra is part of the family of PTZ cameras featuring the first simultaneous NDI® | HX* Decoder designed specifically for confidence monitoring, return feeds, or teleprompter usage. We’ve pulled all this connectivity into a single cable, radically simplifying how you interface with your equipment. Less gear. Less hassle. Less complexity. Whether you're broadcasting live or delivering a CEO address, the integrated NDI® | HX decoder enables more engagement with less setup. *NDI® | HX2 and NDI® | HX3 supported. E-ink Label. Get Inked. The dual, always-on e-ink labels on the X5 Ultra are a game-changer. From network addresses for easy access to controls to customisable logos* to complement your brand image, this cool feature ensures that your set-up is clear and each camera is easily identifiable even when the power is off.

Hollyland HL-5803-HUB8S Solidcom C1 Pro Hub8S (8-person Noise Cancelling Headest Intercom)

Hollyland HL-5803-HUB8S (HL/5803-HUB8S, HL/5803/HUB8S, HL5803HUB8S, HL 5803 HUB8S) Solidcom C1 Pro Hub8S (8-person Noise Cancelling Headest Intercom) The Hollyland Solidcom C1 Pro is a professional wireless intercom system. It features an advanced Dual-Mic ENC, PTT function, wideband audio (150Hz–7kHz), and a 1,100ft (350m) reliable range. It is also DECT 6.0-enhanced for superior stability, ultra-long duration, and increased portability and durability. Ready to use out of the box, it is backward compatible and supports A & B Dual Grouping and Three-System Cascaded Connection. The ANNOUNCE Function further enhances its capabilities. UNPARALLELED DUAL-MIC ENC The Solidcom C1 Pro boasts unparalleled dual-mic ENC technology that delivers clear sound captured from challenging loud environments. Its directional main mic focuses precisely on the speaker's voice range, and simultaneously, the omnidirectional secondary mic collects environmental noise from different directions as noise samples. The sound signal is processed with the advanced ENC algorithm, effectively canceling the environmental noise and delivering crystal-clear sound quality. Note: The ENC technology functions by removing the environmental noise at the speaker side, so that the listener can hear the speaker's voice clearly. 150HZ–7KHZ WIDEBAND AUDIO WITH AEC The Solidcom C1 Pro intercom system is capable of delivering authentic and clear sound even in the most demanding production environments. Its premium Acoustic Echo Cancellation (AEC) function effectively removes unwanted echo within the 150Hz to 7kHz frequency response range, bringing in more efficient teamwork. ROBUST WIND NOISE REMOVAL Troubled by wind noise in outdoor production environments? The Solidcom C1 Pro offers a versatile solution that prevents airflow from directly hitting the mic. With the Y5 felt paper designed for the main mic as the wind filter as well as the microphone cushion, you can enjoy complete peace of mind in production environments where wind noise is a major challenge. EXCEPTIONAL SIMPLICITY FOR EFFICIENCY The Solidcom C1 Pro is ready when you are. The out-of-the-box and ready-to-go features redefine the wireless intercom system category, and its simple form factor design achieves a breadth of intuitive operations. Just switch the headset ON, place it on your head, and then begin talking with your team in a matter of seconds, so that you can focus more on efficient hands-free team collaboration. KEEP CONNECTED WITHIN A 350M (1,100FT) LOS RANGE The transceiver built into the Solidcom C1 Pro master headset offers a reliable wireless two-way communication range of up to 350m (1,100ft). Your team can keep connected and move freely across an expansive space at major events, such as church productions, TV & film productions, live performances & events, and more. UNCOMPROMISING SECURITY & STABILITY WITH DECT 6.0 Designed with the DECT 6.0 technology, the Solidcom C1 Pro offers full support for secure communication by preventing people outside the system from hearing your conversation with its encryption technology. Operating in the 1.9GHz band with a dual-antenna design scheme for each headset, the Solidcom C1 Pro enables unparalleled interference-free communication stability and clarity with a doubled user capacity on the communication channel. INTERCOM ALL DAY LONG WITH RECHARGEABLE & REPLACEABLE BATTERIES Ultra-low power consumption: 20% reduced Master headset: 6-hour operation time (connection with 3 remote headsets)/5-hour operation time (connection with 5 remote headsets) Remote headset: 10-hour operation time Time to charge: 2.5 hours Note: Each headset comes with a spare lithium battery for convenient field replacement, keeping the system running with minimal downtime. INCREASED PORTABILITY & DURABILITY FOR A BETTER EXPERIENCE The Solidcom C1 Pro headset is crafted using PC-ABS materials, making it incredibly lightweight—a mere 170g (6oz) with the battery included and super compact. The upgraded over-ear leather cushion better fits the human ear structure for added stability and comfort, perfect for anyone who works in challenging environments. Durable on-ear foam cushions are also provided to address different wearing preferences. Simply use them as needed and enjoy the experience of incredible portability and comfort without compromising quality. BACKWARD COMPATIBLE WITH THE SOLIDCOM C1 The Solidcom C1 Pro is perfectly compatible with the entire Solidcom C1 wireless intercom system for increased flexibility and expandability. NEW INTERFACE ON THE HUB FOR MORE PROFESSIONAL APPLICATIONS The Solidcom C1 Pro hub is designed with a brand-new interface, supporting a more stable wired headset attachment to the hub in more professional applications. The wired headset of the hub-based system also features ENC technology that significantly rejects unwanted background noise and annoying echo. A & B GROUPING FOR DIVERSIFIED COMMUNICATION NEEDS The Solidcom C1 Pro hub-based intercom system provides more communication options with its A & B grouping function. It offers two communication channels for groups A and B in the team, greatly eliminating the possibility of communication interruption and improving team coordination efficiency. UAC FOR DIRECT CALLS TO CLOUD MEETINGS The USB Audio Class (UAC) function featured on the hub facilitates joining cloud meetings anytime running on Zoom, Skype, or other meeting programs. Simply connect your personal computer to the hub via its USB interface. This seamlessly brings your on-site and remote teams together, facilitating team interaction and creativity wherever your teams are located. Multi-Powering Options NP-F battery V-mount battery G-mount battery DC power The Solidcom C1 Pro hub supports multiple power supply options, including NP-F battery, Vmount battery, G-mount battery, and DC power. Note: The Solidcom C1 Pro hub batteries must be purchased separately. THREE-SYSTEM CASCADED CONNECTION FOR GREATER USER CAPACITY The Solidcom C1 Pro hub can interconnect different systems to accommodate expanded communication needs. It offers 2- and 4-wire audio input/output interfaces, and up to 3 hubbased systems can be cascaded via an IP network. You can easily daisy-chain different systems as needed on site to meet even more complex operational requirements. Note: Please keep at least 2 meters between the cascaded devices. ANNOUNCE FOR EMERGENCIES The Solidcom C1 Pro hub is designed with a one-button "ANNOUNCE" function for emergencies. By activating this function in an emergency, all headsets in the system are instantly muted, allowing the entire team to only hear the direct instructions or commands from the user of the wired hub headset. CUSTOMIZABLE AND EXPANDABLE FOR VARYING TEAM SIZES The Solidcom C1 Pro is available in a variety of non-hub packages for accommodating team sizes ranging from 2 to 8 members. If A & B grouping and the ANNOUNCE function are desired, a hub (including a wired headset) can be easily incorporated into any number of headsets. A hub-based system supports a communication team with up to 9 members.

BirdDog X1 NDI Hx3 Ptz Camera - white

BirdDog X1 NDI Hx3 Ptz Camera - white(BDPX1W) X1. X1 ULTRA. BRING ON THE X-FACTOR Get ready to revolutionize your content creation experience with X1 and X1 Ultra – PTZs like no other. Experience category-defining smooth, controllable movement and stunning image quality with X1 and X1 Ultra, with Halo Tally and AI Tracking for pure live production magic. Say hello to seamless connectivity with NDI® | HX3 and Wi-Fi, ensuring you stay at the cutting edge of technological excellence. And here’s the final showstopper: an industry-first e-ink display that not only tells you everything you need to know but stays brilliantly visible even when the camera is off! Elevate your creativity, embrace innovation, and let the excitement unfold with X1 and X1 Ultra. INTEGRATED NDI DECODER The X1 and X1 Ultra are the world’s first PTZ cameras featuring an NDI® | HX* Decoder designed specifically for confidence monitoring, return feeds, or teleprompter usage. We’ve pulled all this connectivity into a single cable, radically simplifying how you interface with your equipment. Less gear. Less hassle. Whether you're broadcasting live or delivering a CEO address, the integrated NDI HX decoder enables more brilliance with less setup. I TRACKING Every production could use a little help from a friend. The X1 and X1 Ultra keep your subject in focus with AI tracking technology, intelligently following your subject's movements in real time. Whether you're orchestrating a live event, capturing spontaneous moments in a hybrid environment, or hunting down sports action, AI tracking helps you get well framed - without needing an octopus to run the controller. *NDI® | HX2 and NDI® | HX3 supported WI-FI No need to use cables to capture every shot. On top of regular ethernet with PoE, X1 and X1 Ultra have built-in Wi-Fi functionality. Easily capture shots from spots where it's hard to run cable, seamlessly integrating into any environment. Your setup just became a whole lot more flexible. E-INK LABEL The always-on e-Ink label on the X1 and X1 Ultra is a game-changer. From network addresses for easy access to controls through to customisable logos to complement your brand image, this cool feature ensures that your set-up is clear and each camera easily identifiable even when the power is off. NDI® | HX3. The X1 and X1 Ultra deliver superior network performance via NDI® | HX3 integration. You get significantly reduced network impact and excellent image quality, meaning it's more friendly in more network environments. BirdDog’s NDI® | HX3 delivers quality and performance you can count on. TALLY LIGHT. IT’S A HALO EFFECT.   Professional results need professional tools. X1 and X1 Ultra sport the most visible and effective Tally system available. Up front with a large, daylight-visible border, and out back with an interchangeable, illuminated numbering system. Your cast and crew will always know where to look to keep your audience engaged and your look polished.

Atomos Ninja Phone Video Co-Processor

Atomos Ninja Phone Video Co-Processor(AOATOMNJPB01) Ninja Phone is a 10-bit video co-processor for smartphones and tablets that lets you record from professional HDMI cameras. This release for iPhone 15 Pro and Max allows filmmakers to use the iPhone’s stunning OLED display as a viewfinder, complete with Atomos professional video monitoring tools, with zero latency. Record to Apple ProRes or H.265, using the iPhone’s connectivity to live stream or use camera-to-cloud for hyper-efficient cloud workflows. Ideal for traditional filmmakers and social media creators, the dedicated iPhone app works in landscape and portrait mode, controlling Ninja Phone and iPhone, making them feel like a single, lightweight device. NOW YOUR PHONE CAN BE A NINJA TOO Ninja your iPhone 15 Pro / Max into a monitor-recorder for any pro HDMI camera. THE ULTIMATE IPHONE ACCESSORY The iPhone is a technological masterpiece, with its amazing Retina monitor and cutting-edge, Wi-Fi 6E and 5G connectivity. But how do you connect your pro camera? With a Ninja Phone! Attach the Ninja Phone to your iPhone 15 Pro/Max, plug in an HDMI-equipped camera, and you’ve got the best display on the planet with fast, low-latency connectivity. Ninja Phone is cleverly designed in two parts: the Ninja Phone video co-processor and the Adaptor Case. The Adaptor Case provides a secure mount to attach the Ninja Phone to your iPhone. This arrangement also provides future physical compatibility. If future iPhones change in physical specification, you’ll just need a new case. RECORD PRORES FROM ANY HDMI CAMERA Ninja Phone is the only way to connect professional cameras with HDMI to an iPhone 15 Pro/Max and record directly into Apple ProRes – the absolute standard for professional video production. STREAM VIA 5G OR WI-FI 6E TO SOCIAL PLATFORMS You won’t find a more compact set-up for streaming professional-grade video directly from your camera. Weighing only 335 grams, including the iPhone 15 Pro, it’s packed with the latest technology, including pristine 10-bit, H.265 encoding, Wi-Fi 6E, and low-latency 5G for the ultimate in mobile live streaming. DUAL RECORD 10-BIT H.265 WITH CAMERA TO CLOUD Ninja Phone is your gateway to hyper-efficient cloud production workflows. You can choose the way you work: ProRes master files and H.265 proxies for full, cinematic quality, or H.265 only for the simplest, fastest workflows that are still production quality depending on bitrate and their intended use. SUPREME APPLE DISPLAY HDR OLED OLED is simply the best for HDR. With tiny, saturated, self-illuminating pixels, it produces a brilliant, accurate image. You can see your footage in all its splendour! 1600nit Deep blacks are only part of the HDR equation; you also need bright highlights. Apple’s OLED screens pump out an impressive 1600nit brightness, ideal for HDR and daylight viewing. 2,000,000:1 contrast ratio Backlights kill contrast. Apple’s OLED screen doesn’t need one, and it shows, with the deepest-possible blacks giving the display massive contrast. 460ppi This is the highest-resolution screen that's ever been seen on a Ninja, allowing for crisp video and sharp, accurate monitoring. Ultra-secure locking cables How do you deal with non-locking cables like HDMI and USB C in mission-critical situations like a shoot? The answer is with a rugged and secure cable management system. Atomos cables for Ninja Phone lock firmly into place so there's no chance of unwanted disconnection. And of course, you can still use conventional, non-locking cables too, if you need to. HOW DO YOU SHOOT? Landscape Mode - For Video Professionals   Great things happen when technology comes together. With Ninja Phone and the iPhone 15 Pro/Max, you get a cutting-edge, connected professional filmmaking experience with a tiny footprint. You can go anywhere, shoot anything, and collaborate with your colleagues anywhere in the world. Connect any HDMI-equipped Mirrorless or Cinema camera to the technology powerhouse that is the iPhone 15 Pro/Max No compromise on quality: capture straight into industry-standard Apple ProRes Work collaboratively with colleagues using hyper-efficient camera-to-cloud workflows Use the iPhone 15 Pro/Max as the best-ever OLED viewfinder Take perfect shots with Ninja Phone’s best-in-class monitoring tools PORTRAIT MODE - For Content Creators   How do you shoot professional-looking videos with maximum portability and the minimum amount of gear – and work in portrait mode for social media? Ninja Phone and its iPhone app are designed from the ground up to give you the mobility and versatility you need. Work in portrait or landscape with absolutely no barriers.   Connect professional HDMI-equipped mirrorless or cinema cameras to the iPhone for professional quality video in your social media Upload your footage to the cloud while you are shooting to start editing within seconds The Ninja Phone’s iPhone app understands 9:16 portrait mode and adjusts automatically to accommodate it Stream directly to all major streaming platforms Capture in high-quality 10-bit H.265 and edit in the cloud for the fastest possible workflows

Canon Rf 10-20mm f/4 L Is Stm Lens

Canon Rf 10-20mm f/4 L Is Stm Lens(6182C005AA) Redefining the professional ultrawide-angle zoom lens with the RF 10-20mm F4L IS STM. Wider, smaller and with more features than its rivals, this lens empowers photographers and filmmakers with the performance they need to realise their creative ambitions. Whatever you shoot, and wherever you shoot it, the RF 10-20mm F4L IS STM gives you extra creative options for photography and filmmaking. Ultrawide focal lengths from 10mm to 20mm let you put more in the frame and create dramatic perspectives. An advanced Image Stabilizer lets you shoot pin-sharp photos handheld in low light, as well as gimbal-smooth video. All this from a pro-grade lens that weighs just 570g – light enough to earn a permanent place in your bag. The ultimate ultrawide for photos and video Get more in the frame and create dramatic perspectives – Add  extra foreground interest and shoot tight interiors and architecture. It’s great for creative establishing shots when filmmaking too. Ultrawide, ultraportable Weighing just 570g, the RF 10-20mm F4L IS STM deserves a permanent place in your bag. Take the ultrawide viewpoint to more places more often and take a different perspective to usual. Every detail – just how it should be Expect incredible sharpness and clarity with virtually no distortion – so straight lines remain straight, even at the edges of the frame. All thanks to an advanced optical formula. Stabilisation that just works Photo or video. Centre or edge. A Peripheral Control Image Stabilizer gives up to five stops of protection against camera shake – six stops with an EOS featuring in-body stabilisation. Built for the professionals A constant f/4 maximum aperture gives consistent exposures through the zoom range. A lens function button and control ring allow instinctive shooting. Naturally, the RF 10-20mm F4L IS STM is resistant to dust and moisture too. Ultrawide, ultracompact The RF 10-20mm F4L IS STM is the widest AF zoom ever made for a full-frame camera*, with an angle of view up to 130˚. The RF mount’s short back-focus and large lens-mount allow amazing image quality from a compact design.  In fact, the RF 10-20mm F4L IS STM is 610g lighter, and 2cm smaller in width and length, than the EF11-24mm F4L USM, despite offering a wider angle of view and more technology, such as IS.   The lens has three glass-moulded aspherical elements for high-resolution performance. Advanced lens coatings minimise ghosting and flare.

Canon Rf 200-800mm f/6.3-9 Is Usm Lens

Canon Rf 200-800mm f/6.3-9 Is Usm Lens(6263C005AA) Capture distant subjects with a power you never thought possible. The RF 200-800mm F6.3-9 IS USM blends Canon’s renowned optical prowess into a practical lens and works in harmony with your EOS R series camera, delivering a flexible 200-800mm zoom range for sports, nature and wildlife moments previously out of reach. A Closer Look at the RF 200-800MM F6.3-9 IS USM Discover the key features and technologies that make the RF 200-800mm F6.3-9 IS USM such a useable and powerful super telephoto zoom. A Powerful Zoom with Astonishing Reach Discover the many different scenarios where this lens could deliver a whole new level of impact for your photography. Reach the unreachable Achieve images you never thought possible, from wildlife to sports. Thanks to an 800mm maximum focal length1 plus extender compatibility with the whole AF area2, the RF 200-800mm F6.3-9 IS USM has incredible power to pull even small subjects right into the frame, from as close as 0.8m. Create impact with ease Make a statement and capture attention-grabbing images easily. With up to 5.5-stops of optical image stabilisation3 you can shoot handheld, letting you react quickly to situations as they happen. Capture subjects with greater clarity Inside, three UD lenses correct chromatic aberration while a Super Spectra coating reduces ghosting and flare. A Nano USM keeps moving subjects in sharp focus, providing fast, quiet and accurate AF while a nine-blade aperture gives you beautiful background rendering. Keep on shooting, even in changeable conditions Get the shot you want, even when hiking to a location where the elements might be against you, with dust and moisture resistance equivalent to our pro L-series lenses, and white exterior paint for reliable optical performance when shooting out in the sun. Extra practicality for greater control   Balance your camera and lens for comfort by using the attached tripod collar when you’re in a fixed position for extended periods. Lens function buttons help you shoot instinctively while zoom torque adjustment and a combined Focus and Control Ring let you shoot smarter.

Hollyland Mars T1000 Beltpack

Hollyland Mars T1000 Beltpack(HL-BP-MARST1000) Тhе Ноllуlаnd МаrѕТ1000 Веltрасk іѕ dеѕіgnеd tо bе uѕеd wіth thе Маrѕ Т1000 full-duрlех іntеrсоm ѕуѕtеm tо рrоvіdе quаlіtу vоісе trаnѕmіѕѕіоn оvеr а dіѕtаnсе оf uр tо 300 mеtrеѕ. 

Hollyland All-in-One Wireless Lavalier Microphone System TX (Black)

Hollyland All-in-One Wireless Lavalier Microphone System TX (Black)(HL-LARK-MAX-TX-B) The LARK MAX is an all-in-one wireless lavalier microphone system with industry-first MaxTimbre Mic technology and advanced Environmental Noise Cancellation (ENC) technology providing an unparalleled crystal-clear sound. The transmitter has 8GB of built-in memory and supports up to 14 hours of backup recording. It is perfect for interviewing, vlogging, podcasting, electronic fi eld production, online teaching, and any audio recording applications requiring high-quality audio pickup and a peace-of-mind audio backup solution. STUDIO-QUALITY AUDIO WITH MAXTIMBRE MIC TECHNOLOGY With its MaxTimbre Mic technology, the LARK MAX sets a new standard for capturing every detail and nuance with stunning clarity. Boasting a list of impressive technical specifi cations: 48kHz sampling rate, 24-bit bit depth, 70 dB SNR, and 128 dB max SPL. INDUSTRY-FIRST MIC TECHNOLOGY MaxTimbre MaxTimbre Mic technology is a multilayer membrane microphone design that optimizes voice recording for crisp, clear results. The multilayer acoustic structure eff ectively eliminates unwanted resonances. It enhances performance with a durable mesh of superior wind-proof and vibration-isolation features. HIGH-SENSITIVITY OMNIDIRECTIONAL MICROPHONE 48kHz/24-bit The LARK MAX high-sensitivity omnidirectional 48kHz/24-bit microphone records full-range audio with incredible precision, clarity, and rich detail. HIGH SIGNAL-TO-NOISE RATIO 70 dB The LARK MAX SNR is 70 dB, which is crucial for recording in quiet environments. MAX SOUND PRESSURE LEVELS (SPL) 128 dB The LARK MAX stands up to 128 dB of SPL, and its 98-106 dB dynamic range signifi cantly reduces audio distortion when recording in complex environments. Note: The maximum SPL is based on laboratory testing results, with the transmitter input gain set to the lowest level. For optimal recording results, it is recommended to place the transmitter at a proper distance from the audio source. ADVANCED TECHNOLOGY DSP The LARK MAX utilizes Digital Signal Processing (DSP) technology to signifi cantly enhance audio signal quality and reduce unwanted noise and interference. PROFESSIONAL ENC Environmental Noise Cancellation The LARK MAX utilizes advanced ENC technology to detect and minimize surrounding noise, ensuring the audio quality remains crystal clear and distortion-free, even in loud recording environments. It is user-friendly, allowing you to easily turn the ENC mode on or off from the transmitter or receiver. ON-BOARD STORAGE FOR 14-HOUR BACKUP RECORDING 8GB The LARK MAX transmitter also serves as a standalone recorder with built-in 8GB of storage. Record up to 14 hours of uncompressed and lossless WAV fi les. The internal recording fi les are stored in the transmitter. You can turn on the Auto Record mode on the receiver to activate the transmitter's internal recording feature for extra audio safety, ensuring that you won't miss any important moments. ULTRA-LONG 22-HOUR BATTERY LIFE The LARK MAX is designed with a compact charging case, so you can enjoy virtually unlimited recording adventures without worrying about battery life. The transmitter's operation time is about 7.5 hours and can reach up to 22 hours with a fully charged charging case. The receiver can operate for up to 9 hours, and it can be charged and used at the same time. Note: The data provided above is based on laboratory testing results. WIDE DEVICE COMPATIBILITY Enjoy teaming the LARK MAX with mobile devices, cameras, or computers. Camera Connection The 3.5mm output interface makes it compatible with many camera types — DSLR cameras, mirrorless cameras, action cameras, camcorders, and others. To connect the receiver to a camera, just use the 3.5mm TRS to 3.5mm TRS cable. MOBILE DEVICE CONNECTION Simply connect the receiver to a mobile phone with the included MFi-certifi ed USB-C to Lightning cable or USB-C to USB-C cable or the optional 3.5mm TRS to 3.5mm TRRS cable. Achieve real-time audio playback on your phone speaker without the need to unplug the receiver from your device for an immediate audio quality check. COMPUTER CONNECTION The LARK MAX also supports USB Audio Class (UAC) standards and can work as a sound card sending high-quality audio sources to your computer via a single USB cable. STABLE TRANSMISSION WITH AFH TECHNOLOGY 820ft (250m) The LARK MAX provides an ultra-long wireless line-of-sight (LOS) range of up to 820ft (250m) with dual high-gain antennas. It also adapts advanced adaptive frequency hopping (AFH) technology to eff ectively prevent signal drops and ensure a seamless audio recording experience. Note: The LOS range of 820ft (250m) is measured in an unobstructed outdoor environment free of interference. CONVENIENT Magnetic Design Each transmitter comes with a convenient back clip and a magnet clip. The transmitter weighs approximately 33g (1.16oz) and easily attaches to any garment and other objects via the integrated back or magnet clip. USER-FRIENDLY DESIGN The LARK MAX works perfectly with various recording devices and is paired and ready for use out of its charging case. Addressing diff erent audio recording preferences with its fl exible gain control allows you to precisely tailor the audio volume for an outstanding user experience. COLOUR AMOLED TOUCHSCREEN 1.1" The colourful and vivid AMOLED touchscreen on the receiver allows you to adjust transmitter settings and provides a real-time visual check. QUICK CONTROL Knob You can customize diff erent settings quickly with the control knob. On-Screen Home Button: A single tap easily accesses the quick settings interface or returns to the previous interface. Skin-like Comfortable Touch: The LARK MAX has a sleek and stylish appearance, giving it a warm, comfortable, and natural feeling when touched. Professional Functions Recording Modes: Select the most suitable audio recording mode: mono, stereo, or safety track for recording security and more fl exibility in post-production. EQ SETTINGS Hi-Fi/Low Cut/Vocal Boost The Hi-Fi function provides high-quality audio recording with utmost precision and accuracy. The Low Cut function removes low frequencies of the audio signal, eliminating low-end rumble.   The Vocal Boost function reduces environmental noise and improves voice intelligibility, making a more pleasant and crystal-clear recording experience.

Hollyland Solidcom C1 Pro Wireless Headset for Hub

Hollyland Single-Ear Slave Headset for Full-Duplex Wireless Intercom System ENC 150 Hz to 7 kHz - (HL-C1PRO-SH02) Featuring dual-mic Environmental Noise Cancellation (ENC) for use in loud environments, the Hollyland Solidcom C1 Pro Wireless Remote Headset is a full-duplex DECT intercom headset engineered to provide clear audio and all-day wearing comfort in a true-wireless design with no bodypack or hub required. This single-sided remote headset is sold without a master headset, allowing you to expand an existing Solidcom C1 or C1 Pro system or replace a lost or damaged headset. Two rechargeable batteries, an over-ear leather cushion, on-ear foam cushion, microphone windscreen, earpad, and carrying bag are included. When paired with a master headset or hub, the system transmits in the 1.9 GHz spectrum and uses proven DECT 6.0 technology to ensure secure and reliable transmission at a line-of-sight range of up to 1100'—making it well suited for a variety of applications including film/TV production, concerts, and live events. Dual-Mic Environmental Noise Cancellation For clear communication in loud environments, engage the dual-mic ENC (Environmental Noise Cancellation) feature. The ENC algorithm combines the main directional microphone at the speaker's mouth with a secondary omnidirectional environmental mic on the earcup to cancel out unwanted background noise for more intelligible speech. The microphone's wide 150 Hz to 7 kHz frequency response ensures detailed voice capture to keep your team working efficiently. True-Wireless Self-Contained Headset for 2-Way Communication With no beltpack needed, the C1 Pro offers a highly portable and hands-free coordinating experience for media production teams and others looking for real-time voice communication at line-of-sight distances up to 1100'. The Pro version offers increased portability and durability over the original, while the single-ear headset design is dust and water resistant and designed to provide a comfortable all-day wearing experience. Easy to Use A long press on the A button on the master and remote headsets is all it takes; the headsets pair up in about 10 seconds and you're good to go. The microphone boom on each headset rotates 360°, allowing for left or right orientation. Rotating the boom arm up or down conveniently mutes the mic when not in use. Alternatively, the mute button on the earcup can be set to mute or push to talk, depending on the user's preference. An LED indicates the system is working and warns you when the battery is low. Rechargeable Batteries The headset runs on a single rechargeable lithium-ion battery for up to 10 hours on a single battery charge with the ENC engaged. Each battery fully recharges in 2.5 hours. Two batteries are provided. Expandable and Backwards Compatible   The Solidcom C1 Pro system allows you to link up to 7 remote headsets to the master headset (available separately) without using a hub. The C1 Pro HUB Base (available separately) lets you use up to 8 remote headsets at once. The C1 Pro headset is backward-compatible with the Solidcom C1 system. Note that the ENC technology functions by removing the environmental noise at the speaker side. Whether you're wearing a C1 or a C1 Pro, the environmental noise you hear will be significantly reduced as long as the sound is coming from a C1 Pro headset

Hollyland Lemo Dynamic Single-Ear Headset for Solidcom Series

Hollyland Lemo Dynamic Single-Ear Headset for Solidcom Series(HL-SH-8PIN-01) This compact and lightweight Dynamic Single-Ear Headset with 8-Pin LEMO Connector from Hollyland is designed for use with the Solidcom M1 and the Syscom 1000T communication systems. The headset features an integrated microphone that delivers high-quality, intelligible speech. The mic's adjustable boom can be flipped into the up position for instant muting without having to reach for the bodypack transceiver (available separately). An 8-pin LEMO connector provides a solid and reliable connection to the bodypack, while the single-ear design allows the wearer to hear outside sound from the other ear to preserve situational awareness.

CamRade rainCover Medium

CamRade rainCover Medium (CAM-RAINCVR-MEDIUM) Protect your Digital Cinema Camera against inclement weather with the rainCover Medium. It is an absolute must have that will prevent water damage to your most valuable piece of equipment. With this rain cover, you can now protect your equipment from the elements without sacrificing your shot. Through years of experience and working closely with multiple camera operators, camRade has improved their designs to perfect solutions for multiple applications. The rainCover Medium is suitable for handheld camera work but is also great while your camera is attached on a tripod, slider, track system, JIB or any other camera support solution. Durable and functional design Always carry the camRade rainCover Medium with you so you do not get caught out when the weather turns. The cover is supplied in a waterproof zippered pouch, which you can use to store and transport the cover. It is easy to attach and detach the cover, thanks to the convenient design. Leave the bottom open for easy access or close it with the double straps if the wind plays tricks. The blue sliding rail makes it possible to bring the buckles to the desired position when the camera is mounted on a tripod. Clamps around the lens hood Thanks to 30 cm (11.8”) rubber strip, the rainCover fits correctly on most lenses. The strap supplied with a hook-and-loop fastener makes it possible to tighten the cover on the lens but still lets you operate the lens, due to its spacious design. The supplied zippered lensC L extension, covers and protects longer lenses. camRade offers an additional camRade rainCover Extension Kit (SKU: CAM-RAINCVR-KIT) to protect handgrip unit, 5”and 7” monitors/recorders and longer lenses. Protection goes beyond just the camera and lens camRade has included two different viewfinder covers. A small simple cover for an LCD screen and an advanced solution that covers 99% of today's external viewfinders & loupes. The rainCover Medium includes a battery extension cover that offers the possibility to extend the camera up to 20cm (7,9”) at the back. This add-on makes it possible to protect larger batteries, transmitters, or other accessories from the rain. Easy access to what is important On the left side of the cover a transparent window (24cm wide by 20cm high), allows you to have a clear view of the camera controls. The open bottom ensures that these controls are easy to operate. Directly above the window is a hook-and-loop fastener for the viewfinder and/or LCD screen support arm to get out from the main cover. You can use one of the two supplied viewfinder covers to use the viewfinder in any position without restrictions. A vertical hook-and-loop fastener on the top of the cover gives you the option to use a top handle or other top-mounted accessories. Next to the top handle opening is the protection for a standard on-camera shotgun microphone. This flap is also equipped with a 12cm wide hook-and-loop fastener to bring out cables and/or gives access to a cold / hot shoe accessory mount. The right side of the rainCover Medium has a vertical zipper that gives access to a possible handgrip and input/output connectors. A round opening with a drawstring at the back (above the battery) makes it possible to use an integrated viewfinder. The opening is large enough for the camera's eyecup and can also be used to use the camera's top handle for high shots. Why camRade? camRade was established in 1998 and has an extensive track record of protecting broadcast and film cameras. Since the start of camRade, the team of people behind the brand have continued to work closely with several audio and camera operators, broadcasters, and rental companies. Today we can say that we are the recognised world leader in camera protection. Why do I need a camRade rainCover?   Imagine how you would feel if your camera stopped working. A camera with water damage could be considered a total loss if the repair costs are too high. What if you could have prevented this by using a camRade rainCover? Your camera is often your most valuable piece of equipment while gathering news or during field productions. The durability and unique features of the rainCover Medium will protect your investment in a way that plastic bags and other cheap covers cannot.

Canon EOS R8 Mirrorless Camera Body

Canon EOS R8 Mirrorless Camera 24.2MP Full-Frame CMOS Sensor 4k60p 10-Bit   A lightweight, travel-friendly, full-frame camera body, the Canon EOS R8 Mirrorless Camera offers powerful photo and video capabilities for both photographers and multimedia content creators. Utilizing a newly developed sensor also found in the EOS R6 Mark II, the R8 features a 24.2MP CMOS sensor paired with a DIGIC X processor. Together, this combination provides outstanding stills performance, impressive 4K 60p 10-bit video, and fast autofocus.   24.2MP Full-Frame CMOS Sensor 4K60p 10-Bit Internal Video, Canon Log 3 2.36m-Dot OLED Electronic Viewfinder 3.0" 1.62m-Dot Vari-Angle Touchscreen Dual Pixel CMOS AF II 40 fps Electronic Shutter Movie Digital IS Vertical Movie Mode Microphone Input, Headphone Output Multi-Function Shoe, Wi-Fi & Bluetooth   Camera compatible with EF lenses with use of the RF to EF adapter (to be purchased separately)

Canon EOS R6 Mark II Mirrorless Camera Body

Canon 5666C028 (5-666-C028, 5/666/C028, 5/666-C028, 5 666 C028) EOS R6 Mark II Mirrorless Camera Body For paid shoots or for pure pleasure, the EOS R6 Mark II hybrid camera delivers innovative ways for creators to master their creativity. From event photography to filmmaking projects, this is a versatile camera for video and photography – ideal for pretty much any subject you can think of. Action photography is made simple with continuous shooting at up to 40 fps³ electronically or up to 12 fps⁴ mechanically, all with intelligent autofocus. Enjoy low light photography, shoot long exposures handheld without a tripod and tell stories in dark, atmospheric conditions. Capture steady handheld video when filmmaking, thanks to best-in-class image stabilisation. Edit and share wherever you are with Wi-Fi and Bluetooth™, FTP support and image.canon cloud image processing Intense sharpness from Dual Pixel CMOS AF II Our deep-learning AI delivers even more powerful autofocus. The EOS R6 Mark II recognises and tracks more subjects with even greater speed, reliability and precision. The freedom to shoot handheld Shoot long exposures with biting sharpness, thanks to an 8-stop Image Stabilizer. Video footage is super steady too, perfect for on-the-go filmmaking and documentaries. Race ahead of the competition Setting new speed records, the EOS R6 Mark II can shoot continuously at up to 40fps electronically, and up to 12fps mechanically. Capture the action before you press the button with Pre-shooting in RAW burst mode. Hone your filmmaking Use the full width of the EOS R6 Mark II’s sensor to capture superb oversampled 4K 60p video or 6K RAW. Focus-breathing correction and Detect-only AF make professional results easier than ever. Extreme performance in extreme conditions Capture the ambience of the moment whatever the conditions. Shoot up to ISO 102,400 sensitivity and focus in as little light as -6.5EV. Advanced Dual Pixel CMOS AF II, with eye detection The EOS R6 Mark II uses Canon’s state-of-the-art Dual Pixel CMOS AF II technology to focus and track subjects, keeping them sharp as they move through a scene. Using deep-learning artificial intelligence, we’ve programmed the camera to recognise people, vehicles (cars, motorbikes, trains and aircraft) and animals (dogs, cats, birds and horses). The type of subject to be detected can be chosen in the EOS R6 Mark II’s menu, or set to Auto if you shoot in a range of scenarios. When detecting people or animals, the EOS R6 Mark II first looks for a subject’s eyes, and it’s now possible to specify which eye (left or right) should be given priority. If the eyes can’t be seen, the camera focuses on the face instead, and if the subject turns away for a moment, the head is tracked. If the head isn’t visible, the EOS R6 Mark II will track their body. Advanced Dual Pixel CMOS AF II, with eye detection The EOS R6 Mark II uses Canon’s state-of-the-art Dual Pixel CMOS AF II technology to focus and track subjects, keeping them sharp as they move through a scene. Using deep-learning artificial intelligence, we’ve programmed the camera to recognise people, vehicles (cars, motorbikes, trains and aircraft) and animals (dogs, cats, birds and horses). The type of subject to be detected can be chosen in the EOS R6 Mark II’s menu, or set to Auto if you shoot in a range of scenarios. When detecting people or animals, the EOS R6 Mark II first looks for a subject’s eyes, and it’s now possible to specify which eye (left or right) should be given priority. If the eyes can’t be seen, the camera focuses on the face instead, and if the subject turns away for a moment, the head is tracked. If the head isn’t visible, the EOS R6 Mark II will track their body. ‘Detect only’ option for Movie Servo AF A technology shared with Canon’s Cinema EOS family, a new Movie Servo AF option – ‘Detect only’ – has been added to the EOS R6 Mark II, and is similar to the ‘Face only’ feature found in our Cinema EOS C70 camera. When this is activated, if the subject specific in the Subject to detect menu moves out of the focus area, the camera will remain at its current point of focus without refocusing on other subjects. For example, if ‘People’ is specified in the menu, focus will not change if a subject walks out of shot. Traditionally, a camera would then refocus on the background, which is often not what’s wanted, especially if the subject may be about to move back into the frame again. Focus-breathing correction The EOS R6 Mark II can use digital processing to compensate for the effects of focus breathing – the small, but noticeable changes in viewing angle or magnification that happen as some lenses undergo significant changes in focus. Full-frame 24.2-megapixel sensor The EOS R6 Mark II features a full-frame 24.2 megapixel CMOS sensor, designed by Canon. Working in tandem with a powerful DIGIC X processor, it powers many of the camera’s groundbreaking features and provides an ideal balance of resolution, low-light and speed. The new sensor is fast, powering 40fps6 continuous shooting. Compared to the EOS R6, this new sensor reduces ‘rolling shutter’ distortion, allowing the camera’s electronic shutter to be used to freeze fast-moving objects. This speed also enables oversampled 4K 60p video using the full width of the sensor, and helps power the EOS R6 Mark II’s extraordinarily quick focusing. In-camera focus bracketing When you need more depth of field than is available, the EOS R6 Mark II can deploy focus bracketing and depth compositing to help achieve perfect focus throughout the frame. After specifying the focus range and number of shots, a single press of the shutter-release button tells the camera to begin shooting, varying focus from near to far as it does so. When this sequence of images is blended together, the result is perfect depth of field for the scene. This image sequence can now be merged in-camera, creating a perfect ready-to-go result. The feature can also be used as an on-location preview of what can be achieved later in post-production, giving you the confidence that you have what you need. Depth compositing is great for shooting close-up or macro work when depth of field is limited. It also allows photographers to reduce time spent post-processing images from multiple frames and lets them achieve a result quickly, in-camera. 4K 60p full-width oversampled & 6K RAW The EOS R6 Mark II can shoot 4K 60p UHD using the full width of the EOS R6 Mark II’s sensor, with simultaneous Dual Pixel CMOS AF II focusing. Footage is created by oversampling the sensor’s 6K output, resulting in superb image quality. Improved circuit designs are highly heat efficient, allowing longer recording times of up to 610 hours, depending on ambient temperature, memory card space and battery life. For filmmakers wanting even higher performance, the EOS R6 Mark II outputs 6K RAW via its HDMI output, which can be recorded on an Atomos Ninja V+ recorder in ProRes RAW. This provides more detail, as well as the ability to adjust parameters such as white balance in post-production. Full HD proxy footage can be captured internally to a memory card. Movie pre-recording When this function is activated, video is continuously streamed through the camera in standby. Such pre-captured footage can be captured from the 3 or 5 secs before the video record button is pressed – very handy when shooting unpredictable subjects or an unmissable one-off moment. UVC support for webcam and live streaming The EOS R6 Mark II can be used as a webcam on PC and Mac computers running video-call apps such as Skype, Zoom and Teams, without having to install additional software. This plug-and-play capability is powered by industry-standard USB Video Class (UVC) and USB Audio Class (UAC) drivers that are built into Windows and MacOS operating systems. Used in this way, the EOS R6 Mark II provides improved image quality compared with standard computer webcams, letting you look your best when you need to make a great impression online. False-colour indication A technology shared with Canon’s Cinema EOS family, the EOS R6 Mark II features false colour warnings that give an easy-to-see indication of current exposure levels. Six colours, each representing a different luminance level, are overlaid on viewfinder and viewscreen images. Recording emphasis and Aspect marker When the EOS R6 Mark II’s Recording emphasis feature is turned on, a blinking red frame is visible at the edges of the frame when the camera is recording video. In addition, the EOS R6 Mark II includes an Aspect marker option, which acts as a guide to how footage will look when it’s been processed for different aspect ratios, such as 2.35:1 Cinema Scope, vertical 9:16, 5:4, and even Instagram friendly 1:1. This is very useful when shooting footage for social-media platforms, which often require different frame shapes. More exposure modes when shooting video When capturing video footage, EOS R6 Mark II users can now shoot in aperture-priority (Av) and shutter-priority (Tv) exposure modes, as well as manual (M), Program (P) and 3 custom setting modes giving more convenience and creative control. Multifunction shoe The multifunction shoe, first seen on the EOS R3, is also included on the EOS R6 Mark II, allowing a range of new accessories to be used with the camera. These include the DM-E1D digital microphone and Tascam XLR adapter, for recording high-quality sound, and a smartphone adapter – as well as new Speedlite flashes. Advanced overheat management The EOS R6 Mark II is able to capture video for longer by managing the camera’s response to rises in temperature. Advanced warning of overheating informs videographers well before shooting needs to be paused. Low-resolution standby mode helps reduce the likelihood of overheating when the camera is on standby between takes. Display frame rate and image quality are temporarily reduced, conserving power and extending recording time.

Panasonic HC-X2e 4k 60p/50p Camcorder

Panasonic Pan-Hcx2e(PAN/HCX2E, PAN_HCX2E, PANHCX2E, PAN HCX2E) HC-X2E 4K 60p/50p Camcorder Panasonic HC-X2 4K Camcorder The Panasonic Camcorder HC-X2 video recorder offers 20x optical zoom, 24.5mm wide angle for both UHD and FHD, 4K high-precision AF with new face detection and higher precision, 5-Axis HYBRID O.I.S.+, high brightness LCD, and more. For video recording, the HC-X2 supports 4:2:2 10-bit 4K 30p/25p internal video recording and the new, high-efficiency HEVC codec, with a wide variety of recording formats for the best selections such as Super Slow Motion (120/100 fps) and VFR (2 to 60 fps). With built-in Wi-Fi, direct connection to Ethernet, and HLG Gamma Mode and 13-stop V-Log for production of 4K HDR video content. Featuring Remarkable Optical Performance for Precise Shooting The integrated lens offers a remarkably powerful, optical 20x zoom that ranges from 24.5mm wide angle to 490mm tele. i.ZOOM achieves 24x at 4K resolution, and 32x at FHD. The 4-Drive Lens System drives the four lens groups independently, thus achieving the optical 20x zoom and compact body size. High-speed, High-precision AF Including Face Detection AF/AE Superior focusing speed, stability and tracking performance for both 4K and Full-HD is achieved thanks to Face Detection AF/AE together with the precise focus lens drive. Face Detection AF/AE provides precise focusing and sufficient exposure for subjects. In addition, subject tracking with color recognition can be activated by just touching the LCD panel enabling precise tracking. 5-Axis HYBRID O.I.S.+ Enables Stable Image Acquisition For both UHD and FHD modes, in addition to OIS (Optical Image Stabilization), Electronic Image Stabilization operates to detect and correct handshake in 5 axes, including rotational blurring. This provides strong correction under unstable conditions, such as low-angle and high-angle shooting. The Ball O.I.S. System reduces friction on the drive section, achieving delicate correction even for a small-amplitude handshakes. This produces beautiful images with suppressed handshake even at high, 20x optical zoom. High-sensitivity 1.0-type (1.0-inch) 4K Sensor for Superb Image Quality The 1.0-type (1.0-inch) MOS sensor (approximately 15.03 effective megapixels) is capable of recording at UHD (3840 x 2160) without cropping and offers a moderate depth of field and an excellent balance between image quality and sensitivity. The file format can be selected from versatile and easy-to-use MOV (QuickTime), MP4 and AVCHD. High-Quality Recording with Versatile Modes The camcorders support a variety of bit rates and formats to meet professional needs. Internal recording of UHD up to 29.98p/25p and FHD up to 59.94p/50p in 4:2:2 10-bit high quality is now possible. When set for 10-bit recording, the camcorder delivers 4K 60p 4:2:2 10-bit HDMI output, enabling high image quality capture with an external recorder. New, highly efficient HEVC recording (LongGOP/10-bit 4:2:0/MOV) is also supported for recording 59.94p at a high bit rate of 200 Mbps, in addition to MOV, MP4, and AVCHD file formats. HLG (Hybrid Log Gamma) /V-log for HDR Video Production HDR is an image display technology that provides a wider brightness range (dynamic range) than conventional SDR. HDR renders more natural and true-to-life images without compromising the gradation in bright image areas or dark image areas. The HC-X2 is equipped with HLG (Hybrid Log Gamma) shooting mode, one of the standards related to HDR. In addition, it supports V-Log, which is also available on the Panasonic VARICAM cinema camera and LUMIX mirrorless cameras, providing 13 stops of latitude. When combined with a V-log compatible camera, color grading provides a uniform image in post-production. Super Slow Motion and VFR (2 to 60 fps) The Super Slow Motion function records HD images at a high speed of 120 fps (59.94 Hz)/100 fps (50 Hz) to provide a slow-motion effect. The HC-X2 is also newly equipped with a VFR (variable frame rate) recording function that allows the change of frame rate setting in ten steps from 2 to 60 fps. This lets the user produce creative and expressive videos using techniques such as overcranking for a slow-motion effect and undercranking for a quick-motion effect. Versatile Network Functions Expand the User's Workflow The built-in Wi-Fi module enables Wi-Fi connectivity using only the main unit. The HC-ROP tablet/smartphone app enables wireless remote control, including camera settings and lens control. The HC-X2 is equipped with Ethernet for more stable live streaming, and also be connected to a wired LAN by using a USB Ethernet adapter (sold separately). RTSP/RTP/RTMP/RTMPS-compatible FHD streaming enables direct connection and streaming of live concerts, sporting events, breaking news, etc. to Facebook, YouTube, etc. It is also now possible to record while streaming. Other Network Features: USB tethering enables streaming using 5G smartphones. Functions and Designs Supporting Pro Camera Work The 3.5-inch LCD monitor has a high resolution of approximately 2,760k dots, more than double that of the previous model, and realizes excellent visibility even in bright sunlight with twice the brightness compared to the previous model. The electrostatic touch panel also improves operability when selecting menus. Since the 2,360K-dot tiltable viewfinder and LCD output simultaneously, the image being recorded can also be confirmed in the LCD monitor while viewing it on the EVF, thus improving work efficiency. Also, to support fast, accurate manual focusing, Focus Assist functions are equipped, including Expand, Peaking and Area Mode. For shooting in even darker conditions, commercially available IR lights are supported for IR (Infrared) Shooting. The lens barrel features Triple Manual Rings for zoom, focus and iris operations. There are a total of 14 User buttons, nine on the body and five on the LCD touch panel. These User buttons can be allocated with desired functions. The ND filter can be set to Clear, 1/4, 1/16 or 1/64. Gain selector and AWB selector are also provided. The controls are designed and engineered to meet the needs of video professionals. The included battery is designed to be integrated into the camera, not protruding from it, and can provide approximately 3 hours and 50 minutes of continuous shooting. Double SD Card Slot and UHD/FHD Dual Codec Recording Two SD memory card slots are provided. The recording media switches automatically and seamlessly from Slot 1 to Slot 2. By changing a full SD card with a new SD card, images can be recorded continuously for many hours. Unlimited Relay Recording: Data is recorded continuously by automatically switching the recording SD card from Slot 1 to Slot 2. By changing the full SD card with a new SD card, images can be recorded continuously for many hours. Simultaneous Recording: Identical data is recorded onto cards in both slots in this highly redundant recording mode. Background Recording: One SD card can be set in Slot 2 to record continuously, and another SD card can be set in Slot 1 to record necessary scenes by turning REC on and off. Dual Codec Recording: Records images simultaneously in two different formats, such as Main (UHD/FHD) and Sub (FHD), etc. This achieves an efficient workflow. 48-kHz/24-bit High Resolution Linear PCM Audio Recording +48V Phantom Power Supply/MIC/LINE Selectable XLR Audio Input with Manual Volume is equipped for each of 2 channels. Also supported is a 24-bit linear PCM system (MOV), 16-bit AAC (MP4), or Dolby Audio system (AVCHD) high-quality 2-channel audio recording. Broadcast-grade Camera Image Adjustment Functions 16-Axis Independent Color Correction Function: Allows color matching of multiple cameras under the same lighting condition as well as creative image rendering. Soft Skin: Makes skin colors appear softly and beautifully. Especially effective when recording the person up close. Master Detail: Adjusts the overall degree of contour enhancement. Scene File: Six sets of image quality settings are preset in scene files. Parameters in each set can be changed flexibly. One set can be saved in the main unit, and up to eight sets can be stored on an SD memory card. 8-Mode Gamma: Gamma setting can be selected from seven modes including two types of CINE-LIKE gamma. This allows the user to achieve the most suitable gradation according to the specific video production need.  

Canon EOS R10 - Body Only

Canon EOS R10 - Body Only 5331C030 5331 C030 5331-C030 5331/C030 The perfect next step in photography, whether you’re moving on from a smartphone or upgrading your DSLR. The EOS R10 lets you be creative in ways you simply couldn’t before – the only limit is your imagination. Stay focused on the subject Track subjects accurately, keeping them pin-sharp, with Dual Pixel CMOS AF II. It’s programmed with deep-learning AI to recognise people, animals and vehicles, wherever they are in the frame. Turn fleeting moments into lifelong memories Photograph fast-moving subjects with high-speed bursts of images, freezing them in time to reveal unseen detail. The EOS R10 can shoot continuously at 15fps, or bursts up to 23/30fps with its silent electronic shutter.  Video and photos from the same hybrid camera 4K/30p footage from the EOS R10 looks simply superb – it’s captured by oversampling 6K sensor data, and the results need to be seen to be believed. 4K 60p footage3 as well as Full-HD at up to 120p can also be captured. Get close and fill the frame The EOS R10’s APS-C sized sensor gives 1.6x more telephoto reach than the same focal length lens on a full-frame camera. Great for finding details in landscapes when travelling or getting close to local wildlife. Connected to the world Wherever you are, the EOS R10 helps get your content where it needs to be. Upload straight from the camera to the canon.image cloud with Wi-Fi, or connect to your smartphone for sharing to social media. Panoramic shot mode Stunning photos covering a huge angle can be shot quickly and easily using the EOS R10’s Panoramic Shot mode. The camera combines the images shot as the camera is panned, merging them together to create the final panoramic result. Photographers can choose the direction of movement – up, down, left or right – and, although any RF, RF-S, EF or EF-S lens can be used, those with built in optical IS will reduce any blurring that comes from camera movement. In-camera depth compositing When depth of field is limited, for example when shooting up close, the EOS R10 lets photographers extend and control the zone of sharpness by shooting multiple images at different focus distances then merging these using in-camera depth compositing. The results of the merge can be seen immediately, so users can get the perfect outcome. image.canon cloud RAW processing   Raw files from the EOS R10 can be processed in the image.canon cloud for the ultimate in image quality. More advanced noise and moire reduction results in more natural looking JPEG and HEIF image files.

TV Logic TVLogic F-7hs 7" Lcd Field Monitor

TVLogic F-7hs 7" Lcd Field Monitor(F 7HS F7HS F-7HS F/7HS) 7" LCD Field Monitor (1920×1080) (Max Luminance = 1,500cd/㎡)  Pre-set Touch Key pad, Excellent Sharpness, Peaking Boost, H/V Flip, Auto Flip, HDR Emulation, Custom 3D-LUT import, Camera LUT, Waveform/Vector, Cross conversion (3G/HD/SD-SDI, HDMI)

Sony UWP-D27 Wireless Audio Kit (TV-channel 33-41, 566,025-630,000 MHz)

Sony UWP-D27 Wireless Audio Kit (TV-channel 33-41, 566,025-630,000 MHz) UWP D27 K33 UWPD27K33 UWP-D27-K33 UWP/D27/K33 Wireless Bodypack Microphone Package This package includes a bodypack transmitter, 2-channel portable receiver, lavalier microphone, and accessories. It is easy to use, delivers high-quality sound, and integrates seamlessly with Sony cameras. The UWP-D27 is a complete wireless audio solution, perfect for on-camera interviews, live presentations, and other scenarios where capturing crisp, clear sound with minimal hassle is essential. The ECM-V1BMP omni-directional lavalier microphone connects to the lightweight and compact UTX-B40 bodypack transmitter, which is worn by the interviewee. Audio is transmitted wirelessly to the URX-P41D 2-channel portable receiver, ensuring quick and easy pairing between the transmitter and receiver. An optional Multi Interface Shoe Adaptor simplifies audio recording with compatible Sony cameras and handheld camcorders.

Canon 4111C005 RF 24-105mm F4-7.1 IS STM Lens

Canon 4111C005 (4 111 C00 5, 4/111-C00-5, 4/111/C00/5, 4-111-C00-5) RF 24-105mm F4-7.1 IS STM Lens. Capture the very best of every day, from epic vistas, striking portraits, candid family moments and much more with an all-purpose lens introducing you to the exciting world of Canon’s EOS R full frame mirrorless system. Easy to use, the RF 24-105mm F4-7.1 IS STM is lightweight, compact and wonderfully versatile with an in-built 5-stop optical Image Stabilizer to help keep your images and movies rock steady – even when you’re out and about without a tripod. And as an added advantage, the lens features Centre Focus Macro with 0.5x macro performance for creative detail shots. It’s a stunning zoom that will take your photography to the next level. Benefits Full frame quality, superb 5-stop optical Image Stabilizer and fast, smooth AF See the whole story; epic vistas, tiny detail, striking portraits and candid moments plus shoot at 13 cm with 0.5x Centre Focus Macro for detail shots Thanks to a lightweight and compact design at just 395 g, it’s a practical zoom from which to start your full-frame mirrorless journey Combined focus and Lens Control Ring for intuitive, customised control over camera settings Track subjects and achieve smooth, natural focus when shooting movies thanks to the quiet STM motor that makes this lens ideal for stunning photos and video  

Canon RF-85mm-F1.2L-USM-DS Lens

Canon RF-85mm-F1.2L-USM-DS (RF85mmF1.2L-USMDS, RF/85mm/F1.2L/USM/DS, RF/85mm-F1.2L-USM-DS, RF85mmF1.2LUSMDS) Lens. The Canon RF 85mm f/1.2L USM DS is a unique portrait-length prime, characterized by its flattering focal length, exceptionally bright maximum aperture, and advanced optical design. Differentiating itself from Canon's other RF 85mm f/1.2 lens, this version features a DS (Defocus Smoothing) coating that helps to soften and smooth the bokeh quality when working at wider aperture settings, making it particularly suitable for shallow depth of field applications. Beyond the bokeh-optimized design, the optical layout of this lens incorporates a Blue Spectrum Refractive Optics element; a specially developed element that helps to nearly eliminate chromatic aberrations and color fringing for notable clarity and color accuracy. In addition to this, an ultra-low dispersion element and one aspherical element are also featured to further control various aberrations and distortion for great sharpness and resolution. Individual elements also feature an Air Sphere Coating to suppress flare and ghosting for high contrast and color fidelity when working in bright and backlit conditions. Complementing the imaging capabilities is an apt ring-type Ultrasonic Motor, which delivers fast, near-silent autofocus and full-time manual focus override. A unique Control Ring is also integrated into the lens design for intuitive control over exposure settings from the lens itself. Portrait-length prime is designed for full-frame Canon RF-mount mirrorless digital cameras. Exceptionally bright f/1.2 maximum aperture affords extensive control over depth of field for selective focus applications and also benefits working in low-light situations. Defocus Smoothing coating helps to achieve an especially soft and smooth bokeh quality when working at wide aperture positions. While this coating softens the look and feel of the out-of-focus regions in an image, sharpness is still retained on the in-focus portions for noticeable subject separation and overall three-dimensional quality. The effect is greatest when working at f/1.2, however, the DS coating requires approximately 1.3 stops more exposure than the standard version of the lens when shooting wide open. By f/3.2, the two versions of the lens have nearly identical light transmission and performance. Blue Spectrum Refractive Optics element virtually eliminates color fringing and chromatic aberrations by refracting shorter wavelengths of the visible spectrum (blue light). One aspherical element and one UD element also help to control aberrations and distortions for sharper, clearer image quality. An Air Sphere Coating (ASC) has been applied to lens elements to reduce backlit flaring and ghosting for maintained light transmission and high contrast in strong lighting conditions. Ring-type Ultrasonic Motor (USM), along with optimized focusing algorithms, a high-speed CPU, and an internal focusing design, is employed to deliver fast, precise, and quiet autofocus performance as well as full-time manual focus override. Configurable Control Ring can be used to adjust a variety of exposure settings, including aperture, ISO, and exposure compensation. As a member of the esteemed L-series, this lens has a weather-resistant design that protects against dust and moisture to enable its use in inclement conditions. Rounded 9-blade diaphragm contributes to a pleasing bokeh quality.

Canon EF-85mm-F1.2L-II-USM Lens

Canon EF-85mm-F1.2L-II-USM (EF 85mm F1.2L II USM, EF/85mm/F1.2L /II/USM, EF85mmF1.2LIIUSM, EF-85mm/F1.2L-II-USM) USM Lens. The Canon EF 85mm f/1.2L II USM Autofocus Lens is a fast lens that delivers superb optical performance. A maximum aperture of f/1.2 makes it the professional's choice for shooting without flash in low light conditions. The large aperture also provides fine control over the depth of field for compelling portrait photography. Retaining the impressive optical performance and large aperture of its predecessor, this medium telephoto lens has been improved with a Ring-type USM, high-speed CPU, and optimized algorithms to achieve an autofocus speed of approximately 1.8x faster than the original. The high-speed AF and circular aperture create a shallow depth-of-field that brings attention to the subject and blurs the background, which is ideal for portraits and weddings. Benefits Extreme f/1.2 maximum aperture Fast, quiet autofocus Super Spectra coatings Circular aperture for smooth background bokeh Integration with E-TTL II flash system

Canon RF-800mm-f/11-IS-STM IS STM Lens

Canon RF-800mm-f/11-IS-STM (RF-800mm-f11-IS-STM, RF/800mm/f11/IS/STM, RF-800mm/f11/IS-STM, RF 800mm f/11 IS STM) RF 800mm f/11 IS STM Lens. The RF 800mm F11 IS STM is a super telephoto prime lens with exceptional 4-stop image stabilization and a higher focal length than RF600mm f/11 IS STM, aimed primarily at the casual, travel-wildlife enthusiast but also extending to aviation photography for the ultimate reach. Characterized by its retractable design and a fixed f/11 aperture, this lens's sleek profile makes handheld super-tele shooting a very real possibility, and four stop-effective optical image stabilization further helps to achieve sharp imagery when working in difficult lighting conditions. Also contributing to the reduced size is a distinct optical layout, which uses gapless dual-layer diffractive optics instead of multiple heavier individual elements, which also effectively controls color fringing and chromatic aberrations for high clarity. Complementing this design is an STM stepping motor that delivers quick and quiet autofocus performance that is suitable for both stills and video needs. Additionally, a Control Ring is also integrated into the lens design for intuitive control over exposure settings from the lens itself. If you decide you need more than 800mm, this lens is compatible with the 1.4x and 2x RF Extenders for an equivalent focal length of 1120mm or 1600mm, respectively. Bring your world closer Capture safari, aircraft or travel views and shoot the ultimate frame-filling moments in glorious detail that benefit from creative telephoto compression. Enjoy sharp, shake-free images An Optical Image Stabilizer helps to minimize the appearance of camera shake by up to four stops to better enable working in low-light conditions and with slower shutter speeds. Revolutionary size and weight Thanks to the RF mount, an F11 aperture and Diffractive Optics, the lens contracts to 281.8 mm in length when stored and weighs only 1260 g. Focus smoothly and quietly STM stepping motor offers fast, quiet, smooth, and accurate autofocus performance that is ideal for video recording as well as still shooting. An extreme telephoto for all Now it’s easy to pack a super telephoto lens in your kitbag with powerful image stabilisation and AF which is available to all enthusiasts who want to travel light.  

Canon RF-600mm-f/11-IS-STM IS STM Lens

Canon RF-600mm-f/11-IS-STM (RF/600mm/f11/IS/STM, RF/600mm-f/11-IS/STM, RF 600mm f/11 IS STM, RF/600mm-f/11-IS-STM) RF 600mm f/11 IS STM. Reach out and grab your world with a 600mm super telephoto full frame lens that is lightweight, powerful and perfect for capturing distant subjects in glorious detail. An impressive and incredibly unique super-telephoto, the Canon RF 600mm f/11 IS STM is an especially compact and lightweight lens considering its long focal length. Featuring a retractable design and a fixed f/11 aperture, this lens's sleek profile makes handheld super-tele shooting a very real possibility, and optical image stabilization further helps to achieve sharp imagery when working in difficult lighting conditions. Also contributing to the reduced size is a distinct optical layout, which uses gapless dual-layer diffractive optics instead of multiple heavier individual elements, which also effectively controls color fringing and chromatic aberrations for high clarity. Complementing this design is an STM stepping motor that delivers quick and quiet autofocus performance that is suitable for both stills and video needs. Additionally, a Control Ring is also integrated into the lens design for intuitive control over exposure settings from the lens itself. If you need more reach, the 600mm is compatible with the 1.4x and 2x RF Extenders for an effective focal length of 840mm or 1200mm, respectively. Super-telephoto prime is designed for use with full-frame Canon RF-mount mirrorless digital cameras. Fixed f/11 aperture contributes to the sleek and portable form factor as well as a balanced mixture of depth of field and sharpness. Gapless dual-layer diffractive optics contribute to a marked reduction in chromatic and spherical aberrations as well as benefit the design of a relatively compact and lightweight lens. Retractable/extendable design, with a locking lens barrel, offers an impressively compact form factor considering the super-telephoto design. An Optical Image Stabilizer helps to minimize the appearance of camera shake by up to five stops to better enable working in low-light conditions and with slower shutter speeds. STM stepping motor offers fast, quiet, smooth, and accurate autofocus performance that is ideal for video recording as well as still shooting. Configurable Control Ring can be used to adjust a variety of exposure settings, including aperture, ISO, and exposure compensation. Compatible with optional Extender RF 1.4x and Extender RF 2x teleconverters to further increase the effective focal length.

Atomos AO-ATOMSHB002 Shinobi 7" 4K HDMI/SDI HDR Photo & Video Monitor

Atomos AO-ATOMSHB002 (AO-ATOMSHB002, AO/ATOMSHB002, AO_ATOMSHB002, AOATOMSHB002, ATOMSHB002, ao_atomshb002) Shinobi 7" 4K HDMI/SDI HDR Photo & Video Monitor BIG, BRIGHT AND BEAUTIFUL Shinobi 7 combines a large 7” HDR screen with a calibrated peak brightness of 2200Nits and the lightweight Monitor-only functions of the original Shinobi. The Shinobi 7 can be used in the brightest of environments to monitor signals up to 4Kp60 via HDMI. An ideal directors' monitor, focus pullers' monitor, program or preview display for video switchers and perfect for vloggers presenting to camera. CAMERA CONTROLS AT THE FINGERTIPS Control camera functions with the intuitive touchscreen of the Shinobi 7, designed to give you fast access to the most crucial camera features. The optional Atomos USB-C to serial cable gives you direct control of all the menu configurations on Z Cam E2 series cameras, so that you can focus on the beautiful image and make dynamic adjustments of iris, white balance, shutter angle and ND. HDR IN THE FIELD Shinobi 7 screen displays a stunning 10+ stops of dynamic range in real time from Log/PQ/HLG signals. Combined with our unique HDR monitoring features, the Shinobi 7 simplifies the complexities of shooting Log and HDR. BUILT IN 3D LUT BOX In addition to Log to HDR conversions, you can also use your own custom LUTs to feed downstream or live feed. Load up to eight custom LUTs at any time via the SD Card Slot and instantly select between them, maintaining creative intent at all times. THE BEST OF ATOMOS 10 Shinobi 7 utilizes the AtomOS 10 platform and is packed with an extensive suite of scopes and simple one-touch operations. Shinobi includes monitoring tools for focus, framing & exposure, including Focus Peaking, 4:1 / 2:1 / 1:1 Zoom in, Zebra, False Colour, Cine and social frame guides, SMPTE Safe Area, Waveform, RGB parade, vectorscope, anamorphic de-squeeze. ATOMOS ‘ANALYSIS’ MODE The Analysis feature allows you to see a waveform, histogram and vectorscope simultaneously whilst monitoring the image to ensure complete control of your image. You can even switch between different waveform, histogram and vector scope options on the fly with a single touch. CONTINUOUS POWER Shinobi 7 was designed to optimize battery usage while monitoring, as the dual battery slots combine to allow you to run all day and easily hot-swap batteries. The dedicated locking DC jack input allows you to connect to mains power on-set and can also be used with the optional DC to D-Tap cable for power in the field from block batteries. PRO I/O AND CROSS CONVERSION With both HDMI and SDI for input or output Shinobi 7 fits in to any production. With built in cross conversion and 4K to HD down conversion you can easily bring HDMI cameras in to SDI workflows with out the need for separate convertors. FACTORY & USER CALIBRATION Factory calibrated for Rec.709, Shinobi 7 also supports user calibration with X-Rite’s i1DisplayPro/Plus and free Atomos Calibration software, which automates the calibration of the screen to ensure accurate and reliable HDR and Rec. 709 monitoring.

Canon RF-24-105mm-F4.0L-IS-USM Lens

Canon RF-24-105mm-F4.0L-IS-USM (RF_24-105mm-F4.0L-IS-USM, RF24-105mm-F4.0L-IS-USM, RF 24-105mm-F4.0L-IS-USM, RF/24-105mm-F4.0L-IS-USM) Lens. Prized for its versatility, the RF 24-105mm f/4L IS USM from Canon is a wide-angle to short telephoto zoom characterized by its constant f/4 maximum aperture. Ideal for use in nearly any shooting scenario, this zoom is benefitted by a five-stop-effective Image Stabilizer to minimize the appearance of camera shake for sharper handheld imagery. Also complementing handling is a unique customizable Control Ring, which can be configured to adjust a variety of exposure settings settings, including aperture, ISO, and exposure compensation. Benefitting image quality, the advanced optical design features a Super Spectra Coating, which helps to suppress ghosting and flare in order to improve contrast and color accuracy when working in bright and backlit conditions. Ideal for both photo and video applications, this lens also incorporates a Nano USM autofocus motor, which delivers quick, quiet, and precise focusing performance. Standard wide-angle to telephoto zoom lens is designed for use with full-frame Canon RF-mount mirrorless cameras. Constant f/4 maximum aperture maintains consistent illumination throughout the zoom range. Super Spectra coating has been applied to individual elements to minimize ghosting and flare for greater contrast and color neutrality when working in strong lighting conditions. An Optical Image Stabilizer helps to minimize the appearance of camera shake by five stops to better enable working in low-light conditions and with slower shutter speeds. Nano USM system utilizes both a ring type USM and an STM mechanism to realize quick and accurate focusing that is also smooth and near-silent to suit both photography and video applications. This focusing system also affords full-time manual focus control when working in the one-shot AF mode. Configurable Control Ring can be used to adjust a variety of exposure settings, including aperture, ISO, and exposure compensation. As a member of the esteemed L-series, this lens has a weather-resistant design that protects against dust and moisture to enable its use in inclement conditions. Rounded nine-blade diaphragm contributes to a pleasing bokeh quality.

Canon EF-50mm-F1.8-STM Lens

Canon EF-50mm-F1.8-STM (EF_50mm-F1.8-STM, EF50mm-F1.8-STM, EF 50mm-F1.8-STM, EF/50mm-F1.8-STM) Lens. One of the most versatile focal lengths available, the EF 50mm f/1.8 STM Lens from Canon is a compact, normal-length prime well-suited to everyday shooting. The bright f/1.8 maximum aperture benefits working in difficult lighting conditions and also affords increased control over depth of field for isolating subject matter. Individual elements feature a Super Spectra coating to help minimize flare and ghosting to realize greater contrast and color accuracy when working in backlit and harsh conditions. Additionally, an STM stepping AF motor is used to realize quick and near-silent autofocus performance along with full-time manual focus override. Normal-length prime is designed for full-frame Canon EF-mount DSLRs, however can also be used with APS-C models where it provides an 80mm equivalent focal length. Bright f/1.8 maximum aperture enables control over depth of field for selective focus applications and also benefits working in low-light situations. Super Spectra coating has been applied to individual elements to minimize ghosting and flare for greater contrast and color neutrality when working in strong lighting conditions. An STM stepping AF motor realizes smooth, near-silent autofocus that is complemented by advanced AF algorithms and a high-speed CPU for fast AF performance. Additionally, full-time manual focus override is also available. Redeveloped physical design incorporates a metal lens mount for durability as well as a re-located focusing ring to maintain a compact form factor. Rounded seven-blade diaphragm contributes to a pleasing out of focus quality that benefits the use of shallow depth of field and selective focus techniques.

Canon RF-28-70mm-F2L-USM Lens

Canon RF-28-70mm-F2L-USM (RF_28-70mm-F2L-USM, RF/28-70mm-F2L-USM, RF28-70mm-F2L-USM, RF 28-70mm-F2L-USM) Lens. Combining the versatility of a zoom with the speed typically reserved for a prime, the Canon RF 28-70mm f/2L USM is a wide-angle to portrait-length lens distinguished by its impressively unique f/2 constant maximum aperture. This bright design yields excellent low-light performance along with enhanced control over depth of field for isolating subject matter. Ultra-Low Dispersion glass is employed in the optical design, and greatly reduces color fringing and chromatic aberrations in order to realize high clarity and color accuracy. Complementing the advanced optical properties is Canon's proven ring-type Ultrasonic Motor, which delivers fast and quiet autofocus performance along with full-time manual focus control. Additionally, unique to RF lenses, this 28-70mm incorporates a configurable Control Ring for intuitively adjusting exposure settings, including ISO, aperture, and exposure compensation, from the lens itself. Standard wide-angle to short-telephoto zoom lens is designed for use with full-frame Canon RF-mount mirrorless cameras. Impressively bright f/2 maximum aperture maintains consistent illumination throughout the zoom range and suits working in low-light conditions as well as affords increased control over depth of field for working with selective focus techniques. Ultra-Low Dispersion (UD) elements are featured in the optical design, and help to suppress color fringing and chromatic aberrations in order to achieve greater clarity and color accuracy throughout the zoom range. A ring-type Ultrasonic Motor (USM), along with an internal focusing design, optimized focusing algorithms, and a high-speed CPU, is employed to deliver fast, precise, and quiet autofocus performance as well as full-time manual focus override. Configurable Control Ring can be used to adjust a variety of exposure settings, including aperture, ISO, and exposure compensation. As a member of the esteemed L-series, this lens has a weather-resistant design that protects against dust and moisture to enable its use in inclement conditions. Rounded nine-blade diaphragm contributes to a pleasing bokeh quality.

Canon RF-35mm-F1.8-Macro-IS-STM Lens

Canon RF-35mm-F1.8-Macro-IS-STM (RF_35mm-F1.8-Macro-IS-STM, RF35mm-F1.8-Macro-IS-STM, RF 35mm-F1.8-Macro-IS-STM, RF/35mm-F1.8-Macro-IS-STM) Lens. Compact, lightweight, and close-focusing, the RF 35mm f/1.8 IS Macro STM from Canon is a unique wide-angle prime mixing the versatility of a general wide lens with the specialty of a 1:2 macro optic. An advanced optical design is benefitted by a Super Spectra coating, which helps to control flare and ghosting for greater contrast and color accuracy when working in bright or backlit conditions. Capable of focusing down to 6.7" at half life-size, this lens is ideal for photographing everything from close-ups of plants to street scenes and landscapes. The bright f/1.8 maximum aperture offers increased control over depth of field and also suits working in a variety of lighting conditions. Complementing this is a five stop-effective image stabilization, which minimizes the appearance of camera shake for sharper handheld shooting. Also, an STM motor affords impressively quiet and smooth autofocus performance and full-time manual focus override. Additionally, a configurable Control Ring lets you adjust exposure settings, including ISO, aperture, and exposure compensation, from the lens itself. Wide-angle prime is designed for use with full-frame Canon RF-mount mirrorless digital cameras. Bright f/1.8 maximum aperture suits working in difficult lighting conditions and also offers increased control over depth of field. Super Spectra coating has been applied to individual elements to minimize ghosting and flare for greater contrast and color neutrality when working in strong lighting conditions. An Optical Image Stabilizer helps to minimize the appearance of camera shake by up to five stops to better enable working in low-light conditions and with slower shutter speeds. Macro design benefits working with close-up subjects and provides a 1:2 maximum magnification along with a minimum focusing distance of 6.7" STM stepping motor offers fast, quiet, smooth, and accurate autofocus performance that is ideal for video recording as well as still shooting. Configurable Control Ring can be used to adjust a variety of exposure settings, including aperture, ISO, and exposure compensation. Rounded nine-blade diaphragm contributes to a pleasing bokeh quality.

Canon RF-50mm-F1.2L-USM Lens

Canon RF-50mm-F1.2L-USM (RF_50mm-F1.2L-USM, RF50mm-F1.2L-USM, RF/50mm-F1.2L-USM, RF 50mm-F1.2L-USM) Lens. Distinguished by its speed, the RF 50mm f/1.2L USM from Canon is a desirable normal-length prime due to its versatile focal length and bright f/1.2 maximum aperture. This fast design excels in difficult lighting conditions and also benefits working with shallow depth of field and selective focus techniques. The optical layout incorporates one UD element and one aspherical element, which help to reduce both chromatic and spherical aberrations in order to produce greater clarity and sharpness. A rounded 10-blade diaphragm also benefits bokeh quality to suit isolating subjects with depth of field. Complementing the imaging capabilities is an apt ring-type Ultrasonic Motor, which delivers fast, near-silent autofocus and full-time manual focus override. Additionally, a unique Control Ring is integrated into the lens design for intuitive control over exposure settings from the lens itself. Normal-length prime is designed for full-frame Canon RF-mount mirrorless digital cameras. Exceptionally bright f/1.2 maximum aperture affords extensive control over depth of field for selective focus applications and also benefits working in low-light situations. One UD (Ultra-Low Dispersion) element is featured, and helps to minimize chromatic aberrations and color fringing in order to provide greater clarity and color accuracy. An aspherical element is used to correct spherical aberrations and distortion for improved sharpness and accurate rendering. Ring-type Ultrasonic Motor (USM), along with optimized focusing algorithms and a high-speed CPU, is employed to deliver fast, precise, and quiet autofocus performance as well as full-time manual focus override. Configurable Control Ring can be used to adjust a variety of exposure settings, including aperture, ISO, and exposure compensation. As a member of the esteemed L-series, this lens has a weather-resistant design that protects against dust and moisture to enable its use in inclement conditions. Rounded 10-blade diaphragm contributes to a pleasing bokeh quality.

Canon EF-75-300mm-F4.0-5.6-III-USM Zoom Lens

Canon EF-75-300mm-F4.0-5.6-III-USM (EF_75-300mm-F4.0-5.6-III-USM, EF75-300mm-F4.0-5.6-III-USM, EF/75-300mm-F4.0-5.6-III-USM, EF 75-300mm-F4.0-5.6-III-USM) Zoom Lens. The lightest 4x telephoto zoom lens in its class. Ideal for sports, portraiture, animals, etc. The telephoto effect can make the picture look compressed or have excellent background blur. At the 300mm focal length, you can fill the frame with a postcard from 4.9' away. The Micro-USM autofocus motor is quick, compact and quiet.

Canon EF-70-300mm-F4.5-5.6-DO-IS-USM Zoom Lens

Canon EF-70-300mm-F4.5-5.6-DO-IS-USM (EF_70-300mm-F4.5-5.6-DO-IS-USM, EF70-300mm-F4.5-5.6-DO-IS-USM, EF 70-300mm-F4.5-5.6-DO-IS-USM, EF/70-300mm-F4.5-5.6-DO-IS-USM) Zoom Lens. The Canon EF 70-300mm f/4.5-5.6 DO IS USM Lens is a relatively compact telephoto zoom offering superior maximum-aperture performance across its entire focal length range. It incorporates Canon's DO (Diffractive Optics) and IS (Image Stabilizing) technologies. The use of Diffraction Optics allows a lens to be shorter, lighter, and of higher image quality than comparable normal optical systems of the same focal length and aperture-while this lens is heavier than the consumer-grade EF 70-300mm f/4-5.6 IS USM lens, it is 28% shorter and uses Canon's very best ring-USM motor instead of the lighter, slower, and less costly 'micro-USM' motor. Beyond savings in mass, the DO lens performs admirably at its maximum aperture, with images that are very comparable to the "L" series telephotos. It has a circular aperture diaphragm to help create natural out-of-focus highlights, and its built-in image stabilizer allows you to handhold the lens at shutter speeds 3 steps slower than would otherwise be possible. The lens' AF is super-fast and silent with a ring-type USM that focuses down to 4.6', and features a zoom lock button that keeps the lens safe and secure when not in use or when being used at the shortest 70mm focal length setting. The EF 70-300mm f/4.5-5.6 DO IS USM is an ideal lens for sports, portraiture, animals, and other applications when you're shooting in relatively bright light. An autofocus telephoto zoom lens for both film and digital cameras Excellent maximum-aperture performance across entire zoom range Built-in image stabilizer action can be seen in the viewfinder Allows handheld images at shutter speeds 3 steps slower than without image stabilization Fast, silent autofocus with full-time manual focus override 28% Shorter than normal 70/75-300mm lenses Professionally sealed against moisture and dust ingress A superior performance, ultra-compact telephoto zoom lens with Canon's Image Stabilization. These Diffractive Optics elements are combined to reduce size and boost image quality. With rear focusing, the lens does not change length or rotate during focusing. Circular aperture diaphragm for natural-looking out of focus highlights Uses 58mm filters.

Sony UWP-D26/K33 UHF Wireless Set Consisting Of Bodypack, TX & RX

Sony UWP-D26/K33 (UWP-D26-K33, UWP_D26_K33, UWPD26K33, UWP D26 K33, uwp-d26/k33) UHF Wireless Set Consisting Of Bodypack, TX & RX The demand for high quality audio is increasing as high resolution content becomes prevalent in the video production industry. Today’s content creators are faced with the challenge of capturing high-quality audio quickly, reliably and with limited resources. Offering superb sound quality with digital processing, reliable RF transmission, true double tuner diversity reception and friendly features, the UWP-D series is an ideal partner for ENG (electronic news gathering) and EFP (electronic field production), as well as documentaries and weddings. The UWP-D26 package includes the UTX-B40 bodypack transmitter, UTX-P40 XLR plug-on transmitter and URX-P40 receiver, plus accessories. Digital Audio Processing for High Quality Sound Advanced digital audio processing technology by Sony assures high quality sound with improved transient response performance. A new [optional] digital audio interface enables direct digital sound recording with many Sony professional camcorders and Alpha interchangeable lens cameras via the SMAD-P5 Multi Interface MI shoe adaptor, bypassing A/D and D/A conversion stages to further ensure excellent sound quality. Seamless Camcorder Integration Integration with compatible* Sony camcorders (requires SMAD-P5 Multi Interface shoe adaptor) displays audio information such as RF level meter, audio mute status and transmitter low battery alert in the camera’s viewfinder. Via the SMAD-P5, audio signals are transmitted from receiver to camera without requiring a cable connection. The wireless receiver can also receive power from the camera, with synchronised power on/off between camera and receiver for more effective power management. Fast, Easy Frequency Setting Sony’s uniquely user-friendly NFC SYNC feature allows quick, intuitive secure channel setting between transmitter and receiver. Light, Compact Design Reduced system size and weight enable superior mobility in a wide range of applications including news, documentaries, weddings and remote production. The receiver’s compact size and light weight make it an ideal partner for use small camcorders and interchangeable lens digital cameras.

Canon 3792C005 RF 70-200mm F2.8L IS USM Lens

Canon 3792C005 (RF-70-200mm-f/2.8L-IS-USM, RF/70-200mm/f/2.8L/IS/USM, RF_70-200mm_f/2.8L_IS_USM, rf 70-200mm f/2.8l is usm) RF 70-200mm F2.8L IS USM Lens For serious enthusiasts and pros looking for the ultimate telephoto zoom, the RF 70-200mm F2.8L IS USM offers exceptional image quality in a compact and lightweight body, designed to work in all conditions. This RF system lens is the smallest of its kind while providing even higher image quality compared to the legendary EF 70-200mm f/2.8L IS II USM so beloved of DSLR users. Appealing to sports, travel, portrait or wedding photographers because of its lightness and amazing 5-stop image stabilisation, the RF 70-200mm F2.8L IS USM will take your photography to new heights thanks to Dual Nano USM motors for even faster focusing, advanced lens coatings for even sharper images and L-series build quality for outstanding results in all conditions. An essential workhorse lens, with a 70-200mm focal length range, perfect for travel, wildlife, news and sport A constant f/2.8 aperture gives exceptional clarity in low light as well as excellent depth-of-field creativity For the first time in a Canon lens, dual Nano USM motors bring incredible new levels of rapid and silent continuous focusing, perfect for stills or video Fluorine coatings used on the front and rear elements allows the outer surfaces to be cleaned easily to help resist dust and scratches A 5-stop Image Stabilizer provides new levels of handholding agility, perfect for reportage or wedding work where light levels fluctuate A 9-blade aperture makes highlights really stand out and allows excellent depth-of-field creativity The build quality is distinctly L-series with weather-sealing and fluorine coatings on the front and rear elements to guard against water, dust and scratches Thanks to the lens design, it’s shorter and more compact than the EF equivalent, with improved close focusing and full-time manual focusing as well as rapid AF Zoom ring lock stops the lens from accidentally extending when travelling, making it a compact lens when stowed in a bag White heat-blocking paint ensures the lens internal components do not overheat in extreme temperatures

Canon 3680C005 RF 24-70mm F2.8L IS USM Lens

Canon 3680C005 (RF 24-70mm f/2.8L IS USM, RF 24-70MM F2.8L IS USM, rf 24-70mm f/2.8l is usm) RF 24-70mm F2.8L IS USM Lens The RF 24-70mm F2.8L IS USM is a fast RF zoom lens with the popular 24-70 mm focal length plus a fast and constant f/2.8 maximum aperture, producing exceptional optical quality. With 5-stops of image stabilisation it’s great in low light and ideal for a wide range of subjects where speed and versatility are key such as reportage, portraiture and wedding photography. Change exposure settings instantly without taking your eye away from the viewfinder, or control favoured settings all via the Lens Control Ring, ideal for a variety of situations including macro work, with focusing as close as 0.21 m.

Canon 3682C005 RF 15-35mm F2.8L IS USM Lens

Canon 3682C005 (RF-15-35mm-F2.8L-IS-USM, RF/15-35mm/F2.8L/IS/USM, RF_15-35mm_F2.8L_IS_USM, rf 15-35mm f/2.8l is usm) RF 15-35mm F2.8L IS USM Lens Capture new creative angles thanks to this fast and sharp, professional f/2.8 ultra-wide-angle zoom lens. Designed for exceptional flexibility even low light, this L-series RF lens is ideal for landscape and architectural photography thanks to its superb wide-angle quality and 5-stop Image Stabilization; producing clear and dynamic angles even in tight spaces. Enjoy rapid, accurate focusing thanks to a Nano USM motor that ensures instant and silent autofocus with exceptional smoothness ideal for shooting movies. Plus control your settings via the Lens Control Ring, for use in many situations including macro work, with focusing as close as 0.28 m.

Canon 2309C005 EF 70-200mm f/4L IS II USM Lens

Canon 2309C005 (EF 70-200mm f/4L IS II USM, EF 70-200mm f4.0L IS USM, 70-200mm f4L IS II USM, 70-200mm_f4l_is_ii_usm) EF 70-200mm f/4L IS II USM Lens Ideal for photographers on the move, the professional L-Series EF 70-200mm F/4L IS II USM is designed to deliver superb image quality for a range of subjects in a compact and lightweight design. Built to withstand the rigours of professional use, its robust and weather-sealed for durable performance and the constant f/4 maximum aperture ensures consistent exposures at every zoom setting for a truly versatile experience. With a 70-200mm zoom range suitable for landscape and photojournalism, this lens earns a permanent place in a travelling photographer’s kit bag.

Canon EOS 250D Body, Black

Canon 3454C004 (34-54-C0-04, 34/54/C0/04, 34 54 C0 04, 34_54_C0_04) (EOS250D, EOS/250, DEOS-250D, EOS_250D) EOS 250D Body, Black This highly-portable DSLR camera is a great option for stepping up your photography from a smartphone or compact camera. Easy and enjoyable to use, this intuitive DSLR lets budding photographers take a more creative approach to capturing life’s big moments, and as the world’s lightest DSLR with a movable screen¹, the EOS 250D is a camera you can take everywhere. With its 4K movies, 24.1-megapixel sensor and Dual Pixel CMOS AF, shoot images in stunning quality and vivid detail, with Wi-Fi and Bluetooth®² to effortlessly connect to your smart device and share your results as you go. With the Vari-Angle touchscreen, you can shoot at more creative angles, using the guided user interface that helps you learn how to achieve the best results.

70-200mm f/2.8L IS III USM L-Series Zoom Lens - Canon EF Mount

Canon 3044C005 (3044C-005, 304-4C0-05, 304/4C0/05, 304 4C005) 70-200mm f/2.8L IS III USM L-Series Zoom Lens - Canon EF Mount  The EF 70-200mm f/2.8L IS III USM replaces Canon’s flagship 70-200mm lens, enhancing the experiences of photographers using this industry leading lens. It has been designed with high-performance and robustness at its heart, ideal for a photographer who requires a high-quality telephoto lens for accurate detail. Built to meet the demands of professionals, the EF 70-200mm f/2.8L IS III USM’s protective seals make it an obvious choice for challenging conditions. Resistant to both moisture and dust, the EF 70-200mm f/2.8L IS III USM also comprises fluorine-coated front and rear elements, which are easy to clean. With the functionality photographers love, updates to the EF 70-200mm f/2.8L IS III USM’s durability means it is excellent for shooting high-quality travel photography. With its wide f/2.8 maximum aperture and eight-bladed circular diaphragm, the EF 70-200mm f/2.8L IS III USM opens up a world of creative options. It enables the photographer to emphasise pin-sharp subjects against a silky smooth, out-of-focus background. Thanks to its first-class fluorite and UD optics, the EF 70-200mm f/2.8L IS III USM delivers high contrast and excellent resolution. When using this lens, a photographer can be confident that they can achieve the perfect shot. Shooting in low light is also no problem for the EF 70-200mm f/2.8L IS III USM, thanks to its fast f/2.8 maximum aperture, which is constant throughout the zoom range and lets in twice as much light as an f/4 lens. Camera shake isn’t something users of the EF 70-200mm f/2.8L IS III USM should be concerned about as a 3.5-stop Image Stabiliser compensates any blur caused by movement. A ring-type USM motor offers silent autofocus at outstanding speeds, and manual adjustments can be made at any time with a simple twist of the focus ring. These features make the EF 70-200mm f/2.8L IS III USM an exceptional lens for perfectly, and quietly, capturing animals in their natural habitat.

CamRade run&gun Bag Medium

Camrade CAM-R&GB-MEDIUM (CAM/R&GB/MEDIUM, CAM-RGM, CAM RGM, CAM R&GB MEDIUM, CAM R&GBMEDIUM, cam-r&gb-medium ) run&gunBag Medium The run&gunBag Medium is especially designed for professional cameras up to 50 cm and 19.7 inches (in length) and offers the possibility to safely transport your camera, completely assembled, ready for action! This bag has double (blue) YKK® zippers that open the top flap in one easy pull. Stow away your camera, accessories, batteries, chargers, cables and tools in this easy to use, run&gunBag from camRade. The soft-padded interior includes removable dividers which make it easy to arrange the main compartment into sections to fit your requirements. Carry the bag with the included comfortable padded shoulder strap, the soft handles, or transport it safely on a trolley. (The zippered opening on the back of the bag allows you to attach it securely to a trolley). On the front of the bag you’ll find a large pocket for your cables and accessories. Inside, two mesh pockets (made of waterproof material) make it easy to store smaller items and documents. A cinch strap in the main compartment keeps your camera secured during transportation. The bottom of the bag is equipped with a protective armored plate, covered by a waterproof non-slip cover. Together with the reinforced inserts this provides a rigid lightweight frame which safeguards your camera equipment in any situation.

Canon TS-E 90mm f/2.8

Canon 254/4A016 (254-4A016,254 4A016, 254/4A016, 2544A/016) TS-E 90mm f/2.8 This is the world's first 35 mm-format 90 mm lens with tilt and shift movements. Gaussian optics give high-quality delineation and true background blur. The lens is suited for a variety of subjects, from products to portraits.

Canon TS-E 24mm f/3.5L II Lens

Canon 3552B005 (355/2B005,355-2B005,355 2B005,3552B/005) TS-E 24mm f/3.5L II Lens The TS-E 24 mm f/3.5L II has been refined to deliver superb image quality right to the edges of the frame. Independent rotation of the tilt and shift mechanisms permits maximum creative freedom. Compatibility EOS 300D  EOS 1100D  EOS 450D  EOS 5DS R  EOS 550D  EOS-1D X  EOS 200D  EOS 5D  EOS 60D  EOS 6D  EOS 70D  EOS 7D Mark II  EOS 80D  EOS 100D  EOS 1200D  EOS 1300D  EOS 500D  EOS 5D Mark IV  EOS 6D Mark II  EOS 700D  EOS 77D  EOS 7D  EOS 350D  EOS 400D  EOS-1D X Mark II  EOS 5DS  EOS 600D  EOS 750D  EOS 760D  EOS 800D

Canon EF-S 18-135mm f/3.5-5.6 IS USM Lens

Canon 1276C005 (127/6C005, 127-6C005, 1276C/005, 1276C 005) EF-S 18-135mm f/3.5-5.6 IS USM Lens. From landscapes to portraits and action-packed moments, capture it all in vivid detail with this versatile EF-S 18-135mm wide-angle zoom lens. Due to its wide focal range and compact, lightweight design this lens is ideal for travel or outdoor action, delivering speed and smooth focus for impulsive stills and movies. With Nano USM technology you can focus on your subject with outstanding speed, combined with a versatile focal range it enables you to capture dramatic landscapes, beautiful portraits and fast-paced action - with 4-stop Optical Image Stabilizer to counter-act camera shake to capture sharp, high-quality images even in low light or when using zoom. Benefits: Versatile focal range to capture a wide range of subjects Compact, high performance lens with optional power zoom accessory Record rock steady movie footage with Dynamic IS Pin sharp photos with 4-stop Optical Image Stabilizer Nano USM for fast AF for photos and smooth, quiet AF for movies

Canon EF-S 17-55mm f/2.8 IS USM Lens

Canon 1242B005 (124/2B005, 124-2B005,1242B/005, 1242B/005) EF-S 17-55mm f/2.8 IS USM Lens. The 17-55mm zoom range delivers outstanding flexibility, producing high-quality images for landscape, portrait and travel photography. The f/2.8 aperture remains constant throughout the full focal length range, so you can zoom without slowing the shutter speed. With fast focusing in Ultra-Sonic motor (USM) technology you can roam city streets and expansive scenery, capturing subjects without interruption. The 3-stop optical Image Stabilizer and wide aperture reduces camera shake, enabling hand-held photography in low-light conditions or night photography without using a flash.

Canon EF 8-15mm f/4L Fisheye USM Lens

Canon 4427B005 (4427B005, 4427B005, 4427B005, 4427B005) EF 8-15mm f/4L Fisheye USM Lens. A creative option for photographers, the EF 8-15mm f/4L Fisheye USM is a versatile lens that provides a 180-degree circular field of view on full frame cameras at 8 mm, opening to an ultra-wide fisheye view at 15 mm. Ideal for creative shooting with artistic results, distorting the angle of view lets you get more of the landscape within the frame or distort your subject for unique visual effects. Part of the Canon professional L-series flagship range, this lens is designed for robust handling and resistant to dust and moisture.

Canon EF 75-300mm f/4-5.6 III Lens

Canon 6473A015 (647/3A015, 647-3A015, 6473A/015, 6473A 015) EF 75-300mm f/4-5.6 III Lens. This affordable, telephoto zoom lens is suited to a variety of photography styles, with its lightweight and compact build it can be taken anywhere – making it ideal for travel, with the longer focal reach capturing distant subjects as well as portraits. An easy-to-use zoom lens, the EF 75-300mm f/4-5.6 III lens boasts an integrated Auto Focus motor for fast auto-focus performance, along with an electromagnetic aperture diaphragm for incredibly accurate aperture positioning.

Canon EF 35mm f/1.4L II USM Lens

Canon 9523B005 (952 3B0 05, 95-23-B0-05, 95/23/B0/05, 95 23 B0 05 ) EF 35mm f/1.4L II USM Lens  The EF 35mm f/1.4L II USM prime lens delivers outstanding image quality with a slightly wide-angle 35mm focal length. Used by photojournalists for its ability to capture a subject within its environment, without distorting the perspective – the f/1.4 maximum aperture also allows hand-held shooting in low light, or night photography using a tripod. The ring-type USM Auto Focus, focuses quickly and quietly, so you can work without disturbing the scene. An excellent choice for professional, high-quality photography or video in varied locations, this lens is part of the Canon professional L-series flagship range, designed for robust handling and resistant to dust and moisture. *** Please see this is a special order item.

Canon EF 50mm f/1.4 USM Lens

Canon 2515A012 (2515A/012, 2515A-012, 2515A/012, 2515A 012) EF 50mm f/1.4 USM Lens. With its fast maximum aperture and focusing system, the compact, high performance EF 50mm f/1.4 USM standard lens delivers superb performance in any field of photography, from landscapes and travel scenes to portraits and reportage. It’s compact and lightweight design make it an affordable choice for travel and general-use, the Ultra Sonic Motor (USM) motor drives autofocus extremely quickly and quietly, with excellent holding torque ensuring the point of focus is reached accurately. A circular 8-bladed aperture diaphragm gives out-of-focus regions a softer look, letting sharp foreground objects stand out against elegant bokeh.

Canon EF 24-70mm f/2.8L II USM Lens

Canon 5175B005 (517/5B005, 517-5B005, 517 5B005, 5175B-005) EF 24-70mm f/2.8L II USM Lens Tackling virtually any subject with an extended 24-70 mm zoom range, this L-series prime lens is a go-to zoom for professional photographers. Delivering outstanding image quality with a fast f/2.8 aperture for optimum control over depth-of-field, the 9-bladed diaphragm also helps to achieve beautiful background blur. A great low-light performer – the fast and constant aperture of the EF 24-70mm f/2.8L II USM makes the most of available ambient light. Split-second moments are captured in fast, responsive Auto Focus with Ultra-Sonic Motor (USM) so it’s an excellent choice for professional, high-quality results whilst travelling light. Part of the Canon professional L-series flagship range, its designed for robust handling and resistant to dust and moisture.  

Canon EF 16-35mm f/4L IS USM Lens

Canon, 9518B005, EF 16-35mm f/4L IS USM, EF 16-35mm, EF-16-35mm, 16-35mm, EF, f/4L, f4L, IS, USM, Lens,  ultra-wide-angle, wide lens. The EF 16-35mm f/4L IS USM is an ultra-wide-angle lens producing stunning clarity in a range of focal lengths. The zoom range combines a fixed f/4 aperture with excellent optical performance, making it ideal for landscapes, architectural shots and photojournalism – delivering sharp and expansive images with little distortion. The 4-stop Optical Image Stabilizer reduces camera shake for faster, sharper images, even in low-light and the in-built Ultra-Sonic Motor (USM) drives fast and quiet Auto Focus with optional full manual override. Part of the Canon professional L-series flagship range, its designed for robust handling and resistant to dust and moisture.      

Canon EF 135mm f/2L USM Lens

Canon 2520A015 (252/0A015, 252-0A015, 252 0A015, 2520A/015) EF 135mm f/2L USM Lens A versatile telephoto lens, the long focal length of the EF 135mm f/2L USM coupled with the f/2 maximum aperture provides greater control over depth of field, ideal for portraiture and sports photography. This lens isolates the subject with beautiful bokeh thanks to its 8-bladed fast aperture also allowing for hand-held shooting in in low-light. Benefits A lens suited to portrait and indoor sports photography A fixed, fast aperture for low light shooting Produce sharp, high-contrast images with Super UD (ultra-low dispersion) elements to suppress chromatic aberrations Reduce ghosting and flare with Super Spectra coating The in-built Ultra-Sonic Motor (USM) drives fast and quiet Auto Focus with optional full manual override Compatible with all Canon DSLR cameras and EOS-M mirrorless cameras with an EF-EOS M Mount adapter

Canon EF 100mm f/2.8L Macro IS USM Lens

Canon 3554B005 (355/4B005, 355-4B005, 355 4B005, 3554B/005) EF 100mm f/2.8L Macro IS USM Lens The EF 100mm f/2.8L Macro IS USM has a true macro magnification ratio of 1:1, a versatile lens its perfect for both portrait and macro photography with a fast, fixed aperture for shallow depth of field with beautiful bokeh. The built-in 4-stop Hybrid Image Stabilization allows for handheld shooting, counteracting regular angular shake and lateral shift-shake – especially designed for macro - so you can produce sharp and clear images at extreme close-ups. Part of the Canon professional L-series flagship range, its designed for robust handling and resistant to dust and moisture.    

Canon EF 16-35mm f/2.8L III USM Lens

Canon 0573C005 (057 3C005, 057/3C005, 057 3C005, 0573C/005) EF 16-35mm f/2.8L III USM Lens A premium quality ultra-wide angle lens that’s designed for high optical performance. Enjoy superb edge-to-edge sharpness and a fast f/2.8 aperture that’s ideal for handheld photography in low-light. Durable L-series construction is weather sealed against dust and moisture. Benefits Capture dramatic perspectives in landscape photography, and enjoy wider angles when shooting architecture and interiors Includes a protective lens case Flare is reduced when shooting into the light, thanks to advanced ASC and SWC lens coatings Be prepared for split-second moments with a fast, responsive autofocus Work in harsh environments, thanks to weatherproof sealing and robust design Premium image quality, with excellent sharpness right across the frame Shoot in low light, with a fast f/2.8 maximum aperture that is constant throughout the zoom range Add excitement and impact when shooting photojournalism and sports photography, with a versatile range of focal lengths  

Canon Extender EF 2x III

Canon 4410B005 (441/0B005, 441-0B005, 4410B, 4410B 005) Extender EF 2x III Ideal for press, sports and nature photography, the extender increases the focal length of Canon L-series telephoto or telephoto zoom lens' by a factor of 2x, with higher AF accuracy and improved communication between camera and lens. Compatibility EF 400mm f/4 DO IS II USM EF 200mm f/2L IS USM EF 500mm f/4L IS II USM EF 600mm f/4L IS II USM EF 400mm f/5.6L USM EF 300mm f/2.8L IS II USM EF 300mm f/4L IS USM EF 180mm f/3.5L Macro USM EF 200mm f/2.8L II USM EF 400mm f/2.8L IS II USM EF 135mm f/2L USM EF 70-200mm f/4L USM EF 70-200mm f/2.8L IS II USM EF 200-400mm f/4L IS USM Extender 1.4x IS USM EF 100-400mm f/4.5-5.6L IS II USM EF 70-200mm f/4L IS USM EF 70-200mm f/2.8L USM EF 800mm f/5.6L IS USM

Canon Extender EF 1.4x III

Canon 4409B005 (440/9B005, 440-9B005, 4409B, 4409B 005) Extender EF 1.4x III Ideal for press, sports and nature photography, this compact extender increases the focal length of Canon L-series telephoto or telephoto zoom lens' by a factor of 1.4x, with higher AF accuracy and improved communication between camera and lens. Compatibility EF 200mm f/2L IS USM  EF 300mm f/4L IS USM  EF 300mm f/2.8L IS II USM  EF 180mm f/3.5L Macro USM  EF 200mm f/2.8L II USM  EF 400mm f/5.6L USM  EF 400mm f/4 DO IS II USM  EF 400mm f/2.8L IS II USM  EF 500mm f/4L IS II USM  EF 70-200mm f/2.8L USM  EF 800mm f/5.6L IS USM  EF 600mm f/4L IS II USM  EF 70-200mm f/2.8L IS II USM  EF 100-400mm f/4.5-5.6L IS II USM  EF 200-400mm f/4L IS USM Extender 1.4x IS USM  EF 70-200mm f/4L USM  EF 70-200mm f/4L IS USM  EF 135mm f/2L USM

Canon EOS 5D Mark IV Body

Canon 1483C026 (148/3C026, 148-3C026, 148 3C026, 1483C/026) (EOS-5D, EOS/5D, EOS5D,eos-5d) EOS 5D Mark IV Body  Enjoy superb image quality, whatever you are photographing. From street reportage to location portraiture and landscapes in the evening light, the EOS 5D Mark IV captures incredible detail, even in extreme contrast. 4K video delivers new levels of performance. Continuous 7fps shooting helps when chasing the perfect moment, while GPS keeps a record of your movements. Wi-Fi and NFC make wireless control and image sharing quick and easy. Don’t forget, we also sell the EOS 5D Mark IV with the pre-installed Canon Log. Canon Log improves your videos with extra-wide dynamic range and lower levels of noise so your footage retains detail in difficult light and high-contrast situations. It’s also designed for easier colour grading, allowing you to alter your footage in post-production for that stunning, polished look you’ve been striving for.

Canon EF-S-18-135mm-f/3.5-5.6-IS Lens

Canon EF-S-18-135mm-f/3.5-5.6-IS, EF-S 18-135mm f/3.5-5.6 IS Lens  The Canon EF-S 18-135mm f3.5-5.6 IS lens is an all-in-one lens for EOS EF-S mount bodies. The powerful lens features an impressive 4-stop Image Stabiliser and a 7.5x super zoom range (approx. 29-216mm equivalent focal length). Covering a wide range of focal lengths, the Canon EF-S 18-135mm f/3.5-5.6 IS lens has a 0.45m minimum focusing distance. This lens is a general purpose zoom lens, ideal for photographers who want to try their hand at something different to a standard kit lens. Featuring fantastic low-light performance, this lens also includes ultra low dispersion (UD) lenses, aspherical lens elements and lens coatings optimised to combat ghosting and flare - meaning high quality throughout. The versatile, all-purpose powerful standard zoom lens. Offering a multi purpose zoom range from wide angle to telephoto, and featuring Canon’s 4-stop Image Stabilizer, the EF-S 18-135mm f/3.5-5.6 IS provides complete versatility what ever your needs. Benefits Versatile zoom range – great for landscapes, portraits and travel Compact lightweight design Avoid camera shake with a four-stop optical Image Stabilizer STM Motor gives smooth, near-silent focusing when shooting video 0.25m close focusing distance   The multi function zoom lens Offering a 35mm equivalent effective focal length range of 29-216mm, the EF-S 18-135mm f/3.5-5.6 IS combines the majority of all the most popular focal lengths in one lens. Whether it's a wide angle for landscapes you need, or a telephoto for sports day, the EF-S 18-135mm f/3.5-5.6 IS covers all your requirements. Image Stabilizer The EF-S 18-135mm f/3.5-5.6 IS features Canon’s 4-stop Image Stabilizer (IS). Ideal for low light conditions when a tripod can’t be used, the Image Stabilizer system allows shutter speeds of up to 4 stops slower than normal to be used without causing image blur. Beauty is not just skin deep The EF-S 18-135mm f/3.5-5.6 IS also features a textured exterior finish for a sophisticated look and feel that matches your EOS camera. High speed auto focus A new DC autofocus motor combined with a high-speed CPU and improved AF algorithm enables quick and accurate auto focus performance. Super Spectra coatings Canon’s Super Spectra lens coating is used to prevent flare and ghosting, which are more prone to occur with digital cameras due to reflection off the image sensor. The use of optimised lens coatings prevent flare and ghosting and ensure excellent color balance and contrast. Discover creative blur A 6-blade circular aperture enables you to blur your background creatively. This can be used to enhance portraits by creatively blurring background detail making the subject more striking.